{"meta":{"query_hash":"3ac49a4d129e","filters":{"topic":"Narrative Theory and Analysis"},"cohort_total":378,"direct_labels_cover":0,"predictions_cover":378,"exported":378,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/3ac49a4d129e","api":"https://metacan.xera.ac/api/v1/cohort?topic=Narrative+Theory+and+Analysis"},"results":[{"id":"W1032543784","doi":"","title":"Фотография как элемент повествования (на материале фотокниги Д. М. Барри «Мальчики, потерпевшие кораблекрушение»)","year":2009,"lang":"ru","type":"article","venue":"Известия Российского государственного педагогического университета им. А. И. Герцена","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Imaginary; Character (mathematics); Narrative; Element (criminal law); Philosophy; Literature; Art; Epistemology; Aesthetics; Psychoanalysis; Psychology; Mathematics; Law; Political science; Geometry","score_opus":0.020691972961418902,"score_gpt":0.23520040648990725,"score_spread":0.21450843352848836,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1032543784","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0182391,0.022092873,0.09803915,0.014332896,0.0019019698,0.00012553809,0.00026536803,0.00021163927,0.8447914],"genre_scores_gemma":[0.7160606,0.021173472,0.14167026,0.001223187,0.0007370686,0.000477589,0.00015888042,0.000374838,0.11812409],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984981,0.0005512034,0.00007626367,0.00020919426,0.0005569657,0.000108246466],"domain_scores_gemma":[0.9990539,0.0004278425,0.000113328926,0.00013061917,0.00021193297,0.000062323685],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015905534,0.00037751914,0.00026427137,0.0013864369,0.0019459819,0.0072229407,0.00056712347,0.0014598116,0.008378235],"category_scores_gemma":[0.0029745123,0.00040645452,0.00034807375,0.001431049,0.009031791,0.003355143,0.0015716673,0.0019759028,0.0026074862],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013168429,0.000007827494,0.000121604535,0.00010444008,0.000004736906,0.00015595013,0.0024509423,0.00016041422,0.00088876736,0.96286327,0.0043858592,0.028842999],"study_design_scores_gemma":[0.000013190042,0.000016804823,0.0007280795,0.00012390029,0.000012288634,0.0005723857,0.0019788016,0.00033374067,0.0021349913,0.48752275,0.50653875,0.000024354245],"about_ca_topic_score_codex":0.0034461399,"about_ca_topic_score_gemma":0.004826205,"teacher_disagreement_score":0.008378235,"about_ca_system_score_codex":0.0025690298,"about_ca_system_score_gemma":0.002516621,"threshold_uncertainty_score":0.028028011},"labels":[],"label_agreement":null},{"id":"W1484963982","doi":"10.1002/9781119960027.ch11","title":"A Different Story","year":2011,"lang":"en","type":"other","venue":"","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut universitaire en santé mentale de Montréal","funders":"","keywords":"Computer science","score_opus":0.03626327892221177,"score_gpt":0.20407919040804934,"score_spread":0.16781591148583758,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1484963982","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019723292,0.0019619125,0.0030182765,0.027970497,0.005659668,0.000089580426,0.0003446557,0.00016203108,0.94107],"genre_scores_gemma":[0.22561134,0.0017403646,0.002643585,0.0130595155,0.0006700984,0.00010802234,0.0006277391,0.00048776047,0.7550517],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982343,0.0005622003,0.00006635153,0.00027046457,0.00059927814,0.0002673156],"domain_scores_gemma":[0.99897814,0.00034260235,0.00005386369,0.00016599636,0.0002219773,0.00023750524],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010908595,0.0005392796,0.00033803162,0.0010951562,0.0060449857,0.0060328413,0.0010713357,0.0024514499,0.07454156],"category_scores_gemma":[0.004699543,0.0001867245,0.0005838622,0.0010607137,0.0054195668,0.008542016,0.0065974584,0.0059225312,0.007492507],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000070495225,0.000056153545,0.0004731158,0.00014451127,0.000008931821,0.0007452372,0.09916316,0.000059954178,0.0007901191,0.638991,0.20106032,0.058437068],"study_design_scores_gemma":[0.000003830226,0.0000091670445,0.0002382991,0.000081827246,0.0000039036368,0.00034392718,0.025348164,0.000030051906,0.00016153998,0.0096394,0.96413046,0.000009420616],"about_ca_topic_score_codex":0.009441126,"about_ca_topic_score_gemma":0.015904414,"teacher_disagreement_score":0.07454156,"about_ca_system_score_codex":0.0036893107,"about_ca_system_score_gemma":0.0019774456,"threshold_uncertainty_score":0.2493664},"labels":[],"label_agreement":null},{"id":"W1499186304","doi":"","title":"The Narrative Shaping of Meaning in Gail Godwin's A Southern Family: Why Fiction?","year":2013,"lang":"en","type":"article","venue":"Narrative Works","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Narrativity; Meaning (existential); Context (archaeology); Narrative psychology; Literature; Narrative inquiry; Narratology; Aesthetics; Narrative criticism; Art; Sociology; History; Philosophy; Epistemology","score_opus":0.02961747160665355,"score_gpt":0.23656740360930445,"score_spread":0.2069499320026509,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1499186304","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8137977,0.008151386,0.0063459184,0.034601483,0.0006357181,0.00006766026,0.0000581163,0.00010561477,0.13623637],"genre_scores_gemma":[0.99392045,0.000793464,0.0006372121,0.000691342,0.000039551895,0.000018985316,0.000007689702,0.000028517221,0.0038627244],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99825424,0.0013479522,0.000017051749,0.00010373194,0.00010365124,0.00017343787],"domain_scores_gemma":[0.99841034,0.001073881,0.00016053129,0.000089703346,0.00007936083,0.00018607381],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024110565,0.00063598633,0.00034906837,0.0011001786,0.014590488,0.005308918,0.0010060784,0.0023482286,0.0017770648],"category_scores_gemma":[0.003806707,0.00030682815,0.0002434057,0.00076938316,0.039492305,0.004060566,0.0047205444,0.0032201784,0.00020154189],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016888464,0.000010126177,0.0004545178,0.000042246917,0.000004340552,0.0011601932,0.93194115,0.00006769193,0.00019138095,0.05959643,0.0033774981,0.003137564],"study_design_scores_gemma":[0.00001023231,0.000036634436,0.0011553743,0.00022600268,0.000010334991,0.0018401562,0.83878756,0.00012886457,0.0004821372,0.018845264,0.13845551,0.00002195905],"about_ca_topic_score_codex":0.01139915,"about_ca_topic_score_gemma":0.022219263,"teacher_disagreement_score":0.014590488,"about_ca_system_score_codex":0.004544828,"about_ca_system_score_gemma":0.0016733212,"threshold_uncertainty_score":0.032975137},"labels":[],"label_agreement":null},{"id":"W1506172541","doi":"10.25071/1496-6778.8010","title":"Meeting Through Time and Space: The Kirschner Letters, 1925-1973","year":2004,"lang":"en","type":"article","venue":"spacesofidentity net","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science; Space (punctuation); Operating system","score_opus":0.012076373986807913,"score_gpt":0.21065609242310893,"score_spread":0.198579718436301,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1506172541","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04060692,0.035463378,0.0016198204,0.081543736,0.0023722886,0.00003572426,0.00040352254,0.000039124305,0.83791554],"genre_scores_gemma":[0.5775243,0.011484165,0.0004973106,0.00417421,0.00078711746,0.0000464469,0.00010980825,0.000094438816,0.4052822],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900407,0.00037078862,0.000070491566,0.0001775453,0.00013772889,0.00023927724],"domain_scores_gemma":[0.99883586,0.0007283843,0.000099409175,0.00006111213,0.000110085784,0.00016510129],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016761204,0.000446895,0.00033919653,0.0011482823,0.010908159,0.0074223243,0.00051583326,0.0027265614,0.028961211],"category_scores_gemma":[0.007129781,0.0004092913,0.00014816121,0.0021517302,0.007407896,0.009480321,0.003461877,0.0046769343,0.00299731],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015632709,0.000015293905,0.00076315505,0.00008164597,0.0000056512104,0.00017411147,0.03092628,0.00011527706,0.00012943272,0.87227905,0.05481612,0.040537834],"study_design_scores_gemma":[0.00000934829,0.000016293574,0.001803025,0.00017915011,0.000004768455,0.00013317242,0.018806022,0.0000856954,0.00018525694,0.052533615,0.9262244,0.000019181738],"about_ca_topic_score_codex":0.050983083,"about_ca_topic_score_gemma":0.13476734,"teacher_disagreement_score":0.050983083,"about_ca_system_score_codex":0.010705659,"about_ca_system_score_gemma":0.0045185396,"threshold_uncertainty_score":0.10137266},"labels":[],"label_agreement":null},{"id":"W1518855282","doi":"","title":"Paradoxes Concerning the Love in Wuthering Heights","year":2015,"lang":"en","type":"article","venue":"Cross-cultural communication","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Epistemology; Love story; Sociology; Literature; Psychoanalysis; Philosophy; Psychology; Art","score_opus":0.10096682533730626,"score_gpt":0.33115318677914946,"score_spread":0.23018636144184318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1518855282","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5389521,0.00909862,0.024663966,0.023830885,0.0006966822,0.000082896826,0.00008517417,0.00004383337,0.40254584],"genre_scores_gemma":[0.9940982,0.0010447154,0.00093218917,0.0003492364,0.000054585857,0.000024131943,0.000013074395,0.000015518679,0.0034683517],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99644476,0.0022809748,0.000109628345,0.00032984794,0.00058847613,0.00024627338],"domain_scores_gemma":[0.99476707,0.0039839447,0.00052233867,0.00023624799,0.0003228028,0.00016756599],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037470541,0.0002972919,0.00042684883,0.0011842077,0.006735572,0.0069305706,0.0007803671,0.0013463021,0.002771278],"category_scores_gemma":[0.0089070005,0.00026095434,0.000226742,0.001269006,0.024833828,0.010196399,0.004312044,0.0031105855,0.00017003444],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003481542,0.000017267408,0.00069771765,0.00012776445,0.0000124663065,0.00071954913,0.24110284,0.0002481784,0.00034130455,0.7494251,0.0015032741,0.005769862],"study_design_scores_gemma":[0.000021911692,0.000047441237,0.0027984953,0.00035502107,0.000021549446,0.0012333489,0.35646144,0.0014543652,0.0012917862,0.51855266,0.117710575,0.000051476647],"about_ca_topic_score_codex":0.0022926102,"about_ca_topic_score_gemma":0.0023309616,"teacher_disagreement_score":0.0069305706,"about_ca_system_score_codex":0.0038093533,"about_ca_system_score_gemma":0.0014320341,"threshold_uncertainty_score":0.027638853},"labels":[],"label_agreement":null},{"id":"W1526169991","doi":"10.20381/ruor-19239","title":"Rehabilitating Howard M Parshley: A socio-historical study of the English translation of Beauvoir's \"Le deuxieme sexe\", with Latour and Bourdieu","year":2009,"lang":"en","type":"dissertation","venue":"uO Research (University of Ottawa)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Context (archaeology); Sociology; Epistemology; Translation studies; Order (exchange); Linguistics; Philosophy; History","score_opus":0.041107264552936965,"score_gpt":0.2699736287072267,"score_spread":0.22886636415428974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1526169991","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6274337,0.029848726,0.0018893732,0.14990872,0.0019565534,0.00010856889,0.000061909326,0.00006276215,0.18872964],"genre_scores_gemma":[0.9425199,0.0062172352,0.00057380355,0.005439164,0.00035772906,0.000050363782,0.000019905447,0.000072999304,0.044748865],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99551433,0.0035043485,0.000058652324,0.00021835585,0.00043693773,0.0002673322],"domain_scores_gemma":[0.9943809,0.004397444,0.00045534363,0.00011037684,0.00040599817,0.0002500166],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0038815124,0.0003542551,0.00034244146,0.0013142413,0.019474823,0.005558118,0.00084315956,0.0024385855,0.002776767],"category_scores_gemma":[0.010360253,0.000310543,0.00013809663,0.0019643127,0.014643234,0.004646572,0.002529548,0.003655608,0.00035229683],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019714093,0.000024416382,0.00079401635,0.000076485776,0.0000021169376,0.001258431,0.9374972,0.000030036073,0.00014695138,0.037717625,0.015096981,0.0073360205],"study_design_scores_gemma":[0.000010153713,0.00004785827,0.003936221,0.0003200671,0.000006630717,0.0008856775,0.6193659,0.000092269736,0.00058659364,0.0047618803,0.36996123,0.000025664467],"about_ca_topic_score_codex":0.066466585,"about_ca_topic_score_gemma":0.09128724,"teacher_disagreement_score":0.9805252,"about_ca_system_score_codex":0.0082032895,"about_ca_system_score_gemma":0.0075890147,"threshold_uncertainty_score":0.13215941},"labels":[],"label_agreement":null},{"id":"W1526752464","doi":"","title":"Introduction to the drift Special Issue","year":2013,"lang":"en","type":"article","venue":"Continent","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Statement (logic); Set (abstract data type); Product (mathematics); Computer science; Image stitching; History; Operations research; Law; Political science; Engineering; Artificial intelligence; Mathematics; Programming language","score_opus":0.009401949333453593,"score_gpt":0.20226657554487815,"score_spread":0.19286462621142456,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1526752464","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00067122915,0.033270318,0.001664876,0.103884034,0.69569063,0.00017779994,0.001434655,0.0011454459,0.162061],"genre_scores_gemma":[0.004992116,0.02363844,0.0016908222,0.035980325,0.33692443,0.00022599197,0.001977207,0.0015466971,0.5930239],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99706984,0.00042255543,0.00021928034,0.00046183838,0.0014467447,0.00037973686],"domain_scores_gemma":[0.99193984,0.0012267613,0.00049138424,0.0005967142,0.0028467395,0.002898563],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0041388217,0.0012546058,0.0009417093,0.0034732395,0.004341524,0.012748657,0.001890591,0.00331678,0.19329302],"category_scores_gemma":[0.0116293365,0.0005575784,0.00097571855,0.002036296,0.0015692888,0.0057305456,0.005730662,0.005134959,0.1109701],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006876113,0.000007697937,0.00005458475,0.000052691707,0.0000010535401,0.000028130666,0.000053558757,0.000010846042,0.000049405473,0.0015345587,0.984655,0.013545657],"study_design_scores_gemma":[0.0000011504877,0.0000038908847,0.000102561564,0.00005588223,5.861435e-7,0.00003843503,0.000046048157,0.000005228981,0.000014459493,0.0003061035,0.99942315,0.0000024891924],"about_ca_topic_score_codex":0.0022684431,"about_ca_topic_score_gemma":0.0049449443,"teacher_disagreement_score":0.19329302,"about_ca_system_score_codex":0.002671655,"about_ca_system_score_gemma":0.0057174377,"threshold_uncertainty_score":0.6466296},"labels":[],"label_agreement":null},{"id":"W1542397817","doi":"","title":"Truth and Fiction","year":2000,"lang":"en","type":"article","venue":"Newfoundland and Labrador Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Art","score_opus":0.029944439742234798,"score_gpt":0.2566356841893059,"score_spread":0.2266912444470711,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1542397817","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007853749,0.007622947,0.0006654035,0.023692865,0.0009283342,0.000014564375,0.00012278858,0.000024172741,0.9590752],"genre_scores_gemma":[0.47291413,0.003696452,0.0007472093,0.0047218595,0.00085276586,0.000043506774,0.00019297686,0.00007879359,0.5167524],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9981211,0.0007849073,0.000049970266,0.00028430944,0.00035225647,0.00040737021],"domain_scores_gemma":[0.995891,0.0024200147,0.00024936418,0.0005395685,0.00052602496,0.0003740006],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001970072,0.00041628888,0.00039866962,0.0028733066,0.015690712,0.015327649,0.001147065,0.0028866988,0.027203621],"category_scores_gemma":[0.0073137125,0.00020335717,0.00023522909,0.0023443913,0.032656424,0.006612232,0.0032141155,0.0045420784,0.0020023983],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013680907,0.000009297912,0.00019164941,0.00003235972,0.0000040068535,0.0000605065,0.01627451,0.000044978424,0.00003225918,0.91628855,0.058323614,0.008724486],"study_design_scores_gemma":[0.000007054232,0.0000070555975,0.00089690025,0.00025492662,0.000009683654,0.000076575045,0.017019007,0.00008344381,0.00012332514,0.12644507,0.85506594,0.000011053808],"about_ca_topic_score_codex":0.21102646,"about_ca_topic_score_gemma":0.35868368,"teacher_disagreement_score":0.21102646,"about_ca_system_score_codex":0.019554263,"about_ca_system_score_gemma":0.008467157,"threshold_uncertainty_score":0.4195963},"labels":[],"label_agreement":null},{"id":"W1542767813","doi":"","title":"Elyane Dezon-Jones and Inge Crosman Wimmers, eds. Proust's Fiction and Criticism","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Criticism; Art; Art history; History; Literature","score_opus":0.024444031536414435,"score_gpt":0.27924790282711687,"score_spread":0.2548038712907024,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1542767813","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012601697,0.8756745,0.002366203,0.044383705,0.0041411985,0.000010040398,0.000071023096,0.000046504403,0.07204677],"genre_scores_gemma":[0.023734964,0.8839627,0.0022709789,0.0036568297,0.004136192,0.00002445637,0.00016740077,0.000057545385,0.08198893],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993063,0.00026984458,0.000025232583,0.00007007514,0.00028310475,0.000045317927],"domain_scores_gemma":[0.9971974,0.0019548757,0.00016834195,0.00007622856,0.00045363515,0.00014948503],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016550473,0.00052097044,0.00051387004,0.0025116785,0.0014641506,0.004739926,0.00066050474,0.0014315097,0.01107849],"category_scores_gemma":[0.0045631584,0.00027525547,0.0002038794,0.0025499237,0.0023608834,0.0052902093,0.0011982528,0.001888779,0.0044457726],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030566564,0.000021535367,0.0003542953,0.0011034223,0.000012934628,0.000104333114,0.0041044783,0.0002815109,0.00014371534,0.07796991,0.6421174,0.27375588],"study_design_scores_gemma":[0.0000019045385,0.0000041677895,0.00045430727,0.00066121493,0.000005514814,0.00013991361,0.001041305,0.0000521559,0.00009772687,0.013005327,0.9845318,0.000004654127],"about_ca_topic_score_codex":0.0041760528,"about_ca_topic_score_gemma":0.009075615,"teacher_disagreement_score":0.01107849,"about_ca_system_score_codex":0.002142404,"about_ca_system_score_gemma":0.0021302365,"threshold_uncertainty_score":0.037061214},"labels":[],"label_agreement":null},{"id":"W1545976620","doi":"10.7557/13.1049","title":"Hav, hage, teater og temperatur i Cora Sandels &lt;i&gt;Alberte&lt;/i&gt;-bøker","year":2010,"lang":"en","type":"article","venue":"Nordlit","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Trilogy; Narrative; Contextualization; TRACE (psycholinguistics); Literature; Politics; Art; Interpretation (philosophy); Philosophy; Linguistics","score_opus":0.013846345669051003,"score_gpt":0.21961257974312615,"score_spread":0.20576623407407515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1545976620","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06441903,0.02548369,0.0038970946,0.02902376,0.0063559283,0.000059945538,0.0009726212,0.00055886235,0.8692291],"genre_scores_gemma":[0.61782116,0.004861734,0.0022075123,0.0017348905,0.0004326609,0.00003028318,0.00029915033,0.00043960428,0.37217295],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995109,0.00008381936,0.000011540906,0.00010754071,0.00018117727,0.00010493459],"domain_scores_gemma":[0.999642,0.000098962984,0.00004055755,0.00003478957,0.0000846376,0.00009911628],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005827553,0.0004707349,0.00018776144,0.0005685737,0.0043906015,0.0059796018,0.0005454898,0.0012052032,0.026124896],"category_scores_gemma":[0.001495914,0.00019395961,0.00019435653,0.00072344457,0.004406656,0.0016758003,0.001772664,0.0020540622,0.00317152],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004671477,0.00010772078,0.004506223,0.00072490005,0.000025918802,0.0023123426,0.08339407,0.0005313582,0.005963277,0.37427017,0.37023643,0.15746048],"study_design_scores_gemma":[0.0000056495073,0.0000122959245,0.0016108545,0.000113211914,0.0000031583577,0.00022829884,0.011225299,0.00007145049,0.00070726546,0.002600975,0.9834082,0.000013319798],"about_ca_topic_score_codex":0.15251794,"about_ca_topic_score_gemma":0.2956848,"teacher_disagreement_score":0.15251794,"about_ca_system_score_codex":0.009975307,"about_ca_system_score_gemma":0.004361744,"threshold_uncertainty_score":0.3032604},"labels":[],"label_agreement":null},{"id":"W1550318503","doi":"","title":"Robert Kroetsch’s Verbal Parody of The Studhorse Man in Seed Catalogue","year":2012,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Interpretation (philosophy); Metafiction; Reading aloud; Literature; Reading (process); Storytelling; Poetry; Art; Set (abstract data type); Linguistics; Expression (computer science); History; Computer science; Philosophy","score_opus":0.02317626113761158,"score_gpt":0.26653477308825896,"score_spread":0.2433585119506474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1550318503","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18025951,0.0075941905,0.016892036,0.02680375,0.0026023265,0.00016432181,0.00055912026,0.00043739364,0.76468736],"genre_scores_gemma":[0.8714607,0.0019665363,0.0039372854,0.0015524466,0.00011638509,0.000048447957,0.000199814,0.00026176986,0.12045668],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99912685,0.00034280695,0.000035721783,0.00011778608,0.00023601796,0.00014080138],"domain_scores_gemma":[0.99875736,0.0005565626,0.00007443306,0.00014589638,0.00031046715,0.00015528324],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00090853166,0.00038653996,0.00019935812,0.0011012532,0.0077292863,0.0034075724,0.00056064187,0.0009727468,0.0060558654],"category_scores_gemma":[0.0049697566,0.0002393977,0.00018057521,0.0010845368,0.007907741,0.0029159165,0.0016590655,0.001577043,0.0009893521],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007982046,0.000020222427,0.0017465753,0.000120761055,0.000008737763,0.00121999,0.27248946,0.0001349661,0.001612271,0.58943784,0.101919025,0.031210262],"study_design_scores_gemma":[0.000007890827,0.000019799945,0.0019926503,0.0001694908,0.000008763018,0.0006486623,0.06907793,0.00012978121,0.0013685421,0.012543817,0.9139971,0.00003562522],"about_ca_topic_score_codex":0.18211578,"about_ca_topic_score_gemma":0.45133042,"teacher_disagreement_score":0.8178842,"about_ca_system_score_codex":0.007835786,"about_ca_system_score_gemma":0.006062399,"threshold_uncertainty_score":0.3621115},"labels":[],"label_agreement":null},{"id":"W1560699921","doi":"","title":"Two Blind Mice: Sight, Insight, and Narrative Authority in Arthur Conan Doyle’s The Adventures of Sherlock Holmes","year":2013,"lang":"en","type":"article","venue":"˜The œalbatross","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Omniscience; Narrative; Adventure; Watson; Plot (graphics); Power (physics); Character (mathematics); Literature; Philosophy; Art; Epistemology; Art history","score_opus":0.0201371280758599,"score_gpt":0.25330111324799387,"score_spread":0.23316398517213396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1560699921","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30119842,0.01185429,0.0334406,0.10531608,0.0011072928,0.00007851852,0.000058701637,0.00020592313,0.5467402],"genre_scores_gemma":[0.968187,0.0012670215,0.0016616916,0.002359032,0.00006801094,0.000024195184,0.000004865506,0.00005450774,0.02637385],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962127,0.0028364586,0.000041281048,0.00021619744,0.00040947713,0.00028383566],"domain_scores_gemma":[0.9954661,0.0033651972,0.0002946707,0.00023027508,0.00024349906,0.00040024112],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0041983547,0.00039897455,0.0002861368,0.0010214122,0.009079239,0.008854303,0.0008848277,0.0023852082,0.0032922768],"category_scores_gemma":[0.007891507,0.00030270143,0.00021999657,0.00050023646,0.059474163,0.009354291,0.00674668,0.004985571,0.00037481188],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003155912,0.000015739379,0.0003007674,0.000031649754,0.0000036373078,0.00039625744,0.38760066,0.00009151043,0.00030759262,0.5981347,0.006987825,0.0060981135],"study_design_scores_gemma":[0.000033273198,0.000042531305,0.00041952662,0.00039629906,0.000009532694,0.00096947275,0.3523519,0.00046666196,0.0010750564,0.25956535,0.3846219,0.000048399525],"about_ca_topic_score_codex":0.010036902,"about_ca_topic_score_gemma":0.015936088,"teacher_disagreement_score":0.010036902,"about_ca_system_score_codex":0.0042234776,"about_ca_system_score_gemma":0.002511596,"threshold_uncertainty_score":0.030643642},"labels":[],"label_agreement":null},{"id":"W1574085043","doi":"","title":"The Abstract Artifactual Theory of Fictional Characters","year":2013,"lang":"en","type":"article","venue":"Aporia","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Epistemology; Computer science; Linguistics; Philosophy","score_opus":0.02314573551924164,"score_gpt":0.2043651322086836,"score_spread":0.18121939668944195,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1574085043","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025852535,0.002260652,0.55162036,0.012139269,0.00085695006,0.00011957036,0.0001828965,0.0002428435,0.40672496],"genre_scores_gemma":[0.9001622,0.001409528,0.06057284,0.001667707,0.00061690185,0.00034604053,0.00016161003,0.00017936481,0.03488375],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99257785,0.0043640733,0.0002587478,0.0007928971,0.0017593936,0.0002470409],"domain_scores_gemma":[0.988,0.007048742,0.0006718033,0.0028160624,0.0012002692,0.00026311207],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0060792505,0.00066006865,0.00055316364,0.0031614255,0.0030590277,0.008037882,0.0023297477,0.0021338603,0.005696846],"category_scores_gemma":[0.012351645,0.0003370675,0.0010119668,0.0020641163,0.030817492,0.010910095,0.0046693273,0.0035151162,0.0008435389],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[8.490386e-7,0.0000017792395,0.000029110457,0.000013362737,0.0000011145914,0.000011136549,0.0005143483,0.000058915262,0.000011032004,0.99838495,0.00022067504,0.0007525786],"study_design_scores_gemma":[0.000003527421,0.0000073204196,0.00009293388,0.00004016421,0.0000035504586,0.00010609841,0.00048019248,0.0007911062,0.00012607453,0.9671701,0.031174948,0.0000040321615],"about_ca_topic_score_codex":0.0008679024,"about_ca_topic_score_gemma":0.00062843505,"teacher_disagreement_score":0.008037882,"about_ca_system_score_codex":0.0024464454,"about_ca_system_score_gemma":0.0018577938,"threshold_uncertainty_score":0.032150567},"labels":[],"label_agreement":null},{"id":"W1575558938","doi":"10.1080/15505340.2011.535715","title":"Looking at Listening: Au'Oral Narrative in Theory and Practice","year":2011,"lang":"en","type":"article","venue":"DigitalCommons - WayneState (Wayne State University)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Narrative; Active listening; Character (mathematics); Space (punctuation); Aesthetics; Narrative criticism; Narrative network; Epistemology; Psychology; Sociology; Narrative inquiry; Communication; Linguistics; Literature; Art; Philosophy; Mathematics","score_opus":0.036411087800652046,"score_gpt":0.2312541435522417,"score_spread":0.19484305575158964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1575558938","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15023611,0.019445486,0.05876444,0.052747414,0.0017552425,0.00019919887,0.00006502402,0.00021923997,0.71656775],"genre_scores_gemma":[0.9615438,0.005670906,0.009150881,0.0021510285,0.00014426744,0.00015716128,0.000024061777,0.00007701384,0.021080915],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9909394,0.0075664236,0.00020338976,0.00048478798,0.00050558936,0.0003004278],"domain_scores_gemma":[0.9827025,0.014442338,0.0006570213,0.0008674191,0.00059377396,0.0007368215],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.011680436,0.0005353489,0.00043874094,0.0024558743,0.009101893,0.01762425,0.0015584661,0.0033047819,0.0072955396],"category_scores_gemma":[0.020234743,0.00034475178,0.0003596636,0.0015917881,0.038481273,0.01459775,0.008157402,0.0040722415,0.0008112771],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013836848,0.000034413562,0.00089968607,0.0003098268,0.00000719159,0.0002378822,0.52645355,0.00017542725,0.00012819473,0.43016735,0.0037387738,0.03783387],"study_design_scores_gemma":[0.0000081436665,0.000048831207,0.00095001276,0.0021623375,0.000017255736,0.00040681715,0.68207365,0.0006483045,0.0004057911,0.14827992,0.16497868,0.00002036636],"about_ca_topic_score_codex":0.005020619,"about_ca_topic_score_gemma":0.00671063,"teacher_disagreement_score":0.01762425,"about_ca_system_score_codex":0.0051594004,"about_ca_system_score_gemma":0.0050128545,"threshold_uncertainty_score":0.061772823},"labels":[],"label_agreement":null},{"id":"W1577111396","doi":"10.7202/037448ar","title":"S’orienter selon Hermann Hesse","year":2009,"lang":"fr","type":"article","venue":"Circuit Musiques contemporaines","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03415595351179514,"score_gpt":0.25104364268415186,"score_spread":0.21688768917235673,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1577111396","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031351835,0.09853927,0.009605928,0.17232412,0.012146419,0.000054760236,0.00051508873,0.0001730669,0.67528945],"genre_scores_gemma":[0.21493958,0.026669562,0.003740418,0.010756288,0.0016146691,0.000045541557,0.00021349895,0.00024018163,0.7417802],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991429,0.0002556588,0.000026799446,0.00023517403,0.00024954486,0.00008993447],"domain_scores_gemma":[0.99962234,0.00016434712,0.000037861784,0.000033806962,0.00008695691,0.000054620945],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00084539846,0.00054348237,0.00022975676,0.0009884768,0.0029729514,0.004651415,0.0004347712,0.0016485897,0.017771056],"category_scores_gemma":[0.0020681857,0.00020463584,0.0001373798,0.0010085314,0.0057728984,0.0053351223,0.0022924347,0.0021734776,0.004311246],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039525785,0.00001209591,0.00062666705,0.00014549775,0.000008025541,0.00018591405,0.0146156065,0.00019754356,0.00049149164,0.74118924,0.18285039,0.059637908],"study_design_scores_gemma":[0.0000018770387,0.0000050899807,0.00031511564,0.00009029532,0.000002103056,0.00006635203,0.0024050649,0.000052055082,0.00022957881,0.028060544,0.9687636,0.000008339694],"about_ca_topic_score_codex":0.013133564,"about_ca_topic_score_gemma":0.023586756,"teacher_disagreement_score":0.017771056,"about_ca_system_score_codex":0.0032851947,"about_ca_system_score_gemma":0.002408843,"threshold_uncertainty_score":0.05945015},"labels":[],"label_agreement":null},{"id":"W1581844452","doi":"","title":"Der Untermensch. Le sous-homme, Canada, 2013, 8 minutesLe sous-homme, Canada, 2013, 8 minutes","year":2014,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.010390354230796386,"score_gpt":0.199900366379,"score_spread":0.18951001214820362,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1581844452","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009260366,0.03863453,0.0013788177,0.03665662,0.029489623,0.0002648782,0.033428784,0.00086823053,0.8500182],"genre_scores_gemma":[0.019352352,0.0056824535,0.00062547147,0.0008217214,0.0007329929,0.00005660979,0.0037260146,0.00025448948,0.9687479],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994223,0.000053479806,0.00001580248,0.00008573387,0.00025087805,0.0001717218],"domain_scores_gemma":[0.99893326,0.00006728185,0.000023151306,0.000023350984,0.00048816495,0.00046494347],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006157825,0.0010682503,0.00040534558,0.0013387729,0.008559751,0.004530474,0.0007378978,0.0017925466,0.31733412],"category_scores_gemma":[0.0018885012,0.0005178884,0.00034201832,0.0020347405,0.0010829025,0.0013927321,0.0020749785,0.0019352657,0.043114323],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031757903,0.000007576399,0.00030938664,0.00007079158,0.0000023450925,0.000060799266,0.00067228917,0.00005429322,0.00020779716,0.0029964142,0.9788872,0.01669944],"study_design_scores_gemma":[0.000002945655,0.0000024955455,0.0025370514,0.00008909774,0.0000014395955,0.000020094416,0.0010959865,0.000019716168,0.00005585536,0.00022481845,0.9959462,0.0000043241585],"about_ca_topic_score_codex":0.8690371,"about_ca_topic_score_gemma":0.9730805,"teacher_disagreement_score":0.31733412,"about_ca_system_score_codex":0.018708006,"about_ca_system_score_gemma":0.026759034,"threshold_uncertainty_score":0.97374004},"labels":[],"label_agreement":null},{"id":"W1583218017","doi":"","title":"About Amos: Reading with Our Heart (Invited)","year":2014,"lang":"en","type":"article","venue":"Narrative Works","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reading (process); Narrative; Reflexivity; Psychology; Linguistics; Sociology; Philosophy; Social science","score_opus":0.014089059872193364,"score_gpt":0.23446593503723304,"score_spread":0.22037687516503968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1583218017","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08923769,0.0303955,0.010502107,0.31045285,0.17084621,0.00046190602,0.00048219878,0.0007579344,0.3868636],"genre_scores_gemma":[0.47884676,0.010539345,0.0034284252,0.04683707,0.032902963,0.00036541937,0.00023427691,0.00070822187,0.42613745],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948704,0.00023578196,0.000013004989,0.00009124582,0.0000912091,0.00008167374],"domain_scores_gemma":[0.99920076,0.00032122346,0.000051064744,0.000036439516,0.0001439163,0.00024654955],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00091958174,0.00069169904,0.00029290863,0.00051106693,0.004802302,0.0043464554,0.000621559,0.002325552,0.012743106],"category_scores_gemma":[0.004242365,0.00024380145,0.0003592911,0.00032171124,0.0028769074,0.002735936,0.002338116,0.0054498976,0.0032812688],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012140541,0.00007153724,0.0010133819,0.00032056365,0.0000135829,0.0030122828,0.24883376,0.00009623028,0.0041874587,0.037842587,0.66167456,0.042812753],"study_design_scores_gemma":[0.0000037709497,0.000053362903,0.0011272654,0.00019292522,0.0000064694086,0.0012772792,0.066323176,0.00007129233,0.00044138578,0.0027822605,0.92770517,0.00001562504],"about_ca_topic_score_codex":0.0022852751,"about_ca_topic_score_gemma":0.0037506765,"teacher_disagreement_score":0.012743106,"about_ca_system_score_codex":0.0010465932,"about_ca_system_score_gemma":0.0006609109,"threshold_uncertainty_score":0.042629957},"labels":[],"label_agreement":null},{"id":"W1591985296","doi":"","title":"Truth and Lie in extremis: Holocaust Literature (Jakob the Liar, The Final Journey)","year":2011,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Literature; Context (archaeology); Adventure; Philosophy; Relevance (law); Literary fiction; Epistemology; Literary criticism; History; Art; Law; Art history","score_opus":0.09896571348244944,"score_gpt":0.27114130789930907,"score_spread":0.17217559441685965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1591985296","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.046327505,0.13472584,0.0008468837,0.13108929,0.006038029,0.00004425912,0.00009851366,0.00010613921,0.6807236],"genre_scores_gemma":[0.77741885,0.021870961,0.0005005942,0.014044047,0.002257749,0.000050500064,0.00006602424,0.00017646405,0.18361485],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986744,0.00085410016,0.000026981217,0.00009377293,0.00015255043,0.00019827114],"domain_scores_gemma":[0.9992467,0.0003876013,0.00007939777,0.000044152337,0.000089473695,0.00015261486],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014797886,0.00046645594,0.00043090628,0.0016428604,0.0147205815,0.012270328,0.00065493875,0.0029198993,0.0035421534],"category_scores_gemma":[0.0029853045,0.00023904123,0.00018268492,0.0010296396,0.01925531,0.0051980675,0.003408643,0.005318952,0.0013757076],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006623062,0.000039712853,0.00024457084,0.00013860897,0.00000962236,0.00078917225,0.09776635,0.00012661878,0.0001295746,0.7940259,0.09343443,0.013229252],"study_design_scores_gemma":[0.000015056103,0.000024944608,0.0008331555,0.0008223992,0.000007914375,0.00039851922,0.049706854,0.00012084687,0.0002482605,0.08907731,0.858713,0.000031770618],"about_ca_topic_score_codex":0.016666634,"about_ca_topic_score_gemma":0.031627353,"teacher_disagreement_score":0.016666634,"about_ca_system_score_codex":0.008330829,"about_ca_system_score_gemma":0.0028386253,"threshold_uncertainty_score":0.060444713},"labels":[],"label_agreement":null},{"id":"W1593826132","doi":"","title":"About Time: Narrative, Fiction, and the Philosophy of Time (review)","year":2009,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Literature; Philosophy of space and time; Art; History; Philosophy; Epistemology; Western philosophy","score_opus":0.015285055565514908,"score_gpt":0.23130044549261877,"score_spread":0.21601538992710387,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1593826132","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012776493,0.98944396,0.00009930416,0.0032783677,0.0001690331,0.000008413055,0.000048899525,0.0000030400404,0.005671363],"genre_scores_gemma":[0.015154661,0.9827641,0.00016703544,0.0007600098,0.00010748487,0.000011238655,0.000048126807,0.0000039963816,0.0009834047],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985618,0.00048789132,0.00009928129,0.000097341246,0.000612355,0.00014132762],"domain_scores_gemma":[0.98765147,0.008780199,0.0007962493,0.00013268492,0.0022023518,0.00043700653],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0039046656,0.0005286489,0.0016100868,0.0052232714,0.00213706,0.007937742,0.0014517703,0.0014485657,0.006502686],"category_scores_gemma":[0.012549493,0.0002414415,0.00043781055,0.0155567285,0.007818163,0.004176354,0.0013534074,0.0017096202,0.00043866294],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015755628,0.00006565405,0.0031122882,0.048766565,0.00043092656,0.00042301507,0.02548753,0.000446998,0.00025263504,0.0585781,0.07817392,0.7841047],"study_design_scores_gemma":[0.00003871346,0.000035686797,0.015189255,0.08281023,0.0004910795,0.00063892425,0.035735525,0.00007759254,0.00018471257,0.010067335,0.85466015,0.000070834474],"about_ca_topic_score_codex":0.7034202,"about_ca_topic_score_gemma":0.84973115,"teacher_disagreement_score":0.7034202,"about_ca_system_score_codex":0.01717212,"about_ca_system_score_gemma":0.06285965,"threshold_uncertainty_score":0.59665275},"labels":[],"label_agreement":null},{"id":"W1593915183","doi":"","title":"Stephen Harris. The Fiction of Gore Vidal and E. L. Doctorow: Writing the Historical Self","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art history; History; Art; Philosophy","score_opus":0.027204168363002088,"score_gpt":0.26439922398403914,"score_spread":0.23719505562103704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1593915183","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006150852,0.84757966,0.00082750135,0.09380522,0.010459132,0.00001754559,0.00017380723,0.00005116472,0.04647082],"genre_scores_gemma":[0.048777204,0.71434015,0.002325654,0.050722577,0.013628569,0.000070885464,0.0003414409,0.00016764714,0.16962583],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906987,0.0003595591,0.000047005986,0.00011930689,0.00032633787,0.00007795194],"domain_scores_gemma":[0.9968046,0.0015993376,0.0002938092,0.0001175511,0.00091806945,0.00026658576],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013246067,0.00076255616,0.0003928832,0.003091067,0.0027185604,0.0027216258,0.00076743093,0.0026122772,0.018593019],"category_scores_gemma":[0.0054206722,0.0002994881,0.00026996314,0.0037798313,0.0026418804,0.0051995055,0.0013631405,0.0024291824,0.005283025],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015602252,0.00000821825,0.0001524643,0.00042414776,0.0000070020506,0.00006048946,0.0015350155,0.000029361887,0.000042112304,0.0285093,0.90682656,0.0623897],"study_design_scores_gemma":[0.0000048365036,0.0000066539806,0.00048424694,0.0006276035,0.0000053865333,0.00009010828,0.0011117994,0.00001504725,0.00010360456,0.010050235,0.9874956,0.0000048552342],"about_ca_topic_score_codex":0.02102212,"about_ca_topic_score_gemma":0.04441879,"teacher_disagreement_score":0.02102212,"about_ca_system_score_codex":0.0021934593,"about_ca_system_score_gemma":0.0023029188,"threshold_uncertainty_score":0.06219983},"labels":[],"label_agreement":null},{"id":"W1598537575","doi":"10.1093/mind/fzp056","title":"Review: Wolfram Hinzen: An Essay on Names and Truth","year":2009,"lang":"en","type":"article","venue":"Mind","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Philosophy; Epistemology","score_opus":0.02580756278564722,"score_gpt":0.26543036456315167,"score_spread":0.23962280177750445,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1598537575","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000696327,0.8254372,0.00021401573,0.12727845,0.044773787,0.000012739751,0.00006631447,0.000016145612,0.002131776],"genre_scores_gemma":[0.0026305418,0.810589,0.0004062952,0.09522865,0.07262736,0.00008431476,0.00014494987,0.000048743637,0.018240068],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99790525,0.0006900585,0.0001922489,0.00030259363,0.0007939973,0.00011586084],"domain_scores_gemma":[0.9925983,0.0047069136,0.0005525607,0.00019492875,0.0015309877,0.0004162908],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036056067,0.0018446327,0.0025350521,0.0052322876,0.0014642829,0.00464754,0.0022329786,0.0063785305,0.010975425],"category_scores_gemma":[0.013169639,0.0009299691,0.0010010975,0.007872214,0.0031990085,0.007890805,0.0031830885,0.0075289086,0.0072472133],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017455395,0.000002769491,0.000028559967,0.00073693314,0.000025982828,0.000029145214,0.000061555074,0.00002234786,0.000034312157,0.0014528572,0.97756976,0.020018432],"study_design_scores_gemma":[0.000016264621,0.0000079588835,0.00027055247,0.0026535888,0.00003502814,0.0001662482,0.00008874776,0.000019139732,0.000061341074,0.0029504853,0.99371475,0.000015859148],"about_ca_topic_score_codex":0.0039647077,"about_ca_topic_score_gemma":0.0073627615,"teacher_disagreement_score":0.010975425,"about_ca_system_score_codex":0.0032309378,"about_ca_system_score_gemma":0.0043810783,"threshold_uncertainty_score":0.03671646},"labels":[],"label_agreement":null},{"id":"W1601497297","doi":"","title":"Margaret Laurence’s A Jest of God as a Work of Simultaneous Narration","year":2008,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Polyphony; Conceptualization; Literature; Presentation (obstetrics); Philosophy; Art; Psychoanalysis; History; Psychology; Linguistics","score_opus":0.03168058770086699,"score_gpt":0.26299878659124454,"score_spread":0.23131819889037755,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1601497297","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23079626,0.012331663,0.010191786,0.05904625,0.0026557988,0.00008559123,0.0001373786,0.00019440209,0.68456084],"genre_scores_gemma":[0.9351762,0.0016351802,0.0022817669,0.0014647432,0.00018102306,0.000027156657,0.000021779884,0.000068713314,0.059143342],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980077,0.0012178732,0.000026227015,0.00019918913,0.00035919054,0.00018992681],"domain_scores_gemma":[0.9981262,0.0010943108,0.00013371275,0.00012882854,0.00020127387,0.00031562138],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015688048,0.00040823998,0.00023884643,0.00076963287,0.01131224,0.005346544,0.0007796112,0.0012080537,0.0028582797],"category_scores_gemma":[0.0044793175,0.00017920508,0.00020777728,0.0005818437,0.015485471,0.0030792344,0.0026640703,0.002559142,0.00035236304],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008411004,0.00002818118,0.0005650294,0.00014770024,0.000012655882,0.0013062619,0.5823456,0.00015243016,0.0011487979,0.35614133,0.042596534,0.015471444],"study_design_scores_gemma":[0.000007861893,0.00003795904,0.0013412893,0.00023529539,0.00001090568,0.0011274469,0.15825191,0.00022850829,0.001307337,0.01492803,0.8224896,0.000033785076],"about_ca_topic_score_codex":0.050956577,"about_ca_topic_score_gemma":0.16102852,"teacher_disagreement_score":0.9490434,"about_ca_system_score_codex":0.007921954,"about_ca_system_score_gemma":0.004023928,"threshold_uncertainty_score":0.10131997},"labels":[],"label_agreement":null},{"id":"W1602017164","doi":"","title":"Erna Brodber's The Rainmaker's Mistake","year":2010,"lang":"en","type":"article","venue":"Postcolonial text","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mistake; Linguistics; History; Philosophy; Political science; Law","score_opus":0.013363597718768716,"score_gpt":0.2274333315587276,"score_spread":0.2140697338399589,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1602017164","genre_codex":"commentary","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01900931,0.02666554,0.0042384933,0.6219005,0.031836282,0.00003418073,0.00026521145,0.00016629224,0.29588416],"genre_scores_gemma":[0.4476568,0.012104745,0.0025008526,0.08844051,0.0077263913,0.00010062925,0.00017646438,0.00083102344,0.44046253],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974963,0.0014047786,0.00006869323,0.00025963743,0.00053138204,0.00023907886],"domain_scores_gemma":[0.9939931,0.0041330988,0.0002644333,0.0004457355,0.00079537363,0.00036828406],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034799648,0.00040165387,0.00031399282,0.0012500326,0.006306937,0.0061845845,0.0008984926,0.003323813,0.012049908],"category_scores_gemma":[0.014835878,0.00022707066,0.00019214358,0.00094211317,0.009973193,0.008105392,0.0032691548,0.0072971657,0.0027806738],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003714899,0.000013970386,0.0003204715,0.00007150604,0.000007375615,0.0002500406,0.049097106,0.000035205518,0.000151977,0.43372887,0.4957498,0.020536566],"study_design_scores_gemma":[0.000005439998,0.0000046640725,0.00039082405,0.00023758314,0.0000039807387,0.00017246837,0.0153488,0.000056730747,0.00021600425,0.028495647,0.9550578,0.000010050157],"about_ca_topic_score_codex":0.012147353,"about_ca_topic_score_gemma":0.025339205,"teacher_disagreement_score":0.012147353,"about_ca_system_score_codex":0.0036220106,"about_ca_system_score_gemma":0.0021811167,"threshold_uncertainty_score":0.04031098},"labels":[],"label_agreement":null},{"id":"W160621225","doi":"10.1023/a:1004525900985","title":"Stitching Joseph's Coat in Thomas Mann's Joseph und Seine Brüder","year":2000,"lang":"de","type":"article","venue":"Neophilologus","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Literature; Philosophy; Old Testament; Narrative; Torah; Coherence (philosophical gambling strategy); Argument (complex analysis); History; Art; Theology","score_opus":0.022938297717345717,"score_gpt":0.2589686232549144,"score_spread":0.23603032553756867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W160621225","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.108148694,0.006435766,0.0029912668,0.044138983,0.0033713847,0.000031570686,0.00008766833,0.00008783001,0.8347068],"genre_scores_gemma":[0.7179843,0.0011977558,0.0006273544,0.004265695,0.00037183487,0.000018411383,0.000028401444,0.00014477808,0.27536145],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988036,0.0006652986,0.000017031773,0.00010817266,0.00021235223,0.00019358598],"domain_scores_gemma":[0.9989448,0.00059070706,0.00010163046,0.00007087666,0.00012327862,0.00016877307],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010551985,0.0003648743,0.00024328016,0.00090813916,0.014988988,0.0055320943,0.0004283922,0.002523058,0.010595723],"category_scores_gemma":[0.003950965,0.0002825834,0.00013626354,0.0008095256,0.011892694,0.0029226257,0.0030480174,0.0061854846,0.0013558278],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046048986,0.000016063197,0.0004483671,0.00003990528,0.0000076044366,0.0006154732,0.17756905,0.000057237557,0.00028125633,0.7276354,0.08335749,0.009926104],"study_design_scores_gemma":[0.0000058091928,0.000016471839,0.0009383617,0.00016400246,0.00000830649,0.00047275043,0.07929738,0.00008886124,0.0006053413,0.027901702,0.89048404,0.000017069966],"about_ca_topic_score_codex":0.021191314,"about_ca_topic_score_gemma":0.07494326,"teacher_disagreement_score":0.021191314,"about_ca_system_score_codex":0.004030977,"about_ca_system_score_gemma":0.002055567,"threshold_uncertainty_score":0.042135894},"labels":[],"label_agreement":null},{"id":"W167007934","doi":"","title":"Semiotic Analysis of a Media Text the Lord of the Rings: The Fellowship of the Ring/ANALYSE SÉMIOTIQUE D'UN MÉDIA TEXTE LE SEIGNEUR DES ANNEAUX: LA COMMUNAUTÉ DE L'ANNEAU","year":2009,"lang":"fr","type":"article","venue":"Canadian social science","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Semiotics; Humanities; Intertextuality; Art; Film director; Style (visual arts); Art history; Literature; Philosophy; Movie theater; Linguistics","score_opus":0.01674233226449468,"score_gpt":0.23882951335390148,"score_spread":0.2220871810894068,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W167007934","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4225721,0.0015537245,0.047213286,0.0063591227,0.00033147432,0.00020809867,0.00027961616,0.00011524205,0.5213673],"genre_scores_gemma":[0.9712096,0.00030499857,0.0049504875,0.00009722788,0.00006555745,0.00006963091,0.000047117956,0.000039548548,0.023215871],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99840885,0.0011745766,0.000031797743,0.00007633995,0.00022391515,0.00008455351],"domain_scores_gemma":[0.9976942,0.0015024248,0.00019363116,0.00010350619,0.0003756999,0.00013048731],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001281806,0.00028491914,0.00015068892,0.0015708144,0.0026210644,0.004284258,0.00029060908,0.0006243566,0.0046361363],"category_scores_gemma":[0.0031083655,0.00010709436,0.00022630552,0.0010528975,0.008674747,0.0028512634,0.0015057278,0.0010174714,0.00031765745],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007330222,0.000017818369,0.0011566643,0.00012503791,0.0000070868055,0.00077581743,0.30589965,0.000211864,0.004545201,0.6706817,0.003368969,0.013136819],"study_design_scores_gemma":[0.000021024745,0.00012688834,0.009410244,0.00050794607,0.000022572247,0.0015308787,0.39660108,0.003259325,0.00670959,0.10190765,0.47984153,0.00006121605],"about_ca_topic_score_codex":0.0038034916,"about_ca_topic_score_gemma":0.0050984393,"teacher_disagreement_score":0.0046361363,"about_ca_system_score_codex":0.0027099666,"about_ca_system_score_gemma":0.0011990886,"threshold_uncertainty_score":0.01966232},"labels":[],"label_agreement":null},{"id":"W1688150845","doi":"","title":"Unraveling Identity in Ian McEwan’s Enduring Love","year":2012,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Character (mathematics); Identity (music); Wife; Literature; Narrative criticism; Power (physics); Aesthetics; Psychoanalysis; Narrative structure; Sociology; Narrative inquiry; Philosophy; Psychology; Art; Theology; Physics","score_opus":0.029395443240922737,"score_gpt":0.32206402231819703,"score_spread":0.2926685790772743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1688150845","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53012466,0.0057688938,0.012333823,0.028669417,0.0007160891,0.00009272955,0.00004007571,0.000077693156,0.42217663],"genre_scores_gemma":[0.9716409,0.0011091301,0.0021355771,0.00073996355,0.00005518772,0.00003037785,0.000014208037,0.00003824036,0.024236593],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99725276,0.0019386462,0.00004201512,0.00016766907,0.0003765595,0.00022239928],"domain_scores_gemma":[0.9980014,0.0009414288,0.00028936868,0.00019112701,0.0002157976,0.00036092784],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031556964,0.00030805188,0.00032952413,0.0010371524,0.010539971,0.0074257576,0.0011147255,0.001292426,0.0025307382],"category_scores_gemma":[0.0059123635,0.00027691643,0.00017999229,0.0007018322,0.022302981,0.0069396696,0.007563864,0.0043565724,0.00029328643],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026959226,0.000015882799,0.0006466828,0.000036567923,0.0000033288027,0.0010666634,0.7915542,0.000079928,0.00027334265,0.19591255,0.0032529072,0.0071309786],"study_design_scores_gemma":[0.000008107426,0.000046851823,0.0016558182,0.00024550976,0.000007562265,0.00229638,0.6378433,0.00040609547,0.000839331,0.05319614,0.3034196,0.000035225683],"about_ca_topic_score_codex":0.0070250947,"about_ca_topic_score_gemma":0.02018572,"teacher_disagreement_score":0.010539971,"about_ca_system_score_codex":0.0036816818,"about_ca_system_score_gemma":0.0023355046,"threshold_uncertainty_score":0.026712537},"labels":[],"label_agreement":null},{"id":"W1692479565","doi":"10.3968/j.hess.1927024020130503.2974","title":"Multiple Endings in Copenhagen","year":2013,"lang":"en","type":"article","venue":"Higher education of social science","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Space (punctuation); Event (particle physics); Epistemology; Sociology; Computer science; Linguistics; Philosophy; Physics","score_opus":0.027309648484860193,"score_gpt":0.28693584026025776,"score_spread":0.2596261917753976,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1692479565","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15455514,0.005079307,0.02538821,0.005173255,0.0010504624,0.000063032916,0.00025059388,0.0001579686,0.808282],"genre_scores_gemma":[0.96963185,0.00056711235,0.0021057592,0.00012917742,0.000039476243,0.000019501796,0.000073823394,0.0001259984,0.0273072],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9923574,0.0039951396,0.00029662895,0.0008832156,0.0011832344,0.0012845198],"domain_scores_gemma":[0.9980002,0.00095292786,0.00022907408,0.00022788654,0.0002359464,0.00035408128],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028817754,0.00079834874,0.0005580689,0.0016961253,0.013903811,0.012852253,0.0013365727,0.0026509168,0.00947251],"category_scores_gemma":[0.0072520114,0.00084956,0.00066468044,0.0014482167,0.021820977,0.008419779,0.010219675,0.0038887945,0.0015731743],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007111937,0.000009380647,0.00038413712,0.000088735316,0.000012638568,0.00057187595,0.12939833,0.00031776004,0.0003461954,0.8612795,0.0023245972,0.0051958435],"study_design_scores_gemma":[0.000041138934,0.000087726745,0.0018185657,0.000652335,0.000060153103,0.0014569567,0.18573692,0.0013837485,0.001477065,0.3538074,0.4533422,0.00013577862],"about_ca_topic_score_codex":0.014756964,"about_ca_topic_score_gemma":0.024792561,"teacher_disagreement_score":0.014756964,"about_ca_system_score_codex":0.0073310225,"about_ca_system_score_gemma":0.0027642064,"threshold_uncertainty_score":0.05319059},"labels":[],"label_agreement":null},{"id":"W1721890161","doi":"10.3968/j.hess.1927024020130503.2747","title":"Harold Pinter: Traumatic Neuroses and Nervous Shock in Ashes to Ashes","year":2013,"lang":"en","type":"article","venue":"Higher education of social science","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Trance; Hysteria; Psyche; Psychoanalysis; Freudian slip; Psychology; Neurosis; Perspective (graphical); Shock (circulatory); Psychotherapist; Philosophy; Art; Medicine; Visual arts","score_opus":0.030318959821957484,"score_gpt":0.28334788605156913,"score_spread":0.25302892622961165,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1721890161","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042833813,0.37014684,0.0016844857,0.3361478,0.03923534,0.00010444288,0.00013337903,0.00009432776,0.20961964],"genre_scores_gemma":[0.47144938,0.22003905,0.0014432037,0.091080636,0.023820642,0.0001332078,0.00007753258,0.00008153382,0.19187488],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995117,0.00019776066,0.000026012818,0.00006353342,0.00012831595,0.00007274014],"domain_scores_gemma":[0.99899393,0.0006313377,0.000088984125,0.000026333573,0.0001378547,0.00012148451],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00074151583,0.0005533997,0.00035923216,0.001500562,0.0038086674,0.0028831076,0.00059016707,0.002024103,0.0034009132],"category_scores_gemma":[0.0037502418,0.00020706569,0.00013129933,0.00065820484,0.005867969,0.0034571984,0.002157733,0.0038895851,0.00061220996],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001340461,0.00008988819,0.0025406156,0.0006295453,0.000020039597,0.008371403,0.07697221,0.0001839442,0.0006239001,0.30074653,0.51305926,0.09662858],"study_design_scores_gemma":[0.000007869152,0.000067297486,0.0026627628,0.0008670365,0.000008097071,0.0062829815,0.033164382,0.00008886708,0.000439886,0.031598512,0.9247822,0.000030026338],"about_ca_topic_score_codex":0.0071373302,"about_ca_topic_score_gemma":0.009115488,"teacher_disagreement_score":0.0071373302,"about_ca_system_score_codex":0.0015595099,"about_ca_system_score_gemma":0.0013280489,"threshold_uncertainty_score":0.014191568},"labels":[],"label_agreement":null},{"id":"W1777257471","doi":"","title":"Reasons of Copenhagen Ending in Such a Way: From the Perspective of Postmodernism","year":2013,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Character (mathematics); Event (particle physics); Perspective (graphical); Subject (documents); Modernism (music); Epistemology; Aesthetics; History; Sociology; Literature; Philosophy; Computer science; Art; Visual arts","score_opus":0.021933580251890263,"score_gpt":0.288756950397679,"score_spread":0.2668233701457888,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1777257471","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23890379,0.010097189,0.060685568,0.035831984,0.0011121503,0.000096729054,0.00012993497,0.00008805215,0.65305454],"genre_scores_gemma":[0.98828495,0.00058989914,0.002366506,0.00041997095,0.000078673314,0.000033032124,0.000017036655,0.00003957992,0.008170342],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948494,0.0033933418,0.00013350695,0.00037047968,0.0006599761,0.00059327506],"domain_scores_gemma":[0.99683565,0.0019155418,0.00036936242,0.0003666121,0.00030246598,0.00021042435],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0057610357,0.00043891478,0.00035121673,0.0014374739,0.0061616176,0.010623844,0.00091141154,0.002801838,0.0019382825],"category_scores_gemma":[0.0058229454,0.0003128985,0.00055582845,0.0008871872,0.032189354,0.0108873695,0.004814676,0.0037872847,0.00028003522],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001331401,0.0000035583803,0.00014734801,0.000016804022,0.0000024856379,0.00007030589,0.022115396,0.00008049985,0.00004634433,0.976044,0.00045119197,0.0010087892],"study_design_scores_gemma":[0.000013729082,0.000022248738,0.00061703613,0.0001774226,0.0000111149475,0.00024622094,0.04691736,0.0005705536,0.0004561624,0.83282584,0.11811493,0.000027375292],"about_ca_topic_score_codex":0.0024043291,"about_ca_topic_score_gemma":0.002939841,"teacher_disagreement_score":0.010623844,"about_ca_system_score_codex":0.004384736,"about_ca_system_score_gemma":0.0029483892,"threshold_uncertainty_score":0.03181368},"labels":[],"label_agreement":null},{"id":"W1787244212","doi":"10.5539/ells.v5n3p125","title":"An Analysis of Narrators’ Character and Narrative Function in The Woman in White","year":2015,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Character (mathematics); Plot (graphics); White (mutation); Embodied cognition; Function (biology); Literature; History; Psychology; Aesthetics; Art; Sociology; Philosophy; Epistemology; Mathematics","score_opus":0.015057563601611552,"score_gpt":0.261989677684478,"score_spread":0.24693211408286644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1787244212","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91539145,0.00062574167,0.002299525,0.00194629,0.00010662948,0.000059431957,0.00005047168,0.000020171996,0.07950034],"genre_scores_gemma":[0.9884942,0.00024597315,0.00038254602,0.00015914682,0.000023378314,0.000038304923,0.000024076087,0.000032176893,0.010600236],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99549735,0.0035412267,0.0000765431,0.00027362222,0.00030386104,0.00030735464],"domain_scores_gemma":[0.9932921,0.005022523,0.00054750027,0.00016949238,0.00059188734,0.00037648113],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033838574,0.00048082447,0.0003134066,0.0014600486,0.010196236,0.006100123,0.0006815127,0.0008522986,0.0029199105],"category_scores_gemma":[0.008105671,0.00029627953,0.0001484589,0.0014163158,0.00911934,0.003225247,0.0023182153,0.0014000136,0.00030001625],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030288616,0.000018740639,0.001220043,0.000038126436,0.0000030794286,0.0004220814,0.98580325,0.000017013317,0.0004757633,0.00890547,0.0007046222,0.0023614832],"study_design_scores_gemma":[0.0000033368467,0.00003905772,0.0029527321,0.00009160092,0.0000075602916,0.00033939618,0.9573841,0.00009328501,0.00090523344,0.00089580385,0.037278127,0.000009824416],"about_ca_topic_score_codex":0.008139955,"about_ca_topic_score_gemma":0.016378209,"teacher_disagreement_score":0.010196236,"about_ca_system_score_codex":0.003003973,"about_ca_system_score_gemma":0.0016455655,"threshold_uncertainty_score":0.021795452},"labels":[],"label_agreement":null},{"id":"W1788396741","doi":"10.5430/wjel.v5n2p25","title":"Castration Anxiety and the Mirror Stage: A Psychoanalytic Reading of Shakespeare's Othello","year":2015,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Wife; Tragedy (event); Psychoanalytic theory; Psychoanalysis; Reading (process); Literature; Rank (graph theory); Anxiety; Psychology; Philosophy; Art; Theology; Linguistics; Mathematics","score_opus":0.024158242177925296,"score_gpt":0.26196731564096143,"score_spread":0.23780907346303615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1788396741","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55744267,0.010630653,0.006742949,0.01492358,0.00080063165,0.00006680232,0.00004417154,0.000062925654,0.40928563],"genre_scores_gemma":[0.9782734,0.0013461144,0.0003559841,0.00076955254,0.00007738143,0.000016163913,0.00001080454,0.00002343234,0.019127192],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992036,0.0004193429,0.0000149697735,0.00004921895,0.00012827115,0.00018452978],"domain_scores_gemma":[0.9996125,0.00023629377,0.000045617646,0.000016397658,0.00003518449,0.000054089338],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008794365,0.0006147493,0.00032877384,0.00097069814,0.006582322,0.0045074727,0.0006075575,0.0018194476,0.0015172014],"category_scores_gemma":[0.0011778763,0.00026652665,0.00023036216,0.00043044687,0.021059174,0.002880903,0.0026896326,0.0032019203,0.0001692869],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030896706,0.000029546414,0.00044529565,0.000053964883,0.0000042135707,0.00083064043,0.7696762,0.00008736057,0.00084899855,0.22214532,0.0016554929,0.0041920296],"study_design_scores_gemma":[0.000028069953,0.00013142348,0.008230294,0.0005394182,0.000020160787,0.0012105526,0.74362636,0.0006540383,0.0013865718,0.04088995,0.20322844,0.00005460352],"about_ca_topic_score_codex":0.027772456,"about_ca_topic_score_gemma":0.033510167,"teacher_disagreement_score":0.027772456,"about_ca_system_score_codex":0.005285223,"about_ca_system_score_gemma":0.0018843182,"threshold_uncertainty_score":0.055221617},"labels":[],"label_agreement":null},{"id":"W1828009727","doi":"10.3968/j.ccc.1923670020050102.009","title":"On the Narrating Techniques and Their Artistic Effect in Beloved","year":2010,"lang":"en","type":"article","venue":"Cross-cultural communication","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Narrative; Narrative structure; Theme (computing); Focalization; Art history; Literature; Computer science","score_opus":0.01922117389358612,"score_gpt":0.2949998674687532,"score_spread":0.27577869357516704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1828009727","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54932046,0.0038017083,0.02829886,0.0067432667,0.0006428897,0.000099256045,0.0000668886,0.00016243121,0.41086432],"genre_scores_gemma":[0.98618025,0.00073536584,0.0028910546,0.000215807,0.000097704615,0.00003818451,0.000013260831,0.00006631415,0.0097620385],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99372464,0.0048715007,0.0000977669,0.00035898053,0.0006529567,0.00029424866],"domain_scores_gemma":[0.9878163,0.009554663,0.0010558164,0.00070305075,0.00043586254,0.00043435275],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005923537,0.0007477921,0.00037066775,0.0013790507,0.0055740704,0.0076276935,0.00097582734,0.0012518883,0.0061773495],"category_scores_gemma":[0.01420195,0.000304276,0.00052218477,0.00084816,0.022081023,0.0059179263,0.007886562,0.0032229377,0.00048394385],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013935365,0.00006033671,0.0016092238,0.00048656834,0.000031346455,0.00056382717,0.776084,0.00029172836,0.0033950976,0.19409631,0.0016053272,0.021636961],"study_design_scores_gemma":[0.000070762435,0.0005224519,0.0063550565,0.0010744611,0.00012156067,0.0031748733,0.6649698,0.0011765274,0.009069978,0.058264162,0.25509152,0.00010884539],"about_ca_topic_score_codex":0.0004974413,"about_ca_topic_score_gemma":0.00089640316,"teacher_disagreement_score":0.0076276935,"about_ca_system_score_codex":0.0015918224,"about_ca_system_score_gemma":0.00079378166,"threshold_uncertainty_score":0.03132707},"labels":[],"label_agreement":null},{"id":"W1875560310","doi":"","title":"High-dose narrative","year":2001,"lang":"en","type":"article","venue":"Europe PMC (PubMed Central)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Mosaic; Narrative review; Computer science; Library science; Medicine; History; Linguistics; Philosophy; Archaeology; Intensive care medicine","score_opus":0.023807393520175794,"score_gpt":0.2110688259899334,"score_spread":0.1872614324697576,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1875560310","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019046636,0.0708648,0.01768469,0.05505119,0.0073866756,0.00023701896,0.0007480279,0.0004996495,0.82848126],"genre_scores_gemma":[0.491782,0.06531421,0.022791263,0.011474614,0.005851969,0.0003968375,0.0010687929,0.0006749312,0.40064535],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984848,0.00089596666,0.00006950804,0.00010991651,0.00034463473,0.000095260075],"domain_scores_gemma":[0.9955871,0.0025654347,0.00032286253,0.00055825076,0.0005072346,0.00045913167],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020944593,0.00045293546,0.00041789757,0.0027317605,0.0031161814,0.008445707,0.00072859874,0.0014266043,0.04604454],"category_scores_gemma":[0.0066197533,0.00021709314,0.00032402322,0.0022122262,0.0050347922,0.006911041,0.004682771,0.0017495821,0.004965182],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048458318,0.000045025332,0.0008233052,0.0010138239,0.000019792667,0.00058178796,0.045973126,0.00013078607,0.00079076237,0.5137683,0.2691777,0.16762714],"study_design_scores_gemma":[0.0000046441082,0.000009115027,0.0006599369,0.0008399379,0.0000072193043,0.0006790193,0.012080789,0.00012359105,0.00022388135,0.047127306,0.9382374,0.000007142945],"about_ca_topic_score_codex":0.00279903,"about_ca_topic_score_gemma":0.005590243,"teacher_disagreement_score":0.04604454,"about_ca_system_score_codex":0.0030247876,"about_ca_system_score_gemma":0.002822982,"threshold_uncertainty_score":0.15403432},"labels":[],"label_agreement":null},{"id":"W1892786435","doi":"","title":"Narrative Time and Speculative Fiction: Reflection of Social Conditions in Temporal Implications","year":2011,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Temporality; Plot (graphics); Literature; Fantasy; Narrative psychology; Postmodernism; Narrative network; Realism; Clockwork; Narrative structure; History; Aesthetics; Epistemology; Narrative history; Philosophy; Narrative criticism; Art","score_opus":0.040769674213003454,"score_gpt":0.3247463721296818,"score_spread":0.28397669791667834,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1892786435","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46584573,0.0054831617,0.059833165,0.025496367,0.00095709285,0.00014958241,0.00015696067,0.00012774917,0.44195017],"genre_scores_gemma":[0.99393153,0.00040973522,0.0018845635,0.00016333935,0.000080718084,0.000030205381,0.000018171886,0.000027046146,0.0034547467],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9967644,0.0025580197,0.000058844995,0.00023665892,0.00022387748,0.00015821468],"domain_scores_gemma":[0.98758495,0.009994578,0.0010108248,0.00068836915,0.00040584875,0.00031543334],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004317569,0.00043151568,0.00024655234,0.0016267853,0.005982028,0.007891764,0.0009805841,0.0018324597,0.00522631],"category_scores_gemma":[0.01501137,0.00023962355,0.0003047539,0.0013610305,0.038541704,0.009668107,0.004833383,0.0024919359,0.00026225433],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035251545,0.000009891685,0.00065057614,0.00006875712,0.0000047554427,0.0005819366,0.45516276,0.00016711955,0.00045014333,0.5367618,0.0010784145,0.00502856],"study_design_scores_gemma":[0.00003237905,0.00007898892,0.0027091815,0.00045435483,0.00001841048,0.0015998012,0.45623437,0.0010688389,0.0015359577,0.26514894,0.2710742,0.00004457668],"about_ca_topic_score_codex":0.0018813781,"about_ca_topic_score_gemma":0.002259326,"teacher_disagreement_score":0.007891764,"about_ca_system_score_codex":0.0037846807,"about_ca_system_score_gemma":0.0014233305,"threshold_uncertainty_score":0.027459979},"labels":[],"label_agreement":null},{"id":"W191215774","doi":"","title":"Fiction High and Low","year":2000,"lang":"en","type":"article","venue":"Essays on Canadian writing","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.010368617715092851,"score_gpt":0.18886629061671434,"score_spread":0.1784976729016215,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W191215774","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034881767,0.0017573307,0.0003880145,0.03096697,0.002368541,0.00003292843,0.00048456943,0.000067838766,0.92905194],"genre_scores_gemma":[0.67262965,0.001150993,0.0005033596,0.0052568736,0.00060850463,0.000025645559,0.000348675,0.00014146336,0.31933478],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99639255,0.0003879482,0.00005943628,0.00034716917,0.0017130551,0.0010998603],"domain_scores_gemma":[0.9934248,0.0014855772,0.00021319876,0.00021780383,0.0031770915,0.0014815265],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015692681,0.0006480974,0.00049753825,0.0052077225,0.032382738,0.013332166,0.0010230215,0.001986699,0.032294836],"category_scores_gemma":[0.011592536,0.00016972506,0.00026219682,0.0050908313,0.010185784,0.0019043809,0.0024450738,0.0046779243,0.0021983888],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016343585,0.000035733963,0.0021787651,0.00015796408,0.000014087376,0.00039223087,0.07689969,0.00010811333,0.00091142807,0.5157925,0.36221534,0.041130755],"study_design_scores_gemma":[0.000008597807,0.000015005658,0.007852032,0.00018982076,0.00001967474,0.00014025661,0.055215184,0.00007935918,0.0007829647,0.014922543,0.920747,0.00002763181],"about_ca_topic_score_codex":0.708328,"about_ca_topic_score_gemma":0.85928005,"teacher_disagreement_score":0.291672,"about_ca_system_score_codex":0.05135989,"about_ca_system_score_gemma":0.0320438,"threshold_uncertainty_score":0.58677936},"labels":[],"label_agreement":null},{"id":"W1967794735","doi":"10.5539/ass.v5n9p124","title":"Lost in Déjà Vu—The Textual Analysis of Nettles Based on Intertextuality","year":2009,"lang":"en","type":"article","venue":"Asian Social Science","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Intertextuality; Phenomenon; Literature; Order (exchange); Déjà vu; Mosaic; Art; Philosophy; Epistemology; Visual arts; Psychology","score_opus":0.025190148015032218,"score_gpt":0.2870501863403153,"score_spread":0.2618600383252831,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1967794735","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7895199,0.0037072254,0.04278993,0.005549358,0.000552611,0.00017257694,0.00042043335,0.00018464866,0.15710337],"genre_scores_gemma":[0.9875542,0.00048795406,0.0036491167,0.00012238679,0.000048006223,0.000058068483,0.00012703211,0.000078580284,0.007874713],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99787724,0.0014535727,0.000064021944,0.0001701459,0.00032564602,0.000109385575],"domain_scores_gemma":[0.9946063,0.004032994,0.00051358895,0.00034013923,0.00033813206,0.00016873701],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019757855,0.000366301,0.0002672399,0.0028046572,0.0032899322,0.0066156154,0.00069360185,0.0007373594,0.004385219],"category_scores_gemma":[0.0074862936,0.00018270373,0.0002425587,0.0023087116,0.009948298,0.00959201,0.003688806,0.0015151867,0.00030530497],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008762554,0.000023064964,0.0032240297,0.00031383533,0.000013714184,0.00095074857,0.8077705,0.00017901165,0.0021903107,0.15625782,0.0020791446,0.02691016],"study_design_scores_gemma":[0.000007938251,0.00006853934,0.008681903,0.00093168847,0.000026708,0.0014589439,0.7510531,0.0015107027,0.0041112294,0.039146025,0.19296438,0.000038892053],"about_ca_topic_score_codex":0.0015123154,"about_ca_topic_score_gemma":0.0020877488,"teacher_disagreement_score":0.0066156154,"about_ca_system_score_codex":0.0023754134,"about_ca_system_score_gemma":0.00079948956,"threshold_uncertainty_score":0.017234862},"labels":[],"label_agreement":null},{"id":"W1972885710","doi":"10.1515/jlse.2004.33.2.111","title":"Episode structures in literary narratives","year":2004,"lang":"en","type":"article","venue":"Journal of Literary Semantics","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Narrative; Feeling; Literature; Narrative structure; Reading (process); Key (lock); History; Psychology; Sociology; Linguistics; Aesthetics; Art; Philosophy; Social psychology; Computer science","score_opus":0.016047407936505702,"score_gpt":0.24010006155237734,"score_spread":0.22405265361587165,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1972885710","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4224424,0.0085378885,0.20293882,0.011559538,0.00054846663,0.00050734845,0.000993105,0.00061441027,0.35185793],"genre_scores_gemma":[0.9814819,0.00073204044,0.012138202,0.0001403392,0.000077995595,0.00013213012,0.00025438817,0.00007593581,0.004967079],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9935735,0.0047801486,0.0002732372,0.00045112186,0.0006127462,0.0003092955],"domain_scores_gemma":[0.98685014,0.00929403,0.0016109045,0.0009154993,0.00095090474,0.00037859078],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032445537,0.00044851008,0.00032763366,0.0026660364,0.0032520508,0.007733635,0.00093330315,0.0012947046,0.004431101],"category_scores_gemma":[0.016533364,0.00037515935,0.0003606815,0.0025780667,0.008781212,0.011513048,0.0039995583,0.001418308,0.00041477336],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000757097,0.000010427329,0.001349737,0.00016776391,0.000014679682,0.0004054275,0.1443777,0.00055724994,0.00050730415,0.83694553,0.001635215,0.013953207],"study_design_scores_gemma":[0.000040803552,0.00006397286,0.0027138963,0.00055267045,0.000038319584,0.000820682,0.1184759,0.0034954124,0.001461225,0.67559415,0.19670478,0.00003824937],"about_ca_topic_score_codex":0.0020645692,"about_ca_topic_score_gemma":0.0018673509,"teacher_disagreement_score":0.007733635,"about_ca_system_score_codex":0.00392702,"about_ca_system_score_gemma":0.0014279364,"threshold_uncertainty_score":0.02849269},"labels":[],"label_agreement":null},{"id":"W1975141228","doi":"10.1353/crv.2013.0003","title":"Dismemberment, Repetition, and Working-Through: Keeping Up in Treme","year":2013,"lang":"fr","type":"article","venue":"Canadian Review of American Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.04770864876448406,"score_gpt":0.29440638520840723,"score_spread":0.24669773644392318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1975141228","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40165183,0.025569506,0.014295996,0.027839929,0.0009382097,0.000056696335,0.000054998636,0.00012238201,0.52947044],"genre_scores_gemma":[0.97536564,0.003119546,0.00068355055,0.0004999387,0.0001021912,0.000018575043,0.000013207905,0.00004229481,0.020155065],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99646276,0.0024194478,0.000059259124,0.00021821773,0.00048565166,0.00035467898],"domain_scores_gemma":[0.9968779,0.0018998493,0.00038561982,0.00030039437,0.00024035672,0.0002958528],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038807015,0.00035040485,0.0003753942,0.0013937809,0.0071061687,0.0050053303,0.0010001456,0.0015495436,0.0041930215],"category_scores_gemma":[0.0065792636,0.00023669506,0.00023214235,0.0010746974,0.037186537,0.0083403,0.0060705324,0.0031489294,0.00043227614],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003100425,0.000016402131,0.00065673154,0.00012092471,0.000005175631,0.00040199328,0.4410974,0.00004567816,0.00033217136,0.5361307,0.0037378387,0.01742387],"study_design_scores_gemma":[0.00001307036,0.00006204704,0.003907632,0.00071059243,0.000013855449,0.0011357542,0.4646972,0.00017478246,0.000774872,0.099223025,0.42925486,0.00003235942],"about_ca_topic_score_codex":0.0042958516,"about_ca_topic_score_gemma":0.007345924,"teacher_disagreement_score":0.0071061687,"about_ca_system_score_codex":0.0024909594,"about_ca_system_score_gemma":0.0024808946,"threshold_uncertainty_score":0.02052331},"labels":[],"label_agreement":null},{"id":"W1985487251","doi":"10.1353/wsq.2013.0012","title":"Scenes from My Life as the Abominable Snowman","year":2012,"lang":"en","type":"article","venue":"Women's studies quarterly","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Psychology; Artificial intelligence; Visual arts; Computer science","score_opus":0.03204447858661428,"score_gpt":0.25871629791923145,"score_spread":0.22667181933261718,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1985487251","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17149703,0.012761007,0.0026858528,0.10056272,0.012915207,0.00020934164,0.0025958982,0.0006751795,0.6960978],"genre_scores_gemma":[0.5302275,0.0075002196,0.0027213455,0.025117392,0.002741876,0.00018916995,0.0025110072,0.0008152144,0.42817616],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99962413,0.00013993778,0.0000066048333,0.000031198797,0.000075441894,0.00012268515],"domain_scores_gemma":[0.99959403,0.000049050894,0.000025327738,0.0000150880105,0.000083943916,0.00023252779],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039364668,0.00081570016,0.00025345173,0.00033097336,0.007892903,0.002098241,0.00053021737,0.0015329878,0.043045383],"category_scores_gemma":[0.0014607608,0.00031762352,0.00037110157,0.00037443917,0.001450264,0.002015673,0.0036077215,0.0034511483,0.008762345],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007904279,0.0000558913,0.0013222496,0.00009568648,0.00000829769,0.002388786,0.05824751,0.000052068113,0.00048351838,0.004990506,0.9197431,0.012533245],"study_design_scores_gemma":[0.000008616347,0.000042116717,0.0026541108,0.00012306261,0.000005965485,0.0012652241,0.0649629,0.000042039912,0.00012708241,0.00078653026,0.9299679,0.000014396253],"about_ca_topic_score_codex":0.020428644,"about_ca_topic_score_gemma":0.100028545,"teacher_disagreement_score":0.043045383,"about_ca_system_score_codex":0.0014612923,"about_ca_system_score_gemma":0.0011417451,"threshold_uncertainty_score":0.14400113},"labels":[],"label_agreement":null},{"id":"W1987851296","doi":"10.1080/00085006.2008.11092586","title":"Sergei Dovlatov’s<i>Zona</i>as Metatextual Memoir","year":2008,"lang":"en","type":"article","venue":"Canadian Slavonic Papers","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Memoir; Gulag; Prison; Narrative; Metafiction; History; Literature; Opposition (politics); Art; Persona; Politics; Psychoanalysis; Id, ego and super-ego; Psychology; Humanities; Political science; Law","score_opus":0.02284339477145611,"score_gpt":0.19079867116761146,"score_spread":0.16795527639615535,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1987851296","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.052697845,0.026726356,0.014112267,0.032839872,0.001779179,0.00007951751,0.00024283974,0.0001945256,0.8713275],"genre_scores_gemma":[0.9486416,0.0037434686,0.0021375834,0.001160698,0.00022648016,0.00006977108,0.000065793734,0.0000944216,0.043860156],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99891984,0.0005476085,0.000031421132,0.00018330746,0.00016712777,0.00015074249],"domain_scores_gemma":[0.99940634,0.00026857856,0.00007969427,0.00008244649,0.000088535046,0.000074377014],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010465716,0.00042591666,0.00022533491,0.0014657896,0.0063064443,0.008017836,0.0008741932,0.0016109172,0.0037804043],"category_scores_gemma":[0.0024159981,0.00018829748,0.00019594934,0.0012673187,0.017257644,0.003489949,0.0024022816,0.0026131286,0.0004924376],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009019522,0.0000039875185,0.00021051198,0.00004470396,0.0000021686296,0.000037957707,0.025708519,0.000062378254,0.00012889465,0.9625726,0.0066787386,0.0045404914],"study_design_scores_gemma":[0.00001485554,0.00001933135,0.0016569236,0.0003538625,0.000010034014,0.00028436867,0.019793915,0.0002731439,0.00048890087,0.13882227,0.8382651,0.000017236098],"about_ca_topic_score_codex":0.045247212,"about_ca_topic_score_gemma":0.055776715,"teacher_disagreement_score":0.045247212,"about_ca_system_score_codex":0.010333584,"about_ca_system_score_gemma":0.004380136,"threshold_uncertainty_score":0.08996767},"labels":[],"label_agreement":null},{"id":"W1987888537","doi":"10.1111/j.1741-4113.2008.00589.x","title":"Teaching &amp; Learning Guide for: Making Time: Narrative Temporality in Twentieth‐Century Literature and Theory","year":2008,"lang":"en","type":"article","venue":"Literature Compass","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Temporality; Postmodernism; Narrative; Futurist; Literature; Yesterday; History; Aesthetics; Epistemology; Sociology; Philosophy; Art history; Art","score_opus":0.022599913612295307,"score_gpt":0.2766572927683801,"score_spread":0.2540573791560848,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1987888537","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0041504367,0.027635757,0.05975623,0.08476974,0.024387637,0.0011081095,0.0068012583,0.006505862,0.78488487],"genre_scores_gemma":[0.02193864,0.019126223,0.029101698,0.010160666,0.0040985667,0.0013164072,0.0026124974,0.002408579,0.9092367],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996495,0.00013962846,0.000029303295,0.000052737283,0.00010225271,0.000026524445],"domain_scores_gemma":[0.99738747,0.001728325,0.000084700376,0.00009587061,0.00041222622,0.00029141575],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008856618,0.0007434205,0.00047082975,0.001523425,0.0016957952,0.0037835825,0.0012456438,0.0015325141,0.1585092],"category_scores_gemma":[0.0038391943,0.0003217005,0.00026990933,0.0014765566,0.001503814,0.0036054184,0.0021850243,0.0020626336,0.06914285],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008067564,0.000028477121,0.00011200367,0.00020010388,9.818494e-7,0.0000984703,0.0029067989,0.000069108035,0.00019356485,0.013634245,0.87572634,0.10702188],"study_design_scores_gemma":[0.0000029718417,0.000004841357,0.00015323967,0.00016845438,4.727036e-7,0.000069454385,0.00091486063,0.00006689294,0.00008595099,0.0036863873,0.9948427,0.0000037981263],"about_ca_topic_score_codex":0.0031921447,"about_ca_topic_score_gemma":0.009094297,"teacher_disagreement_score":0.1585092,"about_ca_system_score_codex":0.0013250905,"about_ca_system_score_gemma":0.0024204983,"threshold_uncertainty_score":0.53026605},"labels":[],"label_agreement":null},{"id":"W2000572441","doi":"10.3828/ajfs.2012.21","title":"Rape, Silence and Disembodiment in Anne Hébert's <i>Les Fous de Bassan</i>","year":2012,"lang":"en","type":"article","venue":"Australian Journal of French Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Silence; Narrative; Inscribed figure; Sociology; Sexual violence; Psychoanalysis; Aesthetics; Literature; Psychology; Philosophy; Art; Criminology","score_opus":0.0728198480923155,"score_gpt":0.30247203218305846,"score_spread":0.22965218409074295,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2000572441","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5368065,0.02348081,0.0026789636,0.052104536,0.00044382148,0.00004255005,0.00009458967,0.00006364735,0.3842846],"genre_scores_gemma":[0.9789419,0.0019417403,0.00022591745,0.0010565581,0.000033323908,0.000011084471,0.000010197101,0.00001694381,0.017762229],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99811375,0.0013213806,0.00002348927,0.00008977717,0.00025516906,0.0001964069],"domain_scores_gemma":[0.998359,0.0010288318,0.00022897753,0.00005207813,0.00019691492,0.00013415936],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014947476,0.00038397586,0.0002600426,0.0010638108,0.018153854,0.007477795,0.0007201569,0.0024906916,0.0022863029],"category_scores_gemma":[0.003141923,0.00019757025,0.00017492271,0.0008075732,0.022717487,0.0027881346,0.0019446496,0.0025795703,0.00028145144],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029358567,0.0000113279575,0.000619373,0.00004677208,0.000003237134,0.0006452295,0.844379,0.000096565076,0.000298117,0.14501211,0.0037151694,0.005143776],"study_design_scores_gemma":[0.000008281187,0.00003104964,0.0029312228,0.00035018267,0.000009188354,0.001056239,0.6557738,0.00016940026,0.00081676093,0.01277128,0.32603952,0.00004314801],"about_ca_topic_score_codex":0.38464186,"about_ca_topic_score_gemma":0.4132648,"teacher_disagreement_score":0.38464186,"about_ca_system_score_codex":0.019305216,"about_ca_system_score_gemma":0.006402914,"threshold_uncertainty_score":0.764806},"labels":[],"label_agreement":null},{"id":"W2001963228","doi":"10.4000/communication.4752","title":"« Le jardin aux sentiers qui bifurquent » (Borges)","year":2003,"lang":"fr","type":"article","venue":"Communication","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.03175727106305929,"score_gpt":0.2630526873421923,"score_spread":0.231295416279133,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2001963228","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03268451,0.016086236,0.030055596,0.03208475,0.0034496805,0.00010745215,0.00018000307,0.00018037115,0.8851715],"genre_scores_gemma":[0.62181026,0.010923686,0.013942526,0.0075247786,0.0011989443,0.00027875093,0.0001656624,0.00047894605,0.34367642],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981406,0.0009946692,0.00005815076,0.00030210815,0.0003733451,0.00013112102],"domain_scores_gemma":[0.9980254,0.0011573536,0.00017009911,0.00020776445,0.00027590754,0.00016347402],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018704988,0.00080741977,0.00027190096,0.0014397043,0.0061834534,0.00836315,0.00083483174,0.0033069598,0.012205073],"category_scores_gemma":[0.006336955,0.00030525317,0.00036795682,0.00097644574,0.01543257,0.0099510085,0.0038229926,0.0039426456,0.0025736035],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003221937,0.000013502078,0.00036062085,0.00016788206,0.0000064673422,0.00025716654,0.0993716,0.000067061264,0.0006762167,0.8524597,0.0264694,0.02011799],"study_design_scores_gemma":[0.0000105454565,0.000027704544,0.0011215035,0.00041938026,0.000011827009,0.00067003263,0.03493346,0.00021310951,0.0008739369,0.10357655,0.8581148,0.000027307377],"about_ca_topic_score_codex":0.00605716,"about_ca_topic_score_gemma":0.01123846,"teacher_disagreement_score":0.012205073,"about_ca_system_score_codex":0.0025846262,"about_ca_system_score_gemma":0.0020868946,"threshold_uncertainty_score":0.040830016},"labels":[],"label_agreement":null},{"id":"W2012796457","doi":"10.14430/arctic3342","title":"On Sea Ice, by W.F. Weeks, with W.D. Hibler III","year":2010,"lang":"en","type":"article","venue":"ARCTIC","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sea ice; Geology; Oceanography; Physical geography; Climatology; Geography","score_opus":0.008339249539224368,"score_gpt":0.2004940365856097,"score_spread":0.1921547870463853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2012796457","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012452083,0.74407893,0.0021463952,0.12052469,0.049794942,0.000022145376,0.00029574684,0.00011166261,0.081780285],"genre_scores_gemma":[0.018011797,0.5049583,0.0022575376,0.016116846,0.024604628,0.000052098578,0.00023904582,0.00023017966,0.43352962],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994746,0.00018713964,0.000028673787,0.00011062012,0.00016316213,0.00003584097],"domain_scores_gemma":[0.9991616,0.00033995227,0.000058318263,0.000035121764,0.0002672449,0.00013767627],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015105522,0.0011614541,0.00046263754,0.0020076518,0.0022075379,0.004082238,0.00049425964,0.0016615981,0.013005742],"category_scores_gemma":[0.00352002,0.00044098735,0.0003469877,0.0020420193,0.0018546634,0.0043910835,0.0018196668,0.0027335966,0.007526094],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001786167,0.000006974269,0.00026301958,0.00018031085,0.0000065701647,0.000051336272,0.001041296,0.00010437641,0.00013512518,0.009218024,0.92624384,0.06273125],"study_design_scores_gemma":[8.502787e-7,0.0000037556256,0.000335418,0.00042509683,0.0000026113462,0.000069168585,0.00087586633,0.00003092148,0.00005426216,0.002400919,0.99579704,0.0000041380135],"about_ca_topic_score_codex":0.012401338,"about_ca_topic_score_gemma":0.035137385,"teacher_disagreement_score":0.013005742,"about_ca_system_score_codex":0.0013718362,"about_ca_system_score_gemma":0.0019283758,"threshold_uncertainty_score":0.04350853},"labels":[],"label_agreement":null},{"id":"W2017794499","doi":"10.7202/1011254ar","title":"Exploring a New Narratological Paradigm for the Analysis of Narrative Communication in Translated Children’s Literature","year":2012,"lang":"en","type":"article","venue":"Meta Journal des traducteurs","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":36,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narratology; Narrative; Context (archaeology); Reading (process); Source text; Computer science; Narrative network; Linguistics; Process (computing); Narrative structure; Target text; Epistemology; Narrative inquiry; Narrative criticism; History; Artificial intelligence; Philosophy","score_opus":0.1673651334487856,"score_gpt":0.2925398077659857,"score_spread":0.1251746743172001,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2017794499","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14618018,0.006916199,0.6636026,0.012773343,0.0005292686,0.00084931386,0.00039824957,0.00023321701,0.16851768],"genre_scores_gemma":[0.8312292,0.0026505399,0.15657534,0.00064893893,0.00031375163,0.0012699249,0.00021915472,0.00014677417,0.006946424],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99587435,0.0032537773,0.00016900177,0.0003094623,0.00024488935,0.00014850315],"domain_scores_gemma":[0.9947172,0.0037386224,0.0005156492,0.00053862634,0.00030445104,0.00018547445],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00604382,0.0007534472,0.0007160109,0.0050442414,0.0035899645,0.011735827,0.0023316715,0.0023147087,0.004633805],"category_scores_gemma":[0.0061701406,0.0005074208,0.0006803861,0.0033598756,0.018763462,0.012426196,0.005098314,0.0040088613,0.00054055155],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013954217,0.000024164547,0.0006474407,0.00016092692,0.000010357135,0.00039380408,0.11677231,0.00027187684,0.00097283284,0.87255234,0.00037213467,0.0078078764],"study_design_scores_gemma":[0.000056371686,0.00014115902,0.0027080262,0.0006621782,0.000039043876,0.0018282228,0.155837,0.006582949,0.0022812905,0.6805135,0.14928722,0.00006306108],"about_ca_topic_score_codex":0.0014887857,"about_ca_topic_score_gemma":0.0020239826,"teacher_disagreement_score":0.011735827,"about_ca_system_score_codex":0.004148743,"about_ca_system_score_gemma":0.0023119363,"threshold_uncertainty_score":0.03196317},"labels":[],"label_agreement":null},{"id":"W2020370606","doi":"10.1353/smr.0.0083","title":"Narrative Unreliability in the Twentieth-Century First-Person Novel (review)","year":2009,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Scholarship; Narratology; Literature; Rhetoric; History; First person; Sociology; Linguistics; Philosophy; Art; Law; Political science","score_opus":0.055999971042128706,"score_gpt":0.3082148226469909,"score_spread":0.2522148516048622,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2020370606","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00015636772,0.9986676,0.000008420805,0.0005097144,0.000315948,0.0000016711091,0.0000064715837,9.49515e-7,0.00033291578],"genre_scores_gemma":[0.0024713033,0.9960139,0.000026609687,0.00051818974,0.0005123512,0.000009152403,0.000029457105,0.000002232396,0.0004168613],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995957,0.0001250026,0.00006487313,0.00006304562,0.00009950701,0.00005195763],"domain_scores_gemma":[0.9976707,0.0015441985,0.00038807967,0.000030421312,0.00027448725,0.00009211803],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009409138,0.00068792095,0.001139249,0.0031094297,0.0005659183,0.0030197848,0.00077949604,0.0018411829,0.0053142714],"category_scores_gemma":[0.003973819,0.00041084873,0.0004381853,0.0039486894,0.0014856495,0.0036538038,0.0012009946,0.0014883229,0.0011508359],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014798387,0.00007214463,0.00070073537,0.077306055,0.0002344724,0.00044299493,0.0037884412,0.00014867191,0.00023705018,0.005093167,0.19279085,0.71903753],"study_design_scores_gemma":[0.000037923077,0.00009928293,0.007236718,0.07684485,0.00028842888,0.0026926661,0.005130144,0.00004509851,0.00020061842,0.001362502,0.90601236,0.000049543778],"about_ca_topic_score_codex":0.005150069,"about_ca_topic_score_gemma":0.010394228,"teacher_disagreement_score":0.0053142714,"about_ca_system_score_codex":0.0014329937,"about_ca_system_score_gemma":0.0026276682,"threshold_uncertainty_score":0.01777798},"labels":[],"label_agreement":null},{"id":"W2026603517","doi":"10.7202/1001146ar","title":"Du fantastique littéraire au fantastique filmique : une question de point de vue?","year":2011,"lang":"fr","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Art; Humanities","score_opus":0.024243952087748134,"score_gpt":0.24146321328758769,"score_spread":0.21721926119983956,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2026603517","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048289966,0.11008096,0.045230277,0.26294467,0.008684759,0.00013629845,0.0003152264,0.00017035908,0.52414757],"genre_scores_gemma":[0.85899425,0.039898034,0.0081836805,0.015324131,0.0048442394,0.000299327,0.00018535489,0.00047715634,0.071793795],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99454826,0.0037549355,0.00014779036,0.0005451652,0.0006434664,0.00036038028],"domain_scores_gemma":[0.9945146,0.0035491833,0.00041716092,0.00037643668,0.0008289956,0.0003137182],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0045886664,0.0007314807,0.00092811155,0.0018719317,0.0067233904,0.016732171,0.001859516,0.0037648915,0.008749229],"category_scores_gemma":[0.013328992,0.00035404816,0.00049086905,0.002195394,0.030243514,0.017827945,0.003797635,0.008621003,0.0011403773],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017802558,0.000010641237,0.00020674671,0.00020669901,0.000007238425,0.00019856602,0.07296116,0.000042817534,0.00016128468,0.9070458,0.009114906,0.010026454],"study_design_scores_gemma":[0.000015799182,0.00003572894,0.0014482633,0.0012569962,0.000013735549,0.0010928526,0.13748302,0.00031691283,0.00051054865,0.15033881,0.7074527,0.000034529683],"about_ca_topic_score_codex":0.019163249,"about_ca_topic_score_gemma":0.013060462,"teacher_disagreement_score":0.019163249,"about_ca_system_score_codex":0.0068984036,"about_ca_system_score_gemma":0.004824128,"threshold_uncertainty_score":0.05005163},"labels":[],"label_agreement":null},{"id":"W2028213099","doi":"10.1179/0309656412z.0000000012","title":"<i>De anatomische les</i>: Marsman’s ‘Poetics’ 1926 — with a Sidelong Glance at Coenen, Gorter, Emants, and the Movement of<i>Tachtig</i>","year":2012,"lang":"en","type":"article","venue":"Dutch Crossing","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Poetry; Poetics; Individualism; Vitalism; Movement (music); Art; Literature; Relation (database); Style (visual arts); Philosophy; Autonomy; Art history; Aesthetics; Law; Medicine","score_opus":0.015615704559242844,"score_gpt":0.22510255074493096,"score_spread":0.2094868461856881,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2028213099","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06885088,0.1485527,0.0145715475,0.14183953,0.006888894,0.000058611433,0.00023592067,0.0002432722,0.6187587],"genre_scores_gemma":[0.75742376,0.015937218,0.0054672365,0.0075822044,0.0020087305,0.00006812156,0.00007923852,0.0001540543,0.21127944],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994123,0.00033767946,0.000018800616,0.00007821602,0.000094228635,0.000058790854],"domain_scores_gemma":[0.99961436,0.0001923801,0.00007631188,0.000030260917,0.00004379465,0.00004281562],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009868358,0.0003110043,0.00011976292,0.00093770586,0.0031134954,0.0029885818,0.00036464396,0.0013177306,0.005139952],"category_scores_gemma":[0.002076394,0.00018522327,0.00012992225,0.00066832104,0.009220371,0.0031314,0.0011778802,0.0018104609,0.0008880202],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004049749,0.000010298972,0.00032224826,0.00007977992,0.0000039521824,0.00021547564,0.043041226,0.0000997642,0.00049452035,0.8140794,0.11165849,0.029954432],"study_design_scores_gemma":[0.0000022720583,0.000010358669,0.000701057,0.00008410907,0.0000012286691,0.0002547428,0.0034778279,0.000046301277,0.00023590142,0.021040322,0.9741382,0.000007555298],"about_ca_topic_score_codex":0.005119977,"about_ca_topic_score_gemma":0.007929605,"teacher_disagreement_score":0.005139952,"about_ca_system_score_codex":0.0023814135,"about_ca_system_score_gemma":0.0010814221,"threshold_uncertainty_score":0.017278433},"labels":[],"label_agreement":null},{"id":"W2029608646","doi":"10.3138/cras.2013.018","title":"<i>Frenzy</i>, Practical Philosophy, and Fictive Jokes","year":2013,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Fable; Narrative; Mythology; Trickster; Poetry; Servant; Literature; Reading (process); Philosophy; Aesthetics; Art; Linguistics; Computer science","score_opus":0.05099066712918778,"score_gpt":0.3054753875528233,"score_spread":0.2544847204236355,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2029608646","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06768994,0.22046648,0.0055326307,0.09149939,0.001902269,0.00005608679,0.00005549477,0.000077017256,0.6127208],"genre_scores_gemma":[0.9283178,0.035802227,0.0010001054,0.0042956974,0.0008271023,0.00005813475,0.000026917494,0.0000395223,0.029632475],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99769884,0.0017288292,0.000046340247,0.00014724571,0.00022288763,0.00015578729],"domain_scores_gemma":[0.99633765,0.0027277682,0.00038045034,0.0001184937,0.00028005912,0.00015558333],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031777446,0.0003357873,0.0002791689,0.0030497378,0.006123684,0.007876762,0.0006741982,0.0018590018,0.0047695646],"category_scores_gemma":[0.0043073157,0.00017847744,0.00019476653,0.002460261,0.034469407,0.006911702,0.0019352289,0.0027771008,0.00044688987],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002096914,0.0000343797,0.0007072586,0.0005670268,0.000011247375,0.00024246452,0.11113823,0.000077343255,0.00013250668,0.82971287,0.029945288,0.027410416],"study_design_scores_gemma":[0.000010012883,0.000024415438,0.00404344,0.0026926638,0.0000183328,0.0008768945,0.12223856,0.00014518817,0.000301843,0.11382859,0.75579745,0.00002258692],"about_ca_topic_score_codex":0.017594282,"about_ca_topic_score_gemma":0.025361646,"teacher_disagreement_score":0.017594282,"about_ca_system_score_codex":0.006466022,"about_ca_system_score_gemma":0.0040171957,"threshold_uncertainty_score":0.04691446},"labels":[],"label_agreement":null},{"id":"W2041367843","doi":"10.1080/00144940.2012.727902","title":"Ironies in Truman Capote's MR. JONES","year":2012,"lang":"en","type":"article","venue":"The Explicator","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Allusion; Meaning (existential); Class (philosophy); Root (linguistics); Art; Image (mathematics); Literature; Artificial intelligence; Computer science; Philosophy; Linguistics; Epistemology","score_opus":0.037546033005911084,"score_gpt":0.23843051091861198,"score_spread":0.2008844779127009,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2041367843","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029614395,0.009645574,0.0009973418,0.4156767,0.07645099,0.000044828914,0.00015131157,0.0002867985,0.493785],"genre_scores_gemma":[0.037135717,0.00394093,0.0007373771,0.08005772,0.010936302,0.000053159518,0.00006526024,0.00056103244,0.86651254],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99869317,0.00029502917,0.000036305664,0.00022547248,0.0005772932,0.00017273433],"domain_scores_gemma":[0.9983614,0.00049371517,0.000066994595,0.00006758375,0.00063550577,0.00037471746],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015206148,0.0006508884,0.00037670304,0.0009311408,0.010862293,0.0053510745,0.0008726466,0.0031210214,0.05425843],"category_scores_gemma":[0.005903391,0.0003828247,0.0003139952,0.0004404322,0.0031923708,0.0042381645,0.0023188905,0.0077818977,0.013578529],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000063402395,0.000005702111,0.000025526833,0.000009482274,6.3881964e-7,0.000098901095,0.00072907994,0.000005069203,0.000034724933,0.009288471,0.9861123,0.003683697],"study_design_scores_gemma":[0.000001869044,0.000004427853,0.00008866532,0.000049100407,8.381048e-7,0.00016194383,0.0014029694,0.000013794938,0.00006100682,0.0013948301,0.9968161,0.000004521489],"about_ca_topic_score_codex":0.024818227,"about_ca_topic_score_gemma":0.06588425,"teacher_disagreement_score":0.05425843,"about_ca_system_score_codex":0.0041936245,"about_ca_system_score_gemma":0.0016943217,"threshold_uncertainty_score":0.18151253},"labels":[],"label_agreement":null},{"id":"W2043734333","doi":"10.3138/cras.2013.017","title":"Writing (Fat) Bodies: Grotesque Realism and the Carnivalesque in Percival Everett’s <i>Zulus</i>","year":2013,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Carnivalesque; Realism; Literature; Comics; Trilogy; Materiality (auditing); Art; Philosophy; Aesthetics","score_opus":0.02261293612520426,"score_gpt":0.25859030791146853,"score_spread":0.23597737178626427,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2043734333","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14384168,0.13375841,0.0059349663,0.08354044,0.0013715647,0.00005352451,0.00009187479,0.000043696804,0.6313638],"genre_scores_gemma":[0.96172756,0.020133372,0.00075861905,0.002714984,0.00032889427,0.00003565474,0.000025960633,0.000030282417,0.014244797],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965281,0.0026335598,0.000052874395,0.00022338213,0.00038578312,0.00017641093],"domain_scores_gemma":[0.99642617,0.0025925862,0.00037384758,0.0001496489,0.00028933742,0.00016846205],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004046428,0.00034956489,0.00029396752,0.002455407,0.0065482175,0.008266303,0.00091655203,0.0015987303,0.0036205258],"category_scores_gemma":[0.0039968505,0.00018252996,0.00012523908,0.0020682279,0.052709855,0.0055341753,0.003111933,0.0030817357,0.00030795674],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018966233,0.000015756388,0.00036586152,0.00017434986,0.0000048401057,0.00014552507,0.19306928,0.00003982447,0.000084340485,0.78745306,0.006818803,0.011809339],"study_design_scores_gemma":[0.000016299058,0.000029865098,0.0032418366,0.0019272255,0.000015891395,0.00033189615,0.27200913,0.00011967202,0.00036476797,0.12870444,0.5932139,0.000025079045],"about_ca_topic_score_codex":0.024476705,"about_ca_topic_score_gemma":0.041125428,"teacher_disagreement_score":0.024476705,"about_ca_system_score_codex":0.007248634,"about_ca_system_score_gemma":0.004428105,"threshold_uncertainty_score":0.052592814},"labels":[],"label_agreement":null},{"id":"W2063334347","doi":"10.7771/1481-4374.1115","title":"Bibliography of Contextual (Systemic and Empirical) Approaches in the Study of Literature and Culture","year":2001,"lang":"en","type":"article","venue":"CLCWeb Comparative Literature and Culture","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Royal Society; Royal Society of Canada; Purdue University; Modern Language Association","keywords":"Bibliography; Computer science; Epistemology; Sociology; Psychology; Library science; Philosophy","score_opus":0.09750960298916753,"score_gpt":0.3022471773120164,"score_spread":0.20473757432284886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2063334347","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001991787,0.7268537,0.008150539,0.004768282,0.0027392595,0.00009114126,0.00091294415,0.00012649586,0.2543658],"genre_scores_gemma":[0.042707067,0.8980577,0.013495263,0.00210053,0.0029929972,0.00033948204,0.0021054538,0.00018034157,0.038021185],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99799144,0.0007589045,0.00034043638,0.0001874193,0.00063624885,0.00008549176],"domain_scores_gemma":[0.99404645,0.004365257,0.000244851,0.00034857437,0.0008065497,0.00018842342],"candidate_categories":["bibliometrics"],"consensus_categories":[],"category_scores_codex":[0.0017128723,0.0009001151,0.0011240923,0.02338395,0.0026933264,0.005729437,0.0009940114,0.00095509115,0.0156497],"category_scores_gemma":[0.005318874,0.0004265672,0.0004469342,0.05317301,0.0032990575,0.0044061267,0.0016917089,0.001568704,0.0031753697],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055798304,0.000051368086,0.0013406149,0.011149218,0.00008192033,0.0003596178,0.00904582,0.0007765931,0.00051550963,0.3393139,0.2702986,0.3670111],"study_design_scores_gemma":[0.0000051329857,0.00001741711,0.0021322942,0.010316762,0.000040710667,0.00026177202,0.0022169675,0.00011764226,0.000103449194,0.035884555,0.94888884,0.000014549652],"about_ca_topic_score_codex":0.003826366,"about_ca_topic_score_gemma":0.009859553,"teacher_disagreement_score":0.976616,"about_ca_system_score_codex":0.003551277,"about_ca_system_score_gemma":0.003725889,"threshold_uncertainty_score":0.0523535},"labels":[],"label_agreement":null},{"id":"W2069474507","doi":"10.2979/vic.2009.51.2.275","title":"Natural History's Hypothetical Moments: Narratives of Contingency in Victorian Culture","year":2009,"lang":"en","type":"article","venue":"Victorian Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":21,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Contingency; Narrative; George (robot); Darwin (ADL); Natural (archaeology); Charles darwin; History; Epistemology; Sociology; Literature; Philosophy; Art history; Art; Computer science; Darwinism; Archaeology","score_opus":0.036984540108464484,"score_gpt":0.27298333158691457,"score_spread":0.2359987914784501,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2069474507","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5444979,0.0077938535,0.01701153,0.0313423,0.00027577073,0.000086904605,0.000158093,0.000072501425,0.39876103],"genre_scores_gemma":[0.99191886,0.0005452258,0.0008015508,0.0002890762,0.00000970781,0.000020163508,0.00001678716,0.000019377763,0.006379304],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99527127,0.0035755055,0.00007955967,0.00020581766,0.00045461746,0.00041320443],"domain_scores_gemma":[0.9960296,0.0025132238,0.0003950814,0.00026047,0.00030177843,0.00049984443],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0049769394,0.00038747612,0.00032572635,0.0016186045,0.01809636,0.01081777,0.0015217069,0.0020615405,0.0032496129],"category_scores_gemma":[0.00917944,0.00052251335,0.00024180251,0.0016498452,0.04445786,0.010117543,0.0069009066,0.0038920452,0.0002880031],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011945341,0.0000046099008,0.0003557202,0.000035126995,0.0000028718348,0.00020034437,0.65145487,0.00015069319,0.00012648282,0.34346777,0.0013260413,0.0028634937],"study_design_scores_gemma":[0.0000058284545,0.000014109295,0.0011322782,0.0003665726,0.000008339621,0.00031036692,0.6717254,0.00091112446,0.0003633845,0.12214276,0.2029775,0.000042285737],"about_ca_topic_score_codex":0.074066155,"about_ca_topic_score_gemma":0.11076167,"teacher_disagreement_score":0.074066155,"about_ca_system_score_codex":0.017344046,"about_ca_system_score_gemma":0.0071527883,"threshold_uncertainty_score":0.14727008},"labels":[],"label_agreement":null},{"id":"W2083697952","doi":"10.4102/lit.v27i1.188","title":"Om alleen te reis: ’n Lacaniaanse ondersoek – aantekeninge tydens ’n reis deur Frans-Kanada","year":2006,"lang":"en","type":"article","venue":"Literator","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Paranoia; Id, ego and super-ego; Siege; Metaphor; Psychoanalysis; Art; Literature; Art history; Theology; Philosophy; History; Psychology; Archaeology; Psychotherapist","score_opus":0.00876587675825719,"score_gpt":0.17757545513877931,"score_spread":0.16880957838052213,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2083697952","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.122559085,0.012557756,0.0027471187,0.042461198,0.0020747555,0.000043812586,0.00027617736,0.0001693782,0.8171107],"genre_scores_gemma":[0.6116873,0.0040502474,0.0015875502,0.0024263612,0.00016698541,0.000033881788,0.00014580404,0.00023734091,0.37966454],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.999076,0.00026678888,0.000024731879,0.00013135748,0.00029959172,0.00020147751],"domain_scores_gemma":[0.99943227,0.00013744144,0.00006507609,0.000042013486,0.00020167664,0.000121459714],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00082411536,0.00045971372,0.0003768293,0.0007209239,0.009379551,0.007094376,0.0004886604,0.001235748,0.022120034],"category_scores_gemma":[0.0024233367,0.00018226197,0.00023352943,0.0007040419,0.0060507106,0.0031719017,0.002282372,0.002773006,0.003801035],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010108026,0.000061612474,0.0037311402,0.00031138654,0.000029752395,0.0015258036,0.46747494,0.00016952014,0.0026771897,0.3418508,0.09761456,0.08445225],"study_design_scores_gemma":[0.0000033297172,0.000008537963,0.001265167,0.00014298144,0.000005473815,0.0003242055,0.05855049,0.00004301475,0.00038538306,0.004820418,0.93443716,0.000013712148],"about_ca_topic_score_codex":0.10853926,"about_ca_topic_score_gemma":0.20134807,"teacher_disagreement_score":0.8914607,"about_ca_system_score_codex":0.008360553,"about_ca_system_score_gemma":0.005355838,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W2103364701","doi":"10.7202/044273ar","title":"Céline Dion à Las Vegas ou les affects de la simulation","year":2010,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Art; Las vegas; Political science","score_opus":0.018333909864836587,"score_gpt":0.2740996796207347,"score_spread":0.25576576975589815,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2103364701","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12578204,0.0063663716,0.0071620424,0.03089107,0.0012170878,0.00002475853,0.000075407384,0.00010015221,0.82838106],"genre_scores_gemma":[0.9469916,0.0018455657,0.0006749617,0.002135603,0.00016206499,0.000026936796,0.000028008018,0.000047608366,0.048087586],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9989845,0.00063717784,0.000013055873,0.00010875843,0.0001228781,0.00013353591],"domain_scores_gemma":[0.99932456,0.00031203596,0.00006491234,0.00007367037,0.000078445126,0.00014649582],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006577483,0.0003319286,0.00017199414,0.00029619847,0.0043720626,0.0047770943,0.0004190467,0.0016370618,0.0122839445],"category_scores_gemma":[0.0017998564,0.00010776454,0.0002725415,0.00022905026,0.012106047,0.0029624936,0.0026101265,0.002322979,0.000997598],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007763803,0.000037330406,0.0019663228,0.00010899565,0.000012370517,0.00030365138,0.07192774,0.0003422202,0.0008796364,0.89802015,0.011736658,0.014587359],"study_design_scores_gemma":[0.00003121474,0.00008604326,0.004568137,0.00028386345,0.000022383307,0.0004506178,0.06704924,0.00053800177,0.00066654116,0.14027187,0.7859834,0.00004865345],"about_ca_topic_score_codex":0.006718208,"about_ca_topic_score_gemma":0.008081417,"teacher_disagreement_score":0.9932818,"about_ca_system_score_codex":0.0025321324,"about_ca_system_score_gemma":0.0015548511,"threshold_uncertainty_score":0.041093886},"labels":[],"label_agreement":null},{"id":"W2124569923","doi":"10.1353/sub.2003.0026","title":"The Dream Narratives of Debris","year":2003,"lang":"en","type":"article","venue":"SubStance","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":41,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Mount Saint Vincent University","funders":"","keywords":"Narrative; Debris; Sign (mathematics); Dream; History; Literature; Aesthetics; Art; Geology; Psychology; Oceanography","score_opus":0.020106168841565138,"score_gpt":0.22110621766452368,"score_spread":0.20100004882295855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2124569923","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18565284,0.020128047,0.009513435,0.0685006,0.0023456886,0.00005579126,0.00045685284,0.00032732886,0.7130194],"genre_scores_gemma":[0.9304111,0.0032034558,0.0014949428,0.0027121678,0.00022542062,0.000044256158,0.00016278081,0.00012107657,0.061624806],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99815077,0.0011886455,0.000046937086,0.00013245939,0.00026914311,0.00021203277],"domain_scores_gemma":[0.99835086,0.00064703333,0.00021191919,0.00020533311,0.00018680126,0.00039802547],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020163762,0.00073840393,0.0002965446,0.0013869017,0.014331655,0.010614807,0.0012293778,0.0017466681,0.0057710875],"category_scores_gemma":[0.0054948665,0.00041464603,0.00033100837,0.0011287455,0.019115241,0.011564508,0.008207628,0.0032499863,0.0014961475],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004094915,0.000012224383,0.0010230086,0.000117088406,0.00000665374,0.0007764632,0.6181235,0.000119881544,0.0001419403,0.3380241,0.03316289,0.008451388],"study_design_scores_gemma":[0.000006457534,0.000015031997,0.00043495136,0.00018038886,0.0000043121186,0.0007448671,0.36328712,0.00011726413,0.000176436,0.036839772,0.5981772,0.00001613824],"about_ca_topic_score_codex":0.0063516027,"about_ca_topic_score_gemma":0.010752125,"teacher_disagreement_score":0.014331655,"about_ca_system_score_codex":0.0044759847,"about_ca_system_score_gemma":0.0026181105,"threshold_uncertainty_score":0.03247565},"labels":[],"label_agreement":null},{"id":"W2135707007","doi":"","title":"Fragmentation, Dimness and Irregularity: On the Impressionistic Narrative in The Good Soldier","year":2014,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Vagueness; Narrative; Literature; Reading (process); Fragmentation (computing); Point (geometry); Aesthetics; Art; History; Psychology; Linguistics; Philosophy; Computer science; Mathematics; Geometry","score_opus":0.02022055384413523,"score_gpt":0.2917590583568289,"score_spread":0.2715385045126937,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2135707007","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81608784,0.0038196784,0.0076537454,0.008794662,0.00023395188,0.000040900515,0.00006650266,0.00004004354,0.16326262],"genre_scores_gemma":[0.9960537,0.00030985975,0.00039686696,0.00012850491,0.000038829647,0.0000059023414,0.0000090305775,0.000012452776,0.0030449776],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982639,0.001136675,0.000037376958,0.000141715,0.0002540358,0.00016628978],"domain_scores_gemma":[0.9972096,0.0018365809,0.00040499796,0.00014700208,0.00016781778,0.00023397921],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022462574,0.00038093567,0.00024240266,0.0013332018,0.0065310393,0.006494817,0.0006951913,0.0010357582,0.0032336246],"category_scores_gemma":[0.00514406,0.0002453117,0.00023544877,0.0008430431,0.018798294,0.0056492966,0.004071232,0.0018062914,0.00023586625],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004721075,0.00001555382,0.001725104,0.00006150153,0.000006055725,0.0010173394,0.9036082,0.000070583104,0.0003727049,0.087257855,0.0011299637,0.00468798],"study_design_scores_gemma":[0.000017239528,0.00010257801,0.008141971,0.00029969242,0.000027317154,0.0017948624,0.86650974,0.00069646485,0.000688978,0.0337203,0.087954916,0.000045954366],"about_ca_topic_score_codex":0.0063013746,"about_ca_topic_score_gemma":0.0075873816,"teacher_disagreement_score":0.0065310393,"about_ca_system_score_codex":0.0033882146,"about_ca_system_score_gemma":0.000862988,"threshold_uncertainty_score":0.02458328},"labels":[],"label_agreement":null},{"id":"W2135823246","doi":"10.1177/146144402321466804","title":"Instantaneous Representation and the Pig Itself","year":2002,"lang":"en","type":"article","venue":"New Media & Society","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Prince Edward Island","funders":"","keywords":"Representation (politics); Narrative; Opposition (politics); Computer science; Context (archaeology); Virtual reality; Process (computing); Virtual representation; Photography; Multimedia; Sociology; Human–computer interaction; Art; Visual arts; History; Literature; Politics; Political science","score_opus":0.047484313060250395,"score_gpt":0.2246286938997672,"score_spread":0.1771443808395168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2135823246","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00906007,0.0035004679,0.049886614,0.009841702,0.000616542,0.000042058848,0.000051067298,0.00023663507,0.9267648],"genre_scores_gemma":[0.78449035,0.003454948,0.016213847,0.0037793303,0.00050687796,0.00013729853,0.00012398991,0.00046889036,0.19082436],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99586546,0.0026603532,0.00009371915,0.00051198236,0.00048223283,0.00038631496],"domain_scores_gemma":[0.9971705,0.0011209782,0.00016332418,0.0010453968,0.00034406755,0.00015579478],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004406334,0.0004985717,0.00043535596,0.0012571592,0.0056504807,0.014160339,0.0014171563,0.0041196523,0.025354732],"category_scores_gemma":[0.007910191,0.00040668744,0.0006517448,0.0014897316,0.028603433,0.01529649,0.0069897976,0.0041475887,0.0041884426],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006634971,0.0000043126643,0.000051263436,0.0000139786425,0.0000011971998,0.000029828956,0.002252424,0.000028638116,0.000029802453,0.99051017,0.0015036322,0.005568002],"study_design_scores_gemma":[0.000012811387,0.000035224046,0.00018840529,0.00018134645,0.000008950787,0.00028786107,0.0030635227,0.00038868195,0.00020017326,0.67666143,0.31896016,0.000011460585],"about_ca_topic_score_codex":0.0021337494,"about_ca_topic_score_gemma":0.0012208923,"teacher_disagreement_score":0.025354732,"about_ca_system_score_codex":0.0027959477,"about_ca_system_score_gemma":0.0018800747,"threshold_uncertainty_score":0.08482009},"labels":[],"label_agreement":null},{"id":"W2139299453","doi":"10.1177/1364942002005001157","title":"Kommissar Rex","year":2002,"lang":"en","type":"article","venue":"European Journal of Cultural Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Psychoanalytic theory; Politics; Sociology; Law; Identity (music); Perspective (graphical); Media studies; Immigration; History; Political science; Aesthetics; Psychoanalysis; Art; Psychology; Visual arts","score_opus":0.15067868556248898,"score_gpt":0.2739460504416328,"score_spread":0.1232673648791438,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2139299453","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.094410695,0.0057807313,0.0033630067,0.0106955115,0.009036674,0.00011993635,0.0003611107,0.000651663,0.8755807],"genre_scores_gemma":[0.3967032,0.001959006,0.0016129642,0.001732883,0.0012376546,0.00010551051,0.00030353703,0.00038130247,0.59596395],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998911,0.0003459389,0.000048358328,0.00019287756,0.00027252754,0.00022922194],"domain_scores_gemma":[0.9990013,0.00030839382,0.0001745517,0.00017045163,0.00015663837,0.00018865189],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011440172,0.0005888829,0.00028016343,0.00095129944,0.004159116,0.0035550236,0.0006915728,0.0014388333,0.034753494],"category_scores_gemma":[0.004560573,0.00016946778,0.00027145105,0.00060082576,0.0020840804,0.0031959661,0.0034411377,0.002245578,0.012426809],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034857052,0.00013596372,0.003176139,0.00058515964,0.000019653557,0.0032375199,0.077375494,0.00024596148,0.007071622,0.38472176,0.29207084,0.23101126],"study_design_scores_gemma":[0.0000052980677,0.000048106478,0.0016181186,0.00015003892,0.0000029636903,0.0008209487,0.0076932646,0.00005038185,0.0011895061,0.003362184,0.98504794,0.000011331619],"about_ca_topic_score_codex":0.0009785029,"about_ca_topic_score_gemma":0.0016094429,"teacher_disagreement_score":0.034753494,"about_ca_system_score_codex":0.0013661432,"about_ca_system_score_gemma":0.0007228942,"threshold_uncertainty_score":0.11626202},"labels":[],"label_agreement":null},{"id":"W2143508530","doi":"10.1007/s10780-007-9034-z","title":"Deconstruction as Narrative Interruption","year":2007,"lang":"en","type":"article","venue":"Interchange","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Thomas University","funders":"","keywords":"Deconstruction (building); Narrative; Philosophy of education; Sociology; Epistemology; Pedagogy; Aesthetics; Higher education; Philosophy; Political science; Linguistics; Engineering; Law","score_opus":0.071520416773599,"score_gpt":0.3191277514744035,"score_spread":0.24760733470080448,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2143508530","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.058893282,0.004060012,0.120828435,0.011376383,0.00054541026,0.00016412468,0.00016708234,0.00025289913,0.80371237],"genre_scores_gemma":[0.9524198,0.0008688001,0.00894011,0.00048460337,0.00014805398,0.00025938233,0.00013102891,0.00023774833,0.03651036],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.98960996,0.007474674,0.00028373636,0.000939595,0.0009908143,0.000701235],"domain_scores_gemma":[0.985314,0.009707474,0.0009754798,0.0026624121,0.0008844809,0.0004561786],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0075861644,0.001148646,0.0009492411,0.0035745439,0.008266104,0.01865345,0.003298134,0.0036698908,0.015332451],"category_scores_gemma":[0.018849028,0.0007623033,0.0006892466,0.0041708048,0.049586933,0.024557138,0.01149043,0.0071725887,0.0014633943],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012182212,0.000006453532,0.000075274766,0.000022479033,0.0000019483416,0.00006363324,0.029030183,0.000062495674,0.000038633996,0.9675977,0.0005530053,0.0025359807],"study_design_scores_gemma":[0.000018831257,0.000020332996,0.00017942704,0.00018066037,0.0000106938505,0.00031423933,0.04288438,0.0008070133,0.00042247187,0.8604778,0.09467194,0.000012201526],"about_ca_topic_score_codex":0.002022901,"about_ca_topic_score_gemma":0.0013314221,"teacher_disagreement_score":0.01865345,"about_ca_system_score_codex":0.005910402,"about_ca_system_score_gemma":0.003083248,"threshold_uncertainty_score":0.05129218},"labels":[],"label_agreement":null},{"id":"W2144297532","doi":"10.7202/014274ar","title":"Passion et narration1","year":2007,"lang":"fr","type":"article","venue":"Protée","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Passion; Philosophy; Narrative; Psychology; Social psychology; Linguistics","score_opus":0.026598448432953566,"score_gpt":0.28824163485170334,"score_spread":0.2616431864187498,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2144297532","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10744059,0.014682692,0.03545187,0.026305053,0.0013849182,0.00008119137,0.00021354896,0.0001897823,0.81425023],"genre_scores_gemma":[0.94098496,0.0026989172,0.002329873,0.0009514727,0.00038186501,0.00004629276,0.00007831675,0.000105824,0.052422542],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9958112,0.003056418,0.00008380429,0.00034743166,0.0004588001,0.00024228654],"domain_scores_gemma":[0.99733293,0.0018016074,0.00025410042,0.00021702505,0.0002288777,0.00016551447],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024642632,0.00061260565,0.0003340005,0.0009652849,0.004555655,0.0064206333,0.00078070257,0.0018649235,0.00688956],"category_scores_gemma":[0.005694011,0.00016811039,0.00033405016,0.0010408256,0.017816309,0.007076358,0.0038978707,0.0021779921,0.0009117481],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036704387,0.000009252909,0.0006532204,0.0001845645,0.000010818758,0.00038305527,0.20119512,0.00015732653,0.0006187785,0.7799855,0.006113788,0.010651857],"study_design_scores_gemma":[0.000011712605,0.00008361514,0.0019519443,0.0003918735,0.00001671413,0.000985783,0.083786644,0.00041363036,0.0012312409,0.17053166,0.74056035,0.00003479652],"about_ca_topic_score_codex":0.0034512463,"about_ca_topic_score_gemma":0.003013783,"teacher_disagreement_score":0.00688956,"about_ca_system_score_codex":0.0028010148,"about_ca_system_score_gemma":0.0012746091,"threshold_uncertainty_score":0.023047864},"labels":[],"label_agreement":null},{"id":"W2147442061","doi":"","title":"Hyper Attention and the Rise of the Antinarrative: Reconsidering the Future of Narrativity","year":2012,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Narrativity; Narrative; Phenomenon; Certainty; Narratology; Plot (graphics); Epistemology; Humanity; Psychology; Sociology; Aesthetics; Linguistics; Political science; Philosophy","score_opus":0.26383691443236196,"score_gpt":0.47185460687023256,"score_spread":0.2080176924378706,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2147442061","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33791262,0.012050823,0.029404977,0.06184999,0.00083090196,0.000042996817,0.00004803957,0.000087242726,0.5577724],"genre_scores_gemma":[0.99417555,0.0010075981,0.0007534667,0.00063069456,0.00017656505,0.000013145956,0.000006503241,0.000023660983,0.0032128769],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9944238,0.0042484193,0.000116782394,0.00031371258,0.0005348231,0.00036239397],"domain_scores_gemma":[0.98621714,0.0099138785,0.0012319433,0.0010517952,0.00094734493,0.0006378928],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007918728,0.00031890793,0.00034856042,0.0015288469,0.0044211876,0.013532405,0.0013036025,0.0024190145,0.0027405939],"category_scores_gemma":[0.013412112,0.0002144078,0.00023240104,0.00087171444,0.048640236,0.01993297,0.006744527,0.0041076974,0.00028342713],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033489832,0.000016258535,0.0011304921,0.000058337835,0.0000043822693,0.00020790614,0.20507821,0.00008416484,0.00040247597,0.78257644,0.00090039807,0.009507491],"study_design_scores_gemma":[0.000017532775,0.00006639088,0.003550582,0.00030753246,0.000014502906,0.00075357355,0.24554536,0.0008391221,0.0011891174,0.607405,0.1402766,0.000034749744],"about_ca_topic_score_codex":0.0017665614,"about_ca_topic_score_gemma":0.002060603,"teacher_disagreement_score":0.013532405,"about_ca_system_score_codex":0.0029787477,"about_ca_system_score_gemma":0.0015099144,"threshold_uncertainty_score":0.04187876},"labels":[],"label_agreement":null},{"id":"W2147453923","doi":"10.3138/tric.31.1.57","title":"Kneading You: Performative Meta-Auto/Biography in <i>Perfect Pie</i>","year":2010,"lang":"en","type":"article","venue":"Theatre Research in Canada","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Performative utterance; Narrative; Dialogic; Biography; Self; Character (mathematics); Power (physics); Metanarrative; Psychology of self; Aesthetics; Literature; Sociology; Psychoanalysis; Art; Psychology; Epistemology; Philosophy","score_opus":0.10474435295555633,"score_gpt":0.31003275343855324,"score_spread":0.2052884004829969,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2147453923","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30608594,0.0057112207,0.028894959,0.017454864,0.00093274197,0.000069710535,0.000161604,0.00039456098,0.64029443],"genre_scores_gemma":[0.9629497,0.00090809027,0.002208214,0.00044928142,0.00008949112,0.00001417202,0.000040441497,0.00009171281,0.03324885],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985214,0.0007097508,0.000028520177,0.00015331544,0.00037837616,0.00020863231],"domain_scores_gemma":[0.99847656,0.0005918798,0.00018169885,0.0002532524,0.00022378624,0.00027280286],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015492869,0.00039047765,0.00020500494,0.0011217443,0.008857895,0.00852267,0.00069513806,0.0009736634,0.0043136375],"category_scores_gemma":[0.0035955068,0.00020466278,0.00018058073,0.0011480711,0.024804289,0.0043182927,0.0042477865,0.0023798689,0.00038097872],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027984164,0.000018109164,0.0010344691,0.00009145724,0.000008065775,0.0004937723,0.45221913,0.0001771977,0.00093338883,0.5174994,0.009586446,0.017910574],"study_design_scores_gemma":[0.000008746306,0.000049120357,0.0042581744,0.00029069826,0.00001974054,0.0014855432,0.30130827,0.0008000034,0.0031359296,0.07080635,0.61778724,0.000050180348],"about_ca_topic_score_codex":0.059654336,"about_ca_topic_score_gemma":0.10000143,"teacher_disagreement_score":0.059654336,"about_ca_system_score_codex":0.00826551,"about_ca_system_score_gemma":0.00509294,"threshold_uncertainty_score":0.1186142},"labels":[],"label_agreement":null},{"id":"W2154383229","doi":"10.1353/smr.2007.0000","title":"You! Hypocrite Spectateur. A Short History of the Production and Reception of Peter Handke's Publikumsbeschimpfung","year":2006,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Art; Production (economics); Art history; Economics","score_opus":0.03226161122817747,"score_gpt":0.24024780756762018,"score_spread":0.2079861963394427,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2154383229","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011575143,0.056126382,0.0019040989,0.20031574,0.022341061,0.000036414203,0.00033902514,0.00064527814,0.7067169],"genre_scores_gemma":[0.12619299,0.008101453,0.00042600514,0.015205393,0.0039246874,0.000038522066,0.0000822924,0.0005156221,0.84551305],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99905974,0.0003264398,0.000018505521,0.000097417935,0.0002816995,0.00021628186],"domain_scores_gemma":[0.9987035,0.0005657111,0.000098212244,0.00008777064,0.0002286362,0.00031622677],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012315155,0.00043321692,0.00021258228,0.001256818,0.0060883854,0.005065304,0.00065164076,0.0023540468,0.03855578],"category_scores_gemma":[0.0037864107,0.00030975527,0.00013901631,0.0012155917,0.0050802035,0.004796196,0.0046701604,0.004799848,0.008884068],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053856944,0.000014058121,0.0001719779,0.00014298699,0.0000029813611,0.00034740605,0.014731746,0.000022934299,0.0005598253,0.1649583,0.773697,0.04529689],"study_design_scores_gemma":[0.0000013824152,0.000005845707,0.00018260923,0.00005229986,6.3394765e-7,0.00008626656,0.0016283647,0.000012010421,0.000107547996,0.0012518197,0.9966677,0.0000035668452],"about_ca_topic_score_codex":0.008523738,"about_ca_topic_score_gemma":0.025703257,"teacher_disagreement_score":0.03855578,"about_ca_system_score_codex":0.003032084,"about_ca_system_score_gemma":0.0015313005,"threshold_uncertainty_score":0.12898189},"labels":[],"label_agreement":null},{"id":"W2159628949","doi":"10.7202/017478ar","title":"« Le réel à l’état passé »","year":2008,"lang":"fr","type":"article","venue":"Protée","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.03341842160228687,"score_gpt":0.2214800860868152,"score_spread":0.18806166448452832,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2159628949","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042650763,0.0050332784,0.027079355,0.043209676,0.00231093,0.00011866715,0.00023488501,0.00037369612,0.87898886],"genre_scores_gemma":[0.52871066,0.0027791085,0.0077628423,0.00418144,0.00091684435,0.0001663361,0.00016661457,0.000690298,0.4546258],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99639624,0.0019583507,0.00009237136,0.00041811506,0.0008151336,0.0003196563],"domain_scores_gemma":[0.9960576,0.0014194996,0.0003751947,0.00092531135,0.00073966477,0.0004827076],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003107497,0.0005965661,0.0004076899,0.0014391176,0.011135105,0.013681819,0.0012430666,0.0028209235,0.021568652],"category_scores_gemma":[0.009393162,0.00031649304,0.00052591506,0.0012493969,0.0185414,0.010503953,0.0056540556,0.0062609245,0.004904682],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004552841,0.000014957412,0.00057376013,0.00012728223,0.000008593333,0.000354932,0.17113301,0.00007358919,0.0007447258,0.7804546,0.026087254,0.020381829],"study_design_scores_gemma":[0.000004436778,0.000016021348,0.0005656617,0.00020781814,0.0000065102818,0.0004049306,0.030843638,0.000074545955,0.0004720204,0.025207074,0.94218135,0.000016060174],"about_ca_topic_score_codex":0.008147682,"about_ca_topic_score_gemma":0.012301168,"teacher_disagreement_score":0.021568652,"about_ca_system_score_codex":0.004603579,"about_ca_system_score_gemma":0.0039684586,"threshold_uncertainty_score":0.07215434},"labels":[],"label_agreement":null},{"id":"W2160366243","doi":"10.6035/languagev.2012.4.2.6","title":"Memory and language in Hiromi Goto’s Chorus of Mushrooms","year":2016,"lang":"en","type":"article","venue":"Language Value","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Chorus; Goto; Construct (python library); Identity (music); Storytelling; Linguistics; Psychology; Sociology; Communication; Aesthetics; Computer science; Art; Literature; Narrative; Philosophy","score_opus":0.010691783232849325,"score_gpt":0.2282396532811674,"score_spread":0.21754787004831808,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2160366243","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.75003886,0.0060819113,0.002399935,0.01664541,0.00053398585,0.00004639719,0.000055169217,0.000042095995,0.22415635],"genre_scores_gemma":[0.9860081,0.0007067248,0.0005744111,0.0003633949,0.000031158954,0.000012579779,0.000012404595,0.000015929956,0.012275317],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999516,0.00025376692,0.00001831766,0.000045566594,0.000046859543,0.00011942781],"domain_scores_gemma":[0.9994282,0.00026988288,0.00007870093,0.000035294775,0.000059309496,0.00012846942],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007828037,0.00040429182,0.00026505586,0.0005448885,0.009639823,0.0034632788,0.0005113086,0.0010713077,0.002009796],"category_scores_gemma":[0.0014069993,0.00024101164,0.00019705364,0.0008409639,0.017074622,0.0038441175,0.0039162016,0.001920226,0.00015786951],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059505164,0.000022665059,0.0011737075,0.00008571621,0.0000058800833,0.0015886669,0.92639893,0.000069376256,0.0008710221,0.060081955,0.0035419972,0.0061006728],"study_design_scores_gemma":[0.000012148368,0.000038844497,0.005077851,0.00016592685,0.000018606414,0.000584904,0.82603717,0.00013511762,0.000852253,0.011140058,0.15590371,0.00003347596],"about_ca_topic_score_codex":0.038575742,"about_ca_topic_score_gemma":0.09170466,"teacher_disagreement_score":0.038575742,"about_ca_system_score_codex":0.003939437,"about_ca_system_score_gemma":0.0019116775,"threshold_uncertainty_score":0.076702416},"labels":[],"label_agreement":null},{"id":"W2165033762","doi":"10.1177/000842980002900104","title":"Picturing the prophet: Focalization in the book of Jonah","year":2000,"lang":"en","type":"article","venue":"Studies in Religion/Sciences Religieuses","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Focalization; Ideology; Reading (process); Narrative; Presentation (obstetrics); Narratology; Context (archaeology); Perspective (graphical); Point (geometry); Interpretation (philosophy); Construct (python library); Sociology; Epistemology; Aesthetics; Cognitive science; Literature; Psychoanalysis; Computer science; Psychology; Philosophy; Linguistics; Art; History; Artificial intelligence; Politics; Law","score_opus":0.08631556124425334,"score_gpt":0.3373831463281087,"score_spread":0.25106758508385535,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2165033762","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08542557,0.013248118,0.017932503,0.012760337,0.0011965687,0.000045610923,0.00008404155,0.00012081457,0.86918634],"genre_scores_gemma":[0.94166225,0.0027966646,0.0022860991,0.00083861174,0.00033802967,0.000042091007,0.000054028606,0.00010785506,0.051874317],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982595,0.0012621545,0.000027387567,0.000102738115,0.00022803839,0.00012026466],"domain_scores_gemma":[0.9985876,0.0009979724,0.00009546779,0.00010215782,0.00013562007,0.00008123182],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014308031,0.00036657485,0.00031968203,0.0013064631,0.0056253313,0.007617045,0.0007106165,0.0012484584,0.0048843767],"category_scores_gemma":[0.0035745387,0.00025543445,0.00022504547,0.0013788175,0.015905332,0.006375817,0.0030794982,0.0032174091,0.0004463507],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032016105,0.000011550898,0.00022306395,0.00013285578,0.0000060785765,0.0003997263,0.14640266,0.00012457969,0.00034943238,0.83275056,0.009270801,0.010296643],"study_design_scores_gemma":[0.000017963506,0.0000707648,0.0013549065,0.0007231634,0.00001667192,0.0011385374,0.16699627,0.0005693065,0.0016228198,0.15972246,0.6677208,0.000046234367],"about_ca_topic_score_codex":0.0030801173,"about_ca_topic_score_gemma":0.006133044,"teacher_disagreement_score":0.007617045,"about_ca_system_score_codex":0.002865924,"about_ca_system_score_gemma":0.0011872421,"threshold_uncertainty_score":0.020793855},"labels":[],"label_agreement":null},{"id":"W2171369423","doi":"10.7202/008505ar","title":"Violence du récit, violence du théâtre","year":2004,"lang":"fr","type":"article","venue":"Protée","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.010727483228048508,"score_gpt":0.2117376381777212,"score_spread":0.2010101549496727,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2171369423","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.108227335,0.016291598,0.018875884,0.030656595,0.0012478178,0.00006514382,0.0001897583,0.00007850863,0.82436734],"genre_scores_gemma":[0.9360043,0.003355617,0.0015698824,0.0016573002,0.00022758168,0.00007783063,0.000067661706,0.00007598919,0.056963753],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99162614,0.0059036147,0.00014913507,0.00066413835,0.000999177,0.00065772433],"domain_scores_gemma":[0.9967579,0.0015891267,0.00052503677,0.00042593453,0.00036702413,0.00033495334],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032756221,0.0005241303,0.0003588259,0.0014768078,0.010717954,0.010525803,0.0011363556,0.002633274,0.0073171863],"category_scores_gemma":[0.00699497,0.00023932128,0.00032511487,0.0018943046,0.03048759,0.0058651106,0.0054109017,0.0038531553,0.0010251084],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002070658,0.000011341748,0.00062565174,0.00007318877,0.000006730115,0.00017037652,0.093468055,0.00007459115,0.0001406948,0.89216584,0.005887126,0.007355641],"study_design_scores_gemma":[0.000010531342,0.000048443108,0.0019605048,0.00048740572,0.000014236001,0.00074933044,0.13798776,0.00020379853,0.0008039959,0.1644537,0.6932443,0.000036084315],"about_ca_topic_score_codex":0.009887004,"about_ca_topic_score_gemma":0.01167818,"teacher_disagreement_score":0.010717954,"about_ca_system_score_codex":0.005494807,"about_ca_system_score_gemma":0.0033483875,"threshold_uncertainty_score":0.03986776},"labels":[],"label_agreement":null},{"id":"W2212409934","doi":"10.52086/001c.25339","title":"Giving solidity to pure wind: Temporising as transformation","year":2015,"lang":"en","type":"article","venue":"TEXT","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Victoria University; University of Toronto; Swinburne University of Technology; Deakin University; University of Wollongong","keywords":"Narrative; Metaphor; Epistemology; Generative grammar; Context (archaeology); Representation (politics); Aesthetics; Sociology; Philosophy; Linguistics; History; Politics","score_opus":0.06571549122627615,"score_gpt":0.27670643386835536,"score_spread":0.2109909426420792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2212409934","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042780615,0.0038743843,0.13302395,0.011535935,0.00085943646,0.0001283407,0.000096505406,0.0004599855,0.8072409],"genre_scores_gemma":[0.9379937,0.0010671038,0.021744955,0.00093074417,0.00017426997,0.0001464028,0.00009082506,0.0006889968,0.03716306],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9949136,0.0031601973,0.00016070898,0.0006755315,0.0006418539,0.00044810338],"domain_scores_gemma":[0.99539065,0.0023559388,0.00026812157,0.0014104787,0.00033966286,0.00023515827],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0050317836,0.0007450702,0.00044296146,0.0013427173,0.0073647797,0.011918823,0.0015936033,0.0029638768,0.012006361],"category_scores_gemma":[0.010654974,0.0004528728,0.00093982654,0.0013206764,0.04575387,0.017966505,0.008658099,0.0045050853,0.0025126403],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002295806,0.000011184629,0.00012460085,0.000042633037,0.000004591629,0.00012894458,0.030716972,0.00027109275,0.00031587342,0.9600864,0.001126873,0.0071477527],"study_design_scores_gemma":[0.000028341443,0.000035609206,0.00014100136,0.00014736975,0.000009026837,0.00027592882,0.012706691,0.00069609925,0.0006367682,0.846284,0.13901544,0.000023724646],"about_ca_topic_score_codex":0.001976374,"about_ca_topic_score_gemma":0.0017490475,"teacher_disagreement_score":0.012006361,"about_ca_system_score_codex":0.003688438,"about_ca_system_score_gemma":0.002149562,"threshold_uncertainty_score":0.040165305},"labels":[],"label_agreement":null},{"id":"W2251595500","doi":"","title":"Mapping Authorship: Overhead Cartography in Paul Auster’s City of Glass","year":2009,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Postmodernism; Perspective (graphical); Identity (music); Visual arts; Art; Aesthetics; Impulse (physics); Art history; Literature","score_opus":0.04371290341254587,"score_gpt":0.2860798460307728,"score_spread":0.24236694261822694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2251595500","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.107015595,0.038749572,0.0061811605,0.076140486,0.0015693307,0.000050551742,0.00015494849,0.00010093446,0.7700375],"genre_scores_gemma":[0.94671994,0.011528464,0.0016120749,0.0022464395,0.00041210392,0.000045430173,0.00004705816,0.00011551939,0.037272874],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9960061,0.0027556824,0.00006756766,0.00031571332,0.00053666346,0.0003183728],"domain_scores_gemma":[0.9954507,0.0032282986,0.00047381755,0.00030604715,0.0002887742,0.000252398],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027703673,0.00038550587,0.0003332613,0.0033545182,0.014631775,0.010838541,0.001018617,0.0025126357,0.0082088625],"category_scores_gemma":[0.006596471,0.00039186073,0.00019291973,0.0074894372,0.038182978,0.011869457,0.005379567,0.0027016092,0.00054021034],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018737974,0.00000842328,0.00050286145,0.00015608795,0.000003856602,0.0004986437,0.28106147,0.00009966143,0.00005746553,0.6744884,0.025039246,0.018065084],"study_design_scores_gemma":[0.000010873938,0.000011874044,0.0016692344,0.00055720774,0.0000066735283,0.0005218507,0.1863275,0.00014672775,0.000183629,0.080230966,0.7303137,0.000019776498],"about_ca_topic_score_codex":0.05277242,"about_ca_topic_score_gemma":0.12697795,"teacher_disagreement_score":0.05277242,"about_ca_system_score_codex":0.00992661,"about_ca_system_score_gemma":0.005638988,"threshold_uncertainty_score":0.10493052},"labels":[],"label_agreement":null},{"id":"W227523655","doi":"10.5325/style.45.2.0283","title":"Response to Alan Palmer's “Social Minds”","year":2011,"lang":"en","type":"article","venue":"Style","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Narratology; Epistemology; Context (archaeology); Sociology; Perspective (graphical); Representation (politics); Narrative; Psychology; Aesthetics; Linguistics; Philosophy; History; Computer science; Law","score_opus":0.054170969496016096,"score_gpt":0.2419968750010518,"score_spread":0.1878259055050357,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W227523655","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005726523,0.0036275329,0.00016307255,0.9687695,0.024878988,0.0000069135676,0.000019106714,0.000026138056,0.0019361165],"genre_scores_gemma":[0.021911005,0.0038642331,0.00042081485,0.92388594,0.03358755,0.00008456048,0.000021700427,0.00007627202,0.016147897],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99591416,0.0017881128,0.00018479789,0.0008870455,0.0007578957,0.00046783502],"domain_scores_gemma":[0.98580617,0.009843428,0.00071947067,0.0004839266,0.001740388,0.0014066154],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0045438097,0.0015741423,0.0012229512,0.0008318396,0.0066669197,0.006853365,0.0030898552,0.027203584,0.005163568],"category_scores_gemma":[0.022479957,0.0006595427,0.0009786824,0.0008753639,0.0113955615,0.008125501,0.004822267,0.045962214,0.0026532072],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037890084,0.000012910817,0.00013399973,0.00007598043,0.0000063910375,0.00042884346,0.0028867787,0.000048346745,0.0001341689,0.0076703024,0.9846874,0.003876889],"study_design_scores_gemma":[0.000015317133,0.000029899247,0.00045767843,0.00038827257,0.000007978635,0.000831188,0.0068062777,0.00016183848,0.00023330783,0.009230976,0.9817978,0.000039508053],"about_ca_topic_score_codex":0.0048513133,"about_ca_topic_score_gemma":0.0043355944,"teacher_disagreement_score":0.027203584,"about_ca_system_score_codex":0.004277914,"about_ca_system_score_gemma":0.0032487,"threshold_uncertainty_score":0.031038582},"labels":[],"label_agreement":null},{"id":"W2281845831","doi":"10.5539/ells.v6n1p94","title":"Memory: The Means of Psychological Domination—A Study of Harold Pinter’s Old Times","year":2016,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Loneliness; Power (physics); Perspective (graphical); Psychoanalysis; Sociology; Psychology; Aesthetics; Philosophy; Art; Social psychology; Visual arts","score_opus":0.01837506736768837,"score_gpt":0.28470339341791173,"score_spread":0.2663283260502234,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2281845831","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7886314,0.026296953,0.0015160886,0.031244544,0.0005208621,0.000058328027,0.000055202436,0.00002686301,0.15164983],"genre_scores_gemma":[0.9882487,0.0033110925,0.00011313221,0.0010163783,0.000085064145,0.000024210125,0.000008451482,0.000015955013,0.007176984],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9979019,0.0012848944,0.0000510554,0.0001693817,0.00024947483,0.00034326254],"domain_scores_gemma":[0.99625564,0.0022285143,0.0004902946,0.0001361125,0.00031742256,0.0005719677],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033584773,0.00055720226,0.0004741103,0.0027447543,0.017829156,0.01363406,0.0017837428,0.0020306432,0.0034169643],"category_scores_gemma":[0.007611742,0.00054007466,0.00016423962,0.0028399779,0.028308984,0.014100774,0.0055903704,0.0052346713,0.00031168733],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011614147,0.00001914893,0.00050384173,0.000028689505,0.000002215897,0.0003085801,0.9606919,0.000007659094,0.000040109357,0.032984596,0.0020827393,0.0033188686],"study_design_scores_gemma":[0.0000027713531,0.000016909766,0.0015557385,0.00012507822,0.0000032808255,0.00028909315,0.94694734,0.000020050838,0.00007163696,0.0054817824,0.045473658,0.00001259969],"about_ca_topic_score_codex":0.020177107,"about_ca_topic_score_gemma":0.021649046,"teacher_disagreement_score":0.020177107,"about_ca_system_score_codex":0.005603467,"about_ca_system_score_gemma":0.002468098,"threshold_uncertainty_score":0.04065615},"labels":[],"label_agreement":null},{"id":"W2286344251","doi":"10.14288/1.0086348","title":"Severed texts : aspects of aestheticization in Roland Barthes’ post-structural writings","year":2008,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Aesthetics; Literature; Philosophy; Epistemology; History; Sociology; Art","score_opus":0.008621736436233205,"score_gpt":0.1594877761578947,"score_spread":0.1508660397216615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2286344251","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45827663,0.0075094597,0.0061014486,0.028113563,0.0010878699,0.00003960888,0.00006765003,0.00015814946,0.49864563],"genre_scores_gemma":[0.9763684,0.0005970651,0.00043181083,0.0005966154,0.00020760213,0.0000120208715,0.000011871198,0.00005690827,0.021717569],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9964275,0.0021414184,0.00007571835,0.00031769054,0.0007385963,0.00029917332],"domain_scores_gemma":[0.99574184,0.0027975377,0.0004928585,0.00026187254,0.0005161947,0.00018969378],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026675975,0.000457285,0.0002871819,0.0015948102,0.007814217,0.006387779,0.00072133384,0.0014561393,0.003425685],"category_scores_gemma":[0.006406403,0.0002070809,0.00018463786,0.0008918071,0.028584441,0.0033879443,0.0030185934,0.002850102,0.00036959632],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004814795,0.000026282347,0.0003370878,0.00007133894,0.0000051012603,0.00083967636,0.6187322,0.00014205149,0.0009689944,0.35733858,0.0069571063,0.014533399],"study_design_scores_gemma":[0.000022519705,0.000098040146,0.002611873,0.00042225735,0.000011471244,0.0012460211,0.2135498,0.00035674835,0.0021566509,0.04264319,0.7368305,0.00005089812],"about_ca_topic_score_codex":0.009006284,"about_ca_topic_score_gemma":0.012750295,"teacher_disagreement_score":0.009006284,"about_ca_system_score_codex":0.007489827,"about_ca_system_score_gemma":0.0016020004,"threshold_uncertainty_score":0.054342747},"labels":[],"label_agreement":null},{"id":"W2297685073","doi":"10.1353/mos.2016.0000","title":"Time and Timelessness: A Study of Narrative Structure in Murakami Haruki’s Kafka on the Shore","year":2016,"lang":"en","type":"article","venue":"Mosaic","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Shore; Value (mathematics); Psychoanalysis; Aesthetics; Literature; Philosophy; Art; Psychology; Geology; Computer science","score_opus":0.015572325271111694,"score_gpt":0.21594546526712066,"score_spread":0.20037313999600898,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2297685073","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.965998,0.0013668606,0.001107797,0.0031973852,0.0001112962,0.00003628778,0.000026540934,0.000011839168,0.028144063],"genre_scores_gemma":[0.99570113,0.0003947246,0.00034227353,0.00012604654,0.000013993861,0.000022572554,0.0000120095465,0.000008734773,0.0033785102],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990018,0.00053943176,0.000035626275,0.00009726005,0.000113949296,0.00021189988],"domain_scores_gemma":[0.99873465,0.0005862932,0.00025671,0.000057064863,0.000089940164,0.00027537835],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018497866,0.00042222627,0.00054947444,0.0012350425,0.016934779,0.0050633214,0.0010499236,0.001466448,0.0022806278],"category_scores_gemma":[0.0027916129,0.00040347883,0.0002478836,0.001748409,0.013497814,0.0056918357,0.0068902904,0.0025008104,0.00021421124],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022333852,0.000010811642,0.0010244641,0.000043177413,0.0000033182414,0.0006080325,0.9784703,0.000023724457,0.0005137489,0.01624154,0.0005637152,0.0024748638],"study_design_scores_gemma":[0.0000046943424,0.000036511647,0.0038892366,0.000085239335,0.000009189393,0.0003930043,0.9418074,0.00008103917,0.00018188017,0.0029701304,0.05052084,0.000020814603],"about_ca_topic_score_codex":0.011085216,"about_ca_topic_score_gemma":0.027576825,"teacher_disagreement_score":0.016934779,"about_ca_system_score_codex":0.004612251,"about_ca_system_score_gemma":0.0028625,"threshold_uncertainty_score":0.033464372},"labels":[],"label_agreement":null},{"id":"W2314710354","doi":"10.1111/lic3.12052","title":"Remediating Romanticism","year":2013,"lang":"en","type":"article","venue":"Literature Compass","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Romanticism; Periodization; Scholarship; Enlightenment; Romance; Discipline; Reflexivity; Agency (philosophy); Sociology; Field (mathematics); Psychology; Epistemology; Literature; Social science; History; Art; Psychoanalysis; Philosophy; Political science","score_opus":0.012679513080999986,"score_gpt":0.20089441504689118,"score_spread":0.1882149019658912,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2314710354","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.058682937,0.006495003,0.031902112,0.04842759,0.0038731226,0.000079669255,0.000051616767,0.00030263577,0.85018533],"genre_scores_gemma":[0.92540646,0.00224408,0.004318875,0.0051460806,0.0008971659,0.000074538104,0.000040344275,0.00026187117,0.061610498],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98856646,0.008035646,0.00026978322,0.0010597947,0.0013643119,0.00070409826],"domain_scores_gemma":[0.9885146,0.0052902913,0.0009459365,0.003122789,0.0015225704,0.0006038382],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009400535,0.0008744706,0.00071075774,0.0023467287,0.007167476,0.011277324,0.0018895969,0.0028157723,0.016767658],"category_scores_gemma":[0.027666287,0.00026908558,0.00048690522,0.001279781,0.0481443,0.012050248,0.012630008,0.0073973113,0.003324009],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024638452,0.000024520263,0.00035759973,0.000061457096,0.0000055784285,0.00025720886,0.0304657,0.000060299168,0.00016341193,0.9480749,0.007256559,0.0132482005],"study_design_scores_gemma":[0.000029410558,0.000055026965,0.00041939932,0.0005657538,0.000012974944,0.0006970557,0.04298138,0.0005030609,0.0009648563,0.4452015,0.5085496,0.000019897825],"about_ca_topic_score_codex":0.0006865423,"about_ca_topic_score_gemma":0.0010451638,"teacher_disagreement_score":0.016767658,"about_ca_system_score_codex":0.0034692644,"about_ca_system_score_gemma":0.0028940674,"threshold_uncertainty_score":0.056093395},"labels":[],"label_agreement":null},{"id":"W2323921088","doi":"10.3138/ecf.28.3.501","title":"“The Greatest Appearance of Truth”: Telling Tales with Thomas Holcroft","year":2016,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Truth telling; Omnipotence; Memoir; Relation (database); Philosophy; Epistemology; Pragmatic theory of truth; Test (biology); Literature; Psychology; Aesthetics; Psychoanalysis; Art; Computer science","score_opus":0.012472952967623607,"score_gpt":0.19184547701929802,"score_spread":0.17937252405167442,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2323921088","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19830371,0.04976983,0.011543397,0.17289998,0.004242508,0.00007518863,0.00012071387,0.00019597383,0.5628486],"genre_scores_gemma":[0.908753,0.008203828,0.0013781935,0.0048599215,0.0011255667,0.000036043384,0.000027525346,0.000118407115,0.075497456],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985135,0.0009166287,0.00001845518,0.00010707091,0.00025948687,0.0001848152],"domain_scores_gemma":[0.998092,0.001447712,0.000107753884,0.000068652815,0.00010791091,0.00017597158],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020752074,0.0004864422,0.00020843248,0.00099891,0.011590182,0.005837976,0.0006735538,0.0019477681,0.0030658992],"category_scores_gemma":[0.004259321,0.00020901918,0.00015371578,0.00063918956,0.029417561,0.0054412773,0.0026087265,0.0046617514,0.00054239406],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007895921,0.000030895906,0.00036209697,0.00007676504,0.0000063676307,0.00061883574,0.35311556,0.00018016464,0.0004050681,0.566955,0.06007412,0.01809621],"study_design_scores_gemma":[0.0000135008695,0.00005392191,0.00083521067,0.00044350955,0.000010930481,0.0006276084,0.10545494,0.0003365453,0.0011778228,0.104087174,0.78691673,0.00004213652],"about_ca_topic_score_codex":0.02226281,"about_ca_topic_score_gemma":0.03287571,"teacher_disagreement_score":0.02226281,"about_ca_system_score_codex":0.0058971876,"about_ca_system_score_gemma":0.0020576084,"threshold_uncertainty_score":0.044266462},"labels":[],"label_agreement":null},{"id":"W2329670580","doi":"10.1515/jlse.2011.003","title":"Necessarily a narrator or narrator if necessary: A short note on a long subject words","year":2011,"lang":"en","type":"article","venue":"Journal of Literary Semantics","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Narrative; Metonymy; Subject (documents); Element (criminal law); Linguistics; Dual (grammatical number); Epistemology; Sociology; Literature; Philosophy; Computer science; Metaphor; Art; Law","score_opus":0.04806816412761423,"score_gpt":0.2679305534737731,"score_spread":0.21986238934615887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2329670580","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022347689,0.092348084,0.19342741,0.17962356,0.051084314,0.0003526687,0.0006377789,0.00048217474,0.4596964],"genre_scores_gemma":[0.6953825,0.036198247,0.049549665,0.027818808,0.03586365,0.0009696638,0.00057840394,0.0014260402,0.15221308],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9939196,0.004328471,0.00032616538,0.0006247995,0.0005824891,0.00021840021],"domain_scores_gemma":[0.9915835,0.005729802,0.0005622563,0.00062427216,0.0012001421,0.0003000019],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005366866,0.000835335,0.0009017745,0.0011880345,0.006937817,0.009016499,0.0014230297,0.0031193513,0.009338427],"category_scores_gemma":[0.009103303,0.0004949612,0.00037570426,0.0020077312,0.017287785,0.015934525,0.004760192,0.008023971,0.00416326],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002863623,0.000009906794,0.00020116552,0.00019651769,0.0000051991788,0.00010973767,0.010286721,0.00005906105,0.00046609537,0.9489175,0.027586129,0.012133268],"study_design_scores_gemma":[0.000008011252,0.00004016007,0.000518049,0.0008749308,0.000013116399,0.0003377287,0.009937438,0.00042873164,0.00059744617,0.14363241,0.8435887,0.00002335837],"about_ca_topic_score_codex":0.0023726432,"about_ca_topic_score_gemma":0.0024727313,"teacher_disagreement_score":0.009338427,"about_ca_system_score_codex":0.003938163,"about_ca_system_score_gemma":0.0026363013,"threshold_uncertainty_score":0.031240165},"labels":[],"label_agreement":null},{"id":"W2338115675","doi":"","title":"Postadolescent Novels in Contemporary German and Canadian Literature: Defining Features and Character Development of In Plüschgewittern’s and The Flying Troutmans’ Protagonists","year":2014,"lang":"en","type":"dissertation","venue":"UWSpace (University of Waterloo)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"University of Waterloo","keywords":"German; Character (mathematics); Literature; German literature; History; Art; Linguistics; Philosophy; Mathematics","score_opus":0.013408770899945155,"score_gpt":0.20076749106268005,"score_spread":0.1873587201627349,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2338115675","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8389897,0.0064746263,0.0005599073,0.0041076494,0.00035551217,0.000058348567,0.00040622958,0.000047911344,0.14900012],"genre_scores_gemma":[0.9830404,0.0019405832,0.00021445416,0.00018100595,0.000029988638,0.000014826493,0.0001561737,0.000033817993,0.0143887],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987239,0.0002209888,0.000039648818,0.00015636283,0.00037615094,0.00048298464],"domain_scores_gemma":[0.9972658,0.00065327936,0.0004129146,0.000114306866,0.00078314025,0.0007705893],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016738902,0.0005585683,0.0003391252,0.0038825471,0.02196978,0.008760394,0.0017089889,0.0011406188,0.0059598875],"category_scores_gemma":[0.004306937,0.0002674484,0.00019257092,0.0045643887,0.015166091,0.0026371088,0.002985005,0.0017617432,0.00039995875],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004797754,0.000019499805,0.0030227131,0.00010533826,0.000006203094,0.0010265581,0.9230777,0.00005188742,0.0005123579,0.055325184,0.0054903934,0.01131413],"study_design_scores_gemma":[0.0000049622777,0.000019886533,0.021760935,0.00017844958,0.000009719922,0.00054228544,0.732898,0.00008917465,0.00036337812,0.001188726,0.2429065,0.000038057937],"about_ca_topic_score_codex":0.86399215,"about_ca_topic_score_gemma":0.9509708,"teacher_disagreement_score":0.13600785,"about_ca_system_score_codex":0.0586454,"about_ca_system_score_gemma":0.036193024,"threshold_uncertainty_score":0.42550415},"labels":[],"label_agreement":null},{"id":"W2352222710","doi":"","title":"Narrative Levels in the Chaotic World of Beautiful Losers","year":2006,"lang":"en","type":"article","venue":"Journal of Sichuan International Studies University","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Defamiliarization; Narrative; Subversion; Narratology; Key (lock); Literature; Chaotic; Narrative structure; Aesthetics; History; Linguistics; Sociology; Art; Computer science; Philosophy; Political science; Law; Computer security; Artificial intelligence; Politics","score_opus":0.047740924929561314,"score_gpt":0.25922214601386184,"score_spread":0.21148122108430054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2352222710","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7887533,0.0016422237,0.011133396,0.0055009625,0.000094231385,0.000027571188,0.000044518125,0.00006545857,0.19273846],"genre_scores_gemma":[0.99740905,0.00009655341,0.00043872808,0.000037960115,0.0000070268993,0.000005253933,0.0000050810854,0.00000765253,0.001992655],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9986847,0.00083877204,0.000025677486,0.00010060777,0.00018768868,0.00016247781],"domain_scores_gemma":[0.99913067,0.0003769521,0.00015751677,0.00013343526,0.00008197848,0.000119524164],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016484554,0.00027596997,0.00025485427,0.001379316,0.006973685,0.008992187,0.00056285394,0.00071961834,0.0016246862],"category_scores_gemma":[0.0025245561,0.00024691838,0.00015652856,0.0011307622,0.023576505,0.0060234447,0.0042884257,0.0015950827,0.00013599121],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003859754,0.000008601965,0.001339786,0.000027071635,0.000006551849,0.00032207195,0.33696792,0.00034838045,0.00031489343,0.65545905,0.0007571391,0.004409994],"study_design_scores_gemma":[0.00003098241,0.00006691147,0.0063588694,0.00016353767,0.000025631534,0.0007066165,0.3978965,0.0022063546,0.0013149373,0.45332903,0.1378498,0.000050829778],"about_ca_topic_score_codex":0.007474342,"about_ca_topic_score_gemma":0.009129782,"teacher_disagreement_score":0.008992187,"about_ca_system_score_codex":0.004844017,"about_ca_system_score_gemma":0.001665017,"threshold_uncertainty_score":0.03514594},"labels":[],"label_agreement":null},{"id":"W2363465447","doi":"","title":"Filmová naratologie: ni učebnice, ni teorie, ni metateorie","year":2014,"lang":"sl","type":"article","venue":"","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Theology; Art; Media studies; Sociology; Philosophy","score_opus":0.02163592153137986,"score_gpt":0.24078023045410243,"score_spread":0.21914430892272257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2363465447","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14199787,0.025442054,0.04137959,0.02953543,0.0008498404,0.00015895712,0.0005671189,0.00014701537,0.7599222],"genre_scores_gemma":[0.962408,0.0048367716,0.0045237723,0.0005105259,0.00017043727,0.00007667951,0.00012661799,0.00008459188,0.027262574],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99892515,0.00060091226,0.00004926895,0.00017492114,0.00016887729,0.000080810816],"domain_scores_gemma":[0.99878377,0.0005671614,0.00016130829,0.00020644184,0.00015726322,0.0001240692],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013461444,0.00044684068,0.00027446906,0.0014437621,0.0026712015,0.010174042,0.0006619775,0.00084737805,0.007785463],"category_scores_gemma":[0.003228736,0.00023073319,0.0001839855,0.0014257147,0.015315506,0.008686606,0.002360706,0.001941364,0.0005125221],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020087462,0.000011742764,0.001345866,0.00017210227,0.000010666967,0.00010600174,0.043354727,0.00009176259,0.00044591766,0.94058454,0.0025209722,0.011335577],"study_design_scores_gemma":[0.000020332562,0.000063631334,0.009211771,0.00082448253,0.000049339593,0.0006571426,0.10282357,0.0010134313,0.001897834,0.43545905,0.44795105,0.00002839529],"about_ca_topic_score_codex":0.0070880274,"about_ca_topic_score_gemma":0.010997902,"teacher_disagreement_score":0.010174042,"about_ca_system_score_codex":0.0044954536,"about_ca_system_score_gemma":0.00251092,"threshold_uncertainty_score":0.032616973},"labels":[],"label_agreement":null},{"id":"W2364549301","doi":"","title":"Intertextuality Between History and Fictions:“Historiographic Metafiction”Based on the Neo-historical Position","year":2014,"lang":"en","type":"article","venue":"Journal of Sichuan Normal University","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Intertextuality; Metafiction; Postmodernism; Literature; Narrative; Historicism; Subjectivity; Plot (graphics); Criticism; History; Philosophy; Art; Epistemology","score_opus":0.025765703165271006,"score_gpt":0.1744292586783751,"score_spread":0.14866355551310412,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2364549301","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18101773,0.02765642,0.101599015,0.031958025,0.0027289225,0.00025982567,0.00026134134,0.00036274863,0.6541559],"genre_scores_gemma":[0.9786226,0.0017625496,0.0070102797,0.00085365964,0.00048717772,0.00010873681,0.00008580921,0.000062901854,0.011006255],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99612087,0.0025914162,0.00014524422,0.0003649114,0.0005770833,0.00020047164],"domain_scores_gemma":[0.994337,0.0035574,0.0004598146,0.0009484876,0.0005149453,0.00018240404],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004549978,0.00046492447,0.00033538337,0.00593643,0.005364036,0.009850228,0.0012534586,0.0015080629,0.003213561],"category_scores_gemma":[0.009953189,0.0002807632,0.00037179404,0.0046361852,0.0362029,0.012823955,0.0050011855,0.0026581667,0.00025673336],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014282286,0.000007155415,0.0005739249,0.00008935278,0.0000067888586,0.00019366006,0.10459272,0.00006919849,0.00019270224,0.8787009,0.0014065079,0.014152829],"study_design_scores_gemma":[0.000019797031,0.00006452092,0.0037178919,0.0011068978,0.000044597557,0.0012254848,0.08065374,0.0010662011,0.0022910042,0.4492306,0.46053723,0.000042045307],"about_ca_topic_score_codex":0.0034418916,"about_ca_topic_score_gemma":0.0031534005,"teacher_disagreement_score":0.009850228,"about_ca_system_score_codex":0.0060377643,"about_ca_system_score_gemma":0.0032739686,"threshold_uncertainty_score":0.04380721},"labels":[],"label_agreement":null},{"id":"W2386878294","doi":"10.3138/cras.2015.009","title":"Coming to Terms with the Murderer: Explanatory Mechanisms and Narrative Strategies in Three American Novels with Transgressive Protagonists","year":2016,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Transgressive; Narrative; Naturalism; Literature; History; Aesthetics; Philosophy; Art; Epistemology; Biology; Paleontology","score_opus":0.021853557014885068,"score_gpt":0.26656537342587255,"score_spread":0.2447118164109875,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2386878294","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.874612,0.0069984496,0.0023847886,0.016305946,0.0002991553,0.000085716616,0.00008434016,0.000029702533,0.0992],"genre_scores_gemma":[0.9912369,0.0024263898,0.0005667413,0.00061462325,0.00006201516,0.00003761593,0.00004385359,0.000023317869,0.004988615],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9979944,0.0012702001,0.0000577889,0.00018757542,0.00024301326,0.00024694306],"domain_scores_gemma":[0.9901305,0.0070277676,0.0013322369,0.00039180435,0.0006914488,0.00042626905],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0054027094,0.0007157735,0.00034240753,0.0016399589,0.013988399,0.008277228,0.0019386257,0.0026440234,0.0025111912],"category_scores_gemma":[0.010271477,0.0003650516,0.0003455978,0.001449406,0.024438215,0.0063879937,0.0037713838,0.00559586,0.00034489314],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049202525,0.0000689988,0.0020267514,0.00007707613,0.000008446041,0.0006721908,0.9354095,0.000040411724,0.00014724056,0.053706385,0.0022933371,0.005500538],"study_design_scores_gemma":[0.000016554042,0.000031671338,0.006865309,0.00038877176,0.000037819293,0.0006960767,0.9107357,0.00029601264,0.0006644659,0.009715865,0.07051696,0.000034772387],"about_ca_topic_score_codex":0.024233298,"about_ca_topic_score_gemma":0.058872923,"teacher_disagreement_score":0.024233298,"about_ca_system_score_codex":0.007734737,"about_ca_system_score_gemma":0.0034027759,"threshold_uncertainty_score":0.05611968},"labels":[],"label_agreement":null},{"id":"W2404361109","doi":"10.5539/ells.v6n2p172","title":"Death and Immortality—An Everlasting Puzzle: A Comparative Analysis of Emily Dickinson’s Two Poems","year":2016,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Immortality; Subject (documents); Literature; Poetry; Ambivalence; Narrative; Reading (process); Subject matter; Philosophy; Ambiguity; Argument (complex analysis); Object (grammar); History; Epistemology; Art; Psychoanalysis; Psychology; Linguistics; Computer science","score_opus":0.03420121227190932,"score_gpt":0.31417116359709885,"score_spread":0.27996995132518954,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2404361109","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6953821,0.01150168,0.002306521,0.009949546,0.00050445605,0.00008037008,0.00008307978,0.000024881112,0.2801675],"genre_scores_gemma":[0.98924387,0.0018128492,0.00040707947,0.00044334106,0.000065210406,0.000033157638,0.000037225993,0.000028783636,0.007928477],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99799913,0.0014572475,0.000043396078,0.00012469385,0.00024723736,0.00012824096],"domain_scores_gemma":[0.99489105,0.0040732385,0.00031195255,0.00014361611,0.0003187521,0.00026131514],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024597826,0.0003400594,0.00047276428,0.0026444774,0.011492916,0.0068828976,0.0007380054,0.0014398244,0.0037672583],"category_scores_gemma":[0.008751401,0.00022738782,0.00018093335,0.0021866902,0.020257462,0.0068418887,0.004350229,0.003381073,0.00030041495],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005392786,0.000023249628,0.0004953033,0.00011202431,0.000006656659,0.0006263989,0.9133564,0.000025963065,0.00027771722,0.07779824,0.0020181567,0.0052059144],"study_design_scores_gemma":[0.0000094107745,0.000034967805,0.0040403316,0.0003194934,0.000009882424,0.0005164547,0.854402,0.00007222304,0.00031093048,0.008083601,0.13218273,0.00001797021],"about_ca_topic_score_codex":0.0040869187,"about_ca_topic_score_gemma":0.010049214,"teacher_disagreement_score":0.011492916,"about_ca_system_score_codex":0.0035806664,"about_ca_system_score_gemma":0.0011150595,"threshold_uncertainty_score":0.025979638},"labels":[],"label_agreement":null},{"id":"W243526691","doi":"","title":"Bibliography of Recent Works on Narrative","year":2000,"lang":"en","type":"article","venue":"Style","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narratology; Textuality; Queer theory; Postmodernism; Art history; New Historicism; Poetics; Narrative; Metafiction; Philosophy; Queer; Art; Sociology; Psychoanalysis; Literature; Poetry; Psychology","score_opus":0.02617473081834772,"score_gpt":0.24764838702136605,"score_spread":0.22147365620301832,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W243526691","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006639978,0.71749264,0.0024683336,0.006028226,0.011305976,0.00005741029,0.001401713,0.00013780422,0.26044384],"genre_scores_gemma":[0.011419325,0.87054706,0.0050361915,0.00453481,0.008526358,0.00024138956,0.0048182216,0.00031654545,0.09456008],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984894,0.00045258753,0.00020313,0.00022119265,0.0005456432,0.00008799183],"domain_scores_gemma":[0.9947708,0.0032765379,0.0003336317,0.00037972452,0.0009809919,0.00025841146],"candidate_categories":["bibliometrics"],"consensus_categories":[],"category_scores_codex":[0.0015647635,0.00097129703,0.0009900291,0.020368833,0.0034153245,0.008713617,0.0015319999,0.0017850294,0.09467328],"category_scores_gemma":[0.007677796,0.00045350054,0.0008918309,0.04421334,0.0022128366,0.0068878504,0.0030272938,0.0020828727,0.026753413],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055463162,0.000045717832,0.0002560304,0.010584098,0.00003324984,0.0003124555,0.0034873574,0.00023049717,0.00017635521,0.07448009,0.58642495,0.3239138],"study_design_scores_gemma":[0.0000015008642,0.0000029662804,0.00014591782,0.0034163585,0.00000610072,0.00010262078,0.00045205822,0.000013868558,0.000021993623,0.0022193142,0.99361295,0.000004314982],"about_ca_topic_score_codex":0.0040545785,"about_ca_topic_score_gemma":0.0055135996,"teacher_disagreement_score":0.9796312,"about_ca_system_score_codex":0.003500119,"about_ca_system_score_gemma":0.0035984244,"threshold_uncertainty_score":0.31671363},"labels":[],"label_agreement":null},{"id":"W2461778205","doi":"10.22329/p.v9i2.4273","title":"Bad Reputations: Memory, Corporeality, and the Limitations of Hacking’s Looping Effects","year":2014,"lang":"en","type":"article","venue":"PhaenEx","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hacker; Scholarship; Subjectivity; Identity (music); Embodied cognition; Resistance (ecology); Sociology; Health care; Aesthetics; Epistemology; Psychology; Public relations; Political science; Law; Computer science; Computer security","score_opus":0.05546932941130641,"score_gpt":0.2455164315364579,"score_spread":0.1900471021251515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2461778205","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43253934,0.009445097,0.06453993,0.05358665,0.0005185409,0.00009608367,0.0001316384,0.00029300136,0.43884978],"genre_scores_gemma":[0.9945792,0.0004172497,0.0016264045,0.0004865211,0.000040898172,0.000021477079,0.000009046841,0.000039113314,0.0027800987],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.992273,0.0052027386,0.0002193448,0.00079927436,0.00092103536,0.0005847404],"domain_scores_gemma":[0.96393824,0.026055932,0.002247834,0.0058020274,0.0013227051,0.0006331956],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0114451,0.00056469545,0.0005491001,0.0027296348,0.009117427,0.014006781,0.0019590687,0.002879729,0.005497199],"category_scores_gemma":[0.03280893,0.00052050187,0.00038424353,0.0016393438,0.1141749,0.023153562,0.009814162,0.004325604,0.00035642585],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027003874,0.000011219111,0.001364128,0.00006340294,0.000010709823,0.00019949774,0.22372305,0.00021709141,0.00013401172,0.7608464,0.0010118727,0.012391546],"study_design_scores_gemma":[0.000019477255,0.000043587745,0.0017238886,0.00043307047,0.000030078138,0.0005350446,0.13996789,0.00090107665,0.0006935054,0.7859313,0.06967106,0.000050049766],"about_ca_topic_score_codex":0.008839756,"about_ca_topic_score_gemma":0.006708434,"teacher_disagreement_score":0.9908826,"about_ca_system_score_codex":0.0047668223,"about_ca_system_score_gemma":0.0027622012,"threshold_uncertainty_score":0.06052822},"labels":[],"label_agreement":null},{"id":"W2465121559","doi":"10.7202/1036156ar","title":"Kaindl, Klaus et Spitzl, Karlheinz (2014) : Transfiction : Research into the realities of translation fiction. Amsterdam/Philadelphie : John Benjamins, 373 p.","year":2015,"lang":"fr","type":"article","venue":"Meta Journal des traducteurs","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Translation studies; Art; Philosophy; Sociology; Literature","score_opus":0.17690076576474834,"score_gpt":0.34632786422390793,"score_spread":0.1694270984591596,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2465121559","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022166674,0.86706924,0.0062004467,0.05978015,0.0031500766,0.000084750376,0.00085028907,0.00017377264,0.06047462],"genre_scores_gemma":[0.12510811,0.78784937,0.0131140575,0.013888726,0.0030683577,0.0006167197,0.0013116765,0.0006965481,0.05434644],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99772125,0.0010232119,0.00021392344,0.00020726028,0.0006916033,0.00014271849],"domain_scores_gemma":[0.9883923,0.00896711,0.00096981076,0.0002773008,0.0011478135,0.00024562527],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0047739535,0.0011275843,0.000818477,0.0067044473,0.0035604562,0.00960287,0.0017339702,0.003733295,0.026727732],"category_scores_gemma":[0.017695896,0.0008884963,0.00045178348,0.0089043025,0.0071483506,0.024351696,0.0034704534,0.004332193,0.010436883],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011570765,0.000052308485,0.0009183907,0.0036914116,0.000047536076,0.00026269245,0.047828846,0.00012719784,0.000371286,0.12462419,0.57482255,0.24713796],"study_design_scores_gemma":[0.00003479954,0.00002336059,0.004218346,0.0053503457,0.00005299702,0.00056156545,0.018536717,0.00008116129,0.00047576067,0.09194987,0.8786617,0.00005326816],"about_ca_topic_score_codex":0.010001165,"about_ca_topic_score_gemma":0.021305025,"teacher_disagreement_score":0.026727732,"about_ca_system_score_codex":0.004450707,"about_ca_system_score_gemma":0.0049004713,"threshold_uncertainty_score":0.089413166},"labels":[],"label_agreement":null},{"id":"W2474387198","doi":"10.5840/cpsem20027","title":"Semiotics, Closure and Technologies of Narrative Communication","year":2002,"lang":"en","type":"book-chapter","venue":"Semiotics","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Semiotics; Closure (psychology); Narrative; Sociology; History; Linguistics; Art; Literature; Philosophy; Political science; Law","score_opus":0.030178887128246835,"score_gpt":0.22399625519469293,"score_spread":0.1938173680664461,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2474387198","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017331036,0.026671622,0.14991687,0.007178832,0.0006962655,0.00012116427,0.00015483289,0.00013379712,0.79779565],"genre_scores_gemma":[0.85085815,0.00920527,0.04978555,0.0006702915,0.0006658876,0.000583514,0.00019882129,0.00019464931,0.08783787],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99768734,0.0016870825,0.00009121164,0.00017608066,0.00024537076,0.00011290946],"domain_scores_gemma":[0.9967367,0.002522008,0.00014637434,0.0003177637,0.00018963845,0.00008750986],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022066494,0.00072272134,0.00058204617,0.0023265867,0.0037342259,0.011692012,0.0010651352,0.0023725112,0.0055010556],"category_scores_gemma":[0.005357296,0.0005234288,0.00052178395,0.002463601,0.025516715,0.013425273,0.0021822813,0.0027171436,0.0008420804],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000026428302,0.0000025242605,0.000015290985,0.000018298699,5.650038e-7,0.000013754755,0.0016732939,0.00004650818,0.000036760135,0.9962698,0.00050449674,0.0014161231],"study_design_scores_gemma":[0.0000050985386,0.000007121277,0.00005919292,0.000064762,0.000002263231,0.00012690201,0.002251622,0.0003335329,0.00015197862,0.95051676,0.046475887,0.0000048513866],"about_ca_topic_score_codex":0.0016938695,"about_ca_topic_score_gemma":0.0014541555,"teacher_disagreement_score":0.011692012,"about_ca_system_score_codex":0.0026517878,"about_ca_system_score_gemma":0.0018159214,"threshold_uncertainty_score":0.019240081},"labels":[],"label_agreement":null},{"id":"W2475430596","doi":"10.14361/transcript.9783839419526","title":"Meta-Romane","year":2011,"lang":"de","type":"book","venue":"Lettre","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.10420742998094726,"score_gpt":0.2327318769956437,"score_spread":0.12852444701469645,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2475430596","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0038218014,0.0058778543,0.006508944,0.0051274938,0.0006722554,0.00003596967,0.00021422694,0.00009611196,0.9776453],"genre_scores_gemma":[0.44196475,0.009482405,0.007451824,0.0054291505,0.0012693229,0.00030817906,0.0005953799,0.00047259533,0.5330264],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9978581,0.0011074851,0.00006953666,0.0003864885,0.0003961724,0.00018217257],"domain_scores_gemma":[0.99881893,0.00041387117,0.00012238916,0.00031576154,0.00023310789,0.000095912845],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017334265,0.0009361352,0.00034786176,0.0029760906,0.0039405692,0.008992425,0.000973222,0.001633809,0.028371481],"category_scores_gemma":[0.0034185962,0.00027821393,0.0005409899,0.0026199329,0.018880486,0.008907047,0.003621563,0.004035248,0.006542813],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009038338,0.0000037966931,0.00009819059,0.000062486164,0.0000030602953,0.00004532696,0.007674789,0.000026640859,0.000087409935,0.9767209,0.0100238165,0.005244549],"study_design_scores_gemma":[0.000005182286,0.000011922093,0.00043468137,0.00024359892,0.000006273545,0.00032487029,0.006274577,0.00011575887,0.00019131279,0.101323225,0.8910612,0.000007340703],"about_ca_topic_score_codex":0.005761787,"about_ca_topic_score_gemma":0.011272199,"teacher_disagreement_score":0.028371481,"about_ca_system_score_codex":0.006497494,"about_ca_system_score_gemma":0.0028720635,"threshold_uncertainty_score":0.09491205},"labels":[],"label_agreement":null},{"id":"W2477287137","doi":"10.1017/cbo9781139939799.029","title":"The machines that write us: Social media and the evolution of the autobiographical impulse","year":2016,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Humanity; Impulse (physics); Aesthetics; Psychology; Literature; Sociology; History; Art; Political science; Law","score_opus":0.015909518559805127,"score_gpt":0.17695143101641267,"score_spread":0.16104191245660754,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2477287137","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15696245,0.014215622,0.0051932624,0.028786493,0.0007530789,0.000030974,0.00023166364,0.00016473536,0.7936616],"genre_scores_gemma":[0.9431953,0.003973225,0.0012045364,0.0011149255,0.0003904003,0.00003619937,0.000083455656,0.0002103406,0.049791634],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982048,0.0011371454,0.000039317798,0.00019229615,0.0002860579,0.0001403635],"domain_scores_gemma":[0.99006045,0.007529105,0.0006003839,0.0008365708,0.00041901122,0.0005544934],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029005501,0.00032528723,0.00019953783,0.0022554134,0.004742156,0.015311931,0.0008295769,0.0018261768,0.011820236],"category_scores_gemma":[0.011100191,0.0003649185,0.00014699982,0.0022124967,0.018924303,0.012253579,0.004395394,0.0025535417,0.0017821634],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006000343,0.000034538858,0.0023981067,0.000090018104,0.000010615524,0.00056188396,0.29947546,0.000109114466,0.000555913,0.6241656,0.013998101,0.058540583],"study_design_scores_gemma":[0.00001926291,0.000040035786,0.005722949,0.0007193522,0.00001390087,0.0008750138,0.130581,0.00062295015,0.0009771916,0.17396432,0.6864203,0.0000437451],"about_ca_topic_score_codex":0.0030819452,"about_ca_topic_score_gemma":0.0041078376,"teacher_disagreement_score":0.015311931,"about_ca_system_score_codex":0.0025554104,"about_ca_system_score_gemma":0.0013931268,"threshold_uncertainty_score":0.039542615},"labels":[],"label_agreement":null},{"id":"W2478078379","doi":"10.5840/cpsem200026","title":"Narrative Theory and the Interaction of Bodies","year":2000,"lang":"en","type":"book-chapter","venue":"Semiotics","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Psychology; History; Psychoanalysis; Communication; Art; Literature","score_opus":0.020316148344570177,"score_gpt":0.23603558680093936,"score_spread":0.21571943845636918,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2478078379","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007531711,0.008628148,0.052544348,0.003861078,0.000304214,0.000034662622,0.000079961246,0.000048462334,0.9269674],"genre_scores_gemma":[0.71171606,0.0077491603,0.021476533,0.00080153387,0.00032716617,0.00024472317,0.00020616094,0.0001722245,0.25730643],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9984359,0.0010921957,0.00003647495,0.00012849814,0.00021628929,0.00009065727],"domain_scores_gemma":[0.9986627,0.0010157896,0.000059988444,0.00010923776,0.0000933619,0.000058983154],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010410383,0.00058822375,0.0004463896,0.0013736659,0.0031887947,0.00903107,0.00094249885,0.0019751291,0.011968008],"category_scores_gemma":[0.0022798704,0.00034854392,0.00042930685,0.0015969146,0.01756484,0.010806408,0.0025415886,0.002467482,0.0013724831],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000024126673,0.0000016980609,0.000012967348,0.000015627696,6.6598824e-7,0.000016921435,0.002221667,0.00006542171,0.00002712763,0.99508035,0.00078023435,0.0017749782],"study_design_scores_gemma":[0.0000046260616,0.000005705155,0.00007061342,0.0001090573,0.0000023509026,0.000104399296,0.0045144972,0.00034438347,0.0001640991,0.88067526,0.114000544,0.000004455617],"about_ca_topic_score_codex":0.002721772,"about_ca_topic_score_gemma":0.0023307155,"teacher_disagreement_score":0.011968008,"about_ca_system_score_codex":0.002742599,"about_ca_system_score_gemma":0.0017100867,"threshold_uncertainty_score":0.040036976},"labels":[],"label_agreement":null},{"id":"W2480331725","doi":"10.1017/cbo9780511500107.008","title":"Directions and Unsolved Problems","year":2002,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Narrative; Narratology; Character (mathematics); Computer science; Class (philosophy); Cover (algebra); Epistemology; Cognitive science; Artificial intelligence; Psychology; Linguistics; Philosophy; Engineering; Mathematics","score_opus":0.037173813657606275,"score_gpt":0.17586561528826733,"score_spread":0.13869180163066105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2480331725","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0031615465,0.12403845,0.01544938,0.768064,0.014236264,0.000063769345,0.00027687717,0.00019501439,0.07451463],"genre_scores_gemma":[0.2121607,0.2942297,0.07750826,0.21774377,0.051747933,0.001225152,0.0014454355,0.0007716668,0.14316744],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9903562,0.005312632,0.00045143606,0.0015811075,0.0014656411,0.00083308225],"domain_scores_gemma":[0.9745044,0.0177608,0.0007486001,0.0019094528,0.0034251472,0.0016515861],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.019855207,0.0013566111,0.0020068972,0.003176905,0.0060124747,0.009091831,0.005134603,0.012219368,0.035572212],"category_scores_gemma":[0.02549271,0.00059739454,0.0012809023,0.0036530108,0.025075901,0.03500385,0.008155442,0.016629515,0.007093691],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040086117,0.000099809506,0.00016031924,0.00043919412,0.000012638087,0.00013211947,0.0021633646,0.00041091203,0.000061507046,0.87298346,0.07934418,0.044152323],"study_design_scores_gemma":[0.000012346492,0.000012775946,0.000098241864,0.0004959613,0.0000029067073,0.00012703371,0.0049681924,0.00042568074,0.000044335164,0.8022866,0.19150437,0.000021483314],"about_ca_topic_score_codex":0.005011211,"about_ca_topic_score_gemma":0.0050213523,"teacher_disagreement_score":0.035572212,"about_ca_system_score_codex":0.00669132,"about_ca_system_score_gemma":0.0073737474,"threshold_uncertainty_score":0.11900085},"labels":[],"label_agreement":null},{"id":"W2485612778","doi":"10.1075/sin.11.02med","title":"Weird stories","year":2010,"lang":"en","type":"book-chapter","venue":"Studies in narrative","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":19,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Art","score_opus":0.09708020149629697,"score_gpt":0.32014032858561176,"score_spread":0.22306012708931477,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2485612778","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018541703,0.010436086,0.010832436,0.017912056,0.003745143,0.00014407822,0.00059257133,0.00030471792,0.93749124],"genre_scores_gemma":[0.28694108,0.009508329,0.0066937106,0.0064336755,0.0009459168,0.00018071932,0.0007316725,0.00037246215,0.68819255],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986085,0.00070066523,0.00006741346,0.0001877508,0.0003062843,0.00012944735],"domain_scores_gemma":[0.99872667,0.0005630712,0.00013782752,0.0002118595,0.00018262143,0.0001779068],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009897886,0.00077261036,0.00030760784,0.0013824037,0.0050355834,0.0065132673,0.0008596437,0.0016582696,0.04208225],"category_scores_gemma":[0.0055002915,0.00024271625,0.00038030106,0.0012737056,0.0057546804,0.00921761,0.0052136597,0.0027654544,0.008946263],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005691476,0.00002958971,0.00044463263,0.0002536963,0.00001313658,0.0010278419,0.10542132,0.00020171051,0.00047138592,0.67539835,0.1530538,0.06362768],"study_design_scores_gemma":[0.0000023029522,0.000007925505,0.000121774785,0.000141408,0.0000024112255,0.00049068424,0.016174965,0.00006471833,0.0001458033,0.019980112,0.9628615,0.000006453611],"about_ca_topic_score_codex":0.0022528996,"about_ca_topic_score_gemma":0.004080521,"teacher_disagreement_score":0.04208225,"about_ca_system_score_codex":0.0023665607,"about_ca_system_score_gemma":0.0010592302,"threshold_uncertainty_score":0.14077914},"labels":[],"label_agreement":null},{"id":"W2508456149","doi":"10.4000/communication.6996","title":"Peter VERSTRATEN (2009), Film Narratology","year":2016,"lang":"en","type":"article","venue":"Communication","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narratology; Philosophy; Humanities; Argument (complex analysis); Movie theater; Art history; Art; Narrative; Linguistics","score_opus":0.03656606363948748,"score_gpt":0.2429210454235884,"score_spread":0.20635498178410092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2508456149","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016006645,0.39083073,0.00944253,0.11545822,0.006992992,0.00007720086,0.000825617,0.000116206305,0.46024993],"genre_scores_gemma":[0.5071227,0.17638008,0.005602057,0.024934975,0.0027414488,0.00022755461,0.00048823276,0.00032362025,0.28217933],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921954,0.0004348739,0.000033193042,0.00013357116,0.00010920562,0.00006955441],"domain_scores_gemma":[0.9995435,0.00029264487,0.000053319443,0.000025389576,0.000049539907,0.00003556885],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007961914,0.0008346054,0.00021088729,0.0009349773,0.003907059,0.005246155,0.00058506744,0.0025263918,0.008654114],"category_scores_gemma":[0.0021047255,0.00025986513,0.00019091599,0.0009389454,0.0055140047,0.007438942,0.0017970607,0.0026035926,0.0023650886],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059258844,0.000022704571,0.0006498812,0.00054994406,0.000013036846,0.00044977915,0.05919265,0.0001392658,0.00056618033,0.6850888,0.20272246,0.050546154],"study_design_scores_gemma":[0.000005034602,0.0000128068095,0.00081435085,0.00048264686,0.00000648942,0.00034958852,0.010377059,0.000058525715,0.00069892476,0.048206415,0.9389777,0.000010552642],"about_ca_topic_score_codex":0.011618381,"about_ca_topic_score_gemma":0.027425209,"teacher_disagreement_score":0.011618381,"about_ca_system_score_codex":0.0030147831,"about_ca_system_score_gemma":0.0017109563,"threshold_uncertainty_score":0.02895093},"labels":[],"label_agreement":null},{"id":"W2515760972","doi":"10.3138/seminar.52.3.04","title":"Subverting Injurious Language: How Ilse Aichinger’s Narratological Strategies Liberate the Protagonist of “Spiegelgeschichte”","year":2016,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Storytelling; Silence; Narrative; Subject (documents); Rhetorical question; Argument (complex analysis); Object (grammar); Order (exchange); Literature; Psychoanalysis; Psychology; Linguistics; Aesthetics; Philosophy; Art; Computer science; Medicine","score_opus":0.03550712403199699,"score_gpt":0.2941245112606875,"score_spread":0.25861738722869054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2515760972","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44949675,0.01237441,0.028367834,0.075378574,0.0014010274,0.000076171265,0.00007451243,0.0002724635,0.4325582],"genre_scores_gemma":[0.978672,0.0011427096,0.0018326287,0.0023804146,0.00012688323,0.000022809369,0.000014835022,0.000072345334,0.015735373],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962923,0.0029445523,0.000038413116,0.00014217077,0.0002952662,0.00028728467],"domain_scores_gemma":[0.9978136,0.001660843,0.00014522724,0.0001151703,0.00012029202,0.00014492105],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032100421,0.0005482793,0.0002807426,0.00092518167,0.0060759927,0.0064114835,0.0008015942,0.0022616962,0.00200228],"category_scores_gemma":[0.005889271,0.00025846707,0.00021756474,0.00046152622,0.021879787,0.005900347,0.0036447954,0.0040006526,0.0006116576],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039474446,0.000020122368,0.0004016795,0.00005474257,0.000010347297,0.0013372379,0.6524245,0.00019321813,0.001007811,0.33043012,0.006295432,0.0077853617],"study_design_scores_gemma":[0.000028076263,0.000079800644,0.000992541,0.00031353044,0.0000252436,0.002555169,0.40354463,0.00084193534,0.0029823647,0.0761927,0.5123849,0.00005904322],"about_ca_topic_score_codex":0.0036323867,"about_ca_topic_score_gemma":0.0075237188,"teacher_disagreement_score":0.0064114835,"about_ca_system_score_codex":0.0029718988,"about_ca_system_score_gemma":0.0010937919,"threshold_uncertainty_score":0.021562755},"labels":[],"label_agreement":null},{"id":"W2522645027","doi":"","title":"A Toronto ostracon with a list of monosyllables (2718 Pack2): re-edition with commentary","year":2005,"lang":"de","type":"article","venue":"","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Library science; Computer science","score_opus":0.011939145287045387,"score_gpt":0.2177468049525351,"score_spread":0.2058076596654897,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2522645027","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023767797,0.025300995,0.0021595312,0.47874033,0.29199958,0.00021342347,0.0032401374,0.0003777417,0.19559146],"genre_scores_gemma":[0.015090515,0.0077486057,0.0016769205,0.14528511,0.04780866,0.00023669183,0.0010268411,0.0008870431,0.7802397],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982418,0.00029713276,0.00012707525,0.00019073854,0.0008663106,0.00027690534],"domain_scores_gemma":[0.995799,0.0011126241,0.00017502783,0.00021955399,0.0024057769,0.00028813074],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001525182,0.0009158026,0.00065619266,0.0032172913,0.008823431,0.0038724416,0.002428384,0.00727582,0.045724045],"category_scores_gemma":[0.009094632,0.00059768447,0.00069879886,0.002552926,0.0026960124,0.0029203296,0.0034170568,0.011867265,0.016341822],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000947802,0.0000017213988,0.000022693155,0.000047380112,0.0000011656211,0.00006127456,0.00059004547,0.000007775728,0.00013093754,0.0030034261,0.99260217,0.003521841],"study_design_scores_gemma":[0.000002046818,0.0000020181908,0.00021449344,0.000106318745,0.0000040218133,0.000023660967,0.0004190696,0.00001325848,0.00011138783,0.0004722012,0.99862385,0.000007647062],"about_ca_topic_score_codex":0.31767392,"about_ca_topic_score_gemma":0.6340224,"teacher_disagreement_score":0.31767392,"about_ca_system_score_codex":0.011393386,"about_ca_system_score_gemma":0.009882071,"threshold_uncertainty_score":0.63164973},"labels":[],"label_agreement":null},{"id":"W2524776464","doi":"10.5430/wjel.v6n3p24","title":"Narrative Mode: A comparative Study on Selected Short Stories of Leo Tolstoy and Edgar Allan Poe","year":2016,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Narratology; Focalization; Mode (computer interface); Narrative criticism; Narrative network; Literature; Reading (process); Narrative inquiry; History; Linguistics; Art; Computer science; Philosophy","score_opus":0.025495168597995565,"score_gpt":0.2859530634003372,"score_spread":0.26045789480234166,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2524776464","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96307236,0.00339785,0.0004510827,0.0016862819,0.0001530293,0.000117847936,0.00012868427,0.000007629044,0.030985244],"genre_scores_gemma":[0.98215735,0.0036299136,0.00037936866,0.00051731,0.000057351146,0.00015703509,0.00011040742,0.00003817642,0.012953076],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99696594,0.00209825,0.00010423161,0.000195111,0.00028184408,0.00035465814],"domain_scores_gemma":[0.99329007,0.0046563395,0.0006833409,0.0001520752,0.00049556105,0.0007225755],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038648373,0.00059235614,0.00081967935,0.0025608318,0.013370865,0.006614287,0.0013249026,0.0016711942,0.005892242],"category_scores_gemma":[0.01203366,0.0005317742,0.0002618985,0.0032424247,0.007269736,0.0067752004,0.005324361,0.0028710493,0.000581811],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019867948,0.000022899249,0.00070593844,0.00006194129,0.000002060215,0.0009192029,0.9950958,0.000004144255,0.00015264105,0.00079206965,0.0003654073,0.001858065],"study_design_scores_gemma":[0.0000010910425,0.000019149153,0.0028281622,0.00009708026,0.0000017192738,0.00022172612,0.98256487,0.000005662671,0.000072613846,0.000073161595,0.014110124,0.0000046293685],"about_ca_topic_score_codex":0.015883418,"about_ca_topic_score_gemma":0.053059667,"teacher_disagreement_score":0.015883418,"about_ca_system_score_codex":0.006033302,"about_ca_system_score_gemma":0.0024953994,"threshold_uncertainty_score":0.043774843},"labels":[],"label_agreement":null},{"id":"W2529648996","doi":"10.31542/j.muse.152","title":"Dr. Manhattan's Voice","year":2014,"lang":"en","type":"article","venue":"MacEwan University Student eJournal","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Style (visual arts); Sentence; Disk formatting; Linguistics; Art; Visual arts; Computer science; Philosophy","score_opus":0.01535294771690198,"score_gpt":0.218726239415188,"score_spread":0.20337329169828602,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2529648996","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13593271,0.018994847,0.0044380007,0.06350038,0.0076884907,0.000029877614,0.00017155742,0.00032818384,0.7689159],"genre_scores_gemma":[0.7772634,0.0042812065,0.00083797495,0.008568712,0.000548437,0.000016120981,0.0000538659,0.00008657917,0.2083437],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99972135,0.00013397983,0.000005306479,0.000038100807,0.000057524136,0.000043597138],"domain_scores_gemma":[0.99959534,0.00014294976,0.00004251343,0.000017964876,0.00012398756,0.00007712966],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003090279,0.0002303437,0.00008429839,0.00025835104,0.0027857851,0.0019441129,0.0002280507,0.00048305254,0.009563513],"category_scores_gemma":[0.0013139009,0.000063230706,0.00006188385,0.000269004,0.0013395044,0.0007840288,0.00073717494,0.00091608765,0.0015613632],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014058808,0.000023002807,0.0060624853,0.00026561515,0.000018993025,0.004387129,0.17753442,0.00017495533,0.003574411,0.23342219,0.45438412,0.12001206],"study_design_scores_gemma":[0.0000024174076,0.000022967026,0.0011869414,0.00008967744,0.0000054126167,0.0014497851,0.03594587,0.000065518754,0.0008635767,0.0018269501,0.9585288,0.000012047553],"about_ca_topic_score_codex":0.008522891,"about_ca_topic_score_gemma":0.017611137,"teacher_disagreement_score":0.009563513,"about_ca_system_score_codex":0.0013933053,"about_ca_system_score_gemma":0.0010553845,"threshold_uncertainty_score":0.03199309},"labels":[],"label_agreement":null},{"id":"W2533218527","doi":"10.7202/1037508ar","title":"Quand le narrateur boit(e)… (Réflexions sur le narrateur non fiable et/ou indigne de confiance)","year":2016,"lang":"fr","type":"article","venue":"Arborescences Revue d études françaises","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.041140985299037036,"score_gpt":0.24178290478999265,"score_spread":0.2006419194909556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2533218527","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09768629,0.007458856,0.15616073,0.029964477,0.004517207,0.0002296152,0.00043078724,0.0003719903,0.70318],"genre_scores_gemma":[0.86901474,0.0025681765,0.017521882,0.0028349354,0.00091018766,0.00019343874,0.00025046302,0.00040889034,0.10629721],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955972,0.0026592547,0.0001740578,0.00070345495,0.00059885153,0.0002671452],"domain_scores_gemma":[0.9963331,0.0018403259,0.0003839464,0.0005866609,0.0006718923,0.00018401073],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0040558903,0.0006869861,0.00038778523,0.0008050911,0.0034431936,0.009418927,0.0010437956,0.0027120265,0.014337637],"category_scores_gemma":[0.009365946,0.00034683885,0.00043704745,0.0007409274,0.013576274,0.012618899,0.004039395,0.0033813287,0.0032234294],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052727584,0.000009989142,0.0005251351,0.00018355237,0.000012762206,0.00026299758,0.073498525,0.000065599015,0.0012347981,0.90871006,0.0044498793,0.010993913],"study_design_scores_gemma":[0.00002252267,0.000084563944,0.0012437843,0.00052019075,0.000032833013,0.0011893087,0.07475917,0.00043468704,0.0035787188,0.20541072,0.7126788,0.00004475875],"about_ca_topic_score_codex":0.0028519824,"about_ca_topic_score_gemma":0.0027870012,"teacher_disagreement_score":0.014337637,"about_ca_system_score_codex":0.0018586277,"about_ca_system_score_gemma":0.0016113934,"threshold_uncertainty_score":0.047964156},"labels":[],"label_agreement":null},{"id":"W2534860381","doi":"10.20982/tqmp.12.3.p152","title":"The Companion paper as a complement to regular papers","year":2016,"lang":"en","type":"article","venue":"The Quantitative Methods for Psychology","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Complement (music); Computer science; Biology; Genetics","score_opus":0.16034058776564444,"score_gpt":0.4881687512628067,"score_spread":0.32782816349716226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2534860381","genre_codex":"editorial","genre_gemma":"methods","domain_codex":null,"domain_gemma":"reporting","model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"methods","genre_consensus":null,"domain_candidate":"reporting","domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013519018,0.003304485,0.009979299,0.03971458,0.8497821,0.00052697957,0.0068252417,0.0021905238,0.08632477],"genre_scores_gemma":[0.016627422,0.006105721,0.018272365,0.027098795,0.3089047,0.0009430702,0.018618548,0.0070955893,0.5963339],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9916299,0.0014107112,0.00071727444,0.001128301,0.0047631804,0.0003505545],"domain_scores_gemma":[0.8981779,0.023370516,0.004031937,0.014797422,0.052696906,0.0069253],"candidate_categories":["metaresearch","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.006524192,0.0011015853,0.0013873614,0.0080579575,0.0024577614,0.0075504025,0.0020600853,0.0031191988,0.27983955],"category_scores_gemma":[0.08815144,0.00072541623,0.0015347025,0.006932924,0.0010697718,0.0052998634,0.0026442562,0.005016733,0.19801691],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030217238,0.000027715281,0.00006276312,0.00013410168,0.000009133944,0.00003749638,0.000024975614,0.000029860212,0.00010474372,0.0015791195,0.97797024,0.01998974],"study_design_scores_gemma":[0.000025863787,0.00004887383,0.0004996359,0.00020474433,0.000011335316,0.00014501569,0.00005766691,0.00017792144,0.00028731677,0.0041242195,0.99439406,0.00002331154],"about_ca_topic_score_codex":0.0015783507,"about_ca_topic_score_gemma":0.0023139138,"teacher_disagreement_score":0.9934758,"about_ca_system_score_codex":0.0029367523,"about_ca_system_score_gemma":0.00337086,"threshold_uncertainty_score":0.9361565},"labels":[],"label_agreement":null},{"id":"W2550275978","doi":"10.5964/ejop.v12i4.1325","title":"From the collective unconscious to the narrative unconscious: Re-imagining the sources of selfhood","year":2016,"lang":"en","type":"editorial","venue":"Europe’s Journal of Psychology","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Unconscious mind; Narrative; Collective unconscious; Citation; License; Download; Psychoanalysis; Personal unconscious; Sociology; Psychology; Media studies; Library science; Art; Computer science; Literature; Political science; Law; World Wide Web","score_opus":0.021693495479453144,"score_gpt":0.30303941432577164,"score_spread":0.2813459188463185,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2550275978","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021636419,0.094287306,0.00517575,0.2900299,0.5602173,0.000024498037,0.00006262908,0.00013960603,0.04789929],"genre_scores_gemma":[0.108281426,0.12611467,0.0056916983,0.048349347,0.62533206,0.00010216605,0.00010257913,0.00045087535,0.08557523],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99765176,0.0012927911,0.00010860298,0.00017019021,0.0006743978,0.00010223353],"domain_scores_gemma":[0.990428,0.0074231066,0.00027759545,0.000326947,0.0010090424,0.0005353778],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038486505,0.0010394115,0.00069949415,0.0016783719,0.0037505035,0.0087215565,0.0012109609,0.0050928695,0.0032004153],"category_scores_gemma":[0.011652917,0.00033514304,0.00052126375,0.0006517609,0.010457972,0.008403507,0.0021115267,0.012093706,0.001015315],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053668857,0.000016906717,0.0001370268,0.0005702789,0.000014592444,0.0005474299,0.013441241,0.00016590286,0.00029447005,0.14770442,0.79500335,0.042050786],"study_design_scores_gemma":[0.000008614166,0.000010395573,0.0001714026,0.00063803216,0.000009464935,0.0003100139,0.003998768,0.0002032448,0.00022852428,0.042226117,0.95217973,0.000015694708],"about_ca_topic_score_codex":0.001122591,"about_ca_topic_score_gemma":0.0033794874,"teacher_disagreement_score":0.0087215565,"about_ca_system_score_codex":0.0021974444,"about_ca_system_score_gemma":0.0026925104,"threshold_uncertainty_score":0.020353913},"labels":[],"label_agreement":null},{"id":"W2551660715","doi":"10.1080/13825577.2016.1230374","title":"Towards a politics of form","year":2016,"lang":"en","type":"article","venue":"European Journal of English Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Politics; Political science; Sociology; Law","score_opus":0.05043821027938792,"score_gpt":0.25924720483354297,"score_spread":0.20880899455415505,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2551660715","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030229142,0.0044670063,0.034364894,0.06401901,0.00089990866,0.000049367267,0.0000998993,0.000086545304,0.8657843],"genre_scores_gemma":[0.9419487,0.0006994755,0.004243752,0.0026446576,0.00055660657,0.00010363499,0.00004032148,0.00019449898,0.04956835],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99127734,0.005690499,0.0001879962,0.0011821116,0.00089104916,0.0007711027],"domain_scores_gemma":[0.991512,0.004692595,0.00047278998,0.0015692693,0.0010071859,0.00074621546],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009121214,0.00055319635,0.00095681974,0.0028160803,0.011527639,0.01745581,0.0015973025,0.0063653435,0.011910076],"category_scores_gemma":[0.014127294,0.00056969665,0.000587368,0.0022542537,0.06628732,0.02253296,0.008080259,0.009002284,0.00141639],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000017269689,0.0000014792581,0.000017342381,0.0000017345153,3.818835e-7,0.0000028071652,0.0010965329,0.0000087416465,0.0000056083077,0.99820435,0.00032393704,0.00033531655],"study_design_scores_gemma":[0.000009193646,0.0000046903915,0.000074027725,0.000024834022,0.000002543622,0.000014661243,0.002113958,0.00009757961,0.000036519697,0.9646082,0.033009224,0.000004642427],"about_ca_topic_score_codex":0.005295901,"about_ca_topic_score_gemma":0.0052967696,"teacher_disagreement_score":0.01745581,"about_ca_system_score_codex":0.007147295,"about_ca_system_score_gemma":0.004892488,"threshold_uncertainty_score":0.05185753},"labels":[],"label_agreement":null},{"id":"W2557501716","doi":"10.7202/1037852ar","title":"Samuel Johnson, Periodical Publication, and the Sentimental Reader: Virtue in Distress in The Rambler and The Idler","year":2016,"lang":"en","type":"article","venue":"Lumen Selected Proceedings from the Canadian Society for Eighteenth-Century Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Virtue; Philosophy; Classics; Psychoanalysis; Psychology; Art; Theology","score_opus":0.01720297933663968,"score_gpt":0.2268923112159294,"score_spread":0.20968933187928973,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2557501716","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.100455135,0.09708447,0.000947217,0.27495456,0.015351976,0.00002212507,0.000074697615,0.00015639153,0.5109534],"genre_scores_gemma":[0.84210587,0.01814675,0.0004692532,0.025392683,0.0066364375,0.000025219191,0.000023295974,0.000102800375,0.107097626],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991543,0.00043443101,0.000024141835,0.00007319336,0.0002082271,0.00010571241],"domain_scores_gemma":[0.99783593,0.0013622971,0.00026219338,0.00005672087,0.00019446503,0.000288413],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013244364,0.0002685302,0.0002519601,0.0012557087,0.0066236015,0.0076929415,0.000440992,0.0015581398,0.003612282],"category_scores_gemma":[0.0033806844,0.00020514886,0.00009269748,0.00103665,0.009321437,0.00442242,0.0021555985,0.0022919527,0.00070284994],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045707442,0.000055861907,0.0020757702,0.00021813881,0.0000084952935,0.0013054217,0.16061234,0.000052999367,0.00044645972,0.4797282,0.3234717,0.03197883],"study_design_scores_gemma":[0.000008114997,0.000050717237,0.0029603438,0.00034296635,0.0000114868435,0.0009714937,0.10914437,0.000082223494,0.00035203563,0.032042656,0.85400975,0.000023940383],"about_ca_topic_score_codex":0.0033884242,"about_ca_topic_score_gemma":0.009198573,"teacher_disagreement_score":0.0076929415,"about_ca_system_score_codex":0.0021810285,"about_ca_system_score_gemma":0.001442265,"threshold_uncertainty_score":0.015824497},"labels":[],"label_agreement":null},{"id":"W2557692749","doi":"10.3138/seminar.52.4.02","title":"Tyranny and Tragedy: Paradigms of Surveillance in Theodor Storm’s <i>Aquis submersus</i> and <i>Carsten Curator</i>","year":2016,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Duty; Tragedy (event); Identity (music); Power (physics); Narrative; Aristocracy (class); Criminology; Sociology; Law; Psychoanalysis; History; Aesthetics; Literature; Political science; Art; Politics; Psychology; Social science","score_opus":0.02774038572443144,"score_gpt":0.2591488677302894,"score_spread":0.23140848200585795,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2557692749","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2961849,0.008322853,0.01172573,0.037099145,0.00057238847,0.00006168292,0.00006216943,0.00006516668,0.645906],"genre_scores_gemma":[0.98300457,0.0007499075,0.0006748817,0.0007601982,0.000069489404,0.000029593328,0.000015077188,0.000043414955,0.014652773],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99712414,0.0019048738,0.000045145713,0.00029184326,0.00027847587,0.00035546534],"domain_scores_gemma":[0.99845254,0.00075760426,0.00022836501,0.00016385996,0.0001907166,0.0002068496],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030374178,0.0005978218,0.00030849685,0.0013072081,0.013210888,0.010824232,0.0013743384,0.0032074312,0.0022414555],"category_scores_gemma":[0.003261065,0.0003768038,0.0003286206,0.00075420114,0.054011337,0.006641849,0.004913202,0.004743858,0.00031431837],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023193536,0.000010454304,0.00039048385,0.000029322173,0.0000041492567,0.00039964615,0.4720712,0.000080790815,0.00018460964,0.52137315,0.002856679,0.002576396],"study_design_scores_gemma":[0.000033846594,0.000074168565,0.0024580308,0.0005183129,0.000021103839,0.0010624456,0.4198073,0.0009486744,0.00081076694,0.18751448,0.38668922,0.000061659484],"about_ca_topic_score_codex":0.023875535,"about_ca_topic_score_gemma":0.029506614,"teacher_disagreement_score":0.023875535,"about_ca_system_score_codex":0.010753692,"about_ca_system_score_gemma":0.0032308332,"threshold_uncertainty_score":0.07802385},"labels":[],"label_agreement":null},{"id":"W2559326317","doi":"10.5539/ells.v6n4p89","title":"The Narrative Techniques in The Portrait of a Lady","year":2016,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Portrait; Narrative; Theme (computing); Feeling; Consciousness; Literature; Aesthetics; Isolation (microbiology); History; Psychoanalysis; Art; Philosophy; Art history; Epistemology; Psychology; Computer science","score_opus":0.00966036403333173,"score_gpt":0.25533024516352965,"score_spread":0.24566988113019791,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2559326317","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16574882,0.011975241,0.01361686,0.02451142,0.0014628925,0.00010518591,0.00014292193,0.00011013154,0.7823266],"genre_scores_gemma":[0.91430646,0.003933827,0.0044017937,0.0013229604,0.0003769295,0.000067813155,0.000054647917,0.00009424914,0.07544134],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99826354,0.0012537654,0.000027847454,0.00012677856,0.00021628288,0.00011188285],"domain_scores_gemma":[0.99924314,0.00040524374,0.00012723087,0.000042687127,0.00007129658,0.000110349865],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011148646,0.0005151063,0.00021042491,0.0012746844,0.0061101336,0.004046557,0.00057511305,0.0012726767,0.0055265543],"category_scores_gemma":[0.002127947,0.00020382383,0.00022896686,0.0008073132,0.012407397,0.003368506,0.002067543,0.002285433,0.0008593349],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004185974,0.000020858026,0.0003523739,0.00016195454,0.000009210109,0.0014442313,0.57694495,0.00015632634,0.0009439542,0.3929396,0.018037697,0.008946991],"study_design_scores_gemma":[0.00000734471,0.000035008856,0.0008129513,0.00039204076,0.000011056421,0.001670309,0.19268934,0.00024074214,0.00073805946,0.016179336,0.7872008,0.00002291518],"about_ca_topic_score_codex":0.0038876368,"about_ca_topic_score_gemma":0.007490206,"teacher_disagreement_score":0.0061101336,"about_ca_system_score_codex":0.0028698945,"about_ca_system_score_gemma":0.0012180343,"threshold_uncertainty_score":0.020822585},"labels":[],"label_agreement":null},{"id":"W2560406015","doi":"10.3138/utq.85.4.46","title":"The Public Role of Humanities Scholarship, in the Humboldtian Tradition","year":2016,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Scholarship; Humanism; Humanities; Context (archaeology); Sociology; Digital humanities; Epistemology; Philosophy; Political science; History; Law; Theology","score_opus":0.020987714013409636,"score_gpt":0.1877550150978097,"score_spread":0.16676730108440008,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2560406015","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.077046074,0.018551173,0.028702404,0.17975332,0.0017914884,0.000053695465,0.000072362105,0.00015180011,0.6938778],"genre_scores_gemma":[0.9590726,0.0043567913,0.0020283156,0.0052759955,0.0010701966,0.00005595948,0.000018599809,0.00005729603,0.028064158],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9952969,0.002728342,0.000083408275,0.000520859,0.0010160016,0.00035455718],"domain_scores_gemma":[0.99382293,0.0038458218,0.0005090049,0.0007651117,0.00045343387,0.00060375885],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0061944257,0.00031201376,0.0003652272,0.0014551107,0.010140564,0.015757153,0.0006991999,0.0037383812,0.0035695762],"category_scores_gemma":[0.011117069,0.00024151288,0.0001879703,0.0017120219,0.06746079,0.013714184,0.0050289626,0.004494555,0.00052156916],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000041160874,0.000005257271,0.00010357592,0.000015419359,0.000001324885,0.00002282642,0.007852634,0.00005052714,0.000016796415,0.98692805,0.0017927055,0.0032068035],"study_design_scores_gemma":[0.000007517498,0.000015370922,0.00028061468,0.0002285327,0.000005235677,0.00008888449,0.011662222,0.00025137182,0.00019469482,0.78680646,0.20044963,0.000009457965],"about_ca_topic_score_codex":0.004798973,"about_ca_topic_score_gemma":0.0064584203,"teacher_disagreement_score":0.98985946,"about_ca_system_score_codex":0.010333057,"about_ca_system_score_gemma":0.0112460395,"threshold_uncertainty_score":0.074971974},"labels":[],"label_agreement":null},{"id":"W2561828488","doi":"10.1515/sem-2015-0041","title":"Empiricism within the limits of postmodernism alone: On the emergence of the logically real within the multi-perspectival field","year":2015,"lang":"en","type":"article","venue":"Semiotica","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Semiotics; Empiricism; Sign (mathematics); Object (grammar); Epistemology; Field (mathematics); Phenomenology (philosophy); Sociology; Postmodernism; Humanism; Philosophy; Aesthetics; Linguistics; Mathematics","score_opus":0.11510590465394019,"score_gpt":0.30251322375070994,"score_spread":0.18740731909676975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2561828488","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19981726,0.003396432,0.16771449,0.023196073,0.00050934625,0.00010541652,0.00007566634,0.00014064151,0.6050446],"genre_scores_gemma":[0.9916569,0.00029625595,0.004147883,0.00025624468,0.000063971114,0.00004791955,0.000013551527,0.000038611262,0.0034786812],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9933716,0.0050272625,0.00016265543,0.00049690576,0.00068985345,0.0002515521],"domain_scores_gemma":[0.9864411,0.009664347,0.00058602274,0.002174218,0.00081550516,0.00031891264],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010980546,0.0004011004,0.0005476392,0.001769416,0.0038990483,0.01047679,0.0011228155,0.001619544,0.0036923513],"category_scores_gemma":[0.012083627,0.00029262726,0.00041790956,0.0007722427,0.08064711,0.013886458,0.0062342715,0.003891191,0.00047016534],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006291441,0.0000060865445,0.00009647309,0.000017978851,0.0000014518945,0.000045302528,0.018303318,0.000087438486,0.00010611777,0.97979635,0.0001722294,0.0013608858],"study_design_scores_gemma":[0.000008850584,0.000018688932,0.00019939785,0.00012283374,0.0000031643563,0.00013163728,0.015739687,0.0008069385,0.0004625668,0.9573513,0.025144655,0.000010233739],"about_ca_topic_score_codex":0.0010000622,"about_ca_topic_score_gemma":0.000918124,"teacher_disagreement_score":0.010980546,"about_ca_system_score_codex":0.0032206285,"about_ca_system_score_gemma":0.0021785693,"threshold_uncertainty_score":0.058071375},"labels":[],"label_agreement":null},{"id":"W2581774225","doi":"","title":"How to Be a Heroic Explorer in a Friendly Arctic: A Chronotopic Approach to Self-Representation in Vilhjalmur Stefansson’s The Friendly Arctic: The Story of Five Years in Polar Regions (1921)","year":2017,"lang":"en","type":"dissertation","venue":"Duo Research Archive (University of Oslo)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Arctic; Polar; Environmentally friendly; The arctic; Representation (politics); Oceanography; Physics; Astronomy; Geology; Ecology; Biology; Law; Political science","score_opus":0.054145357390777415,"score_gpt":0.28455683868520626,"score_spread":0.23041148129442884,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2581774225","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58931196,0.014443961,0.013889175,0.01706477,0.0008609269,0.00009890334,0.00013828393,0.00008134248,0.36411068],"genre_scores_gemma":[0.9890565,0.0018057298,0.0012138836,0.0002924999,0.00004710168,0.00001884528,0.00002577368,0.00003717666,0.0075025433],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.996606,0.0024911035,0.00005180302,0.00016750503,0.00028827295,0.00039532586],"domain_scores_gemma":[0.9984164,0.0008948175,0.00014472251,0.000059692225,0.00017294144,0.00031142493],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003790555,0.0005371706,0.00031591544,0.001944542,0.017429015,0.009948345,0.001062479,0.0015499537,0.0020172736],"category_scores_gemma":[0.003045988,0.00036977572,0.00028212875,0.0014532821,0.030131193,0.006442826,0.0050945445,0.0025469554,0.0003064116],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018256724,0.000006725631,0.00084878545,0.000040933603,0.000002873269,0.0004192972,0.9143594,0.000081419,0.00013261475,0.07943405,0.0014955536,0.0031600539],"study_design_scores_gemma":[0.000003096919,0.000017786375,0.001334414,0.00021440814,0.000005429569,0.0005281058,0.874731,0.00010864897,0.00016662964,0.008410408,0.1144612,0.000018803794],"about_ca_topic_score_codex":0.07001817,"about_ca_topic_score_gemma":0.136092,"teacher_disagreement_score":0.07001817,"about_ca_system_score_codex":0.0094556715,"about_ca_system_score_gemma":0.005558448,"threshold_uncertainty_score":0.13922125},"labels":[],"label_agreement":null},{"id":"W2586902306","doi":"","title":"Exploring the Possible: Philosophical Reflection, Historical Imagination, and Narrative Agency (Invited)","year":2016,"lang":"en","type":"article","venue":"Narrative Works","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Agency (philosophy); Epistemology; Dialogical self; Performative utterance; Historicity (philosophy); Narrative criticism; Narrative network; Narrative inquiry; Sociology; Aesthetics; Narrative history; Reflection (computer programming); Philosophy; Linguistics; Politics; Computer science","score_opus":0.09539274007236016,"score_gpt":0.27128085842872546,"score_spread":0.1758881183563653,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2586902306","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17431,0.044831946,0.07420372,0.20216152,0.0037569336,0.00020182002,0.00013620323,0.00018670419,0.5002111],"genre_scores_gemma":[0.97316194,0.0048218095,0.0044330996,0.0028663708,0.00041619907,0.00008447206,0.000023469709,0.00006676456,0.014125903],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99167764,0.006969807,0.00011179009,0.00036639758,0.0005263342,0.00034806522],"domain_scores_gemma":[0.9925299,0.0060654194,0.00037515024,0.00030173705,0.00039868243,0.0003290261],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008992744,0.0006524944,0.0004525022,0.0021619166,0.009167894,0.01523214,0.0013488297,0.003811138,0.0034953107],"category_scores_gemma":[0.013570324,0.0003350673,0.00056075084,0.0013959822,0.05749541,0.017163118,0.0065767397,0.004612851,0.00037755672],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012543668,0.000010867365,0.00016874143,0.00008288151,0.0000048786687,0.00032824665,0.33420417,0.00016363422,0.000118143325,0.65607905,0.0037763955,0.0050503933],"study_design_scores_gemma":[0.0000137755505,0.000030836633,0.00036201774,0.0007137882,0.000012622904,0.00072534,0.3756419,0.0005955024,0.00052014546,0.28013748,0.34121558,0.000031071286],"about_ca_topic_score_codex":0.0058207544,"about_ca_topic_score_gemma":0.0053018923,"teacher_disagreement_score":0.01523214,"about_ca_system_score_codex":0.0069686803,"about_ca_system_score_gemma":0.0032531344,"threshold_uncertainty_score":0.050561547},"labels":[],"label_agreement":null},{"id":"W2587403755","doi":"","title":"Narrative and Sociology (Invited)","year":2016,"lang":"en","type":"article","venue":"Narrative Works","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narratology; Narrative; Sociology; Narrative criticism; Narrative network; Storytelling; Narrative inquiry; Epistemology; Narrative history; Narrativity; Narrative psychology; Terminology; Social science; Linguistics; Philosophy","score_opus":0.020271519723647994,"score_gpt":0.24349393683740922,"score_spread":0.22322241711376123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2587403755","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008630081,0.12031437,0.0046501257,0.090566285,0.008741579,0.000060076294,0.00014036111,0.00006944021,0.76682764],"genre_scores_gemma":[0.5901917,0.065828174,0.0033857143,0.02134415,0.007750347,0.00019143667,0.00016818334,0.00021763089,0.31092268],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99679345,0.002484743,0.000053380252,0.00023101176,0.00026495507,0.00017243059],"domain_scores_gemma":[0.9980178,0.001118552,0.00014517803,0.00014960417,0.00027042293,0.00029843673],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002209325,0.0005776891,0.00032391972,0.0016813915,0.0053997915,0.010556713,0.0005883017,0.0019634967,0.010073468],"category_scores_gemma":[0.0045527993,0.00017332353,0.00030485445,0.0015290107,0.019759052,0.0064085224,0.0046046893,0.002310185,0.0018044825],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001204973,0.000008666969,0.00023800254,0.00012317924,0.0000052531386,0.00014657556,0.0204473,0.00007627176,0.000072214105,0.8996822,0.06605048,0.013137834],"study_design_scores_gemma":[0.0000038144328,0.0000073231768,0.0001836164,0.0003331618,0.000003034983,0.00013532917,0.009966199,0.000053577067,0.000039610055,0.114896,0.87437457,0.0000036466577],"about_ca_topic_score_codex":0.0049899486,"about_ca_topic_score_gemma":0.005394503,"teacher_disagreement_score":0.010556713,"about_ca_system_score_codex":0.005800018,"about_ca_system_score_gemma":0.0028196455,"threshold_uncertainty_score":0.04208231},"labels":[],"label_agreement":null},{"id":"W2589010107","doi":"","title":"Die Detektivfunktion in \"Berlin Alexanderplatz\" - eine erzähltheoretische Analyse der Ver- und Enthüllungsstrategien in Alfred Döblins Roman.","year":2009,"lang":"de","type":"article","venue":"QSpace (Queen's University Library)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Queen's University","keywords":"Art","score_opus":0.010358479688236525,"score_gpt":0.20626277404659316,"score_spread":0.19590429435835663,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2589010107","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38838947,0.01331678,0.017110066,0.007727437,0.0003029765,0.00006201542,0.00014406316,0.00010718737,0.57284],"genre_scores_gemma":[0.96210635,0.0015213399,0.0012146067,0.0002628187,0.000028143231,0.00002250074,0.000044530952,0.0000319204,0.034767844],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99882025,0.00059551245,0.000042570704,0.0001621112,0.00017555601,0.00020393891],"domain_scores_gemma":[0.99917895,0.00047282537,0.00014829254,0.000065756234,0.0000653606,0.000068715584],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018397132,0.00031225866,0.00030230774,0.0012812158,0.0035764633,0.0063810213,0.0008580188,0.0010689578,0.0053564347],"category_scores_gemma":[0.0024971957,0.0003155052,0.00023350003,0.0011381106,0.01033315,0.0044036843,0.0042158784,0.0014576697,0.0007983837],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004246077,0.000026184458,0.0009919666,0.00008012895,0.00001105783,0.00037064307,0.043185,0.000622576,0.0002499519,0.9341662,0.0032643494,0.016989471],"study_design_scores_gemma":[0.000028015824,0.000048066682,0.0062411358,0.0002524296,0.000031799966,0.0008449908,0.04999632,0.0021136508,0.0015734981,0.34770933,0.5911154,0.00004530488],"about_ca_topic_score_codex":0.011099259,"about_ca_topic_score_gemma":0.011287271,"teacher_disagreement_score":0.011099259,"about_ca_system_score_codex":0.0075487383,"about_ca_system_score_gemma":0.0015511394,"threshold_uncertainty_score":0.05477017},"labels":[],"label_agreement":null},{"id":"W2596162944","doi":"","title":"DR-dokumentar begår et ydmygende karaktermord","year":2016,"lang":"da","type":"article","venue":"","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"World Federation of Science Journalists","funders":"","keywords":"Political science","score_opus":0.03717915765840013,"score_gpt":0.26475915496218455,"score_spread":0.22757999730378442,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2596162944","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028926892,0.021652345,0.01831877,0.033495333,0.021245698,0.00017758936,0.0069328984,0.0020286343,0.86722183],"genre_scores_gemma":[0.24575038,0.014684947,0.016238958,0.004857049,0.003738376,0.00022219137,0.007009662,0.0023126516,0.70518583],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99792045,0.0007732409,0.00016051542,0.00030644328,0.0006449817,0.00019434502],"domain_scores_gemma":[0.9981669,0.00044952193,0.00015878565,0.00033605148,0.0007079442,0.0001807767],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024001696,0.0006135745,0.00060980546,0.0019464382,0.00211242,0.008689829,0.00071023335,0.0012009339,0.12884982],"category_scores_gemma":[0.0060272426,0.00027070698,0.00038285356,0.0016217476,0.0017187684,0.0040651634,0.004273669,0.0020951598,0.07004781],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040968854,0.00015013247,0.0019778253,0.0017570554,0.0000731749,0.0007535225,0.00838646,0.0005411962,0.003917609,0.29644158,0.3712259,0.31436583],"study_design_scores_gemma":[0.000010458683,0.000018751021,0.0007778589,0.00028575552,0.000012616063,0.0003163001,0.0020424558,0.00012871536,0.0012266714,0.012087391,0.98307484,0.000018337505],"about_ca_topic_score_codex":0.0016902124,"about_ca_topic_score_gemma":0.0018437515,"teacher_disagreement_score":0.12884982,"about_ca_system_score_codex":0.0024910104,"about_ca_system_score_gemma":0.0027589854,"threshold_uncertainty_score":0.4310456},"labels":[],"label_agreement":null},{"id":"W2597296161","doi":"10.5539/elt.v10n4p87","title":"Psychological Analysis of Humboldt’s Gift from the Perspective of Lacan’s Theory","year":2017,"lang":"en","type":"article","venue":"English Language Teaching","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Education Department of Sichuan Province","keywords":"Perspective (graphical); Psychoanalysis; Honor; Psychology; Materialism; Lunatic; Power (physics); Sociology; Historical materialism; Epistemology; Social psychology; Philosophy; Law; Art","score_opus":0.026491596779615406,"score_gpt":0.311031138867697,"score_spread":0.28453954208808163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2597296161","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5274747,0.0030891483,0.011829037,0.018650152,0.00021229572,0.000066013796,0.00004472701,0.00007028458,0.43856367],"genre_scores_gemma":[0.99542147,0.0002253859,0.0005445316,0.00025708278,0.000019665491,0.00000936216,0.000005259655,0.0000042362426,0.0035130004],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915314,0.000537443,0.000017557224,0.00006285805,0.00015144261,0.000077661236],"domain_scores_gemma":[0.9989716,0.0004854038,0.00018883095,0.00007685618,0.00012300994,0.00015433127],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011855401,0.0001970373,0.00018910572,0.0011276014,0.00332484,0.0025619222,0.00035507977,0.0007927423,0.0021427455],"category_scores_gemma":[0.0026825008,0.00009389244,0.0001269326,0.000683521,0.01777054,0.003624777,0.0020391305,0.0015317352,0.00012059041],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028063396,0.000032276843,0.0012509876,0.000028648405,0.0000039769425,0.00039274566,0.07716986,0.00014275136,0.00020707861,0.91303754,0.00211029,0.005595801],"study_design_scores_gemma":[0.000049920858,0.000089815825,0.006262954,0.0001371351,0.000018559675,0.0021631995,0.15747894,0.001791962,0.0008355161,0.5856139,0.24551842,0.00003954752],"about_ca_topic_score_codex":0.002227299,"about_ca_topic_score_gemma":0.0020835625,"teacher_disagreement_score":0.0037750995,"about_ca_system_score_codex":0.0037750995,"about_ca_system_score_gemma":0.0011070938,"threshold_uncertainty_score":0.02739042},"labels":[],"label_agreement":null},{"id":"W2601858458","doi":"","title":"Der Untermensch / Le sous-homme, Canada, 2013, 8 minutes","year":2014,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.004412947928024291,"score_gpt":0.1360147492465539,"score_spread":0.1316018013185296,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2601858458","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0053690644,0.14487162,0.0011842012,0.13269255,0.11959231,0.0007403937,0.051431913,0.0010498897,0.5430681],"genre_scores_gemma":[0.009795822,0.012789626,0.0004900883,0.004812974,0.0043994626,0.00019277688,0.0043946505,0.0002876822,0.9628368],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908483,0.00005086063,0.000033530756,0.0001323418,0.00040988452,0.00028843846],"domain_scores_gemma":[0.9987674,0.00007963002,0.0000335654,0.00003195471,0.0006519162,0.00043561248],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012395504,0.0012012761,0.0006915886,0.0017450085,0.009792213,0.0051258076,0.0012897563,0.0040740944,0.13582763],"category_scores_gemma":[0.002743473,0.0006450874,0.0005878539,0.0031836487,0.0012326697,0.0020288706,0.0032303005,0.0031346406,0.03326585],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019821975,0.0000044811104,0.00013222548,0.00005427408,0.0000018316226,0.00003550976,0.00016774608,0.000021950867,0.000044934455,0.0006399647,0.9935529,0.0053244536],"study_design_scores_gemma":[0.0000059352938,0.0000032948456,0.0022280386,0.00013904393,0.0000027704343,0.000013232138,0.00057128014,0.0000116654555,0.00003304268,0.00020018793,0.9967861,0.0000054659145],"about_ca_topic_score_codex":0.8012114,"about_ca_topic_score_gemma":0.9650938,"teacher_disagreement_score":0.19878858,"about_ca_system_score_codex":0.020821476,"about_ca_system_score_gemma":0.027874164,"threshold_uncertainty_score":0.45438868},"labels":[],"label_agreement":null},{"id":"W2604746451","doi":"","title":"Yearning, Frustration, and Fulfillment: The Return Story in Olive Kitteridge and Kissing in Manhattan","year":2016,"lang":"en","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.018914332838038297,"score_gpt":0.22629090734105325,"score_spread":0.20737657450301494,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2604746451","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89292455,0.006133498,0.00028622017,0.024885211,0.0014817538,0.000067808294,0.00014073875,0.000046153167,0.07403414],"genre_scores_gemma":[0.94792575,0.0020396786,0.00022810925,0.0026273837,0.00014470606,0.000037302212,0.000100144,0.00009660688,0.04680025],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99811673,0.00076113193,0.000034772882,0.00010871465,0.00031101276,0.00066766597],"domain_scores_gemma":[0.9986387,0.00031029523,0.00010297709,0.00003832174,0.00021311032,0.00069656793],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014817754,0.0010499781,0.0007889595,0.0011398059,0.0420232,0.006898205,0.0025434326,0.0031857707,0.0056725703],"category_scores_gemma":[0.0029951476,0.0005941415,0.00039026406,0.0011934248,0.013093207,0.0028052656,0.005505602,0.006380108,0.00078667654],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005472982,0.00004033862,0.0017646317,0.00004180842,0.0000098234705,0.004277352,0.97409445,0.000031573163,0.00023172662,0.0049379105,0.010964567,0.0035511241],"study_design_scores_gemma":[0.0000035886465,0.000024015233,0.0027713173,0.00006738002,0.00000635547,0.00082232925,0.93261427,0.00002447829,0.00013413362,0.0002641478,0.06324752,0.000020450349],"about_ca_topic_score_codex":0.5514731,"about_ca_topic_score_gemma":0.8433301,"teacher_disagreement_score":0.5514731,"about_ca_system_score_codex":0.022644233,"about_ca_system_score_gemma":0.010732282,"threshold_uncertainty_score":0.9023368},"labels":[],"label_agreement":null},{"id":"W2605329185","doi":"","title":"Des lieux qui changent : une courte odyssée dans l’univers de Stephen King","year":2011,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cegep de Sainte Foy","funders":"","keywords":"Geology","score_opus":0.01976738539633304,"score_gpt":0.16596777847975297,"score_spread":0.14620039308341992,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605329185","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35956326,0.030761428,0.006368325,0.28763297,0.005892558,0.00009127463,0.00027589325,0.00013226373,0.30928198],"genre_scores_gemma":[0.77214086,0.003128493,0.0010424565,0.009507588,0.0003395359,0.000029944984,0.000029878405,0.0002174141,0.21356374],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964855,0.0015397165,0.000108173845,0.0005053225,0.0004724889,0.00088871305],"domain_scores_gemma":[0.99725467,0.00138774,0.00025474382,0.00012144152,0.00030735417,0.00067410304],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027335875,0.0005534933,0.0006906182,0.00069058425,0.04694086,0.011889467,0.0015517864,0.008689875,0.01152991],"category_scores_gemma":[0.0068634823,0.0008747502,0.0004207148,0.0010801649,0.027252274,0.009817935,0.008248855,0.014515559,0.0017575752],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043436194,0.000013218291,0.0005880749,0.00005434114,0.0000052688756,0.0022352505,0.7912996,0.000114686496,0.0002783473,0.16987562,0.029071594,0.006420513],"study_design_scores_gemma":[0.0000055688397,0.000012790846,0.0008003308,0.0001462763,0.000006800881,0.00083138613,0.32822496,0.000092975075,0.00025516393,0.007606623,0.6619754,0.00004175551],"about_ca_topic_score_codex":0.3097909,"about_ca_topic_score_gemma":0.5922881,"teacher_disagreement_score":0.3097909,"about_ca_system_score_codex":0.02863795,"about_ca_system_score_gemma":0.01589675,"threshold_uncertainty_score":0.61597544},"labels":[],"label_agreement":null},{"id":"W2605422967","doi":"10.7202/1059799ar","title":"«It’s a horrible thing to live with a writer!»","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Passion; Art; Auteur theory; Philosophy; Art history; Psychology; Movie theater","score_opus":0.014303689393130595,"score_gpt":0.2249209972085303,"score_spread":0.2106173078153997,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605422967","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037486278,0.008837133,0.009717634,0.06333892,0.0055284402,0.00004819748,0.00014192854,0.00019122449,0.8747102],"genre_scores_gemma":[0.666642,0.005293606,0.0035028695,0.009533481,0.0023010883,0.00006827633,0.00010168235,0.00042119485,0.31213585],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99806935,0.0009704744,0.00003799264,0.00023244697,0.00045335075,0.00023645877],"domain_scores_gemma":[0.9976808,0.001243382,0.00022742723,0.00024351214,0.00037138924,0.0002335174],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018381008,0.0004777625,0.00023868891,0.001140116,0.011684857,0.010774861,0.0007040537,0.0023375088,0.011805553],"category_scores_gemma":[0.0052321637,0.00020690248,0.00029118705,0.0009828536,0.015112407,0.0068769488,0.0034393047,0.0052012494,0.0027224051],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004815825,0.000020526308,0.0011877563,0.00019863111,0.000011453923,0.0005889633,0.22335222,0.00006450594,0.0007628234,0.6636105,0.07812682,0.03202761],"study_design_scores_gemma":[0.0000036223582,0.000013280867,0.0008441165,0.00025471923,0.0000073529013,0.0005576429,0.055128574,0.00006851969,0.0005919745,0.016624749,0.92589194,0.000013496174],"about_ca_topic_score_codex":0.008291747,"about_ca_topic_score_gemma":0.019725535,"teacher_disagreement_score":0.011805553,"about_ca_system_score_codex":0.0032622868,"about_ca_system_score_gemma":0.0025420757,"threshold_uncertainty_score":0.03949356},"labels":[],"label_agreement":null},{"id":"W2619529176","doi":"","title":"Retour au pays des Malboro / Don't Come Knocking de Wim Wenders","year":2006,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.020945636568550207,"score_gpt":0.22673512299418153,"score_spread":0.20578948642563133,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2619529176","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39962554,0.0071697095,0.0015765722,0.053258,0.001976766,0.000049905764,0.00029508595,0.00010373962,0.53594464],"genre_scores_gemma":[0.7426371,0.0012268518,0.0004616574,0.0021235098,0.0001851764,0.000025862882,0.00006420653,0.00009344294,0.25318223],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929965,0.00029989865,0.000008462018,0.00006727925,0.00011729145,0.00020734816],"domain_scores_gemma":[0.9993363,0.00025614814,0.00008595383,0.000037967868,0.00010044565,0.00018307513],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009143144,0.00034676382,0.00016880897,0.00068736624,0.009050375,0.0054095825,0.00047577856,0.0015994994,0.029079702],"category_scores_gemma":[0.0021575165,0.0001907435,0.00014159472,0.00056332943,0.0027521218,0.0023075247,0.0021275845,0.0031249376,0.0012885408],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000320761,0.00013118025,0.013075204,0.00024089644,0.000043780095,0.003687023,0.3647434,0.0002666488,0.0022983528,0.35171866,0.19877003,0.064703986],"study_design_scores_gemma":[0.000010059815,0.000027767437,0.014239331,0.00018408344,0.000011201632,0.00040620338,0.16932715,0.000104958235,0.00060106645,0.0036138028,0.81145996,0.000014380134],"about_ca_topic_score_codex":0.089314036,"about_ca_topic_score_gemma":0.19777209,"teacher_disagreement_score":0.089314036,"about_ca_system_score_codex":0.005800827,"about_ca_system_score_gemma":0.0017383595,"threshold_uncertainty_score":0.17758834},"labels":[],"label_agreement":null},{"id":"W2621078099","doi":"10.4000/books.pufr.4513","title":"The Momentary as Momentous in Dubliners","year":2001,"lang":"en","type":"book-chapter","venue":"Presses universitaires François-Rabelais eBooks","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"History; Genealogy; Art","score_opus":0.013943684064182062,"score_gpt":0.1965843374043252,"score_spread":0.18264065334014315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2621078099","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033705875,0.0060614017,0.005885536,0.012009155,0.0010639866,0.000044147724,0.00010953261,0.00009755663,0.9410229],"genre_scores_gemma":[0.7807732,0.002437,0.0018046523,0.002094973,0.00022497257,0.00004202542,0.00006180689,0.00014410552,0.21241726],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99873227,0.00066289963,0.000035282043,0.00015780979,0.0001940816,0.00021767721],"domain_scores_gemma":[0.99935406,0.00026265014,0.000059013124,0.00012172793,0.000093075076,0.000109509754],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013282526,0.00038025904,0.00022976616,0.00068179815,0.0063424306,0.008165446,0.0006423882,0.0013969723,0.0075048003],"category_scores_gemma":[0.0022682662,0.00027591945,0.0002659223,0.00059617363,0.02023455,0.008146553,0.0048096203,0.003453,0.0007143108],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028613042,0.000006218803,0.00019585359,0.00005098871,0.0000021525946,0.00010449321,0.035036303,0.00006543572,0.00021463506,0.9482241,0.009597546,0.0064736437],"study_design_scores_gemma":[0.000010627111,0.000021709078,0.00066067127,0.00021236393,0.000006579044,0.00026891133,0.03376226,0.00013569531,0.0005861348,0.1250761,0.83923,0.000028980556],"about_ca_topic_score_codex":0.006570129,"about_ca_topic_score_gemma":0.022559972,"teacher_disagreement_score":0.008165446,"about_ca_system_score_codex":0.0053331265,"about_ca_system_score_gemma":0.00217246,"threshold_uncertainty_score":0.03869474},"labels":[],"label_agreement":null},{"id":"W2622324760","doi":"","title":"“She Is Already Telling Me a Story”: Intertextual Relationality and Autonomy in Rudy Wiebe’s Of This Earth","year":2016,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Earth (classical element); Autonomy; Literature; Art; Sociology; Philosophy; Political science; Law; Physics; Astronomy","score_opus":0.03400166715484406,"score_gpt":0.27023286705086186,"score_spread":0.2362311998960178,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2622324760","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.182361,0.002623085,0.005372723,0.038691383,0.0003987282,0.00007563001,0.00017786457,0.00006829312,0.77023125],"genre_scores_gemma":[0.9602962,0.000564614,0.0006666923,0.00086063927,0.000020164749,0.000019316021,0.000030347821,0.000064573986,0.037477434],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.996093,0.0014523941,0.00009669039,0.00045696966,0.0007447232,0.0011562379],"domain_scores_gemma":[0.99434954,0.0023381324,0.00043732475,0.00032741803,0.0013072488,0.0012404802],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038351933,0.00044391633,0.00040390485,0.002808964,0.04796731,0.01188671,0.0018223745,0.002507973,0.010015986],"category_scores_gemma":[0.011928238,0.0004470829,0.0002538912,0.0029878644,0.053792097,0.0084785065,0.005650162,0.006225952,0.0006916925],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001140827,0.0000068395166,0.0006535244,0.000016711567,0.0000023684258,0.00017583166,0.6230093,0.000045543737,0.00007430129,0.36569875,0.0070043243,0.003301137],"study_design_scores_gemma":[0.000005075695,0.0000059136482,0.0017300734,0.00017297878,0.00000870047,0.00021652803,0.62902373,0.000098227036,0.00017027685,0.034611393,0.33392528,0.000031835378],"about_ca_topic_score_codex":0.88637924,"about_ca_topic_score_gemma":0.93576634,"teacher_disagreement_score":0.11362076,"about_ca_system_score_codex":0.05054942,"about_ca_system_score_gemma":0.055367548,"threshold_uncertainty_score":0.3667634},"labels":[],"label_agreement":null},{"id":"W2657614128","doi":"10.5282/ubm/epub.129832","title":"Zwischen Literaturwissenschaft und Journalismus","year":2012,"lang":"de","type":"article","venue":"Open access LMU (Ludwid Maxmilian's Universitat Munchen)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Erasmus+; Humanities; German; Art history; Political science; History; Archaeology; The Renaissance","score_opus":0.06845752912884881,"score_gpt":0.3521328679149889,"score_spread":0.28367533878614004,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2657614128","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01983823,0.08937554,0.010887047,0.13099395,0.003781927,0.00005113115,0.00031130263,0.00024051314,0.74452037],"genre_scores_gemma":[0.80130094,0.05754809,0.008089398,0.010818495,0.003198104,0.00022556583,0.000346998,0.00044656245,0.1180259],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9854791,0.008797482,0.000935226,0.0014862624,0.0023619847,0.00093990006],"domain_scores_gemma":[0.972243,0.018565705,0.0024794687,0.002589876,0.0025394324,0.0015825618],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.011050915,0.00042365794,0.0005460695,0.005599942,0.0076695574,0.03381485,0.0011416641,0.0030573749,0.017309647],"category_scores_gemma":[0.02722248,0.0005636093,0.00025133748,0.011121189,0.027001007,0.020544851,0.008409108,0.0040673614,0.0032599694],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021644903,0.000010250112,0.0004852592,0.00019949282,0.000009174158,0.00011920318,0.021925375,0.000059421756,0.00012112943,0.9350756,0.020280428,0.021693027],"study_design_scores_gemma":[0.000012552497,0.0000123189175,0.00087935117,0.0009906589,0.0000107089245,0.00027354975,0.023125304,0.00014682417,0.0002942403,0.23912215,0.73511136,0.00002090899],"about_ca_topic_score_codex":0.0069517703,"about_ca_topic_score_gemma":0.007936857,"teacher_disagreement_score":0.03381485,"about_ca_system_score_codex":0.008994537,"about_ca_system_score_gemma":0.011883161,"threshold_uncertainty_score":0.06526023},"labels":[],"label_agreement":null},{"id":"W2733102285","doi":"","title":"L’erreur N’nours : levac sur les pas de Stephen King / Roger Levac, L’Affaire Pluche, roman, Sudbury, Prise de parole, 2005, 251 p.","year":2005,"lang":"fr","type":"article","venue":"Liaison","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.03410174168338566,"score_gpt":0.24693254007959176,"score_spread":0.2128307983962061,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2733102285","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001231142,0.2846667,0.00092756824,0.67580414,0.0072897864,0.000010786188,0.00008848153,0.000046775694,0.029934632],"genre_scores_gemma":[0.118267424,0.24297579,0.0042810584,0.4035849,0.018452406,0.00020898675,0.00021533157,0.0006934683,0.21132068],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99705064,0.0018210479,0.00007679315,0.00027202905,0.00061352644,0.00016597749],"domain_scores_gemma":[0.9954977,0.0025194786,0.00025751817,0.00013848451,0.0012510957,0.0003357501],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004102983,0.000980338,0.00072943134,0.0013524571,0.012198981,0.014172892,0.0018121368,0.0062737423,0.012728603],"category_scores_gemma":[0.01205354,0.0005591526,0.00033215305,0.0023775545,0.013669855,0.019370336,0.003787877,0.011345545,0.005481026],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029417984,0.000012028801,0.0002060342,0.00015087619,0.0000063613334,0.00008419867,0.014147929,0.00002286683,0.00006439564,0.05926487,0.9039232,0.02208775],"study_design_scores_gemma":[0.000007656676,0.000006859623,0.0005079253,0.0008962071,0.0000047200924,0.0001109607,0.023833806,0.000035294037,0.0001395157,0.019090075,0.9553433,0.00002359153],"about_ca_topic_score_codex":0.090963796,"about_ca_topic_score_gemma":0.235781,"teacher_disagreement_score":0.090963796,"about_ca_system_score_codex":0.006555716,"about_ca_system_score_gemma":0.007543206,"threshold_uncertainty_score":0.18086863},"labels":[],"label_agreement":null},{"id":"W2743094829","doi":"10.7771/1481-4374.2865","title":"A Mid-range Episode Reading of Odoevsky's The Cosmorama","year":2016,"lang":"en","type":"article","venue":"CLCWeb Comparative Literature and Culture","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Foregrounding; Reading (process); Novella; Relation (database); Criticism; Focus (optics); Epistemology; Range (aeronautics); Sublime; Bridge (graph theory); Philosophy; Literature; Aesthetics; Linguistics; Art; Computer science","score_opus":0.0305147900113625,"score_gpt":0.2543439594914894,"score_spread":0.2238291694801269,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2743094829","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15963879,0.010368395,0.022198202,0.020102652,0.0022908144,0.00012503217,0.00019548,0.00015958693,0.78492105],"genre_scores_gemma":[0.96196556,0.0014616101,0.0017054139,0.0015645162,0.0001716538,0.000040584677,0.000078578785,0.00005716985,0.032954924],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9995074,0.00025650984,0.000021425278,0.00006811992,0.00007528289,0.0000711469],"domain_scores_gemma":[0.9996619,0.00017891361,0.00003099387,0.000025012168,0.000063019026,0.000040087285],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006746597,0.00032955178,0.00023082033,0.000909392,0.002651967,0.0032189847,0.00042155638,0.0012895794,0.0036062389],"category_scores_gemma":[0.0016309945,0.00014700487,0.00014812278,0.000546521,0.0072725313,0.0029641066,0.0017948707,0.0030325023,0.0003353613],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008204187,0.000024940857,0.00073198206,0.00009075632,0.000006306878,0.0006838584,0.106946215,0.000116918694,0.0011338197,0.86367637,0.011543101,0.014963731],"study_design_scores_gemma":[0.000024255502,0.00012702054,0.0059515587,0.00051797996,0.000011686953,0.0016325626,0.08183742,0.00042053254,0.0021942924,0.18078929,0.7264535,0.000039885894],"about_ca_topic_score_codex":0.0052917753,"about_ca_topic_score_gemma":0.008783014,"teacher_disagreement_score":0.0052917753,"about_ca_system_score_codex":0.0028019394,"about_ca_system_score_gemma":0.00088644703,"threshold_uncertainty_score":0.020329595},"labels":[],"label_agreement":null},{"id":"W2750420810","doi":"","title":"Narrative Transparencies & Other Melodies","year":2016,"lang":"en","type":"article","venue":"Canadian literature","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Melody; Narrative; Literature; Art; History","score_opus":0.015340871493315028,"score_gpt":0.19369128419202863,"score_spread":0.1783504126987136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2750420810","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018641073,0.001492629,0.0023758428,0.002332058,0.00036300055,0.00003666969,0.0002592566,0.000057316833,0.9744421],"genre_scores_gemma":[0.73552895,0.002362573,0.002163803,0.0005067693,0.00014626622,0.000058164198,0.00023205407,0.00018563902,0.25881585],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99880064,0.0003716859,0.000033079607,0.00011370882,0.00042799907,0.00025282896],"domain_scores_gemma":[0.99855644,0.00045862305,0.00011060602,0.00021264027,0.00043775747,0.00022398778],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011506359,0.00067632255,0.0002502068,0.0033941548,0.010746903,0.011889041,0.0010860199,0.0009145178,0.03868297],"category_scores_gemma":[0.004903646,0.00020532578,0.00023632387,0.004369517,0.010123323,0.0051073795,0.002676439,0.0021087585,0.0018465926],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028328057,0.000012130055,0.00026555403,0.00009208372,0.000003733141,0.00009751985,0.037550513,0.00007015462,0.00022652603,0.9192352,0.01962862,0.022789575],"study_design_scores_gemma":[0.000008562316,0.000012644296,0.0019362993,0.00043658403,0.000010586145,0.00017558507,0.07070574,0.00021652994,0.0006230549,0.04735033,0.8785005,0.000023632387],"about_ca_topic_score_codex":0.30016315,"about_ca_topic_score_gemma":0.5257622,"teacher_disagreement_score":0.30016315,"about_ca_system_score_codex":0.015362903,"about_ca_system_score_gemma":0.0106215635,"threshold_uncertainty_score":0.59683204},"labels":[],"label_agreement":null},{"id":"W2754711176","doi":"","title":"Qui dort quand ? / Stéphane Lafleur, Tu dors Nicole, Canada, 2014","year":2015,"lang":"fr","type":"article","venue":"Liberté","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.026872112638564035,"score_gpt":0.2288662070873322,"score_spread":0.20199409444876817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2754711176","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004976616,0.1600465,0.0018292378,0.18144456,0.013650572,0.000113639064,0.0030244763,0.00043737332,0.63447714],"genre_scores_gemma":[0.011674303,0.010994005,0.00062416925,0.004290323,0.0003373886,0.000039835326,0.00022404369,0.00017828759,0.9716376],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993007,0.00012673262,0.000025301815,0.0001176577,0.00025649567,0.00017310238],"domain_scores_gemma":[0.9991843,0.00017553895,0.00003040587,0.00003342981,0.00036751077,0.00020882857],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009822499,0.0006032374,0.000423128,0.0012128212,0.011105049,0.007150628,0.000947346,0.0029819682,0.10536552],"category_scores_gemma":[0.0030766183,0.0004933583,0.0002733636,0.0014545668,0.0023281688,0.0031310904,0.0024868206,0.003498659,0.017018989],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026796697,0.000011493087,0.00029223633,0.00009397806,0.0000032071216,0.00009214216,0.0019264251,0.000057443962,0.00011643286,0.03204389,0.9307766,0.034559373],"study_design_scores_gemma":[0.0000026547405,0.0000018380995,0.0006556447,0.00015391078,0.0000016637105,0.000035415585,0.0019466428,0.000020664153,0.00009455096,0.0009710638,0.99611014,0.000005923564],"about_ca_topic_score_codex":0.70781875,"about_ca_topic_score_gemma":0.91490453,"teacher_disagreement_score":0.29218125,"about_ca_system_score_codex":0.018903447,"about_ca_system_score_gemma":0.024046041,"threshold_uncertainty_score":0.5878039},"labels":[],"label_agreement":null},{"id":"W2767393163","doi":"10.7202/1041076ar","title":"Simulacres et reenactment : l’aura de Laura entre cinéma et télévision, de Preminger (Laura) à Lynch (Twin Peaks)","year":2017,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.03282280269042717,"score_gpt":0.31181599826246376,"score_spread":0.2789931955720366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767393163","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20941472,0.022076355,0.03141277,0.07064131,0.0017118738,0.00006483155,0.0001085189,0.00016405754,0.6644056],"genre_scores_gemma":[0.94936705,0.0024903154,0.0020277442,0.0016520469,0.00034690116,0.000037287635,0.000023705554,0.00011871523,0.04393625],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99831736,0.0010227473,0.000027128002,0.0002259961,0.00022253756,0.0001842306],"domain_scores_gemma":[0.9981566,0.0011386152,0.00014524849,0.00018249264,0.00016473571,0.00021232903],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017325686,0.00056019926,0.00021588148,0.0012732465,0.0055306023,0.0077265142,0.00076689327,0.0016253045,0.006253616],"category_scores_gemma":[0.0042748926,0.00028760824,0.00023323277,0.00096683117,0.025389489,0.009469593,0.0054994933,0.004216641,0.00051998516],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004323085,0.000009443508,0.00062705204,0.00004311458,0.0000036211902,0.00011995807,0.16075313,0.00006262142,0.00035813346,0.8248807,0.0034862682,0.00961274],"study_design_scores_gemma":[0.000029430774,0.000085732245,0.0031791434,0.00046258626,0.000027208971,0.00054788607,0.12124183,0.00068677263,0.0016811888,0.1930987,0.6789176,0.00004194165],"about_ca_topic_score_codex":0.0146784205,"about_ca_topic_score_gemma":0.017256794,"teacher_disagreement_score":0.0146784205,"about_ca_system_score_codex":0.0048341034,"about_ca_system_score_gemma":0.0026219408,"threshold_uncertainty_score":0.035073996},"labels":[],"label_agreement":null},{"id":"W2768481767","doi":"10.22028/d291-23536","title":"American and Canadian literature and culture : across a latitudinal line ; papers from the Saarbrücken Mediation Project","year":2008,"lang":"en","type":"article","venue":"Publications of the UdS (Saarland University)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mediation; Political science; Library science; Geography; Media studies; Sociology; Social science; Computer science","score_opus":0.017450993092121884,"score_gpt":0.20653470816994685,"score_spread":0.18908371507782495,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2768481767","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1354085,0.26290676,0.0003370397,0.049417295,0.0018077041,0.00008902109,0.0009901208,0.00005256704,0.548991],"genre_scores_gemma":[0.80481195,0.119842105,0.0006483147,0.004565807,0.0004566462,0.00013884406,0.0008943718,0.000144811,0.068497],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99378806,0.0011152852,0.00012913172,0.00054343307,0.002586281,0.0018377444],"domain_scores_gemma":[0.9955622,0.0011532136,0.0003531422,0.00018817051,0.0017498295,0.0009934361],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0040201386,0.0008223652,0.00094600476,0.0106596695,0.030789534,0.021029674,0.0016576855,0.00195356,0.0096837105],"category_scores_gemma":[0.0066805817,0.0005300546,0.0002523741,0.035936434,0.016581682,0.003478783,0.007416986,0.002412609,0.00073456834],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013692283,0.000100595535,0.007797496,0.001012046,0.00007781447,0.00080091815,0.5193874,0.00015570264,0.00071519153,0.2435827,0.13403527,0.092197955],"study_design_scores_gemma":[0.00001079408,0.000009039293,0.029007917,0.0013335776,0.000034144337,0.0001236063,0.29246104,0.000025809952,0.00015820148,0.004374674,0.67242825,0.000032846496],"about_ca_topic_score_codex":0.94811386,"about_ca_topic_score_gemma":0.97398865,"teacher_disagreement_score":0.08391626,"about_ca_system_score_codex":0.08391626,"about_ca_system_score_gemma":0.10663812,"threshold_uncertainty_score":0.6088579},"labels":[],"label_agreement":null},{"id":"W2773107289","doi":"10.1017/s001221731700097x","title":"Cliffhangers and Sequels: Stories, Serials, and Authorial Intentions","year":2017,"lang":"en","type":"article","venue":"Dialogue","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Narrative; Character (mathematics); Literature; Work (physics); Aesthetics; History; Sociology; Psychology; Art; Engineering","score_opus":0.07719113948428924,"score_gpt":0.28404648345839906,"score_spread":0.20685534397410982,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2773107289","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46413112,0.0023093813,0.063737705,0.0047463872,0.00023854911,0.00008556752,0.00012254363,0.00010746439,0.46452126],"genre_scores_gemma":[0.990879,0.00023954365,0.0031569882,0.0000810251,0.000024307737,0.000025969146,0.000032304823,0.000029178522,0.0055316426],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959848,0.0027753287,0.00018085123,0.00037807133,0.0004413937,0.0002395371],"domain_scores_gemma":[0.9848037,0.010199989,0.0019407547,0.0017101426,0.00079403515,0.0005513608],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005687619,0.00039941902,0.0002408343,0.0015315666,0.00410533,0.009848721,0.0007674855,0.0015481338,0.0048911995],"category_scores_gemma":[0.019662103,0.00033134592,0.000342099,0.0013094834,0.022403285,0.012797318,0.0040738177,0.0020391014,0.00046387312],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058268455,0.000022399456,0.0029211391,0.00007742392,0.000008261923,0.00030003715,0.14988652,0.00019934415,0.00031232837,0.8369449,0.00057203544,0.0086974185],"study_design_scores_gemma":[0.000032749915,0.00016653285,0.008266019,0.0009970611,0.00006648592,0.0012983076,0.3232736,0.0023461753,0.003881655,0.5126002,0.14698339,0.00008775732],"about_ca_topic_score_codex":0.0012169906,"about_ca_topic_score_gemma":0.0017051623,"teacher_disagreement_score":0.009848721,"about_ca_system_score_codex":0.0017775071,"about_ca_system_score_gemma":0.0012726028,"threshold_uncertainty_score":0.030079365},"labels":[],"label_agreement":null},{"id":"W2775799447","doi":"10.26522/vp.v14i2.1649","title":"Mathis-Moser, Ursula, dir. Die Krise schreiben / Writing Crisis / Ecrire la crise","year":2017,"lang":"de","type":"article","venue":"Voix Plurielles","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art history; Humanities; Art","score_opus":0.023077506584638325,"score_gpt":0.26477827962504025,"score_spread":0.2417007730404019,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2775799447","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026135384,0.46364093,0.0031151725,0.41624296,0.01831175,0.000037901358,0.00097503565,0.00033143812,0.09473131],"genre_scores_gemma":[0.11573889,0.32728538,0.0083893975,0.04414294,0.018539209,0.00023233106,0.0014411847,0.0020244902,0.48220623],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972235,0.001345679,0.00012882207,0.0003188316,0.0008041243,0.00017903431],"domain_scores_gemma":[0.99640995,0.0015236224,0.0003932383,0.00017263538,0.0010810641,0.00041944458],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034021598,0.0013084568,0.00088834437,0.0024776007,0.0042289845,0.006633835,0.00082009454,0.004053882,0.051826872],"category_scores_gemma":[0.010720305,0.00058328296,0.00035731177,0.0022661574,0.0031427823,0.008746446,0.0035340423,0.006386959,0.03303514],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054507353,0.000012491829,0.00024238258,0.00029585476,0.000012386534,0.00012444488,0.00435262,0.00008082351,0.00028100252,0.042962562,0.8940737,0.057507325],"study_design_scores_gemma":[0.0000054098355,0.0000056178865,0.0008163125,0.00039988352,0.000004457854,0.00022414005,0.002910627,0.000062031846,0.00032711017,0.0101634525,0.9850626,0.00001828918],"about_ca_topic_score_codex":0.013720629,"about_ca_topic_score_gemma":0.017081473,"teacher_disagreement_score":0.051826872,"about_ca_system_score_codex":0.0042896904,"about_ca_system_score_gemma":0.0026676534,"threshold_uncertainty_score":0.17337811},"labels":[],"label_agreement":null},{"id":"W2778217184","doi":"10.33112/ritid.19.2.10","title":"Þannig er saga okkar“: Um sagnritunarsjálfsögur og skáldsöguna Hundadaga eftir Einar Má Guðmundsson","year":2019,"lang":"en","type":"article","venue":"Ritið","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Metanarrative; Literature; Narrative; Temporality; Philosophy; Metafiction; Enlightenment; Icelandic; Revelation; Reading (process); History; Art history; Art; Epistemology; Linguistics","score_opus":0.02095493901173534,"score_gpt":0.22161870345669782,"score_spread":0.20066376444496248,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2778217184","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10700425,0.029118875,0.009198091,0.06447621,0.022196531,0.00011038582,0.00093556504,0.00082573754,0.7661343],"genre_scores_gemma":[0.57109493,0.010012956,0.0054285135,0.008823065,0.0014242537,0.000077877674,0.0008549818,0.0007957315,0.40148765],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9989478,0.0003635635,0.0000597404,0.0002175482,0.00023701022,0.00017432292],"domain_scores_gemma":[0.9994837,0.00017905445,0.000057082176,0.000058440302,0.00013888316,0.00008274323],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001429303,0.00085408636,0.00040617058,0.0007052164,0.0043768785,0.0077306903,0.0009069726,0.0025880914,0.0219223],"category_scores_gemma":[0.0024842776,0.0003385925,0.00042584134,0.0006130356,0.0047236863,0.004781753,0.0040997188,0.004001473,0.009764819],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004087583,0.00015958816,0.0031982295,0.0010851384,0.00004946815,0.002572154,0.14473619,0.00046388156,0.004180973,0.40144178,0.29349923,0.14820458],"study_design_scores_gemma":[0.000007717211,0.000034681234,0.000894268,0.00029225214,0.000011197133,0.00042007497,0.02165668,0.00007464296,0.00088873616,0.006212887,0.9694829,0.000023907067],"about_ca_topic_score_codex":0.004144539,"about_ca_topic_score_gemma":0.010245768,"teacher_disagreement_score":0.0219223,"about_ca_system_score_codex":0.0028743437,"about_ca_system_score_gemma":0.0022393707,"threshold_uncertainty_score":0.073337376},"labels":[],"label_agreement":null},{"id":"W2785522059","doi":"10.22215/etd/2016-11631","title":"Richard Linklater's \"Before\" Series: Time, Duration, and Memory","year":2016,"lang":"en","type":"dissertation","venue":"","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Temporality; Duration (music); Series (stratigraphy); Narrative; Midnight; Psychology; Aesthetics; Art; Psychoanalysis; Epistemology; Literature; Philosophy; Geology; Physics; Astronomy","score_opus":0.007216036745560539,"score_gpt":0.2092181916067788,"score_spread":0.20200215486121825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2785522059","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13657501,0.05265963,0.006382443,0.037118983,0.0023540782,0.00007088696,0.00017433659,0.00012250994,0.76454216],"genre_scores_gemma":[0.84293056,0.03253021,0.003293501,0.0028757977,0.001479305,0.00010608459,0.00014363007,0.0001303533,0.1165105],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923897,0.00045567632,0.000017033575,0.000092563896,0.00013586807,0.00005982419],"domain_scores_gemma":[0.9987539,0.00077375985,0.00014713344,0.00006062573,0.00013451625,0.00013002598],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00096657197,0.00033766768,0.0001763894,0.00073169125,0.0022523853,0.004032882,0.0004645388,0.0009375008,0.0111983875],"category_scores_gemma":[0.0029115363,0.00015683423,0.00022499099,0.00068539596,0.003815228,0.0047003194,0.0012762308,0.0019435403,0.0010262121],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014687225,0.00008478026,0.0028805502,0.0005203618,0.000017890177,0.00029714868,0.1156874,0.00033105654,0.0018519786,0.6929351,0.106093444,0.07915353],"study_design_scores_gemma":[0.00001764639,0.00015368346,0.006231994,0.00096091925,0.000020574093,0.0004638071,0.041151486,0.00021450517,0.0015141536,0.0288041,0.9204224,0.00004478833],"about_ca_topic_score_codex":0.0053997654,"about_ca_topic_score_gemma":0.0072449567,"teacher_disagreement_score":0.0111983875,"about_ca_system_score_codex":0.002073935,"about_ca_system_score_gemma":0.00080797815,"threshold_uncertainty_score":0.037462413},"labels":[],"label_agreement":null},{"id":"W2788466050","doi":"10.4000/itineraires.3693","title":"Fictionnalité et référentialité","year":2018,"lang":"fr","type":"article","venue":"Itinéraires","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Philosophy","score_opus":0.02559914657792786,"score_gpt":0.2878501719929513,"score_spread":0.26225102541502343,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2788466050","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13278547,0.0072830804,0.12523788,0.010861071,0.0009854238,0.0001291157,0.0002930486,0.0002109116,0.722214],"genre_scores_gemma":[0.94854915,0.0020822652,0.014668518,0.0005773817,0.0003965241,0.00011958054,0.00019596875,0.00014041149,0.03327022],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99516416,0.001980013,0.00019632801,0.0010432318,0.0012514257,0.0003647703],"domain_scores_gemma":[0.98654175,0.009402996,0.0009922388,0.0015732666,0.0012081361,0.00028160805],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005541155,0.00060440745,0.0005889544,0.0044616605,0.0037734034,0.009412763,0.0015709462,0.002024281,0.0135552045],"category_scores_gemma":[0.015524746,0.0003429369,0.0006004274,0.002806629,0.027092004,0.01317849,0.004560547,0.0025456487,0.000995432],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014711083,0.000008510289,0.00085744984,0.00010085563,0.0000066574044,0.000069789465,0.024940273,0.00007705763,0.00024400164,0.9624906,0.0005160339,0.010674078],"study_design_scores_gemma":[0.000019516225,0.000069631824,0.0050925324,0.0005010055,0.000043589695,0.001000874,0.031084504,0.00086515554,0.0019090805,0.713352,0.2460074,0.000054651096],"about_ca_topic_score_codex":0.0048891995,"about_ca_topic_score_gemma":0.0051696287,"teacher_disagreement_score":0.0135552045,"about_ca_system_score_codex":0.0048257355,"about_ca_system_score_gemma":0.0025574518,"threshold_uncertainty_score":0.045346677},"labels":[],"label_agreement":null},{"id":"W2791330826","doi":"10.17742/image.scandal.4-1.11","title":"Lighting Darkness: In conversation with Artist Daniela Schlüter","year":2013,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Conversation; Darkness; Art; Visual arts; Psychology; Aesthetics; Communication; Optics","score_opus":0.031758429384828625,"score_gpt":0.35066778116985436,"score_spread":0.3189093517850257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2791330826","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2772871,0.018860724,0.004890166,0.36268964,0.019538822,0.00010056895,0.00024837806,0.0002653882,0.3161192],"genre_scores_gemma":[0.87912625,0.0039242688,0.00093761383,0.031886853,0.0019556826,0.0000691978,0.000058722257,0.00050195865,0.08153945],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99644744,0.002431784,0.000052065734,0.00025728665,0.00037955592,0.00043192937],"domain_scores_gemma":[0.9933442,0.0043803924,0.00032618365,0.0001794793,0.00047099002,0.0012987193],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037533287,0.00087346917,0.00064760586,0.0011140258,0.02355195,0.010867345,0.0011870668,0.004936828,0.0082446085],"category_scores_gemma":[0.012739154,0.00043718418,0.0004634806,0.0007424467,0.01324764,0.0068571726,0.007970568,0.015788214,0.001569528],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000087707806,0.0000566925,0.00079206383,0.000101002974,0.000015924274,0.0015777298,0.88648903,0.000071279625,0.0011002633,0.023870975,0.077630155,0.008207299],"study_design_scores_gemma":[0.000007236169,0.000025145437,0.0008619477,0.00019657279,0.000006690709,0.00091322523,0.6931196,0.000087541004,0.00037563598,0.002884494,0.30148926,0.000032573993],"about_ca_topic_score_codex":0.0084876465,"about_ca_topic_score_gemma":0.018616043,"teacher_disagreement_score":0.02355195,"about_ca_system_score_codex":0.003972113,"about_ca_system_score_gemma":0.001744364,"threshold_uncertainty_score":0.028819859},"labels":[],"label_agreement":null},{"id":"W2793199614","doi":"10.4000/communication.7530","title":"Le post-factualisme","year":2018,"lang":"fr","type":"article","venue":"Communication","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Political science; Philosophy","score_opus":0.030323793108174547,"score_gpt":0.26266785029133516,"score_spread":0.23234405718316062,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2793199614","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05809481,0.0106050735,0.05330335,0.068018526,0.0015306035,0.000055261415,0.00021632336,0.00010351678,0.8080725],"genre_scores_gemma":[0.94217205,0.002178622,0.0033150902,0.002155001,0.0007546189,0.000068607704,0.00007852001,0.00010810865,0.04916929],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99604934,0.00229842,0.00008316066,0.00055113103,0.0006962326,0.00032170376],"domain_scores_gemma":[0.9935835,0.003950577,0.00060063775,0.0009022098,0.00069399056,0.00026909666],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.004789972,0.0003621612,0.00028560887,0.0015139717,0.0042516105,0.007931316,0.0009468407,0.0022459165,0.008848363],"category_scores_gemma":[0.009076726,0.00020128246,0.0004154013,0.0011517939,0.026299011,0.011083893,0.0030475338,0.004895235,0.0008594807],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000453377,0.0000022015397,0.000091118105,0.000015258414,0.0000011409157,0.000018414219,0.005791218,0.000022716851,0.000037400576,0.99133486,0.00089605036,0.0017850245],"study_design_scores_gemma":[0.000011361558,0.000031104006,0.0011361765,0.00024046435,0.000009284839,0.00027750104,0.013751795,0.00035845538,0.00058154424,0.56535953,0.41822404,0.000018793704],"about_ca_topic_score_codex":0.0046507595,"about_ca_topic_score_gemma":0.0035660502,"teacher_disagreement_score":0.9957484,"about_ca_system_score_codex":0.0053354767,"about_ca_system_score_gemma":0.002513177,"threshold_uncertainty_score":0.038711786},"labels":[],"label_agreement":null},{"id":"W2793252390","doi":"10.18432/ari29208","title":"Poetic Existential: A Lyrical Autoethnography of Self, Others, and World","year":2018,"lang":"en","type":"article","venue":"Art/Research International A Transdisciplinary Journal","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Autoethnography; Existentialism; Poetry; Aesthetics; Sociology; Narrative; Literature; Art; Philosophy; Gender studies; Epistemology","score_opus":0.08922601244085929,"score_gpt":0.37104506975116863,"score_spread":0.2818190573103093,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2793252390","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.801223,0.0017533844,0.057258587,0.014491768,0.0011759403,0.0011174281,0.00079900614,0.00032692056,0.12185398],"genre_scores_gemma":[0.9613189,0.0009094455,0.009019789,0.0020018443,0.00017663829,0.0007016922,0.00020335674,0.0003084492,0.02536001],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99082476,0.007743704,0.00012272023,0.000442588,0.00047739712,0.0003887968],"domain_scores_gemma":[0.9923848,0.0055610454,0.00026719924,0.0008582588,0.00038317547,0.0005455149],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00614439,0.0009236135,0.00061062607,0.0016476021,0.009296415,0.006337873,0.0012078034,0.001888529,0.0039133625],"category_scores_gemma":[0.011146431,0.0004474227,0.00044901617,0.001244295,0.020838292,0.005090268,0.0066436394,0.0052878284,0.0009086429],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004815404,0.00007217598,0.0006092785,0.00009750091,0.0000065186505,0.00065160275,0.963845,0.00017154164,0.0014876355,0.023001552,0.004556128,0.005452885],"study_design_scores_gemma":[0.000015242165,0.000058031193,0.0008619326,0.0002966702,0.0000069322655,0.0010785775,0.84316295,0.00059840333,0.0015214594,0.008447101,0.14391622,0.00003651377],"about_ca_topic_score_codex":0.0016409555,"about_ca_topic_score_gemma":0.0029092154,"teacher_disagreement_score":0.009296415,"about_ca_system_score_codex":0.0024193309,"about_ca_system_score_gemma":0.0019837618,"threshold_uncertainty_score":0.03249502},"labels":[],"label_agreement":null},{"id":"W2793640777","doi":"10.1353/mos.2018.0009","title":"Ghostwriting Abigail: The Haunting Authorship of Chris Abani and Dave Eggers","year":2018,"lang":"en","type":"article","venue":"Mosaic","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Presentation (obstetrics); Art; Literature","score_opus":0.027795512942501117,"score_gpt":0.23546963445988348,"score_spread":0.20767412151738235,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2793640777","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.396223,0.0045721903,0.009020339,0.04820678,0.0023218244,0.00004587715,0.000051514555,0.00016288893,0.5393956],"genre_scores_gemma":[0.9473833,0.00070447125,0.0013366162,0.001491251,0.00014738219,0.000014351141,0.000012703909,0.00009727638,0.04881266],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982936,0.0010855834,0.000024176356,0.00014176192,0.0003188883,0.00013601764],"domain_scores_gemma":[0.99606305,0.0025077905,0.00037237955,0.00034703698,0.00030075596,0.0004089565],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023837516,0.0003311785,0.00021917126,0.00083598756,0.008854965,0.008014014,0.0004907521,0.0014392581,0.0048991577],"category_scores_gemma":[0.009889254,0.00018216656,0.000110323395,0.00057478645,0.017040612,0.0061456193,0.0040251003,0.00299923,0.00061035954],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045065965,0.000013460955,0.000982012,0.00006492742,0.000005460556,0.0007155935,0.64802974,0.00006507657,0.0007334435,0.30687863,0.025882244,0.016584428],"study_design_scores_gemma":[0.000012623848,0.00002860141,0.0011273872,0.0002971132,0.00000880183,0.0015258043,0.3696883,0.00028995174,0.0013030008,0.042179227,0.5835139,0.000025306723],"about_ca_topic_score_codex":0.00293723,"about_ca_topic_score_gemma":0.00902395,"teacher_disagreement_score":0.008854965,"about_ca_system_score_codex":0.0025062892,"about_ca_system_score_gemma":0.0016851489,"threshold_uncertainty_score":0.018184483},"labels":[],"label_agreement":null},{"id":"W2799442885","doi":"","title":"Roundtable: Affect, the Short Story, and the Cycle","year":2016,"lang":"en","type":"article","venue":"","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Affect (linguistics); History; Psychology; Communication","score_opus":0.021647867438897656,"score_gpt":0.23006799149372487,"score_spread":0.2084201240548272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2799442885","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07248034,0.008623204,0.02477044,0.051942207,0.0023071652,0.00007505166,0.00045795695,0.00014154437,0.8392021],"genre_scores_gemma":[0.92073816,0.0018056158,0.0023602846,0.002163785,0.00043450855,0.00006983115,0.0001401018,0.0001517085,0.0721359],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983985,0.0010930226,0.00002557144,0.00015910994,0.00019091206,0.00013292623],"domain_scores_gemma":[0.99550146,0.0029123041,0.0003004425,0.00045847613,0.00036837204,0.0004589663],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023667286,0.00039218026,0.0002612334,0.0009548185,0.004535479,0.008442181,0.0009616255,0.0016118345,0.03318627],"category_scores_gemma":[0.010689864,0.00020941933,0.0002575068,0.0011411536,0.010249033,0.010580538,0.0033095917,0.0024035126,0.0018135512],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008308675,0.000012740369,0.00039439608,0.00006019051,0.00000668232,0.00008489243,0.0224047,0.00017379536,0.00011375116,0.9371849,0.022980623,0.016500233],"study_design_scores_gemma":[0.000020354211,0.000044684326,0.0015389975,0.00032538394,0.000016139385,0.00016170516,0.040747806,0.0007670597,0.00043129807,0.54373026,0.41218325,0.00003308986],"about_ca_topic_score_codex":0.0048485794,"about_ca_topic_score_gemma":0.0059813308,"teacher_disagreement_score":0.03318627,"about_ca_system_score_codex":0.003015183,"about_ca_system_score_gemma":0.0016554956,"threshold_uncertainty_score":0.111019194},"labels":[],"label_agreement":null},{"id":"W2800235419","doi":"10.3138/cjfs.11.2.44","title":"Multiple Strands and Possible Worlds","year":2002,"lang":"fr","type":"article","venue":"Canadian Journal of Film Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.05725019097414418,"score_gpt":0.24077125233807756,"score_spread":0.18352106136393337,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2800235419","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.107328765,0.008599597,0.073071204,0.015396702,0.0004991422,0.000116072464,0.00018599768,0.000102013226,0.7947005],"genre_scores_gemma":[0.96442664,0.0023916622,0.008790156,0.00025373852,0.00011425824,0.00009639556,0.00007461741,0.000052647407,0.023799853],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9950911,0.00354398,0.00012019903,0.00047521008,0.00047279257,0.00029671597],"domain_scores_gemma":[0.9942263,0.0038223346,0.00050963316,0.00062462944,0.00035379652,0.0004633762],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0040910565,0.00076761236,0.00046113066,0.002856227,0.008564584,0.015699442,0.0010539693,0.002208287,0.014582688],"category_scores_gemma":[0.0074144597,0.0005938709,0.00063315016,0.0021166187,0.026390161,0.021406777,0.008417147,0.0024567144,0.0010244607],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008428832,0.0000042701877,0.00025348473,0.000029182884,0.0000052871783,0.0001256645,0.026288036,0.00010675175,0.000049290597,0.9699238,0.00056028576,0.002645467],"study_design_scores_gemma":[0.000013301138,0.00001348285,0.00021655917,0.00017716187,0.000011679455,0.0002698754,0.03629132,0.00043922864,0.00012736043,0.8670853,0.095344566,0.000010239267],"about_ca_topic_score_codex":0.0025322842,"about_ca_topic_score_gemma":0.00366406,"teacher_disagreement_score":0.015699442,"about_ca_system_score_codex":0.0037431025,"about_ca_system_score_gemma":0.0019603092,"threshold_uncertainty_score":0.048783958},"labels":[],"label_agreement":null},{"id":"W2883939333","doi":"10.1515/fns-2018-0004","title":"Your body is our black box: Narrating nations in second-person fiction by Edna O’Brien and Jennifer Egan","year":2018,"lang":"en","type":"article","venue":"Frontiers of Narrative Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Narrative; Oppression; Politics; Sociology; Gender studies; Body politic; Cowardice; Aesthetics; Identity (music); Plot (graphics); Agency (philosophy); Literature; History; Art; Law; Political science","score_opus":0.03850591274330994,"score_gpt":0.2905497007352327,"score_spread":0.25204378799192273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2883939333","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58908266,0.01570814,0.010113182,0.09042208,0.007315613,0.00018378632,0.00032235272,0.00018656183,0.28666568],"genre_scores_gemma":[0.9501056,0.0033117533,0.0026131065,0.0071180444,0.00074406585,0.00013063615,0.000078948346,0.0002011379,0.03569674],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970829,0.0021985245,0.000038743197,0.00019228677,0.00028275378,0.00020477039],"domain_scores_gemma":[0.9960896,0.002975829,0.00023754548,0.00013563762,0.000271084,0.00029039584],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002589767,0.0008541795,0.00051119237,0.0010205937,0.009278269,0.0066158064,0.0010728462,0.002889239,0.0033793768],"category_scores_gemma":[0.007527569,0.00030518594,0.00030492304,0.00067975087,0.016060758,0.0055345744,0.004408985,0.00503716,0.00062310585],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006202888,0.000036969264,0.00065554405,0.00014195967,0.000009365229,0.0013962771,0.9247251,0.00014631015,0.00090733526,0.03936045,0.02693504,0.005623515],"study_design_scores_gemma":[0.000007853553,0.000044266297,0.00068090693,0.00064564496,0.000007353602,0.0011387254,0.53021485,0.00029715942,0.0010473826,0.004405514,0.46147057,0.000039777617],"about_ca_topic_score_codex":0.008378481,"about_ca_topic_score_gemma":0.015585505,"teacher_disagreement_score":0.009278269,"about_ca_system_score_codex":0.00406505,"about_ca_system_score_gemma":0.0014116518,"threshold_uncertainty_score":0.029494166},"labels":[],"label_agreement":null},{"id":"W2885872323","doi":"10.14195/2182-8830_6-3_2","title":"The Interlocutor in Print and Digital Fiction: Dialogicity, Agency, (De-)Conventionalization","year":2018,"lang":"en","type":"article","venue":"Matlit Revista do Programa de Doutoramento em Materialidades da Literatura","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Narrative; Narrativity; Agency (philosophy); Dialogic; Digital storytelling; Character (mathematics); Aesthetics; Computer science; Literature; Art; Communication; Psychology; Epistemology; Philosophy; Multimedia","score_opus":0.015294614652908992,"score_gpt":0.25180840314673086,"score_spread":0.23651378849382187,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2885872323","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25068712,0.010337684,0.035329152,0.015017083,0.0007346521,0.00012292404,0.0002528061,0.0003481329,0.68717045],"genre_scores_gemma":[0.97372526,0.0011654746,0.002816001,0.0007202193,0.00021720932,0.00007228137,0.00006301313,0.00009082956,0.021129733],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99802774,0.0012751498,0.000052160092,0.0002605419,0.0002365574,0.00014786959],"domain_scores_gemma":[0.99646145,0.0025085376,0.00029250697,0.00046387262,0.00015597306,0.00011777001],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001466853,0.00033571766,0.00026113554,0.0011011085,0.0050723306,0.007521056,0.00069409213,0.0014216156,0.008601337],"category_scores_gemma":[0.005202846,0.00014311896,0.00025592613,0.0011232765,0.017808868,0.005109883,0.004311872,0.0025459765,0.0011917743],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008829792,0.000034206125,0.0011741879,0.00027493035,0.000005658128,0.00057668117,0.24690022,0.00013202995,0.0014229037,0.7112512,0.0036335571,0.034506265],"study_design_scores_gemma":[0.00002920433,0.00016184503,0.0059673274,0.0008729057,0.00003581757,0.0025347709,0.103818424,0.0007683252,0.0060239737,0.110718235,0.76901805,0.00005108537],"about_ca_topic_score_codex":0.0015546823,"about_ca_topic_score_gemma":0.0014924415,"teacher_disagreement_score":0.008601337,"about_ca_system_score_codex":0.002875131,"about_ca_system_score_gemma":0.0008164957,"threshold_uncertainty_score":0.028774321},"labels":[],"label_agreement":null},{"id":"W2892128648","doi":"10.1007/978-3-319-92457-1_7","title":"Framing: The Mimetic-to-Mythic Transition","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Framing (construction); Consciousness; Representation (politics); Episodic memory; History; Prehistory; Cognitive psychology; Psychology; Cognitive science; Neuroscience; Political science; Politics; Cognition; Archaeology","score_opus":0.03449616011468608,"score_gpt":0.2206277760497795,"score_spread":0.18613161593509342,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2892128648","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012398045,0.0029573527,0.020521803,0.013264531,0.0008483145,0.00004891387,0.0000532809,0.00008727369,0.94982046],"genre_scores_gemma":[0.87651765,0.0018489325,0.007418026,0.002078666,0.0007901416,0.00019433432,0.00009832636,0.00034655008,0.11070735],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99732745,0.0018540116,0.000042236337,0.00022543767,0.00033335833,0.00021749192],"domain_scores_gemma":[0.9976503,0.0016120417,0.00011016158,0.0003123798,0.00017817784,0.00013698016],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027994504,0.0006754884,0.00039808953,0.0014358645,0.005508569,0.010811088,0.0014190017,0.0030212179,0.011858367],"category_scores_gemma":[0.0088735605,0.0003377174,0.00035945346,0.0012458664,0.02703361,0.011039638,0.004111216,0.0055960515,0.0014637233],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002493122,0.0000032788728,0.000015190865,0.00000692563,3.882291e-7,0.000012363048,0.0044339444,0.0000191597,0.000018952507,0.99212426,0.0015241372,0.0018387857],"study_design_scores_gemma":[0.000008250206,0.000009487572,0.00013474835,0.00019494945,0.0000033592364,0.00011670788,0.008282097,0.0004220837,0.00020853442,0.8762886,0.1143229,0.00000829122],"about_ca_topic_score_codex":0.0022427698,"about_ca_topic_score_gemma":0.0025143463,"teacher_disagreement_score":0.011858367,"about_ca_system_score_codex":0.0042699673,"about_ca_system_score_gemma":0.002493559,"threshold_uncertainty_score":0.03967023},"labels":[],"label_agreement":null},{"id":"W2893765609","doi":"","title":"Narrative MediaThe Impossibilities of Digital Storytelling","year":2018,"lang":"en","type":"article","venue":"Poetics Today","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Narrative; Storytelling; Digital storytelling; Art; Literature; Computer science; Multimedia","score_opus":0.026187208397322213,"score_gpt":0.24977848073214956,"score_spread":0.22359127233482734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2893765609","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.066350125,0.01255628,0.07657981,0.023934525,0.00070632773,0.00006461273,0.00034731888,0.00022364676,0.8192375],"genre_scores_gemma":[0.95022345,0.0047178604,0.009449696,0.0007511242,0.0006164771,0.00014279076,0.000165933,0.00014853994,0.033784233],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9967499,0.0020478296,0.00010084759,0.00033529577,0.0005772134,0.00018886667],"domain_scores_gemma":[0.9864075,0.0097711105,0.00052263716,0.0022527867,0.0006271278,0.00041877574],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0039799046,0.0006023558,0.0003778974,0.0026746234,0.004352874,0.020194635,0.0015010693,0.0023160593,0.024941389],"category_scores_gemma":[0.013188795,0.00050685136,0.00030681383,0.0017669079,0.023514384,0.030794417,0.006614089,0.0028341517,0.0017870358],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013959078,0.000010153867,0.0001707767,0.00006327234,0.000003084105,0.00003742172,0.0049838247,0.00015085282,0.00015222417,0.98093516,0.0012229496,0.012256391],"study_design_scores_gemma":[0.000012739227,0.000015745585,0.0005599952,0.00030579686,0.00001297507,0.00027319096,0.010244372,0.0013575433,0.001139487,0.7921824,0.19388004,0.000015680505],"about_ca_topic_score_codex":0.00089005457,"about_ca_topic_score_gemma":0.000851452,"teacher_disagreement_score":0.024941389,"about_ca_system_score_codex":0.002040837,"about_ca_system_score_gemma":0.0012126947,"threshold_uncertainty_score":0.083437264},"labels":[],"label_agreement":null},{"id":"W2899434809","doi":"10.18357/scene02201718360","title":"\"Like an old tale still\": The Winter’s Tale and Bard on the Beach","year":2018,"lang":"en","type":"article","venue":"Scene Reviews of Early Modern Drama","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Geography; Art; Oceanography; Geology","score_opus":0.056137991897426374,"score_gpt":0.2770605682262561,"score_spread":0.2209225763288297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899434809","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033336096,0.10664407,0.001568189,0.12523401,0.007692276,0.0000845098,0.0009842376,0.00019059458,0.724266],"genre_scores_gemma":[0.4115827,0.048054688,0.001112852,0.012595621,0.0018107664,0.00009337401,0.00062487676,0.00048709442,0.523638],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916637,0.0002359517,0.000012994817,0.00005850337,0.00030182337,0.00022434634],"domain_scores_gemma":[0.9989844,0.00022001569,0.000040808412,0.000044674096,0.00034944672,0.00036065938],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011267312,0.0005699755,0.00029575147,0.0010631887,0.017556064,0.009520925,0.0010587167,0.0015217338,0.014182003],"category_scores_gemma":[0.0024772354,0.00023839415,0.0001886222,0.0017355424,0.0097212205,0.0032934162,0.0027518612,0.0036736154,0.0016808802],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051696712,0.000022765793,0.0012175824,0.00022297024,0.000013466358,0.00019431922,0.08984386,0.00007789899,0.00021134611,0.054196615,0.803033,0.05091452],"study_design_scores_gemma":[0.0000041782005,0.0000074896625,0.0046660374,0.0004163863,0.000009161311,0.00008973039,0.1004724,0.000027802851,0.00012575743,0.0022863026,0.89188325,0.0000116325755],"about_ca_topic_score_codex":0.74908394,"about_ca_topic_score_gemma":0.9431414,"teacher_disagreement_score":0.74908394,"about_ca_system_score_codex":0.025825819,"about_ca_system_score_gemma":0.022836374,"threshold_uncertainty_score":0.5047875},"labels":[],"label_agreement":null},{"id":"W2900393644","doi":"10.7311/0860-5734.27.3.07","title":"How to Tell the War? Trench Warfare and the Realist Paradigm in First World War Narratives","year":2018,"lang":"en","type":"article","venue":"Anglica An International Journal of English Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; History; Literature; Memoir; Aesthetics; Art; Art history","score_opus":0.0392985054751942,"score_gpt":0.29004659789050985,"score_spread":0.25074809241531565,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2900393644","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19466324,0.053650703,0.036412556,0.15105605,0.0026535895,0.00013917983,0.0003202197,0.00017303212,0.56093144],"genre_scores_gemma":[0.977486,0.0046812007,0.0028638907,0.002135625,0.00041831713,0.000084042396,0.000044899447,0.00008249465,0.012203481],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99215174,0.0062068016,0.000113852206,0.0004226532,0.0005806687,0.0005241766],"domain_scores_gemma":[0.9951165,0.0034619444,0.0005019299,0.00033980937,0.00023365539,0.00034621888],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0071586226,0.000768736,0.00043577055,0.002116219,0.011055237,0.01707953,0.001785977,0.0038973247,0.00389918],"category_scores_gemma":[0.008024267,0.00040018148,0.00032268066,0.0016718243,0.06310354,0.021868203,0.005259058,0.005408398,0.00077698426],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017993987,0.00000913949,0.00014988834,0.00009854951,0.000003829738,0.00017466144,0.26990622,0.00010732129,0.00011764523,0.7225236,0.0033023811,0.003588684],"study_design_scores_gemma":[0.000017352591,0.000036319234,0.00044522499,0.00064702146,0.000007695688,0.0006720126,0.27563187,0.000390799,0.00050567405,0.31434467,0.40726545,0.00003591747],"about_ca_topic_score_codex":0.007025797,"about_ca_topic_score_gemma":0.0074294377,"teacher_disagreement_score":0.01707953,"about_ca_system_score_codex":0.009024943,"about_ca_system_score_gemma":0.002697945,"threshold_uncertainty_score":0.06548089},"labels":[],"label_agreement":null},{"id":"W2901416414","doi":"10.3917/telev.007.0031","title":"Intrigues et personnages des séries évolutives : quand l’improvisation devient une vertu","year":2016,"lang":"fr","type":"article","venue":"Télévision","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Safe Engineering Services & Technologies (Canada)","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.049228156310390216,"score_gpt":0.2785881519281911,"score_spread":0.22935999561780088,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2901416414","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36270455,0.0025060477,0.082108885,0.0036446895,0.0004630537,0.00013713067,0.00017920995,0.00022595227,0.54803044],"genre_scores_gemma":[0.95209324,0.0005502693,0.0059734103,0.000116076924,0.00011496827,0.00008985037,0.00006634673,0.00011967209,0.040876247],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9984072,0.0007949628,0.000043762335,0.00027791644,0.00034256492,0.00013357283],"domain_scores_gemma":[0.9964077,0.0020920425,0.00036024922,0.0005715092,0.00030408846,0.00026445423],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017887778,0.00040921682,0.00021943705,0.0013558439,0.0034587726,0.006795748,0.00071292213,0.00092996465,0.011934022],"category_scores_gemma":[0.0074936207,0.0002301841,0.00032651421,0.0011811059,0.012321241,0.0076352437,0.0029211293,0.0016075746,0.0008980558],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009425809,0.000018996228,0.0027033084,0.00013389329,0.000015677802,0.00034126366,0.18395412,0.00051623466,0.0017611737,0.78225183,0.0015757411,0.02663345],"study_design_scores_gemma":[0.00004388833,0.00025104056,0.012806531,0.00041301147,0.000056987945,0.0015751573,0.17035617,0.0028917568,0.005242656,0.3418203,0.46445328,0.00008919716],"about_ca_topic_score_codex":0.0018337658,"about_ca_topic_score_gemma":0.002488863,"teacher_disagreement_score":0.011934022,"about_ca_system_score_codex":0.0021482706,"about_ca_system_score_gemma":0.00083162606,"threshold_uncertainty_score":0.03992325},"labels":[],"label_agreement":null},{"id":"W2902796503","doi":"10.1386/host.9.2.179_1","title":"‘Ever seen horse-eyes up close?’: Entropoetics in _9MOTHER9HORSE9EYES9’s The Interface Series","year":2018,"lang":"en","type":"article","venue":"Horror Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Narrative; Storytelling; Poetics; Directory; Literature; Space (punctuation); Aesthetics; Computer science; Sociology; Philosophy; Art; Linguistics; Poetry","score_opus":0.048730337347208115,"score_gpt":0.3274830081952633,"score_spread":0.2787526708480552,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2902796503","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41817817,0.0013131921,0.013614363,0.012249544,0.0020102435,0.00008378907,0.00032860073,0.0005602639,0.55166185],"genre_scores_gemma":[0.88962805,0.00042996198,0.0025393958,0.00059666985,0.0002516727,0.000043292956,0.00012930586,0.0006113463,0.105770335],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99844104,0.0010287584,0.000031055693,0.000119262855,0.00024377673,0.00013610184],"domain_scores_gemma":[0.9972349,0.0019731442,0.000111789836,0.00024731792,0.00018708067,0.00024584864],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00173121,0.00037546703,0.00023413493,0.0007605108,0.00521246,0.0053570853,0.0005988354,0.00094916555,0.016955001],"category_scores_gemma":[0.005492464,0.0002016755,0.00021612429,0.00069867435,0.005625358,0.0045055817,0.0041207597,0.0017762614,0.0019266054],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002177542,0.00006690375,0.0019956739,0.00018423104,0.000009979487,0.0017533441,0.760484,0.000104087165,0.0033336,0.12568519,0.053622313,0.052542917],"study_design_scores_gemma":[0.000008877569,0.000071529765,0.0022060096,0.00018081928,0.000007983966,0.0010267177,0.23353384,0.0003138528,0.0023389703,0.006624185,0.7536614,0.000025772633],"about_ca_topic_score_codex":0.002040573,"about_ca_topic_score_gemma":0.005942855,"teacher_disagreement_score":0.016955001,"about_ca_system_score_codex":0.0012472407,"about_ca_system_score_gemma":0.00054769067,"threshold_uncertainty_score":0.056720078},"labels":[],"label_agreement":null},{"id":"W2904389094","doi":"","title":"Selbstreflexives Erzählen und die Dekonstruktion von Autorschaft in David Cronenbergs Naked Lunch","year":2017,"lang":"de","type":"article","venue":"KODIKAS/CODE . Ars Semeiotica","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Construct (python library); Art; Paranoia; Aesthetics; Literature; Sociology; Psychoanalysis; Psychology; Computer science","score_opus":0.0364669985940635,"score_gpt":0.3059395621684441,"score_spread":0.2694725635743806,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2904389094","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3343791,0.026678655,0.003131571,0.04756269,0.0024735408,0.00005858481,0.000068483896,0.00008117058,0.58556616],"genre_scores_gemma":[0.9329538,0.003238678,0.00044093255,0.0019810617,0.00022500065,0.000016917007,0.000014538102,0.00006892788,0.06106023],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99848443,0.00087657414,0.000038067745,0.00013678308,0.00025851332,0.00020566712],"domain_scores_gemma":[0.9992142,0.0004018839,0.00009893865,0.000049829865,0.00011026495,0.00012483566],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013810956,0.00026879122,0.00022186799,0.000608934,0.007832598,0.0074563865,0.00046393837,0.0011725181,0.0019021608],"category_scores_gemma":[0.0026234365,0.00023032483,0.00011596081,0.00047986314,0.019269591,0.0025138967,0.003044435,0.003199337,0.00038481483],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007752706,0.000029558514,0.0006132238,0.00009139095,0.000007964007,0.0015874765,0.57346225,0.00015274585,0.0010046684,0.37900338,0.02801842,0.015951369],"study_design_scores_gemma":[0.000022832695,0.000029419542,0.0019011983,0.00028262148,0.0000101135265,0.00092321524,0.15359835,0.00021377704,0.0012167484,0.030599691,0.81116647,0.000035566296],"about_ca_topic_score_codex":0.081733644,"about_ca_topic_score_gemma":0.14059025,"teacher_disagreement_score":0.081733644,"about_ca_system_score_codex":0.009276775,"about_ca_system_score_gemma":0.003453924,"threshold_uncertainty_score":0.16251582},"labels":[],"label_agreement":null},{"id":"W2910264741","doi":"10.24193/ekphrasis.20.13","title":"Matters of Time in László Krasznahorkai’s and Béla Tarr’s Satantango","year":2018,"lang":"pl","type":"article","venue":"Ekphrasis","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Temporality; Contingency; Narrative; Metaphor; Dance; Literature; Perspective (graphical); Atmosphere (unit); Art; Aesthetics; History; Philosophy; Visual arts; Epistemology; Linguistics","score_opus":0.009172420837894183,"score_gpt":0.21936354174077863,"score_spread":0.21019112090288444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2910264741","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5901853,0.0056944713,0.0066004726,0.0061403564,0.0004445871,0.00005881119,0.000117349504,0.00010933504,0.39064938],"genre_scores_gemma":[0.98702765,0.0005242403,0.0004181885,0.00013894305,0.00002702395,0.00002149948,0.000026305259,0.000043098247,0.011773022],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993124,0.00039264976,0.000018544568,0.00009516154,0.000080647165,0.00010058886],"domain_scores_gemma":[0.99962735,0.00021446751,0.00005867567,0.000032335436,0.000019108445,0.000048083082],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009202102,0.00029738888,0.00026776324,0.0010493371,0.0053379824,0.005495677,0.00048741463,0.0008283838,0.003141756],"category_scores_gemma":[0.0017459124,0.00020936804,0.00016240825,0.0010066403,0.014960656,0.0037905176,0.0040071406,0.0019073908,0.00035789903],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001237593,0.00002086077,0.00057569746,0.00012156829,0.0000058012088,0.0007243321,0.5166993,0.00013468078,0.0014251885,0.46919405,0.0017243482,0.00925048],"study_design_scores_gemma":[0.00003716287,0.00009476287,0.006574809,0.00031035778,0.000021657279,0.0011561261,0.36132637,0.00045739085,0.0017426569,0.0695714,0.5586614,0.000045926798],"about_ca_topic_score_codex":0.0025476508,"about_ca_topic_score_gemma":0.005227567,"teacher_disagreement_score":0.005495677,"about_ca_system_score_codex":0.003262716,"about_ca_system_score_gemma":0.00081726006,"threshold_uncertainty_score":0.02367276},"labels":[],"label_agreement":null},{"id":"W2913192054","doi":"10.3138/seminar.55.1.002","title":"Situating the Self in Historical Narratives: “Narrative” and “Larval” Subjects in Uwe Timm’s <i>Am Beispiel meines Bruders</i> and Christoph Hein’s <i>Landnahme</i>","year":2019,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Situated; Self; Construct (python library); Identity (music); Subject (documents); Order (exchange); German; Literature; Mode (computer interface); History; Philosophy; Epistemology; Aesthetics; Art; Linguistics; Computer science","score_opus":0.017762249007538547,"score_gpt":0.2500382519179405,"score_spread":0.23227600291040196,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2913192054","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87721914,0.006321641,0.0071640443,0.006080976,0.0002655429,0.000053000003,0.000068329224,0.000057553403,0.10276981],"genre_scores_gemma":[0.9952448,0.0007448292,0.0006073041,0.00017930522,0.000038518472,0.000018380351,0.000019675206,0.00002931656,0.0031178207],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974733,0.0018569655,0.00006714342,0.00018153343,0.00020429085,0.0002167691],"domain_scores_gemma":[0.99819046,0.001168554,0.000299333,0.0001007811,0.000093029324,0.00014774625],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030267169,0.00043662294,0.0002754243,0.0016508877,0.0065180855,0.0066940873,0.00074043113,0.0014810882,0.0015263378],"category_scores_gemma":[0.004123957,0.0003360342,0.00017159953,0.0012513013,0.026399843,0.00771328,0.0042358655,0.0016506598,0.00023396265],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017621383,0.0000067980363,0.00054882595,0.000041844138,0.0000041035914,0.00038568096,0.8873516,0.00004752187,0.0005189059,0.10730627,0.0005643558,0.003206474],"study_design_scores_gemma":[0.000011872991,0.000057098125,0.0020363198,0.00033010755,0.000019249652,0.0008033905,0.76454735,0.0002700562,0.0022154653,0.019830666,0.20984802,0.000030312152],"about_ca_topic_score_codex":0.0059328577,"about_ca_topic_score_gemma":0.009831991,"teacher_disagreement_score":0.0066940873,"about_ca_system_score_codex":0.0045520477,"about_ca_system_score_gemma":0.0013447631,"threshold_uncertainty_score":0.03302759},"labels":[],"label_agreement":null},{"id":"W2914373906","doi":"10.5539/ells.v9n1p114","title":"Is Julian Barnes Reliable in Narrating the Noise of Time?","year":2019,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Battle; Narrative; Biography; Sociology; Art history; Philosophy; Literature; Art; History","score_opus":0.007399169798493019,"score_gpt":0.23108137350658595,"score_spread":0.22368220370809294,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2914373906","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019862687,0.3932069,0.0022150215,0.43912217,0.013715695,0.000022247916,0.00008869943,0.00007735757,0.13168919],"genre_scores_gemma":[0.43645558,0.33189812,0.0029844572,0.109265484,0.01071771,0.00009047476,0.00019207825,0.0003209449,0.10807511],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99897885,0.0003859493,0.000041716845,0.00011738761,0.00038375598,0.00009245582],"domain_scores_gemma":[0.9963037,0.0023635884,0.00045982728,0.000087879125,0.00052211236,0.00026287278],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015094868,0.00026492577,0.0002224923,0.00067454623,0.0016056278,0.005423637,0.0006995234,0.0015822079,0.0033945777],"category_scores_gemma":[0.011525673,0.00017940237,0.00009873099,0.0006551076,0.0049628783,0.005884136,0.0016773056,0.0024269985,0.0012642586],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017565106,0.0000333303,0.003212661,0.0019062127,0.000032318458,0.0017887718,0.056274105,0.00018637803,0.0011670194,0.22006522,0.49589035,0.21926804],"study_design_scores_gemma":[0.00000497698,0.000013245519,0.0011292025,0.000844832,0.0000066426182,0.00051410374,0.01904206,0.000041237385,0.00044669857,0.012702931,0.9652414,0.000012553613],"about_ca_topic_score_codex":0.008608773,"about_ca_topic_score_gemma":0.014320194,"teacher_disagreement_score":0.008608773,"about_ca_system_score_codex":0.002950038,"about_ca_system_score_gemma":0.002992045,"threshold_uncertainty_score":0.021404147},"labels":[],"label_agreement":null},{"id":"W2922346536","doi":"10.1017/s0021911818002620","title":"Virtual Earthquakes and Real-World Survival in Japan's<i>Disaster Report</i>Video Game","year":2019,"lang":"en","type":"article","venue":"The Journal of Asian Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Rhetoric; Narrative; Video game; Natural disaster; Operationalization; Photography; Quake (natural phenomenon); Rhetorical question; Media studies; Sociology; History; Visual arts; Multimedia; Computer science; Art; Literature; Geography; Epistemology; Linguistics","score_opus":0.033723954475928644,"score_gpt":0.27768301176173393,"score_spread":0.2439590572858053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2922346536","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97221327,0.00022963405,0.0011335358,0.0007712973,0.000031516636,0.000017400938,0.00003337861,0.000017650691,0.025552189],"genre_scores_gemma":[0.99791497,0.00010992546,0.00025571894,0.000047131547,0.000004174885,0.000014540352,0.0000139232925,0.000004813473,0.001634699],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9995678,0.00028305352,0.00001020774,0.000028890572,0.00003434294,0.00007563056],"domain_scores_gemma":[0.9992078,0.00044076281,0.00013624324,0.00003548502,0.000045865483,0.00013388101],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00065351743,0.000273244,0.00011146374,0.00039951387,0.0019957724,0.0032665129,0.0004266255,0.0004624312,0.0029321678],"category_scores_gemma":[0.0017700891,0.00014281592,0.00014141013,0.00025082685,0.0036910868,0.0015610735,0.0025856835,0.0006347335,0.00015133762],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005714267,0.00058389496,0.048238114,0.00044588523,0.00007322748,0.0033044103,0.77475643,0.0029107858,0.0039756824,0.1105798,0.010908579,0.043651734],"study_design_scores_gemma":[0.00004954652,0.0004526723,0.05928311,0.0002072558,0.000071783375,0.0007826289,0.84133404,0.0036031224,0.0016912863,0.011564696,0.080875516,0.00008432633],"about_ca_topic_score_codex":0.0077491505,"about_ca_topic_score_gemma":0.015046324,"teacher_disagreement_score":0.0077491505,"about_ca_system_score_codex":0.0015786354,"about_ca_system_score_gemma":0.0006201929,"threshold_uncertainty_score":0.015408099},"labels":[],"label_agreement":null},{"id":"W2946223840","doi":"10.4000/rg.288","title":"Réécriture parodique dans un road novel de Peter Handke","year":2017,"lang":"fr","type":"article","venue":"Recherches germaniques","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ministère de l’Emploi et de la Solidarité Sociale (Québec)","funders":"","keywords":"Humanities; Art; Allusion; Philosophy; Literature","score_opus":0.12295118973201387,"score_gpt":0.3396596908404231,"score_spread":0.21670850110840922,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2946223840","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13258033,0.009182615,0.0045523513,0.03086005,0.0017796474,0.000041999436,0.00016301,0.00014318802,0.8206969],"genre_scores_gemma":[0.8144546,0.0019146209,0.0008611834,0.0021586278,0.0003914317,0.00004969145,0.00007231097,0.00027264407,0.17982481],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99805826,0.0010387017,0.000035915735,0.00026481834,0.00032835637,0.00027385037],"domain_scores_gemma":[0.9992223,0.0004354598,0.00008854795,0.0000647641,0.0001150091,0.00007387628],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012398603,0.00048479036,0.00028780327,0.00066011114,0.0070725805,0.005925722,0.000555405,0.0019460346,0.00967588],"category_scores_gemma":[0.0026245108,0.00025153573,0.00018324528,0.0007939935,0.011145496,0.005033032,0.0028768224,0.0043107094,0.0018306394],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012196313,0.000016331922,0.0004241195,0.00013235677,0.000007474083,0.0011975926,0.20087928,0.00012741075,0.0010035951,0.7439648,0.0360229,0.016102128],"study_design_scores_gemma":[0.000012051606,0.000025418365,0.0014113007,0.00015836152,0.000008554822,0.0006207299,0.048804753,0.00009491525,0.0011173447,0.019578239,0.9281397,0.000028655626],"about_ca_topic_score_codex":0.011692602,"about_ca_topic_score_gemma":0.026904564,"teacher_disagreement_score":0.011692602,"about_ca_system_score_codex":0.005441636,"about_ca_system_score_gemma":0.002121822,"threshold_uncertainty_score":0.039481997},"labels":[],"label_agreement":null},{"id":"W2946695818","doi":"10.22029/ko.2019.255","title":"To Blur the Boundaries of Fiction and Translation","year":2019,"lang":"en","type":"article","venue":"Universitätsbibliothek Gießen","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.01675052554401255,"score_gpt":0.2024804048444679,"score_spread":0.18572987930045534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2946695818","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.047779527,0.07611367,0.06698358,0.1969002,0.0107099805,0.00023785874,0.00024991282,0.00042362243,0.6006017],"genre_scores_gemma":[0.88565755,0.016224492,0.017758194,0.017791431,0.0054686223,0.00034151893,0.00025555177,0.0007639786,0.055738676],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9729053,0.021459127,0.0006171656,0.0013935803,0.0024940476,0.0011308937],"domain_scores_gemma":[0.94114393,0.049467668,0.001893992,0.0036861305,0.002873394,0.00093482697],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.017732719,0.0008645913,0.0010184986,0.0054892874,0.010652239,0.019878494,0.0019668757,0.004365896,0.009221142],"category_scores_gemma":[0.03859693,0.00044467146,0.000576706,0.0047789854,0.08497602,0.02028434,0.008600857,0.010717206,0.001955504],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021262642,0.000006191294,0.00014794062,0.00018320692,0.00000597098,0.000098687015,0.095926665,0.00009028271,0.0001346067,0.87984174,0.010841094,0.012702421],"study_design_scores_gemma":[0.000015069595,0.00003505691,0.0005220454,0.0008523319,0.000009931275,0.00036046578,0.036534913,0.00041169784,0.0005338918,0.3221171,0.6385804,0.000027095464],"about_ca_topic_score_codex":0.00573593,"about_ca_topic_score_gemma":0.0060881744,"teacher_disagreement_score":0.019878494,"about_ca_system_score_codex":0.0119384825,"about_ca_system_score_gemma":0.005769703,"threshold_uncertainty_score":0.093780756},"labels":[],"label_agreement":null},{"id":"W2947909922","doi":"10.7202/1069963ar","title":"“The very air is a vital essence”: Pneumaticism at the Poles","year":2020,"lang":"en","type":"article","venue":"Romanticism and Victorianism on the Net","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Objectivity (philosophy); Narrative; Virtue; Amateur; Aesthetics; Erasmus+; The arctic; Objectification; Context (archaeology); Arctic; History; Epistemology; Literature; Sociology; Philosophy; Art; Art history","score_opus":0.022084321315845916,"score_gpt":0.20866000570448873,"score_spread":0.1865756843886428,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2947909922","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20427188,0.011711529,0.01733397,0.10829538,0.001838525,0.000036983,0.0000426565,0.00011848009,0.65635055],"genre_scores_gemma":[0.98528427,0.0009871251,0.0008792627,0.00261855,0.00021204987,0.000014067793,0.000007333634,0.000044748733,0.009952668],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9964347,0.002412943,0.000053467502,0.00036405155,0.00047274923,0.000262089],"domain_scores_gemma":[0.998135,0.0011400171,0.00015315195,0.00016455768,0.00023888606,0.00016834379],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035370337,0.00027226258,0.00025343118,0.00061049167,0.00815702,0.007801433,0.000737606,0.0020809874,0.0017503735],"category_scores_gemma":[0.0048274533,0.00018505099,0.00024083773,0.000513704,0.040018532,0.0062372615,0.0035139287,0.0036930812,0.0004554728],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038731625,0.00000951935,0.00042173674,0.000057537778,0.0000034178206,0.00020733138,0.17997922,0.00008482288,0.00042447372,0.8091974,0.0039071105,0.0056687333],"study_design_scores_gemma":[0.000018846527,0.00008146549,0.0013535359,0.00029352773,0.000012828029,0.0005050684,0.17178674,0.0005405803,0.0013215836,0.27483657,0.5492177,0.00003156485],"about_ca_topic_score_codex":0.0047819437,"about_ca_topic_score_gemma":0.0041907183,"teacher_disagreement_score":0.00815702,"about_ca_system_score_codex":0.0034284797,"about_ca_system_score_gemma":0.0019664452,"threshold_uncertainty_score":0.024875462},"labels":[],"label_agreement":null},{"id":"W2952053515","doi":"","title":"Bernd & Hilla Becher : Reading Between the Grids","year":2011,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reading (process); Computer science; Philosophy; Linguistics","score_opus":0.05276713370180252,"score_gpt":0.2443452145179782,"score_spread":0.19157808081617567,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2952053515","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0070959874,0.038732756,0.037273243,0.20388263,0.006454627,0.00010439213,0.00083621015,0.000586015,0.7050342],"genre_scores_gemma":[0.34610608,0.028716657,0.047858376,0.02716553,0.0026085065,0.00042968278,0.0009469854,0.002618572,0.5435496],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99829,0.0011019664,0.000049784583,0.00017486079,0.00026111616,0.00012228035],"domain_scores_gemma":[0.9963182,0.002446868,0.00010184598,0.00040018393,0.0004924483,0.0002404308],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015846571,0.000723828,0.00048733727,0.0021781682,0.005014398,0.008764527,0.001131917,0.0038421622,0.06678036],"category_scores_gemma":[0.011366161,0.0005748018,0.00038876577,0.0030445883,0.0069349757,0.015733654,0.0045145475,0.0037321674,0.009652506],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005433389,0.000018620933,0.00026230852,0.0001102923,0.000008935716,0.00019110832,0.014207609,0.00019049858,0.00022058006,0.6063119,0.32971632,0.04870748],"study_design_scores_gemma":[0.00001023899,0.0000060306375,0.00032120396,0.00034153738,0.0000056453637,0.000107419866,0.013874185,0.0003461577,0.0002967171,0.13260937,0.85206586,0.000015595542],"about_ca_topic_score_codex":0.024832368,"about_ca_topic_score_gemma":0.038083013,"teacher_disagreement_score":0.06678036,"about_ca_system_score_codex":0.0029511224,"about_ca_system_score_gemma":0.0019178578,"threshold_uncertainty_score":0.22340256},"labels":[],"label_agreement":null},{"id":"W2954121574","doi":"10.1177/0963947019859954","title":"A reader response method not just for ‘you’","year":2019,"lang":"en","type":"article","venue":"Language and Literature International Journal of Stylistics","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":19,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"Arts and Humanities Research Council","keywords":"Narrative; Narratology; Empirical research; Interpretation (philosophy); Stylistics; Computer science; Linguistics; Psychology; Epistemology","score_opus":0.0187289737276356,"score_gpt":0.31475332417152657,"score_spread":0.29602435044389097,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2954121574","genre_codex":"methods","genre_gemma":"methods","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"methods","genre_consensus":"methods","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06618278,0.0010615035,0.85339254,0.0047587035,0.0034826975,0.011471752,0.00169447,0.0018224898,0.056133084],"genre_scores_gemma":[0.26507226,0.0008362108,0.64440054,0.0056070797,0.0009801408,0.04935607,0.0012029642,0.001782199,0.030762525],"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.8286564,0.14129235,0.007953286,0.008014626,0.013062136,0.0010212588],"domain_scores_gemma":[0.76194,0.16040017,0.011619648,0.034436334,0.030341754,0.0012621196],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.06922501,0.001487307,0.0013263759,0.004740662,0.0018882109,0.0038644352,0.0023519748,0.0035054001,0.020446252],"category_scores_gemma":[0.17911954,0.00086166227,0.0012115533,0.00445251,0.004284752,0.0057662986,0.0048611644,0.0044270875,0.010867971],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0022837461,0.0010554736,0.012786479,0.0071697077,0.00037765873,0.0010072099,0.19340228,0.0013375024,0.051524695,0.14328465,0.05118068,0.53458995],"study_design_scores_gemma":[0.00092145125,0.0034325807,0.017655112,0.0033960843,0.0002789403,0.002178549,0.076094665,0.009083554,0.045681067,0.105485566,0.7349979,0.00079445494],"about_ca_topic_score_codex":0.00030462316,"about_ca_topic_score_gemma":0.00063554733,"teacher_disagreement_score":0.06922501,"about_ca_system_score_codex":0.0014486132,"about_ca_system_score_gemma":0.0014023514,"threshold_uncertainty_score":0.36610126},"labels":[],"label_agreement":null},{"id":"W2962676995","doi":"10.1079/9781786394590.0163","title":"Stay eat love: travel books, Italy and the emotional geographies of place.","year":2019,"lang":"en","type":"book-chapter","venue":"CABI eBooks","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Phenomenology (philosophy); Narrative; Hermeneutics; Sociology; Consumption (sociology); Context (archaeology); Aesthetics; History; Art; Literature; Epistemology; Philosophy; Archaeology","score_opus":0.016266590677954492,"score_gpt":0.19097176313447609,"score_spread":0.1747051724565216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2962676995","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.070283815,0.057137776,0.0009201127,0.008304793,0.0009832988,0.000025594834,0.00021403436,0.00006337858,0.8620672],"genre_scores_gemma":[0.51904243,0.033321083,0.00093715807,0.0018079138,0.00065598736,0.00007007509,0.00033989333,0.00010514281,0.44372028],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998473,0.000060394577,0.0000034502602,0.000015816227,0.000047840058,0.000025225378],"domain_scores_gemma":[0.9998282,0.00009188334,0.00002220441,0.000012102668,0.000016421465,0.000029152148],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017973385,0.00028215832,0.00013091516,0.00080041453,0.0022220714,0.004793335,0.00027991433,0.0004900787,0.00763177],"category_scores_gemma":[0.0005379679,0.00012495017,0.00010248557,0.0020972944,0.0035593195,0.0025739833,0.0011864913,0.0011099825,0.0009887519],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005129642,0.00007306645,0.0032594488,0.00072487054,0.000014589227,0.001026919,0.3762811,0.00015860648,0.0007857414,0.32602108,0.1597552,0.13184802],"study_design_scores_gemma":[0.0000034204338,0.000017696519,0.008554606,0.00051741995,0.000006273658,0.0006947274,0.09093014,0.000057147838,0.00020178118,0.0061026015,0.89290625,0.00000780348],"about_ca_topic_score_codex":0.0049081063,"about_ca_topic_score_gemma":0.020248858,"teacher_disagreement_score":0.00763177,"about_ca_system_score_codex":0.0019116965,"about_ca_system_score_gemma":0.0008161939,"threshold_uncertainty_score":0.025530815},"labels":[],"label_agreement":null},{"id":"W2962946243","doi":"10.4000/pratiques.5876","title":"Récits sériels exploratoires","year":2019,"lang":"fr","type":"article","venue":"Pratiques","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.018233471547271517,"score_gpt":0.2425985435673653,"score_spread":0.2243650720200938,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2962946243","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07046446,0.026489414,0.023359114,0.023441585,0.017652515,0.00040830733,0.003127642,0.0007461441,0.8343109],"genre_scores_gemma":[0.24547029,0.024385199,0.013144767,0.0031748526,0.007399564,0.00079543557,0.0029200814,0.0012131581,0.7014967],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.995168,0.00200373,0.00022498192,0.00054387894,0.0017204037,0.0003390381],"domain_scores_gemma":[0.99241215,0.0034995405,0.0006054396,0.0010835681,0.0018359772,0.0005632644],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003381367,0.0010761019,0.00064591086,0.0062205787,0.0052676015,0.008993356,0.0011125952,0.0012922031,0.079009466],"category_scores_gemma":[0.013361823,0.0003523736,0.00080852647,0.006081291,0.0031974183,0.0050589493,0.006894704,0.0027722467,0.01673785],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000487459,0.00014017106,0.0042035845,0.0017769365,0.00005415421,0.002549153,0.1455394,0.0006537782,0.0040298533,0.3292416,0.21502109,0.29630283],"study_design_scores_gemma":[0.0000060215684,0.00003271437,0.0009155294,0.0005953391,0.000010498347,0.00056349934,0.018087015,0.00014756828,0.00073476264,0.006267738,0.9726221,0.000017161346],"about_ca_topic_score_codex":0.0043583536,"about_ca_topic_score_gemma":0.0074715903,"teacher_disagreement_score":0.079009466,"about_ca_system_score_codex":0.0039054856,"about_ca_system_score_gemma":0.0035009508,"threshold_uncertainty_score":0.26431304},"labels":[],"label_agreement":null},{"id":"W2964554890","doi":"","title":"Life in Film. Zacharias Kunuk: The director discusses his 30-year career making films about Inuit life","year":2019,"lang":"en","type":"article","venue":"Frieze: Contemporary Art and Culture","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sociology; History","score_opus":0.02887837484816146,"score_gpt":0.22502388981232527,"score_spread":0.1961455149641638,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2964554890","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08170296,0.03941947,0.0007011668,0.4867829,0.036781404,0.00023023275,0.00050636404,0.00020946034,0.35366607],"genre_scores_gemma":[0.36784333,0.017370548,0.0004969772,0.026679428,0.002246504,0.00010140113,0.00020135773,0.00031406299,0.58474636],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99964905,0.000099456716,0.000008892472,0.00004849107,0.000057348316,0.00013670645],"domain_scores_gemma":[0.9992939,0.0001314825,0.000046198078,0.000008134112,0.00014449153,0.00037567352],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006700704,0.00068509724,0.00035280068,0.00055920513,0.017302528,0.003797364,0.00068821374,0.002338935,0.023183737],"category_scores_gemma":[0.002077313,0.000322609,0.00019940318,0.00053683436,0.0014934337,0.0025206676,0.0020656215,0.0051881056,0.0026463897],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009364575,0.00010801136,0.002052889,0.0003005744,0.000011996032,0.0035834224,0.11192078,0.000054420194,0.0014545819,0.016614048,0.8367178,0.0270879],"study_design_scores_gemma":[0.000004536843,0.000030208475,0.004167591,0.00023218247,0.000011457799,0.0008660357,0.15950488,0.000044230135,0.00051256036,0.00038867045,0.83422136,0.000016157963],"about_ca_topic_score_codex":0.038245674,"about_ca_topic_score_gemma":0.16182351,"teacher_disagreement_score":0.9617543,"about_ca_system_score_codex":0.0024640383,"about_ca_system_score_gemma":0.0021005915,"threshold_uncertainty_score":0.077557325},"labels":[],"label_agreement":null},{"id":"W2970515510","doi":"10.15353/kinema.vi.1106","title":"Lifetime Achievement Awards: Miloš Forman and Saul Zaentz","year":2005,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"European Commission","keywords":"Desk; Portrait; Art history; Visual arts; Management; Media studies; Art; Sociology; Political science; Law","score_opus":0.023676267501763788,"score_gpt":0.2726131545264593,"score_spread":0.2489368870246955,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2970515510","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035145327,0.07033049,0.0013215241,0.4109795,0.073460475,0.00009565259,0.0002945824,0.00027369367,0.4080988],"genre_scores_gemma":[0.24759394,0.02964169,0.0011753017,0.022763377,0.013773495,0.00015950123,0.00019020904,0.00044333577,0.6842592],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99859065,0.00045016286,0.000035807432,0.00019703068,0.00043149127,0.000294827],"domain_scores_gemma":[0.99811137,0.00025041855,0.00014430072,0.000059585505,0.00028128637,0.0011530683],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028165383,0.00081470195,0.000461809,0.0010486142,0.008299703,0.007729969,0.00061001093,0.0013331687,0.015460743],"category_scores_gemma":[0.004112784,0.0004121442,0.00023545664,0.0006653122,0.0025002228,0.0037293385,0.0054987343,0.004130534,0.003958232],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005736849,0.000037225866,0.00054359104,0.00007600554,0.000005928155,0.00029692994,0.013497728,0.000041544656,0.00025262867,0.025755612,0.92621666,0.033218883],"study_design_scores_gemma":[0.0000021396959,0.000009205671,0.00040176042,0.00007505354,0.0000013392352,0.0000953687,0.0053193606,0.000012764169,0.00005162621,0.0006482752,0.99337775,0.000005462029],"about_ca_topic_score_codex":0.0058951783,"about_ca_topic_score_gemma":0.018859854,"teacher_disagreement_score":0.015460743,"about_ca_system_score_codex":0.0033489224,"about_ca_system_score_gemma":0.0021497346,"threshold_uncertainty_score":0.051721275},"labels":[],"label_agreement":null},{"id":"W2973494518","doi":"","title":"De Jonge Jury 2019, een jeugdroman uit Canada en debutanten van eigen bodem","year":2019,"lang":"nl","type":"article","venue":"Levende Talen Magazine","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Jury; Theology; Art; Humanities; Political science; Philosophy; Law","score_opus":0.007752082337246196,"score_gpt":0.2044549259470577,"score_spread":0.1967028436098115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2973494518","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013629492,0.03399235,0.001541029,0.2269123,0.012879519,0.00010426064,0.0028302073,0.00019608621,0.70791477],"genre_scores_gemma":[0.049058013,0.006183706,0.0007107336,0.011664286,0.00045313156,0.00004169138,0.00049594825,0.00016652873,0.93122596],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.996956,0.00046591595,0.000103705366,0.000371479,0.0014576567,0.0006452383],"domain_scores_gemma":[0.9978934,0.00065813295,0.00009851055,0.00009684659,0.0006602708,0.00059289444],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020467143,0.00045964887,0.0004142948,0.0007761365,0.018916741,0.009514829,0.0010005259,0.0043394165,0.06225885],"category_scores_gemma":[0.007971062,0.00051122135,0.0003167798,0.001405446,0.0056767645,0.0033636058,0.004485137,0.0068785995,0.008995476],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040046856,0.000010127594,0.00091098255,0.00014286618,0.00001216167,0.0003714941,0.011604459,0.0000786044,0.00039971256,0.19168974,0.77034533,0.024394426],"study_design_scores_gemma":[0.0000021148403,0.0000018953943,0.0005619184,0.000072226074,0.0000025615743,0.000020680707,0.002721128,0.000014151938,0.0001094385,0.0013583879,0.99512815,0.0000073240185],"about_ca_topic_score_codex":0.70290154,"about_ca_topic_score_gemma":0.92813414,"teacher_disagreement_score":0.29709846,"about_ca_system_score_codex":0.027167406,"about_ca_system_score_gemma":0.0579153,"threshold_uncertainty_score":0.59769624},"labels":[],"label_agreement":null},{"id":"W2976296781","doi":"","title":"Closing the Gap: Narrative Control and Temporal Instability in Jennifer Egan’s A Visit from the Goon Squad","year":2019,"lang":"en","type":"article","venue":"˜The œalbatross","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Literature; Aesthetics; Art; History","score_opus":0.01797855766244745,"score_gpt":0.23508466272808803,"score_spread":0.2171061050656406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2976296781","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5471599,0.0021955727,0.00621386,0.03266385,0.00053593394,0.000035360594,0.00006626054,0.00009362725,0.41103548],"genre_scores_gemma":[0.9787416,0.0002725403,0.00060698774,0.0010862565,0.00005047184,0.000021526766,0.000014063819,0.000045623132,0.019160908],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99881727,0.0007735105,0.000016324408,0.00013266089,0.00011787306,0.00014235258],"domain_scores_gemma":[0.9990559,0.00046850328,0.00017969923,0.000084511375,0.00007766272,0.00013368549],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015643523,0.00031294354,0.00018264417,0.00048118163,0.008222784,0.0062659313,0.00078425143,0.0013798776,0.0022466315],"category_scores_gemma":[0.0027228557,0.00014464886,0.00013772697,0.00039936954,0.016405603,0.004755922,0.0034948294,0.0026310908,0.0002712596],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000080816186,0.000027477921,0.0010142273,0.000038440317,0.0000055016408,0.00080017385,0.5658682,0.00014064623,0.00042432014,0.41742212,0.007899978,0.0062781214],"study_design_scores_gemma":[0.000017892833,0.000054581124,0.002879901,0.000227959,0.000015118115,0.0009216242,0.4931653,0.0005181724,0.0011697655,0.06919551,0.43179083,0.000043388565],"about_ca_topic_score_codex":0.010648104,"about_ca_topic_score_gemma":0.024727454,"teacher_disagreement_score":0.010648104,"about_ca_system_score_codex":0.004333802,"about_ca_system_score_gemma":0.0013639923,"threshold_uncertainty_score":0.031444132},"labels":[],"label_agreement":null},{"id":"W2991253237","doi":"10.1017/9781108381697.019","title":"Narrative and Narratology","year":2018,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Narratology; Narrative; Literature; Sociology; History; Art","score_opus":0.027452088818358304,"score_gpt":0.19330676892713014,"score_spread":0.16585468010877183,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991253237","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003811114,0.04063757,0.00392011,0.0062132315,0.000964449,0.000023369124,0.00017035994,0.000064887434,0.94419503],"genre_scores_gemma":[0.31951842,0.040425546,0.0038114574,0.002492324,0.00127527,0.0001351324,0.00045340133,0.00028359282,0.63160497],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99942905,0.00039265738,0.00001168078,0.000055478355,0.0000721359,0.00003900506],"domain_scores_gemma":[0.99954695,0.00026266952,0.00003606452,0.000049509756,0.000059070804,0.000045627232],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005832977,0.00047452058,0.00022404671,0.0008975925,0.0022876086,0.004733677,0.00035631022,0.0008590082,0.024573408],"category_scores_gemma":[0.001970571,0.00014576316,0.00016554682,0.001167485,0.0052118646,0.0037773259,0.0015569326,0.0015067217,0.004323709],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012386131,0.000008967595,0.00015365717,0.0002007296,0.0000036675472,0.00014884246,0.019451128,0.000109345245,0.00016681221,0.85694236,0.094742574,0.028059527],"study_design_scores_gemma":[0.0000021545725,0.0000060434195,0.00027752967,0.00043962122,0.000002057333,0.0002039313,0.0052005826,0.0000794018,0.00010628986,0.08533951,0.9083396,0.000003311584],"about_ca_topic_score_codex":0.0019095669,"about_ca_topic_score_gemma":0.0030398734,"teacher_disagreement_score":0.024573408,"about_ca_system_score_codex":0.0024455928,"about_ca_system_score_gemma":0.0009172016,"threshold_uncertainty_score":0.08220625},"labels":[],"label_agreement":null},{"id":"W2991458465","doi":"10.7202/1065894ar","title":"“The Father of Survival Horror”: Shinji Mikami, Procedural Rhetoric, and the Collective/Cultural Memory of the Atomic Bombs","year":2019,"lang":"en","type":"article","venue":"Loading","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Rhetoric; Narrative; Distrust; Argument (complex analysis); Collective memory; Sociology; Literature; History; Psychoanalysis; Psychology; Aesthetics; Art; Political science; Law; Medicine; Philosophy; Linguistics; Psychotherapist","score_opus":0.014573763009513836,"score_gpt":0.21506921322433534,"score_spread":0.2004954502148215,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991458465","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7427203,0.012987399,0.0069995644,0.055607107,0.0015665464,0.000058070935,0.000037589005,0.00006980658,0.17995358],"genre_scores_gemma":[0.9881799,0.0017864008,0.00086576364,0.0014175487,0.00018039675,0.000022958488,0.000009223167,0.000026614258,0.007511204],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9992249,0.0005436964,0.000019741083,0.00005824914,0.000065214415,0.00008823814],"domain_scores_gemma":[0.99789315,0.0013588846,0.00025287666,0.00008669613,0.00019689248,0.00021146477],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016822523,0.00044259927,0.00022683069,0.00074999337,0.006452197,0.005266617,0.0006442349,0.001286178,0.001208064],"category_scores_gemma":[0.003197034,0.0002620746,0.00015183816,0.000543116,0.011960844,0.0045078536,0.0026707938,0.0026201087,0.00019459723],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058824284,0.000039041362,0.0022345213,0.00017337764,0.000012160618,0.00088514853,0.8192813,0.0001143113,0.0013483177,0.15848595,0.006965666,0.010401429],"study_design_scores_gemma":[0.000030253774,0.00015078839,0.008748682,0.0005105167,0.00007132139,0.0007600899,0.7139838,0.00091129984,0.0017124858,0.04630028,0.22675185,0.00006871456],"about_ca_topic_score_codex":0.004993643,"about_ca_topic_score_gemma":0.011629398,"teacher_disagreement_score":0.006452197,"about_ca_system_score_codex":0.002189869,"about_ca_system_score_gemma":0.0015273207,"threshold_uncertainty_score":0.01588875},"labels":[],"label_agreement":null},{"id":"W2991762897","doi":"10.1353/esc.2017.0047","title":"Masculinism as Global Psychosis: A Cognitive-Enactivist Reading of Martin Amis's \"Men\"","year":2017,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Sociology; Heteroglossia; Psychology; Psychoanalysis; Literature; Aesthetics; Philosophy; Art","score_opus":0.04248023654397003,"score_gpt":0.314404759542862,"score_spread":0.27192452299889197,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991762897","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.124804944,0.021453137,0.009269138,0.15480214,0.002931716,0.00007098444,0.00012254863,0.00013571263,0.6864098],"genre_scores_gemma":[0.96333784,0.0026562165,0.0010278267,0.008347441,0.001091551,0.000055146633,0.000029671852,0.000052123178,0.02340223],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989812,0.0006223603,0.000016544423,0.0000879614,0.00015381185,0.00013806569],"domain_scores_gemma":[0.9993351,0.00041066832,0.00007980487,0.000034500932,0.000056165485,0.0000837951],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014234742,0.0006478522,0.00035590382,0.001176984,0.0046270248,0.0045232973,0.0010245582,0.0026658906,0.0020798885],"category_scores_gemma":[0.0014824804,0.00016099069,0.00033934077,0.0005661894,0.036245696,0.0037609462,0.003915999,0.0041990564,0.00023988211],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020021713,0.000013434508,0.00021036463,0.000062718675,0.000004371616,0.0003558075,0.16132747,0.00014823404,0.00022120196,0.82804775,0.006906921,0.002681671],"study_design_scores_gemma":[0.000028604964,0.00006313185,0.0015484276,0.00044591524,0.000019173043,0.0010504253,0.1172136,0.00072868227,0.0006437808,0.36677796,0.5114495,0.000030684783],"about_ca_topic_score_codex":0.0068251994,"about_ca_topic_score_gemma":0.008361639,"teacher_disagreement_score":0.0068251994,"about_ca_system_score_codex":0.0052264365,"about_ca_system_score_gemma":0.0014000816,"threshold_uncertainty_score":0.037920594},"labels":[],"label_agreement":null},{"id":"W2993236089","doi":"10.1353/mos.2012.0044","title":"Irreconcilable Differences: Voice, Trauma, and Melville's Moby-Dick","year":2012,"lang":"en","type":"article","venue":"Mosaic","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Teleology; Narrative; Literature; Philosophy; Psychoanalysis; Aesthetics; Art; Psychology; Epistemology","score_opus":0.03797575866263757,"score_gpt":0.22458856298764932,"score_spread":0.18661280432501176,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993236089","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68790054,0.003571225,0.0059826644,0.016406719,0.00040475483,0.00003723753,0.000048127673,0.000059732545,0.28558892],"genre_scores_gemma":[0.9901911,0.0003085708,0.00022196502,0.0002999208,0.000029385106,0.000009478109,0.0000055470223,0.0000161237,0.008917917],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998796,0.0006810224,0.000018643872,0.00010072911,0.00018372243,0.00021979304],"domain_scores_gemma":[0.9989347,0.0006505971,0.00013410377,0.000076059456,0.0000628159,0.00014175398],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016381658,0.00032885533,0.00025242174,0.00085556385,0.008474867,0.008128768,0.00081201835,0.0018078663,0.0038822226],"category_scores_gemma":[0.0038525665,0.00018769341,0.00014753456,0.000570667,0.02615949,0.0050278534,0.0057326136,0.0025412308,0.00022872834],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004751846,0.00001549932,0.0007847927,0.00003679061,0.0000036504814,0.000705804,0.66495943,0.00006279644,0.00051978545,0.3245239,0.001788695,0.006551354],"study_design_scores_gemma":[0.000014607644,0.00005030353,0.0014959205,0.00015702075,0.0000105348045,0.0012004942,0.7983552,0.00022428954,0.0007475812,0.06135249,0.13637096,0.000020647323],"about_ca_topic_score_codex":0.008499931,"about_ca_topic_score_gemma":0.01390759,"teacher_disagreement_score":0.008499931,"about_ca_system_score_codex":0.0033487394,"about_ca_system_score_gemma":0.0015919836,"threshold_uncertainty_score":0.02429688},"labels":[],"label_agreement":null},{"id":"W2994713612","doi":"10.33178/alpha.18.26","title":"New Nonfiction Film: Art, Poetics, and Documentary Theory, by Dara Waldron","year":2019,"lang":"en","type":"article","venue":"Alphaville Journal of Film and Screen Media","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"NSCAD University","funders":"","keywords":"Poetics; Documentary film; Art; Literature; Art history; Philosophy; Poetry","score_opus":0.007281692587429547,"score_gpt":0.20536038756427027,"score_spread":0.19807869497684072,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994713612","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015836066,0.21155189,0.013425451,0.31394252,0.011946116,0.00007556243,0.00013931976,0.00010206995,0.43298107],"genre_scores_gemma":[0.5373739,0.11296036,0.010304883,0.040155705,0.014086091,0.00036782035,0.00014804251,0.00032276328,0.28428036],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99791485,0.0013368488,0.00005599492,0.00019095138,0.00039245267,0.0001088958],"domain_scores_gemma":[0.9970515,0.0021381788,0.00019952828,0.00014345835,0.0002405091,0.0002266954],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002716295,0.000651361,0.0003112787,0.00227731,0.0051028216,0.009660426,0.0009881571,0.0022776166,0.0077463104],"category_scores_gemma":[0.0072310893,0.00022798264,0.00025170608,0.0013536047,0.015853118,0.012585465,0.0031055815,0.0045712986,0.00094570103],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023151822,0.000033915792,0.00019116601,0.00011468117,0.0000042419147,0.000118606804,0.013096428,0.0000673171,0.00011595004,0.8391952,0.12723307,0.019806147],"study_design_scores_gemma":[0.000007799044,0.00002132373,0.0005755829,0.000674184,0.000004253122,0.00026010865,0.008151176,0.00041438115,0.00017247607,0.1431864,0.84651756,0.000014697954],"about_ca_topic_score_codex":0.0047233454,"about_ca_topic_score_gemma":0.0069388254,"teacher_disagreement_score":0.009660426,"about_ca_system_score_codex":0.0039721583,"about_ca_system_score_gemma":0.0017013127,"threshold_uncertainty_score":0.028820157},"labels":[],"label_agreement":null},{"id":"W2996014670","doi":"10.7202/1065000ar","title":"History and Narrative in Japanese","year":2019,"lang":"en","type":"article","venue":"Surfaces","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Linguistics; Ambiguity; Narrative; Modernization theory; Interpersonal communication; Perspective (graphical); Isolation (microbiology); Perception; Psychology; Japanese culture; Sociology; Communication; Philosophy; Political science; Art; Japanese studies","score_opus":0.01894071287591977,"score_gpt":0.21218306857895652,"score_spread":0.19324235570303674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2996014670","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23852403,0.02418621,0.0039486326,0.007879072,0.00042921683,0.00003463819,0.00010221541,0.000035829962,0.7248602],"genre_scores_gemma":[0.9756168,0.004064982,0.0004811145,0.00022665254,0.000082676335,0.000017504459,0.00003271102,0.000021654818,0.019455893],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908304,0.0005303916,0.000041492644,0.0000961243,0.00009760899,0.00015135907],"domain_scores_gemma":[0.9991296,0.00034060678,0.00016838303,0.00006301189,0.00012813057,0.00017028276],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010428131,0.00036048866,0.0002507336,0.0013323025,0.00715094,0.007858785,0.0004598923,0.000792082,0.0038182393],"category_scores_gemma":[0.0017929033,0.00017398022,0.00014614295,0.0025581855,0.012816441,0.00552032,0.0026393963,0.0009459168,0.00024313756],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019757514,0.000007745437,0.0015154645,0.00012413056,0.000005728812,0.00041258504,0.34423545,0.000096596676,0.00019211092,0.64306104,0.002825705,0.007503646],"study_design_scores_gemma":[0.000009796595,0.000034033896,0.006750902,0.0004771543,0.000033863762,0.00048021358,0.35303348,0.00042161602,0.0003411724,0.096199274,0.5421886,0.000029908473],"about_ca_topic_score_codex":0.022046475,"about_ca_topic_score_gemma":0.029241722,"teacher_disagreement_score":0.022046475,"about_ca_system_score_codex":0.00596073,"about_ca_system_score_gemma":0.0023520107,"threshold_uncertainty_score":0.043836296},"labels":[],"label_agreement":null},{"id":"W2997920807","doi":"10.3138/jrpc.2017-0064","title":"The Blair Martyr Project: The <i>Passion of Perpetua</i> and Found Footage Horror","year":2019,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Passion; Martyr; Literature; Art; Historicity (philosophy); History; Visual arts; Aesthetics; Psychology; Law; Archaeology; Social psychology","score_opus":0.011753570467229746,"score_gpt":0.23644397767700873,"score_spread":0.22469040720977898,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2997920807","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4173613,0.011316734,0.0035933706,0.02108559,0.0015094226,0.0000646971,0.00013590582,0.0000767698,0.5448563],"genre_scores_gemma":[0.9592776,0.0017864504,0.0005733898,0.0007352703,0.000285313,0.000026295256,0.000033199325,0.000051141065,0.03723137],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.999238,0.00045938863,0.000011104557,0.00008171174,0.000116826195,0.000092994],"domain_scores_gemma":[0.99890804,0.0006092227,0.00013100728,0.00010928585,0.00007898658,0.0001634974],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013910003,0.00026406784,0.00015231293,0.00094060774,0.006141482,0.0070988107,0.0006292216,0.0008951375,0.0035181905],"category_scores_gemma":[0.0026398166,0.00016282752,0.00010872291,0.0010369839,0.0137217,0.0029431877,0.0023499967,0.002454355,0.00023391447],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008114604,0.000041710453,0.0021480012,0.0001335738,0.000010686254,0.00050316396,0.5113525,0.000052220028,0.00047828048,0.441436,0.022547089,0.021215554],"study_design_scores_gemma":[0.000016567621,0.0000744249,0.013129581,0.0007098529,0.000020337015,0.00065709505,0.3485625,0.00027164677,0.0013202853,0.030161893,0.6050518,0.000024119083],"about_ca_topic_score_codex":0.014381586,"about_ca_topic_score_gemma":0.027525403,"teacher_disagreement_score":0.014381586,"about_ca_system_score_codex":0.0030447603,"about_ca_system_score_gemma":0.0018663087,"threshold_uncertainty_score":0.028595746},"labels":[],"label_agreement":null},{"id":"W2999024377","doi":"10.1353/sty.2019.0042","title":"Getting to the Point","year":2019,"lang":"en","type":"article","venue":"Style","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Anecdote; Taste; Art; Literature; Art history; White (mutation); Mythology; Point (geometry); Persona; Lyrics; Jazz; History; Visual arts; Psychology; Humanities","score_opus":0.012971072312545023,"score_gpt":0.21435237730948933,"score_spread":0.20138130499694432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2999024377","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0059971213,0.0065137763,0.0072773956,0.18809734,0.048857447,0.00017263377,0.00031919192,0.0013038228,0.7414613],"genre_scores_gemma":[0.029670972,0.002941031,0.002421913,0.035796482,0.0031000294,0.00009076394,0.0002668113,0.00094036275,0.92477185],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964797,0.000983158,0.00010833975,0.0006101898,0.0010758581,0.00074279145],"domain_scores_gemma":[0.996166,0.0002776678,0.00015185165,0.0002607903,0.0011156533,0.002027982],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020462226,0.0011475808,0.00053144025,0.0010657965,0.010956032,0.014455051,0.0012693899,0.0056106406,0.18724254],"category_scores_gemma":[0.010690353,0.00043636473,0.00073942955,0.0005425582,0.004299343,0.010696951,0.014381316,0.009345183,0.13454331],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022526254,0.000027269743,0.0004110448,0.00006806908,0.000005404202,0.0004660254,0.010540198,0.000026731002,0.0004945564,0.030285627,0.9132101,0.044442426],"study_design_scores_gemma":[0.0000016469037,0.000010653709,0.00012911763,0.00008978628,0.000001675529,0.00033779306,0.00823752,0.000013552998,0.00008650866,0.0020151692,0.98906785,0.000008740315],"about_ca_topic_score_codex":0.00580215,"about_ca_topic_score_gemma":0.011218121,"teacher_disagreement_score":0.18724254,"about_ca_system_score_codex":0.0029206753,"about_ca_system_score_gemma":0.0036084994,"threshold_uncertainty_score":0.62638867},"labels":[],"label_agreement":null},{"id":"W2999834276","doi":"10.3968/11388","title":"A study of Postcolonial Narrative in The Remains of the Day","year":2019,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Narratology; Identity (music); Subjectivity; Literature; History; Subject (documents); Virtue; Face (sociological concept); British literature; Colonialism; Aesthetics; Art; Sociology; Philosophy; English literature; Epistemology; Social science","score_opus":0.01606542465103642,"score_gpt":0.2928835552655138,"score_spread":0.27681813061447735,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2999834276","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90247685,0.0039925096,0.0018187577,0.00410098,0.0003034379,0.00007330907,0.00008960583,0.000019432106,0.087125175],"genre_scores_gemma":[0.99103093,0.0010342922,0.00031780073,0.00021970316,0.000051661715,0.000037646503,0.000040092615,0.000019932073,0.0072479816],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99680746,0.0022013765,0.0000968299,0.0002310659,0.00031649144,0.00034679857],"domain_scores_gemma":[0.9955309,0.0026752981,0.00062557973,0.00021150487,0.00042599317,0.00053078285],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035114652,0.0004926975,0.0005977132,0.0017856711,0.011227556,0.009910399,0.0015165609,0.00170506,0.0025814173],"category_scores_gemma":[0.007183102,0.00033649453,0.00030472223,0.0027769264,0.016425751,0.005990577,0.005261029,0.0027397156,0.00038802173],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011332115,0.000014438329,0.00056284847,0.000043509513,0.0000026665948,0.00041811116,0.9824556,0.000007758232,0.0001415968,0.014290308,0.00050423737,0.0015475545],"study_design_scores_gemma":[0.0000034221218,0.000019434901,0.0025707243,0.00011617829,0.0000063577536,0.00021383847,0.9497374,0.00005056645,0.00017723943,0.0016550322,0.04543952,0.000010262955],"about_ca_topic_score_codex":0.008811176,"about_ca_topic_score_gemma":0.017059928,"teacher_disagreement_score":0.011227556,"about_ca_system_score_codex":0.0049234335,"about_ca_system_score_gemma":0.0030346178,"threshold_uncertainty_score":0.035722196},"labels":[],"label_agreement":null},{"id":"W3001416714","doi":"10.3968/11432","title":"Grotesques in Winesburg, Ohio","year":2019,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Adventure; Personality; Aesthetics; Psychology; Social psychology; Sociology; History; Epistemology; Literature; Philosophy; Art; Art history","score_opus":0.015002048933752725,"score_gpt":0.278920475680394,"score_spread":0.2639184267466413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3001416714","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91954863,0.00079395965,0.00020134226,0.001100704,0.000105257575,0.000028865781,0.0001865736,0.000012009235,0.078022674],"genre_scores_gemma":[0.9667304,0.00085295463,0.00029224006,0.00022472757,0.000032951055,0.000027923621,0.0001965929,0.000023717688,0.031618446],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963415,0.0001519421,0.0000073615893,0.000055612596,0.00007137926,0.00007956669],"domain_scores_gemma":[0.9996294,0.00015467388,0.00005347395,0.0000105412,0.00003535228,0.000116489384],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003858675,0.00021351711,0.00015257297,0.0007596818,0.010616734,0.0026049712,0.00043440188,0.0006319342,0.009752568],"category_scores_gemma":[0.0008494561,0.00016503395,0.00007547343,0.0010728866,0.0029046766,0.0012607301,0.0018924717,0.00088243186,0.00037829205],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013279657,0.00012347264,0.02499181,0.00020643511,0.0000151821005,0.010021904,0.8967746,0.000103178834,0.0019468918,0.0142885465,0.01599712,0.035398025],"study_design_scores_gemma":[0.000004539223,0.000046004214,0.036535732,0.000119561635,0.000006246916,0.00071880285,0.68673944,0.000049562004,0.00025352777,0.00066202774,0.27485362,0.000010898775],"about_ca_topic_score_codex":0.046563182,"about_ca_topic_score_gemma":0.2782707,"teacher_disagreement_score":0.046563182,"about_ca_system_score_codex":0.002023585,"about_ca_system_score_gemma":0.0012225652,"threshold_uncertainty_score":0.09258431},"labels":[],"label_agreement":null},{"id":"W3002364789","doi":"10.22148/001c.11776","title":"Annotating Narrative Levels: Review of Guideline No. 8","year":2020,"lang":"en","type":"article","venue":"Journal of Cultural Analytics","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Narratology; Computer science; Phrase; Linguistics; Scripting language; Focalization; Natural language processing; Philosophy","score_opus":0.10665602000777705,"score_gpt":0.32159007484615904,"score_spread":0.214934054838382,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3002364789","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007902231,0.3451235,0.2549762,0.22252299,0.03906276,0.008420979,0.010307959,0.0049582054,0.10672522],"genre_scores_gemma":[0.03419485,0.25984576,0.5040601,0.08868943,0.005012457,0.018604673,0.027772093,0.0042355973,0.05758512],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.96244633,0.015440131,0.009609915,0.0026885748,0.008957571,0.000857504],"domain_scores_gemma":[0.78678185,0.07275959,0.009701486,0.012583881,0.11529056,0.0028826774],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.07273743,0.00083933555,0.001469727,0.011735782,0.0025936104,0.0050960383,0.00879949,0.0052939067,0.0058679273],"category_scores_gemma":[0.1720868,0.0013956173,0.0018857724,0.008181975,0.0053691906,0.0074491166,0.0055485675,0.005628122,0.0077999826],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006413279,0.00007977103,0.0013112589,0.029305467,0.00010308391,0.00038645338,0.008167287,0.0004201053,0.0028811195,0.027074482,0.4718856,0.45832133],"study_design_scores_gemma":[0.000012763146,0.000026502028,0.0013852962,0.029346,0.00008192898,0.00027715554,0.0010733617,0.00016036924,0.0009603453,0.0038004494,0.9628385,0.00003730601],"about_ca_topic_score_codex":0.028789205,"about_ca_topic_score_gemma":0.06478246,"teacher_disagreement_score":0.07273743,"about_ca_system_score_codex":0.0059290007,"about_ca_system_score_gemma":0.02789314,"threshold_uncertainty_score":0.38467693},"labels":[],"label_agreement":null},{"id":"W3003693072","doi":"10.24193/ekphrasis.22.4","title":"From “Flowery Expression” to Floral Motif: Adapting Discordant Narration in Sarah Polley’s Away from Her","year":2019,"lang":"en","type":"article","venue":"Ekphrasis","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Narrative; Narratology; Motif (music); Narrative structure; Sympathy; Literature; Art; Aesthetics; Psychology; Social psychology","score_opus":0.017262440439782496,"score_gpt":0.22741674060149694,"score_spread":0.21015430016171444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3003693072","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.852886,0.0022377449,0.008027254,0.016412286,0.0007445159,0.000075426426,0.000065083565,0.00011003552,0.1194416],"genre_scores_gemma":[0.9886029,0.00042425605,0.0011650997,0.0011050211,0.00009670851,0.000024641096,0.000028012144,0.0000887801,0.008464492],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970229,0.0023400716,0.00003864872,0.000191229,0.00022430444,0.00018286011],"domain_scores_gemma":[0.9982492,0.0011425111,0.0001446403,0.00012520584,0.0001331653,0.00020538094],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018364604,0.00036740315,0.00031694173,0.00044506456,0.008101785,0.0050796876,0.0009797955,0.0016922519,0.002049966],"category_scores_gemma":[0.006487941,0.00023814743,0.00019610298,0.00038587465,0.010993405,0.003131885,0.0048716688,0.0035285722,0.00030799903],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000099492914,0.000028891778,0.0010906587,0.00010650085,0.000011658069,0.0013447226,0.95419437,0.00010746859,0.0031889195,0.02314282,0.005931355,0.010753077],"study_design_scores_gemma":[0.00001776052,0.00011961566,0.005937484,0.00022100215,0.00002800375,0.002060575,0.67449063,0.00043121536,0.0043121986,0.005574363,0.30674696,0.000060283142],"about_ca_topic_score_codex":0.0045393063,"about_ca_topic_score_gemma":0.008626723,"teacher_disagreement_score":0.008101785,"about_ca_system_score_codex":0.002219262,"about_ca_system_score_gemma":0.00060731516,"threshold_uncertainty_score":0.016101956},"labels":[],"label_agreement":null},{"id":"W3007170757","doi":"10.5539/ells.v10n1p62","title":"Analysis of Spacial Narrative in Point Omega","year":2020,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Theme (computing); Narratology; Perspective (graphical); Point (geometry); Exhibition; Omega; History; Sociology; Literature; Visual arts; Art; Art history; Philosophy; Computer science; Linguistics; Mathematics; World Wide Web; Geometry","score_opus":0.01436217169372551,"score_gpt":0.25424625294761793,"score_spread":0.23988408125389243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3007170757","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68322355,0.0019095356,0.026285961,0.0018461086,0.00010232637,0.00018070698,0.0005304526,0.000074422234,0.28584695],"genre_scores_gemma":[0.9876714,0.00055382366,0.0023164435,0.000045265002,0.000013475598,0.00006832296,0.00014783241,0.000021517071,0.009162009],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99877614,0.0007304529,0.000055567616,0.00010733649,0.00023588292,0.000094588904],"domain_scores_gemma":[0.99684805,0.0019125647,0.00041819917,0.00020118759,0.0004563861,0.00016355593],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001371667,0.00024212617,0.00018591457,0.0028126182,0.0027248801,0.0037660918,0.0004644742,0.00043210207,0.005819648],"category_scores_gemma":[0.005086087,0.00011389321,0.0002025672,0.004148398,0.0046010036,0.0046699233,0.0030763713,0.0006831979,0.00037720075],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048063474,0.000019274195,0.010535977,0.00032906435,0.000011890419,0.0014947047,0.6089008,0.00039905155,0.00078594557,0.3462836,0.0020718304,0.02911982],"study_design_scores_gemma":[0.000005781288,0.000048900558,0.02158055,0.00041622273,0.000020071964,0.00096159603,0.7670327,0.0016489883,0.0012294649,0.03458205,0.1724468,0.000026804597],"about_ca_topic_score_codex":0.0035117604,"about_ca_topic_score_gemma":0.004706306,"teacher_disagreement_score":0.005819648,"about_ca_system_score_codex":0.0021951161,"about_ca_system_score_gemma":0.0012749285,"threshold_uncertainty_score":0.019468665},"labels":[],"label_agreement":null},{"id":"W3027132475","doi":"10.7202/1082341ar","title":"Immersion for Entangled Audiences: The Nonhuman World and Affective Patterning in Narrative Experiences","year":2021,"lang":"en","type":"article","venue":"Kinephanos Revue d études des médias et de culture populaire","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Immersion (mathematics); Narratology; Sociology; Aesthetics; Quantum entanglement; Psychology; Literature; Art","score_opus":0.050573850801945895,"score_gpt":0.3033141705136518,"score_spread":0.2527403197117059,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3027132475","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6972692,0.0031955761,0.045178287,0.006648897,0.0001674711,0.00007074637,0.00007109713,0.00008266861,0.24731602],"genre_scores_gemma":[0.9968657,0.0002170403,0.001039621,0.00009631812,0.00002066086,0.000024552279,0.000011810347,0.000025708052,0.0016985465],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99777514,0.0015360485,0.000045528544,0.00021431402,0.0002156777,0.00021329004],"domain_scores_gemma":[0.9978091,0.001448407,0.0002542906,0.00018143786,0.00009504884,0.00021168384],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021231489,0.00039964166,0.00030030182,0.0011505893,0.0048651174,0.009772163,0.00071956415,0.0014327372,0.004463833],"category_scores_gemma":[0.0052800793,0.00029861255,0.00037599698,0.0007429021,0.020643974,0.010812923,0.010323294,0.002093674,0.00026214632],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000061597966,0.00002085746,0.0024658355,0.00012201679,0.000015817313,0.00046964144,0.78118694,0.00016844452,0.0019051168,0.2034495,0.00048253816,0.009651744],"study_design_scores_gemma":[0.000025604852,0.00011868324,0.0114971865,0.00040374298,0.000042497257,0.0014767346,0.7360965,0.0011233472,0.0014208662,0.171361,0.07636887,0.000064958665],"about_ca_topic_score_codex":0.0015019366,"about_ca_topic_score_gemma":0.0014033574,"teacher_disagreement_score":0.009772163,"about_ca_system_score_codex":0.0013499401,"about_ca_system_score_gemma":0.00064052996,"threshold_uncertainty_score":0.01493299},"labels":[],"label_agreement":null},{"id":"W3033546693","doi":"10.30958/ajha.7-3-1","title":"Philosophizing the Jobs’s iPhone within Philospohical Hermeneutics Context","year":2020,"lang":"en","type":"article","venue":"Athens Journal of Humanities and Arts","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hermeneutics; Context (archaeology); Sociology; Epistemology; Philosophy; History","score_opus":0.1285967709725905,"score_gpt":0.2393343679865833,"score_spread":0.1107375970139928,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3033546693","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05438751,0.00969169,0.017035438,0.0919632,0.0012666225,0.000060110135,0.00006144049,0.00008041477,0.8254535],"genre_scores_gemma":[0.930288,0.0031088863,0.0042404314,0.0059229205,0.00052325375,0.00007785324,0.000022108812,0.000074032054,0.05574256],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9979527,0.0011749339,0.000037095742,0.00018485713,0.0003414627,0.0003089781],"domain_scores_gemma":[0.99897516,0.00057614123,0.0000748873,0.0000703275,0.00013799824,0.00016544177],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024858438,0.00034915854,0.0001955557,0.0014183471,0.008420356,0.007413698,0.0006710415,0.002761177,0.0029845028],"category_scores_gemma":[0.00196636,0.00022886862,0.0002482114,0.0010181633,0.057745725,0.005542842,0.002798536,0.0030063847,0.00037208534],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000045289,0.00000634515,0.00007478713,0.000013216534,5.603685e-7,0.00005593888,0.017914718,0.000042595435,0.0000468155,0.9784399,0.002026257,0.00137427],"study_design_scores_gemma":[0.000015974623,0.00002763892,0.00088390877,0.00022265756,0.0000052092405,0.000171066,0.046303086,0.000610297,0.00028335824,0.6569383,0.29451716,0.000021364873],"about_ca_topic_score_codex":0.07786115,"about_ca_topic_score_gemma":0.08933185,"teacher_disagreement_score":0.07786115,"about_ca_system_score_codex":0.014648697,"about_ca_system_score_gemma":0.010775095,"threshold_uncertainty_score":0.15481591},"labels":[],"label_agreement":null},{"id":"W303499113","doi":"10.1016/j.jaging.2015.02.014","title":"Narrative ethics for narrative care","year":2015,"lang":"en","type":"article","venue":"Journal of Aging Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":49,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Thomas University","funders":"","keywords":"Narrative; Narrative criticism; Sociology; Narrative history; Narrative inquiry; Ethics of care; Psychology; Psychoanalysis; Epistemology; Philosophy; Linguistics","score_opus":0.24965816740752841,"score_gpt":0.40795601104386303,"score_spread":0.15829784363633462,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W303499113","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01607318,0.011228184,0.039148923,0.21210232,0.0025832492,0.000192659,0.00011080856,0.00006416822,0.71849656],"genre_scores_gemma":[0.8995979,0.0032017191,0.008539294,0.018084068,0.0012837697,0.00051932194,0.00006358925,0.000111683636,0.068598606],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.98417664,0.012967049,0.0003732381,0.000653069,0.0011008928,0.000729224],"domain_scores_gemma":[0.9739527,0.01853338,0.0011012771,0.0022081856,0.0022751351,0.001929274],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.018433625,0.0005468855,0.000503654,0.0014766417,0.011841236,0.0133987805,0.0014513776,0.0064412416,0.01551047],"category_scores_gemma":[0.032586265,0.00036550136,0.00036430848,0.0009857542,0.054753337,0.012087863,0.0069953636,0.009432573,0.0015989176],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000032390608,0.000005339422,0.000041340187,0.000014394295,0.000001068679,0.000023873465,0.0076181083,0.000022274724,0.000008227333,0.9850404,0.0050576795,0.0021640877],"study_design_scores_gemma":[0.00000857001,0.0000067029077,0.00007744357,0.0002313551,0.000003665507,0.00011052181,0.011364556,0.00012296789,0.000079850855,0.85698205,0.13100497,0.000007278158],"about_ca_topic_score_codex":0.004791764,"about_ca_topic_score_gemma":0.00424865,"teacher_disagreement_score":0.018433625,"about_ca_system_score_codex":0.007444806,"about_ca_system_score_gemma":0.011171224,"threshold_uncertainty_score":0.09748751},"labels":[],"label_agreement":null},{"id":"W3048427462","doi":"10.1177/1077800420948105","title":"Considering Response Communities: Spaces of Appearance in Narrative Inquiry","year":2020,"lang":"en","type":"article","venue":"Qualitative Inquiry","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Narrative; Courage; Sociology; Disaster response; Field (mathematics); Narrative inquiry; Vulnerability (computing); Interim; Epistemology; Aesthetics; History; Political science; Linguistics; Art; Computer science; Emergency management","score_opus":0.2500094728475761,"score_gpt":0.38951507286820913,"score_spread":0.13950560002063306,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3048427462","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4572228,0.006504565,0.16801378,0.03157623,0.0009691712,0.0009602284,0.00031244755,0.00023991852,0.33420098],"genre_scores_gemma":[0.9801104,0.0008860931,0.012035826,0.00055781734,0.000068890084,0.00037687324,0.00005365329,0.00008475629,0.005825657],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9646762,0.03100913,0.0005029633,0.0011055019,0.0013939786,0.0013121389],"domain_scores_gemma":[0.9598632,0.0314177,0.0030160614,0.0017655862,0.0018679224,0.0020695508],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.018099576,0.0006650343,0.0006511574,0.004104977,0.0156001365,0.018193025,0.0021793947,0.0038508337,0.005520483],"category_scores_gemma":[0.0361685,0.00059386634,0.00072991505,0.0038423303,0.04062827,0.029101828,0.016879886,0.003714675,0.0005091951],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022775057,0.000019430034,0.0010004749,0.00017219107,0.0000047020458,0.000506943,0.7592339,0.00015135929,0.00027000986,0.23222232,0.0009467601,0.0054491246],"study_design_scores_gemma":[0.000011602996,0.000029750276,0.00063931703,0.0004327655,0.00001212306,0.00067929766,0.8179241,0.0007279593,0.00047635043,0.09939033,0.07964596,0.000030406098],"about_ca_topic_score_codex":0.003711387,"about_ca_topic_score_gemma":0.004624902,"teacher_disagreement_score":0.018193025,"about_ca_system_score_codex":0.004885575,"about_ca_system_score_gemma":0.0038938683,"threshold_uncertainty_score":0.09572083},"labels":[],"label_agreement":null},{"id":"W3095636099","doi":"10.3138/ecf.33.1.129","title":"<i>4E Cognition and Eighteenth-Century Fiction: How the Novel Found Its Feet</i> by Karin Kukkonen","year":2020,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cognition; Art; Literature; History; Psychology; Neuroscience","score_opus":0.033599232218168934,"score_gpt":0.20886222893533787,"score_spread":0.17526299671716894,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3095636099","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03698593,0.09837284,0.0044769403,0.16912705,0.007553875,0.000028519704,0.00021336849,0.000097802804,0.6831437],"genre_scores_gemma":[0.8070339,0.025794147,0.001733397,0.009967314,0.003446353,0.000049807993,0.00012762364,0.00024186171,0.15160559],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991021,0.00052817893,0.000027095397,0.0001046942,0.00012433609,0.00011363136],"domain_scores_gemma":[0.99755424,0.0019676192,0.00011850202,0.000072308176,0.000179878,0.00010742462],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011708206,0.00043604086,0.0003315102,0.001146746,0.0064343913,0.011146946,0.0008921917,0.0028751541,0.006722553],"category_scores_gemma":[0.0037485338,0.00020137939,0.00026848,0.0010704324,0.01753144,0.0074080364,0.0030004364,0.0043977927,0.0010041541],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039896193,0.000025407495,0.00024964294,0.00016678357,0.000010156705,0.00026477996,0.049286515,0.00014781645,0.00014410616,0.871468,0.066773854,0.011422965],"study_design_scores_gemma":[0.000009948962,0.000010822044,0.00071905483,0.00051140785,0.00000749536,0.00030274203,0.03233344,0.00018856286,0.00037135472,0.11147233,0.854052,0.00002080643],"about_ca_topic_score_codex":0.006175108,"about_ca_topic_score_gemma":0.010782431,"teacher_disagreement_score":0.011146946,"about_ca_system_score_codex":0.0042682667,"about_ca_system_score_gemma":0.0015935138,"threshold_uncertainty_score":0.030968666},"labels":[],"label_agreement":null},{"id":"W3098631344","doi":"10.22215/etd/2015-11162","title":"Adventures in Time and Sound: Leitmotif and Repetition in Doctor Who","year":2015,"lang":"en","type":"dissertation","venue":"","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Repetition (rhetorical device); Adventure; Context (archaeology); Aesthetics; Sociology; History; Epistemology; Art; Art history; Philosophy; Linguistics; Archaeology","score_opus":0.015609897708906176,"score_gpt":0.2580419116516983,"score_spread":0.24243201394279215,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3098631344","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27617395,0.0143500045,0.008753912,0.017593626,0.0005529093,0.00004196569,0.000064997796,0.000033500208,0.6824352],"genre_scores_gemma":[0.9803523,0.0019669426,0.000753077,0.00046445554,0.000095349125,0.000017207789,0.00001353888,0.00001975794,0.016317317],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9973538,0.0018759477,0.00005014559,0.00018518984,0.00031117065,0.0002237547],"domain_scores_gemma":[0.9958677,0.0032870008,0.00028832242,0.00017805245,0.00016122893,0.00021767581],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026332652,0.00019761095,0.00022462104,0.000896988,0.0032184082,0.004564913,0.0004702895,0.0010771614,0.005263126],"category_scores_gemma":[0.0061310474,0.00013577197,0.00018569258,0.00088375504,0.017684435,0.0043713963,0.0034706115,0.0019771832,0.00033771258],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044395736,0.000015125125,0.0010340324,0.000081069644,0.0000044712174,0.00017871734,0.27126914,0.00009947924,0.00018908599,0.7099428,0.0020741066,0.015067464],"study_design_scores_gemma":[0.00003456199,0.0001080104,0.007998531,0.0010099772,0.000020207317,0.000886062,0.27934936,0.00037791234,0.00089596555,0.21256354,0.4967084,0.000047510053],"about_ca_topic_score_codex":0.0044070594,"about_ca_topic_score_gemma":0.008024848,"teacher_disagreement_score":0.005263126,"about_ca_system_score_codex":0.002914346,"about_ca_system_score_gemma":0.0015292525,"threshold_uncertainty_score":0.021145105},"labels":[],"label_agreement":null},{"id":"W3109382294","doi":"10.21608/ttaip.2019.123732","title":"Frame Narrative Technique: Paralleled Heterotopias in Mohamed Rageh's A Quarter Citizen","year":2019,"lang":"en","type":"article","venue":"Textual Turnings : An International Peer-Reviewed  Journal in English Studies/Textual Turnings : An International Peer-Reviewed  Journal in English Studies ","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Heterotopia (medicine); Quarter (Canadian coin); Presentation (obstetrics); Literature; History; Aesthetics; Psychoanalysis; Sociology; Art; Psychology","score_opus":0.052438522966096,"score_gpt":0.35126485303793564,"score_spread":0.2988263300718396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3109382294","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90537,0.001803879,0.0045770686,0.008894509,0.00042305677,0.00009264247,0.00007621696,0.000084599735,0.07867794],"genre_scores_gemma":[0.98629934,0.0004963339,0.0008941046,0.0006027752,0.00003860606,0.000029087294,0.000020722611,0.000039587816,0.011579483],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9977283,0.0014769046,0.000064077125,0.00018480746,0.00030541865,0.00024045487],"domain_scores_gemma":[0.99831676,0.0007658349,0.0003721051,0.00017910109,0.00016394616,0.00020223635],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020519705,0.00038279773,0.000398507,0.0009101393,0.009616112,0.005610885,0.00086736586,0.0016923582,0.0038360807],"category_scores_gemma":[0.003919486,0.00030590428,0.00027467168,0.0008471338,0.013416737,0.0039144033,0.004709843,0.0029162269,0.00048498312],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007273489,0.00005139132,0.0012606458,0.00012681224,0.000009665678,0.0048675216,0.92964005,0.000059364997,0.001667103,0.04876625,0.0034091966,0.010069296],"study_design_scores_gemma":[0.000014291407,0.000111555404,0.0021212471,0.0001812684,0.000014205284,0.006685319,0.84147537,0.00023441417,0.002049566,0.007859772,0.13922197,0.000031101674],"about_ca_topic_score_codex":0.00359173,"about_ca_topic_score_gemma":0.0058533116,"teacher_disagreement_score":0.009616112,"about_ca_system_score_codex":0.0034124674,"about_ca_system_score_gemma":0.0023126693,"threshold_uncertainty_score":0.024759293},"labels":[],"label_agreement":null},{"id":"W3123148494","doi":"","title":"The Times of Their Lives: Phenomenological and Metaphorical Characteristics of Consumer Timestyles","year":2004,"lang":"en","type":"article","venue":"SSRN Electronic Journal","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Phenomenology (philosophy); Psychology; Metaphor; Epistemology; Aesthetics; Sociology; Linguistics; Social psychology; Philosophy","score_opus":0.012176585552788536,"score_gpt":0.21026922260767317,"score_spread":0.19809263705488464,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3123148494","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8366404,0.0013338253,0.006785504,0.004648077,0.00016505318,0.00009160626,0.00029372828,0.000075809454,0.149966],"genre_scores_gemma":[0.9939235,0.0002524912,0.0006698578,0.00021749316,0.000017405386,0.00003922263,0.0000661934,0.000050870283,0.004762951],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9984469,0.0010061341,0.000042420023,0.00012184799,0.0001852569,0.0001975656],"domain_scores_gemma":[0.994958,0.0036702459,0.00040597972,0.00022429718,0.0002591507,0.00048230827],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017557065,0.0002720778,0.00029338486,0.0019304685,0.005873608,0.008393243,0.000825532,0.002078629,0.0050442913],"category_scores_gemma":[0.0096286405,0.00038449603,0.00022621707,0.0026595653,0.009440368,0.007771566,0.0033891713,0.0024213616,0.0003256149],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047730206,0.000012639396,0.0015431594,0.000035918798,0.0000029859925,0.00038747824,0.95362204,0.000028967894,0.0004502806,0.04080265,0.0008205891,0.002245575],"study_design_scores_gemma":[0.0000061699398,0.000018619936,0.0044697924,0.00006766031,0.0000054867055,0.00041574158,0.9470172,0.00021190954,0.00019707624,0.008001976,0.039565712,0.000022705246],"about_ca_topic_score_codex":0.0051258197,"about_ca_topic_score_gemma":0.008957799,"teacher_disagreement_score":0.008393243,"about_ca_system_score_codex":0.0021332726,"about_ca_system_score_gemma":0.0013621697,"threshold_uncertainty_score":0.01687479},"labels":[],"label_agreement":null},{"id":"W3126173156","doi":"10.5840/cpsem20192","title":"Narratology’s Growing Pains","year":2019,"lang":"en","type":"book-chapter","venue":"Semiotics","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narratology; History; Art; Literature; Narrative","score_opus":0.029750876165424284,"score_gpt":0.21740329130498634,"score_spread":0.18765241513956205,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3126173156","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0042940173,0.023528786,0.010653047,0.026019907,0.0031404006,0.000033923614,0.0000815311,0.000079962156,0.9321683],"genre_scores_gemma":[0.30547062,0.021288414,0.006435965,0.00784682,0.0044247266,0.00018949957,0.00014688735,0.0005045169,0.65369254],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9983595,0.0010788565,0.000038590522,0.00013473807,0.00029630808,0.00009192818],"domain_scores_gemma":[0.9983188,0.0011404152,0.000051398838,0.00017582317,0.00019720483,0.000116397685],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016912025,0.0006040023,0.00048439935,0.0015565449,0.003938947,0.007917705,0.0007230851,0.002080326,0.02081996],"category_scores_gemma":[0.0033961234,0.00031916343,0.00020934346,0.0013908168,0.015669141,0.0087729115,0.004217584,0.005238603,0.0031775003],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000046783575,0.000005316381,0.000013066697,0.000033555538,7.379765e-7,0.0000278753,0.00490108,0.000029099449,0.00005903666,0.967195,0.020081818,0.0076487837],"study_design_scores_gemma":[0.000004251546,0.0000064284955,0.000062358864,0.00017594268,0.0000013429316,0.00013822838,0.0030798232,0.00012789266,0.00010307599,0.20189539,0.7944,0.000005330493],"about_ca_topic_score_codex":0.0018186484,"about_ca_topic_score_gemma":0.00365308,"teacher_disagreement_score":0.02081996,"about_ca_system_score_codex":0.00357505,"about_ca_system_score_gemma":0.001367615,"threshold_uncertainty_score":0.0696497},"labels":[],"label_agreement":null},{"id":"W3127478868","doi":"10.3138/cras-2020-012","title":"<i>Justified</i>: Transitioning the Old TV Western Lawman into a New Television Protagonist","year":2021,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Television series; Rhetorical question; Politics; Masculinity; Agency (philosophy); History; Context (archaeology); Sociology; Literature; Media studies; Gender studies; Aesthetics; Political science; Art; Law; Social science","score_opus":0.036702338875793626,"score_gpt":0.2918720063296184,"score_spread":0.2551696674538248,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3127478868","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13613144,0.05293157,0.0090065105,0.099366546,0.0037373493,0.00008297549,0.000068781555,0.00009224596,0.6985826],"genre_scores_gemma":[0.924061,0.02029827,0.0031621782,0.012526239,0.00084748043,0.000065480745,0.000054043747,0.0001014559,0.038883846],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99785584,0.0014826915,0.000039950497,0.0001389287,0.00031909585,0.00016345794],"domain_scores_gemma":[0.99830616,0.0009293941,0.000206882,0.00009690078,0.0002870481,0.00017370131],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023659945,0.00019943606,0.00014625741,0.0013835416,0.006024087,0.006730802,0.00076279126,0.0013029614,0.0021835307],"category_scores_gemma":[0.0031068206,0.0001829546,0.00014406274,0.0014743998,0.021511419,0.005249782,0.0018846069,0.0035886953,0.00033237858],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017987046,0.000022279113,0.00087678625,0.00029901773,0.00000606093,0.00017907654,0.19866103,0.000030498673,0.0005316766,0.7212503,0.03598444,0.042140834],"study_design_scores_gemma":[0.000004211427,0.000018968738,0.002454805,0.0006447615,0.000009432093,0.00020304936,0.105353944,0.00009525159,0.00047583572,0.021930547,0.86879647,0.000012807585],"about_ca_topic_score_codex":0.049479995,"about_ca_topic_score_gemma":0.08541442,"teacher_disagreement_score":0.049479995,"about_ca_system_score_codex":0.007663873,"about_ca_system_score_gemma":0.0053345733,"threshold_uncertainty_score":0.09838396},"labels":[],"label_agreement":null},{"id":"W3131000351","doi":"10.17932/iau.icd.2015.006/icd_v07i1001","title":"Danimarka Sinemasında Bir Auteur: Thomas Vinterberg Sineması Üzerine Bir Bakış","year":2021,"lang":"","type":"article","venue":"Hasan Kalyoncu University Institutional Repository (Hasan Kalyoncu University)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Nordic Life Science Pipeline (Canada)","funders":"","keywords":"Humanities; Art","score_opus":0.014860612785940417,"score_gpt":0.18647460730924875,"score_spread":0.17161399452330833,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3131000351","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029429607,0.15324663,0.00505761,0.3401464,0.028708406,0.000039270926,0.0005672844,0.0005579491,0.4422468],"genre_scores_gemma":[0.26669168,0.04853002,0.0043515908,0.012824621,0.0028762328,0.00006928703,0.00033125037,0.0006364882,0.6636888],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994337,0.00018043014,0.000025808467,0.00008866692,0.00021505795,0.000056322348],"domain_scores_gemma":[0.9992042,0.00022426693,0.000060618084,0.000036515587,0.00034279004,0.00013162276],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00113845,0.00035860157,0.00028114114,0.0010007012,0.003030917,0.0038612022,0.00039614618,0.0009902362,0.015342805],"category_scores_gemma":[0.00299623,0.00016691312,0.00009369111,0.0006189405,0.0021499833,0.0032224767,0.0018078645,0.0022721316,0.005373692],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052506293,0.000031275235,0.0010236049,0.0001928522,0.000008000097,0.00027841466,0.008984319,0.00012543413,0.00037627525,0.19289894,0.691748,0.10428035],"study_design_scores_gemma":[0.0000031928648,0.0000066101256,0.0005834584,0.00026160848,0.000004338815,0.00025413313,0.006185778,0.00009424394,0.00048399382,0.016566887,0.9755435,0.000012237098],"about_ca_topic_score_codex":0.006143217,"about_ca_topic_score_gemma":0.013368444,"teacher_disagreement_score":0.015342805,"about_ca_system_score_codex":0.0020291747,"about_ca_system_score_gemma":0.0023473462,"threshold_uncertainty_score":0.05132681},"labels":[],"label_agreement":null},{"id":"W3136000478","doi":"10.7202/1089619ar","title":"De Star Trek à Star Wars","year":2021,"lang":"fr","type":"article","venue":"Sens public","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy; Art history","score_opus":0.03422400534399001,"score_gpt":0.23663533709586826,"score_spread":0.20241133175187825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3136000478","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12212226,0.004773997,0.022763157,0.012317514,0.0010951651,0.00007624868,0.00018243164,0.00009527686,0.83657396],"genre_scores_gemma":[0.80290425,0.0028071466,0.0025768057,0.0012072104,0.00023029895,0.000053540007,0.000112632915,0.00014113018,0.18996695],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998362,0.00088534475,0.000037458423,0.00024976893,0.00031029512,0.00015516597],"domain_scores_gemma":[0.998733,0.0005310886,0.00020937902,0.00015066614,0.00019225245,0.00018360313],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015908002,0.0004971263,0.00026388463,0.00084508676,0.0060170246,0.007302197,0.00060218363,0.0012642948,0.009560636],"category_scores_gemma":[0.003969782,0.00022049973,0.00023382706,0.001066919,0.012671677,0.0062255063,0.0025844134,0.0032772617,0.0013055103],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038006783,0.000013537709,0.0010521748,0.000101444835,0.000008498141,0.00031308507,0.17481332,0.000076374454,0.0005394016,0.79315615,0.013744951,0.01614314],"study_design_scores_gemma":[0.0000057742463,0.000042470638,0.0031725953,0.00021691104,0.0000098066375,0.0005762398,0.11131842,0.00018958583,0.00074085547,0.045317627,0.8383893,0.000020358404],"about_ca_topic_score_codex":0.00926642,"about_ca_topic_score_gemma":0.01745994,"teacher_disagreement_score":0.009560636,"about_ca_system_score_codex":0.0036345168,"about_ca_system_score_gemma":0.002206092,"threshold_uncertainty_score":0.031983554},"labels":[],"label_agreement":null},{"id":"W3136804508","doi":"10.7202/1075876ar","title":"Standing by the Mountain","year":2021,"lang":"en","type":"article","venue":"The Trumpeter","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.02323650372577503,"score_gpt":0.22039698450656312,"score_spread":0.19716048078078807,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3136804508","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.038434356,0.026903698,0.0018180967,0.31218636,0.010327426,0.000048836857,0.00019542345,0.000073598836,0.6100122],"genre_scores_gemma":[0.61676735,0.0094912825,0.00082703,0.042501487,0.0047770175,0.00008938259,0.00013366267,0.00018898543,0.32522377],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990282,0.0005851567,0.000012525284,0.00008852552,0.00017168389,0.000113903305],"domain_scores_gemma":[0.99843305,0.00089699874,0.000097899814,0.00007371326,0.00024579803,0.00025253595],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012601076,0.00028405798,0.00022942465,0.00054919673,0.0120441355,0.0051238164,0.0005464525,0.0020422777,0.010369365],"category_scores_gemma":[0.0061631827,0.00017861857,0.00021326178,0.0007018018,0.010908943,0.0053855814,0.0025698398,0.0058114678,0.0014765678],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054188124,0.000027733391,0.0005819525,0.000109379114,0.000009489977,0.000601547,0.1751689,0.000045610093,0.0002715032,0.20249127,0.60653347,0.014104925],"study_design_scores_gemma":[0.000008096691,0.000024239129,0.0015950471,0.00030267274,0.0000043618056,0.00035767758,0.14925088,0.000053419,0.00009636627,0.024331171,0.82396275,0.000013322134],"about_ca_topic_score_codex":0.009555003,"about_ca_topic_score_gemma":0.02151888,"teacher_disagreement_score":0.0120441355,"about_ca_system_score_codex":0.0015762172,"about_ca_system_score_gemma":0.0015054647,"threshold_uncertainty_score":0.03468895},"labels":[],"label_agreement":null},{"id":"W3151265475","doi":"10.1080/25723618.2014.12015488","title":"The Spatial-Temporal Issue in Fiction: Finding the Actual World in Pu Songling’s Story","year":2014,"lang":"en","type":"article","venue":"Comparative Literature East & West","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Literature; Geography; Art; History","score_opus":0.03339741707704309,"score_gpt":0.2628360268394663,"score_spread":0.2294386097624232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3151265475","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33533692,0.041591287,0.020005375,0.1090091,0.001638143,0.0001278561,0.0004669763,0.000081075275,0.49174327],"genre_scores_gemma":[0.9807562,0.0044882935,0.003499434,0.0017680523,0.0002018439,0.00004491603,0.000114003415,0.000028452676,0.009098958],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.998466,0.0011185016,0.000044145196,0.00008467632,0.00018610778,0.00010049581],"domain_scores_gemma":[0.99438745,0.0045100558,0.00035907372,0.00016764186,0.00040393713,0.00017174],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025323601,0.00022256527,0.00016034479,0.0015649147,0.005404585,0.0055158697,0.00077922165,0.002028362,0.0051409914],"category_scores_gemma":[0.012259057,0.0001846368,0.00017490437,0.0016491197,0.011345143,0.011852143,0.0028522683,0.0019943519,0.00042592356],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000800142,0.00003329456,0.0032244418,0.00059691013,0.000013337378,0.00063596835,0.61532193,0.00014060296,0.00046517787,0.2811428,0.034005668,0.06433976],"study_design_scores_gemma":[0.000019455872,0.000063706044,0.011850002,0.0013424904,0.00003590269,0.0010895957,0.51691407,0.00033067996,0.0013714025,0.09572958,0.3712142,0.000038881943],"about_ca_topic_score_codex":0.0056552733,"about_ca_topic_score_gemma":0.013897888,"teacher_disagreement_score":0.0056552733,"about_ca_system_score_codex":0.0020168687,"about_ca_system_score_gemma":0.0014353421,"threshold_uncertainty_score":0.017198324},"labels":[],"label_agreement":null},{"id":"W3157356919","doi":"","title":"Narrative and Sociology","year":2016,"lang":"en","type":"article","venue":"Narrative Works","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Narratology; Narrative criticism; Sociology; Narrative network; Narrative inquiry; Storytelling; Epistemology; Narrative history; Narrative psychology; Narrativity; Terminology; Social science; Linguistics; Philosophy","score_opus":0.02014100141899836,"score_gpt":0.24654606644942972,"score_spread":0.22640506503043137,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3157356919","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009577675,0.06600504,0.008982835,0.06968548,0.0024533735,0.000084002684,0.00011490185,0.00006171627,0.8430349],"genre_scores_gemma":[0.7990367,0.04916911,0.0067883944,0.017353654,0.0035931913,0.00027452913,0.00018275918,0.0001699678,0.12343172],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.994142,0.0044537815,0.00014143437,0.00044674327,0.00043693438,0.00037916526],"domain_scores_gemma":[0.9937751,0.0041199173,0.00051884766,0.00051573105,0.0004203909,0.0006498948],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0041713477,0.00067706,0.0005684415,0.002322758,0.009418932,0.014194294,0.0009621951,0.0034638166,0.01084497],"category_scores_gemma":[0.006795855,0.00024924203,0.0003449209,0.0021380598,0.051430352,0.011140762,0.0062395884,0.0038863148,0.0015323763],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000040344503,0.000004534713,0.000102080936,0.00005626734,0.0000020783002,0.000050096492,0.009801485,0.000043533808,0.000015979005,0.9771951,0.008696285,0.0040285313],"study_design_scores_gemma":[0.000006550106,0.000011552228,0.0001824961,0.0004838643,0.0000029718615,0.000177484,0.012457604,0.00007937273,0.000040573585,0.47272417,0.513827,0.0000063845364],"about_ca_topic_score_codex":0.0049667703,"about_ca_topic_score_gemma":0.0040230495,"teacher_disagreement_score":0.014194294,"about_ca_system_score_codex":0.008511017,"about_ca_system_score_gemma":0.0048152427,"threshold_uncertainty_score":0.06175208},"labels":[],"label_agreement":null},{"id":"W3158830192","doi":"10.18192/jpp.v24i1.5052","title":"Lenny’s Last Days... in Attica","year":2015,"lang":"en","type":"article","venue":"Journal of Prisoners on Prisons","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.06575487467110173,"score_gpt":0.28171707422597153,"score_spread":0.21596219955486978,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3158830192","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13420407,0.014034143,0.0022918193,0.27831092,0.006472714,0.00007810316,0.00030605524,0.0002477816,0.56405437],"genre_scores_gemma":[0.59535784,0.0036014663,0.000899897,0.0337768,0.00041770047,0.000072551244,0.00008764463,0.00014841526,0.36563772],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9989241,0.00056515384,0.000024606756,0.000119337165,0.00016126942,0.00020554195],"domain_scores_gemma":[0.9988895,0.00017312574,0.0001530924,0.00005057251,0.00017686725,0.00055689027],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007503208,0.00043404856,0.00030498323,0.00040701072,0.013974535,0.0050969087,0.00043167986,0.0017621777,0.013623527],"category_scores_gemma":[0.002999525,0.00020505031,0.00026202737,0.0002487155,0.0064064553,0.0044300263,0.0035788144,0.00554209,0.0019177848],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000088549794,0.00004806469,0.004485128,0.00021633721,0.000021322414,0.0018080694,0.34018078,0.000066841334,0.00070017163,0.13361129,0.4830434,0.035730083],"study_design_scores_gemma":[0.0000032140294,0.00003160535,0.0020861642,0.00034135472,0.0000058644946,0.00087838876,0.16574208,0.000041743304,0.00025914938,0.0030495555,0.8275429,0.000017907212],"about_ca_topic_score_codex":0.015774,"about_ca_topic_score_gemma":0.047619034,"teacher_disagreement_score":0.015774,"about_ca_system_score_codex":0.0033022624,"about_ca_system_score_gemma":0.0020230927,"threshold_uncertainty_score":0.04557526},"labels":[],"label_agreement":null},{"id":"W3160448425","doi":"10.5539/ells.v11n2p50","title":"Philip Sidney’s Stella: The Lady, the Countess, and the Queen","year":2021,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"STELLA (programming language); Romance; Context (archaeology); Monster; Poetry; Sonnet; Reading (process); Art history; Art; Literature; History; Philosophy","score_opus":0.00821562797561038,"score_gpt":0.22699108211909388,"score_spread":0.2187754541434835,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3160448425","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1249223,0.026638025,0.0030091058,0.07360876,0.0031765464,0.00003117647,0.00011400542,0.000091156326,0.76840883],"genre_scores_gemma":[0.80547404,0.004424797,0.0011872638,0.005337449,0.00038469542,0.000019223677,0.000038049926,0.00009907668,0.18303537],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99936,0.00034517312,0.000011916316,0.000071117895,0.00012121327,0.000090595306],"domain_scores_gemma":[0.99962413,0.00014040699,0.000032330707,0.000027127424,0.00004913632,0.00012689603],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00052584964,0.00035593403,0.00018288012,0.00040487514,0.009695136,0.0045214253,0.00034241405,0.001187643,0.0063395165],"category_scores_gemma":[0.0019342022,0.00018674339,0.00013161697,0.0005281377,0.010215908,0.0024948472,0.0021715837,0.0029232427,0.0009620058],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000079972335,0.00001635853,0.0012403906,0.00009047373,0.000006185175,0.001479969,0.3497942,0.00006497118,0.0006798582,0.5008199,0.12318873,0.022539124],"study_design_scores_gemma":[0.000006051603,0.000018502335,0.001266903,0.00017129438,0.0000033132326,0.00095946016,0.089030765,0.00007092385,0.00034668943,0.016417935,0.8916911,0.00001711679],"about_ca_topic_score_codex":0.04852766,"about_ca_topic_score_gemma":0.12917636,"teacher_disagreement_score":0.04852766,"about_ca_system_score_codex":0.0041244933,"about_ca_system_score_gemma":0.0027908522,"threshold_uncertainty_score":0.09649038},"labels":[],"label_agreement":null},{"id":"W3160799081","doi":"10.18432/ari29554","title":"NARRATIVE FUTURING","year":2021,"lang":"en","type":"article","venue":"Art/Research International A Transdisciplinary Journal","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Narrative; Praxis; Context (archaeology); Epistemology; Sociology; Futures contract; Aesthetics; Literature; History; Philosophy; Art","score_opus":0.11554936653132235,"score_gpt":0.38380764347993646,"score_spread":0.2682582769486141,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3160799081","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.054891404,0.0050515784,0.21353745,0.021550568,0.0025710668,0.00057387684,0.00035104246,0.0004883848,0.70098454],"genre_scores_gemma":[0.81559455,0.0024641964,0.08499194,0.0024869102,0.0006479659,0.0009519323,0.0002663757,0.00043003634,0.09216605],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9872279,0.0101459185,0.00025564578,0.00097311346,0.0010534215,0.00034400861],"domain_scores_gemma":[0.98045725,0.011402444,0.0011008652,0.00464821,0.0014181074,0.0009731328],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.015114187,0.0009627219,0.00051323074,0.0025905422,0.009924276,0.012852973,0.0024479073,0.0023163997,0.023153098],"category_scores_gemma":[0.0249505,0.00032193615,0.0007490962,0.0014626029,0.028321946,0.015333451,0.00978498,0.0035236545,0.0032038186],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002607621,0.000027667542,0.00026609813,0.00020035497,0.00000619486,0.00014952695,0.05696669,0.0001686053,0.00029394828,0.9070438,0.0043824012,0.030468656],"study_design_scores_gemma":[0.000019713374,0.000078437304,0.0003300804,0.0007695142,0.000013463753,0.0004554705,0.04496302,0.00084253255,0.0016706282,0.5030302,0.4478034,0.000023592109],"about_ca_topic_score_codex":0.0005836711,"about_ca_topic_score_gemma":0.001247198,"teacher_disagreement_score":0.023153098,"about_ca_system_score_codex":0.0045699948,"about_ca_system_score_gemma":0.0032103565,"threshold_uncertainty_score":0.07993245},"labels":[],"label_agreement":null},{"id":"W3161474554","doi":"10.3968/12030","title":"On Double Narration in Wuthering Heights","year":2021,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Narratology; Narrative network; Narrative structure; Literature; Key (lock); Narrative criticism; Narrative inquiry; History; Computer science; Art","score_opus":0.028654076908992458,"score_gpt":0.2985170931493615,"score_spread":0.269863016240369,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3161474554","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37345773,0.014043029,0.031497445,0.06602936,0.0053883744,0.00009633199,0.00021511606,0.00026272627,0.50900984],"genre_scores_gemma":[0.96108377,0.0015808451,0.0017316994,0.00163255,0.00045377447,0.000034035584,0.000041002593,0.00012250339,0.033319686],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99677414,0.002459067,0.00004542764,0.00020789694,0.00030143486,0.00021207803],"domain_scores_gemma":[0.9970927,0.0021655285,0.00023859314,0.00012286784,0.0001966419,0.00018367448],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002473996,0.0005207952,0.00031185732,0.000791788,0.005841124,0.0062998673,0.0006530129,0.0015009099,0.0037522197],"category_scores_gemma":[0.006733748,0.00025605084,0.00019567898,0.0005736038,0.015285232,0.0062094815,0.004710346,0.0034267176,0.00062135106],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008683623,0.000027668797,0.0005889145,0.00013853528,0.000013830776,0.0013894673,0.47602266,0.00018004558,0.0007826733,0.48575544,0.023384545,0.011629469],"study_design_scores_gemma":[0.000020719488,0.00008190451,0.0010076978,0.00044045376,0.000013345194,0.0018448131,0.21890773,0.000582631,0.0019604887,0.085865885,0.6892345,0.000039783106],"about_ca_topic_score_codex":0.0011755426,"about_ca_topic_score_gemma":0.0022439235,"teacher_disagreement_score":0.0062998673,"about_ca_system_score_codex":0.0018305358,"about_ca_system_score_gemma":0.0007174843,"threshold_uncertainty_score":0.013281524},"labels":[],"label_agreement":null},{"id":"W3164868403","doi":"10.1057/s11231-021-09286-y","title":"DISCUSSION OF JUDY EEKHOFF’S PAPER, NO WORDS TO SAY IT: TRAUMA &amp; ITS AFTERMATH*","year":2021,"lang":"en","type":"letter","venue":"The American Journal of Psychoanalysis","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"World Wildlife Fund Canada","funders":"","keywords":"Psychoanalysis; Psychology","score_opus":0.02914542378025108,"score_gpt":0.2824461659843563,"score_spread":0.2533007422041052,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3164868403","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00036412463,0.0007731581,0.00011650982,0.96267176,0.03357983,0.000011735135,0.000024000572,0.000012426469,0.002446582],"genre_scores_gemma":[0.0025427202,0.00032034924,0.000100771504,0.9770279,0.012221859,0.000030520325,0.000008464565,0.000029273815,0.0077181906],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9940194,0.001163494,0.0006614082,0.0012251524,0.001441967,0.0014885354],"domain_scores_gemma":[0.98442644,0.010033963,0.0006275032,0.0003752278,0.0019965435,0.0025403544],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008350715,0.0010968862,0.0017163181,0.00091104244,0.015823033,0.009673953,0.004730845,0.10946448,0.0068249954],"category_scores_gemma":[0.049128316,0.0011671948,0.0018340531,0.0009569452,0.006316453,0.0069381064,0.0044272724,0.10357716,0.003708551],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032187534,0.000021377327,0.00019144238,0.000029879899,0.0000114056775,0.0014512688,0.0006059908,0.00002928138,0.00009027699,0.007677281,0.986694,0.003165606],"study_design_scores_gemma":[0.000048987284,0.000038142276,0.0010222411,0.00032637687,0.000032439228,0.0013948546,0.002643591,0.00026951,0.00035256316,0.01520594,0.97856325,0.000102169375],"about_ca_topic_score_codex":0.020891352,"about_ca_topic_score_gemma":0.03950522,"teacher_disagreement_score":0.10946448,"about_ca_system_score_codex":0.0078061256,"about_ca_system_score_gemma":0.011110277,"threshold_uncertainty_score":0.056637645},"labels":[],"label_agreement":null},{"id":"W3168679524","doi":"10.1086/714424","title":"Spectral Aphasia, Psychical Ghost Stories, and Spirit Post Offices: Three Modern Ghost Stories about Communication Infrastructures","year":2021,"lang":"en","type":"article","venue":"Signs and Society","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":34,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"Aphasia; Communication; History; Art; Psychology; Visual arts; Literature; Cognitive psychology","score_opus":0.019283708273420127,"score_gpt":0.24749734671386805,"score_spread":0.22821363844044792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3168679524","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80930895,0.003739591,0.0039045028,0.020563498,0.00042070658,0.00005152513,0.00007352716,0.000080351085,0.16185732],"genre_scores_gemma":[0.99501204,0.0005231664,0.00033828223,0.00040272644,0.000050045175,0.000015413212,0.00000983663,0.000016920872,0.003631629],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99760455,0.0017800154,0.000047605863,0.00009624145,0.00024583473,0.00022587589],"domain_scores_gemma":[0.9944569,0.0041000065,0.00049397495,0.00030275737,0.00017532316,0.0004709938],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034297656,0.0004181582,0.00029068885,0.0017441781,0.01187001,0.0077812574,0.00089821784,0.0030008757,0.003482979],"category_scores_gemma":[0.006720462,0.00029044983,0.00018446769,0.0012051384,0.045558922,0.00959583,0.007832536,0.0053394483,0.00024697938],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031129635,0.000020386069,0.0006572087,0.00004396044,0.0000029242453,0.00080502656,0.8271311,0.000044471,0.00016860376,0.16549587,0.0021629205,0.0034364625],"study_design_scores_gemma":[0.000016815597,0.00004337567,0.0016415339,0.00024559535,0.000009633391,0.0015122115,0.8555595,0.00027067092,0.00064930145,0.03693498,0.10308855,0.00002777552],"about_ca_topic_score_codex":0.0027986756,"about_ca_topic_score_gemma":0.0053272657,"teacher_disagreement_score":0.01187001,"about_ca_system_score_codex":0.0057737613,"about_ca_system_score_gemma":0.0017677053,"threshold_uncertainty_score":0.041891813},"labels":[],"label_agreement":null},{"id":"W3170570838","doi":"10.3138/seminar.57.2.rev003","title":"Martin Wagner. <i>The Narratology of Observation</i>. <i>Studies in a Technique of European Literary Realism</i>. Paradigms: Literature and the Human Sciences","year":2021,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narratology; Realism; Literature; Art; Philosophy; Art history; Narrative","score_opus":0.07844174873860485,"score_gpt":0.3330497868664892,"score_spread":0.25460803812788435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3170570838","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019199883,0.7544099,0.002565272,0.16269867,0.013946237,0.000021091411,0.00027749295,0.00015121968,0.064010054],"genre_scores_gemma":[0.12595989,0.4652126,0.0034687861,0.039341655,0.011830077,0.00015148398,0.0004211184,0.00075038977,0.352864],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994636,0.00024825343,0.000033681437,0.000086929176,0.0001162377,0.000051175986],"domain_scores_gemma":[0.99866307,0.00084286416,0.00014105125,0.00005084663,0.0001791733,0.00012297781],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00088831305,0.001219759,0.00042778594,0.0017436758,0.0020139723,0.0022088815,0.0007792688,0.002578352,0.011498823],"category_scores_gemma":[0.003222285,0.00047186227,0.00025188373,0.0018795291,0.0023447447,0.005948621,0.0017354691,0.002527055,0.005435178],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000071049595,0.000022936894,0.00021649495,0.00060398574,0.000014792811,0.00013016551,0.0039073555,0.00010349995,0.00041237002,0.09373298,0.84896684,0.05181755],"study_design_scores_gemma":[0.000011623856,0.000010160857,0.0006622575,0.00058737485,0.0000066778334,0.00016245284,0.0016458713,0.00006905344,0.00036749686,0.024014257,0.9724512,0.000011485093],"about_ca_topic_score_codex":0.006217594,"about_ca_topic_score_gemma":0.011784838,"teacher_disagreement_score":0.011498823,"about_ca_system_score_codex":0.0013939663,"about_ca_system_score_gemma":0.0006467932,"threshold_uncertainty_score":0.038467348},"labels":[],"label_agreement":null},{"id":"W3184580422","doi":"","title":"Narrative Online and Offline spaces. Field Notes from the Becoming of an Anthropologist","year":2010,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Sociology; Field (mathematics); Online and offline; Anthropology; Gender studies; Art; Computer science; Mathematics; Literature","score_opus":0.27991154752478886,"score_gpt":0.5449443503132753,"score_spread":0.2650328027884864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3184580422","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6521472,0.012565922,0.0063397763,0.023730857,0.001406642,0.0003701528,0.0008171196,0.000080341546,0.302542],"genre_scores_gemma":[0.92863595,0.0034287123,0.0020097855,0.0018168173,0.0002176652,0.00024146937,0.00015974116,0.00007625764,0.06341367],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99655956,0.002496636,0.000108153625,0.00023935211,0.000320915,0.00027541377],"domain_scores_gemma":[0.9936128,0.00471649,0.0004441698,0.0003666362,0.00033892482,0.0005209657],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034321228,0.0004810058,0.0002186232,0.0017708367,0.014951165,0.0068605347,0.0009095646,0.0014528816,0.007066244],"category_scores_gemma":[0.007429449,0.00043407115,0.00017227414,0.0021593291,0.013693304,0.008674092,0.0051657213,0.0030222062,0.0006533854],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002329435,0.000031728112,0.00076554064,0.00009657044,0.0000014756765,0.00063733454,0.96123725,0.000017006563,0.0003340291,0.021193253,0.0057186885,0.0099439],"study_design_scores_gemma":[0.000002978498,0.00001665213,0.0011811361,0.0001543444,0.0000020453765,0.00039980264,0.8518264,0.00002123589,0.0002773709,0.0019363167,0.14417362,0.000008071257],"about_ca_topic_score_codex":0.009925733,"about_ca_topic_score_gemma":0.026843391,"teacher_disagreement_score":0.014951165,"about_ca_system_score_codex":0.0028567894,"about_ca_system_score_gemma":0.0021572628,"threshold_uncertainty_score":0.023638964},"labels":[],"label_agreement":null},{"id":"W3184967592","doi":"","title":"Review of [Waves of knowing: a seascape epistemology] by [K.A. Ingersoll]","year":2021,"lang":"en","type":"article","venue":"Island Studies Journal","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Seascape; Epistemology; Philosophy","score_opus":0.04603698891539402,"score_gpt":0.29973811045069654,"score_spread":0.2537011215353025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3184967592","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00025903137,0.9411606,0.0010194336,0.044924315,0.0067857485,0.000008629472,0.00003950629,0.000010970228,0.005791698],"genre_scores_gemma":[0.009349607,0.96743804,0.0009405052,0.009792008,0.00921001,0.000028560396,0.00008674935,0.000040554394,0.0031138365],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99842,0.00088914216,0.000117341646,0.00016181429,0.0003384824,0.00007324203],"domain_scores_gemma":[0.9867992,0.008898635,0.0004709497,0.00041032213,0.0029011618,0.0005198454],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0043133157,0.0006852689,0.0012606652,0.0048820293,0.0021349215,0.004871345,0.0016445185,0.002544869,0.004198275],"category_scores_gemma":[0.011052197,0.00046310812,0.00048958405,0.0077944007,0.006051705,0.006869729,0.0025693194,0.0051376414,0.0018601117],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049377344,0.000030615058,0.0003736296,0.007563143,0.000082631894,0.00013323559,0.0023995857,0.00043353674,0.00016518099,0.120375276,0.66211337,0.20628043],"study_design_scores_gemma":[0.000005517196,0.000021379969,0.0011878987,0.008118173,0.000036511698,0.00020975394,0.0012446186,0.00016109901,0.000095377756,0.027452959,0.9614362,0.000030482177],"about_ca_topic_score_codex":0.013862983,"about_ca_topic_score_gemma":0.02292559,"teacher_disagreement_score":0.013862983,"about_ca_system_score_codex":0.0024925629,"about_ca_system_score_gemma":0.0077515417,"threshold_uncertainty_score":0.027564585},"labels":[],"label_agreement":null},{"id":"W3197595162","doi":"10.4000/pratiques.10354","title":"Exploratory serial narratives","year":2019,"lang":"en","type":"article","venue":"Pratiques","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Narrative; Perspective (graphical); Power (physics); Space (punctuation); Computer science; Aesthetics; Sociology; Literature; Art; Artificial intelligence","score_opus":0.021510492909705078,"score_gpt":0.23867710574511924,"score_spread":0.21716661283541416,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3197595162","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14737332,0.0025199447,0.04183938,0.00532693,0.00040476958,0.00045245356,0.0012909009,0.00018908636,0.8006033],"genre_scores_gemma":[0.8685714,0.0022515375,0.019624976,0.0004332225,0.00015041811,0.00053908065,0.0008235506,0.00019530297,0.107410446],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9977063,0.001518582,0.00008459947,0.00024461394,0.00027130137,0.00017461927],"domain_scores_gemma":[0.99625754,0.0025948288,0.00027872383,0.00042156663,0.000247308,0.00020010067],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027594154,0.0007135355,0.0002896255,0.002320443,0.004745682,0.0075611756,0.0010524733,0.001099804,0.023559827],"category_scores_gemma":[0.0068718535,0.0003276552,0.0004532127,0.0028200278,0.006144029,0.008152658,0.005879441,0.0013824893,0.0017257977],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004067915,0.000032696906,0.0014248445,0.00023911567,0.000010072677,0.0008434714,0.3811315,0.00023858037,0.0005881524,0.5826654,0.008874389,0.023911128],"study_design_scores_gemma":[0.000011313912,0.00003269022,0.0015330178,0.00051026064,0.000011922031,0.00088677404,0.32187355,0.0005733375,0.0009681993,0.09041385,0.58316773,0.0000173046],"about_ca_topic_score_codex":0.0015313121,"about_ca_topic_score_gemma":0.003441131,"teacher_disagreement_score":0.023559827,"about_ca_system_score_codex":0.0026462828,"about_ca_system_score_gemma":0.0015424048,"threshold_uncertainty_score":0.07881552},"labels":[],"label_agreement":null},{"id":"W3199359396","doi":"10.1111/anhu.12356","title":"A Genre of Failed Novelists and Poets: Exploring Ethnography through a Narrative Lens","year":2021,"lang":"en","type":"article","venue":"Anthropology & Humanism","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Ethnography; Narrative; Sociology; Pride; Aesthetics; Craft; Reading (process); Autoethnography; Literature; Anthropology; Visual arts; Linguistics; Art; Philosophy","score_opus":0.12246978660894334,"score_gpt":0.3085085482425693,"score_spread":0.18603876163362595,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3199359396","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7780033,0.011604547,0.0153178405,0.028803091,0.0008404133,0.0002734367,0.0005241212,0.00013105392,0.16450213],"genre_scores_gemma":[0.98522884,0.0032595114,0.0026755112,0.000924404,0.0003249294,0.00026510304,0.00010180069,0.000121232115,0.007098631],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9862375,0.01187982,0.00023849323,0.000542383,0.0006159436,0.0004857635],"domain_scores_gemma":[0.97530395,0.021317216,0.0009230223,0.0010448837,0.00062962144,0.0007813771],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009899699,0.0006809975,0.00063622365,0.0047066407,0.012565422,0.011948329,0.001687557,0.0019626075,0.0028398943],"category_scores_gemma":[0.015587495,0.000470032,0.0003414804,0.0039579347,0.027274897,0.011278562,0.007631856,0.0033785128,0.0003478505],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019734456,0.000015650412,0.0010803647,0.000093050076,0.0000072493976,0.00048045002,0.94715554,0.00005350157,0.00018083579,0.042691812,0.0027451552,0.0054766564],"study_design_scores_gemma":[0.000006318761,0.00002518234,0.0014052885,0.000513244,0.0000063889715,0.0005578545,0.89349097,0.0001615473,0.00030485194,0.012625939,0.09088655,0.00001588653],"about_ca_topic_score_codex":0.0036671632,"about_ca_topic_score_gemma":0.005800943,"teacher_disagreement_score":0.012565422,"about_ca_system_score_codex":0.0040138564,"about_ca_system_score_gemma":0.0016356612,"threshold_uncertainty_score":0.05235529},"labels":[],"label_agreement":null},{"id":"W3203535673","doi":"10.22363/2687-0088-2021-25-3-663-684","title":"Narrativised simile and emotional responses to Brexit","year":2021,"lang":"en","type":"article","venue":"Russian Journal of Linguistics","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Brexit; Simile; Narrative; Aesthetics; Literal and figurative language; Framing (construction); Social psychology; Psychology; Sociology; Linguistics; History; Art; Metaphor; Philosophy; European union","score_opus":0.033489417639941794,"score_gpt":0.27142260287140146,"score_spread":0.23793318523145968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3203535673","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92201513,0.00091149093,0.013139427,0.0027270545,0.00026429893,0.00011605095,0.00018080018,0.00013789015,0.060507845],"genre_scores_gemma":[0.993912,0.00021120605,0.0012623722,0.0002824802,0.000048885184,0.000050223658,0.000080160484,0.00005411927,0.004098618],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9960538,0.0028625622,0.0001116534,0.00026050766,0.0004742132,0.00023720712],"domain_scores_gemma":[0.9953819,0.0029431733,0.0008035012,0.00035449924,0.00026763944,0.00024913833],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021433013,0.00053725566,0.00033226103,0.0010302042,0.002600374,0.0039514867,0.0005217521,0.0017990061,0.0036056342],"category_scores_gemma":[0.010528019,0.00028137257,0.00034540365,0.0006960568,0.006695438,0.004509009,0.0055135232,0.0020499933,0.0005461603],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028119006,0.000037503058,0.0047613196,0.00038357047,0.000038067494,0.0020570843,0.9370622,0.0003256986,0.011329011,0.03359963,0.0018288795,0.008295713],"study_design_scores_gemma":[0.00002937861,0.00027502424,0.017396055,0.00037190696,0.000044229633,0.0034222356,0.84259856,0.0012232097,0.0048293327,0.0147736,0.114919595,0.000116817864],"about_ca_topic_score_codex":0.00052282173,"about_ca_topic_score_gemma":0.0006505818,"teacher_disagreement_score":0.0039514867,"about_ca_system_score_codex":0.0011627211,"about_ca_system_score_gemma":0.00021586852,"threshold_uncertainty_score":0.012062073},"labels":[],"label_agreement":null},{"id":"W3203818704","doi":"10.3968/12261","title":"Interpretation on the Reliability of Nick Carraway in The Great Gatsby","year":2021,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Interpretation (philosophy); Narrative; Reliability (semiconductor); Perception; Psychology; Literature; Point (geometry); Social psychology; Linguistics; Philosophy; Epistemology; Art; Mathematics","score_opus":0.01936042085348137,"score_gpt":0.2857521642927448,"score_spread":0.2663917434392634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3203818704","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7407043,0.0073063336,0.02139116,0.038260553,0.0016858958,0.000117843374,0.0001824849,0.00021602404,0.19013545],"genre_scores_gemma":[0.9946464,0.00031130025,0.00097604777,0.00047916805,0.00007260031,0.00001562805,0.000019731791,0.00006487203,0.0034142693],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.98238224,0.013585462,0.0004323691,0.0011840917,0.0018129711,0.00060286757],"domain_scores_gemma":[0.9540095,0.0333598,0.0036888213,0.0027493895,0.0052674394,0.00092502526],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.013087977,0.0006311054,0.0006224194,0.0028362698,0.009575965,0.0061612558,0.0016785142,0.0025684703,0.0034252407],"category_scores_gemma":[0.057317156,0.0005084409,0.00015684933,0.001829858,0.03894734,0.0069770147,0.008172002,0.0027718474,0.00050024624],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006276968,0.0000037329,0.0013415213,0.00013455792,0.000007800076,0.00084035966,0.9298264,0.00007572334,0.0007783683,0.05980217,0.002506464,0.004620165],"study_design_scores_gemma":[0.000008222884,0.00004282741,0.0036564183,0.0008166009,0.000028788601,0.0019102105,0.7896038,0.0003679305,0.0027160055,0.026142728,0.17463234,0.00007403053],"about_ca_topic_score_codex":0.0131657785,"about_ca_topic_score_gemma":0.013363747,"teacher_disagreement_score":0.0131657785,"about_ca_system_score_codex":0.0052067023,"about_ca_system_score_gemma":0.0017339175,"threshold_uncertainty_score":0.06921667},"labels":[],"label_agreement":null},{"id":"W3210247936","doi":"10.1080/00111619.2021.1904816","title":"The Novel at the Limit","year":2021,"lang":"en","type":"article","venue":"Critique Studies in Contemporary Fiction","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Comedy; Limit (mathematics); History; Economic geography; Political science; Art; Economics; Literature; Mathematics","score_opus":0.20411785355647957,"score_gpt":0.35378878619987547,"score_spread":0.1496709326433959,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3210247936","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.043623175,0.007823114,0.009146344,0.11394372,0.0061037815,0.000051606406,0.00019538825,0.00021581602,0.818897],"genre_scores_gemma":[0.8572715,0.003382224,0.0021718533,0.010677307,0.0033070743,0.00013583983,0.00011973655,0.00027980172,0.122654594],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9972324,0.0016621655,0.00006630567,0.000372145,0.0004436924,0.00022329838],"domain_scores_gemma":[0.9966665,0.0018776413,0.00023828611,0.00048193496,0.00045958714,0.00027608054],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025318325,0.00041236018,0.00040943865,0.0008859425,0.009081703,0.013471869,0.0010179093,0.0024655645,0.01088045],"category_scores_gemma":[0.009374014,0.00019798418,0.0002541375,0.00053492864,0.02749725,0.009647557,0.0039418275,0.0044607758,0.00223063],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025639347,0.000015110072,0.000106792824,0.00006892604,0.0000030099368,0.00017061328,0.037384078,0.00007962475,0.0001339408,0.9288301,0.027026473,0.0061558355],"study_design_scores_gemma":[0.000008083068,0.000019899775,0.00010100362,0.0002530791,0.000004196981,0.00037052203,0.017414719,0.0001983268,0.00024073439,0.1392745,0.8421041,0.000011023195],"about_ca_topic_score_codex":0.0015293894,"about_ca_topic_score_gemma":0.0017812406,"teacher_disagreement_score":0.013471869,"about_ca_system_score_codex":0.0050297095,"about_ca_system_score_gemma":0.0025815386,"threshold_uncertainty_score":0.03649324},"labels":[],"label_agreement":null},{"id":"W3210697137","doi":"","title":"Emanuel Licha, zo reken. Film documentaire, 2021, 85 minutes, francais et creole haitien / Emanuel Licha, zo reken","year":2021,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Biology","score_opus":0.01885238028247715,"score_gpt":0.25541902359246565,"score_spread":0.2365666433099885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3210697137","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010356145,0.15103325,0.0006011678,0.13078447,0.03777054,0.0003271536,0.0077655055,0.0005835418,0.66077816],"genre_scores_gemma":[0.026267078,0.016705927,0.00038032065,0.0034734677,0.0010924103,0.00014447064,0.0010380214,0.00028859498,0.9506096],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995939,0.00007804394,0.000015743604,0.00006265507,0.00013273745,0.00011698622],"domain_scores_gemma":[0.99951196,0.00010162777,0.000028065662,0.000016087593,0.00022370895,0.00011839096],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008618195,0.001078753,0.00034819043,0.0011901922,0.0069693807,0.0034761208,0.0005056296,0.0022616833,0.12666361],"category_scores_gemma":[0.001673644,0.0004600381,0.0002528329,0.0013515358,0.0008615096,0.002085753,0.0014118421,0.0023272042,0.032385573],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023288765,0.000006983126,0.00011104908,0.00004884098,0.0000012566048,0.000041452382,0.00081589376,0.000016153192,0.00012251777,0.0017836561,0.9863282,0.010700743],"study_design_scores_gemma":[0.0000032656958,0.00000276017,0.0013477152,0.00006587447,0.0000011295839,0.000021606897,0.0016583939,0.000010266676,0.0000904808,0.00009205434,0.9967024,0.000003983973],"about_ca_topic_score_codex":0.27969727,"about_ca_topic_score_gemma":0.40640345,"teacher_disagreement_score":0.27969727,"about_ca_system_score_codex":0.004272687,"about_ca_system_score_gemma":0.0037970827,"threshold_uncertainty_score":0.5561385},"labels":[],"label_agreement":null},{"id":"W38219127","doi":"10.1016/j.arthro.2023.08.008","title":"The narrator in exile","year":2002,"lang":"en","type":"article","venue":"TLS, the Times literary supplement/Times literary supplement on CD-ROM/TLS. Times literary supplement","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Literature; Philosophy; History","score_opus":0.02052160534982721,"score_gpt":0.2352496397316752,"score_spread":0.21472803438184798,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W38219127","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0064616483,0.033886787,0.010084287,0.60038996,0.17837538,0.00012267943,0.0005060331,0.0007377368,0.16943537],"genre_scores_gemma":[0.17075777,0.012977134,0.005864529,0.3663657,0.052377913,0.00040104307,0.00035619742,0.0012795269,0.38962013],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9943587,0.004261828,0.00012867452,0.00037822573,0.00061556516,0.00025699672],"domain_scores_gemma":[0.99232024,0.0040564067,0.00063659926,0.00051542145,0.0015837181,0.00088757917],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035972053,0.001523491,0.00078340934,0.0010901158,0.005690659,0.007044944,0.0012495285,0.0036635012,0.015695235],"category_scores_gemma":[0.026274035,0.0003366967,0.00071541616,0.0007324231,0.008044538,0.008412095,0.005664408,0.011999111,0.011580118],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000071543545,0.000014166412,0.00022555381,0.0002291936,0.000013185835,0.00074341847,0.032908447,0.000043904358,0.00029881395,0.03448118,0.9183169,0.012653727],"study_design_scores_gemma":[0.0000041453013,0.000018530778,0.00012807656,0.0003135188,0.000004439496,0.0008582219,0.014019764,0.0000562149,0.00013575797,0.0038651195,0.9805822,0.000013945688],"about_ca_topic_score_codex":0.0014332237,"about_ca_topic_score_gemma":0.0019453216,"teacher_disagreement_score":0.015695235,"about_ca_system_score_codex":0.00180083,"about_ca_system_score_gemma":0.0014468755,"threshold_uncertainty_score":0.05250585},"labels":[],"label_agreement":null},{"id":"W4200267238","doi":"10.22148/001c.30700","title":"On the Theory of Narrative Levels and Their Annotation in the Digital Context","year":2021,"lang":"en","type":"article","venue":"Journal of Cultural Analytics","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Annotation; Context (archaeology); Categorization; Identification (biology); Computer science; Task (project management); Narrative criticism; Narrative network; Narrative inquiry; Narrative structure; Phenomenon; Epistemology; Linguistics; Artificial intelligence; History; Philosophy; Engineering; Archaeology","score_opus":0.06465114698293625,"score_gpt":0.25903134738114403,"score_spread":0.19438020039820778,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200267238","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.038321305,0.0056443615,0.7269299,0.03576646,0.0009060239,0.00065881805,0.0006742093,0.00044085918,0.1906581],"genre_scores_gemma":[0.71522486,0.0035377129,0.26108837,0.0019946017,0.000534833,0.0012587667,0.0006566411,0.0005079494,0.015196257],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9712171,0.022075923,0.001328529,0.002283797,0.0024731797,0.0006214472],"domain_scores_gemma":[0.92985535,0.055062898,0.0032322116,0.006600298,0.004137984,0.0011113695],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.020541476,0.000943679,0.0006037209,0.008412846,0.006853842,0.017469907,0.0025609452,0.0040225717,0.007905051],"category_scores_gemma":[0.058231194,0.00097538345,0.0009594036,0.0063155615,0.049135532,0.0358906,0.011718932,0.0053681973,0.0015772757],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002733112,0.000012778358,0.00062977266,0.00019193321,0.0000085180445,0.00017599216,0.06005062,0.00038124927,0.00027991552,0.9193158,0.002065518,0.016860422],"study_design_scores_gemma":[0.000014746924,0.000023702938,0.001069318,0.0015670989,0.000022158072,0.00055887987,0.04017609,0.0044372478,0.0010178123,0.8248481,0.12620749,0.000057349273],"about_ca_topic_score_codex":0.0032795551,"about_ca_topic_score_gemma":0.0028621939,"teacher_disagreement_score":0.020541476,"about_ca_system_score_codex":0.006368976,"about_ca_system_score_gemma":0.0042216554,"threshold_uncertainty_score":0.10863501},"labels":[],"label_agreement":null},{"id":"W4200594119","doi":"10.22148/001c.30699","title":"Annotation Guidelines For narrative levels, time features, and subjective narration styles in fiction (SANTA 2)","year":2021,"lang":"en","type":"article","venue":"Journal of Cultural Analytics","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Computer science; Markup language; Literature; XML; History; Linguistics; World Wide Web; Art; Philosophy","score_opus":0.08781428286646534,"score_gpt":0.3294392872258638,"score_spread":0.24162500435939846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200594119","genre_codex":"methods","genre_gemma":"methods","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"methods","genre_consensus":"methods","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009546352,0.0014043928,0.7397925,0.011884111,0.002783221,0.007066416,0.02250448,0.013083466,0.19193508],"genre_scores_gemma":[0.029711597,0.0012309095,0.85101736,0.0026517375,0.00045472174,0.013569575,0.020065397,0.004951755,0.07634703],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9915365,0.0036574884,0.0020529646,0.0006234804,0.001785265,0.00034417838],"domain_scores_gemma":[0.9487158,0.022453848,0.0019802512,0.005755629,0.020407755,0.00068655267],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010689314,0.0010890062,0.0006392572,0.0077464934,0.0036305995,0.0049099303,0.0019670583,0.0030582747,0.031030394],"category_scores_gemma":[0.045633864,0.0013124183,0.00073389517,0.0048960387,0.0031797318,0.0052955616,0.0036016877,0.0031551472,0.021920511],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015088324,0.00015792083,0.0018513906,0.0021390717,0.000012516482,0.0006809833,0.04153128,0.000880637,0.011674664,0.18354438,0.513617,0.24375935],"study_design_scores_gemma":[0.00001357436,0.00002422057,0.001386192,0.0010887154,0.000008943706,0.00037135265,0.002631392,0.0010341365,0.0027594878,0.019431215,0.97119766,0.000053175325],"about_ca_topic_score_codex":0.013510708,"about_ca_topic_score_gemma":0.021926293,"teacher_disagreement_score":0.031030394,"about_ca_system_score_codex":0.0033253995,"about_ca_system_score_gemma":0.00489744,"threshold_uncertainty_score":0.10380697},"labels":[],"label_agreement":null},{"id":"W4205254954","doi":"10.47743/lincu-2021-2-0205","title":"Time's Fools: Temporal Journeys and Perceptions in Contemporary Narratives","year":2021,"lang":"en","type":"article","venue":"Linguaculture","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Perception; Sociology; Linguistics; Aesthetics; History; Epistemology; Art; Philosophy","score_opus":0.033977949664307006,"score_gpt":0.27048857382994124,"score_spread":0.23651062416563423,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205254954","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6820267,0.01445178,0.029797483,0.03101641,0.00048031364,0.00009903195,0.0003265592,0.00020159966,0.24160008],"genre_scores_gemma":[0.99149185,0.0018924503,0.0011815109,0.0002676443,0.000037097845,0.000032842992,0.000027357313,0.00004762894,0.0050214906],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967919,0.0022894419,0.00008203968,0.0001933747,0.00035710426,0.0002861924],"domain_scores_gemma":[0.9957624,0.0027097107,0.00050634943,0.0002467058,0.00031301763,0.00046182147],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004917363,0.000477197,0.00031863715,0.002452637,0.008622678,0.012776648,0.0011300811,0.0017953815,0.0027044616],"category_scores_gemma":[0.00909517,0.00031898517,0.00031146096,0.0030898754,0.03542209,0.01755177,0.0052945544,0.0023293963,0.00024324028],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012883224,0.0000033920753,0.000500826,0.00003111445,0.0000028961654,0.00020563621,0.86686677,0.00006119152,0.00014564514,0.12860927,0.0007622467,0.0027981289],"study_design_scores_gemma":[0.000002820998,0.000008599698,0.0007101528,0.00013703652,0.000005168085,0.00023365629,0.9092892,0.00018177794,0.00013745287,0.027181217,0.062096816,0.000016124235],"about_ca_topic_score_codex":0.031230403,"about_ca_topic_score_gemma":0.031061888,"teacher_disagreement_score":0.031230403,"about_ca_system_score_codex":0.007498027,"about_ca_system_score_gemma":0.0037674496,"threshold_uncertainty_score":0.06209719},"labels":[],"label_agreement":null},{"id":"W4205739655","doi":"10.26881/pan.2021.26.04","title":"Loop Structures in Film (and Literature): Experiments with Time Between the Poles of Classical and Complex Narration","year":2021,"lang":"en","type":"article","venue":"Panoptikum","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Judgement; Mainstream; Storytelling; History; Narrative structure; Linguistics; Media studies; Sociology; Literature; Political science; Law; Art; Philosophy","score_opus":0.026553747602566315,"score_gpt":0.24532523364613978,"score_spread":0.21877148604357347,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205739655","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8789439,0.001376689,0.006653254,0.00169743,0.000192556,0.0003530158,0.0002538539,0.00007823887,0.110451095],"genre_scores_gemma":[0.98970526,0.00045278415,0.0026039833,0.00028774317,0.00008133968,0.00026492652,0.000116942065,0.000069521775,0.006417581],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957469,0.0030916124,0.00012433238,0.0004763212,0.00041250873,0.00014845442],"domain_scores_gemma":[0.9822994,0.015069909,0.00076489977,0.0010957409,0.00039417247,0.00037589142],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038322597,0.0004974837,0.00031448112,0.0009013051,0.0030228184,0.0064115897,0.0011503361,0.0015543952,0.010040575],"category_scores_gemma":[0.025412682,0.00035595658,0.00026257933,0.0010714812,0.006992811,0.0059081586,0.0038124833,0.0021558232,0.0006227701],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010966775,0.0011299623,0.0050668567,0.0010463276,0.000095879084,0.0007368145,0.70565194,0.0010693969,0.012169998,0.21571793,0.0064129033,0.049805403],"study_design_scores_gemma":[0.0012230354,0.005150097,0.04727671,0.0016386138,0.0002650909,0.0017909205,0.41481674,0.006431832,0.020209482,0.18992561,0.31098416,0.00028772216],"about_ca_topic_score_codex":0.0012563368,"about_ca_topic_score_gemma":0.0012912768,"teacher_disagreement_score":0.010040575,"about_ca_system_score_codex":0.0017647663,"about_ca_system_score_gemma":0.00031328775,"threshold_uncertainty_score":0.033589065},"labels":[],"label_agreement":null},{"id":"W4205929207","doi":"10.1353/yes.2002.0029","title":"Sympathy and Joyce's 'Dubliners': Ethical Probing of Reading, Narrative, and Textuality by Tanja Vesala-Varttala (review)","year":2002,"lang":"en","type":"article","venue":"The Yearbook of English Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sympathy; Textuality; Narrative; Reading (process); Feeling; Psychology; Literature; Philosophy; Social psychology; Linguistics; Art","score_opus":0.0380483341031138,"score_gpt":0.2716349501643874,"score_spread":0.23358661606127357,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205929207","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007408817,0.99826425,0.000017684783,0.0012829405,0.00018984234,0.0000035706819,0.0000025985937,8.409601e-7,0.00016423095],"genre_scores_gemma":[0.0021858695,0.99566394,0.000058826514,0.001181365,0.00037951802,0.000025269816,0.000014265591,0.000003025683,0.00048792877],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979304,0.0012032866,0.00023159684,0.00013163486,0.00041905587,0.000084004016],"domain_scores_gemma":[0.99211323,0.0060620466,0.0007982956,0.000091387185,0.00078775536,0.0001472641],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035673091,0.00078150944,0.0015946393,0.0039209384,0.0006644416,0.0029801754,0.0010716072,0.0016169624,0.0030230023],"category_scores_gemma":[0.009104121,0.00054613204,0.00067567965,0.004818834,0.0021604246,0.0050369264,0.001858556,0.0022243517,0.0009898461],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015482362,0.000050866307,0.00110845,0.08524006,0.00040763794,0.0003994698,0.0057859435,0.0001408868,0.0005131185,0.0067769275,0.20860577,0.69081604],"study_design_scores_gemma":[0.000054990047,0.00016146638,0.007173047,0.12969816,0.0005656231,0.0027967098,0.007599328,0.00012350222,0.00046862342,0.0043454296,0.8469264,0.00008668418],"about_ca_topic_score_codex":0.006129915,"about_ca_topic_score_gemma":0.011541067,"teacher_disagreement_score":0.006129915,"about_ca_system_score_codex":0.0017754127,"about_ca_system_score_gemma":0.0034379927,"threshold_uncertainty_score":0.018865943},"labels":[],"label_agreement":null},{"id":"W4206481186","doi":"10.52086/001c.32007","title":"Narrative Theory / Creative Acts?","year":2003,"lang":"en","type":"article","venue":"TEXT","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Vancouver Island University","funders":"","keywords":"Narrative; Resistance (ecology); Distrust; Unconscious mind; Originality; Etymology; Literature; Psychoanalysis; Aesthetics; Romance; Philosophy; Epistemology; Psychology; Art; Social psychology; Creativity","score_opus":0.024443584576473942,"score_gpt":0.24067453190579172,"score_spread":0.21623094732931777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206481186","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011975935,0.033611573,0.016737828,0.0544971,0.0024029694,0.000058954134,0.00010486013,0.00009551075,0.8805152],"genre_scores_gemma":[0.882592,0.017405612,0.0054314816,0.006586254,0.0022148348,0.00019906099,0.00015589275,0.00015296138,0.085261956],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9965161,0.002563306,0.00007662766,0.00027612632,0.00035451227,0.00021327886],"domain_scores_gemma":[0.9954685,0.002970252,0.00037480687,0.00046636042,0.00032558976,0.00039452835],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030952028,0.0007296313,0.000421986,0.0026923288,0.003778959,0.013876151,0.0014181702,0.0031555283,0.015330018],"category_scores_gemma":[0.0065467535,0.00019913679,0.0003830423,0.0021586542,0.032802947,0.014710966,0.0027382034,0.0033076184,0.002524723],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000049161754,0.000006973102,0.00005958716,0.000056415454,0.0000016366565,0.000047225065,0.0052610743,0.00004279665,0.000010469053,0.9852431,0.0043568197,0.0049090805],"study_design_scores_gemma":[0.000013948539,0.000013981528,0.00022256261,0.00053654547,0.0000046919877,0.0002596812,0.023781782,0.00035087354,0.00011330565,0.69792086,0.27677438,0.0000073521587],"about_ca_topic_score_codex":0.002071359,"about_ca_topic_score_gemma":0.0013212111,"teacher_disagreement_score":0.015330018,"about_ca_system_score_codex":0.004065073,"about_ca_system_score_gemma":0.002353366,"threshold_uncertainty_score":0.051284015},"labels":[],"label_agreement":null},{"id":"W4210537243","doi":"10.1017/cbo9780511500107","title":"Psychonarratology","year":2002,"lang":"en","type":"book","venue":"Cambridge University Press eBooks","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":81,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Narratology; Focalization; Cognition; Empirical research; Narrative; Psychology; Epistemology; Cognitive science; Plot (graphics); Sociology; Linguistics; Philosophy","score_opus":0.033943219070791036,"score_gpt":0.19179501130739743,"score_spread":0.1578517922366064,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210537243","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0044512413,0.042889837,0.022384137,0.026221456,0.007409098,0.00027238386,0.00046865383,0.00033403447,0.8955692],"genre_scores_gemma":[0.2127631,0.06570624,0.017750094,0.020470161,0.01165486,0.0013256298,0.0011574356,0.0007865171,0.668386],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9968064,0.0016421216,0.00019330725,0.00051050226,0.00064602745,0.00020162537],"domain_scores_gemma":[0.99621326,0.0018656449,0.00029432462,0.00068764604,0.00060707174,0.00033202762],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028429828,0.0007135447,0.00069073006,0.0023047172,0.003795833,0.008510032,0.0021342472,0.0025077357,0.036166277],"category_scores_gemma":[0.00818405,0.00027982067,0.00035498402,0.0022174404,0.008979104,0.006262975,0.0036981285,0.004330877,0.010853219],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028142063,0.00004574137,0.0002348936,0.00042853103,0.0000049593887,0.00028034835,0.011005546,0.000108453096,0.00029383297,0.8247925,0.09778695,0.064990096],"study_design_scores_gemma":[0.0000036933754,0.000013669172,0.00016448552,0.000280093,0.0000014319521,0.00020968955,0.0019780071,0.00006002712,0.000092165305,0.05196212,0.94522977,0.000004850574],"about_ca_topic_score_codex":0.0011026558,"about_ca_topic_score_gemma":0.00096352305,"teacher_disagreement_score":0.036166277,"about_ca_system_score_codex":0.0042041177,"about_ca_system_score_gemma":0.00264322,"threshold_uncertainty_score":0.12098825},"labels":[],"label_agreement":null},{"id":"W4213132667","doi":"10.7202/1070598ar","title":"Conceptual Finesse","year":2020,"lang":"en","type":"article","venue":"Philosophical Inquiry in Education","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Finesse; Epistemology; Computer science; Philosophy; Physics; Optics; Laser","score_opus":0.151908579126459,"score_gpt":0.31812789041968875,"score_spread":0.16621931129322975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4213132667","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009538373,0.0021369657,0.079058096,0.039587826,0.0014778238,0.00019204337,0.00019245002,0.00018565191,0.8676307],"genre_scores_gemma":[0.7554993,0.0022121053,0.037772384,0.009347243,0.0008420992,0.0007465524,0.0004891726,0.00035237242,0.19273877],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99348843,0.0040162704,0.00025251333,0.0007480118,0.0010611912,0.000433635],"domain_scores_gemma":[0.99430156,0.0020067184,0.00026531014,0.0016246702,0.0013772711,0.00042451953],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0061021093,0.0008307077,0.0006292135,0.0032385774,0.0061681294,0.012231909,0.0019147906,0.0032577037,0.034620445],"category_scores_gemma":[0.015402162,0.00043684963,0.00072600204,0.0018192122,0.030058531,0.013891852,0.0070398888,0.005549491,0.0048840283],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002037981,0.0000051375164,0.00004106845,0.000014910039,0.0000014638681,0.000014693152,0.002289314,0.000024373314,0.000025450276,0.99299896,0.0021251,0.002457555],"study_design_scores_gemma":[0.0000075635753,0.000006325983,0.00013614612,0.00011843276,0.0000050941935,0.000094096875,0.005606,0.00024777823,0.00011373352,0.8266932,0.16696538,0.0000062564945],"about_ca_topic_score_codex":0.0024140498,"about_ca_topic_score_gemma":0.0028786054,"teacher_disagreement_score":0.034620445,"about_ca_system_score_codex":0.005117173,"about_ca_system_score_gemma":0.0052599367,"threshold_uncertainty_score":0.11581689},"labels":[],"label_agreement":null},{"id":"W4213377876","doi":"10.24093/awejtls/vol6no1.5","title":"Narrative Aspects of the Novels by Lucy Maud Montgomery and Eleanor Porter","year":2022,"lang":"en","type":"article","venue":"Arab World English Journal For Translation and Literary Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Interpretation (philosophy); Parallels; Narrative; Context (archaeology); Narratology; Reading (process); Literature; Style (visual arts); Representation (politics); Literary criticism; History; Embodied cognition; Sociology; Aesthetics; Art; Epistemology; Linguistics; Politics; Philosophy","score_opus":0.0335436554474583,"score_gpt":0.25640700295485647,"score_spread":0.22286334750739817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4213377876","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19312803,0.10016775,0.002346638,0.25804508,0.00926093,0.0001242276,0.000578228,0.00023998789,0.43610913],"genre_scores_gemma":[0.7671869,0.027171787,0.0016587431,0.010081345,0.0023345407,0.000073409894,0.00016590144,0.00019153283,0.1911359],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99934906,0.0002603274,0.0000114039085,0.00010004903,0.00017401982,0.000105058876],"domain_scores_gemma":[0.9990048,0.000362971,0.000099303375,0.00003529177,0.00031633966,0.00018131796],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00092508463,0.00043519578,0.0002843799,0.00097232946,0.011265091,0.0065085045,0.0006404778,0.0011305263,0.0033467982],"category_scores_gemma":[0.0025286854,0.00016355499,0.00019611232,0.00077759865,0.007873391,0.001539067,0.0013880169,0.0020772377,0.00059027737],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019006967,0.00006992389,0.0017858493,0.0003094796,0.000032588006,0.0040794746,0.23544767,0.0003759335,0.0019787806,0.22646376,0.49134687,0.037919633],"study_design_scores_gemma":[0.00000585598,0.000018595858,0.0016373817,0.00017014868,0.000007708295,0.0007095741,0.048998427,0.0000789312,0.00044781566,0.003812124,0.9440931,0.00002019189],"about_ca_topic_score_codex":0.25399083,"about_ca_topic_score_gemma":0.39331424,"teacher_disagreement_score":0.25399083,"about_ca_system_score_codex":0.014785234,"about_ca_system_score_gemma":0.009598952,"threshold_uncertainty_score":0.5050249},"labels":[],"label_agreement":null},{"id":"W4221044419","doi":"10.1215/03335372-9470954","title":"The Ideal Narratee and the Rhetorical Model of Audiences","year":2022,"lang":"en","type":"article","venue":"Poetics Today","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Ideal (ethics); Narrative; Rhetorical question; Taxonomy (biology); Rhetorical device; Variety (cybernetics); Epistemology; Focus (optics); Sociology; Computer science; Linguistics; Aesthetics; Philosophy; Artificial intelligence","score_opus":0.036348065394626046,"score_gpt":0.2401123360829279,"score_spread":0.20376427068830186,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4221044419","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12076421,0.0033785794,0.13527496,0.030058077,0.0006359178,0.00009960718,0.00012911866,0.00016091682,0.7094986],"genre_scores_gemma":[0.9885888,0.0003926179,0.004075168,0.00031201908,0.00013220617,0.000052110707,0.000025819192,0.000028837912,0.0063923565],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99107075,0.0071608154,0.0001595636,0.00040978563,0.0009098752,0.00028926102],"domain_scores_gemma":[0.9924334,0.005125826,0.0006468485,0.00051199686,0.0008832092,0.0003986935],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006635224,0.00042034956,0.00034022125,0.0026863457,0.004563178,0.009259238,0.0011693009,0.0019513968,0.004433845],"category_scores_gemma":[0.011272428,0.00022701091,0.0003168218,0.0011855977,0.030261291,0.012927639,0.004159292,0.0023780162,0.0005326259],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000037155758,0.000004638304,0.00013437074,0.00002311351,8.8049893e-7,0.000032069467,0.014495745,0.00012247621,0.000040129446,0.9833278,0.00049179135,0.0013232415],"study_design_scores_gemma":[0.00001554526,0.00003543263,0.0005982203,0.0002503285,0.000008148602,0.00027788762,0.034229163,0.0036499642,0.0003326428,0.8523599,0.108226605,0.000016122513],"about_ca_topic_score_codex":0.0012510903,"about_ca_topic_score_gemma":0.00095505005,"teacher_disagreement_score":0.009259238,"about_ca_system_score_codex":0.0041792938,"about_ca_system_score_gemma":0.0016539878,"threshold_uncertainty_score":0.035090804},"labels":[],"label_agreement":null},{"id":"W4224075577","doi":"10.5325/philrhet.55.1.0066","title":"Mind the Gap: <i>Kairos</i> in the Spaces of Silence","year":2022,"lang":"en","type":"article","venue":"Philosophy and Rhetoric","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Kairos; Silence; Order (exchange); Moment (physics); Epistemology; Aesthetics; Sociology; Philosophy; Physics","score_opus":0.047944730514601894,"score_gpt":0.23247748433427445,"score_spread":0.18453275381967255,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4224075577","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13396783,0.012378755,0.05727163,0.055880062,0.0020726668,0.00013026393,0.00013528018,0.0003773977,0.7377862],"genre_scores_gemma":[0.9831004,0.0011842874,0.002232901,0.0015417504,0.00021031169,0.00006267336,0.000022741144,0.00008916919,0.011555698],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9952537,0.003393806,0.0001256334,0.00031714267,0.00052886124,0.00038086384],"domain_scores_gemma":[0.99318105,0.004243043,0.00068209204,0.00081240956,0.0007160999,0.0003653543],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0052966867,0.0003912926,0.00039833479,0.0013799953,0.006797248,0.011296948,0.0011538579,0.0021150562,0.0036384559],"category_scores_gemma":[0.011562263,0.00035800753,0.00038657422,0.0012670942,0.03985492,0.015942477,0.005891848,0.004000833,0.0007698279],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004563115,0.000009146305,0.00024630144,0.00009133417,0.0000056019917,0.00018290289,0.1475186,0.000078369034,0.00037922474,0.84176075,0.0033747933,0.0063073104],"study_design_scores_gemma":[0.000025845044,0.000059000948,0.00092841755,0.00076703436,0.000029632478,0.000704242,0.24200879,0.00077147095,0.001389632,0.48152518,0.27172238,0.00006827202],"about_ca_topic_score_codex":0.0030178549,"about_ca_topic_score_gemma":0.00302512,"teacher_disagreement_score":0.011296948,"about_ca_system_score_codex":0.0030881853,"about_ca_system_score_gemma":0.0027463173,"threshold_uncertainty_score":0.028011918},"labels":[],"label_agreement":null},{"id":"W4224260186","doi":"10.21827/ejlw.11.38657","title":"Story Telling: Writing the Body to Recall Life in Kanehara Hitomi’s Autofiction and Charlotte Roche’s Wrecked","year":2022,"lang":"en","type":"article","venue":"European Journal of Life Writing","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Narrative; Storytelling; Human sexuality; Life writing; Literature; Argumentation theory; History; Art; Sociology; Gender studies; Philosophy; Linguistics","score_opus":0.03699809297330857,"score_gpt":0.23073223864019834,"score_spread":0.1937341456668898,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4224260186","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51682466,0.02048629,0.025912475,0.08034845,0.0031943365,0.0002684522,0.00013014981,0.00017505714,0.35266024],"genre_scores_gemma":[0.950898,0.004367473,0.0055114496,0.004081845,0.00026215173,0.00015188927,0.000047039553,0.00010372341,0.034576412],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973296,0.0019436013,0.000056313816,0.00016888243,0.00028193748,0.00021972101],"domain_scores_gemma":[0.9960224,0.0026342738,0.00035488434,0.00024292844,0.0002901913,0.00045532014],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034819713,0.0005657573,0.0004185879,0.00092064735,0.0089106215,0.008087297,0.00093440065,0.002128595,0.0022047793],"category_scores_gemma":[0.0067733596,0.00029395826,0.0002892265,0.0007152635,0.020981962,0.0075068395,0.0076969876,0.0046476307,0.0004532585],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043050357,0.00002583471,0.0003649421,0.00013312585,0.000006379439,0.0019426537,0.88769203,0.00006445162,0.0007824621,0.091301225,0.0068590934,0.010784819],"study_design_scores_gemma":[0.000018062052,0.00007321363,0.0010830592,0.0005870008,0.00001737675,0.0025659604,0.6856652,0.00028263315,0.0017784265,0.03066881,0.2772142,0.000046101468],"about_ca_topic_score_codex":0.0027207497,"about_ca_topic_score_gemma":0.0050670174,"teacher_disagreement_score":0.0089106215,"about_ca_system_score_codex":0.0026012596,"about_ca_system_score_gemma":0.0022172555,"threshold_uncertainty_score":0.018873572},"labels":[],"label_agreement":null},{"id":"W4224300259","doi":"10.32920/ifmj.v2i1.1506","title":"Interactive Documentary as Form of Public Narrative in Digital Age","year":2022,"lang":"en","type":"article","venue":"Interactive Film and Media Journal","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Visual arts; History; Sociology; Art; Aesthetics; Media studies; Literature","score_opus":0.01983297345141334,"score_gpt":0.2584335032240841,"score_spread":0.23860052977267077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4224300259","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.52789915,0.003449069,0.021474063,0.0067589604,0.00025337233,0.00012415032,0.00019740629,0.00025173536,0.43959206],"genre_scores_gemma":[0.97607213,0.0006631076,0.0038042676,0.00015027169,0.00004890822,0.00008156538,0.0000570305,0.000058895188,0.0190638],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99734676,0.0019015208,0.000057088804,0.00021642991,0.0002572106,0.00022104364],"domain_scores_gemma":[0.99563,0.0028375748,0.000450401,0.0005628574,0.00023001381,0.00028913794],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026325514,0.00034020402,0.00021353381,0.001534674,0.007681317,0.009832775,0.0012319712,0.001243365,0.007483566],"category_scores_gemma":[0.004310413,0.00022265632,0.00017428175,0.0014597977,0.01689332,0.008883111,0.0058730203,0.001253809,0.0004183181],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000561113,0.000037684786,0.001906653,0.00017654026,0.0000074883383,0.00091930036,0.7109727,0.00026002055,0.001306236,0.25631985,0.003248054,0.024789365],"study_design_scores_gemma":[0.00001476325,0.000064499895,0.0038676804,0.0003996412,0.00001880494,0.0010934928,0.57099736,0.0007650401,0.001438008,0.027679825,0.3936351,0.000025723366],"about_ca_topic_score_codex":0.0064530377,"about_ca_topic_score_gemma":0.01133053,"teacher_disagreement_score":0.009832775,"about_ca_system_score_codex":0.004363652,"about_ca_system_score_gemma":0.001757991,"threshold_uncertainty_score":0.031660676},"labels":[],"label_agreement":null},{"id":"W4225117105","doi":"10.5539/ass.v18n5p29","title":"A Trailblazer in Chinese Narrative Study: On Chinese Narratologies","year":2022,"lang":"en","type":"article","venue":"Asian Social Science","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narratology; Narrative; Sociology; Literature; History; Art","score_opus":0.022722483679111446,"score_gpt":0.3010968181851005,"score_spread":0.27837433450598903,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4225117105","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8584801,0.009555342,0.0041089077,0.009420414,0.00037625962,0.00021599891,0.00019329748,0.000025342613,0.11762428],"genre_scores_gemma":[0.99068236,0.0028914355,0.0005232346,0.00037496255,0.000075321426,0.00009346266,0.000068723275,0.000014315178,0.005276174],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99826896,0.0011242847,0.00008159311,0.00015902451,0.0001946214,0.00017151936],"domain_scores_gemma":[0.9968442,0.0021536462,0.00029321737,0.0001802502,0.0002972535,0.00023153257],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00456993,0.0005239634,0.00032484595,0.0025151789,0.0076706572,0.004402355,0.0006098909,0.000899978,0.0049353503],"category_scores_gemma":[0.007666444,0.00020970966,0.000261911,0.005567287,0.009404021,0.0071132337,0.0039960095,0.0012400375,0.00025791736],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040078317,0.000015114058,0.0041868747,0.00022357963,0.000006701644,0.00061925274,0.91562945,0.000064611086,0.00025565588,0.06203214,0.0027829818,0.014143524],"study_design_scores_gemma":[0.000011920136,0.00005756656,0.015396849,0.00073964277,0.000025653106,0.00043745933,0.8818027,0.00069488504,0.00062234176,0.00929519,0.09088346,0.00003231742],"about_ca_topic_score_codex":0.022935439,"about_ca_topic_score_gemma":0.02901959,"teacher_disagreement_score":0.022935439,"about_ca_system_score_codex":0.006298634,"about_ca_system_score_gemma":0.003546746,"threshold_uncertainty_score":0.045699954},"labels":[],"label_agreement":null},{"id":"W4229001544","doi":"10.7202/1088481ar","title":"Hallett, \"Stone Talks\"","year":2022,"lang":"en","type":"article","venue":"The Trumpeter","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.022754415029840658,"score_gpt":0.20118060872926802,"score_spread":0.17842619369942736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229001544","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004509435,0.08702523,0.008485475,0.563212,0.023380656,0.00005912043,0.00041248888,0.0002598647,0.31265578],"genre_scores_gemma":[0.21242933,0.036959007,0.0062204464,0.21469955,0.02114034,0.00054471457,0.00027239983,0.0009559763,0.5067783],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966182,0.0020655692,0.0001149265,0.00040586255,0.0005412488,0.00025421078],"domain_scores_gemma":[0.99575233,0.0028386891,0.0001828362,0.00023160898,0.0007437189,0.00025086885],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003484974,0.0009003914,0.00042399668,0.0025342132,0.012332568,0.011442769,0.0016158383,0.010035424,0.020735396],"category_scores_gemma":[0.016937764,0.00056893344,0.00034081936,0.0027880801,0.013501998,0.018460857,0.004184685,0.00823595,0.004664755],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021611724,0.0000105669615,0.00015206798,0.00005733354,0.0000036486692,0.000054478027,0.008339516,0.000027530006,0.000030221354,0.5140214,0.46352634,0.013755393],"study_design_scores_gemma":[0.000015178761,0.000008242144,0.0003444076,0.00029493193,0.0000075941766,0.000049955503,0.012693045,0.000051602397,0.00014502605,0.096630365,0.8897452,0.000014588295],"about_ca_topic_score_codex":0.028446527,"about_ca_topic_score_gemma":0.05801853,"teacher_disagreement_score":0.028446527,"about_ca_system_score_codex":0.0038317863,"about_ca_system_score_gemma":0.0044050203,"threshold_uncertainty_score":0.06936675},"labels":[],"label_agreement":null},{"id":"W4231535588","doi":"10.1503/cmaj.171084","title":"Apraxia","year":2018,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Face (sociological concept); Psychoanalysis; Computer science; Medicine; Psychology; Philosophy; Linguistics","score_opus":0.011211751103992426,"score_gpt":0.21627167122587762,"score_spread":0.2050599201218852,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231535588","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.054729693,0.0046557756,0.014453648,0.022916505,0.0034442921,0.00017279846,0.000930441,0.0021368584,0.89656],"genre_scores_gemma":[0.4213432,0.0038840363,0.006702845,0.02244916,0.00043720254,0.00019873439,0.0007065313,0.0004538383,0.54382443],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99934727,0.00010517688,0.000031073952,0.00016768985,0.00023485588,0.00011391414],"domain_scores_gemma":[0.99943644,0.000078438425,0.00007764911,0.00007352841,0.0002010804,0.00013283621],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040653357,0.0013222648,0.00043139316,0.00095564366,0.0016627058,0.002095865,0.0008060314,0.001674857,0.05945464],"category_scores_gemma":[0.004152048,0.00023675643,0.00030369812,0.000619813,0.0023845036,0.0021809246,0.0017222983,0.0028335103,0.02843633],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003296553,0.0002176684,0.007689257,0.0005009284,0.00007436275,0.07182914,0.023246532,0.00062879047,0.009023391,0.13285886,0.43426332,0.31933814],"study_design_scores_gemma":[0.000044701716,0.0001848798,0.0058620046,0.0007326136,0.00003288208,0.19056247,0.009689489,0.000573687,0.0021259403,0.04977926,0.7403213,0.00009075726],"about_ca_topic_score_codex":0.004758717,"about_ca_topic_score_gemma":0.0046671955,"teacher_disagreement_score":0.05945464,"about_ca_system_score_codex":0.0013028727,"about_ca_system_score_gemma":0.0018986661,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4232130510","doi":"10.1057/9781137346346_6","title":"Afterword","year":2013,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of the Fraser Valley","funders":"","keywords":"Metafiction; Sensibility; Narrative; Reflexivity; Literature; Skepticism; Identity (music); Period (music); Criticism; History; Literary criticism; Aesthetics; Art; Philosophy; Sociology; Epistemology; Anthropology","score_opus":0.026396166981290582,"score_gpt":0.2109833648010157,"score_spread":0.18458719781972513,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232130510","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00057910476,0.012033062,0.00237911,0.06763186,0.17585348,0.00030082898,0.0021218883,0.0009095561,0.7381912],"genre_scores_gemma":[0.0031844114,0.0031893654,0.0005712731,0.017492248,0.012961589,0.000121406876,0.0009785623,0.00057764526,0.96092343],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99910283,0.00014685732,0.00005876783,0.00018852376,0.0004165632,0.00008650571],"domain_scores_gemma":[0.9974989,0.000555121,0.00010289939,0.00021398923,0.0013343535,0.00029481182],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00086137047,0.0008260691,0.0006549821,0.0014985572,0.0029671972,0.005156873,0.0016104592,0.0028096803,0.3967279],"category_scores_gemma":[0.00567409,0.00026709927,0.0005760484,0.0012020275,0.0012384321,0.005739241,0.0028091965,0.004938742,0.35682666],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012106476,0.000005982199,0.000025947946,0.00009332192,9.558693e-7,0.000037746588,0.00013782881,0.000011363733,0.000071420895,0.009311376,0.9686545,0.021637293],"study_design_scores_gemma":[0.0000011621419,0.0000033662118,0.000037006426,0.000074212134,5.383058e-7,0.000040816343,0.00009143477,0.0000069141356,0.00003658645,0.00089603785,0.9988098,0.000001991387],"about_ca_topic_score_codex":0.0034702008,"about_ca_topic_score_gemma":0.0039979722,"teacher_disagreement_score":0.6032721,"about_ca_system_score_codex":0.0021155826,"about_ca_system_score_gemma":0.0017919972,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4237768226","doi":"10.25071/2369-7326.40283","title":"Neo Boys","year":2016,"lang":"en","type":"article","venue":"Pivot A Journal of Interdisciplinary Studies and Thought","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Alien; Identity (music); Literature; Art; Art history; Sociology; Aesthetics","score_opus":0.03991913464365141,"score_gpt":0.3114563413459225,"score_spread":0.27153720670227105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4237768226","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015031056,0.0009363556,0.001664898,0.004279051,0.00082626194,0.000051906492,0.00022456337,0.00008241473,0.9769034],"genre_scores_gemma":[0.19214381,0.0009053324,0.0011317406,0.003551173,0.0001673713,0.00010347412,0.00021231674,0.00013934074,0.80164546],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99884427,0.00030289168,0.0000305712,0.00025608062,0.0003182422,0.00024784042],"domain_scores_gemma":[0.9994804,0.00008915626,0.00006368837,0.00009079999,0.00012014656,0.00015579081],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00076800305,0.00051662966,0.0003243737,0.0009880371,0.0052934266,0.004460744,0.00094108825,0.0010895696,0.08770617],"category_scores_gemma":[0.0018350597,0.00024477084,0.00024681317,0.0007184535,0.0044549517,0.0035725944,0.005093445,0.002286155,0.022962179],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005029534,0.000044031167,0.0016810928,0.000106656444,0.0000045532943,0.00042833533,0.03007391,0.000045473902,0.00050302275,0.86299837,0.055748697,0.048315633],"study_design_scores_gemma":[0.0000040566574,0.00002044641,0.0006802571,0.00007193959,0.0000015660765,0.00022846574,0.0075657214,0.000023418039,0.00019092378,0.0131500615,0.9780586,0.0000045095026],"about_ca_topic_score_codex":0.0033057984,"about_ca_topic_score_gemma":0.008120786,"teacher_disagreement_score":0.08770617,"about_ca_system_score_codex":0.002326932,"about_ca_system_score_gemma":0.0012397746,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4239725814","doi":"10.21606/pluriversal.2021.0014","title":"Wild Worlding Wunderkammer Workshop","year":2021,"lang":"en","type":"article","venue":"","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Cabinet (room); Situated; Computer science; Toolbox; Set (abstract data type); Subject (documents); Parliament; Order (exchange); Sociology; World Wide Web; Visual arts; Art; Law; Artificial intelligence; Programming language; Political science","score_opus":0.05428131706242858,"score_gpt":0.25288435964813394,"score_spread":0.19860304258570535,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239725814","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031024214,0.008817022,0.022659691,0.0445724,0.011369374,0.00020146776,0.0011280745,0.00075460656,0.8794731],"genre_scores_gemma":[0.21657781,0.0039939624,0.015426021,0.0033980166,0.0008795232,0.00023548622,0.0013778021,0.0008209992,0.7572903],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99801767,0.0010269159,0.00005651057,0.00030295807,0.00034827337,0.00024770762],"domain_scores_gemma":[0.9980823,0.0007694218,0.00008031778,0.00034356682,0.00027656765,0.0004478839],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031426344,0.00052782294,0.00035476647,0.0013200948,0.005745461,0.009780426,0.0013529396,0.0018081943,0.053390823],"category_scores_gemma":[0.006115192,0.00031801016,0.00059970445,0.001105246,0.0045732325,0.006689806,0.0068808966,0.0028483137,0.0160784],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000078800804,0.00008252176,0.0005206176,0.00022710492,0.000017990329,0.00072108326,0.038812924,0.00038354576,0.001366961,0.41747615,0.42149124,0.11882105],"study_design_scores_gemma":[0.00000259956,0.000010293506,0.00022190918,0.00013094592,0.0000025084025,0.000094624294,0.005542442,0.000112924965,0.00033218422,0.019268742,0.9742711,0.000009690385],"about_ca_topic_score_codex":0.0024977636,"about_ca_topic_score_gemma":0.005968733,"teacher_disagreement_score":0.053390823,"about_ca_system_score_codex":0.0028941117,"about_ca_system_score_gemma":0.0025259026,"threshold_uncertainty_score":0.17861015},"labels":[],"label_agreement":null},{"id":"W4240265530","doi":"10.22215/etd/2005-08018","title":"Making meatballs: Canadian film and television comedy","year":2005,"lang":"en","type":"dissertation","venue":"","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Carleton University; Canadian Heritage","funders":"","keywords":"Art; Comedy; Humanities; Visual arts","score_opus":0.03496585311882515,"score_gpt":0.2744048078746033,"score_spread":0.23943895475577814,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240265530","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17515613,0.0048130383,0.001819821,0.013667356,0.0006166687,0.00015910057,0.002222505,0.0001528416,0.8013925],"genre_scores_gemma":[0.66979957,0.0054939766,0.0035823584,0.00095274847,0.00007688609,0.000043827764,0.0012823996,0.00017273241,0.31859553],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.9989027,0.00012757177,0.000019159419,0.0001369029,0.00055902934,0.00025459332],"domain_scores_gemma":[0.9984664,0.00015686026,0.00007589536,0.00006132481,0.00075815246,0.0004813401],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010541807,0.0004833595,0.0001408941,0.002413145,0.011081688,0.0074230307,0.000974871,0.00078033545,0.030328931],"category_scores_gemma":[0.0039585796,0.00030704736,0.00022101565,0.0041097538,0.0036573939,0.0018379354,0.0016806433,0.0011624171,0.0015129304],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024929008,0.00012610668,0.020381304,0.00047281818,0.000036581798,0.0007831856,0.24540222,0.00041803633,0.002979257,0.118687175,0.2791416,0.3313225],"study_design_scores_gemma":[0.000010166056,0.000023149743,0.039388813,0.0002630945,0.000025794243,0.00013106146,0.14374985,0.00015749843,0.0010709582,0.0014308935,0.8137141,0.000034605044],"about_ca_topic_score_codex":0.9788599,"about_ca_topic_score_gemma":0.99571925,"teacher_disagreement_score":0.045834273,"about_ca_system_score_codex":0.045834273,"about_ca_system_score_gemma":0.050989162,"threshold_uncertainty_score":0.3325525},"labels":[],"label_agreement":null},{"id":"W4240603660","doi":"10.5840/symposium201014224","title":"After Hermeneutics?","year":2010,"lang":"en","type":"article","venue":"Symposium","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hermeneutics; Philosophy; Epistemology","score_opus":0.00833332561287805,"score_gpt":0.208845988285082,"score_spread":0.20051266267220394,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240603660","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013541942,0.067980036,0.041227575,0.4131411,0.009973288,0.000080669604,0.000115846495,0.00016548556,0.453774],"genre_scores_gemma":[0.80534685,0.020415355,0.014238747,0.039268963,0.0065458086,0.00039201975,0.00012964378,0.00053663185,0.11312606],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.98331696,0.01304013,0.00024426263,0.0010778874,0.0015462796,0.00077451655],"domain_scores_gemma":[0.9913107,0.005934625,0.0004979073,0.00097129215,0.000901414,0.00038410517],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.014483406,0.0009540401,0.0008245301,0.00196952,0.010827325,0.019862821,0.0015356226,0.004667479,0.010123443],"category_scores_gemma":[0.020178733,0.00041453954,0.00055426644,0.0023314762,0.056954265,0.02366807,0.0052394555,0.011184927,0.0018342154],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000044413378,0.0000043122486,0.000030381183,0.000021258307,0.000001271778,0.000012590927,0.0059310477,0.000017421571,0.00001628084,0.9872914,0.0044438085,0.002225798],"study_design_scores_gemma":[0.000010305697,0.000010909532,0.0001317839,0.00031028036,0.0000034135332,0.00005092073,0.018866286,0.00015911598,0.0001328246,0.712548,0.26776513,0.000011157908],"about_ca_topic_score_codex":0.009027792,"about_ca_topic_score_gemma":0.007053121,"teacher_disagreement_score":0.019862821,"about_ca_system_score_codex":0.010782563,"about_ca_system_score_gemma":0.0061476203,"threshold_uncertainty_score":0.07823336},"labels":[],"label_agreement":null},{"id":"W4240833361","doi":"10.1017/cbo9780511794414.005","title":"Viewpoint","year":2011,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Narrative; Point (geometry); Epistemology; Linguistics; Narrative inquiry; Sociology; Philosophy; Mathematics","score_opus":0.04885850357114115,"score_gpt":0.18253668839863627,"score_spread":0.1336781848274951,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240833361","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016609767,0.0014740201,0.008520818,0.005897489,0.0007726319,0.000028760653,0.00010824366,0.0000341841,0.9815029],"genre_scores_gemma":[0.3293792,0.005939836,0.0129058985,0.009695721,0.0010836471,0.0001880496,0.00055347383,0.00030720583,0.639947],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99822,0.0006417322,0.000051786865,0.0004322869,0.00044296772,0.00021109634],"domain_scores_gemma":[0.99902654,0.0003110274,0.000056919762,0.00015940206,0.0003294692,0.000116736206],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002000956,0.00056739815,0.00035140195,0.0007306207,0.0030973137,0.0052989232,0.0011869033,0.0021752012,0.024372185],"category_scores_gemma":[0.003376163,0.00024858656,0.00047132708,0.0006300092,0.006464978,0.004977667,0.003060868,0.003912264,0.0071299947],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000637296,0.0000032322596,0.00006927531,0.000032604807,0.0000016888612,0.00005736129,0.004310541,0.00003434138,0.00010337752,0.97454154,0.014597628,0.006242039],"study_design_scores_gemma":[0.0000065092913,0.0000111426025,0.00015878321,0.00016541936,0.000005245028,0.000168893,0.0028600735,0.0001095239,0.00017969911,0.2106729,0.78565484,0.0000069493412],"about_ca_topic_score_codex":0.0046193865,"about_ca_topic_score_gemma":0.0075063882,"teacher_disagreement_score":0.97562784,"about_ca_system_score_codex":0.0040318305,"about_ca_system_score_gemma":0.002977128,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4243001647","doi":"10.1007/978-1-4939-7131-2_101483","title":"Zen","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Materials science","score_opus":0.043154387073111034,"score_gpt":0.21705087068419482,"score_spread":0.17389648361108379,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243001647","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00046276956,0.0018899516,0.002912034,0.0011640296,0.00058581703,0.0000151049335,0.0006781784,0.00063837174,0.99165374],"genre_scores_gemma":[0.00809543,0.0016030222,0.0018109315,0.0005464213,0.0001740772,0.000032408567,0.0008015627,0.0004566313,0.98647946],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99953187,0.00006927642,0.000018956376,0.00014108069,0.00016756063,0.00007135494],"domain_scores_gemma":[0.9997993,0.000034512548,0.00001272856,0.000052105086,0.00006195131,0.0000393452],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034140196,0.00080827693,0.0004743259,0.0017050845,0.0019672792,0.0062666824,0.0007716671,0.0014502655,0.35929734],"category_scores_gemma":[0.0008922852,0.00033063497,0.00029143563,0.0012842366,0.0012293198,0.004417204,0.00251933,0.0021032419,0.22424188],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045242567,0.0000247888,0.00021423295,0.00022133157,0.000006251109,0.00008185474,0.0006025259,0.00021987794,0.000876158,0.44525823,0.33776894,0.21468052],"study_design_scores_gemma":[0.000002155395,0.0000018149102,0.00006535017,0.000042339805,0.0000014229128,0.000051933876,0.000078586556,0.000052252923,0.00018516366,0.017577022,0.98193884,0.0000032178568],"about_ca_topic_score_codex":0.0036675294,"about_ca_topic_score_gemma":0.008058068,"teacher_disagreement_score":0.35929734,"about_ca_system_score_codex":0.0020517842,"about_ca_system_score_gemma":0.0015298133,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4244471812","doi":"10.7202/1071142ar","title":"Conceptual Finesse","year":2020,"lang":"en","type":"article","venue":"Paideusis","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Finesse; Computer science; Physics; Optics; Laser","score_opus":0.08009516316315816,"score_gpt":0.21567384318294272,"score_spread":0.13557868001978457,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244471812","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012489345,0.0018183357,0.03927451,0.019579187,0.0014112442,0.00015204815,0.0001686331,0.00010533997,0.9250014],"genre_scores_gemma":[0.7984529,0.0018792365,0.017662778,0.004480529,0.0007028208,0.00048039522,0.00038086929,0.00022855001,0.17573191],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9957838,0.0024318176,0.000152298,0.00048619352,0.0008057056,0.00034030035],"domain_scores_gemma":[0.99702674,0.0010536631,0.00016367108,0.00067504117,0.0008018044,0.00027914342],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0040335446,0.0007615983,0.00044015437,0.0035797788,0.0062883226,0.013548952,0.0017352857,0.0023937752,0.032306105],"category_scores_gemma":[0.008803925,0.00032186985,0.0005313116,0.0023526587,0.024689868,0.010877356,0.0065632355,0.004294157,0.003583684],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000018897431,0.000004463113,0.0000428381,0.000010482391,9.874939e-7,0.000016810232,0.0033579308,0.000015154285,0.000023989605,0.9922198,0.0016980593,0.0026075994],"study_design_scores_gemma":[0.000008437205,0.000009503454,0.00027107014,0.00016479805,0.0000066185357,0.00016864775,0.014044976,0.0002811904,0.00016132616,0.7310047,0.25387067,0.000008041921],"about_ca_topic_score_codex":0.0034244643,"about_ca_topic_score_gemma":0.0042444803,"teacher_disagreement_score":0.032306105,"about_ca_system_score_codex":0.0053826557,"about_ca_system_score_gemma":0.0051087006,"threshold_uncertainty_score":0.108074665},"labels":[],"label_agreement":null},{"id":"W4244803556","doi":"10.1007/978-3-030-56743-9","title":"Freud and Said","year":2020,"lang":"en","type":"book","venue":"","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Psychoanalysis; Philosophy; Psychology","score_opus":0.028857684919032057,"score_gpt":0.19223274598396145,"score_spread":0.16337506106492938,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244803556","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00056787586,0.012701647,0.0009942732,0.008773986,0.0028229016,0.000017647264,0.00006863659,0.000058509173,0.97399455],"genre_scores_gemma":[0.014049303,0.002816146,0.00045240665,0.0025014929,0.00063170335,0.000030578176,0.00004719214,0.0001161976,0.97935504],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915886,0.0002952543,0.000021524653,0.00016106291,0.00023244764,0.00013073896],"domain_scores_gemma":[0.99958295,0.00013935735,0.000021023368,0.00006125263,0.00013915337,0.00005635091],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000987847,0.0011573094,0.0006591612,0.002527733,0.0074741296,0.009038687,0.00082820543,0.0032572886,0.057419196],"category_scores_gemma":[0.0024633023,0.00042235182,0.0002954378,0.0015286949,0.006865696,0.0061088772,0.0034296578,0.0041531464,0.024961118],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015670965,0.000010943738,0.000052979067,0.00003771338,0.0000017596947,0.000044184682,0.0025484285,0.00004153238,0.000043349668,0.68004036,0.2859041,0.03125892],"study_design_scores_gemma":[0.0000017242892,0.0000028057968,0.000033242137,0.00007386494,0.0000010553032,0.00004176216,0.0007101879,0.000021328944,0.000036263635,0.045608018,0.9534663,0.000003412667],"about_ca_topic_score_codex":0.014046051,"about_ca_topic_score_gemma":0.0310028,"teacher_disagreement_score":0.057419196,"about_ca_system_score_codex":0.004950745,"about_ca_system_score_gemma":0.003162228,"threshold_uncertainty_score":0.19208634},"labels":[],"label_agreement":null},{"id":"W4247125782","doi":"10.1090/mbk/118/06","title":"Interview with Ingrid Daubechies","year":2018,"lang":"en","type":"book-chapter","venue":"American Mathematical Society eBooks","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Daubechies wavelet; Computer science; Artificial intelligence; Wavelet transform; Wavelet","score_opus":0.0335206529734663,"score_gpt":0.23443918344897113,"score_spread":0.20091853047550484,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247125782","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017183345,0.011649575,0.0009772392,0.8055916,0.011755599,0.00011790335,0.00071359606,0.00009290764,0.15191828],"genre_scores_gemma":[0.103591,0.009857288,0.00057638634,0.22948667,0.0023997773,0.0004292422,0.0002766484,0.00025438936,0.6531286],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992749,0.00033017053,0.00001865685,0.000081642705,0.0001407598,0.00015380487],"domain_scores_gemma":[0.9972113,0.0013866656,0.00009521064,0.00005613347,0.0006707718,0.00057987357],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002280594,0.00047502175,0.0004975994,0.0011119456,0.010045918,0.002920413,0.0006604069,0.004412472,0.04472447],"category_scores_gemma":[0.0090152165,0.00038465988,0.00018680998,0.0013526356,0.0026409945,0.0061250594,0.0031354171,0.0073640374,0.011576561],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028506456,0.000021528147,0.0003247962,0.00006842434,0.000001284495,0.00039229216,0.034278102,0.00004638502,0.00016944442,0.0091577815,0.94766337,0.0078480095],"study_design_scores_gemma":[0.0000027133779,0.0000053287936,0.00039453237,0.00009822698,9.858762e-7,0.00010128464,0.068666704,0.000020596875,0.000055303863,0.0012087177,0.92943764,0.000007862532],"about_ca_topic_score_codex":0.022916144,"about_ca_topic_score_gemma":0.04574757,"teacher_disagreement_score":0.04472447,"about_ca_system_score_codex":0.004221345,"about_ca_system_score_gemma":0.002546787,"threshold_uncertainty_score":0.14961827},"labels":[],"label_agreement":null},{"id":"W4247683809","doi":"10.1017/cbo9780511794414","title":"The Language of Stories","year":2011,"lang":"en","type":"book","venue":"Cambridge University Press eBooks","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":39,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Narrative; Interpretation (philosophy); Meaning (existential); Linguistics; Grammar; Drama; Construct (python library); Narratology; Literature; Art; Philosophy; Epistemology; Computer science","score_opus":0.026526575670612226,"score_gpt":0.19150514682456699,"score_spread":0.16497857115395476,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247683809","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0059760213,0.02070242,0.013596945,0.018478554,0.001488002,0.000075098775,0.00031008408,0.00016968099,0.9392032],"genre_scores_gemma":[0.554004,0.026366886,0.013827754,0.0067843967,0.0018120337,0.00047593372,0.0009685594,0.00053254847,0.39522785],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9971276,0.0018975761,0.00009141171,0.00021952929,0.0004704429,0.00019340569],"domain_scores_gemma":[0.99739057,0.0016271077,0.00019337091,0.0002971309,0.00029351245,0.00019839051],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015545394,0.0006973532,0.0003519063,0.0014035392,0.0036959224,0.011794883,0.0010889933,0.0017884534,0.010336451],"category_scores_gemma":[0.006768786,0.00029429307,0.00029632472,0.0017475936,0.012330588,0.012379487,0.0037865997,0.0030297297,0.0024117588],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007692127,0.0000045017446,0.00006563872,0.0000854534,0.0000027195051,0.0001113115,0.021620259,0.00006844093,0.000095694326,0.9337655,0.029586159,0.01458669],"study_design_scores_gemma":[0.0000029467287,0.000006853578,0.00010075976,0.00028025176,0.0000020465325,0.00026154864,0.009281919,0.00012011123,0.00009836767,0.11923361,0.8706064,0.0000051603433],"about_ca_topic_score_codex":0.0023969612,"about_ca_topic_score_gemma":0.002496938,"teacher_disagreement_score":0.011794883,"about_ca_system_score_codex":0.0034355707,"about_ca_system_score_gemma":0.002357483,"threshold_uncertainty_score":0.03457892},"labels":[],"label_agreement":null},{"id":"W4247740782","doi":"10.22148/16.011","title":"Fictionality","year":2016,"lang":"en","type":"article","venue":"Journal of Cultural Analytics","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Literature; Philosophy; Art","score_opus":0.058045558012638984,"score_gpt":0.2682156559321219,"score_spread":0.21017009791948288,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247740782","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013377876,0.007829034,0.013972581,0.013872482,0.00185917,0.000089533736,0.00054058566,0.00017479439,0.948284],"genre_scores_gemma":[0.8087724,0.008213574,0.009983752,0.0064844107,0.0028697785,0.00020184502,0.0013775055,0.0003635751,0.16173333],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960008,0.0018006051,0.00018664364,0.0005963809,0.0011455475,0.00026992557],"domain_scores_gemma":[0.9917373,0.0048144357,0.00058363745,0.0013508407,0.0011362695,0.0003775464],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002385056,0.0005606881,0.00038056925,0.003142171,0.0039673806,0.0101092085,0.0008753847,0.0017464486,0.03487546],"category_scores_gemma":[0.016612487,0.00020220866,0.00036009107,0.0018026506,0.013721449,0.00850075,0.0041461745,0.0021880255,0.005180015],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013298516,0.00000898862,0.00031982988,0.00021423638,0.000007697148,0.00014788409,0.010940747,0.00008273589,0.00025476428,0.94826615,0.016117992,0.023625653],"study_design_scores_gemma":[0.000004715616,0.000016734963,0.0005503802,0.00032484683,0.000007825729,0.0005934474,0.0031751278,0.000121343226,0.00039964198,0.1635179,0.83127457,0.000013442511],"about_ca_topic_score_codex":0.0012304438,"about_ca_topic_score_gemma":0.0010526848,"teacher_disagreement_score":0.03487546,"about_ca_system_score_codex":0.0027912108,"about_ca_system_score_gemma":0.001446945,"threshold_uncertainty_score":0.11667001},"labels":[],"label_agreement":null},{"id":"W4251806243","doi":"10.1386/host.9.2.179_7","title":"‘Ever seen horse-eyes up close?’: Entropoetics in _9MOTHER9HORSE9EYES9’s The Interface Series","year":2018,"lang":"en","type":"article","venue":"Horror Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Narrative; Storytelling; Poetics; Literature; Directory; Space (punctuation); Aesthetics; Computer science; Art; Philosophy; Linguistics; Poetry","score_opus":0.048730337347208115,"score_gpt":0.3274830081952633,"score_spread":0.2787526708480552,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251806243","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31129923,0.002417446,0.014765845,0.016915955,0.0026262258,0.00007608107,0.00030572907,0.0006089392,0.6509845],"genre_scores_gemma":[0.8424687,0.0008483748,0.0032847787,0.0009883626,0.00037264588,0.000046148278,0.00015176166,0.0007796005,0.15105958],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985152,0.000993118,0.000028549988,0.000106126165,0.0002356329,0.0001213433],"domain_scores_gemma":[0.99785453,0.0015430159,0.000087498534,0.00018014677,0.00014141016,0.00019335262],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016441997,0.00037982207,0.00020147966,0.0007292037,0.005045536,0.0055189123,0.00057405856,0.0009158458,0.0157126],"category_scores_gemma":[0.0047276714,0.00020448603,0.00021662314,0.0006936805,0.0058178,0.004717671,0.003960069,0.0018205573,0.0020303184],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019332764,0.000055577562,0.0017000823,0.0001958559,0.000009978829,0.0014732875,0.70015174,0.00009710608,0.003106602,0.15605915,0.07707514,0.059882276],"study_design_scores_gemma":[0.000006527351,0.000051133527,0.0016457898,0.00017274874,0.0000061196806,0.000859305,0.17008714,0.00021978386,0.0018770351,0.0063837054,0.8186701,0.000020575364],"about_ca_topic_score_codex":0.0020639256,"about_ca_topic_score_gemma":0.006678819,"teacher_disagreement_score":0.0157126,"about_ca_system_score_codex":0.001237997,"about_ca_system_score_gemma":0.00055976136,"threshold_uncertainty_score":0.052563846},"labels":[],"label_agreement":null},{"id":"W4253385191","doi":"10.31176/apertura.2019.15.2.3","title":"Filmszerű elbeszélés","year":2020,"lang":"hu","type":"article","venue":"Apertura","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Physics; Combinatorics; Mathematics","score_opus":0.05922676469718161,"score_gpt":0.20869523380850816,"score_spread":0.14946846911132655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253385191","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.039085638,0.0066585233,0.009592398,0.013536664,0.0038073738,0.00019430136,0.0006859223,0.00071270746,0.9257264],"genre_scores_gemma":[0.33495554,0.0075059813,0.00920847,0.0045256414,0.0019457377,0.00017776503,0.0008835827,0.0008106823,0.6399866],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989894,0.0003782596,0.000041975687,0.0002073961,0.00026676676,0.000116225885],"domain_scores_gemma":[0.9990477,0.00026999347,0.00010704037,0.00011728156,0.00025093713,0.00020707221],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008910618,0.00073116325,0.00027075343,0.000717645,0.0027048667,0.0057540755,0.0005972702,0.0013848922,0.059207235],"category_scores_gemma":[0.0033717796,0.00022228343,0.000309929,0.00057511963,0.0018574825,0.0048474977,0.0039591906,0.00226046,0.012327167],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040017534,0.00017376733,0.0025850611,0.0014708445,0.000050911145,0.0022658065,0.11480167,0.00021872495,0.0133407945,0.28750896,0.3288407,0.2483426],"study_design_scores_gemma":[0.000007188737,0.000033783945,0.0010796695,0.00016524985,0.000009763134,0.00042863202,0.008701356,0.00006217706,0.0013341729,0.0036712103,0.9844952,0.000011453406],"about_ca_topic_score_codex":0.0012421523,"about_ca_topic_score_gemma":0.0023417596,"teacher_disagreement_score":0.059207235,"about_ca_system_score_codex":0.001331109,"about_ca_system_score_gemma":0.0007260615,"threshold_uncertainty_score":0.1980679},"labels":[],"label_agreement":null},{"id":"W4253742613","doi":"10.1386/host.9.2.179_2","title":"‘Ever seen horse-eyes up close?’: Entropoetics in _9MOTHER9HORSE9EYES9’s The Interface Series","year":2018,"lang":"en","type":"article","venue":"Horror Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"Qatar National Research Fund","keywords":"Narrative; Storytelling; Poetics; Literature; Directory; Space (punctuation); Aesthetics; Computer science; Art; Philosophy; Linguistics; Poetry","score_opus":0.048730337347208115,"score_gpt":0.3274830081952633,"score_spread":0.2787526708480552,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253742613","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31129923,0.002417446,0.014765845,0.016915955,0.0026262258,0.00007608107,0.00030572907,0.0006089392,0.6509845],"genre_scores_gemma":[0.8424687,0.0008483748,0.0032847787,0.0009883626,0.00037264588,0.000046148278,0.00015176166,0.0007796005,0.15105958],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9985152,0.000993118,0.000028549988,0.000106126165,0.0002356329,0.0001213433],"domain_scores_gemma":[0.99785453,0.0015430159,0.000087498534,0.00018014677,0.00014141016,0.00019335262],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016441997,0.00037982207,0.00020147966,0.0007292037,0.005045536,0.0055189123,0.00057405856,0.0009158458,0.0157126],"category_scores_gemma":[0.0047276714,0.00020448603,0.00021662314,0.0006936805,0.0058178,0.004717671,0.003960069,0.0018205573,0.0020303184],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019332764,0.000055577562,0.0017000823,0.0001958559,0.000009978829,0.0014732875,0.70015174,0.00009710608,0.003106602,0.15605915,0.07707514,0.059882276],"study_design_scores_gemma":[0.000006527351,0.000051133527,0.0016457898,0.00017274874,0.0000061196806,0.000859305,0.17008714,0.00021978386,0.0018770351,0.0063837054,0.8186701,0.000020575364],"about_ca_topic_score_codex":0.0020639256,"about_ca_topic_score_gemma":0.006678819,"teacher_disagreement_score":0.0157126,"about_ca_system_score_codex":0.001237997,"about_ca_system_score_gemma":0.00055976136,"threshold_uncertainty_score":0.052563846},"labels":[],"label_agreement":null},{"id":"W4254216810","doi":"10.1057/9780230305281_18","title":"Epilogue","year":2011,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Environmental science","score_opus":0.04772030703978718,"score_gpt":0.21780728731582655,"score_spread":0.17008698027603936,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254216810","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00085422484,0.010021882,0.0024741907,0.065206796,0.20721002,0.0006293999,0.011568408,0.0016878863,0.7003472],"genre_scores_gemma":[0.0076999813,0.0068588257,0.0018665463,0.031828262,0.028523475,0.00071055425,0.007915648,0.00104584,0.9135509],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984444,0.00030773258,0.000116646595,0.00029700773,0.00063374225,0.00020055425],"domain_scores_gemma":[0.99653625,0.0007664751,0.00012716072,0.00040415523,0.0014791085,0.0006869259],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018098758,0.00075478316,0.0007647404,0.0022644643,0.002408796,0.0058176788,0.0017818953,0.0035525076,0.5591783],"category_scores_gemma":[0.010678548,0.00037145556,0.0008547951,0.0016597726,0.0011024001,0.0050208666,0.003751325,0.0031919186,0.28876778],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045889195,0.0000130714125,0.00010569771,0.0002831362,0.0000028904067,0.00007999539,0.00009944012,0.00002243106,0.000107660664,0.00849052,0.9421935,0.0485558],"study_design_scores_gemma":[0.0000041068124,0.0000077563545,0.00010661464,0.00010081882,0.0000012159481,0.000048838094,0.000053559896,0.000006357887,0.00003255308,0.001002877,0.9986326,0.0000026362547],"about_ca_topic_score_codex":0.002483961,"about_ca_topic_score_gemma":0.0030520714,"teacher_disagreement_score":0.5591783,"about_ca_system_score_codex":0.0024804058,"about_ca_system_score_gemma":0.0038083256,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4254844727","doi":"10.7771/1481-4374.3136","title":"Bibliography of Contextual (Systemic and Empirical) Approaches in the Study of Literature and Culture","year":2016,"lang":"en","type":"article","venue":"CLCWeb Comparative Literature and Culture","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Royal Society; Royal Society of Canada; Purdue University; Modern Language Association","keywords":"Bibliography; Sociology; Computer science; Library science","score_opus":0.0885652283264125,"score_gpt":0.2943741813028686,"score_spread":0.20580895297645607,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254844727","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018987145,0.7398597,0.00797643,0.0042813458,0.003090611,0.000092822986,0.0010387584,0.00013076165,0.24163081],"genre_scores_gemma":[0.03837275,0.8971807,0.01433242,0.002153221,0.0034325519,0.0003891663,0.0025338985,0.00021230985,0.041392937],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99796754,0.0007745758,0.00034955825,0.0002042543,0.00061813655,0.00008595767],"domain_scores_gemma":[0.9944582,0.003995547,0.00023804537,0.00034731766,0.00078087614,0.00017998397],"candidate_categories":["bibliometrics"],"consensus_categories":[],"category_scores_codex":[0.0016832551,0.00091881497,0.0011241742,0.022375159,0.0027081862,0.005784696,0.0010798414,0.0009516616,0.01867706],"category_scores_gemma":[0.005447567,0.00044312575,0.0005015657,0.04968292,0.0030917297,0.0047413865,0.0017667037,0.0016252517,0.0036890688],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064493826,0.000058522877,0.0012433082,0.012603938,0.00008854626,0.00037800477,0.008948079,0.0007416277,0.0005851459,0.3186601,0.28802535,0.3686029],"study_design_scores_gemma":[0.000005283262,0.000017117834,0.0019066874,0.010848085,0.000042354117,0.00023882784,0.0019876077,0.00010559684,0.00009982388,0.032179344,0.9525554,0.000013751405],"about_ca_topic_score_codex":0.0034355808,"about_ca_topic_score_gemma":0.008094761,"teacher_disagreement_score":0.97762483,"about_ca_system_score_codex":0.0034508891,"about_ca_system_score_gemma":0.0036265322,"threshold_uncertainty_score":0.062480986},"labels":[],"label_agreement":null},{"id":"W4283367339","doi":"10.31235/osf.io/e7yd5","title":"Narrative Aspects of the Novels by Lucy Maud Montgomery and Eleanor Porter","year":2022,"lang":"en","type":"preprint","venue":"","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Parallels; Interpretation (philosophy); Narrative; Context (archaeology); Reading (process); Style (visual arts); Literature; Narratology; Representation (politics); Literary criticism; History; Poetry; Embodied cognition; Sociology; Epistemology; Art; Linguistics; Philosophy; Politics","score_opus":0.01672219125082207,"score_gpt":0.22144020574630952,"score_spread":0.20471801449548743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283367339","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1691518,0.10065541,0.0025573757,0.29323557,0.00858301,0.00013481268,0.00056872965,0.00023578,0.4248775],"genre_scores_gemma":[0.76462555,0.0310003,0.0020435008,0.01164269,0.0024433,0.000088685236,0.00017791505,0.00021343904,0.18776467],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992211,0.0003063091,0.000014038686,0.0001198474,0.00021656055,0.0001221585],"domain_scores_gemma":[0.99869424,0.00048276788,0.0001244934,0.00004435018,0.00042920638,0.00022498642],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001046463,0.00042914652,0.0003131199,0.0010707766,0.012892449,0.0070139575,0.000740258,0.0012400333,0.0033949243],"category_scores_gemma":[0.0030229823,0.00018682049,0.00020852768,0.00089017034,0.008988134,0.0017508967,0.0015106681,0.0021717874,0.0005592566],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016966902,0.000065110384,0.0017384682,0.00032313523,0.00003063729,0.0037411884,0.24198467,0.0003770171,0.0017401908,0.2416765,0.47070083,0.037452556],"study_design_scores_gemma":[0.000006230995,0.000016840959,0.0016655835,0.00019716576,0.00000868666,0.0006529305,0.05179045,0.00008523851,0.0004281035,0.00481293,0.9403138,0.000022126429],"about_ca_topic_score_codex":0.35475093,"about_ca_topic_score_gemma":0.51040643,"teacher_disagreement_score":0.35475093,"about_ca_system_score_codex":0.018456299,"about_ca_system_score_gemma":0.012542374,"threshold_uncertainty_score":0.7053721},"labels":[],"label_agreement":null},{"id":"W4285581257","doi":"10.29173/scancan180","title":"Events below the Surface: A Reading of Henning Mankell’s The Troubled Man","year":2020,"lang":"en","type":"article","venue":"Scandinavian-Canadian Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cape Breton University","funders":"","keywords":"Wife; Officer; Atmosphere (unit); Reading (process); Literature; Philosophy; Art history; Art; Psychoanalysis; Theology; Psychology; Law; Physics; Political science; Meteorology","score_opus":0.07824948774605048,"score_gpt":0.2723471492958273,"score_spread":0.19409766154977684,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285581257","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1522428,0.07242195,0.0035295894,0.15896101,0.013891681,0.000075461365,0.0006172775,0.0001986897,0.59806156],"genre_scores_gemma":[0.8962828,0.008515257,0.0006030769,0.008831056,0.0018665132,0.00004064269,0.00013194016,0.00021354714,0.08351525],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99881244,0.0006285388,0.000023453538,0.00013920452,0.00021254434,0.00018379712],"domain_scores_gemma":[0.9990276,0.00057328655,0.000103638,0.000037275822,0.000108944485,0.00014920386],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012352854,0.00091525575,0.00045442398,0.0017616684,0.011829247,0.0085062785,0.0010553759,0.0030754795,0.006141325],"category_scores_gemma":[0.0023473697,0.00029920155,0.00025675588,0.0009716575,0.016301645,0.004251118,0.0028348768,0.0046487865,0.0006880846],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008776524,0.000031762072,0.000487425,0.00019930131,0.000015062578,0.002099594,0.59851336,0.00016201645,0.0004907663,0.2642223,0.12485294,0.008837653],"study_design_scores_gemma":[0.0000078961975,0.000016880616,0.0010260636,0.000687466,0.000009964837,0.0005837896,0.18520384,0.000073626456,0.00034528258,0.008399646,0.80362004,0.000025392286],"about_ca_topic_score_codex":0.07312785,"about_ca_topic_score_gemma":0.17907384,"teacher_disagreement_score":0.07312785,"about_ca_system_score_codex":0.0133046815,"about_ca_system_score_gemma":0.003464248,"threshold_uncertainty_score":0.14540446},"labels":[],"label_agreement":null},{"id":"W4286682789","doi":"","title":"When the Moment Does Not Last: a Few Words On Moment-Constructions","year":2021,"lang":"en","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Linguistic Association","funders":"","keywords":"Moment (physics); Computer science; Physics","score_opus":0.01956044541829726,"score_gpt":0.2203329541545471,"score_spread":0.20077250873624983,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4286682789","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020175582,0.10360985,0.1122008,0.20833984,0.013575697,0.00009196849,0.00043138466,0.0002579153,0.5413169],"genre_scores_gemma":[0.85436076,0.029672727,0.019371869,0.018945705,0.011883747,0.00029681655,0.0003467901,0.0011350559,0.06398645],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99594903,0.0025317254,0.00017907786,0.00052332523,0.00046867243,0.00034815128],"domain_scores_gemma":[0.99349594,0.004928723,0.00029883612,0.00044857513,0.0005666453,0.00026139928],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005791023,0.001077557,0.0011719073,0.002072552,0.006748697,0.010856813,0.0022267841,0.0068982923,0.008729513],"category_scores_gemma":[0.01099509,0.00059135375,0.00088704436,0.0034010299,0.035480026,0.029112006,0.005120485,0.011985783,0.0016866111],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005965154,0.0000014373717,0.000016931073,0.00003079174,0.0000015970332,0.000022361062,0.0054462855,0.000016344715,0.00003816728,0.98983216,0.003404583,0.0011832906],"study_design_scores_gemma":[0.000010110991,0.000011777668,0.000140194,0.0003814431,0.00000887816,0.00015475231,0.009222068,0.00020733362,0.00018961608,0.79853487,0.19110884,0.000030051076],"about_ca_topic_score_codex":0.003388263,"about_ca_topic_score_gemma":0.003425957,"teacher_disagreement_score":0.010856813,"about_ca_system_score_codex":0.0058488017,"about_ca_system_score_gemma":0.0020701066,"threshold_uncertainty_score":0.042436182},"labels":[],"label_agreement":null},{"id":"W4286791058","doi":"10.4000/narratologie.13784","title":"« Like short movies in my head » : les mondes narratifs dans les musiques populaires","year":2022,"lang":"fr","type":"article","venue":"Cahiers de narratologie","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Art","score_opus":0.04153230040217777,"score_gpt":0.27565733958008576,"score_spread":0.234125039177908,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4286791058","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2728814,0.014903045,0.012351017,0.020292955,0.0023936816,0.00013596228,0.0011577394,0.0003063081,0.675578],"genre_scores_gemma":[0.904025,0.0024502769,0.002311251,0.0008385789,0.0003829319,0.00006307368,0.00024199442,0.000114817245,0.08957207],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963367,0.00023376997,0.000008914131,0.000039765706,0.00003737959,0.000046418827],"domain_scores_gemma":[0.99952734,0.00020281668,0.000052472336,0.000037323287,0.000053818978,0.00012624981],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006728063,0.00035860037,0.000103091996,0.00060202234,0.0048862216,0.0036951855,0.00027820465,0.00084033987,0.010700525],"category_scores_gemma":[0.0020509837,0.0001840371,0.00013911736,0.0007662727,0.0035821367,0.0027197667,0.0023728814,0.0014098113,0.0012284033],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000248629,0.000025644365,0.004857154,0.00038646488,0.000019233927,0.0012235614,0.55443,0.00016793521,0.0043478254,0.29840577,0.08031254,0.05557526],"study_design_scores_gemma":[0.000007151132,0.00004467753,0.008501812,0.00017560189,0.0000068340587,0.000643297,0.11493656,0.00016019351,0.0009473011,0.005540735,0.8690165,0.000019275034],"about_ca_topic_score_codex":0.0066224784,"about_ca_topic_score_gemma":0.019591957,"teacher_disagreement_score":0.010700525,"about_ca_system_score_codex":0.0014861907,"about_ca_system_score_gemma":0.0006306592,"threshold_uncertainty_score":0.03579682},"labels":[],"label_agreement":null},{"id":"W4287222735","doi":"10.4000/resf.10810","title":"L’important n’est pas la destination, mais les seuils que l’on franchit. L’exemple des mondes possibles dans Fringe","year":2022,"lang":"fr","type":"article","venue":"ReS Futurae","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.02200352951819616,"score_gpt":0.24135567430729427,"score_spread":0.2193521447890981,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4287222735","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.054918613,0.008314783,0.014243664,0.0364529,0.0031059717,0.00006165168,0.00023394662,0.00014641316,0.882522],"genre_scores_gemma":[0.5717929,0.0041333702,0.003670993,0.0032550145,0.0006300103,0.00008624177,0.00014959805,0.00037407648,0.4159078],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986203,0.0006697935,0.000036003505,0.00025926973,0.00022372135,0.00019099982],"domain_scores_gemma":[0.9988367,0.00037851898,0.00010407356,0.00021326097,0.00020497275,0.00026253672],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014506682,0.00064845296,0.0003885866,0.0007520646,0.01045445,0.010776437,0.0008248165,0.002403491,0.02224453],"category_scores_gemma":[0.0036105765,0.0003076838,0.00039661545,0.00072802854,0.013279916,0.009171031,0.0059197727,0.0049492256,0.004499625],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000092236165,0.00002172293,0.0014775587,0.00018474444,0.000019719382,0.0005233644,0.11530846,0.00010467528,0.001133878,0.8329826,0.02885941,0.019291604],"study_design_scores_gemma":[0.000009720428,0.00003116993,0.00086602836,0.00021445313,0.000010964204,0.0003450718,0.039934643,0.00007654938,0.00040710962,0.025667349,0.93241274,0.000024129682],"about_ca_topic_score_codex":0.009661653,"about_ca_topic_score_gemma":0.023281734,"teacher_disagreement_score":0.02224453,"about_ca_system_score_codex":0.0048800493,"about_ca_system_score_gemma":0.0027242778,"threshold_uncertainty_score":0.074415386},"labels":[],"label_agreement":null},{"id":"W4294199684","doi":"10.4000/volume.10005","title":"Entendre le récit dans les sons","year":2022,"lang":"fr","type":"article","venue":"Volume !","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval; Musée de la Civilisation","funders":"","keywords":"Art; Philosophy","score_opus":0.019899481222409948,"score_gpt":0.20620945022083192,"score_spread":0.18630996899842198,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4294199684","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32492304,0.0032432254,0.018612398,0.011699849,0.0022059663,0.00014537074,0.0004892988,0.00033611956,0.6383447],"genre_scores_gemma":[0.6333695,0.0016499204,0.005022039,0.0008711711,0.00025039233,0.00008646497,0.00025884176,0.00047439281,0.35801727],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9986407,0.0006155548,0.00004697401,0.00021616825,0.00031718967,0.00016336901],"domain_scores_gemma":[0.9986772,0.00047961372,0.00014612167,0.00013225098,0.0003750468,0.00018977583],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012785182,0.0006518218,0.00042549908,0.0008199602,0.0065274024,0.004783376,0.00075495976,0.0011898187,0.02301328],"category_scores_gemma":[0.004280877,0.00031742797,0.00032745724,0.0008478525,0.0041581625,0.0033545406,0.0029067574,0.0020459888,0.004545143],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001674296,0.00005014531,0.008663722,0.00041370987,0.000032754826,0.005729916,0.7020461,0.00018644147,0.005017904,0.18629922,0.024748169,0.066644475],"study_design_scores_gemma":[0.00000815841,0.00008682574,0.0047039413,0.00030925858,0.000030887277,0.002372972,0.22602056,0.0002470008,0.0023077435,0.006125747,0.7577463,0.00004065752],"about_ca_topic_score_codex":0.009942035,"about_ca_topic_score_gemma":0.02583107,"teacher_disagreement_score":0.02301328,"about_ca_system_score_codex":0.002508183,"about_ca_system_score_gemma":0.001942792,"threshold_uncertainty_score":0.07698715},"labels":[],"label_agreement":null},{"id":"W4296984008","doi":"10.7202/1092424ar","title":"“I've been having these weird thoughts lately...”","year":2022,"lang":"en","type":"article","venue":"Loading","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Narrative; Context (archaeology); Consumption (sociology); Depiction; Storytelling; Sociology; Fandom; Aesthetics; Dialogic; Reading (process); Prestige; Drama; Media studies; Literature; History; Art; Law; Linguistics; Philosophy; Political science","score_opus":0.034893109684110836,"score_gpt":0.23435762800824245,"score_spread":0.19946451832413162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4296984008","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21120869,0.0116207525,0.065746486,0.065880574,0.008676615,0.00021814577,0.000740954,0.00094938074,0.6349583],"genre_scores_gemma":[0.8568805,0.0027399454,0.0085267695,0.007578917,0.0012344298,0.00013896899,0.00031696275,0.00040102174,0.12218246],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99851733,0.00086334016,0.000027006216,0.00015974801,0.00030338654,0.00012919356],"domain_scores_gemma":[0.9977817,0.0009800199,0.0003080643,0.00020483868,0.00043300216,0.00029244204],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00179562,0.00089418265,0.00030193877,0.0007632668,0.0052757184,0.0045982655,0.0008626567,0.0012850075,0.007832854],"category_scores_gemma":[0.008000367,0.00020350302,0.00034447698,0.0006775548,0.008797951,0.0058305026,0.0026014922,0.0051866216,0.003041562],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013200271,0.000043572905,0.0029591438,0.00032939663,0.00003896489,0.0019523579,0.63334036,0.00017946957,0.0020504927,0.20861825,0.10498908,0.04536683],"study_design_scores_gemma":[0.0000068939653,0.00006903865,0.0019763235,0.00039840373,0.000018495823,0.0026473058,0.19810867,0.00036538616,0.0011053766,0.02282169,0.7724313,0.000051086434],"about_ca_topic_score_codex":0.002236566,"about_ca_topic_score_gemma":0.0039714663,"teacher_disagreement_score":0.007832854,"about_ca_system_score_codex":0.001324348,"about_ca_system_score_gemma":0.00084868015,"threshold_uncertainty_score":0.026203513},"labels":[],"label_agreement":null},{"id":"W4300661261","doi":"","title":"Bodies in Suspense: Time and Affect in Cinema by Alanna Thain (University of Minnesota Press, 2017)","year":2018,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"John Abbott College","funders":"","keywords":"Affect (linguistics); Movie theater; Media studies; Sociology; Psychology; Art; Art history; Communication","score_opus":0.1654197546797065,"score_gpt":0.4542650541751521,"score_spread":0.28884529949544563,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300661261","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010111321,0.8922534,0.0006143222,0.028861007,0.0069742664,0.000020594698,0.00006496904,0.000019141891,0.07018105],"genre_scores_gemma":[0.02264448,0.8284633,0.00086695317,0.009321256,0.010069592,0.00010246871,0.00010367687,0.00009085673,0.12833737],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996345,0.00013833963,0.000014642983,0.00004559982,0.000141843,0.000025077712],"domain_scores_gemma":[0.99832124,0.0012199974,0.000083752886,0.00003680865,0.00024702912,0.00009106597],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007936247,0.0005284358,0.00057010294,0.0015674005,0.0018216149,0.0049577663,0.00071906066,0.0016177924,0.012565765],"category_scores_gemma":[0.0021211375,0.00032507675,0.00017702681,0.0022859299,0.0027755257,0.005138178,0.0016674958,0.0031631312,0.002831575],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023947841,0.000047381876,0.00022246028,0.0019845944,0.000013725976,0.00010739835,0.0053736013,0.00016804998,0.00023138133,0.07009425,0.67655575,0.2451775],"study_design_scores_gemma":[0.000003851236,0.000011879284,0.00066558376,0.0020622273,0.000009710265,0.00024652117,0.0026621355,0.000061194965,0.00008416612,0.0068300026,0.987352,0.000010637346],"about_ca_topic_score_codex":0.0083792135,"about_ca_topic_score_gemma":0.020702308,"teacher_disagreement_score":0.012565765,"about_ca_system_score_codex":0.00204721,"about_ca_system_score_gemma":0.0029745644,"threshold_uncertainty_score":0.042036653},"labels":[],"label_agreement":null},{"id":"W4307256259","doi":"10.1386/fm_00226_7","title":"Brechtian Orality in The Journals of Knud Rasmussen","year":2022,"lang":"en","type":"article","venue":"Film Matters","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Orality; Expression (computer science); Film director; Context (archaeology); Reflexivity; Art; Literature; Aesthetics; History; Sociology; Anthropology; Movie theater; Computer science","score_opus":0.046164413447035015,"score_gpt":0.25999299846628526,"score_spread":0.21382858501925026,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4307256259","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24194275,0.015594183,0.003375349,0.02042965,0.0015309026,0.000040322528,0.00011020974,0.000083060426,0.71689355],"genre_scores_gemma":[0.97517395,0.0027148058,0.0005496923,0.00077473,0.00031396304,0.000016365191,0.000023643268,0.000051340434,0.020381471],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99584204,0.0022854614,0.00017270143,0.0003398584,0.001009662,0.00035018765],"domain_scores_gemma":[0.9935447,0.0038580378,0.00089291605,0.0003619911,0.00092293904,0.00041954094],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023532822,0.00023454403,0.00022786963,0.0023181504,0.0057688663,0.0115888165,0.00054947706,0.0012900328,0.0036962563],"category_scores_gemma":[0.010486954,0.0002644609,0.00012858034,0.0015301417,0.014515449,0.0050853468,0.0035068914,0.0018370724,0.00053609314],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008481429,0.000032965963,0.0022853334,0.0002391552,0.00001182317,0.00076781213,0.22671187,0.00020503196,0.000891823,0.732682,0.011727495,0.024359945],"study_design_scores_gemma":[0.00001252905,0.000070361784,0.004825723,0.0009171342,0.000020342573,0.001005944,0.14357467,0.00026594175,0.001862955,0.07508708,0.77228916,0.000068185596],"about_ca_topic_score_codex":0.008855094,"about_ca_topic_score_gemma":0.008709495,"teacher_disagreement_score":0.0115888165,"about_ca_system_score_codex":0.0040614894,"about_ca_system_score_gemma":0.0026498225,"threshold_uncertainty_score":0.029468298},"labels":[],"label_agreement":null},{"id":"W4310810050","doi":"10.56397/jlcs.2022.11.02","title":"Confronting Skam in Each of us in the Critical Media Studies and Cultural Trauma Theories","year":2022,"lang":"en","type":"article","venue":"Journal of Linguistics and Communication Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Mainstream; Shame; Rebuttal; Narrative; Norm (philosophy); Power (physics); Meaning (existential); Epistemology; Dilemma; Psychology; Sociology; Culture theory; Psychoanalysis; Social psychology; Psychotherapist; Law; Philosophy; Political science; Linguistics; Anthropology","score_opus":0.11891363620926935,"score_gpt":0.38116478841193074,"score_spread":0.2622511522026614,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4310810050","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0729309,0.09502598,0.025021045,0.6781452,0.008386721,0.000100346995,0.00006868124,0.00008274306,0.12023844],"genre_scores_gemma":[0.90173244,0.031856753,0.016184624,0.034464087,0.004338378,0.0004539837,0.000028893059,0.00015568548,0.010785023],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9731164,0.022320071,0.0005781366,0.0012808553,0.0017956382,0.00090880564],"domain_scores_gemma":[0.93367267,0.057877313,0.0024520964,0.0020050332,0.002331943,0.0016610204],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.03652917,0.0010937445,0.0011893655,0.0048624543,0.018021854,0.023178188,0.002846961,0.011215006,0.003071428],"category_scores_gemma":[0.030666646,0.0007388298,0.0005664793,0.003481735,0.11090293,0.045140404,0.020804077,0.01377554,0.00048533364],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025175503,0.000033187953,0.0008679201,0.0003345755,0.000015266829,0.0006056491,0.31809527,0.000094437,0.00014284346,0.6606726,0.0046549197,0.014458205],"study_design_scores_gemma":[0.000011870639,0.000045680386,0.0004931229,0.002312914,0.00002044384,0.0008537619,0.5450298,0.00028689468,0.0003195851,0.34721565,0.10336278,0.000047543366],"about_ca_topic_score_codex":0.0044757463,"about_ca_topic_score_gemma":0.011283131,"teacher_disagreement_score":0.03652917,"about_ca_system_score_codex":0.008202126,"about_ca_system_score_gemma":0.008442034,"threshold_uncertainty_score":0.193187},"labels":[],"label_agreement":null},{"id":"W4310892744","doi":"","title":"\"A traveler of both time and space\" : les récits de Led Zeppelin et leur réception au sein d’une communauté en ligne","year":2021,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Ligne; Art; Humanities","score_opus":0.016435712424970363,"score_gpt":0.23180830004987305,"score_spread":0.2153725876249027,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4310892744","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28067052,0.040249374,0.0068505714,0.3918668,0.009808162,0.00006546723,0.00034114518,0.00014672744,0.27000126],"genre_scores_gemma":[0.8915987,0.0058521163,0.0007437251,0.006564312,0.0016690153,0.000069468624,0.000080841346,0.00036024407,0.093061574],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.995574,0.0030467755,0.000062188505,0.00038361474,0.0005248204,0.00040861793],"domain_scores_gemma":[0.99484766,0.0035356113,0.00033793133,0.00016931191,0.0005237036,0.0005858832],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003869084,0.0009775152,0.00056262384,0.0013728603,0.018743124,0.013327956,0.001195962,0.0062434273,0.006345755],"category_scores_gemma":[0.014612312,0.0005429126,0.00030266363,0.001989812,0.015031237,0.007985033,0.007942126,0.012977476,0.001031675],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000121773024,0.00001089489,0.00037464692,0.000099755845,0.0000101900105,0.00084381225,0.79051375,0.00007670035,0.00040362298,0.14916466,0.04848185,0.009898322],"study_design_scores_gemma":[0.00000965515,0.000017896642,0.001275325,0.00027670703,0.000009110374,0.00050142355,0.29397416,0.00009811169,0.00038319855,0.0060078744,0.6974141,0.00003235485],"about_ca_topic_score_codex":0.038510688,"about_ca_topic_score_gemma":0.04343308,"teacher_disagreement_score":0.038510688,"about_ca_system_score_codex":0.010191069,"about_ca_system_score_gemma":0.0037255117,"threshold_uncertainty_score":0.076573074},"labels":[],"label_agreement":null},{"id":"W4312506092","doi":"10.1007/978-3-031-02257-9_19","title":"As Above So Below? Madness and Nonsense in Alice’s Adventures in Wonderland","year":2022,"lang":"en","type":"book-chapter","venue":"","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Nonsense; Adventure; Normative; Interpretation (philosophy); Reading (process); Epistemology; Meaning (existential); Hegemony; Alice (programming language); Psychology; Psychoanalysis; Sociology; Philosophy; Art; Art history; Linguistics; Political science; Law; Politics","score_opus":0.01886284232579407,"score_gpt":0.2260853006030793,"score_spread":0.20722245827728522,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312506092","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1730926,0.0033740017,0.002104208,0.016875908,0.00061334454,0.000028840093,0.00013283432,0.000058625043,0.8037195],"genre_scores_gemma":[0.91228735,0.0005808118,0.0003468065,0.0007963954,0.00008770033,0.000023184153,0.000042215826,0.0000722383,0.08576339],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99888235,0.00061909575,0.000021404896,0.000094605195,0.00011208766,0.00027043762],"domain_scores_gemma":[0.99922323,0.00041183238,0.000075069016,0.00004735415,0.000048260736,0.00019429333],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00086069526,0.0003202867,0.00037031848,0.0006561802,0.013466552,0.008753275,0.00074917154,0.001761261,0.012227526],"category_scores_gemma":[0.0024131392,0.00028257747,0.00030283362,0.0007041553,0.020134762,0.0066268276,0.005575485,0.006674869,0.001069867],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006277246,0.000027773835,0.001208459,0.000060009563,0.000007919196,0.00070095726,0.53331035,0.00005033846,0.00032183094,0.44228244,0.01363149,0.008335688],"study_design_scores_gemma":[0.00001088746,0.000029186192,0.004410013,0.0003013431,0.000015409289,0.00076794066,0.60706866,0.00014276162,0.00045601363,0.06668873,0.3200712,0.000037816953],"about_ca_topic_score_codex":0.011717865,"about_ca_topic_score_gemma":0.038563035,"teacher_disagreement_score":0.013466552,"about_ca_system_score_codex":0.003301638,"about_ca_system_score_gemma":0.0015857319,"threshold_uncertainty_score":0.040905178},"labels":[],"label_agreement":null},{"id":"W4312706369","doi":"10.5334/johd.88","title":"The CONLIT Dataset of Contemporary Literature","year":2022,"lang":"en","type":"article","venue":"Journal of Open Humanities Data","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Elite; Biography; Literature; History; Art","score_opus":0.2284273115647129,"score_gpt":0.3408972242918083,"score_spread":0.11246991272709539,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312706369","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022388652,0.0011249554,0.00021776187,0.00024845672,0.000056927845,0.000057790865,0.9924901,0.0002479977,0.003317005],"genre_scores_gemma":[0.0017611384,0.0003046152,0.0007418054,0.00008508625,0.00002769167,0.00018851698,0.9959629,0.000037120066,0.0008910757],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971751,0.00044549597,0.00057531043,0.0005957326,0.0009179002,0.00029042878],"domain_scores_gemma":[0.9887495,0.0041874303,0.0016871539,0.001471604,0.0028912113,0.0010131283],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018381019,0.0012747967,0.0013581921,0.025075234,0.0016485647,0.0045230547,0.002536519,0.0022943693,0.039627124],"category_scores_gemma":[0.0146458,0.0004839173,0.0008549555,0.028885236,0.00062722183,0.0022418352,0.0033588428,0.0015869953,0.04487808],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012719497,0.000106017455,0.006906373,0.0031401662,0.000060843267,0.00025652617,0.0003044465,0.0003928451,0.00054327544,0.003224214,0.9661364,0.018801663],"study_design_scores_gemma":[0.000096572534,0.000023485103,0.009474726,0.0007281545,0.00003414193,0.00024932798,0.00047265366,0.0004517656,0.00034607018,0.000988518,0.98710465,0.000029881703],"about_ca_topic_score_codex":0.011106856,"about_ca_topic_score_gemma":0.032079577,"teacher_disagreement_score":0.039627124,"about_ca_system_score_codex":0.0021885608,"about_ca_system_score_gemma":0.004117466,"threshold_uncertainty_score":0.13256598},"labels":[],"label_agreement":null},{"id":"W4312793844","doi":"10.7202/1090456ar","title":"The Point of Being de Derrick de Kerckhove et Cristina Miranda de Almeida : Derrick DE KERCKHOVE &amp; Cristina MIRANDA DE ALMEIDA (dir.), The Point of Being, New Castle Upon Tyne, Cambridge Scholars Publishing, 2014, 349 p.","year":2022,"lang":"en","type":"article","venue":"Cygne noir","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.021875316865729508,"score_gpt":0.261388465973012,"score_spread":0.2395131491072825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312793844","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012344002,0.81789106,0.0013365971,0.084056206,0.00991597,0.000021211814,0.00011730738,0.000042328516,0.08538491],"genre_scores_gemma":[0.097555965,0.64561343,0.003263383,0.022606375,0.00960705,0.00019032031,0.00024846202,0.00027205222,0.22064291],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998281,0.0007357885,0.000057441805,0.00027349463,0.0005075866,0.000144671],"domain_scores_gemma":[0.99911696,0.00041404337,0.00013602029,0.00004970224,0.00019664294,0.00008659938],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019672213,0.0011455155,0.0007708175,0.0013698693,0.0036314894,0.007976362,0.001118851,0.003441134,0.014140449],"category_scores_gemma":[0.0032018793,0.0006281745,0.00027830253,0.0023456628,0.009610383,0.0075423317,0.002958433,0.0044742636,0.0047591347],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048188973,0.000022059594,0.00036458662,0.0006616613,0.0000124106755,0.00018071909,0.020431606,0.000074358744,0.00019342933,0.22213942,0.6613391,0.094532475],"study_design_scores_gemma":[0.0000029256446,0.0000043362934,0.00055732764,0.0006274605,0.0000031649815,0.00015323792,0.0033649665,0.00001824513,0.000095580406,0.013198729,0.981962,0.000011955774],"about_ca_topic_score_codex":0.033375084,"about_ca_topic_score_gemma":0.06656243,"teacher_disagreement_score":0.033375084,"about_ca_system_score_codex":0.004357073,"about_ca_system_score_gemma":0.0048265345,"threshold_uncertainty_score":0.066361666},"labels":[],"label_agreement":null},{"id":"W4312963254","doi":"10.51554/col.2015.29030","title":"Historiographic Metafiction: Structural Adaptation of Linda Hutcheon’s Theory as Strategy for Understanding the Poetics of the Historical Novel","year":2015,"lang":"en","type":"article","venue":"Colloquia","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Metafiction; Poetics; Postmodernism; Narrative; Interpretation (philosophy); Literature; Literary theory; History; Aesthetics; Literary criticism; Art; Philosophy; Linguistics; Poetry","score_opus":0.20112669143710343,"score_gpt":0.2806393744884887,"score_spread":0.07951268305138526,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312963254","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.045878574,0.008441784,0.11364578,0.03863324,0.0019144694,0.00027204724,0.00013089138,0.00021389911,0.7908693],"genre_scores_gemma":[0.9096943,0.002975313,0.024562635,0.0023543152,0.0006250648,0.00038438654,0.00009478827,0.00021914336,0.059089992],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99705184,0.0020628097,0.000059066984,0.0003063366,0.00031734558,0.00020255783],"domain_scores_gemma":[0.9970469,0.0019524588,0.00022534137,0.00035128894,0.000265417,0.00015858843],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037540083,0.00059270544,0.0004494028,0.0038204272,0.0057181697,0.009406015,0.0017255454,0.002255833,0.005507605],"category_scores_gemma":[0.0051506776,0.00034319414,0.0004895313,0.0022346887,0.038701292,0.009845913,0.004502334,0.0033334326,0.0005315624],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000052330147,0.000004814065,0.00005167953,0.000019396577,0.0000013581841,0.00005338733,0.016516423,0.00007075526,0.00003740036,0.97971916,0.0010795405,0.0024409203],"study_design_scores_gemma":[0.000015824315,0.000021023876,0.0002522616,0.00032622574,0.000008863253,0.00024175552,0.023332989,0.0009077759,0.00045870972,0.6834681,0.29094952,0.000016986389],"about_ca_topic_score_codex":0.006822814,"about_ca_topic_score_gemma":0.0088443365,"teacher_disagreement_score":0.010241049,"about_ca_system_score_codex":0.010241049,"about_ca_system_score_gemma":0.0054002088,"threshold_uncertainty_score":0.07430434},"labels":[],"label_agreement":null},{"id":"W4316259480","doi":"10.1353/pan.2023.0009","title":"Contemporary French and Francophone Narratology ed. by John Pier","year":2023,"lang":"en","type":"article","venue":"Partial Answers Journal of Literature and the History of Ideas","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narratology; French; Narrative; Novella; Context (archaeology); Sociology; History; Literature; Humanities; Philosophy; Art; Archaeology","score_opus":0.011451669252933188,"score_gpt":0.20123233328907442,"score_spread":0.18978066403614122,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4316259480","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0033694468,0.830474,0.0003754456,0.06393611,0.010080169,0.000015010192,0.00017986319,0.00008341107,0.09148658],"genre_scores_gemma":[0.1220287,0.44742903,0.0009914885,0.02037217,0.013532024,0.00008714853,0.0004470116,0.0003052276,0.3948072],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992797,0.00031687182,0.000024023406,0.00012306772,0.00014097798,0.000115460796],"domain_scores_gemma":[0.9994198,0.00017169614,0.000062091836,0.000017035813,0.00019791379,0.00013155527],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010854236,0.0014832366,0.00058459333,0.0013433485,0.00434594,0.0053219097,0.00050077436,0.0020377492,0.028541401],"category_scores_gemma":[0.001541656,0.00032096682,0.00031254758,0.0017119307,0.002161817,0.0035364642,0.0014361215,0.0017988125,0.007940841],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046289122,0.000019166675,0.00041832242,0.00042557006,0.0000090830745,0.0002609542,0.012746311,0.0000607156,0.00027096205,0.015417419,0.887323,0.08300213],"study_design_scores_gemma":[0.0000011913247,0.000005413316,0.0007350614,0.00033951705,0.0000019024321,0.00020599214,0.0025511493,0.000010083205,0.000027426195,0.00047157082,0.9956448,0.0000059961217],"about_ca_topic_score_codex":0.055457648,"about_ca_topic_score_gemma":0.06963314,"teacher_disagreement_score":0.055457648,"about_ca_system_score_codex":0.0057774982,"about_ca_system_score_gemma":0.0031982134,"threshold_uncertainty_score":0.110269725},"labels":[],"label_agreement":null},{"id":"W4320910574","doi":"10.7202/1096262ar","title":"Translating hierarchy in Hideo Yokoyama’s The Third Deadline","year":2023,"lang":"en","type":"article","venue":"Meta Journal des traducteurs","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hierarchy; Sociocultural evolution; Social hierarchy; Linguistics; Character (mathematics); Sociology; Computer science; Social science; Anthropology; Political science; Law","score_opus":0.08215029690910931,"score_gpt":0.2761392138656129,"score_spread":0.1939889169565036,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320910574","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73637646,0.0017107129,0.03544845,0.018443162,0.0022204514,0.00048099027,0.00019594294,0.000251277,0.20487246],"genre_scores_gemma":[0.9516932,0.0005818107,0.022777256,0.00088440906,0.00009063753,0.00021977701,0.00009163329,0.00016040604,0.023500886],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99810386,0.0012339606,0.00010668499,0.00013341615,0.0002496972,0.0001722798],"domain_scores_gemma":[0.99617296,0.002017707,0.0003087408,0.0003815655,0.0007305905,0.00038850316],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038286662,0.00046151763,0.00031060132,0.0008446054,0.007943452,0.004166563,0.00066555006,0.0012553995,0.0036381986],"category_scores_gemma":[0.007097689,0.0003040333,0.00032139855,0.0009213138,0.004735784,0.0035857076,0.0050432463,0.002121294,0.0005772738],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007636312,0.00006761791,0.0018776353,0.00036451206,0.000005605815,0.0017806449,0.8850265,0.00014637932,0.0037794432,0.06500376,0.010591197,0.03128032],"study_design_scores_gemma":[0.000034943445,0.00020096372,0.004254404,0.00047324473,0.000031798565,0.000991354,0.48997843,0.0013115071,0.0042098607,0.013177374,0.48527518,0.00006102556],"about_ca_topic_score_codex":0.006916852,"about_ca_topic_score_gemma":0.019467842,"teacher_disagreement_score":0.007943452,"about_ca_system_score_codex":0.0041098963,"about_ca_system_score_gemma":0.0032880204,"threshold_uncertainty_score":0.029819489},"labels":[],"label_agreement":null},{"id":"W4321445675","doi":"10.4324/9781003161585","title":"Fictionality","year":2023,"lang":"en","type":"book","venue":"","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Victoria Park","funders":"","keywords":"Philosophy","score_opus":0.06625100101714744,"score_gpt":0.24277654652050654,"score_spread":0.17652554550335908,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321445675","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020312513,0.007641451,0.0021896034,0.006648708,0.001655246,0.00002781607,0.000055885175,0.000052610936,0.9796975],"genre_scores_gemma":[0.2915961,0.01368312,0.0038585297,0.0105143385,0.0035896746,0.0001552261,0.00039830513,0.0002543217,0.6759504],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9974101,0.0011859365,0.00006440855,0.00031797716,0.0007921409,0.00022938995],"domain_scores_gemma":[0.9975611,0.0013553487,0.00014262198,0.00037969364,0.0004072908,0.00015399377],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012375178,0.0006919219,0.0004593777,0.0018669456,0.004740644,0.009627708,0.0009868504,0.0021376223,0.024058316],"category_scores_gemma":[0.0062395856,0.00019241619,0.0004332958,0.0015550177,0.016884262,0.008493415,0.0044780904,0.0036240038,0.004996186],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005310324,0.000007339801,0.000074441006,0.00011175579,0.000003089793,0.0000870962,0.006066091,0.00005365759,0.000084539955,0.9409267,0.03720507,0.015374963],"study_design_scores_gemma":[0.0000017011731,0.0000072853745,0.00011846715,0.00019560973,0.000002297667,0.00020498942,0.0014576274,0.000050073344,0.00008459201,0.06782481,0.9300475,0.0000049689943],"about_ca_topic_score_codex":0.0020513253,"about_ca_topic_score_gemma":0.002338078,"teacher_disagreement_score":0.024058316,"about_ca_system_score_codex":0.0044998196,"about_ca_system_score_gemma":0.0023214226,"threshold_uncertainty_score":0.08048308},"labels":[],"label_agreement":null},{"id":"W4322763031","doi":"10.33137/rr.v45i3.40471","title":"Schurman, Anna Maria van. Letters and Poems to and from Her Mentor and Other Members of Her Circle. Ed. and trans. Anne R. Larsen and Steve Maiullo","year":2023,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Performance art; Art history; Literature","score_opus":0.019635756570199732,"score_gpt":0.2333986236253816,"score_spread":0.21376286705518188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4322763031","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021704554,0.35251117,0.0025048037,0.38760048,0.023706893,0.00005952534,0.0006361871,0.00045706742,0.23035331],"genre_scores_gemma":[0.051308237,0.127871,0.0021288395,0.029045932,0.0069502806,0.00014620753,0.00032628988,0.0006344277,0.7815888],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99794155,0.0010296474,0.000069917194,0.0001848325,0.00061536056,0.0001585991],"domain_scores_gemma":[0.99683374,0.0010594653,0.0002821601,0.00011360119,0.0011619213,0.0005491747],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017596831,0.0013639078,0.00057744054,0.0015514902,0.0060976516,0.0040288926,0.0012960001,0.0027958374,0.07619171],"category_scores_gemma":[0.008165048,0.000603876,0.00044634388,0.001615558,0.0030553886,0.0072208275,0.001990401,0.004064957,0.044757098],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002492331,0.000006796936,0.00012809818,0.0000988155,0.0000032152288,0.000070836104,0.002105165,0.000026041977,0.000116094496,0.0064495495,0.9576323,0.033338238],"study_design_scores_gemma":[0.0000034963632,0.0000098228265,0.00031806197,0.00022735048,0.000002508561,0.00012301456,0.002974604,0.000022550947,0.00012354644,0.0029395015,0.99324644,0.000009121857],"about_ca_topic_score_codex":0.015422039,"about_ca_topic_score_gemma":0.05189902,"teacher_disagreement_score":0.07619171,"about_ca_system_score_codex":0.0025639995,"about_ca_system_score_gemma":0.003168401,"threshold_uncertainty_score":0.2548867},"labels":[],"label_agreement":null},{"id":"W4323660866","doi":"10.33137/ic.v18i.40227","title":"Some Drifting Thoughts on Narrative Complexity in the Fiction of Peter Oliva","year":2023,"lang":"en","type":"article","venue":"Italian Canadiana","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Narrative; Literature; Art; History; Aesthetics","score_opus":0.08216911248248382,"score_gpt":0.27265610242954363,"score_spread":0.19048698994705981,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323660866","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0717546,0.05089704,0.020307053,0.23605455,0.004477813,0.00010842535,0.00037676372,0.00015467226,0.6158691],"genre_scores_gemma":[0.9309154,0.008345127,0.004297814,0.007768962,0.0036859326,0.00009766939,0.00015082675,0.00026184486,0.04447646],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962525,0.0025057436,0.00005995552,0.00032478574,0.00047367538,0.0003834627],"domain_scores_gemma":[0.9910392,0.007213143,0.00033829093,0.0002564942,0.00079032156,0.00036255058],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004413867,0.000982952,0.00072775455,0.0056426497,0.016611854,0.016454564,0.0019524363,0.0034972678,0.0057758605],"category_scores_gemma":[0.012337129,0.00042099797,0.0005319379,0.0038460735,0.045415767,0.009652714,0.0042341338,0.007307034,0.00048394338],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021108002,0.0000062662048,0.00014049333,0.00006795077,0.000006851785,0.00023385798,0.09578157,0.00020683704,0.00006168354,0.88439715,0.015843827,0.0032323515],"study_design_scores_gemma":[0.000010402442,0.0000134692855,0.0009268255,0.00056581217,0.000016937407,0.0003472903,0.11642104,0.00079827616,0.00026512204,0.2824802,0.59810007,0.00005451072],"about_ca_topic_score_codex":0.08760463,"about_ca_topic_score_gemma":0.101223916,"teacher_disagreement_score":0.91239536,"about_ca_system_score_codex":0.02120218,"about_ca_system_score_gemma":0.003714299,"threshold_uncertainty_score":0.17418945},"labels":[],"label_agreement":null},{"id":"W4328007195","doi":"10.7202/1097193ar","title":"Du Mésolithique à l’Anthropocène. La fiction environnementale à l’épreuve de l’imagination scientifique dans Doggerland d’Élisabeth Filhol","year":2023,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.030791683921869067,"score_gpt":0.26320320841901573,"score_spread":0.23241152449714667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4328007195","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4591212,0.030540852,0.0053517176,0.025073234,0.00080820586,0.000068486734,0.00023826718,0.000047959173,0.47875008],"genre_scores_gemma":[0.96501464,0.0046494026,0.0007361919,0.00043555864,0.00013725697,0.000030193016,0.00003742818,0.000027974462,0.028931364],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99902534,0.00045753867,0.000023571363,0.00014095272,0.00017264766,0.00017994101],"domain_scores_gemma":[0.9981914,0.0012533932,0.00018892241,0.00013950352,0.00011429943,0.00011239042],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018039406,0.00038759323,0.00021602047,0.0017933806,0.010042731,0.006186241,0.00049709145,0.0013250831,0.006352289],"category_scores_gemma":[0.002828012,0.00018764654,0.00015560888,0.001736955,0.019516185,0.0035223004,0.0037315146,0.0018514919,0.0004974313],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009176964,0.000023371003,0.005065397,0.00025920945,0.000009315726,0.0012699581,0.47808394,0.00023853876,0.0008669725,0.46623793,0.004857946,0.042995643],"study_design_scores_gemma":[0.0000079033825,0.000053274493,0.013034931,0.00075778685,0.000011488129,0.0006942462,0.18742217,0.00015535131,0.0012491428,0.03292679,0.76366806,0.000018950912],"about_ca_topic_score_codex":0.015660856,"about_ca_topic_score_gemma":0.04857892,"teacher_disagreement_score":0.015660856,"about_ca_system_score_codex":0.009132249,"about_ca_system_score_gemma":0.0041849716,"threshold_uncertainty_score":0.066259444},"labels":[],"label_agreement":null},{"id":"W4360745466","doi":"10.1093/jaac/kpad020","title":"Nested Types and Musical Flexibility","year":2023,"lang":"en","type":"article","venue":"Journal of Aesthetics and Art Criticism","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Musical; Flexibility (engineering); Criticism; Art history; Art; History; Visual arts; Literature; Management; Economics","score_opus":0.03818615023927672,"score_gpt":0.27289459781785563,"score_spread":0.23470844757857892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4360745466","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09333704,0.0046937657,0.039750207,0.008817961,0.0009838239,0.00004756895,0.0001472997,0.00017051576,0.85205185],"genre_scores_gemma":[0.9622702,0.0010419927,0.005051522,0.00055500324,0.00034895493,0.000032378473,0.00006911301,0.00011792318,0.030512962],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9979079,0.0009585456,0.00008941979,0.00030970116,0.00054182054,0.00019256501],"domain_scores_gemma":[0.9961635,0.0019805038,0.0004570763,0.00066586083,0.00034253584,0.00039065134],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017819675,0.000352762,0.0002519291,0.0013805341,0.0024381762,0.0066947946,0.00062169164,0.00089272443,0.019610226],"category_scores_gemma":[0.008910214,0.00023792502,0.00034846488,0.0013843133,0.013426922,0.008630182,0.0046595023,0.0020350213,0.0014510675],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055950066,0.000010103032,0.0009100992,0.0000563791,0.00000918736,0.00011141408,0.009887253,0.00025907095,0.0004440332,0.96921575,0.003538167,0.0155027695],"study_design_scores_gemma":[0.000028490296,0.00003923271,0.003744838,0.00028949196,0.000017509798,0.0006416681,0.012175758,0.00083206006,0.0004221157,0.8223009,0.15947461,0.00003340887],"about_ca_topic_score_codex":0.0012866711,"about_ca_topic_score_gemma":0.0018324013,"teacher_disagreement_score":0.019610226,"about_ca_system_score_codex":0.0017516969,"about_ca_system_score_gemma":0.0008193787,"threshold_uncertainty_score":0.06560272},"labels":[],"label_agreement":null},{"id":"W4362726704","doi":"10.1353/rmc.2022.0024","title":"Intermedial microtexts in the Anthropocene. From Aesthetics to Ethics","year":2022,"lang":"en","type":"article","venue":"Romance notes","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Anthropocene; Posthuman; Aesthetics; Agency (philosophy); Semiotics; Semiosis; Posthumanism; Visibility; Sociology; Art; Environmental ethics; Philosophy; Epistemology; Geography; Social science","score_opus":0.05753941111191469,"score_gpt":0.29079787326450696,"score_spread":0.23325846215259227,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4362726704","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1380938,0.018334432,0.036803022,0.019697623,0.00057091867,0.00009184454,0.00007159917,0.00014146666,0.7861952],"genre_scores_gemma":[0.9666149,0.0021662202,0.0031153704,0.00037683366,0.0001480054,0.000067870664,0.000020503287,0.00008167573,0.027408771],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973316,0.0018809992,0.000056857672,0.00019426647,0.00033382166,0.0002024642],"domain_scores_gemma":[0.99760747,0.0014817436,0.00022550698,0.00035783486,0.0001248549,0.00020255265],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028692055,0.00053990196,0.00027182346,0.0022914142,0.0069214427,0.0093106935,0.00084176555,0.001589651,0.0075273197],"category_scores_gemma":[0.0037109882,0.00028597043,0.00023496973,0.0018661363,0.062171187,0.0110859005,0.0069924267,0.0028193144,0.0005358926],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009710353,0.00000530093,0.00021508863,0.000040048893,0.0000022670336,0.00018583419,0.10831862,0.0000953472,0.0001304041,0.8849195,0.0009017612,0.0051760855],"study_design_scores_gemma":[0.000010812734,0.000028732888,0.0010653539,0.00038014684,0.0000068160994,0.0007224236,0.14102519,0.00033353674,0.00047601332,0.48548692,0.37044644,0.00001758924],"about_ca_topic_score_codex":0.003100213,"about_ca_topic_score_gemma":0.0051322435,"teacher_disagreement_score":0.0093106935,"about_ca_system_score_codex":0.0050715413,"about_ca_system_score_gemma":0.001820236,"threshold_uncertainty_score":0.03679675},"labels":[],"label_agreement":null},{"id":"W4367850143","doi":"10.3138/topia-2022-0036","title":"Sitting in Narrative: Second-Person Narration in Dionne Brand’s <i>Map</i>","year":2023,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Biography; Literature; Redress; History; Psychology; Sociology; Aesthetics; Art","score_opus":0.06751132531587913,"score_gpt":0.28187458649221536,"score_spread":0.21436326117633625,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367850143","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43480778,0.010450723,0.008553078,0.035042554,0.0013916036,0.000054075528,0.00021337371,0.00013535465,0.50935143],"genre_scores_gemma":[0.97129154,0.0010828952,0.00082570786,0.0014762079,0.00011751057,0.000018360213,0.000030865325,0.0000793536,0.02507747],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99737096,0.0018710613,0.000035737306,0.00022528501,0.00026596122,0.00023090105],"domain_scores_gemma":[0.9975145,0.0016548992,0.00020066004,0.0001464609,0.00019368861,0.00028980154],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019264449,0.0005396925,0.0002543649,0.0012483876,0.011143346,0.011345727,0.00076237053,0.0026030082,0.0038865122],"category_scores_gemma":[0.0046135406,0.00030688403,0.00022102513,0.0012085544,0.020679327,0.006764889,0.0044440697,0.0037966915,0.0005235476],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000238834,0.000008771418,0.00054481777,0.0000423281,0.0000045516067,0.00055596384,0.9229804,0.000040863324,0.00032452933,0.066944346,0.0053680236,0.0031614306],"study_design_scores_gemma":[0.00000654544,0.000024891036,0.0015622734,0.00022372173,0.000009534092,0.0011903844,0.5706763,0.00019727752,0.00091245736,0.011297674,0.41386142,0.000037454924],"about_ca_topic_score_codex":0.023568455,"about_ca_topic_score_gemma":0.046770036,"teacher_disagreement_score":0.023568455,"about_ca_system_score_codex":0.006876756,"about_ca_system_score_gemma":0.0013199622,"threshold_uncertainty_score":0.04989457},"labels":[],"label_agreement":null},{"id":"W4376111857","doi":"10.1017/9781009296540.008","title":"Hypercurrency and the Sensation Novel","year":2023,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Sensation; Psychology; Cognitive psychology","score_opus":0.04703934781303732,"score_gpt":0.18862600582449843,"score_spread":0.14158665801146111,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4376111857","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0052392636,0.006161345,0.0039863554,0.006147734,0.0005788302,0.000009834398,0.000040881732,0.000110890505,0.9777249],"genre_scores_gemma":[0.53901416,0.005243793,0.0018346396,0.0027719326,0.0008923881,0.000060440445,0.00008914562,0.0002921774,0.44980133],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949014,0.00023816443,0.000012795105,0.000057589426,0.00014114882,0.000060087754],"domain_scores_gemma":[0.99959725,0.00020441819,0.00002423396,0.00007564938,0.000053314787,0.00004527422],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000736649,0.00036192356,0.00024851924,0.00062123,0.0021332207,0.0061079334,0.0005949805,0.0012529638,0.02790203],"category_scores_gemma":[0.0015804943,0.00014873335,0.00023760197,0.0006985488,0.008317379,0.006051665,0.0023930091,0.0025651862,0.002839558],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000073904953,0.000003390004,0.00001402919,0.00002548825,8.6587136e-7,0.000037035068,0.0020166829,0.000040315063,0.0000840097,0.9820504,0.010199916,0.005520478],"study_design_scores_gemma":[0.000007684807,0.000014462237,0.00014337592,0.00014011408,0.0000033715473,0.00021308319,0.002892907,0.00034582758,0.00042018574,0.34751967,0.64828867,0.0000107033375],"about_ca_topic_score_codex":0.00176678,"about_ca_topic_score_gemma":0.0024091273,"teacher_disagreement_score":0.02790203,"about_ca_system_score_codex":0.0027341037,"about_ca_system_score_gemma":0.0010137554,"threshold_uncertainty_score":0.09334159},"labels":[],"label_agreement":null},{"id":"W4379030575","doi":"10.1386/public_00156_4","title":"Review of Moving or Being Moved (2020) by Sabine Gruffat","year":2023,"lang":"en","type":"article","venue":"Public","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"History","score_opus":0.03869163902809372,"score_gpt":0.2611963826019393,"score_spread":0.22250474357384556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379030575","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000034157343,0.94865245,0.00007494279,0.03005297,0.015378554,0.000012334062,0.00006234302,0.000015378972,0.0057169334],"genre_scores_gemma":[0.0016259425,0.9561233,0.0002660884,0.019221772,0.010611091,0.00005247053,0.00014364666,0.000045212495,0.011910544],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99404585,0.0021964712,0.00046872644,0.00045639795,0.0024920085,0.00034046016],"domain_scores_gemma":[0.9782642,0.0066892267,0.0013802097,0.00047868383,0.011779299,0.0014083772],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010516867,0.0011210857,0.0016210004,0.0065466166,0.0015983598,0.0056487797,0.0022993772,0.004704285,0.021343399],"category_scores_gemma":[0.024546774,0.0008502525,0.00074684527,0.0058883913,0.0033564493,0.0072296895,0.0031439385,0.0061875987,0.014827929],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018220857,0.0000053041194,0.00003564162,0.002720248,0.000014777473,0.000025642114,0.0001468361,0.00003935529,0.000032760658,0.0044075036,0.91309416,0.07945959],"study_design_scores_gemma":[0.000004546888,0.000008261618,0.00014424337,0.003967495,0.000009436064,0.00005428687,0.000104022096,0.0000065793474,0.000021240397,0.00066088,0.9950113,0.000007751811],"about_ca_topic_score_codex":0.017768353,"about_ca_topic_score_gemma":0.02247924,"teacher_disagreement_score":0.021343399,"about_ca_system_score_codex":0.0071921675,"about_ca_system_score_gemma":0.012899994,"threshold_uncertainty_score":0.07140082},"labels":[],"label_agreement":null},{"id":"W4379470604","doi":"10.5430/wjel.v13n6p270","title":"Narrative Time in Suzanne Collins’ The Hunger Games: A Genettian Perspective","year":2023,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Narratology; Perspective (graphical); Narrative structure; Bridging (networking); Order (exchange); Narrative network; Focus (optics); Computer science; Epistemology; Narrative inquiry; Sociology; Narrative criticism; Literature; Art; Philosophy; Artificial intelligence; Physics","score_opus":0.011900405062917535,"score_gpt":0.24782194542720218,"score_spread":0.23592154036428464,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379470604","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37451273,0.01721255,0.017531903,0.040917147,0.0011296353,0.000082778046,0.0001286189,0.00007630396,0.5484084],"genre_scores_gemma":[0.9838914,0.0017458919,0.0012450273,0.0007541163,0.00011362793,0.000037207366,0.000018354873,0.000029262661,0.0121649485],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99817383,0.0013851392,0.000022902163,0.00011090918,0.00014424014,0.00016307368],"domain_scores_gemma":[0.9986089,0.00097033393,0.00013969264,0.000044647342,0.00009878984,0.0001377624],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020432442,0.0005258096,0.00023849781,0.002065364,0.0075116656,0.0075267996,0.0007807256,0.002001377,0.001961924],"category_scores_gemma":[0.0032636593,0.00022819053,0.00015464064,0.001133684,0.023503816,0.0061421716,0.0037287357,0.0021670517,0.00024198745],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027994267,0.000012873942,0.00053691975,0.00005086565,0.0000032658634,0.00045373815,0.2643777,0.00014396581,0.00017866823,0.7265983,0.0027776058,0.0048380764],"study_design_scores_gemma":[0.000018566232,0.000055011347,0.0019982513,0.00041789148,0.000010941132,0.0008812667,0.38035044,0.0006329884,0.0007470802,0.13742459,0.477424,0.000039042046],"about_ca_topic_score_codex":0.010847809,"about_ca_topic_score_gemma":0.017245468,"teacher_disagreement_score":0.010847809,"about_ca_system_score_codex":0.0065372144,"about_ca_system_score_gemma":0.0015460522,"threshold_uncertainty_score":0.04743105},"labels":[],"label_agreement":null},{"id":"W4382771746","doi":"10.1093/mind/fzac071","title":"What Is It like to Have a Gender Identity?","year":2023,"lang":"en","type":"article","venue":"Mind","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":23,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Subjectivity; Identity (music); Gender identity; Gender psychology; Psychology; Identity formation; Social psychology; Epistemology; Sociology; Gender studies; Self-concept; Aesthetics; Philosophy","score_opus":0.10293850530255945,"score_gpt":0.3146458872552806,"score_spread":0.21170738195272115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382771746","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29007575,0.006383405,0.032414652,0.08680813,0.0028316628,0.0001082419,0.00033792786,0.00015427751,0.580886],"genre_scores_gemma":[0.98534125,0.0011519436,0.0022710594,0.0029756029,0.00015286636,0.000034052802,0.000063620464,0.000047966398,0.007961672],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9955318,0.00346886,0.0000852265,0.00021474033,0.00047707104,0.0002222466],"domain_scores_gemma":[0.99599874,0.0020718153,0.00052526523,0.00032941494,0.0004814417,0.00059336773],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0051777596,0.000372994,0.00031845737,0.00092738145,0.0048958203,0.0072953254,0.0005651232,0.0014286429,0.006761417],"category_scores_gemma":[0.008806654,0.00016137984,0.00025383238,0.0006880613,0.022829847,0.0067998497,0.0019762528,0.0027089757,0.0011197473],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064258544,0.000034908855,0.0035556487,0.00014487683,0.000019010919,0.00035010293,0.26778507,0.00015229745,0.00088337646,0.69239557,0.015591532,0.019023307],"study_design_scores_gemma":[0.000017998182,0.00011283676,0.0035206166,0.00081558106,0.00002942114,0.0009867318,0.39163357,0.0005972874,0.0014827241,0.2600603,0.34068826,0.00005461333],"about_ca_topic_score_codex":0.0017249814,"about_ca_topic_score_gemma":0.0016488102,"teacher_disagreement_score":0.0072953254,"about_ca_system_score_codex":0.0020213865,"about_ca_system_score_gemma":0.00089468306,"threshold_uncertainty_score":0.02738297},"labels":[],"label_agreement":null},{"id":"W4385313357","doi":"10.1515/9780773568563-fm","title":"Front Matter","year":2000,"lang":"en","type":"paratext","venue":"McGill-Queen's University Press eBooks","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill-Queen's University Press","funders":"","keywords":"Front (military); Physics; Meteorology","score_opus":0.016268719734179822,"score_gpt":0.20151802699177832,"score_spread":0.1852493072575985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385313357","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00074814144,0.0032710463,0.00063710264,0.0047941753,0.002034905,0.000035847996,0.0008317618,0.0003615039,0.98728555],"genre_scores_gemma":[0.004324893,0.0024557486,0.00040437418,0.0017085578,0.00042337534,0.000022108114,0.0006064681,0.00019323698,0.98986137],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993693,0.00006934598,0.000034604993,0.00020825324,0.00021629338,0.000102228136],"domain_scores_gemma":[0.99914455,0.00020786992,0.000054837634,0.00010048377,0.0002451648,0.00024712674],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00039532865,0.0009256561,0.00071790285,0.0012931986,0.0020780843,0.006299348,0.0012873674,0.004249429,0.8239401],"category_scores_gemma":[0.0023514077,0.00026121922,0.00040291884,0.0012447863,0.00095149665,0.0031659657,0.0028358772,0.0013920274,0.7638736],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060077313,0.000045973517,0.00067322265,0.00041510706,0.000007992155,0.00046940128,0.00028640064,0.000098492725,0.000628436,0.02564242,0.7323577,0.23931478],"study_design_scores_gemma":[0.0000035686667,0.0000068581394,0.0002800812,0.000103191676,0.0000012000493,0.00016461966,0.00012913458,0.00004172427,0.00008288158,0.0015342837,0.9976495,0.000002906354],"about_ca_topic_score_codex":0.0018657481,"about_ca_topic_score_gemma":0.003319677,"teacher_disagreement_score":0.1760599,"about_ca_system_score_codex":0.0012183024,"about_ca_system_score_gemma":0.0012786284,"threshold_uncertainty_score":0.25112808},"labels":[],"label_agreement":null},{"id":"W4385527093","doi":"10.1515/9780773568877","title":"Women and Narrative Identity","year":2001,"lang":"en","type":"book","venue":"McGill-Queen's University Press eBooks","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":23,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Identity (music); Gender studies; Art; Genealogy; Sociology; History; Literature; Aesthetics","score_opus":0.01871253932823248,"score_gpt":0.20333210257451206,"score_spread":0.1846195632462796,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385527093","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023110548,0.027264955,0.0018518392,0.021021308,0.0008407226,0.000033175995,0.00005130745,0.000034496818,0.92579174],"genre_scores_gemma":[0.6922063,0.011438331,0.0010434582,0.0046875062,0.0004128859,0.00010239934,0.00005166054,0.000073532705,0.289984],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99816763,0.0012564319,0.00002720144,0.00015547658,0.00017087163,0.00022234255],"domain_scores_gemma":[0.99913496,0.00041188378,0.000094691124,0.000074349584,0.00008260399,0.0002014894],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018271705,0.0005234173,0.0003019051,0.001020988,0.010377638,0.012665391,0.0008192643,0.0017110175,0.0084705725],"category_scores_gemma":[0.0023901023,0.000171252,0.00023403762,0.0011221765,0.030846473,0.0070151365,0.005152183,0.0020967578,0.001204778],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016692984,0.000015859196,0.0005899558,0.00006030558,0.0000038169806,0.00017101211,0.12945998,0.000038732847,0.000061242754,0.8373441,0.016432773,0.015805602],"study_design_scores_gemma":[0.000008669838,0.000018168212,0.0008825593,0.00046657558,0.0000064512997,0.00027224718,0.11538495,0.000059235048,0.00013328243,0.13700214,0.74575686,0.000008931035],"about_ca_topic_score_codex":0.014687276,"about_ca_topic_score_gemma":0.01949403,"teacher_disagreement_score":0.014687276,"about_ca_system_score_codex":0.0068409494,"about_ca_system_score_gemma":0.004851122,"threshold_uncertainty_score":0.049634755},"labels":[],"label_agreement":null},{"id":"W4385837520","doi":"10.1163/25897616-bja10062","title":"Gin, Tonic, and Other Delicious Combinations","year":2023,"lang":"en","type":"article","venue":"Simone de Beauvoir Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Metaphor; Ambiguity; Plural; Legitimacy; Embodied cognition; Narrative; Style (visual arts); Epistemology; Sociology; Linguistics; Aesthetics; Literature; Philosophy; Art; Law; Political science","score_opus":0.09647986652239474,"score_gpt":0.32989489623712415,"score_spread":0.2334150297147294,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385837520","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07050143,0.0014066066,0.017183822,0.0022231282,0.00064896967,0.000101720456,0.0002818826,0.00021776259,0.90743476],"genre_scores_gemma":[0.9034456,0.0007018418,0.010921323,0.00063208636,0.00015148951,0.0000828788,0.00022464538,0.00045290677,0.08338712],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988881,0.0005951873,0.000038425373,0.00015485102,0.0002077383,0.00011566479],"domain_scores_gemma":[0.9994523,0.00018265758,0.000050137656,0.00013746621,0.000078649246,0.00009880531],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009833851,0.00057893374,0.00042325768,0.0010831383,0.0029024305,0.0034641542,0.00058536837,0.00060107664,0.019813115],"category_scores_gemma":[0.0025137032,0.00021421247,0.00025362335,0.0012330278,0.003945158,0.0036075758,0.0038091997,0.0017775699,0.002332204],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002620129,0.000025208483,0.0011218963,0.00020234202,0.000018940154,0.0004464903,0.031473834,0.0001448743,0.0030267742,0.9069497,0.014693514,0.04163445],"study_design_scores_gemma":[0.000038623635,0.00012982627,0.0017554641,0.0003803207,0.000037277954,0.0013455395,0.027070843,0.00083663414,0.0014954816,0.17411314,0.7927605,0.000036278463],"about_ca_topic_score_codex":0.000987386,"about_ca_topic_score_gemma":0.00332435,"teacher_disagreement_score":0.019813115,"about_ca_system_score_codex":0.00097078085,"about_ca_system_score_gemma":0.00046784774,"threshold_uncertainty_score":0.0662815},"labels":[],"label_agreement":null},{"id":"W4385857103","doi":"10.1093/alh/ajad137","title":"Hayden White, <i>The Ethics of Narrative: Essays on History, Literature, and Theory</i>, Volume 1, edited by Robert Doran","year":2023,"lang":"en","type":"article","venue":"American Literary History","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"White (mutation); Narrative; Volume (thermodynamics); History; Philosophy; Sociology; Linguistics; Thermodynamics; Chemistry; Physics","score_opus":0.015500035428704489,"score_gpt":0.2273187252646847,"score_spread":0.2118186898359802,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385857103","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000808664,0.8379178,0.001085347,0.08697266,0.013279986,0.00003784109,0.00016131428,0.000037160036,0.05969926],"genre_scores_gemma":[0.044877823,0.7274099,0.0017814998,0.047604635,0.013066993,0.00024551485,0.00022230478,0.00019391303,0.1645974],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982993,0.000803572,0.00007760894,0.00023505997,0.00049323455,0.00009123183],"domain_scores_gemma":[0.99763036,0.0016064676,0.0001463419,0.00006758922,0.00042134913,0.00012780173],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002281408,0.0014023634,0.00082937226,0.0017410849,0.00561595,0.0066090566,0.0014877121,0.0043697157,0.008665239],"category_scores_gemma":[0.005931204,0.000650944,0.00036567106,0.0031601137,0.005873243,0.012288267,0.0019486053,0.0049217283,0.0023618685],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024991416,0.00002614441,0.00016126601,0.00044025687,0.000009055366,0.000042962645,0.005489671,0.000047960664,0.000107309694,0.116837494,0.85228133,0.02453164],"study_design_scores_gemma":[0.000011844328,0.000007818304,0.00074388366,0.0011669999,0.000008670025,0.00006385025,0.0057238624,0.000041441857,0.00016106143,0.042119443,0.94993734,0.000013726865],"about_ca_topic_score_codex":0.03730114,"about_ca_topic_score_gemma":0.077333264,"teacher_disagreement_score":0.03730114,"about_ca_system_score_codex":0.0038240387,"about_ca_system_score_gemma":0.006514153,"threshold_uncertainty_score":0.074168086},"labels":[],"label_agreement":null},{"id":"W4386515233","doi":"10.1515/9780888648068-005","title":"Preface: “Storywork”: Foundations","year":2013,"lang":"en","type":"book-chapter","venue":"University of Alberta Press eBooks","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Philosophy","score_opus":0.03856723834472598,"score_gpt":0.18963751032483797,"score_spread":0.151070271980112,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386515233","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0041660205,0.018439284,0.0029991302,0.1176826,0.017344875,0.00017667381,0.0011520223,0.00027915722,0.8377602],"genre_scores_gemma":[0.112363674,0.012877651,0.0019714553,0.034793466,0.005105036,0.00016397261,0.00064887904,0.0003949862,0.8316809],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935406,0.00014470928,0.000008733123,0.00006435961,0.0002806574,0.00014753077],"domain_scores_gemma":[0.99897075,0.0002403886,0.000038564467,0.000044441902,0.0004791187,0.0002267288],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00083798985,0.0005772873,0.0002933474,0.0011072916,0.012669624,0.006453093,0.00122233,0.001734724,0.028607687],"category_scores_gemma":[0.0028080668,0.00017943454,0.00021467925,0.0015911282,0.0069391504,0.0034531655,0.0020896113,0.004982804,0.005568029],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000092581895,0.0000071746163,0.000110298526,0.00005243806,9.895331e-7,0.00021334874,0.013017344,0.00005879509,0.00007735392,0.0890731,0.8845056,0.012874242],"study_design_scores_gemma":[6.553214e-7,0.0000012551377,0.0001785272,0.00010346462,5.2226056e-7,0.000096313895,0.005923844,0.000019663283,0.000037584243,0.0031421972,0.9904918,0.0000041228036],"about_ca_topic_score_codex":0.5766644,"about_ca_topic_score_gemma":0.69006455,"teacher_disagreement_score":0.5766644,"about_ca_system_score_codex":0.025679069,"about_ca_system_score_gemma":0.013366898,"threshold_uncertainty_score":0.85165745},"labels":[],"label_agreement":null},{"id":"W4386846890","doi":"10.1007/s11406-023-00685-2","title":"Confusing Narratives","year":2023,"lang":"en","type":"article","venue":"Philosophia","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Campion College; University of Regina","funders":"","keywords":"Narrative; Mistake; Plot (graphics); Philosophy of science; Philosophy of language; Epistemology; Philosophy of mind; Relation (database); Cognition; Philosophy; Sociology; Psychology; Linguistics; Metaphysics; Computer science; Political science; Mathematics; Law","score_opus":0.09360523011308103,"score_gpt":0.2731266248958369,"score_spread":0.17952139478275586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386846890","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.045294512,0.010763346,0.11139229,0.075231366,0.0040702424,0.00020120107,0.0006037932,0.00041463762,0.75202864],"genre_scores_gemma":[0.86479443,0.0043562413,0.01712832,0.0075506642,0.0015116155,0.00038122613,0.0004577546,0.0006115878,0.10320808],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.98397464,0.011393069,0.00052472355,0.0012083389,0.0021766783,0.00072259665],"domain_scores_gemma":[0.9797422,0.013676411,0.0014865912,0.0025949813,0.0018970873,0.00060276716],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008538314,0.0012325817,0.00064487226,0.00548897,0.009287864,0.020963203,0.0019556745,0.004142534,0.020361314],"category_scores_gemma":[0.035765618,0.0006329429,0.0005253637,0.0045514815,0.039662834,0.028172696,0.012199992,0.007485946,0.0033810523],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000074696436,0.0000028318248,0.0000712154,0.000037541624,0.000003560434,0.00008173394,0.029193506,0.000040761737,0.00004584465,0.96270686,0.0040904423,0.003718199],"study_design_scores_gemma":[0.000006922308,0.00000558546,0.000110686495,0.0003290085,0.000009474838,0.00037813306,0.047083326,0.00034158296,0.00033756142,0.6340663,0.31731823,0.000013207268],"about_ca_topic_score_codex":0.0018283918,"about_ca_topic_score_gemma":0.0017537051,"teacher_disagreement_score":0.020963203,"about_ca_system_score_codex":0.0053731645,"about_ca_system_score_gemma":0.0035210387,"threshold_uncertainty_score":0.06811535},"labels":[],"label_agreement":null},{"id":"W4386940202","doi":"10.7202/1105868ar","title":"Márta Grabócz, dir. 2021. Narratologie musicale : topiques, théories et stratégies analytiques. Paris : Hermann Éditeurs, 567 p. ISBN 979-1-0370-0637-0","year":2023,"lang":"fr","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.03186781428999798,"score_gpt":0.2614678577758611,"score_spread":0.22960004348586316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386940202","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00085349864,0.86582446,0.0034541998,0.032485664,0.013629172,0.00004413009,0.0016930894,0.00037683544,0.08163892],"genre_scores_gemma":[0.020471686,0.584331,0.0058237924,0.0036012973,0.00671419,0.00017809676,0.0023137918,0.0010015646,0.37556463],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99872833,0.00031764008,0.00008128589,0.000262247,0.0005110216,0.00009943156],"domain_scores_gemma":[0.99908483,0.0003126879,0.00010140923,0.00003735379,0.00035891237,0.00010477839],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015019487,0.002187169,0.0010502522,0.0033941483,0.0019738635,0.0051150345,0.0007638133,0.0020133501,0.07862399],"category_scores_gemma":[0.0033093086,0.0009522539,0.0005153033,0.0034818174,0.0016136749,0.006415066,0.0021799018,0.0030191147,0.055849712],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048447575,0.000008334598,0.00011586744,0.00051828683,0.000008472327,0.000074012794,0.0011424178,0.00009640474,0.0003112068,0.011146551,0.83256906,0.15396096],"study_design_scores_gemma":[0.0000030380304,0.000006423309,0.00051009946,0.0004312311,0.0000043896835,0.00019816276,0.0006645542,0.00004165467,0.00014677735,0.0029390138,0.99504447,0.000010244117],"about_ca_topic_score_codex":0.020186644,"about_ca_topic_score_gemma":0.020109767,"teacher_disagreement_score":0.07862399,"about_ca_system_score_codex":0.0036020472,"about_ca_system_score_gemma":0.0028110966,"threshold_uncertainty_score":0.26302344},"labels":[],"label_agreement":null},{"id":"W4387704894","doi":"10.1080/1358684x.2023.2260756","title":"What Keeps a Narrative going? Teaching Narrative Interest","year":2023,"lang":"en","type":"article","venue":"Changing English","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Lethbridge","funders":"","keywords":"Narrative; Storytelling; Rhetorical question; Surprise; Narrative criticism; Narrative inquiry; Narrative network; Sociology; Literacy; Pedagogy; Psychology; Linguistics; Literature; Art; Communication; Philosophy","score_opus":0.04613398478670465,"score_gpt":0.2714876089464399,"score_spread":0.22535362415973526,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387704894","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3115196,0.017871732,0.08306155,0.081658006,0.0024964062,0.00021123484,0.00010499843,0.00046365205,0.5026128],"genre_scores_gemma":[0.9586781,0.0047058985,0.010666254,0.002647107,0.00035498888,0.00012468972,0.00005120063,0.0001434033,0.022628296],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962065,0.0028359934,0.000070262664,0.0003191334,0.00028858148,0.00027944066],"domain_scores_gemma":[0.9914483,0.006362537,0.0004725901,0.00042224937,0.00031111628,0.0009832998],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0041382792,0.00034837486,0.00035090945,0.00093317736,0.004866572,0.010497206,0.0010687873,0.0018145562,0.006997236],"category_scores_gemma":[0.011843674,0.00024089217,0.00036069372,0.0005671135,0.011758372,0.013263761,0.0048538093,0.0036762638,0.0013370616],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051497747,0.00015886204,0.002155525,0.00055656297,0.000015136642,0.00073589524,0.5140526,0.00020101531,0.002156636,0.3801197,0.012059614,0.08773693],"study_design_scores_gemma":[0.000037215286,0.00015935644,0.001736097,0.0012501503,0.00003527551,0.00081570353,0.23211567,0.000611549,0.0030715414,0.22247097,0.5376566,0.000039889066],"about_ca_topic_score_codex":0.0010414936,"about_ca_topic_score_gemma":0.0020636427,"teacher_disagreement_score":0.010497206,"about_ca_system_score_codex":0.0029689695,"about_ca_system_score_gemma":0.0025624097,"threshold_uncertainty_score":0.023408055},"labels":[],"label_agreement":null},{"id":"W4388144913","doi":"10.1007/978-3-031-40548-8","title":"Train Travel as Embodied Space-Time in Narrative Theory","year":2023,"lang":"en","type":"book","venue":"Geocriticism and spatial literary studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Trope (literature); Embodied cognition; Narrative; Space (punctuation); Aesthetics; History; Sociology; Computer science; Art; Literature; Artificial intelligence","score_opus":0.02579356961338085,"score_gpt":0.2615855548236437,"score_spread":0.23579198521026284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388144913","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.032326717,0.008062459,0.070755616,0.008320615,0.00042888708,0.000054228996,0.00017162642,0.00006574958,0.87981415],"genre_scores_gemma":[0.91539204,0.0022655162,0.005894029,0.00031190875,0.00016376401,0.0001272385,0.00006878149,0.00008265839,0.075694],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990965,0.0006810107,0.0000212236,0.00006252095,0.0000791619,0.000059556216],"domain_scores_gemma":[0.99867475,0.0009896024,0.00007731612,0.00010300241,0.0000873157,0.00006809473],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011977672,0.0006082278,0.0002808245,0.0014825284,0.0030140209,0.009665647,0.0012055581,0.0019185315,0.010256944],"category_scores_gemma":[0.0021346167,0.0003158001,0.00025596202,0.0022439878,0.01927442,0.009879268,0.0024199418,0.0018657269,0.00071096845],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000015475213,0.0000023845064,0.000020701715,0.000010959456,7.550926e-7,0.000023762379,0.005693431,0.00014127871,0.000013585957,0.9927713,0.00048310973,0.0008371057],"study_design_scores_gemma":[0.0000075185303,0.000013217953,0.0001333813,0.0001252852,0.00000661714,0.00014452384,0.023561394,0.0012950797,0.0002071034,0.860375,0.1141216,0.0000093139615],"about_ca_topic_score_codex":0.0052123414,"about_ca_topic_score_gemma":0.005469612,"teacher_disagreement_score":0.010256944,"about_ca_system_score_codex":0.0038307381,"about_ca_system_score_gemma":0.0014439491,"threshold_uncertainty_score":0.034312904},"labels":[],"label_agreement":null},{"id":"W4388144967","doi":"10.1007/978-3-031-40548-8_2","title":"Traveling Alone on the Rails into the Future: Sanshirō, My Most Secret Council, Night Train to Lisbon, and Zone","year":2023,"lang":"en","type":"book-chapter","venue":"Geocriticism and spatial literary studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Narrative; Third person; History; Art; Aesthetics; Art history; Literature; Psychology; Psychoanalysis","score_opus":0.05059878540318926,"score_gpt":0.23870296381174272,"score_spread":0.18810417840855345,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388144967","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07309865,0.0364936,0.00033956039,0.043957993,0.0021787186,0.000020740188,0.00018796537,0.000045546312,0.8436773],"genre_scores_gemma":[0.5773438,0.014227936,0.0003915882,0.0044023,0.00029089279,0.00004890632,0.00013115986,0.00018520193,0.4029783],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946815,0.00024248387,0.000009894779,0.00005402869,0.00004317475,0.00018228075],"domain_scores_gemma":[0.99956924,0.00011227401,0.000038852257,0.000019245152,0.000038181133,0.00022230319],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008609552,0.00067098485,0.00037332854,0.00078522466,0.027816365,0.012497017,0.00085207535,0.002389601,0.011789737],"category_scores_gemma":[0.000788693,0.00040894927,0.0002528676,0.0030369617,0.008081359,0.005546868,0.0041356017,0.004770737,0.0017093394],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011834077,0.000054782173,0.0019678748,0.00023341415,0.000007991862,0.0010064301,0.59462607,0.00011092708,0.00020167281,0.24618319,0.13015343,0.025335759],"study_design_scores_gemma":[0.000005622617,0.0000152252305,0.0028021412,0.00036909175,0.0000057682905,0.00020799975,0.5069307,0.000022214395,0.000068909096,0.004135633,0.48542395,0.000012694263],"about_ca_topic_score_codex":0.17865416,"about_ca_topic_score_gemma":0.6095206,"teacher_disagreement_score":0.17865416,"about_ca_system_score_codex":0.011761903,"about_ca_system_score_gemma":0.011906952,"threshold_uncertainty_score":0.35522854},"labels":[],"label_agreement":null},{"id":"W4388698876","doi":"10.22148/001c.87937","title":"Time Maps: Theory and Method","year":2023,"lang":"en","type":"article","venue":"Journal of Cultural Analytics","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Computer science; Schema (genetic algorithms); Chronotope; Narrative network; Heuristic; Narrative inquiry; Artificial intelligence; Art; Information retrieval; Literature; Narrative criticism","score_opus":0.04047170319887512,"score_gpt":0.3014801139038926,"score_spread":0.2610084107050175,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388698876","genre_codex":"methods","genre_gemma":"methods","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"methods","genre_consensus":"methods","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006722884,0.0016429758,0.89805186,0.0039531067,0.00035580638,0.0011057254,0.0013573974,0.00060955854,0.08620075],"genre_scores_gemma":[0.17728256,0.0025444794,0.7968493,0.00076673867,0.0002984875,0.006415837,0.0011065339,0.0006607731,0.014075262],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9922916,0.0054576374,0.00031609417,0.000983433,0.00072229607,0.00022901924],"domain_scores_gemma":[0.98138994,0.014461144,0.0007259785,0.002004422,0.00102101,0.00039765015],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010364982,0.0013176133,0.00082651863,0.0076915114,0.003255023,0.009767125,0.0037716294,0.0021620945,0.029280776],"category_scores_gemma":[0.026609981,0.0011359683,0.0011664546,0.008460506,0.011969063,0.011007127,0.005757153,0.003751024,0.005596006],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018868199,0.00004450552,0.00067019596,0.00020399863,0.000009406838,0.000104105784,0.00523005,0.0009799865,0.00007471291,0.9586708,0.0053662304,0.02862719],"study_design_scores_gemma":[0.000032386677,0.00002978455,0.0006024278,0.00046297017,0.000016108908,0.00028117205,0.007299871,0.010491174,0.00048448922,0.8262071,0.15404998,0.000042531356],"about_ca_topic_score_codex":0.004295654,"about_ca_topic_score_gemma":0.0026004072,"teacher_disagreement_score":0.029280776,"about_ca_system_score_codex":0.004031844,"about_ca_system_score_gemma":0.00404585,"threshold_uncertainty_score":0.097953975},"labels":[],"label_agreement":null},{"id":"W4388798732","doi":"10.5539/ells.v13n4p43","title":"Extension of Mind in Narrative Form: The Trueblood Episode in Ralph Ellison’s Invisible Man","year":2023,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Analogy; Extension (predicate logic); Cognition; Aesthetics; Psychology; Psychoanalysis; Epistemology; Sociology; Cognitive science; Literature; Art; Philosophy; Computer science","score_opus":0.017913317886964767,"score_gpt":0.27170116009368217,"score_spread":0.2537878422067174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388798732","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68456155,0.0052594924,0.009302429,0.05783713,0.0016089281,0.000110940884,0.00009151476,0.00011629389,0.24111164],"genre_scores_gemma":[0.9778503,0.00082579954,0.0010504706,0.002320397,0.0001625518,0.000027646998,0.000017861925,0.00005526176,0.01768976],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99670756,0.0025854607,0.000041832627,0.00013584222,0.0002694541,0.0002598687],"domain_scores_gemma":[0.9971718,0.0018992119,0.00027057662,0.00009778034,0.00015215219,0.00040854802],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024445157,0.00040786713,0.0003142968,0.00063033623,0.0078014443,0.0064357934,0.00079126906,0.0020551328,0.0018327745],"category_scores_gemma":[0.0065257843,0.0003151288,0.00022332097,0.00047979868,0.016680276,0.005611388,0.0044249063,0.0039814776,0.00027357138],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004853561,0.000024965366,0.0004183391,0.00005358975,0.0000051437796,0.0034162132,0.8644294,0.00007255037,0.0003478242,0.11784439,0.008496911,0.0048421323],"study_design_scores_gemma":[0.0000174858,0.0000729618,0.0013649602,0.0002478458,0.000010991323,0.003933729,0.58953893,0.00024096978,0.00075028755,0.025547782,0.37823173,0.00004228685],"about_ca_topic_score_codex":0.0064915223,"about_ca_topic_score_gemma":0.017138457,"teacher_disagreement_score":0.0078014443,"about_ca_system_score_codex":0.004195752,"about_ca_system_score_gemma":0.0013448744,"threshold_uncertainty_score":0.030442417},"labels":[],"label_agreement":null},{"id":"W4389250633","doi":"10.1590/2596-304x20232549ss","title":"Le cinéma, un vieux média ? Ralenti des images et lenteur du récit dans Point Omega de Don DeLillo","year":2023,"lang":"fr","type":"article","venue":"Revista Brasileira de Literatura Comparada","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.02072965527254911,"score_gpt":0.2563251665688277,"score_spread":0.2355955112962786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389250633","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.057375588,0.21280026,0.0052242037,0.040513642,0.001396198,0.00004739819,0.00015778691,0.00005064582,0.68243444],"genre_scores_gemma":[0.8507603,0.09280261,0.0015272517,0.0028061501,0.000555069,0.000059997044,0.000070626804,0.000059508002,0.0513585],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985638,0.0008192076,0.000043433225,0.0002223746,0.00023015562,0.000121085395],"domain_scores_gemma":[0.997894,0.0013735855,0.00023577035,0.00013731081,0.00024218924,0.00011717115],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001377598,0.00046325577,0.00041964688,0.0027188226,0.0045293993,0.00799239,0.00055612304,0.0014987121,0.008902389],"category_scores_gemma":[0.003558422,0.0002488875,0.00016244387,0.0031447487,0.016297424,0.0065569277,0.0018463227,0.002568122,0.0009115883],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000245782,0.000011421382,0.00085195043,0.00057157007,0.000005460965,0.00026429194,0.099296965,0.00006880451,0.00028648594,0.85536873,0.009217512,0.03403214],"study_design_scores_gemma":[0.0000059947574,0.000023557095,0.006386528,0.005073063,0.000017945991,0.0006542499,0.119264066,0.00015769347,0.00048561406,0.05346894,0.81443816,0.000024281988],"about_ca_topic_score_codex":0.03754407,"about_ca_topic_score_gemma":0.041904807,"teacher_disagreement_score":0.03754407,"about_ca_system_score_codex":0.0062089907,"about_ca_system_score_gemma":0.0034317414,"threshold_uncertainty_score":0.07465106},"labels":[],"label_agreement":null},{"id":"W4389508068","doi":"10.4000/ejas.20949","title":"The Image of Central European Immigrant in Popular Fiction and Its Adaptations: A Case Study of the Detective Murdoch/Murdoch Mysteries Series","year":2023,"lang":"en","type":"article","venue":"European Journal of American Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Popular culture; Interpretation (philosophy); Entertainment; Femininity; Plot (graphics); Adventure; Literature; Masculinity; Popular fiction; Power (physics); Sociology; History; Aesthetics; Art; Philosophy; Gender studies; Art history; Linguistics; Visual arts; Mathematics","score_opus":0.03906792815780911,"score_gpt":0.2684247626825597,"score_spread":0.2293568345247506,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389508068","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98637056,0.00069456635,0.00018303258,0.0014831043,0.00005727749,0.00004205849,0.000044102944,0.000009742407,0.011115494],"genre_scores_gemma":[0.9931109,0.00044509704,0.0002886868,0.00047459156,0.0000244253,0.000018882422,0.00002428485,0.000017799144,0.0055954186],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980452,0.00082514365,0.000050830975,0.00016907856,0.00033386782,0.0005759591],"domain_scores_gemma":[0.9984101,0.00063651573,0.0001806291,0.000108956505,0.00025960922,0.00040419717],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002098813,0.00078331825,0.000680734,0.0021334207,0.021033768,0.0063462965,0.002499135,0.0036568674,0.0031307465],"category_scores_gemma":[0.0045180162,0.00039018926,0.00046489408,0.0023383196,0.015134587,0.0016220247,0.005407867,0.0024803742,0.00031709345],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045357938,0.00009082888,0.005254367,0.000080601654,0.000007652364,0.014000599,0.9670282,0.00004569773,0.00061990856,0.0055737877,0.001894879,0.005358174],"study_design_scores_gemma":[0.000004217603,0.00004265018,0.0055922945,0.00008414373,0.00000951567,0.0034893176,0.96713734,0.000078140605,0.00026617065,0.00019859284,0.02307491,0.000022648142],"about_ca_topic_score_codex":0.29226124,"about_ca_topic_score_gemma":0.52615935,"teacher_disagreement_score":0.70773876,"about_ca_system_score_codex":0.014574544,"about_ca_system_score_gemma":0.006166788,"threshold_uncertainty_score":0.5811202},"labels":[],"label_agreement":null},{"id":"W4390269426","doi":"10.4467/23538953ce.23.033.18973","title":"Survivre à la fin du monde : anomalie et ruine dans Oscar de profundis de Catherine Mavrikakis","year":2023,"lang":"en","type":"article","venue":"Cahiers ERTA","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Conscience; Event (particle physics); Humanities; Philosophy; Representation (politics); Epistemology; Law; Political science","score_opus":0.015248639863413339,"score_gpt":0.23688271213916487,"score_spread":0.22163407227575152,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390269426","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84381163,0.0045476044,0.0017528598,0.01633864,0.0005482448,0.00002195907,0.00008202942,0.000041239276,0.13285595],"genre_scores_gemma":[0.99253124,0.00063226407,0.00013541074,0.00018441869,0.00004634696,0.000005914875,0.000008673235,0.000010652432,0.006445119],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99820864,0.0011975698,0.00003766486,0.0001352286,0.000173715,0.00024713905],"domain_scores_gemma":[0.9979638,0.0008863844,0.0005163735,0.00015392112,0.00017967989,0.00029992504],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014869843,0.00038316613,0.00026877198,0.0007321293,0.008417259,0.0050402223,0.0007322615,0.0013999842,0.0030289895],"category_scores_gemma":[0.0056402506,0.00024308565,0.00019801912,0.00058050436,0.01174631,0.0031657172,0.003910358,0.0034684138,0.00038312373],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005539778,0.000015609827,0.0027929703,0.00007268642,0.000009606698,0.002527523,0.87573034,0.0001633133,0.0005259399,0.10299631,0.0076767625,0.0074334946],"study_design_scores_gemma":[0.000005296862,0.00006080773,0.007271742,0.00033396957,0.000012125493,0.0027367226,0.67141414,0.00022015237,0.00062152016,0.008736528,0.30852804,0.000059009653],"about_ca_topic_score_codex":0.01129794,"about_ca_topic_score_gemma":0.020163283,"teacher_disagreement_score":0.01129794,"about_ca_system_score_codex":0.0026199229,"about_ca_system_score_gemma":0.0012180825,"threshold_uncertainty_score":0.022464335},"labels":[],"label_agreement":null},{"id":"W4391297492","doi":"","title":"Reading sex and violence in André Brink's Rumours of Rain and A Dry White Season","year":2018,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"White (mutation); Reading (process); Dry season; Wet season; Art; Geography; Cartography; Biology; Philosophy; Linguistics","score_opus":0.14672254982798152,"score_gpt":0.47463135980408433,"score_spread":0.32790880997610283,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391297492","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49273288,0.033573825,0.0028608658,0.07134601,0.002918872,0.000042847147,0.00008998229,0.00008766596,0.39634708],"genre_scores_gemma":[0.9562081,0.004760707,0.00042184762,0.004497462,0.0006084706,0.000022335431,0.000018734063,0.00009016902,0.03337221],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99803954,0.0013404905,0.000029937324,0.00010239732,0.00025938795,0.00022828556],"domain_scores_gemma":[0.99783033,0.0016032874,0.00024661087,0.000070794675,0.0001140818,0.00013488221],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017567079,0.0005378259,0.00035799798,0.0008940796,0.010039603,0.006347394,0.0007673918,0.0020182128,0.0031060379],"category_scores_gemma":[0.004736066,0.00049874955,0.00018581709,0.0005413928,0.018698256,0.0056376834,0.00503206,0.0047122557,0.00047341388],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000087206274,0.00003395597,0.0008636938,0.0000907783,0.000008851112,0.0011388452,0.8621727,0.00005859847,0.00047183724,0.11837044,0.011388843,0.0053143157],"study_design_scores_gemma":[0.00001717992,0.00004697049,0.0025321026,0.0003743725,0.000013409563,0.0009697727,0.5798822,0.000085945576,0.00063253083,0.023824383,0.39159462,0.000026451158],"about_ca_topic_score_codex":0.012867684,"about_ca_topic_score_gemma":0.024057262,"teacher_disagreement_score":0.012867684,"about_ca_system_score_codex":0.0026474078,"about_ca_system_score_gemma":0.0009094247,"threshold_uncertainty_score":0.025585592},"labels":[],"label_agreement":null},{"id":"W4391374215","doi":"10.26812/pajls.v5i.1121","title":"Materializing narratology: Kanai Mieko's corporeal narrative","year":2005,"lang":"en","type":"article","venue":"Proceedings of the Association for Japanese Literary Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Narratology; Narrative; Art; Aesthetics; Literature; Visual arts","score_opus":0.028175573827938085,"score_gpt":0.26461485404158297,"score_spread":0.23643928021364488,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391374215","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6540462,0.00747177,0.015525178,0.0059786416,0.0005634773,0.00009189461,0.00014507808,0.00016581781,0.316012],"genre_scores_gemma":[0.9884453,0.00071214925,0.0018500633,0.00021956523,0.000049336053,0.000032093478,0.00004321031,0.00003136026,0.008616777],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997054,0.00015261312,0.000014887489,0.000045411056,0.000030070687,0.000051644874],"domain_scores_gemma":[0.9996706,0.00011728264,0.000039736315,0.000039865216,0.00005040777,0.00008219999],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008351886,0.00043109755,0.00032425715,0.0005940713,0.004248916,0.003958809,0.00040099258,0.0007489238,0.0020080751],"category_scores_gemma":[0.0013884057,0.00019801156,0.0002116485,0.0007187935,0.005612152,0.004355038,0.003782822,0.0011152831,0.0002683728],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007032855,0.000023295523,0.0032611503,0.00028240363,0.000018908806,0.0026908752,0.8487735,0.00014949362,0.004759764,0.12238619,0.0038495578,0.013734539],"study_design_scores_gemma":[0.00003305728,0.00019841785,0.013838467,0.00049240666,0.00014312766,0.0032426186,0.5940905,0.0011690884,0.00376106,0.04595155,0.3370039,0.000075836324],"about_ca_topic_score_codex":0.0012460983,"about_ca_topic_score_gemma":0.0034341067,"teacher_disagreement_score":0.004248916,"about_ca_system_score_codex":0.0010526984,"about_ca_system_score_gemma":0.00070584845,"threshold_uncertainty_score":0.0076378584},"labels":[],"label_agreement":null},{"id":"W4391796480","doi":"10.30958/ajha.7.3.1","title":"Philosophizing the Jobs’s iPhone within Philospohical Hermeneutics Context","year":2020,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hermeneutics; Context (archaeology); Sociology; Epistemology; Philosophy; History; Archaeology","score_opus":0.4736783392742729,"score_gpt":0.5236470693724689,"score_spread":0.04996873009819597,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391796480","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06479312,0.013129481,0.023554359,0.07668298,0.0014381631,0.000065583234,0.000052317337,0.00007424866,0.82020974],"genre_scores_gemma":[0.9440624,0.003515334,0.004504711,0.0048633968,0.00055711117,0.00008571562,0.000018561414,0.000070444905,0.042322382],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9981495,0.0011876025,0.00003069558,0.00015701145,0.00027109904,0.00020410598],"domain_scores_gemma":[0.9988593,0.00074511825,0.000071232695,0.00007641038,0.000118565986,0.0001294375],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024450144,0.00033234942,0.00019233384,0.0011631426,0.0067642676,0.006830269,0.0005797996,0.0027652057,0.002547956],"category_scores_gemma":[0.002286526,0.00022499012,0.00022728075,0.0008129702,0.04923364,0.00566908,0.0029096692,0.0028770044,0.00038178093],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000380057,0.000006262759,0.0000550801,0.000013742475,4.869891e-7,0.000048868864,0.016576383,0.000038489783,0.000048066093,0.98048866,0.0015381158,0.0011820099],"study_design_scores_gemma":[0.000014547159,0.000027194967,0.00056534907,0.00026387125,0.0000039736437,0.00019766985,0.03567471,0.0005956374,0.00027431597,0.7049313,0.25743347,0.000017982953],"about_ca_topic_score_codex":0.015721055,"about_ca_topic_score_gemma":0.018313112,"teacher_disagreement_score":0.015721055,"about_ca_system_score_codex":0.0070910216,"about_ca_system_score_gemma":0.005181438,"threshold_uncertainty_score":0.05144918},"labels":[],"label_agreement":null},{"id":"W4392067099","doi":"10.51644/9780889208179-009","title":"Narrative Transmission in American Direct Cinema Films and Canadian Candid-Eye Films","year":2006,"lang":"en","type":"book-chapter","venue":"","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Narrative; Transmission (telecommunications); Art; Media studies; Art history; History; Literature; Sociology; Telecommunications; Engineering","score_opus":0.011557200241842596,"score_gpt":0.2097504132876989,"score_spread":0.1981932130458563,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392067099","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65396166,0.0037835108,0.00070880406,0.0024717255,0.00012720354,0.00008382343,0.00039576113,0.000042086485,0.33842546],"genre_scores_gemma":[0.983985,0.001229206,0.000284663,0.00008928994,0.000024583836,0.000020862659,0.00014156415,0.00003417981,0.014190539],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99865973,0.00048092485,0.000033329394,0.00010913799,0.00040453524,0.00031229443],"domain_scores_gemma":[0.99678,0.0018797265,0.00028349587,0.00009905133,0.00067326124,0.0002845205],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014054185,0.00036145977,0.00024013886,0.0034588233,0.010820154,0.009267812,0.0010429611,0.0014049159,0.0062703392],"category_scores_gemma":[0.009393837,0.0003822509,0.0001818906,0.0046415506,0.0034778095,0.0032718393,0.001957899,0.0024462359,0.00030779294],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019459709,0.00009615732,0.005482209,0.00015294303,0.000015857222,0.0007588719,0.8975663,0.00016938987,0.0010450952,0.05036295,0.00833319,0.035822447],"study_design_scores_gemma":[0.000026975998,0.00005196597,0.07582144,0.0007964222,0.000056361372,0.00074277876,0.8004138,0.00065568316,0.0015114108,0.0051544835,0.114698425,0.00007015397],"about_ca_topic_score_codex":0.54738283,"about_ca_topic_score_gemma":0.67362463,"teacher_disagreement_score":0.45261717,"about_ca_system_score_codex":0.01488512,"about_ca_system_score_gemma":0.0072446642,"threshold_uncertainty_score":0.91056544},"labels":[],"label_agreement":null},{"id":"W4392150528","doi":"","title":"Fictionalization processes in Boris Vians’s novels","year":2019,"lang":"fr","type":"preprint","venue":"theses.fr (ABES)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Linguistic Association","funders":"","keywords":"Computer science; Art","score_opus":0.03243694423026068,"score_gpt":0.255312977509935,"score_spread":0.2228760332796743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392150528","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.52620226,0.004298326,0.004143364,0.0032586379,0.00064229534,0.00009765621,0.00020602,0.000088775916,0.4610627],"genre_scores_gemma":[0.93115854,0.0009670781,0.0013309955,0.0001857337,0.00013600806,0.000055896544,0.0001098714,0.00012250167,0.06593345],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985884,0.0006799361,0.00004713534,0.00026768472,0.0002618943,0.00015493245],"domain_scores_gemma":[0.9987514,0.00076358643,0.00017997112,0.000120530305,0.00010051513,0.00008402247],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015364066,0.00046543925,0.0003937448,0.0013967927,0.006171363,0.0054172184,0.00053755246,0.0010940998,0.011389723],"category_scores_gemma":[0.003953747,0.00029853883,0.00017585889,0.001179252,0.0075921365,0.0038133617,0.0030725158,0.0015499057,0.0010665541],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013257438,0.000040891486,0.0019970643,0.0002691133,0.0000078612875,0.0015112736,0.5889667,0.00015992772,0.0027207322,0.37242925,0.005636015,0.026128694],"study_design_scores_gemma":[0.000022100605,0.000055461336,0.005877692,0.00036715766,0.000010610623,0.0012978171,0.13926215,0.00024270186,0.0022790504,0.011113419,0.8394412,0.00003060232],"about_ca_topic_score_codex":0.003673228,"about_ca_topic_score_gemma":0.012521038,"teacher_disagreement_score":0.011389723,"about_ca_system_score_codex":0.0048586186,"about_ca_system_score_gemma":0.0010741547,"threshold_uncertainty_score":0.038102448},"labels":[],"label_agreement":null},{"id":"W4392163554","doi":"10.46692/9781529218596.001","title":"Introduction: Fantasies, Hope and Compelling Narratives","year":2023,"lang":"en","type":"other","venue":"","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Psychoanalysis; Psychology; History; Art; Literature","score_opus":0.021282239056135542,"score_gpt":0.22565761872119303,"score_spread":0.20437537966505748,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392163554","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07212081,0.017487362,0.0072585717,0.24311832,0.01569481,0.00028594074,0.0008665478,0.00035456446,0.642813],"genre_scores_gemma":[0.6975393,0.006669656,0.00304316,0.03565553,0.0034194437,0.0004110098,0.000461953,0.0004341106,0.2523659],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99611074,0.0024921997,0.000054790966,0.00030141583,0.00053263805,0.0005082061],"domain_scores_gemma":[0.99815995,0.00071018975,0.00012359243,0.000095880285,0.00023475656,0.00067553844],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033084971,0.0013864572,0.000555282,0.0011172066,0.019172667,0.01682456,0.0018787428,0.0058787223,0.017744193],"category_scores_gemma":[0.006253568,0.000448901,0.0006047174,0.0012048957,0.021083295,0.012354496,0.008090714,0.011771905,0.004160197],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004737867,0.000040461327,0.0003783403,0.00014435376,0.0000049759715,0.0016784859,0.50355333,0.000093168725,0.00032738489,0.2999153,0.18568094,0.008135945],"study_design_scores_gemma":[0.0000041289236,0.000011924762,0.0001695071,0.00021589403,0.0000012464387,0.0006465139,0.18499155,0.00007603808,0.00007625463,0.013650929,0.80013627,0.000019684321],"about_ca_topic_score_codex":0.0055202893,"about_ca_topic_score_gemma":0.0068250024,"teacher_disagreement_score":0.019172667,"about_ca_system_score_codex":0.006395255,"about_ca_system_score_gemma":0.0024786661,"threshold_uncertainty_score":0.059360206},"labels":[],"label_agreement":null},{"id":"W4392213791","doi":"10.1353/tfr.2024.a919952","title":"Van Gogh and the Avant-Garde: Along the Seine ed. by Gerritse Bregje and Jacquelyn N. Coutré (review)","year":2024,"lang":"en","type":"article","venue":"˜The œFrench review","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Avant garde; Art; Art history","score_opus":0.01610016382450934,"score_gpt":0.24643080858450273,"score_spread":0.23033064475999337,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392213791","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000022081764,0.9958554,0.000017533153,0.0019782719,0.0011927923,0.0000032650746,0.000016355994,0.0000028000627,0.00091134594],"genre_scores_gemma":[0.00039198034,0.99375784,0.000045281453,0.0018785169,0.0009069195,0.000012738524,0.000058118254,0.000004834187,0.0029436976],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911743,0.00022064325,0.00008894845,0.00016920081,0.0003212757,0.00008246598],"domain_scores_gemma":[0.9986682,0.00060057867,0.00018909882,0.000027720982,0.00035826935,0.00015623754],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012373232,0.0015595393,0.0017101826,0.0018097734,0.0006190844,0.004230565,0.0014492087,0.00217312,0.020411786],"category_scores_gemma":[0.003678369,0.0005565698,0.00077155494,0.0041320273,0.0012249547,0.0042033833,0.0017127312,0.0044487175,0.0111141335],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047750775,0.000022775745,0.00019992895,0.01756511,0.0000774708,0.00014818856,0.00048510145,0.00012184057,0.000168609,0.0027591842,0.66695803,0.31144592],"study_design_scores_gemma":[0.000009923416,0.000018151746,0.00040696617,0.008336185,0.000030452275,0.000368986,0.00026064695,0.000010057535,0.000023825116,0.0006000236,0.9899216,0.000013035143],"about_ca_topic_score_codex":0.008115518,"about_ca_topic_score_gemma":0.010422503,"teacher_disagreement_score":0.020411786,"about_ca_system_score_codex":0.0016451495,"about_ca_system_score_gemma":0.004725325,"threshold_uncertainty_score":0.06828421},"labels":[],"label_agreement":null},{"id":"W4392447142","doi":"10.1080/10481885.2023.2290278","title":"The Scrapyard and the Archive: A Comment on Grossmark’s “The Untelling”","year":2024,"lang":"en","type":"article","venue":"Psychoanalytic Dialogues","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Psychoanalysis; Psychology","score_opus":0.03067044866796528,"score_gpt":0.2563240073122997,"score_spread":0.22565355864433442,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392447142","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026802558,0.0029845133,0.00078733877,0.96999997,0.007881239,0.000020352707,0.00005342756,0.00008048432,0.015512488],"genre_scores_gemma":[0.08179606,0.0019294915,0.0011460737,0.8706893,0.009919515,0.00015086168,0.000030101633,0.00024164021,0.03409698],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9921674,0.0033182167,0.0003861424,0.0012319756,0.0021163316,0.0007798412],"domain_scores_gemma":[0.9805674,0.015303971,0.0010405836,0.00066136837,0.0017130623,0.0007135619],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008215286,0.0009310273,0.0010262316,0.000897628,0.012305989,0.007958316,0.005401938,0.039830204,0.0051704086],"category_scores_gemma":[0.030785864,0.00066251465,0.0010830171,0.0012922242,0.027381353,0.010117557,0.005259747,0.035499733,0.0015835448],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055478726,0.00001615709,0.00020625236,0.00018002967,0.00000823376,0.0011942021,0.029327745,0.00014303207,0.0003857127,0.24615134,0.718092,0.0042398386],"study_design_scores_gemma":[0.000023609262,0.000036406676,0.00061730633,0.0006876731,0.000017044013,0.00079424644,0.017994959,0.00038079114,0.0007507328,0.04174861,0.9368598,0.00008891215],"about_ca_topic_score_codex":0.04767267,"about_ca_topic_score_gemma":0.05022051,"teacher_disagreement_score":0.04767267,"about_ca_system_score_codex":0.0074548544,"about_ca_system_score_gemma":0.008290928,"threshold_uncertainty_score":0.09479034},"labels":[],"label_agreement":null},{"id":"W4392955393","doi":"10.7202/1109863ar","title":"Les contes photoillustrés de Károly Gink","year":2023,"lang":"fr","type":"article","venue":"Captures","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Philosophy","score_opus":0.0502620567252843,"score_gpt":0.2814752636514045,"score_spread":0.2312132069261202,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392955393","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13909051,0.044132095,0.0032943827,0.10851662,0.012317889,0.00017734579,0.0006362024,0.00022972476,0.69160527],"genre_scores_gemma":[0.48815292,0.019701468,0.0024671284,0.007136068,0.0019496556,0.00013974633,0.0002544612,0.0005823858,0.4796162],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992963,0.0003029435,0.00001382292,0.00009984302,0.00019588866,0.000091170565],"domain_scores_gemma":[0.9994803,0.00024087298,0.00005298675,0.000028862682,0.000116163625,0.00008078159],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008837012,0.0005029138,0.00024343724,0.0009523618,0.005476022,0.0032312342,0.00040499077,0.000927952,0.01641439],"category_scores_gemma":[0.0017416079,0.00023078028,0.00016466426,0.0012853068,0.0036738021,0.0021584416,0.0024457346,0.0025825717,0.0029584037],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026795792,0.000032027605,0.00195403,0.0005409914,0.000016473103,0.00305165,0.23157917,0.00031098828,0.0039843153,0.11095934,0.58406353,0.06323958],"study_design_scores_gemma":[0.0000026615726,0.000007827162,0.0011349011,0.000113479444,0.0000029950415,0.00047345058,0.026134059,0.00003452426,0.0003935902,0.00093010644,0.9707626,0.000009852691],"about_ca_topic_score_codex":0.02585715,"about_ca_topic_score_gemma":0.052723534,"teacher_disagreement_score":0.02585715,"about_ca_system_score_codex":0.0036032074,"about_ca_system_score_gemma":0.0017958883,"threshold_uncertainty_score":0.054911673},"labels":[],"label_agreement":null},{"id":"W4393274258","doi":"10.1515/9783839470220-008","title":"Schriftkulturen der populären Musik","year":2024,"lang":"de","type":"book-chapter","venue":"transcript Verlag eBooks","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Intertek (Canada)","funders":"","keywords":"Art","score_opus":0.03392336370905609,"score_gpt":0.22567755326195327,"score_spread":0.1917541895528972,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393274258","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005739606,0.0120415045,0.0024400025,0.0037261508,0.0009402779,0.000039937484,0.00022175231,0.000073720075,0.9747771],"genre_scores_gemma":[0.19687659,0.010619678,0.0022207012,0.000737639,0.0007456497,0.00018454627,0.00045738844,0.0003080859,0.7878497],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990133,0.00044222779,0.000037260463,0.00008194509,0.00026489608,0.00016035487],"domain_scores_gemma":[0.9994759,0.0002683366,0.00003454415,0.00006010535,0.00010072695,0.000060405542],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009515451,0.0005314218,0.00033631432,0.0026406317,0.0048160036,0.008414342,0.00073393265,0.0018718614,0.050376795],"category_scores_gemma":[0.0018390276,0.00038807924,0.00019261902,0.0033399025,0.0047407453,0.003615795,0.0029212185,0.0026230735,0.0088933185],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031670796,0.000023681318,0.00014004562,0.00013559985,0.0000035455457,0.000094047384,0.012033491,0.00010229622,0.00022750928,0.86763066,0.07550083,0.044076644],"study_design_scores_gemma":[0.000004867423,0.000008308083,0.00048247015,0.00021212104,0.0000023892342,0.00013094147,0.005176271,0.00011898559,0.00024302986,0.040263273,0.95335037,0.000007068672],"about_ca_topic_score_codex":0.006757358,"about_ca_topic_score_gemma":0.014808209,"teacher_disagreement_score":0.050376795,"about_ca_system_score_codex":0.0044597127,"about_ca_system_score_gemma":0.001844444,"threshold_uncertainty_score":0.16852719},"labels":[],"label_agreement":null},{"id":"W4395027228","doi":"10.3138/cjfs-2023-0038","title":"“Something to Fall Through”: Grid Forms in <i>The Adventure of Faustus Bidgood</i> (1986)","year":2024,"lang":"en","type":"article","venue":"Canadian Journal of Film Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Adventure; Grid; Art; Mathematics; Art history; Geometry","score_opus":0.05851162560322456,"score_gpt":0.2971155781556813,"score_spread":0.23860395255245673,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395027228","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3751195,0.0026951223,0.0046402337,0.020593578,0.0005741826,0.000043604447,0.00024505443,0.00022972016,0.59585905],"genre_scores_gemma":[0.9725355,0.00044214205,0.0005865228,0.0005157745,0.00003177332,0.00001209709,0.000044766348,0.000055788118,0.025775693],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9996463,0.00011738676,0.0000053824483,0.000050100967,0.000046565776,0.00013419725],"domain_scores_gemma":[0.99955815,0.00014654933,0.000051067716,0.000040231644,0.00007476205,0.00012925916],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040812406,0.00023602124,0.000092768496,0.0005503133,0.007906237,0.0055046617,0.0005458112,0.0005545462,0.004907254],"category_scores_gemma":[0.0011272792,0.00019997895,0.000097317876,0.00071716745,0.010683315,0.0023538084,0.0017996791,0.0016338526,0.00034922943],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012716002,0.000031517324,0.006324375,0.00010272916,0.00001090409,0.0007600922,0.5843037,0.0003367293,0.0012512736,0.27488774,0.102550894,0.02931286],"study_design_scores_gemma":[0.0000145550775,0.000025108204,0.019112568,0.00020824239,0.000011879168,0.00042841522,0.30932567,0.0003702535,0.00062126893,0.0076748896,0.6621816,0.000025551608],"about_ca_topic_score_codex":0.5822696,"about_ca_topic_score_gemma":0.72461534,"teacher_disagreement_score":0.5822696,"about_ca_system_score_codex":0.012360595,"about_ca_system_score_gemma":0.0031018874,"threshold_uncertainty_score":0.84038097},"labels":[],"label_agreement":null},{"id":"W4395485259","doi":"10.1017/9781009110129.013","title":"Literary Genre and Popular Fiction","year":2024,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Popular fiction; Literature; Art","score_opus":0.023747688164345294,"score_gpt":0.18451499126948995,"score_spread":0.16076730310514464,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395485259","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006561957,0.07318141,0.00035846428,0.0051107304,0.0021869228,0.000021456393,0.00092104584,0.00009451317,0.91156346],"genre_scores_gemma":[0.17915267,0.06437202,0.0005268144,0.0017180621,0.0076099085,0.000054007814,0.0027966376,0.00023045036,0.7435395],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9997031,0.00007289486,0.000014337717,0.00003677326,0.00014106341,0.00003176466],"domain_scores_gemma":[0.99908674,0.000434436,0.00005790254,0.00008084741,0.00026949265,0.000070536466],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003347643,0.00037406673,0.00037934966,0.004287878,0.00111518,0.003413723,0.00035323566,0.0004306181,0.07452482],"category_scores_gemma":[0.0016687656,0.000096370015,0.00015788591,0.0044384804,0.0010872699,0.0022397595,0.000768211,0.00057767396,0.010855369],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050896153,0.00004826215,0.000582734,0.0012060362,0.00001911429,0.00021597686,0.005928409,0.00024037696,0.00057055376,0.19045535,0.608229,0.19245332],"study_design_scores_gemma":[0.0000021474414,0.000014056031,0.0016715273,0.00042699557,0.0000045964102,0.00013263048,0.0010776825,0.000060742186,0.000102615355,0.0090427,0.98746,0.000004331146],"about_ca_topic_score_codex":0.0020963447,"about_ca_topic_score_gemma":0.0028662398,"teacher_disagreement_score":0.07452482,"about_ca_system_score_codex":0.0013379215,"about_ca_system_score_gemma":0.00043462866,"threshold_uncertainty_score":0.24931037},"labels":[],"label_agreement":null},{"id":"W4396562268","doi":"10.3390/rel15050560","title":"There’s a Basilisk in the Bathwater: AI and the Apocalyptic Imagination","year":2024,"lang":"en","type":"article","venue":"Religions","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University; Queen's University","funders":"","keywords":"Psychology; Philosophy","score_opus":0.010873537558031656,"score_gpt":0.23907358507420298,"score_spread":0.22820004751617132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396562268","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10748122,0.02001403,0.035600405,0.16518587,0.0018761944,0.000053111984,0.000054187265,0.00014020542,0.6695947],"genre_scores_gemma":[0.9732593,0.0030617483,0.0021412845,0.0048179957,0.00029198235,0.000027725533,0.000013090832,0.00008353404,0.016303206],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99484164,0.003999603,0.00007814187,0.00030210457,0.0005370272,0.00024154357],"domain_scores_gemma":[0.9912751,0.006867222,0.00047556445,0.00062957697,0.0004240012,0.000328592],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0071235364,0.00040200955,0.0003327841,0.0015827593,0.009661502,0.013618253,0.0008350608,0.0032936165,0.0038074483],"category_scores_gemma":[0.011871638,0.00028454183,0.00027890896,0.0011280134,0.0784677,0.017649075,0.0052384464,0.006990017,0.0006875562],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011243816,0.000008719959,0.00013500232,0.00003409925,0.000002199077,0.00006853176,0.059439044,0.000052403047,0.000099810626,0.93429244,0.0023120912,0.0035444458],"study_design_scores_gemma":[0.000024206123,0.000041600746,0.00041924807,0.00053189776,0.000010536628,0.0003146735,0.1135955,0.0007628259,0.00073726295,0.5722527,0.3112806,0.000028891696],"about_ca_topic_score_codex":0.0040734056,"about_ca_topic_score_gemma":0.0036994745,"teacher_disagreement_score":0.013618253,"about_ca_system_score_codex":0.0057641286,"about_ca_system_score_gemma":0.0026810404,"threshold_uncertainty_score":0.041821837},"labels":[],"label_agreement":null},{"id":"W4396819082","doi":"10.3828/shandean.2021.32.06","title":"Sterne and ‘That Dreary Double Entendre’","year":2021,"lang":"en","type":"article","venue":"The Shandean.","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.057950657339624144,"score_gpt":0.23003788737345135,"score_spread":0.1720872300338272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396819082","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12955676,0.010941122,0.016391683,0.05021304,0.0029343734,0.000037130372,0.00008513699,0.00013143776,0.7897094],"genre_scores_gemma":[0.90393966,0.0013791196,0.0020479525,0.0033257345,0.00024822197,0.000025050578,0.0000283498,0.00011281316,0.08889301],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977569,0.0012602347,0.000056264493,0.0003180598,0.00038533975,0.0002232563],"domain_scores_gemma":[0.99889094,0.0004927095,0.00012544917,0.00018000261,0.00018996552,0.000120917786],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002096251,0.0004373267,0.00023149078,0.0006851021,0.0045766872,0.0049102614,0.00045903627,0.0013694083,0.0053686076],"category_scores_gemma":[0.004322028,0.00018698712,0.00018940147,0.00042866528,0.021374952,0.006015787,0.0035788992,0.0029554204,0.0010784192],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025807785,0.000007368361,0.00036874958,0.00003355195,0.0000038894764,0.00016425805,0.07681111,0.00002897704,0.00029616905,0.9049099,0.010335922,0.007014274],"study_design_scores_gemma":[0.000009258196,0.00002592984,0.00090880704,0.0001578435,0.000006744247,0.0008335023,0.055579137,0.00015169443,0.00084304065,0.13089089,0.8105678,0.000025453835],"about_ca_topic_score_codex":0.00335136,"about_ca_topic_score_gemma":0.007059081,"teacher_disagreement_score":0.0053686076,"about_ca_system_score_codex":0.002250637,"about_ca_system_score_gemma":0.0015555797,"threshold_uncertainty_score":0.017959833},"labels":[],"label_agreement":null},{"id":"W4396852354","doi":"10.7202/1111285ar","title":"Three book reviews and an afterword: Hanna Meretoja’s The Ethics of Storytelling, Peter Brooks’ Seduced by Story, and Florian Fuchs’ Civic Storytelling: The Rise of Short Forms and the Agency of Literature","year":2024,"lang":"en","type":"article","venue":"Narrative Works","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Storytelling; Agency (philosophy); Sociology; Media studies; Art history; Art; Literature; Narrative; Social science","score_opus":0.03068815984299114,"score_gpt":0.28145356458657794,"score_spread":0.25076540474358683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396852354","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001276141,0.5202236,0.0027624255,0.14957045,0.110926375,0.00008670685,0.00044983547,0.0002319805,0.21447253],"genre_scores_gemma":[0.018052556,0.22871505,0.0025213344,0.046087682,0.04805623,0.00026240016,0.0009573238,0.00064071926,0.65470684],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982907,0.00043182654,0.00007700901,0.00015154063,0.00095555576,0.00009328121],"domain_scores_gemma":[0.99511766,0.002348548,0.0003420914,0.00018974543,0.0017223407,0.0002795567],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011912232,0.00082411454,0.00072586787,0.0027469546,0.0020949247,0.004091076,0.0009022876,0.002163315,0.024893112],"category_scores_gemma":[0.006274099,0.00041060598,0.0004815292,0.0035700507,0.0025782406,0.0048600873,0.0014493495,0.0037345986,0.0138066895],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009441362,0.0000072432867,0.000029441564,0.00025784728,0.0000045734228,0.000037242582,0.00031889178,0.000027498145,0.0001255908,0.007976162,0.9676405,0.023565615],"study_design_scores_gemma":[0.0000030010358,0.0000069346565,0.00019747888,0.0005590973,0.000005053222,0.00008731956,0.0003340712,0.000019921219,0.00010267419,0.0027026294,0.995972,0.00000979431],"about_ca_topic_score_codex":0.0052280454,"about_ca_topic_score_gemma":0.016973682,"teacher_disagreement_score":0.024893112,"about_ca_system_score_codex":0.002682123,"about_ca_system_score_gemma":0.0032888034,"threshold_uncertainty_score":0.083275735},"labels":[],"label_agreement":null},{"id":"W4398207185","doi":"10.1353/vpr.2023.a927882","title":"Transfictional Character and Transmedia Storyworlds in the British Nineteenth Century by Erica Haugtvedt (review)","year":2023,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Character (mathematics); History; Geography; Biology; Mathematics","score_opus":0.014401269986553101,"score_gpt":0.23741401852340516,"score_spread":0.22301274853685205,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4398207185","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000039950974,0.9981018,0.000007861586,0.0009965199,0.0003208013,0.000001290733,0.000007862042,0.0000010134046,0.0005229548],"genre_scores_gemma":[0.0009312438,0.9967231,0.00002936943,0.00085647876,0.00035017758,0.0000073128954,0.00003657344,0.0000017527548,0.0010639835],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994326,0.00014813086,0.00007112875,0.00007643164,0.0002123338,0.000059356553],"domain_scores_gemma":[0.99833626,0.000700392,0.00020789853,0.000028640748,0.00053713366,0.00018975828],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009978865,0.0006450093,0.0011646027,0.0023895,0.00088282966,0.0031786012,0.0008382034,0.0017279901,0.008540842],"category_scores_gemma":[0.0032996645,0.0004080799,0.00041435048,0.004621961,0.0015548704,0.0033364124,0.0012803687,0.0026367665,0.0025046568],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008003791,0.000038758953,0.0006234058,0.0318435,0.00009368881,0.00022434743,0.0016567983,0.000119574215,0.00014236807,0.0040276656,0.4520405,0.50910926],"study_design_scores_gemma":[0.0000172267,0.000031780677,0.0041801482,0.025968105,0.000074431446,0.00068599614,0.001299113,0.00002161151,0.00004484565,0.0008701503,0.9667771,0.00002951927],"about_ca_topic_score_codex":0.06085362,"about_ca_topic_score_gemma":0.092992775,"teacher_disagreement_score":0.06085362,"about_ca_system_score_codex":0.0026972664,"about_ca_system_score_gemma":0.005022148,"threshold_uncertainty_score":0.12099886},"labels":[],"label_agreement":null},{"id":"W4398226641","doi":"10.1353/vpr.2023.a927885","title":"Writing for Social Change in Temperance Periodicals: Conviction and Career by Annemarie McAllister (review)","year":2023,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Conviction; Sociology; Aesthetics; Epistemology; Psychoanalysis; Psychology; Law; Philosophy; Political science","score_opus":0.09021727583632784,"score_gpt":0.32900399562999644,"score_spread":0.2387867197936686,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4398226641","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00009177005,0.9509645,0.00009939766,0.024663292,0.017475626,0.00008389094,0.00014738209,0.000036326008,0.006437837],"genre_scores_gemma":[0.0014174025,0.95904946,0.00032266363,0.016314024,0.008025271,0.00026377416,0.00029109087,0.00003871415,0.014277675],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99545705,0.0009596621,0.000671064,0.0004526295,0.0021186823,0.00034090868],"domain_scores_gemma":[0.9813813,0.005188744,0.00258272,0.0004091932,0.008062069,0.0023759734],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0058763144,0.0012662471,0.0019885076,0.0038267262,0.0011937198,0.0055256397,0.0022047667,0.0028196347,0.048101433],"category_scores_gemma":[0.024280557,0.000721548,0.0013284018,0.005053998,0.0015562294,0.0047635864,0.0024690444,0.005203414,0.018851656],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038342198,0.000016970233,0.000115766066,0.00925786,0.00006864789,0.000050961826,0.00013493917,0.000024568531,0.00006190954,0.00068944873,0.81274474,0.17679587],"study_design_scores_gemma":[0.000035229983,0.000028463528,0.0011686574,0.02341492,0.00007151255,0.00017304577,0.0002121354,0.00001231293,0.00004014403,0.0003245534,0.9744955,0.000023665085],"about_ca_topic_score_codex":0.006111246,"about_ca_topic_score_gemma":0.009106944,"teacher_disagreement_score":0.048101433,"about_ca_system_score_codex":0.0034883604,"about_ca_system_score_gemma":0.012185319,"threshold_uncertainty_score":0.16091532},"labels":[],"label_agreement":null},{"id":"W4398348145","doi":"10.7910/dvn/5wktzv","title":"Fictionality","year":2016,"lang":"en","type":"dataset","venue":"Harvard Dataverse","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Computer science","score_opus":0.0291438194959406,"score_gpt":0.2401583393752902,"score_spread":0.21101451987934958,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4398348145","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003242295,0.0001929742,0.00024507174,0.00012889483,0.000066617315,0.00002209273,0.99357176,0.00071206153,0.004736297],"genre_scores_gemma":[0.000824654,0.00013600272,0.0006971515,0.00005539732,0.000019063778,0.00008576177,0.9946379,0.00018138185,0.0033626216],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99910396,0.0001530171,0.00012286514,0.00024003258,0.00027452764,0.000105570776],"domain_scores_gemma":[0.99679047,0.0011333425,0.00031634574,0.00068295636,0.0008131624,0.00026374342],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00072736485,0.001557152,0.0007791173,0.010685387,0.0014255376,0.003110667,0.0015706845,0.0012400687,0.16671939],"category_scores_gemma":[0.008594826,0.0005059714,0.00055566925,0.010548932,0.0005894588,0.0026917374,0.0027505986,0.0017494239,0.14318596],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002623269,0.000012115092,0.00045797968,0.00059023197,0.000008009619,0.000029851839,0.000105620806,0.00009096264,0.0001476309,0.0014057902,0.9887888,0.00833686],"study_design_scores_gemma":[0.000011819293,0.0000035964842,0.0010338714,0.00016002648,0.0000043177693,0.00005734948,0.00008727896,0.00010060762,0.00017147341,0.0008913995,0.9974667,0.000011578412],"about_ca_topic_score_codex":0.01379275,"about_ca_topic_score_gemma":0.031348683,"teacher_disagreement_score":0.16671939,"about_ca_system_score_codex":0.0014101074,"about_ca_system_score_gemma":0.0020240652,"threshold_uncertainty_score":0.5577319},"labels":[],"label_agreement":null},{"id":"W4400580755","doi":"10.5325/philrhet.57.1.0030","title":"Figuring the Topos: Finding Common Ground in Cognitive Environments","year":2024,"lang":"en","type":"article","venue":"Philosophy and Rhetoric","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Topos theory; Figuring; Common ground; Cognition; Computer science; Mathematics; Physics; Art; Psychology; Communication; Astronomy; Literature","score_opus":0.05827019360311416,"score_gpt":0.2696944171496502,"score_spread":0.21142422354653603,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400580755","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27525154,0.0012898492,0.56625324,0.010071394,0.00039337296,0.00033706293,0.00011810545,0.0006559008,0.1456296],"genre_scores_gemma":[0.9503855,0.00016109268,0.046737358,0.00015676513,0.0000365343,0.00008812818,0.000043163232,0.000096961994,0.0022945586],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.976665,0.017885802,0.00063006015,0.0016982584,0.0022630815,0.00085770217],"domain_scores_gemma":[0.97381556,0.017505374,0.0023308308,0.003547598,0.0016131804,0.0011874344],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.013060929,0.00065843726,0.00065162993,0.0051948754,0.007835438,0.015424009,0.0021949124,0.0028728123,0.004775005],"category_scores_gemma":[0.029452123,0.00067469897,0.000858881,0.002850148,0.04036605,0.0219411,0.015758943,0.0028963182,0.00061347743],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006656016,0.00004296242,0.0012681901,0.00016007142,0.000024646573,0.0011227654,0.2393358,0.0009866874,0.0015187463,0.73160493,0.0011246423,0.022743903],"study_design_scores_gemma":[0.000031972177,0.00009191761,0.0011116934,0.0004614176,0.000035423673,0.0007650587,0.18631448,0.0069861864,0.00220197,0.7333443,0.06859298,0.00006264728],"about_ca_topic_score_codex":0.0013472474,"about_ca_topic_score_gemma":0.0011558221,"teacher_disagreement_score":0.015424009,"about_ca_system_score_codex":0.0026210195,"about_ca_system_score_gemma":0.0027062215,"threshold_uncertainty_score":0.06907362},"labels":[],"label_agreement":null},{"id":"W4400610465","doi":"10.55016/ojs/jah.v2016y2016.53273","title":"Guest Editorial: Preface to \"A Strange and Earnest Client\" Part One of the Case of the Disappearing/Appearing Slow Learner: An Interpretive Mystery","year":2016,"lang":"en","type":"editorial","venue":"Journal of Applied Hermeneutics","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"History; Literature; Art history; Art","score_opus":0.016705734473519102,"score_gpt":0.2553870154323982,"score_spread":0.2386812809588791,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400610465","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000025703035,0.0019196529,0.000060647657,0.031852406,0.9643454,0.000015292784,0.00004131742,0.000030431644,0.0017091667],"genre_scores_gemma":[0.00053243106,0.0028400768,0.000077169556,0.018316317,0.9596877,0.000031024963,0.00004381459,0.00005089406,0.0184205],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957113,0.00070252625,0.0004912452,0.00049016834,0.0023520386,0.00025273513],"domain_scores_gemma":[0.981125,0.0073184785,0.001123959,0.0005165716,0.0071556205,0.0027603519],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005481897,0.002439457,0.0026051905,0.0032308458,0.004736785,0.0073191053,0.0027474614,0.012336849,0.023746394],"category_scores_gemma":[0.03030376,0.00084236736,0.0016503556,0.0014892096,0.0027360742,0.00404976,0.00186668,0.017694164,0.017906282],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000928495,0.0000037734724,0.000008244309,0.00006421725,0.000002331034,0.000097217286,0.00001520898,0.000007720756,0.000023179715,0.000121413184,0.9982874,0.0013600329],"study_design_scores_gemma":[0.000019972334,0.000015688714,0.0001756154,0.0005003349,0.000012962047,0.00035389894,0.00008187383,0.0000722209,0.00007474666,0.00059344433,0.99808574,0.000013566281],"about_ca_topic_score_codex":0.0027607607,"about_ca_topic_score_gemma":0.008456951,"teacher_disagreement_score":0.023746394,"about_ca_system_score_codex":0.003289274,"about_ca_system_score_gemma":0.003968035,"threshold_uncertainty_score":0.07943964},"labels":[],"label_agreement":null},{"id":"W4400685860","doi":"10.3138/smr.2006.0035","title":"Cultural Transfer and Condensation of Memory: Textual Displacement in Henry Kreisel’s Short Stories","year":2006,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Displacement (psychology); Condensation; Art; Physics; Psychoanalysis; Psychology; Thermodynamics","score_opus":0.036892645920510676,"score_gpt":0.29239066759624105,"score_spread":0.2554980216757304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400685860","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7320338,0.0045139818,0.009569593,0.040673815,0.0007060998,0.00008359074,0.000323993,0.00013567586,0.2119595],"genre_scores_gemma":[0.984909,0.00036537345,0.00052306143,0.00048530556,0.000093558476,0.000017175287,0.00003557089,0.00009466032,0.013476288],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99818015,0.001115617,0.000057268197,0.00016323902,0.00025373753,0.0002300424],"domain_scores_gemma":[0.99338746,0.0051202755,0.00042199294,0.00041809943,0.00038278755,0.0002694806],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014817219,0.0003918587,0.00022192471,0.0013432008,0.0061384006,0.0047824136,0.00090828235,0.0018280968,0.005091237],"category_scores_gemma":[0.015972374,0.0003108374,0.00015675396,0.0010979463,0.012143187,0.006932746,0.0041860645,0.002912677,0.0005674779],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009796421,0.000018320121,0.00079626724,0.000072467774,0.000008293703,0.0013020536,0.8982582,0.00008282664,0.0013561344,0.07585807,0.005903414,0.016245883],"study_design_scores_gemma":[0.000028593291,0.000054535587,0.005171053,0.00027770107,0.000019127823,0.0019563248,0.6218214,0.00034033036,0.006601353,0.025774835,0.33789763,0.000057017576],"about_ca_topic_score_codex":0.006750714,"about_ca_topic_score_gemma":0.009742303,"teacher_disagreement_score":0.006750714,"about_ca_system_score_codex":0.0036931303,"about_ca_system_score_gemma":0.000991701,"threshold_uncertainty_score":0.026795685},"labels":[],"label_agreement":null},{"id":"W4402090814","doi":"10.1353/vcr.2024.a936081","title":"Introduction: Victorian Talk","year":2024,"lang":"en","type":"article","venue":"Victorian review","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art","score_opus":0.017011602684020466,"score_gpt":0.2505719250122919,"score_spread":0.23356032232827145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402090814","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002917847,0.18959025,0.0007559144,0.32016784,0.41695097,0.0001339134,0.0014841584,0.00021738737,0.07040785],"genre_scores_gemma":[0.0057394747,0.06463937,0.00085982785,0.41791707,0.15542747,0.0005055482,0.0012287522,0.0006869242,0.3529956],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99560297,0.00092475844,0.00034428365,0.00067377,0.0016398638,0.00081434526],"domain_scores_gemma":[0.9914758,0.0027823667,0.0006792609,0.00053184316,0.0029702145,0.0015605727],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007084555,0.0012748289,0.0014383744,0.0057709836,0.0040446725,0.009960883,0.0025723504,0.009313999,0.07549371],"category_scores_gemma":[0.027009375,0.00083409104,0.0011316637,0.0049162875,0.0028722906,0.0071538347,0.008057024,0.01130111,0.035639163],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010446886,0.0000023355392,0.000010201974,0.00019472443,0.0000023729929,0.0000093142935,0.00006213661,0.0000063568987,0.000023312787,0.003003361,0.99208856,0.0045869],"study_design_scores_gemma":[0.0000034921254,0.0000021388566,0.00012959294,0.0005284375,0.0000032627543,0.0000144062205,0.00007204752,0.000004622579,0.000013839564,0.001056493,0.9981665,0.0000053067215],"about_ca_topic_score_codex":0.02559208,"about_ca_topic_score_gemma":0.05004394,"teacher_disagreement_score":0.07549371,"about_ca_system_score_codex":0.011200843,"about_ca_system_score_gemma":0.0143791055,"threshold_uncertainty_score":0.25255162},"labels":[],"label_agreement":null},{"id":"W4402861063","doi":"10.4324/9781003533122-5","title":"Metafictionality, creative treason, and postmemory","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Genealogy; Visual arts; History","score_opus":0.03424178362252168,"score_gpt":0.2315358286576435,"score_spread":0.19729404503512182,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402861063","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35284728,0.00828523,0.004307995,0.0081598135,0.00038391724,0.00002521906,0.00004768866,0.00007570904,0.6258671],"genre_scores_gemma":[0.98979354,0.00057204405,0.00026025853,0.0002628121,0.00007970813,0.000010102007,0.000015084912,0.000026300098,0.008980046],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9989417,0.00045511388,0.000041164236,0.0001988583,0.00015263158,0.0002104918],"domain_scores_gemma":[0.9974425,0.0010830723,0.00048623,0.00052685855,0.00022599282,0.00023538157],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002173005,0.00033713356,0.0002135155,0.0011899875,0.0043468704,0.009220162,0.0010248994,0.0010979845,0.010149651],"category_scores_gemma":[0.0067424728,0.00018738996,0.00020027225,0.0009908524,0.026461996,0.010059431,0.004777224,0.0020928003,0.00071189593],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000118895245,0.00009222021,0.003624441,0.000120670185,0.000013529719,0.00072854816,0.28535748,0.00010281277,0.00064944115,0.65781486,0.0036920726,0.04768498],"study_design_scores_gemma":[0.000077950295,0.00021340435,0.013828486,0.00077699625,0.000040937153,0.0016186342,0.26997155,0.00043743674,0.0023979824,0.45683122,0.25373822,0.000067135545],"about_ca_topic_score_codex":0.0013373456,"about_ca_topic_score_gemma":0.002388134,"teacher_disagreement_score":0.010149651,"about_ca_system_score_codex":0.0024279845,"about_ca_system_score_gemma":0.0013205437,"threshold_uncertainty_score":0.033953965},"labels":[],"label_agreement":null},{"id":"W4403549834","doi":"10.1386/jicms_00281_1","title":"Once upon a time in Naples: Intermediality and Bildung as chronotope in The Hand of God and Martin Eden","year":2024,"lang":"en","type":"article","venue":"Journal of Italian Cinema and Media Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Chronotope; Bildung; Art; Humanities; Literature","score_opus":0.02771787928940938,"score_gpt":0.2901329288500561,"score_spread":0.2624150495606467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403549834","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2343855,0.028471554,0.004165983,0.020686958,0.0009892063,0.000051073024,0.00010058712,0.000118798846,0.7110304],"genre_scores_gemma":[0.9428268,0.0045544184,0.0009259722,0.00059299974,0.00028622645,0.000031215728,0.000029595523,0.00005655134,0.05069624],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995197,0.00025426492,0.000006950331,0.000066360284,0.00006899529,0.00008379388],"domain_scores_gemma":[0.9995372,0.0002402379,0.00007286094,0.000036031168,0.000029080808,0.00008460291],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00080595806,0.00046696045,0.00016750957,0.001018958,0.0044167843,0.006780365,0.00070807204,0.0010392308,0.0052632485],"category_scores_gemma":[0.0013468964,0.00026273486,0.00012964901,0.0006116052,0.013043822,0.0052184197,0.003025097,0.002095092,0.0003528787],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006683122,0.000013664409,0.00045717912,0.00013728355,0.0000057780453,0.0007962684,0.32463038,0.00010486108,0.00073099317,0.64872605,0.011727231,0.012603459],"study_design_scores_gemma":[0.0000138357445,0.000045820336,0.0031254906,0.00070347154,0.000015398029,0.00071071857,0.1413042,0.00023977159,0.0007364546,0.036028855,0.8170479,0.000028158269],"about_ca_topic_score_codex":0.012475751,"about_ca_topic_score_gemma":0.022677917,"teacher_disagreement_score":0.012475751,"about_ca_system_score_codex":0.00480488,"about_ca_system_score_gemma":0.0009929801,"threshold_uncertainty_score":0.034861982},"labels":[],"label_agreement":null},{"id":"W4404805466","doi":"10.59295/sum4(184)2024_21","title":"Author’s position and problems in chris humphreys’s novel ,,Vlad: the last confession”","year":2024,"lang":"en","type":"article","venue":"Studia Universitatis Moldaviae Seria Ştiinţe Umanistice","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Confession (law); Position (finance); Psychology; History; Economics; Finance; Archaeology","score_opus":0.02392688502140731,"score_gpt":0.24235954325718412,"score_spread":0.21843265823577682,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404805466","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04721221,0.04700612,0.003165815,0.49360287,0.0115401605,0.0000536795,0.00026404444,0.00014544545,0.39700967],"genre_scores_gemma":[0.819413,0.011707927,0.0023475587,0.03849836,0.0030009185,0.00007569677,0.0001018284,0.00030066635,0.1245541],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950589,0.0025169693,0.000095593525,0.0006717297,0.001016012,0.0006407984],"domain_scores_gemma":[0.99609464,0.0020247793,0.0003014742,0.00011877295,0.00095741276,0.0005028655],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00488214,0.00038563894,0.00041541836,0.0017194304,0.022833714,0.01521131,0.0016266583,0.0037290868,0.004388653],"category_scores_gemma":[0.009214497,0.00031426086,0.00021199265,0.0019319472,0.024157075,0.004219952,0.0025115912,0.005769714,0.0007584929],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005090988,0.000017464792,0.00047920577,0.00012362452,0.000007868997,0.00064159225,0.14153263,0.00009728787,0.00011616206,0.59242094,0.24882276,0.01568956],"study_design_scores_gemma":[0.000007983442,0.000008484967,0.0006678394,0.00037553612,0.0000063331663,0.00040974628,0.10648037,0.00011394912,0.00021660772,0.02629477,0.8653892,0.00002920695],"about_ca_topic_score_codex":0.25768802,"about_ca_topic_score_gemma":0.36579895,"teacher_disagreement_score":0.25768802,"about_ca_system_score_codex":0.024929726,"about_ca_system_score_gemma":0.0142038,"threshold_uncertainty_score":0.5123762},"labels":[],"label_agreement":null},{"id":"W4404901839","doi":"10.21248/gkjf-jb.130","title":"Spaß machen –","year":2024,"lang":"de","type":"article","venue":"Jahrbuch der Gesellschaft für Kinder- und Jugendliteraturforschung","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Advanced Micro Devices (Canada)","funders":"","keywords":"Political science; Business","score_opus":0.021387119126134124,"score_gpt":0.2996584480185241,"score_spread":0.27827132889239,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404901839","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0044753747,0.0029262914,0.004790404,0.014439904,0.005028971,0.00018970497,0.0010725709,0.0006306345,0.9664461],"genre_scores_gemma":[0.059459604,0.0024373971,0.0031078132,0.0052290927,0.00083536684,0.00022098464,0.0011953737,0.0006530484,0.92686135],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989429,0.00026854852,0.000056935412,0.0002630107,0.00031907685,0.00014961795],"domain_scores_gemma":[0.99939644,0.00011356592,0.000056456032,0.00011449156,0.00019890138,0.0001201148],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007859872,0.0011716071,0.0005222238,0.0012057895,0.0052767717,0.007208941,0.0013325022,0.00286073,0.28553903],"category_scores_gemma":[0.0030236288,0.0005012268,0.0005991015,0.0011934936,0.0031608185,0.008548508,0.005092548,0.0035433806,0.14011508],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013196579,0.000055046265,0.00082332914,0.00042656355,0.00001879647,0.0005610161,0.017554488,0.00013105024,0.0009509242,0.22046399,0.6267398,0.13214305],"study_design_scores_gemma":[0.0000034588786,0.000008611591,0.00045224966,0.00012548213,0.000002355967,0.00017858161,0.0029850134,0.000051289997,0.00011860202,0.0060498803,0.99001545,0.000008967012],"about_ca_topic_score_codex":0.00860394,"about_ca_topic_score_gemma":0.013916323,"teacher_disagreement_score":0.71446097,"about_ca_system_score_codex":0.0023231911,"about_ca_system_score_gemma":0.00197795,"threshold_uncertainty_score":0.9552232},"labels":[],"label_agreement":null},{"id":"W4405099446","doi":"10.1215/03335372-11381598","title":"Telling Time: A Rhetorical Approach to Narrative Order","year":2024,"lang":"en","type":"article","venue":"Poetics Today","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Narrative; Rhetorical question; Narratology; Character (mathematics); Order (exchange); Literature; Narrative psychology; Privilege (computing); Philosophy; Sociology; Epistemology; History; Narrative inquiry; Narrative criticism; Art; Computer science","score_opus":0.03431910834746527,"score_gpt":0.26282159733483235,"score_spread":0.22850248898736708,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405099446","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05620486,0.007775439,0.24609907,0.035834987,0.0024234145,0.00014504809,0.00020686942,0.00036238498,0.650948],"genre_scores_gemma":[0.96388865,0.0013003141,0.0206142,0.00078016275,0.0007525002,0.00010706823,0.000062753,0.000107164866,0.0123871295],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99350476,0.005094409,0.00019275775,0.00039211588,0.00058374583,0.00023213138],"domain_scores_gemma":[0.9911827,0.006418243,0.0007151032,0.0005847277,0.00076365593,0.00033565055],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0051046084,0.00055394083,0.00035286727,0.0025234278,0.0050313277,0.008143324,0.0014621803,0.0018309916,0.0045593586],"category_scores_gemma":[0.00953035,0.00036251007,0.00039997572,0.0013450781,0.021926217,0.011457142,0.004231915,0.0033081044,0.00051653344],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011992776,0.0000049469263,0.00005743635,0.00002594769,0.00000182168,0.00004722689,0.011532929,0.00012495439,0.000095252755,0.9849673,0.0010760683,0.0020541481],"study_design_scores_gemma":[0.000028093607,0.000042713134,0.00019343945,0.00024489607,0.00001537129,0.0001882081,0.012706719,0.002127631,0.0008412172,0.83201253,0.15157807,0.000021105612],"about_ca_topic_score_codex":0.0019047781,"about_ca_topic_score_gemma":0.002256228,"teacher_disagreement_score":0.008143324,"about_ca_system_score_codex":0.0049618026,"about_ca_system_score_gemma":0.0020703962,"threshold_uncertainty_score":0.03600055},"labels":[],"label_agreement":null},{"id":"W4406457419","doi":"10.1016/s1544-8800(07)70306-8","title":"10.1016/s1544-8800(07)70306-8","year":2000,"lang":"en","type":"article","venue":"Time to knit","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.009718992926534827,"score_gpt":0.1662677889761042,"score_spread":0.15654879604956937,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406457419","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002877586,0.00032534852,0.0005550243,0.0002931519,0.00019001588,0.000078011144,0.0005790544,0.0008352877,0.99685633],"genre_scores_gemma":[0.00045172955,0.00016603991,0.00028605878,0.00015747112,0.000041098505,0.000046738936,0.00030835374,0.00015003904,0.9983925],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992874,0.00006280172,0.00006275617,0.00023783471,0.00020349951,0.0001457279],"domain_scores_gemma":[0.997624,0.00072086934,0.00014444569,0.0003011951,0.00047374226,0.00073562976],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0011681964,0.002580061,0.0016399317,0.0028530783,0.0027809844,0.004657207,0.0032668808,0.006136908,0.9908283],"category_scores_gemma":[0.002094844,0.0010028478,0.0013929901,0.002831482,0.001992139,0.006259836,0.004233016,0.0025877357,0.99234843],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023101916,0.00016740599,0.00071153755,0.0005386222,0.000028214141,0.00021235972,0.00013142929,0.00032502643,0.0013757611,0.0065677217,0.38982797,0.5998829],"study_design_scores_gemma":[0.000037405458,0.00007719616,0.0005803297,0.0003078678,0.000011845461,0.00025092284,0.00015604853,0.00017159381,0.00026956058,0.00065214967,0.9974657,0.00001940614],"about_ca_topic_score_codex":0.0050422004,"about_ca_topic_score_gemma":0.0044672075,"teacher_disagreement_score":0.009171724,"about_ca_system_score_codex":0.0013410432,"about_ca_system_score_gemma":0.0014780078,"threshold_uncertainty_score":0.013082266},"labels":[],"label_agreement":null},{"id":"W4406730326","doi":"10.7202/1115723ar","title":"Narrated Counter-Narratives and Assumed Grand Narratives about Contemporary Work: Halle Butler’s The New Me","year":2024,"lang":"en","type":"article","venue":"Narrative Works","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Work (physics); History; Literature; Sociology; Art; Engineering","score_opus":0.031940350737397434,"score_gpt":0.2604938812806081,"score_spread":0.22855353054321065,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406730326","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41365588,0.012657023,0.010760665,0.09621195,0.0031521225,0.00010598611,0.0001810899,0.00011488477,0.46316043],"genre_scores_gemma":[0.9590295,0.0019530652,0.0010414697,0.0024880797,0.00028356275,0.000062638006,0.000037163285,0.000080343154,0.03502417],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9947068,0.004105494,0.000053955253,0.00029905458,0.0005196549,0.0003150727],"domain_scores_gemma":[0.99621576,0.0026518628,0.00031042632,0.0001785446,0.0002208671,0.00042246212],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036661967,0.0005723722,0.00039044378,0.000977762,0.013445803,0.011615172,0.0013353893,0.0027155213,0.004219425],"category_scores_gemma":[0.0075045624,0.00035743907,0.00019134097,0.00097344635,0.036008704,0.008079903,0.0066278162,0.005247882,0.000724708],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033717297,0.000016671354,0.0002219655,0.00005415182,0.000003518231,0.00039300637,0.7742554,0.00005788411,0.00021611415,0.21382564,0.0078806225,0.0030413251],"study_design_scores_gemma":[0.000011112213,0.00002165551,0.00030818506,0.00020583883,0.0000049360015,0.0004326248,0.5353039,0.00013610859,0.00052335823,0.023638733,0.439396,0.000017551089],"about_ca_topic_score_codex":0.007754073,"about_ca_topic_score_gemma":0.016822468,"teacher_disagreement_score":0.013445803,"about_ca_system_score_codex":0.0071362723,"about_ca_system_score_gemma":0.0022912824,"threshold_uncertainty_score":0.051777482},"labels":[],"label_agreement":null},{"id":"W4406737795","doi":"10.7202/1115720ar","title":"Editors’ Introduction","year":2024,"lang":"en","type":"article","venue":"Narrative Works","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.013555392047327456,"score_gpt":0.24124817882178748,"score_spread":0.22769278677446003,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406737795","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007905195,0.008150402,0.00044580584,0.035231184,0.9095355,0.00008260432,0.0006572066,0.00022822472,0.045590032],"genre_scores_gemma":[0.001253285,0.008671558,0.0006589831,0.046299458,0.57390827,0.00020396634,0.00077781884,0.00032911546,0.3678976],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969765,0.00043916184,0.00024275797,0.00052091066,0.0014759289,0.00034470472],"domain_scores_gemma":[0.98769414,0.002645399,0.0010099706,0.00083046826,0.0052636513,0.0025563445],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0037821017,0.0016992012,0.0012804039,0.004218626,0.0021616286,0.0072294576,0.0030884966,0.0052285343,0.353356],"category_scores_gemma":[0.020269377,0.0006692854,0.0014068728,0.0019904852,0.0012086504,0.003797099,0.0034425114,0.0054877936,0.18199453],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009661133,0.0000049966907,0.000011574944,0.00012146153,0.0000020264902,0.000014689327,0.000008127457,0.000013048721,0.000031526884,0.00046132712,0.9889437,0.010377856],"study_design_scores_gemma":[0.0000070785813,0.0000052768105,0.000048162547,0.00012266301,0.0000025500324,0.00002318343,0.0000120555615,0.0000101222,0.000025164412,0.0004332381,0.9993075,0.0000031071218],"about_ca_topic_score_codex":0.0011124092,"about_ca_topic_score_gemma":0.0029163933,"teacher_disagreement_score":0.353356,"about_ca_system_score_codex":0.0016450275,"about_ca_system_score_gemma":0.0030295958,"threshold_uncertainty_score":0.92235917},"labels":[],"label_agreement":null},{"id":"W4407811768","doi":"10.1080/1358684x.2024.2445174","title":"When the Subject Becomes the Other: Close Writing for Non-Subsumptive Understanding and Narrative Agency","year":2025,"lang":"en","type":"article","venue":"Changing English","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University; Simon Fraser University; University of Calgary","funders":"","keywords":"Narrative; Subject (documents); Agency (philosophy); Sociology; Psychology; Pedagogy; Linguistics; Social science; Computer science; Philosophy; Library science","score_opus":0.04505785428431296,"score_gpt":0.2653555063517274,"score_spread":0.22029765206741442,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407811768","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51095587,0.0071319058,0.046637975,0.014876591,0.0013410591,0.00021333339,0.00006390127,0.00019779018,0.41858155],"genre_scores_gemma":[0.9860239,0.0007141734,0.0029786828,0.00041414765,0.00013223845,0.000064536,0.000016536324,0.000073431474,0.0095824],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9903983,0.0076147746,0.00017285025,0.0005977603,0.0008018932,0.00041449405],"domain_scores_gemma":[0.9840829,0.0122285625,0.00128027,0.00095364876,0.0006890286,0.00076572015],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006017997,0.00067723944,0.00059035193,0.001730657,0.011019437,0.013070669,0.0012828289,0.0021251948,0.0055409395],"category_scores_gemma":[0.021957643,0.0003280459,0.0004124832,0.0012831716,0.028738592,0.01445567,0.008835417,0.005140869,0.00061273243],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028221062,0.000022389002,0.00033841497,0.00009866817,0.0000044559256,0.00064223155,0.91856664,0.000033075616,0.00042358087,0.06990387,0.0009049967,0.009033402],"study_design_scores_gemma":[0.0000113937285,0.00007012745,0.0011625045,0.00054997124,0.000015004824,0.0013370586,0.87563664,0.0002968569,0.0011306237,0.03936114,0.08040466,0.000024018858],"about_ca_topic_score_codex":0.0009407556,"about_ca_topic_score_gemma":0.0013217335,"teacher_disagreement_score":0.013070669,"about_ca_system_score_codex":0.0021144815,"about_ca_system_score_gemma":0.0017296169,"threshold_uncertainty_score":0.031826615},"labels":[],"label_agreement":null},{"id":"W4408895443","doi":"10.5007/2175-8026.2024.e97655","title":"Affective experientiality in Richard Ford’s Canada: a cognitive narratological reading","year":2024,"lang":"en","type":"article","venue":"Ilha do Desterro A Journal of English Language Literatures in English and Cultural Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reading (process); Linguistics; Cognition; Psychology; Cognitive science; Sociology; Psychoanalysis; Philosophy","score_opus":0.016543586709898795,"score_gpt":0.282855854259516,"score_spread":0.2663122675496172,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408895443","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37202692,0.006750174,0.004945591,0.06004209,0.0013731092,0.00010547374,0.00032117477,0.00010261143,0.55433285],"genre_scores_gemma":[0.97630036,0.0013281703,0.00081819255,0.0015025015,0.00007650705,0.000017970844,0.000028595603,0.00003319224,0.019894531],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99856865,0.00064321683,0.000020260388,0.00013891993,0.00027700368,0.00035198484],"domain_scores_gemma":[0.9984397,0.0006647839,0.00015594623,0.000053128366,0.00034094483,0.00034547277],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011666236,0.0005466364,0.00028172342,0.0010532626,0.014251757,0.0093309395,0.0011620297,0.001863911,0.0027568673],"category_scores_gemma":[0.0032696615,0.0002511973,0.0001856639,0.0011138895,0.024869993,0.002019775,0.0022945767,0.0029271008,0.00023433234],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008054147,0.000032208,0.0021372805,0.00010261739,0.000010957719,0.0022527997,0.69227594,0.0004302351,0.0008072495,0.2686319,0.024021327,0.009216926],"study_design_scores_gemma":[0.000008206066,0.000016633529,0.002305353,0.00016558108,0.000009232666,0.000917927,0.5499942,0.00027684215,0.00049964234,0.011470724,0.43428504,0.00005064377],"about_ca_topic_score_codex":0.8088453,"about_ca_topic_score_gemma":0.8675209,"teacher_disagreement_score":0.19115472,"about_ca_system_score_codex":0.04940848,"about_ca_system_score_gemma":0.020392144,"threshold_uncertainty_score":0.38456088},"labels":[],"label_agreement":null},{"id":"W4408955483","doi":"10.1525/sfs.33.1.205b","title":"Special <i>SFS</i> Issue on “The Animal”: Call for Essays","year":2006,"lang":"en","type":"article","venue":"Science Fiction Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Francis Xavier University","funders":"","keywords":"History","score_opus":0.05919603975048263,"score_gpt":0.29646230892855285,"score_spread":0.23726626917807023,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408955483","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00037240697,0.004698693,0.00046371203,0.19558118,0.74238175,0.00013038923,0.00025311505,0.00024903822,0.05586975],"genre_scores_gemma":[0.0049496056,0.002439137,0.00058552745,0.11356866,0.66519487,0.00033346348,0.00033637,0.00051711604,0.2120753],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.996375,0.00093531463,0.00033681892,0.00041887845,0.0013695275,0.0005644729],"domain_scores_gemma":[0.9764484,0.011013865,0.0013055864,0.001451823,0.0064668735,0.003313402],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006782607,0.0021609797,0.0028608635,0.005930996,0.010119701,0.0118385125,0.0032129714,0.018915381,0.086190514],"category_scores_gemma":[0.024827685,0.0008105985,0.0025018991,0.0036443328,0.0048099263,0.008670439,0.00546001,0.0156579,0.030836085],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013840057,0.000012716955,0.000020212336,0.00005980236,0.00000271043,0.00002847307,0.00007231216,0.000005724054,0.000069739304,0.0015388558,0.9960245,0.0021511582],"study_design_scores_gemma":[0.00001818091,0.000029103563,0.0005815533,0.00032058696,0.000012802351,0.000059369344,0.00038091582,0.0000499142,0.0001074091,0.0029046529,0.99551815,0.00001739601],"about_ca_topic_score_codex":0.003875056,"about_ca_topic_score_gemma":0.012136281,"teacher_disagreement_score":0.086190514,"about_ca_system_score_codex":0.005443492,"about_ca_system_score_gemma":0.0034395223,"threshold_uncertainty_score":0.28833604},"labels":[],"label_agreement":null},{"id":"W4408999872","doi":"10.7202/1117021ar","title":"Eric Schwitzgebel, 'The Weirdness of the World'","year":2025,"lang":"en","type":"article","venue":"Philosophy in Review","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.04883896569239074,"score_gpt":0.28944890423465647,"score_spread":0.24060993854226573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408999872","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00009706654,0.83942044,0.00023954606,0.14373252,0.014940522,0.000008800401,0.000056775378,0.000015212371,0.0014891004],"genre_scores_gemma":[0.00542407,0.84049445,0.00071781094,0.12401529,0.018406473,0.000090577385,0.00010596045,0.000066554174,0.010678754],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955134,0.0020902783,0.00038788212,0.0004101375,0.0013928538,0.00020548896],"domain_scores_gemma":[0.9822097,0.013513324,0.0006749861,0.0002652388,0.002641308,0.0006954213],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007976946,0.0009734561,0.0011715082,0.00526221,0.0022136392,0.0071708057,0.001473654,0.0067860135,0.005416848],"category_scores_gemma":[0.03048542,0.00063386385,0.00035614788,0.0070708697,0.005400137,0.012484378,0.003280893,0.006574466,0.0023822438],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029818939,0.000013632056,0.00015898953,0.0022143235,0.00002554188,0.000053823507,0.0018970952,0.000041812986,0.000060717557,0.026300257,0.9316888,0.037515264],"study_design_scores_gemma":[0.000026946784,0.000010924084,0.0006167736,0.0029589664,0.000020884034,0.00009675042,0.0013200752,0.000021593723,0.00009031084,0.020878341,0.97393835,0.000020118676],"about_ca_topic_score_codex":0.019716477,"about_ca_topic_score_gemma":0.0407333,"teacher_disagreement_score":0.019716477,"about_ca_system_score_codex":0.0031267444,"about_ca_system_score_gemma":0.008359387,"threshold_uncertainty_score":0.042186618},"labels":[],"label_agreement":null},{"id":"W4409504928","doi":"10.1515/ang-2025-0011","title":"Power the Dark Lord Knows Not: The Fractal Serialities of Fanfiction","year":2025,"lang":"en","type":"article","venue":"Anglia - Zeitschrift für englische Philologie","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Fractal; Mathematics; Art; Combinatorics; Mathematical analysis","score_opus":0.027432909371921492,"score_gpt":0.27743297724262667,"score_spread":0.25000006787070517,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409504928","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23095287,0.0041236957,0.018286126,0.02327351,0.0018006488,0.000043094715,0.00006587115,0.00027144773,0.7211827],"genre_scores_gemma":[0.982274,0.00033795866,0.0009012686,0.0005787802,0.0003137125,0.000012461371,0.000015481059,0.000075755845,0.015490667],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9978422,0.0013016603,0.000034188215,0.00019496017,0.0004112589,0.00021582286],"domain_scores_gemma":[0.9935163,0.0045606173,0.00039026217,0.0007031965,0.0005153628,0.0003143363],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003234996,0.00037478152,0.00025217398,0.0017057054,0.0057030916,0.008505776,0.00071540696,0.0015509571,0.0062063104],"category_scores_gemma":[0.010634033,0.00021454033,0.00022043499,0.00082938647,0.026939772,0.0068697226,0.003377943,0.0027474756,0.0004334069],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044071203,0.000019508827,0.00084260176,0.00006524722,0.0000068995196,0.0006389227,0.11790799,0.00024812983,0.00032256191,0.85141706,0.012212197,0.016274866],"study_design_scores_gemma":[0.000031477874,0.00009212759,0.0021607757,0.00048606787,0.000018324268,0.0015791235,0.055183575,0.0015120578,0.001466312,0.22072563,0.71669734,0.000047229685],"about_ca_topic_score_codex":0.0018335616,"about_ca_topic_score_gemma":0.002455148,"teacher_disagreement_score":0.008505776,"about_ca_system_score_codex":0.0035723129,"about_ca_system_score_gemma":0.0010800641,"threshold_uncertainty_score":0.02591908},"labels":[],"label_agreement":null},{"id":"W4409808407","doi":"10.14361/9783839474372","title":"Apokalypse und Apathie","year":2025,"lang":"de","type":"book","venue":"transcript Verlag eBooks","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Cambridge; York University; Fordham University; Princeton University","keywords":"Political science","score_opus":0.025264213558039837,"score_gpt":0.24297211301455213,"score_spread":0.21770789945651228,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409808407","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002152607,0.030746045,0.0034294173,0.012692258,0.003934371,0.00005300786,0.00008621948,0.00013626854,0.94676983],"genre_scores_gemma":[0.067762606,0.026981935,0.002013328,0.0043253386,0.0018164671,0.00011168415,0.000120567885,0.00022016518,0.896648],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9992723,0.0002725099,0.0000285869,0.00011909073,0.00021946208,0.000088108194],"domain_scores_gemma":[0.9992874,0.00029384636,0.0000731152,0.00009290206,0.0001313458,0.00012136327],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00059737515,0.00065768935,0.0003173829,0.0012192276,0.003621947,0.0059222085,0.0006936884,0.001807123,0.045791887],"category_scores_gemma":[0.002307023,0.00024343655,0.00032075876,0.0011788545,0.010487834,0.005890195,0.003335659,0.0044926307,0.011568793],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057781388,0.00003998752,0.00021439746,0.0005458351,0.000008386285,0.0002557375,0.017047808,0.00011783704,0.00039053557,0.6002656,0.26506412,0.11599193],"study_design_scores_gemma":[0.0000055365626,0.000012705594,0.00034309065,0.00033675434,0.0000026939806,0.00035605373,0.0031787702,0.00004112551,0.00010114642,0.03604081,0.9595752,0.0000061961878],"about_ca_topic_score_codex":0.0040746573,"about_ca_topic_score_gemma":0.006556107,"teacher_disagreement_score":0.045791887,"about_ca_system_score_codex":0.002454962,"about_ca_system_score_gemma":0.0025973062,"threshold_uncertainty_score":0.15318912},"labels":[],"label_agreement":null},{"id":"W4410045646","doi":"10.21071/mijtk.v10i.16684","title":"« Excessive Storytelling »: Seetzen as a Protagonist in the Postmodern Adventure Novel Empty Quarter – Rub ’al-Khali (1996) by Michael Roes","year":2025,"lang":"en","type":"article","venue":"Mediterranea International Journal on the Transfer of Knowledge","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Adventure; Postmodernism; Storytelling; Art; Quarter (Canadian coin); Literature; Visual arts; Art history; Narrative; Aesthetics; History; Archaeology","score_opus":0.02120382294668954,"score_gpt":0.27497218285241054,"score_spread":0.253768359905721,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410045646","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71235794,0.0061727203,0.003605409,0.027221175,0.00085706974,0.00008646427,0.00007975564,0.00012083295,0.24949862],"genre_scores_gemma":[0.97359306,0.0007100146,0.00043464865,0.0012056712,0.00007405186,0.00003622786,0.000022622025,0.00005953679,0.023864133],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967068,0.0019955044,0.000057363915,0.0003730508,0.00028479417,0.000582529],"domain_scores_gemma":[0.9989661,0.00055756647,0.00013401288,0.00007151867,0.000067923225,0.00020298931],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023073184,0.0011575134,0.0005367302,0.0010996216,0.018918041,0.0102911135,0.001443103,0.0037676736,0.004287131],"category_scores_gemma":[0.0032616882,0.00058348395,0.00029943843,0.0007902033,0.026332764,0.008218247,0.007867925,0.0057667005,0.0007999033],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051352534,0.000023336685,0.00048520704,0.0000394594,0.0000056106196,0.0016450529,0.9104179,0.00004166988,0.0006454828,0.0783451,0.0042702868,0.0040295497],"study_design_scores_gemma":[0.000009540426,0.00004796828,0.0008449239,0.00017171286,0.000008248696,0.0018226876,0.7697851,0.00011894497,0.00084895676,0.006671407,0.21964794,0.00002252112],"about_ca_topic_score_codex":0.0067961602,"about_ca_topic_score_gemma":0.017338587,"teacher_disagreement_score":0.018918041,"about_ca_system_score_codex":0.0039320816,"about_ca_system_score_gemma":0.0013563456,"threshold_uncertainty_score":0.028529406},"labels":[],"label_agreement":null},{"id":"W4410788452","doi":"10.5539/ells.v15n2p65","title":"Loss and Defection: the Incommunicability in Andrei Tarkovsky’s Films","year":2025,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.00812750520122021,"score_gpt":0.25675018714601033,"score_spread":0.24862268194479012,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410788452","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6076484,0.022994623,0.012223575,0.034015596,0.0017627622,0.000076116725,0.00014672554,0.00021871197,0.32091364],"genre_scores_gemma":[0.9853753,0.0024055373,0.0006049593,0.0008410302,0.00013881088,0.000016111477,0.000025704016,0.00011078373,0.010481739],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973797,0.0014591743,0.00009884916,0.00027540477,0.00047996917,0.0003068956],"domain_scores_gemma":[0.998626,0.000713927,0.00024897372,0.000115421586,0.00014344517,0.00015231263],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017453972,0.00041419725,0.0004019992,0.0011218266,0.005389977,0.008428545,0.0007689203,0.0013110059,0.0013861721],"category_scores_gemma":[0.0055872463,0.0003625885,0.00023218353,0.00081335194,0.012164938,0.0046776515,0.004544185,0.004546008,0.00032586738],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014287829,0.000031748656,0.0017851248,0.00023955968,0.00003233263,0.0016529973,0.6536887,0.00021054108,0.003421313,0.30990303,0.009802861,0.019088913],"study_design_scores_gemma":[0.000018931129,0.000080584796,0.009056027,0.00071394694,0.00005594294,0.002890126,0.2736546,0.00056702626,0.0035708651,0.044639643,0.6646812,0.00007099617],"about_ca_topic_score_codex":0.0030772404,"about_ca_topic_score_gemma":0.003362107,"teacher_disagreement_score":0.008428545,"about_ca_system_score_codex":0.0030728884,"about_ca_system_score_gemma":0.00087507075,"threshold_uncertainty_score":0.022295475},"labels":[],"label_agreement":null},{"id":"W4411604320","doi":"10.1093/oxfordhb/9780197565056.013.0001","title":"The Metanarrative Problem of Monsters … in Theory","year":2025,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Metanarrative; Philosophy; Linguistics; Narrative","score_opus":0.02010547434882573,"score_gpt":0.19817275278043422,"score_spread":0.1780672784316085,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411604320","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.061079722,0.018573133,0.10338761,0.087213196,0.0020214054,0.00014076367,0.00015480268,0.0002641283,0.7271653],"genre_scores_gemma":[0.9650419,0.0021457227,0.007621207,0.0026081859,0.00074170105,0.00017381737,0.00005823452,0.00013816572,0.021471158],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.97866565,0.016929332,0.00044694732,0.001343869,0.0020249856,0.0005892524],"domain_scores_gemma":[0.97919446,0.015231922,0.0011155907,0.002827032,0.001142733,0.00048820005],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0213974,0.00075087085,0.0010628763,0.00281825,0.006076105,0.0139864525,0.002879443,0.0035223789,0.008752054],"category_scores_gemma":[0.026346898,0.00057355786,0.000656544,0.0020977596,0.06672631,0.020612665,0.009345201,0.007671078,0.00087147526],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000036206418,0.0000027505698,0.000035039313,0.000016655078,0.0000018590231,0.000018449598,0.010611464,0.000030683408,0.000010048892,0.9879397,0.00046809702,0.0008616276],"study_design_scores_gemma":[0.0000109487455,0.0000090610365,0.00008461194,0.00022449573,0.000006046449,0.00007914494,0.0138683,0.00045207146,0.00010761033,0.93311065,0.052039154,0.000007820471],"about_ca_topic_score_codex":0.0021521961,"about_ca_topic_score_gemma":0.0020403194,"teacher_disagreement_score":0.0213974,"about_ca_system_score_codex":0.008066897,"about_ca_system_score_gemma":0.0032372675,"threshold_uncertainty_score":0.11316162},"labels":[],"label_agreement":null},{"id":"W4411680498","doi":"10.36809/2309-9380-2025-47-41-49","title":"On the Criticism of “Don’t Look Up”, or Peter Pan’s Apology for Unfounded Accusations","year":2025,"lang":"en","type":"article","venue":"Review of Omsk State Pedagogical University Humanitarian research","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Criticism; Philosophy; Law and economics; Theology; Epistemology; Law; Political science; Economics","score_opus":0.362944297588829,"score_gpt":0.4450675913197356,"score_spread":0.0821232937309066,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411680498","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035886824,0.26195627,0.007027656,0.2442167,0.024903119,0.00011956304,0.00019968739,0.00014632024,0.42554384],"genre_scores_gemma":[0.7126586,0.10601899,0.0025526234,0.08090528,0.00667526,0.00016333618,0.0001630156,0.0003329542,0.09053],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9927717,0.0043433267,0.00029730404,0.00056492205,0.0017097036,0.00031313644],"domain_scores_gemma":[0.98418784,0.012771145,0.0015608731,0.0003950787,0.0008485575,0.000236449],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006283093,0.00061005773,0.0004187913,0.0018507359,0.006460303,0.0065559833,0.0012168144,0.004783553,0.004653736],"category_scores_gemma":[0.020448353,0.00029901022,0.00032746283,0.0014378676,0.022396715,0.0064280876,0.0030094476,0.008132924,0.0014686169],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007839499,0.00002388378,0.0010689998,0.0035751865,0.000061544844,0.0014444157,0.18809149,0.00011769335,0.0008100521,0.4995442,0.2103848,0.09479933],"study_design_scores_gemma":[0.0000052768855,0.000019038021,0.001368273,0.0046796454,0.000028329236,0.0009428851,0.06328873,0.000033456105,0.0005693884,0.009855828,0.9191901,0.000019099032],"about_ca_topic_score_codex":0.0059918775,"about_ca_topic_score_gemma":0.009508612,"teacher_disagreement_score":0.0065559833,"about_ca_system_score_codex":0.0041301735,"about_ca_system_score_gemma":0.0038329952,"threshold_uncertainty_score":0.033228576},"labels":[],"label_agreement":null},{"id":"W4412347579","doi":"10.1525/jrpc.2025.2527308","title":"The Savior, the Mother, and the Terminator","year":2025,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.007335245112692446,"score_gpt":0.23879838598807895,"score_spread":0.2314631408753865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412347579","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13766207,0.018662095,0.014137828,0.12748022,0.00817994,0.000097241566,0.00009225534,0.0000828063,0.69360554],"genre_scores_gemma":[0.8808744,0.0036457411,0.0030809916,0.0063969046,0.00078715687,0.000054467775,0.00002961791,0.00011087217,0.105019934],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99756706,0.0018366849,0.00004486145,0.00014054323,0.00024584518,0.00016505926],"domain_scores_gemma":[0.9964296,0.0024629747,0.0002440534,0.00019053814,0.00037650065,0.0002962764],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032884236,0.00027461984,0.00020417744,0.0005201076,0.008773525,0.0053075687,0.00052009546,0.0020336623,0.002645329],"category_scores_gemma":[0.007249536,0.00023969692,0.00013745972,0.0003184774,0.016832117,0.005543415,0.0021527747,0.006399905,0.00064455887],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008195436,0.000018121753,0.0013345862,0.00007829922,0.000005115098,0.0005588599,0.27868786,0.00003070341,0.00063250586,0.6500707,0.04575644,0.022744803],"study_design_scores_gemma":[0.000011276025,0.000061809355,0.0015137779,0.00035068247,0.0000069808016,0.000598045,0.121074624,0.00016798354,0.0010757094,0.039834708,0.8352812,0.000023129973],"about_ca_topic_score_codex":0.005330195,"about_ca_topic_score_gemma":0.013108959,"teacher_disagreement_score":0.008773525,"about_ca_system_score_codex":0.0028980924,"about_ca_system_score_gemma":0.0021170154,"threshold_uncertainty_score":0.021027267},"labels":[],"label_agreement":null},{"id":"W4412355248","doi":"10.55016/ojs/jah.v2019y2019.68705","title":"Speaking from Silence: On the Intimate Relation Between Silence and Speaking","year":2019,"lang":"en","type":"article","venue":"Journal of Applied Hermeneutics","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Silence; Relation (database); Psychology; Communication; Art; Computer science; Aesthetics; Data mining","score_opus":0.028109602421991127,"score_gpt":0.23636688101736478,"score_spread":0.20825727859537366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412355248","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08594757,0.040537022,0.07799687,0.11590821,0.003806034,0.00016879519,0.00011985981,0.00011231517,0.6754034],"genre_scores_gemma":[0.94303846,0.017236242,0.0054620164,0.011651168,0.0019041279,0.00021300839,0.00005806578,0.00018729888,0.020249521],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99074894,0.0069568055,0.0001744818,0.0006085137,0.00090335816,0.0006078821],"domain_scores_gemma":[0.9834736,0.01361507,0.00084759446,0.0005611489,0.0010710036,0.00043155704],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009119388,0.00070805114,0.0006453764,0.0016835204,0.009498104,0.008975952,0.0017269193,0.0041353954,0.0036310323],"category_scores_gemma":[0.01313618,0.0003405251,0.00074423995,0.0014005002,0.07530077,0.0160282,0.008425051,0.008490026,0.00075868197],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032328695,0.000009775506,0.00026984836,0.00009745593,0.000007414894,0.0003111343,0.24154794,0.0000972578,0.00023931613,0.7495753,0.002067706,0.00574465],"study_design_scores_gemma":[0.000024543038,0.00013261529,0.0016188653,0.0012978513,0.000036527366,0.0010465516,0.13560057,0.0005676615,0.0012110504,0.6272984,0.23107326,0.00009219237],"about_ca_topic_score_codex":0.009106935,"about_ca_topic_score_gemma":0.00774388,"teacher_disagreement_score":0.009498104,"about_ca_system_score_codex":0.0043665115,"about_ca_system_score_gemma":0.0030886363,"threshold_uncertainty_score":0.048228502},"labels":[],"label_agreement":null},{"id":"W4412566460","doi":"10.1386/eme_00236_5","title":"The Empathy Diaries: A Memoir, Sherry Turkle (2022)","year":2025,"lang":"en","type":"article","venue":"Explorations in Media Ecology","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Memoir; Empathy; Psychoanalysis; Psychology; Art; Art history; Social psychology","score_opus":0.017884527742855677,"score_gpt":0.24895679984390934,"score_spread":0.23107227210105366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412566460","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00068329694,0.6674517,0.0009207933,0.2427235,0.046383765,0.00005275743,0.00034429872,0.00010965047,0.041330267],"genre_scores_gemma":[0.02203727,0.4175125,0.003401361,0.18138082,0.026429608,0.00046787653,0.00057802437,0.00047744325,0.34771502],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975915,0.0013045291,0.00013019433,0.00018227854,0.0006287677,0.0001627305],"domain_scores_gemma":[0.99566025,0.0023307349,0.00024001277,0.000108375745,0.0011895008,0.00047112926],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004501381,0.0015064598,0.00067725196,0.0023943926,0.004665065,0.006937955,0.0014005856,0.004888237,0.016264623],"category_scores_gemma":[0.00990371,0.0008153314,0.00041257704,0.0024438691,0.0033989907,0.012619077,0.0036157044,0.0071796207,0.013053794],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015023085,0.0000058435967,0.000032865515,0.0001478413,0.0000015527983,0.000029621207,0.0013702273,0.000010850058,0.00004959148,0.0023014382,0.960797,0.035238173],"study_design_scores_gemma":[0.0000024221183,0.0000044047983,0.00018498112,0.00050300616,0.0000011519295,0.00010049752,0.001988834,0.000006909442,0.00003174384,0.0006580682,0.996512,0.000006012486],"about_ca_topic_score_codex":0.014493353,"about_ca_topic_score_gemma":0.02644666,"teacher_disagreement_score":0.016264623,"about_ca_system_score_codex":0.003919948,"about_ca_system_score_gemma":0.0056411945,"threshold_uncertainty_score":0.054410577},"labels":[],"label_agreement":null},{"id":"W4412647717","doi":"10.1163/27728250-12340067","title":"الحياة قصص: السرد المبثوث في العيش الإنساني","year":2025,"lang":"ar","type":"article","venue":"المركز مجلة الدراسات العربية","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Psychology","score_opus":0.00874646910341953,"score_gpt":0.24321382998334723,"score_spread":0.2344673608799277,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412647717","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013239336,0.0039431998,0.011068025,0.015438812,0.0069585987,0.0003829013,0.0008034119,0.0010377932,0.94712794],"genre_scores_gemma":[0.06671378,0.006001578,0.016095908,0.0040638503,0.0015725695,0.0007439766,0.0011159049,0.0024616797,0.90123075],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.99634594,0.00075828494,0.00032097104,0.00046125514,0.0016904288,0.00042323396],"domain_scores_gemma":[0.993979,0.0010794523,0.0004624735,0.00058895146,0.0030738597,0.0008162803],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025348207,0.0009887293,0.00051334524,0.0013746185,0.003513476,0.009682257,0.0010420285,0.0025795137,0.2900897],"category_scores_gemma":[0.009867153,0.00067075377,0.0005694176,0.0017292908,0.0043795058,0.004669999,0.0041106027,0.005794522,0.29383823],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000956474,0.00033481084,0.0036267047,0.002119938,0.000055829696,0.0019677214,0.027012095,0.0003809859,0.024810348,0.20565763,0.36376563,0.3693118],"study_design_scores_gemma":[0.000015906882,0.000040330957,0.0022737877,0.00042003742,0.000009703728,0.00052628934,0.006764659,0.00006389399,0.0032698577,0.006784562,0.97979534,0.000035690446],"about_ca_topic_score_codex":0.0035952933,"about_ca_topic_score_gemma":0.0039388444,"teacher_disagreement_score":0.2900897,"about_ca_system_score_codex":0.0030714632,"about_ca_system_score_gemma":0.0077103134,"threshold_uncertainty_score":0.9704467},"labels":[],"label_agreement":null},{"id":"W4412901495","doi":"10.1353/mos.2023.a966651","title":"Pandemic Writing as an Ecological Force","year":2023,"lang":"en","type":"article","venue":"Mosaic","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pandemic; Ecology; Coronavirus disease 2019 (COVID-19); Geography; Biology; Medicine; Infectious disease (medical specialty)","score_opus":0.056428373984957245,"score_gpt":0.28845265592783353,"score_spread":0.23202428194287628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412901495","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17160627,0.0043739364,0.008242496,0.02371027,0.0013561238,0.00008212362,0.00018454251,0.0001265953,0.7903178],"genre_scores_gemma":[0.9699564,0.00075615477,0.0009915907,0.00076462165,0.00029328687,0.000050717463,0.0000517379,0.00006991585,0.027065558],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975508,0.0016019872,0.00006794587,0.00023884668,0.00036039055,0.00017999407],"domain_scores_gemma":[0.99434054,0.00409428,0.00032775968,0.00045057095,0.0004692407,0.00031750384],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004716719,0.0004923661,0.00032370733,0.0023572282,0.010783586,0.011010408,0.0008631525,0.0013042067,0.009759611],"category_scores_gemma":[0.0058357627,0.00018893558,0.00018142087,0.0019513875,0.023774207,0.006661001,0.0055456157,0.0024742845,0.00067736336],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001739994,0.000015315905,0.00089437,0.00014437299,0.0000062578224,0.00040278927,0.34751764,0.000100555575,0.0005056983,0.62829304,0.008851546,0.013251027],"study_design_scores_gemma":[0.000017093811,0.00004352292,0.0021362577,0.0008004904,0.00001981272,0.00066895335,0.2879554,0.00079989515,0.001545868,0.087538846,0.61845285,0.00002090315],"about_ca_topic_score_codex":0.0018557196,"about_ca_topic_score_gemma":0.0030570754,"teacher_disagreement_score":0.011010408,"about_ca_system_score_codex":0.0046809292,"about_ca_system_score_gemma":0.0029514355,"threshold_uncertainty_score":0.033962667},"labels":[],"label_agreement":null},{"id":"W4412916690","doi":"10.1353/mos.2022.a966604","title":"The Biosemiosic, Derridean Gaze of the “Wholly Other” in Sylvain Tesson’s “Les porcs”","year":2022,"lang":"en","type":"article","venue":"Mosaic","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Gaze; Psychology; Psychoanalysis","score_opus":0.018390761876950202,"score_gpt":0.20837479105747833,"score_spread":0.18998402918052812,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412916690","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3909377,0.002252973,0.006801411,0.032016397,0.0004809742,0.000024650044,0.000043097003,0.000041934294,0.5674009],"genre_scores_gemma":[0.9860211,0.00018645267,0.000252714,0.00047580196,0.0000331979,0.00000718324,0.000004825429,0.00001514681,0.013003665],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99870455,0.0010034038,0.000009350511,0.00009327975,0.000070949885,0.000118363714],"domain_scores_gemma":[0.9990951,0.0005872186,0.00008082141,0.000057118126,0.00008405539,0.000095604344],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013735377,0.00022352759,0.00014300928,0.00046075167,0.0073283543,0.0038427354,0.00037644763,0.001385187,0.004291471],"category_scores_gemma":[0.0019891604,0.00014040498,0.000095781295,0.0003333064,0.025292605,0.002387626,0.0033568065,0.001909307,0.0002518525],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002632917,0.0000073140877,0.00049505127,0.000029548642,0.0000022010922,0.00033977942,0.28042528,0.00006677751,0.0003108247,0.71088237,0.003932865,0.003481694],"study_design_scores_gemma":[0.000011912773,0.00003977159,0.0011115205,0.00022352336,0.0000073176925,0.0007266309,0.39053744,0.0002447041,0.0010268376,0.09317002,0.5128835,0.000016839644],"about_ca_topic_score_codex":0.0058532506,"about_ca_topic_score_gemma":0.010879105,"teacher_disagreement_score":0.0073283543,"about_ca_system_score_codex":0.0026732755,"about_ca_system_score_gemma":0.0012989356,"threshold_uncertainty_score":0.019396007},"labels":[],"label_agreement":null},{"id":"W4413186067","doi":"10.1093/9780198970934.003.0006","title":"Truth-Telling, Gender Equity, and Reconciliation in <i>The Winter’s Tale</i>","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Gender equity; Equity (law); Truth telling; Political science; Psychology; Gender studies; Sociology; Psychoanalysis; Law","score_opus":0.08234900911540355,"score_gpt":0.27511367685399557,"score_spread":0.19276466773859202,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413186067","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0487868,0.016346741,0.016272785,0.18914086,0.004812566,0.00011001726,0.000107589214,0.00022594322,0.72419673],"genre_scores_gemma":[0.9038538,0.0020898578,0.0029218018,0.012530301,0.0016519512,0.000097164106,0.000045097597,0.00024567038,0.076564245],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99318963,0.004727188,0.00013283716,0.0004663172,0.00072237675,0.0007615995],"domain_scores_gemma":[0.9929698,0.0053629437,0.00032829883,0.00043188635,0.0004889549,0.0004180666],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009077588,0.00063449086,0.000448953,0.0012499058,0.014495227,0.015325792,0.0014744821,0.0038418556,0.007245059],"category_scores_gemma":[0.010697694,0.00029946526,0.00031304767,0.00066832965,0.049479403,0.00955818,0.005498325,0.00680072,0.0008762476],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025593226,0.0000163616,0.00012401672,0.00005676849,0.0000061665437,0.0002656605,0.0902673,0.00014303072,0.00012414073,0.8641893,0.03530551,0.009476135],"study_design_scores_gemma":[0.000016583856,0.000032351047,0.00026364363,0.0004412455,0.000008400987,0.0002685555,0.05442415,0.00044729185,0.00059308164,0.33286163,0.6106126,0.000030484232],"about_ca_topic_score_codex":0.0075427243,"about_ca_topic_score_gemma":0.011576697,"teacher_disagreement_score":0.015325792,"about_ca_system_score_codex":0.008422689,"about_ca_system_score_gemma":0.0037542062,"threshold_uncertainty_score":0.061111152},"labels":[],"label_agreement":null},{"id":"W4413811301","doi":"10.1386/jepc_00080_7","title":"Trust and betrayal in Kristian Lever’s I Need You to See Me","year":2025,"lang":"en","type":"article","venue":"Journal of European Popular Culture","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cape Breton University","funders":"","keywords":"Betrayal; Lever; Psychology; Social psychology; Engineering","score_opus":0.017986835377907205,"score_gpt":0.2402722851777697,"score_spread":0.22228544979986248,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413811301","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62067497,0.012119022,0.001902001,0.10695791,0.001039808,0.00004114627,0.000050683037,0.00004532915,0.2571692],"genre_scores_gemma":[0.98697484,0.0013358013,0.00014089438,0.0025448513,0.000049113583,0.0000130175895,0.000006219178,0.00002566817,0.008909612],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99451077,0.003653433,0.000102568054,0.0003053176,0.00053431,0.00089361856],"domain_scores_gemma":[0.9956864,0.002462098,0.0006464349,0.00017480836,0.00029456255,0.0007357343],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028227859,0.00037809846,0.0003370675,0.00070416974,0.017734198,0.009815205,0.00085125247,0.003101548,0.004148863],"category_scores_gemma":[0.006714773,0.00055326277,0.0001846546,0.000702643,0.03012769,0.00804925,0.0043191374,0.006756983,0.00054111396],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045550816,0.000051815787,0.0014438037,0.000068531466,0.000010148517,0.0014924433,0.8643303,0.00007511608,0.0003202067,0.111104555,0.01705473,0.004002853],"study_design_scores_gemma":[0.000010529369,0.000027237238,0.002347071,0.0003385973,0.000011708191,0.0010808905,0.8220168,0.00015634431,0.00035852066,0.009295812,0.16431168,0.00004479903],"about_ca_topic_score_codex":0.03977217,"about_ca_topic_score_gemma":0.04305741,"teacher_disagreement_score":0.03977217,"about_ca_system_score_codex":0.007811726,"about_ca_system_score_gemma":0.0031638683,"threshold_uncertainty_score":0.07908136},"labels":[],"label_agreement":null},{"id":"W4415009648","doi":"10.1080/0895769x.2025.2572745","title":"“And the Splendid Moment Had Come to Speak” Kristevan Subjectivity and Semiotic Silence in <i>A White Heron</i>","year":2025,"lang":"en","type":"article","venue":"ANQ A Quarterly Journal of Short Articles Notes and Reviews","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Acadia University","funders":"University of Tehran","keywords":"Subjectivity; Silence; Semiotics; White (mutation)","score_opus":0.019340813596437436,"score_gpt":0.26184056113522663,"score_spread":0.2424997475387892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415009648","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10229722,0.20174678,0.0055994815,0.095039755,0.0044380496,0.00004580883,0.00015153988,0.000055998527,0.5906254],"genre_scores_gemma":[0.9269601,0.02780127,0.00062342896,0.0040731644,0.0008370924,0.000058588157,0.000056489862,0.00006823466,0.039521653],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957445,0.0033786378,0.00007353005,0.00020171142,0.0003539474,0.00024769554],"domain_scores_gemma":[0.9972485,0.0018520463,0.00031032698,0.00013294772,0.0002805122,0.00017569882],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028733995,0.0003798025,0.00028982604,0.0007774582,0.0060136346,0.0077824616,0.00069363485,0.0015540865,0.0028800427],"category_scores_gemma":[0.0057881903,0.00019411003,0.00014018251,0.0007748703,0.027794477,0.0063232896,0.0024715706,0.0023900296,0.0006588528],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006251998,0.000011092008,0.0003642551,0.00043854743,0.0000113863,0.00040770305,0.30154902,0.000078169876,0.0003223599,0.6500815,0.031317957,0.015355455],"study_design_scores_gemma":[0.000011128959,0.00003719863,0.001202169,0.0018841412,0.0000146507045,0.0005095919,0.23208533,0.00007400308,0.0006549008,0.06369436,0.6998092,0.000023356808],"about_ca_topic_score_codex":0.013003693,"about_ca_topic_score_gemma":0.015425226,"teacher_disagreement_score":0.013003693,"about_ca_system_score_codex":0.0035396398,"about_ca_system_score_gemma":0.0032049438,"threshold_uncertainty_score":0.025856018},"labels":[],"label_agreement":null},{"id":"W4415045503","doi":"10.7202/1118964ar","title":"Screen Time","year":2024,"lang":"en","type":"article","venue":"Sens public","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Narratology; Appropriation; Chronotope; Reflexivity; Narrative network; Narrative inquiry; Narrative criticism; Identity (music); Narrative structure","score_opus":0.030602507183281613,"score_gpt":0.22584381832474384,"score_spread":0.19524131114146223,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415045503","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0031681356,0.001071375,0.009999331,0.0015675012,0.001685315,0.00013367184,0.0033501056,0.002251423,0.97677314],"genre_scores_gemma":[0.07399224,0.0019031033,0.008824737,0.0014521453,0.000590582,0.00034365573,0.0053956523,0.0020974427,0.9054004],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988758,0.00017998445,0.000065890315,0.0002991754,0.00043334634,0.00014585456],"domain_scores_gemma":[0.99865806,0.0003264794,0.00008508834,0.0003736692,0.00036885194,0.00018783966],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006296592,0.0007301046,0.0004227988,0.0021689578,0.0020961154,0.006557148,0.0012022016,0.0013967961,0.39633134],"category_scores_gemma":[0.0037467747,0.00030219738,0.00058654003,0.0020507835,0.000847779,0.005083981,0.0038061808,0.0012939761,0.17916541],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003479379,0.000065329914,0.001445674,0.0005304493,0.000022562002,0.00052043,0.0056761047,0.00026104925,0.0040542725,0.21156082,0.42613524,0.3493801],"study_design_scores_gemma":[0.0000061374335,0.0000107294145,0.00036121203,0.000060427225,0.000003976541,0.0001336401,0.0005389049,0.00006951597,0.00043407016,0.0037683283,0.99460405,0.000009001223],"about_ca_topic_score_codex":0.0036981974,"about_ca_topic_score_gemma":0.00394147,"teacher_disagreement_score":0.39633134,"about_ca_system_score_codex":0.0010695328,"about_ca_system_score_gemma":0.0009867229,"threshold_uncertainty_score":0.8610601},"labels":[],"label_agreement":null},{"id":"W4415188087","doi":"10.35562/rma.1640","title":"Metaphor as a Vehicle for the Resurgence of a Minority Ontology in “A Ship-Shaped Hole in the Forest” by Ellen van Neerven","year":2025,"lang":"fr","type":"article","venue":"Représentations dans le monde anglophone","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"College of Pharmacy, University of Michigan; University of Toronto; University of Michigan; University of Minnesota","keywords":"Metaphor; Poetry; Lament; Indigenous; Order (exchange); Iconicity; Ontology; Event (particle physics); Colonisation","score_opus":0.02201227494008156,"score_gpt":0.3088466472895048,"score_spread":0.2868343723494232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415188087","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4349265,0.009433501,0.018311892,0.03804462,0.0011324878,0.00005613942,0.00005072107,0.00006836896,0.49797577],"genre_scores_gemma":[0.98486066,0.00062607747,0.0010612349,0.0004464662,0.0000591407,0.0000146877555,0.0000058398896,0.000035536592,0.012890278],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99810934,0.0015041104,0.000017686425,0.00008550406,0.00016000532,0.00012327037],"domain_scores_gemma":[0.99916065,0.0005878768,0.000070458314,0.000050960047,0.00006730936,0.00006272103],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018172511,0.00028963984,0.00022132118,0.00068677496,0.0050838655,0.0045437454,0.00064030266,0.0010903962,0.0026695672],"category_scores_gemma":[0.002911255,0.00016927625,0.00017269271,0.00048931857,0.021282556,0.00468735,0.002809608,0.0022862682,0.00022299583],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021501028,0.000012410371,0.00025535966,0.000042155665,0.0000028126444,0.00033974776,0.25967243,0.0001234231,0.00036824853,0.73203725,0.0035868387,0.0035378954],"study_design_scores_gemma":[0.000018007255,0.000054283366,0.0013719267,0.0003739121,0.000015535768,0.0009527159,0.4088843,0.0013031543,0.0012442123,0.17844863,0.40727755,0.000055783054],"about_ca_topic_score_codex":0.012491611,"about_ca_topic_score_gemma":0.01557858,"teacher_disagreement_score":0.012491611,"about_ca_system_score_codex":0.0033558065,"about_ca_system_score_gemma":0.001531001,"threshold_uncertainty_score":0.024837792},"labels":[],"label_agreement":null},{"id":"W4416097213","doi":"10.5539/ells.v15n4p7","title":"From Narrative to Discourse in Orwell’s Animal Farm: Text and Context of Un(Equal) Contest","year":2025,"lang":"","type":"article","venue":"English Language and Literature Studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"CONTEST; Allegory; Narrative; Novella; Context (archaeology); Irony; Grice; Indexicality","score_opus":0.008539718165235674,"score_gpt":0.2838778174987685,"score_spread":0.2753380993335328,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416097213","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41330943,0.011021207,0.008674301,0.07182686,0.0010469677,0.00006113338,0.00025115628,0.00006759218,0.49374133],"genre_scores_gemma":[0.9912445,0.0007510741,0.00043223304,0.0007715329,0.000088863635,0.000026578642,0.000025746684,0.000038138685,0.0066212974],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9921101,0.006443837,0.00012478809,0.00040611264,0.00044203727,0.00047313314],"domain_scores_gemma":[0.9919957,0.0064362832,0.0006008892,0.00028059518,0.00031696694,0.00036963637],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006128721,0.00054203696,0.00044507816,0.0018642241,0.015316909,0.013050944,0.0013445817,0.0031428642,0.0053869174],"category_scores_gemma":[0.010635609,0.00035124432,0.00021821127,0.0024146365,0.043805115,0.0130907055,0.004951114,0.0034971999,0.00035213734],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025566533,0.000010272167,0.00027481894,0.000065957865,0.00000199594,0.0003846586,0.5816251,0.000066922024,0.000114339564,0.41120407,0.0037798982,0.002446387],"study_design_scores_gemma":[0.000008837939,0.000018286877,0.0008157872,0.00046331566,0.000005746834,0.00031805268,0.65453434,0.0002328991,0.0003063967,0.05737644,0.28589928,0.00002054561],"about_ca_topic_score_codex":0.016750585,"about_ca_topic_score_gemma":0.02040021,"teacher_disagreement_score":0.016750585,"about_ca_system_score_codex":0.010488676,"about_ca_system_score_gemma":0.0032118002,"threshold_uncertainty_score":0.076101005},"labels":[],"label_agreement":null},{"id":"W50120269","doi":"10.5206/uwoja.v1i1.8726","title":"\"Achey-breaky heart:\" A Labovian Approach to the Structural Analysis of the Personal Narrative","year":2011,"lang":"en","type":"article","venue":"The University of Western Ontario Journal of Anthropology","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Narrative; Personal narrative; Psychology; Literature; Art","score_opus":0.0365658871917097,"score_gpt":0.2215074034200619,"score_spread":0.1849415162283522,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W50120269","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.046427567,0.0048972405,0.53565454,0.049781594,0.0005270278,0.0003975729,0.00044005318,0.00038755694,0.36148697],"genre_scores_gemma":[0.84468454,0.001396263,0.1295987,0.0019185137,0.00021132108,0.0007042055,0.00015242341,0.00031205924,0.021021863],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99556196,0.0038407024,0.0000506424,0.00020583301,0.00019188198,0.00014896828],"domain_scores_gemma":[0.99587905,0.0028799304,0.00027349882,0.0004275584,0.00032477023,0.0002151324],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0050759823,0.0006012938,0.00050301926,0.00429514,0.007734202,0.01081301,0.00232685,0.0018196953,0.008438123],"category_scores_gemma":[0.01177418,0.00047555755,0.0005848168,0.0033442546,0.043255553,0.0097909095,0.0040637543,0.0032640174,0.0006566497],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000060097186,0.000006151636,0.00010525987,0.000021413023,0.000002296074,0.000022311659,0.01553317,0.00011537428,0.000040643034,0.9788422,0.0012719433,0.0040332708],"study_design_scores_gemma":[0.000010281361,0.000009770487,0.00031181754,0.00014551842,0.000009745213,0.000068515445,0.023179827,0.0019976036,0.0002385577,0.9264485,0.047567755,0.00001217268],"about_ca_topic_score_codex":0.019988539,"about_ca_topic_score_gemma":0.026480813,"teacher_disagreement_score":0.019988539,"about_ca_system_score_codex":0.0067232857,"about_ca_system_score_gemma":0.008052981,"threshold_uncertainty_score":0.048781097},"labels":[],"label_agreement":null},{"id":"W565326895","doi":"","title":"Empty Revelations: An Essay on Talk about, and Attitudes toward, Fiction by Peter Alward (review)","year":2014,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Literature; History; Philosophy; Art","score_opus":0.013316129905486314,"score_gpt":0.21690113886247303,"score_spread":0.20358500895698672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W565326895","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00020653811,0.9278002,0.00023794778,0.06632307,0.0039619673,0.0000039748516,0.000014509176,0.0000045117836,0.0014473178],"genre_scores_gemma":[0.010219469,0.9203946,0.00063665333,0.047849223,0.017262515,0.000059385584,0.00005150144,0.000030789037,0.0034959062],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99466705,0.003295606,0.00032179878,0.00029223846,0.0012248592,0.00019843986],"domain_scores_gemma":[0.9710876,0.025511116,0.001160914,0.0002762998,0.0015088789,0.0004552904],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007832991,0.00072448637,0.0014217354,0.003234152,0.0020834338,0.0060296343,0.0011544153,0.0066993437,0.002862236],"category_scores_gemma":[0.028793152,0.0006323677,0.0005340969,0.0038124726,0.012153059,0.010056194,0.0048967847,0.0075872084,0.0009311097],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008152383,0.000024102741,0.00020376848,0.006531446,0.000104074956,0.00016761232,0.010903935,0.00011776939,0.00025941423,0.042110622,0.74249333,0.19700246],"study_design_scores_gemma":[0.000016705235,0.00002290982,0.0006740256,0.00969847,0.000036475794,0.0004051409,0.0029727723,0.000016580165,0.00011303128,0.008986966,0.9770269,0.000030013041],"about_ca_topic_score_codex":0.005907047,"about_ca_topic_score_gemma":0.01145522,"teacher_disagreement_score":0.007832991,"about_ca_system_score_codex":0.0028662672,"about_ca_system_score_gemma":0.005777424,"threshold_uncertainty_score":0.041425288},"labels":[],"label_agreement":null},{"id":"W604542527","doi":"","title":"The Letters by A.M. Klein (review)","year":2014,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; History","score_opus":0.005791965624848271,"score_gpt":0.17190311360340874,"score_spread":0.16611114797856047,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W604542527","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006209649,0.5926522,0.00012626567,0.32582876,0.07886402,0.000014306199,0.00017697288,0.000027296113,0.0022480532],"genre_scores_gemma":[0.0022934151,0.6856934,0.00037754225,0.21385795,0.0808754,0.00007996927,0.00031107207,0.000039484123,0.016471813],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972697,0.00081657444,0.0003187667,0.0003861853,0.0010253714,0.00018342942],"domain_scores_gemma":[0.9831682,0.007207431,0.0015069694,0.00050848164,0.006048744,0.0015602511],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0040231757,0.0010502823,0.0019066219,0.0025024393,0.001247814,0.0045446707,0.0023685473,0.006430966,0.013677855],"category_scores_gemma":[0.022221344,0.000781043,0.00097538903,0.0034848563,0.0026986278,0.0051781405,0.0020636625,0.009428733,0.0097168],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014557555,0.0000018845623,0.000029381643,0.00067740114,0.000016442233,0.000019171328,0.00002253048,0.0000142487825,0.000015663336,0.0007239466,0.98310995,0.015354808],"study_design_scores_gemma":[0.00001929401,0.000010159522,0.00032305333,0.0016727243,0.000026301357,0.00017787422,0.00006555019,0.000013385042,0.000022998129,0.0010974227,0.99655735,0.000013993358],"about_ca_topic_score_codex":0.0119310655,"about_ca_topic_score_gemma":0.02157554,"teacher_disagreement_score":0.013677855,"about_ca_system_score_codex":0.004057601,"about_ca_system_score_gemma":0.010450425,"threshold_uncertainty_score":0.045756996},"labels":[],"label_agreement":null},{"id":"W636977209","doi":"","title":"Fictional and Historical Worlds by Jonathan Hart (review)","year":2014,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Possible world; History; Art history; Epistemology","score_opus":0.010035854307554912,"score_gpt":0.1762558617467426,"score_spread":0.1662200074391877,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W636977209","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007301742,0.98030233,0.000032018703,0.01637003,0.0019171094,0.0000034236762,0.000024475741,0.00000221442,0.0012753893],"genre_scores_gemma":[0.0018475694,0.98330337,0.00009256336,0.00776412,0.0034734125,0.00001727044,0.000055225468,0.000005461485,0.0034410665],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989035,0.0004791897,0.000080560145,0.00010802759,0.00033708726,0.00009149604],"domain_scores_gemma":[0.99419034,0.0035841092,0.00046208815,0.00010302509,0.0012018153,0.00045872718],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022832323,0.0008038718,0.0012209859,0.0048457547,0.0013889782,0.005057992,0.0010445033,0.0028276355,0.00940499],"category_scores_gemma":[0.008522791,0.0005303308,0.0004242957,0.009010435,0.0031277388,0.0045773024,0.0030321635,0.0029623527,0.002088206],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036815967,0.000019406316,0.00031927798,0.0074587334,0.00006386352,0.0000748062,0.0011905071,0.00009706128,0.00005202902,0.006517962,0.85934985,0.124819666],"study_design_scores_gemma":[0.000014198641,0.000011970761,0.0014776026,0.007910076,0.00006485104,0.00020609675,0.0010286394,0.000015156119,0.000024165602,0.0022638107,0.9869676,0.000015808399],"about_ca_topic_score_codex":0.046916813,"about_ca_topic_score_gemma":0.105397485,"teacher_disagreement_score":0.046916813,"about_ca_system_score_codex":0.0041725994,"about_ca_system_score_gemma":0.011649991,"threshold_uncertainty_score":0.09328747},"labels":[],"label_agreement":null},{"id":"W654848988","doi":"10.1017/cbo9780511500107","title":"Psychonarratology foundations for the empirical study of literary response","year":2003,"lang":"en","type":"book","venue":"","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":329,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Narratology; Focalization; Empirical research; Cognition; Narrative; Psychology; Epistemology; Discipline; Sociology; Plot (graphics); Cognitive science; Linguistics; Social science; Philosophy","score_opus":0.19288927228082542,"score_gpt":0.3675017548115894,"score_spread":0.174612482530764,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W654848988","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012253391,0.052808065,0.26560387,0.062832996,0.0025351606,0.0007038255,0.0005585856,0.00022580761,0.6024783],"genre_scores_gemma":[0.70598555,0.04212533,0.15468825,0.01522793,0.005084217,0.004495162,0.0006339717,0.00040422,0.071355335],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9958449,0.0025252954,0.00027613668,0.0004907449,0.00070538995,0.00015757189],"domain_scores_gemma":[0.98821133,0.008477627,0.0007365287,0.0013550475,0.00090311596,0.00031637537],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0069929427,0.00058847276,0.00081434485,0.0026759848,0.00248587,0.007389456,0.0020366674,0.002874501,0.009613456],"category_scores_gemma":[0.01315686,0.00040985725,0.00050064357,0.003403177,0.027792389,0.008982228,0.003163936,0.007208262,0.0018441614],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000025426682,0.00001896578,0.000113854825,0.000106333464,0.000002226437,0.00006908108,0.0030905178,0.000092613824,0.000060961043,0.98836577,0.001982047,0.006095087],"study_design_scores_gemma":[0.0000066568973,0.000012995692,0.00048863963,0.00045293634,0.0000030947883,0.00019948746,0.0027486128,0.00038424207,0.000081820544,0.86531734,0.1302943,0.000009859982],"about_ca_topic_score_codex":0.0011625001,"about_ca_topic_score_gemma":0.001074428,"teacher_disagreement_score":0.009613456,"about_ca_system_score_codex":0.003446759,"about_ca_system_score_gemma":0.0035564257,"threshold_uncertainty_score":0.036982596},"labels":[],"label_agreement":null},{"id":"W6884312397","doi":"10.1017/9781009617802.003","title":"Broken Narratives","year":2025,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Narrative; Rhetorical question; Poetics; Metaphor; Meaning (existential); Cognition; Narrative inquiry; Function (biology)","score_opus":0.02503540542798798,"score_gpt":0.19213476753679348,"score_spread":0.1670993621088055,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6884312397","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0033759912,0.0055817477,0.011672873,0.013198721,0.0025398692,0.0001429357,0.0005997499,0.00019862666,0.9626895],"genre_scores_gemma":[0.11365746,0.0068430603,0.012630287,0.005275078,0.00058473967,0.0003986059,0.0012519012,0.0005301113,0.85882884],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9965133,0.0015307493,0.00020729502,0.0004984493,0.00087985635,0.00037030532],"domain_scores_gemma":[0.9975485,0.0009364377,0.00020276486,0.00058043905,0.0004583867,0.00027337583],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026310347,0.0009622176,0.00044148896,0.0023604117,0.0071762768,0.011915494,0.0019202352,0.0029221047,0.08162532],"category_scores_gemma":[0.008742755,0.00045297798,0.0004947829,0.0028364745,0.008058819,0.011912934,0.010252908,0.004225833,0.019059198],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001899495,0.000009589979,0.00009890157,0.0000973053,0.0000027374479,0.00020646852,0.016161522,0.000079234895,0.00011034488,0.8838821,0.070388265,0.028944464],"study_design_scores_gemma":[0.0000019554384,0.0000033521715,0.000054273285,0.00014881881,9.359614e-7,0.00014441262,0.0040423013,0.00004618311,0.000063336,0.04767083,0.9478195,0.0000041645067],"about_ca_topic_score_codex":0.0037051996,"about_ca_topic_score_gemma":0.00574322,"teacher_disagreement_score":0.08162532,"about_ca_system_score_codex":0.005162358,"about_ca_system_score_gemma":0.0030483769,"threshold_uncertainty_score":0.2730639},"labels":[],"label_agreement":null},{"id":"W6893622731","doi":"10.5281/zenodo.4077658","title":"[!REGARDER!]~VF La contemplation du mystère (2020) Film Complet Streaming VF En Francais bqr","year":2020,"lang":"fr","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Contemplation; Limiting; Face (sociological concept)","score_opus":0.034158909301276984,"score_gpt":0.22926871785898806,"score_spread":0.19510980855771107,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6893622731","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027311852,0.00044261554,0.001052897,0.0024173055,0.0020416088,0.00026700643,0.011660611,0.004692484,0.9746942],"genre_scores_gemma":[0.007681631,0.00047687165,0.0012751042,0.00064006203,0.00021630255,0.0000939162,0.0050821602,0.0019566696,0.98257726],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99979943,0.000013128501,0.0000058910937,0.000025748373,0.00009450664,0.00006131984],"domain_scores_gemma":[0.99912673,0.000052084935,0.00002360032,0.000063704516,0.0003894029,0.00034457655],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00030874636,0.0004926778,0.00021057062,0.0005394254,0.0017236507,0.0024841512,0.0005871724,0.0008626682,0.82129806],"category_scores_gemma":[0.0012915885,0.00030958434,0.0003908538,0.00044003667,0.00023704125,0.001992687,0.0016281975,0.001266255,0.5304672],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002235153,0.000010979246,0.000110389396,0.000050972398,0.0000011802631,0.000036976064,0.00010729358,0.0000106963535,0.0006292793,0.0005919658,0.9739445,0.024483373],"study_design_scores_gemma":[0.000010935697,0.0000150158485,0.0018331171,0.00006224656,0.000001539865,0.00007364716,0.00026576305,0.000039163766,0.00043071332,0.00014175582,0.99711645,0.000009641675],"about_ca_topic_score_codex":0.027625583,"about_ca_topic_score_gemma":0.092489906,"teacher_disagreement_score":0.17870194,"about_ca_system_score_codex":0.0009821755,"about_ca_system_score_gemma":0.00087350165,"threshold_uncertainty_score":0.25489664},"labels":[],"label_agreement":null},{"id":"W6912088489","doi":"10.5281/zenodo.14917005","title":"Corona Fictions und ihre Spuren in der Quebecer Literaturlandschaft","year":2025,"lang":"de","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Corona (planetary geology); Coronavirus disease 2019 (COVID-19); 2019-20 coronavirus outbreak; Severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2)","score_opus":0.026010030833634405,"score_gpt":0.26223982233248755,"score_spread":0.23622979149885315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6912088489","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16844098,0.04477567,0.0018288356,0.123971485,0.0036530872,0.00009362195,0.0057277675,0.00044766153,0.65106094],"genre_scores_gemma":[0.6085696,0.011664949,0.0010125806,0.005342335,0.00048133917,0.00004700894,0.0012859657,0.00022415185,0.3713721],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9986249,0.00020355979,0.0000392558,0.00017868371,0.0005323477,0.00042116025],"domain_scores_gemma":[0.9957419,0.0008232829,0.00044143252,0.00018360661,0.0017360182,0.0010737665],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012652226,0.00046817496,0.00038054696,0.0041296105,0.017467419,0.009525526,0.0011123975,0.001804889,0.073688164],"category_scores_gemma":[0.0052828426,0.00029947326,0.00022967394,0.0069441698,0.007851219,0.0041254256,0.0027950585,0.0023657682,0.002527982],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014301999,0.000042293002,0.0119687095,0.0006370687,0.000040257015,0.0019842552,0.14765243,0.00028582837,0.001106843,0.2193012,0.456675,0.16016315],"study_design_scores_gemma":[0.0000043977084,0.000008013401,0.014188208,0.00028139778,0.000008940857,0.00015929161,0.025718393,0.00007758028,0.0001421461,0.0014675618,0.95791477,0.000029328809],"about_ca_topic_score_codex":0.95602155,"about_ca_topic_score_gemma":0.9831155,"teacher_disagreement_score":0.073688164,"about_ca_system_score_codex":0.057806455,"about_ca_system_score_gemma":0.040014733,"threshold_uncertainty_score":0.41941714},"labels":[],"label_agreement":null},{"id":"W6912367152","doi":"10.5281/zenodo.4168965","title":"{Néz-Videa™}!! The Kid Detective (2020) Online Magyar Teljes HD filmnézés Videa hhm","year":2020,"lang":"hu","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Detective fiction; Agatha; Video recording; Key (lock)","score_opus":0.053863139727179994,"score_gpt":0.23993808427439567,"score_spread":0.18607494454721568,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6912367152","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014113907,0.00021830475,0.0006619959,0.001375382,0.0020787374,0.00013925608,0.004503229,0.004114491,0.9854972],"genre_scores_gemma":[0.004065505,0.00018248869,0.00040379915,0.0004585619,0.00020009038,0.00005650589,0.0021699741,0.0011583728,0.99130476],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998703,0.000010140629,0.000003536466,0.000023566607,0.00005054243,0.00004185442],"domain_scores_gemma":[0.9994011,0.000032564214,0.000014157874,0.000036205634,0.00019252533,0.0003233763],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023107644,0.0005446639,0.00027149377,0.0005321071,0.0018815841,0.0028399308,0.0005739125,0.0009708817,0.8267457],"category_scores_gemma":[0.0009980396,0.00035868312,0.00028491236,0.000348333,0.00022180624,0.0025630447,0.0023531064,0.0011546105,0.7041736],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017178014,0.000009203642,0.000109158296,0.000027067264,7.656528e-7,0.00003096829,0.000102532606,0.000006443156,0.00020843292,0.000472472,0.98534346,0.013672389],"study_design_scores_gemma":[0.00000502679,0.000007955969,0.00073039695,0.000020767722,0.0000011825514,0.00004138774,0.0002119623,0.000019905474,0.00014687634,0.00008582439,0.9987244,0.0000043147493],"about_ca_topic_score_codex":0.007480634,"about_ca_topic_score_gemma":0.027618391,"teacher_disagreement_score":0.17325431,"about_ca_system_score_codex":0.0006370634,"about_ca_system_score_gemma":0.00036171832,"threshold_uncertainty_score":0.24712628},"labels":[],"label_agreement":null},{"id":"W6912385975","doi":"10.5281/zenodo.4171232","title":"Titta The Kid Detective (2020) Filmer Gratis Online På Svenska zex","year":2020,"lang":"sv","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Frame (networking); Subpoena; Paraphernalia","score_opus":0.04854583032119444,"score_gpt":0.23948245202562882,"score_spread":0.19093662170443437,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6912385975","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001566657,0.0007242756,0.0008148691,0.0010765678,0.0028271964,0.00014327152,0.005868068,0.0033890929,0.98358995],"genre_scores_gemma":[0.004361945,0.000467447,0.00061017246,0.0003229849,0.00024428472,0.000059365324,0.0028141602,0.0018290351,0.98929065],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99981695,0.0000140802385,0.000006027602,0.00003248345,0.00007471604,0.000055678018],"domain_scores_gemma":[0.9996344,0.000046080913,0.000012665559,0.00003014067,0.00010435861,0.0001723468],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00026680226,0.00077560457,0.00035655606,0.0007613951,0.0015401879,0.0034806032,0.0006852305,0.0009420252,0.8179505],"category_scores_gemma":[0.0009851491,0.00053942436,0.00047364953,0.00044192854,0.0002476148,0.0025000647,0.0026505007,0.0014033681,0.60915893],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035069494,0.000012489206,0.00007836185,0.00006134705,0.0000016187522,0.00004896764,0.0001243669,0.000011675597,0.00035120972,0.00076470687,0.9805197,0.017990459],"study_design_scores_gemma":[0.0000075583903,0.000009085703,0.0005573011,0.000054011223,0.0000017988621,0.000068482725,0.00017539234,0.000019748713,0.00020109638,0.00011155646,0.9987897,0.0000042088604],"about_ca_topic_score_codex":0.004228691,"about_ca_topic_score_gemma":0.01789917,"teacher_disagreement_score":0.18204951,"about_ca_system_score_codex":0.0006040383,"about_ca_system_score_gemma":0.00042219323,"threshold_uncertainty_score":0.25967145},"labels":[],"label_agreement":null},{"id":"W6950185744","doi":"10.5281/zenodo.7924482","title":"Deus Cantando – Peter Ablinger","year":2019,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Relation (database); Context (archaeology); Perspective (graphical); Subject (documents)","score_opus":0.033527991606404774,"score_gpt":0.22196118203819382,"score_spread":0.18843319043178905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6950185744","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003979278,0.19515751,0.0055174986,0.21038128,0.06320463,0.00006215072,0.0006490141,0.0004790973,0.5205696],"genre_scores_gemma":[0.045891628,0.0519598,0.0015401876,0.012759073,0.012109761,0.00007380386,0.00034403862,0.00062266213,0.8746992],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993142,0.00020781402,0.000024979157,0.00015282426,0.0002456809,0.000054465396],"domain_scores_gemma":[0.99917835,0.0002932298,0.000048809496,0.000060437167,0.00021286974,0.00020632475],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007645984,0.0009006483,0.00034495033,0.0015701491,0.0032026384,0.0037690522,0.00052633556,0.0014375965,0.041685462],"category_scores_gemma":[0.0032952074,0.00026284833,0.00018405991,0.0006445238,0.002498972,0.0033678066,0.0032668437,0.002760656,0.015670473],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004418026,0.000009137376,0.00010020406,0.00012415809,0.0000033239958,0.000072734176,0.0022317988,0.000038585826,0.00029941578,0.05248385,0.8974213,0.047171194],"study_design_scores_gemma":[0.0000015046207,0.0000031642098,0.00009356473,0.00011169883,0.0000010476994,0.0000950388,0.00059214106,0.00001803601,0.00014915499,0.003181747,0.9957495,0.0000034803122],"about_ca_topic_score_codex":0.005340902,"about_ca_topic_score_gemma":0.01275544,"teacher_disagreement_score":0.041685462,"about_ca_system_score_codex":0.0016750292,"about_ca_system_score_gemma":0.0010260557,"threshold_uncertainty_score":0.13945174},"labels":[],"label_agreement":null},{"id":"W6968270260","doi":"10.5281/zenodo.14943231","title":"Interdisziplinäre transkulturelle Analyse von Mensch-KI Interaktionen in Science-Fiction Literatur und im politischen Diskurs Kulturelle Wahrnehmungen von Privatsphäre und KI-Überwachungstechnologien","year":2025,"lang":"de","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Identity (music); Relation (database); Context (archaeology); Meaning (existential); Face (sociological concept)","score_opus":0.022558223368915668,"score_gpt":0.27548726804546547,"score_spread":0.2529290446765498,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6968270260","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4131441,0.04639953,0.058384877,0.025392774,0.0010887156,0.00024653898,0.002344992,0.00025273414,0.4527458],"genre_scores_gemma":[0.96245164,0.008154191,0.0054162373,0.00046118587,0.0001471156,0.00013681175,0.00065551227,0.00024032519,0.022336995],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9956126,0.0028073487,0.00022386906,0.00038697268,0.0006423043,0.0003269173],"domain_scores_gemma":[0.98667264,0.010144937,0.0009539843,0.00087874255,0.0010069741,0.00034269528],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0058402377,0.00047103627,0.00041147275,0.007763103,0.0055013583,0.014328536,0.00093538803,0.0013367159,0.013197847],"category_scores_gemma":[0.010486796,0.0002510465,0.00029541022,0.013842647,0.012840439,0.013394344,0.0061230944,0.002432354,0.0013468766],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052918625,0.000021519116,0.0033263476,0.0006236119,0.00003564242,0.0004883363,0.39193225,0.00025551586,0.0007233667,0.55331516,0.0051572644,0.044068154],"study_design_scores_gemma":[0.0000097208,0.000037708243,0.011366653,0.0016046619,0.000055891505,0.0006717328,0.4028622,0.0008450137,0.0020524908,0.12955809,0.45090342,0.000032446453],"about_ca_topic_score_codex":0.005749595,"about_ca_topic_score_gemma":0.010375651,"teacher_disagreement_score":0.014328536,"about_ca_system_score_codex":0.007072774,"about_ca_system_score_gemma":0.0045789382,"threshold_uncertainty_score":0.051316798},"labels":[],"label_agreement":null},{"id":"W6968575922","doi":"10.5281/zenodo.4167186","title":"Teljes {^My Salinger Year (2020)^} verzio 【letoltes magyarul】 - #Hungary #Magyarul sot","year":2020,"lang":"hu","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Period (music); George (robot); Gloom; Heraldry","score_opus":0.04393280378975482,"score_gpt":0.2295648238704922,"score_spread":0.1856320200807374,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6968575922","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011500859,0.00042152248,0.00034888863,0.0011256261,0.0022988308,0.00009577973,0.016037218,0.003577507,0.9749444],"genre_scores_gemma":[0.004918788,0.00040776664,0.0003082314,0.00039565278,0.0002385367,0.000043977143,0.0063502565,0.002002595,0.98533416],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99986315,0.000009002517,0.000004544493,0.000024041377,0.00005361674,0.00004557877],"domain_scores_gemma":[0.9994423,0.000027694912,0.000018615201,0.000042493062,0.00012817557,0.0003407327],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000198483,0.00055003515,0.00035111545,0.0005806684,0.0010531247,0.003839495,0.00045173155,0.0007315323,0.8656638],"category_scores_gemma":[0.0009848024,0.00025308784,0.00034118508,0.00066743564,0.0002115664,0.002330537,0.0018464538,0.0009922595,0.7933846],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024744046,0.000009237115,0.000105082945,0.000043696025,0.0000013183055,0.000032293654,0.000040414292,0.000013717214,0.00016229467,0.00085836166,0.98385483,0.014853942],"study_design_scores_gemma":[0.0000061731625,0.0000057225207,0.00089730934,0.00002530825,0.0000012222636,0.000024280216,0.00007507059,0.00002066206,0.00012923521,0.00011541795,0.99869543,0.000004108669],"about_ca_topic_score_codex":0.0055549983,"about_ca_topic_score_gemma":0.014002883,"teacher_disagreement_score":0.13433617,"about_ca_system_score_codex":0.0006604654,"about_ca_system_score_gemma":0.00044553875,"threshold_uncertainty_score":0.19161427},"labels":[],"label_agreement":null},{"id":"W6976948429","doi":"10.6084/m9.figshare.26674829","title":"Additional file 4 of Canadians’ knowledge of cancer risk factors and belief in cancer myths","year":2024,"lang":"en","type":"article","venue":"Figshare","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"BC Centre for Disease Control; Canadian Cancer Society; University of Calgary; University of British Columbia","funders":"","keywords":"Cancer; Mythology; MEDLINE; Risk perception; Risk assessment","score_opus":0.03436366890445934,"score_gpt":0.26338171708156904,"score_spread":0.2290180481771097,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6976948429","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004812514,0.000043406533,0.00010267415,0.00027064685,0.00005082734,0.000118554366,0.99312615,0.00011454817,0.0056918934],"genre_scores_gemma":[0.032288436,0.00057154364,0.006246475,0.0016126195,0.00019603076,0.0052070394,0.88440955,0.0007495002,0.068718806],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989201,0.00013983402,0.00011700395,0.00015766104,0.00036128404,0.00030406716],"domain_scores_gemma":[0.95849127,0.02274704,0.0014642595,0.00158573,0.014033116,0.0016786465],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001727504,0.0011319822,0.0012218358,0.005479815,0.0036144555,0.0034736902,0.0023597,0.0014726935,0.8785679],"category_scores_gemma":[0.042248234,0.00061888417,0.0015415297,0.009167266,0.00072345074,0.0018461681,0.0016286257,0.0012249699,0.12663385],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008781217,0.00004579196,0.0025197198,0.00084215554,0.000018766726,0.000024801864,0.00022245875,0.00011498502,0.000008988801,0.0006973892,0.99031657,0.0051005296],"study_design_scores_gemma":[0.0018145156,0.0000724247,0.056275472,0.0046601635,0.00022096891,0.00022699546,0.0054846164,0.0010340618,0.00021796986,0.008207221,0.92154425,0.00024129318],"about_ca_topic_score_codex":0.7387094,"about_ca_topic_score_gemma":0.8124885,"teacher_disagreement_score":0.8785679,"about_ca_system_score_codex":0.011141303,"about_ca_system_score_gemma":0.024466088,"threshold_uncertainty_score":0.5256588},"labels":[],"label_agreement":null},{"id":"W6981042054","doi":"","title":"Development and validation of structural Magnetic Resonance Imaging (MRI)-based biomarkers for diagnosis and prognosis of prodromal Alzheimer's disease","year":2019,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dementia; Magnetic resonance imaging; Disease; Hippocampus; Population; Alzheimer's disease; Clinical trial; Cognitive impairment","score_opus":0.022468517504970007,"score_gpt":0.24196433404190132,"score_spread":0.21949581653693132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981042054","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90822357,0.015469237,0.06759217,0.0006543872,0.0004298789,0.0009988158,0.0018442126,0.00055497437,0.0042327526],"genre_scores_gemma":[0.848889,0.0041336776,0.1424132,0.00024371305,0.00015257385,0.0005963314,0.0018654435,0.000077431425,0.0016286841],"study_design_codex":"observational","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99668115,0.0013586924,0.0002570338,0.00061998627,0.000946608,0.00013651104],"domain_scores_gemma":[0.9930749,0.0021123122,0.0010503579,0.000562936,0.0029890623,0.00021050716],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.011758721,0.0010115711,0.00078243896,0.0022366852,0.00045091243,0.0024523,0.0011678449,0.0013643847,0.00067311],"category_scores_gemma":[0.013712341,0.00038435802,0.00091710634,0.00096002175,0.00044112443,0.0008431861,0.00079286355,0.0008608539,0.0006717338],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.004050222,0.0010207248,0.43503255,0.0012717962,0.0018012887,0.0002746413,0.00095046056,0.018953178,0.12279969,0.0023455746,0.003073129,0.40842685],"study_design_scores_gemma":[0.000489416,0.0056200675,0.6367069,0.0010726245,0.0016639343,0.0014532241,0.0010213086,0.17824124,0.15272808,0.004641927,0.016083362,0.00027794618],"about_ca_topic_score_codex":0.0019633342,"about_ca_topic_score_gemma":0.0023867267,"teacher_disagreement_score":0.011758721,"about_ca_system_score_codex":0.0005343718,"about_ca_system_score_gemma":0.001155275,"threshold_uncertainty_score":0.062186778},"labels":[],"label_agreement":null},{"id":"W6981515070","doi":"","title":"Entente Canada-Québec relative à l'enseignement dans la langue de la minorité et à l'enseignement des langues secondes guide de programme 2012-2013 : volet enseignement collégial","year":2012,"lang":"fr","type":"other","venue":"Bibliothèque et Archives nationales du Québec (Québec government)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Emperipolesis; Triacetin; Durvalumab","score_opus":0.009011543664393516,"score_gpt":0.21193078915435315,"score_spread":0.20291924548995963,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981515070","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07133704,0.022929974,0.004966398,0.08969744,0.0018394014,0.00084757956,0.015241782,0.0006700387,0.7924704],"genre_scores_gemma":[0.16598403,0.0053427564,0.0036547328,0.004151446,0.00011867584,0.00038061655,0.002711959,0.00017064372,0.8174851],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974595,0.00029264137,0.0000869011,0.00019138372,0.0011050943,0.00086445035],"domain_scores_gemma":[0.9935306,0.0005423511,0.00020047676,0.00012855485,0.003947548,0.0016504795],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003359676,0.00047483822,0.00033668516,0.0032351988,0.013062354,0.008300233,0.0014897408,0.0019002913,0.031421863],"category_scores_gemma":[0.006744504,0.00043403183,0.00034385012,0.0052492493,0.002389069,0.0020219753,0.0024292483,0.0026146874,0.0018484101],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007075107,0.00010147079,0.017638909,0.0003940403,0.000018274264,0.00026441726,0.026296677,0.0006223165,0.0006857595,0.12625632,0.65384775,0.17380327],"study_design_scores_gemma":[0.00001047648,0.000015115885,0.045595072,0.00031945156,0.000010832775,0.00004142691,0.0124852685,0.00014858031,0.0003437467,0.0010657682,0.9399307,0.00003360502],"about_ca_topic_score_codex":0.99515754,"about_ca_topic_score_gemma":0.9982838,"teacher_disagreement_score":0.8987353,"about_ca_system_score_codex":0.10126473,"about_ca_system_score_gemma":0.29135364,"threshold_uncertainty_score":0.7347305},"labels":[],"label_agreement":null},{"id":"W6991757650","doi":"","title":"Impact of COVID-19 on Working Arrangements and Working Experiences at Western University","year":2021,"lang":"en","type":"article","venue":"Scholarship@Western (Western University)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pandemic; Survey research; Coronavirus disease 2019 (COVID-19); Institution; Administration (probate law); Survey data collection; Academic institution; 2019-20 coronavirus outbreak","score_opus":0.18074107524261784,"score_gpt":0.33453734499891524,"score_spread":0.1537962697562974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6991757650","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98302543,0.00034415163,0.00010611414,0.0026603555,0.00006870422,0.000050460316,0.00032042564,0.000019312773,0.013405101],"genre_scores_gemma":[0.99616635,0.0002885998,0.00014776085,0.00040759364,0.000027937836,0.000074884345,0.00026364945,0.000015864272,0.0026074986],"study_design_codex":"observational","study_design_gemma":"qualitative","domain_scores_codex":[0.9860495,0.006209332,0.0010195697,0.00052508607,0.0035560087,0.0026405202],"domain_scores_gemma":[0.9595586,0.0073990203,0.008928175,0.0020440526,0.005744725,0.016325474],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0114151,0.00020046557,0.00044896908,0.0025179905,0.0064679706,0.005344579,0.0011921994,0.000571353,0.007184395],"category_scores_gemma":[0.03483648,0.00035778477,0.00024674847,0.003333642,0.0035288974,0.0019577818,0.011630648,0.0016683574,0.0010296705],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004341348,0.00040231436,0.7046466,0.00018611316,0.00003603395,0.0009165797,0.21001908,0.00019177615,0.0006909844,0.0033616724,0.015256375,0.063858345],"study_design_scores_gemma":[0.000009808444,0.00022700196,0.60018724,0.0003353413,0.000009433119,0.00024329241,0.36792934,0.00014461372,0.00030868495,0.00043914458,0.030114029,0.000052150033],"about_ca_topic_score_codex":0.073123105,"about_ca_topic_score_gemma":0.11184563,"teacher_disagreement_score":0.98999953,"about_ca_system_score_codex":0.010000485,"about_ca_system_score_gemma":0.009877585,"threshold_uncertainty_score":0.14539492},"labels":[],"label_agreement":null},{"id":"W7000664124","doi":"","title":"Game worlds, fictional authors and truth in fiction","year":2016,"lang":"en","type":"dissertation","venue":"Mspace (University of Manitoba)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Winnipeg; University of Manitoba","funders":"","keywords":"Fictional universe; Fiction theory; Possible world; Order (exchange); Game theory; Pragmatic theory of truth","score_opus":0.015164564280943935,"score_gpt":0.1995348785542482,"score_spread":0.18437031427330428,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7000664124","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.117545746,0.005443199,0.108484276,0.01847883,0.0004747099,0.000133423,0.00013767682,0.00012760302,0.7491745],"genre_scores_gemma":[0.9802669,0.0009394174,0.006781018,0.0003623421,0.00011529565,0.00006098363,0.00006310454,0.000031802392,0.011379007],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99597603,0.002825653,0.00010874032,0.00030168163,0.00050342915,0.0002844285],"domain_scores_gemma":[0.9922375,0.0056310147,0.00064149464,0.00049678056,0.0006147692,0.00037851217],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027131387,0.00049560965,0.00037203392,0.0026925206,0.004541298,0.010712767,0.0011780108,0.0024407287,0.007171801],"category_scores_gemma":[0.008735283,0.00032450916,0.00053110096,0.001828083,0.024802335,0.01705613,0.003070177,0.0029494995,0.00067360926],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003366874,0.000006568674,0.000106094754,0.00001566479,0.0000015754205,0.000018985149,0.0026934068,0.00013971982,0.000014739556,0.9954181,0.00032421274,0.0012576398],"study_design_scores_gemma":[0.000010379351,0.000010802703,0.00021817825,0.000066993714,0.0000055249784,0.00009261467,0.0050977995,0.0013060196,0.00015106268,0.96148396,0.0315486,0.000008142954],"about_ca_topic_score_codex":0.002284474,"about_ca_topic_score_gemma":0.0023821057,"teacher_disagreement_score":0.010712767,"about_ca_system_score_codex":0.0046932553,"about_ca_system_score_gemma":0.0014860231,"threshold_uncertainty_score":0.034052134},"labels":[],"label_agreement":null},{"id":"W7001252189","doi":"","title":"Interroger la place de la narratologie dans les classes de Belgique, de France, du Québec et de Suisse","year":2025,"lang":"fr","type":"article","venue":"IRIS","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Fusible alloy; Demotion; Emperipolesis","score_opus":0.011661749738521247,"score_gpt":0.28704805498398633,"score_spread":0.2753863052454651,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001252189","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.879434,0.0057011014,0.001930265,0.023242082,0.00026124367,0.000034190965,0.00035294224,0.000031870397,0.08901223],"genre_scores_gemma":[0.9854748,0.0005826943,0.00025324064,0.00035834208,0.000020885698,0.000010058083,0.000045340847,0.000015373924,0.013239188],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99804914,0.0009259371,0.000030365303,0.00015288356,0.00028559737,0.0005562016],"domain_scores_gemma":[0.9962405,0.0014010245,0.00049377215,0.00010404626,0.0011413147,0.00061938015],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034806496,0.00024077484,0.00031956413,0.0018517633,0.010109652,0.0066976873,0.00078686065,0.0014920663,0.008851797],"category_scores_gemma":[0.0049031484,0.0001889882,0.00017446828,0.0025610537,0.009195158,0.002218642,0.0018837766,0.0026495566,0.00033911163],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012472353,0.00004023559,0.022710424,0.00013677133,0.00002878718,0.0003799544,0.85414827,0.00028832955,0.0012782863,0.08114792,0.011081897,0.028634364],"study_design_scores_gemma":[0.000009901409,0.00003008226,0.08477101,0.00032520923,0.000018895918,0.000116009905,0.67655605,0.00025674087,0.00053466385,0.0011361823,0.23620273,0.000042645846],"about_ca_topic_score_codex":0.93391347,"about_ca_topic_score_gemma":0.9677692,"teacher_disagreement_score":0.06608653,"about_ca_system_score_codex":0.04982927,"about_ca_system_score_gemma":0.02498233,"threshold_uncertainty_score":0.3615384},"labels":[],"label_agreement":null},{"id":"W7001685573","doi":"","title":"La narratologie en classe de français : histoire et état des lieux des usages scolaires des théories du récit dans l'enseignement secondaire (Belgique, France, Québec, Suisse)","year":2025,"lang":"fr","type":"dissertation","venue":"IRIS","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Decorum; Scientific education","score_opus":0.012160625313426284,"score_gpt":0.250757462280895,"score_spread":0.23859683696746872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001685573","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6329538,0.017422926,0.0066966275,0.01844807,0.001106175,0.000056121957,0.00047444986,0.000113249196,0.3227286],"genre_scores_gemma":[0.96720785,0.0013928979,0.00030862572,0.00030627276,0.0000696605,0.000015054067,0.00006218334,0.00005177287,0.03058567],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9982193,0.0009090076,0.000042078067,0.00020962689,0.0002466381,0.0003732252],"domain_scores_gemma":[0.99732804,0.0011080628,0.00032770864,0.00017376977,0.0007324232,0.00033014224],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024306988,0.0007067406,0.00031012553,0.0018535834,0.011580485,0.008041982,0.00074254576,0.0013800182,0.007327581],"category_scores_gemma":[0.0037816362,0.0002151438,0.00023221763,0.0027037235,0.015189549,0.0029263438,0.0020993503,0.0022844893,0.0006486526],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007520821,0.000014674255,0.0040348787,0.00012982254,0.000011369436,0.00046685312,0.85751194,0.00014365386,0.00082127756,0.11135641,0.010299733,0.0151341995],"study_design_scores_gemma":[0.000009562967,0.00004771148,0.020493058,0.00037183583,0.000015466416,0.00043807973,0.42127815,0.00029756498,0.00066233025,0.003458373,0.552879,0.000048836824],"about_ca_topic_score_codex":0.551309,"about_ca_topic_score_gemma":0.6115137,"teacher_disagreement_score":0.448691,"about_ca_system_score_codex":0.02777741,"about_ca_system_score_gemma":0.007657938,"threshold_uncertainty_score":0.90266687},"labels":[],"label_agreement":null},{"id":"W7011597245","doi":"","title":"The Metafictionality of Contemporary North-American Horror Fiction (the Writer and His Doppelganger in Stephen King s and Patrick Senécal s Novels)","year":2008,"lang":"fr","type":"other","venue":"OpenGrey (Institut de l'Information Scientifique et Technique)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Novella; Eroticism; Auteur theory; Intertextuality","score_opus":0.027047668118668575,"score_gpt":0.2544776226114648,"score_spread":0.2274299544927962,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7011597245","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4358052,0.0059852465,0.0038124989,0.0066471254,0.0004605104,0.00002893172,0.00017943079,0.00009523011,0.5469858],"genre_scores_gemma":[0.9738106,0.0008062704,0.00039856814,0.00020067379,0.000090792135,0.000018841878,0.000040866908,0.00005466745,0.02457877],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928623,0.00034174815,0.00001748947,0.00011100504,0.0001344603,0.000109091336],"domain_scores_gemma":[0.9989379,0.0006037352,0.00012909425,0.00013341842,0.00013794124,0.00005793335],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008686479,0.00039996294,0.00024361648,0.0015360753,0.007125125,0.006732418,0.00054768415,0.0009920066,0.0055808197],"category_scores_gemma":[0.001536724,0.00023487769,0.00013178098,0.0014706168,0.012809106,0.0032127148,0.0016728672,0.002207206,0.000444581],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051778778,0.000012445348,0.0012047001,0.00012286387,0.000005664218,0.0006327307,0.7110349,0.000084319814,0.0011589687,0.2685843,0.00495089,0.012156341],"study_design_scores_gemma":[0.00001103865,0.00003634671,0.011440279,0.00047200246,0.000021542664,0.0015166701,0.38292804,0.00037403955,0.002267035,0.017134937,0.5837643,0.000033768447],"about_ca_topic_score_codex":0.02118023,"about_ca_topic_score_gemma":0.07333792,"teacher_disagreement_score":0.02118023,"about_ca_system_score_codex":0.0061285817,"about_ca_system_score_gemma":0.0016502992,"threshold_uncertainty_score":0.044466138},"labels":[],"label_agreement":null},{"id":"W7015568015","doi":"","title":"Synthèse des entretiens avec quelques témoins de la scolarisation des théories du récit","year":2023,"lang":"fr","type":"article","venue":"SERVAL (Université de Lausanne)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Historicity (philosophy); ESPACE; Private life","score_opus":0.010179480282068592,"score_gpt":0.2068817892353061,"score_spread":0.1967023089532375,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7015568015","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.081093,0.039365944,0.047541287,0.06740006,0.0030597337,0.00016718401,0.0004563873,0.00016625294,0.7607501],"genre_scores_gemma":[0.8970477,0.02271171,0.008445266,0.0038497003,0.0012361872,0.00029070632,0.0004145525,0.0003221443,0.06568211],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99345446,0.004256773,0.00020545018,0.00076598936,0.0010028357,0.00031450985],"domain_scores_gemma":[0.98925775,0.0065827975,0.0008322614,0.0013485593,0.0015903662,0.0003883267],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00814329,0.0009836667,0.00063241407,0.004720156,0.007388602,0.011964029,0.0019746218,0.0027858552,0.013937272],"category_scores_gemma":[0.0125084445,0.00041568,0.0005790827,0.0047192294,0.025402598,0.012075763,0.003834858,0.005116311,0.0019772998],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021714342,0.000013481868,0.00067902316,0.00019750923,0.00001129126,0.00011563606,0.08730176,0.000098422766,0.00014291232,0.8927513,0.0054901154,0.013176716],"study_design_scores_gemma":[0.000015321626,0.00004790468,0.0040080715,0.0020126987,0.00003947919,0.0004555936,0.123753995,0.0008468155,0.0009134315,0.24763855,0.6202166,0.000051553758],"about_ca_topic_score_codex":0.012585126,"about_ca_topic_score_gemma":0.021960393,"teacher_disagreement_score":0.013937272,"about_ca_system_score_codex":0.010564814,"about_ca_system_score_gemma":0.006485894,"threshold_uncertainty_score":0.07665348},"labels":[],"label_agreement":null},{"id":"W7018602565","doi":"","title":"Eaton to announce second quarter 2024 earnings on August 1, 2024","year":2024,"lang":"en","type":"other","venue":"","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Earnings; Quarter (Canadian coin)","score_opus":0.016011042718840195,"score_gpt":0.23846773829485648,"score_spread":0.2224566955760163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7018602565","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029449144,0.00057166367,0.00050940824,0.012208095,0.0071379975,0.00014194378,0.0063038315,0.00097083714,0.9692114],"genre_scores_gemma":[0.0014381452,0.000055682747,0.000047629703,0.0005188983,0.000118739226,0.000014144734,0.0004729034,0.000060356706,0.9972735],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994307,0.000032415213,0.000011694643,0.000043437278,0.00028885962,0.00019275663],"domain_scores_gemma":[0.99898225,0.00008016795,0.000039698807,0.000054637523,0.0004760798,0.00036714066],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007665027,0.0006174354,0.00048065014,0.0009840595,0.0027429094,0.005354418,0.0009283618,0.0039354223,0.48057887],"category_scores_gemma":[0.002912879,0.00026283256,0.00049315847,0.00059558667,0.00038494015,0.0012722017,0.0017731232,0.002931956,0.26630965],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006312194,0.00002924258,0.000139237,0.000009890972,0.0000019241625,0.000043999826,0.000013927478,0.00004098967,0.000082879065,0.002372645,0.9890564,0.00814563],"study_design_scores_gemma":[0.00002513654,0.00003231282,0.0012550447,0.000038124603,0.00000291566,0.000016835173,0.0001273703,0.00024188505,0.000213103,0.00160776,0.99642867,0.0000108448585],"about_ca_topic_score_codex":0.03413539,"about_ca_topic_score_gemma":0.10727698,"teacher_disagreement_score":0.48057887,"about_ca_system_score_codex":0.001834431,"about_ca_system_score_gemma":0.0033128085,"threshold_uncertainty_score":0.7408912},"labels":[],"label_agreement":null},{"id":"W7023765318","doi":"","title":"On quantifying schematicity of future narratives","year":2024,"lang":"en","type":"article","venue":"eScholarship (California Digital Library)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Natural Sciences and Engineering Research Council of Canada; University of Toronto","keywords":"Narrative; Schematic; Set (abstract data type); Structuring; Event (particle physics)","score_opus":0.03228870306482812,"score_gpt":0.24323091736901098,"score_spread":0.21094221430418286,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7023765318","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84792364,0.00055144686,0.13760728,0.00021401042,0.000033553057,0.0004273199,0.0011928395,0.00050136074,0.011548569],"genre_scores_gemma":[0.9058226,0.00023130456,0.09162964,0.000040240884,0.000013133333,0.00030170017,0.0012117898,0.000061849765,0.0006878875],"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9962817,0.0016421261,0.0004435079,0.0006372976,0.00087880116,0.00011665564],"domain_scores_gemma":[0.904303,0.066901095,0.014557363,0.005593659,0.0074841185,0.0011606574],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0075025596,0.0004011742,0.00032151194,0.005357507,0.00072364346,0.0032751486,0.0006059391,0.0006734687,0.0034659985],"category_scores_gemma":[0.108703576,0.0003498421,0.0003371895,0.002832469,0.0013687778,0.0067496942,0.0021867778,0.00071296224,0.00038859958],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015793402,0.00061780703,0.31370977,0.0022083838,0.0003880555,0.00045469208,0.037061673,0.014914547,0.06798438,0.06311125,0.0020569465,0.4959131],"study_design_scores_gemma":[0.000088273606,0.0010730814,0.70580655,0.0007899807,0.00029831778,0.0014730027,0.026228167,0.12488887,0.0508483,0.06601738,0.022063764,0.00042430125],"about_ca_topic_score_codex":0.0015866697,"about_ca_topic_score_gemma":0.0017856022,"teacher_disagreement_score":0.0075025596,"about_ca_system_score_codex":0.0009095558,"about_ca_system_score_gemma":0.00061402965,"threshold_uncertainty_score":0.0396778},"labels":[],"label_agreement":null},{"id":"W7027122288","doi":"","title":"Ãcluses, suivi de, La narration multiple dans le roman Des feuilles dans la bourrasque de Gabriel Garcia Marquez","year":2003,"lang":"en","type":"other","venue":"Library and Archives Canada (Government of Canada)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Garcia; Object (grammar); Narrative structure; Cohesion (chemistry)","score_opus":0.0029285377850811,"score_gpt":0.14076971750023679,"score_spread":0.1378411797151557,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7027122288","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23697342,0.03017806,0.0041562677,0.100893795,0.002660139,0.000065748754,0.00034501072,0.00017633411,0.6245513],"genre_scores_gemma":[0.88843644,0.005732496,0.001004499,0.0016620771,0.00028739637,0.0000351148,0.00004753561,0.00012235856,0.102672085],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99873847,0.0008177985,0.000013605844,0.00010684897,0.00020673941,0.00011663401],"domain_scores_gemma":[0.9987159,0.00062497734,0.00012951807,0.00006513535,0.0002684716,0.00019607983],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001411043,0.000505968,0.00035823393,0.0009151856,0.010353602,0.0066686086,0.00062066567,0.0011648734,0.0043228013],"category_scores_gemma":[0.0037994047,0.00020853068,0.00017814607,0.001036377,0.0091134,0.001974199,0.0013957774,0.0025495782,0.00039633483],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001491581,0.000042519216,0.0018639917,0.00017958943,0.000016739192,0.0020767841,0.50336474,0.0003373967,0.0005854603,0.3877941,0.07903734,0.024552194],"study_design_scores_gemma":[0.000010503222,0.000012745094,0.0018813201,0.00025147013,0.000008525714,0.00073508173,0.19916776,0.00017479264,0.000490676,0.009303184,0.7879395,0.000024524767],"about_ca_topic_score_codex":0.20379001,"about_ca_topic_score_gemma":0.313179,"teacher_disagreement_score":0.20379001,"about_ca_system_score_codex":0.011548178,"about_ca_system_score_gemma":0.0048349476,"threshold_uncertainty_score":0.40520763},"labels":[],"label_agreement":null},{"id":"W7029116911","doi":"","title":"Indie Artist Shar featuring Dumi Are On Air!","year":2023,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indie film; Singing; Period (music); Popular music; Video recording","score_opus":0.010602646187104763,"score_gpt":0.18231017548985176,"score_spread":0.171707529302747,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7029116911","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00075038004,0.0005767407,0.00024187166,0.0011781888,0.0017720526,0.000031269894,0.0006301758,0.0005008811,0.9943184],"genre_scores_gemma":[0.0023792388,0.00031329296,0.00018051395,0.00021012985,0.00012238613,0.000007823802,0.00023893561,0.00025723534,0.99629045],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998159,0.00001485834,0.000003247386,0.000023648443,0.000094095405,0.000048428497],"domain_scores_gemma":[0.9993782,0.000046558038,0.000017343778,0.000046775218,0.00019617841,0.000314845],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031594976,0.00075725076,0.00035277344,0.0013126726,0.0049113706,0.0043207803,0.00046258463,0.0007475965,0.6192396],"category_scores_gemma":[0.0011104917,0.00026051633,0.0003100129,0.0012337515,0.0005240024,0.0017487219,0.0023018846,0.0014273592,0.29664326],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013646838,0.000008487806,0.00009794354,0.000032344156,9.2383823e-7,0.00003828212,0.00028169097,0.0000066207194,0.00020078932,0.0010517148,0.97908825,0.019179402],"study_design_scores_gemma":[0.0000014314016,0.0000033061983,0.00037772363,0.000030327625,9.739143e-7,0.000048007634,0.0004424556,0.000010473922,0.00007250582,0.00006884669,0.9989415,0.0000023886803],"about_ca_topic_score_codex":0.03035914,"about_ca_topic_score_gemma":0.20957306,"teacher_disagreement_score":0.38076037,"about_ca_system_score_codex":0.0011946396,"about_ca_system_score_gemma":0.0011904705,"threshold_uncertainty_score":0.54310846},"labels":[],"label_agreement":null},{"id":"W7029982269","doi":"","title":"La narratologie en classe de français: premiers résultats d’une enquête internationale","year":2023,"lang":"fr","type":"article","venue":"SERVAL (Université de Lausanne)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cytophaga; Context (archaeology); Transculturation","score_opus":0.018034553608156013,"score_gpt":0.2288808188097996,"score_spread":0.2108462652016436,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7029982269","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97361463,0.0047388473,0.0012981254,0.0015907269,0.00023929235,0.0001339587,0.0011804426,0.00004228541,0.0171617],"genre_scores_gemma":[0.981473,0.0032933655,0.0009178609,0.00037198138,0.00014245453,0.00025813276,0.0011624342,0.00010689723,0.0122739],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99170727,0.0035763562,0.000712107,0.0009695572,0.0018397551,0.0011949141],"domain_scores_gemma":[0.9407908,0.024978712,0.0073675243,0.0024326746,0.020443844,0.003986382],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0192393,0.00078388094,0.000855165,0.0043152985,0.004087794,0.007103598,0.00083871314,0.0009106185,0.010982233],"category_scores_gemma":[0.04482987,0.00039896352,0.00069220946,0.00544541,0.0031646984,0.004709479,0.004070105,0.0019481574,0.0012538807],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032985612,0.00019974184,0.22022335,0.0013126727,0.00017694273,0.00026604577,0.70245105,0.00012087085,0.0013558619,0.0019669072,0.0068361107,0.06476054],"study_design_scores_gemma":[0.000010980722,0.00017842461,0.45658326,0.0010267046,0.000115482944,0.0001593575,0.47213125,0.00013197926,0.0007918379,0.00022672022,0.06856585,0.000078219746],"about_ca_topic_score_codex":0.14911518,"about_ca_topic_score_gemma":0.1648782,"teacher_disagreement_score":0.14911518,"about_ca_system_score_codex":0.00797303,"about_ca_system_score_gemma":0.005109779,"threshold_uncertainty_score":0.29649448},"labels":[],"label_agreement":null},{"id":"W7033230424","doi":"","title":"Pour une théorie du récit au service de l’enseignement","year":2023,"lang":"fr","type":"article","venue":"SERVAL (Université de Lausanne)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Private life; Ethnic discrimination","score_opus":0.028403336454423538,"score_gpt":0.2196343209899782,"score_spread":0.19123098453555468,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7033230424","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05661153,0.013941455,0.06548072,0.070390865,0.0010740197,0.00015438655,0.00041115916,0.00014865558,0.7917872],"genre_scores_gemma":[0.87949514,0.0062501556,0.008495069,0.0033637555,0.000495741,0.000241159,0.00024519392,0.00024644696,0.10116745],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9914227,0.0051722866,0.00024291787,0.0011765324,0.0011738068,0.0008117946],"domain_scores_gemma":[0.99020517,0.006006006,0.00083698356,0.0010213564,0.0013998656,0.00053063146],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006123385,0.00080115016,0.0004823283,0.002367743,0.007672559,0.009102908,0.0018946021,0.0047230045,0.03310998],"category_scores_gemma":[0.01603193,0.00048655234,0.0008862216,0.0033706757,0.023314107,0.015918339,0.004898693,0.0045683226,0.004588984],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019681667,0.000014740818,0.001051688,0.00009608096,0.0000080017735,0.00009043117,0.028151918,0.00023535179,0.000047139496,0.960863,0.003216338,0.0062056133],"study_design_scores_gemma":[0.00001904187,0.000049246413,0.0037606345,0.00073328573,0.000030603467,0.00033249304,0.046958424,0.0012487447,0.00033957607,0.54256016,0.40392238,0.00004546091],"about_ca_topic_score_codex":0.029034749,"about_ca_topic_score_gemma":0.023554966,"teacher_disagreement_score":0.03310998,"about_ca_system_score_codex":0.012893918,"about_ca_system_score_gemma":0.008359485,"threshold_uncertainty_score":0.11076397},"labels":[],"label_agreement":null},{"id":"W7033430146","doi":"","title":"Prophylactic and therapeutic efficacy of dietary Nigella sativa L. supplementation against hepatopathy in rats induced by kavalactone and kavalactone with alcohol","year":2018,"lang":"en","type":"other","venue":"Universiti Putra Malaysia Institutional Repository (Universiti Putra Malaysia)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nigella sativa; Toxicity; Adverse effect; Therapeutic effect; Dose; Alcohol; Oral administration; Therapeutic index","score_opus":0.016807541130895155,"score_gpt":0.2162783920212944,"score_spread":0.19947085089039923,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7033430146","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9977921,0.0008668694,0.00034453807,0.0001037025,0.000039533177,0.000061453415,0.0001649961,0.000049875965,0.0005769352],"genre_scores_gemma":[0.9940275,0.0013822324,0.0013178887,0.00009375858,0.000025023981,0.00008892694,0.00028399038,0.000010285063,0.0027704309],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9998342,0.000024798279,0.00002051216,0.000032498756,0.00003850691,0.00004952918],"domain_scores_gemma":[0.9996226,0.000033918448,0.000111081914,0.00003801259,0.000045662593,0.00014874146],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023684608,0.00067709124,0.000749714,0.00076204044,0.00032241407,0.00026467026,0.0004209244,0.0004962003,0.0013804539],"category_scores_gemma":[0.00017281377,0.0002940247,0.00040312627,0.00027399688,0.00058679195,0.00036159452,0.00034783938,0.0008981576,0.00022645576],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.01690062,0.003581606,0.0009910299,0.00026434392,0.000053241736,0.00016527508,0.0001104938,0.00019146738,0.9690926,0.00014380562,0.00012542805,0.008380055],"study_design_scores_gemma":[0.0012676511,0.09968583,0.018565835,0.00005311118,0.00029171063,0.00031383077,0.0003170798,0.00080196525,0.87534827,0.00016783674,0.0031332374,0.000053658583],"about_ca_topic_score_codex":0.001446591,"about_ca_topic_score_gemma":0.0029798383,"teacher_disagreement_score":0.001446591,"about_ca_system_score_codex":0.00026676868,"about_ca_system_score_gemma":0.00059726706,"threshold_uncertainty_score":0.0046180487},"labels":[],"label_agreement":null},{"id":"W7041674985","doi":"","title":"Big Exit","year":2012,"lang":"en","type":"dissertation","venue":"Scholarship at UWindsor (University of Windsor)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Novella; Narrative; Narrative structure; Dialogic; Psychic; Narrative network; Fragmentation (computing)","score_opus":0.03970681536591994,"score_gpt":0.22253540317506565,"score_spread":0.1828285878091457,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7041674985","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.047783297,0.0024176526,0.0034460535,0.011447502,0.0023788973,0.00018677922,0.0006968572,0.0003743259,0.93126863],"genre_scores_gemma":[0.16141616,0.001356136,0.0019307937,0.002285846,0.00021811936,0.00009687612,0.0005761105,0.0003289307,0.831791],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992009,0.00018439154,0.000018920842,0.00011482427,0.0002507096,0.00023023372],"domain_scores_gemma":[0.99904114,0.00018557621,0.00004728605,0.000103283804,0.00024976366,0.00037298427],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009038106,0.00043617366,0.0002483042,0.00085194217,0.010106688,0.008094794,0.0007228839,0.0012646898,0.04585962],"category_scores_gemma":[0.0023002918,0.0003046775,0.00020782245,0.0008335603,0.0035728083,0.0021478422,0.0033266416,0.0020133876,0.008144507],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002076457,0.00009485671,0.002193183,0.00042744222,0.000013032919,0.002067147,0.13117535,0.00019041498,0.002329315,0.21186812,0.5372634,0.11217011],"study_design_scores_gemma":[0.0000030696738,0.000016919941,0.00074566936,0.00009829511,0.0000014891542,0.00027100835,0.015959263,0.00003348133,0.00022587736,0.0023115056,0.98032445,0.0000088648185],"about_ca_topic_score_codex":0.038848344,"about_ca_topic_score_gemma":0.14717865,"teacher_disagreement_score":0.04585962,"about_ca_system_score_codex":0.0042837416,"about_ca_system_score_gemma":0.0043045944,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W7066397821","doi":"","title":"Hiidenkivi, ruokaruotsi ja motti?","year":2013,"lang":"fi","type":"other","venue":"Tampere University Institutional Repository (Tampere University)","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Power (physics); Relation (database); Context (archaeology)","score_opus":0.011016613410097052,"score_gpt":0.16389340130032026,"score_spread":0.15287678789022321,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7066397821","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3189606,0.015171019,0.010449939,0.012557743,0.0028112866,0.00030679387,0.004402201,0.0009982091,0.6343422],"genre_scores_gemma":[0.54604065,0.007934519,0.013380897,0.0029109167,0.0004050929,0.00022313878,0.0039985795,0.00084674667,0.42425954],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919873,0.00014394168,0.000043180982,0.00023147491,0.000221331,0.00016125562],"domain_scores_gemma":[0.9993513,0.00011960644,0.00009825692,0.000094699535,0.00027117296,0.00006497298],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009987359,0.0005177798,0.00055819255,0.0013088413,0.0026666399,0.005753841,0.00069124077,0.0010415199,0.035463847],"category_scores_gemma":[0.0019046421,0.00043253435,0.0006121709,0.0015244081,0.0011867129,0.0032835759,0.001971387,0.0016401119,0.010579324],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00096112594,0.0004354273,0.09593639,0.0032266167,0.00028776005,0.004472883,0.06835837,0.0008064237,0.09736068,0.1265898,0.09407316,0.5074913],"study_design_scores_gemma":[0.000010948929,0.00011517944,0.033972446,0.0005118668,0.000088218796,0.00081069197,0.017659705,0.00039329147,0.014420207,0.006456866,0.92549205,0.00006847422],"about_ca_topic_score_codex":0.0075176577,"about_ca_topic_score_gemma":0.021012742,"teacher_disagreement_score":0.035463847,"about_ca_system_score_codex":0.0017637375,"about_ca_system_score_gemma":0.002129747,"threshold_uncertainty_score":0.11863834},"labels":[],"label_agreement":null},{"id":"W7096262529","doi":"","title":"Our K&amp;amp; Notre retêrenw","year":2014,"lang":"en","type":"article","venue":"","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Order (exchange); Legislation; Subject (documents)","score_opus":0.06664256810851396,"score_gpt":0.27126975687079646,"score_spread":0.2046271887622825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7096262529","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006159505,0.0021480443,0.0013767793,0.01201007,0.009447286,0.000113629794,0.0024195316,0.0008955448,0.97097313],"genre_scores_gemma":[0.0014446501,0.0006520198,0.0004005723,0.00049003144,0.00032253473,0.000025906695,0.0003911233,0.00026549108,0.9960077],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978759,0.00025767638,0.000108044165,0.0004051438,0.0011410471,0.00021218938],"domain_scores_gemma":[0.9961204,0.0002585573,0.00017769077,0.00061215024,0.0020002364,0.0008309726],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0018530409,0.0010301793,0.0007830011,0.002071764,0.0042957766,0.012542143,0.0014882655,0.001881191,0.77637315],"category_scores_gemma":[0.007231552,0.00081063714,0.0007578683,0.0017591211,0.0015815865,0.0049075894,0.0051683905,0.0032582593,0.68295485],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021434837,0.00002119829,0.00009168379,0.000087315995,0.0000022577872,0.00006748737,0.00028515313,0.000032120595,0.00024784505,0.010872861,0.94721544,0.04105519],"study_design_scores_gemma":[0.0000015069213,0.000003531473,0.00007215966,0.00003861843,6.2304247e-7,0.00002695759,0.00012456745,0.000013267176,0.00006103063,0.00055378914,0.9991015,0.0000024470316],"about_ca_topic_score_codex":0.007131409,"about_ca_topic_score_gemma":0.01406962,"teacher_disagreement_score":0.22362685,"about_ca_system_score_codex":0.0038279076,"about_ca_system_score_gemma":0.0049397266,"threshold_uncertainty_score":0.31897652},"labels":[],"label_agreement":null},{"id":"W7106357286","doi":"10.5325/style.59.2.0178","title":"The Interpretive and Ethical Payoffs of Intention-Curious Rhetorical Reading: Fictionality, Original Paratexts, and Ford’s Impressionism","year":2025,"lang":"en","type":"article","venue":"Style","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Rhetorical question; Narrative; Relation (database); Relevance (law); Openness to experience; Rhetorical device; Unpacking","score_opus":0.015916711859151,"score_gpt":0.2965393605901588,"score_spread":0.2806226487310078,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7106357286","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5113978,0.0024045175,0.04224093,0.04390763,0.0010659993,0.00007789121,0.000037931284,0.00011313374,0.3987542],"genre_scores_gemma":[0.99585813,0.000109003726,0.0010447123,0.00030158437,0.000053218035,0.000008527368,0.0000027496123,0.000020419311,0.0026018005],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9851687,0.011809633,0.00025640964,0.00061484077,0.0016856642,0.0004648078],"domain_scores_gemma":[0.94092846,0.050526123,0.0021960444,0.0031933005,0.002515586,0.00064047286],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.015781946,0.00041173722,0.00032053352,0.0016269974,0.005926078,0.010729867,0.0010628494,0.002551848,0.002151295],"category_scores_gemma":[0.028603002,0.00021723931,0.0002703224,0.0006970014,0.04891106,0.0069766017,0.0037984287,0.003918023,0.00024930667],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049334118,0.00003332655,0.0012716667,0.00008206798,0.000008089443,0.00053908076,0.23396036,0.00020863446,0.0005735591,0.7525139,0.0018340364,0.00892594],"study_design_scores_gemma":[0.00006090354,0.00014243483,0.0026061852,0.0006930557,0.000048378442,0.0012077409,0.22779942,0.0031025002,0.006182324,0.58597195,0.17210448,0.000080663165],"about_ca_topic_score_codex":0.0016934081,"about_ca_topic_score_gemma":0.0020913621,"teacher_disagreement_score":0.015781946,"about_ca_system_score_codex":0.005592844,"about_ca_system_score_gemma":0.0019716807,"threshold_uncertainty_score":0.08346397},"labels":[],"label_agreement":null},{"id":"W7116677555","doi":"10.64628/aam.ys9yd97mg","title":"The dangers of blurring fact and fiction in Holocaust TV narratives","year":2025,"lang":"","type":"article","venue":"","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"MacEwan University","funders":"","keywords":"Narrative; The Holocaust; Identity (music); Perspective (graphical)","score_opus":0.01434821587015793,"score_gpt":0.2536785962747624,"score_spread":0.23933038040460447,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7116677555","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51677567,0.0090347435,0.055700857,0.04169969,0.00053880404,0.00014791846,0.00047987487,0.00024021033,0.37538224],"genre_scores_gemma":[0.9922431,0.0005525893,0.0020738873,0.00038529283,0.000092883995,0.000036271602,0.000050339797,0.0000768865,0.0044886335],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9918916,0.0058999686,0.00019908341,0.00061322295,0.00092936057,0.0004666743],"domain_scores_gemma":[0.9284518,0.061996747,0.0029590768,0.00364445,0.0021101122,0.0008378619],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009950224,0.00049250876,0.00043665938,0.007375489,0.010277382,0.018810064,0.0020108235,0.00398356,0.006951128],"category_scores_gemma":[0.042278983,0.0007417596,0.0003344472,0.004127803,0.052139115,0.024862563,0.008648902,0.004751331,0.00050780305],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000398058,0.0000103979555,0.0010487211,0.00008930377,0.0000076106303,0.00020263289,0.27824372,0.00018011406,0.00012505059,0.7100837,0.0013724314,0.008596398],"study_design_scores_gemma":[0.00002409806,0.000027672362,0.002876774,0.00077202875,0.00003766026,0.00071226474,0.31175157,0.0026285788,0.0014308689,0.55594665,0.12374608,0.000045720186],"about_ca_topic_score_codex":0.014260603,"about_ca_topic_score_gemma":0.011604202,"teacher_disagreement_score":0.018810064,"about_ca_system_score_codex":0.007244685,"about_ca_system_score_gemma":0.0026952468,"threshold_uncertainty_score":0.052622437},"labels":[],"label_agreement":null},{"id":"W7125493283","doi":"10.3917/nrt.414.0653e","title":"Gignac A. (dir.), Narrativité, oralité et performance. 7 e colloque international du Réseau de Recherche Narratologie et Bible (RRENAB), 5-7 juin 2014, Univ. de Montréal, coll. Terra Nova 4, Leuven, Peeters, 2018, 16x24, 322 p., 62 €. ISBN 978-90-429-3449-8","year":2019,"lang":"fr","type":"article","venue":"Nouvelle revue théologique","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Middle Ages; Period (music); White (mutation)","score_opus":0.07999088507930033,"score_gpt":0.301472435306792,"score_spread":0.2214815502274917,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7125493283","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014536524,0.816709,0.0014965951,0.048011087,0.021363186,0.000030981275,0.0009321603,0.00019969745,0.10980375],"genre_scores_gemma":[0.056432135,0.47535372,0.003070279,0.009632556,0.0105632255,0.0001813275,0.0012494547,0.0007811852,0.44273612],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991841,0.0003484798,0.00006465617,0.00011743088,0.00020600682,0.0000792282],"domain_scores_gemma":[0.999154,0.00045863455,0.000095904674,0.000039786595,0.00014972406,0.00010196827],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013592454,0.0011049265,0.00060576876,0.0015470999,0.0021521437,0.0060736667,0.00066726643,0.0020609854,0.050256807],"category_scores_gemma":[0.0031384097,0.0005826734,0.0003475245,0.0022119125,0.0019557397,0.0059759156,0.0019341727,0.0025074077,0.022819925],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042152315,0.000010162924,0.0002707668,0.00043571973,0.0000068867043,0.00008386764,0.0031653913,0.000050608305,0.00025319651,0.015793966,0.8625776,0.11730964],"study_design_scores_gemma":[0.000003964375,0.000006839388,0.0012964208,0.00042441182,0.0000039138527,0.00014492808,0.001821281,0.00002579689,0.00009613709,0.002758659,0.9934105,0.0000072179732],"about_ca_topic_score_codex":0.018144937,"about_ca_topic_score_gemma":0.036352128,"teacher_disagreement_score":0.050256807,"about_ca_system_score_codex":0.0025919655,"about_ca_system_score_gemma":0.001960504,"threshold_uncertainty_score":0.16812575},"labels":[],"label_agreement":null},{"id":"W7126509436","doi":"","title":"S’emparer de l’inexplicable : le récit mythique et l’appréhension des catastrophes naturelles","year":2022,"lang":"fr","type":"article","venue":"Digital Access to Libraries","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Identity (music); Electrocution; Nova scotia","score_opus":0.03376169289413597,"score_gpt":0.25693926361581937,"score_spread":0.2231775707216834,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7126509436","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36091736,0.02713964,0.01760698,0.09378997,0.002058143,0.00007610327,0.00015067699,0.00016931057,0.49809185],"genre_scores_gemma":[0.9634508,0.00500783,0.00082163815,0.0024680097,0.0005047095,0.000047693535,0.000031246283,0.0000658714,0.027602233],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99668854,0.0025285704,0.000058802372,0.00017103157,0.00035263426,0.00020039009],"domain_scores_gemma":[0.9962196,0.002363414,0.0005754499,0.0003026552,0.0003128557,0.00022602116],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002466659,0.0004961657,0.0002956176,0.0012500855,0.006325438,0.008835492,0.0007548422,0.002212102,0.0049053174],"category_scores_gemma":[0.007211512,0.00018989369,0.00028563637,0.001385497,0.02933032,0.008404044,0.0048947684,0.003455799,0.00090775976],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051178016,0.000017891243,0.0012567034,0.00018955825,0.0000107235155,0.0010808312,0.58216333,0.000121985046,0.0003124187,0.39403483,0.009294021,0.011466462],"study_design_scores_gemma":[0.00001703343,0.00006559409,0.003493677,0.0007740516,0.00002074591,0.0023433482,0.47375193,0.000331735,0.0010775696,0.070593216,0.4474794,0.000051741292],"about_ca_topic_score_codex":0.0030243495,"about_ca_topic_score_gemma":0.0036837328,"teacher_disagreement_score":0.008835492,"about_ca_system_score_codex":0.0031429825,"about_ca_system_score_gemma":0.001835742,"threshold_uncertainty_score":0.022804022},"labels":[],"label_agreement":null},{"id":"W7128443678","doi":"10.7202/1122183ar","title":"Le misérable mutant : « The Golden Man » de P. K. Dick, de l’intertextualité à la métafiction","year":2025,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Novella; Lafora disease; Biography","score_opus":0.012278868725751452,"score_gpt":0.24644031681966938,"score_spread":0.23416144809391792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7128443678","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14520304,0.06960026,0.045550957,0.32713515,0.013787407,0.00015776127,0.00041142284,0.00042739874,0.39772657],"genre_scores_gemma":[0.8300413,0.008974628,0.005343922,0.016378589,0.001812852,0.00011635726,0.00008829769,0.00025627777,0.13698782],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980804,0.0010963633,0.000042728432,0.00027857284,0.00034996323,0.00015206747],"domain_scores_gemma":[0.99833786,0.0007515433,0.00025065173,0.0001828657,0.00030465165,0.00017236425],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017147738,0.0007771134,0.00029068915,0.00091971003,0.0037141156,0.006636871,0.0008732221,0.0021856076,0.0032232897],"category_scores_gemma":[0.004177191,0.0002529426,0.0003437528,0.00051349396,0.016882649,0.008229075,0.002262812,0.005115556,0.00079338613],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008824802,0.000021523685,0.0005442149,0.00012906885,0.000009665449,0.00043570498,0.05657688,0.00012392357,0.0011626675,0.8773214,0.047861557,0.015725065],"study_design_scores_gemma":[0.000012278981,0.000051994684,0.0008005627,0.00020034795,0.000012243842,0.00071286643,0.019421086,0.00027684084,0.001433431,0.07207064,0.9049669,0.00004076492],"about_ca_topic_score_codex":0.0060230163,"about_ca_topic_score_gemma":0.006535069,"teacher_disagreement_score":0.006636871,"about_ca_system_score_codex":0.00458215,"about_ca_system_score_gemma":0.002784385,"threshold_uncertainty_score":0.03324598},"labels":[],"label_agreement":null},{"id":"W7130640616","doi":"10.5817/cejcs2003-3-11","title":"Qu'est-ce que l'interdisciplinarité? : du comparatisme à l'épistémocritique dans le discours littéraire canadien","year":2003,"lang":"en","type":"article","venue":"The Central European journal of Canadian studies","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Object (grammar); Relation (database); Context (archaeology); Focus (optics); Human science; Natural (archaeology); Task (project management)","score_opus":0.028690451080511787,"score_gpt":0.23464842107060374,"score_spread":0.20595796999009194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7130640616","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02831636,0.20069313,0.01727453,0.34306216,0.0065117003,0.00005453245,0.00015138877,0.00012159512,0.40381455],"genre_scores_gemma":[0.8601817,0.060862392,0.006529572,0.018436927,0.0028810166,0.00012504877,0.00010870167,0.00022989046,0.050644793],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.983316,0.007507609,0.0005731035,0.001819773,0.005347154,0.0014363965],"domain_scores_gemma":[0.9778848,0.013064357,0.0012076254,0.0015896971,0.004900775,0.0013528465],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.015015905,0.00080064114,0.0010522933,0.0068399995,0.019958127,0.026895052,0.0023523879,0.0059782355,0.0058107297],"category_scores_gemma":[0.030805107,0.0004157937,0.0005363653,0.007859982,0.061577115,0.014507526,0.0077018547,0.008480085,0.0011123328],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012371574,0.0000071589434,0.00046219936,0.000154897,0.000009902716,0.00011778909,0.047155827,0.000096411546,0.000054786364,0.93553007,0.0063441666,0.010054451],"study_design_scores_gemma":[0.000013136642,0.000014235709,0.0012854356,0.0012073201,0.000022659844,0.0003070288,0.0480414,0.00025385048,0.00019438924,0.18877183,0.75984895,0.000039747578],"about_ca_topic_score_codex":0.35382652,"about_ca_topic_score_gemma":0.35640633,"teacher_disagreement_score":0.6461735,"about_ca_system_score_codex":0.042968668,"about_ca_system_score_gemma":0.040569376,"threshold_uncertainty_score":0.703534},"labels":[],"label_agreement":null},{"id":"W7132908377","doi":"","title":"Parodisen käännöksen huumorin lokalisoinnin erikoispiirteet venäjän kielestä suomen kieleen (esimerkkinä \"Taru Sormuksen Herrasta: Veljeskunta ja Sormus\" -elokuva)","year":2024,"lang":"ru","type":"dissertation","venue":"Trepo - Institutional Repository of Tampere University","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics); Population; Quarter (Canadian coin)","score_opus":0.014315326739308082,"score_gpt":0.21600566260842263,"score_spread":0.20169033586911456,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132908377","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21350668,0.023071783,0.022506798,0.013181702,0.003938759,0.0004155878,0.0017516634,0.0011886284,0.7204383],"genre_scores_gemma":[0.38058674,0.01051673,0.01794015,0.0028822357,0.0004343767,0.00029037302,0.0013165441,0.00089839863,0.58513445],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988165,0.00016720645,0.000058749192,0.00026305317,0.00046257308,0.00023198096],"domain_scores_gemma":[0.99899036,0.0002526268,0.00012329649,0.00010128637,0.00032906415,0.00020341166],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011270462,0.00061718095,0.0005720608,0.0009536512,0.003748409,0.0065639354,0.0009229031,0.0017109612,0.062465895],"category_scores_gemma":[0.0019899767,0.0005610922,0.0007421096,0.0008423874,0.0023850729,0.003521425,0.0032952826,0.0030503178,0.021761201],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015208691,0.0007773742,0.028596716,0.004162778,0.00015785446,0.0057757148,0.049923956,0.00071903894,0.15017247,0.17054841,0.090898946,0.4967458],"study_design_scores_gemma":[0.000019203355,0.0001751958,0.010348784,0.00038356308,0.00006290548,0.0013409895,0.011021835,0.00020960515,0.023130855,0.0055694054,0.9476685,0.00006908716],"about_ca_topic_score_codex":0.005855534,"about_ca_topic_score_gemma":0.018115342,"teacher_disagreement_score":0.062465895,"about_ca_system_score_codex":0.0027811327,"about_ca_system_score_gemma":0.0042134565,"threshold_uncertainty_score":0.20896924},"labels":[],"label_agreement":null},{"id":"W7132988154","doi":"","title":"Tuntematon uudelleenkääntäminen: Väinö Linnan Tuntemattoman sotilaan kahden käännöksen tutkimus","year":2024,"lang":"fi","type":"dissertation","venue":"Trepo - Institutional Repository of Tampere University","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Quarter (Canadian coin); Power (physics)","score_opus":0.013450933416421418,"score_gpt":0.21480261960280814,"score_spread":0.2013516861863867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132988154","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83489054,0.021587513,0.0021208937,0.0019090783,0.0011171456,0.00013004197,0.0017979257,0.00022275382,0.13622403],"genre_scores_gemma":[0.72425824,0.008159782,0.0034049405,0.0006712921,0.00015484575,0.00008052935,0.0016414982,0.00011518467,0.26151368],"study_design_codex":"bench_or_experimental","study_design_gemma":"qualitative","domain_scores_codex":[0.9998708,0.0000165087,0.000009724847,0.000041455794,0.00003985206,0.000021673784],"domain_scores_gemma":[0.99988675,0.000014883234,0.000018162893,0.0000073643632,0.000045201425,0.000027679314],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017676587,0.0003087025,0.00016420252,0.00034835262,0.0009266748,0.0008348146,0.00030271325,0.00038451288,0.010377349],"category_scores_gemma":[0.0003186982,0.0001237535,0.00017237241,0.00038611013,0.0003827233,0.00046909187,0.00066211476,0.0007435594,0.0022083605],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0027718039,0.0003945767,0.025469963,0.0012708505,0.00010933471,0.0027634301,0.005909807,0.000362595,0.60939723,0.0047762203,0.010846654,0.3359275],"study_design_scores_gemma":[0.0000621082,0.0011111613,0.099408954,0.00030226784,0.0001259719,0.0013908471,0.0035886622,0.000368664,0.2132643,0.0011849093,0.6791322,0.000060027465],"about_ca_topic_score_codex":0.017963214,"about_ca_topic_score_gemma":0.062274527,"teacher_disagreement_score":0.017963214,"about_ca_system_score_codex":0.0010828251,"about_ca_system_score_gemma":0.0008093852,"threshold_uncertainty_score":0.03571731},"labels":[],"label_agreement":null},{"id":"W7133048662","doi":"","title":"La narratologie dans l’enseignement du français en Belgique, en France, au Québec et en Suisse romande","year":2025,"lang":"fr","type":"article","venue":"IRIS","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); The Renaissance; National library","score_opus":0.006865898713680459,"score_gpt":0.24780260124292208,"score_spread":0.24093670252924163,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7133048662","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6227237,0.024425892,0.006777649,0.041079726,0.0021891792,0.00010268445,0.002591908,0.00024665473,0.29986262],"genre_scores_gemma":[0.93514055,0.0025480317,0.00081745366,0.00059403654,0.0001002974,0.0000328938,0.00031557484,0.000102500955,0.06034865],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978376,0.0011093693,0.00006149585,0.00020985489,0.00033826593,0.00044335745],"domain_scores_gemma":[0.99760544,0.00085416046,0.00026282796,0.000096655815,0.00084910303,0.00033180555],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019141155,0.0004955957,0.0003116472,0.0013774493,0.008549353,0.005537638,0.0006539003,0.0011955929,0.014513206],"category_scores_gemma":[0.0033689893,0.00024414388,0.00022733623,0.0024040763,0.0067403084,0.00164353,0.0012127339,0.0016676689,0.0013013429],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019231201,0.00003773682,0.0125656575,0.0004957695,0.00003088726,0.0010454552,0.7606651,0.00062872935,0.0019707517,0.10537166,0.07333192,0.043664012],"study_design_scores_gemma":[0.0000066949997,0.00002597362,0.035380684,0.00045210455,0.000011406143,0.00026252022,0.19161524,0.00020711856,0.0005541443,0.0007000209,0.7707446,0.000039569477],"about_ca_topic_score_codex":0.7663489,"about_ca_topic_score_gemma":0.8256157,"teacher_disagreement_score":0.2336511,"about_ca_system_score_codex":0.03019953,"about_ca_system_score_gemma":0.016103357,"threshold_uncertainty_score":0.4700542},"labels":[],"label_agreement":null},{"id":"W7137914590","doi":"10.4324/9780203874769-30","title":"Narrative Inquiry","year":2012,"lang":"en","type":"book-chapter","venue":"","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"","score_opus":0.08257348494114125,"score_gpt":0.2533231278668448,"score_spread":0.17074964292570355,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7137914590","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005796708,0.0045534004,0.003204631,0.0032062803,0.0004053601,0.00003473186,0.000062485095,0.00003384889,0.98791957],"genre_scores_gemma":[0.03450856,0.004299881,0.0021350738,0.0017320283,0.00030378712,0.00011970541,0.00014165053,0.00010079148,0.9566585],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9990829,0.00046333278,0.000027940647,0.00012917309,0.00022257614,0.00007400263],"domain_scores_gemma":[0.9991936,0.00043228062,0.00003069772,0.0001044152,0.00016089749,0.00007799721],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010737363,0.00066801853,0.00043171714,0.0014581041,0.003980897,0.0078023626,0.0009641837,0.002141982,0.068458475],"category_scores_gemma":[0.0028308842,0.00026465562,0.00028674825,0.0013733224,0.0072014574,0.007034325,0.0027240186,0.002869379,0.015075793],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000070367673,0.000018112261,0.000055436627,0.000074441436,0.0000017805789,0.0000442789,0.0049525243,0.00005962174,0.000057752055,0.8491093,0.10823906,0.03738078],"study_design_scores_gemma":[0.0000025394634,0.0000032172038,0.00007424585,0.00024013733,0.0000016456302,0.000057936268,0.002837186,0.00006123919,0.00006793219,0.13162243,0.86502814,0.0000033035637],"about_ca_topic_score_codex":0.005167096,"about_ca_topic_score_gemma":0.010903356,"teacher_disagreement_score":0.068458475,"about_ca_system_score_codex":0.004005198,"about_ca_system_score_gemma":0.0032737884,"threshold_uncertainty_score":0.22901636},"labels":[],"label_agreement":null},{"id":"W7153999439","doi":"10.1145/3772318.3809073","title":"10.1145/3772318.3809073","year":2000,"lang":"en","type":"article","venue":"Time to knit","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Session (web analytics); Romance; Component (thermodynamics); Affect (linguistics)","score_opus":0.009266538533644264,"score_gpt":0.16480856090432042,"score_spread":0.15554202237067616,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7153999439","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015282707,0.0038263875,0.011992989,0.0012490838,0.0017951317,0.00030945046,0.009586992,0.011629781,0.9580819],"genre_scores_gemma":[0.003969812,0.0023911446,0.002332771,0.0005924473,0.00012878612,0.00019978809,0.0064649447,0.0024909636,0.9814293],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991498,0.000080545586,0.00008027367,0.00022944406,0.00029153726,0.00016833586],"domain_scores_gemma":[0.9980565,0.00047398085,0.00007953375,0.0006784669,0.00040766562,0.00030399646],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.002108952,0.0028795772,0.0019422135,0.0030323495,0.0033687684,0.006625952,0.002897544,0.00494106,0.9465418],"category_scores_gemma":[0.0047586877,0.0017843007,0.001350037,0.010143015,0.0018807255,0.014027678,0.0073271925,0.002545122,0.96269685],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023537275,0.0001439992,0.00055017753,0.00072236883,0.000040845283,0.00023499639,0.00020838952,0.0005039162,0.001071569,0.014841398,0.63306123,0.34838578],"study_design_scores_gemma":[0.000022804817,0.000018864668,0.00060437847,0.00027896438,0.000035004236,0.0001266344,0.00013946721,0.0005793369,0.0003939791,0.0026565974,0.9951147,0.000029288556],"about_ca_topic_score_codex":0.016131222,"about_ca_topic_score_gemma":0.014206636,"teacher_disagreement_score":0.053458214,"about_ca_system_score_codex":0.00286615,"about_ca_system_score_gemma":0.0013465277,"threshold_uncertainty_score":0.07625157},"labels":[],"label_agreement":null},{"id":"W7162035438","doi":"10.82308/51124","title":"Clairvoyant bodies: Bodily anachrony and trauma in contemporary north American fiction","year":2019,"lang":"en","type":"dissertation","venue":"","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Embodied cognition; Meaning (existential); Psychic; Narratology; Cruelty; White (mutation); Metaphor; Gesture","score_opus":0.031527487451170635,"score_gpt":0.2566222868889308,"score_spread":0.22509479943776017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7162035438","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8322726,0.0054727914,0.0016520553,0.009026903,0.00039486404,0.00004076916,0.00003405728,0.00004640885,0.1510595],"genre_scores_gemma":[0.9894052,0.0012056099,0.0004147125,0.00050488324,0.00007205637,0.000017929679,0.000012563887,0.000016106922,0.008350892],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990742,0.0005351997,0.000021392068,0.000101284255,0.00013642771,0.00013143243],"domain_scores_gemma":[0.9985501,0.0008599206,0.00026097128,0.00009777711,0.000118189084,0.00011300258],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011958753,0.00034105292,0.0002568602,0.0014504547,0.0138500165,0.004408045,0.00072636607,0.0018997506,0.002642741],"category_scores_gemma":[0.0028770962,0.00024364646,0.00012951456,0.001322084,0.021965949,0.0025336384,0.003985797,0.0022270775,0.00020308897],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011552412,0.000010649241,0.0008008027,0.000055751596,0.0000018535825,0.0007212891,0.9666853,0.000026774742,0.00041190296,0.026045527,0.00096569414,0.00426287],"study_design_scores_gemma":[0.00000341627,0.00004840576,0.011831906,0.00032611334,0.000014083145,0.002371117,0.7935439,0.00022362391,0.00068570283,0.007122247,0.18380636,0.00002310864],"about_ca_topic_score_codex":0.022771383,"about_ca_topic_score_gemma":0.06636623,"teacher_disagreement_score":0.022771383,"about_ca_system_score_codex":0.005391677,"about_ca_system_score_gemma":0.0019091988,"threshold_uncertainty_score":0.045277715},"labels":[],"label_agreement":null},{"id":"W874422198","doi":"","title":"Retour au pays des Malboro. Don't Come Knocking de Wim Wenders Don't Come Knocking de Wim Wenders","year":2006,"lang":"en","type":"article","venue":"Ciné bulles","topic":"Narrative Theory and Analysis","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.02766806147584482,"score_gpt":0.23308492188985017,"score_spread":0.20541686041400534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W874422198","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18680994,0.015746562,0.0011922412,0.1508576,0.004696695,0.00006137354,0.00050376554,0.00014019969,0.6399917],"genre_scores_gemma":[0.48897707,0.002448944,0.000431684,0.0060965805,0.00030760825,0.00004175114,0.00009298591,0.000103442835,0.50149995],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99937695,0.00021039501,0.000009684033,0.00007241605,0.00010064718,0.00022989557],"domain_scores_gemma":[0.9994404,0.00015910398,0.000072194125,0.00002614785,0.00010064282,0.00020150543],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007321572,0.0004137805,0.00018248644,0.0005146921,0.00964424,0.00527738,0.0004608547,0.002119711,0.04213672],"category_scores_gemma":[0.0019350031,0.00026451764,0.00019290466,0.00047504532,0.002170431,0.002217567,0.0022253266,0.003742452,0.002686089],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002676847,0.000092549024,0.014152197,0.00027379626,0.000036382036,0.0031798051,0.22815083,0.00021452468,0.0022020424,0.2893027,0.39419824,0.067929216],"study_design_scores_gemma":[0.0000072576877,0.000017084616,0.009602774,0.00012254113,0.000008320567,0.00024586706,0.06884701,0.000051255684,0.00034533837,0.0020451122,0.91869634,0.000011120396],"about_ca_topic_score_codex":0.14879581,"about_ca_topic_score_gemma":0.35832262,"teacher_disagreement_score":0.14879581,"about_ca_system_score_codex":0.006896049,"about_ca_system_score_gemma":0.002807573,"threshold_uncertainty_score":0.29585946},"labels":[],"label_agreement":null}]}