{"meta":{"query_hash":"3b25c753d237","filters":{"topic":"Modernist Literature and Criticism"},"cohort_total":254,"direct_labels_cover":1,"predictions_cover":254,"exported":254,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/3b25c753d237","api":"https://metacan.xera.ac/api/v1/cohort?topic=Modernist+Literature+and+Criticism"},"results":[{"id":"W10110637","doi":"","title":"On \"An Overwhelming Question\" in the Love Song of J. Alfred Prufrock/\"UNE QUESTION ECRASANTE\" DANS LA CHANSON D'AMOUR DE J. ALFRED PRUFROCK","year":2009,"lang":"en","type":"article","venue":"Canadian social science","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Love song; Theme (computing); Poetry; Interpretation (philosophy); Character (mathematics); Literature; Philosophy; Love story; Art; Linguistics; Computer science; Mathematics","score_opus":0.013710740499713003,"score_gpt":0.2594939256399082,"score_spread":0.2457831851401952,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W10110637","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4754426,0.00008445064,0.0002239648,0.0035998404,0.0002702777,0.0003329998,0.00018152819,0.000032172444,0.5198322],"genre_scores_gemma":[0.996173,0.0000033301553,0.000033520613,0.0022607956,0.00042560155,0.0000064556325,0.000016993876,0.000008288055,0.0010719947],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99848914,0.00017739508,0.00020272433,0.0002686483,0.000366666,0.000495452],"domain_scores_gemma":[0.99940085,0.00005057141,0.00007850874,0.00016747233,0.00011523096,0.00018736196],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007872535,0.00014060643,0.00015329268,0.00019280153,0.00063786097,0.00035282565,0.00044019503,0.00008445351,0.00007758307],"category_scores_gemma":[0.000099444296,0.00011957778,0.000050036273,0.00021390092,0.0005115175,0.00042886139,0.000008075334,0.00022523032,0.0000087615035],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010316758,0.000047755228,0.00018903369,0.0000072497514,0.0000018111768,0.000023751973,0.15460253,0.000006577504,0.0011930313,0.8409915,0.0013218955,0.001604557],"study_design_scores_gemma":[0.0020028646,0.0020418328,0.1455286,0.0012262313,0.00014469918,0.000073780924,0.2275548,0.0049994974,0.0024881652,0.31444252,0.2972137,0.0022833222],"about_ca_topic_score_codex":0.08300787,"about_ca_topic_score_gemma":0.40329692,"teacher_disagreement_score":0.526549,"about_ca_system_score_codex":0.00035554913,"about_ca_system_score_gemma":0.0005057467,"threshold_uncertainty_score":0.92309844},"labels":[],"label_agreement":null},{"id":"W1107414900","doi":"","title":"Eco-Joyce: The Environmental Imagination of James Joyce edited by Robert Brazeau and Derek Gladwin","year":2015,"lang":"en","type":"article","venue":"Scholars Commons (Wilfrid Laurier University)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Environmental ethics; Art history; Psychoanalysis; History; Art; Philosophy; Psychology","score_opus":0.01079038498984105,"score_gpt":0.1883190561599203,"score_spread":0.17752867117007926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1107414900","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84110636,0.004551133,0.00017079613,0.008700089,0.000678538,0.00043581074,0.0009210902,0.00010822135,0.14332795],"genre_scores_gemma":[0.9734401,0.0000544705,0.00006501398,0.0004411049,0.0001230631,0.0000011251427,0.00014030674,0.00001766985,0.025717162],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99897665,0.00016663736,0.00015600781,0.00023008695,0.0002564583,0.00021416039],"domain_scores_gemma":[0.99932677,0.00007600695,0.00008914729,0.00029241265,0.00007808144,0.00013758214],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019717298,0.0001751605,0.00018220452,0.00015730984,0.0004796107,0.0002417659,0.0003163835,0.00006601688,0.00028019518],"category_scores_gemma":[0.000021600983,0.00015125601,0.0000668275,0.0000727756,0.00059144053,0.0009668709,0.0001483736,0.00033284718,0.0000174322],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003769629,0.00080455584,0.014239566,0.000075347656,0.0003857342,0.00011245803,0.082326904,0.000011535332,0.001821667,0.4435888,0.44604418,0.010212277],"study_design_scores_gemma":[0.00079899695,0.000078229394,0.00048483597,0.000021553662,0.00008943694,0.0000069576063,0.005796611,0.000067778696,0.00047005748,0.0014973449,0.9904931,0.00019504968],"about_ca_topic_score_codex":0.00021739963,"about_ca_topic_score_gemma":0.00037272723,"teacher_disagreement_score":0.544449,"about_ca_system_score_codex":0.00006521716,"about_ca_system_score_gemma":0.00004003655,"threshold_uncertainty_score":0.6168041},"labels":[],"label_agreement":null},{"id":"W1158707060","doi":"10.71781/14932","title":"Widening gaps, productive spaces : the construction of Victorian identity in Thomas Carlyle, Lewis Carroll and George Eliot","year":2007,"lang":"en","type":"dissertation","venue":"Open MIND","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Children's Literature Association","keywords":"George (robot); Identity (music); Art history; Art; Sociology; Aesthetics","score_opus":0.024620546773499025,"score_gpt":0.3114760825240993,"score_spread":0.2868555357506003,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1158707060","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77897245,0.0021906372,0.0000020565024,0.00010537634,0.0014042995,0.0005704963,0.000091987495,0.000001624341,0.21666105],"genre_scores_gemma":[0.94094336,0.0000710706,0.00026200988,0.000016978198,0.0008104327,0.000026205718,0.00033573495,0.000026217758,0.057507984],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99881357,0.000072419345,0.0003502606,0.0003460281,0.00023703919,0.00018070062],"domain_scores_gemma":[0.9991601,0.000054933862,0.00031426424,0.0002117746,0.00022699927,0.00003190746],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044036112,0.00020286362,0.00034173825,0.00015660828,0.00024889855,0.00087102485,0.00025521888,0.00013539972,0.00070076727],"category_scores_gemma":[0.000052114476,0.00015585365,0.000050396913,0.000068215064,0.0001903205,0.00067910436,0.000047424175,0.00032008786,0.0000068258714],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036730862,0.000088930494,0.0014287165,0.00032632353,0.00017262177,0.000034046014,0.8386977,0.0000011769507,0.0010296741,0.1377829,0.0004335617,0.01963705],"study_design_scores_gemma":[0.00079951365,0.00014524996,0.004693638,0.0011212457,0.00037375643,0.000021161864,0.20601776,0.000007675762,0.0074455827,0.009134673,0.76956517,0.0006745636],"about_ca_topic_score_codex":0.0021857382,"about_ca_topic_score_gemma":0.08841442,"teacher_disagreement_score":0.7691316,"about_ca_system_score_codex":0.000028246735,"about_ca_system_score_gemma":0.00008880955,"threshold_uncertainty_score":0.9282196},"labels":[],"label_agreement":null},{"id":"W145807491","doi":"10.1353/vpr.2014.0009","title":"George Eliot in Context ed. by Margaret Harris (review)","year":2014,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"George (robot); Context (archaeology); Criticism; History; Afterlife; Art history; Classics; Sociology; Philosophy; Literature; Art; Archaeology","score_opus":0.009798474286446179,"score_gpt":0.2365349165491611,"score_spread":0.22673644226271492,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W145807491","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00011826157,0.9133494,0.000028913153,0.010417429,0.0008438753,0.00067467726,0.00016389608,0.000077568875,0.074326016],"genre_scores_gemma":[0.039734006,0.8497222,0.000028348799,0.097143896,0.0017424627,0.00030034955,0.00029236684,0.00006640088,0.010969986],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975488,0.00034724845,0.00084105664,0.000442373,0.00036798246,0.0004525086],"domain_scores_gemma":[0.9988632,0.00009264239,0.0001464177,0.00054322556,0.00013077061,0.00022371908],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00080467545,0.00033679893,0.0009913157,0.00005343213,0.00020226327,0.00022350535,0.00037875405,0.00009288932,0.029952215],"category_scores_gemma":[0.00030256464,0.0002624872,0.00024431385,0.00007542188,0.0002014332,0.00019253658,0.000056470122,0.00035525585,0.0013202506],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000034076097,0.00007784919,0.000026408772,0.007539257,0.000014783869,0.000007861931,0.0013057457,2.620361e-9,0.000014675815,0.07788499,0.8897311,0.023393923],"study_design_scores_gemma":[0.00024147816,0.000057277062,0.000011165385,0.015871942,0.000069406335,0.0000050183394,0.000027390779,0.0000037486227,0.0000058726673,0.00020031373,0.98317254,0.0003338675],"about_ca_topic_score_codex":0.00006492904,"about_ca_topic_score_gemma":0.00023024605,"teacher_disagreement_score":0.09344142,"about_ca_system_score_codex":0.000039812843,"about_ca_system_score_gemma":0.00004486646,"threshold_uncertainty_score":0.9999827},"labels":[],"label_agreement":null},{"id":"W1488277994","doi":"10.3968/j.css.1923669720110704.390","title":"Eliot’s Ariel Poems : The Predicament of the Modern Man in Quest of Spirituality","year":2011,"lang":"en","type":"article","venue":"Canadian social science","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Spirituality; Sensibility; Soul; Literature; Feeling; Philosophy; Reading (process); Secularism; Materialism; Aesthetics; Sociology; Art; Theology; Islam; Epistemology","score_opus":0.05724697038087055,"score_gpt":0.24037130750609456,"score_spread":0.18312433712522402,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1488277994","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21368265,0.000081364786,0.0000053147774,0.0020520438,0.00032562166,0.0001671595,0.00009783229,0.000004338785,0.78358364],"genre_scores_gemma":[0.99777853,9.812127e-7,0.000003847034,0.0011903838,0.00009642056,0.000005359039,5.2571767e-7,0.0000026474202,0.0009213094],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924004,0.00003680543,0.0001566095,0.00011354546,0.00023305808,0.00021993833],"domain_scores_gemma":[0.999607,0.000010447136,0.00005431168,0.00016683126,0.00008716534,0.000074201926],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039872542,0.000053113912,0.00008504863,0.000046699126,0.00038075986,0.000049939095,0.00050543825,0.000026791018,0.00020224135],"category_scores_gemma":[0.000027189524,0.00003222053,0.000039826416,0.00009216269,0.0020531248,0.00010590748,0.00003472569,0.000100645906,0.0000013778767],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000017130114,0.000018400387,0.0018607127,0.000008049942,0.000001995978,9.4757416e-7,0.17753875,6.525537e-8,0.00007778833,0.8186339,0.0010346682,0.0008229736],"study_design_scores_gemma":[0.00055132987,0.00014641148,0.21579386,0.00022626879,0.000058812777,0.0000029229025,0.057045925,0.00026061275,0.0019338113,0.26584297,0.45754737,0.00058967515],"about_ca_topic_score_codex":0.11021375,"about_ca_topic_score_gemma":0.40614197,"teacher_disagreement_score":0.7840959,"about_ca_system_score_codex":0.000072727664,"about_ca_system_score_gemma":0.00040958208,"threshold_uncertainty_score":0.8957114},"labels":[],"label_agreement":null},{"id":"W1498344165","doi":"","title":"“An Irish emigrant the wrong way out”: Masud Khan reads James Joyce","year":2015,"lang":"en","type":"article","venue":"Postcolonial text","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Émigré; Irish; Psychoanalytic theory; Colonialism; History; White (mutation); Key (lock); Literature; Partition (number theory); Period (music); Psychoanalysis; Sociology; Philosophy; Art; Politics; Aesthetics; Psychology; Archaeology; Law; Linguistics","score_opus":0.0532146358315541,"score_gpt":0.2833360704577258,"score_spread":0.23012143462617168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1498344165","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5127857,0.0019862675,0.00009221389,0.027460935,0.004250445,0.0007318235,0.00024241755,0.00038081716,0.45206943],"genre_scores_gemma":[0.9599508,0.0000095515625,0.00005131771,0.0038112772,0.0027381976,0.000044127315,0.000050808223,0.000037915877,0.033306025],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984673,0.00014658824,0.00028750618,0.000308555,0.00035633764,0.00043370487],"domain_scores_gemma":[0.9989362,0.00007666506,0.00007629664,0.0005029385,0.00021299298,0.00019492136],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037810724,0.0002366774,0.00024452177,0.00005171129,0.0005151261,0.00078169454,0.0004515675,0.000095614494,0.0009351154],"category_scores_gemma":[0.000055547713,0.00015372309,0.000113136695,0.000028923554,0.00032195033,0.00036124059,0.00006366711,0.0003054622,0.00059739995],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020247843,0.00026465056,0.0003955386,0.000030020756,0.0000677698,0.000068010064,0.38917407,0.0000043282294,0.0002380692,0.20572823,0.39544848,0.008378343],"study_design_scores_gemma":[0.0004194705,0.00034844328,0.00039634202,0.000028449138,0.000054941644,0.000013142004,0.005536117,0.00011353001,0.0001887697,0.0049929377,0.98763216,0.00027572238],"about_ca_topic_score_codex":0.0010737766,"about_ca_topic_score_gemma":0.003917934,"teacher_disagreement_score":0.59218365,"about_ca_system_score_codex":0.000042918746,"about_ca_system_score_gemma":0.00006539004,"threshold_uncertainty_score":0.9999782},"labels":[],"label_agreement":null},{"id":"W1505562964","doi":"","title":"Experiences of Modernity: Reading the Female Body in J.G. Sime’s Sister Woman","year":2011,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Modernity; Subjectivity; Sister; Gender studies; Reading (process); Patriarchy; Sociology; Psychoanalysis; Psychology; Philosophy; Anthropology; Epistemology","score_opus":0.07277397920780466,"score_gpt":0.2812902654496146,"score_spread":0.20851628624180996,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1505562964","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66535646,0.017477795,6.061724e-7,0.0006402182,0.0011379123,0.00031678352,0.00009274482,0.00001840749,0.31495908],"genre_scores_gemma":[0.99279547,0.00007343924,0.000025322599,0.0014750856,0.00023852174,0.00009616098,0.000009541269,0.000014197391,0.005272255],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9987523,0.00008310437,0.0003201052,0.0002497891,0.00013782603,0.00045687557],"domain_scores_gemma":[0.9993814,0.00006403421,0.00005529985,0.00028896652,0.00011822723,0.00009207699],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002492688,0.0001890333,0.00028829067,0.00027158268,0.00023878612,0.00012739495,0.00027639847,0.00007624311,0.00031053086],"category_scores_gemma":[0.0000561877,0.00012799926,0.00006394583,0.00012649021,0.00051767245,0.0002663262,0.00004272326,0.0003192871,0.000004508485],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000133996145,0.000020777126,0.0011152588,0.00007480474,0.000026790163,0.00011406601,0.9063122,4.5604838e-7,0.0000028154266,0.08967092,0.0025159626,0.0001325525],"study_design_scores_gemma":[0.0003658801,0.00012006255,0.0012753743,0.0010809685,0.000026102194,0.000013255546,0.6380075,0.000065203334,0.000097054224,0.011987348,0.3465066,0.00045462235],"about_ca_topic_score_codex":0.031008257,"about_ca_topic_score_gemma":0.62284523,"teacher_disagreement_score":0.5918369,"about_ca_system_score_codex":0.000094315335,"about_ca_system_score_gemma":0.000077615114,"threshold_uncertainty_score":0.9754443},"labels":[],"label_agreement":null},{"id":"W1512089098","doi":"","title":"Warlords of Atlantis: Chasing the Demon of Analogy in the America(s) of Lawrence, Artaud and Olson","year":2011,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Demon; Analogy; Philosophy; History; Art; Epistemology","score_opus":0.05414085182778057,"score_gpt":0.26700577782659424,"score_spread":0.21286492599881368,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1512089098","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23685545,0.59035134,0.000024706285,0.0013193506,0.0002416923,0.001039987,0.0008381713,0.0000050135877,0.1693243],"genre_scores_gemma":[0.99487215,0.0036103653,0.000058258884,0.0011667294,0.0000474543,0.000011148047,0.00003675701,0.000004821449,0.00019232137],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988718,0.00024867215,0.00047615048,0.00012472259,0.00012808334,0.00015058987],"domain_scores_gemma":[0.99904466,0.0001019916,0.00028185456,0.00026878007,0.000254325,0.00004840814],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025065357,0.00013711749,0.00057853124,0.00012135226,0.000057248806,0.000023326245,0.00025948943,0.000041473653,0.00014978599],"category_scores_gemma":[0.000016289701,0.00007514593,0.00009218461,0.00017574275,0.00056196866,0.00010690481,0.000012395822,0.00019788822,5.3019437e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021693551,0.000055279204,0.0010047572,0.0037788393,0.000060966206,0.00001060445,0.2995461,2.4563985e-7,0.00006923103,0.6880312,0.004883552,0.0025375553],"study_design_scores_gemma":[0.0004004965,0.0005377344,0.013430585,0.027091185,0.00023289997,0.000031997435,0.010299011,0.000070510156,0.0005182843,0.0074788528,0.9395603,0.00034812884],"about_ca_topic_score_codex":0.0041314033,"about_ca_topic_score_gemma":0.023559216,"teacher_disagreement_score":0.93467677,"about_ca_system_score_codex":0.0000066988837,"about_ca_system_score_gemma":0.00007490643,"threshold_uncertainty_score":0.9942583},"labels":[],"label_agreement":null},{"id":"W1515931920","doi":"10.7202/1025681ar","title":"Deanna K. Kreisel. Economic Woman: Demand, Gender, and Narrative Closure in Eliot and Hardy. Toronto: University of Toronto Press, 2012. ISBN: 978-1-4426-4249-2. Price: $65.00.","year":2013,"lang":"en","type":"article","venue":"Romanticism and Victorianism on the Net","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Closure (psychology); Narrative; Media studies; History; Sociology; Economics; Art; Literature","score_opus":0.013069294908617914,"score_gpt":0.20371714365312585,"score_spread":0.19064784874450794,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1515931920","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.783719,0.077248745,0.000047267647,0.0013637663,0.0014047176,0.001432241,0.0002488656,0.000087623484,0.13444775],"genre_scores_gemma":[0.9871761,0.005927962,0.000049209724,0.00032014085,0.0005078809,0.000009731707,0.000015957192,0.000026219655,0.00596678],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99862915,0.0001409797,0.00029428792,0.00042764368,0.00016049248,0.0003474666],"domain_scores_gemma":[0.9991959,0.000145561,0.0001389931,0.00031075045,0.000067624824,0.00014118623],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022933369,0.0003108278,0.0004222864,0.000018269875,0.00044581215,0.00029029977,0.00020535114,0.00015115022,0.0021457379],"category_scores_gemma":[0.0000071423706,0.00024235241,0.000059024173,0.000008133343,0.00029685232,0.0008954966,0.000120046316,0.00018223158,0.000012729495],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000178418,0.0001493889,0.00033484853,0.00017470006,0.00016924077,0.00001914398,0.1658379,0.0000019045393,0.00025125875,0.77236646,0.060051117,0.00046562369],"study_design_scores_gemma":[0.0025573317,0.00062845286,0.016686248,0.00021749065,0.00015707972,0.000021432355,0.0314041,0.0009075634,0.00011106898,0.0146929715,0.9318275,0.0007887521],"about_ca_topic_score_codex":0.0075956048,"about_ca_topic_score_gemma":0.010640814,"teacher_disagreement_score":0.8717764,"about_ca_system_score_codex":0.00006310763,"about_ca_system_score_gemma":0.000035407884,"threshold_uncertainty_score":0.9990129},"labels":[],"label_agreement":null},{"id":"W1538500720","doi":"","title":"D.H. Lawrence's Women in love : a casebook","year":2005,"lang":"en","type":"book","venue":"","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":43,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Casebook; History; Classics; Art history; Law; Political science","score_opus":0.019547813258053638,"score_gpt":0.21424817720972514,"score_spread":0.1947003639516715,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1538500720","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000053014854,0.0007133389,0.000001643953,0.00033789466,0.00027121144,0.00018054988,0.000099729026,0.000049522034,0.9982931],"genre_scores_gemma":[0.0040621446,0.00001700193,0.000014699691,0.0026154404,0.0023657868,0.000024717116,0.00007920735,0.000040123963,0.9907809],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987365,0.000017809512,0.0002982486,0.0002990397,0.00019450282,0.00045389967],"domain_scores_gemma":[0.9994889,0.000041344592,0.000054488315,0.00026142263,0.000053979864,0.000099895406],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001179169,0.0002795149,0.00037606823,0.00016866846,0.00004354881,0.0003100529,0.0001798795,0.00018236524,0.10784215],"category_scores_gemma":[0.0000038270196,0.00023553488,0.00009008997,0.0000058938376,0.00016694685,0.00012917844,0.00004230746,0.00041461733,0.0029694634],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007671273,0.000028406952,2.9090552e-7,0.00006334135,0.000014294633,0.00011051742,0.11199223,1.3780215e-7,2.0870397e-7,0.64303124,0.24245366,0.0022980217],"study_design_scores_gemma":[0.00016844494,0.00004510294,4.3428685e-7,0.00010014459,0.000010564818,0.000005882113,0.0010643628,0.00000839749,6.66558e-7,0.05406571,0.9442334,0.00029689856],"about_ca_topic_score_codex":0.00006192188,"about_ca_topic_score_gemma":0.004788258,"teacher_disagreement_score":0.7017797,"about_ca_system_score_codex":0.0003004729,"about_ca_system_score_gemma":0.00023812089,"threshold_uncertainty_score":0.99780685},"labels":[],"label_agreement":null},{"id":"W1540123858","doi":"10.1002/9781444315738.ch24","title":"In Times of Emergency: Eliot's Social Criticism","year":2009,"lang":"en","type":"other","venue":"","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Criticism; Connection (principal bundle); Reading (process); Literature; History; Sociology; Art; Philosophy; Linguistics; Engineering","score_opus":0.023387824271357573,"score_gpt":0.2702609728502377,"score_spread":0.24687314857888012,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1540123858","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000037587731,0.0014777142,0.000007307755,0.00072999345,0.0007419506,0.000098985685,0.000095092364,0.000060430502,0.99678475],"genre_scores_gemma":[0.0047661946,0.00006053801,0.000040754265,0.00078049785,0.0023530559,0.000006176127,0.000028173215,0.00012092605,0.9918437],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919796,0.000024281504,0.00026652493,0.00017199121,0.00015327733,0.00018593893],"domain_scores_gemma":[0.9997469,0.000006663764,0.00006417997,0.00012399182,0.000036421003,0.000021801665],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000042124793,0.00018290424,0.00033606673,0.000227537,0.000037310154,0.000033495435,0.0001330873,0.00016518509,0.403247],"category_scores_gemma":[0.0000035435291,0.00015714657,0.00011600458,0.000019949844,0.000071643524,0.000051722465,0.000014323887,0.0001464537,0.0001728131],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000014879641,0.000039783972,2.7518635e-7,0.000058966376,0.00000926452,0.000005060958,0.0037368943,2.9765448e-9,0.0000019777306,0.46756998,0.528343,0.0002332986],"study_design_scores_gemma":[0.0001064286,0.000023251267,0.0000020575296,0.00006471457,0.000018640427,2.6769058e-7,0.00023693677,0.000001283923,0.000009011656,0.043408826,0.95595163,0.00017695887],"about_ca_topic_score_codex":0.0004156345,"about_ca_topic_score_gemma":0.0031523341,"teacher_disagreement_score":0.4276086,"about_ca_system_score_codex":0.0000068118215,"about_ca_system_score_gemma":0.00001834631,"threshold_uncertainty_score":0.6408251},"labels":[],"label_agreement":null},{"id":"W1544558693","doi":"","title":"T.S. Eliot and the Concept of Tradition (review)","year":2009,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Literature; Art; Philosophy; History","score_opus":0.02605586552644235,"score_gpt":0.24079837228504683,"score_spread":0.21474250675860448,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1544558693","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033481512,0.70837814,0.0000014499725,0.0068555665,0.0019846777,0.00044218823,0.0001144507,0.000017218557,0.24872477],"genre_scores_gemma":[0.989043,0.005572732,0.00000319233,0.0047733337,0.0002783914,0.000009212311,0.0000038037322,0.0000021888989,0.00031414893],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951774,0.000039330094,0.0001721952,0.00007515874,0.00011118837,0.000084410894],"domain_scores_gemma":[0.9996394,0.00013332357,0.000035725694,0.0000808807,0.00009721565,0.0000134874745],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000108156455,0.00006586983,0.00021115146,0.000011271393,0.00007976605,0.000009263367,0.000057208035,0.0000067837113,0.00007169953],"category_scores_gemma":[0.000096212156,0.000040728613,0.000019561436,0.000016918624,0.00026158453,0.000046381974,0.000008217416,0.000081099904,7.726108e-8],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010423543,0.000009611326,0.000009834682,0.0001365,0.000030157576,0.000009218428,0.0938289,0.0000013729045,2.2407751e-7,0.59734243,0.3044839,0.0041374476],"study_design_scores_gemma":[0.0010195298,0.000053306587,0.00026795568,0.00081231777,0.000056651934,0.0000018104284,0.045993548,0.000011991083,0.000023767354,0.00952481,0.9420772,0.00015709762],"about_ca_topic_score_codex":0.12717184,"about_ca_topic_score_gemma":0.7076787,"teacher_disagreement_score":0.95556146,"about_ca_system_score_codex":0.000044225893,"about_ca_system_score_gemma":0.00006771698,"threshold_uncertainty_score":0.8786404},"labels":[],"label_agreement":null},{"id":"W1548779497","doi":"","title":"Romantic Labor / Romantic Leisure. Romanticism on the Net :, no. 27, 2002","year":2002,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Romance; Art; Psychology; Literature","score_opus":0.03362138942641583,"score_gpt":0.21071645965524793,"score_spread":0.1770950702288321,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1548779497","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38644633,0.002090906,0.000037524886,0.038034406,0.0057724793,0.0018393099,0.00025884932,0.00062481285,0.5648954],"genre_scores_gemma":[0.83814925,0.00018720968,0.000026263242,0.013700233,0.0027841914,0.00010035555,0.000032878597,0.00016183693,0.1448578],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99467456,0.0005292479,0.0009893266,0.0010243222,0.0013064304,0.001476138],"domain_scores_gemma":[0.99561375,0.0013702884,0.00035268397,0.002114592,0.00029880027,0.00024986235],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007928846,0.0010175608,0.0009013927,0.0002643192,0.0019260437,0.0015473191,0.0016622416,0.00027261177,0.031552196],"category_scores_gemma":[0.00026582764,0.0005837469,0.0004988839,0.00024032322,0.000814055,0.00036775717,0.00019523728,0.0013101096,0.019873895],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000073989366,0.00049626955,0.000031209882,0.000045613426,0.0001704302,0.0001420955,0.0071463534,0.00001634977,0.00023231834,0.52686286,0.46448255,0.0002999901],"study_design_scores_gemma":[0.0010401093,0.0009834849,0.0008962625,0.0005766817,0.00034978316,0.0000544646,0.00086578116,0.008168615,0.0004173116,0.010504118,0.9749833,0.0011600998],"about_ca_topic_score_codex":0.00015859488,"about_ca_topic_score_gemma":0.00017775552,"teacher_disagreement_score":0.51635873,"about_ca_system_score_codex":0.000058998314,"about_ca_system_score_gemma":0.000031239542,"threshold_uncertainty_score":0.9996614},"labels":[],"label_agreement":null},{"id":"W1551386017","doi":"","title":"Windows of Doom: A Psychoanalytic Reading of Spatial and Temporal Forces in To The Lighthouse","year":2012,"lang":"en","type":"article","venue":"˜The œalbatross","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Temporality; Psychoanalytic theory; Realm; Natural (archaeology); Art; Aesthetics; The Symbolic; Reading (process); Impossibility; Literature; Philosophy; Psychoanalysis; Epistemology; History; Psychology; Linguistics; Law","score_opus":0.02316962617439828,"score_gpt":0.25729147114236167,"score_spread":0.2341218449679634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1551386017","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9698275,0.0013546643,0.0001827325,0.0010473209,0.00043074696,0.00036260186,0.00005077024,0.0000130818535,0.026730597],"genre_scores_gemma":[0.99646264,0.0000067426035,0.000027225527,0.00033357064,0.00056960864,0.000015652107,0.000003541382,0.000011244679,0.0025697777],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992315,0.00004997946,0.00025735027,0.00010292497,0.00014308565,0.0002151644],"domain_scores_gemma":[0.9995291,0.00007793199,0.00007793214,0.00023146613,0.000040570565,0.000042964435],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032596724,0.000100631754,0.0001877931,0.00005641742,0.00012717856,0.00007567335,0.00016148966,0.000029596244,0.00011563712],"category_scores_gemma":[0.000008576622,0.000054557422,0.000057911788,0.000036258683,0.00016015078,0.00012443132,0.0000397842,0.00010234376,0.00000632859],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031918203,0.0002895237,0.04507269,0.00024556025,0.00012130836,0.000004361953,0.635069,0.000015322512,0.0010531748,0.3031716,0.009222473,0.005415813],"study_design_scores_gemma":[0.0015532911,0.00051018817,0.018076207,0.00035241916,0.00022645721,0.000022713002,0.015652085,0.0008450554,0.0013141658,0.010793931,0.95009637,0.0005571228],"about_ca_topic_score_codex":0.001362395,"about_ca_topic_score_gemma":0.0068252143,"teacher_disagreement_score":0.9408739,"about_ca_system_score_codex":0.000007121042,"about_ca_system_score_gemma":0.00000924304,"threshold_uncertainty_score":0.38086298},"labels":[],"label_agreement":null},{"id":"W1552558770","doi":"","title":"Beyond the “Glass Case of Tradition”: Depicting the Beauty and Power of Marginalized Groups, through Djuna Barnes’s Nightwood","year":2011,"lang":"en","type":"article","venue":"˜The œalbatross","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Beauty; Character (mathematics); Power (physics); Gender studies; Sociology; Aesthetics; Humanities; Art; Literature","score_opus":0.03618643632985516,"score_gpt":0.2330125802377787,"score_spread":0.19682614390792355,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1552558770","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8979665,0.0028556846,0.00022971384,0.00082068465,0.0006457398,0.0004044272,0.00019696151,0.000032226897,0.09684805],"genre_scores_gemma":[0.9973354,0.00002538857,0.000058365295,0.00075027137,0.00033706974,0.000031266347,0.0000090846925,0.000022648604,0.001430536],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99878955,0.00017291485,0.00037706736,0.00019824697,0.00019705917,0.00026516453],"domain_scores_gemma":[0.9989245,0.0002598666,0.00018759162,0.00046871652,0.00012362076,0.000035730915],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044639688,0.00019177447,0.00025649974,0.000022350312,0.0008360882,0.0001362846,0.00029115521,0.000057255056,0.00063409854],"category_scores_gemma":[0.000012133795,0.00009071295,0.0001519457,0.000042331398,0.0009521435,0.00021603191,0.0000604899,0.00025200116,0.000005070673],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048193862,0.000070087226,0.0000936011,0.000040694464,0.00007755753,0.00003441816,0.2789187,2.6959412e-7,0.00006133089,0.7192349,0.0012022825,0.00021794967],"study_design_scores_gemma":[0.0029001958,0.00079188275,0.0029135693,0.00017203603,0.00092871493,0.001761193,0.1478053,0.00036180258,0.0015777221,0.56911266,0.27083653,0.0008383934],"about_ca_topic_score_codex":0.00093779585,"about_ca_topic_score_gemma":0.0018257916,"teacher_disagreement_score":0.26963425,"about_ca_system_score_codex":0.000011549912,"about_ca_system_score_gemma":0.000021089114,"threshold_uncertainty_score":0.69429344},"labels":[],"label_agreement":null},{"id":"W1581715309","doi":"10.1017/cbo9780511485176.006","title":"Virginia Woolf, (auto)biography, and the eros of memory: reading <i>Orlando</i>","year":2008,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Biography; Art; Art history; History; Literature","score_opus":0.016870823415432848,"score_gpt":0.17043460940070088,"score_spread":0.15356378598526804,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1581715309","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00036441794,0.0013626063,0.000019617357,0.00004209559,0.00025996764,0.00038254602,0.0005230508,0.00006852642,0.99697715],"genre_scores_gemma":[0.023288365,0.00057385524,0.0000111135105,0.00022721688,0.00032388206,0.0000012429514,0.00004700816,0.000038415277,0.9754889],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99890053,0.00005260827,0.00023118507,0.00035363753,0.00024089763,0.00022114387],"domain_scores_gemma":[0.9989465,0.00013115042,0.00022160386,0.0004448196,0.00016597754,0.00008995517],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00010707388,0.0003469712,0.00055885204,0.00017877921,0.0005059859,0.00011410748,0.0003438978,0.00018923917,0.000020379966],"category_scores_gemma":[0.0000039495885,0.00028062437,0.00031969754,0.0000037579146,0.0019545855,0.000100049256,0.00018983362,0.00044214624,0.0000037707491],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023287072,0.000006616729,6.138478e-7,0.000109120556,0.00020141913,0.00009551456,0.005206222,9.018969e-8,0.000010223304,0.94063747,0.052975707,0.0005241419],"study_design_scores_gemma":[0.0013776754,0.000048808008,0.0000028180887,0.00022708111,0.00037213138,0.000022175938,0.0002416132,0.000011814379,0.000049438164,0.000077464916,0.9972567,0.00031230392],"about_ca_topic_score_codex":0.00038082874,"about_ca_topic_score_gemma":0.000019733037,"teacher_disagreement_score":0.944281,"about_ca_system_score_codex":0.00001884246,"about_ca_system_score_gemma":0.000036214897,"threshold_uncertainty_score":0.9999646},"labels":[],"label_agreement":null},{"id":"W1582737178","doi":"","title":"The Impact of Eliot’s Early Poetics on Modern Anglo-American Criticism","year":2014,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Reinterpretation; Criticism; Literary criticism; Literature; Sensibility; Poetry; Sociological criticism; New Criticism; Philosophy; Historical criticism; Literary theory; Aesthetics; History; Literary science; Art","score_opus":0.018133262235753424,"score_gpt":0.31343642695366053,"score_spread":0.29530316471790713,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1582737178","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8908758,0.032701526,0.00001062661,0.00045795072,0.00034075225,0.00015499526,0.00012181981,0.000035869343,0.07530064],"genre_scores_gemma":[0.99403924,0.0003413278,0.000026111187,0.0005580789,0.00055420113,0.000013894597,0.000008829966,0.000016590342,0.004441719],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903435,0.000099864395,0.00023384017,0.00020401218,0.00015124264,0.00027669722],"domain_scores_gemma":[0.9991558,0.0003318792,0.00006582433,0.00027711905,0.00012613626,0.000043205],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021008139,0.00020007961,0.00031683902,0.00008908841,0.00024377138,0.00022818492,0.00013352172,0.000039476337,0.00001628976],"category_scores_gemma":[0.000109761786,0.00010969347,0.000103102066,0.00006962865,0.0007205288,0.000097799944,0.000050073377,0.00026805897,0.0000022999445],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000101483274,0.00007857494,0.00026793024,0.00010550879,0.00013105689,0.000035162717,0.65796244,0.000003042151,0.00012806304,0.32109156,0.0046822377,0.015412939],"study_design_scores_gemma":[0.005789265,0.01220181,0.02318303,0.005423079,0.00038014507,0.00009803019,0.18271308,0.0018409936,0.00080086605,0.29866016,0.46552598,0.0033835375],"about_ca_topic_score_codex":0.00012623356,"about_ca_topic_score_gemma":0.00027983036,"teacher_disagreement_score":0.47524935,"about_ca_system_score_codex":0.000017652592,"about_ca_system_score_gemma":0.000007360368,"threshold_uncertainty_score":0.44731697},"labels":[],"label_agreement":null},{"id":"W1597622067","doi":"","title":"A Critical Study of the Form and Structure of D. H. Lawrence's Novel Women in Love","year":2015,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Witness; Mythology; Plot (graphics); Literature; Philosophy; History; Sociology; Art; Linguistics; Mathematics","score_opus":0.03014200796463065,"score_gpt":0.30281141776231923,"score_spread":0.2726694097976886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1597622067","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97959554,0.015081129,2.5796277e-7,0.0001593925,0.00019981217,0.00017246409,0.000108348584,0.000003196373,0.0046798396],"genre_scores_gemma":[0.9990723,0.000022749458,0.000020240472,0.0001772184,0.0001130939,0.000005730283,0.000001926072,0.0000057258035,0.0005809742],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9992609,0.000043984786,0.00022637949,0.00015397085,0.00013860881,0.0001761562],"domain_scores_gemma":[0.99957234,0.00009260863,0.000038880116,0.00014791799,0.00011323379,0.000035020847],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015671275,0.00011972725,0.00029864302,0.000073659605,0.000032780223,0.000057459336,0.00008509788,0.000044738415,0.00001785106],"category_scores_gemma":[0.00014983056,0.00006940208,0.000017438873,0.00007424458,0.00038913495,0.00014742395,0.00011304851,0.0002007762,8.539605e-8],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042829954,0.00013853259,0.0018427131,0.00020459208,0.00002571991,0.000015131194,0.95911866,2.4432478e-7,0.00014563164,0.03816507,0.0001409991,0.0001599007],"study_design_scores_gemma":[0.0018765876,0.0005339402,0.0037360324,0.00058168685,0.000029596113,0.000013975775,0.9703933,0.000010607172,0.00008020867,0.019242408,0.0033206444,0.00018098754],"about_ca_topic_score_codex":0.00007777458,"about_ca_topic_score_gemma":0.0023320897,"teacher_disagreement_score":0.01947678,"about_ca_system_score_codex":0.000016306696,"about_ca_system_score_gemma":0.000012340018,"threshold_uncertainty_score":0.28301346},"labels":[],"label_agreement":null},{"id":"W1614839136","doi":"10.1017/cbo9780511777486","title":"Ezra Pound in Context","year":2010,"lang":"en","type":"book","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":66,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Pound (networking); Politics; Poetics; Modernism (music); Literature; China; Poetry; Publishing; Portrait; History; Sociology; Aesthetics; Art; Art history; Law; Political science; Archaeology","score_opus":0.02346817192949838,"score_gpt":0.18994956932121795,"score_spread":0.16648139739171958,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1614839136","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00032986517,0.00026649234,0.000010357629,0.000028649412,0.00081318006,0.00029709324,0.0005307126,0.00008849285,0.9976352],"genre_scores_gemma":[0.0071262643,0.000013796399,0.0000065558506,0.0004091291,0.00080440426,0.0000013362763,0.00016780643,0.000041936142,0.9914288],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99885035,0.000046213252,0.00018903309,0.00040636834,0.00019659133,0.00031142353],"domain_scores_gemma":[0.99913377,0.0000648975,0.00010996986,0.0004310796,0.00014849065,0.00011181572],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000073519244,0.0003287439,0.0004089265,0.00021003794,0.00022796939,0.00024598566,0.0004475067,0.00038872135,0.00008617264],"category_scores_gemma":[0.0000054561287,0.00036717582,0.00017660331,0.000002802972,0.0004802678,0.00013749608,0.00015304597,0.0010957491,0.00004728253],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033714412,0.00001901693,2.385642e-7,0.00007579181,0.0000300791,0.00032039004,0.003029079,2.3730019e-8,0.000005966252,0.74734473,0.24866198,0.00047900237],"study_design_scores_gemma":[0.0006315794,0.000030396588,0.0000014414246,0.00018039373,0.00008412079,0.0000065483564,0.0004227072,0.0000066037387,0.000017849732,0.00009139638,0.99812233,0.00040461597],"about_ca_topic_score_codex":0.0005213993,"about_ca_topic_score_gemma":0.0007466467,"teacher_disagreement_score":0.74946034,"about_ca_system_score_codex":0.00014060523,"about_ca_system_score_gemma":0.00020207572,"threshold_uncertainty_score":0.99987805},"labels":[],"label_agreement":null},{"id":"W1751829970","doi":"10.1111/j.1741-4113.2012.00918.x","title":"Dialectical Envisioning: <i>Daniel Deronda</i> and British Ethical Idealism","year":2012,"lang":"en","type":"article","venue":"Literature Compass","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Idealism; Metaphysics; Dialectic; Philosophy; Teleology; German idealism; Epistemology; Context (archaeology); Aesthetics; Literature; Hegelianism; History","score_opus":0.019335183121657183,"score_gpt":0.24425130206046025,"score_spread":0.22491611893880306,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1751829970","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08750938,0.08071545,0.0021271796,0.028411962,0.009729282,0.0008611798,0.00058936334,0.0008566033,0.7891996],"genre_scores_gemma":[0.9741964,0.000052538464,0.0003429056,0.009684635,0.0036094727,0.000022419079,0.00010636147,0.000033484546,0.0119517865],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99843127,0.0001457632,0.00028248914,0.0003080668,0.00027957917,0.00055282976],"domain_scores_gemma":[0.99907696,0.00020525466,0.00004496363,0.00023318868,0.00011884911,0.00032076065],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00026305066,0.00023695875,0.00030415796,0.000056927347,0.00051970634,0.0019479777,0.00015213281,0.000299961,0.0007787961],"category_scores_gemma":[0.00006794975,0.00022317878,0.00009833402,0.00005039129,0.00030324905,0.00036201588,0.00009082733,0.0011542394,0.00005416216],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001640435,0.00006623719,0.00014218739,0.000060568207,0.000021303553,0.000038089445,0.036696546,8.3429136e-8,0.00006509099,0.83011866,0.13154806,0.0012267561],"study_design_scores_gemma":[0.0003328394,0.000045916746,0.00042215854,0.00019954024,0.00003610819,0.00016506473,0.00020009784,0.000046055702,0.000029030862,0.011160539,0.98705626,0.00030642105],"about_ca_topic_score_codex":0.000031858403,"about_ca_topic_score_gemma":0.000075151554,"teacher_disagreement_score":0.88668704,"about_ca_system_score_codex":0.000015699037,"about_ca_system_score_gemma":0.000013858396,"threshold_uncertainty_score":0.9990881},"labels":[],"label_agreement":null},{"id":"W1755357133","doi":"10.1017/cbo9780511617959.003","title":"Contexts","year":2006,"lang":"sv","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Psychology","score_opus":0.022537812795255033,"score_gpt":0.18960466714474955,"score_spread":0.16706685434949453,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1755357133","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00025997587,0.0012088744,0.000121127414,0.00005203937,0.0010161109,0.0005385324,0.0026490993,0.00018751592,0.9939667],"genre_scores_gemma":[0.045196146,0.00008358767,0.000013574457,0.00037613587,0.0014501341,0.0000010097262,0.00034382436,0.0000993087,0.95243627],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976412,0.00007388767,0.00040928414,0.000839244,0.00042925912,0.0006071206],"domain_scores_gemma":[0.9981474,0.00009418397,0.00030456437,0.00078043714,0.0004206717,0.00025271464],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00009216994,0.0008137056,0.00079198217,0.00024342217,0.0010416796,0.00055745046,0.0006586437,0.0005959432,0.00019828742],"category_scores_gemma":[0.0000038342723,0.00093945145,0.0005878691,0.0000031246877,0.0010794654,0.00020789269,0.00031380373,0.000900413,0.00015930364],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000115697556,0.000031422227,6.777527e-7,0.00019402825,0.00020220425,0.0009550109,0.00063183653,7.156324e-7,0.000019927917,0.79012126,0.2072121,0.0005151224],"study_design_scores_gemma":[0.0009511761,0.00011635117,0.00000970846,0.0004848683,0.00066265184,0.000021199383,0.00016654102,0.000029409439,0.00006572681,0.000045148274,0.996438,0.0010091789],"about_ca_topic_score_codex":0.0010267971,"about_ca_topic_score_gemma":0.00004889484,"teacher_disagreement_score":0.79007614,"about_ca_system_score_codex":0.00015761954,"about_ca_system_score_gemma":0.000093956536,"threshold_uncertainty_score":0.9993056},"labels":[],"label_agreement":null},{"id":"W1776139905","doi":"10.3968/j.ccc.1923670020110702.031","title":"Dis/Continuities: Natural and Artistic Landscape/Seascape in T. S. Eliot’s “The Waste Land” and S.T. Coleridge’s “The Rime of the Ancient Mariner”","year":2011,"lang":"en","type":"article","venue":"Cross-cultural communication","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Hard rime; Parallels; Romance; Literature; Art; Philosophy; Motif (music); Drama; History; Aesthetics","score_opus":0.022063325442913888,"score_gpt":0.2503694930973982,"score_spread":0.2283061676544843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1776139905","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9758965,0.0051317196,0.0000010065463,0.0013391409,0.00016866527,0.00026220575,0.00003492075,0.00001609228,0.017149748],"genre_scores_gemma":[0.9946072,0.00015680859,0.000015514508,0.00039948404,0.000073466195,0.00003628306,0.000026035848,0.000007816665,0.0046774005],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.999188,0.00013147629,0.00025972325,0.00012923541,0.00012864252,0.00016291303],"domain_scores_gemma":[0.99907076,0.00010041068,0.00011710626,0.00051005726,0.00017589054,0.000025777563],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002566219,0.00012810438,0.00014321847,0.000019765377,0.00065176404,0.00046625524,0.0004218256,0.00003890683,0.00008158465],"category_scores_gemma":[0.000060472456,0.000057863508,0.000047801237,0.000044108085,0.0015100816,0.00029664396,0.0002664195,0.00027778832,0.0000025360039],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002137517,0.00016070425,0.04767243,0.0001968545,0.000072520925,0.0000022094207,0.39663005,0.000007824463,0.0005497468,0.54284006,0.006512455,0.0051414263],"study_design_scores_gemma":[0.0018828437,0.00014519422,0.6757758,0.0004702096,0.00015934254,0.000056030447,0.039005335,0.003961644,0.000624742,0.013804541,0.26347864,0.00063567783],"about_ca_topic_score_codex":0.000614547,"about_ca_topic_score_gemma":0.0041569476,"teacher_disagreement_score":0.6281034,"about_ca_system_score_codex":0.000012845153,"about_ca_system_score_gemma":0.000012249309,"threshold_uncertainty_score":0.5563958},"labels":[],"label_agreement":null},{"id":"W1864680244","doi":"10.1017/cbo9780511485176.004","title":"Eliot, eros, and desire: “Oh, do not ask, ‘What is it?’”","year":2008,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Ask price; Aesthetics; Philosophy; History; Art; Economics; Economy","score_opus":0.049228620083653245,"score_gpt":0.20218027751495302,"score_spread":0.15295165743129976,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1864680244","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002044427,0.00307088,0.00002044762,0.00014115917,0.00049785216,0.00031375277,0.00064135116,0.0001028293,0.9950073],"genre_scores_gemma":[0.005803234,0.0036835866,0.000021890695,0.002018034,0.00063789537,9.990962e-7,0.00007684488,0.00006589509,0.98769164],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99841666,0.00003255653,0.00023078351,0.0006421755,0.00032852503,0.00034927073],"domain_scores_gemma":[0.9988213,0.00006602859,0.00015520779,0.0005321631,0.00021652838,0.00020873745],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000058731057,0.00051532674,0.0005124624,0.00017832119,0.00070406776,0.000688206,0.00035949785,0.00036907205,0.00013069082],"category_scores_gemma":[0.0000024846834,0.0005596706,0.00024150818,0.0000023767154,0.0007969421,0.00041807932,0.00026346397,0.00058178604,0.00004780058],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000068380345,0.000009294553,1.4118545e-7,0.00010551091,0.00011639816,0.00044049937,0.0056815874,3.7451407e-8,0.000005866731,0.8076218,0.18372874,0.0022217873],"study_design_scores_gemma":[0.00048112788,0.000063563835,0.0000021397236,0.0004181916,0.0002474012,0.00004529623,0.00051469746,0.0000054709735,0.00010077219,0.000055958015,0.99744034,0.0006250464],"about_ca_topic_score_codex":0.00011997271,"about_ca_topic_score_gemma":0.000013944013,"teacher_disagreement_score":0.8137116,"about_ca_system_score_codex":0.00007516541,"about_ca_system_score_gemma":0.00006588025,"threshold_uncertainty_score":0.99968547},"labels":[],"label_agreement":null},{"id":"W1866078612","doi":"","title":"The Tamer Tamed, or The Woman's Prize","year":2008,"lang":"en","type":"article","venue":"Early Theatre","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Visual arts; Performance art; Art history","score_opus":0.029971569729931386,"score_gpt":0.2132217729364673,"score_spread":0.1832502032065359,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1866078612","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14829059,0.001854969,0.000029968947,0.023559634,0.0013636609,0.00045748346,0.00003865514,0.00018799712,0.824217],"genre_scores_gemma":[0.75239456,0.00006172779,0.000010306816,0.0019318069,0.0012383139,0.000032136628,0.0000027350138,0.000017871973,0.24431053],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99912494,0.00007096212,0.00015154142,0.00014860499,0.0002209816,0.00028294788],"domain_scores_gemma":[0.9992744,0.00018725482,0.000036390044,0.00040310537,0.00005457247,0.00004431363],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000115886425,0.00013671201,0.000110564775,0.000016151307,0.0017292117,0.0003681866,0.0003292904,0.00003490359,0.0015083868],"category_scores_gemma":[0.000010582471,0.00004761594,0.00009426175,0.000026341306,0.0005717907,0.00013596044,0.000040742427,0.00023007407,0.0003822401],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016510826,0.00008819075,0.0002543928,0.000012710744,0.00010294604,0.0001258073,0.22952202,6.379178e-7,0.000030880812,0.4588018,0.29380628,0.017089218],"study_design_scores_gemma":[0.00015288751,0.00007726689,0.00040612853,0.000012074352,0.00001572907,0.00002955964,0.0018528221,0.000007435271,0.000021552252,0.004927558,0.9923925,0.00010450074],"about_ca_topic_score_codex":0.00016306413,"about_ca_topic_score_gemma":0.00040759487,"teacher_disagreement_score":0.6985862,"about_ca_system_score_codex":0.000008756809,"about_ca_system_score_gemma":0.000034589222,"threshold_uncertainty_score":0.9995704},"labels":[],"label_agreement":null},{"id":"W1901149281","doi":"10.3968/j.css.1923669720070304.003","title":"Industrial Corruption： The main culprit for the relationship between Husband and wife in “Odour of Chrysanthemums”","year":2010,"lang":"en","type":"article","venue":"Canadian social science","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Wife; Language change; Humanities; Relation (database); Sociology; Philosophy; Ethnology; Political science; Law; Art; Literature","score_opus":0.1587127461574694,"score_gpt":0.2903928158896624,"score_spread":0.13168006973219304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1901149281","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9328341,0.00007309505,0.000027824584,0.008714574,0.00070873846,0.00046137566,0.00032891342,0.0000071450186,0.056844264],"genre_scores_gemma":[0.9978977,5.019737e-7,0.000005222686,0.00029228674,0.0009724457,0.000014470976,0.0000032132587,0.000003528491,0.0008106244],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994399,0.000019191204,0.000113110254,0.00010432409,0.00012222667,0.00020127682],"domain_scores_gemma":[0.9993921,0.00035881525,0.000034552468,0.000085779946,0.000055089087,0.00007368999],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007024785,0.00004966878,0.000070150156,0.00006117665,0.0012554245,0.00022497324,0.00023194555,0.000053555315,0.00006867439],"category_scores_gemma":[0.0002915406,0.000031434378,0.000022772685,0.00009007765,0.0014535502,0.0001311173,0.000012441334,0.00022232438,0.0000011231881],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000022474321,0.0000022307395,0.04063025,0.0000029630867,0.0000015581949,3.144808e-7,0.021668954,3.630165e-8,0.00003891912,0.93403566,0.0016911968,0.0019256554],"study_design_scores_gemma":[0.0005587627,0.00003719202,0.25849584,0.00002683309,0.000035483983,0.0000018108394,0.015695576,0.00005007229,0.000030919018,0.040782765,0.6840792,0.00020560462],"about_ca_topic_score_codex":0.0097092865,"about_ca_topic_score_gemma":0.22696996,"teacher_disagreement_score":0.8932529,"about_ca_system_score_codex":0.000030296682,"about_ca_system_score_gemma":0.0002909004,"threshold_uncertainty_score":0.9968851},"labels":[],"label_agreement":null},{"id":"W1972198774","doi":"10.1353/mos.2013.0030","title":"Blindness and Intimacy in Early Twentieth-Century Literature","year":2013,"lang":"en","type":"article","venue":"Mosaic","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Blindness; Devaluation; Association (psychology); History; Psychology; Psychoanalysis; Art; Philosophy; Medicine; Optometry; Psychotherapist; Linguistics","score_opus":0.012294707791564042,"score_gpt":0.21338023632164801,"score_spread":0.20108552853008396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1972198774","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9633886,0.004904876,0.000008731722,0.00077027234,0.0005933615,0.00022690135,0.000029945284,0.000049963008,0.030027306],"genre_scores_gemma":[0.98679847,0.0000728409,0.000053839794,0.0009260368,0.00033591327,0.00004392598,0.000051331663,0.000015872343,0.011701796],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926144,0.000033120967,0.00016692598,0.00020590713,0.000106607986,0.0002259933],"domain_scores_gemma":[0.999665,0.000020787134,0.000025936873,0.0001548529,0.00007047282,0.00006292966],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000058817946,0.0001344758,0.00014610362,0.00010344343,0.000105860054,0.0009298753,0.0000953976,0.000064204614,0.0008967029],"category_scores_gemma":[0.000007720078,0.0001088592,0.0000354946,0.00004444251,0.000098574725,0.0005173308,0.000040005674,0.00024070019,0.00013663781],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003754549,0.00037540795,0.0056002615,0.0003192257,0.000044584172,0.00009752736,0.44223285,0.0000011714542,0.00038114,0.47232756,0.05373982,0.024842924],"study_design_scores_gemma":[0.0007740504,0.00008670454,0.004726758,0.00023321164,0.000015091829,0.000008201509,0.0013802424,0.0001868168,0.000044449,0.022651995,0.96954304,0.00034944958],"about_ca_topic_score_codex":0.00025449065,"about_ca_topic_score_gemma":0.000098722,"teacher_disagreement_score":0.9158032,"about_ca_system_score_codex":0.000009496703,"about_ca_system_score_gemma":0.000007894503,"threshold_uncertainty_score":0.98182684},"labels":[],"label_agreement":null},{"id":"W1987549713","doi":"10.1080/10509580008570102","title":"NASSR ‘99: Romanticism and the new","year":2000,"lang":"en","type":"article","venue":"European Romantic Review","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Romanticism; Art; Literature","score_opus":0.01578241880700672,"score_gpt":0.21534163238404133,"score_spread":0.1995592135770346,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1987549713","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011848882,0.22632727,0.00002341398,0.006681005,0.00017114729,0.00035202218,0.0000033069803,0.00007437287,0.76518255],"genre_scores_gemma":[0.25534356,0.18880035,0.00015348328,0.047055557,0.0025513016,0.000014787095,0.00002760805,0.00011085002,0.5059425],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99856865,0.00038632282,0.00038338557,0.00025193836,0.00018019941,0.00022949385],"domain_scores_gemma":[0.9993189,0.00007161703,0.0000610802,0.00042501022,0.000029375911,0.00009402673],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00060795515,0.00019645819,0.0003607701,0.000019469418,0.00031589431,0.00037349356,0.00027801518,0.000012100007,0.010331781],"category_scores_gemma":[0.00003372516,0.00010993324,0.00013956068,0.000030888597,0.0003026978,0.00014462217,0.000044198452,0.00017509653,0.002490542],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013992403,0.000022077751,0.0000018359932,0.00062062417,0.000039126815,0.000070229406,0.005400946,7.127759e-8,0.0000016366497,0.7328575,0.15168352,0.10928842],"study_design_scores_gemma":[0.00051006576,0.000024814057,0.00008327333,0.0016702053,0.0001608132,0.000054464013,0.00002835938,0.000014472182,5.692709e-7,0.0028373052,0.9944566,0.0001590868],"about_ca_topic_score_codex":0.000038945698,"about_ca_topic_score_gemma":0.000013517391,"teacher_disagreement_score":0.842773,"about_ca_system_score_codex":0.0000033816527,"about_ca_system_score_gemma":0.000012608553,"threshold_uncertainty_score":0.9982861},"labels":[],"label_agreement":null},{"id":"W1998568515","doi":"10.7202/007204ar","title":"Textual Revision and the Historicity of the Self: Some Factual Inaccuracies in The Prelude","year":2003,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subjectivity; Historicity (philosophy); Narrative; Appropriation; Subject (documents); Literature; Philosophy; Transcendence (philosophy); Romance; Epistemology; Self; Reading (process); History; Politics; Art; Linguistics; Law","score_opus":0.019663615215723164,"score_gpt":0.21315792152818078,"score_spread":0.19349430631245762,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1998568515","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8579062,0.0030644417,0.000010296009,0.0127855325,0.00052180793,0.0009708865,0.000033049084,0.000033905562,0.12467386],"genre_scores_gemma":[0.9937011,0.00009873926,0.0000046540945,0.003722732,0.00017727604,0.000016090884,0.0000015319717,0.00001041243,0.0022674897],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984407,0.0005760235,0.00027901403,0.00016293721,0.00033798284,0.00020336805],"domain_scores_gemma":[0.9984318,0.0009086683,0.000116702904,0.00048799638,0.000038523456,0.000016332579],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008723068,0.00016502546,0.0002163428,0.00003168924,0.000560399,0.0001857559,0.00045639,0.000048133774,0.0001307435],"category_scores_gemma":[0.00018013718,0.00005721349,0.00009813026,0.000049441365,0.0005361851,0.00011462633,0.000056454475,0.00035337434,0.000010402103],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029786272,0.00006704438,0.000018232966,0.0000188444,0.000013595181,0.0000014478561,0.07454726,0.000002053774,0.000016897397,0.91732943,0.0077394145,0.00021596967],"study_design_scores_gemma":[0.0010504122,0.00018234488,0.0017274203,0.00018391473,0.00012489593,0.000018746863,0.013880668,0.00023122053,0.00026956332,0.064144336,0.9179522,0.00023430002],"about_ca_topic_score_codex":0.00010547456,"about_ca_topic_score_gemma":0.000090688474,"teacher_disagreement_score":0.91021276,"about_ca_system_score_codex":0.000018835372,"about_ca_system_score_gemma":0.000021813466,"threshold_uncertainty_score":0.43101928},"labels":[],"label_agreement":null},{"id":"W2008044010","doi":"10.1353/esc.2007.0095","title":"Modernism, Labour and Selfhood in British Literature and Culture, 1890–1930 (review)","year":2006,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Modernism (music); Politics; Ideology; Literature; Poetry; Aesthetics; Sociology; Art; Law; Political science","score_opus":0.0127374259224034,"score_gpt":0.22017123802337932,"score_spread":0.20743381210097592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2008044010","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2215836,0.7507209,6.238826e-7,0.00047858647,0.00088947883,0.00028034896,0.00033690626,0.000030591593,0.025678927],"genre_scores_gemma":[0.9500141,0.03953542,0.00004670048,0.0026257373,0.0007029596,0.00005384926,0.00003351773,0.000017982176,0.0069697425],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99881977,0.000053509233,0.0003108954,0.00031820784,0.00019067741,0.00030695726],"domain_scores_gemma":[0.9995401,0.00005947192,0.00004267432,0.000120428725,0.00018902124,0.000048326514],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012059794,0.00019411405,0.00039450245,0.0000442686,0.00016266723,0.00018180438,0.000086231084,0.000044453922,0.000044460176],"category_scores_gemma":[0.00007182084,0.00019307298,0.000022149827,0.00006145967,0.00013012812,0.00020854073,0.00007154427,0.00031641306,2.53593e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010739785,0.00009687998,0.007978281,0.0039799092,0.00009387198,0.0013685663,0.18347804,0.000008402403,0.0000020681746,0.07604651,0.7226201,0.004316592],"study_design_scores_gemma":[0.00067993987,0.000026331694,0.0047664833,0.0028775283,0.000026036221,0.000027717297,0.0097994115,0.000021241989,0.0000026204862,0.0078115924,0.9735538,0.0004073437],"about_ca_topic_score_codex":0.5932583,"about_ca_topic_score_gemma":0.99548614,"teacher_disagreement_score":0.7284305,"about_ca_system_score_codex":0.00013579393,"about_ca_system_score_gemma":0.00009213715,"threshold_uncertainty_score":0.7873288},"labels":[],"label_agreement":null},{"id":"W2010520901","doi":"10.1353/vpr.0.0082","title":"Re-reading George Eliot's \"Natural History\": Marian Evans, \"the People,\" and the Periodical","year":2009,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"George (robot); Reading (process); Natural history; Natural (archaeology); History; Art; Art history; Philosophy; Archaeology; Linguistics; Biology; Botany","score_opus":0.01411382040353941,"score_gpt":0.23378537025568283,"score_spread":0.21967154985214343,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2010520901","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009972922,0.7626172,0.000018996063,0.15153512,0.0028044856,0.001144544,0.00002989699,0.00015499632,0.08069749],"genre_scores_gemma":[0.8600854,0.032365438,0.000036765297,0.080570035,0.0044861515,0.00012186538,0.00005341454,0.000046400517,0.022234486],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974664,0.00045501933,0.0006478379,0.00043812004,0.00051134016,0.00048130532],"domain_scores_gemma":[0.9986365,0.0002343344,0.00015542988,0.00065103354,0.00012564965,0.00019707884],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00104761,0.00037124965,0.00076012977,0.000049074533,0.0013431254,0.0010922411,0.00052019744,0.00009618636,0.0059569813],"category_scores_gemma":[0.00032497424,0.00018746006,0.00032717086,0.00005872127,0.001321479,0.00024525844,0.00007146732,0.00067324383,0.00016005138],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055831315,0.00005606352,0.000016179649,0.00069888786,0.000052529762,0.000024174316,0.071362324,1.685831e-8,0.000012662773,0.7499369,0.1624044,0.015380059],"study_design_scores_gemma":[0.0005164002,0.00005400468,0.00015584085,0.0009731344,0.00021152927,0.000026833564,0.00037544995,0.000046205125,5.124547e-7,0.0011669236,0.99619156,0.00028162662],"about_ca_topic_score_codex":0.00008507507,"about_ca_topic_score_gemma":0.00048047127,"teacher_disagreement_score":0.8590881,"about_ca_system_score_codex":0.000110652756,"about_ca_system_score_gemma":0.00014128652,"threshold_uncertainty_score":0.99995697},"labels":[],"label_agreement":null},{"id":"W2014373655","doi":"10.1093/res/hgq096","title":"Henryson's Matter of Style: The Garmont of Gud Ladeis","year":2010,"lang":"en","type":"article","venue":"The Review of English Studies","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Style (visual arts); History; Art history; Art; Archaeology","score_opus":0.027067078947864597,"score_gpt":0.2740760076987101,"score_spread":0.2470089287508455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2014373655","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027874764,0.6967003,0.0000016573174,0.0053164503,0.0015552415,0.0006335104,0.00012337162,0.000020976182,0.26777375],"genre_scores_gemma":[0.932418,0.060490765,0.000028843764,0.0022500344,0.0009859889,0.000047194266,0.0000037142077,0.000015541073,0.003759939],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990724,0.00008699314,0.0004271362,0.000094765826,0.00019925588,0.00011945804],"domain_scores_gemma":[0.9981386,0.0002799287,0.00023557211,0.0004473303,0.0008859791,0.000012565645],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005736439,0.00012568034,0.00050033006,0.000017791199,0.00012289209,0.00001512493,0.00030892284,0.000019406842,0.0008115984],"category_scores_gemma":[0.00036469003,0.0000543004,0.00017833241,0.00003072228,0.00075222703,0.000059492253,0.00010226825,0.00018467584,0.0000072601156],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014739285,0.00012803286,0.00011092844,0.018006207,0.0005575916,9.2171985e-7,0.24487263,1.2412303e-7,0.00014627044,0.3736525,0.35855818,0.0039518788],"study_design_scores_gemma":[0.000088683344,0.00004137133,0.00011988249,0.0025776657,0.0002488148,5.5851865e-7,0.0062636407,4.742692e-7,0.00021575601,0.0012699801,0.9890959,0.000077263074],"about_ca_topic_score_codex":0.000024579938,"about_ca_topic_score_gemma":0.00006886001,"teacher_disagreement_score":0.9045432,"about_ca_system_score_codex":0.000002528789,"about_ca_system_score_gemma":0.000010337351,"threshold_uncertainty_score":0.8886433},"labels":[],"label_agreement":null},{"id":"W2014822358","doi":"10.4000/lawrence.215","title":"Redemptions of the Social Body. Kangaroo and The Plumed Serpent","year":2014,"lang":"en","type":"article","venue":"Études Lawrenciennes","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Future Earth","funders":"","keywords":"Unconscious mind; Psychoanalysis; Rationality; Serpent (symbolism); Philosophy; Psychoanalytic theory; Psychology; Epistemology; Theology","score_opus":0.014675728360336378,"score_gpt":0.20958527026597484,"score_spread":0.19490954190563847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2014822358","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.75315833,0.00038167555,0.000028491902,0.006210349,0.0005164742,0.0002580099,0.000038272185,0.000044561948,0.23936385],"genre_scores_gemma":[0.9941621,0.0000064092437,0.000011532811,0.00080522394,0.00043643176,0.00001990748,0.000002727422,0.0000065260433,0.0045491415],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99936396,0.00009040201,0.00015048072,0.00011153502,0.00014762252,0.00013601368],"domain_scores_gemma":[0.99958324,0.00010324669,0.0000588779,0.00016526497,0.00006917192,0.000020185404],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002685021,0.0000844593,0.00013426937,0.000015433898,0.00068617094,0.00012555507,0.00019711249,0.000027293083,0.00017987748],"category_scores_gemma":[0.000036919915,0.00004049724,0.00008974485,0.000021735734,0.0008746538,0.00007397839,0.00007212223,0.00008994669,0.000005177287],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009475599,0.000020472256,0.000040842096,0.000016766371,0.000013824409,8.8481634e-8,0.038092088,2.9330238e-7,0.00013351295,0.9597978,0.0015391222,0.0003357322],"study_design_scores_gemma":[0.0009898919,0.00005124858,0.004377971,0.000053808126,0.00012887994,0.000005171899,0.007398456,0.00045416987,0.00022092467,0.05253454,0.9335869,0.00019804707],"about_ca_topic_score_codex":0.000111346155,"about_ca_topic_score_gemma":0.0017612932,"teacher_disagreement_score":0.9320478,"about_ca_system_score_codex":0.000005642354,"about_ca_system_score_gemma":0.000013358796,"threshold_uncertainty_score":0.5277542},"labels":[],"label_agreement":null},{"id":"W2025701407","doi":"10.1353/vcr.2009.0013","title":"The Thrill of the Trill: Political and Aesthetic Discourse in George Eliot's Armgart","year":2009,"lang":"en","type":"article","venue":"Victorian review","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Housewife; Poetry; George (robot); Context (archaeology); Criticism; Art; Literature; Political radicalism; Aesthetics; Sociology; Art history; History; Law; Gender studies; Political science","score_opus":0.015199150588088798,"score_gpt":0.2706201974177054,"score_spread":0.2554210468296166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2025701407","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016230514,0.5354331,0.000007445167,0.16317679,0.0019807376,0.0015179315,0.000061442974,0.00004953356,0.28154248],"genre_scores_gemma":[0.98016,0.011375307,0.0000037569353,0.004564725,0.00042625112,0.0000125102,0.0000023778412,0.000009497273,0.0034455745],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990349,0.00011712112,0.00031262226,0.0001299132,0.00015865212,0.0002468206],"domain_scores_gemma":[0.9994686,0.000052698786,0.000056807825,0.00032138862,0.000045943965,0.000054524633],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028037713,0.00011852182,0.0002515666,0.000018820681,0.00016889037,0.00009302194,0.0001844055,0.000027792034,0.000100967154],"category_scores_gemma":[0.000040730567,0.000055030767,0.000099921475,0.000042780142,0.000240112,0.00007061724,0.000023124037,0.00014963937,0.000008933622],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000031537813,0.000029363347,0.000023511833,0.00013858969,0.000002638632,0.0000018301363,0.0014593641,7.915206e-9,0.0000027298445,0.9891756,0.0018283459,0.0073348596],"study_design_scores_gemma":[0.00012315786,0.000042739677,0.00027702114,0.001298956,0.000036025973,0.000009145542,0.00013098487,0.0000017592575,0.000005063927,0.020040104,0.9779567,0.00007830609],"about_ca_topic_score_codex":0.000016241727,"about_ca_topic_score_gemma":0.00013301466,"teacher_disagreement_score":0.9761284,"about_ca_system_score_codex":0.000011995933,"about_ca_system_score_gemma":0.000025460307,"threshold_uncertainty_score":0.22440895},"labels":[],"label_agreement":null},{"id":"W2034673268","doi":"10.1093/eic/54.1.87","title":"The Hour and the Woman: Harriet Martineau's 'Somewhat Remarkable' Life","year":2004,"lang":"en","type":"article","venue":"Essays in Criticism","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"History; Sociology; Genealogy; Gender studies","score_opus":0.013424853750211636,"score_gpt":0.2204785910908965,"score_spread":0.20705373734068486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2034673268","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08191727,0.021142632,0.00025258408,0.16004826,0.002962727,0.0010141163,0.0000641791,0.00020891106,0.73238933],"genre_scores_gemma":[0.97621036,0.0002460735,0.00006298009,0.01057395,0.0009122597,0.00011275599,0.0000051735497,0.000031487187,0.011844963],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983688,0.00015391098,0.00040454275,0.00028520788,0.0003004995,0.00048702522],"domain_scores_gemma":[0.99875206,0.00055351056,0.000052500487,0.00043430316,0.000100966194,0.00010666762],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0008635528,0.00022443771,0.00027231808,0.000056102486,0.0010653305,0.0012207249,0.00033810773,0.00007364264,0.0002848885],"category_scores_gemma":[0.0003244395,0.00012424798,0.000089230925,0.000048578724,0.0013005519,0.00031481741,0.00010520214,0.00043907028,0.000049748414],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008217398,0.00003862148,0.00001725211,0.00003756095,0.00001691626,0.000036435773,0.026380468,0.0000042291804,0.0000065575764,0.96554214,0.007171818,0.00066584075],"study_design_scores_gemma":[0.0021683872,0.000042330325,0.00012632321,0.00012963694,0.000031527416,0.00002199669,0.0067546526,0.00007731023,0.000045698405,0.4663387,0.52403027,0.00023318877],"about_ca_topic_score_codex":0.00019933213,"about_ca_topic_score_gemma":0.0015328848,"teacher_disagreement_score":0.89429307,"about_ca_system_score_codex":0.000028611059,"about_ca_system_score_gemma":0.000053364456,"threshold_uncertainty_score":0.9998161},"labels":[],"label_agreement":null},{"id":"W2036459968","doi":"10.3138/md.56.2.165","title":"Enacting the Obituary: The “Successful Failure” of T.S. Eliot’s <i>The Elder Statesman</i>","year":2013,"lang":"en","type":"article","venue":"Modern Drama","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Tragedy (event); Poetics; Naturalism; Obituary; Literature; Bourgeoisie; Philosophy; Reading (process); Art; Poetry; Theology; Law; Politics","score_opus":0.013604345114573434,"score_gpt":0.20711189571400992,"score_spread":0.1935075505994365,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2036459968","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50467736,0.0041640834,0.0026725146,0.070518374,0.0014260407,0.0019832985,0.000092063055,0.00024984134,0.4142164],"genre_scores_gemma":[0.98215246,0.000014522473,0.000030917905,0.0037884961,0.000581151,0.00010455907,0.0000081970775,0.000031190088,0.013288522],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99865973,0.00012789853,0.00033383115,0.00021676793,0.00029962027,0.00036212566],"domain_scores_gemma":[0.99868274,0.00028177354,0.0001425789,0.0006461614,0.00020535679,0.00004140675],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025212584,0.00020957633,0.00018970386,0.000029551069,0.00088484277,0.0007337857,0.0006911091,0.000055535384,0.002236839],"category_scores_gemma":[0.000026731117,0.00008887282,0.00014283243,0.000040953324,0.0006537536,0.00035556543,0.00011385531,0.0004048704,0.00015365018],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021745349,0.00014628314,0.000121731086,0.00007033212,0.00016160608,0.0000053100134,0.37217197,0.000045077046,0.0007026423,0.52324915,0.09071954,0.012584611],"study_design_scores_gemma":[0.00034902774,0.0000896943,0.00017495212,0.00007359546,0.00011956482,0.000015062937,0.021695731,0.0034360583,0.0013258964,0.16438392,0.8079979,0.00033863232],"about_ca_topic_score_codex":0.001529921,"about_ca_topic_score_gemma":0.0011501793,"teacher_disagreement_score":0.7172783,"about_ca_system_score_codex":0.000012120298,"about_ca_system_score_gemma":0.00003060805,"threshold_uncertainty_score":0.9986752},"labels":[],"label_agreement":null},{"id":"W2041639311","doi":"10.7202/019262ar","title":"North of Boston: Models of Identity, Subjectivity and Place in the Poems of Robert Frost","year":2008,"lang":"en","type":"article","venue":"Romanticism and Victorianism on the Net","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Subjectivity; Frost (temperature); Identity (music); Romanticism; History; Subject (documents); American poetry; Literature; New england; Subject matter; Art history; Sociology; Philosophy; Art; Aesthetics; Law; Geography; Epistemology; Political science; Politics","score_opus":0.038764987244725824,"score_gpt":0.22563612353581125,"score_spread":0.18687113629108543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2041639311","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98621,0.00064338715,0.00005292909,0.00025115217,0.0002130106,0.00020158805,0.000098779215,0.0000062190675,0.012322965],"genre_scores_gemma":[0.9990478,0.00019702328,0.000010206569,0.00019049365,0.00015233982,0.000005343714,0.0000071632253,0.000009987196,0.0003796274],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99899834,0.00010899874,0.00030336247,0.00016008054,0.0002808159,0.00014839508],"domain_scores_gemma":[0.999239,0.00027157282,0.00013161697,0.00026924073,0.00006303171,0.000025491057],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000291684,0.00014070654,0.00031078886,0.00006474374,0.00016793862,0.00004280045,0.00020512287,0.00005094605,0.000044287193],"category_scores_gemma":[0.000017122002,0.000082940605,0.000054822718,0.00005026689,0.00040315313,0.00023530224,0.000056626923,0.00015337687,8.0139665e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009026461,0.00021746536,0.0018606944,0.000109339075,0.00003278527,0.000010846396,0.104842305,0.000018798897,0.00037264227,0.8916893,0.0007064096,0.00004916731],"study_design_scores_gemma":[0.010393406,0.0055301385,0.33401605,0.0019828384,0.00092691404,0.0003022299,0.024511533,0.011918897,0.010358305,0.53264946,0.06485368,0.0025565403],"about_ca_topic_score_codex":0.0008907418,"about_ca_topic_score_gemma":0.0025139947,"teacher_disagreement_score":0.35903984,"about_ca_system_score_codex":0.000004017499,"about_ca_system_score_gemma":0.000018672665,"threshold_uncertainty_score":0.33822197},"labels":[],"label_agreement":null},{"id":"W2045208858","doi":"10.1353/esc.2013.0037","title":"Giving the Mundane its Due: One (Fine) Day in the Life of the Everyday","year":2013,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Admiration; Drama; Witness; Art; Plot (graphics); Literature; Everyday life; History; Art history; Aesthetics; Philosophy","score_opus":0.04179350347691364,"score_gpt":0.22180122042207423,"score_spread":0.1800077169451606,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2045208858","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8241573,0.016263999,5.881612e-7,0.012517199,0.0045095906,0.000806656,0.00008062567,0.000015758667,0.14164829],"genre_scores_gemma":[0.99220294,0.000068785186,0.0000017541464,0.0030817674,0.00064351445,0.00008628562,0.0000013449421,0.000009283147,0.0039043392],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99876666,0.0002056677,0.00029713407,0.00013453509,0.00034547108,0.00025050231],"domain_scores_gemma":[0.99861646,0.0007593153,0.0000700506,0.0003357525,0.00019840688,0.00002000503],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039687668,0.0001306907,0.00022329009,0.00002368098,0.00032812348,0.00008699615,0.0004822253,0.000019667885,0.0003822523],"category_scores_gemma":[0.00066261017,0.00006129523,0.00004122032,0.0000755509,0.00024410976,0.00011875995,0.00012809299,0.00032586238,0.0000018205294],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000045576353,0.000053191794,0.0013558147,0.00014181815,0.00011769131,0.000013411773,0.6226829,0.000048337097,0.0000052048267,0.07519935,0.29974526,0.0006324312],"study_design_scores_gemma":[0.00028445947,0.00002036974,0.012253382,0.00022652125,0.00003000107,0.0000010852806,0.17170583,0.000056198183,0.00003361076,0.0014618025,0.8137378,0.0001889214],"about_ca_topic_score_codex":0.5333189,"about_ca_topic_score_gemma":0.9816455,"teacher_disagreement_score":0.51399255,"about_ca_system_score_codex":0.000103371305,"about_ca_system_score_gemma":0.00021882755,"threshold_uncertainty_score":0.46978882},"labels":[],"label_agreement":null},{"id":"W2050237032","doi":"10.1353/esc.2011.0049","title":"Dreams of a Totalitarian Utopia: Literary Modernism and Politics (review)","year":2011,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Democracy; Authoritarianism; Utopia; Political radicalism; Literature; Modernism (music); Skepticism; Gilded Age; History; Art history; Art; Law; Philosophy; Political science; Theology","score_opus":0.0631923277896371,"score_gpt":0.247109935891909,"score_spread":0.1839176081022719,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2050237032","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20964198,0.29634544,0.000004063844,0.0003658018,0.0028948844,0.00041506204,0.0003679607,0.000038190985,0.4899266],"genre_scores_gemma":[0.9907753,0.0040998445,0.00008310358,0.0016970846,0.00034982097,0.000026691006,0.000008609603,0.000012719795,0.0029468557],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990715,0.000040176936,0.00032795526,0.0001729883,0.00015662576,0.00023077596],"domain_scores_gemma":[0.99943715,0.00007646897,0.000053313957,0.00018601982,0.00019097266,0.000056062247],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0000970252,0.00014524159,0.00035269978,0.00003766545,0.00009074357,0.000011441895,0.000105349485,0.00002139995,0.00018288908],"category_scores_gemma":[0.0000857605,0.0001240622,0.000032161057,0.00002128211,0.00021914949,0.00011718771,0.000074670854,0.00013375869,3.6382087e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005386613,0.000040826082,0.000500968,0.0015274605,0.00011831822,0.00010847978,0.36395395,2.013443e-7,3.683551e-7,0.6052181,0.027251396,0.0012745621],"study_design_scores_gemma":[0.00055360334,0.000111570065,0.0005662769,0.0022610044,0.00011546951,0.000010564108,0.033503,0.000029398574,0.000047573438,0.038262974,0.9240314,0.0005071788],"about_ca_topic_score_codex":0.4941838,"about_ca_topic_score_gemma":0.8500052,"teacher_disagreement_score":0.89678,"about_ca_system_score_codex":0.00009354543,"about_ca_system_score_gemma":0.00017805504,"threshold_uncertainty_score":0.5091845},"labels":[],"label_agreement":null},{"id":"W2053736917","doi":"10.7771/1481-4374.1879","title":"Eliot's The Waste Land and Surging Nationalisms","year":2011,"lang":"en","type":"article","venue":"CLCWeb Comparative Literature and Culture","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Sensibility; Dichotomy; Poetry; Context (archaeology); Fragmentation (computing); History; Sociology; Literature; Art; Philosophy; Archaeology; Epistemology; Computer science","score_opus":0.06534798200918625,"score_gpt":0.24394208781636353,"score_spread":0.17859410580717727,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2053736917","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2443548,0.07052088,0.000066403656,0.0031869428,0.00091425446,0.00060795783,0.00032860442,0.00013166822,0.6798885],"genre_scores_gemma":[0.9776473,0.00013235753,0.00006530779,0.0020192214,0.0007957498,0.00002337166,0.00008941773,0.000009822053,0.019217467],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991433,0.000082335115,0.00017026934,0.00026861244,0.00014388634,0.00019157413],"domain_scores_gemma":[0.9994681,0.000041803425,0.000058956077,0.00014848339,0.0002078348,0.00007480679],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010236171,0.00022541052,0.00022244899,0.00004421626,0.0006405909,0.00078749435,0.00011706003,0.000082256636,0.00028173265],"category_scores_gemma":[0.0000053502763,0.00012133339,0.00005377484,0.00005635274,0.0004228438,0.00039995206,0.000035287903,0.0003465881,0.000008703338],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029478137,0.000024377312,0.00012975514,0.000028092043,0.000043122236,0.000011261324,0.45454633,2.0871744e-7,0.000043991935,0.518211,0.026810927,0.00012144322],"study_design_scores_gemma":[0.00038128812,0.000085111846,0.00035278362,0.00015667452,0.000052446798,0.00005659636,0.0082009975,0.00009059426,0.00020685146,0.044270124,0.94586766,0.00027888824],"about_ca_topic_score_codex":0.000010496245,"about_ca_topic_score_gemma":0.000100727266,"teacher_disagreement_score":0.9190567,"about_ca_system_score_codex":0.0000046325613,"about_ca_system_score_gemma":0.000009671918,"threshold_uncertainty_score":0.7593826},"labels":[],"label_agreement":null},{"id":"W2066189263","doi":"10.7202/029903ar","title":"Middlemarch and “that Sort of Thing”","year":2009,"lang":"en","type":"article","venue":"Romanticism and Victorianism on the Net","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Grammar; Character (mathematics); Comics; Subjectivity; Philosophy; Value (mathematics); sort; Style (visual arts); The Thing; Literature; Epistemology; Linguistics; Art; Computer science; Mathematics","score_opus":0.032104764790518776,"score_gpt":0.21792312215329307,"score_spread":0.1858183573627743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2066189263","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7650168,0.001785355,0.00008103443,0.0069032037,0.0012025775,0.00039046645,0.00006906391,0.00008427571,0.22446723],"genre_scores_gemma":[0.9932902,0.00009495173,0.000029159475,0.002081209,0.00056529976,0.0000031045245,0.0000069312027,0.0000104266455,0.0039187483],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991838,0.00004405073,0.00017878637,0.00019448576,0.00019982696,0.0001991005],"domain_scores_gemma":[0.9994951,0.00012793388,0.00005892253,0.00022361914,0.00003630858,0.000058128076],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020421082,0.00015592363,0.00021237225,0.000049827777,0.000293914,0.00020200886,0.00012703592,0.000054584612,0.00029724184],"category_scores_gemma":[0.000012546711,0.000097187454,0.00004357403,0.000016815837,0.00018110318,0.00011051555,0.00002774099,0.00015469051,0.000008239453],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026199275,0.00004659916,0.000033774533,0.000023011715,0.00001664733,0.000006609074,0.02433191,7.690835e-8,0.00045627862,0.97112995,0.0029075518,0.0010213614],"study_design_scores_gemma":[0.0008392336,0.0009446017,0.0039434084,0.00027293433,0.00012839542,0.000025593165,0.00255443,0.0001917565,0.0018799653,0.26893318,0.71983707,0.00044942272],"about_ca_topic_score_codex":0.000029019844,"about_ca_topic_score_gemma":0.000017105769,"teacher_disagreement_score":0.7169295,"about_ca_system_score_codex":0.0000033860597,"about_ca_system_score_gemma":0.000008382542,"threshold_uncertainty_score":0.3963189},"labels":[],"label_agreement":null},{"id":"W2066350057","doi":"10.7202/035999ar","title":"« Une épingle de sûreté... » : de l’appartenance nationale chez Joyce","year":2006,"lang":"fr","type":"article","venue":"Études françaises","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.015381023932323675,"score_gpt":0.22464918011427848,"score_spread":0.2092681561819548,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2066350057","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.051705137,0.050139006,0.0008522793,0.01329418,0.0009311186,0.0002339585,0.00032647,0.00016834118,0.8823495],"genre_scores_gemma":[0.8209306,0.0002471202,0.0005891456,0.0017686374,0.003185707,0.000053160304,0.00006816276,0.000048418202,0.17310905],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980763,0.0000731342,0.0003997308,0.0003719591,0.00031909344,0.00075975753],"domain_scores_gemma":[0.9991217,0.00016921652,0.00010545096,0.00027122514,0.00020362886,0.00012877717],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025356901,0.0003306916,0.00031368702,0.00008411492,0.0008808948,0.0005237126,0.00027534718,0.00019707283,0.0027851698],"category_scores_gemma":[0.000033116783,0.00033935602,0.00019711979,0.00009540585,0.00071004796,0.000387886,0.00004184839,0.00031669962,0.00021476172],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022111757,0.00045270345,0.0008829749,0.00027212323,0.000049823477,0.000075617776,0.007944321,0.00016995253,0.00046357664,0.9325011,0.056150988,0.0010147485],"study_design_scores_gemma":[0.0004383964,0.0000737033,0.0029315315,0.0003182785,0.000102180005,0.000041673782,0.0005185348,0.0005089754,0.000754485,0.029540883,0.9643575,0.00041386954],"about_ca_topic_score_codex":0.008752266,"about_ca_topic_score_gemma":0.009151628,"teacher_disagreement_score":0.9082065,"about_ca_system_score_codex":0.00013195099,"about_ca_system_score_gemma":0.00024250399,"threshold_uncertainty_score":0.9999058},"labels":[],"label_agreement":null},{"id":"W2067076131","doi":"10.1353/vpr.0.0102","title":"Moral Uses, Narrative Effects: Natural History in Victorian Periodicals and Elizabeth Gaskell's Wives and Daughters","year":2010,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Courtship; HERO; Natural (archaeology); Naturalism; Narrative; Context (archaeology); Excellence; Plot (graphics); Morality; George (robot); Literature; Sociology; History; Art; Philosophy; Art history; Epistemology","score_opus":0.011988304611099558,"score_gpt":0.23553073138806851,"score_spread":0.22354242677696895,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2067076131","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15228282,0.80903006,0.000006511263,0.0064106467,0.008995257,0.0018578037,0.0000927291,0.00019826707,0.021125933],"genre_scores_gemma":[0.95634216,0.027097693,0.0003134911,0.009321156,0.00269995,0.00021789744,0.00008960357,0.00008280487,0.0038352674],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997392,0.00033710976,0.00067129993,0.0006886479,0.00038330976,0.0005276381],"domain_scores_gemma":[0.9987148,0.0002062489,0.00016283155,0.00042126913,0.00012177651,0.00037308637],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00049169717,0.0005011041,0.0010029428,0.00014347967,0.0004174501,0.0004964348,0.00026546718,0.00019069921,0.002407844],"category_scores_gemma":[0.00031622866,0.00039451834,0.00014870337,0.000069624475,0.0014080706,0.0005220312,0.000106471416,0.0009677354,0.000035049525],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001088757,0.00037578153,0.0018904068,0.012509004,0.00018398328,0.00032283657,0.41836098,2.9037686e-8,0.0032838366,0.50343657,0.047975317,0.0115523795],"study_design_scores_gemma":[0.00058130315,0.00012250742,0.0005339873,0.0022084995,0.000085366744,0.000028005252,0.0003941332,0.000011747915,0.000013604465,0.00070041744,0.99482423,0.0004961898],"about_ca_topic_score_codex":0.000083273495,"about_ca_topic_score_gemma":0.0010313116,"teacher_disagreement_score":0.9468489,"about_ca_system_score_codex":0.00008837904,"about_ca_system_score_gemma":0.00013906388,"threshold_uncertainty_score":0.9998507},"labels":[],"label_agreement":null},{"id":"W2068431739","doi":"10.1353/crc.2014.0028","title":"Rejuvenating T.S. Eliot’s The Waste Land","year":2014,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art; Philosophy","score_opus":0.02574532034365296,"score_gpt":0.2561027865034799,"score_spread":0.23035746615982694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2068431739","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024375345,0.31059316,0.00002827171,0.012160211,0.00066976144,0.0005598151,0.00035089452,0.000023972476,0.6731764],"genre_scores_gemma":[0.96144617,0.001538764,0.000057984544,0.024328131,0.0011093477,0.00003683087,0.0001699775,0.000016900878,0.0112959165],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988356,0.00022131999,0.0003379476,0.00018266715,0.00016957641,0.00025288254],"domain_scores_gemma":[0.99886936,0.00010189028,0.00012791323,0.00036036057,0.00038302166,0.00015746066],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003465227,0.00018610398,0.00041277966,0.000081024235,0.00030725508,0.00025810872,0.0002980814,0.00004417819,0.0006223356],"category_scores_gemma":[0.000047957914,0.000110548775,0.00013524649,0.0000968357,0.00022758202,0.00015933803,0.000015216983,0.00031909868,0.000037368074],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000027782032,0.000007856855,0.000021060303,0.0017509861,0.000030369523,0.0000044955054,0.026250439,0.0000015982101,0.0000047341223,0.8161357,0.15466957,0.0011204269],"study_design_scores_gemma":[0.0000854168,0.000035867495,0.000017658016,0.007619695,0.000031049774,0.000006820771,0.00026507038,0.000110550005,0.000019978923,0.0024898662,0.9891793,0.00013873665],"about_ca_topic_score_codex":0.0009101196,"about_ca_topic_score_gemma":0.030402686,"teacher_disagreement_score":0.95900863,"about_ca_system_score_codex":0.000023906076,"about_ca_system_score_gemma":0.00008658795,"threshold_uncertainty_score":0.98728997},"labels":[],"label_agreement":null},{"id":"W2073502775","doi":"10.5539/ells.v4n4p108","title":"The Deconstruction of American Myth in The Love Song of J. Alfred Prufrock","year":2014,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mythology; Love song; Deconstruction (building); Wilderness; Incarnation; Literature; Philosophy; Portrait; Art; Art history; Theology; Poetry","score_opus":0.007366699255960733,"score_gpt":0.2369933842805685,"score_spread":0.22962668502460776,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2073502775","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92293966,0.034607176,0.00000666572,0.0006019605,0.000429566,0.00015652846,0.00006208951,0.000013435969,0.041182935],"genre_scores_gemma":[0.99777126,0.0002917208,0.00003558622,0.00022746943,0.00064695394,0.0000072188873,0.000009900601,0.0000060767866,0.0010038263],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9992839,0.00012664161,0.00021668988,0.00011940462,0.00012162823,0.00013170729],"domain_scores_gemma":[0.9992066,0.0003222849,0.00010642049,0.0001764695,0.00017542229,0.000012811088],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002723917,0.00011187562,0.00022566998,0.00004673607,0.00013470098,0.00012926535,0.00011143939,0.000023264041,0.000009449913],"category_scores_gemma":[0.00020386848,0.000055231347,0.000051911218,0.00006406628,0.0005257371,0.000108605585,0.000028089778,0.00016428152,4.104914e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024425344,0.000016306438,0.00011934488,0.000065129934,0.00004699824,0.0000039950173,0.88546264,2.585382e-7,0.000025126397,0.10542945,0.0021833382,0.0066229873],"study_design_scores_gemma":[0.0002865365,0.00018533035,0.00029402575,0.00020036605,0.000041484564,0.0000060982075,0.81468177,0.000011912441,0.00013178957,0.002460959,0.18158463,0.00011510418],"about_ca_topic_score_codex":0.000045940767,"about_ca_topic_score_gemma":0.00065637764,"teacher_disagreement_score":0.1794013,"about_ca_system_score_codex":0.0000036285408,"about_ca_system_score_gemma":0.0000046277005,"threshold_uncertainty_score":0.22522691},"labels":[],"label_agreement":null},{"id":"W2074784601","doi":"10.1353/jjq.2011.0121","title":"\"A beautiful pure sweet mellow English tenor\": \"Joyce and England\" at the 18th Irregular Miami J'yce Birthday Conference, 31 January-2 February 2013","year":2011,"lang":"en","type":"article","venue":"James Joyce quarterly","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Banquet; Irish; History; Miami; Poetry; Art history; Literature; Art; Classics; Philosophy; Linguistics","score_opus":0.01976339405025713,"score_gpt":0.19682820349290764,"score_spread":0.17706480944265052,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2074784601","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8616645,0.005465285,0.000050526305,0.002489819,0.0018742345,0.0007794942,0.00035568333,0.00032446353,0.12699606],"genre_scores_gemma":[0.9385044,0.00012470024,0.00009157857,0.0017188498,0.0015876145,0.00010619243,0.00014725453,0.00006568417,0.057653703],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.997227,0.00023056469,0.00057451817,0.0007482764,0.00045955088,0.0007600812],"domain_scores_gemma":[0.9980427,0.00018763398,0.00020384214,0.0008918133,0.00041010205,0.00026387896],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038824618,0.0005915741,0.00056955765,0.00014601572,0.00094414287,0.0009447154,0.00057128794,0.0002459385,0.0022112932],"category_scores_gemma":[0.000022519427,0.00040261695,0.0002234208,0.00007186902,0.0009275574,0.0007709095,0.00008732175,0.0005889373,0.00031879434],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020760961,0.00024635278,0.0004858705,0.00015376853,0.00021714348,0.00011243881,0.6793852,2.8823035e-7,0.00016763539,0.11213895,0.18769063,0.019194117],"study_design_scores_gemma":[0.0012596429,0.0010488533,0.0015214997,0.00012768425,0.00018491811,0.000050412364,0.022215588,0.00011389785,0.00021836064,0.011752823,0.96074164,0.00076466706],"about_ca_topic_score_codex":0.0016971498,"about_ca_topic_score_gemma":0.00540289,"teacher_disagreement_score":0.773051,"about_ca_system_score_codex":0.000039905288,"about_ca_system_score_gemma":0.00007481559,"threshold_uncertainty_score":0.9998426},"labels":[],"label_agreement":null},{"id":"W2082129539","doi":"10.3138/jsp.33.4.248","title":"Personalities in Publishing: Jeremy Wilson","year":2002,"lang":"en","type":"article","venue":"Journal of Scholarly Publishing","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Publishing; Art history; The Internet; Web site; Sociology; Art; Classics; Computer science; World Wide Web; Literature","score_opus":0.08737168522048731,"score_gpt":0.2302017860085526,"score_spread":0.1428301007880653,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2082129539","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30345622,0.012685064,0.0000562448,0.071235925,0.002631455,0.00011764931,0.000036127527,0.000057295354,0.60972404],"genre_scores_gemma":[0.9742946,0.00007480893,0.00029179358,0.004280675,0.003602098,0.0000026400096,0.000005531157,0.000028751392,0.017419083],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972802,0.00016535075,0.0008281957,0.00019753764,0.0011055587,0.00042319644],"domain_scores_gemma":[0.997557,0.00018487507,0.00042320363,0.00019306844,0.0014254777,0.00021637756],"candidate_categories":["scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["scholarly_communication"],"category_scores_codex":[0.002409834,0.0001974144,0.00036432908,0.00073637214,0.000301439,0.14855693,0.00089342234,0.00018446549,0.0032380954],"category_scores_gemma":[0.0024566823,0.00016377209,0.00020553282,0.00014638499,0.00011671854,0.19824032,0.000079001074,0.0027999,0.00002070589],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037371792,0.00023645641,0.0032641606,0.00007024841,0.00006825171,0.00026184606,0.17034216,0.000004536191,0.0000881923,0.5236021,0.29078242,0.011242196],"study_design_scores_gemma":[0.000912718,0.0001167297,0.000733441,0.00032713212,0.000027326267,0.00012681159,0.019121282,0.000123198,0.000013512235,0.014309851,0.9639531,0.00023492826],"about_ca_topic_score_codex":0.00018279518,"about_ca_topic_score_gemma":0.00023695178,"teacher_disagreement_score":0.6731706,"about_ca_system_score_codex":0.00014420177,"about_ca_system_score_gemma":0.0000579066,"threshold_uncertainty_score":0.9995007},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"not_applicable","genre":"other","about_ca_system":false,"about_ca_topic":false,"confidence":"low"},{"model":"gpt","categories":["scholarly_communication"],"domain":null,"study_design":"not_applicable","genre":"commentary","about_ca_system":false,"about_ca_topic":false,"confidence":"medium"}],"label_agreement":"split"},{"id":"W2083004187","doi":"10.7202/012461ar","title":"Metropolitan Wordsworth: Allegory as Affirmation and Critique in The Prelude","year":2006,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Allegory; Capitalism; Ideology; Historicism; Politics; Marxist philosophy; Aesthetics; Literature; Manifesto; Bourgeoisie; Pathos; Philosophy; Sociology; Art; Law","score_opus":0.013052720388558418,"score_gpt":0.22774293059406545,"score_spread":0.21469021020550702,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2083004187","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4704284,0.00078650744,0.000034689518,0.013871829,0.00019351127,0.00032406463,0.000014705261,0.000044767883,0.51430154],"genre_scores_gemma":[0.9868561,0.000021858756,0.000012006312,0.006800735,0.00047066508,0.000037038702,0.000020152524,0.000014158545,0.0057672984],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989846,0.00018349577,0.00021553857,0.00016352203,0.00022323916,0.00022964222],"domain_scores_gemma":[0.99928325,0.00036378263,0.00004292562,0.00025964918,0.000029869734,0.00002051806],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033959222,0.00014530074,0.00013204057,0.00007207236,0.0003074446,0.00039210377,0.00019958863,0.00004603087,0.00053300965],"category_scores_gemma":[0.00003266636,0.000079911566,0.000046586425,0.000035500467,0.00017713755,0.00013972177,0.00002155371,0.00023347196,0.000060151222],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013173728,0.000070394715,0.000036407353,0.000011485837,0.0000062894783,0.000016548489,0.011558114,0.00000230593,0.000016516598,0.95031536,0.03783491,0.00011847681],"study_design_scores_gemma":[0.00046857636,0.00023669378,0.00407135,0.00013282162,0.00005468745,0.000026526468,0.014870595,0.00051676534,0.0001403949,0.43123585,0.54791945,0.00032631686],"about_ca_topic_score_codex":0.00092577003,"about_ca_topic_score_gemma":0.0015987502,"teacher_disagreement_score":0.51907957,"about_ca_system_score_codex":0.000014896426,"about_ca_system_score_gemma":0.000009815541,"threshold_uncertainty_score":0.5836082},"labels":[],"label_agreement":null},{"id":"W2085645018","doi":"10.3138/utq.83.3.659","title":"<i>The Waves</i> as Exploration of (An)aesthetic of Absence","year":2014,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Feeling; Aesthetics; Literature; Philosophy; History; Art; Epistemology","score_opus":0.011395560756757654,"score_gpt":0.19523699370774825,"score_spread":0.1838414329509906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2085645018","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6474614,0.00051568396,0.0023661966,0.00057242403,0.00041070057,0.00022373591,0.000042736126,0.000037992548,0.34836912],"genre_scores_gemma":[0.99439555,0.0000127861795,0.00010414148,0.000024132027,0.000040118888,1.0338029e-7,0.000005927435,0.0000035636585,0.0054136673],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995258,0.000056446137,0.00011888242,0.00008555355,0.00013424928,0.00007907101],"domain_scores_gemma":[0.9994613,0.00003148132,0.00011259089,0.00021257388,0.00015212667,0.00002996222],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000105163264,0.00005868477,0.00011966031,0.0000110691035,0.00014256561,0.000018823233,0.00018676666,0.000026148671,0.00032687007],"category_scores_gemma":[0.0000026903615,0.000051407085,0.000057947684,0.0000047227327,0.00026283672,0.00057564536,0.0000066905122,0.00003031711,0.0000069597695],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007875286,0.00008380076,0.0000041810576,0.000036476766,0.00001154997,0.0000011294151,0.23245455,0.0000017830171,0.00065632176,0.7336821,0.00064290746,0.03234648],"study_design_scores_gemma":[0.0010072411,0.0044401903,0.00022392537,0.0001343277,0.00009239667,0.0000033681038,0.14603761,0.0009946706,0.00067910796,0.038522255,0.8075829,0.0002819702],"about_ca_topic_score_codex":0.006299574,"about_ca_topic_score_gemma":0.018067293,"teacher_disagreement_score":0.80694,"about_ca_system_score_codex":0.000012441779,"about_ca_system_score_gemma":0.000014571573,"threshold_uncertainty_score":0.9998504},"labels":[],"label_agreement":null},{"id":"W2089266631","doi":"10.3138/md.50.1.60","title":"‘‘God’s in This Apple’’: Eating and Spirituality in Churchill’s <i>Light Shining in Buckinghamshire</i>","year":2007,"lang":"en","type":"article","venue":"Modern Drama","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Renunciation; Realm; Spirituality; Consciousness; Politics; Aesthetics; History; Ambivalence; Patriarchy; Psychoanalysis; Literature; Sociology; Gender studies; Art; Psychology; Philosophy; Theology; Law; Medicine; Political science","score_opus":0.022368100954043957,"score_gpt":0.24816280621229103,"score_spread":0.22579470525824707,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2089266631","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7826934,0.0009839896,0.00022897187,0.00095971866,0.00015170654,0.00023120268,0.000014001277,0.000052343275,0.21468468],"genre_scores_gemma":[0.9958987,0.000009654046,0.00016165871,0.0016046404,0.0002702421,0.000018998644,0.000018910254,0.000028772038,0.0019883811],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981271,0.000076546145,0.0005785812,0.00042977373,0.00023031085,0.00055767084],"domain_scores_gemma":[0.9994809,0.00012402024,0.00006935021,0.00022112922,0.00002986527,0.000074732976],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010196066,0.00023025424,0.00034221585,0.00028217674,0.00013703818,0.00032589296,0.00015832936,0.00012532045,0.0002813389],"category_scores_gemma":[0.000049490533,0.00022369022,0.000045735807,0.0000806461,0.00011476622,0.0003566811,0.00008470716,0.00054420263,0.000010466948],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012319333,0.00033796296,0.07713374,0.00022713249,0.000012394406,0.00037652097,0.6608315,0.000036872258,0.00072169234,0.22526875,0.0005498483,0.034380388],"study_design_scores_gemma":[0.010483034,0.00039485813,0.09823668,0.0037618638,0.000050941635,0.0000773707,0.032829717,0.026681613,0.001295887,0.24596208,0.5765012,0.0037247867],"about_ca_topic_score_codex":0.0017948274,"about_ca_topic_score_gemma":0.040169936,"teacher_disagreement_score":0.6280018,"about_ca_system_score_codex":0.00007785844,"about_ca_system_score_gemma":0.000023296045,"threshold_uncertainty_score":0.97734445},"labels":[],"label_agreement":null},{"id":"W2098713014","doi":"10.3968/j.ccc.1923670020070302.015","title":"Novel is the Book of Life","year":2010,"lang":"en","type":"article","venue":"Cross-cultural communication","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Alienation; Dehumanization; Conscience; Philosophy; Humanities; Consciousness; Courage; Instinct; Ethnology; Psychoanalysis; Sociology; Psychology; Theology; Epistemology; Anthropology; Political science","score_opus":0.039012991466026783,"score_gpt":0.3041397989935969,"score_spread":0.2651268075275701,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2098713014","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6738963,0.0025691087,0.000018631685,0.01048496,0.0003938414,0.00022434173,0.000091311646,0.00007559222,0.31224588],"genre_scores_gemma":[0.9794289,0.000041368945,0.00011735629,0.0031418046,0.00019201267,0.00001610004,0.00005324945,0.0000071324575,0.017002089],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994866,0.000019841822,0.00020419457,0.000081369006,0.00011094432,0.00009702129],"domain_scores_gemma":[0.9987256,0.000069613736,0.00009382597,0.00067147583,0.00041037725,0.0000290856],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013085725,0.000081647224,0.00009301742,0.000012009114,0.00064310426,0.00055546034,0.0005047948,0.000046811616,0.0015060197],"category_scores_gemma":[0.000059549224,0.000046854653,0.00007241407,0.000016308764,0.0009496774,0.00050836144,0.000083859064,0.00029624038,0.000045368124],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012759975,0.000055452998,0.00008572742,0.000018613695,0.00001808504,3.800829e-8,0.053556416,4.4591934e-7,0.01535532,0.9025757,0.027280169,0.0010413079],"study_design_scores_gemma":[0.00016071174,0.0000116415795,0.0007912654,0.000012072139,0.000010916043,0.0000015746889,0.0009016095,0.00006138893,0.0011773879,0.0020547763,0.9947393,0.000077366254],"about_ca_topic_score_codex":0.00017952602,"about_ca_topic_score_gemma":0.00034766382,"teacher_disagreement_score":0.96745914,"about_ca_system_score_codex":0.000004427251,"about_ca_system_score_gemma":0.000015058555,"threshold_uncertainty_score":0.99940675},"labels":[],"label_agreement":null},{"id":"W2101758412","doi":"10.1093/notesj/gjp085","title":"Theravada Buddhist Influence in The Waste Land?","year":2009,"lang":"en","type":"article","venue":"Notes and Queries","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Buddhism; Pure land; Poetry; Sermon; Philosophy; Literature; Argument (complex analysis); Buddhist philosophy; History; Religious studies; Art; Theology","score_opus":0.015671919223090615,"score_gpt":0.22207549068785173,"score_spread":0.20640357146476113,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2101758412","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9376289,0.0020654565,0.000011067016,0.005564196,0.00006612035,0.00007562576,0.000011529993,0.000020176773,0.054556902],"genre_scores_gemma":[0.99397415,0.000057061465,0.00001579226,0.00484317,0.00021382618,0.000004845605,0.000003911083,0.0000030187828,0.00088420114],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99960995,0.000022466207,0.00009122037,0.00008865051,0.000074053525,0.000113674294],"domain_scores_gemma":[0.999788,0.000058795442,0.000015486026,0.00009889249,0.000024526089,0.000014298492],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007302382,0.00007524161,0.00008118593,0.000018892537,0.0001793137,0.00030742862,0.00007018081,0.000020802796,0.00009538814],"category_scores_gemma":[0.000014676164,0.000043056738,0.000017971488,0.000013167354,0.00012329947,0.00016242947,0.0000064465994,0.000087875764,0.0000045200036],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002005169,0.000030273428,0.00069669465,0.000014109604,0.000003172205,0.000013700027,0.11362543,0.0000052155574,0.000088087174,0.8780658,0.00053915073,0.0068983077],"study_design_scores_gemma":[0.0002821506,0.00022188725,0.0071923602,0.00007029198,0.000011931883,0.000011277566,0.006776648,0.00005953905,0.00012149154,0.05061364,0.9344147,0.00022408729],"about_ca_topic_score_codex":0.00028620113,"about_ca_topic_score_gemma":0.0012800827,"teacher_disagreement_score":0.93387556,"about_ca_system_score_codex":0.0000023292596,"about_ca_system_score_gemma":0.000005850687,"threshold_uncertainty_score":0.29645413},"labels":[],"label_agreement":null},{"id":"W2119047106","doi":"10.1215/00029831-2717398","title":"Strange Beauty: The Politics of Ungenre in Rebecca Harding Davis’s<i>Life in the Iron Mills</i>","year":2014,"lang":"en","type":"article","venue":"American Literature","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Beauty; Sculpture; Politics; Context (archaeology); Aesthetics; Marxist philosophy; Painting; Art; Object (grammar); Literature; Philosophy; Art history; History; Law; Political science","score_opus":0.011496728103922844,"score_gpt":0.22313503278781882,"score_spread":0.21163830468389597,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2119047106","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8717392,0.00851076,0.000038684157,0.014104849,0.0005733476,0.0005843592,0.0004210999,0.000052783045,0.10397491],"genre_scores_gemma":[0.9858915,0.00004900508,0.00004619227,0.011439807,0.0008620744,0.000025689467,0.00006843224,0.000023025406,0.0015942509],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99834675,0.00033431788,0.00037338983,0.00025084,0.0002843252,0.00041040775],"domain_scores_gemma":[0.9989794,0.00026246358,0.00012837403,0.00050098595,0.00007259875,0.00005616803],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004464276,0.00021780137,0.00033874577,0.00011553157,0.00018538635,0.00035610568,0.00045007118,0.000060124938,0.00007403003],"category_scores_gemma":[0.00007243437,0.00012282388,0.00011248385,0.00018531081,0.00052445073,0.0001822356,0.00003418314,0.0005880202,0.0000055893647],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029080078,0.00011878504,0.0012826396,0.00012123383,0.000019351193,0.000020405158,0.3131626,0.000011102087,0.00013113751,0.6705652,0.011749071,0.0027894226],"study_design_scores_gemma":[0.00046306933,0.00021489436,0.0042390446,0.0003579153,0.000045449982,0.000011217217,0.01818466,0.00015903627,0.000030069881,0.0061569843,0.96981955,0.00031813732],"about_ca_topic_score_codex":0.000739431,"about_ca_topic_score_gemma":0.00092652126,"teacher_disagreement_score":0.95807046,"about_ca_system_score_codex":0.000021806702,"about_ca_system_score_gemma":0.000030812575,"threshold_uncertainty_score":0.5008613},"labels":[],"label_agreement":null},{"id":"W2131611619","doi":"","title":"An Ecomythic Reading of T. S. Eliot's The Waste Land","year":2015,"lang":"en","type":"article","venue":"The Trumpeter","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psyche; Poetry; Reading (process); Alienation; Literature; Ecocriticism; Philosophy; Natural (archaeology); Close reading; Art; History; Epistemology; Archaeology; Law; Political science","score_opus":0.04520975524521336,"score_gpt":0.2500740499549221,"score_spread":0.20486429470970874,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2131611619","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72435355,0.00054374896,0.000054680033,0.005120789,0.000756556,0.00018105525,0.000030816343,0.00005131322,0.26890752],"genre_scores_gemma":[0.99180984,0.0000040659934,0.000011414722,0.0012074462,0.0007811836,0.0000061968494,0.0000053964645,0.000011164813,0.0061632674],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942756,0.00008905079,0.00012946219,0.00008378894,0.00013601294,0.00013413263],"domain_scores_gemma":[0.9994722,0.00004811407,0.000039340135,0.00034272205,0.000060087812,0.00003751253],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032194212,0.000078949866,0.000100270074,0.000021194399,0.00015734757,0.00016206123,0.0002453099,0.000021867052,0.000345252],"category_scores_gemma":[0.000008261646,0.00003518562,0.000044673456,0.000012832866,0.00022821035,0.00013372785,0.000024818257,0.00012226646,0.000054622196],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008435879,0.00006476507,0.00023802536,0.000033166874,0.000059176906,0.000006491287,0.25724617,0.000028136908,0.00022529134,0.7206089,0.019320445,0.002085063],"study_design_scores_gemma":[0.0006635326,0.00033987124,0.00016761858,0.00007884757,0.00011520005,0.000022264318,0.012757038,0.0016006831,0.0009838066,0.06394855,0.9190467,0.00027588723],"about_ca_topic_score_codex":0.00009552596,"about_ca_topic_score_gemma":0.00018158394,"teacher_disagreement_score":0.8997263,"about_ca_system_score_codex":0.00000514374,"about_ca_system_score_gemma":0.000013661671,"threshold_uncertainty_score":0.37802672},"labels":[],"label_agreement":null},{"id":"W2133072610","doi":"","title":"James Joyce’s Epiphany and Virginia Woolf’s “Moment of Importance”","year":2011,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Epiphany; Stream of consciousness (narrative mode); Literature; Consciousness; Moment (physics); Key (lock); Art; Philosophy; Psychoanalysis; Psychology; Epistemology; Narrative; Computer science","score_opus":0.03626202872967651,"score_gpt":0.27660717377454025,"score_spread":0.24034514504486373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2133072610","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6881192,0.21486118,0.0000018950602,0.00016366379,0.00036807914,0.0001579418,0.00007499496,0.000025269434,0.09622782],"genre_scores_gemma":[0.99278593,0.0014173356,0.0001806893,0.0006396097,0.00027305502,0.000022145232,0.000012520101,0.0000116244355,0.004657109],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992036,0.000032163764,0.000254006,0.00022359999,0.00009558647,0.00019102183],"domain_scores_gemma":[0.9996342,0.000038983708,0.000062497085,0.00015908662,0.00006510663,0.000040125207],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013586297,0.00017189019,0.0003133434,0.00010238,0.000092370865,0.000064445136,0.000066343666,0.000051916573,0.00020181961],"category_scores_gemma":[0.00001795419,0.0001226943,0.000038173104,0.00003989572,0.0003936875,0.00019115613,0.00006890769,0.00015948023,0.0000012089322],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004351537,0.000057331265,0.001422558,0.0003002347,0.00007657011,0.00012254504,0.8049882,6.8837114e-9,0.00007451432,0.18777941,0.0026161047,0.0025189673],"study_design_scores_gemma":[0.0030591385,0.0011229443,0.00963882,0.0026367062,0.00021750618,0.00009948969,0.36089292,0.0000093799645,0.0010625145,0.05614206,0.5637779,0.0013405986],"about_ca_topic_score_codex":0.00004627765,"about_ca_topic_score_gemma":0.0003626802,"teacher_disagreement_score":0.5611618,"about_ca_system_score_codex":0.0000076996275,"about_ca_system_score_gemma":0.0000053084887,"threshold_uncertainty_score":0.50033283},"labels":[],"label_agreement":null},{"id":"W2133820413","doi":"10.3968/j.css.1923669720090505.012","title":"Death and Immortality: the Everlasting Themes","year":2009,"lang":"en","type":"article","venue":"Canadian social science","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Eternity; Immortality; Poetry; Theme (computing); Literature; Art; Humanities; Philosophy; Computer science","score_opus":0.03157858298121195,"score_gpt":0.24738080500588408,"score_spread":0.21580222202467214,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2133820413","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.086834304,0.00018840065,0.0000031798515,0.0034981414,0.00015328605,0.000053636933,0.000015853233,0.000014358673,0.9092388],"genre_scores_gemma":[0.9924633,0.0000011462706,0.0000050493827,0.00484134,0.00046228155,0.0000012956517,7.510824e-7,0.0000017915092,0.0022230393],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994452,0.000009574729,0.00005421373,0.000115730756,0.00012404291,0.00025125418],"domain_scores_gemma":[0.9997488,0.000011770921,0.000013590002,0.0000591787,0.000050545947,0.000116114796],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00016087503,0.000049348684,0.000046690908,0.000032555246,0.0019158258,0.00054995855,0.00016096856,0.000013485321,0.00012641618],"category_scores_gemma":[0.00002140414,0.000033185483,0.000020418855,0.00004450193,0.0005591213,0.00018156259,0.000007917102,0.00006505336,0.000005421058],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[2.3110071e-7,0.0000012064429,0.00019930986,6.8437953e-7,9.249493e-7,0.0000028116144,0.024898628,5.768131e-9,0.000020297757,0.96955,0.0009032975,0.0044225655],"study_design_scores_gemma":[0.000060868602,0.000026402238,0.01571531,0.000011230919,0.000014444002,0.0000054014768,0.012014599,0.000030743508,0.000016534537,0.04419427,0.9277341,0.00017612285],"about_ca_topic_score_codex":0.007844736,"about_ca_topic_score_gemma":0.028169993,"teacher_disagreement_score":0.92683077,"about_ca_system_score_codex":0.00003911078,"about_ca_system_score_gemma":0.00013462096,"threshold_uncertainty_score":0.99938357},"labels":[],"label_agreement":null},{"id":"W2159441001","doi":"10.5539/ells.v3n2p16","title":"The Dual Perspectives in James Thomson's The City of Dreadful Night","year":2013,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Humanity; Literature; Face (sociological concept); Dual (grammatical number); Value (mathematics); History; Philosophy; Art; Computer science; Theology","score_opus":0.013501865416113385,"score_gpt":0.24526410759589698,"score_spread":0.23176224217978358,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2159441001","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.747434,0.21261524,4.7297232e-7,0.0021859584,0.0003815079,0.00023024058,0.000038400936,0.00003011784,0.037084017],"genre_scores_gemma":[0.98567766,0.00096659723,0.000011748768,0.00022863537,0.0011768678,0.00006217571,0.0000068020777,0.00000965982,0.011859851],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9991318,0.00011360231,0.00019736361,0.00019045186,0.00014796104,0.00021879366],"domain_scores_gemma":[0.99896246,0.00038820851,0.000056525052,0.0002216607,0.0003461939,0.000024966728],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022616972,0.00017170199,0.00022872158,0.000046917463,0.00046922857,0.0005450857,0.00013147465,0.000044854034,0.000118300704],"category_scores_gemma":[0.00026128782,0.000076940014,0.00006901407,0.00006127489,0.0006308606,0.000285139,0.00007997008,0.0003109842,0.0000019600188],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009844523,0.00002237748,0.00010908365,0.000027905886,0.000066963075,0.000012898867,0.8190666,3.7905572e-8,0.000012367137,0.17164879,0.007984379,0.001038748],"study_design_scores_gemma":[0.00019114233,0.00004371441,0.0005687117,0.00012115558,0.000019874482,0.000002962362,0.8476074,0.0000021286876,0.00005145635,0.003554528,0.14772148,0.000115451774],"about_ca_topic_score_codex":0.00010371936,"about_ca_topic_score_gemma":0.0005715671,"teacher_disagreement_score":0.23824361,"about_ca_system_score_codex":0.000008931817,"about_ca_system_score_gemma":0.0000076047622,"threshold_uncertainty_score":0.5256274},"labels":[],"label_agreement":null},{"id":"W2172010344","doi":"10.1353/esc.2007.0039","title":"D. H. Lawrence and Survival: Darwinism in the Fiction of the Transitional Period (review)","year":2005,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Period (music); Greatness; History; Literature; Darwinism; Narrative; Art history; Art; Philosophy; Aesthetics","score_opus":0.03298128001904421,"score_gpt":0.25115947300831265,"score_spread":0.21817819298926844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2172010344","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35823092,0.24791452,0.0000025576735,0.027855638,0.0046749157,0.00084786344,0.00040584226,0.000020591353,0.36004713],"genre_scores_gemma":[0.99508744,0.0021892223,0.0000038930475,0.00220896,0.00028363094,0.000024067422,0.0000029460887,0.0000029722435,0.00019689222],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99937373,0.00007796444,0.00017391826,0.000089053494,0.00018892849,0.00009637726],"domain_scores_gemma":[0.9996784,0.0001123834,0.000026579637,0.000101590296,0.00007281691,0.0000082813585],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020329937,0.00006844281,0.00013572264,0.000011750253,0.00012220611,0.000012890438,0.00010372322,0.00000941861,0.0000889511],"category_scores_gemma":[0.000051224106,0.000039410315,0.000020573916,0.000030080388,0.00016458718,0.00006347471,0.000016849357,0.00013146775,8.431404e-8],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011048582,0.000067985406,0.0016037034,0.00072668097,0.00005236083,0.00001809102,0.61596036,0.000046759877,0.000002287728,0.17210004,0.2050099,0.0044007874],"study_design_scores_gemma":[0.00019262124,0.000010070047,0.003501302,0.00042104948,0.000016523041,0.0000021303513,0.0572969,0.000016785852,0.0000035416265,0.0002996595,0.9381534,0.00008603991],"about_ca_topic_score_codex":0.08756009,"about_ca_topic_score_gemma":0.9642227,"teacher_disagreement_score":0.8766627,"about_ca_system_score_codex":0.00005775811,"about_ca_system_score_gemma":0.00009432547,"threshold_uncertainty_score":0.9185159},"labels":[],"label_agreement":null},{"id":"W2174052327","doi":"10.1353/vcr.2014.0012","title":"The Inhumanity of Political Economy: Mid-Victorian Feminism and the Politics of the Abstract","year":2014,"lang":"en","type":"article","venue":"Victorian review","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Feminism; Dehumanization; Agency (philosophy); Absurdism; Productivity; Gender studies; Sociology; Political economy; Political science; Law; Social science; Economics; Economic growth","score_opus":0.016833204277446476,"score_gpt":0.23697338720933356,"score_spread":0.22014018293188709,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2174052327","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0031634276,0.06582886,0.000011268839,0.023113748,0.0029186325,0.0009974937,0.00010660225,0.00002943445,0.9038305],"genre_scores_gemma":[0.9921295,0.0012575273,0.0000040253467,0.003030748,0.001697775,0.000021182203,0.0000035359815,0.000015483205,0.0018402161],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99856496,0.0002377694,0.00058319024,0.00015090639,0.00017672092,0.0002864458],"domain_scores_gemma":[0.99820125,0.0006834041,0.00022943463,0.00063348113,0.00017432825,0.00007812224],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008660828,0.00017056392,0.00043352915,0.000015728197,0.00052124425,0.00014360835,0.00043203772,0.00005099992,0.00017794568],"category_scores_gemma":[0.00018558452,0.00007357824,0.00021485795,0.000026806829,0.0011597658,0.000074813055,0.00008690026,0.00023554274,0.000009232173],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000439307,0.000018849976,0.00002127152,0.0009037721,0.00003097245,1.5474876e-7,0.004511874,6.652218e-9,0.000003188352,0.99303484,0.0011274813,0.00034320392],"study_design_scores_gemma":[0.00024720337,0.000024765865,0.00018030859,0.0006481851,0.000118894706,0.0000024993058,0.00017156398,0.0000021829187,0.000045319088,0.11100544,0.8874719,0.000081712205],"about_ca_topic_score_codex":0.00007559243,"about_ca_topic_score_gemma":0.00015496703,"teacher_disagreement_score":0.9889661,"about_ca_system_score_codex":0.00001878844,"about_ca_system_score_gemma":0.000058027512,"threshold_uncertainty_score":0.4273205},"labels":[],"label_agreement":null},{"id":"W2181278851","doi":"10.1353/vcr.2008.0002","title":"Identifying the Remains: George Eliot’s Death in the London Religious Press by K. K. Collins (review)","year":2008,"lang":"en","type":"article","venue":"Victorian review","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"George (robot); History; Religious studies; Art; Theology; Art history; Philosophy","score_opus":0.05588201407985892,"score_gpt":0.27632000128495354,"score_spread":0.2204379872050946,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2181278851","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004381869,0.9550572,0.000018686265,0.006075283,0.00065622246,0.0012448583,0.000057794685,0.000046252495,0.036405493],"genre_scores_gemma":[0.019072555,0.9476874,0.000012588216,0.02615647,0.00089242484,0.00026973,0.000058196896,0.000030051186,0.0058206064],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978051,0.00044986772,0.0006310409,0.00031232147,0.00044302657,0.00035863637],"domain_scores_gemma":[0.99873585,0.00016563956,0.00018280656,0.0007401713,0.00012046848,0.000055043718],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009373926,0.00026446918,0.0005272479,0.000029532774,0.00048992346,0.00016333243,0.000658949,0.000041318606,0.00024824057],"category_scores_gemma":[0.00010105341,0.00013813884,0.00022113156,0.00011803145,0.00014685576,0.00017623781,0.000049826198,0.0003858309,0.00013058024],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003543658,0.00008934633,0.00003746776,0.0047504418,0.000027805352,0.00008232335,0.01367727,5.2853974e-8,0.0000038258468,0.09774077,0.8825676,0.0010195451],"study_design_scores_gemma":[0.0001276682,0.000030759962,0.000029156487,0.00794743,0.0001175371,0.000040326377,0.00006381841,0.0000013722834,0.0000032120147,0.0006485129,0.9908008,0.00018943757],"about_ca_topic_score_codex":0.00018560304,"about_ca_topic_score_gemma":0.00052032917,"teacher_disagreement_score":0.10823316,"about_ca_system_score_codex":0.00003774957,"about_ca_system_score_gemma":0.000037453057,"threshold_uncertainty_score":0.56331384},"labels":[],"label_agreement":null},{"id":"W2199395471","doi":"","title":"Some Regimented Evening: The Relationship between Commentary and Representation in \"The Dead\" and \"The Love Song of J. Alfred Prufrock\"","year":2015,"lang":"en","type":"article","venue":"Verso: An Undergraduate Journal of Literary Criticism","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Worry; Psychoanalysis; Wright; Repetition (rhetorical device); Literature; Aesthetics; Philosophy; Sociology; History; Art; Psychology; Art history; Linguistics; Anxiety","score_opus":0.08619460160318064,"score_gpt":0.3030540293484207,"score_spread":0.21685942774524003,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2199395471","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8502563,0.0074085295,0.0001449461,0.13927634,0.00033085555,0.00037035192,0.00005977929,0.000008825655,0.0021440675],"genre_scores_gemma":[0.99455667,0.00005466189,0.00010917031,0.003919423,0.00063529133,0.0000035114533,0.000030421987,0.000014812605,0.0006760313],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9976658,0.00089273,0.0006722255,0.0001477525,0.00043034722,0.0001911442],"domain_scores_gemma":[0.9975367,0.0016340233,0.00030182884,0.0002414292,0.00018962231,0.00009635726],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001326827,0.00016483148,0.00031592223,0.00016381309,0.00024680566,0.00037951482,0.00027150396,0.00005007386,0.000008043745],"category_scores_gemma":[0.00016402641,0.000091220136,0.000088070556,0.00007866948,0.0006040253,0.0012212378,0.00004521513,0.000460177,0.0000012879956],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007205304,0.00012635005,0.02737765,0.0000951594,0.00014990609,0.0000794634,0.38368037,0.0000060701664,0.00002131602,0.55830264,0.028982311,0.0004582464],"study_design_scores_gemma":[0.005743768,0.0006782907,0.0111429505,0.00041413994,0.0003604125,0.0002304625,0.047830954,0.0003434374,0.000037953138,0.90555257,0.0274315,0.00023357393],"about_ca_topic_score_codex":0.00012856984,"about_ca_topic_score_gemma":0.000058505328,"teacher_disagreement_score":0.34724993,"about_ca_system_score_codex":0.000026707386,"about_ca_system_score_gemma":0.000039216833,"threshold_uncertainty_score":0.37198493},"labels":[],"label_agreement":null},{"id":"W2239933691","doi":"10.1016/s1701-2163(15)31042-2","title":"Art et sciences génésiques : Célébration d'un glorieux mariage","year":2013,"lang":"fr","type":"article","venue":"Journal of Obstetrics and Gynaecology Canada","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Saskatchewan; McMaster University","funders":"","keywords":"Humanities; Art","score_opus":0.014446086382599494,"score_gpt":0.21988664762133522,"score_spread":0.20544056123873572,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2239933691","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3217606,0.18821429,0.00041528046,0.066347025,0.108232796,0.00046852755,0.0001875503,0.00001461009,0.31435934],"genre_scores_gemma":[0.964992,0.0014602321,0.0006241053,0.006336832,0.00035392583,0.0000044289654,0.0000067571127,0.000014606823,0.026207104],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99836314,0.00018959171,0.0005881354,0.00016449978,0.00035306977,0.00034155828],"domain_scores_gemma":[0.9970266,0.0016981418,0.00038931763,0.000091728616,0.0005907146,0.00020346387],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004790253,0.00018471395,0.00034539646,0.0001934837,0.0005381633,0.0006754413,0.00019395941,0.0001474934,0.0063050417],"category_scores_gemma":[0.0007460337,0.00015537856,0.00007124654,0.00011118643,0.00043781204,0.0007035776,0.00004679762,0.00045071752,0.000008680073],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002209125,0.00015287311,0.0028923154,0.00011679663,0.00018880286,0.0010492593,0.0035582108,0.000020335186,0.000007079889,0.66351676,0.23489986,0.093595475],"study_design_scores_gemma":[0.00053694687,0.0005998464,0.015655376,0.000020105621,0.00011732465,0.00008249417,0.0012175459,0.00017585525,0.000020409761,0.022574773,0.95878184,0.0002174951],"about_ca_topic_score_codex":0.030397084,"about_ca_topic_score_gemma":0.088102736,"teacher_disagreement_score":0.72388196,"about_ca_system_score_codex":0.00029102116,"about_ca_system_score_gemma":0.0012718022,"threshold_uncertainty_score":0.99460334},"labels":[],"label_agreement":null},{"id":"W2282838447","doi":"10.14288/1.0093942","title":"T.S. Eliot’s impersonality : a study of the personae in Eliot’s major poems","year":2010,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Poetry; Literature; Art; Philosophy","score_opus":0.012948477857643853,"score_gpt":0.1814650513142777,"score_spread":0.16851657345663384,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2282838447","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9864636,0.000085317995,0.0000014725442,0.00017989795,0.00040139022,0.0003440099,0.00021284421,0.00002259829,0.012288871],"genre_scores_gemma":[0.9948911,0.0000054445363,0.000015523186,0.00008948377,0.00008833157,0.0000010468804,0.0000051431425,0.000011260552,0.0048926473],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99892116,0.00008201762,0.00017107562,0.00029529905,0.00031070816,0.0002197595],"domain_scores_gemma":[0.9992304,0.0000372124,0.00011668798,0.0003587204,0.0001955952,0.000061425446],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022751569,0.000056960314,0.00027855902,0.000049732036,0.00033335824,0.00015314622,0.00046621394,0.00008224062,0.0010766145],"category_scores_gemma":[0.000021658347,0.00013532922,0.0001504203,0.000104639534,0.0004903888,0.0002580539,0.00012946548,0.00036408516,0.000006833015],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014652875,0.0072770133,0.250217,0.0006745597,0.00038008566,0.0005539319,0.49934047,0.0000025765762,0.0035523057,0.003014783,0.023847133,0.21099363],"study_design_scores_gemma":[0.0012605047,0.000115945164,0.94461274,0.00007677862,0.000051054372,0.00001446575,0.04851071,0.000031526615,8.734707e-7,0.0005246324,0.004641053,0.00015969048],"about_ca_topic_score_codex":0.28706825,"about_ca_topic_score_gemma":0.93463653,"teacher_disagreement_score":0.6943958,"about_ca_system_score_codex":0.000023359997,"about_ca_system_score_gemma":0.00006353545,"threshold_uncertainty_score":0.99983656},"labels":[],"label_agreement":null},{"id":"W2302410396","doi":"","title":"A Literary Historian","year":2011,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Literature; History of literature; Art; History; Philosophy","score_opus":0.06862112944526318,"score_gpt":0.2537133292662345,"score_spread":0.18509219982097136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2302410396","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00042298553,0.3362828,0.0000035411,0.00032205347,0.00059739867,0.0002638195,0.00038399207,0.000020582567,0.6617029],"genre_scores_gemma":[0.92665964,0.0043718843,0.0005962205,0.019835114,0.0012074796,0.00008946021,0.0005099484,0.00003815291,0.04669209],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988213,0.00011076084,0.00040325144,0.0002360802,0.00014548881,0.00028307544],"domain_scores_gemma":[0.9987079,0.000021427733,0.00011877816,0.00037208412,0.00046478948,0.0003150199],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013076914,0.00023131036,0.0005120625,0.00018437426,0.00014679777,0.00009743308,0.000286678,0.000063218446,0.006858638],"category_scores_gemma":[0.000011976174,0.00018609031,0.00018271428,0.00010847646,0.00019001542,0.00034726574,0.000012733105,0.00027023428,0.00009420622],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000072047333,0.000025140642,0.000014816736,0.002188101,0.000033533695,0.000043530585,0.14220859,2.5879088e-9,0.000004483626,0.7375391,0.11709936,0.00083615445],"study_design_scores_gemma":[0.00008784457,0.00006586527,0.00005114132,0.008723597,0.000038843064,0.000011990266,0.00019392879,0.0000012679191,0.000031685773,0.006665951,0.9839217,0.00020616261],"about_ca_topic_score_codex":0.0012534938,"about_ca_topic_score_gemma":0.013230083,"teacher_disagreement_score":0.9262367,"about_ca_system_score_codex":0.000057884237,"about_ca_system_score_gemma":0.00020299944,"threshold_uncertainty_score":0.99404925},"labels":[],"label_agreement":null},{"id":"W2312084576","doi":"10.1017/cbo9780511485176.001","title":"Introduction","year":2008,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Computer science","score_opus":0.025962515309990948,"score_gpt":0.17456106065281157,"score_spread":0.14859854534282063,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2312084576","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000014171166,0.0003001396,0.00003284456,0.00009375368,0.00090635504,0.00016889496,0.0002776698,0.00015435985,0.9980518],"genre_scores_gemma":[0.00045876848,0.00013501612,0.000011946804,0.00015320204,0.004225356,4.062403e-7,0.00015497144,0.000041058924,0.9948193],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999089,0.000015781176,0.00013511069,0.00038168769,0.0001890866,0.00018934887],"domain_scores_gemma":[0.99923307,0.000015472478,0.000100574405,0.0003826018,0.00018159758,0.00008670531],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000027635277,0.00027867718,0.00027444362,0.00012730346,0.0004041306,0.000101528574,0.00022617572,0.00018744427,0.0001955393],"category_scores_gemma":[0.0000021632766,0.00031178223,0.00018741045,9.825682e-7,0.00042122492,0.000114663344,0.00009342409,0.00040923856,0.00009770495],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020052077,0.0000037266016,9.072568e-9,0.000024900462,0.000041551542,0.00011580312,0.0007967906,8.459353e-8,0.000001995003,0.5609285,0.4377202,0.00034632484],"study_design_scores_gemma":[0.00018550454,0.000036139976,1.9842858e-7,0.000045050325,0.00012618289,0.000025162186,0.000059133163,0.00000429512,0.000025176167,0.000023097668,0.99913645,0.00033361823],"about_ca_topic_score_codex":0.000066227716,"about_ca_topic_score_gemma":0.000006255423,"teacher_disagreement_score":0.5614162,"about_ca_system_score_codex":0.000078624784,"about_ca_system_score_gemma":0.000040707007,"threshold_uncertainty_score":0.9999334},"labels":[],"label_agreement":null},{"id":"W23183904","doi":"10.1007/s10508-012-0046-0","title":"The Criticism of Evasion: The Non-literary Margins in T. S. Eliot's Early Criticism LA CRITIQUE DE L'EVASION: LES MARGES NON-LITTERAIRES DES PREMIERES CRITIQUES DE T.S. ELIOT","year":2010,"lang":"fr","type":"article","venue":"Canadian social science","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Criticism; Literary criticism; Evasion (ethics); Literature; Metaphysics; Feeling; Philosophy; Literary science; Literary theory; Sociological criticism; Art; Epistemology","score_opus":0.010871423154385293,"score_gpt":0.2730968541794894,"score_spread":0.26222543102510415,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W23183904","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67402375,0.015963664,0.00014910783,0.044440184,0.002359745,0.00075737445,0.00091127626,0.0000480499,0.26134688],"genre_scores_gemma":[0.9830374,0.0007745686,0.00032711602,0.00413827,0.0021749097,0.00011698116,0.0000068512586,0.000055930628,0.009367984],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99535084,0.0005625789,0.00072385033,0.0006406138,0.0006905037,0.0020315985],"domain_scores_gemma":[0.9965077,0.0011901541,0.000118450895,0.0005688346,0.0008752491,0.00073961454],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0031145923,0.0004764005,0.00046205326,0.0003711598,0.00570874,0.00279843,0.0017491211,0.0004829695,0.00064655225],"category_scores_gemma":[0.0007781714,0.0003764903,0.00026402465,0.0004570568,0.0140729975,0.0011532044,0.00016995461,0.0015751509,0.000013727573],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003164249,0.00012386727,0.004141552,0.0004195714,0.000023935667,0.00029754158,0.12341098,3.529735e-7,0.0038296892,0.8313917,0.014740228,0.021588929],"study_design_scores_gemma":[0.00044008886,0.00017443049,0.07542004,0.0014391659,0.00008640953,0.00014030977,0.019114068,0.0002553188,0.0028783465,0.15563315,0.7435773,0.00084135553],"about_ca_topic_score_codex":0.13128993,"about_ca_topic_score_gemma":0.3697607,"teacher_disagreement_score":0.7288371,"about_ca_system_score_codex":0.0004999221,"about_ca_system_score_gemma":0.0027796973,"threshold_uncertainty_score":0.9998687},"labels":[],"label_agreement":null},{"id":"W2327788270","doi":"10.5840/envirophil200741/24","title":"Off the Beaten Path","year":2007,"lang":"en","type":"article","venue":"Environmental Philosophy","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Metaphysics; Context (archaeology); Work of art; Philosophy; Event (particle physics); Natural (archaeology); Art; Aesthetics; Epistemology; History; Archaeology","score_opus":0.015092202354556704,"score_gpt":0.19046889965544603,"score_spread":0.1753766973008893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2327788270","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14487374,0.0016761089,0.000046103665,0.0028938202,0.00053936586,0.00020056967,0.00008278541,0.00005904211,0.84962845],"genre_scores_gemma":[0.98697925,0.000017741897,0.00001677202,0.003594681,0.0017499356,0.0000063695466,0.00003864357,0.000017788043,0.0075788107],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992896,0.000015883808,0.00014583685,0.0001544064,0.00019196601,0.00020236238],"domain_scores_gemma":[0.9996675,0.000030688363,0.00003016044,0.0002170369,0.000002195276,0.000052415176],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012956181,0.00012085349,0.000080889455,0.0000224819,0.00035218438,0.00008017838,0.0001546829,0.000029011157,0.0026987132],"category_scores_gemma":[0.0000014166949,0.00007786852,0.000075782875,0.000007699596,0.00032157975,0.00011883009,0.000045548666,0.00014479825,0.00062810397],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036212485,0.00021525835,0.00029159902,0.0000088923225,0.00004034895,0.000050508956,0.02652876,8.82363e-7,0.00076971704,0.95787406,0.005985005,0.00819878],"study_design_scores_gemma":[0.00017204823,0.0000659895,0.0010423126,0.000008285342,0.000018200151,0.0000060684956,0.00080928823,0.0000058450605,0.00021161012,0.05739261,0.94011945,0.00014832198],"about_ca_topic_score_codex":0.000006844156,"about_ca_topic_score_gemma":0.0000073815004,"teacher_disagreement_score":0.9341344,"about_ca_system_score_codex":0.00002386214,"about_ca_system_score_gemma":0.0000017376478,"threshold_uncertainty_score":0.99821293},"labels":[],"label_agreement":null},{"id":"W2331325439","doi":"10.1111/j.1741-4113.2010.00739.x","title":"Global Joyce","year":2010,"lang":"en","type":"article","venue":"Literature Compass","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Vernacular; Literature; Reading (process); Criticism; Imitation; History; World literature; Literary criticism; Art; Philosophy; Psychology; Linguistics","score_opus":0.011413425473054085,"score_gpt":0.23217820656211036,"score_spread":0.22076478108905628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2331325439","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08021391,0.0011456514,0.00014590465,0.0032293794,0.006516554,0.0001710413,0.00039600802,0.00031933517,0.9078622],"genre_scores_gemma":[0.97278005,0.0000018044943,0.00031658896,0.0026046727,0.0029929252,0.000014639051,0.000114684066,0.000014082818,0.021160532],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990577,0.000026479831,0.00018260445,0.00025967226,0.00018619903,0.00028732308],"domain_scores_gemma":[0.9992696,0.000025796231,0.000038506583,0.00037214212,0.00017513381,0.000118820404],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000073894436,0.00019419007,0.00017984782,0.000040821647,0.00026766726,0.0012914615,0.0002719481,0.00010460687,0.002326479],"category_scores_gemma":[0.000015286523,0.0001529859,0.00010850901,0.000062046565,0.00015120296,0.00030901525,0.000040562732,0.0004360754,0.0001889526],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012095606,0.000050085382,0.00016737144,0.000021596801,0.0000127495505,0.00003165808,0.008385883,1.9601582e-7,0.00015348577,0.91076964,0.07936786,0.0010273816],"study_design_scores_gemma":[0.00019956392,0.000024415489,0.00047546867,0.00003619117,0.00001265551,0.000035529043,0.00008204459,0.000051814815,0.000031292122,0.030119585,0.9687321,0.00019934095],"about_ca_topic_score_codex":0.00001607753,"about_ca_topic_score_gemma":0.00058520865,"teacher_disagreement_score":0.89256614,"about_ca_system_score_codex":0.000009437647,"about_ca_system_score_gemma":0.000017710854,"threshold_uncertainty_score":0.9997453},"labels":[],"label_agreement":null},{"id":"W2332515702","doi":"10.14288/1.0103986","title":"T.S. Eliot's use of the philosophy of time in his poetry","year":2011,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Poetry; Philosophy; Literature; Art; Art history","score_opus":0.02731496940321234,"score_gpt":0.1556274658015989,"score_spread":0.12831249639838654,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2332515702","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94675285,0.00011904367,0.0000058144524,0.00006176971,0.00009723576,0.000112364956,0.0002752704,0.000011439087,0.05256421],"genre_scores_gemma":[0.99424446,0.000020049181,0.0000640237,0.000063387095,0.000027455422,1.4608862e-7,0.0000054363163,0.0000074842405,0.005567573],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9994001,0.00004439563,0.00013878514,0.00014562417,0.00015334906,0.00011779165],"domain_scores_gemma":[0.9994348,0.000024676718,0.000118236414,0.00024089488,0.00015119457,0.00003016769],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006788316,0.000033371995,0.00021454041,0.00004384482,0.00009010081,0.000032906188,0.00026481002,0.00005761295,0.001386101],"category_scores_gemma":[0.00001132811,0.00008398529,0.00012823699,0.00006592991,0.0005606653,0.0003157345,0.00008653499,0.000100006175,0.000008248849],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004430437,0.0064346693,0.13398506,0.0032032442,0.00080011494,0.000799361,0.32488048,0.000009927163,0.0047386237,0.04993657,0.111879475,0.36288944],"study_design_scores_gemma":[0.000622813,0.000096875294,0.9847539,0.0004594774,0.00005489052,0.000008277892,0.001495032,0.00003506252,0.000011553235,0.0066537648,0.0056454963,0.0001628794],"about_ca_topic_score_codex":0.090120345,"about_ca_topic_score_gemma":0.15025188,"teacher_disagreement_score":0.8507688,"about_ca_system_score_codex":0.000014015129,"about_ca_system_score_gemma":0.000028396438,"threshold_uncertainty_score":0.99952674},"labels":[],"label_agreement":null},{"id":"W2337804164","doi":"10.14288/1.0102937","title":"Virginia Woolf: a personal portrait","year":2011,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Art; Personal account; Art history; Literature; Narrative","score_opus":0.0188113632690095,"score_gpt":0.15961768922857766,"score_spread":0.14080632595956816,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2337804164","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7668451,0.0001618719,0.00005829352,0.000039517,0.00018682015,0.00008414867,0.00025221717,0.000065050255,0.232307],"genre_scores_gemma":[0.9753386,0.000015265208,0.00016169607,0.00016485219,0.000112193964,3.6763134e-7,0.000021280504,0.000012259736,0.02417349],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99923944,0.000024108353,0.00009654393,0.00025032993,0.00017510125,0.0002144792],"domain_scores_gemma":[0.9995352,0.000011145448,0.00006304625,0.00014515291,0.00014754785,0.00009791605],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000079472826,0.000042324664,0.00018656524,0.000032582644,0.00031743443,0.00014857574,0.00021214384,0.00006124523,0.009003754],"category_scores_gemma":[0.000004336467,0.00014799932,0.00014170104,0.00003260598,0.00044506547,0.00036080598,0.000049220092,0.00012809459,0.000092996415],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007896343,0.0009733214,0.005596292,0.00031175252,0.00028834832,0.0019259409,0.2262956,1.0012735e-7,0.00012106505,0.008169881,0.09493211,0.6613066],"study_design_scores_gemma":[0.00095008174,0.0001944849,0.85096973,0.0001707946,0.00010542946,0.000096751326,0.019872325,0.000051846248,5.3374265e-7,0.0041381563,0.12303686,0.00041297785],"about_ca_topic_score_codex":0.07873039,"about_ca_topic_score_gemma":0.3229997,"teacher_disagreement_score":0.84537345,"about_ca_system_score_codex":0.000016185664,"about_ca_system_score_gemma":0.0000428164,"threshold_uncertainty_score":0.9919022},"labels":[],"label_agreement":null},{"id":"W2478705382","doi":"10.1017/cbo9781107279612.002","title":"“The World Has Seen Strange Revolutions Since I Died”:<i>The Waste Land</i>and the Great War","year":2015,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"History; Ancient history","score_opus":0.04748188000583286,"score_gpt":0.19841503955827255,"score_spread":0.1509331595524397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2478705382","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000023555782,0.005392046,0.000024522049,0.001474024,0.0004465911,0.0005280552,0.00072419655,0.00006595561,0.991321],"genre_scores_gemma":[0.005510873,0.00021512146,0.0000030305243,0.00029080792,0.00090208126,0.0000035291307,0.00004725671,0.000035025565,0.9929923],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99876267,0.00010891612,0.00019446886,0.00032660112,0.00030484435,0.00030252564],"domain_scores_gemma":[0.9985462,0.00028692142,0.0001456772,0.0006617938,0.00024388805,0.00011552224],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00025780385,0.0003433496,0.0003276641,0.00006170885,0.0025077893,0.00044234094,0.00062470697,0.00012038168,0.000018010045],"category_scores_gemma":[0.00000861667,0.00019512289,0.00021035991,0.0000044746357,0.0028334255,0.000106221305,0.0002873846,0.00067192974,0.000016729284],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012710702,0.000002821956,2.803408e-7,0.00002949848,0.00011553144,0.00003498403,0.0025918211,6.009343e-7,1.7596687e-7,0.79766244,0.19922282,0.00021191992],"study_design_scores_gemma":[0.0007223797,0.00002350694,0.0000010158219,0.0001446818,0.000472459,0.000010992872,0.00032819883,0.0000614214,0.0000013471988,0.00068629807,0.99728554,0.00026213907],"about_ca_topic_score_codex":0.0004655499,"about_ca_topic_score_gemma":0.0015844982,"teacher_disagreement_score":0.79806274,"about_ca_system_score_codex":0.00007689926,"about_ca_system_score_gemma":0.000080832535,"threshold_uncertainty_score":0.9998803},"labels":[],"label_agreement":null},{"id":"W2479486301","doi":"10.1017/cbo9781107279612","title":"The Cambridge Companion to &lt;I&gt;The Waste Land&lt;/I&gt;","year":2015,"lang":"en","type":"book","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Poetry; Modernism (music); Style (visual arts); Literature; Period (music); History; Art; Art history; Aesthetics","score_opus":0.02608581718739705,"score_gpt":0.19919060038293934,"score_spread":0.1731047831955423,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2479486301","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00037278899,0.0014435602,0.00006478158,0.0003407511,0.0016470208,0.00088636886,0.0012918423,0.00017370713,0.9937792],"genre_scores_gemma":[0.0048769508,0.00006318682,0.000005983579,0.00061185204,0.0024273144,0.000008178377,0.00028121183,0.000083435116,0.9916419],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974273,0.00023468127,0.00034871307,0.0006235595,0.0006983083,0.00066746346],"domain_scores_gemma":[0.9974077,0.00023705314,0.00023429508,0.0011674636,0.0006009758,0.00035252678],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0003919026,0.000608807,0.00057343894,0.00014813943,0.0018125646,0.00084861665,0.0014462234,0.00028164667,0.00001442756],"category_scores_gemma":[0.000017877936,0.00043862563,0.00034398364,0.000013707287,0.0007924456,0.00015474188,0.0006224761,0.00073513424,0.00015654696],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006716307,0.000010389758,1.348784e-7,0.000040671137,0.00008874727,0.00006561666,0.0016993216,0.0000027458382,0.000012601448,0.4984592,0.49931535,0.00023805386],"study_design_scores_gemma":[0.0005196004,0.00009891723,0.0000026647756,0.00020671668,0.00032023774,0.000015980562,0.00032730922,0.00009615628,0.000020710908,0.00004445324,0.9977637,0.00058358914],"about_ca_topic_score_codex":0.00012141945,"about_ca_topic_score_gemma":0.00026787492,"teacher_disagreement_score":0.4984483,"about_ca_system_score_codex":0.0003485925,"about_ca_system_score_gemma":0.00036663585,"threshold_uncertainty_score":0.9998065},"labels":[],"label_agreement":null},{"id":"W2481571339","doi":"10.1057/9780230598607","title":"Memory and History in George Eliot","year":2000,"lang":"en","type":"book","venue":"Palgrave Macmillan UK eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"University of Oxford; New York Public Library","keywords":"George (robot); Narrative; Social memory; Historical memory; History; Art history; Art; Cognitive science; Literature; Psychology; Humanities","score_opus":0.020875191750018826,"score_gpt":0.20449385053502966,"score_spread":0.18361865878501082,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2481571339","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00016662669,0.022200817,6.3917867e-7,0.00003206995,0.0006834197,0.00033871384,0.00015567541,0.00008248093,0.9763396],"genre_scores_gemma":[0.44915453,0.00013108653,0.000008866128,0.0013501314,0.0011445377,0.00003464908,0.00012311224,0.00007625089,0.54797685],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981769,0.00005991589,0.00047093176,0.0005618956,0.00028161643,0.00044874754],"domain_scores_gemma":[0.9991568,0.000072320014,0.000113405804,0.0004607256,0.000055612505,0.00014114699],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001432852,0.00052019244,0.00062158523,0.00037858565,0.0001237844,0.00013601562,0.00023768049,0.00031173922,0.008566121],"category_scores_gemma":[0.00000542994,0.0004948596,0.00016053024,0.0000040801297,0.00049596245,0.0000012477433,0.00006963708,0.00059815025,0.00019632521],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003714589,9.0898084e-7,0.0000027885249,0.00020559467,0.000043593584,0.0002257927,0.024856208,6.130818e-8,0.0000061389,0.95062137,0.014711424,0.009289007],"study_design_scores_gemma":[0.0002628908,0.0000386839,0.000011149223,0.00018566744,0.00004251535,0.000013877059,0.00008298181,0.0000031120849,0.0000030328395,0.41441306,0.5845495,0.00039353356],"about_ca_topic_score_codex":0.00024150571,"about_ca_topic_score_gemma":0.0014421754,"teacher_disagreement_score":0.56983805,"about_ca_system_score_codex":0.00025112953,"about_ca_system_score_gemma":0.00020605118,"threshold_uncertainty_score":0.9997503},"labels":[],"label_agreement":null},{"id":"W2482000997","doi":"10.1017/cbo9780511777486.045","title":"Pound before Pisa: 1920–1945","year":2010,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Pound (networking); Aestheticism; Georgian; Art; Tragedy (event); Club; EPIC; Legend; Anachronism; Literature; History; Art history; Law; Philosophy; Politics; Political science","score_opus":0.02334949465018332,"score_gpt":0.18741964077215192,"score_spread":0.1640701461219686,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2482000997","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00015592063,0.00014759012,0.000029369963,0.000052412724,0.0011704905,0.0003028513,0.0010692435,0.00019170957,0.9968804],"genre_scores_gemma":[0.0040208003,0.000012406042,0.000032296204,0.0003711836,0.001711951,9.3198577e-7,0.00022640123,0.000079368736,0.99354464],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99861556,0.000018663357,0.00020681415,0.0005170006,0.0002904174,0.00035156237],"domain_scores_gemma":[0.99872607,0.000034362423,0.0001604823,0.00063608604,0.00025548067,0.00018751957],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00006059417,0.0004767068,0.00044876718,0.00017009716,0.00062704453,0.00032177483,0.000528019,0.00047859474,0.0003116364],"category_scores_gemma":[0.0000037081015,0.00050259405,0.0003204696,0.0000016077306,0.00075103395,0.00015736726,0.00023031098,0.0010683155,0.00010400408],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035519544,0.000011175369,2.0612468e-7,0.00009489885,0.000113232774,0.00031398615,0.0023068856,2.1187127e-8,0.000023799825,0.9367188,0.059865944,0.00051548285],"study_design_scores_gemma":[0.00033970235,0.000066899986,0.0000011648425,0.00013926518,0.00027451632,0.00001686852,0.00011234166,0.0000028719676,0.00005089195,0.00051530235,0.9979743,0.0005059185],"about_ca_topic_score_codex":0.00025077382,"about_ca_topic_score_gemma":0.00021793145,"teacher_disagreement_score":0.9381083,"about_ca_system_score_codex":0.00007548665,"about_ca_system_score_gemma":0.00008445191,"threshold_uncertainty_score":0.99974257},"labels":[],"label_agreement":null},{"id":"W2485336980","doi":"10.1017/cbo9780511777486.036","title":"Publishing and publishers","year":2010,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Highbrow; Modernism (music); Mass culture; Capitalism; Pound (networking); Publishing; Art; Scholarship; Culture industry; Aesthetics; Art history; Literature; Sociology; Political science; Social science; Law; Anthropology","score_opus":0.0284520103583116,"score_gpt":0.17578771383740588,"score_spread":0.14733570347909428,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2485336980","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007446937,0.0002304883,0.000019364534,0.00014952371,0.00075207424,0.00018607308,0.0003561937,0.00014534719,0.99808645],"genre_scores_gemma":[0.0020429422,0.000017498123,0.000036114256,0.00042269417,0.00087793247,5.000212e-7,0.00012304941,0.000047917052,0.99643135],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99891585,0.000016394739,0.00014789341,0.00043692245,0.00022834488,0.00025458063],"domain_scores_gemma":[0.9990001,0.00004995076,0.00012555621,0.00038578812,0.00024692973,0.00019170188],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0000962955,0.0003191275,0.00030672137,0.00018534601,0.00047133592,0.0034602813,0.0004050036,0.00042417806,0.00011781851],"category_scores_gemma":[0.000013360292,0.00034520432,0.00013286238,0.0000014001456,0.0006237692,0.0013068994,0.0002731853,0.0011420303,0.000008492142],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016874648,0.000003589784,1.6168357e-7,0.00006329748,0.00005886376,0.00011091045,0.0014050737,6.859782e-9,0.000008059394,0.86242664,0.13469002,0.0012165131],"study_design_scores_gemma":[0.00027567818,0.000022090551,8.5257545e-7,0.00009033967,0.00014423262,0.000011244101,0.00022309432,0.0000038860694,0.000013758531,0.00025963248,0.998571,0.00038418456],"about_ca_topic_score_codex":0.00025257294,"about_ca_topic_score_gemma":0.00006426753,"teacher_disagreement_score":0.863881,"about_ca_system_score_codex":0.000038563107,"about_ca_system_score_gemma":0.00005580687,"threshold_uncertainty_score":0.9999},"labels":[],"label_agreement":null},{"id":"W2492361570","doi":"10.1017/cco9781107284333.011","title":"Modern Times, Modernist Writing, Modern Sexualities","year":2015,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Human sexuality; Content (measure theory); Computer science; Sociology; Literature; Gender studies; Art; Mathematics","score_opus":0.0601127729009909,"score_gpt":0.21792033315200798,"score_spread":0.15780756025101708,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2492361570","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000030076179,0.0022325886,0.0008575745,0.00004659917,0.00050729356,0.00043164435,0.0028728014,0.0004474624,0.992574],"genre_scores_gemma":[0.0105733005,0.00004612949,0.000047600242,0.00030150925,0.0013255712,0.000002976452,0.00056847325,0.00016885244,0.9869656],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973346,0.00006859366,0.00043001137,0.0008750572,0.0006905618,0.00060117175],"domain_scores_gemma":[0.9977102,0.00006542225,0.00029155618,0.0009128618,0.0006567702,0.00036318024],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00017467256,0.00081230846,0.0008139718,0.0002476199,0.00067714264,0.0006025118,0.0007736591,0.00050320383,0.00017065322],"category_scores_gemma":[0.0000066321236,0.00092243234,0.0003573451,0.000002614547,0.0008536501,0.00032338325,0.00043648854,0.0009004853,0.000088291235],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008163025,0.00002027877,8.600371e-8,0.0001842557,0.00019085141,0.0002872594,0.0063756416,0.0000068980776,0.000004842844,0.7992394,0.19208667,0.001522187],"study_design_scores_gemma":[0.00062091014,0.000081608516,7.907884e-8,0.00027302516,0.00037830995,0.000023225874,0.00047803947,0.001831042,0.000009815086,0.005527707,0.98974204,0.0010341881],"about_ca_topic_score_codex":0.00034939888,"about_ca_topic_score_gemma":0.00005019205,"teacher_disagreement_score":0.7976554,"about_ca_system_score_codex":0.00027985623,"about_ca_system_score_gemma":0.00023707686,"threshold_uncertainty_score":0.99932265},"labels":[],"label_agreement":null},{"id":"W2500119446","doi":"10.1007/978-1-349-62114-9_15","title":"“To Create and in Creating to be Created”","year":2001,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan US eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Irish; Shadow (psychology); Economic shortage; Art history; History; Sociology; Media studies; Art; Psychology; Philosophy; Psychoanalysis; Linguistics","score_opus":0.03400188985404537,"score_gpt":0.2405850226922968,"score_spread":0.20658313283825144,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2500119446","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034308678,0.0005379892,0.000010645165,0.00023356469,0.00018684733,0.0006658201,0.00029812352,0.00010389255,0.9945322],"genre_scores_gemma":[0.556158,0.000038849557,0.00008181614,0.0043180864,0.0007505743,0.00005731913,0.00007422027,0.00011747995,0.43840364],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99790055,0.000027732842,0.00052892347,0.0007072399,0.00029925886,0.00053630874],"domain_scores_gemma":[0.9988796,0.00008914493,0.000094808136,0.00045880373,0.00013130225,0.00034634402],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014740834,0.00061559066,0.00069541397,0.0004888214,0.0002658325,0.00044614676,0.00022733519,0.00024427014,0.0019119139],"category_scores_gemma":[0.000021635014,0.00057191297,0.00013273033,0.000009456347,0.00015351386,0.0000043941504,0.00016485769,0.00040767487,0.00014684738],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008539305,0.0000017748034,0.000052686908,0.000085022184,0.000057944268,0.00031768507,0.027297392,9.697995e-7,0.00003867401,0.96677595,0.00041317474,0.0048733247],"study_design_scores_gemma":[0.0003556987,0.00020710987,0.0000833055,0.0006975928,0.00008857403,0.000034254685,0.00031413263,0.0000089828,0.000036864218,0.20456524,0.7927597,0.0008485254],"about_ca_topic_score_codex":0.00066493155,"about_ca_topic_score_gemma":0.0063205753,"teacher_disagreement_score":0.79234654,"about_ca_system_score_codex":0.00006295939,"about_ca_system_score_gemma":0.00003177078,"threshold_uncertainty_score":0.99967325},"labels":[],"label_agreement":null},{"id":"W2504456691","doi":"10.1057/9780230598607_3","title":"Sources of the Self and Moral Agency in The Lifted Veil, The Mill on the Floss and Silas Marner","year":2000,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Narrative; Feeling; Shame; Psychology; Aesthetics; Mill; Social psychology; Misfortune; Sociology; Agency (philosophy); Psychoanalysis; Epistemology; Philosophy; Literature; History; Art; Social science","score_opus":0.024437327956709044,"score_gpt":0.20005850650598808,"score_spread":0.17562117854927903,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2504456691","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.045100357,0.0032754946,1.4015761e-7,0.001078156,0.00016527523,0.0007051423,0.00019497177,0.000020427746,0.94946],"genre_scores_gemma":[0.98069966,0.0002067105,0.0000020340417,0.0028072805,0.00049829663,0.000031473934,0.000009882715,0.0000445675,0.015700115],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99846846,0.00017461076,0.00036956035,0.00032832276,0.00038045985,0.00027856143],"domain_scores_gemma":[0.99868995,0.00037443195,0.00015589347,0.00068879453,0.00005257412,0.000038357644],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032634762,0.00042272214,0.00034750707,0.000069605674,0.00056193507,0.0003193733,0.0005425258,0.0001618997,0.0005951963],"category_scores_gemma":[0.0000104933515,0.00016424572,0.00017819257,0.0000091672855,0.0009775189,0.000001396701,0.00011358558,0.0006112459,0.000013687071],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003186201,0.0000013321827,0.000060107788,0.000041724415,0.000073014075,0.000015079153,0.07277656,2.6859385e-7,0.000003436798,0.92485744,0.00016524979,0.0019739068],"study_design_scores_gemma":[0.00025204642,0.00010684485,0.0009768232,0.00023910473,0.00015362333,0.000028821314,0.0012225198,0.000020546095,0.000017290591,0.8955202,0.10116105,0.00030110843],"about_ca_topic_score_codex":0.0001499399,"about_ca_topic_score_gemma":0.0011758276,"teacher_disagreement_score":0.93559927,"about_ca_system_score_codex":0.000009857554,"about_ca_system_score_gemma":0.000028985825,"threshold_uncertainty_score":0.66977465},"labels":[],"label_agreement":null},{"id":"W2506019481","doi":"10.1017/chol9780521820776.009","title":"‘Our London, my London, your London’: the Modernist moment in the metropolis","year":2005,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernism (music); Politics; Modernity; Economic history; Modernization theory; Capitalism; Sociology; Political economy; Political science; History; Art; Art history; Law","score_opus":0.04400054686423856,"score_gpt":0.22257549942595173,"score_spread":0.17857495256171318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2506019481","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001892886,0.002293633,0.00016649024,0.0011027643,0.00047227307,0.00085745024,0.00089943,0.00009663946,0.99392205],"genre_scores_gemma":[0.031713597,0.00031048205,0.000012816178,0.0018228639,0.0015925223,0.000008206481,0.00015162847,0.00008067536,0.9643072],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974444,0.0001616347,0.00042759406,0.00067671685,0.0006839552,0.00060573575],"domain_scores_gemma":[0.99809957,0.00009558799,0.00027623354,0.0011429447,0.0002501928,0.00013545202],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0002940685,0.0006974296,0.00060798676,0.00026682866,0.00094251614,0.0006540578,0.0015061864,0.00030918818,0.00008727058],"category_scores_gemma":[0.000006128934,0.00049682235,0.0004653549,0.000009466847,0.00059860817,0.00021165168,0.00034547265,0.0012975632,0.00006920985],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000090821035,0.00004115413,9.159294e-7,0.000064140964,0.00013926253,0.00031288507,0.0068053603,0.0000055704445,0.0000025420156,0.84852576,0.1430479,0.00096370524],"study_design_scores_gemma":[0.0007728173,0.00006976949,0.0000055774476,0.00014314968,0.00036825394,0.000027573687,0.002096643,0.00008759184,0.000017593495,0.00027247387,0.9955519,0.0005866887],"about_ca_topic_score_codex":0.0012677653,"about_ca_topic_score_gemma":0.0005066089,"teacher_disagreement_score":0.85250396,"about_ca_system_score_codex":0.0003115628,"about_ca_system_score_gemma":0.000111498084,"threshold_uncertainty_score":0.99974835},"labels":[],"label_agreement":null},{"id":"W2519359053","doi":"10.11173/dhlawrencestudies1991.2005.24","title":"Ronald Granofsky, D. H. Lawrence and Survival: Darwinism in the Fiction of the Transitional Period (McGill-Queen's University Press, 2003)","year":2005,"lang":"en","type":"article","venue":"D.H. Rorensu kenkyū/D.H.Rorensu kenkyu","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Period (music); Darwinism; History; Art history; Demography; Art; Philosophy; Sociology; Biology; Epistemology; Zoology; Aesthetics","score_opus":0.015137693308944343,"score_gpt":0.19924595433388484,"score_spread":0.1841082610249405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2519359053","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4906329,0.0020686314,0.00012528253,0.0308938,0.0032161863,0.0025757847,0.006528507,0.00037548153,0.46358344],"genre_scores_gemma":[0.9907155,0.00018012634,0.00015135985,0.00084005366,0.0004794071,0.000018187036,0.00014852479,0.00003606532,0.0074307895],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972412,0.0004264081,0.0005294669,0.00056347327,0.00072350993,0.000515923],"domain_scores_gemma":[0.99857414,0.00015109134,0.0001976534,0.00060369354,0.00037040524,0.0001030278],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0004986692,0.0004140073,0.0004393347,0.00013411128,0.00088090746,0.00018735515,0.00062464736,0.00018303019,0.00041465982],"category_scores_gemma":[0.000045889385,0.00028973128,0.0002007029,0.0002264664,0.0010655272,0.0004726933,0.000102634054,0.00060404366,0.000009777276],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020849421,0.00045419554,0.0008854076,0.00013113242,0.00009165533,0.000037059363,0.028485067,0.00010279994,0.0001835373,0.9477162,0.020068275,0.001636207],"study_design_scores_gemma":[0.0013862493,0.0001172395,0.014789218,0.0001618633,0.00014581386,0.00003095622,0.0043768906,0.00035342935,0.00020793326,0.001581022,0.9763783,0.00047104602],"about_ca_topic_score_codex":0.0009310706,"about_ca_topic_score_gemma":0.0011245663,"teacher_disagreement_score":0.95631003,"about_ca_system_score_codex":0.0000717887,"about_ca_system_score_gemma":0.00008824522,"threshold_uncertainty_score":0.9999555},"labels":[],"label_agreement":null},{"id":"W2528208019","doi":"10.31542/j.muse.288","title":"Living in the Moment: The Everyday in Woolf’s Mrs. Dalloway and Cunningham’s The Hours","year":2015,"lang":"en","type":"article","venue":"MacEwan University Student eJournal","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Everyday life; Moment (physics); Feeling; Aesthetics; Art; Psychology; Psychoanalysis; Literature; Visual arts; Sociology; Social psychology; Philosophy; Epistemology; Physics","score_opus":0.03544265073975126,"score_gpt":0.23034833544683994,"score_spread":0.1949056847070887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2528208019","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8728379,0.0009849512,0.000030282934,0.010896955,0.00034728702,0.00026244405,0.000008430161,0.000014555502,0.11461718],"genre_scores_gemma":[0.99110603,0.00005177937,0.000003905797,0.0013387433,0.00022755204,0.0000010770755,9.771179e-7,0.0000064758947,0.0072634565],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987252,0.000326008,0.00013799698,0.00014669614,0.00040253787,0.00026161055],"domain_scores_gemma":[0.9994956,0.00014787572,0.000062290026,0.00018427604,0.000050443028,0.000059473838],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001140055,0.00012905682,0.00012558528,0.00010040944,0.0005980877,0.00055958534,0.0006026666,0.000030717565,0.00010985841],"category_scores_gemma":[0.000012398416,0.00006811997,0.000052097683,0.00006956061,0.00022826703,0.00024237076,0.0001836031,0.0005114873,0.000007198293],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004321149,0.00015513376,0.056750715,0.000005884838,0.000051592117,0.00022945476,0.8339277,0.000043076703,0.0000028027378,0.09867462,0.009316336,0.00079949026],"study_design_scores_gemma":[0.00077836355,0.00008230449,0.093749315,0.000107893466,0.000058611993,0.000037084315,0.39760578,0.00007366543,7.120081e-7,0.0010731377,0.50626576,0.00016736028],"about_ca_topic_score_codex":0.00031659522,"about_ca_topic_score_gemma":0.0044920207,"teacher_disagreement_score":0.49694943,"about_ca_system_score_codex":0.000081518934,"about_ca_system_score_gemma":0.000042683696,"threshold_uncertainty_score":0.53960943},"labels":[],"label_agreement":null},{"id":"W2559010675","doi":"10.1017/9781139583411.012","title":"T. S. Eliot's Social Criticism","year":2016,"lang":"ceb","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Criticism; Social criticism; Psychoanalysis; Sociology; Political science; Art; Psychology; Literature; Law; Politics","score_opus":0.03155781699024069,"score_gpt":0.20841825599607142,"score_spread":0.17686043900583073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2559010675","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00014417189,0.0005531988,0.0002974878,0.0003500642,0.0015099981,0.0005162325,0.004513773,0.0002243815,0.99189067],"genre_scores_gemma":[0.033935536,0.00015615392,0.00001414085,0.00081225345,0.003964698,0.0000011000051,0.00009512082,0.00014222375,0.9608788],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968592,0.00012229921,0.0004902827,0.0010355233,0.00060075516,0.00089194044],"domain_scores_gemma":[0.99788576,0.0001510547,0.0003068982,0.0006882558,0.0006221493,0.00034587755],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00014460817,0.00097327825,0.000965378,0.00033678956,0.0020068765,0.00062450476,0.0008823911,0.0008552151,0.00062525924],"category_scores_gemma":[0.00000909009,0.0009899624,0.0008124446,0.000004520832,0.0017713618,0.00033512383,0.0005151909,0.0009683973,0.0003239647],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018479972,0.000034784993,1.9754805e-7,0.0003317641,0.00034405937,0.0009251166,0.0025979816,1.4095621e-8,0.00006989331,0.9056182,0.087591976,0.002301222],"study_design_scores_gemma":[0.0012031139,0.000114236966,0.0000037211832,0.000588426,0.00074400974,0.000023961979,0.0004548767,0.000005578418,0.000117683136,0.00027901377,0.99521255,0.0012528494],"about_ca_topic_score_codex":0.00013470951,"about_ca_topic_score_gemma":0.000011363476,"teacher_disagreement_score":0.90762055,"about_ca_system_score_codex":0.00024546453,"about_ca_system_score_gemma":0.00014624877,"threshold_uncertainty_score":0.9992924},"labels":[],"label_agreement":null},{"id":"W2563800085","doi":"","title":"Eliot’s Approach to Ethical Poetry as a Case Study The Love Song by J. Alfred Prufrock","year":2016,"lang":"en","type":"article","venue":"Canadian social science","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Love song; Poetry; Feeling; Notice; HAMLET (protein complex); Literature; Sociology; Feminism; Aesthetics; Gender studies; Philosophy; Psychoanalysis; Art; Psychology; Law; Epistemology; Political science","score_opus":0.03445967478650284,"score_gpt":0.27602908276781124,"score_spread":0.2415694079813084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2563800085","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18886195,0.000059416336,0.00007068632,0.015789185,0.00044169417,0.00053274713,0.00023563404,0.000026908167,0.7939818],"genre_scores_gemma":[0.9709487,3.2735838e-7,0.0000073988986,0.010784313,0.00061447575,0.000020396466,0.0000013022649,0.0000095149135,0.017613586],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985131,0.0000723799,0.00013299567,0.00034465597,0.00038738924,0.00054946274],"domain_scores_gemma":[0.99908894,0.00004962911,0.00002577548,0.00019761837,0.0001535576,0.00048446193],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00049833476,0.00011885613,0.00011397678,0.000083220206,0.0016454451,0.00065915147,0.00047543694,0.00007817846,0.0004251692],"category_scores_gemma":[0.00010824525,0.0000693076,0.00004175815,0.00014779015,0.0009089863,0.00018102596,0.000048724185,0.00024679012,0.00021669276],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000069737166,0.00007425094,0.0001583844,0.00000391384,0.000014389208,0.00029394258,0.37943348,3.340811e-8,0.0001657373,0.4198408,0.19598193,0.0040261447],"study_design_scores_gemma":[0.0001989528,0.00011326874,0.000079142286,0.000008500341,0.000018326045,0.00007782345,0.13836408,0.000006001336,0.000014390984,0.0012796198,0.85958856,0.00025132997],"about_ca_topic_score_codex":0.08737839,"about_ca_topic_score_gemma":0.19022888,"teacher_disagreement_score":0.78208673,"about_ca_system_score_codex":0.0002150035,"about_ca_system_score_gemma":0.00052215677,"threshold_uncertainty_score":0.9996543},"labels":[],"label_agreement":null},{"id":"W2583027785","doi":"","title":"M. Elizabeth Sargent and Garry Watson, ed. Approaches to Teaching the Works of D. H. Lawrence","year":2005,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Watson; Art; History; Art history; Environmental ethics; Philosophy; Computer science; Artificial intelligence","score_opus":0.07932078726622077,"score_gpt":0.24736623217543588,"score_spread":0.1680454449092151,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2583027785","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6999287,0.08532801,0.000041983603,0.008974874,0.0029148762,0.00062824856,0.00010033318,0.00004739633,0.20203558],"genre_scores_gemma":[0.9964301,0.00023846667,0.00014702938,0.0013730641,0.00077974156,0.000029189483,0.0000021138558,0.000008469118,0.0009918417],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916565,0.000054815137,0.0002169903,0.00016741532,0.00017911816,0.00021597781],"domain_scores_gemma":[0.9995169,0.00018123937,0.000035336896,0.00016108427,0.00006249112,0.000042942662],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002567843,0.00011939712,0.00020011952,0.00002639916,0.00025407478,0.000056980647,0.00014283185,0.000016508338,0.000053406537],"category_scores_gemma":[0.000121013094,0.00007957811,0.000019485271,0.000020426722,0.00015099588,0.0000936701,0.0000966829,0.00023130354,3.3200988e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014139755,0.000038209542,0.0009226276,0.00011107681,0.00009595066,0.000008384064,0.58143866,0.000256746,0.000001624519,0.1420744,0.25379127,0.021246906],"study_design_scores_gemma":[0.00011423932,0.000017341661,0.00014524619,0.00015158603,0.000014391012,5.5420276e-7,0.09302803,0.0000742434,0.000023051465,0.0003108808,0.9059911,0.00012935737],"about_ca_topic_score_codex":0.17442045,"about_ca_topic_score_gemma":0.9433549,"teacher_disagreement_score":0.7689345,"about_ca_system_score_codex":0.00012040918,"about_ca_system_score_gemma":0.00008218685,"threshold_uncertainty_score":0.83107716},"labels":[],"label_agreement":null},{"id":"W2583872108","doi":"","title":"The reception of James Joyce in Europe","year":2004,"lang":"en","type":"book","venue":"","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":37,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"German; Queen (butterfly); History; Classics; Romance; Art history; Art; Humanities; Literature","score_opus":0.019087588624366224,"score_gpt":0.20783207717469265,"score_spread":0.18874448855032644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2583872108","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000012897086,0.0017028826,0.0000071075583,0.00046773208,0.00032653008,0.00010001682,0.000019642126,0.000017794773,0.9973454],"genre_scores_gemma":[0.0017219218,0.00027513888,0.000008467745,0.0003674225,0.00050789065,0.0000049035393,0.000049459657,0.000018362969,0.9970464],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993965,0.000021879521,0.0002341502,0.00011453727,0.0001287327,0.00010420587],"domain_scores_gemma":[0.9995568,0.000049234364,0.00006716229,0.00017610611,0.00013735781,0.000013364315],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000094141236,0.000115627074,0.00015299763,0.00004763467,0.000096283096,0.00013074718,0.00013584425,0.00006796685,0.0019579316],"category_scores_gemma":[0.000011598168,0.00006862896,0.000050690756,0.00000886739,0.00019363945,0.000053497683,0.000021785705,0.00021267375,0.00008013529],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000063028883,0.000010541117,2.1007233e-7,0.000040961022,0.0000073189626,0.0000024800158,0.010957899,4.570904e-7,9.771494e-7,0.8728709,0.11387653,0.0022253948],"study_design_scores_gemma":[0.00007665707,0.000031969743,0.0000018933737,0.00017991659,0.000009844045,6.2723393e-7,0.00020198089,0.000001114994,0.000005565087,0.05931728,0.9400905,0.00008267676],"about_ca_topic_score_codex":0.00007336475,"about_ca_topic_score_gemma":0.0016022488,"teacher_disagreement_score":0.82621396,"about_ca_system_score_codex":0.00004545872,"about_ca_system_score_gemma":0.00021362916,"threshold_uncertainty_score":0.9989544},"labels":[],"label_agreement":null},{"id":"W2597693596","doi":"","title":"Morag Shiach's Modernism, Labour and Selfhood in British Literature and Culture, 1890-1930","year":2006,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Modernism (music); Art; Sociology; Art history; Literature; History; Gender studies","score_opus":0.012510690089483845,"score_gpt":0.21098018325241524,"score_spread":0.1984694931629314,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2597693596","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8836478,0.089474596,0.0000013036464,0.0003280181,0.00097554835,0.00021326517,0.0003940679,0.000039063278,0.024926357],"genre_scores_gemma":[0.9900517,0.001315885,0.00006610518,0.000881521,0.00085962523,0.00003857307,0.000031555694,0.000020245578,0.006734819],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987161,0.00005239861,0.00029726574,0.0003627354,0.00021036547,0.00036110936],"domain_scores_gemma":[0.99952286,0.000068986825,0.000041546893,0.00012798842,0.00018138548,0.000057218946],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010853347,0.00021476939,0.00035960227,0.00006596642,0.00022084576,0.00042213834,0.0000954322,0.00006283432,0.000032323685],"category_scores_gemma":[0.00005789748,0.0002213914,0.000021777605,0.000066484725,0.00016951893,0.00028520272,0.00008372711,0.00036784174,2.2289879e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028673514,0.00014729396,0.030085124,0.0009987981,0.00013392206,0.0023079661,0.5451171,0.000053103882,0.0000059837007,0.17507619,0.24328735,0.0027584857],"study_design_scores_gemma":[0.001854804,0.00006557561,0.020892633,0.000948259,0.000037198755,0.000051063835,0.055176288,0.00014080049,0.000014395845,0.032498907,0.8874398,0.00088029855],"about_ca_topic_score_codex":0.7161244,"about_ca_topic_score_gemma":0.99697113,"teacher_disagreement_score":0.6441524,"about_ca_system_score_codex":0.0001727925,"about_ca_system_score_gemma":0.000108178516,"threshold_uncertainty_score":0.9028079},"labels":[],"label_agreement":null},{"id":"W2602419262","doi":"10.1353/esc.2004.0048","title":"Wilde Writings: Contextual Conditions ed. by Joseph Bristow","year":2004,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Romance; Biography; Mythology; Politics; Persona; History; Literature; Art history; Art; Law; Humanities","score_opus":0.020489793315388083,"score_gpt":0.24688151549750337,"score_spread":0.22639172218211528,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2602419262","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4705826,0.044817336,0.000015885933,0.0032866464,0.008403072,0.00055726914,0.0027989226,0.00019518462,0.4693431],"genre_scores_gemma":[0.99261814,0.00021327825,0.000013316874,0.0036202415,0.000887721,0.000055325287,0.00007797372,0.000017487488,0.0024965191],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887764,0.00002739921,0.00028838855,0.00023130521,0.0002328202,0.00034243995],"domain_scores_gemma":[0.99936044,0.00013264087,0.00005024247,0.00015204612,0.0002346423,0.00007001153],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007969435,0.00017603312,0.00027409696,0.000037647445,0.00039948177,0.000094525865,0.00014218385,0.000027354425,0.00036126768],"category_scores_gemma":[0.00016349519,0.0001707461,0.00004029212,0.000032045235,0.0003312585,0.00017225169,0.000043461605,0.0002441999,0.0000057276175],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004036363,0.00003355422,0.00010376222,0.000035899182,0.00006124069,0.00008827685,0.050837077,0.000013570388,0.0000035103808,0.11983466,0.82885057,0.00013382534],"study_design_scores_gemma":[0.00059183483,0.000028822622,0.000027789569,0.00012356811,0.000016859996,0.0000024169055,0.09243893,0.000001180393,0.000027120235,0.0019996658,0.904518,0.00022381553],"about_ca_topic_score_codex":0.6730698,"about_ca_topic_score_gemma":0.9822181,"teacher_disagreement_score":0.52203554,"about_ca_system_score_codex":0.0006169461,"about_ca_system_score_gemma":0.00037377412,"threshold_uncertainty_score":0.6962824},"labels":[],"label_agreement":null},{"id":"W2605816154","doi":"10.71781/14758","title":"The toxic morsel : T.E. Lawrence and The mint","year":2004,"lang":"en","type":"dissertation","venue":"Open MIND","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.03276271757702266,"score_gpt":0.28048918810848206,"score_spread":0.2477264705314594,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605816154","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06061672,0.0043861973,9.802856e-7,0.0012479924,0.0008974735,0.0006175654,0.000057039113,0.0000016834747,0.9321743],"genre_scores_gemma":[0.42647606,0.000103195154,0.000029862491,0.00020199337,0.0003685965,0.00007612267,0.00018309634,0.000016074695,0.572545],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926966,0.00004155646,0.00019523116,0.0002039296,0.00014121646,0.00014839834],"domain_scores_gemma":[0.99945974,0.0001109167,0.00008886769,0.00024157752,0.000070033,0.000028868337],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024279865,0.00015537963,0.00017391171,0.000014709208,0.0008694608,0.0025451088,0.00047439887,0.00006621896,0.001969063],"category_scores_gemma":[0.000019665136,0.00007446092,0.000054758453,0.000010323441,0.0002768391,0.00011835208,0.000046256406,0.0002299032,0.00014200337],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021450313,0.000030130337,6.320581e-7,0.000032464202,0.000066306544,0.0000113839105,0.25381458,3.7745755e-7,0.000010027747,0.62566674,0.0034168814,0.11673596],"study_design_scores_gemma":[0.00039769037,0.000027293563,0.000019121298,0.00014183838,0.00007494229,0.0000029637529,0.01508959,0.000007662521,0.00008234249,0.015725782,0.9682907,0.00014005817],"about_ca_topic_score_codex":0.00038859632,"about_ca_topic_score_gemma":0.020168636,"teacher_disagreement_score":0.96487385,"about_ca_system_score_codex":0.0000102803315,"about_ca_system_score_gemma":0.00008804641,"threshold_uncertainty_score":0.99894327},"labels":[],"label_agreement":null},{"id":"W2732080106","doi":"10.1353/mos.2017.a663698","title":"On Comic Modernism: Impersonality in Eliot and Keaton","year":2017,"lang":"en","type":"article","venue":"Mosaic","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Comics; Modernism (music); Identity (music); Romance; Literature; Rhetorical question; Art; Order (exchange); Expression (computer science); Philosophy; Aesthetics; Computer science","score_opus":0.03583992044508686,"score_gpt":0.26457145814266847,"score_spread":0.22873153769758162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2732080106","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88792783,0.00024143452,0.000009126687,0.0011575188,0.00018800017,0.00008036708,0.00005446014,0.000020827605,0.11032045],"genre_scores_gemma":[0.9907375,0.000012130157,0.000009789744,0.0009512595,0.00015903803,0.000009255191,0.000012536945,0.000009725166,0.008098752],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944174,0.000022018341,0.0001038482,0.00017958372,0.00009387102,0.00015892457],"domain_scores_gemma":[0.99959385,0.000027350516,0.000036161317,0.00028495697,0.000016169382,0.000041536845],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009846886,0.000100911246,0.00013421699,0.000035109228,0.00042226637,0.0004786816,0.00012830441,0.00003921949,0.00031507915],"category_scores_gemma":[0.000015886608,0.00008515462,0.000029625318,0.0000027551057,0.00016596433,0.00015332166,0.000035744197,0.00014339753,0.00004276208],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000558618,0.000088769695,0.0010941629,0.000047451587,0.000012161068,0.00003587548,0.025415353,0.0000017354253,0.00017349617,0.9643352,0.0060573393,0.0026825694],"study_design_scores_gemma":[0.0031613852,0.00035602585,0.024693206,0.0003485396,0.00004918515,0.000016366299,0.001347347,0.005540199,0.00068777736,0.3658014,0.59703875,0.0009598586],"about_ca_topic_score_codex":0.0004455186,"about_ca_topic_score_gemma":0.0011674378,"teacher_disagreement_score":0.59853387,"about_ca_system_score_codex":0.000015610292,"about_ca_system_score_gemma":0.0000090683,"threshold_uncertainty_score":0.46159378},"labels":[],"label_agreement":null},{"id":"W2745636747","doi":"10.3390/h6030064","title":"Sounding the Nonhuman in Joyce’s “Sirens”","year":2017,"lang":"en","type":"article","venue":"Humanities","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Articulation (sociology); Consciousness; Expression (computer science); Subject (documents); Communication; Aesthetics; Psychology; Philosophy; Epistemology; Computer science","score_opus":0.11905680323194322,"score_gpt":0.27310595003318466,"score_spread":0.15404914680124143,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2745636747","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14904493,0.00043867782,0.0000051010024,0.0008083047,0.000985777,0.00012787087,0.000016584605,0.0000561662,0.8485166],"genre_scores_gemma":[0.87751764,0.000011961471,0.0000064924684,0.0008845777,0.0014662982,0.00003224847,0.00000730281,0.000019207479,0.120054245],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991084,0.00003823541,0.00020486557,0.00017445289,0.00017864657,0.0002954408],"domain_scores_gemma":[0.999194,0.000053358755,0.000093603056,0.00057855976,0.00005882194,0.00002165402],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002078416,0.00015574983,0.00016434697,0.00007623131,0.0029585913,0.0027369044,0.0005557436,0.00003457411,0.0018572562],"category_scores_gemma":[0.000028990415,0.00010769381,0.00007591633,0.0000046958535,0.00078564306,0.00051636936,0.000098669065,0.00023442066,0.00012606218],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005201051,0.000019950136,0.00025170323,0.000019032203,0.000009739617,0.000012936696,0.092708595,2.4451515e-7,0.00001047183,0.90169626,0.004864042,0.00040180996],"study_design_scores_gemma":[0.0002609448,0.00003406625,0.0027292296,0.00008800156,0.000016936418,0.0000045688803,0.011980135,0.000026556569,0.000026220467,0.05313622,0.93147695,0.00022018373],"about_ca_topic_score_codex":0.0009465978,"about_ca_topic_score_gemma":0.020502804,"teacher_disagreement_score":0.9266129,"about_ca_system_score_codex":0.00002581058,"about_ca_system_score_gemma":0.000016077272,"threshold_uncertainty_score":0.9990552},"labels":[],"label_agreement":null},{"id":"W2749296020","doi":"10.1017/s1060150317000092","title":"WORKING-CLASS SUBJECTIVITY IN MARGARET HARKNESS'S<i>A CITY GIRL</i>","year":2017,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Girl; Subjectivity; Watson; Sociology; Gender studies; History; Art; Psychology; Philosophy","score_opus":0.02095403763272711,"score_gpt":0.23353227616564123,"score_spread":0.21257823853291413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2749296020","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17290252,0.013172299,0.00002443252,0.007461698,0.009933447,0.00074110576,0.00043688557,0.00026499387,0.7950626],"genre_scores_gemma":[0.95402914,0.00009713397,0.00003807094,0.0010634257,0.003702451,0.00002979618,0.00009777555,0.000026387053,0.040915802],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99848074,0.00007126746,0.00025372207,0.0005360789,0.0002357222,0.00042245624],"domain_scores_gemma":[0.99890167,0.000025061026,0.0001374381,0.0006427672,0.00014805999,0.000145029],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00019352893,0.0003630011,0.0003837705,0.000085200576,0.0011368515,0.0039388365,0.00038655623,0.000307338,0.00027678013],"category_scores_gemma":[0.000052043135,0.00027302027,0.00011511131,0.000049824066,0.00025004375,0.00092314574,0.000104428684,0.0007569635,0.000013604271],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015816075,0.00018447987,0.013198652,0.00015888829,0.000062505154,0.00026586998,0.26696968,1.3271203e-7,0.00044643457,0.6694865,0.047051523,0.0020171339],"study_design_scores_gemma":[0.0006242343,0.000053514268,0.0035224778,0.00038783264,0.000024724775,0.000016268708,0.0002743558,0.000008512111,0.00007277317,0.019636737,0.97500294,0.00037564698],"about_ca_topic_score_codex":0.000048150716,"about_ca_topic_score_gemma":0.0032355748,"teacher_disagreement_score":0.9279514,"about_ca_system_score_codex":0.000031376338,"about_ca_system_score_gemma":0.000023218383,"threshold_uncertainty_score":0.9999722},"labels":[],"label_agreement":null},{"id":"W2754990061","doi":"10.3138/ecf.30.1.65","title":"Fielding after Mandeville: Virtue, Self-Interest, and the Foundation of “Good Nature”","year":2017,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Ethical egoism; Virtue; Action (physics); Epistemology; Philosophy; Empathy; Self; Psychology; Social psychology","score_opus":0.013052103200325968,"score_gpt":0.23468521148805285,"score_spread":0.2216331082877269,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2754990061","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47021672,0.0109449485,0.00024106442,0.0024040511,0.0058149965,0.00066072424,0.000038958595,0.00012214638,0.5095564],"genre_scores_gemma":[0.9966226,0.0010116235,0.000035442776,0.00026091567,0.0007858323,0.00002789803,0.000018085662,0.00001144932,0.0012261429],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992864,0.00004910587,0.00020990531,0.00018550896,0.00014261114,0.00012642737],"domain_scores_gemma":[0.9993217,0.000055711345,0.00016362841,0.00034109288,0.00008788666,0.000029964232],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017196257,0.00012723873,0.00015448466,0.000046238638,0.0007072755,0.0005703115,0.00015211181,0.0000959875,0.0006759379],"category_scores_gemma":[0.000023139564,0.00008281798,0.00008336624,0.000008085156,0.00021205239,0.00045800072,0.00006165422,0.00024946185,0.000011430324],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023245638,0.00007291347,0.00035255047,0.000073824005,0.000071790804,0.000003431187,0.006880887,1.1412832e-7,0.000035840483,0.9859699,0.0033376052,0.0029686992],"study_design_scores_gemma":[0.001718158,0.00009091587,0.0043677296,0.00016111674,0.00015781911,0.000009002004,0.00070902077,0.0003684465,0.00037603127,0.0035531526,0.988272,0.00021658714],"about_ca_topic_score_codex":0.000039552855,"about_ca_topic_score_gemma":0.00009815679,"teacher_disagreement_score":0.9849344,"about_ca_system_score_codex":0.000014489013,"about_ca_system_score_gemma":0.0000072476155,"threshold_uncertainty_score":0.7401047},"labels":[],"label_agreement":null},{"id":"W2755541632","doi":"10.1353/crc.2017.0046","title":"Vision and Self-Consciousness in The Picture of Dorian Gray","year":2017,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Portrait; Gray (unit); Consciousness; Fell; Art history; Illusion; Art; Psychoanalysis; Literature; Philosophy; Psychology; Cartography","score_opus":0.021226666344479395,"score_gpt":0.29049504429493567,"score_spread":0.2692683779504563,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2755541632","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.124361195,0.52258533,0.0000038581047,0.010408677,0.0008723766,0.0017167932,0.0011099575,0.000017433957,0.33892435],"genre_scores_gemma":[0.9943831,0.002258615,0.000035314944,0.0024989496,0.00018457843,0.000016594953,0.000046128785,0.0000059594167,0.00057073677],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906534,0.00015250377,0.0003013285,0.00017083957,0.00014068019,0.00016931456],"domain_scores_gemma":[0.99890983,0.00005898576,0.00019143257,0.0005033528,0.0002450033,0.00009137163],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029887634,0.00017007139,0.00047621198,0.00009416026,0.00031133406,0.0003495248,0.00041315443,0.00006135019,0.00013058315],"category_scores_gemma":[0.000025349751,0.00009787461,0.00008221377,0.00004105455,0.00029985368,0.00027309256,0.000018460327,0.0002615105,0.0000021915246],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008448691,0.000054626955,0.00044125706,0.0048278845,0.000035320965,0.00003649286,0.18756816,8.77127e-8,0.000013089383,0.78529114,0.02095499,0.0007685278],"study_design_scores_gemma":[0.00020404023,0.00007529272,0.0031991962,0.010096696,0.000043645607,0.000011288434,0.0009921531,0.000006819431,0.000017584742,0.003742585,0.9814649,0.00014574785],"about_ca_topic_score_codex":0.0008994849,"about_ca_topic_score_gemma":0.060789205,"teacher_disagreement_score":0.96050996,"about_ca_system_score_codex":0.000013890456,"about_ca_system_score_gemma":0.000089658235,"threshold_uncertainty_score":0.95634896},"labels":[],"label_agreement":null},{"id":"W2771941363","doi":"","title":"George Eliot as a Realist","year":2017,"lang":"en","type":"article","venue":"K-State Research Exchange (Kansas State University)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"George (robot); History; Philosophy; Art; Art history","score_opus":0.12037566911074953,"score_gpt":0.32013777800795046,"score_spread":0.19976210889720092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2771941363","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04427279,0.00025854015,0.00014277802,0.0033489263,0.00043028287,0.00051592896,0.0009266092,0.0001568139,0.9499473],"genre_scores_gemma":[0.35378245,0.0010441139,0.00003055893,0.00013972145,0.00037424688,0.0000052193654,0.000088753746,0.00004508443,0.6444898],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969318,0.0003309414,0.0001985169,0.0005938225,0.0008077964,0.001137151],"domain_scores_gemma":[0.99744886,0.00014776424,0.000118270575,0.0010835358,0.00078525714,0.0004162966],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000833462,0.00027386876,0.0003071974,0.000771335,0.0039897123,0.0017579803,0.0012140323,0.00007841736,0.0036868055],"category_scores_gemma":[0.000103767336,0.00027266343,0.0001466581,0.000112941634,0.0013658338,0.0011411059,0.0005353769,0.0006826132,0.0009341056],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006299312,0.00030451786,0.00010419739,0.0004077254,0.00020280461,0.00541422,0.11297827,0.0000028680947,0.00025669602,0.79166716,0.07085962,0.017171962],"study_design_scores_gemma":[0.00074769167,0.00023421577,0.000099400815,0.00010116545,0.00002001502,0.000007183172,0.0038647654,0.0000651182,0.00017264801,0.018353434,0.9760033,0.0003310529],"about_ca_topic_score_codex":0.011267203,"about_ca_topic_score_gemma":0.016267471,"teacher_disagreement_score":0.9051437,"about_ca_system_score_codex":0.0001956868,"about_ca_system_score_gemma":0.00017974168,"threshold_uncertainty_score":0.9999726},"labels":[],"label_agreement":null},{"id":"W2777713126","doi":"10.1017/9781139086264.005","title":"Interpreting the Missing Object","year":2017,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Object (grammar); Content (measure theory); Computer science; Information retrieval; World Wide Web; Artificial intelligence; Mathematics","score_opus":0.035539822723187356,"score_gpt":0.20892327937985794,"score_spread":0.1733834566566706,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2777713126","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000008300582,0.00038969357,0.00007109463,0.000113653216,0.0008497438,0.00020519983,0.0002771661,0.0000960402,0.9979891],"genre_scores_gemma":[0.006327329,0.000016709548,0.000009565448,0.00038511152,0.0010654657,4.6002722e-7,0.000033089498,0.00004397832,0.9921183],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990464,0.000034096494,0.00014775229,0.00033917365,0.00019298514,0.00023963398],"domain_scores_gemma":[0.9987448,0.00008441388,0.00022312913,0.0007256152,0.00014453287,0.00007751936],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00010592633,0.00031405024,0.00029268835,0.00007000591,0.0015169336,0.00075642834,0.0007396245,0.00016822312,0.00006889081],"category_scores_gemma":[0.000012244334,0.00025981833,0.00026093365,3.9842365e-7,0.0007191163,0.00012825914,0.0002933567,0.00060834805,0.000020654483],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025436984,0.000002482937,6.643808e-8,0.000050170467,0.000082204555,0.0001524028,0.0029991623,4.828187e-8,0.0000044140957,0.89073634,0.10334618,0.0026010629],"study_design_scores_gemma":[0.00013917356,0.00002037742,3.1135684e-7,0.0004905714,0.00020194128,0.00001062983,0.00020245771,0.000028504926,0.000022622047,0.00021964977,0.99835014,0.0003136267],"about_ca_topic_score_codex":0.00018691678,"about_ca_topic_score_gemma":0.000026593736,"teacher_disagreement_score":0.895004,"about_ca_system_score_codex":0.00006268327,"about_ca_system_score_gemma":0.00006038555,"threshold_uncertainty_score":0.9999854},"labels":[],"label_agreement":null},{"id":"W2787181400","doi":"10.1353/vcr.2017.0013","title":"The History of Liberal Violence in The Woman in White","year":2017,"lang":"en","type":"article","venue":"Victorian review","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Liberalism; Nationalism; White (mutation); Context (archaeology); History; Literature; Politics; Character (mathematics); Sociology; Art; Law; Political science","score_opus":0.03563731927585834,"score_gpt":0.2605307443800995,"score_spread":0.22489342510424115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2787181400","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0038270368,0.4795091,0.0000015285575,0.0095796045,0.003772426,0.0006378731,0.000011393125,0.000013567902,0.5026475],"genre_scores_gemma":[0.89520735,0.067709245,0.000009469955,0.0063860435,0.0011637186,0.00012778523,0.0000053378462,0.000017941991,0.029373137],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992501,0.00011562928,0.00026092294,0.000103637954,0.00013179652,0.00013787288],"domain_scores_gemma":[0.99918944,0.000052626787,0.00011790858,0.00058950763,0.000035210312,0.00001533457],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00054410746,0.00008387515,0.00018633851,0.000018153123,0.00015723718,0.0001052213,0.0005667466,0.000019773202,0.0002336729],"category_scores_gemma":[0.000056479475,0.000042886808,0.0000641237,0.0000103784005,0.0001975663,0.00013390149,0.000030387208,0.0001576071,0.000019369832],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000106792795,0.00007430874,0.0017331783,0.0015027735,0.000009096172,0.000026453996,0.06561461,4.2459398e-8,0.0000044126928,0.8275664,0.083056495,0.020401556],"study_design_scores_gemma":[0.000074672214,0.00001474869,0.0020743113,0.0029803151,0.0000090505055,9.072567e-7,0.00006296075,0.0000014969288,2.2347763e-7,0.0028349645,0.9918891,0.000057201956],"about_ca_topic_score_codex":0.00007776167,"about_ca_topic_score_gemma":0.0022853527,"teacher_disagreement_score":0.90883267,"about_ca_system_score_codex":0.0000406415,"about_ca_system_score_gemma":0.000037134632,"threshold_uncertainty_score":0.25585544},"labels":[],"label_agreement":null},{"id":"W2806590708","doi":"10.1353/mos.2018.0025","title":"From Bird Girls to Bat Souls: Joycean Transformations of a Homeric Trope","year":2018,"lang":"en","type":"article","venue":"Mosaic","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Trope (literature); Girl; Vampire; Soul; Literature; Motif (music); Art; Portrait; Art history; Philosophy; Aesthetics; Psychology; Theology","score_opus":0.021519635585004804,"score_gpt":0.2380016276365751,"score_spread":0.2164819920515703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2806590708","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8120359,0.00084862433,0.005609275,0.0035741578,0.0013269755,0.0004525147,0.001110598,0.0002845136,0.1747574],"genre_scores_gemma":[0.9934852,0.0000071673994,0.0002936634,0.0012739061,0.0009275013,0.00001639764,0.0000440852,0.00002098319,0.0039311],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993185,0.000024190631,0.00022220357,0.00013003655,0.00013837608,0.0001667212],"domain_scores_gemma":[0.99957305,0.000026552843,0.00003126578,0.00020297729,0.00009879635,0.00006738024],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000048264945,0.00010306345,0.00017136295,0.000079791025,0.00017512821,0.00011392114,0.00013432335,0.000029326176,0.0032823803],"category_scores_gemma":[0.000008201835,0.00008431098,0.00006977055,0.00004626989,0.00013395,0.00017418269,0.00001344673,0.00006412173,0.0006170356],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009305759,0.00024589995,0.00009955064,0.00008178825,0.00011786558,0.000005722103,0.6487873,0.0000061605247,0.003132815,0.17159274,0.16021676,0.0156203],"study_design_scores_gemma":[0.00026183276,0.000218395,0.00012116167,0.00005540458,0.00003099622,7.4873225e-7,0.0019031106,0.00013132178,0.0012782151,0.0057843444,0.9900586,0.00015587245],"about_ca_topic_score_codex":0.00049338536,"about_ca_topic_score_gemma":0.00099243,"teacher_disagreement_score":0.82984185,"about_ca_system_score_codex":0.000009677576,"about_ca_system_score_gemma":0.000016254797,"threshold_uncertainty_score":0.99762875},"labels":[],"label_agreement":null},{"id":"W2809438805","doi":"10.3138/uram.34.1-2.77","title":"Dwelling in Hell: T. S. Eliot’s Philosophy of Place in <i>The Wasteland</i>","year":2011,"lang":"en","type":"article","venue":"Ultimate Reality and Meaning","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Art","score_opus":0.08387368779172438,"score_gpt":0.24746561857256083,"score_spread":0.16359193078083645,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2809438805","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24190064,0.000584538,0.00006790288,0.000289841,0.00012391355,0.00019037655,0.000031080435,0.000024413246,0.7567873],"genre_scores_gemma":[0.999171,0.00008346822,0.00011655384,0.00031069192,0.00009643996,0.0000067106525,0.000010223301,0.000007647943,0.00019725328],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99920946,0.00008088956,0.0002752392,0.00014730138,0.000109534296,0.0001775685],"domain_scores_gemma":[0.9996867,0.00007370419,0.00005735985,0.00013218161,0.000025428888,0.000024615789],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00051162613,0.0001016958,0.00018263799,0.000074316085,0.00008497491,0.000049087696,0.00010449927,0.00004161508,0.0000820354],"category_scores_gemma":[0.000013574207,0.00007353215,0.000031983036,0.000034068464,0.000107494496,0.00014468182,0.000019749084,0.0001690809,0.0000030439476],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058870486,0.000085054366,0.00047054407,0.00020903444,0.0000058789824,0.00002378336,0.31015262,0.00001136829,0.00006392056,0.68819207,0.00006487748,0.0006619773],"study_design_scores_gemma":[0.006419161,0.0007318111,0.004357081,0.004627492,0.0002067818,0.00011965714,0.083055235,0.013204569,0.0035872415,0.6529139,0.22883819,0.0019388297],"about_ca_topic_score_codex":0.0013324759,"about_ca_topic_score_gemma":0.0015701604,"teacher_disagreement_score":0.7572704,"about_ca_system_score_codex":0.0000072441653,"about_ca_system_score_gemma":0.000008102291,"threshold_uncertainty_score":0.2998554},"labels":[],"label_agreement":null},{"id":"W2884055292","doi":"10.1007/s10912-018-9525-1","title":"Imposing Order to See the Disorder: Student Depression and T.S. Eliot’s The Waste Land: A (Mis)reading/Diagnosis","year":2018,"lang":"en","type":"article","venue":"Journal of Medical Humanities","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Reading (process); Interpretation (philosophy); Order (exchange); Poetry; Depression (economics); Order and disorder; Psychology; Literature; Sociology; Philosophy; Linguistics; Art; Business; Economics","score_opus":0.021405325486575918,"score_gpt":0.2853848243633152,"score_spread":0.26397949887673927,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2884055292","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9120596,0.011518945,0.0002862736,0.03908291,0.0026009798,0.00033647823,0.000018303579,0.000032386917,0.03406413],"genre_scores_gemma":[0.983307,0.00043487802,0.000019694622,0.007996826,0.0055307485,0.000016590791,0.0000011077071,0.000019962084,0.0026731894],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980173,0.0001259161,0.00043461955,0.00012363592,0.0010520176,0.00024650674],"domain_scores_gemma":[0.9988114,0.00033307885,0.00015311956,0.00016890469,0.0004003217,0.00013314442],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00089032267,0.00015991533,0.00023838361,0.00009304499,0.0010758908,0.0008260165,0.00051959924,0.00006324081,0.002205114],"category_scores_gemma":[0.00020350529,0.00007190759,0.00007639679,0.000038510007,0.0007946564,0.0002059077,0.0001385497,0.00046570867,0.000016255257],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017572306,0.00034826106,0.0030248456,0.0001060225,0.00031478397,0.00012412205,0.6428772,0.0000051423935,0.000016281525,0.17035672,0.15237471,0.030276123],"study_design_scores_gemma":[0.0005075236,0.00043148277,0.00039709124,0.0005237101,0.0001090418,0.0001176541,0.038127087,0.00007500297,0.000040264757,0.0022245937,0.9573056,0.00014092072],"about_ca_topic_score_codex":0.00015276449,"about_ca_topic_score_gemma":0.0016116125,"teacher_disagreement_score":0.8049309,"about_ca_system_score_codex":0.00001986676,"about_ca_system_score_gemma":0.00006176953,"threshold_uncertainty_score":0.998707},"labels":[],"label_agreement":null},{"id":"W2905258634","doi":"10.1353/vcr.2017.0041","title":"Essays on Religion in G. Eliot's Early Fiction by John H. Mazaheri","year":2017,"lang":"en","type":"article","venue":"Victorian review","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Faith; Context (archaeology); Narrative; Christianity; Relation (database); George (robot); Literature; Philosophy; Mill; History; Religious studies; Art history; Art; Theology","score_opus":0.02280404664261212,"score_gpt":0.26523421857213986,"score_spread":0.24243017192952773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2905258634","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002702843,0.08860975,0.000018397322,0.0051242914,0.003239046,0.00055541535,0.00006420681,0.00009208045,0.89959395],"genre_scores_gemma":[0.8925409,0.07557189,0.00001873165,0.0050559132,0.0028277715,0.00016853058,0.00007349738,0.000054694556,0.023688117],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990289,0.00005959366,0.00028249677,0.00024565493,0.00018287971,0.00020045934],"domain_scores_gemma":[0.9991695,0.000019487636,0.00012922904,0.0005663112,0.00005709792,0.000058366233],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021459164,0.00016245694,0.00028252453,0.000042908498,0.00034435373,0.0005078164,0.00024930487,0.000060634124,0.00082420954],"category_scores_gemma":[0.000046144727,0.0001319757,0.000092498136,0.000016787377,0.00005808243,0.0003023778,0.000024893778,0.00020178736,0.00032422112],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020585005,0.000103157145,0.00011553153,0.0011588855,0.000014856421,0.000025144198,0.0036911224,4.536959e-8,0.00004483977,0.53203666,0.4512551,0.011534053],"study_design_scores_gemma":[0.00017383305,0.000078276185,0.00013447969,0.0031550268,0.000021959975,0.0000010375758,0.0000084002995,0.000001719666,0.000013309783,0.001636733,0.99461716,0.0001580719],"about_ca_topic_score_codex":0.00018585952,"about_ca_topic_score_gemma":0.00017278403,"teacher_disagreement_score":0.88983804,"about_ca_system_score_codex":0.00003410429,"about_ca_system_score_gemma":0.000012296598,"threshold_uncertainty_score":0.90245163},"labels":[],"label_agreement":null},{"id":"W2906765436","doi":"10.3968/8808","title":"Eliot’s Approach to Ethical Poetry: The Waste Land","year":2016,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Reading (process); Pessimism; Ambiguity; Human sexuality; Literature; Dysfunctional family; Aesthetics; Pure land; Environmental ethics; Sociology; History; Philosophy; Law; Psychology; Political science; Art; Epistemology; Gender studies; Archaeology","score_opus":0.031099510500361315,"score_gpt":0.29416155542235806,"score_spread":0.26306204492199675,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2906765436","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28315568,0.14260803,0.000108202104,0.038701195,0.0020625493,0.00090166426,0.00039579236,0.00014641199,0.5319205],"genre_scores_gemma":[0.9702714,0.00024074069,0.000065810156,0.008346478,0.0014244412,0.000050252926,0.00000833829,0.000013770531,0.019578755],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999085,0.000087256,0.00016571455,0.00026185627,0.00014622897,0.00025395816],"domain_scores_gemma":[0.9994511,0.00017851843,0.000021674414,0.0002298617,0.00006772919,0.000051110634],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026631195,0.0001681123,0.00021543526,0.00007660565,0.00021928643,0.00022215405,0.00013893435,0.00009847627,0.000047937127],"category_scores_gemma":[0.000097691904,0.000071078,0.000043678876,0.00006712719,0.0003018728,0.00010195563,0.00010661764,0.00035822688,0.000009837392],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004043276,0.000032068587,0.00007036322,0.00010189233,0.00005154169,0.00004461362,0.6363584,2.5021075e-7,0.000074521566,0.32624745,0.03433175,0.0026467433],"study_design_scores_gemma":[0.00073137734,0.00012313646,0.00009319211,0.0007967188,0.000034711546,0.000033831526,0.046230987,0.000010184184,0.000060026257,0.006961338,0.9445594,0.0003650744],"about_ca_topic_score_codex":0.000016401684,"about_ca_topic_score_gemma":0.00020784872,"teacher_disagreement_score":0.91022766,"about_ca_system_score_codex":0.000012975138,"about_ca_system_score_gemma":0.0000058769856,"threshold_uncertainty_score":0.28984767},"labels":[],"label_agreement":null},{"id":"W2906807755","doi":"10.3968/8639","title":"Harmonious Concordance of Men, Women and Nature: A Study of Lawrence’s Ecological Philosophy in His Lady Chatterley’s Lover","year":2016,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Vitality; Ecological civilization; Human sexuality; Civilization; Environmental ethics; Sociology; Philosophy; Ecology; History; Gender studies; Theology; Archaeology; Biology; China","score_opus":0.02087586441021694,"score_gpt":0.2796234604286261,"score_spread":0.2587475960184092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2906807755","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9426215,0.04650731,2.1633647e-7,0.00033444763,0.00016080111,0.00025653493,0.0000991885,0.000009893242,0.010010066],"genre_scores_gemma":[0.9968422,0.00089302566,0.000011535875,0.00046531917,0.0001786986,0.00004283073,0.000003076979,0.000008941914,0.0015543476],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989236,0.00009277204,0.00033286583,0.00029212117,0.00013654647,0.00022208616],"domain_scores_gemma":[0.9994652,0.00017127019,0.00008747,0.00016663902,0.00007550888,0.00003387033],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019995497,0.00018635744,0.0004851387,0.00013264931,0.000044981287,0.000037879046,0.00009974273,0.00009496656,0.00008723557],"category_scores_gemma":[0.000051658855,0.00010858074,0.0000263452,0.00006808325,0.00042159413,0.00015958448,0.00010449894,0.00024332397,6.112794e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018606061,0.00052826,0.0069628167,0.00033472435,0.00011820951,0.00023973169,0.92938095,4.7934027e-8,0.00043553658,0.058735844,0.0011973347,0.0018804548],"study_design_scores_gemma":[0.031674404,0.012761242,0.09642033,0.009306185,0.00024918624,0.00009343206,0.6233762,0.000016519187,0.00091900676,0.106262185,0.115986355,0.0029349632],"about_ca_topic_score_codex":0.000028614222,"about_ca_topic_score_gemma":0.00057888887,"teacher_disagreement_score":0.3060048,"about_ca_system_score_codex":0.000026304695,"about_ca_system_score_gemma":0.0000068813843,"threshold_uncertainty_score":0.4427794},"labels":[],"label_agreement":null},{"id":"W2907335822","doi":"10.3968/8673","title":"Paul Morel’s Oedipus Complex in Sons and Lovers","year":2016,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Oedipus complex; Instinct; Soul; Freudian slip; Civilization; Psychoanalysis; Natural (archaeology); Philosophy; Literature; Psychology; Psychoanalytic theory; Epistemology; Art; History; Archaeology","score_opus":0.04239111773409196,"score_gpt":0.3035196490025719,"score_spread":0.2611285312684799,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2907335822","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79685813,0.13437888,0.000004621686,0.0050467458,0.00065445213,0.0002863585,0.00036853008,0.00006153637,0.062340762],"genre_scores_gemma":[0.9891018,0.0010345167,0.000047655176,0.0012121806,0.00036288748,0.00001618068,0.000014107338,0.000011130256,0.008199509],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921775,0.000041814103,0.00017697603,0.00024180017,0.00008554761,0.00023610223],"domain_scores_gemma":[0.9996695,0.000104006824,0.000026405898,0.0001259158,0.000035106605,0.00003905343],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000112518755,0.00016437692,0.000251975,0.00011767096,0.00009192787,0.00013143031,0.000057287405,0.000053467527,0.00010679442],"category_scores_gemma":[0.000039311875,0.0000967966,0.000026116537,0.000041206673,0.00030180256,0.0002147306,0.000070078146,0.00014433665,0.000004146847],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005739449,0.00005462304,0.0012069644,0.00026589923,0.000055988286,0.00055173883,0.77631015,5.082078e-8,0.00045509724,0.18151563,0.03172191,0.007804548],"study_design_scores_gemma":[0.003757297,0.00026288664,0.004928725,0.0029501747,0.00005394276,0.00009131961,0.131084,0.000016595683,0.000073657015,0.03106137,0.8248264,0.0008936025],"about_ca_topic_score_codex":0.00003164634,"about_ca_topic_score_gemma":0.0012200209,"teacher_disagreement_score":0.7931045,"about_ca_system_score_codex":0.000017467906,"about_ca_system_score_gemma":0.000004699379,"threshold_uncertainty_score":0.39472505},"labels":[],"label_agreement":null},{"id":"W2912531166","doi":"10.3968/10396","title":"Best Representative of Modernist Poetic Views: On T. S. Eliot’s Literary Views and Poetic Practices","year":2018,"lang":"en","type":"article","venue":"Canadian social science","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Philosophy; Literary criticism; Art","score_opus":0.1010078608430733,"score_gpt":0.345345982090357,"score_spread":0.2443381212472837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2912531166","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07782255,0.0007303065,0.000008556585,0.0016529661,0.00040603385,0.00020682621,0.000134114,0.000012986353,0.91902566],"genre_scores_gemma":[0.9880869,0.000019769828,0.00005051134,0.002492775,0.00073744374,0.0000107619835,0.000004923901,0.0000094450525,0.008587506],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987062,0.00007024601,0.0002089921,0.00035312847,0.00029193674,0.00036945016],"domain_scores_gemma":[0.99903333,0.000058172973,0.00017928178,0.00018297428,0.00027257303,0.00027364446],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0003346404,0.00012806633,0.00018336029,0.00017790483,0.0011678747,0.00051582855,0.0002840293,0.00004330877,0.0005868348],"category_scores_gemma":[0.00013850149,0.00011254319,0.000040229592,0.00013036854,0.0031227663,0.0005311978,0.000034342214,0.00013302466,0.00006696049],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021223788,0.0000560457,0.00024790427,0.000054598684,0.000012814781,0.000025531044,0.45346478,3.8978524e-8,0.0005532439,0.5253377,0.011354632,0.008871508],"study_design_scores_gemma":[0.00017529611,0.0003200004,0.00052379514,0.00012905174,0.000035824418,0.00000644207,0.014607969,0.000089952795,0.0002815387,0.009812637,0.97372967,0.00028784983],"about_ca_topic_score_codex":0.0139671955,"about_ca_topic_score_gemma":0.06800551,"teacher_disagreement_score":0.962375,"about_ca_system_score_codex":0.00008636033,"about_ca_system_score_gemma":0.00029429584,"threshold_uncertainty_score":0.99959016},"labels":[],"label_agreement":null},{"id":"W2964568130","doi":"10.17613/5kysm-pec68","title":"the Romantic fragment","year":2019,"lang":"en","type":"article","venue":"PhilPapers (PhilPapers Foundation)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Fragment (logic); Romance; Computer science; Psychology; Psychoanalysis; Algorithm","score_opus":0.010488394644794428,"score_gpt":0.20624663045498617,"score_spread":0.19575823581019175,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2964568130","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13210092,0.0005707485,0.000015507674,0.014738629,0.0034990606,0.0006620498,0.000010630859,0.00022354914,0.8481789],"genre_scores_gemma":[0.93144006,0.00009042165,0.000032984397,0.003398166,0.00096986635,0.000064349355,0.00007954931,0.000042943266,0.06388167],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981438,0.00007350808,0.00038492473,0.00041668196,0.00049299054,0.00048808154],"domain_scores_gemma":[0.9988088,0.00022348107,0.00011276967,0.00059174345,0.00016011842,0.000103072656],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028034538,0.0002831707,0.00022702037,0.0000730176,0.0013591446,0.0011312322,0.0004300029,0.000061815634,0.011675411],"category_scores_gemma":[0.000035227567,0.00019465297,0.00015557944,0.00006284218,0.00037337307,0.000540256,0.00006081679,0.0002708345,0.0059891683],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034472938,0.000053830336,0.00015188397,0.000029353967,0.00009635834,0.0000036314168,0.009198775,0.000006696203,0.00051182543,0.9724431,0.002406208,0.015063844],"study_design_scores_gemma":[0.000455828,0.0000891529,0.000377455,0.000033474775,0.000047426533,0.0000066051307,0.002235753,0.00011712858,0.000052877294,0.011071371,0.9851959,0.00031708094],"about_ca_topic_score_codex":0.000051797695,"about_ca_topic_score_gemma":0.0002720766,"teacher_disagreement_score":0.98278964,"about_ca_system_score_codex":0.00008355362,"about_ca_system_score_gemma":0.000058526814,"threshold_uncertainty_score":0.99994093},"labels":[],"label_agreement":null},{"id":"W2974482822","doi":"10.1353/vcr.2019.0016","title":"Subjective Realism and Diligent Imagination: G.H. Lewes’s Theory of Psychology and George Eliot’s Impressions of Theophrastus Such","year":2019,"lang":"en","type":"article","venue":"Victorian review","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Realism; George (robot); Narrative; Character (mathematics); Literature; Scholarship; Philosophy; Art; Art history","score_opus":0.01665083338134479,"score_gpt":0.27894549509036715,"score_spread":0.2622946617090224,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2974482822","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048935626,0.7515966,0.00010352881,0.0023183157,0.0017905612,0.0012521694,0.00028793453,0.00004040767,0.19367482],"genre_scores_gemma":[0.9481002,0.047853034,0.00003117305,0.0007117319,0.0002333338,0.000022331888,0.00002077585,0.00001545387,0.0030119498],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999048,0.00016511728,0.00032539663,0.00021544803,0.0001178544,0.00012816499],"domain_scores_gemma":[0.9992232,0.000116838586,0.00014691512,0.00028354756,0.00018042042,0.000049122016],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036474198,0.00013200687,0.00040503015,0.00005916577,0.000060834227,0.000025000933,0.00009389917,0.000044022,0.0010466817],"category_scores_gemma":[0.00003371436,0.0000946582,0.000062754516,0.000034717952,0.00020434172,0.00011729449,0.000043184948,0.00010409351,0.000007724802],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019033168,0.00004814242,0.0002762335,0.0016527008,0.000038280232,0.0000013051718,0.010565111,6.587224e-9,0.00051185617,0.97792834,0.00072586554,0.008233147],"study_design_scores_gemma":[0.00037601116,0.00015387342,0.002751351,0.002021099,0.00013317617,0.000011406325,0.00031429046,0.0000012886987,0.0001124109,0.0460388,0.94792193,0.00016434811],"about_ca_topic_score_codex":0.000026967728,"about_ca_topic_score_gemma":0.000020655067,"teacher_disagreement_score":0.94719607,"about_ca_system_score_codex":0.000005277014,"about_ca_system_score_gemma":0.000019051644,"threshold_uncertainty_score":0.9998665},"labels":[],"label_agreement":null},{"id":"W2974869026","doi":"10.1353/vcr.2019.0017","title":"The Complete Works of Oscar Wilde: Volume VIII: The Short Fiction ed. by Ian Small","year":2019,"lang":"en","type":"article","venue":"Victorian review","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Literature; History; Art history; Art","score_opus":0.019397067492830024,"score_gpt":0.22393804920819702,"score_spread":0.204540981715367,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2974869026","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011582015,0.7006219,0.00016382101,0.008478363,0.0073696524,0.0018690862,0.0001860655,0.00009671921,0.2800562],"genre_scores_gemma":[0.7125609,0.17070445,0.00004180974,0.009125459,0.004778318,0.00021477237,0.00029581823,0.0001085667,0.10216994],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886554,0.00013444143,0.0003839236,0.00018805818,0.00020675457,0.00022125091],"domain_scores_gemma":[0.9990906,0.00008209049,0.00009798735,0.0005587262,0.00012611586,0.000044439686],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038855357,0.00016417766,0.0003078368,0.0000133365675,0.00034505056,0.00025139458,0.0003580046,0.000046487847,0.0016101568],"category_scores_gemma":[0.000016519994,0.00008633759,0.00018200374,0.000042534517,0.00013764692,0.000106423715,0.000038527916,0.00022981575,0.00017930438],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012319588,0.00004419896,0.000111626076,0.0011485607,0.00009139332,0.0000010539151,0.0044103046,2.7834804e-7,0.00008457766,0.19150107,0.7810964,0.021498227],"study_design_scores_gemma":[0.00006395829,0.000046470486,0.000024636862,0.0014761122,0.0000824516,0.0000018704945,0.00015172958,0.000028061568,0.0000030601022,0.00016445482,0.99784225,0.00011491971],"about_ca_topic_score_codex":0.000025721092,"about_ca_topic_score_gemma":0.00009080055,"teacher_disagreement_score":0.71140265,"about_ca_system_score_codex":0.000017496614,"about_ca_system_score_gemma":0.000018568193,"threshold_uncertainty_score":0.9993025},"labels":[],"label_agreement":null},{"id":"W2977619134","doi":"10.4000/lawrence.889","title":"Lawrence in Cornwall, 1916-1917: The Battle of the Biographies","year":2019,"lang":"fr","type":"article","venue":"Études Lawrenciennes","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"ECW Press (Canada)","funders":"","keywords":"Battle; Nightmare; Biography; Art history; Interpretation (philosophy); Art; Table (database); History; Media studies; Sociology; Philosophy; Ancient history; Psychology","score_opus":0.013938471115577165,"score_gpt":0.20363672545546146,"score_spread":0.1896982543398843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2977619134","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85015345,0.022655925,0.0000027946128,0.0058530807,0.0056206426,0.00046075386,0.0002755368,0.00002957838,0.11494822],"genre_scores_gemma":[0.9739165,0.00056558335,0.000023623903,0.0006707358,0.00036021884,0.000023708075,0.000007234294,0.000022806611,0.024409626],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99815136,0.00016670818,0.00045769184,0.0003426063,0.00037321536,0.00050842913],"domain_scores_gemma":[0.99835443,0.00055788556,0.00017037783,0.00071274774,0.00015418364,0.000050362927],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00039974062,0.0002828896,0.00033856265,0.00011671681,0.00034260278,0.00026924163,0.0008902912,0.00012876415,0.0016092584],"category_scores_gemma":[0.000060122362,0.00015949928,0.00028342375,0.00032031836,0.0017913826,0.0003206656,0.00021594627,0.00037441647,0.00011894747],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000149811885,0.00018616523,0.00916674,0.00022201943,0.000039147875,0.0000034495617,0.018518005,0.000019552686,0.000396578,0.96795475,0.0028236099,0.00065500056],"study_design_scores_gemma":[0.00036434445,0.0001561984,0.020203974,0.0007030532,0.000078781406,0.000012213363,0.007832709,0.00017645166,0.00048765782,0.006742476,0.9629122,0.00032992623],"about_ca_topic_score_codex":0.002338145,"about_ca_topic_score_gemma":0.015850428,"teacher_disagreement_score":0.9612123,"about_ca_system_score_codex":0.0000274105,"about_ca_system_score_gemma":0.00008482796,"threshold_uncertainty_score":0.9993034},"labels":[],"label_agreement":null},{"id":"W2982253226","doi":"10.5325/georelioghlstud.71.2.0143","title":"Examining George Eliot","year":2019,"lang":"en","type":"article","venue":"George Eliot - George Henry Lewes Studies","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"George (robot); Context (archaeology); Colonialism; Mania; Art history; History; Art; Literature; Sociology; Psychology; Archaeology; Social psychology","score_opus":0.07347966437906098,"score_gpt":0.2709971514908026,"score_spread":0.19751748711174164,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2982253226","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6412255,0.027392402,0.00002446448,0.002385156,0.006906924,0.0008966695,0.0002404877,0.000723919,0.32020447],"genre_scores_gemma":[0.74577945,0.000881765,0.00016728215,0.0031530675,0.002916433,0.00012924263,0.000110330795,0.00013632585,0.2467261],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99535435,0.00020504033,0.0009900989,0.0011439492,0.00080460106,0.0015019813],"domain_scores_gemma":[0.9973327,0.00049301377,0.00027433745,0.0010369612,0.0006299966,0.00023299965],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00076050445,0.0008753941,0.0012095763,0.000444137,0.0013077188,0.0006026088,0.0006175474,0.00021540222,0.005770895],"category_scores_gemma":[0.00018649512,0.000745721,0.00034004773,0.00019153031,0.00063205423,0.0008542894,0.0005817402,0.00073720503,0.0036659248],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023353215,0.0005659174,0.007437154,0.0012704538,0.0016142313,0.00023943638,0.16538768,0.00002072145,0.0029476364,0.6781403,0.1353449,0.0067980466],"study_design_scores_gemma":[0.0010881427,0.0003711927,0.0011578996,0.000376622,0.0001904712,0.000030658466,0.027300917,0.00005338767,0.00044462222,0.0076613147,0.9601351,0.0011896992],"about_ca_topic_score_codex":0.00024121923,"about_ca_topic_score_gemma":0.0004673359,"teacher_disagreement_score":0.8247902,"about_ca_system_score_codex":0.000121398974,"about_ca_system_score_gemma":0.000082072,"threshold_uncertainty_score":0.99999243},"labels":[],"label_agreement":null},{"id":"W298543103","doi":"","title":"Joyce And The Victorians/joyce And The Early Freudians: A Synchronic Dialogue Of Texts/joyce And The Sense Of Modernity (book)","year":2004,"lang":"en","type":"article","venue":"Sound Ideas (University of Puget Sound)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Modernity; Art; Literature; Linguistics; Philosophy; Art history; Aesthetics; History; Epistemology","score_opus":0.008490612165446389,"score_gpt":0.17345270184272468,"score_spread":0.1649620896772783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W298543103","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9744312,0.009518752,0.0008841717,0.0029626088,0.00017461035,0.00059153093,0.00019412633,0.000025599305,0.011217413],"genre_scores_gemma":[0.99649847,0.0007089831,0.00004194329,0.00032076918,0.00016023857,0.000001922419,0.000008325162,0.000015975396,0.0022433838],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9985172,0.00032052427,0.00027236278,0.000298482,0.000325463,0.00026592918],"domain_scores_gemma":[0.99815965,0.0007993054,0.00027486545,0.0004675056,0.0002209821,0.00007768745],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0007619091,0.00024018608,0.00058174523,0.00007974886,0.00097424275,0.00018634397,0.00030992457,0.00011039215,0.000097977136],"category_scores_gemma":[0.00009733309,0.00015059239,0.00019521211,0.00006471504,0.007212156,0.00043589654,0.00020966129,0.00032822374,0.0000035138778],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008143918,0.000039718587,0.00010575456,0.00012463602,0.00018976092,0.000006357783,0.16297504,0.00001063156,0.000003046947,0.8355452,0.00015060134,0.000034879977],"study_design_scores_gemma":[0.008557131,0.00009827587,0.00042005966,0.00009142524,0.0003971409,0.000022744001,0.01638597,0.00015005005,0.0000017591358,0.97004664,0.0036509826,0.00017784662],"about_ca_topic_score_codex":0.006350021,"about_ca_topic_score_gemma":0.005878215,"teacher_disagreement_score":0.14658907,"about_ca_system_score_codex":0.00003186575,"about_ca_system_score_gemma":0.00007885,"threshold_uncertainty_score":0.99548966},"labels":[],"label_agreement":null},{"id":"W2992279344","doi":"","title":"Waiting in T. S. Eliot’s ‘The Waste Land’","year":2011,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Theme (computing); Mythology; Literature; History; Aesthetics; Sociology; Law; Art; Political science; Computer science","score_opus":0.0550758813754418,"score_gpt":0.27806191452639795,"score_spread":0.22298603315095614,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992279344","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6423396,0.120483026,7.528421e-7,0.0005831432,0.0006668978,0.00020435193,0.00003651378,0.000036361624,0.23564935],"genre_scores_gemma":[0.99224824,0.00036518287,0.00002514328,0.0012483842,0.0006050501,0.000028325321,0.000009580984,0.000010712851,0.005459391],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99923897,0.00005887221,0.00019895307,0.00018825453,0.00008173206,0.00023322189],"domain_scores_gemma":[0.99969506,0.00006315216,0.000030515137,0.00015144428,0.00003827116,0.00002156143],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020506958,0.00014431762,0.00019585043,0.0000998295,0.00014569717,0.00012517507,0.00010211025,0.000044574223,0.000121688754],"category_scores_gemma":[0.00003608521,0.000085225736,0.00003436681,0.000066633234,0.00027313485,0.00016806726,0.000067274676,0.0002999453,0.0000044530166],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001949246,0.00002514451,0.00042234,0.00009463747,0.000020224621,0.00023311267,0.85034513,1.6610728e-7,0.000009231695,0.14608377,0.0014366593,0.0013100712],"study_design_scores_gemma":[0.0021812548,0.00026754264,0.0013674444,0.0030795266,0.00007928036,0.00009320321,0.6108119,0.0002175761,0.00023632904,0.037663415,0.34296647,0.0010360818],"about_ca_topic_score_codex":0.00013667351,"about_ca_topic_score_gemma":0.0027368285,"teacher_disagreement_score":0.34990862,"about_ca_system_score_codex":0.000010175219,"about_ca_system_score_gemma":0.0000043786404,"threshold_uncertainty_score":0.34754047},"labels":[],"label_agreement":null},{"id":"W2993889206","doi":"","title":"Individualism and Universalism in Pound’s Poetics","year":2015,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Universalism; Individualism; Pound (networking); Aesthetics; Poetry; Geist; Philosophy; Sociology; Literature; Epistemology; Art; Law; Political science; Politics","score_opus":0.0558059647217421,"score_gpt":0.3054203826880555,"score_spread":0.2496144179663134,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993889206","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7458592,0.16941118,0.0000011363895,0.0012121326,0.0006011508,0.00016573282,0.000095007366,0.00003674039,0.08261774],"genre_scores_gemma":[0.99154484,0.00059931504,0.00007840891,0.001301739,0.00037656885,0.000007946122,0.000030126923,0.000010892313,0.006050162],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925894,0.000061030645,0.00016092233,0.00020882844,0.00011146909,0.00019881295],"domain_scores_gemma":[0.99968094,0.00005900159,0.000025885734,0.00011311646,0.000062232626,0.000058856305],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020252044,0.00015254284,0.00022942184,0.0001675204,0.00007128943,0.00021981113,0.00006316398,0.00006690625,0.000017090355],"category_scores_gemma":[0.000050309805,0.000119346034,0.000017108143,0.00006442378,0.00029064625,0.00024444202,0.0000893099,0.00024345581,0.0000016434892],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001526267,0.000020732388,0.00041925,0.00007215426,0.000017558414,0.00032324693,0.7730487,1.350728e-7,0.0000049357104,0.22195414,0.0034900305,0.00063386286],"study_design_scores_gemma":[0.0021001357,0.00016503838,0.0007064663,0.00077217515,0.000039133505,0.000063552,0.3702996,0.000016507054,0.000009935714,0.036538094,0.58881366,0.00047566587],"about_ca_topic_score_codex":0.00009579829,"about_ca_topic_score_gemma":0.0013201844,"teacher_disagreement_score":0.58532363,"about_ca_system_score_codex":0.000022306083,"about_ca_system_score_gemma":0.000011189364,"threshold_uncertainty_score":0.486679},"labels":[],"label_agreement":null},{"id":"W2996039891","doi":"10.3968/11322","title":"T.S. Eliot’s ‘Sweeney Erect’ Revisited","year":2019,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Carelessness; Literature; Mythology; The Imaginary; Reading (process); Chose; Human sexuality; Construct (python library); Philosophy; Aesthetics; Psychoanalysis; Art; Sociology; Psychology; Gender studies; Law","score_opus":0.020289711826033344,"score_gpt":0.2863517277439061,"score_spread":0.26606201591787276,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2996039891","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44441125,0.22244361,0.0000010868482,0.0005499489,0.0010788186,0.00032179654,0.00010757836,0.000088362554,0.33099753],"genre_scores_gemma":[0.9520641,0.0008202152,0.000052822685,0.0025178795,0.00078302214,0.000016749362,0.00006052292,0.000017482329,0.04366719],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990599,0.00005387567,0.00021175381,0.00030075887,0.00012231947,0.00025140485],"domain_scores_gemma":[0.9995197,0.00008090061,0.00003758189,0.00023708135,0.000085214466,0.00003952274],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015257428,0.00019665844,0.00032600595,0.00013825801,0.00010993893,0.0002556137,0.00009559288,0.00006690875,0.00056835474],"category_scores_gemma":[0.000036163103,0.00014193548,0.00005677987,0.000080615355,0.00013714921,0.00024183537,0.00007017278,0.0002815918,0.0000515339],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042031228,0.000038045906,0.0005720173,0.00057839614,0.00008687607,0.00016827628,0.6591573,1.950362e-7,0.00022751935,0.3177396,0.01868156,0.002708185],"study_design_scores_gemma":[0.0008345391,0.00014593966,0.00034087728,0.0014058078,0.000036619014,0.00002625513,0.031670224,0.000014196118,0.00007778275,0.004923919,0.9600803,0.0004435395],"about_ca_topic_score_codex":0.00001830913,"about_ca_topic_score_gemma":0.000117350166,"teacher_disagreement_score":0.94139874,"about_ca_system_score_codex":0.000015590378,"about_ca_system_score_gemma":0.000006114487,"threshold_uncertainty_score":0.62230855},"labels":[],"label_agreement":null},{"id":"W2998208542","doi":"10.1353/vcr.2019.0028","title":"\"A Mere Victim of Feeling\": Women's Tears and the Crisis of Lineage in Middlemarch","year":2019,"lang":"en","type":"article","venue":"Victorian review","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Tears; Literature; Feeling; Grief; Adventure; Psychoanalysis; Shame; Identity (music); Aesthetics; History; Psychology; Art; Social psychology; Art history; Medicine","score_opus":0.01178432369407399,"score_gpt":0.2295424504388038,"score_spread":0.21775812674472983,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2998208542","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38271582,0.4795068,0.000008804665,0.0056922315,0.0016560949,0.0022185252,0.0001200331,0.000036043806,0.12804565],"genre_scores_gemma":[0.97865903,0.017842762,0.000024475747,0.0011785828,0.00020882816,0.000034724522,0.000004078601,0.000013282223,0.0020342069],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990038,0.00012163029,0.00043252646,0.0001413127,0.0001576314,0.0001430961],"domain_scores_gemma":[0.9993519,0.00012665246,0.00011666155,0.00028025874,0.00009486976,0.000029655783],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00061038387,0.00010664808,0.0005149287,0.000048857135,0.000032399472,0.000031605265,0.00014445173,0.000030739007,0.0015343855],"category_scores_gemma":[0.000037403297,0.00006424456,0.0000838239,0.00005492737,0.00011698289,0.00007273467,0.000038673974,0.00013160723,0.000020269523],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000107876775,0.00013107866,0.00047133307,0.021045815,0.00010525174,0.000004283845,0.18039268,5.057148e-7,0.00008691794,0.7917375,0.002385652,0.0035311037],"study_design_scores_gemma":[0.00057963625,0.000057299298,0.00005154524,0.002411234,0.000041797008,0.0000010640543,0.00164619,0.000008775051,0.0000188421,0.0011464584,0.99394596,0.000091217946],"about_ca_topic_score_codex":0.000051700907,"about_ca_topic_score_gemma":0.000047958292,"teacher_disagreement_score":0.9915603,"about_ca_system_score_codex":0.000009983223,"about_ca_system_score_gemma":0.000019967221,"threshold_uncertainty_score":0.9993783},"labels":[],"label_agreement":null},{"id":"W3033140793","doi":"10.22848/dhlawr.20.2.201212.135","title":"Empire and New Liberalism: Anti-Bildungsroman of D. H. Lawrence and J. M. Barrie","year":2012,"lang":"en","type":"article","venue":"D.H.Lawrence Studies","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Empire; Liberalism; Psychoanalysis; Art; Philosophy; Political science; History; Psychology; Ancient history; Law; Politics","score_opus":0.08295796238240367,"score_gpt":0.29756943817962594,"score_spread":0.21461147579722228,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3033140793","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8715803,0.08139419,0.000018462075,0.0029840844,0.0007998416,0.00021247666,0.00007291294,0.00009225079,0.0428455],"genre_scores_gemma":[0.99124765,0.0010685006,0.00018787372,0.0005818213,0.00058769155,0.000009373269,0.0000050265876,0.00001356183,0.0062984996],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900967,0.000034855213,0.00024872329,0.00022289372,0.0001640037,0.00031987994],"domain_scores_gemma":[0.99940073,0.000095251686,0.00007801364,0.00017634736,0.00010927462,0.0001403851],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012712195,0.0002043768,0.0003689864,0.000056230863,0.00032492058,0.00011127529,0.0000969758,0.000043591273,0.00013174198],"category_scores_gemma":[0.000046556375,0.00015856017,0.000040618314,0.000032628068,0.00081569323,0.00052096794,0.00013249466,0.000109583874,0.0000064565047],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013360607,0.00005756262,0.010657526,0.00026346938,0.00014162934,0.0000065332924,0.24345545,1.0931933e-7,0.00023975672,0.71909684,0.021271322,0.0047964435],"study_design_scores_gemma":[0.0007834931,0.00030659026,0.020631835,0.0005070671,0.00025321366,0.00004267571,0.020283349,0.000012692647,0.0010165767,0.027144022,0.92823845,0.0007800303],"about_ca_topic_score_codex":0.00017260718,"about_ca_topic_score_gemma":0.00022043915,"teacher_disagreement_score":0.90696716,"about_ca_system_score_codex":0.0000060413104,"about_ca_system_score_gemma":0.000017778733,"threshold_uncertainty_score":0.6465896},"labels":[],"label_agreement":null},{"id":"W3038567246","doi":"10.35099/aurora-126","title":"\"What do I think of glory?\": On Middlemarch by George Eliot","year":2020,"lang":"en","type":"article","venue":"","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"George (robot); Glory; Philosophy; Art; Art history","score_opus":0.03893705437680872,"score_gpt":0.237181094055714,"score_spread":0.19824403967890528,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3038567246","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.049628235,0.0036660049,0.000082521816,0.018145498,0.0007836421,0.00023865025,0.00013280551,0.00014022483,0.92718244],"genre_scores_gemma":[0.93371975,0.000100850506,0.000030646373,0.013616733,0.0005190618,0.0000047570443,0.000037091984,0.00001692301,0.051954154],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991998,0.000027624712,0.00019567902,0.00019407277,0.0002160265,0.00016679171],"domain_scores_gemma":[0.9996037,0.00004996325,0.000032914202,0.00016214626,0.0000681226,0.00008318766],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000061318824,0.000119317505,0.00017391135,0.00002688938,0.00010382495,0.0003474349,0.00015465042,0.00004075223,0.00989331],"category_scores_gemma":[0.000011193172,0.00008841213,0.00008000738,0.000019555144,0.00010464118,0.00024899666,0.000032783162,0.00013694516,0.00024219381],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038387378,0.00006704843,0.000005630445,0.000065937194,0.000019825597,0.000004469473,0.052981295,3.0748285e-7,0.00045430343,0.79108596,0.15330629,0.0019705223],"study_design_scores_gemma":[0.0002272116,0.00023846106,0.0000034592874,0.000059258266,0.000013543233,4.830796e-7,0.0057720826,0.000060286675,0.0021190813,0.004740792,0.98662907,0.00013627284],"about_ca_topic_score_codex":0.000038206956,"about_ca_topic_score_gemma":0.000025103755,"teacher_disagreement_score":0.88409156,"about_ca_system_score_codex":0.0000052844184,"about_ca_system_score_gemma":0.000011527223,"threshold_uncertainty_score":0.9910118},"labels":[],"label_agreement":null},{"id":"W3041219671","doi":"10.1353/bio.2019.0085","title":"Modernist Lives: Biography and Autobiography at Leonard and Virginia Woolf's Hogarth Press by Claire Battershill","year":2019,"lang":"en","type":"article","venue":"Biography","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Biography; Modernism (music); Art history; Politics; Life writing; Publishing; Reading (process); History; Art; Literature; Sociology; Law; Political science","score_opus":0.006769258712117216,"score_gpt":0.17438254648345738,"score_spread":0.16761328777134016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3041219671","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9121464,0.02886682,0.000028536544,0.0011236364,0.00071017654,0.0007565013,0.0015330911,0.000338726,0.05449613],"genre_scores_gemma":[0.9935214,0.0014798847,0.000098906894,0.0013656219,0.00021490986,0.000053440788,0.00020731214,0.000057683228,0.0030008599],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978821,0.00008322911,0.00034809829,0.0008146899,0.00030936627,0.0005624821],"domain_scores_gemma":[0.9989753,0.00007746108,0.00012301985,0.00047286064,0.00008718788,0.00026416895],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00010509924,0.00049301464,0.00044164353,0.00067561143,0.0005694447,0.00075748534,0.000235481,0.00015618117,0.00045851775],"category_scores_gemma":[0.0000019231275,0.00042873723,0.0003971553,0.00017846837,0.0009987665,0.0004372989,0.00013197045,0.00024982484,0.000036146645],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008144987,0.001027123,0.30157837,0.0015959993,0.0021766427,0.00009235739,0.0850904,0.0000011687171,0.007110141,0.19187851,0.39960313,0.009031651],"study_design_scores_gemma":[0.0009580592,0.0003748666,0.005845616,0.00011311408,0.00012271664,0.000017995799,0.0012199727,0.000055835953,0.000161353,0.0012104083,0.98915637,0.00076367444],"about_ca_topic_score_codex":0.00027592876,"about_ca_topic_score_gemma":0.00021110174,"teacher_disagreement_score":0.5895533,"about_ca_system_score_codex":0.000007520146,"about_ca_system_score_gemma":0.0000073602164,"threshold_uncertainty_score":0.9998164},"labels":[],"label_agreement":null},{"id":"W3089195512","doi":"","title":"The “New Fallen Woman” in George Gissing’s The Odd Women","year":2020,"lang":"en","type":"article","venue":"Crossings","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"George (robot); Interpretation (philosophy); New Woman; Criticism; Sociology; Gender studies; Victorian era; Social criticism; History; Art history; Literature; Art; Philosophy; Law; Political science; Linguistics","score_opus":0.02652615975644869,"score_gpt":0.22520403111499385,"score_spread":0.19867787135854514,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3089195512","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4202747,0.00547675,0.00016437036,0.15864535,0.000966555,0.0004074357,0.000027144264,0.00022065084,0.41381705],"genre_scores_gemma":[0.8965721,0.000012682661,0.00001342053,0.015369439,0.0011052156,0.000018215605,0.0000029791527,0.000020691066,0.08688526],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990288,0.000035855275,0.00020603639,0.00018987723,0.00016218837,0.00037724592],"domain_scores_gemma":[0.9995273,0.000080592756,0.000047132355,0.00020568837,0.000036231344,0.00010306072],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00018762777,0.00013266822,0.00013050628,0.000014731998,0.0012905605,0.0026646233,0.00031475292,0.00003773464,0.0005745878],"category_scores_gemma":[0.000050117706,0.00007061379,0.000055066954,0.000037512098,0.0005576908,0.00018883673,0.00007004244,0.00026605607,0.00012623768],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004387519,0.000017638169,0.00003978508,0.000019537436,0.000012641955,0.0000144220385,0.64567614,8.287836e-7,0.000076766475,0.21168712,0.1300713,0.012339956],"study_design_scores_gemma":[0.00022367414,0.000031357835,0.00013768785,0.000020831005,0.0000043639366,0.0000015716138,0.008402731,0.00012208466,0.000018466233,0.008280077,0.9826479,0.00010926293],"about_ca_topic_score_codex":0.0001440556,"about_ca_topic_score_gemma":0.00033557694,"teacher_disagreement_score":0.8525766,"about_ca_system_score_codex":0.00003149098,"about_ca_system_score_gemma":0.00007982542,"threshold_uncertainty_score":0.9983707},"labels":[],"label_agreement":null},{"id":"W3104544700","doi":"10.1017/9781108599504.017","title":"Feminist Poetries of the Open Wound","year":2020,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pleasure; Patriarchy; Articulation (sociology); Carr; Gender studies; Feminism; Poetry; Art; Sociology; Psychology; Literature; Political science; Law; Politics","score_opus":0.04914762994578356,"score_gpt":0.206382642862516,"score_spread":0.15723501291673245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3104544700","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000016850949,0.00014625261,0.000005571199,0.00011024221,0.00039929952,0.00041441736,0.001327427,0.000033950342,0.997546],"genre_scores_gemma":[0.019088818,0.000009183605,0.000007437562,0.0005594699,0.00029552437,5.473391e-7,0.00003511383,0.000031877284,0.979972],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991278,0.000027319631,0.00018225267,0.0003044713,0.00021630511,0.00014186345],"domain_scores_gemma":[0.9990587,0.00004628174,0.00020757964,0.00048243074,0.00012816051,0.00007679413],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00004459118,0.0002556723,0.00037992734,0.00004557391,0.0004155882,0.00031209187,0.0012398041,0.00014896809,0.00007477316],"category_scores_gemma":[0.0000061931373,0.00021593455,0.00022548299,0.000002546451,0.0008082083,0.00007750202,0.0009407075,0.0003980024,0.000009625596],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059194757,0.0000059603276,3.7010366e-7,0.00010295119,0.00009826927,0.00004304737,0.0024138328,3.7126277e-8,0.0000044999815,0.8856937,0.11143919,0.00013891754],"study_design_scores_gemma":[0.00025775528,0.000042075986,0.0000011514469,0.00018877035,0.00021487469,0.0000033540102,0.00045693002,0.000001812588,0.00009853537,0.0002708132,0.9982205,0.00024340878],"about_ca_topic_score_codex":0.0002646809,"about_ca_topic_score_gemma":0.000035390934,"teacher_disagreement_score":0.88678133,"about_ca_system_score_codex":0.00004415373,"about_ca_system_score_gemma":0.000116094125,"threshold_uncertainty_score":0.88055557},"labels":[],"label_agreement":null},{"id":"W3114706705","doi":"10.1017/9781316676868.023","title":"Lesley Castle: an unfinished Novel in Letters","year":2006,"lang":"en","type":"other","venue":"","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Wife; Brother; Face (sociological concept); George (robot); Character (mathematics); Reputation; Psychoanalysis; Art; History; Psychology; Art history; Law; Sociology; Political science","score_opus":0.028277459904062753,"score_gpt":0.22852050044823302,"score_spread":0.20024304054417028,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3114706705","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005754779,0.00024389054,0.00015966322,0.00040724827,0.0005602722,0.00013336784,0.00017314132,0.00015986922,0.998105],"genre_scores_gemma":[0.003611706,0.0000030941535,0.00020378508,0.004929757,0.0019577742,0.000014987146,0.0003214257,0.00026236117,0.9886951],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991361,0.000017252178,0.00018453362,0.00028708894,0.00013877747,0.00023625055],"domain_scores_gemma":[0.9996199,0.000009385424,0.00004770208,0.00026486415,0.000018118131,0.00004003052],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000042466323,0.0002367907,0.00025542913,0.00021872515,0.000042504475,0.000271456,0.00015787261,0.00013102035,0.02075731],"category_scores_gemma":[0.0000019467088,0.00019799714,0.00005635403,0.000015147964,0.0001092839,0.00007291055,0.000016593562,0.00019540536,0.00013657048],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000019687436,0.00008330128,0.000003375306,0.00003066195,0.000008462969,0.000023543775,0.001587196,3.540314e-7,0.000029135845,0.2265322,0.77152133,0.00017848879],"study_design_scores_gemma":[0.00026624269,0.00001692266,0.0000079504025,0.00008410509,0.000012255433,0.000002250535,0.00017248983,0.000012751788,0.000002668378,0.0001555839,0.99898416,0.00028263428],"about_ca_topic_score_codex":0.008612775,"about_ca_topic_score_gemma":0.11697945,"teacher_disagreement_score":0.22746283,"about_ca_system_score_codex":0.000014710933,"about_ca_system_score_gemma":0.000015490523,"threshold_uncertainty_score":0.99798894},"labels":[],"label_agreement":null},{"id":"W3120039228","doi":"10.33137/q.i..v25i2.9178","title":"Rite of Passage in the Narrative of Dante and Joyce","year":2004,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Rite; Rite of passage; Narrative; Art; History; Literature; Philosophy; Theology","score_opus":0.026001054755545056,"score_gpt":0.2492779009720666,"score_spread":0.22327684621652152,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3120039228","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4620196,0.0013298842,0.00035106705,0.0034966907,0.00023251824,0.00043111402,0.00032904345,0.000027236205,0.53178287],"genre_scores_gemma":[0.99804664,0.000009806462,0.000094073104,0.00029697435,0.000087901,0.000008101043,0.000009418199,0.000008320121,0.001438743],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9992485,0.000052812356,0.00026551384,0.00013137974,0.0001671115,0.0001346674],"domain_scores_gemma":[0.9995841,0.00009228447,0.0000727809,0.00016637318,0.000060488816,0.00002396525],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015137285,0.00010410012,0.00019304735,0.000044450928,0.00009384676,0.00006159236,0.00013442695,0.00003426725,0.00053754315],"category_scores_gemma":[0.000043667107,0.00007063685,0.000042287575,0.000027581129,0.00045731154,0.00009440521,0.000018067105,0.00012088606,0.000010483916],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015694124,0.00009490952,0.000041763662,0.000081275175,0.000011961261,0.000016673997,0.20276847,8.1728507e-7,0.00019042243,0.7963475,0.00028701196,0.00014347941],"study_design_scores_gemma":[0.002351582,0.0014366723,0.0036163013,0.0010140572,0.00019472651,0.00006363943,0.2535081,0.00011025756,0.0025626149,0.41593835,0.31840593,0.0007977591],"about_ca_topic_score_codex":0.0002416081,"about_ca_topic_score_gemma":0.00047428656,"teacher_disagreement_score":0.5360271,"about_ca_system_score_codex":0.0000074794734,"about_ca_system_score_gemma":0.000020831787,"threshold_uncertainty_score":0.588572},"labels":[],"label_agreement":null},{"id":"W3122558109","doi":"10.3968/11988","title":"Autobiographical Peculiarities in James Joyce’s A Portrait of the Artist as a Young Man","year":2020,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Portrait; Style (visual arts); Narrative; Perspective (graphical); Literature; Perception; Autobiographical memory; Psychology; Aesthetics; Art; Art history; Visual arts; Cognitive psychology; Recall","score_opus":0.02082251526608411,"score_gpt":0.26762823105369804,"score_spread":0.24680571578761393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3122558109","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80403775,0.10831163,8.092166e-7,0.0074552284,0.00043415822,0.00031573433,0.00018114192,0.000041890937,0.07922166],"genre_scores_gemma":[0.9934624,0.00031820647,0.000022454393,0.0034956783,0.00030943193,0.000023314762,0.0000119516135,0.000010296875,0.002346271],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990792,0.0000676664,0.00028212182,0.00022542657,0.00014655445,0.00019897887],"domain_scores_gemma":[0.9996757,0.000048490856,0.00004934157,0.00013892936,0.00005079666,0.00003675404],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009687493,0.00016696824,0.0003057555,0.00008741481,0.00010926716,0.00013559766,0.00013075724,0.00006406434,0.000088294146],"category_scores_gemma":[0.00007275229,0.00010585418,0.00009270511,0.00014673978,0.00054345495,0.00013509888,0.00009789912,0.00035472814,0.0000011610247],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038065886,0.00003743532,0.0017265294,0.00030983097,0.000041677922,0.00018598734,0.73899764,1.6306889e-7,0.00007618533,0.25385752,0.004474949,0.00025403575],"study_design_scores_gemma":[0.0027243574,0.0005938572,0.01471924,0.003903254,0.0001617313,0.00013020872,0.5290982,0.000058035697,0.00035981266,0.033144407,0.4140362,0.0010706881],"about_ca_topic_score_codex":0.00014431287,"about_ca_topic_score_gemma":0.001980713,"teacher_disagreement_score":0.40956128,"about_ca_system_score_codex":0.0000075065554,"about_ca_system_score_gemma":0.000012465725,"threshold_uncertainty_score":0.43166083},"labels":[],"label_agreement":null},{"id":"W3157641852","doi":"10.32396/usurj.v7i1.579","title":"“Nothing is any longer one thing”:","year":2021,"lang":"en","type":"article","venue":"USURJ University of Saskatchewan Undergraduate Research Journal","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Nothing; Ideology; Character (mathematics); Scholarship; Reading (process); Aesthetics; Philosophy; Capital (architecture); Literature; Space (punctuation); Sociology; Epistemology; Art; Law; Visual arts; Politics; Linguistics","score_opus":0.06502949983015047,"score_gpt":0.2764735254630119,"score_spread":0.21144402563286144,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3157641852","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37651327,0.0053444332,0.006550113,0.1632931,0.0013854264,0.0004657579,0.00026123706,0.00019044633,0.44599622],"genre_scores_gemma":[0.9111047,0.00042064133,0.0008527631,0.0003778263,0.00044326216,9.061191e-8,0.000011059894,0.000021049016,0.08676865],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99721545,0.0004140953,0.00026127193,0.0003064787,0.0011803558,0.00062233245],"domain_scores_gemma":[0.99736184,0.00021295843,0.00012116976,0.0003204135,0.0016780321,0.0003055788],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011213267,0.00016114832,0.00032064697,0.00031533145,0.0016522199,0.0005924566,0.00045410712,0.000100212485,0.003956683],"category_scores_gemma":[0.000057627058,0.00017440987,0.00024764927,0.00015901594,0.00071224966,0.0006738154,0.00020894951,0.0013620481,0.00010805083],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016053334,0.0005505664,0.00017676005,0.00022393481,0.0005366934,0.0019583202,0.86191213,0.000008445815,0.0038584373,0.08791236,0.03633745,0.006364394],"study_design_scores_gemma":[0.0011638477,0.0001801518,0.00008793097,0.00049629254,0.00008447223,0.00016961514,0.29321608,0.00010542235,0.0021079858,0.07050173,0.63154095,0.0003455329],"about_ca_topic_score_codex":0.0006439429,"about_ca_topic_score_gemma":0.0021517668,"teacher_disagreement_score":0.5952035,"about_ca_system_score_codex":0.0001429195,"about_ca_system_score_gemma":0.0007774159,"threshold_uncertainty_score":0.9996475},"labels":[],"label_agreement":null},{"id":"W3159737454","doi":"10.18192/jpp.v25i2.4990","title":"An Unconstrained Mind in a Shackled Body","year":2016,"lang":"en","type":"article","venue":"Journal of Prisoners on Prisons","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; Computer science","score_opus":0.02257983229658803,"score_gpt":0.26757934802312655,"score_spread":0.24499951572653852,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3159737454","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9382358,0.00020535194,0.0014138505,0.007588644,0.0008257678,0.00017147546,0.00004310007,0.000020135021,0.05149586],"genre_scores_gemma":[0.99542177,0.000010012459,0.00051208294,0.00047373553,0.0006229883,0.0000029604669,0.0000013189107,0.000018054483,0.0029370778],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986237,0.000110831206,0.0005461101,0.00015864367,0.00029429927,0.00026639565],"domain_scores_gemma":[0.99909794,0.00012815141,0.00025577305,0.00020641396,0.0001548057,0.00015689402],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00044651504,0.00016004985,0.00030755144,0.00030608868,0.00008591512,0.00015302592,0.00026132996,0.000059469534,0.0015928046],"category_scores_gemma":[0.00006923081,0.00009544511,0.00013591944,0.00003695264,0.00016465774,0.00047129643,0.000012361675,0.0002713571,0.000050305847],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015687713,0.003196643,0.004972958,0.000050683793,0.0002947347,0.0010887359,0.10142251,0.000020453675,0.03964364,0.67957604,0.037870392,0.13029441],"study_design_scores_gemma":[0.013213612,0.0046437792,0.0025547356,0.0013825244,0.00019183585,0.00022268928,0.01072106,0.0002222715,0.0049458966,0.025483282,0.9353045,0.0011137684],"about_ca_topic_score_codex":0.000010399053,"about_ca_topic_score_gemma":0.00017818874,"teacher_disagreement_score":0.8974342,"about_ca_system_score_codex":0.00006534099,"about_ca_system_score_gemma":0.00010621931,"threshold_uncertainty_score":0.99931985},"labels":[],"label_agreement":null},{"id":"W3171135176","doi":"10.5539/ells.v11n2p78","title":"Animal Vision and Life Consciousness—‘Horse’ in D. H. Lawrence’s 1920s Short Stories","year":2021,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanity; Civilization; Symbol (formal); Consciousness; Aesthetics; Sociology; Environmental ethics; Art; Art history; Philosophy; Law; Political science; Theology; Epistemology","score_opus":0.014780605383575122,"score_gpt":0.27303681104823985,"score_spread":0.25825620566466473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3171135176","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78577715,0.19578347,7.0944145e-7,0.00039364674,0.00062874146,0.00009104162,0.00009960712,0.00006457951,0.017161068],"genre_scores_gemma":[0.99176556,0.0014760459,0.000056867215,0.00062656106,0.0014842155,0.000021454141,0.00007315991,0.0000171805,0.004478977],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9988421,0.00008724371,0.00024315064,0.00040365578,0.00016111022,0.00026269828],"domain_scores_gemma":[0.9992579,0.00013085897,0.000027160637,0.00017340478,0.00032298834,0.0000876548],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015588259,0.000250937,0.00039907073,0.000090471476,0.00031149277,0.00074211846,0.00006135907,0.00008993245,0.00009843749],"category_scores_gemma":[0.00030695528,0.00019046635,0.000047263835,0.00008332181,0.00033626636,0.0004457408,0.00012378319,0.00032829537,0.0000012049572],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003646925,0.00005676318,0.0006245417,0.00019944053,0.00006365195,0.00065385003,0.8971586,8.521882e-8,0.00013163371,0.09469048,0.0050723623,0.0013120756],"study_design_scores_gemma":[0.00070506916,0.00023150972,0.00111431,0.0008400715,0.000079733196,0.000036729667,0.6489793,0.000007945411,0.0002001842,0.001132633,0.34610552,0.0005669682],"about_ca_topic_score_codex":0.000022277609,"about_ca_topic_score_gemma":0.0013610903,"teacher_disagreement_score":0.34103316,"about_ca_system_score_codex":0.000011398668,"about_ca_system_score_gemma":0.000019236046,"threshold_uncertainty_score":0.77669924},"labels":[],"label_agreement":null},{"id":"W3175113106","doi":"","title":"The Dialectic Between the Development of Consciousness and the Realization of Self: A Brief Look at Ursula in The Rainbow","year":2013,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dialectic; Consciousness; Perspective (graphical); Character (mathematics); Self-realization; Rainbow; Realization (probability); Psychoanalysis; Epistemology; Aesthetics; Self-consciousness; Sociology; Literature; Philosophy; Psychology; Art; Visual arts","score_opus":0.01594823356414455,"score_gpt":0.26171169831703667,"score_spread":0.24576346475289212,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3175113106","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8963875,0.0896879,0.0000069721536,0.0017838599,0.00015742467,0.00081629533,0.000027345548,0.000010167451,0.011122503],"genre_scores_gemma":[0.99790424,0.0004525009,0.000010520407,0.00047553322,0.0001557223,0.00008859678,0.000011221074,0.0000058302844,0.00089580653],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99905264,0.00025457458,0.00029375902,0.000118700686,0.00013989214,0.00014042771],"domain_scores_gemma":[0.9986764,0.00094680174,0.000087326844,0.00018546483,0.00009402412,0.000009971507],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007091394,0.000116611336,0.00021485017,0.000033563832,0.00046766453,0.0001730166,0.00015326338,0.000035292847,0.000010202975],"category_scores_gemma":[0.000086427346,0.00004210489,0.000028215658,0.00007671927,0.00088173384,0.00007664929,0.000089990055,0.00015820572,3.286689e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021659487,0.000012722844,0.00095706276,0.00010973455,0.000060866438,0.000001951529,0.8649823,9.070636e-8,0.000008524498,0.1320679,0.00085393694,0.0009232212],"study_design_scores_gemma":[0.0050784387,0.0002067886,0.03633791,0.0016773908,0.00032804708,0.000033789092,0.53276986,0.00006224041,0.00024134235,0.07656067,0.34608325,0.0006202554],"about_ca_topic_score_codex":0.00007591145,"about_ca_topic_score_gemma":0.0021085616,"teacher_disagreement_score":0.34522933,"about_ca_system_score_codex":0.000010828881,"about_ca_system_score_gemma":0.0000136735225,"threshold_uncertainty_score":0.35969448},"labels":[],"label_agreement":null},{"id":"W3187954048","doi":"10.3968/12096","title":"Exploration of the Hollowness of the Modern Men in T.S. Eliot’s “The Hollow Men” (1925): An Analytical Approach","year":2021,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Emptiness; Poetry; Maturity (psychological); Confession (law); Spirituality; Religious experience; Literature; Philosophy; Psychology; History; Psychoanalysis; Religious studies; Theology; Art; Developmental psychology","score_opus":0.053438315673410605,"score_gpt":0.30169035176619685,"score_spread":0.24825203609278623,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3187954048","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73463976,0.077455476,0.000032423413,0.004338814,0.00077393715,0.00074222154,0.00022935332,0.000021796455,0.1817662],"genre_scores_gemma":[0.9919375,0.00016735977,0.000024182715,0.00041291385,0.00020603971,0.000029517494,0.000020014668,0.000009598166,0.007192878],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99886036,0.00024331763,0.0002936091,0.0002162431,0.0002281206,0.00015834681],"domain_scores_gemma":[0.99930096,0.00006370398,0.00007280173,0.0004140409,0.00013173629,0.000016753216],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002825824,0.00014627485,0.000284532,0.000049042643,0.00016478404,0.000112925845,0.0002136885,0.00006350533,0.000016420801],"category_scores_gemma":[0.00006721893,0.00006632517,0.000088038745,0.00019493316,0.0005024441,0.00027443026,0.00014548303,0.000300023,1.4133718e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030998086,0.0001518618,0.0003959032,0.0002233192,0.00006897404,0.00001769861,0.84892535,0.000022132917,0.0003128802,0.14774454,0.0013528485,0.000753516],"study_design_scores_gemma":[0.0037267671,0.0002543812,0.009555793,0.0029251603,0.00047035606,0.000056201006,0.82441086,0.0066530285,0.0034563881,0.10240753,0.045041572,0.0010419397],"about_ca_topic_score_codex":0.000050130442,"about_ca_topic_score_gemma":0.0008194007,"teacher_disagreement_score":0.2572977,"about_ca_system_score_codex":0.000013389261,"about_ca_system_score_gemma":0.000023627652,"threshold_uncertainty_score":0.2704662},"labels":[],"label_agreement":null},{"id":"W3204201258","doi":"10.3968/12264","title":"On the “Duration” of Psychological Time in To the Lighthouse","year":2021,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Duration (music); Consciousness; Eternity; Embodied cognition; Anguish; Id, ego and super-ego; Narrative; Psychoanalysis; Aesthetics; Psychology; Representation (politics); Art; Philosophy; Literature; Epistemology","score_opus":0.03374087706516483,"score_gpt":0.3193724116641511,"score_spread":0.28563153459898627,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3204201258","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85340464,0.035209533,0.0000013624752,0.013709041,0.00034293762,0.0002340646,0.00006752523,0.000015358572,0.09701555],"genre_scores_gemma":[0.9820873,0.00011543407,0.000019916319,0.0067293905,0.00026726528,0.00002829246,0.000008970049,0.0000051138745,0.010738274],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99937254,0.0001086642,0.00016605943,0.00015273674,0.00008786991,0.00011214893],"domain_scores_gemma":[0.999474,0.00024135319,0.000020956499,0.00019407347,0.000056822344,0.000012797195],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018773976,0.00009018724,0.00014846316,0.00004030344,0.00010112581,0.0001042312,0.00008508841,0.000032107648,0.00021363058],"category_scores_gemma":[0.00014574976,0.000040483632,0.000030418194,0.000089692156,0.000118636715,0.000044512708,0.000046777648,0.00019692488,0.000010461741],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028750239,0.000068369605,0.000019603338,0.000026781272,0.000015824178,0.00012190152,0.55288434,8.365377e-7,0.00017908281,0.41902363,0.027085552,0.00054529996],"study_design_scores_gemma":[0.0011343264,0.00058487564,0.0020959969,0.0019623786,0.00004505163,0.00005845159,0.11669938,0.000030907097,0.0009941114,0.04914811,0.8266918,0.00055462256],"about_ca_topic_score_codex":0.0000050355125,"about_ca_topic_score_gemma":0.0004281782,"teacher_disagreement_score":0.7996062,"about_ca_system_score_codex":0.0000056660124,"about_ca_system_score_gemma":0.000003413246,"threshold_uncertainty_score":0.23391052},"labels":[],"label_agreement":null},{"id":"W3209472791","doi":"10.1093/oxfordhb/9780198811589.013.6","title":"Mature Works I (1924–1927)","year":2021,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Literature; Poetry; Duty; Order (exchange); Soul; Philosophy; Art; Art history; Epistemology","score_opus":0.0286535211701545,"score_gpt":0.18854560705005208,"score_spread":0.1598920858798976,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3209472791","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000008567465,0.0011041445,0.00006675226,0.00006766368,0.0007374512,0.00019421033,0.00033987802,0.00015017722,0.99733114],"genre_scores_gemma":[0.0006868009,0.00025847662,0.00005967247,0.00044432597,0.00096773956,7.757734e-7,0.00024822864,0.000064167805,0.9972698],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987359,0.000024839592,0.00017493624,0.0004839454,0.00027646995,0.00030391387],"domain_scores_gemma":[0.9989416,0.000038943694,0.00012944886,0.000542044,0.00021434414,0.0001336347],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000041075884,0.00041799046,0.00043455337,0.000118440905,0.00043086623,0.000486461,0.00041038182,0.00048767313,0.0023755995],"category_scores_gemma":[0.000002083553,0.00044651632,0.00033207514,0.0000021411952,0.00029020032,0.00016043635,0.00025166114,0.0008839963,0.0000066364055],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047993588,0.000010919803,7.509852e-8,0.00010484343,0.00016035727,0.0005631877,0.004082726,5.098159e-7,0.0000015940122,0.9630076,0.028251752,0.0037684403],"study_design_scores_gemma":[0.0002793419,0.000030176467,1.6393753e-7,0.000563379,0.0002554385,0.000010013187,0.00037861057,0.0000054868206,0.000008453193,0.0042811474,0.99369526,0.00049251644],"about_ca_topic_score_codex":0.000028354334,"about_ca_topic_score_gemma":0.00017777763,"teacher_disagreement_score":0.9654435,"about_ca_system_score_codex":0.00006771792,"about_ca_system_score_gemma":0.00006788588,"threshold_uncertainty_score":0.99979866},"labels":[],"label_agreement":null},{"id":"W3212875037","doi":"10.23977/aetp.2021.58020","title":"The Illusion in James Joyce's Araby","year":2021,"lang":"en","type":"article","venue":"Advances in Educational Technology and Psychology","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Illusion; Theme (computing); Psychoanalysis; Transition (genetics); Psychology; Aesthetics; Art; History; Art history; Cognitive psychology; Computer science","score_opus":0.013218901300647597,"score_gpt":0.3198005373292603,"score_spread":0.30658163602861266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3212875037","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31528926,0.17278388,0.000056613113,0.25423902,0.0033272803,0.00015444544,0.000012554498,0.00004696343,0.25408998],"genre_scores_gemma":[0.98511565,0.0055998466,0.00017877761,0.0029271673,0.00017367056,0.000044061555,0.000014315765,0.0000053344775,0.00594115],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99936134,0.000041829524,0.00017113819,0.00021546683,0.000042584317,0.00016766504],"domain_scores_gemma":[0.99955577,0.00018260533,0.00003137246,0.00016670543,0.00005066986,0.000012893446],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000099884426,0.000073598596,0.000098128774,0.00016591563,0.00019873936,0.000028002656,0.00011863372,0.000094319956,0.0003229178],"category_scores_gemma":[0.00007152151,0.000056428802,0.000013842141,0.00011824025,0.0006199676,0.00012757968,0.00002858416,0.0002594368,0.000015645152],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011976039,0.00008577179,0.0029359914,0.000005083302,0.000002718713,0.000007465566,0.0019675163,7.2344176e-7,0.00002591949,0.9675533,0.0009299007,0.026473608],"study_design_scores_gemma":[0.00010948556,0.000013620509,0.0020054397,0.00001200783,9.72978e-7,0.00002699787,0.001079308,0.0000016788034,0.000008735847,0.47032696,0.52637446,0.00004032974],"about_ca_topic_score_codex":0.0000040749774,"about_ca_topic_score_gemma":0.0010415048,"teacher_disagreement_score":0.6698264,"about_ca_system_score_codex":0.000009763909,"about_ca_system_score_gemma":0.000034438242,"threshold_uncertainty_score":0.35357234},"labels":[],"label_agreement":null},{"id":"W3216022990","doi":"10.1080/0950236x.2022.2003090","title":"‘I am getting on nicely in the dark’: the environments of ‘Proteus’","year":2021,"lang":"en","type":"article","venue":"Textual Practice","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Ecocriticism; Diction; Natural (archaeology); Philosophy; Grammar; Epistemology; Literature; History; Environmental ethics; Art; Linguistics; Archaeology; Poetry","score_opus":0.03887115596338945,"score_gpt":0.2729509317830792,"score_spread":0.23407977581968978,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3216022990","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035845898,0.00074724015,0.000030975945,0.016917787,0.00015314549,0.00021665666,0.000018216693,0.000010495656,0.9460596],"genre_scores_gemma":[0.9817232,0.000027082697,0.000047417063,0.011131044,0.00029029005,0.000019257137,0.000009681055,0.000009403732,0.006742619],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882436,0.00036080967,0.00020613421,0.00015198621,0.00030468233,0.00015202267],"domain_scores_gemma":[0.9984358,0.00107032,0.000109161294,0.0003385392,0.000031792446,0.0000144051355],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064379716,0.000092567716,0.00009867052,0.0000180416,0.00022975384,0.0001873405,0.000211366,0.000029283861,0.0006247174],"category_scores_gemma":[0.000411395,0.000052455154,0.00004494985,0.000029770692,0.00012509445,0.00022129696,0.000044551434,0.00037408827,0.00010804503],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006598653,0.00037671125,0.00001488054,0.000022213653,0.00003564625,0.0000906262,0.1312988,0.000008844992,0.00058506307,0.8509077,0.009712034,0.0068815397],"study_design_scores_gemma":[0.00018208276,0.000072237905,0.00021535782,0.00003181897,0.000039109556,0.000018817223,0.04030732,0.000019667019,0.0002925427,0.0023182938,0.9564229,0.0000798002],"about_ca_topic_score_codex":0.00010831403,"about_ca_topic_score_gemma":0.00012764284,"teacher_disagreement_score":0.94671094,"about_ca_system_score_codex":0.0000114798095,"about_ca_system_score_gemma":0.000021545015,"threshold_uncertainty_score":0.6840218},"labels":[],"label_agreement":null},{"id":"W37358953","doi":"10.1177/014833311306200209","title":"Raising <i>The Rock</i>: The Importance of T. S. Eliot's Pageant-Play","year":2013,"lang":"en","type":"article","venue":"Christianity & Literature","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Raising (metalworking); Reading (process); Aesthetics; Function (biology); Sociology; Art; Law; Political science; Engineering","score_opus":0.019296731803816677,"score_gpt":0.22525575817078633,"score_spread":0.20595902636696967,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W37358953","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38033155,0.14017993,0.0010627657,0.036520142,0.0056004254,0.00317558,0.0012403365,0.00052747515,0.4313618],"genre_scores_gemma":[0.9812017,0.000078393845,0.000031372,0.0057589444,0.0016378304,0.00004308573,0.00009423806,0.0000305177,0.011123893],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984735,0.0001255162,0.00042578546,0.00028623044,0.00032020672,0.0003687111],"domain_scores_gemma":[0.9983812,0.00019768304,0.00018780846,0.00072248734,0.00043224424,0.000078590434],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002577376,0.00028098808,0.00027808012,0.000048951282,0.0008253537,0.0013593732,0.00056289055,0.00011667077,0.0028022833],"category_scores_gemma":[0.00008077853,0.00014436994,0.000197103,0.00011397431,0.0002996365,0.00048374914,0.000080930666,0.0007097016,0.00013716824],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002614138,0.00011775615,0.00030636208,0.00022242776,0.0000937322,0.0000335608,0.13580671,0.0000043930704,0.0011241798,0.28674284,0.5738123,0.0017095995],"study_design_scores_gemma":[0.00021715878,0.000047147147,0.0011596713,0.0002348936,0.000055521887,0.00003090221,0.0014888986,0.00008754752,0.00029375276,0.015179738,0.9809502,0.0002545664],"about_ca_topic_score_codex":0.000103831786,"about_ca_topic_score_gemma":0.00017166621,"teacher_disagreement_score":0.6008702,"about_ca_system_score_codex":0.000014242499,"about_ca_system_score_gemma":0.00003683189,"threshold_uncertainty_score":0.9996773},"labels":[],"label_agreement":null},{"id":"W374917580","doi":"","title":"Ronald Granofsky, D. H. Lawrence and Survival: Darwinism in the Fiction of the Transitional Period (McGill-Queen's University Press, 2003)","year":2005,"lang":"en","type":"article","venue":"D・H・ロレンス研究","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Period (music); Darwinism; History; Art history; Art; Philosophy; Aesthetics; Biology; Epistemology; Zoology","score_opus":0.015094662873643267,"score_gpt":0.19659128227270925,"score_spread":0.18149661939906597,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W374917580","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20895742,0.0006925375,0.00017523169,0.028128445,0.0011725685,0.00092165574,0.0020573859,0.00009591312,0.75779885],"genre_scores_gemma":[0.9926372,0.00005091203,0.000031786592,0.00051490666,0.00019846238,0.0000029130847,0.000024636087,0.0000062326576,0.006532948],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992451,0.00012685439,0.00014006201,0.0001495243,0.00021037993,0.0001280637],"domain_scores_gemma":[0.9996356,0.00004169889,0.00004214929,0.00016390646,0.0000953818,0.000021270766],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016822622,0.00009841415,0.00011214092,0.000026466067,0.00033970719,0.00006125674,0.00017571506,0.00004588433,0.00024788547],"category_scores_gemma":[0.000008083541,0.00006429551,0.0000512676,0.00004447905,0.00025244316,0.00020283426,0.00002183338,0.0001775993,0.0000021073513],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037241414,0.00010447563,0.00008911343,0.000027164475,0.000013325474,0.000004903586,0.019670693,0.000023543043,0.000042070857,0.97468907,0.004600907,0.0006975084],"study_design_scores_gemma":[0.0003550676,0.00002479532,0.0029566467,0.00003201435,0.00002800247,0.000004135002,0.0022819745,0.00015275457,0.0000635107,0.00080109,0.9932036,0.000096442105],"about_ca_topic_score_codex":0.000307707,"about_ca_topic_score_gemma":0.00034961404,"teacher_disagreement_score":0.98860264,"about_ca_system_score_codex":0.000013887336,"about_ca_system_score_gemma":0.000022238191,"threshold_uncertainty_score":0.2714172},"labels":[],"label_agreement":null},{"id":"W386185129","doi":"10.1353/mdr.2000.0044","title":"Lovesick: Modernist Plays of Same-Sex Love, 1894-1925 by Laurence Senelick (review)","year":2000,"lang":"en","type":"article","venue":"Modern Drama","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.016970225777916112,"score_gpt":0.23038852879892152,"score_spread":0.2134183030210054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W386185129","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.056171775,0.07283762,0.002246621,0.0028475,0.00029190507,0.0007983012,0.0012710098,0.00023337104,0.8633019],"genre_scores_gemma":[0.6968664,0.0025885894,0.00013168936,0.0057875877,0.00040242128,0.000018568453,0.00021224872,0.000066145745,0.2939264],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99784654,0.00007794689,0.0005926519,0.00050727284,0.0004790356,0.00049653463],"domain_scores_gemma":[0.9988672,0.000060235725,0.00013025392,0.0006566978,0.00013317146,0.00015243584],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015952092,0.0003785964,0.0005967717,0.000054581702,0.0001669934,0.00018803033,0.00045406498,0.00011653233,0.02014797],"category_scores_gemma":[0.00001371033,0.00033864315,0.00021999302,0.000042446325,0.0003447469,0.00031145383,0.000046694495,0.00029973363,0.0009742451],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014925729,0.0010249914,0.0000655824,0.0018058543,0.00020945337,0.00005962595,0.07522014,0.00029838065,0.0023923588,0.07839925,0.76219136,0.07818378],"study_design_scores_gemma":[0.0005142597,0.000116711795,0.0000121751955,0.0005540833,0.00010259438,0.0000142121935,0.00018633739,0.0077454993,0.00080898573,0.012265632,0.97711873,0.0005607547],"about_ca_topic_score_codex":0.00025684916,"about_ca_topic_score_gemma":0.00015471232,"teacher_disagreement_score":0.6406946,"about_ca_system_score_codex":0.00003229399,"about_ca_system_score_gemma":0.000052602896,"threshold_uncertainty_score":0.99990654},"labels":[],"label_agreement":null},{"id":"W4200093355","doi":"10.1007/978-3-030-11945-4_19-1","title":"Literary Criticism","year":2021,"lang":"en","type":"book-chapter","venue":"","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Literary criticism; Literature; Criticism; Art; Philosophy","score_opus":0.035850521272806926,"score_gpt":0.2171367877425135,"score_spread":0.18128626646970658,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200093355","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000012768791,0.008211733,0.000021566962,0.0007564484,0.0011583589,0.00008971304,0.00020610298,0.00013561692,0.98941916],"genre_scores_gemma":[0.001020107,0.00008125937,0.00008189618,0.008018955,0.0032705246,0.000007438856,0.00037553383,0.00007777751,0.9870665],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886847,0.000008677471,0.0003040944,0.0003652487,0.00023818649,0.00021533584],"domain_scores_gemma":[0.9991978,0.00004879627,0.00004324532,0.00039754523,0.00022426702,0.00008836738],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000039726074,0.00033019506,0.00036735498,0.00009160747,0.0001793712,0.0007060343,0.00015398322,0.00019971658,0.20680095],"category_scores_gemma":[0.0000040596938,0.00028749337,0.00026406965,0.0000022551994,0.00017642979,0.0001450349,0.0000683578,0.00040647824,0.0011914553],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000020712826,0.000010866373,2.5181786e-8,0.000091861584,0.00004593485,0.00022564076,0.0042896494,3.1574494e-9,0.0000014390807,0.8642748,0.12870854,0.0023491608],"study_design_scores_gemma":[0.000052865733,0.000018657067,3.9418197e-8,0.00019100425,0.00004177167,0.000012615173,0.000060188595,0.0000011517843,0.000005365202,0.30197603,0.6973763,0.0002640415],"about_ca_topic_score_codex":0.000005937921,"about_ca_topic_score_gemma":0.000106082414,"teacher_disagreement_score":0.5686677,"about_ca_system_score_codex":0.000016724804,"about_ca_system_score_gemma":0.000048990056,"threshold_uncertainty_score":0.99995774},"labels":[],"label_agreement":null},{"id":"W4205366784","doi":"10.1017/9781108773522.027","title":"Existentialism","year":2021,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Wright; Existentialism; HERO; Ideology; Modernity; Aesthetics; Contradiction; Individualism; Politics; Race (biology); Psychoanalysis; Sociology; Philosophy; Art; Art history; Literature; Gender studies; Law; Political science; Epistemology; Psychology","score_opus":0.03906266532768289,"score_gpt":0.19287944594479456,"score_spread":0.15381678061711168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205366784","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000012331697,0.0007133313,0.000042732907,0.000033191427,0.0009182605,0.00015846315,0.0006383799,0.00012713233,0.9973562],"genre_scores_gemma":[0.00063252513,0.000057124194,0.000017489006,0.0003323417,0.0010782097,4.996621e-7,0.00027828573,0.0000522274,0.9975513],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989068,0.000025012963,0.00016426377,0.00043257346,0.00023623092,0.00023509891],"domain_scores_gemma":[0.99900275,0.000026050766,0.000109753055,0.0004802289,0.00025922712,0.000122001875],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000037167818,0.00033024084,0.0003707231,0.00010181068,0.000350739,0.00030343363,0.0003147,0.00023321513,0.0003287914],"category_scores_gemma":[0.000002270986,0.0003794903,0.00032740142,0.0000011080224,0.00035248458,0.00009290142,0.00021007848,0.00043302163,0.00004614743],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013925769,0.000006808353,1.3498356e-8,0.00007010215,0.000119795084,0.00076472526,0.00091805443,4.1277605e-8,0.0000057809043,0.8623007,0.13538836,0.00041167767],"study_design_scores_gemma":[0.0002486336,0.000021849653,1.2467774e-7,0.00019794416,0.00027640213,0.000013892129,0.0001763349,0.0000035897626,0.000032741536,0.00008408375,0.9985652,0.00037921348],"about_ca_topic_score_codex":0.000108841785,"about_ca_topic_score_gemma":0.000017701374,"teacher_disagreement_score":0.8631768,"about_ca_system_score_codex":0.000064378255,"about_ca_system_score_gemma":0.00006969489,"threshold_uncertainty_score":0.9998657},"labels":[],"label_agreement":null},{"id":"W4211160838","doi":"10.1017/cbo9780511485374","title":"Modernism and the Culture of Market Society","year":2004,"lang":"en","type":"book","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":106,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Capitalism; Irony; Modernism (music); Nihilism; Aesthetics; Opposition (politics); Sociology; Gender studies; History; Art history; Art; Political science; Literature; Law; Politics","score_opus":0.014976292537014973,"score_gpt":0.17352778854054698,"score_spread":0.15855149600353202,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4211160838","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000009037092,0.0012994483,0.00013574217,0.000039616007,0.00015709936,0.00031903936,0.0006635559,0.000042859738,0.9973336],"genre_scores_gemma":[0.0019977796,0.0001774326,0.000031797426,0.00029169535,0.00033537415,0.0000010411637,0.000056586272,0.000023983539,0.9970843],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991349,0.00005663939,0.00015211944,0.00027421274,0.0002058513,0.00017630178],"domain_scores_gemma":[0.99923795,0.000057980607,0.0001538879,0.00032458513,0.00016490895,0.000060657298],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001008657,0.0002657583,0.00039762093,0.00003070598,0.00036033674,0.00012608075,0.00032065107,0.00023109213,0.00002237942],"category_scores_gemma":[0.0000029427442,0.00019832766,0.00032552518,0.0000018590429,0.001649541,0.00007808184,0.00019049316,0.00046642972,9.3396795e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007797623,0.0000063978528,2.120077e-8,0.00021763024,0.00013532513,0.0000124956305,0.02755769,2.3546168e-7,0.0000013277252,0.68869585,0.28322986,0.00006516247],"study_design_scores_gemma":[0.0012752713,0.000023859084,3.5383644e-7,0.00021497866,0.0003623314,0.0000061537135,0.0011089216,0.00006239611,0.0000122381525,0.00059890683,0.996111,0.00022362209],"about_ca_topic_score_codex":0.0001425199,"about_ca_topic_score_gemma":0.00000676111,"teacher_disagreement_score":0.7128811,"about_ca_system_score_codex":0.00011037908,"about_ca_system_score_gemma":0.00023699798,"threshold_uncertainty_score":0.8087567},"labels":[],"label_agreement":null},{"id":"W4224263757","doi":"10.1163/15685292-02601004","title":"Incarnating Image","year":2022,"lang":"en","type":"article","venue":"Religion and the Arts","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Saint Mary's University","funders":"","keywords":"Narrative; Art; George (robot); Gospel; Pilgrimage; Literature; Agency (philosophy); Art history; New Testament; History; Philosophy; Theology","score_opus":0.011888167410772614,"score_gpt":0.21753472329901788,"score_spread":0.20564655588824526,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4224263757","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07957031,0.0022278905,0.00003063455,0.00851516,0.0004443697,0.00013494086,0.000011796128,0.00006486075,0.90900004],"genre_scores_gemma":[0.9822032,0.000049400212,0.0000127342355,0.004426168,0.00020419239,0.00002351774,0.000005056811,0.000005895848,0.013069836],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99961305,0.00004873495,0.000078561745,0.00007715909,0.00010132388,0.00008114712],"domain_scores_gemma":[0.9998081,0.000044653018,0.000023519991,0.00009014258,0.000016130818,0.000017469147],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017921442,0.000046211564,0.00006270516,0.000020217694,0.0008356224,0.00015609215,0.000062281855,0.0000048923403,0.0004922663],"category_scores_gemma":[0.000008028559,0.00002916181,0.000033397682,0.000009675522,0.000121531666,0.000050742474,0.00008012251,0.000109232824,0.000016506636],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019977728,0.000007905347,0.0000021130732,0.000003459448,0.000004761763,0.000005246593,0.021998214,5.9641224e-7,0.000024207706,0.9551114,0.022089265,0.000732858],"study_design_scores_gemma":[0.0003730921,0.000016846767,0.0000027382378,0.0000032207902,0.000007958095,0.00001603828,0.0011757636,0.00025982352,0.000011234181,0.08151341,0.91657287,0.000046981226],"about_ca_topic_score_codex":0.00009248959,"about_ca_topic_score_gemma":0.000020820342,"teacher_disagreement_score":0.9026329,"about_ca_system_score_codex":0.000004800362,"about_ca_system_score_gemma":0.0000039840766,"threshold_uncertainty_score":0.6427017},"labels":[],"label_agreement":null},{"id":"W4225292442","doi":"10.24908/iqurcp15520","title":"Transforming the Bildungsroman to Develop Consciousness About Race","year":2022,"lang":"en","type":"article","venue":"Inquiry Queen s Undergraduate Research Conference Proceedings","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; White (mutation); Idealization; Plot (graphics); Agency (philosophy); Consciousness; Psychoanalysis; Literature; Metafiction; Fictional universe; Aesthetics; Psychology; Gender studies; Sociology; Art; Philosophy; Epistemology","score_opus":0.10338931077270795,"score_gpt":0.34154916718284023,"score_spread":0.23815985641013226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4225292442","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34185916,0.0006234413,0.0024046635,0.3631485,0.00192782,0.0042737545,0.00016517854,0.00065422035,0.28494325],"genre_scores_gemma":[0.969295,0.000068084286,0.000078027646,0.0017111477,0.0006290106,0.0011140916,0.000022701292,0.000057719324,0.027024174],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956206,0.00020761359,0.00050135376,0.0007034677,0.0017809422,0.0011860037],"domain_scores_gemma":[0.9965385,0.00029857873,0.00008435245,0.00028996414,0.0024929245,0.00029565408],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002841479,0.00032237318,0.00034901284,0.0004719543,0.0044851,0.002107946,0.0013520637,0.0000614953,0.0010084895],"category_scores_gemma":[0.00026495694,0.00024544197,0.000088655834,0.0007404795,0.0012065211,0.0006188654,0.0006094384,0.0014661297,0.00014454107],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000083873834,0.00006798252,0.00005985211,0.000074226,0.000039240553,0.000016610818,0.20040132,0.0000017801356,0.0009586104,0.76295364,0.031928595,0.0034142914],"study_design_scores_gemma":[0.00031831468,0.00031554364,0.000031061405,0.000095516196,0.000018027817,0.00002860091,0.06550459,0.00015944548,0.0005970035,0.06983621,0.8627075,0.00038818482],"about_ca_topic_score_codex":0.0005692418,"about_ca_topic_score_gemma":0.0002637618,"teacher_disagreement_score":0.8307789,"about_ca_system_score_codex":0.00023831613,"about_ca_system_score_gemma":0.0006755875,"threshold_uncertainty_score":0.99999976},"labels":[],"label_agreement":null},{"id":"W4226193494","doi":"","title":"Two Artists, Two Portraits: Cohen/Joyce – A Study in Affinity","year":2022,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Art; Art history; Visual arts; Combinatorics; Mathematics","score_opus":0.280305550759767,"score_gpt":0.5325874035507304,"score_spread":0.25228185279096343,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4226193494","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88139373,0.008214212,0.000011077396,0.00026224385,0.0011770555,0.00094205805,0.00026062655,0.000060395723,0.10767861],"genre_scores_gemma":[0.99424475,0.00019052823,0.000026104612,0.0011811149,0.00046570366,0.0002332073,0.000036539397,0.0000619282,0.003560099],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960097,0.000700588,0.0011526381,0.0005758156,0.0010243191,0.0005369141],"domain_scores_gemma":[0.99814516,0.00024423047,0.00058464566,0.0005716493,0.00023991577,0.00021438871],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0019126949,0.00038715694,0.0008822018,0.0008208487,0.0009499881,0.0027990225,0.0024189695,0.00003478273,0.07604413],"category_scores_gemma":[0.00008893462,0.000371368,0.00020045602,0.00039616434,0.00018691833,0.001959146,0.0012949066,0.0009838248,0.000022858108],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014948356,0.011539107,0.5464754,0.00024826717,0.00087551377,0.00268937,0.09735202,0.0010093874,0.004228123,0.09712531,0.22067308,0.01628955],"study_design_scores_gemma":[0.0064213327,0.00022043362,0.28575668,0.00039432853,0.00035880753,0.00010326606,0.022605266,0.00016910305,0.0006350335,0.06639934,0.61493474,0.0020016555],"about_ca_topic_score_codex":0.004546886,"about_ca_topic_score_gemma":0.0050740996,"teacher_disagreement_score":0.39426166,"about_ca_system_score_codex":0.00013925001,"about_ca_system_score_gemma":0.00017588203,"threshold_uncertainty_score":0.9998738},"labels":[],"label_agreement":null},{"id":"W4229979652","doi":"10.3138/utq.79.4.1054","title":"French Translations: Elizabeth Bowen and the Idea of Character","year":2010,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Character (mathematics); Literature; Narrative; Cruelty; Inscribed figure; Art; Representation (politics); Order (exchange); French literature; Reading (process); Art history; Philosophy; Linguistics; Sociology; Politics","score_opus":0.007092106914002687,"score_gpt":0.18018949483577124,"score_spread":0.17309738792176854,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229979652","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7229016,0.0012794649,0.00037949518,0.0016168029,0.00044999618,0.0002769952,0.00016966241,0.00003164954,0.27289435],"genre_scores_gemma":[0.99430054,0.000014075447,0.00013847603,0.00004668116,0.00008418777,1.437928e-7,0.000007763956,0.0000029441228,0.0054051727],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996559,0.000027151538,0.00008711913,0.000080110476,0.000080370955,0.0000693242],"domain_scores_gemma":[0.9996593,0.000044669046,0.00005487524,0.00013801649,0.00007908363,0.000024073184],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008588992,0.000057724315,0.00012597407,0.000012173222,0.00013462211,0.000026132406,0.00011780209,0.000034145185,0.0021209915],"category_scores_gemma":[0.000001630419,0.000044954955,0.000059493006,0.00000341199,0.0004235307,0.00027273197,0.0000050740155,0.000073937685,0.000002869352],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053538508,0.000039338916,0.00008494825,0.000029386327,0.000038532693,0.0000012566131,0.4251043,2.4460412e-8,0.0006348146,0.56375176,0.0010458309,0.0092163],"study_design_scores_gemma":[0.0029694776,0.0003843277,0.010789102,0.000052936237,0.00020760318,0.000003246902,0.028477216,0.00026516247,0.0000390905,0.011027989,0.9455378,0.00024602874],"about_ca_topic_score_codex":0.0139332805,"about_ca_topic_score_gemma":0.06804804,"teacher_disagreement_score":0.944492,"about_ca_system_score_codex":0.0000036580377,"about_ca_system_score_gemma":0.000010629721,"threshold_uncertainty_score":0.9987912},"labels":[],"label_agreement":null},{"id":"W4230057302","doi":"10.1017/cbo9780511617959.004","title":"Works","year":2006,"lang":"sv","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Computer science","score_opus":0.02355427263332661,"score_gpt":0.18489522258038738,"score_spread":0.16134094994706077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230057302","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00020839271,0.0015291502,0.00023937489,0.000053304648,0.0010588203,0.00048289035,0.001360395,0.0002038573,0.9948638],"genre_scores_gemma":[0.024055077,0.00016903014,0.000026644278,0.0003252477,0.0018088116,0.0000010593484,0.00035754812,0.00010935482,0.9731472],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975729,0.00006951081,0.0004031133,0.00086623355,0.0004409806,0.0006472884],"domain_scores_gemma":[0.9981626,0.00009238335,0.0002928573,0.000841621,0.0003539021,0.00025660518],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000094687566,0.0008327168,0.0007569527,0.00026664644,0.0010851878,0.00082934607,0.0007089119,0.00073069695,0.00021273985],"category_scores_gemma":[0.0000032519288,0.00096757663,0.0006064541,0.0000041846224,0.0009956348,0.0002708629,0.0003544738,0.0011547012,0.00013698879],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001117263,0.00003136589,5.6132984e-7,0.00017480095,0.00019688337,0.00090638554,0.0005896911,0.0000022094816,0.00000967853,0.81391513,0.18317384,0.0008877515],"study_design_scores_gemma":[0.0007737982,0.000087922235,0.000006096146,0.00090839446,0.0007017129,0.000018250754,0.00024900894,0.000058672005,0.0000337359,0.00004116528,0.9960819,0.001039375],"about_ca_topic_score_codex":0.0007833088,"about_ca_topic_score_gemma":0.000034711065,"teacher_disagreement_score":0.81387395,"about_ca_system_score_codex":0.00016701303,"about_ca_system_score_gemma":0.000087587556,"threshold_uncertainty_score":0.9992775},"labels":[],"label_agreement":null},{"id":"W4233588488","doi":"10.1093/acprof:oso/9780190269937.001.0001","title":"The Victorian Novel Dreams of the Real","year":2016,"lang":"en","type":"book","venue":"","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":41,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"The Imaginary; Ideology; Fantasy; Realism; Literature; Aesthetics; Objectivity (philosophy); Art; Philosophy; Psychoanalysis; Epistemology; Psychology; Law; Politics; Political science","score_opus":0.01782358299501121,"score_gpt":0.20556018359085687,"score_spread":0.18773660059584565,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233588488","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000002116017,0.00021518784,0.000013787832,0.0009810537,0.0021683532,0.00014263096,0.00019028623,0.000023539566,0.996263],"genre_scores_gemma":[0.0032931415,0.00006407911,0.0000029747384,0.0003041543,0.0036737353,0.000008364118,0.000012355981,0.000025754354,0.99261546],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992067,0.000015471373,0.00023431383,0.00013905288,0.00024576156,0.00015868964],"domain_scores_gemma":[0.9990759,0.00014210776,0.00011552186,0.0005039795,0.00013737143,0.000025116447],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009736865,0.0001658565,0.00017487026,0.00001598387,0.00038428087,0.00017656772,0.00043220405,0.00011082412,0.0018063715],"category_scores_gemma":[0.0000069992984,0.000058162845,0.00018872152,0.0000036426873,0.0004397398,0.00004289427,0.00007459237,0.00018277374,0.000061338345],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000042159854,0.000007909159,3.050581e-7,0.000016477867,0.00003478013,2.6046604e-7,0.0057924637,2.9212555e-9,0.000010320621,0.8817111,0.11215376,0.0002683785],"study_design_scores_gemma":[0.00008732128,0.000016377899,0.0000030912163,0.000120064025,0.00003414526,6.1961407e-7,0.000059716655,4.2140317e-7,0.000012531274,0.055660818,0.9439068,0.0000981016],"about_ca_topic_score_codex":0.000040922983,"about_ca_topic_score_gemma":0.0015340999,"teacher_disagreement_score":0.831753,"about_ca_system_score_codex":0.00002832038,"about_ca_system_score_gemma":0.00014000942,"threshold_uncertainty_score":0.9991061},"labels":[],"label_agreement":null},{"id":"W4234055235","doi":"10.24908/iqurcp.7929","title":"Temporal Structure and the Sacred in Woolf’s To the Lighthouse","year":2017,"lang":"en","type":"article","venue":"Inquiry Queen s Undergraduate Research Conference Proceedings","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Temporality; Narrative; Dimension (graph theory); Reading (process); Section (typography); Literature; Aesthetics; Art; Close reading; Philosophy; History; Epistemology; Linguistics; Computer science; Mathematics; Pure mathematics","score_opus":0.11327668684573158,"score_gpt":0.35508299012276595,"score_spread":0.24180630327703437,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234055235","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4723895,0.00048695467,0.00007577162,0.4680993,0.0005908677,0.0020463231,0.000050140156,0.000097076096,0.05616407],"genre_scores_gemma":[0.9901205,0.00021629204,0.00004230534,0.00074133597,0.0009192453,0.0001472762,0.000004171717,0.000028452632,0.0077804346],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976068,0.00013067217,0.00031501526,0.0004889263,0.00076003344,0.0006985126],"domain_scores_gemma":[0.9982176,0.00020360193,0.0001071989,0.0004954941,0.00080701057,0.00016908732],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0017987924,0.00024047663,0.00030835462,0.00019215015,0.002519381,0.0063290456,0.0013031893,0.00009306699,0.00007938069],"category_scores_gemma":[0.000600545,0.00012620329,0.000055415803,0.00007814524,0.0029576367,0.00073003455,0.00056334253,0.0010119092,0.000040024992],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020770058,0.000019247713,0.00073357805,0.000051744286,0.000021977261,0.000009391151,0.10825738,1.5285345e-7,0.00008663787,0.87311566,0.015525189,0.0019713691],"study_design_scores_gemma":[0.0014071445,0.0001552093,0.0010981942,0.00028519737,0.000017779019,0.000012443888,0.016085401,0.00039830268,0.0002351248,0.4624728,0.5174976,0.00033480354],"about_ca_topic_score_codex":0.0023170023,"about_ca_topic_score_gemma":0.0036215114,"teacher_disagreement_score":0.517731,"about_ca_system_score_codex":0.000049371025,"about_ca_system_score_gemma":0.00014049449,"threshold_uncertainty_score":0.99975574},"labels":[],"label_agreement":null},{"id":"W4234485790","doi":"10.1093/oso/9780198789369.003.0008","title":"My life being so difficult a one to live","year":2017,"lang":"en","type":"book","venue":"Oxford University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Biography; Theme (computing); Wife; Art; Art history; Painting; Depiction; Period (music); History; Literature; Philosophy; Aesthetics; Theology","score_opus":0.03495544793188847,"score_gpt":0.20537010675898087,"score_spread":0.1704146588270924,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234485790","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00016187568,0.000101755395,0.000046274385,0.00009710313,0.00043905218,0.00043736747,0.0004235052,0.00014360085,0.99814945],"genre_scores_gemma":[0.0021512548,0.000038024187,0.00006164177,0.00066324923,0.0014600909,0.0000029384346,0.00013306239,0.000051845367,0.9954379],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998579,0.000038283546,0.00017703146,0.00050393096,0.0003142811,0.00038745024],"domain_scores_gemma":[0.9984916,0.0000501965,0.0001811083,0.0006901609,0.00028669793,0.00030025523],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.000057820984,0.00039030708,0.00050418393,0.00015012454,0.0013977073,0.00092344714,0.0008209481,0.00028310847,0.00033932162],"category_scores_gemma":[0.000017812377,0.00042254466,0.00022394235,0.0000020195394,0.0003820771,0.00017397161,0.00044287601,0.00053089316,0.000022286062],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008191204,0.000030447429,2.2538046e-7,0.00015790635,0.0001930289,0.0001354724,0.05011926,5.2190313e-7,0.0000034022942,0.84642535,0.10107662,0.0017758766],"study_design_scores_gemma":[0.0003618563,0.00009264662,0.0000020459165,0.00051173766,0.0003038584,0.0000014427452,0.00056813523,0.0000060112766,0.000005650213,0.0016164585,0.99600637,0.00052379817],"about_ca_topic_score_codex":0.00018593523,"about_ca_topic_score_gemma":0.0004536808,"teacher_disagreement_score":0.89492977,"about_ca_system_score_codex":0.00012989496,"about_ca_system_score_gemma":0.00027704937,"threshold_uncertainty_score":0.9999023},"labels":[],"label_agreement":null},{"id":"W4236969502","doi":"10.1017/cbo9780511777486.026","title":"Paris","year":2010,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Poetry; Art; Pound (networking); Performance art; Art history; Criticism; Wife; Publishing; Literature; Humanities; History; Classics; Philosophy; Theology","score_opus":0.024903124431092084,"score_gpt":0.1813889474581947,"score_spread":0.15648582302710262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236969502","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000018695999,0.00018711237,0.0000376005,0.000034372548,0.00080685795,0.0001915608,0.000622841,0.0001562074,0.9979448],"genre_scores_gemma":[0.0010227012,0.00003879551,0.000028783184,0.00026335905,0.0010520585,5.2672914e-7,0.0001146165,0.00005173672,0.9974274],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990331,0.000013445698,0.00014527964,0.00037202262,0.00019949762,0.00023666916],"domain_scores_gemma":[0.99906325,0.00003319243,0.0001132241,0.00048020598,0.00017629658,0.00013384111],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000043055214,0.00032878562,0.0003226865,0.00011276347,0.00041387812,0.00021367431,0.00035544575,0.0003594439,0.00030405124],"category_scores_gemma":[0.0000019482732,0.00035483492,0.00023479098,7.553843e-7,0.0005060839,0.000093397015,0.00015872902,0.00085236813,0.00009467291],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002218419,0.000005993216,5.50599e-8,0.00004870506,0.00006678688,0.00018900809,0.00096609903,1.34633416e-8,0.000016430256,0.88575387,0.1125212,0.00040966945],"study_design_scores_gemma":[0.00021054634,0.000029274399,2.558567e-7,0.00008055147,0.00019713932,0.0000067356154,0.000058829475,0.0000026410955,0.00007450356,0.0001595817,0.9987712,0.00040875844],"about_ca_topic_score_codex":0.00015728704,"about_ca_topic_score_gemma":0.000031546857,"teacher_disagreement_score":0.88624996,"about_ca_system_score_codex":0.000038257567,"about_ca_system_score_gemma":0.000050050166,"threshold_uncertainty_score":0.9998904},"labels":[],"label_agreement":null},{"id":"W4238137030","doi":"10.4324/9781135000356-rem943-1","title":"Bloomsbury","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Georgian; Context (archaeology); Borough; Art history; Politics; Feminism; Art; Sociology; History; Gender studies; Philosophy; Law; Archaeology; Political science","score_opus":0.03461636034938822,"score_gpt":0.21014842418986093,"score_spread":0.1755320638404727,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238137030","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000022376037,0.0009447932,0.000012126616,0.00015948886,0.0008217179,0.00007269155,0.00006195415,0.000111585476,0.9978134],"genre_scores_gemma":[0.00032649847,0.000035648056,0.000029291528,0.0023607903,0.0053404053,0.0000029379107,0.00006852269,0.000046221077,0.9917897],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935013,0.0000023576563,0.00016214802,0.00020853894,0.00014460155,0.00013219706],"domain_scores_gemma":[0.9995248,0.0000133082385,0.00004067851,0.0002606826,0.00011318992,0.00004734633],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000032336535,0.00020606408,0.00019251676,0.000058509497,0.00013312094,0.00023909641,0.0001245441,0.00013501217,0.3941691],"category_scores_gemma":[0.0000012973715,0.00015912444,0.00012526217,7.220402e-7,0.00026630133,0.00005970139,0.00003354716,0.0001754846,0.007334702],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000016235393,0.0000028528411,1.0208803e-8,0.000013142294,0.00002202622,0.000008554369,0.0023157191,6.659537e-10,2.7777355e-7,0.65135306,0.34559005,0.00069269777],"study_design_scores_gemma":[0.000036070713,0.000034659686,2.004806e-8,0.000049394133,0.000035872443,0.0000023772716,0.000024072571,7.4135653e-7,0.0000023904756,0.2538686,0.74577504,0.00017075548],"about_ca_topic_score_codex":0.000007778686,"about_ca_topic_score_gemma":0.00017006199,"teacher_disagreement_score":0.400185,"about_ca_system_score_codex":0.000008446451,"about_ca_system_score_gemma":0.000016925656,"threshold_uncertainty_score":0.9934382},"labels":[],"label_agreement":null},{"id":"W4238454841","doi":"10.1017/ccol9780521871198.021","title":"James Joyce","year":2009,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Irish; History; Performance art; Art; Art history; Law; Classics; Media studies; Political science; Sociology; Philosophy","score_opus":0.027604938671497686,"score_gpt":0.18538702308146585,"score_spread":0.15778208440996816,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238454841","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00001156873,0.0005294252,0.00002182823,0.000066057626,0.00036951364,0.00020550076,0.00043030447,0.00018232263,0.9981835],"genre_scores_gemma":[0.0009317126,0.00006100643,0.000017647671,0.00055600435,0.00088246714,3.2202425e-7,0.00010129153,0.000041388135,0.99740815],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989251,0.000019298635,0.00016161766,0.00040231238,0.00022821977,0.00026343213],"domain_scores_gemma":[0.99910694,0.000030468222,0.000118515774,0.00043930704,0.00017607273,0.00012870498],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00004058553,0.00036959758,0.00037015008,0.0001379626,0.00035601517,0.0002308182,0.00038391427,0.00024121914,0.00013443164],"category_scores_gemma":[0.0000022531315,0.00040205204,0.00025984825,0.0000010974924,0.00034435626,0.000119754695,0.00010835912,0.0004769911,0.00007083319],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028627985,0.000006784413,1.5226233e-8,0.000039505267,0.00005858599,0.0003235777,0.0009237483,7.007393e-8,0.000001867079,0.76835185,0.2272284,0.0030369812],"study_design_scores_gemma":[0.00025373165,0.000060350118,3.430389e-7,0.00016970042,0.00020310911,0.000011737411,0.00010167586,0.0000046986584,0.00002151199,0.00026334426,0.9984554,0.00045436315],"about_ca_topic_score_codex":0.000097639524,"about_ca_topic_score_gemma":0.000009199071,"teacher_disagreement_score":0.77122706,"about_ca_system_score_codex":0.0000695009,"about_ca_system_score_gemma":0.00004972444,"threshold_uncertainty_score":0.9998431},"labels":[],"label_agreement":null},{"id":"W4239053818","doi":"10.1017/cbo9780511485176","title":"Modernism, Memory, and Desire","year":2008,"lang":"en","type":"book","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":68,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Textuality; Modernism (music); Poetry; Literature; Relation (database); Art; Philosophy; Psychoanalysis; Aesthetics; Psychology","score_opus":0.03612037660044083,"score_gpt":0.1835492756406772,"score_spread":0.14742889904023637,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239053818","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000117332056,0.0009153266,0.0000952437,0.000015683447,0.00030498797,0.00027488355,0.00050272,0.00015855461,0.9976153],"genre_scores_gemma":[0.0015908993,0.00017247675,0.000028795928,0.00027123868,0.0006992865,0.000001136767,0.00013145823,0.000053236687,0.9970515],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99881625,0.00004804171,0.00015396945,0.0004655075,0.0002264062,0.0002898221],"domain_scores_gemma":[0.9991536,0.00004683396,0.00010641484,0.00038316104,0.00014702817,0.00016296271],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000038731483,0.00037638829,0.00040935574,0.00013420843,0.00059796806,0.00019119415,0.00030526554,0.00026254886,0.00001678659],"category_scores_gemma":[0.0000027432495,0.00041173203,0.00015778716,0.0000017048158,0.0007271538,0.00014404504,0.0001990255,0.00047171308,0.000016158594],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029113124,0.000008753373,5.6401596e-8,0.00012012639,0.000067231755,0.0003739438,0.0027980802,1.3198536e-7,0.0000017332648,0.7522458,0.24386217,0.0004928749],"study_design_scores_gemma":[0.000392213,0.00004207237,8.2105646e-7,0.00013737883,0.0001846618,0.000042851552,0.00018173117,0.000054851094,0.000020268368,0.00007975552,0.99840677,0.00045665677],"about_ca_topic_score_codex":0.00009748834,"about_ca_topic_score_gemma":0.000009108831,"teacher_disagreement_score":0.75454456,"about_ca_system_score_codex":0.000098041106,"about_ca_system_score_gemma":0.00015561856,"threshold_uncertainty_score":0.99983346},"labels":[],"label_agreement":null},{"id":"W4239388626","doi":"10.1017/9781108381697.012","title":"Technology and Time","year":2018,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Computer science; Content (measure theory); World Wide Web; Mathematics","score_opus":0.01770991340398131,"score_gpt":0.17530887492462763,"score_spread":0.1575989615206463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239388626","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00011862774,0.00032150038,0.000013600204,0.000045649518,0.00016489162,0.00015541162,0.00031928852,0.00016505322,0.99869597],"genre_scores_gemma":[0.0007624671,0.000022301334,0.000019529032,0.00013397471,0.0004591017,3.5773627e-7,0.00003698261,0.000032306376,0.99853295],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992743,0.000009062856,0.000100982455,0.00033341715,0.00010197083,0.00018026649],"domain_scores_gemma":[0.9993764,0.000017917246,0.00007493663,0.00030678767,0.00015143391,0.00007251772],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00003068378,0.00024522573,0.00027121633,0.00026823545,0.00028725722,0.00011386705,0.00022364994,0.0002814762,0.00026133933],"category_scores_gemma":[0.0000020633693,0.00026341353,0.000075093616,0.000001598346,0.0010189775,0.00006534879,0.00021385604,0.0002865199,0.00012892668],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017980603,0.0000028486968,4.7975387e-8,0.000035351317,0.00005819943,0.000103868944,0.0006477407,1.96086e-9,0.000009152964,0.8744989,0.124127924,0.00049798936],"study_design_scores_gemma":[0.00018549213,0.00006969583,1.05913195e-7,0.000111288,0.00014162359,0.000014960223,0.00006992459,0.000007111308,0.000030418933,0.0007570509,0.99832517,0.00028718327],"about_ca_topic_score_codex":0.000014453741,"about_ca_topic_score_gemma":0.0000026837579,"teacher_disagreement_score":0.87419724,"about_ca_system_score_codex":0.00002960714,"about_ca_system_score_gemma":0.000024951649,"threshold_uncertainty_score":0.9999818},"labels":[],"label_agreement":null},{"id":"W4239674275","doi":"10.3138/utq.75.4.989","title":"The Reviews of T.S. Eliot","year":2006,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Philosophy","score_opus":0.010483105142563356,"score_gpt":0.18544151976074952,"score_spread":0.17495841461818618,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239674275","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025351418,0.009046515,0.00021064674,0.0003688628,0.00028711377,0.00017949843,0.00004116133,0.000022508404,0.96449226],"genre_scores_gemma":[0.9440834,0.00015835241,0.00010143259,0.000028511711,0.00016806343,1.3028564e-7,0.00000756484,0.0000038676963,0.05544871],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996024,0.00003632094,0.00012340305,0.00006939021,0.00008185276,0.00008667498],"domain_scores_gemma":[0.9996269,0.000028439741,0.000088605804,0.00016479997,0.00007609831,0.000015153279],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008784882,0.000055765686,0.00013229976,0.000007331695,0.00019056039,0.000022595634,0.00016503393,0.00001923963,0.0016595407],"category_scores_gemma":[0.0000012830311,0.00004279243,0.00009761899,0.0000039100964,0.00019255778,0.00015760357,0.000006216748,0.000029587914,0.000014781752],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035761965,0.0000666511,0.000021907032,0.000048944486,0.000017560584,0.0000027171782,0.053108443,1.4430668e-7,0.00022942982,0.85289884,0.06705837,0.026511254],"study_design_scores_gemma":[0.00013348777,0.00018237076,0.0002124898,0.000020858704,0.000022378734,3.0099883e-7,0.0063324845,0.000008644492,0.000012092059,0.0016609399,0.99136275,0.000051221607],"about_ca_topic_score_codex":0.019543197,"about_ca_topic_score_gemma":0.08348665,"teacher_disagreement_score":0.92430437,"about_ca_system_score_codex":0.000018328441,"about_ca_system_score_gemma":0.000008970506,"threshold_uncertainty_score":0.9992531},"labels":[],"label_agreement":null},{"id":"W4240150631","doi":"10.1017/cbo9780511777486.035","title":"Little magazines","year":2010,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Pound (networking); Poetry; Reputation; Literature; Modernism (music); Art; History; Law; Political science","score_opus":0.025899495326808047,"score_gpt":0.1832556214968124,"score_spread":0.15735612617000436,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240150631","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000033101638,0.00021163667,0.000028134838,0.000041095704,0.0009408947,0.00019568682,0.00069449894,0.00016459555,0.9976904],"genre_scores_gemma":[0.0008032584,0.000027740956,0.000035640755,0.00024001351,0.0013498185,5.850504e-7,0.00012569396,0.000055329543,0.9973619],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999025,0.000013139085,0.0001490558,0.00037772086,0.0001957776,0.00023929948],"domain_scores_gemma":[0.9990353,0.00003531393,0.0001078446,0.0004787368,0.00021488215,0.00012792027],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000041530693,0.0003417168,0.00032481822,0.00012499419,0.0003711803,0.00022586349,0.000380377,0.00032471138,0.00031716216],"category_scores_gemma":[0.0000031918971,0.00036116148,0.00023030318,9.965371e-7,0.00052214175,0.00010755207,0.00016669942,0.0007145214,0.0001441729],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002425943,0.0000067964243,6.3247164e-8,0.00006908608,0.00005743582,0.00018074029,0.0008321965,1.4760099e-8,0.00003595108,0.9045111,0.093808666,0.00047368795],"study_design_scores_gemma":[0.0002190536,0.00002999983,4.903959e-7,0.00009710717,0.00017155362,0.0000087705885,0.000048427926,0.000002738863,0.000082764775,0.0002220448,0.9987035,0.00041359427],"about_ca_topic_score_codex":0.000082181105,"about_ca_topic_score_gemma":0.000040533258,"teacher_disagreement_score":0.90489477,"about_ca_system_score_codex":0.00003395107,"about_ca_system_score_gemma":0.000049206814,"threshold_uncertainty_score":0.999884},"labels":[],"label_agreement":null},{"id":"W4240583300","doi":"10.4324/9781135000356-rem1091-1","title":"Bloomsday","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Thursday; Chose; Wife; Narrative; Literature; History; Art; Barnacle; Performance art; Art history; Philosophy; Theology; Law; Biology; Zoology","score_opus":0.034791284355569836,"score_gpt":0.20977803036182605,"score_spread":0.17498674600625622,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240583300","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000010324804,0.00079171965,0.00001468578,0.00014630832,0.0009065502,0.00006808849,0.000063512154,0.000107650456,0.9979004],"genre_scores_gemma":[0.0005313802,0.000018777018,0.000033448123,0.0022121097,0.0050085788,0.0000028984257,0.0000645615,0.000045486147,0.9920828],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993562,0.0000024949156,0.00015976111,0.00020670185,0.00014314664,0.00013167936],"domain_scores_gemma":[0.99952686,0.000014126777,0.000040643983,0.00025545564,0.0001159058,0.000047006295],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000033401175,0.00020471042,0.00019958672,0.00005626832,0.00013416038,0.00025085936,0.0001241854,0.00013047295,0.32551175],"category_scores_gemma":[0.0000013847285,0.0001553756,0.00012256269,7.161386e-7,0.00025703094,0.000057308887,0.000031572905,0.00016883312,0.008668434],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000013897065,0.0000027399326,7.0983828e-9,0.000011478103,0.000021650185,0.0000043996924,0.003271483,4.566555e-10,1.7231478e-7,0.6388315,0.35728678,0.0005683842],"study_design_scores_gemma":[0.000037473514,0.00003517943,1.429073e-8,0.000048056343,0.000035880243,0.0000021357773,0.000027922952,7.0554955e-7,0.0000028390812,0.24019451,0.75944346,0.00017180928],"about_ca_topic_score_codex":0.000008927536,"about_ca_topic_score_gemma":0.00029093976,"teacher_disagreement_score":0.40215668,"about_ca_system_score_codex":0.00000821438,"about_ca_system_score_gemma":0.000015855474,"threshold_uncertainty_score":0.99210346},"labels":[],"label_agreement":null},{"id":"W4240597424","doi":"10.1093/fmls/cql048","title":"O'NEILL, PATRICK. Polyglot Joyce: Fictions of Translation. Toronto: University of Toronto Press, 2005. x + 301 pp. $55/ 35. ISBN 0-8020-3897-2","year":2006,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Polyglot; Translation (biology); Philosophy; Theology; Computer science; Biology; Messenger RNA","score_opus":0.022440984657857665,"score_gpt":0.2512972044995319,"score_spread":0.22885621984167426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240597424","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013883196,0.80762243,0.0052739764,0.000794924,0.0009408265,0.0011831907,0.0046079205,0.00023468885,0.16545886],"genre_scores_gemma":[0.94825655,0.0035760482,0.00082690694,0.00006943935,0.0005248497,0.000018745865,0.00016262125,0.00003804781,0.046526797],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987838,0.000030232402,0.00034662266,0.00026050277,0.00021827938,0.00036054756],"domain_scores_gemma":[0.9991982,0.000098644974,0.00015857044,0.00026859946,0.00023430004,0.000041685533],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008993572,0.00022420306,0.00042213209,0.000013675383,0.00044667264,0.000035136083,0.00017801877,0.00007664169,0.0007261608],"category_scores_gemma":[0.00001078053,0.00020735105,0.00026261577,0.000010881701,0.0002395698,0.0005016536,0.000047737434,0.00006379798,0.0000022728043],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00053381606,0.0009134449,0.00017207737,0.0010997016,0.0011670992,0.000018439428,0.33896452,0.00020607185,0.0014610859,0.24727704,0.38316655,0.02502017],"study_design_scores_gemma":[0.0015311087,0.00022890403,0.00015424665,0.000114424685,0.0004280316,0.0000024006374,0.06578984,0.0009559542,0.00049748237,0.00353731,0.9263219,0.0004383411],"about_ca_topic_score_codex":0.030658528,"about_ca_topic_score_gemma":0.18540175,"teacher_disagreement_score":0.9343733,"about_ca_system_score_codex":0.00009455773,"about_ca_system_score_gemma":0.000027913286,"threshold_uncertainty_score":0.9757964},"labels":[],"label_agreement":null},{"id":"W4242409670","doi":"10.24908/iqurcp.7956","title":"The Battle of the Dubyas: Romantic vs. early modern version","year":2017,"lang":"en","type":"article","venue":"Inquiry Queen s Undergraduate Research Conference Proceedings","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Genius; Androgyny; Romance; Literature; Battle; Ideology; Romanticism; Criticism; Subject (documents); Philosophy; Style (visual arts); Art; Psychoanalysis; History; Psychology; Politics; Law; Masculinity","score_opus":0.10103112261005855,"score_gpt":0.33720972958708056,"score_spread":0.23617860697702203,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242409670","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72719014,0.00025149033,0.00010172992,0.09141565,0.0019764442,0.0008602341,0.0000371665,0.00009338896,0.17807375],"genre_scores_gemma":[0.9805826,0.00022297938,0.000012359178,0.0000599219,0.0005427699,0.000051508297,0.000002353814,0.000029457937,0.018496031],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99719596,0.00008951413,0.0003532438,0.00040563787,0.001246223,0.00070940005],"domain_scores_gemma":[0.9966951,0.0003725409,0.00024009973,0.00071888656,0.0018459576,0.00012744349],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.001196906,0.00021974296,0.0002550995,0.00010272137,0.0047408114,0.0035092304,0.0020816333,0.000098732526,0.000072365205],"category_scores_gemma":[0.0008163483,0.00012503132,0.00014669595,0.00005950422,0.0039546704,0.00089351734,0.00070492196,0.0007822755,0.00009418535],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010907842,0.000054903456,0.0012460127,0.00011689369,0.000050370116,0.0000030417611,0.03687707,1.4596347e-7,0.000858452,0.9446569,0.013959433,0.002067667],"study_design_scores_gemma":[0.00092518167,0.00048401032,0.0064617596,0.0009404047,0.000063037,0.0000075152084,0.009073075,0.001691694,0.0036342645,0.62586933,0.35034898,0.0005007337],"about_ca_topic_score_codex":0.0009103811,"about_ca_topic_score_gemma":0.00022500483,"teacher_disagreement_score":0.33638954,"about_ca_system_score_codex":0.000058672205,"about_ca_system_score_gemma":0.0002086161,"threshold_uncertainty_score":0.998756},"labels":[],"label_agreement":null},{"id":"W4242636256","doi":"10.15173/russell.v29i1.2148","title":"Routledge Classics","year":2009,"lang":"en","type":"article","venue":"Russell the Journal of Bertrand Russell Studies","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Classics; Philosophy; Art; History","score_opus":0.04576296412618142,"score_gpt":0.27527136080497305,"score_spread":0.22950839667879164,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242636256","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30451983,0.20509121,0.00079885224,0.045844726,0.00644125,0.0006313923,0.000035979185,0.00013012112,0.43650663],"genre_scores_gemma":[0.9788737,0.0061094067,0.00005659817,0.0019051444,0.0022579255,8.907859e-7,9.1514465e-7,0.000015357005,0.010780005],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99851847,0.00012253904,0.0006046067,0.0001073141,0.00034832006,0.00029877806],"domain_scores_gemma":[0.99877733,0.0002886449,0.00028262826,0.00020215497,0.00037024362,0.000079012105],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006679616,0.00023526247,0.00047732686,0.00008553663,0.0006550883,0.00016559438,0.00033480427,0.000051007548,0.00022157836],"category_scores_gemma":[0.00003573106,0.000118223514,0.00024777374,0.000052256757,0.00032491394,0.00027360997,0.000019604799,0.0004150388,0.000042956086],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00059839716,0.00051047094,0.000037588983,0.00011475262,0.0010408576,0.000109812245,0.36203587,0.00004225887,0.0010420197,0.37959287,0.24354468,0.011330406],"study_design_scores_gemma":[0.0009711215,0.0007063123,0.00016297074,0.00020844351,0.00058562146,0.00014300733,0.010644119,0.000023393086,0.0008454135,0.049184836,0.93623394,0.00029085268],"about_ca_topic_score_codex":0.000005486345,"about_ca_topic_score_gemma":0.000053406293,"teacher_disagreement_score":0.69268924,"about_ca_system_score_codex":0.000027686718,"about_ca_system_score_gemma":0.00003273388,"threshold_uncertainty_score":0.50384754},"labels":[],"label_agreement":null},{"id":"W4242877480","doi":"10.1017/cbo9780511777486.025","title":"London","year":2010,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Poetry; Art history; Art; Portrait; Pound (networking); Literature; Philosophy; History","score_opus":0.02436342396384421,"score_gpt":0.18074682955435878,"score_spread":0.15638340559051456,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242877480","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00003603215,0.00020006952,0.000036210495,0.00002951954,0.0008682553,0.00020683189,0.00057174143,0.00015786463,0.99789345],"genre_scores_gemma":[0.0011265582,0.000029117266,0.00002474393,0.00026795454,0.0010822179,4.7733397e-7,0.000119221695,0.000053657892,0.99729604],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990258,0.0000131904235,0.00014240711,0.00037659158,0.00020483439,0.00023716243],"domain_scores_gemma":[0.9990664,0.00003148529,0.00011170632,0.00047623433,0.00018328367,0.00013089273],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00004212236,0.00033424355,0.00031836427,0.00012500657,0.00038835293,0.0002056515,0.0003785918,0.00034580645,0.00026083007],"category_scores_gemma":[0.0000023414734,0.00036146192,0.00023335195,7.8129324e-7,0.0004987319,0.00009958247,0.0001549018,0.0008366513,0.00009523316],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029948344,0.000006421561,3.8737284e-8,0.00005831502,0.00006064421,0.00023732617,0.0007865405,1.5607727e-8,0.00003187521,0.93441767,0.06378565,0.0005855599],"study_design_scores_gemma":[0.00025129286,0.00003326265,2.2384415e-7,0.00009340292,0.00017749323,0.0000085450965,0.000040714705,0.0000025968664,0.000111491005,0.00016761292,0.99870396,0.0004093834],"about_ca_topic_score_codex":0.00011995263,"about_ca_topic_score_gemma":0.00004092707,"teacher_disagreement_score":0.93491834,"about_ca_system_score_codex":0.000041661184,"about_ca_system_score_gemma":0.000049524348,"threshold_uncertainty_score":0.9998837},"labels":[],"label_agreement":null},{"id":"W4247400321","doi":"10.4324/9781135000356-rem979-1","title":"Little Magazines","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Opposition (politics); History; Taste; Modernism (music); Literature; Art; Media studies; Political science; Sociology; Law","score_opus":0.03657229792929504,"score_gpt":0.2154295875331018,"score_spread":0.17885728960380676,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247400321","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000002321561,0.0006806842,0.000014034973,0.00026458924,0.0009150646,0.0000751572,0.00008721306,0.00011134785,0.9978496],"genre_scores_gemma":[0.00038763558,0.000025950787,0.000045057503,0.0016981967,0.0058217766,0.0000034263633,0.00009061035,0.000047376212,0.99188],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99934626,0.0000025919849,0.00016793078,0.00021134039,0.00013678135,0.0001350985],"domain_scores_gemma":[0.99949116,0.000016135986,0.00004110922,0.00025761296,0.00014859738,0.0000453666],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003093681,0.00021343617,0.00020036672,0.000059578964,0.00012449762,0.0002828188,0.00012431512,0.00012398062,0.33211428],"category_scores_gemma":[0.0000020100185,0.00016030052,0.00012158078,0.0000010144655,0.00024743687,0.00007246019,0.00003630114,0.0001445875,0.011702231],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000018520138,0.0000027714173,2.3468917e-8,0.000018294648,0.000015934824,0.000005673138,0.0023736763,8.5282975e-10,3.979659e-7,0.61743057,0.37965834,0.000492498],"study_design_scores_gemma":[0.000035486886,0.000033927878,7.328504e-8,0.000054158838,0.000027670678,0.0000022272027,0.000028181503,0.0000010028238,0.000002343664,0.24474467,0.75489706,0.00017318071],"about_ca_topic_score_codex":0.000007351806,"about_ca_topic_score_gemma":0.00028632427,"teacher_disagreement_score":0.37523875,"about_ca_system_score_codex":0.000008384164,"about_ca_system_score_gemma":0.000016055981,"threshold_uncertainty_score":0.98906726},"labels":[],"label_agreement":null},{"id":"W4249782530","doi":"10.22215/etd/2006-08280","title":"Joyce's Ulysses, a Freudian and Schopenhauerian reading","year":2006,"lang":"en","type":"dissertation","venue":"","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University; Canadian Heritage","funders":"","keywords":"Freudian slip; Reading (process); Art; Humanities; Psychoanalysis; Psychology; Philosophy; Linguistics","score_opus":0.010724683462616987,"score_gpt":0.22349502061934254,"score_spread":0.21277033715672555,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249782530","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010695001,0.0014087782,0.000004930049,0.00013662926,0.0008966227,0.00016583038,0.000057432542,0.00009419831,0.98654056],"genre_scores_gemma":[0.22153328,0.000040873172,0.00011370449,0.0003914677,0.0011907871,0.000027792696,0.0021586712,0.000045803914,0.7744976],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990232,0.000019771607,0.00025361998,0.00031877455,0.00015451695,0.00023012597],"domain_scores_gemma":[0.9995393,0.000023936602,0.00007495554,0.00018767457,0.000102788006,0.00007133802],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006123493,0.00026270445,0.00028191032,0.00014256708,0.00037041545,0.0011187904,0.000106685475,0.00016579087,0.005342601],"category_scores_gemma":[0.000009532247,0.00022421806,0.000072077644,0.000016131458,0.00005148672,0.00023201355,0.000010336036,0.00025760476,0.00012336687],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021873662,0.00003449709,0.000008322235,0.00028186722,0.00004672562,0.000029349741,0.029106123,3.691148e-8,0.00013962857,0.8194224,0.14512709,0.005782056],"study_design_scores_gemma":[0.00015022802,0.000032461227,0.00010108211,0.00021395038,0.00007935833,0.0000034592542,0.0050298823,0.0000052634887,0.00015231506,0.008808397,0.9850551,0.0003685218],"about_ca_topic_score_codex":0.0018900646,"about_ca_topic_score_gemma":0.02276139,"teacher_disagreement_score":0.839928,"about_ca_system_score_codex":0.000014771131,"about_ca_system_score_gemma":0.00003774707,"threshold_uncertainty_score":0.99991816},"labels":[],"label_agreement":null},{"id":"W4251745726","doi":"10.1353/mdr.0.0081","title":"Regenerating Drama in Stein’s Doctor Faustus Lights the Lights and Woolf’s Between the Acts","year":2008,"lang":"en","type":"article","venue":"Modern Drama","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Drama; Ideology; Literature; Art; History; Politics; Law","score_opus":0.0400453893794856,"score_gpt":0.23198618492926865,"score_spread":0.19194079554978305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251745726","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9454986,0.0028581333,0.00007723496,0.0048717614,0.00028906355,0.00037252586,0.000031973494,0.00006312176,0.045937587],"genre_scores_gemma":[0.9718025,0.00004641447,0.000036050435,0.001145005,0.0017323821,0.000048040267,0.00001644403,0.000033139222,0.025140068],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983593,0.00014979194,0.0003652131,0.00036608396,0.00031776988,0.0004417926],"domain_scores_gemma":[0.999058,0.00021039219,0.00008393442,0.0004743657,0.000085578904,0.0000877192],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00021589464,0.000273959,0.00028560188,0.000069202644,0.0013674923,0.0006959348,0.0003469227,0.00010443817,0.00015569174],"category_scores_gemma":[0.00002428896,0.00014509939,0.000080652026,0.000044917226,0.0003708368,0.00030968405,0.00010778189,0.0004324491,0.000051682222],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035255944,0.00010658015,0.0016512529,0.000051337924,0.00009155656,0.000100752586,0.4291846,0.00003603139,0.0002446496,0.55601865,0.0053595062,0.0071198335],"study_design_scores_gemma":[0.0012789102,0.00019284054,0.005260063,0.00022383794,0.00010720719,0.00007094888,0.0026401833,0.002242836,0.0014889844,0.034276895,0.9513682,0.00084909954],"about_ca_topic_score_codex":0.00025863422,"about_ca_topic_score_gemma":0.0015382722,"teacher_disagreement_score":0.9460087,"about_ca_system_score_codex":0.00003219758,"about_ca_system_score_gemma":0.000040872124,"threshold_uncertainty_score":0.9999326},"labels":[],"label_agreement":null},{"id":"W4252691912","doi":"10.1017/9781108596862.011","title":"Further Reading","year":2019,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Reading (process); Computer science; Linguistics; Philosophy","score_opus":0.028472974743925572,"score_gpt":0.1852648972028703,"score_spread":0.15679192245894472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252691912","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000025455822,0.0001889329,0.00002688479,0.000030741987,0.00068895036,0.0002464213,0.0004275814,0.00013265126,0.99823236],"genre_scores_gemma":[0.0027079154,0.000023949315,0.000009839523,0.00028208838,0.0007107917,2.8461326e-7,0.00008743868,0.00006287745,0.9961148],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99901205,0.000017748735,0.00014108652,0.0003895124,0.00019764635,0.0002419805],"domain_scores_gemma":[0.99914575,0.00003798655,0.00011598296,0.00046577607,0.00014370482,0.0000908054],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000045874414,0.0003251204,0.00034492364,0.00012870491,0.00021382114,0.0001883516,0.000328384,0.00022781397,0.00024156425],"category_scores_gemma":[0.0000016435476,0.00034889084,0.00022727829,9.081846e-7,0.0002449958,0.00011254967,0.00014653924,0.00043002216,0.00023013525],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029640158,0.000004111714,1.058315e-7,0.00008559776,0.00009446995,0.0001333645,0.002067462,1.1314042e-7,0.000009749122,0.8943584,0.10285226,0.0003647119],"study_design_scores_gemma":[0.00024358342,0.00003485222,3.303842e-7,0.00021160544,0.0001783149,0.0000054977513,0.0001890262,0.00000923935,0.000017813256,0.000064643595,0.9986314,0.00041370266],"about_ca_topic_score_codex":0.000085729735,"about_ca_topic_score_gemma":0.000008060344,"teacher_disagreement_score":0.89577913,"about_ca_system_score_codex":0.000075243464,"about_ca_system_score_gemma":0.000058866844,"threshold_uncertainty_score":0.9998963},"labels":[],"label_agreement":null},{"id":"W4253623780","doi":"10.1017/cbo9780511777486.037","title":"Modernism","year":2010,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Pound (networking); Poetry; Passion; Criticism; Art; Modernism (music); Art history; Performance art; Literature; Philosophy; Psychology","score_opus":0.03149913259456386,"score_gpt":0.18582076043221415,"score_spread":0.1543216278376503,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253623780","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00001913322,0.00015835,0.00015938842,0.000037468748,0.00085115986,0.00023259257,0.00073073216,0.0001956929,0.99761546],"genre_scores_gemma":[0.001464603,0.00002535395,0.000052783973,0.0002979509,0.00110058,6.999833e-7,0.00012286886,0.00006868389,0.99686646],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998856,0.000014868412,0.00016528601,0.00044262054,0.00024498886,0.00027622582],"domain_scores_gemma":[0.99893135,0.000032475546,0.0001259271,0.0005537179,0.00020046496,0.00015605839],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00004610112,0.00039229702,0.00036432876,0.00013618426,0.00046831695,0.00023881134,0.0004492947,0.0004124322,0.00023530454],"category_scores_gemma":[0.000002319986,0.00042873705,0.00026857323,7.212443e-7,0.000559947,0.00011757821,0.00018621789,0.0009719351,0.00009992534],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027221151,0.000007667081,2.0639957e-8,0.000058031448,0.0000766503,0.0002075699,0.0013611205,5.0478025e-8,0.000043865457,0.9567392,0.041017067,0.00046152645],"study_design_scores_gemma":[0.00026018056,0.000029975929,1.3749113e-7,0.00008906435,0.00019843278,0.000009609299,0.000050231665,0.000015076241,0.00008983934,0.0004451408,0.99832696,0.00048533062],"about_ca_topic_score_codex":0.00010368584,"about_ca_topic_score_gemma":0.000034406658,"teacher_disagreement_score":0.9573099,"about_ca_system_score_codex":0.000046667024,"about_ca_system_score_gemma":0.00006173159,"threshold_uncertainty_score":0.9998164},"labels":[],"label_agreement":null},{"id":"W4254645987","doi":"10.7202/1026002ar","title":"“An infusion of the modern spirit into the ancient form”: Textual Objects and Historical Consciousness in George Eliot’s Romola","year":2014,"lang":"en","type":"article","venue":"Romanticism and Victorianism on the Net","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Depiction; George (robot); Consciousness; Humanity; Ideology; Alterity; The Renaissance; Literature; History; Aesthetics; Art; Art history; Philosophy; Law; Epistemology; Politics","score_opus":0.012343857866888042,"score_gpt":0.20790471813063285,"score_spread":0.1955608602637448,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254645987","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9826167,0.00053740724,0.000113753886,0.0032677322,0.0011918932,0.00038349745,0.0000149160205,0.000027378648,0.011846691],"genre_scores_gemma":[0.9962373,0.000034385,0.000011890245,0.0017939993,0.00057314255,0.000017232036,0.0000043231003,0.000018962293,0.0013088004],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99858284,0.00020758437,0.00032461496,0.00028256478,0.00032494476,0.00027743314],"domain_scores_gemma":[0.99900025,0.00026614362,0.00011013084,0.00048692318,0.00006473342,0.00007181546],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005729605,0.00021641936,0.00027163053,0.00006191914,0.00063420105,0.00022714709,0.00035006632,0.00009517824,0.000056577708],"category_scores_gemma":[0.000055261622,0.000102770246,0.000059983024,0.000051931085,0.0003288591,0.00014254801,0.00012383903,0.00029806135,0.0000037671239],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005283165,0.00014059816,0.00022581342,0.000044390108,0.0000125579145,0.0000033400872,0.1399647,0.000004463114,0.0021562949,0.85397184,0.0017274045,0.0016957521],"study_design_scores_gemma":[0.0020571512,0.0012683589,0.009350463,0.00042757695,0.00016498516,0.000029934423,0.0048195813,0.013650826,0.0011955877,0.24502942,0.72123754,0.00076857745],"about_ca_topic_score_codex":0.0007550302,"about_ca_topic_score_gemma":0.0024331405,"teacher_disagreement_score":0.71951014,"about_ca_system_score_codex":0.0000387482,"about_ca_system_score_gemma":0.000027409753,"threshold_uncertainty_score":0.48778257},"labels":[],"label_agreement":null},{"id":"W4297491480","doi":"10.5539/ells.v12n4p1","title":"Disappointing Utopian Vision of W. B. Yeats’s “Sailing to Byzantium”","year":2022,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pleasure; Poetry; Idealization; Aesthetics; Fantasy; Beauty; Consolation; Philosophy; Psychoanalysis; Literature; Art; Psychology; Psychotherapist","score_opus":0.011924217736834946,"score_gpt":0.2676955900894046,"score_spread":0.25577137235256964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4297491480","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90785843,0.037077878,0.000008204991,0.00048409885,0.0013534677,0.00022152867,0.00024089309,0.0001003361,0.052655175],"genre_scores_gemma":[0.9848576,0.00004437579,0.00013156512,0.00056749576,0.0011410123,0.000031296862,0.00004877589,0.000017854909,0.0131600145],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990318,0.00006964971,0.00023112357,0.0002586034,0.0002036637,0.00020520725],"domain_scores_gemma":[0.9994726,0.00008057138,0.000055785935,0.0001778548,0.00016405914,0.000049086742],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022106318,0.00016104971,0.0002775914,0.00012664795,0.00054575945,0.0002041405,0.00011303865,0.000023197477,0.00027025733],"category_scores_gemma":[0.00012019918,0.00012999344,0.00007354687,0.00008743063,0.0000873939,0.00018107005,0.00024486205,0.00025533236,0.0000014468563],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023989998,0.00003613781,0.000040182236,0.00012877588,0.00005396802,0.000055316294,0.90037006,0.00000251469,0.0002860185,0.09149493,0.0048131915,0.002694915],"study_design_scores_gemma":[0.00024331764,0.00019360495,0.000023289089,0.00020190114,0.0000339792,0.000005677082,0.41059375,0.0000079592655,0.00018809832,0.00034734915,0.58796054,0.00020056214],"about_ca_topic_score_codex":0.00001582329,"about_ca_topic_score_gemma":0.000049920993,"teacher_disagreement_score":0.58314735,"about_ca_system_score_codex":0.000009442235,"about_ca_system_score_gemma":0.0000065673844,"threshold_uncertainty_score":0.5300979},"labels":[],"label_agreement":null},{"id":"W4300544662","doi":"10.1007/978-1-137-36036-6","title":"The Bloomsbury Group Memoir Club","year":2014,"lang":"en","type":"book","venue":"Palgrave Macmillan UK eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Memoir; Club; Group (periodic table); Art; Art history; History; Medicine; Anatomy; Chemistry","score_opus":0.015195082253681573,"score_gpt":0.20793694987396683,"score_spread":0.19274186762028525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300544662","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000010064885,0.006381204,0.000042093314,0.00015151511,0.0022157663,0.00051117246,0.00019872448,0.00018050233,0.99030894],"genre_scores_gemma":[0.43803468,0.00008218653,0.000013721706,0.0014836211,0.005612337,0.00008156528,0.0002165358,0.00012705213,0.5543483],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973099,0.00012836806,0.00063333084,0.0006219602,0.00058435457,0.000722051],"domain_scores_gemma":[0.99783486,0.0003709966,0.00027751824,0.0011322097,0.00019378295,0.00019061074],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00039439683,0.00072295265,0.0006526623,0.00012852214,0.0012583963,0.0009812622,0.00083195773,0.00035706675,0.0012924569],"category_scores_gemma":[0.000020975272,0.00048092942,0.0005007328,0.0000062644585,0.00090248114,9.4228693e-7,0.00019142135,0.00079231756,0.00066332385],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025338291,5.205289e-7,6.3812473e-7,0.000108839966,0.0001592298,0.000035865585,0.0049243914,6.8727495e-8,0.0000040136583,0.96274453,0.02147576,0.010520783],"study_design_scores_gemma":[0.00015357266,0.00006542643,0.0000011185807,0.000103848084,0.000099252575,0.000009885957,0.00007236339,0.000009846801,0.000003913911,0.4848477,0.51428074,0.00035232256],"about_ca_topic_score_codex":0.00003877297,"about_ca_topic_score_gemma":0.0016379501,"teacher_disagreement_score":0.49280497,"about_ca_system_score_codex":0.000076854376,"about_ca_system_score_gemma":0.0001112652,"threshold_uncertainty_score":0.99976426},"labels":[],"label_agreement":null},{"id":"W4308989101","doi":"10.3138/utq.91.4.01","title":"A Provocative Reading of<i>The Waves</i>: Virginia Woolf’s Biography of a Generation","year":2022,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"Biography; Memoir; Craft; Literature; Portrait; Reading (process); History; Poetry; Life writing; Period (music); Art; Art history; Philosophy; Aesthetics; Visual arts; Linguistics","score_opus":0.011382960766737327,"score_gpt":0.18209768008482088,"score_spread":0.17071471931808355,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4308989101","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83801967,0.0007335044,0.00037866947,0.00037966925,0.00068217964,0.0004610344,0.0005473474,0.000029283889,0.15876865],"genre_scores_gemma":[0.9941393,0.000003259481,0.000118797194,0.000034910943,0.000054859538,6.3131847e-7,0.000015141426,0.000004313808,0.0056287996],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99941194,0.00009033094,0.00012582468,0.00011267017,0.00017748833,0.000081720136],"domain_scores_gemma":[0.9995115,0.000016543323,0.00016208451,0.0001821014,0.00010882396,0.000018988922],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008543488,0.000067316454,0.00014244071,0.000039157796,0.00028693047,0.000010727092,0.00020632683,0.000017673101,0.0011240344],"category_scores_gemma":[0.0000014333164,0.0000637932,0.00014332897,0.000023750015,0.00019325619,0.00019429035,0.000029310599,0.00006230011,5.6119944e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011033951,0.00025404894,0.0001781032,0.00008080408,0.00012701277,0.0000028137622,0.7023387,0.000005646878,0.01463083,0.2701347,0.0064623742,0.00567465],"study_design_scores_gemma":[0.0016133423,0.002907105,0.0022124823,0.00010661761,0.00031634702,0.000004203271,0.27462253,0.00083706813,0.0017358973,0.0018417895,0.71338457,0.0004180493],"about_ca_topic_score_codex":0.006436864,"about_ca_topic_score_gemma":0.007486611,"teacher_disagreement_score":0.7069222,"about_ca_system_score_codex":0.00003929217,"about_ca_system_score_gemma":0.00003161837,"threshold_uncertainty_score":0.99978906},"labels":[],"label_agreement":null},{"id":"W4308989300","doi":"10.3138/utq.91.4.02","title":"The Dialectics of Experience: Eliot’s and Adorno’s Constructions of Modernism as Responses to the Crisis of Modernity","year":2022,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Modernity; Disenchantment; Aesthetics; Objectivism; Historicism; Realm; Objectivity (philosophy); Modernism (music); Philosophy; Epistemology; Dialectic; Literature; Sociology; Psychoanalysis; Art; Psychology; Law; Political science","score_opus":0.015498395982471073,"score_gpt":0.22000991820972277,"score_spread":0.2045115222272517,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4308989300","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98508584,0.0007782031,0.00041846558,0.0006804421,0.0002022604,0.00018502223,0.0003649836,0.000009160181,0.012275627],"genre_scores_gemma":[0.99687636,0.000031535783,0.000094825285,0.00004245751,0.000022996412,0.000001211532,0.0000020150887,0.0000041955036,0.0029243927],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99921894,0.00014741128,0.00017732945,0.00011679844,0.0002370107,0.00010252259],"domain_scores_gemma":[0.99921006,0.00015145479,0.00014496948,0.00026738696,0.00019005443,0.000036060108],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001455341,0.00007632665,0.00017634251,0.000031625474,0.00066698785,0.000019174473,0.0002811526,0.0000212377,0.00064067874],"category_scores_gemma":[0.000012652599,0.00006133057,0.0000819364,0.000016574211,0.00052833726,0.00014061494,0.00006374451,0.000079481724,4.1538814e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004970188,0.000099501856,0.00010812022,0.000032970573,0.00007148283,0.0000018587168,0.8497237,0.000018954459,0.00073695905,0.14388321,0.002062499,0.0027637198],"study_design_scores_gemma":[0.0004484467,0.0015100063,0.00088495604,0.000021778102,0.00011848119,0.0000086483715,0.8835611,0.00034612912,0.00032036193,0.0048090224,0.107826374,0.00014469016],"about_ca_topic_score_codex":0.016429141,"about_ca_topic_score_gemma":0.013127072,"teacher_disagreement_score":0.13907419,"about_ca_system_score_codex":0.00003296124,"about_ca_system_score_gemma":0.000060250077,"threshold_uncertainty_score":0.99012053},"labels":[],"label_agreement":null},{"id":"W4312194339","doi":"10.1007/978-3-030-11945-4_19-2","title":"Literary Criticism","year":2022,"lang":"en","type":"book-chapter","venue":"","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Literary criticism; Criticism; Literature; Art; Philosophy","score_opus":0.03403460681299531,"score_gpt":0.21263412988319136,"score_spread":0.17859952307019605,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312194339","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[8.6487256e-7,0.003431858,0.000005575916,0.0008266257,0.001362515,0.00013947678,0.00046627555,0.00018872025,0.9935781],"genre_scores_gemma":[0.0012544075,0.000059291833,0.00003211483,0.008137336,0.0021144613,0.000023914235,0.00039354133,0.00008987529,0.9878951],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988124,0.000010983246,0.00029674574,0.00034505283,0.0003168306,0.00021801433],"domain_scores_gemma":[0.9993632,0.000052400126,0.000052233187,0.00037542466,0.00008108123,0.0000756646],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000059752878,0.0003168823,0.00031297046,0.0001389085,0.00038484953,0.00039192435,0.00023296685,0.000108704415,0.59041077],"category_scores_gemma":[0.0000024362403,0.00028536856,0.00024008582,0.000002398897,0.0001647628,0.00018482542,0.00012009515,0.0005683468,0.0010192544],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000045809456,0.0000111783675,2.3581952e-8,0.00005376998,0.00003444115,0.00010664016,0.0068371072,1.146981e-8,3.8296182e-7,0.8194112,0.17176269,0.0017779776],"study_design_scores_gemma":[0.000051193456,0.00004104783,2.5823695e-8,0.00003160679,0.00003267287,0.000008657331,0.000051158866,0.000001188119,5.845948e-7,0.36580148,0.6337396,0.00024080362],"about_ca_topic_score_codex":0.0000145436425,"about_ca_topic_score_gemma":0.000056889596,"teacher_disagreement_score":0.5893915,"about_ca_system_score_codex":0.00003176315,"about_ca_system_score_gemma":0.000035138488,"threshold_uncertainty_score":0.9999598},"labels":[],"label_agreement":null},{"id":"W4313681022","doi":"10.26443/ijwpc.v10i1.357","title":"James Joyce’s Ulysses 100 years later: Flying by the nets of narrative","year":2023,"lang":"en","type":"article","venue":"International Journal of Whole Person Care","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Narrative; History; Literature; Psychoanalysis; Art; Psychology","score_opus":0.03045659036590247,"score_gpt":0.28113935723943906,"score_spread":0.2506827668735366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313681022","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.974167,0.0026096888,0.000016077141,0.009104939,0.002061737,0.00006243299,0.0002963485,0.000018627486,0.011663168],"genre_scores_gemma":[0.992445,0.00003591423,0.00001209392,0.0005788524,0.0007624013,0.000002111899,0.000036676294,0.000011109285,0.0061158706],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999107,0.00003948508,0.0002283533,0.000075249205,0.00044806176,0.00010187715],"domain_scores_gemma":[0.9990312,0.00006995827,0.00017428515,0.00006531534,0.00062837574,0.00003090053],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010999933,0.00008295445,0.00013475353,0.00012211244,0.0001172265,0.0002172706,0.00032629323,0.000028384315,0.0004753616],"category_scores_gemma":[0.000030735813,0.000056896093,0.00014533287,0.000028441258,0.00011095042,0.00022602639,0.00002616052,0.00017170842,0.000021703465],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051139865,0.000022994327,0.0003079355,0.000018587189,0.00022754441,0.0000875261,0.79893893,0.00003513869,0.0016102691,0.0033458886,0.17574216,0.019611856],"study_design_scores_gemma":[0.00040237381,0.000112094094,0.00045808725,0.00019298469,0.00002993504,0.00003838862,0.36844477,0.000059252194,0.00070934877,0.0004238099,0.62903064,0.00009832686],"about_ca_topic_score_codex":0.00006978657,"about_ca_topic_score_gemma":0.000054005464,"teacher_disagreement_score":0.45328847,"about_ca_system_score_codex":0.000033794106,"about_ca_system_score_gemma":0.00003769355,"threshold_uncertainty_score":0.5204876},"labels":[],"label_agreement":null},{"id":"W4366809812","doi":"10.1353/rss.2010.0004","title":"What Did Colette Know and When Did She Know it?","year":2010,"lang":"en","type":"article","venue":"Russell the Journal of Bertrand Russell Studies","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Evening; History; Art","score_opus":0.024040795114372657,"score_gpt":0.25835973484228325,"score_spread":0.2343189397279106,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366809812","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59243613,0.26654664,0.00008677701,0.086049706,0.011993001,0.0006935574,0.000041785945,0.00007549717,0.042076934],"genre_scores_gemma":[0.8989528,0.07094809,0.00011045542,0.0032978687,0.003169641,0.000006879794,0.000002218185,0.000045980752,0.023466077],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99810565,0.00015237507,0.00071814604,0.00020326079,0.0004182645,0.000402292],"domain_scores_gemma":[0.99828595,0.0005350543,0.0003404534,0.0002896798,0.00040686037,0.00014197953],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010741153,0.00035352242,0.00066702184,0.000118522905,0.0010343799,0.00072703697,0.00035320956,0.00009840872,0.00057936355],"category_scores_gemma":[0.000058369165,0.00018914687,0.0002237607,0.000040723382,0.0008866659,0.0008603738,0.00008555978,0.00088566134,0.000033743392],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00062117336,0.00047423734,0.00015109564,0.00047049703,0.0020458514,0.00014192794,0.549781,0.0000074934705,0.008370756,0.06870918,0.35247415,0.016752614],"study_design_scores_gemma":[0.0008907347,0.00027299646,0.00009523162,0.00044332087,0.0005412106,0.00019536831,0.016448172,0.000019031173,0.0010796902,0.0122025665,0.9675065,0.00030512703],"about_ca_topic_score_codex":0.000026762498,"about_ca_topic_score_gemma":0.000997544,"teacher_disagreement_score":0.6150324,"about_ca_system_score_codex":0.000014426964,"about_ca_system_score_gemma":0.000035861303,"threshold_uncertainty_score":0.79557186},"labels":[],"label_agreement":null},{"id":"W4366809957","doi":"10.1353/rss.2004.0008","title":"Russell and the Eliots","year":2004,"lang":"en","type":"article","venue":"Russell the Journal of Bertrand Russell Studies","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pity; Philosophy; Art history; Poetry; Art; History; Literature","score_opus":0.02776532333895774,"score_gpt":0.2517697069174862,"score_spread":0.22400438357852845,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366809957","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5435037,0.31261986,0.00038026785,0.054238357,0.003520913,0.00084016635,0.000027721348,0.000069841946,0.08479917],"genre_scores_gemma":[0.96435213,0.027845183,0.00006290836,0.0018243939,0.0015016686,0.000004898831,6.891788e-7,0.000027339136,0.004380777],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99815416,0.00021121824,0.00070330425,0.00015128107,0.00043079816,0.00034923066],"domain_scores_gemma":[0.9982296,0.0007542545,0.00034649472,0.00026261562,0.00031958698,0.000087429115],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014572468,0.00030596452,0.00062236196,0.00009154672,0.0012487337,0.00028100316,0.00040458524,0.000058908965,0.00011953053],"category_scores_gemma":[0.00006717035,0.00012550982,0.00025693153,0.00006717383,0.0016113792,0.00028336942,0.000067935915,0.0005391955,0.000028693941],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012513956,0.00020140549,0.000021602074,0.00018332156,0.0013995084,0.0000655389,0.37982473,0.0001116874,0.00028545753,0.6005551,0.014699541,0.0014007044],"study_design_scores_gemma":[0.009725123,0.00060141046,0.00015827618,0.00060334825,0.0019013169,0.000774006,0.040425196,0.000019121826,0.0016375683,0.2413456,0.7022265,0.00058252783],"about_ca_topic_score_codex":0.00007663337,"about_ca_topic_score_gemma":0.00024634585,"teacher_disagreement_score":0.687527,"about_ca_system_score_codex":0.000028827691,"about_ca_system_score_gemma":0.000047404013,"threshold_uncertainty_score":0.96043766},"labels":[],"label_agreement":null},{"id":"W4379616611","doi":"10.1353/mos.2021.0005","title":"Cannibalism in Joyce and Mo Yan: Famine Memory in Ulysses, The Republic of Wine , and Frog","year":2021,"lang":"en","type":"article","venue":"Mosaic","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cannibalism; Famine; Irish; Wine; History; Power (physics); Ethnology; Geography; Art; Ecology; Biology; Philosophy; Archaeology; Predation; Linguistics","score_opus":0.016712881339823602,"score_gpt":0.21512323300204586,"score_spread":0.19841035166222226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379616611","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9705997,0.0084727155,0.0000019387971,0.0050263116,0.000098229866,0.00008973094,0.00004997611,0.000009470913,0.01565194],"genre_scores_gemma":[0.9877501,0.000070680915,0.000013197986,0.00092776376,0.00018505545,0.000010041641,0.000030302335,0.000007968525,0.011004891],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99937445,0.00005619884,0.0001891817,0.00016285003,0.00008893878,0.0001283651],"domain_scores_gemma":[0.9996934,0.00005691477,0.000028557743,0.00014794085,0.00004691155,0.00002625632],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014437603,0.00008409721,0.00017225042,0.000055146396,0.00005764604,0.00010870748,0.00005591145,0.00003391517,0.0001775731],"category_scores_gemma":[0.000034401204,0.00006086107,0.000017430797,0.00004805825,0.00014407733,0.000110624926,0.00004676409,0.0001291551,8.342301e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008039832,0.000461373,0.004730499,0.0005921035,0.00008176979,0.00048744716,0.36773947,0.000012928037,0.0029960717,0.55363226,0.052817106,0.016368559],"study_design_scores_gemma":[0.0015901715,0.00009429619,0.012472887,0.00024489715,0.00003890686,0.000053672542,0.015598331,0.0005190598,0.0014392278,0.017612785,0.9500125,0.00032324903],"about_ca_topic_score_codex":0.0014242497,"about_ca_topic_score_gemma":0.0052671474,"teacher_disagreement_score":0.8971954,"about_ca_system_score_codex":0.00000853396,"about_ca_system_score_gemma":0.000023920587,"threshold_uncertainty_score":0.29391918},"labels":[],"label_agreement":null},{"id":"W4381294726","doi":"10.3138/utq.92.2.01","title":"Form or Content? Form and Content? Virginia Woolf and E.M. Forster Discuss the Poetics of the Modern Novel","year":2023,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"Poetics; Sister; Meaning (existential); Content (measure theory); Beauty; Reading (process); Literature; Poetry; Art; Philosophy; Art history; History; Aesthetics; Sociology; Epistemology; Linguistics","score_opus":0.04236644036176343,"score_gpt":0.20461317527596107,"score_spread":0.16224673491419764,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381294726","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97560626,0.00040159738,0.00051537825,0.0029657006,0.00031685297,0.0004544713,0.00040000034,0.000039392722,0.019300345],"genre_scores_gemma":[0.9547003,0.000036484333,0.00002682024,0.00012370583,0.000045180546,5.104897e-7,0.0000063934267,0.000007655075,0.04505296],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99940085,0.000018227594,0.00013407719,0.00013536628,0.00014893671,0.0001625131],"domain_scores_gemma":[0.9994867,0.00006737958,0.00008935804,0.00021363342,0.00010105426,0.000041885392],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0000874193,0.00011227027,0.00018215422,0.000017323408,0.00031342154,0.00006486473,0.00020804079,0.000043303357,0.00015041388],"category_scores_gemma":[0.0000042217675,0.0000618119,0.00008149745,0.00001110224,0.00045165402,0.00037510865,0.00006136401,0.000066919056,0.0000015844148],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035543062,0.00009605493,0.00037349577,0.00017250532,0.00016122892,0.0000060290836,0.7751036,2.4511732e-7,0.0011778674,0.20198594,0.0023393293,0.018228242],"study_design_scores_gemma":[0.005302229,0.001982159,0.02614503,0.00037818422,0.0005059538,0.00002076717,0.6564441,0.0037026557,0.00009890752,0.011199329,0.29360703,0.00061370607],"about_ca_topic_score_codex":0.003651945,"about_ca_topic_score_gemma":0.05100248,"teacher_disagreement_score":0.2912677,"about_ca_system_score_codex":0.000021250342,"about_ca_system_score_gemma":0.00001519341,"threshold_uncertainty_score":0.96631426},"labels":[],"label_agreement":null},{"id":"W4383809318","doi":"10.5325/victinstj.35.1.0313","title":"K. K. Collins. <i>Identifying the Remains: George Eliot’s Death in the London Religious Press</i>","year":2007,"lang":"en","type":"article","venue":"Victorians Institute Journal","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"George (robot); Icon; Title page; Citation; Publishing; State (computer science); Download; Art history; Art; Library science; History; World Wide Web; Computer science; Algorithm; Literature","score_opus":0.04356042669007422,"score_gpt":0.272940465394412,"score_spread":0.22938003870433782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4383809318","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23427027,0.024344016,0.009266398,0.009701933,0.042377822,0.0015186359,0.00009311679,0.00021608753,0.67821175],"genre_scores_gemma":[0.9767953,0.0015375161,0.00012460581,0.004967193,0.012323573,0.000015412266,0.000010948459,0.00003228557,0.00419312],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99780476,0.00013719063,0.00065265107,0.00021776136,0.0006271039,0.0005605203],"domain_scores_gemma":[0.9989653,0.0001504962,0.00019007077,0.00040816877,0.000191346,0.000094615054],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0020758386,0.00024195983,0.00022701095,0.00015059164,0.0013751894,0.0016453257,0.00074841146,0.000103076825,0.000085772735],"category_scores_gemma":[0.000080821264,0.00013214405,0.00017316965,0.00010341462,0.00021555233,0.0006864412,0.000048327864,0.0010861845,0.000031099553],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012472323,0.0002159862,0.00047436444,0.00004684193,0.00008299197,0.0014372611,0.14371972,0.000054346987,0.0001542545,0.7539779,0.09869942,0.0010121927],"study_design_scores_gemma":[0.0005508854,0.00005316921,0.00020733055,0.00013592331,0.000053940857,0.00043485398,0.0019473048,0.000014408859,0.000056820103,0.009413606,0.9869437,0.00018803122],"about_ca_topic_score_codex":0.0002746888,"about_ca_topic_score_gemma":0.008411667,"teacher_disagreement_score":0.88824433,"about_ca_system_score_codex":0.00011098432,"about_ca_system_score_gemma":0.000099098535,"threshold_uncertainty_score":0.9999249},"labels":[],"label_agreement":null},{"id":"W4383810010","doi":"10.5325/victinstj.32.1.0095","title":"Tinsmith’s Song","year":2004,"lang":"en","type":"article","venue":"Victorians Institute Journal","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Icon; Citation; Search engine optimization; Download; State (computer science); Library science; Publishing; World Wide Web; Computer science; Information retrieval; Search engine; Art; Literature; Algorithm","score_opus":0.02284856857668304,"score_gpt":0.22308628644575065,"score_spread":0.2002377178690676,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4383810010","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0779588,0.0009188696,0.009917569,0.0049109077,0.035463415,0.00017039405,0.0000401135,0.00022094218,0.870399],"genre_scores_gemma":[0.97708,0.000042404725,0.0005500741,0.0011176682,0.013824802,0.000003743881,0.000005883144,0.000020697984,0.00735471],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990121,0.000015811203,0.00027468268,0.00013448996,0.00027232597,0.00029057343],"domain_scores_gemma":[0.9994655,0.0000069522653,0.00007558059,0.00015075142,0.00015251705,0.00014865704],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014673675,0.00015157946,0.00015370268,0.00010912662,0.0007790471,0.00082453934,0.00021383852,0.000055318942,0.0013716719],"category_scores_gemma":[0.000020544354,0.00011859038,0.00012099295,0.00003045917,0.00017096104,0.0008536224,0.000020313224,0.00042462436,0.00021564221],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017022288,0.00007366401,0.000034219323,0.000010213668,0.00003980622,0.00022018427,0.023862204,0.000050617262,0.000112346184,0.967989,0.0064811306,0.0011095846],"study_design_scores_gemma":[0.0006148381,0.00008582784,0.000019271709,0.00007411372,0.000025972413,0.00024293337,0.00040155658,0.0000028426214,0.00007673877,0.030502807,0.9677874,0.0001656843],"about_ca_topic_score_codex":0.00005261928,"about_ca_topic_score_gemma":0.0007501818,"teacher_disagreement_score":0.9613063,"about_ca_system_score_codex":0.00009567104,"about_ca_system_score_gemma":0.00014774666,"threshold_uncertainty_score":0.9995412},"labels":[],"label_agreement":null},{"id":"W4383810019","doi":"10.5325/victinstj.31.1.0109","title":"Opera in the Family: Eliot’s <i>Daniel Deronda</i>","year":2003,"lang":"en","type":"article","venue":"Victorians Institute Journal","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Icon; Opera; Citation; Download; State (computer science); Search engine optimization; World Wide Web; Art history; Computer science; Art; Search engine; Algorithm","score_opus":0.035441565752245205,"score_gpt":0.238914292965387,"score_spread":0.2034727272131418,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4383810019","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03491696,0.0027474645,0.0011058159,0.0025138455,0.013931075,0.00022222234,0.000021012143,0.00004201182,0.9444996],"genre_scores_gemma":[0.97878677,0.000223026,0.00021363504,0.007791163,0.0044400124,0.000014738898,0.000005934066,0.000022578899,0.008502128],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986268,0.00015088887,0.00036446526,0.00015887704,0.00034280182,0.00035612978],"domain_scores_gemma":[0.99947697,0.000035267243,0.00006512478,0.00023270956,0.00010877166,0.00008112841],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0005814732,0.00018442467,0.00018290101,0.000120426266,0.0007086826,0.001095135,0.00037329394,0.00006680839,0.0005224473],"category_scores_gemma":[0.00005043357,0.000116106945,0.00010732713,0.00007222212,0.00016123608,0.00070150924,0.000012888879,0.0006985192,0.0000776],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009642011,0.000105371866,0.00006696289,0.000008825211,0.000020115494,0.00020737795,0.04420106,0.000017973252,0.00014591198,0.8847617,0.070107445,0.00034764898],"study_design_scores_gemma":[0.00051005377,0.00005162473,0.00004064931,0.00004752968,0.000021133119,0.00023147739,0.002912972,0.0000060509637,0.00002359407,0.0075401044,0.98844784,0.00016697442],"about_ca_topic_score_codex":0.000040057163,"about_ca_topic_score_gemma":0.0009198836,"teacher_disagreement_score":0.9438698,"about_ca_system_score_codex":0.000052996813,"about_ca_system_score_gemma":0.00015305243,"threshold_uncertainty_score":0.9999418},"labels":[],"label_agreement":null},{"id":"W4385287345","doi":"10.1017/9781009038157.042","title":"Further Reading","year":2023,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Reading (process); Computer science; Linguistics; Philosophy","score_opus":0.042700573245133454,"score_gpt":0.19556743362845527,"score_spread":0.1528668603833218,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385287345","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000012643599,0.00007574075,0.0000189396,0.0000433473,0.00073877344,0.00018651466,0.00054734404,0.0003428378,0.9980339],"genre_scores_gemma":[0.0009300846,0.000035393456,0.0000071076906,0.00018070103,0.00089464954,6.5661294e-7,0.000108276465,0.00008790295,0.9977552],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898416,0.000017470109,0.00014625302,0.00038361715,0.00020993245,0.00025858707],"domain_scores_gemma":[0.9992152,0.000049755436,0.00010001064,0.0003938748,0.00013638716,0.00010479823],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00005764431,0.00031147304,0.00031264446,0.00016684299,0.00030732594,0.0001949071,0.00031748821,0.00021582484,0.0001120438],"category_scores_gemma":[0.000002995042,0.00034153092,0.00022173731,0.0000016137806,0.000289061,0.000091097136,0.00017018706,0.0004195395,0.00025816195],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002027325,0.0000029213513,4.266637e-8,0.000066012566,0.00009643032,0.0003479198,0.002398328,9.786437e-8,0.0000057893167,0.8523481,0.14431813,0.0003959754],"study_design_scores_gemma":[0.0001830234,0.000025604713,3.5242172e-7,0.00021678137,0.00017242544,0.0000041299854,0.00026488176,0.000009181278,0.00001248837,0.00020312137,0.99852306,0.00038493457],"about_ca_topic_score_codex":0.00011755593,"about_ca_topic_score_gemma":0.000017403301,"teacher_disagreement_score":0.85420495,"about_ca_system_score_codex":0.00006308641,"about_ca_system_score_gemma":0.00003595647,"threshold_uncertainty_score":0.9999037},"labels":[],"label_agreement":null},{"id":"W4385535953","doi":"10.1515/9780773564039-001","title":"Acknowledgments","year":2003,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Trinity College, University of Cambridge; University of Vermont; University of Saskatchewan; Social Sciences and Humanities Research Council of Canada; Queen's University; McGill University","keywords":"Geology","score_opus":0.02526350522865842,"score_gpt":0.20013937036440596,"score_spread":0.17487586513574754,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385535953","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000010325057,0.000008892269,0.000012462552,0.000089402296,0.0008263984,0.00032495556,0.0009923163,0.00017344314,0.9975711],"genre_scores_gemma":[0.0004790823,0.00005793402,0.000036777095,0.00073979434,0.00036633768,0.0000014876001,0.00010123018,0.00008361907,0.9981337],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984202,0.000047729878,0.00024197361,0.0005710748,0.00033271124,0.00038635725],"domain_scores_gemma":[0.9987625,0.00003810991,0.00017085233,0.00055920356,0.00028724573,0.0001820795],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000059603743,0.0005277596,0.0004826229,0.0002005923,0.0007656886,0.00016553435,0.0004243157,0.00035910815,0.0018184434],"category_scores_gemma":[0.000003908198,0.0005661291,0.0003145488,0.0000024677101,0.00033223623,0.0001605739,0.00020422626,0.0005903813,0.00017231617],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034494828,0.000021236137,8.561316e-8,0.00009922699,0.00018215294,0.00020053884,0.001213163,2.4821412e-7,8.6712816e-7,0.93238956,0.065397784,0.00046065022],"study_design_scores_gemma":[0.00046322052,0.00006134541,1.0622222e-7,0.0002158233,0.0002854197,0.0000018967094,0.00009512184,0.0000011569434,0.000041677566,0.0060024187,0.99222106,0.0006107646],"about_ca_topic_score_codex":0.0001465262,"about_ca_topic_score_gemma":0.0000028756538,"teacher_disagreement_score":0.92682326,"about_ca_system_score_codex":0.00015431638,"about_ca_system_score_gemma":0.000026985595,"threshold_uncertainty_score":0.999679},"labels":[],"label_agreement":null},{"id":"W4385875591","doi":"10.5539/ells.v13n3p41","title":"An Analysis of Paul’s Search for Self in Sons and Lovers","year":2023,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Emancipation; Independence (probability theory); Psychoanalysis; Oedipus complex; Psychology; Sociology; Art; Law; Political science; Mathematics","score_opus":0.019464417052928694,"score_gpt":0.3019531543523902,"score_spread":0.2824887372994615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385875591","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98175496,0.014892513,0.000002990467,0.00018902349,0.00014613151,0.0001513449,0.0005435228,0.00007041916,0.002249073],"genre_scores_gemma":[0.9972202,0.0004449335,0.00005810073,0.000108637054,0.00035106819,0.000023507635,0.0002100392,0.0000101947135,0.0015733029],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9992793,0.000046178917,0.00015890741,0.00022616882,0.00009693474,0.00019246382],"domain_scores_gemma":[0.99947715,0.00015095723,0.000024456787,0.0001302205,0.00017734877,0.000039882987],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024835806,0.0001238548,0.00032437846,0.000379418,0.0001249267,0.00018629464,0.00005438329,0.00004802099,0.000017613515],"category_scores_gemma":[0.00005103912,0.00009485152,0.000063320396,0.00023000497,0.00009329991,0.00021275193,0.00003395037,0.000113202426,2.9665236e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002039569,0.000030075356,0.0005813459,0.00019434978,0.00042754578,0.00003251477,0.9534639,0.0000041724206,0.000038804716,0.043401234,0.0012857128,0.0005199513],"study_design_scores_gemma":[0.0006317878,0.00019621012,0.0013911955,0.00015532288,0.0005262493,7.9729375e-7,0.95796204,0.0007091071,0.000090110705,0.0005516955,0.03753139,0.00025409175],"about_ca_topic_score_codex":0.000025259733,"about_ca_topic_score_gemma":0.00065425475,"teacher_disagreement_score":0.042849537,"about_ca_system_score_codex":0.0000065200297,"about_ca_system_score_gemma":0.00000601818,"threshold_uncertainty_score":0.3867933},"labels":[],"label_agreement":null},{"id":"W4387223327","doi":"10.3138/md-66-3-1268","title":"Destined to Hope or Remorse: T.S. Eliot, Francis Bacon, and Their Furies","year":2023,"lang":"en","type":"article","venue":"Modern Drama","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Style (visual arts); Curse; Mythology; Literature; History; Remorse; Wife; Omen; Drama; Art history; Art; Philosophy; Theology; Psychology","score_opus":0.03133377244522247,"score_gpt":0.24366258030081447,"score_spread":0.212328807855592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387223327","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9070343,0.001372121,0.002805422,0.0086149415,0.0009670288,0.00058288715,0.00027215088,0.0009527079,0.07739846],"genre_scores_gemma":[0.9317697,0.000019099705,0.00014506768,0.0026825904,0.00064544874,0.000042679938,0.000032326403,0.000043619893,0.06461944],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99888784,0.000031576117,0.00021750106,0.00033873963,0.00014993885,0.00037442474],"domain_scores_gemma":[0.99931735,0.000097674936,0.000029478855,0.00029976064,0.00011250524,0.00014325169],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014218902,0.00022310697,0.00025239354,0.00013713723,0.00040624966,0.00060841185,0.00016436115,0.00006512983,0.000937453],"category_scores_gemma":[0.000062779254,0.00015284539,0.000055353295,0.0000816109,0.00014090519,0.0002009292,0.0001029098,0.00013927816,0.0003470102],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004250946,0.000117846044,0.00017164894,0.00031285544,0.00012011741,0.00026073118,0.558788,0.000045122408,0.002976281,0.1441989,0.14921865,0.14336477],"study_design_scores_gemma":[0.000470434,0.00017127245,0.00041407967,0.00009023926,0.000023045153,0.000019031264,0.002826089,0.004572018,0.0004769472,0.03187536,0.95862454,0.0004369351],"about_ca_topic_score_codex":0.00007618567,"about_ca_topic_score_gemma":0.0006519387,"teacher_disagreement_score":0.8094059,"about_ca_system_score_codex":0.0000111617555,"about_ca_system_score_gemma":0.000024935807,"threshold_uncertainty_score":0.9999758},"labels":[],"label_agreement":null},{"id":"W4387223418","doi":"10.3138/md-66-3-1260","title":"Finding T.S. Eliot’s “Little Devils”: Marionettes and <i>Sweeney Agonistes</i>","year":2023,"lang":"en","type":"article","venue":"Modern Drama","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dramaturgy; Drama; Style (visual arts); Art; Literature; Poetry; Puppetry; Performing arts; Visual arts; Elegiac; Realization (probability); Aesthetics","score_opus":0.0336799265281797,"score_gpt":0.24019104728457277,"score_spread":0.20651112075639308,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387223418","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6008318,0.0035076817,0.000805339,0.007840642,0.0014653073,0.00044713996,0.00024754138,0.0010945044,0.38376004],"genre_scores_gemma":[0.93589514,0.000054345146,0.00007041624,0.001754059,0.000620932,0.0000284729,0.00010174057,0.000038570804,0.061436348],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988273,0.000033342974,0.00021590108,0.00032455867,0.00020712127,0.00039181608],"domain_scores_gemma":[0.9994637,0.00009365508,0.000041612922,0.0002415919,0.000059542555,0.00009991015],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015474162,0.00019176795,0.00020508666,0.00012983134,0.0005554641,0.00078681676,0.0001434632,0.000074603646,0.0005438241],"category_scores_gemma":[0.000024814464,0.00017269902,0.00006945853,0.00005474683,0.0001599066,0.00024780544,0.000105327075,0.00017882117,0.0003231688],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038918315,0.000088892055,0.0008641426,0.0002838594,0.000101998296,0.00015300114,0.09535439,0.000028270299,0.0019090689,0.75561136,0.101422876,0.044143252],"study_design_scores_gemma":[0.00036615506,0.00004813535,0.0004937939,0.00008019245,0.000037923455,0.000010897838,0.00070354756,0.0044815894,0.0002903018,0.055075113,0.9380518,0.0003605505],"about_ca_topic_score_codex":0.000085874715,"about_ca_topic_score_gemma":0.00019268238,"teacher_disagreement_score":0.8366289,"about_ca_system_score_codex":0.000017734492,"about_ca_system_score_gemma":0.000021071544,"threshold_uncertainty_score":0.7587292},"labels":[],"label_agreement":null},{"id":"W4388080580","doi":"10.1093/oso/9780195170269.001.0001","title":"D. H. L Awrence’s Women in Love","year":2005,"lang":"en","type":"book","venue":"","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Classics; Art history","score_opus":0.018822390884420708,"score_gpt":0.21193519487498502,"score_spread":0.19311280399056432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388080580","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000022569291,0.00076775224,0.0000019054415,0.00041673504,0.00033359404,0.00010675528,0.000057636084,0.00003614384,0.9982569],"genre_scores_gemma":[0.0017804669,0.00003179283,0.0000123170075,0.002295498,0.0025615266,0.000011526567,0.00007174534,0.000028440796,0.9932067],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900997,0.00001098422,0.00023856382,0.00023114895,0.00015904084,0.00035031675],"domain_scores_gemma":[0.9996205,0.000027044796,0.000039459406,0.00020220128,0.00004155586,0.00006922263],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008990993,0.0002111858,0.00029527163,0.00013216528,0.000027583257,0.00024199043,0.0001602198,0.00014772115,0.12081592],"category_scores_gemma":[0.000003194987,0.00017387292,0.00006788762,0.0000049070304,0.00010711676,0.00011425243,0.000029186143,0.000338998,0.0043787826],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000033048973,0.000017752403,2.5051557e-7,0.000029604567,0.000009048654,0.000016398613,0.072144456,1.17574e-7,1.2836249e-7,0.5410919,0.38530368,0.0013833563],"study_design_scores_gemma":[0.00011159108,0.000028801895,9.757848e-7,0.000079895166,0.0000056584313,0.0000011356698,0.0008045742,0.000004872761,4.079407e-7,0.060400847,0.9383394,0.00022182235],"about_ca_topic_score_codex":0.000023266379,"about_ca_topic_score_gemma":0.0014120501,"teacher_disagreement_score":0.55303574,"about_ca_system_score_codex":0.00021046601,"about_ca_system_score_gemma":0.00014471053,"threshold_uncertainty_score":0.9963964},"labels":[],"label_agreement":null},{"id":"W4389155157","doi":"10.1017/9781108560740.008","title":"Literature in the Electric Age","year":2023,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Middlebrow; Obsolescence; Reading (process); Field (mathematics); Appeal; Literature; Media studies; Literary criticism; Aesthetics; Art; Advertising; History; Sociology; Political science; Law; Business; Marketing","score_opus":0.03572203242769294,"score_gpt":0.19320086185641022,"score_spread":0.15747882942871727,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389155157","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000042761007,0.0004993039,0.0000041288827,0.000069809386,0.0003416391,0.00032311853,0.00033986522,0.00012180148,0.9982576],"genre_scores_gemma":[0.003491078,0.00012019728,0.0000021023814,0.0004982907,0.00065671146,0.0000018117926,0.00020068201,0.000047123805,0.994982],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988599,0.000056259265,0.00016092272,0.0003654022,0.0002659594,0.00029159625],"domain_scores_gemma":[0.9992065,0.000098323944,0.000082140956,0.00045334778,0.00010756419,0.000052144653],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00011865005,0.00032436356,0.0002993381,0.00028956318,0.0002810599,0.00048275627,0.0005914597,0.00025684634,0.00001659492],"category_scores_gemma":[0.0000055475784,0.0002672252,0.0002097229,0.000009371453,0.00017147523,0.00010354771,0.000103835264,0.0009393412,0.000048621656],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024000341,0.000006954779,6.077141e-8,0.00007864752,0.00003628916,0.0025363085,0.007178687,9.90007e-8,0.0000030850972,0.87387073,0.11597457,0.00029056138],"study_design_scores_gemma":[0.00021720307,0.00003766998,0.0000031201803,0.00027712723,0.000094512725,0.000011407889,0.000210852,0.000007579541,0.0000032691407,0.0005365937,0.99829704,0.00030365773],"about_ca_topic_score_codex":0.00008619832,"about_ca_topic_score_gemma":0.00006483991,"teacher_disagreement_score":0.88232243,"about_ca_system_score_codex":0.000056114935,"about_ca_system_score_gemma":0.000036995854,"threshold_uncertainty_score":0.999978},"labels":[],"label_agreement":null},{"id":"W4390408441","doi":"10.3917/etan.611.0121b","title":"K. K. COLLINS. — Identifying the Remains. George Eliot in the London Religious Press . (Victoria, BC, Canada : ELS 2006, 119 pp.)","year":2008,"lang":"ca","type":"article","venue":"Études anglaises","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"George (robot); Art; Art history; Humanities","score_opus":0.030990779155637832,"score_gpt":0.2333606672743997,"score_spread":0.20236988811876186,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390408441","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46102855,0.22135776,0.000017627639,0.01013237,0.007680709,0.002842227,0.0015148764,0.0001843871,0.29524148],"genre_scores_gemma":[0.96689063,0.011416937,0.000010774562,0.0048889844,0.0032014104,0.000118822005,0.000082961385,0.00007463252,0.013314864],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958818,0.00041156178,0.0008947943,0.00065595435,0.0011470919,0.001008799],"domain_scores_gemma":[0.99757195,0.0006640945,0.00027284896,0.0010436734,0.00030720016,0.00014026086],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00057510554,0.0006144592,0.00061327836,0.00008636143,0.0021120803,0.001185582,0.001180978,0.0001986772,0.00039466],"category_scores_gemma":[0.00010301065,0.00038968262,0.00026946672,0.00020051232,0.0004911343,0.0003784819,0.00017648832,0.00083763764,0.00003549248],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001386538,0.00038092918,0.0009110177,0.0003917401,0.00019746565,0.0017687316,0.07819703,0.00006524875,0.000049739567,0.3378699,0.5797395,0.00029003213],"study_design_scores_gemma":[0.00066236715,0.0001080224,0.0009864656,0.0003232087,0.00015941504,0.000106291685,0.0065388754,0.0000664232,0.00009546818,0.0010633667,0.98934513,0.00054495316],"about_ca_topic_score_codex":0.52297235,"about_ca_topic_score_gemma":0.87799484,"teacher_disagreement_score":0.50586206,"about_ca_system_score_codex":0.00024976177,"about_ca_system_score_gemma":0.0007197069,"threshold_uncertainty_score":0.9998555},"labels":[],"label_agreement":null},{"id":"W4390544200","doi":"10.1080/0950236x.2023.2295283","title":"Whimsical criticism","year":2024,"lang":"en","type":"article","venue":"Textual Practice","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Criticism; Sociological criticism; Literary criticism; Theatre criticism; New Criticism; Literature; Opposition (politics); Relation (database); Close reading; Historical criticism; Philosophy; Aesthetics; Literary science; Art; Politics; Law; Political science","score_opus":0.03310505979118954,"score_gpt":0.30152130123882526,"score_spread":0.2684162414476357,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390544200","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006863578,0.0029290004,0.0005678539,0.016332109,0.001271279,0.00008336947,0.000039485825,0.00038753127,0.97770303],"genre_scores_gemma":[0.8710528,0.000018198274,0.0001995282,0.0075840666,0.0026954042,0.000015079115,0.000015678213,0.000027359269,0.1183919],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990179,0.000074565556,0.00018018988,0.00025060854,0.00023868946,0.00023807827],"domain_scores_gemma":[0.99889714,0.0007101585,0.000015785909,0.00018275576,0.00011702224,0.00007716132],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024685732,0.00012982429,0.000113787486,0.00006323956,0.00020587794,0.0012920207,0.00011810953,0.000047888945,0.00818117],"category_scores_gemma":[0.0002453858,0.000106596126,0.0000724977,0.000032721833,0.00015503717,0.001181765,0.000034319524,0.00037927745,0.0041521373],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014022686,0.0000591698,8.701991e-8,0.000048059563,0.000028243128,0.00020532408,0.019714551,1.1407394e-7,0.000046888676,0.8394998,0.13395283,0.006430965],"study_design_scores_gemma":[0.000065365,0.000069441245,0.000001010765,0.000046165176,0.00007623612,0.000086259686,0.0039496017,0.0002746296,0.000028885977,0.014188901,0.98106,0.00015345193],"about_ca_topic_score_codex":0.000057321064,"about_ca_topic_score_gemma":0.000042858454,"teacher_disagreement_score":0.87036645,"about_ca_system_score_codex":0.000018510116,"about_ca_system_score_gemma":0.000040715404,"threshold_uncertainty_score":0.9997447},"labels":[],"label_agreement":null},{"id":"W4390596725","doi":"10.1007/978-3-031-42327-7","title":"Dancing an Embodied Sinthome","year":2023,"lang":"en","type":"book","venue":"The Palgrave Lacan Series","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Embodied cognition; Dance; Art; Psychoanalysis; Art history; Aesthetics; Philosophy; Sociology; Visual arts; Epistemology; Psychology","score_opus":0.04090166641412749,"score_gpt":0.24177493864026486,"score_spread":0.20087327222613738,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390596725","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00017888391,0.00057920784,0.0000070824126,0.00090868166,0.001461572,0.0002721686,0.00052611,0.00041677334,0.9956495],"genre_scores_gemma":[0.021566367,0.00007215016,0.000016178374,0.0010277405,0.0046339384,0.000049771585,0.00065655727,0.0001453877,0.9718319],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99842286,0.00008773634,0.00034565435,0.00038154027,0.00033514647,0.0004270588],"domain_scores_gemma":[0.9987787,0.00010519543,0.00014163333,0.00074194424,0.00013844713,0.000094081515],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024855233,0.00043160995,0.00047838807,0.000105623745,0.0008226668,0.00083939446,0.0005180947,0.00017580605,0.0016254334],"category_scores_gemma":[0.000016483387,0.00029178598,0.00018361126,0.000021182579,0.000741077,0.00010560905,0.00011695984,0.0005856715,0.000573959],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026807857,0.000004031637,4.3438368e-7,0.000102353966,0.000071320384,0.00003396344,0.07763896,4.3473884e-7,0.000006971834,0.8896475,0.031874523,0.000592705],"study_design_scores_gemma":[0.000052943746,0.000079614365,0.000003961066,0.00012374691,0.00008292015,0.0000062899558,0.00245849,0.0000035993767,0.000007525571,0.4362583,0.56065637,0.00026626996],"about_ca_topic_score_codex":0.000093974384,"about_ca_topic_score_gemma":0.0065369303,"teacher_disagreement_score":0.52878183,"about_ca_system_score_codex":0.00005654601,"about_ca_system_score_gemma":0.00014941368,"threshold_uncertainty_score":0.99995345},"labels":[],"label_agreement":null},{"id":"W4392908610","doi":"10.4000/cve.13566","title":"Insights into the Legacy of Bloomsbury","year":2005,"lang":"en","type":"paratext","venue":"Cahiers victoriens et édouardiens","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.013283735702803223,"score_gpt":0.24489757100217116,"score_spread":0.23161383529936794,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392908610","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0051394,0.025732167,0.000110809786,0.0008987003,0.010661349,0.00047041065,0.0002542285,0.0000700633,0.9566629],"genre_scores_gemma":[0.32729355,0.0016060595,0.00006222542,0.0027787616,0.008002487,0.00009098634,0.0006067353,0.00013293313,0.6594263],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99721116,0.00023506703,0.00075127254,0.0006384457,0.00060079736,0.00056324765],"domain_scores_gemma":[0.99752164,0.00023927244,0.00037549424,0.0011109778,0.00057879527,0.0001738495],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022502204,0.0006683184,0.0008992664,0.00025968647,0.000812671,0.00058800634,0.00075730844,0.0005477307,0.0043872064],"category_scores_gemma":[0.00005604591,0.00045261302,0.00054015894,0.00011028179,0.0019039694,0.00041804143,0.00011839034,0.0014990885,0.0016538386],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019711239,0.00007971149,1.7875712e-7,0.00012603658,0.0001932916,0.0000125825045,0.3148361,0.000009099111,0.00004178156,0.33095965,0.35311344,0.00060838944],"study_design_scores_gemma":[0.0003661916,0.00013174803,0.0000020034752,0.0001969214,0.00022779976,0.000005012546,0.005749891,0.000008819897,0.00018789602,0.001632082,0.9909537,0.0005379754],"about_ca_topic_score_codex":0.00016276997,"about_ca_topic_score_gemma":0.0007222014,"teacher_disagreement_score":0.6378402,"about_ca_system_score_codex":0.00013808713,"about_ca_system_score_gemma":0.00026085816,"threshold_uncertainty_score":0.9997926},"labels":[],"label_agreement":null},{"id":"W4393041972","doi":"10.7202/1109691ar","title":"“Les Trois Sauvages”: Yvan Goll Translating T.S. Eliot in Exile","year":2023,"lang":"fr","type":"article","venue":"TTR traduction terminologie rédaction","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.11004839697095682,"score_gpt":0.3165057879725284,"score_spread":0.20645739100157157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393041972","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.888118,0.009525713,0.0004985629,0.02205186,0.011625442,0.0008365248,0.00028837624,0.001604004,0.06545147],"genre_scores_gemma":[0.90779096,0.0019820333,0.00010551866,0.000120531906,0.0026270768,0.000093622875,0.0002457748,0.000069250425,0.08696522],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99721086,0.0002553159,0.00074528466,0.00067077344,0.0003061897,0.00081158994],"domain_scores_gemma":[0.99915487,0.00012028071,0.00018039632,0.00035824912,0.00008658796,0.0000996404],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036766398,0.00042900094,0.00044503185,0.00069691817,0.0007169852,0.0004051672,0.00019681042,0.00045200344,0.0016991579],"category_scores_gemma":[0.00005252359,0.0004600498,0.00024803233,0.00032741515,0.0003961336,0.000970442,0.000025359459,0.0008766432,0.00055269635],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015717951,0.00048040773,0.0006337199,0.0007192853,0.0000944197,0.00026843292,0.055279702,0.00033432135,0.004558401,0.08876984,0.014764865,0.83393943],"study_design_scores_gemma":[0.0013369595,0.00047316108,0.01429542,0.00047538092,0.00017398056,0.00017024192,0.014238827,0.0027525735,0.0024744086,0.0146784345,0.9480032,0.0009274464],"about_ca_topic_score_codex":0.0026310906,"about_ca_topic_score_gemma":0.0014950371,"teacher_disagreement_score":0.9332383,"about_ca_system_score_codex":0.00037519488,"about_ca_system_score_gemma":0.000056173216,"threshold_uncertainty_score":0.9997851},"labels":[],"label_agreement":null},{"id":"W4395087492","doi":"10.1017/9781108891349.042","title":"Further Reading","year":2024,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Mount Allison University","funders":"","keywords":"Reading (process); Psychology; Computer science; Linguistics; Philosophy","score_opus":0.028820328300788876,"score_gpt":0.1916510566461193,"score_spread":0.16283072834533044,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395087492","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000010022747,0.0006039609,0.000014441238,0.000057511363,0.0008940086,0.000175082,0.00057389395,0.00024765584,0.9974234],"genre_scores_gemma":[0.0019998394,0.00003414723,0.0000074241993,0.0001904759,0.001125232,5.500793e-7,0.00007377184,0.0000759595,0.9964926],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99902344,0.000010248722,0.00014084608,0.0004123494,0.00018649838,0.00022664243],"domain_scores_gemma":[0.9993399,0.000028454397,0.00006544164,0.00035825447,0.00010845905,0.000099515186],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000043978212,0.0003279582,0.00029298337,0.00016056586,0.00021615713,0.0003145469,0.0002780418,0.0002091757,0.00019321694],"category_scores_gemma":[0.0000011801144,0.00034049933,0.00024786475,0.0000012666047,0.00029059366,0.00009031297,0.00016771075,0.00051728747,0.0002561479],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001759289,0.000003003134,1.4000622e-8,0.00013718705,0.00012985202,0.0004946261,0.0028801986,5.507359e-8,0.000007067538,0.8601558,0.1358558,0.0003188025],"study_design_scores_gemma":[0.00011802392,0.000026297716,5.27257e-8,0.00037227897,0.00031461226,0.000009476079,0.00022695641,0.000012324402,0.000016519523,0.0005117033,0.99800426,0.00038748994],"about_ca_topic_score_codex":0.00008383338,"about_ca_topic_score_gemma":0.000010107643,"teacher_disagreement_score":0.86214846,"about_ca_system_score_codex":0.00008144899,"about_ca_system_score_gemma":0.00003468744,"threshold_uncertainty_score":0.9999047},"labels":[],"label_agreement":null},{"id":"W4396769796","doi":"10.1080/00085006.2024.2350299","title":"All future plunges to the past: James Joyce in Russian literature","year":2024,"lang":"en","type":"article","venue":"Canadian Slavonic Papers","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"History","score_opus":0.010250333484700924,"score_gpt":0.21403909505559718,"score_spread":0.20378876157089626,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396769796","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008018017,0.038375385,6.9025293e-7,0.22225444,0.0029188457,0.00037507596,0.0005114821,0.00011063376,0.7274354],"genre_scores_gemma":[0.9192892,0.00014034238,0.000011175204,0.025833316,0.003603328,0.00005760832,0.000082543134,0.00003805148,0.05094446],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99870676,0.00005077069,0.00017415959,0.00035056498,0.0001500855,0.00056765095],"domain_scores_gemma":[0.99924654,0.000040416908,0.00001155253,0.00032479025,0.000023924606,0.00035275874],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013056399,0.00022513219,0.00016178649,0.00027458853,0.00024388074,0.0012909733,0.00031841308,0.000113855865,0.0015214869],"category_scores_gemma":[0.000008761918,0.00014975734,0.00010533283,0.0001463553,0.0000814915,0.00017201879,0.000018212204,0.00049482705,0.00028094888],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005672197,0.0000055501564,0.00002146457,0.00006468939,0.00004588446,0.0004381966,0.15594813,0.000003831593,0.000010702802,0.62409043,0.2100627,0.009302759],"study_design_scores_gemma":[0.00007130751,0.000025274596,0.0002896568,0.00022819535,0.000023029928,0.0000163748,0.0042512007,0.000029860554,0.0000020077587,0.0009516713,0.99389106,0.0002203363],"about_ca_topic_score_codex":0.01146511,"about_ca_topic_score_gemma":0.69647324,"teacher_disagreement_score":0.91127115,"about_ca_system_score_codex":0.00019046816,"about_ca_system_score_gemma":0.00027256706,"threshold_uncertainty_score":0.9997458},"labels":[],"label_agreement":null},{"id":"W4398886927","doi":"10.7910/dvn/rtsd3m","title":"Petition of John Eliot","year":2018,"lang":"en","type":"dataset","venue":"Harvard Dataverse","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; History","score_opus":0.02147083623867865,"score_gpt":0.23240951881429267,"score_spread":0.21093868257561402,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4398886927","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000008579403,0.000004996491,0.000004821407,0.0000051979023,0.0013251398,0.00012231982,0.9778452,0.000025283529,0.02065849],"genre_scores_gemma":[0.000045070177,0.00013852102,0.000032393797,0.00048567684,0.002346354,0.000011855098,0.9921117,0.000017224082,0.0048111975],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988285,0.000047621503,0.00032643316,0.00029631954,0.00029233214,0.0002088023],"domain_scores_gemma":[0.9986353,0.0000323777,0.00017737808,0.0008973825,0.00019373534,0.00006383448],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001307945,0.00023479888,0.0003190519,0.00016948786,0.00014673987,0.00020616158,0.00040341934,0.00015064991,0.28404886],"category_scores_gemma":[0.00004253915,0.0002102214,0.00012155175,0.000020629572,0.00036493278,0.00026130164,0.00013975998,0.00023278256,0.049998943],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027028336,0.000079475074,9.422279e-8,0.00029853793,0.00004757226,0.00002440395,0.00064289954,3.715854e-8,0.0000040758164,0.0087428875,0.9901005,0.0000324844],"study_design_scores_gemma":[0.00018886499,0.00009462115,6.8306895e-7,0.00020548374,0.00015813007,0.000004896389,0.00015150342,0.0000022572333,0.000014358324,0.00035623257,0.9985947,0.00022827726],"about_ca_topic_score_codex":0.00029213927,"about_ca_topic_score_gemma":0.0007934753,"teacher_disagreement_score":0.23404992,"about_ca_system_score_codex":0.000014840263,"about_ca_system_score_gemma":0.000054616616,"threshold_uncertainty_score":0.95074075},"labels":[],"label_agreement":null},{"id":"W4399539593","doi":"10.7202/1111921ar","title":"“To Have a Body / Is a Cruel Joke”: The T.E. Lawrence Poems and Gwendolyn MacEwen’s Shameful Subversion of Cultural Singularity","year":2024,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subversion; Joke; Poetry; Literature; Art; Law; Political science; Politics","score_opus":0.04634028983723202,"score_gpt":0.31076797889446245,"score_spread":0.2644276890572304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399539593","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38458797,0.4155438,0.0000051196935,0.08071363,0.005584949,0.0014419938,0.004753609,0.00013103023,0.107237905],"genre_scores_gemma":[0.98310083,0.00040490748,0.000037758677,0.003617648,0.00049373053,0.000029819284,0.000025735166,0.000015835236,0.012273754],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987353,0.000057797057,0.00023474092,0.00036406118,0.00018896992,0.00041911114],"domain_scores_gemma":[0.9992565,0.000094536685,0.000026640379,0.00023693216,0.00021504376,0.00017035144],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002080498,0.00022742433,0.00027014376,0.00021686686,0.00038822478,0.00073937833,0.00018896694,0.00009022827,0.00012223575],"category_scores_gemma":[0.00007318106,0.00014687936,0.00008128312,0.00013691506,0.00048500608,0.0002791125,0.00007839103,0.0004418756,0.000007912194],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001802858,0.000011839239,0.00050929043,0.00044612554,0.00010095767,0.0002493549,0.67928576,5.354692e-7,0.000039150604,0.21297446,0.10574536,0.000619123],"study_design_scores_gemma":[0.00012954992,0.00007302554,0.000227267,0.0013258002,0.000041003732,0.000025235106,0.028046064,0.00009917578,0.000029255385,0.0075079617,0.9622668,0.00022886733],"about_ca_topic_score_codex":0.028747208,"about_ca_topic_score_gemma":0.42438424,"teacher_disagreement_score":0.8565214,"about_ca_system_score_codex":0.00013203136,"about_ca_system_score_gemma":0.00009817924,"threshold_uncertainty_score":0.97772044},"labels":[],"label_agreement":null},{"id":"W4400092807","doi":"10.33545/27068919.2024.v6.i6a.1195","title":"The construction of the new female identity in Virginia Woolf&amp;#39;s To the lighthouse and Margaret Laurence&amp;#39;s A jest of god","year":2024,"lang":"en","type":"article","venue":"International Journal of Advanced Academic Studies","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Irrational number; Construct (python library); Character (mathematics); Independence (probability theory); Sociology; Gender studies; Economic independence; Psychoanalysis; Psychology; Art; Aesthetics","score_opus":0.037612755841367244,"score_gpt":0.34861221193742803,"score_spread":0.3109994560960608,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400092807","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89767575,0.055844083,0.0005044845,0.039473664,0.0052055786,0.00021515218,0.00009004773,0.000012255138,0.0009789583],"genre_scores_gemma":[0.9888835,0.00684698,0.00035953577,0.0004113731,0.001063098,0.000006545993,9.3182166e-7,0.000010708556,0.0024173069],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99863553,0.000064309614,0.00059038686,0.00011767988,0.00047082518,0.00012127121],"domain_scores_gemma":[0.99874866,0.00042338998,0.00027057063,0.000109294284,0.0004170356,0.000031055264],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043596438,0.0001190484,0.00021872357,0.00011453064,0.00014860049,0.00011314864,0.0004831899,0.0000414632,0.000036495185],"category_scores_gemma":[0.00038474787,0.00005838452,0.00010329953,0.000084663654,0.00039875758,0.00041223716,0.00016038741,0.00050671195,0.0000033231213],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000363339,0.000045399836,0.0026828086,0.00011915732,0.000892424,0.000011979054,0.17929547,0.00022069608,0.004227224,0.76978934,0.016767656,0.025584497],"study_design_scores_gemma":[0.00039313838,0.00006098373,0.0030814614,0.0013928836,0.00007878032,0.000107800384,0.013627959,0.0000075670036,0.0005724086,0.07693193,0.9036303,0.00011479119],"about_ca_topic_score_codex":0.000026697628,"about_ca_topic_score_gemma":0.0011768311,"teacher_disagreement_score":0.88686264,"about_ca_system_score_codex":0.000054105978,"about_ca_system_score_gemma":0.000065775144,"threshold_uncertainty_score":0.23808517},"labels":[],"label_agreement":null},{"id":"W4400511037","doi":"10.5430/wjel.v14n5p545","title":"A New Historicist Perspective on The Question of Faith in W. Collins’ The Woman in White and E. B. Browning’s Aurora Leigh","year":2024,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Historicism; Faith; Ideology; Skepticism; New Historicism; White (mutation); Perspective (graphical); Sociology; Literature; Poetry; Atheism; Epistemology; Philosophy; Aesthetics; Law; Politics; Art; Political science","score_opus":0.011956732647627515,"score_gpt":0.2470359930800458,"score_spread":0.2350792604324183,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400511037","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5109122,0.041434098,0.0000484783,0.008616933,0.0026844665,0.00033791142,0.00003108188,0.00003456464,0.4359003],"genre_scores_gemma":[0.9868068,0.000032658216,0.000022760443,0.0003112813,0.0011119506,0.0000020662856,7.598981e-7,0.000011181529,0.011700503],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925786,0.00010248077,0.00026147583,0.0000933748,0.00017522306,0.00010957949],"domain_scores_gemma":[0.999465,0.00018238093,0.0000854396,0.00009773334,0.0001391057,0.000030378516],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044330177,0.00009509247,0.00016454677,0.00025579217,0.00005786864,0.00019346284,0.0001248989,0.000020773365,0.0002582142],"category_scores_gemma":[0.00015975795,0.000051330557,0.0000600533,0.00011630806,0.000080073936,0.0001558155,0.000014788656,0.00045415573,9.0147256e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005202728,0.000029893012,0.000085622654,0.000020223846,0.000016179094,0.00011483488,0.5419933,0.000010375432,0.000017871034,0.44520563,0.011933177,0.00052081887],"study_design_scores_gemma":[0.0009849307,0.00043672294,0.0021815498,0.0023659612,0.000091225025,0.000024727755,0.2740822,0.00013989628,0.0000845181,0.013722771,0.70561016,0.00027534174],"about_ca_topic_score_codex":0.0004142443,"about_ca_topic_score_gemma":0.008123157,"teacher_disagreement_score":0.69367695,"about_ca_system_score_codex":0.00013301586,"about_ca_system_score_gemma":0.000055372213,"threshold_uncertainty_score":0.4532912},"labels":[],"label_agreement":null},{"id":"W4401629420","doi":"10.1525/ncl.2024.79.2.154","title":"Contributors to this Issue","year":2024,"lang":"en","type":"article","venue":"Nineteenth-Century Literature","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.008847206325477397,"score_gpt":0.23339007099431783,"score_spread":0.22454286466884044,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401629420","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0084819235,0.18496083,0.00014008551,0.015560462,0.02407223,0.0012731331,0.0035117697,0.001816901,0.7601827],"genre_scores_gemma":[0.7113412,0.00042427142,0.00020688398,0.011369396,0.0119932415,0.00010704388,0.0011919112,0.00011460798,0.26325145],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980372,0.00006338395,0.000352934,0.000595636,0.00038343688,0.0005674061],"domain_scores_gemma":[0.99900836,0.0000831467,0.000029002167,0.000410408,0.00020152767,0.00026752992],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015001146,0.00039243855,0.00031689517,0.00026910324,0.00027922055,0.003199507,0.0003016734,0.00017924061,0.016347745],"category_scores_gemma":[0.000034085806,0.00030140326,0.000198276,0.00019056459,0.000085955646,0.0005318094,0.000075073105,0.0006147649,0.0025168816],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027979528,0.00004203531,0.0000041405715,0.00015660499,0.000056864807,0.00018184008,0.048511147,7.5692265e-7,0.00021198574,0.38781258,0.557611,0.005383077],"study_design_scores_gemma":[0.0001922331,0.00012293411,0.0000070056676,0.0006147286,0.00005519806,0.000022162578,0.00036537726,0.00007387279,0.00011795596,0.00070100965,0.99733996,0.00038757332],"about_ca_topic_score_codex":0.00001953652,"about_ca_topic_score_gemma":0.000024909908,"teacher_disagreement_score":0.7028593,"about_ca_system_score_codex":0.00005571856,"about_ca_system_score_gemma":0.000037436323,"threshold_uncertainty_score":0.9999438},"labels":[],"label_agreement":null},{"id":"W44043293","doi":"10.15173/russell.v24i1.2060","title":"Russell and the Eliots [review of Carole Seymour-Jones, &lt;i&gt;Painted Shadow: a Life of Vivienne Eliot&lt;/i&gt;]","year":2004,"lang":"en","type":"article","venue":"Russell the Journal of Bertrand Russell Studies","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Shadow (psychology); Art; Art history; Environmental ethics; Philosophy; Psychoanalysis; Psychology","score_opus":0.0202976640966103,"score_gpt":0.24314436434439943,"score_spread":0.22284670024778913,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W44043293","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14272891,0.8289966,0.000135643,0.012348096,0.0007101804,0.000786633,0.00006659852,0.000026921442,0.014200406],"genre_scores_gemma":[0.70195985,0.29455844,0.0000655913,0.0016557922,0.000542239,0.000008987163,0.0000030029225,0.000038158898,0.0011679089],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960248,0.0005083227,0.0018668073,0.00026728932,0.00081943086,0.00051337684],"domain_scores_gemma":[0.99598694,0.0010638913,0.0012397823,0.00050397887,0.0010268765,0.00017854504],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0029853606,0.0005330698,0.0017980487,0.0002066523,0.00067133544,0.000096505566,0.0006701604,0.0001123953,0.00022218961],"category_scores_gemma":[0.0002704805,0.00025885887,0.0006360202,0.00021329599,0.0019131401,0.0002961881,0.0001235966,0.00055329426,0.000010259359],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.003937167,0.0017153468,0.000055008768,0.017915258,0.007977169,0.000106384316,0.34651774,0.00032203502,0.012889495,0.5417518,0.06412072,0.0026918566],"study_design_scores_gemma":[0.01870749,0.0024448528,0.0005428231,0.032118674,0.009831562,0.0008090372,0.02338389,0.000118073505,0.0061007435,0.05319935,0.8510456,0.001697928],"about_ca_topic_score_codex":0.00008793748,"about_ca_topic_score_gemma":0.00045994532,"teacher_disagreement_score":0.78692484,"about_ca_system_score_codex":0.00004181883,"about_ca_system_score_gemma":0.00015889406,"threshold_uncertainty_score":0.99998635},"labels":[],"label_agreement":null},{"id":"W4404739052","doi":"10.3138/utq.93.03.24","title":"Ronald Granofsky. <i>D.H. Lawrence and Attachment</i>","year":2024,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Environmental ethics; Geology; Philosophy","score_opus":0.01045962341259401,"score_gpt":0.1996510915254142,"score_spread":0.18919146811282017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404739052","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08767911,0.020183172,0.0010451488,0.0015049418,0.00094299274,0.00020355762,0.00024991645,0.0002557844,0.8879354],"genre_scores_gemma":[0.9633826,0.00005773757,0.000099036115,0.00007915611,0.000116554234,1.222798e-7,0.000010416593,0.0000053034078,0.036249068],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995627,0.000016405553,0.00006346034,0.00015529883,0.000096327596,0.00010582003],"domain_scores_gemma":[0.9997844,0.00002429713,0.000014898095,0.00009489314,0.0000344885,0.00004703257],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000042907934,0.00007755003,0.00010037123,0.00001562942,0.00013416477,0.00010915258,0.0000929021,0.000026401152,0.0027876156],"category_scores_gemma":[4.062305e-7,0.000079124235,0.000052151085,0.000004724877,0.00017071824,0.00047257013,0.000010949227,0.00005037329,0.00002805019],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002223698,0.00003500157,0.000028835046,0.00013747036,0.00005102105,0.000046520854,0.21115908,7.421639e-8,0.00018965226,0.74385816,0.017730718,0.026741255],"study_design_scores_gemma":[0.00014560643,0.00024114946,0.00012811688,0.000076290715,0.00004631055,0.0000032280784,0.010462426,0.00013336742,0.0000066828584,0.0019044261,0.98674107,0.000111322355],"about_ca_topic_score_codex":0.005655304,"about_ca_topic_score_gemma":0.016522668,"teacher_disagreement_score":0.96901035,"about_ca_system_score_codex":0.000025738953,"about_ca_system_score_gemma":0.0000141798655,"threshold_uncertainty_score":0.99812394},"labels":[],"label_agreement":null},{"id":"W4404806322","doi":"10.18778/2083-2931.14.15","title":"The Regional Impersonal as a Mode of Dwelling: Structures of Embodiment in David Jones’s The Anathémata and Basil Bunting’s Briggflatts","year":2024,"lang":"en","type":"article","venue":"Text Matters","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Bunting; Poetry; Poetics; Consciousness; Aesthetics; Literature; Philosophy; Sociology; Art; Epistemology","score_opus":0.01726247630134722,"score_gpt":0.25803918623733263,"score_spread":0.2407767099359854,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404806322","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9540263,0.00782562,0.000022401347,0.0214884,0.00045828643,0.00026409657,0.00011212945,0.000032594635,0.01577017],"genre_scores_gemma":[0.99624145,0.00008678733,0.000017042546,0.0015681998,0.00012570038,0.000008475851,0.0000093233775,0.000013467817,0.0019295309],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991909,0.00003902855,0.00024154385,0.0001586754,0.00021361499,0.00015623712],"domain_scores_gemma":[0.9995526,0.00017107424,0.000050951447,0.00017091882,0.000031486692,0.000022955857],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015444918,0.00011463732,0.00014017307,0.000057248082,0.00014670998,0.00020450208,0.00016819527,0.000027410682,0.00029132387],"category_scores_gemma":[0.000004162742,0.00006323669,0.00006257583,0.000024969577,0.00037494418,0.00008994993,0.00004294307,0.00015085161,0.0000065703753],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054053344,0.000025764264,0.00007169884,0.00028405708,0.00008390287,0.000013248112,0.111973226,0.00002773207,0.0006481997,0.8462474,0.03507038,0.0055003664],"study_design_scores_gemma":[0.0003990949,0.000102485974,0.0010399263,0.00060432067,0.000096232085,0.000055311462,0.009990369,0.004520515,0.00061426713,0.083491355,0.8987751,0.00031102076],"about_ca_topic_score_codex":0.0008076207,"about_ca_topic_score_gemma":0.0003290374,"teacher_disagreement_score":0.86370474,"about_ca_system_score_codex":0.000011573049,"about_ca_system_score_gemma":0.000030344438,"threshold_uncertainty_score":0.3189792},"labels":[],"label_agreement":null},{"id":"W4404972277","doi":"10.1080/09524142.2024.2424654","title":"Romantic Heredity: Degeneration, Form, and Pathological Readings of ‘The Triumph of Life’","year":2024,"lang":"en","type":"article","venue":"Keats-Shelley Review","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Heredity; Degeneration (medical); Pathological; Romance; Psychology; Psychoanalysis; Biology; Medicine; Pathology; Genetics","score_opus":0.02717096329363454,"score_gpt":0.2336611352334303,"score_spread":0.20649017193979574,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404972277","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048239257,0.8995115,0.00010242198,0.0054523726,0.0009141648,0.000707095,0.00011085095,0.00006860313,0.044893704],"genre_scores_gemma":[0.95063114,0.037420336,0.00006859372,0.0020697007,0.00045294798,0.000028446408,0.00001851783,0.000017909935,0.009292406],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990108,0.00008232573,0.00043568222,0.00018345537,0.00016884124,0.00011887418],"domain_scores_gemma":[0.99949664,0.00007258107,0.00007373676,0.0002105467,0.00010288957,0.000043612246],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033016957,0.00012652209,0.00037719228,0.000029107963,0.000104333216,0.00008054129,0.00012602593,0.00004700009,0.00079870265],"category_scores_gemma":[0.00009361478,0.00007226376,0.00015404788,0.000055963785,0.00020822752,0.00011781055,0.000049859707,0.00012224916,0.000017245957],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000073883434,0.00006438542,0.00014183893,0.014412587,0.000056633886,0.000012163993,0.006429701,1.1749759e-7,0.0005642463,0.88463306,0.082045116,0.011632749],"study_design_scores_gemma":[0.000115506016,0.00008067328,0.000085079475,0.0048971563,0.0002451024,0.000023870449,0.000081213184,0.00005774037,0.00025633743,0.006289376,0.9877329,0.00013503012],"about_ca_topic_score_codex":0.000013835294,"about_ca_topic_score_gemma":0.000022788681,"teacher_disagreement_score":0.9056878,"about_ca_system_score_codex":0.000006562067,"about_ca_system_score_gemma":0.000039966362,"threshold_uncertainty_score":0.8745234},"labels":[],"label_agreement":null},{"id":"W4406119240","doi":"10.70042/eroth/08040005","title":"Lack of Emotional Intelligence Causing the Familial Disaster in D. H. Lawrence’s Sons and Lovers","year":2024,"lang":"en","type":"article","venue":"Erothanatos.","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"La Cité Collégiale","funders":"","keywords":"Psychology; Psychoanalysis; History","score_opus":0.06475913509267453,"score_gpt":0.29409803638955817,"score_spread":0.22933890129688364,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406119240","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8470666,0.0056379437,0.0016993026,0.0059835487,0.0019466945,0.00037616698,0.00022133549,0.00007055737,0.13699786],"genre_scores_gemma":[0.9953246,0.000026517282,0.000017571747,0.000342094,0.00021105866,0.000004350962,0.000004867758,0.000007496804,0.0040614367],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946415,0.000023975763,0.0001434878,0.00013310008,0.00011955366,0.00011570189],"domain_scores_gemma":[0.99979717,0.00006059474,0.000014117324,0.000086483466,0.0000216502,0.000019990799],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000097223674,0.00007628221,0.00008812846,0.00005367142,0.00006404595,0.00016694567,0.000059117352,0.000025258772,0.00055493356],"category_scores_gemma":[0.000008503662,0.000050767983,0.00003471413,0.000032124444,0.00024133529,0.00014455145,0.000030565025,0.000132927,0.000016864098],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000067832048,0.000019909403,0.00013410013,0.000092350856,0.000015628368,0.000018830324,0.081217416,0.00001079185,0.00006944561,0.91355926,0.0019589572,0.0028965578],"study_design_scores_gemma":[0.00043636473,0.00021327756,0.0023045607,0.0020140288,0.00011152217,0.00006408355,0.05242674,0.016063936,0.0014619197,0.19648154,0.7276303,0.0007917268],"about_ca_topic_score_codex":0.0002200824,"about_ca_topic_score_gemma":0.0011588327,"teacher_disagreement_score":0.72567135,"about_ca_system_score_codex":0.000010465315,"about_ca_system_score_gemma":0.000023152925,"threshold_uncertainty_score":0.6076133},"labels":[],"label_agreement":null},{"id":"W4406137692","doi":"10.4000/13195","title":"Virginia Woolf’s “Modernist Renaissance” in “Anon”: A Singular Counter-History","year":2024,"lang":"en","type":"article","venue":"Sillages critiques","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Future Earth","funders":"","keywords":"Literature; Patriarchy; Historiography; Context (archaeology); Narrative; Poetry; History; Art; Art history; Sociology; Gender studies","score_opus":0.0257763886829483,"score_gpt":0.2575666824577343,"score_spread":0.231790293774786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406137692","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04753896,0.100092895,0.000266042,0.0032688559,0.00318454,0.00031500988,0.00013225955,0.0009432779,0.8442582],"genre_scores_gemma":[0.9604927,0.0003415337,0.000102739956,0.0019863513,0.0012272758,0.00006158758,0.000048695623,0.00006768617,0.03567145],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983244,0.00010057305,0.00037857323,0.000500139,0.00026996888,0.00042634323],"domain_scores_gemma":[0.99936396,0.00010097865,0.000028406053,0.00031584053,0.00010703108,0.00008376689],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026005064,0.0002944683,0.00031854864,0.00025587,0.00014834956,0.00073227216,0.0002167215,0.00011187641,0.0032321587],"category_scores_gemma":[0.00003292782,0.00027406515,0.00014507218,0.000037059825,0.00045078492,0.0005757405,0.000045553374,0.00036951914,0.00019316896],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029594568,0.00009101953,0.000043491636,0.0005565287,0.000035410496,0.00081723003,0.08580463,7.179724e-7,0.0009484813,0.7211749,0.18786196,0.0026360475],"study_design_scores_gemma":[0.0001335053,0.00008105103,0.0000408403,0.00069169566,0.000024805058,0.000019308065,0.001123012,0.00031312107,0.00026198552,0.017271584,0.9796767,0.00036235264],"about_ca_topic_score_codex":0.00038923402,"about_ca_topic_score_gemma":0.0014823361,"teacher_disagreement_score":0.91295373,"about_ca_system_score_codex":0.00024219757,"about_ca_system_score_gemma":0.000100619334,"threshold_uncertainty_score":0.99997115},"labels":[],"label_agreement":null},{"id":"W4407584823","doi":"10.1080/09670882.2025.2466783","title":"James Joyce and Paul L. Léon: the story of a friendship","year":2025,"lang":"en","type":"article","venue":"Irish Studies Review","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Friendship; Art; Literature; Psychoanalysis; History; Sociology; Psychology","score_opus":0.06347444154543837,"score_gpt":0.33074367116659764,"score_spread":0.2672692296211593,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407584823","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00039440894,0.8182049,0.0000026645175,0.014014462,0.00024332997,0.000187677,0.00001545349,0.000014573131,0.16692255],"genre_scores_gemma":[0.2973457,0.6510118,0.000027473752,0.022789108,0.00036143753,0.00014698773,0.000004989307,0.000012554274,0.028299903],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930406,0.00012691942,0.00022217094,0.00013741537,0.00009705759,0.000112369926],"domain_scores_gemma":[0.99928874,0.0002618407,0.00006471796,0.00020845457,0.00016200381,0.000014220569],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003643579,0.00011216389,0.00037266014,0.000021671545,0.0003400632,0.00004026665,0.0001135384,0.000015607979,0.00017269478],"category_scores_gemma":[0.00017529527,0.000062658386,0.00007949416,0.000035810073,0.00041003135,0.000058754107,0.00008549578,0.00015229688,0.0000066931575],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000028345992,0.000016164022,0.000012987686,0.004908193,0.00014925288,0.000003321236,0.011152956,9.734476e-9,4.348612e-7,0.103408754,0.842933,0.03741209],"study_design_scores_gemma":[0.00006919004,0.000022193086,0.000050444407,0.0026551385,0.0001796469,0.0000016308051,0.0037732637,3.5224124e-7,0.000002823565,0.002724092,0.99045676,0.00006444621],"about_ca_topic_score_codex":0.000008493116,"about_ca_topic_score_gemma":0.00003374034,"teacher_disagreement_score":0.2969513,"about_ca_system_score_codex":0.000007815822,"about_ca_system_score_gemma":0.000017197062,"threshold_uncertainty_score":0.26155257},"labels":[],"label_agreement":null},{"id":"W4411181666","doi":"10.62754/ais.v6i2.140","title":"The WavEs: A Project","year":2025,"lang":"en","type":"article","venue":"Architecture Image Studies","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geology","score_opus":0.025964129709465916,"score_gpt":0.3111115355629643,"score_spread":0.28514740585349835,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411181666","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024560587,0.025890043,0.0005389385,0.022830691,0.0013643658,0.00048310382,0.000033042594,0.00019574966,0.946208],"genre_scores_gemma":[0.69004637,0.0007513809,0.0008724386,0.0074884044,0.001599419,0.0003321604,0.0000106041525,0.000034531822,0.29886466],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991872,0.000062809406,0.00017505208,0.00019359276,0.00011718965,0.00026418737],"domain_scores_gemma":[0.9991744,0.00034372022,0.000029369077,0.00026215025,0.00017692067,0.000013402098],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00013986896,0.0001605389,0.00017192707,0.00006699001,0.001343627,0.0004130057,0.00019930291,0.00001774987,0.00003755657],"category_scores_gemma":[0.00018209363,0.00008225176,0.00009880979,0.00004304504,0.000922406,0.00007306536,0.000117100004,0.00020981266,0.00002621801],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032666103,0.000022077367,0.0000051161874,0.000097907316,0.00030301078,0.000011886203,0.116567954,3.5577162e-7,0.00007003399,0.7101026,0.14195204,0.03083433],"study_design_scores_gemma":[0.00012538665,0.00002868059,0.000015085569,0.00006270341,0.00003978499,0.0000021077212,0.010439359,0.00000451813,0.00007727663,0.09690566,0.89220697,0.000092453825],"about_ca_topic_score_codex":0.000028172024,"about_ca_topic_score_gemma":0.0007437303,"teacher_disagreement_score":0.7502549,"about_ca_system_score_codex":0.000013427101,"about_ca_system_score_gemma":0.00003381277,"threshold_uncertainty_score":0.9999565},"labels":[],"label_agreement":null},{"id":"W4411576834","doi":"10.70902/p76evm67","title":"T.S Eliot and Four Quartets: The Wisdom Way","year":2025,"lang":"en","type":"article","venue":"Philanthropia","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Stephen's University","funders":"","keywords":"Philosophy; Epistemology","score_opus":0.021272907727279262,"score_gpt":0.23914205737626165,"score_spread":0.21786914964898238,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411576834","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.032934766,0.0058833975,0.00033120744,0.04651677,0.0018040645,0.0002739108,0.000049725273,0.00013842207,0.9120677],"genre_scores_gemma":[0.97583526,0.000094484545,0.000011564315,0.0030498507,0.000537077,0.000015511558,0.000006083986,0.0000074554605,0.02044271],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994354,0.00003201884,0.00012702523,0.0001587161,0.0000867827,0.00016004108],"domain_scores_gemma":[0.999625,0.0000766281,0.00002061716,0.00020885724,0.00004343964,0.000025413809],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007718306,0.00010481047,0.00011672745,0.00004036956,0.00050402724,0.00029746737,0.00011937968,0.000028119042,0.0007118066],"category_scores_gemma":[0.000012207858,0.00006328082,0.000039378752,0.000021621401,0.00040480122,0.0000916807,0.000035965837,0.00012819067,0.000050181272],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008438373,0.000018963667,0.000096347714,0.000029271243,0.000026797177,0.000005297319,0.010439212,1.0378757e-7,0.00002537035,0.9352453,0.049092647,0.0050122454],"study_design_scores_gemma":[0.00019084506,0.000027322734,0.0007004348,0.000052639352,0.000033514567,0.0000046562986,0.0014487829,0.0000620826,0.000031260737,0.042812392,0.9545441,0.00009196531],"about_ca_topic_score_codex":0.000107263535,"about_ca_topic_score_gemma":0.00062496396,"teacher_disagreement_score":0.9429005,"about_ca_system_score_codex":0.000006399372,"about_ca_system_score_gemma":0.0000124913895,"threshold_uncertainty_score":0.7793783},"labels":[],"label_agreement":null},{"id":"W4412861225","doi":"10.5206/mt.v5i3.23343","title":"Remembering Piers W. Lawrence (1987–2025)","year":2025,"lang":"en","type":"article","venue":"Maple Transactions","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.02492452166680297,"score_gpt":0.24559695645429097,"score_spread":0.220672434787488,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412861225","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0033633795,0.00039284417,0.083161645,0.0029913054,0.001735299,0.00014283677,0.000060424412,0.0002445448,0.9079077],"genre_scores_gemma":[0.8062739,0.000015294076,0.00015502388,0.000770759,0.00010688198,0.000029947309,0.000007934071,0.0000077024015,0.1926326],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994044,0.00001598096,0.00014506702,0.0001642816,0.00008743645,0.00018287727],"domain_scores_gemma":[0.999682,0.00003163552,0.0000132875775,0.00018502046,0.00005087737,0.000037181264],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00005080878,0.00009873667,0.00010441913,0.000089860994,0.0004984022,0.0001998913,0.00010777528,0.00003479645,0.005182444],"category_scores_gemma":[0.0000028595502,0.00009577763,0.0000833406,0.00005184208,0.00010821144,0.00016453266,0.0000034190346,0.00016482818,0.00009907505],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019753896,0.000113920156,0.000016000668,0.00012305428,0.00008773104,0.000009907582,0.023539018,0.00009545379,0.00057510874,0.944993,0.01626956,0.014157489],"study_design_scores_gemma":[0.00015097318,0.000012533427,0.00003836611,0.00004921075,0.000050114297,0.0000011850517,0.0012657725,0.00025721383,0.00032168173,0.0056989286,0.992042,0.00011202876],"about_ca_topic_score_codex":0.00017507312,"about_ca_topic_score_gemma":0.0014493187,"teacher_disagreement_score":0.97577244,"about_ca_system_score_codex":0.000021674748,"about_ca_system_score_gemma":0.000028767685,"threshold_uncertainty_score":0.99572694},"labels":[],"label_agreement":null},{"id":"W4413762361","doi":"10.1017/9781108917872.001","title":"Introduction","year":2025,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Computer science","score_opus":0.018571052455503903,"score_gpt":0.17954227305161843,"score_spread":0.16097122059611452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413762361","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000026130879,0.00021211483,0.0000874276,0.00017137294,0.0011924903,0.00018198944,0.00038473704,0.0001437967,0.99762344],"genre_scores_gemma":[0.00016892722,0.000033184122,0.000013077863,0.0002180565,0.0026310722,4.794933e-7,0.00016038389,0.000022172735,0.9967526],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916893,0.000016202333,0.00012951941,0.00037357752,0.00014478572,0.00016698218],"domain_scores_gemma":[0.9992611,0.00002162763,0.00008107118,0.00038558713,0.00018990814,0.000060743285],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00003727907,0.00025581446,0.00026313966,0.00015800717,0.00030582136,0.00015356693,0.0002387559,0.00018202624,0.00018892798],"category_scores_gemma":[0.0000032578978,0.0002886949,0.0001736064,0.0000012448442,0.00026472064,0.00009007034,0.00012386376,0.00038783005,0.00004169375],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020231913,0.0000031571772,7.6547995e-9,0.00005846556,0.00005309038,0.00003717769,0.00028868846,5.425782e-8,0.0000016599402,0.56596166,0.43285602,0.00071977277],"study_design_scores_gemma":[0.00016610774,0.000023689834,9.488907e-8,0.00010022766,0.00022129818,0.000003005424,0.000067432185,0.0000066735906,0.000025819836,0.00011493745,0.99899775,0.00027299154],"about_ca_topic_score_codex":0.00006769068,"about_ca_topic_score_gemma":0.000009093369,"teacher_disagreement_score":0.5661417,"about_ca_system_score_codex":0.00008202734,"about_ca_system_score_gemma":0.00005422238,"threshold_uncertainty_score":0.99995655},"labels":[],"label_agreement":null},{"id":"W4414002418","doi":"10.1017/9781009075114.035","title":"Further Reading","year":2025,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Reading (process); Computer science; Psychology; Linguistics; Philosophy","score_opus":0.024675196023097392,"score_gpt":0.18985183141413492,"score_spread":0.16517663539103752,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414002418","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000005508653,0.00024758215,0.000056750505,0.00005045213,0.00058134884,0.00019860006,0.00050478627,0.00015509583,0.9981999],"genre_scores_gemma":[0.00090683537,0.000031734653,0.000015841784,0.0003626112,0.00056231994,5.492791e-7,0.00008328114,0.00003403736,0.99800277],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908286,0.000018602661,0.00014483904,0.00037073376,0.0001623045,0.00022068298],"domain_scores_gemma":[0.99921757,0.00004442445,0.000090729256,0.0004068238,0.0001592376,0.000081218306],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000043147236,0.0003096919,0.0003223421,0.00016881127,0.00030313386,0.00018615386,0.00032765002,0.00021770546,0.00014629836],"category_scores_gemma":[0.00000280204,0.00034064963,0.00021975712,0.0000013315555,0.00027006422,0.000085368716,0.00016786672,0.00041711426,0.000040394832],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024368745,0.000003884987,4.2989413e-8,0.0000883545,0.00009739174,0.00014304704,0.0013576982,4.341957e-8,0.0000037791572,0.78030646,0.21719421,0.0007806969],"study_design_scores_gemma":[0.00020303088,0.000020309048,1.592741e-7,0.00033275402,0.00023440327,0.0000027186372,0.00016274519,0.000008473021,0.000019630035,0.00012884811,0.998543,0.0003439253],"about_ca_topic_score_codex":0.00011100657,"about_ca_topic_score_gemma":0.000011500924,"teacher_disagreement_score":0.78134876,"about_ca_system_score_codex":0.000079496924,"about_ca_system_score_gemma":0.00006108162,"threshold_uncertainty_score":0.9999046},"labels":[],"label_agreement":null},{"id":"W4414950901","doi":"10.1017/9781009423632.013","title":"Bloomsbury and the USA","year":2025,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Outrage; Metropolitan area; Position (finance); Falling (accident); Quarter (Canadian coin)","score_opus":0.020803998757494772,"score_gpt":0.1829808923886058,"score_spread":0.162176893631111,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414950901","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000020873767,0.0010776438,0.00002576381,0.00009738016,0.00032423262,0.000265295,0.00030283796,0.00004772524,0.99783826],"genre_scores_gemma":[0.0011165915,0.00019118408,0.0000052281835,0.00062792277,0.00034866921,8.320674e-7,0.000025399298,0.000015894479,0.99766827],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992735,0.00003160541,0.00011972794,0.0002835701,0.00013573663,0.00015587205],"domain_scores_gemma":[0.99930745,0.0001084742,0.000074755015,0.0003441298,0.000109083936,0.000056089168],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007008109,0.00024729987,0.00030396838,0.00008199576,0.00048281936,0.00022397947,0.0002808978,0.00014635196,0.00005870792],"category_scores_gemma":[0.0000038812595,0.00019567856,0.00015712998,0.0000010263675,0.0010968742,0.000058039437,0.00023447965,0.0003966763,0.000009772514],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008011489,0.0000025357851,1.3180332e-7,0.00007440123,0.00010831307,0.00006314282,0.000924935,1.9820984e-8,3.4045345e-7,0.8877819,0.11013722,0.00082690804],"study_design_scores_gemma":[0.0006751691,0.000013043927,6.888986e-7,0.00014844372,0.00035962614,0.0000046692962,0.00007020379,0.000011995549,0.0000040657073,0.0003256658,0.9981725,0.00021391561],"about_ca_topic_score_codex":0.00028308507,"about_ca_topic_score_gemma":0.000057824447,"teacher_disagreement_score":0.8880353,"about_ca_system_score_codex":0.000023821945,"about_ca_system_score_gemma":0.000041783696,"threshold_uncertainty_score":0.797954},"labels":[],"label_agreement":null},{"id":"W4417288371","doi":"10.1017/9781009356848.014","title":"Further Reading","year":2025,"lang":"","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Reading (process); Legibility; Quality (philosophy)","score_opus":0.024575905923720588,"score_gpt":0.19707047164099206,"score_spread":0.17249456571727148,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417288371","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005432376,0.000826385,0.0002655136,0.000114683244,0.0014886044,0.00061354984,0.001527039,0.00018517335,0.9949247],"genre_scores_gemma":[0.013035531,0.0003086814,0.00003639309,0.0005791969,0.0010054812,0.0000013785433,0.0001290784,0.000080604164,0.98482364],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973138,0.0000948407,0.00046459626,0.0010489586,0.0004074836,0.00067034375],"domain_scores_gemma":[0.9977859,0.00015045168,0.00029618127,0.0010107053,0.00047837294,0.00027835154],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00013732002,0.0009146911,0.000889488,0.00043648953,0.0012851894,0.0006727322,0.00085283484,0.00067823293,0.00033903006],"category_scores_gemma":[0.000009482546,0.0010817592,0.0006772919,0.0000060462758,0.0009566522,0.00024848038,0.00058113347,0.0011605382,0.00008260154],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019222056,0.000027077998,4.21958e-7,0.00044472737,0.0004926119,0.0006488145,0.0029950228,3.8323208e-7,0.000029283528,0.9210796,0.07180277,0.002287086],"study_design_scores_gemma":[0.0007316736,0.00009042102,0.000001306303,0.0013734846,0.0010615516,0.000012227879,0.00079147157,0.00007244802,0.00009121575,0.00006993696,0.99467903,0.0010252112],"about_ca_topic_score_codex":0.000407973,"about_ca_topic_score_gemma":0.000010934314,"teacher_disagreement_score":0.9228763,"about_ca_system_score_codex":0.0002154352,"about_ca_system_score_gemma":0.00017710462,"threshold_uncertainty_score":0.99916327},"labels":[],"label_agreement":null},{"id":"W4417476758","doi":"10.1017/9781108992626.041","title":"Further Reading","year":2025,"lang":"","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"","score_opus":0.024575905923720588,"score_gpt":0.19707047164099206,"score_spread":0.17249456571727148,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417476758","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005432376,0.000826385,0.0002655136,0.000114683244,0.0014886044,0.00061354984,0.001527039,0.00018517335,0.9949247],"genre_scores_gemma":[0.013035531,0.0003086814,0.00003639309,0.0005791969,0.0010054812,0.0000013785433,0.0001290784,0.000080604164,0.98482364],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973138,0.0000948407,0.00046459626,0.0010489586,0.0004074836,0.00067034375],"domain_scores_gemma":[0.9977859,0.00015045168,0.00029618127,0.0010107053,0.00047837294,0.00027835154],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00013732002,0.0009146911,0.000889488,0.00043648953,0.0012851894,0.0006727322,0.00085283484,0.00067823293,0.00033903006],"category_scores_gemma":[0.000009482546,0.0010817592,0.0006772919,0.0000060462758,0.0009566522,0.00024848038,0.00058113347,0.0011605382,0.00008260154],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019222056,0.000027077998,4.21958e-7,0.00044472737,0.0004926119,0.0006488145,0.0029950228,3.8323208e-7,0.000029283528,0.9210796,0.07180277,0.002287086],"study_design_scores_gemma":[0.0007316736,0.00009042102,0.000001306303,0.0013734846,0.0010615516,0.000012227879,0.00079147157,0.00007244802,0.00009121575,0.00006993696,0.99467903,0.0010252112],"about_ca_topic_score_codex":0.000407973,"about_ca_topic_score_gemma":0.000010934314,"teacher_disagreement_score":0.9228763,"about_ca_system_score_codex":0.0002154352,"about_ca_system_score_gemma":0.00017710462,"threshold_uncertainty_score":0.99916327},"labels":[],"label_agreement":null},{"id":"W582133916","doi":"10.1017/cbo9780511617959","title":"The Cambridge Introduction to T. S. Eliot","year":2006,"lang":"en","type":"book","venue":"Cambridge University Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":65,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Modernism (music); Reading (process); Key (lock); Performance art; Literature; History; Art history; Art; Classics; Environmental ethics; Philosophy; Linguistics","score_opus":0.013827717072456374,"score_gpt":0.1827596481830163,"score_spread":0.16893193111055993,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W582133916","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000030468931,0.00028300582,0.00011932343,0.000491957,0.0018335873,0.00051354186,0.0006025927,0.00017897999,0.9959465],"genre_scores_gemma":[0.00021320292,0.00001707884,0.000010923975,0.00037464517,0.008674982,0.000003991291,0.00029899023,0.00005871684,0.99034745],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99829847,0.00008098753,0.0002492706,0.00057333725,0.00035120422,0.00044671146],"domain_scores_gemma":[0.9985536,0.000079050405,0.00014430893,0.0007524741,0.0003204814,0.00015013867],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0001399732,0.00040959613,0.00034933406,0.00016613069,0.0012116696,0.0006172646,0.00063152256,0.00020818147,0.0000120932655],"category_scores_gemma":[0.00000864304,0.00036177068,0.00023946594,0.000007776796,0.00044738417,0.0001212278,0.00023770737,0.00059395557,0.000089809306],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003760745,0.0000065171857,3.0524642e-8,0.00003009321,0.00003867066,0.000037104644,0.00028843683,7.4485564e-7,0.000003788048,0.49382403,0.50521004,0.0005229408],"study_design_scores_gemma":[0.0002080085,0.00006064792,0.0000018289788,0.000063663225,0.00018028913,0.000008286948,0.00011891941,0.000008788107,0.00003513212,0.000021619087,0.99885905,0.0004337601],"about_ca_topic_score_codex":0.00044922528,"about_ca_topic_score_gemma":0.00010088119,"teacher_disagreement_score":0.49380243,"about_ca_system_score_codex":0.00030048104,"about_ca_system_score_gemma":0.00015493522,"threshold_uncertainty_score":0.9998834},"labels":[],"label_agreement":null},{"id":"W615050008","doi":"10.3138/9781442683501","title":"Wilde Writings","year":2003,"lang":"en","type":"book","venue":"University of Toronto Press eBooks","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":31,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Philosophy","score_opus":0.02187555532051447,"score_gpt":0.18619637768525665,"score_spread":0.1643208223647422,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W615050008","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000036104598,0.0032046528,0.000022019814,0.000008852489,0.0002675779,0.00016165369,0.00022656974,0.000053963835,0.9960511],"genre_scores_gemma":[0.00011214003,0.000092227434,0.00009736871,0.00012561429,0.00030682902,2.2793476e-7,0.000051517774,0.000025984988,0.99918807],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991666,0.000033056727,0.00014231302,0.00025821326,0.00020786551,0.00019193502],"domain_scores_gemma":[0.99927557,0.000029065925,0.00015523411,0.00030497767,0.00016094481,0.000074218275],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00005176634,0.0002232793,0.00034412267,0.000016057134,0.00021918761,0.000068749614,0.00032212667,0.00018879588,0.0033944142],"category_scores_gemma":[0.0000023432217,0.00026214818,0.00020217856,1.4123395e-7,0.0003647133,0.00013405769,0.00007738132,0.00019013678,0.000012933755],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017891554,0.000013001269,6.811223e-8,0.00013460698,0.00007206435,0.000025144815,0.033219084,6.32004e-8,0.0000026257762,0.65410006,0.31144166,0.00097371126],"study_design_scores_gemma":[0.00025708435,0.00005154794,2.410589e-7,0.00021336378,0.0001641141,0.0000018171663,0.0002770061,0.0000020621128,0.000010471292,0.0027120705,0.99604785,0.00026238582],"about_ca_topic_score_codex":0.01698074,"about_ca_topic_score_gemma":0.015681697,"teacher_disagreement_score":0.6846062,"about_ca_system_score_codex":0.00013633868,"about_ca_system_score_gemma":0.00010935327,"threshold_uncertainty_score":0.9999831},"labels":[],"label_agreement":null},{"id":"W63374223","doi":"","title":"The Breeze, Resting","year":2010,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.027253936366242563,"score_gpt":0.23852862502663377,"score_spread":0.2112746886603912,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W63374223","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5344195,0.0009830171,2.6804017e-7,0.002925179,0.0027296483,0.00011645705,0.00003897347,0.00005473724,0.45873222],"genre_scores_gemma":[0.9313474,0.000015971531,0.000010221609,0.0024946104,0.0011968153,0.00006399894,0.0000019946642,0.000013083184,0.064855896],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991616,0.000015818188,0.00012478135,0.00013388315,0.00009052996,0.00047337663],"domain_scores_gemma":[0.99928886,0.0001426681,0.000024752699,0.0002091808,0.00015297903,0.00018154537],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00019116479,0.000108239605,0.00011347195,0.0000511661,0.002066383,0.00035330458,0.00016578207,0.000025056854,0.00037060096],"category_scores_gemma":[0.00016898183,0.00007038169,0.000030039886,0.000022511616,0.0004630223,0.00008085292,0.000025045638,0.00023598173,0.000094115305],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000019335787,0.000002700128,0.000042602234,0.000011318673,0.000052975585,0.000020114909,0.095756,6.9098675e-8,0.000020214842,0.8837661,0.018720012,0.0016059245],"study_design_scores_gemma":[0.0000544275,0.000017559561,0.000026757954,0.000008782603,0.000006071666,0.000002879623,0.049123704,0.0000026489106,0.000004444705,0.034556888,0.9160933,0.000102528305],"about_ca_topic_score_codex":0.00079382886,"about_ca_topic_score_gemma":0.46646374,"teacher_disagreement_score":0.8973733,"about_ca_system_score_codex":0.000059489415,"about_ca_system_score_gemma":0.00009825157,"threshold_uncertainty_score":0.99923277},"labels":[],"label_agreement":null},{"id":"W651269453","doi":"","title":"Rite of Passage in the Narratives of Dante and Joyce by Jennifer Margaret Fraser (review)","year":2003,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Rite; Rite of passage; History; Art; Literature; Philosophy; Theology","score_opus":0.009129476418025341,"score_gpt":0.19310670467073454,"score_spread":0.1839772282527092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W651269453","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39810652,0.07573794,0.00015144215,0.0012795188,0.00011606532,0.00055694755,0.00049694884,0.000016167653,0.5235385],"genre_scores_gemma":[0.9952229,0.00056251674,0.00006385907,0.00013951045,0.000010292341,2.2014304e-7,0.000009543591,0.0000033449335,0.0039878124],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994331,0.00013071678,0.00013600492,0.00010012543,0.000115645445,0.00008439708],"domain_scores_gemma":[0.99964446,0.0000365478,0.00008616481,0.00014540865,0.00006789212,0.000019540583],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001476798,0.00007873632,0.00020768191,0.000014128455,0.000056716253,0.000008067965,0.00012948965,0.000027493972,0.0013855682],"category_scores_gemma":[0.0000035924022,0.000063944324,0.00005381384,0.000008569095,0.00022395908,0.00021152239,0.0000055126884,0.000053972482,7.891181e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059415375,0.00028989016,0.00040857584,0.00078531704,0.00006851056,0.00001562406,0.68630475,4.3793023e-8,0.0005455042,0.23955041,0.06992396,0.002048015],"study_design_scores_gemma":[0.0009031763,0.00070550066,0.00088273315,0.00060262403,0.00007216943,0.0000018755366,0.22363627,0.000004683022,0.00006131986,0.0021103667,0.7708346,0.00018467667],"about_ca_topic_score_codex":0.0020458084,"about_ca_topic_score_gemma":0.013407553,"teacher_disagreement_score":0.7009106,"about_ca_system_score_codex":0.000009539433,"about_ca_system_score_gemma":0.000009993424,"threshold_uncertainty_score":0.9995273},"labels":[],"label_agreement":null},{"id":"W655932946","doi":"10.2307/25515688","title":"James Joyce's Negations: Irony, Indeterminacy and Nihilism in \"Ulysses\" and Other Writings","year":2007,"lang":"en","type":"article","venue":"The Canadian Journal of Irish Studies","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Irony; Nihilism; Indeterminacy (philosophy); Negation; Philosophy; Literature; Psychoanalysis; Art history; Epistemology; Art; Linguistics; Psychology","score_opus":0.05391450959073913,"score_gpt":0.2890621869360089,"score_spread":0.23514767734526976,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W655932946","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9184308,0.04373105,0.000008453225,0.008666286,0.00029876744,0.000115086405,0.000019983872,0.0000048578877,0.028724741],"genre_scores_gemma":[0.99523705,0.00017632898,0.000036179386,0.0027601568,0.00047635913,0.0000015032344,2.1177324e-7,0.00000909291,0.0013031082],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999287,0.00003412351,0.00029198808,0.0000751995,0.000096331205,0.00021536379],"domain_scores_gemma":[0.9993744,0.00018222317,0.00010400366,0.00006717091,0.00015382332,0.000118402255],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00058806984,0.00010140525,0.00019613183,0.00018114461,0.00050367496,0.00026287715,0.00009094319,0.000029768424,0.000052407915],"category_scores_gemma":[0.00012578939,0.000067374116,0.000029981276,0.000028679906,0.00052693917,0.00017814798,0.00001560536,0.0002220206,0.0000010997759],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037592163,0.000022509294,0.013892612,0.00011112559,0.0002114433,0.00039297232,0.825255,0.0000018122627,0.000013164665,0.0774559,0.065182336,0.017423522],"study_design_scores_gemma":[0.0006487717,0.00014282248,0.010589845,0.00040847473,0.000086072054,0.00026903866,0.13657205,0.0000051815564,0.000017033077,0.026849188,0.8241827,0.00022884086],"about_ca_topic_score_codex":0.0057522105,"about_ca_topic_score_gemma":0.30370376,"teacher_disagreement_score":0.75900036,"about_ca_system_score_codex":0.000043332544,"about_ca_system_score_gemma":0.00007807385,"threshold_uncertainty_score":0.86956596},"labels":[],"label_agreement":null},{"id":"W6887823859","doi":"10.17613/9c45y-v0n10","title":"Quitting Home","year":2006,"lang":"en","type":"article","venue":"Knowledge Commons (Lakehead University)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Individualism; Nationalism; Locale (computer software); Spanish Civil War; Accidental; Harm","score_opus":0.027881936356717554,"score_gpt":0.21422153246257805,"score_spread":0.18633959610586048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6887823859","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16600175,0.00052151864,0.00017536117,0.00029348757,0.00045312982,0.00007617565,0.000037226433,0.00019439551,0.83224696],"genre_scores_gemma":[0.78661245,2.1902028e-7,0.000009044865,0.000008154312,0.00062245957,5.5947464e-7,0.000036699093,0.000014962138,0.21269545],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991369,0.00007187465,0.00014735875,0.00023418582,0.00009474095,0.00031489617],"domain_scores_gemma":[0.9993731,0.000082138235,0.000043572618,0.00026904643,0.00015731131,0.00007485272],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000070362374,0.00016967434,0.00019134127,0.0002775144,0.00068532035,0.0001924698,0.00029817305,0.00006396559,0.0008692399],"category_scores_gemma":[0.0000050064427,0.00017892019,0.00012528388,0.00011489771,0.00024162377,0.0002990986,0.00010148964,0.00020174474,0.0003880314],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001118155,0.00015169868,0.0014297989,0.000025440475,0.000014311877,0.000058951693,0.005953608,9.691656e-7,0.000050245813,0.9640691,0.02715773,0.0010769177],"study_design_scores_gemma":[0.00038885995,0.00003469971,0.0011302541,0.000044486318,0.000041017647,0.000003934748,0.00057185884,0.00002199549,0.000034955596,0.0036956405,0.9937894,0.00024290754],"about_ca_topic_score_codex":0.00017414475,"about_ca_topic_score_gemma":0.14572349,"teacher_disagreement_score":0.96663165,"about_ca_system_score_codex":0.00006740366,"about_ca_system_score_gemma":0.000042792668,"threshold_uncertainty_score":0.9517568},"labels":[],"label_agreement":null},{"id":"W6924616142","doi":"10.15468/dl.sz95sh","title":"Occurrence Download","year":2022,"lang":"en","type":"dataset","venue":"Global Biodiversity Information Facility","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Download; Matching (statistics); Range (aeronautics); Danaus; Set (abstract data type)","score_opus":0.02116158577730604,"score_gpt":0.20872988824554917,"score_spread":0.18756830246824313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6924616142","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000044643202,0.00004732288,4.9877895e-7,0.00018514071,0.0014571437,0.00021178144,0.99391294,0.0000850399,0.0040554716],"genre_scores_gemma":[0.000012632824,0.000023202705,1.298893e-7,0.0018072585,0.0000063070784,0.000008532756,0.9981384,1.3438607e-8,0.0000034917284],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99866796,0.00006223665,0.00032732042,0.00019160307,0.0004963761,0.0002544922],"domain_scores_gemma":[0.9991038,0.000014217417,0.00018637092,0.000403362,0.00019164506,0.000100590914],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016108873,0.00025155587,0.00023738277,0.00007756522,0.00089139695,0.0005356695,0.0004798787,0.00012973358,0.3455734],"category_scores_gemma":[0.00003375611,0.00025301919,0.00016525683,0.00005298558,0.00024042653,0.00097524223,0.00030608478,0.00038960832,0.08049345],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003162827,0.000040207764,0.000013272806,0.0001494999,0.000026916989,0.000003833183,0.0016787809,0.0000010922103,2.2578774e-9,0.00002531286,0.99754405,0.0004854294],"study_design_scores_gemma":[0.00018275715,0.000041822535,0.000001228023,0.0000013007984,0.00005673785,0.000002867411,0.0009942912,3.3118862e-8,1.03069034e-7,0.0000064775472,0.99843776,0.00027460585],"about_ca_topic_score_codex":0.0007102368,"about_ca_topic_score_gemma":0.00007392402,"teacher_disagreement_score":0.26507995,"about_ca_system_score_codex":0.00019591922,"about_ca_system_score_gemma":0.00008968506,"threshold_uncertainty_score":0.9999922},"labels":[],"label_agreement":null},{"id":"W6936776861","doi":"10.58079/11n5o","title":"[SEM] T. S. Eliot lectures / Conférences T. S. Eliot","year":2024,"lang":"fr","type":"article","venue":"Industrias Culturais (Universidade de Coimbra)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Natural (archaeology); Interpretation (philosophy); Perspective (graphical)","score_opus":0.032554694872901684,"score_gpt":0.25333410830329867,"score_spread":0.22077941343039698,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6936776861","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01697663,0.11330082,0.00032884855,0.1455128,0.010479636,0.00067098485,0.0021370056,0.00076865463,0.7098246],"genre_scores_gemma":[0.4066229,0.00082208496,0.000074525706,0.0017570497,0.005031873,0.000014072071,0.00024023622,0.000075180724,0.5853621],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99659306,0.00030611784,0.00049013994,0.0009202395,0.00051992276,0.001170541],"domain_scores_gemma":[0.99829113,0.0003652258,0.00012846071,0.00043719466,0.00031066028,0.00046732894],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003451083,0.0007293099,0.0006018472,0.0005040581,0.0011556871,0.0039170086,0.00071912,0.0010585176,0.018359987],"category_scores_gemma":[0.000100739424,0.00068601995,0.00050663657,0.00048950413,0.0012113386,0.0014032575,0.00014919652,0.0020123883,0.0011305776],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036317146,0.00007872163,0.0000058717137,0.00022151589,0.00032935973,0.00077024975,0.018427813,0.000025757574,0.00050507777,0.53014445,0.43728313,0.012171727],"study_design_scores_gemma":[0.0006154808,0.00025895025,0.00029548633,0.0013792699,0.00054171757,0.00027671485,0.009903337,0.0007378599,0.0007037144,0.0039625876,0.9804238,0.00090105075],"about_ca_topic_score_codex":0.0036003608,"about_ca_topic_score_gemma":0.0009540032,"teacher_disagreement_score":0.5431407,"about_ca_system_score_codex":0.00036663684,"about_ca_system_score_gemma":0.00057478814,"threshold_uncertainty_score":0.99964714},"labels":[],"label_agreement":null},{"id":"W6976561980","doi":"10.6068/dp14ba84d35cb78","title":"Most Recent Data (2010). Statistics Canada. CANSIM: Health - Mental Health and Well-Being | Country: Canada | Table: Health indicator profile, by linguistic characteristic (mother tongue, first official language spoken) | Variable: Asthma, Mother tongue, neither English nor French, Males | Units: %, 2010. Data-Planet™ Statistical Ready Reference by Conquest Systems, Inc. Dataset-ID: 075-001-115.","year":2015,"lang":"en","type":"other","venue":"Data Planet","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mental health; Official statistics; Census; Economic statistics; Socioeconomic status; Summary statistics; Health indicator; Social statistics","score_opus":0.016773524358882907,"score_gpt":0.2372434887576917,"score_spread":0.22046996439880878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6976561980","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[2.9089728e-7,0.013085617,0.00001439383,0.000080563485,0.003498256,0.0014517759,0.97270143,0.00012209828,0.009045584],"genre_scores_gemma":[0.0000062192744,0.0025207924,0.0001589891,0.0070791435,0.002136449,0.000026571968,0.955168,0.00044656685,0.032457247],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9933351,0.0005610302,0.0014706699,0.0018424442,0.0012917276,0.0014990189],"domain_scores_gemma":[0.99326324,0.00037380034,0.0013428166,0.0034861758,0.00022741372,0.0013065737],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00087006495,0.0011037121,0.0016185807,0.000130878,0.0006890862,0.00088564306,0.0023862072,0.00034807576,0.020629046],"category_scores_gemma":[0.00022372756,0.0010355208,3.676037e-7,0.00016751228,0.0003950406,0.00032112564,0.00082800974,0.0012351266,0.00006307122],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008533175,0.00019201901,0.000010927804,0.0018264324,0.00026916392,0.00015813048,0.00046730647,3.3836116e-7,1.8858724e-7,0.0020068372,0.9946513,0.00033200334],"study_design_scores_gemma":[0.0007550171,0.00020907704,0.0000024348003,0.0002574614,0.00010772441,0.000051515035,0.0012380634,0.0005839829,5.7038383e-9,3.166287e-7,0.9957911,0.0010033019],"about_ca_topic_score_codex":0.9995656,"about_ca_topic_score_gemma":0.9991205,"teacher_disagreement_score":0.029765375,"about_ca_system_score_codex":0.0005268297,"about_ca_system_score_gemma":0.030292206,"threshold_uncertainty_score":0.9992095},"labels":[],"label_agreement":null},{"id":"W6980310784","doi":"","title":"British Women's Writing, 1930 to 1960 : Between the Waves","year":2023,"lang":"en","type":"book","venue":"BiblioBoard Library Catalog (Open Research Library)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Università degli Studi di Parma; KU Leuven; McMaster University","keywords":"Politics; Ideology; Poetry; Subjectivity; Modernism (music); Middlebrow; Feminism; Journalism; Criticism; Proletariat; Vitality","score_opus":0.09715288880153372,"score_gpt":0.3151203898977224,"score_spread":0.21796750109618868,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6980310784","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00043263382,0.001879119,0.000001585687,0.07740486,0.0006817951,0.002946598,0.0053610215,0.0010601985,0.9102322],"genre_scores_gemma":[0.0006163317,0.00092830637,0.000100347665,0.036001515,0.013532763,0.001311081,0.011072466,0.0008080053,0.9356292],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.990714,0.0009701387,0.0013051254,0.0019322084,0.0022964098,0.0027821017],"domain_scores_gemma":[0.99393857,0.0021842362,0.000246615,0.002336304,0.00021570551,0.0010785453],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","open_science","research_integrity","insufficient_payload"],"consensus_categories":["open_science","insufficient_payload"],"category_scores_codex":[0.0014667104,0.00095401617,0.0013661546,0.0059673777,0.0021075164,0.038983483,0.008949222,0.00072701945,0.05350907],"category_scores_gemma":[0.00014023966,0.0008228401,0.0004454607,0.0028745066,0.0017147913,0.0106805805,0.008955823,0.0044097872,0.007876802],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005860093,0.000048636688,0.00007316899,0.00034972458,0.00021280356,0.0010292232,0.0051264884,1.3634364e-7,6.492615e-7,0.16288859,0.8260448,0.004167161],"study_design_scores_gemma":[0.00034097774,0.00041880124,0.0002533724,0.00093756197,0.000033926255,0.000013375495,0.0007025479,0.0000013949285,0.000019172021,0.12713408,0.86920303,0.0009417726],"about_ca_topic_score_codex":0.00039932333,"about_ca_topic_score_gemma":0.00012717232,"teacher_disagreement_score":0.04563227,"about_ca_system_score_codex":0.00009459144,"about_ca_system_score_gemma":0.0021419693,"threshold_uncertainty_score":0.99942225},"labels":[],"label_agreement":null},{"id":"W6980700254","doi":"","title":"Conceptual design of a hard landing indication system using a flight parameter sensor simulation model","year":2010,"lang":"en","type":"article","venue":"Bristol Research (University of Bristol)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Safran Electronics (Canada)","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Triacetin; Emperipolesis; Durvalumab","score_opus":0.22464011705446282,"score_gpt":0.31829943125428206,"score_spread":0.09365931419981924,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6980700254","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8289369,0.00007977769,0.16593124,0.00009309486,0.00010749587,0.0004287167,0.00011635659,0.000045221674,0.0042612217],"genre_scores_gemma":[0.99146074,0.0000029623081,0.00629904,0.000008263502,0.000082553546,6.770946e-7,0.000022626595,0.000014441926,0.0021087222],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.9984821,0.00022919421,0.00020076703,0.0002587886,0.0005628497,0.00026630616],"domain_scores_gemma":[0.998429,0.00029590787,0.00017625009,0.00029288424,0.0007062414,0.000099705896],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007105564,0.000108982196,0.0002702761,0.00036185383,0.0005504542,0.000072802475,0.0002843721,0.00011851172,0.00016272978],"category_scores_gemma":[0.00010355151,0.0001251863,0.0000931589,0.00010146799,0.0009103396,0.00037428172,0.0000746587,0.00037663736,0.000018516737],"study_design_candidate":"simulation_or_modeling","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013461385,0.00058466516,0.000714725,0.0010911167,0.00028263233,0.0001473788,0.2642111,0.026639242,0.10751486,0.58957404,0.005126534,0.0027675775],"study_design_scores_gemma":[0.0006511496,0.00012087982,0.0000835932,0.00016152259,0.00006516639,0.0000072735493,0.020283265,0.9678039,0.000355327,0.0008468902,0.009420611,0.00020045177],"about_ca_topic_score_codex":0.00065427256,"about_ca_topic_score_gemma":0.00016318126,"teacher_disagreement_score":0.9411646,"about_ca_system_score_codex":0.00010174964,"about_ca_system_score_gemma":0.00015433511,"threshold_uncertainty_score":0.5104949},"labels":[],"label_agreement":null},{"id":"W6981249030","doi":"","title":"D'une liste de cours -- à des programmes d'études au collégial : actes du 9e colloque annuel /","year":2015,"lang":"fr","type":"other","venue":"Bibliothèque et Archives nationales du Québec (Québec government)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indigenous; Traditional knowledge; Field (mathematics); Identification (biology)","score_opus":0.014417292436415862,"score_gpt":0.22970291197513984,"score_spread":0.21528561953872397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981249030","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.071273364,0.016547095,0.00024784813,0.015935197,0.00055204483,0.001131602,0.0026898705,0.00026739074,0.8913556],"genre_scores_gemma":[0.29214302,0.0010098229,0.00078201963,0.0019498559,0.0036572882,0.0004529189,0.00017845839,0.00039752718,0.6994291],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99471956,0.0005324709,0.0009949232,0.0010240684,0.0015836123,0.0011453332],"domain_scores_gemma":[0.9932162,0.0042593027,0.00075177185,0.0005770654,0.0005240606,0.00067156187],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00066860754,0.0011890185,0.0010229792,0.0009929853,0.0012961852,0.0035414463,0.0012226092,0.00033056267,0.0124360565],"category_scores_gemma":[0.00278605,0.001138187,0.00055711943,0.00048109324,0.0028794368,0.0010978483,0.0004479035,0.0008078161,0.00042128915],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.0004994551,0.001349757,0.033759598,0.0010423422,0.0009926496,0.00014590366,0.11270569,0.000055510605,0.00011210517,0.38809824,0.46003112,0.0012076333],"study_design_scores_gemma":[0.0015269761,0.00045687868,0.021713872,0.0010998155,0.00039549803,0.00010717705,0.0017695144,0.0002510714,0.000050869672,0.0026553539,0.96878064,0.0011923577],"about_ca_topic_score_codex":0.33242247,"about_ca_topic_score_gemma":0.9895881,"teacher_disagreement_score":0.6571656,"about_ca_system_score_codex":0.010574991,"about_ca_system_score_gemma":0.07925675,"threshold_uncertainty_score":0.9998342},"labels":[],"label_agreement":null},{"id":"W6981845346","doi":"","title":"Feature Story: Inuit works of art on display during Congress of the Humanities and Social Sciences","year":2018,"lang":"en","type":"other","venue":"oURspace (University of Regina)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Triacetin; Emperipolesis; Durvalumab","score_opus":0.018806162384537667,"score_gpt":0.20282113411791544,"score_spread":0.18401497173337777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981845346","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06688861,0.0013737559,0.0000061690425,0.3114232,0.0010488307,0.00038204045,0.00048238377,0.000056967463,0.61833805],"genre_scores_gemma":[0.0198064,0.000039201608,0.000020734093,0.0000356449,0.00021054548,1.2077933e-7,0.0000036452748,0.000027342347,0.9798564],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99941474,0.00005410426,0.000009260512,0.00016585377,0.00023453601,0.000121477475],"domain_scores_gemma":[0.99947804,0.00002056515,0.00026982444,0.00015206676,0.000069454414,0.000010065059],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00007179442,0.00013531334,0.00028284264,0.00015421658,0.00052973174,0.000050769617,0.0002897958,0.00013679935,0.00018259225],"category_scores_gemma":[0.000003377639,0.00011428472,0.00009523648,0.000030162868,0.003560366,0.000087048575,0.000084673215,0.00017238127,0.0000039075726],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016916722,0.000009419225,0.000022417844,0.00024651576,0.00004577781,0.000002472727,0.017365359,1.037174e-7,0.000010468971,0.11200953,0.8702361,0.0000349156],"study_design_scores_gemma":[0.00020153819,0.00007376852,0.00006863794,0.0009950048,0.00007451048,8.6291544e-7,0.017116044,0.0000012881026,0.000010259498,0.000015054306,0.9813317,0.00011133775],"about_ca_topic_score_codex":0.000015706422,"about_ca_topic_score_gemma":0.0049511096,"teacher_disagreement_score":0.36151832,"about_ca_system_score_codex":0.000016764876,"about_ca_system_score_gemma":0.00004856339,"threshold_uncertainty_score":0.99915135},"labels":[],"label_agreement":null},{"id":"W6982016911","doi":"","title":"Government of Canada announces over $37M contract award to build Lake Superior National Marine Conservation Area Administration and Visitor Centre","year":2024,"lang":"en","type":"other","venue":"","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Administration (probate law); Government (linguistics); Visitor pattern; National government","score_opus":0.010249719446202331,"score_gpt":0.2135535049686856,"score_spread":0.20330378552248327,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982016911","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018287457,0.0002635829,0.000007742392,0.0039605573,0.0007739156,0.00026601623,0.004904948,0.000035924146,0.98795855],"genre_scores_gemma":[0.10218536,0.000014223008,0.000048063266,0.0018557333,0.0007931629,0.000012374692,0.0002741314,0.00006001827,0.8947569],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99876434,0.000013056373,0.0002226977,0.00022471709,0.00065153884,0.00012367505],"domain_scores_gemma":[0.99965316,0.00003141311,0.00006958307,0.000083130275,0.00009770434,0.00006499376],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000056323224,0.00018199647,0.00021229993,0.000037179412,0.000044415625,0.00020908471,0.0000563115,0.0000746497,0.014402032],"category_scores_gemma":[0.000016387601,0.00014870225,0.00003308406,0.000014157206,0.00004502784,0.000060259143,0.000027264005,0.00008396703,0.000005245014],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026587279,0.000025385516,0.00021207934,0.00017593248,0.00006390152,0.000010172124,0.0008231601,1.014219e-7,0.00001502112,0.1410018,0.8575288,0.00011704215],"study_design_scores_gemma":[0.00013360294,0.000043912114,0.00028575712,0.0001884781,0.000036922338,0.0000019981908,0.00032997216,0.00004396674,0.000023440212,0.00031005676,0.9984305,0.00017142555],"about_ca_topic_score_codex":0.048905056,"about_ca_topic_score_gemma":0.94404274,"teacher_disagreement_score":0.89513767,"about_ca_system_score_codex":0.00006806851,"about_ca_system_score_gemma":0.00028312838,"threshold_uncertainty_score":0.98649895},"labels":[],"label_agreement":null},{"id":"W6982673016","doi":"","title":"Istanbulin sopimuksen sopimusmääräinen täytäntöönpano ja noudattaminen : Suomen vahvuudet ja heikkoudet","year":2020,"lang":"fi","type":"other","venue":"Työväentutkimus Vuosikirja","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Primary care; Quarter (Canadian coin)","score_opus":0.02196107149879899,"score_gpt":0.22927107879093497,"score_spread":0.20731000729213597,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982673016","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00061665126,0.010883198,0.00029911913,0.009044292,0.0046282965,0.0024894036,0.009181992,0.00089642935,0.9619606],"genre_scores_gemma":[0.033065293,0.0014821894,0.00042145353,0.011071421,0.017350495,0.0002676136,0.0031958024,0.0017019731,0.93144375],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9881336,0.00060953596,0.0026129857,0.0032183654,0.0024848108,0.0029406922],"domain_scores_gemma":[0.993827,0.00046126213,0.0012150737,0.002616358,0.00041561603,0.0014646886],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity","insufficient_payload"],"category_scores_codex":[0.0005750626,0.0031780507,0.00337387,0.00059486844,0.0014228738,0.0029733267,0.0028279114,0.0017815412,0.14549403],"category_scores_gemma":[0.00016797407,0.0031018837,0.0014879556,0.0004094079,0.0013757428,0.0006777151,0.0010636363,0.00289514,0.017514676],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00049556757,0.0011899078,0.0000959897,0.0024787192,0.0018792261,0.001052158,0.039261144,0.000011477509,0.00033109103,0.18687475,0.74854946,0.01778052],"study_design_scores_gemma":[0.0028116312,0.0008762175,0.00005925754,0.0011334388,0.0011459683,0.000048988375,0.0021821265,0.00041212147,0.00010020413,0.0022929108,0.9854891,0.0034480854],"about_ca_topic_score_codex":0.001189669,"about_ca_topic_score_gemma":0.002265341,"teacher_disagreement_score":0.23693961,"about_ca_system_score_codex":0.00043624663,"about_ca_system_score_gemma":0.0004795889,"threshold_uncertainty_score":0.99987715},"labels":[],"label_agreement":null},{"id":"W6983196146","doi":"","title":"\"The little twist of sound could have the whole of her:\" silence, repetition, and musicality in Virginia Woolf's \"Between the Acts\" and Gertrude Stein's \"The Mother of Us All\"","year":2010,"lang":"en","type":"dissertation","venue":"Mspace (University of Manitoba)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Hyporeflexia; Dysgeusia; Diafiltration; Pretext; Fusible alloy","score_opus":0.014880055275168969,"score_gpt":0.21609155854911524,"score_spread":0.20121150327394627,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983196146","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9823955,0.00071500853,0.0000108257655,0.0021715232,0.00013718393,0.00031917743,0.0002358683,0.0000052398545,0.014009658],"genre_scores_gemma":[0.99295044,0.00012988277,0.00001278915,0.00006692399,0.00009115782,0.000001250156,0.000056469882,0.000014184553,0.0066768983],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99895203,0.00015951927,0.0002183682,0.00020517487,0.00031056633,0.00015431405],"domain_scores_gemma":[0.99841416,0.00040162948,0.00044655934,0.0004564866,0.00025065034,0.000030530475],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045238406,0.00017346759,0.00035058454,0.000060543407,0.0004109848,0.00007859944,0.00041990489,0.00017032004,0.00004336149],"category_scores_gemma":[0.000030743933,0.00010779438,0.00010252183,0.000044754084,0.0013801744,0.00012602189,0.000071907605,0.00044711013,0.0000012869243],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014807916,0.0006534427,0.068247125,0.003348114,0.001405973,0.00002617657,0.5118452,0.00001505985,0.004179547,0.3872774,0.016333878,0.005187338],"study_design_scores_gemma":[0.00075080356,0.00020326563,0.36736146,0.00044814515,0.0005200025,0.000002413473,0.26331532,0.00006288902,0.0003119991,0.0110274,0.35568818,0.00030814446],"about_ca_topic_score_codex":0.0048982464,"about_ca_topic_score_gemma":0.44384307,"teacher_disagreement_score":0.43894482,"about_ca_system_score_codex":0.000014078203,"about_ca_system_score_gemma":0.000041516574,"threshold_uncertainty_score":0.7404716},"labels":[],"label_agreement":null},{"id":"W6989955519","doi":"","title":"Classical Cummings: Sappho’s presence in the poetry of E. E. Cummings","year":2021,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Classicism; Intertextuality; Sonnet; Metafiction; Poetry; Scholarship; Narrative","score_opus":0.023109458008052017,"score_gpt":0.24311690947186376,"score_spread":0.22000745146381173,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989955519","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.52708006,0.0013500347,6.614208e-8,0.00010947278,0.0017084202,0.00047962242,0.0008139498,0.00006864056,0.46838975],"genre_scores_gemma":[0.92514646,0.00012770269,0.0000645569,0.00081348955,0.00025619616,0.00013935896,0.0010984397,0.000110017514,0.07224375],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99579644,0.0004611254,0.0010598785,0.00090489764,0.0010993538,0.0006782758],"domain_scores_gemma":[0.9975462,0.00050216157,0.00043462706,0.00086886145,0.0005087197,0.00013945655],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00078261155,0.0006690324,0.00085364026,0.0003362428,0.00085152703,0.00040690292,0.0010671938,0.00058812817,0.0013753233],"category_scores_gemma":[0.00052210235,0.0005431499,0.00047389534,0.00022403484,0.00024602187,0.0007078716,0.00010604106,0.002216701,0.00009366182],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013089333,0.00042790512,0.0000095032,0.00083517213,0.00011470829,0.00023031102,0.0043142545,0.000001439371,0.0034479252,0.9721,0.0003132246,0.018074673],"study_design_scores_gemma":[0.0006236426,0.00015777696,0.00012950996,0.0015934301,0.0002470371,0.000023913713,0.02488462,0.000013128682,0.007828793,0.036864232,0.9267037,0.00093022623],"about_ca_topic_score_codex":0.0005172365,"about_ca_topic_score_gemma":0.009368554,"teacher_disagreement_score":0.93523574,"about_ca_system_score_codex":0.0001588059,"about_ca_system_score_gemma":0.00007426834,"threshold_uncertainty_score":0.999702},"labels":[],"label_agreement":null},{"id":"W6995937040","doi":"","title":"Psychological Criticism and Shakespearean Allusions in J.M. Barrie’s <i>Dear Brutus</i>: A Neverland for Adults","year":2023,"lang":"en","type":"article","venue":"Scholars Crossing (Liberty University)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tragedy (event); Romance; Criticism; Power (physics); Escapism; Realm","score_opus":0.03168806209552281,"score_gpt":0.25575916944679833,"score_spread":0.22407110735127553,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6995937040","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9572547,0.00019756761,0.000110164605,0.0015827412,0.0004145906,0.0003261945,0.00021065398,0.00025013048,0.039653234],"genre_scores_gemma":[0.9538339,0.000027576421,0.0001901225,0.0008651366,0.00017687821,0.0000030394797,0.00005207895,0.000026709313,0.044824604],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986018,0.000072317256,0.00019039259,0.00047014322,0.00015402805,0.0005113399],"domain_scores_gemma":[0.9993418,0.00012104521,0.000039733288,0.00021184295,0.00011951025,0.00016608248],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00026063356,0.00019274699,0.00023668796,0.00034168034,0.0016089334,0.0012168728,0.00021956439,0.00013353095,0.00018170475],"category_scores_gemma":[0.00008521321,0.00018535007,0.000100781945,0.00018897364,0.00051782693,0.00092868117,0.0001228196,0.00034862565,0.00003171261],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013477888,0.0005013184,0.0018594994,0.0004040436,0.00008906346,0.001401677,0.19206089,0.000015581521,0.0018077929,0.76508605,0.020571558,0.014854703],"study_design_scores_gemma":[0.0024679508,0.00015529309,0.004988658,0.00029456333,0.00003449939,0.000014002044,0.0046323007,0.00037446962,0.000015286434,0.00650005,0.9801422,0.00038077167],"about_ca_topic_score_codex":0.0000680101,"about_ca_topic_score_gemma":0.0011965395,"teacher_disagreement_score":0.9595706,"about_ca_system_score_codex":0.00003650395,"about_ca_system_score_gemma":0.000041518695,"threshold_uncertainty_score":0.99981993},"labels":[],"label_agreement":null},{"id":"W6996368431","doi":"","title":"Seductive Convention: Reading, Romance and Realism in Charlotte Brontë's Jane Eyre, George Eliot's The Mill on the Floss and Virginia Woolf's The Voyage Out","year":2010,"lang":"en","type":"dissertation","venue":"Library and Archives Canada (Government of Canada)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"George (robot); Romance; Realism; Mill; Identity (music); Reading (process); Close reading; Romanticism","score_opus":0.004154725800441973,"score_gpt":0.1556138620943651,"score_spread":0.15145913629392313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6996368431","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3750387,0.0026201021,8.3527476e-7,0.023241838,0.0011945416,0.0006446556,0.0008423167,0.000010161929,0.5964068],"genre_scores_gemma":[0.8405942,0.00059562194,0.000006228964,0.0031850298,0.00038673516,0.000045681427,0.00009366075,0.000031183507,0.15506166],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980976,0.00012713655,0.00030174686,0.00033210253,0.0008646559,0.00027678342],"domain_scores_gemma":[0.9990153,0.00036970802,0.00021273085,0.00030333054,0.0000027589933,0.00009622741],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00004846833,0.00030761334,0.00029669248,0.000026462634,0.00069567736,0.00023491074,0.00027869348,0.000064390944,0.00011169792],"category_scores_gemma":[0.0000062940385,0.00017674305,0.000036964062,0.000020839105,0.00037808542,0.00025147307,0.000059461454,0.0006295569,1.1495801e-8],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038294843,0.000023082555,0.0001892526,0.00021571877,0.00010331453,0.000046280766,0.02164665,5.6814275e-7,0.000646304,0.96732193,0.007300396,0.0021235691],"study_design_scores_gemma":[0.0005034014,0.00012271345,0.030316021,0.0006855022,0.000102793,0.0000116396395,0.041808162,0.00016339794,0.0025328316,0.016257728,0.9069654,0.0005304099],"about_ca_topic_score_codex":0.005525635,"about_ca_topic_score_gemma":0.3636663,"teacher_disagreement_score":0.95106417,"about_ca_system_score_codex":0.000005995075,"about_ca_system_score_gemma":0.0003079937,"threshold_uncertainty_score":0.83531445},"labels":[],"label_agreement":null},{"id":"W7000906078","doi":"","title":"Healing Europe:T. S. Eliot and Beethoven","year":2019,"lang":"en","type":"other","venue":"University of Brighton Repository (University of Brighton)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"","score_opus":0.00804851367005307,"score_gpt":0.1559582465653575,"score_spread":0.14790973289530443,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7000906078","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0047602723,0.0015098467,0.00023815861,0.00018932318,0.0006041339,0.00031908302,0.00027093838,0.00014302935,0.99196523],"genre_scores_gemma":[0.017770011,0.00041605168,0.00052808627,0.00004378964,0.0002392964,1.6162359e-8,0.00006873537,0.00010822025,0.9808258],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984722,0.00013829269,0.00018582279,0.00057170575,0.00035408212,0.00027785506],"domain_scores_gemma":[0.9985019,0.00005896009,0.00052758114,0.000534145,0.00022543906,0.00015200238],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009996522,0.0003301092,0.0007536709,0.00039066328,0.0004507624,0.000051135314,0.0005514253,0.00031733722,0.003122394],"category_scores_gemma":[0.000002786568,0.00040896042,0.00026336804,0.000071676724,0.0011394538,0.00026114922,0.00022441827,0.00033073826,0.000094836054],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038970116,0.0003511244,0.00018444832,0.0021487873,0.0010761458,0.0010669498,0.042573646,0.0000056147237,0.00084204896,0.16926275,0.78061783,0.0014809463],"study_design_scores_gemma":[0.0008002558,0.00013048982,0.00010932841,0.00067589746,0.000356766,0.000021646494,0.0028644712,0.00005816045,0.00007355015,0.000080307604,0.99439645,0.0004326498],"about_ca_topic_score_codex":0.012073373,"about_ca_topic_score_gemma":0.0024476717,"teacher_disagreement_score":0.21377863,"about_ca_system_score_codex":0.00004613537,"about_ca_system_score_gemma":0.0001225987,"threshold_uncertainty_score":0.9998362},"labels":[],"label_agreement":null},{"id":"W7011647199","doi":"","title":"'The New Womanly Man': Cross-dressing and gender inversion in Joyce and his contemporaries","year":2023,"lang":"en","type":"dissertation","venue":"Trinity's Access to Research Output (TARA) (Trinity College Dublin)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Depiction; Ambiguity; Metaphor; Essentialism; Narrative; Inversion (geology); Context (archaeology); Identity (music)","score_opus":0.26724002950359754,"score_gpt":0.43246258019305517,"score_spread":0.16522255068945763,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7011647199","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93453735,0.0041700285,0.000005178884,0.0059855557,0.0017742197,0.0029174949,0.0006944643,0.00022786438,0.04968787],"genre_scores_gemma":[0.77194273,0.0008672478,0.000018800543,0.00041001337,0.0009724037,0.00023893529,0.00066718465,0.00012596964,0.22475672],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99352485,0.0007850363,0.0011567489,0.0013174623,0.0018002194,0.0014156944],"domain_scores_gemma":[0.99450046,0.0023267658,0.00028511861,0.00082499825,0.0013085577,0.00075410615],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity"],"consensus_categories":[],"category_scores_codex":[0.0027394716,0.0007349009,0.0009868029,0.0020010122,0.0035879482,0.011025066,0.0014175327,0.00055732473,0.00033165762],"category_scores_gemma":[0.0015997847,0.00062060804,0.00017547484,0.0008164879,0.00089345634,0.0018671228,0.0009233716,0.002585345,0.00012563281],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.007915201,0.000557839,0.0028878106,0.0044079586,0.0004858635,0.0015965604,0.15129279,0.000011169941,0.000036670852,0.35360765,0.45217925,0.025021244],"study_design_scores_gemma":[0.0044073304,0.0004810732,0.022651473,0.0010589316,0.00009790415,0.000014723672,0.027155971,0.00042984632,0.00016265649,0.031253852,0.910807,0.0014792493],"about_ca_topic_score_codex":0.008021795,"about_ca_topic_score_gemma":0.07201105,"teacher_disagreement_score":0.45862776,"about_ca_system_score_codex":0.00026269112,"about_ca_system_score_gemma":0.0012395625,"threshold_uncertainty_score":0.99971575},"labels":[],"label_agreement":null},{"id":"W7023732827","doi":"","title":"The Operatic Imperative in Anglo-American Literary Modernism: Pound, Stein, and Woolf","year":2009,"lang":"en","type":"dissertation","venue":"Library and Archives Canada (Government of Canada)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Modernism (music); Scholarship; Opera; Period (music); Situated; Pound (networking)","score_opus":0.003426133833650351,"score_gpt":0.15726124032692948,"score_spread":0.15383510649327914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7023732827","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2740919,0.0092599,0.0000032047549,0.004388869,0.000495888,0.00047979725,0.0005516049,0.0000144683245,0.71071434],"genre_scores_gemma":[0.89819837,0.0006858032,0.00006193787,0.0021582367,0.00017581692,0.000024111232,0.00012576937,0.000029801262,0.09854016],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979368,0.000101681384,0.00040219503,0.00032345302,0.00090525555,0.00033062574],"domain_scores_gemma":[0.9992149,0.0002564096,0.00017158336,0.00020049742,0.0000020135087,0.00015462635],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000014139843,0.00032880128,0.00040795005,0.000036590925,0.00052138726,0.00036074172,0.00021432308,0.000036205918,0.00004045324],"category_scores_gemma":[0.0000031155432,0.000249841,0.00003422757,0.00002952395,0.00019116967,0.00041440915,0.000040030038,0.00033045295,3.1937757e-9],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00094064936,0.000061504514,0.00048250493,0.0004181982,0.00016337578,0.00021041882,0.030764619,0.000005968151,0.001067074,0.89394104,0.0025521186,0.06939255],"study_design_scores_gemma":[0.0017731567,0.0009537726,0.027306745,0.002061861,0.00022304978,0.00002825945,0.203882,0.0040339977,0.0068252464,0.067222424,0.6831887,0.0025007906],"about_ca_topic_score_codex":0.0056864005,"about_ca_topic_score_gemma":0.49698508,"teacher_disagreement_score":0.82671857,"about_ca_system_score_codex":0.000008774924,"about_ca_system_score_gemma":0.0009710514,"threshold_uncertainty_score":0.9999954},"labels":[],"label_agreement":null},{"id":"W7030162004","doi":"","title":"Modernist Lines of Development: The Geometry of Queer Time","year":2024,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"McGill University","keywords":"Queer; Line (geometry); Photography; Temporality","score_opus":0.018492594478422865,"score_gpt":0.22924052183332935,"score_spread":0.2107479273549065,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7030162004","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53927606,0.0028712985,1.28936e-7,0.000028026396,0.0015336049,0.00040546857,0.0019102002,0.00012253053,0.45385268],"genre_scores_gemma":[0.7905809,0.00006418419,0.000099028104,0.0001572271,0.00017125768,0.000067440546,0.0011190765,0.00014668934,0.20759414],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99686533,0.00012989745,0.0011627688,0.0006117047,0.00080480333,0.00042547178],"domain_scores_gemma":[0.99788904,0.0001973647,0.00047763676,0.0006157269,0.0007153077,0.00010489416],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00055170717,0.00061137264,0.0007976331,0.00041534426,0.00080945727,0.00021260159,0.00070999825,0.0004192588,0.0020469106],"category_scores_gemma":[0.0001335474,0.000456123,0.00042124873,0.00015537835,0.00020338657,0.0003489402,0.0001101732,0.0010762868,0.00047644033],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014806751,0.00021885247,0.0000016443639,0.0027425005,0.0006953315,0.000028093731,0.0027468575,0.0000075226967,0.008367527,0.950998,0.0001823483,0.03386326],"study_design_scores_gemma":[0.0002774307,0.00008944413,0.000040612413,0.0014788526,0.00046543847,0.0000072697258,0.0013679566,0.000040909745,0.04272469,0.046232913,0.90652007,0.0007544106],"about_ca_topic_score_codex":0.00018762627,"about_ca_topic_score_gemma":0.001325645,"teacher_disagreement_score":0.90633774,"about_ca_system_score_codex":0.00010549189,"about_ca_system_score_gemma":0.00009917811,"threshold_uncertainty_score":0.99978906},"labels":[],"label_agreement":null},{"id":"W7036505942","doi":"","title":"CANADIAN RECEIVES AMERICAN SWINE AWARD","year":2003,"lang":"en","type":"article","venue":"Europe PMC (PubMed Central)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.01707045876080255,"score_gpt":0.20029943576538806,"score_spread":0.1832289770045855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7036505942","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15289836,0.0007727877,0.00002075316,0.003936319,0.0021533824,0.0003167062,0.0001124925,0.00014675036,0.83964247],"genre_scores_gemma":[0.93521875,0.000098077144,0.00008061434,0.0029080338,0.0008122772,0.00003081896,0.000027610347,0.00004858712,0.060775228],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979775,0.00014463025,0.0002263635,0.0003214152,0.00017978613,0.0011503092],"domain_scores_gemma":[0.9988454,0.000026100746,0.000052095435,0.00031278006,0.00010011552,0.0006635169],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001592889,0.00021597456,0.00021444107,0.00011313483,0.0003058697,0.00038661115,0.00021072,0.000025920232,0.002016274],"category_scores_gemma":[0.00011205433,0.00018965735,0.00007617867,0.00009561845,0.00021621812,0.00017673793,0.000012491165,0.00022091634,0.00029316498],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003331715,0.00011977563,0.0057327985,0.000036426765,0.000100297926,0.0002880266,0.118729845,0.0000040786163,0.00004498913,0.76485646,0.09118839,0.01886562],"study_design_scores_gemma":[0.00016692461,0.000044392997,0.0038245716,0.000012563907,0.000022651935,0.000009188686,0.0007311631,0.0000020878315,0.00011501432,0.0005503931,0.99426544,0.00025558466],"about_ca_topic_score_codex":0.013925501,"about_ca_topic_score_gemma":0.079090774,"teacher_disagreement_score":0.90307707,"about_ca_system_score_codex":0.00011455237,"about_ca_system_score_gemma":0.00017036879,"threshold_uncertainty_score":0.998896},"labels":[],"label_agreement":null},{"id":"W7042567626","doi":"","title":"Political Judgment and the Face-to-Face","year":2010,"lang":"en","type":"article","venue":"eScholarship@McGill (McGill)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Politics; Character (mathematics); Citizenship; Reading (process); Poetry","score_opus":0.018444419054455975,"score_gpt":0.2245899196326599,"score_spread":0.2061455005782039,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7042567626","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5696988,0.000089216264,9.006521e-7,0.0021000002,0.0009933133,0.0004454447,0.00048249913,0.00013403971,0.4260558],"genre_scores_gemma":[0.9776683,0.000006029336,0.00012230671,0.0077960137,0.00027207102,0.00008688592,0.000015199262,0.000054761775,0.013978445],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99773306,0.00017017915,0.0003989409,0.0005272547,0.00043105305,0.0007394943],"domain_scores_gemma":[0.9984452,0.00028538125,0.00006398508,0.000593637,0.00015482577,0.00045694032],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00066696195,0.0003542644,0.00035877197,0.00009949809,0.0016852211,0.0005039769,0.00043142613,0.00015258315,0.0009945709],"category_scores_gemma":[0.0002558098,0.00024519887,0.00015450912,0.00005483274,0.0005584142,0.00041951405,0.0002528225,0.0010937661,0.00046335],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000070014656,0.00006785056,0.0000039425126,0.000024777855,0.00003914699,0.00001355845,0.00029856057,4.5862745e-7,0.002322037,0.98951805,0.00004617662,0.007595401],"study_design_scores_gemma":[0.0010158562,0.000079576384,0.000063796266,0.000033331176,0.0000693554,0.000032509604,0.0010228772,0.00002661889,0.0031256347,0.16622934,0.8279182,0.0003829501],"about_ca_topic_score_codex":0.00020351108,"about_ca_topic_score_gemma":0.0008563739,"teacher_disagreement_score":0.827872,"about_ca_system_score_codex":0.000056072087,"about_ca_system_score_gemma":0.000012444967,"threshold_uncertainty_score":0.99991864},"labels":[],"label_agreement":null},{"id":"W7042837416","doi":"","title":"Psychoanalytic Transference: Julia Kristeva’s Struggle for Maternal Identification","year":2024,"lang":"en","type":"other","venue":"York University Digital Library (York University)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Psychoanalytic theory; Biography; Unconscious mind; The Symbolic; Narrative; Identification (biology); Creativity; The Imaginary","score_opus":0.0188177099089312,"score_gpt":0.18428399401583526,"score_spread":0.16546628410690406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7042837416","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00011328399,0.00054220326,0.00051251036,0.00029723276,0.000996092,0.000450303,0.013513308,0.0008248019,0.98275024],"genre_scores_gemma":[0.031956237,0.000070451184,0.00007449365,0.00007312804,0.0006870597,4.233542e-7,0.0017665401,0.00027352167,0.96509814],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984289,0.000035407254,0.00019714513,0.0007184324,0.00024313803,0.0003770202],"domain_scores_gemma":[0.9991812,0.000034807657,0.00013852943,0.00041472746,0.000036392266,0.0001943267],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000019951585,0.00043846457,0.00040284477,0.00095705246,0.0002581462,0.0015711917,0.0008516882,0.00029814045,0.006049464],"category_scores_gemma":[0.0000019103963,0.0005023684,0.00043596825,0.00022160143,0.00033361724,0.0013142695,0.000107843465,0.00031077216,0.0011598937],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010979351,0.00006133965,0.00001444187,0.000353939,0.00023739663,0.0001461006,0.0011401277,3.5329055e-7,0.0000010901987,0.29351777,0.70378816,0.0006295038],"study_design_scores_gemma":[0.00048550795,0.000076445074,0.0000041380904,0.0004245063,0.00037421388,0.0000047878793,0.003463502,0.000016722774,0.0000058789738,0.0028043028,0.9917928,0.00054717873],"about_ca_topic_score_codex":0.00006480825,"about_ca_topic_score_gemma":0.00013120522,"teacher_disagreement_score":0.29071346,"about_ca_system_score_codex":0.00007380466,"about_ca_system_score_gemma":0.00012815106,"threshold_uncertainty_score":0.9997428},"labels":[],"label_agreement":null},{"id":"W7043623304","doi":"","title":"At the still point for orchestra","year":2018,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"McGill University","keywords":"Timbre; Section (typography); Poetry; Composition (language); Musical; Point (geometry); Musical composition; Duration (music)","score_opus":0.0313587215688226,"score_gpt":0.2504851979882329,"score_spread":0.21912647641941027,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7043623304","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32429913,0.0008282453,2.3674056e-7,0.00012542431,0.00438954,0.0013459291,0.0067031453,0.0002489172,0.6620594],"genre_scores_gemma":[0.5726681,0.000056768877,0.00014962873,0.0016264068,0.0010179393,0.00053291593,0.0038428,0.00025985064,0.4198456],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99661976,0.00016823002,0.00078318105,0.00097584346,0.00064269063,0.0008103198],"domain_scores_gemma":[0.9972861,0.00034995851,0.00041098875,0.0009308755,0.0008028324,0.0002192873],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007252167,0.00079359836,0.00064219686,0.00017181749,0.0030987952,0.0005295651,0.0007898125,0.00054248364,0.005145414],"category_scores_gemma":[0.00030724375,0.0005916577,0.0006146703,0.000065825785,0.00027216558,0.0005403913,0.00010739246,0.0010012814,0.0008984362],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035691174,0.00012512822,3.5389974e-7,0.00048700586,0.0002320142,0.000018206107,0.0010442303,4.779065e-7,0.0015863822,0.96652764,0.0015721311,0.028049503],"study_design_scores_gemma":[0.0004790774,0.00022661674,0.000011487115,0.0002638189,0.00031068132,0.0000110411975,0.0012377527,0.0000061415976,0.007957354,0.09715805,0.8916176,0.00072035764],"about_ca_topic_score_codex":0.00018895125,"about_ca_topic_score_gemma":0.012941808,"teacher_disagreement_score":0.89004546,"about_ca_system_score_codex":0.00033470447,"about_ca_system_score_gemma":0.000048026726,"threshold_uncertainty_score":0.9998795},"labels":[],"label_agreement":null},{"id":"W7066946212","doi":"","title":"Joyce's Kaleidoscope: An Invitation to \"Finnegans Wake\" [Review]","year":2008,"lang":"en","type":"article","venue":"Digital Commons - Trinity University (Trinity University)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Kaleidoscope; Plot (graphics); Relevance (law); Creativity; Reading (process); Staring","score_opus":0.04973419893362694,"score_gpt":0.21268220267836985,"score_spread":0.16294800374474291,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7066946212","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34033874,0.000115333,0.0005835556,0.0020564036,0.0003097341,0.00070462294,0.0014112402,0.0004901337,0.65399027],"genre_scores_gemma":[0.9394161,0.00023631888,0.00010578942,0.0015441207,0.00016044758,4.663232e-7,0.0005968604,0.000030608877,0.057909254],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978732,0.00024876161,0.00027475867,0.00061138655,0.00043352795,0.00055840035],"domain_scores_gemma":[0.9978075,0.00020342972,0.0001400695,0.0007252912,0.0004978091,0.00062590727],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00014923303,0.00041364017,0.0005427143,0.0008027321,0.0018198184,0.00027783297,0.0009992702,0.00014233644,0.00053603575],"category_scores_gemma":[0.00008074455,0.0005045843,0.00030402336,0.0006307737,0.0005373518,0.003111266,0.0003661998,0.0005564395,0.0003952752],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013614468,0.0037348715,0.006054401,0.000661069,0.0004348362,0.0043116044,0.057713296,0.00004162486,0.00006544963,0.8162033,0.10284837,0.0065697525],"study_design_scores_gemma":[0.001144105,0.00045818128,0.0010272366,0.00017499288,0.00013138703,0.000029619005,0.0060535693,0.000012307371,0.00003214127,0.00028409404,0.98999923,0.0006531405],"about_ca_topic_score_codex":0.0005029867,"about_ca_topic_score_gemma":0.0031202813,"teacher_disagreement_score":0.8871508,"about_ca_system_score_codex":0.00028506937,"about_ca_system_score_gemma":0.0001995878,"threshold_uncertainty_score":0.9997406},"labels":[],"label_agreement":null},{"id":"W7070842203","doi":"","title":"The Plights of Teddies and Chirpers","year":2021,"lang":"en","type":"article","venue":"Hollins Digital Commons (Hollins University)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Feeling; Slumping; Theme (computing); Shot (pellet); Metis; DECIPHER; Wonder; Casual; Face (sociological concept)","score_opus":0.015078719048185358,"score_gpt":0.17054069671142888,"score_spread":0.15546197766324352,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7070842203","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29209152,0.0009795575,0.00005852433,0.00089066004,0.00018431574,0.00008199327,0.00033522234,0.00005384596,0.70532435],"genre_scores_gemma":[0.9344888,0.00020652173,0.00001884886,0.00006581261,0.00008354718,3.8773675e-7,0.00004013677,0.000011400523,0.06508458],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924254,0.000035180827,0.0001618084,0.00020509688,0.0001495145,0.00020586625],"domain_scores_gemma":[0.9991746,0.0001804463,0.00006125014,0.00030358013,0.00019889485,0.00008125502],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00004139932,0.00014822984,0.00019657565,0.000116643205,0.0007639292,0.00050689164,0.00021793129,0.00004908923,0.00006187709],"category_scores_gemma":[0.000023913457,0.000116246694,0.00011951404,0.00011780159,0.0006504955,0.00042821816,0.00014112316,0.0001629172,0.000012300125],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037120095,0.000108261425,0.00030016506,0.00002215443,0.00009009342,0.00011621328,0.0069064945,0.0000026580597,0.00003099304,0.9894007,0.0011032711,0.001881899],"study_design_scores_gemma":[0.0003424641,0.0000610549,0.00013345896,0.000037630158,0.00004532649,0.000010290847,0.007624368,0.000028556307,0.00023843815,0.002911595,0.9884058,0.00016100748],"about_ca_topic_score_codex":0.000020146774,"about_ca_topic_score_gemma":0.001138544,"teacher_disagreement_score":0.98730254,"about_ca_system_score_codex":0.000016511436,"about_ca_system_score_gemma":0.000055198423,"threshold_uncertainty_score":0.5875603},"labels":[],"label_agreement":null},{"id":"W7071186537","doi":"","title":"Rejuvenating T.S. Eliot’s <i>The Waste Land</i>","year":2014,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Product (mathematics); Work (physics); Volume (thermodynamics); Government (linguistics); Context (archaeology)","score_opus":0.019232297169469482,"score_gpt":0.2007824620862295,"score_spread":0.18155016491676002,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7071186537","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011046398,0.000003291182,0.00038679966,0.0010731141,0.00042134232,0.00020635313,0.000025978437,0.00015584595,0.98668087],"genre_scores_gemma":[0.9922192,0.0021000118,0.00009497407,0.0017608723,0.0011109635,0.000002695069,0.000025392976,0.000031271727,0.002654589],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989258,0.00014379482,0.00013952755,0.00027311975,0.00019769353,0.0003200418],"domain_scores_gemma":[0.999291,0.0001072425,0.00007821361,0.00034910592,0.00012127846,0.00005314498],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019758072,0.00018258944,0.00017430521,0.0018049306,0.0006534546,0.00026667633,0.00038692946,0.000058649886,0.00016451238],"category_scores_gemma":[0.00003564879,0.00013954313,0.00012230357,0.00059388945,0.0002044226,0.0003292112,0.00011092007,0.00026206466,0.000068853544],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007794952,0.00012738565,0.00009272938,0.00008880608,0.000086147964,0.00007108073,0.1144574,0.000022564793,0.0000070995143,0.8538173,0.008907373,0.022244185],"study_design_scores_gemma":[0.00042426345,0.00007357883,0.0000022649335,0.0000446793,0.00005383549,0.0000048333363,0.0017414589,0.00068488903,0.000053007203,0.00003079735,0.99668145,0.00020491079],"about_ca_topic_score_codex":0.015591961,"about_ca_topic_score_gemma":0.023946444,"teacher_disagreement_score":0.98777413,"about_ca_system_score_codex":0.000043745487,"about_ca_system_score_gemma":0.00006650566,"threshold_uncertainty_score":0.993864},"labels":[],"label_agreement":null},{"id":"W7094548946","doi":"","title":"Psychological Criticism and Shakespearean Allusions in J.M. Barrie’s &lt;i&gt;Dear Brutus&lt;/i&gt;: A Neverland for Adults","year":2023,"lang":"","type":"article","venue":"Digital Commons (Liberty University)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tragedy (event); Romance; Criticism; Power (physics); Escapism; Realm","score_opus":0.025485471033422687,"score_gpt":0.22994577607528174,"score_spread":0.20446030504185905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7094548946","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.463187,0.0012280731,0.0001785279,0.0041346205,0.00073010323,0.0013020083,0.004921595,0.0003830984,0.52393496],"genre_scores_gemma":[0.8937112,0.00024586922,0.000025350324,0.000470824,0.0002686876,0.000009745881,0.0004924873,0.000072026574,0.104703784],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963567,0.00015954472,0.0006107926,0.0011455077,0.0004023412,0.0013251129],"domain_scores_gemma":[0.99767005,0.00065828965,0.00012594707,0.00065820356,0.00028506631,0.0006024607],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00023587441,0.00068476127,0.0008222989,0.001003463,0.0014655455,0.0015237469,0.00071517157,0.00044006755,0.00045321783],"category_scores_gemma":[0.00014364286,0.00070352474,0.0004312406,0.0005799555,0.0010002563,0.0018778853,0.0006924643,0.0005672878,0.00015012415],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013044059,0.0009815258,0.00023692737,0.00031860024,0.00016383421,0.0014841389,0.025070012,0.0000070373835,0.000109268505,0.9327796,0.03154595,0.0059986985],"study_design_scores_gemma":[0.003960951,0.0008655138,0.0028538462,0.00060760375,0.00013356935,0.000038641636,0.0026568808,0.0011763453,0.0000029039131,0.009600342,0.97713345,0.0009699515],"about_ca_topic_score_codex":0.000029921051,"about_ca_topic_score_gemma":0.004064919,"teacher_disagreement_score":0.9455875,"about_ca_system_score_codex":0.00011338886,"about_ca_system_score_gemma":0.000090641,"threshold_uncertainty_score":0.9998344},"labels":[],"label_agreement":null},{"id":"W7095736358","doi":"","title":"81 Copyright © Canadian Academy of Oriental and Occidental Culture On Personality Development of Connie in D. H. Lawrence’s Lady Chatterley’s Lover From Tripartite Theory in Freud’s Psychoanalysis","year":2015,"lang":"en","type":"article","venue":"","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Personality; Personality development; Psychoanalytic theory; Personality theory; Subject (documents)","score_opus":0.051227747642770084,"score_gpt":0.27492519034611207,"score_spread":0.223697442703342,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7095736358","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9357253,0.0005271813,0.000005326071,0.00032910425,0.00010070255,0.00013159905,0.0002560522,0.000005846262,0.06291894],"genre_scores_gemma":[0.9945294,0.0000072111716,0.000089966954,0.0013019545,0.00007521903,0.000006112832,0.00008101096,0.0000074644113,0.0039016383],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99875927,0.00011171538,0.00041569854,0.0002556172,0.00024567617,0.00021204585],"domain_scores_gemma":[0.99957865,0.000044499004,0.00007761078,0.000093084556,0.000046496592,0.00015962587],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038364896,0.00015900088,0.00032208365,0.00018509594,0.000047664264,0.000053260097,0.00012717495,0.00009993536,0.0028321957],"category_scores_gemma":[0.000011215853,0.00012115673,0.00004772788,0.00005670743,0.0001857352,0.00018359949,0.000020385123,0.00019401859,0.000016691894],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00044135316,0.00039266906,0.039450236,0.000051640152,0.00016764365,0.000025107955,0.6160253,0.0000021711198,0.00024530446,0.32818523,0.014279679,0.000733638],"study_design_scores_gemma":[0.008449297,0.0003685238,0.111160226,0.0009124767,0.00022737111,0.000008857518,0.15017807,0.0003327207,0.0066915574,0.04942181,0.67063385,0.0016152427],"about_ca_topic_score_codex":0.043781012,"about_ca_topic_score_gemma":0.52005917,"teacher_disagreement_score":0.6563542,"about_ca_system_score_codex":0.000104248815,"about_ca_system_score_gemma":0.00010058208,"threshold_uncertainty_score":0.99807936},"labels":[],"label_agreement":null},{"id":"W7096627840","doi":"","title":"A Stubborn Fury: How Writing Works in Elitist Britain","year":2021,"lang":"","type":"article","venue":"","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Population; Inequality; State (computer science); Narrative","score_opus":0.022377459293800597,"score_gpt":0.2334305437962072,"score_spread":0.21105308450240662,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7096627840","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05011463,0.052384995,0.0006911519,0.023522897,0.0014371362,0.00038093177,0.00019980538,0.0001240143,0.8711444],"genre_scores_gemma":[0.79547715,0.0006175695,0.00025250533,0.003536836,0.0018793662,0.000029784806,0.00009316351,0.000051583218,0.19806205],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967283,0.00030671086,0.0006887636,0.0008426303,0.0004268725,0.0010066959],"domain_scores_gemma":[0.99851346,0.00023827421,0.00009099043,0.0005490704,0.00039812268,0.00021008913],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00042607245,0.00046080997,0.00063691166,0.0001532894,0.0006177627,0.0066828732,0.00025073104,0.0002700484,0.01758779],"category_scores_gemma":[0.00010043916,0.00049512443,0.000267641,0.00015345478,0.00029176418,0.00062315934,0.00019875886,0.000927304,0.0001308464],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032381515,0.00047789662,0.00031792003,0.0003721402,0.00008278733,0.0026327884,0.030889353,0.0000018225827,0.000067670255,0.86948645,0.017637255,0.07800153],"study_design_scores_gemma":[0.0015671795,0.00011007843,0.0006220804,0.0024817612,0.00009447737,0.00010426174,0.09469339,0.00060468673,0.00017889022,0.0140940985,0.88441825,0.0010308208],"about_ca_topic_score_codex":0.00031637764,"about_ca_topic_score_gemma":0.009000851,"teacher_disagreement_score":0.866781,"about_ca_system_score_codex":0.00009363429,"about_ca_system_score_gemma":0.00021130599,"threshold_uncertainty_score":0.99975},"labels":[],"label_agreement":null},{"id":"W7099075722","doi":"","title":"A Macro-Finance Approach to Exchange Rate Determination* Yu-chin Chen (University of Washington)","year":2010,"lang":"en","type":"article","venue":"","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exchange rate; Monetary policy; Yield (engineering); Currency; Yield curve; Bond; Interest rate; Vector autoregression; Interest rate parity; Financial market","score_opus":0.017526719835876153,"score_gpt":0.19913032600692704,"score_spread":0.1816036061710509,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7099075722","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3329106,0.00003337457,0.004432605,0.00059385196,0.00031513843,0.00020734394,0.00004222263,0.00006222133,0.66140264],"genre_scores_gemma":[0.8848568,0.00000319308,0.0023290408,0.00042892952,0.00017020274,0.0000023388943,0.00001286206,0.000008607268,0.11218799],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99947816,0.000020398267,0.00008919795,0.00017570172,0.000090876354,0.00014566387],"domain_scores_gemma":[0.99959826,0.000020206358,0.000037611073,0.00019594666,0.00010182411,0.00004612808],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014375943,0.000090954265,0.00012885632,0.00006374218,0.00018978362,0.00008907753,0.00019858337,0.00004475011,0.001670621],"category_scores_gemma":[0.000009564957,0.00008448144,0.000052366224,0.000026910437,0.00009483261,0.00023004175,0.000053978023,0.00013883802,0.000067310124],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002122342,0.00011448647,0.000024941513,0.00007147894,0.000008461641,0.000004696776,0.09738781,7.018918e-7,0.0017530203,0.8873543,0.005137659,0.008121211],"study_design_scores_gemma":[0.0003197411,0.0000521027,0.0007301659,0.00001528314,0.00002137138,0.0000030506862,0.0023019097,0.0012473636,0.00061175803,0.004428363,0.990037,0.00023184222],"about_ca_topic_score_codex":0.00022868524,"about_ca_topic_score_gemma":0.0017597114,"teacher_disagreement_score":0.9848994,"about_ca_system_score_codex":0.0000058691253,"about_ca_system_score_gemma":0.000012628831,"threshold_uncertainty_score":0.999242},"labels":[],"label_agreement":null},{"id":"W7103435738","doi":"","title":"“What do I think of glory?”: On <i>Middlemarch</i> by George Eliot","year":2020,"lang":"","type":"article","venue":"Lincoln (University of Nebraska)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"George (robot); Reading (process); Pseudonym; Interpretation (philosophy); Ridiculous","score_opus":0.021748933563565997,"score_gpt":0.19389197969579208,"score_spread":0.17214304613222609,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7103435738","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47151512,0.0501302,0.001016823,0.08245888,0.0049953493,0.002749279,0.0069209305,0.00034565377,0.37986776],"genre_scores_gemma":[0.9459943,0.0032025876,0.00020110539,0.0041484437,0.0007315316,4.5297404e-7,0.000119316006,0.000052110416,0.045550156],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997209,0.0002034578,0.00047541404,0.00074369647,0.00085353776,0.0005148948],"domain_scores_gemma":[0.9978995,0.00022021195,0.0004483217,0.00054947514,0.000406075,0.00047641646],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022474774,0.00045409237,0.000902602,0.00018250049,0.0006755704,0.0003023594,0.00091778813,0.00035963382,0.0110361725],"category_scores_gemma":[0.000033197055,0.0005500208,0.0005373829,0.00021246553,0.0009629682,0.0011096884,0.00035959156,0.00069986965,0.00029616285],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018077425,0.0013732582,0.0000672188,0.0018241311,0.0005768265,0.00023220705,0.29208773,0.000037021924,0.0024152682,0.4969582,0.18654901,0.016071381],"study_design_scores_gemma":[0.0019096471,0.0016217575,0.00005357551,0.00088792585,0.000289379,0.0000027588212,0.06745067,0.00062195887,0.0004530232,0.0020633219,0.9240621,0.0005838893],"about_ca_topic_score_codex":0.00026487384,"about_ca_topic_score_gemma":0.00015174989,"teacher_disagreement_score":0.73751307,"about_ca_system_score_codex":0.000049650986,"about_ca_system_score_gemma":0.00019657859,"threshold_uncertainty_score":0.9996951},"labels":[],"label_agreement":null},{"id":"W7106480566","doi":"10.1007/978-3-032-03367-3_4","title":"Meeting Orwell and Marriage (1935–1936)","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Kingston Health Sciences Centre","funders":"","keywords":"Politics; Set (abstract data type); Government (linguistics)","score_opus":0.017841989157152342,"score_gpt":0.1997179606269203,"score_spread":0.18187597146976794,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7106480566","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000046291693,0.0028349343,0.000018577959,0.00041003813,0.00054355303,0.00013910003,0.000097508644,0.00009691105,0.99585474],"genre_scores_gemma":[0.002200276,0.00017961545,0.00007665631,0.0023340594,0.0010554142,0.000005057033,0.000066143584,0.000033895463,0.9940489],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990987,0.000008163389,0.00025164091,0.0003241495,0.00014128159,0.00017604699],"domain_scores_gemma":[0.99949676,0.00007623753,0.0000581454,0.00023012486,0.00008134759,0.000057376445],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008057377,0.00028691752,0.00031205246,0.00010795571,0.00024315865,0.0004517766,0.00011108134,0.00017230221,0.017282913],"category_scores_gemma":[0.000006784209,0.00023517897,0.00010560879,0.0000022312609,0.00015412255,0.00007781984,0.00009184702,0.00029175603,0.00015882244],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000039028805,0.000004637851,2.1720724e-7,0.000153467,0.00004262174,0.000020852594,0.0021646502,1.2598622e-8,0.0000012802833,0.8858828,0.10909115,0.0026344082],"study_design_scores_gemma":[0.00009607643,0.000020314264,1.669275e-7,0.00035812115,0.00008004465,0.0000023367536,0.00010248762,0.000008695036,0.0000042096194,0.1181655,0.88091844,0.00024358853],"about_ca_topic_score_codex":0.000051456973,"about_ca_topic_score_gemma":0.0005145259,"teacher_disagreement_score":0.7718273,"about_ca_system_score_codex":0.000012541029,"about_ca_system_score_gemma":0.00002568955,"threshold_uncertainty_score":0.9836154},"labels":[],"label_agreement":null},{"id":"W7106483364","doi":"10.1007/978-3-032-03367-3_6","title":"To Marrakesh (1938-1939)","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Kingston Health Sciences Centre","funders":"","keywords":"Absurdity; Irony; CHAOS (operating system); Government (linguistics)","score_opus":0.028474017457547993,"score_gpt":0.22761599020594356,"score_spread":0.19914197274839557,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7106483364","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[6.8795686e-7,0.00045384717,0.000093765455,0.001788645,0.0011801134,0.00021972868,0.00019888542,0.00014026467,0.99592406],"genre_scores_gemma":[0.00048375182,0.000016790113,0.00010202371,0.013717889,0.001550877,0.00001449242,0.000100186204,0.00003832731,0.98397565],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990093,0.000004632704,0.0002514202,0.00033897124,0.00019139252,0.00020426384],"domain_scores_gemma":[0.99932384,0.000033707478,0.000033312626,0.00037761749,0.00013707146,0.000094474315],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000045128385,0.0002983399,0.00032081507,0.00016790337,0.00017210931,0.0003814245,0.00021432088,0.0001633723,0.06716724],"category_scores_gemma":[0.0000051174343,0.00025142988,0.00017401857,0.0000036600989,0.00007290164,0.000057222256,0.000078874546,0.000269768,0.0023885567],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000439737,0.000003925171,4.21458e-8,0.000037743583,0.000027006763,0.0000110525625,0.0017727712,2.2700487e-8,5.114324e-7,0.5794602,0.4156075,0.0030747878],"study_design_scores_gemma":[0.000054834993,0.000036092504,1.5527127e-7,0.0001918671,0.00004997084,9.831386e-7,0.000056664172,0.0000012348999,0.0000027952697,0.096854135,0.9024686,0.0002826417],"about_ca_topic_score_codex":0.00003695681,"about_ca_topic_score_gemma":0.00082048157,"teacher_disagreement_score":0.4868611,"about_ca_system_score_codex":0.000026475438,"about_ca_system_score_gemma":0.0000459983,"threshold_uncertainty_score":0.9999938},"labels":[],"label_agreement":null},{"id":"W7117462679","doi":"10.2478/ewcp-2025-0013","title":"Lumbering Woman: Madge Macbeth’s <i>The Patterson Limit</i>","year":2025,"lang":"en","type":"article","venue":"East-West Cultural Passage","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Conversation; Feminism; Intersection (aeronautics); Identity (music)","score_opus":0.024768058463189784,"score_gpt":0.23773857429518783,"score_spread":0.21297051583199805,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117462679","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21411917,0.0018134656,0.00006844607,0.023073446,0.0031551041,0.0004828421,0.00011689019,0.00034929175,0.75682133],"genre_scores_gemma":[0.8478083,0.000011001647,0.00002305893,0.008802794,0.001012944,0.00005790869,0.000053473006,0.000018627352,0.14221188],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99863046,0.00008787246,0.00028573582,0.00033231048,0.00023038253,0.00043324984],"domain_scores_gemma":[0.9993287,0.000054520286,0.00006464202,0.00035405767,0.00012464933,0.00007343371],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013668684,0.00028192822,0.00023467345,0.000047512618,0.00079415634,0.00097520056,0.0003648107,0.00007583725,0.0018857417],"category_scores_gemma":[0.000024063731,0.00017750871,0.00017816327,0.00006614344,0.0002451155,0.00038276374,0.000106208354,0.0003965178,0.00038069108],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059716484,0.00017752446,0.0006457827,0.0002568904,0.00018061808,0.000097234326,0.129495,0.00000847972,0.0021196648,0.44246635,0.4149037,0.009589058],"study_design_scores_gemma":[0.00033364055,0.0000340988,0.001369482,0.0001604075,0.00006205184,0.000009692217,0.0069978004,0.00005350005,0.00012401144,0.0012466542,0.98932207,0.000286569],"about_ca_topic_score_codex":0.00019847712,"about_ca_topic_score_gemma":0.0012380704,"teacher_disagreement_score":0.63368917,"about_ca_system_score_codex":0.0000408693,"about_ca_system_score_gemma":0.000017370246,"threshold_uncertainty_score":0.99902666},"labels":[],"label_agreement":null},{"id":"W7132895145","doi":"","title":"Modernist Medievalisms: The Recuperation of Chivalric Romance in Interwar British Literature","year":2022,"lang":"","type":"dissertation","venue":"TSpace","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto","keywords":"Chivalry; Romance; HERO; Modernism (music); Criticism; Meaning (existential); Medieval literature; Zeitgeist; British literature","score_opus":0.016447558366092456,"score_gpt":0.30353472632424044,"score_spread":0.287087167958148,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132895145","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6459262,0.108666904,0.000094262956,0.0029729041,0.0064971307,0.0023534324,0.00095937686,0.000105927524,0.23242387],"genre_scores_gemma":[0.84334475,0.0034681857,0.00003405193,0.00056886475,0.0008847031,0.00027921336,0.0035364497,0.00010529364,0.14777847],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959187,0.0005640815,0.0011566363,0.00086143607,0.0009380665,0.00056106463],"domain_scores_gemma":[0.9979544,0.00019677753,0.00058348576,0.0007558512,0.00042087448,0.00008856475],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000600431,0.0006478952,0.0008968285,0.00030261645,0.0010840013,0.0016231339,0.000847295,0.00036459332,0.0076828245],"category_scores_gemma":[0.000107211155,0.0006160969,0.00040142992,0.0002969312,0.00032758035,0.00044805437,0.00012359943,0.0019946794,0.000016760323],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00036857833,0.00040414126,0.000017481438,0.0014664192,0.00013040043,0.00014870662,0.8952597,0.000124927,0.000501579,0.09026284,0.006006998,0.0053082774],"study_design_scores_gemma":[0.0023173073,0.0009810437,0.0017616403,0.010550887,0.000612739,0.00015961881,0.26484162,0.0059717265,0.00061933824,0.013224466,0.69664955,0.0023100919],"about_ca_topic_score_codex":0.002905689,"about_ca_topic_score_gemma":0.016221903,"teacher_disagreement_score":0.69064254,"about_ca_system_score_codex":0.00015712205,"about_ca_system_score_gemma":0.0002003496,"threshold_uncertainty_score":0.999629},"labels":[],"label_agreement":null},{"id":"W7132990961","doi":"","title":"Visuaalinen kerronta Virginia Woolfin teoksissa Mrs Dalloway, To the Lighthouse ja A Haunted House and Other Short Stories","year":2025,"lang":"fi","type":"dissertation","venue":"Trepo - Institutional Repository of Tampere University","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin)","score_opus":0.01886313795971788,"score_gpt":0.23961164414950123,"score_spread":0.22074850618978334,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132990961","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8609801,0.0024450629,0.00019224816,0.000671401,0.002741947,0.00088753377,0.0010162524,0.00017327386,0.13089222],"genre_scores_gemma":[0.788074,0.00009489804,0.00014319572,0.00031729724,0.0005401016,0.000008026254,0.00021311046,0.000038391074,0.21057095],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997293,0.00021171765,0.0006300897,0.0008162566,0.0006738249,0.00037513656],"domain_scores_gemma":[0.99799764,0.00014732727,0.00027887966,0.00065854366,0.00069810107,0.00021951672],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00022735086,0.0006017257,0.00070672843,0.00038865744,0.0030831282,0.00035597314,0.00063936104,0.00041357885,0.00013165329],"category_scores_gemma":[0.00007913676,0.0005274088,0.00035697108,0.00016351035,0.00077939517,0.00043439702,0.0001885058,0.00058602996,0.0000170279],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.004939715,0.0015985344,0.0040236856,0.0019492721,0.0026272875,0.0014200355,0.21153381,0.00038026678,0.0053557856,0.74775934,0.015081954,0.0033303283],"study_design_scores_gemma":[0.00052406034,0.00020625652,0.0025301746,0.0011334816,0.00080280553,0.00005080321,0.016844567,0.0001326328,0.0008583115,0.000057620233,0.97626907,0.0005902373],"about_ca_topic_score_codex":0.0055993143,"about_ca_topic_score_gemma":0.011034134,"teacher_disagreement_score":0.9611871,"about_ca_system_score_codex":0.00032193074,"about_ca_system_score_gemma":0.0009056132,"threshold_uncertainty_score":0.9997178},"labels":[],"label_agreement":null},{"id":"W7134663228","doi":"","title":"Yeats Eliot Review","year":2002,"lang":"","type":"article","venue":"VTechWorks (Virginia Tech)","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Biography; Innocence; Girl; Immortality; Praise; Character (mathematics); Allegory","score_opus":0.03162105703932923,"score_gpt":0.2318238796573866,"score_spread":0.20020282261805739,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134663228","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00026336094,0.44734585,0.00025671156,0.0111750765,0.002028985,0.0009906102,0.00020771447,0.0005315592,0.53720015],"genre_scores_gemma":[0.44840455,0.212536,0.00035205763,0.020128697,0.004033941,0.00019820074,0.00008347791,0.0002751697,0.31398788],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950836,0.0002060351,0.0013617078,0.0011589421,0.00086160965,0.0013281103],"domain_scores_gemma":[0.9969807,0.00016065451,0.00036320183,0.0017758525,0.0003151387,0.00040440203],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005342332,0.0010013795,0.001238249,0.00035141382,0.0011243615,0.0011814024,0.0010706703,0.00061605906,0.1200962],"category_scores_gemma":[0.00011591947,0.00093755854,0.0006967299,0.0003991241,0.00066523894,0.0006218592,0.0002715965,0.0017610987,0.008783352],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016266053,0.0004938568,0.0000066088205,0.0024675503,0.00014993413,0.00023154303,0.0039345277,8.159259e-7,0.000045130633,0.21086471,0.6879746,0.09381447],"study_design_scores_gemma":[0.0005231996,0.0002464228,0.0000097387865,0.010793402,0.00049133704,0.00008362224,0.0001800674,0.0004232624,0.000060893195,0.0031881758,0.98285013,0.0011497214],"about_ca_topic_score_codex":0.000036854195,"about_ca_topic_score_gemma":0.000038489976,"teacher_disagreement_score":0.4481412,"about_ca_system_score_codex":0.00011076079,"about_ca_system_score_gemma":0.000037962967,"threshold_uncertainty_score":0.99985546},"labels":[],"label_agreement":null},{"id":"W7154529207","doi":"10.1215/00295132-12157398","title":"Revitalizing the National-Popular","year":2025,"lang":"en","type":"article","venue":"NOVEL A Forum on Fiction","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Romance; Politics; Communism; Realism; Tying; Modernism (music); Shadow (psychology); Postmodernism","score_opus":0.04625900507715778,"score_gpt":0.27802714587518623,"score_spread":0.23176814079802846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7154529207","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0030435633,0.00028677145,0.001558307,0.013530015,0.0013417474,0.00017295689,0.000039310984,0.000089287314,0.97993803],"genre_scores_gemma":[0.9424974,0.0000055910564,0.000020218806,0.009687114,0.0003521203,0.000030213161,0.000024257777,0.000006048459,0.04737708],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994894,0.000011283952,0.00011839466,0.000116455994,0.00015649747,0.00010794455],"domain_scores_gemma":[0.99975413,0.000026440766,0.00002610511,0.00008997957,0.000093367285,0.000009984699],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000110353016,0.000070440554,0.00005947117,0.00006148502,0.00047371376,0.00019813245,0.0000730618,0.000029338902,0.0001698443],"category_scores_gemma":[0.000029378585,0.00004725682,0.00005836962,0.00003262854,0.00003905507,0.0001108125,0.000013302901,0.000107154985,0.00004005999],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008444471,0.000035961533,0.000009887585,0.000009765132,0.000011991829,1.4548327e-7,0.0013885666,0.0000070166166,0.00014099585,0.8936183,0.10383039,0.0009385219],"study_design_scores_gemma":[0.00012428926,0.000021652659,0.00005138054,0.000059917573,0.00001073192,7.9033254e-7,0.0005715425,0.0003541582,0.00007529587,0.01240299,0.98627496,0.00005226501],"about_ca_topic_score_codex":0.000018688015,"about_ca_topic_score_gemma":0.000053032574,"teacher_disagreement_score":0.9394538,"about_ca_system_score_codex":0.000035684563,"about_ca_system_score_gemma":0.000012791609,"threshold_uncertainty_score":0.3643471},"labels":[],"label_agreement":null},{"id":"W7160245904","doi":"10.3917/rdm1.058.0353q","title":"Colesworthy Rebecca , Returning the Gift. Modernism and the Thought of Exchange , Oxford University Press, 271 p., 67 £.","year":2022,"lang":"fr","type":"article","venue":"Revue du MAUSS","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernism (music); Post modernism; Portrait","score_opus":0.01542753395913121,"score_gpt":0.18378627848474058,"score_spread":0.16835874452560937,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7160245904","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042866543,0.25144044,0.0009003005,0.13707043,0.004363743,0.0022220556,0.0027388379,0.00012984818,0.5582678],"genre_scores_gemma":[0.63093156,0.007871597,0.000047905036,0.00087096624,0.0013080133,0.000027825967,0.000045351473,0.000037994887,0.3588588],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981003,0.00067619106,0.00029902675,0.0003140782,0.00027391038,0.00033651394],"domain_scores_gemma":[0.9987471,0.00034344167,0.00024052325,0.00050179556,0.00010440283,0.000062704916],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0007030856,0.00023425701,0.0003697878,0.000044931694,0.002126045,0.0002242421,0.00049127627,0.00008089518,0.00083870196],"category_scores_gemma":[0.000023067258,0.00016884053,0.00019322304,0.00006165532,0.0010591468,0.00021567127,0.00054411154,0.0006582307,0.000002206972],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027520003,0.00007733687,0.000032941938,0.0004977083,0.00010663672,0.000068983136,0.067594655,0.00011086463,0.000005171298,0.9154951,0.01389991,0.0018354695],"study_design_scores_gemma":[0.0008899097,0.00008531642,0.000045143333,0.00012812267,0.00029117477,0.000077674245,0.014235147,0.006447691,0.000007636166,0.0038351028,0.9737509,0.00020619995],"about_ca_topic_score_codex":0.0006294399,"about_ca_topic_score_gemma":0.00023934552,"teacher_disagreement_score":0.95985097,"about_ca_system_score_codex":0.00006184118,"about_ca_system_score_gemma":0.000044592118,"threshold_uncertainty_score":0.99917305},"labels":[],"label_agreement":null},{"id":"W7165771102","doi":"10.1353/vcr.2025.a993459","title":"Temporality and Progress in Victorian Literature by Ruth M. McAdams (review)","year":2025,"lang":"en","type":"article","venue":"Victorian review","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Temporality; Victorian literature; Canadian literature; Subjectivity","score_opus":0.008062816854668836,"score_gpt":0.26330360343364256,"score_spread":0.25524078657897376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7165771102","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00014551857,0.9520824,0.000004063107,0.011167913,0.001089429,0.0008672122,0.00013806343,0.00006758292,0.034437805],"genre_scores_gemma":[0.07747324,0.8739036,0.00008285115,0.029045649,0.0014049344,0.0004366949,0.0005132758,0.000049935203,0.017089834],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99815995,0.0002190471,0.0006232644,0.00045621445,0.00021932024,0.00032218525],"domain_scores_gemma":[0.9991159,0.000046466997,0.00012834452,0.00044501547,0.00015838834,0.00010591926],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005544266,0.0003202284,0.00076426,0.00008219684,0.00014750959,0.00028696435,0.00024151718,0.00007839146,0.00035271735],"category_scores_gemma":[0.000051022344,0.0002438241,0.00012428167,0.00024141684,0.0001831159,0.00026821997,0.00006439407,0.00036778065,0.000023740782],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000144320375,0.00018429612,0.0014716407,0.055747546,0.00006354294,0.000039797425,0.00531187,1.6599226e-9,0.0000034416882,0.5276968,0.38036743,0.02909923],"study_design_scores_gemma":[0.0002050082,0.000030782394,0.00011937574,0.04606985,0.00008600823,0.0000023828038,0.000018088993,6.634367e-7,0.0000024939523,0.0011187795,0.95210755,0.00023901659],"about_ca_topic_score_codex":0.000016980985,"about_ca_topic_score_gemma":0.0001558676,"teacher_disagreement_score":0.5717401,"about_ca_system_score_codex":0.000039919334,"about_ca_system_score_gemma":0.00004886607,"threshold_uncertainty_score":0.9942859},"labels":[],"label_agreement":null},{"id":"W7165773896","doi":"10.1353/vcr.2025.a993453","title":"George Eliot's Pintele Yid","year":2025,"lang":"en","type":"article","venue":"Victorian review","topic":"Modernist Literature and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"","score_opus":0.010605029646672851,"score_gpt":0.25685080226060714,"score_spread":0.2462457726139343,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7165773896","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000038808306,0.23037136,0.00013101759,0.0058751316,0.0027062956,0.00028328222,0.000023031273,0.00010945026,0.7604616],"genre_scores_gemma":[0.11850448,0.08489376,0.00015665713,0.08482976,0.0066857846,0.00025805974,0.00014927152,0.000071552684,0.70445067],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991788,0.000048476428,0.00027447674,0.00019240147,0.00011245225,0.00019334425],"domain_scores_gemma":[0.99944913,0.000033679098,0.000037785856,0.0003185524,0.000114025475,0.000046793557],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015597795,0.0001384912,0.0002887296,0.000053855456,0.00016749711,0.00016982327,0.00018455951,0.000033032284,0.006526585],"category_scores_gemma":[0.000044697354,0.00010765728,0.00013301651,0.000059001813,0.000055080178,0.000117382086,0.000035138706,0.00013630665,0.0006186509],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000015009055,0.000023153396,0.00000380142,0.001610328,0.000020385738,0.0000043405184,0.0009713408,4.967409e-9,0.0000068675527,0.80538726,0.18538295,0.0065880944],"study_design_scores_gemma":[0.0000766113,0.00001445037,0.00000547223,0.0031398386,0.000070512455,0.0000011314072,0.000028081624,0.0000012074983,0.000014418418,0.004929487,0.991603,0.00011579739],"about_ca_topic_score_codex":0.0000165113,"about_ca_topic_score_gemma":0.00006510275,"teacher_disagreement_score":0.80622005,"about_ca_system_score_codex":0.000019829966,"about_ca_system_score_gemma":0.00003680098,"threshold_uncertainty_score":0.9943816},"labels":[],"label_agreement":null}]}