{"meta":{"query_hash":"1c8230e41f94","filters":{"topic":"Photographic and Visual Arts"},"cohort_total":120,"direct_labels_cover":0,"predictions_cover":120,"exported":120,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/1c8230e41f94","api":"https://metacan.xera.ac/api/v1/cohort?topic=Photographic+and+Visual+Arts"},"results":[{"id":"W104859745","doi":"","title":"Displaced patrimonies: cultural democratization and virtual museums in Latin America","year":2006,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Democratization; Latin Americans; Political science; Geography; Democracy; Politics; Law","score_opus":0.014467829845377029,"score_gpt":0.22787289602348304,"score_spread":0.213405066178106,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W104859745","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94530773,0.0009303927,0.00010596063,0.0031137192,0.000020523685,0.000013337579,0.00008860969,0.00000485028,0.050414793],"genre_scores_gemma":[0.9962352,0.00030563882,0.00005118997,0.00021016567,0.000008766304,0.0000074971867,0.000039185095,0.000003858698,0.0031384435],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990753,0.00030144578,0.00002591333,0.00010443661,0.00008202132,0.00041082513],"domain_scores_gemma":[0.9986939,0.0003769654,0.00038290012,0.00016226454,0.00014430922,0.00023969873],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013481702,0.0001438379,0.00020736798,0.0013253305,0.004562734,0.004578002,0.000831167,0.0009597364,0.013997781],"category_scores_gemma":[0.003349287,0.00017128009,0.00023248147,0.0025311077,0.0054933447,0.00313004,0.0043526543,0.0011254117,0.0002839686],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003590438,0.00049751485,0.4510569,0.0003084846,0.00007902889,0.0013899392,0.2819373,0.000379516,0.0010503795,0.18986428,0.0064361347,0.06664159],"study_design_scores_gemma":[0.00003984468,0.00005190099,0.2514938,0.00027522538,0.000039121853,0.00038609895,0.6681364,0.00023569028,0.00039142548,0.0056509003,0.07327939,0.000020158284],"about_ca_topic_score_codex":0.085616864,"about_ca_topic_score_gemma":0.15917702,"teacher_disagreement_score":0.085616864,"about_ca_system_score_codex":0.004235459,"about_ca_system_score_gemma":0.0031035922,"threshold_uncertainty_score":0.170237},"labels":[],"label_agreement":null},{"id":"W109555306","doi":"","title":"Ampliación del Museo de Bellas Artes, Quebec (Canadá): Barkow leibinger/Imrey Culbert","year":2010,"lang":"es","type":"article","venue":"Hispana","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geology","score_opus":0.016023727308771586,"score_gpt":0.24579295855472266,"score_spread":0.22976923124595108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W109555306","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023338817,0.46828455,0.0013479919,0.05989922,0.0123212505,0.0002246816,0.008741198,0.00025376445,0.42558846],"genre_scores_gemma":[0.19697696,0.13649783,0.0029645278,0.0047469754,0.002076547,0.00015066202,0.0018351293,0.00033051896,0.6544208],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993179,0.00011086859,0.000025861673,0.00008267823,0.0002542907,0.00020841337],"domain_scores_gemma":[0.99858665,0.00018428505,0.000066650755,0.00009399244,0.0007968847,0.0002716314],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014390922,0.00097588496,0.0005105182,0.0044934605,0.011199714,0.0057499795,0.001368903,0.00158952,0.039922126],"category_scores_gemma":[0.002027341,0.00047759523,0.0005197637,0.005564007,0.0043350016,0.0016143749,0.0026621658,0.002171124,0.0024401916],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006340442,0.000021156031,0.0023284578,0.00045140568,0.00003053577,0.00057770946,0.010365587,0.00024310147,0.0005492488,0.046644516,0.8726786,0.06604633],"study_design_scores_gemma":[0.0000038274193,0.0000023660439,0.0067759026,0.00034364007,0.000008845119,0.00014563215,0.004230804,0.000025703099,0.00009649686,0.000490588,0.98786366,0.000012540053],"about_ca_topic_score_codex":0.98727965,"about_ca_topic_score_gemma":0.99557793,"teacher_disagreement_score":0.057055295,"about_ca_system_score_codex":0.057055295,"about_ca_system_score_gemma":0.055973776,"threshold_uncertainty_score":0.41396707},"labels":[],"label_agreement":null},{"id":"W11900262","doi":"10.1080/165019702317242640","title":"El concepto del arte fotográfico","year":2002,"lang":"en","type":"article","venue":"Boletín de la Real Academia de Córdoba de Ciencias, Bellas Letras y Nobles Artes","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.025886588712771805,"score_gpt":0.2654519930122509,"score_spread":0.23956540429947912,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W11900262","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16052891,0.031131268,0.108217046,0.044474974,0.0021192606,0.00032974145,0.00018159724,0.00047732703,0.6525399],"genre_scores_gemma":[0.9321389,0.0058507947,0.025987605,0.0019478614,0.00038753983,0.00026448793,0.00007026999,0.00008729826,0.033265185],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99791723,0.0011079606,0.000037283247,0.00017237921,0.000575455,0.00018972388],"domain_scores_gemma":[0.99658525,0.0019442643,0.0003001776,0.00030263263,0.0006141536,0.0002533589],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032225607,0.0004176483,0.0002813503,0.0025173642,0.0027466842,0.005445849,0.0010381355,0.0016037342,0.0034404949],"category_scores_gemma":[0.0075425464,0.00014831714,0.00027031108,0.001515054,0.01894309,0.0037955984,0.0019604333,0.0014664703,0.0003723188],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000751965,0.000054753644,0.0049746786,0.00032346346,0.000011380464,0.0003421594,0.032673907,0.0006717539,0.0014288165,0.796345,0.007792538,0.15530637],"study_design_scores_gemma":[0.00003134508,0.000169731,0.009903995,0.0008690786,0.000032109438,0.0014888949,0.024054011,0.0020908841,0.0011783679,0.18781166,0.77231336,0.000056579887],"about_ca_topic_score_codex":0.021350378,"about_ca_topic_score_gemma":0.023713507,"teacher_disagreement_score":0.021350378,"about_ca_system_score_codex":0.0061784945,"about_ca_system_score_gemma":0.004390135,"threshold_uncertainty_score":0.044828355},"labels":[],"label_agreement":null},{"id":"W124597882","doi":"","title":"Ampliación del Museo de Bellas Artes, Quebec (Canadá): Allied Works / Fichten Soiferman","year":2010,"lang":"es","type":"article","venue":"Hispana","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.017197827966576724,"score_gpt":0.24885367545957898,"score_spread":0.23165584749300225,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W124597882","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.105401866,0.113416,0.000937869,0.053781107,0.0042204387,0.00023965645,0.005016818,0.00013361833,0.7168526],"genre_scores_gemma":[0.41251305,0.031840447,0.0013307363,0.0035305507,0.00053863047,0.00010117903,0.0008580531,0.00016353304,0.54912394],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993104,0.000115421186,0.000017572316,0.00006578332,0.00022423899,0.00026654525],"domain_scores_gemma":[0.9989378,0.00015151975,0.000051014315,0.000059573904,0.00056434085,0.00023577693],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010281947,0.00053704163,0.00033025726,0.0029929413,0.018701626,0.0045323973,0.0010835412,0.0011029715,0.027560838],"category_scores_gemma":[0.0018420691,0.00029782866,0.00034949507,0.0038080867,0.0050081476,0.0010169181,0.0023810759,0.0018248275,0.000932297],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000111906906,0.000038700262,0.007282168,0.00051702093,0.000048472124,0.0018414514,0.09028781,0.00046404166,0.0012011693,0.09694379,0.6987013,0.102562055],"study_design_scores_gemma":[0.0000031249026,0.0000031223112,0.014838187,0.00026048458,0.00000871849,0.00014609897,0.024265818,0.000028203522,0.0001356963,0.0004849159,0.9598124,0.000013353017],"about_ca_topic_score_codex":0.99192494,"about_ca_topic_score_gemma":0.9981489,"teacher_disagreement_score":0.06905529,"about_ca_system_score_codex":0.06905529,"about_ca_system_score_gemma":0.059501804,"threshold_uncertainty_score":0.50103354},"labels":[],"label_agreement":null},{"id":"W126805508","doi":"","title":"Art Gallery of Ontario: con sello americano","year":2004,"lang":"es","type":"article","venue":"Descubrir el arte","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.025497423447525397,"score_gpt":0.2506429903955863,"score_spread":0.2251455669480609,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W126805508","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07996399,0.0089062145,0.00077711465,0.014041213,0.0014635423,0.00007650932,0.0040595224,0.00020117748,0.8905108],"genre_scores_gemma":[0.20437846,0.004951583,0.0010825468,0.00086008117,0.00024846283,0.000029528703,0.0008730629,0.0002717186,0.7873046],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944,0.000029752557,0.000011427656,0.000064481865,0.00029284935,0.00016141012],"domain_scores_gemma":[0.99951637,0.00003524619,0.00003449064,0.000047306374,0.00019909626,0.00016757721],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027066775,0.00044778344,0.00019887001,0.0017153746,0.017801397,0.004015786,0.00059054914,0.0007662636,0.057402372],"category_scores_gemma":[0.0006183131,0.00035143743,0.00027514898,0.0038127098,0.003450958,0.0008280026,0.0029031967,0.0010104275,0.0038164824],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025056323,0.000027719363,0.011230028,0.0003745696,0.000026964995,0.0016355036,0.057838183,0.00022756653,0.004868927,0.05870209,0.75897896,0.1058389],"study_design_scores_gemma":[0.0000026813732,0.0000043434497,0.0183742,0.0000650298,0.000006174848,0.00013863898,0.007941484,0.000025314386,0.00018057738,0.0003411885,0.972911,0.000009380545],"about_ca_topic_score_codex":0.96964633,"about_ca_topic_score_gemma":0.99652267,"teacher_disagreement_score":0.057402372,"about_ca_system_score_codex":0.02382711,"about_ca_system_score_gemma":0.024338692,"threshold_uncertainty_score":0.19203007},"labels":[],"label_agreement":null},{"id":"W132450811","doi":"","title":"Ampliación del Museo de Bellas Artes, Quebec (Canadá): David Chipperfield/Groupe Arcop","year":2010,"lang":"es","type":"article","venue":"Hispana","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; Humanities; Art","score_opus":0.016964453624673283,"score_gpt":0.24954569475906055,"score_spread":0.23258124113438727,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W132450811","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015381054,0.43604413,0.0018857053,0.08812384,0.023185091,0.00023772744,0.008911767,0.0004431277,0.4257875],"genre_scores_gemma":[0.10629617,0.088277325,0.0032225063,0.004718175,0.0028026763,0.00012315322,0.0017305792,0.0003690608,0.79246026],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991873,0.000112439906,0.000026870837,0.00009821476,0.00035357667,0.0002216081],"domain_scores_gemma":[0.9981572,0.00018454305,0.0000692558,0.000120569624,0.0011456511,0.00032278354],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016678245,0.0009926335,0.00052500726,0.0037626638,0.008026632,0.004898072,0.0014061368,0.0016463585,0.051328707],"category_scores_gemma":[0.0024090458,0.000451805,0.00055094523,0.0035926106,0.0029585566,0.0014723032,0.0024562576,0.0022685186,0.0038168794],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041163763,0.000011899178,0.0010783126,0.0002148789,0.000018121013,0.00025769245,0.0024031755,0.00018167344,0.00034617065,0.021329077,0.92710394,0.04701388],"study_design_scores_gemma":[0.0000039307997,0.0000020796717,0.003941301,0.00021432109,0.0000068604922,0.000110122906,0.0013702312,0.000029441046,0.00007834461,0.00036134644,0.9938725,0.0000095079695],"about_ca_topic_score_codex":0.97840136,"about_ca_topic_score_gemma":0.9927435,"teacher_disagreement_score":0.051328707,"about_ca_system_score_codex":0.044980083,"about_ca_system_score_gemma":0.042972412,"threshold_uncertainty_score":0.32635486},"labels":[],"label_agreement":null},{"id":"W1450267825","doi":"","title":"Filatelia y patrimonio cultural: museos postales en Canadá, Estados Unidos y México","year":2013,"lang":"en","type":"article","venue":"Institutional Repository of the University of Granada (University of Granada)","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.010935159675204026,"score_gpt":0.16076962773853087,"score_spread":0.14983446806332684,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1450267825","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9206929,0.01580288,0.00048047095,0.0030814563,0.00010104852,0.00012138203,0.0032213195,0.000037896014,0.05646054],"genre_scores_gemma":[0.956138,0.016585352,0.0016052936,0.00028111032,0.000042033913,0.00012044279,0.0014021483,0.000033924855,0.023791593],"study_design_codex":"observational","study_design_gemma":"qualitative","domain_scores_codex":[0.999387,0.00006837478,0.000024903766,0.00007534543,0.00018515038,0.00025920366],"domain_scores_gemma":[0.99856585,0.00023712778,0.00029900126,0.000096681164,0.0005082687,0.00029304082],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00102097,0.0002858028,0.0002855634,0.0045408583,0.010096948,0.0039248588,0.0008266282,0.00042193072,0.006523213],"category_scores_gemma":[0.0027359088,0.00023957719,0.00015784902,0.013098082,0.0030603092,0.0015476509,0.0037727042,0.0008036371,0.00021631026],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004502983,0.00008634595,0.35901722,0.0012864558,0.000109992485,0.0022034275,0.3323277,0.00031879952,0.0014707628,0.018754724,0.029966187,0.25400826],"study_design_scores_gemma":[0.000007034491,0.00002359114,0.6228932,0.0006199587,0.00004532797,0.00033249505,0.20733276,0.00006085543,0.00031319074,0.0002955316,0.16805021,0.000025879892],"about_ca_topic_score_codex":0.95999795,"about_ca_topic_score_gemma":0.99223095,"teacher_disagreement_score":0.040002048,"about_ca_system_score_codex":0.023768319,"about_ca_system_score_gemma":0.03957229,"threshold_uncertainty_score":0.17245203},"labels":[],"label_agreement":null},{"id":"W1493926337","doi":"","title":"La serviette de table. Luis Buñuel, Entretiens avec Max Aub, préface de Jean-Claude Carrière, Belfond, 1991, 373 p. Luis Buñuel, Mon dernier soupir, Ramsay, 1986, 319 p. Jean-Claude Carrière, Mémoire espagnole, Plon, 2012, 329 p.Luis Buñuel, Entretiens avec Max Aub, préface de Jean-Claude Carrière, Belfond, 1991, 373 p.Luis Buñuel, Mon dernier soupir, Ramsay, 1986, 319 p.Jean-Claude Carrière, Mémoire espagnole, Plon, 2012, 329 p.","year":2012,"lang":"fr","type":"article","venue":"Liberté","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Physics","score_opus":0.014034526987668711,"score_gpt":0.24171819102546777,"score_spread":0.22768366403779905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1493926337","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00097460486,0.5274421,0.0034158088,0.08308518,0.06428556,0.000068267254,0.0016293216,0.0005451751,0.318554],"genre_scores_gemma":[0.008043416,0.1376858,0.002094358,0.009198243,0.01619647,0.000080135695,0.0014286537,0.00088239735,0.8243904],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945027,0.00012129523,0.00003341015,0.000112046415,0.00023624595,0.00004678734],"domain_scores_gemma":[0.9990947,0.00029624588,0.00006033496,0.00004332349,0.0003707639,0.0001345991],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009209408,0.0010809158,0.00071068836,0.0015572195,0.0022101346,0.004537361,0.00076826767,0.001415638,0.14322482],"category_scores_gemma":[0.0024971126,0.00048745458,0.00044750248,0.002252695,0.0010266247,0.0049387887,0.001802335,0.003594938,0.082146704],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019087118,0.000007934605,0.00006901963,0.0001363994,0.000002121268,0.000033392815,0.00030903265,0.000025545623,0.00014620392,0.004761136,0.95542973,0.039060406],"study_design_scores_gemma":[0.0000010962651,0.0000021745354,0.0001687201,0.00012273573,6.105139e-7,0.000043363485,0.00016852054,0.000008915586,0.00003547165,0.0004479124,0.9989981,0.0000023296723],"about_ca_topic_score_codex":0.018696582,"about_ca_topic_score_gemma":0.029423952,"teacher_disagreement_score":0.14322482,"about_ca_system_score_codex":0.0030976138,"about_ca_system_score_gemma":0.0024783162,"threshold_uncertainty_score":0.47913474},"labels":[],"label_agreement":null},{"id":"W1515688372","doi":"","title":"Con tinta visible","year":2011,"lang":"es","type":"article","venue":"En-claves del pensamiento","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.06589077313736963,"score_gpt":0.2820881575723188,"score_spread":0.21619738443494918,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1515688372","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022054978,0.16258712,0.0052380846,0.07997755,0.038957465,0.00005668485,0.00053067453,0.0004730877,0.7099739],"genre_scores_gemma":[0.035139944,0.06729864,0.002809511,0.020781571,0.0068276455,0.000076448974,0.00045190557,0.00055600813,0.86605835],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983816,0.0003735565,0.00005911154,0.00033130072,0.0006797798,0.0001745724],"domain_scores_gemma":[0.9988998,0.00031426363,0.000085289474,0.00011937308,0.0004727289,0.000108513115],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010027398,0.0010249711,0.0004246036,0.0016119389,0.0039103692,0.006091078,0.001259879,0.002991769,0.052868027],"category_scores_gemma":[0.0031007754,0.00040009967,0.00044347136,0.0014156685,0.0026028573,0.006756628,0.0029658743,0.004927598,0.025978664],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046390553,0.000026089736,0.00023592701,0.00023416826,0.0000067620044,0.00011189493,0.0018675186,0.000058028687,0.00035006425,0.09666121,0.82082367,0.07957821],"study_design_scores_gemma":[0.0000019563167,0.000003719124,0.00014570828,0.00009313225,0.0000019083636,0.0000594182,0.00037837707,0.000022272074,0.00021271576,0.0029434375,0.9961331,0.0000042533798],"about_ca_topic_score_codex":0.021215836,"about_ca_topic_score_gemma":0.04621055,"teacher_disagreement_score":0.052868027,"about_ca_system_score_codex":0.002912566,"about_ca_system_score_gemma":0.0025297357,"threshold_uncertainty_score":0.17686117},"labels":[],"label_agreement":null},{"id":"W1558896576","doi":"10.7238/a.v0i2.681","title":"Avant-garde as Software","year":2002,"lang":"en","type":"article","venue":"Artnodes","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":46,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Nova scotia; Art history; Sociology; Ethnology","score_opus":0.060998531042417876,"score_gpt":0.24888575972828353,"score_spread":0.18788722868586566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1558896576","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016704533,0.006595368,0.08461996,0.010088791,0.0008364479,0.00009553605,0.00017633899,0.0019041997,0.8789788],"genre_scores_gemma":[0.40288708,0.0074226926,0.039312672,0.0022616484,0.0003708894,0.00015957507,0.00046176295,0.0015163441,0.5456073],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984842,0.0005803012,0.00007337896,0.00020953057,0.00049763866,0.00015504651],"domain_scores_gemma":[0.9980019,0.00073814177,0.00014021884,0.00047989175,0.00036426197,0.00027550664],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001398033,0.00047271317,0.00026686103,0.001510604,0.0019236525,0.010224017,0.0012211278,0.0020324527,0.02587573],"category_scores_gemma":[0.0055060927,0.00026494724,0.0003616352,0.0018397375,0.0043248176,0.010396176,0.0048912438,0.0015602346,0.0070142825],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017216193,0.000017855731,0.00041150182,0.00011377609,0.0000053248405,0.00021028174,0.008151103,0.0003682968,0.0008445957,0.9084839,0.013734557,0.06764152],"study_design_scores_gemma":[0.0000042674146,0.000017778944,0.00020927441,0.00014225834,0.000008489293,0.00030791227,0.0025578875,0.00088541996,0.00054264464,0.110222176,0.8850917,0.000010221026],"about_ca_topic_score_codex":0.0038191085,"about_ca_topic_score_gemma":0.004570954,"teacher_disagreement_score":0.02587573,"about_ca_system_score_codex":0.0021994151,"about_ca_system_score_gemma":0.0018321492,"threshold_uncertainty_score":0.08656287},"labels":[],"label_agreement":null},{"id":"W1575893066","doi":"10.15210/interfaces.v7i1.6944","title":"REGIONAL MUSEUMS OF CANADA: CITY – MUSEUM – EDUCATION.","year":2012,"lang":"en","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Political science; Cartography; Art; Geography","score_opus":0.03713681105051756,"score_gpt":0.24790889683798595,"score_spread":0.2107720857874684,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1575893066","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007651644,0.026891965,0.0011456929,0.010251615,0.002222806,0.00016495134,0.04036317,0.0008638572,0.9104444],"genre_scores_gemma":[0.048203655,0.014939545,0.0025390105,0.0009569362,0.00022732036,0.00008032385,0.012976255,0.0005739427,0.91950303],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987263,0.00007294534,0.000050267594,0.00012867092,0.00071612844,0.0003056918],"domain_scores_gemma":[0.99792767,0.00011818753,0.0001185023,0.00014266405,0.0010791554,0.000613898],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00060731836,0.001048276,0.00050493167,0.005825961,0.008458311,0.008371435,0.0015281629,0.0014194206,0.26903427],"category_scores_gemma":[0.0024223514,0.0005721339,0.00039109009,0.017544504,0.0024986025,0.002667703,0.00347547,0.0016293112,0.035995755],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005082079,0.000027820262,0.004475616,0.00050861604,0.000013976691,0.00028033822,0.0021990102,0.00019398452,0.0003009211,0.020036032,0.7670296,0.20488332],"study_design_scores_gemma":[0.0000022977595,0.0000021371013,0.008850605,0.0002079544,0.000003265357,0.00010056364,0.0015016783,0.00003698594,0.000062114246,0.00035641805,0.9888642,0.000011806513],"about_ca_topic_score_codex":0.9666586,"about_ca_topic_score_gemma":0.98964256,"teacher_disagreement_score":0.26903427,"about_ca_system_score_codex":0.031284854,"about_ca_system_score_gemma":0.06900199,"threshold_uncertainty_score":0.9000093},"labels":[],"label_agreement":null},{"id":"W1676797144","doi":"","title":"CREACIÓN Y PERCEPCIÓN DE LA IMAGEN EN EL ARTE","year":2012,"lang":"es","type":"article","venue":"Gaceta UNAM (2010-2015)","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.022145667102876115,"score_gpt":0.31540568705480687,"score_spread":0.29326001995193074,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1676797144","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3699185,0.013643463,0.02625682,0.031416055,0.00077095244,0.000063913554,0.00037701146,0.00024069067,0.55731255],"genre_scores_gemma":[0.9663046,0.0036924714,0.0017399553,0.00080006185,0.00008114223,0.000027173517,0.00005989995,0.00004633842,0.027248384],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991277,0.0004201256,0.000024591756,0.00013100634,0.0001878006,0.000108837005],"domain_scores_gemma":[0.9988175,0.0006013265,0.00014889106,0.00009865623,0.0002223153,0.00011129401],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012304783,0.00030645306,0.00020149232,0.0013719538,0.0024854029,0.0060805934,0.00039051767,0.0013111925,0.0078073177],"category_scores_gemma":[0.0022724518,0.0001763529,0.0003565511,0.00090314506,0.011537407,0.0043331534,0.0025449875,0.0016911871,0.0005271625],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000906376,0.000049903698,0.025966577,0.00037430093,0.000037674636,0.0006417072,0.28289178,0.00061806326,0.0038660096,0.5503566,0.017975025,0.11713173],"study_design_scores_gemma":[0.000009809614,0.00010897108,0.08025765,0.0010974708,0.000049271843,0.0010400845,0.21793221,0.0008487643,0.0024777672,0.06274665,0.6333169,0.00011452376],"about_ca_topic_score_codex":0.023339262,"about_ca_topic_score_gemma":0.031676847,"teacher_disagreement_score":0.023339262,"about_ca_system_score_codex":0.004370614,"about_ca_system_score_gemma":0.0015431546,"threshold_uncertainty_score":0.046406865},"labels":[],"label_agreement":null},{"id":"W1726904072","doi":"10.29173/cons21382","title":"Universal Constructivism and Politics: Torres-García in Conversation with Siqueiros","year":2014,"lang":"en","type":"article","venue":"Constellations","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Garcia; Conversation; Politics; Constructivism (international relations); Latin Americans; Argument (complex analysis); Sociology; Context (archaeology); Left-wing politics; Identity (music); Modernism (music); Epistemology; Aesthetics; Humanities; Media studies; Political science; History; Art; Philosophy; Law; Archaeology; International relations; Communication","score_opus":0.014090492786930045,"score_gpt":0.20199241041253344,"score_spread":0.18790191762560338,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1726904072","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2931741,0.029415397,0.0029188155,0.2555812,0.002218909,0.00002906,0.000070389324,0.00010887336,0.41648337],"genre_scores_gemma":[0.983174,0.0021552898,0.0002594543,0.0027538945,0.00025567386,0.000017561091,0.000008558159,0.000040812385,0.011334796],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99720323,0.0020794282,0.000026964812,0.00015097448,0.00019840451,0.00034101724],"domain_scores_gemma":[0.9985997,0.0010132274,0.00010570887,0.0000731902,0.00010139857,0.00010677403],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0059258733,0.00048489714,0.00046014204,0.00079326215,0.014018949,0.007912216,0.0007173014,0.0027383154,0.0024272315],"category_scores_gemma":[0.004120443,0.00027871117,0.00030815997,0.00086588523,0.024581797,0.0043536345,0.003765877,0.003843548,0.00019519244],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031359195,0.000023540073,0.0008414768,0.00007508288,0.0000060928273,0.00040458774,0.5839571,0.000088595065,0.00017201039,0.39465642,0.014471115,0.005272679],"study_design_scores_gemma":[0.0000158362,0.000020300871,0.0018261056,0.000343602,0.000011167487,0.00019594867,0.49878582,0.00014268316,0.00023135831,0.029869363,0.46853796,0.000019826857],"about_ca_topic_score_codex":0.03462582,"about_ca_topic_score_gemma":0.04182988,"teacher_disagreement_score":0.03462582,"about_ca_system_score_codex":0.009665565,"about_ca_system_score_gemma":0.0023580347,"threshold_uncertainty_score":0.07012892},"labels":[],"label_agreement":null},{"id":"W176982189","doi":"","title":"Contaminación visual por antenas de televisión en el Albaicín. Una propuesta tecnológica para su corrección","year":2011,"lang":"en","type":"article","venue":"Institutional Repository of the University of Granada (University of Granada)","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cultural heritage; Quarter (Canadian coin); Humanities; Political science; Geography; Art; Archaeology","score_opus":0.02081048034021136,"score_gpt":0.20111329952531057,"score_spread":0.18030281918509922,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W176982189","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89138687,0.0061027594,0.02453792,0.0018641471,0.00057630544,0.00019836155,0.0006939952,0.00051314774,0.07412658],"genre_scores_gemma":[0.9708406,0.002364062,0.008405049,0.00041007614,0.000048416936,0.000050602932,0.00015711476,0.00013588036,0.01758832],"study_design_codex":"bench_or_experimental","study_design_gemma":"qualitative","domain_scores_codex":[0.99839056,0.00034406103,0.00003530948,0.00035036355,0.00073094846,0.00014864372],"domain_scores_gemma":[0.99738365,0.00090376317,0.0004526256,0.00030989584,0.0008822994,0.00006766744],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010946111,0.00068231625,0.00046634526,0.0014677983,0.001642761,0.0030433913,0.00077306695,0.0012090817,0.011162468],"category_scores_gemma":[0.0050369618,0.00033438602,0.00045604957,0.0020149779,0.0019042549,0.0014499893,0.0015879037,0.0012917516,0.0011142981],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0038519471,0.00028988498,0.24394105,0.0031359605,0.00032843545,0.0061678067,0.022447454,0.004697557,0.35508028,0.015132357,0.0068021095,0.3381252],"study_design_scores_gemma":[0.00012397495,0.002638575,0.2877014,0.0012782967,0.0011375751,0.0060511627,0.03830792,0.0076179383,0.35870937,0.008805951,0.28730533,0.00032264076],"about_ca_topic_score_codex":0.01992485,"about_ca_topic_score_gemma":0.035996243,"teacher_disagreement_score":0.01992485,"about_ca_system_score_codex":0.0018498588,"about_ca_system_score_gemma":0.0013215332,"threshold_uncertainty_score":0.039617777},"labels":[],"label_agreement":null},{"id":"W1798367025","doi":"","title":"ARTE PLÁSTICO RICARDO ALONSO, EN UNA MUESTRA DE 35 COLLAGES","year":2008,"lang":"es","type":"article","venue":"Gaceta UNAM (2000-2009)","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.024992131406373227,"score_gpt":0.2617636059782102,"score_spread":0.23677147457183695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1798367025","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06485754,0.034224644,0.00497992,0.029571962,0.00798214,0.00011558767,0.0004096005,0.0006759775,0.85718274],"genre_scores_gemma":[0.16085407,0.010560446,0.0022622768,0.0027873304,0.0010168263,0.0000385729,0.00012553428,0.0003533825,0.8220016],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994941,0.00015473038,0.000009109226,0.00010822897,0.0001604804,0.00007342404],"domain_scores_gemma":[0.9996357,0.00007937476,0.000041701816,0.000055082895,0.00010388589,0.00008423283],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00057256484,0.00077765126,0.0002384869,0.0008416685,0.0045989556,0.0027214447,0.0005820855,0.00089657574,0.016157677],"category_scores_gemma":[0.0012433555,0.00025210282,0.00028985506,0.00058108586,0.00290355,0.0012884506,0.0023809897,0.0013740022,0.0036844746],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027242285,0.00004698512,0.0025880698,0.00047371967,0.000023612785,0.002043717,0.047809295,0.00064792763,0.004797606,0.18960881,0.56854016,0.18314771],"study_design_scores_gemma":[0.0000015132683,0.000009678144,0.00079390075,0.00005832378,0.000003132041,0.00019212747,0.002054036,0.000035860485,0.00022873151,0.0007267995,0.99588925,0.0000066527564],"about_ca_topic_score_codex":0.026228731,"about_ca_topic_score_gemma":0.06593578,"teacher_disagreement_score":0.026228731,"about_ca_system_score_codex":0.0019572675,"about_ca_system_score_gemma":0.0013740356,"threshold_uncertainty_score":0.05405283},"labels":[],"label_agreement":null},{"id":"W180652798","doi":"","title":"Del lienzo a la página: un encuentro regenerador de las artes","year":2003,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.016736466001056688,"score_gpt":0.23712690527180164,"score_spread":0.22039043927074495,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W180652798","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55857444,0.003055079,0.0031844308,0.012148009,0.0007770031,0.00008707655,0.00011253872,0.00011558167,0.42194572],"genre_scores_gemma":[0.9044811,0.0018311373,0.001227972,0.00080876134,0.00015794284,0.000059747545,0.00004518841,0.00012203502,0.09126612],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984798,0.00081447576,0.000043930442,0.000117275944,0.00031246754,0.00023212712],"domain_scores_gemma":[0.9976674,0.0010004956,0.00025999866,0.00032045227,0.00045497957,0.000296694],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023447536,0.00033270766,0.00020186538,0.0014889189,0.009938717,0.006571729,0.00074795954,0.0014619366,0.012307751],"category_scores_gemma":[0.009647219,0.00025748592,0.00026605724,0.0013179334,0.006773042,0.006269406,0.005895256,0.0025461367,0.0012238094],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000090976115,0.00010544622,0.015188466,0.00020846061,0.0000074260297,0.0016843245,0.75054634,0.00006739681,0.0013561615,0.121236645,0.019308886,0.09019954],"study_design_scores_gemma":[0.000007210441,0.000048259193,0.009619832,0.00037365273,0.000017340386,0.0008264667,0.4578618,0.000086344306,0.00064705027,0.0046724994,0.52582175,0.000017824237],"about_ca_topic_score_codex":0.020656727,"about_ca_topic_score_gemma":0.04777702,"teacher_disagreement_score":0.020656727,"about_ca_system_score_codex":0.002431379,"about_ca_system_score_gemma":0.0026947125,"threshold_uncertainty_score":0.041173577},"labels":[],"label_agreement":null},{"id":"W1856521114","doi":"","title":"A la sombra del cubo. Entresijos del Pabellón de Venezuela en Expo Montreal 67","year":2004,"lang":"es","type":"article","venue":"Portafolio","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.013803676529260414,"score_gpt":0.25381589138769783,"score_spread":0.24001221485843743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1856521114","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80779624,0.010014779,0.00093657867,0.012471905,0.00042173543,0.00007255387,0.00043054236,0.00005581663,0.16779979],"genre_scores_gemma":[0.9351596,0.0018829525,0.0003372149,0.0005103346,0.000033347762,0.000022192862,0.00007708671,0.000025011406,0.0619523],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99970216,0.00008226242,0.0000039781953,0.00005714564,0.000038754904,0.0001157658],"domain_scores_gemma":[0.9997899,0.00005324147,0.00002431408,0.000014873761,0.000056889097,0.000060810165],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043043724,0.00028409265,0.00018438119,0.00067607476,0.007231552,0.0024984076,0.00047268454,0.00064961653,0.011093567],"category_scores_gemma":[0.0012025211,0.0002366382,0.00015213236,0.0010707822,0.0037967889,0.0011946702,0.0014209124,0.001460089,0.00027653362],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00060898165,0.0001902536,0.074833356,0.00047572405,0.00004703802,0.0042609544,0.5588877,0.0008845021,0.009052249,0.1522694,0.051615484,0.14687434],"study_design_scores_gemma":[0.000033781173,0.00008862894,0.21091361,0.00047844,0.000037022295,0.0002692877,0.30362502,0.00031143063,0.0010109708,0.003226173,0.4799374,0.000068177986],"about_ca_topic_score_codex":0.9055594,"about_ca_topic_score_gemma":0.97178257,"teacher_disagreement_score":0.09444058,"about_ca_system_score_codex":0.017334005,"about_ca_system_score_gemma":0.0076246187,"threshold_uncertainty_score":0.18999344},"labels":[],"label_agreement":null},{"id":"W1983112977","doi":"10.4000/nuevomundo.1688","title":"Mosaicos de plumas en el Museo de América","year":2005,"lang":"es","type":"article","venue":"Nuevo mundo mundos nuevos","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Humanities","score_opus":0.020426789912342064,"score_gpt":0.2926267792365145,"score_spread":0.27219998932417244,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1983112977","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15125708,0.015627403,0.00873122,0.003828407,0.00080729445,0.00021367888,0.0027193388,0.0003346594,0.8164809],"genre_scores_gemma":[0.74085337,0.010777686,0.018725645,0.00075558666,0.0004659938,0.00023523753,0.0017970187,0.0005902895,0.22579922],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994184,0.00021593712,0.00002124437,0.000110508256,0.00016975676,0.00006423019],"domain_scores_gemma":[0.99948907,0.00010485237,0.000078209196,0.00010327444,0.00009086817,0.00013369549],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006843667,0.00024027513,0.00021057906,0.0024188543,0.006476268,0.0031298166,0.00030295347,0.0003317783,0.021387262],"category_scores_gemma":[0.0015402025,0.00023700127,0.0001896006,0.0036455486,0.00313939,0.0019237595,0.0043031313,0.0009259657,0.0014600229],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003534947,0.00004906845,0.021135358,0.00086754106,0.00006818388,0.0014352887,0.15475926,0.00059685984,0.007842781,0.4285112,0.10473852,0.27964243],"study_design_scores_gemma":[0.00000644929,0.000015525966,0.020583367,0.00020555162,0.000011230847,0.0006424729,0.01810191,0.000076477925,0.0003843841,0.009934824,0.9500258,0.000011985723],"about_ca_topic_score_codex":0.018506953,"about_ca_topic_score_gemma":0.09983657,"teacher_disagreement_score":0.021387262,"about_ca_system_score_codex":0.0015142895,"about_ca_system_score_gemma":0.0016004652,"threshold_uncertainty_score":0.07154745},"labels":[],"label_agreement":null},{"id":"W1991932181","doi":"10.1590/s0101-47142006000100009","title":"O circuito social da fotografia em Porto Alegre (1922 e 1935)","year":2006,"lang":"pt","type":"article","venue":"Anais do Museu Paulista História e Cultura Material","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Adidas (Canada)","funders":"Universidade Federal do Rio Grande do Sul","keywords":"Art; Humanities","score_opus":0.03122160561646073,"score_gpt":0.2531581125165909,"score_spread":0.2219365069001302,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1991932181","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6561606,0.0047138534,0.0010633329,0.007129058,0.00016714579,0.000062347186,0.00083082664,0.000056349523,0.3298164],"genre_scores_gemma":[0.9677411,0.0016673363,0.00037092663,0.0001334651,0.00003290118,0.000023622872,0.000126,0.000023188288,0.029881554],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99938774,0.00013035552,0.00002045997,0.00011176748,0.00012170464,0.00022788369],"domain_scores_gemma":[0.9992613,0.00023503733,0.00017948129,0.00009845105,0.000118634074,0.00010699242],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006752599,0.0003252212,0.00017649791,0.0031774759,0.0058302595,0.0049822177,0.00072194316,0.0008360374,0.016752752],"category_scores_gemma":[0.0018043872,0.0002876321,0.00024162204,0.0077994918,0.007654989,0.0026369006,0.002392581,0.0009926112,0.00047548386],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001820528,0.000058008995,0.09457064,0.0003986913,0.00004822176,0.003998722,0.40732464,0.00045799153,0.0025927,0.34346238,0.011157919,0.1357482],"study_design_scores_gemma":[0.000008016461,0.000036459387,0.34265095,0.00032119863,0.000024401177,0.00089053146,0.14676839,0.00014383007,0.0006033037,0.00716862,0.50133914,0.000045203833],"about_ca_topic_score_codex":0.2796133,"about_ca_topic_score_gemma":0.4983129,"teacher_disagreement_score":0.2796133,"about_ca_system_score_codex":0.0142046865,"about_ca_system_score_gemma":0.006549765,"threshold_uncertainty_score":0.5559715},"labels":[],"label_agreement":null},{"id":"W2009773932","doi":"10.7195/ri14.v13i1.713","title":"NO-DO: Archivo y secuestro de la imaginación","year":2015,"lang":"es","type":"article","venue":"Revista ICONO14","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Humanities; Art","score_opus":0.02641002784323487,"score_gpt":0.2975108438831218,"score_spread":0.27110081603988695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2009773932","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023179313,0.00627923,0.0076175407,0.019008236,0.0012008832,0.00003736729,0.00011710527,0.00009837442,0.94246197],"genre_scores_gemma":[0.84349895,0.0073500094,0.0032552185,0.0029183892,0.00086360436,0.000097598175,0.00015773698,0.0002511164,0.14160737],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970305,0.0014391822,0.0001143272,0.00038053392,0.0006783948,0.00035700432],"domain_scores_gemma":[0.9967493,0.0012377346,0.0002505129,0.00088739104,0.00045395654,0.0004211798],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024830312,0.00053216715,0.00037218948,0.002220131,0.006914298,0.016929979,0.0011755695,0.0020114034,0.017126678],"category_scores_gemma":[0.0055616694,0.00026546986,0.000354221,0.0016271345,0.029073194,0.0134426905,0.008147123,0.004502178,0.0020563204],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018795487,0.000011334269,0.00061566615,0.00009002925,0.0000028966085,0.00014371918,0.04428476,0.00005386402,0.00017563358,0.92809623,0.009311574,0.01719556],"study_design_scores_gemma":[0.000009055856,0.000020534055,0.0015653586,0.0006494351,0.000010709738,0.00036770728,0.06095301,0.00018104908,0.00043338555,0.14000724,0.79578584,0.000016664833],"about_ca_topic_score_codex":0.011114805,"about_ca_topic_score_gemma":0.018134495,"teacher_disagreement_score":0.017126678,"about_ca_system_score_codex":0.0062967846,"about_ca_system_score_gemma":0.005074976,"threshold_uncertainty_score":0.05729443},"labels":[],"label_agreement":null},{"id":"W2031461895","doi":"10.1353/tam.2007.0012","title":"The Social and the Real: Political Art of the 1930s in the Western Hemisphere. Edited by Alejandro Anreus, Diana L. Linden, and Jonathan Weinberg. University Park, PA: Pennsylvania State University Press, 2006. Pp. xxii, 362. Illustrations. Notes. Index. $50.00 paper.","year":2007,"lang":"en","type":"article","venue":"The Americas A Quarterly Review of Latin American History","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; State (computer science); Communism; Western hemisphere; History; Art history; Period (music); Realism; Economic history; Media studies; Art; Sociology; Political science; Literature; Aesthetics; Law; Ethnology","score_opus":0.01960484531064142,"score_gpt":0.2436220554764709,"score_spread":0.22401721016582948,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2031461895","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0040612323,0.5258734,0.0008200117,0.043732017,0.020413512,0.000050972256,0.00065634854,0.000102750586,0.40428966],"genre_scores_gemma":[0.065971754,0.38650382,0.0013030648,0.0067413766,0.011244652,0.000108827284,0.00057035807,0.00030763535,0.5272486],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999608,0.00013617125,0.000013395436,0.00004930639,0.00013951883,0.00005367866],"domain_scores_gemma":[0.99970967,0.000083045605,0.0000377822,0.000014387574,0.00006249808,0.000092593014],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006274679,0.001292685,0.00062145205,0.0016846306,0.0028979848,0.0073114247,0.0006922936,0.0012868304,0.029994551],"category_scores_gemma":[0.0010657314,0.0004864937,0.0003796427,0.003622095,0.0034628115,0.0039404347,0.0014599798,0.0023865574,0.0061973087],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026789638,0.00002625217,0.00044962353,0.00024237172,0.000008516039,0.000117094605,0.009260624,0.00006548841,0.0002219098,0.040069945,0.8950395,0.054471828],"study_design_scores_gemma":[0.0000032627445,0.000004880386,0.0013465396,0.0004978293,0.0000032686028,0.000052207946,0.003653911,0.00001359534,0.000032884458,0.004430856,0.9899547,0.0000060783395],"about_ca_topic_score_codex":0.032374598,"about_ca_topic_score_gemma":0.074462205,"teacher_disagreement_score":0.032374598,"about_ca_system_score_codex":0.004185097,"about_ca_system_score_gemma":0.004918287,"threshold_uncertainty_score":0.10034174},"labels":[],"label_agreement":null},{"id":"W2032826713","doi":"10.1215/00182168-2007-080","title":"The Social and the Real: Political Art of the 1930s in the Western Hemisphere","year":2008,"lang":"en","type":"article","venue":"Hispanic American Historical Review","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mural; Latin Americans; Dictatorship; Politics; Context (archaeology); Sociology; Cognitive reframing; History; Legitimacy; Painting; Aesthetics; Political science; Law; Art history; Art; Psychology","score_opus":0.04907102035295705,"score_gpt":0.28936572136355787,"score_spread":0.24029470101060083,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2032826713","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.076205075,0.06556751,0.000776987,0.02143928,0.004527372,0.000022255139,0.00016570563,0.000044519766,0.83125126],"genre_scores_gemma":[0.8210981,0.017358912,0.00032581674,0.0031479625,0.0025763328,0.000048055128,0.00007979382,0.00014477222,0.15522027],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996159,0.00017782896,0.0000076095102,0.00003546415,0.00007104084,0.0000920717],"domain_scores_gemma":[0.9998654,0.00006448803,0.000015905243,0.000010245808,0.000022467624,0.000021533671],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047692418,0.0004950145,0.00023175668,0.0010958591,0.0065784566,0.006490695,0.000380257,0.0009116803,0.00508035],"category_scores_gemma":[0.0005459105,0.00012944863,0.000139559,0.001500102,0.0062434836,0.0014219364,0.0009955922,0.0016556468,0.0003702078],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011365517,0.00004092499,0.0015136539,0.0004143626,0.000022129338,0.0007122024,0.21114938,0.00021620846,0.0010579133,0.5582385,0.18195596,0.04456513],"study_design_scores_gemma":[0.00000548243,0.000010601698,0.004163864,0.00037872858,0.0000068698214,0.00012707202,0.032361858,0.00005482265,0.00018606143,0.006614243,0.9560832,0.000007221998],"about_ca_topic_score_codex":0.05524659,"about_ca_topic_score_gemma":0.12359223,"teacher_disagreement_score":0.05524659,"about_ca_system_score_codex":0.007236774,"about_ca_system_score_gemma":0.0017517621,"threshold_uncertainty_score":0.10985005},"labels":[],"label_agreement":null},{"id":"W2084880608","doi":"10.3828/catr.24.1.207","title":"La Fotografia Catalana: Un Acte Creatiu","year":2010,"lang":"ca","type":"article","venue":"Catalan Review","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Art","score_opus":0.02672535656784361,"score_gpt":0.27804293272330216,"score_spread":0.2513175761554586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2084880608","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009245489,0.81325215,0.0011857142,0.012264448,0.0039351135,0.000042530868,0.00009917254,0.00008072603,0.15989469],"genre_scores_gemma":[0.1992121,0.6016114,0.004675482,0.009728102,0.0032575508,0.00010795532,0.00034357997,0.00014141634,0.18092248],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99890447,0.00035902145,0.00003626441,0.00019005107,0.0003863923,0.00012377594],"domain_scores_gemma":[0.9993387,0.0001829089,0.00007483043,0.00007026854,0.0002697401,0.00006361523],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017703571,0.00071562553,0.00045922733,0.0012955465,0.0016485505,0.004362341,0.00090700114,0.0019379882,0.0061989645],"category_scores_gemma":[0.0012813928,0.00026836077,0.0003020332,0.0014504899,0.0027112118,0.0016716516,0.0016537067,0.002113184,0.0018684842],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021157977,0.000064208085,0.0016504609,0.0042365035,0.000041920488,0.00080828293,0.006693122,0.0007758757,0.0027708441,0.14425138,0.22043692,0.61805886],"study_design_scores_gemma":[0.000008299067,0.000014203658,0.0023844538,0.00073737284,0.000008739661,0.00021816653,0.00070820097,0.000032790067,0.0001557488,0.0009552725,0.99476975,0.000007048092],"about_ca_topic_score_codex":0.11285624,"about_ca_topic_score_gemma":0.08234012,"teacher_disagreement_score":0.11285624,"about_ca_system_score_codex":0.007853949,"about_ca_system_score_gemma":0.0053701173,"threshold_uncertainty_score":0.22439867},"labels":[],"label_agreement":null},{"id":"W2162893353","doi":"","title":"DIFUSIÓN CULTURAL, A LA REUNIÓN DE DIRECTORES DE MUSEOS","year":2005,"lang":"es","type":"article","venue":"Gaceta UNAM (2000-2009)","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.0224219261873529,"score_gpt":0.2793022611785436,"score_spread":0.25688033499119073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2162893353","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.061636735,0.051387273,0.0035504585,0.22578526,0.007593312,0.0000812653,0.00013868498,0.00027889895,0.64954805],"genre_scores_gemma":[0.5842086,0.015239362,0.0024887747,0.022857469,0.0022735666,0.00014269911,0.000114324015,0.00031064605,0.3723645],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99345934,0.0038786319,0.00016144206,0.0006925003,0.00086936576,0.0009386379],"domain_scores_gemma":[0.99569976,0.0009901511,0.00046226522,0.0004744915,0.0006141076,0.0017591575],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004873098,0.0005087832,0.00034949492,0.0013025259,0.021515915,0.014948608,0.0012274215,0.0025826576,0.011144734],"category_scores_gemma":[0.0065305233,0.00041783106,0.00025668196,0.0017306973,0.021360528,0.0069563705,0.012413592,0.0046736924,0.0015015948],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000068754045,0.00003978067,0.00467773,0.00018533813,0.00002171667,0.0008981216,0.2926536,0.00008098828,0.00063254475,0.37182257,0.2753515,0.05356747],"study_design_scores_gemma":[0.0000048941024,0.000007739803,0.0013283911,0.000112956215,0.0000042806323,0.00015973373,0.050698906,0.000013848577,0.00008140619,0.003321591,0.94426006,0.0000061959595],"about_ca_topic_score_codex":0.04630267,"about_ca_topic_score_gemma":0.11921833,"teacher_disagreement_score":0.04630267,"about_ca_system_score_codex":0.010387839,"about_ca_system_score_gemma":0.015394419,"threshold_uncertainty_score":0.09206635},"labels":[],"label_agreement":null},{"id":"W2216169443","doi":"","title":"Photography. Crisis of History, sous la direction de Joan Fontcuberta, Barcelone, Actar, 2004, 253 p. Photography. Crisis of History, sous la direction de Joan Fontcuberta, Barcelone, Actar, 2004, 253 p.","year":2005,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Photography; Humanities; Visual arts","score_opus":0.016689703617125216,"score_gpt":0.23607587941883565,"score_spread":0.21938617580171044,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2216169443","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00029169593,0.77370137,0.00019142021,0.04512484,0.008284035,0.000020094089,0.00047806132,0.00013142337,0.17177705],"genre_scores_gemma":[0.017128173,0.44081315,0.0010990279,0.011443079,0.013561363,0.00007955188,0.0007881903,0.00039293905,0.5146946],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991111,0.00021863876,0.000075671815,0.000115189265,0.00041368854,0.00006574443],"domain_scores_gemma":[0.9987779,0.00041820313,0.00017915339,0.00010873874,0.0003719785,0.00014403235],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010671803,0.0012589954,0.00082811585,0.0029785198,0.0025276465,0.007921313,0.0011416608,0.0035872534,0.0863025],"category_scores_gemma":[0.0021077693,0.0007418784,0.00040728046,0.005352765,0.002377816,0.0065735406,0.002194361,0.0045218267,0.022470545],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002225551,0.000010464286,0.00014947151,0.0005240383,0.0000049964297,0.00008119553,0.00082777586,0.000029699762,0.000103075516,0.01815235,0.9364383,0.043656453],"study_design_scores_gemma":[0.0000039725383,0.000002355618,0.000979523,0.0005600129,0.000002217525,0.00009785183,0.0005454363,0.000009289866,0.000026331916,0.00079679355,0.99697244,0.000003704035],"about_ca_topic_score_codex":0.0903154,"about_ca_topic_score_gemma":0.1471405,"teacher_disagreement_score":0.0903154,"about_ca_system_score_codex":0.0062526674,"about_ca_system_score_gemma":0.003287172,"threshold_uncertainty_score":0.2887106},"labels":[],"label_agreement":null},{"id":"W2237736486","doi":"10.61490/eial.v26i2.1351","title":"The Right Not to Be Looked At","year":2015,"lang":"en","type":"article","venue":"EIAL - Estudios Interdisciplinarios de América Latina y el Caribe","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Humanities; Art; Art history","score_opus":0.056705923081968757,"score_gpt":0.3189533565928008,"score_spread":0.262247433510832,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2237736486","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.064884245,0.009454603,0.0072082537,0.12677227,0.0017398236,0.000048297003,0.00022879877,0.00007658335,0.7895871],"genre_scores_gemma":[0.8312588,0.0023087258,0.0014365389,0.018043572,0.0004439499,0.00006340319,0.00007871939,0.000053400618,0.14631292],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9947572,0.0025435425,0.00020632081,0.00075078313,0.0010935969,0.00064864446],"domain_scores_gemma":[0.9952122,0.0016797151,0.0005693564,0.0012632415,0.00077268766,0.00050273514],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003147819,0.00018686023,0.00020857759,0.00037432605,0.004445344,0.005521454,0.00055182923,0.002849705,0.014577221],"category_scores_gemma":[0.007240568,0.00022685922,0.00017697887,0.00031060574,0.01697046,0.003322117,0.0044361465,0.0037005662,0.0023119815],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007885691,0.00004110052,0.003418406,0.00009337425,0.000009391494,0.00035371797,0.033539288,0.00011653408,0.0016387347,0.8383444,0.07707308,0.04529324],"study_design_scores_gemma":[0.000012301617,0.000035912264,0.0032852748,0.00038834327,0.000008266038,0.00050832477,0.009147394,0.00010313061,0.0010175632,0.047261104,0.9382032,0.000029243616],"about_ca_topic_score_codex":0.0145367,"about_ca_topic_score_gemma":0.016537473,"teacher_disagreement_score":0.014577221,"about_ca_system_score_codex":0.002084459,"about_ca_system_score_gemma":0.003289851,"threshold_uncertainty_score":0.0487656},"labels":[],"label_agreement":null},{"id":"W2300463389","doi":"10.4000/ceroart.4956","title":"Restaurer l’art lumino-cinétique","year":2016,"lang":"fr","type":"article","venue":"CeROArt","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centre Intégré de Santé et de Services Sociaux des Laurentides","funders":"","keywords":"Physics; Biology","score_opus":0.025574323231912846,"score_gpt":0.24561131176902173,"score_spread":0.2200369885371089,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2300463389","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19124869,0.004807894,0.0066489303,0.0061117182,0.0010626841,0.00009152722,0.00032543647,0.00029535178,0.78940773],"genre_scores_gemma":[0.62509006,0.002614308,0.007889333,0.00042399493,0.00038848195,0.00006420695,0.00025159097,0.00028295553,0.3629951],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906975,0.00023503619,0.000024758861,0.00019988947,0.00026485499,0.00020575884],"domain_scores_gemma":[0.9993032,0.00020867743,0.00010146642,0.00008063074,0.00012350576,0.00018240265],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001355627,0.0005358293,0.0002640029,0.0011617385,0.0056238696,0.0076448754,0.00076208945,0.00077647576,0.05051807],"category_scores_gemma":[0.0016403126,0.0002669417,0.00026233433,0.00094462355,0.004231921,0.0022807862,0.0035799267,0.0018829834,0.0040147677],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004279901,0.00019265416,0.032045536,0.00071803544,0.000035026922,0.001125949,0.2018881,0.00091077184,0.011120265,0.3479836,0.058742784,0.3448093],"study_design_scores_gemma":[0.000010472204,0.00003938255,0.014648639,0.00019176462,0.000007713196,0.00019782074,0.028540395,0.00013266233,0.00081561774,0.0013208736,0.9540788,0.000015801024],"about_ca_topic_score_codex":0.062417082,"about_ca_topic_score_gemma":0.13851897,"teacher_disagreement_score":0.062417082,"about_ca_system_score_codex":0.0065487446,"about_ca_system_score_gemma":0.002764321,"threshold_uncertainty_score":0.16899979},"labels":[],"label_agreement":null},{"id":"W2311144262","doi":"","title":"Russek, Dan. Textual Exposures. Photography in Twentieth-Century Spanish American Narrative Fiction. Calgary: University of Calgary Press, 2015.","year":2016,"lang":"en","type":"article","venue":"Bowdoin - Digital Commons (Bowdoin College)","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Photography; Art; History; Visual arts; Literature","score_opus":0.017263585558838144,"score_gpt":0.221839797193957,"score_spread":0.20457621163511885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2311144262","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004808536,0.70182854,0.0017161753,0.02382852,0.0033309532,0.000031171676,0.0007153435,0.00019674742,0.26354396],"genre_scores_gemma":[0.20680903,0.5327211,0.0036528558,0.006662678,0.0029374147,0.00011133449,0.0006930597,0.0005340805,0.24587858],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997011,0.000099775214,0.000024658795,0.00003713034,0.00009945459,0.000037821457],"domain_scores_gemma":[0.99914753,0.00033078555,0.00009072647,0.00004229115,0.0003099363,0.00007865639],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006514141,0.0008681361,0.0003925725,0.00459147,0.004718871,0.0043088146,0.0011383502,0.0015260886,0.022368249],"category_scores_gemma":[0.0021030498,0.0005133303,0.00023928499,0.0056254216,0.003887897,0.0048023034,0.0013874082,0.0021962768,0.0049444987],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053769756,0.000032338605,0.0010245582,0.0007531797,0.000013967371,0.0002821168,0.027399508,0.0001618763,0.00040457156,0.08210396,0.7088714,0.17889877],"study_design_scores_gemma":[0.000007988247,0.000009327653,0.0053230175,0.001269946,0.000018688863,0.00015279226,0.01559692,0.00004370376,0.00032897762,0.01006028,0.9671779,0.000010443886],"about_ca_topic_score_codex":0.09310036,"about_ca_topic_score_gemma":0.20237833,"teacher_disagreement_score":0.09310036,"about_ca_system_score_codex":0.004557831,"about_ca_system_score_gemma":0.0024843356,"threshold_uncertainty_score":0.18511695},"labels":[],"label_agreement":null},{"id":"W2340476332","doi":"","title":"El desafío de exponer: procesos y retos museográficos","year":2015,"lang":"es","type":"book","venue":"Servicio Editorial de la Universidad del País Vasco/Euskal Herriko Unibertsitateko Argitalpen Zerbitzua eBooks","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.014662932074003024,"score_gpt":0.2557727073100512,"score_spread":0.24110977523604818,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2340476332","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11240531,0.05243262,0.0028821775,0.04081859,0.0018127409,0.000086034765,0.00030933885,0.0001721753,0.789081],"genre_scores_gemma":[0.746993,0.0118794935,0.0009608621,0.0018580724,0.0003248867,0.00006787982,0.0001213588,0.00017860736,0.23761587],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99639773,0.001736518,0.000097228156,0.00033488305,0.00063591957,0.00079758983],"domain_scores_gemma":[0.9979741,0.0007387321,0.00020126029,0.00023489824,0.0003960037,0.0004548851],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036095285,0.0006160314,0.00036008732,0.0015628865,0.020209618,0.013000022,0.0014213624,0.0015740073,0.017768335],"category_scores_gemma":[0.0059199017,0.00041475933,0.00025231493,0.0030946955,0.020288756,0.006405481,0.006439259,0.0027945547,0.0020525663],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064547916,0.000029783145,0.0031059873,0.00019870348,0.000009945564,0.0011349529,0.4383513,0.00014542394,0.00047617458,0.41411647,0.087069996,0.055296715],"study_design_scores_gemma":[0.000004085605,0.000012351573,0.0039963494,0.0003160985,0.0000041393705,0.00018829832,0.12703134,0.00005073426,0.00013898463,0.0061391564,0.86209935,0.000019155155],"about_ca_topic_score_codex":0.2043499,"about_ca_topic_score_gemma":0.31775337,"teacher_disagreement_score":0.2043499,"about_ca_system_score_codex":0.017089041,"about_ca_system_score_gemma":0.010008116,"threshold_uncertainty_score":0.40632093},"labels":[],"label_agreement":null},{"id":"W2345599682","doi":"","title":"Antoni Muntadas, Entre/Between, Vancouver Art Gallery, Vancouver, 9 November 2013 to 10 February 2014Antoni Muntadas, Entre/Between, Vancouver Art Gallery, Vancouver, 9 November 2013 to 10 February 2014","year":2014,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art gallery; Art; Geography; Cartography; Art history; Exhibition","score_opus":0.0193038721800937,"score_gpt":0.24088661555427326,"score_spread":0.22158274337417957,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2345599682","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014029108,0.007856568,0.00050353655,0.012773587,0.012491331,0.0006167888,0.014384299,0.00086763356,0.9364771],"genre_scores_gemma":[0.0035872427,0.00067417015,0.00015506447,0.00022070884,0.000096095304,0.000025590749,0.0008271765,0.0000913265,0.99432254],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921596,0.000039573435,0.000020732852,0.00013759555,0.00032235336,0.00026379057],"domain_scores_gemma":[0.99822944,0.000052534902,0.000033329008,0.000048633014,0.0009569165,0.0006792161],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000636033,0.0007746181,0.0004965206,0.0019193325,0.010371528,0.0032271007,0.001154957,0.0013715285,0.5223838],"category_scores_gemma":[0.0014930022,0.00049007894,0.00041371305,0.0015320078,0.0006585568,0.0007019948,0.002298536,0.0019863897,0.15636642],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000068903566,0.000040495812,0.0012063044,0.00009370071,0.0000054531615,0.00018238563,0.00023193118,0.00005554856,0.0003384646,0.0004667585,0.97139233,0.025917752],"study_design_scores_gemma":[0.0000103536795,0.0000139400545,0.012179407,0.000113715585,0.000005423603,0.000070352195,0.0013781637,0.00004344503,0.0002497108,0.00008405726,0.98583996,0.000011410204],"about_ca_topic_score_codex":0.47068235,"about_ca_topic_score_gemma":0.9106364,"teacher_disagreement_score":0.5293176,"about_ca_system_score_codex":0.0075185616,"about_ca_system_score_gemma":0.009006561,"threshold_uncertainty_score":0.93588537},"labels":[],"label_agreement":null},{"id":"W2470981148","doi":"","title":"Reason for Photography in Dustbin. Adam Broomberg et Oliver Chanarin, Scarti. Adam Broomberg et Oliver Chanarin, Scarti","year":2015,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Art; Visual arts","score_opus":0.054518772509951546,"score_gpt":0.2785984647113803,"score_spread":0.22407969220142873,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2470981148","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020182899,0.097938985,0.00034675747,0.7686101,0.051017717,0.000025991982,0.00009394637,0.00007985955,0.07986828],"genre_scores_gemma":[0.065996,0.028862225,0.00069320103,0.37777945,0.02751505,0.00006748226,0.000091220805,0.0004215058,0.49857393],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978434,0.000576195,0.000120827724,0.00037544928,0.0008155098,0.00026852527],"domain_scores_gemma":[0.99625957,0.0013706369,0.00029742243,0.00024511167,0.0010245668,0.00080272893],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023478377,0.0004743937,0.0006619589,0.00083202356,0.008993865,0.006367389,0.00088825804,0.0097473925,0.03777488],"category_scores_gemma":[0.011497398,0.00059740996,0.0003978581,0.00064843474,0.0052907835,0.005650523,0.0031964155,0.011562377,0.008100068],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012409243,0.0000086502505,0.00020518208,0.00003716999,0.0000029422188,0.00017854584,0.0011553215,0.000004897279,0.000058908554,0.010783297,0.9796307,0.007921964],"study_design_scores_gemma":[0.0000056202366,0.000005094806,0.00051439606,0.00015164723,0.0000035441824,0.0004946577,0.002501342,0.000010046194,0.00007764049,0.002052557,0.99417615,0.0000073755746],"about_ca_topic_score_codex":0.019759288,"about_ca_topic_score_gemma":0.053347785,"teacher_disagreement_score":0.03777488,"about_ca_system_score_codex":0.0042945873,"about_ca_system_score_gemma":0.0021385541,"threshold_uncertainty_score":0.1263696},"labels":[],"label_agreement":null},{"id":"W2475299712","doi":"","title":"Images and the Duty of Memory: The Survival of a People Due to Their Spirit (1957) by Fanny Rabel","year":2012,"lang":"en","type":"article","venue":"Women in Judaism A Multidisciplinary e-Journal","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mural; Painting; Humanism; Originality; Iconography; Art; Object (grammar); Aesthetics; Style (visual arts); Visual arts; Creativity; Psychology; Philosophy; Social psychology","score_opus":0.02017389457693004,"score_gpt":0.2575859720823337,"score_spread":0.23741207750540366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2475299712","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43251818,0.035834096,0.0022374943,0.079609334,0.0037368187,0.00004166137,0.0001057301,0.00008434018,0.4458323],"genre_scores_gemma":[0.97289467,0.0019674564,0.00023616334,0.0015557258,0.00034617953,0.000006559404,0.000008526592,0.000032035936,0.022952633],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995377,0.00027710834,0.0000071083978,0.000052354368,0.000063615524,0.000062029794],"domain_scores_gemma":[0.9996401,0.0001841692,0.000052201078,0.00003827276,0.00003833742,0.00004686666],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008224694,0.00033580794,0.00013362156,0.00057399913,0.0061449753,0.003988884,0.0003814217,0.0011524623,0.0024438784],"category_scores_gemma":[0.0019383342,0.00012564432,0.0000941494,0.00036487117,0.013414983,0.0024358972,0.0015498033,0.0022787568,0.00022716331],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010677483,0.000025821675,0.001411908,0.00013036294,0.000011875585,0.0010302969,0.6311497,0.00005945182,0.0010253732,0.28494933,0.053375036,0.026724136],"study_design_scores_gemma":[0.000019723822,0.000052955977,0.0034191438,0.00042792133,0.000015367272,0.0015942259,0.2478969,0.00014369443,0.001121102,0.01603408,0.7292491,0.000025686988],"about_ca_topic_score_codex":0.014368445,"about_ca_topic_score_gemma":0.02593792,"teacher_disagreement_score":0.014368445,"about_ca_system_score_codex":0.0032565612,"about_ca_system_score_gemma":0.00080485176,"threshold_uncertainty_score":0.028569639},"labels":[],"label_agreement":null},{"id":"W2480046758","doi":"10.11144/javeriana.apc28-1.apim","title":"Arquitectura y patrimonio “indígena”: museos nacionales de Canadá, Estados Unidos y México","year":2015,"lang":"es","type":"article","venue":"Apuntes Revista de estudios sobre patrimonio cultural","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04116182838333233,"score_gpt":0.28415708843966,"score_spread":0.24299526005632766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2480046758","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70638615,0.041332524,0.0010974836,0.012213907,0.00022133578,0.00009691942,0.0034981654,0.000055109856,0.2350985],"genre_scores_gemma":[0.9632469,0.015276967,0.0012126997,0.00038446617,0.000043174558,0.000073558964,0.00078780996,0.00002637122,0.018948035],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99932444,0.00010465111,0.00002080177,0.000094909636,0.00018195967,0.00027326195],"domain_scores_gemma":[0.9991374,0.00016633185,0.00017919122,0.00006390089,0.0002817985,0.00017134538],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009795486,0.00027491926,0.0002417603,0.00406131,0.010196366,0.0049666474,0.0008763061,0.00040867552,0.0041239313],"category_scores_gemma":[0.0018613355,0.00020767727,0.00018289145,0.009173973,0.005772951,0.0015382547,0.0031767464,0.0009486443,0.00010254098],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021523327,0.00005191432,0.22312607,0.0009343906,0.00012126794,0.0013343679,0.28499767,0.0007810648,0.001119257,0.2684427,0.059469204,0.15940692],"study_design_scores_gemma":[0.000009582899,0.000012806567,0.40259117,0.0007977803,0.00007409028,0.00035981913,0.21936998,0.00019377151,0.0003943755,0.0028055888,0.37335768,0.000033288874],"about_ca_topic_score_codex":0.9704058,"about_ca_topic_score_gemma":0.9908708,"teacher_disagreement_score":0.04652804,"about_ca_system_score_codex":0.04652804,"about_ca_system_score_gemma":0.04534587,"threshold_uncertainty_score":0.33758616},"labels":[],"label_agreement":null},{"id":"W2531168197","doi":"","title":"Arte actual de Québec en la Ciudad de México : Art actuel de Québec dans la ville de Mexico","year":2001,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.00742316321485458,"score_gpt":0.18238794812810885,"score_spread":0.17496478491325426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2531168197","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73826444,0.010870687,0.0014234103,0.012274572,0.00026719453,0.000110447814,0.0016986444,0.00009426861,0.23499623],"genre_scores_gemma":[0.81437737,0.005369744,0.0017488371,0.00048616377,0.000049358263,0.000067919216,0.00045227582,0.00003723832,0.1774111],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9997924,0.000028917519,0.0000061240544,0.00003519468,0.00004124485,0.00009619842],"domain_scores_gemma":[0.9997969,0.000031679236,0.000035268964,0.00000920597,0.00007530843,0.000051648076],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003203334,0.00029039913,0.00023444678,0.0009739844,0.010141291,0.0024458193,0.00048743968,0.0008358685,0.010461284],"category_scores_gemma":[0.00045330453,0.00021768095,0.0001933348,0.001939589,0.0021349113,0.00092853257,0.0012875876,0.0017967846,0.00026900118],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00044095158,0.00018521288,0.107734986,0.00079648173,0.0000965534,0.006673533,0.24487685,0.001292802,0.006495204,0.3657904,0.10400295,0.1616141],"study_design_scores_gemma":[0.00001025112,0.000029494086,0.18633915,0.0002801095,0.000048234655,0.00037063277,0.062227894,0.0003531601,0.00054988737,0.0008425864,0.7489179,0.000030688658],"about_ca_topic_score_codex":0.9722465,"about_ca_topic_score_gemma":0.9959273,"teacher_disagreement_score":0.030534515,"about_ca_system_score_codex":0.030534515,"about_ca_system_score_gemma":0.02010251,"threshold_uncertainty_score":0.22154444},"labels":[],"label_agreement":null},{"id":"W2553848496","doi":"","title":"Especial Festival de Málaga: No llores, vuela: rodar en el límite del mundo","year":2014,"lang":"es","type":"article","venue":"Cameraman: Revista técnica cinematográfica","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.012979209262587436,"score_gpt":0.27196013759860466,"score_spread":0.2589809283360172,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2553848496","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09528394,0.038840815,0.0026047607,0.10723936,0.00763732,0.000105070256,0.00049611495,0.0006202052,0.7471724],"genre_scores_gemma":[0.40691155,0.01250909,0.0015533519,0.0068210573,0.0013803839,0.00006477047,0.0001852426,0.0002974194,0.57027715],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996425,0.00011156453,0.0000062613344,0.00006163635,0.00007836381,0.000099565674],"domain_scores_gemma":[0.99948466,0.00012253462,0.00004783201,0.000051211584,0.00012754972,0.0001661648],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043470817,0.00046385408,0.00019242997,0.0006602011,0.007396272,0.0051219477,0.0004994796,0.0014591028,0.022350674],"category_scores_gemma":[0.001423056,0.00025241548,0.00018920889,0.00050804054,0.0026080343,0.0024887505,0.0030551096,0.0022433375,0.0023962737],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023283856,0.000048202888,0.0059040776,0.00060594437,0.000030273935,0.002260281,0.09503583,0.0001081515,0.006513792,0.07057831,0.71415174,0.104530565],"study_design_scores_gemma":[0.00000249559,0.000012818424,0.0046098493,0.00016179877,0.0000046311957,0.00026504256,0.013201281,0.000022418346,0.0003982581,0.00041647768,0.98089623,0.000008762672],"about_ca_topic_score_codex":0.05952008,"about_ca_topic_score_gemma":0.23861466,"teacher_disagreement_score":0.05952008,"about_ca_system_score_codex":0.0030108772,"about_ca_system_score_gemma":0.0015994179,"threshold_uncertainty_score":0.11834723},"labels":[],"label_agreement":null},{"id":"W2560201172","doi":"","title":"Arte en cajas de cristal: Pabellón Pierre Lassonde -Ampliación del Museo Nacional de Bellas Artes de Quebec","year":2016,"lang":"es","type":"article","venue":"Summa+","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.021338008897968688,"score_gpt":0.2714772018407974,"score_spread":0.2501391929428287,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2560201172","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042823948,0.24856073,0.0028856134,0.13419715,0.025572494,0.00019073184,0.0021810394,0.0003849488,0.54320335],"genre_scores_gemma":[0.15586981,0.026522962,0.0014029669,0.0051114038,0.0011770234,0.00004872911,0.00027548958,0.00023898066,0.8093527],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921,0.00014727225,0.000019179137,0.000108167864,0.00028653475,0.00022871965],"domain_scores_gemma":[0.9993137,0.00011254286,0.000027557335,0.000042077103,0.00032574582,0.00017845944],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012846948,0.0006333895,0.00041549912,0.0012997184,0.0121595245,0.005065811,0.0009273249,0.0019451086,0.027273623],"category_scores_gemma":[0.001810535,0.00032453114,0.00032821577,0.0015390248,0.0032865847,0.0013153133,0.0025555743,0.0026924326,0.0016394476],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006574207,0.000025829906,0.002451468,0.00019105038,0.000023863504,0.0008459657,0.009815687,0.00039410384,0.000665388,0.06300531,0.8570116,0.065504074],"study_design_scores_gemma":[0.000002348415,0.0000022049096,0.0028253181,0.0000960467,0.0000039647784,0.00009638722,0.002614838,0.000026206022,0.00011169049,0.00039183933,0.9938205,0.000008762235],"about_ca_topic_score_codex":0.9581214,"about_ca_topic_score_gemma":0.9918549,"teacher_disagreement_score":0.04187858,"about_ca_system_score_codex":0.028757276,"about_ca_system_score_gemma":0.024075424,"threshold_uncertainty_score":0.20864958},"labels":[],"label_agreement":null},{"id":"W2561988970","doi":"10.18192/rceh.v39i3.1660","title":"DAN RUSSEK. Textual Exposures. Photography in Twentieth-Century Spanish American Narrative Fiction. Calgary: University of Calgary Press, 2015. x + 229 pp.","year":2015,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Ottawa","funders":"","keywords":"Narrative; Photography; History; Art; Art history; Media studies; Sociology; Literature; Visual arts","score_opus":0.02255044586429766,"score_gpt":0.23226175687628325,"score_spread":0.2097113110119856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2561988970","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023012399,0.80364776,0.0012533712,0.026159165,0.0065590115,0.000031020507,0.00062709453,0.00019989465,0.15922144],"genre_scores_gemma":[0.06736236,0.5912227,0.0027610874,0.009589081,0.0060359878,0.00011540128,0.00077800616,0.0004270966,0.32170844],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997069,0.000111683294,0.000016586535,0.00003438334,0.00009555566,0.000034841367],"domain_scores_gemma":[0.9992986,0.0002857728,0.000066279455,0.000033154476,0.00024345385,0.00007275752],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006661189,0.00116324,0.00050201814,0.0042024534,0.0031110384,0.0034141303,0.0011243133,0.0012761883,0.034582883],"category_scores_gemma":[0.0018435444,0.00044649004,0.0002656375,0.0053392914,0.0027811036,0.0043424047,0.0016480883,0.0018475588,0.008623705],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044266,0.0000238489,0.00046412405,0.00073299004,0.0000088776505,0.00014833736,0.008237313,0.00007931935,0.0002814071,0.027171027,0.8237187,0.13908981],"study_design_scores_gemma":[0.0000055393916,0.000008922932,0.0027517036,0.0011662245,0.000008821028,0.00010760037,0.0081944475,0.00004070506,0.00022498184,0.0070970585,0.98038566,0.000008391565],"about_ca_topic_score_codex":0.04770422,"about_ca_topic_score_gemma":0.118014105,"teacher_disagreement_score":0.04770422,"about_ca_system_score_codex":0.0036162725,"about_ca_system_score_gemma":0.0014643269,"threshold_uncertainty_score":0.115691245},"labels":[],"label_agreement":null},{"id":"W2591916321","doi":"","title":"EL ARTE, ACTO QUE CONSTRUYE PUENTES: BACHIR BENSADDEK","year":2017,"lang":"es","type":"article","venue":"Gaceta UNAM (2010-2019)","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Persona","score_opus":0.04088985457500454,"score_gpt":0.288327978751704,"score_spread":0.24743812417669947,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2591916321","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07086294,0.013728515,0.0032394878,0.057363644,0.0027924106,0.000066030545,0.00012092821,0.00018104997,0.851645],"genre_scores_gemma":[0.4593078,0.0045058466,0.0013023145,0.0060090106,0.00041345687,0.00004223321,0.00004355676,0.00023293185,0.52814287],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989795,0.0005303968,0.000013339541,0.00011014016,0.00017763833,0.00018895691],"domain_scores_gemma":[0.9993611,0.00021733994,0.00004060419,0.00003403327,0.00016292062,0.00018395105],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011624536,0.00038659485,0.00018058278,0.0006334574,0.012192633,0.007046359,0.00048813113,0.0014886531,0.015573137],"category_scores_gemma":[0.0016197945,0.00030685743,0.00013340385,0.00043690708,0.0075872736,0.003989928,0.0024366216,0.0035570187,0.0019046775],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008097668,0.00004835684,0.0025621322,0.00014930041,0.000008312375,0.0011538652,0.40281853,0.000118331154,0.0019869308,0.2967804,0.25138536,0.042907417],"study_design_scores_gemma":[0.0000033305698,0.000008378532,0.0012154103,0.00009384992,0.000003402721,0.00021878249,0.0446281,0.00004670563,0.00017913664,0.0018128775,0.95177794,0.000012197146],"about_ca_topic_score_codex":0.15238805,"about_ca_topic_score_gemma":0.3295548,"teacher_disagreement_score":0.15238805,"about_ca_system_score_codex":0.008355565,"about_ca_system_score_gemma":0.002738094,"threshold_uncertainty_score":0.30300206},"labels":[],"label_agreement":null},{"id":"W2606784375","doi":"10.17583/brac.2016.1761","title":"Jeff Wall, Pintor de la Vida Posmoderna","year":2016,"lang":"es","type":"article","venue":"Barcelona Investigación Arte Creación","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.022578309917594134,"score_gpt":0.2699113132270798,"score_spread":0.24733300330948566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606784375","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026532553,0.092439264,0.0025484345,0.07919601,0.010496,0.000043842174,0.00023384555,0.00017886404,0.78833115],"genre_scores_gemma":[0.14313143,0.023268577,0.00081722107,0.00818144,0.00070102804,0.0000361975,0.000074493146,0.00014502314,0.8236445],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995123,0.00013257128,0.000011745628,0.00007910683,0.00017157389,0.000092687806],"domain_scores_gemma":[0.9994803,0.00014779149,0.00003423131,0.00003038461,0.00014634366,0.00016107954],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007015574,0.0005711333,0.00026959737,0.00092671055,0.01183524,0.006246496,0.0005971427,0.0015270639,0.015789274],"category_scores_gemma":[0.0019758043,0.00029174308,0.000101858896,0.0011143936,0.005816079,0.0027206023,0.001986419,0.0031739362,0.003321659],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050521026,0.000021143873,0.001841992,0.00015356895,0.000008643318,0.000569286,0.07521124,0.000064998465,0.00052302476,0.13911174,0.6875508,0.09489297],"study_design_scores_gemma":[8.7916897e-7,0.000003727362,0.0008747077,0.00010335883,0.0000013071389,0.00011416485,0.008468863,0.000011158709,0.00008966954,0.0016362448,0.9886905,0.0000053054055],"about_ca_topic_score_codex":0.1211369,"about_ca_topic_score_gemma":0.35976142,"teacher_disagreement_score":0.1211369,"about_ca_system_score_codex":0.005181389,"about_ca_system_score_gemma":0.0047423565,"threshold_uncertainty_score":0.24086362},"labels":[],"label_agreement":null},{"id":"W2611226863","doi":"10.29173/bsuj398","title":"An Exploration of Jaume Plensa's 'Wonderland'","year":2017,"lang":"en","type":"article","venue":"Behavioural Sciences Undergraduate Journal","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; Meaning (existential); Value (mathematics); Aesthetics; Art; Visual arts; Perception; Art history; Sociology; Psychology; Computer science; Psychotherapist","score_opus":0.27916122720062864,"score_gpt":0.3738814046234056,"score_spread":0.09472017742277694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2611226863","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19773597,0.012314836,0.003981124,0.04701592,0.002170848,0.00006726738,0.0001703239,0.00014970747,0.736394],"genre_scores_gemma":[0.84902275,0.004323149,0.0028781635,0.005377727,0.00045081656,0.000039831804,0.00006728906,0.000392935,0.13744736],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9991351,0.000525173,0.0000083864625,0.00007603003,0.000121313526,0.00013409588],"domain_scores_gemma":[0.99943703,0.0003282188,0.000030097097,0.00003597571,0.00005169073,0.00011693384],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010282574,0.0004649781,0.00028998192,0.00096965407,0.010577233,0.005874181,0.000802989,0.0018024276,0.007387676],"category_scores_gemma":[0.0015716659,0.00025238155,0.00040784906,0.0006362091,0.010508782,0.0029184406,0.0042860564,0.0032376014,0.0006556929],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000928125,0.0000668214,0.0010388319,0.00024604256,0.000015231398,0.0035177348,0.735518,0.00016796526,0.0019253999,0.1589396,0.07564813,0.02282359],"study_design_scores_gemma":[0.0000065049335,0.000026878684,0.0015170216,0.0003210477,0.0000061342803,0.0013243464,0.24049915,0.00009886442,0.00034869643,0.0056433715,0.7501947,0.000013285017],"about_ca_topic_score_codex":0.017783621,"about_ca_topic_score_gemma":0.074002035,"teacher_disagreement_score":0.017783621,"about_ca_system_score_codex":0.0037134998,"about_ca_system_score_gemma":0.0016454259,"threshold_uncertainty_score":0.035360217},"labels":[],"label_agreement":null},{"id":"W2620276758","doi":"","title":"Joan Fontcuberta : problématiques discursives de la post-photographie / Joan Fontcuberta: Discursive Issues of Post-photography","year":2015,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Art; Art history; Humanities; Visual arts","score_opus":0.02190791154908318,"score_gpt":0.2761214449950115,"score_spread":0.25421353344592834,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2620276758","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0035668933,0.12048756,0.0013000962,0.76222545,0.011151401,0.000016844127,0.00008911895,0.00003555711,0.10112713],"genre_scores_gemma":[0.35293195,0.16691807,0.0050613023,0.18120295,0.04716231,0.00024487058,0.00016530536,0.00056554953,0.24574766],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9913396,0.0047988566,0.0003433384,0.00076270074,0.0020410172,0.0007144382],"domain_scores_gemma":[0.9802628,0.0126415575,0.0013985664,0.0009292525,0.0038682187,0.0008996022],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008958079,0.0006183119,0.00080009503,0.00250146,0.011254871,0.017138442,0.0023232873,0.016800016,0.015565845],"category_scores_gemma":[0.03754521,0.00044694825,0.0005028922,0.0034024313,0.018382806,0.019073565,0.005656515,0.011926586,0.0031803572],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025395539,0.000028684823,0.00025192922,0.000211238,0.000007744345,0.00023211376,0.0151255205,0.000061069055,0.000078130346,0.5250524,0.43936843,0.019557398],"study_design_scores_gemma":[0.000008594816,0.0000044090475,0.00063752104,0.0004739346,0.000005501002,0.00035859772,0.01178197,0.00007347516,0.00019862242,0.04844652,0.93798184,0.000029041244],"about_ca_topic_score_codex":0.03612937,"about_ca_topic_score_gemma":0.029970234,"teacher_disagreement_score":0.03612937,"about_ca_system_score_codex":0.007992447,"about_ca_system_score_gemma":0.0064495234,"threshold_uncertainty_score":0.07183814},"labels":[],"label_agreement":null},{"id":"W2625806204","doi":"10.14483/21450706.11903","title":"Curar saberes difíciles. arte y curaduría en contextos violentos: el caso Ayotzinapa","year":2017,"lang":"es","type":"article","venue":"Calle 14 revista de investigación en el campo del arte","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Humanities; Art","score_opus":0.036485016716678684,"score_gpt":0.31769295191714353,"score_spread":0.28120793520046483,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2625806204","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.668591,0.021863453,0.004191803,0.06098738,0.0007830998,0.00010756589,0.00026608512,0.000074725394,0.24313487],"genre_scores_gemma":[0.9821103,0.003162201,0.0005287585,0.0013176735,0.00006753248,0.000048955106,0.000031557764,0.000031582782,0.012701386],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99775237,0.0011292797,0.00004949926,0.00030430782,0.00029401793,0.0004705114],"domain_scores_gemma":[0.9973449,0.0011920034,0.000497444,0.00022230638,0.00033704648,0.00040625146],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022435843,0.0003305171,0.00037527864,0.0018109572,0.016816627,0.008680708,0.00089443836,0.0019147961,0.0051703695],"category_scores_gemma":[0.004175361,0.0002629303,0.0002227625,0.0023080364,0.02626636,0.0038957181,0.0071748807,0.0037801797,0.00023559609],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054594155,0.000024397443,0.013633865,0.00027976354,0.00001513302,0.00093012303,0.7923566,0.00008721226,0.0004556947,0.15382367,0.009214491,0.029124493],"study_design_scores_gemma":[0.000007239229,0.000028536322,0.041500498,0.0008517305,0.000020995203,0.00041543535,0.60251975,0.00009053305,0.00025631554,0.008228786,0.34605634,0.000023790273],"about_ca_topic_score_codex":0.15380332,"about_ca_topic_score_gemma":0.26034638,"teacher_disagreement_score":0.15380332,"about_ca_system_score_codex":0.014243278,"about_ca_system_score_gemma":0.008089202,"threshold_uncertainty_score":0.30581617},"labels":[],"label_agreement":null},{"id":"W26384646","doi":"10.1186/s12958-015-0105-1","title":"Haunted. Fotografía, vídeo y performance contemporáneos","year":2011,"lang":"en","type":"article","venue":"Artecontexto: arte, cultura, nuevos medios = art, culture, new media","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Art; Humanities","score_opus":0.08876635928756824,"score_gpt":0.24253641733099776,"score_spread":0.15377005804342952,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W26384646","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17516823,0.003187924,0.0028549535,0.004504833,0.0032018728,0.00012428933,0.003919903,0.000712289,0.80632573],"genre_scores_gemma":[0.48343024,0.00448285,0.0071504167,0.00079171,0.001295911,0.00018915927,0.0032466361,0.0003302481,0.49908277],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.999777,0.000044569228,0.000006018309,0.000040378844,0.00006458307,0.00006750328],"domain_scores_gemma":[0.9996045,0.00008743501,0.000051458806,0.00004749218,0.00006850376,0.00014056674],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00037040655,0.000527798,0.00021077973,0.0009734501,0.0017679831,0.0009253351,0.00038109603,0.00054921815,0.14237183],"category_scores_gemma":[0.0011273533,0.00006939182,0.00028764718,0.0007075482,0.0006790351,0.00064445107,0.0012380802,0.0008101792,0.014026538],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001852055,0.00071414455,0.027087636,0.0009192931,0.00006163528,0.0022737985,0.009091669,0.0007042374,0.014150039,0.040096156,0.15472746,0.74832195],"study_design_scores_gemma":[0.000046874702,0.0002815834,0.05362186,0.00029073554,0.000025649919,0.0010618387,0.004596914,0.00030663516,0.0024595747,0.0018911605,0.9353853,0.000031972508],"about_ca_topic_score_codex":0.022521725,"about_ca_topic_score_gemma":0.04979958,"teacher_disagreement_score":0.14237183,"about_ca_system_score_codex":0.0009358614,"about_ca_system_score_gemma":0.0009239942,"threshold_uncertainty_score":0.47628123},"labels":[],"label_agreement":null},{"id":"W2658992899","doi":"10.4000/books.pufr.6340","title":"Texto e imagen en el discurso museográfico (La exposición Lam métis)","year":2007,"lang":"fr","type":"book-chapter","venue":"Presses universitaires François-Rabelais eBooks","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.03294483974233836,"score_gpt":0.2719972085161931,"score_spread":0.23905236877385472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2658992899","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010233939,0.051422644,0.0023229676,0.009648661,0.0013860097,0.000029227185,0.000105659245,0.00006175876,0.92478913],"genre_scores_gemma":[0.36442673,0.034819264,0.002687359,0.003187426,0.0030885488,0.00010833853,0.00013594775,0.00017790719,0.5913685],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928254,0.00037201244,0.000017430528,0.000089174144,0.00016257678,0.00007627876],"domain_scores_gemma":[0.99965453,0.00017303524,0.000035894496,0.000040843654,0.000053715885,0.00004201313],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006546227,0.00051094854,0.00022844938,0.0014433461,0.003123699,0.0066835405,0.0005168715,0.0013316701,0.01157977],"category_scores_gemma":[0.001384254,0.00016358134,0.00020041036,0.0014164068,0.011135541,0.0033501019,0.0022318093,0.001648188,0.0021751442],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003917654,0.000022056905,0.0007866261,0.00031616443,0.000007068937,0.00045857593,0.047098093,0.00010910523,0.0009910379,0.7809785,0.1062666,0.06292696],"study_design_scores_gemma":[0.000004645742,0.00001589369,0.0017132281,0.0005769047,0.0000048419047,0.0005330039,0.011880732,0.000058825135,0.00031327052,0.027842956,0.9570472,0.000008436134],"about_ca_topic_score_codex":0.010406084,"about_ca_topic_score_gemma":0.017963989,"teacher_disagreement_score":0.01157977,"about_ca_system_score_codex":0.0036546548,"about_ca_system_score_gemma":0.0016158951,"threshold_uncertainty_score":0.03873825},"labels":[],"label_agreement":null},{"id":"W2740604048","doi":"","title":"Guido Guidi, Carlo Scarpa's Tomba Brion: Photographs by Guido Guidi, 1997–2007 CCA, Montreal, September 11, 2009, to January 10, 2010","year":2010,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; History; Art history; Humanities; Geography; Cartography","score_opus":0.007863273013053056,"score_gpt":0.18043485948962848,"score_spread":0.17257158647657542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2740604048","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003715149,0.1111046,0.0015177646,0.11158379,0.039913457,0.00018842082,0.0042142402,0.00077692943,0.72698563],"genre_scores_gemma":[0.019176045,0.02995612,0.0014141757,0.004440835,0.003873844,0.000059926668,0.00087936176,0.0005380464,0.93966156],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995895,0.00005817822,0.000008847204,0.000085229694,0.00016577543,0.00009254975],"domain_scores_gemma":[0.9995024,0.000058060585,0.000032277236,0.00004336027,0.00026408624,0.000099803154],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006422514,0.0013188714,0.00030850418,0.0028865517,0.004422187,0.002631649,0.00087618787,0.0013614739,0.067889996],"category_scores_gemma":[0.0013460296,0.00052476866,0.0004140737,0.00248591,0.0015753852,0.0015074235,0.0016835901,0.0023428684,0.02517612],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003855097,0.0000012286756,0.00006145168,0.000018042829,7.612268e-7,0.00002445328,0.00015609845,0.000010622482,0.000045508543,0.0008641166,0.9942978,0.00451612],"study_design_scores_gemma":[8.806324e-7,7.075796e-7,0.00059577904,0.00002621963,9.827171e-7,0.000033437245,0.00018164916,0.000006249948,0.000042267427,0.00009024149,0.9990196,0.0000018814309],"about_ca_topic_score_codex":0.37352845,"about_ca_topic_score_gemma":0.64742225,"teacher_disagreement_score":0.6264715,"about_ca_system_score_codex":0.0065772193,"about_ca_system_score_gemma":0.003941427,"threshold_uncertainty_score":0.74270856},"labels":[],"label_agreement":null},{"id":"W2761176390","doi":"","title":"Textual Exposures: Photography in Twentieth Century Latin American Narrative Fiction","year":2015,"lang":"en","type":"book","venue":"","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Cover (algebra); Narrative; Context (archaeology); Permission; Photography; Visual arts; Art; Cover story; Art history; History; Literature; Engineering; Archaeology; Law; Political science","score_opus":0.035555071502622534,"score_gpt":0.2608909199693281,"score_spread":0.22533584846670557,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2761176390","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013773271,0.014742247,0.0006078892,0.0070187794,0.0010046754,0.000019381605,0.00014497814,0.000059673763,0.9626291],"genre_scores_gemma":[0.3652316,0.028990652,0.0018106389,0.0033884612,0.0012375247,0.00004785834,0.00036013007,0.00021921794,0.59871393],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99987495,0.000055605044,0.0000044134167,0.00001454309,0.00003630501,0.000014130128],"domain_scores_gemma":[0.9998078,0.00010470281,0.00001857768,0.00002051858,0.000031733893,0.000016684291],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026519338,0.00025640873,0.000090503294,0.0012357044,0.0027362301,0.0028290881,0.00029169608,0.00056516443,0.0202576],"category_scores_gemma":[0.000877304,0.00009130461,0.00010201209,0.0012651321,0.0029270756,0.0013934525,0.0010579968,0.00080539566,0.001986765],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000496028,0.000041164658,0.0010006209,0.0007092674,0.000009696796,0.0014554457,0.13333377,0.00019428357,0.001852136,0.43239054,0.32424882,0.1047146],"study_design_scores_gemma":[0.0000018844396,0.0000045912507,0.0013423009,0.00043561737,0.0000034128716,0.00033028898,0.013604972,0.000038957878,0.00028568038,0.0027326837,0.9812167,0.0000028578388],"about_ca_topic_score_codex":0.01485304,"about_ca_topic_score_gemma":0.04426372,"teacher_disagreement_score":0.0202576,"about_ca_system_score_codex":0.0027420812,"about_ca_system_score_gemma":0.00068285357,"threshold_uncertainty_score":0.067768395},"labels":[],"label_agreement":null},{"id":"W2764068163","doi":"10.4000/artelogie.1057","title":"Photographie contemporaine en Amérique latine","year":2015,"lang":"fr","type":"article","venue":"Artelogie","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.10386337674106218,"score_gpt":0.29890687066626825,"score_spread":0.1950434939252061,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2764068163","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.111654565,0.023986962,0.0010187259,0.0076628216,0.00082943554,0.000026789165,0.00062854605,0.00006085721,0.8541313],"genre_scores_gemma":[0.76131237,0.023180636,0.0019301709,0.0013872918,0.00044744826,0.00005095731,0.00049789116,0.0001097188,0.21108353],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99977404,0.00006378374,0.000007975694,0.000047208723,0.00005759304,0.000049443235],"domain_scores_gemma":[0.9996145,0.00013334081,0.00004920754,0.000038355236,0.00013153949,0.000033010398],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004990634,0.00025980693,0.00014370302,0.0018009173,0.0033024962,0.0023520621,0.0001904402,0.0004374151,0.022746665],"category_scores_gemma":[0.0011673855,0.000111248606,0.0001430502,0.0034873676,0.0025395283,0.0013903414,0.0012131816,0.0011463261,0.00083727704],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032472287,0.00006588117,0.015219289,0.0008647306,0.000037046182,0.0021243372,0.19704609,0.0003765501,0.00718312,0.45225745,0.07995473,0.244546],"study_design_scores_gemma":[0.000009189007,0.000012997316,0.02078232,0.00032604946,0.0000077635605,0.00059362926,0.022209497,0.000040596766,0.00031570438,0.0023347281,0.95335716,0.000010365161],"about_ca_topic_score_codex":0.32836643,"about_ca_topic_score_gemma":0.42530286,"teacher_disagreement_score":0.32836643,"about_ca_system_score_codex":0.0063542062,"about_ca_system_score_gemma":0.0030900517,"threshold_uncertainty_score":0.65291023},"labels":[],"label_agreement":null},{"id":"W2771698729","doi":"10.18192/rceh.v41i2.2154","title":"MARÍA SOLEDAD FERNÁNDEZ UTRERA. Buñuel en Toledo: arte público, acción cultural y vanguardia. Woodbridge: Tamesis, 2016. 166 pp.","year":2017,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Art; Humanities; Fern; Geography; Botany; Biology","score_opus":0.02280956502347146,"score_gpt":0.2782990295042591,"score_spread":0.25548946448078763,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2771698729","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012647698,0.89613426,0.00070777937,0.033595175,0.01501647,0.000012672267,0.0003917607,0.00015423266,0.0527229],"genre_scores_gemma":[0.036578353,0.6909744,0.0010961395,0.0048175645,0.011751611,0.000048159363,0.00045483472,0.00036169676,0.25391716],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995345,0.00014020159,0.000030081894,0.00007814699,0.00016264632,0.00005445912],"domain_scores_gemma":[0.99893445,0.0005212494,0.000089117326,0.00006637642,0.0002902409,0.00009867485],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013726818,0.0014135649,0.0008564036,0.003482428,0.0019324061,0.0043859063,0.0013315945,0.0017973729,0.056772023],"category_scores_gemma":[0.0025393784,0.0007226866,0.00042942722,0.0039135055,0.00175871,0.0050455406,0.0021993888,0.0021201335,0.01686001],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007043721,0.00003384762,0.00069248,0.00092276087,0.000013371497,0.0001329668,0.004139165,0.000094097326,0.00019736226,0.016745206,0.8311604,0.14579783],"study_design_scores_gemma":[0.0000042120937,0.000006124359,0.0012997049,0.001116309,0.0000067617884,0.00017698546,0.0025166727,0.000028829545,0.00012516727,0.001982369,0.99273044,0.0000063659036],"about_ca_topic_score_codex":0.030516721,"about_ca_topic_score_gemma":0.051244143,"teacher_disagreement_score":0.056772023,"about_ca_system_score_codex":0.002460604,"about_ca_system_score_gemma":0.0021300297,"threshold_uncertainty_score":0.18992132},"labels":[],"label_agreement":null},{"id":"W2774721697","doi":"10.18272/posts.v3i1.1006","title":"Colaboración, medios, praxis: Proyecto Identidades Hápticas/Visuales","year":2018,"lang":"es","type":"article","venue":"post(s)","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Humanities; Art","score_opus":0.026229630253319404,"score_gpt":0.3150205345687725,"score_spread":0.28879090431545307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2774721697","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15835302,0.008057125,0.017752375,0.022863738,0.0006613344,0.00008276678,0.000073712865,0.00018342958,0.79197246],"genre_scores_gemma":[0.947931,0.0019530129,0.0035346285,0.001150257,0.00013345358,0.00006871547,0.000029502484,0.00006922265,0.04513023],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99304855,0.0040216236,0.0001222673,0.00064776716,0.0014132833,0.0007465599],"domain_scores_gemma":[0.9948102,0.0022852945,0.0007545447,0.00045780535,0.00056819845,0.0011238758],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038178202,0.00067655265,0.00037088603,0.0016280914,0.0077359555,0.017113896,0.0009902153,0.0023334224,0.013378851],"category_scores_gemma":[0.0068581635,0.00035027543,0.0003819868,0.0014858724,0.028270002,0.008341496,0.011690585,0.004130844,0.0016649163],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010650139,0.00007296678,0.0044688,0.0002939053,0.000017703436,0.00059924775,0.32339993,0.00019962082,0.0015377501,0.6156004,0.0066822465,0.047020935],"study_design_scores_gemma":[0.00004979132,0.0001933369,0.011108829,0.0009522986,0.000035604386,0.0016421918,0.3382294,0.000749348,0.0012892422,0.16205253,0.4836022,0.00009525093],"about_ca_topic_score_codex":0.008005842,"about_ca_topic_score_gemma":0.0067460057,"teacher_disagreement_score":0.017113896,"about_ca_system_score_codex":0.0049224384,"about_ca_system_score_gemma":0.00590385,"threshold_uncertainty_score":0.04475677},"labels":[],"label_agreement":null},{"id":"W2801928332","doi":"","title":"Guernica a play part 1","year":2016,"lang":"en","type":"article","venue":"other","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"PICASSO; Studio; Art; Visual arts; Character (mathematics); Art history; Painting","score_opus":0.050269381546132585,"score_gpt":0.24711597675146044,"score_spread":0.19684659520532785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2801928332","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017439136,0.0067161373,0.00043910622,0.002695033,0.0026258968,0.00012209482,0.0013216191,0.0004490189,0.9681921],"genre_scores_gemma":[0.11032549,0.0026343327,0.0012732807,0.001066327,0.0003879774,0.00015406485,0.0016578024,0.0003535446,0.88214713],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99947804,0.00008119585,0.000013117976,0.00012267027,0.00011092095,0.00019402991],"domain_scores_gemma":[0.9997085,0.000021790069,0.000016527678,0.000024961168,0.00008452303,0.00014368613],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048926397,0.0009899838,0.00045242926,0.0010652265,0.0069695488,0.0029792434,0.0008225129,0.0012750123,0.13988233],"category_scores_gemma":[0.00082841853,0.0002617722,0.00026076086,0.0007708295,0.0013899211,0.0008995857,0.003088962,0.0015337784,0.020173373],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006892629,0.00014697608,0.002765138,0.00065774185,0.000015902233,0.0025799621,0.013326312,0.0001442499,0.0033656654,0.049173247,0.82169193,0.105443545],"study_design_scores_gemma":[0.000007788082,0.000016474009,0.0028102,0.00017590587,0.0000028504103,0.00019137518,0.0021151698,0.000015086178,0.00014264474,0.00021692514,0.9942988,0.0000066939783],"about_ca_topic_score_codex":0.15162453,"about_ca_topic_score_gemma":0.30761716,"teacher_disagreement_score":0.15162453,"about_ca_system_score_codex":0.003534675,"about_ca_system_score_gemma":0.0021789363,"threshold_uncertainty_score":0.46795303},"labels":[],"label_agreement":null},{"id":"W2803888213","doi":"","title":"Un art public inostensible / Inconspicuous Public Art","year":2003,"lang":"en","type":"article","venue":"Espace Sculpture","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Public art; Aesthetics; Art; History; Visual arts; Political science","score_opus":0.03221037936121075,"score_gpt":0.22486942309312613,"score_spread":0.1926590437319154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2803888213","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008947583,0.0041552642,0.0035908455,0.016229235,0.0026769035,0.000015392297,0.000109642286,0.00032687193,0.9639483],"genre_scores_gemma":[0.3759153,0.0041701486,0.0031050204,0.0054374,0.0041029346,0.00005411132,0.00023539341,0.00079095794,0.60618865],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99611557,0.0012126695,0.00009575292,0.00037584722,0.0015063287,0.00069387135],"domain_scores_gemma":[0.9972874,0.00061583077,0.00024935475,0.0010227445,0.0004794924,0.00034529247],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003036465,0.0008604336,0.0006129923,0.0026173424,0.00829114,0.019388853,0.0009230166,0.0039249593,0.05891161],"category_scores_gemma":[0.006936812,0.0005146933,0.00051712285,0.0020599284,0.010357662,0.011573511,0.00855789,0.007118351,0.011359272],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000096011805,0.000072879106,0.00040265653,0.0000911028,0.000009351078,0.00025994857,0.002388493,0.0002769324,0.0006617493,0.838816,0.0858718,0.071053036],"study_design_scores_gemma":[0.000011712134,0.00001418342,0.0006248164,0.0001786866,0.000007518769,0.00032527166,0.0022460818,0.00025076396,0.0004971217,0.054799423,0.94103163,0.00001283803],"about_ca_topic_score_codex":0.006377881,"about_ca_topic_score_gemma":0.00791363,"teacher_disagreement_score":0.05891161,"about_ca_system_score_codex":0.004482895,"about_ca_system_score_gemma":0.0027328413,"threshold_uncertainty_score":0.19707894},"labels":[],"label_agreement":null},{"id":"W28493479","doi":"10.1002/ejp.1023","title":"Fotografía e identidad familiar en la migración masiva a la Argentina","year":2004,"lang":"en","type":"article","venue":"Historia social","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Canadian Institutes of Health Research","keywords":"Humanities; Art","score_opus":0.01691599116695502,"score_gpt":0.24912375696350753,"score_spread":0.2322077657965525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W28493479","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9960861,0.0006650625,0.000037678336,0.00021680274,0.000013328841,0.000004670451,0.000059759197,0.0000024392182,0.002914023],"genre_scores_gemma":[0.9977228,0.000613351,0.000061757935,0.000025413565,0.000017195318,0.000004537252,0.00004723176,0.0000012028681,0.0015065135],"study_design_codex":"observational","study_design_gemma":"qualitative","domain_scores_codex":[0.99985135,0.00004059007,0.000008289646,0.000019245736,0.000025809304,0.00005462616],"domain_scores_gemma":[0.9995389,0.000087063825,0.00019432024,0.000022761567,0.000078437784,0.00007853299],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040175667,0.00013686788,0.00019704312,0.0004200954,0.00072171236,0.00048049068,0.0001771293,0.00026005102,0.0038629966],"category_scores_gemma":[0.0012367965,0.00007512653,0.00012899125,0.00037717362,0.00051177986,0.00028941128,0.00041341953,0.00034744202,0.00022154477],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030025505,0.00021263411,0.9564213,0.000116414696,0.00002247519,0.0010683731,0.012660055,0.000072190734,0.00076168415,0.00069743686,0.0008218167,0.026845368],"study_design_scores_gemma":[0.000012774763,0.00016294053,0.98316306,0.00008454283,0.000015362675,0.0005396052,0.009894348,0.00011933974,0.000065535816,0.00011359688,0.0058234176,0.000005472864],"about_ca_topic_score_codex":0.098326914,"about_ca_topic_score_gemma":0.15211502,"teacher_disagreement_score":0.098326914,"about_ca_system_score_codex":0.0007832786,"about_ca_system_score_gemma":0.0005148094,"threshold_uncertainty_score":0.1955092},"labels":[],"label_agreement":null},{"id":"W2889386662","doi":"10.7202/1049951ar","title":"Thinking Intermediality in Mexico through Artistic Input","year":2018,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Discipline; Art; Aesthetics; Sociology; Visual arts; Art history; Social science","score_opus":0.055474127019739444,"score_gpt":0.32185689760339414,"score_spread":0.26638277058365467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2889386662","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29484484,0.0051585548,0.01711931,0.020931259,0.00031190793,0.000072448565,0.00013851486,0.00014058496,0.66128254],"genre_scores_gemma":[0.9843337,0.0012792621,0.0027451222,0.00032014938,0.000078358324,0.000056195066,0.000048585585,0.000045140398,0.011093497],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99840564,0.00086917076,0.000037116544,0.00024398485,0.00018590051,0.0002581608],"domain_scores_gemma":[0.998635,0.00078104745,0.0001947026,0.0001872201,0.00012253817,0.0000794905],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0041513364,0.00055995747,0.00040422377,0.0025045136,0.009347996,0.011970123,0.0012431169,0.0014999163,0.009484741],"category_scores_gemma":[0.003770798,0.00036481657,0.0003434573,0.0019980634,0.018711464,0.009555012,0.009219108,0.003065908,0.0002364014],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057982394,0.000029835366,0.0020386353,0.000101453064,0.00001270831,0.00043923772,0.13097563,0.00026966236,0.00026210555,0.8474556,0.0020043063,0.016352776],"study_design_scores_gemma":[0.00006519678,0.000059604343,0.008327388,0.0013078168,0.00008716243,0.00048615257,0.3344934,0.0016872484,0.0007423663,0.31587982,0.3368218,0.00004203487],"about_ca_topic_score_codex":0.010690419,"about_ca_topic_score_gemma":0.019988153,"teacher_disagreement_score":0.011970123,"about_ca_system_score_codex":0.008626478,"about_ca_system_score_gemma":0.00289566,"threshold_uncertainty_score":0.062589765},"labels":[],"label_agreement":null},{"id":"W2906159292","doi":"10.7202/1054380ar","title":"International Contemporaneity and the Third Havana Bienal (1989)","year":2018,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.02553535305832523,"score_gpt":0.2345127838205154,"score_spread":0.20897743076219016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2906159292","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15653548,0.016432244,0.0010634569,0.008237665,0.000661057,0.000031020532,0.000039753355,0.000017682047,0.81698155],"genre_scores_gemma":[0.8792137,0.0024537963,0.00038229136,0.0006047073,0.00007106263,0.000028774393,0.00002716071,0.000025521455,0.117193006],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993325,0.00021594513,0.000017945598,0.000084994164,0.00006228449,0.00028620224],"domain_scores_gemma":[0.99965656,0.00009168071,0.00005214984,0.00003613816,0.000070553615,0.00009289385],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010228758,0.00033607887,0.00020220403,0.0014651533,0.012980065,0.0076778177,0.0003665948,0.00087932544,0.006800842],"category_scores_gemma":[0.0011777417,0.0002215617,0.00019502518,0.0012906601,0.0063046515,0.0024809546,0.0038429964,0.0027539586,0.0004630057],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043500208,0.000020587311,0.0028361655,0.00006454408,0.000005383233,0.00034234265,0.12782174,0.00004843108,0.000289133,0.84260404,0.0063751955,0.019548958],"study_design_scores_gemma":[0.000011079101,0.000033991037,0.008668696,0.0005513488,0.000014348596,0.00047075175,0.10220865,0.00007774448,0.00076455966,0.026641123,0.8605351,0.000022573338],"about_ca_topic_score_codex":0.08404731,"about_ca_topic_score_gemma":0.17826962,"teacher_disagreement_score":0.08404731,"about_ca_system_score_codex":0.0065092472,"about_ca_system_score_gemma":0.0037240698,"threshold_uncertainty_score":0.16711622},"labels":[],"label_agreement":null},{"id":"W2917671514","doi":"","title":"México: todo un Museo de Política de Drogas","year":2018,"lang":"en","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Drama; Drug trafficking; Political science; Public policy; Art; Sociology; History; Law; Visual arts; Criminology","score_opus":0.017157769066361624,"score_gpt":0.2574128430467407,"score_spread":0.2402550739803791,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2917671514","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14003952,0.04882162,0.0012783358,0.0635158,0.0033580046,0.00008210937,0.0022879061,0.00037546354,0.7402411],"genre_scores_gemma":[0.6996422,0.032466393,0.0027805087,0.0033819482,0.0014201461,0.00015951693,0.0009937572,0.00025780217,0.2588978],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998728,0.00003352688,0.0000032192818,0.000019796014,0.000028261287,0.000042419797],"domain_scores_gemma":[0.99990606,0.000024282239,0.000019076697,0.000012547533,0.000012343557,0.000025638352],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034222248,0.00029515516,0.00017076902,0.000688078,0.0053605777,0.0033654624,0.00038379032,0.00088078674,0.019815873],"category_scores_gemma":[0.00062244374,0.00020508275,0.00018759484,0.0008921653,0.0021719993,0.0012437517,0.0018713946,0.0016360258,0.0006932268],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003687732,0.00009993055,0.007923881,0.00080118346,0.000035334364,0.0021245857,0.05377507,0.00041805682,0.002531447,0.24485235,0.56405824,0.12301115],"study_design_scores_gemma":[0.000009990243,0.00000824642,0.004947357,0.00017008187,0.000007971557,0.00016013866,0.0092813205,0.000026139674,0.00008701334,0.0008356859,0.984458,0.0000080273085],"about_ca_topic_score_codex":0.07092375,"about_ca_topic_score_gemma":0.1543915,"teacher_disagreement_score":0.07092375,"about_ca_system_score_codex":0.0035080477,"about_ca_system_score_gemma":0.0020099394,"threshold_uncertainty_score":0.14102185},"labels":[],"label_agreement":null},{"id":"W2936481757","doi":"10.4000/ideas.2275","title":"Modernismo, archivo y estética carcelaria: encuadres contestarios y poética discrepante desde el discurso fotográfico en México (años 1920 – años 1980)","year":2018,"lang":"es","type":"article","venue":"IdeAs","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Humanities; Art","score_opus":0.02267291878914617,"score_gpt":0.28639506810667426,"score_spread":0.2637221493175281,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2936481757","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7831691,0.014579829,0.0008464438,0.016011924,0.00017655786,0.000016916747,0.00017526174,0.000026563315,0.18499741],"genre_scores_gemma":[0.9892212,0.001767905,0.00014964966,0.00013164336,0.00007481044,0.000008717843,0.000021589507,0.000008648962,0.008615912],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99944025,0.00022227662,0.000010213234,0.00008940998,0.00005969546,0.00017816196],"domain_scores_gemma":[0.9993223,0.00025691345,0.00018561642,0.00007711183,0.00008196433,0.000076145305],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013893957,0.00016046439,0.00017220598,0.001078583,0.005556247,0.0039713266,0.00035606077,0.0006526759,0.0045988704],"category_scores_gemma":[0.0014212568,0.00012853181,0.00011474612,0.0020153115,0.012677697,0.0019585392,0.0022160902,0.0013142289,0.00012804104],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015377246,0.000041495103,0.024540473,0.0001871349,0.00001997612,0.0005860016,0.34699857,0.00021780087,0.0006084963,0.56763095,0.009311827,0.04970356],"study_design_scores_gemma":[0.000016197833,0.00007197036,0.11054666,0.00040155798,0.000025702355,0.00035974302,0.2012055,0.0001769425,0.0004929041,0.025472015,0.66119856,0.000032279233],"about_ca_topic_score_codex":0.061330978,"about_ca_topic_score_gemma":0.1124823,"teacher_disagreement_score":0.061330978,"about_ca_system_score_codex":0.009020889,"about_ca_system_score_gemma":0.0026972163,"threshold_uncertainty_score":0.121948004},"labels":[],"label_agreement":null},{"id":"W2944102614","doi":"10.1525/lavc.2019.120004","title":"Mapping the Presence of Latin American Art in Canadian Museums and Universities","year":2019,"lang":"en","type":"article","venue":"Latin American and Latinx Visual Culture","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Western University","funders":"","keywords":"Latin Americans; Humanities; Political science; Colonialism; Art; Art history; Visual arts; Law","score_opus":0.018922653836217683,"score_gpt":0.24292810057503947,"score_spread":0.22400544673882178,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2944102614","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80672044,0.008949414,0.0009958051,0.007931986,0.00016504512,0.00012757993,0.0029643087,0.000067312525,0.17207813],"genre_scores_gemma":[0.9775981,0.005137501,0.0011309268,0.00078045664,0.00003528355,0.000082153296,0.00078157464,0.00004020756,0.014413734],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99641657,0.00039657144,0.000095595235,0.00037494386,0.0013724153,0.0013438659],"domain_scores_gemma":[0.9954786,0.00071532856,0.0006055646,0.00022423206,0.002140008,0.00083636004],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024759055,0.0004220174,0.00041322372,0.008756039,0.02078545,0.009941838,0.0018315119,0.0009235858,0.0075195725],"category_scores_gemma":[0.006384747,0.0003914631,0.00038598356,0.017701807,0.007825927,0.0028570204,0.007949914,0.0013098962,0.0003157429],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028569228,0.000061943516,0.22157094,0.0009833245,0.000091913746,0.0019489657,0.5398078,0.00054639066,0.0022879874,0.046592407,0.031993102,0.1538295],"study_design_scores_gemma":[0.00000565228,0.000017938548,0.22167446,0.0007451627,0.000056130208,0.00034712674,0.5452383,0.00022378698,0.0003124151,0.00087034266,0.23043601,0.00007267884],"about_ca_topic_score_codex":0.990827,"about_ca_topic_score_gemma":0.99671555,"teacher_disagreement_score":0.083033934,"about_ca_system_score_codex":0.083033934,"about_ca_system_score_gemma":0.093212076,"threshold_uncertainty_score":0.6024562},"labels":[],"label_agreement":null},{"id":"W2946044256","doi":"10.11606/d.27.2019.tde-26042019-100510","title":"A pintura como tradução da fotografia: Affonso Taunay e o uso da obra de Militão de Azevedo para a construção de uma identidade paulista","year":2019,"lang":"pt","type":"dissertation","venue":"","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; The Imaginary; Painting; Humanities; Art history; Quarter (Canadian coin); Photography; Elite; Visual arts; Geography; Archaeology; Psychology","score_opus":0.04792931895737391,"score_gpt":0.31375831197404275,"score_spread":0.26582899301666885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2946044256","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5246789,0.009705194,0.0034421189,0.015541187,0.00025388837,0.0000513749,0.00007045244,0.000028603137,0.44622836],"genre_scores_gemma":[0.9740658,0.0016949362,0.00058275857,0.0002926119,0.00003103062,0.000014326925,0.000009947821,0.0000143763755,0.023294253],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923575,0.00033472513,0.000013193627,0.00012199195,0.00012738972,0.00016696553],"domain_scores_gemma":[0.99919254,0.00041307014,0.000116616284,0.00007531439,0.00009881845,0.00010355511],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013145918,0.00033404157,0.00022720273,0.0012188345,0.010010342,0.0058842557,0.00048101312,0.0010703865,0.004754085],"category_scores_gemma":[0.0020530343,0.00023985741,0.00016771398,0.0015404453,0.019022636,0.0025185524,0.002902109,0.0020253013,0.0002748886],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043512857,0.000012578604,0.006047212,0.0001023101,0.000005399707,0.0004954894,0.4630293,0.00011124768,0.000715407,0.493759,0.0030254016,0.032653186],"study_design_scores_gemma":[0.000013581727,0.000088370936,0.04171284,0.0006924752,0.000025580968,0.00062479783,0.3268191,0.00041540843,0.0011539977,0.042544134,0.5858744,0.000035253794],"about_ca_topic_score_codex":0.080325566,"about_ca_topic_score_gemma":0.22418892,"teacher_disagreement_score":0.080325566,"about_ca_system_score_codex":0.008610401,"about_ca_system_score_gemma":0.0052053193,"threshold_uncertainty_score":0.15971607},"labels":[],"label_agreement":null},{"id":"W2946823446","doi":"10.4000/ideas.5542","title":"Contemporary documentary photography in the Americas","year":2019,"lang":"en","type":"article","venue":"IdeAs","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bell (Canada)","funders":"","keywords":"Photography; Visual arts; Point (geometry); Art; History","score_opus":0.03412687232116425,"score_gpt":0.2693340466526326,"score_spread":0.23520717433146837,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2946823446","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037383478,0.1361464,0.0006217327,0.052204978,0.0018696333,0.000018427603,0.00031560234,0.00007268136,0.771367],"genre_scores_gemma":[0.66520923,0.13135311,0.0019660618,0.009597903,0.0029212495,0.000032944437,0.00035195128,0.00011607207,0.18845147],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99953914,0.00009723787,0.000022770042,0.00010083251,0.00015200535,0.00008803773],"domain_scores_gemma":[0.99933136,0.00017668815,0.00009555211,0.000057099714,0.00021082608,0.00012854104],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00073384977,0.00016631275,0.00014985612,0.0014886581,0.003677146,0.0042195814,0.0003930872,0.0011098213,0.019836297],"category_scores_gemma":[0.0012178128,0.00014913923,0.00010228795,0.0023723983,0.004862826,0.002026931,0.0013816607,0.0025600782,0.0013692923],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043976073,0.000051473286,0.0025987416,0.00045804176,0.000006140482,0.00041783106,0.022366056,0.00014933801,0.00082918466,0.59457433,0.20783484,0.17067006],"study_design_scores_gemma":[0.0000019315632,0.0000056707736,0.0040816395,0.00020538729,0.0000014462892,0.00012624459,0.0031325456,0.000021213275,0.00007249008,0.0029654698,0.9893813,0.0000046177033],"about_ca_topic_score_codex":0.085894406,"about_ca_topic_score_gemma":0.11605131,"teacher_disagreement_score":0.085894406,"about_ca_system_score_codex":0.008988562,"about_ca_system_score_gemma":0.003401345,"threshold_uncertainty_score":0.17078888},"labels":[],"label_agreement":null},{"id":"W2946897440","doi":"","title":"Del cuerpo en metamorfosis al cuerpo impreso","year":2019,"lang":"es","type":"article","venue":"UNIVERSITARIA","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.009917448846347396,"score_gpt":0.21538103831653282,"score_spread":0.20546358947018542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2946897440","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21448803,0.004213962,0.018445853,0.015275799,0.00083920197,0.00009245491,0.00045042875,0.0006642016,0.74553],"genre_scores_gemma":[0.85998803,0.0014242654,0.0049117315,0.0010122253,0.00012810447,0.000033572687,0.00011660939,0.00020746917,0.13217792],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998776,0.00040947815,0.000028099264,0.00019707663,0.00031929475,0.00027004263],"domain_scores_gemma":[0.99835265,0.0004322013,0.00016548632,0.000326238,0.0004857982,0.00023769202],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012575369,0.00040202294,0.00022486359,0.0015678991,0.006227221,0.006619766,0.0006030797,0.0011565699,0.023035161],"category_scores_gemma":[0.0030560046,0.0002230186,0.00023250164,0.0016489343,0.007580401,0.0032660193,0.004293764,0.0010299835,0.0016631895],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029369307,0.000059812934,0.0135566285,0.0005201043,0.00002265301,0.003284381,0.23563541,0.0006462268,0.009203427,0.47555652,0.058600225,0.20262094],"study_design_scores_gemma":[0.000014011031,0.000032781696,0.011632892,0.0004008429,0.00001903397,0.0009898199,0.08329102,0.00037615612,0.0027623416,0.010960368,0.8894875,0.00003314127],"about_ca_topic_score_codex":0.1791308,"about_ca_topic_score_gemma":0.42416948,"teacher_disagreement_score":0.1791308,"about_ca_system_score_codex":0.008180292,"about_ca_system_score_gemma":0.005767753,"threshold_uncertainty_score":0.35617626},"labels":[],"label_agreement":null},{"id":"W2947087889","doi":"10.4000/ideas.5554","title":"La fotografía documental contemporánea en las Américas","year":2019,"lang":"es","type":"article","venue":"IdeAs","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bell (Canada)","funders":"","keywords":"Art; Humanities","score_opus":0.012721826125638946,"score_gpt":0.2734571343258588,"score_spread":0.26073530820021984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2947087889","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09087845,0.023140464,0.002301695,0.012356221,0.0007375711,0.000017351345,0.00064292504,0.000118529475,0.86980677],"genre_scores_gemma":[0.82164204,0.015676456,0.0021402887,0.0011603545,0.00078518153,0.000020505384,0.00037725267,0.00012812701,0.1580698],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995303,0.00013023592,0.000016967972,0.00013732887,0.000110501656,0.000074751195],"domain_scores_gemma":[0.99900466,0.000398862,0.00013181,0.00015921975,0.00022970035,0.00007576246],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007289665,0.00023582758,0.00015810119,0.0019274408,0.0048430352,0.0048363153,0.00036040533,0.000834965,0.01753402],"category_scores_gemma":[0.0016881155,0.00013541486,0.00010792475,0.0035029175,0.0067835487,0.002367903,0.0015221904,0.0019505881,0.001158867],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006590422,0.000033338743,0.0070490907,0.00038629147,0.000013440671,0.0005156743,0.12750891,0.00015732413,0.0017178631,0.6997962,0.045780633,0.11697544],"study_design_scores_gemma":[0.000002873476,0.000011068464,0.008759322,0.00019033189,0.0000054354336,0.00030042717,0.014358006,0.000034454573,0.00035467822,0.0056565893,0.9703179,0.000008939408],"about_ca_topic_score_codex":0.060247503,"about_ca_topic_score_gemma":0.13957901,"teacher_disagreement_score":0.060247503,"about_ca_system_score_codex":0.0042404896,"about_ca_system_score_gemma":0.0026188404,"threshold_uncertainty_score":0.11979365},"labels":[],"label_agreement":null},{"id":"W2947201819","doi":"10.4000/ideas.5547","title":"A fotografia documental contemporânea nas Américas","year":2019,"lang":"ca","type":"article","venue":"IdeAs","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bell (Canada)","funders":"","keywords":"Art","score_opus":0.017445759789339904,"score_gpt":0.2615404237166989,"score_spread":0.24409466392735898,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2947201819","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07895337,0.013928795,0.0021373574,0.012041281,0.000826081,0.000022637696,0.00062063645,0.00015762573,0.8913121],"genre_scores_gemma":[0.77739006,0.011225685,0.002516219,0.0014242759,0.00063113717,0.000027439319,0.00042620636,0.00016237171,0.20619662],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99950314,0.00014902979,0.00001942161,0.00013539378,0.000105546904,0.00008745758],"domain_scores_gemma":[0.9991141,0.00031006013,0.00010523068,0.0001734754,0.00020928858,0.00008784952],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000704736,0.00024128178,0.00015582076,0.0019516281,0.0058046863,0.005029139,0.00037940897,0.0008555688,0.018752359],"category_scores_gemma":[0.0019455539,0.00013295861,0.000119888144,0.0037009143,0.0066835345,0.0029970617,0.0017379574,0.0020217597,0.0014615963],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000646899,0.00002798089,0.004884077,0.0003171447,0.000011032761,0.0005284273,0.13284126,0.00013080885,0.0017331747,0.67373824,0.07047368,0.11524952],"study_design_scores_gemma":[0.0000019485544,0.0000073466813,0.0038635784,0.00012414467,0.000003692206,0.00023493344,0.011009251,0.000035374916,0.00028292934,0.004091609,0.980339,0.0000062461586],"about_ca_topic_score_codex":0.052988913,"about_ca_topic_score_gemma":0.12629616,"teacher_disagreement_score":0.052988913,"about_ca_system_score_codex":0.004959256,"about_ca_system_score_gemma":0.0029194148,"threshold_uncertainty_score":0.105360985},"labels":[],"label_agreement":null},{"id":"W2966370525","doi":"10.57087/verbeia.2018.4048","title":"El punto del vista del ‘otro’ en la obra de Gertrude Stein The Autobiography of Alice Toklas","year":2018,"lang":"es","type":"article","venue":"Verbeia.","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Art; Biography; Alice (programming language); Humanities; Art history","score_opus":0.014578151514092613,"score_gpt":0.2733692677562293,"score_spread":0.2587911162421367,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2966370525","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2543077,0.016479643,0.011123633,0.03987777,0.004340448,0.00004374655,0.00009860402,0.00026958497,0.6734589],"genre_scores_gemma":[0.7565642,0.004114937,0.0015908842,0.0016093176,0.00037034624,0.000015593758,0.000023125182,0.00018829756,0.23552331],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932027,0.000289821,0.000017018365,0.00009507638,0.00017632479,0.00010152536],"domain_scores_gemma":[0.9994784,0.00019198886,0.000060249895,0.00006067787,0.00012679842,0.000081930244],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000825831,0.0004899587,0.00015862941,0.0008427941,0.004590102,0.0034579919,0.0002803625,0.0009538707,0.0071769836],"category_scores_gemma":[0.0021786636,0.0002222311,0.00013445834,0.00059653656,0.010843583,0.0030078785,0.0025909287,0.0016027823,0.0012981404],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012741447,0.000019684447,0.0021218478,0.0002098369,0.000009869023,0.0012905417,0.19106758,0.00043601208,0.0023533856,0.6760638,0.063753136,0.06254692],"study_design_scores_gemma":[0.0000043361924,0.000035637582,0.0020379017,0.00023299738,0.000009037357,0.0007354092,0.04157391,0.00015726875,0.0016325627,0.01665626,0.9368987,0.000025936812],"about_ca_topic_score_codex":0.011142899,"about_ca_topic_score_gemma":0.030429363,"teacher_disagreement_score":0.011142899,"about_ca_system_score_codex":0.0032465435,"about_ca_system_score_gemma":0.0018311414,"threshold_uncertainty_score":0.024009466},"labels":[],"label_agreement":null},{"id":"W2981739964","doi":"10.7202/1065159ar","title":"The Art of Painting in Colonial Bolivia / El arte de la pintura en Bolivia colonial","year":2019,"lang":"es","type":"article","venue":"Renaissance and Reformation","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Colonialism; Painting; Art; Humanities; Art history; Geography; Archaeology","score_opus":0.006973143972159383,"score_gpt":0.2549621350526886,"score_spread":0.24798899108052921,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2981739964","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35793072,0.12833233,0.0009379463,0.022701837,0.0010634164,0.00008537521,0.00034630852,0.0000752203,0.48852685],"genre_scores_gemma":[0.95366627,0.010601233,0.00041951824,0.00048893195,0.00007567892,0.000022373653,0.000035873083,0.000043740867,0.034646288],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995529,0.00016092771,0.000013608436,0.000047614034,0.000053918637,0.00017102557],"domain_scores_gemma":[0.9998789,0.000030043111,0.000028078857,0.000019681513,0.000014209156,0.000029098765],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009120175,0.0005059364,0.00028808467,0.0015786678,0.0075900992,0.005045208,0.0006114114,0.0007257706,0.008477609],"category_scores_gemma":[0.000798319,0.00032061234,0.0002372158,0.003104755,0.011889754,0.0016633294,0.005058882,0.0017257853,0.0003027707],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033113253,0.000071186885,0.009351658,0.0008093861,0.00007722814,0.0016952013,0.36416474,0.0010843107,0.0039729634,0.38270837,0.07141961,0.16431426],"study_design_scores_gemma":[0.000038243903,0.000038116097,0.05234603,0.0009996595,0.000051606792,0.00092219765,0.13228159,0.0001108706,0.0008419181,0.0049085775,0.80742526,0.00003602814],"about_ca_topic_score_codex":0.28968197,"about_ca_topic_score_gemma":0.4844549,"teacher_disagreement_score":0.28968197,"about_ca_system_score_codex":0.017680949,"about_ca_system_score_gemma":0.0029883517,"threshold_uncertainty_score":0.57599163},"labels":[],"label_agreement":null},{"id":"W2997449575","doi":"10.36677/eot.v0i10.13217","title":"Marcel Duchamp: la escritura en reversa","year":2019,"lang":"es","type":"article","venue":"˜ElœOrnitorrinco tachado","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Art","score_opus":0.011489743922886993,"score_gpt":0.26108010851663876,"score_spread":0.24959036459375178,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2997449575","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0031005307,0.07755155,0.0028777474,0.4565997,0.074732676,0.000043691703,0.00012248314,0.00035080613,0.38462076],"genre_scores_gemma":[0.05793461,0.030910358,0.002645438,0.076833755,0.02219697,0.000062961495,0.000084113715,0.00056769093,0.80876416],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971359,0.0012049732,0.00008581513,0.00038278854,0.0008738005,0.0003166809],"domain_scores_gemma":[0.9975618,0.00065123365,0.00013141807,0.00024426458,0.0010216365,0.00038965003],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025078477,0.000820417,0.00035715837,0.0009570126,0.004565806,0.005748998,0.0012499618,0.0042158663,0.032429464],"category_scores_gemma":[0.009573251,0.00025989462,0.0002936255,0.0006502725,0.00433208,0.004382973,0.0040622535,0.0067270915,0.009950948],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030675255,0.000020374599,0.00020068276,0.00010583825,0.0000053521017,0.0003507501,0.0017085329,0.000040290222,0.00019414166,0.085149094,0.8723755,0.03981879],"study_design_scores_gemma":[0.0000018027619,0.000002296824,0.00010592677,0.000084062944,0.000001568627,0.00019066127,0.0006530145,0.000024907014,0.00010988957,0.0023779718,0.99644333,0.000004627997],"about_ca_topic_score_codex":0.02185395,"about_ca_topic_score_gemma":0.030370964,"teacher_disagreement_score":0.032429464,"about_ca_system_score_codex":0.0033775368,"about_ca_system_score_gemma":0.003718038,"threshold_uncertainty_score":0.10848737},"labels":[],"label_agreement":null},{"id":"W3012030725","doi":"10.12795/pajaro_benin.2019.i5.04","title":"Los encuentros de Max Ernst, Yves Tanguy y Óscar Domínguez.","year":2019,"lang":"es","type":"article","venue":"El Pájaro de Benín","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cape Breton University","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.013411041836287496,"score_gpt":0.26614476827628003,"score_spread":0.25273372643999253,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3012030725","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02112857,0.14882953,0.007219755,0.16737935,0.014613252,0.0000494846,0.00018611249,0.00016540628,0.6404285],"genre_scores_gemma":[0.3100359,0.040512837,0.00323231,0.01382358,0.004486208,0.000078732315,0.000091087,0.00039796496,0.62734145],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985594,0.0006860906,0.00003956852,0.00024947597,0.00034500432,0.00012050001],"domain_scores_gemma":[0.9987852,0.0005837905,0.00011402371,0.00006610574,0.00023843948,0.00021239468],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015507516,0.00051820837,0.00025865738,0.0010339721,0.0038400493,0.0037617397,0.00040181988,0.0014497126,0.011474555],"category_scores_gemma":[0.0031509867,0.00023785968,0.00017163044,0.000672589,0.006131452,0.0045652534,0.0026492155,0.0028197153,0.002655035],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014557547,0.00003266578,0.0009555248,0.00024940463,0.000009252533,0.0003327403,0.02670773,0.00017962238,0.00082672015,0.5981116,0.29785118,0.07459791],"study_design_scores_gemma":[0.000003915356,0.0000097575075,0.00069299864,0.00028955948,0.0000030663098,0.00021068973,0.003569705,0.000070593895,0.0005699864,0.022845235,0.97172314,0.000011432078],"about_ca_topic_score_codex":0.0077755973,"about_ca_topic_score_gemma":0.017932354,"teacher_disagreement_score":0.011474555,"about_ca_system_score_codex":0.003101004,"about_ca_system_score_gemma":0.0020209353,"threshold_uncertainty_score":0.038386166},"labels":[],"label_agreement":null},{"id":"W3021306426","doi":"10.4000/artelogie.4872","title":"Touched Bodies: the performative turn in Latin American Art, Mara Polgovsky Ezcurra, New Brunswick, New Jersey, Rutgers University Press, 2019.","year":2020,"lang":"en","type":"article","venue":"Artelogie","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Turn (biochemistry); Performative utterance; Aesthetics; Art; Chemistry","score_opus":0.0599673752383296,"score_gpt":0.2428737768331598,"score_spread":0.1829064015948302,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3021306426","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026419442,0.7363068,0.0005125082,0.07709798,0.002345296,0.00001296404,0.00016107834,0.00004223824,0.1808792],"genre_scores_gemma":[0.11634455,0.56834704,0.0013947838,0.016254688,0.0032238143,0.000102203085,0.00025150456,0.00022067741,0.29386076],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922657,0.00035587032,0.00003363699,0.000102885606,0.00017660325,0.000104399536],"domain_scores_gemma":[0.99956256,0.00019151364,0.000053832322,0.00003314006,0.00009391443,0.00006504884],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012752825,0.0012276267,0.00038823095,0.001900903,0.0043878662,0.008354336,0.0010259574,0.0024453122,0.017459335],"category_scores_gemma":[0.0010899397,0.00051074766,0.00031360151,0.0033473247,0.009390426,0.00801403,0.0027137538,0.0035127017,0.0033764022],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000077446995,0.000054315715,0.001230608,0.0009102214,0.000014307057,0.00033630262,0.05125088,0.0001060598,0.00040133038,0.2899615,0.5095546,0.14610255],"study_design_scores_gemma":[0.000005250041,0.0000064496166,0.002739382,0.0009860966,0.0000053638455,0.00016025317,0.021325642,0.000022185797,0.00009054969,0.013185172,0.96146375,0.000009739345],"about_ca_topic_score_codex":0.07344642,"about_ca_topic_score_gemma":0.18665774,"teacher_disagreement_score":0.07344642,"about_ca_system_score_codex":0.0062753027,"about_ca_system_score_gemma":0.004891585,"threshold_uncertainty_score":0.14603782},"labels":[],"label_agreement":null},{"id":"W3041239270","doi":"10.18192/rceh.v45i2.6688","title":"Photographing Mexico’s Ultra-Wealthy: Daniela Rossell’s Ricas y Famosas","year":2023,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Subject matter; Photography; Subject (documents); Backlash; Sociology; History; Visual arts; Aesthetics; Art; Literature; Engineering; Library science; Computer science","score_opus":0.03667312312271829,"score_gpt":0.26690904285893086,"score_spread":0.23023591973621257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3041239270","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47384956,0.012709621,0.0010850553,0.10567261,0.0009277872,0.00003548765,0.00016271241,0.00004837546,0.40550876],"genre_scores_gemma":[0.95018226,0.005004103,0.00042647138,0.0025577818,0.00021551379,0.000020105408,0.000032312164,0.000027344684,0.041534122],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9996581,0.00020064336,0.000003303759,0.000034511984,0.00003249105,0.00007089089],"domain_scores_gemma":[0.99965155,0.00018555028,0.00004788546,0.000032632754,0.000036430723,0.000045905334],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009051136,0.0002123894,0.0001209782,0.000410396,0.006986833,0.0028950942,0.00037733454,0.00082488486,0.0038408355],"category_scores_gemma":[0.001423864,0.00008499191,0.00008455651,0.00047233747,0.0052804397,0.001674224,0.0016261969,0.0017549001,0.00019792888],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007995522,0.00004195893,0.003415655,0.00017384547,0.000008110175,0.0013454834,0.57064104,0.0001204784,0.0011294085,0.28726095,0.094774224,0.041008864],"study_design_scores_gemma":[0.0000058631545,0.000019576602,0.0045209443,0.00022032546,0.000007148096,0.0003614814,0.30091769,0.000064079424,0.0005404261,0.0037544786,0.68957585,0.000012157001],"about_ca_topic_score_codex":0.06289494,"about_ca_topic_score_gemma":0.12810746,"teacher_disagreement_score":0.06289494,"about_ca_system_score_codex":0.0039928756,"about_ca_system_score_gemma":0.0014243678,"threshold_uncertainty_score":0.1250577},"labels":[],"label_agreement":null},{"id":"W3042625380","doi":"","title":"El Museo Nacional a través de sus imágenes: breve apunte","year":2018,"lang":"es","type":"article","venue":"Antropología.  Revista interdisciplinaria del INAH","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Photography; Quarter (Canadian coin); Visual arts; Art; Gaze; Art history; History; Archaeology; Computer science; Artificial intelligence","score_opus":0.02536336266565412,"score_gpt":0.3312140728585798,"score_spread":0.30585071019292565,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3042625380","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06659872,0.12773705,0.0023842526,0.02793187,0.0028966363,0.000043452237,0.0009426998,0.00025516388,0.7712102],"genre_scores_gemma":[0.50472105,0.07094602,0.005160696,0.0014616247,0.0015693218,0.00017495276,0.00069696974,0.0003374558,0.41493192],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99970824,0.00009827233,0.0000066633124,0.0000575405,0.00008264887,0.000046546505],"domain_scores_gemma":[0.99981505,0.00004836495,0.000031268268,0.000029424624,0.00004298977,0.00003289075],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005966156,0.00034608215,0.0002352031,0.0012719799,0.0049160006,0.0043450114,0.00041011247,0.0007590131,0.018276295],"category_scores_gemma":[0.001174514,0.00019409152,0.000113672955,0.0016519874,0.0024538715,0.0019784577,0.0028156987,0.0017280295,0.0021584323],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018666411,0.000035615245,0.00534794,0.00048251366,0.000018885408,0.0010823508,0.073451206,0.00016365647,0.0014557817,0.30333295,0.2619508,0.35249165],"study_design_scores_gemma":[0.000001789608,0.0000031286686,0.003973315,0.00016055212,0.000002619441,0.00018368848,0.0057956544,0.000016502505,0.00009960279,0.0012720671,0.98848814,0.000002825519],"about_ca_topic_score_codex":0.046745934,"about_ca_topic_score_gemma":0.079335496,"teacher_disagreement_score":0.046745934,"about_ca_system_score_codex":0.0032284295,"about_ca_system_score_gemma":0.0013101614,"threshold_uncertainty_score":0.09294766},"labels":[],"label_agreement":null},{"id":"W3091768340","doi":"","title":"El Grange Prize de Fotografía, para Marco Antonio Cruz","year":2009,"lang":"es","type":"article","venue":"Proceso (México, D.F.)","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.035615525566208214,"score_gpt":0.30499135607228484,"score_spread":0.2693758305060766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3091768340","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008164484,0.07420343,0.0015052304,0.70918447,0.026909718,0.00002856698,0.0001552654,0.000094997326,0.1797538],"genre_scores_gemma":[0.14075956,0.037989434,0.0019151206,0.044474788,0.014567751,0.00004380664,0.00009089499,0.00020533788,0.75995326],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900085,0.00023269898,0.000024753426,0.00023669143,0.0003359796,0.00016906735],"domain_scores_gemma":[0.9987124,0.00024574847,0.00012389694,0.000070254246,0.0003780945,0.00046951344],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013788936,0.00051864324,0.00030840805,0.0007312542,0.005486162,0.0061819563,0.0006250371,0.0028829349,0.009833691],"category_scores_gemma":[0.0029297378,0.00021986195,0.00020674078,0.0007527568,0.0034200344,0.0029416378,0.0017784922,0.004641502,0.0018400407],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000062491476,0.000016561751,0.00075700734,0.00007992957,0.0000059155045,0.00013034357,0.0020415667,0.00014428406,0.00026550275,0.13176034,0.8397881,0.024948044],"study_design_scores_gemma":[0.0000021412754,0.000003839215,0.00038899772,0.000043968586,0.0000012389349,0.000041811563,0.0006021713,0.00003306646,0.00005726016,0.0019791904,0.99684155,0.0000049489195],"about_ca_topic_score_codex":0.06803094,"about_ca_topic_score_gemma":0.16343416,"teacher_disagreement_score":0.06803094,"about_ca_system_score_codex":0.007284745,"about_ca_system_score_gemma":0.006636292,"threshold_uncertainty_score":0.13526994},"labels":[],"label_agreement":null},{"id":"W3109974142","doi":"10.1386/public.26.52.23_1","title":"The spaces between: Contemporary art from Havana","year":2015,"lang":"en","type":"article","venue":"Public","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; Art; Art history","score_opus":0.24261094313423331,"score_gpt":0.28159595182104974,"score_spread":0.038985008686816425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3109974142","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23269424,0.05464935,0.0014746282,0.011944768,0.0025615876,0.000059677775,0.0003125777,0.000119781165,0.6961833],"genre_scores_gemma":[0.9301206,0.005150343,0.0005848385,0.0009522924,0.0001825476,0.000025179763,0.00010085237,0.00016751287,0.06271581],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911267,0.00028575532,0.000018605726,0.00012840706,0.00013344266,0.00032116144],"domain_scores_gemma":[0.99966586,0.00010310522,0.000030363772,0.00003349719,0.00007159539,0.00009555064],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000837269,0.000655981,0.00037197417,0.0024982411,0.02545263,0.010780051,0.000916746,0.0010165448,0.008824992],"category_scores_gemma":[0.00083185715,0.0005158596,0.00032495684,0.0020127199,0.013370305,0.0016903816,0.0042164708,0.0031727701,0.0006750009],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002532247,0.000052107716,0.0038789331,0.00061099447,0.00005024061,0.002679296,0.7222709,0.0003119027,0.001998546,0.15203063,0.06980344,0.046059784],"study_design_scores_gemma":[0.000007893806,0.000023802271,0.007424893,0.00082870404,0.000022711483,0.0012433805,0.34094957,0.00004774137,0.0003928493,0.0033898526,0.64563346,0.000035242552],"about_ca_topic_score_codex":0.5448631,"about_ca_topic_score_gemma":0.8178799,"teacher_disagreement_score":0.5448631,"about_ca_system_score_codex":0.013953073,"about_ca_system_score_gemma":0.00662362,"threshold_uncertainty_score":0.9156346},"labels":[],"label_agreement":null},{"id":"W3111776741","doi":"","title":"Teoría, metodología e intencionalidad etnomuseológicas. Revisión de dos casos: la cultura tradicional vasca y el totem de Cunshewa","year":2000,"lang":"es","type":"article","venue":"Bidebarrieta: Revista de humanidades y ciencias sociales de Bilbao","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Totem; Art; History; Archaeology","score_opus":0.05922761979381685,"score_gpt":0.3142740283506451,"score_spread":0.25504640855682825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3111776741","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6676073,0.07733681,0.012321283,0.012747459,0.0009135683,0.00060706347,0.001566016,0.0001597912,0.22674073],"genre_scores_gemma":[0.9461344,0.016929863,0.0066789296,0.0007277257,0.00010520289,0.0002847416,0.0004452857,0.000090306676,0.028603544],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965295,0.0014090644,0.00020787289,0.000441196,0.0009750382,0.0004373107],"domain_scores_gemma":[0.9966156,0.0013275602,0.00042759517,0.00034397974,0.0010661449,0.00021918441],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004316911,0.000675303,0.00060563104,0.010105725,0.006158762,0.009615214,0.00180705,0.0008750983,0.0059174662],"category_scores_gemma":[0.010744789,0.0005186017,0.00027297763,0.022187384,0.012011565,0.003569371,0.0047636568,0.0013236766,0.00035705828],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001243796,0.00004770111,0.068832405,0.0019135671,0.000048266986,0.0007951739,0.35372823,0.00039318702,0.0023742793,0.15516077,0.010021959,0.40656012],"study_design_scores_gemma":[0.000012836744,0.00005820034,0.13166048,0.0022110995,0.00009250798,0.0009659246,0.3546368,0.00057148363,0.0022833562,0.016592594,0.49080893,0.00010580977],"about_ca_topic_score_codex":0.5203494,"about_ca_topic_score_gemma":0.7331679,"teacher_disagreement_score":0.5203494,"about_ca_system_score_codex":0.02549137,"about_ca_system_score_gemma":0.02350909,"threshold_uncertainty_score":0.96495074},"labels":[],"label_agreement":null},{"id":"W31272695","doi":"10.1016/j.tree.2019.05.012","title":"Las cartas de Dalí a Picasso","year":2006,"lang":"en","type":"article","venue":"Revista de libros","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Natural Sciences and Engineering Research Council of Canada; U.S. Department of Agriculture","keywords":"Art; PICASSO; Humanities; Visual arts; Painting","score_opus":0.01656517275937046,"score_gpt":0.23186803361383565,"score_spread":0.2153028608544652,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W31272695","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0038088695,0.04856371,0.004700994,0.036556713,0.008186463,0.00007996957,0.00089540874,0.00056208204,0.89664584],"genre_scores_gemma":[0.12638338,0.04759752,0.0098264115,0.008548826,0.004006439,0.00020212735,0.0007874582,0.0007083384,0.8019396],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922955,0.00020408572,0.000028287555,0.00021057193,0.0002103008,0.000117351694],"domain_scores_gemma":[0.99933004,0.00022742245,0.00005397416,0.00010261904,0.00019674265,0.00008918468],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008710867,0.00080871675,0.0004647255,0.0027768922,0.002872898,0.0064157285,0.0008116834,0.0016757254,0.060928907],"category_scores_gemma":[0.003688757,0.0003321331,0.00050699123,0.0023285344,0.0037007753,0.00271045,0.0019958112,0.0026531224,0.015863612],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015010223,0.000027069767,0.001135234,0.0003103588,0.0000143216885,0.00027623118,0.0028582553,0.0002557712,0.00030472843,0.5179472,0.33804384,0.13867691],"study_design_scores_gemma":[0.0000039452343,0.000002677567,0.0003252732,0.000081342194,0.000002193767,0.000055690314,0.0002105185,0.000045370525,0.000066152876,0.0049477327,0.9942542,0.000005017896],"about_ca_topic_score_codex":0.03744295,"about_ca_topic_score_gemma":0.040116094,"teacher_disagreement_score":0.060928907,"about_ca_system_score_codex":0.0046131397,"about_ca_system_score_gemma":0.0022931122,"threshold_uncertainty_score":0.2038275},"labels":[],"label_agreement":null},{"id":"W3210044309","doi":"","title":"Alejandro G. Inarritu, Carne y Arena. Arsenal art contemporain (17.03.2021 — 15.08.2021) / Alejandro G. Inarritu, Carne y Arena","year":2021,"lang":"es","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.02870412251519922,"score_gpt":0.25672095123538546,"score_spread":0.22801682872018625,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3210044309","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015186747,0.095221825,0.00085239334,0.054800175,0.022275887,0.000047101494,0.0021464794,0.0009444928,0.8221929],"genre_scores_gemma":[0.01723482,0.047165003,0.0013463879,0.0034996946,0.0040119546,0.000044444405,0.0010818971,0.0009633541,0.92465246],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99962676,0.000047221263,0.00001063514,0.0000863597,0.00015509209,0.00007401016],"domain_scores_gemma":[0.9994456,0.00006795557,0.00004680662,0.0000405519,0.0002524172,0.00014663125],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006319471,0.00088992104,0.00035870957,0.0019119622,0.0024163842,0.0041621216,0.00072936155,0.0013665499,0.2731749],"category_scores_gemma":[0.0015212904,0.0003034527,0.00027010447,0.0016761451,0.00088244065,0.0023728826,0.00209178,0.0024910648,0.10165438],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004037316,0.0000098104065,0.00019321541,0.00010198082,0.000002821832,0.000048855116,0.00015968307,0.000029340097,0.000060826922,0.012779276,0.93114614,0.055427577],"study_design_scores_gemma":[0.0000013853918,0.0000012432912,0.00026932187,0.00005064314,8.411638e-7,0.00003271941,0.00009961195,0.0000076201723,0.000022126607,0.00030211243,0.99921,0.0000024291069],"about_ca_topic_score_codex":0.034176517,"about_ca_topic_score_gemma":0.06303362,"teacher_disagreement_score":0.2731749,"about_ca_system_score_codex":0.0022895085,"about_ca_system_score_gemma":0.0014082185,"threshold_uncertainty_score":0.9138611},"labels":[],"label_agreement":null},{"id":"W3212730334","doi":"10.36677/lacolmena.v0i112.14196","title":"Imagen-visualidad de la diplomacia cultural mexicana: exposición Montreal 67","year":2021,"lang":"es","type":"article","venue":"La Colmena","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.014441883920447802,"score_gpt":0.30560029107928555,"score_spread":0.29115840715883773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3212730334","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24047194,0.0036931573,0.0015366928,0.01796376,0.00045406926,0.000044885128,0.0001760741,0.000068446025,0.73559093],"genre_scores_gemma":[0.90634066,0.001440207,0.00034629804,0.0005480245,0.000060077877,0.00002523113,0.000036908295,0.000040402374,0.09116221],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99955374,0.00014468562,0.0000053143303,0.000059799677,0.00008223719,0.00015413282],"domain_scores_gemma":[0.99972886,0.00006724264,0.000034388097,0.000023263003,0.0000701746,0.00007593048],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005416266,0.0003030309,0.00016700386,0.0007488279,0.008574538,0.0053312723,0.00048280947,0.0007293292,0.012708282],"category_scores_gemma":[0.0012495534,0.00011839433,0.00015822606,0.0010901147,0.009046749,0.0014552596,0.0027751403,0.0019828414,0.00031408083],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009282201,0.000045822013,0.008235305,0.00016791778,0.000009217616,0.0009911004,0.3031338,0.00025185986,0.0013574588,0.6037436,0.039580043,0.04239099],"study_design_scores_gemma":[0.000011589064,0.000037270507,0.028275412,0.00027879456,0.000013877147,0.00024225234,0.20517588,0.00020142598,0.0006667135,0.007963346,0.7571044,0.00002904366],"about_ca_topic_score_codex":0.57718045,"about_ca_topic_score_gemma":0.7555761,"teacher_disagreement_score":0.42281955,"about_ca_system_score_codex":0.022454886,"about_ca_system_score_gemma":0.006289055,"threshold_uncertainty_score":0.85061926},"labels":[],"label_agreement":null},{"id":"W32249739","doi":"10.12927/hcq.2020.26139","title":"La fotografía como dispositivo mágico","year":2006,"lang":"en","type":"article","venue":"Artes la Revista","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.01021226346724933,"score_gpt":0.22150664749147422,"score_spread":0.2112943840242249,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W32249739","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25251493,0.04277465,0.013257142,0.13958433,0.0040829577,0.00020287052,0.0012828386,0.0010345504,0.5452658],"genre_scores_gemma":[0.8552846,0.030316554,0.015155017,0.011617378,0.0016726142,0.00007532663,0.00045280374,0.00024971378,0.08517599],"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9988424,0.0002533643,0.00006344016,0.0001293144,0.00047602065,0.00023542302],"domain_scores_gemma":[0.99782526,0.00058916246,0.00056725676,0.00032297516,0.00041793694,0.00027735368],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013762566,0.00042771993,0.00036446133,0.0014609555,0.0024738773,0.004684492,0.0009897533,0.0011104182,0.016576706],"category_scores_gemma":[0.005849309,0.00017166106,0.00035540288,0.0015773035,0.0053532375,0.002106106,0.0016464752,0.0021612984,0.0019734004],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018593422,0.00020987126,0.081672,0.00071688916,0.00006650561,0.006911359,0.013825921,0.00060644,0.0023359573,0.12073545,0.13945663,0.63327706],"study_design_scores_gemma":[0.000020337375,0.00014218081,0.053062998,0.0014075559,0.000056678397,0.012619151,0.01530147,0.00053133344,0.0014519151,0.015770517,0.89956015,0.00007567834],"about_ca_topic_score_codex":0.053198945,"about_ca_topic_score_gemma":0.084220834,"teacher_disagreement_score":0.053198945,"about_ca_system_score_codex":0.0045837313,"about_ca_system_score_gemma":0.004848305,"threshold_uncertainty_score":0.105778575},"labels":[],"label_agreement":null},{"id":"W332161159","doi":"","title":"Introduction : Arte de Québec en la Habana","year":2009,"lang":"fr","type":"article","venue":"Inter : art actuel","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.010892895337761912,"score_gpt":0.24760695903707322,"score_spread":0.2367140636993113,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W332161159","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015969936,0.05781286,0.004720047,0.013435875,0.011038835,0.00023840812,0.017461536,0.0016914207,0.8776311],"genre_scores_gemma":[0.031882323,0.009117763,0.0024523595,0.000737231,0.0004041889,0.000051880445,0.002072719,0.00039156992,0.9528899],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997459,0.0000345729,0.000009322944,0.00006100038,0.000102966376,0.00004629922],"domain_scores_gemma":[0.9997739,0.00003146966,0.000009022746,0.000021680407,0.00013520024,0.000028696793],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034366036,0.0009950299,0.0004277733,0.0022968692,0.004198476,0.003583863,0.0007053767,0.001132459,0.14953518],"category_scores_gemma":[0.00056552305,0.0003231323,0.0005709132,0.0021584127,0.0012428411,0.00080855074,0.0008051865,0.0016967538,0.012275958],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012178012,0.00004576198,0.0026548503,0.000503383,0.000031636002,0.0007904168,0.0021981373,0.00087432616,0.0018581838,0.053057134,0.7838625,0.15400186],"study_design_scores_gemma":[0.0000033124863,0.0000024763776,0.0025152075,0.00007125367,0.0000031826903,0.00006296996,0.00022107309,0.00003598461,0.00010475169,0.00024908737,0.99672455,0.00000622112],"about_ca_topic_score_codex":0.937175,"about_ca_topic_score_gemma":0.9773069,"teacher_disagreement_score":0.937175,"about_ca_system_score_codex":0.017213244,"about_ca_system_score_gemma":0.0097679505,"threshold_uncertainty_score":0.500245},"labels":[],"label_agreement":null},{"id":"W38029701","doi":"10.1016/j.concog.2023.103609","title":"Susana Solano: Proyectos en el Museo Colecciones ICO. Madrid","year":2007,"lang":"en","type":"article","venue":"AV proyectos","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Fonds de Recherche du Québec-Société et Culture","keywords":"Geography","score_opus":0.02412425751058266,"score_gpt":0.2818337746177754,"score_spread":0.25770951710719275,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W38029701","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.075990744,0.41929284,0.0027589004,0.046359673,0.031199785,0.00022603497,0.0036291962,0.0011096135,0.41943327],"genre_scores_gemma":[0.26032305,0.1930449,0.0040188837,0.0035699725,0.011968258,0.00015470413,0.0014468699,0.00051916693,0.52495426],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996532,0.00012696713,0.000016398702,0.000066044486,0.000088560555,0.00004876475],"domain_scores_gemma":[0.9995603,0.00017288714,0.000060864713,0.000025959609,0.00005585633,0.00012409381],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007245271,0.0011688225,0.0004135451,0.0017345648,0.0012357762,0.0015089163,0.00090147037,0.0015503879,0.08594315],"category_scores_gemma":[0.0014078565,0.00021992948,0.00031557196,0.0009659031,0.0006707125,0.0011537501,0.0018850707,0.0018007031,0.014381931],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011530434,0.00024391321,0.008495504,0.002114325,0.000062186686,0.010919679,0.009276222,0.00032997836,0.005253511,0.01154231,0.40576136,0.544848],"study_design_scores_gemma":[0.000021187803,0.00004746628,0.010429137,0.0005856138,0.000014857211,0.003032383,0.0023734875,0.00007392717,0.0006076385,0.00072869763,0.9820679,0.000017750273],"about_ca_topic_score_codex":0.005771202,"about_ca_topic_score_gemma":0.008470316,"teacher_disagreement_score":0.08594315,"about_ca_system_score_codex":0.00120584,"about_ca_system_score_gemma":0.00046007868,"threshold_uncertainty_score":0.2875085},"labels":[],"label_agreement":null},{"id":"W38395099","doi":"10.1016/j.jbi.2024.104614","title":"¿Cómo T vistes, cómo T ves? Los jóvenes en el Museo del Traje. CIPE","year":2008,"lang":"en","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Institut de Valorisation des Données; Canada First Research Excellence Fund","keywords":"Humanities; Art; Philosophy","score_opus":0.021509049719752756,"score_gpt":0.25363260382923564,"score_spread":0.23212355410948288,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W38395099","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.040806837,0.016940733,0.013341093,0.06931134,0.0028130529,0.00015620523,0.0045561264,0.0009153545,0.8511593],"genre_scores_gemma":[0.5668017,0.024328807,0.026272792,0.010419468,0.00080026535,0.00013536107,0.003969923,0.0014100118,0.36586174],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998302,0.00045899287,0.000076381664,0.00020866387,0.0007044515,0.00024958033],"domain_scores_gemma":[0.9980122,0.0004977821,0.00019320472,0.00025946595,0.0007353467,0.00030193967],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030534007,0.00045915227,0.00041051363,0.0033683681,0.009679998,0.012146781,0.0010770079,0.001543534,0.014457761],"category_scores_gemma":[0.0070548505,0.00038185666,0.00041230375,0.0050381855,0.010677823,0.008305522,0.0037570144,0.0021718785,0.0024176545],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016381993,0.000027823358,0.009842332,0.0006969933,0.000046955654,0.0011423541,0.11728133,0.00044969187,0.00137879,0.3824217,0.31499824,0.17154999],"study_design_scores_gemma":[0.0000037105222,0.0000041939406,0.0038414772,0.000319302,0.000019019564,0.00029462224,0.032009367,0.00014784909,0.0003185799,0.009475879,0.95353395,0.000031973148],"about_ca_topic_score_codex":0.6087403,"about_ca_topic_score_gemma":0.73723775,"teacher_disagreement_score":0.6087403,"about_ca_system_score_codex":0.014342948,"about_ca_system_score_gemma":0.017713444,"threshold_uncertainty_score":0.78712773},"labels":[],"label_agreement":null},{"id":"W39262334","doi":"10.1152/japplphysiol.00187.2024","title":"Exposición colectiva de fotografía en Casa Sagnier de Barcelona","year":2008,"lang":"en","type":"article","venue":"Revistart: revista de las artes","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Art; Humanities","score_opus":0.025646868259717924,"score_gpt":0.24641665139679841,"score_spread":0.22076978313708048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W39262334","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96337795,0.022219103,0.00084220205,0.0012513718,0.00036643667,0.00007619542,0.00093619607,0.00028821803,0.0106423665],"genre_scores_gemma":[0.98528755,0.007313642,0.0014859167,0.00042569914,0.00014733982,0.00005548614,0.0006692581,0.000042935124,0.0045722034],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903095,0.00032119642,0.00006926475,0.00021810726,0.00019003582,0.00017032798],"domain_scores_gemma":[0.9990094,0.00022245855,0.00040987195,0.000052812036,0.00018638726,0.00011905644],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011790622,0.0006438332,0.0007608768,0.0012966754,0.0005786085,0.0013514007,0.00064969726,0.0008030591,0.0033787088],"category_scores_gemma":[0.0024797583,0.0003049928,0.00047778463,0.0007329813,0.00053072546,0.00027403346,0.0007941744,0.00050232356,0.0009578107],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0029517757,0.0006740814,0.83228624,0.0013792979,0.00034734223,0.008222939,0.003883716,0.0005341806,0.00836673,0.00046048427,0.009690447,0.13120276],"study_design_scores_gemma":[0.00007153553,0.00087985385,0.94601244,0.00059209025,0.00017804997,0.004900754,0.0027394376,0.00051036675,0.0010838005,0.00018323891,0.042806584,0.000041766438],"about_ca_topic_score_codex":0.06269815,"about_ca_topic_score_gemma":0.04998461,"teacher_disagreement_score":0.06269815,"about_ca_system_score_codex":0.0018663326,"about_ca_system_score_gemma":0.00089837407,"threshold_uncertainty_score":0.12466645},"labels":[],"label_agreement":null},{"id":"W4200199403","doi":"10.32920/ryerson.14645901.v2","title":"Developing A Collection Policy : Photographic And Digital Archives At The National Library In Chile","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Perspective (graphical); Digital library; Digital collections; Library science; Field (mathematics); National library; National archives; Institution; Political science; Collection development; Focus (optics); National Policy; Public administration; Computer science; Visual arts; Art; Law","score_opus":0.047155731302783596,"score_gpt":0.26629485160168415,"score_spread":0.21913912029890054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200199403","genre_codex":"other","genre_gemma":"methods","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"methods","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3938494,0.003182158,0.0064190086,0.16050103,0.00022464745,0.00071623863,0.0007563386,0.00016131061,0.43418986],"genre_scores_gemma":[0.9180943,0.0016279016,0.0042306925,0.0027064711,0.00007099165,0.00036076418,0.00024061142,0.000047763464,0.072620474],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9932903,0.003195567,0.0003186638,0.0004966114,0.0010683428,0.0016305483],"domain_scores_gemma":[0.99198604,0.003124904,0.0010806436,0.0005914948,0.0014802326,0.0017367507],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008803746,0.00024024396,0.00036700215,0.0013166148,0.008151926,0.014684193,0.002850975,0.002934762,0.015199209],"category_scores_gemma":[0.017174713,0.00051098265,0.0003431552,0.0029970447,0.008096583,0.010720862,0.007726324,0.0034759042,0.0010484059],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000116139,0.00034484672,0.019144896,0.00062108465,0.000029565455,0.001257937,0.02865933,0.0077244285,0.00057201233,0.8747893,0.027680237,0.039060157],"study_design_scores_gemma":[0.00022984005,0.00017289577,0.041019052,0.0017273467,0.00006589915,0.00034368067,0.19975331,0.010162622,0.0024928078,0.15114239,0.5926947,0.00019549887],"about_ca_topic_score_codex":0.2584984,"about_ca_topic_score_gemma":0.23560111,"teacher_disagreement_score":0.2584984,"about_ca_system_score_codex":0.0674633,"about_ca_system_score_gemma":0.10645283,"threshold_uncertainty_score":0.51398754},"labels":[],"label_agreement":null},{"id":"W4206184338","doi":"10.4000/belphegor.4337","title":"Collin McKinney and David F. Richter. Spanish Graphic Narratives. Recent Developments in Sequential Art","year":2021,"lang":"en","type":"article","venue":"Belphégor","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Art; History; Art history; Literature","score_opus":0.05409199335313363,"score_gpt":0.27339327101938943,"score_spread":0.2193012776662558,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206184338","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024523328,0.58142406,0.00062783185,0.12600231,0.0041840095,0.00004590056,0.0004837565,0.00007845463,0.2847014],"genre_scores_gemma":[0.1115722,0.37787136,0.0014636248,0.022716675,0.003623135,0.0002130192,0.00041743348,0.00027400427,0.4818486],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916935,0.0003465928,0.000049810667,0.00009984585,0.00021621586,0.00011826361],"domain_scores_gemma":[0.996591,0.0016534837,0.0002764237,0.0001469071,0.0009617462,0.00037055285],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001538525,0.0013548144,0.0004916115,0.0039426233,0.007164742,0.0071596354,0.0013561738,0.0034952578,0.05143684],"category_scores_gemma":[0.0039247302,0.00066910713,0.0003447827,0.005505286,0.0052777478,0.008688385,0.0024133828,0.0026328259,0.009007982],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043369768,0.000033069267,0.00080765487,0.00046240905,0.000007814322,0.00022099425,0.01802602,0.00005037784,0.000062438645,0.07741646,0.8321372,0.07073216],"study_design_scores_gemma":[0.000009869037,0.0000067336805,0.0021251962,0.0012438449,0.000006861961,0.0000857901,0.01661722,0.00002640089,0.00006646057,0.013870053,0.9659331,0.00000859436],"about_ca_topic_score_codex":0.10971553,"about_ca_topic_score_gemma":0.28091282,"teacher_disagreement_score":0.10971553,"about_ca_system_score_codex":0.0066781584,"about_ca_system_score_gemma":0.0044979975,"threshold_uncertainty_score":0.21815383},"labels":[],"label_agreement":null},{"id":"W4231994154","doi":"10.22201/iij.24487937e.2017.11.11088","title":"Margaret Martin","year":2017,"lang":"es","type":"article","venue":"Problema Anuario de Filosofía y Teoría del Derecho","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Philosophy","score_opus":0.04310777747510024,"score_gpt":0.290333654068792,"score_spread":0.24722587659369177,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231994154","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012547132,0.034831222,0.0014374467,0.7219323,0.056720756,0.000022883418,0.00014946618,0.000188832,0.18346243],"genre_scores_gemma":[0.015084844,0.011264255,0.0008209802,0.11862036,0.0075150123,0.00003235525,0.00009331674,0.0002114678,0.8463575],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971269,0.0007498418,0.00007021606,0.00055062916,0.0010093583,0.0004929688],"domain_scores_gemma":[0.995142,0.0012008734,0.0001996836,0.0004170403,0.0015291559,0.0015113667],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029519617,0.00067922735,0.00053617824,0.0011526408,0.0045373803,0.0047494555,0.0013354549,0.0048578023,0.08724075],"category_scores_gemma":[0.014703917,0.0003749037,0.00034963654,0.0005162162,0.002696861,0.004026247,0.0042094192,0.007261385,0.029520186],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021563948,0.000012570633,0.00013600168,0.000037996313,0.0000032817359,0.000086744316,0.0002299389,0.000018784533,0.000082989056,0.026718277,0.9509872,0.02166467],"study_design_scores_gemma":[0.0000024355954,0.0000029203154,0.00009062164,0.000051308616,0.0000015697186,0.0000769528,0.00019904626,0.000013062757,0.000037269972,0.0023799548,0.99714154,0.0000032870048],"about_ca_topic_score_codex":0.0072391625,"about_ca_topic_score_gemma":0.015348397,"teacher_disagreement_score":0.08724075,"about_ca_system_score_codex":0.003435917,"about_ca_system_score_gemma":0.0036852835,"threshold_uncertainty_score":0.29184937},"labels":[],"label_agreement":null},{"id":"W4240444798","doi":"10.32920/ryerson.14661879.v1","title":"Ricardo Villaalba's Péron et Bolivie : types et costumes : an album of cartes de visite","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Photography; Latin Americans; Categorization; Visual arts; Art; Mindset; Art history; Anthropology; Humanities; History; Sociology; Political science; Law; Philosophy","score_opus":0.04391568162497707,"score_gpt":0.3177520719990865,"score_spread":0.27383639037410945,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240444798","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15845503,0.04855605,0.0009348371,0.023271123,0.0021827344,0.00003870585,0.00037179436,0.00012783514,0.76606184],"genre_scores_gemma":[0.84440875,0.010521822,0.00089899724,0.000985591,0.00050335197,0.000022199865,0.00009950466,0.000093131355,0.14246677],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99987185,0.00005530728,0.0000020058924,0.00001901973,0.00002298891,0.000028751188],"domain_scores_gemma":[0.9998474,0.00006456349,0.000024292603,0.000016298787,0.000019084493,0.00002827812],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002598592,0.00023719206,0.00008994732,0.0010107443,0.002353215,0.0026541739,0.00028393778,0.00042555892,0.006244546],"category_scores_gemma":[0.0005083927,0.000100295954,0.00008424721,0.0011383253,0.0026982822,0.0011818784,0.0010209724,0.0008355925,0.00035915014],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001597028,0.000051995146,0.009485076,0.0005251885,0.000016612563,0.0012432176,0.1749735,0.00030112264,0.00214315,0.4309732,0.24860515,0.13152215],"study_design_scores_gemma":[0.0000029583755,0.0000068561426,0.011171008,0.00018120391,0.0000031102543,0.0003206644,0.02206383,0.00005306064,0.0002432048,0.001856212,0.964092,0.0000059465997],"about_ca_topic_score_codex":0.06309211,"about_ca_topic_score_gemma":0.18975823,"teacher_disagreement_score":0.06309211,"about_ca_system_score_codex":0.0038388823,"about_ca_system_score_gemma":0.0007464382,"threshold_uncertainty_score":0.12544978},"labels":[],"label_agreement":null},{"id":"W4243096406","doi":"10.32920/ryerson.14645901","title":"Developing A Collection Policy : Photographic And Digital Archives At The National Library In Chile","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Digital collections; Perspective (graphical); Digital library; Field (mathematics); National archives; Library science; National library; Focus (optics); Institution; Political science; Collection development; Information policy; National Policy; Public administration; Computer science; Public relations; Visual arts; Art","score_opus":0.047155731302783596,"score_gpt":0.26629485160168415,"score_spread":0.21913912029890054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243096406","genre_codex":"other","genre_gemma":"methods","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"methods","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39384964,0.0031821548,0.0064190016,0.16050106,0.00022464711,0.00071623886,0.0007563388,0.00016131066,0.4341896],"genre_scores_gemma":[0.9180943,0.0016279009,0.0042306925,0.002706467,0.00007099151,0.00036076366,0.00024061142,0.000047763417,0.07262045],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9932903,0.0031955624,0.00031866351,0.0004966112,0.0010683418,0.0016305476],"domain_scores_gemma":[0.99198604,0.003124892,0.001080641,0.0005914925,0.0014802291,0.0017367466],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.008803733,0.00024024329,0.0003670018,0.0013166136,0.008151926,0.014684171,0.0028509737,0.0029347579,0.015199224],"category_scores_gemma":[0.01717469,0.00051098166,0.00034315488,0.0029970407,0.00809656,0.010720851,0.00772632,0.0034758996,0.0010484064],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011613899,0.00034484666,0.019144924,0.0006210852,0.000029565452,0.0012579375,0.028659385,0.0077244337,0.00057201274,0.8747892,0.027680308,0.039060228],"study_design_scores_gemma":[0.00022983931,0.00017289538,0.041019093,0.0017273428,0.00006589894,0.00034368027,0.19975343,0.010162605,0.0024928043,0.15114187,0.59269506,0.00019549843],"about_ca_topic_score_codex":0.2584982,"about_ca_topic_score_gemma":0.23560117,"teacher_disagreement_score":0.9853158,"about_ca_system_score_codex":0.06746324,"about_ca_system_score_gemma":0.10645273,"threshold_uncertainty_score":0.5139871},"labels":[],"label_agreement":null},{"id":"W4247832444","doi":"10.32920/ryerson.14661879","title":"Ricardo Villaalba's Péron et Bolivie : types et costumes : an album of cartes de visite","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Latin Americans; Photography; Categorization; Visual arts; Mindset; Art; Art history; Humanities; History; Anthropology; Sociology; Political science; Law; Philosophy","score_opus":0.04391568162497707,"score_gpt":0.3177520719990865,"score_spread":0.27383639037410945,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247832444","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15845503,0.04855605,0.0009348371,0.023271123,0.0021827344,0.00003870585,0.00037179436,0.00012783514,0.76606184],"genre_scores_gemma":[0.84440875,0.010521822,0.00089899724,0.000985591,0.00050335197,0.000022199865,0.00009950466,0.000093131355,0.14246677],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99987185,0.00005530728,0.0000020058924,0.00001901973,0.00002298891,0.000028751188],"domain_scores_gemma":[0.9998474,0.00006456349,0.000024292603,0.000016298787,0.000019084493,0.00002827812],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002598592,0.00023719206,0.00008994732,0.0010107443,0.002353215,0.0026541739,0.00028393778,0.00042555892,0.006244546],"category_scores_gemma":[0.0005083927,0.000100295954,0.00008424721,0.0011383253,0.0026982822,0.0011818784,0.0010209724,0.0008355925,0.00035915014],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001597028,0.000051995146,0.009485076,0.0005251885,0.000016612563,0.0012432176,0.1749735,0.00030112264,0.00214315,0.4309732,0.24860515,0.13152215],"study_design_scores_gemma":[0.0000029583755,0.0000068561426,0.011171008,0.00018120391,0.0000031102543,0.0003206644,0.02206383,0.00005306064,0.0002432048,0.001856212,0.964092,0.0000059465997],"about_ca_topic_score_codex":0.06309211,"about_ca_topic_score_gemma":0.18975823,"teacher_disagreement_score":0.06309211,"about_ca_system_score_codex":0.0038388823,"about_ca_system_score_gemma":0.0007464382,"threshold_uncertainty_score":0.12544978},"labels":[],"label_agreement":null},{"id":"W4287743390","doi":"","title":"Abecedari Picasso poeta","year":2020,"lang":"en","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"PICASSO; Art; Art history","score_opus":0.040611063867327116,"score_gpt":0.24632287877455822,"score_spread":0.20571181490723112,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4287743390","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025842186,0.0422795,0.010387421,0.019907068,0.01617435,0.00018727069,0.0026152977,0.0014109568,0.8811959],"genre_scores_gemma":[0.12564741,0.020110108,0.005371508,0.0026776365,0.004632307,0.00014873709,0.0017694721,0.0006354103,0.83900744],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99959904,0.0000847173,0.000012865513,0.00010863578,0.00011818591,0.000076602],"domain_scores_gemma":[0.99952686,0.000083441606,0.000037487254,0.00007056788,0.00018804574,0.00009358091],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006722074,0.0007600297,0.00062260043,0.0017279817,0.001981649,0.0033882742,0.00081535196,0.0011915847,0.107522115],"category_scores_gemma":[0.0016850476,0.00024959302,0.0003262488,0.0012116868,0.000911148,0.0011965431,0.0017561327,0.0016530394,0.030631496],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007340842,0.00015657273,0.002978612,0.0009556543,0.00004662193,0.0009086653,0.0013500677,0.00069272274,0.004478611,0.27025136,0.39435488,0.3230922],"study_design_scores_gemma":[0.00001488259,0.00002245852,0.001598383,0.000094894116,0.00000871218,0.00019810346,0.00012884263,0.00013622738,0.0006451172,0.004833189,0.99231344,0.000005751177],"about_ca_topic_score_codex":0.0067611733,"about_ca_topic_score_gemma":0.0074881683,"teacher_disagreement_score":0.107522115,"about_ca_system_score_codex":0.0017381798,"about_ca_system_score_gemma":0.001405646,"threshold_uncertainty_score":0.35969728},"labels":[],"label_agreement":null},{"id":"W4288384866","doi":"10.36025/arj.v9i1.29684","title":"Las supervivencias en la Roma de Federico Fellini","year":2022,"lang":"es","type":"article","venue":"ARJ – Art Research Journal / Revista de Pesquisa em Artes","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.05874110563737786,"score_gpt":0.3567816145555927,"score_spread":0.2980405089182149,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4288384866","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2351683,0.010126815,0.0036794606,0.017633326,0.00060595386,0.000069883914,0.00013523044,0.00011857807,0.73246247],"genre_scores_gemma":[0.8986184,0.0038914904,0.0009937945,0.000703467,0.00027025127,0.000026607626,0.00004232435,0.00004530402,0.095408425],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932814,0.0002982614,0.000014715972,0.00010243413,0.00014172003,0.00011469092],"domain_scores_gemma":[0.9994543,0.00017841511,0.00011366979,0.000042708936,0.00008369982,0.00012714046],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010323462,0.0003387536,0.00014555482,0.0008115774,0.0029163838,0.0031108223,0.00040408917,0.000584439,0.008593416],"category_scores_gemma":[0.0019540677,0.000089573354,0.0001093088,0.0007174323,0.0042119506,0.0021932162,0.0017402007,0.0010599762,0.0008119866],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013845088,0.000052439344,0.006395421,0.00023860094,0.0000057087336,0.0013830554,0.29237947,0.00018166869,0.00558277,0.53840166,0.036362644,0.11887813],"study_design_scores_gemma":[0.0000040588247,0.000042703516,0.012008516,0.00018975839,0.000005430562,0.0006644551,0.033362444,0.00012078756,0.0010332606,0.009174931,0.94337815,0.000015550047],"about_ca_topic_score_codex":0.01701358,"about_ca_topic_score_gemma":0.027561592,"teacher_disagreement_score":0.01701358,"about_ca_system_score_codex":0.003851979,"about_ca_system_score_gemma":0.0012766479,"threshold_uncertainty_score":0.033829093},"labels":[],"label_agreement":null},{"id":"W4320074261","doi":"10.1386/slac_00083_1","title":"La ética de la representación en tres documentales de Trisha Ziff","year":2022,"lang":"en","type":"article","venue":"Studies in Spanish & Latin-American Cinemas","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Film director; Voyeurism; Dictatorship; Humanities; Art; Art history; Movie theater; Sociology; Visual arts; History; Politics; Law; Psychology; Democracy; Psychoanalysis; Political science","score_opus":0.038626016878620176,"score_gpt":0.36452643216388353,"score_spread":0.32590041528526337,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320074261","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23833053,0.14011118,0.002965553,0.10239565,0.005003923,0.000055139477,0.00033862333,0.00014415379,0.5106553],"genre_scores_gemma":[0.9238385,0.020466076,0.00077674154,0.0029974426,0.00141739,0.00003368965,0.000079539655,0.0001228384,0.050267804],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9989507,0.00043313918,0.000027044052,0.00013141404,0.00024923572,0.00020836662],"domain_scores_gemma":[0.99883276,0.00058416557,0.00013489301,0.00006985261,0.00025291502,0.00012542991],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016012006,0.0003589525,0.00020760341,0.0019476588,0.0057766386,0.0054544946,0.00047559378,0.0010374389,0.0046231835],"category_scores_gemma":[0.0033068496,0.00018571384,0.00009039445,0.0013500345,0.0078441715,0.0024835037,0.0019354987,0.002055219,0.0003808193],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015138267,0.00002131968,0.0025691309,0.00045308747,0.000016183638,0.0010634157,0.36952662,0.00007520942,0.00261662,0.43948,0.10045128,0.08357568],"study_design_scores_gemma":[0.0000036353265,0.000009270975,0.0038319423,0.0003150881,0.0000068726663,0.0004309458,0.03194862,0.000034648176,0.00046822126,0.0028727185,0.9600661,0.000011880782],"about_ca_topic_score_codex":0.053259812,"about_ca_topic_score_gemma":0.055686418,"teacher_disagreement_score":0.053259812,"about_ca_system_score_codex":0.010557481,"about_ca_system_score_gemma":0.0021255699,"threshold_uncertainty_score":0.10589963},"labels":[],"label_agreement":null},{"id":"W4379742425","doi":"10.18192/rceh.v45i2.6691","title":"gallina ciega de Max Aub. Procesos de subjetivación y estrategias biopolíticas en la España del tardofranquismo","year":2023,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.02422329944853926,"score_gpt":0.2782722282240011,"score_spread":0.25404892877546187,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379742425","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028944775,0.06561054,0.0045222687,0.10939568,0.0027684753,0.00008138375,0.00025345315,0.0000979191,0.7883255],"genre_scores_gemma":[0.5805246,0.020468513,0.003390713,0.016168863,0.0009024207,0.00021246675,0.00011370053,0.00024302423,0.3779756],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986621,0.0006435728,0.000029997682,0.00024503566,0.00024061499,0.00017869106],"domain_scores_gemma":[0.9993376,0.00030687495,0.00007820748,0.0000727102,0.00012254674,0.00008203096],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014178347,0.000842127,0.00031017401,0.0018119937,0.0064870403,0.004692765,0.00065290707,0.003078854,0.010667059],"category_scores_gemma":[0.002821707,0.00027117424,0.0003062711,0.001377402,0.011354277,0.0049984218,0.0041948273,0.00289167,0.001765367],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051215702,0.000011286017,0.0007164981,0.000098862925,0.000004556303,0.00016335252,0.022979405,0.00008901673,0.00027401806,0.91381323,0.043609463,0.018189045],"study_design_scores_gemma":[0.000007762719,0.000012655546,0.0017566783,0.00028833625,0.0000051857182,0.00016571312,0.006331347,0.00008257916,0.00034694507,0.083649874,0.90733725,0.000015733089],"about_ca_topic_score_codex":0.042839095,"about_ca_topic_score_gemma":0.051503226,"teacher_disagreement_score":0.042839095,"about_ca_system_score_codex":0.00864453,"about_ca_system_score_gemma":0.0039903694,"threshold_uncertainty_score":0.08517951},"labels":[],"label_agreement":null},{"id":"W4381939631","doi":"10.5821/palimpsesto.25.12114","title":"Poemas de luz","year":2022,"lang":"es","type":"article","venue":"Palimpsesto","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Humanities; Art","score_opus":0.03314232954768006,"score_gpt":0.2728227699857688,"score_spread":0.23968044043808875,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381939631","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009262169,0.014821017,0.0019675181,0.084800825,0.004817019,0.00003275304,0.000108145934,0.00016344893,0.88402706],"genre_scores_gemma":[0.2159281,0.010281287,0.0013399861,0.017632313,0.0030495978,0.00007092793,0.00014479179,0.00019516409,0.7513578],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903214,0.00035340883,0.000023061351,0.00016318668,0.00021346955,0.00021470807],"domain_scores_gemma":[0.9993013,0.00018178184,0.00005630684,0.00010308709,0.00017529987,0.00018216242],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001086692,0.0004767878,0.0003589196,0.0007609646,0.0059606903,0.0057585645,0.00062347064,0.0024977387,0.037251636],"category_scores_gemma":[0.003003546,0.00017133875,0.00029553022,0.00059664744,0.009033089,0.005114894,0.003932836,0.0044139675,0.009206025],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002524416,0.000016357139,0.00038510462,0.00005797788,0.0000038582552,0.00024937748,0.0103117945,0.000057516376,0.00019612073,0.7948738,0.16614419,0.027678592],"study_design_scores_gemma":[0.0000022740967,0.0000070503374,0.0001794033,0.0000810899,0.0000012790099,0.00008122542,0.0025131158,0.000025361483,0.000054643788,0.01991989,0.9771308,0.0000038606404],"about_ca_topic_score_codex":0.0059301867,"about_ca_topic_score_gemma":0.010202018,"teacher_disagreement_score":0.037251636,"about_ca_system_score_codex":0.00297965,"about_ca_system_score_gemma":0.0024561055,"threshold_uncertainty_score":0.12461907},"labels":[],"label_agreement":null},{"id":"W4388826771","doi":"10.1080/10848770.2023.2280358","title":"Notes on Picasso’s <i>Guernica</i> in Context","year":2023,"lang":"en","type":"article","venue":"The European Legacy","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia, Okanagan Campus; University of British Columbia; Okanagan University College; Okanagan College","funders":"","keywords":"PICASSO; Context (archaeology); Art; Art history; History; Archaeology","score_opus":0.07436487827586749,"score_gpt":0.27024007601345784,"score_spread":0.19587519773759035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388826771","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.046591584,0.037854053,0.000521982,0.023511149,0.005460549,0.000032531694,0.00007939235,0.00009044988,0.8858581],"genre_scores_gemma":[0.6921934,0.0110409185,0.00050798926,0.007199017,0.003418284,0.000073169744,0.000093800685,0.00031531876,0.28515804],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999273,0.00026453272,0.000010123829,0.00013104286,0.000119222066,0.00020206686],"domain_scores_gemma":[0.9997794,0.00007343197,0.000028169157,0.000019770167,0.000031962085,0.0000672803],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00054340856,0.0007355763,0.00040097308,0.0009536998,0.013797467,0.0072480366,0.0009284649,0.0017721495,0.01165529],"category_scores_gemma":[0.0012732901,0.00024125304,0.00022211415,0.0010689894,0.009335944,0.001242757,0.0038463643,0.0050897077,0.0012630589],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001990544,0.00006442542,0.0017321109,0.00035290857,0.000018280522,0.005498147,0.19685496,0.00021988853,0.0009354286,0.4855357,0.27896243,0.029626723],"study_design_scores_gemma":[0.000004490208,0.0000070658207,0.0017954872,0.00019484153,0.0000033679723,0.0003827908,0.014459984,0.000020411479,0.00011527631,0.0018175635,0.9811911,0.000007647233],"about_ca_topic_score_codex":0.08298466,"about_ca_topic_score_gemma":0.11854122,"teacher_disagreement_score":0.08298466,"about_ca_system_score_codex":0.0064817253,"about_ca_system_score_gemma":0.001550162,"threshold_uncertainty_score":0.16500324},"labels":[],"label_agreement":null},{"id":"W4389281659","doi":"","title":"Museos textiles en Cánada, Guatemala y México","year":2012,"lang":"es","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.017028459793761892,"score_gpt":0.2564471736676748,"score_spread":0.2394187138739129,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389281659","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.69297796,0.036934298,0.00082300336,0.012414999,0.00041893448,0.0002775027,0.008017477,0.00014277002,0.24799316],"genre_scores_gemma":[0.85568583,0.02059011,0.0020438675,0.00123566,0.0001048234,0.00027546004,0.0027850927,0.000075989774,0.11720313],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99962807,0.000041672516,0.000010997809,0.000056555353,0.00008201475,0.00018076961],"domain_scores_gemma":[0.9994912,0.000087025306,0.00011771469,0.00003604429,0.00012334465,0.00014468291],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045930725,0.00036484163,0.0002399823,0.0033175743,0.01203239,0.0023107752,0.0007027488,0.00064852956,0.010787208],"category_scores_gemma":[0.0012371117,0.00021596858,0.00019158724,0.008415027,0.0028809987,0.0009275908,0.0033446725,0.00060929975,0.0003582588],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00075216545,0.000067983114,0.13796933,0.0015897973,0.00015033844,0.0066427994,0.3011375,0.00070066145,0.0036138168,0.09595639,0.19831401,0.25310522],"study_design_scores_gemma":[0.00001716049,0.000020420704,0.2839141,0.0004832387,0.00004222952,0.000529909,0.10127404,0.00010033102,0.00031570482,0.0007644755,0.612503,0.000035290475],"about_ca_topic_score_codex":0.9484882,"about_ca_topic_score_gemma":0.98828375,"teacher_disagreement_score":0.9484882,"about_ca_system_score_codex":0.021824963,"about_ca_system_score_gemma":0.019311374,"threshold_uncertainty_score":0.15835196},"labels":[],"label_agreement":null},{"id":"W4389586180","doi":"10.12795/pajaro_benin.2018.i4.03","title":"Principales deterioros en el estado de conservación de los archivos fotográficos","year":2018,"lang":"es","type":"article","venue":"El Pájaro de Benín","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Library and Archives Canada","funders":"","keywords":"Humanities; Art","score_opus":0.027491407680047632,"score_gpt":0.32249612878186806,"score_spread":0.2950047211018204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389586180","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96561915,0.004645056,0.0016996807,0.0007320212,0.000031277774,0.000027414677,0.00044752422,0.000086280445,0.026711537],"genre_scores_gemma":[0.9862156,0.0021502185,0.0016579124,0.00006303188,0.000020723319,0.000015920443,0.00023335249,0.00003926794,0.009603968],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.998686,0.00020098845,0.000069991445,0.0002529456,0.0005817025,0.00020833702],"domain_scores_gemma":[0.99660146,0.00047017718,0.001078487,0.00042717642,0.0011321289,0.00029062098],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018015913,0.00042785305,0.00036435554,0.0024849796,0.0021401248,0.0031424,0.00066086964,0.00075465697,0.0061542224],"category_scores_gemma":[0.0043704603,0.00024980443,0.00023007898,0.002878396,0.0023821883,0.0014450103,0.0021541694,0.00077726337,0.00082215836],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009894635,0.0001896353,0.50888556,0.0012370772,0.00018234736,0.0010222924,0.031081334,0.0032962873,0.04234171,0.011592789,0.0037615013,0.39541996],"study_design_scores_gemma":[0.0000049164864,0.000145514,0.93294764,0.00026782835,0.00004831361,0.00069215125,0.016777983,0.00071648584,0.0059442087,0.0021998188,0.04021912,0.00003601082],"about_ca_topic_score_codex":0.025327915,"about_ca_topic_score_gemma":0.044557355,"teacher_disagreement_score":0.025327915,"about_ca_system_score_codex":0.0026296673,"about_ca_system_score_gemma":0.0016313717,"threshold_uncertainty_score":0.050360978},"labels":[],"label_agreement":null},{"id":"W4389737067","doi":"10.24310/mumaedmumaed.120","title":"La Senda es Peligrosa","year":2018,"lang":"es","type":"book","venue":"UMA Editorial eBooks","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Yukon Health and Social Services","funders":"","keywords":"Humanities; Art","score_opus":0.020992130601239514,"score_gpt":0.261812783255663,"score_spread":0.24082065265442348,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389737067","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009301443,0.04234089,0.0049362597,0.017891197,0.028392768,0.00007680982,0.00019890204,0.00045437997,0.89640737],"genre_scores_gemma":[0.038815245,0.02512124,0.001581981,0.0046409313,0.0070090643,0.000042690273,0.0001256496,0.00021278716,0.9224505],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995921,0.00006492706,0.000014842284,0.00007367408,0.00022063128,0.000033646826],"domain_scores_gemma":[0.999488,0.00021298158,0.000050655006,0.000045061184,0.00015780334,0.00004560227],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034321836,0.0005959881,0.0002175855,0.0010346796,0.0019299964,0.0043083336,0.0003876483,0.0016102033,0.030966677],"category_scores_gemma":[0.0009505602,0.00020645515,0.00026174623,0.00059645245,0.0021522657,0.0018781663,0.0016891533,0.002646703,0.007358128],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001223861,0.000046117057,0.0009522186,0.0014681657,0.000013975832,0.0013811487,0.008082403,0.00017553024,0.008765688,0.17204894,0.51135033,0.29559305],"study_design_scores_gemma":[8.2376e-7,0.00001013633,0.00037135667,0.00016140038,0.000003292216,0.00034351266,0.00060178264,0.00001491811,0.0005643642,0.0010019286,0.99692386,0.0000025419902],"about_ca_topic_score_codex":0.0033131689,"about_ca_topic_score_gemma":0.009545003,"teacher_disagreement_score":0.030966677,"about_ca_system_score_codex":0.0012209527,"about_ca_system_score_gemma":0.0010392987,"threshold_uncertainty_score":0.10359383},"labels":[],"label_agreement":null},{"id":"W4390869597","doi":"","title":"Sol y sombra : Miquel Barceló : [exposition, Paris, Bibliothèque nationale de France, site François-Mitterrand, galerie 1, 22 mars-28 août 2016, Musée national Picasso, 22 mars-31 juillet 2016]","year":2016,"lang":"fr","type":"book","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Mars Exploration Program; PICASSO; Exposition (narrative); Art; Art history; History; Astrobiology; Literature; Physics; Painting","score_opus":0.014267246017119114,"score_gpt":0.2237267882070153,"score_spread":0.20945954218989618,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390869597","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020309242,0.5026869,0.0013904112,0.13579926,0.014244572,0.0000764577,0.0017522151,0.00080080767,0.34121847],"genre_scores_gemma":[0.033232074,0.11541269,0.0012734073,0.019744635,0.004744118,0.0002075183,0.0007925979,0.0009810978,0.82361174],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993643,0.00017369252,0.00003089597,0.000120447265,0.00022968117,0.00008098378],"domain_scores_gemma":[0.99961346,0.00013090801,0.000054150292,0.000023089873,0.0001249873,0.00005341469],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007892573,0.0014878963,0.00063273363,0.0028990018,0.0034506642,0.006477253,0.0010409848,0.0026687398,0.043344222],"category_scores_gemma":[0.0021216413,0.0004990439,0.00038977066,0.004095664,0.0022708632,0.0055498723,0.002357041,0.003185415,0.016557323],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017035394,0.0000068992713,0.00015184899,0.00019791568,0.000005937456,0.0000640251,0.0023980904,0.000041375424,0.000082341685,0.021040214,0.95708805,0.018906169],"study_design_scores_gemma":[0.0000034722245,0.0000015192985,0.00051010266,0.00020578528,0.0000019413474,0.00003592385,0.0005909769,0.000009506335,0.000039993443,0.00089955266,0.9976966,0.000004632267],"about_ca_topic_score_codex":0.1293477,"about_ca_topic_score_gemma":0.23707825,"teacher_disagreement_score":0.1293477,"about_ca_system_score_codex":0.005931463,"about_ca_system_score_gemma":0.0041450607,"threshold_uncertainty_score":0.25718957},"labels":[],"label_agreement":null},{"id":"W4390975350","doi":"10.1080/08905495.2024.2299126","title":"Pressing matters: Degas’s ironers and the <i>main-d’œuvre</i> of the artist","year":2024,"lang":"en","type":"article","venue":"Nineteenth Century Contexts","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Art history","score_opus":0.010775030221285049,"score_gpt":0.21944664141572187,"score_spread":0.20867161119443683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390975350","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.086577,0.023094464,0.0010793218,0.09501245,0.003139601,0.000020965434,0.00007031088,0.00005908744,0.7909467],"genre_scores_gemma":[0.852809,0.0025751183,0.0003914176,0.00933394,0.00049225945,0.000010598928,0.000017639299,0.000072736904,0.13429724],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982248,0.00079498516,0.00003540369,0.00027559235,0.00019787271,0.00047133034],"domain_scores_gemma":[0.99939716,0.00025847438,0.00006400247,0.000052309675,0.000091424445,0.00013673118],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018531537,0.00044881075,0.0002404704,0.0008557433,0.022724306,0.009096008,0.0006036671,0.0027638872,0.01290232],"category_scores_gemma":[0.0027355393,0.00033350443,0.00017741005,0.0006375068,0.020453067,0.0053025363,0.0030502828,0.00479007,0.0012657491],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000062184794,0.000018359384,0.00072809536,0.000044247572,0.0000031669226,0.0005328216,0.13230468,0.000029517967,0.00034116808,0.76940316,0.08307075,0.013461926],"study_design_scores_gemma":[0.0000088589295,0.000011408411,0.0018549814,0.0001520827,0.000003205259,0.00029757584,0.06870685,0.000023384575,0.00031083153,0.024213409,0.90440416,0.00001328714],"about_ca_topic_score_codex":0.050247025,"about_ca_topic_score_gemma":0.12385702,"teacher_disagreement_score":0.050247025,"about_ca_system_score_codex":0.008006076,"about_ca_system_score_gemma":0.0023659405,"threshold_uncertainty_score":0.09990907},"labels":[],"label_agreement":null},{"id":"W4392582742","doi":"10.56083/rcv4n3-069","title":"CONSIDERAÇÕES TEÓRICAS A RESPEITO DA HISTÓRIA E FOTOGRAFIA","year":2024,"lang":"pt","type":"article","venue":"Revista Contemporânea","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Historical Association","funders":"","keywords":"Art","score_opus":0.08366333922861932,"score_gpt":0.3225592518294348,"score_spread":0.23889591260081547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392582742","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10643934,0.063658915,0.009678628,0.07901189,0.0034663891,0.00009990891,0.0004923923,0.0001329884,0.73701954],"genre_scores_gemma":[0.8348739,0.046735127,0.00400484,0.0034791566,0.0025025452,0.00010127921,0.0002352009,0.00022823906,0.10783961],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9958593,0.0020138358,0.0001849993,0.0004387923,0.0011065867,0.0003965822],"domain_scores_gemma":[0.99043757,0.0064810887,0.0007847497,0.0007056711,0.0012651014,0.00032581002],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0053165234,0.00038255675,0.00038532636,0.0071258605,0.010096795,0.018877704,0.0010906855,0.0026362853,0.016351651],"category_scores_gemma":[0.015983306,0.0003307412,0.00037499165,0.011907019,0.01799969,0.010116202,0.0033138287,0.0033937935,0.001446936],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041350522,0.000025222163,0.003626679,0.0005669062,0.000015437407,0.0008292874,0.20093136,0.0002726741,0.00048607425,0.73225945,0.015486493,0.045459148],"study_design_scores_gemma":[0.000005617391,0.000025155741,0.0061501907,0.0013208174,0.000022950175,0.0007669954,0.10703668,0.000209484,0.0005618685,0.05623033,0.8276382,0.000031724445],"about_ca_topic_score_codex":0.018703802,"about_ca_topic_score_gemma":0.035017,"teacher_disagreement_score":0.018877704,"about_ca_system_score_codex":0.011065437,"about_ca_system_score_gemma":0.006486133,"threshold_uncertainty_score":0.08028573},"labels":[],"label_agreement":null},{"id":"W4393703674","doi":"10.5281/zenodo.10329340","title":"MURAL EN RÉBUS - BANQ","year":2021,"lang":"fr","type":"dataset","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mural; Computer science; Art; Art history","score_opus":0.0469988226636545,"score_gpt":0.2586402227019605,"score_spread":0.211641400038306,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393703674","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007913613,0.00051281584,0.0002821152,0.00024839872,0.00023082578,0.0000705705,0.98622626,0.0031000532,0.008537579],"genre_scores_gemma":[0.0012880388,0.0001667547,0.0007706712,0.00008384593,0.00002726813,0.00008128859,0.99100226,0.00044201638,0.0061378377],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99874747,0.00016845994,0.0000539696,0.0003169118,0.00037953208,0.00033369262],"domain_scores_gemma":[0.9986914,0.0001335767,0.00007291865,0.00042954218,0.00049101317,0.00018169047],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00083693437,0.0036586141,0.0016498538,0.003921866,0.00210431,0.0031423338,0.002754553,0.0022809305,0.109058805],"category_scores_gemma":[0.0029089928,0.00072840083,0.0016288838,0.004562054,0.0007765072,0.0017602618,0.0026753931,0.0022466315,0.18026045],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004404999,0.000010449138,0.00020259073,0.00015184171,0.000007356214,0.000025945883,0.000024840961,0.0000614706,0.00009170953,0.000252585,0.9966329,0.0024942528],"study_design_scores_gemma":[0.00006210283,0.000009656352,0.0022076985,0.00013354105,0.000007207631,0.000067810586,0.00013639507,0.0002791555,0.0002994564,0.00033003223,0.99645007,0.000016989728],"about_ca_topic_score_codex":0.2936818,"about_ca_topic_score_gemma":0.54435784,"teacher_disagreement_score":0.2936818,"about_ca_system_score_codex":0.0042484743,"about_ca_system_score_gemma":0.0036738177,"threshold_uncertainty_score":0.5839448},"labels":[],"label_agreement":null},{"id":"W4393769263","doi":"10.5281/zenodo.10329341","title":"MURAL EN RÉBUS - BANQ","year":2021,"lang":"fr","type":"dataset","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mural; Art; Computer science; Visual arts; Painting","score_opus":0.0469988226636545,"score_gpt":0.2586402227019605,"score_spread":0.211641400038306,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393769263","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007913613,0.00051281584,0.0002821152,0.00024839872,0.00023082578,0.0000705705,0.98622626,0.0031000532,0.008537579],"genre_scores_gemma":[0.0012880388,0.0001667547,0.0007706712,0.00008384593,0.00002726813,0.00008128859,0.99100226,0.00044201638,0.0061378377],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99874747,0.00016845994,0.0000539696,0.0003169118,0.00037953208,0.00033369262],"domain_scores_gemma":[0.9986914,0.0001335767,0.00007291865,0.00042954218,0.00049101317,0.00018169047],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00083693437,0.0036586141,0.0016498538,0.003921866,0.00210431,0.0031423338,0.002754553,0.0022809305,0.109058805],"category_scores_gemma":[0.0029089928,0.00072840083,0.0016288838,0.004562054,0.0007765072,0.0017602618,0.0026753931,0.0022466315,0.18026045],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004404999,0.000010449138,0.00020259073,0.00015184171,0.000007356214,0.000025945883,0.000024840961,0.0000614706,0.00009170953,0.000252585,0.9966329,0.0024942528],"study_design_scores_gemma":[0.00006210283,0.000009656352,0.0022076985,0.00013354105,0.000007207631,0.000067810586,0.00013639507,0.0002791555,0.0002994564,0.00033003223,0.99645007,0.000016989728],"about_ca_topic_score_codex":0.2936818,"about_ca_topic_score_gemma":0.54435784,"teacher_disagreement_score":0.2936818,"about_ca_system_score_codex":0.0042484743,"about_ca_system_score_gemma":0.0036738177,"threshold_uncertainty_score":0.5839448},"labels":[],"label_agreement":null},{"id":"W4400914924","doi":"10.21789/24223158.2107","title":"Seres enredados: una reflexión sobre la creación de montajes de arte con materiales de desecho","year":2023,"lang":"es","type":"article","venue":"La Tadeo Dearte","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.032515398931566956,"score_gpt":0.31727154449512895,"score_spread":0.284756145563562,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400914924","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28763565,0.00873663,0.061213024,0.02218718,0.0015096285,0.00010970841,0.00014563027,0.00051221636,0.6179503],"genre_scores_gemma":[0.90239054,0.0027082933,0.0063575683,0.0010328429,0.00015883274,0.000050441307,0.00003626304,0.00026715966,0.08699803],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980128,0.0010512407,0.00004375669,0.00025599948,0.0004617321,0.00017440108],"domain_scores_gemma":[0.9977533,0.0011307513,0.00021101655,0.00029837756,0.00042666617,0.00017988884],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023186766,0.0006069026,0.00028242316,0.0012508759,0.0052458835,0.0093181785,0.00080470066,0.0018805787,0.008897728],"category_scores_gemma":[0.004542772,0.0003029942,0.00047828676,0.00083475414,0.016340565,0.0060675642,0.005782283,0.0023534477,0.0011036715],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012742009,0.000027158192,0.0025405048,0.00036105717,0.000020954805,0.0017225042,0.472533,0.00040279087,0.010464962,0.44654548,0.007989214,0.057265025],"study_design_scores_gemma":[0.000013683742,0.00010665718,0.004952141,0.0008311466,0.000045499466,0.0016251984,0.24440841,0.00046373357,0.0073544667,0.05881883,0.6813015,0.00007882729],"about_ca_topic_score_codex":0.010335856,"about_ca_topic_score_gemma":0.020116175,"teacher_disagreement_score":0.010335856,"about_ca_system_score_codex":0.003315533,"about_ca_system_score_gemma":0.002210262,"threshold_uncertainty_score":0.029765844},"labels":[],"label_agreement":null},{"id":"W4403455295","doi":"10.4000/12ho3","title":"La Mediateca del Centro Arte para la Paz: Preservación Digital y Acceso a la Memoria Histórica","year":2024,"lang":"es","type":"article","venue":"Nuevo mundo mundos nuevos","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Humanities; Art","score_opus":0.029406179593939066,"score_gpt":0.28977385468542655,"score_spread":0.2603676750914875,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403455295","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49355066,0.006608573,0.00194141,0.0249219,0.0004133136,0.00009390683,0.0001359707,0.00011129591,0.47222304],"genre_scores_gemma":[0.9372233,0.0017277218,0.00040058282,0.0005404046,0.00007964432,0.000046304496,0.000037703998,0.00003660414,0.05990769],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990207,0.0003748094,0.000023918345,0.00012847877,0.00016616403,0.000285904],"domain_scores_gemma":[0.99827087,0.0005964663,0.00022217922,0.00020060851,0.0002711351,0.00043881036],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014285308,0.00030663953,0.0001900047,0.0012449073,0.011518227,0.0057696784,0.0008002426,0.0013864124,0.020397604],"category_scores_gemma":[0.004072593,0.00015655425,0.0001991381,0.0013266115,0.012602192,0.0031238906,0.010568918,0.001786664,0.0010444004],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008807835,0.000047533147,0.014195867,0.00030631156,0.000011257374,0.0017408764,0.5830926,0.00013437211,0.001353,0.28479782,0.020132305,0.09410003],"study_design_scores_gemma":[0.000008297873,0.000064633066,0.019006414,0.00042015204,0.000012485819,0.00062690803,0.3226834,0.00006011367,0.0007268225,0.004869064,0.6515019,0.000019814652],"about_ca_topic_score_codex":0.06903136,"about_ca_topic_score_gemma":0.20045544,"teacher_disagreement_score":0.06903136,"about_ca_system_score_codex":0.006883931,"about_ca_system_score_gemma":0.009487326,"threshold_uncertainty_score":0.13725913},"labels":[],"label_agreement":null},{"id":"W4404177407","doi":"10.4000/12ndg","title":"El museo sin musas. Nuevas coordenadas para una museología posthumana en el siglo XXI","year":2024,"lang":"es","type":"article","venue":"Midas","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"Agencia Estatal de Investigación","keywords":"Art; Humanities","score_opus":0.02898807562446434,"score_gpt":0.3174186333577342,"score_spread":0.28843055773326987,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404177407","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034538783,0.27781814,0.0050821803,0.048639547,0.006420169,0.00010105165,0.00020974483,0.00011716162,0.6270732],"genre_scores_gemma":[0.52129036,0.07875787,0.0041869157,0.008401929,0.0057134777,0.00026388583,0.00021306727,0.00017053861,0.38100198],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9985776,0.0007464801,0.00004610851,0.00016286371,0.00028973437,0.00017724928],"domain_scores_gemma":[0.99931204,0.00029096045,0.0001338,0.000075482385,0.00007847369,0.000109210836],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015321355,0.0006501244,0.0003622874,0.0013911142,0.005722797,0.0066850414,0.0007533532,0.001925619,0.007909978],"category_scores_gemma":[0.0023453739,0.00030246226,0.00029611686,0.001553071,0.010824212,0.0035313312,0.0035711266,0.0028767763,0.0013316346],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007700268,0.000020866197,0.001583481,0.00028003647,0.000010767715,0.0004057805,0.046923354,0.00013065699,0.0006367947,0.84450114,0.0666901,0.03874002],"study_design_scores_gemma":[0.000005421224,0.000033066874,0.002771835,0.0003040596,0.00000590044,0.00030848698,0.010168951,0.000051683008,0.00021530419,0.027145527,0.958976,0.000013758608],"about_ca_topic_score_codex":0.0132555645,"about_ca_topic_score_gemma":0.021967035,"teacher_disagreement_score":0.0132555645,"about_ca_system_score_codex":0.0037645053,"about_ca_system_score_gemma":0.00247103,"threshold_uncertainty_score":0.02731359},"labels":[],"label_agreement":null},{"id":"W4406646575","doi":"10.1016/b978-84-8086-648-4.00035-2","title":"10.1016/b978-84-8086-648-4.00035-2","year":2000,"lang":"en","type":"book-chapter","venue":"Time to knit","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.020862087812500336,"score_gpt":0.18564984971566809,"score_spread":0.16478776190316774,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406646575","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00017609849,0.0004090024,0.0007541777,0.00020571727,0.00015523173,0.000046455298,0.00063404307,0.00078593416,0.9968334],"genre_scores_gemma":[0.00038725592,0.00021775378,0.00027019382,0.00009363536,0.000027544,0.00003172621,0.00033263833,0.0001767077,0.99846256],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995615,0.000024068344,0.000026435973,0.00017087672,0.00013575764,0.00008138288],"domain_scores_gemma":[0.9984957,0.00047130496,0.00009480317,0.00019298187,0.00029305965,0.00045223013],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00080633524,0.0022758036,0.0014016065,0.0019575777,0.0016409454,0.004837612,0.0028159465,0.0044643832,0.98453206],"category_scores_gemma":[0.0014609506,0.00091393903,0.00094856217,0.0020912993,0.0013253159,0.0050413967,0.0032127255,0.0022686438,0.9912203],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012775215,0.000130447,0.00037835163,0.0004856366,0.000016043135,0.00013437853,0.00009015624,0.00029635045,0.0022854647,0.005822396,0.42108533,0.56914765],"study_design_scores_gemma":[0.00001648729,0.00004285472,0.00051278726,0.00027818698,0.000007954673,0.0001964602,0.00010095011,0.00011831699,0.00028729692,0.00086801714,0.9975575,0.000013190675],"about_ca_topic_score_codex":0.004346474,"about_ca_topic_score_gemma":0.004296564,"teacher_disagreement_score":0.015467942,"about_ca_system_score_codex":0.0010191294,"about_ca_system_score_gemma":0.00084397185,"threshold_uncertainty_score":0.022063136},"labels":[],"label_agreement":null},{"id":"W4410833447","doi":"10.26034/vd.fpeq.2018.247","title":"Aperçu de l'enseignement des arts visuels en Amérique du Nord du XIXe siècle à nos jours","year":2018,"lang":"fr","type":"article","venue":"Formation et pratiques d’enseignement en question","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.019948582906835814,"score_gpt":0.28637508991206073,"score_spread":0.2664265070052249,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410833447","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24351282,0.04614774,0.004700513,0.053261776,0.0043229116,0.000065980574,0.0010099929,0.00011489048,0.64686334],"genre_scores_gemma":[0.6413622,0.025706282,0.0032413779,0.004216015,0.0008221218,0.00007353904,0.0004244549,0.00017071472,0.32398328],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99891853,0.00020585938,0.000037033333,0.00019119159,0.0004380227,0.00020948483],"domain_scores_gemma":[0.99835014,0.00053001463,0.0001510363,0.000105146515,0.00070442236,0.00015927332],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011638546,0.00031223992,0.00018345052,0.0021260504,0.005809,0.0047096866,0.0005630624,0.0007957572,0.010657301],"category_scores_gemma":[0.0030480102,0.0001575794,0.00016884164,0.0031894434,0.004941086,0.0024064013,0.0015559027,0.0019006052,0.00089631864],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016478433,0.000048774444,0.017401567,0.00072943914,0.000028449285,0.0013151172,0.2720245,0.00080778607,0.0023748311,0.43747455,0.09338645,0.17424384],"study_design_scores_gemma":[0.000003908779,0.000013499397,0.022596207,0.0006461275,0.000010126676,0.00018244235,0.034285545,0.00015370222,0.00048635245,0.0054307734,0.93616956,0.0000216756],"about_ca_topic_score_codex":0.62006027,"about_ca_topic_score_gemma":0.78061885,"teacher_disagreement_score":0.62006027,"about_ca_system_score_codex":0.020374455,"about_ca_system_score_gemma":0.016849425,"threshold_uncertainty_score":0.7643545},"labels":[],"label_agreement":null},{"id":"W4410862652","doi":"10.18192/rceh.v47i1.7493","title":"JORGE F. RIVAS PÉREZ, ED. Appropriation &amp; Invention. Three Centuries of Art in Spanish America. Denver/ Munich: Denver Art Museum/ Hirmer Verlag GmbH, 2022. 296 pp.","year":2025,"lang":"en","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Appropriation; Art; Art history; Humanities; Philosophy; Linguistics","score_opus":0.020069129505325807,"score_gpt":0.24239385994593987,"score_spread":0.22232473044061407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410862652","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000524408,0.96841073,0.00039638244,0.005094286,0.002499509,0.0000063494617,0.00028209042,0.00006336387,0.022722844],"genre_scores_gemma":[0.010174607,0.9189643,0.001386529,0.000951538,0.0016169298,0.000030117437,0.00035117206,0.00012699956,0.06639776],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999551,0.000096375996,0.000034286368,0.00006353555,0.00019772939,0.00005711782],"domain_scores_gemma":[0.999188,0.00027067162,0.00009329402,0.00003113681,0.00033488474,0.00008212834],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010501387,0.0019089888,0.0011407781,0.0031967848,0.0013018319,0.0035840075,0.0009816487,0.0013322372,0.025675049],"category_scores_gemma":[0.0014482395,0.0008616865,0.00052875426,0.005152865,0.0012446482,0.003950327,0.0009263376,0.0015368162,0.0137695875],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051671264,0.000030416553,0.0010309811,0.0012198909,0.000023006087,0.00013125154,0.0022910405,0.00013589568,0.00018476207,0.007237271,0.7609403,0.22672352],"study_design_scores_gemma":[0.000005943984,0.0000043881387,0.0012882339,0.0010167552,0.000014600928,0.00018092134,0.0010527265,0.000024963632,0.00009589299,0.0017088198,0.9946004,0.000006388913],"about_ca_topic_score_codex":0.04205578,"about_ca_topic_score_gemma":0.07223624,"teacher_disagreement_score":0.04205578,"about_ca_system_score_codex":0.0023288967,"about_ca_system_score_gemma":0.0035206808,"threshold_uncertainty_score":0.085891604},"labels":[],"label_agreement":null},{"id":"W4415116050","doi":"10.51528/dk.9781954987104","title":"La autonomía de los no-vivos: la imagen como representación productiva en la cultura digital","year":2021,"lang":"es","type":"book","venue":"","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); BELLA; Field (mathematics); Ideology","score_opus":0.015336415364159257,"score_gpt":0.2743518560993448,"score_spread":0.25901544073518556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415116050","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.120423585,0.029332379,0.04928372,0.06579487,0.0016913974,0.000063928426,0.0005756122,0.0003194957,0.73251486],"genre_scores_gemma":[0.8990304,0.012381778,0.0138143655,0.0031415634,0.000553201,0.00008608996,0.0002560869,0.00021983842,0.070516564],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911314,0.00044022515,0.000025250596,0.00014545924,0.00019630117,0.00007959381],"domain_scores_gemma":[0.998437,0.0008100394,0.0001563358,0.0002193376,0.00021263308,0.00016483905],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019021807,0.00043865107,0.00023322456,0.0017029195,0.0035595412,0.011946911,0.0006538523,0.0014789405,0.006966738],"category_scores_gemma":[0.0030057717,0.0002374147,0.00035803518,0.0021691467,0.014254042,0.010141759,0.004082519,0.0021471933,0.0010173188],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000564424,0.000019924943,0.003919791,0.00023559871,0.000015671649,0.0002536622,0.08340619,0.00025624118,0.0010134003,0.7936734,0.027768599,0.08938111],"study_design_scores_gemma":[0.000011596928,0.00003638823,0.009128709,0.00064917025,0.0000253634,0.0006181508,0.07137776,0.0009372001,0.0010530202,0.19308144,0.7230401,0.00004102843],"about_ca_topic_score_codex":0.008320479,"about_ca_topic_score_gemma":0.010268568,"teacher_disagreement_score":0.011946911,"about_ca_system_score_codex":0.0036095167,"about_ca_system_score_gemma":0.002055794,"threshold_uncertainty_score":0.02618903},"labels":[],"label_agreement":null},{"id":"W636548113","doi":"","title":"Arte de Québec en la Habana. Arte de Québec en la Habana, La Havane, 03-2008 Arte de Québec en la Habana, La Havane, 03-2008","year":2009,"lang":"fr","type":"article","venue":"Inter : Art actuel","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.011931772206505665,"score_gpt":0.25332434396824743,"score_spread":0.24139257176174178,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W636548113","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02635313,0.0313056,0.003112393,0.008663289,0.003419221,0.00032275383,0.040799666,0.0012042316,0.88481975],"genre_scores_gemma":[0.034990195,0.0042876303,0.0023958513,0.00039788475,0.000069281814,0.000050602066,0.002823956,0.0002384759,0.95474607],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998092,0.000021007461,0.0000057855536,0.000033755605,0.00009458286,0.000035586516],"domain_scores_gemma":[0.9997155,0.00001894959,0.000010362567,0.000019303925,0.00019291382,0.000042924454],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035006212,0.00071260455,0.0003013863,0.001658126,0.0050047585,0.0025722808,0.00075674575,0.000697416,0.12139407],"category_scores_gemma":[0.00045889866,0.00040272297,0.00032835282,0.0022836318,0.0008626358,0.00071329286,0.00079476216,0.0012957199,0.00984378],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010471735,0.000047372614,0.0052597625,0.00029881965,0.000028096454,0.00045986872,0.0020192335,0.0005388188,0.0021285915,0.015174323,0.8430679,0.13087255],"study_design_scores_gemma":[0.000005757211,0.0000042752145,0.010649517,0.000054298132,0.0000059792146,0.000050990137,0.00047009744,0.000059597536,0.00021936955,0.00012565118,0.98834443,0.000009932003],"about_ca_topic_score_codex":0.9889466,"about_ca_topic_score_gemma":0.99809664,"teacher_disagreement_score":0.12139407,"about_ca_system_score_codex":0.03094224,"about_ca_system_score_gemma":0.01632885,"threshold_uncertainty_score":0.4061036},"labels":[],"label_agreement":null},{"id":"W6977560689","doi":"10.6084/m9.figshare.c.5389079","title":"The effectiveness and safety of LMWH for preventing thrombosis in patients with spinal cord injury: a meta-analysis","year":2021,"lang":"en","type":"other","venue":"Figshare","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Thrombosis; Low molecular weight heparin; Spinal cord injury; Venous thrombosis; Spinal cord; Heparin; Anticoagulant","score_opus":0.09859654423011648,"score_gpt":0.3265135439479489,"score_spread":0.2279169997178324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6977560689","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017314725,0.98003536,0.0007674439,0.00023392274,0.00025650085,0.00034663512,0.00060241704,0.000045836314,0.00039709712],"genre_scores_gemma":[0.556778,0.43536526,0.0028995092,0.001231274,0.0005791197,0.0013459077,0.0010701774,0.000058997277,0.0006717478],"study_design_codex":"meta_analysis","study_design_gemma":"meta_analysis","domain_scores_codex":[0.98836005,0.006317048,0.002793667,0.0011658699,0.0010279203,0.00033543716],"domain_scores_gemma":[0.97587425,0.01777854,0.0036166222,0.00082132843,0.0015632728,0.00034600974],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.013886426,0.003330372,0.020748194,0.005134793,0.00070017675,0.0042197313,0.0024133308,0.003200657,0.0041223196],"category_scores_gemma":[0.029090906,0.0016980747,0.05425243,0.005305273,0.00076249224,0.0017668759,0.0013510186,0.0023750982,0.00035934706],"study_design_candidate":"meta_analysis","study_design_consensus":"meta_analysis","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0034254135,0.000029367679,0.0033286163,0.09757123,0.8918287,0.00009874429,0.000029803025,0.00036180322,0.00013430657,0.00005175733,0.00019959015,0.0029406624],"study_design_scores_gemma":[0.00063694565,0.00017804251,0.0019179326,0.0038935337,0.99269545,0.00004342401,0.000015422678,0.00014728759,0.000061681065,0.000072062845,0.00032639992,0.000011715267],"about_ca_topic_score_codex":0.005540556,"about_ca_topic_score_gemma":0.0077149374,"teacher_disagreement_score":0.020748194,"about_ca_system_score_codex":0.0022878186,"about_ca_system_score_gemma":0.0020096917,"threshold_uncertainty_score":0.0734393},"labels":[],"label_agreement":null},{"id":"W6982932836","doi":"","title":"La reestructuración urbana en América Latina Las ciudades latinoamericanas y el capitalismo dependiente","year":2017,"lang":"en","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Restructuring; Capitalism; Capital (architecture); Capital accumulation; Latin Americans; Industrialisation; Quarter (Canadian coin); Neoliberalism (international relations); Capitalist system","score_opus":0.015514266008480866,"score_gpt":0.269439017812105,"score_spread":0.2539247518036241,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982932836","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14634028,0.12204099,0.012248301,0.06584939,0.0018782814,0.00004717027,0.0005567436,0.0002552609,0.65078354],"genre_scores_gemma":[0.90261626,0.044983238,0.0030372613,0.0028672183,0.0015093322,0.000115382296,0.00023188937,0.00013146343,0.044508006],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9994326,0.0002790365,0.000011303509,0.00009666243,0.000075316035,0.00010500746],"domain_scores_gemma":[0.9996265,0.00014303319,0.00007627956,0.00004994765,0.00006927776,0.00003495308],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00088053744,0.0006459678,0.00030808037,0.001917187,0.0026434625,0.009377065,0.0006571233,0.00081364333,0.002980089],"category_scores_gemma":[0.00074426126,0.0001691662,0.00032223796,0.0028850343,0.017321192,0.0029951306,0.0025024335,0.0021378552,0.00031084806],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013101325,0.000012233153,0.0017459431,0.000074768395,0.0000049107016,0.00011563262,0.021746939,0.00058248884,0.00019644557,0.9564102,0.0036358242,0.015461562],"study_design_scores_gemma":[0.000012184283,0.00002120236,0.005447611,0.00043785752,0.000016106156,0.00019170408,0.03332657,0.00067092635,0.00015198065,0.15340814,0.8062932,0.000022532868],"about_ca_topic_score_codex":0.04666671,"about_ca_topic_score_gemma":0.045253403,"teacher_disagreement_score":0.04666671,"about_ca_system_score_codex":0.0076766484,"about_ca_system_score_gemma":0.0036312446,"threshold_uncertainty_score":0.09279019},"labels":[],"label_agreement":null},{"id":"W7028353556","doi":"","title":"Essais d'efficacité et caractérisation des fongicides utilisés dans la lutte contre la tavelure du pommier","year":2022,"lang":"en","type":"dissertation","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Apple scab; Fungus; Fungicide; Chemical control; Apple tree; Venturia inaequalis","score_opus":0.016079599206897197,"score_gpt":0.24136058883433198,"score_spread":0.22528098962743479,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7028353556","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9871458,0.007505619,0.0005714073,0.00013309413,0.000061162405,0.00012743026,0.00054613757,0.000036465535,0.003872882],"genre_scores_gemma":[0.9620282,0.0062546623,0.0031161697,0.00011202394,0.000043617816,0.000118504926,0.0012452268,0.00006514152,0.027016442],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.99913234,0.00025271546,0.000050612503,0.0002459444,0.00020335153,0.000115124385],"domain_scores_gemma":[0.9988391,0.00038324075,0.00012467102,0.000044898312,0.00046756657,0.00014052838],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012823542,0.00056793465,0.00072849425,0.00051138975,0.00066266774,0.0011150796,0.00039148197,0.000828366,0.005466355],"category_scores_gemma":[0.0016444119,0.00022679672,0.00057760125,0.00038564243,0.0005007044,0.00085248833,0.00033083392,0.00079622556,0.0008903536],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0023095123,0.00082702795,0.0036557307,0.0005376782,0.00007554909,0.00008791128,0.00067618286,0.00029705703,0.9444476,0.00012238152,0.0003093397,0.046654057],"study_design_scores_gemma":[0.00013401845,0.03347811,0.16610321,0.00032258828,0.00048625623,0.00030788445,0.0016861942,0.0016970917,0.76670897,0.00019606772,0.028755993,0.00012366756],"about_ca_topic_score_codex":0.020877512,"about_ca_topic_score_gemma":0.02748818,"teacher_disagreement_score":0.020877512,"about_ca_system_score_codex":0.0010879501,"about_ca_system_score_gemma":0.0006310879,"threshold_uncertainty_score":0.041511953},"labels":[],"label_agreement":null},{"id":"W7033533018","doi":"","title":"Recent Study: Canada Power Report Q2 2013","year":2013,"lang":"en","type":"other","venue":"","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.02775232546308374,"score_gpt":0.24309283150115568,"score_spread":0.21534050603807195,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7033533018","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0059360205,0.0019324386,0.0005086296,0.017368037,0.0021271738,0.00090452447,0.35501403,0.0007174777,0.61549157],"genre_scores_gemma":[0.010035819,0.0013668133,0.00028083607,0.0026152334,0.0002110939,0.00026378332,0.027431058,0.00023224404,0.957563],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99678683,0.000059538674,0.000058356974,0.00015517948,0.0020549707,0.0008850829],"domain_scores_gemma":[0.98615336,0.00053416385,0.00022065759,0.00035922407,0.011527605,0.0012050088],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00147168,0.000915332,0.0006499574,0.005434523,0.009029811,0.006759563,0.002263805,0.0028509018,0.16416404],"category_scores_gemma":[0.006154039,0.00070296513,0.0007658996,0.009969733,0.0014722112,0.001745772,0.0017238929,0.0030461012,0.042221714],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004279726,0.000033671753,0.0011845875,0.00006673465,0.00000454125,0.00002161455,0.00008370016,0.000057182617,0.00004067011,0.0012629216,0.99008346,0.0071180398],"study_design_scores_gemma":[0.00003624346,0.000012096135,0.023625324,0.00011923915,0.000013924305,0.000017176979,0.00073500496,0.00011252317,0.0003294527,0.0003544863,0.974621,0.000023595183],"about_ca_topic_score_codex":0.98530614,"about_ca_topic_score_gemma":0.9929103,"teacher_disagreement_score":0.16416404,"about_ca_system_score_codex":0.035315547,"about_ca_system_score_gemma":0.13605854,"threshold_uncertainty_score":0.54918337},"labels":[],"label_agreement":null},{"id":"W7033932513","doi":"","title":".ss+****1800==2919{{{60992***)))Quickbooks suPPort PHone number,Quickbooks support number,. ⎀","year":2016,"lang":"en","type":"other","venue":"OSF Preprints (OSF Preprints)","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Phone; Service (business); Customer service; Customer needs; Information system","score_opus":0.024040626635335807,"score_gpt":0.27485156719303305,"score_spread":0.25081094055769726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7033932513","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007542983,0.00009079401,0.0010917701,0.00044808636,0.0007959794,0.0001361109,0.0026442958,0.007800938,0.98623776],"genre_scores_gemma":[0.0019309724,0.00006851381,0.00024240362,0.00022334143,0.00008932409,0.000028992097,0.0009025002,0.0012736776,0.9952402],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99965847,0.00003413524,0.000018180144,0.00006614203,0.00013916947,0.00008383341],"domain_scores_gemma":[0.997767,0.00018018304,0.00006780444,0.00024750747,0.00094861945,0.00078900985],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00035500192,0.0012496993,0.00078651955,0.0012007585,0.0018590665,0.0042222566,0.0009886534,0.0012799882,0.94813013],"category_scores_gemma":[0.002441687,0.00064758956,0.00052670116,0.0010126613,0.00049236626,0.0026213112,0.002234725,0.0012142031,0.9469991],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055577017,0.000038356204,0.00023445213,0.000058950227,0.0000022200063,0.000053199372,0.00005532002,0.00003488281,0.00056988065,0.0010337693,0.96690136,0.030961923],"study_design_scores_gemma":[0.000024606392,0.000036720525,0.0005538707,0.000044218574,0.0000041412045,0.000085892854,0.00010949663,0.00013908162,0.0004968844,0.0002742086,0.9982161,0.000014714757],"about_ca_topic_score_codex":0.0036743062,"about_ca_topic_score_gemma":0.0045884745,"teacher_disagreement_score":0.05186987,"about_ca_system_score_codex":0.00089436513,"about_ca_system_score_gemma":0.0007993257,"threshold_uncertainty_score":0.073985994},"labels":[],"label_agreement":null},{"id":"W7039468336","doi":"","title":"Mulheres fotógrafas em Portugal (1844-1918) : Maria E. R. Campos - 1ª photogrpha portugueza","year":2018,"lang":"pt","type":"dissertation","venue":"Portuguese National Funding Agency for Science, Research and Technology (RCAAP Project by FCT)","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Svenska Forskningsrådet Formas; International Development Research Centre; National Geographic Society","keywords":"Photography; Portuguese; Value (mathematics)","score_opus":0.08813817041696932,"score_gpt":0.3899487363171947,"score_spread":0.30181056590022537,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039468336","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18797795,0.22937684,0.0012294392,0.06947209,0.007594847,0.00007911095,0.0023765313,0.00012507511,0.5017682],"genre_scores_gemma":[0.655328,0.0762262,0.0013399749,0.003754877,0.0016431884,0.00006919933,0.0004886422,0.00013022301,0.26101983],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996581,0.00011105536,0.0000100992775,0.000073976065,0.00007832782,0.00006841348],"domain_scores_gemma":[0.9997124,0.000101113576,0.000056667348,0.000018248491,0.000052483403,0.000059121616],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00066059566,0.00033255163,0.00026553925,0.0011327065,0.0040978757,0.0018677332,0.00048414365,0.0007660099,0.01085004],"category_scores_gemma":[0.0009466192,0.00024007774,0.0002267872,0.0015998778,0.0018123663,0.00083033025,0.0013154917,0.00087220594,0.0011957296],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013460746,0.00007396498,0.011881304,0.0017615416,0.000028350063,0.0026011139,0.37714517,0.00024625452,0.0008770651,0.065001436,0.30502653,0.2352226],"study_design_scores_gemma":[0.0000019009609,0.000015371954,0.02124662,0.00060645543,0.0000044965395,0.00044988006,0.028585047,0.000022968694,0.0001586393,0.0008311336,0.9480686,0.000008957553],"about_ca_topic_score_codex":0.04558799,"about_ca_topic_score_gemma":0.1496148,"teacher_disagreement_score":0.04558799,"about_ca_system_score_codex":0.0026060606,"about_ca_system_score_gemma":0.0019263724,"threshold_uncertainty_score":0.09064525},"labels":[],"label_agreement":null},{"id":"W7066159355","doi":"","title":"Festival Tragameluz: fomentar una cultura visual comunitaria","year":2019,"lang":"es","type":"article","venue":"Repositorio Institucional de la Universidad de Huelva (Universidad de Huelva)","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Metis; Visual culture","score_opus":0.010706188928160932,"score_gpt":0.2709250246110131,"score_spread":0.26021883568285215,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7066159355","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26421782,0.006490079,0.0044092652,0.0329009,0.0029629197,0.00006807904,0.00015808364,0.000247343,0.6885455],"genre_scores_gemma":[0.85953397,0.000988783,0.00087171467,0.0011238067,0.00028499906,0.000023969671,0.00004346349,0.000112457055,0.13701685],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988493,0.00053686305,0.000016421149,0.0001127723,0.0002105241,0.00027416623],"domain_scores_gemma":[0.99895453,0.00028060595,0.000074563926,0.00013419523,0.00014063688,0.00041540337],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017297503,0.00034893828,0.000178016,0.00076429604,0.009193941,0.006954898,0.0007002672,0.001158452,0.013867658],"category_scores_gemma":[0.0023182253,0.00016585254,0.00027316323,0.00062867074,0.007675947,0.0023634194,0.005663277,0.0029557045,0.0009813658],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024373767,0.0001164276,0.0046836296,0.00028683088,0.000029761395,0.00096371723,0.29769176,0.0003384753,0.002740423,0.48121345,0.11534897,0.096342854],"study_design_scores_gemma":[0.000016697017,0.000047497288,0.006266508,0.00022171221,0.000010351191,0.00027027816,0.10160944,0.00017775789,0.0007223265,0.009294455,0.8813446,0.00001839838],"about_ca_topic_score_codex":0.026349928,"about_ca_topic_score_gemma":0.068222836,"teacher_disagreement_score":0.026349928,"about_ca_system_score_codex":0.0057271994,"about_ca_system_score_gemma":0.0027015745,"threshold_uncertainty_score":0.05239314},"labels":[],"label_agreement":null},{"id":"W7083839521","doi":"10.5281/zenodo.17236203","title":"From chaos to tranquillity: a modern approach to the identification, nomenclature and phylogeny of Aspergillus, Penicillium and other Eurotiales, including an updated accepted species list","year":2025,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Agriculture and Agri-Food Canada","funders":"European Commission","keywords":"Nomenclature; Phylogenetics; CHAOS (operating system); Taxonomy (biology)","score_opus":0.08256118474927515,"score_gpt":0.2756925804151408,"score_spread":0.19313139566586562,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7083839521","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.039643776,0.30034667,0.5099132,0.039389256,0.036653154,0.00039830373,0.0031067976,0.002285538,0.06826321],"genre_scores_gemma":[0.14971316,0.22370741,0.5480177,0.006840349,0.010865075,0.00042474092,0.006712794,0.0012384057,0.0524804],"study_design_codex":"design_other","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9989272,0.00024229739,0.00024378845,0.00016716088,0.0003502882,0.000069307775],"domain_scores_gemma":[0.99861324,0.00034222516,0.0002801644,0.00023812758,0.00035461385,0.00017160161],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014519162,0.0010839512,0.0009401718,0.0045259497,0.0014884456,0.003547882,0.0015023183,0.0011574825,0.006288471],"category_scores_gemma":[0.0027836119,0.0003862,0.00064104697,0.0037831403,0.0041057314,0.0064868806,0.002670795,0.0034051472,0.0034912608],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021569082,0.00005979633,0.0025471428,0.0012465459,0.00006219856,0.00068247266,0.0018638191,0.0013895673,0.025090335,0.10564247,0.056632843,0.8045671],"study_design_scores_gemma":[0.000010172439,0.00015820237,0.004629943,0.00066088367,0.000045086774,0.001856035,0.00066190015,0.0013729285,0.0040046335,0.06519238,0.92130834,0.000099415774],"about_ca_topic_score_codex":0.0028043333,"about_ca_topic_score_gemma":0.0039364654,"teacher_disagreement_score":0.006288471,"about_ca_system_score_codex":0.001448772,"about_ca_system_score_gemma":0.0020753003,"threshold_uncertainty_score":0.021037042},"labels":[],"label_agreement":null},{"id":"W7116212817","doi":"","title":"Más allá de lo visible: Lesbianas y la autorrepresentación fotográfica a finales del siglo XX en la península","year":2025,"lang":"es","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"York University","keywords":"Possession (linguistics); Context (archaeology); Identity (music); Urban space; Peninsula; Lesbian; Politics","score_opus":0.012899737104785763,"score_gpt":0.27832426336505056,"score_spread":0.2654245262602648,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7116212817","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7522316,0.018383129,0.00039102274,0.01852425,0.00031917117,0.00001429932,0.00007262889,0.000034863908,0.21002907],"genre_scores_gemma":[0.96521896,0.003912094,0.00015921843,0.0011177774,0.000059829235,0.000011332341,0.000021813703,0.000019273764,0.029479686],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9995697,0.00026008408,0.0000054816173,0.00003562573,0.00004238373,0.00008665184],"domain_scores_gemma":[0.99975556,0.000063481144,0.000061303705,0.0000214009,0.00004062967,0.000057695706],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009148372,0.0004069834,0.00015087092,0.00050184736,0.006434114,0.0047987276,0.00039348085,0.00080213405,0.004815341],"category_scores_gemma":[0.0008262773,0.00017099714,0.00011271448,0.0006320959,0.007210716,0.0015264126,0.002111371,0.0018909203,0.00044595686],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017063657,0.00011243925,0.018304765,0.00021515897,0.000015262534,0.0016013552,0.815894,0.00007909679,0.0018010726,0.10257441,0.0140930405,0.045138735],"study_design_scores_gemma":[0.000014832389,0.0000377984,0.031048661,0.00038775383,0.000015765014,0.0004405798,0.7356715,0.00005230819,0.0004909525,0.0019201294,0.22990265,0.000016982567],"about_ca_topic_score_codex":0.11217744,"about_ca_topic_score_gemma":0.16402972,"teacher_disagreement_score":0.11217744,"about_ca_system_score_codex":0.0041352245,"about_ca_system_score_gemma":0.0019235398,"threshold_uncertainty_score":0.22304899},"labels":[],"label_agreement":null},{"id":"W7124235633","doi":"","title":"Entre imagem e veículo simbólico: revisitação aos álbuns fotográficos da ferrovia portuguesa de finais de Oitocentos e inícios de Novecentos","year":2024,"lang":"pt","type":"article","venue":"Dialnet (Universidad de la Rioja)","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto; Yale University","keywords":"Portuguese; Photography; Appropriation; Historiography; Field (mathematics)","score_opus":0.020030996669845414,"score_gpt":0.2751440070412893,"score_spread":0.25511301037144385,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7124235633","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24633667,0.093578786,0.0023255553,0.01710578,0.001340374,0.000031639585,0.00012806567,0.0000609183,0.6390922],"genre_scores_gemma":[0.9473187,0.02535555,0.0007409863,0.00074996793,0.0003866827,0.000016578702,0.000035976525,0.00006590884,0.025329689],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9987684,0.00058411376,0.000038009384,0.00022130637,0.00023275844,0.00015536953],"domain_scores_gemma":[0.9983558,0.0010456597,0.00018557983,0.00015233619,0.00014743881,0.00011318516],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022057572,0.00038102863,0.00034314048,0.0033033674,0.0074566468,0.011280281,0.0007229755,0.0010915607,0.006109569],"category_scores_gemma":[0.0036259862,0.00032365613,0.00022637329,0.0041956347,0.016106479,0.00454348,0.002449983,0.0019899227,0.0005202502],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005988539,0.00004174694,0.004364771,0.00086377724,0.000011628437,0.001111812,0.63465613,0.00010438731,0.0006844761,0.22644666,0.0106839305,0.120970786],"study_design_scores_gemma":[0.000005239653,0.000026218486,0.016997553,0.001569081,0.00001340846,0.0008220805,0.2807204,0.00012798303,0.0005239758,0.00686965,0.69230783,0.000016579515],"about_ca_topic_score_codex":0.038292997,"about_ca_topic_score_gemma":0.089772366,"teacher_disagreement_score":0.038292997,"about_ca_system_score_codex":0.007744763,"about_ca_system_score_gemma":0.0039154,"threshold_uncertainty_score":0.076140225},"labels":[],"label_agreement":null},{"id":"W89084152","doi":"","title":"Review of: Looking for Mexico: Modern Visual Culture and National Identity by John Mraz","year":2010,"lang":"en","type":"article","venue":"Sound Ideas (University of Puget Sound)","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Identity (music); Visual culture; Aesthetics; History; Sociology; Art; Anthropology","score_opus":0.02076561773983445,"score_gpt":0.2707235021459544,"score_spread":0.24995788440611996,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W89084152","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00010042383,0.9561971,0.00006477663,0.023548085,0.012866152,0.0000042458564,0.000022572885,0.0000059182316,0.007190742],"genre_scores_gemma":[0.0016182783,0.96255606,0.00010812774,0.008523085,0.0151665015,0.000010196002,0.00004114247,0.000012071813,0.011964485],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996037,0.0000928219,0.000029819757,0.000076538825,0.0001605081,0.000036631387],"domain_scores_gemma":[0.9985555,0.00062219833,0.00010173822,0.00002486421,0.000549415,0.00014632069],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00074831495,0.00077276165,0.0010129247,0.0023626867,0.0012643184,0.0033208854,0.0009300369,0.0024050921,0.011950981],"category_scores_gemma":[0.0027270336,0.00038456437,0.00026992348,0.004124985,0.0017135367,0.0045072264,0.0013390159,0.003967758,0.0037440509],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016707756,0.000012215148,0.0001479832,0.0017013662,0.000011448049,0.00005309845,0.00025393313,0.00004894804,0.00006766854,0.006236844,0.8808624,0.110587396],"study_design_scores_gemma":[0.0000035079556,0.0000065943505,0.0006325951,0.0013904714,0.0000079965175,0.00017621221,0.000275968,0.0000138541245,0.00002845448,0.0007225289,0.99673355,0.0000082368315],"about_ca_topic_score_codex":0.017372277,"about_ca_topic_score_gemma":0.0274249,"teacher_disagreement_score":0.017372277,"about_ca_system_score_codex":0.0022981525,"about_ca_system_score_gemma":0.0028699245,"threshold_uncertainty_score":0.039979994},"labels":[],"label_agreement":null},{"id":"W99297444","doi":"","title":"Esencia de verbena: sabor popular y estética de minorías en la pintura de Maruja Mallo","year":2003,"lang":"es","type":"article","venue":"Revista Canadiense de Estudios Hispánicos","topic":"Photographic and Visual Arts","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.014898126434644507,"score_gpt":0.24647843701756306,"score_spread":0.23158031058291856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W99297444","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9083817,0.0016212263,0.00031809814,0.0045703896,0.00014545856,0.000026885375,0.00009139359,0.000019230098,0.084825635],"genre_scores_gemma":[0.98223776,0.00062165584,0.00013665842,0.00029786327,0.000045032684,0.00001597116,0.000029357563,0.000024721146,0.016590957],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990299,0.00040119272,0.000030328021,0.00009332802,0.00018579283,0.00025949976],"domain_scores_gemma":[0.99833494,0.0007042212,0.000356145,0.00011873124,0.00024108596,0.00024486685],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015352168,0.0002714702,0.00026708373,0.0014264461,0.0052516526,0.0041819997,0.0010492896,0.0012389784,0.0112422705],"category_scores_gemma":[0.0049241926,0.00022682136,0.00020461166,0.0016478859,0.0038320574,0.002775155,0.004430123,0.0021330228,0.0005381895],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002483208,0.00022089713,0.034761373,0.00033965587,0.00001528595,0.0014681162,0.81851774,0.000044543,0.0017822046,0.082863934,0.0057045314,0.05403335],"study_design_scores_gemma":[0.000012487127,0.0000625725,0.052916013,0.00032605545,0.00002327942,0.00040884403,0.7874787,0.00009904794,0.0005272136,0.0018959076,0.15622973,0.00002015767],"about_ca_topic_score_codex":0.043052133,"about_ca_topic_score_gemma":0.08611833,"teacher_disagreement_score":0.043052133,"about_ca_system_score_codex":0.003257575,"about_ca_system_score_gemma":0.0023778013,"threshold_uncertainty_score":0.08560312},"labels":[],"label_agreement":null}]}