{"meta":{"query_hash":"efd093c24c87","filters":{"topic":"Photography and Visual Culture"},"cohort_total":1147,"direct_labels_cover":3,"predictions_cover":1147,"exported":1147,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/efd093c24c87","api":"https://metacan.xera.ac/api/v1/cohort?topic=Photography+and+Visual+Culture"},"results":[{"id":"W1014151839","doi":"","title":"La photographie comme arrêt du temps. Yves Nantel, Les Squeegees, Galerie Lieu Ouest, Montréal. Du 28 août au 2 octobre 1999Yves Nantel, Les Squeegees, Galerie Lieu Ouest, Montréal. Du 28 août au 2 octobre 1999","year":2000,"lang":"fr","type":"article","venue":"ETC","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.020436627147977286,"score_gpt":0.23261717747569996,"score_spread":0.21218055032772268,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1014151839","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003920766,0.092628784,0.0010071059,0.048867613,0.010390938,0.000094909636,0.0026014296,0.0005099437,0.8399786],"genre_scores_gemma":[0.00846772,0.012059967,0.00039733137,0.00065835076,0.00042606646,0.000008322769,0.0002686012,0.00013997353,0.9775737],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99966776,0.000051109175,0.000007693508,0.000056086108,0.00015968838,0.000057580546],"domain_scores_gemma":[0.99954957,0.00005343064,0.000020860398,0.000027225387,0.0002410317,0.00010788521],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00051749044,0.0007119203,0.00023871119,0.0008482178,0.0026408767,0.0027644641,0.000503113,0.0011955019,0.32690233],"category_scores_gemma":[0.00097543537,0.00047175033,0.00026867693,0.0013772807,0.00076531747,0.0012930656,0.0010797076,0.0019253212,0.06904706],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004591734,0.000012668206,0.00041905235,0.00007725298,0.0000052713935,0.000082769526,0.00025673164,0.000045631972,0.0007315239,0.0033277133,0.9570444,0.037951067],"study_design_scores_gemma":[0.000006059861,0.000005289241,0.0031395648,0.0000675106,0.000002417622,0.0000490651,0.00028405627,0.000021702708,0.00021679798,0.00018146481,0.99602145,0.0000046998016],"about_ca_topic_score_codex":0.37781832,"about_ca_topic_score_gemma":0.7231097,"teacher_disagreement_score":0.37781832,"about_ca_system_score_codex":0.004951772,"about_ca_system_score_gemma":0.00293473,"threshold_uncertainty_score":0.9600921},"labels":[],"label_agreement":null},{"id":"W106301336","doi":"","title":"Take No Photographs, Leave Only Ripples","year":2009,"lang":"en","type":"article","venue":"University of the Arts London Research Online (University of the Arts London)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Photography; Visual arts; Art; Newspaper; Subject (documents); Photojournalism; White (mutation); Art history; Meaning (existential); Negative; Media studies; Sociology; Library science; Computer science","score_opus":0.056298932080177146,"score_gpt":0.2705171757966599,"score_spread":0.21421824371648276,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W106301336","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009820036,0.0023218784,0.0026326582,0.01475928,0.0050148177,0.0001136778,0.00039080495,0.00084153237,0.9641053],"genre_scores_gemma":[0.13332115,0.0035395888,0.0037972922,0.0077136448,0.0023610087,0.00016725676,0.00035745182,0.0011199699,0.8476227],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983171,0.00041304136,0.000050814186,0.00018605962,0.0008232405,0.00020975841],"domain_scores_gemma":[0.9979469,0.000372205,0.00017049156,0.00095664425,0.0003391985,0.00021465265],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011662657,0.000980344,0.00039054838,0.0012129119,0.005243677,0.005620956,0.0010051271,0.0016294259,0.08767406],"category_scores_gemma":[0.0056362078,0.00062410376,0.00051462266,0.0007617983,0.005340459,0.005783539,0.005032631,0.0019785028,0.049943317],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010471586,0.000056291094,0.0008198405,0.00043237268,0.000015840986,0.0006234093,0.02976813,0.00007276048,0.0024207798,0.03936119,0.78050494,0.14581977],"study_design_scores_gemma":[0.0000058849128,0.000021717284,0.00081292813,0.00010661187,0.0000079442425,0.00037432427,0.008536681,0.000015289826,0.00092529366,0.0024754743,0.9867062,0.000011658742],"about_ca_topic_score_codex":0.003947547,"about_ca_topic_score_gemma":0.010613139,"teacher_disagreement_score":0.08767406,"about_ca_system_score_codex":0.0016768146,"about_ca_system_score_gemma":0.0010241083,"threshold_uncertainty_score":0.2932989},"labels":[],"label_agreement":null},{"id":"W1124093326","doi":"","title":"Forensique / Forensics. Ciel variable : Art, photo, médias, culture, no. 93, 2013","year":2013,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Variable (mathematics); Art; Computer science; Mathematics","score_opus":0.028388891030542568,"score_gpt":0.2490123607019322,"score_spread":0.22062346967138963,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1124093326","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004266856,0.017696714,0.0077619045,0.020238265,0.0076109483,0.00085377414,0.018805467,0.0040226737,0.9187433],"genre_scores_gemma":[0.02399267,0.018770278,0.010204629,0.0045692883,0.0033027637,0.0003829775,0.0109343035,0.0020228487,0.92582035],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957045,0.0005823196,0.0002974941,0.0003112263,0.002812727,0.00029176785],"domain_scores_gemma":[0.9942233,0.0016754284,0.00034883927,0.00091338076,0.0023312364,0.000507931],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0041526374,0.0011387634,0.0007481866,0.0067084404,0.0038581535,0.006634105,0.0019738832,0.0044170655,0.32419813],"category_scores_gemma":[0.016696865,0.00065891305,0.0006783094,0.0039723604,0.0022555517,0.0026847303,0.0034218456,0.003939387,0.184494],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013589894,0.00007201148,0.00085203315,0.00041041017,0.0000133839685,0.0007233187,0.00023898866,0.0001243191,0.00093463686,0.0201837,0.7893995,0.18691188],"study_design_scores_gemma":[0.00002402135,0.000016693175,0.0020658665,0.00045729685,0.00000554138,0.0014506982,0.00035738107,0.00012365727,0.0012965582,0.0032270192,0.9909514,0.00002383169],"about_ca_topic_score_codex":0.026196392,"about_ca_topic_score_gemma":0.025829688,"teacher_disagreement_score":0.32419813,"about_ca_system_score_codex":0.003639255,"about_ca_system_score_gemma":0.0057660197,"threshold_uncertainty_score":0.9639493},"labels":[],"label_agreement":null},{"id":"W1131107137","doi":"10.1525/aft.2015.42.6.31","title":"Review: Burn with Desire: Photography and Glamour Anti-Glamour: Portraits of Women","year":2015,"lang":"en","type":"article","venue":"Afterimage","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Icon; Portrait; Photography; Citation; Visual arts; Afterimage; Art; Art history; Computer science; Library science; Artificial intelligence","score_opus":0.030534603155001654,"score_gpt":0.24417565669234043,"score_spread":0.21364105353733878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1131107137","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000079337005,0.97076976,0.00010519862,0.007995807,0.009167444,0.00007708203,0.00018255717,0.000030424919,0.0115924105],"genre_scores_gemma":[0.0014284401,0.9723932,0.00015985622,0.00851201,0.0050269347,0.00012082115,0.00020293662,0.000027726204,0.012128063],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998415,0.00041314334,0.00020332784,0.0001283939,0.00074983155,0.000090295136],"domain_scores_gemma":[0.9950067,0.0019192197,0.00048850686,0.00015145206,0.002132909,0.00030127712],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011983116,0.00093485706,0.001689327,0.0035401243,0.00075925514,0.0031952458,0.0013994923,0.0024445436,0.045757324],"category_scores_gemma":[0.010269223,0.00054181664,0.001020231,0.0049922955,0.0010415259,0.003139457,0.0011072309,0.0027155806,0.019438142],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022476432,0.000006290696,0.00006668934,0.010294844,0.000052577256,0.00009074084,0.00010243408,0.000022593535,0.00008760515,0.0005212331,0.89947,0.0892626],"study_design_scores_gemma":[0.00001788138,0.00002297136,0.0005626681,0.01880544,0.00007832352,0.000560413,0.00016219496,0.000010044291,0.000052830375,0.0003163716,0.97939634,0.000014695601],"about_ca_topic_score_codex":0.004805062,"about_ca_topic_score_gemma":0.010558611,"teacher_disagreement_score":0.045757324,"about_ca_system_score_codex":0.0023100798,"about_ca_system_score_gemma":0.0035235088,"threshold_uncertainty_score":0.15307349},"labels":[],"label_agreement":null},{"id":"W1169584260","doi":"10.4000/critiquedart.17529","title":"In situ - de visu – in motu : architecture, cinéma et arts technologiques","year":2014,"lang":"fr","type":"article","venue":"Critique d’art","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Architecture; Representation (politics); Art; Art history; Political science; Visual arts; Law","score_opus":0.016685101561269573,"score_gpt":0.29598770770817123,"score_spread":0.27930260614690167,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1169584260","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037406124,0.06063678,0.017620992,0.15960343,0.0056501226,0.00004447233,0.00016940307,0.00017612024,0.71869266],"genre_scores_gemma":[0.76142615,0.017698318,0.004897521,0.0123053985,0.0033139074,0.00011406565,0.000107607906,0.0003820074,0.19975518],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975274,0.001701742,0.00004328903,0.00024362198,0.00030131018,0.00018265385],"domain_scores_gemma":[0.9972765,0.0018941347,0.0001625036,0.00022836504,0.00026937656,0.00016915485],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028722577,0.00065062457,0.0002707031,0.0013587913,0.00592135,0.012223857,0.0008857551,0.0033455184,0.009667248],"category_scores_gemma":[0.0043539526,0.00025838256,0.0003516529,0.0015337397,0.024494257,0.009182269,0.0041060904,0.0047321203,0.0009464663],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031487878,0.000010305841,0.00049861823,0.00014676126,0.0000068463537,0.00013634838,0.092303105,0.00008872968,0.0004486505,0.85782534,0.028717753,0.019786036],"study_design_scores_gemma":[0.000008278744,0.000026314885,0.00181618,0.000518079,0.000009044965,0.00034376947,0.05155075,0.0001856111,0.00084743893,0.07478621,0.8698896,0.000018769471],"about_ca_topic_score_codex":0.020717941,"about_ca_topic_score_gemma":0.03354941,"teacher_disagreement_score":0.020717941,"about_ca_system_score_codex":0.0056443117,"about_ca_system_score_gemma":0.002655838,"threshold_uncertainty_score":0.041194737},"labels":[],"label_agreement":null},{"id":"W126138237","doi":"","title":"Guelph Family Photography","year":2011,"lang":"en","type":"article","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Geography; Visual arts; Art","score_opus":0.12035916695017036,"score_gpt":0.23588986953419866,"score_spread":0.1155307025840283,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W126138237","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011727718,0.0064634876,0.00040870762,0.016219031,0.0016454855,0.00006707088,0.001737559,0.00028364614,0.96144736],"genre_scores_gemma":[0.04536989,0.0036730713,0.0010581145,0.0011384061,0.00026771202,0.000025843703,0.00031632115,0.00017290094,0.9479778],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996655,0.00007527513,0.000011156024,0.00006711595,0.00012873003,0.000052261632],"domain_scores_gemma":[0.9990761,0.0001378918,0.00004454223,0.00008938388,0.00042326117,0.00022871715],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047403527,0.00034614388,0.00017767922,0.0025386515,0.005566086,0.0023526137,0.00037844214,0.00078868744,0.26549745],"category_scores_gemma":[0.0023386301,0.0002363915,0.00016817405,0.0011827687,0.000721928,0.0010648035,0.0014361003,0.00091443205,0.024449565],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005139859,0.000008088705,0.001279567,0.00014250766,0.000004733392,0.00075140706,0.0022029064,0.00004055472,0.0006755918,0.009006168,0.8843998,0.10143733],"study_design_scores_gemma":[0.0000026493922,0.0000063919224,0.0050310805,0.00010040215,0.0000015792099,0.00047957597,0.0018161627,0.000019921958,0.00027060663,0.00038453625,0.99188167,0.0000054269635],"about_ca_topic_score_codex":0.07197116,"about_ca_topic_score_gemma":0.25598848,"teacher_disagreement_score":0.26549745,"about_ca_system_score_codex":0.0024896907,"about_ca_system_score_gemma":0.0023217008,"threshold_uncertainty_score":0.88817745},"labels":[],"label_agreement":null},{"id":"W127926725","doi":"10.15173/mjc.v1i0.225","title":"Animated Photography: \"Breathing Car\"","year":2004,"lang":"en","type":"article","venue":"The McMaster Journal of Communication","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Photography; Breathing; Computer science; Art; Computer graphics (images); Visual arts; Medicine; Anatomy","score_opus":0.043347160675563295,"score_gpt":0.2670587021702611,"score_spread":0.22371154149469782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W127926725","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.056747727,0.004277059,0.018831462,0.023075363,0.010989709,0.00031130022,0.0013520421,0.0015209749,0.88289434],"genre_scores_gemma":[0.48073366,0.0027413508,0.023880003,0.008306592,0.0017415767,0.0002636641,0.0006760729,0.0010851873,0.48057184],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998913,0.00004322979,0.0000023476641,0.000015178469,0.000027747918,0.00002018494],"domain_scores_gemma":[0.9997508,0.00011545224,0.000008831097,0.000042991644,0.000047558286,0.000034362136],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028394427,0.0005002407,0.00013634659,0.00042362098,0.0013466798,0.001381558,0.00036140103,0.0010208295,0.038140934],"category_scores_gemma":[0.001318975,0.00012612664,0.0002602621,0.0002213119,0.0011452045,0.0011118726,0.0012787879,0.0014753317,0.0044742064],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00048749993,0.00012661831,0.0006938181,0.0007546382,0.00003658304,0.002839382,0.05889308,0.00073737046,0.02340455,0.08416301,0.7369147,0.09094868],"study_design_scores_gemma":[0.000021039665,0.000060696522,0.001448941,0.00025013654,0.000016263248,0.0009049445,0.008658121,0.0004236985,0.0025132636,0.0031811513,0.9825035,0.000018266997],"about_ca_topic_score_codex":0.0024743078,"about_ca_topic_score_gemma":0.0064084493,"teacher_disagreement_score":0.038140934,"about_ca_system_score_codex":0.0005316634,"about_ca_system_score_gemma":0.00024220675,"threshold_uncertainty_score":0.12759411},"labels":[],"label_agreement":null},{"id":"W13203554","doi":"","title":"Lifeworks : Soul searching","year":2001,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Soul; Narrative; Subject (documents); Computer science; Aesthetics; Visual arts; World Wide Web; Art; Philosophy; Epistemology; Literature","score_opus":0.01969912895465748,"score_gpt":0.2508979817639847,"score_spread":0.23119885280932723,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W13203554","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0070347497,0.0065134554,0.0018192254,0.011611218,0.0015276652,0.00003274403,0.00019136917,0.00046380848,0.9708058],"genre_scores_gemma":[0.14755702,0.008996527,0.0035456251,0.005112333,0.00083797297,0.00007484535,0.00045637292,0.0007719569,0.8326473],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994197,0.00019542172,0.000017928072,0.0000704909,0.00017601957,0.00012057289],"domain_scores_gemma":[0.9992021,0.0001873557,0.00004985793,0.00012284814,0.000095405085,0.00034240374],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005398742,0.00044377186,0.0002742768,0.0012994758,0.00801329,0.009945767,0.00076213735,0.001791489,0.100381814],"category_scores_gemma":[0.002324989,0.0002309815,0.0003507115,0.0014297625,0.004649795,0.0060844244,0.0070944834,0.0017510485,0.0245843],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049854072,0.00004124495,0.00069498987,0.00019798918,0.000006232285,0.00072869717,0.05858813,0.000050761588,0.00063707924,0.15597299,0.62197137,0.16106068],"study_design_scores_gemma":[0.0000021815677,0.0000050753747,0.00024056711,0.0001192173,0.0000013221635,0.00031546407,0.014824917,0.000018204153,0.000079257705,0.0051701674,0.9792195,0.000004105666],"about_ca_topic_score_codex":0.0038847055,"about_ca_topic_score_gemma":0.014476336,"teacher_disagreement_score":0.100381814,"about_ca_system_score_codex":0.0018702906,"about_ca_system_score_gemma":0.0014820336,"threshold_uncertainty_score":0.33581066},"labels":[],"label_agreement":null},{"id":"W133280615","doi":"","title":"Parachute: The Anthology (1975-2000): Performance & Performativity (Vol.II)","year":2015,"lang":"fr","type":"article","venue":"Critique d’art. Actualité internationale de la littérature critique sur l’art contemporain","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reel; Art; Humanities; Performativity; Art history; Visual arts; Sociology; Gender studies","score_opus":0.031374625681743006,"score_gpt":0.2956025258410835,"score_spread":0.2642279001593405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W133280615","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010727322,0.18506077,0.003849754,0.059709713,0.016381063,0.00012116169,0.00073133636,0.00020031893,0.72321856],"genre_scores_gemma":[0.188504,0.07655948,0.0017239263,0.0071169296,0.011393886,0.00022306923,0.00048206854,0.00044624976,0.71355045],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992411,0.00018717587,0.00001925392,0.0001193879,0.00031932222,0.00011366006],"domain_scores_gemma":[0.99930143,0.00028067394,0.00006528289,0.000052681575,0.00018467953,0.0001152921],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010073589,0.0008447184,0.0003935019,0.0020640937,0.005304551,0.006388421,0.0011975351,0.0013183891,0.022498472],"category_scores_gemma":[0.0024730018,0.00025783328,0.0002784623,0.0024429648,0.006330682,0.0026466125,0.0017030742,0.002990694,0.00308423],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049833125,0.00003227613,0.0006102442,0.0003803433,0.000006636386,0.00017298269,0.020816226,0.000113936396,0.0005177071,0.20176633,0.7191063,0.056427162],"study_design_scores_gemma":[0.0000023966745,0.000007924531,0.0013359142,0.0002791254,0.0000020580217,0.000055671957,0.0022885564,0.00002099026,0.00013612362,0.002487662,0.9933796,0.000003922456],"about_ca_topic_score_codex":0.09540548,"about_ca_topic_score_gemma":0.17861252,"teacher_disagreement_score":0.09540548,"about_ca_system_score_codex":0.013669084,"about_ca_system_score_gemma":0.009217092,"threshold_uncertainty_score":0.1897003},"labels":[],"label_agreement":null},{"id":"W136477721","doi":"10.4000/lisa.6026","title":"« Little grunts, the grins and grimaces of recognition »: Resistance and Exchange in Paul Muldoon and Norman MacBeath’s Plan B","year":2014,"lang":"en","type":"article","venue":"Revue LISA / LISA e-journal","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Humanities; Art; Poetry; Philosophy; Literature","score_opus":0.034045385494408435,"score_gpt":0.21524578676115536,"score_spread":0.1812004012667469,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W136477721","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.089721985,0.023466911,0.0034881204,0.362378,0.00251423,0.000095306765,0.00004428703,0.00004559756,0.51824564],"genre_scores_gemma":[0.773595,0.006365587,0.001103948,0.03267507,0.000671523,0.00014118559,0.000022457074,0.00011641421,0.1853089],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99639624,0.0021951592,0.00005356445,0.00041647683,0.0004907586,0.00044774346],"domain_scores_gemma":[0.9980909,0.0010397403,0.00016973124,0.00012757498,0.00015750554,0.0004144537],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031846443,0.00042880443,0.0003955237,0.000729027,0.019345041,0.010997005,0.0011247285,0.0049981256,0.005280818],"category_scores_gemma":[0.0042478796,0.00039121427,0.00025922596,0.000789516,0.039371096,0.009459156,0.006763976,0.010646613,0.0006609207],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019418332,0.000020486194,0.00035653182,0.000038275295,0.000002454875,0.00026389307,0.3826608,0.000032380267,0.00011659526,0.5526054,0.05133035,0.012553472],"study_design_scores_gemma":[0.000012085056,0.000017974837,0.0011868265,0.0002794138,0.000003277922,0.00028725338,0.22191624,0.000095279596,0.00015930556,0.059094716,0.71692514,0.000022420492],"about_ca_topic_score_codex":0.06571171,"about_ca_topic_score_gemma":0.11061661,"teacher_disagreement_score":0.06571171,"about_ca_system_score_codex":0.011011531,"about_ca_system_score_gemma":0.006983896,"threshold_uncertainty_score":0.13065845},"labels":[],"label_agreement":null},{"id":"W1443445751","doi":"","title":"Wang Qingsong, When Worlds Collide, International Center of Photography, New York, January 21 to May 8, 2011Wang Qingsong, When Worlds Collide, International Center of Photography, New York, January 21 to May 8, 2011","year":2011,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Center (category theory); Art history; Visual arts; Art","score_opus":0.05029875357129015,"score_gpt":0.25780489214784696,"score_spread":0.2075061385765568,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1443445751","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0030570012,0.010755212,0.0013841433,0.051693078,0.060226966,0.00034618136,0.004042913,0.0019284716,0.86656606],"genre_scores_gemma":[0.002865104,0.0020833064,0.00039701324,0.001255376,0.0012176391,0.000034747365,0.000762594,0.0002334743,0.99115086],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995103,0.000035519395,0.000022006046,0.000093515926,0.00022402305,0.00011456871],"domain_scores_gemma":[0.9990946,0.000054269596,0.000035033434,0.000039311657,0.000481558,0.00029525752],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00084233447,0.0009497997,0.0005336664,0.0015375173,0.004494683,0.004594869,0.00068371574,0.0016622555,0.48243508],"category_scores_gemma":[0.0018121611,0.00051538134,0.0005254488,0.0012440231,0.0004400136,0.0030260605,0.0026965686,0.0024955713,0.18581253],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001691986,0.0000105806375,0.00020347942,0.00002961691,0.0000022640572,0.00004264786,0.00004781164,0.000012437172,0.00015286483,0.00038260716,0.98761564,0.011483153],"study_design_scores_gemma":[0.0000040751434,0.000005743503,0.0015146266,0.000044752018,0.000003854002,0.000024249548,0.0003031568,0.00002488427,0.00012497779,0.00012505706,0.9978174,0.0000072639173],"about_ca_topic_score_codex":0.019991634,"about_ca_topic_score_gemma":0.111801594,"teacher_disagreement_score":0.48243508,"about_ca_system_score_codex":0.0018359999,"about_ca_system_score_gemma":0.0015337543,"threshold_uncertainty_score":0.7382436},"labels":[],"label_agreement":null},{"id":"W144773787","doi":"10.1353/mos.2018.0051","title":"Shudder Speed: The Photograph as Ecstasy and Tragedy","year":2018,"lang":"en","type":"article","venue":"Mosaic","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psyche; Tragedy (event); Ecstasy; Apollo; Phenomenon; Shutter; Photography; Pteridium aquilinum; Literature; Art; Psychology; Philosophy; Psychoanalysis; Visual arts; Theology; Epistemology","score_opus":0.026473824511640372,"score_gpt":0.2552505030226951,"score_spread":0.2287766785110547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W144773787","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13907771,0.07198398,0.004041168,0.04475403,0.0019681766,0.00003192439,0.00009345254,0.0000779796,0.73797166],"genre_scores_gemma":[0.94449514,0.017346121,0.0010774906,0.00268847,0.0008689034,0.000020327476,0.000022406266,0.000055484506,0.033425704],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993625,0.00032130332,0.000016103653,0.00006269466,0.00014404932,0.000093369694],"domain_scores_gemma":[0.9987953,0.00072271307,0.00016286365,0.00011854267,0.00010871906,0.000091904214],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007242223,0.00027693913,0.00019160825,0.0011374218,0.0024666393,0.0055188155,0.00039679452,0.001567823,0.007089343],"category_scores_gemma":[0.0030490188,0.00017181925,0.00016082359,0.0009515383,0.015897594,0.0063595404,0.0018357771,0.0018909987,0.00039618692],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007469185,0.000028474005,0.0008988145,0.00012517147,0.000007732913,0.0003117106,0.05837055,0.00011067327,0.0005185729,0.8936718,0.013636883,0.032244854],"study_design_scores_gemma":[0.00006639775,0.00014542683,0.00902362,0.00079387065,0.00003800573,0.0017424072,0.07925408,0.00044326988,0.0014153247,0.30919275,0.59782755,0.000057233086],"about_ca_topic_score_codex":0.0057359273,"about_ca_topic_score_gemma":0.006829713,"teacher_disagreement_score":0.007089343,"about_ca_system_score_codex":0.0024317512,"about_ca_system_score_gemma":0.00080944423,"threshold_uncertainty_score":0.023716211},"labels":[],"label_agreement":null},{"id":"W1447943907","doi":"","title":"The Passion of the Patenteux. Peter Alexander Pór, Tribute to the Cathars Persona Non Grata –The Veil of History Exhibition Bezpala Brown Gallery, Toronto February 5-25, 2011Peter Alexander Pór, Tribute to the Cathars Persona Non Grata –The Veil of History Exhibition Bezpala Brown Gallery, Toronto February 5-25, 2011","year":2012,"lang":"en","type":"article","venue":"Espace Sculpture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tribute; Passion; Exhibition; Art; Persona; Art history; History; Humanities; Psychology","score_opus":0.02819136456646813,"score_gpt":0.23105526406452073,"score_spread":0.2028638994980526,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1447943907","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020311796,0.05190922,0.00023274675,0.38234508,0.14205156,0.000103095445,0.00047643195,0.00024046858,0.42061022],"genre_scores_gemma":[0.0037923453,0.0024715122,0.000039820734,0.01262228,0.0031670036,0.00001794358,0.000052654937,0.000052875494,0.97778374],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978683,0.00021050217,0.00006820748,0.00030173323,0.0009355121,0.0006158282],"domain_scores_gemma":[0.9981323,0.00019233373,0.00007134349,0.000099335266,0.00075033127,0.0007542877],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013390433,0.0008509738,0.00071068795,0.0008114935,0.01249667,0.0067371456,0.0009767741,0.007812791,0.12880552],"category_scores_gemma":[0.0042797993,0.00073070877,0.00044098363,0.0005852607,0.0021127888,0.0026102767,0.004641716,0.008315881,0.046398137],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007601585,0.000003786287,0.000054259363,0.000011735955,0.0000012005451,0.00004703999,0.00012260968,0.0000054532825,0.000044424076,0.0020608678,0.99430805,0.0033329562],"study_design_scores_gemma":[0.0000018329404,0.0000034082366,0.00032237073,0.000028658507,9.097931e-7,0.000035724814,0.00028795557,0.0000052170717,0.000020865282,0.00012473382,0.99916494,0.0000033139343],"about_ca_topic_score_codex":0.12741546,"about_ca_topic_score_gemma":0.32479385,"teacher_disagreement_score":0.8725845,"about_ca_system_score_codex":0.0065405536,"about_ca_system_score_gemma":0.004992182,"threshold_uncertainty_score":0.4308974},"labels":[],"label_agreement":null},{"id":"W1466448094","doi":"","title":"Songs of the Future, Canadian Industrial Photographs, 1858 to Today, Art Gallery of Ontario, Toronto, 20 August 2011 to 3 June 2012Songs of the Future, Canadian Industrial Photographs, 1858 to Today, Art Gallery of Ontario, Toronto, 20 August 2011 to 3 June 2012","year":2012,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art gallery; Visual arts; Art history; Archaeology; History; Art; Exhibition","score_opus":0.031108258265785702,"score_gpt":0.2318620405395908,"score_spread":0.2007537822738051,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1466448094","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048129022,0.033738125,0.0004062241,0.010039397,0.005845726,0.00027432942,0.1304655,0.0003910283,0.77071077],"genre_scores_gemma":[0.09818445,0.014805627,0.00093274453,0.00091105147,0.0006469404,0.000103141916,0.026183883,0.00023765382,0.8579945],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994868,0.00001440765,0.000012471374,0.00004269208,0.00028678527,0.00015674035],"domain_scores_gemma":[0.99921525,0.000022307835,0.00003357088,0.000031926993,0.0004932776,0.00020368188],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035529735,0.0007281875,0.00029599323,0.0036754066,0.009488979,0.0026246358,0.00076487154,0.00064478215,0.07086855],"category_scores_gemma":[0.0012324337,0.000372589,0.0002899236,0.007388532,0.001115721,0.00082085613,0.001116068,0.0012843057,0.0064088353],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006151775,0.000013667045,0.004143931,0.00026363134,0.00001172025,0.00014165425,0.004063003,0.00009041247,0.00038434772,0.0022634398,0.9573407,0.031221826],"study_design_scores_gemma":[0.000004761577,0.0000036675362,0.08033945,0.00009209996,0.000005361234,0.000040401057,0.0024795888,0.00001418051,0.00007268281,0.000056016797,0.91688085,0.000010921678],"about_ca_topic_score_codex":0.98732555,"about_ca_topic_score_gemma":0.9986084,"teacher_disagreement_score":0.07086855,"about_ca_system_score_codex":0.032825526,"about_ca_system_score_gemma":0.028953094,"threshold_uncertainty_score":0.23816699},"labels":[],"label_agreement":null},{"id":"W1481276028","doi":"10.7202/1065076ar","title":"LEGITIMIZING ELECTRONIC SCHOLARLY PUBLICATIONS: A DISCURSIVE PROPOSAL","year":2019,"lang":"en","type":"article","venue":"Surfaces","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Institution; Metaphor; Space (punctuation); Virtual space; Scholarly communication; Virtual community; Sociology; World Wide Web; Computer science; Media studies; Political science; Library science; Social science; The Internet; Law; Linguistics; Publishing; Philosophy","score_opus":0.02262759022822299,"score_gpt":0.2526764518005908,"score_spread":0.23004886157236779,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1481276028","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009385708,0.003823063,0.026361361,0.65235937,0.006147017,0.00015494277,0.00011360076,0.00011850047,0.3015364],"genre_scores_gemma":[0.7660295,0.0042349794,0.02375343,0.12681057,0.015749112,0.00071829505,0.00011575736,0.00027946397,0.062308908],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.95472544,0.023186317,0.0019469494,0.007100893,0.01014427,0.0028961117],"domain_scores_gemma":[0.8801871,0.0806961,0.0040847347,0.016904183,0.014988113,0.003139849],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.050828297,0.0009972237,0.0012818206,0.0047798203,0.015310165,0.027807152,0.006463395,0.0317289,0.012391053],"category_scores_gemma":[0.12323636,0.00068033644,0.0012957483,0.0034894762,0.12135591,0.0407341,0.016570892,0.018546613,0.003999602],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006726129,0.000011203229,0.000048857735,0.000017477274,0.0000023777195,0.00003732007,0.001541709,0.00003455514,0.00002448266,0.990859,0.0057473746,0.0016689263],"study_design_scores_gemma":[0.000028888126,0.000009977082,0.000087447566,0.00014980667,0.000009949451,0.000086232,0.0023815983,0.00034658296,0.00021175224,0.89366186,0.10300335,0.000022550874],"about_ca_topic_score_codex":0.003785997,"about_ca_topic_score_gemma":0.0019358165,"teacher_disagreement_score":0.9721928,"about_ca_system_score_codex":0.010772731,"about_ca_system_score_gemma":0.010677244,"threshold_uncertainty_score":0.2688089},"labels":[],"label_agreement":null},{"id":"W1481855459","doi":"10.22230/cjc.2008v33n4a2049","title":"Killing Women: The Visual Culture of Gender and Violence","year":2008,"lang":"en","type":"article","venue":"Canadian Journal of Communication","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Visual culture; Gender studies; Psychology; Sociology; Anthropology","score_opus":0.047737499195635524,"score_gpt":0.2553324324201502,"score_spread":0.20759493322451467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1481855459","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48037642,0.014632349,0.0016527259,0.057729073,0.0012869072,0.00003856275,0.00014784811,0.000053735603,0.4440823],"genre_scores_gemma":[0.9844705,0.0018196669,0.00016595414,0.0022412958,0.00017964195,0.000012757725,0.000018004612,0.00004698121,0.011045173],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99638784,0.0022947947,0.000063975414,0.00016867113,0.00060783396,0.00047685445],"domain_scores_gemma":[0.9952284,0.002642127,0.0007398077,0.00027615478,0.00050335116,0.0006100321],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027782987,0.00044098025,0.00029578898,0.0020649838,0.010139979,0.012229616,0.0009976313,0.0023806307,0.01099285],"category_scores_gemma":[0.0105601605,0.00039941617,0.00018470053,0.0013915814,0.019446936,0.0033522632,0.0052373065,0.0032585026,0.00052481616],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011097287,0.000046337598,0.006411638,0.00019570669,0.00002430524,0.00072315935,0.87124807,0.00007228529,0.0011164902,0.06224163,0.02106806,0.036741372],"study_design_scores_gemma":[0.000014103359,0.000043327294,0.010037269,0.0005173178,0.000020612311,0.0009657605,0.8323996,0.00005136585,0.0004279959,0.010616626,0.14487301,0.0000330319],"about_ca_topic_score_codex":0.04938195,"about_ca_topic_score_gemma":0.06766393,"teacher_disagreement_score":0.950618,"about_ca_system_score_codex":0.0041677007,"about_ca_system_score_gemma":0.003643237,"threshold_uncertainty_score":0.098189},"labels":[],"label_agreement":null},{"id":"W1482003285","doi":"","title":"Civil Imagination: A Political Ontology of Photography, Ariella Azoulay, Verso Books, Londres, 2012, 288 p.Civil Imagination: A Political Ontology of Photography, Ariella Azoulay, Verso Books, Londres, 2012, 288 p.","year":2013,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Photography; Ontology; Art history; Art; Political science; Philosophy; Visual arts; Law; Epistemology","score_opus":0.02349096193897131,"score_gpt":0.2604724886197889,"score_spread":0.23698152668081757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1482003285","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016235892,0.42374912,0.0021560178,0.06732938,0.002293952,0.000022087792,0.00022842319,0.00008223744,0.5025153],"genre_scores_gemma":[0.12852044,0.33869892,0.005272409,0.017844127,0.0063368636,0.00016761721,0.0002584257,0.0003227065,0.5025785],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993637,0.00030112817,0.000034176406,0.000080636855,0.00016319974,0.000057181787],"domain_scores_gemma":[0.9994186,0.00032149514,0.000058789265,0.000035826695,0.000100777004,0.00006455648],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010270195,0.0009035475,0.00041956207,0.0018441956,0.0038240512,0.007940409,0.00069166115,0.0025404766,0.018503016],"category_scores_gemma":[0.0015519053,0.00046616662,0.00037815343,0.0016962554,0.009337457,0.011032227,0.00181605,0.003363841,0.0040600044],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024597533,0.000013545653,0.00016020145,0.00026300398,0.0000062250456,0.00010296811,0.008714964,0.00008828251,0.00021278774,0.6298717,0.32736033,0.033181485],"study_design_scores_gemma":[0.000005542146,0.000004461444,0.0008085395,0.00037516208,0.00000369425,0.00015840522,0.0038526463,0.000046064048,0.000093450166,0.053999864,0.9406437,0.000008308955],"about_ca_topic_score_codex":0.02085183,"about_ca_topic_score_gemma":0.042234425,"teacher_disagreement_score":0.02085183,"about_ca_system_score_codex":0.0057019806,"about_ca_system_score_gemma":0.0023908222,"threshold_uncertainty_score":0.06189871},"labels":[],"label_agreement":null},{"id":"W1487943266","doi":"","title":"James Peters, Military Photography and the Northwest Campaign, 1885","year":2000,"lang":"en","type":"article","venue":"Scholars Commons (Wilfrid Laurier University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; History; Operations research; Visual arts; Art; Engineering","score_opus":0.01118879436906416,"score_gpt":0.1893998974050533,"score_spread":0.17821110303598914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1487943266","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010323183,0.060218338,0.00030149074,0.08661669,0.009767946,0.000034383724,0.0005477247,0.000052622123,0.8321375],"genre_scores_gemma":[0.11138234,0.03320849,0.00047470594,0.008318115,0.0019244165,0.00002550752,0.00021601003,0.000095125804,0.84435534],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99939346,0.00012228158,0.000017195225,0.00007423036,0.00024014448,0.00015268603],"domain_scores_gemma":[0.99968946,0.00007802937,0.000027821485,0.000019135838,0.00009304036,0.0000925862],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00058954867,0.0004150158,0.000113116526,0.0014819949,0.01120339,0.003208599,0.00037099814,0.001180213,0.029281909],"category_scores_gemma":[0.0018482502,0.0003290015,0.00010026783,0.0010979662,0.003531962,0.0021797442,0.0017691035,0.0026602282,0.0040778304],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021465237,0.000011741985,0.0010522828,0.000078645775,0.0000031898198,0.00028764055,0.010678799,0.000031142776,0.00013074427,0.061603975,0.8743085,0.05179192],"study_design_scores_gemma":[6.6172356e-7,0.0000017222502,0.0011553994,0.000070817376,6.036518e-7,0.000059004575,0.0025025054,0.0000030831416,0.000043177974,0.00028683202,0.99587387,0.0000023358336],"about_ca_topic_score_codex":0.35895047,"about_ca_topic_score_gemma":0.7239752,"teacher_disagreement_score":0.6410495,"about_ca_system_score_codex":0.00816369,"about_ca_system_score_gemma":0.0047677183,"threshold_uncertainty_score":0.7137223},"labels":[],"label_agreement":null},{"id":"W1488759802","doi":"","title":"ROBERT HARIMAN and JOHN LOUIS LUCAITES, No Caption Needed: Iconic Photographs, Public Culture, and Liberal Democracy","year":2008,"lang":"en","type":"article","venue":"Archivaria","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Democracy; Art; Art history; Political science; Law; Politics","score_opus":0.025960561048005718,"score_gpt":0.2271713971947546,"score_spread":0.2012108361467489,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1488759802","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0074105007,0.11181852,0.0029198688,0.74094844,0.0070160474,0.00008167051,0.00046529196,0.00007180983,0.12926781],"genre_scores_gemma":[0.28381234,0.17681344,0.009181586,0.25597703,0.011309355,0.00050465256,0.00048733279,0.00037026728,0.26154402],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.996903,0.0015215318,0.00016063554,0.00030081102,0.0009053609,0.00020866953],"domain_scores_gemma":[0.99080676,0.0065216175,0.00043486696,0.00030315816,0.0016475141,0.000286021],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0045362865,0.0007439024,0.0005412434,0.002205942,0.009627513,0.011053516,0.0015139919,0.011223888,0.012982411],"category_scores_gemma":[0.01596241,0.0006316512,0.00037872183,0.0023387035,0.0077691255,0.012328069,0.0022539364,0.008029141,0.0026493878],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049774655,0.000043493706,0.0006328264,0.00017863858,0.00001687408,0.00008672231,0.0074653653,0.00011310873,0.00013121768,0.24998225,0.71954465,0.021754965],"study_design_scores_gemma":[0.000054987544,0.000019890875,0.004137182,0.0009318866,0.00003454639,0.0001310195,0.03424816,0.00023288355,0.00075999234,0.11661331,0.8427217,0.000114512106],"about_ca_topic_score_codex":0.07278379,"about_ca_topic_score_gemma":0.21380246,"teacher_disagreement_score":0.07278379,"about_ca_system_score_codex":0.003709494,"about_ca_system_score_gemma":0.0036746261,"threshold_uncertainty_score":0.14472032},"labels":[],"label_agreement":null},{"id":"W1488762597","doi":"","title":"Light Years: Conceptual Art and the Photograph 1964-1977, Edited by Matthew S. Witkovsky Chicago: The Art Institute of Chicago, 2011, 264 pp.Light Years: Conceptual Art and the Photograph 1964-1977, Edited by Matthew S. Witkovsky Chicago: The Art Institute of Chicago, 2011, 264 pp.","year":2013,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Art; Art history; Visual arts","score_opus":0.01489693739127198,"score_gpt":0.2218111874192114,"score_spread":0.20691425002793942,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1488762597","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00079129357,0.7128775,0.0012125152,0.013317435,0.008014457,0.000023977527,0.00054592744,0.00013074162,0.26308614],"genre_scores_gemma":[0.023739658,0.4481928,0.002397456,0.0030034066,0.0058771777,0.00006522402,0.00057960756,0.00038340938,0.5157614],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993623,0.00017367958,0.000038173992,0.00010804959,0.00025451262,0.00006345187],"domain_scores_gemma":[0.9994054,0.0002070709,0.00007497072,0.00004976716,0.00015610302,0.00010682574],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00095028256,0.001697656,0.0006370076,0.004915886,0.0028507567,0.007952633,0.00090959226,0.0019489301,0.06814442],"category_scores_gemma":[0.0018330346,0.0009375652,0.0005821091,0.0056086667,0.004037742,0.009452456,0.0021780417,0.0036407695,0.022163944],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036538066,0.000017402806,0.00021103688,0.00038058744,0.0000074981353,0.00005338989,0.0014970229,0.00009799069,0.00017076734,0.06303424,0.84573793,0.08875568],"study_design_scores_gemma":[0.0000024355181,0.000003121025,0.0005851537,0.0003458205,0.0000025532993,0.00007497357,0.0006899078,0.000014364275,0.00006596912,0.005781686,0.9924272,0.000006802878],"about_ca_topic_score_codex":0.036127396,"about_ca_topic_score_gemma":0.081256926,"teacher_disagreement_score":0.06814442,"about_ca_system_score_codex":0.0070001613,"about_ca_system_score_gemma":0.0051384578,"threshold_uncertainty_score":0.22796577},"labels":[],"label_agreement":null},{"id":"W1490454366","doi":"","title":"Shape-Shifting Beauty: The Body, Gender and Subjectivity in the Photographs of Claude Cahun","year":2007,"lang":"en","type":"article","venue":"Resources for feminist research","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Portrait; Beauty; Art; Identity (music); Femininity; Gaze; Aesthetics; Visual arts; Psychology; Psychoanalysis","score_opus":0.12696257842534672,"score_gpt":0.3788054930182368,"score_spread":0.2518429145928901,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1490454366","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60023916,0.015294021,0.0016079975,0.013950441,0.0016505072,0.00005511697,0.0002473179,0.0001108245,0.36684462],"genre_scores_gemma":[0.94803554,0.0022176858,0.00065234525,0.00080983073,0.00019888139,0.000015954247,0.00005256922,0.000082434795,0.04793483],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995189,0.0001855446,0.000005211772,0.00008442838,0.000136392,0.00006952337],"domain_scores_gemma":[0.99970216,0.00015680495,0.000027522996,0.000018752948,0.0000448472,0.00004994581],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00056937203,0.00040668048,0.00016158217,0.0011016625,0.0063622347,0.0029224437,0.0004033708,0.00090034324,0.004465458],"category_scores_gemma":[0.0016086624,0.00018044372,0.00016988585,0.0006567261,0.005729119,0.0020205441,0.0014748268,0.0014641267,0.00024877765],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007014703,0.000018740559,0.0021379504,0.00015343835,0.000008626187,0.0030791285,0.904026,0.00016621411,0.0019857136,0.036204614,0.032246023,0.019903407],"study_design_scores_gemma":[0.000005566528,0.000038427912,0.018427446,0.00033039838,0.000010282838,0.0035528592,0.2146479,0.0002467342,0.0008059039,0.002102734,0.7597816,0.000050130726],"about_ca_topic_score_codex":0.12457527,"about_ca_topic_score_gemma":0.28309864,"teacher_disagreement_score":0.12457527,"about_ca_system_score_codex":0.0064353915,"about_ca_system_score_gemma":0.0013385651,"threshold_uncertainty_score":0.24770027},"labels":[],"label_agreement":null},{"id":"W1493246025","doi":"10.21971/p76306","title":"Mnemonics for War: Trench Art and the Reconciliation of Public and Private Memory","year":2008,"lang":"en","type":"article","venue":"Crossing boundaries","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mnemonic; Negotiation; Battlefield; Visual arts; Spanish Civil War; Media studies; Character (mathematics); History; Sociology; Art; Social science; Psychology; Archaeology; Ancient history","score_opus":0.06856401339559144,"score_gpt":0.26826431417975133,"score_spread":0.1997003007841599,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1493246025","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3400031,0.011693794,0.002912859,0.013536562,0.0004218882,0.000020947104,0.00005125309,0.00010075084,0.6312589],"genre_scores_gemma":[0.9826995,0.00081238325,0.0005185466,0.00017862105,0.00005632914,0.000005767872,0.000009279016,0.000027757562,0.015691688],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99882776,0.0007214144,0.000025018911,0.00009099694,0.00017628008,0.00015857077],"domain_scores_gemma":[0.99913305,0.0003581224,0.00012964681,0.00020645946,0.00007108391,0.00010157926],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013682449,0.00027244227,0.0001815053,0.001605884,0.0073041366,0.009620009,0.00078319287,0.00095548556,0.0081945],"category_scores_gemma":[0.0034314624,0.00016404586,0.000111664805,0.0012169651,0.023569304,0.0053686127,0.004746414,0.0018417668,0.00039534614],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000068499845,0.000020036921,0.0017826046,0.00012298627,0.000008693709,0.0004789004,0.51977336,0.00012908534,0.0006085261,0.40049648,0.0091242455,0.06738658],"study_design_scores_gemma":[0.000011562789,0.000047274152,0.008667859,0.0004661264,0.000013634095,0.000777866,0.57285976,0.00018952378,0.0007468019,0.05708555,0.35910776,0.000026152644],"about_ca_topic_score_codex":0.017274417,"about_ca_topic_score_gemma":0.04710096,"teacher_disagreement_score":0.017274417,"about_ca_system_score_codex":0.004278763,"about_ca_system_score_gemma":0.0018942488,"threshold_uncertainty_score":0.034347713},"labels":[],"label_agreement":null},{"id":"W1497794761","doi":"","title":"Whitney Biennial 2014, Whitney Museum of American Art, New York, March 7 – May 25, 2014Whitney Biennial 2014, Whitney Museum of American Art, New York, March 7 – May 25, 2014","year":2014,"lang":"en","type":"article","venue":"Esse/Esse arts + opinions","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Visual art of the United States; Mann–Whitney U test; Art; Art history; Medicine; Performance art; Internal medicine","score_opus":0.04474164716633998,"score_gpt":0.28875077027214985,"score_spread":0.24400912310580986,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1497794761","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026174176,0.0027402143,0.00096984295,0.0061211553,0.028843546,0.0006488778,0.012516564,0.001329349,0.9442131],"genre_scores_gemma":[0.0012695573,0.00038483503,0.00021644277,0.00012380545,0.0005313969,0.00007804493,0.0012480826,0.00018758143,0.9959603],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99884677,0.00006592359,0.00004730535,0.00019850573,0.00064497115,0.00019653146],"domain_scores_gemma":[0.9974179,0.00011200577,0.00009843329,0.00018406271,0.001142583,0.0010449992],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015207921,0.0018141883,0.0007303224,0.0021747241,0.0055073933,0.00650439,0.0016587868,0.002421637,0.7056813],"category_scores_gemma":[0.0025013827,0.0008846552,0.00066925987,0.0018961951,0.00095743436,0.003963554,0.006127829,0.0035858764,0.4347722],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039418544,0.000046053225,0.00017410531,0.000037716636,0.0000020826674,0.000028505736,0.000017376286,0.00003503518,0.00016000742,0.0005389659,0.9774476,0.021473214],"study_design_scores_gemma":[0.00001477963,0.000023561519,0.002859554,0.00006537418,0.0000025139573,0.000030708714,0.00011321269,0.00011108768,0.00015273492,0.00025913233,0.9963546,0.0000128136335],"about_ca_topic_score_codex":0.021601044,"about_ca_topic_score_gemma":0.15920883,"teacher_disagreement_score":0.7056813,"about_ca_system_score_codex":0.0025961106,"about_ca_system_score_gemma":0.0039762165,"threshold_uncertainty_score":0.41980982},"labels":[],"label_agreement":null},{"id":"W1499327377","doi":"","title":"La voix des cinéastes. GIGNAC, Martin. Arrêt sur l’image – 41 portraits de cinéastes québécois, Montréal, Requiem pour un film, 2012, 149 p.GIGNAC, Martin. Arrêt sur l’image – 41 portraits de cinéastes québécois, Montréal, Requiem pour un film, 2012, 149 p.","year":2013,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Portrait; Art history","score_opus":0.013840023933719994,"score_gpt":0.21872284065588335,"score_spread":0.20488281672216335,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1499327377","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007974432,0.79815966,0.00065110746,0.037925415,0.0124504715,0.000046609097,0.0018010567,0.0002720595,0.14789613],"genre_scores_gemma":[0.02489188,0.2707036,0.0013291747,0.00912941,0.0060886014,0.00008343118,0.0015422227,0.00051322946,0.6857184],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999605,0.000055568937,0.000013127564,0.000053241423,0.00021120725,0.00006190791],"domain_scores_gemma":[0.99885786,0.00014776654,0.000031410495,0.000029213288,0.00077254855,0.00016120893],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006091241,0.001603938,0.0005962041,0.0023528936,0.004744524,0.0037690396,0.0012101047,0.0020609696,0.07162383],"category_scores_gemma":[0.0015238298,0.00087680755,0.00044877053,0.0043205693,0.0016760534,0.0032588001,0.0010809143,0.0027775525,0.019766072],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014467621,0.000004282163,0.00012847924,0.0001357424,0.000003892801,0.00004720212,0.00052605645,0.000020016048,0.0002250687,0.0010494965,0.9742629,0.02358245],"study_design_scores_gemma":[0.0000045691127,0.0000035253934,0.002669677,0.0002315454,0.0000059215504,0.00008660921,0.00085176417,0.000019430538,0.000083020124,0.00025921126,0.99577725,0.0000074946265],"about_ca_topic_score_codex":0.7891185,"about_ca_topic_score_gemma":0.93795604,"teacher_disagreement_score":0.21088147,"about_ca_system_score_codex":0.010323738,"about_ca_system_score_gemma":0.0071799266,"threshold_uncertainty_score":0.42424673},"labels":[],"label_agreement":null},{"id":"W1500193925","doi":"","title":"Dispatch: War Photographs in Print, 1854–2008, Thierry Gervais (ed.), Toronto: Ryerson Image Centre, 2014, 96 pagesDispatch: War Photographs in Print, 1854–2008, Thierry Gervais (ed.), Toronto: Ryerson Image Centre, 2014, 96 pages","year":2015,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Media studies; Art history; Art; Library science; History; Computer science; Sociology","score_opus":0.022782961067907007,"score_gpt":0.25343793228249917,"score_spread":0.23065497121459216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1500193925","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001169794,0.69684696,0.0005785849,0.020359475,0.037680615,0.00005337644,0.0033488162,0.00032437276,0.23963796],"genre_scores_gemma":[0.008397539,0.24894504,0.00058857875,0.0018170136,0.0074050734,0.000033371896,0.0023663149,0.00020452107,0.73024255],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99953926,0.00005044197,0.000030407913,0.00008667763,0.00021722843,0.00007602105],"domain_scores_gemma":[0.99946505,0.0000774863,0.00004558491,0.00004592838,0.00024437773,0.000121523255],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00062192016,0.0019024694,0.0008221082,0.003011613,0.0024727313,0.0055394233,0.0012059107,0.0019763007,0.24420068],"category_scores_gemma":[0.0014358008,0.00063352677,0.0004827064,0.004688362,0.0014789659,0.004953661,0.0023067575,0.0023773885,0.09600585],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001162814,0.0000031166762,0.00008652198,0.00017620141,0.0000024302208,0.00003129276,0.00022568808,0.000027340715,0.00006580902,0.0011155639,0.9624136,0.035840806],"study_design_scores_gemma":[0.0000011752385,0.0000019655095,0.000940629,0.0002091089,0.000002049529,0.00006814791,0.00048213717,0.000005948227,0.00003758345,0.00015148788,0.9980964,0.000003355269],"about_ca_topic_score_codex":0.14835228,"about_ca_topic_score_gemma":0.29510266,"teacher_disagreement_score":0.24420068,"about_ca_system_score_codex":0.006242164,"about_ca_system_score_gemma":0.0036175034,"threshold_uncertainty_score":0.8169327},"labels":[],"label_agreement":null},{"id":"W1501148318","doi":"10.7202/1013371ar","title":"From Caméra-Stylo to Photobook: On Chris Marker’s Staring Back","year":2012,"lang":"en","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Staring; Exhibition; Reading (process); Cult; Politics; Art; Visual arts; Art history; History; Sociology; Law; Political science","score_opus":0.06209819690170862,"score_gpt":0.2717273465763451,"score_spread":0.2096291496746365,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1501148318","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04580367,0.020403786,0.022136128,0.07743345,0.005950006,0.00008404524,0.00014014522,0.00038714972,0.8276617],"genre_scores_gemma":[0.65609884,0.014035755,0.012073056,0.01310368,0.0015640475,0.00009598543,0.00010470069,0.0009527694,0.3019712],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998669,0.00079030107,0.000022442026,0.00012729294,0.00025842205,0.00013238011],"domain_scores_gemma":[0.9990651,0.0005381316,0.00004695388,0.00006978642,0.00015266963,0.00012742603],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011411199,0.00045559573,0.00020312132,0.001179543,0.0059737912,0.00764663,0.00072697434,0.0017154311,0.012584126],"category_scores_gemma":[0.0036190243,0.00026057818,0.0001943067,0.0009795658,0.0077076405,0.0067191566,0.003316564,0.0035350178,0.0021456664],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000101355356,0.000032784268,0.00036247977,0.00016556187,0.0000034381824,0.00095485215,0.13916615,0.00015422986,0.0010266856,0.64586455,0.15423743,0.05793057],"study_design_scores_gemma":[0.000006789094,0.000025625219,0.00030131565,0.0002821511,0.0000034738453,0.00036314357,0.034135126,0.00020946503,0.00078379264,0.013423531,0.95044965,0.000016074206],"about_ca_topic_score_codex":0.01161161,"about_ca_topic_score_gemma":0.02464387,"teacher_disagreement_score":0.012584126,"about_ca_system_score_codex":0.003244344,"about_ca_system_score_gemma":0.0012131885,"threshold_uncertainty_score":0.042098105},"labels":[],"label_agreement":null},{"id":"W1502888583","doi":"","title":"Killed Negatives: The Unseen Photographic Archives","year":2010,"lang":"en","type":"article","venue":"Archivaria","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Negative; Special collections; Library science; Photography; Library of congress; National archives; Sight; Art; Visual arts; History; Art history; Computer science","score_opus":0.015838376516956822,"score_gpt":0.22933385210969975,"score_spread":0.21349547559274293,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1502888583","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07704102,0.04747969,0.010150509,0.11766002,0.0041426336,0.00007879351,0.0006895789,0.00042981887,0.74232805],"genre_scores_gemma":[0.5633853,0.040550005,0.009886596,0.014030009,0.0035040784,0.00012248445,0.00056397787,0.0010811901,0.36687636],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971668,0.0011173398,0.00008514825,0.00036949554,0.0010597548,0.00020148583],"domain_scores_gemma":[0.99607027,0.0018160833,0.00038856038,0.0006638995,0.00068497786,0.0003762425],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003638285,0.00043528088,0.00024188159,0.0023033756,0.012708867,0.011363932,0.0012195285,0.0015914692,0.0124767795],"category_scores_gemma":[0.006615208,0.0005257758,0.00015328312,0.0026041798,0.017627165,0.012000089,0.0056186486,0.0054721595,0.0022648436],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004162162,0.000025485673,0.0019228986,0.00031018638,0.000008155846,0.0012799869,0.20983298,0.00011313358,0.00088605005,0.37045532,0.27637962,0.13874461],"study_design_scores_gemma":[0.000001395525,0.00000657857,0.0012797269,0.0003831185,0.0000018975646,0.00037147678,0.024281729,0.000024525101,0.00025172404,0.005860458,0.96752745,0.00001001066],"about_ca_topic_score_codex":0.022663148,"about_ca_topic_score_gemma":0.06233127,"teacher_disagreement_score":0.022663148,"about_ca_system_score_codex":0.008368392,"about_ca_system_score_gemma":0.00440042,"threshold_uncertainty_score":0.060717165},"labels":[],"label_agreement":null},{"id":"W1503035648","doi":"","title":"Martha Langford and John Langford, A Cold War Tourist and His Camera, McGill-Queen’s University Press, 2011, 196 pMartha Langford and John Langford, A Cold War Tourist and His Camera, McGill-Queen’s University Press, 2011, 196 p","year":2012,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Cold war; Tourism; Art; Art history; Geography; Archaeology; Political science; Law; Ecology; Biology","score_opus":0.016672194834982397,"score_gpt":0.2074202848231642,"score_spread":0.19074808998818182,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1503035648","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013420826,0.46398595,0.00080205017,0.13812585,0.017511023,0.00008933912,0.0008512884,0.00026499995,0.37702754],"genre_scores_gemma":[0.005676531,0.09121119,0.00057959004,0.011824308,0.00248273,0.00005185914,0.00017220926,0.0001634006,0.88783824],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993224,0.00016667247,0.000031461987,0.000088144465,0.00029930062,0.00009203054],"domain_scores_gemma":[0.9986284,0.00048276022,0.0000727115,0.000051636693,0.00045170527,0.00031282476],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008984438,0.0014522984,0.00049029413,0.001466131,0.0068471334,0.007261062,0.0013524687,0.005221374,0.075437546],"category_scores_gemma":[0.002448279,0.0010507696,0.00038823983,0.0020577905,0.0027416681,0.0065180175,0.0019548973,0.0040529747,0.030602291],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008838808,0.0000042041247,0.000055341265,0.0000716994,0.0000013685368,0.000036750764,0.000510762,0.0000130032995,0.00004166397,0.0018488257,0.9864379,0.0109696165],"study_design_scores_gemma":[0.0000035377566,0.0000040546656,0.0010140548,0.00014465522,0.0000023381406,0.000065935754,0.0020824233,0.000016351541,0.000039293416,0.0006452083,0.99597365,0.000008513014],"about_ca_topic_score_codex":0.20865852,"about_ca_topic_score_gemma":0.5806585,"teacher_disagreement_score":0.20865852,"about_ca_system_score_codex":0.0053545907,"about_ca_system_score_gemma":0.0055937404,"threshold_uncertainty_score":0.41488796},"labels":[],"label_agreement":null},{"id":"W1504932450","doi":"","title":"Playing With Pictures: The Art of Victorian Photocollage","year":2010,"lang":"en","type":"article","venue":"Material Culture Review / Revue de la culture matérielle","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Visual arts; Art; Aesthetics; Computer graphics (images); Computer science","score_opus":0.010340811745402778,"score_gpt":0.24263858412485245,"score_spread":0.23229777237944968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1504932450","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0756431,0.04558232,0.00339732,0.026759813,0.0020372698,0.00005950564,0.00010678011,0.000116948664,0.84629697],"genre_scores_gemma":[0.5555032,0.023517871,0.0041083344,0.004181722,0.000590495,0.000048118218,0.0000703567,0.00043693284,0.41154295],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987895,0.00041910436,0.000023363102,0.00010499975,0.00047006668,0.00019297791],"domain_scores_gemma":[0.9991736,0.0003711045,0.00005298903,0.00013045355,0.00013798155,0.00013390604],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013243759,0.0003255528,0.00022006541,0.00095220713,0.006343236,0.00599417,0.0010520412,0.0015472185,0.016887816],"category_scores_gemma":[0.003623152,0.00024773713,0.00022010064,0.0011701214,0.0063289725,0.0024973988,0.0035991815,0.0029674512,0.001465821],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013462231,0.000061725725,0.0007598483,0.00093356665,0.00001846927,0.0008445388,0.232507,0.00017783318,0.0054042526,0.23736379,0.18652496,0.33526948],"study_design_scores_gemma":[0.000003566818,0.000015916763,0.0021477614,0.00040830718,0.000006340798,0.00060747645,0.025529511,0.00008171838,0.0006169501,0.0040956195,0.9664697,0.00001705767],"about_ca_topic_score_codex":0.07617112,"about_ca_topic_score_gemma":0.25209954,"teacher_disagreement_score":0.07617112,"about_ca_system_score_codex":0.0055019325,"about_ca_system_score_gemma":0.0034680036,"threshold_uncertainty_score":0.15145552},"labels":[],"label_agreement":null},{"id":"W1507808612","doi":"","title":"La remediation de la photographie, du cinéma et de la télévision dans les médias numériques : étude de cas : les Stills d'Adad Hannah","year":2011,"lang":"fr","type":"article","venue":"Archipelago (Université du Québec à Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.016251679549207906,"score_gpt":0.22078272802488252,"score_spread":0.2045310484756746,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1507808612","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2557165,0.033914752,0.007804561,0.043592453,0.0021000993,0.00016881716,0.0002458518,0.000104681,0.6563522],"genre_scores_gemma":[0.8522867,0.012189373,0.0021776177,0.0022926233,0.0003397112,0.00011849314,0.00007946351,0.0000667156,0.13044922],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99807537,0.0007015097,0.00005027077,0.00028657535,0.000577584,0.0003086906],"domain_scores_gemma":[0.9981304,0.0010178892,0.00020896054,0.0001836385,0.00029720273,0.00016199614],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016947597,0.0004779673,0.00032104025,0.0016473385,0.0078453375,0.00814252,0.0009747642,0.0017020629,0.011870553],"category_scores_gemma":[0.0037956059,0.0002572452,0.00033128873,0.0017828234,0.016416771,0.005065261,0.003960861,0.0022624969,0.0006464611],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009303278,0.000075933014,0.0048159845,0.0007048331,0.000015316022,0.000588759,0.29812825,0.00020461618,0.0017978463,0.5722463,0.03151719,0.08981191],"study_design_scores_gemma":[0.000018084133,0.000062276325,0.010910399,0.00090292876,0.00002716757,0.0005365771,0.1842254,0.00023757896,0.0013924959,0.017909784,0.78373945,0.00003780739],"about_ca_topic_score_codex":0.13979349,"about_ca_topic_score_gemma":0.18703532,"teacher_disagreement_score":0.13979349,"about_ca_system_score_codex":0.013660247,"about_ca_system_score_gemma":0.009077206,"threshold_uncertainty_score":0.2779596},"labels":[],"label_agreement":null},{"id":"W1508252620","doi":"","title":"Beauty in the Rocks: The Photography of David M. Baird.","year":2006,"lang":"en","type":"article","venue":"Geoscience Canada","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Beauty; Art; Photography; Art history; Visual arts; Aesthetics","score_opus":0.010343939281878092,"score_gpt":0.18514801971009986,"score_spread":0.17480408042822176,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1508252620","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003959906,0.32408574,0.0023271053,0.27612403,0.0359183,0.00006885076,0.0013285431,0.00033543358,0.3558521],"genre_scores_gemma":[0.05421818,0.17464821,0.005408386,0.041618675,0.011922745,0.0000627893,0.00055121985,0.00057080504,0.710999],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996043,0.00012662646,0.000011659009,0.000050335875,0.00016799568,0.000039112667],"domain_scores_gemma":[0.9988073,0.0002183581,0.000051601924,0.00005348412,0.00057900284,0.00029023358],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009032763,0.0008059972,0.00034460227,0.0020902886,0.0046890005,0.0024306134,0.00046111637,0.0011068407,0.024399735],"category_scores_gemma":[0.0026399472,0.00034514343,0.00020500357,0.001843089,0.0018701319,0.002145302,0.0014590848,0.002697632,0.006650273],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000072844146,0.0000020543148,0.00010860813,0.000040321287,0.000001680209,0.000082598475,0.00082590955,0.000021456199,0.00009519492,0.0014271253,0.98506886,0.0123188915],"study_design_scores_gemma":[0.0000014192016,0.0000020945079,0.0007522703,0.00014015324,0.0000021498759,0.0002459998,0.0019788633,0.000017521068,0.00007763002,0.00039231838,0.9963845,0.0000050936237],"about_ca_topic_score_codex":0.2042422,"about_ca_topic_score_gemma":0.6013206,"teacher_disagreement_score":0.2042422,"about_ca_system_score_codex":0.003485719,"about_ca_system_score_gemma":0.0026985107,"threshold_uncertainty_score":0.40610677},"labels":[],"label_agreement":null},{"id":"W1512724055","doi":"","title":"Robert J. Belton, Sights of Resistance: Approaches to Canadian Visual Culture","year":2003,"lang":"en","type":"article","venue":"Material Culture Review / Revue de la culture matérielle","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sight; Resistance (ecology); Biology","score_opus":0.03564478975390698,"score_gpt":0.24672966964024673,"score_spread":0.21108487988633975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1512724055","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003977475,0.55539757,0.0017369948,0.32823816,0.0053988467,0.000071519185,0.00033171749,0.00006712303,0.10478061],"genre_scores_gemma":[0.12010697,0.6495839,0.003872673,0.050255593,0.0020001442,0.000121216864,0.000189908,0.00014589328,0.17372377],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986351,0.000334025,0.00005857038,0.00012805458,0.0006645269,0.00017967356],"domain_scores_gemma":[0.9966912,0.0011234214,0.00013005613,0.000060615163,0.0016666166,0.0003279429],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026776358,0.00061168184,0.00051942916,0.0039824666,0.010671725,0.0062188692,0.0016116052,0.0034762812,0.01643755],"category_scores_gemma":[0.004639527,0.0004050481,0.00028783127,0.004619228,0.0088437935,0.006235152,0.0013381578,0.0041689277,0.0015420817],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046803114,0.000028623566,0.0014796333,0.00079453824,0.000013270849,0.00021868428,0.017905869,0.0001600313,0.00022696018,0.12711653,0.76224995,0.08975918],"study_design_scores_gemma":[0.000010477815,0.000010811086,0.0048015215,0.00095827517,0.000018368,0.00017130568,0.027107846,0.000058424896,0.00020409182,0.012945016,0.9536718,0.000042025487],"about_ca_topic_score_codex":0.8622644,"about_ca_topic_score_gemma":0.948485,"teacher_disagreement_score":0.1377356,"about_ca_system_score_codex":0.02490656,"about_ca_system_score_gemma":0.02868811,"threshold_uncertainty_score":0.27709347},"labels":[],"label_agreement":null},{"id":"W1515988048","doi":"","title":"« Penseur du médium photographique ». Sur le seuil du temps. Essais sur la photographie de Siegfried Kracauer, Édition critique par Philippe Despoix, Les Presses de l’Université de Montréal, 136 p.Sur le seuil du temps. Essais sur la photographie de Siegfried Kracauer, Édition critique par Philippe Despoix, Les Presses de l’Université de Montréal, 136 p.","year":2015,"lang":"fr","type":"article","venue":"Spirale : arts • lettres • sciences humaines","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.024086560524975886,"score_gpt":0.22413260820872855,"score_spread":0.20004604768375267,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1515988048","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017013437,0.7262679,0.0021782736,0.039898813,0.0078032864,0.000028799288,0.00020913807,0.00014019497,0.22177231],"genre_scores_gemma":[0.089243926,0.34636545,0.0042196685,0.008921983,0.007718016,0.0000904239,0.00021139509,0.0005662875,0.54266274],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99868006,0.0004320545,0.000050699713,0.0001465975,0.00057280326,0.00011777327],"domain_scores_gemma":[0.9989987,0.0004149961,0.00007203329,0.000092675,0.00030980736,0.00011187654],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016438726,0.0010669632,0.0005278018,0.0030271644,0.0032504809,0.00707092,0.00090636575,0.0021588812,0.01998879],"category_scores_gemma":[0.00291871,0.0006324334,0.00048452243,0.0023663952,0.008134549,0.007155695,0.0023295283,0.0038265479,0.0049131745],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049468435,0.000010987781,0.00024799464,0.0006487492,0.000010643113,0.00012957818,0.008074149,0.00010567042,0.00074631337,0.20781091,0.6585092,0.123656265],"study_design_scores_gemma":[0.0000033536758,0.0000042225693,0.00072736514,0.000364136,0.0000035687133,0.000094212235,0.0014737091,0.000026132493,0.00016733786,0.0054826415,0.9916466,0.000006708109],"about_ca_topic_score_codex":0.11902249,"about_ca_topic_score_gemma":0.22161762,"teacher_disagreement_score":0.11902249,"about_ca_system_score_codex":0.009061954,"about_ca_system_score_gemma":0.0049605244,"threshold_uncertainty_score":0.23665941},"labels":[],"label_agreement":null},{"id":"W1520015919","doi":"","title":"Picturing Atrocity: Photography in Crisis, Geoffrey Batchen, Mick Gidley, Nancy K. Miller et Jay Prosser, eds., Reaktion Books, 2012, 319 p.Picturing Atrocity: Photography in Crisis, Geoffrey Batchen, Mick Gidley, Nancy K. Miller et Jay Prosser, eds., Reaktion Books, 2012, 319 p.","year":2013,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Miller; Photography; Art history; Art; Visual arts; Geology","score_opus":0.02144840752687521,"score_gpt":0.2497136946150123,"score_spread":0.2282652870881371,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1520015919","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00089171994,0.8752657,0.001138049,0.013542417,0.0032572935,0.000037366215,0.00019504732,0.00031033283,0.10536201],"genre_scores_gemma":[0.010866835,0.83197755,0.0025420939,0.0030514277,0.0019773862,0.000056801655,0.00022650759,0.00023013163,0.14907134],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99955505,0.00014254852,0.000028495137,0.00004883461,0.00017926595,0.000045878754],"domain_scores_gemma":[0.99928445,0.0003010529,0.000073250376,0.000031696323,0.00015582191,0.0001537949],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008844071,0.0014359814,0.00075245457,0.002548138,0.0015805622,0.0062211654,0.00095377886,0.0023137971,0.049736734],"category_scores_gemma":[0.0017027387,0.00071847095,0.00043792074,0.0031943317,0.001990792,0.008518106,0.0020769432,0.0024700817,0.023881247],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038559992,0.00002186493,0.00016601545,0.0011724625,0.000007866114,0.00013581871,0.002303813,0.00008716977,0.0003648916,0.0046791006,0.78104895,0.20997342],"study_design_scores_gemma":[0.000006940523,0.000018674364,0.001983564,0.0019359173,0.0000108141,0.0012285475,0.0047977855,0.00005463967,0.00022674375,0.0030252747,0.98669434,0.000016702086],"about_ca_topic_score_codex":0.010475801,"about_ca_topic_score_gemma":0.02349823,"teacher_disagreement_score":0.049736734,"about_ca_system_score_codex":0.0017814169,"about_ca_system_score_gemma":0.0020130917,"threshold_uncertainty_score":0.16638595},"labels":[],"label_agreement":null},{"id":"W1520612264","doi":"","title":"Eyes on Labor: News Photography and America's Working Class by Carol Quirke (review)","year":2014,"lang":"en","type":"article","venue":"Labour / Le Travail","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Class (philosophy); Working class; Visual arts; Media studies; Sociology; History; Political science; Art; Computer science; Artificial intelligence; Law","score_opus":0.015903911758838794,"score_gpt":0.2332647565957024,"score_spread":0.2173608448368636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1520612264","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000039082897,0.9924372,0.0000053071517,0.0053498587,0.0018475617,0.000003268566,0.00001979409,0.0000014965499,0.00029630787],"genre_scores_gemma":[0.0007416593,0.9839841,0.00002998052,0.00994641,0.0042724977,0.000019928944,0.00003169378,0.0000023589605,0.0009713797],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988206,0.00037124378,0.00014130239,0.0001447659,0.00039720122,0.00012477957],"domain_scores_gemma":[0.99329007,0.0036349895,0.0011194992,0.00007768478,0.0013966347,0.0004811592],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025085218,0.0010943275,0.002431837,0.003612033,0.0011882721,0.004396651,0.0012850325,0.005860772,0.009931456],"category_scores_gemma":[0.009335305,0.00063721405,0.001060946,0.0036984854,0.0013452204,0.003320636,0.0025196415,0.0043185554,0.0021007634],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015888082,0.000056919795,0.00058884465,0.021869874,0.0002854231,0.00011657262,0.0003047771,0.000031577023,0.000072823466,0.0008525959,0.7235413,0.25212032],"study_design_scores_gemma":[0.00023500831,0.00012174431,0.006145303,0.07967553,0.00086777826,0.00053139636,0.0010889004,0.00003552801,0.000058755773,0.00048093492,0.91070455,0.00005455044],"about_ca_topic_score_codex":0.02491662,"about_ca_topic_score_gemma":0.07256558,"teacher_disagreement_score":0.02491662,"about_ca_system_score_codex":0.0020995082,"about_ca_system_score_gemma":0.0058612134,"threshold_uncertainty_score":0.049543202},"labels":[],"label_agreement":null},{"id":"W1521100353","doi":"","title":"Exploring and Photographing the Empty Quarter","year":2010,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Art; History; Archaeology","score_opus":0.06509004805511366,"score_gpt":0.22604917617832365,"score_spread":0.16095912812321,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1521100353","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38443252,0.002691891,0.012124026,0.012707217,0.0007599583,0.000038162238,0.00027853218,0.0002349665,0.5867328],"genre_scores_gemma":[0.9204169,0.0010133476,0.0053119934,0.00072772324,0.00012063855,0.000014703161,0.00008225516,0.0002585206,0.072053984],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995633,0.0002204207,0.0000067988435,0.00004779555,0.00007122644,0.000090442096],"domain_scores_gemma":[0.99954873,0.00014766947,0.000044304263,0.00008721535,0.000060661827,0.00011143625],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006334804,0.00034147582,0.00015474965,0.0011925072,0.0049133166,0.005450702,0.0005218345,0.00087782746,0.019312361],"category_scores_gemma":[0.0021845794,0.00023236181,0.00023026332,0.00096316775,0.0048435843,0.0036764108,0.0034434376,0.0017867074,0.0011262],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004401594,0.00008093667,0.0058935042,0.00028430633,0.000028547269,0.0022515056,0.47359392,0.00077435595,0.013591323,0.24295896,0.10047803,0.15962452],"study_design_scores_gemma":[0.00001040956,0.00006484098,0.009640838,0.0003211084,0.000018693016,0.0011252133,0.48642638,0.0006302921,0.0022981786,0.026826557,0.4725961,0.000041332845],"about_ca_topic_score_codex":0.009389689,"about_ca_topic_score_gemma":0.023931725,"teacher_disagreement_score":0.019312361,"about_ca_system_score_codex":0.0010522858,"about_ca_system_score_gemma":0.0012786144,"threshold_uncertainty_score":0.06460625},"labels":[],"label_agreement":null},{"id":"W1522095228","doi":"","title":"Un livre à regarder. MERCADO, Gustavo. L’Art de filmer, Paris, Éditions Pearson, 2011, 188 p.MERCADO, Gustavo. L’Art de filmer, Paris, Éditions Pearson, 2011, 188 p.","year":2011,"lang":"fr","type":"article","venue":"Ciné bulles","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.02727905117959315,"score_gpt":0.24607591877126095,"score_spread":0.2187968675916678,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1522095228","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003064371,0.8655187,0.00042449616,0.0629977,0.011715057,0.000015356245,0.0002812808,0.00014049959,0.058600515],"genre_scores_gemma":[0.014575065,0.5235091,0.0020127979,0.028438233,0.014873217,0.00007533822,0.00055971154,0.0005096173,0.4154469],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999323,0.0001479036,0.000051698928,0.00013192545,0.00027507404,0.00007040737],"domain_scores_gemma":[0.998445,0.0004853122,0.00013385563,0.00006985067,0.00069464085,0.00017132873],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007790115,0.0014397147,0.00075501803,0.002302922,0.002735771,0.004928795,0.0011544499,0.003759253,0.060522553],"category_scores_gemma":[0.003086794,0.00093104143,0.000475265,0.0033191026,0.0018956854,0.008242656,0.0019110753,0.0048844763,0.02790442],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016083099,0.0000075531943,0.00010656705,0.00029662036,0.0000042095903,0.000067417706,0.000878354,0.0000120840905,0.00009061669,0.0030922263,0.95225495,0.043173276],"study_design_scores_gemma":[0.000003332853,0.000003891056,0.00064778863,0.00040379865,0.000004596066,0.0001710158,0.00084761076,0.000010905912,0.000049301845,0.0010659669,0.9967867,0.000004989811],"about_ca_topic_score_codex":0.040865365,"about_ca_topic_score_gemma":0.10130153,"teacher_disagreement_score":0.060522553,"about_ca_system_score_codex":0.002422226,"about_ca_system_score_gemma":0.0025801703,"threshold_uncertainty_score":0.2024681},"labels":[],"label_agreement":null},{"id":"W1522940108","doi":"10.1017/cbo9780511693809","title":"Portraits of Places","year":2009,"lang":"en","type":"book","venue":"Cambridge University Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Beauty; Art; Art history; Period (music); History; Vintage; Visual arts; Archaeology; Aesthetics","score_opus":0.029383237054265206,"score_gpt":0.2045868538932989,"score_spread":0.17520361683903368,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1522940108","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024550755,0.0073680053,0.0008809887,0.00158828,0.0014696846,0.000018086766,0.00040533132,0.0000797049,0.9857348],"genre_scores_gemma":[0.073676586,0.009221006,0.0014624367,0.0009143033,0.00071015576,0.000031278698,0.0005796145,0.00018048257,0.91322416],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99984884,0.000035747285,0.0000048774223,0.00002863519,0.0000591042,0.000022692364],"domain_scores_gemma":[0.9999548,0.000007880989,0.00000513154,0.0000066016705,0.000011749864,0.000013752045],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000097388234,0.0005854409,0.00013158646,0.0007511496,0.0020356926,0.0017254255,0.00044729194,0.0004841778,0.043327734],"category_scores_gemma":[0.00026132906,0.0001679899,0.00021140507,0.0010982805,0.0014307417,0.0014416869,0.001052161,0.0014349055,0.01097438],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042432264,0.000013431891,0.0003654468,0.00021180956,0.0000066014886,0.0012396671,0.026345398,0.00030741788,0.0017350279,0.20477147,0.7093197,0.05564156],"study_design_scores_gemma":[5.4502686e-7,0.0000012966289,0.00014685783,0.000024063418,4.2961508e-7,0.00015074057,0.0010903887,0.0000070314827,0.000023802473,0.0008172953,0.9977361,0.0000013721694],"about_ca_topic_score_codex":0.011151756,"about_ca_topic_score_gemma":0.03643914,"teacher_disagreement_score":0.043327734,"about_ca_system_score_codex":0.001398529,"about_ca_system_score_gemma":0.0006258803,"threshold_uncertainty_score":0.14494568},"labels":[],"label_agreement":null},{"id":"W1527850047","doi":"","title":"Claire Beaugrand-Champagne, Émouvante vérité – Photographies de 1970 à 2013, Musée McCord, Montréal, du 5 décembre au 13 avril 2014Claire Beaugrand-Champagne, Émouvante vérité – Photographies de 1970 à 2013, Musée McCord, Montréal, du 5 décembre au 13 avril 2014","year":2014,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.012784031808466568,"score_gpt":0.21916734318045758,"score_spread":0.206383311371991,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1527850047","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008393091,0.08332943,0.0014249412,0.09263915,0.017493047,0.00029819,0.015316392,0.00087307376,0.7802326],"genre_scores_gemma":[0.02476536,0.009527633,0.0014954282,0.0029816646,0.0019048735,0.000083416635,0.0019979863,0.00041921643,0.95682454],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99888843,0.00012209745,0.000023098135,0.0001475722,0.0006233717,0.00019548742],"domain_scores_gemma":[0.99802905,0.0002659322,0.000104513354,0.000106964886,0.0011324554,0.00036113424],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011265294,0.0007852273,0.00031850958,0.0023767415,0.0072809737,0.004011053,0.0011654656,0.0017868538,0.12352078],"category_scores_gemma":[0.0035139902,0.00050445495,0.00035833346,0.0027603498,0.0014786891,0.0017369384,0.0016348556,0.0024554257,0.018650588],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001995953,0.0000057042307,0.00020050317,0.00004101586,0.0000025641075,0.00004135557,0.00030697772,0.000025202737,0.00021172588,0.0016396958,0.98903453,0.008470671],"study_design_scores_gemma":[0.0000040815194,0.0000025798738,0.0047775237,0.00005296105,0.0000018963096,0.000030741292,0.00043098934,0.000011556328,0.00014421204,0.00013837493,0.9943979,0.0000071912023],"about_ca_topic_score_codex":0.690463,"about_ca_topic_score_gemma":0.9090006,"teacher_disagreement_score":0.309537,"about_ca_system_score_codex":0.009638727,"about_ca_system_score_gemma":0.008110729,"threshold_uncertainty_score":0.6227198},"labels":[],"label_agreement":null},{"id":"W1530052832","doi":"","title":"Jackson, Bruce. 2009. Pictures from a Drawer: Prison and the Art of Portraiture","year":2009,"lang":"en","type":"article","venue":"Material Culture Review / Revue de la culture matérielle","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cape Breton University","funders":"","keywords":"Prison; Art; Visual arts; Art history; Law; Political science","score_opus":0.0094386606425133,"score_gpt":0.23825522448613198,"score_spread":0.22881656384361868,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1530052832","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013160732,0.36066154,0.0069478187,0.10652873,0.006538204,0.00018981114,0.0015670893,0.00027024673,0.5041357],"genre_scores_gemma":[0.20904234,0.29510665,0.014429452,0.0142696975,0.0033797056,0.0004181632,0.0009884923,0.001154851,0.46121064],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996778,0.00009508064,0.00002646589,0.000031475454,0.00014119511,0.00002801301],"domain_scores_gemma":[0.99600226,0.0019425285,0.00027355744,0.00010073678,0.0014244333,0.00025646412],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013274198,0.0005847282,0.0002331083,0.0032053401,0.0039720377,0.002565402,0.0010159885,0.0021350242,0.03139956],"category_scores_gemma":[0.0076062363,0.00051378284,0.0001864379,0.0017378167,0.0014887574,0.0076937173,0.0012119844,0.0019362173,0.007269027],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001352088,0.000045920555,0.0008569869,0.0013684187,0.000018162182,0.00046125767,0.01578724,0.000040726794,0.0020466028,0.023209607,0.7190384,0.23699135],"study_design_scores_gemma":[0.000019045376,0.000037121,0.007847253,0.0013439663,0.00007783378,0.00052561576,0.009767876,0.000032734184,0.00092291704,0.0067089815,0.972697,0.000019630726],"about_ca_topic_score_codex":0.033360966,"about_ca_topic_score_gemma":0.1493598,"teacher_disagreement_score":0.033360966,"about_ca_system_score_codex":0.0015566532,"about_ca_system_score_gemma":0.0018452528,"threshold_uncertainty_score":0.10504198},"labels":[],"label_agreement":null},{"id":"W1539216446","doi":"10.15210/interfaces.v8i2.7031","title":"A CANADIAN PORTRAITURE? SOME THOUGHTS ON EDWIN HOLGATE.","year":2012,"lang":"en","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Art; Humanities; Art history","score_opus":0.02994588451163038,"score_gpt":0.24624680227557885,"score_spread":0.21630091776394847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1539216446","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0097259395,0.0663326,0.0011490275,0.14037533,0.01140431,0.000047837806,0.00042998223,0.00009241527,0.77044255],"genre_scores_gemma":[0.18296407,0.044387203,0.0014740801,0.02529496,0.0024344868,0.00007343581,0.00024083201,0.00033092775,0.7428],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989121,0.00023319968,0.000016625081,0.00013360877,0.0003809686,0.00032343794],"domain_scores_gemma":[0.9993537,0.00014690288,0.0000314826,0.000033615997,0.00021773209,0.00021652445],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001083884,0.0012557763,0.00038738345,0.0024330136,0.02668521,0.0131852515,0.0020836736,0.003983197,0.029995384],"category_scores_gemma":[0.0019414102,0.00042461455,0.0004354535,0.0045161145,0.013316375,0.005531772,0.0035262224,0.004981655,0.003375454],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036576253,0.000015264595,0.0005477191,0.00011222347,0.0000054928387,0.0007716681,0.053800266,0.00012399233,0.00031621635,0.19206154,0.72822213,0.023986896],"study_design_scores_gemma":[0.0000017965572,0.000002747916,0.0004936763,0.00009383275,0.0000023236055,0.0001512788,0.018998163,0.000026936013,0.00004785155,0.0022101395,0.9779562,0.000015065245],"about_ca_topic_score_codex":0.87110746,"about_ca_topic_score_gemma":0.9570301,"teacher_disagreement_score":0.12889254,"about_ca_system_score_codex":0.046218295,"about_ca_system_score_gemma":0.014100245,"threshold_uncertainty_score":0.3353387},"labels":[],"label_agreement":null},{"id":"W1540730907","doi":"","title":"Visual Archives and the Writing of Canadian History: A Personal Review","year":2002,"lang":"en","type":"review","venue":"Archivaria","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Visual arts; Photography; History; Scope (computer science); Library science; Art; Archaeology; Computer science","score_opus":0.10549550230780987,"score_gpt":0.28820622138209606,"score_spread":0.1827107190742862,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1540730907","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00074554805,0.9856377,0.000046128545,0.0026588496,0.0003582817,0.000006805362,0.00011333221,0.0000063335688,0.010426951],"genre_scores_gemma":[0.0136099355,0.9825183,0.00016403553,0.0007896626,0.00030393005,0.000013197863,0.00010852484,0.000013440852,0.002478907],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99647385,0.00060279126,0.0003044528,0.00030305455,0.0018721847,0.0004436129],"domain_scores_gemma":[0.98392177,0.0074106157,0.0015234328,0.00045273083,0.0059136474,0.00077786925],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0041960985,0.0010449288,0.0011204456,0.02675312,0.00608932,0.012085392,0.0017925603,0.0018077166,0.008466181],"category_scores_gemma":[0.014709099,0.0005706857,0.00045291102,0.056317687,0.010690635,0.003963599,0.003108222,0.0018257969,0.0009988392],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012069385,0.000042635525,0.003925019,0.042127218,0.00015441366,0.0006636159,0.030245865,0.00041225465,0.00042586276,0.05382726,0.1502716,0.71778363],"study_design_scores_gemma":[0.0000044827416,0.000010515357,0.008398471,0.021521747,0.00008289913,0.00028666982,0.007387578,0.000028268372,0.00014184744,0.0012175412,0.9608834,0.000036709345],"about_ca_topic_score_codex":0.89669645,"about_ca_topic_score_gemma":0.9476814,"teacher_disagreement_score":0.10330355,"about_ca_system_score_codex":0.061057005,"about_ca_system_score_gemma":0.14884976,"threshold_uncertainty_score":0.44300163},"labels":[],"label_agreement":null},{"id":"W1542698015","doi":"","title":"Les Péres de la Confédération : photographie, peinture, et représentation","year":2000,"lang":"fr","type":"article","venue":"Material Culture Review / Revue de la culture matérielle","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; George (robot); Painting; Art; Representation (politics); Art history; Politics; Political science; Law","score_opus":0.01728509602150314,"score_gpt":0.30794719262422954,"score_spread":0.2906620966027264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1542698015","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.088840686,0.19468173,0.0027352085,0.026930856,0.0011298036,0.00006664678,0.00031590057,0.000068551875,0.6852306],"genre_scores_gemma":[0.8091041,0.11124909,0.0015165397,0.0017816524,0.00038052737,0.00005189829,0.00015985401,0.00006298202,0.07569347],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971226,0.0007497335,0.00006443963,0.00018120068,0.0015035445,0.0003784998],"domain_scores_gemma":[0.99824464,0.00071398425,0.00023261443,0.00013646492,0.0005384414,0.0001338308],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023916753,0.00041406185,0.00026480202,0.0042295787,0.0063853916,0.009402263,0.0009227444,0.00081207324,0.0070048003],"category_scores_gemma":[0.0056444346,0.0001977231,0.00014868713,0.0062159672,0.018745096,0.003508918,0.0026406944,0.0013906587,0.00037692577],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008302206,0.00002301191,0.0049634227,0.0016140982,0.000030712454,0.0005271301,0.25659224,0.0002481232,0.0011191263,0.35386825,0.03814218,0.34278873],"study_design_scores_gemma":[0.00000410051,0.000019512783,0.019761493,0.0014585649,0.000020919453,0.0003905381,0.11658097,0.000040216844,0.00053235167,0.0054419646,0.8557197,0.000029557736],"about_ca_topic_score_codex":0.71734595,"about_ca_topic_score_gemma":0.82200754,"teacher_disagreement_score":0.28265405,"about_ca_system_score_codex":0.027811052,"about_ca_system_score_gemma":0.023052884,"threshold_uncertainty_score":0.56863725},"labels":[],"label_agreement":null},{"id":"W1548390518","doi":"","title":"Through Lover's Lane: L. M. Montgomery's Photography and Visual Imagination","year":2009,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Photography; Visual arts","score_opus":0.022338767848231703,"score_gpt":0.26921166381302947,"score_spread":0.24687289596479778,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1548390518","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034602871,0.40268534,0.00069772283,0.43831375,0.007047248,0.000025607678,0.00009214339,0.00006904868,0.14760889],"genre_scores_gemma":[0.23840274,0.30122823,0.0022465102,0.070314035,0.010753057,0.00005703394,0.000067331035,0.00023563857,0.37669542],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907243,0.00043566994,0.000019881725,0.00007720762,0.00025939106,0.00013541227],"domain_scores_gemma":[0.9980323,0.00087471114,0.00008662837,0.00006545778,0.00058151525,0.00035944834],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019489727,0.00056109595,0.0004355978,0.0021057643,0.013384913,0.010502096,0.0010415844,0.0038323707,0.009311701],"category_scores_gemma":[0.0036335483,0.00034487245,0.00029418367,0.0018071058,0.014470173,0.0070770886,0.0023367596,0.0044244,0.001078187],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003699517,0.000024259432,0.0005335595,0.00024114472,0.000008548891,0.0003339086,0.038215987,0.000058747064,0.00025113125,0.16303244,0.7474728,0.049790498],"study_design_scores_gemma":[0.000008572769,0.000008852188,0.0017971805,0.00058778404,0.000006732809,0.00023334836,0.029396547,0.000039183862,0.0001363468,0.012297774,0.9554614,0.000026362102],"about_ca_topic_score_codex":0.5672966,"about_ca_topic_score_gemma":0.8205999,"teacher_disagreement_score":0.43270338,"about_ca_system_score_codex":0.012308696,"about_ca_system_score_gemma":0.009306948,"threshold_uncertainty_score":0.8705033},"labels":[],"label_agreement":null},{"id":"W1550122013","doi":"","title":"Image & Imagination : Le Mois de la Photo à Montréal 2005","year":2005,"lang":"fr","type":"book","venue":"McGill-Queen's University Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Photography; Studio; Art; Visual arts; Art history","score_opus":0.010501166382197972,"score_gpt":0.2129282264291411,"score_spread":0.20242706004694314,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1550122013","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0030906051,0.06426985,0.0010249915,0.027490698,0.00296453,0.000035683785,0.00030157866,0.00014836034,0.9006737],"genre_scores_gemma":[0.053592242,0.022995401,0.0009483656,0.002734088,0.00070601807,0.00003014562,0.00011573413,0.00012683951,0.9187512],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99971884,0.00004671617,0.0000050623644,0.00004142579,0.00013847458,0.000049489612],"domain_scores_gemma":[0.99978095,0.000041716507,0.000013139081,0.000015961821,0.00008815767,0.000060111546],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003655463,0.0005969529,0.00014633888,0.00092807447,0.0038174938,0.0045882785,0.0007346009,0.0013576355,0.051456135],"category_scores_gemma":[0.0006934237,0.00033796765,0.00023182783,0.0010244079,0.0029369185,0.0022948396,0.0011312804,0.0018344336,0.004935059],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002613065,0.00002006811,0.00035410194,0.000129884,0.0000050998797,0.00029710025,0.0060283705,0.00011618126,0.00054129644,0.14418544,0.78038967,0.06790675],"study_design_scores_gemma":[0.0000015506622,0.0000030931735,0.00059981894,0.000056218443,0.0000012179729,0.00008307153,0.00050836866,0.000023901428,0.000089353634,0.00082330516,0.9978059,0.0000041660846],"about_ca_topic_score_codex":0.6280367,"about_ca_topic_score_gemma":0.8113846,"teacher_disagreement_score":0.37196332,"about_ca_system_score_codex":0.01319617,"about_ca_system_score_gemma":0.0059155286,"threshold_uncertainty_score":0.74830776},"labels":[],"label_agreement":null},{"id":"W1553722662","doi":"","title":"The Great War: The Persuasive Power of Photography, National Gallery of Canada, Ottawa, 27 June to 16 November 2014The Great War: The Persuasive Power of Photography, National Gallery of Canada, Ottawa, 27 June to 16 November 2014","year":2015,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Power (physics); Media studies; Visual arts; History; Art; Sociology","score_opus":0.01967536688361749,"score_gpt":0.2384610894342867,"score_spread":0.21878572255066922,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1553722662","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06750658,0.06619047,0.00060898904,0.3175052,0.010801556,0.0013990868,0.040503673,0.00072171935,0.49476272],"genre_scores_gemma":[0.12910874,0.016902462,0.0017440866,0.012414783,0.0008397183,0.00035783925,0.0057361843,0.0003729626,0.8325232],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958204,0.00034128755,0.000145784,0.00023204421,0.0025009585,0.00095949514],"domain_scores_gemma":[0.9876116,0.0017775514,0.00048325077,0.0005631661,0.006630718,0.0029337194],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038230398,0.0010811008,0.00072732056,0.0039417883,0.034896854,0.011277488,0.0030783638,0.005269473,0.04236725],"category_scores_gemma":[0.011544876,0.0014942191,0.0006289713,0.0058447686,0.0053068288,0.0020137497,0.0041237473,0.0050325044,0.0043261317],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007469561,0.0000390934,0.0023046145,0.00014780849,0.000017296266,0.00014357397,0.0036156024,0.00011548964,0.00021683074,0.0016946318,0.9817693,0.009861147],"study_design_scores_gemma":[0.000032622043,0.000019827714,0.08390294,0.0003584473,0.00003380343,0.00006476658,0.016613849,0.00010017679,0.00046654185,0.00033102775,0.89796543,0.00011061985],"about_ca_topic_score_codex":0.99416226,"about_ca_topic_score_gemma":0.9991498,"teacher_disagreement_score":0.11377235,"about_ca_system_score_codex":0.11377235,"about_ca_system_score_gemma":0.17532098,"threshold_uncertainty_score":0.82548},"labels":[],"label_agreement":null},{"id":"W1562159974","doi":"","title":"Sarah Angelucci : provenance unknown","year":2015,"lang":"en","type":"book","venue":"Art Gallery of York University eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Amateur; Art; Chorus; Visual arts; Contemplation; Identity (music); Storytelling; Art history; Aesthetics; Literature; History; Genealogy; Narrative; Philosophy","score_opus":0.03963307313498503,"score_gpt":0.20373508014361222,"score_spread":0.1641020070086272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1562159974","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0037354676,0.020319145,0.0016354548,0.4995435,0.034513082,0.0000335093,0.00017422978,0.00027973263,0.43976587],"genre_scores_gemma":[0.1594357,0.019047424,0.0015170649,0.1003059,0.01601552,0.00004978008,0.0002015949,0.00038341735,0.7030436],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986732,0.00043927616,0.000063361396,0.00017292966,0.00050180027,0.00014948513],"domain_scores_gemma":[0.9972832,0.0013595339,0.00014545213,0.00029245322,0.00062333216,0.00029611457],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017313535,0.00029083883,0.0001522669,0.0006318881,0.0070948596,0.007683825,0.0009290715,0.003154807,0.017024502],"category_scores_gemma":[0.0061531872,0.00022864724,0.00015892797,0.0008580115,0.0058882404,0.006364044,0.0023005337,0.0044244844,0.0032313508],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008488971,0.0000048079105,0.00019723817,0.00007966376,9.751657e-7,0.0003454712,0.009805924,0.000024954115,0.00012667089,0.16293347,0.8103167,0.016155751],"study_design_scores_gemma":[6.988743e-7,0.0000012221162,0.00009245108,0.000045414516,5.636318e-7,0.000103634535,0.0017183243,0.000013721498,0.00006282349,0.001987348,0.99597114,0.0000025109557],"about_ca_topic_score_codex":0.053952657,"about_ca_topic_score_gemma":0.10410927,"teacher_disagreement_score":0.053952657,"about_ca_system_score_codex":0.0063979407,"about_ca_system_score_gemma":0.0055839196,"threshold_uncertainty_score":0.107277274},"labels":[],"label_agreement":null},{"id":"W1562650048","doi":"10.1080/1472586x.2015.1024976","title":"Cold War visual alliances","year":2015,"lang":"en","type":"article","venue":"Visual Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":27,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Arts and Humanities Research Council","keywords":"Cold war; Visual arts; Art; Political science; History; Law; Politics","score_opus":0.1799363414078584,"score_gpt":0.37398334048567927,"score_spread":0.19404699907782086,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1562650048","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023970237,0.0035061107,0.00039629423,0.03907431,0.0031572906,0.000051061917,0.00018155338,0.000046744128,0.9296164],"genre_scores_gemma":[0.29581803,0.0017249251,0.00030742376,0.01143559,0.0012459392,0.00010843406,0.00013790585,0.000094948584,0.6891268],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9976618,0.0005972393,0.000042897187,0.00028280655,0.0004948892,0.00092029583],"domain_scores_gemma":[0.99629694,0.0010340707,0.00022685374,0.0005073184,0.0005800863,0.0013547742],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028520431,0.0004943607,0.00032956278,0.0021791446,0.015105339,0.013734767,0.0010444437,0.0045349235,0.0907465],"category_scores_gemma":[0.0079738,0.00029760925,0.0003695019,0.0018321439,0.0075237053,0.004372511,0.0101086395,0.007820235,0.009323713],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000096825,0.00008612829,0.0012027397,0.00006988517,0.0000080187,0.0003278163,0.0139732575,0.00009788024,0.00048629893,0.6261935,0.31723306,0.0402246],"study_design_scores_gemma":[0.000008469479,0.000014062946,0.0017218571,0.00009943154,0.0000020149264,0.000069991525,0.008942513,0.000031560197,0.00017291296,0.011136516,0.9777917,0.000009026872],"about_ca_topic_score_codex":0.03559306,"about_ca_topic_score_gemma":0.07625665,"teacher_disagreement_score":0.0907465,"about_ca_system_score_codex":0.007982687,"about_ca_system_score_gemma":0.006098605,"threshold_uncertainty_score":0.30357724},"labels":[],"label_agreement":null},{"id":"W1564477019","doi":"","title":"Thomas Demand: Animations, Jeff Fleming (dir.), Des Moines et Montréal, Des Moines Art Center et DHC/Art, 2012, n.p.Thomas Demand: Animations, Jeff Fleming (dir.), Des Moines et Montréal, Des Moines Art Center et DHC/Art, 2012, n.p.","year":2013,"lang":"fr","type":"article","venue":"Esse/Esse arts + opinions","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Center (category theory); Art history; Chemistry","score_opus":0.03163215533067228,"score_gpt":0.29087467403455436,"score_spread":0.2592425187038821,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1564477019","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008375373,0.07974159,0.0028928688,0.08442467,0.02779317,0.00008021321,0.0036093951,0.0015643832,0.7990561],"genre_scores_gemma":[0.0036389646,0.019403543,0.0011795666,0.0033209564,0.0019126264,0.00003129437,0.00073967536,0.0007610939,0.9690123],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999684,0.000044270506,0.000011634335,0.000047829002,0.00018112778,0.000031150033],"domain_scores_gemma":[0.99936885,0.00010347495,0.000031177304,0.000025151156,0.00030752292,0.0001638073],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005654306,0.00091126777,0.00031687316,0.0010939529,0.0025798094,0.0030201986,0.0005733805,0.0014990045,0.3313657],"category_scores_gemma":[0.0018905011,0.0005417172,0.00032565743,0.0013030544,0.0005586207,0.0024275873,0.0010918296,0.00218404,0.16536044],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000066621074,0.0000015805341,0.000030858904,0.000021944013,6.313794e-7,0.000012875381,0.000036935282,0.000020612664,0.000056750312,0.0006107323,0.9899367,0.009263744],"study_design_scores_gemma":[0.0000018042081,0.0000013369636,0.00023387343,0.000033359735,0.0000013658992,0.000036625574,0.0000967183,0.000025137937,0.000054444532,0.00015585171,0.9993563,0.0000030670572],"about_ca_topic_score_codex":0.08076097,"about_ca_topic_score_gemma":0.2562034,"teacher_disagreement_score":0.3313657,"about_ca_system_score_codex":0.0025558516,"about_ca_system_score_gemma":0.001474468,"threshold_uncertainty_score":0.9537257},"labels":[],"label_agreement":null},{"id":"W1569509618","doi":"","title":"Picture Theory: On Photographic Intimacy in Nicole Brossard and Anne Carson","year":2008,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":19,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Persona; Palimpsest; Irony; Reflexivity; Movie theater; Art history; Art; Feminism; Politics; Sociology; Distancing; Aesthetics; Literature; Gender studies; Humanities; Anthropology","score_opus":0.0536509125163167,"score_gpt":0.2947977106694579,"score_spread":0.24114679815314122,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1569509618","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.077219196,0.018298749,0.0039737015,0.087500036,0.0014353305,0.000083748644,0.000051330033,0.00004942098,0.81138855],"genre_scores_gemma":[0.89584565,0.010404128,0.002138871,0.005583592,0.00037250973,0.00010207837,0.000028964158,0.0000873061,0.08543691],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962774,0.0022757335,0.000048702612,0.00031998384,0.0007114028,0.0003667258],"domain_scores_gemma":[0.9949339,0.0031968814,0.00030061477,0.0002953052,0.0008777543,0.00039549675],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029788509,0.00051807356,0.00034901846,0.0027986798,0.019735625,0.0102767665,0.0020133387,0.003539936,0.0088142995],"category_scores_gemma":[0.01013398,0.00043127412,0.00024479115,0.0021401423,0.02615294,0.0076837344,0.0044805445,0.003998388,0.00059366314],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000282409,0.000035833007,0.0007725483,0.00008034043,0.0000037051,0.000600258,0.39524138,0.00006295015,0.00015404465,0.561555,0.026223006,0.015242676],"study_design_scores_gemma":[0.0000115682915,0.00002375163,0.0019853315,0.0005197869,0.000013831166,0.00054226717,0.356985,0.000197204,0.00032830195,0.03606036,0.60329735,0.000035299992],"about_ca_topic_score_codex":0.32090977,"about_ca_topic_score_gemma":0.4028763,"teacher_disagreement_score":0.32090977,"about_ca_system_score_codex":0.01855251,"about_ca_system_score_gemma":0.00676611,"threshold_uncertainty_score":0.6380837},"labels":[],"label_agreement":null},{"id":"W1571547090","doi":"","title":"Introduction to the Roundtable on Re-Imagining Regions","year":2006,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"History; Environmental ethics; Political science; Philosophy","score_opus":0.013318240079940482,"score_gpt":0.1787053366137903,"score_spread":0.1653870965338498,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1571547090","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017594909,0.12604287,0.05187103,0.23282965,0.066729605,0.00025138754,0.0010967284,0.001144159,0.5182751],"genre_scores_gemma":[0.03565433,0.059924472,0.025537731,0.04708439,0.033536118,0.00035321238,0.0011820578,0.0017972528,0.79493046],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987941,0.0003846357,0.000055699293,0.00023268964,0.00034339057,0.00018950921],"domain_scores_gemma":[0.9974164,0.0009975646,0.000055264558,0.00037572838,0.00080846937,0.00034645526],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002816008,0.001279642,0.0007880184,0.0021786056,0.0042631566,0.006920561,0.0024744964,0.0050653545,0.094470516],"category_scores_gemma":[0.003905222,0.0007489314,0.0010287209,0.0020795935,0.006016699,0.008120752,0.004598711,0.008770059,0.018312622],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029541185,0.000025793643,0.00007595408,0.00015073786,0.0000057051834,0.00005565479,0.00080179976,0.00029631855,0.00038665067,0.2062666,0.728026,0.06387927],"study_design_scores_gemma":[0.000002462168,0.0000048637385,0.00010754057,0.00010886312,0.0000014019755,0.000025801786,0.0001638805,0.00006875163,0.000092362214,0.012576844,0.98683757,0.000009632031],"about_ca_topic_score_codex":0.04697226,"about_ca_topic_score_gemma":0.09293143,"teacher_disagreement_score":0.094470516,"about_ca_system_score_codex":0.0075987936,"about_ca_system_score_gemma":0.0038953496,"threshold_uncertainty_score":0.31603533},"labels":[],"label_agreement":null},{"id":"W1573586960","doi":"","title":"The Role of Photography in Memory, Mass Culture and Illusion. c.1983. c.1983","year":2013,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Illusion; Mass culture; Art; Visual arts; Psychology; Sociology; Cognitive psychology; Anthropology","score_opus":0.015764712659054003,"score_gpt":0.22558881013240173,"score_spread":0.20982409747334774,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1573586960","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028882414,0.61730665,0.0033845387,0.034103036,0.0022589408,0.00005323413,0.00017851422,0.000060661965,0.31377205],"genre_scores_gemma":[0.6502752,0.27881685,0.0033311693,0.0037832921,0.0025087295,0.00013348466,0.00006874958,0.000062670966,0.06101995],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99981135,0.0000738617,0.000016360053,0.000031018815,0.000050067538,0.000017373532],"domain_scores_gemma":[0.9976671,0.0018920334,0.00012220966,0.00008456856,0.00018385495,0.000050235354],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007408504,0.00034075696,0.0002964482,0.0011790661,0.0013064961,0.0030656208,0.00040363736,0.0014938811,0.008156846],"category_scores_gemma":[0.0046142326,0.00023053463,0.00019140923,0.0009598882,0.006771393,0.004389799,0.00095194,0.0015986831,0.00061012636],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005225973,0.00010193141,0.002886052,0.0013897439,0.00004222553,0.0005779022,0.012322392,0.00053936196,0.0020902215,0.5321279,0.09760841,0.34979117],"study_design_scores_gemma":[0.000083646984,0.00020186193,0.030292526,0.0021351217,0.000078045814,0.0017872492,0.0052340776,0.00071052345,0.002030566,0.601279,0.3560766,0.000090778536],"about_ca_topic_score_codex":0.012808171,"about_ca_topic_score_gemma":0.012459669,"teacher_disagreement_score":0.012808171,"about_ca_system_score_codex":0.0014100845,"about_ca_system_score_gemma":0.00096550013,"threshold_uncertainty_score":0.027287364},"labels":[],"label_agreement":null},{"id":"W1574918444","doi":"","title":"Paintbox at Sea: The Materials and Techniques of Canadian Second World War Artist C. Anthony Law","year":2005,"lang":"en","type":"article","venue":"Material Culture Review / Revue de la culture matérielle","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Queen's University","funders":"","keywords":"World War II; Law; Art history; Art; History; Political science","score_opus":0.015869267646416572,"score_gpt":0.23921444585373752,"score_spread":0.22334517820732094,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1574918444","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.040977377,0.14594933,0.011767137,0.057246946,0.0059324848,0.00032448242,0.00049969734,0.0003451163,0.73695743],"genre_scores_gemma":[0.24198665,0.10508775,0.024238454,0.0065294956,0.0005370878,0.00010666211,0.00024068507,0.00040112055,0.6208721],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.99875736,0.00009663093,0.000020143101,0.00007393578,0.0008999571,0.00015195164],"domain_scores_gemma":[0.99898344,0.00015281039,0.000026689277,0.00007972462,0.0006408213,0.00011649029],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017878882,0.0006727476,0.00020784583,0.0026364832,0.010818867,0.0049249753,0.0011309136,0.0011744798,0.0141321495],"category_scores_gemma":[0.0025895603,0.00026392087,0.00022013632,0.002074244,0.004660849,0.0015436595,0.001452674,0.0016677759,0.0014252566],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010755792,0.000054311928,0.00086425676,0.0008422596,0.00001730637,0.00041691514,0.017352529,0.00036357326,0.010550245,0.06618633,0.39420164,0.5090431],"study_design_scores_gemma":[0.000004092974,0.000025683978,0.002696073,0.00039356324,0.000009735494,0.00029022343,0.006348355,0.000067891604,0.0030223667,0.001680201,0.9854338,0.000027929033],"about_ca_topic_score_codex":0.7951492,"about_ca_topic_score_gemma":0.951362,"teacher_disagreement_score":0.2048508,"about_ca_system_score_codex":0.013556544,"about_ca_system_score_gemma":0.023875073,"threshold_uncertainty_score":0.41211438},"labels":[],"label_agreement":null},{"id":"W1576830077","doi":"","title":"Mutations: Perspectives on Photography / Perspectives sur la photographie, Chantal Pontbriand (edited by / sous la direction de) Göttingen and Paris: Steidl and Paris Photo, 2011, 414 pp.Mutations: Perspectives on Photography / Perspectives sur la photographie, Chantal Pontbriand (edited by / sous la direction de) Göttingen and Paris: Steidl and Paris Photo, 2011, 414 pp.","year":2013,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Art; Humanities; Art history; Visual arts","score_opus":0.01027441684758418,"score_gpt":0.2293149701520642,"score_spread":0.21904055330448002,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1576830077","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008574777,0.6920413,0.000879783,0.059676457,0.016147213,0.000032304826,0.0004579973,0.00023456357,0.2296729],"genre_scores_gemma":[0.019018263,0.39269987,0.0019030285,0.008404238,0.006280398,0.00005556006,0.00043061568,0.00045693916,0.570751],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898154,0.00023775875,0.00003821298,0.00013664903,0.0004864859,0.000119296456],"domain_scores_gemma":[0.99922335,0.0001858983,0.00006434522,0.000044926932,0.00032867666,0.0001528557],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011220772,0.0011749588,0.0006417744,0.0028116475,0.0021630083,0.006367407,0.0011348493,0.0025112256,0.07963708],"category_scores_gemma":[0.0023877532,0.0005854423,0.0004718625,0.0034306,0.0032231107,0.0058300328,0.0026009837,0.0032860145,0.025180474],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012947959,0.000004536937,0.00005799553,0.00019225905,0.000002161315,0.000084705105,0.0005618882,0.00002594876,0.00011422366,0.01530258,0.9245759,0.05906494],"study_design_scores_gemma":[0.000002085235,0.000002420505,0.00039689202,0.000260876,0.0000018074004,0.00019689118,0.00056988135,0.000006358841,0.000058841837,0.002043414,0.9964553,0.0000051731877],"about_ca_topic_score_codex":0.040830035,"about_ca_topic_score_gemma":0.05828451,"teacher_disagreement_score":0.07963708,"about_ca_system_score_codex":0.005687188,"about_ca_system_score_gemma":0.004524459,"threshold_uncertainty_score":0.26641256},"labels":[],"label_agreement":null},{"id":"W1583071329","doi":"","title":"Manufactured Landscapes: The Photographs of Edward Burtynsky","year":2003,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Nothing; Sublime; Aesthetics; Beauty; Politics; Subject (documents); Pleasure; Sociology; Ambiguity; Visual arts; Art; Law; Philosophy; Epistemology; Computer science; Psychology","score_opus":0.03175981585796308,"score_gpt":0.2583426414492032,"score_spread":0.22658282559124013,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1583071329","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.052966725,0.026359478,0.0017687132,0.054876223,0.0037968627,0.00009256036,0.0011444556,0.00032349935,0.8586715],"genre_scores_gemma":[0.17719766,0.009915648,0.0020943286,0.005579071,0.0005254499,0.00006111569,0.00044325204,0.00039897911,0.80378443],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99984527,0.00004230793,0.0000037525688,0.000027493039,0.000045104898,0.000036159774],"domain_scores_gemma":[0.99989593,0.000023226587,0.0000075403673,0.00001725461,0.000022590779,0.00003345943],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000288368,0.0005622826,0.00016018617,0.0005694103,0.006286431,0.0028190704,0.0005048234,0.00082414364,0.03130713],"category_scores_gemma":[0.0005338714,0.00039220252,0.00020984228,0.00049949577,0.0022082995,0.0030784707,0.0026633525,0.0028365501,0.005075402],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000072870425,0.000020624244,0.00050452026,0.00012121334,0.000006883378,0.00087545766,0.031666882,0.0001905908,0.0012882921,0.029869467,0.917903,0.017480252],"study_design_scores_gemma":[0.0000024223255,0.000005519945,0.001664055,0.00006254807,0.000002277603,0.00039742072,0.008547412,0.000034031516,0.00018205922,0.00066892826,0.9884221,0.000011087629],"about_ca_topic_score_codex":0.09227509,"about_ca_topic_score_gemma":0.27596873,"teacher_disagreement_score":0.09227509,"about_ca_system_score_codex":0.0033742625,"about_ca_system_score_gemma":0.00088447955,"threshold_uncertainty_score":0.18347597},"labels":[],"label_agreement":null},{"id":"W1595024716","doi":"10.7202/1011726ar","title":"Former l’oeil et l’âme","year":2012,"lang":"fr","type":"article","venue":"Anthropologie et Sociétés","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art","score_opus":0.3184375525259602,"score_gpt":0.567536011559387,"score_spread":0.24909845903342687,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1595024716","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033585005,0.009275767,0.0035567523,0.066428065,0.002754655,0.000026733169,0.00006400313,0.00008215625,0.88422686],"genre_scores_gemma":[0.49167186,0.003401481,0.0016628336,0.006719554,0.0010502052,0.00003279221,0.000034811354,0.00017855344,0.49524784],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972264,0.001039602,0.000062430656,0.00045238552,0.0007413573,0.00047784165],"domain_scores_gemma":[0.99754083,0.0007329977,0.00021487736,0.00042481054,0.0005782403,0.00050821394],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002379005,0.00044624138,0.00023308185,0.0013688672,0.007750035,0.011426119,0.000639903,0.0027991561,0.024533989],"category_scores_gemma":[0.00500984,0.00024537626,0.00027165998,0.0010234689,0.017858637,0.00962333,0.0045564487,0.0043944684,0.0036670645],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000076539465,0.00002544768,0.0011577993,0.00006539448,0.0000047471954,0.00014411539,0.038392197,0.000031675343,0.0006045282,0.88813186,0.03738122,0.03398461],"study_design_scores_gemma":[0.000003973552,0.000014776919,0.00078751484,0.000094153766,0.0000023942102,0.0001239959,0.01204337,0.0000439253,0.00021304906,0.016674131,0.9699897,0.000008885785],"about_ca_topic_score_codex":0.010627804,"about_ca_topic_score_gemma":0.022314517,"teacher_disagreement_score":0.024533989,"about_ca_system_score_codex":0.0050338367,"about_ca_system_score_gemma":0.0026059612,"threshold_uncertainty_score":0.082074344},"labels":[],"label_agreement":null},{"id":"W1598026883","doi":"10.51644/9781554584253-013","title":"The Prince George Métis Elders Documentary Project: Matching Product with Process in New Forms of Documentary","year":2014,"lang":"en","type":"book-chapter","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"George (robot); Product (mathematics); Process (computing); Documentary film; History; Art; Art history; Computer science; Mathematics; Programming language","score_opus":0.01775056447371616,"score_gpt":0.25340802653759703,"score_spread":0.23565746206388088,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1598026883","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020671079,0.009233938,0.017923841,0.009150727,0.0008094166,0.00020175081,0.0002749865,0.00042535577,0.94130903],"genre_scores_gemma":[0.12514833,0.009317477,0.03917616,0.0011605821,0.00017027024,0.00016714039,0.0004426531,0.0007118084,0.82370555],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.9988217,0.00031470688,0.000026609303,0.00009383543,0.00067123957,0.000072028495],"domain_scores_gemma":[0.9991955,0.00038913678,0.000042595955,0.00011605325,0.00017088634,0.00008572725],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024564373,0.0003456774,0.00018427378,0.0010901236,0.002756103,0.008191206,0.0008673589,0.0015594533,0.015586074],"category_scores_gemma":[0.0031044937,0.00035338942,0.00015195839,0.0016429856,0.0038298338,0.0054173316,0.0024583286,0.0016997367,0.0021672195],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036582856,0.00007381755,0.0009390246,0.00026695876,0.000005497152,0.0001778427,0.023135215,0.00027136554,0.0013684265,0.26169062,0.23422672,0.47780803],"study_design_scores_gemma":[0.0000058749433,0.000022985852,0.0020567595,0.00027298575,0.0000055696155,0.00023528154,0.0073508485,0.0003106498,0.0013598636,0.011299282,0.97706896,0.000010910093],"about_ca_topic_score_codex":0.033911668,"about_ca_topic_score_gemma":0.068230264,"teacher_disagreement_score":0.96608835,"about_ca_system_score_codex":0.003330131,"about_ca_system_score_gemma":0.004704535,"threshold_uncertainty_score":0.06742859},"labels":[],"label_agreement":null},{"id":"W1603176762","doi":"","title":"Son et Lumières","year":2008,"lang":"fr","type":"article","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Movie theater; The arts; Media studies; State (computer science); Library science; Visual arts; Art history; Art; History; Geography; Sociology","score_opus":0.0627361866537517,"score_gpt":0.2782019373512462,"score_spread":0.21546575069749452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1603176762","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0040754797,0.019636218,0.0010079923,0.0053245625,0.017996563,0.000035561814,0.0009221944,0.00039165744,0.95060974],"genre_scores_gemma":[0.023971228,0.0053807264,0.0009108675,0.0009898831,0.002305151,0.000027993736,0.00041928102,0.00019085091,0.9658039],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993723,0.000121519515,0.00003179178,0.00014486825,0.00023501883,0.000094523944],"domain_scores_gemma":[0.99963224,0.000058951464,0.000029605111,0.000041271567,0.00014045916,0.00009742134],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005676348,0.00085894275,0.0004604641,0.0014731935,0.0020660786,0.003718384,0.0005069217,0.0010128475,0.2782484],"category_scores_gemma":[0.0014619116,0.00025089717,0.0002779618,0.0009195536,0.0009904748,0.0017262782,0.0021253868,0.0016209347,0.103306554],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019618188,0.000042307383,0.0014166282,0.0002704497,0.000009043078,0.00068373745,0.001517079,0.000085089094,0.0012178835,0.054505836,0.53250146,0.40755436],"study_design_scores_gemma":[0.0000027363849,0.000008564969,0.00034971492,0.000039584378,0.0000010380493,0.00023319943,0.00016510236,0.000009412987,0.00011763839,0.0004305823,0.9986405,0.0000018135505],"about_ca_topic_score_codex":0.007834692,"about_ca_topic_score_gemma":0.015299427,"teacher_disagreement_score":0.2782484,"about_ca_system_score_codex":0.0016599298,"about_ca_system_score_gemma":0.0015033804,"threshold_uncertainty_score":0.93083364},"labels":[],"label_agreement":null},{"id":"W1603643247","doi":"10.7202/1005633ar","title":"L’instantané cinématographique : relire Étienne-Jules Marey","year":2011,"lang":"fr","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.07279090541263217,"score_gpt":0.24336151552184684,"score_spread":0.17057061010921468,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1603643247","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.089391366,0.04747347,0.11282279,0.06213184,0.006280598,0.00012478365,0.00022751842,0.00053387525,0.68101376],"genre_scores_gemma":[0.75363266,0.021409087,0.023718884,0.00421469,0.0027956725,0.0001482568,0.000110030625,0.00046275323,0.19350804],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886,0.00057608634,0.000023507302,0.00023715758,0.00022821517,0.00007501632],"domain_scores_gemma":[0.9979772,0.0012971525,0.0001061794,0.00014313805,0.00036178267,0.00011455008],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001912948,0.0004910841,0.0003180335,0.001157751,0.0019385869,0.005730931,0.0005998233,0.0014146557,0.008525052],"category_scores_gemma":[0.005756506,0.00038507284,0.00036798365,0.00063301745,0.00628344,0.0053748037,0.0021531119,0.0034150032,0.001140028],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007686085,0.000017963575,0.00039273777,0.00016199244,0.000009669795,0.0003471039,0.023552157,0.00029572437,0.0020164775,0.92881906,0.017850073,0.02646018],"study_design_scores_gemma":[0.000022765596,0.000066003224,0.0019348958,0.0004887193,0.000027660306,0.00093272206,0.00989001,0.0015643837,0.0022425256,0.13000028,0.85276663,0.00006350859],"about_ca_topic_score_codex":0.005096655,"about_ca_topic_score_gemma":0.004675971,"teacher_disagreement_score":0.008525052,"about_ca_system_score_codex":0.0021681779,"about_ca_system_score_gemma":0.0009965051,"threshold_uncertainty_score":0.028519094},"labels":[],"label_agreement":null},{"id":"W1605434892","doi":"","title":"The man, the image and the world : a retrospective","year":2003,"lang":"en","type":"book","venue":"Thames & Hudson eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Photography; Magnum opus; Art history; Agency (philosophy); History; China; Visual arts; Art; Sociology; Archaeology; Literature; Social science","score_opus":0.014506031513014023,"score_gpt":0.22723722458529874,"score_spread":0.21273119307228472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1605434892","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0829518,0.315246,0.0011999218,0.04243495,0.011826471,0.00024061203,0.00122963,0.0001538741,0.5447168],"genre_scores_gemma":[0.381819,0.2918421,0.001183045,0.010878053,0.0038593952,0.00028779006,0.0011179432,0.0003137434,0.30869895],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981358,0.0009875364,0.000058159578,0.00015290426,0.00041647683,0.00024912457],"domain_scores_gemma":[0.9981833,0.0008981965,0.00017204476,0.00008426605,0.0003829665,0.0002791766],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027079813,0.0006034991,0.00050150615,0.002587983,0.0109664695,0.01277687,0.00076177943,0.0014806589,0.009376839],"category_scores_gemma":[0.0044243205,0.0006299792,0.00018200668,0.0029773288,0.0076058838,0.008336243,0.004148759,0.00616843,0.0028668563],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050903745,0.000113448186,0.0019650238,0.00061292737,0.000009464313,0.0012011555,0.57954067,0.000041024192,0.00036979705,0.14489758,0.21783534,0.0533627],"study_design_scores_gemma":[0.0000010669196,0.000016527683,0.0013578949,0.0007544944,0.0000028209165,0.00041416418,0.11547919,0.000005045997,0.00005882209,0.00064221676,0.88126016,0.0000075335797],"about_ca_topic_score_codex":0.034658726,"about_ca_topic_score_gemma":0.056863658,"teacher_disagreement_score":0.034658726,"about_ca_system_score_codex":0.0068612723,"about_ca_system_score_gemma":0.004219459,"threshold_uncertainty_score":0.068913996},"labels":[],"label_agreement":null},{"id":"W1607266997","doi":"","title":"Exhibition Review: VANCOUVER ART GALLERY, Fred Herzog: Vancouver Photographs","year":2008,"lang":"en","type":"article","venue":"Archivaria","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Art history; Art; Visual arts; Art gallery; Performance art; Cartography; Geography","score_opus":0.03034650936672355,"score_gpt":0.2392386084181162,"score_spread":0.20889209905139264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1607266997","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00037775302,0.9288654,0.00006594182,0.02082698,0.019918235,0.000058981426,0.00082206377,0.000041507916,0.029023152],"genre_scores_gemma":[0.0059061786,0.8363031,0.00029012194,0.010735276,0.0086305,0.00013691052,0.0017656639,0.00006647227,0.13616572],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894017,0.00012321424,0.0000918548,0.00008938016,0.00060957175,0.0001458221],"domain_scores_gemma":[0.9953431,0.00058633846,0.00023636766,0.00014399276,0.0032999555,0.0003902481],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019553776,0.0011758277,0.0013004545,0.0065630153,0.0031584424,0.0045848866,0.0020531425,0.003269212,0.059806813],"category_scores_gemma":[0.0052348026,0.0007306168,0.00059021433,0.009787771,0.0014392724,0.001811147,0.0025811472,0.0026066988,0.013071997],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015061021,0.0000039609668,0.000055564058,0.0012244792,0.000008183015,0.000032595155,0.0000635285,0.000016623704,0.000043235916,0.0002010729,0.9642323,0.034103494],"study_design_scores_gemma":[0.000005394047,0.0000049469677,0.0009807008,0.0022231643,0.000016472446,0.00008310992,0.00022575315,0.0000052867617,0.000054707914,0.00006452004,0.99632865,0.000007219279],"about_ca_topic_score_codex":0.33276185,"about_ca_topic_score_gemma":0.64661163,"teacher_disagreement_score":0.6672381,"about_ca_system_score_codex":0.007895487,"about_ca_system_score_gemma":0.013291574,"threshold_uncertainty_score":0.66164994},"labels":[],"label_agreement":null},{"id":"W160805451","doi":"","title":"L’espace comme récepteur de la personnalité artistique : Une analyse comparative des portraits d’artistes de Sam Tata et Gabor Szilasi","year":2014,"lang":"fr","type":"dissertation","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Art history","score_opus":0.056365425728618815,"score_gpt":0.3645705353172835,"score_spread":0.3082051095886647,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W160805451","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34228653,0.007396165,0.005140146,0.0034533504,0.00024846342,0.000027873582,0.00007305689,0.000037679016,0.6413368],"genre_scores_gemma":[0.96574414,0.0020678006,0.0005425289,0.00015863316,0.000058288348,0.000012161334,0.000030327017,0.000046622183,0.0313395],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9994404,0.0002667452,0.000011797342,0.000050909894,0.00014349753,0.000086657485],"domain_scores_gemma":[0.99949,0.00028976134,0.000053965243,0.00004559888,0.00006672995,0.000053909793],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007453852,0.00040313898,0.00016522953,0.0013585938,0.004298006,0.006909545,0.0004594537,0.00084963866,0.007462138],"category_scores_gemma":[0.001237493,0.00019545485,0.00024767313,0.001959427,0.011176613,0.0025841396,0.0018163379,0.0016599566,0.0007816595],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047809164,0.000007187687,0.0021322044,0.00012514544,0.000009367622,0.0010468177,0.77972275,0.00012211059,0.0015014211,0.1937026,0.0028522795,0.018730447],"study_design_scores_gemma":[0.00001093429,0.000033378008,0.022028752,0.00046422362,0.000031486383,0.002027545,0.42669666,0.0004177373,0.0010667429,0.013538221,0.53365695,0.000027411968],"about_ca_topic_score_codex":0.019520748,"about_ca_topic_score_gemma":0.030838842,"teacher_disagreement_score":0.019520748,"about_ca_system_score_codex":0.0033928195,"about_ca_system_score_gemma":0.0015889874,"threshold_uncertainty_score":0.038814247},"labels":[],"label_agreement":null},{"id":"W1608539210","doi":"","title":"STEVE MACKINNON, KAREN TEEPLE, MICHELE DALE, Toronto’s Visual Legacy: Official City Photography from 1856 to the Present","year":2010,"lang":"en","type":"article","venue":"Archivaria (Association of Canadian Archivists)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Art; Visual arts; Art history; Geography; History; Cartography; Media studies; Sociology","score_opus":0.013739622375521865,"score_gpt":0.23755530237843214,"score_spread":0.22381568000291027,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1608539210","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022679191,0.46799734,0.0012149574,0.24061172,0.027214043,0.000061464234,0.0032328742,0.00037373765,0.23661467],"genre_scores_gemma":[0.23406889,0.24268726,0.0017221547,0.022908641,0.009459931,0.00007473497,0.0014030009,0.0007070439,0.48696834],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99936026,0.000093390045,0.000019753023,0.00007772447,0.00034004418,0.000108821965],"domain_scores_gemma":[0.9985745,0.00029550458,0.00014696257,0.00006928244,0.00046221627,0.00045141715],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009825184,0.00062129897,0.00023886739,0.002094468,0.006189287,0.006831641,0.00084815396,0.0013218989,0.012127662],"category_scores_gemma":[0.0023489783,0.00046293554,0.00019280022,0.003024529,0.005913577,0.0028396253,0.002148574,0.0025944987,0.002957841],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000146640095,0.0000038129479,0.0011243684,0.00026140164,0.0000064145634,0.00015124785,0.02750791,0.00004163868,0.0001742852,0.0071633104,0.93891704,0.024634028],"study_design_scores_gemma":[0.0000012509628,0.0000031417724,0.004254004,0.00042200333,0.000005665679,0.000097943695,0.011725821,0.000008768993,0.000062061474,0.0002695725,0.9831412,0.000008544736],"about_ca_topic_score_codex":0.67909175,"about_ca_topic_score_gemma":0.934114,"teacher_disagreement_score":0.32090825,"about_ca_system_score_codex":0.023178402,"about_ca_system_score_gemma":0.009181587,"threshold_uncertainty_score":0.64559627},"labels":[],"label_agreement":null},{"id":"W1646290448","doi":"10.22230/cjc.2004v29n3a1487","title":"Faking Death: Art Photography and the Canadian Imagination","year":2004,"lang":"en","type":"article","venue":"Canadian Journal of Communication","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Photography; Art; Aesthetics; Visual arts; Art history","score_opus":0.029069922270339145,"score_gpt":0.2390029715460567,"score_spread":0.20993304927571757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1646290448","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13733985,0.032223284,0.0022804472,0.17794575,0.0024223088,0.000047497742,0.00026474093,0.00005623963,0.6474199],"genre_scores_gemma":[0.96244013,0.008489697,0.0004915695,0.0053544873,0.00046694605,0.000008828068,0.00006290586,0.00004248086,0.02264285],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99465925,0.0016953439,0.000116465555,0.00037216232,0.0019409242,0.0012159031],"domain_scores_gemma":[0.9874264,0.005264405,0.001182371,0.00086112646,0.0039249156,0.00134073],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005535049,0.0007470104,0.00046873832,0.0043037995,0.022508504,0.023009673,0.0016631396,0.0065997276,0.01211655],"category_scores_gemma":[0.024450166,0.00041707433,0.0004510887,0.0031821476,0.03940356,0.005735601,0.004569088,0.008311517,0.0008314914],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003251493,0.00005322657,0.006798848,0.0003396386,0.000056644156,0.001471663,0.4013066,0.00039754307,0.0011200455,0.42924935,0.09385525,0.06502609],"study_design_scores_gemma":[0.00004142091,0.000049205435,0.01207222,0.0007113868,0.00007177677,0.0012509797,0.34722665,0.0004982764,0.00082181307,0.040927444,0.59612,0.0002088119],"about_ca_topic_score_codex":0.89205134,"about_ca_topic_score_gemma":0.89817464,"teacher_disagreement_score":0.10794866,"about_ca_system_score_codex":0.044798285,"about_ca_system_score_gemma":0.035772312,"threshold_uncertainty_score":0.3250358},"labels":[],"label_agreement":null},{"id":"W1664605395","doi":"10.22230/cjc.2006v31n1a1761","title":"In the Presence of Absence: Invisibility, Black Canadian History, and Melinda Mollineaux’s Pinhole Photography","year":2006,"lang":"en","type":"article","venue":"Canadian Journal of Communication","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Photography; Performative utterance; Narrative; Emancipation; Invisibility; Art; Art history; Visual arts; History of photography; History; Aesthetics; Literature; Politics; Political science; Law","score_opus":0.03225325146006508,"score_gpt":0.24080083326080415,"score_spread":0.20854758180073907,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1664605395","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28137776,0.007997036,0.0016625698,0.051530976,0.0006956096,0.000029303523,0.00015884027,0.000074415766,0.6564734],"genre_scores_gemma":[0.9312368,0.0020436635,0.00059521524,0.0014696813,0.000054300577,0.000010202066,0.000024516326,0.000053671796,0.06451187],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986664,0.0003414326,0.000013589018,0.00012855281,0.00041390368,0.0004360963],"domain_scores_gemma":[0.9990294,0.0002973428,0.00008511462,0.00006514088,0.00029953918,0.00022346602],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013242447,0.00047750096,0.00023224199,0.0014010726,0.042085778,0.007726547,0.0010733958,0.0014999469,0.008757281],"category_scores_gemma":[0.0028190368,0.00026874585,0.00014662411,0.0015567568,0.029626762,0.0028029121,0.003950723,0.0028600188,0.00036080924],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008783606,0.000014517512,0.0031666234,0.000099199155,0.000007609966,0.00091404194,0.6296914,0.00013720983,0.0010935707,0.28818017,0.040518362,0.036089342],"study_design_scores_gemma":[0.0000048741776,0.000011449715,0.006471638,0.00021706376,0.00001647874,0.0003974714,0.3209943,0.00009868638,0.0006816651,0.006486941,0.6645704,0.00004908456],"about_ca_topic_score_codex":0.9555208,"about_ca_topic_score_gemma":0.9850898,"teacher_disagreement_score":0.04447919,"about_ca_system_score_codex":0.04237445,"about_ca_system_score_gemma":0.0315628,"threshold_uncertainty_score":0.30744958},"labels":[],"label_agreement":null},{"id":"W1683301797","doi":"","title":"John & Lou's 1923 Voyage","year":2000,"lang":"en","type":"book","venue":"Banff Centre Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Appropriation; Interpretation (philosophy); Art; Visual arts; Narrative; Art history; Negative; Literature; Computer science; Philosophy","score_opus":0.03538254230548212,"score_gpt":0.22345818224497094,"score_spread":0.1880756399394888,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1683301797","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029884612,0.006593512,0.0003001055,0.004356865,0.0019389696,0.000021811506,0.00008589381,0.0000763326,0.98363805],"genre_scores_gemma":[0.02011015,0.0021271985,0.00018741208,0.00095579383,0.0001665071,0.000016393511,0.000038752056,0.00006341456,0.97633433],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997886,0.000033481818,0.0000040140167,0.000043630393,0.00006830212,0.00006194302],"domain_scores_gemma":[0.99989223,0.000029323972,0.000006261913,0.000010961947,0.000025714786,0.000035395755],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026561038,0.00042232426,0.00016558424,0.0011697838,0.0073224665,0.0039102742,0.0004137827,0.0011998175,0.04863684],"category_scores_gemma":[0.0009091249,0.0002305177,0.0001453278,0.0008188991,0.0024442947,0.0023917127,0.001633533,0.0021546604,0.008206118],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033834902,0.000016949563,0.00030916545,0.00009149914,0.0000021838985,0.00036521224,0.01019803,0.000051162307,0.00034522198,0.20248194,0.71381235,0.07229247],"study_design_scores_gemma":[6.4895613e-7,0.0000021195658,0.00023716537,0.00005059762,3.4876828e-7,0.000052761225,0.0005787276,0.00000955925,0.00006315149,0.0012421287,0.9977608,0.0000019899178],"about_ca_topic_score_codex":0.062080402,"about_ca_topic_score_gemma":0.24283613,"teacher_disagreement_score":0.062080402,"about_ca_system_score_codex":0.003946895,"about_ca_system_score_gemma":0.002486693,"threshold_uncertainty_score":0.16270638},"labels":[],"label_agreement":null},{"id":"W168409112","doi":"","title":"Suggestive Voices from \"the Storeroom of the Past\": Photography in Denise Clong's The Concubine's Children","year":2000,"lang":"en","type":"article","venue":"Essays on Canadian writing","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Art; Literature; History; Visual arts","score_opus":0.01160583700025447,"score_gpt":0.20838050171211017,"score_spread":0.1967746647118557,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W168409112","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.055848103,0.025692685,0.00080469385,0.44591713,0.008963892,0.00008211431,0.00027821545,0.00011241006,0.46230075],"genre_scores_gemma":[0.63823164,0.009975131,0.0007953407,0.04840421,0.0017204246,0.0000800627,0.00008280774,0.00040701928,0.3003034],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99642915,0.0012885756,0.00007028158,0.00027736343,0.00083919935,0.0010953692],"domain_scores_gemma":[0.99510634,0.0020498352,0.00021631349,0.00013152625,0.001272734,0.0012232738],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033410534,0.0008867942,0.00068313244,0.0016073495,0.063684024,0.014612011,0.001938753,0.0074649206,0.009044321],"category_scores_gemma":[0.009803913,0.0006402542,0.00038325434,0.0021001936,0.03214588,0.0041138954,0.00591349,0.018093701,0.00087261485],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022326885,0.000015738993,0.00044121742,0.00007643186,0.0000070349806,0.0007870976,0.5356745,0.00006293154,0.00024932457,0.11707542,0.33713531,0.008452616],"study_design_scores_gemma":[0.000004738149,0.0000050066787,0.0008364827,0.0001829933,0.0000074263826,0.00022512572,0.32538456,0.000014419613,0.00017673288,0.0023895784,0.6707519,0.000021030553],"about_ca_topic_score_codex":0.9208637,"about_ca_topic_score_gemma":0.9753752,"teacher_disagreement_score":0.9208637,"about_ca_system_score_codex":0.052449208,"about_ca_system_score_gemma":0.0469048,"threshold_uncertainty_score":0.38054746},"labels":[],"label_agreement":null},{"id":"W1748870138","doi":"","title":"Vid Ingelevics, Project Photographs 1992-2001, The Stephen Bulger Gallery, Toronto, June 14–July 28, 2001Vid Ingelevics, Project Photographs 1992-2001, The Stephen Bulger Gallery, Toronto, June 14–July 28, 2001","year":2001,"lang":"en","type":"article","venue":"CV Photo","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Library science; Art; Computer science","score_opus":0.047005729873152595,"score_gpt":0.284779438837949,"score_spread":0.23777370896479638,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1748870138","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020481187,0.003416042,0.00059212866,0.0047000675,0.0029795435,0.00017084976,0.020177815,0.00084605045,0.9650694],"genre_scores_gemma":[0.0031873777,0.00094985304,0.00042660514,0.00010832278,0.00010581551,0.00003087058,0.0051379916,0.0002838329,0.9897692],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963677,0.000025921614,0.0000072909024,0.00005098511,0.00020059508,0.000078490586],"domain_scores_gemma":[0.999316,0.000041136085,0.000026771439,0.00007295646,0.000371542,0.00017158501],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00061812927,0.0011146856,0.0004241752,0.0017536818,0.005698932,0.0046299445,0.0007902029,0.0015916562,0.53356266],"category_scores_gemma":[0.0011711959,0.00062831974,0.00032955117,0.0023672024,0.00055612414,0.0014180216,0.001707969,0.0016997254,0.2059156],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019582596,0.0000052936552,0.00008631327,0.000027661721,9.235077e-7,0.000014688311,0.00006661864,0.000025182924,0.000088706634,0.0005902406,0.99187887,0.007195949],"study_design_scores_gemma":[0.0000048892066,0.0000038084593,0.0016639403,0.000039993676,0.0000016438553,0.000012579564,0.00023779467,0.00002444657,0.00007920462,0.000118747244,0.9978098,0.0000031024208],"about_ca_topic_score_codex":0.33188358,"about_ca_topic_score_gemma":0.75573766,"teacher_disagreement_score":0.66811645,"about_ca_system_score_codex":0.0047328076,"about_ca_system_score_gemma":0.0039336956,"threshold_uncertainty_score":0.6653162},"labels":[],"label_agreement":null},{"id":"W1749514609","doi":"","title":"Colonial copyright and the photographic image : Canada in the frame","year":2011,"lang":"en","type":"dissertation","venue":"Royal Holloway Digital Repository (Royal Holloway University of London)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Colonialism; Frame (networking); Visual arts; Geography; Art; Computer science; Telecommunications; Archaeology","score_opus":0.005956244442805458,"score_gpt":0.16929354662741147,"score_spread":0.16333730218460601,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1749514609","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13710819,0.0170726,0.001950205,0.03674017,0.0009191949,0.000085750726,0.0007493937,0.000095778334,0.8052787],"genre_scores_gemma":[0.87478524,0.010466372,0.0015042534,0.0024412076,0.00015190725,0.000029354434,0.00019984863,0.00012274577,0.11029904],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99730814,0.00038835322,0.000056855843,0.00030592948,0.0012200222,0.0007207374],"domain_scores_gemma":[0.9958546,0.0011028871,0.0002595109,0.00032822028,0.0017602736,0.0006944862],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001820747,0.00036853482,0.00033390627,0.0028590779,0.027233873,0.020307949,0.0015248206,0.0013579406,0.014635894],"category_scores_gemma":[0.008050987,0.00037374112,0.00023644783,0.009711434,0.029652162,0.004413184,0.004690828,0.0027348227,0.0005704582],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006059394,0.000023762488,0.0050829244,0.0003191495,0.00001284956,0.0008057317,0.3170494,0.0002699755,0.0005703561,0.50453854,0.07778818,0.09347853],"study_design_scores_gemma":[0.000006585986,0.000011350008,0.0136479335,0.0005661704,0.000017565595,0.00023529619,0.11782821,0.00015290195,0.0003192834,0.00844656,0.8587221,0.00004600494],"about_ca_topic_score_codex":0.9894299,"about_ca_topic_score_gemma":0.9955552,"teacher_disagreement_score":0.14335111,"about_ca_system_score_codex":0.14335111,"about_ca_system_score_gemma":0.123920254,"threshold_uncertainty_score":0.9935913},"labels":[],"label_agreement":null},{"id":"W1752561293","doi":"","title":"Berenice Abbott: Photographs, Art Gallery of Ontario, Toronto, 23 May to 19 August 2012Berenice Abbott: Photographs, Art Gallery of Ontario, Toronto, 23 May to 19 August 2012","year":2013,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art gallery; Art; Art history; Cartography; Visual arts; Geography; Exhibition","score_opus":0.0265069645758278,"score_gpt":0.2519998252292891,"score_spread":0.2254928606534613,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1752561293","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002732494,0.017866781,0.00043192337,0.012068545,0.009981803,0.0003066083,0.013555812,0.0007818393,0.94227415],"genre_scores_gemma":[0.0023789445,0.0021114706,0.00020447742,0.00023562649,0.00014950731,0.000019075782,0.00083150883,0.00013968718,0.9939296],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992493,0.000041852883,0.000020447305,0.00009192127,0.00040963426,0.00018682376],"domain_scores_gemma":[0.9988092,0.000045197903,0.000043291697,0.000058361777,0.00075308146,0.0002908232],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00059680274,0.0015196659,0.0005809083,0.0027878615,0.008552292,0.0037674839,0.000986651,0.0016398779,0.5950811],"category_scores_gemma":[0.0013301584,0.00081479864,0.00057793607,0.004486785,0.0009725731,0.0013012338,0.002097111,0.0016082381,0.1802122],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011636677,0.000003834859,0.000078552475,0.000043200464,0.0000010136364,0.00003364709,0.00010618808,0.000015018247,0.000078178804,0.00026433906,0.99352324,0.0058410885],"study_design_scores_gemma":[0.0000033449123,0.000002791082,0.0022899818,0.00005222831,0.0000018711687,0.000034107306,0.00041221484,0.000013595404,0.000052636387,0.000050478862,0.99708074,0.000005950238],"about_ca_topic_score_codex":0.80820423,"about_ca_topic_score_gemma":0.97335535,"teacher_disagreement_score":0.5950811,"about_ca_system_score_codex":0.017782656,"about_ca_system_score_gemma":0.013958894,"threshold_uncertainty_score":0.5775677},"labels":[],"label_agreement":null},{"id":"W1754950101","doi":"","title":"The Cultural Work of Photography in Canada, ed. Carol Payne and Andrea Kunard. Montreal and Kingston: McGill-Queen’s University Press, 2011The Cultural Work of Photography in Canada, ed. Carol Payne and Andrea Kunard. Montreal and Kingston: McGill-Queen’s University Press, 2011","year":2012,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Photography; Media studies; Work (physics); Sociology; Art history; Art; Gerontology; History; Visual arts; Medicine; Engineering","score_opus":0.012120634917180281,"score_gpt":0.19256757361448443,"score_spread":0.18044693869730416,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1754950101","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013391376,0.9026943,0.00063863496,0.03585966,0.0030072648,0.000024934227,0.000472788,0.00007044873,0.05589289],"genre_scores_gemma":[0.043378312,0.80633336,0.0022285879,0.009236593,0.0021873296,0.00004181626,0.0004050473,0.00024050336,0.13594843],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977549,0.0004164762,0.00010224,0.00019890768,0.0012130422,0.0003143414],"domain_scores_gemma":[0.99738854,0.000640686,0.00016674431,0.00010707295,0.0011362633,0.0005607665],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018948313,0.001739135,0.0009162696,0.0045907903,0.008891662,0.009598308,0.0018610725,0.0026366035,0.021925766],"category_scores_gemma":[0.0044561615,0.0012521263,0.00055553025,0.008986499,0.009949087,0.005580219,0.002167433,0.002956396,0.0040668435],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036884077,0.000020837062,0.001055911,0.00069453823,0.000020121148,0.00017922433,0.010120962,0.00014998893,0.00027656622,0.01862525,0.84626496,0.12255468],"study_design_scores_gemma":[0.000005270223,0.0000049583914,0.00473347,0.00079540705,0.000010243706,0.00019675269,0.005988076,0.000040861,0.00013879198,0.0026467284,0.98541206,0.000027308839],"about_ca_topic_score_codex":0.95625484,"about_ca_topic_score_gemma":0.98600304,"teacher_disagreement_score":0.05153222,"about_ca_system_score_codex":0.05153222,"about_ca_system_score_gemma":0.08114655,"threshold_uncertainty_score":0.3738942},"labels":[],"label_agreement":null},{"id":"W1757210483","doi":"","title":"From Album to Archive: Context, Meaning, and Two Photographic Albums from an India Mission","year":2008,"lang":"en","type":"article","venue":"Archivaria","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Context (archaeology); Art history; Meaning (existential); History; Archaeology; Philosophy","score_opus":0.036122758870117615,"score_gpt":0.2779117543646807,"score_spread":0.24178899549456306,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1757210483","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7460105,0.004183486,0.00081874867,0.012261136,0.00069807604,0.00006120849,0.00022150234,0.00007450043,0.2356708],"genre_scores_gemma":[0.9889263,0.000929057,0.00030957878,0.00056807045,0.000157727,0.00003082091,0.000053971446,0.00006665703,0.008957823],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9982596,0.0009157665,0.00005864207,0.00012947716,0.00031154862,0.00032498012],"domain_scores_gemma":[0.99705064,0.0017226995,0.0003725917,0.00019655353,0.0003038781,0.00035357982],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015061952,0.00040927806,0.00020515236,0.002641271,0.0121698035,0.009444329,0.00093690347,0.0010378956,0.0037925944],"category_scores_gemma":[0.005391094,0.00031550095,0.00018699995,0.0025314954,0.01696498,0.0035877237,0.005924514,0.0037680028,0.00042756356],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006395893,0.000026004116,0.002302147,0.000116870244,0.0000044048147,0.00085356156,0.94212717,0.000029259807,0.001106012,0.040960893,0.004745248,0.0076644584],"study_design_scores_gemma":[0.0000047545004,0.0000194849,0.0121888295,0.00021055255,0.000009984025,0.00030892916,0.86100745,0.000038827075,0.0006014791,0.00087440485,0.12471654,0.000018781779],"about_ca_topic_score_codex":0.05772029,"about_ca_topic_score_gemma":0.0887073,"teacher_disagreement_score":0.05772029,"about_ca_system_score_codex":0.010089878,"about_ca_system_score_gemma":0.0023160041,"threshold_uncertainty_score":0.114768684},"labels":[],"label_agreement":null},{"id":"W1773610940","doi":"","title":"Le Mois de la photo à Montréal, Image and Imagination, September 8-October 10, 2005 Le Mois de la photo à Montréal, Image and Imagination, September 8-October 10, 2005","year":2006,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history","score_opus":0.007624208464219354,"score_gpt":0.2379082893507856,"score_spread":0.23028408088656624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1773610940","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005705247,0.013847993,0.0007813923,0.027599502,0.022572277,0.00053557026,0.00920573,0.0010687493,0.9186836],"genre_scores_gemma":[0.00988743,0.0014934444,0.0003263303,0.00094267546,0.00073349295,0.000038990132,0.00081763364,0.00014014026,0.9856199],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993235,0.000048394588,0.000011566903,0.000079768644,0.00030798913,0.0002289163],"domain_scores_gemma":[0.9989127,0.00007026525,0.000035530196,0.000042627296,0.0005797243,0.00035927925],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009976242,0.0009798547,0.00046770618,0.001290429,0.0064024683,0.004884587,0.0012957988,0.0025497747,0.4523895],"category_scores_gemma":[0.0019307882,0.00044870083,0.00053478155,0.000891069,0.000735144,0.0013970535,0.0017621574,0.003101846,0.09426933],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010638649,0.000038892544,0.0002465226,0.00005226471,0.0000046201785,0.00010940238,0.000100314515,0.0000483524,0.00030314524,0.0010464168,0.98749316,0.010450635],"study_design_scores_gemma":[0.000021411832,0.00002754727,0.003997648,0.000063700085,0.000004103527,0.000035229426,0.00026306466,0.000038299106,0.00024034387,0.00015161913,0.99514526,0.00001170492],"about_ca_topic_score_codex":0.40410876,"about_ca_topic_score_gemma":0.799771,"teacher_disagreement_score":0.59589124,"about_ca_system_score_codex":0.009218041,"about_ca_system_score_gemma":0.004418425,"threshold_uncertainty_score":0.80351317},"labels":[],"label_agreement":null},{"id":"W1774113962","doi":"10.7202/014619ar","title":"Image-mouvement, image-temps et plan ouvert","year":2007,"lang":"fr","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities","score_opus":0.03942715111268401,"score_gpt":0.2979458086698758,"score_spread":0.2585186575571918,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1774113962","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034120016,0.016758326,0.07479418,0.027308505,0.0064162873,0.0001306468,0.00013797631,0.00036208262,0.839972],"genre_scores_gemma":[0.5876344,0.010770471,0.020432632,0.0035862352,0.0021854655,0.00017828983,0.00012404937,0.00053909566,0.3745494],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99895716,0.00037763268,0.000028492761,0.0002090046,0.0002785162,0.0001492457],"domain_scores_gemma":[0.99910897,0.0004030327,0.00009248824,0.000095555726,0.00016304085,0.00013684644],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012616725,0.0007821602,0.00032069886,0.0010174788,0.0030760306,0.009312027,0.00090813666,0.0020349768,0.008634593],"category_scores_gemma":[0.0025320721,0.0002328082,0.000424654,0.0006265398,0.013799952,0.0086087035,0.0032394917,0.0051527107,0.0016079145],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019269442,0.000008080179,0.00015120309,0.00007013307,0.0000017701926,0.00009060638,0.0146427015,0.00006744464,0.00064752816,0.9669444,0.0057922364,0.011564582],"study_design_scores_gemma":[0.000008867849,0.00007478606,0.0015233218,0.0003590647,0.000010341989,0.0004652167,0.016739275,0.0005908709,0.0017258716,0.16193007,0.8165385,0.000033732096],"about_ca_topic_score_codex":0.0052188826,"about_ca_topic_score_gemma":0.0071340054,"teacher_disagreement_score":0.009312027,"about_ca_system_score_codex":0.0036192306,"about_ca_system_score_gemma":0.0023680415,"threshold_uncertainty_score":0.028885603},"labels":[],"label_agreement":null},{"id":"W180071824","doi":"","title":"Elizabeth SIEGEL (dir.), Playing with Pictures, the Art of Victorian Photocollage","year":2011,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history; Exposition (narrative); Metropolitan area; Geography; Archaeology; Literature","score_opus":0.28244083140729603,"score_gpt":0.48336716796192686,"score_spread":0.20092633655463082,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W180071824","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009193923,0.40037605,0.0022003206,0.14806838,0.029400408,0.00009351098,0.00043635222,0.00015317304,0.41007793],"genre_scores_gemma":[0.031849954,0.057287175,0.0010342903,0.010407664,0.0011234259,0.000036271686,0.00008508153,0.00023080819,0.8979454],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907947,0.00019296177,0.000033362354,0.00015760653,0.00038531146,0.0001513356],"domain_scores_gemma":[0.99952996,0.000113582275,0.000046161775,0.000019741725,0.00014989644,0.00014071373],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000952847,0.00058473623,0.00027180818,0.0009256741,0.006116082,0.004559768,0.00043884577,0.001852644,0.020536639],"category_scores_gemma":[0.0016627358,0.00062900304,0.0001946243,0.0009113086,0.0034280496,0.0032363185,0.0016341708,0.0040067523,0.010189919],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035723344,0.000011906503,0.00054029113,0.0002975349,0.0000050466247,0.00020520091,0.011408871,0.000041847026,0.0006977841,0.021405863,0.8909906,0.074359275],"study_design_scores_gemma":[0.000001486213,0.0000028746522,0.0011693987,0.000113397844,0.0000011910304,0.00013765757,0.0023908524,0.000010667172,0.00014489247,0.0007116775,0.9953075,0.000008393898],"about_ca_topic_score_codex":0.16873445,"about_ca_topic_score_gemma":0.49014145,"teacher_disagreement_score":0.16873445,"about_ca_system_score_codex":0.00549747,"about_ca_system_score_gemma":0.003706758,"threshold_uncertainty_score":0.3355046},"labels":[],"label_agreement":null},{"id":"W1813582341","doi":"","title":"Sur la chambre noire","year":2009,"lang":"fr","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.0211591844103713,"score_gpt":0.25097570707018,"score_spread":0.22981652265980873,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1813582341","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015919361,0.029941833,0.00448615,0.07349341,0.017286818,0.000043052987,0.00028482339,0.0005498514,0.8579947],"genre_scores_gemma":[0.20967525,0.008009291,0.0023107894,0.009054448,0.005406114,0.00009690525,0.00011262797,0.00056521315,0.76476926],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979225,0.0009292646,0.000030579533,0.0003632113,0.00050979067,0.0002446966],"domain_scores_gemma":[0.99897206,0.0003488414,0.00008138137,0.0001531911,0.00023101117,0.0002135848],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015563545,0.0010672392,0.00059169845,0.0011151853,0.009695182,0.009040724,0.0006480338,0.0031380532,0.054211013],"category_scores_gemma":[0.0041710683,0.0003294139,0.00057434506,0.000638809,0.009784998,0.0061998316,0.0034719508,0.00896352,0.009302987],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013639776,0.000029381905,0.0006028724,0.00008814685,0.000012382099,0.000508718,0.01586884,0.0001222741,0.00086039386,0.71503973,0.22092146,0.045809407],"study_design_scores_gemma":[0.0000046233326,0.0000076013966,0.0003535595,0.000058104928,0.0000011852715,0.00019053981,0.0022673388,0.000043207143,0.00012471832,0.0042988346,0.9926416,0.000008559336],"about_ca_topic_score_codex":0.03206392,"about_ca_topic_score_gemma":0.040439304,"teacher_disagreement_score":0.054211013,"about_ca_system_score_codex":0.006773067,"about_ca_system_score_gemma":0.0021766764,"threshold_uncertainty_score":0.18135393},"labels":[],"label_agreement":null},{"id":"W1815013466","doi":"","title":"Unfixing Imaginings of the City: Art, Gentrification, and Cultures of Surveillance","year":2010,"lang":"en","type":"article","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Gentrification; Downtown; Visual arts; Software deployment; Aesthetics; The arts; Sociology; Art; Media studies; Geography; Economic growth; Computer science; Archaeology; Economics","score_opus":0.016842952547526487,"score_gpt":0.24720854480943028,"score_spread":0.23036559226190378,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1815013466","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.69709224,0.002182112,0.00563538,0.011264003,0.0001269237,0.00001644589,0.000022313317,0.000041082647,0.28361955],"genre_scores_gemma":[0.99627626,0.00020917454,0.00022793854,0.00015543198,0.000008888557,0.0000027002752,0.0000032014157,0.000010457101,0.0031060053],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9982905,0.0011241026,0.000025261272,0.00011393431,0.00019342305,0.0002528459],"domain_scores_gemma":[0.99871945,0.0006234773,0.00014882606,0.00023321943,0.00011264533,0.00016243281],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020983955,0.00030316872,0.00019771914,0.0006935093,0.009897531,0.008028987,0.0006690759,0.0009966043,0.0019502902],"category_scores_gemma":[0.0022773035,0.00023076774,0.0002010818,0.0005612607,0.056594048,0.0033172385,0.0048862915,0.0028270185,0.00011885573],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002178352,0.0000076065935,0.0018827274,0.000023289389,0.000006168761,0.00016949701,0.7143449,0.00014777323,0.00050413085,0.27156872,0.001960648,0.009362809],"study_design_scores_gemma":[0.000007882254,0.000031990876,0.006362489,0.00012298387,0.00001742932,0.00041331083,0.8187432,0.00044209155,0.0010137862,0.041612897,0.13119504,0.00003688584],"about_ca_topic_score_codex":0.0675404,"about_ca_topic_score_gemma":0.12524511,"teacher_disagreement_score":0.0675404,"about_ca_system_score_codex":0.0061805975,"about_ca_system_score_gemma":0.002567023,"threshold_uncertainty_score":0.13429457},"labels":[],"label_agreement":null},{"id":"W1817667340","doi":"","title":"Unfurling the Visual","year":2010,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Medicine; Optometry; Psychology","score_opus":0.05900039175805772,"score_gpt":0.30797055480510993,"score_spread":0.24897016304705222,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1817667340","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011535046,0.011631405,0.0010097019,0.14832966,0.007566581,0.000021988895,0.00012811541,0.00019132334,0.81958616],"genre_scores_gemma":[0.2940236,0.007120414,0.0009927361,0.05323132,0.002649312,0.000033923414,0.00010855533,0.0004748362,0.64136535],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955142,0.0012073887,0.00010392065,0.000414314,0.002000188,0.00076000724],"domain_scores_gemma":[0.99389184,0.0010549781,0.00034037334,0.00093317585,0.0021074496,0.00167221],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028171504,0.00062827335,0.0003911701,0.0020829064,0.016917102,0.015559628,0.0010090999,0.0046006762,0.055711664],"category_scores_gemma":[0.01243155,0.0003606129,0.000424026,0.0011607939,0.024398448,0.008565774,0.0077544404,0.009250534,0.0124519635],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000522419,0.000047115314,0.0013246357,0.00013209406,0.000016319149,0.00024344082,0.03336396,0.000043767956,0.0006660633,0.35503885,0.5311685,0.07790298],"study_design_scores_gemma":[0.000004247267,0.000007772371,0.00064095313,0.00014210548,0.0000054902844,0.00016486758,0.010862924,0.0000183957,0.00015268377,0.012643681,0.9753431,0.000013797046],"about_ca_topic_score_codex":0.12986824,"about_ca_topic_score_gemma":0.17520063,"teacher_disagreement_score":0.12986824,"about_ca_system_score_codex":0.009231512,"about_ca_system_score_gemma":0.009468658,"threshold_uncertainty_score":0.25822467},"labels":[],"label_agreement":null},{"id":"W1822161166","doi":"","title":"An Inconvenient Truth? Scientific Photography and Archival Ambivalence","year":2008,"lang":"en","type":"article","venue":"Archivaria","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Value (mathematics); History; Visual arts; Geography; Library science; Art; Computer science","score_opus":0.03931863486451831,"score_gpt":0.24828880566913397,"score_spread":0.20897017080461566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1822161166","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007706873,0.07278163,0.004589655,0.74207944,0.009831376,0.000043549768,0.00016313023,0.00008485988,0.16271947],"genre_scores_gemma":[0.61869454,0.13187756,0.010551331,0.14597149,0.038495086,0.00035923065,0.0003145257,0.0006422177,0.05309411],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.94879436,0.03326852,0.0025181612,0.0041566403,0.0098836785,0.0013786159],"domain_scores_gemma":[0.9133816,0.06379698,0.0031160638,0.007762705,0.009801843,0.0021409],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.050360225,0.00045335942,0.00087148027,0.005903117,0.016786395,0.024086282,0.002539415,0.006025966,0.0063792765],"category_scores_gemma":[0.09096449,0.00054794445,0.0004452337,0.006813095,0.09747439,0.03148132,0.0078019495,0.015487711,0.001317437],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021429316,0.000018287805,0.00033494917,0.00032170396,0.000006813065,0.0001300207,0.045729175,0.00005881404,0.00010433675,0.84866387,0.07861708,0.025993485],"study_design_scores_gemma":[0.000011011436,0.000017440434,0.0007975531,0.0018676528,0.000006874961,0.00028592997,0.052177176,0.000099167395,0.00015602738,0.24802294,0.6965213,0.00003685811],"about_ca_topic_score_codex":0.01619402,"about_ca_topic_score_gemma":0.011196583,"teacher_disagreement_score":0.9832136,"about_ca_system_score_codex":0.015202422,"about_ca_system_score_gemma":0.007834989,"threshold_uncertainty_score":0.26633346},"labels":[],"label_agreement":null},{"id":"W1845766216","doi":"","title":"Kim Simon (Art Forum)","year":2012,"lang":"en","type":"article","venue":"UTAS Research Repository","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Film director; Narrative; Relation (database); Sociology; Art history; Visual arts; Mandate; Media studies; Art; Photography; Aesthetics; Movie theater; Political science; Law; Literature; Computer science","score_opus":0.12101584316665587,"score_gpt":0.3662814462129352,"score_spread":0.2452656030462793,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1845766216","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013311,0.0054001864,0.0005963588,0.02004269,0.027762463,0.00020477989,0.0018778744,0.0010866091,0.941698],"genre_scores_gemma":[0.0026567227,0.0005216041,0.0001362069,0.0010492946,0.0007971688,0.000026608885,0.00021946116,0.0001883434,0.99440455],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99940944,0.000054394746,0.000015505859,0.000105473926,0.00030880474,0.000106441665],"domain_scores_gemma":[0.99907434,0.000075874465,0.00003735379,0.000101285026,0.0003612726,0.00034985767],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000616556,0.0007972342,0.00039889943,0.0013978181,0.0054045315,0.005138051,0.0010210089,0.0018175469,0.63680613],"category_scores_gemma":[0.0025038454,0.0002971593,0.0003427302,0.0014104976,0.00078963646,0.0024278644,0.0035194496,0.0017250658,0.23070893],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000084536905,0.0000042060587,0.000041863237,0.000024848248,5.299862e-7,0.00005186372,0.00017304417,0.000008478615,0.000106262894,0.0017222669,0.98243207,0.015426121],"study_design_scores_gemma":[6.401034e-7,0.000001075139,0.00009354156,0.0000133615595,2.2816646e-7,0.000020244739,0.00014041568,0.0000069132684,0.000020839423,0.00005941816,0.99964213,0.0000012300485],"about_ca_topic_score_codex":0.03411006,"about_ca_topic_score_gemma":0.1375209,"teacher_disagreement_score":0.63680613,"about_ca_system_score_codex":0.003837174,"about_ca_system_score_gemma":0.0023048841,"threshold_uncertainty_score":0.518052},"labels":[],"label_agreement":null},{"id":"W1850338796","doi":"","title":"Camouflage and exposure","year":2003,"lang":"en","type":"article","venue":"PubMed Central","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Camouflage; Battle; Subject matter; Genocide; Painting; Subject (documents); Computer science; Medicine; Art; History; Psychology; Ancient history; Art history; Artificial intelligence; Political science; World Wide Web; Law","score_opus":0.024542150682443267,"score_gpt":0.20243332419349197,"score_spread":0.17789117351104872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1850338796","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06719155,0.037353013,0.005394906,0.037804835,0.005235718,0.00014280571,0.00032834525,0.0002364892,0.84631234],"genre_scores_gemma":[0.634961,0.025602417,0.0053684227,0.008529495,0.00089486985,0.00006653946,0.0001813798,0.00021281338,0.32418302],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900985,0.00015438002,0.00002216703,0.00009231561,0.00051755994,0.00020366545],"domain_scores_gemma":[0.9994356,0.000110153254,0.000051403906,0.000089957466,0.00021891636,0.00009399739],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006643944,0.00033155794,0.00021100313,0.0009603694,0.004248148,0.0037055626,0.0005320779,0.0016741452,0.040573988],"category_scores_gemma":[0.002622456,0.00018262379,0.0002938605,0.0007383958,0.0027021437,0.00084424607,0.0019897579,0.0013836109,0.0027834584],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026490053,0.00012026853,0.0072703892,0.00064274104,0.00003464371,0.0026605988,0.01736514,0.00043700344,0.01631865,0.09905705,0.3452753,0.5105533],"study_design_scores_gemma":[0.000009104532,0.000059652437,0.008222951,0.00045198118,0.000011411096,0.0016957363,0.0074066715,0.00008059699,0.0019025488,0.0027113,0.97742677,0.000021261134],"about_ca_topic_score_codex":0.119692124,"about_ca_topic_score_gemma":0.22456938,"teacher_disagreement_score":0.119692124,"about_ca_system_score_codex":0.0034881034,"about_ca_system_score_gemma":0.0034402825,"threshold_uncertainty_score":0.23799086},"labels":[],"label_agreement":null},{"id":"W1854409379","doi":"","title":"Análise de uma fotografia de família","year":2015,"lang":"pt","type":"article","venue":"Revista Café com Sociologia","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; The Imaginary; Art; Sociology; Psychology","score_opus":0.09766166151361322,"score_gpt":0.323310486359529,"score_spread":0.2256488248459158,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1854409379","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8242604,0.0051309355,0.011129956,0.003786354,0.00034752447,0.00027310004,0.0010420571,0.00023146819,0.15379824],"genre_scores_gemma":[0.9711954,0.0020800843,0.004376683,0.00015440142,0.000075742006,0.00009743447,0.00025447365,0.000045449164,0.021720398],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99910176,0.00034433402,0.000038869654,0.0001421866,0.00022161218,0.00015127518],"domain_scores_gemma":[0.9969957,0.0016617614,0.00037431554,0.00034875673,0.00044799532,0.00017156088],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001516213,0.00036137947,0.00022618515,0.005590471,0.004428616,0.0031696334,0.0006800623,0.00064368866,0.014937491],"category_scores_gemma":[0.0061185607,0.0001849582,0.000348901,0.003909114,0.002634335,0.0023198295,0.0022719393,0.0007746108,0.00071775995],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011206018,0.0000627553,0.06742082,0.00073599897,0.000041221414,0.003583504,0.6571892,0.00023729737,0.006695984,0.02931806,0.011824971,0.2227781],"study_design_scores_gemma":[0.0000036927129,0.000088311004,0.22132783,0.0009032152,0.000043162003,0.003299814,0.5862922,0.0003688164,0.0018987806,0.0030660313,0.18266703,0.000041135416],"about_ca_topic_score_codex":0.021346204,"about_ca_topic_score_gemma":0.037885718,"teacher_disagreement_score":0.021346204,"about_ca_system_score_codex":0.0018674807,"about_ca_system_score_gemma":0.001733198,"threshold_uncertainty_score":0.049970865},"labels":[],"label_agreement":null},{"id":"W1855278394","doi":"","title":"Martha Langford, Suspended Conversations: The Afterlife of Memory in Photographic Albums, Montreal & Kingston: McGill-Queen's University Press 2001, 241 p.Martha Langford, Suspended Conversations: The Afterlife of Memory in Photographic Albums, Montreal & Kingston: McGill-Queen's University Press 2001, 241 p.","year":2002,"lang":"en","type":"article","venue":"CV Photo","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Afterlife; Queen (butterfly); Art; Art history; Literature","score_opus":0.025780288661967916,"score_gpt":0.21440489308334115,"score_spread":0.18862460442137324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1855278394","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020551484,0.7270704,0.00072237285,0.17128825,0.0056467094,0.00005762602,0.0006397733,0.000183147,0.092336565],"genre_scores_gemma":[0.062317163,0.5707901,0.0026947134,0.04368036,0.0063144495,0.00022415057,0.00047884797,0.00043015243,0.3130701],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991968,0.00026003542,0.000042014643,0.00006775503,0.00029946739,0.00013390418],"domain_scores_gemma":[0.9974003,0.0009291819,0.00023266672,0.0000839831,0.0006398637,0.00071390945],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015414498,0.0011398786,0.00055212836,0.0022135475,0.00881342,0.0055241594,0.002781581,0.005500662,0.03676031],"category_scores_gemma":[0.0035748596,0.0010233592,0.00040209308,0.0033096562,0.005169867,0.010358258,0.0025249058,0.00412686,0.009005105],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017788438,0.000010569024,0.0002568758,0.0002057373,0.0000044513017,0.00015103411,0.009869343,0.00002120327,0.00009304009,0.0070086303,0.95567596,0.026685383],"study_design_scores_gemma":[0.000013327331,0.000010087752,0.007927344,0.0007546564,0.000011918116,0.0003067614,0.0154207405,0.000026191203,0.00013325138,0.0034825373,0.97188145,0.000031772674],"about_ca_topic_score_codex":0.57586837,"about_ca_topic_score_gemma":0.8215138,"teacher_disagreement_score":0.57586837,"about_ca_system_score_codex":0.009725058,"about_ca_system_score_gemma":0.009548196,"threshold_uncertainty_score":0.85325885},"labels":[],"label_agreement":null},{"id":"W1878118841","doi":"10.3138/cras.2014.010","title":"Photographs of Falling Bodies and the Ethics of Vulnerability in Jonathan Safran Foer’s <i>Extremely Loud and Incredibly Close</i>","year":2015,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Exceptionalism; Vulnerability (computing); Politics; Victory; World trade center; Falling (accident); American exceptionalism; Fell; Law; History; Art history; Sociology; Political science; Psychology; Terrorism; Cartography; Geography; Computer security; Computer science","score_opus":0.11045332759342037,"score_gpt":0.34067161304594656,"score_spread":0.2302182854525262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1878118841","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2466903,0.04341868,0.0018357447,0.23207697,0.0035105352,0.00004002952,0.0000477466,0.000044170178,0.47233567],"genre_scores_gemma":[0.96554106,0.0076406044,0.0004082488,0.007106425,0.0004665274,0.000018709727,0.0000074712425,0.000030698273,0.018780354],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99623305,0.0028157728,0.00004575354,0.00017226103,0.000426486,0.00030675804],"domain_scores_gemma":[0.9965861,0.002305004,0.00043766096,0.00016975858,0.00028476317,0.00021665171],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003734927,0.00031683175,0.00024899858,0.0012286789,0.014423957,0.0061063557,0.0007550896,0.002991668,0.0046001277],"category_scores_gemma":[0.005440274,0.00025031704,0.00017769718,0.0009776624,0.03156236,0.0049650595,0.0038020608,0.0043043164,0.00034593802],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029998228,0.000028668028,0.00092558,0.00019742794,0.0000077691175,0.0010951429,0.63960844,0.00007514029,0.00043512718,0.28951243,0.050926074,0.01715818],"study_design_scores_gemma":[0.0000060743596,0.000019854931,0.0035089396,0.000855223,0.000008453141,0.0013362458,0.48404858,0.00005164299,0.00037909343,0.015648043,0.49410895,0.000028995184],"about_ca_topic_score_codex":0.038421165,"about_ca_topic_score_gemma":0.07965489,"teacher_disagreement_score":0.038421165,"about_ca_system_score_codex":0.006315385,"about_ca_system_score_gemma":0.0032060945,"threshold_uncertainty_score":0.076395035},"labels":[],"label_agreement":null},{"id":"W1887244354","doi":"10.21083/irss.v38i0.2225","title":"Roddy Simpson, &lt;i&gt;The Photography of Victorian Scotland&lt;/i&gt;.","year":2013,"lang":"en","type":"article","venue":"International Review of Scottish Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Geology; History; Art; Visual arts","score_opus":0.02957393463226682,"score_gpt":0.29521084586620916,"score_spread":0.26563691123394234,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1887244354","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006931639,0.87408066,0.00037182923,0.024913063,0.009410377,0.000042121777,0.000591716,0.00015167131,0.089745425],"genre_scores_gemma":[0.017017247,0.44815412,0.0006810353,0.006262879,0.0024287845,0.00003953228,0.0005352251,0.00017452028,0.5247066],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99920326,0.00009375971,0.00005294939,0.00010526206,0.00042472835,0.00011991534],"domain_scores_gemma":[0.9988116,0.00021391189,0.00012764982,0.000049156442,0.00052753644,0.0002700744],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010080693,0.0013418039,0.0006623634,0.0023153387,0.002010584,0.00320143,0.0011447251,0.001963581,0.08213306],"category_scores_gemma":[0.002305397,0.00081836665,0.0003485466,0.0037233974,0.0011353461,0.004443266,0.0016679752,0.001780526,0.027466767],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020995392,0.0000052070227,0.00011491702,0.00048396314,0.0000035710054,0.000055801513,0.00038455267,0.000018833704,0.00009802479,0.0017047367,0.9251402,0.071969114],"study_design_scores_gemma":[0.000003943509,0.000008061691,0.0013170742,0.0003706174,0.0000039032752,0.00013132756,0.0006637786,0.00000897395,0.00005904552,0.00035142884,0.9970745,0.0000073031983],"about_ca_topic_score_codex":0.14742282,"about_ca_topic_score_gemma":0.29340872,"teacher_disagreement_score":0.14742282,"about_ca_system_score_codex":0.0041428586,"about_ca_system_score_gemma":0.003309971,"threshold_uncertainty_score":0.29312944},"labels":[],"label_agreement":null},{"id":"W1887919293","doi":"","title":"A Matter of Method","year":2010,"lang":"fr","type":"article","venue":"Études photographiques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Art; German; Art history; Reading (process); Visual arts; History; Philosophy; Archaeology; Linguistics","score_opus":0.02243978784469069,"score_gpt":0.30402776652525687,"score_spread":0.2815879786805662,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1887919293","genre_codex":"methods","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0043909955,0.010920603,0.68544966,0.08313926,0.023227546,0.005044557,0.0029627183,0.0014036072,0.1834611],"genre_scores_gemma":[0.1460102,0.007766677,0.6645232,0.0485524,0.007530191,0.020077225,0.001910154,0.0029866572,0.10064325],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.88038063,0.08386128,0.0065666167,0.012636493,0.014937379,0.0016176591],"domain_scores_gemma":[0.8443557,0.0849618,0.0036885494,0.04097241,0.02438389,0.0016376753],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.100426726,0.001268954,0.0020445455,0.0029389537,0.004879005,0.012264024,0.004172548,0.0038641177,0.049504172],"category_scores_gemma":[0.2157227,0.0011697002,0.0018073897,0.0028197193,0.021319922,0.014822267,0.006893205,0.008130867,0.01718084],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014663894,0.000110572175,0.0006780803,0.0009891324,0.000080292746,0.000058487356,0.0035746263,0.00017779153,0.00036179306,0.8597767,0.047420193,0.08662569],"study_design_scores_gemma":[0.00012030499,0.00008958709,0.00039984388,0.0019765317,0.00005332238,0.00018644027,0.0020222552,0.0007529582,0.0009596079,0.5189247,0.4744634,0.000051099832],"about_ca_topic_score_codex":0.003127049,"about_ca_topic_score_gemma":0.0021369236,"teacher_disagreement_score":0.100426726,"about_ca_system_score_codex":0.00653719,"about_ca_system_score_gemma":0.011107757,"threshold_uncertainty_score":0.5311136},"labels":[],"label_agreement":null},{"id":"W1892271883","doi":"10.1017/s0003598x00089845","title":"The visual in archaeology: photographic representation of archaeological practice in British India","year":2002,"lang":"en","type":"article","venue":"Antiquity","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Excavation; Archaeology; Representation (politics); Quarter (Canadian coin); History; Visual arts; Art; Politics","score_opus":0.038875898077180344,"score_gpt":0.3101979186835039,"score_spread":0.27132202060632354,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1892271883","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9074733,0.004357585,0.00061040925,0.0025815424,0.00010772379,0.000044221015,0.00033419032,0.000042212367,0.08444874],"genre_scores_gemma":[0.9912198,0.0018743029,0.00045036,0.00014079556,0.0000233194,0.00001599639,0.00006402505,0.000024910834,0.006186533],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990238,0.00051250076,0.0000378446,0.00006934119,0.00018167676,0.00017477968],"domain_scores_gemma":[0.99819916,0.0009000843,0.000305803,0.00022246176,0.00023477383,0.00013770087],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00079919206,0.00029279807,0.00016164966,0.0040461863,0.0053042592,0.004458625,0.0009113742,0.0007518238,0.004240413],"category_scores_gemma":[0.0031152777,0.0004032697,0.00014502338,0.0078025474,0.005772472,0.0013095752,0.0029728143,0.001064916,0.0003387457],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000100543344,0.000024359932,0.008678685,0.00039411453,0.000012394323,0.0022965774,0.94663125,0.000096574,0.0020199632,0.0051962873,0.0041864407,0.03036271],"study_design_scores_gemma":[0.0000043619666,0.00002376252,0.060945615,0.000249883,0.000018612876,0.0014387429,0.87411153,0.0000646204,0.00034580578,0.00029796976,0.062477812,0.000021229444],"about_ca_topic_score_codex":0.17859393,"about_ca_topic_score_gemma":0.39005697,"teacher_disagreement_score":0.9946957,"about_ca_system_score_codex":0.004775023,"about_ca_system_score_gemma":0.0022037337,"threshold_uncertainty_score":0.3551088},"labels":[],"label_agreement":null},{"id":"W1896659512","doi":"10.7202/1027756ar","title":"La Grande Guerre. Le pouvoir d’influence de la photographie / The Great War: The Persuasive Power of Photography, Musée des beaux-arts du Canada, Ottawa, 27 juin 2014–16 novembre 2014","year":2014,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Photography; The arts; Humanities; Power (physics); Art history; Visual arts","score_opus":0.00665110361870282,"score_gpt":0.1984084719075561,"score_spread":0.19175736828885326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1896659512","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00894114,0.4234975,0.0002802097,0.3102666,0.009565216,0.00007680097,0.0011380683,0.000080660386,0.24615379],"genre_scores_gemma":[0.26981476,0.19326241,0.0014274422,0.05586702,0.0035765462,0.00014663865,0.0006737772,0.000242901,0.47498858],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971511,0.00079089066,0.00008207316,0.00030498038,0.0010830801,0.0005879881],"domain_scores_gemma":[0.994686,0.0016878338,0.0003505793,0.00021149554,0.0021206366,0.000943458],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029962114,0.0007254104,0.0004244539,0.001886356,0.015623659,0.008296724,0.0011610918,0.0044147884,0.020094357],"category_scores_gemma":[0.007899485,0.0005450197,0.00038721337,0.0021716128,0.010724924,0.0041993414,0.0029438217,0.00466611,0.0018768],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007244844,0.000014630879,0.0011737747,0.00048377033,0.000016557879,0.00023189739,0.024933537,0.00003758881,0.00034685875,0.043851066,0.897487,0.03135092],"study_design_scores_gemma":[0.000009147774,0.000005711242,0.006642862,0.00039731045,0.000011374671,0.000065162916,0.012367589,0.000006309789,0.00015249652,0.000857433,0.9794632,0.000021352498],"about_ca_topic_score_codex":0.95974904,"about_ca_topic_score_gemma":0.9875351,"teacher_disagreement_score":0.04710999,"about_ca_system_score_codex":0.04710999,"about_ca_system_score_gemma":0.056750886,"threshold_uncertainty_score":0.3418085},"labels":[],"label_agreement":null},{"id":"W1915199562","doi":"","title":"FAKING DEATH, Canadian Art Photography and the Canadian Imagination, Penny Cousineau-Levine, McGill-Queen's University Press, Montréal/Kingston 2003 FAKING DEATH, Canadian Art Photography and the Canadian Imagination, Penny Cousineau-Levine, McGill-Queen's University Press, Montréal/Kingston 2003","year":2004,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Photography; Art; Art history; Visual arts","score_opus":0.011135267022000102,"score_gpt":0.19579455041996827,"score_spread":0.18465928339796817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1915199562","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015979646,0.33757633,0.000507572,0.25629947,0.0032631862,0.000042985666,0.00078721205,0.00006592691,0.3854777],"genre_scores_gemma":[0.45033383,0.2565639,0.0011144703,0.01702513,0.0026923607,0.000053532087,0.00039489046,0.000120897625,0.27170092],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976306,0.0004404439,0.00007977641,0.00016593155,0.0012089624,0.0004741583],"domain_scores_gemma":[0.99391395,0.0023067626,0.00041024893,0.0002023097,0.0023989156,0.00076779356],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023435203,0.0010985077,0.000578953,0.004160343,0.028288804,0.020294102,0.0017350751,0.0057450966,0.02011834],"category_scores_gemma":[0.009313175,0.0006509812,0.00036556248,0.006841299,0.024499374,0.0058277673,0.0026100744,0.0044266903,0.0013879872],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007843994,0.00002912637,0.0017426503,0.00047021118,0.000022240465,0.00033865203,0.05157502,0.00024142534,0.00026216873,0.1814751,0.69663554,0.0671295],"study_design_scores_gemma":[0.00001419394,0.0000100120205,0.009136525,0.0006744092,0.000026815773,0.00025281546,0.0724404,0.00011028186,0.00019719728,0.009144292,0.9079182,0.00007480804],"about_ca_topic_score_codex":0.98608613,"about_ca_topic_score_gemma":0.99501616,"teacher_disagreement_score":0.089278966,"about_ca_system_score_codex":0.089278966,"about_ca_system_score_gemma":0.070869744,"threshold_uncertainty_score":0.6477673},"labels":[],"label_agreement":null},{"id":"W1923107908","doi":"","title":"Sébastien Hudon : Discovering and Collecting Modern Photographs in Quebec","year":2012,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; Computer science; Art; Art history; World Wide Web","score_opus":0.01280095514460758,"score_gpt":0.1782759153260723,"score_spread":0.1654749601814647,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1923107908","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5396004,0.037599888,0.020234562,0.046384633,0.0021690456,0.0007843579,0.008046794,0.0007902097,0.34439015],"genre_scores_gemma":[0.6626956,0.008910138,0.017332934,0.0029467433,0.00015132752,0.00014959545,0.0011402763,0.00038942165,0.30628392],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993849,0.00015142602,0.000019332243,0.00011858879,0.00017922209,0.0001466426],"domain_scores_gemma":[0.9986444,0.00019905332,0.00008410678,0.000063669155,0.0008063205,0.00020256874],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001188883,0.00040644675,0.00021938223,0.0026716932,0.011007153,0.0031956376,0.00097068376,0.00077659154,0.01932251],"category_scores_gemma":[0.0023377347,0.0003210032,0.00023987709,0.0041769687,0.0021221815,0.001982796,0.0015279673,0.0013977188,0.0011117121],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015215857,0.00009329926,0.094603576,0.0007346384,0.0000848616,0.0035153448,0.2072227,0.0011671971,0.010605031,0.02277529,0.2785075,0.38053834],"study_design_scores_gemma":[0.000004645989,0.000021314152,0.12628531,0.00033654456,0.000029338422,0.00037790235,0.08833115,0.00036122045,0.0017551432,0.0006749874,0.78177327,0.000049035803],"about_ca_topic_score_codex":0.9861226,"about_ca_topic_score_gemma":0.9969446,"teacher_disagreement_score":0.025992453,"about_ca_system_score_codex":0.025992453,"about_ca_system_score_gemma":0.021979628,"threshold_uncertainty_score":0.18858933},"labels":[],"label_agreement":null},{"id":"W192884415","doi":"","title":"Utopia/Dystopia: The Photographs of Geoffrey James. The National Gallery of Canada, www.gallery.ca, May 30 - October 19, 2008The National Gallery of Canada, www.gallery.ca, May 30 - October 19, 2008","year":2008,"lang":"en","type":"article","venue":"Vie des arts","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Utopia; Art history; Art gallery; Art; Media studies; History; Sociology; Exhibition; Literature","score_opus":0.04055753400316676,"score_gpt":0.24690184357693878,"score_spread":0.20634430957377203,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W192884415","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016513024,0.06320306,0.0006046054,0.04442913,0.0092625525,0.00015206759,0.005947737,0.0006254674,0.8741241],"genre_scores_gemma":[0.010948702,0.02117154,0.00089566613,0.0050040833,0.001015097,0.000038016995,0.0018199348,0.00041830743,0.9586886],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996973,0.00003516926,0.000008739005,0.00002866749,0.00016006193,0.00007011165],"domain_scores_gemma":[0.99933535,0.000055494536,0.000024391493,0.00003630691,0.00038241743,0.00016596405],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046498628,0.0010266604,0.00032101545,0.001758068,0.00491203,0.0028703762,0.00055258395,0.0012577443,0.17280257],"category_scores_gemma":[0.0012510058,0.00043054108,0.00032051484,0.001960354,0.0009139747,0.0018326017,0.0017921244,0.002269447,0.047465287],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000466238,0.0000015055622,0.00004471727,0.000014948115,5.334025e-7,0.000014481896,0.0000758128,0.0000061876985,0.000029041807,0.00034192533,0.99558604,0.0038801127],"study_design_scores_gemma":[0.0000020584075,0.0000014981762,0.0016311167,0.000099972385,0.0000017943122,0.00007402343,0.0006824225,0.000013572852,0.000058608697,0.00017175234,0.99725777,0.0000055962505],"about_ca_topic_score_codex":0.54464734,"about_ca_topic_score_gemma":0.85518473,"teacher_disagreement_score":0.45535266,"about_ca_system_score_codex":0.004990529,"about_ca_system_score_gemma":0.00500111,"threshold_uncertainty_score":0.9160687},"labels":[],"label_agreement":null},{"id":"W1936000614","doi":"10.7202/1027753ar","title":"Dora Apel, War Culture and the Contest of Images, Newark, NJ, Rutgers University Press, 2012, 272 pp., 45 black-and-white illustrations, $29.95, ISBN-13: 97808135539487","year":2014,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"CONTEST; White (mutation); Art history; Art; Media studies; Sociology; Political science; Law","score_opus":0.01078020321933221,"score_gpt":0.1837740371816914,"score_spread":0.1729938339623592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1936000614","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002471551,0.8616182,0.00039555755,0.028970094,0.0034584948,0.000015429085,0.00033241248,0.00008424978,0.10487854],"genre_scores_gemma":[0.008189344,0.7700187,0.001063705,0.0061831707,0.0029264234,0.000053168205,0.0002780042,0.00013169514,0.21115594],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991793,0.00021148265,0.00005812086,0.00009157788,0.00038005682,0.00007937507],"domain_scores_gemma":[0.9983954,0.00083359913,0.00012420383,0.00006617858,0.00041500657,0.00016555465],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011895949,0.0017060376,0.00064698374,0.003693372,0.0030145207,0.0066327723,0.0018307571,0.0034787846,0.09736473],"category_scores_gemma":[0.0028388426,0.0009734645,0.0004797539,0.004300958,0.003405861,0.010930681,0.0017581951,0.003699204,0.042894196],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021966143,0.000010726893,0.000103312675,0.0005684821,0.000007412445,0.00006310826,0.000979317,0.00004413059,0.00008808841,0.016353963,0.918318,0.06344146],"study_design_scores_gemma":[0.0000030805115,0.0000031722047,0.00080119557,0.0005748237,0.0000052223013,0.00015478578,0.0012540966,0.000016621403,0.000051921852,0.004095462,0.9930298,0.000009787688],"about_ca_topic_score_codex":0.084816776,"about_ca_topic_score_gemma":0.21571219,"teacher_disagreement_score":0.09736473,"about_ca_system_score_codex":0.006036351,"about_ca_system_score_gemma":0.0051987604,"threshold_uncertainty_score":0.32571745},"labels":[],"label_agreement":null},{"id":"W1941299134","doi":"10.5860/choice.41-3232","title":"Picturing place: photography and the geographical imagination","year":2004,"lang":"en","type":"article","venue":"Choice Reviews Online","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":246,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; History of photography; Art history; Colonialism; Empire; Exhibition; History; Art; Sociology; Visual arts; Archaeology","score_opus":0.033245234366480705,"score_gpt":0.2900401833399535,"score_spread":0.2567949489734728,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1941299134","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010605233,0.055382967,0.005748083,0.026340308,0.004316151,0.000051402778,0.00038002527,0.00023514671,0.89694065],"genre_scores_gemma":[0.5499902,0.07053351,0.012175439,0.0040696687,0.0055098333,0.0001247871,0.00049262936,0.00064192945,0.35646203],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998985,0.000593832,0.00003584303,0.00012208178,0.00018634823,0.00007687194],"domain_scores_gemma":[0.9987544,0.0006292648,0.00013101022,0.00016816994,0.00019610871,0.00012111786],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00091240247,0.00052283844,0.000244632,0.0024439518,0.0034035263,0.010723997,0.00066983514,0.0014500003,0.04023324],"category_scores_gemma":[0.0035006928,0.00024255988,0.00025665553,0.0034332257,0.008139332,0.0072862906,0.002371719,0.0017346042,0.0037488453],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004454056,0.000012164362,0.0004751872,0.0003605479,0.0000065623367,0.00036300582,0.055247787,0.00024832223,0.0005623194,0.65314734,0.19537759,0.09415471],"study_design_scores_gemma":[0.000003095679,0.0000082069,0.00088672864,0.00055294763,0.0000029140513,0.00023152576,0.02189518,0.00006979824,0.0001491512,0.024115339,0.952074,0.000011094831],"about_ca_topic_score_codex":0.007571091,"about_ca_topic_score_gemma":0.009509851,"teacher_disagreement_score":0.04023324,"about_ca_system_score_codex":0.0030852377,"about_ca_system_score_gemma":0.0012535977,"threshold_uncertainty_score":0.13459355},"labels":[],"label_agreement":null},{"id":"W1946925372","doi":"","title":"\"Records of Simple Truth and Precision\": Photography, Archives, and the Illusion of Control","year":2000,"lang":"en","type":"article","venue":"Archivaria (Association of Canadian Archivists)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":84,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Context (archaeology); Agency (philosophy); Photography; Politics; Art history; Sociology; Reading (process); Media studies; History; Art; Visual arts; Law; Political science; Social science; Archaeology","score_opus":0.006768437776849158,"score_gpt":0.1895150083785282,"score_spread":0.18274657060167904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1946925372","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07986986,0.029756129,0.015496936,0.06447569,0.0008873636,0.00007499698,0.00035881222,0.00020612538,0.8088741],"genre_scores_gemma":[0.9173818,0.012132714,0.0036642235,0.0028962628,0.00076642615,0.00008371341,0.00009220847,0.000065346074,0.062917314],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.997971,0.0009349501,0.00006877443,0.00019550728,0.0005681201,0.00026173392],"domain_scores_gemma":[0.9966556,0.0021272,0.0003455102,0.00034175202,0.0003925157,0.00013741678],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022556558,0.00035566202,0.00025857947,0.0022209266,0.0041188938,0.012237844,0.0009651244,0.0017364953,0.010378941],"category_scores_gemma":[0.0064980052,0.0002519219,0.00024319087,0.0021110463,0.02919289,0.0068747117,0.0032912162,0.0021113849,0.00041878052],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014272314,0.000005375649,0.0006134271,0.00007780171,0.000003087373,0.00005213829,0.026707307,0.0000864144,0.000118861055,0.9536404,0.0059211543,0.012759826],"study_design_scores_gemma":[0.000021472193,0.0000516498,0.008116558,0.0010353196,0.00002858178,0.00041208803,0.05381291,0.00062690774,0.00075651094,0.31105483,0.6240265,0.000056738594],"about_ca_topic_score_codex":0.09584222,"about_ca_topic_score_gemma":0.10556895,"teacher_disagreement_score":0.09584222,"about_ca_system_score_codex":0.009058713,"about_ca_system_score_gemma":0.0051508266,"threshold_uncertainty_score":0.19056869},"labels":[],"label_agreement":null},{"id":"W1952726968","doi":"","title":"Don Denton : First Chapter : The Canadian Writers Photography Project","year":2001,"lang":"en","type":"book","venue":"Banff Centre Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Photography; Visual arts; Selection (genetic algorithm); Art; Advice (programming); Art history; History; Computer science; Artificial intelligence","score_opus":0.05678040264416865,"score_gpt":0.2298972092553353,"score_spread":0.17311680661116666,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1952726968","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005474997,0.03139544,0.0014552791,0.032907814,0.0038584047,0.00020205435,0.0033993262,0.00040486723,0.92090183],"genre_scores_gemma":[0.017233677,0.011452427,0.0015572826,0.0026412888,0.00017542401,0.000049256694,0.00077735586,0.00028532758,0.96582794],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931526,0.000028098755,0.00000886557,0.00006605724,0.00046562456,0.00011616316],"domain_scores_gemma":[0.99907506,0.000060015045,0.000018308756,0.000023850924,0.00058900606,0.00023368011],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00065720564,0.0004487081,0.00024603502,0.0026908133,0.012200291,0.0044244593,0.00076255726,0.0010431743,0.083393484],"category_scores_gemma":[0.0011106699,0.0004009091,0.00016979774,0.0047118035,0.0014886574,0.001605044,0.001047218,0.0014884269,0.0118845375],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004664315,0.0000042538336,0.00020187076,0.00005492052,5.190431e-7,0.000053578857,0.0025292018,0.000015282705,0.00016754774,0.0069230376,0.95953256,0.030512558],"study_design_scores_gemma":[5.0832836e-7,7.713952e-7,0.00062988367,0.0000362768,6.6699766e-7,0.00003224286,0.0009639679,0.0000044402673,0.0000608426,0.00010691302,0.99815995,0.0000035714636],"about_ca_topic_score_codex":0.9283746,"about_ca_topic_score_gemma":0.98635304,"teacher_disagreement_score":0.083393484,"about_ca_system_score_codex":0.026147319,"about_ca_system_score_gemma":0.034856472,"threshold_uncertainty_score":0.278979},"labels":[],"label_agreement":null},{"id":"W1960345084","doi":"10.7202/1030233ar","title":"La photographie stéréoscopique animée, avant la chronophotographie","year":2015,"lang":"fr","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.05232048200272384,"score_gpt":0.28509895427573934,"score_spread":0.2327784722730155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1960345084","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08057223,0.016466167,0.027228666,0.009233389,0.0023637777,0.00011792712,0.00063350605,0.00015660096,0.86322767],"genre_scores_gemma":[0.66809845,0.021165917,0.016365347,0.0021889426,0.001295584,0.00010901596,0.00034890499,0.00024772916,0.29018018],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99959975,0.00014256958,0.000013508384,0.00008983856,0.00011159019,0.00004290025],"domain_scores_gemma":[0.9994947,0.00025913963,0.000045408586,0.00007705397,0.0000860014,0.00003764899],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00066706113,0.0002973469,0.00012254095,0.0012564647,0.0016720784,0.0030025155,0.0003208065,0.0006578812,0.016571647],"category_scores_gemma":[0.0014510489,0.0001427997,0.00019907641,0.0010594674,0.0048740134,0.0020930136,0.0014795003,0.0017152906,0.0012599383],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010333598,0.000028583436,0.002698785,0.0006983416,0.00002299856,0.00060163013,0.08027919,0.00032744426,0.012582941,0.7046016,0.038706843,0.1593483],"study_design_scores_gemma":[0.0000047015687,0.000042135052,0.005111896,0.00021857928,0.0000097884695,0.00071121386,0.009690952,0.00012823673,0.0022064634,0.009159734,0.97270036,0.000015907874],"about_ca_topic_score_codex":0.009216391,"about_ca_topic_score_gemma":0.024193201,"teacher_disagreement_score":0.016571647,"about_ca_system_score_codex":0.001804359,"about_ca_system_score_gemma":0.0011954415,"threshold_uncertainty_score":0.055437684},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"not_applicable","genre":"empirical","about_ca_system":false,"about_ca_topic":false,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"theoretical_or_conceptual","genre":"empirical","about_ca_system":false,"about_ca_topic":false,"confidence":"medium"}],"label_agreement":"split"},{"id":"W196345055","doi":"","title":"Lifeworks: Perfect strangers","year":2004,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Visual arts; Studio; Set (abstract data type); Expression (computer science); Photojournalism; Citizen journalism; Journalism; Sociology; Media studies; Art; Computer science; World Wide Web","score_opus":0.012489937698760565,"score_gpt":0.22452677278016162,"score_spread":0.21203683508140106,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W196345055","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06501232,0.0056674276,0.0046706563,0.035240926,0.007670918,0.00016975873,0.00026661676,0.00071115093,0.8805902],"genre_scores_gemma":[0.44881603,0.002970938,0.002715282,0.010796845,0.00087656267,0.00013577456,0.00033444527,0.0010147569,0.5323393],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949492,0.0026320154,0.00013943046,0.00063626684,0.0009054843,0.0007376068],"domain_scores_gemma":[0.99605197,0.00037545027,0.00024061286,0.0006475455,0.0005855282,0.0020990341],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030667388,0.0009424597,0.0006979755,0.0011875841,0.024741039,0.016777882,0.0014509306,0.0027071405,0.06593612],"category_scores_gemma":[0.0061793933,0.00074499426,0.00065065804,0.0009351296,0.018714923,0.013076704,0.016477577,0.0057719187,0.018938752],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012747139,0.00015980063,0.002910519,0.00018664851,0.000021178374,0.0014116358,0.41152847,0.0000880665,0.0008760617,0.19817957,0.32297173,0.06153888],"study_design_scores_gemma":[0.000007348705,0.000032365188,0.00052436156,0.00011665959,0.0000042836664,0.0006383266,0.12156158,0.000027053138,0.0001228667,0.006931596,0.87001514,0.000018335015],"about_ca_topic_score_codex":0.0065931007,"about_ca_topic_score_gemma":0.015994648,"teacher_disagreement_score":0.06593612,"about_ca_system_score_codex":0.0039324495,"about_ca_system_score_gemma":0.0018712692,"threshold_uncertainty_score":0.22057831},"labels":[],"label_agreement":null},{"id":"W1965287378","doi":"10.1017/s0021875801306734","title":"Timothy Dow Adams, <i>Light Writing and Life Writing: Photography in Autobiography</i> (Chapel Hill and London: University of North Carolina Press, 1999, £39.95 cloth, £17.95 paper). Pp. 298. ISBN 0 8078 2513 1, 0 8078 4792 5.","year":2001,"lang":"en","type":"article","venue":"Journal of American Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Lethbridge","funders":"","keywords":"Chapel; Biography; Art; Art history; Photography; Theology; Visual arts; Philosophy","score_opus":0.021962567026369596,"score_gpt":0.2365438397968462,"score_spread":0.21458127277047662,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1965287378","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006286277,0.87165827,0.00074082037,0.03809906,0.0052575734,0.00004105478,0.00014549562,0.00012326887,0.08330582],"genre_scores_gemma":[0.012095702,0.77644145,0.0016652088,0.010111915,0.0047299606,0.000078379024,0.00020630124,0.00015778493,0.19451329],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999368,0.00019966942,0.000052053412,0.00006894661,0.0002491031,0.000062228166],"domain_scores_gemma":[0.99862933,0.00069227035,0.00013484314,0.000049946386,0.00027849863,0.0002151545],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011175984,0.0011536316,0.00062483223,0.0023828573,0.0026316163,0.0054285238,0.0013706583,0.0034280415,0.066136226],"category_scores_gemma":[0.0031273034,0.0009031107,0.00030935067,0.0031649452,0.0029612305,0.013509965,0.0018513086,0.0029801796,0.025412222],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002536285,0.000013946608,0.00012095093,0.0006652847,0.000005673315,0.000062460625,0.0020798547,0.000019884606,0.00016471413,0.00700226,0.923214,0.06662553],"study_design_scores_gemma":[0.000010102248,0.000011853208,0.0014041383,0.0010823726,0.000009306121,0.00040168548,0.004191837,0.00003000797,0.00015031312,0.0064816847,0.98620933,0.000017372002],"about_ca_topic_score_codex":0.023743514,"about_ca_topic_score_gemma":0.05940025,"teacher_disagreement_score":0.066136226,"about_ca_system_score_codex":0.0021881317,"about_ca_system_score_gemma":0.0025459416,"threshold_uncertainty_score":0.22124773},"labels":[],"label_agreement":null},{"id":"W1972766166","doi":"10.1177/0270467606295972","title":"Winning or Losing the West: The Photographic Act","year":2007,"lang":"en","type":"article","venue":"Bulletin of Science Technology & Society","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Indigenous; Frontier; Storytelling; Population; Narrative; Politics; Media studies; History; Transformative learning; Photography; Sociology; Aesthetics; Visual arts; Political science; Law; Archaeology; Art; Literature; Ecology","score_opus":0.027377200943992284,"score_gpt":0.27411882068587295,"score_spread":0.24674161974188066,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1972766166","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.101693146,0.0041215084,0.0021249733,0.055984206,0.001580763,0.000086719214,0.000057051817,0.00006517144,0.8342865],"genre_scores_gemma":[0.7449985,0.001950448,0.0008685949,0.013211213,0.00032517823,0.000077929355,0.000031808155,0.00011576975,0.23842065],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99454075,0.0028108826,0.00019507064,0.0003480274,0.0010614555,0.0010438582],"domain_scores_gemma":[0.9962662,0.0021735108,0.0003212948,0.0004223389,0.0003595429,0.00045724987],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0051291934,0.0003598553,0.0002831438,0.0007556007,0.021490937,0.011235638,0.0008013544,0.0037186318,0.0076893247],"category_scores_gemma":[0.01071443,0.0004293122,0.00023481634,0.00092254527,0.020682275,0.004685846,0.0059459344,0.007987337,0.0014338107],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005949146,0.000039417573,0.0013793326,0.0000705133,0.0000067108317,0.001584842,0.39832842,0.00007056725,0.0011642805,0.47549215,0.09755094,0.024253292],"study_design_scores_gemma":[0.0000035759545,0.000016210437,0.0010180338,0.00013603207,0.0000049767623,0.00042362997,0.19541368,0.000045539364,0.00038253987,0.0047094873,0.79782975,0.00001646631],"about_ca_topic_score_codex":0.047691897,"about_ca_topic_score_gemma":0.08047717,"teacher_disagreement_score":0.047691897,"about_ca_system_score_codex":0.004755053,"about_ca_system_score_gemma":0.0042152517,"threshold_uncertainty_score":0.094828546},"labels":[],"label_agreement":null},{"id":"W1975057425","doi":"10.1177/1470412910380358","title":"Visual Testimony: Lee Miller’s Dachau","year":2010,"lang":"en","type":"article","venue":"Journal of Visual Culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":21,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Miller; Nazism; Witness; Inscribed figure; Art; Art history; Philosophy; Visual arts; Law; Politics; Political science","score_opus":0.023675153832865604,"score_gpt":0.3020246885718486,"score_spread":0.278349534738983,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1975057425","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2280761,0.0166475,0.0023730132,0.21007365,0.005910211,0.00006396314,0.00013627094,0.0001586254,0.5365607],"genre_scores_gemma":[0.9340387,0.0044819424,0.00087970396,0.01597704,0.0010729316,0.000022504917,0.000024477691,0.000052693067,0.043449994],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.999106,0.00055691117,0.000011624051,0.000053042277,0.0001747172,0.000097657416],"domain_scores_gemma":[0.9990036,0.0006570151,0.00007937573,0.000057052093,0.00008972225,0.000113273185],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00094770116,0.00026543142,0.00012181373,0.0005804058,0.006386608,0.0041713277,0.00045514124,0.0021271189,0.0048183035],"category_scores_gemma":[0.0047064084,0.00015190465,0.00011266355,0.00037492716,0.0044171996,0.0029044682,0.0031750198,0.0036982324,0.00056931743],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000117208096,0.000060978768,0.001422413,0.00028537645,0.00001958751,0.006550211,0.3477927,0.00017938978,0.0032006477,0.16674262,0.41868514,0.054943707],"study_design_scores_gemma":[0.000013805113,0.000050770697,0.001255033,0.00042377182,0.000011216222,0.0026161587,0.21070832,0.00020202325,0.0016844026,0.0092146285,0.77379185,0.000027941614],"about_ca_topic_score_codex":0.006844708,"about_ca_topic_score_gemma":0.022576103,"teacher_disagreement_score":0.006844708,"about_ca_system_score_codex":0.0020809479,"about_ca_system_score_gemma":0.00085176487,"threshold_uncertainty_score":0.016118765},"labels":[],"label_agreement":null},{"id":"W1975158846","doi":"10.3138/jsp.44.3.003","title":"Through Clio's Lens: Exploring Disciplinary, Intellectual, and Historical Orientations in the History of Photography","year":2013,"lang":"en","type":"article","venue":"Journal of Scholarly Publishing","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Discipline; History of photography; Sociology; Visual arts; Visual culture; History; Art; Social science","score_opus":0.2623466247285046,"score_gpt":0.2748901549264497,"score_spread":0.012543530197945074,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1975158846","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22106011,0.026515588,0.02214114,0.042214926,0.0011331792,0.00033563896,0.00198016,0.00017774692,0.6844415],"genre_scores_gemma":[0.9272789,0.016656471,0.008780077,0.004612565,0.0008660296,0.0005411042,0.00063170877,0.00023294716,0.040400103],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99701047,0.0018387315,0.00014527013,0.00028110988,0.00038520497,0.00033924787],"domain_scores_gemma":[0.975294,0.02043133,0.0015950444,0.0007180435,0.0013306192,0.0006309185],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007674091,0.0005419264,0.00038444102,0.023474198,0.0079718195,0.01780037,0.0011723506,0.0019625411,0.010137295],"category_scores_gemma":[0.016545214,0.00031317843,0.00035963274,0.021579571,0.0205991,0.017003838,0.006893721,0.0029619527,0.000747755],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007992041,0.000020430658,0.006893155,0.00079614524,0.000014623123,0.00075661135,0.5202843,0.00014232632,0.00071925076,0.42690083,0.013782051,0.02961043],"study_design_scores_gemma":[0.000013754281,0.000037575533,0.010719356,0.0022611392,0.000022219643,0.0005146388,0.5745267,0.00025975774,0.00041631988,0.038032353,0.3731678,0.000028345408],"about_ca_topic_score_codex":0.015267629,"about_ca_topic_score_gemma":0.034428794,"teacher_disagreement_score":0.023474198,"about_ca_system_score_codex":0.010698445,"about_ca_system_score_gemma":0.005269066,"threshold_uncertainty_score":0.07762307},"labels":[],"label_agreement":null},{"id":"W1975858319","doi":"10.1353/utq.0.0157","title":"'Pictures Bring Us Messages' / Sinaakssiiksi aohtsimaahpihkookiyaawa: Photographs and Histories from the Kainai Nation (review)","year":2008,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ceremony; Indigenous; Government (linguistics); Romance; History; Settlement (finance); Media studies; Sociology; Art history; Art; Archaeology; Literature","score_opus":0.01887250334826405,"score_gpt":0.1970219287127703,"score_spread":0.17814942536450626,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1975858319","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001116583,0.99614316,0.00001017628,0.0013542202,0.0009857339,0.0000102366475,0.000080514554,0.0000035477926,0.0013008147],"genre_scores_gemma":[0.0016643594,0.9955729,0.000038642895,0.0010481189,0.0003398837,0.00003082858,0.00012965933,0.0000041350154,0.0011714587],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992175,0.00021657877,0.00011886148,0.000075481,0.0003008201,0.000070787435],"domain_scores_gemma":[0.996391,0.0012513641,0.0007251466,0.00008588295,0.0012778505,0.0002687875],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014279813,0.0008135852,0.001006391,0.00538586,0.00083232246,0.002499576,0.0011764975,0.0012067403,0.023855317],"category_scores_gemma":[0.006251974,0.0005493519,0.0005237365,0.010814076,0.0012447698,0.003768932,0.0009833383,0.0020058441,0.0039224564],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009295319,0.000021195146,0.0013038091,0.1038566,0.00019010613,0.00031863415,0.0027875432,0.000047616548,0.00025896373,0.0009020359,0.5459036,0.34431693],"study_design_scores_gemma":[0.000020795524,0.000027782193,0.007968911,0.06681285,0.00021311965,0.0007355416,0.004405014,0.0000049605464,0.00008772518,0.0001404032,0.9195565,0.00002642028],"about_ca_topic_score_codex":0.03348191,"about_ca_topic_score_gemma":0.06806024,"teacher_disagreement_score":0.9665181,"about_ca_system_score_codex":0.0022446208,"about_ca_system_score_gemma":0.0057953373,"threshold_uncertainty_score":0.079804},"labels":[],"label_agreement":null},{"id":"W1977361790","doi":"10.1353/vpr.2006.0022","title":"Changing Faces: The NSPCC and the Use of Photography in the Construction of Cruelty to Children","year":2006,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Appeal; Cruelty; Child abuse; Government (linguistics); Criminology; History; Law; Sociology; Media studies; Political science; Medicine; Poison control; Suicide prevention","score_opus":0.032198763870909475,"score_gpt":0.24743988734904243,"score_spread":0.21524112347813296,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1977361790","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.051187485,0.080533385,0.0020996449,0.36598486,0.014591706,0.00006777898,0.00010911347,0.00008719011,0.4853389],"genre_scores_gemma":[0.77321786,0.059895206,0.002982948,0.040849175,0.009627545,0.0001965774,0.000060883827,0.00018776911,0.11298211],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9961117,0.0028117686,0.000061276136,0.00022158431,0.00054970884,0.00024406047],"domain_scores_gemma":[0.99710435,0.0020240012,0.00022631772,0.00017489945,0.0002907202,0.00017974236],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004022715,0.00044435408,0.0001933689,0.0011664352,0.0082800165,0.0075313854,0.0008306254,0.0034744,0.0064742155],"category_scores_gemma":[0.00886351,0.0003313102,0.00026902888,0.0003952913,0.018314911,0.0060292226,0.004532518,0.0055203256,0.00061161217],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043311855,0.000048753427,0.0019727324,0.00031240156,0.0000135361415,0.0012431893,0.34166884,0.00004928448,0.0006541427,0.22369237,0.34436452,0.08593693],"study_design_scores_gemma":[0.000007222177,0.000029952995,0.0032158422,0.0010259891,0.00000833007,0.0012699976,0.09519139,0.00003632157,0.0002597684,0.008235732,0.8906985,0.000020876629],"about_ca_topic_score_codex":0.01294214,"about_ca_topic_score_gemma":0.032479998,"teacher_disagreement_score":0.01294214,"about_ca_system_score_codex":0.0056294138,"about_ca_system_score_gemma":0.0019027069,"threshold_uncertainty_score":0.0408445},"labels":[],"label_agreement":null},{"id":"W1979170117","doi":"10.1080/17460650903515905","title":"The mysterious affair of styles in the age of kine‐attractography","year":2010,"lang":"en","type":"article","venue":"Early Popular Visual Culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"Social Sciences and Humanities Research Council of Canada; Centre for Research on Intermediality, University of Montreal; École Normale Supérieure","keywords":"Style (visual arts); Nothing; Natural (archaeology); Action (physics); Simple (philosophy); Rule of thumb; Visual arts; Art; History; Computer science; Philosophy; Epistemology; Physics; Archaeology; Algorithm","score_opus":0.020349570731613364,"score_gpt":0.27157952653302675,"score_spread":0.2512299558014134,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1979170117","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06929936,0.03239569,0.04616084,0.12755282,0.007734673,0.00006758775,0.00041253318,0.0005167419,0.7158598],"genre_scores_gemma":[0.77962077,0.0145213,0.019562686,0.016590616,0.0068430286,0.00013040335,0.00017528755,0.001319154,0.16123673],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9949897,0.002322994,0.00020676026,0.0010099809,0.0011326207,0.0003378977],"domain_scores_gemma":[0.9946852,0.0027767739,0.00036451267,0.0010291137,0.0005390113,0.0006053475],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006199191,0.00083916244,0.00042304775,0.0014296337,0.0062121656,0.012469255,0.0009382077,0.0028802126,0.006366321],"category_scores_gemma":[0.010776848,0.00048413186,0.00033879545,0.0012318663,0.040605687,0.018369896,0.005264479,0.007814846,0.0024111336],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059522034,0.000014757175,0.00088054565,0.00008822957,0.0000055539786,0.00015980717,0.07226426,0.00009125654,0.0006318519,0.8889047,0.014572619,0.022326916],"study_design_scores_gemma":[0.000017404634,0.00006678448,0.0015543941,0.00039212022,0.000008296468,0.00083103654,0.020250347,0.00032959177,0.0008570224,0.22353052,0.75210017,0.00006230753],"about_ca_topic_score_codex":0.0022024247,"about_ca_topic_score_gemma":0.0032170883,"teacher_disagreement_score":0.012469255,"about_ca_system_score_codex":0.002572157,"about_ca_system_score_gemma":0.0012404203,"threshold_uncertainty_score":0.03278488},"labels":[],"label_agreement":null},{"id":"W1979304774","doi":"10.7202/1013764ar","title":"Beyond a Boundary: Washington’s Historic Districts and Their Racial Contents","year":2013,"lang":"en","type":"article","venue":"Urban History Review","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Gentrification; Neighbourhood (mathematics); Principle of legality; Supreme court; Opposition (politics); Law; Sociology; Political science; Public administration; Politics; Economic growth","score_opus":0.04100998479343218,"score_gpt":0.21843039482298743,"score_spread":0.17742041002955525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1979304774","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50079066,0.0029860283,0.0007516333,0.010351487,0.00028220465,0.000028469438,0.0001010803,0.000022674969,0.48468575],"genre_scores_gemma":[0.969375,0.0006702866,0.00033198856,0.0006182019,0.000061205435,0.000020995214,0.0000614079,0.000018774346,0.028842086],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924517,0.00031776357,0.000016162701,0.00008191316,0.00008880394,0.00025015636],"domain_scores_gemma":[0.9995253,0.00012995029,0.000061521896,0.000051500185,0.00007995003,0.00015178783],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007712579,0.00016125492,0.00011329551,0.0017922019,0.0150382565,0.009414907,0.00052741554,0.0008500711,0.0066007497],"category_scores_gemma":[0.0016616534,0.00019843644,0.00010214584,0.0019948266,0.008369259,0.0041209576,0.003793403,0.0017779989,0.00033069297],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000070786155,0.00006285532,0.017094988,0.00006998282,0.000011968152,0.000431919,0.2029643,0.00018551394,0.00032729065,0.67736995,0.023891497,0.07751897],"study_design_scores_gemma":[0.00001077016,0.00004260363,0.032306336,0.00040570894,0.000024747978,0.00020758263,0.39378577,0.00015317056,0.00048432036,0.03546418,0.53708535,0.000029488448],"about_ca_topic_score_codex":0.09221897,"about_ca_topic_score_gemma":0.28594527,"teacher_disagreement_score":0.09221897,"about_ca_system_score_codex":0.0076411967,"about_ca_system_score_gemma":0.003624147,"threshold_uncertainty_score":0.18336439},"labels":[],"label_agreement":null},{"id":"W1996537033","doi":"10.17645/mac.v2i2.145","title":"The Nanking Atrocity: Still and Moving Images 1937–1944","year":2014,"lang":"en","type":"article","venue":"Media and Communication","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Ottawa","funders":"","keywords":"Emotive; Context (archaeology); Public opinion; Media studies; Visual culture; Sociology; Mass media; History; Aesthetics; Visual arts; Political science; Law; Art; Politics","score_opus":0.0201976460219209,"score_gpt":0.2300293061459094,"score_spread":0.20983166012398852,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1996537033","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3614833,0.009798936,0.0007386822,0.017257884,0.0025917713,0.000025718398,0.00058783917,0.000050820938,0.6074651],"genre_scores_gemma":[0.8854537,0.004872036,0.00035375607,0.0010425822,0.0009813906,0.000011790058,0.0002004288,0.000067615976,0.10701679],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999721,0.000073925,0.000009259208,0.0000369938,0.000095722826,0.000063050524],"domain_scores_gemma":[0.9995944,0.00017218367,0.0000635896,0.000039734725,0.00008983038,0.00004017934],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048522613,0.00017814846,0.00011707809,0.0013114879,0.005413176,0.0027440274,0.0002621486,0.0008435964,0.010100789],"category_scores_gemma":[0.0016564912,0.00015023942,0.00009723021,0.0012686496,0.0045073037,0.00213056,0.0011261174,0.0018056665,0.0011768164],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033229834,0.000048521804,0.012535364,0.00034302028,0.000033866447,0.00459429,0.5359864,0.0001945431,0.0038508023,0.17972323,0.15008475,0.11227285],"study_design_scores_gemma":[0.0000037160673,0.00002509206,0.018602924,0.00019949987,0.0000111899735,0.00060004985,0.061521944,0.0000439619,0.0010975983,0.0016328353,0.91624135,0.000019926967],"about_ca_topic_score_codex":0.04169711,"about_ca_topic_score_gemma":0.11323097,"teacher_disagreement_score":0.04169711,"about_ca_system_score_codex":0.0038973687,"about_ca_system_score_gemma":0.00094002584,"threshold_uncertainty_score":0.08290881},"labels":[],"label_agreement":null},{"id":"W1998828676","doi":"10.1063/1.1832771","title":"Introduction: First Annual Gallery of Nonlinear Images (Montréal, Québec, Canada, 2004)","year":2004,"lang":"en","type":"article","venue":"Chaos An Interdisciplinary Journal of Nonlinear Science","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nonlinear system; History; Physics; Quantum mechanics","score_opus":0.014275838288827895,"score_gpt":0.26725265339536636,"score_spread":0.25297681510653847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1998828676","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0091713555,0.06321924,0.015785756,0.021924838,0.047344927,0.0011289979,0.17242216,0.0074866703,0.6615161],"genre_scores_gemma":[0.012941427,0.013079636,0.006037897,0.0009862821,0.0027257665,0.00011350646,0.024284871,0.0017945421,0.9380361],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996037,0.000021212027,0.000013005503,0.00003964811,0.0002278862,0.00009460274],"domain_scores_gemma":[0.99817157,0.00006633484,0.00003889258,0.00014760559,0.001347056,0.00022850875],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005918618,0.0020230042,0.0010166076,0.005824867,0.003741915,0.0048513664,0.0014982697,0.0010303422,0.24601622],"category_scores_gemma":[0.0015393236,0.0006032188,0.00107157,0.0061299377,0.0006499472,0.0011931304,0.001355354,0.001170578,0.06237946],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021954083,0.000007280948,0.0001643668,0.000102492,0.0000073734227,0.000025154499,0.000024445695,0.00021711983,0.0003703567,0.00027460186,0.976137,0.02264779],"study_design_scores_gemma":[0.0000073035108,0.00000890352,0.0049846526,0.00013524148,0.000012209273,0.000086759756,0.00012186166,0.00041813275,0.0004877566,0.0004458645,0.99326766,0.000023694874],"about_ca_topic_score_codex":0.7656892,"about_ca_topic_score_gemma":0.92737895,"teacher_disagreement_score":0.24601622,"about_ca_system_score_codex":0.007817079,"about_ca_system_score_gemma":0.009609883,"threshold_uncertainty_score":0.8230063},"labels":[],"label_agreement":null},{"id":"W2000990254","doi":"10.1080/08905495.2010.493445","title":"Dangerous Combinations: Photography, Illusion, and the Conspiracy of Labor in the 1850s","year":2010,"lang":"en","type":"article","venue":"Nineteenth Century Contexts","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Photography; Illusion; Art; Visual arts; Psychology; Cognitive psychology","score_opus":0.008294713176919117,"score_gpt":0.22829852475103696,"score_spread":0.22000381157411783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2000990254","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36075717,0.0205922,0.0012556748,0.027583908,0.00070450845,0.000020425887,0.00009185565,0.000027739363,0.58896655],"genre_scores_gemma":[0.9813983,0.0019408931,0.00019032611,0.0012431925,0.00024228018,0.00000788861,0.000013716658,0.000017221075,0.014946214],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9980196,0.0009977991,0.00005646693,0.00019208307,0.00027812558,0.0004558737],"domain_scores_gemma":[0.9989003,0.0005398947,0.00016828818,0.00010056435,0.000101046855,0.00018991384],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021003785,0.00030479426,0.00028169923,0.0018051862,0.017712548,0.007539131,0.00051442947,0.0019887213,0.0052622873],"category_scores_gemma":[0.0029654189,0.00031688946,0.00018670261,0.001326244,0.041000493,0.0057022725,0.0061619733,0.0044013853,0.00043044405],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000565451,0.00003101526,0.0018844468,0.00003796186,0.000003424958,0.00040989238,0.23460083,0.000060357957,0.00014880752,0.74755955,0.0068751397,0.008331997],"study_design_scores_gemma":[0.000025736284,0.00007163416,0.009281044,0.00034235764,0.000008519721,0.00082873396,0.18375339,0.00012296258,0.000401122,0.12624359,0.67887366,0.00004729386],"about_ca_topic_score_codex":0.03709322,"about_ca_topic_score_gemma":0.071424685,"teacher_disagreement_score":0.03709322,"about_ca_system_score_codex":0.008191357,"about_ca_system_score_gemma":0.0021806436,"threshold_uncertainty_score":0.07375461},"labels":[],"label_agreement":null},{"id":"W2001881641","doi":"10.1353/mos.2013.0016","title":"Hiding in Plain Sight: Problems of Modernist Self-Representation in the Encounter Between Adolf Loos and Josephine Baker","year":2013,"lang":"en","type":"article","venue":"Mosaic","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Memoir; Modernism (music); Representation (politics); Sight; Art history; Art; Psychoanalysis; Psychology; Law; Political science","score_opus":0.04016713256013757,"score_gpt":0.2544343268120407,"score_spread":0.21426719425190313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2001881641","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28150526,0.027005924,0.008010601,0.22868985,0.0014234752,0.000044493296,0.000035914924,0.00010950241,0.45317495],"genre_scores_gemma":[0.97637534,0.0024435897,0.0011543613,0.0037687893,0.00026653122,0.000023815483,0.000005665392,0.000059045888,0.015902925],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99684477,0.0021823803,0.000046670222,0.00021618734,0.00034998226,0.0003599665],"domain_scores_gemma":[0.99688953,0.002174627,0.00018233209,0.00027023317,0.00024857183,0.00023472332],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0063182074,0.00034621812,0.00039464651,0.0009922533,0.017730635,0.010059009,0.0009994755,0.0037098904,0.0035008509],"category_scores_gemma":[0.0070958138,0.00042010038,0.00020980986,0.00077386777,0.05256396,0.010302916,0.0057440503,0.0068417457,0.0003331317],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032071177,0.000018822466,0.00025373657,0.000032657626,0.000004077186,0.00030940445,0.45393482,0.00006207834,0.00013278562,0.51998466,0.014172385,0.011062509],"study_design_scores_gemma":[0.00004073854,0.000041691583,0.0007929087,0.00026835216,0.000009729217,0.0009997472,0.40365353,0.000316139,0.00038712483,0.2632137,0.33022764,0.000048682796],"about_ca_topic_score_codex":0.019307612,"about_ca_topic_score_gemma":0.02913288,"teacher_disagreement_score":0.019307612,"about_ca_system_score_codex":0.006918605,"about_ca_system_score_gemma":0.0028762836,"threshold_uncertainty_score":0.050198257},"labels":[],"label_agreement":null},{"id":"W2008973693","doi":"10.1177/0048393113497677","title":"Pornography Stumps Analytic Philosophers of Art","year":2014,"lang":"en","type":"article","venue":"Philosophy of the Social Sciences","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Disappointment; Pornography; Transcendental number; Value (mathematics); Epistemology; Philosophy; Sociology; Aesthetics; Psychoanalysis; Psychology; Mathematics; Social psychology","score_opus":0.07644789654378577,"score_gpt":0.2994290937012157,"score_spread":0.22298119715742992,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2008973693","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010107539,0.02962908,0.027516162,0.2264966,0.0069701984,0.00003815729,0.000089645226,0.00020322151,0.69894934],"genre_scores_gemma":[0.48331708,0.039832,0.014700152,0.059848983,0.010210099,0.00015296033,0.000097044176,0.00071754714,0.39112407],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9977701,0.0010763609,0.000088589586,0.00023586859,0.0006934613,0.00013563369],"domain_scores_gemma":[0.9933207,0.0046904543,0.0003534018,0.0007467359,0.00066374475,0.00022509543],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033847145,0.00061713444,0.0004895278,0.0018265549,0.0062397304,0.009982241,0.000747739,0.0038936,0.010038916],"category_scores_gemma":[0.010912416,0.0004825801,0.0005037563,0.0015788754,0.035975415,0.016178362,0.0041034706,0.009547362,0.002888526],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007964402,0.000006767524,0.00007209989,0.000038333725,0.0000024301546,0.000028383642,0.0039853584,0.000044266537,0.000040965355,0.9695702,0.018472726,0.0077303736],"study_design_scores_gemma":[0.0000064782184,0.000017247332,0.0001768353,0.00018555594,0.0000052178307,0.00013448545,0.0037726464,0.00016362299,0.00020167395,0.5746387,0.42068797,0.000009568965],"about_ca_topic_score_codex":0.0027991084,"about_ca_topic_score_gemma":0.0053731794,"teacher_disagreement_score":0.010038916,"about_ca_system_score_codex":0.0022530283,"about_ca_system_score_gemma":0.002218886,"threshold_uncertainty_score":0.03358352},"labels":[],"label_agreement":null},{"id":"W2011811820","doi":"10.1386/macp.5.3.183_1","title":"Writing the body: The hypertext of photography","year":2009,"lang":"en","type":"article","venue":"International Journal of Media and Cultural Politics","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Rhetoric; Narrative; Subject (documents); Photography; Visual arts; Identity (music); Cultural memory; Sociology; Hypertext; Mnemonic; Indigenous; Media studies; History; Aesthetics; Art; Literature; Psychology; Linguistics; Anthropology; Computer science","score_opus":0.028902515499589942,"score_gpt":0.2832602189197203,"score_spread":0.25435770342013037,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2011811820","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05758445,0.012409221,0.0064155897,0.023244033,0.0026836004,0.00004673177,0.0001631902,0.0003523295,0.89710087],"genre_scores_gemma":[0.77222794,0.010012316,0.0035289817,0.0030181522,0.001362095,0.000034756384,0.000114366805,0.00042338631,0.20927805],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989644,0.0005458653,0.000026632122,0.00007941668,0.000268759,0.00011481265],"domain_scores_gemma":[0.9980128,0.0012267474,0.0001502547,0.00019482008,0.00021001048,0.00020532956],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015173653,0.0003606504,0.00024050112,0.0016794357,0.0074604386,0.009793651,0.00060655654,0.0011686422,0.009317901],"category_scores_gemma":[0.003991552,0.0001906235,0.00014273886,0.0014032252,0.015104814,0.004856302,0.0047723926,0.0018578972,0.0011141793],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007544475,0.000017269334,0.0009401903,0.00038264412,0.000007554334,0.0012932665,0.48881957,0.00016784,0.002751989,0.32810158,0.08738197,0.090060756],"study_design_scores_gemma":[0.000006344371,0.00001556576,0.0010699506,0.0005135183,0.00000656078,0.00041497554,0.07364578,0.00012534147,0.0011760511,0.009007427,0.9140057,0.000012768122],"about_ca_topic_score_codex":0.041682247,"about_ca_topic_score_gemma":0.06815692,"teacher_disagreement_score":0.041682247,"about_ca_system_score_codex":0.005090925,"about_ca_system_score_gemma":0.003133736,"threshold_uncertainty_score":0.082879245},"labels":[],"label_agreement":null},{"id":"W2015912698","doi":"10.1215/00029831-2079170","title":"<i>Requiem</i>’s Ruins: Unmaking and Making in Cold War Faulkner","year":2013,"lang":"en","type":"article","venue":"American Literature","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Cityscape; Politics; Militarization; Solidarity; Empire; History; Sociology; Political economy; Economic history; Political science; Law; Art; Visual arts","score_opus":0.011017280943260483,"score_gpt":0.2383501102677842,"score_spread":0.2273328293245237,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2015912698","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28403836,0.021247163,0.0047530276,0.13017924,0.006057912,0.000044140343,0.000077059834,0.0001733977,0.5534297],"genre_scores_gemma":[0.93805325,0.001400897,0.00053875026,0.005587462,0.00027334577,0.000014942251,0.000011943807,0.00013883914,0.053980574],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998387,0.0007842005,0.000032057374,0.00020016574,0.00019550596,0.00040106458],"domain_scores_gemma":[0.99906,0.0005069299,0.000095737654,0.00007817711,0.000110511086,0.00014861833],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00255917,0.0005607041,0.00031675503,0.0007899371,0.019793576,0.009107116,0.00071952894,0.0029309914,0.0038720092],"category_scores_gemma":[0.0037048126,0.0003127446,0.0002340981,0.0005628279,0.02585718,0.0059297597,0.0035735636,0.005318838,0.00050738547],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007092975,0.00002943518,0.0007465529,0.00006991891,0.0000066487005,0.00063285173,0.5676763,0.00023344856,0.0006347576,0.36407098,0.048566297,0.01726186],"study_design_scores_gemma":[0.000005341606,0.000020193298,0.0013889861,0.0002643881,0.0000065862478,0.00031329683,0.27862117,0.00013499553,0.0007730094,0.031818602,0.6866119,0.000041504907],"about_ca_topic_score_codex":0.043394975,"about_ca_topic_score_gemma":0.088969246,"teacher_disagreement_score":0.043394975,"about_ca_system_score_codex":0.00948548,"about_ca_system_score_gemma":0.002896628,"threshold_uncertainty_score":0.086284816},"labels":[],"label_agreement":null},{"id":"W2016137177","doi":"10.2752/175145108784861400","title":"Strange Bedfellows: Appropriations of the Vernacular by Photographic Artists","year":2008,"lang":"en","type":"article","venue":"Photography and Culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Amateur; Vernacular; Photography; Art; Visual arts; Originality; Art history; Literature; Law; Political science; Creativity","score_opus":0.015855544090106952,"score_gpt":0.18347605889342994,"score_spread":0.167620514803323,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2016137177","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54008526,0.0035563027,0.006303929,0.012258198,0.0015462303,0.000033663106,0.000057429403,0.00019472654,0.43596426],"genre_scores_gemma":[0.9805095,0.0003851787,0.0008101138,0.00060166215,0.0001475732,0.000007164381,0.000018499213,0.000113834176,0.017406376],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99575424,0.0030098865,0.00007613959,0.00032047468,0.00052206335,0.00031726135],"domain_scores_gemma":[0.99680305,0.0015507402,0.00035114572,0.0006485927,0.000333383,0.00031310698],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038543767,0.00043171298,0.0003506573,0.0013316302,0.010807126,0.010518237,0.00072755653,0.0010608955,0.0062740063],"category_scores_gemma":[0.0096663125,0.00031710797,0.00030176784,0.0011915682,0.017024118,0.0050513847,0.0063195094,0.0037518619,0.00047181683],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005050753,0.000012815273,0.001458594,0.000060124356,0.000006271755,0.00044952138,0.84444374,0.000028491533,0.0009968398,0.12764959,0.007480157,0.01736325],"study_design_scores_gemma":[0.000008907466,0.00004963095,0.0029155225,0.00022960766,0.000016972941,0.0009283347,0.6609889,0.00024362843,0.0009375432,0.013691055,0.31996027,0.000029604947],"about_ca_topic_score_codex":0.005234331,"about_ca_topic_score_gemma":0.015629543,"teacher_disagreement_score":0.010807126,"about_ca_system_score_codex":0.00225395,"about_ca_system_score_gemma":0.00082651514,"threshold_uncertainty_score":0.020988643},"labels":[],"label_agreement":null},{"id":"W2018569561","doi":"10.1353/utq.2007.0122","title":"Image and Imagination: Le mois de la photo à Montréal 2005 (review)","year":2007,"lang":"fr","type":"article","venue":"University of Toronto Quarterly","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Theme (computing); Enthusiasm; Representation (politics); Exhibition; Meaning (existential); Relation (database); Art; Visual arts; Art history; Philosophy; Epistemology; Politics; Computer science; Law; Theology","score_opus":0.005960020583816159,"score_gpt":0.21881372414700745,"score_spread":0.21285370356319128,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2018569561","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000058399506,0.98848933,0.00003150546,0.0048744963,0.002746547,0.0000074872505,0.00004066233,0.000011416475,0.0037401568],"genre_scores_gemma":[0.0016467315,0.9724005,0.00008445387,0.0057097585,0.002149387,0.000021873904,0.00012482844,0.000010431312,0.017852128],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995152,0.000073864685,0.000026366972,0.000056668705,0.00026158724,0.0000664477],"domain_scores_gemma":[0.9988362,0.00024618238,0.00013611712,0.000023881292,0.00051589566,0.0002417083],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00068237865,0.0011097493,0.0010680096,0.001591732,0.0009331133,0.0036504518,0.0015977983,0.0020483278,0.049706466],"category_scores_gemma":[0.0026482542,0.00055071944,0.0006134637,0.002927375,0.0014091576,0.002728996,0.0010418752,0.003160838,0.008386918],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036200337,0.000010078436,0.000119778764,0.006160875,0.00003221795,0.000083387,0.000104028484,0.000038819555,0.000106784675,0.0010543558,0.8473976,0.14485578],"study_design_scores_gemma":[0.000012289607,0.00001384694,0.0010465416,0.004515206,0.000029632574,0.0003219079,0.00015795411,0.0000102937065,0.00003991889,0.00013780789,0.9937032,0.0000114236445],"about_ca_topic_score_codex":0.082848094,"about_ca_topic_score_gemma":0.14829604,"teacher_disagreement_score":0.9171519,"about_ca_system_score_codex":0.0056135384,"about_ca_system_score_gemma":0.007900281,"threshold_uncertainty_score":0.16628468},"labels":[],"label_agreement":null},{"id":"W2020393365","doi":"10.4000/communication.3607","title":"Photographie, information et manipulation","year":2012,"lang":"fr","type":"article","venue":"Communication","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Ambivalence; Psychology","score_opus":0.05873498238389247,"score_gpt":0.2999002089975737,"score_spread":0.24116522661368123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2020393365","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018669754,0.052447073,0.005955099,0.03538267,0.0016534835,0.000063571686,0.0001643854,0.00009309946,0.8855709],"genre_scores_gemma":[0.7422262,0.042723488,0.0043727695,0.0072486685,0.0024502221,0.00016653915,0.00013141015,0.00018446075,0.20049626],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9944806,0.0031468552,0.0001831325,0.0005518312,0.0011945704,0.00044303428],"domain_scores_gemma":[0.99620557,0.002391462,0.00038497677,0.0005650458,0.00028090432,0.00017202957],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033610878,0.00051530177,0.00045333736,0.0021601315,0.005868342,0.012895459,0.0006786518,0.0028958707,0.016345065],"category_scores_gemma":[0.0077867964,0.0002727245,0.0002895352,0.0034654124,0.029804975,0.008705177,0.0053445664,0.003530546,0.0021085406],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038589467,0.000014494447,0.00031773507,0.00028454157,0.000006704143,0.0002529346,0.03691042,0.00008396246,0.00042313078,0.9121545,0.018891087,0.030621998],"study_design_scores_gemma":[0.000016186053,0.00004120561,0.0014384901,0.0008541588,0.000011259853,0.0007587333,0.019358339,0.00008342716,0.0006016674,0.112205096,0.8646064,0.000024965571],"about_ca_topic_score_codex":0.008972122,"about_ca_topic_score_gemma":0.007200568,"teacher_disagreement_score":0.016345065,"about_ca_system_score_codex":0.0059302086,"about_ca_system_score_gemma":0.003128674,"threshold_uncertainty_score":0.054679632},"labels":[],"label_agreement":null},{"id":"W2021848931","doi":"10.1353/hcy.0.0098","title":"Photographs of the Child in Canadian Pictorial from 1906 to 1916: A Reflection of the Ideas and Values of English Canadians about Themselves and \"Other\" Canadians","year":2010,"lang":"en","type":"article","venue":"Journal of the history of childhood and youth/˜The œjournal of the history of childhood and youth","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reflection (computer programming); Sociology; Art; Computer science","score_opus":0.011191076892453017,"score_gpt":0.1902902324668691,"score_spread":0.17909915557441608,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2021848931","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55373853,0.008100553,0.0006259447,0.014767859,0.00090321124,0.00008449134,0.0028996626,0.000063058484,0.4188166],"genre_scores_gemma":[0.9378587,0.004473185,0.0005062087,0.00095348473,0.00006950443,0.000019931631,0.00039037658,0.000060151764,0.055668358],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993887,0.00007674981,0.000009386305,0.00005062993,0.00016852406,0.00030587293],"domain_scores_gemma":[0.9991974,0.00009585992,0.000044681663,0.000020297173,0.00038267035,0.00025909],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000693983,0.0004852347,0.0002814533,0.0022822893,0.021309707,0.0030932245,0.0010172379,0.0009504981,0.013019001],"category_scores_gemma":[0.0014787384,0.00031237272,0.00027301328,0.0040641055,0.0053470153,0.0009520416,0.0021588402,0.0032784159,0.0006369065],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010531789,0.00003606395,0.009829077,0.00022088306,0.000019914922,0.0036764008,0.8807163,0.00016138573,0.0011376648,0.019640312,0.061183076,0.02327358],"study_design_scores_gemma":[0.000004794361,0.00001420651,0.047715332,0.00025806873,0.00002690038,0.000922617,0.5000893,0.000033322143,0.00033361654,0.00033876556,0.4502237,0.000039279486],"about_ca_topic_score_codex":0.9885718,"about_ca_topic_score_gemma":0.99814844,"teacher_disagreement_score":0.047761086,"about_ca_system_score_codex":0.047761086,"about_ca_system_score_gemma":0.030070392,"threshold_uncertainty_score":0.34653252},"labels":[],"label_agreement":null},{"id":"W2022223446","doi":"10.1162/grey_a_00142","title":"An Eternal Esthetics of Laborious Gestures","year":2014,"lang":"en","type":"article","venue":"Grey Room","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":20,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Film director; Art; The arts; Photography; Visual arts; State (computer science); Sculpture; History; Movie theater","score_opus":0.018460981343964906,"score_gpt":0.2527855291040064,"score_spread":0.23432454776004152,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2022223446","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03770506,0.027446719,0.0025991248,0.024374727,0.0065617156,0.000015150672,0.00009538543,0.000118765376,0.9010834],"genre_scores_gemma":[0.59062463,0.0065476415,0.0014787103,0.0031249088,0.0016095089,0.000025565763,0.000057027984,0.00022243537,0.39630958],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99888104,0.0004671044,0.000030598312,0.00012304407,0.00035216816,0.000145997],"domain_scores_gemma":[0.9995455,0.00013489017,0.00006113269,0.0000800687,0.00010507121,0.00007326246],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009955348,0.00053570216,0.00023022403,0.00072921766,0.006292773,0.0055190194,0.00045198938,0.0010642658,0.01397388],"category_scores_gemma":[0.0019996634,0.0001778528,0.00018682833,0.00065294845,0.010858543,0.0031351338,0.003366187,0.002625331,0.0018123465],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013166104,0.000027757242,0.0014997004,0.00019680861,0.000012979245,0.0010895147,0.12500985,0.00015144645,0.0016062852,0.45412156,0.29239964,0.12375273],"study_design_scores_gemma":[0.000003134495,0.000013230087,0.0014473165,0.00026612065,0.0000033923245,0.00057961966,0.021798044,0.000042738164,0.00023961539,0.006513863,0.96908164,0.000011356662],"about_ca_topic_score_codex":0.0057399916,"about_ca_topic_score_gemma":0.013748312,"teacher_disagreement_score":0.01397388,"about_ca_system_score_codex":0.002538456,"about_ca_system_score_gemma":0.0010085026,"threshold_uncertainty_score":0.046747327},"labels":[],"label_agreement":null},{"id":"W2022548534","doi":"","title":"Documents of disconnection","year":2001,"lang":"en","type":"article","venue":"Europe PMC (PubMed Central)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Disconnection; Photography; Computer science; World Wide Web; Computer graphics (images); Visual arts; Multimedia; Art; Law","score_opus":0.03000036031566039,"score_gpt":0.23656303475699716,"score_spread":0.20656267444133677,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2022548534","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023423152,0.022294242,0.0022884493,0.09945893,0.009380164,0.000072564304,0.0018053955,0.00039810015,0.8408791],"genre_scores_gemma":[0.30090576,0.013400027,0.001940385,0.03131886,0.0020748617,0.00014876178,0.0021738652,0.0011109832,0.6469265],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948014,0.0008939151,0.000246602,0.0006032235,0.0025104058,0.0009444633],"domain_scores_gemma":[0.9905117,0.0020790782,0.0007691038,0.0018926125,0.0031998858,0.0015474928],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0047077783,0.0005397908,0.00056416664,0.0039471798,0.01731656,0.015235832,0.002236383,0.0039347196,0.049480956],"category_scores_gemma":[0.02250868,0.00044943194,0.0003333064,0.005400798,0.018174931,0.011053656,0.0102036055,0.009067745,0.01089636],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000078782985,0.000017130427,0.0006418969,0.00017997595,0.000011362892,0.00093765283,0.046321865,0.00003920394,0.00035366186,0.50595105,0.39597693,0.0494905],"study_design_scores_gemma":[0.0000018495273,0.0000020847372,0.00025323234,0.00011115249,0.0000018596442,0.0002052634,0.006236455,0.000006069666,0.00007151375,0.0041854572,0.9889193,0.0000057544707],"about_ca_topic_score_codex":0.08199951,"about_ca_topic_score_gemma":0.104296714,"teacher_disagreement_score":0.08199951,"about_ca_system_score_codex":0.016292388,"about_ca_system_score_gemma":0.02017288,"threshold_uncertainty_score":0.16553032},"labels":[],"label_agreement":null},{"id":"W2023666272","doi":"10.7202/1005748ar","title":"Fototopografia: The “Futures Past” of Surveying","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Futures contract; Aerial photography; Visual arts; Geography; Remote sensing; Art; Business","score_opus":0.07472355350872559,"score_gpt":0.2983497072374326,"score_spread":0.223626153728707,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2023666272","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04460531,0.024351807,0.028629987,0.07576795,0.001139857,0.000050188206,0.00016017215,0.00010917438,0.8251856],"genre_scores_gemma":[0.91342807,0.011920063,0.010278108,0.003894322,0.0005145905,0.00007556208,0.000073752926,0.00014199555,0.059673484],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99791235,0.0012462196,0.000036107085,0.00035855372,0.00024489468,0.00020179403],"domain_scores_gemma":[0.99756706,0.0012550721,0.00013228804,0.00060428417,0.00027112773,0.00017018711],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0038724227,0.00036255465,0.00030621243,0.0018716895,0.0072013387,0.0059300098,0.00076277315,0.0018078835,0.012125674],"category_scores_gemma":[0.00593486,0.00024282573,0.00023581633,0.0020345547,0.034670044,0.010787203,0.003265181,0.0032811144,0.0009889497],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019056322,0.000010324002,0.0004390187,0.00005186872,0.0000025503107,0.00005751801,0.010571517,0.00016377745,0.000109405315,0.9517438,0.005236625,0.031594604],"study_design_scores_gemma":[0.000007130982,0.000036249876,0.0013922337,0.00034529183,0.0000041149556,0.00022244998,0.015485097,0.0004758565,0.00029074991,0.33320963,0.6485133,0.000017879735],"about_ca_topic_score_codex":0.018451504,"about_ca_topic_score_gemma":0.026030332,"teacher_disagreement_score":0.018451504,"about_ca_system_score_codex":0.0074595097,"about_ca_system_score_gemma":0.003420153,"threshold_uncertainty_score":0.054122746},"labels":[],"label_agreement":null},{"id":"W2025814367","doi":"10.7202/1027750ar","title":"The Art of War: Painted Photographs and Australia’s “War on Terror”","year":2014,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"University of Warwick","keywords":"Humanities; Art; Art history","score_opus":0.02473069853924635,"score_gpt":0.2341113729853421,"score_spread":0.20938067444609576,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2025814367","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24709173,0.0094225705,0.0033864558,0.03074735,0.002813501,0.00009979323,0.00035587614,0.00011365561,0.7059691],"genre_scores_gemma":[0.77136284,0.006234559,0.0026438455,0.0037896305,0.0005210886,0.000052168973,0.000114218965,0.0001924456,0.21508919],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99898666,0.00048672067,0.000021984788,0.00007147351,0.00029323003,0.00013991137],"domain_scores_gemma":[0.99927205,0.00032514904,0.000078735626,0.000096159536,0.000117995696,0.000109831046],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011395535,0.00036983247,0.00011389463,0.001309839,0.005750876,0.004644612,0.0005538917,0.0012151627,0.015692936],"category_scores_gemma":[0.0024733217,0.00032513068,0.00022322602,0.0010596268,0.004527817,0.002919848,0.002867348,0.002800449,0.0013463091],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012723463,0.00005864321,0.0035958407,0.00056282047,0.000017638844,0.002247771,0.6705025,0.0003888618,0.0038149443,0.09890493,0.13372011,0.08605875],"study_design_scores_gemma":[0.0000049629157,0.000031698582,0.01497348,0.00046447673,0.000011502977,0.0008115429,0.1338654,0.00019905227,0.0010231462,0.003052678,0.8455392,0.000022862618],"about_ca_topic_score_codex":0.043008424,"about_ca_topic_score_gemma":0.18130256,"teacher_disagreement_score":0.95699155,"about_ca_system_score_codex":0.0035104526,"about_ca_system_score_gemma":0.0018654474,"threshold_uncertainty_score":0.085516155},"labels":[],"label_agreement":null},{"id":"W2033191263","doi":"10.1503/cmaj.110934","title":"A visual story of inclusion","year":2011,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Inclusion (mineral); Visual arts; Intellectual disability; Optometry; Library science; Medicine; Art; Computer science; Sociology; Gender studies; Psychiatry","score_opus":0.021482104869829186,"score_gpt":0.2368562512818628,"score_spread":0.21537414641203362,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2033191263","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07271179,0.07909773,0.0016937613,0.31514972,0.009892547,0.00006326809,0.00043279995,0.0001657707,0.52079266],"genre_scores_gemma":[0.8154004,0.025761703,0.00090394536,0.024621284,0.0029347218,0.00011234488,0.00012464354,0.0002634422,0.12987737],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.997329,0.0017873142,0.000037708764,0.00012871092,0.0003803699,0.00033696977],"domain_scores_gemma":[0.9981286,0.0007744112,0.0001798486,0.00018337497,0.00023003183,0.0005036917],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019464068,0.00080885936,0.00044070435,0.0018020759,0.017726574,0.012163883,0.0010106836,0.0027602792,0.0071794847],"category_scores_gemma":[0.004441581,0.00035659905,0.00035456766,0.0018954192,0.02319042,0.010349562,0.00980501,0.006645755,0.00094268244],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060048056,0.000026502166,0.00047501628,0.00016480833,0.0000104665405,0.0010288984,0.57411385,0.000052719926,0.00027363142,0.109716065,0.29311696,0.02096113],"study_design_scores_gemma":[0.0000046774717,0.0000142082345,0.00092078844,0.0004024841,0.000005658192,0.0007983456,0.28901497,0.000019285475,0.00011221543,0.0074396036,0.70125467,0.000013117505],"about_ca_topic_score_codex":0.046680365,"about_ca_topic_score_gemma":0.09206926,"teacher_disagreement_score":0.046680365,"about_ca_system_score_codex":0.006377636,"about_ca_system_score_gemma":0.0037013136,"threshold_uncertainty_score":0.09281731},"labels":[],"label_agreement":null},{"id":"W2036916727","doi":"10.1632/pmla.2010.125.1.177","title":"The Politics of a Good Picture: Race, Class, and Form in Jeff Wall's<i>Mimic</i>","year":2010,"lang":"en","type":"article","venue":"PMLA/Publications of the Modern Language Association of America","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nothing; Subject (documents); Politics; Racism; Subject matter; Aesthetics; Sociology; Philosophy; Epistemology; Gender studies; Law; Political science; Computer science","score_opus":0.007386077386108359,"score_gpt":0.2369281942361578,"score_spread":0.22954211685004944,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2036916727","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.056853995,0.0080799265,0.0026582207,0.21274382,0.0016337379,0.00003790938,0.00017492165,0.00011151309,0.717706],"genre_scores_gemma":[0.8093929,0.0029716154,0.0022037223,0.029296126,0.00046516076,0.000068550784,0.000081441554,0.00029992822,0.1552205],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99789065,0.0011549295,0.00003453679,0.0001740868,0.00047524335,0.00027059487],"domain_scores_gemma":[0.9989832,0.0003412871,0.000077928154,0.00006451198,0.00020916201,0.00032402133],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016626004,0.00035633566,0.00025231202,0.0010659696,0.019813208,0.0104143815,0.0006765924,0.0031600224,0.0076016164],"category_scores_gemma":[0.0037357234,0.0004057422,0.00018469633,0.0010002409,0.018217666,0.005342012,0.0040628514,0.0038699256,0.0009900182],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025769481,0.000012448384,0.0014272375,0.000043564556,0.000004314282,0.00035929453,0.12614375,0.00005598614,0.00035233004,0.4669982,0.38648808,0.018089019],"study_design_scores_gemma":[0.000005470801,0.00000921085,0.0031715867,0.00017321866,0.000005452675,0.00026879058,0.09262881,0.0000860387,0.000288291,0.018479275,0.88484955,0.00003432231],"about_ca_topic_score_codex":0.341674,"about_ca_topic_score_gemma":0.59786946,"teacher_disagreement_score":0.341674,"about_ca_system_score_codex":0.013317326,"about_ca_system_score_gemma":0.0052245623,"threshold_uncertainty_score":0.67937046},"labels":[],"label_agreement":null},{"id":"W2038916974","doi":"10.7202/1011531ar","title":"Guerres culturelles et musées d’art aux États-Unis : le cas de Hide/Seek: Difference and Desire in American Portraiture","year":2012,"lang":"fr","type":"article","venue":"Muséologies Les cahiers d études supérieures","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.042455090540851115,"score_gpt":0.2931219078088419,"score_spread":0.2506668172679908,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2038916974","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66956276,0.0038032378,0.0018885973,0.008270227,0.00022066012,0.000018622488,0.00003353608,0.000034726578,0.31616768],"genre_scores_gemma":[0.9857583,0.0005859518,0.0003873658,0.00036676737,0.00003659964,0.000015076287,0.000011448453,0.00002649794,0.012812016],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99897504,0.00054180133,0.000020340805,0.000100082,0.00017162057,0.00019109665],"domain_scores_gemma":[0.9993156,0.0003551302,0.00007533343,0.000091929294,0.000063071,0.00009906615],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016389482,0.00035823457,0.0002586389,0.0011961528,0.013492176,0.0059618233,0.00040922518,0.0012553995,0.004318006],"category_scores_gemma":[0.0016249198,0.0002478855,0.00019494265,0.001227808,0.017165225,0.004376025,0.0047482476,0.003300577,0.0002472878],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040075298,0.00001241005,0.0019468621,0.000036590485,0.0000047427507,0.00023997096,0.8750506,0.000037231268,0.0009733814,0.11057545,0.002674329,0.008408299],"study_design_scores_gemma":[0.000008409546,0.000033136195,0.013529873,0.00014461004,0.000016018057,0.00056801864,0.7127368,0.00016617992,0.0008205626,0.013325252,0.25862533,0.000025954461],"about_ca_topic_score_codex":0.024067009,"about_ca_topic_score_gemma":0.08632103,"teacher_disagreement_score":0.024067009,"about_ca_system_score_codex":0.003477854,"about_ca_system_score_gemma":0.0011377264,"threshold_uncertainty_score":0.047853887},"labels":[],"label_agreement":null},{"id":"W2038954999","doi":"10.1080/01434632.2012.720405","title":"Signs of the times: the visual politics of Jim Crow","year":2012,"lang":"en","type":"article","venue":"Journal of Multilingual and Multicultural Development","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Francis Xavier University","funders":"","keywords":"Politics; Political science; Sociology; History; Ethnology; Law","score_opus":0.03558367785303949,"score_gpt":0.2814637577505723,"score_spread":0.24588007989753283,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2038954999","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024603121,0.19406606,0.00061087136,0.2634831,0.00825736,0.000018268714,0.000054349694,0.000074900716,0.5088319],"genre_scores_gemma":[0.5709608,0.079063594,0.0007330004,0.030341033,0.004404366,0.000035589557,0.00004224636,0.00015385331,0.3142655],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99939084,0.00031877335,0.00000795444,0.00004723719,0.00011609188,0.000119148826],"domain_scores_gemma":[0.9993843,0.00026273422,0.000049267208,0.000031606814,0.000090877795,0.0001811647],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001017724,0.0003468764,0.00022073028,0.0006802181,0.008057669,0.011491883,0.00038621435,0.0020800072,0.01202133],"category_scores_gemma":[0.0023264948,0.000224117,0.0001089503,0.0008852147,0.0068347086,0.007834762,0.0032137,0.003472375,0.0013183082],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007353222,0.000051501065,0.0007470339,0.00019597373,0.00000796411,0.00044216253,0.06831717,0.00004667364,0.0004568091,0.23257577,0.60813105,0.088954374],"study_design_scores_gemma":[0.0000069484095,0.000013498506,0.0018208445,0.00038081064,0.000005396131,0.00019623933,0.06070188,0.00003152392,0.00015382846,0.0141921295,0.92248386,0.000012943905],"about_ca_topic_score_codex":0.023731796,"about_ca_topic_score_gemma":0.07081195,"teacher_disagreement_score":0.023731796,"about_ca_system_score_codex":0.0026202134,"about_ca_system_score_gemma":0.0018766125,"threshold_uncertainty_score":0.04718733},"labels":[],"label_agreement":null},{"id":"W2040332673","doi":"10.1080/10371390903029135","title":"‘Becoming a Raven’: Self-Representation, Narration, and Metaphor in Fukase Masahisa's ‘Karasu’ Photographs","year":2009,"lang":"en","type":"article","venue":"Japanese Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"Narrative; Representation (politics); Metaphor; Relation (database); Photography; Poetry; Literature; Art; Aesthetics; Psychology; Psychoanalysis; Philosophy; Visual arts; Computer science","score_opus":0.06949348075329577,"score_gpt":0.3282214715100411,"score_spread":0.25872799075674535,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2040332673","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93916726,0.003294926,0.0017098757,0.0034711692,0.00017026518,0.000023315197,0.000027073198,0.00003238699,0.052103724],"genre_scores_gemma":[0.99679,0.00039427524,0.000251366,0.00011315345,0.000022461685,0.000006590392,0.000005724783,0.000010289379,0.0024060877],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99880576,0.00084655604,0.000031303833,0.00008742315,0.000088818575,0.00014006504],"domain_scores_gemma":[0.99893135,0.0006342454,0.00015973457,0.00009157585,0.00007881311,0.00010424335],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018205824,0.000551667,0.00032628395,0.0009011041,0.0073488383,0.0041606375,0.0006789953,0.0013226704,0.0016554239],"category_scores_gemma":[0.0030008857,0.00029564014,0.00022077154,0.0007825725,0.016672065,0.004548525,0.0033313723,0.0018407177,0.00017544639],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020238096,0.0000045560414,0.00041918855,0.000029931796,0.000001849013,0.0005031344,0.9890442,0.000014612432,0.0008707568,0.007746802,0.0003024622,0.001042238],"study_design_scores_gemma":[0.0000043155405,0.000040009276,0.003230524,0.00007444525,0.000009564133,0.0008452328,0.9661904,0.000076049335,0.00055840705,0.0016429361,0.027309926,0.000018094994],"about_ca_topic_score_codex":0.008154737,"about_ca_topic_score_gemma":0.013394645,"teacher_disagreement_score":0.008154737,"about_ca_system_score_codex":0.0020608697,"about_ca_system_score_gemma":0.0007919363,"threshold_uncertainty_score":0.01621455},"labels":[],"label_agreement":null},{"id":"W2040519023","doi":"10.7202/1027747ar","title":"War, Lies, and the News Photo: Second World War Photographic Propaganda in PM’s Weekly (1940–1941)","year":2014,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Humanities; Art","score_opus":0.013315602369310633,"score_gpt":0.20149122809323022,"score_spread":0.1881756257239196,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2040519023","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31929594,0.019432036,0.0013387704,0.060669657,0.008704474,0.00009257933,0.00093470066,0.00018444953,0.58934736],"genre_scores_gemma":[0.77472925,0.006221844,0.0004642779,0.0023453413,0.002217974,0.00007277552,0.00019770932,0.00018429714,0.21356647],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99941015,0.00023168756,0.000015809206,0.0000741228,0.00013545467,0.0001327989],"domain_scores_gemma":[0.99872905,0.000742832,0.00014973861,0.000105966734,0.00009446247,0.00017791265],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011069978,0.00027092616,0.00011300258,0.0017452677,0.0066626016,0.004606285,0.0003337589,0.0010954625,0.017618611],"category_scores_gemma":[0.0034513266,0.00028409346,0.000118338,0.001969866,0.004314684,0.003158944,0.002675457,0.0026284545,0.0016530472],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022116903,0.000049692564,0.006723814,0.00051116606,0.000014924724,0.0023196596,0.4748672,0.000114264396,0.0021292563,0.15936755,0.26180723,0.091874],"study_design_scores_gemma":[0.0000061091987,0.000019777464,0.010886895,0.00017910844,0.000003405006,0.00022963942,0.037330583,0.000017512524,0.00064502994,0.0008271219,0.94984466,0.00001021478],"about_ca_topic_score_codex":0.013777367,"about_ca_topic_score_gemma":0.03908636,"teacher_disagreement_score":0.9862226,"about_ca_system_score_codex":0.0031036674,"about_ca_system_score_gemma":0.0013001584,"threshold_uncertainty_score":0.058940172},"labels":[],"label_agreement":null},{"id":"W2040741614","doi":"10.1111/j.1540-6245.2011.01494.x","title":"Transparent Representation: Photography and the Art of Casting","year":2012,"lang":"en","type":"article","venue":"Journal of Aesthetics and Art Criticism","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Lethbridge","funders":"","keywords":"Photography; Representation (politics); Art; Casting; Visual arts; Computer graphics (images); Art history; Computer science","score_opus":0.057574424388389965,"score_gpt":0.2901398810742862,"score_spread":0.2325654566858962,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2040741614","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08860625,0.011636147,0.031628262,0.037351724,0.0019805478,0.00006147528,0.00007986385,0.00013227698,0.82852346],"genre_scores_gemma":[0.94483703,0.002062074,0.004211704,0.0013998939,0.0006907052,0.000024053126,0.0000193744,0.00018147191,0.046573743],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99764156,0.0015244187,0.000051284336,0.00012784387,0.00046285277,0.00019206031],"domain_scores_gemma":[0.9959799,0.0024798198,0.00026261798,0.00085699005,0.000295771,0.00012488215],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002960093,0.00048201345,0.00028417824,0.0015470012,0.0045867804,0.010410912,0.0008449129,0.0027616576,0.00954527],"category_scores_gemma":[0.012087288,0.0003730317,0.0004083811,0.001088203,0.021402357,0.0054177474,0.0039347643,0.0039881263,0.0005943343],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000859364,0.000027979133,0.0002621811,0.000089667374,0.000007900823,0.00025483564,0.03873692,0.00049455883,0.0010837282,0.92238885,0.010419137,0.026148401],"study_design_scores_gemma":[0.000081049824,0.00009628871,0.0030449014,0.00088186073,0.00005325368,0.0011361316,0.04717916,0.0025968417,0.0032272986,0.4711743,0.47045147,0.00007740624],"about_ca_topic_score_codex":0.004465835,"about_ca_topic_score_gemma":0.006482693,"teacher_disagreement_score":0.010410912,"about_ca_system_score_codex":0.0022019446,"about_ca_system_score_gemma":0.0015719502,"threshold_uncertainty_score":0.031932116},"labels":[],"label_agreement":null},{"id":"W2040848454","doi":"10.1177/1474474007082294","title":"`The photographer of modern life': Jeff Wall's photographic materialism","year":2007,"lang":"en","type":"article","venue":"Cultural Geographies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Representation (politics); Aesthetics; Inscribed figure; Materialism; Everyday life; Sociology; Visual arts; Referent; Photography; Politics; Art; Epistemology; Philosophy; Law","score_opus":0.027453898127233617,"score_gpt":0.2552313543321803,"score_spread":0.2277774562049467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2040848454","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07186881,0.02263733,0.006881252,0.12657899,0.001880765,0.000032318716,0.00009158169,0.00010629955,0.76992255],"genre_scores_gemma":[0.90503526,0.007726741,0.0029895452,0.0068466202,0.00076146715,0.000036815614,0.000035962574,0.00012904007,0.07643855],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99816895,0.0009126582,0.000029577484,0.00020080815,0.00040686518,0.00028115188],"domain_scores_gemma":[0.99895716,0.0004915941,0.00007387451,0.00012208955,0.00016885839,0.00018643263],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022578237,0.00047004188,0.0002536947,0.0020550808,0.014652636,0.0109555,0.001132378,0.00267248,0.005080866],"category_scores_gemma":[0.0028902765,0.00028737116,0.00020584621,0.0015487086,0.05197425,0.0060289283,0.004210801,0.0035513618,0.0004964808],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011970473,0.0000072707962,0.00015254189,0.000041480587,0.0000019234596,0.00015779272,0.053374995,0.00005111731,0.00013466975,0.923174,0.015424629,0.007467571],"study_design_scores_gemma":[0.000010431652,0.000014269343,0.000985175,0.0003143928,0.000008509513,0.00033031817,0.04467445,0.0001647789,0.00046459085,0.11500043,0.838002,0.00003065884],"about_ca_topic_score_codex":0.16047226,"about_ca_topic_score_gemma":0.22204106,"teacher_disagreement_score":0.16047226,"about_ca_system_score_codex":0.018237168,"about_ca_system_score_gemma":0.0063293413,"threshold_uncertainty_score":0.31907642},"labels":[],"label_agreement":null},{"id":"W2044403131","doi":"10.3109/01421590903585267","title":"The AMEE Fringe, the antidote for PowerPoint poisoning","year":2010,"lang":"en","type":"article","venue":"Medical Teacher","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"NOSM University","funders":"","keywords":"Event (particle physics); History","score_opus":0.021594999130617624,"score_gpt":0.283516584593923,"score_spread":0.26192158546330535,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2044403131","genre_codex":"review","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17826222,0.32672638,0.012585489,0.17753649,0.026528917,0.00034959323,0.00058741536,0.0016489617,0.27577457],"genre_scores_gemma":[0.615158,0.10672347,0.0073622093,0.03207644,0.0048774807,0.00010994145,0.00020229237,0.00024168767,0.23324846],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99974936,0.0000656667,0.000009626636,0.000030113968,0.00010900489,0.000036139038],"domain_scores_gemma":[0.9997491,0.00006651335,0.000038525308,0.000023729659,0.00006472185,0.00005741524],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006465122,0.00023380344,0.00018568693,0.00045142527,0.0011281257,0.0009677836,0.00029455274,0.0014913013,0.008358078],"category_scores_gemma":[0.0015351387,0.000095844145,0.00023003534,0.00017423688,0.0008027331,0.000886314,0.0007214517,0.001625364,0.0017409216],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015440654,0.00029974364,0.0030131468,0.00128457,0.00006543261,0.002886528,0.0017380429,0.0001265303,0.05388326,0.03050853,0.33045468,0.57419544],"study_design_scores_gemma":[0.00010484401,0.0011543058,0.002414779,0.00021547644,0.000023847551,0.0038373303,0.00036547246,0.00006223459,0.011258112,0.0027915493,0.9777544,0.000017425491],"about_ca_topic_score_codex":0.0019552193,"about_ca_topic_score_gemma":0.0039555407,"teacher_disagreement_score":0.008358078,"about_ca_system_score_codex":0.0004230548,"about_ca_system_score_gemma":0.0005260868,"threshold_uncertainty_score":0.027960598},"labels":[],"label_agreement":null},{"id":"W2044701420","doi":"10.1353/vcr.2009.0057","title":"The Mass Image: A Social History of Photomechanical Reproduction in Victorian London , and: The Haunted Gallery: Painting, Photography, Film c. 1900 (review)","year":2009,"lang":"en","type":"article","venue":"Victorian review","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Painting; Photography; Visual arts; Art history; Comics; Literature","score_opus":0.017120896164335053,"score_gpt":0.2530504317065314,"score_spread":0.23592953554219637,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2044701420","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001943779,0.99428624,0.000018245464,0.0017510537,0.00024721486,0.0000036747297,0.000018152368,0.0000019186887,0.0034790812],"genre_scores_gemma":[0.006036629,0.9869624,0.000064801476,0.0011896043,0.00039039727,0.000017758552,0.000047254453,0.000009512223,0.0052815913],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99866486,0.00036367998,0.00014308539,0.00018916998,0.0004965846,0.00014269757],"domain_scores_gemma":[0.99817395,0.0006104475,0.00038748677,0.00009064429,0.0005392483,0.00019822337],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013782976,0.0005336956,0.0008730082,0.0034485974,0.0011352726,0.0044677607,0.0011961408,0.0019999032,0.012393837],"category_scores_gemma":[0.004030188,0.0006011798,0.00039678335,0.008501064,0.0043820185,0.004607107,0.0016475313,0.0025787067,0.002524895],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000068362046,0.000032474647,0.0007282159,0.022897413,0.0000933415,0.00043621322,0.008578058,0.00010736802,0.00031267753,0.01500926,0.310422,0.6413146],"study_design_scores_gemma":[0.000004491316,0.000018595898,0.004648731,0.005988661,0.000022804346,0.0006216538,0.0025612551,0.000008192843,0.00006751378,0.00042663977,0.9856098,0.000021613341],"about_ca_topic_score_codex":0.11012713,"about_ca_topic_score_gemma":0.1733086,"teacher_disagreement_score":0.11012713,"about_ca_system_score_codex":0.010271379,"about_ca_system_score_gemma":0.008450336,"threshold_uncertainty_score":0.2189722},"labels":[],"label_agreement":null},{"id":"W2044972869","doi":"10.1111/j.1541-0064.2012.00421.x","title":"Doing family photography: The domestic, the public, and the politics of sentiment by Gillian Rose and Ashgate Farnham","year":2012,"lang":"en","type":"article","venue":"Canadian Geographies / Géographies canadiennes","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":22,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Geographer; Politics; Photography; Citation; Rose (mathematics); Art history; Sociology; Media studies; Art; Political science; Cartography; Law; Visual arts; Geography; Mathematics","score_opus":0.011543714727611407,"score_gpt":0.2087271132635884,"score_spread":0.197183398535977,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2044972869","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0062197223,0.102196984,0.00021810655,0.80656135,0.0053511895,0.000016219057,0.00010033298,0.00002498834,0.07931118],"genre_scores_gemma":[0.30149475,0.20228302,0.00079721515,0.17652613,0.011031644,0.0001403189,0.000104772575,0.00035589177,0.30726627],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9968238,0.0017972684,0.000059395017,0.00024798245,0.0006443552,0.00042729883],"domain_scores_gemma":[0.9898998,0.006499773,0.0003594107,0.00024523484,0.0014078855,0.0015878214],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0051959967,0.00056705833,0.000557449,0.0016738136,0.016951235,0.01107569,0.0011139727,0.0050719674,0.019746393],"category_scores_gemma":[0.011068287,0.00063107983,0.00026723224,0.0026080767,0.010425971,0.011161863,0.003504371,0.007151014,0.0022464755],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029395453,0.000032568598,0.000986779,0.00014687625,0.000008733644,0.00012598421,0.044676423,0.00003214732,0.00012579118,0.043389637,0.8825752,0.027870432],"study_design_scores_gemma":[0.000006622685,0.000007877777,0.0023470134,0.0005740822,0.00000741007,0.00008931625,0.111436315,0.000026445858,0.00006663824,0.0052660876,0.8801478,0.000024405412],"about_ca_topic_score_codex":0.2249167,"about_ca_topic_score_gemma":0.45884886,"teacher_disagreement_score":0.2249167,"about_ca_system_score_codex":0.009393916,"about_ca_system_score_gemma":0.010389819,"threshold_uncertainty_score":0.44721508},"labels":[],"label_agreement":null},{"id":"W2047011318","doi":"10.7202/1005481ar","title":"L’amour, en ruines : notes sur quelques photogrammes du film de Bill Morrison Light is Calling","year":2004,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Humanities; Geology","score_opus":0.03522002146461575,"score_gpt":0.2921570149171472,"score_spread":0.2569369934525314,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2047011318","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03456323,0.045591176,0.009857819,0.39256164,0.010356874,0.00008589319,0.00034878994,0.00033609883,0.5062985],"genre_scores_gemma":[0.33125857,0.022514837,0.004091246,0.041987978,0.004181798,0.00013295974,0.00009447176,0.0011898004,0.5945484],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991278,0.00044760457,0.000018080333,0.00011991201,0.00017736251,0.00010928186],"domain_scores_gemma":[0.9981797,0.0013059889,0.00009948816,0.00008399504,0.0002211662,0.00010970156],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001271083,0.00050648773,0.00017430718,0.0012638043,0.009790978,0.0072901095,0.000969933,0.0035371971,0.013354922],"category_scores_gemma":[0.0063337516,0.00036759727,0.00020337073,0.0013288916,0.009655911,0.0065987054,0.0021712065,0.0055408245,0.0014872036],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057971083,0.000015022128,0.00049428,0.00017189604,0.000007147787,0.00066682394,0.17779157,0.000084368265,0.0012798106,0.27988398,0.49959913,0.03994806],"study_design_scores_gemma":[0.0000020835844,0.0000044862127,0.0006303222,0.00015691061,0.0000034390848,0.000112327434,0.036069654,0.000034784014,0.00040080122,0.0072991266,0.9552738,0.000012289554],"about_ca_topic_score_codex":0.09513725,"about_ca_topic_score_gemma":0.22106019,"teacher_disagreement_score":0.09513725,"about_ca_system_score_codex":0.003364119,"about_ca_system_score_gemma":0.0012926062,"threshold_uncertainty_score":0.18916696},"labels":[],"label_agreement":null},{"id":"W2048180886","doi":"10.1111/j.1552-6356.2003.tb00555.x","title":"“Lights! Camera! Expert!”","year":2003,"lang":"en","type":"article","venue":"AWHONN Lifelines","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Computer vision; Artificial intelligence; Computer science; Medicine; Computer graphics (images)","score_opus":0.04969352341364073,"score_gpt":0.2738243816759275,"score_spread":0.22413085826228676,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2048180886","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021305922,0.00034014494,0.002171088,0.004537072,0.0031074411,0.00008485315,0.0007319328,0.003959938,0.9829369],"genre_scores_gemma":[0.00838966,0.00027176458,0.0016927291,0.002147585,0.0006196134,0.00002898424,0.0005564,0.0011591767,0.985134],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99977,0.000052005216,0.000007831116,0.00003687796,0.00007677558,0.000056548815],"domain_scores_gemma":[0.99941504,0.00007907032,0.000021892844,0.000082661194,0.00020044754,0.00020098599],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043381113,0.00059671456,0.00019019321,0.0008428973,0.0026661556,0.0031657445,0.00047981789,0.0013171491,0.60250473],"category_scores_gemma":[0.0012683505,0.00036219897,0.00028178224,0.00047492966,0.00041296362,0.0023366194,0.0019201465,0.0012520828,0.2752592],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024990324,0.000010336861,0.00012018577,0.000025221058,7.341829e-7,0.000050605962,0.0001886823,0.0000075855205,0.000398274,0.0013875586,0.9588913,0.03889457],"study_design_scores_gemma":[0.000003822732,0.0000058133046,0.0004058027,0.000019023462,0.0000012340537,0.00007627142,0.0002757555,0.00004780428,0.0003083018,0.00027062287,0.9985814,0.0000042545807],"about_ca_topic_score_codex":0.0055663846,"about_ca_topic_score_gemma":0.019053305,"teacher_disagreement_score":0.60250473,"about_ca_system_score_codex":0.0005699033,"about_ca_system_score_gemma":0.0004477706,"threshold_uncertainty_score":0.56697875},"labels":[],"label_agreement":null},{"id":"W2049774472","doi":"10.2752/175145109x12532077132239","title":"Archive and Affect in Contemporary Photography","year":2009,"lang":"en","type":"article","venue":"Photography and Culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Affect (linguistics); Ephemera; Photography; Visual arts; Negotiation; Aesthetics; Cultural memory; Transactive memory; Affect theory; Art; Sociology; Anthropology; Psychology; Social science; Social psychology; Cognitive psychology; Communication","score_opus":0.03437049249253967,"score_gpt":0.2591019972617527,"score_spread":0.22473150476921303,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2049774472","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5069225,0.008233386,0.0029121407,0.0051869433,0.0003907624,0.000027219126,0.000027348966,0.00005983216,0.4762399],"genre_scores_gemma":[0.98994035,0.0010216765,0.00033210346,0.00030549354,0.00014070395,0.000011600286,0.0000057899933,0.000023013625,0.008219343],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980869,0.0012173055,0.00003989631,0.00012843926,0.00037075218,0.00015679872],"domain_scores_gemma":[0.99886155,0.00063639286,0.00021086588,0.00009225341,0.000094540264,0.000104432685],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015305694,0.00024298136,0.00018596918,0.0014511151,0.0057739005,0.005740724,0.00041069582,0.0010039642,0.0031820557],"category_scores_gemma":[0.0033833557,0.00016789399,0.00014880583,0.0011807234,0.013139585,0.0028270036,0.0036573277,0.0012942842,0.0001889489],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009373477,0.00005365402,0.0054981,0.00015163218,0.00001678709,0.00079128897,0.80575436,0.00016197693,0.002208474,0.14651783,0.0044228663,0.03432931],"study_design_scores_gemma":[0.000031611715,0.00013158089,0.041845664,0.00035221066,0.000045515397,0.0019441324,0.57978845,0.00022582838,0.001596268,0.03353061,0.34045383,0.000054336786],"about_ca_topic_score_codex":0.0034810384,"about_ca_topic_score_gemma":0.004972172,"teacher_disagreement_score":0.0057739005,"about_ca_system_score_codex":0.0025652545,"about_ca_system_score_gemma":0.0005307167,"threshold_uncertainty_score":0.018612266},"labels":[],"label_agreement":null},{"id":"W2051438516","doi":"10.1177/1206331211412245","title":"An Urban Physiognomy of the 1964 Kitty Genovese Murder","year":2011,"lang":"en","type":"article","venue":"Space and Culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"University of Sydney","keywords":"Physiognomy; Portrait; Photography; History; Criminology; Sociology; Art; Law; Visual arts; Political science; Anthropology","score_opus":0.03148149772391591,"score_gpt":0.22157949693553272,"score_spread":0.1900979992116168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2051438516","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8737608,0.0020631817,0.0011854027,0.0043981792,0.00017352296,0.000019747771,0.00006534,0.000037036043,0.11829679],"genre_scores_gemma":[0.9915691,0.0007626325,0.00024815893,0.00013800879,0.00004412166,0.000005489461,0.000018767341,0.000018552146,0.007195246],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99927133,0.00041738947,0.000015385822,0.00007490093,0.00010387011,0.00011709287],"domain_scores_gemma":[0.99949515,0.0002071922,0.00013908754,0.00007713885,0.000035929046,0.00004545488],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045890725,0.0003255252,0.00015849243,0.0015075972,0.008236277,0.0035644644,0.0004617269,0.00090375065,0.0051264567],"category_scores_gemma":[0.0016017801,0.0003194447,0.00012295834,0.0010388087,0.017455572,0.0024164324,0.0044678203,0.0015084903,0.00027599497],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005554456,0.000019751475,0.005826713,0.00008475642,0.000009619464,0.0032254544,0.89599395,0.00021513972,0.0010516794,0.077435054,0.004500786,0.011581605],"study_design_scores_gemma":[0.00000558035,0.00003915738,0.01327471,0.00015844834,0.000011409204,0.0024782051,0.8327503,0.00012321342,0.0007850208,0.0033489238,0.14700685,0.000018086008],"about_ca_topic_score_codex":0.018013623,"about_ca_topic_score_gemma":0.058965452,"teacher_disagreement_score":0.018013623,"about_ca_system_score_codex":0.0020893558,"about_ca_system_score_gemma":0.00077585847,"threshold_uncertainty_score":0.035817564},"labels":[],"label_agreement":null},{"id":"W2055559249","doi":"10.7202/1025787ar","title":"Cameras in the Countryside: Recreational Photography in Rural Ontario, 1851-1920","year":2014,"lang":"en","type":"article","venue":"Scientia Canadensis Canadian Journal of the History of Science Technology and Medicine","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Guelph","funders":"","keywords":"Photography; Appropriation; Recreation; Rural area; Diversification (marketing strategy); Photo-essay; Sociology; Visual arts; Business; Marketing; Political science; Art; Law","score_opus":0.01622498321305337,"score_gpt":0.21496890288904466,"score_spread":0.19874391967599128,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2055559249","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6863701,0.010550402,0.0008940583,0.00581794,0.00021340199,0.00017521823,0.0023218899,0.00005788077,0.2935991],"genre_scores_gemma":[0.88825244,0.0055445875,0.0006954384,0.00025494338,0.000032843243,0.000029305758,0.00030961123,0.00003381243,0.10484695],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99965,0.000033554305,0.000010719048,0.00006394037,0.00010814214,0.00013372379],"domain_scores_gemma":[0.9994723,0.00008819285,0.00006363073,0.000030408486,0.00020659163,0.00013888239],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00028959263,0.00022165634,0.00015774416,0.0012127588,0.00866417,0.0019351855,0.00043950428,0.0004292981,0.009654903],"category_scores_gemma":[0.00085192506,0.00036758813,0.00014872286,0.0029392138,0.0038812729,0.000867766,0.0012270287,0.0008761829,0.0004979088],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039740474,0.00008742513,0.098572336,0.0011431212,0.000044500914,0.006880133,0.5982677,0.00043794827,0.008430757,0.043476913,0.051238026,0.1910238],"study_design_scores_gemma":[0.000010669332,0.000050755698,0.3256759,0.00024456234,0.000021113075,0.0008943493,0.079978615,0.00011727456,0.0006771759,0.0006042195,0.5916788,0.000046582],"about_ca_topic_score_codex":0.9815772,"about_ca_topic_score_gemma":0.9975414,"teacher_disagreement_score":0.9913358,"about_ca_system_score_codex":0.04011893,"about_ca_system_score_gemma":0.025759237,"threshold_uncertainty_score":0.2910846},"labels":[],"label_agreement":null},{"id":"W2055796288","doi":"10.1007/978-1-137-07182-8_5","title":"Rationalizing Consumption: Lejaren à Hiller and the Origins of American Advertising Photography, 1913–1924","year":2006,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan US eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Consumption (sociology); Middle class; Rationalization (economics); Advertising; Situational ethics; Marketing; Political science; Sociology; Business; Social science; Law","score_opus":0.027273149729713165,"score_gpt":0.24547367221414562,"score_spread":0.21820052248443245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2055796288","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06073056,0.03394215,0.0021705315,0.0765963,0.00037693838,0.000023677236,0.00004426452,0.000028743545,0.82608676],"genre_scores_gemma":[0.82694453,0.012655731,0.0017485331,0.005405706,0.00031755783,0.000029679255,0.000019172605,0.00005991373,0.15281916],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99899954,0.0005392063,0.00002294788,0.00016345218,0.0001692157,0.00010563578],"domain_scores_gemma":[0.9990429,0.00064599817,0.00007632901,0.000081368285,0.000113738795,0.000039574734],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021789717,0.0002704882,0.00019113948,0.00071546965,0.0039276523,0.0056321337,0.00052634487,0.002119717,0.004283019],"category_scores_gemma":[0.0027359452,0.00044341097,0.00015221507,0.0008831889,0.018428268,0.006003095,0.0015725513,0.0029009418,0.00050279446],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014412872,0.0000174142,0.0003181241,0.000017154996,0.0000024210274,0.00008514644,0.037697397,0.00008835921,0.00006804508,0.9403289,0.013497446,0.007865198],"study_design_scores_gemma":[0.000019354591,0.000017014538,0.0025603098,0.00025972544,0.000012179706,0.00018315691,0.026531238,0.00042296795,0.0003756878,0.2306619,0.73892015,0.00003635744],"about_ca_topic_score_codex":0.0506257,"about_ca_topic_score_gemma":0.05079931,"teacher_disagreement_score":0.0506257,"about_ca_system_score_codex":0.009382905,"about_ca_system_score_gemma":0.0026107063,"threshold_uncertainty_score":0.10066205},"labels":[],"label_agreement":null},{"id":"W2057083559","doi":"10.7202/1027746ar","title":"Double Exposure: Photography and the Great War Paintings of Frank Johnston, Arthur Lismer, and Frederick Varley","year":2014,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Painting; Humanities; Art history","score_opus":0.010351643976717548,"score_gpt":0.18746923170486016,"score_spread":0.17711758772814262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2057083559","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20107964,0.04263073,0.0042227185,0.0351654,0.0036145232,0.00007924908,0.00023390145,0.00009885572,0.71287507],"genre_scores_gemma":[0.7644459,0.012296846,0.002992839,0.0036648684,0.00090175704,0.0000490992,0.00008113677,0.00018412173,0.21538356],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990716,0.000412015,0.000018370925,0.00014492426,0.0002245451,0.00012858058],"domain_scores_gemma":[0.9991191,0.00049495476,0.00008222745,0.0001278696,0.00008868061,0.00008712259],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013905778,0.00040600917,0.0001463206,0.0014689617,0.0055179703,0.0049198368,0.0004592418,0.0013540146,0.011257727],"category_scores_gemma":[0.0024604753,0.000306918,0.0002651446,0.0009715354,0.008361877,0.0028817097,0.0033699276,0.002620911,0.0009026461],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004506998,0.000057045585,0.004741933,0.0008415051,0.000039921888,0.0028782259,0.47092903,0.00023445109,0.008949534,0.22136259,0.13193049,0.15758465],"study_design_scores_gemma":[0.00001449044,0.00005834704,0.010529106,0.00056463084,0.000015121483,0.0013873872,0.059979927,0.000059686747,0.0016031427,0.0045227692,0.92123425,0.00003115477],"about_ca_topic_score_codex":0.021974755,"about_ca_topic_score_gemma":0.090131536,"teacher_disagreement_score":0.97802526,"about_ca_system_score_codex":0.0034110716,"about_ca_system_score_gemma":0.001303947,"threshold_uncertainty_score":0.04369366},"labels":[],"label_agreement":null},{"id":"W2063871790","doi":"10.1163/187633103x00026","title":"Apocalypse and Tranquility: the World War I Paintings of Nicholas Roerich","year":2003,"lang":"en","type":"article","venue":"Russian History","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Painting; Art; World War II; Art history; History; Archaeology","score_opus":0.0282754494312464,"score_gpt":0.21938278637593447,"score_spread":0.19110733694468807,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2063871790","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.069315664,0.01891018,0.0010515176,0.032996774,0.005031317,0.000035864236,0.00009334636,0.00007247995,0.8724928],"genre_scores_gemma":[0.7297938,0.0077023814,0.0006894346,0.0028636889,0.0011898963,0.000021509057,0.000024296582,0.000220821,0.25749424],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997274,0.00014142932,0.0000031673999,0.00003190637,0.00004152994,0.00005458872],"domain_scores_gemma":[0.9998235,0.00009146257,0.00001507699,0.000021681071,0.00001682998,0.000031518193],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005323597,0.00051249866,0.00019851062,0.00058540347,0.007454717,0.0029205687,0.00035796643,0.0011119323,0.00658506],"category_scores_gemma":[0.0012134451,0.0001846949,0.00016494052,0.00044904122,0.008446498,0.0016537319,0.0019193937,0.0036827892,0.0005353323],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001592342,0.000036682868,0.0005163678,0.00016480828,0.00001930826,0.00095948036,0.21856572,0.00034031557,0.001361052,0.4822315,0.2651691,0.030476429],"study_design_scores_gemma":[0.000009682085,0.00002173468,0.0012362866,0.00017058192,0.0000058082396,0.0005067561,0.04860982,0.000101578386,0.00039686228,0.011625469,0.9373025,0.000012968521],"about_ca_topic_score_codex":0.018743329,"about_ca_topic_score_gemma":0.04779129,"teacher_disagreement_score":0.018743329,"about_ca_system_score_codex":0.002230163,"about_ca_system_score_gemma":0.0006840071,"threshold_uncertainty_score":0.03726846},"labels":[],"label_agreement":null},{"id":"W2065327772","doi":"10.1177/1470412906070512","title":"(un)Housing Aboriginal Possessions in the Virtual Museum: Cultural Practices and Decolonization in civilization.ca and <i>Reservation X</i>","year":2006,"lang":"en","type":"article","venue":"Journal of Visual Culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Exhibition; Civilization; Indigenous; Reservation; Decolonization; Space (punctuation); Media studies; Sociology; Rhetoric; Timeline; Virtual space; Visual arts; Anthropology; Art; History; Political science; Archaeology; Politics; Law","score_opus":0.023703876172536702,"score_gpt":0.3332840582674227,"score_spread":0.30958018209488597,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2065327772","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7503364,0.005463302,0.0005410408,0.0097744735,0.00019900985,0.000020545434,0.00006467291,0.00007613467,0.23352441],"genre_scores_gemma":[0.9870581,0.0009114558,0.00019445008,0.0002271003,0.000016725016,0.000008123898,0.000012833987,0.000017047732,0.01155411],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.999678,0.00014683077,0.000007619351,0.000029638251,0.000050762283,0.00008710817],"domain_scores_gemma":[0.9995571,0.00013369658,0.000059005302,0.000054300308,0.0000549375,0.00014104697],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00058000576,0.00014160416,0.000107435895,0.00048828003,0.008553999,0.0037769633,0.00053101213,0.00051254925,0.008002071],"category_scores_gemma":[0.001243731,0.00019489042,0.00010203204,0.0005959009,0.006781695,0.0017264434,0.0032019734,0.0010509228,0.00025364393],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007150901,0.000047046276,0.017432494,0.00021112627,0.000014304801,0.0010931675,0.84905946,0.00013137852,0.001155653,0.052450534,0.023788393,0.05454485],"study_design_scores_gemma":[0.0000076136816,0.00004060605,0.038882654,0.0001962763,0.000022227352,0.0007089528,0.734348,0.00013966473,0.00064142066,0.0015632268,0.22342882,0.000020481231],"about_ca_topic_score_codex":0.25111547,"about_ca_topic_score_gemma":0.48838538,"teacher_disagreement_score":0.991446,"about_ca_system_score_codex":0.003331966,"about_ca_system_score_gemma":0.0030683912,"threshold_uncertainty_score":0.49930763},"labels":[],"label_agreement":null},{"id":"W2065718564","doi":"10.17742/image.inaugural.1-1.4","title":"Cross-Border Visualities and the Canadian Image","year":2010,"lang":"fr","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Ethnology; Politics; Sociology; Political science; Art; Law","score_opus":0.03028572452372752,"score_gpt":0.45877389134731533,"score_spread":0.4284881668235878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2065718564","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4307813,0.0042186906,0.0009197189,0.004078798,0.0001504691,0.000019064397,0.00030027467,0.000045213623,0.5594865],"genre_scores_gemma":[0.9821926,0.0015327106,0.00036798982,0.00015259338,0.00001722821,0.000004417904,0.00006553278,0.000025240717,0.015641656],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948114,0.00006074624,0.000007790184,0.00005649179,0.00019554689,0.00019839608],"domain_scores_gemma":[0.9995902,0.000101055426,0.000056756307,0.00002723213,0.00013628707,0.00008842264],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003774581,0.00029286617,0.00013074337,0.0020495153,0.0072821523,0.005532168,0.00038247762,0.00043148422,0.012613518],"category_scores_gemma":[0.0014983924,0.00014368533,0.00017094432,0.002666631,0.004874113,0.0014306606,0.0028320611,0.00086767087,0.0002768866],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018992009,0.000032132535,0.030248893,0.00038207747,0.000042709147,0.0015378131,0.5348087,0.0003303763,0.003627659,0.27704328,0.022404294,0.1293522],"study_design_scores_gemma":[0.00001087931,0.000030030573,0.12642075,0.000449052,0.000060255385,0.0013368108,0.4606707,0.00029306157,0.0014991014,0.007118878,0.40204713,0.000063369225],"about_ca_topic_score_codex":0.8870055,"about_ca_topic_score_gemma":0.9448392,"teacher_disagreement_score":0.11299449,"about_ca_system_score_codex":0.013068497,"about_ca_system_score_gemma":0.009249249,"threshold_uncertainty_score":0.22731984},"labels":[],"label_agreement":null},{"id":"W2069965798","doi":"10.7202/044589ar","title":"Photography Today: Between Tableau and Document","year":2010,"lang":"en","type":"article","venue":"Recherches sémiotiques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Reading (process); Relation (database); Visual arts; Art; Position (finance); Art history; Literature; Philosophy; Computer science; Linguistics","score_opus":0.08693089145474256,"score_gpt":0.32435491788559856,"score_spread":0.237424026430856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2069965798","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1829007,0.014886522,0.006777999,0.034574576,0.0010082712,0.000024162038,0.00010742653,0.00013558466,0.7595848],"genre_scores_gemma":[0.9492999,0.00215749,0.0013517248,0.0010101013,0.00020754414,0.00001386406,0.000024581606,0.0000879999,0.04584682],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99861646,0.00063798024,0.00003482139,0.00022416301,0.00030574301,0.00018082466],"domain_scores_gemma":[0.99902964,0.0005380139,0.0000879947,0.00013281469,0.000104867366,0.00010664208],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015718784,0.00017302913,0.00023470084,0.0008023783,0.0057622623,0.010981084,0.00060869957,0.0011293606,0.012075934],"category_scores_gemma":[0.0029328426,0.00017388967,0.00014434337,0.0014646644,0.01657623,0.010471062,0.0026472404,0.002578367,0.00087443314],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000480097,0.000010321369,0.0007231341,0.000047347352,0.0000025045981,0.00025652576,0.1485844,0.00004084229,0.0004700563,0.8240699,0.005693089,0.020053865],"study_design_scores_gemma":[0.000012319012,0.000060160753,0.0042216703,0.0005328819,0.000009331836,0.000627297,0.16327108,0.00019041837,0.0012029115,0.060410313,0.7694385,0.000023100305],"about_ca_topic_score_codex":0.028508808,"about_ca_topic_score_gemma":0.048870966,"teacher_disagreement_score":0.028508808,"about_ca_system_score_codex":0.007972382,"about_ca_system_score_gemma":0.0024275237,"threshold_uncertainty_score":0.057843924},"labels":[],"label_agreement":null},{"id":"W2070676741","doi":"10.1111/j.1467-8357.2007.00817_1.x","title":"AMERICAN EXPOSURES: PHOTOGRAPHY AND COMMUNITY IN THE TWENTIETH CENTURY BY LOUIS KAPLAN","year":2007,"lang":"en","type":"article","venue":"The Art Book","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Photography; History; Visual arts; Art; Art history","score_opus":0.02258373644351165,"score_gpt":0.2510551233436576,"score_spread":0.22847138690014596,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2070676741","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006472652,0.45136634,0.0009608249,0.28159547,0.008499086,0.000011946381,0.000086972505,0.00006564247,0.25094113],"genre_scores_gemma":[0.1238453,0.26045245,0.00084426213,0.032950573,0.011069611,0.00002749244,0.00005287766,0.00014272012,0.57061476],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99954504,0.00019170361,0.000013314179,0.00006268357,0.00013733194,0.000049830538],"domain_scores_gemma":[0.9991333,0.00044066543,0.00005901945,0.000027600092,0.00017299895,0.00016642097],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009809303,0.00049808534,0.00025398802,0.001418855,0.004765248,0.005387705,0.0004271507,0.0022771095,0.010354896],"category_scores_gemma":[0.0015273199,0.00032560527,0.00015441049,0.0012575783,0.0044911276,0.0060314606,0.0023810829,0.005034974,0.001932922],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019921903,0.000036404093,0.00071532786,0.00011484749,0.0000052093687,0.00008950612,0.0092883045,0.0000857879,0.00016410918,0.19270287,0.73439485,0.062382903],"study_design_scores_gemma":[0.0000011556035,0.0000032182795,0.00039329525,0.0001793817,0.0000016125296,0.000048843543,0.0026196241,0.000022331302,0.000033061613,0.0050651566,0.9916278,0.000004441361],"about_ca_topic_score_codex":0.04384646,"about_ca_topic_score_gemma":0.11740182,"teacher_disagreement_score":0.04384646,"about_ca_system_score_codex":0.0040272395,"about_ca_system_score_gemma":0.002996955,"threshold_uncertainty_score":0.08718246},"labels":[],"label_agreement":null},{"id":"W2071510011","doi":"10.1353/jjs.2005.0010","title":"The History of Japanese Photography (review)","year":2005,"lang":"en","type":"article","venue":"Journal of Japanese Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Vision; Photography; History of photography; Art history; History; Art; Irony; Haven; Visual arts; Literature; Sociology; Anthropology","score_opus":0.06120062514009274,"score_gpt":0.29860403672967967,"score_spread":0.23740341158958694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2071510011","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000042786196,0.9978573,0.000019240792,0.00044348228,0.00074001704,0.0000040950704,0.00003371124,0.0000043661776,0.0008550636],"genre_scores_gemma":[0.0006970119,0.9963158,0.00008947624,0.00076319714,0.0009789082,0.000009473138,0.00009097843,0.0000033228257,0.001051879],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99943036,0.000104886116,0.00012720545,0.00010129059,0.00017969545,0.000056543948],"domain_scores_gemma":[0.9985274,0.00035246878,0.00032231407,0.000049680686,0.00059802027,0.000150046],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00076936476,0.0011950288,0.0019230363,0.0047240737,0.0006055858,0.0025171824,0.0013227774,0.0013207789,0.025630731],"category_scores_gemma":[0.0027111873,0.00045038987,0.0009321705,0.0075545055,0.00092247943,0.0027924958,0.001310994,0.0017132888,0.00746784],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009348739,0.000020131696,0.00038186967,0.047020625,0.00012979539,0.0003802175,0.00023183909,0.000065348046,0.00026723556,0.00071371294,0.3332506,0.6174452],"study_design_scores_gemma":[0.000013288107,0.000025263527,0.0024790666,0.015906554,0.00019618288,0.0014924926,0.00018863125,0.000013688791,0.00006217196,0.00020127468,0.979397,0.000024376464],"about_ca_topic_score_codex":0.00631111,"about_ca_topic_score_gemma":0.011823807,"teacher_disagreement_score":0.025630731,"about_ca_system_score_codex":0.0016027411,"about_ca_system_score_gemma":0.0036198155,"threshold_uncertainty_score":0.08574337},"labels":[],"label_agreement":null},{"id":"W2074011867","doi":"10.7202/1005753ar","title":"The Photographic Now: David Claerbout’s Vietnam","year":2011,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Photography; Animation; Shot (pellet); Art; Temporality; Computer graphics (images); Visual arts; Relation (database); Art history; Computer science","score_opus":0.05713983388865859,"score_gpt":0.28988284760035177,"score_spread":0.23274301371169318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2074011867","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21777374,0.032139227,0.0026022175,0.08435307,0.0034951356,0.000076519675,0.00015354788,0.000037306585,0.6593693],"genre_scores_gemma":[0.8607958,0.008710118,0.0009229156,0.0036622228,0.0002521468,0.000020377927,0.000045069333,0.000056828958,0.1255346],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992823,0.00040351492,0.0000084498315,0.00008607805,0.00011222509,0.000107477776],"domain_scores_gemma":[0.9994692,0.000272946,0.000036083908,0.000035067667,0.00007374263,0.000112966445],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010062146,0.00028147316,0.00014229475,0.0005643734,0.00842284,0.0043059597,0.0004110303,0.0010290777,0.0056787566],"category_scores_gemma":[0.0018895423,0.00022980888,0.000116330375,0.0006594769,0.010947846,0.003328845,0.001569797,0.0030865709,0.00034099357],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005575953,0.00003107922,0.0011674471,0.00011841963,0.0000070973015,0.0011578118,0.60945183,0.00012249053,0.00070746907,0.29162654,0.07162134,0.023932789],"study_design_scores_gemma":[0.000010873551,0.00002998678,0.0022465673,0.00033038668,0.0000046504515,0.0007149745,0.23726647,0.00009721595,0.0006000921,0.0074459575,0.7512353,0.000017591274],"about_ca_topic_score_codex":0.13041382,"about_ca_topic_score_gemma":0.2548009,"teacher_disagreement_score":0.13041382,"about_ca_system_score_codex":0.007978973,"about_ca_system_score_gemma":0.0019934457,"threshold_uncertainty_score":0.25930947},"labels":[],"label_agreement":null},{"id":"W2076659380","doi":"10.7202/044585ar","title":"Sémiotique et photographie: 1961-2006","year":2010,"lang":"fr","type":"article","venue":"Recherches sémiotiques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Art history","score_opus":0.08648318548897392,"score_gpt":0.3548253230969347,"score_spread":0.2683421376079608,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2076659380","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32860705,0.06287862,0.0035471248,0.021059357,0.0017040202,0.00011373103,0.00066426315,0.000057366393,0.58136857],"genre_scores_gemma":[0.8831767,0.018156972,0.0007782073,0.00067738653,0.00054037286,0.00004750016,0.00014803011,0.00009227812,0.09638246],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973719,0.0010539254,0.000103447484,0.00039907653,0.00078799145,0.00028364285],"domain_scores_gemma":[0.99477756,0.0032717485,0.0006884805,0.00032332103,0.0006135345,0.00032533615],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003138159,0.00038131227,0.0003670104,0.003605773,0.006570916,0.006138959,0.00045154602,0.0012947058,0.015949966],"category_scores_gemma":[0.007778711,0.0003383118,0.00027208144,0.0052943737,0.01094594,0.0041653225,0.0034214407,0.0039635785,0.0012175152],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032859627,0.00007020808,0.010199135,0.0008966081,0.000022696353,0.0005802113,0.37263528,0.00020070764,0.0015114117,0.44451132,0.02156673,0.14747714],"study_design_scores_gemma":[0.000010833062,0.00005989553,0.040990997,0.00079708116,0.000010784234,0.00038506466,0.06608102,0.000063299165,0.0013810936,0.006078163,0.8841096,0.00003209902],"about_ca_topic_score_codex":0.059497915,"about_ca_topic_score_gemma":0.113502495,"teacher_disagreement_score":0.059497915,"about_ca_system_score_codex":0.014558711,"about_ca_system_score_gemma":0.005154564,"threshold_uncertainty_score":0.11830324},"labels":[],"label_agreement":null},{"id":"W208616751","doi":"10.5070/s5221019049","title":"Bank Street: A Photographic Essay","year":2014,"lang":"en","type":"article","venue":"Streetnotes","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Wilfrid Laurier University; Carleton University; Bank of Canada; Library of Parliament","funders":"","keywords":"Parliament; Club; Capital city; Geography; Capital (architecture); Archaeology; Political science; Law; Economic geography; Geology","score_opus":0.02018837997882931,"score_gpt":0.23228536401869535,"score_spread":0.21209698403986604,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W208616751","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0062595922,0.056145784,0.00051786366,0.08853948,0.021126231,0.00007121667,0.0012525221,0.00013805424,0.82594925],"genre_scores_gemma":[0.058326043,0.034909856,0.0006476744,0.011420304,0.0038725284,0.000047670856,0.0005824438,0.00021695782,0.8899765],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995161,0.000096837975,0.00001559274,0.000057001234,0.00019809016,0.00011628251],"domain_scores_gemma":[0.9991148,0.0001775687,0.00004272441,0.00007355776,0.00041547083,0.00017582529],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064733776,0.000572009,0.00017779073,0.0018141415,0.01073575,0.006342374,0.0005936145,0.0013422308,0.03595756],"category_scores_gemma":[0.0022493342,0.00031069166,0.00014654415,0.003130696,0.0034940392,0.0023291127,0.0014246127,0.0021430545,0.008673456],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000061004243,0.0000035087292,0.00009831099,0.000031137613,8.9791894e-7,0.00005395008,0.0029818157,0.000010968173,0.000077762306,0.0069517223,0.98130417,0.008479643],"study_design_scores_gemma":[4.6880058e-7,7.380897e-7,0.000489053,0.00006983889,7.5267593e-7,0.000031098825,0.0024055662,0.000004157458,0.00002770797,0.00015939592,0.99680966,0.0000015929834],"about_ca_topic_score_codex":0.47504938,"about_ca_topic_score_gemma":0.7544369,"teacher_disagreement_score":0.47504938,"about_ca_system_score_codex":0.018208122,"about_ca_system_score_gemma":0.008576115,"threshold_uncertainty_score":0.9445686},"labels":[],"label_agreement":null},{"id":"W2086202269","doi":"10.1080/03087298.2012.745710","title":"The Likeness of Fugitivity: William Notman's<i>Carte-de-visite</i>Portrait of John Anderson","year":2013,"lang":"en","type":"article","venue":"History of Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Context (archaeology); Studio; Art; Art history; Sociology; Humanities; Visual arts; Media studies; History; Archaeology","score_opus":0.01949952888524493,"score_gpt":0.20362968198266446,"score_spread":0.18413015309741954,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2086202269","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36512917,0.01685361,0.0011502734,0.024182145,0.001178095,0.000019227553,0.00006826531,0.00006502451,0.5913542],"genre_scores_gemma":[0.94547075,0.0029539252,0.0003748529,0.001186435,0.00016741302,0.000005859404,0.000015559737,0.000034188117,0.04979112],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999762,0.00010646439,0.0000023154864,0.000026242267,0.00004892089,0.000054130924],"domain_scores_gemma":[0.9998783,0.000043469416,0.000013664425,0.000009415564,0.000020760132,0.000034417913],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026304089,0.00021733255,0.00010174358,0.0004147148,0.0065362393,0.0033283702,0.00030410232,0.0006070518,0.002936219],"category_scores_gemma":[0.0005271753,0.00010540022,0.00009861092,0.00037942256,0.007835975,0.0012124971,0.00094687537,0.0014035052,0.0002448509],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000074361924,0.000026177855,0.0035337324,0.00011572891,0.000013208598,0.0029200735,0.6079022,0.00018185611,0.0030096725,0.25434202,0.09249556,0.03538538],"study_design_scores_gemma":[0.000003691205,0.000021859418,0.0065397015,0.00012897445,0.000010205994,0.0016930777,0.15040076,0.00011001522,0.0008024685,0.0038323759,0.8364308,0.00002610652],"about_ca_topic_score_codex":0.2032395,"about_ca_topic_score_gemma":0.47853908,"teacher_disagreement_score":0.2032395,"about_ca_system_score_codex":0.0052989027,"about_ca_system_score_gemma":0.0014855759,"threshold_uncertainty_score":0.40411305},"labels":[],"label_agreement":null},{"id":"W2090914638","doi":"10.1080/10894160903196533","title":"A Body Is Not a Metaphor: Barbara Hammer's X-Ray Vision","year":2010,"lang":"en","type":"article","venue":"Journal of Lesbian Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":21,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Metaphor; Hammer; Psychology; Psychoanalysis; Sociology; Aesthetics; Art; Communication; Philosophy; Linguistics; Engineering; Structural engineering","score_opus":0.05709443378198078,"score_gpt":0.3350161299166559,"score_spread":0.27792169613467516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2090914638","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6389453,0.021667153,0.0034783152,0.031202145,0.0010006033,0.00003273499,0.0000431202,0.00005734102,0.30357328],"genre_scores_gemma":[0.9747536,0.004325454,0.00085754134,0.0016281378,0.000121440586,0.000008822895,0.000008588688,0.000028508372,0.018267859],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99954116,0.0003180293,0.0000062990343,0.000030378755,0.00006061395,0.000043529002],"domain_scores_gemma":[0.99948466,0.00038413046,0.00004687546,0.0000193743,0.000024432387,0.000040578012],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006244206,0.00025348944,0.00014337643,0.00051846675,0.0032739488,0.003597506,0.00028273434,0.0010058153,0.0024353897],"category_scores_gemma":[0.001800416,0.00014542593,0.00009419079,0.00024557402,0.007892287,0.0025125484,0.0018083466,0.0018960014,0.00026671833],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015798578,0.000041182884,0.00149853,0.0003249092,0.000010857505,0.0024993839,0.7572757,0.00013908306,0.005697679,0.18367407,0.01714461,0.031535868],"study_design_scores_gemma":[0.000025437355,0.00024230937,0.00710167,0.0010014764,0.000034601766,0.005544311,0.48906174,0.00030422822,0.00461411,0.011598577,0.48040625,0.00006530446],"about_ca_topic_score_codex":0.005832681,"about_ca_topic_score_gemma":0.012370542,"teacher_disagreement_score":0.005832681,"about_ca_system_score_codex":0.0012989709,"about_ca_system_score_gemma":0.00043191758,"threshold_uncertainty_score":0.011597455},"labels":[],"label_agreement":null},{"id":"W2094086305","doi":"10.1353/utq.2007.0254","title":"The World in Paint: Modern Art and Visuality in England, 1848-1914 (review)","year":2007,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernism (music); Painting; Aestheticism; Modernity; Art history; Art; Exhibition; Context (archaeology); Portrait; Modern art; History; Performance art; Philosophy","score_opus":0.015383266249038635,"score_gpt":0.23901349002427666,"score_spread":0.22363022377523803,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2094086305","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000051775176,0.9990584,0.0000059533813,0.00025977165,0.000160828,0.0000020341968,0.000020261783,0.0000013876808,0.0004395135],"genre_scores_gemma":[0.0006870301,0.997656,0.000022477192,0.00028165051,0.00017725145,0.000006470185,0.00004121253,0.0000011075178,0.0011267465],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99967384,0.00005706598,0.000058833728,0.00004745672,0.00012433951,0.000038500515],"domain_scores_gemma":[0.999331,0.00026240022,0.00014706074,0.000011931071,0.00019518944,0.00005250387],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045691634,0.0007651067,0.0012928471,0.0030304296,0.00037605668,0.0017546988,0.000729552,0.0009827787,0.011416477],"category_scores_gemma":[0.0016180095,0.00045215164,0.0004969671,0.0060862876,0.0008013165,0.0022396413,0.0009017376,0.0014546432,0.0024021068],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000113478425,0.000039103077,0.00056861807,0.07540129,0.00015606322,0.00018169289,0.00071010896,0.00018375083,0.00028850557,0.002169291,0.32206115,0.5981269],"study_design_scores_gemma":[0.000023109547,0.000065916334,0.0076348875,0.036737688,0.00018125534,0.0007927364,0.0007564228,0.000026627453,0.000061852435,0.0004846219,0.95321137,0.000023413773],"about_ca_topic_score_codex":0.015716517,"about_ca_topic_score_gemma":0.030116148,"teacher_disagreement_score":0.015716517,"about_ca_system_score_codex":0.0016153913,"about_ca_system_score_gemma":0.0027478924,"threshold_uncertainty_score":0.038191855},"labels":[],"label_agreement":null},{"id":"W2095074016","doi":"10.7202/1027751ar","title":"The Day Nobody Died, War Photography, and the Violence of the Image","year":2014,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"nobody; Humanities; Art; Ethnology; History","score_opus":0.005441758587793138,"score_gpt":0.18516587678362662,"score_spread":0.17972411819583348,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2095074016","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29923418,0.041217003,0.0010570288,0.12080457,0.0052861595,0.000046468766,0.0003491265,0.000052288502,0.5319533],"genre_scores_gemma":[0.9332236,0.008432913,0.00034792288,0.005235214,0.0007955475,0.000030150675,0.00010486881,0.00007166437,0.051758133],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971986,0.0015008288,0.000063376596,0.00023144599,0.00051078596,0.0004949628],"domain_scores_gemma":[0.9973055,0.0010967065,0.0004011991,0.0002460321,0.0003456165,0.0006049346],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021479547,0.0003355652,0.00028097446,0.0018550784,0.014711905,0.01204316,0.0008589391,0.002609274,0.014281504],"category_scores_gemma":[0.0066961995,0.000394925,0.0002870174,0.0010829902,0.01787102,0.004446758,0.005113179,0.004958945,0.0011377333],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023554219,0.00008851122,0.014480326,0.0003701456,0.00004844075,0.0021650011,0.6263161,0.00009378983,0.0012126472,0.16122541,0.12630415,0.06746009],"study_design_scores_gemma":[0.0000135040955,0.00003812652,0.023094067,0.00081725814,0.000018523933,0.0011927665,0.46492794,0.000034960947,0.00042095952,0.007470722,0.50192285,0.000048329548],"about_ca_topic_score_codex":0.044857066,"about_ca_topic_score_gemma":0.10376856,"teacher_disagreement_score":0.9551429,"about_ca_system_score_codex":0.0062968708,"about_ca_system_score_gemma":0.0025171703,"threshold_uncertainty_score":0.08919191},"labels":[],"label_agreement":null},{"id":"W2096183875","doi":"","title":"Capturing Reality : The Art of Documentary. L’art du réel — Canada [Québec] 2008, 7 minutes L’art du réel — Canada [Québec] 2008, 7 minutes","year":2009,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Visual arts","score_opus":0.01284363047155544,"score_gpt":0.21342808584574596,"score_spread":0.20058445537419053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2096183875","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0061343107,0.08140497,0.00622048,0.044055387,0.014320043,0.0001544024,0.0038421855,0.0009383741,0.8429299],"genre_scores_gemma":[0.054614067,0.02701593,0.0048687197,0.0023414372,0.0014271442,0.00006892256,0.0012686257,0.00076366507,0.9076315],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993843,0.00012482094,0.000015203969,0.00007310513,0.0002855976,0.000116923875],"domain_scores_gemma":[0.9990495,0.00012916494,0.000025276862,0.000053139676,0.00051749265,0.00022545013],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009154145,0.0008468985,0.00030430997,0.0011986409,0.004815147,0.006011927,0.0007286633,0.0013881801,0.1098798],"category_scores_gemma":[0.0021211568,0.00046357408,0.000291648,0.0013876886,0.002557576,0.0016069065,0.001422466,0.0017966101,0.015652897],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019800298,0.000007663528,0.00023570408,0.00010784765,0.0000033551582,0.000054120967,0.0017578962,0.00011842059,0.00062477525,0.0060905,0.9355985,0.0553815],"study_design_scores_gemma":[0.0000020164348,0.000002453747,0.0015154417,0.00013698901,0.0000016249224,0.000048291855,0.0011600406,0.000051239702,0.00011795718,0.00034886485,0.99660885,0.0000061833607],"about_ca_topic_score_codex":0.8660687,"about_ca_topic_score_gemma":0.9705386,"teacher_disagreement_score":0.13393128,"about_ca_system_score_codex":0.020963173,"about_ca_system_score_gemma":0.015654527,"threshold_uncertainty_score":0.36758453},"labels":[],"label_agreement":null},{"id":"W2099544151","doi":"10.1353/aq.2004.0005","title":"A House in the Nation's Attic","year":2004,"lang":"en","type":"article","venue":"American Quarterly","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reinterpretation; Exhibition; Georgian; Immigration; Style (visual arts); History; Art history; Quarter (Canadian coin); Craft; Colonialism; Attic; Artifact (error); Ancient history; Archaeology; Art","score_opus":0.02897841214734354,"score_gpt":0.2537958135550648,"score_spread":0.22481740140772127,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2099544151","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027187832,0.091960244,0.00063007604,0.01931495,0.0041715605,0.00001389139,0.00007381908,0.000039461524,0.85660815],"genre_scores_gemma":[0.45267466,0.09018174,0.0008372504,0.007450818,0.0013608118,0.000036728026,0.00016691866,0.00008088597,0.44721025],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945086,0.00026516555,0.000016696573,0.00006114893,0.000104434424,0.00010169107],"domain_scores_gemma":[0.9997739,0.000050416824,0.000027633096,0.000022540253,0.000065568005,0.000059874656],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003070781,0.00019610708,0.00015020877,0.00044342215,0.004121384,0.0057496578,0.0003752554,0.0011299605,0.015971549],"category_scores_gemma":[0.00080702774,0.000109095214,0.000104797095,0.00080376153,0.0023651156,0.0031218093,0.0017601188,0.0010644656,0.0017795354],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019017762,0.000039102302,0.0020957398,0.00034113068,0.000008742252,0.001245904,0.0402578,0.00012726474,0.0002124491,0.45699802,0.37068442,0.12797035],"study_design_scores_gemma":[4.718075e-7,0.0000040759433,0.0007379454,0.0001927825,0.0000019341562,0.00016900124,0.010851813,0.000010857609,0.00004612414,0.0016022391,0.9863804,0.000002286702],"about_ca_topic_score_codex":0.024880206,"about_ca_topic_score_gemma":0.06991649,"teacher_disagreement_score":0.024880206,"about_ca_system_score_codex":0.002399793,"about_ca_system_score_gemma":0.0029385164,"threshold_uncertainty_score":0.05343014},"labels":[],"label_agreement":null},{"id":"W20996003","doi":"10.14219/jada.archive.1946.0267","title":"Magazines and the Making of Photographic Modernism in Canada","year":2009,"lang":"en","type":"dissertation","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernism (music); Context (archaeology); Period (music); Photography; Audience measurement; Rhetoric; Art; Nationalism; History; Media studies; Literature; Visual arts; Sociology; Political science; Aesthetics; Politics; Linguistics; Law; Philosophy","score_opus":0.017111092985824052,"score_gpt":0.23458867472080874,"score_spread":0.2174775817349847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W20996003","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47601113,0.014830578,0.0018943605,0.039123688,0.0006477569,0.000145723,0.0008880018,0.000088425855,0.46637037],"genre_scores_gemma":[0.9738628,0.005035005,0.0006704593,0.0012514181,0.00006576138,0.000027684498,0.00011845246,0.000040468145,0.018927954],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99605644,0.00076940673,0.0000757189,0.00043915847,0.0015381863,0.0011211297],"domain_scores_gemma":[0.99464995,0.001667036,0.00049802894,0.0001621042,0.0021960086,0.00082683435],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034293286,0.00042610287,0.00038919924,0.003993966,0.025820056,0.014838115,0.0016732925,0.001321651,0.005054195],"category_scores_gemma":[0.0060667046,0.0003953505,0.0002775717,0.0093552405,0.029187344,0.0032252362,0.0041553085,0.003042049,0.00022717718],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000715208,0.000038637223,0.009049556,0.00036049815,0.000018158553,0.0005303125,0.57524633,0.00027549232,0.0007109652,0.35963577,0.018874316,0.035188355],"study_design_scores_gemma":[0.000011627476,0.000020027483,0.027145777,0.0006445977,0.000034697805,0.00014442482,0.40827245,0.00035339015,0.0007094393,0.00771065,0.55488104,0.00007175585],"about_ca_topic_score_codex":0.99351066,"about_ca_topic_score_gemma":0.9955961,"teacher_disagreement_score":0.25378716,"about_ca_system_score_codex":0.25378716,"about_ca_system_score_gemma":0.21505424,"threshold_uncertainty_score":0.8655011},"labels":[],"label_agreement":null},{"id":"W2102933892","doi":"10.24908/ss.v3i1.3318","title":"Photographing Fingerprints: Data Collection and State Surveillance","year":2002,"lang":"en","type":"article","venue":"Surveillance & Society","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Law enforcement; Identification (biology); Fingerprint (computing); Photography; State (computer science); Computer security; Law; Computer science; Sociology; Political science; Visual arts; Art; Algorithm","score_opus":0.061833390619401955,"score_gpt":0.2552542954156602,"score_spread":0.19342090479625823,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2102933892","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2188389,0.06642904,0.37011862,0.054182235,0.001449481,0.0010256232,0.003400429,0.0010202897,0.2835354],"genre_scores_gemma":[0.8298874,0.041576035,0.11192557,0.002377771,0.0011891209,0.00047590013,0.0009346441,0.00013700585,0.011496533],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.99261767,0.004302223,0.0005032771,0.0007093792,0.0015680916,0.00029932888],"domain_scores_gemma":[0.98365146,0.009798154,0.002591765,0.0022312484,0.0014157961,0.00031151596],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009076635,0.00036447885,0.0004279528,0.0066757197,0.0022400334,0.009346235,0.00084832084,0.0012000353,0.0022920282],"category_scores_gemma":[0.022405777,0.00045360232,0.00029210545,0.009543849,0.0052005583,0.009669102,0.00415107,0.0013770007,0.00042871633],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000100794074,0.00008451365,0.040254414,0.00080639415,0.00004491278,0.00026675747,0.03377699,0.0011821515,0.0016313186,0.27268317,0.011830428,0.63733816],"study_design_scores_gemma":[0.000033555367,0.00039082937,0.10683978,0.00528081,0.00015905831,0.0022572395,0.08430618,0.006517741,0.010072718,0.23660119,0.5473067,0.0002341565],"about_ca_topic_score_codex":0.0065691583,"about_ca_topic_score_gemma":0.0063612857,"teacher_disagreement_score":0.009346235,"about_ca_system_score_codex":0.0024530082,"about_ca_system_score_gemma":0.0025474569,"threshold_uncertainty_score":0.04800242},"labels":[],"label_agreement":null},{"id":"W2103278494","doi":"","title":"He Shoots, He Stores: New Photographic Practice in the Digital Age","year":2008,"lang":"en","type":"article","venue":"Archivaria","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Archivist; Visual arts; Representation (politics); Art history; Political science; Library science; Computer science","score_opus":0.04900924708300043,"score_gpt":0.26925611990606285,"score_spread":0.22024687282306243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2103278494","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62326217,0.048137017,0.0047871135,0.02547277,0.0005378322,0.0000804866,0.00006213925,0.00009662151,0.2975639],"genre_scores_gemma":[0.9402882,0.019040003,0.0026405216,0.0010670543,0.00023239791,0.000026460295,0.000031711257,0.000037076374,0.036636613],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960985,0.002293168,0.00019665182,0.00036112245,0.0007587527,0.0002917901],"domain_scores_gemma":[0.99445397,0.0032161942,0.00062527024,0.00079472316,0.00031197854,0.0005978992],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0050119413,0.00021373587,0.00031313096,0.0021657557,0.008690984,0.009473602,0.0011278323,0.001568648,0.007850888],"category_scores_gemma":[0.0072893254,0.0002899949,0.00017830769,0.002932702,0.014699089,0.01071205,0.0054731634,0.0025794904,0.0006898564],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040894472,0.000049784067,0.003891412,0.0003308394,0.0000054866896,0.00067392795,0.8501248,0.000038556977,0.00092767883,0.038971853,0.0055810628,0.099363655],"study_design_scores_gemma":[0.0000067567653,0.000052385083,0.007052186,0.00058928836,0.000008123575,0.0015733535,0.6000433,0.000060932332,0.00068999507,0.0033907292,0.3865096,0.000023347871],"about_ca_topic_score_codex":0.009669815,"about_ca_topic_score_gemma":0.02786261,"teacher_disagreement_score":0.009669815,"about_ca_system_score_codex":0.004087602,"about_ca_system_score_gemma":0.0032372784,"threshold_uncertainty_score":0.029657722},"labels":[],"label_agreement":null},{"id":"W2104753665","doi":"10.1007/978-90-481-8550-4_2","title":"Inner Derived Objects","year":2010,"lang":"en","type":"book-chapter","venue":"Studies in natural language and linguistic theory","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Position (finance); Object (grammar); Argument (complex analysis); Computer science; Computer vision; Artificial intelligence","score_opus":0.026104167472858143,"score_gpt":0.29105387689122186,"score_spread":0.2649497094183637,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2104753665","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011828024,0.0006272304,0.08546369,0.00041128416,0.00050104357,0.00006301271,0.00034599678,0.0005717662,0.90018797],"genre_scores_gemma":[0.2646703,0.0011116144,0.06571058,0.00046114746,0.00051580794,0.00013956052,0.001868767,0.0022134508,0.66330874],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9990219,0.00014850753,0.000047599857,0.00028527086,0.000387749,0.00010894365],"domain_scores_gemma":[0.999373,0.00010317396,0.000030413643,0.00026288166,0.00018129608,0.00004922058],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006129789,0.00090004265,0.00062824343,0.0013685536,0.002794786,0.006819316,0.0013696098,0.001242567,0.05773491],"category_scores_gemma":[0.0015614406,0.00058916135,0.0008245041,0.00089304696,0.0040289424,0.0073131938,0.004898056,0.0031428642,0.022163283],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016577487,0.000012199666,0.00007600515,0.000046286637,0.000004801804,0.00008929184,0.00079812016,0.000080500686,0.0015574972,0.97729945,0.0040867166,0.015932543],"study_design_scores_gemma":[0.000010525797,0.000024681818,0.00038328924,0.00006378027,0.0000175934,0.0004845292,0.0009022192,0.0008685693,0.0058813207,0.64914924,0.34219426,0.000020024692],"about_ca_topic_score_codex":0.00062188547,"about_ca_topic_score_gemma":0.0007812801,"teacher_disagreement_score":0.05773491,"about_ca_system_score_codex":0.0011400622,"about_ca_system_score_gemma":0.0005285892,"threshold_uncertainty_score":0.19314253},"labels":[],"label_agreement":null},{"id":"W2112881826","doi":"10.7202/024777ar","title":"The Photographic Insane","year":2007,"lang":"en","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.0343766878219346,"score_gpt":0.2594711267534672,"score_spread":0.22509443893153258,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2112881826","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.057982836,0.025128594,0.009511965,0.07162716,0.0033808695,0.000032724445,0.00013207196,0.00011101737,0.83209264],"genre_scores_gemma":[0.92452484,0.0066017997,0.002294911,0.0060232677,0.0004860827,0.000026904483,0.00005449132,0.000059455284,0.059928328],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.999114,0.0005133459,0.000016934962,0.0001329387,0.0001498695,0.00007300225],"domain_scores_gemma":[0.9995546,0.00020162536,0.000061541665,0.0000668101,0.00006235706,0.000053221178],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007082225,0.00024344468,0.00013748121,0.00062129897,0.0039264266,0.0040580477,0.00029711708,0.0010269015,0.0043180324],"category_scores_gemma":[0.0024419276,0.00014113694,0.00009816603,0.0003747429,0.014810066,0.00343537,0.0025041301,0.0028700228,0.0004912098],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036596033,0.0000068888917,0.0002951074,0.00006853196,0.0000026163646,0.000117600975,0.037527803,0.00004823481,0.00068193465,0.91884327,0.02605013,0.016321253],"study_design_scores_gemma":[0.0000074289846,0.000025307436,0.0016011068,0.00021430214,0.0000056242734,0.0005608153,0.020083016,0.00011572448,0.0007645924,0.069840826,0.90676546,0.000015767951],"about_ca_topic_score_codex":0.008418588,"about_ca_topic_score_gemma":0.009834911,"teacher_disagreement_score":0.008418588,"about_ca_system_score_codex":0.0025736843,"about_ca_system_score_gemma":0.0010383674,"threshold_uncertainty_score":0.01867348},"labels":[],"label_agreement":null},{"id":"W2114824651","doi":"10.1177/1206331207304355","title":"Encapsulations","year":2007,"lang":"en","type":"article","venue":"Space and Culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Encapsulation (networking); Sociology; Visual arts; Media studies; Computer science; Art","score_opus":0.01982764836455109,"score_gpt":0.2533507905899303,"score_spread":0.23352314222537923,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2114824651","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017916236,0.0021534623,0.17321321,0.0045462865,0.0010059604,0.00032256544,0.0008959989,0.0020102996,0.79793596],"genre_scores_gemma":[0.54623854,0.00369045,0.08235281,0.00259586,0.0007880584,0.0006167858,0.0023726237,0.0020940928,0.35925075],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99479914,0.0013110599,0.00037161383,0.0011580723,0.0014275926,0.000932512],"domain_scores_gemma":[0.9950193,0.0011307559,0.00031506893,0.0019991328,0.0012163102,0.0003194003],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031190473,0.0010024302,0.00051886874,0.0015532093,0.0046787304,0.0071794884,0.0019702888,0.001739053,0.03428539],"category_scores_gemma":[0.009861769,0.0007008226,0.0012717424,0.0013779649,0.007243869,0.012385488,0.008835024,0.0022412126,0.008875444],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019180701,0.000007924696,0.00025607386,0.000047607256,0.00000631274,0.000112259404,0.0027886326,0.00014537896,0.0003639186,0.97216946,0.00795319,0.016130114],"study_design_scores_gemma":[0.000012710562,0.000019517569,0.00030072793,0.00015189017,0.000023727916,0.0003873321,0.0020048653,0.0007825245,0.0012358568,0.20499754,0.7900495,0.00003387612],"about_ca_topic_score_codex":0.012057505,"about_ca_topic_score_gemma":0.007557416,"teacher_disagreement_score":0.03428539,"about_ca_system_score_codex":0.0036142117,"about_ca_system_score_gemma":0.002685582,"threshold_uncertainty_score":0.114696085},"labels":[],"label_agreement":null},{"id":"W2115347426","doi":"10.1177/1470412910380343","title":"Witness to War: The Uses of Photography in the Illustrated Press, 1855-1904","year":2010,"lang":"en","type":"article","venue":"Journal of Visual Culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":41,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Newspaper; Witness; Photography; First world war; Visual arts; Spanish Civil War; Woodcut; Documentation; Photojournalism; History; Visual culture; Printing press; Style (visual arts); Resistance (ecology); Art; Art history; Sociology; Media studies; Computer science; Law; Humanities; Archaeology; Political science","score_opus":0.030850056807347738,"score_gpt":0.29815017492591583,"score_spread":0.2673001181185681,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2115347426","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20826982,0.03388122,0.00073904335,0.0118232155,0.0005147541,0.000030614312,0.0003012642,0.00005613601,0.74438393],"genre_scores_gemma":[0.9242264,0.011480111,0.00033370798,0.00047112504,0.00042012727,0.000019369803,0.000052290292,0.000049653467,0.06294728],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898225,0.00058104546,0.00004396831,0.00010063602,0.0001316553,0.00016041168],"domain_scores_gemma":[0.99743974,0.0017795032,0.00028580625,0.00017618896,0.00014950652,0.00016921303],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013275974,0.0003484051,0.00022975105,0.0028560832,0.007629452,0.00652696,0.00050352653,0.0012863692,0.014217071],"category_scores_gemma":[0.005160147,0.0003289391,0.00013275909,0.0030521513,0.011095235,0.0044406364,0.0027264887,0.0023104434,0.001251907],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007731983,0.00002552579,0.0023051165,0.0002444686,0.000011306948,0.0016700805,0.5924441,0.00009294507,0.00059282355,0.33235893,0.02517514,0.04500228],"study_design_scores_gemma":[0.000007464601,0.000043405664,0.011253587,0.00045374816,0.000013818051,0.00092310074,0.08985873,0.00005164066,0.0006843851,0.005041659,0.8916413,0.000027093363],"about_ca_topic_score_codex":0.017333964,"about_ca_topic_score_gemma":0.045765985,"teacher_disagreement_score":0.017333964,"about_ca_system_score_codex":0.005592576,"about_ca_system_score_gemma":0.0010331814,"threshold_uncertainty_score":0.04756087},"labels":[],"label_agreement":null},{"id":"W2116650086","doi":"","title":"The bus: the free photographic omnibus, 1973-2001: an adventure in documentary","year":2001,"lang":"en","type":"book","venue":"ORCA Online Research @Cardiff (Cardiff University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Adventure; Portrait; Darkroom; Visual arts; Exhibition; Quarter (Canadian coin); Art history; Wonder; Art; White (mutation); History; Genealogy; Geography; Archaeology; Psychology","score_opus":0.08587960888583067,"score_gpt":0.3131135867610702,"score_spread":0.22723397787523952,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2116650086","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029754179,0.025434436,0.0014773923,0.03646038,0.013014785,0.00019026946,0.0036262816,0.000490861,0.8895515],"genre_scores_gemma":[0.06684583,0.012289589,0.0026653854,0.0031070872,0.0024528925,0.00009270229,0.0022037402,0.00086230354,0.9094805],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999393,0.00013707111,0.000026230528,0.0000801837,0.00022811472,0.00013536609],"domain_scores_gemma":[0.9990503,0.00021679381,0.000054093733,0.00011130572,0.00016872249,0.00039869692],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014005837,0.00047481988,0.00019521496,0.0011605496,0.009311539,0.0053662425,0.00086167135,0.001118768,0.056727674],"category_scores_gemma":[0.0022656692,0.0005199552,0.00023889472,0.0012226531,0.0024546152,0.0031190978,0.0037835825,0.0029887154,0.0168191],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000573116,0.000040736828,0.0008203901,0.00015833661,0.0000032881778,0.00058207,0.016293917,0.00001913126,0.0004423892,0.0069057127,0.943227,0.031449843],"study_design_scores_gemma":[0.0000012522821,0.000004047698,0.0008440771,0.00004885607,4.804915e-7,0.00011945339,0.0020453732,0.0000035585888,0.00005528836,0.000059484453,0.996816,0.000002154942],"about_ca_topic_score_codex":0.049504388,"about_ca_topic_score_gemma":0.32300097,"teacher_disagreement_score":0.056727674,"about_ca_system_score_codex":0.0036283059,"about_ca_system_score_gemma":0.001961372,"threshold_uncertainty_score":0.18977296},"labels":[],"label_agreement":null},{"id":"W211718513","doi":"","title":"Photography in 2003: Encompassing Globalization, ... Irenic (1) and Helpless","year":2003,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Globalization; Politics; Tragedy (event); Sociology; Law; History; Political economy; Political science; Social science","score_opus":0.03626211574981202,"score_gpt":0.26931873175081295,"score_spread":0.23305661600100092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W211718513","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007121596,0.036281295,0.0012903861,0.23322302,0.055856697,0.00009422851,0.0003641597,0.0005003277,0.66526824],"genre_scores_gemma":[0.12503925,0.0375783,0.0038197548,0.105203874,0.018495092,0.00017206266,0.00051270437,0.0006883481,0.7084906],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99883956,0.00030685778,0.00005476164,0.00018517498,0.00044612514,0.00016747235],"domain_scores_gemma":[0.9989526,0.00016456452,0.00008102611,0.00013203008,0.0003426539,0.0003272145],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016147624,0.0006042957,0.00025869586,0.0012769824,0.008944978,0.01254671,0.0009887998,0.0032696303,0.033724416],"category_scores_gemma":[0.0031546883,0.00031552534,0.00035577136,0.0016327982,0.00526619,0.0058269994,0.004955575,0.005581036,0.009176756],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001916977,0.000018259749,0.00033050848,0.00010458862,0.0000021152498,0.00024605708,0.008250522,0.00002072272,0.00026786662,0.025199896,0.9209806,0.044559654],"study_design_scores_gemma":[0.000002076859,0.000005184297,0.0006641906,0.00011578305,0.0000012388618,0.0001463808,0.0037876558,0.0000056676754,0.00006337603,0.0006391529,0.9945655,0.0000037215952],"about_ca_topic_score_codex":0.04160096,"about_ca_topic_score_gemma":0.11163189,"teacher_disagreement_score":0.04160096,"about_ca_system_score_codex":0.007739159,"about_ca_system_score_gemma":0.004530672,"threshold_uncertainty_score":0.11281943},"labels":[],"label_agreement":null},{"id":"W2118745981","doi":"10.1177/1206331210365257","title":"The Slum Pastoral: Helicopter Visuality and Koolhaas’s Lagos","year":2010,"lang":"en","type":"article","venue":"Space and Culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":23,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Sublime; Aesthetics; Slum; Sociology; Politics; Subject (documents); Subject matter; Work (physics); Visual arts; Art; Political science; Engineering; Law; Computer science","score_opus":0.01070568474473976,"score_gpt":0.2421483895286424,"score_spread":0.23144270478390264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2118745981","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7854618,0.0040594316,0.0007952902,0.006404329,0.00033448386,0.000010230833,0.000040575793,0.000016960397,0.20287687],"genre_scores_gemma":[0.99571675,0.0005795268,0.00008136146,0.000081986684,0.000010969822,0.0000017969962,0.0000043036885,0.0000047201543,0.0035186284],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99973315,0.00015027719,0.0000058099167,0.000019955569,0.000023147184,0.0000676152],"domain_scores_gemma":[0.9998128,0.00009507961,0.00003364899,0.000015472784,0.000016170723,0.000026863128],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041939213,0.000223982,0.0000907895,0.0006135865,0.006232523,0.004093521,0.00019069567,0.00044473485,0.0038731752],"category_scores_gemma":[0.00063718576,0.00012921309,0.000057517496,0.00077374757,0.007869518,0.0017094283,0.0019944422,0.0010563597,0.0001211895],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000104434155,0.0000219513,0.0079939775,0.0001695373,0.000005900003,0.0027713445,0.7145781,0.00020289274,0.0017620921,0.23708904,0.006121312,0.02917946],"study_design_scores_gemma":[0.0000061935907,0.000022864017,0.007784345,0.00021163585,0.0000064604124,0.000970006,0.80980647,0.000113963484,0.0005872391,0.006250705,0.1742263,0.000013899625],"about_ca_topic_score_codex":0.019134706,"about_ca_topic_score_gemma":0.06594487,"teacher_disagreement_score":0.019134706,"about_ca_system_score_codex":0.002109772,"about_ca_system_score_gemma":0.0010143975,"threshold_uncertainty_score":0.038046658},"labels":[],"label_agreement":null},{"id":"W2121327049","doi":"10.1080/17460654.2012.756644","title":"Muybridge, authorship, originality","year":2013,"lang":"en","type":"article","venue":"Early Popular Visual Culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Originality; Humanities; Subject (documents); Art; Photography; Visual arts; Sociology; Library science; Anthropology","score_opus":0.03466802410507994,"score_gpt":0.2827763603727165,"score_spread":0.24810833626763654,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2121327049","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05043169,0.033771794,0.0022542716,0.0727989,0.0055818004,0.000022965518,0.0001224952,0.000079891106,0.83493626],"genre_scores_gemma":[0.90638065,0.0073387907,0.00073940045,0.0018712436,0.0014706684,0.000021096448,0.000025799785,0.00006577508,0.08208669],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99673754,0.00161706,0.00013150208,0.00039868942,0.0008449239,0.00027017857],"domain_scores_gemma":[0.9911602,0.0049597886,0.00093608175,0.001062005,0.001425065,0.0004569443],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004457493,0.00020365909,0.00018562072,0.001800392,0.007212464,0.008797523,0.00058156456,0.0011019533,0.013487257],"category_scores_gemma":[0.016755337,0.00018455918,0.00006377797,0.0021458748,0.01812305,0.0075884517,0.0024933738,0.00251189,0.00093194895],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026956895,0.0000105098925,0.0010146393,0.00009359364,0.0000033749197,0.00016601098,0.050362594,0.0000392873,0.00013204133,0.8645686,0.046248116,0.037334338],"study_design_scores_gemma":[0.000011210009,0.000022976801,0.0029409716,0.00061095227,0.0000068400104,0.00028152022,0.026103953,0.00006095552,0.00037955155,0.07717334,0.8923956,0.000012231304],"about_ca_topic_score_codex":0.010107409,"about_ca_topic_score_gemma":0.016806467,"teacher_disagreement_score":0.013487257,"about_ca_system_score_codex":0.0060612494,"about_ca_system_score_gemma":0.0029339264,"threshold_uncertainty_score":0.045119345},"labels":[],"label_agreement":null},{"id":"W2122086716","doi":"10.7202/017466ar","title":"Shõmei Tõmatsu : la mémoire des ruines","year":2008,"lang":"fr","type":"article","venue":"Protée","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.06323686148915132,"score_gpt":0.26497699153381715,"score_spread":0.20174013004466584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2122086716","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46167257,0.012911055,0.0064316476,0.011163793,0.0016555837,0.000060379443,0.00010751406,0.00007956288,0.5059178],"genre_scores_gemma":[0.9282123,0.0032525873,0.0018797031,0.0006423216,0.00021987349,0.000035808567,0.00004630271,0.00007423848,0.06563697],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99965644,0.00015725286,0.000011225269,0.000054349173,0.0000606892,0.000060147806],"domain_scores_gemma":[0.99959356,0.00016594504,0.00004948322,0.000053496722,0.0000772012,0.000060359096],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007882831,0.00052223576,0.0002063294,0.0006741035,0.0064116386,0.0028219447,0.00039034683,0.001222469,0.0059513343],"category_scores_gemma":[0.0017516095,0.00025172165,0.00019122826,0.0008367706,0.0043774606,0.0031098109,0.0017837418,0.0016627326,0.0004910118],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001002406,0.000016423253,0.0028143993,0.00041272133,0.000013844954,0.0017766012,0.8354317,0.000103411425,0.007532309,0.106307425,0.011498671,0.03399226],"study_design_scores_gemma":[0.000009723314,0.00008367697,0.019163132,0.0005135756,0.00003415277,0.0013628193,0.378442,0.00020285073,0.0018621411,0.007568063,0.5907129,0.00004494853],"about_ca_topic_score_codex":0.010237444,"about_ca_topic_score_gemma":0.029518198,"teacher_disagreement_score":0.010237444,"about_ca_system_score_codex":0.0014943335,"about_ca_system_score_gemma":0.00077836897,"threshold_uncertainty_score":0.020355761},"labels":[],"label_agreement":null},{"id":"W212682153","doi":"10.1525/aft.2010.37.4.8","title":"Spaces in Time","year":2010,"lang":"en","type":"article","venue":"Afterimage","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.011450669786240658,"score_gpt":0.23156653973839242,"score_spread":0.22011586995215177,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W212682153","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005329132,0.024216492,0.0017763368,0.03889362,0.0034730742,0.00003770932,0.000319305,0.00013660829,0.92581767],"genre_scores_gemma":[0.26528698,0.019639876,0.0020006248,0.0080538,0.0020265505,0.000100399186,0.0003126294,0.0003527704,0.7022262],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986615,0.00046978824,0.000023791854,0.00023020996,0.00029960054,0.00031497225],"domain_scores_gemma":[0.99907744,0.00015473834,0.000059527534,0.000115136616,0.0002581614,0.00033492848],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009145845,0.000794177,0.0003700744,0.0010723522,0.011048617,0.013280804,0.00097283773,0.0014765939,0.07024871],"category_scores_gemma":[0.0019268427,0.00029859543,0.0003653862,0.0015105493,0.019943994,0.0064734984,0.005218613,0.0033902426,0.00560889],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004560025,0.000014220944,0.0007913223,0.00010522968,0.000008889909,0.00023470727,0.027096707,0.00012268664,0.0003817203,0.6236729,0.3060718,0.04145419],"study_design_scores_gemma":[0.0000029888581,0.0000043192395,0.00048243895,0.00008943371,0.0000014451244,0.000050734445,0.007396092,0.000017195609,0.00004858255,0.0069490457,0.98495114,0.0000065593827],"about_ca_topic_score_codex":0.32235408,"about_ca_topic_score_gemma":0.44788784,"teacher_disagreement_score":0.32235408,"about_ca_system_score_codex":0.022401921,"about_ca_system_score_gemma":0.009749906,"threshold_uncertainty_score":0.64095557},"labels":[],"label_agreement":null},{"id":"W2127427172","doi":"","title":"Historian's Viewpoint","year":2009,"lang":"en","type":"article","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.030594451578661933,"score_gpt":0.23548097637384707,"score_spread":0.20488652479518515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2127427172","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016236927,0.10152413,0.0042903055,0.5954748,0.06633808,0.000058321133,0.0005164045,0.00013069963,0.23004365],"genre_scores_gemma":[0.14150736,0.092748865,0.0053250575,0.32792452,0.10686586,0.000266901,0.0004520738,0.0004265375,0.32448283],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99773896,0.001140489,0.00007667764,0.00033113675,0.00049391843,0.00021870756],"domain_scores_gemma":[0.99677414,0.0014999146,0.00019105388,0.00027278846,0.00094407547,0.00031797084],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033390757,0.0006516485,0.0005706044,0.0025196068,0.004181128,0.0043600383,0.0016579822,0.0037677845,0.015807103],"category_scores_gemma":[0.008859145,0.0002921297,0.0003220709,0.002172057,0.011445013,0.005080724,0.0021738375,0.008883035,0.003617522],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012815874,0.000010171912,0.00013992097,0.000122000274,0.0000056245663,0.00012664216,0.00480972,0.00008261938,0.00008678302,0.38801095,0.5949808,0.011611872],"study_design_scores_gemma":[0.0000024559874,0.000003286766,0.00010466664,0.00018075516,0.0000018790774,0.000051772604,0.0011253722,0.0000330084,0.000028931583,0.018350426,0.98011327,0.0000041383355],"about_ca_topic_score_codex":0.03983189,"about_ca_topic_score_gemma":0.038637638,"teacher_disagreement_score":0.03983189,"about_ca_system_score_codex":0.0076470063,"about_ca_system_score_gemma":0.0055103167,"threshold_uncertainty_score":0.07920003},"labels":[],"label_agreement":null},{"id":"W2134720364","doi":"10.7202/013344ar","title":"Touring An Other’s Reality: Aboriginals, Immigrants, and Autochromes","year":2006,"lang":"en","type":"article","venue":"Ethnologies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"Immigration; German; Gaze; Treaty; Space (punctuation); History; Genealogy; Geography; Political science; Law; Archaeology; Psychology; Linguistics","score_opus":0.051428636461942116,"score_gpt":0.3039045738278052,"score_spread":0.2524759373658631,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2134720364","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94064194,0.0027925114,0.0003581232,0.0034052294,0.00017446157,0.00001887424,0.000027616205,0.000017797607,0.052563425],"genre_scores_gemma":[0.98908526,0.0013234526,0.00019093098,0.00038915238,0.000034417084,0.00000900673,0.000013280349,0.000015355925,0.008939086],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9984366,0.0009214586,0.000022319384,0.00011590628,0.00014504005,0.00035848387],"domain_scores_gemma":[0.9993395,0.00028564417,0.00007696467,0.000068183086,0.00006287421,0.00016672876],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017813304,0.0006182024,0.00040329772,0.0012893184,0.019790607,0.0064572,0.0009865438,0.0015857575,0.0036187582],"category_scores_gemma":[0.001463165,0.00043907022,0.00034889733,0.0010888163,0.028069662,0.0027839337,0.0060672737,0.003253433,0.00025051067],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008556156,0.000003566903,0.00058878545,0.000015231092,0.0000021188375,0.00034506412,0.9946898,0.000007896378,0.00014168394,0.002717202,0.00039874285,0.001081386],"study_design_scores_gemma":[0.0000011792165,0.000008846832,0.0009862431,0.00003826268,0.0000033805507,0.00021533034,0.99131495,0.000007119579,0.000051765055,0.00020812434,0.0071594557,0.000005285456],"about_ca_topic_score_codex":0.30965817,"about_ca_topic_score_gemma":0.52009904,"teacher_disagreement_score":0.30965817,"about_ca_system_score_codex":0.0055534975,"about_ca_system_score_gemma":0.0038464903,"threshold_uncertainty_score":0.6157115},"labels":[],"label_agreement":null},{"id":"W2156681803","doi":"10.1177/0967010607078528","title":"Grave Misgivings: Allegory, Catharsis, Composition","year":2007,"lang":"en","type":"article","venue":"Security Dialogue","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Catharsis; Allegory; Colonialism; Prison; Civilization; Narrative; Legitimacy; Law; Gulag; History; Art; Sociology; Literature; Political science; Politics","score_opus":0.020398292613581316,"score_gpt":0.2487792302749493,"score_spread":0.228380937661368,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2156681803","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35158795,0.0034266417,0.0036994691,0.022797992,0.0012283702,0.00003532348,0.00008877544,0.0001762464,0.61695915],"genre_scores_gemma":[0.97516114,0.00063455146,0.0005156786,0.0005596942,0.0001592041,0.000015742922,0.0000152182365,0.00006914373,0.02286963],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985526,0.0010069155,0.0000321244,0.00009834501,0.00017112771,0.00013880129],"domain_scores_gemma":[0.9981438,0.0010978675,0.00021015226,0.00020172824,0.00016565633,0.00018086529],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015703904,0.00030135672,0.00017384226,0.0009209342,0.00747999,0.004890362,0.00043389117,0.00080027344,0.009256431],"category_scores_gemma":[0.005395424,0.00020055084,0.00009186931,0.000686752,0.013999183,0.0029757002,0.004290988,0.0024134482,0.0006565934],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006476246,0.000037538084,0.0018692946,0.00012108778,0.000008321912,0.0006002111,0.6325055,0.00008196319,0.002012005,0.29886165,0.031746764,0.0320909],"study_design_scores_gemma":[0.000009615885,0.000043885535,0.0065797805,0.0002315971,0.000009480934,0.0008847364,0.37751693,0.00020477851,0.0016923593,0.012446241,0.60035306,0.000027514221],"about_ca_topic_score_codex":0.005189083,"about_ca_topic_score_gemma":0.010846366,"teacher_disagreement_score":0.009256431,"about_ca_system_score_codex":0.0022426697,"about_ca_system_score_gemma":0.0008340569,"threshold_uncertainty_score":0.030965805},"labels":[],"label_agreement":null},{"id":"W2158323612","doi":"10.1162/grey_a_00144","title":"Found Paintings, Disassembled Movies, World Images","year":2014,"lang":"en","type":"article","venue":"Grey Room","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Art history; Art; Film director; The arts; Visual arts; Movie theater","score_opus":0.02730887741097084,"score_gpt":0.2454699123496006,"score_spread":0.21816103493862976,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2158323612","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0037139473,0.0076730056,0.0004249453,0.0026540281,0.009951155,0.00006696395,0.0074844854,0.0006683425,0.96736306],"genre_scores_gemma":[0.011279754,0.004035964,0.00052207615,0.00050797325,0.0014879623,0.00002928164,0.0040835696,0.0006579981,0.97739536],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995877,0.000026806263,0.0000114980685,0.00006311249,0.00022901678,0.00008190147],"domain_scores_gemma":[0.9996201,0.00003413383,0.000021604075,0.00006227473,0.000146551,0.00011533084],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00046401372,0.00058561447,0.0003534275,0.0028044826,0.0028603002,0.005306129,0.0005442187,0.0007385848,0.37125567],"category_scores_gemma":[0.0014242043,0.0003620314,0.00050835515,0.0023226154,0.000759427,0.0020727217,0.0022091444,0.0013373476,0.11786277],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004200836,0.000011408514,0.00038543929,0.00011434585,0.0000065713693,0.00010444474,0.00031543974,0.000024578949,0.0002733347,0.002234631,0.95589954,0.040588334],"study_design_scores_gemma":[0.0000022407887,0.000003204417,0.0011797327,0.00009751563,0.0000022374534,0.000047003497,0.0001744594,0.0000055392925,0.000077164834,0.00011083996,0.99829787,0.0000022753943],"about_ca_topic_score_codex":0.011504706,"about_ca_topic_score_gemma":0.056473896,"teacher_disagreement_score":0.37125567,"about_ca_system_score_codex":0.0023401058,"about_ca_system_score_gemma":0.00089704746,"threshold_uncertainty_score":0.89682746},"labels":[],"label_agreement":null},{"id":"W2158913129","doi":"","title":"The Colonial Legacies of the Digital Archive: The Arnold Lupson Photographic Collection","year":2008,"lang":"en","type":"article","venue":"Archivaria","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Humanities; Art; Colonialism; Art history; Ethnology; Geography; History; Archaeology","score_opus":0.02149835779177809,"score_gpt":0.21542667405349467,"score_spread":0.19392831626171658,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2158913129","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42942503,0.013930112,0.0027614166,0.013272394,0.00073120516,0.00015837207,0.0005659457,0.00015094713,0.53900456],"genre_scores_gemma":[0.90547633,0.0071058013,0.0028221712,0.0009568519,0.00017934533,0.00005008007,0.00021635281,0.00014884138,0.08304409],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99767894,0.00072917534,0.000044857024,0.00020484981,0.0009945937,0.00034762186],"domain_scores_gemma":[0.997113,0.0012369198,0.00030679628,0.0005234756,0.0005793568,0.00024045008],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025166927,0.00026750757,0.00017562881,0.0029052275,0.01462045,0.009811604,0.0009849914,0.0006287606,0.008901291],"category_scores_gemma":[0.0060255546,0.00033273685,0.00012973014,0.0062658275,0.01869585,0.0025118648,0.0048483238,0.0014107267,0.0005413551],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015117203,0.00002518496,0.012765178,0.00032129665,0.00002082597,0.002185901,0.68501765,0.00037910242,0.0020903044,0.117758855,0.027396783,0.15188777],"study_design_scores_gemma":[0.00000892423,0.000019573024,0.029411238,0.0005189334,0.00002594266,0.00058446993,0.24443406,0.00009071508,0.0009263595,0.003243762,0.72070175,0.00003427947],"about_ca_topic_score_codex":0.7446073,"about_ca_topic_score_gemma":0.89162624,"teacher_disagreement_score":0.7446073,"about_ca_system_score_codex":0.032967288,"about_ca_system_score_gemma":0.017697172,"threshold_uncertainty_score":0.51379347},"labels":[],"label_agreement":null},{"id":"W2160011290","doi":"10.1162/thld_a_00156","title":"A Science of Signals: Einstein, Inertia, and the Postal System","year":2011,"lang":"en","type":"article","venue":"Thresholds","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Artificial Intelligence in Medicine (Canada)","funders":"","keywords":"Popular science; History of science; Architecture; Art history; Einstein; History; Media studies; Library science; Computer science; Sociology; Psychology; Physics; Archaeology; Mathematics education; Astronomy; Science education","score_opus":0.046621824258973786,"score_gpt":0.2312019373690937,"score_spread":0.1845801131101199,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2160011290","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0231869,0.04153669,0.00593108,0.26657802,0.008332663,0.0000341529,0.0002966561,0.0001637191,0.6539401],"genre_scores_gemma":[0.7999199,0.023811799,0.0021851754,0.019753654,0.011918053,0.00007878457,0.00018595463,0.00030228094,0.14184439],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983026,0.0008437198,0.000052976884,0.00023225995,0.00034158758,0.00022687619],"domain_scores_gemma":[0.9965262,0.0016939187,0.00033537947,0.00040586392,0.0006143325,0.0004243503],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027223327,0.00043154843,0.00032972117,0.0016956442,0.0064789504,0.0135333715,0.00054121786,0.0030152288,0.020987561],"category_scores_gemma":[0.00932908,0.00026984114,0.00026222382,0.0016584409,0.01884381,0.014254189,0.003719872,0.004877468,0.0031373105],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026226415,0.000008232534,0.00025047472,0.000031878197,0.000002605906,0.00004899767,0.0061680065,0.00004108686,0.0000721917,0.93565506,0.045325212,0.012370024],"study_design_scores_gemma":[0.000012383712,0.000028979577,0.0010800808,0.00023112522,0.0000049859764,0.000103230435,0.00465504,0.00018354702,0.00011909828,0.27289262,0.720662,0.000026946094],"about_ca_topic_score_codex":0.004468268,"about_ca_topic_score_gemma":0.005537307,"teacher_disagreement_score":0.020987561,"about_ca_system_score_codex":0.004608811,"about_ca_system_score_gemma":0.0017859727,"threshold_uncertainty_score":0.0702104},"labels":[],"label_agreement":null},{"id":"W2160970150","doi":"10.1111/j.1467-8365.2006.00521.x","title":"REBECCA BELMORE AND JAMES LUNA ON LOCATION AT VENICE: THE ALLEGORICAL INDIAN REDUX","year":2006,"lang":"en","type":"article","venue":"Art History","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Allegory; Fountain; Art; Power (physics); Art history; Certainty; History; Visual arts; Philosophy","score_opus":0.01864004319317326,"score_gpt":0.20183983116484636,"score_spread":0.1831997879716731,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2160970150","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06628839,0.019655854,0.0012286374,0.1264891,0.005473413,0.000040888346,0.00014636244,0.00026651114,0.78041077],"genre_scores_gemma":[0.41328552,0.0042911856,0.0006225928,0.013447135,0.0008684994,0.000034881734,0.00006905635,0.00035697708,0.56702405],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989981,0.00043151708,0.000011784701,0.00012680035,0.00017755253,0.00025429076],"domain_scores_gemma":[0.9992461,0.00016124158,0.00004680978,0.000067169094,0.00014429515,0.00033447272],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008955342,0.0003710114,0.0003017618,0.00069734064,0.017872259,0.0068090376,0.0011434163,0.0018125847,0.020842846],"category_scores_gemma":[0.002106879,0.0002856067,0.00018462307,0.0005677414,0.0072475807,0.0031593733,0.003793104,0.0054190117,0.002474076],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006698412,0.000048279577,0.001168207,0.000115340394,0.000006979106,0.0010065553,0.19687694,0.00009691216,0.0007001479,0.14411671,0.61549395,0.04030299],"study_design_scores_gemma":[0.0000022816491,0.00000979762,0.0013710866,0.0002052385,0.0000022101785,0.0002032804,0.055584487,0.0000333852,0.00016275357,0.0015171162,0.94089156,0.000016817305],"about_ca_topic_score_codex":0.16783993,"about_ca_topic_score_gemma":0.4887073,"teacher_disagreement_score":0.16783993,"about_ca_system_score_codex":0.0074804043,"about_ca_system_score_gemma":0.002885576,"threshold_uncertainty_score":0.333726},"labels":[],"label_agreement":null},{"id":"W2164668611","doi":"","title":"Bonnie Rubenstein, Field of Vision, CONTACT, Festival de photographie Toronto, mai 2013Bonnie Rubenstein, Field of Vision, CONTACT, Festival de photographie Toronto, mai 2013","year":2013,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Geography","score_opus":0.013548298653579581,"score_gpt":0.2642710907353567,"score_spread":0.2507227920817771,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2164668611","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036412822,0.18125382,0.0015546889,0.27554357,0.03800514,0.00016171334,0.004390698,0.0008059934,0.49464306],"genre_scores_gemma":[0.0144094275,0.025300898,0.00051403284,0.0030887672,0.0021273696,0.00003973551,0.0004996926,0.00019162035,0.9538285],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906594,0.00011156933,0.000042437016,0.00016937533,0.00040357493,0.00020713684],"domain_scores_gemma":[0.997233,0.00016523169,0.00014696698,0.00005925597,0.0011997514,0.0011958801],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013462239,0.0009455227,0.0003933447,0.0019306063,0.006490581,0.0042248056,0.00082451873,0.0018248508,0.2205962],"category_scores_gemma":[0.002276062,0.00042794953,0.00022417172,0.001802522,0.0010437364,0.002318543,0.0019327134,0.002108009,0.039291866],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000077183095,0.0000045565444,0.00017569374,0.00003681652,7.5548496e-7,0.000021486687,0.00018350086,0.000015286016,0.000041143692,0.0016252642,0.98576516,0.01212263],"study_design_scores_gemma":[0.0000016101735,0.0000029611615,0.0015942643,0.00005635131,9.923265e-7,0.00004007592,0.0005385006,0.0000111667205,0.00005343484,0.00015807342,0.9975369,0.000005715043],"about_ca_topic_score_codex":0.3909471,"about_ca_topic_score_gemma":0.78301036,"teacher_disagreement_score":0.6090529,"about_ca_system_score_codex":0.012711955,"about_ca_system_score_gemma":0.010038807,"threshold_uncertainty_score":0.7773431},"labels":[],"label_agreement":null},{"id":"W2167639865","doi":"","title":"Constructing Beauty: The Photographs Documenting the Construction of the Bloor Viaduct","year":2002,"lang":"en","type":"article","venue":"Archivaria","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Narrative; Interpretation (philosophy); Favourite; Archivist; Presentation (obstetrics); Visual arts; Beauty; Bureaucracy; Art history; Art; Sociology; Media studies; Politics; History; Aesthetics; Literature; Political science; Archaeology; Law; Philosophy","score_opus":0.028254923757595956,"score_gpt":0.213753514049754,"score_spread":0.18549859029215807,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2167639865","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39259487,0.004186637,0.0058020055,0.0076375757,0.00063049846,0.00012130857,0.00045599544,0.00014464627,0.58842653],"genre_scores_gemma":[0.92433834,0.0014518858,0.002380948,0.0002725776,0.000057732283,0.000026780954,0.000069184185,0.00008724766,0.071315184],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992842,0.00033493107,0.000012454776,0.00005840557,0.0001737596,0.00013614558],"domain_scores_gemma":[0.9993507,0.00027412892,0.00008331226,0.00010363346,0.00009258184,0.0000956237],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000881041,0.0003292481,0.0001350113,0.0012800449,0.0065340907,0.00397844,0.0005086164,0.00068824034,0.010211473],"category_scores_gemma":[0.0021425781,0.0002230792,0.00015691725,0.0014500591,0.009480186,0.0018218732,0.0031521746,0.0013382917,0.00050084287],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008595786,0.000011434878,0.0033902149,0.00028317742,0.000007576482,0.0016634937,0.7679319,0.00028174472,0.003855549,0.15725408,0.02348262,0.041752327],"study_design_scores_gemma":[0.000006147986,0.000036499838,0.012064196,0.00032607798,0.000013189205,0.00062134245,0.3019886,0.00015204625,0.0013274901,0.002620539,0.6808223,0.000021610656],"about_ca_topic_score_codex":0.1737874,"about_ca_topic_score_gemma":0.5620462,"teacher_disagreement_score":0.8262126,"about_ca_system_score_codex":0.0074699246,"about_ca_system_score_gemma":0.0041636,"threshold_uncertainty_score":0.34555173},"labels":[],"label_agreement":null},{"id":"W2167659471","doi":"10.1093/oxartj/kcl034","title":"Jeff Wall – Introduction","year":2007,"lang":"en","type":"article","venue":"Oxford Art Journal","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Visual arts; Art; Art history; Art gallery; Berlin wall; Exhibition; Fall of man; Politics; Law","score_opus":0.021732822822124378,"score_gpt":0.2517290538437238,"score_spread":0.2299962310215994,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2167659471","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017354098,0.06407466,0.00086844474,0.07337828,0.2397432,0.00007073854,0.00080052187,0.00042904116,0.6188997],"genre_scores_gemma":[0.007197268,0.022745581,0.0004898414,0.017425718,0.044489652,0.000037169568,0.00064218236,0.00031479858,0.9066577],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926275,0.000085042964,0.000039443563,0.00016800988,0.00034927885,0.00009549043],"domain_scores_gemma":[0.99886155,0.0001550872,0.00007404962,0.000072243674,0.00038898745,0.00044801563],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006750044,0.0006477488,0.00039710727,0.0012305487,0.0017281857,0.0055135367,0.00064864766,0.001813363,0.18273997],"category_scores_gemma":[0.003107733,0.0002665239,0.0002743061,0.0008116841,0.0007471809,0.003008681,0.0021280919,0.0023081638,0.07709388],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008545439,0.00001043976,0.000104875355,0.00007036541,0.000001128769,0.000038303155,0.00012343214,0.0000131451425,0.00010416535,0.0036930544,0.9688173,0.027015222],"study_design_scores_gemma":[4.5116562e-7,0.0000025448219,0.00016305556,0.00005098476,3.3188314e-7,0.000033528013,0.000064030864,0.0000036409115,0.000020332876,0.00027074822,0.9993888,0.0000015113836],"about_ca_topic_score_codex":0.0023820242,"about_ca_topic_score_gemma":0.006022471,"teacher_disagreement_score":0.18273997,"about_ca_system_score_codex":0.0011923312,"about_ca_system_score_gemma":0.0013699144,"threshold_uncertainty_score":0.6113261},"labels":[],"label_agreement":null},{"id":"W2167815321","doi":"10.1017/s1356186304294330","title":"Traces of India: Photography, Architecture, and the Politics of Representation, 1850–1900. Edited by Maria Antonella Pelizzari. pp. 343, 183 figs. Montreal, Canadian Centre for Architecture, and New Haven, Yale Center for British Art, 2003.","year":2004,"lang":"en","type":"article","venue":"Journal of the Royal Asiatic Society of Great Britain & Ireland","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Haven; Architecture; Politics; Representation (politics); Center (category theory); Art history; Photography; Art; Media studies; History; Sociology; Visual arts; Political science; Law","score_opus":0.010878758739183262,"score_gpt":0.21740552652235812,"score_spread":0.20652676778317486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2167815321","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013086679,0.5275414,0.00078938954,0.011214586,0.0021724585,0.000018579542,0.0016886948,0.0001399464,0.44334823],"genre_scores_gemma":[0.37570792,0.44370642,0.0016354005,0.0009024707,0.0021960032,0.00003473483,0.0011997794,0.0001956274,0.17442165],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99969006,0.00009036115,0.000021090445,0.000039780163,0.000095778945,0.00006286064],"domain_scores_gemma":[0.9994708,0.00018112386,0.00007918415,0.00008728368,0.000118215954,0.00006344284],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042498004,0.0009063874,0.0004283899,0.005087113,0.0027590494,0.004616791,0.0009939395,0.0007967444,0.017896354],"category_scores_gemma":[0.00149062,0.0006765511,0.00028228504,0.01213568,0.0057822964,0.002767854,0.0014317129,0.0015360803,0.0023411056],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009239029,0.00004493332,0.003789142,0.0013061966,0.000070198075,0.0004192196,0.061900213,0.0006792505,0.0004262307,0.2840938,0.33819202,0.3089864],"study_design_scores_gemma":[0.000002926084,0.000007610152,0.012337605,0.0009594187,0.000014362378,0.00026523453,0.009364203,0.000034496592,0.00019752671,0.009382491,0.9674174,0.000016663831],"about_ca_topic_score_codex":0.15859622,"about_ca_topic_score_gemma":0.30100146,"teacher_disagreement_score":0.15859622,"about_ca_system_score_codex":0.008437437,"about_ca_system_score_gemma":0.0053700665,"threshold_uncertainty_score":0.31534618},"labels":[],"label_agreement":null},{"id":"W2170098396","doi":"10.24908/ss.v5i2.3436","title":"Surveillance and the Visual - González-Crussi's On Seeing, Shih's Visuality and Identity, Reinhardt, Edwards and Duganne's Beautiful Suffering, and Apel and Smith's Lynching Photographs.","year":2002,"lang":"en","type":"article","venue":"Surveillance & Society","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Identity (music); Sociology; Psychoanalysis; Art; Psychology; Aesthetics","score_opus":0.01842465544744655,"score_gpt":0.2575704503970545,"score_spread":0.23914579494960797,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2170098396","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20871513,0.050765518,0.007254338,0.013843388,0.0012133776,0.000058035857,0.00028112542,0.00016510143,0.7177041],"genre_scores_gemma":[0.9193234,0.013862019,0.0032392445,0.0008146329,0.00036595453,0.000018155866,0.00009328979,0.00005132345,0.06223203],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99973243,0.000093717885,0.000008555253,0.000025477579,0.00011344538,0.000026273743],"domain_scores_gemma":[0.9994265,0.0002442539,0.00010144855,0.000044061504,0.00010995703,0.000073803705],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042321233,0.0003211976,0.000094512536,0.0009298694,0.0005779383,0.0018212821,0.00017312549,0.0003505801,0.010001883],"category_scores_gemma":[0.001623746,0.000100753576,0.00014256338,0.0005001983,0.0020443646,0.0011105536,0.00112243,0.0005668917,0.00056119706],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022824739,0.00009741657,0.030273143,0.0008801148,0.000055094508,0.0009958063,0.018769177,0.00079674146,0.006889994,0.19420739,0.07625897,0.6705479],"study_design_scores_gemma":[0.000026182774,0.00037120888,0.24367559,0.0012208328,0.00008480686,0.004960583,0.025711598,0.001779992,0.005763373,0.06892623,0.6473925,0.00008707919],"about_ca_topic_score_codex":0.005095463,"about_ca_topic_score_gemma":0.012052388,"teacher_disagreement_score":0.010001883,"about_ca_system_score_codex":0.00074966426,"about_ca_system_score_gemma":0.00044809468,"threshold_uncertainty_score":0.033459604},"labels":[],"label_agreement":null},{"id":"W2170691628","doi":"10.7202/008711ar","title":"Imaginary of the End, End of the Imaginary. Bazin and Malraux on the Limits of Painting and Photography","year":2004,"lang":"en","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"The Imaginary; Photography; Painting; Uncanny; Reading (process); Art; Relation (database); Agency (philosophy); Subject (documents); Visual arts; Literature; Philosophy; Epistemology; Computer science; Psychology; Psychoanalysis; Linguistics","score_opus":0.03291983267735387,"score_gpt":0.24539106938284286,"score_spread":0.21247123670548898,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2170691628","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05943725,0.114316374,0.011552586,0.15585847,0.0017764978,0.00003018992,0.00005192239,0.00007500091,0.6569017],"genre_scores_gemma":[0.9551721,0.01297608,0.0020172151,0.005014274,0.00088099815,0.00004610064,0.000018023304,0.00006045638,0.0238147],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9976793,0.001713008,0.000029789127,0.00018409021,0.0002531762,0.00014070657],"domain_scores_gemma":[0.9977913,0.0016347425,0.000115245835,0.00016091672,0.00017116431,0.00012661662],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001894337,0.00036172848,0.0003527536,0.0014290771,0.0044643176,0.009854601,0.00053726486,0.0022508628,0.0026058087],"category_scores_gemma":[0.004992288,0.00023799649,0.00023708171,0.0007733252,0.040592667,0.009741613,0.004054956,0.004026335,0.00031125764],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017130527,0.0000050422095,0.00011835247,0.000029699135,0.0000020263954,0.000026670057,0.013985671,0.000033159813,0.000084341445,0.97776437,0.004212111,0.00372144],"study_design_scores_gemma":[0.000023574446,0.000028056447,0.001261146,0.0003989883,0.000012550491,0.0002000082,0.024126494,0.00022786044,0.0003875911,0.61182475,0.36148784,0.000021204087],"about_ca_topic_score_codex":0.006933876,"about_ca_topic_score_gemma":0.005917357,"teacher_disagreement_score":0.009854601,"about_ca_system_score_codex":0.003736288,"about_ca_system_score_gemma":0.0014372721,"threshold_uncertainty_score":0.027108788},"labels":[],"label_agreement":null},{"id":"W2179477876","doi":"","title":"Research Guides: HIST 1114 Canada After Confederation (Historical Photographs): Annotated Bibliography","year":2015,"lang":"en","type":"libguides","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Bibliography; Annotated bibliography; History; Art; Library science; Computer science","score_opus":0.11603380491686004,"score_gpt":0.3200215000501543,"score_spread":0.20398769513329423,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2179477876","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015495865,0.013986244,0.0012054757,0.0046634,0.0042605423,0.0005851679,0.028329358,0.0004686212,0.94495165],"genre_scores_gemma":[0.0045091254,0.008650787,0.001658145,0.0005562072,0.00025963064,0.00031825027,0.0073490324,0.00037144116,0.9763274],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991066,0.00012937501,0.00006187226,0.00011078544,0.00047335145,0.000118122734],"domain_scores_gemma":[0.9949929,0.00038643077,0.0001044025,0.00017810076,0.004125773,0.00021234731],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013714338,0.0008876599,0.00068017957,0.011759426,0.009408371,0.0050983983,0.0014961695,0.0014018888,0.29684493],"category_scores_gemma":[0.0044191773,0.0007730128,0.00032548516,0.021959793,0.001744643,0.0028292374,0.0015492028,0.0016688735,0.07172738],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009392386,0.0000050955623,0.0001148012,0.00016430167,6.5506447e-7,0.000027441023,0.0006796637,0.000023420458,0.000046681424,0.0036908137,0.9698139,0.02542378],"study_design_scores_gemma":[0.0000010087214,0.0000010552131,0.0007249608,0.0002474888,0.0000012067599,0.000016020267,0.0012936606,0.00000623059,0.000052906504,0.00026083572,0.997391,0.000003651217],"about_ca_topic_score_codex":0.7705088,"about_ca_topic_score_gemma":0.91321075,"teacher_disagreement_score":0.29684493,"about_ca_system_score_codex":0.020422723,"about_ca_system_score_gemma":0.033807226,"threshold_uncertainty_score":0.9930452},"labels":[],"label_agreement":null},{"id":"W217982624","doi":"10.1525/aft.2006.33.5.39","title":"Elements for Experience","year":2006,"lang":"en","type":"article","venue":"Afterimage","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Interactivity; Object (grammar); Portrait; Computer science; Presentation (obstetrics); Passions; CLARITY; Conceptualization; Visual arts; Sociology; Aesthetics; Multimedia; Art; Literature; Artificial intelligence","score_opus":0.029167314645143386,"score_gpt":0.27371503267182495,"score_spread":0.24454771802668157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W217982624","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020570157,0.0032192888,0.002464466,0.01591115,0.0018448099,0.00013580959,0.00051320984,0.00040419938,0.9734501],"genre_scores_gemma":[0.04582961,0.0027819762,0.0027379943,0.0040487493,0.0004207918,0.00012151832,0.0005346144,0.0004148106,0.9431099],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978364,0.00047395003,0.0000616648,0.00022911231,0.0008799406,0.0005190211],"domain_scores_gemma":[0.9980584,0.00015199976,0.000044813183,0.00023918049,0.00070712174,0.0007984972],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013246515,0.00090716145,0.0004923051,0.0012108807,0.010623007,0.013780846,0.0022314156,0.002246233,0.2606408],"category_scores_gemma":[0.003761084,0.00031893895,0.00044825661,0.0015819239,0.005979726,0.0063646524,0.009008008,0.0032774361,0.058587592],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044091248,0.000039070277,0.00061382086,0.00018621051,0.0000059275512,0.00041969912,0.02124426,0.000103936814,0.00054932263,0.1617111,0.70853966,0.106542975],"study_design_scores_gemma":[0.0000013565528,0.000002592378,0.00016746177,0.00008107102,8.226198e-7,0.000069251924,0.0038287756,0.0000123600685,0.000021454105,0.0019152068,0.99389535,0.0000044603694],"about_ca_topic_score_codex":0.25633997,"about_ca_topic_score_gemma":0.4090105,"teacher_disagreement_score":0.2606408,"about_ca_system_score_codex":0.018741965,"about_ca_system_score_gemma":0.014244544,"threshold_uncertainty_score":0.87193036},"labels":[],"label_agreement":null},{"id":"W2187290813","doi":"","title":"Between Memory and History, Contact Photography Festival, Museum of Contemporary Canadian Art, Toronto May 1-31, 2008Between Memory and History, Contact Photography Festival, Museum of Contemporary Canadian Art, Toronto May 1-31, 2008","year":2009,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Visual arts; Art; Art history; Contemporary art; History; Performance art","score_opus":0.04217697402961923,"score_gpt":0.24462031868279993,"score_spread":0.2024433446531807,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2187290813","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05064404,0.049983263,0.00067638984,0.07278249,0.020714808,0.0007396729,0.03971476,0.00064991036,0.76409477],"genre_scores_gemma":[0.06385163,0.0059154266,0.00052175904,0.0018263846,0.0013486593,0.00014839065,0.0037538644,0.00016325946,0.9224707],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991689,0.00005180777,0.000022386934,0.00009538772,0.0003484109,0.00031315052],"domain_scores_gemma":[0.99795365,0.00013757541,0.000102076214,0.00008321246,0.00063770515,0.0010858515],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001040489,0.0008124986,0.0004810732,0.0016852723,0.016270354,0.0050358437,0.0013461001,0.0024946872,0.21783642],"category_scores_gemma":[0.0020772042,0.0005812597,0.00051940116,0.0030101473,0.0018017311,0.0017326319,0.0032888646,0.0025517035,0.018674053],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018752567,0.00005304175,0.0032945857,0.00016563562,0.000010614876,0.00027235041,0.0018484511,0.000065212924,0.00031912976,0.0018724726,0.9742234,0.01768759],"study_design_scores_gemma":[0.000019948066,0.000022178696,0.054483585,0.00015740938,0.000010519393,0.0000708576,0.004586076,0.00002424726,0.00015927671,0.00017526992,0.9402698,0.00002073535],"about_ca_topic_score_codex":0.85488826,"about_ca_topic_score_gemma":0.98936146,"teacher_disagreement_score":0.21783642,"about_ca_system_score_codex":0.030523084,"about_ca_system_score_gemma":0.021706866,"threshold_uncertainty_score":0.72873545},"labels":[],"label_agreement":null},{"id":"W2191714268","doi":"10.31165/nk.2015.86.404","title":"The Aesthetics of Zipai: From Wechat Selfies to Self-Representation in Contemporary Chinese Art and Photography","year":2015,"lang":"en","type":"article","venue":"Networking Knowledge Journal of the MeCCSA Postgraduate Network","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto","keywords":"Selfie; Aesthetics; Photography; Representation (politics); Sociology; Vernacular; Contemporary art; Visual arts; Art; Self representation; Literature; Art history; Humanities; Politics","score_opus":0.06627007124445351,"score_gpt":0.2907837515341175,"score_spread":0.224513680289664,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2191714268","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7107688,0.002695589,0.011810652,0.0058256467,0.0002997708,0.00011340484,0.000044720226,0.00010650769,0.26833495],"genre_scores_gemma":[0.99278706,0.00038849388,0.0008218915,0.00009523393,0.000030852163,0.00002386213,0.0000067631677,0.000017609871,0.0058280807],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9987239,0.00066638656,0.000047247057,0.00013204367,0.00025401742,0.00017624999],"domain_scores_gemma":[0.9992422,0.00035974273,0.00007951668,0.00017105477,0.000080325124,0.00006718069],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022629318,0.00053056766,0.00022837645,0.0017980072,0.007458956,0.0049632364,0.0006494373,0.00072380767,0.002771726],"category_scores_gemma":[0.0026829066,0.00024987257,0.0002659563,0.0018033801,0.027456332,0.004395831,0.003988243,0.0014328095,0.00012451864],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003174436,0.000008884889,0.0022698403,0.00012609808,0.0000071762884,0.0007056573,0.7410282,0.00012322636,0.0014236717,0.2360391,0.0011230551,0.017113432],"study_design_scores_gemma":[0.000015378062,0.00007986106,0.020174293,0.00032441877,0.000057864818,0.0018504923,0.75751114,0.0016221573,0.0032244562,0.0460223,0.16905461,0.00006306893],"about_ca_topic_score_codex":0.0116905635,"about_ca_topic_score_gemma":0.014016201,"teacher_disagreement_score":0.0116905635,"about_ca_system_score_codex":0.0040889764,"about_ca_system_score_gemma":0.0020856983,"threshold_uncertainty_score":0.029667795},"labels":[],"label_agreement":null},{"id":"W2195419964","doi":"10.2307/3660414","title":"","year":2004,"lang":"en","type":"article","venue":"Journal of American History","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Legend; Battle; Spanish Civil War; Rhetoric; History; Ephemera; Art; Visual culture; Nationalism; Literature; Context (archaeology); Art history; Visual arts; Law; Politics; Ancient history; Archaeology","score_opus":0.030637309686378837,"score_gpt":0.23419872931742486,"score_spread":0.20356141963104601,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2195419964","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013574057,0.032815933,0.0013068466,0.032145415,0.02057509,0.00003160891,0.0003505041,0.0005243058,0.91089296],"genre_scores_gemma":[0.0055734483,0.007337892,0.00042214833,0.004680273,0.0010850106,0.00001379602,0.00009903632,0.00013646304,0.980652],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99972254,0.00003224474,0.000008154754,0.000074727584,0.00013058151,0.000031726315],"domain_scores_gemma":[0.9997423,0.000051014715,0.0000132484165,0.00002403939,0.000109044675,0.00006032987],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002572565,0.0004964434,0.0002611502,0.00061168475,0.0020437858,0.003026311,0.00050903857,0.0010735492,0.1493713],"category_scores_gemma":[0.0011347844,0.00021026847,0.00016717051,0.00047377008,0.00083135033,0.0017906568,0.0014385888,0.0017119112,0.086158626],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000073516653,0.000010097846,0.00009531103,0.00003097157,7.474779e-7,0.00003954205,0.00027679207,0.000019379331,0.00014686934,0.014326833,0.92753375,0.057512358],"study_design_scores_gemma":[5.3499036e-7,0.0000016378281,0.0000876815,0.000026923723,2.3586578e-7,0.000036772726,0.00010691359,0.000010957131,0.000032535885,0.0005295636,0.9991652,0.000001015647],"about_ca_topic_score_codex":0.0041548093,"about_ca_topic_score_gemma":0.012546138,"teacher_disagreement_score":0.85062873,"about_ca_system_score_codex":0.0010831729,"about_ca_system_score_gemma":0.00086717296,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W2196562175","doi":"","title":"Laura Letinsky, Still Life Photographs 1997–2012, Carleton University Art Gallery, Ottawa, 16 September 2013 to 19 January 2014Laura Letinsky, Still Life Photographs 1997–2012, Carleton University Art Gallery, Ottawa, 16 September 2013 to 19 January 2014","year":2014,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art gallery; Visual arts; Art; Art history; History; Exhibition","score_opus":0.017158484620423485,"score_gpt":0.22186895572552023,"score_spread":0.20471047110509674,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2196562175","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0066865436,0.016596213,0.00094714365,0.05902527,0.015911017,0.0007679408,0.038242985,0.0014996077,0.8603233],"genre_scores_gemma":[0.004436882,0.0021507377,0.00032526496,0.0008930762,0.000253633,0.00006846052,0.0028343303,0.00027778256,0.9887599],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988381,0.000071055125,0.000036974703,0.00017115283,0.00051487633,0.00036778726],"domain_scores_gemma":[0.99699354,0.00015651704,0.000087410874,0.00018748043,0.0017221639,0.00085297733],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001184803,0.0010509698,0.0005254173,0.0028841319,0.014743505,0.004740716,0.0022998005,0.0026495908,0.42030674],"category_scores_gemma":[0.0026562295,0.0010555725,0.00062084827,0.0028627056,0.0014714068,0.0024456193,0.0033522567,0.0030725175,0.13883092],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013444135,0.0000055903315,0.00016309106,0.00002902383,0.0000012483428,0.000040338236,0.00011719225,0.000021054519,0.0000652769,0.00029435812,0.9964198,0.0028296392],"study_design_scores_gemma":[0.0000035397,0.0000031903346,0.0052186344,0.00006980687,0.0000027026822,0.000031357387,0.0010669049,0.000017386265,0.00015213655,0.00007124692,0.99335164,0.0000115592175],"about_ca_topic_score_codex":0.71318924,"about_ca_topic_score_gemma":0.95775497,"teacher_disagreement_score":0.42030674,"about_ca_system_score_codex":0.021377416,"about_ca_system_score_gemma":0.014395767,"threshold_uncertainty_score":0.8268621},"labels":[],"label_agreement":null},{"id":"W2197203526","doi":"10.4000/lcc.1138","title":"Les affects dans la pratique du cinéma expérimental de remploi","year":2015,"lang":"fr","type":"article","venue":"Chantiers de la Création","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Humanities; Art; Physics; Philosophy","score_opus":0.025672711932072118,"score_gpt":0.28050567500576923,"score_spread":0.2548329630736971,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2197203526","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87646186,0.0013902477,0.002791,0.0013852293,0.00010341533,0.00008701039,0.00003154546,0.000024470004,0.11772517],"genre_scores_gemma":[0.99226063,0.00041535878,0.00047833932,0.000112811715,0.00003306243,0.00004973745,0.000009850583,0.000009823847,0.006630364],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9976077,0.0015594324,0.000046669382,0.00020790656,0.0004490105,0.00012923994],"domain_scores_gemma":[0.99341995,0.004897136,0.0007073149,0.00037344728,0.0003454508,0.00025671444],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030814868,0.00033285964,0.00022284238,0.00082376786,0.0025318156,0.003522073,0.00047286617,0.0007684174,0.0057985447],"category_scores_gemma":[0.008980084,0.00026407666,0.00016611004,0.00035448908,0.009985657,0.0025238744,0.0025794501,0.0015825205,0.00025437845],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032812695,0.00053320813,0.013347353,0.0003941051,0.000025345129,0.000747237,0.82996583,0.00014764191,0.0179247,0.10838439,0.0009393481,0.027262708],"study_design_scores_gemma":[0.00015812709,0.0012166193,0.1670879,0.00062756345,0.00010982798,0.0020807462,0.5914739,0.00074971607,0.017532673,0.0229891,0.19582182,0.00015206529],"about_ca_topic_score_codex":0.002326684,"about_ca_topic_score_gemma":0.0027939077,"teacher_disagreement_score":0.0057985447,"about_ca_system_score_codex":0.0016969797,"about_ca_system_score_gemma":0.0006608816,"threshold_uncertainty_score":0.019398093},"labels":[],"label_agreement":null},{"id":"W2200454958","doi":"","title":"Robert Frank, HOLD STILL — keep going. Film/photoworks, Canadian Museum of Contemporary Photography, June 22-September 12, 2002Robert Frank, HOLD STILL — keep going. Film/photoworks, Canadian Museum of Contemporary Photography, June 22-September 12, 2002","year":2002,"lang":"en","type":"article","venue":"CV Photo","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Art history; Art; Visual arts; History; Media studies; Sociology","score_opus":0.032701962783373104,"score_gpt":0.22505191868029745,"score_spread":0.19234995589692433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2200454958","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025068454,0.042508807,0.0010979711,0.05079922,0.015171348,0.0002506231,0.0034370078,0.0019635367,0.8822646],"genre_scores_gemma":[0.0036788008,0.0074976175,0.00039620994,0.0011231372,0.00037114182,0.000013501496,0.0004549938,0.00021331303,0.98625135],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996086,0.000019295749,0.000010577353,0.00005055585,0.00022754833,0.00008336078],"domain_scores_gemma":[0.99908733,0.00003759246,0.000030958097,0.00003327682,0.0005619777,0.0002488195],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005313334,0.0007729388,0.00038776602,0.0010863479,0.0047667227,0.0030874177,0.00092636055,0.001404645,0.5455277],"category_scores_gemma":[0.0011664551,0.00045629957,0.0002810238,0.00088265096,0.00045760066,0.0021304444,0.0011697058,0.0017613263,0.27940738],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013197362,0.0000060971247,0.000056450768,0.00003442398,9.795057e-7,0.000025225912,0.000054551194,0.000007033077,0.00018061696,0.00028690984,0.9821868,0.017147733],"study_design_scores_gemma":[0.0000035760302,0.0000035553007,0.00084319577,0.000044657834,0.0000022068184,0.000058743448,0.00038281,0.000007496349,0.000158202,0.00006249875,0.99842644,0.000006661531],"about_ca_topic_score_codex":0.198219,"about_ca_topic_score_gemma":0.5107965,"teacher_disagreement_score":0.5455277,"about_ca_system_score_codex":0.0023232454,"about_ca_system_score_gemma":0.0015561996,"threshold_uncertainty_score":0.64824957},"labels":[],"label_agreement":null},{"id":"W2201733880","doi":"","title":"Visions of Canada: Photographs and History in a Museum, 1921-1967","year":2015,"lang":"en","type":"dissertation","venue":"Spectrum Research Repository (Concordia University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Vision; Context (archaeology); History of photography; Professionalization; Subject (documents); Visual arts; History; Photography; Art history; Comparative historical research; Art; Library science; Archaeology; Sociology; Anthropology; Social science","score_opus":0.043615932112488466,"score_gpt":0.26882800530549306,"score_spread":0.2252120731930046,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2201733880","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55186397,0.036653712,0.0007326039,0.027099354,0.0008458213,0.00015628696,0.006580178,0.00010603676,0.37596196],"genre_scores_gemma":[0.9203843,0.012715481,0.000545238,0.0005191853,0.00006640744,0.000023326547,0.00056650065,0.00004776903,0.06513176],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99849045,0.00018151381,0.000037960956,0.00014806153,0.00073435425,0.00040757656],"domain_scores_gemma":[0.9977647,0.0003412491,0.00018059222,0.00010973526,0.0011086811,0.00049508206],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012690369,0.00034584454,0.0002577699,0.0033807035,0.020393634,0.004979261,0.0011796205,0.0006278163,0.01367127],"category_scores_gemma":[0.0040669185,0.0004162635,0.00020619766,0.009116187,0.009444276,0.0019828056,0.0029446501,0.001757356,0.00054699235],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.00016164566,0.000048556212,0.037304875,0.00072442275,0.000044267683,0.0014140991,0.6314074,0.00053591974,0.0011545382,0.07200525,0.11368586,0.14151323],"study_design_scores_gemma":[0.0000046563496,0.000016855283,0.11823903,0.000535338,0.000027545018,0.00029012322,0.26701763,0.000068104906,0.00048183504,0.00067625096,0.6125893,0.000053275988],"about_ca_topic_score_codex":0.99534154,"about_ca_topic_score_gemma":0.99906236,"teacher_disagreement_score":0.8603822,"about_ca_system_score_codex":0.13961777,"about_ca_system_score_gemma":0.098445766,"threshold_uncertainty_score":0.9979214},"labels":[],"label_agreement":null},{"id":"W2203086915","doi":"","title":"The Photobook: A History Volume III, Martin Parr et Gerry Badger, Londres et New York, Phaidon, 2014, 320 p., ill.The Photobook: A History Volume III, Martin Parr et Gerry Badger, Londres et New York, Phaidon, 2014, 320 p., ill.","year":2015,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Badger; Art; Volume (thermodynamics); Humanities; Biology; Physics; Ecology","score_opus":0.05555910064842567,"score_gpt":0.2568161976088202,"score_spread":0.2012570969603945,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2203086915","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005459198,0.3147692,0.0016546188,0.010417552,0.013070305,0.00009962355,0.0036517403,0.0008491934,0.6549418],"genre_scores_gemma":[0.0028504275,0.090936795,0.001037371,0.0020668937,0.002432911,0.00007004855,0.0013963933,0.00065847184,0.8985506],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995646,0.000057913054,0.000024667024,0.00007034645,0.0002472679,0.000035171703],"domain_scores_gemma":[0.99899584,0.00027117602,0.0000748022,0.00006328613,0.0004355804,0.00015932528],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00061212014,0.0011035837,0.00074625184,0.003098296,0.0015499162,0.0051548965,0.00081643614,0.0010787181,0.33811522],"category_scores_gemma":[0.0023343586,0.00075218856,0.00037906642,0.0050365604,0.00081098604,0.005675683,0.0017825128,0.0022109982,0.18749852],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000102498,0.000004708538,0.000034587203,0.00014933317,0.0000010483939,0.000014401724,0.00008725858,0.000018897917,0.00007794859,0.0010745858,0.9619753,0.03655174],"study_design_scores_gemma":[0.0000012971307,0.0000028207412,0.00022542913,0.00014795978,0.0000013032661,0.00004561041,0.00011365468,0.0000069512457,0.000023511187,0.00028177755,0.99914706,0.0000025848906],"about_ca_topic_score_codex":0.014997824,"about_ca_topic_score_gemma":0.03644547,"teacher_disagreement_score":0.33811522,"about_ca_system_score_codex":0.0022247413,"about_ca_system_score_gemma":0.002460315,"threshold_uncertainty_score":0.9440983},"labels":[],"label_agreement":null},{"id":"W2221914805","doi":"","title":"L’image numérique au cinéma. L’image numérique au cinéma, Philippe Lemieux, Montréal : Les 400 coups, 2002, 175 pages L’image numérique au cinéma, Philippe Lemieux, Montréal : Les 400 coups, 2002, 175 pages","year":2003,"lang":"fr","type":"article","venue":"Séquences : La revue de cinéma","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Image (mathematics); Art; Computer vision; Computer science","score_opus":0.018298192263820436,"score_gpt":0.24148296909284034,"score_spread":0.2231847768290199,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2221914805","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0028044682,0.48432758,0.0068399557,0.028550107,0.011335319,0.00006591208,0.0011695002,0.00082661666,0.46408042],"genre_scores_gemma":[0.035579417,0.15039241,0.0050626853,0.0022059642,0.005794016,0.00010568893,0.0008966792,0.0006891942,0.79927397],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935657,0.00013868141,0.000027714572,0.00010526466,0.0002974938,0.00007426225],"domain_scores_gemma":[0.999084,0.00019984812,0.00006319774,0.000068833404,0.0004090684,0.0001749081],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006516768,0.0015196153,0.0006845973,0.0024835097,0.0021003645,0.0058106333,0.0009856767,0.0017806505,0.10523622],"category_scores_gemma":[0.0025795395,0.00062522246,0.00036070263,0.0028953915,0.002190535,0.004067811,0.0018203441,0.002233439,0.016489808],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033883553,0.000017683493,0.00037023425,0.0005671167,0.0000068409486,0.00007045182,0.0012034326,0.00026084,0.00109616,0.026696423,0.79579264,0.17388421],"study_design_scores_gemma":[0.0000055575183,0.0000064052047,0.0021142492,0.0003598364,0.0000045061215,0.00016475611,0.00042807948,0.00018305877,0.0002728723,0.0019221426,0.99452966,0.0000089280875],"about_ca_topic_score_codex":0.21255088,"about_ca_topic_score_gemma":0.24173799,"teacher_disagreement_score":0.21255088,"about_ca_system_score_codex":0.007980113,"about_ca_system_score_gemma":0.004917158,"threshold_uncertainty_score":0.4226274},"labels":[],"label_agreement":null},{"id":"W2225171096","doi":"","title":"Martha Langford, Scissors, Paper, Stone: Expressions of Memory in Contemporary Photographic Art, McGill-Queen’s University Press, 2007, 342 p.Martha Langford, Scissors, Paper, Stone: Expressions of Memory in Contemporary Photographic Art, McGill-Queen’s University Press, 2007, 342 p.","year":2008,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Queen (butterfly); Visual arts; Photography","score_opus":0.03883418269097834,"score_gpt":0.23874515752559253,"score_spread":0.19991097483461417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2225171096","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015078761,0.7812668,0.001851713,0.07599016,0.004903592,0.000055515768,0.0004030264,0.00016307921,0.13385819],"genre_scores_gemma":[0.04384303,0.64675933,0.0048423493,0.018510288,0.007528448,0.00022252384,0.0003201194,0.00039518427,0.27757877],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992393,0.0002502472,0.00005122192,0.000072398616,0.00031944347,0.000067403824],"domain_scores_gemma":[0.9973252,0.0016971778,0.00021478729,0.00007879858,0.00043866105,0.0002452447],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016375427,0.0014312636,0.00073273655,0.0039607463,0.0044454476,0.005337408,0.0020420845,0.0037213904,0.04423684],"category_scores_gemma":[0.0045173215,0.0010254165,0.0004236232,0.004458483,0.0045621363,0.012905089,0.0022390778,0.0034667612,0.011308421],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003887354,0.000017105132,0.00018494873,0.0005450413,0.000010275031,0.00017126148,0.00771992,0.00004334697,0.00024320604,0.02295196,0.91245097,0.055623073],"study_design_scores_gemma":[0.000015658852,0.000012190522,0.003640777,0.0011272025,0.000013015388,0.00042593415,0.006713579,0.000057263558,0.00033314974,0.010097228,0.9775303,0.000033655582],"about_ca_topic_score_codex":0.08526751,"about_ca_topic_score_gemma":0.18985038,"teacher_disagreement_score":0.08526751,"about_ca_system_score_codex":0.003995818,"about_ca_system_score_gemma":0.0032430626,"threshold_uncertainty_score":0.16954243},"labels":[],"label_agreement":null},{"id":"W2225326340","doi":"","title":"Killing Women: The Visual Culture of Gender and Violence","year":2009,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.03275145636045007,"score_gpt":0.26771464331939715,"score_spread":0.23496318695894708,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2225326340","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5888183,0.012387538,0.0005588054,0.034896526,0.0006147903,0.0000558159,0.0002961926,0.00003153289,0.36234048],"genre_scores_gemma":[0.9840305,0.0026082927,0.00014186032,0.0012684646,0.000057002595,0.000014681254,0.000034427736,0.000026604655,0.011818176],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9960343,0.001625833,0.000063777676,0.00019713429,0.0010471625,0.001031873],"domain_scores_gemma":[0.9947509,0.0023268638,0.0005832432,0.00028494038,0.0012497863,0.00080435426],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037735736,0.0005670438,0.00040428084,0.0044036843,0.031021548,0.015171726,0.0017889217,0.0022468956,0.010117051],"category_scores_gemma":[0.010610085,0.0004659267,0.00020537316,0.0048468933,0.02842331,0.0030585479,0.0050792275,0.0038482575,0.0003184358],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006303518,0.000052523006,0.007598435,0.0001764909,0.000014238337,0.00027174086,0.88796943,0.000072029914,0.00062145124,0.061693564,0.015015583,0.026451454],"study_design_scores_gemma":[0.0000055212035,0.000016356258,0.016782058,0.0002678975,0.000010068403,0.0001347176,0.90652215,0.000021547705,0.00017958535,0.0023513255,0.07368804,0.000020682559],"about_ca_topic_score_codex":0.91473657,"about_ca_topic_score_gemma":0.9504694,"teacher_disagreement_score":0.91473657,"about_ca_system_score_codex":0.03503519,"about_ca_system_score_gemma":0.040627155,"threshold_uncertainty_score":0.25419933},"labels":[],"label_agreement":null},{"id":"W2225692514","doi":"","title":"Photographie Memory: The Experience of Performance, Performance and Photography: POINT & SHOOT, March 4-May 22, 2004, Dazibao, Montréal Photographie Memory: The Experience of Performance, Performance and Photography: POINT & SHOOT, March 4-May 22, 2004, Dazibao, Montréal","year":2004,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Shoot; Point (geometry); Art; Visual arts; Horticulture; Biology; Mathematics","score_opus":0.018136102412784735,"score_gpt":0.2340451209532647,"score_spread":0.21590901854047997,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2225692514","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.023348449,0.020486621,0.0005911942,0.020118313,0.004442871,0.00016685946,0.006196552,0.00075075554,0.92389846],"genre_scores_gemma":[0.043466963,0.004933446,0.00038346893,0.0004391096,0.0003183104,0.000056853543,0.0010688375,0.00025658385,0.94907635],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99965715,0.000035277215,0.0000068298714,0.000048493963,0.00013518098,0.00011714647],"domain_scores_gemma":[0.9993055,0.00003572592,0.000022486909,0.000038248894,0.000206314,0.00039167242],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008091257,0.00088825385,0.00041334803,0.0007370046,0.007340877,0.005660472,0.0015037962,0.0015681037,0.31143895],"category_scores_gemma":[0.0011646376,0.0005139092,0.0002974813,0.0017003153,0.0013250943,0.0016851511,0.0026983311,0.0019580566,0.025585003],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012079342,0.000045051358,0.0010470861,0.00009156297,0.000007676058,0.00014837737,0.0032225712,0.00007421469,0.0006103238,0.0018884406,0.95868194,0.03406187],"study_design_scores_gemma":[0.000018583205,0.000033244392,0.013642061,0.000114289214,0.000008410125,0.00008791838,0.0054914886,0.00003198641,0.00028014925,0.00022578047,0.98004603,0.000020057243],"about_ca_topic_score_codex":0.5590881,"about_ca_topic_score_gemma":0.8912565,"teacher_disagreement_score":0.5590881,"about_ca_system_score_codex":0.0055745174,"about_ca_system_score_gemma":0.007110584,"threshold_uncertainty_score":0.98214877},"labels":[],"label_agreement":null},{"id":"W2228249104","doi":"","title":"Photograph of Mary Bell by F. Pfaff, Photographer, Erie, Pa. [n.d.]","year":2011,"lang":"en","type":"article","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cabinet (room); Studio; Photography; Visual arts; Art; Art history; Portrait; Card reader; History; Computer science; Computer security","score_opus":0.05147382361606543,"score_gpt":0.19672964048612365,"score_spread":0.14525581687005823,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2228249104","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00044364954,0.0026147978,0.00035424615,0.0024357864,0.0028948914,0.00009625185,0.0028039163,0.00060184236,0.98775464],"genre_scores_gemma":[0.0022753903,0.0016152802,0.00044310515,0.0008191096,0.00025893757,0.00003373836,0.0013630259,0.00023877528,0.99295264],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999821,0.000012261088,0.0000071314507,0.000047178582,0.000089726156,0.000022730286],"domain_scores_gemma":[0.9995003,0.000035576842,0.000015460899,0.000024615689,0.00035001818,0.000073928706],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023214304,0.00071556994,0.00035048852,0.00092677283,0.0020238333,0.0019898857,0.00043742804,0.00069904164,0.6350606],"category_scores_gemma":[0.000863691,0.0004009899,0.00025055438,0.0011777949,0.00028462865,0.001675392,0.00073749817,0.0017423078,0.4092218],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000059140366,0.000002707287,0.000043952594,0.000019284931,4.236262e-7,0.000014505007,0.000017431192,0.000009774386,0.00007458535,0.00027399365,0.98575103,0.013786388],"study_design_scores_gemma":[0.0000022159866,0.000004713995,0.00065234635,0.000029310184,7.666934e-7,0.000047292084,0.00005341211,0.000015687727,0.000035813227,0.00005286647,0.99910384,0.0000017275148],"about_ca_topic_score_codex":0.02288815,"about_ca_topic_score_gemma":0.06926554,"teacher_disagreement_score":0.6350606,"about_ca_system_score_codex":0.0008473937,"about_ca_system_score_gemma":0.0009697825,"threshold_uncertainty_score":0.5205417},"labels":[],"label_agreement":null},{"id":"W222877183","doi":"","title":"I Confess: Photographs of People Speaking","year":2000,"lang":"en","type":"article","venue":"Cineaction!","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Confessional; Confession (law); Silence; Plot (graphics); Economic Justice; Art history; Art; Literature; Philosophy; Psychoanalysis; Aesthetics; History; Psychology; Law; Politics","score_opus":0.02374499725385421,"score_gpt":0.24001917426914693,"score_spread":0.21627417701529272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W222877183","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25591215,0.009615291,0.0023548927,0.020853527,0.0042942916,0.0002794514,0.0041635577,0.00060013175,0.70192677],"genre_scores_gemma":[0.82094955,0.0041133463,0.0025198432,0.008896564,0.0005986947,0.00017288777,0.0014119991,0.00044889477,0.16088822],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99952364,0.00019036175,0.000014745107,0.000053595824,0.00013847555,0.000079195066],"domain_scores_gemma":[0.99940145,0.00021482349,0.00007176961,0.00008346417,0.00013588692,0.000092565526],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005092958,0.0006542837,0.00026870103,0.0011615775,0.0046017575,0.002123347,0.000634445,0.001633943,0.022537168],"category_scores_gemma":[0.0022241252,0.00038739596,0.00035110756,0.001032985,0.001827415,0.0018232196,0.0022934766,0.0026211916,0.0062854537],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031631993,0.000104832514,0.0028862287,0.0006863774,0.000040745337,0.006447181,0.47441325,0.00013767614,0.0053109387,0.008991284,0.45196354,0.048701636],"study_design_scores_gemma":[0.00001503692,0.000055204197,0.016876245,0.00042553828,0.000023731865,0.00575979,0.20398276,0.00014636356,0.0011867541,0.0010008594,0.77047914,0.000048671416],"about_ca_topic_score_codex":0.0143467635,"about_ca_topic_score_gemma":0.032461926,"teacher_disagreement_score":0.022537168,"about_ca_system_score_codex":0.0011111345,"about_ca_system_score_gemma":0.00043993583,"threshold_uncertainty_score":0.07539433},"labels":[],"label_agreement":null},{"id":"W2232088683","doi":"","title":"Ken Lum Works With Photography, Canadian Museum of Contemporary Photography, 21 September 2002-12 January 2003 Ken Lum Works With Photography, Canadian Museum of Contemporary Photography, 21 September 2002-12 January 2003","year":2003,"lang":"en","type":"article","venue":"CV Photo","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Art; Visual arts; Art history","score_opus":0.02430033796067799,"score_gpt":0.21726799405805824,"score_spread":0.19296765609738026,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2232088683","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017278321,0.0041148895,0.00032441175,0.0051596016,0.002706625,0.000105504536,0.0053948206,0.0009568795,0.9795094],"genre_scores_gemma":[0.0021384703,0.001092217,0.00026365693,0.0002056529,0.00006240027,0.0000083491905,0.000604842,0.000121213554,0.99550325],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989812,0.000025125819,0.000021045604,0.00015658578,0.0006815493,0.00013442065],"domain_scores_gemma":[0.9976884,0.00007423981,0.000045667606,0.00012027751,0.0017285482,0.00034279138],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007040778,0.0009768547,0.000758811,0.0033261455,0.0105690025,0.005082643,0.0011670676,0.0015848962,0.5699645],"category_scores_gemma":[0.0016517241,0.000793602,0.00041587438,0.0038086153,0.0014892033,0.0017055561,0.0015570712,0.0023168428,0.19707654],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016402713,0.0000081405415,0.00026966818,0.00005541695,0.0000024071244,0.000043104097,0.00010558435,0.000023690516,0.0001547231,0.00073485967,0.97094554,0.027640576],"study_design_scores_gemma":[0.0000028495624,0.0000025544605,0.0019609737,0.000041766853,0.0000033739273,0.000044627108,0.0002487669,0.00001963367,0.00009929929,0.00007912565,0.99748826,0.000008895017],"about_ca_topic_score_codex":0.83973134,"about_ca_topic_score_gemma":0.9762072,"teacher_disagreement_score":0.83973134,"about_ca_system_score_codex":0.013145461,"about_ca_system_score_gemma":0.018436713,"threshold_uncertainty_score":0.6133934},"labels":[],"label_agreement":null},{"id":"W2234511975","doi":"","title":"Mediating a Common Sense of Place: The Toronto Archives' \"A Visual Legacy: The City of Toronto's Use of Photography, 1856-1997\"","year":2008,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Sense of place; Visual arts; Common sense; Media studies; History; Art history; Art; Sociology; Political science; Social science","score_opus":0.06795382253616278,"score_gpt":0.2694942516702256,"score_spread":0.20154042913406284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2234511975","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5641295,0.024259003,0.0016696949,0.05714126,0.00089830643,0.00008186043,0.0017566906,0.000098174176,0.34996554],"genre_scores_gemma":[0.980339,0.002196434,0.0002964551,0.00039120056,0.00007177443,0.0000149325015,0.00008702275,0.000046310222,0.016556926],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977689,0.0008450499,0.00007134274,0.00021346087,0.00046541772,0.00063588435],"domain_scores_gemma":[0.9956644,0.0014309009,0.0006680097,0.00037033673,0.000790448,0.0010758406],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030506093,0.00057041977,0.00037580295,0.003352542,0.029366646,0.015656143,0.0019548424,0.0021678002,0.0116628185],"category_scores_gemma":[0.0067818915,0.0005232612,0.0003104169,0.007012978,0.031015962,0.0058537503,0.009022279,0.0034785548,0.00042315826],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003224214,0.000007672228,0.0043968107,0.00010627214,0.000012699456,0.00055553304,0.895382,0.00010094813,0.00016926667,0.07466979,0.015039802,0.009526946],"study_design_scores_gemma":[0.000007984518,0.000012424257,0.024910845,0.00038689855,0.000036421832,0.00023463853,0.7210101,0.000066780776,0.0002622547,0.0030930804,0.24993531,0.00004320075],"about_ca_topic_score_codex":0.95978904,"about_ca_topic_score_gemma":0.9886275,"teacher_disagreement_score":0.094111875,"about_ca_system_score_codex":0.094111875,"about_ca_system_score_gemma":0.059996996,"threshold_uncertainty_score":0.6828326},"labels":[],"label_agreement":null},{"id":"W2235225957","doi":"","title":"No man’s land. Les photographies de Lynne Cohen, texte de Ann Thomas, entretien avec Lynne Cohen. Éditions Thames & Hudson, Paris, 2001, 160 p. (120 photos) No man’s land. Les photographies de Lynne Cohen, texte de Ann Thomas, entretien avec Lynne Cohen. Éditions Thames & Hudson, Paris, 2001, 160 p. (120 photos)","year":2002,"lang":"fr","type":"article","venue":"CV Photo","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Cartography; Geography","score_opus":0.019159699108268563,"score_gpt":0.24352561050154506,"score_spread":0.2243659113932765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2235225957","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009829643,0.44478303,0.0009795702,0.07947754,0.034123432,0.000066919,0.0014796944,0.0003330179,0.4377738],"genre_scores_gemma":[0.0096751265,0.07603654,0.0009730242,0.010775298,0.005570192,0.00006132952,0.00055141427,0.00039002436,0.89596695],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99952006,0.00009949985,0.000018549696,0.00008881474,0.00023758333,0.000035429955],"domain_scores_gemma":[0.9993881,0.00017618143,0.00007317084,0.000040097257,0.00025172863,0.000070689144],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005334296,0.0013604196,0.00053139013,0.0018252877,0.002557475,0.0029030996,0.0007760652,0.0018044139,0.1565479],"category_scores_gemma":[0.002252265,0.0006231468,0.0003623169,0.0020117105,0.0013903143,0.0044553285,0.0014188138,0.0031838377,0.07150874],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013211699,0.0000018910533,0.00002648022,0.00008727376,0.0000013000118,0.000036493355,0.00028088453,0.000009069744,0.00009634738,0.0015410561,0.98453933,0.013366525],"study_design_scores_gemma":[0.0000016947744,0.0000024190365,0.0003840309,0.00015543198,0.0000010368676,0.00008523235,0.0003880878,0.000005349116,0.00004724688,0.00034677284,0.99857926,0.000003425253],"about_ca_topic_score_codex":0.06405282,"about_ca_topic_score_gemma":0.17311342,"teacher_disagreement_score":0.1565479,"about_ca_system_score_codex":0.0035408023,"about_ca_system_score_gemma":0.0012180187,"threshold_uncertainty_score":0.5237049},"labels":[],"label_agreement":null},{"id":"W2242632028","doi":"","title":"Deepali Dewan, Embellished Reality: Indian Painted Photographs: Towards a Transcultural History of Photography (Toronto: Royal Ontario Museum Press, 2012) 119 p. ISBN 978-0-88854-481-0","year":2013,"lang":"en","type":"article","venue":"Trans Asia Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Art; Art history; Visual arts; History","score_opus":0.029227166729260953,"score_gpt":0.22431890490564063,"score_spread":0.19509173817637968,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2242632028","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004060099,0.71378374,0.00202534,0.07276554,0.008338867,0.000031270272,0.00020996682,0.00013442131,0.19865079],"genre_scores_gemma":[0.08220005,0.65871525,0.003970366,0.013431389,0.004168744,0.000044978122,0.00020159449,0.0003079254,0.2369597],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924755,0.00026819805,0.000046472775,0.00006990736,0.00029705963,0.00007084724],"domain_scores_gemma":[0.99881846,0.0006302265,0.00006642152,0.00006397034,0.00028790926,0.00013299193],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017452245,0.0007419434,0.00042607522,0.0022941423,0.005608659,0.0075744125,0.00106533,0.0017434258,0.021701459],"category_scores_gemma":[0.0024004562,0.0005823053,0.00019702695,0.003438416,0.0060238047,0.010040181,0.002621937,0.00427426,0.0056806877],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053207892,0.000025690033,0.00046043665,0.0012071122,0.000010459015,0.0004561404,0.035944644,0.00010333168,0.00057363755,0.08234664,0.7024408,0.17637777],"study_design_scores_gemma":[0.0000026666082,0.0000065974145,0.0014824923,0.000648188,0.0000070412734,0.00060605985,0.021185778,0.000033484597,0.00028434207,0.0045313067,0.97119516,0.000016912994],"about_ca_topic_score_codex":0.047393557,"about_ca_topic_score_gemma":0.12914905,"teacher_disagreement_score":0.047393557,"about_ca_system_score_codex":0.0035338588,"about_ca_system_score_gemma":0.0033631537,"threshold_uncertainty_score":0.09423542},"labels":[],"label_agreement":null},{"id":"W2242778193","doi":"10.4324/9780203851241-11","title":"Slavery, Portraiture and the Colonial Limits of Canadian Art History","year":2004,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Colonialism; Art; History; Political science; Ancient history; Archaeology","score_opus":0.03737277384076366,"score_gpt":0.2260836110529781,"score_spread":0.18871083721221446,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2242778193","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2827248,0.0127621805,0.0004293825,0.018489862,0.0002633091,0.000028793454,0.00016951686,0.000028606433,0.68510354],"genre_scores_gemma":[0.959774,0.002677978,0.0002396136,0.00074698665,0.000047005044,0.000008770612,0.00003410505,0.000025414698,0.036446095],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983334,0.00026928663,0.000035772333,0.00014748104,0.00044062306,0.00077350123],"domain_scores_gemma":[0.99788207,0.00079899287,0.00016711504,0.00011937639,0.0006635587,0.00036890467],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015526814,0.0003260352,0.0003380492,0.0037940773,0.03252787,0.0130855385,0.0011015995,0.0015850842,0.016279485],"category_scores_gemma":[0.00567026,0.00032132777,0.00020095128,0.0043086857,0.028312223,0.002564232,0.0034677119,0.0029472231,0.00033515866],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065970526,0.000017553217,0.004394729,0.00014869623,0.000009824458,0.0005075374,0.43748584,0.00015115069,0.0006722644,0.49067613,0.019804541,0.046065725],"study_design_scores_gemma":[0.000011025669,0.000013498153,0.036465287,0.00044723152,0.000026950556,0.0003544204,0.33475754,0.00014411066,0.0004082662,0.014275133,0.6130384,0.00005812616],"about_ca_topic_score_codex":0.9855236,"about_ca_topic_score_gemma":0.9954775,"teacher_disagreement_score":0.07637976,"about_ca_system_score_codex":0.07637976,"about_ca_system_score_gemma":0.05964276,"threshold_uncertainty_score":0.55417657},"labels":[],"label_agreement":null},{"id":"W2243555872","doi":"","title":"The Portrait in Canadian Art","year":2013,"lang":"en","type":"article","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Art; Art history; History","score_opus":0.016030398587578685,"score_gpt":0.20983116188005202,"score_spread":0.19380076329247334,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2243555872","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20427462,0.0067447694,0.0014461243,0.0120380055,0.0011935716,0.00004882278,0.0009125499,0.00014563728,0.7731959],"genre_scores_gemma":[0.7763558,0.00593402,0.002696636,0.0012113327,0.00013482684,0.000016600148,0.00032039228,0.00023712209,0.2130933],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993382,0.000080272795,0.00001069088,0.00007929546,0.0002546315,0.00023693782],"domain_scores_gemma":[0.9994824,0.000057488665,0.000021440235,0.000018634493,0.0002214498,0.00019849799],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005208597,0.0005925761,0.00017875948,0.0025589461,0.022667548,0.005423313,0.0006913422,0.0010855477,0.015712107],"category_scores_gemma":[0.0013337535,0.00027236098,0.00038841533,0.0032313033,0.0042357305,0.0015529763,0.0018440526,0.0021871803,0.0010162508],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023357256,0.000040687086,0.011595719,0.00036725958,0.000035768564,0.004805463,0.53785187,0.00079877314,0.0064282375,0.15722626,0.17148209,0.10913428],"study_design_scores_gemma":[0.0000028822512,0.000012464935,0.019067032,0.00021598558,0.000024648747,0.0013958169,0.102840826,0.00018580114,0.00097565167,0.0009061613,0.874316,0.000056806068],"about_ca_topic_score_codex":0.98470163,"about_ca_topic_score_gemma":0.9966259,"teacher_disagreement_score":0.041349206,"about_ca_system_score_codex":0.041349206,"about_ca_system_score_gemma":0.022929955,"threshold_uncertainty_score":0.30001086},"labels":[],"label_agreement":null},{"id":"W2244715404","doi":"","title":"Pictures in an Exhibition","year":2013,"lang":"en","type":"dissertation","venue":"UWSpace (University of Waterloo)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Waterloo","keywords":"Exhibition; Visual arts; Art; Art history","score_opus":0.01983768397958045,"score_gpt":0.21796024525346602,"score_spread":0.19812256127388558,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2244715404","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.060411006,0.001022373,0.0027797152,0.0063944976,0.0015855592,0.00022043109,0.0022534297,0.00088952755,0.9244435],"genre_scores_gemma":[0.35903883,0.0022948454,0.0050323214,0.0018478645,0.0005400792,0.00020959797,0.0013780874,0.00031242936,0.62934595],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99987674,0.000027577886,0.0000034296902,0.000018971616,0.000040211162,0.00003307579],"domain_scores_gemma":[0.9998204,0.00003368318,0.000011970807,0.00003656512,0.000034025248,0.00006350312],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018186026,0.0004342526,0.000092501105,0.00035063107,0.0014940177,0.0014933591,0.00036122327,0.00064669154,0.13544816],"category_scores_gemma":[0.0006668863,0.00012571095,0.0001910746,0.00030422295,0.00070553634,0.0013642918,0.0018224447,0.0010881854,0.010324502],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032106665,0.0002593225,0.0025886032,0.00051972317,0.000025528247,0.0032745926,0.039958157,0.0003527997,0.02734777,0.049321197,0.74516064,0.13087058],"study_design_scores_gemma":[0.000014190807,0.00010641299,0.0064308993,0.00012240354,0.00001378552,0.0008926299,0.013135609,0.00009940457,0.0021581145,0.0014676179,0.97553635,0.0000225742],"about_ca_topic_score_codex":0.0039032395,"about_ca_topic_score_gemma":0.009410522,"teacher_disagreement_score":0.13544816,"about_ca_system_score_codex":0.0004482171,"about_ca_system_score_gemma":0.00041899752,"threshold_uncertainty_score":0.45311922},"labels":[],"label_agreement":null},{"id":"W2254553410","doi":"10.1300/j155v04n01_07","title":"Road Trip Diary/Journal de Route","year":2000,"lang":"en","type":"article","venue":"Journal of Lesbian Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Tourism; Amateur; Appropriation; Narrative; Lesbian; Photography; Identity (music); Invisibility; Visual arts; The Imaginary; Monochrome; Sociology; History; Art; Aesthetics; Gender studies; Psychology; Literature; Archaeology; Psychoanalysis; Computer science","score_opus":0.07485525191419952,"score_gpt":0.31793240774320947,"score_spread":0.24307715582900996,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2254553410","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017663134,0.0035910998,0.0007423017,0.0022752222,0.008495003,0.0005909742,0.2951932,0.0009812859,0.67046773],"genre_scores_gemma":[0.058191847,0.006102687,0.0017185191,0.0011568993,0.0019853266,0.00090213073,0.23110852,0.0008449353,0.69798917],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999729,0.000038490747,0.00003500894,0.00004442993,0.000112805115,0.00004013274],"domain_scores_gemma":[0.9992023,0.00011640175,0.0000974679,0.00014453259,0.00029013248,0.00014919051],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022981259,0.0004204878,0.0003460525,0.0026696955,0.0010493686,0.0020255493,0.0005376362,0.0004276669,0.20419167],"category_scores_gemma":[0.001090646,0.00022685164,0.0001542139,0.005434183,0.00019904587,0.00084980787,0.00079455244,0.00086934585,0.12191633],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010315006,0.0000332496,0.0007013321,0.00039930563,0.000004065627,0.00013154598,0.0004517766,0.000049971335,0.00043184374,0.0007137515,0.95967263,0.037307404],"study_design_scores_gemma":[0.0000036259394,0.000013823028,0.003336046,0.000042672764,0.0000011756533,0.000041761763,0.00034311556,0.00001566075,0.000101734426,0.0000438718,0.9960521,0.0000043698656],"about_ca_topic_score_codex":0.006357088,"about_ca_topic_score_gemma":0.017686341,"teacher_disagreement_score":0.20419167,"about_ca_system_score_codex":0.0006141324,"about_ca_system_score_gemma":0.0007953838,"threshold_uncertainty_score":0.6830892},"labels":[],"label_agreement":null},{"id":"W2255917636","doi":"10.1353/vpr.2015.0050","title":"Waterloo in Richard Caton Woodville’s “Battles of the British Army”: Series for the Illustrated London News , 1893–99","year":2015,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Battle; Painting; Annexation; Relation (database); Narrative; Politics; History; Television series; Art history; Art; Literature; Sociology; Media studies; Law; Archaeology; Computer science; Political science","score_opus":0.04845520985222145,"score_gpt":0.26988006272436166,"score_spread":0.2214248528721402,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2255917636","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012762025,0.077299275,0.0003739962,0.042133745,0.0051327962,0.000029104265,0.00040721844,0.000066839246,0.86179507],"genre_scores_gemma":[0.08253234,0.02216778,0.00023273089,0.0027465767,0.0010132432,0.000018399549,0.00013688263,0.00007066767,0.8910813],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999754,0.000052030777,0.0000072496964,0.00002263389,0.00010213085,0.00006185859],"domain_scores_gemma":[0.9997565,0.000100157136,0.000023314753,0.000014518143,0.000056493936,0.00004897575],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002882212,0.000304386,0.000107768035,0.0009965877,0.0038803183,0.003528812,0.00030908975,0.0011456868,0.044053096],"category_scores_gemma":[0.001099696,0.0002325349,0.00009736336,0.0015111449,0.0017922156,0.0017083058,0.0008500536,0.0011893784,0.0038748607],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000235924,0.000007326924,0.00024942943,0.00013388037,0.0000025927059,0.00033085406,0.008329947,0.000034742832,0.00031053246,0.041883085,0.9199288,0.028765308],"study_design_scores_gemma":[6.9385857e-7,0.0000012533723,0.00041884716,0.00003806955,5.285005e-7,0.000038257207,0.0010201129,0.0000032550797,0.000053477317,0.00015025602,0.99827373,0.0000015002532],"about_ca_topic_score_codex":0.23233931,"about_ca_topic_score_gemma":0.61425644,"teacher_disagreement_score":0.23233931,"about_ca_system_score_codex":0.0066402634,"about_ca_system_score_gemma":0.0028049776,"threshold_uncertainty_score":0.4619739},"labels":[],"label_agreement":null},{"id":"W2256707612","doi":"10.2307/3659432","title":"","year":2005,"lang":"en","type":"article","venue":"Journal of American History","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Studio; Negative; Visual arts; White (mutation); History; Art history; Art","score_opus":0.030636719920276646,"score_gpt":0.23875463994103283,"score_spread":0.2081179200207562,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2256707612","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0050114705,0.00793257,0.0008895264,0.006732181,0.0013961456,0.00003401327,0.00056971697,0.00014138609,0.97729295],"genre_scores_gemma":[0.04208637,0.005136446,0.0006909661,0.0021397644,0.00026995153,0.000026648418,0.0003924804,0.000091512135,0.9491658],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995246,0.000065932356,0.000019841958,0.00012905088,0.00016979035,0.00009074098],"domain_scores_gemma":[0.99955124,0.000049754824,0.000041722917,0.00006746577,0.00016590889,0.00012390324],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00045054936,0.00041936894,0.00017132552,0.0011166161,0.0050146673,0.004105143,0.00045099304,0.00086684915,0.14472856],"category_scores_gemma":[0.0017232004,0.00024127257,0.00014837143,0.001014801,0.0018776067,0.0024856464,0.0028500517,0.0014862509,0.064871915],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009319147,0.000034028762,0.0023567553,0.00018596722,0.0000046119153,0.0002223182,0.007809203,0.00006905077,0.00068514096,0.14397904,0.5077869,0.33677378],"study_design_scores_gemma":[8.898126e-7,0.000004358191,0.0006688565,0.000046333826,6.273248e-7,0.000070386086,0.00048403474,0.0000063639945,0.00011088588,0.0011145616,0.99749017,0.000002548419],"about_ca_topic_score_codex":0.010763584,"about_ca_topic_score_gemma":0.0324883,"teacher_disagreement_score":0.85527146,"about_ca_system_score_codex":0.002558037,"about_ca_system_score_gemma":0.0019532365,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W2262449762","doi":"","title":"Pandora’s Camera: Photography after Photography, Joan Fontcuberta, traduit de l’espagnol par Graham Thomson, Londres, Mack, 2014, 192 p., ill., angl.Pandora’s Camera: Photography after Photography, Joan Fontcuberta, traduit de l’espagnol par Graham Thomson, Londres, Mack, 2014, 192 p., ill., angl.","year":2015,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Art; Art history; Visual arts","score_opus":0.01945642493233533,"score_gpt":0.24455876122551465,"score_spread":0.22510233629317933,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2262449762","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007690257,0.5447926,0.0015794424,0.08029109,0.02452438,0.00008196856,0.0008524362,0.00044965016,0.3466594],"genre_scores_gemma":[0.017020859,0.2091744,0.0031809586,0.025091102,0.012093873,0.00022352352,0.00060101756,0.0009774071,0.73163694],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991003,0.00023060234,0.00006108833,0.00017678938,0.00037069916,0.000060563936],"domain_scores_gemma":[0.9989453,0.00036952322,0.0001034981,0.00005766616,0.0003980916,0.00012593309],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012328041,0.0012771124,0.0005525395,0.0017639484,0.0032930155,0.006165467,0.0011901481,0.0029302128,0.080088414],"category_scores_gemma":[0.0031585237,0.0007841035,0.00040546095,0.002226943,0.0018952173,0.008694584,0.0020322537,0.004009585,0.03734393],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001603179,0.0000040147797,0.000073596864,0.00018471944,0.0000024038088,0.000047732992,0.00055528857,0.000011699425,0.00009111031,0.005244597,0.96381855,0.02995026],"study_design_scores_gemma":[0.0000024559113,0.000003421774,0.000559351,0.00022757133,0.0000016440397,0.00012216592,0.00052468624,0.000010442287,0.00004123149,0.0004917925,0.99801034,0.0000048919337],"about_ca_topic_score_codex":0.054340538,"about_ca_topic_score_gemma":0.12524782,"teacher_disagreement_score":0.080088414,"about_ca_system_score_codex":0.0029612037,"about_ca_system_score_gemma":0.0019309802,"threshold_uncertainty_score":0.2679224},"labels":[],"label_agreement":null},{"id":"W2263680141","doi":"","title":"Photograph of Unidentified Woman by C. Arthur, Photographer, St. Catharines [n.d.]","year":2011,"lang":"en","type":"article","venue":"Brock University Digital Repository (Brock University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Possession (linguistics); Art history; White (mutation); Cabinet (room); Studio; Art; Photography; Publishing; History; Visual arts; Literature","score_opus":0.021686711489006267,"score_gpt":0.18254606560042233,"score_spread":0.16085935411141605,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2263680141","genre_codex":"other","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"dataset","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007164062,0.003178195,0.00035858914,0.004244694,0.0015315139,0.00014561143,0.002861621,0.0002583417,0.98025733],"genre_scores_gemma":[0.015291591,0.0015049054,0.00033265137,0.0004578074,0.000109362154,0.000022661672,0.0006954813,0.00009992374,0.98148555],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99990475,0.0000064866117,0.0000024331964,0.000020702751,0.000044915232,0.000020672722],"domain_scores_gemma":[0.99976856,0.000009509966,0.000010157124,0.000011787876,0.0001346745,0.00006535951],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014098562,0.0004168333,0.00021547185,0.0005988891,0.0032673515,0.00097112905,0.00037364903,0.00032483728,0.37447324],"category_scores_gemma":[0.0003341878,0.00026601105,0.0001389315,0.00078677584,0.00025793756,0.00048873684,0.00072816317,0.0006794815,0.08712777],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023502575,0.000007262769,0.0004963797,0.000044522832,0.000001207047,0.0003175521,0.0006088511,0.000016984448,0.0009006842,0.0004947116,0.9764523,0.020635998],"study_design_scores_gemma":[0.0000026223597,0.0000080497975,0.0048725116,0.000038235336,0.0000013731607,0.0002106197,0.00086355396,0.000017158725,0.00013367212,0.00002941418,0.99381906,0.000003750279],"about_ca_topic_score_codex":0.30782303,"about_ca_topic_score_gemma":0.6902031,"teacher_disagreement_score":0.37447324,"about_ca_system_score_codex":0.0017043046,"about_ca_system_score_gemma":0.0014625806,"threshold_uncertainty_score":0.892238},"labels":[],"label_agreement":null},{"id":"W2264632263","doi":"","title":"Recollecting Home : Gabor Szilasi's photographs of Exile and Return","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.00631777646117363,"score_gpt":0.1608496902291401,"score_spread":0.1545319137679665,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2264632263","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24665748,0.04418061,0.0017434619,0.14567125,0.01234158,0.000072523486,0.000818675,0.00033333804,0.5481811],"genre_scores_gemma":[0.7198535,0.012098887,0.0006940191,0.011921203,0.0013966592,0.000023992192,0.00015878583,0.0002498203,0.25360304],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996871,0.00010479915,0.0000052703185,0.000021558842,0.00007108406,0.0001102823],"domain_scores_gemma":[0.99976355,0.000056792465,0.000024038958,0.00002313787,0.000054614226,0.00007785705],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043549167,0.0005335024,0.00019665367,0.00095571915,0.0057678926,0.0027530615,0.00045392415,0.0009775325,0.009443504],"category_scores_gemma":[0.0008750936,0.00019064857,0.00021297709,0.0008121062,0.0035803823,0.0019100577,0.0021306348,0.002948877,0.0012902054],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016559813,0.00004721221,0.0037366762,0.00019549816,0.000023759087,0.00434142,0.3256304,0.00013593427,0.0010737736,0.03835202,0.58768773,0.038609847],"study_design_scores_gemma":[0.000007697334,0.000016080608,0.008438546,0.000148819,0.000009310915,0.0014725644,0.13358338,0.00003215985,0.00042033254,0.0009657341,0.854886,0.000019372108],"about_ca_topic_score_codex":0.1067593,"about_ca_topic_score_gemma":0.33783752,"teacher_disagreement_score":0.1067593,"about_ca_system_score_codex":0.00419789,"about_ca_system_score_gemma":0.0014211464,"threshold_uncertainty_score":0.2122758},"labels":[],"label_agreement":null},{"id":"W2269607549","doi":"","title":"Exhibit A : Photography from Atlantic Canada","year":2004,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Seascape; Photography; Worship; Romance; Visual arts; Art; Work (physics); Geography; History; Literature; Habitat; Ecology; Engineering; Political science","score_opus":0.013868375790273875,"score_gpt":0.18887178298132304,"score_spread":0.17500340719104918,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2269607549","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.039098576,0.008058765,0.0009804799,0.0045164768,0.0013519994,0.0002272015,0.008606655,0.00033954385,0.9368203],"genre_scores_gemma":[0.17274126,0.012661221,0.003402167,0.0012656131,0.00022132738,0.000059443755,0.0049920366,0.000323853,0.8043332],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997949,0.000010174968,0.0000039796532,0.000022618266,0.000119250326,0.000049049384],"domain_scores_gemma":[0.9997863,0.000022120817,0.000008511474,0.000016973336,0.00011140982,0.000054663047],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022071955,0.00057691487,0.00014889071,0.0018648426,0.0055055553,0.0023719154,0.00058301864,0.00049710495,0.06351256],"category_scores_gemma":[0.0003914978,0.00021079039,0.00024008256,0.003055945,0.0008980857,0.00046501198,0.0010409659,0.00075557985,0.005294579],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010562736,0.000061490675,0.0048398697,0.00052646326,0.000019982148,0.0021552953,0.009834161,0.0004469342,0.005911584,0.0068299463,0.8406673,0.1286014],"study_design_scores_gemma":[0.0000041952344,0.000010867848,0.02650323,0.00018282078,0.000006843808,0.00060476427,0.0055683646,0.00006595314,0.0007753276,0.00023327317,0.9660256,0.00001862133],"about_ca_topic_score_codex":0.9446637,"about_ca_topic_score_gemma":0.9924757,"teacher_disagreement_score":0.06351256,"about_ca_system_score_codex":0.01232336,"about_ca_system_score_gemma":0.014879787,"threshold_uncertainty_score":0.21247071},"labels":[],"label_agreement":null},{"id":"W2273113541","doi":"","title":"Hume's Iconomy","year":2010,"lang":"en","type":"article","venue":"SSRN Electronic Journal","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"Sympathy; Interpretation (philosophy); Enlightenment; Philosophy; Epistemology; Phenomenon; Circulation (fluid dynamics); Literature; Aesthetics; Psychology; Art; Social psychology","score_opus":0.011062560872478238,"score_gpt":0.23006948761276472,"score_spread":0.2190069267402865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2273113541","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02098397,0.0075222556,0.01070285,0.021500217,0.0017842634,0.000030282416,0.000066774,0.00010363121,0.93730575],"genre_scores_gemma":[0.8802449,0.0020830247,0.003658476,0.005887922,0.00093363546,0.00006383166,0.000031101154,0.000084614534,0.10701255],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970983,0.001730229,0.00006856937,0.00030157174,0.00051010906,0.00029113825],"domain_scores_gemma":[0.9985176,0.000766907,0.00012064606,0.00016211942,0.0003013617,0.0001312724],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001869938,0.0003656639,0.00023359577,0.0012620697,0.005009293,0.004761082,0.0004871745,0.0017482542,0.0033751172],"category_scores_gemma":[0.004069477,0.00014925419,0.00015789148,0.00067111914,0.030280575,0.0032536432,0.0025952058,0.0023527718,0.0008584862],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000080567115,0.000002518138,0.000074749085,0.00001819633,9.236188e-7,0.00004309567,0.011652401,0.0000331059,0.000047449834,0.9765927,0.0074126027,0.0041141207],"study_design_scores_gemma":[0.000009202494,0.0000189637,0.00026632947,0.00012382903,0.0000033354154,0.00023722343,0.007530075,0.00019974807,0.0003502513,0.35565963,0.63558775,0.000013649949],"about_ca_topic_score_codex":0.00516982,"about_ca_topic_score_gemma":0.00401907,"teacher_disagreement_score":0.00516982,"about_ca_system_score_codex":0.0031048479,"about_ca_system_score_gemma":0.0020614972,"threshold_uncertainty_score":0.022527397},"labels":[],"label_agreement":null},{"id":"W2273411918","doi":"","title":"Sur le seuil du temps. Essais sur la photographie, Siegfried Kracauer Les Presses de l’Université de Montréal, Montréal, 2013, 136 pagesSur le seuil du temps. Essais sur la photographie, Siegfried Kracauer Les Presses de l’Université de Montréal, Montréal, 2013, 136 pages","year":2015,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.016883956786988622,"score_gpt":0.197347147165469,"score_spread":0.18046319037848038,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2273411918","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009882981,0.7105837,0.0009826897,0.11160371,0.022879096,0.000018032384,0.00038651758,0.00019856717,0.15235943],"genre_scores_gemma":[0.028785687,0.34084004,0.0016652218,0.014854459,0.0126444455,0.000039311715,0.00026180918,0.0006496954,0.60025936],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998002,0.0004432762,0.00008868364,0.00024723075,0.0009631506,0.0002556442],"domain_scores_gemma":[0.99760485,0.0005728805,0.00013776662,0.0001631017,0.0009988899,0.0005225569],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026790625,0.0010103885,0.0006769432,0.0021563587,0.005045584,0.009771507,0.0009313573,0.0021803705,0.051658183],"category_scores_gemma":[0.0058169584,0.0008821145,0.00047752395,0.0030606,0.006090102,0.007839939,0.0032105227,0.005334085,0.013993854],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021673402,0.0000061978963,0.00015056523,0.0001599375,0.000004650597,0.000036797974,0.0010514741,0.000034427292,0.00017495097,0.02151232,0.92139435,0.05545273],"study_design_scores_gemma":[0.0000024812941,0.0000023012694,0.0006033747,0.00017928169,0.0000029557652,0.00003783545,0.00069998263,0.000011495183,0.000057754656,0.001413577,0.9969799,0.0000089267105],"about_ca_topic_score_codex":0.29775602,"about_ca_topic_score_gemma":0.45950824,"teacher_disagreement_score":0.29775602,"about_ca_system_score_codex":0.013586169,"about_ca_system_score_gemma":0.009499374,"threshold_uncertainty_score":0.5920458},"labels":[],"label_agreement":null},{"id":"W2276978229","doi":"","title":"Strangers: The First ICP Triennial of Photography and Video, Earle, Edward W. et al., eds. (NewYork: International Center for Photography and Göttigen: Steidl Publishers, 2003).","year":2004,"lang":"en","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Art; Center (category theory); Art history; Visual arts","score_opus":0.024350698530436476,"score_gpt":0.2521942608221548,"score_spread":0.22784356229171832,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2276978229","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000921756,0.94183075,0.002828746,0.010028092,0.01093716,0.00004846635,0.0004493158,0.0002461031,0.032709595],"genre_scores_gemma":[0.011572489,0.8935179,0.0061238664,0.0019670257,0.0072828033,0.00007445384,0.00095748494,0.00036172423,0.07814226],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99814737,0.00050324504,0.00021070868,0.00018280344,0.0008559911,0.00009991662],"domain_scores_gemma":[0.99626863,0.00074054423,0.0003341484,0.0005061312,0.0014529661,0.0006974469],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035976155,0.0016627746,0.0012595034,0.010075646,0.0018725956,0.0075031593,0.0015751355,0.0022419612,0.025763145],"category_scores_gemma":[0.005044428,0.0012353867,0.000634181,0.008465075,0.0033697917,0.0075710043,0.0037750886,0.0030608897,0.012486812],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003022931,0.000020648204,0.00073252013,0.00070181605,0.0000142206345,0.00013005316,0.0011543855,0.000053176576,0.00029918144,0.0041901018,0.48723826,0.50543535],"study_design_scores_gemma":[0.0000015366866,0.000013359555,0.002226616,0.0009186881,0.00000788259,0.0006069439,0.0010404363,0.000037926457,0.00020730644,0.0015996273,0.993327,0.00001274238],"about_ca_topic_score_codex":0.020895485,"about_ca_topic_score_gemma":0.054270085,"teacher_disagreement_score":0.025763145,"about_ca_system_score_codex":0.0029605338,"about_ca_system_score_gemma":0.0035308162,"threshold_uncertainty_score":0.08618635},"labels":[],"label_agreement":null},{"id":"W2278644385","doi":"","title":"Les Espaces de l'image = The Spaces of the Image : Le Mois de la Photo à Montréal 2009","year":2009,"lang":"fr","type":"book","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Photography; Theme (computing); Visual arts; Presentation (obstetrics); Event (particle physics); Art; Art history; Contemporary art; Humanities; Performance art; Computer science","score_opus":0.014237474680713423,"score_gpt":0.24932024429361888,"score_spread":0.23508276961290545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2278644385","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004801963,0.06427135,0.0018261705,0.025570286,0.003580686,0.000045438752,0.00047828953,0.0001902935,0.8992355],"genre_scores_gemma":[0.07324412,0.032170296,0.0015015937,0.0021184704,0.0007724181,0.00004749972,0.00020735156,0.00024695502,0.8896913],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99974066,0.00005038155,0.000004309319,0.000041346488,0.000112769434,0.000050587085],"domain_scores_gemma":[0.9998216,0.00003619912,0.000013502983,0.00001566003,0.000065854205,0.0000471287],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003055988,0.0005627726,0.00020554083,0.00066860736,0.0038883975,0.006774148,0.00071679265,0.0011133697,0.04670451],"category_scores_gemma":[0.0007721798,0.00032888356,0.0002514554,0.0012088934,0.0048526237,0.002306727,0.0013509297,0.001964882,0.0043026325],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021745498,0.000012341789,0.0003786153,0.0001950127,0.0000059543927,0.0002564945,0.013398772,0.00012161572,0.0007810386,0.22252421,0.69402164,0.06828262],"study_design_scores_gemma":[0.0000015742341,0.000001881709,0.000776995,0.00008929321,0.000001473574,0.00009009685,0.00201007,0.000018972894,0.000076931305,0.0010862537,0.99584156,0.0000048343686],"about_ca_topic_score_codex":0.6654563,"about_ca_topic_score_gemma":0.8003718,"teacher_disagreement_score":0.3345437,"about_ca_system_score_codex":0.015395896,"about_ca_system_score_gemma":0.010002492,"threshold_uncertainty_score":0.67302775},"labels":[],"label_agreement":null},{"id":"W2279379673","doi":"","title":"Relocating the Vernacular: The Yves Beauregard Collection at the Musée national des beaux-arts du Québec","year":2008,"lang":"fr","type":"article","venue":"Archivaria","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Vernacular; Art; Art history; The arts; Humanities; Presentation (obstetrics); Visual arts; Literature","score_opus":0.048191227256365377,"score_gpt":0.24670621694979314,"score_spread":0.19851498969342776,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2279379673","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63116246,0.015800698,0.0034934983,0.015871782,0.0010517947,0.00016797626,0.0021193048,0.00015924768,0.33017328],"genre_scores_gemma":[0.8601035,0.0042519327,0.0015680878,0.0014379342,0.00011275587,0.000044242457,0.00066632865,0.00014434561,0.13167085],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999181,0.00017531787,0.000012997338,0.00011733749,0.00031709112,0.00019633996],"domain_scores_gemma":[0.99870026,0.00017692211,0.00012447611,0.00014613826,0.0006829297,0.0001691884],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012362618,0.00026434218,0.00022383213,0.0017381808,0.012373251,0.006557956,0.000885189,0.0005542086,0.0110293245],"category_scores_gemma":[0.0027666707,0.00021130714,0.00018613576,0.0035290045,0.00513395,0.0020971678,0.0018991956,0.001095463,0.00041916716],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016320856,0.000050885203,0.038555484,0.00039910272,0.000059101603,0.0022609576,0.48497766,0.0008040275,0.0031304178,0.12220216,0.16190279,0.1854942],"study_design_scores_gemma":[0.0000058526934,0.000014307636,0.08179957,0.0003696285,0.000022299808,0.00036401357,0.15907004,0.00017906263,0.0007011134,0.0009791753,0.7564512,0.000043821132],"about_ca_topic_score_codex":0.9744538,"about_ca_topic_score_gemma":0.9918786,"teacher_disagreement_score":0.041979033,"about_ca_system_score_codex":0.041979033,"about_ca_system_score_gemma":0.02546574,"threshold_uncertainty_score":0.30458063},"labels":[],"label_agreement":null},{"id":"W2288668238","doi":"","title":"F is for Fake : L’art, le cinéma, et le faux, Galerie SAW, Ottawa, du 7 juin au 16 août 2014","year":2014,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.009165329514147641,"score_gpt":0.18173817312167703,"score_spread":0.1725728436075294,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2288668238","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02501137,0.20791997,0.00066439336,0.36509472,0.0209227,0.000049807215,0.0010040961,0.00020491908,0.3791281],"genre_scores_gemma":[0.16454768,0.040396634,0.00095238176,0.005218107,0.0022525373,0.00002588242,0.00020476118,0.00018678597,0.7862151],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984701,0.00035028826,0.00005299083,0.00022028235,0.0005257712,0.000380576],"domain_scores_gemma":[0.9978847,0.0005525137,0.00013504364,0.00017586724,0.0007089486,0.0005429666],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016989529,0.0007401744,0.00034335107,0.0012845986,0.013119617,0.011181089,0.0007344699,0.0036893091,0.032560073],"category_scores_gemma":[0.0041271187,0.00059315417,0.0002832645,0.0012867398,0.007906929,0.0038837332,0.0024243838,0.004534209,0.0037144506],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000656385,0.00002185557,0.001226553,0.00018250853,0.000009013583,0.0001792472,0.011792434,0.00006971368,0.00038666584,0.04551777,0.8895521,0.050996497],"study_design_scores_gemma":[0.0000041343305,0.000008834764,0.0054991622,0.00028249942,0.00000811025,0.00018343306,0.011118168,0.000038245595,0.00028808933,0.0015699223,0.9809809,0.000018471075],"about_ca_topic_score_codex":0.58975035,"about_ca_topic_score_gemma":0.884289,"teacher_disagreement_score":0.41024965,"about_ca_system_score_codex":0.021348715,"about_ca_system_score_gemma":0.015914299,"threshold_uncertainty_score":0.8253314},"labels":[],"label_agreement":null},{"id":"W2289405258","doi":"","title":"Leaping Forward : The Montreal Museum of Fine Art’s New Photographic Collecting Practices","year":2011,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; Photography; Computer science; Art; Computer graphics (images)","score_opus":0.07834777788064516,"score_gpt":0.27388272507285416,"score_spread":0.19553494719220899,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2289405258","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.052016906,0.03115385,0.0053246003,0.3085059,0.009093282,0.00060932053,0.0021009715,0.00091838016,0.59027684],"genre_scores_gemma":[0.28226626,0.007374753,0.011731525,0.021022405,0.0021695653,0.00018140982,0.0007758051,0.00071881496,0.6737594],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99512094,0.0010783195,0.000079673984,0.00052092836,0.0021487998,0.0010512781],"domain_scores_gemma":[0.9947259,0.00066294626,0.00019876014,0.0008123466,0.0014466791,0.0021534006],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009004144,0.0006520231,0.00038298825,0.0023057733,0.028782748,0.013283597,0.0037163126,0.003905094,0.039823275],"category_scores_gemma":[0.006716923,0.0008758674,0.0006491764,0.0034242477,0.009196096,0.00421756,0.0056833327,0.0054036546,0.0020011885],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008937887,0.00006322492,0.0036835542,0.00013847627,0.000029157238,0.0006867607,0.027255716,0.00042103266,0.0025338435,0.047910273,0.8181275,0.099061206],"study_design_scores_gemma":[0.0000040009227,0.000005763813,0.006231167,0.000028348035,0.0000031201148,0.000057840134,0.0036842683,0.00003888172,0.00011601796,0.00038682116,0.9894155,0.000028212644],"about_ca_topic_score_codex":0.92247766,"about_ca_topic_score_gemma":0.99093693,"teacher_disagreement_score":0.07752234,"about_ca_system_score_codex":0.04480599,"about_ca_system_score_gemma":0.06678502,"threshold_uncertainty_score":0.32509172},"labels":[],"label_agreement":null},{"id":"W2291233021","doi":"10.4000/1895.4194","title":"Colloque international « fixe/animé : croisements de la photographie et du cinéma au xxe siècle », Université de Lausanne, 10-12 mai 2007","year":2007,"lang":"fr","type":"article","venue":"1895","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.011228149825819801,"score_gpt":0.2574374553328489,"score_spread":0.2462093055070291,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2291233021","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018613331,0.31925687,0.0030558102,0.12548432,0.04650551,0.00023039094,0.0023684807,0.0004556367,0.48402956],"genre_scores_gemma":[0.10583687,0.087069355,0.0019136218,0.0035638793,0.007685215,0.00022567861,0.000783636,0.0004756218,0.7924462],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986343,0.0003768971,0.00005959637,0.00025109298,0.0003641978,0.00031385396],"domain_scores_gemma":[0.99818856,0.0003483757,0.00016847458,0.000108774424,0.0005250113,0.00066080346],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002295887,0.0011754581,0.0004648199,0.0029986668,0.0044831787,0.0052913385,0.0009341434,0.001974711,0.065312885],"category_scores_gemma":[0.0026464562,0.00048098146,0.00035965518,0.0020901652,0.003163557,0.0036791207,0.0045504794,0.0027248983,0.009335661],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009726383,0.000025508361,0.0012643841,0.0004746146,0.000008359352,0.00027416594,0.017643183,0.000113432834,0.0017078525,0.028577114,0.8805932,0.069220856],"study_design_scores_gemma":[0.0000025860004,0.000010858601,0.003915613,0.0002448612,0.000002265101,0.000073176154,0.0022626133,0.000020960342,0.00027478914,0.00026091404,0.99292445,0.000006857112],"about_ca_topic_score_codex":0.07694947,"about_ca_topic_score_gemma":0.14148267,"teacher_disagreement_score":0.07694947,"about_ca_system_score_codex":0.009248091,"about_ca_system_score_gemma":0.0060884226,"threshold_uncertainty_score":0.2184934},"labels":[],"label_agreement":null},{"id":"W2292082556","doi":"","title":"Vancouver collects : The Group of Seven / Sun Pictures to Photoconceptualism : Photographs from Local Collections / Between Passion and Logic : Contemporary and Modern Art","year":2001,"lang":"en","type":"book","venue":"Vancouver Art Gallery eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Passion; Exhibition; Photography; Visual arts; Contemporary art; Art; Section (typography); Modern art; Art gallery; Art history; Performance art; Computer science; Psychology","score_opus":0.03493155473313478,"score_gpt":0.23534478402244177,"score_spread":0.200413229289307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2292082556","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020424828,0.005517584,0.0005322688,0.0009955381,0.00046169155,0.00009044725,0.0029539415,0.00036867528,0.9870372],"genre_scores_gemma":[0.01129327,0.0049381736,0.0009312342,0.00017692613,0.0001224716,0.00005940548,0.0026121454,0.000397062,0.9794693],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995759,0.000027806176,0.000012852413,0.000047064117,0.00028282646,0.00005350083],"domain_scores_gemma":[0.99927896,0.00008697398,0.000029983194,0.00009834336,0.00037819892,0.00012748854],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036049707,0.0006107716,0.00035236674,0.0036307615,0.0059007723,0.006355194,0.0008620002,0.000640302,0.21040656],"category_scores_gemma":[0.00091066974,0.00048763814,0.00014581153,0.007917746,0.0012007201,0.0017891489,0.0016323725,0.0014739331,0.053966127],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015387177,0.000009421623,0.00052399584,0.00024136486,0.000001918329,0.00011396333,0.0036085271,0.000026813379,0.00034727578,0.007096212,0.8432995,0.14471565],"study_design_scores_gemma":[0.000001502825,0.0000020743553,0.0026510104,0.00010584228,0.0000012966483,0.000070657545,0.0012399402,0.0000069860034,0.00012704464,0.00024109527,0.9955479,0.000004645199],"about_ca_topic_score_codex":0.41382486,"about_ca_topic_score_gemma":0.8159477,"teacher_disagreement_score":0.41382486,"about_ca_system_score_codex":0.0061578434,"about_ca_system_score_gemma":0.0051753875,"threshold_uncertainty_score":0.8228322},"labels":[],"label_agreement":null},{"id":"W2292953854","doi":"","title":"Claire Beaugrand-Champagne, Émouvante vérité – Photographies de 1970 à 2013, Musée McCord, Montréal, du 5 décembre au 13 avril 2014","year":2014,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.005859957071022398,"score_gpt":0.1638572849732718,"score_spread":0.15799732790224938,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2292953854","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01731009,0.46612898,0.0022855548,0.11604349,0.01878143,0.00017552257,0.009211023,0.00079724344,0.3692666],"genre_scores_gemma":[0.13619946,0.07584262,0.0032685073,0.005550165,0.003954027,0.00011303627,0.0021387218,0.0006543461,0.77227914],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992199,0.00014279675,0.000020837873,0.00011974809,0.0003598764,0.00013682002],"domain_scores_gemma":[0.9987999,0.00024365792,0.00006313689,0.00006519577,0.00064287946,0.0001852943],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012113133,0.0007056032,0.00028839768,0.003178547,0.006676175,0.0042395475,0.0008433709,0.0014219087,0.035956915],"category_scores_gemma":[0.0032899554,0.00041619522,0.00024893877,0.0028824662,0.0017808573,0.0019279032,0.0014804581,0.0017988596,0.0050439783],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035231922,0.0000064266383,0.00067313743,0.000117475465,0.000007699068,0.00013430917,0.0022598836,0.00004759515,0.0003297859,0.006308491,0.9618806,0.028199384],"study_design_scores_gemma":[0.000003355043,0.0000025387967,0.0075689815,0.00012612839,0.0000034844932,0.00008665165,0.0015189598,0.00001632661,0.0002271043,0.00031855615,0.99011797,0.000009964811],"about_ca_topic_score_codex":0.6683026,"about_ca_topic_score_gemma":0.8868251,"teacher_disagreement_score":0.3316974,"about_ca_system_score_codex":0.008331842,"about_ca_system_score_gemma":0.0054709115,"threshold_uncertainty_score":0.66730165},"labels":[],"label_agreement":null},{"id":"W2293368195","doi":"10.14288/1.0092671","title":"From negative to positive : B.A. Haldane, nineteenth century Tsimshian photographer","year":2010,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Aesthetics; Art; Philosophy; History","score_opus":0.008074814711538026,"score_gpt":0.17968166129113133,"score_spread":0.1716068465795933,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2293368195","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29302448,0.0763608,0.0012319029,0.18906224,0.008319355,0.00007099117,0.00027865346,0.00018282735,0.43146873],"genre_scores_gemma":[0.7579967,0.016012518,0.00077075267,0.008987883,0.00047743728,0.000057632016,0.000052597246,0.00007423487,0.21557032],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995931,0.00020850319,0.000007869781,0.000058626563,0.00009080277,0.000041165236],"domain_scores_gemma":[0.999519,0.00017167274,0.00004040902,0.00001753082,0.00014763972,0.0001037507],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007993848,0.0004113688,0.00016701533,0.00057163514,0.010863999,0.0024412062,0.00036333644,0.00082453084,0.0042161644],"category_scores_gemma":[0.0014796187,0.00017909882,0.00007101954,0.00039738105,0.006786958,0.002149792,0.0013995323,0.00265312,0.00095151935],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007494093,0.000030183559,0.004527176,0.00023317742,0.0000068404906,0.0016858962,0.5754455,0.00005274735,0.0017208001,0.038117748,0.34063968,0.03746535],"study_design_scores_gemma":[0.0000021692877,0.000017884528,0.0033288833,0.00026410024,0.0000032776297,0.00067200186,0.2870353,0.000019880274,0.00058057054,0.00080709805,0.7072505,0.00001840939],"about_ca_topic_score_codex":0.058389686,"about_ca_topic_score_gemma":0.14739498,"teacher_disagreement_score":0.94161034,"about_ca_system_score_codex":0.0038037912,"about_ca_system_score_gemma":0.0017159187,"threshold_uncertainty_score":0.116099656},"labels":[],"label_agreement":null},{"id":"W2295984693","doi":"","title":"Cabinet Card by C. Arthur, Photographer, St. Catharines [n.d.]","year":2011,"lang":"en","type":"article","venue":"Brock University Digital Repository (Brock University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cabinet (room); Studio; Art history; White (mutation); Photography; Art; Publishing; Photojournalism; Visual arts; History; Literature","score_opus":0.02115848433746788,"score_gpt":0.17790238868755157,"score_spread":0.15674390435008367,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2295984693","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009845436,0.0009786548,0.0003487096,0.0015446796,0.0012024483,0.00020698128,0.0043508885,0.00075136113,0.9896318],"genre_scores_gemma":[0.0032171316,0.0006667721,0.00034421656,0.0001872805,0.00010017952,0.00004668311,0.001110228,0.00017643362,0.99415106],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998493,0.0000114845925,0.0000060839793,0.00003902812,0.0000686164,0.000025429918],"domain_scores_gemma":[0.99922836,0.00004217012,0.00003152522,0.000054133874,0.0004861833,0.0001574796],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002348797,0.00061301945,0.00040099525,0.00087236054,0.0025610498,0.0017322848,0.00064357487,0.00056637696,0.7948595],"category_scores_gemma":[0.0008677288,0.00050124066,0.00017565426,0.0014732659,0.00034506302,0.0010597728,0.00085233315,0.0008897201,0.45953283],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013435193,0.0000036435183,0.000081933635,0.00002786405,4.025535e-7,0.00002935154,0.00005312222,0.0000070872798,0.00022056168,0.0002242135,0.9864601,0.012878311],"study_design_scores_gemma":[0.0000062255785,0.000006882648,0.0017359089,0.000041996518,9.918609e-7,0.00005380044,0.00017570269,0.000022578055,0.0000947723,0.000037316975,0.9978204,0.0000035166872],"about_ca_topic_score_codex":0.12686095,"about_ca_topic_score_gemma":0.35357594,"teacher_disagreement_score":0.873139,"about_ca_system_score_codex":0.0015187784,"about_ca_system_score_gemma":0.0016444802,"threshold_uncertainty_score":0.29260796},"labels":[],"label_agreement":null},{"id":"W2297535922","doi":"10.7202/1034165ar","title":"The “Corporeality” of the Image in Walter Gropius’ Monumentale Kunst und Industriebau Lecture","year":2015,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Criticism; German; Art history; Art; Visual arts; Ephemeral key; Architecture; Projection (relational algebra); Reading (process); History; Computer science; Literature; Philosophy; Archaeology","score_opus":0.05660410152453608,"score_gpt":0.30972842222609287,"score_spread":0.25312432070155677,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2297535922","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08802393,0.010713242,0.006459479,0.04295742,0.0013843004,0.000018136998,0.0000484891,0.000099974066,0.8502949],"genre_scores_gemma":[0.93743813,0.0019155346,0.0008592903,0.0012207831,0.000360553,0.000019918778,0.00001097962,0.0000826808,0.058092155],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987471,0.0007571552,0.000014631254,0.0001267651,0.0002186913,0.00013563811],"domain_scores_gemma":[0.99931633,0.00042465367,0.00005968942,0.00007890614,0.00005911206,0.000061383515],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013269274,0.00038937942,0.00011391179,0.00081633346,0.004536056,0.0061289645,0.0004403195,0.0010198866,0.0043345816],"category_scores_gemma":[0.0023505164,0.00018602647,0.000105113766,0.0006840703,0.026944699,0.0036938884,0.0025453242,0.0028447164,0.0005612396],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017473078,0.0000066796892,0.00017515931,0.000032231772,0.0000017436614,0.00011827991,0.09393931,0.000083854145,0.00037190662,0.882258,0.012890355,0.010104907],"study_design_scores_gemma":[0.000009124129,0.000027416032,0.0016009362,0.00024364598,0.000007103176,0.0002731937,0.041364755,0.00019284594,0.001292524,0.10711289,0.8478497,0.00002580026],"about_ca_topic_score_codex":0.007598182,"about_ca_topic_score_gemma":0.013605788,"teacher_disagreement_score":0.007598182,"about_ca_system_score_codex":0.0039105644,"about_ca_system_score_gemma":0.0011765929,"threshold_uncertainty_score":0.028373301},"labels":[],"label_agreement":null},{"id":"W2298094625","doi":"","title":"The Problem of the Color[blind] by Brandi Wilkins Catanese (review)","year":2013,"lang":"en","type":"article","venue":"Modern Drama","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.01836131512055018,"score_gpt":0.23437002570260287,"score_spread":0.2160087105820527,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2298094625","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00004574027,0.98240256,0.00002493172,0.011131378,0.005491021,0.000002820026,0.000007951348,0.0000038002142,0.0008898051],"genre_scores_gemma":[0.0012191008,0.9628417,0.00012546964,0.022128087,0.010428005,0.000017648357,0.00002277327,0.000009832256,0.0032074216],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999405,0.00019998441,0.0000572872,0.00009779626,0.00017751125,0.00006234202],"domain_scores_gemma":[0.9986811,0.0007268486,0.000105162624,0.000029569048,0.00031263963,0.00014465736],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014154379,0.0010068867,0.0013863939,0.0029070047,0.0010453375,0.0034634154,0.001278775,0.0039010416,0.006589325],"category_scores_gemma":[0.0044378126,0.00044127478,0.00044467914,0.002754261,0.0026843983,0.004171506,0.0027859835,0.0042213607,0.002297255],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004685138,0.000025086796,0.00012231013,0.0056164204,0.000037570855,0.00011591747,0.00043065072,0.00003701667,0.00013054944,0.004047899,0.7576202,0.23176962],"study_design_scores_gemma":[0.000016520717,0.000018598457,0.0003756331,0.003774057,0.0000310454,0.00062644755,0.000302831,0.000012894785,0.00004435122,0.0008155163,0.9939667,0.000015391499],"about_ca_topic_score_codex":0.008002219,"about_ca_topic_score_gemma":0.011069712,"teacher_disagreement_score":0.008002219,"about_ca_system_score_codex":0.0011789607,"about_ca_system_score_gemma":0.0024732477,"threshold_uncertainty_score":0.022043467},"labels":[],"label_agreement":null},{"id":"W2299760277","doi":"10.1080/17496772.2015.1099249","title":"Selling Pictorialist Photography as Craft: Alice Austin’s Artistic Production and Role in the Boston Society of Arts and Crafts between 1900 and 1933","year":2015,"lang":"en","type":"article","venue":"The Journal of Modern Craft","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Boston Athenaeum","keywords":"Craft; Handicraft; Visual arts; Photography; Alice (programming language); The arts; Art; Quarter (Canadian coin); Art history; History","score_opus":0.06291912592354676,"score_gpt":0.2785752632800744,"score_spread":0.21565613735652767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2299760277","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.653522,0.010272669,0.00090621447,0.021257054,0.00044431115,0.000020873835,0.00007173927,0.00005059802,0.3134545],"genre_scores_gemma":[0.9183175,0.0022796204,0.00023808255,0.00053451204,0.0001474287,0.000009567023,0.000017764572,0.00005481468,0.07840068],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99874914,0.00069223193,0.000021571814,0.00012180052,0.00018356075,0.00023173005],"domain_scores_gemma":[0.99825555,0.00066295173,0.00024893048,0.000093003626,0.00018431463,0.00055516657],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020661326,0.00032503274,0.00019777872,0.0015579929,0.01548611,0.0070676324,0.000652208,0.0010935606,0.0119359745],"category_scores_gemma":[0.0026870356,0.0003170626,0.00009663817,0.0012226717,0.013130938,0.0025205824,0.0044163857,0.0022107204,0.00089733],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004017493,0.000018558223,0.0028571459,0.000037987127,0.0000028534475,0.0007582344,0.92000306,0.000034298842,0.0005308878,0.045590535,0.015140129,0.01498615],"study_design_scores_gemma":[0.000005852543,0.00004434288,0.011283236,0.00019691592,0.000006110135,0.0008447682,0.46579918,0.00006892637,0.0004441356,0.0021958742,0.51909125,0.000019353707],"about_ca_topic_score_codex":0.056424513,"about_ca_topic_score_gemma":0.19387014,"teacher_disagreement_score":0.056424513,"about_ca_system_score_codex":0.008245291,"about_ca_system_score_gemma":0.0020412712,"threshold_uncertainty_score":0.112192154},"labels":[],"label_agreement":null},{"id":"W2301473764","doi":"","title":"The Ventriloquist’s Dummy : Chuck Samuels – Another interviewChuck Samuels, The Photographer. Chuck Samuels, The Photographer","year":2015,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Engineering","score_opus":0.06538285109136388,"score_gpt":0.2748573171873172,"score_spread":0.20947446609595333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2301473764","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10281025,0.0067684837,0.002557847,0.4376869,0.01726679,0.0007011091,0.05511976,0.00024354574,0.37684533],"genre_scores_gemma":[0.451736,0.002801043,0.0011567208,0.050324176,0.0033770646,0.0026249902,0.013087967,0.00030306532,0.474589],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99916756,0.00031767922,0.000034753895,0.000096017175,0.00016265872,0.00022123483],"domain_scores_gemma":[0.9950641,0.0022683083,0.00055671326,0.00016401011,0.001281708,0.0006651735],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013056073,0.00025423928,0.00029065978,0.00082908705,0.0038407883,0.0011971068,0.00050206244,0.0016773246,0.069337256],"category_scores_gemma":[0.013558622,0.00021687715,0.00013544921,0.0019534095,0.00069251953,0.0019381663,0.0012609769,0.0024738794,0.007923531],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000069677386,0.0000119154165,0.0039862827,0.00008312564,0.0000027381607,0.00006669327,0.0027709352,0.000010766396,0.0000801695,0.004662113,0.98348445,0.00477114],"study_design_scores_gemma":[0.000044677105,0.000027852962,0.041511733,0.00040880984,0.000012124782,0.00009409039,0.031161625,0.00009577054,0.00036500048,0.0011576584,0.92508876,0.000031881667],"about_ca_topic_score_codex":0.050550275,"about_ca_topic_score_gemma":0.102356575,"teacher_disagreement_score":0.069337256,"about_ca_system_score_codex":0.0020496685,"about_ca_system_score_gemma":0.0019369278,"threshold_uncertainty_score":0.23195618},"labels":[],"label_agreement":null},{"id":"W2301965467","doi":"","title":"Rosalie Favell : Longing and Not Belonging","year":2000,"lang":"en","type":"article","venue":"CV Photo","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Exhibition; Identity (music); Documentation; Visual arts; Art; Art history; History; Sociology; Genealogy; Aesthetics; Computer science","score_opus":0.02372059207003064,"score_gpt":0.23085818875873254,"score_spread":0.2071375966887019,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2301965467","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07271986,0.037107393,0.0016393337,0.08387451,0.004670285,0.000043489934,0.00018664083,0.00042939157,0.79932904],"genre_scores_gemma":[0.5475924,0.010979534,0.0017263867,0.009135909,0.0008634313,0.00005775355,0.00007966327,0.00035815508,0.42920682],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994332,0.00024861976,0.00000799206,0.00007284543,0.00010533228,0.00013197625],"domain_scores_gemma":[0.9994381,0.00020929777,0.000055243756,0.00006965752,0.000079623496,0.0001480091],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00065796525,0.00043079213,0.00018491357,0.00051790493,0.008225674,0.003865943,0.0003771389,0.0011019119,0.018463245],"category_scores_gemma":[0.0018102041,0.00016900111,0.00016116086,0.0004106113,0.004526785,0.0028154214,0.0025515119,0.0018064075,0.002481703],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007908299,0.000024170431,0.0013990009,0.00020054234,0.000010109857,0.000964064,0.15187247,0.00005784455,0.0017256971,0.07118138,0.7034096,0.069076],"study_design_scores_gemma":[0.0000014531803,0.000008904855,0.0013100181,0.00012288801,0.0000028776292,0.0004491937,0.03081795,0.000010337866,0.00020034792,0.00091976044,0.9661483,0.000007995298],"about_ca_topic_score_codex":0.050595332,"about_ca_topic_score_gemma":0.19043092,"teacher_disagreement_score":0.050595332,"about_ca_system_score_codex":0.0021052423,"about_ca_system_score_gemma":0.0010081619,"threshold_uncertainty_score":0.10060167},"labels":[],"label_agreement":null},{"id":"W2303511628","doi":"","title":"Andrew Wright, Untitled Photographic Pictures, Patrick Mikhail Gallery, Montreal, March 20 to April 28, 2015Andrew Wright, Untitled Photographic Pictures, Patrick Mikhail Gallery, Montreal, March 20 to April 28, 2015","year":2015,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wright; Art history; Art; Photography; Visual arts","score_opus":0.032548289386425115,"score_gpt":0.2594981178477212,"score_spread":0.22694982846129608,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2303511628","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025228928,0.018392244,0.0010611032,0.07335346,0.035511255,0.0005157639,0.0069251773,0.0017826948,0.85993534],"genre_scores_gemma":[0.0021132433,0.0012153805,0.00014619956,0.0013076068,0.00047989708,0.000027222955,0.00036252575,0.00010872331,0.9942392],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991677,0.00006638204,0.000016852657,0.00012498494,0.00040289306,0.00022127642],"domain_scores_gemma":[0.998059,0.000103065235,0.000055087243,0.000091583,0.0010525795,0.0006386619],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011531552,0.0011478339,0.00047004325,0.0012673809,0.008140918,0.0042717173,0.001611197,0.002360953,0.535652],"category_scores_gemma":[0.0030668613,0.00061844167,0.0005396452,0.0008169965,0.0008131171,0.0016855651,0.0028134917,0.0028250015,0.19400208],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012361338,0.0000071803593,0.0000699742,0.000019124886,9.597954e-7,0.000029099901,0.00003766141,0.000011402512,0.000065518005,0.00024310923,0.9942061,0.005297549],"study_design_scores_gemma":[0.0000057414336,0.0000060466414,0.0010509056,0.00003751899,0.0000020119799,0.000024062627,0.00022762115,0.00001764448,0.0000733804,0.00008031117,0.9984686,0.0000062032714],"about_ca_topic_score_codex":0.23576167,"about_ca_topic_score_gemma":0.6634893,"teacher_disagreement_score":0.76423836,"about_ca_system_score_codex":0.0054443125,"about_ca_system_score_gemma":0.0041720388,"threshold_uncertainty_score":0.6623361},"labels":[],"label_agreement":null},{"id":"W2303680299","doi":"","title":"FAKING DEATH, Canadian Art Photography and the Canadian Imagination, Penny Cousineau-Levine, McGill-Queen's University Press, Montréal/Kingston 2003","year":2004,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, m&#233;dias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Art; Art history; Photography; Penny; Visual arts; History; Archaeology","score_opus":0.011142065427285965,"score_gpt":0.1944053977736772,"score_spread":0.18326333234639125,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2303680299","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018510032,0.3027094,0.0006328598,0.28546292,0.0034780172,0.000037115155,0.00056145916,0.000059810376,0.38854834],"genre_scores_gemma":[0.54066867,0.2175309,0.0011296471,0.01827924,0.0023675933,0.000043495675,0.00027118603,0.00010616885,0.21960314],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980075,0.0003974763,0.000056426736,0.00014267057,0.0010124053,0.00038357373],"domain_scores_gemma":[0.99494237,0.0019531169,0.00028744037,0.00016470319,0.00218961,0.00046287445],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023084537,0.0010253101,0.0005196376,0.004165807,0.023602717,0.018644646,0.0014099382,0.004958371,0.014374302],"category_scores_gemma":[0.010473903,0.000571857,0.00029751335,0.0055906647,0.022661146,0.006006024,0.002360843,0.003883281,0.0010111232],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000784811,0.000026543825,0.002612089,0.00042640168,0.000029372482,0.00037590932,0.062277693,0.00023656695,0.00025904237,0.24047767,0.6129627,0.080237575],"study_design_scores_gemma":[0.000015269652,0.0000106666475,0.010962088,0.0007835465,0.00003023769,0.00030946123,0.089295425,0.00014340594,0.00021341395,0.015086958,0.8830714,0.00007807374],"about_ca_topic_score_codex":0.98008096,"about_ca_topic_score_gemma":0.9920254,"teacher_disagreement_score":0.071751654,"about_ca_system_score_codex":0.071751654,"about_ca_system_score_gemma":0.04773543,"threshold_uncertainty_score":0.5205971},"labels":[],"label_agreement":null},{"id":"W2308092425","doi":"","title":"In the Presence of Absence: Invisibility, Black Canadian History, and Melinda Mollineaux's Pinhole Photography","year":2006,"lang":"en","type":"article","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Performative utterance; Emancipation; Art history; Political science; Politics; Aesthetics; Law","score_opus":0.06504832034969567,"score_gpt":0.27035228940738376,"score_spread":0.2053039690576881,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2308092425","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27981982,0.007691228,0.001611189,0.038110774,0.000614894,0.00002847884,0.00017197493,0.00008155805,0.6718701],"genre_scores_gemma":[0.92387384,0.0021649273,0.00062033936,0.0011809123,0.00004660918,0.000010404795,0.000027439191,0.000059130394,0.07201639],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988207,0.00029720727,0.000012002082,0.0001140754,0.0003775143,0.00037843746],"domain_scores_gemma":[0.9991991,0.00024259067,0.00007114958,0.000057090092,0.0002504496,0.00017963244],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011458785,0.00046868963,0.00023204346,0.0013362239,0.039212942,0.007564354,0.0010183903,0.0012710376,0.008807982],"category_scores_gemma":[0.002583069,0.00025572442,0.00014138776,0.0015810295,0.028065449,0.0024663457,0.0036774918,0.0024886902,0.00034882914],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009339642,0.000014100104,0.00338676,0.000113086004,0.000007886108,0.00089238846,0.6226595,0.00016124161,0.0012440011,0.2901569,0.04088691,0.0403839],"study_design_scores_gemma":[0.00000460317,0.000011346461,0.0072113834,0.00022753773,0.000017570006,0.00039195555,0.3193065,0.00009788283,0.0006998336,0.0062672887,0.66571856,0.00004556522],"about_ca_topic_score_codex":0.9547264,"about_ca_topic_score_gemma":0.98617536,"teacher_disagreement_score":0.045273602,"about_ca_system_score_codex":0.038350154,"about_ca_system_score_gemma":0.028915258,"threshold_uncertainty_score":0.2782511},"labels":[],"label_agreement":null},{"id":"W2310730641","doi":"","title":"Le Mois de la photo à Montréal, Image and Imagination, September 8-October 10, 2005","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.0031658973856372318,"score_gpt":0.16833988887791235,"score_spread":0.1651739914922751,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2310730641","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013472251,0.032206535,0.00074481516,0.033430737,0.019019138,0.00035549785,0.011058339,0.0007339399,0.8889788],"genre_scores_gemma":[0.03709703,0.0038142889,0.0004521436,0.0010569567,0.00076128397,0.000027975038,0.0012366124,0.00017266188,0.9553811],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994549,0.00003763005,0.000008785012,0.00006076707,0.00027258985,0.00016521526],"domain_scores_gemma":[0.99910396,0.000055593544,0.000027585756,0.00003392142,0.00052322884,0.0002556996],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008037603,0.0006868924,0.0002921046,0.001715578,0.006849607,0.0049891225,0.0010834262,0.0015949019,0.24775127],"category_scores_gemma":[0.0023069156,0.00031991376,0.00041181175,0.001274722,0.0008996787,0.0011852556,0.0015060861,0.0019262552,0.02601377],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012005352,0.000035748493,0.000994166,0.00010102802,0.00000991156,0.00024492273,0.0007810747,0.000055171007,0.00045854395,0.003064163,0.97275376,0.021381522],"study_design_scores_gemma":[0.000008904193,0.000015949327,0.008473973,0.00009465469,0.000006914734,0.000055754263,0.00086872384,0.000024695733,0.00031936247,0.00019525811,0.989926,0.000009850113],"about_ca_topic_score_codex":0.6526198,"about_ca_topic_score_gemma":0.92164385,"teacher_disagreement_score":0.34738022,"about_ca_system_score_codex":0.012771795,"about_ca_system_score_gemma":0.0062910556,"threshold_uncertainty_score":0.8288106},"labels":[],"label_agreement":null},{"id":"W2313647335","doi":"10.7202/1034158ar","title":"When the Carousel stops turning …","year":2015,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Meaning (existential); Embodied cognition; Entertainment; Subject matter; Visual arts; Photography; Subject (documents); GRASP; Sociology; Ephemeral key; Aesthetics; Media studies; Art; Computer science; Psychology; World Wide Web; Pedagogy; Artificial intelligence","score_opus":0.06953506838121143,"score_gpt":0.30487026476212636,"score_spread":0.23533519638091493,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2313647335","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05829242,0.0071493904,0.009044859,0.068460874,0.00799522,0.00010723809,0.00032569098,0.0008469807,0.84777737],"genre_scores_gemma":[0.39347795,0.0036595115,0.0054218443,0.013160717,0.0011725287,0.000085810134,0.0002186867,0.0010595229,0.5817435],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907875,0.00023529958,0.000019057494,0.00016325965,0.0003440911,0.00015956523],"domain_scores_gemma":[0.999243,0.00016603815,0.00008545672,0.000109650886,0.00023838661,0.00015749257],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009347533,0.00048618077,0.0001874863,0.00084440096,0.0043137334,0.006338357,0.0005011664,0.0020498177,0.03466668],"category_scores_gemma":[0.0047938223,0.0002975437,0.0003192377,0.0006576142,0.007578256,0.005443977,0.0024231523,0.004225484,0.009147588],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026710934,0.000028131419,0.0026473366,0.0002982295,0.00003432756,0.0016787078,0.094531015,0.00010205996,0.011430763,0.33251187,0.46640986,0.09006062],"study_design_scores_gemma":[0.0000068139752,0.000032943808,0.0014466903,0.00020226213,0.000007624438,0.00046433567,0.021690765,0.00004088475,0.0015961343,0.006931575,0.96755534,0.000024461293],"about_ca_topic_score_codex":0.014497038,"about_ca_topic_score_gemma":0.022667954,"teacher_disagreement_score":0.03466668,"about_ca_system_score_codex":0.0022762204,"about_ca_system_score_gemma":0.0012147218,"threshold_uncertainty_score":0.115971625},"labels":[],"label_agreement":null},{"id":"W2315285017","doi":"10.17742/image.scandal.4-1.3","title":"THE VALLEY OF THE SHADOW OF DEATH","year":2013,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Shadow (psychology); History; Geology; Psychology; Psychoanalysis","score_opus":0.055900742781268414,"score_gpt":0.3826943692033861,"score_spread":0.32679362642211773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2315285017","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.051670276,0.01692245,0.0037628808,0.073873445,0.0081164865,0.000023704775,0.0002256312,0.00012512339,0.84528005],"genre_scores_gemma":[0.82435364,0.0057745883,0.00094563584,0.012631687,0.002168152,0.000027867645,0.00010059153,0.00019858422,0.15379931],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994443,0.00026121998,0.00000882212,0.00006861857,0.000108791064,0.00010824824],"domain_scores_gemma":[0.99949014,0.00021986253,0.000048693368,0.00005600768,0.000092628674,0.000092699374],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005519673,0.00025026881,0.00015036667,0.00045424709,0.005344655,0.0049588443,0.0003155515,0.0009928921,0.009217165],"category_scores_gemma":[0.0025969208,0.00012984274,0.0001528186,0.00031703722,0.012774952,0.0038653018,0.0024584667,0.003547941,0.00087138644],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008658243,0.00001278168,0.0008486326,0.000109799745,0.0000071805953,0.00037763503,0.09256648,0.000096466334,0.00072446855,0.6026655,0.27064845,0.031856075],"study_design_scores_gemma":[0.00000876604,0.00002035667,0.0011003637,0.00016253398,0.000002690577,0.00033810118,0.033041604,0.000047764814,0.00036436087,0.02473129,0.9401725,0.000009651697],"about_ca_topic_score_codex":0.007278844,"about_ca_topic_score_gemma":0.013567662,"teacher_disagreement_score":0.009217165,"about_ca_system_score_codex":0.002436027,"about_ca_system_score_gemma":0.0014665799,"threshold_uncertainty_score":0.030834496},"labels":[],"label_agreement":null},{"id":"W2319153625","doi":"10.1386/vi.3.2.124_7","title":"What remains: Photography and the poetics of loss","year":2014,"lang":"en","type":"article","venue":"Visual Inquiry","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Poetics; Photography; Art; Sociology; Visual arts; Literature; Poetry","score_opus":0.03733196165144342,"score_gpt":0.2916942596743894,"score_spread":0.25436229802294597,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2319153625","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12487062,0.036776133,0.008778578,0.22598134,0.0030326801,0.000043540094,0.00012724675,0.00009481985,0.600295],"genre_scores_gemma":[0.9656374,0.005072126,0.00078360114,0.004608395,0.0010602755,0.000023361157,0.000021514737,0.00007733154,0.022715937],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99680626,0.002131912,0.000057113615,0.00020623655,0.00039819232,0.00040021312],"domain_scores_gemma":[0.99511707,0.0029086722,0.0005052076,0.0005339166,0.0005231397,0.00041202139],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004306176,0.00034986692,0.0004108284,0.0018973192,0.0072979364,0.014945619,0.0011056814,0.0030707547,0.009818306],"category_scores_gemma":[0.011502742,0.0002019834,0.00026061645,0.0012967649,0.058378544,0.012181384,0.005523306,0.0050011263,0.0007369393],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007997493,0.000050903753,0.0011921703,0.00016598616,0.000011862579,0.0003209434,0.11166427,0.00009575544,0.00042984856,0.84093726,0.017416723,0.027634248],"study_design_scores_gemma":[0.00002782774,0.00006558959,0.0023334515,0.00089805113,0.000026443337,0.0008450098,0.21857886,0.0002461466,0.00072293374,0.4761813,0.30004013,0.000034270288],"about_ca_topic_score_codex":0.0041024047,"about_ca_topic_score_gemma":0.0037881902,"teacher_disagreement_score":0.014945619,"about_ca_system_score_codex":0.0028584348,"about_ca_system_score_gemma":0.0018957765,"threshold_uncertainty_score":0.032845557},"labels":[],"label_agreement":null},{"id":"W2323231080","doi":"10.1386/ap3.1.2.285_1","title":"The anamorphic cinema","year":2012,"lang":"en","type":"article","venue":"Animation Practice Process & Production","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Movie theater; Narrative; Situated; Visual arts; Witness; Exhibition; Context (archaeology); Representation (politics); Sociology; Aesthetics; Art; History; Literature; Computer science","score_opus":0.04385865847955667,"score_gpt":0.31945634086941377,"score_spread":0.2755976823898571,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2323231080","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07001497,0.0044393847,0.03161755,0.0102396095,0.002145607,0.00028117976,0.00032866726,0.0006616487,0.8802713],"genre_scores_gemma":[0.79093987,0.0032656866,0.0216702,0.0016112035,0.00085452857,0.00020489057,0.00016620022,0.00026721696,0.1810202],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99952507,0.00019582684,0.000012064063,0.000082924555,0.00012635565,0.000057851536],"domain_scores_gemma":[0.99951684,0.00014610999,0.000032476615,0.000113392576,0.000079235855,0.000111932015],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008747743,0.00029462407,0.00008973537,0.0007594936,0.0027082954,0.0036096983,0.00056019553,0.0007501335,0.012471997],"category_scores_gemma":[0.001535823,0.00017971329,0.00016066818,0.00031595246,0.0044327993,0.002428606,0.0023148146,0.0013392102,0.00085185043],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008106457,0.00007154095,0.0012609172,0.00028808092,0.0000071515256,0.0005435714,0.044506453,0.00024068053,0.0126422485,0.71703386,0.07950892,0.1438156],"study_design_scores_gemma":[0.000014106878,0.000050403796,0.0013108833,0.00015484076,0.0000049854243,0.00063080114,0.0055308565,0.00026615668,0.0015718295,0.01062475,0.97982717,0.000013303862],"about_ca_topic_score_codex":0.0038005728,"about_ca_topic_score_gemma":0.0066534053,"teacher_disagreement_score":0.012471997,"about_ca_system_score_codex":0.0015484381,"about_ca_system_score_gemma":0.0015658739,"threshold_uncertainty_score":0.041723013},"labels":[],"label_agreement":null},{"id":"W2326538709","doi":"10.1093/melus/33.3.203","title":"Portraits of the New Negro Woman: Visual and Literary Culture in the Harlem Renaissance. Cherene Sherrard-Johnson. New Brunswick and London: Rutgers University Press, 2007. 224 pages. $24.95 paper.","year":2008,"lang":"en","type":"article","venue":"MELUS Multi-Ethnic Literature of the United States","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Harlem Renaissance; The Renaissance; Art history; Visual culture; Art; Renaissance literature; History; Media studies; Sociology; Performance art; Visual arts","score_opus":0.0362155423046093,"score_gpt":0.24153389052718915,"score_spread":0.20531834822257986,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2326538709","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04462566,0.3654966,0.00062083575,0.074386336,0.006232957,0.00003161689,0.00026648658,0.0000727501,0.50826675],"genre_scores_gemma":[0.46940458,0.13052332,0.0009289526,0.01106441,0.003087353,0.000038202368,0.00012854232,0.00020586308,0.3846188],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997147,0.00016276719,0.000006117566,0.000027570153,0.000063312335,0.000025567255],"domain_scores_gemma":[0.9997987,0.00008951698,0.000023052015,0.0000117955415,0.000033060216,0.000043981174],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004956559,0.00048308176,0.00021955758,0.00077003264,0.003910137,0.0017335486,0.00030101728,0.00069096574,0.013704294],"category_scores_gemma":[0.00060907094,0.00019446312,0.00015108673,0.00094380043,0.0029399418,0.002001957,0.0015027148,0.0012139856,0.0015231268],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007548922,0.000031190542,0.0012898479,0.00038773823,0.000017938215,0.0013055695,0.13647102,0.000087797984,0.0019652608,0.035882983,0.76259714,0.059888117],"study_design_scores_gemma":[0.0000033642973,0.000011737727,0.003826974,0.00027826472,0.0000058230826,0.0010006039,0.048845973,0.000025033176,0.00017802845,0.0012702909,0.94454414,0.000009684746],"about_ca_topic_score_codex":0.014650117,"about_ca_topic_score_gemma":0.07666728,"teacher_disagreement_score":0.014650117,"about_ca_system_score_codex":0.001531146,"about_ca_system_score_gemma":0.00048184325,"threshold_uncertainty_score":0.04584545},"labels":[],"label_agreement":null},{"id":"W2328930219","doi":"10.1386/public.23.45.224_7","title":"Seeing through spectacles","year":2012,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Visual arts; Optometry; Art; Geography; Medicine","score_opus":0.13329958231619857,"score_gpt":0.277283978078839,"score_spread":0.1439843957626404,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2328930219","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02075594,0.0043203575,0.0048607634,0.008625619,0.00079358293,0.000012255482,0.0001145798,0.00015259389,0.9603643],"genre_scores_gemma":[0.64120454,0.005667899,0.0031752596,0.0031586164,0.0007345982,0.000033068914,0.0001545461,0.00028180322,0.34558967],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99939024,0.00023172692,0.00001123226,0.000092049246,0.00015943531,0.00011536206],"domain_scores_gemma":[0.99925655,0.00018559961,0.000081437625,0.00014917244,0.00017296619,0.00015427315],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005947599,0.0005422764,0.00020392939,0.0009336157,0.0038681524,0.008768041,0.00046860983,0.0016830676,0.061759368],"category_scores_gemma":[0.0025560984,0.00024957684,0.00040328564,0.0006913234,0.006116983,0.0063536526,0.0037786823,0.002472882,0.006603324],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011382644,0.00004360957,0.0018032697,0.00026776182,0.000033224915,0.00055335165,0.039807558,0.00031415303,0.004453879,0.71995413,0.119120225,0.11353509],"study_design_scores_gemma":[0.000015947837,0.000069522306,0.0048222113,0.0004205217,0.000029747862,0.0012216431,0.034390677,0.00028576134,0.0017517412,0.12178295,0.8351705,0.000038800597],"about_ca_topic_score_codex":0.00850853,"about_ca_topic_score_gemma":0.009920145,"teacher_disagreement_score":0.061759368,"about_ca_system_score_codex":0.0015424886,"about_ca_system_score_gemma":0.0012862269,"threshold_uncertainty_score":0.20660567},"labels":[],"label_agreement":null},{"id":"W233019976","doi":"","title":"Michael Snow. Panoramique. OEuvres photographiques et films. 1962-1999 (cat. exp.), textes de H. Damisch, A. Fleischer, W. Klepac, M. Snow, Bruxelles/Paris/Genève, Société des expositions du palais des Beaux-Arts/Cinémathèque royale de Belgique/Centre national de la photographie/Centre pour l'image contemporaine, 1999, 128 p., bilingue fr.-angl, ill. NB et coul., biogr., bibl., 180 F.","year":2000,"lang":"fr","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history; Snow; Movie theater; Geography; Meteorology","score_opus":0.018429386172449477,"score_gpt":0.2811651228648561,"score_spread":0.26273573669240663,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W233019976","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018911418,0.75086576,0.003948591,0.024603872,0.00965624,0.00018170525,0.0031718696,0.00035914153,0.20532165],"genre_scores_gemma":[0.027546085,0.41876858,0.005782112,0.00548906,0.004937931,0.00022631449,0.0013471817,0.00036672983,0.53553605],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996499,0.00008769351,0.00003414051,0.00006771222,0.00013680501,0.000023793857],"domain_scores_gemma":[0.99955744,0.00018346244,0.000048309576,0.000020152587,0.00014524414,0.0000454409],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00078167144,0.0011066161,0.00033442173,0.003843701,0.0021115919,0.0017728902,0.00071119785,0.0017877232,0.055299252],"category_scores_gemma":[0.0013443455,0.0008398492,0.00035241205,0.0042389035,0.0011998216,0.0046174307,0.00094162056,0.0014195315,0.023280332],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003658208,0.000013585483,0.00031486969,0.00038193056,0.0000065345816,0.00010779012,0.0012756499,0.000045922163,0.0003760751,0.006154437,0.86315954,0.12812719],"study_design_scores_gemma":[0.0000046867553,0.000008408906,0.0026600624,0.0002612927,0.000003989892,0.00015661833,0.0005252084,0.000018624152,0.00022237016,0.0010302999,0.9951036,0.000004900084],"about_ca_topic_score_codex":0.074756436,"about_ca_topic_score_gemma":0.19740736,"teacher_disagreement_score":0.074756436,"about_ca_system_score_codex":0.002050443,"about_ca_system_score_gemma":0.0012635214,"threshold_uncertainty_score":0.1849944},"labels":[],"label_agreement":null},{"id":"W2330556673","doi":"10.1386/pop.4.2.217_1","title":"In favour of Heroines: Lincoln Clarkes’s Vancouver photographs","year":2013,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Western University","funders":"","keywords":"Photography; Representation (politics); Postmodernism; Identity (music); Politics; Visual arts; Art; Sociology; History; Aesthetics; Literature; Law; Political science","score_opus":0.0225664247286441,"score_gpt":0.2320093984594588,"score_spread":0.20944297373081472,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2330556673","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27815986,0.0043083574,0.002008401,0.040267482,0.0014099003,0.000044144366,0.00007194878,0.000060150265,0.67366976],"genre_scores_gemma":[0.9095566,0.0015684149,0.0005317888,0.0014592136,0.0001199969,0.000012058672,0.000018750006,0.00006342429,0.086669765],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981108,0.0011688909,0.000025468096,0.00012635649,0.00033868974,0.0002297392],"domain_scores_gemma":[0.9980551,0.0010488668,0.00010627888,0.00014568177,0.00037065937,0.00027349222],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015573032,0.0002781309,0.00019579881,0.0010372635,0.017865155,0.007994254,0.0005392234,0.0014139957,0.008302039],"category_scores_gemma":[0.0044241357,0.00024504965,0.00009078059,0.0010927223,0.013945465,0.0030265208,0.0029198702,0.0037124942,0.0007538401],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006868303,0.000021112075,0.0010885184,0.000091190894,0.0000043665646,0.0011056083,0.6768454,0.00010664815,0.00071946223,0.23878472,0.047274787,0.033889562],"study_design_scores_gemma":[0.000005629152,0.000018891413,0.0014028688,0.00021997622,0.0000047043823,0.0002911939,0.35408014,0.00013621106,0.00063097884,0.009010441,0.63417906,0.0000199023],"about_ca_topic_score_codex":0.25061283,"about_ca_topic_score_gemma":0.5749986,"teacher_disagreement_score":0.74938715,"about_ca_system_score_codex":0.012295857,"about_ca_system_score_gemma":0.0042895763,"threshold_uncertainty_score":0.49830818},"labels":[],"label_agreement":null},{"id":"W2330711958","doi":"","title":"The Edge of Vision. The Rise of Abstraction in Photography, Galerie Pangée, Montreal, September 15 to October 12, 2009","year":2010,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Enhanced Data Rates for GSM Evolution; Abstraction; Geography; Visual arts; Art; Computer science; Computer vision; Philosophy","score_opus":0.006962441773681012,"score_gpt":0.18957733973573998,"score_spread":0.18261489796205896,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2330711958","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029680044,0.55451167,0.0014527289,0.27624595,0.0103916675,0.000031980842,0.00043473108,0.00020846217,0.15375483],"genre_scores_gemma":[0.13754797,0.3024633,0.0029411844,0.025806833,0.015686505,0.00006406389,0.00027353104,0.0005959237,0.51462066],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99902284,0.00026833985,0.000032107575,0.00015890514,0.00033465764,0.00018304616],"domain_scores_gemma":[0.9983438,0.00041169228,0.000082935636,0.00011627346,0.00063567184,0.00040965396],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019111199,0.00080892415,0.0003518253,0.0021436217,0.0058888635,0.0072616604,0.0009621988,0.0027392362,0.02876244],"category_scores_gemma":[0.003698106,0.00077965617,0.00028320024,0.0024494159,0.008026772,0.0047415756,0.0027240433,0.0041597364,0.0033812516],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026907124,0.000012432352,0.00073868927,0.00021436434,0.000008757604,0.000108597575,0.003998934,0.00009209598,0.0002178267,0.05581016,0.86262435,0.07614691],"study_design_scores_gemma":[0.0000043293394,0.0000040402438,0.003748565,0.0002656777,0.0000041018966,0.000083079176,0.0017412265,0.000047218822,0.00008365574,0.003302283,0.99070626,0.000009639379],"about_ca_topic_score_codex":0.6350123,"about_ca_topic_score_gemma":0.85864055,"teacher_disagreement_score":0.6350123,"about_ca_system_score_codex":0.020640446,"about_ca_system_score_gemma":0.011199793,"threshold_uncertainty_score":0.73427427},"labels":[],"label_agreement":null},{"id":"W2332317196","doi":"10.3138/cras-s032-02-04","title":"Life’s America: Étude d’un ensemble photographique légué par Mell Kilpatrick1","year":2002,"lang":"fr","type":"article","venue":"Canadian Review of American Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Ethnology; Sociology","score_opus":0.04359129164638108,"score_gpt":0.27385038161679887,"score_spread":0.23025908997041777,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2332317196","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34947622,0.10929634,0.0028862844,0.049676407,0.00538782,0.00015758644,0.0025092585,0.000118531134,0.48049155],"genre_scores_gemma":[0.78258866,0.08338,0.00227705,0.008586951,0.0024328881,0.00025272122,0.0014545835,0.0002894011,0.118737675],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925166,0.00024595993,0.000019159059,0.0001449262,0.0001566703,0.00018163036],"domain_scores_gemma":[0.999252,0.00032595164,0.00008939843,0.000060490293,0.0001502056,0.00012199105],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011043762,0.00064744824,0.00030809827,0.0033613706,0.014143547,0.00696245,0.00074607733,0.0014818248,0.007825535],"category_scores_gemma":[0.001592757,0.00042839628,0.00023833325,0.0059343795,0.006115004,0.0055369865,0.0041148723,0.0045878165,0.00084517413],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050645027,0.00007117582,0.008731849,0.00034941937,0.000016514165,0.0032633825,0.76445186,0.00007310348,0.0009767538,0.04752809,0.11420732,0.06027988],"study_design_scores_gemma":[0.0000014303599,0.000014114655,0.011536808,0.00034290995,0.000005124407,0.0008343514,0.13202943,0.0000325554,0.00018404583,0.0008428612,0.85416496,0.000011391808],"about_ca_topic_score_codex":0.17343943,"about_ca_topic_score_gemma":0.3782147,"teacher_disagreement_score":0.17343943,"about_ca_system_score_codex":0.0076929606,"about_ca_system_score_gemma":0.0043166815,"threshold_uncertainty_score":0.34485984},"labels":[],"label_agreement":null},{"id":"W2333679859","doi":"10.1386/pop.2.2.315_1","title":"Index marks the spot? The photo-diagram's referential system","year":2012,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Indexicality; Salient; Index (typography); Diagram; Photography; Juncture; Iconicity; History; Visual arts; Art; Computer science; Linguistics; Philosophy","score_opus":0.039163282204443074,"score_gpt":0.24053443407400638,"score_spread":0.2013711518695633,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2333679859","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.057315324,0.0040182127,0.09154036,0.025519548,0.001579364,0.00005948489,0.00033473963,0.00046735155,0.8191657],"genre_scores_gemma":[0.95153415,0.0013141258,0.012277766,0.0007484519,0.0003533328,0.000058242316,0.000105753374,0.00018605024,0.03342213],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9981438,0.0010524802,0.0000702827,0.0003146334,0.00030780575,0.00011091304],"domain_scores_gemma":[0.9977991,0.0011650976,0.00018171624,0.00044951186,0.000282032,0.00012248674],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022435295,0.00029043926,0.0002736956,0.002337003,0.0036627585,0.009627644,0.0008785119,0.0011969125,0.011930637],"category_scores_gemma":[0.007962876,0.00024487963,0.00020234329,0.0019564275,0.019380871,0.014774256,0.0037523783,0.0018862213,0.001306009],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011748162,0.0000017501931,0.00011379138,0.00001987175,9.5319297e-7,0.000038663395,0.008404823,0.000045223558,0.00014158002,0.98441446,0.0014949217,0.0053122523],"study_design_scores_gemma":[0.000029199025,0.000031348754,0.0006461286,0.00023999871,0.000017070928,0.0003778413,0.025587147,0.0008283775,0.0012354251,0.45109057,0.519891,0.000025868852],"about_ca_topic_score_codex":0.0045880238,"about_ca_topic_score_gemma":0.003981952,"teacher_disagreement_score":0.011930637,"about_ca_system_score_codex":0.003851739,"about_ca_system_score_gemma":0.001716703,"threshold_uncertainty_score":0.039911985},"labels":[],"label_agreement":null},{"id":"W2334076412","doi":"10.5840/envirophil20129213","title":"Eyes Through Oil","year":2012,"lang":"en","type":"article","venue":"Environmental Philosophy","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.04316845249074061,"score_gpt":0.23231185602283314,"score_spread":0.18914340353209252,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2334076412","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030494193,0.0029554255,0.007938506,0.020054562,0.0025582528,0.00004551259,0.00042795527,0.0006243273,0.93490136],"genre_scores_gemma":[0.3516842,0.0029131845,0.0053124446,0.0048580286,0.0004908204,0.00003987585,0.00018038785,0.0006486752,0.6338724],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997359,0.00005390002,0.0000056719746,0.00005317953,0.000086693435,0.000064629465],"domain_scores_gemma":[0.9997645,0.000059837846,0.000020452113,0.000042107768,0.00006542741,0.000047599726],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027257996,0.00037027238,0.00013982673,0.00071332516,0.0033054543,0.0034692842,0.0002970123,0.0009567546,0.06976203],"category_scores_gemma":[0.0014743909,0.00015275013,0.00030737274,0.00034114538,0.0022723046,0.0037164472,0.0032150536,0.0017279718,0.009001794],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002322881,0.000050590545,0.0018740267,0.00029776336,0.000027088827,0.0014313497,0.036744945,0.00037163173,0.0071209143,0.31746665,0.41937724,0.21500552],"study_design_scores_gemma":[0.0000062568693,0.000021086567,0.0006264142,0.000119348304,0.0000047423678,0.00022005527,0.009976633,0.000082664,0.0011094639,0.009974645,0.97784734,0.000011367216],"about_ca_topic_score_codex":0.01120797,"about_ca_topic_score_gemma":0.023362141,"teacher_disagreement_score":0.06976203,"about_ca_system_score_codex":0.0014175113,"about_ca_system_score_gemma":0.0008498532,"threshold_uncertainty_score":0.23337722},"labels":[],"label_agreement":null},{"id":"W2335634215","doi":"10.17742/image.scandal.4-1.4","title":"A SURREAL LANDSCAPE OF DEVASTATION: AN ANALYSIS OF LEE MILLER’S GRIM GLORY PHOTOGRAPHS OF THE LONDON BLITZ","year":2013,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Glory; Miller; Art history; History; Geography; Art; Cartography; Environmental ethics; Archaeology; Philosophy; Ecology; Biology; Physics","score_opus":0.047173160603563656,"score_gpt":0.37853975924887917,"score_spread":0.33136659864531554,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2335634215","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7856667,0.0030495094,0.0008746336,0.005246544,0.0002336378,0.00006023903,0.000290365,0.000036936595,0.20454143],"genre_scores_gemma":[0.98555285,0.001022341,0.0002801141,0.00029475125,0.00004303672,0.000015109041,0.00007632163,0.000053104246,0.012662442],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999233,0.0004052586,0.000012365258,0.000059512113,0.00015524877,0.00013460877],"domain_scores_gemma":[0.99898034,0.0005192817,0.00016655299,0.00011892861,0.00009844345,0.000116276715],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00072635984,0.0003795148,0.00019704274,0.0022692743,0.0065004495,0.004645657,0.0007044356,0.0009173008,0.008510478],"category_scores_gemma":[0.0023429093,0.00030129406,0.00020092675,0.0019368818,0.006919539,0.0022483382,0.0030328324,0.0019603465,0.00044841325],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065267566,0.000017523224,0.0024718,0.0001619982,0.000012139221,0.0029235708,0.95986086,0.000104036604,0.0011162419,0.015696747,0.008540276,0.0090294955],"study_design_scores_gemma":[0.0000047157546,0.000021557062,0.015521337,0.00020861755,0.000008796639,0.0013692222,0.8599069,0.00007296639,0.00041940075,0.000714258,0.12173624,0.00001598769],"about_ca_topic_score_codex":0.032307662,"about_ca_topic_score_gemma":0.15344058,"teacher_disagreement_score":0.032307662,"about_ca_system_score_codex":0.00511207,"about_ca_system_score_gemma":0.0010777274,"threshold_uncertainty_score":0.064239204},"labels":[],"label_agreement":null},{"id":"W2336499441","doi":"10.7202/1034156ar","title":"Projections photographiques et cinéma des premiers temps : La Houillère de Gustave Marissiaux et les origines du cinéma minier","year":2015,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.052443165411400074,"score_gpt":0.318116439405225,"score_spread":0.2656732739938249,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2336499441","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48958293,0.008654595,0.0046319584,0.008570821,0.00040745243,0.000047402875,0.00016555331,0.00006343714,0.48787588],"genre_scores_gemma":[0.9590866,0.0016055212,0.0008576068,0.00013698898,0.000067323446,0.000013852071,0.00002833316,0.0000294505,0.03817417],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996014,0.00016429165,0.0000057526204,0.00006328827,0.0000948583,0.00007044162],"domain_scores_gemma":[0.99943966,0.00031399925,0.000059766513,0.00004849044,0.00007483699,0.00006322616],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006594336,0.0003209809,0.00008996722,0.00085996924,0.002712825,0.004001407,0.0003163253,0.0006200948,0.010960679],"category_scores_gemma":[0.0019112598,0.00016222545,0.0001361617,0.000789647,0.005784701,0.0020362718,0.0013772892,0.0014634947,0.00040351058],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015188617,0.000019636223,0.007400707,0.00021692774,0.000011331295,0.0010135721,0.44203755,0.00034790093,0.004379435,0.46441486,0.009936055,0.07007006],"study_design_scores_gemma":[0.000011247916,0.00007790955,0.07120445,0.0005247017,0.000014672482,0.0009593367,0.14804283,0.00042434034,0.0028665,0.011813071,0.7640164,0.00004444316],"about_ca_topic_score_codex":0.049030107,"about_ca_topic_score_gemma":0.098621905,"teacher_disagreement_score":0.049030107,"about_ca_system_score_codex":0.004597738,"about_ca_system_score_gemma":0.0015653551,"threshold_uncertainty_score":0.09748942},"labels":[],"label_agreement":null},{"id":"W2337357106","doi":"10.7202/1034164ar","title":"Probing Light: Projection Mapping, Architectural Surface, and the Politics of Luminous Abstraction","year":2015,"lang":"en","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Architecture; Performative utterance; Aesthetics; Materiality (auditing); Spectacle; Publicity; Movie theater; Politics; Visual arts; Sociology; Agency (philosophy); Art; Political science; Social science; Law","score_opus":0.055372431704495045,"score_gpt":0.2941332767666497,"score_spread":0.23876084506215464,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2337357106","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12435938,0.008434293,0.020749506,0.024436872,0.00046312445,0.000027488812,0.000028674347,0.00007504448,0.82142556],"genre_scores_gemma":[0.97963244,0.0013736015,0.0015803807,0.00058404705,0.00014808052,0.000022198938,0.000006887136,0.00005760279,0.016594708],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99710804,0.0020927212,0.000023589704,0.00020841748,0.0003227593,0.00024455052],"domain_scores_gemma":[0.9981754,0.0012612324,0.00014153564,0.00021165595,0.000113463066,0.00009674019],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024730666,0.0004979384,0.00024406983,0.0014728864,0.007975747,0.0113148475,0.00090347684,0.0020353051,0.004984911],"category_scores_gemma":[0.0037400385,0.0002510345,0.00027178097,0.0013437746,0.06904473,0.008601695,0.006556095,0.0040855836,0.0004716792],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013279852,0.00000519868,0.0001956648,0.00002263048,0.000002225621,0.000057884703,0.03539269,0.0001242101,0.00013945154,0.9569241,0.0011663446,0.0059563136],"study_design_scores_gemma":[0.000019779478,0.000041958985,0.0013111258,0.00026126785,0.000011953052,0.00026374022,0.101428,0.0007415593,0.00079814566,0.6817648,0.21333107,0.000026629044],"about_ca_topic_score_codex":0.0036523878,"about_ca_topic_score_gemma":0.0051661623,"teacher_disagreement_score":0.0113148475,"about_ca_system_score_codex":0.0037557476,"about_ca_system_score_gemma":0.0013506314,"threshold_uncertainty_score":0.027249992},"labels":[],"label_agreement":null},{"id":"W2337456910","doi":"","title":"DAVID BATHRICK, BRAD PRAGER, and MICHAEL D. RICHARDSON, eds., Visualizing the Holocaust: Documents, Aesthetics, Memory","year":2014,"lang":"en","type":"article","venue":"Archivaria","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"The Holocaust; Art; Art history; Aesthetics; Philosophy; Theology","score_opus":0.016395533495247163,"score_gpt":0.24993273923359577,"score_spread":0.2335372057383486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2337456910","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003405744,0.8259792,0.00712485,0.06552525,0.005923434,0.000080194404,0.00021142278,0.00016600874,0.09158389],"genre_scores_gemma":[0.019171057,0.8912901,0.0075887595,0.0044442625,0.00193023,0.000075998985,0.000088101195,0.00009369411,0.07531787],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993932,0.00022833918,0.000036368692,0.0000539056,0.00024441982,0.000043718497],"domain_scores_gemma":[0.9984787,0.0009742657,0.000095846524,0.00005704953,0.0002335502,0.00016064184],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018907432,0.0010673389,0.0006793248,0.0027321724,0.0022224912,0.008523589,0.0013661869,0.002357262,0.010955159],"category_scores_gemma":[0.0019742702,0.00077453506,0.00037388297,0.0030143275,0.003911502,0.010407411,0.0019573774,0.0028387562,0.0040519047],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057338668,0.000059675287,0.0009176519,0.0017412629,0.000019270392,0.00024440922,0.011745032,0.00023449078,0.0006329256,0.076915525,0.6220536,0.28537875],"study_design_scores_gemma":[0.000008304847,0.000016230062,0.002124839,0.001595622,0.000021166537,0.0004000618,0.013478112,0.00015715473,0.00057601393,0.016837755,0.9647598,0.00002485565],"about_ca_topic_score_codex":0.013643091,"about_ca_topic_score_gemma":0.06561549,"teacher_disagreement_score":0.013643091,"about_ca_system_score_codex":0.0020671221,"about_ca_system_score_gemma":0.0025224271,"threshold_uncertainty_score":0.03664863},"labels":[],"label_agreement":null},{"id":"W2338159981","doi":"","title":"The Contact Photography Festival, The Constructed Image, Toronto, May 1 - 31, 2007The Contact Photography Festival, The Constructed Image, Toronto, May 1 - 31, 2007","year":2007,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Visual arts; Color photography; Art","score_opus":0.02060676554274325,"score_gpt":0.26882534912446393,"score_spread":0.2482185835817207,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2338159981","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024467066,0.021502318,0.0009086553,0.025006736,0.023541184,0.00051523076,0.052462902,0.00092369306,0.8506723],"genre_scores_gemma":[0.033719443,0.003976584,0.00050146226,0.000662322,0.0010892022,0.00009294497,0.007560676,0.0003470673,0.9520503],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996159,0.000023533574,0.000007590202,0.00004769725,0.00017033152,0.00013487885],"domain_scores_gemma":[0.9993389,0.00003840439,0.000028409777,0.00004456814,0.00026899623,0.000280768],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006561899,0.0011143369,0.0005798349,0.0010026213,0.009005211,0.0047264597,0.0008331684,0.0016424577,0.24661542],"category_scores_gemma":[0.0009263959,0.0005085752,0.0005296675,0.001485467,0.001276054,0.0010823327,0.0023234575,0.0027817674,0.03141731],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008609695,0.000017821312,0.00047798082,0.00007119095,0.00000517681,0.0000791469,0.00040821335,0.000050914135,0.00022167848,0.0012194032,0.9921881,0.00517433],"study_design_scores_gemma":[0.000019503465,0.000026397047,0.0147048915,0.00013695778,0.000006903453,0.00003956134,0.0018233932,0.00004244227,0.00022249889,0.00019624937,0.9827675,0.000013508844],"about_ca_topic_score_codex":0.5150968,"about_ca_topic_score_gemma":0.9286568,"teacher_disagreement_score":0.48490322,"about_ca_system_score_codex":0.01248121,"about_ca_system_score_gemma":0.006744504,"threshold_uncertainty_score":0.9755178},"labels":[],"label_agreement":null},{"id":"W2342065768","doi":"","title":"Manufactured Landscapes: The Photographs of Edward Burtynsky, National Gallery of Canada, 31 January—4 May 2003","year":2003,"lang":"en","type":"article","venue":"CV Photo","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; History","score_opus":0.019438484842704596,"score_gpt":0.22890126466247038,"score_spread":0.20946277981976577,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2342065768","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030767307,0.044247847,0.001092139,0.034280714,0.008503069,0.00041823968,0.02840128,0.00053921965,0.85175014],"genre_scores_gemma":[0.041001037,0.0072639473,0.0010280659,0.0011585231,0.00021879154,0.000033607823,0.0028807165,0.0002626207,0.94615275],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99972504,0.000014789714,0.0000050258077,0.000031354826,0.0001335489,0.00009015393],"domain_scores_gemma":[0.99946684,0.000021011707,0.00001551768,0.000024058585,0.00035148664,0.00012119213],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003534819,0.0008668334,0.0003457153,0.0024395299,0.012399353,0.0037167224,0.0009923918,0.0010214102,0.07420002],"category_scores_gemma":[0.0007347703,0.00053445314,0.00037180522,0.0030012124,0.001022452,0.0010898536,0.0014252593,0.0018586399,0.0109592],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035680743,0.0000068780664,0.0005742471,0.00005262973,0.0000044105013,0.00012896309,0.0013053777,0.0000751452,0.00028912252,0.00067743805,0.985994,0.010856043],"study_design_scores_gemma":[0.0000022896775,0.00000249572,0.010060771,0.00008314289,0.000003938342,0.00008766427,0.0035676097,0.000026470538,0.00015593175,0.00008800117,0.9859125,0.0000091249085],"about_ca_topic_score_codex":0.9579259,"about_ca_topic_score_gemma":0.99518126,"teacher_disagreement_score":0.07420002,"about_ca_system_score_codex":0.016340174,"about_ca_system_score_gemma":0.016727895,"threshold_uncertainty_score":0.24822378},"labels":[],"label_agreement":null},{"id":"W2342306511","doi":"10.1177/1474474015582171","title":"Hazardous material photography: an interview with Paul Shambroom","year":2015,"lang":"en","type":"article","venue":"Cultural Geographies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University; University of Winnipeg","funders":"","keywords":"Memorialization; Politics; Power (physics); Democracy; Media studies; Sociology; Space (punctuation); History; Visual arts; Political science; Law; Art","score_opus":0.09902753525570422,"score_gpt":0.2759157862182845,"score_spread":0.17688825096258026,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2342306511","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6132077,0.01182244,0.008409666,0.2800182,0.003004587,0.00073506107,0.0002296571,0.00015337844,0.08241931],"genre_scores_gemma":[0.92421937,0.0066346177,0.0042488626,0.034703825,0.00038138262,0.0005440155,0.00006615649,0.00015264066,0.02904907],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99126434,0.0060905037,0.00018001262,0.00048079604,0.0010900147,0.0008944746],"domain_scores_gemma":[0.98623544,0.009101583,0.0005943008,0.00022160792,0.0014411139,0.0024058847],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008734119,0.0006868964,0.0008007136,0.0015193708,0.021012466,0.0055753156,0.0015754573,0.0058358316,0.003995867],"category_scores_gemma":[0.021273896,0.0012655859,0.0004065297,0.0014146186,0.014986093,0.00823477,0.005737995,0.011018599,0.0007989202],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003006177,0.00006587595,0.0005952632,0.00009558278,0.000002787352,0.0013393722,0.9673976,0.00005593364,0.0012258497,0.00545453,0.019303633,0.0044334903],"study_design_scores_gemma":[0.0000050523972,0.000044098124,0.00044104498,0.00018468859,0.000002277791,0.00060713396,0.89405113,0.00007954629,0.00018981233,0.00076540303,0.10360497,0.000024771463],"about_ca_topic_score_codex":0.030249167,"about_ca_topic_score_gemma":0.044299126,"teacher_disagreement_score":0.030249167,"about_ca_system_score_codex":0.0070147375,"about_ca_system_score_gemma":0.006334697,"threshold_uncertainty_score":0.060146213},"labels":[],"label_agreement":null},{"id":"W2346966927","doi":"","title":"Martha Langford, Scissors, Paper, Stone: Expressions of Memory in Contemporary Photographic Art, McGill-Queen’s University Press, 2007, 342 p.","year":2008,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Art; Art history; Visual arts","score_opus":0.020035080115623403,"score_gpt":0.17896590966502077,"score_spread":0.15893082954939736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2346966927","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013023998,0.90433794,0.0014398856,0.048829306,0.0041467855,0.000024592917,0.00024255124,0.000096182746,0.039580397],"genre_scores_gemma":[0.045609947,0.79454416,0.0041336566,0.015852343,0.008518712,0.00015141515,0.000239372,0.00030044833,0.13065],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99937797,0.0002187927,0.000048618997,0.00006812331,0.0002382004,0.0000483664],"domain_scores_gemma":[0.9972908,0.0020141588,0.0001570379,0.0000811768,0.00030590838,0.00015088382],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015885488,0.0017048604,0.0008976887,0.0042212126,0.004134357,0.0053760195,0.0021331932,0.003762873,0.020966725],"category_scores_gemma":[0.004511313,0.0010745933,0.00040695988,0.004340789,0.005307216,0.011294041,0.001605411,0.0027871365,0.0066205496],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007186627,0.000028221477,0.00048345208,0.0010296656,0.000024728359,0.00024419426,0.012241899,0.00010715184,0.00037644967,0.033320993,0.85349923,0.0985722],"study_design_scores_gemma":[0.000024830619,0.000017878618,0.005622817,0.0018878126,0.000025237694,0.0005930118,0.010262965,0.00012722089,0.00048738107,0.01704705,0.96386915,0.000034744084],"about_ca_topic_score_codex":0.08117658,"about_ca_topic_score_gemma":0.22948733,"teacher_disagreement_score":0.08117658,"about_ca_system_score_codex":0.0033735957,"about_ca_system_score_gemma":0.0028439588,"threshold_uncertainty_score":0.16140819},"labels":[],"label_agreement":null},{"id":"W2347081740","doi":"","title":"Thomas Demand: Animations, Jeff Fleming (dir.), Des Moines et Montréal, Des Moines Art Center et DHC/Art, 2012, n.p.","year":2013,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Center (category theory); Chemistry","score_opus":0.012081239958944381,"score_gpt":0.19913360875310854,"score_spread":0.18705236879416415,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2347081740","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014297838,0.49290138,0.0056599113,0.13061811,0.049382705,0.00012717347,0.0049464456,0.0020817143,0.3128527],"genre_scores_gemma":[0.011131529,0.11783869,0.0030089943,0.004239046,0.0061044274,0.00005923154,0.0011785289,0.0009821862,0.85545725],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99957293,0.00007347326,0.000017469163,0.000080633195,0.00021077412,0.000044604305],"domain_scores_gemma":[0.99936825,0.00011960983,0.000034540724,0.000028197906,0.00030377164,0.00014565243],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009783803,0.0015789398,0.00042398155,0.0022177473,0.002839103,0.0030974022,0.00075037475,0.0014422203,0.15800881],"category_scores_gemma":[0.0018569971,0.00076602114,0.0003378923,0.002339013,0.0011417146,0.0022355258,0.0012790608,0.0018756721,0.05659915],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000112036,0.0000027317647,0.00008739692,0.00006795933,0.0000029541247,0.000027334703,0.00011615581,0.000050983956,0.00011690305,0.0011238233,0.97157776,0.02681469],"study_design_scores_gemma":[0.0000027138426,0.0000021947374,0.00062374794,0.000071713126,0.0000032099035,0.000068966954,0.00017350566,0.000046105877,0.000115126546,0.0002769322,0.99861,0.000005783554],"about_ca_topic_score_codex":0.2714959,"about_ca_topic_score_gemma":0.568798,"teacher_disagreement_score":0.2714959,"about_ca_system_score_codex":0.0041936706,"about_ca_system_score_gemma":0.0019579523,"threshold_uncertainty_score":0.5398313},"labels":[],"label_agreement":null},{"id":"W2398347984","doi":"","title":"Andrew Wright, Untitled Photographic Pictures, Patrick Mikhail Gallery, Montreal, March 20 to April 28, 2015","year":2015,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wright; Art history; Art; History","score_opus":0.01629311051874471,"score_gpt":0.2003497389017184,"score_spread":0.18405662838297368,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2398347984","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007110307,0.034765065,0.0017132843,0.112998396,0.044288635,0.0006735756,0.0096421745,0.0017665658,0.787042],"genre_scores_gemma":[0.008345899,0.0036088787,0.00043074848,0.0021294819,0.0010059479,0.00004014288,0.0005679488,0.00014643562,0.9837246],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99936956,0.000050742652,0.00001505697,0.00009447592,0.00031370576,0.00015650927],"domain_scores_gemma":[0.9983614,0.00007988252,0.000045551864,0.00007469839,0.0010005482,0.00043792868],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011933504,0.0007526224,0.0003026945,0.0018452186,0.008027376,0.004111265,0.001383763,0.002146269,0.2687774],"category_scores_gemma":[0.0033454914,0.00049795886,0.00042231864,0.0009272211,0.000829575,0.0014359738,0.0023189047,0.0020228627,0.06891824],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000149148655,0.0000085279235,0.00025957407,0.000035047346,0.0000021531619,0.00006626772,0.00015402182,0.000019998097,0.00013864906,0.00053079106,0.9890752,0.009694821],"study_design_scores_gemma":[0.000003746212,0.0000059360377,0.002300899,0.00006291001,0.000003741467,0.00004470429,0.0005778359,0.0000210812,0.0001163185,0.00008872181,0.9967675,0.0000065747754],"about_ca_topic_score_codex":0.33330765,"about_ca_topic_score_gemma":0.7579124,"teacher_disagreement_score":0.6666924,"about_ca_system_score_codex":0.005628613,"about_ca_system_score_gemma":0.004362527,"threshold_uncertainty_score":0.89914995},"labels":[],"label_agreement":null},{"id":"W2401215165","doi":"10.3138/jcs.49.2.296","title":"Imaged Communities: Putting Canadian Photographic History in its Place","year":2015,"lang":"en","type":"article","venue":"Journal of Canadian Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; History of photography; Visual arts; Sociology; History; Art history; Art","score_opus":0.22748306822130313,"score_gpt":0.28859554326632164,"score_spread":0.061112475045018516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2401215165","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.084913276,0.014649676,0.0059578647,0.10723473,0.0020297917,0.00010934993,0.0006712929,0.000199878,0.7842341],"genre_scores_gemma":[0.9171469,0.007903461,0.0039547225,0.005455586,0.00026849404,0.000056075125,0.0002362995,0.00019394251,0.06478449],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99686337,0.00075443345,0.00005361512,0.00036730562,0.0010173076,0.00094398885],"domain_scores_gemma":[0.99579996,0.00084553263,0.0002498222,0.00029743553,0.0018115278,0.0009957984],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023838924,0.00071604847,0.00037747796,0.005748221,0.056119498,0.02388217,0.002628602,0.003289901,0.013813365],"category_scores_gemma":[0.0072847176,0.0005851731,0.00035288374,0.007200255,0.039581247,0.009521519,0.008539016,0.0043282374,0.0006334616],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033697666,0.0000126599525,0.0033976315,0.00013822183,0.000013397245,0.0006534685,0.3368313,0.00036424695,0.00027018218,0.567983,0.053799935,0.03650233],"study_design_scores_gemma":[0.0000042426664,0.0000071168606,0.0026750765,0.00029372892,0.000017098711,0.00014533018,0.22787862,0.00017885005,0.00018234365,0.016739419,0.75183785,0.000040315957],"about_ca_topic_score_codex":0.9909078,"about_ca_topic_score_gemma":0.99583507,"teacher_disagreement_score":0.20082766,"about_ca_system_score_codex":0.20082766,"about_ca_system_score_gemma":0.20818663,"threshold_uncertainty_score":0.9269266},"labels":[],"label_agreement":null},{"id":"W2404252058","doi":"10.3138/jcs.49.2.227","title":"Colonial Encounters at the Turn of the Twentieth Century: “Unsettling” the Personal Photograph Albums of Andrew Onderdonk and Benjamin Leeson","year":2015,"lang":"en","type":"article","venue":"Journal of Canadian Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Colonialism; Indigenous; History; Injustice; Narrative; Photography; Sociology; Denial; Art history; Visual arts; Art; Law; Literature; Archaeology; Psychoanalysis; Psychology; Political science","score_opus":0.06081749268172069,"score_gpt":0.2646254885452627,"score_spread":0.203807995863542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2404252058","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76012975,0.007053548,0.000812624,0.01277579,0.0003987625,0.000041034902,0.00014335474,0.00005238178,0.2185927],"genre_scores_gemma":[0.969864,0.0028372714,0.00029709603,0.00057187706,0.000041079307,0.0000101267915,0.00003739814,0.00004633141,0.026294896],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99887425,0.0003479358,0.000020982772,0.00011732037,0.0002828358,0.00035670932],"domain_scores_gemma":[0.9988023,0.00037994096,0.00013780066,0.00011587368,0.0003067808,0.00025730854],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012125572,0.00037338998,0.00027313357,0.0014547533,0.027887043,0.009445872,0.0010317788,0.0011570062,0.0053933444],"category_scores_gemma":[0.0028277338,0.00033468165,0.00014577692,0.0018575568,0.02970034,0.002925128,0.003991918,0.0036358067,0.00034834663],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021522555,0.000008758152,0.0019043495,0.000047693713,0.0000044409603,0.00079228875,0.9611363,0.00003591154,0.0005462269,0.016630478,0.007336245,0.01153579],"study_design_scores_gemma":[0.0000026735322,0.000010036235,0.009405948,0.00018073211,0.000009436158,0.00044069678,0.7882497,0.000030630235,0.00038780912,0.00078064064,0.20047803,0.000023705763],"about_ca_topic_score_codex":0.8656985,"about_ca_topic_score_gemma":0.9590386,"teacher_disagreement_score":0.13430148,"about_ca_system_score_codex":0.033188216,"about_ca_system_score_gemma":0.013064064,"threshold_uncertainty_score":0.27018476},"labels":[],"label_agreement":null},{"id":"W2405248142","doi":"10.1525/ucpsocal.2016.98.2.239","title":"Review: Borderland Films: American Cinema, Mexico and Canada during the Progressive Era by Dominique Brégent-Heald","year":2016,"lang":"en","type":"article","venue":"Southern California Quarterly","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Icon; Movie theater; Art history; History; Citation; American history; American studies; Media studies; Art; Library science; Humanities; Sociology","score_opus":0.005006444506732044,"score_gpt":0.20814614277525345,"score_spread":0.2031396982685214,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2405248142","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000045078883,0.98517054,0.0000204293,0.008400075,0.0043218853,0.000031777174,0.000099300225,0.0000071113104,0.0019037972],"genre_scores_gemma":[0.00092066464,0.98129535,0.000058676556,0.0092202965,0.0037518847,0.00009449171,0.00016661458,0.000008710311,0.0044833706],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982389,0.00041476588,0.00021371891,0.00021467532,0.00076662865,0.00015130319],"domain_scores_gemma":[0.9914779,0.0023960948,0.0010789956,0.00013834583,0.004238622,0.00066999526],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020110665,0.0012801393,0.0025391357,0.0048555923,0.0017026309,0.0051311916,0.0022030554,0.0036502213,0.02405316],"category_scores_gemma":[0.012129988,0.0007577221,0.0009284269,0.0076136333,0.0014498781,0.004318178,0.0017637996,0.004152241,0.0068668793],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028116718,0.000008077893,0.000088946734,0.010914957,0.000058322847,0.000063760315,0.00012805642,0.000024933348,0.000060109625,0.00041593783,0.9278347,0.060374137],"study_design_scores_gemma":[0.000026392065,0.00002442907,0.0010306266,0.035823837,0.00012880063,0.00028355478,0.00031512982,0.00001494972,0.000039557905,0.00027039007,0.9620181,0.000024242381],"about_ca_topic_score_codex":0.027845826,"about_ca_topic_score_gemma":0.04934234,"teacher_disagreement_score":0.9721542,"about_ca_system_score_codex":0.0056144646,"about_ca_system_score_gemma":0.014053501,"threshold_uncertainty_score":0.08046585},"labels":[],"label_agreement":null},{"id":"W2409863411","doi":"","title":"Lifeworks : Caught looking","year":2000,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; Exhibition; Painting; The arts; Visual arts; Art history; Art; Fine art; Art gallery; Superstar","score_opus":0.009329564194223414,"score_gpt":0.2181681183325885,"score_spread":0.2088385541383651,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2409863411","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007791447,0.008922218,0.0014036031,0.042992905,0.01110691,0.00005631247,0.00016599226,0.0003430997,0.9272175],"genre_scores_gemma":[0.05661433,0.0036435167,0.0008127156,0.013969204,0.0009777793,0.00005220039,0.00015711706,0.000622512,0.92315054],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99781346,0.0006654636,0.000039264014,0.0002870945,0.00055294833,0.0006416782],"domain_scores_gemma":[0.99807954,0.00023466467,0.000067177374,0.0002228126,0.00029948336,0.0010963446],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017445001,0.0008253763,0.00056421827,0.0014825489,0.026239034,0.015523123,0.0012399855,0.003377009,0.121590875],"category_scores_gemma":[0.0033874903,0.0005541177,0.0005719875,0.0014310095,0.012001724,0.0077067176,0.01754166,0.00759038,0.030346887],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003089902,0.000040218292,0.0005051395,0.00007867574,0.000004553756,0.00040516318,0.076962724,0.000025293133,0.0002227362,0.11730058,0.74545133,0.058972776],"study_design_scores_gemma":[0.0000014881587,0.000004083721,0.00015627734,0.00008965236,7.3011245e-7,0.00009551977,0.01907429,0.0000063625175,0.000019579533,0.0017356104,0.9788126,0.0000038362496],"about_ca_topic_score_codex":0.024695506,"about_ca_topic_score_gemma":0.102996536,"teacher_disagreement_score":0.121590875,"about_ca_system_score_codex":0.0076453714,"about_ca_system_score_gemma":0.0035293465,"threshold_uncertainty_score":0.406762},"labels":[],"label_agreement":null},{"id":"W2410150888","doi":"","title":"Lifeworks: Empirical evidence","year":2002,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Studio; Visual arts; Photography; Reputation; Art; Meaning (existential); Art history; Aesthetics; Sociology; Psychology","score_opus":0.09047534747342043,"score_gpt":0.28579115780351516,"score_spread":0.19531581033009474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2410150888","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.69740963,0.06909244,0.002317691,0.030477593,0.0008595025,0.0007374516,0.012455254,0.000059730468,0.18659084],"genre_scores_gemma":[0.9502786,0.026085947,0.0012028217,0.0048885155,0.00050019234,0.0009018106,0.0063554677,0.00014120889,0.009645461],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99143547,0.0037153147,0.00080015947,0.0014768321,0.0018317667,0.00074038166],"domain_scores_gemma":[0.86912906,0.08204401,0.025609149,0.007361187,0.01142175,0.00443476],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010708735,0.00084817293,0.0016289676,0.0074090636,0.005364947,0.0072577363,0.0050303824,0.0026932287,0.11153799],"category_scores_gemma":[0.08234495,0.0011807875,0.0011237812,0.013186704,0.0054449253,0.008515706,0.0056567932,0.0052679037,0.008717337],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008059188,0.001767624,0.7616961,0.0076971496,0.0013024646,0.0011484447,0.04483326,0.00023174331,0.0000595073,0.04418521,0.051009577,0.08526294],"study_design_scores_gemma":[0.00029843493,0.0002494302,0.7005569,0.012156993,0.0007465389,0.0010120553,0.16275111,0.00050037535,0.00010440814,0.014387695,0.10715122,0.00008488062],"about_ca_topic_score_codex":0.019577717,"about_ca_topic_score_gemma":0.02233237,"teacher_disagreement_score":0.11153799,"about_ca_system_score_codex":0.0035591016,"about_ca_system_score_gemma":0.003488455,"threshold_uncertainty_score":0.37313175},"labels":[],"label_agreement":null},{"id":"W2415000120","doi":"10.16950/std.83557","title":"20. YÜZYILA KADAR KANADA’DA GÖRÜLEN SANAT VE SANATÇILAR","year":2015,"lang":"tr","type":"article","venue":"İnönü üniversitesi sanat ve tasarım dergisi","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.04178763646054331,"score_gpt":0.24723969411863025,"score_spread":0.20545205765808694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2415000120","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0973698,0.013210151,0.0058426224,0.014407488,0.0035712987,0.00019340827,0.0017813639,0.00058388425,0.86304],"genre_scores_gemma":[0.3644016,0.007827045,0.009312746,0.0024385739,0.00037720762,0.00013417339,0.001659739,0.0003731317,0.61347574],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992391,0.00011348134,0.000038349353,0.0001722798,0.0002452233,0.00019155724],"domain_scores_gemma":[0.9994025,0.00006265562,0.00006877168,0.000052797965,0.00027604387,0.00013727086],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00081658247,0.00075484434,0.00034502795,0.00096020696,0.003940036,0.0035175371,0.0006872222,0.0015709484,0.04576946],"category_scores_gemma":[0.001179798,0.00036844998,0.0004912679,0.0008954147,0.0019255357,0.0017803159,0.0029973597,0.0021232965,0.013586463],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007391394,0.0003181583,0.031779807,0.0016452128,0.000102725135,0.0032797472,0.03995067,0.0009793248,0.016477302,0.15252714,0.21238877,0.539812],"study_design_scores_gemma":[0.000008730426,0.000075921205,0.01434832,0.00020611365,0.00001791473,0.00040308555,0.0056984345,0.00007682508,0.0014865403,0.002660372,0.9749854,0.00003241199],"about_ca_topic_score_codex":0.024481572,"about_ca_topic_score_gemma":0.058317516,"teacher_disagreement_score":0.9755184,"about_ca_system_score_codex":0.0030185634,"about_ca_system_score_gemma":0.0046854257,"threshold_uncertainty_score":0.15311408},"labels":[],"label_agreement":null},{"id":"W2423737323","doi":"","title":"Lifeworks: Bodily paradox","year":2001,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Meaning (existential); Beauty; Exhibition; Subject (documents); Aesthetics; Ambiguity; Proposition; White (mutation); Photography; Visual arts; Computer science; Epistemology; Art; Philosophy; Linguistics","score_opus":0.016292941084884,"score_gpt":0.23494615812168929,"score_spread":0.2186532170368053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2423737323","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012407758,0.009545047,0.0044645867,0.041711215,0.001757468,0.000030493282,0.00012319173,0.00011236682,0.9298479],"genre_scores_gemma":[0.73996055,0.0072390856,0.0030305958,0.01817091,0.001938921,0.00013393765,0.00021611051,0.00026336804,0.2290465],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982609,0.0009820173,0.0000475705,0.0002381044,0.00028903928,0.0001823174],"domain_scores_gemma":[0.99881077,0.00048802551,0.00012425894,0.00023990995,0.00017401384,0.0001630959],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013166983,0.00050831033,0.00034034142,0.0009858491,0.008242761,0.0088115,0.00090986234,0.0031338986,0.023977619],"category_scores_gemma":[0.0033782108,0.00023523785,0.00041224385,0.0010149751,0.025325496,0.007503184,0.0076662772,0.0048708622,0.0028112237],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000101581845,0.0000086683785,0.00012601986,0.000045421566,0.0000031577233,0.00033172566,0.018561741,0.00005762538,0.000111285764,0.93644494,0.037835862,0.0064633302],"study_design_scores_gemma":[0.000011414927,0.000011217868,0.00022341278,0.00013675078,0.0000029983132,0.0007434671,0.0153209455,0.00009232896,0.00012581634,0.23762538,0.7456969,0.00000937043],"about_ca_topic_score_codex":0.0035708311,"about_ca_topic_score_gemma":0.003916791,"teacher_disagreement_score":0.023977619,"about_ca_system_score_codex":0.0048969337,"about_ca_system_score_gemma":0.0016871634,"threshold_uncertainty_score":0.08021307},"labels":[],"label_agreement":null},{"id":"W2425340363","doi":"10.7202/1059827ar","title":"The rising tide of photographs","year":2019,"lang":"en","type":"article","venue":"Captures","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Context (archaeology); Visual arts; Scale (ratio); History; Work (physics); Geography; Art; Cartography; Archaeology; Engineering","score_opus":0.014121044641544376,"score_gpt":0.2232113709015032,"score_spread":0.20909032625995883,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2425340363","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04735925,0.056256674,0.01508073,0.16878475,0.006254017,0.00007167024,0.00048043003,0.00032110265,0.7053913],"genre_scores_gemma":[0.65973073,0.05576189,0.013856758,0.03004816,0.009180598,0.0000946283,0.00037505646,0.0011757353,0.22977646],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956696,0.0014257553,0.00014171818,0.0007807687,0.0017738617,0.00020823376],"domain_scores_gemma":[0.99268675,0.003975284,0.0005417758,0.0014147334,0.0008431497,0.0005383677],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0054642376,0.00045831397,0.00046754128,0.0026785056,0.006454698,0.010618944,0.000995404,0.0022258032,0.031790435],"category_scores_gemma":[0.013256225,0.00045064325,0.00037037933,0.0024100395,0.017616013,0.015191038,0.006673346,0.006276493,0.004525486],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007904943,0.00001978927,0.0017312176,0.00063959276,0.000023015778,0.00039287398,0.045835793,0.00022521535,0.0019049606,0.68754977,0.12670921,0.13488951],"study_design_scores_gemma":[0.000004618824,0.000027932349,0.001950955,0.0007077231,0.000006344417,0.00069098524,0.021873264,0.00011187472,0.00053337635,0.034658704,0.939417,0.00001725335],"about_ca_topic_score_codex":0.008285484,"about_ca_topic_score_gemma":0.01280901,"teacher_disagreement_score":0.031790435,"about_ca_system_score_codex":0.004310284,"about_ca_system_score_gemma":0.0013776493,"threshold_uncertainty_score":0.10634959},"labels":[],"label_agreement":null},{"id":"W2438531984","doi":"10.1353/mos.2016.a621134","title":"Black and White and Read All Over: Photography and the Voices of Richard Wright","year":2016,"lang":"en","type":"article","venue":"Mosaic","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Wright; White (mutation); Photography; Literacy; African american; Sociology; Art; Art history; History; Visual arts; Media studies; Anthropology; Pedagogy","score_opus":0.016991685611596138,"score_gpt":0.23000479117357994,"score_spread":0.2130131055619838,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2438531984","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.077026784,0.113007955,0.0012278721,0.5228572,0.013750676,0.000036330235,0.00004323523,0.00006910651,0.2719809],"genre_scores_gemma":[0.6919859,0.03840104,0.0015810818,0.05328589,0.0061495947,0.000050731447,0.000023006753,0.00016804953,0.20835464],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979888,0.0012650352,0.000025461246,0.00011134844,0.00041374986,0.0001956122],"domain_scores_gemma":[0.9983588,0.001014193,0.000095101015,0.000063103296,0.00022097651,0.00024783053],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002849728,0.0003276455,0.00020077048,0.00080108637,0.009204672,0.004179647,0.00055545586,0.0023865462,0.005358218],"category_scores_gemma":[0.0045665214,0.00027329972,0.0001332189,0.00037220932,0.00597621,0.004569687,0.0023572831,0.0040258495,0.0009367842],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009963531,0.00004805361,0.0011075945,0.00017102218,0.000012427108,0.0015136113,0.26407596,0.000069637834,0.0013275691,0.20408662,0.45345426,0.07403357],"study_design_scores_gemma":[0.000009108361,0.000028873445,0.001057405,0.000433105,0.0000062780096,0.00064604654,0.09633243,0.00004978679,0.00043887127,0.008771691,0.892204,0.000022440347],"about_ca_topic_score_codex":0.018636923,"about_ca_topic_score_gemma":0.047397498,"teacher_disagreement_score":0.018636923,"about_ca_system_score_codex":0.0019524104,"about_ca_system_score_gemma":0.001148139,"threshold_uncertainty_score":0.037056863},"labels":[],"label_agreement":null},{"id":"W2460522995","doi":"","title":"Doorway for Natalie Kalmus","year":2013,"lang":"nl","type":"article","venue":"Royal College of Art Research Repository (Royal College of Art)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Exhibition; Movie theater; Vision; Art; Visual arts; Sociology","score_opus":0.04211685199321713,"score_gpt":0.30315246848491845,"score_spread":0.2610356164917013,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2460522995","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0052229515,0.0182627,0.0018426686,0.16704316,0.055842217,0.00011070334,0.0007185713,0.0008776816,0.7500794],"genre_scores_gemma":[0.015616135,0.002248244,0.000644118,0.017082596,0.0023957654,0.00005852031,0.00014062424,0.00030486012,0.96150905],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993001,0.00013001448,0.000019688456,0.00016698409,0.00024437255,0.00013887977],"domain_scores_gemma":[0.9992192,0.0000814397,0.000050660943,0.000055594333,0.00021536314,0.0003778454],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00055075623,0.0007221296,0.0003198241,0.00075989356,0.0052022366,0.0033771228,0.00062335323,0.0013842343,0.14553125],"category_scores_gemma":[0.0025070608,0.00026399235,0.00030534255,0.00032430288,0.0011504485,0.0033879827,0.0043027005,0.0032323587,0.06312241],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002088533,0.000010728499,0.00008774373,0.000038405648,0.0000014548399,0.000114886636,0.000988517,0.0000067418255,0.00029117242,0.0065342425,0.977123,0.0147822825],"study_design_scores_gemma":[7.70868e-7,0.0000027390702,0.00017065878,0.000025165426,4.714779e-7,0.00010682619,0.00045180653,0.0000067995757,0.000043267355,0.00026252327,0.9989266,0.0000023776286],"about_ca_topic_score_codex":0.007115339,"about_ca_topic_score_gemma":0.022213442,"teacher_disagreement_score":0.14553125,"about_ca_system_score_codex":0.0017396865,"about_ca_system_score_gemma":0.0012261273,"threshold_uncertainty_score":0.48685056},"labels":[],"label_agreement":null},{"id":"W2464069547","doi":"","title":"Performance. Ciel variable : Art, photo, médias, culture, no. 86, 2010","year":2010,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Variable (mathematics); Art; Computer science; Environmental science; Mathematics","score_opus":0.027329315724236178,"score_gpt":0.2513240441507949,"score_spread":0.2239947284265587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2464069547","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007320029,0.002195839,0.00034443353,0.0028024237,0.0018443769,0.00006100492,0.009000939,0.0009197674,0.9820992],"genre_scores_gemma":[0.0053964765,0.0010062536,0.00026359898,0.00013546752,0.0003976022,0.000039870734,0.0035983713,0.00053205003,0.9886303],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99828136,0.00014841529,0.00008278733,0.0002557792,0.0009334,0.00029828903],"domain_scores_gemma":[0.99503267,0.0005325695,0.00014024942,0.00027034275,0.002494794,0.0015294196],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0023124611,0.0016046353,0.00080417254,0.005195787,0.003506658,0.013883853,0.0020343328,0.0016903044,0.7137073],"category_scores_gemma":[0.006764658,0.0004483564,0.00036759797,0.0057319663,0.0010285911,0.0028679084,0.0024238187,0.0016642768,0.47829187],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000063539555,0.000016379581,0.00014179044,0.00012875296,0.0000018255663,0.000012097269,0.000048862028,0.000054365988,0.00016175474,0.0024732407,0.96179515,0.03510222],"study_design_scores_gemma":[0.000020510066,0.000023918035,0.0032571692,0.00015019192,0.0000032963997,0.000031560612,0.00017055127,0.00011967552,0.00025729253,0.0006152063,0.995337,0.000013631245],"about_ca_topic_score_codex":0.049033664,"about_ca_topic_score_gemma":0.12009402,"teacher_disagreement_score":0.7137073,"about_ca_system_score_codex":0.0065021073,"about_ca_system_score_gemma":0.0061195903,"threshold_uncertainty_score":0.40836173},"labels":[],"label_agreement":null},{"id":"W2467160182","doi":"","title":"Paul Bowdring. The Strangers’ Gallery","year":2015,"lang":"en","type":"article","venue":"Newfoundland and Labrador Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Geography; Sociology","score_opus":0.12957060950197308,"score_gpt":0.3069419312396057,"score_spread":0.17737132173763265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2467160182","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0043387543,0.055932652,0.0007551599,0.19740896,0.019130135,0.00010018464,0.0048458464,0.0015936971,0.7158946],"genre_scores_gemma":[0.006467925,0.004483054,0.00017481584,0.006558337,0.0005865121,0.000016257725,0.00035611232,0.00018063658,0.98117644],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994586,0.00007594906,0.000020977495,0.00008604505,0.00022680643,0.0001315605],"domain_scores_gemma":[0.9982815,0.00016100392,0.00012472365,0.00012427603,0.00047884588,0.00082962285],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006002969,0.00069021876,0.00027245862,0.0017744876,0.0061136503,0.0029476255,0.000950711,0.002417435,0.41458723],"category_scores_gemma":[0.0018583791,0.00035759038,0.00025320007,0.0022747102,0.00090000883,0.002508683,0.0024279046,0.0017954577,0.14642851],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007196191,0.000007890516,0.00017546634,0.00003479434,6.4583395e-7,0.00002592852,0.00025494312,0.0000044136764,0.000030638214,0.00055491837,0.97630084,0.022602199],"study_design_scores_gemma":[0.0000021058086,0.0000022656047,0.0012359435,0.000046457873,0.0000011454512,0.00004828519,0.0009372879,0.000006212954,0.00003691912,0.00014374523,0.99753535,0.0000042913002],"about_ca_topic_score_codex":0.39458913,"about_ca_topic_score_gemma":0.69503856,"teacher_disagreement_score":0.41458723,"about_ca_system_score_codex":0.004281354,"about_ca_system_score_gemma":0.002842534,"threshold_uncertainty_score":0.83502024},"labels":[],"label_agreement":null},{"id":"W2475468850","doi":"10.5840/cpsem200018","title":"Freedom as Photographic Synechism","year":2000,"lang":"en","type":"book-chapter","venue":"Semiotics","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Visual arts","score_opus":0.02586686927445989,"score_gpt":0.22833624815489442,"score_spread":0.20246937888043454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2475468850","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011140204,0.0022583818,0.008961916,0.0022512756,0.0003100138,0.00001721459,0.000034187924,0.000029002744,0.9749979],"genre_scores_gemma":[0.8279035,0.0018000406,0.0029118431,0.00041859804,0.0003114636,0.00008100109,0.000058021298,0.00011348779,0.16640195],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986154,0.0008880275,0.000041533145,0.00013979964,0.00016784805,0.00014738378],"domain_scores_gemma":[0.998938,0.0006003825,0.00006863622,0.00021843125,0.00008991903,0.00008466306],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010586734,0.0005223827,0.00034995817,0.0012862355,0.0037692112,0.008624292,0.0005126658,0.0017068369,0.012885017],"category_scores_gemma":[0.0019054145,0.0002952925,0.00027840363,0.0012257256,0.021215426,0.007612448,0.0039497097,0.0030671295,0.0014717836],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000052513974,0.0000029168004,0.0000133294325,0.000010223141,3.861633e-7,0.000017544584,0.0027574028,0.000027883432,0.00008245083,0.99442756,0.0009061521,0.0017488607],"study_design_scores_gemma":[0.000014234901,0.000018146913,0.00018906505,0.00008154666,0.0000029187474,0.00022680189,0.0073443437,0.00021449043,0.00048265848,0.8192114,0.17220382,0.000010491184],"about_ca_topic_score_codex":0.0012185392,"about_ca_topic_score_gemma":0.0015407453,"teacher_disagreement_score":0.012885017,"about_ca_system_score_codex":0.0021759465,"about_ca_system_score_gemma":0.0008224718,"threshold_uncertainty_score":0.04310465},"labels":[],"label_agreement":null},{"id":"W2491892188","doi":"","title":"Notes on an Eternal Return: Photographic Self-Portraiture and the Spectral Subject","year":2016,"lang":"en","type":"dissertation","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Subjectivity; Subject (documents); Photography; Metaphor; Art; Self; Visual arts; Aesthetics; Art history; Philosophy; Epistemology; Computer science; Linguistics","score_opus":0.04838172916312618,"score_gpt":0.29198519504813264,"score_spread":0.24360346588500648,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2491892188","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2643691,0.007803913,0.011917479,0.043837313,0.0027428505,0.000045534885,0.000110437504,0.000103879596,0.66906947],"genre_scores_gemma":[0.9432375,0.0016552712,0.001225551,0.0016881874,0.0004264069,0.00001917919,0.000022218013,0.000118232216,0.05160747],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981944,0.0012593563,0.00002667705,0.00015172457,0.00024981535,0.00011816896],"domain_scores_gemma":[0.9982084,0.0010919296,0.00013594999,0.00027841362,0.0001618445,0.00012355237],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002206069,0.00034918566,0.0002565337,0.0008558448,0.0071091633,0.0061800815,0.0005830856,0.0011155026,0.0064124647],"category_scores_gemma":[0.0034920238,0.0001576371,0.0003039629,0.00064623315,0.024163608,0.0063585853,0.003934095,0.0042410092,0.0005788953],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003795787,0.0000128548445,0.00067711505,0.000061731334,0.0000056431386,0.00050219847,0.52016526,0.00006601139,0.0009017633,0.45888814,0.010028889,0.008652483],"study_design_scores_gemma":[0.000010754592,0.000053299165,0.0027308152,0.0003503991,0.000012345379,0.0012146641,0.46861514,0.00024848722,0.0016814104,0.04682537,0.47822478,0.000032454045],"about_ca_topic_score_codex":0.005064326,"about_ca_topic_score_gemma":0.010271162,"teacher_disagreement_score":0.0071091633,"about_ca_system_score_codex":0.002381555,"about_ca_system_score_gemma":0.00091570057,"threshold_uncertainty_score":0.02145189},"labels":[],"label_agreement":null},{"id":"W2492676011","doi":"10.58079/v7a6","title":"Un nouveau lieu commun visuel-1","year":2011,"lang":"fr","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.04261550719833094,"score_gpt":0.25063488524424926,"score_spread":0.20801937804591833,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2492676011","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024364549,0.0038500666,0.0012101901,0.015062568,0.0136593515,0.00008123549,0.0006952573,0.00048366486,0.9625213],"genre_scores_gemma":[0.007981345,0.0007417912,0.000346186,0.00077780394,0.0010016048,0.000023351417,0.00017657524,0.0002895161,0.9886619],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987149,0.00013307379,0.000016649881,0.00018623179,0.0006408452,0.0003082578],"domain_scores_gemma":[0.99852777,0.00016419645,0.000065186454,0.00011980971,0.0006423354,0.00048063023],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008320997,0.00068752316,0.000413497,0.001180914,0.007205499,0.009159287,0.00085803185,0.0030904748,0.40275854],"category_scores_gemma":[0.0023580312,0.00039035373,0.0003730434,0.0015245199,0.001783448,0.0035008576,0.0035548343,0.0044757063,0.08870741],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056300432,0.000023135528,0.00038787327,0.00008510879,0.0000030456572,0.00014708229,0.00081492495,0.000051317253,0.0010494244,0.062726624,0.88961005,0.045045193],"study_design_scores_gemma":[0.000001600221,0.0000036893798,0.00023840315,0.000021050733,4.934523e-7,0.000028708284,0.00022150103,0.000012368799,0.00011112572,0.0003762055,0.99898165,0.0000031279665],"about_ca_topic_score_codex":0.09291486,"about_ca_topic_score_gemma":0.23361531,"teacher_disagreement_score":0.40275854,"about_ca_system_score_codex":0.0066474983,"about_ca_system_score_gemma":0.008660837,"threshold_uncertainty_score":0.8518925},"labels":[],"label_agreement":null},{"id":"W2495873200","doi":"","title":"Canadian National : Photographs","year":2010,"lang":"en","type":"article","venue":"York University Digital Library (York University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.013614352179707538,"score_gpt":0.1586856941057218,"score_spread":0.14507134192601426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2495873200","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00090311666,0.004031572,0.00017799251,0.0042130244,0.0020976213,0.00009272473,0.017583858,0.00035710866,0.970543],"genre_scores_gemma":[0.0060659004,0.0034173233,0.0006003835,0.00088558684,0.00024196747,0.000029875817,0.0060257013,0.00028440132,0.98244876],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991892,0.000039699004,0.00002323187,0.000075516735,0.00049681216,0.00017554552],"domain_scores_gemma":[0.99881613,0.000039999166,0.000021762853,0.000082207065,0.0008231675,0.00021674941],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005111434,0.0010790912,0.0004925435,0.0052431324,0.010799208,0.0072170203,0.0012750814,0.0017534164,0.44029877],"category_scores_gemma":[0.0018253103,0.00062125514,0.0005059531,0.008309689,0.0012959624,0.002346251,0.0020748144,0.0022513394,0.10139549],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000128323945,0.0000058140045,0.0001096356,0.00005572825,0.0000015497249,0.000053640226,0.00016179372,0.000017550798,0.000080344864,0.0048868293,0.9802475,0.014366709],"study_design_scores_gemma":[0.0000013623999,7.4759225e-7,0.00055829,0.000028444736,0.0000012350529,0.000024545743,0.00019508463,0.000006303321,0.000039437255,0.00016522656,0.9989754,0.0000039888796],"about_ca_topic_score_codex":0.9481131,"about_ca_topic_score_gemma":0.98604405,"teacher_disagreement_score":0.44029877,"about_ca_system_score_codex":0.023224795,"about_ca_system_score_gemma":0.0322836,"threshold_uncertainty_score":0.79834586},"labels":[],"label_agreement":null},{"id":"W2500052887","doi":"10.5840/cpsem201131","title":"Ethnographic Photography – Between Text, Experience and Practice","year":2011,"lang":"en","type":"book-chapter","venue":"Semiotics","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ethnography; Photography; Visual arts; Sociology; Art; Anthropology","score_opus":0.10664907068194371,"score_gpt":0.2953110698493455,"score_spread":0.1886619991674018,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2500052887","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15134099,0.03815165,0.021456415,0.012179978,0.0010239978,0.0001397833,0.00011843776,0.00014719785,0.7754417],"genre_scores_gemma":[0.9330049,0.008236326,0.0044826255,0.0007210345,0.00034120865,0.00011657521,0.00006418982,0.00018203331,0.052851137],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956565,0.0035337226,0.000094382885,0.00024220986,0.00032779804,0.00014534219],"domain_scores_gemma":[0.99414176,0.0048999297,0.00016460141,0.0004699507,0.00017470506,0.0001490392],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031697766,0.0005076305,0.000327828,0.001974291,0.0040847454,0.008861424,0.00072430825,0.0014698369,0.008869913],"category_scores_gemma":[0.006345085,0.000384306,0.0002000024,0.002231388,0.023784524,0.010076731,0.0044378126,0.0019920073,0.00068839773],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008387483,0.000051074883,0.0012937477,0.0005014161,0.000009282906,0.00055098656,0.5125837,0.00010987854,0.001775625,0.37307563,0.008637821,0.101326935],"study_design_scores_gemma":[0.000017924604,0.00006906271,0.0047471956,0.0021770152,0.000013853042,0.0014212312,0.4932124,0.00022056441,0.0016374605,0.111558884,0.38489577,0.000028655513],"about_ca_topic_score_codex":0.0032160347,"about_ca_topic_score_gemma":0.0056357454,"teacher_disagreement_score":0.008869913,"about_ca_system_score_codex":0.0019579635,"about_ca_system_score_gemma":0.0015173625,"threshold_uncertainty_score":0.029672801},"labels":[],"label_agreement":null},{"id":"W2505818271","doi":"10.1515/9783110918434.61","title":"Prince Albert and the Beginning of the Royal Photograph Collection","year":2007,"lang":"en","type":"book-chapter","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; Art history; Art; History; Cartography; Geography","score_opus":0.03034478073569049,"score_gpt":0.2277567951943013,"score_spread":0.1974120144586108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2505818271","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015677598,0.06351035,0.0010518777,0.017456384,0.006645001,0.000045917586,0.00016016666,0.00008627951,0.9094763],"genre_scores_gemma":[0.010254926,0.012554358,0.0006167384,0.0017114314,0.0010052569,0.000018137904,0.000052697873,0.00013719342,0.9736492],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986022,0.0004508852,0.00006921647,0.00015876918,0.0005325194,0.00018648035],"domain_scores_gemma":[0.9988887,0.0003391681,0.00006554645,0.00013919179,0.0004284452,0.00013909664],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017338161,0.000626258,0.0004830633,0.0021911873,0.0076147392,0.007589252,0.000745481,0.0028930218,0.050444018],"category_scores_gemma":[0.004374847,0.0007192512,0.00033067595,0.002101781,0.0064909044,0.0055680736,0.0025069593,0.0053769094,0.015209918],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003018322,0.00001391126,0.00007855744,0.00015540763,0.0000036974361,0.00012879298,0.005201303,0.000051946627,0.00015709098,0.29390126,0.6543852,0.045892637],"study_design_scores_gemma":[8.0937264e-7,0.0000022063246,0.0001142042,0.000059429505,7.2601944e-7,0.00004415289,0.00038080342,0.000006051527,0.000042350082,0.0023616755,0.99698323,0.0000044221806],"about_ca_topic_score_codex":0.06300949,"about_ca_topic_score_gemma":0.16013473,"teacher_disagreement_score":0.06300949,"about_ca_system_score_codex":0.0075975135,"about_ca_system_score_gemma":0.0055689323,"threshold_uncertainty_score":0.16875207},"labels":[],"label_agreement":null},{"id":"W2509808508","doi":"","title":"Bas Jan Ader, Gravité, Dazibao, centre de photographies actuelles, Montréal, Du 8 Janvier au 21 février 2009Bas Jan Ader, Gravité, Dazibao, centre de photographies actuelles, Montréal, Du 8 Janvier au 21 février 2009","year":2009,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.014601672249419164,"score_gpt":0.2243249290849275,"score_spread":0.20972325683550833,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2509808508","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012840221,0.09453566,0.0027113296,0.1499446,0.041871738,0.00043008738,0.012077189,0.0021842408,0.6834049],"genre_scores_gemma":[0.006634841,0.005188275,0.00064944755,0.0008268548,0.0006903582,0.000029003544,0.00046117886,0.00016422587,0.9853559],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990546,0.000070980575,0.000028673876,0.00025380703,0.00038073346,0.00021111792],"domain_scores_gemma":[0.9982344,0.00020340995,0.00008782911,0.000039794504,0.0009250264,0.0005095526],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009786433,0.0016467199,0.00087662047,0.0012162918,0.0044436455,0.0035241253,0.0012005178,0.0031690097,0.4964255],"category_scores_gemma":[0.0021595727,0.00047181998,0.0004511971,0.001178919,0.0006138395,0.0017667591,0.0015730994,0.0040880637,0.120405264],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008755553,0.000041429,0.0006224294,0.000107661246,0.000008458398,0.00017988868,0.00011075774,0.000077525154,0.0006653379,0.0020798987,0.9615939,0.034425147],"study_design_scores_gemma":[0.000025774732,0.000018974599,0.0066865548,0.000068346904,0.000009439985,0.00020389892,0.00032987757,0.00015610171,0.0005603324,0.00031022957,0.9916074,0.000023033988],"about_ca_topic_score_codex":0.1816249,"about_ca_topic_score_gemma":0.46739578,"teacher_disagreement_score":0.8183751,"about_ca_system_score_codex":0.0058810185,"about_ca_system_score_gemma":0.0053756344,"threshold_uncertainty_score":0.7182879},"labels":[],"label_agreement":null},{"id":"W2514656100","doi":"","title":"The post photographic condition le mois de la photo à Montréal","year":2016,"lang":"fr","type":"article","venue":"Border crossings: a magazine for the arts","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.011771274012280982,"score_gpt":0.2850589802682518,"score_spread":0.2732877062559708,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2514656100","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.077903375,0.005694578,0.0004734219,0.08677582,0.011730609,0.00016323401,0.0013186362,0.00017040213,0.81576985],"genre_scores_gemma":[0.21031824,0.0016418354,0.00027237518,0.0075040064,0.0011091683,0.000041908144,0.0002775045,0.00010316931,0.7787318],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922276,0.00005131318,0.000010925728,0.00007134845,0.00027058422,0.00037299978],"domain_scores_gemma":[0.99921584,0.00007635184,0.00003906713,0.000033152428,0.0003398459,0.0002957296],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00059121364,0.00034039284,0.0002182404,0.0005051931,0.009579669,0.0042431424,0.00067296537,0.002542228,0.122856006],"category_scores_gemma":[0.0023933824,0.00022059583,0.000257141,0.00056975335,0.0013714286,0.0008826925,0.0015618072,0.0032569729,0.004890682],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014019883,0.0000833272,0.004301836,0.00008503861,0.000012878791,0.003767451,0.00560389,0.00014155738,0.001929381,0.03373502,0.9057687,0.044430785],"study_design_scores_gemma":[0.000012060902,0.000020516229,0.012469673,0.000058539958,0.000004803406,0.00031412378,0.0049225916,0.000039466682,0.00025841506,0.00037304222,0.9815088,0.000017950686],"about_ca_topic_score_codex":0.78767616,"about_ca_topic_score_gemma":0.9310521,"teacher_disagreement_score":0.21232384,"about_ca_system_score_codex":0.010454815,"about_ca_system_score_gemma":0.015438318,"threshold_uncertainty_score":0.42714852},"labels":[],"label_agreement":null},{"id":"W2520445974","doi":"10.7202/1037227ar","title":"The Explosion in Grandma’s Attic, the Cabinet of Curiosities, and Chance Encounters at the GLBT History Museum","year":2016,"lang":"en","type":"article","venue":"Journal of the Canadian Historical Association","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Visitor pattern; Exhibition; Queer; Cabinet (room); Lesbian; Narrative; Sociology; History; Visual arts; Media studies; Art history; Art; Literature; Gender studies","score_opus":0.02041960820898331,"score_gpt":0.1829019680129131,"score_spread":0.1624823598039298,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2520445974","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5651867,0.005553168,0.0016037804,0.03392936,0.0006774452,0.000027079801,0.00012523902,0.00014591006,0.3927513],"genre_scores_gemma":[0.96383625,0.00077659293,0.00032823766,0.0009927723,0.000105675725,0.000014505719,0.000024548359,0.00007755831,0.033843804],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9981567,0.00091679406,0.00001890731,0.00013531202,0.00032436702,0.000447919],"domain_scores_gemma":[0.99803895,0.0006393954,0.0001720658,0.00016324037,0.00009270268,0.0008937122],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020693305,0.0003013653,0.00026226332,0.0012800632,0.02332782,0.010309769,0.0009044158,0.001974181,0.016073747],"category_scores_gemma":[0.0028589799,0.00043421082,0.00025454903,0.0010346367,0.020010684,0.0053020157,0.008955277,0.0034163503,0.0006914229],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053608248,0.00002878718,0.005958439,0.00007050315,0.000011409241,0.0013328138,0.84406996,0.00006159125,0.0005722621,0.098960035,0.031954225,0.016926372],"study_design_scores_gemma":[0.0000067023525,0.00002817128,0.008115646,0.00017380477,0.000009401668,0.00086487096,0.53404367,0.00003883631,0.00024388594,0.004766181,0.45168206,0.000026813961],"about_ca_topic_score_codex":0.12171306,"about_ca_topic_score_gemma":0.38358998,"teacher_disagreement_score":0.87828696,"about_ca_system_score_codex":0.007952148,"about_ca_system_score_gemma":0.0047200737,"threshold_uncertainty_score":0.24200916},"labels":[],"label_agreement":null},{"id":"W2525107453","doi":"","title":"Montreal Collects — Contemporary Photography: The LaRochelle and Taillefer collections","year":2008,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Visual arts; Geography; History; Art history; Art","score_opus":0.015011887225839748,"score_gpt":0.16454425949480656,"score_spread":0.14953237226896682,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2525107453","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.111132205,0.067222275,0.0029225997,0.017013835,0.0028764878,0.00047129224,0.07647567,0.0011518472,0.7207338],"genre_scores_gemma":[0.50013125,0.02106497,0.007808635,0.0013845109,0.0021370384,0.00018541429,0.024004327,0.0013300218,0.44195384],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991571,0.00008782096,0.000018662853,0.00012955873,0.0004219851,0.00018482041],"domain_scores_gemma":[0.99867475,0.00009806107,0.00015797747,0.00017939764,0.00056682137,0.0003230461],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012639156,0.0005913495,0.00033287832,0.008787416,0.008090404,0.0055294326,0.00113078,0.00057307974,0.061724547],"category_scores_gemma":[0.0025937855,0.0005198172,0.00026707308,0.01665347,0.0022998333,0.0014904545,0.0020906865,0.0008964258,0.004019417],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017496524,0.00003357305,0.015500256,0.0003795979,0.00005522311,0.0006943792,0.013297212,0.00021977394,0.0023467808,0.015230148,0.80524373,0.14682436],"study_design_scores_gemma":[0.0000060483394,0.000007820954,0.12098563,0.00011752198,0.000011594558,0.00019587287,0.0040876707,0.000034744102,0.0003386982,0.00028173407,0.8739101,0.000022642664],"about_ca_topic_score_codex":0.90594965,"about_ca_topic_score_gemma":0.9833973,"teacher_disagreement_score":0.09405035,"about_ca_system_score_codex":0.020911433,"about_ca_system_score_gemma":0.013213077,"threshold_uncertainty_score":0.20648915},"labels":[],"label_agreement":null},{"id":"W2528369974","doi":"","title":"Jeff Wall, Photographs 1978-2004, Tate Modern, Londres, du 21 octobre 2005 au 8 janvier 2006 Jeff Wall, Photographs 1978-2004, Tate Modern, Londres, du 21 octobre 2005 au 8 janvier 2006","year":2006,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Archaeology; History","score_opus":0.017366171450019317,"score_gpt":0.23223956235494142,"score_spread":0.2148733909049221,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2528369974","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0043189544,0.015851919,0.00073676126,0.0119261285,0.014832033,0.0003134163,0.005616234,0.0009276536,0.94547695],"genre_scores_gemma":[0.0042937086,0.001575889,0.00035340613,0.00043810462,0.00030041568,0.000027831153,0.000536181,0.00019626111,0.9922781],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99974483,0.000026753622,0.0000076907345,0.000046577206,0.00012548662,0.000048617185],"domain_scores_gemma":[0.9995529,0.00004715136,0.000028238615,0.000024651872,0.00022596614,0.00012112387],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00047143403,0.00092469784,0.0005558295,0.0011720513,0.004986668,0.0024619014,0.000753922,0.0017528156,0.44364247],"category_scores_gemma":[0.0012982368,0.00056906545,0.0004057416,0.00087083864,0.00040768733,0.0014400595,0.000904224,0.0023691752,0.18021338],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003127953,0.000008853486,0.000091098234,0.000026519974,0.0000015840882,0.00006897677,0.00006256518,0.000021038772,0.0001527922,0.0002695797,0.9945709,0.0046947547],"study_design_scores_gemma":[0.000005488136,0.000010768455,0.0022900037,0.000041182735,0.0000035608532,0.0000659914,0.00025907042,0.000027414448,0.000147559,0.000059234353,0.99708503,0.0000046253895],"about_ca_topic_score_codex":0.05305103,"about_ca_topic_score_gemma":0.24523424,"teacher_disagreement_score":0.44364247,"about_ca_system_score_codex":0.0022446113,"about_ca_system_score_gemma":0.00088531343,"threshold_uncertainty_score":0.7935765},"labels":[],"label_agreement":null},{"id":"W2528441727","doi":"","title":"Sunil Gupta, Canadian Museum of Contemporary Photography, November 25, 2005-April 23, 2006 Sunil Gupta, Canadian Museum of Contemporary Photography, November 25, 2005-April 23, 2006","year":2006,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Art; Art history; Visual arts","score_opus":0.028406282737733574,"score_gpt":0.23399673958735911,"score_spread":0.20559045684962554,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2528441727","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018279294,0.019661583,0.00082113006,0.030350573,0.014500699,0.00030744693,0.011823912,0.0016749941,0.9190317],"genre_scores_gemma":[0.0042925607,0.0059075165,0.0009383095,0.00075794605,0.00040585446,0.000033981258,0.0016356622,0.00019002146,0.98583823],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99838305,0.00005509336,0.000038610277,0.00020794715,0.0010669993,0.00024832512],"domain_scores_gemma":[0.9951704,0.0001209389,0.00006610765,0.0001530433,0.0038948432,0.0005945967],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014750754,0.0011573721,0.00077578716,0.003996292,0.011214124,0.005362586,0.001523024,0.0015259723,0.39572883],"category_scores_gemma":[0.0027481185,0.0006242825,0.0004973801,0.0037803415,0.0011912981,0.0020362195,0.0026175913,0.002948431,0.116739616],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013591925,0.0000043562595,0.000106239306,0.00004333823,0.0000011951346,0.000017776225,0.000040637093,0.000012986389,0.00005942442,0.0006872083,0.9845088,0.014504514],"study_design_scores_gemma":[0.0000031985035,0.0000024394365,0.0011626387,0.000047855432,0.0000027870508,0.000033826505,0.00019473197,0.000019347995,0.00010036474,0.00009848538,0.99832374,0.0000105382205],"about_ca_topic_score_codex":0.70556664,"about_ca_topic_score_gemma":0.93376756,"teacher_disagreement_score":0.70556664,"about_ca_system_score_codex":0.011497555,"about_ca_system_score_gemma":0.018299147,"threshold_uncertainty_score":0.8619195},"labels":[],"label_agreement":null},{"id":"W2528907507","doi":"","title":"Chuck Samuels, Before Photography, Dazibao, Montréal, du 9 janvier au 13 février 2010Chuck Samuels, Before Photography, Dazibao, Montréal, du 9 janvier au 13 février 2010","year":2010,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Art; Geology; Visual arts","score_opus":0.015808363348013534,"score_gpt":0.22907906037379427,"score_spread":0.21327069702578075,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2528907507","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005689793,0.018591212,0.00071710284,0.02199768,0.012059136,0.00020840441,0.004507741,0.0013297083,0.93489915],"genre_scores_gemma":[0.002411151,0.001276971,0.00018772719,0.0003519348,0.00012968137,0.00001304327,0.00027596715,0.00015988335,0.99519354],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99936813,0.000047380083,0.000014716265,0.00013438928,0.00022435506,0.0002110038],"domain_scores_gemma":[0.9992686,0.00006294516,0.000028139542,0.000031842792,0.0003414569,0.00026710052],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00074211846,0.0014490486,0.00066905614,0.0010784335,0.0069056004,0.0036170613,0.0009352815,0.0023677973,0.6635469],"category_scores_gemma":[0.0013880307,0.0006469369,0.0005038163,0.0011093556,0.0008296596,0.001851803,0.001918558,0.003299473,0.23314035],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060823742,0.00002191265,0.0003314589,0.00006218584,0.0000036538956,0.0000946711,0.00008175641,0.00004297537,0.00039436287,0.0011385473,0.9780652,0.019702548],"study_design_scores_gemma":[0.000011355956,0.000013486728,0.004144115,0.00007274091,0.0000035314072,0.000048230908,0.00024718032,0.000046567013,0.0002052005,0.00016519503,0.9950322,0.000010219966],"about_ca_topic_score_codex":0.30164996,"about_ca_topic_score_gemma":0.79667634,"teacher_disagreement_score":0.6983501,"about_ca_system_score_codex":0.006126496,"about_ca_system_score_gemma":0.0043105786,"threshold_uncertainty_score":0.5997883},"labels":[],"label_agreement":null},{"id":"W2529093333","doi":"","title":"Manufactured Landscapes: The Photographs of Edward Burtynsky, National Gallery of Canada, 31 January—4 May 2003 Manufactured Landscapes: The Photographs of Edward Burtynsky, National Gallery of Canada, 31 January—4 May 2003","year":2003,"lang":"en","type":"article","venue":"CV Photo","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; Archaeology; History; Visual arts; Art","score_opus":0.016342730173981725,"score_gpt":0.22935025731938866,"score_spread":0.21300752714540694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2529093333","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01340552,0.030516554,0.00053782144,0.02716739,0.005794228,0.00036867746,0.022920892,0.00045951488,0.89882946],"genre_scores_gemma":[0.022137227,0.007453778,0.0007191591,0.0011525281,0.00019723036,0.00004610389,0.0031834843,0.00023088601,0.9648796],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963665,0.000016279788,0.000006996903,0.00003611009,0.00018707235,0.00011678567],"domain_scores_gemma":[0.99923646,0.00002550081,0.000021592263,0.000030669453,0.00048159697,0.00020420199],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035404798,0.0010995446,0.00049119064,0.0023430297,0.012498513,0.0043609487,0.0012838128,0.0016196973,0.12585266],"category_scores_gemma":[0.0008097046,0.000715529,0.00044919166,0.0034948722,0.0010626019,0.0012273344,0.0016963184,0.0025452746,0.021297995],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023749693,0.000007834821,0.0003499896,0.000033917855,0.0000027408678,0.00007692949,0.00040171936,0.000059573293,0.00016838736,0.00043919493,0.99225277,0.00618321],"study_design_scores_gemma":[0.00000444679,0.0000034854795,0.013092906,0.00009062257,0.0000044148496,0.000083333965,0.002369848,0.000030745392,0.00012189331,0.00009100381,0.98409295,0.000014251079],"about_ca_topic_score_codex":0.973032,"about_ca_topic_score_gemma":0.9960741,"teacher_disagreement_score":0.12585266,"about_ca_system_score_codex":0.022222418,"about_ca_system_score_gemma":0.020904038,"threshold_uncertainty_score":0.42101908},"labels":[],"label_agreement":null},{"id":"W2529910900","doi":"","title":"'After Botticelli' in 'Emanations', a three person show curated by Martha Langford as part of 'Le Mois de la Photo à Montreal'.","year":2005,"lang":"en","type":"article","venue":"Cardiff Metropolitan Research Repository (Cardiff Metropolitan University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history","score_opus":0.03167678746855175,"score_gpt":0.2793154905308726,"score_spread":0.2476387030623209,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2529910900","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017358368,0.035690267,0.0028260425,0.088380225,0.023716934,0.00028536055,0.001877759,0.0014480075,0.828417],"genre_scores_gemma":[0.07732346,0.004444297,0.0017675933,0.010189506,0.0013483033,0.000056138913,0.0004417277,0.00066263013,0.90376633],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958414,0.00007202446,0.0000051250513,0.000077733726,0.00012864849,0.00013228956],"domain_scores_gemma":[0.99936205,0.00007801445,0.00002539366,0.00004175952,0.00020176405,0.00029102303],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005699405,0.0009164443,0.00023569966,0.0008648109,0.010021486,0.003510254,0.00092788704,0.0017324134,0.07496846],"category_scores_gemma":[0.001465297,0.00029329144,0.00045822532,0.0007405113,0.002781208,0.0015598506,0.002011726,0.0035246627,0.010570055],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027822785,0.000010926849,0.00056734186,0.000058734357,0.0000061965275,0.0003648832,0.0055407365,0.000018890834,0.0007442279,0.0054583633,0.9743429,0.012858932],"study_design_scores_gemma":[0.0000017763036,0.000007283935,0.0018733393,0.00005963739,0.000002163268,0.00012791282,0.0020985068,0.000011684717,0.00019723245,0.00012105799,0.99548835,0.000011065284],"about_ca_topic_score_codex":0.49173743,"about_ca_topic_score_gemma":0.8459961,"teacher_disagreement_score":0.49173743,"about_ca_system_score_codex":0.0080423085,"about_ca_system_score_gemma":0.003635719,"threshold_uncertainty_score":0.9777504},"labels":[],"label_agreement":null},{"id":"W2530039156","doi":"","title":"Strangers: The First ICP Triennial of Photography and Video, Earle, Edward W. et al., eds. (NewYork: International Center for Photography and Göttigen: Steidl Publishers, 2003). Strangers: The First ICP Triennial of Photography and Video, Earle, Edward W. et al., eds. (NewYork: International Center for Photography and Göttigen: Steidl Publishers, 2003).","year":2004,"lang":"en","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Center (category theory); Art; Visual arts","score_opus":0.022581106873423136,"score_gpt":0.2562241524697134,"score_spread":0.2336430455962903,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2530039156","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024363808,0.66860163,0.007822389,0.026107695,0.01713335,0.00024094676,0.0015009451,0.0011517834,0.2750049],"genre_scores_gemma":[0.021265626,0.53419316,0.013330288,0.0028589042,0.0066641592,0.00021420013,0.002369674,0.0008924862,0.41821146],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99760133,0.0005574474,0.00019489713,0.00020084773,0.0013005099,0.00014494469],"domain_scores_gemma":[0.99710506,0.00038140186,0.00023455698,0.00034099046,0.0012560297,0.0006820398],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032733292,0.0017191693,0.0011428687,0.005970194,0.0024223675,0.008415158,0.0017849879,0.002159778,0.081097744],"category_scores_gemma":[0.0038390611,0.0013197981,0.0007622943,0.004715844,0.0029214502,0.007389641,0.003934368,0.0038328348,0.04153635],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003124454,0.000020838872,0.00041023825,0.0004094298,0.0000087644485,0.00013882325,0.0010387405,0.00003894618,0.00035400415,0.0032420438,0.72724354,0.26706338],"study_design_scores_gemma":[0.0000021651629,0.000013423656,0.0018348752,0.00039374465,0.00000574998,0.0005071909,0.0010690247,0.000025263604,0.00017236227,0.0012044214,0.9947596,0.000012194272],"about_ca_topic_score_codex":0.0268247,"about_ca_topic_score_gemma":0.05721502,"teacher_disagreement_score":0.081097744,"about_ca_system_score_codex":0.0033717155,"about_ca_system_score_gemma":0.003933264,"threshold_uncertainty_score":0.271299},"labels":[],"label_agreement":null},{"id":"W2531681629","doi":"","title":"La subversion des images. Surréalisme, photographie, film, Fotomuseum Winterthur, Winterthur, du 27 février au 24 mai 2010Surréalisme, photographie, film, Fotomuseum Winterthur, Winterthur, du 27 février au 24 mai 2010","year":2010,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subversion; Art; Political science; Politics","score_opus":0.018048607618578582,"score_gpt":0.2333341372536359,"score_spread":0.21528552963505732,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2531681629","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005194672,0.016770877,0.00107709,0.0076053636,0.04524181,0.00013565832,0.039564185,0.001981925,0.8824284],"genre_scores_gemma":[0.023709977,0.0073353136,0.00086764514,0.0011832935,0.0074658147,0.00012969186,0.01524746,0.0012670985,0.9427937],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99871016,0.00019608431,0.00007832545,0.00015986088,0.00067181105,0.0001837443],"domain_scores_gemma":[0.9977869,0.000668087,0.00013290741,0.00031027195,0.0008790682,0.00022276447],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006038221,0.0016127626,0.0007717347,0.0033330366,0.0011638469,0.0036871068,0.0010682086,0.0017775699,0.5634492],"category_scores_gemma":[0.004190593,0.000515097,0.00068435783,0.0040089963,0.00055156444,0.0019818868,0.001323613,0.0022247233,0.21924861],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000107575244,0.000030660958,0.0003022134,0.00021486498,0.000008351735,0.00015490939,0.000108941545,0.00008793435,0.00055724184,0.0023930008,0.95592326,0.040111076],"study_design_scores_gemma":[0.000018177938,0.000011350982,0.003975436,0.00007926504,0.0000027965466,0.00023953187,0.00008718115,0.00006565696,0.00030376934,0.00023389368,0.99497485,0.000008120347],"about_ca_topic_score_codex":0.058103394,"about_ca_topic_score_gemma":0.042242885,"teacher_disagreement_score":0.5634492,"about_ca_system_score_codex":0.0028478387,"about_ca_system_score_gemma":0.0015037734,"threshold_uncertainty_score":0.62268674},"labels":[],"label_agreement":null},{"id":"W2542285795","doi":"","title":"Melvin Charney. Melvin Charney, Musée d’art Contemporain de Montréal, February 22 to April 28, 2002","year":2003,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Art history","score_opus":0.012765841065933613,"score_gpt":0.17892995776240483,"score_spread":0.16616411669647121,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2542285795","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01188799,0.170778,0.0009461075,0.13365631,0.007842628,0.0001114608,0.0019997642,0.00031918206,0.6724586],"genre_scores_gemma":[0.076923594,0.020970967,0.0004802613,0.0060188617,0.00090641034,0.000047170124,0.00026711592,0.0001667383,0.8942189],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99960846,0.00005189204,0.000009102939,0.00008065529,0.00013751262,0.00011246917],"domain_scores_gemma":[0.9995586,0.00006487952,0.000038635506,0.00002674086,0.00015633882,0.00015479248],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044183648,0.00075144815,0.00019381431,0.0010882786,0.0118841855,0.003913442,0.001104019,0.0014444147,0.048684034],"category_scores_gemma":[0.0014745046,0.00040718904,0.0001680535,0.0017676575,0.0032814778,0.0021179353,0.0023361081,0.0019675798,0.00461231],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002072504,0.0000059304716,0.0006067515,0.00008326749,0.0000040749046,0.00024350772,0.007151247,0.000039319537,0.0002543246,0.023028338,0.946265,0.022297513],"study_design_scores_gemma":[0.00000154858,0.000001322352,0.0015184064,0.00006116333,0.0000013364727,0.00005548702,0.0019340351,0.000006559412,0.00007133173,0.00024452386,0.99609935,0.000004950992],"about_ca_topic_score_codex":0.80070895,"about_ca_topic_score_gemma":0.94096786,"teacher_disagreement_score":0.19929105,"about_ca_system_score_codex":0.019069538,"about_ca_system_score_gemma":0.008455404,"threshold_uncertainty_score":0.4009294},"labels":[],"label_agreement":null},{"id":"W2553516574","doi":"10.4000/caliban.962","title":"\"I can’t! I can’t! I can’t!\" : un cri, un coup de feu \"a shout and a shot\"","year":2015,"lang":"fr","type":"article","venue":"Caliban","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Confusion; Appeal; Shot (pellet); Character (mathematics); History; Art history; Art; Media studies; Visual arts; Sociology; Psychoanalysis; Psychology; Law; Political science","score_opus":0.06680597854238374,"score_gpt":0.27466590471102015,"score_spread":0.2078599261686364,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2553516574","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015454527,0.017746828,0.0031380355,0.04477058,0.011528631,0.000073396644,0.00011397866,0.00027980717,0.9068941],"genre_scores_gemma":[0.16614464,0.010406006,0.0021368829,0.00961342,0.0016104738,0.00007677413,0.00008241847,0.00044684537,0.8094826],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946743,0.0002357544,0.000008059452,0.00006093758,0.00014612981,0.00008166996],"domain_scores_gemma":[0.99969673,0.00011477044,0.000022167065,0.000029082175,0.000070608214,0.00006666919],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004672993,0.0006306322,0.00020049005,0.00047186026,0.0069566797,0.0060054795,0.0005599679,0.0012836069,0.018233396],"category_scores_gemma":[0.0016686289,0.00016736046,0.0001486857,0.00060845976,0.00693582,0.0037502688,0.0017167669,0.004295615,0.0045954315],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038520036,0.000019525434,0.00030985518,0.00020788018,0.000004015392,0.00038408907,0.051606692,0.0000733423,0.00083663414,0.13960537,0.76608443,0.04082958],"study_design_scores_gemma":[0.0000021843032,0.000011706889,0.0005736234,0.00016536078,0.0000023197322,0.00035918882,0.02706683,0.00005521014,0.00026562225,0.0020128663,0.96947855,0.0000066851526],"about_ca_topic_score_codex":0.027459271,"about_ca_topic_score_gemma":0.07483801,"teacher_disagreement_score":0.027459271,"about_ca_system_score_codex":0.003006386,"about_ca_system_score_gemma":0.002046866,"threshold_uncertainty_score":0.06099677},"labels":[],"label_agreement":null},{"id":"W2559762245","doi":"10.3138/cjh.43.3.605","title":"<i>Visual Genders, Visual Histories: Gender and History Special Issues</i>, edited by Patricia Hayes","year":2008,"lang":"en","type":"article","venue":"Journal of History","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sociology; Art; Psychology; Gender studies","score_opus":0.04671463412894785,"score_gpt":0.2459558237652783,"score_spread":0.19924118963633045,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2559762245","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012485782,0.6214238,0.0012738382,0.07412896,0.07052925,0.00003825775,0.0002944135,0.00016861402,0.23089439],"genre_scores_gemma":[0.03353632,0.41092744,0.0018348312,0.018035991,0.07019231,0.000113741335,0.00041030985,0.0006045641,0.4643445],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949896,0.00018214041,0.00003333345,0.000063760104,0.00017617982,0.000045484194],"domain_scores_gemma":[0.99840575,0.000877862,0.00007348832,0.00010335187,0.0003617436,0.00017796569],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012315449,0.0010756243,0.0008828099,0.002953611,0.003733412,0.008037152,0.0009566858,0.0032241985,0.023694688],"category_scores_gemma":[0.0033884596,0.0006136716,0.0003881292,0.0036790369,0.0040875203,0.006747437,0.0029070363,0.0033814781,0.0055744858],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008101026,0.000007075861,0.00010006939,0.00018872877,0.0000029169255,0.000035713554,0.0020057901,0.000022304086,0.00009954673,0.019356247,0.9467345,0.03143906],"study_design_scores_gemma":[0.0000024269116,0.0000061086957,0.00068783056,0.00041389954,0.0000036660967,0.0001452036,0.0033108487,0.0000252042,0.00006851812,0.0048582186,0.99047005,0.000007988559],"about_ca_topic_score_codex":0.026235262,"about_ca_topic_score_gemma":0.096670896,"teacher_disagreement_score":0.026235262,"about_ca_system_score_codex":0.0022696448,"about_ca_system_score_gemma":0.0027875209,"threshold_uncertainty_score":0.07926667},"labels":[],"label_agreement":null},{"id":"W2560047935","doi":"10.7202/1038073ar","title":"Pedagogical Interventions: The Physics Photographs of Berenice Abbott","year":2016,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.1324259917903101,"score_gpt":0.30599611566064955,"score_spread":0.17357012387033946,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2560047935","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35197327,0.010584412,0.011423197,0.15195097,0.005549868,0.00044101957,0.0000858214,0.0003785975,0.46761286],"genre_scores_gemma":[0.83699024,0.0069917706,0.010841962,0.014473379,0.00041160118,0.00045411484,0.000041524323,0.00015976986,0.12963565],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981504,0.0012211755,0.000025104731,0.0001474678,0.00026191957,0.00019388566],"domain_scores_gemma":[0.9975453,0.0014906839,0.0001510522,0.00017415108,0.00018618122,0.00045265275],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022204565,0.00033194284,0.00027619186,0.00066413963,0.0070748944,0.0026877795,0.0007063864,0.0015150756,0.0153080365],"category_scores_gemma":[0.006973349,0.0002786211,0.00021996954,0.0004491692,0.0060955137,0.0028312115,0.004440023,0.0037173883,0.0014498947],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023130361,0.0019150642,0.003064335,0.0008391994,0.000017112616,0.001610643,0.32159218,0.00025511015,0.0036958193,0.14299126,0.1817215,0.34206656],"study_design_scores_gemma":[0.0001104301,0.00039555045,0.006771193,0.0007752516,0.000024479423,0.000942548,0.121737026,0.00020936734,0.0017931508,0.019343935,0.847851,0.0000461096],"about_ca_topic_score_codex":0.0060039624,"about_ca_topic_score_gemma":0.026973141,"teacher_disagreement_score":0.0153080365,"about_ca_system_score_codex":0.0026590936,"about_ca_system_score_gemma":0.0033056054,"threshold_uncertainty_score":0.051210463},"labels":[],"label_agreement":null},{"id":"W2560387320","doi":"10.1353/wal.2016.0046","title":"Borderland Films: American Cinema, Mexico, and Canada during the Progressive Era by Dominique Brégent-Heald","year":2016,"lang":"en","type":"article","venue":"Western American literature","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Politics; Geopolitics; History; Sociology; Gender studies; Political science; Art history; Law","score_opus":0.0039724582665198694,"score_gpt":0.21366823598710188,"score_spread":0.209695777720582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2560387320","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025248097,0.24665505,0.0002900515,0.16682038,0.01911687,0.00016593789,0.0028501232,0.00020644529,0.53864706],"genre_scores_gemma":[0.24019308,0.2018963,0.00080134504,0.019540787,0.009895923,0.00022953095,0.0017747176,0.00032550454,0.5253428],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99950683,0.000075027616,0.000009103471,0.00007379183,0.00021758565,0.000117741234],"domain_scores_gemma":[0.9982999,0.00021818059,0.00010426672,0.000035677105,0.0008298669,0.00051220413],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006976786,0.0006664911,0.00034046263,0.0016277521,0.011894818,0.0053108777,0.000689602,0.0013081515,0.049947143],"category_scores_gemma":[0.0023380283,0.00034571713,0.00014497999,0.0035027093,0.0019035718,0.0023094642,0.0021891429,0.0024890609,0.0023446633],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024882183,0.000011409324,0.00057518994,0.0001068525,0.0000040379664,0.0001408856,0.005259843,0.00001999584,0.00017103778,0.0024257116,0.97730094,0.013959226],"study_design_scores_gemma":[0.0000040751024,0.000003641868,0.0044773663,0.00033560942,0.000004817215,0.00006583735,0.007886056,0.000012078424,0.000059209073,0.00009450347,0.9870482,0.000008575044],"about_ca_topic_score_codex":0.61033136,"about_ca_topic_score_gemma":0.8173116,"teacher_disagreement_score":0.38966864,"about_ca_system_score_codex":0.015442405,"about_ca_system_score_gemma":0.008943299,"threshold_uncertainty_score":0.78392696},"labels":[],"label_agreement":null},{"id":"W2561589228","doi":"10.4000/ideas.1677","title":"Interview with Louie Palu, Canadian award-winning photojournalist who examined communities in the Hard Rock Mining Belt, one of the richest mining regions in the world located in Northwestern Ontario and Northeastern Quebec","year":2016,"lang":"en","type":"article","venue":"IdeAs","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Harry Ransom Center, University of Texas, Austin; University of Texas at Austin; Northwestern University; John Simon Guggenheim Memorial Foundation","keywords":"Exhibition; Film director; Politics; Political science; Library science; Visual arts; Art history; History; Art; Law; Movie theater","score_opus":0.07182572423681376,"score_gpt":0.24054028718226056,"score_spread":0.1687145629454468,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2561589228","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15538797,0.01897144,0.0018179808,0.67221475,0.006555694,0.0009343841,0.0021056822,0.00031073389,0.14170136],"genre_scores_gemma":[0.5036138,0.010858719,0.002260214,0.27547336,0.0015526041,0.0011044552,0.00045335136,0.00027428794,0.20440917],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99912566,0.00034285593,0.00001848341,0.00009534995,0.00017351529,0.00024411936],"domain_scores_gemma":[0.996405,0.0010573129,0.0001766797,0.0000610622,0.0010851542,0.001214832],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020731091,0.00056169904,0.00051038124,0.0015563322,0.023571676,0.0032097371,0.0013014465,0.003490851,0.009984499],"category_scores_gemma":[0.0065822257,0.0006491458,0.00030338846,0.0015671724,0.0052285786,0.0025874353,0.0015022097,0.005756258,0.0012926968],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007092166,0.00008707537,0.00584335,0.00014966767,0.000011161071,0.0018465907,0.18435103,0.00013331015,0.0009807769,0.0023016385,0.7919947,0.012229735],"study_design_scores_gemma":[0.000013736676,0.000038220114,0.01123893,0.00027214203,0.000008720528,0.0009135367,0.38350448,0.000114478695,0.00026236265,0.00034419599,0.60321903,0.000070120645],"about_ca_topic_score_codex":0.8024646,"about_ca_topic_score_gemma":0.92320913,"teacher_disagreement_score":0.1975354,"about_ca_system_score_codex":0.018882316,"about_ca_system_score_gemma":0.012522364,"threshold_uncertainty_score":0.3973974},"labels":[],"label_agreement":null},{"id":"W256204833","doi":"","title":"The Painter/her Dilemma: Visualizing Uncertainty in a Territory of Visual Art","year":2002,"lang":"en","type":"article","venue":"Resources for feminist research","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Dilemma; Context (archaeology); Visual arts; Sociology; Aesthetics; History; Art; Epistemology; Philosophy","score_opus":0.10680399800428703,"score_gpt":0.36751353329320435,"score_spread":0.2607095352889173,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W256204833","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1668252,0.013747451,0.15998289,0.10617196,0.0017590931,0.00021917866,0.00045667516,0.0009114678,0.54992616],"genre_scores_gemma":[0.95464325,0.0019102241,0.027094163,0.0024301321,0.0004496045,0.00016886735,0.00006740161,0.00043009175,0.012806146],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99460274,0.0039867694,0.0000716007,0.00032747022,0.0006545929,0.00035675027],"domain_scores_gemma":[0.9934034,0.004851893,0.00032220845,0.0006642195,0.0003746191,0.00038367268],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0066255503,0.0009508563,0.0005311506,0.0032699797,0.007899597,0.026767133,0.0018597806,0.0036197207,0.0069522904],"category_scores_gemma":[0.022536196,0.0005988043,0.0007448405,0.0022096941,0.03744112,0.018543063,0.009693264,0.004831225,0.00087255175],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000102600665,0.000017523,0.0012359284,0.00022274618,0.000038067312,0.000747237,0.39246425,0.0013843331,0.0010276181,0.5645081,0.012391791,0.025859842],"study_design_scores_gemma":[0.000032961125,0.000059347174,0.0014310712,0.00088275154,0.000051391075,0.0011849642,0.30811828,0.0033577266,0.00089177786,0.45988274,0.22400697,0.00010004922],"about_ca_topic_score_codex":0.006772102,"about_ca_topic_score_gemma":0.0064620567,"teacher_disagreement_score":0.026767133,"about_ca_system_score_codex":0.0043140957,"about_ca_system_score_gemma":0.00256674,"threshold_uncertainty_score":0.035039663},"labels":[],"label_agreement":null},{"id":"W2562304165","doi":"","title":"NARRATING CANADA’S MODERNISMS: From Grain Elevators to Museums","year":2016,"lang":"en","type":"article","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; Art; Geography","score_opus":0.025631098347727976,"score_gpt":0.21321026277549565,"score_spread":0.18757916442776768,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2562304165","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39929438,0.010041264,0.0022509675,0.11297171,0.0063250656,0.000071860864,0.0008062897,0.00017795524,0.46806052],"genre_scores_gemma":[0.90039986,0.001958344,0.0005149084,0.004663481,0.00046898393,0.000018287183,0.00010914158,0.00020837359,0.09165859],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982016,0.0004911351,0.000019386074,0.00017952314,0.00032099712,0.00078728615],"domain_scores_gemma":[0.9976809,0.00055174297,0.00011582905,0.00008771756,0.0005240371,0.0010396963],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012070788,0.00092967314,0.0003797053,0.0014509886,0.04757158,0.012904482,0.001588551,0.004015252,0.012087715],"category_scores_gemma":[0.0032878532,0.00041863802,0.0003162849,0.002428295,0.020188868,0.0036634563,0.0062313033,0.009837796,0.00076136173],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005654002,0.000013453351,0.0019146634,0.00005880779,0.000010219934,0.0016641325,0.8723183,0.000087134365,0.00045658738,0.028633557,0.08780111,0.006985377],"study_design_scores_gemma":[0.000003587049,0.000006896385,0.0021384002,0.0001341614,0.000007917097,0.00023230628,0.5937558,0.000038423994,0.00014440384,0.0008368403,0.40267757,0.000023640954],"about_ca_topic_score_codex":0.9437447,"about_ca_topic_score_gemma":0.98787725,"teacher_disagreement_score":0.056953534,"about_ca_system_score_codex":0.056953534,"about_ca_system_score_gemma":0.03889797,"threshold_uncertainty_score":0.41322875},"labels":[],"label_agreement":null},{"id":"W2562354081","doi":"10.17742/image.nbw.7-1.13","title":"Seen and Imagined: A Northwestern Crossroads City","year":2016,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.06530273025788201,"score_gpt":0.40255306955852144,"score_spread":0.3372503393006394,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2562354081","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84584904,0.0019517484,0.0014944992,0.004888703,0.0001402842,0.00003332636,0.0001073394,0.000057373607,0.14547776],"genre_scores_gemma":[0.9696763,0.00057807245,0.0005402468,0.00028378642,0.000012258234,0.000011373475,0.0000554444,0.000024832005,0.028817693],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.999255,0.0003041404,0.0000067599644,0.000078958656,0.000131236,0.00022380677],"domain_scores_gemma":[0.9996213,0.0001722719,0.000028339182,0.000023429791,0.000056600664,0.00009804521],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00077090634,0.00043277605,0.00025471192,0.0011483293,0.016563807,0.007260884,0.0011793358,0.001203978,0.00693315],"category_scores_gemma":[0.00076471275,0.00026988797,0.00019236482,0.002011325,0.012287863,0.0014645257,0.0034999677,0.001811691,0.00022644839],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064765525,0.00003279923,0.0067705284,0.000076015654,0.000009411595,0.0043474953,0.9086248,0.00048098888,0.0011110132,0.05675967,0.006242781,0.01547968],"study_design_scores_gemma":[0.000004468331,0.000014988767,0.009548836,0.0001510063,0.000011350168,0.0003552607,0.88549334,0.00028232363,0.00036479338,0.0017557822,0.1019976,0.000020229734],"about_ca_topic_score_codex":0.83487356,"about_ca_topic_score_gemma":0.93570393,"teacher_disagreement_score":0.83487356,"about_ca_system_score_codex":0.02818881,"about_ca_system_score_gemma":0.014856333,"threshold_uncertainty_score":0.3321978},"labels":[],"label_agreement":null},{"id":"W2562699280","doi":"10.3138/cjh.41.3.565","title":"<i>The Troubled Republic: Visual Culture and Social Debate in France 1889-1900</i>, by Richard Thomson","year":2006,"lang":"en","type":"article","venue":"Journal of History","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Economic history; Political science; Political economy; Sociology; Art; Art history; Media studies; History","score_opus":0.01352255695075416,"score_gpt":0.23109639145975924,"score_spread":0.21757383450900508,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2562699280","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007577644,0.4339383,0.00022200533,0.40912396,0.0084020505,0.00002088633,0.0002607278,0.000038254977,0.14041619],"genre_scores_gemma":[0.29245058,0.3024956,0.00087327836,0.08427189,0.031187346,0.000099990895,0.0004512811,0.00019018563,0.28797978],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990121,0.00042627574,0.0000376057,0.00007719987,0.00025785342,0.00018894848],"domain_scores_gemma":[0.998963,0.0005000929,0.00016933106,0.00003378711,0.00020706808,0.00012669229],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011272571,0.00063248374,0.00037705767,0.0022161165,0.0061830436,0.007358671,0.0008161465,0.0040659085,0.008258993],"category_scores_gemma":[0.002636778,0.00029427235,0.00044514626,0.003670667,0.0051088696,0.005045407,0.002303061,0.0028170256,0.0016081057],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030689374,0.000013411978,0.0015632226,0.00015255985,0.000010514178,0.00016410343,0.012532548,0.00007028205,0.00010595961,0.051655237,0.9141768,0.01952473],"study_design_scores_gemma":[0.000004452395,0.000008301875,0.006993665,0.00052945863,0.0000066158027,0.00013650737,0.011270945,0.000037746162,0.00009385844,0.0041611185,0.97673905,0.000018318893],"about_ca_topic_score_codex":0.18063478,"about_ca_topic_score_gemma":0.3642381,"teacher_disagreement_score":0.18063478,"about_ca_system_score_codex":0.009619772,"about_ca_system_score_gemma":0.0037537636,"threshold_uncertainty_score":0.35916674},"labels":[],"label_agreement":null},{"id":"W2564020977","doi":"10.17742/image.nbw.7-1.4","title":"Fragments of Desire","year":2016,"lang":"fr","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psychology; Aesthetics; Art","score_opus":0.0771112346344894,"score_gpt":0.43405248859007856,"score_spread":0.3569412539555892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2564020977","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034304142,0.005309806,0.0034328443,0.019553905,0.00050753116,0.000024895497,0.00014991744,0.000052086572,0.9366648],"genre_scores_gemma":[0.86283857,0.0020794526,0.0007318556,0.0023066774,0.00017045192,0.000042603144,0.00009667074,0.00009889755,0.1316349],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99825865,0.000894082,0.000041824314,0.00021746819,0.0003260303,0.00026202016],"domain_scores_gemma":[0.9988471,0.00042020276,0.00010871081,0.0002466932,0.00017464213,0.00020259983],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014014763,0.0003488363,0.00021760084,0.0007894107,0.0083181495,0.0071377996,0.0006165389,0.0014160324,0.018053496],"category_scores_gemma":[0.002645729,0.00019134644,0.0002505298,0.0009774403,0.023037596,0.007864255,0.005430499,0.0027292662,0.0014556977],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025649728,0.000006346628,0.00028689415,0.00003439925,0.000002351527,0.00015262472,0.086427934,0.00003829712,0.00020830036,0.8793731,0.025290944,0.008153169],"study_design_scores_gemma":[0.0000047030157,0.000014955821,0.0008586218,0.00016395682,0.0000031775007,0.0003477422,0.06045073,0.00007811964,0.00028108925,0.06443548,0.8733481,0.0000132852465],"about_ca_topic_score_codex":0.023537755,"about_ca_topic_score_gemma":0.02916063,"teacher_disagreement_score":0.023537755,"about_ca_system_score_codex":0.00836374,"about_ca_system_score_gemma":0.0033125342,"threshold_uncertainty_score":0.06068343},"labels":[],"label_agreement":null},{"id":"W2564909236","doi":"","title":"Jeff Wall. Near Documentary - proche du documéntaire","year":2009,"lang":"en","type":"article","venue":"edoc (University of Basel)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.009912732554018332,"score_gpt":0.18362778398014307,"score_spread":0.17371505142612473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2564909236","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009546554,0.026573647,0.0017572895,0.05490157,0.0070733526,0.000045060933,0.00021341591,0.00021214399,0.899677],"genre_scores_gemma":[0.10236356,0.008402833,0.0013113059,0.0041919327,0.00090034446,0.0000328284,0.00009040144,0.00019270729,0.8825141],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995432,0.00015006235,0.000015032323,0.00007960309,0.00015360177,0.000058572226],"domain_scores_gemma":[0.99957067,0.0001519668,0.000045282126,0.00003661841,0.00008660467,0.00010881684],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047689944,0.0002977035,0.00013609316,0.0006793642,0.004180957,0.0038249507,0.00036575858,0.0015051643,0.077196114],"category_scores_gemma":[0.0018071712,0.00016155135,0.000110846646,0.0006678133,0.0016817092,0.0028217928,0.0015241513,0.0020999038,0.012515886],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008513538,0.000033065156,0.000807668,0.0003346545,0.0000049183354,0.0009261077,0.031257026,0.000048124937,0.0018720358,0.1383934,0.73712987,0.08910799],"study_design_scores_gemma":[0.0000015652279,0.000005297992,0.0006686473,0.00008464847,0.0000010696887,0.00022964177,0.004959839,0.000011760287,0.00024544474,0.001247526,0.99254096,0.0000034831337],"about_ca_topic_score_codex":0.014622285,"about_ca_topic_score_gemma":0.049306165,"teacher_disagreement_score":0.077196114,"about_ca_system_score_codex":0.0016643055,"about_ca_system_score_gemma":0.00071208045,"threshold_uncertainty_score":0.25824678},"labels":[],"label_agreement":null},{"id":"W2564957206","doi":"10.17742/image.nbw.7-1.12","title":"DisAppearances on a Highway: A Model Drive","year":2016,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Transport engineering; Geology; Geography; Engineering","score_opus":0.07576496170726839,"score_gpt":0.41105638767891145,"score_spread":0.3352914259716431,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2564957206","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41201565,0.0010080572,0.0015041027,0.00877122,0.0011667039,0.0000881792,0.0010233478,0.00018081484,0.574242],"genre_scores_gemma":[0.83599603,0.00072155613,0.0006697988,0.00044327162,0.00008609964,0.000024827645,0.0003620546,0.0001357965,0.1615606],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99955815,0.00011281866,0.00000804484,0.000057020487,0.0001357946,0.00012801096],"domain_scores_gemma":[0.999613,0.000062312785,0.000021190732,0.000044323293,0.000107345426,0.0001518847],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034894192,0.0004200115,0.00016084874,0.000840802,0.012455101,0.0050956225,0.0008911136,0.0010313139,0.027755963],"category_scores_gemma":[0.00082056836,0.00023520041,0.0001641914,0.0009567281,0.0058186823,0.001475298,0.0023444558,0.0019401764,0.0018872899],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020502666,0.0001249353,0.0144478185,0.0002589265,0.000018698993,0.008174043,0.66698414,0.00079114473,0.0030065519,0.11949272,0.14321738,0.043278642],"study_design_scores_gemma":[0.0000054743464,0.000025989884,0.008494687,0.00013743482,0.0000070146293,0.00076771504,0.27701998,0.00023594257,0.00033497604,0.0009989385,0.71194607,0.000025727297],"about_ca_topic_score_codex":0.49498793,"about_ca_topic_score_gemma":0.7853434,"teacher_disagreement_score":0.49498793,"about_ca_system_score_codex":0.010755529,"about_ca_system_score_gemma":0.0040356847,"threshold_uncertainty_score":0.9842136},"labels":[],"label_agreement":null},{"id":"W2565100618","doi":"10.17742/image.nbw.7-1.10","title":"Photography as Theory in Action: William Hanson Boorne, George Webber, and The People of The Blood","year":2016,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Action (physics); Photography; Epistemology; Sociology; Art; Visual arts; Philosophy; Physics","score_opus":0.030936127385827582,"score_gpt":0.35990118280547867,"score_spread":0.3289650554196511,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2565100618","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63019603,0.031082591,0.0020558562,0.059788547,0.00080505875,0.000085525535,0.00015420267,0.000041744508,0.27579045],"genre_scores_gemma":[0.96518475,0.0067776903,0.0006059729,0.001447329,0.000069476286,0.000020638581,0.000026579306,0.000033625896,0.02583383],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983631,0.0007002686,0.000026821108,0.00014538178,0.00040246648,0.0003619272],"domain_scores_gemma":[0.998243,0.00087469385,0.00016380181,0.00007630485,0.00039209303,0.00025021355],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019677298,0.0004105373,0.0003068384,0.0016235806,0.018933047,0.009353053,0.0009354313,0.001352624,0.0034335372],"category_scores_gemma":[0.0024396866,0.00028184458,0.00014853492,0.0024298956,0.036543638,0.0032219407,0.0024323633,0.0027062201,0.0002062759],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028531967,0.000020728705,0.003554534,0.0000761744,0.00000685016,0.000320269,0.8972682,0.00006558095,0.0003556838,0.076669276,0.007883875,0.013750299],"study_design_scores_gemma":[0.0000042746574,0.000013386073,0.00948268,0.00028922455,0.000008932717,0.00013199076,0.7837808,0.00006288948,0.00029041746,0.0035926402,0.2023186,0.000024029554],"about_ca_topic_score_codex":0.92168975,"about_ca_topic_score_gemma":0.9516436,"teacher_disagreement_score":0.92168975,"about_ca_system_score_codex":0.039722268,"about_ca_system_score_gemma":0.031995587,"threshold_uncertainty_score":0.28820652},"labels":[],"label_agreement":null},{"id":"W2569685287","doi":"10.71781/8925","title":"La cinématographie-attraction à Montréal à la lumière de la législation (1896-1913)","year":2016,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Ministry of Minority Affairs; Université de Montréal","keywords":"Attraction; Art; Philosophy","score_opus":0.023592416199250055,"score_gpt":0.3152490292644616,"score_spread":0.2916566130652115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2569685287","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24920478,0.013789915,0.0026236377,0.019999264,0.0010923777,0.00020764659,0.004392901,0.00022310992,0.7084664],"genre_scores_gemma":[0.75833666,0.0033009585,0.00069408433,0.00085019413,0.00023054305,0.00005488734,0.0005018619,0.00006814957,0.23596272],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995338,0.00007491217,0.000005650438,0.00008513688,0.00012025843,0.00018036443],"domain_scores_gemma":[0.9990846,0.00019460423,0.00009343394,0.00003756097,0.00027921345,0.00031064823],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005573377,0.00030404577,0.00013365876,0.0013990221,0.008029826,0.0040307967,0.00074802653,0.00069985155,0.03930046],"category_scores_gemma":[0.0018176888,0.00020775075,0.00015638565,0.0023930022,0.0048525655,0.0012514252,0.0013359237,0.0013660808,0.0012215641],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018890515,0.00006325696,0.025249096,0.00059595413,0.000030994983,0.0014940772,0.29209015,0.00054114935,0.0038244103,0.28519118,0.24342957,0.1473013],"study_design_scores_gemma":[0.0000037212583,0.000014433965,0.057905655,0.00015891853,0.00000710551,0.0001074709,0.015533804,0.00007551685,0.00033710562,0.00044311484,0.9253915,0.000021665302],"about_ca_topic_score_codex":0.93966895,"about_ca_topic_score_gemma":0.9759577,"teacher_disagreement_score":0.060331047,"about_ca_system_score_codex":0.037577644,"about_ca_system_score_gemma":0.022577932,"threshold_uncertainty_score":0.2726462},"labels":[],"label_agreement":null},{"id":"W2579193536","doi":"10.1080/03612759.2017.1260935","title":"Briggs, Jo <b>Novelty Fair: British Visual Culture between Chartism and the Great Exhibition</b> Manchester: Manchester University Press 192 pp., $110.00, ISBN 978-0719089640 Publication Date: January 2016","year":2017,"lang":"en","type":"article","venue":"History Reviews of New Books","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Exhibition; Novelty; Media studies; Visual culture; Art history; Art; History; Sociology; Visual arts; Philosophy; Theology","score_opus":0.07155875264132912,"score_gpt":0.2562496922852113,"score_spread":0.18469093964388217,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2579193536","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0033681083,0.7425123,0.0004405152,0.05412993,0.009978505,0.000017690045,0.00025753598,0.00011780701,0.18917772],"genre_scores_gemma":[0.05855863,0.29830202,0.00082781457,0.011900635,0.0037401703,0.000029785499,0.00023989042,0.000221375,0.62617975],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995437,0.00010659433,0.000020710559,0.00004585024,0.00023131096,0.00005183393],"domain_scores_gemma":[0.9996024,0.0001427233,0.000038173846,0.000016083526,0.00011167481,0.000089094036],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00049214246,0.00043898905,0.00024859366,0.0010750542,0.0019343228,0.004916847,0.00042154157,0.0015768012,0.03460115],"category_scores_gemma":[0.0010164842,0.00029646602,0.00017750954,0.001959993,0.00180029,0.0046246666,0.0010832966,0.0023498097,0.0073801437],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034393557,0.0000059288636,0.00024973392,0.00043786303,0.000004734138,0.000109294364,0.004331271,0.00001824499,0.00026789063,0.007176,0.9223729,0.06499181],"study_design_scores_gemma":[0.0000022129775,0.0000069005046,0.0023481548,0.00044896084,0.000002826403,0.00012719446,0.0023779764,0.000007069921,0.00008303606,0.000717538,0.9938724,0.00000575532],"about_ca_topic_score_codex":0.052722227,"about_ca_topic_score_gemma":0.15336399,"teacher_disagreement_score":0.052722227,"about_ca_system_score_codex":0.0031073315,"about_ca_system_score_gemma":0.002018573,"threshold_uncertainty_score":0.1157524},"labels":[],"label_agreement":null},{"id":"W2581000217","doi":"","title":"Wilde, Whistler and Staging \"Art for Art's Sake\"","year":2016,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Art history; Vision; History; Narrative; TUTOR; Media studies; Art; Visual arts; Sociology; Literature; Anthropology","score_opus":0.03315011624719507,"score_gpt":0.22880145624472137,"score_spread":0.1956513399975263,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2581000217","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013966469,0.16767663,0.0044411165,0.1503248,0.0069415113,0.000037290323,0.00009342745,0.00010218995,0.65641654],"genre_scores_gemma":[0.4419162,0.05603971,0.0032782154,0.023697736,0.0021530278,0.00007445286,0.0000673112,0.00029820536,0.4724752],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988128,0.00066799973,0.000036773847,0.0001346569,0.00023814949,0.000109695175],"domain_scores_gemma":[0.9988555,0.0005572331,0.000091444446,0.00015612385,0.00023606617,0.00010362804],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014865354,0.0005629757,0.00023317852,0.0013915548,0.0065472126,0.0062430957,0.00062204193,0.00227538,0.00706093],"category_scores_gemma":[0.003622164,0.000230309,0.00015461115,0.0011331431,0.020923454,0.009163654,0.002184464,0.0029654698,0.0012687583],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025472125,0.000008779339,0.00051206036,0.00014957442,0.0000048870625,0.00015530882,0.042171385,0.00005483054,0.00012828708,0.7144476,0.20400949,0.038332246],"study_design_scores_gemma":[0.0000034914726,0.000007690112,0.0007126837,0.0004269096,0.0000036769106,0.00022572932,0.021425102,0.00003110563,0.00015407914,0.045091223,0.93191195,0.0000065103072],"about_ca_topic_score_codex":0.020925837,"about_ca_topic_score_gemma":0.0743648,"teacher_disagreement_score":0.020925837,"about_ca_system_score_codex":0.0025787079,"about_ca_system_score_gemma":0.0022636747,"threshold_uncertainty_score":0.041608095},"labels":[],"label_agreement":null},{"id":"W2582052977","doi":"","title":"If These Walls Could Talk: Exploring Architecture as a Narrative Medium through the Rehabilitation of the Canadian Museum of Immigration at Pier 21","year":2012,"lang":"en","type":"article","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Immigration; Narrative; Pier; Architecture; Media studies; Sociology; Visual arts; Political science; Engineering; Art; Law; Civil engineering; Literature","score_opus":0.046220233514825494,"score_gpt":0.26553490098095767,"score_spread":0.21931466746613218,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2582052977","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43936142,0.0013580549,0.003079265,0.018116815,0.00042667327,0.00014353724,0.00015335211,0.00015192105,0.53720886],"genre_scores_gemma":[0.92526585,0.00048943656,0.0016117148,0.0008361515,0.0000292231,0.000052377418,0.000037990358,0.00012514033,0.07155218],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978696,0.0007755138,0.000015766018,0.0001270698,0.00036613783,0.00084580126],"domain_scores_gemma":[0.9988576,0.00028964513,0.00006448518,0.000070612965,0.00019917804,0.0005183608],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022686364,0.00090005854,0.00037636101,0.0017718754,0.045733605,0.017648017,0.0023479303,0.0029705397,0.01948823],"category_scores_gemma":[0.0031767131,0.0004528096,0.00059370504,0.001508282,0.029052801,0.0046828473,0.009006139,0.0047478937,0.0011562306],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050687413,0.000031625645,0.0017246873,0.000062752086,0.000008369523,0.0007695645,0.93003947,0.00016597935,0.0006871824,0.04076458,0.012581488,0.013113631],"study_design_scores_gemma":[0.0000059836125,0.000017157854,0.0020471741,0.00013710563,0.0000135847895,0.00014390942,0.86712015,0.00010109102,0.00019824509,0.0028103278,0.12738186,0.000023419327],"about_ca_topic_score_codex":0.7318147,"about_ca_topic_score_gemma":0.92901564,"teacher_disagreement_score":0.26818532,"about_ca_system_score_codex":0.03071503,"about_ca_system_score_gemma":0.038182564,"threshold_uncertainty_score":0.53952944},"labels":[],"label_agreement":null},{"id":"W2585721535","doi":"","title":"Les Archives photographiques Notman au Musée McCord","year":2016,"lang":"fr","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Geography","score_opus":0.3788140477363546,"score_gpt":0.553889872301606,"score_spread":0.17507582456525145,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2585721535","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08778612,0.022549512,0.006438883,0.024027053,0.004096122,0.00033178634,0.004805184,0.0012055694,0.84875983],"genre_scores_gemma":[0.30272326,0.0075663486,0.006344377,0.0023853378,0.0006579192,0.0001325002,0.0017666946,0.00066721835,0.67775637],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988231,0.00017462278,0.000025417196,0.00017914972,0.00053059834,0.00026714036],"domain_scores_gemma":[0.9982843,0.00029674327,0.00016141069,0.0003002876,0.00058090925,0.00037648663],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00088272407,0.000667903,0.00030846067,0.002538497,0.0140750045,0.005440851,0.0013788155,0.0011605474,0.06918647],"category_scores_gemma":[0.0029045744,0.00046664226,0.00041120665,0.0037865976,0.0033563327,0.0020631608,0.0030905027,0.0018687289,0.00501403],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002987411,0.000064005224,0.015903076,0.000951332,0.00009682767,0.0047780233,0.09317112,0.0007039256,0.009352276,0.14732158,0.56127393,0.16608508],"study_design_scores_gemma":[0.0000032372463,0.000007753569,0.0071808095,0.00012292723,0.000010512673,0.00035281182,0.0060040154,0.000038091355,0.00054365967,0.00057586154,0.98514044,0.000019862298],"about_ca_topic_score_codex":0.6630079,"about_ca_topic_score_gemma":0.9040817,"teacher_disagreement_score":0.33699208,"about_ca_system_score_codex":0.015248879,"about_ca_system_score_gemma":0.016677843,"threshold_uncertainty_score":0.67795336},"labels":[],"label_agreement":null},{"id":"W2591866946","doi":"","title":"Photograph - Robert Houston","year":2013,"lang":"en","type":"article","venue":"Brock University Digital Repository (Brock University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Port (circuit theory); Cartography; Art; Art history; History; Geography; Engineering","score_opus":0.012186397253938667,"score_gpt":0.1742226161178919,"score_spread":0.16203621886395322,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2591866946","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002654616,0.0068447487,0.00039310864,0.007820044,0.0064650644,0.000086229666,0.003879569,0.00054663257,0.9713101],"genre_scores_gemma":[0.0095925685,0.0017915723,0.00040082174,0.001039829,0.00039645535,0.0000121611165,0.0008278693,0.00013012138,0.9858086],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99977106,0.000018986824,0.0000054843795,0.000050643408,0.00010552708,0.000048401023],"domain_scores_gemma":[0.9996363,0.000025671945,0.000023999,0.000037339927,0.00019677705,0.00007993299],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00025941138,0.00095841876,0.00029412087,0.0014179603,0.0033404706,0.001849622,0.00047993523,0.00083638,0.5405606],"category_scores_gemma":[0.0008148802,0.00029908493,0.00021194476,0.0014794433,0.00048750918,0.0016382267,0.0012008066,0.0019056558,0.18137509],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018451254,0.000008135219,0.00011105024,0.00003168205,8.6067126e-7,0.00012920206,0.00014195283,0.000012609956,0.00021903626,0.0009961969,0.9868052,0.01152556],"study_design_scores_gemma":[0.0000020435516,0.0000040076716,0.0008085249,0.000026631253,8.31142e-7,0.00018265631,0.00026550778,0.0000070333135,0.000103894046,0.000068190835,0.998528,0.0000026890916],"about_ca_topic_score_codex":0.06969911,"about_ca_topic_score_gemma":0.19730726,"teacher_disagreement_score":0.4594394,"about_ca_system_score_codex":0.0022502516,"about_ca_system_score_gemma":0.0014172866,"threshold_uncertainty_score":0.65533453},"labels":[],"label_agreement":null},{"id":"W2592160738","doi":"","title":"Searching for No End in Sight . . . : The Horizon in Vernacular Photography","year":2015,"lang":"en","type":"dissertation","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Horizon; Vernacular; Photography; Sight; Subject (documents); Amateur; Sublime; Visual arts; Art; Framing (construction); Aesthetics; History; Literature; Computer science; Archaeology; Astronomy; World Wide Web","score_opus":0.09891473071855648,"score_gpt":0.3352114197019976,"score_spread":0.23629668898344108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2592160738","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28587526,0.0157894,0.0074868132,0.029881654,0.001412635,0.000038180413,0.00013390838,0.00018042832,0.6592017],"genre_scores_gemma":[0.96651125,0.0022051777,0.0016971648,0.0008140004,0.00015244077,0.000013502907,0.000022118309,0.00006914323,0.02851522],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9992124,0.0005512656,0.000011584317,0.000053316835,0.00008388835,0.00008764209],"domain_scores_gemma":[0.9995353,0.0002063717,0.000046448135,0.00008213252,0.000042831714,0.00008693724],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001197165,0.00019383353,0.00011040422,0.0004475743,0.005677532,0.007324026,0.00033282695,0.0006481066,0.0055548223],"category_scores_gemma":[0.0017294639,0.00015069466,0.00010951778,0.0005896827,0.012340353,0.005262115,0.0031842752,0.0015196508,0.00047322348],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059532922,0.000012622612,0.0011927912,0.00013554315,0.0000053069866,0.00046843424,0.6137493,0.000078395875,0.001383916,0.31557676,0.032346893,0.034990437],"study_design_scores_gemma":[0.0000073982037,0.000030528172,0.0036853906,0.0003643361,0.00000778442,0.00064593053,0.4047253,0.00011242759,0.00062986737,0.02572024,0.56404847,0.000022266915],"about_ca_topic_score_codex":0.0086329235,"about_ca_topic_score_gemma":0.025834909,"teacher_disagreement_score":0.0086329235,"about_ca_system_score_codex":0.0016747717,"about_ca_system_score_gemma":0.0007283138,"threshold_uncertainty_score":0.018582761},"labels":[],"label_agreement":null},{"id":"W2594725654","doi":"10.21810/strm.v9i1.227","title":"PHD Defence: Networks of Memory: Vernacular Photography, (New) Media, and Meaning Making by Megan Robertson","year":2017,"lang":"en","type":"article","venue":"Stream Interdisciplinary Journal of Communication","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Vernacular; Meaning (existential); Photography; Art; Media studies; Art history; Visual arts; Sociology; Literature; Epistemology; Philosophy","score_opus":0.039206815638609296,"score_gpt":0.304386962204943,"score_spread":0.2651801465663337,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2594725654","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004511288,0.09541016,0.00086161075,0.78199106,0.0327344,0.000033714707,0.0001360967,0.000044028537,0.084277615],"genre_scores_gemma":[0.15654044,0.13953425,0.0024277482,0.12548333,0.029737039,0.00016559885,0.00017607812,0.00031537094,0.5456202],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99874985,0.00058469037,0.000033376928,0.0001951178,0.00034554876,0.0000914503],"domain_scores_gemma":[0.99570364,0.0018315807,0.00020976148,0.00015376553,0.0009111762,0.0011902013],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002839623,0.0005008624,0.0006353568,0.0006163618,0.0035337918,0.00589712,0.00067541335,0.0023531981,0.022594294],"category_scores_gemma":[0.006722149,0.00029990755,0.00034155592,0.0006105045,0.0037466502,0.006801454,0.0025820436,0.0061666155,0.0056196395],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046916462,0.000027391849,0.0004977853,0.00013672891,0.000007339935,0.000057928028,0.0051222225,0.000047738533,0.00021375001,0.038066067,0.93220943,0.023566723],"study_design_scores_gemma":[0.000010186051,0.000026732787,0.0008063066,0.0004805463,0.0000049528226,0.00016103816,0.008559323,0.00007415215,0.00013866123,0.012230533,0.9774934,0.000014034744],"about_ca_topic_score_codex":0.008307502,"about_ca_topic_score_gemma":0.0153454775,"teacher_disagreement_score":0.022594294,"about_ca_system_score_codex":0.0035728218,"about_ca_system_score_gemma":0.002946513,"threshold_uncertainty_score":0.075585485},"labels":[],"label_agreement":null},{"id":"W2597573280","doi":"","title":"Utopia/Dystopia: The Photographs of Geoffrey James / The National Gallery of Canada, www.gallery.ca, May 30 - October 19, 2008","year":2008,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Utopia; Art history; Art; Media studies; History; Sociology; Literature","score_opus":0.015063871905842087,"score_gpt":0.17559625096537537,"score_spread":0.1605323790595333,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2597573280","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0058483602,0.08783817,0.0007665071,0.06509276,0.0112785315,0.00024344464,0.011118869,0.0006935518,0.8171198],"genre_scores_gemma":[0.029370455,0.026658507,0.001305858,0.004864604,0.0009820507,0.000049629507,0.0022377742,0.0004138414,0.9341172],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99966276,0.000036097124,0.000009358573,0.000030430178,0.00017417871,0.000087060995],"domain_scores_gemma":[0.99925035,0.000046438083,0.000023626932,0.000037308208,0.00047105478,0.00017125414],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00060810114,0.0011286363,0.00028177604,0.0020479993,0.0077036005,0.0031957987,0.0006403017,0.001255952,0.08215538],"category_scores_gemma":[0.0011619305,0.00043040302,0.00030539083,0.0023536338,0.0010572422,0.0015130197,0.0016927844,0.0020920439,0.017769884],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000078898065,0.0000023089099,0.00011929265,0.00002172321,0.0000013026605,0.000029679368,0.00023594909,0.000012960071,0.00005828938,0.0003292749,0.99462813,0.004553187],"study_design_scores_gemma":[0.0000024867052,0.0000018417164,0.0038031281,0.000117881995,0.0000036881627,0.00008558328,0.0018410493,0.00001855065,0.00010604964,0.00011431564,0.99389666,0.00000870701],"about_ca_topic_score_codex":0.8149475,"about_ca_topic_score_gemma":0.9645502,"teacher_disagreement_score":0.8149475,"about_ca_system_score_codex":0.008513477,"about_ca_system_score_gemma":0.0094478,"threshold_uncertainty_score":0.3722846},"labels":[],"label_agreement":null},{"id":"W2598051389","doi":"","title":"The Invisible Helen Levitt","year":2016,"lang":"en","type":"article","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Criticism; Invisibility; Portrait; Embodied cognition; Aesthetics; Sociology; Biography; Art; Literature; Visual arts; Philosophy; Epistemology","score_opus":0.034715792549424626,"score_gpt":0.2298161752341206,"score_spread":0.19510038268469598,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2598051389","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14975896,0.03570355,0.00898246,0.19084862,0.005609123,0.00003340696,0.000040118062,0.00027875116,0.608745],"genre_scores_gemma":[0.8584871,0.0061824354,0.0011733639,0.010951122,0.00075908634,0.000024232455,0.0000150481965,0.00019022622,0.12221747],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99849033,0.0008590982,0.00002803524,0.00016783983,0.00033004628,0.00012459779],"domain_scores_gemma":[0.9976618,0.0013308398,0.00017281964,0.00018289531,0.00039283876,0.00025880185],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015390004,0.00023482084,0.000186498,0.00090643705,0.008312276,0.0067516724,0.00054017454,0.0015313289,0.005530872],"category_scores_gemma":[0.006384992,0.00017463705,0.00011365561,0.0005170117,0.009654848,0.0046029454,0.0033737207,0.002956522,0.0010638164],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057432655,0.000030663075,0.002036999,0.00015618365,0.0000085145275,0.0011850521,0.20626406,0.00017348504,0.0016784539,0.5767186,0.14157109,0.07011935],"study_design_scores_gemma":[0.0000024361946,0.000019435942,0.000520465,0.00039457268,0.0000043132263,0.0005646675,0.059356976,0.0001279643,0.0008270803,0.02364863,0.9145164,0.000017223709],"about_ca_topic_score_codex":0.0044588153,"about_ca_topic_score_gemma":0.007288846,"teacher_disagreement_score":0.008312276,"about_ca_system_score_codex":0.0027062278,"about_ca_system_score_gemma":0.0015765197,"threshold_uncertainty_score":0.01963514},"labels":[],"label_agreement":null},{"id":"W2598652523","doi":"","title":"CONTACT Photography Festival, Imaging a global culture, Toronto, May 1-31, 2006","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Visual arts; Geography; Remote sensing; History; Art","score_opus":0.0057545576684804286,"score_gpt":0.1862146583493011,"score_spread":0.18046010068082066,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2598652523","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04705897,0.026086157,0.0023318357,0.017392902,0.01483857,0.0006204568,0.051003233,0.0018406564,0.8388272],"genre_scores_gemma":[0.05728466,0.003224382,0.001075183,0.00024276701,0.00051787106,0.000039030874,0.0042229556,0.00024307307,0.9331501],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99966145,0.000018345203,0.000008563494,0.000048237944,0.00017412435,0.00008931454],"domain_scores_gemma":[0.99917173,0.00004363467,0.000027897016,0.00005626137,0.00039587254,0.000304653],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000814504,0.0008312992,0.00040797508,0.0013245115,0.0068312427,0.0034911544,0.0007513951,0.001039168,0.16199496],"category_scores_gemma":[0.0009760118,0.0004006674,0.0003779835,0.0014197025,0.0009274888,0.0007175106,0.0012657318,0.0013954219,0.016816769],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026288154,0.00004401327,0.002232643,0.00022840437,0.000020759824,0.00023667271,0.0015300184,0.00015054883,0.0019171332,0.0021706508,0.96931726,0.02188893],"study_design_scores_gemma":[0.000014317564,0.00005262099,0.030633535,0.0001233521,0.000015503612,0.000087846434,0.0018301202,0.00008017311,0.0009774044,0.00017389978,0.9659968,0.000014341069],"about_ca_topic_score_codex":0.504509,"about_ca_topic_score_gemma":0.9414623,"teacher_disagreement_score":0.49549103,"about_ca_system_score_codex":0.010379088,"about_ca_system_score_gemma":0.005762828,"threshold_uncertainty_score":0.9968181},"labels":[],"label_agreement":null},{"id":"W2598719892","doi":"","title":"Canadian Photography Magazines 1970-1990 : Reconsidering a History of Photography in Print","year":2016,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; History of photography; Art; Visual arts; History; Art history","score_opus":0.037414944617764574,"score_gpt":0.21555202114397495,"score_spread":0.1781370765262104,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2598719892","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024117555,0.12915164,0.0005083931,0.033095278,0.0023725198,0.000032261127,0.00041900156,0.00007486009,0.81022847],"genre_scores_gemma":[0.4698428,0.14200987,0.0010619665,0.0066502704,0.0014461544,0.00004202615,0.00034557638,0.00020510137,0.37839624],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99887055,0.000114865485,0.000024916688,0.00009114076,0.00059035595,0.00030811536],"domain_scores_gemma":[0.99837744,0.0004981652,0.00009700303,0.00007598716,0.00067748263,0.00027392386],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012239802,0.00060633227,0.00023931054,0.0058353418,0.015034006,0.01122347,0.0010458565,0.0018997416,0.011398608],"category_scores_gemma":[0.0030223944,0.00041160104,0.00016572245,0.008667788,0.0170152,0.0044768644,0.0026016987,0.0033531187,0.0009735799],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006710184,0.000024760198,0.0016604025,0.0005646521,0.000009794609,0.0009557125,0.14684404,0.00016685815,0.00043091498,0.4255908,0.30214068,0.12154429],"study_design_scores_gemma":[0.0000025847057,0.0000031671407,0.0028117213,0.0003463029,0.0000042525276,0.00011023798,0.012937513,0.000017747092,0.00011971127,0.0019986578,0.98164004,0.000007971756],"about_ca_topic_score_codex":0.9596966,"about_ca_topic_score_gemma":0.9886513,"teacher_disagreement_score":0.077818066,"about_ca_system_score_codex":0.077818066,"about_ca_system_score_gemma":0.062177572,"threshold_uncertainty_score":0.56461227},"labels":[],"label_agreement":null},{"id":"W2599145778","doi":"","title":"Art Revolution: Politics and Pop in the Robert Colescott Painting George Washington Carver Crossing the Delaware","year":2009,"lang":"en","type":"article","venue":"Americana : The Journal of American Popular Culture, 1900 to Present; Hollywood","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Visual art of the United States; Art history; George (robot); Politics; Art; Studio; Culture of the United States; Comics; White (mutation); History; Visual arts; Performance art; Law; Literature","score_opus":0.018141588494244125,"score_gpt":0.27023110756179913,"score_spread":0.252089519067555,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2599145778","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.047540642,0.0070202914,0.00019573462,0.025253572,0.00056497275,0.00001053368,0.000052903342,0.000028729057,0.91933256],"genre_scores_gemma":[0.64567465,0.0042552305,0.00021511731,0.008998324,0.00039203322,0.000022311342,0.000052369258,0.00012134612,0.34026867],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99938035,0.0001565335,0.000006707182,0.00009408923,0.00015189193,0.00021037647],"domain_scores_gemma":[0.9997904,0.00005783076,0.000018734245,0.000019257413,0.0000391937,0.00007458918],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00061241654,0.00030229767,0.00016388859,0.0007102408,0.019238407,0.009130326,0.0004835618,0.0015450596,0.012847627],"category_scores_gemma":[0.00082272966,0.00020100301,0.00012929,0.0008331005,0.013056197,0.0022210872,0.003431575,0.0038331463,0.0012366257],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045540626,0.000040673985,0.0013297326,0.000044999757,0.000007661585,0.0007162797,0.09823027,0.00011720381,0.00039297223,0.60736454,0.2598813,0.03182884],"study_design_scores_gemma":[0.0000029000737,0.000004594729,0.0017386916,0.00008363834,0.0000030731478,0.00006415233,0.032172836,0.000020562338,0.00009953776,0.003937018,0.96186495,0.000008125457],"about_ca_topic_score_codex":0.26968595,"about_ca_topic_score_gemma":0.54370993,"teacher_disagreement_score":0.26968595,"about_ca_system_score_codex":0.014876634,"about_ca_system_score_gemma":0.003749604,"threshold_uncertainty_score":0.5362324},"labels":[],"label_agreement":null},{"id":"W2605709257","doi":"10.1386/public.28.55.189_5","title":"Is Toronto Burning?: Three Years in the Making (and Unmaking) of the Toronto Art Scene, by Philip Monk","year":2017,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Art; Media studies; Visual arts; History; Sociology","score_opus":0.058588903425462975,"score_gpt":0.29336571659699956,"score_spread":0.2347768131715366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605709257","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03225153,0.15148346,0.0006626954,0.5484225,0.022460623,0.00006346939,0.0007215459,0.0001680958,0.24376602],"genre_scores_gemma":[0.31262928,0.060344543,0.00086164684,0.030485043,0.008369823,0.00006002935,0.0002608904,0.0006278049,0.586361],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984598,0.0004023332,0.000033212244,0.00018567602,0.0004352255,0.00048374693],"domain_scores_gemma":[0.9972881,0.00061223475,0.00017026352,0.00010117879,0.0006271509,0.0012011183],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020034297,0.0008334149,0.0004312071,0.0011846072,0.034422155,0.014622559,0.0011388828,0.004005563,0.022394782],"category_scores_gemma":[0.0035309554,0.00068647036,0.00034824485,0.0022411763,0.013283985,0.004920049,0.005396901,0.008356964,0.0021982412],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004728046,0.000015605066,0.0007883069,0.00017762711,0.000011108059,0.0005651781,0.09481633,0.00013139099,0.00033929496,0.02741903,0.8594092,0.016279567],"study_design_scores_gemma":[0.0000015101506,0.0000051413786,0.0017221792,0.00018739077,0.0000053357876,0.0001148884,0.05825888,0.000022875485,0.00010511659,0.0005077837,0.93905044,0.000018465267],"about_ca_topic_score_codex":0.8236546,"about_ca_topic_score_gemma":0.9524198,"teacher_disagreement_score":0.17634541,"about_ca_system_score_codex":0.04680804,"about_ca_system_score_gemma":0.030176353,"threshold_uncertainty_score":0.35476786},"labels":[],"label_agreement":null},{"id":"W2606343177","doi":"10.22501/jar.17834","title":"Mapping a Modern Diegesis: Terre des Hommes and Robert Altman's Quintet","year":2013,"lang":"en","type":"article","venue":"Journal for Artistic Research","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Spectacle; Meaning (existential); Architecture; Impromptu; Representation (politics); White (mutation); Space (punctuation); Art history; Set (abstract data type); Art; Aesthetics; Visual arts; History; Computer science; Philosophy; Epistemology; Linguistics; Politics; Political science","score_opus":0.19195166754931917,"score_gpt":0.38958230086144624,"score_spread":0.19763063331212707,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606343177","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30584827,0.021228738,0.0045105717,0.028642284,0.0012112932,0.0001207688,0.00089420966,0.00028844664,0.63725543],"genre_scores_gemma":[0.8547547,0.005397256,0.0031116074,0.0008951768,0.00015553972,0.000052522577,0.00019718941,0.00015832229,0.13527766],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99963224,0.00014882731,0.0000052716982,0.00005696481,0.00005928512,0.00009742125],"domain_scores_gemma":[0.99983895,0.000046201723,0.000019977142,0.000019735702,0.00003735918,0.000037763308],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006053812,0.00042603276,0.00017451488,0.0013261801,0.008516729,0.003714599,0.00071909843,0.00083728624,0.013922416],"category_scores_gemma":[0.00108313,0.00021632326,0.0001494929,0.0016550504,0.0069973613,0.002022164,0.002019132,0.0011847679,0.00073707517],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009117024,0.000033472967,0.006381177,0.0002140978,0.000016541426,0.0024076898,0.598889,0.00028949563,0.001483542,0.16127431,0.1138825,0.11503693],"study_design_scores_gemma":[0.0000036164183,0.000025470792,0.011066171,0.00020329961,0.000007683364,0.0006333788,0.23332304,0.00007348944,0.00028856425,0.0038026618,0.7505499,0.000022841627],"about_ca_topic_score_codex":0.533783,"about_ca_topic_score_gemma":0.7744324,"teacher_disagreement_score":0.533783,"about_ca_system_score_codex":0.0076096673,"about_ca_system_score_gemma":0.0024537563,"threshold_uncertainty_score":0.9379253},"labels":[],"label_agreement":null},{"id":"W2606440370","doi":"","title":"Between Art and Artifact: the Photography of Abel Boulineau","year":2011,"lang":"en","type":"dissertation","venue":"TSpace (University of Toronto)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Contextualization; Visual arts; Artifact (error); Attribution; Art; Meaning (existential); History; Epistemology; Computer science; Linguistics; Philosophy; Psychology; Interpretation (philosophy)","score_opus":0.031538504287988406,"score_gpt":0.2454768326240152,"score_spread":0.2139383283360268,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606440370","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4869913,0.036967628,0.002817121,0.03968156,0.0014690225,0.00008976491,0.00050180417,0.00008573248,0.43139616],"genre_scores_gemma":[0.9394885,0.00631986,0.0013891923,0.001115578,0.00016208676,0.00002569746,0.000071960414,0.00007774042,0.051349413],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982004,0.0010617282,0.00002651961,0.00020616311,0.00031078738,0.0001943647],"domain_scores_gemma":[0.99868125,0.0006375107,0.00013525163,0.00010463602,0.00027992707,0.00016150475],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017648544,0.00029374813,0.00022903038,0.0015709276,0.014551339,0.0041525234,0.0004865718,0.0007944022,0.0050675683],"category_scores_gemma":[0.0031981785,0.00021826496,0.00013932167,0.0017693597,0.010336719,0.00221525,0.001921055,0.0013106065,0.0003926112],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001025731,0.000020126352,0.005160507,0.0001839458,0.0000099763965,0.0014606029,0.8460391,0.00011168822,0.0010255746,0.070510074,0.036378033,0.0389978],"study_design_scores_gemma":[0.0000035783944,0.000023562287,0.014385649,0.00039918203,0.0000072470402,0.0006346132,0.32818133,0.00005263018,0.0006448083,0.00145612,0.654188,0.000023278095],"about_ca_topic_score_codex":0.47057495,"about_ca_topic_score_gemma":0.72444546,"teacher_disagreement_score":0.47057495,"about_ca_system_score_codex":0.017814875,"about_ca_system_score_gemma":0.0049159843,"threshold_uncertainty_score":0.9356718},"labels":[],"label_agreement":null},{"id":"W2606665780","doi":"","title":"Sunil Gupta, Canadian Museum of Contemporary Photography, November 25, 2005-April 23, 2006","year":2006,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Art; Art history; Visual arts; History","score_opus":0.010504798805561202,"score_gpt":0.16369675381008594,"score_spread":0.15319195500452473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2606665780","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004911182,0.046774812,0.0018659686,0.048831128,0.025695221,0.00060176477,0.018269587,0.0018570144,0.8511934],"genre_scores_gemma":[0.006305536,0.0094057815,0.0012009356,0.0007058522,0.0005982286,0.00003271144,0.0020840103,0.0002041821,0.9794627],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987495,0.000050385388,0.00003867325,0.00017838486,0.0007905223,0.00019248697],"domain_scores_gemma":[0.9956696,0.00012200278,0.00006619936,0.00020744052,0.003439985,0.00049472525],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016383318,0.0009557032,0.0005964945,0.0047344835,0.011332336,0.005006074,0.0013862598,0.0011243519,0.24000382],"category_scores_gemma":[0.00283385,0.0005280511,0.00042949515,0.004592619,0.0012175211,0.002155495,0.002112584,0.002224502,0.055628054],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027571246,0.000008742872,0.00030382146,0.00009513046,0.000002858096,0.00004079047,0.00014969405,0.000026320085,0.00023305332,0.0013724312,0.9732414,0.024498213],"study_design_scores_gemma":[0.0000026530215,0.000002595898,0.0017533764,0.00004347023,0.0000030403642,0.000048824768,0.0003124459,0.00001753929,0.00018389427,0.000118159835,0.99750453,0.000009473801],"about_ca_topic_score_codex":0.6816846,"about_ca_topic_score_gemma":0.9406551,"teacher_disagreement_score":0.6816846,"about_ca_system_score_codex":0.012260229,"about_ca_system_score_gemma":0.02072815,"threshold_uncertainty_score":0.8028928},"labels":[],"label_agreement":null},{"id":"W2610161444","doi":"","title":"Laura Letinsky, Still Life Photographs 1997–2012, Carleton University Art Gallery, Ottawa, 16 September 2013 to 19 January 2014","year":2014,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; Art","score_opus":0.007686985914504866,"score_gpt":0.16623057715247527,"score_spread":0.1585435912379704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2610161444","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01490687,0.053366583,0.0014869081,0.12290013,0.022080017,0.00077257236,0.05584577,0.0018676774,0.7267735],"genre_scores_gemma":[0.01254073,0.006843585,0.000700318,0.0023609975,0.0005265508,0.000093317154,0.0037188628,0.00033915913,0.9728766],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992675,0.000050633837,0.000029320268,0.000117342046,0.00031029442,0.00022490013],"domain_scores_gemma":[0.9979159,0.00015179264,0.00007277855,0.00012522518,0.001344264,0.00039001592],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001012194,0.00083425525,0.00032661538,0.003911071,0.015064788,0.0042881733,0.0018493509,0.0023899977,0.1609219],"category_scores_gemma":[0.0028580583,0.0008829491,0.00044514713,0.0036151132,0.0016139277,0.0022384354,0.0024509076,0.0026561753,0.04661821],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012496405,0.0000039802803,0.00029169495,0.000037670867,0.0000016513898,0.00004981117,0.00034898333,0.000024554265,0.000084460415,0.0003703103,0.99510926,0.0036651161],"study_design_scores_gemma":[0.0000026789057,0.0000023378757,0.008837018,0.00008639053,0.0000038097774,0.000030057781,0.001739601,0.000020362237,0.00016618926,0.00007701839,0.9890237,0.000010840829],"about_ca_topic_score_codex":0.8317825,"about_ca_topic_score_gemma":0.97746,"teacher_disagreement_score":0.8317825,"about_ca_system_score_codex":0.021335032,"about_ca_system_score_gemma":0.014294291,"threshold_uncertainty_score":0.53833735},"labels":[],"label_agreement":null},{"id":"W2610400578","doi":"","title":"Networks of memory: Vernacular photography, (new) media, and meaning making","year":2017,"lang":"en","type":"dissertation","venue":"Summit (Simon Fraser University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Simon Fraser University","keywords":"Vernacular; Meaning (existential); Photography; Meaning-making; Art; Visual arts; Aesthetics; Literature; Linguistics; Epistemology; Philosophy","score_opus":0.025748782439996044,"score_gpt":0.23317953018299187,"score_spread":0.20743074774299583,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2610400578","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.44755727,0.030542012,0.027750913,0.018765895,0.00072836335,0.00009992119,0.00023051853,0.00010774937,0.4742174],"genre_scores_gemma":[0.98145574,0.0057708686,0.0037346259,0.0004218775,0.00014430219,0.000053323925,0.000055014985,0.000030098958,0.008334309],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9979917,0.0012513392,0.000057412122,0.00034126666,0.00021783153,0.00014045349],"domain_scores_gemma":[0.9950317,0.0026395437,0.0010809978,0.000668581,0.00026232094,0.00031688088],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026331262,0.00043045369,0.00023557048,0.0019294075,0.0034471883,0.009597488,0.0009795182,0.001124286,0.0056450716],"category_scores_gemma":[0.007758326,0.0002957805,0.00028169333,0.0022224975,0.018565426,0.017651184,0.005235935,0.0015776911,0.00039752715],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008631145,0.000031762655,0.010527012,0.00040172768,0.000027497279,0.00059696543,0.4836936,0.0004311444,0.0006290065,0.4251351,0.0037969486,0.07464289],"study_design_scores_gemma":[0.00002205529,0.00008398476,0.018389387,0.0012239123,0.000061847335,0.0014173909,0.36266375,0.0012604558,0.0009490921,0.32376367,0.2900949,0.000069573376],"about_ca_topic_score_codex":0.0052521955,"about_ca_topic_score_gemma":0.008439261,"teacher_disagreement_score":0.009597488,"about_ca_system_score_codex":0.0026903115,"about_ca_system_score_gemma":0.001123313,"threshold_uncertainty_score":0.019519687},"labels":[],"label_agreement":null},{"id":"W2610612283","doi":"","title":"Ken Lum Works With Photography, Canadian Museum of Contemporary Photography, 21 September 2002-12 January 2003","year":2003,"lang":"en","type":"article","venue":"CV Photo","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Art; Visual arts; Art history; Geography","score_opus":0.027095245743182086,"score_gpt":0.2183157013282086,"score_spread":0.1912204555850265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2610612283","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002840976,0.010699892,0.000754649,0.010459852,0.0056083105,0.000119285185,0.0048547336,0.0012235444,0.96343875],"genre_scores_gemma":[0.0023184987,0.001588148,0.00031939134,0.00022213296,0.000081465034,0.0000059427384,0.0003636845,0.00011200192,0.9949886],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929976,0.000025181429,0.000013721493,0.0001323237,0.00041247596,0.000116491065],"domain_scores_gemma":[0.9985253,0.00006414116,0.000027040169,0.00008324392,0.0010713638,0.00022888665],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007975618,0.0009204505,0.000591723,0.0039183283,0.0117651075,0.0054508206,0.001012534,0.0012924476,0.43015096],"category_scores_gemma":[0.0015591808,0.000627154,0.00044116584,0.003700016,0.0015286338,0.0016891991,0.0013439801,0.0016849989,0.11042295],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021893598,0.000010726427,0.00049694633,0.0000747736,0.0000029091775,0.0000576157,0.00023396865,0.00004029008,0.00024318705,0.0013460558,0.9452081,0.052263748],"study_design_scores_gemma":[0.0000021316253,0.0000030495678,0.0016856218,0.000042031996,0.0000036170163,0.000037484417,0.00039694572,0.000016502214,0.0001551684,0.00009594977,0.99755436,0.0000071567424],"about_ca_topic_score_codex":0.74810135,"about_ca_topic_score_gemma":0.966349,"teacher_disagreement_score":0.43015096,"about_ca_system_score_codex":0.013205736,"about_ca_system_score_gemma":0.014133419,"threshold_uncertainty_score":0.8128205},"labels":[],"label_agreement":null},{"id":"W2611090442","doi":"","title":"Geoffrey James : The Lethbridge Project","year":2000,"lang":"en","type":"article","venue":"CV Photo","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.043899040665815625,"score_gpt":0.26289557078709974,"score_spread":0.21899653012128412,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2611090442","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0061388006,0.01352945,0.0010169286,0.06684265,0.0029322673,0.00008870582,0.00030932066,0.0002910711,0.9088508],"genre_scores_gemma":[0.03604326,0.006503711,0.0008548812,0.004360445,0.0003613886,0.000057375593,0.00017669606,0.0002048856,0.9514375],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998429,0.00042313949,0.000024580324,0.00015308913,0.00073565554,0.00023441596],"domain_scores_gemma":[0.99813974,0.00023823153,0.0000648248,0.00014291635,0.0003408239,0.0010735136],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022518805,0.00041606274,0.0001539788,0.0011352007,0.008360489,0.007956495,0.0011313036,0.002260798,0.10802105],"category_scores_gemma":[0.0034076418,0.00035207192,0.00008541636,0.0017947024,0.003856252,0.0040872507,0.0056893453,0.0019438334,0.013692331],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010707432,0.000020669371,0.00019154411,0.000046204415,8.226472e-7,0.000119585064,0.0036452431,0.000026382804,0.00017157251,0.033921637,0.92753583,0.03430988],"study_design_scores_gemma":[8.3648445e-7,0.0000020293965,0.0002716804,0.00004430152,2.415065e-7,0.00001959607,0.0015088792,0.000005711195,0.000044983037,0.0007159899,0.99738353,0.000002237759],"about_ca_topic_score_codex":0.08361838,"about_ca_topic_score_gemma":0.15309314,"teacher_disagreement_score":0.10802105,"about_ca_system_score_codex":0.004398346,"about_ca_system_score_gemma":0.0060613267,"threshold_uncertainty_score":0.3613664},"labels":[],"label_agreement":null},{"id":"W2611246093","doi":"","title":"Exposer la photographie. Lise Lamarche, « La photographie par la bande. Notes de recherche à partir des expositions collectives de photographie à Montréal (et un peu ailleurs) entre 1970 et 1980 », dans Exposer l’art contemporain du Québec. Discours d’intention et d’accompagnement, sous la direction de Francine Couture, Montréal, Centre de diffusion 3D, 2003, p. 221-265","year":2004,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities; Art","score_opus":0.018297140407778467,"score_gpt":0.2257575702821146,"score_spread":0.20746042987433613,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2611246093","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014975904,0.1554443,0.004301878,0.119557515,0.015932158,0.00017330443,0.0024904925,0.00042173325,0.6867028],"genre_scores_gemma":[0.0924241,0.02873905,0.0021694906,0.008809347,0.002130089,0.00006294445,0.00046462938,0.00039975977,0.8648007],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923277,0.0001256236,0.000017644248,0.00009794104,0.0003971149,0.00012894825],"domain_scores_gemma":[0.9987991,0.00020151293,0.00006861273,0.000074830125,0.0007241122,0.00013186873],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001036774,0.00071083696,0.00024989352,0.0021242667,0.00820019,0.0043023997,0.00069469534,0.0017324416,0.048006587],"category_scores_gemma":[0.002356921,0.0003790124,0.00038693316,0.002884243,0.003797833,0.002559916,0.001500177,0.002659511,0.0073466785],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004505853,0.000015074202,0.0010331745,0.00025719046,0.000011496242,0.0002316851,0.011768656,0.000086748034,0.0012974654,0.037446268,0.89874655,0.049060684],"study_design_scores_gemma":[0.00000366398,0.000005736692,0.0037704853,0.000117370255,0.0000055503597,0.000109252214,0.0021396165,0.000029812232,0.0002865772,0.000547179,0.9929739,0.000010828158],"about_ca_topic_score_codex":0.8623158,"about_ca_topic_score_gemma":0.95274895,"teacher_disagreement_score":0.13768423,"about_ca_system_score_codex":0.020116473,"about_ca_system_score_gemma":0.012999373,"threshold_uncertainty_score":0.27699012},"labels":[],"label_agreement":null},{"id":"W2611956612","doi":"","title":"« Penseur du médium photographique » / Sur le seuil du temps. Essais sur la photographie de Siegfried Kracauer, Édition critique par Philippe Despoix, Les Presses de l’Université de Montréal, 136 p.","year":2015,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.01317047998762414,"score_gpt":0.1763927110787019,"score_spread":0.16322223109107778,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2611956612","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025293352,0.6911605,0.002426502,0.060380112,0.006111624,0.000026778107,0.00020982597,0.00016431746,0.23699108],"genre_scores_gemma":[0.15746982,0.3140533,0.0044200113,0.009742237,0.007244903,0.00009274204,0.00015820791,0.0005179447,0.50630087],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991253,0.0003279481,0.000027035447,0.00009642254,0.00031833994,0.00010497637],"domain_scores_gemma":[0.99918634,0.00029509657,0.00006455434,0.00007798296,0.0002881406,0.000087897606],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016173088,0.00094606157,0.00041133194,0.002055345,0.0030922764,0.0071438747,0.0009621447,0.0019216377,0.014306449],"category_scores_gemma":[0.00260454,0.00048202957,0.00034510874,0.0018541913,0.010087586,0.005351326,0.0019911835,0.0030903618,0.0030204065],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046518155,0.000010655258,0.00029181963,0.0005075141,0.000010315923,0.00018009993,0.0098305885,0.000120126286,0.0007313394,0.37575042,0.50641984,0.10610075],"study_design_scores_gemma":[0.0000046572786,0.0000036922547,0.001053997,0.00041302756,0.0000054420757,0.000106643434,0.0025637557,0.000041540523,0.00023086245,0.007209129,0.9883585,0.000008684494],"about_ca_topic_score_codex":0.31718627,"about_ca_topic_score_gemma":0.4610703,"teacher_disagreement_score":0.31718627,"about_ca_system_score_codex":0.0115931,"about_ca_system_score_gemma":0.0075598555,"threshold_uncertainty_score":0.6306801},"labels":[],"label_agreement":null},{"id":"W2612054112","doi":"","title":"No man’s land. Les photographies de Lynne Cohen, texte de Ann Thomas, entretien avec Lynne Cohen. Éditions Thames & Hudson, Paris, 2001, 160 p. (120 photos)","year":2002,"lang":"fr","type":"article","venue":"CV Photo","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Cartography; Art; Geography","score_opus":0.02354934314403091,"score_gpt":0.24127422997532902,"score_spread":0.21772488683129812,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2612054112","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00078436814,0.59157413,0.00069479004,0.09690853,0.036449756,0.000036850535,0.00078715495,0.00019872162,0.27256566],"genre_scores_gemma":[0.013216311,0.110723905,0.0009968624,0.016861843,0.0062283883,0.00005181846,0.0003539792,0.00031349083,0.85125333],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996773,0.00007141366,0.000012301499,0.000057355624,0.00015010235,0.000031464846],"domain_scores_gemma":[0.9995957,0.00011309749,0.000047506983,0.000028475919,0.00016185456,0.00005339291],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004955253,0.0010630843,0.00041002964,0.0012489323,0.002841938,0.0032752545,0.0006542949,0.0019237751,0.076903984],"category_scores_gemma":[0.0022173063,0.0005435064,0.0002820698,0.0013371247,0.0013304246,0.0043715104,0.0014153685,0.0029021546,0.03706808],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011784331,0.0000018456152,0.00003367436,0.00007670241,0.0000013103634,0.00003288106,0.00032441397,0.0000087513945,0.000066913664,0.0032507346,0.97522473,0.02096624],"study_design_scores_gemma":[0.0000014302609,0.0000014559953,0.0002793788,0.0001203769,8.1171913e-7,0.000071071896,0.00042952847,0.0000046084574,0.00003774726,0.00041815217,0.99863285,0.000002495064],"about_ca_topic_score_codex":0.06767211,"about_ca_topic_score_gemma":0.18632679,"teacher_disagreement_score":0.076903984,"about_ca_system_score_codex":0.0025192664,"about_ca_system_score_gemma":0.0013402125,"threshold_uncertainty_score":0.25726944},"labels":[],"label_agreement":null},{"id":"W2612309888","doi":"","title":"Mois de la photo à Montréal 2015 : Qu’est devenue la photographie à l’ère des technologies mobiles et des réseaux sociaux ? / Mois de la photo à Montréal 2015 : What Has Become of Photography in the Era of Mobile Technologies and Social Networks?","year":2016,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, m&#233;dias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.01935480243689212,"score_gpt":0.2662759514082517,"score_spread":0.2469211489713596,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2612309888","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.038490914,0.06836716,0.0012401836,0.4660024,0.019388095,0.00008604755,0.0022503056,0.00019984278,0.403975],"genre_scores_gemma":[0.46185878,0.045151748,0.0020697026,0.03824255,0.009919691,0.00006513326,0.0011521548,0.00024416158,0.44129613],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882346,0.00022013093,0.000019561186,0.00012526975,0.00047473703,0.00033686133],"domain_scores_gemma":[0.99685293,0.00044795466,0.00018284778,0.00014562583,0.0009108601,0.0014597435],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025732743,0.00045371673,0.00025971208,0.0012806949,0.0071540386,0.009313418,0.0008087049,0.0029920635,0.054670185],"category_scores_gemma":[0.0044248668,0.00030903672,0.00047359715,0.0014088047,0.004901362,0.004200464,0.0024966886,0.0035694896,0.0032633985],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000120485754,0.00004796886,0.0048998026,0.0002958478,0.000025171437,0.0003747094,0.007944238,0.00015782687,0.00089026155,0.046779208,0.8724329,0.066031575],"study_design_scores_gemma":[0.00000817206,0.000017822988,0.0220092,0.00026386767,0.000009373745,0.000082321305,0.007225039,0.000058646343,0.00022989718,0.001078005,0.9689901,0.000027558353],"about_ca_topic_score_codex":0.68851453,"about_ca_topic_score_gemma":0.8862445,"teacher_disagreement_score":0.31148547,"about_ca_system_score_codex":0.017146444,"about_ca_system_score_gemma":0.013247889,"threshold_uncertainty_score":0.6266397},"labels":[],"label_agreement":null},{"id":"W2613161034","doi":"","title":"Songs of the Future, Canadian Industrial Photographs, 1858 to Today, Art Gallery of Ontario, Toronto, 20 August 2011 to 3 June 2012","year":2012,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; Media studies; History; Art history; Geography; Art; Sociology","score_opus":0.014035814565679738,"score_gpt":0.1730295451046691,"score_spread":0.15899373053898938,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2613161034","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1413557,0.038152345,0.00063223176,0.010711787,0.0043241745,0.0002496471,0.14441663,0.00043624177,0.6597212],"genre_scores_gemma":[0.33454764,0.016322868,0.0013889587,0.00089660205,0.0006013847,0.00009082421,0.02377292,0.0002829081,0.6220959],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995302,0.0000119095275,0.000011549365,0.00004390642,0.00026268343,0.00013971169],"domain_scores_gemma":[0.99917716,0.000025365123,0.000039471488,0.000032631953,0.00052588515,0.00019947943],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003199412,0.0005770524,0.00023233012,0.0040555377,0.009391969,0.0026886144,0.00072101253,0.0004393535,0.033821825],"category_scores_gemma":[0.0012258932,0.00030410287,0.00022599955,0.008944272,0.0012634173,0.0006172662,0.0009909199,0.00095829496,0.003212727],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014144482,0.000019522859,0.016479995,0.0005028435,0.000033717166,0.0004194507,0.018324217,0.00019464977,0.0010631231,0.003614953,0.8934626,0.065743424],"study_design_scores_gemma":[0.000004469388,0.0000047162443,0.19009407,0.00014310384,0.000011387942,0.00008312117,0.0070111896,0.000029046092,0.00013382499,0.000069500165,0.8024001,0.000015427999],"about_ca_topic_score_codex":0.99152863,"about_ca_topic_score_gemma":0.9991247,"teacher_disagreement_score":0.033821825,"about_ca_system_score_codex":0.031535346,"about_ca_system_score_gemma":0.028665677,"threshold_uncertainty_score":0.22880602},"labels":[],"label_agreement":null},{"id":"W2613841507","doi":"","title":"Martha Langford, Suspended Conversations: The Afterlife of Memory in Photographic Albums, Montreal & Kingston: McGill-Queen's University Press 2001, 241 p.","year":2002,"lang":"en","type":"article","venue":"CV Photo","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Afterlife; Queen (butterfly); Art; Art history; Media studies; History; Sociology; Literature","score_opus":0.03208266239308896,"score_gpt":0.21110805129733776,"score_spread":0.1790253889042488,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2613841507","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018429145,0.81311744,0.0006996016,0.12857835,0.004049198,0.000042121337,0.00048670676,0.00014988656,0.051033773],"genre_scores_gemma":[0.052117705,0.72416925,0.0024280257,0.032952994,0.005914875,0.0001671541,0.00037409246,0.00030725705,0.18156865],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994307,0.00017661256,0.000032144188,0.000051393705,0.00022619011,0.000082798586],"domain_scores_gemma":[0.99748635,0.0012553517,0.0001944475,0.00007325405,0.0005585972,0.0004319943],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014304591,0.0012537517,0.000623219,0.0027310955,0.008232826,0.0055197263,0.0027639396,0.005138836,0.021100795],"category_scores_gemma":[0.0041808225,0.0010091753,0.00036805103,0.003589935,0.0051884553,0.0094385985,0.0019069649,0.003365317,0.0060619707],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028438182,0.000016696229,0.0005317755,0.00035225664,0.000009341338,0.00020703934,0.013019702,0.00004411032,0.00013888939,0.009869959,0.9340472,0.041734476],"study_design_scores_gemma":[0.000016296714,0.000012304796,0.011230266,0.0012626629,0.00001942253,0.00037994105,0.018964913,0.00004773536,0.00023585159,0.0053006196,0.9624949,0.0000351218],"about_ca_topic_score_codex":0.5150973,"about_ca_topic_score_gemma":0.8088688,"teacher_disagreement_score":0.48490268,"about_ca_system_score_codex":0.0077436934,"about_ca_system_score_gemma":0.008100601,"threshold_uncertainty_score":0.97551674},"labels":[],"label_agreement":null},{"id":"W2614156048","doi":"10.3167/hrrh.2016.420304","title":"Art and Death in French Photographs of Ruins, 1914-1918","year":2016,"lang":"en","type":"article","venue":"Historical Reflections/Réflexions Historiques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Depiction; Period (music); Front (military); Documentation; Symbol (formal); History; First world war; Visual arts; Art; Art history; Ancient history; Geography; Aesthetics","score_opus":0.05700292214847247,"score_gpt":0.29473043267824156,"score_spread":0.2377275105297691,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2614156048","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67307496,0.013762613,0.00079887203,0.0061629196,0.00077018794,0.00002742217,0.0009880981,0.0001240502,0.30429086],"genre_scores_gemma":[0.9659445,0.0017878419,0.00021709802,0.00019713628,0.00017072099,0.0000073472243,0.00013786803,0.000045638728,0.03149176],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9994436,0.00025264476,0.000013825735,0.00007012153,0.000091303824,0.00012856761],"domain_scores_gemma":[0.99946123,0.00026034444,0.0000932907,0.000050465937,0.000093124305,0.00004146202],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008433183,0.00038269683,0.00020173551,0.0021957231,0.006821047,0.0034297702,0.0003100874,0.0008497325,0.008606963],"category_scores_gemma":[0.0018325634,0.00015444228,0.00016816556,0.0013389877,0.0047880863,0.0010178903,0.0014569375,0.0010369591,0.0005832132],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031494824,0.0000321068,0.0077555478,0.00032833935,0.000025890868,0.0039782617,0.83324164,0.0004123212,0.002427657,0.052376643,0.044591043,0.054515574],"study_design_scores_gemma":[0.000008113928,0.00006997482,0.055243373,0.0004018502,0.000017972563,0.0025263282,0.24162301,0.00010320318,0.00092906866,0.00092979375,0.69811535,0.00003186483],"about_ca_topic_score_codex":0.072297335,"about_ca_topic_score_gemma":0.19482112,"teacher_disagreement_score":0.072297335,"about_ca_system_score_codex":0.0068601677,"about_ca_system_score_gemma":0.0007567331,"threshold_uncertainty_score":0.14375305},"labels":[],"label_agreement":null},{"id":"W2615245134","doi":"","title":"Colville to Goble: Some Thoughts on the Evolving Place of Photography in Canadian Military Art","year":2017,"lang":"en","type":"article","venue":"Scholars Commons (Wilfrid Laurier University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Visual arts; Aesthetics; Art","score_opus":0.02354285390906891,"score_gpt":0.2247385984666503,"score_spread":0.2011957445575814,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2615245134","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1973493,0.059115678,0.0021025809,0.27071822,0.0033712895,0.00007458071,0.00028702084,0.00007076976,0.46691063],"genre_scores_gemma":[0.93502724,0.017540796,0.0011135307,0.012720995,0.00043970818,0.000029395847,0.00006796857,0.00008513015,0.032975227],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9958639,0.0011795295,0.00006770649,0.00042258968,0.0010918003,0.0013744774],"domain_scores_gemma":[0.99533045,0.0017518916,0.00021710673,0.00015993735,0.0014789763,0.0010616025],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0060620396,0.0006143917,0.0004486944,0.0042911,0.056616403,0.019181056,0.0026229324,0.004157379,0.009571271],"category_scores_gemma":[0.007177796,0.0004223096,0.0004086379,0.0065429495,0.056993775,0.008114631,0.0054760715,0.0065542753,0.00043486178],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055244647,0.00002368832,0.0038258368,0.00020406913,0.0000103489565,0.0009865946,0.6842557,0.00014138731,0.0004426272,0.23273416,0.04920224,0.02811808],"study_design_scores_gemma":[0.000004249926,0.000013356092,0.0061656693,0.0005931938,0.000011699001,0.00025924013,0.61404294,0.0000747016,0.00022742206,0.005676889,0.37287205,0.000058540485],"about_ca_topic_score_codex":0.9779595,"about_ca_topic_score_gemma":0.9891116,"teacher_disagreement_score":0.1304358,"about_ca_system_score_codex":0.1304358,"about_ca_system_score_gemma":0.06758698,"threshold_uncertainty_score":0.94638234},"labels":[],"label_agreement":null},{"id":"W2615515840","doi":"","title":"Taryn Simon : mise en déroute de la vérité : les effets de réel et de fiction de la photographie documentaire / Taryn Simon: Foiling the Truth: The Effects of the Real and the Fictional in Documentary Photography","year":2012,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.008657314452727568,"score_gpt":0.2630939957594984,"score_spread":0.25443668130677083,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2615515840","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.047411866,0.038651787,0.002831976,0.6940659,0.005432376,0.00012656927,0.00020255343,0.000110851855,0.21116608],"genre_scores_gemma":[0.74873036,0.03562419,0.0029639597,0.066554785,0.0027653396,0.00024953746,0.000087978406,0.00053430675,0.14248964],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9925948,0.004225863,0.00023940575,0.00066142465,0.0019141203,0.00036440667],"domain_scores_gemma":[0.9616113,0.030292783,0.0026474083,0.00068251934,0.0036292362,0.0011367266],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0069565056,0.00072086725,0.0005174803,0.0017112226,0.01097832,0.010375836,0.001377991,0.009001548,0.016975686],"category_scores_gemma":[0.058035944,0.000550993,0.0003080284,0.0017075902,0.010997854,0.011797839,0.0041457927,0.0077320184,0.002336504],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003862424,0.00010272267,0.0020664213,0.0005160137,0.000034890883,0.00094793836,0.0834807,0.00035757097,0.0007966326,0.42897856,0.43537107,0.04696123],"study_design_scores_gemma":[0.00011306211,0.000074117044,0.0044027376,0.00081108086,0.00006326135,0.0007328692,0.08683742,0.0005622143,0.0024982477,0.0826107,0.8211729,0.00012129899],"about_ca_topic_score_codex":0.054647304,"about_ca_topic_score_gemma":0.052048694,"teacher_disagreement_score":0.054647304,"about_ca_system_score_codex":0.0067727016,"about_ca_system_score_gemma":0.005236824,"threshold_uncertainty_score":0.10865843},"labels":[],"label_agreement":null},{"id":"W2616013398","doi":"","title":"Photography in Canada 1960-2000","year":2017,"lang":"en","type":"book","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Visual arts; Art; Art history; Geography; History","score_opus":0.02869388275580164,"score_gpt":0.2193627501595109,"score_spread":0.19066886740370925,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2616013398","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04536662,0.05685696,0.0008746847,0.020177685,0.0077001853,0.00025414643,0.03100321,0.00059581886,0.8371708],"genre_scores_gemma":[0.11971673,0.042972516,0.0014003712,0.0023862896,0.00081970997,0.00007194524,0.009424724,0.00026687037,0.82294077],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980332,0.000046138168,0.000050773095,0.00015198388,0.0014067435,0.00031110924],"domain_scores_gemma":[0.99800175,0.00008827093,0.00009403205,0.00006574983,0.0013790105,0.0003712314],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00076665764,0.000585341,0.00032392776,0.006878619,0.009201568,0.006247923,0.0015216924,0.001149836,0.038695432],"category_scores_gemma":[0.0022777922,0.0005474662,0.0003064595,0.014151974,0.0017398876,0.0014768885,0.0021323296,0.0015593709,0.005026296],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014669362,0.000063800675,0.0079008145,0.0008654954,0.000019102728,0.00089651323,0.008229922,0.00043234654,0.0015832551,0.02523771,0.7558434,0.19878092],"study_design_scores_gemma":[0.000004147274,0.000004216234,0.018753609,0.000116857605,0.0000044062963,0.00008132823,0.0010602564,0.000035919355,0.00018411514,0.00012417714,0.9796204,0.000010573483],"about_ca_topic_score_codex":0.9903668,"about_ca_topic_score_gemma":0.9965532,"teacher_disagreement_score":0.09694242,"about_ca_system_score_codex":0.09694242,"about_ca_system_score_gemma":0.09026106,"threshold_uncertainty_score":0.70336974},"labels":[],"label_agreement":null},{"id":"W2616241578","doi":"10.3138/topia.37.61","title":"The Archaeology of an Image: The Persistent Persuasion of Thomas Moore Keesick’s Residential School Photographs","year":2017,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Colonialism; Persuasion; Legitimacy; Power (physics); Photography; History; Sociology; Sign (mathematics); Politics; Aesthetics; Art history; Visual arts; Law; Art; Archaeology; Philosophy; Political science; Linguistics","score_opus":0.062447575770971334,"score_gpt":0.31449394011337667,"score_spread":0.25204636434240535,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2616241578","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6871914,0.0045991554,0.0021820178,0.048065312,0.0012312733,0.000057049263,0.00019541265,0.00012697809,0.2563514],"genre_scores_gemma":[0.97714,0.00088858214,0.0005728135,0.0014886842,0.00015012709,0.000012201469,0.000023713925,0.00010849795,0.01961532],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9976019,0.0011956553,0.00004965594,0.0002699715,0.00056722906,0.00031550854],"domain_scores_gemma":[0.99568546,0.0023271216,0.00036198483,0.0004895843,0.0007436583,0.00039219295],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021543354,0.0003845596,0.00029264597,0.002012534,0.020693699,0.0076062945,0.0009479712,0.0018955934,0.004270162],"category_scores_gemma":[0.008306099,0.00045097477,0.00016577933,0.0014907313,0.019459791,0.0030606424,0.003589908,0.004125214,0.00045767706],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039552622,0.000013378738,0.0013062229,0.000063445936,0.000007640202,0.0014314845,0.9409795,0.0000407917,0.0009520572,0.024755368,0.02066841,0.009742141],"study_design_scores_gemma":[0.0000053291847,0.000013333785,0.0035752296,0.00021566029,0.000013749805,0.0010253461,0.7148878,0.0001103752,0.0009889551,0.0015359011,0.27759007,0.000038350336],"about_ca_topic_score_codex":0.1492071,"about_ca_topic_score_gemma":0.33970755,"teacher_disagreement_score":0.8507929,"about_ca_system_score_codex":0.009619659,"about_ca_system_score_gemma":0.0035470105,"threshold_uncertainty_score":0.2966773},"labels":[],"label_agreement":null},{"id":"W2617289443","doi":"","title":"Chuck Samuels, Before Photography, Dazibao, Montréal, du 9 janvier au 13 février 2010","year":2010,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, m&#233;dias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Art; Visual arts","score_opus":0.014120684503141207,"score_gpt":0.2242608093495683,"score_spread":0.21014012484642708,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2617289443","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007316327,0.047777645,0.0011186526,0.04539842,0.016869305,0.0002049553,0.005175674,0.0011374652,0.87500167],"genre_scores_gemma":[0.0056368434,0.0037249215,0.00035126807,0.0005609561,0.0002403424,0.0000145355025,0.00024931354,0.00013328946,0.98908854],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996238,0.000032501157,0.000008350992,0.00008495484,0.00012590656,0.00012441074],"domain_scores_gemma":[0.9995308,0.000036337395,0.000013183132,0.000016946986,0.00024957507,0.00015313884],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00052904565,0.0008484388,0.00036256778,0.0010906403,0.0070045884,0.003133574,0.0008629391,0.0016190853,0.41903472],"category_scores_gemma":[0.0011364341,0.0005020899,0.0003436689,0.0010886997,0.0008540697,0.001422103,0.0012281436,0.0020095424,0.086076036],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026533959,0.000009891802,0.00042196002,0.00006319693,0.0000027769838,0.000121007426,0.0002497259,0.0000424616,0.00035116117,0.002198047,0.9737475,0.022765715],"study_design_scores_gemma":[0.000004335899,0.00000515112,0.0027315486,0.000062928535,0.0000025612615,0.00005150366,0.00047165,0.00002702172,0.00015292679,0.00016544099,0.9963188,0.000005977666],"about_ca_topic_score_codex":0.5421075,"about_ca_topic_score_gemma":0.9057003,"teacher_disagreement_score":0.45789248,"about_ca_system_score_codex":0.007384634,"about_ca_system_score_gemma":0.0060158013,"threshold_uncertainty_score":0.9211782},"labels":[],"label_agreement":null},{"id":"W2619926373","doi":"","title":"Une redéfinition de la perception / Sens interdit, exposition d’art Riendeau, Maison des arts de non-visuel, commissaire Isabelle Laval. 27 avril - 23 juin 2001","year":2001,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.013563644681746872,"score_gpt":0.2136967601459624,"score_spread":0.20013311546421553,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2619926373","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008953959,0.1910779,0.012035102,0.1435005,0.016496154,0.00005639766,0.00023876481,0.00036820042,0.6272731],"genre_scores_gemma":[0.25590485,0.06226496,0.008348567,0.013865982,0.00868459,0.000101442354,0.00021256327,0.0007948952,0.6498221],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976792,0.0009923168,0.00007159225,0.00037368212,0.0005935,0.0002897438],"domain_scores_gemma":[0.9982311,0.0005497464,0.00011554243,0.0002518757,0.000605671,0.00024601398],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029310891,0.0009929986,0.00039970412,0.0019897902,0.004546932,0.008299742,0.0012957687,0.003387875,0.01582843],"category_scores_gemma":[0.0031146056,0.00046468343,0.000469983,0.0014301246,0.013304726,0.0044308067,0.0026623015,0.00626242,0.0023729166],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006333808,0.000025444566,0.0004834938,0.00020426117,0.000009268682,0.00012925787,0.013166493,0.00015275813,0.0013371402,0.7085477,0.22133887,0.05454207],"study_design_scores_gemma":[0.000005837924,0.000010041266,0.0014151277,0.00020443171,0.000003853668,0.00013290781,0.001647671,0.00008284907,0.00026049398,0.010696179,0.98552877,0.000011791223],"about_ca_topic_score_codex":0.21504606,"about_ca_topic_score_gemma":0.3712533,"teacher_disagreement_score":0.21504606,"about_ca_system_score_codex":0.014262057,"about_ca_system_score_gemma":0.00837808,"threshold_uncertainty_score":0.4275887},"labels":[],"label_agreement":null},{"id":"W2620909174","doi":"10.26522/vp.v14i1.1569","title":"Steer, Linda. Appropriated Photographs in French Surrealist Periodicals, 1924-1939","year":2017,"lang":"en","type":"article","venue":"Voix Plurielles","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Visual arts; Art history","score_opus":0.03561968451719893,"score_gpt":0.26850703073777055,"score_spread":0.2328873462205716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2620909174","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022555068,0.3314519,0.0005340215,0.07430077,0.008736388,0.00006502711,0.004692978,0.00014294474,0.55752087],"genre_scores_gemma":[0.27873376,0.14098766,0.0008968188,0.004523019,0.0024099727,0.000087474786,0.0009628217,0.00031642366,0.57108206],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995869,0.00010929131,0.000025875566,0.00005877248,0.0001577413,0.000061442894],"domain_scores_gemma":[0.9985524,0.0005434043,0.00012016878,0.00003498265,0.0006325102,0.00011638163],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00077221874,0.00042503123,0.00021553822,0.0043895575,0.008695455,0.0034330103,0.0005277666,0.0013246684,0.029940022],"category_scores_gemma":[0.0032387576,0.00035243103,0.00022194479,0.005230273,0.001717164,0.0032870562,0.0011177522,0.0009808046,0.005892339],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009616382,0.000022453558,0.0039448864,0.0003226608,0.00001296702,0.00041418834,0.041931186,0.00006890342,0.00034256317,0.028446788,0.7992093,0.12518802],"study_design_scores_gemma":[0.000003945948,0.000008102817,0.015883902,0.00032157003,0.000011338592,0.00015182245,0.021122592,0.0000082616225,0.0001284829,0.0009177112,0.9614341,0.000008112721],"about_ca_topic_score_codex":0.43457562,"about_ca_topic_score_gemma":0.7414885,"teacher_disagreement_score":0.43457562,"about_ca_system_score_codex":0.0053264573,"about_ca_system_score_gemma":0.0031842145,"threshold_uncertainty_score":0.86409223},"labels":[],"label_agreement":null},{"id":"W2621398667","doi":"10.15173/mjc.v8i0.263","title":"Creating Cellular Vision: Cell Phone Photography and the (Shifting) Photographic Eye\"","year":2013,"lang":"en","type":"article","venue":"The McMaster Journal of Communication","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Photography; Camera phone; Phone; Gaze; Visual arts; Temporality; Computer science; Art; Computer vision","score_opus":0.01619354047429966,"score_gpt":0.23351487993935294,"score_spread":0.21732133946505328,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2621398667","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2568503,0.011776161,0.010820943,0.03759025,0.0011126603,0.00004863985,0.000041963656,0.000118714204,0.68164045],"genre_scores_gemma":[0.94191486,0.0034347693,0.0036262136,0.002265664,0.00024956098,0.000020225654,0.000009947382,0.000027635755,0.048451122],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99950624,0.0002690723,0.000009861253,0.000051754927,0.00009264457,0.000070397175],"domain_scores_gemma":[0.9995322,0.00020238101,0.00007457212,0.0000699022,0.00006117731,0.000059740818],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006241757,0.00019422,0.00007108594,0.00046616455,0.002578931,0.0047915457,0.00033794463,0.0008863862,0.007474536],"category_scores_gemma":[0.0015322486,0.00009320386,0.0001227784,0.00029549922,0.008742016,0.0027136393,0.0025733819,0.0012025773,0.0005948707],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000085938285,0.00004448791,0.0030295074,0.0002459023,0.0000097561215,0.000985364,0.20770246,0.00011589168,0.004096629,0.54504985,0.03214523,0.20648901],"study_design_scores_gemma":[0.000026130994,0.00013370234,0.009073707,0.0005885535,0.000030588268,0.0027721121,0.16172175,0.0004196342,0.0062092873,0.068087384,0.7508898,0.000047355938],"about_ca_topic_score_codex":0.0061067184,"about_ca_topic_score_gemma":0.013725941,"teacher_disagreement_score":0.007474536,"about_ca_system_score_codex":0.001337764,"about_ca_system_score_gemma":0.0011288594,"threshold_uncertainty_score":0.025004804},"labels":[],"label_agreement":null},{"id":"W2621549763","doi":"","title":"Beam me up, Scotty! Les photographies téléportées de Google Street View / Beam me up, Scotty! The Photographs Teleported from Google Street View","year":2015,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Port (circuit theory); Beam (structure); Art; Engineering; Physics; Optics; Mechanical engineering","score_opus":0.04770364613103772,"score_gpt":0.26959026233236516,"score_spread":0.22188661620132744,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2621549763","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0031374807,0.002053421,0.0012718297,0.012395034,0.0043256497,0.0001551415,0.008489351,0.0045897374,0.9635824],"genre_scores_gemma":[0.007110719,0.0008525554,0.0007756282,0.0011201596,0.00056866196,0.000046557336,0.0015301331,0.0018369328,0.98615867],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996654,0.000032924865,0.000007769641,0.000050714752,0.00017745116,0.0000658077],"domain_scores_gemma":[0.9991035,0.00010318332,0.00004313069,0.00012687045,0.00039428668,0.00022907225],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005646846,0.0009766044,0.0006112663,0.0011223338,0.00344786,0.003431148,0.0006845421,0.0014504154,0.7505741],"category_scores_gemma":[0.0021198753,0.000756262,0.0007055881,0.0012602805,0.0006270356,0.0028945287,0.0020760896,0.0022593269,0.43952927],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050515235,0.0000070000583,0.000100507925,0.000029287296,0.0000025055563,0.0000677387,0.00009279202,0.000011428943,0.00043745738,0.00049316615,0.9851104,0.013597114],"study_design_scores_gemma":[0.000015223812,0.000013954524,0.0018883398,0.000043180502,0.000004999865,0.00009746266,0.00049045595,0.0000336376,0.00040762822,0.00021661383,0.996774,0.000014394618],"about_ca_topic_score_codex":0.027182376,"about_ca_topic_score_gemma":0.07407835,"teacher_disagreement_score":0.7505741,"about_ca_system_score_codex":0.0008365334,"about_ca_system_score_gemma":0.00057025725,"threshold_uncertainty_score":0.3557757},"labels":[],"label_agreement":null},{"id":"W2621929124","doi":"","title":"Douglas Gordon. Timeline. Museum of Modern Art, New York, du 11 juin au 4 septembre 2006","year":2006,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Timeline; Art; Humanities; History; Art history; Archaeology","score_opus":0.028994081716486465,"score_gpt":0.2371140081324283,"score_spread":0.20811992641594185,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2621929124","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004979147,0.023825873,0.0006112295,0.0048403908,0.0068723625,0.00007567595,0.012995597,0.0016246998,0.9486562],"genre_scores_gemma":[0.00075354375,0.0026121584,0.0001716103,0.00013177698,0.00015216494,0.000011585424,0.0008284868,0.00024843408,0.99509025],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99978894,0.000018371393,0.000009549149,0.000047923153,0.000097789336,0.00003757308],"domain_scores_gemma":[0.99961877,0.00004576033,0.000026395519,0.000027058964,0.00017018979,0.00011170774],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00035655484,0.0015666784,0.00073603704,0.0029653907,0.0019048124,0.0023918939,0.0011444144,0.0010404132,0.8487622],"category_scores_gemma":[0.0008787957,0.00064363226,0.0004377901,0.00488379,0.00031099125,0.0021402552,0.0013349564,0.0011641153,0.6538806],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020057154,0.0000052728406,0.000046168225,0.000090921254,8.541823e-7,0.000011574928,0.000028216311,0.000016030703,0.000058989157,0.00056500075,0.94819015,0.05096671],"study_design_scores_gemma":[0.0000036117858,0.0000034509092,0.00043245376,0.000042352553,0.0000012239232,0.000016341512,0.00004848502,0.000010653844,0.000043356995,0.000114652845,0.9992803,0.000003193481],"about_ca_topic_score_codex":0.041430276,"about_ca_topic_score_gemma":0.16353527,"teacher_disagreement_score":0.8487622,"about_ca_system_score_codex":0.0011017265,"about_ca_system_score_gemma":0.001209141,"threshold_uncertainty_score":0.21572238},"labels":[],"label_agreement":null},{"id":"W2622775416","doi":"","title":"Sur le seuil du temps. Essais sur la photographie, Siegfried Kracauer Les Presses de l’Université de Montréal, Montréal, 2013, 136 pages","year":2015,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.013973247705433489,"score_gpt":0.16724255059632653,"score_spread":0.15326930289089305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2622775416","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019500876,0.71165866,0.00092342455,0.15981822,0.015836967,0.0000140707825,0.00024425323,0.00010596332,0.10944839],"genre_scores_gemma":[0.091703124,0.3902659,0.0021266106,0.020070067,0.01187723,0.000041243664,0.00018589206,0.0005560244,0.48317388],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99839693,0.00048126944,0.000066581175,0.00018404843,0.00062422955,0.00024692583],"domain_scores_gemma":[0.9982345,0.0005452979,0.00011201337,0.00010964839,0.0007372465,0.0002613979],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029031027,0.00091596623,0.000532314,0.0019917986,0.0054770824,0.0096331015,0.00082297076,0.002246032,0.021133441],"category_scores_gemma":[0.0058358344,0.00081424904,0.00030363357,0.0025817205,0.0074045802,0.006787591,0.0027812978,0.0042901672,0.004593242],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041562886,0.000011505637,0.00039962004,0.0002706413,0.000007918779,0.00006210879,0.0059794104,0.00006304049,0.00028995698,0.09259083,0.7961387,0.10414456],"study_design_scores_gemma":[0.000003443008,0.0000029012976,0.0011436356,0.00029274958,0.000004568532,0.000047690897,0.0020265472,0.000018837423,0.00008836213,0.0028247905,0.99353456,0.000011811318],"about_ca_topic_score_codex":0.4196627,"about_ca_topic_score_gemma":0.58798444,"teacher_disagreement_score":0.4196627,"about_ca_system_score_codex":0.014292785,"about_ca_system_score_gemma":0.010900543,"threshold_uncertainty_score":0.83444},"labels":[],"label_agreement":null},{"id":"W2623784456","doi":"","title":"Gaëlle Morel, Guest Curator: Le Mois de la photo à Montréal 2009 / Gaëlle Morel, commissaire invitée : le Mois de la photo à Montréal 2009","year":2009,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.015551661234080886,"score_gpt":0.24518191102266393,"score_spread":0.22963024978858304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2623784456","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016820962,0.06039889,0.000998109,0.4456294,0.2482642,0.00027744583,0.002266426,0.0013674889,0.23911594],"genre_scores_gemma":[0.006479622,0.007161629,0.00034631882,0.017848365,0.015695123,0.00006149547,0.00024942344,0.00047828953,0.95167977],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990429,0.00011779742,0.00002624821,0.00016094996,0.00045038006,0.00020166654],"domain_scores_gemma":[0.99749064,0.00027828003,0.00010156616,0.000053165913,0.0012987384,0.0007776695],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013062254,0.0013563315,0.00079709216,0.0012687396,0.007544273,0.003963554,0.0012541148,0.003717837,0.19903612],"category_scores_gemma":[0.0038078174,0.0005324264,0.0006389484,0.0008281029,0.0009824595,0.0022087398,0.0030021828,0.005858772,0.06489975],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000068346226,0.0000022055603,0.000021792133,0.000016383387,6.985769e-7,0.000028999715,0.00004438863,0.0000060613393,0.0000578401,0.00024433105,0.9978733,0.0016971374],"study_design_scores_gemma":[0.0000028155719,0.0000032388061,0.00024705584,0.000034842702,0.0000012469717,0.000039367394,0.00021682362,0.0000105332565,0.000053586136,0.000047489448,0.99933726,0.0000056633903],"about_ca_topic_score_codex":0.19487022,"about_ca_topic_score_gemma":0.42719936,"teacher_disagreement_score":0.80512977,"about_ca_system_score_codex":0.0066184895,"about_ca_system_score_gemma":0.0044315406,"threshold_uncertainty_score":0.6658422},"labels":[],"label_agreement":null},{"id":"W2624936091","doi":"","title":"Capturing Reality : The Art of Documentary / L’art du réel — Canada [Québec] 2008, 7 minutes","year":2009,"lang":"fr","type":"article","venue":"Séquences : la revue de cinéma","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Visual arts","score_opus":0.015459165206548345,"score_gpt":0.228486023697031,"score_spread":0.21302685849048264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2624936091","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029438272,0.1441208,0.004615845,0.10521972,0.031235425,0.00038892636,0.013452038,0.0009542296,0.6705747],"genre_scores_gemma":[0.14746305,0.029331643,0.004385504,0.0048789266,0.0030473408,0.00014924034,0.0033731852,0.00078113197,0.80658996],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994997,0.00007614494,0.00001239936,0.00007364886,0.00021588118,0.00012220771],"domain_scores_gemma":[0.9993555,0.00008311156,0.000022355269,0.000026372416,0.00033646863,0.00017616762],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008011868,0.0010735329,0.00037675208,0.0013614881,0.008894772,0.0050764065,0.0009173689,0.002175228,0.03255668],"category_scores_gemma":[0.0017505601,0.0003788695,0.00036889687,0.0021623322,0.0025077476,0.0010822656,0.0013893136,0.0025646323,0.0038215653],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045806628,0.000013720774,0.0005788013,0.00015311062,0.0000090159565,0.00013872895,0.006194207,0.00020719717,0.0006933373,0.0041639316,0.9512606,0.03654146],"study_design_scores_gemma":[0.0000030800256,0.0000034746101,0.004595955,0.00018570512,0.000003880221,0.00005020716,0.0028080284,0.0000560369,0.00012085377,0.00020510372,0.99195886,0.000008934892],"about_ca_topic_score_codex":0.97055143,"about_ca_topic_score_gemma":0.9954941,"teacher_disagreement_score":0.04002489,"about_ca_system_score_codex":0.04002489,"about_ca_system_score_gemma":0.025987625,"threshold_uncertainty_score":0.2904023},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"not_applicable","genre":"empirical","about_ca_system":false,"about_ca_topic":true,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"not_applicable","genre":"commentary","about_ca_system":false,"about_ca_topic":true,"confidence":"high"}],"label_agreement":"agree"},{"id":"W2625107846","doi":"","title":"En passant par la photographie... / Transiting through Photography / Nicolas Baier, Autoportrait","year":2013,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Art; Visual arts","score_opus":0.022793364427187157,"score_gpt":0.24835923395083664,"score_spread":0.2255658695236495,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2625107846","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007896922,0.117997564,0.00346923,0.37648758,0.03991679,0.000056642293,0.00034877125,0.0006189188,0.45320755],"genre_scores_gemma":[0.04127874,0.049005195,0.0035610776,0.02798747,0.007148715,0.00004750948,0.00014404942,0.00064229214,0.87018496],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921525,0.0002416057,0.00002351997,0.00010579692,0.0003236478,0.000090237125],"domain_scores_gemma":[0.9990675,0.0002740405,0.000087393026,0.00006525778,0.00030545142,0.00020034208],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012579443,0.00064513995,0.00027299166,0.00069170166,0.004382474,0.004784098,0.0005355679,0.002547526,0.051620018],"category_scores_gemma":[0.004008928,0.00029115373,0.00032568196,0.00060154806,0.0023256526,0.004377843,0.002108583,0.0051902076,0.01751069],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038088052,0.00001592827,0.00040677944,0.0001275613,0.000004478922,0.00019445136,0.003249201,0.000042435342,0.000627586,0.031600125,0.8941468,0.06954663],"study_design_scores_gemma":[0.0000022869874,0.000004163005,0.00053999235,0.0000878263,0.0000016296874,0.00021888889,0.0022478127,0.000018363575,0.00025471495,0.0010613103,0.9955576,0.0000054706225],"about_ca_topic_score_codex":0.044350218,"about_ca_topic_score_gemma":0.09237088,"teacher_disagreement_score":0.051620018,"about_ca_system_score_codex":0.0023747098,"about_ca_system_score_gemma":0.0023737699,"threshold_uncertainty_score":0.17268616},"labels":[],"label_agreement":null},{"id":"W2625302482","doi":"","title":"The Great War: The Persuasive Power of Photography, National Gallery of Canada, Ottawa, 27 June to 16 November 2014","year":2015,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Power (physics); Visual arts; History; Media studies; Political science; Art; Sociology","score_opus":0.01059586913265684,"score_gpt":0.17797866401562165,"score_spread":0.1673827948829648,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2625302482","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17083418,0.06028689,0.00086473033,0.18836616,0.010265363,0.0006563951,0.025546355,0.00054390525,0.54263604],"genre_scores_gemma":[0.29665753,0.012086745,0.0013094563,0.005633459,0.00058784336,0.00010913962,0.0025016698,0.00029801833,0.6808161],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986326,0.00013482764,0.00004080731,0.00010371841,0.00069826463,0.00038983548],"domain_scores_gemma":[0.9965745,0.0005810974,0.00015585766,0.00018772576,0.0017492708,0.00075163064],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015659722,0.0005400309,0.00030537279,0.0027595575,0.020786915,0.006427262,0.0014852046,0.0018612383,0.027069831],"category_scores_gemma":[0.005721096,0.0006512282,0.0003179262,0.0033135265,0.0036858248,0.0010302897,0.002798774,0.0022234947,0.0019539003],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017890816,0.0000310768,0.007581635,0.0003130461,0.00003552895,0.0003717312,0.021031165,0.00018991985,0.0008071559,0.0044041113,0.9305894,0.03446639],"study_design_scores_gemma":[0.000010732466,0.000012415008,0.08747182,0.00029867745,0.000024462426,0.0000784842,0.02949227,0.0000761031,0.00066276995,0.0002931668,0.8815302,0.000048998278],"about_ca_topic_score_codex":0.9877215,"about_ca_topic_score_gemma":0.99841297,"teacher_disagreement_score":0.058367066,"about_ca_system_score_codex":0.058367066,"about_ca_system_score_gemma":0.0758529,"threshold_uncertainty_score":0.42348468},"labels":[],"label_agreement":null},{"id":"W2641342606","doi":"","title":"Reason for Photography in Dustbin / Des photographies dans la poubelle ? / Adam Broomberg et Oliver Chanarin, Scarti","year":2015,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.04618539158715776,"score_gpt":0.2738692567650748,"score_spread":0.22768386517791703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2641342606","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030850513,0.030192353,0.0017393087,0.61115664,0.008268987,0.000028143068,0.00014087942,0.00014378714,0.3174793],"genre_scores_gemma":[0.65402013,0.008393524,0.0016294741,0.047370296,0.00437116,0.00003807748,0.00006977147,0.00051873527,0.28358886],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997547,0.0010586671,0.00009574586,0.00025892066,0.000684615,0.0003550906],"domain_scores_gemma":[0.9963378,0.0018970985,0.00034529858,0.00020192863,0.0007944917,0.0004234368],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032639927,0.0003287375,0.0003545242,0.00085641624,0.008759198,0.010567322,0.0005572695,0.0062431847,0.026210282],"category_scores_gemma":[0.012670686,0.00038089772,0.0003870154,0.00063790794,0.009217248,0.0062865587,0.002524608,0.0077349413,0.002717136],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011504626,0.000041702373,0.0023970625,0.00012595297,0.000020845611,0.0014167555,0.030041639,0.000104111634,0.0006965151,0.43617302,0.50050116,0.028366223],"study_design_scores_gemma":[0.000015509653,0.000008642414,0.0023420434,0.0002546809,0.0000074709887,0.0007063761,0.024917707,0.00008858859,0.00043775013,0.015429761,0.95576066,0.000030836363],"about_ca_topic_score_codex":0.043456066,"about_ca_topic_score_gemma":0.075319745,"teacher_disagreement_score":0.043456066,"about_ca_system_score_codex":0.0073356912,"about_ca_system_score_gemma":0.0021964984,"threshold_uncertainty_score":0.08768213},"labels":[],"label_agreement":null},{"id":"W265494224","doi":"","title":"Photography Genius: George R Lawrence & \"The Hitherto Impossible","year":2002,"lang":"en","type":"article","venue":"Journal of the Illinois State Historical Society","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"George (robot); Genius; Art history; Innovator; History; Law; Sociology; Art; Political science","score_opus":0.037493317489190804,"score_gpt":0.2092002108354091,"score_spread":0.1717068933462183,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W265494224","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018114077,0.13206817,0.00060514547,0.701292,0.058858965,0.000014656733,0.000062229214,0.0001218533,0.105165556],"genre_scores_gemma":[0.049866963,0.10482535,0.0016093551,0.40435585,0.040974837,0.000053677766,0.00008734359,0.0002880178,0.39793867],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983797,0.00051584584,0.00006404869,0.00032988985,0.0005240762,0.00018648965],"domain_scores_gemma":[0.9984989,0.00048532037,0.00012904294,0.00011138389,0.00043593542,0.00033946216],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018039246,0.00049905793,0.00034510842,0.000977423,0.0041668476,0.0043648784,0.00081322057,0.0038022015,0.015155177],"category_scores_gemma":[0.0051938356,0.00029882955,0.0001873553,0.0005269847,0.0071280976,0.0048211715,0.002620632,0.00790688,0.0054344716],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000060778475,0.0000039712736,0.00011016666,0.0000297348,0.0000010785218,0.000095672745,0.0009666394,0.000006814648,0.0000458391,0.017566135,0.96796834,0.013199516],"study_design_scores_gemma":[0.0000013038946,0.0000030452065,0.00018700026,0.00014482116,9.4818006e-7,0.0002388893,0.0006734748,0.0000067347864,0.000023422597,0.001236798,0.9974795,0.000004001867],"about_ca_topic_score_codex":0.029458098,"about_ca_topic_score_gemma":0.05928428,"teacher_disagreement_score":0.029458098,"about_ca_system_score_codex":0.0053146775,"about_ca_system_score_gemma":0.0032006449,"threshold_uncertainty_score":0.058573306},"labels":[],"label_agreement":null},{"id":"W2688982315","doi":"10.1093/acrefore/9780199366439.013.118","title":"Digital Resources: The Wheelan Collection of Photographs of the Mexican Revolution","year":2016,"lang":"en","type":"reference-entry","venue":"Oxford Research Encyclopedia of Latin American History","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Library and Archives Canada","funders":"","keywords":"Studio; Ephemera; Art history; Portrait; History; Cartography; Visual arts; Art; Geography","score_opus":0.05365145432854265,"score_gpt":0.28424396202750846,"score_spread":0.2305925076989658,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2688982315","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024901226,0.010700003,0.0028222415,0.0045753135,0.002584007,0.00060757244,0.31739664,0.0020766763,0.63433623],"genre_scores_gemma":[0.08275945,0.021264331,0.018716345,0.0015004029,0.0015283887,0.0015378903,0.29494163,0.0027955933,0.57495606],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995419,0.000059368584,0.00003160128,0.000051209776,0.0002653815,0.000050651604],"domain_scores_gemma":[0.9990815,0.00008035993,0.00008742894,0.00020381568,0.00047360169,0.000073266725],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000744667,0.0003735883,0.00040721952,0.0078618005,0.0026271136,0.0022539792,0.00066549995,0.00027796786,0.11224534],"category_scores_gemma":[0.0020596725,0.0003276855,0.00015727781,0.015169916,0.00043388724,0.0012483723,0.0016718714,0.0006093331,0.02892671],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030422669,0.000011046378,0.00059620786,0.00016654017,0.0000031382265,0.00008312737,0.0007164019,0.00005025057,0.00031436156,0.0017474334,0.93702716,0.059254065],"study_design_scores_gemma":[0.0000026740731,0.0000015871866,0.0067730946,0.00013333408,0.0000022056465,0.000037011912,0.0004967121,0.000023161903,0.000077020064,0.0001627068,0.9922848,0.0000057017955],"about_ca_topic_score_codex":0.11253094,"about_ca_topic_score_gemma":0.31556502,"teacher_disagreement_score":0.11253094,"about_ca_system_score_codex":0.0027508603,"about_ca_system_score_gemma":0.0026308845,"threshold_uncertainty_score":0.37549812},"labels":[],"label_agreement":null},{"id":"W269162717","doi":"","title":"\"An American Vision\": The Annual Conference of the Society for Photographic Education Austin, TX - 2003","year":2003,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Theme (computing); Photography; Subject (documents); Tragedy (event); Sociology; Law; History; Visual arts; Library science; Political science; Social science; Art; Computer science","score_opus":0.03833305487797599,"score_gpt":0.3097438903688727,"score_spread":0.2714108354908967,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W269162717","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004059738,0.045693927,0.0018827231,0.22778669,0.16641971,0.00030554293,0.0007273311,0.0005041646,0.5526201],"genre_scores_gemma":[0.013637513,0.017165262,0.0012248639,0.011627139,0.013204809,0.00020089932,0.00054222153,0.00020812868,0.94218916],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987387,0.000258114,0.00006083847,0.00018965328,0.00047967208,0.0002729924],"domain_scores_gemma":[0.9979962,0.00008076801,0.00010117766,0.000059175905,0.0007801493,0.0009825886],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024843034,0.0012039492,0.0003496292,0.00111797,0.0056685964,0.0097921025,0.0011730108,0.0037857147,0.11026655],"category_scores_gemma":[0.00196705,0.0003707766,0.0004283826,0.0013247656,0.0013073942,0.0042424994,0.004348648,0.0055837315,0.036044586],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013512211,0.00001481687,0.00012071233,0.00004997857,8.8276204e-7,0.000069939924,0.000334341,0.0000105803165,0.00009516866,0.0014559929,0.9839213,0.0139128985],"study_design_scores_gemma":[0.0000012353729,0.0000036061508,0.00037002476,0.00009191349,6.293261e-7,0.00004697097,0.0010147471,0.0000071190875,0.000028528539,0.00013623734,0.9982961,0.000002936492],"about_ca_topic_score_codex":0.010830871,"about_ca_topic_score_gemma":0.036503904,"teacher_disagreement_score":0.11026655,"about_ca_system_score_codex":0.004704495,"about_ca_system_score_gemma":0.00794249,"threshold_uncertainty_score":0.36887836},"labels":[],"label_agreement":null},{"id":"W2692288943","doi":"","title":"Clément Chéroux : la nouvelle galerie de photographie du Centre Pompidou / Clément Chéroux: The New Photography Gallery at the Pompidou Centre","year":2015,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Art; Visual arts","score_opus":0.02628323514483332,"score_gpt":0.23784404439567444,"score_spread":0.21156080925084111,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2692288943","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.053704895,0.092347644,0.004120668,0.2983083,0.040909104,0.0003431148,0.0014541342,0.0008204403,0.5079917],"genre_scores_gemma":[0.18205428,0.010660296,0.0030193804,0.005214482,0.0046070884,0.00009578272,0.00024880283,0.0009186367,0.7931813],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983736,0.00039339584,0.000027269865,0.00022699601,0.00064714433,0.0003315965],"domain_scores_gemma":[0.99860185,0.00021460289,0.000079218975,0.00008363984,0.00028564382,0.00073502294],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002218827,0.0007970573,0.00032206447,0.0015641594,0.009483733,0.007928402,0.0008898184,0.0036101611,0.065925434],"category_scores_gemma":[0.0035310627,0.00060191855,0.00045948284,0.001247751,0.0025847626,0.0040671504,0.005753407,0.004854749,0.005681986],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018388609,0.000033483928,0.001336726,0.00017174233,0.000014412552,0.00090866425,0.010635145,0.00014719686,0.0018775199,0.025258487,0.8871806,0.072252095],"study_design_scores_gemma":[0.000006132769,0.000007947148,0.0032236255,0.000065264474,0.000002602614,0.00019711415,0.0036507307,0.000029161367,0.0004265516,0.00037610336,0.99199975,0.00001492437],"about_ca_topic_score_codex":0.10414482,"about_ca_topic_score_gemma":0.26967055,"teacher_disagreement_score":0.10414482,"about_ca_system_score_codex":0.0050113588,"about_ca_system_score_gemma":0.004268905,"threshold_uncertainty_score":0.22054255},"labels":[],"label_agreement":null},{"id":"W2703386406","doi":"","title":"Faire la lumière : l’émergence de la photographie moderniste au Québec révélée / Making Light: The Emergence of Modernist Photography in Quebec Revealed","year":2011,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Photography; Humanities; Visual arts","score_opus":0.034687030175105264,"score_gpt":0.2645014966125263,"score_spread":0.22981446643742104,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2703386406","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6777053,0.007421057,0.0021264665,0.055440992,0.00049547816,0.00006723446,0.0005006503,0.00009082943,0.25615206],"genre_scores_gemma":[0.9396962,0.0010642633,0.00059173716,0.0009664875,0.00006036401,0.000010161927,0.0000451346,0.00004087671,0.057524756],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992205,0.00015974714,0.000014980181,0.0000907273,0.00020660656,0.00030748697],"domain_scores_gemma":[0.9980848,0.0003714333,0.00015573298,0.00009405906,0.00082655746,0.00046741357],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013520909,0.00020147926,0.00015568265,0.0011199622,0.012328619,0.0059643555,0.000791733,0.0012027107,0.017806081],"category_scores_gemma":[0.0023130532,0.00026814567,0.00022396789,0.001657579,0.007739162,0.0022973435,0.0016945573,0.0031946457,0.00042927702],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002463523,0.00012518303,0.03273675,0.00027701227,0.00003304457,0.0016930135,0.4182727,0.00052093534,0.005193544,0.33616358,0.071377076,0.13336076],"study_design_scores_gemma":[0.000014668587,0.00003856245,0.104771756,0.00017392759,0.000015446347,0.00029535565,0.09646036,0.000435021,0.00088472053,0.0024589484,0.7943904,0.000060908358],"about_ca_topic_score_codex":0.9836969,"about_ca_topic_score_gemma":0.9930675,"teacher_disagreement_score":0.059461348,"about_ca_system_score_codex":0.059461348,"about_ca_system_score_gemma":0.03552879,"threshold_uncertainty_score":0.43142432},"labels":[],"label_agreement":null},{"id":"W2709586229","doi":"","title":"John Gossage : le livre photographique : considérations sur quelques projets récents / John Gossage: The Photobook: Reflections on Several Recent Projects","year":2013,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history","score_opus":0.058934600463079696,"score_gpt":0.2896615726901964,"score_spread":0.2307269722271167,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2709586229","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0028452277,0.15863657,0.0016738542,0.6823301,0.040696483,0.00012383427,0.00019858743,0.00011230231,0.11338311],"genre_scores_gemma":[0.049129184,0.14441296,0.0045034876,0.14459631,0.019985083,0.00025138148,0.00023234845,0.0006883719,0.6362009],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9955511,0.0016355435,0.00015573532,0.00040314643,0.0016635208,0.0005910548],"domain_scores_gemma":[0.9910042,0.0040708594,0.0002882016,0.00027543725,0.0024686682,0.0018924758],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008644574,0.0007936005,0.0005882493,0.0019212434,0.011984942,0.01708575,0.0024452214,0.014076824,0.037972543],"category_scores_gemma":[0.0136136245,0.00057059276,0.0005182805,0.0032738862,0.0066472283,0.015597047,0.00581227,0.010474117,0.00731092],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020103758,0.000023085193,0.000077504716,0.00020892335,0.0000027897506,0.0001278334,0.003935378,0.000035908208,0.00016355584,0.025964173,0.94546914,0.023971628],"study_design_scores_gemma":[0.0000035194191,0.000004792352,0.00020279405,0.00015535478,0.0000017289774,0.00004748136,0.005718826,0.0000090024205,0.0000748939,0.0012467006,0.9925248,0.000010202218],"about_ca_topic_score_codex":0.097479306,"about_ca_topic_score_gemma":0.209232,"teacher_disagreement_score":0.097479306,"about_ca_system_score_codex":0.0058303676,"about_ca_system_score_gemma":0.009731191,"threshold_uncertainty_score":0.19382381},"labels":[],"label_agreement":null},{"id":"W271249141","doi":"","title":"Jana Sterbak : From Here to There : Canada L Biennale di Venezia","year":2003,"lang":"fr","type":"book","venue":"Musée d'art contemporain de Montréal eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pavilion; Relation (database); Art; Art history; Visual arts; Contingency; Performance art; Cartography; History; Geography; Archaeology; Computer science; Linguistics; Philosophy; Database","score_opus":0.02126161035526909,"score_gpt":0.20376886701925367,"score_spread":0.1825072566639846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W271249141","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007308552,0.15390985,0.00070224586,0.018812463,0.0039496436,0.00008029408,0.0041606156,0.00046522083,0.81061107],"genre_scores_gemma":[0.03193444,0.02207002,0.0010314162,0.0014404305,0.00021706884,0.000035309586,0.0010374369,0.00036454745,0.9418694],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99965584,0.000017925795,0.0000071821887,0.00006657479,0.00012588622,0.00012668253],"domain_scores_gemma":[0.99978215,0.00001567232,0.000008613165,0.000010579553,0.000096343596,0.00008673334],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022599955,0.0006705189,0.00042639725,0.00224935,0.008718363,0.0057685105,0.00084637624,0.0012225792,0.086270876],"category_scores_gemma":[0.0005456312,0.0004504081,0.00019594186,0.004274909,0.0017561928,0.0020245654,0.0015040032,0.0019967128,0.014736235],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038817998,0.00001653252,0.00079136284,0.00025427705,0.000004229163,0.0003207172,0.0044992496,0.00009300008,0.00051929,0.042577792,0.86287993,0.08800481],"study_design_scores_gemma":[0.0000010264438,0.000001025487,0.0010994382,0.000070494934,9.0044006e-7,0.000046355064,0.0005749464,0.0000051367538,0.00003715843,0.00022775716,0.99793017,0.000005565512],"about_ca_topic_score_codex":0.94436973,"about_ca_topic_score_gemma":0.98462796,"teacher_disagreement_score":0.086270876,"about_ca_system_score_codex":0.026545819,"about_ca_system_score_gemma":0.027418049,"threshold_uncertainty_score":0.2886048},"labels":[],"label_agreement":null},{"id":"W2726213899","doi":"","title":"Vid Ingelevics, Project Photographs 1992-2001, The Stephen Bulger Gallery, Toronto, June 14–July 28, 2001","year":2001,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography; Photography; Visual arts; History; Cartography; Art","score_opus":0.019296682296299616,"score_gpt":0.20123433859840809,"score_spread":0.18193765630210848,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2726213899","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006365416,0.01161646,0.0015848251,0.008316105,0.005448104,0.0004397567,0.05099893,0.0016577238,0.9135726],"genre_scores_gemma":[0.008516282,0.0023363335,0.0011623859,0.00017508988,0.00021272976,0.000070985865,0.009912846,0.0004984732,0.97711486],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996138,0.000030718806,0.000010182522,0.000058685513,0.00019886726,0.00008783791],"domain_scores_gemma":[0.9992749,0.000047471633,0.00003842409,0.00008694891,0.00038326503,0.00016897607],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000912939,0.00103022,0.00037771877,0.0024331433,0.0068227528,0.0043495498,0.0009069229,0.0012633054,0.29628244],"category_scores_gemma":[0.0015610831,0.00058540935,0.00031227682,0.0030283718,0.0005850677,0.0013065521,0.0017513852,0.0013835819,0.07641495],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037607024,0.000006322294,0.00018927059,0.00004637488,0.0000021387586,0.000028598623,0.00016320517,0.00004780196,0.00014025078,0.0007551769,0.987151,0.011432208],"study_design_scores_gemma":[0.000005503023,0.0000047179237,0.0030109626,0.00005670373,0.0000031278735,0.000017823062,0.00032622405,0.000035134057,0.0001259254,0.0001360104,0.99627376,0.0000041335247],"about_ca_topic_score_codex":0.38147837,"about_ca_topic_score_gemma":0.8257912,"teacher_disagreement_score":0.61852163,"about_ca_system_score_codex":0.0052880268,"about_ca_system_score_gemma":0.004503202,"threshold_uncertainty_score":0.9911635},"labels":[],"label_agreement":null},{"id":"W2733022653","doi":"","title":"The Kitchen : Sarah Anne Johnson","year":2016,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; Art; Performance art; Salt lake; Art history; Media studies; Sociology","score_opus":0.023468127679550817,"score_gpt":0.23787092250001207,"score_spread":0.21440279482046126,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2733022653","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0028411609,0.07095733,0.00087980443,0.060291123,0.028871566,0.00007091991,0.00023666881,0.0005546,0.83529675],"genre_scores_gemma":[0.006059613,0.006260071,0.00038467284,0.0057797474,0.0007316235,0.000025484469,0.000047426995,0.00011220944,0.9805993],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997892,0.000049615966,0.0000059758995,0.000039268965,0.00007993202,0.000035969857],"domain_scores_gemma":[0.9998337,0.00003467169,0.0000094473335,0.000014406233,0.00004483103,0.00006301614],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003094439,0.000777256,0.00020523767,0.00061147375,0.004217458,0.0032466531,0.0006020565,0.001319546,0.069137305],"category_scores_gemma":[0.00066539913,0.0003365839,0.00019325371,0.0003790686,0.0011750164,0.003455664,0.0020820086,0.0034385107,0.028812164],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000058265027,0.0000061990336,0.000032344167,0.000044235385,5.842564e-7,0.0000842917,0.0012535978,0.000008933625,0.00009380015,0.0070837094,0.9747267,0.016659845],"study_design_scores_gemma":[4.971306e-7,0.000002441359,0.00007989871,0.00004853692,3.797982e-7,0.00012250464,0.0007738874,0.0000041434364,0.000040795043,0.00020725178,0.998718,0.0000017474049],"about_ca_topic_score_codex":0.010215108,"about_ca_topic_score_gemma":0.040726155,"teacher_disagreement_score":0.069137305,"about_ca_system_score_codex":0.0013815884,"about_ca_system_score_gemma":0.0010718084,"threshold_uncertainty_score":0.2312873},"labels":[],"label_agreement":null},{"id":"W2733335591","doi":"","title":"Picture of Light de Peter Mettler, Canada, 1994, 83 minutes","year":2012,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.00818486085962426,"score_gpt":0.15557940304973256,"score_spread":0.1473945421901083,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2733335591","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026443526,0.038010105,0.0007078892,0.020077568,0.0243836,0.00044401904,0.02183036,0.0007286607,0.8911735],"genre_scores_gemma":[0.003780093,0.0042782077,0.00027503018,0.0006089568,0.0007429852,0.00003164867,0.0015727002,0.00012245112,0.98858786],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996866,0.000018999872,0.0000064523156,0.00003649919,0.00015901163,0.000092562535],"domain_scores_gemma":[0.99936146,0.000047214045,0.000014250019,0.000023371957,0.00041186382,0.00014181779],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037076563,0.0011527627,0.000513138,0.002218446,0.0053825225,0.002688879,0.0009120831,0.001520326,0.41484135],"category_scores_gemma":[0.0011589145,0.0004728206,0.0004927628,0.0024318981,0.0005596229,0.0012610892,0.0013143296,0.0022553299,0.1220539],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039359693,0.00000515449,0.0000861405,0.000060720286,0.0000017266252,0.00006710331,0.00006030766,0.000028342505,0.00012129663,0.00051015563,0.989449,0.00957068],"study_design_scores_gemma":[0.0000052131873,0.0000048009,0.0012790838,0.00006190845,0.0000026090543,0.00004244417,0.0001857623,0.000012588482,0.000045462657,0.00010696954,0.9982496,0.0000034033678],"about_ca_topic_score_codex":0.53408575,"about_ca_topic_score_gemma":0.833275,"teacher_disagreement_score":0.46591425,"about_ca_system_score_codex":0.007269716,"about_ca_system_score_gemma":0.006300196,"threshold_uncertainty_score":0.93731624},"labels":[],"label_agreement":null},{"id":"W2735552994","doi":"10.18733/c3h662","title":"Portraits Not Yet Taken","year":2017,"lang":"en","type":"article","venue":"Cultural and Pedagogical Inquiry","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Contemplation; Portrait; Sensibility; Aesthetics; Visual arts; Art; Solitude; Art history; Psychology; Philosophy; Literature; Epistemology","score_opus":0.7899930691074949,"score_gpt":0.48483094166816365,"score_spread":0.30516212743933124,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2735552994","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008229853,0.0040668244,0.0020833863,0.0030958208,0.0086960215,0.00012990719,0.0025324635,0.00023276832,0.9709329],"genre_scores_gemma":[0.10593169,0.004066839,0.004151498,0.0019877565,0.0012918392,0.000087238855,0.0045505883,0.0005309603,0.87740165],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99986446,0.000014026466,0.0000044506664,0.000029865794,0.00006676488,0.000020441366],"domain_scores_gemma":[0.99990237,0.0000090641915,0.000004255048,0.000019026062,0.000041090374,0.000024156383],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011599177,0.0005401089,0.00024564264,0.00065122446,0.0014471565,0.0013149068,0.00046161315,0.00081090524,0.17425999],"category_scores_gemma":[0.00046243824,0.00018779474,0.00040817287,0.0005376621,0.00040149692,0.0009526464,0.0007657712,0.0020686807,0.045857973],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003792793,0.000086708715,0.0011069603,0.0008267427,0.000033698412,0.006438832,0.004956486,0.00048213033,0.026395725,0.034836028,0.8093311,0.11512628],"study_design_scores_gemma":[0.000004467611,0.000015413572,0.0015568122,0.00009427085,0.00000475576,0.00069529563,0.0006164797,0.00007677531,0.00070816075,0.00059644575,0.99562573,0.0000053986328],"about_ca_topic_score_codex":0.0051503843,"about_ca_topic_score_gemma":0.01781101,"teacher_disagreement_score":0.17425999,"about_ca_system_score_codex":0.00096760335,"about_ca_system_score_gemma":0.00039937525,"threshold_uncertainty_score":0.58295774},"labels":[],"label_agreement":null},{"id":"W2736341752","doi":"","title":"Dispatch: War Photographs in Print, 1854–2008, Thierry Gervais (ed.), Toronto: Ryerson Image Centre, 2014, 96 pages","year":2015,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Media studies; Art history; Visual arts; Sociology","score_opus":0.013077938927260864,"score_gpt":0.18686008230382492,"score_spread":0.17378214337656406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2736341752","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00093822094,0.8180825,0.00055430795,0.027545769,0.051248506,0.000030441961,0.0032531882,0.00022979181,0.09811731],"genre_scores_gemma":[0.013167523,0.44282246,0.0009194775,0.0027994383,0.020699533,0.0000378801,0.0031390158,0.00025723397,0.5161574],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99961925,0.000042557975,0.000026516887,0.00007922568,0.0001806148,0.00005169778],"domain_scores_gemma":[0.9994128,0.00010414609,0.000056109355,0.00004749403,0.00026788196,0.000111712],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000731388,0.0020198019,0.0008665717,0.0036862274,0.002553792,0.005318576,0.001061715,0.0018279151,0.13246869],"category_scores_gemma":[0.0017643295,0.00065162184,0.0004745923,0.0047275685,0.0016897662,0.0053022318,0.0019219018,0.0023341419,0.050792426],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011250101,0.0000020905877,0.00010037603,0.0001638993,0.000003392508,0.00002846964,0.0002154241,0.000030072943,0.000052639763,0.0010810099,0.961231,0.037080407],"study_design_scores_gemma":[0.0000013043963,0.0000021029423,0.001242987,0.00032313907,0.0000031726936,0.00008496907,0.00064758334,0.000009231838,0.00005124914,0.0002763855,0.99735343,0.0000043109926],"about_ca_topic_score_codex":0.13794552,"about_ca_topic_score_gemma":0.3092115,"teacher_disagreement_score":0.13794552,"about_ca_system_score_codex":0.0052080266,"about_ca_system_score_gemma":0.0026520656,"threshold_uncertainty_score":0.4431519},"labels":[],"label_agreement":null},{"id":"W2736484337","doi":"","title":"W.M.Hunt: Hide and Seek in a Photograph Collection / W.M.Hunt : cache-cache dans une collection photographique","year":2008,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cache; Art; Computer science; Operating system","score_opus":0.03034843184284427,"score_gpt":0.24468569866386342,"score_spread":0.21433726682101914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2736484337","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02577415,0.031994913,0.023485307,0.11394715,0.006030322,0.0002699141,0.0010094773,0.002732251,0.7947564],"genre_scores_gemma":[0.08344171,0.01443757,0.01640472,0.0075277947,0.0007745398,0.00008851906,0.00037495611,0.002397506,0.87455267],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999321,0.00018430593,0.00003557297,0.000057294514,0.00030295012,0.00009885698],"domain_scores_gemma":[0.9985998,0.0005068158,0.00010620736,0.00015253191,0.00039004732,0.00024459313],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012236917,0.0004731739,0.00029480585,0.0012883088,0.008092991,0.0059525105,0.0010346224,0.0031481348,0.09249431],"category_scores_gemma":[0.0049436046,0.00062417664,0.00034072757,0.0019653141,0.0022995577,0.0085988,0.0027103801,0.0022309187,0.019621238],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052335945,0.000020843348,0.00083590386,0.0001230725,0.0000068641575,0.0007975695,0.011289407,0.000107130356,0.0010277578,0.040456228,0.8781675,0.06711544],"study_design_scores_gemma":[0.000007113622,0.000013222322,0.0009863043,0.00020935503,0.000008599958,0.00059033197,0.011035434,0.00022778823,0.0010503922,0.0034770793,0.982366,0.000028301796],"about_ca_topic_score_codex":0.06676198,"about_ca_topic_score_gemma":0.18728401,"teacher_disagreement_score":0.09249431,"about_ca_system_score_codex":0.0021841365,"about_ca_system_score_gemma":0.0026514363,"threshold_uncertainty_score":0.30942428},"labels":[],"label_agreement":null},{"id":"W2736524328","doi":"","title":"Sébastien Hudon : Discovering and Collecting Modern Photographs in Quebec / Sébastien Hudon : Découvrir et collectionner la photographie moderniste au Québec","year":2012,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, m&#233;dias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Computer science","score_opus":0.02275928960924429,"score_gpt":0.2524349543726033,"score_spread":0.22967566476335904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2736524328","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51862717,0.05020878,0.012155268,0.07114771,0.0025707518,0.0006916056,0.0039682463,0.0005884074,0.34004208],"genre_scores_gemma":[0.543921,0.014110704,0.010007393,0.0034849532,0.00017085296,0.00017509889,0.0008396992,0.0003492251,0.42694107],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993954,0.00011449874,0.000015505402,0.00009325022,0.00021485721,0.00016657785],"domain_scores_gemma":[0.9989354,0.00013889358,0.00006863858,0.000040652634,0.0005729691,0.00024338416],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013886086,0.000446466,0.00020034042,0.001830136,0.013491028,0.003845812,0.001001022,0.0009363225,0.022994917],"category_scores_gemma":[0.0019222175,0.00036230969,0.00023974855,0.0035157271,0.0028488608,0.0015174745,0.0018583481,0.0015626053,0.0011977603],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013414,0.00009705484,0.053777933,0.00058957416,0.00005174121,0.002550086,0.21617053,0.00090664916,0.009881922,0.021176996,0.3305494,0.36411405],"study_design_scores_gemma":[0.0000046399327,0.000015795562,0.07606205,0.00027144002,0.000017495202,0.00023161698,0.088403225,0.00016467659,0.0011079374,0.00034009924,0.8333499,0.000031309024],"about_ca_topic_score_codex":0.9899837,"about_ca_topic_score_gemma":0.9979481,"teacher_disagreement_score":0.037576564,"about_ca_system_score_codex":0.037576564,"about_ca_system_score_gemma":0.03936076,"threshold_uncertainty_score":0.27263832},"labels":[],"label_agreement":null},{"id":"W2737324847","doi":"","title":"Le Film sur l’art, Gilles Marsolais, Montréal : Triptyque, 2005, 202 pages","year":2005,"lang":"fr","type":"article","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.01801810235656195,"score_gpt":0.21445071491140694,"score_spread":0.19643261255484498,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2737324847","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025391951,0.63491607,0.0010483079,0.027606262,0.012937694,0.000055413693,0.003973142,0.00050362374,0.31642038],"genre_scores_gemma":[0.017248215,0.1531325,0.00085392565,0.0014408244,0.0026091652,0.000031331037,0.0013109188,0.00032733582,0.8230459],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997218,0.00003814074,0.000010712399,0.000049353876,0.0001312356,0.00004875089],"domain_scores_gemma":[0.99954814,0.000091312766,0.000021030315,0.000023418741,0.0002337921,0.000082365135],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004990415,0.0020862482,0.000760171,0.0029730476,0.0050476864,0.0075004185,0.0014001848,0.0017458309,0.17343116],"category_scores_gemma":[0.0012201134,0.0007595573,0.0004908057,0.005147241,0.0015143688,0.0028392908,0.0011656759,0.0021004395,0.022631185],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001857634,0.0000074794675,0.00013606103,0.00015103776,0.000008046574,0.000043966946,0.00033814725,0.00009347209,0.00017062003,0.0028936814,0.9656642,0.030474758],"study_design_scores_gemma":[0.000003965239,0.0000036203623,0.0028792664,0.00031505802,0.000009483428,0.000073426956,0.000710936,0.000070316586,0.00014742186,0.0004148297,0.99536264,0.000008845759],"about_ca_topic_score_codex":0.67424387,"about_ca_topic_score_gemma":0.8402139,"teacher_disagreement_score":0.67424387,"about_ca_system_score_codex":0.009462605,"about_ca_system_score_gemma":0.0059963604,"threshold_uncertainty_score":0.65534914},"labels":[],"label_agreement":null},{"id":"W2738149712","doi":"","title":"Berenice Abbott: Photographs, Art Gallery of Ontario, Toronto, 23 May to 19 August 2012","year":2013,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Visual arts; Art; Media studies; Sociology","score_opus":0.00993051161080349,"score_gpt":0.1815271635499269,"score_spread":0.1715966519391234,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2738149712","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008624718,0.03554516,0.0008082519,0.015352655,0.013319653,0.00048182858,0.0341473,0.00088325766,0.89083713],"genre_scores_gemma":[0.008309166,0.004631275,0.00050137995,0.0003321109,0.00030521583,0.000026285203,0.0020052558,0.00021818325,0.9836712],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99938583,0.000037540278,0.000019406003,0.000087534085,0.00032529992,0.00014439007],"domain_scores_gemma":[0.99907446,0.000035279863,0.000034514473,0.000053945278,0.00061773113,0.000184012],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005006856,0.0014401863,0.0004338341,0.0037182234,0.009609997,0.0032340225,0.0010645904,0.0012007075,0.33346063],"category_scores_gemma":[0.0011927543,0.00069274235,0.00061204226,0.005761055,0.001064881,0.001022287,0.0016606696,0.0013628835,0.061210927],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026570699,0.0000054164298,0.0003103689,0.00009397321,0.0000037784262,0.00011307165,0.000514553,0.000034955046,0.0002170072,0.0005282894,0.9879749,0.010177216],"study_design_scores_gemma":[0.0000024740202,0.0000026501816,0.0057459017,0.000061258026,0.0000039948636,0.000054081007,0.00084991875,0.000014558399,0.0001017844,0.00005500899,0.9931022,0.0000062496115],"about_ca_topic_score_codex":0.90763897,"about_ca_topic_score_gemma":0.9892485,"teacher_disagreement_score":0.33346063,"about_ca_system_score_codex":0.02036021,"about_ca_system_score_gemma":0.016406849,"threshold_uncertainty_score":0.95073754},"labels":[],"label_agreement":null},{"id":"W2741117871","doi":"10.25071/1718-4657.36765","title":"Rosy Pictures: An Installation of Photography","year":2017,"lang":"en","type":"article","venue":"Intersections conference journal","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ephemeral key; Photography; Object (grammar); TRACE (psycholinguistics); Computer graphics (images); Visual arts; Rest (music); Process (computing); Art; Computer science; Artificial intelligence; Physics; Philosophy","score_opus":0.08854383393725061,"score_gpt":0.31792800982988734,"score_spread":0.2293841758926367,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2741117871","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.029961716,0.0042445925,0.08631252,0.0043632034,0.0031944138,0.000778578,0.00372734,0.014192448,0.8532252],"genre_scores_gemma":[0.22389385,0.00690534,0.25328362,0.0015175081,0.0024462685,0.0009365409,0.003201609,0.0077321096,0.50008315],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999126,0.00026729502,0.00003292518,0.00010902506,0.00036439454,0.00010042959],"domain_scores_gemma":[0.9985178,0.00040524823,0.00007250023,0.0005618052,0.00019542941,0.0002471626],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012155523,0.00089955097,0.00031093674,0.00256632,0.0029892356,0.003279744,0.0015357367,0.001086748,0.09138693],"category_scores_gemma":[0.0030319414,0.00078921893,0.0006735695,0.001909864,0.0018769071,0.0033624556,0.0065208804,0.0023818135,0.013033163],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00045319565,0.00022895698,0.0020022062,0.0009649723,0.00007419256,0.0028907799,0.02969056,0.000848388,0.02385954,0.07477053,0.49784803,0.36636868],"study_design_scores_gemma":[0.000030033169,0.000072327864,0.0023336639,0.000170678,0.000019906884,0.0009311715,0.002055416,0.00032468443,0.002412407,0.0035955282,0.9880178,0.000036408714],"about_ca_topic_score_codex":0.0022457135,"about_ca_topic_score_gemma":0.008585692,"teacher_disagreement_score":0.09138693,"about_ca_system_score_codex":0.0007752632,"about_ca_system_score_gemma":0.00090109295,"threshold_uncertainty_score":0.30571973},"labels":[],"label_agreement":null},{"id":"W2741298835","doi":"","title":"Images from Vancouver 2001","year":2002,"lang":"fr","type":"article","venue":"Canadian Folk Music / Musique folklorique canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.03424233956107826,"score_gpt":0.1991065105171016,"score_spread":0.16486417095602335,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2741298835","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0073467717,0.002212045,0.00018957134,0.0016846769,0.0012722575,0.00007293893,0.022077572,0.00029309906,0.96485114],"genre_scores_gemma":[0.01880104,0.0014400145,0.0004508082,0.0002572203,0.00008066033,0.000020316069,0.010193139,0.00019186911,0.9685649],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99980885,0.0000110233,0.0000038385215,0.000021993523,0.00009855404,0.000055803815],"domain_scores_gemma":[0.9996295,0.000016704907,0.0000098331575,0.000023842958,0.00024189889,0.00007811523],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017851012,0.0006651541,0.00024138532,0.0027252599,0.0039157756,0.0034243455,0.0005758434,0.000608142,0.2468907],"category_scores_gemma":[0.00046161047,0.00028828604,0.00027336593,0.004675869,0.00035759105,0.00043889176,0.0008008407,0.0011277103,0.053467825],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000070644615,0.00001559696,0.00089476473,0.000108718785,0.000005933187,0.00022211102,0.00036432978,0.00013537216,0.00028713437,0.0012392421,0.95770323,0.038952935],"study_design_scores_gemma":[0.0000053224308,0.0000036044776,0.007881035,0.000060896782,0.0000034469097,0.00005963811,0.00072968367,0.000034932345,0.00012427257,0.0001603176,0.99093103,0.0000058539817],"about_ca_topic_score_codex":0.7219333,"about_ca_topic_score_gemma":0.9345441,"teacher_disagreement_score":0.7219333,"about_ca_system_score_codex":0.0056580943,"about_ca_system_score_gemma":0.004208174,"threshold_uncertainty_score":0.82593167},"labels":[],"label_agreement":null},{"id":"W2745176250","doi":"","title":"Of Time and Place","year":2017,"lang":"en","type":"book-chapter","venue":"Hatje Cantz eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"German; Art history; Art; Performance art; History; Visual arts; Humanities; Archaeology","score_opus":0.04006316010387872,"score_gpt":0.2306109743833263,"score_spread":0.19054781427944759,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2745176250","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0038346003,0.012241903,0.0016353378,0.012379987,0.0020706842,0.000016506823,0.00014425111,0.000042006977,0.9676347],"genre_scores_gemma":[0.3444864,0.011220147,0.0013141239,0.0047971043,0.001127262,0.00007269005,0.00019249422,0.00019732048,0.63659257],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882823,0.000509082,0.00003033758,0.00019658743,0.00021880542,0.00021694084],"domain_scores_gemma":[0.99941576,0.00013589289,0.000045484485,0.00010707674,0.00011311239,0.00018274602],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00087113073,0.0005079134,0.00036043022,0.0009203325,0.0061288895,0.010756431,0.0006335597,0.0012751853,0.032952372],"category_scores_gemma":[0.0023949326,0.00021976177,0.00026620948,0.0014193247,0.016150342,0.009079685,0.0051305587,0.0022027222,0.00538586],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030962045,0.0000090416115,0.0004328776,0.00007561551,0.0000057099774,0.00009987753,0.028373793,0.000054679902,0.00012189507,0.8575614,0.07452935,0.038704872],"study_design_scores_gemma":[0.0000026251978,0.0000063759735,0.00044586117,0.00020520012,0.0000026237412,0.00007193783,0.013843727,0.000015837071,0.00003754773,0.041779205,0.94358367,0.000005421022],"about_ca_topic_score_codex":0.019138426,"about_ca_topic_score_gemma":0.03689311,"teacher_disagreement_score":0.032952372,"about_ca_system_score_codex":0.0044788583,"about_ca_system_score_gemma":0.0042957845,"threshold_uncertainty_score":0.110236645},"labels":[],"label_agreement":null},{"id":"W2745332662","doi":"","title":"Imaging a Shattering Earth, Contemporary Photography and the Environmental Debate, National Gallery of Canada, Ottawa, June 27-October 13, 2008","year":2008,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Earth (classical element); Remote sensing; Geography; History; Visual arts; Art; Astronomy","score_opus":0.00830667208344109,"score_gpt":0.1466388475729995,"score_spread":0.1383321754895584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2745332662","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06234182,0.112439156,0.00097555376,0.29054317,0.008298844,0.0003457469,0.015409657,0.0005055853,0.5091405],"genre_scores_gemma":[0.11323031,0.022394264,0.0015522902,0.007442658,0.0006493125,0.0000673048,0.0020637598,0.00024631235,0.85235393],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989962,0.00008535597,0.00003123012,0.00008685654,0.0005498077,0.00025051102],"domain_scores_gemma":[0.9974201,0.00032600103,0.00009523621,0.00011505375,0.0014786535,0.0005649712],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014817937,0.00054280803,0.00035609983,0.002253769,0.023698537,0.0073585147,0.0014987505,0.0025479293,0.043567825],"category_scores_gemma":[0.0028636847,0.0007030536,0.0002996292,0.0032323014,0.0039196573,0.0016085131,0.0021811156,0.0026253236,0.0036176287],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039623752,0.000014860382,0.002329196,0.00013761397,0.000008295141,0.00009005747,0.0042506643,0.000080093036,0.00029448024,0.0032347695,0.9744587,0.015061523],"study_design_scores_gemma":[0.0000058481455,0.000005816336,0.027914364,0.00022936618,0.00001379148,0.00005830379,0.016192757,0.000054666765,0.00026793897,0.00035522052,0.9548732,0.000028724648],"about_ca_topic_score_codex":0.9821145,"about_ca_topic_score_gemma":0.9987685,"teacher_disagreement_score":0.045889277,"about_ca_system_score_codex":0.045889277,"about_ca_system_score_gemma":0.056060154,"threshold_uncertainty_score":0.33295155},"labels":[],"label_agreement":null},{"id":"W2745477648","doi":"","title":"The Role of Photography in Memory, Mass Culture and Illusion / Le rôle de la photographie dans la transmission de la mémoire, la culture de masse et l’illusion / c.1983","year":2013,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Illusion; Mass culture; Humanities; Photography; Psychology; Sociology; Anthropology; Visual arts","score_opus":0.00833232206579037,"score_gpt":0.23466408312148973,"score_spread":0.22633176105569935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2745477648","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15932712,0.20923802,0.0048587173,0.042977195,0.0011782865,0.00005887049,0.00013013196,0.00004661158,0.582185],"genre_scores_gemma":[0.91394544,0.045105636,0.0015081486,0.0016641164,0.0009443356,0.00006503304,0.000022313106,0.00003130836,0.036713734],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99971765,0.00014030728,0.000020371946,0.00003095548,0.000055922585,0.00003476447],"domain_scores_gemma":[0.9976283,0.0018398277,0.00017625118,0.0001401451,0.00015090047,0.00006462287],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001195286,0.00031868636,0.00019857025,0.0012299153,0.0012688182,0.004108944,0.0003721187,0.0014368457,0.0103731435],"category_scores_gemma":[0.0044278144,0.00022322324,0.00029117402,0.0006903063,0.008550198,0.008002047,0.0012807498,0.0014243658,0.00052734895],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00044764153,0.000121901874,0.005140181,0.00071336416,0.00003229336,0.0006223497,0.02889909,0.0004656072,0.0020047445,0.7890381,0.021877142,0.1506377],"study_design_scores_gemma":[0.00013492549,0.0002907869,0.05659565,0.0018944246,0.000112229114,0.002288619,0.033762824,0.0010544312,0.0045149056,0.64422697,0.25502318,0.00010110224],"about_ca_topic_score_codex":0.0069745244,"about_ca_topic_score_gemma":0.0070534856,"teacher_disagreement_score":0.0103731435,"about_ca_system_score_codex":0.0014433586,"about_ca_system_score_gemma":0.0010050539,"threshold_uncertainty_score":0.034701645},"labels":[],"label_agreement":null},{"id":"W2745822944","doi":"","title":"Le réseau et l’image / The Network and the Image","year":2001,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Image (mathematics); Computer science; Computer vision; Artificial intelligence","score_opus":0.011053239989715923,"score_gpt":0.24597323897317044,"score_spread":0.23491999898345453,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2745822944","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011603391,0.008223992,0.0019135646,0.057640027,0.0010432764,0.0000072090315,0.00003624948,0.000044869623,0.91948754],"genre_scores_gemma":[0.701346,0.004120979,0.0011862163,0.0059646843,0.0019811962,0.000026293119,0.00003491184,0.00031783487,0.28502175],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99811506,0.0010573987,0.0000294114,0.00023635957,0.00036326284,0.00019852648],"domain_scores_gemma":[0.998422,0.000686583,0.00019582632,0.00026203456,0.00022057717,0.00021305618],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020358234,0.0005264261,0.0002228562,0.0014751197,0.0052914266,0.013371362,0.0007511714,0.003894943,0.030695919],"category_scores_gemma":[0.0045207087,0.00024229335,0.00021852086,0.0011144583,0.030439055,0.01466996,0.0031517881,0.004938869,0.0030606904],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015600677,0.000008509603,0.00018671292,0.000018054629,0.0000027035712,0.000058549675,0.008622612,0.00003867758,0.00008678048,0.9566862,0.023440834,0.010834741],"study_design_scores_gemma":[0.000016654525,0.000014268075,0.0009917751,0.00014690132,0.000005386084,0.0003132413,0.01572278,0.00019511218,0.00027643895,0.19227085,0.7900285,0.000018088647],"about_ca_topic_score_codex":0.016189918,"about_ca_topic_score_gemma":0.020152597,"teacher_disagreement_score":0.030695919,"about_ca_system_score_codex":0.005383636,"about_ca_system_score_gemma":0.0017031571,"threshold_uncertainty_score":0.102688074},"labels":[],"label_agreement":null},{"id":"W2747085148","doi":"","title":"Photographie Memory: The Experience of Performance, Performance and Photography: POINT & SHOOT, March 4-May 22, 2004, Dazibao, Montréal","year":2004,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Point (geometry); Shoot; Art; Horticulture; History; Computer science; Visual arts; Mathematics; Biology; Geometry","score_opus":0.02002535182016462,"score_gpt":0.23868087939322577,"score_spread":0.21865552757306114,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2747085148","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10676479,0.044704046,0.0011817638,0.05118238,0.008518036,0.00021807647,0.011927597,0.0012810186,0.7742223],"genre_scores_gemma":[0.17889023,0.010288957,0.00073959987,0.00081453996,0.000760767,0.00006580227,0.0015074569,0.000355627,0.8065771],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995229,0.00007020111,0.000008179534,0.00006157493,0.00018706695,0.00014998304],"domain_scores_gemma":[0.999074,0.00009455938,0.00003789074,0.00005748261,0.00022805038,0.00050801865],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012160364,0.00071838364,0.00039974376,0.0010433785,0.008120161,0.0058932276,0.0015832946,0.0016191739,0.118972495],"category_scores_gemma":[0.002025125,0.0004102198,0.00023925329,0.0022226698,0.0024613147,0.001524552,0.0026108143,0.0016208052,0.0065559056],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002573448,0.00007963895,0.0051692785,0.00020894805,0.000020704883,0.00040388972,0.02517811,0.0001595854,0.0011562589,0.0035589053,0.88534456,0.078462735],"study_design_scores_gemma":[0.000018593511,0.000052932235,0.03263001,0.00016605043,0.00001418114,0.0001528381,0.02202227,0.000048605092,0.00043123905,0.0003236766,0.9441153,0.00002428196],"about_ca_topic_score_codex":0.61448693,"about_ca_topic_score_gemma":0.92430055,"teacher_disagreement_score":0.61448693,"about_ca_system_score_codex":0.0076102763,"about_ca_system_score_gemma":0.008388835,"threshold_uncertainty_score":0.7755668},"labels":[],"label_agreement":null},{"id":"W2747558453","doi":"","title":"Acting the Part: Photography as Theatre, National Gallery of Canada, Ottawa, June 16 – October 1, 2006","year":2007,"lang":"en","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Geography; Visual arts; Art","score_opus":0.023612352878334544,"score_gpt":0.24709137980961715,"score_spread":0.2234790269312826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2747558453","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.052116424,0.030796928,0.0014242982,0.06502284,0.021135736,0.001944418,0.066490315,0.0015410287,0.759528],"genre_scores_gemma":[0.026310796,0.0024713296,0.00074135367,0.001033647,0.00027526205,0.0000764758,0.003224862,0.00015251485,0.9657138],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989843,0.00006312897,0.00003445049,0.00009821298,0.00047379165,0.00034623954],"domain_scores_gemma":[0.9975751,0.0001400194,0.00007940166,0.000109029126,0.0013126056,0.0007838053],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011905216,0.0011610615,0.0004913407,0.0016398809,0.015298947,0.0035763294,0.002193429,0.0023116914,0.13760193],"category_scores_gemma":[0.002010502,0.00067644275,0.00045217705,0.0018913479,0.0012819244,0.0010312604,0.0019210989,0.002223406,0.019970622],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011675048,0.00003359949,0.001473801,0.000114453454,0.000008676932,0.000109711866,0.0010599745,0.0001037636,0.0005447001,0.00045276328,0.983346,0.012635782],"study_design_scores_gemma":[0.000016845508,0.000022813654,0.037409905,0.00013497431,0.000012050384,0.000052987114,0.004414896,0.00009240491,0.00049749215,0.00009287829,0.9572173,0.000035520166],"about_ca_topic_score_codex":0.95988524,"about_ca_topic_score_gemma":0.9967435,"teacher_disagreement_score":0.13760193,"about_ca_system_score_codex":0.03058885,"about_ca_system_score_gemma":0.036021203,"threshold_uncertainty_score":0.4603243},"labels":[],"label_agreement":null},{"id":"W2748007769","doi":"10.7202/1040852ar","title":"Félix Nadar, When I Was a Photographer, trans. Eduardo Cadava and Liana Theodoratou. Cambridge, MA, and London, UK: MIT Press, 2015. 336 pp., $ 25.95 cloth ISBN 9780262029452 $ 18.95 eBook ISBN 9780262330701","year":2017,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Universities Art Association of Canada","funders":"","keywords":"Liana; Art history; Art; Humanities; Botany","score_opus":0.022994343238356196,"score_gpt":0.2356650225945786,"score_spread":0.21267067935622241,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2748007769","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00023676058,0.9425675,0.00054499746,0.02774,0.002966678,0.000008360521,0.00012104097,0.00005829928,0.025756333],"genre_scores_gemma":[0.011790306,0.79380834,0.0020068558,0.013171309,0.0047476864,0.000058078353,0.00021338616,0.00020815703,0.17399588],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989755,0.0003044883,0.000051556603,0.00021885232,0.00034301335,0.00010659583],"domain_scores_gemma":[0.99841714,0.00073188724,0.00012479223,0.000065786924,0.00050289836,0.00015759833],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018367505,0.0015426949,0.0009105344,0.0036537522,0.0029865964,0.005052097,0.0012667225,0.0031393121,0.037932288],"category_scores_gemma":[0.0046264273,0.00092088507,0.00056423515,0.0034376516,0.0029806276,0.010475614,0.0016115837,0.0035758638,0.024312792],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027364738,0.0000077541845,0.00020841366,0.000586711,0.000010810971,0.00007261248,0.0013306781,0.000045512894,0.00009365468,0.008202981,0.91957974,0.06983366],"study_design_scores_gemma":[0.0000031284903,0.0000044628455,0.0009027926,0.00069592526,0.0000075618154,0.00019758109,0.0014536933,0.000014864439,0.000076169505,0.0026394716,0.9939959,0.000008437094],"about_ca_topic_score_codex":0.07042041,"about_ca_topic_score_gemma":0.13054214,"teacher_disagreement_score":0.07042041,"about_ca_system_score_codex":0.0048145,"about_ca_system_score_gemma":0.0030762486,"threshold_uncertainty_score":0.14002103},"labels":[],"label_agreement":null},{"id":"W2749429904","doi":"","title":"Book of Nineteen Nocturnes : Jim Holyoak","year":2017,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Art; History; Silence; Drama; Literature; Poetics; Contemplation; Aesthetics; Poetry; Art history; Visual arts; Philosophy","score_opus":0.03043349671977208,"score_gpt":0.25612777079585763,"score_spread":0.22569427407608555,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2749429904","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024609026,0.033852912,0.0015292016,0.010450277,0.01902277,0.00009866928,0.0006930208,0.0006995716,0.93119264],"genre_scores_gemma":[0.0034881986,0.0037403584,0.00038825348,0.0009592038,0.0006405083,0.000022036873,0.00016274849,0.00021649145,0.99038225],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99987316,0.000016776938,0.000005384245,0.00002528422,0.000059786733,0.000019620458],"domain_scores_gemma":[0.9998286,0.000037664155,0.00001088072,0.000015256781,0.00005810762,0.000049447728],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018162752,0.00074405735,0.00028478852,0.00096599606,0.0027060788,0.0033812067,0.00049929915,0.00062581233,0.15136711],"category_scores_gemma":[0.0007795005,0.00036180814,0.00023622297,0.00080811826,0.0007523019,0.0033046834,0.0017604798,0.0027551295,0.04477495],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011215924,0.000012685236,0.000052010502,0.00006296399,9.538983e-7,0.00006400233,0.0007922045,0.000012209351,0.00014373413,0.008481575,0.9600287,0.030337872],"study_design_scores_gemma":[8.114387e-7,0.0000018337588,0.000114872724,0.00004547889,5.2013365e-7,0.00005314937,0.00020585876,0.000006643909,0.000025666915,0.00024744004,0.99929655,0.0000011609154],"about_ca_topic_score_codex":0.0075750253,"about_ca_topic_score_gemma":0.036325578,"teacher_disagreement_score":0.15136711,"about_ca_system_score_codex":0.0011811345,"about_ca_system_score_gemma":0.00093652593,"threshold_uncertainty_score":0.5063734},"labels":[],"label_agreement":null},{"id":"W2749876329","doi":"10.33137/pbsc.v41i2.18335","title":"&lt;i&gt;Visual Words: Art and the Material Book in Victorian England&lt;/i&gt;, by Gerard Curtis","year":2003,"lang":"en","type":"article","venue":"Papers of The Bibliographical Society of Canada","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history; Visual arts","score_opus":0.005391591044516721,"score_gpt":0.1909726869318587,"score_spread":0.18558109588734198,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2749876329","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018345873,0.09463653,0.0014560845,0.010842916,0.00732983,0.0000659412,0.001071109,0.00022134933,0.88254166],"genre_scores_gemma":[0.009347797,0.008033804,0.00043011655,0.0006775,0.00030183588,0.0000152994,0.00017583834,0.00022469978,0.980793],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995982,0.00005447963,0.000019805191,0.000060780476,0.00020088944,0.00006587699],"domain_scores_gemma":[0.9996258,0.000067033776,0.00003462401,0.000046505265,0.00014646284,0.00007950565],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034519905,0.00075012667,0.00035922718,0.0016223027,0.0031581183,0.005326791,0.0007973387,0.00092579547,0.11868455],"category_scores_gemma":[0.0015164217,0.000477076,0.00020641639,0.0022826348,0.002931333,0.0023685622,0.0016229778,0.0017922276,0.03221751],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001691791,0.0000056238805,0.00014055293,0.00014377316,0.0000017473404,0.0000491131,0.001447383,0.00004418116,0.00029943502,0.022017537,0.9244459,0.051387757],"study_design_scores_gemma":[0.000001339915,0.0000026268533,0.000681327,0.000114805254,9.023224e-7,0.000055304456,0.0005732897,0.000019529898,0.00008047978,0.0010043093,0.9974618,0.0000043210193],"about_ca_topic_score_codex":0.21342057,"about_ca_topic_score_gemma":0.52427655,"teacher_disagreement_score":0.21342057,"about_ca_system_score_codex":0.007425564,"about_ca_system_score_gemma":0.003535614,"threshold_uncertainty_score":0.42435664},"labels":[],"label_agreement":null},{"id":"W2750428098","doi":"","title":"Les images en transit de George Legrady / George Legrady's Images in Transit","year":2008,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"George (robot); Transit (satellite); Art; Art history; Public transport; Political science; Law","score_opus":0.03100474192159538,"score_gpt":0.25768351651755467,"score_spread":0.22667877459595928,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2750428098","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58330464,0.0028764876,0.0004224624,0.029089555,0.002075413,0.00003684986,0.0012052862,0.0001132573,0.38087606],"genre_scores_gemma":[0.7573183,0.001504789,0.00046880476,0.0011315108,0.00042452515,0.0000111348445,0.0003272727,0.00016036662,0.23865333],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998627,0.00003109416,0.0000023174957,0.000011197666,0.000029207027,0.00006353555],"domain_scores_gemma":[0.99982494,0.000034973258,0.000020899903,0.000008844758,0.00004379435,0.00006662842],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023091522,0.000276714,0.00009246362,0.000641905,0.0042395997,0.0022289231,0.00019073313,0.0010240049,0.01876377],"category_scores_gemma":[0.0007676328,0.00010719961,0.00011856447,0.0007301623,0.0013370597,0.00075162714,0.0012690019,0.0017851356,0.0015145895],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00077275804,0.00012679232,0.016485905,0.0003055714,0.000030899606,0.017477807,0.28993014,0.0004130489,0.008043076,0.07259629,0.49776816,0.09604964],"study_design_scores_gemma":[0.000010867752,0.00003039759,0.02333154,0.00008530038,0.000007013697,0.0017999264,0.073717244,0.00006547246,0.0009395771,0.00051744893,0.8994837,0.00001154545],"about_ca_topic_score_codex":0.11984421,"about_ca_topic_score_gemma":0.25677803,"teacher_disagreement_score":0.11984421,"about_ca_system_score_codex":0.00263387,"about_ca_system_score_gemma":0.0010377518,"threshold_uncertainty_score":0.23829323},"labels":[],"label_agreement":null},{"id":"W2753415425","doi":"10.18297/etd/2703","title":"Horizon cross : a parafictional history through photographs.","year":2017,"lang":"en","type":"dissertation","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Horizon; Portrait; Cabinet (room); History of photography; Visual arts; Art; Art history; Computer graphics (images); Computer science; Astronomy","score_opus":0.06970287885836354,"score_gpt":0.318649700919023,"score_spread":0.24894682206065946,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2753415425","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017024841,0.020970127,0.0070212744,0.019641468,0.0021894348,0.00010208823,0.00034625473,0.00016065559,0.9325439],"genre_scores_gemma":[0.44996342,0.029020576,0.01469845,0.004531899,0.0018003285,0.00013634241,0.0005125559,0.00058060436,0.4987558],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99867475,0.0005894383,0.000034718938,0.000124295,0.00045725596,0.000119459146],"domain_scores_gemma":[0.99846065,0.0005859942,0.00012902248,0.00026796054,0.00031338906,0.00024300253],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022459198,0.00034599987,0.000113598195,0.0023785334,0.0058059576,0.008942133,0.0007276613,0.0012344344,0.023202652],"category_scores_gemma":[0.0047790944,0.00025007277,0.00016600269,0.0020322825,0.011578886,0.009419786,0.0038870787,0.0020925635,0.002271896],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023905373,0.000016657046,0.0007558612,0.00023299242,0.0000039621573,0.0003292773,0.17618904,0.00006909628,0.00046698717,0.57914585,0.15170118,0.091065235],"study_design_scores_gemma":[0.0000011179106,0.000005987435,0.0010144205,0.0002813141,0.0000017944585,0.00021683071,0.027852423,0.00002755689,0.00018461332,0.010386512,0.9600221,0.0000051513175],"about_ca_topic_score_codex":0.023026539,"about_ca_topic_score_gemma":0.07033013,"teacher_disagreement_score":0.023202652,"about_ca_system_score_codex":0.0063011544,"about_ca_system_score_gemma":0.0037480048,"threshold_uncertainty_score":0.077620625},"labels":[],"label_agreement":null},{"id":"W2755254520","doi":"","title":"Leaping Forward : The Montreal Museum of Fine Art’s New Photographic Collecting Practices / Un grand pas en avant : Une nouvelle approche de la photographie au Musée des beaux-arts de Montréal","year":2011,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, m&#233;dias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Fine art; Humanities; Art history; Visual arts","score_opus":0.03802876394859825,"score_gpt":0.24818408904148714,"score_spread":0.2101553250928889,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2755254520","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042559337,0.02467721,0.02266298,0.46649945,0.008429668,0.0013974948,0.002035015,0.0016040115,0.43013483],"genre_scores_gemma":[0.27334425,0.01076916,0.037042998,0.04536433,0.0019590545,0.00040291814,0.00095667463,0.0011910903,0.62896955],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9943877,0.0011022334,0.00015076733,0.0006418819,0.0026905534,0.0010268566],"domain_scores_gemma":[0.99196506,0.0010337468,0.0002293814,0.0008089641,0.0042719822,0.0016908508],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010676161,0.0007478786,0.00032165207,0.0022825925,0.015933031,0.016707508,0.00443772,0.005160987,0.028690757],"category_scores_gemma":[0.011938476,0.0010305453,0.0007468869,0.0024694144,0.009333955,0.0048916545,0.0044453503,0.0058738193,0.0024744764],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000080796104,0.00006149018,0.007441296,0.00033478515,0.00005433548,0.00070199184,0.028341364,0.0007841545,0.0038102355,0.06920335,0.73295885,0.15622729],"study_design_scores_gemma":[0.000010886774,0.000010500938,0.012637598,0.00013059528,0.000019732024,0.00007233412,0.005908841,0.00016587571,0.00043332673,0.0012559417,0.97929525,0.00005907874],"about_ca_topic_score_codex":0.9751052,"about_ca_topic_score_gemma":0.9947706,"teacher_disagreement_score":0.044566743,"about_ca_system_score_codex":0.044566743,"about_ca_system_score_gemma":0.09843569,"threshold_uncertainty_score":0.32335585},"labels":[],"label_agreement":null},{"id":"W2757197653","doi":"","title":"La photographie dans l’art public / Photography as Public Art","year":2009,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Public art; Art; Visual arts","score_opus":0.03241570846566861,"score_gpt":0.2566376120669417,"score_spread":0.2242219036012731,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2757197653","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019081237,0.050706677,0.0027911896,0.0434931,0.001689692,0.000015601168,0.00010785061,0.00007018923,0.88204443],"genre_scores_gemma":[0.8494208,0.022254579,0.0015420698,0.0025031243,0.004213156,0.000040486488,0.00006232495,0.0001514305,0.11981208],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99657094,0.0020110742,0.00009575942,0.00033654494,0.0005589005,0.00042678078],"domain_scores_gemma":[0.99784625,0.0012015322,0.00026790475,0.00023791539,0.0002601271,0.00018626722],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028046442,0.0007093753,0.0004576092,0.0035662823,0.006617834,0.021279983,0.00067246787,0.0040668976,0.026828151],"category_scores_gemma":[0.0035154503,0.00045864415,0.00045360363,0.0045027747,0.024910254,0.01120134,0.003395983,0.0054779756,0.0017753409],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014721574,0.000018410376,0.00035028617,0.00006186186,0.000004339766,0.000074377014,0.00674432,0.00006513874,0.00014008355,0.9729408,0.009053358,0.010532389],"study_design_scores_gemma":[0.00002688742,0.000037949823,0.0059406334,0.0005045901,0.000025430023,0.0004681807,0.019923612,0.00031711368,0.0006274735,0.1280087,0.84408355,0.00003588596],"about_ca_topic_score_codex":0.07468625,"about_ca_topic_score_gemma":0.05882597,"teacher_disagreement_score":0.07468625,"about_ca_system_score_codex":0.01016189,"about_ca_system_score_gemma":0.005632914,"threshold_uncertainty_score":0.14850307},"labels":[],"label_agreement":null},{"id":"W2757395747","doi":"","title":"La peinture grâce à la photographie / Painting Indebted to Photography / Henri Venne, Somewhere in Between","year":2014,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Painting; Art; Photography; Art history; Visual arts","score_opus":0.022994509688882232,"score_gpt":0.2545320615745906,"score_spread":0.23153755188570835,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2757395747","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0053967126,0.18252423,0.002531897,0.24759203,0.058504526,0.00005840144,0.00045434688,0.000547322,0.5023906],"genre_scores_gemma":[0.034683302,0.017939867,0.0015838495,0.010038473,0.0076643773,0.00003130804,0.00009485468,0.0005810038,0.9273828],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983101,0.0005038111,0.000040303912,0.00034755992,0.00060910627,0.00018908511],"domain_scores_gemma":[0.9986639,0.0003510817,0.000098639655,0.00010965142,0.00041257098,0.00036407076],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016954304,0.001103273,0.0006126372,0.0013645127,0.00774088,0.0077857436,0.0006312224,0.0028215728,0.046843786],"category_scores_gemma":[0.00503298,0.0004625057,0.00042505455,0.00067523867,0.0039416067,0.0043024262,0.0029809491,0.008697445,0.016672676],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009081609,0.000023365132,0.00034221963,0.00013297767,0.00001575368,0.00023322045,0.002523462,0.00010088458,0.0012078203,0.11728649,0.8338095,0.044233497],"study_design_scores_gemma":[0.0000024149558,0.000003734301,0.00043386788,0.000062424704,0.0000013463306,0.00012878155,0.00072914886,0.00001919329,0.00015847532,0.0012093639,0.9972446,0.000006690028],"about_ca_topic_score_codex":0.03660695,"about_ca_topic_score_gemma":0.0621575,"teacher_disagreement_score":0.046843786,"about_ca_system_score_codex":0.0042248396,"about_ca_system_score_gemma":0.0028686544,"threshold_uncertainty_score":0.15670812},"labels":[],"label_agreement":null},{"id":"W2759008453","doi":"","title":"Between Memory and History, Contact Photography Festival, Museum of Contemporary Canadian Art, Toronto May 1-31, 2008","year":2008,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Visual arts; Art; Art history; History","score_opus":0.024144050785816013,"score_gpt":0.17482423183611456,"score_spread":0.15068018105029854,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2759008453","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13305739,0.0969096,0.00081891933,0.10163834,0.01203181,0.0003855396,0.031402994,0.0004224841,0.623333],"genre_scores_gemma":[0.23671474,0.010117026,0.0005937462,0.001826607,0.0007500667,0.00007681752,0.002902672,0.00011969281,0.74689865],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99956375,0.000032387205,0.000010699639,0.00005660837,0.00018092062,0.00015565945],"domain_scores_gemma":[0.9989718,0.00009495978,0.000059050388,0.000042776755,0.00038264634,0.00044875743],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00066641043,0.00049454026,0.00026439788,0.0017276453,0.017145753,0.0051677777,0.0010396894,0.0014287082,0.06706231],"category_scores_gemma":[0.00174834,0.00041756348,0.00026206937,0.0034486072,0.0023958245,0.00152425,0.0020524822,0.0018036531,0.0026586852],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023034547,0.000049478596,0.008073393,0.000275254,0.00002604004,0.00047727948,0.018471345,0.00009790383,0.0004999607,0.009694411,0.93039614,0.031708416],"study_design_scores_gemma":[0.000013096234,0.000016622238,0.08227186,0.00025244578,0.000019672829,0.0000859382,0.022973092,0.00002937248,0.00022636456,0.00037010043,0.8937201,0.000021306158],"about_ca_topic_score_codex":0.9675633,"about_ca_topic_score_gemma":0.9978398,"teacher_disagreement_score":0.06706231,"about_ca_system_score_codex":0.046250004,"about_ca_system_score_gemma":0.032414205,"threshold_uncertainty_score":0.3355688},"labels":[],"label_agreement":null},{"id":"W2760682959","doi":"","title":"Elles Photographes-L’esprit de la photographie / Elles Photographes-The Spirit of Photography","year":2017,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Art; Art history; Visual arts","score_opus":0.027597416492931293,"score_gpt":0.2746624585660455,"score_spread":0.2470650420731142,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2760682959","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036156187,0.027171137,0.005050399,0.10076627,0.010430833,0.000040164592,0.0002004145,0.0001791146,0.85254604],"genre_scores_gemma":[0.23785621,0.028656593,0.008553841,0.03599377,0.013290993,0.00014594989,0.0002612041,0.0010484527,0.674193],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957455,0.002110279,0.00015590158,0.00053158373,0.001146433,0.00031033158],"domain_scores_gemma":[0.9959901,0.0015083972,0.0003679539,0.00065695355,0.0009898724,0.00048671415],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004780453,0.00065380835,0.00040813806,0.0021409693,0.005030523,0.016341731,0.0006275633,0.0038847625,0.03452504],"category_scores_gemma":[0.009288267,0.00039502876,0.0004078658,0.0018070464,0.018109923,0.01487184,0.0052830605,0.008623436,0.010379999],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022536122,0.00001461978,0.0002696494,0.00008825613,0.0000058072,0.00004961246,0.0037676068,0.00003576796,0.00029280494,0.8593236,0.113408744,0.02272102],"study_design_scores_gemma":[0.000008217235,0.000006344182,0.0005702654,0.0001958688,0.0000029909233,0.00012003963,0.00333595,0.000037760223,0.00019004705,0.030264445,0.9652552,0.000012919416],"about_ca_topic_score_codex":0.014265255,"about_ca_topic_score_gemma":0.017318375,"teacher_disagreement_score":0.03452504,"about_ca_system_score_codex":0.0040811584,"about_ca_system_score_gemma":0.0032078777,"threshold_uncertainty_score":0.11549777},"labels":[],"label_agreement":null},{"id":"W2761508048","doi":"10.1386/public.26.52.250_5","title":"Bridget Moser, Tender Offer: Part 1","year":2015,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tender offer; Legal tender; Art; Business; Advertising; Visual arts; Economics; Finance; Monetary economics","score_opus":0.26568244905682514,"score_gpt":0.27150964192561294,"score_spread":0.0058271928687878005,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2761508048","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001891539,0.21920799,0.0011241063,0.07381523,0.06927385,0.0011356515,0.0020006679,0.0005121038,0.63103884],"genre_scores_gemma":[0.005372523,0.031619072,0.00033412257,0.012719733,0.013594675,0.00022000154,0.0007615394,0.00016920273,0.93520916],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976477,0.00021080275,0.00006197524,0.00016324797,0.0016359983,0.00028030996],"domain_scores_gemma":[0.99616504,0.00054036564,0.0001791174,0.00011534101,0.0022831862,0.0007170793],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033565387,0.0005522765,0.00062607095,0.0023971663,0.0029140094,0.0036338037,0.0017590382,0.00482664,0.23632257],"category_scores_gemma":[0.0065874653,0.0005256645,0.000542911,0.0021393227,0.0010763889,0.0022437612,0.0020924152,0.0027357345,0.06805902],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017432118,0.000009515924,0.00002176182,0.00014077884,0.0000015494519,0.000023709666,0.000028969294,0.000020156744,0.00013019887,0.0011304434,0.98560125,0.012874119],"study_design_scores_gemma":[0.0000043934856,0.0000104841965,0.0004533203,0.0001267435,0.0000019433269,0.000025836283,0.00003959537,0.000010388095,0.000045118704,0.00013134757,0.99914646,0.00000434452],"about_ca_topic_score_codex":0.0559427,"about_ca_topic_score_gemma":0.11847468,"teacher_disagreement_score":0.23632257,"about_ca_system_score_codex":0.007052193,"about_ca_system_score_gemma":0.008292453,"threshold_uncertainty_score":0.79057777},"labels":[],"label_agreement":null},{"id":"W2762095449","doi":"10.1386/public.27.53.13_1","title":"Hosts and guests","year":2016,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of British Columbia","funders":"","keywords":"Context (archaeology); Sight; Visual arts; Public space; Political science; Media studies; Aesthetics; Sociology; Advertising; History; Public relations; Art; Architectural engineering; Business; Archaeology; Engineering","score_opus":0.0522203111039642,"score_gpt":0.22555090719085172,"score_spread":0.17333059608688753,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2762095449","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06818265,0.0023619353,0.0017100968,0.018533403,0.02187074,0.00011233109,0.00055049534,0.0005000777,0.8861783],"genre_scores_gemma":[0.39784086,0.0010009835,0.0006618334,0.0039433064,0.004299049,0.000081366146,0.0002934922,0.00039879055,0.59148026],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99875474,0.0003189249,0.000037100213,0.000160773,0.00024351497,0.00048495558],"domain_scores_gemma":[0.99698037,0.0003359886,0.00018798318,0.00022103873,0.00034153755,0.0019329868],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010575423,0.00042230336,0.00026773414,0.0010263544,0.0074427975,0.0067031835,0.0005880046,0.0013881233,0.09860789],"category_scores_gemma":[0.003524676,0.0003224144,0.00028434358,0.0006402663,0.0022065528,0.00370881,0.005761019,0.0026639528,0.016275546],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018243979,0.00006612082,0.0057650325,0.00015508557,0.000009177564,0.0019444206,0.042816967,0.000086547596,0.0015720972,0.1567908,0.72974986,0.060861487],"study_design_scores_gemma":[0.0000030015165,0.000016014797,0.0011533163,0.00006466008,0.0000024483882,0.00042460213,0.013947291,0.000034830508,0.00017572225,0.0009716163,0.98319757,0.000008940114],"about_ca_topic_score_codex":0.0029522735,"about_ca_topic_score_gemma":0.004571253,"teacher_disagreement_score":0.09860789,"about_ca_system_score_codex":0.0013259402,"about_ca_system_score_gemma":0.00089243444,"threshold_uncertainty_score":0.3298763},"labels":[],"label_agreement":null},{"id":"W2767062607","doi":"","title":"The \"Public\" Life of Photographs","year":2018,"lang":"fr","type":"article","venue":"Critique d’art. Actualité internationale de la littérature critique sur l’art contemporain","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.02226913889162201,"score_gpt":0.2940357196224816,"score_spread":0.2717665807308596,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767062607","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037586406,0.02143439,0.0063220146,0.10639074,0.0029655988,0.00003333994,0.00017623026,0.00015559298,0.8249356],"genre_scores_gemma":[0.82486415,0.01025865,0.0016681919,0.0076028523,0.0032114647,0.000064728636,0.00010480735,0.0003344327,0.15189067],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99244314,0.004587393,0.00019457012,0.00073156314,0.0014245859,0.0006186782],"domain_scores_gemma":[0.99317604,0.003183746,0.0006459764,0.0016031722,0.00091104745,0.00048003378],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004693821,0.0004781728,0.0004498464,0.0019387392,0.016211197,0.023362149,0.0011354712,0.0037118928,0.015164561],"category_scores_gemma":[0.011413394,0.00047836016,0.00035884848,0.0024568932,0.0433567,0.015425531,0.0056993808,0.006103929,0.0020202354],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018758146,0.000010630492,0.00032801338,0.00009045893,0.000005432269,0.00015065903,0.088980466,0.000056329984,0.00029488496,0.8558726,0.039076924,0.015114863],"study_design_scores_gemma":[0.000003972821,0.000019368492,0.00105023,0.0003071535,0.000007389463,0.0002902434,0.04389719,0.0000655629,0.00037468557,0.039074004,0.9148965,0.000013706133],"about_ca_topic_score_codex":0.015554771,"about_ca_topic_score_gemma":0.024012705,"teacher_disagreement_score":0.023362149,"about_ca_system_score_codex":0.01105434,"about_ca_system_score_gemma":0.004965219,"threshold_uncertainty_score":0.0802052},"labels":[],"label_agreement":null},{"id":"W2767964606","doi":"10.18733/c3sh4w","title":"No Return Pictured","year":2017,"lang":"en","type":"article","venue":"Cultural and Pedagogical Inquiry","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"University of Alberta","keywords":"Photography; Computer graphics (images); Computer science; Art; Visual arts","score_opus":0.7014538541131127,"score_gpt":0.46751150980638817,"score_spread":0.2339423443067245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2767964606","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.040472943,0.0028682628,0.0017367054,0.020426316,0.026315885,0.0005601283,0.006433491,0.0011728728,0.9000134],"genre_scores_gemma":[0.030421544,0.0004354874,0.0003316946,0.0018463357,0.0006718793,0.00006526242,0.0008335109,0.00016746679,0.96522677],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999231,0.00008687082,0.000046082394,0.00015167512,0.00028414445,0.00020030647],"domain_scores_gemma":[0.9989894,0.00009280282,0.00003884557,0.00034821426,0.0002579189,0.0002728009],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005110401,0.00039668335,0.0004894221,0.0008206845,0.0018026009,0.0020365336,0.0011321617,0.00203224,0.50573903],"category_scores_gemma":[0.0030727994,0.0002432616,0.0006061104,0.00049556216,0.00082609075,0.0012166301,0.0028353282,0.001830006,0.20536982],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013082827,0.00051948655,0.0042118924,0.00044202933,0.000032861004,0.0036308696,0.00062644447,0.00010366235,0.006380353,0.008938363,0.61279553,0.36101022],"study_design_scores_gemma":[0.00004786429,0.00013730093,0.0044304016,0.00010222886,0.000011868842,0.0017764637,0.0004841116,0.00005102124,0.0016151579,0.0012201896,0.9901052,0.0000181892],"about_ca_topic_score_codex":0.002431506,"about_ca_topic_score_gemma":0.005389054,"teacher_disagreement_score":0.50573903,"about_ca_system_score_codex":0.0008615273,"about_ca_system_score_gemma":0.001119814,"threshold_uncertainty_score":0.70500326},"labels":[],"label_agreement":null},{"id":"W2774879673","doi":"","title":"Lenscraft: Jessica Eaton asks us to think about how we see","year":2013,"lang":"en","type":"article","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Studio; Art history; Art; Visual arts; Carr; Media studies; History; Sociology","score_opus":0.08808146337787008,"score_gpt":0.2846651334357324,"score_spread":0.19658367005786231,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2774879673","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006107218,0.032424696,0.0030538654,0.56293494,0.03767876,0.00006246637,0.00072622043,0.0017377232,0.35527408],"genre_scores_gemma":[0.034712955,0.0072084544,0.0016200241,0.13876763,0.0031966541,0.0000478583,0.00016662868,0.00072350184,0.8135564],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992933,0.00012703914,0.000015799491,0.00014281161,0.00027867025,0.00014229772],"domain_scores_gemma":[0.99868673,0.0001997513,0.000075579606,0.000060601367,0.00029282094,0.00068440696],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006141526,0.00071907096,0.0003656803,0.00076188066,0.0073054126,0.005783917,0.0007288182,0.002710165,0.09819446],"category_scores_gemma":[0.0032023934,0.000293048,0.0003153542,0.0005527328,0.0030462183,0.0059321155,0.0026151475,0.004882449,0.029683849],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011702241,0.000006850939,0.00031111317,0.000032150994,0.0000019333454,0.00022094854,0.0018001738,0.000010001452,0.00020945579,0.0031580045,0.9793292,0.014908404],"study_design_scores_gemma":[0.0000016613307,0.000005241459,0.00028158282,0.000054357602,9.835711e-7,0.0003461804,0.0038628848,0.000011879887,0.00007334977,0.00071207643,0.9946407,0.0000089863715],"about_ca_topic_score_codex":0.0377289,"about_ca_topic_score_gemma":0.11622447,"teacher_disagreement_score":0.09819446,"about_ca_system_score_codex":0.0041564233,"about_ca_system_score_gemma":0.0018229237,"threshold_uncertainty_score":0.32849318},"labels":[],"label_agreement":null},{"id":"W2775702893","doi":"","title":"The Bigger Picture: Portraits from Ottawa","year":2003,"lang":"en","type":"article","venue":"CV Photo","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Humanities; Art; Archetype; Representation (politics); Art history; Political science; Literature; Politics","score_opus":0.023745693593138457,"score_gpt":0.2309430619557313,"score_spread":0.20719736836259284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2775702893","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.607828,0.0087463055,0.0011630541,0.0067673507,0.0008379498,0.0001166239,0.005057418,0.00011478231,0.3693685],"genre_scores_gemma":[0.87207365,0.0034095598,0.0011386474,0.0007528739,0.00006783306,0.00002418171,0.0008910023,0.00010732888,0.12153492],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998398,0.000021283104,0.000006328293,0.00002848165,0.000038712886,0.00006534578],"domain_scores_gemma":[0.99984026,0.00003515745,0.0000121054,0.000019156967,0.000037960577,0.000055345998],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013291652,0.0004774807,0.0001795391,0.0013154298,0.006633561,0.0024494485,0.00045296978,0.0006448289,0.018876955],"category_scores_gemma":[0.00038382068,0.00026935022,0.00033772626,0.0018736111,0.0028264471,0.00083367946,0.0013305277,0.0012413067,0.0014496546],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009199687,0.00007327502,0.04373752,0.0015657316,0.00016951493,0.01033174,0.6131912,0.0024042283,0.032554116,0.049174212,0.15369365,0.09218491],"study_design_scores_gemma":[0.000013288595,0.000052630443,0.1148561,0.00049366953,0.00013233892,0.0015260003,0.25127897,0.00025790263,0.0024980598,0.0014191172,0.62735856,0.00011328176],"about_ca_topic_score_codex":0.88330656,"about_ca_topic_score_gemma":0.9831964,"teacher_disagreement_score":0.11669344,"about_ca_system_score_codex":0.011564378,"about_ca_system_score_gemma":0.0040925294,"threshold_uncertainty_score":0.2347613},"labels":[],"label_agreement":null},{"id":"W2776181895","doi":"","title":"Outsiders: American Photography and Film, 1950s-1980s, Art Gallery of Ontario. Garry Winogrand, Diane Arbus, Nan Goldin and a Few Others . . .","year":2016,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Art; Art history; Gerontology; Visual arts; Medicine","score_opus":0.007839702284626918,"score_gpt":0.16188426377041465,"score_spread":0.15404456148578774,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2776181895","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01987601,0.4870282,0.00033002105,0.04938488,0.005829136,0.00011942555,0.08873811,0.0003506539,0.34834355],"genre_scores_gemma":[0.09036448,0.1531517,0.0005992632,0.002698328,0.0020795965,0.0000882356,0.020451475,0.00034490429,0.73022205],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992698,0.000040324423,0.000040893246,0.00007362406,0.00042023504,0.00015512425],"domain_scores_gemma":[0.99775827,0.00022832636,0.00020215152,0.00012067694,0.0012710586,0.00041952354],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006598806,0.0012793337,0.00047932786,0.008872206,0.009257834,0.004066231,0.0011002299,0.0008594454,0.058229968],"category_scores_gemma":[0.0019926622,0.0009824033,0.0003346845,0.031509973,0.0021544544,0.0023921928,0.0016308787,0.0010358868,0.009884427],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034119566,0.000011145698,0.0052733077,0.00032925516,0.0000101788355,0.000084156265,0.003046331,0.000039736686,0.00018370009,0.0010324562,0.959905,0.03005074],"study_design_scores_gemma":[0.0000041494604,0.0000047515077,0.13514943,0.000436645,0.000015199069,0.00006324828,0.0072507076,0.000017277303,0.00010267335,0.00022500237,0.856717,0.000013783537],"about_ca_topic_score_codex":0.97320086,"about_ca_topic_score_gemma":0.99700123,"teacher_disagreement_score":0.97320086,"about_ca_system_score_codex":0.02711252,"about_ca_system_score_gemma":0.021061381,"threshold_uncertainty_score":0.19671601},"labels":[],"label_agreement":null},{"id":"W2779658197","doi":"","title":"Beyond the ‘Taking of Vimy Ridge:’ The War Photographs of William Ivor Castle","year":2017,"lang":"en","type":"article","venue":"Journal of military and strategic studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Historiography; Photography; Battle; Commonwealth; Ridge; Narrative; Style (visual arts); History; First world war; Christian ministry; Spanish Civil War; World War II; Art history; Visual arts; Art; Law; Political science; Ancient history; Archaeology; Geography; Cartography; Literature","score_opus":0.1026888425294589,"score_gpt":0.3205389953348739,"score_spread":0.217850152805415,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2779658197","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34554455,0.017499007,0.0029990089,0.049094796,0.0014085701,0.00004880999,0.00031355856,0.00008520768,0.58300656],"genre_scores_gemma":[0.93189514,0.0038417652,0.00092963094,0.0016514304,0.00016595832,0.000010682643,0.000038961214,0.000072972274,0.061393447],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993154,0.0003262668,0.00000995264,0.000060976672,0.00013746573,0.00014994261],"domain_scores_gemma":[0.99922585,0.00032738422,0.000101627455,0.00007767637,0.00014510183,0.00012235345],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00097247906,0.0002858775,0.0001318188,0.0010629325,0.011370973,0.0059067025,0.0006263019,0.0008143,0.0056403195],"category_scores_gemma":[0.002695766,0.00017565645,0.00011022076,0.001068974,0.009996105,0.0030285013,0.0020726398,0.0024512724,0.00046728994],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054950713,0.00000989267,0.0023824142,0.00011052466,0.00000635043,0.0007070334,0.8044316,0.00011320665,0.0012371702,0.104680635,0.054818027,0.03144826],"study_design_scores_gemma":[0.0000024662786,0.000013826674,0.0064265686,0.00037071508,0.000006419885,0.00059083756,0.34267974,0.000055105214,0.00092476327,0.0026240284,0.6462816,0.000023790153],"about_ca_topic_score_codex":0.39165604,"about_ca_topic_score_gemma":0.71529466,"teacher_disagreement_score":0.60834396,"about_ca_system_score_codex":0.008361415,"about_ca_system_score_gemma":0.003982743,"threshold_uncertainty_score":0.7787527},"labels":[],"label_agreement":null},{"id":"W2782920639","doi":"","title":"Tecumseh, A Portrait: Dismantling the Myth, as an Agent of Change","year":2015,"lang":"en","type":"dissertation","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Indigenous; Colonialism; Portrait; Identity (music); Mythology; Decolonization; Representation (politics); Sovereignty; Sociology; History; Gender studies; Anthropology; Aesthetics; Political science; Law; Art; Art history; Classics; Archaeology","score_opus":0.28839016321585825,"score_gpt":0.3760639771448514,"score_spread":0.08767381392899315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2782920639","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5114335,0.00834111,0.0076686484,0.0543278,0.0026992292,0.00005338167,0.00010720457,0.0001631662,0.415206],"genre_scores_gemma":[0.9642616,0.001079333,0.0010414311,0.00085571886,0.000112178575,0.000013218327,0.00001904957,0.000062558014,0.032554876],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988387,0.0006166117,0.000029310708,0.00011183772,0.00024247888,0.00016109593],"domain_scores_gemma":[0.9992632,0.0003236501,0.00006118523,0.00012580774,0.0001016582,0.00012452122],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002366697,0.00025460558,0.00018030133,0.0008396399,0.0075366227,0.0052104383,0.0005803292,0.0009925578,0.00366394],"category_scores_gemma":[0.0036663152,0.00015049306,0.00015767649,0.00067494914,0.018599806,0.0056519303,0.004567965,0.002676989,0.00034126072],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042015065,0.000007658191,0.0014683767,0.00006538424,0.0000055441565,0.00061083393,0.7465465,0.000106578525,0.001329752,0.21610723,0.011500458,0.022209628],"study_design_scores_gemma":[0.0000054183083,0.000026605727,0.0018139086,0.00019172172,0.0000074900618,0.0008696084,0.44569027,0.00023296988,0.001083127,0.022203445,0.52785414,0.000021308444],"about_ca_topic_score_codex":0.00910145,"about_ca_topic_score_gemma":0.018746207,"teacher_disagreement_score":0.99089855,"about_ca_system_score_codex":0.0028167658,"about_ca_system_score_gemma":0.0017383512,"threshold_uncertainty_score":0.020437181},"labels":[],"label_agreement":null},{"id":"W2784252291","doi":"","title":"A Handful of Dust, Whitechapel Gallery, London. June 7–September 3, 2017","year":2017,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Canada Council for the Arts","keywords":"History; Meteorology; Geography; Visual arts; Art","score_opus":0.016230499450239407,"score_gpt":0.2007586221948432,"score_spread":0.18452812274460378,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2784252291","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024875167,0.019614963,0.00049473834,0.006036794,0.018023979,0.00025281584,0.009216799,0.0010352092,0.9428373],"genre_scores_gemma":[0.0009292453,0.0012169023,0.00007663555,0.00013819378,0.00024098525,0.000012606161,0.0009666125,0.00014593388,0.9962729],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949,0.000045996287,0.000018855104,0.00006443462,0.00024276407,0.00013805104],"domain_scores_gemma":[0.9991455,0.00006952173,0.00004062444,0.00008473233,0.00037422078,0.00028535977],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005587083,0.001489428,0.00079525384,0.0019322773,0.00374338,0.004348887,0.0012243377,0.0016653094,0.69679207],"category_scores_gemma":[0.0014641944,0.0006964752,0.0008337636,0.0017559554,0.0007056291,0.0018736362,0.0029976405,0.0014622562,0.4812284],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004715027,0.000011885425,0.00009975679,0.000089374946,0.0000031157847,0.000064952736,0.00005099614,0.000029932262,0.0001765863,0.00029650494,0.98347914,0.015650619],"study_design_scores_gemma":[0.000005581817,0.00000826544,0.0009846617,0.000093600014,0.000002032284,0.00003729975,0.00020159746,0.00001800922,0.000090724134,0.000095350115,0.99845886,0.000003979167],"about_ca_topic_score_codex":0.029105306,"about_ca_topic_score_gemma":0.19072588,"teacher_disagreement_score":0.69679207,"about_ca_system_score_codex":0.001727046,"about_ca_system_score_gemma":0.002423724,"threshold_uncertainty_score":0.43248928},"labels":[],"label_agreement":null},{"id":"W2784583273","doi":"10.52583/cartema.v6i6.234552","title":"ENTRE A DOCUMENTAÇÃO E A PRODUÇÃO ARTÍSTICA: Peter Funch e as encruzilhadas da fotografia contemporânea","year":2018,"lang":"pt","type":"article","venue":"Cartema","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Discovery Air (Canada)","funders":"","keywords":"Art; Humanities","score_opus":0.044113921631348106,"score_gpt":0.2990957267188644,"score_spread":0.25498180508751633,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2784583273","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044713516,0.06267906,0.011954148,0.18971984,0.0031753946,0.0000409846,0.000083061874,0.0002359043,0.687398],"genre_scores_gemma":[0.7121325,0.021274503,0.007223356,0.009267191,0.002081236,0.000058669488,0.000038307528,0.00037356932,0.24755071],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979305,0.0012121623,0.000058962793,0.00027806737,0.00036709724,0.00015312158],"domain_scores_gemma":[0.9937529,0.004592639,0.00027139112,0.00049649505,0.0005551785,0.0003314231],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003518428,0.00052904285,0.00026552126,0.0023684269,0.008583062,0.010933893,0.00076292,0.0026846614,0.010110892],"category_scores_gemma":[0.006065606,0.00031252077,0.00022449512,0.0021462506,0.033542845,0.011537434,0.0031366274,0.0036472862,0.0013643275],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003443762,0.000012227509,0.0006215157,0.00010845837,0.000004777833,0.00025555713,0.075039834,0.00011164623,0.00034381493,0.8503276,0.041684415,0.031455632],"study_design_scores_gemma":[0.000011485207,0.000034192293,0.0010977054,0.00039250968,0.000008735452,0.0006510429,0.029794917,0.00032416068,0.0007614519,0.14727367,0.81961143,0.000038673552],"about_ca_topic_score_codex":0.011705277,"about_ca_topic_score_gemma":0.020514553,"teacher_disagreement_score":0.011705277,"about_ca_system_score_codex":0.0044943863,"about_ca_system_score_gemma":0.0025349534,"threshold_uncertainty_score":0.033824265},"labels":[],"label_agreement":null},{"id":"W2786240924","doi":"","title":"The Legacy of a Hidden Camera: Acts of Making in Japanese-Canadian Internment Camps During the Second World War, as Depicted in Tom Matsui’s Photograph Collection","year":2016,"lang":"en","type":"article","venue":"Material Culture Review / Revue de la culture matérielle","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Injustice; Documentation; Resistance (ecology); Politics; World War II; Object (grammar); Visual arts; History; The arts; Sociology; Law; Art; Political science; Archaeology; Computer science; Artificial intelligence","score_opus":0.011702062707477081,"score_gpt":0.24198947452022676,"score_spread":0.23028741181274967,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2786240924","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7991543,0.009750092,0.0010625215,0.009534055,0.000697287,0.00007144618,0.00023907327,0.000037532405,0.17945372],"genre_scores_gemma":[0.97185147,0.003759579,0.0006830915,0.00071479735,0.00006673661,0.000020098556,0.00006835754,0.00004121302,0.0227947],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9975915,0.00070033496,0.000059387155,0.00024805748,0.00077204267,0.000628718],"domain_scores_gemma":[0.9977622,0.0006533911,0.00041945663,0.0002439758,0.0005316647,0.00038922465],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025609767,0.00074324483,0.0003805959,0.0019042622,0.028422551,0.006888036,0.0013771161,0.001521915,0.004547715],"category_scores_gemma":[0.0037728767,0.00042659827,0.00024734347,0.0034465182,0.025020592,0.0029176972,0.00499962,0.003405929,0.00029817072],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003017861,0.000011746313,0.0025252162,0.00013448585,0.000007832287,0.0011197834,0.9650657,0.000035307447,0.0008167562,0.0095034195,0.0068225786,0.013926888],"study_design_scores_gemma":[0.0000025989361,0.000015223882,0.009947272,0.00020877525,0.000013088134,0.0004679694,0.87215775,0.000022956528,0.0004185454,0.00029851278,0.11641823,0.000028958479],"about_ca_topic_score_codex":0.721988,"about_ca_topic_score_gemma":0.9385392,"teacher_disagreement_score":0.27801198,"about_ca_system_score_codex":0.022766808,"about_ca_system_score_gemma":0.018387185,"threshold_uncertainty_score":0.55929846},"labels":[],"label_agreement":null},{"id":"W2788218368","doi":"","title":"Eileen G. (Selinger) Good Collection","year":2013,"lang":"en","type":"other","venue":"NDSU Repository (North Dakota State University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Columbia College","funders":"","keywords":"Mathematics","score_opus":0.011806420664508117,"score_gpt":0.17290749713403314,"score_spread":0.161101076469525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2788218368","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015271023,0.002856858,0.0008258642,0.0020195735,0.00077935826,0.000097738186,0.02147107,0.00076301256,0.96965945],"genre_scores_gemma":[0.0031229584,0.0012991136,0.00077574246,0.00017192135,0.0000763759,0.000035206016,0.004139592,0.000412663,0.9899664],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998209,0.000016713366,0.00000850111,0.000031998396,0.00009825248,0.000023725503],"domain_scores_gemma":[0.9995908,0.000041159412,0.00001738216,0.00004854479,0.00022702753,0.00007510215],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003500751,0.00050595665,0.00028124062,0.003198995,0.0022315525,0.0015668888,0.00046643752,0.00029769496,0.4064385],"category_scores_gemma":[0.0010774944,0.00027673668,0.00015722532,0.003536565,0.00051723176,0.0013172539,0.0014333159,0.00068062247,0.18404597],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007364959,0.0000037951534,0.000093901705,0.000033419383,4.6842683e-7,0.000021760181,0.00018381642,0.000011388018,0.00007019853,0.0016808817,0.96071625,0.037176833],"study_design_scores_gemma":[6.8643243e-7,8.4503034e-7,0.0006869059,0.000025623407,4.4887014e-7,0.000024305957,0.00015138797,0.0000045514403,0.000061621904,0.00028176463,0.9987602,0.000001588855],"about_ca_topic_score_codex":0.032677736,"about_ca_topic_score_gemma":0.16305566,"teacher_disagreement_score":0.4064385,"about_ca_system_score_codex":0.0011947994,"about_ca_system_score_gemma":0.001699909,"threshold_uncertainty_score":0.84664345},"labels":[],"label_agreement":null},{"id":"W2790749123","doi":"","title":"Harry Callahan : The Street","year":2016,"lang":"en","type":"book","venue":"Vancouver Art Gallery eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Atlanta; Generosity; Performance art; Art history; Art; Visual arts; Cartography; Media studies; History; Archaeology; Sociology; Geography; Political science; Law; Metropolitan area","score_opus":0.026754984948297512,"score_gpt":0.22051560993519764,"score_spread":0.19376062498690014,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2790749123","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007982877,0.049832948,0.00040057843,0.00924875,0.004605499,0.000017641249,0.00013474868,0.00017876174,0.9347828],"genre_scores_gemma":[0.0062748604,0.011529958,0.00023434876,0.0015361494,0.0003394055,0.000012028908,0.000061657964,0.00009957248,0.979912],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998022,0.00003373516,0.0000048878806,0.000029943614,0.00009794743,0.00003129961],"domain_scores_gemma":[0.9998418,0.000029142482,0.0000075568623,0.000015859641,0.000051798776,0.000053771157],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016857493,0.00048080223,0.00020755196,0.0010308984,0.0046470263,0.0058901166,0.00057653646,0.0013140204,0.06380545],"category_scores_gemma":[0.0005988012,0.00030440718,0.00015567093,0.0013741585,0.0016976222,0.0033422937,0.0021592139,0.0024592048,0.021908978],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000034181035,0.000004647578,0.000051806834,0.00003782729,5.968061e-7,0.000075120864,0.0013914257,0.00001660126,0.00007142719,0.035195623,0.92296606,0.040185366],"study_design_scores_gemma":[2.4600735e-7,4.584413e-7,0.00007036882,0.00004085094,1.9267213e-7,0.000036666876,0.00031978934,0.0000032549228,0.000014905001,0.00056764454,0.9989446,0.0000010230101],"about_ca_topic_score_codex":0.064509474,"about_ca_topic_score_gemma":0.22960036,"teacher_disagreement_score":0.064509474,"about_ca_system_score_codex":0.0044292104,"about_ca_system_score_gemma":0.0032374694,"threshold_uncertainty_score":0.21345055},"labels":[],"label_agreement":null},{"id":"W2791302768","doi":"10.1386/ajms.7.1.15_1","title":"Pictures of migration: The invisible shock of misery photographs","year":2018,"lang":"en","type":"article","venue":"Journal of Applied Journalism & Media Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Foregrounding; Refugee; Photography; Shock (circulatory); Population; Variety (cybernetics); History; Sociology; Media studies; Political science; Visual arts; Art; Law; Literature; Computer science; Artificial intelligence; Medicine","score_opus":0.0537639543608848,"score_gpt":0.2933180737902778,"score_spread":0.239554119429393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2791302768","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4713119,0.01390474,0.00814254,0.08059885,0.0062405635,0.000115840405,0.00046600527,0.0001835529,0.41903606],"genre_scores_gemma":[0.97780585,0.0025206758,0.0012189843,0.0021735886,0.0009464343,0.000016576778,0.000035966998,0.00005124657,0.015230774],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99891984,0.00070151564,0.00003388846,0.00006981581,0.00019340606,0.00008156724],"domain_scores_gemma":[0.9973008,0.0015259761,0.00040514048,0.00031856206,0.00025930794,0.00019023589],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015406552,0.00029406114,0.00014818,0.0010494685,0.00267399,0.0046169534,0.00046579633,0.0011580505,0.008399635],"category_scores_gemma":[0.0058664647,0.0001705583,0.000168108,0.0007177913,0.0045685763,0.0038363559,0.0031413215,0.00173716,0.0006662028],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039171748,0.00008303604,0.011257809,0.0011825268,0.00004706589,0.00488544,0.55582565,0.0004900115,0.0064069154,0.23477441,0.095463954,0.089191474],"study_design_scores_gemma":[0.000027245438,0.00023287586,0.017854085,0.0013215165,0.00005207101,0.006155001,0.2928787,0.000586319,0.0036921308,0.02282326,0.6543027,0.00007409851],"about_ca_topic_score_codex":0.0014987498,"about_ca_topic_score_gemma":0.0029339155,"teacher_disagreement_score":0.008399635,"about_ca_system_score_codex":0.0010106927,"about_ca_system_score_gemma":0.0004119753,"threshold_uncertainty_score":0.028099597},"labels":[],"label_agreement":null},{"id":"W2792658137","doi":"","title":"The Cultural Work of Photography in Canada, ed. Carol Payne and Andrea Kunard. Montreal and Kingston: McGill-Queen’s University Press, 2011","year":2012,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Art history; Media studies; Photography; Art; Work (physics); Sociology; History; Visual arts; Engineering","score_opus":0.006741363281935918,"score_gpt":0.15036687888794303,"score_spread":0.14362551560600711,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2792658137","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015946749,0.93637425,0.0005486842,0.029523639,0.0022138464,0.00001744633,0.00031368597,0.00004950455,0.02936434],"genre_scores_gemma":[0.056028545,0.8741201,0.0021900504,0.0059934747,0.00200031,0.00003565562,0.00023735042,0.00016746034,0.05922709],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977938,0.00046336377,0.00012375606,0.00019451002,0.0011359788,0.00028865176],"domain_scores_gemma":[0.9959972,0.0009977558,0.00020316592,0.00017118537,0.0019759194,0.00065479276],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025310258,0.0015419709,0.00093729945,0.0056136046,0.009533331,0.009851601,0.0018936483,0.0027032478,0.011359084],"category_scores_gemma":[0.006254819,0.0015104085,0.00046878832,0.011585059,0.015440607,0.004921971,0.0020660737,0.002426061,0.0021619506],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000566459,0.000030739477,0.002375766,0.0013843271,0.000040617033,0.00030887776,0.020284344,0.00031090868,0.00037682828,0.030952208,0.71209913,0.23177959],"study_design_scores_gemma":[0.000008994579,0.000008287767,0.014196709,0.0016546403,0.000020491167,0.00039888584,0.014395507,0.00007439,0.0002204681,0.0037078764,0.96526897,0.000044863616],"about_ca_topic_score_codex":0.9734306,"about_ca_topic_score_gemma":0.99163646,"teacher_disagreement_score":0.05367566,"about_ca_system_score_codex":0.05367566,"about_ca_system_score_gemma":0.08931996,"threshold_uncertainty_score":0.38944596},"labels":[],"label_agreement":null},{"id":"W2799291845","doi":"10.3138/cjfs.12.1.2","title":"Bridgespotting: Lepage, Hitchcock, and Landmarks in Canadian Film","year":2003,"lang":"fr","type":"article","venue":"Canadian Journal of Film Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Allusion; Art history; Literature","score_opus":0.041298033515314365,"score_gpt":0.2731008074188505,"score_spread":0.23180277390353615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2799291845","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29737356,0.013027501,0.001262577,0.030569041,0.00036404724,0.000052349682,0.00018861772,0.00006709606,0.65709525],"genre_scores_gemma":[0.9480847,0.0048501347,0.00033832007,0.0005565027,0.00003569845,0.000011616434,0.000034170807,0.00002779742,0.04606101],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932134,0.00017646243,0.00000804051,0.000059787366,0.00020631944,0.00022807118],"domain_scores_gemma":[0.9992473,0.00019766139,0.00008039566,0.00003273046,0.0002483091,0.000193542],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00076974684,0.0002989404,0.00016471044,0.0016194498,0.015643444,0.0064116474,0.0007097583,0.0010332867,0.012242624],"category_scores_gemma":[0.0030511387,0.00021976701,0.00011404656,0.0029197037,0.012978997,0.0030138385,0.001945679,0.0015068019,0.00035034088],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000067299625,0.000023306042,0.0064817537,0.00016512825,0.000009089618,0.0009049736,0.5945304,0.0002747788,0.0005263669,0.28360128,0.054724805,0.058690812],"study_design_scores_gemma":[0.0000074439845,0.000017813632,0.021420848,0.0003784774,0.000017822907,0.00030758564,0.44507208,0.00015685485,0.00027894374,0.0074449438,0.52485365,0.000043551074],"about_ca_topic_score_codex":0.96751726,"about_ca_topic_score_gemma":0.9883866,"teacher_disagreement_score":0.035803016,"about_ca_system_score_codex":0.035803016,"about_ca_system_score_gemma":0.027722977,"threshold_uncertainty_score":0.25977033},"labels":[],"label_agreement":null},{"id":"W2799546656","doi":"10.22215/etd/2011-09532","title":"André Bazin's \"ontology of the photographic image\" : representation, desire, and presence","year":2011,"lang":"en","type":"dissertation","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Representation (politics); Ontology; Art; Art history; Visual arts; Philosophy; Epistemology; Political science","score_opus":0.043538514914092004,"score_gpt":0.27694292362866235,"score_spread":0.23340440871457035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2799546656","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0066686035,0.042833973,0.0648675,0.0607746,0.0027810198,0.0000698745,0.00032540635,0.00017560703,0.8215034],"genre_scores_gemma":[0.49669003,0.044416957,0.046874233,0.011794175,0.0011984592,0.00031942362,0.00039744345,0.00037523048,0.3979341],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9986027,0.0007229787,0.00005128261,0.00019993022,0.0003175444,0.000105634106],"domain_scores_gemma":[0.99924076,0.0003984268,0.000050043833,0.00007133437,0.00015783911,0.00008161773],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012916715,0.00069743034,0.00037219163,0.0018587568,0.0032929874,0.0060936967,0.000632164,0.002431683,0.006295716],"category_scores_gemma":[0.0023081133,0.00033501335,0.00038785767,0.0018309462,0.011971753,0.0066838856,0.0026317153,0.004359709,0.0016415595],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000056360295,0.000004964604,0.000052685573,0.000033276036,0.0000015638694,0.000016934015,0.0022655234,0.00005216317,0.00005659689,0.9793702,0.013796469,0.0043439553],"study_design_scores_gemma":[0.000007818679,0.000006475919,0.00042172577,0.00023785095,0.0000071982968,0.00018959497,0.0019448353,0.00029673698,0.00050528534,0.44618928,0.55017716,0.000016088392],"about_ca_topic_score_codex":0.013756442,"about_ca_topic_score_gemma":0.017657097,"teacher_disagreement_score":0.013756442,"about_ca_system_score_codex":0.004537536,"about_ca_system_score_gemma":0.0023794612,"threshold_uncertainty_score":0.032922268},"labels":[],"label_agreement":null},{"id":"W2802768586","doi":"10.1111/cars.12188","title":"Family Photography and Persecuted Communities: Methodological Challenges","year":2018,"lang":"en","type":"article","venue":"Canadian Review of Sociology/Revue canadienne de sociologie","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Performative utterance; Normative; Sociology; Ideology; Context (archaeology); Scripting language; Indigenous; Politics; Gender studies; Aesthetics; Media studies; History; Political science; Art; Law; Archaeology; Computer science","score_opus":0.28665690989440074,"score_gpt":0.3326201393151869,"score_spread":0.04596322942078618,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2802768586","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43709752,0.11466676,0.14623573,0.14730906,0.0042389347,0.013850562,0.002541427,0.0001929958,0.13386697],"genre_scores_gemma":[0.8580041,0.024777602,0.07513804,0.012764267,0.0010666535,0.016531887,0.00028831372,0.00019362265,0.011235523],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.86843115,0.11025105,0.0038816268,0.005711072,0.0096213315,0.0021037206],"domain_scores_gemma":[0.8263027,0.13221528,0.008410498,0.011748855,0.01889569,0.00242691],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.13302293,0.0012491161,0.0018659364,0.011466781,0.02338273,0.014510117,0.0078256205,0.003097926,0.006403973],"category_scores_gemma":[0.1461934,0.0014047226,0.0007898314,0.013643744,0.042958405,0.010989534,0.012309966,0.004196937,0.0006462495],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016986053,0.0002636221,0.023910746,0.006851555,0.00018241249,0.0012655949,0.6618753,0.00053222256,0.0006513755,0.174913,0.007547298,0.12183711],"study_design_scores_gemma":[0.00005827624,0.00010409849,0.016067693,0.0055632778,0.00013407478,0.00046978088,0.8685787,0.00050161884,0.0005479585,0.034875922,0.07300288,0.000095638905],"about_ca_topic_score_codex":0.3264204,"about_ca_topic_score_gemma":0.4283751,"teacher_disagreement_score":0.3264204,"about_ca_system_score_codex":0.028911168,"about_ca_system_score_gemma":0.030854998,"threshold_uncertainty_score":0.7035009},"labels":[],"label_agreement":null},{"id":"W2803634508","doi":"","title":"Agents of Empire: How E.L. Mitchell's Photographs Shaped Australia by Joanna Sassoon (review)","year":2018,"lang":"en","type":"article","venue":"Archivaria","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Library and Archives Canada","funders":"","keywords":"Art; Empire; Geography; Archaeology","score_opus":0.0777392426547632,"score_gpt":0.31291833011889475,"score_spread":0.23517908746413155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2803634508","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007021861,0.9926468,0.000028576635,0.005387762,0.0008022538,0.0000021217777,0.0000031802426,0.0000016148348,0.0010575328],"genre_scores_gemma":[0.0024000732,0.9914818,0.00008024332,0.0026755328,0.00088994275,0.000009365594,0.000008316517,0.00000503671,0.002449845],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99867237,0.00069186394,0.00009356371,0.000117015545,0.00033693263,0.00008826389],"domain_scores_gemma":[0.9968034,0.0020569963,0.00030622582,0.00007287957,0.00058850576,0.00017198725],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0031517926,0.00060086587,0.0008281877,0.0017963689,0.001143523,0.003188055,0.0007965978,0.0023032373,0.005350722],"category_scores_gemma":[0.0069093783,0.0004765797,0.00042192347,0.0025624437,0.0029526018,0.006044146,0.0016814419,0.004083844,0.0014097764],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040117433,0.0000222208,0.0002768887,0.009093428,0.00005880314,0.00015816475,0.0031675335,0.00013806588,0.00011946384,0.021054871,0.5397481,0.4261224],"study_design_scores_gemma":[0.0000060122693,0.000015778163,0.0013089854,0.009160633,0.000026773192,0.00033212118,0.0014548824,0.000027091526,0.000050727143,0.0019673721,0.9856324,0.000017152206],"about_ca_topic_score_codex":0.019603098,"about_ca_topic_score_gemma":0.03441092,"teacher_disagreement_score":0.019603098,"about_ca_system_score_codex":0.0027041733,"about_ca_system_score_gemma":0.0038104067,"threshold_uncertainty_score":0.03897798},"labels":[],"label_agreement":null},{"id":"W2804358949","doi":"","title":"Michel Campeau, The Donkey that Became a Zebra : histoires de chambre noire-Le feu, les prières et le lieu de la photographie / Michel Campeau, The Donkey that Became a Zebra : histoires de chambre noire-Fire, Prayers and the Place of Photography","year":2017,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Donkey; ZEBRA (computer); Art; Humanities; Archaeology; Geography; Computer science","score_opus":0.021724783242792364,"score_gpt":0.2507383381253947,"score_spread":0.22901355488260233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2804358949","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01722596,0.22679049,0.0011430494,0.48488262,0.01380016,0.000054728196,0.00010974336,0.000048716203,0.25594452],"genre_scores_gemma":[0.4217872,0.05869573,0.0012225906,0.0696268,0.0062438105,0.00011777813,0.000046296427,0.00026648692,0.44199336],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99858993,0.00080380135,0.000021930102,0.00014655924,0.00021650098,0.00022119678],"domain_scores_gemma":[0.99901664,0.00050183764,0.000084856445,0.00003684511,0.00016681432,0.00019289445],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022023008,0.0006586748,0.00033177517,0.0009064638,0.0143396985,0.008381669,0.0011854775,0.007700874,0.012535603],"category_scores_gemma":[0.0035798806,0.00032737138,0.0002309608,0.0010378457,0.013802386,0.0068582087,0.0029425174,0.0065465206,0.001372904],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059192065,0.000024406903,0.00039999958,0.00018196205,0.0000072605676,0.0005286212,0.089190125,0.000067411995,0.00034596614,0.38691932,0.50401413,0.01826158],"study_design_scores_gemma":[0.0000062355193,0.000008232786,0.00062031293,0.00027743354,0.000002358204,0.00029279973,0.06200155,0.000016642043,0.00017294916,0.0073973145,0.9291896,0.000014537088],"about_ca_topic_score_codex":0.11714608,"about_ca_topic_score_gemma":0.26511952,"teacher_disagreement_score":0.11714608,"about_ca_system_score_codex":0.007173091,"about_ca_system_score_gemma":0.0040745763,"threshold_uncertainty_score":0.2329284},"labels":[],"label_agreement":null},{"id":"W2804491352","doi":"","title":"Scott McFarland, A Cultivated View,Canadian Museum of Contemporary Photography at the National Gallery of Canada, Ottawa April 11 to September 13, 2009","year":2009,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; National museum; Art history; Art; Media studies; Visual arts; History; Archaeology; Sociology","score_opus":0.012389169330677387,"score_gpt":0.17930717989032827,"score_spread":0.1669180105596509,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2804491352","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010582879,0.14148085,0.0036416643,0.18408807,0.033419672,0.00047480996,0.013483771,0.0014183618,0.61140996],"genre_scores_gemma":[0.010100801,0.0181581,0.00095663377,0.0034783713,0.0006537436,0.000031468728,0.00095110515,0.00021703921,0.9654527],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991309,0.000053940403,0.000025202398,0.00016456378,0.00048733322,0.0001379683],"domain_scores_gemma":[0.9969131,0.00013849215,0.000060497947,0.00008682634,0.0022510246,0.0005501658],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012558422,0.00062135136,0.00044978168,0.0029770813,0.011925074,0.005199626,0.001287021,0.0017297766,0.1273399],"category_scores_gemma":[0.0028627997,0.00067797594,0.0003547712,0.0030802302,0.0012739738,0.0025436203,0.0017530909,0.0020395226,0.025628041],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012426534,0.000005844112,0.00042339074,0.000057676734,0.000002489674,0.000047337922,0.00034161535,0.000023590324,0.00015438569,0.00078732526,0.9825593,0.015584582],"study_design_scores_gemma":[0.000002586394,0.0000027562337,0.003594906,0.00009674672,0.0000041539097,0.0000659576,0.0015075554,0.000018403733,0.00013068104,0.00014505173,0.99441373,0.000017427708],"about_ca_topic_score_codex":0.8542625,"about_ca_topic_score_gemma":0.97707945,"teacher_disagreement_score":0.14573753,"about_ca_system_score_codex":0.012380623,"about_ca_system_score_gemma":0.015826365,"threshold_uncertainty_score":0.4259944},"labels":[],"label_agreement":null},{"id":"W2805965791","doi":"","title":"Frances Anne Hopkins and the George Back connection: tracking through the Canadian landscapes of two nineteenth-century artists to find where lines converge","year":2004,"lang":"en","type":"dissertation","venue":"ScholarWorks - UA (University of Alaska System)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"George (robot); Connection (principal bundle); Art history; Performance art; History; Art; Genealogy; Engineering","score_opus":0.015062611218445992,"score_gpt":0.22421469537522137,"score_spread":0.2091520841567754,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2805965791","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13824716,0.023325866,0.0022936137,0.17926745,0.0014430286,0.000097458265,0.00060519826,0.00012044593,0.65459985],"genre_scores_gemma":[0.59581304,0.015062539,0.0044878665,0.008854301,0.0002660911,0.0000626186,0.00020730747,0.00021886107,0.3750274],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99957985,0.00010536241,0.000006689164,0.000057802812,0.0001660379,0.000084270156],"domain_scores_gemma":[0.9985525,0.00033160715,0.000072125644,0.000048251204,0.0007517501,0.00024380533],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010882502,0.00035711259,0.00016872931,0.0022677288,0.021715196,0.0053743673,0.00060116575,0.0012615932,0.012400596],"category_scores_gemma":[0.0029193733,0.0002471954,0.00010937897,0.0023651505,0.007863549,0.0029149405,0.0015824378,0.001814539,0.0011153462],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058556372,0.00002742449,0.013015929,0.00011278999,0.000010413769,0.00043985542,0.30835292,0.00020828613,0.0006680703,0.06531771,0.5069958,0.10479223],"study_design_scores_gemma":[0.0000044990934,0.00000944608,0.023160454,0.0003620095,0.000011572608,0.00017861307,0.31584245,0.00009808371,0.0003662294,0.0066572526,0.6532738,0.00003557123],"about_ca_topic_score_codex":0.9220415,"about_ca_topic_score_gemma":0.98038864,"teacher_disagreement_score":0.077958524,"about_ca_system_score_codex":0.014012373,"about_ca_system_score_gemma":0.012700296,"threshold_uncertainty_score":0.1568352},"labels":[],"label_agreement":null},{"id":"W2806100910","doi":"","title":"The « Public » Life of Photographs, RIC Books, Toronto, et MIT Press, Cambridge, 2016, Thierry Gervais (dir.), 275 pages","year":2017,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Media studies; History; Sociology","score_opus":0.018752220174026,"score_gpt":0.20572621480541894,"score_spread":0.18697399463139294,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2806100910","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007130021,0.8274545,0.0011501068,0.021243649,0.004876304,0.000014821494,0.001094739,0.0002872274,0.14316562],"genre_scores_gemma":[0.030751472,0.5704117,0.0026253662,0.004244546,0.006778652,0.000053270116,0.001198296,0.00065848074,0.38327825],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991598,0.0002690873,0.00005870833,0.00012147363,0.00032686285,0.00006404539],"domain_scores_gemma":[0.9987016,0.0005105759,0.00010535239,0.00017122999,0.00037273698,0.0001384559],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014091495,0.0015366831,0.0008965122,0.0033696843,0.0031190135,0.010777839,0.0007638839,0.0019638417,0.047491476],"category_scores_gemma":[0.0037911981,0.001307157,0.00032806466,0.0057373066,0.0049737482,0.008652719,0.0017854152,0.002129587,0.018328309],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016493774,0.000006550978,0.00023400306,0.00045657964,0.000008190418,0.00004903577,0.0021372463,0.00006759796,0.00019329433,0.033955883,0.8885772,0.074297845],"study_design_scores_gemma":[0.000001756842,0.0000031470472,0.0014933655,0.00045363576,0.000005245566,0.00014264812,0.0015782495,0.000026680093,0.00008814425,0.0039057247,0.99229515,0.000006224543],"about_ca_topic_score_codex":0.11394699,"about_ca_topic_score_gemma":0.29324257,"teacher_disagreement_score":0.11394699,"about_ca_system_score_codex":0.008262235,"about_ca_system_score_gemma":0.0045291972,"threshold_uncertainty_score":0.22656745},"labels":[],"label_agreement":null},{"id":"W2806975270","doi":"","title":"J.A. Martin photographe Hélène Ouvrard, Montréal, Éditions Art Global, 1999, 154 pages","year":2000,"lang":"fr","type":"article","venue":"Séquences : la revue de cinéma","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.015324055090316108,"score_gpt":0.2406085012831931,"score_spread":0.225284446192877,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2806975270","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00091639004,0.45614514,0.00243175,0.017256482,0.018674023,0.00008467737,0.003768402,0.0012699866,0.4994532],"genre_scores_gemma":[0.004237056,0.08851794,0.0012373293,0.0008187214,0.0021478874,0.000032948752,0.0010881119,0.00040463996,0.9015154],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99964345,0.000027891478,0.000013786375,0.00006917495,0.0002038498,0.000041778134],"domain_scores_gemma":[0.9990589,0.00013745522,0.000046157933,0.000057258185,0.0005818925,0.00011832793],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007070319,0.0017937936,0.0009466381,0.0043722265,0.002935326,0.005139394,0.0010645965,0.0014589459,0.28390968],"category_scores_gemma":[0.0019133196,0.0007335263,0.00046102234,0.0049259146,0.0008683537,0.0032255459,0.00096420903,0.0013715893,0.110801384],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014449726,0.000005706402,0.000102753016,0.00017940656,0.0000040017135,0.000023844754,0.0001746808,0.000055860466,0.0003102127,0.0026763452,0.9431505,0.053302165],"study_design_scores_gemma":[0.0000020843793,0.0000027702695,0.00082797074,0.00017784422,0.000003235254,0.000062939,0.00015150942,0.000030245441,0.00008377885,0.0003608376,0.9982926,0.000004170447],"about_ca_topic_score_codex":0.2928941,"about_ca_topic_score_gemma":0.5227117,"teacher_disagreement_score":0.2928941,"about_ca_system_score_codex":0.005066698,"about_ca_system_score_gemma":0.004099964,"threshold_uncertainty_score":0.9497725},"labels":[],"label_agreement":null},{"id":"W2807682062","doi":"","title":"Stephen Bulger : l’état actuel du marché de la photographie contemporaine / Stephen Bulger: The State of the Contemporary Photography Market","year":2012,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Photography; State (computer science); Humanities; Art history; Visual arts","score_opus":0.02522524269828915,"score_gpt":0.24616214075649223,"score_spread":0.22093689805820307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2807682062","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004830542,0.27305073,0.0005462835,0.52222407,0.009493628,0.000015479382,0.000106707455,0.000046791945,0.18968578],"genre_scores_gemma":[0.18073851,0.15131237,0.0012189829,0.09113668,0.018127827,0.00005586256,0.00007328255,0.0002513432,0.55708504],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9987112,0.0004201163,0.00004688611,0.00022565747,0.00039607479,0.00020001717],"domain_scores_gemma":[0.9974954,0.0013382011,0.00023353501,0.00010339293,0.0004945186,0.00033498512],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020291624,0.0005872527,0.00042088004,0.002104997,0.0056472747,0.01294785,0.0011179545,0.011045683,0.033895254],"category_scores_gemma":[0.0064011915,0.00056273217,0.00026424212,0.0033786187,0.0076911226,0.014070174,0.003503382,0.0076210084,0.0046796654],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042661984,0.000025376141,0.0003221563,0.00010805125,0.0000042546817,0.00014288443,0.0035968309,0.00008608634,0.00013807214,0.3511457,0.61374944,0.03063854],"study_design_scores_gemma":[0.0000052345426,0.0000046179302,0.0007453157,0.00022432067,0.0000015472775,0.000094021016,0.0029223931,0.00007989527,0.00012280018,0.016433673,0.9793475,0.000018603072],"about_ca_topic_score_codex":0.061402615,"about_ca_topic_score_gemma":0.10015384,"teacher_disagreement_score":0.061402615,"about_ca_system_score_codex":0.0055968473,"about_ca_system_score_gemma":0.0037399712,"threshold_uncertainty_score":0.12209046},"labels":[],"label_agreement":null},{"id":"W2808125286","doi":"10.2307/j.ctv3hvc7m","title":"Canada in the Frame","year":2018,"lang":"en","type":"book","venue":"UCL Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Frame (networking); Computer science; Geography; Telecommunications","score_opus":0.053636213019728665,"score_gpt":0.23402561325416937,"score_spread":0.18038940023444072,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2808125286","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020030173,0.008310824,0.00049010833,0.0063332524,0.0019755727,0.000028002747,0.00047266,0.00012864887,0.9802579],"genre_scores_gemma":[0.03266419,0.0061099716,0.00058748125,0.0020628215,0.00018586591,0.00002052248,0.00028532278,0.00017022848,0.9579136],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994616,0.000032862354,0.000007977202,0.000073494164,0.00026129276,0.00016279443],"domain_scores_gemma":[0.99949455,0.000048803948,0.000010640977,0.000030905336,0.00029304635,0.0001221698],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021889621,0.00055374764,0.0003623841,0.0017180371,0.014266764,0.008966184,0.000937629,0.0015464291,0.07745658],"category_scores_gemma":[0.0011274199,0.00026025565,0.00022695486,0.0029585934,0.0041543893,0.0026386695,0.0017219443,0.0025263075,0.0088057425],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014082004,0.0000062693966,0.00021959875,0.0000862494,0.0000021515177,0.00020121901,0.0061452584,0.000062675346,0.00019473414,0.2652336,0.6915665,0.036267597],"study_design_scores_gemma":[5.977429e-7,6.683189e-7,0.00014076107,0.0000365487,9.1187684e-7,0.000030890096,0.00078580185,0.0000075953258,0.00003357683,0.00067311845,0.99828655,0.0000029920284],"about_ca_topic_score_codex":0.94267625,"about_ca_topic_score_gemma":0.98092306,"teacher_disagreement_score":0.07745658,"about_ca_system_score_codex":0.054046236,"about_ca_system_score_gemma":0.04091012,"threshold_uncertainty_score":0.39213473},"labels":[],"label_agreement":null},{"id":"W2808770030","doi":"","title":"L'espace d'un instant : Cinquante ans de collectionnement de photographies au Musée des beaux-arts du Canada","year":2018,"lang":"fr","type":"book","venue":"Musée des beaux-arts du Canada / National Gallery of Canada eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Instant; Humanities; Physics","score_opus":0.023184692087781792,"score_gpt":0.21212704120343984,"score_spread":0.18894234911565805,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2808770030","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002205115,0.033284236,0.0020785194,0.013865897,0.0061807255,0.00003271738,0.00024527183,0.00019028297,0.9419172],"genre_scores_gemma":[0.018794758,0.0121812625,0.00091459934,0.001963328,0.0009738734,0.000020697924,0.000106358464,0.00032160233,0.96472347],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99888235,0.0001393382,0.000027373835,0.0001222519,0.0006427456,0.00018590079],"domain_scores_gemma":[0.99857116,0.0003340581,0.0000442657,0.00014569263,0.0007259651,0.00017875693],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013392237,0.00070698006,0.00035624907,0.0019209097,0.009704406,0.013105912,0.0011113484,0.0020257286,0.034338113],"category_scores_gemma":[0.0032139872,0.0005074409,0.0003105818,0.00236874,0.0069499663,0.006843923,0.0029501908,0.0049102055,0.006907367],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039975355,0.000011297913,0.00013189495,0.0001758748,0.0000034659536,0.00015314271,0.023326784,0.00006463257,0.00057769334,0.32979733,0.56707424,0.078643754],"study_design_scores_gemma":[8.44064e-7,0.0000011684899,0.00014575235,0.00009036299,0.0000011979282,0.000042885247,0.0015596746,0.000008307922,0.00007930882,0.0012232341,0.99684393,0.0000032682315],"about_ca_topic_score_codex":0.52853125,"about_ca_topic_score_gemma":0.74817264,"teacher_disagreement_score":0.47146875,"about_ca_system_score_codex":0.016038686,"about_ca_system_score_gemma":0.016256263,"threshold_uncertainty_score":0.9484906},"labels":[],"label_agreement":null},{"id":"W281617296","doi":"","title":"Pierre Boogaerts : Reality, Vision, Image","year":2001,"lang":"fr","type":"book","venue":"Canadian Museum of Contemporary Photography/Musée canadien de la photographie contemporaine eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Photography; Mythology; Section (typography); Visual arts; Art; Art history; Relevance (law); Computer science; Literature","score_opus":0.02451070698278411,"score_gpt":0.260489556051942,"score_spread":0.2359788490691579,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W281617296","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020161646,0.21324417,0.002941656,0.009076341,0.0016338613,0.000034341458,0.00020026372,0.00027560987,0.77057767],"genre_scores_gemma":[0.05818838,0.11312412,0.003987063,0.00254093,0.0010423998,0.000088034685,0.00021491329,0.00042823245,0.8203859],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99971575,0.00005737812,0.0000075106555,0.00005428459,0.00013719358,0.00002792344],"domain_scores_gemma":[0.9998529,0.00006480071,0.000008042831,0.000012169319,0.00003587622,0.000026213633],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027897625,0.0007602996,0.0002616442,0.001737347,0.0026087624,0.0044541755,0.0005020016,0.0014117917,0.022871248],"category_scores_gemma":[0.0005815324,0.0003236842,0.00014534262,0.0018343673,0.0041319174,0.0034925728,0.0014736027,0.0019790274,0.00694181],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026301903,0.000015707383,0.00015353013,0.00030776314,0.000005608753,0.00027949637,0.011330243,0.0001239424,0.0006496999,0.3592241,0.47402757,0.15385608],"study_design_scores_gemma":[0.0000011352197,0.000002425077,0.0002895517,0.000114756454,0.000001190876,0.00018238877,0.0009218,0.000017518432,0.00011132818,0.0077521657,0.9906014,0.000004414446],"about_ca_topic_score_codex":0.09736748,"about_ca_topic_score_gemma":0.14426415,"teacher_disagreement_score":0.09736748,"about_ca_system_score_codex":0.0033159668,"about_ca_system_score_gemma":0.0022207133,"threshold_uncertainty_score":0.19360143},"labels":[],"label_agreement":null},{"id":"W282959734","doi":"10.1353/mos.2022.a948451","title":"Ghost in the Machine: Photographs of Specters in the Nineteenth Century","year":2022,"lang":"en","type":"article","venue":"Mosaic","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; History; Art history","score_opus":0.020178719782448038,"score_gpt":0.22857893312264896,"score_spread":0.20840021334020092,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W282959734","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61158276,0.0067889336,0.0020956916,0.01177466,0.00090970466,0.00007042892,0.000766093,0.00016095824,0.36585075],"genre_scores_gemma":[0.9426565,0.0017966444,0.0012152544,0.00044109192,0.00012641714,0.000012941077,0.00011279774,0.00008285468,0.053555503],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99962866,0.00021473772,0.000008009655,0.00003137495,0.00007533318,0.000041968273],"domain_scores_gemma":[0.99947375,0.00022568551,0.000057984937,0.00006602552,0.00007201287,0.00010451383],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008377571,0.00023185767,0.00015005945,0.0010454451,0.004860802,0.002121513,0.00031436243,0.00087275996,0.011459691],"category_scores_gemma":[0.0017692324,0.00019533487,0.000115079456,0.00063145434,0.0037677274,0.0019044582,0.002218468,0.0015460867,0.000735488],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023230269,0.000043526336,0.005328063,0.00032397537,0.000011598707,0.003380956,0.82816106,0.00023978672,0.0024892068,0.064161904,0.06169428,0.03393336],"study_design_scores_gemma":[0.000023036078,0.00010633313,0.01638846,0.00043166234,0.000014905414,0.0038250023,0.26723877,0.00031602752,0.0011169701,0.0032724373,0.70723194,0.00003438335],"about_ca_topic_score_codex":0.011349247,"about_ca_topic_score_gemma":0.056162633,"teacher_disagreement_score":0.011459691,"about_ca_system_score_codex":0.0018436849,"about_ca_system_score_gemma":0.00067087903,"threshold_uncertainty_score":0.038336456},"labels":[],"label_agreement":null},{"id":"W2883780111","doi":"10.22215/etd/2014-10220","title":"From Friendless Women to Fancy Dress Balls: William James Topley's Photographic Portraits","year":2014,"lang":"en","type":"dissertation","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Carleton University","funders":"","keywords":"Portrait; Studio; Genius; Art history; Representation (politics); Art; Visual arts; Narrative; Style (visual arts); Context (archaeology); History; Identity (music); Photography; Politics; Literature; Archaeology; Aesthetics","score_opus":0.015718733376213465,"score_gpt":0.2570127894957195,"score_spread":0.24129405611950602,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2883780111","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6359927,0.01493908,0.00077150686,0.0247442,0.000781688,0.000052236748,0.00027537625,0.000074485935,0.32236883],"genre_scores_gemma":[0.9099595,0.004677893,0.00035743075,0.0012176085,0.000073027244,0.000011284753,0.00003005361,0.0000417954,0.08363142],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994709,0.0002165645,0.000011108736,0.00007170223,0.00010660243,0.00012319378],"domain_scores_gemma":[0.9995771,0.00017487949,0.00004544495,0.000030185714,0.0000720019,0.00010045615],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00056638534,0.00043011343,0.00013049152,0.0009783198,0.011687253,0.0043626516,0.000631291,0.0007378166,0.0042211963],"category_scores_gemma":[0.0009463969,0.00024968086,0.00011329573,0.00097097456,0.0116258245,0.0015714489,0.0018707115,0.0014761891,0.00038534935],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020851767,0.000011401802,0.0021217861,0.0000849584,0.0000036577758,0.000986374,0.9376271,0.000036210185,0.0009767152,0.020230412,0.026678568,0.011222032],"study_design_scores_gemma":[0.0000018151015,0.000016912967,0.00760674,0.0001633558,0.000008404574,0.00082053465,0.60987556,0.00002428361,0.00056672806,0.0008697814,0.38002905,0.000016882479],"about_ca_topic_score_codex":0.52791256,"about_ca_topic_score_gemma":0.82130796,"teacher_disagreement_score":0.52791256,"about_ca_system_score_codex":0.011715408,"about_ca_system_score_gemma":0.0038204433,"threshold_uncertainty_score":0.94973534},"labels":[],"label_agreement":null},{"id":"W2884454309","doi":"10.7202/1059825ar","title":"Photographies de l’Autre, des nôtres, des autres","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities; Art","score_opus":0.02307253315815918,"score_gpt":0.2493057207146004,"score_spread":0.2262331875564412,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2884454309","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06254555,0.005513307,0.012318411,0.01093515,0.0043352344,0.00015877913,0.0015407531,0.0006675398,0.90198535],"genre_scores_gemma":[0.21449871,0.004938779,0.018001365,0.0028031918,0.0010753692,0.00010918699,0.0010032591,0.00094145595,0.75662875],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99839586,0.0003365157,0.00006379223,0.0003713461,0.00065450015,0.00017794373],"domain_scores_gemma":[0.9978027,0.00031707645,0.00019698974,0.00055888575,0.0007932807,0.00033111716],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014113494,0.0006503667,0.00040274565,0.0021026104,0.0050403806,0.005285386,0.00059865735,0.0014178873,0.05063537],"category_scores_gemma":[0.0050868136,0.00041258134,0.00069717946,0.0015788993,0.0022989977,0.0034233076,0.0033040724,0.0029387358,0.01136802],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00058199523,0.00014925428,0.0123847965,0.0014229645,0.0001431053,0.003227178,0.089341566,0.0008523033,0.052562173,0.15499428,0.43548697,0.24885337],"study_design_scores_gemma":[0.00000651077,0.000045436187,0.0070250337,0.00022061612,0.000020559417,0.0010289763,0.010236924,0.00010281602,0.0024068095,0.001605181,0.9772554,0.00004566969],"about_ca_topic_score_codex":0.021064809,"about_ca_topic_score_gemma":0.07335668,"teacher_disagreement_score":0.05063537,"about_ca_system_score_codex":0.0024087708,"about_ca_system_score_gemma":0.0020673738,"threshold_uncertainty_score":0.16939217},"labels":[],"label_agreement":null},{"id":"W2886146573","doi":"10.11606/issn.2525-8354.v0i3p287-301","title":"Vestiges: [in]versions and urban registers","year":2017,"lang":"pt","type":"article","venue":"Revista ARA","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Quest University Canada","funders":"","keywords":"Humanities; Art; History","score_opus":0.06523746881985003,"score_gpt":0.3017461704831667,"score_spread":0.23650870166331667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2886146573","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17284603,0.008955582,0.008662182,0.009234138,0.0021894097,0.00037513065,0.041224163,0.0011871151,0.7553263],"genre_scores_gemma":[0.6806039,0.006892964,0.012510289,0.00095731457,0.00075124856,0.000548009,0.029184371,0.0016219697,0.2669299],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.998697,0.00048326925,0.00021424462,0.00017296695,0.00029388512,0.00013859014],"domain_scores_gemma":[0.9967085,0.001284882,0.00042682094,0.00088074786,0.0004866898,0.00021236562],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017253179,0.00025225576,0.00019120729,0.0048192134,0.002161755,0.0055891057,0.0010091523,0.0005915031,0.035278358],"category_scores_gemma":[0.010949048,0.00033537092,0.00015364558,0.0144845005,0.0021458962,0.005518007,0.0043658693,0.00071003166,0.0056795836],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003321412,0.000039354873,0.019918978,0.0009804569,0.000018829161,0.0006748505,0.19123007,0.00025371934,0.0010971312,0.23593032,0.2837612,0.26576298],"study_design_scores_gemma":[0.0000072407393,0.00001713173,0.019072639,0.00024780646,0.0000076113793,0.00033035927,0.038547225,0.00009213692,0.00034832553,0.0030382867,0.93827033,0.000020828256],"about_ca_topic_score_codex":0.016648551,"about_ca_topic_score_gemma":0.029557565,"teacher_disagreement_score":0.035278358,"about_ca_system_score_codex":0.0013001021,"about_ca_system_score_gemma":0.001630871,"threshold_uncertainty_score":0.11801785},"labels":[],"label_agreement":null},{"id":"W2886187707","doi":"10.1177/1470412918782352","title":"The Cultural Politics of Aspiration: Family Photography’s Mixed Feelings","year":2018,"lang":"en","type":"article","venue":"Journal of Visual Culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":52,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Photography; Temporalities; Queer; Feeling; Gender studies; Diaspora; Aesthetics; Sociology; Oral history; Temporality; Visual arts; Art; Psychology; Social psychology; Political science; Anthropology; Epistemology; Law","score_opus":0.038657795625216866,"score_gpt":0.30851214861140797,"score_spread":0.2698543529861911,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2886187707","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8025571,0.0043359078,0.0023284948,0.016366078,0.00048819027,0.000021118149,0.00003306742,0.000040639738,0.17382933],"genre_scores_gemma":[0.99644417,0.0003146568,0.0001290166,0.00047303943,0.000037247744,0.0000057032976,0.000003488145,0.000009710207,0.0025829785],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99593544,0.003111099,0.00007272131,0.00019005119,0.00035971534,0.0003308283],"domain_scores_gemma":[0.9977507,0.001387425,0.00024845413,0.00014150281,0.0001534069,0.00031852286],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004253985,0.00026849488,0.00026387683,0.001027452,0.01161485,0.007033968,0.00041284456,0.0012853299,0.0034681864],"category_scores_gemma":[0.0061840517,0.00026726793,0.0002408513,0.0004920672,0.020095272,0.005887571,0.006046676,0.0028738957,0.00020930675],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054380274,0.000022251186,0.0036103104,0.000048577615,0.000014124925,0.0007890973,0.9139734,0.000032438085,0.0008053115,0.0663626,0.0026706087,0.011616935],"study_design_scores_gemma":[0.000010464527,0.00004953732,0.004574617,0.00015499759,0.000013790221,0.0010718798,0.9068486,0.00009195862,0.0004819293,0.010015741,0.07665426,0.000032291377],"about_ca_topic_score_codex":0.004754049,"about_ca_topic_score_gemma":0.005718137,"teacher_disagreement_score":0.01161485,"about_ca_system_score_codex":0.002572463,"about_ca_system_score_gemma":0.0010373504,"threshold_uncertainty_score":0.022497475},"labels":[],"label_agreement":null},{"id":"W2887941836","doi":"10.1177/1470412918782354","title":"Photography, Curation, Affect","year":2018,"lang":"en","type":"article","venue":"Journal of Visual Culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Affect (linguistics); Exhibition; Dignity; Shame; Visual arts; Affect theory; Photography; Art; Portrait; Aesthetics; Chen; Museology; Sociology; Art history; Feeling; Psychology; Political science; Law; Social psychology","score_opus":0.02946719358706357,"score_gpt":0.3154842482259112,"score_spread":0.28601705463884763,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2887941836","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26932395,0.027974002,0.0060422546,0.014322566,0.0008099441,0.00006499584,0.000085569874,0.00018066747,0.6811961],"genre_scores_gemma":[0.9716997,0.0050969357,0.0014910728,0.0010777804,0.0002258584,0.000033747823,0.000015248385,0.00006304027,0.020296553],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99778914,0.001366479,0.00005747168,0.0001935233,0.0004299341,0.00016345964],"domain_scores_gemma":[0.9970688,0.0017343235,0.0003755749,0.00035270184,0.00025142674,0.00021715679],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019365592,0.00040395683,0.00024475707,0.0012959742,0.0048552146,0.005327261,0.0005138916,0.0010637535,0.006213126],"category_scores_gemma":[0.004969889,0.00015395033,0.00018937838,0.00086625956,0.010574105,0.0024263796,0.003824725,0.0012865566,0.0004888004],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014917969,0.00009270793,0.012810943,0.0012356685,0.00005638905,0.0018234736,0.6891402,0.00019434409,0.0082779415,0.14813423,0.016261721,0.121823214],"study_design_scores_gemma":[0.000023438994,0.00016569656,0.041254755,0.0013880365,0.00006132732,0.0031804761,0.36713025,0.00015854982,0.0039763115,0.025831793,0.5567635,0.00006583962],"about_ca_topic_score_codex":0.0038736793,"about_ca_topic_score_gemma":0.005772256,"teacher_disagreement_score":0.006213126,"about_ca_system_score_codex":0.001941463,"about_ca_system_score_gemma":0.0010231078,"threshold_uncertainty_score":0.020784974},"labels":[],"label_agreement":null},{"id":"W2890012731","doi":"10.7202/1050833ar","title":"Andrea Kunard, Photography in Canada 1960–2000, Ottawa: National Gallery of Canada, 2017, 175 pp. 179 colour and b/w illus. $ 49.00 (paper) ISBN 9780888849489","year":2018,"lang":"en","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Universities Art Association of Canada","funders":"","keywords":"Photography; Art; Art history; Visual arts","score_opus":0.014982686047665174,"score_gpt":0.19345086369755535,"score_spread":0.17846817764989018,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890012731","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00054551946,0.841862,0.0005552093,0.028386319,0.006221511,0.000059319947,0.0037902235,0.00026236763,0.11831746],"genre_scores_gemma":[0.010052002,0.6162145,0.0015570078,0.0064340695,0.0015816604,0.00007020436,0.0027046094,0.0003638979,0.36102206],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981804,0.00017041783,0.000120181874,0.00019066279,0.0010931815,0.00024523673],"domain_scores_gemma":[0.99637383,0.00055570924,0.0001908945,0.00012960062,0.0022964682,0.000453558],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015593361,0.0025115388,0.0009447698,0.008344612,0.0073391115,0.0068843313,0.0026247008,0.0032043196,0.09040919],"category_scores_gemma":[0.0036801905,0.0013067935,0.00065821485,0.014287829,0.003967573,0.0063404236,0.0021544779,0.0030995156,0.04361114],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012881949,0.0000042148495,0.00017683527,0.0003671282,0.000004922012,0.000032083557,0.0005816778,0.000048341488,0.000074510834,0.0016843247,0.9765232,0.020489812],"study_design_scores_gemma":[0.0000021309725,0.0000015252585,0.0036153262,0.0004613204,0.0000049177434,0.00007197065,0.0010520371,0.00001523509,0.000046940942,0.00036704142,0.99434483,0.000016845543],"about_ca_topic_score_codex":0.95421606,"about_ca_topic_score_gemma":0.9862278,"teacher_disagreement_score":0.09040919,"about_ca_system_score_codex":0.047612384,"about_ca_system_score_gemma":0.034753982,"threshold_uncertainty_score":0.34545362},"labels":[],"label_agreement":null},{"id":"W2890815710","doi":"10.1386/public.29.57.250_7","title":"CHERYL SIM - YMX: MIGRATION, LAND, AND LOSS AFTER MIRABEL - Immersive Installation as Counter-Archive","year":2018,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Documentation; Embodied cognition; Point (geometry); Computer science; Work (physics); History; Visual arts; Sociology; Art; Engineering; Literature; Artificial intelligence","score_opus":0.021756723276569856,"score_gpt":0.24240490196950917,"score_spread":0.22064817869293932,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890815710","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.532645,0.0026467755,0.009364333,0.044604503,0.0025220904,0.00013356369,0.00029784648,0.0012920665,0.4064938],"genre_scores_gemma":[0.91616136,0.0005639078,0.0021416054,0.001016889,0.000263297,0.0000562311,0.00006453195,0.00039455475,0.0793376],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990539,0.0005327211,0.000010071904,0.000070050024,0.00018621542,0.00014689942],"domain_scores_gemma":[0.9989384,0.0004915242,0.00006538389,0.00015495496,0.00014210698,0.00020772438],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016848969,0.00046058086,0.00017896193,0.0005330045,0.008794425,0.0056376276,0.0009441273,0.0013888228,0.01527411],"category_scores_gemma":[0.0030529492,0.00020945388,0.00020323852,0.0004707643,0.008150858,0.0030970562,0.005299358,0.0027707824,0.0010518915],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022491178,0.00008041594,0.0021480236,0.00012931459,0.000009637161,0.0024827537,0.69258267,0.00047964524,0.003574852,0.115457736,0.14321578,0.039614294],"study_design_scores_gemma":[0.000017815128,0.00011923152,0.0026945104,0.00015855873,0.000009682168,0.001034019,0.25655562,0.00040261098,0.0034984369,0.003375537,0.73210174,0.0000321808],"about_ca_topic_score_codex":0.0120505085,"about_ca_topic_score_gemma":0.03179384,"teacher_disagreement_score":0.9879495,"about_ca_system_score_codex":0.0038757443,"about_ca_system_score_gemma":0.0014252192,"threshold_uncertainty_score":0.051096976},"labels":[],"label_agreement":null},{"id":"W2892180354","doi":"","title":"Icons and Identity: A Study of Two Museums and the Battle to Define Toronto","year":2015,"lang":"en","type":"dissertation","venue":"TSpace (University of Toronto)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Battle; Identity (music); Museology; Art; Visual arts; Media studies; Art history; Genealogy; History; Sociology; Aesthetics; Archaeology","score_opus":0.030187482728639928,"score_gpt":0.29713100510879203,"score_spread":0.2669435223801521,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2892180354","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.960822,0.0007372228,0.00020979672,0.0031404572,0.00005638735,0.00010633239,0.00008915774,0.000013331759,0.034825385],"genre_scores_gemma":[0.9851424,0.00051819364,0.00017650981,0.0003771994,0.000013591001,0.000043202905,0.000056748006,0.000024845616,0.013647235],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9956033,0.0016757121,0.00011106332,0.00034394377,0.00076348905,0.0015024939],"domain_scores_gemma":[0.9953555,0.0015183935,0.0005272572,0.0002863444,0.0006224238,0.0016900452],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034506137,0.00074136385,0.0008348408,0.0030559914,0.04941033,0.011209926,0.0026297884,0.0022279941,0.0078495955],"category_scores_gemma":[0.005929824,0.00093427376,0.0005308545,0.004315735,0.024397664,0.004245857,0.010228708,0.004592586,0.00045039825],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009568298,0.000016019483,0.0019316655,0.00001759109,0.0000018021472,0.0002066925,0.9933914,0.00001278324,0.000086375,0.0024491514,0.0006935024,0.0011835779],"study_design_scores_gemma":[0.0000018130164,0.000009249148,0.004602161,0.000036277142,0.0000031904815,0.000037945672,0.98217976,0.000025378886,0.000032168067,0.00009665088,0.012967021,0.0000084315225],"about_ca_topic_score_codex":0.9077372,"about_ca_topic_score_gemma":0.97207314,"teacher_disagreement_score":0.092262805,"about_ca_system_score_codex":0.08725417,"about_ca_system_score_gemma":0.042765178,"threshold_uncertainty_score":0.63307625},"labels":[],"label_agreement":null},{"id":"W2898247218","doi":"10.22148/16.026","title":"Image Analytics and the Nineteenth-Century Illustrated Newspaper","year":2018,"lang":"en","type":"article","venue":"Journal of Cultural Analytics","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Newspaper; Sublime; Flood myth; History; Analytics; Art history; Media studies; Literature; Art; Computer science; Sociology; Data science; Archaeology","score_opus":0.03466716520478621,"score_gpt":0.27180729049283825,"score_spread":0.23714012528805203,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898247218","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027574377,0.66341937,0.0017215755,0.07731471,0.002902629,0.00002423732,0.0005460998,0.00019955233,0.22629759],"genre_scores_gemma":[0.32380304,0.55301744,0.0027020914,0.015641525,0.0060970923,0.000048548292,0.0008203768,0.00034851182,0.097521394],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99845123,0.00046621417,0.00008854952,0.00013783106,0.00070153095,0.00015466259],"domain_scores_gemma":[0.9904805,0.0064334,0.0006066623,0.00038234098,0.0018167503,0.0002804163],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020471038,0.00034004677,0.00020657999,0.008934707,0.0024133723,0.011131861,0.000508557,0.0015873233,0.008579212],"category_scores_gemma":[0.008255416,0.00032584628,0.00022268436,0.009646267,0.006164176,0.0085094925,0.0016315418,0.0021250076,0.0022471843],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000121260404,0.00006169742,0.0021656337,0.002385854,0.000051563256,0.0007190813,0.029476326,0.00014637933,0.0008066534,0.23447676,0.30754882,0.42204],"study_design_scores_gemma":[0.0000055877676,0.000009932871,0.006024399,0.0015685286,0.000015846726,0.00034521107,0.008310238,0.00008097689,0.0006182925,0.007720859,0.97528243,0.000017761395],"about_ca_topic_score_codex":0.03299425,"about_ca_topic_score_gemma":0.05207391,"teacher_disagreement_score":0.03299425,"about_ca_system_score_codex":0.0072045545,"about_ca_system_score_gemma":0.0019426757,"threshold_uncertainty_score":0.06560439},"labels":[],"label_agreement":null},{"id":"W2898932692","doi":"10.1007/978-3-319-96767-7_1","title":"Introduction: Critically Distant","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Field (mathematics); Narrative; Identity (music); State (computer science); Media studies; Sociology; Visual arts; History; Aesthetics; Art; Literature; Computer science","score_opus":0.03356875291384472,"score_gpt":0.24337609397410614,"score_spread":0.20980734106026142,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2898932692","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00035521813,0.009828922,0.0016338552,0.009103671,0.014733847,0.000052754116,0.00028722826,0.00019557959,0.9638089],"genre_scores_gemma":[0.0031967363,0.0028826462,0.00041544222,0.0030587192,0.0034762812,0.000036334328,0.000217965,0.00025418276,0.9864618],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99954283,0.00009260839,0.000017866547,0.00009304579,0.0002103258,0.000043356973],"domain_scores_gemma":[0.9992536,0.00021802796,0.000026058979,0.000088344575,0.00030629832,0.00010772753],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00057148695,0.00085582485,0.0005178874,0.0018499583,0.0028946043,0.004882882,0.001026546,0.002120756,0.27746707],"category_scores_gemma":[0.0027519045,0.0002634422,0.0003557342,0.0011815379,0.0015882977,0.0048640184,0.0026670839,0.0033371765,0.1399924],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016102249,0.000021176911,0.00003987109,0.00013841952,0.0000013780507,0.00004067315,0.00044497364,0.00004610894,0.00016514072,0.05813404,0.87716466,0.06378759],"study_design_scores_gemma":[0.0000013572322,0.0000028936124,0.000056431614,0.00011166887,7.30397e-7,0.000023098808,0.00011887554,0.000012003382,0.000046424248,0.005700571,0.99392384,0.0000021517042],"about_ca_topic_score_codex":0.002857019,"about_ca_topic_score_gemma":0.008764246,"teacher_disagreement_score":0.27746707,"about_ca_system_score_codex":0.0022283832,"about_ca_system_score_gemma":0.0013975252,"threshold_uncertainty_score":0.9282198},"labels":[],"label_agreement":null},{"id":"W2901388621","doi":"10.3138/9781442662728-016","title":"10. Meet Me in Toronto: The Re-exhibition of Artifacts from the 1904 Louisiana Purchase Exposition at the Royal Ontario Museum","year":2012,"lang":"en","type":"book-chapter","venue":"University of Toronto Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Exposition (narrative); Visual arts; Art history; Art; Media studies; History; Archaeology; Cartography; Geography; Sociology; Literature","score_opus":0.03458340610912246,"score_gpt":0.20735647074017421,"score_spread":0.17277306463105174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2901388621","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0154441735,0.016152872,0.000747231,0.0225789,0.0029522362,0.000060075403,0.0017908175,0.00023178024,0.94004196],"genre_scores_gemma":[0.027448077,0.0028396419,0.0003335932,0.0011889586,0.00015579026,0.000017629502,0.000207033,0.00015581032,0.96765333],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99969447,0.000038151447,0.00000625837,0.000038956263,0.00009732842,0.00012481613],"domain_scores_gemma":[0.9997601,0.000026280259,0.000011519271,0.000015354026,0.000097801436,0.00008881505],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027727653,0.00064241054,0.0001810331,0.0011095797,0.010483436,0.004958776,0.0005711129,0.0018623193,0.07120077],"category_scores_gemma":[0.0005949178,0.0003880604,0.000299959,0.0016162337,0.0033242302,0.0015339099,0.0025110405,0.0026217888,0.013236586],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028193712,0.00001241421,0.0009324133,0.00013596966,0.0000046410596,0.00041004206,0.042125836,0.000057612997,0.00074085034,0.031165872,0.8870283,0.037357863],"study_design_scores_gemma":[8.6311104e-7,0.000002432218,0.0015761564,0.000044625634,0.0000015692816,0.000045004814,0.0041222814,0.000005926797,0.00008386192,0.00011513971,0.993997,0.0000050927997],"about_ca_topic_score_codex":0.87973845,"about_ca_topic_score_gemma":0.98592365,"teacher_disagreement_score":0.12026155,"about_ca_system_score_codex":0.021760805,"about_ca_system_score_gemma":0.014749006,"threshold_uncertainty_score":0.24193954},"labels":[],"label_agreement":null},{"id":"W2901399078","doi":"10.7202/1055836ar","title":"Perspectives photographiques sur l’autochtonie (1984-2011)","year":2018,"lang":"fr","type":"article","venue":"Captures","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Portrait; Art; Humanities; Cartography; Geography; Art history","score_opus":0.03393544775394749,"score_gpt":0.2723498604598666,"score_spread":0.2384144127059191,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2901399078","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58668244,0.06758406,0.0011610325,0.01553225,0.0013372237,0.00005410139,0.00057450286,0.00003115959,0.32704327],"genre_scores_gemma":[0.8924601,0.047630195,0.00062759145,0.00074113195,0.00048834796,0.00004403023,0.00017950642,0.00003743496,0.05779179],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999228,0.00026561995,0.00002397321,0.00010798367,0.0001853366,0.00018909192],"domain_scores_gemma":[0.9987784,0.0006417544,0.00014781495,0.000078039484,0.00023996145,0.00011407818],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002249089,0.00030835747,0.00019907358,0.002325699,0.008414847,0.0039726472,0.0004184531,0.0009311652,0.00841069],"category_scores_gemma":[0.0019765096,0.00023135089,0.0002296792,0.003672113,0.0069381194,0.0026029365,0.0023285998,0.0028249812,0.00038561007],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008343292,0.000034271576,0.0077272975,0.00050499744,0.000012528868,0.0010346767,0.87359786,0.00014698814,0.0019823862,0.055052366,0.011968255,0.047855012],"study_design_scores_gemma":[0.000004701742,0.000033740962,0.06998663,0.0006627361,0.000013563228,0.0005447967,0.3535259,0.000025142299,0.0005045244,0.0013831267,0.57329345,0.000021697613],"about_ca_topic_score_codex":0.29177678,"about_ca_topic_score_gemma":0.60484254,"teacher_disagreement_score":0.29177678,"about_ca_system_score_codex":0.010427988,"about_ca_system_score_gemma":0.0059127472,"threshold_uncertainty_score":0.5801569},"labels":[],"label_agreement":null},{"id":"W2903475385","doi":"10.25071/ryr.v2i0.40377","title":"Looking Through the Lens: Changing Interpretations of Edward S. Curtis's Photographs of Western Canada","year":2015,"lang":"en","type":"article","venue":"Revue YOUR Review (York Online Undergraduate Research)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Amateur; Ethnography; Counterculture; Art history; History; Archaeology","score_opus":0.20973428783399414,"score_gpt":0.3814622842291023,"score_spread":0.17172799639510813,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2903475385","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13835132,0.1374046,0.0031135618,0.26808512,0.0068695364,0.00017101837,0.000892275,0.00019275014,0.44491982],"genre_scores_gemma":[0.77460563,0.07782016,0.0023977263,0.02609036,0.0008560224,0.000108646134,0.00022514877,0.00039523476,0.11750115],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967378,0.0012033257,0.000087660635,0.00026949696,0.0010752084,0.0006264817],"domain_scores_gemma":[0.99256706,0.0024137083,0.0002778609,0.00023063306,0.0035492736,0.00096158904],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032999453,0.0009928837,0.0005768077,0.005183692,0.035162702,0.015592062,0.002235549,0.0026985658,0.0059467996],"category_scores_gemma":[0.0093455985,0.00046557485,0.0003090927,0.007344151,0.020414703,0.0045237076,0.0039059212,0.005401633,0.0006137178],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034039833,0.000020828464,0.0021809358,0.00034163697,0.000021215907,0.0015179289,0.72661346,0.00018610527,0.0005292522,0.0733668,0.1685392,0.026648564],"study_design_scores_gemma":[0.0000030246197,0.0000047596927,0.0022317087,0.0008171616,0.000018165278,0.00021961537,0.42693174,0.000075188866,0.00033263332,0.0023876806,0.5669425,0.000035832665],"about_ca_topic_score_codex":0.979981,"about_ca_topic_score_gemma":0.9927308,"teacher_disagreement_score":0.108277455,"about_ca_system_score_codex":0.108277455,"about_ca_system_score_gemma":0.088357925,"threshold_uncertainty_score":0.7856116},"labels":[],"label_agreement":null},{"id":"W2904073683","doi":"10.1353/vcr.2017.0040","title":"Nineteenth-Century Illustration and the Digital: Studies in Word and Image by Julia Thomas","year":2017,"lang":"en","type":"article","venue":"Victorian review","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Scholarship; Criticism; History; Affordance; Subject (documents); Art history; Discipline; Literature; Art; Sociology; Computer science; Library science; Law; Social science","score_opus":0.06378186801580045,"score_gpt":0.3232822292314325,"score_spread":0.2595003612156321,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2904073683","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019982584,0.46697417,0.0009951002,0.17831375,0.011081254,0.000024991245,0.00013523469,0.00005081782,0.32244208],"genre_scores_gemma":[0.34731135,0.28709465,0.000980553,0.013216173,0.009418369,0.00007252297,0.00012611525,0.00020697263,0.34157333],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.999464,0.00018254337,0.000021846405,0.00007731969,0.00018508111,0.00006936155],"domain_scores_gemma":[0.99880147,0.0006753543,0.000090049,0.000046803678,0.00024270143,0.000143637],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006409324,0.0004382323,0.0003329285,0.0013856204,0.0034137422,0.00524669,0.0006193899,0.0014227342,0.012123481],"category_scores_gemma":[0.0028265212,0.00023738347,0.00018846722,0.0020873554,0.008365179,0.00537972,0.0023284855,0.0029933583,0.002682405],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004489714,0.000030881758,0.0005259814,0.00072410435,0.000007905084,0.00030963577,0.052669592,0.00012529102,0.00033644063,0.34114802,0.5461875,0.057889737],"study_design_scores_gemma":[0.000002850653,0.0000050712456,0.0009628174,0.0007967233,0.0000033221586,0.00014812242,0.010072963,0.000042851545,0.000115573464,0.010221817,0.977617,0.000010789992],"about_ca_topic_score_codex":0.0189263,"about_ca_topic_score_gemma":0.02472083,"teacher_disagreement_score":0.0189263,"about_ca_system_score_codex":0.0061966153,"about_ca_system_score_gemma":0.002738959,"threshold_uncertainty_score":0.044959843},"labels":[],"label_agreement":null},{"id":"W2906077513","doi":"10.32920/ryerson.14665200","title":"Photographic representations of 'truth': the history and contemporary practice of photographic narrative tableaux","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University; Toronto Metropolitan University","funders":"","keywords":"Narrative; Postmodernism; Metaphor; Uncanny; Verisimilitude; Art; Sublime; Mythology; Aesthetics; Criticism; Allegory; Literature; Modernism (music); Representation (politics); Philosophy; Politics","score_opus":0.07050478241073732,"score_gpt":0.29431933761730233,"score_spread":0.223814555206565,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2906077513","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12395301,0.07223754,0.018953647,0.052673116,0.0021357166,0.00009646979,0.00017085945,0.0002220688,0.7295575],"genre_scores_gemma":[0.93320733,0.014723398,0.0035757131,0.0013153072,0.00048505308,0.000041656713,0.00005106935,0.00015968467,0.046440877],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9939189,0.0041021677,0.00018273467,0.000535593,0.00091745285,0.00034320803],"domain_scores_gemma":[0.9901564,0.0072088796,0.0005113787,0.0010726422,0.0006883739,0.00036232575],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0061294558,0.00033630055,0.00037412683,0.0031221611,0.007749994,0.013497922,0.0015633904,0.0025039192,0.012032027],"category_scores_gemma":[0.016240334,0.00044583954,0.00021195447,0.0030572468,0.033486515,0.009536158,0.004837885,0.0038639933,0.00079972495],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035145124,0.000014971503,0.00045565894,0.00029776533,0.000004643625,0.00042415215,0.34782416,0.00017569664,0.00041805243,0.5937456,0.009871201,0.046732865],"study_design_scores_gemma":[0.000007224498,0.000028625265,0.0012609342,0.0009847376,0.0000051933584,0.0006381312,0.113550775,0.0002799534,0.00068131235,0.031667534,0.85087144,0.000024196097],"about_ca_topic_score_codex":0.020292722,"about_ca_topic_score_gemma":0.028287606,"teacher_disagreement_score":0.020292722,"about_ca_system_score_codex":0.011931763,"about_ca_system_score_gemma":0.003951481,"threshold_uncertainty_score":0.086571395},"labels":[],"label_agreement":null},{"id":"W2907266796","doi":"10.4000/angles.713","title":"Max Aguilera-Hellweg, Photography from surgery to robotics","year":2018,"lang":"en","type":"article","venue":"Angles","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec en Outaouais","funders":"","keywords":"Robotics; Photography; Simulacrum; Artificial intelligence; Visual arts; Art; Computer science; Robot","score_opus":0.06037270734853218,"score_gpt":0.25514164706934295,"score_spread":0.19476893972081077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2907266796","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0069645145,0.2890069,0.0120384935,0.24724256,0.012158956,0.000053040058,0.00017554306,0.00032086254,0.43203926],"genre_scores_gemma":[0.20870923,0.20491724,0.011273249,0.029683067,0.007941267,0.00015466007,0.000091248476,0.0005078949,0.5367221],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99943453,0.00020142204,0.000022702268,0.00010079716,0.00019473051,0.00004583614],"domain_scores_gemma":[0.9993431,0.00036183104,0.000053712007,0.00003401439,0.00010861201,0.000098622055],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009528256,0.00055123074,0.00017105127,0.0014103021,0.003140257,0.0033694152,0.00040952608,0.0019606526,0.014644947],"category_scores_gemma":[0.0023438458,0.00028969924,0.00016354329,0.00083383516,0.0061568506,0.0067501953,0.0019371198,0.0030431468,0.0029298826],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003592194,0.000019395518,0.00037404778,0.00027577937,0.0000048079255,0.00012793268,0.010401528,0.0002045908,0.0007709819,0.4084713,0.46699297,0.11232079],"study_design_scores_gemma":[0.0000021402154,0.0000097046595,0.0005329506,0.00033119615,0.0000020023774,0.00018761294,0.002889535,0.00006119756,0.0003931342,0.021225495,0.9743551,0.000010023601],"about_ca_topic_score_codex":0.0060852114,"about_ca_topic_score_gemma":0.0092473,"teacher_disagreement_score":0.014644947,"about_ca_system_score_codex":0.0027361677,"about_ca_system_score_gemma":0.0009966646,"threshold_uncertainty_score":0.048992217},"labels":[],"label_agreement":null},{"id":"W2907428754","doi":"10.4324/9781351260282-11","title":"Sounding Citizenship in Canada","year":2017,"lang":"en","type":"book-chapter","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Depth sounding; Citizenship; Political science; Geography; Cartography; Law; Politics","score_opus":0.0775326234364441,"score_gpt":0.23953146366658193,"score_spread":0.16199884023013783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2907428754","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23368631,0.0093122255,0.00074099476,0.02663871,0.0007949816,0.00006226593,0.00020893036,0.000115113464,0.72844046],"genre_scores_gemma":[0.8482622,0.0052059097,0.00043208088,0.002661996,0.00004055623,0.000023022369,0.00009913878,0.00009053345,0.1431846],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978435,0.00023213477,0.000022422362,0.00016945323,0.0005834902,0.0011490864],"domain_scores_gemma":[0.9987324,0.00017172653,0.000038205566,0.000041770556,0.0003376406,0.0006782724],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010511961,0.00041944894,0.00047980188,0.0013113,0.054166134,0.013090994,0.001349372,0.0019007237,0.014055735],"category_scores_gemma":[0.0017127775,0.00026880376,0.00035968417,0.003779966,0.019445848,0.002973237,0.0063010375,0.0042413794,0.0006303963],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005337694,0.000058166563,0.004837354,0.00015855915,0.0000120855675,0.001283782,0.54270387,0.0002518229,0.00064479414,0.28617212,0.08394614,0.07987794],"study_design_scores_gemma":[0.000005687864,0.000015278129,0.0050446186,0.00023896224,0.000011046609,0.0002160064,0.29590428,0.000105807165,0.00025927197,0.00452585,0.6936266,0.00004655802],"about_ca_topic_score_codex":0.99172205,"about_ca_topic_score_gemma":0.9971102,"teacher_disagreement_score":0.14260876,"about_ca_system_score_codex":0.14260876,"about_ca_system_score_gemma":0.17180112,"threshold_uncertainty_score":0.9944523},"labels":[],"label_agreement":null},{"id":"W2909142835","doi":"10.1525/aft.2014.42.2.2","title":"Scotiabank CONTACT Photography Festival","year":2014,"lang":"en","type":"article","venue":"Afterimage","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Icon; Citation; Photography; Afterimage; Visual arts; Art; Computer science; World Wide Web; Artificial intelligence","score_opus":0.01489629520876242,"score_gpt":0.21879245581103207,"score_spread":0.20389616060226964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2909142835","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006672703,0.0021498676,0.00020218587,0.0036332735,0.0034387384,0.00009824026,0.0075179683,0.00065874896,0.97562826],"genre_scores_gemma":[0.015207956,0.0010011959,0.0002336697,0.0002610396,0.00024702173,0.00003132841,0.0021952223,0.00024937428,0.9805731],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99977726,0.000016267239,0.0000045482952,0.00003255541,0.00010007663,0.00006927863],"domain_scores_gemma":[0.9994393,0.00003370096,0.00002454679,0.0000628974,0.00022370336,0.00021581771],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00035321797,0.00046555643,0.00031924713,0.0009486932,0.0033072159,0.0025503873,0.00048453515,0.00068103516,0.6823696],"category_scores_gemma":[0.00083797466,0.00024995976,0.00025370874,0.0010932762,0.00048687292,0.0008166148,0.0018315458,0.0010184641,0.19839157],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007969858,0.000012492591,0.0003985389,0.00009115224,0.0000030978595,0.00014409887,0.00026737634,0.00001370429,0.00041983865,0.0010205476,0.9767605,0.020788928],"study_design_scores_gemma":[0.0000069094212,0.000015007474,0.0037947572,0.00009323797,0.0000020908994,0.00007470792,0.0004945826,0.0000118200915,0.0001296391,0.00009931559,0.9952734,0.0000044089543],"about_ca_topic_score_codex":0.12788367,"about_ca_topic_score_gemma":0.41504198,"teacher_disagreement_score":0.8721163,"about_ca_system_score_codex":0.0030065177,"about_ca_system_score_gemma":0.002347144,"threshold_uncertainty_score":0.45306122},"labels":[],"label_agreement":null},{"id":"W2915908938","doi":"","title":"The Detail, Photographed: Reimagining the Monument","year":2019,"lang":"en","type":"dissertation","venue":"UWSpace (University of Waterloo)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; National monument; Cartography; Art; Geography; Archaeology","score_opus":0.01570631309520077,"score_gpt":0.20578580729604395,"score_spread":0.1900794942008432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2915908938","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16652973,0.010359281,0.012878257,0.08475917,0.011404194,0.00016437488,0.0005015314,0.0010193841,0.7123841],"genre_scores_gemma":[0.5856376,0.0050798506,0.014218116,0.006951372,0.0011916282,0.000047580896,0.0002528016,0.0011952367,0.38542584],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993529,0.00026975857,0.000013650669,0.00006969105,0.00017983578,0.00011413891],"domain_scores_gemma":[0.9993748,0.00013301805,0.000028115093,0.00014590585,0.00015529407,0.0001628177],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001144014,0.00036113602,0.0001431202,0.00054755755,0.010615492,0.005819206,0.0007501806,0.0011964171,0.0137816835],"category_scores_gemma":[0.002529276,0.00028755725,0.00024795855,0.00045177052,0.0068209823,0.0034862843,0.004066266,0.0026631774,0.0019266586],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010445254,0.000046983474,0.0031955694,0.0003013443,0.000017294362,0.0026840847,0.41370118,0.00036157435,0.0073096305,0.078596815,0.37077442,0.122906655],"study_design_scores_gemma":[0.0000022624597,0.000014590225,0.0015375376,0.0001310567,0.000008336744,0.0004422255,0.060676634,0.00006497888,0.0005799685,0.0011672722,0.93536156,0.00001360096],"about_ca_topic_score_codex":0.10010094,"about_ca_topic_score_gemma":0.43221417,"teacher_disagreement_score":0.10010094,"about_ca_system_score_codex":0.006550681,"about_ca_system_score_gemma":0.0033267112,"threshold_uncertainty_score":0.19903654},"labels":[],"label_agreement":null},{"id":"W2917131498","doi":"10.1080/19301944.2018.1511357","title":"EDITOR'S DESK Sharing African Photographic Archives in the Digital Era: Exploring Their Material and Affective Dimensions","year":2018,"lang":"en","type":"article","venue":"Critical Interventions","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Desk; Visual arts; Digital Archives; Photography; Art; History; World Wide Web; Computer science","score_opus":0.10128087683076091,"score_gpt":0.318034363402371,"score_spread":0.2167534865716101,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2917131498","genre_codex":"editorial","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014568609,0.026051125,0.0015361792,0.32851267,0.5378302,0.00009506152,0.00020707115,0.00018766923,0.09101146],"genre_scores_gemma":[0.22966993,0.039304737,0.0034429554,0.09415088,0.40717784,0.0002764766,0.00015958423,0.00053545664,0.22528216],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993062,0.0002822227,0.000047393412,0.00007295616,0.00022319646,0.0000679553],"domain_scores_gemma":[0.9944746,0.0033118324,0.00023620241,0.00016156699,0.0012801103,0.00053577236],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015038527,0.00050320104,0.00027631962,0.00066257745,0.0026244784,0.003806526,0.0005436937,0.0022875692,0.034877747],"category_scores_gemma":[0.012080662,0.00010274879,0.00022278311,0.00046358886,0.0013816818,0.0020364637,0.0015458498,0.0024914665,0.0031251975],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006193665,0.000030280078,0.00024325866,0.0004770456,0.00000773435,0.00028464542,0.004105656,0.000019678273,0.00078297016,0.0061251917,0.9284715,0.059390124],"study_design_scores_gemma":[0.000008699539,0.000024663164,0.00071431795,0.0005251469,0.000014594741,0.00034586428,0.006829031,0.000049411807,0.00060206954,0.00090902206,0.9899687,0.000008396655],"about_ca_topic_score_codex":0.00085263577,"about_ca_topic_score_gemma":0.002593751,"teacher_disagreement_score":0.034877747,"about_ca_system_score_codex":0.0006270049,"about_ca_system_score_gemma":0.0011995484,"threshold_uncertainty_score":0.1166777},"labels":[],"label_agreement":null},{"id":"W2927142838","doi":"10.1353/vcr.2006.0016","title":"The Victorian Artist: Artists' Lifewritings in Britain, ca. 1870-1910 by Julie F. Codell (review)","year":2006,"lang":"en","type":"article","venue":"Victorian review","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history; Visual arts; History","score_opus":0.008343781310549482,"score_gpt":0.2318904804482134,"score_spread":0.22354669913766392,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2927142838","genre_codex":"review","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001249829,0.99430156,0.000012503039,0.001785369,0.0011220626,0.0000038393787,0.000055673747,0.00000250927,0.0025915143],"genre_scores_gemma":[0.0033151458,0.97885567,0.00007378297,0.0014841465,0.0007266177,0.000013041812,0.000108171116,0.000008302586,0.01541509],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991316,0.00014445912,0.000088094705,0.00009509933,0.00046119865,0.00007953177],"domain_scores_gemma":[0.99797505,0.0005433101,0.00028572712,0.000048264803,0.0009608425,0.00018681609],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001615712,0.0006678514,0.0010109532,0.00443949,0.0013394087,0.0025422124,0.0007403698,0.000997791,0.008598028],"category_scores_gemma":[0.003657062,0.00059083145,0.00033083014,0.006695835,0.0016475627,0.001671955,0.0013490731,0.0017059962,0.003266887],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041099418,0.000008163278,0.00038394402,0.006589496,0.000029396138,0.00008632346,0.0011889982,0.000048639118,0.0001550443,0.0015218343,0.7035808,0.28636625],"study_design_scores_gemma":[0.0000059883246,0.000010622402,0.006253275,0.0057949745,0.000018274815,0.00020353276,0.00060003734,0.0000074469494,0.000053581185,0.0001773542,0.98686427,0.0000107275355],"about_ca_topic_score_codex":0.19526544,"about_ca_topic_score_gemma":0.43277234,"teacher_disagreement_score":0.19526544,"about_ca_system_score_codex":0.0044990843,"about_ca_system_score_gemma":0.0067812745,"threshold_uncertainty_score":0.38825774},"labels":[],"label_agreement":null},{"id":"W2931425623","doi":"10.1353/esc.2000.0040","title":"J. B. Priestley: The BBC’s Star Propagandist In World War II","year":2000,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Spanish Civil War; History; Art history; Art; Literature; Law; Political science","score_opus":0.03704397654602115,"score_gpt":0.25167243911872816,"score_spread":0.214628462572707,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2931425623","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0573565,0.066497594,0.00053823093,0.33821833,0.02241403,0.00004141859,0.00016571592,0.00012378828,0.51464444],"genre_scores_gemma":[0.43666595,0.044798054,0.0006328152,0.023490433,0.004080406,0.000026528836,0.00010290694,0.00024279741,0.4899601],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99950576,0.00012529663,0.000008305467,0.000046470777,0.00015818796,0.00015587412],"domain_scores_gemma":[0.99925846,0.00017317447,0.000035409706,0.000022636224,0.00018569537,0.0003246715],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007587788,0.0002923395,0.00015918975,0.00067831395,0.011637024,0.005326182,0.00042053193,0.0018981402,0.007532537],"category_scores_gemma":[0.0018428444,0.00018997138,0.00012132778,0.0010281301,0.0028218143,0.0013729086,0.0013771915,0.0035603563,0.0012154568],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037306396,0.000019808233,0.00054267416,0.00006835454,0.000003054097,0.00089139777,0.03352857,0.000034841632,0.0005276554,0.019094674,0.9239123,0.021339415],"study_design_scores_gemma":[0.0000036042732,0.000010208898,0.002403801,0.00012684544,0.000003132059,0.0004136722,0.028764317,0.000020521073,0.0003005825,0.0006035772,0.967339,0.000010700722],"about_ca_topic_score_codex":0.36333275,"about_ca_topic_score_gemma":0.66011167,"teacher_disagreement_score":0.36333275,"about_ca_system_score_codex":0.007850829,"about_ca_system_score_gemma":0.004588409,"threshold_uncertainty_score":0.72243583},"labels":[],"label_agreement":null},{"id":"W2935621469","doi":"10.1080/10464883.2019.1560800","title":"Canfield Drive","year":2019,"lang":"en","type":"article","venue":"Journal of Architectural Education","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Psychology; Sociology; Engineering","score_opus":0.009881252509110369,"score_gpt":0.2487692251657472,"score_spread":0.23888797265663683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2935621469","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007434814,0.0004795067,0.0011494785,0.0025452194,0.00087820453,0.00007098659,0.00050198083,0.00043479502,0.986505],"genre_scores_gemma":[0.08661184,0.00061687944,0.0023036588,0.0013795727,0.00015626708,0.00008260386,0.0011329806,0.0002548108,0.90746146],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915993,0.000079183534,0.000016253194,0.00018737443,0.0003995686,0.00015773078],"domain_scores_gemma":[0.9992712,0.00009636142,0.000026171016,0.00010389129,0.0002696617,0.00023257868],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00039872553,0.0006778635,0.00025160625,0.0011958549,0.0073574763,0.00410184,0.001051416,0.0015634707,0.31760496],"category_scores_gemma":[0.0018281387,0.00030810386,0.00019554638,0.0012319913,0.0012632416,0.0024521672,0.0038430933,0.0017839143,0.060363177],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027920515,0.00016239563,0.0046203947,0.00024983502,0.000012198971,0.0019647232,0.005042717,0.00037859243,0.0018753146,0.087423936,0.6702273,0.22776334],"study_design_scores_gemma":[0.0000075640546,0.000030483085,0.0015373658,0.00005962939,0.000003586088,0.00034900787,0.001867523,0.00015434889,0.0004464353,0.0022892414,0.993244,0.000010860438],"about_ca_topic_score_codex":0.03637851,"about_ca_topic_score_gemma":0.123471595,"teacher_disagreement_score":0.31760496,"about_ca_system_score_codex":0.0027481385,"about_ca_system_score_gemma":0.0037252519,"threshold_uncertainty_score":0.9733537},"labels":[],"label_agreement":null},{"id":"W2939197727","doi":"","title":"\"A Bursting Shell: The Photographer's Last Picture\"","year":2017,"lang":"en","type":"article","venue":"Dalhousie review","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Bursting; Shell (structure); Art; Visual arts; History; Materials science; Composite material; Psychology; Neuroscience","score_opus":0.060206758559963616,"score_gpt":0.3019820781550351,"score_spread":0.24177531959507148,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2939197727","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00044901494,0.8643925,0.00040333916,0.09409945,0.016557049,0.00001376555,0.000095188225,0.00008287987,0.023906795],"genre_scores_gemma":[0.013284714,0.8235859,0.0015806303,0.08311098,0.006171753,0.000036000285,0.00013625617,0.00013773721,0.07195603],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99867105,0.00033180852,0.00010732418,0.0001669202,0.00048963865,0.00023327596],"domain_scores_gemma":[0.99729496,0.00078388193,0.00018131049,0.00017203367,0.0011224704,0.00044525624],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029911418,0.00094798475,0.0009946845,0.003791737,0.0034116553,0.009330909,0.0020362972,0.0062171808,0.018816527],"category_scores_gemma":[0.007094611,0.0005512798,0.00052678504,0.0026570002,0.008253058,0.008855613,0.0042565204,0.007949869,0.0053469874],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036824556,0.000013116533,0.00016324311,0.0009968526,0.000009666251,0.000120879944,0.0006299153,0.00003667337,0.00014669767,0.029274952,0.82102054,0.14755067],"study_design_scores_gemma":[0.0000043148525,0.000005868849,0.00046496157,0.0011661352,0.000007810379,0.00017325005,0.00084039965,0.000011725407,0.00009112821,0.0013811361,0.99583983,0.00001347428],"about_ca_topic_score_codex":0.11062564,"about_ca_topic_score_gemma":0.21485648,"teacher_disagreement_score":0.11062564,"about_ca_system_score_codex":0.010320435,"about_ca_system_score_gemma":0.017667115,"threshold_uncertainty_score":0.21996343},"labels":[],"label_agreement":null},{"id":"W2941759994","doi":"10.3138/cjfs.27.2.2018-0015","title":"<i>Battle of the Somme</i>: What the Audience Saw","year":2018,"lang":"fr","type":"article","venue":"Canadian Journal of Film Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Humanities; Art; Battle; Art history; History; Ancient history","score_opus":0.05979240854374081,"score_gpt":0.2843530501170913,"score_spread":0.22456064157335048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2941759994","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037354108,0.023019798,0.002297914,0.14465915,0.008729952,0.00003906153,0.0001668396,0.00010080324,0.7836324],"genre_scores_gemma":[0.6172798,0.011411805,0.0007360075,0.023707204,0.003579413,0.000063303145,0.00014821673,0.00036056168,0.34271362],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985662,0.000666077,0.000032191143,0.00016459613,0.00031193867,0.00025907994],"domain_scores_gemma":[0.99901974,0.00032347743,0.00007989847,0.000071299546,0.00019739318,0.00030818314],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013979638,0.00043175332,0.0002313564,0.0008310696,0.015996533,0.01550169,0.00080848765,0.004518928,0.01217996],"category_scores_gemma":[0.0033980992,0.0003004155,0.00025900608,0.0009881633,0.015071658,0.009903832,0.0032996691,0.008519661,0.0028759362],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000099257144,0.000033336517,0.0013887585,0.000287103,0.000009444372,0.0010303541,0.33705115,0.00007129357,0.0011920006,0.38800558,0.24629475,0.024536883],"study_design_scores_gemma":[0.000004268143,0.000012420678,0.0011029202,0.0004410553,0.000002724919,0.00032881566,0.105614945,0.00005755178,0.00032137387,0.011066125,0.88102746,0.000020356054],"about_ca_topic_score_codex":0.029426487,"about_ca_topic_score_gemma":0.050835505,"teacher_disagreement_score":0.029426487,"about_ca_system_score_codex":0.0075971894,"about_ca_system_score_gemma":0.003352386,"threshold_uncertainty_score":0.058510423},"labels":[],"label_agreement":null},{"id":"W2941893074","doi":"","title":"La photographie au Canada 1960-2000, De l’art photographique au monde des images / Photography in Canada, 1960–2000, From Photographic Art to the World of Images","year":2018,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Photography; Art history; Visual arts","score_opus":0.016385140443422836,"score_gpt":0.23347384148747194,"score_spread":0.2170887010440491,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2941893074","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.56725246,0.049997386,0.001299822,0.014828198,0.0013703441,0.00012703941,0.038338196,0.00014444519,0.3266421],"genre_scores_gemma":[0.8158837,0.015473037,0.0013700208,0.0006579042,0.00017709733,0.000038276834,0.0066506127,0.00006969709,0.15967962],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99920964,0.000031728516,0.000026224865,0.00010528773,0.0003041188,0.00032304993],"domain_scores_gemma":[0.9981614,0.00017626499,0.00019996196,0.00004771195,0.0009908796,0.00042392788],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00053480244,0.00044150138,0.00020398849,0.0048889047,0.0067964825,0.0036404359,0.0005975168,0.0007239615,0.010367834],"category_scores_gemma":[0.0027360881,0.00043026597,0.00030862718,0.012110262,0.002578161,0.0015758128,0.0013990686,0.0020622155,0.0007114361],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006662386,0.00016476028,0.21945988,0.0018594677,0.0001704843,0.0029561326,0.09231758,0.002116239,0.0041534416,0.11321188,0.2769516,0.28597227],"study_design_scores_gemma":[0.0000118071075,0.000010039348,0.56827074,0.0003176004,0.000015498761,0.00020316754,0.007741589,0.00010896825,0.00045731865,0.00038339198,0.4224524,0.000027475999],"about_ca_topic_score_codex":0.99754876,"about_ca_topic_score_gemma":0.99925786,"teacher_disagreement_score":0.06960196,"about_ca_system_score_codex":0.06960196,"about_ca_system_score_gemma":0.07766969,"threshold_uncertainty_score":0.50499994},"labels":[],"label_agreement":null},{"id":"W2942051669","doi":"10.4000/ideas.5099","title":"La photographie documentaire contemporaine dans les Amériques","year":2019,"lang":"fr","type":"article","venue":"IdeAs","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Bell (Canada)","funders":"","keywords":"Humanities; Art","score_opus":0.016545867891452175,"score_gpt":0.28344680096171326,"score_spread":0.2669009330702611,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2942051669","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32435444,0.016494017,0.0020138929,0.015369093,0.001423229,0.000030316834,0.0005114454,0.000057292465,0.6397463],"genre_scores_gemma":[0.85719204,0.007787334,0.001050284,0.0010031757,0.00033727838,0.000018255072,0.0001671177,0.000071873335,0.13237263],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999527,0.000092763185,0.00001562281,0.00014357596,0.0001095077,0.0001115661],"domain_scores_gemma":[0.9991208,0.00035897765,0.00010543069,0.00007610178,0.00022885064,0.00010995715],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009247128,0.00024683695,0.0001262412,0.0016395326,0.0046437895,0.0034738637,0.0003307576,0.00082982524,0.016694322],"category_scores_gemma":[0.0017246052,0.00019364788,0.00016133337,0.00315658,0.0051408177,0.0031077655,0.0012098564,0.002481741,0.0010530575],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018546573,0.00005735669,0.012276258,0.0004913832,0.00002280965,0.0016403797,0.4356374,0.00020490572,0.006451179,0.36794865,0.046817657,0.12826659],"study_design_scores_gemma":[0.000011108857,0.0000359541,0.027568623,0.00024352518,0.000012120497,0.00073169713,0.051378056,0.000089741225,0.00086360524,0.0030247904,0.9160126,0.000028298422],"about_ca_topic_score_codex":0.27868658,"about_ca_topic_score_gemma":0.46170565,"teacher_disagreement_score":0.27868658,"about_ca_system_score_codex":0.0111996345,"about_ca_system_score_gemma":0.005490412,"threshold_uncertainty_score":0.5541289},"labels":[],"label_agreement":null},{"id":"W2945855595","doi":"10.7202/1059823ar","title":"Par-delà l’ère du post-photographique","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.012043118971990082,"score_gpt":0.22234866144894616,"score_spread":0.21030554247695607,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945855595","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05593087,0.009982407,0.026154753,0.018344048,0.0016521754,0.00006268938,0.0002544585,0.00009788259,0.8875206],"genre_scores_gemma":[0.75459063,0.007915152,0.009560348,0.0021297582,0.0011854852,0.00013564544,0.00015134335,0.00021459741,0.22411706],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9983481,0.00066579797,0.000050505107,0.00030095445,0.00046580876,0.00016884414],"domain_scores_gemma":[0.99767965,0.0011736762,0.00030184223,0.0003856937,0.00034935947,0.000109883826],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020120065,0.00036932036,0.00022001671,0.0021223337,0.0033410105,0.00749488,0.00047513208,0.0010732976,0.0142056085],"category_scores_gemma":[0.0046457606,0.00021382107,0.00027072322,0.0020840804,0.013097391,0.008122219,0.0025089073,0.0034256296,0.0012307304],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022338625,0.000007461339,0.0007599081,0.000048857513,0.000002980009,0.00003855177,0.011330316,0.000052962656,0.0003531303,0.9599414,0.0064148298,0.021027228],"study_design_scores_gemma":[0.000007527934,0.000040548843,0.008008754,0.0002900816,0.000011342639,0.00042964154,0.014624699,0.0003949921,0.0016750311,0.13799715,0.83649635,0.00002389422],"about_ca_topic_score_codex":0.009196787,"about_ca_topic_score_gemma":0.01873798,"teacher_disagreement_score":0.0142056085,"about_ca_system_score_codex":0.0049977913,"about_ca_system_score_gemma":0.0020872878,"threshold_uncertainty_score":0.047522485},"labels":[],"label_agreement":null},{"id":"W2946222967","doi":"10.7202/1059822ar","title":"Mitchell(s) : doute et conventionnalité des images","year":2019,"lang":"fr","type":"article","venue":"Captures","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.0248729335696241,"score_gpt":0.2753239489374866,"score_spread":0.25045101536786246,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2946222967","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10853621,0.008761057,0.010247892,0.0342861,0.0022025043,0.000042184358,0.00019489857,0.000087491666,0.8356417],"genre_scores_gemma":[0.8910262,0.0029353471,0.0030608145,0.0016360197,0.0005989541,0.000038317357,0.00005963155,0.00011990694,0.10052474],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.998602,0.00058399246,0.000058957583,0.00019645406,0.00042463306,0.00013400389],"domain_scores_gemma":[0.9980059,0.00086598995,0.00030598446,0.00022266977,0.00043820552,0.00016122509],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015337003,0.0001722717,0.00012064665,0.00083691534,0.004287125,0.0045295926,0.00035478457,0.0011983173,0.0073562087],"category_scores_gemma":[0.0061817598,0.00014164334,0.00013965099,0.0010360462,0.008189428,0.004542975,0.0017394894,0.001910474,0.0009222461],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027723685,0.0000067506567,0.001072463,0.00006932412,0.0000036373053,0.0001681978,0.07215894,0.00003094249,0.00081698626,0.87216794,0.022903686,0.030573387],"study_design_scores_gemma":[0.000010405862,0.000026823649,0.007772755,0.0002740441,0.000010192631,0.0006983494,0.03312575,0.00017189719,0.0018800098,0.07548485,0.8805192,0.000025729592],"about_ca_topic_score_codex":0.013680075,"about_ca_topic_score_gemma":0.027245328,"teacher_disagreement_score":0.013680075,"about_ca_system_score_codex":0.002223501,"about_ca_system_score_gemma":0.0016686813,"threshold_uncertainty_score":0.027200878},"labels":[],"label_agreement":null},{"id":"W2947442588","doi":"","title":"I Am So Afraid Of Words: An Investigative Exploration into the Physicality of the Photograph","year":2019,"lang":"en","type":"dissertation","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Typography; Visual arts; Object (grammar); Art; Intersection (aeronautics); Aesthetics; Art history; Computer science; Cartography; Artificial intelligence; Geography","score_opus":0.10805542820426554,"score_gpt":0.31898131416071096,"score_spread":0.2109258859564454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2947442588","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33874846,0.027046425,0.01913946,0.107445754,0.0028176222,0.00024237046,0.00019884063,0.00015394209,0.50420713],"genre_scores_gemma":[0.9195345,0.0114744995,0.006735754,0.0052880743,0.0006157891,0.0001712226,0.000045089833,0.00016712118,0.05596794],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9957065,0.0034685854,0.00007148662,0.00021742811,0.00040006067,0.00013609328],"domain_scores_gemma":[0.9930254,0.0056459378,0.0004108269,0.00033722326,0.00043418462,0.00014638611],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003885929,0.00041547438,0.00028602962,0.0013259086,0.008446378,0.009363703,0.00060631573,0.0015828083,0.0035462102],"category_scores_gemma":[0.013400104,0.00025750534,0.000197669,0.0016237885,0.018853134,0.010124704,0.0030224633,0.0032465837,0.0007272145],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002965885,0.000023120992,0.0007299825,0.00019598883,0.0000048526485,0.0006426971,0.8016694,0.000056311284,0.0009042731,0.13922514,0.029590882,0.026927711],"study_design_scores_gemma":[0.0000044698154,0.000034873945,0.0012126337,0.00068614696,0.000008427977,0.0009515503,0.6679175,0.00014281922,0.00089342403,0.02480955,0.30332097,0.000017575934],"about_ca_topic_score_codex":0.0027737722,"about_ca_topic_score_gemma":0.004895795,"teacher_disagreement_score":0.009363703,"about_ca_system_score_codex":0.0022275967,"about_ca_system_score_gemma":0.0018044412,"threshold_uncertainty_score":0.020550966},"labels":[],"label_agreement":null},{"id":"W2947863686","doi":"","title":"Memories For The Future","year":2018,"lang":"en","type":"article","venue":"Summit (Simon Fraser University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Simon Fraser University","keywords":"Computer science","score_opus":0.02344597725471299,"score_gpt":0.2243543614384571,"score_spread":0.20090838418374413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2947863686","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14938678,0.017180597,0.0035251775,0.043746267,0.002854536,0.00002952013,0.00053918426,0.00015649885,0.7825814],"genre_scores_gemma":[0.87742996,0.00537545,0.00068765477,0.0035648758,0.00048679367,0.000019640791,0.00022552632,0.00007771165,0.112132385],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99940133,0.00021029545,0.000020204934,0.00011358478,0.00012519803,0.00012931436],"domain_scores_gemma":[0.99918634,0.00013135182,0.00013569026,0.00015924689,0.00013300031,0.00025431614],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009345257,0.00035346506,0.00020066982,0.0006917429,0.005738931,0.005514018,0.0005323084,0.001145079,0.018195016],"category_scores_gemma":[0.002851844,0.00015562463,0.00028210587,0.00051116705,0.0071011377,0.008050347,0.0032201617,0.0029078256,0.0019557758],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011193409,0.00003564027,0.0038479217,0.00016132557,0.000037200596,0.00166641,0.3071114,0.00017179978,0.0010642468,0.47711343,0.1490038,0.059674833],"study_design_scores_gemma":[0.0000051914303,0.00003494266,0.0022009895,0.0002671652,0.000011896921,0.0015675792,0.13976459,0.000040719548,0.00035195248,0.028757209,0.8269718,0.000026044534],"about_ca_topic_score_codex":0.004698789,"about_ca_topic_score_gemma":0.0077338615,"teacher_disagreement_score":0.018195016,"about_ca_system_score_codex":0.0019725186,"about_ca_system_score_gemma":0.0013793389,"threshold_uncertainty_score":0.060868323},"labels":[],"label_agreement":null},{"id":"W2948224641","doi":"","title":"Outsiders: American Photography and Film, 1950s-1980s, Art Gallery of Ontario. Garry Winogrand, Diane Arbus, Nan Goldin and a Few Others . . . / Outsiders: American Photography and Film, 1950s-1980s, Art Gallery of Ontario. Garry Winogrand, Diane Arbus, Nan Goldin et quelques autres...","year":2016,"lang":"en","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Art history; Art; Art gallery; Visual arts; Exhibition","score_opus":0.019545367572336863,"score_gpt":0.23820115710926912,"score_spread":0.21865578953693227,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948224641","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006563095,0.12620388,0.0002422157,0.03692866,0.007676417,0.0001934476,0.05926218,0.0006087677,0.7623213],"genre_scores_gemma":[0.01198212,0.017779944,0.00018115094,0.0012228301,0.0010756381,0.000047843096,0.0068719946,0.00020971734,0.96062875],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990693,0.000037986698,0.00003509672,0.00009660194,0.00058567215,0.00017524847],"domain_scores_gemma":[0.9976077,0.0001399623,0.00017339665,0.00013500384,0.0014420529,0.0005018144],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006151558,0.001368579,0.0005460672,0.0064401827,0.0069957846,0.0036898104,0.0012115412,0.0011676596,0.24683626],"category_scores_gemma":[0.0017292687,0.00074647524,0.00040396242,0.013645849,0.0013540842,0.0020541365,0.0017912869,0.0012076246,0.06499079],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014422174,0.0000053148583,0.0007732539,0.00011409167,0.000002488239,0.000042121388,0.00041079664,0.000010193766,0.0001398215,0.00026654868,0.98490137,0.0133195445],"study_design_scores_gemma":[0.0000025390539,0.0000027169112,0.02614008,0.00013391275,0.0000036760964,0.000031035044,0.0012120118,0.0000063165567,0.00005222906,0.00005256987,0.9723565,0.000006417729],"about_ca_topic_score_codex":0.9088795,"about_ca_topic_score_gemma":0.987568,"teacher_disagreement_score":0.9088795,"about_ca_system_score_codex":0.018405214,"about_ca_system_score_gemma":0.013134621,"threshold_uncertainty_score":0.8257495},"labels":[],"label_agreement":null},{"id":"W2949409483","doi":"","title":"From the Erasure 'Art' of World War I Canadian Postcards to Art in the Age of Mechanical Reproduction","year":2018,"lang":"en","type":"article","venue":"Anglistik","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reproduction; Erasure; World War II; Genealogy; History; Computer science; Archaeology; Biology; Ecology","score_opus":0.03863736609133488,"score_gpt":0.2633213921512223,"score_spread":0.2246840260598874,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2949409483","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021170817,0.021480942,0.001228246,0.12083334,0.0027229749,0.000022409924,0.0002453921,0.00011608407,0.8321798],"genre_scores_gemma":[0.6357979,0.019455452,0.0013873142,0.022281535,0.0020641806,0.000025095751,0.000107307715,0.00030253435,0.31857872],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99750876,0.000390543,0.00005289852,0.0002120476,0.001072023,0.0007637554],"domain_scores_gemma":[0.99671364,0.0009724651,0.00017570711,0.00039003635,0.0009262723,0.00082182686],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002904069,0.0005846385,0.00025975442,0.0025490702,0.022901095,0.021479765,0.0010815349,0.0034668914,0.03504138],"category_scores_gemma":[0.008189912,0.00034925627,0.0002551297,0.0025712433,0.042153113,0.0068899156,0.0061351084,0.0067254347,0.0026144362],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000387417,0.0000138370115,0.00068368006,0.00007726804,0.0000047128997,0.0001753656,0.028032055,0.00010423076,0.00027614704,0.8072756,0.1154714,0.047846973],"study_design_scores_gemma":[0.000004796727,0.000008706442,0.002437499,0.00028881035,0.0000051645097,0.00012802078,0.017444622,0.000060069236,0.00027696748,0.022759907,0.9565592,0.000026236974],"about_ca_topic_score_codex":0.83434933,"about_ca_topic_score_gemma":0.9198871,"teacher_disagreement_score":0.16565067,"about_ca_system_score_codex":0.042509925,"about_ca_system_score_gemma":0.045250446,"threshold_uncertainty_score":0.33325237},"labels":[],"label_agreement":null},{"id":"W2949891738","doi":"","title":"Review: of Emergence: Contemporary Photography in Canada","year":2010,"lang":"en","type":"article","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Interpretation (philosophy); Statement (logic); Section (typography); Relation (database); Visual arts; Art; Sociology; Law; Political science; Philosophy; Computer science","score_opus":0.08055490633964384,"score_gpt":0.2907413808220005,"score_spread":0.21018647448235667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2949891738","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00027001055,0.9835048,0.000030157942,0.009663325,0.0017524849,0.000010936721,0.000101955884,0.000007511625,0.00465896],"genre_scores_gemma":[0.0051950547,0.98501855,0.00007244668,0.00622465,0.0012482028,0.000016828117,0.00015039544,0.0000070158126,0.002066923],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981341,0.0002144721,0.00016366295,0.00017924156,0.0010625795,0.0002460579],"domain_scores_gemma":[0.98992187,0.001980967,0.00095108594,0.00018192257,0.0057878406,0.0011763006],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018157035,0.0005832223,0.0013869605,0.005032631,0.0023577197,0.0070314608,0.0017763189,0.002006651,0.008248704],"category_scores_gemma":[0.0107584065,0.0004093514,0.0006755038,0.014868237,0.003351817,0.0027112593,0.0012822432,0.0028830927,0.0010506685],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008888191,0.000019422565,0.0011697119,0.033463635,0.00018033868,0.00023976773,0.0009909387,0.00016861837,0.0001452891,0.007247571,0.7284141,0.22787157],"study_design_scores_gemma":[0.000013054764,0.000011497498,0.005210338,0.01725459,0.00011316035,0.0001816199,0.0007274558,0.000027579803,0.000029537945,0.0005596301,0.9758514,0.000020117903],"about_ca_topic_score_codex":0.61482775,"about_ca_topic_score_gemma":0.8133875,"teacher_disagreement_score":0.38517225,"about_ca_system_score_codex":0.0303046,"about_ca_system_score_gemma":0.075962976,"threshold_uncertainty_score":0.7748812},"labels":[],"label_agreement":null},{"id":"W2962697590","doi":"10.3138/9781442663152-011","title":"7. An Excess Of Prudery? Lilias Torrance Newton’S Nude And The Censorship Of Interwar Canadian Painting","year":2013,"lang":"en","type":"book-chapter","venue":"University of Toronto Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Censorship; Art; Art history; Interwar period; Philosophy; Political science; Law; Theology; World War II","score_opus":0.029857449927534738,"score_gpt":0.19911185948968962,"score_spread":0.16925440956215487,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2962697590","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013887267,0.014750142,0.0004770323,0.047155987,0.0012685421,0.000014121639,0.00008257603,0.00003761097,0.92232674],"genre_scores_gemma":[0.4784844,0.0066826264,0.00040918932,0.008937444,0.0006539572,0.000014161386,0.000037414684,0.00010353447,0.5046773],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99913436,0.00014210936,0.00001195966,0.00009836197,0.00023697491,0.00037621064],"domain_scores_gemma":[0.99942833,0.00012414383,0.00002843208,0.00005832059,0.00023324211,0.00012742532],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00096703065,0.00046722582,0.0003023859,0.0011562047,0.019296424,0.010264634,0.00073450356,0.0029011364,0.015432178],"category_scores_gemma":[0.0020148694,0.00027430008,0.0002547741,0.0012911814,0.023097096,0.00385701,0.001959189,0.0054041315,0.0011811604],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014352535,0.0000061713117,0.00021985025,0.000022121994,0.0000021166818,0.00008395685,0.023313345,0.000042660948,0.00009606488,0.90008,0.06555662,0.010562736],"study_design_scores_gemma":[0.000005363524,0.000004579141,0.0010900017,0.00012097779,0.0000045539864,0.00009638552,0.012198026,0.000040725026,0.00011909494,0.02417625,0.9621252,0.000018694953],"about_ca_topic_score_codex":0.89049244,"about_ca_topic_score_gemma":0.95635164,"teacher_disagreement_score":0.10950756,"about_ca_system_score_codex":0.029989565,"about_ca_system_score_gemma":0.01931102,"threshold_uncertainty_score":0.2203049},"labels":[],"label_agreement":null},{"id":"W2962835285","doi":"10.1386/public.30.59.200_5","title":"Sam Vernon, Rage Wave","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rage (emotion); Psychology; Neuroscience","score_opus":0.05910594676770272,"score_gpt":0.2173515355050035,"score_spread":0.15824558873730077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2962835285","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009387116,0.050122086,0.0016643542,0.246994,0.19661772,0.00014622585,0.0008092856,0.0013644841,0.5013431],"genre_scores_gemma":[0.0027069084,0.006280374,0.00035890046,0.01603223,0.0068230117,0.00004718344,0.00020182435,0.000446181,0.96710336],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986405,0.00019600912,0.000041154566,0.00024599006,0.0006981803,0.00017811994],"domain_scores_gemma":[0.99714154,0.0002417227,0.000091602364,0.0001768265,0.0014621171,0.0008861323],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018065966,0.000711611,0.00051896344,0.0012424942,0.0046117604,0.005034924,0.0009742708,0.0024097553,0.2572453],"category_scores_gemma":[0.0053917407,0.00049877993,0.00036056494,0.00067676295,0.00088241126,0.0035367918,0.0037373512,0.004498809,0.16987921],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003936712,0.0000019989077,0.000017522687,0.000012256559,2.7518172e-7,0.000010189652,0.00003528703,0.000002067549,0.00003167314,0.00037658543,0.99255013,0.0069581927],"study_design_scores_gemma":[9.504523e-7,0.0000022859515,0.00008130495,0.0000249532,4.108723e-7,0.00003250671,0.00011066048,0.0000039005085,0.00002709763,0.000105320425,0.9996086,0.0000020659495],"about_ca_topic_score_codex":0.009100056,"about_ca_topic_score_gemma":0.023515612,"teacher_disagreement_score":0.2572453,"about_ca_system_score_codex":0.0012857659,"about_ca_system_score_gemma":0.0018995752,"threshold_uncertainty_score":0.86057127},"labels":[],"label_agreement":null},{"id":"W2965113134","doi":"10.1111/jaac.12654","title":"An Argument for the New Theory of Photography: Reply to Costello","year":2019,"lang":"en","type":"article","venue":"Journal of Aesthetics and Art Criticism","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Argument (complex analysis); Costello syndrome; Photography; Art; Philosophy; Visual arts; Medicine","score_opus":0.02378436819013802,"score_gpt":0.27469297273191234,"score_spread":0.2509086045417743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2965113134","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00017975437,0.003011897,0.00014573883,0.9903266,0.0029565361,0.0000026291323,0.000011404769,0.000005693996,0.0033597082],"genre_scores_gemma":[0.022160478,0.0038831239,0.00058144215,0.9315043,0.03324691,0.00006191335,0.000023215114,0.00006914849,0.008469463],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99000996,0.0041335295,0.00052571757,0.0015048018,0.0032300854,0.00059592765],"domain_scores_gemma":[0.90748686,0.073172525,0.0021732757,0.0037462043,0.0112822605,0.0021389325],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.016146349,0.0010276688,0.0022798087,0.0027776025,0.0072234254,0.008800222,0.0056041447,0.04785868,0.013651987],"category_scores_gemma":[0.08476529,0.0008855036,0.0012011708,0.002141128,0.035528503,0.022906484,0.007574495,0.054110594,0.0049124914],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057442085,0.000022193914,0.00013763066,0.00014146724,0.000019333302,0.00013172936,0.001640904,0.000062843035,0.000057414978,0.21247812,0.77955884,0.005692153],"study_design_scores_gemma":[0.00015705677,0.000017176599,0.0006936698,0.0007127053,0.000034258108,0.00036860662,0.0036646156,0.0003075958,0.00021008922,0.2413302,0.75240487,0.000099127414],"about_ca_topic_score_codex":0.010759802,"about_ca_topic_score_gemma":0.009257262,"teacher_disagreement_score":0.04785868,"about_ca_system_score_codex":0.0074928966,"about_ca_system_score_gemma":0.004700187,"threshold_uncertainty_score":0.085391045},"labels":[],"label_agreement":null},{"id":"W2965378294","doi":"10.7202/1062157ar","title":"Leah Modigliani, Engendering an Avant-Garde: The Unsettled Landscapes of Vancouver Photo-Conceptualism, Manchester: Manchester University Press, 2018, 296 pp. 41 b/w illus. £ 80 (hardcover) ISBN 9781526101198","year":2019,"lang":"en","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conceptualism; Art history; Art; Avant garde; Sociology; Philosophy; Epistemology","score_opus":0.022664909563288437,"score_gpt":0.19050214518597658,"score_spread":0.16783723562268815,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2965378294","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00085596554,0.795455,0.0005434856,0.12234004,0.0041746357,0.00002310891,0.00014888517,0.000059009544,0.07639994],"genre_scores_gemma":[0.038897235,0.66122293,0.0015122159,0.036088668,0.0045165615,0.0000861589,0.00025386875,0.00022110592,0.25720122],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99834883,0.00056000653,0.000055737895,0.00014971104,0.00070131617,0.0001843962],"domain_scores_gemma":[0.9984884,0.00066132285,0.0000920312,0.00006018161,0.00041157738,0.00028637727],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015653849,0.00078372366,0.00044311644,0.0019973144,0.0054190606,0.008847405,0.0011388476,0.0039152177,0.025519352],"category_scores_gemma":[0.003920547,0.00068723684,0.00026528214,0.0027144975,0.0067853895,0.009487403,0.0029397868,0.0047921827,0.0077189608],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015986834,0.0000076199517,0.00014184725,0.0004165766,0.000004184845,0.000058115143,0.008678229,0.000026180913,0.00009956766,0.025632462,0.91672266,0.048196614],"study_design_scores_gemma":[0.0000031068005,0.0000023498644,0.0006108515,0.0006160066,0.0000027183282,0.00009835673,0.005358041,0.000013182921,0.000051364124,0.004987527,0.9882471,0.0000094228735],"about_ca_topic_score_codex":0.27047527,"about_ca_topic_score_gemma":0.50526094,"teacher_disagreement_score":0.72952473,"about_ca_system_score_codex":0.010964096,"about_ca_system_score_gemma":0.0070906924,"threshold_uncertainty_score":0.53780186},"labels":[],"label_agreement":null},{"id":"W2968957560","doi":"","title":"Untitled #47, from the series Ill Form and Void Full","year":2019,"lang":"en","type":"other","venue":"SNHU Academic Archive (Southern New Hampshire University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Beauty; Photography; Visual arts; Subject (documents); The Void; Transformative learning; Art; Aesthetics; Sociology; Computer science; Philosophy; Library science; Epistemology","score_opus":0.016971025177449434,"score_gpt":0.19189551229965116,"score_spread":0.1749244871222017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2968957560","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018866203,0.012721924,0.0015835959,0.04898552,0.07544949,0.00007643742,0.00076349813,0.0005829848,0.8579499],"genre_scores_gemma":[0.007756414,0.0028777379,0.00052673713,0.0059407256,0.0061024167,0.000046073823,0.0002694064,0.00060909183,0.9758715],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988967,0.0002024685,0.00004758291,0.00016252548,0.000563998,0.00012666348],"domain_scores_gemma":[0.9986743,0.00028391954,0.00007941269,0.00012962833,0.00039662563,0.00043608373],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008723933,0.00081493566,0.0003539415,0.0013166555,0.0048994785,0.006554403,0.00090831134,0.0016923872,0.19887705],"category_scores_gemma":[0.0053131403,0.00033300373,0.0003557622,0.0008472876,0.002862787,0.0068419278,0.0049500144,0.0036673967,0.07668759],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018674817,0.000010469611,0.000110425,0.00005925779,8.9244185e-7,0.00006977235,0.0010554141,0.000013955933,0.0001505066,0.018208459,0.951493,0.0288091],"study_design_scores_gemma":[5.03283e-7,0.000003088223,0.000088522705,0.000049946215,3.3348545e-7,0.000055661727,0.00037176235,0.0000067757824,0.000055348566,0.0007790077,0.9985869,0.000002077729],"about_ca_topic_score_codex":0.0055151004,"about_ca_topic_score_gemma":0.021072002,"teacher_disagreement_score":0.19887705,"about_ca_system_score_codex":0.0030681912,"about_ca_system_score_gemma":0.0022646831,"threshold_uncertainty_score":0.66531},"labels":[],"label_agreement":null},{"id":"W2970036005","doi":"10.15353/kinema.vi.1176","title":"Colorization - The Saga of Legend Films","year":2007,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Legend; Battle; Art; Art history; TRACE (psycholinguistics); Photography; History; Visual arts; Ancient history; Philosophy","score_opus":0.047104396724325474,"score_gpt":0.290957175128141,"score_spread":0.24385277840381553,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2970036005","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0151104275,0.040711544,0.010817523,0.3626636,0.020753473,0.00006357753,0.0002868074,0.0008336397,0.5487594],"genre_scores_gemma":[0.51069015,0.040021412,0.011008815,0.11613765,0.014312175,0.00015319437,0.00040726754,0.0024059385,0.30486333],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970475,0.0014577224,0.000072559706,0.0003031399,0.0007151237,0.00040401562],"domain_scores_gemma":[0.9963193,0.0010036149,0.00020784252,0.00050880545,0.0013697462,0.00059065036],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032865035,0.00051808346,0.0003159326,0.0011473366,0.0053993203,0.01189715,0.0009876856,0.0023536694,0.019236365],"category_scores_gemma":[0.008032264,0.0002819483,0.0003361108,0.001321352,0.012962702,0.012603041,0.0035241067,0.007979875,0.00467614],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009249419,0.000042456028,0.00079483946,0.0002470787,0.000010194694,0.00012720948,0.01023316,0.00009869515,0.0012026208,0.5018561,0.36029184,0.1250034],"study_design_scores_gemma":[0.000010458567,0.00002315584,0.0010061916,0.00028154464,0.0000060754915,0.00020076332,0.004730017,0.000091499925,0.00081161753,0.036514085,0.95630205,0.000022687533],"about_ca_topic_score_codex":0.009727814,"about_ca_topic_score_gemma":0.007827309,"teacher_disagreement_score":0.019236365,"about_ca_system_score_codex":0.0045437,"about_ca_system_score_gemma":0.0019519969,"threshold_uncertainty_score":0.064352036},"labels":[],"label_agreement":null},{"id":"W2970137174","doi":"10.14288/1.0056135","title":"Canadian pictures : drawn with pen and pencil","year":2015,"lang":"en","type":"book","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pencil (optics); Art; Computer graphics (images); Visual arts; Computer science; Physics; Optics","score_opus":0.011080464229830033,"score_gpt":0.1775678646769446,"score_spread":0.16648740044711458,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2970137174","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00059749105,0.011187423,0.0022175668,0.0023747871,0.0017740071,0.00014668466,0.00708803,0.0010255374,0.9735885],"genre_scores_gemma":[0.009811233,0.010789017,0.004101332,0.0010229235,0.00011279103,0.00012065105,0.0035075566,0.0005524767,0.9699821],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999579,0.000026290412,0.0000141866185,0.000052819676,0.00026071383,0.00006703601],"domain_scores_gemma":[0.9995426,0.000021746264,0.000013811356,0.000029639774,0.00033939854,0.00005288761],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022459103,0.0015549251,0.00049794297,0.0024385704,0.004376648,0.004343217,0.0015390188,0.00088844093,0.33931786],"category_scores_gemma":[0.0012831893,0.00064546557,0.00035623257,0.006257878,0.0012328622,0.0018392202,0.001597586,0.0018021927,0.112281375],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008714583,0.000002894669,0.00007026107,0.00012462396,0.0000013566328,0.000043795048,0.0003278301,0.00006048272,0.00023935662,0.0045659714,0.9192317,0.075323015],"study_design_scores_gemma":[8.6342914e-7,7.897734e-7,0.0003551877,0.00007187405,0.0000010913508,0.000029797056,0.00021774093,0.000019353549,0.00006538218,0.0003563749,0.99887604,0.0000055487835],"about_ca_topic_score_codex":0.85786396,"about_ca_topic_score_gemma":0.9560729,"teacher_disagreement_score":0.33931786,"about_ca_system_score_codex":0.013237015,"about_ca_system_score_gemma":0.016959827,"threshold_uncertainty_score":0.9423829},"labels":[],"label_agreement":null},{"id":"W2970512961","doi":"10.15353/kinema.vi.1249","title":"A New Frontier for Visual Culture","year":2012,"lang":"en","type":"article","venue":"Kinema A Journal for Film and Audiovisual Media","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Frontier; Documentation; Visual culture; Postmodernism; Consumption (sociology); The Internet; Indeterminacy (philosophy); Visual arts; Photography; Sociology; History; Media studies; Aesthetics; Art; Literature; Archaeology; Computer science; Epistemology; World Wide Web","score_opus":0.03777689546470026,"score_gpt":0.3037824974410878,"score_spread":0.26600560197638756,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2970512961","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042467237,0.041054104,0.009062373,0.17226635,0.0028991115,0.000045278488,0.00005166781,0.00011695002,0.7320368],"genre_scores_gemma":[0.90597016,0.012829894,0.003534618,0.012367498,0.0020342271,0.000120106124,0.000025447585,0.00016352718,0.06295453],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968803,0.002030586,0.000052460997,0.00026481648,0.00038481766,0.00038706022],"domain_scores_gemma":[0.99825424,0.0008947728,0.00012508975,0.00020297953,0.00025113055,0.00027179022],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028180117,0.00056612433,0.00038232232,0.002171626,0.012639752,0.01953832,0.0010549251,0.004846168,0.006955988],"category_scores_gemma":[0.0028891114,0.00027998505,0.00044016822,0.0012448267,0.057744976,0.02375571,0.006949196,0.0063327644,0.0007787681],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009753085,0.0000097906595,0.00010508308,0.000044008142,0.0000016668829,0.00012698161,0.069537535,0.00003650669,0.00011638817,0.91553164,0.008063419,0.0064172507],"study_design_scores_gemma":[0.000012422191,0.00003088248,0.00028721127,0.00030317725,0.000003625186,0.00037064275,0.13349746,0.00019567138,0.00014080704,0.41361663,0.45151925,0.000022206954],"about_ca_topic_score_codex":0.0056855245,"about_ca_topic_score_gemma":0.0061109453,"teacher_disagreement_score":0.01953832,"about_ca_system_score_codex":0.0065584495,"about_ca_system_score_gemma":0.003319544,"threshold_uncertainty_score":0.04758507},"labels":[],"label_agreement":null},{"id":"W2971538814","doi":"","title":"Before Digital : Post-1970 : Photography in Alberta","year":2019,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Digital photography; Computer graphics (images); Geography; Remote sensing; Visual arts; Art; Computer science","score_opus":0.011453197854473783,"score_gpt":0.21437844104496512,"score_spread":0.20292524319049132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2971538814","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042309526,0.04061623,0.00029710578,0.016624758,0.0014024551,0.000045632314,0.0015904908,0.00009907725,0.89701474],"genre_scores_gemma":[0.19630699,0.030324545,0.0006342058,0.0018428741,0.00026114954,0.000021897216,0.0008741475,0.000089096146,0.76964515],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990201,0.00006449665,0.000022303735,0.000098088065,0.00042736804,0.00036759372],"domain_scores_gemma":[0.9991879,0.00011268086,0.000039456558,0.000042057563,0.00037858414,0.00023945846],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009011234,0.00039658428,0.0002075025,0.003103582,0.007936297,0.0074931136,0.0011510109,0.0017133608,0.048169542],"category_scores_gemma":[0.0017115403,0.00029130757,0.00019746706,0.010120175,0.004606425,0.0020328145,0.0029846304,0.0019962909,0.002892593],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026084253,0.000107217726,0.008932886,0.0005816479,0.000018785175,0.0018933917,0.03577314,0.0006030822,0.0010695686,0.20851415,0.37072918,0.37151617],"study_design_scores_gemma":[0.0000049482005,0.000008419822,0.028328072,0.0002675877,0.0000059046033,0.00013427797,0.009643129,0.000036694295,0.00026386025,0.0019424874,0.9593488,0.000015950398],"about_ca_topic_score_codex":0.980031,"about_ca_topic_score_gemma":0.99390393,"teacher_disagreement_score":0.060132448,"about_ca_system_score_codex":0.060132448,"about_ca_system_score_gemma":0.063830696,"threshold_uncertainty_score":0.43629348},"labels":[],"label_agreement":null},{"id":"W2979786699","doi":"10.1016/j.amjmed.2019.09.013","title":"The Undiagnosed Patient in Christina's World","year":2019,"lang":"en","type":"article","venue":"The American Journal of Medicine","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Expansive; Art; Art history; History; Visual arts","score_opus":0.015271523640305377,"score_gpt":0.2580678635682719,"score_spread":0.2427963399279665,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2979786699","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61575454,0.027885797,0.0009932405,0.18086228,0.006549573,0.00015313306,0.0005505508,0.0002165537,0.1670342],"genre_scores_gemma":[0.9631999,0.008690816,0.0008049316,0.014669223,0.0016821707,0.000024845109,0.0001100845,0.00006376095,0.0107542975],"study_design_codex":"case_report","study_design_gemma":"not_applicable","domain_scores_codex":[0.99941945,0.00011430076,0.000052896583,0.00008294276,0.00011587453,0.00021453745],"domain_scores_gemma":[0.9985329,0.00043160046,0.00022987495,0.000087954126,0.00012880289,0.0005889267],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039683047,0.0008052606,0.00051591615,0.0030864493,0.005990458,0.0036974347,0.0014955036,0.0067663086,0.011385456],"category_scores_gemma":[0.006262289,0.00059162406,0.0004391033,0.0019942787,0.003010727,0.0031616478,0.0030125596,0.0060028704,0.0016598721],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033649496,0.00007425123,0.021536373,0.00006486841,0.000011052395,0.9507626,0.0020797718,0.0000597144,0.00026374756,0.0035478862,0.015508542,0.0060575455],"study_design_scores_gemma":[0.000007852448,0.000029047067,0.004327555,0.00022332552,0.000014912446,0.9745138,0.005316515,0.0001146789,0.00018928607,0.0016195484,0.013613537,0.000029924568],"about_ca_topic_score_codex":0.009303093,"about_ca_topic_score_gemma":0.011450053,"teacher_disagreement_score":0.011385456,"about_ca_system_score_codex":0.0027377075,"about_ca_system_score_gemma":0.0027010401,"threshold_uncertainty_score":0.038088202},"labels":[],"label_agreement":null},{"id":"W2983012763","doi":"10.3390/arts8040150","title":"Condition Verified: On Photography, Trans Visibility, and Legacies of the Clinic","year":2019,"lang":"en","type":"article","venue":"Arts","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Legibility; Photography; Visibility; Rhetorical question; Politics; Sociology; Visual arts; Media studies; Art; Law; Political science; Geography; Literature","score_opus":0.03438424153420239,"score_gpt":0.2718262823840129,"score_spread":0.23744204084981052,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2983012763","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30461654,0.0060754744,0.03204315,0.07463905,0.0014845934,0.00021470731,0.00015954796,0.00018763378,0.58057934],"genre_scores_gemma":[0.9920638,0.00039909917,0.0015355005,0.0011820904,0.00014408997,0.000035046465,0.000016394617,0.000057750894,0.0045662965],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.985881,0.009708165,0.00045552873,0.0014419224,0.0015826116,0.0009307589],"domain_scores_gemma":[0.9721113,0.019559162,0.0024387396,0.0032748636,0.001724674,0.0008911992],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.014248255,0.0003788993,0.0004561426,0.0022577515,0.014329013,0.014455622,0.0013799183,0.0040047644,0.013083352],"category_scores_gemma":[0.039234504,0.0004494225,0.00031883377,0.0012410602,0.06864789,0.01518907,0.01171399,0.0058280826,0.00077390834],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064814805,0.000024333965,0.0019544987,0.000118642965,0.000005552028,0.00039446293,0.17529035,0.00005128041,0.00063444267,0.8027588,0.0028217963,0.015881069],"study_design_scores_gemma":[0.00006237042,0.00021538438,0.0050208853,0.0016917262,0.00007207741,0.0016024177,0.389034,0.00044011403,0.004751625,0.33675188,0.2602635,0.00009394177],"about_ca_topic_score_codex":0.006291747,"about_ca_topic_score_gemma":0.0067179156,"teacher_disagreement_score":0.014455622,"about_ca_system_score_codex":0.006450577,"about_ca_system_score_gemma":0.0036354405,"threshold_uncertainty_score":0.07535285},"labels":[],"label_agreement":null},{"id":"W2986737476","doi":"10.1111/ajph.12429","title":"Press Photography and Visual Censorship in the Australian Parliament","year":2018,"lang":"en","type":"article","venue":"Australian Journal of Politics & History","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Parliament; Newspaper; Photography; Dignity; Censorship; Media studies; Power (physics); Law; Political science; History; Politics; Sociology; Visual arts; Art","score_opus":0.08065104709250798,"score_gpt":0.296396573443317,"score_spread":0.215745526350809,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2986737476","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79892933,0.0045113573,0.00046137252,0.0062174164,0.00018680812,0.00002243559,0.000038127993,0.000016905324,0.18961626],"genre_scores_gemma":[0.9911505,0.000734268,0.00007890979,0.00024460818,0.000039767318,0.000004765431,0.00000683479,0.000007883062,0.0077323965],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9949385,0.0029477838,0.00015713733,0.00036216617,0.0009525959,0.0006417629],"domain_scores_gemma":[0.99464005,0.0026387048,0.0011863565,0.00045441103,0.0006256473,0.00045478126],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037144683,0.00013609862,0.00023698095,0.0018959768,0.011488682,0.007934147,0.00072851195,0.0014316979,0.0051341914],"category_scores_gemma":[0.010208052,0.00040770133,0.00014900675,0.0022090983,0.013697426,0.0036405134,0.0046605505,0.002497609,0.00036562223],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005138696,0.000037916645,0.0060477015,0.00013395856,0.000009125946,0.0014979766,0.9071018,0.000056046203,0.00087779266,0.05797102,0.0027124218,0.023502884],"study_design_scores_gemma":[0.000008646863,0.00012911492,0.115694374,0.00060857227,0.0000334021,0.0016962752,0.5121771,0.00024038575,0.0012841198,0.0069596744,0.36110544,0.0000629481],"about_ca_topic_score_codex":0.06732626,"about_ca_topic_score_gemma":0.09539693,"teacher_disagreement_score":0.06732626,"about_ca_system_score_codex":0.0081435675,"about_ca_system_score_gemma":0.0030685223,"threshold_uncertainty_score":0.13386875},"labels":[],"label_agreement":null},{"id":"W2986787691","doi":"","title":"Imager's Corner: Starless Masks","year":2014,"lang":"en","type":"article","venue":"Journal of the Royal Astronomical Society of Canada","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Astronomy; Art; Physics","score_opus":0.007965762812390892,"score_gpt":0.17704306137639522,"score_spread":0.16907729856400433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2986787691","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.040110923,0.002135963,0.092748955,0.009818376,0.0035720244,0.00018603184,0.002007604,0.008677114,0.84074306],"genre_scores_gemma":[0.40119198,0.0022346245,0.12390159,0.0034563618,0.0010100141,0.000069046,0.0019585704,0.00607961,0.46009827],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997558,0.000028966499,0.000007082865,0.000033080814,0.00012281476,0.0000524144],"domain_scores_gemma":[0.9994785,0.00008555107,0.000019100024,0.00014865038,0.00015289195,0.00011542431],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003248345,0.0003944662,0.0002191583,0.00039034904,0.0010632869,0.0021860776,0.0006349464,0.001164904,0.10352524],"category_scores_gemma":[0.0019354546,0.0003383197,0.0002468847,0.00040330464,0.00054347643,0.0016228256,0.0015649652,0.00077873876,0.020730488],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007726958,0.000077027114,0.0008068151,0.00025024757,0.000020653537,0.00059588987,0.0015586868,0.0017529074,0.023147859,0.058781564,0.55629754,0.35593814],"study_design_scores_gemma":[0.00007723779,0.00009280087,0.0034334,0.00013840904,0.000030368501,0.0009239892,0.00094602874,0.007948826,0.012402046,0.013850141,0.96010774,0.000048993086],"about_ca_topic_score_codex":0.009537357,"about_ca_topic_score_gemma":0.017196998,"teacher_disagreement_score":0.10352524,"about_ca_system_score_codex":0.0005906136,"about_ca_system_score_gemma":0.0008896921,"threshold_uncertainty_score":0.34632647},"labels":[],"label_agreement":null},{"id":"W2988490249","doi":"10.1525/aft.2019.463005","title":"A Sense of Loss and Making: A Conversation with Laura Letinsky","year":2019,"lang":"en","type":"article","venue":"Afterimage","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Icon; Conversation; Citation; Art; Painting; Art history; Visual arts; Download; Computer science; World Wide Web; Sociology; Communication","score_opus":0.00906918474378845,"score_gpt":0.2041624040384527,"score_spread":0.19509321929466425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2988490249","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0054251575,0.026448013,0.0008384845,0.9060273,0.014424119,0.00004279826,0.000049619113,0.000089971305,0.046654545],"genre_scores_gemma":[0.25586545,0.04120563,0.002404131,0.50632006,0.012207453,0.00043646095,0.0000818447,0.0008321761,0.18064687],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.98669016,0.009902581,0.00026025064,0.00070343574,0.0014926627,0.00095088844],"domain_scores_gemma":[0.98936546,0.0056696204,0.0005641958,0.00037831024,0.000980459,0.0030418946],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.011998869,0.0015489697,0.0017095773,0.0016142688,0.023146736,0.016278125,0.0023026853,0.010588244,0.011864016],"category_scores_gemma":[0.021930173,0.001127299,0.00091360987,0.0012461155,0.027486391,0.021902433,0.00978546,0.032918565,0.005081529],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045095705,0.0000483631,0.00024445896,0.00013222323,0.0000125222305,0.0009855559,0.2843187,0.000049601444,0.00019756632,0.0283583,0.67450386,0.011103836],"study_design_scores_gemma":[0.00000878354,0.000030545645,0.00029699088,0.00053569616,0.000005731846,0.0008294888,0.19698547,0.00005867518,0.0001084262,0.0058143665,0.79526967,0.000056115638],"about_ca_topic_score_codex":0.0107888,"about_ca_topic_score_gemma":0.019384978,"teacher_disagreement_score":0.023146736,"about_ca_system_score_codex":0.008611598,"about_ca_system_score_gemma":0.005063668,"threshold_uncertainty_score":0.06345683},"labels":[],"label_agreement":null},{"id":"W2989941326","doi":"10.7202/1065013ar","title":"Temporaliser la photographie : Marker, Varda, Wenders–Salgado","year":2019,"lang":"fr","type":"article","venue":"Intermédialités Histoire et théorie des arts des lettres et des techniques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Restitution; Art; Philosophy; Political science","score_opus":0.032291011437649245,"score_gpt":0.29069909676484385,"score_spread":0.2584080853271946,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2989941326","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07717556,0.03351114,0.005851543,0.05133155,0.0035618506,0.000050073337,0.00010188031,0.00010371123,0.8283128],"genre_scores_gemma":[0.85894185,0.010895683,0.0017797551,0.0038015768,0.00067128794,0.000047665402,0.00003766004,0.00017523662,0.12364942],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991316,0.00043476513,0.000020385884,0.00015546652,0.00015008441,0.000107727334],"domain_scores_gemma":[0.99932396,0.0003184567,0.00009153351,0.000090277244,0.00010421801,0.00007159793],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012216181,0.00036422754,0.00017405239,0.0009590645,0.005075152,0.007134884,0.00056623796,0.0012589822,0.007972743],"category_scores_gemma":[0.0036359157,0.00027385584,0.0002038483,0.0010975918,0.0098981485,0.006026714,0.0030772663,0.002019257,0.00077017536],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000078874225,0.000018243381,0.0009923674,0.00019961166,0.000008838242,0.00045604148,0.22263561,0.00006729749,0.0017311149,0.69479734,0.03789698,0.041117664],"study_design_scores_gemma":[0.000010837138,0.000019077303,0.0019906352,0.00047977673,0.000012675118,0.00030710408,0.07048422,0.000057448866,0.00051199464,0.017682854,0.9084269,0.00001657558],"about_ca_topic_score_codex":0.02937587,"about_ca_topic_score_gemma":0.061705675,"teacher_disagreement_score":0.02937587,"about_ca_system_score_codex":0.004420537,"about_ca_system_score_gemma":0.0018410586,"threshold_uncertainty_score":0.05840981},"labels":[],"label_agreement":null},{"id":"W2993676053","doi":"","title":"Conflict, Time, Photography","year":2015,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Photography; History; White (mutation); Visual arts; History of photography; Photojournalism; Art history; Law; Sociology; Art","score_opus":0.09444781396052972,"score_gpt":0.28988727752390825,"score_spread":0.19543946356337855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993676053","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009060989,0.06692566,0.0012092222,0.04026421,0.010006533,0.00005399198,0.00061871036,0.0002918662,0.871569],"genre_scores_gemma":[0.22147252,0.059449438,0.0025506343,0.013260473,0.007719419,0.00013642572,0.00080211554,0.0006846469,0.6939244],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993647,0.00025419882,0.000029633793,0.000081124264,0.00019158513,0.00007874337],"domain_scores_gemma":[0.99933857,0.00017647487,0.00007003424,0.00009082113,0.000108258464,0.00021577784],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006337273,0.00046786334,0.00026278695,0.0016616897,0.004972042,0.011504819,0.00052199414,0.0011572741,0.06179001],"category_scores_gemma":[0.00242477,0.00031925624,0.00016479856,0.0022361714,0.005164876,0.004498775,0.00460866,0.0029439714,0.010071862],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048798945,0.000018555866,0.00096599566,0.00039699962,0.000008613066,0.00034111677,0.019101525,0.00005575641,0.0005937274,0.09201848,0.81414354,0.072306976],"study_design_scores_gemma":[0.0000017187135,0.0000041735416,0.0009255028,0.000143918,0.0000017242709,0.0001936682,0.0063876323,0.0000069758553,0.00004525364,0.0014105432,0.9908751,0.000003804564],"about_ca_topic_score_codex":0.009686802,"about_ca_topic_score_gemma":0.023442999,"teacher_disagreement_score":0.06179001,"about_ca_system_score_codex":0.0032064267,"about_ca_system_score_gemma":0.001372321,"threshold_uncertainty_score":0.2067082},"labels":[],"label_agreement":null},{"id":"W2994852488","doi":"10.7202/1065487ar","title":"Toronto’s Visual Legacy: Official City Photography from 1856 to the Present Edited by Steve Mackinnon, Karen Teeple and Michele Dale","year":2011,"lang":"en","type":"article","venue":"Ontario History","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Photography; Art history; Spring (device); Art; History; Media studies; Cartography; Sociology; Visual arts; Geography; Engineering","score_opus":0.04096354950841304,"score_gpt":0.2206050446288405,"score_spread":0.17964149512042746,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2994852488","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03224377,0.36318105,0.0007868978,0.050868023,0.0059096245,0.000066557586,0.011927388,0.00018231216,0.53483444],"genre_scores_gemma":[0.3649224,0.18228178,0.001716011,0.0026560398,0.0020153604,0.00005583284,0.004405434,0.00035846265,0.4415887],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991456,0.00011043175,0.000029424784,0.00007199348,0.00044210415,0.00020039025],"domain_scores_gemma":[0.9992434,0.00009426259,0.00009724628,0.00006346707,0.0003020531,0.00019963348],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00070736895,0.00064032985,0.00038510183,0.0030838344,0.008079444,0.006111574,0.0008409763,0.00077664107,0.02695023],"category_scores_gemma":[0.0016346353,0.0004847606,0.0002454652,0.010574553,0.0061587915,0.0018849998,0.0021886055,0.0014774491,0.0024310437],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004986718,0.0000069280313,0.0028569482,0.00050297444,0.000019140842,0.00030749288,0.06153357,0.00012892592,0.00029069392,0.045573637,0.8273701,0.061359666],"study_design_scores_gemma":[0.0000015300295,0.0000023270122,0.01133358,0.0001943593,0.000005610659,0.000059227412,0.007424207,0.000008197969,0.00004574235,0.000506235,0.9804105,0.000008489871],"about_ca_topic_score_codex":0.9640909,"about_ca_topic_score_gemma":0.99169606,"teacher_disagreement_score":0.06475264,"about_ca_system_score_codex":0.06475264,"about_ca_system_score_gemma":0.037487917,"threshold_uncertainty_score":0.4698155},"labels":[],"label_agreement":null},{"id":"W2998591978","doi":"","title":"L'âme d'une image Ed. 1","year":2018,"lang":"ca","type":"book","venue":"Eyrolles eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.020680722107678136,"score_gpt":0.2568261091445518,"score_spread":0.23614538703687366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2998591978","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003299979,0.019039052,0.0024968926,0.025018517,0.01760479,0.000091104084,0.0003445562,0.0003749318,0.9317301],"genre_scores_gemma":[0.019170359,0.0057510687,0.0013531707,0.0059014037,0.0020546461,0.00005133483,0.00017092611,0.00024065097,0.9653064],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929905,0.00015843363,0.00001506398,0.00013675727,0.00028963276,0.00010112065],"domain_scores_gemma":[0.9994868,0.00011979949,0.000032627187,0.00005450994,0.00021490372,0.000091307505],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005629457,0.0008628096,0.00032449525,0.0011181596,0.0046702204,0.0065588662,0.00067246147,0.002405162,0.101100326],"category_scores_gemma":[0.0020036611,0.00035299108,0.0005488743,0.00074693136,0.0020039035,0.0040844004,0.0028147015,0.003928861,0.0315448],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051566174,0.000020777392,0.00024143526,0.00018681918,0.0000048123457,0.0004735136,0.0065100202,0.000037975762,0.0010130642,0.08146562,0.856047,0.05394739],"study_design_scores_gemma":[0.0000012931906,0.0000067288074,0.00023977387,0.00008278149,0.0000013887916,0.00025610087,0.001136462,0.000024741306,0.00014874488,0.001430606,0.9966671,0.000004260281],"about_ca_topic_score_codex":0.009037384,"about_ca_topic_score_gemma":0.020872436,"teacher_disagreement_score":0.101100326,"about_ca_system_score_codex":0.0028905265,"about_ca_system_score_gemma":0.001640051,"threshold_uncertainty_score":0.33821428},"labels":[],"label_agreement":null},{"id":"W3002526410","doi":"","title":"Iconographic Exploitation of Photographs Agency Fonds: the Example of Black Star in the 1960s and the 1970s","year":2019,"lang":"en","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photojournalism; Agency (philosophy); Politics; Theme (computing); Diversity (politics); Presentation (obstetrics); Media studies; Journalism; Photography; Political science; Art history; History; Sociology; Art; Law; Visual arts; Social science; Computer science; World Wide Web","score_opus":0.023725903802341654,"score_gpt":0.22035131525176427,"score_spread":0.1966254114494226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3002526410","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2193909,0.016456816,0.00073556724,0.016573507,0.0004773096,0.000037001755,0.00029724702,0.000030298672,0.7460013],"genre_scores_gemma":[0.86831737,0.008030526,0.0007908494,0.001148946,0.00021137983,0.000027178938,0.00010988582,0.00013522196,0.12122861],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989491,0.00038873337,0.000024559053,0.000105498366,0.00022257945,0.00030958172],"domain_scores_gemma":[0.9989604,0.0004158882,0.00014377483,0.00009463983,0.00017484742,0.00021055818],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019422966,0.0004089984,0.0003283973,0.0032732717,0.014665888,0.0057408437,0.0005123529,0.001558306,0.01165149],"category_scores_gemma":[0.0027357475,0.00033159557,0.00017125267,0.0040568593,0.010679198,0.0031279915,0.0042148135,0.0029369644,0.0009846222],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001705599,0.00003960287,0.0031144232,0.0001634841,0.000014495684,0.0018032431,0.66358024,0.00007000045,0.0006267501,0.2249427,0.049780414,0.055694096],"study_design_scores_gemma":[0.000007980533,0.00002237257,0.01487311,0.0003669218,0.000008426495,0.0007374982,0.1521617,0.00005474162,0.0003777352,0.0046658977,0.8267017,0.000021942584],"about_ca_topic_score_codex":0.19614327,"about_ca_topic_score_gemma":0.45811376,"teacher_disagreement_score":0.19614327,"about_ca_system_score_codex":0.008343259,"about_ca_system_score_gemma":0.003544174,"threshold_uncertainty_score":0.3900032},"labels":[],"label_agreement":null},{"id":"W300395222","doi":"","title":"Pour la défense du Musée canadien de la photographie contemporaine","year":2009,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.00608127464966189,"score_gpt":0.17190468508805481,"score_spread":0.16582341043839294,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W300395222","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009793898,0.2567212,0.003752049,0.18824032,0.020310583,0.000126444,0.0008229842,0.00027586796,0.51995665],"genre_scores_gemma":[0.1701034,0.052302342,0.0058404664,0.0076916153,0.008436604,0.00015520323,0.0005114681,0.00036913936,0.75458974],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963787,0.0010997271,0.00011340119,0.00040063667,0.0012746956,0.0007328252],"domain_scores_gemma":[0.99650913,0.0010998573,0.00023323295,0.00041427903,0.0010224289,0.0007210396],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0051461644,0.0012397942,0.0008420708,0.0032284034,0.009655832,0.009591535,0.0015659208,0.0064026807,0.06375887],"category_scores_gemma":[0.011045605,0.00042276795,0.00057661475,0.0028003384,0.00641296,0.0041351067,0.0054970426,0.0074494095,0.008195597],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013687619,0.000032109943,0.0013991115,0.00027185306,0.00004192002,0.00065948156,0.0050463425,0.0002089401,0.00059588294,0.5844983,0.32432774,0.08278141],"study_design_scores_gemma":[0.00001395709,0.0000061105684,0.0012819777,0.00014760904,0.000006346573,0.00019745663,0.0010375244,0.000042886277,0.00012662618,0.0057320795,0.99139565,0.000011893926],"about_ca_topic_score_codex":0.40980193,"about_ca_topic_score_gemma":0.4087575,"teacher_disagreement_score":0.59019804,"about_ca_system_score_codex":0.015892977,"about_ca_system_score_gemma":0.018658249,"threshold_uncertainty_score":0.8148332},"labels":[],"label_agreement":null},{"id":"W3006013568","doi":"10.33137/mt.v7i2.33667","title":"Inscribing Interiority and Ideology: Representing the Visually Elusive in the American Petroleum Institute’s Cold War Films","year":2020,"lang":"en","type":"article","venue":"MediaTropes","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ideology; Ingenuity; Capitalism; Battle; Cold war; Petroleum industry; Power (physics); Communism; Aesthetics; Law; Political science; Archaeology; Art; Geology; History; Philosophy; Politics; Epistemology; Paleontology","score_opus":0.04045390862728853,"score_gpt":0.26391082311805986,"score_spread":0.22345691449077132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3006013568","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19675326,0.004198389,0.0023242836,0.027200755,0.0011433397,0.000022176764,0.00006428931,0.00005931924,0.7682341],"genre_scores_gemma":[0.95226973,0.0027473504,0.0010843497,0.0023259958,0.0003587113,0.000017816434,0.000024662319,0.00007625854,0.04109515],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9995309,0.00028174982,0.0000059006543,0.000020318475,0.00009439993,0.00006670812],"domain_scores_gemma":[0.99942684,0.0003544059,0.000057322777,0.00003895943,0.00006129167,0.00006126794],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007949046,0.0003130229,0.000092387294,0.0010191916,0.0051294686,0.006780578,0.00031708894,0.00069505756,0.0038894983],"category_scores_gemma":[0.0014558958,0.00018535118,0.0001436652,0.0006205855,0.010004324,0.00300385,0.0024968998,0.0030809212,0.00036335672],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007435548,0.00004638152,0.0014558847,0.00016543482,0.000011620908,0.000662303,0.60795164,0.00018036249,0.004082711,0.27268913,0.07043689,0.042243365],"study_design_scores_gemma":[0.00001860913,0.000044219003,0.006302503,0.00046809838,0.000022574586,0.000455962,0.33898896,0.00022165725,0.00279795,0.013609776,0.637035,0.000034647142],"about_ca_topic_score_codex":0.009757602,"about_ca_topic_score_gemma":0.026410049,"teacher_disagreement_score":0.009757602,"about_ca_system_score_codex":0.0019464616,"about_ca_system_score_gemma":0.00073408755,"threshold_uncertainty_score":0.01940161},"labels":[],"label_agreement":null},{"id":"W3007708850","doi":"","title":"Photographic Work Exhibited in 'Counterpoints Photography, Through the Lens of Toronto Collections', Art Museum, University of Toronto Art Centre, Canada, (May 6–July 30, 2016) curated by Jessica Bradley","year":2016,"lang":"en","type":"article","venue":"Research Repository (University of Gloucestershire)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Art history; Photography; Art; Performance art; Visual arts","score_opus":0.03012647489594864,"score_gpt":0.23520709545755036,"score_spread":0.20508062056160173,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3007708850","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.057229638,0.023298964,0.002041007,0.033594273,0.008998627,0.00029947003,0.0073245335,0.0008440486,0.8663694],"genre_scores_gemma":[0.18318973,0.00949606,0.0027407845,0.0029383106,0.001203866,0.00008398958,0.0019913407,0.00084357517,0.79751235],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991418,0.000117728996,0.000022338258,0.00013562651,0.00040201333,0.00018037659],"domain_scores_gemma":[0.9988373,0.0001310191,0.00007375759,0.00017257848,0.00036538276,0.0004200231],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00086583453,0.00077861006,0.0003176381,0.0014527079,0.013232911,0.0061350004,0.0006645363,0.0011228557,0.06382276],"category_scores_gemma":[0.0015419099,0.0005982698,0.00037470934,0.0017845079,0.005471145,0.001629959,0.0036908167,0.002245641,0.006913283],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000079111414,0.0000117929,0.0016592817,0.00026571113,0.00001789821,0.00064764934,0.03425735,0.00012426094,0.002567016,0.012170556,0.92688066,0.021318836],"study_design_scores_gemma":[0.0000026773182,0.00000750901,0.0057275477,0.00014181821,0.0000060230354,0.00014481199,0.007819149,0.000017656115,0.00042308075,0.00016599671,0.9855253,0.000018503591],"about_ca_topic_score_codex":0.64460814,"about_ca_topic_score_gemma":0.92226124,"teacher_disagreement_score":0.35539186,"about_ca_system_score_codex":0.016264303,"about_ca_system_score_gemma":0.01013256,"threshold_uncertainty_score":0.71496964},"labels":[],"label_agreement":null},{"id":"W3010749283","doi":"10.6092/issn.2611-0075/9679","title":"Built in USA: Post-War Architecture-Midcentury Architecture as a Vehicle for American Foreign Policy","year":2019,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Architecture; Computer architecture; Engineering; History; Computer science; Archaeology","score_opus":0.14774844474352092,"score_gpt":0.5038902743211588,"score_spread":0.35614182957763796,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3010749283","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32059285,0.0033487105,0.0014615167,0.02925104,0.0004783312,0.000016261925,0.00006001265,0.000048768816,0.64474267],"genre_scores_gemma":[0.97628105,0.0008973809,0.00028203215,0.0012606289,0.000087885346,0.00001289392,0.000018612576,0.000016676493,0.021142852],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993755,0.00022014174,0.000008136311,0.00003366954,0.00011138157,0.0002511574],"domain_scores_gemma":[0.99963164,0.00013262783,0.00004569276,0.000034603843,0.00007853549,0.00007699297],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00092714507,0.00019339121,0.00008927542,0.0008824697,0.0070055034,0.008557979,0.0004265342,0.0017736601,0.007567824],"category_scores_gemma":[0.0011942749,0.000119286386,0.00014694952,0.001166729,0.0073981625,0.0034066846,0.002932844,0.0022901576,0.00034708728],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055834425,0.00006913587,0.0055843913,0.00005151455,0.000006738062,0.0005136086,0.06324952,0.00037310366,0.001120932,0.8655745,0.020253824,0.04314675],"study_design_scores_gemma":[0.00000735372,0.00005939079,0.021258816,0.00023168189,0.000009806703,0.00019963144,0.12132598,0.00039468528,0.001271832,0.03394719,0.8212651,0.000028488728],"about_ca_topic_score_codex":0.035856843,"about_ca_topic_score_gemma":0.11143443,"teacher_disagreement_score":0.035856843,"about_ca_system_score_codex":0.0064911344,"about_ca_system_score_gemma":0.004783703,"threshold_uncertainty_score":0.071296275},"labels":[],"label_agreement":null},{"id":"W3015222888","doi":"10.1353/vpr.2020.0015","title":"Reading Books and Prints as Cultural Objects ed. by Evanghelia Stead","year":2020,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reading (process); Context (archaeology); Materiality (auditing); History; Focus (optics); Object (grammar); Art; Literature; Visual arts; Art history; Aesthetics; Linguistics; Philosophy; Archaeology","score_opus":0.030301374685564524,"score_gpt":0.2867854485427233,"score_spread":0.25648407385715877,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015222888","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014859628,0.68881005,0.00074813794,0.07522469,0.029737547,0.00005852079,0.00030863946,0.0001573214,0.20346902],"genre_scores_gemma":[0.017256394,0.4757994,0.0014086161,0.02000594,0.014494954,0.00012555084,0.00058071176,0.00033632587,0.4699922],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989035,0.00021295979,0.000056158042,0.00017486849,0.00054697477,0.00010549928],"domain_scores_gemma":[0.9988022,0.00042609146,0.00009817353,0.000055961762,0.00041915322,0.00019838181],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012814673,0.0009630517,0.00067275343,0.0024087583,0.0023098476,0.007569783,0.0008249981,0.0019591183,0.03856382],"category_scores_gemma":[0.0039697294,0.0005689928,0.00029888653,0.0029861333,0.0021497298,0.006435315,0.0027807532,0.003904406,0.024497097],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009227805,0.000012089969,0.0001411372,0.00033101696,0.0000036940394,0.000087650384,0.0018906881,0.000028420362,0.00014686982,0.010927828,0.9063286,0.08009278],"study_design_scores_gemma":[0.0000010655597,0.0000020570915,0.00024358873,0.00044262235,0.000001252852,0.000078069985,0.00049102114,0.000005029468,0.000025582434,0.00073804834,0.99796885,0.0000027664883],"about_ca_topic_score_codex":0.009250315,"about_ca_topic_score_gemma":0.016421715,"teacher_disagreement_score":0.03856382,"about_ca_system_score_codex":0.0030069235,"about_ca_system_score_gemma":0.0053028255,"threshold_uncertainty_score":0.12900883},"labels":[],"label_agreement":null},{"id":"W3015693184","doi":"10.7202/1068318ar","title":"Gender, Race, and Nation in Tableau Representing Great Britain and Her Colonies","year":2020,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Ethnology; Sociology","score_opus":0.04897965931097301,"score_gpt":0.23184885245267192,"score_spread":0.18286919314169892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015693184","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95609015,0.00062340405,0.000097970995,0.0009057445,0.00003701601,0.0000069242806,0.000052086314,0.000004018768,0.042182546],"genre_scores_gemma":[0.98470277,0.00028678033,0.00008394268,0.00012772794,0.000007074533,0.000008918858,0.000030748546,0.000010594527,0.01474153],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993766,0.00027382353,0.00001527058,0.00006428542,0.00009543668,0.00017466207],"domain_scores_gemma":[0.9993173,0.0002275419,0.000112482,0.000033043354,0.0001289225,0.00018078889],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00072592654,0.00013832634,0.00022929782,0.0009422609,0.00516678,0.0029965418,0.00026619653,0.00035226592,0.009455626],"category_scores_gemma":[0.0019896016,0.00014233546,0.00009512447,0.0014209476,0.0028512136,0.0009086758,0.0016917413,0.00053007714,0.00057435385],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012734829,0.000030681484,0.06139593,0.00004550545,0.000009897018,0.0006027406,0.90218693,0.000041139887,0.00082175364,0.009761546,0.005216037,0.01976041],"study_design_scores_gemma":[0.0000043684654,0.000038219092,0.29990348,0.00012027645,0.000006420402,0.0002150024,0.6450682,0.000053124433,0.000124205,0.00041655338,0.054033678,0.000016502681],"about_ca_topic_score_codex":0.34192035,"about_ca_topic_score_gemma":0.65744823,"teacher_disagreement_score":0.34192035,"about_ca_system_score_codex":0.0035571542,"about_ca_system_score_gemma":0.0011083981,"threshold_uncertainty_score":0.6798603},"labels":[],"label_agreement":null},{"id":"W3015699611","doi":"10.1386/public_00022_4","title":"Marnie Ellen Hertzler, Hi I Need To Be Loved","year":2020,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Film festival; Art; Art history; Visual arts; Media studies; History; Sociology","score_opus":0.14743061960404788,"score_gpt":0.2563624197642379,"score_spread":0.10893180016019002,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015699611","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025313962,0.7861887,0.00016687812,0.10277269,0.01677599,0.00003464705,0.00044549746,0.000058015255,0.09102617],"genre_scores_gemma":[0.04386883,0.71751434,0.00037944986,0.03020746,0.010055174,0.000052822943,0.00052694866,0.00018800386,0.1972069],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991731,0.00019440832,0.000036594873,0.00008195749,0.0004029686,0.00011095946],"domain_scores_gemma":[0.9975297,0.0005039234,0.00015088095,0.000068203655,0.0011469199,0.0006003671],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013259522,0.00044452355,0.00034280698,0.0014067647,0.0029323674,0.0046944427,0.00051188475,0.0013779551,0.022652578],"category_scores_gemma":[0.0041292827,0.0003163633,0.00013273655,0.00154252,0.002727158,0.0020548776,0.0014261873,0.0025141407,0.004233338],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022250024,0.000004700357,0.00037285345,0.00098552,0.000009116173,0.00013305643,0.005422881,0.000017373442,0.00021636812,0.004530785,0.9425807,0.045704316],"study_design_scores_gemma":[0.0000012775741,0.000003816643,0.0012027875,0.000990425,0.0000040326545,0.00011361973,0.002072385,0.0000021133678,0.000041062918,0.000093788105,0.9954705,0.0000040461528],"about_ca_topic_score_codex":0.36440828,"about_ca_topic_score_gemma":0.71120614,"teacher_disagreement_score":0.36440828,"about_ca_system_score_codex":0.012475615,"about_ca_system_score_gemma":0.010473162,"threshold_uncertainty_score":0.7245744},"labels":[],"label_agreement":null},{"id":"W3015924697","doi":"10.7202/1068329ar","title":"Linda Steer, Appropriated Photographs in French Surrealist Periodicals, 1924–1939, London/New York: Routledge (Ashgate), 2017, 180 pp. 23 b/w illus. $ 165 USD (hardback) ISBN 9781409437307","year":2019,"lang":"en","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"York University; Toronto Metropolitan University","funders":"","keywords":"Art history; Art; Media studies; Sociology","score_opus":0.030861395043748862,"score_gpt":0.21767238026946217,"score_spread":0.18681098522571332,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3015924697","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00076637015,0.8584119,0.00022494301,0.025297647,0.003031284,0.000015357515,0.00071138405,0.000079266334,0.11146189],"genre_scores_gemma":[0.032460958,0.5898946,0.0009881691,0.007997742,0.0028115076,0.000058993162,0.000716166,0.00026252912,0.36480936],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986785,0.00040529374,0.00008170338,0.00015297644,0.00054473564,0.00013678004],"domain_scores_gemma":[0.9984328,0.0006880724,0.00017338141,0.0000625725,0.00050273654,0.00014035699],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018612966,0.001060001,0.00048277885,0.0055245417,0.0044445824,0.006102193,0.0009453997,0.0022891795,0.07708969],"category_scores_gemma":[0.0039763716,0.0006351498,0.0004197305,0.006403991,0.003723923,0.007485663,0.001695558,0.0016850774,0.01949986],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023215804,0.0000051776465,0.00019042069,0.00051978725,0.00000481998,0.0000985945,0.005441583,0.000031809137,0.00008171885,0.011539454,0.92448014,0.057583235],"study_design_scores_gemma":[0.0000017737677,0.0000020032846,0.0013493097,0.0006364835,0.0000024456062,0.00008402371,0.0032559824,0.000005306695,0.000027703536,0.0007116553,0.99391645,0.0000069626058],"about_ca_topic_score_codex":0.4001463,"about_ca_topic_score_gemma":0.66631514,"teacher_disagreement_score":0.4001463,"about_ca_system_score_codex":0.015921237,"about_ca_system_score_gemma":0.008108643,"threshold_uncertainty_score":0.7956344},"labels":[],"label_agreement":null},{"id":"W3016350616","doi":"","title":"Gabor Szilasi, The Art World in Montreal, 1960-1980–On Emotion and the Photographic Archive / Gabor Szilasi, Le monde de l’art à Montréal, 1960-1980–De l’émotion dans les archives photographiques","year":2018,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.019134199290892787,"score_gpt":0.23969574297886573,"score_spread":0.22056154368797293,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3016350616","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035542194,0.57885003,0.0005936503,0.22172971,0.006194547,0.00002722283,0.0014467261,0.000053291325,0.1555626],"genre_scores_gemma":[0.49444795,0.30473217,0.00046804524,0.011037654,0.007972533,0.000048979127,0.00052511034,0.000112061956,0.18065555],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999603,0.000074610405,0.00001957899,0.00004543005,0.00015451353,0.000102889426],"domain_scores_gemma":[0.99959904,0.00012197336,0.00006962888,0.000012401136,0.00012499158,0.000071992494],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00071313314,0.000589692,0.0002690358,0.0020263388,0.0030273052,0.003552308,0.00062732084,0.0017164504,0.011523722],"category_scores_gemma":[0.0012252296,0.00022279819,0.00019374835,0.003391222,0.003558613,0.0031316588,0.0011658147,0.0016871082,0.0014763149],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018994782,0.00004993334,0.0041657095,0.0005444967,0.000031582247,0.0005055148,0.029330425,0.00026645465,0.0005583377,0.17273922,0.72448206,0.06713629],"study_design_scores_gemma":[0.000013509915,0.00001039124,0.038317513,0.00035186403,0.000016249123,0.00019017064,0.014634634,0.000053819535,0.0003076711,0.005790161,0.9402843,0.000029758898],"about_ca_topic_score_codex":0.4180356,"about_ca_topic_score_gemma":0.5512772,"teacher_disagreement_score":0.5819644,"about_ca_system_score_codex":0.009607741,"about_ca_system_score_gemma":0.0032308889,"threshold_uncertainty_score":0.8312047},"labels":[],"label_agreement":null},{"id":"W3017153085","doi":"10.1515/9781501751837","title":"Crafting History : Archiving and the Quest for Architectural Legacy","year":2020,"lang":"en","type":"book","venue":"Research Explorer (The University of Manchester)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.1605599137796652,"score_gpt":0.26638737251957567,"score_spread":0.10582745873991048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3017153085","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.055222195,0.04662361,0.009673476,0.018196953,0.0006352426,0.00005235097,0.00013159351,0.00018861642,0.869276],"genre_scores_gemma":[0.72446203,0.027128132,0.007940999,0.001528716,0.0003542018,0.00006814919,0.00017164907,0.00030853518,0.2380376],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99878067,0.00053476746,0.000042835592,0.00012542994,0.00034192592,0.00017427233],"domain_scores_gemma":[0.9980059,0.00088830566,0.00010141861,0.00049381144,0.00033369652,0.00017686236],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025714268,0.00043107767,0.00034699103,0.0032779968,0.012771398,0.020620849,0.0012048468,0.0014679653,0.0060886825],"category_scores_gemma":[0.0043935585,0.0003283782,0.00024334164,0.0042995675,0.037867203,0.014377071,0.0037743126,0.0026301625,0.00095593405],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022812652,0.000010895618,0.000873906,0.00013231697,0.0000045972974,0.00019534079,0.13088281,0.00020445941,0.0002653028,0.7791507,0.013630251,0.07462662],"study_design_scores_gemma":[0.0000058518276,0.000021291999,0.0022356552,0.00089594116,0.000014896195,0.00067002146,0.119247966,0.0002424427,0.0007353008,0.15279682,0.72310454,0.000029236711],"about_ca_topic_score_codex":0.14677766,"about_ca_topic_score_gemma":0.25548217,"teacher_disagreement_score":0.14677766,"about_ca_system_score_codex":0.01781222,"about_ca_system_score_gemma":0.012268409,"threshold_uncertainty_score":0.29184663},"labels":[],"label_agreement":null},{"id":"W3020816967","doi":"","title":"World To Come To An End: Stars Falling, 1833 - A Canadian Painting of the 1833 Leonid Shower","year":2015,"lang":"en","type":"article","venue":"JRASC","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Shower; Falling (accident); Stars; Art; Astronomy; Physics; Psychology","score_opus":0.07831510866213057,"score_gpt":0.27690072119309567,"score_spread":0.1985856125309651,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3020816967","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20829739,0.009071624,0.00075261394,0.02506215,0.0019217524,0.000072716764,0.0012361633,0.000117583695,0.7534679],"genre_scores_gemma":[0.6288958,0.0038579293,0.00096136285,0.0020374686,0.00020857103,0.000017475197,0.00032524753,0.00024925667,0.36344686],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99962103,0.000034363606,0.0000036528047,0.000040232328,0.00012496594,0.00017559927],"domain_scores_gemma":[0.9997472,0.000025688116,0.000010677217,0.000008985564,0.00009585597,0.00011151176],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004488717,0.0006058317,0.00031223873,0.0010071296,0.031319723,0.004276633,0.00072244107,0.0013603935,0.021471703],"category_scores_gemma":[0.0011009648,0.00024675977,0.0003762403,0.0019383543,0.006827333,0.001036971,0.0018323411,0.0040260637,0.0011573314],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003159803,0.00005500621,0.006211613,0.000321746,0.000048383954,0.0035539751,0.44242725,0.0006753885,0.002645234,0.11311836,0.36351013,0.06711699],"study_design_scores_gemma":[0.0000049336163,0.000010865975,0.013963498,0.00014140617,0.000010729289,0.00035983408,0.07932054,0.000069268375,0.00024591942,0.0010223467,0.9048201,0.000030528427],"about_ca_topic_score_codex":0.97984946,"about_ca_topic_score_gemma":0.9972479,"teacher_disagreement_score":0.042050812,"about_ca_system_score_codex":0.042050812,"about_ca_system_score_gemma":0.024147164,"threshold_uncertainty_score":0.3051014},"labels":[],"label_agreement":null},{"id":"W3024967620","doi":"10.7202/1067430ar","title":"The Theatre of Photography","year":2019,"lang":"en","type":"article","venue":"Sens public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Liveness; Photography; Impossibility; Naturalism; Opposition (politics); Eclecticism; Viewpoints; Aesthetics; Visual arts; Art; Point (geometry); Sociology; History; Epistemology; Computer science; Philosophy; Politics; Political science; Law; Archaeology","score_opus":0.021317536544227564,"score_gpt":0.21867804102584745,"score_spread":0.1973605044816199,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3024967620","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0119932955,0.009394233,0.0068310522,0.016205603,0.005288496,0.00004013802,0.00014803352,0.00013311706,0.9499661],"genre_scores_gemma":[0.6490541,0.007418554,0.0050777006,0.0041124825,0.0032334889,0.00010576409,0.00012991637,0.00034456054,0.3305234],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982408,0.0011156856,0.000042522563,0.0001555194,0.00027095067,0.00017452466],"domain_scores_gemma":[0.9990502,0.00050130894,0.000071523464,0.0001409967,0.00010586089,0.00013007347],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012418537,0.0004480076,0.0002160967,0.0008770524,0.0050181826,0.00829596,0.00051125034,0.0013024241,0.017226972],"category_scores_gemma":[0.003216764,0.00014851383,0.00024840268,0.0005507331,0.012848952,0.003465106,0.00357381,0.0027571293,0.0021400708],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004141214,0.000010035443,0.00022399105,0.00013617394,0.0000033407782,0.00016335669,0.027894942,0.00008135165,0.00067396596,0.8950835,0.057874955,0.017812982],"study_design_scores_gemma":[0.0000039884003,0.00002099813,0.00041477155,0.00019407144,0.000002301113,0.00028402085,0.01011409,0.00006275325,0.0004384656,0.015760448,0.9726955,0.00000854026],"about_ca_topic_score_codex":0.004711153,"about_ca_topic_score_gemma":0.007323985,"teacher_disagreement_score":0.017226972,"about_ca_system_score_codex":0.0028870022,"about_ca_system_score_gemma":0.0016072071,"threshold_uncertainty_score":0.057629943},"labels":[],"label_agreement":null},{"id":"W3025415743","doi":"10.1525/aft.2020.471004","title":"Multiplying Figures","year":2020,"lang":"en","type":"article","venue":"Afterimage","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Icon; Photography; Citation; Art; Art history; Visual arts; Computer science; World Wide Web","score_opus":0.07323720886433609,"score_gpt":0.2478920205888732,"score_spread":0.17465481172453712,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3025415743","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005988631,0.0036388326,0.0031460407,0.004371422,0.013504905,0.000070386115,0.0010150464,0.0009233769,0.9727312],"genre_scores_gemma":[0.010950147,0.0041961395,0.0030242687,0.0018060232,0.0035721033,0.000067721994,0.0013477585,0.0008262566,0.9742097],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989157,0.00019543663,0.000060420876,0.00025190783,0.00044457655,0.00013211438],"domain_scores_gemma":[0.9983467,0.00025331197,0.00009170555,0.0005050063,0.00057242066,0.0002307402],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00080942875,0.0013119008,0.00055267324,0.002720706,0.0029578947,0.010175577,0.0013800418,0.0020812973,0.5815934],"category_scores_gemma":[0.005106185,0.00039733923,0.0008293461,0.0026246721,0.0022521333,0.0072640567,0.004009705,0.0027529201,0.35264412],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037497004,0.000012852194,0.00015280585,0.00017042905,0.0000063235293,0.0000944695,0.00065771304,0.00009150144,0.00042885594,0.14231859,0.741956,0.11407296],"study_design_scores_gemma":[0.0000014875621,0.0000027813485,0.000048883532,0.000037814887,0.0000010774194,0.000039318445,0.000083107465,0.000013999811,0.00003897844,0.0027080602,0.99702257,0.0000019207591],"about_ca_topic_score_codex":0.0026854007,"about_ca_topic_score_gemma":0.0042397347,"teacher_disagreement_score":0.5815934,"about_ca_system_score_codex":0.0022936524,"about_ca_system_score_gemma":0.0015379266,"threshold_uncertainty_score":0.5968062},"labels":[],"label_agreement":null},{"id":"W3026040250","doi":"","title":"Regards critiques et nouvelle photographie. Maison de la culture Claude-Léveillée, Montreal. May 30–August 26, 2018","year":2019,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.00628688303986249,"score_gpt":0.20304566247966085,"score_spread":0.19675877943979836,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3026040250","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001925568,0.13735528,0.00076936855,0.16775265,0.04337248,0.00015853094,0.0026728867,0.00054684957,0.64544636],"genre_scores_gemma":[0.021378959,0.018689133,0.00033597427,0.0102409115,0.0076598837,0.00008265332,0.0005761326,0.00032810017,0.94070816],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965495,0.00044913308,0.00007236849,0.00030174883,0.0020652555,0.0005619847],"domain_scores_gemma":[0.99542916,0.00045057992,0.00025898032,0.0002825924,0.0027110265,0.00086770416],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020760037,0.0010730962,0.00047396185,0.002056197,0.007845119,0.0075166505,0.0019431212,0.0043213526,0.18174529],"category_scores_gemma":[0.0064275633,0.00059929077,0.0004901091,0.0027137606,0.003978423,0.0031489714,0.003174938,0.0038173506,0.036745742],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016606391,0.0000054104357,0.00011415512,0.00008068128,0.0000024644808,0.000051727595,0.0006026471,0.000014207248,0.00016219346,0.005673012,0.98270965,0.010567415],"study_design_scores_gemma":[0.000002436271,0.0000023204223,0.0007553851,0.00011310453,0.0000012110598,0.000017012497,0.00039840175,0.0000039974257,0.000057061097,0.00025149036,0.99839264,0.0000049004298],"about_ca_topic_score_codex":0.55554694,"about_ca_topic_score_gemma":0.79520553,"teacher_disagreement_score":0.44445306,"about_ca_system_score_codex":0.02461999,"about_ca_system_score_gemma":0.014061374,"threshold_uncertainty_score":0.8941411},"labels":[],"label_agreement":null},{"id":"W3026218108","doi":"10.54533/stedstud.vol009.art04","title":"“My old Mother” – Therese Graf in New York: Exile, the Transatlantic Itinerary of a Photographic Portrait, and Strong History “from below”","year":2019,"lang":"en","type":"article","venue":"Stedelijk Studies Journal","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Quarter (Canadian coin); Peasant; Daughter; White (mutation); First world war; Art history; World War II; Genealogy; Art; History; Ancient history; Archaeology; Political science; Law","score_opus":0.08634533902900503,"score_gpt":0.26236637410411967,"score_spread":0.17602103507511463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3026218108","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14476757,0.023062225,0.0024500072,0.07579977,0.009694205,0.000059117432,0.0011074836,0.00018674247,0.7428728],"genre_scores_gemma":[0.35713178,0.007657088,0.0011245233,0.004600134,0.0006293613,0.00004538974,0.00037045375,0.00020453034,0.6282367],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99988997,0.000030231065,0.0000031504526,0.00002311878,0.000027789512,0.00002580169],"domain_scores_gemma":[0.9998772,0.000036081598,0.000016615626,0.000010159574,0.000024203,0.000035814875],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022702756,0.0002624059,0.00009933689,0.00038444836,0.0032781824,0.0018907711,0.00022415291,0.0006184593,0.030015549],"category_scores_gemma":[0.0005864604,0.00019351406,0.0000639677,0.0004133563,0.0016626432,0.0022792036,0.0012153937,0.00161288,0.004123849],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006216002,0.00002733694,0.004111541,0.00012041213,0.000006951233,0.0022680787,0.122820936,0.000039961167,0.0022788153,0.031216174,0.78672653,0.050321016],"study_design_scores_gemma":[0.0000019792712,0.0000094198995,0.005243824,0.00012438248,0.000001953136,0.0008426411,0.046750776,0.000015208378,0.0002643982,0.00030966752,0.946429,0.0000068198196],"about_ca_topic_score_codex":0.047962043,"about_ca_topic_score_gemma":0.16503704,"teacher_disagreement_score":0.047962043,"about_ca_system_score_codex":0.0014676313,"about_ca_system_score_gemma":0.0006837936,"threshold_uncertainty_score":0.10041207},"labels":[],"label_agreement":null},{"id":"W3034302564","doi":"10.1177/1470357220912457","title":"Neon visions: from techno-optimism to urban vice","year":2020,"lang":"en","type":"article","venue":"Visual Communication","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Neon; Aesthetics; Vision; Cityscape; History; Visual arts; Media studies; Art; Sociology; Chemistry","score_opus":0.05407338153909768,"score_gpt":0.28986454369288106,"score_spread":0.23579116215378337,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3034302564","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06857007,0.0061890394,0.014738944,0.07940093,0.0008795429,0.000021518132,0.000041921605,0.00017900551,0.8299791],"genre_scores_gemma":[0.9493612,0.003198371,0.002413403,0.0034615614,0.00018732692,0.00002517241,0.00002139068,0.00019306036,0.041138478],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99603015,0.0025330416,0.0000650012,0.00032290918,0.0006921557,0.00035681517],"domain_scores_gemma":[0.99794585,0.00091449614,0.00014709322,0.00024353269,0.00033507342,0.00041395464],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0051573915,0.00036851532,0.00019584753,0.00079512765,0.007314707,0.011713355,0.00073719845,0.0017999053,0.0064665405],"category_scores_gemma":[0.007868234,0.00023128252,0.00018124659,0.0006373801,0.0289185,0.010673458,0.007018984,0.004525408,0.0010886847],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002052017,0.000012313904,0.00038945698,0.000027493323,0.000002321999,0.00008208342,0.030655337,0.00016911667,0.0001243077,0.93812704,0.01271499,0.017675005],"study_design_scores_gemma":[0.000008685937,0.00005687695,0.0008049364,0.0002532949,0.0000048351253,0.0003310907,0.063760854,0.0006504933,0.00070695014,0.3410622,0.5923254,0.000034337434],"about_ca_topic_score_codex":0.0039434414,"about_ca_topic_score_gemma":0.005234274,"teacher_disagreement_score":0.011713355,"about_ca_system_score_codex":0.007138746,"about_ca_system_score_gemma":0.003043833,"threshold_uncertainty_score":0.051795483},"labels":[],"label_agreement":null},{"id":"W3036794585","doi":"","title":"Jeff Wall: Real Unreals?","year":2012,"lang":"en","type":"article","venue":"Societes  Representations","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Visual arts; Art; Art history; Reflection (computer programming); Aesthetics; Computer science","score_opus":0.06678334356693588,"score_gpt":0.3319356393178313,"score_spread":0.26515229575089544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3036794585","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035810873,0.016142018,0.0040177107,0.111698695,0.0046226457,0.000019531819,0.00014830039,0.00019331503,0.8273469],"genre_scores_gemma":[0.66873604,0.008467068,0.0022175312,0.012150333,0.0006740297,0.000018990171,0.000173605,0.00027836853,0.30728406],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99892956,0.000418866,0.000018391029,0.00013618724,0.00029371507,0.0002032994],"domain_scores_gemma":[0.9994342,0.00011598901,0.00005382931,0.0000690863,0.00012415629,0.00020268912],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012150563,0.00045447162,0.00021645942,0.0006884949,0.014512866,0.010953206,0.00063259853,0.0019024288,0.012227515],"category_scores_gemma":[0.0029333977,0.0002665269,0.00018663943,0.00066527515,0.021301584,0.0068362914,0.0029313609,0.0039419304,0.0017429546],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029502913,0.000008660475,0.00039749173,0.000044589513,0.0000036780666,0.0005052796,0.05708734,0.000062552805,0.0002527662,0.7734724,0.15239955,0.015736088],"study_design_scores_gemma":[0.0000042131355,0.000006961639,0.0004743248,0.00012533968,0.0000037293505,0.00039644705,0.060953416,0.00006860389,0.00023009171,0.032902237,0.9048153,0.000019388706],"about_ca_topic_score_codex":0.22216575,"about_ca_topic_score_gemma":0.34594816,"teacher_disagreement_score":0.22216575,"about_ca_system_score_codex":0.0106490385,"about_ca_system_score_gemma":0.0058778385,"threshold_uncertainty_score":0.44174522},"labels":[],"label_agreement":null},{"id":"W3037067021","doi":"10.35168/1980-5276.utp.interin.2020.vol25.n2.pp66-82","title":"Qual visualidade para o êxodo em massa?","year":2020,"lang":"pt","type":"article","venue":"INTERIN","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ministère de l'Agriculture, des Pêcheries et de l'Alimentation; Université du Québec à Montréal; Université du Québec à Chicoutimi","funders":"","keywords":"Humanities; Art","score_opus":0.13279960469000396,"score_gpt":0.33140436700010595,"score_spread":0.198604762310102,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3037067021","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09566443,0.0062759416,0.008643068,0.07453139,0.0026315448,0.0000361723,0.00022488795,0.00027124493,0.8117213],"genre_scores_gemma":[0.8265202,0.0036629345,0.0031217404,0.0059442823,0.0007275212,0.00006002307,0.00019203738,0.00047694644,0.15929432],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99830556,0.0007854991,0.000050585768,0.0003030518,0.00026816124,0.00028717637],"domain_scores_gemma":[0.99841905,0.00034719036,0.00018962458,0.0002372992,0.000375136,0.00043171324],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021726247,0.0005384124,0.00036308594,0.0011584315,0.006892353,0.016612634,0.00085817376,0.0020004278,0.030462343],"category_scores_gemma":[0.005264422,0.00024684635,0.00035284777,0.0013985564,0.014595096,0.014684476,0.0063759624,0.0028607408,0.0056669917],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012052815,0.000043574328,0.0070313876,0.000296762,0.000021176065,0.0010848941,0.24091338,0.000099050376,0.0017609352,0.6091997,0.05882927,0.08059926],"study_design_scores_gemma":[0.000010804422,0.00004981514,0.004519987,0.00044997764,0.000017602842,0.000748016,0.1491972,0.00012675305,0.0005336675,0.058794606,0.785519,0.00003252178],"about_ca_topic_score_codex":0.007974505,"about_ca_topic_score_gemma":0.010079495,"teacher_disagreement_score":0.030462343,"about_ca_system_score_codex":0.0035079047,"about_ca_system_score_gemma":0.0018512362,"threshold_uncertainty_score":0.10190672},"labels":[],"label_agreement":null},{"id":"W3042172755","doi":"10.3138/utq.89.2.03","title":"Anamorphosis in David Lynch’s <i>Mulholland Drive</i>","year":2020,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Stylized fact; Perspective (graphical); Fine art; Architecture; Art; Visual arts; Aesthetics; History; Art history","score_opus":0.017902121496045947,"score_gpt":0.19203963676231556,"score_spread":0.1741375152662696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3042172755","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33858117,0.0059233387,0.0016319143,0.016876463,0.0005858923,0.0000368388,0.000097083415,0.00006899033,0.6361983],"genre_scores_gemma":[0.9062003,0.0012807825,0.0005244369,0.0009887285,0.00011343922,0.000020336942,0.000026417563,0.00003958646,0.09080606],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99968195,0.00013019991,0.0000068642444,0.000050804956,0.000054416687,0.00007574639],"domain_scores_gemma":[0.9998149,0.00006911823,0.000032742464,0.000014162387,0.00002666278,0.00004236107],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023478501,0.00026326644,0.00008688902,0.0006155922,0.0070840814,0.0032654265,0.00032125428,0.0009663509,0.006442197],"category_scores_gemma":[0.0006154965,0.00014941921,0.000091643575,0.00037974096,0.0045766896,0.0020853807,0.0017694833,0.0014565887,0.0005200387],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006701516,0.000034714823,0.003224077,0.000114080474,0.0000065551367,0.0023891346,0.3544923,0.00009296284,0.0021367592,0.5378328,0.068570346,0.031039227],"study_design_scores_gemma":[0.0000053943077,0.00003664884,0.0059927236,0.00012471393,0.0000054862985,0.001229521,0.077504,0.00009555996,0.00095151784,0.005135718,0.90890175,0.000016956688],"about_ca_topic_score_codex":0.03142918,"about_ca_topic_score_gemma":0.104421504,"teacher_disagreement_score":0.03142918,"about_ca_system_score_codex":0.0038841204,"about_ca_system_score_gemma":0.00068406964,"threshold_uncertainty_score":0.06249249},"labels":[],"label_agreement":null},{"id":"W3044767153","doi":"","title":"Autour du visage : les photographies de Dave Heath / About the Face: The Photographs of Dave Heath","year":2019,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Face (sociological concept); Humanities; Philosophy; Linguistics","score_opus":0.024516745143809193,"score_gpt":0.25093145592824423,"score_spread":0.22641471078443504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3044767153","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015119691,0.019321457,0.00080433046,0.05227937,0.031824954,0.000082461214,0.0019923288,0.0005148368,0.8780606],"genre_scores_gemma":[0.067644246,0.00923961,0.0012319951,0.0064894613,0.0072600897,0.00004388251,0.000513809,0.0009758968,0.90660095],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997259,0.00006553522,0.000005130297,0.000029030816,0.00013243216,0.000041957745],"domain_scores_gemma":[0.99946374,0.00013241851,0.000034390585,0.00006208036,0.00019280934,0.00011453509],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039297855,0.0005442944,0.00018988772,0.0010923144,0.0028955801,0.002658852,0.00029725622,0.0011190317,0.1378703],"category_scores_gemma":[0.0021402775,0.00019920497,0.00021089432,0.0011289874,0.000880321,0.0017821013,0.0014047741,0.0021411616,0.020725623],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023341137,0.0000062243003,0.00021676856,0.00006802924,0.0000027880787,0.00018052613,0.0020596008,0.000016512844,0.0004971047,0.003018702,0.9686064,0.02530415],"study_design_scores_gemma":[0.0000019375352,0.0000027007852,0.0011641495,0.000054981978,0.0000016272393,0.00027865972,0.0020979298,0.000014598161,0.00020679002,0.0001757726,0.995996,0.000004871865],"about_ca_topic_score_codex":0.023644365,"about_ca_topic_score_gemma":0.06632882,"teacher_disagreement_score":0.1378703,"about_ca_system_score_codex":0.0011308349,"about_ca_system_score_gemma":0.00073336146,"threshold_uncertainty_score":0.4612221},"labels":[],"label_agreement":null},{"id":"W3046964774","doi":"10.7202/1070592ar","title":"Dan Adler, Contemporary Sculpture and the Critique of Display Cultures: Tainted Goods, New York: Routledge, 2019, 129 pp. 20 b/w illus. $ 62.95 (hardcover) ISBN 9781138479623 $ 21.95 (paperback) ISBN 9780367516048","year":2020,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sculpture; Art history; Art; Media studies; Sociology","score_opus":0.027054773548512243,"score_gpt":0.23503371311628998,"score_spread":0.20797893956777774,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3046964774","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00038272975,0.90216285,0.0005378048,0.038312335,0.0013387289,0.000009756672,0.00009931705,0.000035695466,0.05712066],"genre_scores_gemma":[0.02874576,0.7740613,0.0016295605,0.018074883,0.0026492237,0.000096588745,0.00018228269,0.00021864143,0.17434172],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977894,0.0009307902,0.000115944094,0.00025038194,0.0007165648,0.0001969026],"domain_scores_gemma":[0.9980293,0.0010949472,0.00020294347,0.00010408348,0.00040978997,0.00015897663],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019513987,0.0014781224,0.0008623457,0.0042087496,0.004240461,0.010114988,0.0018835292,0.006291619,0.03539644],"category_scores_gemma":[0.0046950127,0.0009907981,0.00051053887,0.0062341355,0.01248262,0.022937898,0.0033188032,0.005163281,0.010952298],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048220536,0.000019585766,0.00025341622,0.0010021975,0.000013203471,0.00013658608,0.010348665,0.00008362576,0.00014429778,0.14176282,0.7771451,0.06904238],"study_design_scores_gemma":[0.00000686284,0.000004825794,0.0006750485,0.0015418981,0.0000064953024,0.00013137705,0.00582361,0.00002614174,0.00007414166,0.033903852,0.9577915,0.000014350594],"about_ca_topic_score_codex":0.0851591,"about_ca_topic_score_gemma":0.16672193,"teacher_disagreement_score":0.0851591,"about_ca_system_score_codex":0.008826981,"about_ca_system_score_gemma":0.0073971194,"threshold_uncertainty_score":0.16932684},"labels":[],"label_agreement":null},{"id":"W3080293459","doi":"10.38055/fs020111","title":"(Un)Dress in Southworth &amp; Hawes’ Daguerreotype Portraits: Clytie, Proserpine, and Antebellum Boston Women","year":2019,"lang":"en","type":"article","venue":"Fashion Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Elite; Art; Portrait; Art history; Bourgeoisie; Style (visual arts); Sculpture; White (mutation); Visual arts; Law; Politics; Political science","score_opus":0.0401663802764471,"score_gpt":0.28149542968049773,"score_spread":0.24132904940405064,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3080293459","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.679272,0.008149506,0.0008785889,0.0085153645,0.00064215116,0.000023977582,0.00023338874,0.00006325119,0.30222175],"genre_scores_gemma":[0.8543938,0.0016292057,0.00026168665,0.0009874877,0.00012821601,0.000015496385,0.00007042959,0.000060763916,0.14245294],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9998541,0.000053584765,0.0000017772704,0.000022762775,0.000026482374,0.000041341715],"domain_scores_gemma":[0.9999167,0.000014673192,0.0000097604525,0.0000049827177,0.000010540228,0.00004342749],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027118745,0.00045241156,0.00012972715,0.0007539227,0.005286567,0.0022628738,0.0002852929,0.00060577254,0.008050712],"category_scores_gemma":[0.00026568637,0.00019090144,0.00008193174,0.00033867953,0.003313372,0.0009827197,0.0013940278,0.001098259,0.00076294254],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007662548,0.000026757918,0.0064283805,0.00007731415,0.000012656722,0.0022300403,0.84642154,0.00006109757,0.003644623,0.054769654,0.05710093,0.0291503],"study_design_scores_gemma":[0.000004717912,0.00003925174,0.021733299,0.00011368281,0.000008843833,0.000995207,0.24061193,0.0000430674,0.0005561478,0.0008848089,0.73499185,0.000017240083],"about_ca_topic_score_codex":0.07174275,"about_ca_topic_score_gemma":0.28843313,"teacher_disagreement_score":0.07174275,"about_ca_system_score_codex":0.002861659,"about_ca_system_score_gemma":0.00045121426,"threshold_uncertainty_score":0.1426503},"labels":[],"label_agreement":null},{"id":"W3083073342","doi":"10.17742/image.tgvc.5-2.1","title":"Terrorism and its Legacy in German Visual Culture","year":2014,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"German; Terrorism; Political science; Visual culture; Sociology; History; Anthropology; Law; Archaeology","score_opus":0.04082557048783984,"score_gpt":0.42222551967333205,"score_spread":0.3813999491854922,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3083073342","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73651963,0.015511251,0.0005598303,0.008833734,0.00039364834,0.000009733454,0.00016148241,0.000019579207,0.23799114],"genre_scores_gemma":[0.9959598,0.0008186269,0.000028649682,0.00014771218,0.00003792018,0.0000011251923,0.000016412512,0.000004194554,0.0029854977],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942124,0.00019435295,0.000018674555,0.000060569062,0.00006611347,0.0002390222],"domain_scores_gemma":[0.9993678,0.00021197327,0.000114443945,0.00008716174,0.00008192555,0.00013669873],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00082045613,0.00032426917,0.00012670911,0.0017331204,0.003564666,0.0074390187,0.00040730744,0.0011053671,0.00553098],"category_scores_gemma":[0.0014964553,0.00014556108,0.0001353738,0.0017750907,0.011712676,0.003006795,0.00260701,0.0015637656,0.0005083212],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003746941,0.00012505494,0.017521339,0.00028448258,0.000069615504,0.0017396616,0.21979858,0.00045171138,0.0015376748,0.66679823,0.013722615,0.077576295],"study_design_scores_gemma":[0.000029617027,0.0001704066,0.07770772,0.0005445252,0.00007442844,0.0023655016,0.39199606,0.0005190513,0.0021940456,0.0689957,0.4553293,0.00007360034],"about_ca_topic_score_codex":0.015290106,"about_ca_topic_score_gemma":0.018613268,"teacher_disagreement_score":0.015290106,"about_ca_system_score_codex":0.004232281,"about_ca_system_score_gemma":0.0012245837,"threshold_uncertainty_score":0.030707538},"labels":[],"label_agreement":null},{"id":"W3086632433","doi":"10.1080/01439685.2020.1815350","title":"The Illustrated Cameraman: Labor, Industry, and Technological Change in the Cartoons of Glenn Kershner, A.S.C","year":2020,"lang":"en","type":"article","venue":"Historical Journal Of Film Radio and Television","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hollywood; Craft; Film industry; Visual arts; Motion picture; Photography; Quarter (Canadian coin); Media studies; Sociology; Movie theater; Art; Art history; History; Computer science","score_opus":0.06598820881740326,"score_gpt":0.2556254299862964,"score_spread":0.18963722116889314,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3086632433","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08231306,0.058110766,0.002508718,0.14638858,0.006271206,0.000056728393,0.00011048839,0.00010720253,0.7041332],"genre_scores_gemma":[0.60716563,0.030536419,0.001971316,0.013419109,0.0017455501,0.00004196173,0.000034086715,0.00015612146,0.34492975],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99969983,0.0001713972,0.0000034617246,0.00002359155,0.000053464002,0.000048236394],"domain_scores_gemma":[0.99971944,0.00014324088,0.000021583073,0.000014892072,0.000040490348,0.000060306513],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042703058,0.00035441,0.000102951024,0.0005311767,0.0059921416,0.0039959545,0.00031425845,0.0007781501,0.010885218],"category_scores_gemma":[0.0010333675,0.00015484441,0.00009093913,0.00052853354,0.0056209136,0.0017978051,0.0014072747,0.0017494988,0.0007785978],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005600385,0.000040192564,0.0009922354,0.00013722836,0.000004466786,0.00086436205,0.1534992,0.00014864223,0.001122975,0.2345323,0.5468228,0.06177958],"study_design_scores_gemma":[0.0000026730258,0.000014059774,0.0011861951,0.0001774999,0.000002309916,0.00020725376,0.060509883,0.00007132397,0.00026064282,0.00282054,0.9347382,0.000009413055],"about_ca_topic_score_codex":0.062764004,"about_ca_topic_score_gemma":0.15645629,"teacher_disagreement_score":0.062764004,"about_ca_system_score_codex":0.002699896,"about_ca_system_score_gemma":0.0018203,"threshold_uncertainty_score":0.124797344},"labels":[],"label_agreement":null},{"id":"W3087784604","doi":"10.7202/1069559ar","title":"Mary O’Connor and Katherine Tweedie, Seduced by Modernity: The Photography of Margaret Watkins. Montreal and Kingston, McGill-Queen’s University Press, 2007, 352 pp., 172 duotone photographs, $49.95 Cdn.","year":2008,"lang":"en","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Queen's University","funders":"","keywords":"Queen (butterfly); Photography; Modernity; Art history; The arts; Art; History; Media studies; Sociology; Visual arts; Philosophy","score_opus":0.01387963833831885,"score_gpt":0.17521295794132136,"score_spread":0.1613333196030025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3087784604","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00046539426,0.87295073,0.00041157473,0.05799118,0.007426012,0.00003263574,0.00017786736,0.000089342364,0.060455184],"genre_scores_gemma":[0.010441243,0.6232936,0.0012563629,0.018950831,0.0049096732,0.00007289805,0.00017515439,0.00016428472,0.34073594],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992441,0.00019681899,0.000031195832,0.00008204081,0.00036130316,0.00008462425],"domain_scores_gemma":[0.9987268,0.00040924893,0.0001440519,0.00004961077,0.00041163247,0.00025867397],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013918802,0.0012016435,0.00052995636,0.002717498,0.0032626216,0.0046347636,0.0012873625,0.003013717,0.061381042],"category_scores_gemma":[0.0040056584,0.0008598169,0.0003755936,0.0030660317,0.0022145852,0.006812427,0.002321564,0.002884793,0.019988468],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010172612,0.0000033122403,0.000067096924,0.00021393654,0.0000026783694,0.00004159033,0.00080545613,0.00000993,0.00005118187,0.0014470121,0.9740442,0.023303457],"study_design_scores_gemma":[0.0000029058701,0.000003301829,0.0008791948,0.0005472999,0.000004488244,0.00015406696,0.001504889,0.000007175306,0.00003676282,0.00051765185,0.9963349,0.000007389623],"about_ca_topic_score_codex":0.14518839,"about_ca_topic_score_gemma":0.40569416,"teacher_disagreement_score":0.8548116,"about_ca_system_score_codex":0.0044520595,"about_ca_system_score_gemma":0.0038561018,"threshold_uncertainty_score":0.28868657},"labels":[],"label_agreement":null},{"id":"W3088354321","doi":"","title":"Permission to feel: Refocusing provenance on emotions using the photographs of the Dave White family fonds","year":2020,"lang":"en","type":"dissertation","venue":"Mspace (University of Manitoba)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Permission; White (mutation); Visual arts; Art; Psychology; Philosophy; Epistemology; Genetics; Biology","score_opus":0.042826900175057456,"score_gpt":0.24021564981063398,"score_spread":0.1973887496355765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3088354321","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7259162,0.0034632625,0.006434616,0.037765626,0.0014927913,0.0001452481,0.00020408991,0.00014120874,0.22443683],"genre_scores_gemma":[0.95568496,0.002041588,0.0033932398,0.0026149778,0.00012539832,0.00007746283,0.00006684799,0.00014013736,0.03585543],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99721575,0.0018850256,0.00004445132,0.00016037683,0.00047556983,0.00021869254],"domain_scores_gemma":[0.99655724,0.0019844996,0.00023653392,0.00030824312,0.00062562746,0.0002879297],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004435346,0.00044677337,0.00025602692,0.0009150195,0.012151639,0.006350128,0.0006908205,0.0012131372,0.0049723038],"category_scores_gemma":[0.010627192,0.00029828105,0.00024969727,0.00069279416,0.012244712,0.0061788666,0.0038569001,0.0033133707,0.0006989271],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023807548,0.000011563602,0.0010103494,0.00005188163,0.0000036847434,0.00039342124,0.9707365,0.000032116917,0.000761629,0.006476005,0.010111037,0.010388046],"study_design_scores_gemma":[0.0000035697628,0.000013710675,0.002329969,0.00015548362,0.000008032067,0.00025399326,0.8774503,0.000078148754,0.00061973196,0.001868771,0.117195114,0.000023159912],"about_ca_topic_score_codex":0.07439552,"about_ca_topic_score_gemma":0.19502902,"teacher_disagreement_score":0.92560446,"about_ca_system_score_codex":0.005547091,"about_ca_system_score_gemma":0.0035400654,"threshold_uncertainty_score":0.14792502},"labels":[],"label_agreement":null},{"id":"W3088636100","doi":"10.7202/1069597ar","title":"Un canadien errant: Charles Smeaton and the earliest photographs of the Roman Catacombs","year":2020,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Carleton University; Queen's University","funders":"","keywords":"Humanities; Art; Amateur; History; Archaeology","score_opus":0.01449224436897434,"score_gpt":0.1802666943770302,"score_spread":0.16577445000805585,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3088636100","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11888623,0.19689287,0.0023170111,0.15401095,0.012375357,0.000089579415,0.00047054552,0.000122903,0.51483446],"genre_scores_gemma":[0.46285194,0.041268308,0.0016955965,0.012340947,0.001333716,0.00004311229,0.00021872732,0.00025643708,0.4799911],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990841,0.0003248028,0.000017467648,0.00013048318,0.00030196118,0.00014118745],"domain_scores_gemma":[0.999201,0.00021229067,0.000054867778,0.00005831756,0.00034543924,0.00012807034],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010799145,0.0005798725,0.00023712942,0.0022816781,0.0094295265,0.0056899064,0.0005810069,0.0014182925,0.01458434],"category_scores_gemma":[0.0032305939,0.00037749935,0.0001874055,0.0026708243,0.007268312,0.0032046332,0.002544673,0.0031371063,0.0014171407],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019432911,0.00003641762,0.008043951,0.00077767903,0.000032793756,0.0025516397,0.292983,0.00016352154,0.00183329,0.15297654,0.43946522,0.1009416],"study_design_scores_gemma":[0.0000028826682,0.000008289097,0.0042761625,0.00038421887,0.0000064888927,0.00045019362,0.034086265,0.00001959302,0.00024924084,0.0012407647,0.9592585,0.000017307906],"about_ca_topic_score_codex":0.4484519,"about_ca_topic_score_gemma":0.7646822,"teacher_disagreement_score":0.5515481,"about_ca_system_score_codex":0.012551373,"about_ca_system_score_gemma":0.006296304,"threshold_uncertainty_score":0.8916832},"labels":[],"label_agreement":null},{"id":"W3089939601","doi":"","title":"Rituals of Belonging: Negotiating Identity Through Photography","year":2019,"lang":"en","type":"article","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Western University","funders":"","keywords":"Photography; Sociology; Identity (music); Context (archaeology); Homeland; Amateur; Liminality; Ideology; Citizenship; Meaning (existential); Visual arts; Politics; Media studies; Aesthetics; Gender studies; History; Art; Law; Political science; Psychology; Anthropology; Archaeology","score_opus":0.027807662799403245,"score_gpt":0.2688638652092096,"score_spread":0.24105620240980632,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3089939601","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79404527,0.0019689188,0.0065723704,0.0039934563,0.0001524653,0.00007030705,0.000058966114,0.000052768744,0.19308543],"genre_scores_gemma":[0.99059,0.0004492768,0.0011107784,0.00013588992,0.000018188233,0.000018146338,0.00001610752,0.000019775267,0.0076419567],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99768686,0.0014534042,0.000041464027,0.00015204189,0.0003114343,0.00035464813],"domain_scores_gemma":[0.9980385,0.0009500747,0.00032686084,0.00021474237,0.0002159905,0.00025396876],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023506293,0.00036743327,0.00022051952,0.001580952,0.012553806,0.006283763,0.00096802297,0.0009496563,0.0033529229],"category_scores_gemma":[0.005253033,0.00020668263,0.00023356549,0.0008289614,0.024969548,0.0038697622,0.0064269146,0.0014054739,0.0002504197],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029523211,0.000011239064,0.004021846,0.00005170911,0.0000066485377,0.00046908797,0.9544619,0.000056862886,0.0007341445,0.025077865,0.0009792505,0.014099911],"study_design_scores_gemma":[0.0000042391107,0.000019748892,0.008461097,0.00014559581,0.000012003992,0.00028591222,0.9117404,0.00008966656,0.00039559873,0.003146944,0.07567796,0.000020906085],"about_ca_topic_score_codex":0.12415885,"about_ca_topic_score_gemma":0.219969,"teacher_disagreement_score":0.12415885,"about_ca_system_score_codex":0.005625662,"about_ca_system_score_gemma":0.004681105,"threshold_uncertainty_score":0.24687237},"labels":[],"label_agreement":null},{"id":"W3090466881","doi":"","title":"Pumerantz Library Research Guides: Optometry: Vancouver Style","year":2015,"lang":"en","type":"libguides","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Optometry; Style (visual arts); Geography; Library science; Visual arts; Computer science; Medicine; Art","score_opus":0.15350427739212252,"score_gpt":0.38209007293295605,"score_spread":0.22858579554083353,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3090466881","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011067099,0.010245996,0.0009212167,0.0030205532,0.001540015,0.00012922355,0.0052731074,0.0006984061,0.9770647],"genre_scores_gemma":[0.0021654947,0.0026542968,0.00041473444,0.00011905185,0.00008454971,0.000028833965,0.0007348196,0.00020793843,0.99359024],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99910563,0.00007723309,0.00005128192,0.00012220953,0.00055709475,0.00008646883],"domain_scores_gemma":[0.99708813,0.00022104723,0.000062616076,0.000121462,0.002182579,0.00032423492],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011417657,0.0012309531,0.0005428362,0.006264233,0.0065887165,0.0078050806,0.0010010852,0.0020096544,0.43602437],"category_scores_gemma":[0.003565337,0.000743496,0.0003108401,0.008560471,0.0015385798,0.0025926188,0.0019197837,0.0022368971,0.13774031],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021009771,0.00001769681,0.0004082987,0.00019967934,0.0000019082993,0.000035186724,0.00032077928,0.00010993979,0.00011910794,0.0051308335,0.8893914,0.10424409],"study_design_scores_gemma":[0.0000022024815,0.000005025842,0.0018796624,0.0001766924,0.0000016846427,0.000036337704,0.00038792467,0.000058167363,0.00016012609,0.0007189071,0.9965668,0.0000064454302],"about_ca_topic_score_codex":0.3827844,"about_ca_topic_score_gemma":0.7555616,"teacher_disagreement_score":0.43602437,"about_ca_system_score_codex":0.008049257,"about_ca_system_score_gemma":0.013537732,"threshold_uncertainty_score":0.80444276},"labels":[],"label_agreement":null},{"id":"W3092764426","doi":"","title":"Photography and the Nature/Culture Divide / La photographie entre nature et culture","year":2020,"lang":"en","type":"article","venue":"Esse/Esse arts + opinions","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Art; Visual culture; Sociology; Visual arts","score_opus":0.019432826750376365,"score_gpt":0.2729075954009344,"score_spread":0.253474768650558,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3092764426","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04483134,0.12227481,0.0008271259,0.09383396,0.0012365929,0.000010532983,0.000110625486,0.000014178397,0.73686075],"genre_scores_gemma":[0.85969174,0.057556428,0.00059678574,0.0065561784,0.0026263357,0.000028042434,0.00006157195,0.00005359728,0.07282934],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99818146,0.0010359541,0.000053260097,0.00018181968,0.0003421253,0.00020537309],"domain_scores_gemma":[0.99596846,0.002743149,0.00044541075,0.0001897717,0.00029630007,0.00035684108],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018105186,0.00026736577,0.00029005046,0.0027178016,0.004271346,0.011865582,0.00038186557,0.0028575787,0.028303713],"category_scores_gemma":[0.003967837,0.00024358815,0.0002766085,0.0033528015,0.016283747,0.013460023,0.0034955698,0.003462025,0.0010264546],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003648078,0.00004445869,0.0019307702,0.00011899169,0.000008786646,0.00012295847,0.016018469,0.000049099526,0.00013232608,0.93424755,0.018316913,0.028973207],"study_design_scores_gemma":[0.000024197745,0.000037342877,0.027876422,0.0013234774,0.00002382141,0.0004692039,0.06765696,0.00017303982,0.0002691332,0.30035716,0.60175234,0.000036939367],"about_ca_topic_score_codex":0.025692075,"about_ca_topic_score_gemma":0.040782463,"teacher_disagreement_score":0.028303713,"about_ca_system_score_codex":0.005484534,"about_ca_system_score_gemma":0.0027032709,"threshold_uncertainty_score":0.094685376},"labels":[],"label_agreement":null},{"id":"W3096898724","doi":"","title":"Nathan Lyons. Une exploration de la photographie comme langage visuel / Nathan Lyons. An Exploration of Photography as Visual Language","year":2019,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Photography; Humanities; Visual arts","score_opus":0.04326126085541053,"score_gpt":0.3057414476221767,"score_spread":0.26248018676676615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3096898724","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002902674,0.46158847,0.0034370087,0.101737775,0.005961782,0.000051106235,0.00075438153,0.00037073984,0.423196],"genre_scores_gemma":[0.05888671,0.19934535,0.0067121605,0.014217053,0.0028776915,0.0001308376,0.00037949378,0.00071733916,0.71673346],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998914,0.0003393754,0.000053820386,0.00017499813,0.00043015962,0.00008769717],"domain_scores_gemma":[0.99869174,0.0005626135,0.00011006202,0.00008544151,0.00043896897,0.00011124732],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014412242,0.0008833467,0.00032216765,0.0025560642,0.0032923315,0.004312042,0.00083418045,0.0026844877,0.041027293],"category_scores_gemma":[0.0021314917,0.00036719604,0.0004355313,0.002055399,0.0032314262,0.008413542,0.0029855175,0.0024612106,0.012443029],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045407713,0.000017044222,0.00034181902,0.0004873774,0.0000059873937,0.0002562042,0.011305635,0.000054908873,0.00055683026,0.19781895,0.6466689,0.14244089],"study_design_scores_gemma":[0.0000019635045,0.0000027157548,0.0004307273,0.00023907464,0.000001485958,0.0001315906,0.0021401357,0.000017429073,0.00022591872,0.004614263,0.9921886,0.000006163614],"about_ca_topic_score_codex":0.09778056,"about_ca_topic_score_gemma":0.14137307,"teacher_disagreement_score":0.09778056,"about_ca_system_score_codex":0.0047494443,"about_ca_system_score_gemma":0.0023917719,"threshold_uncertainty_score":0.19442284},"labels":[],"label_agreement":null},{"id":"W3097378936","doi":"10.1353/vcr.2020.0019","title":"Victorian Negatives: Literary Culture and the Dark Side of Photography in the Nineteenth Century by Susan E. Cook","year":2020,"lang":"en","type":"article","venue":"Victorian review","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Negative; Photography; Art; Art history; History; Visual arts","score_opus":0.017327540061856935,"score_gpt":0.2390082722260312,"score_spread":0.22168073216417425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3097378936","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00011863265,0.988848,0.000017798384,0.006553764,0.0013160931,9.99799e-7,0.0000041642684,0.0000012731892,0.0031393452],"genre_scores_gemma":[0.0060579283,0.9766476,0.00007050411,0.0070524425,0.0025445088,0.0000059960616,0.000010803519,0.00001044459,0.007599768],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976113,0.001035867,0.00012844321,0.0001747299,0.0008403873,0.0002092939],"domain_scores_gemma":[0.99430263,0.0029007369,0.00040954782,0.00020568777,0.0019220199,0.0002594195],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035481516,0.0005434717,0.0009067112,0.0037548714,0.0027143864,0.005040569,0.001063372,0.00308841,0.005301583],"category_scores_gemma":[0.006796721,0.00058530894,0.00031611396,0.003957555,0.007895857,0.004595573,0.002629591,0.0047308044,0.0014202847],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009803625,0.00003256633,0.00037071286,0.008603914,0.000054865064,0.00020628773,0.00727033,0.00010369653,0.0003484211,0.07293755,0.6313107,0.2786629],"study_design_scores_gemma":[0.000005032428,0.000008107351,0.0011910626,0.005871717,0.000013827205,0.00022641609,0.0014591501,0.000012393528,0.000058745478,0.0023430847,0.9887965,0.000013991384],"about_ca_topic_score_codex":0.103858255,"about_ca_topic_score_gemma":0.18033296,"teacher_disagreement_score":0.103858255,"about_ca_system_score_codex":0.008091077,"about_ca_system_score_gemma":0.008540175,"threshold_uncertainty_score":0.2065075},"labels":[],"label_agreement":null},{"id":"W3107498156","doi":"10.1177/1550190620964073","title":"Resurrecting Images from the Morgue: A Case Study of the London Free Press Collection of Photographic Negatives","year":2020,"lang":"en","type":"article","venue":"Collections A Journal for Museum and Archives Professionals","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Library and Archives Canada; Western University","funders":"","keywords":"Digitization; Newspaper; Metadata; Context (archaeology); Photojournalism; Negative; Special collections; Library science; Resource (disambiguation); Photography; Value (mathematics); History; Visual arts; Media studies; Computer science; World Wide Web; Sociology; Art; Telecommunications; Archaeology","score_opus":0.0691617240786637,"score_gpt":0.3094873935978148,"score_spread":0.2403256695191511,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3107498156","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89982724,0.0027152416,0.0019341897,0.008037771,0.00029177289,0.0004129757,0.00027451146,0.0000696211,0.08643653],"genre_scores_gemma":[0.9383459,0.003445745,0.003672117,0.0022368454,0.00018564917,0.0002732035,0.0002967882,0.00027185437,0.051271874],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9927798,0.0041937674,0.00021089466,0.0004450893,0.0013896843,0.0009807583],"domain_scores_gemma":[0.99301815,0.004065082,0.0007619239,0.00075611967,0.000675754,0.00072306144],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0046259556,0.0011118758,0.0007455723,0.0036307783,0.03047923,0.010131306,0.0035236815,0.0057777204,0.00716916],"category_scores_gemma":[0.014145847,0.0009962384,0.0007217832,0.0049873022,0.014158316,0.005779838,0.007363619,0.004894745,0.0013227],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000070873284,0.00018065414,0.0041171745,0.00034076488,0.000016897075,0.041924693,0.91971487,0.00014775655,0.001135212,0.009298011,0.009962485,0.01309052],"study_design_scores_gemma":[0.000008024631,0.00005874135,0.0033705134,0.00022521472,0.0000112214775,0.0091,0.8615191,0.000104219536,0.0007748877,0.0004535396,0.12434336,0.0000311271],"about_ca_topic_score_codex":0.07231507,"about_ca_topic_score_gemma":0.24761179,"teacher_disagreement_score":0.07231507,"about_ca_system_score_codex":0.010771492,"about_ca_system_score_gemma":0.0043899016,"threshold_uncertainty_score":0.14378828},"labels":[],"label_agreement":null},{"id":"W3108334593","doi":"","title":"Scotiabank Contact : Toronto Photography Festival : Public","year":2012,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Visual arts; Geography; Art","score_opus":0.04127525097946338,"score_gpt":0.24501524115371495,"score_spread":0.20373999017425157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3108334593","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0043276963,0.0032565077,0.00029509873,0.0037441873,0.0019360597,0.00010214273,0.005432318,0.0005002391,0.9804058],"genre_scores_gemma":[0.0072420067,0.0006557928,0.00011956459,0.00015606421,0.00009236627,0.0000136682465,0.0008235178,0.00015163842,0.9907453],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997787,0.000012935548,0.0000032341734,0.000028949185,0.00009790479,0.00007839983],"domain_scores_gemma":[0.99963295,0.000025912766,0.0000106007465,0.000027288228,0.00013915026,0.00016403945],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003372533,0.0008392588,0.00033106707,0.0014661708,0.008433385,0.0055293934,0.0006945692,0.0017209599,0.4129434],"category_scores_gemma":[0.00063665403,0.00046013854,0.00031953517,0.0021870753,0.0010175359,0.0014329065,0.0019058046,0.0014653946,0.0784908],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029124774,0.000008463248,0.00031567027,0.000069453825,0.0000016667794,0.00013089977,0.0009847158,0.00002573701,0.00030193137,0.0025161454,0.9794953,0.016121002],"study_design_scores_gemma":[0.0000035780347,0.000004860121,0.0028219647,0.00004135017,0.0000013126876,0.000036652145,0.0008248613,0.000014369732,0.00009961309,0.00012916671,0.9960181,0.0000041968883],"about_ca_topic_score_codex":0.64183885,"about_ca_topic_score_gemma":0.9498427,"teacher_disagreement_score":0.64183885,"about_ca_system_score_codex":0.010584702,"about_ca_system_score_gemma":0.007829742,"threshold_uncertainty_score":0.83736503},"labels":[],"label_agreement":null},{"id":"W3110605146","doi":"","title":"Scotiabank Contact : Toronto Photography Festival : Field of Vision","year":2013,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Visual arts; Field (mathematics); Optometry; Geography; Art; Cartography; Medicine; Mathematics","score_opus":0.013951859064304618,"score_gpt":0.2595123576623097,"score_spread":0.24556049859800505,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3110605146","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004089929,0.008656493,0.000463443,0.005770329,0.0030410297,0.000100430094,0.0056644417,0.00043886734,0.9717752],"genre_scores_gemma":[0.011526779,0.0015977385,0.00023411853,0.00022556288,0.00018030596,0.000016002316,0.0010160145,0.00018489205,0.9850187],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997539,0.000014665557,0.0000040906484,0.000035298937,0.000110305664,0.00008167662],"domain_scores_gemma":[0.99958986,0.000027010123,0.000012216846,0.000028031764,0.00015738445,0.00018536499],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041921146,0.0007730209,0.0003092622,0.0014951548,0.007298918,0.0061709336,0.00066033704,0.0014741094,0.28899685],"category_scores_gemma":[0.0006901047,0.00039021883,0.00027179858,0.002459908,0.0010939951,0.0014567239,0.0018488228,0.001529342,0.044293605],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027903405,0.0000062159224,0.00029929265,0.00007599195,0.0000018394481,0.00010765978,0.0007882558,0.000035348374,0.00027857444,0.0043980936,0.97240454,0.021576261],"study_design_scores_gemma":[0.0000027168605,0.000004037404,0.0025440394,0.00004197217,0.0000011764415,0.0000375737,0.0006149584,0.00001531614,0.00008242051,0.000232227,0.99641955,0.0000039169004],"about_ca_topic_score_codex":0.6868144,"about_ca_topic_score_gemma":0.95344484,"teacher_disagreement_score":0.31318557,"about_ca_system_score_codex":0.011788992,"about_ca_system_score_gemma":0.010257598,"threshold_uncertainty_score":0.96679074},"labels":[],"label_agreement":null},{"id":"W3111845410","doi":"","title":"Chrome bust of Russian Communist leader Vladimir Lenin in West Hollywood, California","year":2013,"lang":"en","type":"book-chapter","venue":"Library of Congress eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Hollywood; Art; Capital (architecture); Performance art; Bust; Communism; Sculpture; Cartography; Visual arts; Engineering; Geography; Law; Political science","score_opus":0.03495795408891152,"score_gpt":0.2199643363716391,"score_spread":0.18500638228272756,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3111845410","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004984743,0.013785708,0.00014905035,0.0047281273,0.0014628237,0.00001756523,0.00028535377,0.00015898,0.97442764],"genre_scores_gemma":[0.022100765,0.0045297253,0.0001601668,0.0004559265,0.000116680065,0.000008077186,0.00012606755,0.000100830664,0.9724018],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998907,0.000010491396,0.0000020929351,0.00002759479,0.00003644889,0.000032582342],"domain_scores_gemma":[0.9999244,0.000009202825,0.0000038908315,0.00000465131,0.000023400495,0.00003440411],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001656212,0.00030818026,0.00019993566,0.00054682425,0.0058299173,0.0020525975,0.00034079433,0.00043879158,0.088221066],"category_scores_gemma":[0.00019838857,0.00024355171,0.00011068261,0.0005683104,0.0007045188,0.0011559916,0.0011350098,0.0011770126,0.01607597],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024351795,0.00001877441,0.00035498705,0.00006734618,0.0000015093756,0.00018858993,0.00352507,0.0000395722,0.00018831227,0.012500503,0.9448479,0.03824313],"study_design_scores_gemma":[9.853268e-7,0.0000030828853,0.0008379708,0.000045731977,7.065161e-7,0.00003133715,0.0012343678,0.000006604685,0.000041147105,0.00010607015,0.9976903,0.0000016729897],"about_ca_topic_score_codex":0.10576907,"about_ca_topic_score_gemma":0.42556173,"teacher_disagreement_score":0.10576907,"about_ca_system_score_codex":0.0027196347,"about_ca_system_score_gemma":0.0018539566,"threshold_uncertainty_score":0.29512888},"labels":[],"label_agreement":null},{"id":"W3112082552","doi":"","title":"During Mardi Gras celebration and all during the year there are Mimes in the French Quarter of New Orleans, Louisiana","year":2011,"lang":"en","type":"book-chapter","venue":"Library of Congress eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Art history; Performance art; Art; Visual arts; History; Archaeology","score_opus":0.0258170659616579,"score_gpt":0.20258850651082472,"score_spread":0.17677144054916683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3112082552","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027121168,0.004071892,0.00052209885,0.005539933,0.0032635273,0.000027880664,0.0006944846,0.0005087259,0.9826592],"genre_scores_gemma":[0.008095862,0.0009553915,0.00021198824,0.0003830887,0.00016271832,0.000011235811,0.0001299339,0.00013247273,0.98991734],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998615,0.000021869104,0.0000028737334,0.000026383805,0.00004998198,0.000037459984],"domain_scores_gemma":[0.9996854,0.000025419542,0.000016693102,0.000021594775,0.00012820758,0.00012263581],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034273902,0.00046691147,0.00028742076,0.00069759885,0.0042049284,0.0030956473,0.00039252755,0.00062974537,0.27905968],"category_scores_gemma":[0.0007370871,0.00021464856,0.00022502102,0.0006199642,0.0007597911,0.0017293445,0.0016057136,0.001718613,0.08952926],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025577172,0.000010618376,0.00031246478,0.000032023374,0.000002155905,0.00010342419,0.000953726,0.000011685574,0.00030423957,0.0056883306,0.9612105,0.031345304],"study_design_scores_gemma":[5.80227e-7,0.0000027888823,0.00036892295,0.000021246433,5.853558e-7,0.000034741133,0.00041231065,0.000004454437,0.00004391804,0.000084851374,0.9990237,0.0000018208488],"about_ca_topic_score_codex":0.04113662,"about_ca_topic_score_gemma":0.276149,"teacher_disagreement_score":0.27905968,"about_ca_system_score_codex":0.002776726,"about_ca_system_score_gemma":0.0014227688,"threshold_uncertainty_score":0.9335476},"labels":[],"label_agreement":null},{"id":"W3113280094","doi":"","title":"Documenting Disappearance’: A Century of Canadian Photography, from William McFarlane Notman to Edward Burtynsky and Douglas Coupland","year":2014,"lang":"en","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Photography; Art history; Environmental ethics; Geography; Art; Visual arts; Philosophy","score_opus":0.013318273526623611,"score_gpt":0.21325454263571997,"score_spread":0.19993626910909634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3113280094","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04226943,0.2907429,0.003959114,0.29939055,0.00907531,0.00009114806,0.0013605801,0.00018743167,0.3529235],"genre_scores_gemma":[0.5879036,0.16052654,0.007165776,0.022882134,0.003218103,0.00007156024,0.0006935916,0.00063972553,0.21689892],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99531376,0.0009187794,0.00015098532,0.00054364797,0.0022105174,0.0008623301],"domain_scores_gemma":[0.98990965,0.0024941978,0.00044309735,0.0007979195,0.005336577,0.0010185754],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0062668016,0.0008676407,0.0005445487,0.0065238,0.026608715,0.014003127,0.0019101077,0.003002026,0.01186116],"category_scores_gemma":[0.014529413,0.0008844496,0.00032676177,0.008876292,0.034219734,0.0078330645,0.0042240093,0.005367795,0.0011293633],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014141748,0.000024088005,0.0026408439,0.00062530563,0.00003611017,0.00072273467,0.19790296,0.00024170814,0.0011498109,0.19938862,0.43537712,0.16174929],"study_design_scores_gemma":[0.000003111178,0.000004292979,0.0051156385,0.00047338795,0.0000074472027,0.00016950433,0.027150782,0.00003927712,0.00025363604,0.003572371,0.9631707,0.000039862633],"about_ca_topic_score_codex":0.9797561,"about_ca_topic_score_gemma":0.99341875,"teacher_disagreement_score":0.110732466,"about_ca_system_score_codex":0.110732466,"about_ca_system_score_gemma":0.07360404,"threshold_uncertainty_score":0.803424},"labels":[],"label_agreement":null},{"id":"W3115281151","doi":"10.17742/image.vt.11.3.4","title":"Translating the “Dead Indian”: Kent Monkman, Miss Chief Eagle Testickle, and the Painting of the American West","year":2020,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Indigenous; Eagle; Painting; Art; Narrative; Colonialism; American west; Art history; History; Visual arts; Archaeology; Literature; Ethnology; Biology","score_opus":0.048480862142202784,"score_gpt":0.3591247107027266,"score_spread":0.31064384856052385,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3115281151","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47274658,0.012094831,0.0015713698,0.023524076,0.00151455,0.000019124855,0.00004170891,0.00008301383,0.48840484],"genre_scores_gemma":[0.9544892,0.002988607,0.00052555505,0.001289179,0.00018140816,0.0000068592444,0.000007849865,0.00005469702,0.04045668],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99967086,0.00018369722,0.0000037572383,0.000023209957,0.000060555423,0.00005786969],"domain_scores_gemma":[0.9998479,0.00006736015,0.000014122714,0.000016860704,0.000022800417,0.000030981308],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005098194,0.00025215378,0.00010834382,0.00053744385,0.00801528,0.0039348784,0.0003413904,0.0005040195,0.003712032],"category_scores_gemma":[0.0008656497,0.00010941402,0.00006662764,0.00042390297,0.007547809,0.0022101137,0.0020640995,0.0014669584,0.00026861214],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009846283,0.000036388992,0.0017213781,0.00012961915,0.000008253827,0.0009959973,0.7190189,0.00008288413,0.002880711,0.17970838,0.050424352,0.04489466],"study_design_scores_gemma":[0.0000035779121,0.000021806076,0.0038907696,0.0001761126,0.000011593065,0.000686685,0.45507687,0.00009249389,0.0011658848,0.0059120376,0.53294504,0.000017080987],"about_ca_topic_score_codex":0.030113433,"about_ca_topic_score_gemma":0.12601055,"teacher_disagreement_score":0.030113433,"about_ca_system_score_codex":0.0021132315,"about_ca_system_score_gemma":0.0010006631,"threshold_uncertainty_score":0.059876323},"labels":[],"label_agreement":null},{"id":"W3115971773","doi":"10.14288/1.0395390","title":"Being Against Disappearance : a photographic inquiry through an a/r/tographic lens","year":2020,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Lens (geology); Photography; Visual arts; Art; Optics; Physics","score_opus":0.040499046645450995,"score_gpt":0.2071238401335474,"score_spread":0.1666247934880964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3115971773","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71881694,0.0060264138,0.022571903,0.038572587,0.001169323,0.00040291503,0.00023411251,0.00014180559,0.21206401],"genre_scores_gemma":[0.98014027,0.0014803704,0.003727508,0.0025187482,0.0001984974,0.00016823712,0.000038895254,0.00011032167,0.011617134],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9877588,0.010133108,0.00017104806,0.00068966235,0.000677029,0.00057029724],"domain_scores_gemma":[0.9887249,0.008319147,0.0008207579,0.0008058377,0.000613263,0.0007160594],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010242485,0.00079083565,0.00059489795,0.0026713184,0.020472666,0.012081954,0.0022269716,0.0036018298,0.005138787],"category_scores_gemma":[0.016766174,0.0005640295,0.0005866575,0.0017392335,0.04045742,0.013915401,0.011875096,0.0067317067,0.0005755855],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001606221,0.000018702418,0.00055118283,0.00009429164,0.0000036958377,0.00048664244,0.96917814,0.000028905446,0.00048026934,0.024799105,0.0014852879,0.0028577899],"study_design_scores_gemma":[0.0000047182584,0.000021805025,0.00051254005,0.0001708871,0.000005452228,0.00039004043,0.94206303,0.000059022877,0.00024859753,0.0027943552,0.05372095,0.00000859319],"about_ca_topic_score_codex":0.0062003313,"about_ca_topic_score_gemma":0.010368729,"teacher_disagreement_score":0.020472666,"about_ca_system_score_codex":0.0055258595,"about_ca_system_score_gemma":0.003339049,"threshold_uncertainty_score":0.054168105},"labels":[],"label_agreement":null},{"id":"W3116419700","doi":"10.1093/owc/9780199535729.003.0037","title":"The Cabin-Table","year":2008,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Noon; Quarter (Canadian coin); Table (database); Sitting; Meteorology; Aeronautics; Art; Geography; Engineering; Archaeology; Geology; Computer science; Atmospheric sciences; Medicine; Database","score_opus":0.04200260601885973,"score_gpt":0.19476675145769476,"score_spread":0.15276414543883504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3116419700","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00037965906,0.00091058796,0.00047660602,0.00095366983,0.0008697302,0.000024076186,0.0004840422,0.0003533276,0.99554825],"genre_scores_gemma":[0.0036511428,0.000328219,0.00025774495,0.00027115058,0.00007362106,0.000010273315,0.00019039877,0.00015257388,0.9950648],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998524,0.000015641528,0.0000034093916,0.000039253104,0.0000520166,0.000037200334],"domain_scores_gemma":[0.9998423,0.000012884879,0.0000048870797,0.00001713717,0.000062886174,0.000059876696],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012244761,0.0006249362,0.0003302865,0.00059863453,0.0040998864,0.0034318096,0.0007084831,0.0010266511,0.5764892],"category_scores_gemma":[0.00044066974,0.00029825434,0.0002913684,0.0008016198,0.00071617507,0.0027340853,0.0016256109,0.002006035,0.24490112],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021652542,0.000013334224,0.00010404269,0.000038331127,9.062085e-7,0.00006619621,0.00047737217,0.00002710869,0.00027922532,0.023927491,0.93492407,0.040120177],"study_design_scores_gemma":[0.0000010186936,0.0000028778043,0.00011390434,0.000020433963,3.6664233e-7,0.000028479752,0.00017879724,0.000011311017,0.00003702287,0.00042095827,0.9991831,0.0000017514144],"about_ca_topic_score_codex":0.030473817,"about_ca_topic_score_gemma":0.07886173,"teacher_disagreement_score":0.5764892,"about_ca_system_score_codex":0.001679383,"about_ca_system_score_gemma":0.0012286713,"threshold_uncertainty_score":0.60408676},"labels":[],"label_agreement":null},{"id":"W3119002634","doi":"10.18452/22307","title":"Imagining the Orient: Early Collecting at the Montreal Museum of Fine Arts","year":2020,"lang":"en","type":"article","venue":"edoc Publication server (Humboldt University of Berlin)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; Art; Geography; History; Art history","score_opus":0.04302722727629537,"score_gpt":0.21898744361893357,"score_spread":0.1759602163426382,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3119002634","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24342027,0.016711589,0.0044675404,0.031531915,0.00089160644,0.00039843327,0.0021310241,0.00032543563,0.7001221],"genre_scores_gemma":[0.6638737,0.0067254454,0.0064391177,0.0024312788,0.00011900446,0.00010388191,0.00066747656,0.00041735728,0.31922278],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991393,0.00028776127,0.000014115854,0.00013888828,0.00022090769,0.00019890635],"domain_scores_gemma":[0.9987024,0.0002629672,0.00006926866,0.00013176484,0.00041725094,0.00041625273],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020973724,0.0005038024,0.00020522595,0.0015624944,0.017345697,0.004690476,0.0012966297,0.000816393,0.039379094],"category_scores_gemma":[0.003739115,0.00041183358,0.00021086937,0.0031197295,0.0090016,0.0027722125,0.0033592468,0.0017083505,0.0018651986],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015409889,0.00012547367,0.015560698,0.00026836983,0.00002644238,0.0016518224,0.46845245,0.00025813872,0.00424639,0.07052933,0.24911205,0.1896147],"study_design_scores_gemma":[0.0000083729365,0.000027786395,0.029672226,0.00019149353,0.000014416423,0.00016775906,0.14990154,0.000037012775,0.0007930925,0.0019481636,0.8171911,0.00004704688],"about_ca_topic_score_codex":0.9071573,"about_ca_topic_score_gemma":0.9888685,"teacher_disagreement_score":0.0928427,"about_ca_system_score_codex":0.029743664,"about_ca_system_score_gemma":0.025780965,"threshold_uncertainty_score":0.21580642},"labels":[],"label_agreement":null},{"id":"W3120291186","doi":"10.22215/etd/2019-13591","title":"Multiple authorship and polyvalence in the Victorian-Canadian photocollage album: the work of Caroline Walker and Hannah Sarah Howard","year":2019,"lang":"en","type":"dissertation","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Carleton University","funders":"","keywords":"Context (archaeology); Art; Performance art; Art history; Painting; Reading (process); Period (music); Visual arts; Sociology; History; Philosophy; Aesthetics; Archaeology; Linguistics","score_opus":0.02929452298168898,"score_gpt":0.25160909900787715,"score_spread":0.22231457602618818,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3120291186","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42811742,0.031301495,0.00089750515,0.116747625,0.0018327971,0.000072138464,0.0003465552,0.00004134311,0.42064312],"genre_scores_gemma":[0.9099046,0.010673407,0.0005548354,0.0027875951,0.00028232575,0.000023818655,0.00006563673,0.00007667909,0.07563114],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965211,0.0009949261,0.000074628704,0.00039081174,0.0011689926,0.0008496235],"domain_scores_gemma":[0.9900113,0.004606733,0.0006345519,0.00040712763,0.0027329647,0.0016073666],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0053024655,0.00044349863,0.00047941876,0.0021320954,0.031629268,0.009061321,0.0010342116,0.0018128097,0.00500862],"category_scores_gemma":[0.008483627,0.0004354701,0.0001962833,0.0029412222,0.027590536,0.0038425713,0.0033809303,0.0029424196,0.00054169656],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026115204,0.000017918615,0.0054691783,0.00008681837,0.0000075227495,0.00041380274,0.84709114,0.000061491744,0.00028276435,0.0657781,0.052718077,0.028047077],"study_design_scores_gemma":[0.000007947603,0.000010416038,0.01756982,0.0005711071,0.000010028027,0.00039271495,0.5694859,0.00010802232,0.00028071282,0.0062236767,0.40528935,0.000050202525],"about_ca_topic_score_codex":0.95976007,"about_ca_topic_score_gemma":0.9865189,"teacher_disagreement_score":0.064210445,"about_ca_system_score_codex":0.064210445,"about_ca_system_score_gemma":0.052791808,"threshold_uncertainty_score":0.4658816},"labels":[],"label_agreement":null},{"id":"W312401153","doi":"","title":"Roberta PEARSON (dir.), Le cinéma au tournant du siècle/cinema at the turn of the century, Québec/Lausanne, éd. Nota Bene/Payot, 1999, 397 p., ill. NB, 189 F.","year":2000,"lang":"fr","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Humanities; Art; Art history","score_opus":0.011301442560668243,"score_gpt":0.21304432249003696,"score_spread":0.20174287992936873,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W312401153","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00048759312,0.9411068,0.00072381797,0.018817414,0.0090547865,0.00002430581,0.0009368853,0.00016007022,0.028688284],"genre_scores_gemma":[0.017555788,0.72443134,0.001752598,0.004429058,0.0045505385,0.00006573295,0.0010235949,0.00033527336,0.24585608],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991566,0.00013901577,0.00004821901,0.00016871419,0.0003803952,0.00010701161],"domain_scores_gemma":[0.99866736,0.00023582889,0.00010971016,0.000041560663,0.00074212695,0.00020334104],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012443957,0.0020641694,0.0010574134,0.0031265097,0.0032462429,0.0037033136,0.0011491402,0.0023395692,0.055415116],"category_scores_gemma":[0.001961097,0.0010004167,0.00044374037,0.004868609,0.001998577,0.0032972659,0.00091215904,0.0022135896,0.031229464],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021926671,0.0000071143813,0.0003024304,0.00039516596,0.000007437967,0.00005674284,0.00061327254,0.00006777861,0.00018318699,0.0019676725,0.9150032,0.08137414],"study_design_scores_gemma":[0.0000048597544,0.0000051431844,0.0031480058,0.0004530729,0.000005902046,0.00014448931,0.00048204412,0.000044951663,0.00010069372,0.0004338172,0.99516255,0.000014511175],"about_ca_topic_score_codex":0.7797657,"about_ca_topic_score_gemma":0.90004563,"teacher_disagreement_score":0.22023427,"about_ca_system_score_codex":0.01408721,"about_ca_system_score_gemma":0.010610245,"threshold_uncertainty_score":0.44306254},"labels":[],"label_agreement":null},{"id":"W3124365894","doi":"10.7202/1073146ar","title":"Alexander Henderson’s Snow and Flood after Great Storms of 1869","year":2020,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.02648213464528124,"score_gpt":0.1986543065285592,"score_spread":0.17217217188327796,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3124365894","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18331614,0.039885044,0.0015763129,0.09658266,0.0040453463,0.000041536507,0.00058848126,0.000072772076,0.67389184],"genre_scores_gemma":[0.7605084,0.015139423,0.0005755501,0.0039269584,0.0009421389,0.00001865242,0.00009845961,0.000063716936,0.21872665],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993825,0.00031132964,0.000018199098,0.000086078304,0.000110324014,0.00009147926],"domain_scores_gemma":[0.99955386,0.00020139961,0.00006505249,0.000033546497,0.00007204652,0.00007402537],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00070361595,0.00017992419,0.0001343981,0.0005678174,0.0055820635,0.0030775238,0.00027866813,0.0009314935,0.0060948464],"category_scores_gemma":[0.0017751246,0.00014454406,0.00011642227,0.0007543227,0.0068299393,0.0020513956,0.0018743986,0.0013639579,0.0006672207],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011732034,0.000016020405,0.005180681,0.00021413427,0.000013443309,0.0013680096,0.3146637,0.00019918238,0.0007137006,0.4341206,0.20696981,0.036423307],"study_design_scores_gemma":[0.000002483706,0.000012969162,0.0059799408,0.00014895937,0.000004186311,0.00021835988,0.04143668,0.000023445447,0.00025875843,0.00507664,0.94682723,0.000010281764],"about_ca_topic_score_codex":0.09558032,"about_ca_topic_score_gemma":0.21210773,"teacher_disagreement_score":0.90441966,"about_ca_system_score_codex":0.0053111273,"about_ca_system_score_gemma":0.0020877984,"threshold_uncertainty_score":0.19004792},"labels":[],"label_agreement":null},{"id":"W3127120747","doi":"10.29173/bluejay6305","title":"William Rowan and Canada’s 5¢ Whooping Crane stamp: the proposal and a Saskatchewan photograph","year":2020,"lang":"en","type":"article","venue":"Blue Jay","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Manitoba","funders":"University of Alberta","keywords":"Rowan; Reprint; History; Biology; Ecology","score_opus":0.01870748620330832,"score_gpt":0.20382727563288375,"score_spread":0.18511978942957544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3127120747","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020411829,0.010416529,0.00080434454,0.34261778,0.021809347,0.0003973477,0.0005095773,0.00013501191,0.6028982],"genre_scores_gemma":[0.05031117,0.0040926374,0.00074182043,0.037373185,0.00058618566,0.00008935949,0.000113962524,0.000064354506,0.9066273],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979777,0.00022210125,0.00005084804,0.0001551067,0.00092461525,0.0006696773],"domain_scores_gemma":[0.99691486,0.000443092,0.000069445756,0.00014139709,0.0017045159,0.00072673213],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020872243,0.0003863355,0.00018982362,0.0010224973,0.017413449,0.0076981015,0.0012060634,0.006845567,0.031128109],"category_scores_gemma":[0.0050901063,0.00063274207,0.0003042882,0.0011289325,0.00406261,0.0017365839,0.0024088544,0.008460375,0.0046120496],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014344822,0.000014907253,0.0007155117,0.000042516047,0.0000029013186,0.00040463556,0.002141641,0.00006463668,0.0004860952,0.03407274,0.95051754,0.01152251],"study_design_scores_gemma":[0.0000036313436,0.0000039271,0.0012460196,0.000056644454,0.000002119884,0.00005811607,0.003477573,0.000016169834,0.00018423599,0.00041515726,0.9945169,0.000019397896],"about_ca_topic_score_codex":0.8956581,"about_ca_topic_score_gemma":0.97346514,"teacher_disagreement_score":0.104341924,"about_ca_system_score_codex":0.027340187,"about_ca_system_score_gemma":0.059617516,"threshold_uncertainty_score":0.20991278},"labels":[],"label_agreement":null},{"id":"W3128625542","doi":"10.5117/9789462989498_ch03","title":"Low-Resolution Media Facades in a Data Society","year":2021,"lang":"en","type":"book-chapter","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"George Brown College","funders":"","keywords":"Legibility; Urbanism; Architecture; Empire; Ambivalence; State (computer science); Aesthetics; Architectural engineering; Art; Visual arts; Sociology; Media studies; Engineering; Computer science; Political science; Psychology; Social psychology; Law","score_opus":0.13602535883748917,"score_gpt":0.2808706035319923,"score_spread":0.1448452446945031,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3128625542","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01965982,0.006906044,0.020285366,0.0042799935,0.0006066583,0.000029150466,0.00019598873,0.0004292754,0.9476078],"genre_scores_gemma":[0.3805804,0.009986496,0.020865358,0.0008314183,0.00046403246,0.00007988031,0.00027927646,0.00040295545,0.5865102],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9997398,0.00009341465,0.0000074964028,0.000026600484,0.0001051537,0.000027522168],"domain_scores_gemma":[0.9996811,0.00018280797,0.000011074574,0.000060297756,0.00004304994,0.000021723574],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003479971,0.00035980626,0.00010908128,0.00096943695,0.0015022863,0.0075946487,0.00039909093,0.00047874678,0.013177877],"category_scores_gemma":[0.00080504076,0.00018483584,0.00013800975,0.0013560066,0.0035034153,0.00355165,0.0018070121,0.0013625978,0.0019413695],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020012405,0.000010384181,0.00024304609,0.00013655054,0.000003016564,0.00016027455,0.010467122,0.0008359073,0.0019440989,0.88265216,0.03237408,0.071153395],"study_design_scores_gemma":[0.0000031738093,0.000008528431,0.00039731895,0.00011316264,0.000003832703,0.00020586792,0.0029391006,0.0007939024,0.0012441316,0.038215704,0.95606655,0.0000086963655],"about_ca_topic_score_codex":0.005024415,"about_ca_topic_score_gemma":0.011654757,"teacher_disagreement_score":0.013177877,"about_ca_system_score_codex":0.0018648169,"about_ca_system_score_gemma":0.00068361504,"threshold_uncertainty_score":0.04408437},"labels":[],"label_agreement":null},{"id":"W3129929284","doi":"","title":"La censure cinématographique en AOF I - de la première projection de films en 1900 à la réglementation du décret Laval de 1934 -","year":2020,"lang":"fr","type":"article","venue":"Revue d`Etudes francaises","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.015603216062455032,"score_gpt":0.26891666042940165,"score_spread":0.25331344436694664,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3129929284","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18465048,0.040563315,0.0025368996,0.020241708,0.0036569575,0.00007786806,0.0021993984,0.00018758087,0.74588567],"genre_scores_gemma":[0.71323496,0.00911483,0.001159976,0.0006094111,0.001370307,0.000053790267,0.00039568817,0.0001573445,0.27390367],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9988102,0.00035123795,0.00003172836,0.00017058,0.00034517885,0.00029122535],"domain_scores_gemma":[0.9987072,0.00059343193,0.00014090662,0.0000844946,0.00027944142,0.00019451047],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012112164,0.0005769314,0.00023450579,0.0026608456,0.0055635236,0.0078112455,0.00051481207,0.0015778773,0.023960339],"category_scores_gemma":[0.004091047,0.00032982993,0.00036097804,0.0022663062,0.0054296595,0.0026176088,0.0020848894,0.004255975,0.0017804175],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004159737,0.00012097435,0.01211083,0.0005087028,0.000032276148,0.0013468862,0.1701941,0.00045254975,0.006509946,0.53324014,0.09765285,0.1774148],"study_design_scores_gemma":[0.0000055708488,0.000018956742,0.015627433,0.0001423787,0.0000038134071,0.00020537074,0.0051486352,0.00003997089,0.00064542453,0.0012058112,0.97694343,0.000013131691],"about_ca_topic_score_codex":0.20049642,"about_ca_topic_score_gemma":0.22706747,"teacher_disagreement_score":0.20049642,"about_ca_system_score_codex":0.01076434,"about_ca_system_score_gemma":0.004159547,"threshold_uncertainty_score":0.3986588},"labels":[],"label_agreement":null},{"id":"W3133911553","doi":"10.54390/photographica.249","title":"Brunet, François. The Birth of the Idea of Photography","year":2020,"lang":"en","type":"article","venue":"Photographica","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy; Art history","score_opus":0.03124491701246588,"score_gpt":0.20994010594088738,"score_spread":0.1786951889284215,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3133911553","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022633108,0.461974,0.00070826575,0.07333977,0.010799439,0.0000441232,0.0013775043,0.00017507692,0.44931856],"genre_scores_gemma":[0.103528686,0.1755516,0.0016252627,0.011097362,0.0023998702,0.00012966339,0.0008413803,0.00041153078,0.70441467],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993882,0.00016138375,0.00004265271,0.0001280748,0.0001739143,0.0001057053],"domain_scores_gemma":[0.9990029,0.00035844953,0.000108115855,0.00007580163,0.0002709618,0.00018386076],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00079448015,0.00080016174,0.00039845362,0.0019963575,0.006155421,0.0050511286,0.00081554,0.0035468335,0.054587808],"category_scores_gemma":[0.0020890315,0.0005687792,0.00029256087,0.0035681603,0.004500426,0.0060006543,0.0014320217,0.0034513155,0.012987919],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053547465,0.0000124661665,0.00056849624,0.00044434506,0.0000049831892,0.00047047544,0.009550521,0.000068946465,0.00029451502,0.075534664,0.7840694,0.1289277],"study_design_scores_gemma":[0.0000027895262,0.000003278369,0.0018097754,0.00045564031,0.0000014630723,0.00013770782,0.0019101416,0.000008793742,0.00004254654,0.0013598297,0.9942629,0.0000051071893],"about_ca_topic_score_codex":0.22849263,"about_ca_topic_score_gemma":0.3427883,"teacher_disagreement_score":0.22849263,"about_ca_system_score_codex":0.006707439,"about_ca_system_score_gemma":0.0036201214,"threshold_uncertainty_score":0.45432526},"labels":[],"label_agreement":null},{"id":"W3134780278","doi":"10.4000/books.editionsulm.9415","title":"Storytelling in John Ashbery’s self-portrait in a convex mirror","year":2021,"lang":"en","type":"book-chapter","venue":"Éditions Rue d’Ulm eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Microsemi (Canada)","funders":"","keywords":"Storytelling; Portrait; Art; Self representation; Art history; Literature; Humanities; Narrative","score_opus":0.03593142003377038,"score_gpt":0.2388300930980258,"score_spread":0.2028986730642554,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3134780278","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014576679,0.013579641,0.0024282618,0.011554164,0.0010487206,0.000021103984,0.000053037653,0.000057046385,0.95668125],"genre_scores_gemma":[0.25950193,0.008499917,0.002725665,0.0029521454,0.00053664256,0.000044697616,0.000058238555,0.000119607554,0.72556114],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99985766,0.000077744764,0.0000022984673,0.000014667078,0.000034974433,0.000012657844],"domain_scores_gemma":[0.99990475,0.000052794483,0.000005826862,0.0000066857315,0.000014908775,0.00001498425],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001871314,0.0002802326,0.000084364816,0.00032361445,0.0024159797,0.0022608344,0.00024087173,0.0005888445,0.006837584],"category_scores_gemma":[0.0005203385,0.00010794256,0.00009124994,0.000251228,0.0030318378,0.0022120588,0.0009865551,0.0014660773,0.0010583305],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025494859,0.000022650764,0.00022576177,0.00007109466,0.0000033370486,0.00076805026,0.09508472,0.00018543069,0.0007845491,0.5354893,0.32650247,0.040837113],"study_design_scores_gemma":[0.000002014866,0.0000064417627,0.00037439354,0.00006861031,0.0000011621304,0.0003300583,0.010449749,0.00009611265,0.00022403324,0.008911487,0.9795329,0.0000031136578],"about_ca_topic_score_codex":0.009189065,"about_ca_topic_score_gemma":0.029268406,"teacher_disagreement_score":0.009189065,"about_ca_system_score_codex":0.0012775309,"about_ca_system_score_gemma":0.0005344134,"threshold_uncertainty_score":0.022873998},"labels":[],"label_agreement":null},{"id":"W3138202786","doi":"","title":"Topologies of Air - The Power Plant","year":2021,"lang":"en","type":"article","venue":"Kent Academic Repository (University of Kent)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Network topology; Power (physics); Environmental science; Computer science; Physics; Computer network; Thermodynamics","score_opus":0.024639154567384483,"score_gpt":0.2114704295262436,"score_spread":0.1868312749588591,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3138202786","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05246347,0.0018363243,0.005357472,0.004444039,0.00024058908,0.00001700507,0.0003278665,0.0000717112,0.9352416],"genre_scores_gemma":[0.85513616,0.001767811,0.0023624205,0.00026200645,0.00012305999,0.000027938986,0.00028012693,0.00012331564,0.13991706],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997563,0.00009554297,0.0000047779054,0.000032419648,0.000064553045,0.000046451754],"domain_scores_gemma":[0.9997199,0.000058756705,0.00001947821,0.000037707134,0.00006814688,0.00009597071],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021701014,0.00022559242,0.00012659705,0.0007490409,0.0049382593,0.0069589335,0.00039141366,0.0005692917,0.025534013],"category_scores_gemma":[0.0009115796,0.00018370066,0.00010877653,0.001380093,0.003874233,0.0031413021,0.0017383379,0.0009973965,0.001538098],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028824414,0.0000070225997,0.0005106161,0.000022007083,0.000002232847,0.00014236098,0.006937472,0.0007865313,0.00029177,0.96093225,0.020712415,0.0096265],"study_design_scores_gemma":[0.000010459907,0.000015714239,0.003338128,0.00006658547,0.0000052691453,0.00024407482,0.031071175,0.0009514521,0.00019555523,0.22294028,0.74114907,0.000012332601],"about_ca_topic_score_codex":0.025556441,"about_ca_topic_score_gemma":0.07043195,"teacher_disagreement_score":0.025556441,"about_ca_system_score_codex":0.0030738378,"about_ca_system_score_gemma":0.0012270433,"threshold_uncertainty_score":0.085419774},"labels":[],"label_agreement":null},{"id":"W3142950991","doi":"10.1016/b0-12-227410-5/00569-x","title":"Photographic Processes and Materials","year":2003,"lang":"en","type":"book-chapter","venue":"Elsevier eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Xerox (Canada)","funders":"","keywords":"Computer science; Cognitive science; Psychology","score_opus":0.02795890872059049,"score_gpt":0.23127124637738095,"score_spread":0.20331233765679046,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3142950991","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005322088,0.008125891,0.0019860691,0.0003455625,0.00029630595,0.000026973496,0.00011017373,0.00014893062,0.9884278],"genre_scores_gemma":[0.0035817968,0.00421292,0.0010732439,0.00008653606,0.0000615292,0.000021851714,0.00009587296,0.0000793307,0.99078697],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997919,0.000029094848,0.000011724782,0.00004559965,0.000102745995,0.000018953768],"domain_scores_gemma":[0.99986434,0.000035534453,0.0000061807827,0.000041184732,0.00003992149,0.0000128035335],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027499843,0.0008324938,0.00042092457,0.0017142033,0.0015430438,0.0049063717,0.00064211705,0.0011265288,0.2254813],"category_scores_gemma":[0.0006468694,0.00044232092,0.0002765816,0.002415583,0.0012031266,0.0031208135,0.0013827467,0.0012825882,0.078668125],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026327718,0.00004763889,0.0001027632,0.0004056127,0.0000033629005,0.00013560604,0.0015628706,0.00018724118,0.0021712107,0.18999754,0.2653246,0.5400352],"study_design_scores_gemma":[0.000001889982,0.000005532898,0.00022495414,0.00012393518,0.000001962182,0.000093880786,0.00024975973,0.00003936494,0.00035801722,0.0073344964,0.9915638,0.0000024302844],"about_ca_topic_score_codex":0.0061701084,"about_ca_topic_score_gemma":0.011514069,"teacher_disagreement_score":0.2254813,"about_ca_system_score_codex":0.001503794,"about_ca_system_score_gemma":0.0009504402,"threshold_uncertainty_score":0.75431013},"labels":[],"label_agreement":null},{"id":"W3153136278","doi":"10.24908/iqurcp.10050","title":"2. Recreating 19th-Century Stereography for a Scholarly Public","year":2018,"lang":"en","type":"article","venue":"Inquiry Queen s Undergraduate Research Conference Proceedings","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Privilege (computing); Context (archaeology); Interpretation (philosophy); Digital media; New media; Hyperlink; Media studies; Sociology; Visual arts; World Wide Web; Computer science; Art; History; Political science; Law","score_opus":0.26368079757954405,"score_gpt":0.39444081651076546,"score_spread":0.1307600189312214,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3153136278","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.069332786,0.0006952892,0.016875405,0.012257876,0.0012078634,0.00010820824,0.000362163,0.0008282498,0.8983322],"genre_scores_gemma":[0.65927786,0.0011036046,0.02579455,0.002079741,0.0005113455,0.00016002973,0.0003004572,0.00096929685,0.3098032],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998201,0.0009461367,0.000040748073,0.00014437412,0.00040273363,0.0002651122],"domain_scores_gemma":[0.99837804,0.00032998368,0.00012521031,0.000642432,0.00020224799,0.00032208458],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030285448,0.00033947473,0.00019960862,0.0014959368,0.008288035,0.011234853,0.0011022462,0.0014405019,0.02869271],"category_scores_gemma":[0.0032218748,0.00027280877,0.0005066328,0.0012989951,0.009130484,0.005896212,0.008209065,0.0018899462,0.006484616],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050746898,0.00011737259,0.0020871384,0.00025445153,0.000011902581,0.0005593384,0.2336308,0.0005384723,0.0025493917,0.61513954,0.06348089,0.08157997],"study_design_scores_gemma":[0.000011751813,0.00003105677,0.0007962192,0.00017300187,0.000006847206,0.00027693063,0.040186852,0.00019805066,0.0011553108,0.01185277,0.94529635,0.000014835239],"about_ca_topic_score_codex":0.0067250337,"about_ca_topic_score_gemma":0.026408149,"teacher_disagreement_score":0.02869271,"about_ca_system_score_codex":0.004491341,"about_ca_system_score_gemma":0.004599905,"threshold_uncertainty_score":0.095986724},"labels":[],"label_agreement":null},{"id":"W3157590559","doi":"","title":"Gathering Clouds. Photographs From the Nineteenth Century and Today. Une histoire de la photographie a travers les nuages / Gathering Clouds. Photographs From the Nineteenth Century and Today. A History of Photography Through Clouds","year":2021,"lang":"en","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Art; Art history; Visual arts; Archaeology; History","score_opus":0.019888189396628207,"score_gpt":0.2255058613732698,"score_spread":0.2056176719766416,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3157590559","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012318941,0.19103052,0.0015872717,0.012791684,0.0056373924,0.00011448509,0.0036579282,0.00026930965,0.77259254],"genre_scores_gemma":[0.19886981,0.14235152,0.005218606,0.0030427293,0.002956836,0.00011686932,0.0027578229,0.00046867496,0.64421713],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995204,0.000085703614,0.000025326499,0.000056323956,0.00021432905,0.00009778415],"domain_scores_gemma":[0.99954396,0.00010825366,0.0000758223,0.00005104274,0.00015864302,0.000062384475],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004556472,0.0006198233,0.0001496682,0.002808438,0.0052087554,0.0027833749,0.00045141517,0.0007265273,0.05339656],"category_scores_gemma":[0.001187539,0.00042974539,0.000284304,0.004672069,0.0017941968,0.00317897,0.0015150164,0.0017093876,0.0058840993],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010685521,0.000023340646,0.0018613988,0.00090968923,0.000009921079,0.0006467907,0.014807299,0.00014914732,0.0011298043,0.06124739,0.7228932,0.19621517],"study_design_scores_gemma":[0.0000024592116,0.0000045512475,0.004058189,0.00028541125,0.000002555425,0.00016085723,0.0030941754,0.000010043898,0.00012240956,0.0008645952,0.9913901,0.000004694627],"about_ca_topic_score_codex":0.067157246,"about_ca_topic_score_gemma":0.28606972,"teacher_disagreement_score":0.067157246,"about_ca_system_score_codex":0.0037063935,"about_ca_system_score_gemma":0.0019451345,"threshold_uncertainty_score":0.17862928},"labels":[],"label_agreement":null},{"id":"W3159175107","doi":"","title":"Ewa Monika Zebrowski, The Photobook — The Photobook as a Space of Collaboration / Ewa Monika Zebrowski, The Photobook — Le livre photographique comme espace de collaboration","year":2021,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Space (punctuation); Art history; Computer science","score_opus":0.02631289249342608,"score_gpt":0.26578777981199403,"score_spread":0.23947488731856795,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3159175107","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027928455,0.2529526,0.006057832,0.40803972,0.024007514,0.000086157306,0.0010853381,0.00047880528,0.30449918],"genre_scores_gemma":[0.028215943,0.10294163,0.003046193,0.049572214,0.0069209845,0.00018951572,0.0004263738,0.0006315926,0.8080555],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99947304,0.00013006959,0.00002646794,0.000090857866,0.00020997303,0.000069724956],"domain_scores_gemma":[0.99895006,0.00051493105,0.00008387681,0.000050856197,0.00024583036,0.00015458939],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001147594,0.00065162336,0.00029175644,0.0013997429,0.002880699,0.0060017915,0.0008120903,0.003976496,0.036525443],"category_scores_gemma":[0.0029498055,0.000539484,0.0002917684,0.0012869408,0.0019285354,0.010806923,0.0029062196,0.0047622933,0.0145920925],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000121499115,0.000009161164,0.00006061675,0.000105541585,0.0000016957944,0.00003112472,0.0006971707,0.000015429321,0.00018977984,0.040930364,0.93932444,0.01862255],"study_design_scores_gemma":[0.000003870309,0.0000019126414,0.00036229452,0.00012325222,0.0000014752062,0.000083293846,0.0010963534,0.000028319366,0.00014048112,0.0043977923,0.99375325,0.000007694959],"about_ca_topic_score_codex":0.025139593,"about_ca_topic_score_gemma":0.06037273,"teacher_disagreement_score":0.036525443,"about_ca_system_score_codex":0.0024633983,"about_ca_system_score_gemma":0.0022071481,"threshold_uncertainty_score":0.12218982},"labels":[],"label_agreement":null},{"id":"W3163538165","doi":"10.1186/s40410-021-00134-1","title":"Autopia as new perceptual regime: mobilized gaze and architectural design","year":2021,"lang":"en","type":"article","venue":"City Territory and Architecture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"National and Kapodistrian University of Athens; Stavros Niarchos Foundation; National Technical University of Athens; Eidgenössische Technische Hochschule Zürich; Aristotle University of Thessaloniki; York University","keywords":"Architecture; Perception; Sociology; Aesthetics; Urban design; Gaze; Architectural engineering; Construct (python library); Urban planning; Space (punctuation); Relation (database); Photography; Visual arts; Computer science; Epistemology; Engineering; Civil engineering; Art; Artificial intelligence","score_opus":0.03989189463547647,"score_gpt":0.24837455347298967,"score_spread":0.2084826588375132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3163538165","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48267654,0.0017508651,0.013263643,0.005265937,0.00008606967,0.000035083252,0.000030614425,0.00009022571,0.496801],"genre_scores_gemma":[0.9963965,0.0001688796,0.0006828407,0.000060704588,0.000009747987,0.000008118226,0.0000038038695,0.000013289959,0.0026561255],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99819666,0.0012055323,0.000031340467,0.00019805424,0.00020175066,0.00016677615],"domain_scores_gemma":[0.9979456,0.0011980667,0.00026490967,0.00026859582,0.00018761169,0.00013516269],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002135203,0.00027459706,0.00019592373,0.0016037731,0.0027461068,0.0054689036,0.0004915438,0.0010929877,0.006059681],"category_scores_gemma":[0.0043134615,0.00021366721,0.00022061581,0.0006679759,0.02046378,0.004110919,0.005560148,0.0013365587,0.0002788741],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060608563,0.000035322024,0.0050513935,0.000101380865,0.000014353435,0.00036179865,0.5213527,0.00044678917,0.003562593,0.44035894,0.0015662774,0.02708774],"study_design_scores_gemma":[0.00006215795,0.00016972623,0.022562357,0.0005321608,0.000044412714,0.0009800474,0.53600794,0.003272862,0.0028063557,0.27333286,0.16013369,0.00009542041],"about_ca_topic_score_codex":0.0054893787,"about_ca_topic_score_gemma":0.0053632455,"teacher_disagreement_score":0.006059681,"about_ca_system_score_codex":0.002514881,"about_ca_system_score_gemma":0.0008978461,"threshold_uncertainty_score":0.020271659},"labels":[],"label_agreement":null},{"id":"W3164602178","doi":"10.1080/01956051.2020.1868914","title":"APOCALYPTIC VISIONS IN 21ST CENTURY FILMS. By Elizabeth A. Ford and Deborah C. Mitchell. McFarland Press, 2018. 229 pp. $49.95 paper.","year":2021,"lang":"en","type":"article","venue":"Journal of Popular Film and Television","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Sheridan College","funders":"","keywords":"Vision; Art history; Art; Environmental ethics; Media studies; Sociology; Philosophy; Theology","score_opus":0.017051821582615458,"score_gpt":0.24484356305261165,"score_spread":0.2277917414699962,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3164602178","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011758059,0.5351994,0.0009780513,0.19517794,0.014607012,0.000024250741,0.00017470829,0.00012577791,0.25253707],"genre_scores_gemma":[0.07894462,0.3340908,0.0018828203,0.022624068,0.011637224,0.000059930986,0.00019822546,0.00026335032,0.5502988],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988059,0.00047560735,0.000054607877,0.00011901199,0.00041508855,0.00012983447],"domain_scores_gemma":[0.9988539,0.00041128558,0.00017189096,0.000069923546,0.00024876374,0.0002442227],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016391838,0.0008310458,0.00031591635,0.0013045663,0.003037624,0.0074378294,0.0007019225,0.0024397122,0.049535584],"category_scores_gemma":[0.0036733083,0.0004311068,0.00025004844,0.001227636,0.005380468,0.009720531,0.0031894525,0.0058535137,0.012608394],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021322412,0.000013525239,0.00008566062,0.00020041512,0.0000030905642,0.00004704611,0.0024411345,0.000023682906,0.00009788546,0.07777199,0.85398567,0.06530865],"study_design_scores_gemma":[0.000003107318,0.00000576739,0.00031512164,0.0004270986,0.0000017420487,0.00011385174,0.0013835607,0.000019737954,0.000069356254,0.0116654085,0.98599017,0.0000050925632],"about_ca_topic_score_codex":0.009475844,"about_ca_topic_score_gemma":0.022655724,"teacher_disagreement_score":0.049535584,"about_ca_system_score_codex":0.005319154,"about_ca_system_score_gemma":0.0025343518,"threshold_uncertainty_score":0.16571307},"labels":[],"label_agreement":null},{"id":"W3172212630","doi":"10.1162/leon_r_02039","title":"The Birth of the Idea of Photography","year":2021,"lang":"en","type":"article","venue":"Leonardo","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Icon; Citation; Photography; Art history; Computer science; Library science; Art; Visual arts","score_opus":0.0177706345752178,"score_gpt":0.22152635083424627,"score_spread":0.20375571625902847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3172212630","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002020709,0.18128978,0.0015876782,0.09743703,0.026341682,0.00003956805,0.00047310916,0.0002664924,0.69054395],"genre_scores_gemma":[0.036590103,0.053360384,0.0015533088,0.014056617,0.0064875945,0.000054994158,0.00030110215,0.0004281167,0.8871679],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99832827,0.00044831142,0.000062588624,0.000332255,0.0006236421,0.00020495188],"domain_scores_gemma":[0.998877,0.00022890349,0.000093806266,0.00014676896,0.00040431792,0.0002491864],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014014269,0.00090394146,0.000507692,0.0017180576,0.003889912,0.00972713,0.0006893858,0.0028611121,0.063123494],"category_scores_gemma":[0.0045127436,0.0005576135,0.0006006987,0.0013523799,0.0063156304,0.0069495486,0.0037760178,0.0064029656,0.025156649],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003765956,0.0000090005,0.00025946976,0.00018808998,0.0000064754695,0.00012542574,0.002244302,0.000035732864,0.0001646481,0.16989218,0.75354093,0.07349623],"study_design_scores_gemma":[0.0000013055432,0.0000030473946,0.00022672505,0.00017935682,0.0000011798616,0.00006363863,0.00026912536,0.0000071517848,0.000044612887,0.0034086544,0.99579155,0.0000035943672],"about_ca_topic_score_codex":0.016553922,"about_ca_topic_score_gemma":0.022492813,"teacher_disagreement_score":0.063123494,"about_ca_system_score_codex":0.006238763,"about_ca_system_score_gemma":0.003656301,"threshold_uncertainty_score":0.21116912},"labels":[],"label_agreement":null},{"id":"W3174285631","doi":"10.3167/screen.2021.060108","title":"Prosthetic Vision and Postmortem Cinema","year":2021,"lang":"en","type":"article","venue":"Screen Bodies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Movie theater; Entertainment; Narrative; Photography; Subject (documents); Visual arts; Aesthetics; Perception; Art; Psychology; Literature; Computer science; Neuroscience","score_opus":0.024809458044753846,"score_gpt":0.2601890624056302,"score_spread":0.23537960436087638,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3174285631","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35360438,0.044552337,0.008067634,0.027339265,0.0027020327,0.00005117869,0.000118824944,0.00015130492,0.56341314],"genre_scores_gemma":[0.9728845,0.004380955,0.0009210012,0.00086645357,0.0003249495,0.000009887946,0.000020765525,0.000034025183,0.020557439],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9992231,0.00040900052,0.00002846479,0.00012253095,0.0001193985,0.000097477176],"domain_scores_gemma":[0.9985134,0.00081049214,0.00020636134,0.00017230333,0.00016192035,0.00013556215],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0013968374,0.0002714513,0.0001121837,0.0009454727,0.0034032543,0.0045842775,0.00056024035,0.0011366728,0.006585335],"category_scores_gemma":[0.006408292,0.0001537552,0.00015468635,0.00033397408,0.01305294,0.0036050808,0.0030066534,0.0020725578,0.00044670058],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011286924,0.000060274244,0.0022575723,0.00024112067,0.000009767231,0.0018515135,0.25082475,0.000099809484,0.0019204256,0.6634571,0.012449486,0.06671535],"study_design_scores_gemma":[0.00004068681,0.00019086963,0.008501492,0.0013472207,0.00003142462,0.006567865,0.12906586,0.0003758079,0.0030060518,0.10790141,0.7429131,0.000058129124],"about_ca_topic_score_codex":0.0023186556,"about_ca_topic_score_gemma":0.0033023672,"teacher_disagreement_score":0.99659675,"about_ca_system_score_codex":0.002174308,"about_ca_system_score_gemma":0.0008321714,"threshold_uncertainty_score":0.022030115},"labels":[],"label_agreement":null},{"id":"W3174945591","doi":"10.22034/ra.2020.241716","title":"A Study on Geometry in Cartier-Bresson’s Decisive Moment Geometry Based on Dynamic Symmetry……. Research Paper","year":2020,"lang":"en","type":"article","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Meaning (existential); Photography; Moment (physics); Art; Contemplation; Art history; Visual arts; Philosophy; Epistemology","score_opus":0.13667067684506956,"score_gpt":0.3692057595364733,"score_spread":0.23253508269140372,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3174945591","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.047956083,0.008553552,0.051980183,0.008993228,0.0009837585,0.00006990166,0.00014899462,0.00010795898,0.8812063],"genre_scores_gemma":[0.8733451,0.003513046,0.016239768,0.0009738505,0.0008059692,0.000076451775,0.0001700895,0.00013656027,0.10473929],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991991,0.00031976865,0.000021226992,0.00015044435,0.00019624842,0.00011325053],"domain_scores_gemma":[0.99945635,0.00022728357,0.00006992769,0.00004819779,0.00010050899,0.00009769604],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00065800286,0.00047370864,0.00045113472,0.0012551347,0.0029190679,0.0038792342,0.00066933135,0.0010952966,0.0107455645],"category_scores_gemma":[0.0018351664,0.0003359352,0.00068522454,0.0012928876,0.008682275,0.0037848747,0.0017933787,0.0022323327,0.0014191536],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000017992197,0.0000018052042,0.000022260103,0.0000040006,6.517721e-7,0.00001890814,0.00024859206,0.00006282005,0.000019990031,0.9980217,0.00088528945,0.00071219896],"study_design_scores_gemma":[0.000008917779,0.000016105549,0.00025215672,0.000019777053,0.0000034865552,0.00015248827,0.00048605917,0.001115868,0.00010117352,0.93950427,0.058330204,0.000009427724],"about_ca_topic_score_codex":0.0053550685,"about_ca_topic_score_gemma":0.003266232,"teacher_disagreement_score":0.0107455645,"about_ca_system_score_codex":0.0042839427,"about_ca_system_score_gemma":0.0010715098,"threshold_uncertainty_score":0.035947442},"labels":[],"label_agreement":null},{"id":"W3175047924","doi":"10.7202/1078081ar","title":"Anthony W. Lee, The Global Flows of Early Scottish Photography: Encounters in Scotland, Canada, and China, Montreal and Kingston: McGill-Queen’s University Press, 2019, 344 pp., 193 colour illus., $55.00 (cloth) ISBN 9780773557130","year":2021,"lang":"en","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design; Universities Art Association of Canada","funders":"","keywords":"Queen (butterfly); China; Art history; Art; History; Media studies; Photography; Humanities; Sociology; Archaeology; Visual arts","score_opus":0.007301116286227817,"score_gpt":0.1781750288590858,"score_spread":0.17087391257285797,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3175047924","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007086422,0.82601786,0.0004442328,0.04871625,0.0107840905,0.000058332378,0.0011907457,0.00012120526,0.11195864],"genre_scores_gemma":[0.011281994,0.69541967,0.0011192174,0.013413757,0.0043520816,0.00006857463,0.00095303694,0.00018767681,0.27320403],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983487,0.00022362063,0.00007905363,0.00011603886,0.0010652615,0.00016737425],"domain_scores_gemma":[0.9977381,0.0006408332,0.00014659659,0.00004690529,0.0011234973,0.0003040122],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015458924,0.0014090281,0.0005519699,0.004125872,0.0038905807,0.00585309,0.0014722134,0.0024977752,0.07265317],"category_scores_gemma":[0.00418996,0.00066641864,0.00052894274,0.0065083844,0.002259156,0.0068826983,0.0019466996,0.0026099004,0.024475884],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014285593,0.0000050144276,0.0001396964,0.0003812841,0.000004761681,0.000039641203,0.0010618587,0.000014611317,0.0000514287,0.0024818177,0.9579547,0.03785106],"study_design_scores_gemma":[0.0000044990506,0.0000038328153,0.0021465889,0.00061600737,0.0000066324014,0.000076183605,0.001770963,0.000008741372,0.000043410964,0.0007879944,0.9945233,0.0000118041],"about_ca_topic_score_codex":0.4729603,"about_ca_topic_score_gemma":0.69586825,"teacher_disagreement_score":0.5270397,"about_ca_system_score_codex":0.009011532,"about_ca_system_score_gemma":0.010755514,"threshold_uncertainty_score":0.9404147},"labels":[],"label_agreement":null},{"id":"W3175078064","doi":"10.1353/tfr.2017.0386","title":"Toucher des yeux: nouvelles po tiques de l’ekphrasis ed. par Ginette Michaud","year":2017,"lang":"fr","type":"article","venue":"˜The œFrench review","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Witness; The Holocaust; Narrative; Ideology; Psychoanalysis; Holocaust survivors; Literature; Feeling; Aesthetics; Sociology; Philosophy; History; Psychology; Art; Epistemology; Law; Theology; Linguistics","score_opus":0.04980561791500837,"score_gpt":0.31068392816594276,"score_spread":0.2608783102509344,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3175078064","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006409161,0.58194524,0.0033022081,0.19913416,0.013477325,0.000041421317,0.0001424156,0.00018809835,0.19536],"genre_scores_gemma":[0.15619196,0.3301236,0.0031747334,0.031508233,0.010501002,0.0001606801,0.00019753457,0.0005828182,0.4675595],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99857986,0.0008177618,0.000041041505,0.00014239995,0.00029937326,0.000119486984],"domain_scores_gemma":[0.9991392,0.00051684835,0.000059647886,0.0000487473,0.00012933619,0.0001061371],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014959609,0.00087087223,0.00062696455,0.0012284892,0.004361682,0.009678774,0.0007903716,0.0032499016,0.01120619],"category_scores_gemma":[0.0028445309,0.0004892278,0.00031556352,0.0010830583,0.0075744917,0.008945438,0.0022208337,0.007502407,0.0050056297],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000067797875,0.000054275813,0.00036398196,0.0003812767,0.000010249067,0.0005920645,0.041812286,0.00014696989,0.00032941697,0.25912777,0.60352874,0.09358523],"study_design_scores_gemma":[0.0000029280295,0.0000055109595,0.00027873504,0.00036637302,0.0000012372439,0.00037070125,0.0072669233,0.00005381448,0.00007371038,0.0064627067,0.9851093,0.000007973058],"about_ca_topic_score_codex":0.015547719,"about_ca_topic_score_gemma":0.018362787,"teacher_disagreement_score":0.015547719,"about_ca_system_score_codex":0.0044309963,"about_ca_system_score_gemma":0.0031488757,"threshold_uncertainty_score":0.0374884},"labels":[],"label_agreement":null},{"id":"W3175714034","doi":"10.3138/ijcs.58.x.7","title":"Resisting Erasure: Photographic Archives and Black History in Canada","year":2021,"lang":"en","type":"article","venue":"International Journal of Canadian Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Scholarship; Narrative; Historiography; Diaspora; Documentation; History; Erasure; Agency (philosophy); Space (punctuation); Gender studies; Sociology; Visual arts; Political science; Art; Archaeology; Literature; Law; Social science","score_opus":0.0682273670616285,"score_gpt":0.24849969013769316,"score_spread":0.18027232307606467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3175714034","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7706501,0.008441411,0.00077497214,0.020683097,0.00027878303,0.00006362893,0.0004902052,0.000053360647,0.1985644],"genre_scores_gemma":[0.97616065,0.0031372074,0.0004071486,0.0005942834,0.00002600344,0.000012795503,0.00009081287,0.000035738914,0.019535372],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99764925,0.00042972952,0.00005146773,0.00018242198,0.00090986665,0.0007773082],"domain_scores_gemma":[0.9959991,0.0011990472,0.00047088033,0.00024806007,0.0013371191,0.0007457468],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023611619,0.00031841273,0.0003195388,0.0035926807,0.035314873,0.014279168,0.0019064323,0.0013384625,0.009157703],"category_scores_gemma":[0.008075662,0.00037283543,0.0001861883,0.007607598,0.019435253,0.0033586624,0.0063957945,0.002516622,0.00025559962],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011202998,0.00004272482,0.01698533,0.0001984587,0.000023076685,0.0010654804,0.8337853,0.00025967413,0.00070167537,0.07819667,0.016080288,0.052549273],"study_design_scores_gemma":[0.0000070106403,0.000013594421,0.024406396,0.000340977,0.000025939855,0.00022565592,0.7424899,0.00014167847,0.00044115816,0.0029420366,0.22891708,0.000048689857],"about_ca_topic_score_codex":0.9913736,"about_ca_topic_score_gemma":0.99676335,"teacher_disagreement_score":0.109178334,"about_ca_system_score_codex":0.109178334,"about_ca_system_score_gemma":0.13204777,"threshold_uncertainty_score":0.792148},"labels":[],"label_agreement":null},{"id":"W3177004316","doi":"10.7202/1078070ar","title":"John O’Brian, The Bomb in the Wilderness: Photography and the Nuclear Era in Canada, Vancouver: UBC Press, 2020, 244 pp., 124 photos, 20 in colour, $32.95 (paperback) ISBN 9780774863889 Claudette Lauzon, John O’Brian, eds., Through Post-Atomic Eyes, Montreal and Kingston: McGill-Queens University Press, 2020, 496 pp., 158 colour photos, 3 maps, $49.95 (cloth) ISBN 9780228001393","year":2021,"lang":"en","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Universities Art Association of Canada; McGill-Queen's University Press","funders":"","keywords":"Art history; Wilderness; Photography; Art; Visual arts","score_opus":0.009038435706503435,"score_gpt":0.17849825462839813,"score_spread":0.1694598189218947,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3177004316","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003907639,0.8837408,0.0003638626,0.019533603,0.003095467,0.000028369312,0.0006394556,0.00009135744,0.092116416],"genre_scores_gemma":[0.00667588,0.7418795,0.0008328992,0.0043839505,0.0010194856,0.000031192954,0.00061568955,0.00016412964,0.2443973],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985073,0.000132705,0.000063114065,0.0001448188,0.00096714,0.00018491331],"domain_scores_gemma":[0.99769187,0.00036311868,0.00009006502,0.00006147843,0.0014969179,0.00029656576],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011428398,0.0013257401,0.0006400534,0.004785317,0.004452119,0.008185158,0.0015399782,0.002360029,0.0647549],"category_scores_gemma":[0.00300783,0.0008159851,0.00043200818,0.009804431,0.0036844641,0.006191086,0.0017889658,0.0026152956,0.025786601],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011294884,0.0000043536434,0.00019486583,0.0007396901,0.0000054307734,0.00005080791,0.0013229884,0.000038199603,0.00009100643,0.0038673915,0.91520303,0.07847112],"study_design_scores_gemma":[0.0000016042648,0.0000013144022,0.0014597139,0.00072264625,0.000004793791,0.000086807864,0.0015189796,0.000007565601,0.000039905593,0.00046639622,0.9956826,0.0000077373725],"about_ca_topic_score_codex":0.8717446,"about_ca_topic_score_gemma":0.95024025,"teacher_disagreement_score":0.12825543,"about_ca_system_score_codex":0.023391692,"about_ca_system_score_gemma":0.034290604,"threshold_uncertainty_score":0.25802147},"labels":[],"label_agreement":null},{"id":"W3182751388","doi":"","title":"Making Photography Speak: John Max’s Open Passport (1973) and Photographic Narration","year":2019,"lang":"en","type":"dissertation","venue":"Spectrum Research Repository (Concordia University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Context (archaeology); Meaning (existential); Narrative; Photography; Historicity (philosophy); Visual arts; Art; Object (grammar); Historiography; Art history; History; Literature; Epistemology; Philosophy; Archaeology; Law","score_opus":0.07470849716386446,"score_gpt":0.3183292666306444,"score_spread":0.24362076946677996,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3182751388","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2553337,0.0139753865,0.0054452308,0.030653013,0.001147953,0.00007853427,0.00026295203,0.000101365295,0.69300187],"genre_scores_gemma":[0.93737036,0.0030496132,0.0012167072,0.0013103145,0.00015884402,0.0000462587,0.00006694165,0.0001132061,0.056667816],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973501,0.0012618944,0.000038168553,0.00027924485,0.00060563185,0.0004649523],"domain_scores_gemma":[0.9981047,0.0011274833,0.00013826974,0.0001260195,0.00025446978,0.0002489883],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023734549,0.0007729421,0.00028994292,0.0018812633,0.0288963,0.009254227,0.0013596093,0.0027030085,0.0057366453],"category_scores_gemma":[0.0055928915,0.0004251192,0.00025564057,0.0026712182,0.04334602,0.007937243,0.0051278025,0.0038871912,0.0006091058],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021890655,0.0000055087103,0.0005493717,0.000054433924,0.0000035094426,0.0009226983,0.7952387,0.000059836624,0.00022535228,0.18364929,0.012763114,0.0065062987],"study_design_scores_gemma":[0.0000028309948,0.000009673247,0.0014228759,0.00024776967,0.000009289144,0.00068042154,0.44304413,0.00007298399,0.0005796023,0.0099565685,0.5439385,0.00003531928],"about_ca_topic_score_codex":0.35058802,"about_ca_topic_score_gemma":0.5445021,"teacher_disagreement_score":0.35058802,"about_ca_system_score_codex":0.026599985,"about_ca_system_score_gemma":0.009008089,"threshold_uncertainty_score":0.69709474},"labels":[],"label_agreement":null},{"id":"W3182783181","doi":"","title":"Seen and Imagined: A Northwestern Crossroads City","year":2016,"lang":"en","type":"article","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Art history; Postmodernism; Frontier; Sociology; Ethnology; History; Literature; Archaeology","score_opus":0.030578409536410136,"score_gpt":0.24346003271830235,"score_spread":0.21288162318189222,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3182783181","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84584904,0.0019517484,0.0014944992,0.004888703,0.0001402842,0.00003332636,0.0001073394,0.000057373607,0.14547776],"genre_scores_gemma":[0.9696763,0.00057807245,0.0005402468,0.00028378642,0.000012258234,0.000011373475,0.0000554444,0.000024832005,0.028817693],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999255,0.0003041404,0.0000067599644,0.000078958656,0.000131236,0.00022380677],"domain_scores_gemma":[0.9996213,0.0001722719,0.000028339182,0.000023429791,0.000056600664,0.00009804521],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00077090634,0.00043277605,0.00025471192,0.0011483293,0.016563807,0.007260884,0.0011793358,0.001203978,0.00693315],"category_scores_gemma":[0.00076471275,0.00026988797,0.00019236482,0.002011325,0.012287863,0.0014645257,0.0034999677,0.001811691,0.00022644839],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064765525,0.00003279923,0.0067705284,0.000076015654,0.000009411595,0.0043474953,0.9086248,0.00048098888,0.0011110132,0.05675967,0.006242781,0.01547968],"study_design_scores_gemma":[0.000004468331,0.000014988767,0.009548836,0.0001510063,0.000011350168,0.0003552607,0.88549334,0.00028232363,0.00036479338,0.0017557822,0.1019976,0.000020229734],"about_ca_topic_score_codex":0.83487356,"about_ca_topic_score_gemma":0.93570393,"teacher_disagreement_score":0.83487356,"about_ca_system_score_codex":0.02818881,"about_ca_system_score_gemma":0.014856333,"threshold_uncertainty_score":0.3321978},"labels":[],"label_agreement":null},{"id":"W3186417316","doi":"10.32920/ryerson.14660712.v1","title":"A journey in collections management : the creation of a finding aid for the Black Star Ephemera Collection at the Ryerson Image Centre","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Ephemera; Agency (philosophy); Swift; Photography; Ephemeral key; Data collection; Photojournalism; Star (game theory); Computer science; Sociology; Visual arts; Media studies; Library science; Art; Social science; Computer security","score_opus":0.05010329793684672,"score_gpt":0.2900991502164056,"score_spread":0.23999585227955886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3186417316","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2750518,0.0075588236,0.07258424,0.07800312,0.0025348798,0.0047745383,0.0015932583,0.0018340007,0.5560653],"genre_scores_gemma":[0.3796636,0.005031754,0.19283892,0.0027749913,0.00044482673,0.0013321826,0.0009980061,0.0018914127,0.41502434],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.98965573,0.00571356,0.00024067936,0.0008819661,0.002523251,0.0009848467],"domain_scores_gemma":[0.9914077,0.0012641313,0.00042785713,0.0014576549,0.0022725305,0.0031700376],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.017941585,0.00040128015,0.00042120655,0.0020933442,0.021809658,0.017428556,0.0021467907,0.0015773906,0.010486657],"category_scores_gemma":[0.012386176,0.00091111544,0.0003604091,0.0029255676,0.012077976,0.0068815514,0.012428384,0.0033982317,0.0028947378],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013143281,0.0003225112,0.0053267027,0.00050273,0.000020714575,0.0015718683,0.44566292,0.00043292635,0.0046469322,0.11859893,0.17219841,0.25058392],"study_design_scores_gemma":[0.0000110416,0.00007921693,0.002989687,0.00019047751,0.000007655414,0.00032955784,0.10049596,0.00019420286,0.0009859134,0.0022505743,0.89243025,0.00003548034],"about_ca_topic_score_codex":0.1165724,"about_ca_topic_score_gemma":0.2674076,"teacher_disagreement_score":0.1165724,"about_ca_system_score_codex":0.013874044,"about_ca_system_score_gemma":0.040141888,"threshold_uncertainty_score":0.23178774},"labels":[],"label_agreement":null},{"id":"W3194535674","doi":"","title":"Ruins of St. John's Episcopal Church in Harpers Ferry, West Virginia","year":2015,"lang":"en","type":"book-chapter","venue":"Library of Congress eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"West virginia; Spanish Civil War; Art history; Photography; Performance art; Art; History; Archaeology; Visual arts","score_opus":0.05107505757624585,"score_gpt":0.2542496664621309,"score_spread":0.203174608885885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3194535674","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044308454,0.031591173,0.00029882917,0.005968706,0.0014960051,0.00004712112,0.00045805922,0.00009613294,0.9157356],"genre_scores_gemma":[0.11597542,0.0072320737,0.00022660519,0.0004298286,0.000088944566,0.000013202085,0.00013038183,0.000056938523,0.8758467],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99991,0.000015988962,0.0000014772128,0.0000144109745,0.000022665052,0.000035495294],"domain_scores_gemma":[0.9999509,0.000009517164,0.0000042391707,0.0000023282919,0.000014683647,0.000018288076],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008978202,0.00018629609,0.000120906465,0.0006311887,0.0053222296,0.0020222496,0.0003584288,0.000319818,0.036329642],"category_scores_gemma":[0.00021994478,0.00015398645,0.0000789999,0.0005438596,0.00067645113,0.0006017711,0.0010001756,0.00069996255,0.0040176935],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029989706,0.000039396822,0.0013305326,0.00013484477,0.00000451185,0.000858459,0.018277148,0.00012709835,0.00055998634,0.040123772,0.7841603,0.15435402],"study_design_scores_gemma":[8.9871247e-7,0.000004120034,0.0031256292,0.00012283698,0.0000013830531,0.00010276549,0.00722286,0.000014273636,0.000101128266,0.0002734531,0.9890282,0.0000024002402],"about_ca_topic_score_codex":0.34969422,"about_ca_topic_score_gemma":0.7709321,"teacher_disagreement_score":0.34969422,"about_ca_system_score_codex":0.0035476477,"about_ca_system_score_gemma":0.0034150372,"threshold_uncertainty_score":0.6953175},"labels":[],"label_agreement":null},{"id":"W3194794195","doi":"","title":"Fast Forward: changing attitudes and experiences for women in photography (Impact)","year":2020,"lang":"en","type":"article","venue":"UCA Research Online (University for the Creative Arts)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Club; Disadvantage; Representation (politics); Portrait; Work (physics); Gender bias; Sociology; Visual arts; Political science; Art; Psychology; Engineering","score_opus":0.1487702400542266,"score_gpt":0.37265106871777487,"score_spread":0.22388082866354828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3194794195","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5898029,0.006293213,0.0016607508,0.060621984,0.0033218265,0.000292894,0.0005196604,0.00025084207,0.33723596],"genre_scores_gemma":[0.83999,0.0053695,0.0016965293,0.007055503,0.0005799386,0.0003235358,0.00030057994,0.00025387833,0.1444306],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9966298,0.0016117992,0.000063403786,0.00017868337,0.0007435114,0.0007728402],"domain_scores_gemma":[0.995204,0.0016809287,0.00034494317,0.00034397177,0.00081870373,0.0016074693],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008248403,0.00037751967,0.0003614536,0.0014903034,0.012239764,0.008373929,0.0010187116,0.0021479628,0.02587505],"category_scores_gemma":[0.009393233,0.0004059728,0.00043678007,0.001572409,0.0055389563,0.008826752,0.010834785,0.0031477562,0.001626879],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000078736804,0.00019714156,0.008612897,0.0002240747,0.000008795129,0.0008401115,0.7847175,0.000031806176,0.00066699315,0.012113919,0.10304507,0.089462996],"study_design_scores_gemma":[0.000011571537,0.000116873955,0.009574944,0.00028627555,0.0000084384465,0.00045159957,0.5964138,0.000022264958,0.00024797328,0.0011211407,0.39172247,0.000022757988],"about_ca_topic_score_codex":0.014248804,"about_ca_topic_score_gemma":0.02695824,"teacher_disagreement_score":0.02587505,"about_ca_system_score_codex":0.0042283037,"about_ca_system_score_gemma":0.00536693,"threshold_uncertainty_score":0.086560726},"labels":[],"label_agreement":null},{"id":"W3196585237","doi":"","title":"Martha Langford (dir.), Narratives Unfolding: National Art Histories in an Unfinished World. McGill-Queen’s University Press, 2017","year":2019,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Narrative; Art; Art history; History; Media studies; Sociology; Literature","score_opus":0.015089544143398354,"score_gpt":0.18824854116371764,"score_spread":0.17315899702031928,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3196585237","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008325586,0.8059085,0.000868551,0.14261837,0.01817871,0.000025699095,0.00082559726,0.00020070413,0.030541347],"genre_scores_gemma":[0.032322597,0.6200204,0.002686378,0.027072672,0.0133400615,0.00013479659,0.0007045349,0.00073397247,0.30298454],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986381,0.00047385742,0.000093706396,0.00018893434,0.00048570614,0.00011974218],"domain_scores_gemma":[0.9979279,0.0010251488,0.00025288237,0.000076859105,0.00043957838,0.00027755424],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024045396,0.0012537576,0.00079706335,0.0023478477,0.0038816195,0.0039972602,0.0009013892,0.0033653073,0.051908556],"category_scores_gemma":[0.0043863202,0.0010706899,0.0002984964,0.003272231,0.002606405,0.0068731457,0.0025078908,0.0034200572,0.022204397],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027156524,0.000003979487,0.00017341491,0.00021608421,0.0000037701639,0.00006950432,0.0014188011,0.000028454853,0.0000953275,0.0037578593,0.9403856,0.053820148],"study_design_scores_gemma":[0.0000042225515,0.000004246543,0.0014629094,0.00041001008,0.0000030214705,0.0001645307,0.0018507738,0.000027814302,0.00010562813,0.0012678683,0.99468464,0.000014421037],"about_ca_topic_score_codex":0.116336785,"about_ca_topic_score_gemma":0.2609686,"teacher_disagreement_score":0.116336785,"about_ca_system_score_codex":0.004348189,"about_ca_system_score_gemma":0.0031692204,"threshold_uncertainty_score":0.23131925},"labels":[],"label_agreement":null},{"id":"W3196587337","doi":"10.4000/books.pupo.7845","title":"Open Passport : le récit photographique et le langage universel de John Max","year":2015,"lang":"fr","type":"book-chapter","venue":"Presses universitaires de Paris Nanterre eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Concordia University; Business Development Bank of Canada","funders":"","keywords":"Humanities; Art","score_opus":0.05796710131477915,"score_gpt":0.26906751826975744,"score_spread":0.2111004169549783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3196587337","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.021315765,0.018674385,0.0038832785,0.010106116,0.0011381134,0.000022909124,0.00008302664,0.00009683553,0.94467956],"genre_scores_gemma":[0.32203245,0.008142655,0.0018542499,0.0014334655,0.00046452566,0.00006022431,0.000064446016,0.00023951476,0.6657083],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949193,0.0002285661,0.000013994402,0.00008724608,0.00010208119,0.000076232565],"domain_scores_gemma":[0.9995479,0.0002464398,0.000036328525,0.000054451335,0.000056738754,0.000058135978],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006945252,0.00040061932,0.00014269503,0.000606621,0.0040162173,0.004612034,0.00038462432,0.0011680595,0.012387109],"category_scores_gemma":[0.0015949035,0.00026277342,0.00014876654,0.0006388595,0.008492865,0.0063531855,0.0016508397,0.0021753544,0.002056524],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036991176,0.00000962535,0.0002844136,0.000094190415,0.0000023354607,0.00028573838,0.08488215,0.000051008257,0.000488209,0.8395962,0.050787635,0.023481451],"study_design_scores_gemma":[0.0000028411193,0.00001114452,0.0008337337,0.00018269135,0.0000027508381,0.0002940636,0.01222981,0.000054863667,0.0004441968,0.018748248,0.96718186,0.000013880932],"about_ca_topic_score_codex":0.015689535,"about_ca_topic_score_gemma":0.024441257,"teacher_disagreement_score":0.015689535,"about_ca_system_score_codex":0.0029394513,"about_ca_system_score_gemma":0.0014181586,"threshold_uncertainty_score":0.041438997},"labels":[],"label_agreement":null},{"id":"W3201061515","doi":"10.32920/ryerson.14647344.v1","title":"Cataloguing Andy Warhol's Family Album : 1969 - 1974","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University; Toronto Metropolitan University","funders":"","keywords":"Photography; Cataloging; Visual arts; Art; Object (grammar); Art history; Library science; Computer science; Artificial intelligence","score_opus":0.06983288695464165,"score_gpt":0.2688080161275287,"score_spread":0.19897512917288704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3201061515","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17356342,0.01956716,0.0042800973,0.0032644216,0.0028497677,0.00038430645,0.02599938,0.00063721795,0.76945424],"genre_scores_gemma":[0.2274845,0.014103857,0.0068020467,0.00016903125,0.00048536505,0.00015179605,0.009956685,0.00063263794,0.74021417],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997482,0.000025852754,0.000019485655,0.000052855325,0.00011210814,0.00004150324],"domain_scores_gemma":[0.9994124,0.00009586993,0.00007015051,0.00013534006,0.00021233762,0.000073931515],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00051391165,0.00033202005,0.00016021855,0.004638701,0.0029412631,0.001763072,0.00039889847,0.00026450655,0.04158656],"category_scores_gemma":[0.0013173273,0.0001442794,0.00011300268,0.0050821463,0.001040831,0.0015593353,0.0012729008,0.00048807342,0.0077495906],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024320232,0.000054307915,0.011755257,0.00063972065,0.000009335308,0.0010217662,0.026152119,0.00023207943,0.0049205893,0.04515533,0.3095039,0.6003124],"study_design_scores_gemma":[0.0000014956092,0.0000065703093,0.008490329,0.000076865006,0.0000019700271,0.00017096172,0.0018705338,0.00002011061,0.001183945,0.00024993508,0.9879232,0.00000406979],"about_ca_topic_score_codex":0.0476106,"about_ca_topic_score_gemma":0.10578572,"teacher_disagreement_score":0.0476106,"about_ca_system_score_codex":0.003937258,"about_ca_system_score_gemma":0.002388568,"threshold_uncertainty_score":0.13912088},"labels":[],"label_agreement":null},{"id":"W3207157038","doi":"10.32920/ryerson.14652405.v1","title":"Camera Work And The Alfred Stieglitz Collection At The Metropolitan Museum Of Art","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Photography; Champion; Listing (finance); Visual arts; Art; Work (physics); Metropolitan area; Art history; History; Engineering; Archaeology","score_opus":0.030011775037528374,"score_gpt":0.25014475175433076,"score_spread":0.22013297671680238,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3207157038","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035394773,0.039539635,0.00530631,0.009083971,0.0029877669,0.0007002376,0.07845805,0.0016150606,0.8269143],"genre_scores_gemma":[0.070066184,0.046172492,0.028053816,0.0008974352,0.0016115766,0.0009188496,0.0883492,0.001881898,0.7620486],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976793,0.00029606582,0.00020972217,0.00029371306,0.001372221,0.0001490626],"domain_scores_gemma":[0.99707186,0.00031942036,0.00034567923,0.0006745415,0.0013104053,0.00027807965],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027328336,0.00062080025,0.00043275915,0.013181071,0.0027816643,0.006651442,0.0007880469,0.000586473,0.09045428],"category_scores_gemma":[0.0074626524,0.00055537326,0.00030742108,0.023980934,0.0012108963,0.0032393578,0.0033975197,0.0008612925,0.024647659],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005308455,0.000022751958,0.004046467,0.00042708588,0.000015278993,0.00009963259,0.002792471,0.00007465816,0.00053554936,0.04113203,0.76550466,0.18529634],"study_design_scores_gemma":[0.0000026094465,0.000005376341,0.010176223,0.00014302366,0.0000033948893,0.000058192483,0.0006065192,0.000025704332,0.0002173778,0.00072850264,0.98802596,0.0000070482747],"about_ca_topic_score_codex":0.056856487,"about_ca_topic_score_gemma":0.09223639,"teacher_disagreement_score":0.09045428,"about_ca_system_score_codex":0.0041599222,"about_ca_system_score_gemma":0.005335846,"threshold_uncertainty_score":0.30259973},"labels":[],"label_agreement":null},{"id":"W3208107909","doi":"10.32920/ryerson.14653581.v1","title":"A presentation set of 19th and 20th century photographic processes from the Art Gallery of Ontario's Harris study collection","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University; Western University","funders":"","keywords":"Photography; Presentation (obstetrics); Materiality (auditing); Visual arts; Set (abstract data type); Painting; Art; Computer science; Aesthetics","score_opus":0.04602559976144739,"score_gpt":0.26942583169337053,"score_spread":0.22340023193192315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3208107909","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2741254,0.0058686403,0.011545028,0.009182286,0.0044968347,0.006273359,0.05064531,0.0013094076,0.6365537],"genre_scores_gemma":[0.45863613,0.0064169043,0.020278573,0.0011099005,0.0018389007,0.0038383212,0.025621736,0.0018475476,0.48041198],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926025,0.00018212784,0.000040212057,0.000079011574,0.0003582083,0.00008015081],"domain_scores_gemma":[0.9982071,0.0006201446,0.000094188545,0.00032552323,0.00049388746,0.00025920448],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019235838,0.0005422175,0.00025508692,0.0046331077,0.005160406,0.0026892524,0.00057542534,0.0005187154,0.04798624],"category_scores_gemma":[0.003408003,0.00028097903,0.00035219005,0.0058118342,0.0017823831,0.0009995074,0.0026433505,0.0011027189,0.0035633792],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005186587,0.00014554655,0.0043086386,0.002535949,0.000026079759,0.0018764064,0.20450962,0.00049574795,0.028763197,0.02588921,0.51935744,0.21157356],"study_design_scores_gemma":[0.00002082941,0.00006606625,0.016044596,0.000316029,0.0000100364205,0.0003186377,0.022136517,0.00007903567,0.00224259,0.0012862867,0.9574525,0.000026804246],"about_ca_topic_score_codex":0.038476005,"about_ca_topic_score_gemma":0.1429932,"teacher_disagreement_score":0.961524,"about_ca_system_score_codex":0.0059767934,"about_ca_system_score_gemma":0.004704861,"threshold_uncertainty_score":0.16052997},"labels":[],"label_agreement":null},{"id":"W3208277459","doi":"10.32920/ryerson.14646864.v1","title":"Old works / New Works: when contemporary photographic artworks held by Canadian public institutions change after accession","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Materiality (auditing); Visual arts; Interpretation (philosophy); Art; Narrative; Object (grammar); Public art; Aesthetics; Literature","score_opus":0.17434359535167032,"score_gpt":0.2881532621254855,"score_spread":0.11380966677381515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3208277459","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89046776,0.002701157,0.00047099395,0.0056748367,0.00020223459,0.00007613043,0.0005624478,0.000038460974,0.09980607],"genre_scores_gemma":[0.99016285,0.0010514174,0.00025258298,0.00028417635,0.000025446996,0.000018417513,0.0001604046,0.000032602686,0.008012061],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99265045,0.0007395978,0.00018832953,0.0006810918,0.0032420936,0.0024984097],"domain_scores_gemma":[0.993317,0.0011678828,0.001202384,0.00051855535,0.0025819826,0.0012121856],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0040996955,0.0002938658,0.00053147547,0.0047848336,0.021900687,0.017198144,0.0024418554,0.001560806,0.010576904],"category_scores_gemma":[0.01434245,0.0004675027,0.0003623021,0.009253842,0.014566568,0.005323682,0.0074368366,0.0026757314,0.00045962122],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019888132,0.00004402046,0.06782561,0.00027182818,0.000049600367,0.0014850836,0.834294,0.00019511572,0.0011769666,0.021760743,0.01114919,0.0615489],"study_design_scores_gemma":[0.0000031822347,0.000014381787,0.13040423,0.00023723126,0.000017609611,0.00011895066,0.8091852,0.00005636645,0.00023186248,0.0006149005,0.059073154,0.000042875527],"about_ca_topic_score_codex":0.95917624,"about_ca_topic_score_gemma":0.98416334,"teacher_disagreement_score":0.096968785,"about_ca_system_score_codex":0.096968785,"about_ca_system_score_gemma":0.050360475,"threshold_uncertainty_score":0.70356107},"labels":[],"label_agreement":null},{"id":"W3208334035","doi":"10.32920/ryerson.14656332.v1","title":"British Official First World War Photographs, 1916-1918: Arranging and Contextualizing a Collection of Prints at the Art Gallery of Ontario","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Wilfrid Laurier University; University of Victoria","funders":"","keywords":"First world war; Politics; Visual arts; World War II; Censorship; Spanish Civil War; History; Photojournalism; Work (physics); Media studies; Photography; Art; Law; Sociology; Political science; Engineering; Archaeology; Ancient history","score_opus":0.03311687905450429,"score_gpt":0.23769373825273551,"score_spread":0.2045768591982312,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3208334035","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6871183,0.0039950665,0.0023720502,0.0035294574,0.00031266257,0.00048556796,0.0047902795,0.00012842934,0.29726815],"genre_scores_gemma":[0.8549458,0.004143333,0.0057664546,0.00027485672,0.00007847233,0.00017737367,0.0023485795,0.0002826986,0.13198245],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998548,0.0002192478,0.000055707776,0.00018201848,0.0006786725,0.0003163555],"domain_scores_gemma":[0.99753356,0.00063508353,0.00033687177,0.00033257742,0.0008785881,0.00028328734],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018192009,0.0002955674,0.00024321847,0.0051078037,0.012025341,0.0051821168,0.0010069448,0.0005089139,0.010175808],"category_scores_gemma":[0.005127396,0.0004741261,0.00016462425,0.010575847,0.006361767,0.001409624,0.0035488703,0.00087306654,0.0010336073],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001412733,0.00003073444,0.028434286,0.0005001197,0.00001655368,0.001508058,0.8252976,0.00035673985,0.0052517895,0.011059879,0.034472503,0.0929305],"study_design_scores_gemma":[0.0000058098153,0.000017923296,0.18123585,0.00031355055,0.000015237351,0.0002816453,0.35051912,0.00007770186,0.001117018,0.00033763223,0.46605098,0.000027552338],"about_ca_topic_score_codex":0.91982853,"about_ca_topic_score_gemma":0.98812693,"teacher_disagreement_score":0.080171466,"about_ca_system_score_codex":0.03553146,"about_ca_system_score_gemma":0.022013418,"threshold_uncertainty_score":0.25779998},"labels":[],"label_agreement":null},{"id":"W3208334697","doi":"","title":"Women Street Photographers. Sous la direction de Gulnara Samoilova. Munich, Londres, New York, Prestel, 2021, non pagine, 100 photographies / Women Street Photographers","year":2021,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.023974775528325522,"score_gpt":0.24380292551198393,"score_spread":0.2198281499836584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3208334697","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019152111,0.023183811,0.00055667775,0.0040941243,0.0029047448,0.00014184015,0.009214131,0.0009014494,0.95708805],"genre_scores_gemma":[0.0038423315,0.0048652473,0.00048676415,0.00016569888,0.00028570602,0.000044976612,0.001463608,0.00023107101,0.9886147],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999741,0.000041587813,0.000014471942,0.00007795373,0.000082817736,0.000042185075],"domain_scores_gemma":[0.99970156,0.000047569232,0.000028674393,0.00002970219,0.00011161881,0.00008072129],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004572928,0.0012365851,0.0004843426,0.0017381377,0.0013929243,0.0018778829,0.00050059083,0.0008063614,0.68719643],"category_scores_gemma":[0.0007272045,0.0005494082,0.0002352789,0.0019351552,0.00035083672,0.0018536804,0.0012856894,0.0009950802,0.44587028],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055357985,0.0000130556355,0.00022735486,0.00019121898,0.0000020274963,0.000044681386,0.000071871356,0.00002149991,0.00047490117,0.001785356,0.9163674,0.08074526],"study_design_scores_gemma":[0.0000073469323,0.000007258098,0.0020761152,0.00009196966,0.0000015526002,0.00005669032,0.0001250328,0.000017732022,0.00010041228,0.00010405132,0.99740976,0.0000020527398],"about_ca_topic_score_codex":0.00943884,"about_ca_topic_score_gemma":0.026089476,"teacher_disagreement_score":0.68719643,"about_ca_system_score_codex":0.00075031864,"about_ca_system_score_gemma":0.000801768,"threshold_uncertainty_score":0.4461763},"labels":[],"label_agreement":null},{"id":"W3208548409","doi":"10.32920/ryerson.14653545.v1","title":"Forgotten photographic processes : experiments based on the descriptions of Robert Hunt","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Photography; Object (grammar); Visual arts; History of photography; Digital photography; Computer science; Resource (disambiguation); Process (computing); Computer graphics (images); Art; Artificial intelligence","score_opus":0.08369409040866113,"score_gpt":0.27698660851541984,"score_spread":0.1932925181067587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3208548409","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15174405,0.012690074,0.08702705,0.013595674,0.0019477571,0.0018502702,0.0006533645,0.0004911615,0.7300006],"genre_scores_gemma":[0.5900919,0.019770067,0.14345308,0.0036076664,0.00028790513,0.0021783877,0.00039593867,0.00067733467,0.23953772],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9967163,0.0019789005,0.00008051172,0.00030934048,0.0008275752,0.00008732833],"domain_scores_gemma":[0.9970618,0.00200593,0.000116637246,0.000416664,0.0003077575,0.00009126527],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037289415,0.00040490084,0.00026698064,0.00045274032,0.0022783785,0.002577495,0.000843109,0.0009598672,0.008688429],"category_scores_gemma":[0.006549632,0.00027984174,0.0002647909,0.0005674054,0.0070835217,0.0029514325,0.0022190064,0.0024170037,0.0016728927],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040223484,0.0007440607,0.0006229044,0.00085885986,0.000012330013,0.00028349808,0.037145942,0.0009749715,0.025969604,0.7171984,0.054076,0.16171125],"study_design_scores_gemma":[0.000120221855,0.00092740875,0.0014328088,0.0005550545,0.000025599982,0.00050227053,0.009246222,0.0008439508,0.032264624,0.05899087,0.8950199,0.000071083065],"about_ca_topic_score_codex":0.0030545637,"about_ca_topic_score_gemma":0.003206852,"teacher_disagreement_score":0.008688429,"about_ca_system_score_codex":0.0015970089,"about_ca_system_score_gemma":0.0012541745,"threshold_uncertainty_score":0.029065669},"labels":[],"label_agreement":null},{"id":"W3208983444","doi":"10.32920/ryerson.14662029.v1","title":"Processing Edward Steichen's Celebrity Portrait Photographs at George Eastman House","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"George (robot); Portrait; Negative; Art; Visual arts; Art history","score_opus":0.038327949337550044,"score_gpt":0.2568130377751078,"score_spread":0.21848508843755773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3208983444","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6495446,0.00081706926,0.032237805,0.0022003194,0.00037912512,0.00058197725,0.0018206192,0.00052479754,0.3118937],"genre_scores_gemma":[0.53919065,0.0022571913,0.1302349,0.0002857965,0.000098556266,0.00016882818,0.0020298348,0.0008296398,0.3249047],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996966,0.000052889005,0.000011324171,0.00004668146,0.00016139122,0.000031190382],"domain_scores_gemma":[0.9995409,0.00013862699,0.000031677682,0.00008963081,0.00016319023,0.000035883295],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007677214,0.00017581464,0.000105192084,0.0010432677,0.001274954,0.0013996963,0.0002271068,0.0001721221,0.013151822],"category_scores_gemma":[0.0019694038,0.00012877888,0.000095017764,0.0010199142,0.00046330172,0.0007611416,0.0009376326,0.00044563453,0.0035907812],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027651727,0.00012922203,0.017219929,0.00034688198,0.000018931807,0.0014311455,0.07296511,0.0011610357,0.0913417,0.022520263,0.07217958,0.7204098],"study_design_scores_gemma":[0.000011815337,0.0001266997,0.048481196,0.0002476792,0.000018943962,0.0009960706,0.04682896,0.0011506554,0.07762258,0.002460801,0.8220076,0.00004701513],"about_ca_topic_score_codex":0.010419882,"about_ca_topic_score_gemma":0.0545522,"teacher_disagreement_score":0.013151822,"about_ca_system_score_codex":0.0007221878,"about_ca_system_score_gemma":0.000945012,"threshold_uncertainty_score":0.04399723},"labels":[],"label_agreement":null},{"id":"W3209162271","doi":"10.32920/ryerson.14657304.v1","title":"Colonial Representations of British India: A Description and Analysis of the First Twenty-Four Issues of The Indian Amateur’s Photographic Album","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Amateur; Photography; Colonialism; George (robot); History; Visual arts; History of photography; State (computer science); Art history; Media studies; Art; Sociology; Archaeology; Computer science","score_opus":0.030848746397369016,"score_gpt":0.26149946045232475,"score_spread":0.23065071405495574,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3209162271","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37451944,0.025045766,0.00068093266,0.005324286,0.0007043322,0.000073320836,0.00057282206,0.00006821243,0.5930109],"genre_scores_gemma":[0.9249604,0.0150508955,0.0005845354,0.00042606192,0.00024970592,0.000052841344,0.0002811206,0.00008251643,0.05831187],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987863,0.00035253324,0.00006433487,0.0000875698,0.0004128211,0.00029654443],"domain_scores_gemma":[0.9981933,0.0007724665,0.00023347343,0.00011817851,0.00046507342,0.00021757158],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000612966,0.00027818102,0.00015341809,0.004720304,0.0067796013,0.008337549,0.00052615826,0.00055875466,0.0059752017],"category_scores_gemma":[0.0024147134,0.00022070545,0.00014873121,0.009652893,0.006210076,0.001471123,0.0022102545,0.0014637663,0.00055053213],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000072794515,0.000036152866,0.008962157,0.0006438676,0.0000135550235,0.00268071,0.73012006,0.000087152956,0.0018190378,0.15119085,0.02635056,0.078023046],"study_design_scores_gemma":[0.0000016625487,0.000016792426,0.052028485,0.0004823741,0.000011439479,0.0009418846,0.2016673,0.000036673733,0.00036245384,0.0011597294,0.74326503,0.00002616728],"about_ca_topic_score_codex":0.20223887,"about_ca_topic_score_gemma":0.3273253,"teacher_disagreement_score":0.20223887,"about_ca_system_score_codex":0.012170044,"about_ca_system_score_gemma":0.005005508,"threshold_uncertainty_score":0.4021234},"labels":[],"label_agreement":null},{"id":"W3209463481","doi":"","title":"Robert Graham, Three Montreal Photographers + — Robert Graham’s History of Photography in Montreal / Robert Graham, Trois Photographes Montrealais + — L’histoire de la photographie a Montreal selon Robert Graham","year":2021,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Humanities","score_opus":0.012506901659292849,"score_gpt":0.2216578857492399,"score_spread":0.20915098408994703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3209463481","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004365394,0.18671538,0.0015267783,0.28288746,0.021823708,0.00009766318,0.00056436803,0.00021234214,0.5018069],"genre_scores_gemma":[0.05617459,0.037378486,0.0010947464,0.01622089,0.003285541,0.00003609916,0.000107234366,0.00022147609,0.88548094],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99816954,0.0004034567,0.000038362447,0.00024296134,0.00073313277,0.00041263623],"domain_scores_gemma":[0.99847907,0.00020391903,0.000090012385,0.00008953619,0.0007021369,0.0004353692],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018875676,0.00075665023,0.00031070708,0.0019223373,0.010167949,0.00799779,0.001605165,0.0029220504,0.053925425],"category_scores_gemma":[0.0035745099,0.000712808,0.00034593686,0.0027937242,0.007479037,0.0034588778,0.0023205932,0.0043537067,0.005745813],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018323199,0.000010366538,0.00029958208,0.00006390968,0.000004995263,0.000096108386,0.0011789914,0.000047673846,0.00016822759,0.09326291,0.877806,0.027042922],"study_design_scores_gemma":[0.000001993715,0.0000017114438,0.0004780886,0.00003617542,0.0000016971861,0.000030402538,0.0005888475,0.0000071370782,0.00005382802,0.00066259847,0.99812907,0.000008506707],"about_ca_topic_score_codex":0.79979736,"about_ca_topic_score_gemma":0.90920705,"teacher_disagreement_score":0.20020264,"about_ca_system_score_codex":0.024608469,"about_ca_system_score_gemma":0.015692554,"threshold_uncertainty_score":0.4027633},"labels":[],"label_agreement":null},{"id":"W3209852964","doi":"","title":"“Deepfakes” and the End of the Photographic Age","year":2021,"lang":"en","type":"article","venue":"Aporia","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Geography; Computer science; Visual arts; Art","score_opus":0.01870076060882773,"score_gpt":0.2152832037121626,"score_spread":0.1965824431033349,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3209852964","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0642082,0.009557197,0.002061853,0.06967554,0.0013701292,0.000026231935,0.00009086673,0.00007859271,0.8529314],"genre_scores_gemma":[0.8614101,0.002265698,0.00083818083,0.007112053,0.0008163824,0.000024539459,0.000041825115,0.00014097182,0.12735027],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99754155,0.0010816267,0.000080040576,0.00034640435,0.00046727902,0.00048319236],"domain_scores_gemma":[0.9961874,0.0016089993,0.00031484492,0.00061597186,0.00065663765,0.0006162953],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037410818,0.0003440373,0.0003326068,0.001844042,0.010621449,0.015048601,0.00080249686,0.0031870308,0.024447106],"category_scores_gemma":[0.009908059,0.0002617667,0.00024152901,0.0009669358,0.035025485,0.011963059,0.007654685,0.008224662,0.0018079146],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000360886,0.000018122571,0.00033832196,0.000031865395,0.0000024581425,0.00011867511,0.034034032,0.000021820315,0.00017317855,0.9367442,0.016591419,0.011889863],"study_design_scores_gemma":[0.000019493886,0.00002865227,0.002386286,0.00022147929,0.000005029558,0.00041343976,0.032919962,0.00009314161,0.00043129118,0.20854256,0.7549114,0.000027211894],"about_ca_topic_score_codex":0.011020283,"about_ca_topic_score_gemma":0.020272663,"teacher_disagreement_score":0.024447106,"about_ca_system_score_codex":0.00620494,"about_ca_system_score_gemma":0.0031824533,"threshold_uncertainty_score":0.08178371},"labels":[],"label_agreement":null},{"id":"W3210036985","doi":"10.32920/ryerson.14649282.v1","title":"Shooting The Truth : How Photographs In The Media Betray Us","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation; York University","funders":"","keywords":"Photojournalism; Journalism; Photography; Relation (database); Sociology; Ethical issues; Media studies; Political science; Public relations; Art; Visual arts; Engineering ethics; Engineering; Computer science","score_opus":0.06743807510829947,"score_gpt":0.2528273191407027,"score_spread":0.18538924403240326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3210036985","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73868805,0.015342454,0.011126711,0.047080174,0.0019614233,0.00006185456,0.00008497147,0.00021506097,0.18543924],"genre_scores_gemma":[0.9817893,0.0032016083,0.0012927516,0.002673616,0.00038673446,0.000022011573,0.000022468777,0.00014866905,0.0104628485],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9851193,0.010752007,0.00030072712,0.00096086046,0.0021991548,0.0006678327],"domain_scores_gemma":[0.97588634,0.017068846,0.0030547834,0.0020700698,0.001286408,0.000633429],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009280767,0.0005263757,0.00047621236,0.0022074129,0.013778055,0.014453949,0.0012183524,0.0025300402,0.0050367657],"category_scores_gemma":[0.03139552,0.0006095527,0.0004813677,0.0017839966,0.028623527,0.011924456,0.008197539,0.0043352013,0.00089673465],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012451214,0.000034218538,0.0052092127,0.00019861302,0.000039096358,0.0006915586,0.9057493,0.000111103785,0.0019810132,0.04555807,0.00655569,0.033747666],"study_design_scores_gemma":[0.0000156059,0.0001426237,0.0065808874,0.0007325082,0.000060196096,0.001693612,0.7393001,0.00024751865,0.0023034408,0.015490586,0.23335215,0.00008070052],"about_ca_topic_score_codex":0.0066131875,"about_ca_topic_score_gemma":0.008302627,"teacher_disagreement_score":0.014453949,"about_ca_system_score_codex":0.003759178,"about_ca_system_score_gemma":0.0014340646,"threshold_uncertainty_score":0.04908198},"labels":[],"label_agreement":null},{"id":"W3210129036","doi":"","title":"Marie-Josee Rousseau, Au carrefour des pratiques photographiques : un entretien de Jérôme Delgado / Marie-Josee Rousseau, At the Crossroads of Photographic Practices: An Interview by Jérôme Delgado","year":2021,"lang":"fr","type":"article","venue":"Ciel variable : art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Sociology; Philosophy","score_opus":0.040423876595410586,"score_gpt":0.2911151148909141,"score_spread":0.2506912382955035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3210129036","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028189275,0.12825441,0.0019896445,0.7740887,0.010369208,0.000088169865,0.00011171533,0.00009004419,0.056818787],"genre_scores_gemma":[0.47997501,0.08906985,0.00432073,0.20219983,0.0063180327,0.00038525913,0.00009434592,0.0006999733,0.21693698],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99440855,0.0033118555,0.00010470103,0.0005492936,0.0011358878,0.0004897292],"domain_scores_gemma":[0.991804,0.004666538,0.00052126974,0.00014964155,0.0015225094,0.0013360181],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005801677,0.00077341736,0.00081505754,0.0016900508,0.015339896,0.0071306964,0.0016562153,0.006085679,0.006147923],"category_scores_gemma":[0.020404227,0.00068904395,0.0002973761,0.0014663069,0.009433594,0.010872718,0.0037821971,0.0089242635,0.0009381558],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000091086426,0.00007502297,0.0017452189,0.00047270974,0.00001661405,0.0015995568,0.42146608,0.00009451485,0.0014284314,0.07899512,0.46139634,0.03261932],"study_design_scores_gemma":[0.0000070162355,0.00001047316,0.0015133513,0.00027217186,0.0000034344805,0.00047884643,0.15432152,0.000029486317,0.00015164878,0.0022407281,0.84094095,0.000030320993],"about_ca_topic_score_codex":0.12142972,"about_ca_topic_score_gemma":0.15984587,"teacher_disagreement_score":0.12142972,"about_ca_system_score_codex":0.007586814,"about_ca_system_score_gemma":0.0066252113,"threshold_uncertainty_score":0.24144584},"labels":[],"label_agreement":null},{"id":"W3210782653","doi":"10.32920/ryerson.14646618.v1","title":"The Matthew R. Isenburg collection: the dissemination of information on a private photographic collection, 1972 ‐ 2012","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design; Toronto Metropolitan University","funders":"","keywords":"Photography; Studio; Reputation; Documentation; Data collection; Visual arts; Art; Library science; Art history; History; Sociology; Computer science; Social science","score_opus":0.01919563791349166,"score_gpt":0.2569600764725673,"score_spread":0.23776443855907564,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3210782653","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04304577,0.039934713,0.0031621312,0.015992329,0.0054895836,0.00039831275,0.017032165,0.0007201,0.87422484],"genre_scores_gemma":[0.13211575,0.05285015,0.0077522155,0.0017836079,0.003551525,0.00048804586,0.011204611,0.001252542,0.7890014],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99806005,0.00027811565,0.00012403323,0.00021668097,0.0011543437,0.00016683573],"domain_scores_gemma":[0.9953354,0.0011034323,0.00043304387,0.0009007781,0.0019063707,0.00032087526],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030853252,0.00037163956,0.00027082727,0.0076134996,0.005034881,0.0049494086,0.0005610831,0.0004941252,0.03042576],"category_scores_gemma":[0.007965642,0.00043033183,0.00016081148,0.00963337,0.0028427502,0.0033118466,0.0029605958,0.0010766458,0.007781847],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040474577,0.00002118047,0.0025312058,0.00048103978,0.0000073517467,0.00023931992,0.022883266,0.000088283785,0.0010851788,0.031156892,0.7359847,0.20548108],"study_design_scores_gemma":[8.112518e-7,0.0000027062497,0.0044762297,0.0001637079,0.0000014075338,0.00005254366,0.0017139417,0.0000068908944,0.00018913455,0.00018925848,0.99319834,0.000005066066],"about_ca_topic_score_codex":0.088691615,"about_ca_topic_score_gemma":0.19234549,"teacher_disagreement_score":0.088691615,"about_ca_system_score_codex":0.007500571,"about_ca_system_score_gemma":0.008396307,"threshold_uncertainty_score":0.17635077},"labels":[],"label_agreement":null},{"id":"W3210874151","doi":"10.17742/image.nbw.7-1.3","title":"Placing Nostalgia: Affect and Photography in the New Saskatchewan","year":2016,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Optimism; Neoliberalism (international relations); Flourishing; Politics; Humanities; Art; Sociology; Political science; Psychology; Social science; Social psychology; Law","score_opus":0.04166864977902979,"score_gpt":0.376154363640981,"score_spread":0.3344857138619512,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3210874151","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8297952,0.00171692,0.00073644496,0.009633611,0.0003951835,0.000047255275,0.00030369245,0.000041634445,0.15733005],"genre_scores_gemma":[0.9681875,0.0007831604,0.00035503588,0.0007540934,0.000025919957,0.000015970925,0.00004756565,0.000024329956,0.029806376],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9994247,0.0002775504,0.000013447116,0.000061188875,0.00011598248,0.000107242944],"domain_scores_gemma":[0.9993556,0.00022691177,0.0000676475,0.000067472385,0.00015360708,0.00012875593],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00097329245,0.00024110058,0.00014765644,0.00089265895,0.008367078,0.0038528242,0.00046749867,0.0006830173,0.008875251],"category_scores_gemma":[0.0011726805,0.00018118575,0.00013564956,0.0011130589,0.00797844,0.001371317,0.002872591,0.0019043067,0.00053376],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009092614,0.000043531414,0.015827714,0.00019484735,0.000027567688,0.0017387917,0.89904386,0.00019687078,0.009484888,0.017004147,0.022264462,0.034082443],"study_design_scores_gemma":[0.0000043091813,0.000018807501,0.03721633,0.00015549401,0.000010531084,0.000292043,0.786831,0.00008347319,0.0009126715,0.0010170323,0.17341505,0.000043222102],"about_ca_topic_score_codex":0.45346728,"about_ca_topic_score_gemma":0.79655737,"teacher_disagreement_score":0.54653275,"about_ca_system_score_codex":0.012100203,"about_ca_system_score_gemma":0.00467965,"threshold_uncertainty_score":0.9016556},"labels":[],"label_agreement":null},{"id":"W3211090033","doi":"10.32920/ryerson.14657874.v1","title":"The Luis Medina Archive at The Art Institute of Chicago","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Ephemera; Photography; Library science; Art; Visual arts; Bureaucracy; Art history; Computer science; Political science; Law","score_opus":0.04227912302937557,"score_gpt":0.26477740461705807,"score_spread":0.22249828158768248,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3211090033","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010840055,0.0152109945,0.003397252,0.0062496583,0.0026176628,0.00027005412,0.042157467,0.0039193933,0.91533744],"genre_scores_gemma":[0.06362795,0.021061486,0.019060163,0.0011037308,0.0032260153,0.00077661005,0.07611186,0.0039856415,0.8110466],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983113,0.0002342976,0.00006825899,0.00029917178,0.0009423616,0.00014469621],"domain_scores_gemma":[0.9970203,0.00031759354,0.00018374453,0.0007895067,0.0011392382,0.0005495888],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018102317,0.0006314152,0.0005261249,0.008606946,0.0039575044,0.011190365,0.0009069355,0.0007087502,0.20503034],"category_scores_gemma":[0.0035295766,0.00042548223,0.00024486467,0.009471517,0.001501133,0.0027928012,0.004339911,0.0016220085,0.06188113],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045744586,0.000027416574,0.0016818524,0.00018074659,0.000005642761,0.000085123516,0.0013839864,0.000071079696,0.00042373457,0.027419172,0.864802,0.10387343],"study_design_scores_gemma":[0.000003005459,0.0000040971804,0.0025827875,0.00018833924,0.0000019008959,0.000049029375,0.0005313404,0.00005480927,0.00019671035,0.0011654769,0.9952165,0.0000060784473],"about_ca_topic_score_codex":0.024619492,"about_ca_topic_score_gemma":0.035150196,"teacher_disagreement_score":0.20503034,"about_ca_system_score_codex":0.0033325502,"about_ca_system_score_gemma":0.004823883,"threshold_uncertainty_score":0.68589485},"labels":[],"label_agreement":null},{"id":"W3211461195","doi":"10.17742/image.nbw.7-1.2","title":"Now and Then: Situating Contemporary Photography of the Canadian West into a Shared Photographic History","year":2016,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.06957702646375283,"score_gpt":0.34441075564522156,"score_spread":0.27483372918146876,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3211461195","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5820726,0.007328194,0.0050173677,0.017037898,0.00096994516,0.00019192215,0.0006427438,0.00012727024,0.38661212],"genre_scores_gemma":[0.9661986,0.0022719419,0.0015252515,0.00056470383,0.00007487708,0.00003808275,0.00010605402,0.000075313015,0.029145228],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981501,0.00048887054,0.00003315401,0.00019863136,0.0005541405,0.0005750791],"domain_scores_gemma":[0.9982078,0.0005408759,0.00013547156,0.00013195178,0.0006605468,0.0003234242],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024237644,0.00056512,0.0003299504,0.004091082,0.032195475,0.013310017,0.0016141767,0.0012952677,0.007837506],"category_scores_gemma":[0.0034332387,0.00033528652,0.00026347383,0.0061085094,0.018558815,0.0035593978,0.0043212012,0.0024980581,0.00036291569],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000248948,0.000009409936,0.0023856652,0.00010318646,0.0000069601097,0.0007627317,0.9452107,0.00007681928,0.00076384353,0.027434338,0.006838113,0.0163833],"study_design_scores_gemma":[0.0000012511473,0.0000068887557,0.0045773317,0.00022239097,0.000012939166,0.00021271715,0.82121545,0.00006518229,0.0002926214,0.0009852872,0.17239164,0.000016342308],"about_ca_topic_score_codex":0.92967355,"about_ca_topic_score_gemma":0.9751242,"teacher_disagreement_score":0.07032645,"about_ca_system_score_codex":0.05531125,"about_ca_system_score_gemma":0.045681804,"threshold_uncertainty_score":0.40131307},"labels":[],"label_agreement":null},{"id":"W3211533245","doi":"","title":"Noccalula Falls, Gadsden, Alabama","year":2010,"lang":"en","type":"book-chapter","venue":"Library of Congress eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"George (robot); Statue; Bronze; Art; Archaeology; Art history; Cherokee; Quarter (Canadian coin); History","score_opus":0.026756735563788395,"score_gpt":0.2143764030462515,"score_spread":0.18761966748246311,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3211533245","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026934529,0.008726163,0.00022475126,0.0021069848,0.00087747053,0.00002971305,0.00067070505,0.0002959443,0.9843747],"genre_scores_gemma":[0.006495085,0.0028000772,0.0003048204,0.00023223131,0.00002759721,0.000012256364,0.00024977565,0.000055772998,0.9898224],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9999386,0.000003998136,0.0000014701758,0.00002366328,0.000020719413,0.000011604362],"domain_scores_gemma":[0.99991155,0.000010693861,0.0000046139576,0.000008578602,0.000043908305,0.00002071727],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010923159,0.00063858676,0.00018248853,0.0012395409,0.0036685108,0.0015706007,0.0006738087,0.0006772901,0.3206033],"category_scores_gemma":[0.00033679095,0.00026482347,0.000120216464,0.000920796,0.00044935333,0.000996979,0.0010871994,0.0010534974,0.066572435],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003494414,0.000046294655,0.00078101456,0.00014979012,0.0000024153132,0.00030206723,0.0009692572,0.00006260716,0.0009841231,0.009228966,0.8086794,0.17875908],"study_design_scores_gemma":[0.0000012700141,0.0000033916947,0.0007570851,0.000050554543,9.871355e-7,0.00006677319,0.00033641869,0.000009606691,0.00011431496,0.00018245698,0.9984756,0.0000015192398],"about_ca_topic_score_codex":0.067961894,"about_ca_topic_score_gemma":0.36103815,"teacher_disagreement_score":0.3206033,"about_ca_system_score_codex":0.0021022714,"about_ca_system_score_gemma":0.0018897913,"threshold_uncertainty_score":0.96907693},"labels":[],"label_agreement":null},{"id":"W3211890651","doi":"10.32920/ryerson.14663124.v1","title":"The California Gold Rush: approaches to producing daguerreotype views : an examination of views in the Matthew R. Isenburg Collection at AMC Toronto","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gold rush; Frontier; Portrait; Terrain; Art history; Visual arts; Art; Archaeology; History; Cartography; Geography","score_opus":0.24768563310149244,"score_gpt":0.30375687659201395,"score_spread":0.056071243490521505,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3211890651","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39229178,0.011063277,0.006791866,0.0066619767,0.0007838461,0.00042773449,0.0031042837,0.00021803871,0.5786572],"genre_scores_gemma":[0.831353,0.01024394,0.015243817,0.00066383334,0.00028595925,0.00021973948,0.0019135929,0.00053666375,0.13953948],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99799,0.0005718119,0.00006320975,0.00032803157,0.0007832367,0.00026377643],"domain_scores_gemma":[0.9973551,0.0008067615,0.00029840783,0.000332187,0.0009247291,0.0002827652],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027480572,0.00045780116,0.00022044338,0.0051395404,0.011244937,0.0042796507,0.001164591,0.00047412762,0.009866859],"category_scores_gemma":[0.00453723,0.00036846526,0.00018899972,0.0057483334,0.00707101,0.0015656777,0.0027673682,0.0013388915,0.00087379385],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006547025,0.00001652508,0.018983614,0.0002754175,0.000017561071,0.0010081028,0.76777977,0.00018169105,0.003522934,0.03322648,0.06741543,0.10750699],"study_design_scores_gemma":[0.0000030756453,0.000016884975,0.095839545,0.00037379356,0.000011947349,0.0003547353,0.21116431,0.00007093278,0.0009028297,0.00074636296,0.6904821,0.00003358936],"about_ca_topic_score_codex":0.64572936,"about_ca_topic_score_gemma":0.9391106,"teacher_disagreement_score":0.64572936,"about_ca_system_score_codex":0.023968007,"about_ca_system_score_gemma":0.0094490275,"threshold_uncertainty_score":0.712714},"labels":[],"label_agreement":null},{"id":"W3212291107","doi":"10.32920/ryerson.14645925.v1","title":"Providing Enhanced Digital Access to a Collection of Material Photographs: a Considered Approach","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"World Wide Web; Computer science; Materiality (auditing); XML; Data collection; Institution; Public access; Digital media; Multimedia; Art; Sociology; Aesthetics","score_opus":0.07201649825382983,"score_gpt":0.2902393700383873,"score_spread":0.21822287178455746,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3212291107","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12266695,0.0023943568,0.495561,0.01433628,0.00033108846,0.0015031045,0.00052660826,0.0030027968,0.35967782],"genre_scores_gemma":[0.38961574,0.0031131757,0.5483678,0.0008107399,0.00014943928,0.00046261708,0.00035868518,0.00042116424,0.056700658],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957847,0.0021386824,0.00020106079,0.00036348565,0.0012049258,0.00030715438],"domain_scores_gemma":[0.99468225,0.0017936347,0.00022574989,0.002004793,0.00093956926,0.00035401483],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004428538,0.00058187114,0.00045092707,0.0040194113,0.0036318952,0.012125863,0.0021148971,0.0015611129,0.012318318],"category_scores_gemma":[0.008648801,0.0006164073,0.0006806205,0.0038293665,0.0040541436,0.0130127175,0.012193548,0.0014474322,0.0018621119],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002294156,0.00039953826,0.0030069514,0.0011727973,0.000049916354,0.0012706409,0.046142682,0.0038468114,0.02390884,0.40102717,0.012799748,0.50614554],"study_design_scores_gemma":[0.00008541967,0.00029968872,0.004615146,0.0012749183,0.00016870647,0.0023908368,0.046354614,0.017646689,0.026672577,0.09543068,0.80493313,0.00012762693],"about_ca_topic_score_codex":0.006382645,"about_ca_topic_score_gemma":0.010870432,"teacher_disagreement_score":0.012318318,"about_ca_system_score_codex":0.003772821,"about_ca_system_score_gemma":0.0039794566,"threshold_uncertainty_score":0.041208863},"labels":[],"label_agreement":null},{"id":"W3212293967","doi":"10.7227/jha.061","title":"In Then Out of the Frame","year":2021,"lang":"en","type":"article","venue":"Journal of Humanitarian Affairs","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University; Centre for Global Health Research","funders":"","keywords":"Refugee; Immigration; Politics; Displaced person; Rhetoric; Gender studies; Spanish Civil War; Political science; History; Sociology; Media studies; Law","score_opus":0.030683799285015603,"score_gpt":0.24917493797624285,"score_spread":0.21849113869122724,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3212293967","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011073727,0.0023212833,0.0044084974,0.03165673,0.020743951,0.00010991522,0.0004130795,0.00036509737,0.92890763],"genre_scores_gemma":[0.08005899,0.0009754393,0.0020555651,0.0075036976,0.0017551833,0.000073403884,0.00028583285,0.000608436,0.90668344],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986528,0.00027094668,0.000042157088,0.00032067273,0.00039429957,0.0003191102],"domain_scores_gemma":[0.99884254,0.00015008762,0.00005155692,0.00019109064,0.0004234492,0.0003413645],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012789024,0.00066955434,0.0003253707,0.0011951284,0.013600057,0.00947754,0.00091397733,0.002242488,0.102829695],"category_scores_gemma":[0.0044858456,0.00035887142,0.00041662971,0.00079354155,0.005805292,0.0055712983,0.0056056487,0.006927752,0.029347852],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011760745,0.00003612034,0.0009272146,0.000093821545,0.0000064645556,0.000581779,0.048045576,0.000053678294,0.0011744063,0.28421333,0.5925994,0.07215062],"study_design_scores_gemma":[0.0000023014761,0.000008597868,0.00026518267,0.000052495423,0.0000013358658,0.000071062685,0.0070425,0.000015242492,0.00011378138,0.0021716366,0.9902503,0.0000056772533],"about_ca_topic_score_codex":0.018203596,"about_ca_topic_score_gemma":0.038767695,"teacher_disagreement_score":0.102829695,"about_ca_system_score_codex":0.004890183,"about_ca_system_score_gemma":0.0031880492,"threshold_uncertainty_score":0.34399962},"labels":[],"label_agreement":null},{"id":"W3212318802","doi":"10.32920/ryerson.14653455.v1","title":"Focus: architecture in photographic exhibitions 1858–1861 An exhibition proposal for the Museum of Fine Arts, Houston","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Exhibition; Visual arts; Architecture; Context (archaeology); Art; Fine art; Object (grammar); Framing (construction); The arts; Computer science; History; Archaeology","score_opus":0.04980814230020183,"score_gpt":0.28402460418207126,"score_spread":0.23421646188186943,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3212318802","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22265679,0.009564538,0.0057447897,0.03528106,0.004586381,0.0005989074,0.0032489153,0.0004868006,0.7178318],"genre_scores_gemma":[0.41397193,0.0054522287,0.0062899226,0.0014179866,0.0019416433,0.0003400498,0.0016206313,0.00019299627,0.5687726],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995939,0.00011792625,0.000010859892,0.000047797017,0.00013842717,0.00009109828],"domain_scores_gemma":[0.9995426,0.0001028123,0.00004132773,0.000055815668,0.00013574368,0.00012177331],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015084946,0.00036666417,0.00011338997,0.0009294974,0.0033894,0.0024281207,0.0006286372,0.0006803478,0.030797875],"category_scores_gemma":[0.0011640787,0.00021035552,0.00022148967,0.0014393033,0.0015195308,0.0011035952,0.0016290256,0.0012543811,0.0025493854],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029136174,0.00012669442,0.0073282747,0.000490865,0.000022439202,0.0012412757,0.050958037,0.001351304,0.0057301116,0.095898986,0.7206932,0.11586757],"study_design_scores_gemma":[0.000009014688,0.00005238183,0.01623681,0.00011314972,0.0000043514715,0.00014629876,0.007855529,0.000068946676,0.00066114456,0.0006212976,0.9742181,0.000012918685],"about_ca_topic_score_codex":0.015076755,"about_ca_topic_score_gemma":0.053282,"teacher_disagreement_score":0.030797875,"about_ca_system_score_codex":0.004283743,"about_ca_system_score_gemma":0.0022009527,"threshold_uncertainty_score":0.10302913},"labels":[],"label_agreement":null},{"id":"W3212637412","doi":"10.32920/ryerson.14653881.v1","title":"Photographic retouching: the press picture editor's \"invisible\" tool 1930-1939 : a study of retouched press prints from the Art Gallery of Ontario's British Press Agencies Collection","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Newspaper; Photojournalism; Visual arts; Art history; Narrative; Art; Media studies; Sociology; Literature","score_opus":0.04590707283637275,"score_gpt":0.2470325598800103,"score_spread":0.20112548704363756,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3212637412","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92798567,0.0046640644,0.0003703203,0.0029502865,0.00012780004,0.00011108142,0.000609579,0.00002903458,0.06315226],"genre_scores_gemma":[0.9645606,0.004244959,0.00029395462,0.0003550073,0.000088694964,0.000069508074,0.00023637536,0.00006668774,0.030084277],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9971957,0.00081365445,0.00012948581,0.00033629857,0.0009774014,0.0005474814],"domain_scores_gemma":[0.9889914,0.0052905018,0.0024761755,0.00082427135,0.0018596892,0.0005579615],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003704862,0.00043083672,0.0004275654,0.0056788158,0.01513569,0.007391079,0.0016150421,0.0011320496,0.007892074],"category_scores_gemma":[0.015186766,0.00069484627,0.00020071364,0.012054222,0.014985883,0.0035644697,0.0033327183,0.00203747,0.0006832572],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026172109,0.000013684169,0.005417986,0.000114328264,0.0000037539417,0.000574498,0.9814361,0.000010578522,0.0003741358,0.0017207891,0.0018984046,0.008409627],"study_design_scores_gemma":[0.000003900594,0.00002792015,0.09051883,0.00024821577,0.00001153785,0.00030481748,0.79541516,0.0000150900705,0.0005168823,0.00015624988,0.11276396,0.000017486185],"about_ca_topic_score_codex":0.6465918,"about_ca_topic_score_gemma":0.8500625,"teacher_disagreement_score":0.35340822,"about_ca_system_score_codex":0.03471824,"about_ca_system_score_gemma":0.014474308,"threshold_uncertainty_score":0.710979},"labels":[],"label_agreement":null},{"id":"W3213829025","doi":"10.32920/ryerson.14649735.v1","title":"Stereo pictures in this mount were not taken by view-master: an illustrated description of the view-master personal stereo system","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Amateur; Stereoscopy; Photography; Visual arts; Computer science; Computer graphics (images); Art; Computer vision; History; Archaeology","score_opus":0.0884211927071474,"score_gpt":0.2542207562975933,"score_spread":0.16579956359044587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3213829025","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017216453,0.0010232914,0.045373134,0.0027811513,0.0019093112,0.00012579146,0.00068181043,0.0012204252,0.9296686],"genre_scores_gemma":[0.31074226,0.0024126177,0.089859955,0.0014761882,0.0009412594,0.00020837573,0.0009249122,0.0029596146,0.59047484],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999673,0.00008205607,0.000011901828,0.000054133074,0.00014251153,0.000036311598],"domain_scores_gemma":[0.9997062,0.00006325538,0.000016007396,0.00010201606,0.00007650982,0.000036010184],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039601832,0.00033047897,0.00012837538,0.00080526253,0.0014889707,0.0019180248,0.00056792324,0.0007043637,0.039472286],"category_scores_gemma":[0.0010238619,0.00021820878,0.00029649652,0.0005408801,0.0019983677,0.001732585,0.0014258125,0.001521973,0.007647126],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001775163,0.000047669862,0.0017103517,0.00037695386,0.000018167893,0.001316234,0.02049717,0.0006928133,0.020065466,0.5675538,0.20902985,0.17851402],"study_design_scores_gemma":[0.000004882605,0.00003399688,0.0017622581,0.00009027511,0.0000041936823,0.00075092324,0.0013611156,0.00041281618,0.002020855,0.004784901,0.9887589,0.000014794517],"about_ca_topic_score_codex":0.0024036383,"about_ca_topic_score_gemma":0.008620698,"teacher_disagreement_score":0.039472286,"about_ca_system_score_codex":0.000738279,"about_ca_system_score_gemma":0.0005110211,"threshold_uncertainty_score":0.13204795},"labels":[],"label_agreement":null},{"id":"W3214018315","doi":"10.32920/ryerson.14648661.v1","title":"Unlocking the past: an analysis of sixteen Russian First World War Albums from the photography collection of the Art Gallery of Ontario, including enhanced cataloguing records","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Section (typography); Interpretation (philosophy); Period (music); Visual arts; History of photography; World War II; History; Art; Art history; Cartography; Geography; Computer science; Archaeology","score_opus":0.04082466880916788,"score_gpt":0.2581211909899332,"score_spread":0.2172965221807653,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3214018315","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9624799,0.0021931273,0.00019148004,0.00050079334,0.00003852936,0.00006795634,0.002705853,0.0000131091665,0.031809226],"genre_scores_gemma":[0.9783925,0.0032788059,0.00060298474,0.00006544542,0.000050614275,0.00006453187,0.0029560574,0.00004624693,0.01454274],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99937755,0.00008673463,0.00004205612,0.00006436669,0.0003032121,0.00012611694],"domain_scores_gemma":[0.9976273,0.0005751414,0.00072523876,0.00018394952,0.0007353702,0.00015313142],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00076874223,0.00024621972,0.00019162652,0.008354313,0.0028519023,0.0024022073,0.0004281542,0.00023610654,0.0050700186],"category_scores_gemma":[0.003348612,0.00020885421,0.00013921835,0.014579125,0.0019348752,0.0013880387,0.0014331467,0.00035474446,0.00048686296],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018599702,0.00006376428,0.21537842,0.0010169586,0.000041730545,0.002518214,0.6360444,0.0001450916,0.004362918,0.0075774407,0.01845411,0.11421103],"study_design_scores_gemma":[0.000001338016,0.0000096303165,0.68431866,0.00021483657,0.000013225342,0.0001823663,0.2462267,0.000050912273,0.00031686475,0.00010965622,0.06854485,0.000010903851],"about_ca_topic_score_codex":0.39532998,"about_ca_topic_score_gemma":0.68200666,"teacher_disagreement_score":0.39532998,"about_ca_system_score_codex":0.008612498,"about_ca_system_score_gemma":0.0032451365,"threshold_uncertainty_score":0.78605783},"labels":[],"label_agreement":null},{"id":"W3214130613","doi":"10.32920/ryerson.14662293.v1","title":"Picturing the news: the intellectual arrangement and description of the Chatham Daily News collection","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Negative; Photography; White (mutation); Sample (material); Library science; Data collection; Visual arts; History; Art; Computer science; Sociology","score_opus":0.06685420923751283,"score_gpt":0.23918870074935675,"score_spread":0.17233449151184393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3214130613","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5662735,0.010731946,0.006127657,0.0047678,0.0010612322,0.00043608472,0.0026506097,0.00021571934,0.40773544],"genre_scores_gemma":[0.88909453,0.0072432193,0.009743963,0.00039161326,0.0004519256,0.00027732644,0.0011968311,0.0003163195,0.091284215],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99845886,0.0007106704,0.00008388642,0.00014078294,0.00051563146,0.000090207264],"domain_scores_gemma":[0.9960485,0.0014133425,0.0006429073,0.00051475863,0.0010438153,0.00033677038],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019861318,0.00031633314,0.00019859412,0.005937342,0.006085004,0.0049407673,0.0007309076,0.00032826178,0.0071601407],"category_scores_gemma":[0.005782469,0.00031069195,0.000080702004,0.006674461,0.0037165158,0.002685674,0.0018805204,0.0009402385,0.00079840084],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017008088,0.0000656714,0.025184963,0.00097326643,0.000019469386,0.0034122977,0.7007226,0.00024336674,0.005760996,0.036253806,0.06060462,0.16658883],"study_design_scores_gemma":[0.0000044957746,0.000048577152,0.08172177,0.0007483906,0.00001941296,0.0018076707,0.2617982,0.00018536107,0.002062213,0.00083638186,0.65071595,0.00005147276],"about_ca_topic_score_codex":0.04721537,"about_ca_topic_score_gemma":0.14075735,"teacher_disagreement_score":0.04721537,"about_ca_system_score_codex":0.0035910357,"about_ca_system_score_gemma":0.003063794,"threshold_uncertainty_score":0.09388107},"labels":[],"label_agreement":null},{"id":"W3214243341","doi":"10.32920/ryerson.14663106.v1","title":"\"Viele herzliche grüsse\" : with heartfelt greetings: translating and cataloguing a German WWI postcard album","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"German; Digitization; Portrait; Handwriting; George (robot); Visual arts; Cataloging; Computer science; Art; Art history; Library science; History; Artificial intelligence; Archaeology; Telecommunications","score_opus":0.03278263021131022,"score_gpt":0.2638400968710093,"score_spread":0.23105746665969906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3214243341","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5642078,0.002124777,0.014927721,0.009705458,0.00086779986,0.0005748725,0.003001584,0.00081450556,0.4037755],"genre_scores_gemma":[0.7538932,0.003087679,0.042459935,0.0010306418,0.0002785676,0.00024214262,0.0030194875,0.00076031586,0.19522801],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990325,0.0004111546,0.000069195135,0.00012953837,0.00025577663,0.00010177673],"domain_scores_gemma":[0.99857926,0.0005252834,0.00015371846,0.00033952447,0.00031789843,0.00008429787],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019260369,0.00024212546,0.00012936276,0.0017629376,0.0024977669,0.00429555,0.0003330107,0.0004240333,0.015301698],"category_scores_gemma":[0.0060055596,0.00020864961,0.00009006551,0.0031000194,0.0020679326,0.0023398441,0.0014364935,0.00059313065,0.004803621],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014979605,0.00009680317,0.013937613,0.00034856223,0.000009223797,0.0005676447,0.1435869,0.0002953779,0.0057948786,0.05277349,0.16717519,0.61526453],"study_design_scores_gemma":[0.0000134362435,0.0000637201,0.042471427,0.00042237245,0.000014546898,0.0003956047,0.13944556,0.0004965808,0.008777388,0.004243001,0.80361944,0.000036943205],"about_ca_topic_score_codex":0.016644703,"about_ca_topic_score_gemma":0.04776663,"teacher_disagreement_score":0.016644703,"about_ca_system_score_codex":0.0020797718,"about_ca_system_score_gemma":0.0015674582,"threshold_uncertainty_score":0.051189303},"labels":[],"label_agreement":null},{"id":"W3214387271","doi":"10.32920/ryerson.14648277.v1","title":"Photographic Exhibition in the Anti-Cube Gallery : a Case Study of Daniel Libeskind’s Roloff Beny Gallery","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University; Toronto Public Health","funders":"","keywords":"Exhibition; Photography; Art; Visual arts; Art history; Architecture; White (mutation); Space (punctuation); Art gallery; Cube (algebra); Computer science","score_opus":0.06105025204666772,"score_gpt":0.2823741900739055,"score_spread":0.2213239380272378,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3214387271","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93872297,0.0005576859,0.0012566082,0.0026147314,0.00006651655,0.00008236327,0.000094730225,0.000037066693,0.056567278],"genre_scores_gemma":[0.96181357,0.0007393489,0.0024056127,0.00034290197,0.00004113874,0.00006119374,0.000054548174,0.000069685324,0.034471918],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99709857,0.0017048455,0.000049172108,0.00023597435,0.00038914534,0.00052224385],"domain_scores_gemma":[0.99764353,0.0012327484,0.00023188029,0.00029691783,0.000163807,0.00043106065],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021665432,0.0006298432,0.00036497557,0.0012846605,0.018844578,0.0046639405,0.0016277304,0.0022988566,0.0057107],"category_scores_gemma":[0.0033995206,0.00046645015,0.0004647049,0.0016929996,0.010296185,0.00203984,0.0053932294,0.0024040637,0.0006068948],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008604976,0.00015266314,0.0067672576,0.00020567612,0.000015195524,0.014892283,0.93589747,0.0004268353,0.0023833606,0.014645818,0.00835381,0.016173532],"study_design_scores_gemma":[0.000007855724,0.0001036715,0.011358908,0.00019185558,0.000016218883,0.0050918795,0.81352687,0.00023587029,0.0017604886,0.00057499757,0.16708946,0.000041960797],"about_ca_topic_score_codex":0.05253809,"about_ca_topic_score_gemma":0.21738745,"teacher_disagreement_score":0.05253809,"about_ca_system_score_codex":0.0064278715,"about_ca_system_score_gemma":0.0026772486,"threshold_uncertainty_score":0.10446459},"labels":[],"label_agreement":null},{"id":"W3216581070","doi":"10.32920/ryerson.14661723.v1","title":"The Klinsky Press Agency Finding Aid at the Art Gallery of Ontario","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Agency (philosophy); Subject (documents); Data collection; Photography; Visual arts; Art history; Art gallery; Distribution (mathematics); Library science; Sociology; Art; Operations research; Computer science; Exhibition; Engineering; Social science","score_opus":0.07713402325428727,"score_gpt":0.2736777863736274,"score_spread":0.19654376311934013,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3216581070","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025150165,0.0032105534,0.0031249376,0.0031560434,0.0012062895,0.0013079259,0.16477233,0.0032890881,0.7947827],"genre_scores_gemma":[0.039804865,0.0035952292,0.009607877,0.00027660117,0.00024598461,0.00052085397,0.048539188,0.0020991326,0.8953102],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980817,0.000095368756,0.00008707796,0.00026129105,0.0012031029,0.0002714979],"domain_scores_gemma":[0.9940852,0.00042095,0.0003249733,0.0010502159,0.0032806636,0.00083795376],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016901329,0.00077610626,0.0007465741,0.009245094,0.009068242,0.0069367825,0.0011696462,0.0006625045,0.24147211],"category_scores_gemma":[0.004942662,0.00067788677,0.00040442578,0.019351318,0.0018384825,0.0022106299,0.0030237024,0.0006962263,0.05535352],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015950298,0.000025956524,0.003005013,0.0004658198,0.000012125039,0.0004738359,0.0051215407,0.00011918374,0.0018868167,0.0063321777,0.88969016,0.09270801],"study_design_scores_gemma":[0.0000057959182,0.0000035975356,0.005760874,0.000073387455,0.0000038957483,0.00003772104,0.0009993003,0.000030694635,0.00029409147,0.00013355045,0.99264646,0.000010577568],"about_ca_topic_score_codex":0.85415643,"about_ca_topic_score_gemma":0.9456737,"teacher_disagreement_score":0.24147211,"about_ca_system_score_codex":0.021222917,"about_ca_system_score_gemma":0.040928688,"threshold_uncertainty_score":0.8078047},"labels":[],"label_agreement":null},{"id":"W328901535","doi":"","title":"\"The Camera Made Me Do It\": Female Identity and Troubling Archives","year":2004,"lang":"en","type":"article","venue":"Mosaic (Winnipeg)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Subjectivity; Identity (music); Referent; Politics; Object (grammar); Art; Materiality (auditing); Aesthetics; Visual arts; Art history; History; Law; Philosophy","score_opus":0.0391029245052325,"score_gpt":0.2778188559877289,"score_spread":0.23871593148249637,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W328901535","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39723876,0.015058251,0.0031750214,0.07290383,0.0014209123,0.00007811397,0.0001981923,0.00018974283,0.5097372],"genre_scores_gemma":[0.9320052,0.0021988945,0.00047358146,0.0026344818,0.00033254156,0.00003574852,0.00004263133,0.0001290333,0.062147982],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9946044,0.0031566177,0.00006453068,0.0003367672,0.0010325538,0.0008051267],"domain_scores_gemma":[0.99734515,0.001205947,0.00036400318,0.00025584848,0.00044063968,0.00038839318],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003364308,0.0007615438,0.0003995596,0.0021768545,0.031832114,0.012623172,0.0020787031,0.002955256,0.008066386],"category_scores_gemma":[0.008563061,0.000394216,0.00026894655,0.0018025708,0.03300571,0.00632128,0.008334498,0.0037367353,0.0006741249],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023321712,0.000012448594,0.0011621312,0.00004395981,0.0000051865454,0.0015386989,0.8830227,0.000040513707,0.00027535058,0.08809026,0.0172543,0.008531102],"study_design_scores_gemma":[0.00000551761,0.000012479686,0.0011639709,0.00017983204,0.000008052567,0.0009932637,0.59803927,0.000056296853,0.00041443927,0.0032135267,0.3958923,0.000020927664],"about_ca_topic_score_codex":0.24297728,"about_ca_topic_score_gemma":0.34501454,"teacher_disagreement_score":0.24297728,"about_ca_system_score_codex":0.020215327,"about_ca_system_score_gemma":0.0080954535,"threshold_uncertainty_score":0.48312593},"labels":[],"label_agreement":null},{"id":"W329176060","doi":"","title":"Luis Jacob : Seeing and Believing","year":2013,"lang":"en","type":"book","venue":"Black Dog Publishing eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Uncanny; Art; Context (archaeology); Contemporary art; Subjectivity; Art history; Visual arts; Performance art; Aesthetics; History; Philosophy; Epistemology","score_opus":0.0320282755870685,"score_gpt":0.22069432711703568,"score_spread":0.18866605152996718,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W329176060","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004196397,0.056723937,0.0012077038,0.03889249,0.0023485117,0.000047350433,0.00010046654,0.00023178892,0.8962514],"genre_scores_gemma":[0.14177072,0.042623352,0.0024415466,0.011474121,0.0007067042,0.000076428434,0.00013959377,0.00027095393,0.8004967],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99866843,0.00021271747,0.000018209592,0.00014762738,0.0006465747,0.00030649317],"domain_scores_gemma":[0.9993062,0.0001969888,0.000030940464,0.00003746318,0.00025504915,0.00017329228],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00095029984,0.0010339426,0.00035729678,0.0013344531,0.01362035,0.00913124,0.0013625104,0.002573431,0.010044139],"category_scores_gemma":[0.002125755,0.00045196677,0.00033324957,0.001286689,0.017185349,0.0049421927,0.0020210913,0.0044446075,0.0025974743],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018570714,0.000024739886,0.0003530238,0.00015935149,0.000005827623,0.00032610746,0.08598444,0.00014011688,0.0004539666,0.38089758,0.46992454,0.061711717],"study_design_scores_gemma":[0.0000014124416,0.0000061925575,0.00042198857,0.00018003762,0.0000024123376,0.00016917486,0.011829005,0.00004821929,0.000121628604,0.0060431333,0.9811591,0.000017731478],"about_ca_topic_score_codex":0.82119757,"about_ca_topic_score_gemma":0.8820695,"teacher_disagreement_score":0.82119757,"about_ca_system_score_codex":0.036666594,"about_ca_system_score_gemma":0.03292548,"threshold_uncertainty_score":0.3597108},"labels":[],"label_agreement":null},{"id":"W32967958","doi":"10.1128/jvi.01788-20","title":"Alice Channer: Out of Body, South London Gallery, London, March 2 – May 13, 2012Alice Channer: Out of Body, South London Gallery, London, March 2 – May 13, 2012","year":2012,"lang":"en","type":"article","venue":"Esse/Esse arts + opinions","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Fonds de Recherche du Québec - Santé; Canadian Institutes of Health Research; Canada Research Chairs; Government of Canada; McGill University Health Centre","keywords":"Alice (programming language); Art; Art history; Media studies; Sociology","score_opus":0.05412795163417248,"score_gpt":0.2990608766388233,"score_spread":0.24493292500465083,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W32967958","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012739617,0.022779293,0.0019783273,0.06601952,0.025379453,0.00054512604,0.0058810706,0.004345471,0.860332],"genre_scores_gemma":[0.0050220736,0.0027534878,0.0002550884,0.0019962452,0.0005880923,0.00004457537,0.0003884857,0.0002395918,0.9887123],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993185,0.000086302694,0.000035003846,0.00019001166,0.00019200794,0.00017815709],"domain_scores_gemma":[0.9991973,0.00008540394,0.000052478983,0.000036409863,0.0001565247,0.00047190156],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00064720423,0.0009854358,0.00080819643,0.0009342226,0.002390141,0.0036329061,0.001014182,0.0025274146,0.7538098],"category_scores_gemma":[0.0013329663,0.000624091,0.00061438617,0.00046233818,0.00075667753,0.001579351,0.0032830923,0.002171373,0.4105015],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030545384,0.00004608673,0.0010316364,0.0002409534,0.000012962765,0.0007587479,0.00027561313,0.000039067483,0.0013316638,0.0006952697,0.9467701,0.048492454],"study_design_scores_gemma":[0.000016002512,0.000052019655,0.0017699522,0.0002886294,0.000005987548,0.00029946325,0.0003892668,0.000037573805,0.0004171906,0.00018798534,0.99651647,0.000019405466],"about_ca_topic_score_codex":0.0056464206,"about_ca_topic_score_gemma":0.021210352,"teacher_disagreement_score":0.7538098,"about_ca_system_score_codex":0.0015814428,"about_ca_system_score_gemma":0.0011052275,"threshold_uncertainty_score":0.3511604},"labels":[],"label_agreement":null},{"id":"W346822986","doi":"","title":"Studio de photographie Notman & Fraser, Toronto, Ont., 1868","year":2011,"lang":"fr","type":"article","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Studio; Art; Humanities; Visual arts","score_opus":0.05892317110470242,"score_gpt":0.25884540239907866,"score_spread":0.19992223129437625,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W346822986","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016509464,0.038677152,0.0009869351,0.009003849,0.003970197,0.00010283864,0.016778333,0.00030968752,0.91366166],"genre_scores_gemma":[0.053253092,0.009912968,0.0009421169,0.00029422206,0.00024453423,0.00002197201,0.0019405707,0.000118044525,0.9332724],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997142,0.000019749054,0.000009582735,0.000044576544,0.00014181495,0.00007005202],"domain_scores_gemma":[0.99963033,0.0000354557,0.0000297921,0.000031503663,0.00019034396,0.00008265148],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002553609,0.0008105151,0.0002585578,0.0012235828,0.0070066643,0.0021832993,0.0004931298,0.00070106785,0.19300112],"category_scores_gemma":[0.0007514585,0.00040803925,0.00027231502,0.002836337,0.0013358003,0.00084742205,0.0010707878,0.0011279323,0.016657],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008204049,0.000009701213,0.0020302867,0.00033806096,0.000013316912,0.0008326004,0.005614455,0.00020250761,0.0015581578,0.011779222,0.9148354,0.06270418],"study_design_scores_gemma":[0.000003243832,0.0000056879467,0.009368977,0.000083230836,0.0000046874593,0.00015466023,0.0010158805,0.000020559977,0.00019290629,0.00017417049,0.98896885,0.000007149636],"about_ca_topic_score_codex":0.8138281,"about_ca_topic_score_gemma":0.97278565,"teacher_disagreement_score":0.19300112,"about_ca_system_score_codex":0.016172571,"about_ca_system_score_gemma":0.012113491,"threshold_uncertainty_score":0.64565307},"labels":[],"label_agreement":null},{"id":"W360199108","doi":"","title":"Still moving / Mouvement fixe. Ciel variable : Art, photo, médias, culture, no. 67, 2005","year":2005,"lang":"fr","type":"article","venue":"Ciel variable : Art, photo, médias, culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Computer graphics (images); Visual arts; Computer vision; Aesthetics; Computer science","score_opus":0.029723337539297227,"score_gpt":0.2579909368393346,"score_spread":0.22826759930003737,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W360199108","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027864836,0.012628505,0.004872622,0.0035043268,0.0073621282,0.00014144272,0.0075475113,0.005593963,0.95556295],"genre_scores_gemma":[0.0133901145,0.004320441,0.0049230247,0.00055713137,0.0007367556,0.00005030774,0.003523866,0.0019982792,0.9705001],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995555,0.0000382469,0.000020888692,0.000077226534,0.0002416866,0.00006644911],"domain_scores_gemma":[0.9992306,0.00013330183,0.00003596156,0.00014458672,0.0003126092,0.00014290074],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00067007967,0.0009636479,0.00038601077,0.0024625617,0.0015209987,0.0033787587,0.0010070892,0.0013442035,0.46529067],"category_scores_gemma":[0.0021976042,0.0004133173,0.00044326813,0.0013488947,0.00061756576,0.0022984038,0.0012989789,0.0013338063,0.19403572],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010332179,0.000019873438,0.0002216464,0.00020946251,0.000003965873,0.00008843364,0.00016516555,0.000066606764,0.0016629744,0.005270557,0.7979021,0.19428602],"study_design_scores_gemma":[0.0000077933755,0.000015174289,0.0013759873,0.00009886787,0.0000030909368,0.00016991685,0.00013038516,0.00008244971,0.000832892,0.0003563217,0.99691606,0.000011126911],"about_ca_topic_score_codex":0.030165115,"about_ca_topic_score_gemma":0.056506567,"teacher_disagreement_score":0.46529067,"about_ca_system_score_codex":0.0012713269,"about_ca_system_score_gemma":0.0010559144,"threshold_uncertainty_score":0.76269794},"labels":[],"label_agreement":null},{"id":"W370248485","doi":"","title":"Out of Sight : The Image Beyond the Index","year":2000,"lang":"en","type":"book","venue":"Surrey Art Gallery eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Conceptualism; Index (typography); Context (archaeology); Art; Sight; Visual arts; Photography; Art history; Computer science; Geography; Philosophy; World Wide Web; Epistemology; Archaeology; Physics; Optics","score_opus":0.02555318153679931,"score_gpt":0.23482358490658664,"score_spread":0.20927040336978733,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W370248485","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015956706,0.009267204,0.0008129053,0.0020445774,0.0018923926,0.000015555912,0.0008451991,0.00039038903,0.983136],"genre_scores_gemma":[0.017784066,0.0074068764,0.0008643472,0.0008008602,0.0006463107,0.000018672214,0.0012578577,0.00077653903,0.97044444],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996705,0.00002604043,0.000011495665,0.00003614487,0.00018578436,0.00007006425],"domain_scores_gemma":[0.99946505,0.000069196845,0.000025346915,0.00008395959,0.00022946829,0.00012699919],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022410398,0.0006282991,0.0004498627,0.0025918765,0.004232556,0.011486759,0.0007514578,0.0011620153,0.16225189],"category_scores_gemma":[0.0012406884,0.00032067162,0.00027903318,0.004176737,0.0017390298,0.005140718,0.0031825108,0.0017713197,0.05674782],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004354607,0.000014291673,0.00030523885,0.00022143812,0.0000034774268,0.0003089976,0.0042528873,0.000043788692,0.0005379764,0.032053072,0.8166666,0.14554872],"study_design_scores_gemma":[9.823409e-7,0.0000019142922,0.00032223578,0.00011272286,0.0000010391997,0.00016332373,0.0011495173,0.000009253288,0.000049682167,0.00074077555,0.99744546,0.0000030514632],"about_ca_topic_score_codex":0.07841644,"about_ca_topic_score_gemma":0.17640436,"teacher_disagreement_score":0.16225189,"about_ca_system_score_codex":0.0031408004,"about_ca_system_score_gemma":0.002822394,"threshold_uncertainty_score":0.54278666},"labels":[],"label_agreement":null},{"id":"W374909569","doi":"","title":"CALLISTER, Sandy — The Face of War: New Zealand’s Great War Photography.","year":2010,"lang":"en","type":"article","venue":"Histoire sociale","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Face (sociological concept); Photography; Visual arts; Archaeology; History; Geography; Art; Sociology; Social science","score_opus":0.024697822245084232,"score_gpt":0.24128976544195882,"score_spread":0.21659194319687458,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W374909569","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.043563873,0.110142425,0.0019206048,0.40183532,0.022787418,0.00023960248,0.0014020081,0.00032395744,0.41778475],"genre_scores_gemma":[0.33595216,0.05190421,0.0037188209,0.033162426,0.005403231,0.00011721692,0.00052484,0.000539114,0.568678],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99945563,0.00014933286,0.000027106613,0.000054507713,0.00021385394,0.00009955608],"domain_scores_gemma":[0.9980749,0.0005155644,0.00015816891,0.00016650521,0.00051748456,0.0005674331],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022049798,0.00044900805,0.00019107662,0.0014480919,0.008645158,0.005119958,0.0009048467,0.003504581,0.02604526],"category_scores_gemma":[0.004903467,0.0004898616,0.00022269455,0.0012954527,0.005570696,0.005168699,0.0034161021,0.005575641,0.0025960207],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011520004,0.00001423397,0.0018927089,0.00028576393,0.000014248747,0.002642291,0.04957826,0.000062537496,0.002122878,0.0094102975,0.85957026,0.0742913],"study_design_scores_gemma":[0.000004641808,0.000007907904,0.008723388,0.0002251003,0.0000055036953,0.00053994014,0.024326058,0.000015477815,0.00016000027,0.00065289694,0.9653243,0.000014743845],"about_ca_topic_score_codex":0.36880487,"about_ca_topic_score_gemma":0.78077954,"teacher_disagreement_score":0.36880487,"about_ca_system_score_codex":0.0052330745,"about_ca_system_score_gemma":0.005454979,"threshold_uncertainty_score":0.7333164},"labels":[],"label_agreement":null},{"id":"W40401479","doi":"","title":"Travel photography after the Kodak : two amateur albums from the turn of the century","year":2005,"lang":"en","type":"dissertation","venue":"Spectrum Research Repository (Concordia University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Amateur; Photography; Visual arts; Popularity; Art; Period (music); History of photography; Art history; Geography; History; Archaeology; Aesthetics; Political science","score_opus":0.02438237699059028,"score_gpt":0.26007024086007435,"score_spread":0.23568786386948407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W40401479","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.547552,0.017606419,0.0010825701,0.029126268,0.0044130622,0.0002620338,0.002194771,0.00038364407,0.39737925],"genre_scores_gemma":[0.7118463,0.0055631096,0.0013227332,0.0021785058,0.000796935,0.00007373185,0.0006014574,0.00042641416,0.27719095],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990036,0.00022642294,0.000013820057,0.00009407223,0.00028252573,0.00037963866],"domain_scores_gemma":[0.9987425,0.00013435792,0.00006462838,0.000099374105,0.00047793394,0.00048126708],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011318313,0.00067516946,0.00030455927,0.0019186528,0.024597934,0.006134934,0.000827281,0.0010599206,0.0123382555],"category_scores_gemma":[0.0017369244,0.0002953466,0.00024020251,0.001910205,0.006223448,0.0014074054,0.0027525285,0.0023384364,0.0020063852],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032116266,0.00011493726,0.0069874055,0.00031181957,0.000016292432,0.0031194407,0.5822428,0.0000791958,0.0046792924,0.030788165,0.27071798,0.100621544],"study_design_scores_gemma":[0.0000053821773,0.000037256214,0.025934387,0.00015402751,0.0000060917027,0.0006635064,0.12070727,0.000036810194,0.00060836336,0.00024232322,0.85157704,0.0000275622],"about_ca_topic_score_codex":0.7539077,"about_ca_topic_score_gemma":0.9240168,"teacher_disagreement_score":0.7539077,"about_ca_system_score_codex":0.020694608,"about_ca_system_score_gemma":0.007943137,"threshold_uncertainty_score":0.4950832},"labels":[],"label_agreement":null},{"id":"W4200295403","doi":"10.4000/mimmoc.10045","title":"Visualising conflicts. An exploration of Canadian artist Mary Riter Hamilton’s paintings: herstory of the war","year":2021,"lang":"fr","type":"article","venue":"Mémoire(s) identité(s) marginalité(s) dans le monde occidental contemporain","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Patriotism; Biography; Interpretation (philosophy); Historiography; Theme (computing); Mirroring; Aesthetics; Realism; Realm; Value (mathematics); Literature; Art; History; Visual arts; Philosophy; Psychology; Law; Politics; Social psychology","score_opus":0.05264732680148654,"score_gpt":0.2644603191528916,"score_spread":0.21181299235140505,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200295403","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31408876,0.01182301,0.0032477267,0.020092977,0.0017900483,0.00014597936,0.0011092129,0.000268555,0.64743376],"genre_scores_gemma":[0.90102166,0.0043751867,0.0024735949,0.0014144167,0.0002265846,0.000046530353,0.00022881821,0.00026066924,0.089952506],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990575,0.0001835374,0.000009412446,0.0000818506,0.00041946754,0.00024826097],"domain_scores_gemma":[0.9994568,0.00020258878,0.000037985992,0.000045416826,0.00010890391,0.00014831198],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008556663,0.0010048522,0.00034747896,0.002842288,0.019849213,0.007111547,0.0014207311,0.0017984546,0.0147166895],"category_scores_gemma":[0.002205583,0.00039071054,0.00049492344,0.0029677872,0.012835544,0.0018411068,0.0036202746,0.0032015063,0.0007402488],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012904158,0.000037787257,0.0013461781,0.00030282335,0.00002721439,0.0029723241,0.7954285,0.0006462949,0.005084737,0.09184225,0.06068671,0.04149618],"study_design_scores_gemma":[0.000009362154,0.00002200651,0.0070662983,0.00034066263,0.000018149494,0.001390302,0.24012542,0.00033738537,0.0009107368,0.003612835,0.74610126,0.000065634544],"about_ca_topic_score_codex":0.7202248,"about_ca_topic_score_gemma":0.9113429,"teacher_disagreement_score":0.2797752,"about_ca_system_score_codex":0.02476554,"about_ca_system_score_gemma":0.013188262,"threshold_uncertainty_score":0.5628457},"labels":[],"label_agreement":null},{"id":"W4205982656","doi":"10.1215/01636545-9397016","title":"Curating Visual Archives of Sex","year":2022,"lang":"en","type":"article","venue":"Radical History Review","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Queer; Transgender; Art history; The Imaginary; Art; Visual arts; Sociology; Gender studies; Psychology; Psychoanalysis","score_opus":0.056171611902601205,"score_gpt":0.2772887327877493,"score_spread":0.2211171208851481,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205982656","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012677598,0.54282606,0.006692946,0.037808042,0.009055784,0.00017205428,0.000729807,0.0005083517,0.38952938],"genre_scores_gemma":[0.29264706,0.5135499,0.014931768,0.010916861,0.00767711,0.00032189072,0.00125252,0.001506201,0.15719673],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.99630475,0.0016572549,0.00018779025,0.000355023,0.0012574733,0.0002376308],"domain_scores_gemma":[0.99141145,0.004122645,0.0006357439,0.0014591409,0.001997468,0.0003736198],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006785197,0.00062009005,0.0003372303,0.009743435,0.0037228086,0.009043351,0.0015689506,0.0014287566,0.021996673],"category_scores_gemma":[0.013048831,0.00027904168,0.0004179892,0.0055383625,0.006527749,0.0069418815,0.0068102633,0.002554963,0.0032738817],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004766716,0.000032810407,0.0012595501,0.005718355,0.00004426324,0.00041816116,0.056448396,0.00017874494,0.0011722817,0.14017105,0.30066988,0.49383888],"study_design_scores_gemma":[0.0000019179668,0.000006179263,0.0008010475,0.0028521619,0.000008347125,0.00022050581,0.0076366365,0.000012556072,0.0003587558,0.0020710595,0.98602504,0.0000057797297],"about_ca_topic_score_codex":0.015732126,"about_ca_topic_score_gemma":0.024200201,"teacher_disagreement_score":0.021996673,"about_ca_system_score_codex":0.0048877266,"about_ca_system_score_gemma":0.0053462447,"threshold_uncertainty_score":0.073586226},"labels":[],"label_agreement":null},{"id":"W4206164187","doi":"10.22215/etd/2020-14024","title":"Placing the City: Exploring John Paskievich’s Photographs of Winnipeg's North End as Visual Cartography","year":2020,"lang":"en","type":"dissertation","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Carleton University","funders":"","keywords":"Photography; Framing (construction); Visual arts; Portrait; Citizenship; Space (punctuation); Cognitive reframing; Art; Object (grammar); Cartography; Geography; Art history; Politics; Political science; Archaeology; Psychology; Artificial intelligence","score_opus":0.05697694440564374,"score_gpt":0.2704379250176994,"score_spread":0.21346098061205568,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206164187","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55123985,0.011650206,0.0025932768,0.025390616,0.0008553461,0.00013092849,0.00017861207,0.000056084988,0.40790513],"genre_scores_gemma":[0.92249817,0.0047923443,0.0014355188,0.0010997376,0.0000621652,0.000036086563,0.0000504599,0.000075970376,0.06994953],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99925107,0.00037705761,0.000009514294,0.000059156246,0.00013759028,0.00016560634],"domain_scores_gemma":[0.9995352,0.00018077453,0.000038724385,0.000023233182,0.000079687445,0.00014242518],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008849702,0.00040859196,0.00020532735,0.0012803338,0.018853044,0.006668856,0.0008187407,0.0008402646,0.004084912],"category_scores_gemma":[0.0015825182,0.00030030782,0.0001316555,0.0015168244,0.011328379,0.002620075,0.0037757163,0.0017238158,0.00026941698],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024453579,0.000010844329,0.0012489542,0.00007126296,0.000004032619,0.0018123231,0.91378677,0.00014271191,0.0004867135,0.050060682,0.0221791,0.010172079],"study_design_scores_gemma":[0.0000031428128,0.000009669326,0.002941595,0.00018826664,0.000005265792,0.0006602356,0.5904378,0.000084069434,0.0002603442,0.0018194638,0.40357703,0.00001310115],"about_ca_topic_score_codex":0.68919754,"about_ca_topic_score_gemma":0.92216253,"teacher_disagreement_score":0.31080246,"about_ca_system_score_codex":0.01630836,"about_ca_system_score_gemma":0.008781918,"threshold_uncertainty_score":0.62526566},"labels":[],"label_agreement":null},{"id":"W4206434711","doi":"10.1177/14704129211027325","title":"On nesting","year":2021,"lang":"en","type":"article","venue":"Journal of Visual Culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Racialization; Architecture; Indigenous; Politics; Gender studies; Human sexuality; History; Visual arts; Race (biology); Sociology; Art; Aesthetics; Anthropology; Political science","score_opus":0.03789012554586947,"score_gpt":0.307524384558438,"score_spread":0.26963425901256854,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206434711","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00407423,0.0010941782,0.0012673782,0.008779656,0.0015462572,0.000040283765,0.00021852944,0.00016385045,0.98281556],"genre_scores_gemma":[0.060801078,0.001056727,0.0011448511,0.0030391985,0.00022850599,0.000029983183,0.00020669129,0.00025433648,0.93323857],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990183,0.0001902285,0.000020865184,0.00016720276,0.00030927145,0.00029413868],"domain_scores_gemma":[0.999423,0.000061286766,0.00002337391,0.00009728445,0.00022361567,0.00017139666],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005953469,0.00048178242,0.0002468772,0.0008172842,0.0105402805,0.0070894873,0.001041434,0.0017633119,0.1622347],"category_scores_gemma":[0.0020358728,0.0002497249,0.0002784424,0.00077084574,0.004020467,0.0037404613,0.004748653,0.0025043837,0.03020001],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000048810052,0.00002754456,0.0011646539,0.00007815184,0.000005842001,0.000763833,0.030373402,0.00006752233,0.00066391955,0.38021722,0.4943777,0.09221129],"study_design_scores_gemma":[8.8069027e-7,0.0000029563541,0.00019365647,0.000037923954,8.035633e-7,0.00008538361,0.0040959516,0.000010385399,0.00004880323,0.0019410668,0.99358,0.0000022859317],"about_ca_topic_score_codex":0.08215553,"about_ca_topic_score_gemma":0.22321022,"teacher_disagreement_score":0.1622347,"about_ca_system_score_codex":0.0052071395,"about_ca_system_score_gemma":0.0042663217,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4206477629","doi":"10.53288/0352.1.00","title":"Helicography","year":2021,"lang":"en","type":"book","venue":"Punctum Books","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"U.S. Forest Service; Centers for Disease Control and Prevention; University of Oxford; University of Cambridge; Massachusetts Historical Society; Amherst College; Arcadia Fund; University of Illinois at Urbana-Champaign; West Virginia University; University of North Texas; University of Utah; University of Oklahoma; U.S. Department of Agriculture; U.S. Department of Commerce; McGill University; University of Minnesota; Princeton University; University of Toronto; Strong; Emory University; U.S. Department of Transportation","keywords":"Art; The Imaginary; Narrative; Literature; Art history; Philosophy; Psychoanalysis","score_opus":0.03657353241550584,"score_gpt":0.22091805665886058,"score_spread":0.18434452424335473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206477629","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007265258,0.0034601972,0.0016904246,0.0061542187,0.006491973,0.00005209385,0.000833688,0.0003391315,0.98025185],"genre_scores_gemma":[0.009084326,0.0020379832,0.0006842618,0.0021806539,0.0014304434,0.000043706157,0.00050232076,0.0003885996,0.98364764],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999297,0.00015700514,0.000032988464,0.00013483633,0.00028862662,0.000089433415],"domain_scores_gemma":[0.9992093,0.00019257504,0.000044730114,0.00017881504,0.00021961698,0.00015486756],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005624855,0.0005169395,0.00025824909,0.0014435524,0.0041113836,0.0064747897,0.0005832913,0.0012370392,0.3625226],"category_scores_gemma":[0.0021405017,0.0003151859,0.00028421025,0.0016900518,0.002116658,0.003271376,0.0022644824,0.0017161922,0.092494585],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024774637,0.000010808488,0.0001350724,0.000074513584,0.0000015594791,0.000076791046,0.0008778821,0.000052209267,0.0002756815,0.0966648,0.8574214,0.04438449],"study_design_scores_gemma":[8.850875e-7,0.0000014356937,0.000052389612,0.000018773066,2.3567009e-7,0.000029529392,0.00014344417,0.0000078281455,0.00004281796,0.001023428,0.998678,0.0000011329092],"about_ca_topic_score_codex":0.0076490585,"about_ca_topic_score_gemma":0.01861507,"teacher_disagreement_score":0.3625226,"about_ca_system_score_codex":0.0029525638,"about_ca_system_score_gemma":0.0017564764,"threshold_uncertainty_score":0.9092841},"labels":[],"label_agreement":null},{"id":"W4206986099","doi":"10.1515/9781503619173","title":"Pioneer Photographers from the Mississippi to the Continental Divide","year":2005,"lang":"en","type":"book","venue":"Stanford University Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Documentation; Photography; Visual arts; MAGIC (telescope); Ephemera; History; Narrative; Library science; Geography; Art history; Archaeology; Art","score_opus":0.03324538404570935,"score_gpt":0.20661517681777294,"score_spread":0.1733697927720636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206986099","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.031880166,0.25683287,0.0018900932,0.019263458,0.0042216396,0.00012222827,0.00340769,0.00027547852,0.6821064],"genre_scores_gemma":[0.07877237,0.13294451,0.0036990654,0.0045415983,0.0016366296,0.00012402711,0.0020416065,0.00017801105,0.77606213],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99983394,0.000030223027,0.000012465301,0.000035535915,0.000058417194,0.000029338651],"domain_scores_gemma":[0.9997154,0.000065151304,0.000037315538,0.00001841022,0.00010909655,0.000054663808],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022790265,0.00055089535,0.00019210712,0.0038822594,0.0047163568,0.0027544599,0.0003917754,0.00057691435,0.028541328],"category_scores_gemma":[0.00065618707,0.00024101921,0.00008579359,0.0050642127,0.0012904837,0.002077739,0.0012184457,0.0011942077,0.0040895143],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030137686,0.000015008958,0.0023201169,0.0006711768,0.0000052244486,0.00046312303,0.05223824,0.00008039667,0.0012156619,0.03322367,0.65678596,0.25295135],"study_design_scores_gemma":[5.327052e-7,0.00000177355,0.0018932703,0.0001567855,8.6805426e-7,0.0000708234,0.002930452,0.0000066316375,0.000041236333,0.0003298726,0.9945662,0.00000141008],"about_ca_topic_score_codex":0.15129875,"about_ca_topic_score_gemma":0.43125597,"teacher_disagreement_score":0.15129875,"about_ca_system_score_codex":0.004269274,"about_ca_system_score_gemma":0.0043742177,"threshold_uncertainty_score":0.3008362},"labels":[],"label_agreement":null},{"id":"W4210293757","doi":"10.5206/tba.v1i1.8016","title":"From Rome to Yamoussoukro","year":2020,"lang":"en","type":"article","venue":"tba Journal of Art Media and Visual Culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Exhibition; German; Allusion; Visual arts; Art history; Focus (optics); Art; Sociology; History; Literature; Archaeology","score_opus":0.03656249682611996,"score_gpt":0.2749481596275801,"score_spread":0.23838566280146017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210293757","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16813524,0.027215531,0.0006846616,0.020888723,0.005662255,0.000049526014,0.00035615428,0.00016983484,0.77683806],"genre_scores_gemma":[0.533647,0.013539439,0.0012482762,0.0027256797,0.0011369156,0.00005345627,0.00030732137,0.0002004791,0.44714138],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99979097,0.00003431731,0.0000067799165,0.000038784012,0.000034692566,0.00009448476],"domain_scores_gemma":[0.99985015,0.000031051808,0.000017374487,0.000021837199,0.000023428096,0.000056058798],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025315516,0.0003807672,0.00017559649,0.00061382866,0.0047176797,0.0025061783,0.00027613185,0.00088123744,0.027718324],"category_scores_gemma":[0.00044512464,0.00017729303,0.00015264413,0.0007917348,0.002166363,0.0014002976,0.002499835,0.001223249,0.0024704847],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00055324455,0.00008729183,0.0070123198,0.0017338496,0.000018168808,0.0069415323,0.12503171,0.00025069347,0.008345837,0.1927213,0.37522852,0.28207552],"study_design_scores_gemma":[0.0000037522375,0.000020145733,0.0045821206,0.0001549232,0.000003574637,0.00047032285,0.016653242,0.000012932441,0.00026660968,0.00076877594,0.9770569,0.0000067008855],"about_ca_topic_score_codex":0.0084100505,"about_ca_topic_score_gemma":0.025202598,"teacher_disagreement_score":0.027718324,"about_ca_system_score_codex":0.0016620972,"about_ca_system_score_gemma":0.0014862749,"threshold_uncertainty_score":0.092727065},"labels":[],"label_agreement":null},{"id":"W4210341447","doi":"10.7202/1085437ar","title":"Lesley Johnstone and Monika Kin Gagnon, In Search of Expo 67, Montreal and Kingston: McGill-Queen’s University Press, 2020, 248 pp. 138 photos, $ 49.95 (paper) ISBN 9780228001140","year":2021,"lang":"en","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Art history; Media studies; Art; History; Sociology","score_opus":0.01684164381327628,"score_gpt":0.20074594614849556,"score_spread":0.1839043023352193,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210341447","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004088254,0.7580448,0.00048682842,0.124390826,0.00932133,0.00004484875,0.0006931108,0.00016090316,0.10644859],"genre_scores_gemma":[0.006148898,0.38909268,0.00084288564,0.024566898,0.0029036864,0.00007611646,0.00051010953,0.00027362246,0.57558507],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99821293,0.00030161702,0.000081306105,0.00019547541,0.0009667801,0.00024196372],"domain_scores_gemma":[0.997336,0.0007053091,0.00013107131,0.00009316622,0.0012745119,0.00045997306],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021958903,0.0013814055,0.00075045665,0.0023202156,0.005310457,0.0075618196,0.0025074051,0.0037220553,0.10473035],"category_scores_gemma":[0.0038793248,0.00111668,0.00054233696,0.0055015488,0.0033514728,0.008718737,0.0026737433,0.0035717613,0.03817241],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000069838507,0.000002398452,0.00006494012,0.00017892057,0.0000014437785,0.000020069163,0.00042802823,0.000010431433,0.00002915541,0.0017156712,0.98058355,0.016958205],"study_design_scores_gemma":[0.0000018287495,9.89797e-7,0.0005409151,0.00017969393,0.0000019069105,0.000025681376,0.0009288924,0.0000047309554,0.000019328869,0.00028298414,0.99800664,0.000006346108],"about_ca_topic_score_codex":0.71397173,"about_ca_topic_score_gemma":0.8988465,"teacher_disagreement_score":0.28602827,"about_ca_system_score_codex":0.014644376,"about_ca_system_score_gemma":0.02333531,"threshold_uncertainty_score":0.5754255},"labels":[],"label_agreement":null},{"id":"W4210451754","doi":"10.7202/1085427ar","title":"Ana Lucia Araujo, Slavery in the Age of Memory: Engaging the Past, New York: Bloomsbury Academic, 2019, 272 pp. 15 b/w illus., $ 90 US (hardcov.) ISBN 9781350048485, $ 29.95 US (softcov.) ISBN 9781350048492, $ 29.95 US (eBook) ISBN 9781350048478","year":2021,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Emily Carr University of Art and Design","funders":"","keywords":"Art history; Art; Media studies; Sociology","score_opus":0.03355633783553719,"score_gpt":0.23608189395176257,"score_spread":0.20252555611622539,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210451754","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00019205002,0.82219636,0.0005037249,0.056003116,0.0110711735,0.00003140391,0.00027286884,0.00016266729,0.109566666],"genre_scores_gemma":[0.0054074284,0.57773155,0.0010728601,0.011962027,0.0046647424,0.00007408511,0.0001953624,0.00025104772,0.3986409],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99855846,0.00030958344,0.000066691915,0.00020755292,0.0006852297,0.00017260994],"domain_scores_gemma":[0.9983063,0.0005052997,0.00012902245,0.00008028288,0.0007621315,0.00021699275],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021284148,0.0014759179,0.0007235925,0.0031405853,0.003000104,0.007714959,0.0015137114,0.003813619,0.099447384],"category_scores_gemma":[0.0044618216,0.00085424917,0.00058728183,0.0035512957,0.002910913,0.009786454,0.0028293931,0.0041909036,0.053239103],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013025092,0.0000065984727,0.000067201036,0.00038682684,0.000003480774,0.000024906034,0.0005003386,0.000017642034,0.00005948897,0.007872753,0.94532895,0.045718808],"study_design_scores_gemma":[0.000001989681,0.0000019756965,0.00032085733,0.0005283171,0.0000025370985,0.000053250213,0.00048760194,0.000007844062,0.000024970752,0.0010216999,0.9975442,0.0000047358667],"about_ca_topic_score_codex":0.11056741,"about_ca_topic_score_gemma":0.22849111,"teacher_disagreement_score":0.11056741,"about_ca_system_score_codex":0.0070588044,"about_ca_system_score_gemma":0.0081952745,"threshold_uncertainty_score":0.33268464},"labels":[],"label_agreement":null},{"id":"W4210730564","doi":"10.5206/tba.v1i1.7985","title":"Race as techno-politico-aesthetic category in the past and present of visual representation","year":2020,"lang":"en","type":"article","venue":"tba Journal of Art Media and Visual Culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Modernity; Representation (politics); Subject (documents); Ontology; Race (biology); Aesthetics; Capitalism; Sociology; Epistemology; Philosophy; Gender studies; Political science; Law; Politics; Computer science","score_opus":0.03280980531869953,"score_gpt":0.30261382431631334,"score_spread":0.2698040189976138,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210730564","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.061594203,0.0026305155,0.026901588,0.01789594,0.0006385517,0.000023274442,0.000034327397,0.00012897309,0.8901526],"genre_scores_gemma":[0.9750234,0.0005539746,0.0026492418,0.00077821186,0.00025588632,0.00004147019,0.000012405845,0.00010704328,0.020578405],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969093,0.0018770924,0.000057636178,0.00031856276,0.0004862666,0.00035114418],"domain_scores_gemma":[0.9986253,0.0006328393,0.00013705858,0.00030886455,0.00016259354,0.00013338686],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.003031336,0.0003230756,0.00025461672,0.0014826794,0.005733774,0.0131635545,0.00092885114,0.0018026765,0.00632296],"category_scores_gemma":[0.004034706,0.0001753589,0.000308381,0.0011792656,0.041305263,0.009102878,0.004727036,0.0031593763,0.0004670232],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000069489265,0.0000043577184,0.000095315074,0.000011432351,0.0000010098028,0.000022445316,0.011709808,0.00005678024,0.00009347303,0.9835592,0.0006648052,0.0037745635],"study_design_scores_gemma":[0.000013281525,0.00003866676,0.00094925397,0.00021371631,0.000012490816,0.0003101158,0.03228827,0.00078697194,0.0007409815,0.68872225,0.27589756,0.00002643108],"about_ca_topic_score_codex":0.0024757818,"about_ca_topic_score_gemma":0.0024748552,"teacher_disagreement_score":0.9942662,"about_ca_system_score_codex":0.0036281059,"about_ca_system_score_gemma":0.0018444116,"threshold_uncertainty_score":0.026323855},"labels":[],"label_agreement":null},{"id":"W4210977609","doi":"10.32920/ryerson.14658009","title":"Building bridges: exploring gender through photographic practice","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Meaning (existential); Feeling; Aesthetics; Visual arts; Set (abstract data type); Human sexuality; Ideology; Perspective (graphical); Sociology; Psychology; Art; Social psychology; Gender studies","score_opus":0.25374875547626746,"score_gpt":0.3408494556587128,"score_spread":0.08710070018244531,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210977609","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7729502,0.0021902462,0.023841655,0.0089488095,0.00023524607,0.00027025832,0.00009189256,0.00014900394,0.19132273],"genre_scores_gemma":[0.97204363,0.0009898574,0.008187315,0.00047866238,0.000043042204,0.00017981451,0.000032466323,0.000081638165,0.017963635],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99135077,0.0067013204,0.000118787255,0.00054715143,0.0007192382,0.0005627055],"domain_scores_gemma":[0.9919748,0.0054331985,0.0007430542,0.0006419437,0.0005985237,0.0006084392],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010107834,0.0006136371,0.0003843769,0.002751839,0.010251833,0.008323981,0.0020190235,0.0020938125,0.0087905815],"category_scores_gemma":[0.012607794,0.0004920404,0.000447107,0.0013825927,0.016489808,0.008251774,0.010323421,0.0028907203,0.00075214915],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017723405,0.000037662165,0.0017133997,0.00007386119,0.0000035198175,0.00024747135,0.96812826,0.00003053511,0.0006795835,0.014661888,0.0011629493,0.01324307],"study_design_scores_gemma":[0.0000075680164,0.000058453585,0.0029415723,0.00024210184,0.000009618466,0.00027936956,0.92594206,0.00014281338,0.0006233093,0.0059159743,0.0638232,0.000013971594],"about_ca_topic_score_codex":0.0049823998,"about_ca_topic_score_gemma":0.009226681,"teacher_disagreement_score":0.010251833,"about_ca_system_score_codex":0.0042162566,"about_ca_system_score_gemma":0.0028466429,"threshold_uncertainty_score":0.05345595},"labels":[],"label_agreement":null},{"id":"W4211014763","doi":"10.32920/ryerson.14658009.v1","title":"Building bridges: exploring gender through photographic practice","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Meaning (existential); Feeling; Aesthetics; Set (abstract data type); Human sexuality; Visual arts; Expression (computer science); Ideology; Sociology; Psychology; Art; Social psychology; Gender studies","score_opus":0.25374875547626746,"score_gpt":0.3408494556587128,"score_spread":0.08710070018244531,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4211014763","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7729502,0.0021902462,0.023841655,0.0089488095,0.00023524607,0.00027025832,0.00009189256,0.00014900394,0.19132273],"genre_scores_gemma":[0.97204363,0.0009898574,0.008187315,0.00047866238,0.000043042204,0.00017981451,0.000032466323,0.000081638165,0.017963635],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99135077,0.0067013204,0.000118787255,0.00054715143,0.0007192382,0.0005627055],"domain_scores_gemma":[0.9919748,0.0054331985,0.0007430542,0.0006419437,0.0005985237,0.0006084392],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010107834,0.0006136371,0.0003843769,0.002751839,0.010251833,0.008323981,0.0020190235,0.0020938125,0.0087905815],"category_scores_gemma":[0.012607794,0.0004920404,0.000447107,0.0013825927,0.016489808,0.008251774,0.010323421,0.0028907203,0.00075214915],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017723405,0.000037662165,0.0017133997,0.00007386119,0.0000035198175,0.00024747135,0.96812826,0.00003053511,0.0006795835,0.014661888,0.0011629493,0.01324307],"study_design_scores_gemma":[0.0000075680164,0.000058453585,0.0029415723,0.00024210184,0.000009618466,0.00027936956,0.92594206,0.00014281338,0.0006233093,0.0059159743,0.0638232,0.000013971594],"about_ca_topic_score_codex":0.0049823998,"about_ca_topic_score_gemma":0.009226681,"teacher_disagreement_score":0.010251833,"about_ca_system_score_codex":0.0042162566,"about_ca_system_score_gemma":0.0028466429,"threshold_uncertainty_score":0.05345595},"labels":[],"label_agreement":null},{"id":"W4212786747","doi":"10.22230/cjc.2021v46n3a4189","title":"Photography","year":2021,"lang":"en","type":"article","venue":"Canadian Journal of Communication","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Photography; Art; Visual arts","score_opus":0.037149717784134464,"score_gpt":0.23804386736127084,"score_spread":0.20089414957713636,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4212786747","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012700064,0.001504981,0.0010770683,0.0014042795,0.0016976946,0.00013146884,0.0022251194,0.0004110022,0.9902784],"genre_scores_gemma":[0.010599891,0.0018000962,0.0020298832,0.0006535253,0.0005035284,0.00007026334,0.0019286585,0.00021842707,0.9821958],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991899,0.000068949514,0.000030594525,0.00012648493,0.0004944242,0.000089558416],"domain_scores_gemma":[0.9990226,0.00006973476,0.000038607497,0.00019563788,0.0005213857,0.00015200765],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004692618,0.0006138617,0.00033918035,0.0033636491,0.0024566934,0.0030422474,0.00069650775,0.0008600714,0.45295236],"category_scores_gemma":[0.0018929536,0.0002874942,0.00043572753,0.0022285383,0.0006818102,0.00095511664,0.0015811695,0.0011553118,0.1873826],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052733525,0.000031807587,0.00053166307,0.00021272557,0.000004345088,0.00017561555,0.0003042165,0.000050766663,0.0023666073,0.008009042,0.7721955,0.21606493],"study_design_scores_gemma":[0.000004169428,0.0000063676302,0.0013811971,0.00004802368,0.0000019730758,0.00013728994,0.0001676215,0.000018504768,0.0003858723,0.00039742416,0.9974474,0.000004197339],"about_ca_topic_score_codex":0.028560506,"about_ca_topic_score_gemma":0.06945912,"teacher_disagreement_score":0.45295236,"about_ca_system_score_codex":0.0019884903,"about_ca_system_score_gemma":0.0028326523,"threshold_uncertainty_score":0.78029704},"labels":[],"label_agreement":null},{"id":"W4229586629","doi":"10.22215/etd/2010-09422","title":"Encounters and experiences : a material clulture interpretation of photography in the R.W. Anderson Scrap Book (1850-1870)","year":2010,"lang":"en","type":"dissertation","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University; Canadian Heritage; Library and Archives Canada","funders":"","keywords":"Interpretation (philosophy); Scrap; Photography; Art; Art history; Visual arts; Engineering; Philosophy; Linguistics; Mechanical engineering","score_opus":0.01103439412558081,"score_gpt":0.2524720994716789,"score_spread":0.24143770534609812,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229586629","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016813312,0.043013033,0.003914224,0.012828086,0.0012343097,0.000050545244,0.00019556137,0.000055383378,0.9218957],"genre_scores_gemma":[0.6163381,0.03462236,0.005445156,0.0034482153,0.0009060493,0.00012913547,0.00020065352,0.000262896,0.33864754],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99895155,0.00067010126,0.000029367462,0.00009856217,0.0001495646,0.000100733836],"domain_scores_gemma":[0.99926466,0.00043594203,0.000058784077,0.000047742513,0.00011594832,0.00007704828],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001219004,0.0005262177,0.00022880534,0.0029085362,0.006896911,0.0064612366,0.0006264503,0.001209229,0.008366374],"category_scores_gemma":[0.0018922169,0.00025869094,0.00015209771,0.0026174407,0.0152530195,0.004782139,0.002840868,0.0018268503,0.00083739596],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027408103,0.000012037808,0.0004213672,0.00017796132,0.000004532296,0.0005661967,0.3515921,0.0000816114,0.0002474573,0.51245147,0.08491713,0.04950085],"study_design_scores_gemma":[0.0000029564087,0.000008481088,0.0015771581,0.00051491417,0.0000038802673,0.00041477496,0.10002858,0.000041305328,0.00016455003,0.015216461,0.88201874,0.000008170827],"about_ca_topic_score_codex":0.03093583,"about_ca_topic_score_gemma":0.09228657,"teacher_disagreement_score":0.03093583,"about_ca_system_score_codex":0.0069990684,"about_ca_system_score_gemma":0.0031530228,"threshold_uncertainty_score":0.061511517},"labels":[],"label_agreement":null},{"id":"W4229625688","doi":"10.32920/ryerson.14660688.v1","title":"Photographic Preservation; On Becoming A Professionalized Field","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Professionalization; Field (mathematics); Work (physics); Photography; Visual arts; Engineering ethics; Sociology; Political science; Public relations; Law; Art; Engineering","score_opus":0.11667965317919708,"score_gpt":0.3288642083814907,"score_spread":0.21218455520229362,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229625688","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.050975747,0.009754082,0.018458853,0.06891893,0.0021272206,0.00013887063,0.000057887355,0.00012149209,0.84944683],"genre_scores_gemma":[0.85043645,0.0072302767,0.01132582,0.014721952,0.0011984791,0.00027285528,0.0000669973,0.00018518105,0.11456205],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9779769,0.013193304,0.0005085411,0.0011657937,0.005788262,0.0013671252],"domain_scores_gemma":[0.9828636,0.008455776,0.0017669579,0.0020779555,0.003178258,0.0016574279],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.01285416,0.00030079152,0.0003359466,0.0022330212,0.011949185,0.016526967,0.0015305832,0.0037718925,0.0040182355],"category_scores_gemma":[0.015438824,0.00023543867,0.00022283601,0.0021395301,0.055416502,0.008302447,0.010469067,0.006483888,0.000817167],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013665441,0.000018096809,0.0005001398,0.000062570645,0.0000011887145,0.0001370609,0.06922366,0.000056715406,0.00014142031,0.8964517,0.011151606,0.022242239],"study_design_scores_gemma":[0.000010486369,0.000032544653,0.0026032135,0.000681181,0.0000037687112,0.0004082674,0.060073636,0.00034314833,0.00042698212,0.17394936,0.76143765,0.000029816954],"about_ca_topic_score_codex":0.015979106,"about_ca_topic_score_gemma":0.013957882,"teacher_disagreement_score":0.9880508,"about_ca_system_score_codex":0.007579508,"about_ca_system_score_gemma":0.015188072,"threshold_uncertainty_score":0.06798011},"labels":[],"label_agreement":null},{"id":"W4229678347","doi":"10.1177/0096144212463549","title":"Glass and Steel: The Shell Oil/Bulova Tower as a Psychospatial Aglet of the Canadian National Exhibition, 1955-1985","year":2012,"lang":"en","type":"article","venue":"Journal of Urban History","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Tower; Demolition; Space (punctuation); Archaeology; National park; Political science; Engineering; Sociology; Visual arts; History; Art","score_opus":0.031732371950042984,"score_gpt":0.22883275095449743,"score_spread":0.19710037900445443,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229678347","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73476595,0.0053958725,0.00083483016,0.0056085037,0.00037883385,0.000109637025,0.0033535624,0.000108850865,0.24944401],"genre_scores_gemma":[0.8971922,0.0015070336,0.00043982288,0.0002505493,0.000027278287,0.000013900773,0.0006137361,0.000052812557,0.09990258],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995913,0.00004084508,0.0000049612086,0.000041964944,0.00012832653,0.00019258345],"domain_scores_gemma":[0.9996338,0.00002872149,0.000027561879,0.000018989902,0.00012757201,0.0001633471],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040673747,0.00033470494,0.000110806584,0.0012324449,0.012171707,0.0030798188,0.0007460976,0.0005041252,0.012237724],"category_scores_gemma":[0.00075315183,0.00024306317,0.00017444484,0.0024633128,0.004334903,0.0007471463,0.0017347117,0.0008187719,0.0007849397],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004615932,0.0000733803,0.076767616,0.00054629915,0.00006495669,0.0032051068,0.49812204,0.00092364394,0.004377633,0.040284343,0.22273092,0.1524425],"study_design_scores_gemma":[0.000004737961,0.000033602995,0.20826167,0.00016586095,0.000027939193,0.0003496402,0.20645414,0.00014321526,0.0010406044,0.00031433618,0.58316433,0.000039891987],"about_ca_topic_score_codex":0.9855665,"about_ca_topic_score_gemma":0.9985689,"teacher_disagreement_score":0.050584517,"about_ca_system_score_codex":0.050584517,"about_ca_system_score_gemma":0.023534521,"threshold_uncertainty_score":0.3670181},"labels":[],"label_agreement":null},{"id":"W4229733965","doi":"10.32920/ryerson.14662029","title":"Processing Edward Steichen's Celebrity Portrait Photographs at George Eastman House","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"George (robot); Portrait; Negative; Art; Visual arts; Art history","score_opus":0.038327949337550044,"score_gpt":0.2568130377751078,"score_spread":0.21848508843755773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229733965","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6495446,0.00081706926,0.032237805,0.0022003194,0.00037912512,0.00058197725,0.0018206192,0.00052479754,0.3118937],"genre_scores_gemma":[0.53919065,0.0022571913,0.1302349,0.0002857965,0.000098556266,0.00016882818,0.0020298348,0.0008296398,0.3249047],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996966,0.000052889005,0.000011324171,0.00004668146,0.00016139122,0.000031190382],"domain_scores_gemma":[0.9995409,0.00013862699,0.000031677682,0.00008963081,0.00016319023,0.000035883295],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007677214,0.00017581464,0.000105192084,0.0010432677,0.001274954,0.0013996963,0.0002271068,0.0001721221,0.013151822],"category_scores_gemma":[0.0019694038,0.00012877888,0.000095017764,0.0010199142,0.00046330172,0.0007611416,0.0009376326,0.00044563453,0.0035907812],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027651727,0.00012922203,0.017219929,0.00034688198,0.000018931807,0.0014311455,0.07296511,0.0011610357,0.0913417,0.022520263,0.07217958,0.7204098],"study_design_scores_gemma":[0.000011815337,0.0001266997,0.048481196,0.0002476792,0.000018943962,0.0009960706,0.04682896,0.0011506554,0.07762258,0.002460801,0.8220076,0.00004701513],"about_ca_topic_score_codex":0.010419882,"about_ca_topic_score_gemma":0.0545522,"teacher_disagreement_score":0.013151822,"about_ca_system_score_codex":0.0007221878,"about_ca_system_score_gemma":0.000945012,"threshold_uncertainty_score":0.04399723},"labels":[],"label_agreement":null},{"id":"W4229771871","doi":"10.32920/ryerson.14644845","title":"John R. Connon of Elora, Ontario and his 360-degree panoramic camera","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Panorama; Photography; Visual arts; Art; Wonder; Art history; Computer graphics (images); Degree (music); Computer science; Physics; Philosophy","score_opus":0.07530110248559445,"score_gpt":0.25372690525970154,"score_spread":0.17842580277410708,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229771871","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0110859005,0.1286889,0.008331249,0.06873318,0.012297642,0.00016025273,0.0013875552,0.00039289545,0.76892245],"genre_scores_gemma":[0.054508917,0.04467977,0.0038698134,0.0036505945,0.0009960778,0.00004024061,0.0002636326,0.00019573882,0.89179516],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982394,0.00013610652,0.000054572953,0.00044246038,0.0008985292,0.00022879883],"domain_scores_gemma":[0.9975231,0.00032267201,0.00010987497,0.00012614562,0.001510456,0.00040769266],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013323374,0.00074450945,0.0004249425,0.002029257,0.009620686,0.005056452,0.00052317965,0.0014614078,0.034228675],"category_scores_gemma":[0.0033594654,0.00054706354,0.00032850722,0.0020991405,0.006973061,0.0030734392,0.0015213325,0.0022946969,0.0067582955],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009871292,0.000021766191,0.003072439,0.00040008596,0.000014335926,0.00063906825,0.008332419,0.00026042547,0.0014231338,0.1783001,0.6628158,0.14462174],"study_design_scores_gemma":[0.0000016848994,0.0000062510803,0.0018150362,0.00015976044,0.00000246641,0.00018148344,0.0005040474,0.00003784477,0.0002506266,0.0020498247,0.9949768,0.000014184521],"about_ca_topic_score_codex":0.7655636,"about_ca_topic_score_gemma":0.89152324,"teacher_disagreement_score":0.2344364,"about_ca_system_score_codex":0.034796197,"about_ca_system_score_gemma":0.02308144,"threshold_uncertainty_score":0.47163403},"labels":[],"label_agreement":null},{"id":"W4229800832","doi":"10.32920/ryerson.14660988","title":"Photography as exhibited in the Great Exhibition of the Works of Industry of All Nations, 1851","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Exhibition; Photography; George (robot); Presentation (obstetrics); Visual arts; Set (abstract data type); Library science; Art; Art history; Computer science","score_opus":0.04811030331118063,"score_gpt":0.2806598472675717,"score_spread":0.23254954395639107,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229800832","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048317235,0.015136598,0.0011702642,0.0074124816,0.0038506442,0.000048063946,0.004064095,0.00020432408,0.9197962],"genre_scores_gemma":[0.33498693,0.015559651,0.0023424358,0.00067347777,0.0016969817,0.000032319505,0.0015931956,0.00028503998,0.64282995],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99957293,0.00011832075,0.0000134717675,0.00005525126,0.00018917685,0.000050823644],"domain_scores_gemma":[0.9997366,0.000083895786,0.00003190669,0.00004366958,0.00006505061,0.000038790782],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006111947,0.00023419678,0.0001231549,0.0014471711,0.0021478597,0.0027461683,0.00018237547,0.00039569152,0.020946892],"category_scores_gemma":[0.0013274703,0.00017470602,0.00010800958,0.0025055038,0.001558395,0.0012446737,0.0010877143,0.0008827048,0.003522764],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009807169,0.00002223342,0.0029181917,0.0003901363,0.000015990432,0.00056830066,0.038764905,0.00033731043,0.0019426151,0.084277175,0.7960653,0.074599765],"study_design_scores_gemma":[0.0000016601867,0.000009317623,0.013840896,0.00014899953,0.0000026166097,0.00017652131,0.0045634815,0.000022451328,0.00023449615,0.0007000645,0.9802917,0.000007774059],"about_ca_topic_score_codex":0.01499055,"about_ca_topic_score_gemma":0.068058215,"teacher_disagreement_score":0.020946892,"about_ca_system_score_codex":0.0018285313,"about_ca_system_score_gemma":0.00083026063,"threshold_uncertainty_score":0.07007432},"labels":[],"label_agreement":null},{"id":"W4229965010","doi":"10.32920/ryerson.14657859","title":"Reading the rebate: information at the edges of 20th century photographs","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Photography; Reading (process); Visual arts; Character (mathematics); The arts; Art; Computer science; Political science; Law","score_opus":0.02826207798377502,"score_gpt":0.2443889397537145,"score_spread":0.21612686176993948,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229965010","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3050937,0.012729686,0.009115417,0.014576934,0.0009201021,0.000066730274,0.0005526273,0.00036946178,0.6565752],"genre_scores_gemma":[0.86988866,0.005488275,0.008486443,0.000949396,0.000486458,0.00002776629,0.00023264575,0.00033736846,0.11410296],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986922,0.0006389931,0.000040723553,0.00013721242,0.00036643757,0.00012448852],"domain_scores_gemma":[0.9971129,0.0014642454,0.0003826994,0.0005176888,0.00036376744,0.00015872194],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001983238,0.0002491066,0.00017409887,0.0027618757,0.0038964325,0.00567898,0.0004959967,0.00055711437,0.0147276595],"category_scores_gemma":[0.0056537664,0.00026883505,0.00015590682,0.002655497,0.005816625,0.005790562,0.0036835542,0.0012658372,0.0015661728],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012911593,0.00002119388,0.005491453,0.0003741101,0.000013435416,0.0015432108,0.6290863,0.00018208317,0.0057112747,0.09473605,0.04251458,0.22019722],"study_design_scores_gemma":[0.0000044516064,0.000022765405,0.014390191,0.0005544482,0.000008419105,0.00088160305,0.121797405,0.000073523304,0.0019918892,0.0049577244,0.8552965,0.000021102864],"about_ca_topic_score_codex":0.006935852,"about_ca_topic_score_gemma":0.025128907,"teacher_disagreement_score":0.0147276595,"about_ca_system_score_codex":0.002825563,"about_ca_system_score_gemma":0.0010822002,"threshold_uncertainty_score":0.0492689},"labels":[],"label_agreement":null},{"id":"W4230002823","doi":"10.32920/ryerson.14653248","title":"\"A Snake Charmer with a Camera\" : Nina Leen's Contributions to Life Magazine: 1940-1972","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; Western University","funders":"","keywords":"Photography; Art history; Performance art; Photojournalism; Visual arts; Art; Character (mathematics); Cartography; History; Geography","score_opus":0.028446396173078214,"score_gpt":0.27950380113508294,"score_spread":0.25105740496200474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230002823","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2606003,0.027567545,0.00052051124,0.047894556,0.0043138713,0.000065053326,0.00032511808,0.000090116264,0.658623],"genre_scores_gemma":[0.6622423,0.020527206,0.0006106731,0.0057770666,0.00076426764,0.000061087034,0.00022577234,0.00015019033,0.30964142],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990947,0.0005139566,0.000016196742,0.000092216615,0.00018411876,0.00009882677],"domain_scores_gemma":[0.99880636,0.000433241,0.00011755094,0.00004812935,0.00023661781,0.00035814894],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016461641,0.00032669012,0.00014574538,0.0010088951,0.0075585004,0.0038621966,0.0004446889,0.0006307603,0.006701727],"category_scores_gemma":[0.0023816514,0.00020132487,0.00008770683,0.0009993041,0.004281907,0.0030132257,0.0027664104,0.0016653808,0.001499879],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008372387,0.000075780736,0.0065951846,0.00032364042,0.000007957639,0.0018941563,0.50412357,0.00003502714,0.0010161684,0.041453082,0.36942327,0.07496837],"study_design_scores_gemma":[0.0000020350406,0.00001695236,0.005869095,0.00029186552,0.0000036172667,0.0003378149,0.14335011,0.000013674602,0.0002946277,0.00040604107,0.84940565,0.000008496796],"about_ca_topic_score_codex":0.021767171,"about_ca_topic_score_gemma":0.12202463,"teacher_disagreement_score":0.021767171,"about_ca_system_score_codex":0.0066303946,"about_ca_system_score_gemma":0.002319005,"threshold_uncertainty_score":0.048107088},"labels":[],"label_agreement":null},{"id":"W4230102939","doi":"10.32920/ryerson.14649282","title":"Shooting The Truth : How Photographs In The Media Betray Us","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; Centre for Social Innovation; York University","funders":"","keywords":"Photojournalism; Journalism; Photography; Relation (database); Popular media; Ethical issues; Media studies; Sociology; Political science; Public relations; Art; Visual arts; Engineering ethics; Engineering; Computer science","score_opus":0.06743807510829947,"score_gpt":0.2528273191407027,"score_spread":0.18538924403240326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230102939","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73868805,0.015342454,0.011126711,0.047080174,0.0019614233,0.00006185456,0.00008497147,0.00021506097,0.18543924],"genre_scores_gemma":[0.9817893,0.0032016083,0.0012927516,0.002673616,0.00038673446,0.000022011573,0.000022468777,0.00014866905,0.0104628485],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9851193,0.010752007,0.00030072712,0.00096086046,0.0021991548,0.0006678327],"domain_scores_gemma":[0.97588634,0.017068846,0.0030547834,0.0020700698,0.001286408,0.000633429],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009280767,0.0005263757,0.00047621236,0.0022074129,0.013778055,0.014453949,0.0012183524,0.0025300402,0.0050367657],"category_scores_gemma":[0.03139552,0.0006095527,0.0004813677,0.0017839966,0.028623527,0.011924456,0.008197539,0.0043352013,0.00089673465],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012451214,0.000034218538,0.0052092127,0.00019861302,0.000039096358,0.0006915586,0.9057493,0.000111103785,0.0019810132,0.04555807,0.00655569,0.033747666],"study_design_scores_gemma":[0.0000156059,0.0001426237,0.0065808874,0.0007325082,0.000060196096,0.001693612,0.7393001,0.00024751865,0.0023034408,0.015490586,0.23335215,0.00008070052],"about_ca_topic_score_codex":0.0066131875,"about_ca_topic_score_gemma":0.008302627,"teacher_disagreement_score":0.014453949,"about_ca_system_score_codex":0.003759178,"about_ca_system_score_gemma":0.0014340646,"threshold_uncertainty_score":0.04908198},"labels":[],"label_agreement":null},{"id":"W4230188449","doi":"10.12924/mac2013.01010051","title":"The Nanking Atrocity: Still and Moving Images 1937–1944","year":2014,"lang":"en","type":"report","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Ottawa","funders":"","keywords":"Emotive; Context (archaeology); Public opinion; Visual culture; Media studies; History; Visual arts; Political science; Art; Sociology; Law; Politics; Archaeology","score_opus":0.048671628486978646,"score_gpt":0.2815898338210482,"score_spread":0.23291820533406954,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230188449","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37522238,0.006614508,0.0005441608,0.009183638,0.0011273789,0.00005412053,0.0018594853,0.000059225662,0.6053351],"genre_scores_gemma":[0.81073344,0.008138288,0.00059323024,0.00067988114,0.0008624365,0.000036198566,0.0010745311,0.00009035141,0.17779166],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9996618,0.00006445209,0.000012132627,0.000034282617,0.00015157116,0.000075751006],"domain_scores_gemma":[0.99942505,0.00020731683,0.00009454318,0.000061362676,0.00015521792,0.000056482742],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00054862874,0.00015350062,0.00010786693,0.0020644572,0.0042360183,0.0024069452,0.00027338913,0.0005742859,0.011687105],"category_scores_gemma":[0.0018985603,0.00016971957,0.00010503861,0.002690198,0.0026350918,0.0017609055,0.0012064283,0.0013128689,0.0015985433],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041227837,0.00009953497,0.046550475,0.0005640635,0.000039051232,0.0041136784,0.3888464,0.00030853602,0.0046064663,0.11660202,0.25187862,0.18597898],"study_design_scores_gemma":[0.0000038431003,0.000028956136,0.072727636,0.00021234206,0.000012359531,0.0005460877,0.055766925,0.000045667835,0.0016233227,0.0009800673,0.86803293,0.000019824976],"about_ca_topic_score_codex":0.08128313,"about_ca_topic_score_gemma":0.17523903,"teacher_disagreement_score":0.08128313,"about_ca_system_score_codex":0.0037531825,"about_ca_system_score_gemma":0.0014147937,"threshold_uncertainty_score":0.16162002},"labels":[],"label_agreement":null},{"id":"W4230269596","doi":"10.1111/j.1467-8357.2004.00483.x","title":"Photography","year":2004,"lang":"en","type":"article","venue":"The Art Book","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Art; Visual arts","score_opus":0.022830824671077103,"score_gpt":0.2224805748898118,"score_spread":0.19964975021873468,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230269596","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00030931327,0.018359656,0.00033382056,0.002443721,0.0026168402,0.00005176049,0.000989304,0.00026049418,0.97463506],"genre_scores_gemma":[0.0021740342,0.009330786,0.00048589316,0.00082586793,0.000603994,0.000021136239,0.00057136954,0.00009321834,0.9858937],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915254,0.00006979972,0.000030480358,0.0001103626,0.0005541939,0.00008253646],"domain_scores_gemma":[0.99927133,0.0000843328,0.000045270983,0.00009116576,0.0004060401,0.00010182533],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040489755,0.0008183106,0.00056831527,0.0039395927,0.0032239272,0.0044099544,0.0012432134,0.0015417264,0.47309807],"category_scores_gemma":[0.0018824672,0.00036598806,0.00047589012,0.0055291806,0.001192514,0.0026435582,0.0016448427,0.0015844052,0.20298232],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013331619,0.000009245275,0.00006859615,0.00019918964,0.0000018214578,0.0000650349,0.00018198988,0.00003787271,0.00023672069,0.007630915,0.8909537,0.10060165],"study_design_scores_gemma":[0.0000013622312,0.0000019441027,0.00022898108,0.000057898247,7.901452e-7,0.000051296713,0.00007504132,0.000005565973,0.00003012405,0.00027595062,0.99926895,0.0000021692438],"about_ca_topic_score_codex":0.075960934,"about_ca_topic_score_gemma":0.17086032,"teacher_disagreement_score":0.47309807,"about_ca_system_score_codex":0.0034353817,"about_ca_system_score_gemma":0.0032973143,"threshold_uncertainty_score":0.75156164},"labels":[],"label_agreement":null},{"id":"W4230347518","doi":"10.32920/ryerson.14647218.v1","title":"Defining a research tool : an object based study of a group of inter-related photographic objects attributed to the James Inglis Studio (1866-1884) in the McCord Museum, Montreal","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Studio; Object (grammar); Portrait; Biography; Value (mathematics); Visual arts; Photography; Art history; Art; Index (typography); History; Computer science; World Wide Web; Artificial intelligence","score_opus":0.09073101257984037,"score_gpt":0.33993187544639825,"score_spread":0.24920086286655788,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230347518","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9456941,0.0011518734,0.0063848654,0.0009256384,0.000040577623,0.0006015724,0.00038663205,0.000027959404,0.044786848],"genre_scores_gemma":[0.9705278,0.0010868165,0.008486715,0.00024141128,0.000023570195,0.0004428713,0.00026147478,0.00008241711,0.018846761],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9939446,0.003902664,0.00013322764,0.00055734493,0.0009109398,0.0005513394],"domain_scores_gemma":[0.9941502,0.003656559,0.0007536516,0.0004152138,0.00073501817,0.0002893129],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008202386,0.00061970076,0.00054884556,0.0063391435,0.011601068,0.009236791,0.0023523867,0.0014365906,0.0033938002],"category_scores_gemma":[0.010572005,0.00057095615,0.00033222337,0.009894218,0.016789583,0.0043991352,0.0042821066,0.001319631,0.0003918333],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000117216105,0.000023556791,0.0057824524,0.00007033899,0.0000034230027,0.00041337838,0.98059195,0.000026423399,0.0004939736,0.00549148,0.00044945398,0.0066419076],"study_design_scores_gemma":[0.0000036357324,0.000036896618,0.017164374,0.0001514339,0.000009782125,0.00020672401,0.95065635,0.000095343436,0.00041025796,0.0004861957,0.030763252,0.00001570134],"about_ca_topic_score_codex":0.27904576,"about_ca_topic_score_gemma":0.4824363,"teacher_disagreement_score":0.72095424,"about_ca_system_score_codex":0.020481508,"about_ca_system_score_gemma":0.0076027033,"threshold_uncertainty_score":0.55484307},"labels":[],"label_agreement":null},{"id":"W4230505456","doi":"10.32920/ryerson.14644845.v1","title":"John R. Connon of Elora, Ontario and his 360-degree panoramic camera","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Panorama; Photography; Wonder; Art; Visual arts; Art history; Computer graphics (images); Degree (music); Computer science; Philosophy; Physics","score_opus":0.07530110248559445,"score_gpt":0.25372690525970154,"score_spread":0.17842580277410708,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230505456","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0110859005,0.1286889,0.008331249,0.06873318,0.012297642,0.00016025273,0.0013875552,0.00039289545,0.76892245],"genre_scores_gemma":[0.054508917,0.04467977,0.0038698134,0.0036505945,0.0009960778,0.00004024061,0.0002636326,0.00019573882,0.89179516],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982394,0.00013610652,0.000054572953,0.00044246038,0.0008985292,0.00022879883],"domain_scores_gemma":[0.9975231,0.00032267201,0.00010987497,0.00012614562,0.001510456,0.00040769266],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013323374,0.00074450945,0.0004249425,0.002029257,0.009620686,0.005056452,0.00052317965,0.0014614078,0.034228675],"category_scores_gemma":[0.0033594654,0.00054706354,0.00032850722,0.0020991405,0.006973061,0.0030734392,0.0015213325,0.0022946969,0.0067582955],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009871292,0.000021766191,0.003072439,0.00040008596,0.000014335926,0.00063906825,0.008332419,0.00026042547,0.0014231338,0.1783001,0.6628158,0.14462174],"study_design_scores_gemma":[0.0000016848994,0.0000062510803,0.0018150362,0.00015976044,0.00000246641,0.00018148344,0.0005040474,0.00003784477,0.0002506266,0.0020498247,0.9949768,0.000014184521],"about_ca_topic_score_codex":0.7655636,"about_ca_topic_score_gemma":0.89152324,"teacher_disagreement_score":0.2344364,"about_ca_system_score_codex":0.034796197,"about_ca_system_score_gemma":0.02308144,"threshold_uncertainty_score":0.47163403},"labels":[],"label_agreement":null},{"id":"W4230581613","doi":"10.14506/ca35.1.02","title":"Looking Away","year":2020,"lang":"en","type":"article","venue":"Cultural Anthropology","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":23,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Ethnography; Register (sociolinguistics); Order (exchange); Aesthetics; Sociology; Epistemology; Visual arts; Art; Linguistics; Philosophy; Anthropology","score_opus":0.08764236308433003,"score_gpt":0.30949215554781734,"score_spread":0.2218497924634873,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230581613","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024667282,0.007603133,0.012752411,0.10056388,0.012723858,0.00004342589,0.00018873713,0.00045715418,0.84100014],"genre_scores_gemma":[0.40860534,0.0052559758,0.0047157896,0.04372269,0.002069847,0.000051892825,0.00023501695,0.0011156392,0.53422785],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978264,0.00086842704,0.00006166759,0.00036958975,0.00050684327,0.00036708062],"domain_scores_gemma":[0.99821824,0.00039340474,0.00016607236,0.0003407405,0.00041819448,0.00046331467],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001625145,0.00069061224,0.00044204085,0.00082158233,0.0077136634,0.0074956142,0.0010472753,0.0024990574,0.04798944],"category_scores_gemma":[0.0065730894,0.00026379255,0.000601977,0.00055288797,0.009056021,0.0112796845,0.0065518324,0.0055652335,0.019024024],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012073355,0.000046617122,0.0015469177,0.00023099068,0.000024687059,0.0011767134,0.113738336,0.000092806695,0.0026436266,0.56308806,0.23201606,0.08527457],"study_design_scores_gemma":[0.0000051432935,0.000029952693,0.00044176608,0.00023052147,0.000011179618,0.000527606,0.03153105,0.000040700754,0.00059582025,0.034489937,0.9320763,0.00002001042],"about_ca_topic_score_codex":0.003544871,"about_ca_topic_score_gemma":0.0046015494,"teacher_disagreement_score":0.04798944,"about_ca_system_score_codex":0.0019160139,"about_ca_system_score_gemma":0.0015447321,"threshold_uncertainty_score":0.16054064},"labels":[],"label_agreement":null},{"id":"W4230664247","doi":"10.32920/ryerson.14644077.v1","title":"Attaining An Ideal : Time, Technology And The Victorian Family Composite","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Photography; Scholarship; Order (exchange); Composite number; Visual arts; Ideal (ethics); Process (computing); Sociology; Art; Aesthetics; Computer science; Law; Political science; Business","score_opus":0.026593894642655557,"score_gpt":0.25805483848071537,"score_spread":0.23146094383805982,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230664247","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42539346,0.00192478,0.009299612,0.0047021923,0.000095459094,0.000047597296,0.000037307494,0.000031225252,0.5584684],"genre_scores_gemma":[0.9765995,0.0004514884,0.0020789322,0.00008502557,0.00000815971,0.000012348145,0.000008782673,0.000021098134,0.020734625],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978986,0.0010120738,0.00004484996,0.00020469785,0.00047320902,0.00036660023],"domain_scores_gemma":[0.9984566,0.00045298657,0.00020464364,0.00023392554,0.00028355516,0.00036842248],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029411805,0.00024119807,0.00017082228,0.001282466,0.011332918,0.0080334,0.00062032975,0.0007205382,0.00541729],"category_scores_gemma":[0.004059245,0.00020175148,0.0001777692,0.0011242706,0.02114133,0.0061424132,0.0047441167,0.001563869,0.00046150776],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004232609,0.000023777591,0.0030318988,0.000045517096,0.0000030870258,0.0002189092,0.3961997,0.00016681883,0.000561525,0.5664306,0.0022630757,0.03101269],"study_design_scores_gemma":[0.000008965132,0.00006926043,0.014133575,0.0002955784,0.000010428836,0.00080646697,0.54000103,0.0007826683,0.0011345036,0.09849182,0.34421706,0.000048726943],"about_ca_topic_score_codex":0.05735562,"about_ca_topic_score_gemma":0.08456849,"teacher_disagreement_score":0.05735562,"about_ca_system_score_codex":0.008270092,"about_ca_system_score_gemma":0.004913081,"threshold_uncertainty_score":0.114043534},"labels":[],"label_agreement":null},{"id":"W4230905132","doi":"10.32920/ryerson.14657859.v1","title":"Reading the rebate: information at the edges of 20th century photographs","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Photography; Reading (process); Visual arts; Character (mathematics); The arts; Art; Computer science; Political science; Law; Mathematics","score_opus":0.02826207798377502,"score_gpt":0.2443889397537145,"score_spread":0.21612686176993948,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230905132","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3050937,0.012729686,0.009115417,0.014576934,0.0009201021,0.000066730274,0.0005526273,0.00036946178,0.6565752],"genre_scores_gemma":[0.86988866,0.005488275,0.008486443,0.000949396,0.000486458,0.00002776629,0.00023264575,0.00033736846,0.11410296],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986922,0.0006389931,0.000040723553,0.00013721242,0.00036643757,0.00012448852],"domain_scores_gemma":[0.9971129,0.0014642454,0.0003826994,0.0005176888,0.00036376744,0.00015872194],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001983238,0.0002491066,0.00017409887,0.0027618757,0.0038964325,0.00567898,0.0004959967,0.00055711437,0.0147276595],"category_scores_gemma":[0.0056537664,0.00026883505,0.00015590682,0.002655497,0.005816625,0.005790562,0.0036835542,0.0012658372,0.0015661728],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012911593,0.00002119388,0.005491453,0.0003741101,0.000013435416,0.0015432108,0.6290863,0.00018208317,0.0057112747,0.09473605,0.04251458,0.22019722],"study_design_scores_gemma":[0.0000044516064,0.000022765405,0.014390191,0.0005544482,0.000008419105,0.00088160305,0.121797405,0.000073523304,0.0019918892,0.0049577244,0.8552965,0.000021102864],"about_ca_topic_score_codex":0.006935852,"about_ca_topic_score_gemma":0.025128907,"teacher_disagreement_score":0.0147276595,"about_ca_system_score_codex":0.002825563,"about_ca_system_score_gemma":0.0010822002,"threshold_uncertainty_score":0.0492689},"labels":[],"label_agreement":null},{"id":"W4231093151","doi":"10.32920/ryerson.14660988.v1","title":"Photography as exhibited in the Great Exhibition of the Works of Industry of All Nations, 1851","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Exhibition; Photography; Presentation (obstetrics); George (robot); Visual arts; Set (abstract data type); Library science; Art history; History; Art; Computer science","score_opus":0.04811030331118063,"score_gpt":0.2806598472675717,"score_spread":0.23254954395639107,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231093151","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.048317235,0.015136598,0.0011702642,0.0074124816,0.0038506442,0.000048063946,0.004064095,0.00020432408,0.9197962],"genre_scores_gemma":[0.33498693,0.015559651,0.0023424358,0.00067347777,0.0016969817,0.000032319505,0.0015931956,0.00028503998,0.64282995],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99957293,0.00011832075,0.0000134717675,0.00005525126,0.00018917685,0.000050823644],"domain_scores_gemma":[0.9997366,0.000083895786,0.00003190669,0.00004366958,0.00006505061,0.000038790782],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006111947,0.00023419678,0.0001231549,0.0014471711,0.0021478597,0.0027461683,0.00018237547,0.00039569152,0.020946892],"category_scores_gemma":[0.0013274703,0.00017470602,0.00010800958,0.0025055038,0.001558395,0.0012446737,0.0010877143,0.0008827048,0.003522764],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009807169,0.00002223342,0.0029181917,0.0003901363,0.000015990432,0.00056830066,0.038764905,0.00033731043,0.0019426151,0.084277175,0.7960653,0.074599765],"study_design_scores_gemma":[0.0000016601867,0.000009317623,0.013840896,0.00014899953,0.0000026166097,0.00017652131,0.0045634815,0.000022451328,0.00023449615,0.0007000645,0.9802917,0.000007774059],"about_ca_topic_score_codex":0.01499055,"about_ca_topic_score_gemma":0.068058215,"teacher_disagreement_score":0.020946892,"about_ca_system_score_codex":0.0018285313,"about_ca_system_score_gemma":0.00083026063,"threshold_uncertainty_score":0.07007432},"labels":[],"label_agreement":null},{"id":"W4231275638","doi":"10.32920/ryerson.14655777.v1","title":"Things As Yet Unknown : a Finding Aid for Selected 8 x 10 Negatives from the Roger Mertin Archive","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"NSCAD University; University of Northern Iowa; Florida State University; Virginia Commonwealth University; Syracuse University; University of Louisville; Massachusetts Institute of Technology","keywords":"Negative; George (robot); Photography; Art history; Field (mathematics); Visual arts; Point (geometry); Library science; Operations research; Art; History; Computer science; Engineering; Mathematics","score_opus":0.05316620097100807,"score_gpt":0.28466559088323945,"score_spread":0.23149938991223137,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231275638","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21168417,0.0032095085,0.049809687,0.014775274,0.005073361,0.0057433285,0.037215084,0.013565418,0.65892416],"genre_scores_gemma":[0.17251922,0.005626176,0.2355578,0.002071995,0.0012761973,0.0027857092,0.02257011,0.009234288,0.54835856],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904674,0.00024140006,0.00008698984,0.00011483043,0.00042876703,0.000081278085],"domain_scores_gemma":[0.99638486,0.0013599138,0.0001966515,0.00047921814,0.0013240014,0.00025530884],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.003251487,0.000695956,0.0004593057,0.0046120235,0.0038149324,0.002879628,0.0010519831,0.00067445624,0.06687386],"category_scores_gemma":[0.007464758,0.0005528211,0.000281833,0.0035974071,0.0005533008,0.003174312,0.0026666666,0.0007792331,0.031403992],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019191386,0.000117799915,0.0033278558,0.0005850578,0.00000879076,0.001776709,0.029145384,0.00014254675,0.00434697,0.0024401948,0.6728028,0.28511396],"study_design_scores_gemma":[0.000016537242,0.000063000705,0.0052835713,0.0004033989,0.000013338883,0.00091442274,0.035766903,0.00037276468,0.0019346944,0.0006811582,0.95451945,0.00003083658],"about_ca_topic_score_codex":0.0045511187,"about_ca_topic_score_gemma":0.02223712,"teacher_disagreement_score":0.93312615,"about_ca_system_score_codex":0.001015554,"about_ca_system_score_gemma":0.0016778023,"threshold_uncertainty_score":0.22371536},"labels":[],"label_agreement":null},{"id":"W4231283091","doi":"10.32920/ryerson.14663262.v1","title":"Process of selection: Edouard Baldus, the New Louvre Commission photographs and Palais du Louvre et des Tuileries","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University; Toronto Metropolitan University","funders":"","keywords":"Art; Art history; Photography; Historiography; Commission; Visual arts; History; Archaeology; Law","score_opus":0.0336737443404561,"score_gpt":0.27833877292187525,"score_spread":0.24466502858141914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231283091","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08739196,0.08659148,0.0046086023,0.1015777,0.018514656,0.00025859446,0.0007230251,0.00017802267,0.7001559],"genre_scores_gemma":[0.358583,0.015073331,0.0017436297,0.005621256,0.0028889396,0.000103198414,0.00021351024,0.00028829448,0.61548483],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911636,0.00035480844,0.000018655297,0.00016399189,0.00024738596,0.00009877002],"domain_scores_gemma":[0.99902594,0.00045131682,0.000052075608,0.000045051525,0.00029500533,0.00013069739],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013917716,0.0002990242,0.00020136288,0.0011437954,0.00481594,0.003982096,0.000362654,0.0006636047,0.018695194],"category_scores_gemma":[0.004535925,0.00016036589,0.00012453028,0.0014239671,0.0033164693,0.0022032515,0.002012626,0.00082302326,0.0023799627],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008106546,0.00001921086,0.0024307163,0.00016968802,0.000005999273,0.00090633903,0.069637015,0.00007533136,0.0008202139,0.22202666,0.6376412,0.06618652],"study_design_scores_gemma":[0.0000020722994,0.000003324448,0.0013910857,0.00006945797,9.83573e-7,0.00011761831,0.006660854,0.000011970129,0.00016397319,0.0011378685,0.99043626,0.000004433825],"about_ca_topic_score_codex":0.048049767,"about_ca_topic_score_gemma":0.082017064,"teacher_disagreement_score":0.048049767,"about_ca_system_score_codex":0.004730818,"about_ca_system_score_gemma":0.0019642762,"threshold_uncertainty_score":0.095540166},"labels":[],"label_agreement":null},{"id":"W4231587297","doi":"10.32920/ryerson.14662293","title":"Picturing the news: the intellectual arrangement and description of the Chatham Daily News collection","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Negative; Photography; White (mutation); Sample (material); Library science; History; Special collections; National archives; Visual arts; Order (exchange); Data collection; Art; Computer science; Sociology; Business","score_opus":0.06685420923751283,"score_gpt":0.23918870074935675,"score_spread":0.17233449151184393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231587297","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5662735,0.010731946,0.006127657,0.0047678,0.0010612322,0.00043608472,0.0026506097,0.00021571934,0.40773544],"genre_scores_gemma":[0.88909453,0.0072432193,0.009743963,0.00039161326,0.0004519256,0.00027732644,0.0011968311,0.0003163195,0.091284215],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99845886,0.0007106704,0.00008388642,0.00014078294,0.00051563146,0.000090207264],"domain_scores_gemma":[0.9960485,0.0014133425,0.0006429073,0.00051475863,0.0010438153,0.00033677038],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019861318,0.00031633314,0.00019859412,0.005937342,0.006085004,0.0049407673,0.0007309076,0.00032826178,0.0071601407],"category_scores_gemma":[0.005782469,0.00031069195,0.000080702004,0.006674461,0.0037165158,0.002685674,0.0018805204,0.0009402385,0.00079840084],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017008088,0.0000656714,0.025184963,0.00097326643,0.000019469386,0.0034122977,0.7007226,0.00024336674,0.005760996,0.036253806,0.06060462,0.16658883],"study_design_scores_gemma":[0.0000044957746,0.000048577152,0.08172177,0.0007483906,0.00001941296,0.0018076707,0.2617982,0.00018536107,0.002062213,0.00083638186,0.65071595,0.00005147276],"about_ca_topic_score_codex":0.04721537,"about_ca_topic_score_gemma":0.14075735,"teacher_disagreement_score":0.04721537,"about_ca_system_score_codex":0.0035910357,"about_ca_system_score_gemma":0.003063794,"threshold_uncertainty_score":0.09388107},"labels":[],"label_agreement":null},{"id":"W4231716652","doi":"10.32920/ryerson.14655777","title":"Things As Yet Unknown : a Finding Aid for Selected 8 x 10 Negatives from the Roger Mertin Archive","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"NSCAD University; University of Northern Iowa; Florida State University; Virginia Commonwealth University; Syracuse University; University of Louisville; Massachusetts Institute of Technology","keywords":"Negative; George (robot); Photography; Art history; Visual arts; Point (geometry); Field (mathematics); Art; Library science; Operations research; History; Computer science; Engineering","score_opus":0.05316620097100807,"score_gpt":0.28466559088323945,"score_spread":0.23149938991223137,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231716652","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21168417,0.0032095085,0.049809687,0.014775274,0.005073361,0.0057433285,0.037215084,0.013565418,0.65892416],"genre_scores_gemma":[0.17251922,0.005626176,0.2355578,0.002071995,0.0012761973,0.0027857092,0.02257011,0.009234288,0.54835856],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904674,0.00024140006,0.00008698984,0.00011483043,0.00042876703,0.000081278085],"domain_scores_gemma":[0.99638486,0.0013599138,0.0001966515,0.00047921814,0.0013240014,0.00025530884],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003251487,0.000695956,0.0004593057,0.0046120235,0.0038149324,0.002879628,0.0010519831,0.00067445624,0.06687386],"category_scores_gemma":[0.007464758,0.0005528211,0.000281833,0.0035974071,0.0005533008,0.003174312,0.0026666666,0.0007792331,0.031403992],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019191386,0.000117799915,0.0033278558,0.0005850578,0.00000879076,0.001776709,0.029145384,0.00014254675,0.00434697,0.0024401948,0.6728028,0.28511396],"study_design_scores_gemma":[0.000016537242,0.000063000705,0.0052835713,0.0004033989,0.000013338883,0.00091442274,0.035766903,0.00037276468,0.0019346944,0.0006811582,0.95451945,0.00003083658],"about_ca_topic_score_codex":0.0045511187,"about_ca_topic_score_gemma":0.02223712,"teacher_disagreement_score":0.06687386,"about_ca_system_score_codex":0.001015554,"about_ca_system_score_gemma":0.0016778023,"threshold_uncertainty_score":0.22371536},"labels":[],"label_agreement":null},{"id":"W4231755201","doi":"10.32920/ryerson.14644002.v1","title":"A forgotten social group: a Chinese photographic album","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"China; Context (archaeology); Visual arts; Photography; Urbanization; Geography; Art; Archaeology; Economic growth","score_opus":0.034410806307940925,"score_gpt":0.2717261396649475,"score_spread":0.2373153333570066,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231755201","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9031898,0.00901405,0.0006079318,0.005635044,0.00046331523,0.00008579212,0.00015401475,0.000021551059,0.08082855],"genre_scores_gemma":[0.9860465,0.00360608,0.0003093917,0.0003886919,0.000098372075,0.000030747222,0.00009081987,0.000010567715,0.009418876],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9995814,0.00014087929,0.000016097672,0.000060541573,0.000092991366,0.000108206936],"domain_scores_gemma":[0.99967,0.00010140227,0.00006451067,0.000049304843,0.000047318343,0.000067539324],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00088952767,0.00038532016,0.0002533324,0.0019718853,0.0074069854,0.003464077,0.0006778018,0.0006099258,0.004487656],"category_scores_gemma":[0.0007354506,0.0001380287,0.00020987188,0.0033344608,0.006057453,0.0024236906,0.0027906122,0.00084297074,0.00020345277],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008130656,0.000037580092,0.0174907,0.00089825,0.00002961559,0.004792145,0.82971907,0.000084369545,0.0021611676,0.05157161,0.012971012,0.080163255],"study_design_scores_gemma":[0.0000088519155,0.000054163163,0.07478322,0.00063639024,0.00004444853,0.0009295392,0.6620041,0.00017779549,0.0009314724,0.0019224614,0.2584718,0.000035749887],"about_ca_topic_score_codex":0.059925586,"about_ca_topic_score_gemma":0.10264635,"teacher_disagreement_score":0.059925586,"about_ca_system_score_codex":0.0046131397,"about_ca_system_score_gemma":0.0036784792,"threshold_uncertainty_score":0.11915356},"labels":[],"label_agreement":null},{"id":"W4231819409","doi":"10.32920/ryerson.14644077","title":"Attaining An Ideal : Time, Technology And The Victorian Family Composite","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Photography; Scholarship; Order (exchange); Ideal (ethics); Visual arts; Composite number; Process (computing); Sociology; Art; Aesthetics; Computer science; Law; Political science; Business","score_opus":0.026593894642655557,"score_gpt":0.25805483848071537,"score_spread":0.23146094383805982,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231819409","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42539346,0.00192478,0.009299612,0.0047021923,0.000095459094,0.000047597296,0.000037307494,0.000031225252,0.5584684],"genre_scores_gemma":[0.9765995,0.0004514884,0.0020789322,0.00008502557,0.00000815971,0.000012348145,0.000008782673,0.000021098134,0.020734625],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978986,0.0010120738,0.00004484996,0.00020469785,0.00047320902,0.00036660023],"domain_scores_gemma":[0.9984566,0.00045298657,0.00020464364,0.00023392554,0.00028355516,0.00036842248],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029411805,0.00024119807,0.00017082228,0.001282466,0.011332918,0.0080334,0.00062032975,0.0007205382,0.00541729],"category_scores_gemma":[0.004059245,0.00020175148,0.0001777692,0.0011242706,0.02114133,0.0061424132,0.0047441167,0.001563869,0.00046150776],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004232609,0.000023777591,0.0030318988,0.000045517096,0.0000030870258,0.0002189092,0.3961997,0.00016681883,0.000561525,0.5664306,0.0022630757,0.03101269],"study_design_scores_gemma":[0.000008965132,0.00006926043,0.014133575,0.0002955784,0.000010428836,0.00080646697,0.54000103,0.0007826683,0.0011345036,0.09849182,0.34421706,0.000048726943],"about_ca_topic_score_codex":0.05735562,"about_ca_topic_score_gemma":0.08456849,"teacher_disagreement_score":0.05735562,"about_ca_system_score_codex":0.008270092,"about_ca_system_score_gemma":0.004913081,"threshold_uncertainty_score":0.114043534},"labels":[],"label_agreement":null},{"id":"W4231844077","doi":"10.32920/ryerson.14653011.v1","title":"Defining a Reseach Tool: an Object-Based Study of a Group of Inter-Related Photographic Objects Attributed to the James Inglis Studio (1866 - 1884) in the McCord Museum, Montreal","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Studio; Object (grammar); Portrait; Art history; Biography; Visual arts; Value (mathematics); Art; Index (typography); Photography; History; Computer science; World Wide Web","score_opus":0.04595461621769842,"score_gpt":0.29046891371053735,"score_spread":0.24451429749283893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231844077","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94409275,0.00081146584,0.0022539923,0.0006330339,0.000023109962,0.00020007188,0.00019582323,0.000018773633,0.05177097],"genre_scores_gemma":[0.9766184,0.0007018614,0.002576419,0.00011267542,0.000013511982,0.00009022564,0.00014823579,0.000048884936,0.01968985],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9979274,0.0010422111,0.00004409699,0.00023704127,0.00041660562,0.00033252602],"domain_scores_gemma":[0.9978235,0.0010580869,0.00035446015,0.00018617541,0.00038830348,0.00018953353],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033872598,0.0004833664,0.0003377741,0.005314622,0.009812948,0.006496989,0.0018366624,0.0008956809,0.0039315866],"category_scores_gemma":[0.0049536754,0.00036167607,0.0002448026,0.0064570624,0.012303486,0.0031268692,0.0034777895,0.0008914104,0.00028841555],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012648071,0.000016021095,0.0064110574,0.000044419256,0.0000029979094,0.000395923,0.97752166,0.00003393144,0.00048563266,0.0059123444,0.00065010524,0.008513249],"study_design_scores_gemma":[0.0000021194571,0.000021022266,0.0245749,0.000094106595,0.0000074753025,0.00017701788,0.93757254,0.00009239182,0.00034822998,0.00037755223,0.036719583,0.000013001116],"about_ca_topic_score_codex":0.5159418,"about_ca_topic_score_gemma":0.7586786,"teacher_disagreement_score":0.4840582,"about_ca_system_score_codex":0.020448925,"about_ca_system_score_gemma":0.005906154,"threshold_uncertainty_score":0.9738178},"labels":[],"label_agreement":null},{"id":"W4232072403","doi":"10.24908/eoe-ese-rse.v17i0.6409","title":"Front Matter","year":2016,"lang":"en","type":"paratext","venue":"Encounters in Theory and History of Education","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Transparency (behavior); Visual arts; Photography; Subject matter; Art; Computer science; Computer graphics (images); Digital photography; Illusion; Sociology; Psychology","score_opus":0.015116388679116867,"score_gpt":0.2611640575841744,"score_spread":0.24604766890505753,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232072403","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00025222005,0.00043063538,0.00014033262,0.000861111,0.0011433169,0.000025465064,0.00066793594,0.00036605087,0.99611294],"genre_scores_gemma":[0.0010437341,0.0003566625,0.00011192752,0.000416588,0.00023965658,0.000009927058,0.0004061875,0.00015887443,0.99725646],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99968123,0.000020745947,0.000014998054,0.0000845679,0.00014930089,0.00004910849],"domain_scores_gemma":[0.9993024,0.00009240536,0.00003363598,0.00012264308,0.00024832963,0.00020063645],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002456581,0.00073713594,0.0005431605,0.0012693106,0.0018013923,0.005889128,0.0008181004,0.0025049008,0.94682175],"category_scores_gemma":[0.0015746166,0.0002761371,0.00040254876,0.0009800951,0.0007139712,0.0028239298,0.0023592196,0.0014735193,0.9056174],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002435348,0.000026946,0.00019559941,0.00016544975,0.0000026047496,0.000090978574,0.00007537484,0.000037124955,0.00048121743,0.005132516,0.87484246,0.118925236],"study_design_scores_gemma":[0.000001819433,0.0000032734338,0.00019622208,0.00005676989,4.8827326e-7,0.00004845692,0.000048471113,0.000019781248,0.00006191555,0.00030114703,0.99926037,0.000001291167],"about_ca_topic_score_codex":0.002114995,"about_ca_topic_score_gemma":0.0040510255,"teacher_disagreement_score":0.94682175,"about_ca_system_score_codex":0.0011605136,"about_ca_system_score_gemma":0.0007508712,"threshold_uncertainty_score":0.075852334},"labels":[],"label_agreement":null},{"id":"W4232124448","doi":"10.32920/ryerson.14645115","title":"Without Words You Spoke: Queer Representing, Early Photography and Feeling","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design; Toronto Metropolitan University; York University","funders":"","keywords":"Queer; Visual culture; Queer theory; Politics; Aesthetics; Photography; Subversion; Representation (politics); Homosexuality; Sociology; Art; Gender studies; Visual arts; History; Law; Political science","score_opus":0.038122304858021476,"score_gpt":0.27345900295308867,"score_spread":0.2353366980950672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232124448","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27263033,0.041262735,0.0076946337,0.0917627,0.0020838014,0.000061518534,0.00014304798,0.00010891632,0.5842523],"genre_scores_gemma":[0.9648712,0.006373471,0.0004050178,0.003075396,0.00023983011,0.00001692787,0.000018030625,0.00004168891,0.024958411],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99681324,0.0024278131,0.0000380909,0.00014625413,0.00026810152,0.00030652745],"domain_scores_gemma":[0.99775463,0.0013925983,0.00023180086,0.00018335314,0.00023289147,0.00020475325],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003518249,0.00032358084,0.00024798905,0.0012823537,0.013612318,0.009730033,0.0006086677,0.0018928049,0.0066371444],"category_scores_gemma":[0.0058141463,0.00022047956,0.00022906117,0.0012911889,0.04547288,0.012593662,0.0033459158,0.0040460383,0.00063229835],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024792444,0.000013853096,0.0006284962,0.00006238928,0.0000037203408,0.00024276042,0.6479879,0.000035680256,0.00022580616,0.33220777,0.008244217,0.01032256],"study_design_scores_gemma":[0.000009113866,0.00003252224,0.0022217608,0.00043834365,0.000010556986,0.00044270142,0.67734367,0.00007953309,0.00037801388,0.047131877,0.2718781,0.00003379998],"about_ca_topic_score_codex":0.037622433,"about_ca_topic_score_gemma":0.04068111,"teacher_disagreement_score":0.037622433,"about_ca_system_score_codex":0.006468143,"about_ca_system_score_gemma":0.0022101307,"threshold_uncertainty_score":0.07480687},"labels":[],"label_agreement":null},{"id":"W4232162978","doi":"10.32920/ryerson.14656200.v1","title":"DeGreening: An Installation of Photographic Works","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"NSCAD University","funders":"Vlaamse regering","keywords":"Exhibition; Depiction; Subjectivity; Relevance (law); Politics; Work (physics); Presentation (obstetrics); Aesthetics; Sociology; History; Political science; Visual arts; Archaeology; Art; Law; Engineering","score_opus":0.0838261042692378,"score_gpt":0.28426039235619105,"score_spread":0.20043428808695324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232162978","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06742666,0.0018256243,0.02930223,0.0021076691,0.0022603353,0.0008707013,0.0041012825,0.0048170863,0.8872883],"genre_scores_gemma":[0.34962034,0.0023430795,0.11300192,0.00041585957,0.0013607399,0.00066461967,0.004923773,0.0034750544,0.5241945],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991767,0.00029208948,0.000029159808,0.00012423017,0.0002793052,0.00009847791],"domain_scores_gemma":[0.9991683,0.00022371778,0.00003097623,0.0003200385,0.000096127456,0.00016086057],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013236066,0.00076337054,0.0002595628,0.002001737,0.0042111664,0.0028175253,0.001003512,0.0007040469,0.07686806],"category_scores_gemma":[0.0017007985,0.00044544955,0.00038987843,0.0021971758,0.0016139776,0.0021886055,0.0052008396,0.0018500843,0.009263885],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00067684014,0.0003490493,0.003575608,0.0016522007,0.000035586192,0.0029469342,0.09209781,0.0015318705,0.041221138,0.078732386,0.38479394,0.3923867],"study_design_scores_gemma":[0.00001471257,0.000044793996,0.002545802,0.00013344645,0.000006334536,0.00038577075,0.0059683905,0.00019714283,0.0017166268,0.0010274195,0.98794436,0.000015234534],"about_ca_topic_score_codex":0.002035772,"about_ca_topic_score_gemma":0.008628024,"teacher_disagreement_score":0.07686806,"about_ca_system_score_codex":0.0009675222,"about_ca_system_score_gemma":0.000885472,"threshold_uncertainty_score":0.25714928},"labels":[],"label_agreement":null},{"id":"W4232165285","doi":"10.32920/ryerson.14648814.v1","title":"The Arnold Newman Collection of Photographs at the Art Gallery of Ontario finding aid","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Visual arts; Data collection; Art; Sociology; Social science","score_opus":0.0474505703261351,"score_gpt":0.2549384703890839,"score_spread":0.20748790006294882,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232165285","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035617314,0.0076981545,0.003346119,0.005679388,0.001463171,0.0006590292,0.04161678,0.00048576287,0.9034342],"genre_scores_gemma":[0.08247469,0.008922418,0.0109236315,0.000306304,0.00025528081,0.00025769093,0.0127165355,0.00076548546,0.883378],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986545,0.00010225843,0.00004253629,0.00014051527,0.00092405133,0.00013613352],"domain_scores_gemma":[0.9975037,0.00020158735,0.0001528653,0.00029987658,0.0015403926,0.00030151312],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011226471,0.0004611159,0.00036543392,0.004345958,0.0076621748,0.0037873806,0.0007369667,0.00039078563,0.08911804],"category_scores_gemma":[0.0032090247,0.0004594281,0.00024411548,0.009285732,0.0019656722,0.0012975797,0.0017114858,0.0005318662,0.013257048],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007943462,0.00001400156,0.0042522,0.00038947884,0.000009727684,0.00034914122,0.013766392,0.0001665835,0.001776757,0.011423558,0.8763447,0.091428064],"study_design_scores_gemma":[0.0000021070673,0.0000036215845,0.012878969,0.00011498681,0.0000032749415,0.00008155178,0.0028358374,0.000029035727,0.00022916892,0.00028028814,0.9835317,0.000009353342],"about_ca_topic_score_codex":0.85990065,"about_ca_topic_score_gemma":0.9711089,"teacher_disagreement_score":0.14009935,"about_ca_system_score_codex":0.021795832,"about_ca_system_score_gemma":0.025702411,"threshold_uncertainty_score":0.2981295},"labels":[],"label_agreement":null},{"id":"W4232273305","doi":"10.32920/ryerson.14662392.v1","title":"In context : an examination of Larry Towell's work No man's land from the twin perspectives of maker and user","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Exhibition; Photojournalism; Agency (philosophy); Documentation; Media studies; Sociology; Meaning (existential); Newspaper; Politics; History; Visual arts; Public relations; Political science; Law; Art; Psychology; Social science; Archaeology","score_opus":0.03234582390815124,"score_gpt":0.2570432105769517,"score_spread":0.22469738666880043,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232273305","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54201025,0.01887291,0.0024747655,0.0442604,0.0013759073,0.00015316474,0.00010421368,0.00013902332,0.39060938],"genre_scores_gemma":[0.9315193,0.0068124984,0.0011946129,0.003856423,0.00027242416,0.000076883574,0.000044000422,0.00018687636,0.056037057],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9937272,0.004090225,0.00010793699,0.00035107206,0.00095578237,0.00076782133],"domain_scores_gemma":[0.99517125,0.002672631,0.00042121904,0.000207685,0.0007158067,0.00081127457],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033686,0.00054923305,0.0005921258,0.0032727337,0.031131754,0.015862241,0.0020762812,0.0025241803,0.007075072],"category_scores_gemma":[0.006488417,0.0005279419,0.00028738513,0.0036523116,0.021743115,0.0060116965,0.007996474,0.0041498677,0.0007144769],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008750122,0.00001965307,0.00070388947,0.00007280891,0.00000212208,0.001402861,0.9752745,0.0000104748815,0.00036627657,0.008705156,0.0064935377,0.006939972],"study_design_scores_gemma":[0.0000012041907,0.000012165723,0.0015153663,0.00016485335,0.0000036703282,0.00044779357,0.85989344,0.000013143223,0.00010825378,0.000432306,0.13739994,0.000007769914],"about_ca_topic_score_codex":0.1507635,"about_ca_topic_score_gemma":0.3635556,"teacher_disagreement_score":0.1507635,"about_ca_system_score_codex":0.015750084,"about_ca_system_score_gemma":0.009498826,"threshold_uncertainty_score":0.29977196},"labels":[],"label_agreement":null},{"id":"W4232307105","doi":"10.32920/ryerson.14666430.v1","title":"Family in colour: integrating colour into Sally Mann’s Family Pictures","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University; Toronto Metropolitan University","funders":"","keywords":"Exhibition; Studio; Digitization; Photography; Visual arts; White (mutation); Situated; Art; Reading (process); Variety (cybernetics); Negative; Art history; Computer science; Artificial intelligence","score_opus":0.043827734390875506,"score_gpt":0.2831153652258582,"score_spread":0.23928763083498267,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232307105","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2539033,0.0056301104,0.009739712,0.013383097,0.0012171307,0.00007775587,0.00052604347,0.00033241534,0.71519035],"genre_scores_gemma":[0.8300731,0.0042130873,0.012110523,0.0011653465,0.00031184743,0.00005548209,0.00023034064,0.0004841632,0.15135615],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994686,0.00029112457,0.000010620303,0.000047838083,0.00013482128,0.000046989826],"domain_scores_gemma":[0.9994869,0.00020773025,0.000045044293,0.00010779833,0.00007280337,0.00007971537],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00081136165,0.00022106706,0.00007778123,0.0012862618,0.00275985,0.0028928516,0.00034197868,0.00031703783,0.011042158],"category_scores_gemma":[0.0023974276,0.00017175717,0.00009960352,0.0010622138,0.002723581,0.0028899591,0.002487431,0.00090009236,0.00091038045],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014525652,0.000045193836,0.0054313764,0.00021352201,0.000012871486,0.0014512505,0.29580727,0.00043428125,0.0051114573,0.21920808,0.1581909,0.31394854],"study_design_scores_gemma":[0.000003448782,0.000025902325,0.0070734527,0.00016076658,0.0000068473046,0.0010857546,0.05058856,0.00019368382,0.001613774,0.007937568,0.93129086,0.000019396579],"about_ca_topic_score_codex":0.0075138765,"about_ca_topic_score_gemma":0.0326189,"teacher_disagreement_score":0.011042158,"about_ca_system_score_codex":0.0018205581,"about_ca_system_score_gemma":0.0007548831,"threshold_uncertainty_score":0.03693968},"labels":[],"label_agreement":null},{"id":"W4232476852","doi":"10.32920/ryerson.14646849.v1","title":"A Descriptive Analysis of F. Beato &amp; Co.’s Commercial Souvenir Album, Photographic Views and Costumes of Japan, Held at George Eastman House","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; St. Thomas University","funders":"","keywords":"George (robot); Studio; Art; Context (archaeology); Visual arts; Photography; Art history; History; Archaeology","score_opus":0.09841897462785529,"score_gpt":0.3027786962417588,"score_spread":0.2043597216139035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232476852","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.640338,0.0030458819,0.0030661707,0.0026817725,0.0004917234,0.0005919049,0.056238234,0.0001753038,0.29337096],"genre_scores_gemma":[0.7202137,0.00477882,0.0037069458,0.00069864,0.00041784314,0.0010335032,0.03720336,0.00041118506,0.23153596],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9995435,0.00006264103,0.000029889366,0.000078198085,0.00020669858,0.000078974525],"domain_scores_gemma":[0.998061,0.000737797,0.000266148,0.000108731794,0.0007126577,0.00011356948],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006687925,0.00023551902,0.00012993539,0.0043264832,0.0017781741,0.0014550609,0.00025456966,0.0001770452,0.010653154],"category_scores_gemma":[0.002098135,0.00015507772,0.00008193581,0.006520151,0.0008818179,0.00081166485,0.00049049186,0.0004468362,0.0022774509],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031711828,0.00013871944,0.07079737,0.0011803387,0.0000137849765,0.0016825343,0.30925268,0.0002717109,0.009631556,0.049987298,0.39050496,0.1662219],"study_design_scores_gemma":[0.0000020478956,0.000024758034,0.18328775,0.00025044143,0.000003986723,0.00032122096,0.095100455,0.00009421125,0.0013139567,0.00032895265,0.71925366,0.000018601342],"about_ca_topic_score_codex":0.038107876,"about_ca_topic_score_gemma":0.08958207,"teacher_disagreement_score":0.038107876,"about_ca_system_score_codex":0.0036998158,"about_ca_system_score_gemma":0.0014135245,"threshold_uncertainty_score":0.07577211},"labels":[],"label_agreement":null},{"id":"W4232533272","doi":"10.32920/ryerson.14653248.v1","title":"\"A Snake Charmer with a Camera\" : Nina Leen's Contributions to Life Magazine: 1940-1972","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; Western University","funders":"","keywords":"Photography; Art history; Performance art; Visual arts; Photojournalism; Art; Character (mathematics); Cartography; History; Geography","score_opus":0.028446396173078214,"score_gpt":0.27950380113508294,"score_spread":0.25105740496200474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232533272","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2606003,0.027567545,0.00052051124,0.047894556,0.0043138713,0.000065053326,0.00032511808,0.000090116264,0.658623],"genre_scores_gemma":[0.6622423,0.020527206,0.0006106731,0.0057770666,0.00076426764,0.000061087034,0.00022577234,0.00015019033,0.30964142],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990947,0.0005139566,0.000016196742,0.000092216615,0.00018411876,0.00009882677],"domain_scores_gemma":[0.99880636,0.000433241,0.00011755094,0.00004812935,0.00023661781,0.00035814894],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016461641,0.00032669012,0.00014574538,0.0010088951,0.0075585004,0.0038621966,0.0004446889,0.0006307603,0.006701727],"category_scores_gemma":[0.0023816514,0.00020132487,0.00008770683,0.0009993041,0.004281907,0.0030132257,0.0027664104,0.0016653808,0.001499879],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008372387,0.000075780736,0.0065951846,0.00032364042,0.000007957639,0.0018941563,0.50412357,0.00003502714,0.0010161684,0.041453082,0.36942327,0.07496837],"study_design_scores_gemma":[0.0000020350406,0.00001695236,0.005869095,0.00029186552,0.0000036172667,0.0003378149,0.14335011,0.000013674602,0.0002946277,0.00040604107,0.84940565,0.000008496796],"about_ca_topic_score_codex":0.021767171,"about_ca_topic_score_gemma":0.12202463,"teacher_disagreement_score":0.021767171,"about_ca_system_score_codex":0.0066303946,"about_ca_system_score_gemma":0.002319005,"threshold_uncertainty_score":0.048107088},"labels":[],"label_agreement":null},{"id":"W4232618716","doi":"10.32920/ryerson.14653461","title":"Inside the Box: Photography and the Portfolio Format","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Photography; Portfolio; Visual arts; Art; Art history; History; Economics; Finance","score_opus":0.027913892593511618,"score_gpt":0.2372008774246992,"score_spread":0.20928698483118757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232618716","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03967856,0.00469538,0.017364904,0.014116467,0.001253011,0.000092699695,0.00029132268,0.00017090114,0.9223367],"genre_scores_gemma":[0.7387676,0.008118797,0.014894487,0.00213418,0.001496224,0.00017509628,0.0003756437,0.0003826098,0.23365545],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986401,0.00083020993,0.000057228837,0.00012481463,0.00025279462,0.00009479608],"domain_scores_gemma":[0.9971252,0.0015165502,0.0003105752,0.0005419866,0.00028271344,0.00022297095],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021705518,0.00021159908,0.00014553206,0.00095920486,0.0018730583,0.00928193,0.000526652,0.0006869363,0.02983706],"category_scores_gemma":[0.0098190475,0.0001704375,0.00008810836,0.001984517,0.0040114555,0.010094046,0.0024071042,0.0013615699,0.002604342],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004806302,0.000020882591,0.002087662,0.00008653068,0.000003306514,0.00016424741,0.011600102,0.00017135477,0.000373131,0.8175095,0.04245847,0.12547687],"study_design_scores_gemma":[0.000011777474,0.000037744205,0.00697328,0.00055472535,0.000007120022,0.00044826244,0.015760807,0.000318741,0.0009730655,0.09494128,0.87995434,0.000018905203],"about_ca_topic_score_codex":0.002580174,"about_ca_topic_score_gemma":0.003241745,"teacher_disagreement_score":0.02983706,"about_ca_system_score_codex":0.0018985766,"about_ca_system_score_gemma":0.0010319897,"threshold_uncertainty_score":0.09981495},"labels":[],"label_agreement":null},{"id":"W4233021961","doi":"10.32920/ryerson.14646180","title":"Gender and consumerism in Nickolas Muray's photography for McCall's Magazine, 1933-1945","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; NSCAD University","funders":"","keywords":"Consumerism; Context (archaeology); Identity (music); Meaning (existential); Photography; Embodied cognition; Sociology; Aesthetics; Diversity (politics); Art; Gender studies; History; Visual arts; Philosophy; Political science; Law; Anthropology; Epistemology","score_opus":0.06219242006832215,"score_gpt":0.28239027421297314,"score_spread":0.22019785414465098,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233021961","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7355878,0.014022615,0.00044943235,0.012524921,0.00074220053,0.00002563772,0.00016124657,0.000046426565,0.23643969],"genre_scores_gemma":[0.93852973,0.0022446394,0.00023193102,0.00054765766,0.00013836099,0.000009541019,0.000023168022,0.00003977116,0.058235183],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99956983,0.00019632874,0.000010102547,0.000050229602,0.00009442297,0.000079098405],"domain_scores_gemma":[0.9993806,0.0003035524,0.00009275429,0.000024554385,0.000101518795,0.00009696623],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00074685697,0.00023653486,0.00012252541,0.0012324026,0.006816778,0.0033003623,0.00025116905,0.0007187589,0.005290573],"category_scores_gemma":[0.0014986157,0.00020085396,0.0001068946,0.0007270669,0.0041483217,0.0014893954,0.0012121265,0.0009906947,0.00035196988],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019025897,0.00003820728,0.0096378215,0.0001663861,0.000011769878,0.0030981433,0.84050953,0.00006736687,0.0037747072,0.05772348,0.046600856,0.03818147],"study_design_scores_gemma":[0.0000038891567,0.0000512358,0.037555475,0.00019236498,0.000010055298,0.0010776921,0.19904736,0.000027967766,0.0023808188,0.0008080457,0.7588181,0.000026911399],"about_ca_topic_score_codex":0.09895301,"about_ca_topic_score_gemma":0.29810745,"teacher_disagreement_score":0.09895301,"about_ca_system_score_codex":0.008000281,"about_ca_system_score_gemma":0.0009704026,"threshold_uncertainty_score":0.1967541},"labels":[],"label_agreement":null},{"id":"W4233050672","doi":"10.32920/ryerson.14655237.v1","title":"Advertising photography during the 1930s: Victor Keppler's strike cigarette campaign","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Advertising; Newspaper; Agency (philosophy); Purchasing; Great Depression; Photography; Unemployment; Statement (logic); Business; Art; Political science; Sociology; Visual arts; Economics; Marketing; Law","score_opus":0.021531100277999655,"score_gpt":0.23615015027886918,"score_spread":0.21461905000086953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233050672","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15282294,0.039356355,0.0010148886,0.13917854,0.015520174,0.00017598776,0.00047963925,0.00031201556,0.65113944],"genre_scores_gemma":[0.4723155,0.029297676,0.0012501372,0.017029684,0.00632027,0.00007015098,0.00027957905,0.0004746004,0.47296235],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99890864,0.00028767588,0.000026691301,0.00011573669,0.00048521932,0.0001760467],"domain_scores_gemma":[0.9990767,0.0003880037,0.00008216235,0.000047359583,0.00020466492,0.00020114187],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001793272,0.0003854807,0.00020183998,0.0010354015,0.0058174054,0.005417079,0.00034366117,0.0018090438,0.008632055],"category_scores_gemma":[0.0027282021,0.00033819795,0.00020042543,0.000865861,0.0022713514,0.0014016418,0.0016497807,0.0038982432,0.0029363602],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017724057,0.00019381597,0.0022608032,0.00033206565,0.000015055665,0.0021484913,0.05065515,0.00011949074,0.0029632277,0.042500764,0.78563005,0.11300388],"study_design_scores_gemma":[0.0000098504315,0.00007173991,0.0062512034,0.00019030906,0.000007898607,0.00040077468,0.009402277,0.000039550396,0.0011772201,0.0005265303,0.9819001,0.000022516686],"about_ca_topic_score_codex":0.022844808,"about_ca_topic_score_gemma":0.08144365,"teacher_disagreement_score":0.022844808,"about_ca_system_score_codex":0.004880262,"about_ca_system_score_gemma":0.0015645811,"threshold_uncertainty_score":0.045423687},"labels":[],"label_agreement":null},{"id":"W4233223389","doi":"10.32920/ryerson.14649588.v1","title":"Lartigue before Lartigue : the GEH [George Eastman House] album Paris aviation 1910","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; NSCAD University","funders":"","keywords":"George (robot); Exhibition; Art history; Art; Aviation; Visual arts; Photography; Opera house; Engineering; Opera","score_opus":0.03633639031901091,"score_gpt":0.25344580156579805,"score_spread":0.21710941124678712,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233223389","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14640073,0.020001236,0.00069544907,0.014209711,0.0023363505,0.000032748558,0.00085945113,0.0001959339,0.81526834],"genre_scores_gemma":[0.5891103,0.006816536,0.00095245463,0.0007468028,0.0008962941,0.00001357974,0.00043760566,0.00019759376,0.40082875],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997564,0.00006698303,0.0000029646835,0.000037356163,0.000075983415,0.000060247403],"domain_scores_gemma":[0.99981254,0.000034291483,0.000021737329,0.000013282696,0.000057870217,0.000060311726],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029694889,0.00031653378,0.00010049776,0.0007370503,0.0031801986,0.0028886867,0.0003039151,0.00045274527,0.023552522],"category_scores_gemma":[0.00068536366,0.00011973345,0.000083962885,0.0010574773,0.0019132165,0.00082684634,0.00085852016,0.00088992744,0.0024634746],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021448421,0.000071372764,0.005152508,0.00018341442,0.000019328429,0.0024850168,0.07399157,0.00038292233,0.002903437,0.24625048,0.5408797,0.12746583],"study_design_scores_gemma":[0.000002778385,0.0000115288985,0.010262482,0.00007564049,0.0000023887235,0.00016003216,0.0065196576,0.000036073343,0.000370817,0.00076721393,0.9817853,0.0000061291908],"about_ca_topic_score_codex":0.20180279,"about_ca_topic_score_gemma":0.3078455,"teacher_disagreement_score":0.20180279,"about_ca_system_score_codex":0.00743884,"about_ca_system_score_gemma":0.0014500935,"threshold_uncertainty_score":0.40125632},"labels":[],"label_agreement":null},{"id":"W4233297732","doi":"10.32920/ryerson.14648661","title":"Unlocking the past: an analysis of sixteen Russian First World War Albums from the photography collection of the Art Gallery of Ontario, including enhanced cataloguing records","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Section (typography); Interpretation (philosophy); Period (music); Visual arts; History of photography; History; World War II; Art history; Genealogy; Geography; Art; Cartography; Computer science; Archaeology","score_opus":0.04082466880916788,"score_gpt":0.2581211909899332,"score_spread":0.2172965221807653,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233297732","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9624799,0.0021931273,0.00019148004,0.00050079334,0.00003852936,0.00006795634,0.002705853,0.0000131091665,0.031809226],"genre_scores_gemma":[0.9783925,0.0032788059,0.00060298474,0.00006544542,0.000050614275,0.00006453187,0.0029560574,0.00004624693,0.01454274],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99937755,0.00008673463,0.00004205612,0.00006436669,0.0003032121,0.00012611694],"domain_scores_gemma":[0.9976273,0.0005751414,0.00072523876,0.00018394952,0.0007353702,0.00015313142],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00076874223,0.00024621972,0.00019162652,0.008354313,0.0028519023,0.0024022073,0.0004281542,0.00023610654,0.0050700186],"category_scores_gemma":[0.003348612,0.00020885421,0.00013921835,0.014579125,0.0019348752,0.0013880387,0.0014331467,0.00035474446,0.00048686296],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018599702,0.00006376428,0.21537842,0.0010169586,0.000041730545,0.002518214,0.6360444,0.0001450916,0.004362918,0.0075774407,0.01845411,0.11421103],"study_design_scores_gemma":[0.000001338016,0.0000096303165,0.68431866,0.00021483657,0.000013225342,0.0001823663,0.2462267,0.000050912273,0.00031686475,0.00010965622,0.06854485,0.000010903851],"about_ca_topic_score_codex":0.39532998,"about_ca_topic_score_gemma":0.68200666,"teacher_disagreement_score":0.60467005,"about_ca_system_score_codex":0.008612498,"about_ca_system_score_gemma":0.0032451365,"threshold_uncertainty_score":0.78605783},"labels":[],"label_agreement":null},{"id":"W4233359423","doi":"10.32920/ryerson.14643870.v1","title":"An Access Guide To Nickolas Muray’s The Great Tribes Of Africa Collection At George Eastman House","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"George (robot); Photography; Negative; Ethnography; Work (physics); Period (music); Visual arts; History; Art history; Library science; Art; Archaeology; Engineering; Computer science","score_opus":0.07321079004360348,"score_gpt":0.32153134005349326,"score_spread":0.24832055000988978,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233359423","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0038365556,0.012392511,0.0075787865,0.0059773847,0.0035614949,0.0012020039,0.03228266,0.004484582,0.92868406],"genre_scores_gemma":[0.0052797617,0.0053120246,0.00775853,0.0012769873,0.00072233984,0.0005306346,0.007830138,0.0022427796,0.96904683],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995241,0.00010401862,0.000034181954,0.00008341751,0.0001997648,0.000054498818],"domain_scores_gemma":[0.9982133,0.00041766075,0.000095855234,0.00040552163,0.0005297561,0.00033788185],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011402398,0.00045896607,0.0005850741,0.0034084676,0.0020899375,0.0025124922,0.0007713476,0.00057568477,0.4041081],"category_scores_gemma":[0.0029766907,0.0005055869,0.00014959485,0.0047550797,0.0007491787,0.0032808555,0.0023186002,0.0013783999,0.23571907],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010601974,0.000012029844,0.00014054237,0.00006680605,6.4470964e-7,0.000046359528,0.0008890963,0.000009506304,0.00030590198,0.0023424767,0.9624497,0.033726368],"study_design_scores_gemma":[5.877367e-7,0.0000015342434,0.00033288155,0.000030409486,1.484722e-7,0.000026169006,0.00021454357,0.0000030304611,0.0000268231,0.00009491802,0.9992679,0.0000012147528],"about_ca_topic_score_codex":0.016461851,"about_ca_topic_score_gemma":0.06741687,"teacher_disagreement_score":0.4041081,"about_ca_system_score_codex":0.0013793488,"about_ca_system_score_gemma":0.0015210167,"threshold_uncertainty_score":0.8499675},"labels":[],"label_agreement":null},{"id":"W4233403847","doi":"10.5840/cpsem200942","title":"Construction and Manipulation of Time in Photography","year":2009,"lang":"en","type":"book-chapter","venue":"Semiotics","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Computer graphics (images); Art; Computer science; Visual arts","score_opus":0.023860582502248578,"score_gpt":0.2207334717322896,"score_spread":0.19687288923004104,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233403847","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030524813,0.0070956396,0.06918435,0.001860565,0.00034321254,0.000040808663,0.00006948312,0.000084942156,0.89079607],"genre_scores_gemma":[0.86672956,0.0035267666,0.022239031,0.00016566993,0.00021657337,0.00013350323,0.00006733308,0.0002018911,0.106719784],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989273,0.0006476447,0.000045263427,0.00011114331,0.0001963491,0.00007222315],"domain_scores_gemma":[0.9989956,0.0006158789,0.00008194301,0.0001714906,0.00008949968,0.00004559476],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00083785487,0.00048615877,0.00028424466,0.0012740744,0.0023054115,0.0065524285,0.0006424647,0.0009610384,0.009064408],"category_scores_gemma":[0.0023370986,0.00036733347,0.00036625264,0.0016436636,0.015768886,0.0060795043,0.0020347212,0.0016096369,0.0007521965],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009429335,0.0000029842092,0.000045585522,0.000025156814,0.0000012967531,0.00004052447,0.0053142244,0.00009935196,0.00035013305,0.98670524,0.000637443,0.006768651],"study_design_scores_gemma":[0.00001736661,0.00003487623,0.0009175536,0.00027005206,0.000011897461,0.0004094385,0.011711541,0.0010217438,0.0019777094,0.7917227,0.19187903,0.000026074149],"about_ca_topic_score_codex":0.0019867397,"about_ca_topic_score_gemma":0.0024311938,"teacher_disagreement_score":0.009064408,"about_ca_system_score_codex":0.0022307935,"about_ca_system_score_gemma":0.00097512285,"threshold_uncertainty_score":0.030323446},"labels":[],"label_agreement":null},{"id":"W4233550624","doi":"10.32920/ryerson.14653011","title":"Defining a Reseach Tool: an Object-Based Study of a Group of Inter-Related Photographic Objects Attributed to the James Inglis Studio (1866 - 1884) in the McCord Museum, Montreal","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Studio; Object (grammar); Portrait; Biography; Value (mathematics); Visual arts; Art history; Art; Index (typography); Photography; Social function; Computer science; Humanities; World Wide Web; Artificial intelligence","score_opus":0.04595461621769842,"score_gpt":0.29046891371053735,"score_spread":0.24451429749283893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233550624","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94409275,0.00081146584,0.0022539923,0.0006330339,0.000023109962,0.00020007188,0.00019582323,0.000018773633,0.05177097],"genre_scores_gemma":[0.9766184,0.0007018614,0.002576419,0.00011267542,0.000013511982,0.00009022564,0.00014823579,0.000048884936,0.01968985],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9979274,0.0010422111,0.00004409699,0.00023704127,0.00041660562,0.00033252602],"domain_scores_gemma":[0.9978235,0.0010580869,0.00035446015,0.00018617541,0.00038830348,0.00018953353],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033872598,0.0004833664,0.0003377741,0.005314622,0.009812948,0.006496989,0.0018366624,0.0008956809,0.0039315866],"category_scores_gemma":[0.0049536754,0.00036167607,0.0002448026,0.0064570624,0.012303486,0.0031268692,0.0034777895,0.0008914104,0.00028841555],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012648071,0.000016021095,0.0064110574,0.000044419256,0.0000029979094,0.000395923,0.97752166,0.00003393144,0.00048563266,0.0059123444,0.00065010524,0.008513249],"study_design_scores_gemma":[0.0000021194571,0.000021022266,0.0245749,0.000094106595,0.0000074753025,0.00017701788,0.93757254,0.00009239182,0.00034822998,0.00037755223,0.036719583,0.000013001116],"about_ca_topic_score_codex":0.5159418,"about_ca_topic_score_gemma":0.7586786,"teacher_disagreement_score":0.4840582,"about_ca_system_score_codex":0.020448925,"about_ca_system_score_gemma":0.005906154,"threshold_uncertainty_score":0.9738178},"labels":[],"label_agreement":null},{"id":"W4233652206","doi":"10.32920/ryerson.14665098","title":"The Matthew R. Isenburg collection: the dissemination of information on a private photographic collection, 1972-2012","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Studio; Reputation; Documentation; Data collection; Visual arts; Library science; Art; History; Art history; Sociology; Computer science; Social science","score_opus":0.019247725107694572,"score_gpt":0.2564188943892547,"score_spread":0.23717116928156012,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233652206","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.049793135,0.039299108,0.003065403,0.015072036,0.0049627195,0.00042046656,0.02136065,0.0007706911,0.8652559],"genre_scores_gemma":[0.14452294,0.053540885,0.007906821,0.00175221,0.0033794127,0.0005190406,0.013865835,0.0013342905,0.7731785],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99793905,0.00029233174,0.00013198772,0.00022066906,0.0012372293,0.00017881338],"domain_scores_gemma":[0.99495715,0.0011588748,0.00048141865,0.00093800854,0.0021220252,0.00034248026],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003204906,0.0003612703,0.0002837343,0.007942095,0.0049357573,0.0049459906,0.0005311716,0.0004874787,0.03026578],"category_scores_gemma":[0.0086384835,0.00041459466,0.00015752004,0.010493344,0.0026450485,0.0032648458,0.003039706,0.0010382076,0.00827258],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004615647,0.000022036143,0.002991259,0.00052301463,0.0000072697153,0.0002565019,0.026183411,0.00008614254,0.001119464,0.028651858,0.7221338,0.2179791],"study_design_scores_gemma":[8.604218e-7,0.0000030227693,0.005655299,0.00017395294,0.0000014533064,0.00005611712,0.002029759,0.000006806409,0.00018640743,0.00018159766,0.9916997,0.0000052144865],"about_ca_topic_score_codex":0.08754523,"about_ca_topic_score_gemma":0.19694386,"teacher_disagreement_score":0.08754523,"about_ca_system_score_codex":0.007542817,"about_ca_system_score_gemma":0.008441615,"threshold_uncertainty_score":0.17407131},"labels":[],"label_agreement":null},{"id":"W4233743140","doi":"10.1386/jcs.5.1.56_1","title":"Haunted by Queer Affect: Geoffrey Farmer’s The Intellection of Lady Spider House and Allyson Mitchell’s Killjoy’s Kastle","year":2016,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Alberta University of the Arts","funders":"","keywords":"Queer; Performative utterance; Uncanny; Shame; Feeling; Affect theory; Aesthetics; Affect (linguistics); Sociology; Visual arts; Art; Gender studies; Psychology; Social psychology; Communication","score_opus":0.0502899721053731,"score_gpt":0.2998461691112166,"score_spread":0.24955619700584347,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233743140","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5711039,0.009760781,0.0021050146,0.10172289,0.001746895,0.00005416996,0.00008481849,0.0001400627,0.3132816],"genre_scores_gemma":[0.94281733,0.0016087623,0.00045635202,0.003453431,0.0001913982,0.000019516008,0.000014525155,0.00008990883,0.05134864],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984584,0.0008943087,0.000012751277,0.000118930424,0.00024554913,0.0002700984],"domain_scores_gemma":[0.9986712,0.0005872046,0.000096458716,0.00010327352,0.0001598766,0.00038210224],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016051976,0.00042731522,0.0002614509,0.0006464432,0.025273887,0.006224427,0.000882844,0.0020587496,0.0049188007],"category_scores_gemma":[0.0025829624,0.0002693949,0.0001778399,0.0007526381,0.023338519,0.003396969,0.0032412384,0.003325012,0.0005437694],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027995773,0.000016434433,0.0006602697,0.000030509462,0.0000036027711,0.0013682033,0.9215302,0.000039740564,0.0007248678,0.029328771,0.039741278,0.0065280832],"study_design_scores_gemma":[0.000006522961,0.000020800504,0.002650594,0.00008312833,0.0000058063238,0.0009443097,0.70069087,0.000055463996,0.0005039876,0.0023758402,0.2926341,0.000028551178],"about_ca_topic_score_codex":0.19964913,"about_ca_topic_score_gemma":0.5159521,"teacher_disagreement_score":0.19964913,"about_ca_system_score_codex":0.008658868,"about_ca_system_score_gemma":0.0028861114,"threshold_uncertainty_score":0.3969741},"labels":[],"label_agreement":null},{"id":"W4234003293","doi":"10.32920/ryerson.14646180.v1","title":"Gender and consumerism in Nickolas Muray's photography for McCall's magazine, 1933-1945","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; NSCAD University","funders":"","keywords":"Consumerism; Context (archaeology); Identity (music); Meaning (existential); Photography; Embodied cognition; Aesthetics; Sociology; Content (measure theory); Art; Gender studies; Visual arts; History; Philosophy; Law; Political science; Epistemology","score_opus":0.06219242006832215,"score_gpt":0.28239027421297314,"score_spread":0.22019785414465098,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234003293","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7355878,0.014022615,0.00044943235,0.012524921,0.00074220053,0.00002563772,0.00016124657,0.000046426565,0.23643969],"genre_scores_gemma":[0.93852973,0.0022446394,0.00023193102,0.00054765766,0.00013836099,0.000009541019,0.000023168022,0.00003977116,0.058235183],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99956983,0.00019632874,0.000010102547,0.000050229602,0.00009442297,0.000079098405],"domain_scores_gemma":[0.9993806,0.0003035524,0.00009275429,0.000024554385,0.000101518795,0.00009696623],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00074685697,0.00023653486,0.00012252541,0.0012324026,0.006816778,0.0033003623,0.00025116905,0.0007187589,0.005290573],"category_scores_gemma":[0.0014986157,0.00020085396,0.0001068946,0.0007270669,0.0041483217,0.0014893954,0.0012121265,0.0009906947,0.00035196988],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019025897,0.00003820728,0.0096378215,0.0001663861,0.000011769878,0.0030981433,0.84050953,0.00006736687,0.0037747072,0.05772348,0.046600856,0.03818147],"study_design_scores_gemma":[0.0000038891567,0.0000512358,0.037555475,0.00019236498,0.000010055298,0.0010776921,0.19904736,0.000027967766,0.0023808188,0.0008080457,0.7588181,0.000026911399],"about_ca_topic_score_codex":0.09895301,"about_ca_topic_score_gemma":0.29810745,"teacher_disagreement_score":0.09895301,"about_ca_system_score_codex":0.008000281,"about_ca_system_score_gemma":0.0009704026,"threshold_uncertainty_score":0.1967541},"labels":[],"label_agreement":null},{"id":"W4234116776","doi":"10.1386/public.31.59.200_5","title":"Sam Vernon, Rage Wave","year":2019,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rage (emotion); Geology; Neuroscience; Medicine; Psychology","score_opus":0.05910594676770272,"score_gpt":0.2173515355050035,"score_spread":0.15824558873730077,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234116776","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009387116,0.050122086,0.0016643542,0.246994,0.19661772,0.00014622585,0.0008092856,0.0013644841,0.5013431],"genre_scores_gemma":[0.0027069084,0.006280374,0.00035890046,0.01603223,0.0068230117,0.00004718344,0.00020182435,0.000446181,0.96710336],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986405,0.00019600912,0.000041154566,0.00024599006,0.0006981803,0.00017811994],"domain_scores_gemma":[0.99714154,0.0002417227,0.000091602364,0.0001768265,0.0014621171,0.0008861323],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018065966,0.000711611,0.00051896344,0.0012424942,0.0046117604,0.005034924,0.0009742708,0.0024097553,0.2572453],"category_scores_gemma":[0.0053917407,0.00049877993,0.00036056494,0.00067676295,0.00088241126,0.0035367918,0.0037373512,0.004498809,0.16987921],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003936712,0.0000019989077,0.000017522687,0.000012256559,2.7518172e-7,0.000010189652,0.00003528703,0.000002067549,0.00003167314,0.00037658543,0.99255013,0.0069581927],"study_design_scores_gemma":[9.504523e-7,0.0000022859515,0.00008130495,0.0000249532,4.108723e-7,0.00003250671,0.00011066048,0.0000039005085,0.00002709763,0.000105320425,0.9996086,0.0000020659495],"about_ca_topic_score_codex":0.009100056,"about_ca_topic_score_gemma":0.023515612,"teacher_disagreement_score":0.2572453,"about_ca_system_score_codex":0.0012857659,"about_ca_system_score_gemma":0.0018995752,"threshold_uncertainty_score":0.86057127},"labels":[],"label_agreement":null},{"id":"W4234228823","doi":"10.32920/ryerson.14653461.v1","title":"Inside the Box: Photography and the Portfolio Format","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Photography; Portfolio; Visual arts; Art history; Art; History; Economics; Finance","score_opus":0.027913892593511618,"score_gpt":0.2372008774246992,"score_spread":0.20928698483118757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234228823","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03967856,0.00469538,0.017364904,0.014116467,0.001253011,0.000092699695,0.00029132268,0.00017090114,0.9223367],"genre_scores_gemma":[0.7387676,0.008118797,0.014894487,0.00213418,0.001496224,0.00017509628,0.0003756437,0.0003826098,0.23365545],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986401,0.00083020993,0.000057228837,0.00012481463,0.00025279462,0.00009479608],"domain_scores_gemma":[0.9971252,0.0015165502,0.0003105752,0.0005419866,0.00028271344,0.00022297095],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021705518,0.00021159908,0.00014553206,0.00095920486,0.0018730583,0.00928193,0.000526652,0.0006869363,0.02983706],"category_scores_gemma":[0.0098190475,0.0001704375,0.00008810836,0.001984517,0.0040114555,0.010094046,0.0024071042,0.0013615699,0.002604342],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004806302,0.000020882591,0.002087662,0.00008653068,0.000003306514,0.00016424741,0.011600102,0.00017135477,0.000373131,0.8175095,0.04245847,0.12547687],"study_design_scores_gemma":[0.000011777474,0.000037744205,0.00697328,0.00055472535,0.000007120022,0.00044826244,0.015760807,0.000318741,0.0009730655,0.09494128,0.87995434,0.000018905203],"about_ca_topic_score_codex":0.002580174,"about_ca_topic_score_gemma":0.003241745,"teacher_disagreement_score":0.02983706,"about_ca_system_score_codex":0.0018985766,"about_ca_system_score_gemma":0.0010319897,"threshold_uncertainty_score":0.09981495},"labels":[],"label_agreement":null},{"id":"W4234384639","doi":"10.32920/ryerson.14644002","title":"A forgotten social group: a Chinese photographic album","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"China; Context (archaeology); Visual arts; Photography; Urbanization; Art; Geography; Archaeology; Economic growth","score_opus":0.034410806307940925,"score_gpt":0.2717261396649475,"score_spread":0.2373153333570066,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234384639","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9031898,0.00901405,0.0006079318,0.005635044,0.00046331523,0.00008579212,0.00015401475,0.000021551059,0.08082855],"genre_scores_gemma":[0.9860465,0.00360608,0.0003093917,0.0003886919,0.000098372075,0.000030747222,0.00009081987,0.000010567715,0.009418876],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995814,0.00014087929,0.000016097672,0.000060541573,0.000092991366,0.000108206936],"domain_scores_gemma":[0.99967,0.00010140227,0.00006451067,0.000049304843,0.000047318343,0.000067539324],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00088952767,0.00038532016,0.0002533324,0.0019718853,0.0074069854,0.003464077,0.0006778018,0.0006099258,0.004487656],"category_scores_gemma":[0.0007354506,0.0001380287,0.00020987188,0.0033344608,0.006057453,0.0024236906,0.0027906122,0.00084297074,0.00020345277],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008130656,0.000037580092,0.0174907,0.00089825,0.00002961559,0.004792145,0.82971907,0.000084369545,0.0021611676,0.05157161,0.012971012,0.080163255],"study_design_scores_gemma":[0.0000088519155,0.000054163163,0.07478322,0.00063639024,0.00004444853,0.0009295392,0.6620041,0.00017779549,0.0009314724,0.0019224614,0.2584718,0.000035749887],"about_ca_topic_score_codex":0.059925586,"about_ca_topic_score_gemma":0.10264635,"teacher_disagreement_score":0.059925586,"about_ca_system_score_codex":0.0046131397,"about_ca_system_score_gemma":0.0036784792,"threshold_uncertainty_score":0.11915356},"labels":[],"label_agreement":null},{"id":"W4234555024","doi":"10.32920/ryerson.14665008","title":"The colour of time: Stephen Shore’s American Surfaces 1972-2014","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"Ministry of Minority Affairs","keywords":"Exhibition; Photography; Visual arts; Art; Negative; Visual art of the United States; Materiality (auditing); Shore; Art history; Aesthetics; Performance art; Geology","score_opus":0.024824153634171908,"score_gpt":0.2595043291212658,"score_spread":0.2346801754870939,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234555024","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15045127,0.015325558,0.0025339865,0.048583396,0.0058447057,0.000040534036,0.00017300618,0.0001202367,0.77692735],"genre_scores_gemma":[0.6508862,0.012931553,0.0026519678,0.0043911315,0.001054355,0.000031239717,0.00010417897,0.0003651723,0.32758424],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989973,0.00028563404,0.000016149079,0.0001240865,0.0004716519,0.000105166415],"domain_scores_gemma":[0.99945813,0.00021329374,0.000037224763,0.000050143874,0.0001585571,0.00008266129],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011589299,0.00033717937,0.00013371448,0.0010260381,0.008282514,0.005195888,0.00034919,0.0009642917,0.00504698],"category_scores_gemma":[0.0019825406,0.00023859447,0.00016165768,0.0014076038,0.008588307,0.0034108448,0.0031982285,0.003113744,0.00085474463],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000086835826,0.000035471105,0.003183411,0.00013921359,0.000007847038,0.0010522734,0.34117863,0.00014806686,0.002265411,0.29933077,0.26066706,0.0919051],"study_design_scores_gemma":[0.0000015230233,0.000011129217,0.002780531,0.00011552458,0.0000017710887,0.00027905233,0.050002594,0.00003369606,0.0006349836,0.0041450937,0.9419811,0.000013101347],"about_ca_topic_score_codex":0.033424653,"about_ca_topic_score_gemma":0.10870045,"teacher_disagreement_score":0.033424653,"about_ca_system_score_codex":0.0042507546,"about_ca_system_score_gemma":0.0022879273,"threshold_uncertainty_score":0.06646019},"labels":[],"label_agreement":null},{"id":"W4234749825","doi":"10.32920/ryerson.14653875.v1","title":"A full catalogue and analysis of Indian painted photographs at Royal Ontario Museum's South Asian photographic collection","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Photography; Studio; Visual arts; Art; Negative; Art history","score_opus":0.023349073920586605,"score_gpt":0.22180754095717026,"score_spread":0.19845846703658365,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234749825","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04923897,0.020055572,0.0056833113,0.00088781124,0.0011548692,0.0018826878,0.31229985,0.0022841522,0.60651284],"genre_scores_gemma":[0.08884492,0.049530055,0.02911718,0.00050121,0.000846664,0.0014211206,0.3259616,0.004619517,0.4991578],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9980527,0.00008290883,0.00016252232,0.00016595617,0.0013433448,0.00019248297],"domain_scores_gemma":[0.99577373,0.00042601625,0.00035147968,0.00081224507,0.0023391368,0.00029741207],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012611432,0.00080233545,0.00079489854,0.03693273,0.0029609166,0.0028146864,0.0010521905,0.0002797916,0.078522205],"category_scores_gemma":[0.0028426596,0.0007060008,0.00065861613,0.06754664,0.0010085631,0.0013866336,0.0016395857,0.0008057147,0.021469835],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027674343,0.00007530522,0.014211454,0.006051874,0.000081312144,0.001492148,0.016469643,0.00038767853,0.0096115805,0.005921562,0.5451029,0.4003178],"study_design_scores_gemma":[0.000004159787,0.000010359245,0.056874525,0.00038771797,0.000023528488,0.00048618042,0.0020760205,0.000034513236,0.0007634962,0.00008415218,0.9392254,0.000029925968],"about_ca_topic_score_codex":0.25432932,"about_ca_topic_score_gemma":0.5013217,"teacher_disagreement_score":0.7456707,"about_ca_system_score_codex":0.0054498874,"about_ca_system_score_gemma":0.008789517,"threshold_uncertainty_score":0.50569797},"labels":[],"label_agreement":null},{"id":"W4234771645","doi":"10.32920/ryerson.14661723","title":"The Klinsky Press Agency Finding Aid at the Art Gallery of Ontario","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Agency (philosophy); Subject (documents); Data collection; Photography; Visual arts; Distribution (mathematics); Art history; Operations research; Sociology; Library science; Art; Computer science; Engineering; Social science","score_opus":0.07713402325428727,"score_gpt":0.2736777863736274,"score_spread":0.19654376311934013,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234771645","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025150165,0.0032105534,0.0031249376,0.0031560434,0.0012062895,0.0013079259,0.16477233,0.0032890881,0.7947827],"genre_scores_gemma":[0.039804865,0.0035952292,0.009607877,0.00027660117,0.00024598461,0.00052085397,0.048539188,0.0020991326,0.8953102],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980817,0.000095368756,0.00008707796,0.00026129105,0.0012031029,0.0002714979],"domain_scores_gemma":[0.9940852,0.00042095,0.0003249733,0.0010502159,0.0032806636,0.00083795376],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016901329,0.00077610626,0.0007465741,0.009245094,0.009068242,0.0069367825,0.0011696462,0.0006625045,0.24147211],"category_scores_gemma":[0.004942662,0.00067788677,0.00040442578,0.019351318,0.0018384825,0.0022106299,0.0030237024,0.0006962263,0.05535352],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015950298,0.000025956524,0.003005013,0.0004658198,0.000012125039,0.0004738359,0.0051215407,0.00011918374,0.0018868167,0.0063321777,0.88969016,0.09270801],"study_design_scores_gemma":[0.0000057959182,0.0000035975356,0.005760874,0.000073387455,0.0000038957483,0.00003772104,0.0009993003,0.000030694635,0.00029409147,0.00013355045,0.99264646,0.000010577568],"about_ca_topic_score_codex":0.85415643,"about_ca_topic_score_gemma":0.9456737,"teacher_disagreement_score":0.24147211,"about_ca_system_score_codex":0.021222917,"about_ca_system_score_gemma":0.040928688,"threshold_uncertainty_score":0.8078047},"labels":[],"label_agreement":null},{"id":"W4234989980","doi":"10.32920/ryerson.14645805","title":"Preparing For Destruction : A Management Plan For The Los Angeles Police Department's 1925-1939 Collection Of Cellulose Nitrate Negatives","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Plan (archaeology); Section (typography); Data collection; Negative; Business; Library science; Computer science; Geography; Archaeology; Advertising; Art; Sociology; Visual arts","score_opus":0.05044580612118372,"score_gpt":0.28166474127137364,"score_spread":0.23121893515018993,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234989980","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21428335,0.0076799435,0.10147595,0.14091265,0.0033158266,0.0184867,0.004692334,0.0059158425,0.5032374],"genre_scores_gemma":[0.27267295,0.0109968735,0.39618832,0.0073860893,0.0008687619,0.008069886,0.00919446,0.00093584857,0.29368678],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99574715,0.00075393985,0.0003315645,0.00026605697,0.0020722703,0.0008289788],"domain_scores_gemma":[0.99489117,0.00058407756,0.00064376683,0.00045717086,0.0022333092,0.0011904713],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009459758,0.000638389,0.00022599932,0.0049673454,0.008121685,0.010184333,0.003157525,0.0020608245,0.012022044],"category_scores_gemma":[0.0077188034,0.000854892,0.00039096412,0.002824808,0.0021197028,0.0059101474,0.0036868246,0.0034113373,0.004620904],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016631334,0.00092685386,0.02418329,0.00054255076,0.000022138705,0.0035586026,0.021229457,0.0052700588,0.009086756,0.05619871,0.4007017,0.4781136],"study_design_scores_gemma":[0.000050434584,0.00027857022,0.026760766,0.00065212115,0.000015858597,0.00060914416,0.043282468,0.0014762885,0.0038001826,0.005076112,0.91784173,0.0001561995],"about_ca_topic_score_codex":0.05914986,"about_ca_topic_score_gemma":0.08479975,"teacher_disagreement_score":0.05914986,"about_ca_system_score_codex":0.0112710465,"about_ca_system_score_gemma":0.038202707,"threshold_uncertainty_score":0.11761117},"labels":[],"label_agreement":null},{"id":"W4235033116","doi":"10.32920/ryerson.14648052.v1","title":"Facing Canada: portraits in Toronto","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Nexus (standard); Subject (documents); Identity (music); Representation (politics); Visual arts; Multiculturalism; Ethnography; National identity; Colonialism; Media studies; Photography; Sociology; History; Art; Aesthetics; Political science; Law; Anthropology; Computer science; Library science; Archaeology","score_opus":0.03257480997656717,"score_gpt":0.255253576993605,"score_spread":0.22267876701703784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235033116","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43353802,0.016558882,0.0020902418,0.017707756,0.000979775,0.00011691933,0.0048647844,0.00016609761,0.52397746],"genre_scores_gemma":[0.918001,0.005889513,0.0011823939,0.00069026096,0.00007170421,0.000022430124,0.000749085,0.00009302704,0.07330054],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994721,0.000105288476,0.000010199348,0.000059183836,0.00014614622,0.00020700494],"domain_scores_gemma":[0.99958724,0.000074793315,0.000033931356,0.000022096574,0.00010660009,0.0001753052],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026425926,0.00062540034,0.00020278752,0.0011025066,0.01466863,0.0037021965,0.0007297658,0.0011116564,0.014621577],"category_scores_gemma":[0.0007340851,0.00023000881,0.00028448892,0.0032956598,0.0040756366,0.0010187658,0.0016741818,0.0018852844,0.0010039145],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002261707,0.000028577611,0.016739389,0.0007410415,0.00006927681,0.011049055,0.7160369,0.0016006185,0.0049277814,0.07634043,0.13644686,0.035793938],"study_design_scores_gemma":[0.0000074935456,0.000025289923,0.04026463,0.00038208556,0.00005023917,0.0011683869,0.36089352,0.00039374837,0.0006980332,0.0015586808,0.59450525,0.000052668078],"about_ca_topic_score_codex":0.9791047,"about_ca_topic_score_gemma":0.9958354,"teacher_disagreement_score":0.049115404,"about_ca_system_score_codex":0.049115404,"about_ca_system_score_gemma":0.019550849,"threshold_uncertainty_score":0.3563589},"labels":[],"label_agreement":null},{"id":"W4235051596","doi":"10.32920/ryerson.14666382","title":"Between Art And Photojournalism :An Examination Of Henri Cartier-Bresson's The People Of Moscow","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Photojournalism; Photography; Art history; Art; Agency (philosophy); Period (music); Visual arts; Sociology; Aesthetics; Social science","score_opus":0.04767591865451668,"score_gpt":0.27696713930304917,"score_spread":0.2292912206485325,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235051596","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6681733,0.048647966,0.0005149913,0.008953565,0.0007578224,0.000040274426,0.00010273417,0.000028154906,0.27278116],"genre_scores_gemma":[0.9775738,0.0082858335,0.00013824322,0.000502245,0.00020208523,0.000027144115,0.000028057973,0.000033228593,0.013209333],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9977095,0.0014259715,0.00007279751,0.0001631608,0.00031733696,0.00031117475],"domain_scores_gemma":[0.9981584,0.0012353092,0.00024799828,0.00005489145,0.000093606744,0.00020974244],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018591762,0.00027646375,0.00042284394,0.004305608,0.00964154,0.007960666,0.0005491818,0.001102117,0.0038920932],"category_scores_gemma":[0.0025311208,0.00034856735,0.00017435869,0.006780147,0.0139486585,0.0032007287,0.0047039078,0.0014409374,0.00026045425],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024540239,0.000019684363,0.0050352872,0.0001733205,0.000008188582,0.00039712482,0.9347186,0.000019428264,0.0001857924,0.03964487,0.006135382,0.01363779],"study_design_scores_gemma":[0.0000054709435,0.000029381437,0.04408094,0.00064470177,0.000010854599,0.00047684077,0.7548158,0.000025260792,0.00012472656,0.002665729,0.19710913,0.000011038423],"about_ca_topic_score_codex":0.029379204,"about_ca_topic_score_gemma":0.048634738,"teacher_disagreement_score":0.029379204,"about_ca_system_score_codex":0.0071067335,"about_ca_system_score_gemma":0.0025038763,"threshold_uncertainty_score":0.058416367},"labels":[],"label_agreement":null},{"id":"W4235238739","doi":"10.32920/ryerson.14656332","title":"British Official First World War Photographs, 1916-1918: Arranging and Contextualizing a Collection of Prints at the Art Gallery of Ontario","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Wilfrid Laurier University; University of Victoria","funders":"","keywords":"First world war; Visual arts; Censorship; Politics; World War II; Photojournalism; History; Spanish Civil War; Photography; Media studies; Art; Law; Sociology; Political science; Archaeology; Ancient history","score_opus":0.03311687905450429,"score_gpt":0.23769373825273551,"score_spread":0.2045768591982312,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235238739","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6871183,0.0039950665,0.0023720502,0.0035294574,0.00031266257,0.00048556796,0.0047902795,0.00012842934,0.29726815],"genre_scores_gemma":[0.8549458,0.004143333,0.0057664546,0.00027485672,0.00007847233,0.00017737367,0.0023485795,0.0002826986,0.13198245],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998548,0.0002192478,0.000055707776,0.00018201848,0.0006786725,0.0003163555],"domain_scores_gemma":[0.99753356,0.00063508353,0.00033687177,0.00033257742,0.0008785881,0.00028328734],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018192009,0.0002955674,0.00024321847,0.0051078037,0.012025341,0.0051821168,0.0010069448,0.0005089139,0.010175808],"category_scores_gemma":[0.005127396,0.0004741261,0.00016462425,0.010575847,0.006361767,0.001409624,0.0035488703,0.00087306654,0.0010336073],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001412733,0.00003073444,0.028434286,0.0005001197,0.00001655368,0.001508058,0.8252976,0.00035673985,0.0052517895,0.011059879,0.034472503,0.0929305],"study_design_scores_gemma":[0.0000058098153,0.000017923296,0.18123585,0.00031355055,0.000015237351,0.0002816453,0.35051912,0.00007770186,0.001117018,0.00033763223,0.46605098,0.000027552338],"about_ca_topic_score_codex":0.91982853,"about_ca_topic_score_gemma":0.98812693,"teacher_disagreement_score":0.080171466,"about_ca_system_score_codex":0.03553146,"about_ca_system_score_gemma":0.022013418,"threshold_uncertainty_score":0.25779998},"labels":[],"label_agreement":null},{"id":"W4235527687","doi":"10.32920/ryerson.14663667.v1","title":"Close to home: holdings of Marion Faller's Work at the George Eastman House International Museum of Photography and Film","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"George (robot); Photography; Art; Visual arts; Work (physics); Art history; Film director; Engineering; Movie theater; Mechanical engineering","score_opus":0.02324155062483629,"score_gpt":0.24039835938668735,"score_spread":0.21715680876185106,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235527687","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50301695,0.08421554,0.0016884923,0.05999855,0.004069819,0.00020262439,0.0008040904,0.00022621312,0.34577772],"genre_scores_gemma":[0.7287981,0.035758927,0.002428957,0.008916689,0.0011396753,0.00012892646,0.0004264918,0.0005588178,0.22184342],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977806,0.00077325833,0.00006288579,0.00035648534,0.00080689875,0.0002197969],"domain_scores_gemma":[0.99729794,0.001241656,0.00034111564,0.00023513836,0.00044196533,0.0004421154],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026898345,0.00038727155,0.0004965315,0.003312514,0.016452666,0.0048760604,0.0011044923,0.0009951328,0.012666888],"category_scores_gemma":[0.005981461,0.0004252955,0.00021137767,0.004121357,0.007747006,0.003620416,0.0045085065,0.0024933526,0.001614378],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033105687,0.000041035684,0.0025350016,0.00032235906,0.0000114620525,0.0027270277,0.788769,0.000026830801,0.00092724554,0.010090355,0.12697785,0.067538776],"study_design_scores_gemma":[0.0000019743234,0.000028778295,0.009745047,0.00083152135,0.000009092807,0.0011345065,0.35062605,0.000011744187,0.00037128277,0.0005492062,0.6366735,0.00001719852],"about_ca_topic_score_codex":0.075176954,"about_ca_topic_score_gemma":0.26255307,"teacher_disagreement_score":0.075176954,"about_ca_system_score_codex":0.006395171,"about_ca_system_score_gemma":0.0042525954,"threshold_uncertainty_score":0.14947873},"labels":[],"label_agreement":null},{"id":"W4235616965","doi":"10.32920/ryerson.14665719","title":"Frederick H. Evans : Art, Craft And Presentation","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Craft; Presentation (obstetrics); Visual arts; Context (archaeology); George (robot); Art; Photography; Meaning (existential); Art history; History; Archaeology; Philosophy","score_opus":0.04706336191624742,"score_gpt":0.2786801945145789,"score_spread":0.2316168325983315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235616965","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00764212,0.17555368,0.0033453426,0.048726708,0.005816503,0.000045338813,0.00018467415,0.00019858252,0.75848705],"genre_scores_gemma":[0.117876634,0.08251949,0.0024211137,0.0039441227,0.002185732,0.000045308032,0.00009385205,0.00023897925,0.7906748],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99941885,0.00018143567,0.0000265394,0.00007340843,0.00022620274,0.00007348533],"domain_scores_gemma":[0.9994822,0.0002462237,0.00005375361,0.000023606848,0.000118818374,0.00007540588],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00087628973,0.00038144807,0.00012350947,0.0011405878,0.0026241876,0.0040041255,0.00035922395,0.0011361912,0.028613858],"category_scores_gemma":[0.0020928234,0.00017872301,0.00009026679,0.0013904771,0.0025956563,0.0038516223,0.0010812738,0.0009997078,0.0052735866],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024154935,0.000017392673,0.0004061118,0.00019097132,0.0000031563775,0.00024582795,0.012250697,0.00008814594,0.00052504777,0.1771276,0.6723574,0.13676357],"study_design_scores_gemma":[6.927241e-7,0.0000019281574,0.00049614266,0.000116215975,5.7949353e-7,0.00008534249,0.0013196002,0.00001559662,0.00010190021,0.0033233927,0.99453557,0.0000031169627],"about_ca_topic_score_codex":0.026666144,"about_ca_topic_score_gemma":0.044298705,"teacher_disagreement_score":0.028613858,"about_ca_system_score_codex":0.0043592495,"about_ca_system_score_gemma":0.0023502817,"threshold_uncertainty_score":0.095722914},"labels":[],"label_agreement":null},{"id":"W4235751657","doi":"10.32920/ryerson.14644560.v1","title":"Description of war photographs : designing a list of subject headingsDescription of war photographs : designing a list of subject headings","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Subject (documents); Photography; Spanish Civil War; Visual arts; Computer science; Vocabulary; Terminology; Library science; Special collections; World War II; Key (lock); White (mutation); History; World Wide Web; Art; Linguistics; Archaeology","score_opus":0.059668896739491294,"score_gpt":0.26494845428113717,"score_spread":0.20527955754164587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235751657","genre_codex":"methods","genre_gemma":"methods","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"methods","genre_consensus":"methods","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024053128,0.001221304,0.89097804,0.0020282278,0.000744529,0.0061127893,0.012567427,0.011860212,0.050434437],"genre_scores_gemma":[0.033463985,0.001221134,0.9264599,0.00028566457,0.00017335474,0.0027732695,0.01234297,0.002555365,0.020724377],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954377,0.0017565072,0.0013095564,0.0005164606,0.00077636656,0.00020342355],"domain_scores_gemma":[0.98811406,0.0037718387,0.0014033815,0.0015799279,0.0044048526,0.00072591065],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0073605767,0.0010790223,0.0009563035,0.009347749,0.0026128055,0.005813703,0.001645123,0.0011409748,0.023758983],"category_scores_gemma":[0.014239757,0.0013481472,0.00089006434,0.005827964,0.0015395626,0.007849644,0.002500606,0.0015179443,0.012409196],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003594022,0.00025111795,0.008423869,0.0034414823,0.00004607553,0.0010560316,0.021790192,0.0031629254,0.057180714,0.11682413,0.109715395,0.6777486],"study_design_scores_gemma":[0.000055698492,0.0002303969,0.005677726,0.0009935786,0.0000531499,0.0007413283,0.008796032,0.004505273,0.013972106,0.01158182,0.95325494,0.00013795294],"about_ca_topic_score_codex":0.0062887995,"about_ca_topic_score_gemma":0.0080103,"teacher_disagreement_score":0.9941863,"about_ca_system_score_codex":0.002193403,"about_ca_system_score_gemma":0.0053814864,"threshold_uncertainty_score":0.07948172},"labels":[],"label_agreement":null},{"id":"W4235793052","doi":"10.32920/ryerson.14660712","title":"A journey in collections management : the creation of a finding aid for the Black Star Ephemera Collection at the Ryerson Image Centre","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Ephemera; Agency (philosophy); Swift; Ephemeral key; Photography; Photojournalism; Data collection; Star (game theory); Computer science; Library science; Media studies; World Wide Web; Visual arts; Art; Sociology; Computer security; Social science","score_opus":0.05010329793684672,"score_gpt":0.2900991502164056,"score_spread":0.23999585227955886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235793052","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2750518,0.0075588236,0.07258424,0.07800312,0.0025348798,0.0047745383,0.0015932583,0.0018340007,0.5560653],"genre_scores_gemma":[0.3796636,0.005031754,0.19283892,0.0027749913,0.00044482673,0.0013321826,0.0009980061,0.0018914127,0.41502434],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.98965573,0.00571356,0.00024067936,0.0008819661,0.002523251,0.0009848467],"domain_scores_gemma":[0.9914077,0.0012641313,0.00042785713,0.0014576549,0.0022725305,0.0031700376],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.017941585,0.00040128015,0.00042120655,0.0020933442,0.021809658,0.017428556,0.0021467907,0.0015773906,0.010486657],"category_scores_gemma":[0.012386176,0.00091111544,0.0003604091,0.0029255676,0.012077976,0.0068815514,0.012428384,0.0033982317,0.0028947378],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013143281,0.0003225112,0.0053267027,0.00050273,0.000020714575,0.0015718683,0.44566292,0.00043292635,0.0046469322,0.11859893,0.17219841,0.25058392],"study_design_scores_gemma":[0.0000110416,0.00007921693,0.002989687,0.00019047751,0.000007655414,0.00032955784,0.10049596,0.00019420286,0.0009859134,0.0022505743,0.89243025,0.00003548034],"about_ca_topic_score_codex":0.1165724,"about_ca_topic_score_gemma":0.2674076,"teacher_disagreement_score":0.1165724,"about_ca_system_score_codex":0.013874044,"about_ca_system_score_gemma":0.040141888,"threshold_uncertainty_score":0.23178774},"labels":[],"label_agreement":null},{"id":"W4236136268","doi":"10.32920/ryerson.14652753","title":"Adapting to born-digital photographs : a case study of the Canadian Centre for Architecture","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design; Toronto Metropolitan University","funders":"","keywords":"CLARITY; Guideline; Workflow; Photography; Digital photography; Architecture; Computer science; Library science; Set (abstract data type); Multimedia; Visual arts; Art; Medicine; Database","score_opus":0.05135790134742901,"score_gpt":0.2676357404780219,"score_spread":0.2162778391305929,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236136268","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8940338,0.0007867331,0.0043303906,0.008160058,0.00016927796,0.00064484245,0.000326777,0.00007588925,0.09147228],"genre_scores_gemma":[0.9576432,0.001150701,0.007945601,0.0012368175,0.00003105983,0.00014364111,0.0001777324,0.00010870513,0.03156262],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99309206,0.0028617824,0.00014733673,0.00045048143,0.0018039778,0.0016443522],"domain_scores_gemma":[0.993658,0.0021309361,0.00036008243,0.00055638165,0.0016784103,0.0016161515],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0054666116,0.0006610016,0.00031986312,0.0020510003,0.02877575,0.004703004,0.003624748,0.0027252343,0.0049625444],"category_scores_gemma":[0.0128751,0.0004811376,0.00046121218,0.0042742696,0.009051243,0.0018598771,0.0049325386,0.0034421794,0.00053949864],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084670595,0.00030057106,0.015122262,0.0002947267,0.000019885962,0.024228811,0.8798836,0.0009536404,0.0020480098,0.017247658,0.016359834,0.043456268],"study_design_scores_gemma":[0.0000070301844,0.00007295036,0.013695096,0.00021051489,0.000014990576,0.0027864126,0.8353964,0.00049263705,0.0007174543,0.00076661806,0.14578414,0.000055781267],"about_ca_topic_score_codex":0.86870545,"about_ca_topic_score_gemma":0.97505003,"teacher_disagreement_score":0.13129455,"about_ca_system_score_codex":0.049673665,"about_ca_system_score_gemma":0.047500417,"threshold_uncertainty_score":0.36040932},"labels":[],"label_agreement":null},{"id":"W4236168142","doi":"10.32920/ryerson.14645382","title":"Preserving a family’s photographic history: the private collection of Michina Pope","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University; ECW Press (Canada)","funders":"","keywords":"Negative; Photography; Visual arts; Resource (disambiguation); Data collection; Art; Computer science; Sociology; Social science","score_opus":0.06592480004573632,"score_gpt":0.2441511941362975,"score_spread":0.17822639409056118,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236168142","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62540394,0.011123838,0.009844155,0.02523251,0.0013476849,0.0008115335,0.0039234944,0.00037254055,0.32194027],"genre_scores_gemma":[0.7326613,0.007662811,0.027020589,0.0014855382,0.00035884074,0.00039986207,0.0017209594,0.00035390933,0.2283362],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993668,0.00021279986,0.000019583478,0.00009842088,0.00022714815,0.00007523727],"domain_scores_gemma":[0.9990338,0.00015715056,0.00010280624,0.00029059884,0.00021599447,0.00019963691],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016649029,0.00040848777,0.00021455424,0.0013494651,0.015125073,0.0031603933,0.0009784689,0.0007099342,0.009561608],"category_scores_gemma":[0.002393084,0.00031371662,0.00012613361,0.0021267182,0.00380912,0.001966233,0.003735319,0.0011153707,0.0010971125],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012102776,0.000046196645,0.012302809,0.0006086311,0.000026594642,0.0055650263,0.61903083,0.00023025996,0.008837906,0.031093858,0.15749933,0.16463752],"study_design_scores_gemma":[0.000003998416,0.000026997484,0.02387103,0.00026662947,0.000010322545,0.0014719603,0.13577688,0.000058282592,0.0013628814,0.00066664076,0.8364569,0.000027446229],"about_ca_topic_score_codex":0.15473273,"about_ca_topic_score_gemma":0.58580464,"teacher_disagreement_score":0.15473273,"about_ca_system_score_codex":0.0054096757,"about_ca_system_score_gemma":0.0057814578,"threshold_uncertainty_score":0.30766416},"labels":[],"label_agreement":null},{"id":"W4236208604","doi":"10.32920/ryerson.14645097.v1","title":"Working life in Canada, 1890–1930: rehousing the Edith Sarah Watson albums at the Art Gallery of Ontario","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Watson; Art; Art history; Photography; Performance art; Visual arts; Style (visual arts); Computer science","score_opus":0.05295123898596408,"score_gpt":0.22872828647859667,"score_spread":0.1757770474926326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236208604","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8104377,0.0042529404,0.00060037675,0.010909176,0.00041922764,0.00017854187,0.0019358547,0.000059549868,0.17120662],"genre_scores_gemma":[0.9129701,0.003143821,0.0007408931,0.00076761865,0.000040695682,0.000053440286,0.0005015685,0.000068137306,0.08171375],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99856204,0.00011690927,0.000024816,0.00012443811,0.00051209243,0.0006597976],"domain_scores_gemma":[0.9981876,0.00013549646,0.00011059933,0.00007289897,0.00071651046,0.00077704183],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010996248,0.00043422074,0.00030294567,0.001341372,0.027213272,0.003952812,0.0014839253,0.00062754983,0.0065182396],"category_scores_gemma":[0.0023185506,0.00038339797,0.00022484087,0.0034789415,0.0088892635,0.001286135,0.002930745,0.0019430991,0.00058760314],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015375731,0.0000780621,0.0355907,0.00018154604,0.000022124514,0.0018442803,0.7964595,0.00027095672,0.00188717,0.022270046,0.06435461,0.07688727],"study_design_scores_gemma":[0.0000066786492,0.000028432198,0.13359138,0.0001482615,0.000011949649,0.0002176546,0.43962514,0.00009360814,0.0005428554,0.00034006455,0.4253498,0.00004410108],"about_ca_topic_score_codex":0.9982356,"about_ca_topic_score_gemma":0.9995703,"teacher_disagreement_score":0.16175528,"about_ca_system_score_codex":0.16175528,"about_ca_system_score_gemma":0.14490375,"threshold_uncertainty_score":0.97224504},"labels":[],"label_agreement":null},{"id":"W4236447283","doi":"10.32920/ryerson.14646714.v1","title":"Denis Brihat Pierre Cordier Jean-Pierre Sudre : A European experiment","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Photography; Materiality (auditing); Mainstream; History of photography; Visual arts; Art; Art history; Aesthetics; Philosophy","score_opus":0.05936817662431292,"score_gpt":0.28333507130261665,"score_spread":0.22396689467830372,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236447283","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7614073,0.0012331867,0.0023557509,0.007539445,0.0002732703,0.00047416735,0.00040321943,0.0000650801,0.22624856],"genre_scores_gemma":[0.89440924,0.0014421559,0.005319011,0.0035196182,0.000117115305,0.0009665438,0.00032013864,0.00014355824,0.09376264],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9923173,0.005375024,0.00013601502,0.0008299977,0.0009744664,0.0003670749],"domain_scores_gemma":[0.9925101,0.0042799665,0.00035206528,0.0012011363,0.0010710554,0.0005856503],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.011266965,0.0004907093,0.000615161,0.00067111186,0.004371365,0.0052427915,0.0007986679,0.0029431193,0.02056467],"category_scores_gemma":[0.010113203,0.00031925656,0.00040635339,0.0012927024,0.0051477635,0.0033626584,0.0030783948,0.0025945099,0.0022785326],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.009162627,0.016886223,0.015613027,0.0008048684,0.00017658177,0.0020921913,0.12585971,0.0028572793,0.015819475,0.57702345,0.08278742,0.15091717],"study_design_scores_gemma":[0.0021949147,0.0049531115,0.039230432,0.0007978445,0.00013298707,0.0008749359,0.0550941,0.0022915408,0.010635866,0.052163444,0.831391,0.00023986165],"about_ca_topic_score_codex":0.021255253,"about_ca_topic_score_gemma":0.012913573,"teacher_disagreement_score":0.021255253,"about_ca_system_score_codex":0.0039002467,"about_ca_system_score_gemma":0.002456358,"threshold_uncertainty_score":0.06879568},"labels":[],"label_agreement":null},{"id":"W4236484496","doi":"10.1503/cmaj.110817","title":"Sight unseen","year":2011,"lang":"en","type":"article","venue":"Canadian Medical Association Journal","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sight; Photography; Visual arts; Optometry; Computer science; Art; Medicine","score_opus":0.029603514412766433,"score_gpt":0.2171183659801589,"score_spread":0.18751485156739248,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236484496","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011824498,0.038115148,0.0077934065,0.25995022,0.036736228,0.0000648149,0.0006894034,0.0010202373,0.643806],"genre_scores_gemma":[0.13631044,0.030797312,0.0037100895,0.15155412,0.01147566,0.00006209729,0.00068543677,0.0008877998,0.6645171],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99839044,0.0002610655,0.000073290386,0.00031509704,0.0006425993,0.00031757835],"domain_scores_gemma":[0.9971379,0.0004714565,0.00025753124,0.0003606924,0.00094506866,0.0008272212],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013992938,0.0008141607,0.00060862507,0.0010892142,0.00414698,0.006313434,0.00096174784,0.0031398647,0.11086217],"category_scores_gemma":[0.009750882,0.00026941084,0.0006907004,0.000464408,0.005421284,0.009300364,0.0046772184,0.008328749,0.042699855],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013636779,0.000066588764,0.0019808377,0.0002606353,0.000043919943,0.0020515458,0.0037903285,0.00009777427,0.0014370525,0.06881063,0.73413676,0.18718748],"study_design_scores_gemma":[0.000010589957,0.000041494146,0.0009846437,0.00036382294,0.00001076479,0.00452095,0.0031468375,0.000044578494,0.0002563185,0.020654986,0.9699379,0.00002710067],"about_ca_topic_score_codex":0.0061137956,"about_ca_topic_score_gemma":0.00766286,"teacher_disagreement_score":0.11086217,"about_ca_system_score_codex":0.002557869,"about_ca_system_score_gemma":0.0023351393,"threshold_uncertainty_score":0.3708709},"labels":[],"label_agreement":null},{"id":"W4236734608","doi":"10.32920/ryerson.14655090","title":"Retrieving histories: a case study of Cyril J. Brown’s family album","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University; Royal Ontario Museum; University of Toronto","funders":"","keywords":"Photography; History of photography; Visual arts; Object (grammar); Genealogy; Art history; Art; History; Computer science; Artificial intelligence","score_opus":0.09957846815132607,"score_gpt":0.29272074154959704,"score_spread":0.19314227339827097,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236734608","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95182395,0.001401897,0.0010890916,0.005107314,0.00023524009,0.00019081232,0.00016479669,0.000042409836,0.03994459],"genre_scores_gemma":[0.9707873,0.0016679288,0.0016470009,0.0006114214,0.00010317411,0.00007828208,0.000075735086,0.00011322958,0.02491588],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9972371,0.0015026348,0.000084692925,0.00029143962,0.00039860499,0.00048559447],"domain_scores_gemma":[0.99664164,0.0017534316,0.00037865833,0.0002924073,0.0003125524,0.00062131364],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029892044,0.00089126173,0.00065049186,0.002860825,0.026042683,0.0050371937,0.0021929303,0.0022311152,0.0063569797],"category_scores_gemma":[0.009391693,0.0006222323,0.0003630927,0.0027271656,0.011851105,0.002997679,0.0060758432,0.0032456424,0.0006424295],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032224765,0.000061916435,0.0038784584,0.0001026383,0.0000053741755,0.019725658,0.9590274,0.00005717587,0.0007315692,0.0054118624,0.0039528613,0.0070128245],"study_design_scores_gemma":[0.0000041141566,0.00003489531,0.004278626,0.0001568869,0.000007978894,0.007984706,0.9172952,0.00010595453,0.00064558664,0.00041266705,0.06905136,0.000022027616],"about_ca_topic_score_codex":0.1803665,"about_ca_topic_score_gemma":0.40392807,"teacher_disagreement_score":0.1803665,"about_ca_system_score_codex":0.011055778,"about_ca_system_score_gemma":0.006180351,"threshold_uncertainty_score":0.35863334},"labels":[],"label_agreement":null},{"id":"W4236980893","doi":"10.7202/029898ar","title":"Photographic Memory","year":2009,"lang":"en","type":"article","venue":"Romanticism and Victorianism on the Net","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Metaphor; Romance; Materiality (auditing); Flash (photography); Analogy; Art; History; Visual arts; Aesthetics; Literature; Philosophy; Epistemology; Linguistics","score_opus":0.02145758284157743,"score_gpt":0.22042168674108503,"score_spread":0.1989641038995076,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236980893","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.032294765,0.025235051,0.0059155263,0.011569458,0.003297836,0.00004381641,0.00025583454,0.00014162589,0.9212461],"genre_scores_gemma":[0.6694818,0.0263748,0.003870342,0.0047936128,0.0023555802,0.000055566645,0.0003108011,0.00019125728,0.2925662],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995442,0.00012007655,0.000024896804,0.000094149174,0.00014386655,0.00007285693],"domain_scores_gemma":[0.9993482,0.00020605933,0.000085578606,0.00015461267,0.0001336898,0.00007191392],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00062108936,0.00030367234,0.00018508892,0.0010971109,0.0023346716,0.004263849,0.0006807217,0.0010929462,0.031521223],"category_scores_gemma":[0.002954295,0.000116304866,0.00022860343,0.00096547755,0.004455772,0.0054884152,0.0026825084,0.0016114387,0.0034637756],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010440778,0.000033938875,0.0012715469,0.0004482571,0.000014757419,0.0006038091,0.03692353,0.00013208215,0.0014582159,0.7292622,0.07777868,0.15196855],"study_design_scores_gemma":[0.000007568371,0.000034071687,0.0017187021,0.00034786446,0.000008376633,0.0010851534,0.010552532,0.000056028333,0.00080470217,0.026813406,0.9585581,0.0000135178],"about_ca_topic_score_codex":0.0035216361,"about_ca_topic_score_gemma":0.0050918018,"teacher_disagreement_score":0.031521223,"about_ca_system_score_codex":0.0017355144,"about_ca_system_score_gemma":0.00073648465,"threshold_uncertainty_score":0.10544902},"labels":[],"label_agreement":null},{"id":"W4237061140","doi":"10.32920/ryerson.14653794","title":"The Self : A Journey into Cogito Ergo Sum","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Performative utterance; Portrait; Identity (music); Semiotics; Poetry; Mysticism; Feeling; Art; Aesthetics; Cogito ergo sum; Meaning (existential); Literature; Visual arts; Psychology; Philosophy; Epistemology; Social psychology","score_opus":0.04558020757710305,"score_gpt":0.2813181755512628,"score_spread":0.23573796797415977,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4237061140","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.046260953,0.078180455,0.006396716,0.10907409,0.0051092147,0.000079211546,0.00014501145,0.00023890863,0.7545154],"genre_scores_gemma":[0.6928036,0.04655782,0.00897462,0.017849257,0.0031901451,0.00019299972,0.00025029623,0.0006127912,0.22956851],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9985366,0.0007827477,0.00003804727,0.00012810461,0.00028304345,0.0002313608],"domain_scores_gemma":[0.99865854,0.0006436306,0.000053981214,0.00014658133,0.00026034136,0.00023693277],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00386194,0.0006766694,0.00048047653,0.0031089552,0.009654748,0.017225115,0.0011664546,0.0027712635,0.009184689],"category_scores_gemma":[0.0024291512,0.00024018099,0.00028144286,0.0016600001,0.02111299,0.009665404,0.0062331283,0.0035321284,0.0018254165],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000360945,0.00006637731,0.0007839511,0.00024667574,0.0000039712377,0.000515641,0.16720116,0.000075712,0.00031281397,0.7202621,0.04021619,0.070279375],"study_design_scores_gemma":[0.000004111864,0.000022229078,0.00083022617,0.0006655331,0.0000026421446,0.0003639215,0.11430437,0.0001237909,0.00015419902,0.08171492,0.8018019,0.000012115698],"about_ca_topic_score_codex":0.010270784,"about_ca_topic_score_gemma":0.016061904,"teacher_disagreement_score":0.017225115,"about_ca_system_score_codex":0.008539372,"about_ca_system_score_gemma":0.005257746,"threshold_uncertainty_score":0.061957836},"labels":[],"label_agreement":null},{"id":"W4237248662","doi":"10.32920/ryerson.14657433","title":"ACQUISITION PROPOSAL FOR CONTEMPORARY BRAZILIAN PHOTOGRAPHS FOR THE GEORGE EASTMAN HOUSE COLLECTION","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"George (robot); Photography; Institution; Section (typography); Visual arts; Biography; Art history; History of photography; Art; History; Sociology; Computer science; Social science","score_opus":0.05528560292979162,"score_gpt":0.2858125170103304,"score_spread":0.23052691408053877,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4237248662","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035093933,0.0026515312,0.010597515,0.022497503,0.0012958678,0.000488987,0.0001668641,0.000122045814,0.9270858],"genre_scores_gemma":[0.52218103,0.0035986358,0.019094182,0.0058645695,0.0010102782,0.0007215229,0.00031707247,0.00032681657,0.4468859],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971143,0.0008653751,0.00011296283,0.00038910177,0.0010336235,0.0004846127],"domain_scores_gemma":[0.99793756,0.00057368045,0.00016771973,0.00031951908,0.0007574699,0.00024412644],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034430479,0.0003791846,0.00024020983,0.0014612254,0.009090397,0.00504243,0.0008377722,0.0026190372,0.014460309],"category_scores_gemma":[0.006339321,0.00044165057,0.00025975294,0.001323456,0.0064254478,0.0039080316,0.0034223183,0.003568747,0.0018788967],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012381825,0.000020617481,0.0004571528,0.000089046494,0.0000016404933,0.000555788,0.02394992,0.00006124718,0.0011879617,0.92618454,0.02713391,0.020345755],"study_design_scores_gemma":[0.0000049067803,0.000015484013,0.0015379984,0.00021536606,0.000005085058,0.00043472747,0.0097989915,0.00008947244,0.0005053988,0.015497301,0.97187966,0.000015629208],"about_ca_topic_score_codex":0.04347218,"about_ca_topic_score_gemma":0.090372965,"teacher_disagreement_score":0.04347218,"about_ca_system_score_codex":0.00925752,"about_ca_system_score_gemma":0.008997368,"threshold_uncertainty_score":0.0864383},"labels":[],"label_agreement":null},{"id":"W4237707556","doi":"10.32920/ryerson.14661714","title":"A Descriptive analysis of Ten Painted Tintypes from the George Eastman House Collection","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"George (robot); Period (music); Art; Popularity; Photography; Visual arts; Portrait; Art history; Relation (database); Aesthetics; Computer science; Psychology","score_opus":0.050568863589995704,"score_gpt":0.251374614965567,"score_spread":0.2008057513755713,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4237707556","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8991916,0.0017313536,0.0022178448,0.0004906386,0.0001603947,0.00044535924,0.004816671,0.000043968143,0.09090221],"genre_scores_gemma":[0.9328263,0.002659836,0.0046690777,0.00038415263,0.00014930364,0.0007028021,0.0056395605,0.00031110726,0.052657932],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9988933,0.00029105745,0.00006180297,0.00013895717,0.00045487922,0.00016000644],"domain_scores_gemma":[0.9977787,0.00093365007,0.0003579239,0.0002261384,0.0005792515,0.00012437868],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010861855,0.0003336708,0.00027754495,0.004770217,0.0038901356,0.0023331072,0.0005694328,0.00039011284,0.007409338],"category_scores_gemma":[0.0030736977,0.00025570052,0.00016692585,0.0062579024,0.0027202119,0.0012454618,0.0014687539,0.00084316474,0.0010708848],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016279591,0.000053226504,0.023527049,0.00083454547,0.000018592807,0.0020150032,0.89082825,0.00008636178,0.008000996,0.015853174,0.015963437,0.04265653],"study_design_scores_gemma":[0.0000030250064,0.000039628696,0.11541784,0.00055591925,0.000012731296,0.001465461,0.6091641,0.00007014826,0.0020539523,0.000649036,0.27053058,0.000037610334],"about_ca_topic_score_codex":0.026582774,"about_ca_topic_score_gemma":0.098960474,"teacher_disagreement_score":0.026582774,"about_ca_system_score_codex":0.0031539206,"about_ca_system_score_gemma":0.0011508332,"threshold_uncertainty_score":0.052856088},"labels":[],"label_agreement":null},{"id":"W4238240538","doi":"10.22215/etd/2003-05518","title":"The altered terrain : reconfiguration of the landscape by photo-based artists in Canada : Rodney Graham, Sylvie Readman, Lorraine Gilbert","year":2003,"lang":"en","type":"dissertation","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Control reconfiguration; Terrain; Art history; Art; History; Visual arts; Cartography; Geography; Engineering; Embedded system","score_opus":0.010957189762791735,"score_gpt":0.2148761276654036,"score_spread":0.20391893790261187,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238240538","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4706055,0.046139453,0.00075435365,0.15732068,0.0019238641,0.0002233676,0.00216235,0.00013522056,0.3207352],"genre_scores_gemma":[0.8091622,0.032816883,0.0011333086,0.006126784,0.00020376503,0.00004077116,0.00045865265,0.00017145193,0.14988624],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99914455,0.00009698558,0.000012690465,0.00008312311,0.00031089835,0.00035169546],"domain_scores_gemma":[0.9989716,0.00009272182,0.0000559075,0.00002451262,0.00042306757,0.00043219668],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006946209,0.0005175829,0.00040116388,0.0018776362,0.02596551,0.009001149,0.0018799085,0.0014149306,0.01365771],"category_scores_gemma":[0.0018340853,0.00038972998,0.00029587274,0.0056545516,0.00789207,0.0016602396,0.0027971538,0.0029280612,0.0007400626],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016359729,0.00012590217,0.033069313,0.000552575,0.000050923336,0.0022762679,0.34080258,0.0011036511,0.0016762613,0.022882786,0.41964853,0.17764762],"study_design_scores_gemma":[0.000010716995,0.000017610964,0.06844775,0.00038302323,0.000027654667,0.00031101092,0.5463373,0.00014662156,0.00033498023,0.0012324257,0.3826892,0.000061766696],"about_ca_topic_score_codex":0.99735886,"about_ca_topic_score_gemma":0.99955755,"teacher_disagreement_score":0.06988143,"about_ca_system_score_codex":0.06988143,"about_ca_system_score_gemma":0.09888001,"threshold_uncertainty_score":0.5070276},"labels":[],"label_agreement":null},{"id":"W4238329390","doi":"10.32920/ryerson.14648733.v1","title":"Photographic views taken in Egypt and Nubia by James Douglas, M.D. and James Douglas Jr.","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Guelph; Toronto Metropolitan University; Université du Québec; Université Laval","funders":"","keywords":"Egyptology; Art history; Photography; Art; History; Visual arts; Classics","score_opus":0.040193666988403896,"score_gpt":0.262516244706409,"score_spread":0.2223225777180051,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238329390","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.102792785,0.097973906,0.00080034323,0.057477836,0.005282129,0.000038485152,0.0011688957,0.00009130853,0.73437434],"genre_scores_gemma":[0.48604175,0.055840492,0.0009607903,0.002647627,0.0015062441,0.000022852597,0.00035352207,0.00010784467,0.45251885],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997919,0.00006399807,0.000006641543,0.000029576004,0.00007075056,0.00003699501],"domain_scores_gemma":[0.99970704,0.000063333115,0.000049222475,0.000016341506,0.00009584563,0.00006818202],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00052641786,0.00024168286,0.00010713093,0.0008477709,0.002377022,0.0014981733,0.0001379495,0.00038070697,0.009864489],"category_scores_gemma":[0.0008038136,0.00015415715,0.00008373389,0.00087507785,0.0015853083,0.0010638696,0.0008761307,0.0010372496,0.0018432655],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009560809,0.000033283904,0.0050320267,0.0002518176,0.000009495036,0.00078785856,0.07806659,0.00019869355,0.001990804,0.06928542,0.7591189,0.085129485],"study_design_scores_gemma":[0.0000016153753,0.0000050867643,0.009849654,0.00015860554,0.0000018028135,0.00015822635,0.016278943,0.00001772192,0.00037464587,0.00055006205,0.9725981,0.000005541027],"about_ca_topic_score_codex":0.04375168,"about_ca_topic_score_gemma":0.09882617,"teacher_disagreement_score":0.04375168,"about_ca_system_score_codex":0.0035514797,"about_ca_system_score_gemma":0.0010966819,"threshold_uncertainty_score":0.08699405},"labels":[],"label_agreement":null},{"id":"W4238511975","doi":"10.32920/ryerson.14655228","title":"Robert C. Kraut's Japan : cataloguing and contextualizing post World War Two photographic albums of Japan and the South Pacific","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Narrative; Vernacular; Materiality (auditing); Visual arts; Art history; Art; Cataloging; Library science; Computer science; Literature","score_opus":0.02361159966108175,"score_gpt":0.2452115664472403,"score_spread":0.22159996678615854,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238511975","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9309507,0.0032762226,0.0007163893,0.0027369477,0.00016213629,0.000082479375,0.00019537962,0.000036492827,0.061843265],"genre_scores_gemma":[0.97107375,0.003687768,0.0016359783,0.00023737579,0.00008293209,0.000050756327,0.00015286313,0.000048745547,0.023029799],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99939287,0.00023629885,0.000026487938,0.00008496916,0.00013247001,0.00012698179],"domain_scores_gemma":[0.99817014,0.00073181646,0.00039815254,0.00019084566,0.00029046478,0.00021858705],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002022138,0.00036351677,0.0001470252,0.002805364,0.009445448,0.0043747844,0.00049364875,0.00036731214,0.0027297488],"category_scores_gemma":[0.0032901682,0.00018792154,0.00010475654,0.004031679,0.006046049,0.0025744825,0.003251573,0.00090608303,0.00020225976],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041416388,0.000024672103,0.014054719,0.00017555738,0.0000041109192,0.0010087284,0.91978705,0.000063396605,0.0017087514,0.007164411,0.007903243,0.048064012],"study_design_scores_gemma":[0.000002127154,0.000032293075,0.082108505,0.00020300195,0.000009585206,0.00028720428,0.7152955,0.000039148552,0.0010601406,0.0003477934,0.2005986,0.000016049444],"about_ca_topic_score_codex":0.21625088,"about_ca_topic_score_gemma":0.5227566,"teacher_disagreement_score":0.21625088,"about_ca_system_score_codex":0.008037992,"about_ca_system_score_gemma":0.0052080285,"threshold_uncertainty_score":0.42998433},"labels":[],"label_agreement":null},{"id":"W4238524324","doi":"10.32920/ryerson.14650101","title":"Virtual revisions and the vernacular image: the photographs of Elizabeth Howe Bliss","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"BLISS; Vernacular; Exhibition; Georgian; Value (mathematics); Art history; History; Visual arts; Art; Sociology; Literature; Philosophy","score_opus":0.023475523875303956,"score_gpt":0.25769840207657324,"score_spread":0.23422287820126927,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238524324","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25947422,0.007185747,0.0024226988,0.024361648,0.0031122195,0.0000266743,0.00017692932,0.00014241341,0.70309746],"genre_scores_gemma":[0.8964025,0.002098273,0.0009379454,0.0013059536,0.00035143294,0.000011423833,0.000046432455,0.00012695204,0.09871905],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9993395,0.00040583283,0.000008839764,0.000059998998,0.00011363311,0.00007221066],"domain_scores_gemma":[0.9992613,0.00035228996,0.00007266265,0.00011659572,0.00008612732,0.00011093762],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00079887686,0.0003177462,0.00010494631,0.0006762114,0.005582394,0.0054046134,0.00032659547,0.00067171047,0.0074562593],"category_scores_gemma":[0.0024713343,0.00014378168,0.000097154865,0.00063803955,0.0067506367,0.0034131957,0.0028912672,0.0018211936,0.0008825555],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009682565,0.000027185519,0.0018741944,0.00011652168,0.0000063102916,0.0013786061,0.68316907,0.00013150455,0.002452997,0.19070232,0.08041663,0.0396278],"study_design_scores_gemma":[0.0000027474298,0.000016683493,0.0012219817,0.00012640475,0.000002932925,0.0006166989,0.13074611,0.000050166866,0.0006155471,0.0023347877,0.8642545,0.0000114183385],"about_ca_topic_score_codex":0.010510757,"about_ca_topic_score_gemma":0.03339509,"teacher_disagreement_score":0.010510757,"about_ca_system_score_codex":0.0021040495,"about_ca_system_score_gemma":0.0005951943,"threshold_uncertainty_score":0.02494371},"labels":[],"label_agreement":null},{"id":"W4238577930","doi":"10.32920/ryerson.14652213.v1","title":"The Personal Albums Of Samuel Bourne At The National Media Museum And The Art Gallery Of Ontario","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Documentation; Photography; Visual arts; Art; History of photography; Colonialism; Art history; National museum; History; Archaeology; Computer science","score_opus":0.05235643320292365,"score_gpt":0.25542653183313874,"score_spread":0.20307009863021508,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238577930","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5679014,0.0065342193,0.0010206043,0.0015207011,0.00043349277,0.00032838513,0.017362133,0.00017353366,0.40472558],"genre_scores_gemma":[0.7209553,0.0037498167,0.0028912502,0.00012495086,0.00010224406,0.00011907769,0.004951205,0.00018457526,0.26692152],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999509,0.00004904429,0.00001782644,0.000067865585,0.0002080723,0.00014820139],"domain_scores_gemma":[0.9991068,0.00017761724,0.00012154993,0.00010949947,0.0003108694,0.00017353022],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003671343,0.00038198443,0.00015522537,0.0045380006,0.0051475144,0.0023696339,0.00043352816,0.0002194335,0.022864057],"category_scores_gemma":[0.0014254228,0.00017326174,0.00014474406,0.006956202,0.002007713,0.00070853846,0.0012158904,0.00032472456,0.001360952],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005051204,0.00006930713,0.09559006,0.0012404737,0.000050884977,0.0035974174,0.39340526,0.00038555017,0.010411811,0.04607473,0.15214409,0.29652524],"study_design_scores_gemma":[0.0000037475675,0.000014125123,0.23382017,0.00017813384,0.000013101382,0.00039133447,0.062276922,0.000049189184,0.0011448477,0.00028660387,0.70180213,0.000019596599],"about_ca_topic_score_codex":0.7746625,"about_ca_topic_score_gemma":0.933522,"teacher_disagreement_score":0.2253375,"about_ca_system_score_codex":0.014993022,"about_ca_system_score_gemma":0.008549745,"threshold_uncertainty_score":0.4533291},"labels":[],"label_agreement":null},{"id":"W4238601336","doi":"10.4324/9781135000356-rem1695-1","title":"Epstein, Jean (1897–1953)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Art; Art history; Film director; Performance art; Visual arts; The arts; Movie theater","score_opus":0.05570289099158827,"score_gpt":0.2447131395033292,"score_spread":0.18901024851174095,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238601336","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022722753,0.285406,0.002362054,0.12720062,0.03723192,0.00009803896,0.00084858557,0.00017090472,0.5239592],"genre_scores_gemma":[0.14006522,0.09807072,0.0012612875,0.036355503,0.005568226,0.000095908326,0.00024986893,0.00021101994,0.7181223],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995734,0.00011590189,0.000020970503,0.00010060486,0.00011701606,0.00007204058],"domain_scores_gemma":[0.99959666,0.00009262811,0.00005120135,0.000010466858,0.00012356714,0.00012540977],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005405178,0.0005722146,0.00019633086,0.0012967496,0.0039070924,0.0029178523,0.00032751434,0.0014593037,0.013040826],"category_scores_gemma":[0.0022347919,0.00022271536,0.00013929524,0.00074964965,0.0018173739,0.0028868895,0.0013265958,0.0025656864,0.006255744],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007887691,0.000043959382,0.0021546667,0.00026086826,0.000009771813,0.0012308303,0.024288341,0.000076292956,0.0004876092,0.1292763,0.70263666,0.1394558],"study_design_scores_gemma":[0.000001557403,0.000005233552,0.0003583989,0.00009373806,9.834415e-7,0.00030233953,0.0013811784,0.0000071823056,0.00007307879,0.0013578343,0.9964141,0.0000043661457],"about_ca_topic_score_codex":0.0175142,"about_ca_topic_score_gemma":0.028030643,"teacher_disagreement_score":0.0175142,"about_ca_system_score_codex":0.0033492644,"about_ca_system_score_gemma":0.0023261118,"threshold_uncertainty_score":0.04362583},"labels":[],"label_agreement":null},{"id":"W4238624448","doi":"10.32920/ryerson.14664402.v1","title":"Nickolas Muray, Environmental Portraiture, Vanity Fair","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Negative; Art; Portrait; Visual arts; Studio; Commission; Photography; Art history; Law; Political science","score_opus":0.035514292305863,"score_gpt":0.23140326576816678,"score_spread":0.19588897346230377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238624448","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25533172,0.05428416,0.0024052982,0.03132725,0.0015457585,0.00007463103,0.00020934925,0.000099775396,0.6547221],"genre_scores_gemma":[0.77953273,0.014075372,0.0017184983,0.0015192836,0.00019371808,0.000045222543,0.000052633754,0.00008296237,0.20277949],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99937576,0.00034759432,0.000013160814,0.00009563932,0.0000959837,0.00007194032],"domain_scores_gemma":[0.99976736,0.00009735909,0.00004435649,0.000013833261,0.00003096068,0.000046079178],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004400696,0.00034390503,0.00011992164,0.000603891,0.0074642175,0.0025061022,0.00045305205,0.0008118636,0.010928681],"category_scores_gemma":[0.0012911949,0.00018720156,0.00007643726,0.0005617619,0.004550179,0.0033407884,0.0019375624,0.0011459613,0.0010473346],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009243239,0.000049929677,0.0072521544,0.00040508062,0.000011887737,0.006943926,0.509334,0.0003097453,0.0014502318,0.226485,0.16647618,0.081189394],"study_design_scores_gemma":[0.0000015769352,0.000013896214,0.0017354977,0.000103858954,0.0000019624547,0.0018523956,0.067083634,0.000025597246,0.00043619025,0.001198277,0.92754024,0.0000068206973],"about_ca_topic_score_codex":0.046015855,"about_ca_topic_score_gemma":0.11722553,"teacher_disagreement_score":0.046015855,"about_ca_system_score_codex":0.0036144385,"about_ca_system_score_gemma":0.00097545364,"threshold_uncertainty_score":0.09149605},"labels":[],"label_agreement":null},{"id":"W4238661683","doi":"10.32920/ryerson.14654829","title":"Héliogravures : the unpublished photogravure process of Édouard Baldus","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Art; Visual arts; Intension; Architecture; Philosophy; Linguistics","score_opus":0.035715694724125197,"score_gpt":0.27846390489927875,"score_spread":0.24274821017515355,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238661683","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27933326,0.0062181694,0.0020907065,0.00739343,0.00087007455,0.00014218838,0.00085989764,0.00008076608,0.7030115],"genre_scores_gemma":[0.47929,0.00240434,0.0013118141,0.0006579648,0.0001167215,0.000035692043,0.0002502493,0.00015393595,0.5157793],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987539,0.00031268154,0.000029445384,0.00021201484,0.00053621014,0.00015576564],"domain_scores_gemma":[0.9980552,0.0009094534,0.0001150176,0.00020288971,0.0004995618,0.00021781406],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001619123,0.0002632476,0.00016712683,0.0013902395,0.008855764,0.004034292,0.0004266341,0.00075266324,0.022207493],"category_scores_gemma":[0.0047301375,0.00022269582,0.00012798561,0.0019218014,0.007270073,0.0017681195,0.0021445334,0.00097018905,0.0017537995],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013721212,0.00004845596,0.006162897,0.00026276524,0.0000103182665,0.0016500233,0.6358663,0.00019179624,0.0038750395,0.16783011,0.08476328,0.09920188],"study_design_scores_gemma":[0.000003220004,0.000014142004,0.0074787317,0.0001319476,0.0000027255098,0.00018386282,0.060802035,0.00002908278,0.0012708659,0.0012473208,0.9288244,0.000011606732],"about_ca_topic_score_codex":0.25926754,"about_ca_topic_score_gemma":0.5161712,"teacher_disagreement_score":0.25926754,"about_ca_system_score_codex":0.012167654,"about_ca_system_score_gemma":0.005919439,"threshold_uncertainty_score":0.5155169},"labels":[],"label_agreement":null},{"id":"W4239126995","doi":"10.32920/ryerson.14660844.v1","title":"A full catalogue and analysis of a collection of postcards at the Art Gallery of Ontario depicting scenes of Toronto","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Photography; Visual arts; Scope (computer science); History of photography; Library science; Art history; Art; History; Computer science","score_opus":0.032338033502242035,"score_gpt":0.2558932498267662,"score_spread":0.22355521632452416,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239126995","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23267719,0.0108549,0.005101886,0.0022070582,0.0011237478,0.0012875951,0.18554501,0.00089243695,0.5603102],"genre_scores_gemma":[0.40355334,0.020374462,0.017350296,0.00044732963,0.0005581439,0.0006610236,0.12533738,0.0014235519,0.4302945],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99902487,0.00007614442,0.00006544463,0.000093651906,0.0006013547,0.00013847812],"domain_scores_gemma":[0.9975783,0.00043727402,0.00025846448,0.00033831867,0.0012010406,0.00018662077],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006189133,0.0005963791,0.00029440646,0.015453726,0.003843009,0.0029955932,0.0005229967,0.00037478723,0.051714268],"category_scores_gemma":[0.0027684066,0.0003437074,0.00031553497,0.036059454,0.0016977579,0.00088267616,0.0011695141,0.00039111264,0.0047273347],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030765295,0.000037458572,0.025407406,0.004621626,0.00004893549,0.0027821844,0.094765835,0.0007940594,0.011296071,0.019212965,0.5242523,0.31647354],"study_design_scores_gemma":[0.000004599569,0.000016153344,0.09209752,0.00032492745,0.000017394055,0.00036654164,0.014740648,0.00010130987,0.0008510243,0.00018719607,0.89126694,0.000025769632],"about_ca_topic_score_codex":0.679321,"about_ca_topic_score_gemma":0.8900539,"teacher_disagreement_score":0.320679,"about_ca_system_score_codex":0.012960098,"about_ca_system_score_gemma":0.013257359,"threshold_uncertainty_score":0.64513505},"labels":[],"label_agreement":null},{"id":"W4239303974","doi":"10.32920/ryerson.14655237","title":"Advertising photography during the 1930s: Victor Keppler's strike cigarette campaign","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Advertising; Newspaper; Agency (philosophy); Purchasing; Great Depression; Unemployment; Photography; Business; Political science; Art; Economics; Marketing; Visual arts; Sociology; Law","score_opus":0.021531100277999655,"score_gpt":0.23615015027886918,"score_spread":0.21461905000086953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239303974","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15282294,0.039356355,0.0010148886,0.13917854,0.015520174,0.00017598776,0.00047963925,0.00031201556,0.65113944],"genre_scores_gemma":[0.4723155,0.029297676,0.0012501372,0.017029684,0.00632027,0.00007015098,0.00027957905,0.0004746004,0.47296235],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99890864,0.00028767588,0.000026691301,0.00011573669,0.00048521932,0.0001760467],"domain_scores_gemma":[0.9990767,0.0003880037,0.00008216235,0.000047359583,0.00020466492,0.00020114187],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001793272,0.0003854807,0.00020183998,0.0010354015,0.0058174054,0.005417079,0.00034366117,0.0018090438,0.008632055],"category_scores_gemma":[0.0027282021,0.00033819795,0.00020042543,0.000865861,0.0022713514,0.0014016418,0.0016497807,0.0038982432,0.0029363602],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017724057,0.00019381597,0.0022608032,0.00033206565,0.000015055665,0.0021484913,0.05065515,0.00011949074,0.0029632277,0.042500764,0.78563005,0.11300388],"study_design_scores_gemma":[0.0000098504315,0.00007173991,0.0062512034,0.00019030906,0.000007898607,0.00040077468,0.009402277,0.000039550396,0.0011772201,0.0005265303,0.9819001,0.000022516686],"about_ca_topic_score_codex":0.022844808,"about_ca_topic_score_gemma":0.08144365,"teacher_disagreement_score":0.022844808,"about_ca_system_score_codex":0.004880262,"about_ca_system_score_gemma":0.0015645811,"threshold_uncertainty_score":0.045423687},"labels":[],"label_agreement":null},{"id":"W4239328091","doi":"10.32920/ryerson.14663262","title":"Process of selection: Edouard Baldus, the New Louvre Commission photographs and Palais du Louvre et des Tuileries","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University; Toronto Metropolitan University","funders":"","keywords":"Art; Photography; Art history; Historiography; Commission; Visual arts; Humanities; History; Archaeology; Law","score_opus":0.0336737443404561,"score_gpt":0.27833877292187525,"score_spread":0.24466502858141914,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239328091","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08739196,0.08659148,0.0046086023,0.1015777,0.018514656,0.00025859446,0.0007230251,0.00017802267,0.7001559],"genre_scores_gemma":[0.358583,0.015073331,0.0017436297,0.005621256,0.0028889396,0.000103198414,0.00021351024,0.00028829448,0.61548483],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911636,0.00035480844,0.000018655297,0.00016399189,0.00024738596,0.00009877002],"domain_scores_gemma":[0.99902594,0.00045131682,0.000052075608,0.000045051525,0.00029500533,0.00013069739],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013917716,0.0002990242,0.00020136288,0.0011437954,0.00481594,0.003982096,0.000362654,0.0006636047,0.018695194],"category_scores_gemma":[0.004535925,0.00016036589,0.00012453028,0.0014239671,0.0033164693,0.0022032515,0.002012626,0.00082302326,0.0023799627],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008106546,0.00001921086,0.0024307163,0.00016968802,0.000005999273,0.00090633903,0.069637015,0.00007533136,0.0008202139,0.22202666,0.6376412,0.06618652],"study_design_scores_gemma":[0.0000020722994,0.000003324448,0.0013910857,0.00006945797,9.83573e-7,0.00011761831,0.006660854,0.000011970129,0.00016397319,0.0011378685,0.99043626,0.000004433825],"about_ca_topic_score_codex":0.048049767,"about_ca_topic_score_gemma":0.082017064,"teacher_disagreement_score":0.048049767,"about_ca_system_score_codex":0.004730818,"about_ca_system_score_gemma":0.0019642762,"threshold_uncertainty_score":0.095540166},"labels":[],"label_agreement":null},{"id":"W4239460343","doi":"10.32920/ryerson.14660688","title":"Photographic Preservation; On Becoming A Professionalized Field","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Professionalization; Field (mathematics); Work (physics); Photography; Engineering ethics; Visual arts; Sociology; Public relations; Political science; Law; Art; Engineering","score_opus":0.11667965317919708,"score_gpt":0.3288642083814907,"score_spread":0.21218455520229362,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239460343","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.050975747,0.009754082,0.018458853,0.06891893,0.0021272206,0.00013887063,0.000057887355,0.00012149209,0.84944683],"genre_scores_gemma":[0.85043645,0.0072302767,0.01132582,0.014721952,0.0011984791,0.00027285528,0.0000669973,0.00018518105,0.11456205],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9779769,0.013193304,0.0005085411,0.0011657937,0.005788262,0.0013671252],"domain_scores_gemma":[0.9828636,0.008455776,0.0017669579,0.0020779555,0.003178258,0.0016574279],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01285416,0.00030079152,0.0003359466,0.0022330212,0.011949185,0.016526967,0.0015305832,0.0037718925,0.0040182355],"category_scores_gemma":[0.015438824,0.00023543867,0.00022283601,0.0021395301,0.055416502,0.008302447,0.010469067,0.006483888,0.000817167],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013665441,0.000018096809,0.0005001398,0.000062570645,0.0000011887145,0.0001370609,0.06922366,0.000056715406,0.00014142031,0.8964517,0.011151606,0.022242239],"study_design_scores_gemma":[0.000010486369,0.000032544653,0.0026032135,0.000681181,0.0000037687112,0.0004082674,0.060073636,0.00034314833,0.00042698212,0.17394936,0.76143765,0.000029816954],"about_ca_topic_score_codex":0.015979106,"about_ca_topic_score_gemma":0.013957882,"teacher_disagreement_score":0.016526967,"about_ca_system_score_codex":0.007579508,"about_ca_system_score_gemma":0.015188072,"threshold_uncertainty_score":0.06798011},"labels":[],"label_agreement":null},{"id":"W4239495340","doi":"10.32920/ryerson.14654331","title":"Photographs On A Refrigerator : A Display Of Visual Culture","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"Johns Hopkins University","keywords":"Vernacular; Framing (construction); Photography; Context (archaeology); Representation (politics); Visual arts; Sociology; Art; Aesthetics; History; Political science; Law; Literature; Archaeology; Politics","score_opus":0.03051041314153461,"score_gpt":0.28869769377358856,"score_spread":0.25818728063205393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239495340","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48214373,0.0043345816,0.021645235,0.006606977,0.0011894294,0.00012704068,0.0008180767,0.0003510795,0.4827839],"genre_scores_gemma":[0.95215917,0.0021412007,0.014944918,0.00069649384,0.00025787263,0.000051483952,0.00022046815,0.00029514814,0.029233243],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99862087,0.00085206,0.0000456888,0.00016245985,0.00025464097,0.00006424023],"domain_scores_gemma":[0.99805343,0.00067006605,0.00021327529,0.0006341251,0.00033778988,0.000091302914],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016451081,0.00030221007,0.00014731415,0.0010337288,0.002051418,0.0041829767,0.00039296597,0.0003594437,0.008208087],"category_scores_gemma":[0.0041553024,0.0002037026,0.00017586861,0.0014060677,0.0034302038,0.003087576,0.00315706,0.0009180072,0.000539312],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024499258,0.00004823217,0.016195053,0.0009548846,0.000048817612,0.0011602141,0.58244735,0.00040356157,0.019943284,0.15574874,0.047104992,0.17569982],"study_design_scores_gemma":[0.000016545646,0.00011320405,0.033321075,0.0007939748,0.00006561659,0.0030022447,0.27480173,0.000570154,0.010670388,0.010707907,0.66585493,0.000082368926],"about_ca_topic_score_codex":0.0032964542,"about_ca_topic_score_gemma":0.007368999,"teacher_disagreement_score":0.008208087,"about_ca_system_score_codex":0.0010396596,"about_ca_system_score_gemma":0.00052495947,"threshold_uncertainty_score":0.027458787},"labels":[],"label_agreement":null},{"id":"W4239591052","doi":"10.32920/ryerson.14649735","title":"Stereo pictures in this mount were not taken by view-master: an illustrated description of the view-master personal stereo system","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Amateur; Stereoscopy; Photography; Visual arts; Computer science; Computer graphics (images); Art; Computer vision; History; Archaeology","score_opus":0.0884211927071474,"score_gpt":0.2542207562975933,"score_spread":0.16579956359044587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239591052","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017216453,0.0010232914,0.045373134,0.0027811513,0.0019093112,0.00012579146,0.00068181043,0.0012204252,0.9296686],"genre_scores_gemma":[0.31074226,0.0024126177,0.089859955,0.0014761882,0.0009412594,0.00020837573,0.0009249122,0.0029596146,0.59047484],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999673,0.00008205607,0.000011901828,0.000054133074,0.00014251153,0.000036311598],"domain_scores_gemma":[0.9997062,0.00006325538,0.000016007396,0.00010201606,0.00007650982,0.000036010184],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039601832,0.00033047897,0.00012837538,0.00080526253,0.0014889707,0.0019180248,0.00056792324,0.0007043637,0.039472286],"category_scores_gemma":[0.0010238619,0.00021820878,0.00029649652,0.0005408801,0.0019983677,0.001732585,0.0014258125,0.001521973,0.007647126],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001775163,0.000047669862,0.0017103517,0.00037695386,0.000018167893,0.001316234,0.02049717,0.0006928133,0.020065466,0.5675538,0.20902985,0.17851402],"study_design_scores_gemma":[0.000004882605,0.00003399688,0.0017622581,0.00009027511,0.0000041936823,0.00075092324,0.0013611156,0.00041281618,0.002020855,0.004784901,0.9887589,0.000014794517],"about_ca_topic_score_codex":0.0024036383,"about_ca_topic_score_gemma":0.008620698,"teacher_disagreement_score":0.039472286,"about_ca_system_score_codex":0.000738279,"about_ca_system_score_gemma":0.0005110211,"threshold_uncertainty_score":0.13204795},"labels":[],"label_agreement":null},{"id":"W4239759675","doi":"10.32920/ryerson.14647218","title":"Defining a research tool : an object based study of a group of inter-related photographic objects attributed to the James Inglis Studio (1866-1884) in the McCord Museum, Montreal","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Studio; Object (grammar); Portrait; Biography; Value (mathematics); Art history; Visual arts; Photography; Art; Index (typography); History; Computer science; World Wide Web; Artificial intelligence","score_opus":0.09073101257984037,"score_gpt":0.33993187544639825,"score_spread":0.24920086286655788,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239759675","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9456941,0.0011518734,0.0063848654,0.0009256384,0.000040577623,0.0006015724,0.00038663205,0.000027959404,0.044786848],"genre_scores_gemma":[0.9705278,0.0010868165,0.008486715,0.00024141128,0.000023570195,0.0004428713,0.00026147478,0.00008241711,0.018846761],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9939446,0.003902664,0.00013322764,0.00055734493,0.0009109398,0.0005513394],"domain_scores_gemma":[0.9941502,0.003656559,0.0007536516,0.0004152138,0.00073501817,0.0002893129],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008202386,0.00061970076,0.00054884556,0.0063391435,0.011601068,0.009236791,0.0023523867,0.0014365906,0.0033938002],"category_scores_gemma":[0.010572005,0.00057095615,0.00033222337,0.009894218,0.016789583,0.0043991352,0.0042821066,0.001319631,0.0003918333],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000117216105,0.000023556791,0.0057824524,0.00007033899,0.0000034230027,0.00041337838,0.98059195,0.000026423399,0.0004939736,0.00549148,0.00044945398,0.0066419076],"study_design_scores_gemma":[0.0000036357324,0.000036896618,0.017164374,0.0001514339,0.000009782125,0.00020672401,0.95065635,0.000095343436,0.00041025796,0.0004861957,0.030763252,0.00001570134],"about_ca_topic_score_codex":0.27904576,"about_ca_topic_score_gemma":0.4824363,"teacher_disagreement_score":0.72095424,"about_ca_system_score_codex":0.020481508,"about_ca_system_score_gemma":0.0076027033,"threshold_uncertainty_score":0.55484307},"labels":[],"label_agreement":null},{"id":"W4239821458","doi":"10.1111/j.1531-314x.2011.01177.x","title":"Monumental Waste","year":2012,"lang":"en","type":"article","venue":"Journal of Architectural Education","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Manifesto; Studio; Archaeology; Work (physics); Track (disk drive); Architectural engineering; Sociology; Engineering; Geography; Visual arts; Civil engineering; Art; Political science; Law","score_opus":0.022895600318344464,"score_gpt":0.27801975466136125,"score_spread":0.2551241543430168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239821458","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.046622485,0.0029720706,0.0019044257,0.0073461374,0.0016518339,0.000029778696,0.00048358945,0.00039387413,0.93859583],"genre_scores_gemma":[0.46281964,0.0017254537,0.001520024,0.0011006535,0.00037142256,0.000027482793,0.00036236073,0.0002572321,0.53181565],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991829,0.00021263838,0.000025408557,0.000069854315,0.00030753872,0.00020174173],"domain_scores_gemma":[0.9995035,0.00007983735,0.000052728923,0.00018882629,0.000087104425,0.00008798356],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00076630776,0.00052113686,0.00021223942,0.001441013,0.0074388008,0.0074041495,0.0009956516,0.001083693,0.049584482],"category_scores_gemma":[0.0014396604,0.0001725,0.00030705438,0.0019508399,0.0039328774,0.0025679534,0.006182882,0.0020017703,0.0056200074],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010751259,0.00006652234,0.0021000628,0.00032258226,0.000014414881,0.001115802,0.03456592,0.00037487075,0.0015401416,0.60472447,0.21863383,0.1364339],"study_design_scores_gemma":[0.0000017010292,0.000012270348,0.0006132177,0.00010048293,0.000002888982,0.00026465446,0.006996003,0.000037188227,0.0006750082,0.0034226025,0.9878681,0.0000060315633],"about_ca_topic_score_codex":0.007559348,"about_ca_topic_score_gemma":0.02318372,"teacher_disagreement_score":0.049584482,"about_ca_system_score_codex":0.002897748,"about_ca_system_score_gemma":0.0018585206,"threshold_uncertainty_score":0.16587663},"labels":[],"label_agreement":null},{"id":"W4240331673","doi":"10.32920/ryerson.14664402","title":"Nickolas Muray, Environmental Portraiture, Vanity Fair","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Negative; Art; Portrait; Visual arts; Studio; Commission; Photography; Art history; Law; Political science","score_opus":0.035514292305863,"score_gpt":0.23140326576816678,"score_spread":0.19588897346230377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240331673","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25533172,0.05428416,0.0024052982,0.03132725,0.0015457585,0.00007463103,0.00020934925,0.000099775396,0.6547221],"genre_scores_gemma":[0.77953273,0.014075372,0.0017184983,0.0015192836,0.00019371808,0.000045222543,0.000052633754,0.00008296237,0.20277949],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99937576,0.00034759432,0.000013160814,0.00009563932,0.0000959837,0.00007194032],"domain_scores_gemma":[0.99976736,0.00009735909,0.00004435649,0.000013833261,0.00003096068,0.000046079178],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004400696,0.00034390503,0.00011992164,0.000603891,0.0074642175,0.0025061022,0.00045305205,0.0008118636,0.010928681],"category_scores_gemma":[0.0012911949,0.00018720156,0.00007643726,0.0005617619,0.004550179,0.0033407884,0.0019375624,0.0011459613,0.0010473346],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009243239,0.000049929677,0.0072521544,0.00040508062,0.000011887737,0.006943926,0.509334,0.0003097453,0.0014502318,0.226485,0.16647618,0.081189394],"study_design_scores_gemma":[0.0000015769352,0.000013896214,0.0017354977,0.000103858954,0.0000019624547,0.0018523956,0.067083634,0.000025597246,0.00043619025,0.001198277,0.92754024,0.0000068206973],"about_ca_topic_score_codex":0.046015855,"about_ca_topic_score_gemma":0.11722553,"teacher_disagreement_score":0.046015855,"about_ca_system_score_codex":0.0036144385,"about_ca_system_score_gemma":0.00097545364,"threshold_uncertainty_score":0.09149605},"labels":[],"label_agreement":null},{"id":"W4240333658","doi":"10.32920/ryerson.14665719.v1","title":"Frederick H. Evans : Art, Craft And Presentation","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Presentation (obstetrics); Craft; Visual arts; Context (archaeology); Photography; Art; George (robot); Meaning (existential); Art history; History; Archaeology; Philosophy","score_opus":0.04706336191624742,"score_gpt":0.2786801945145789,"score_spread":0.2316168325983315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240333658","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00764212,0.17555368,0.0033453426,0.048726708,0.005816503,0.000045338813,0.00018467415,0.00019858252,0.75848705],"genre_scores_gemma":[0.117876634,0.08251949,0.0024211137,0.0039441227,0.002185732,0.000045308032,0.00009385205,0.00023897925,0.7906748],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99941885,0.00018143567,0.0000265394,0.00007340843,0.00022620274,0.00007348533],"domain_scores_gemma":[0.9994822,0.0002462237,0.00005375361,0.000023606848,0.000118818374,0.00007540588],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00087628973,0.00038144807,0.00012350947,0.0011405878,0.0026241876,0.0040041255,0.00035922395,0.0011361912,0.028613858],"category_scores_gemma":[0.0020928234,0.00017872301,0.00009026679,0.0013904771,0.0025956563,0.0038516223,0.0010812738,0.0009997078,0.0052735866],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024154935,0.000017392673,0.0004061118,0.00019097132,0.0000031563775,0.00024582795,0.012250697,0.00008814594,0.00052504777,0.1771276,0.6723574,0.13676357],"study_design_scores_gemma":[6.927241e-7,0.0000019281574,0.00049614266,0.000116215975,5.7949353e-7,0.00008534249,0.0013196002,0.00001559662,0.00010190021,0.0033233927,0.99453557,0.0000031169627],"about_ca_topic_score_codex":0.026666144,"about_ca_topic_score_gemma":0.044298705,"teacher_disagreement_score":0.028613858,"about_ca_system_score_codex":0.0043592495,"about_ca_system_score_gemma":0.0023502817,"threshold_uncertainty_score":0.095722914},"labels":[],"label_agreement":null},{"id":"W4240405399","doi":"10.32920/ryerson.14662737","title":"A Great Variety of New and Fine Designs: Advertisements for Painted Backgrounds, 1856--1903","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; University of Toronto","funders":"","keywords":"Portrait; Studio; George (robot); Visual arts; Art; Photography; Art history; Index (typography); Advertising; History; Computer science","score_opus":0.12393462614626224,"score_gpt":0.30244466085912297,"score_spread":0.17851003471286073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240405399","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60343474,0.017550448,0.0009175748,0.0026888156,0.00079529727,0.000051653846,0.0011429744,0.00011644159,0.373302],"genre_scores_gemma":[0.859372,0.009067116,0.0010729694,0.0004059368,0.00054903264,0.00001750912,0.0003963276,0.00013600291,0.12898317],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996815,0.00008313209,0.000016270087,0.000056554272,0.000120880366,0.000041635056],"domain_scores_gemma":[0.99939156,0.0002541036,0.00010878541,0.000058742444,0.00011218203,0.00007457372],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007039017,0.00019825091,0.00011805691,0.0016873971,0.002130733,0.0016862145,0.0001563858,0.00030271357,0.009872916],"category_scores_gemma":[0.0013966385,0.0002042448,0.00009772984,0.0016214155,0.0013495166,0.0009419234,0.0006951569,0.0006565777,0.0016348166],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005975507,0.00011475523,0.046360467,0.0012438269,0.000036965394,0.0030196155,0.3402688,0.00024093756,0.016745184,0.08600775,0.12298986,0.38237435],"study_design_scores_gemma":[0.00000559576,0.00007568705,0.10347279,0.00024513676,0.00001587401,0.00088739896,0.01641733,0.000056559114,0.002528788,0.0005201913,0.87575597,0.000018679199],"about_ca_topic_score_codex":0.005931497,"about_ca_topic_score_gemma":0.04214212,"teacher_disagreement_score":0.009872916,"about_ca_system_score_codex":0.0016777185,"about_ca_system_score_gemma":0.00059030944,"threshold_uncertainty_score":0.033028185},"labels":[],"label_agreement":null},{"id":"W4240493586","doi":"10.32920/ryerson.14665788.v1","title":"Reviewing the Department of Manpower and Immigration collection: a case study on item-level descriptions of immigrants in government archives, MRP","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University; Toronto Metropolitan University; Library and Archives Canada","funders":"Strong","keywords":"Immigration; Performative utterance; Government (linguistics); Data collection; Photography; Visual arts; Library science; History; Sociology; Political science; Law; Computer science; Social science; Art; Linguistics","score_opus":0.10458650001291166,"score_gpt":0.2943805028223103,"score_spread":0.18979400280939868,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240493586","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97822064,0.0008206795,0.00087941706,0.001975149,0.00003843076,0.00019060062,0.00025072286,0.000032713917,0.017591646],"genre_scores_gemma":[0.98180574,0.001289402,0.0024696894,0.00044713815,0.000021592019,0.000118239666,0.00020452439,0.0000699396,0.013573813],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9946784,0.0028274874,0.0003212833,0.00032241497,0.0011151278,0.0007353084],"domain_scores_gemma":[0.98962736,0.0049886643,0.0013693548,0.0011689741,0.002221361,0.0006243653],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00583159,0.00032493917,0.00039957272,0.0025001764,0.017124768,0.004816607,0.0019616147,0.0014043761,0.003817231],"category_scores_gemma":[0.019195093,0.00055057777,0.00025323578,0.006407475,0.005506388,0.0021362852,0.00439806,0.0019258297,0.00047186183],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002484393,0.000036422494,0.008456975,0.00017203364,0.00000494814,0.007253239,0.95892537,0.00011474654,0.0009758791,0.0025461758,0.0027162551,0.018773008],"study_design_scores_gemma":[0.0000012460713,0.000018653489,0.007534593,0.00011080442,0.0000055337578,0.0014339042,0.95108634,0.000052863874,0.00040905786,0.0000908461,0.039244525,0.0000116422925],"about_ca_topic_score_codex":0.38833883,"about_ca_topic_score_gemma":0.7005219,"teacher_disagreement_score":0.38833883,"about_ca_system_score_codex":0.021498114,"about_ca_system_score_gemma":0.02147232,"threshold_uncertainty_score":0.7721569},"labels":[],"label_agreement":null},{"id":"W4240637802","doi":"10.1080/1472586x.2017.1366057","title":"Corrigendum","year":2017,"lang":"en","type":"erratum","venue":"Visual Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Vernacular; Period (music); Photography; Sociology; History; Geography; Aesthetics; Art; Visual arts; Literature","score_opus":0.1913607489186607,"score_gpt":0.3762128836532688,"score_spread":0.18485213473460813,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240637802","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00018704594,0.0021596602,0.0001452803,0.06822256,0.8943285,0.000044009023,0.0013924534,0.0002904704,0.03322999],"genre_scores_gemma":[0.006892574,0.004756384,0.00060383993,0.064986445,0.117052786,0.00017333846,0.0017359254,0.00053771824,0.803261],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961731,0.00042385928,0.00031875586,0.00054407504,0.0020799928,0.00046027568],"domain_scores_gemma":[0.9810565,0.0014316808,0.00038974744,0.000926771,0.01551223,0.0006829763],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019927952,0.0010139216,0.0012216391,0.0031462545,0.0059315218,0.0048096133,0.0027277598,0.0046485662,0.14704274],"category_scores_gemma":[0.03248943,0.0005039832,0.0010789133,0.0024808142,0.0019547783,0.0015925597,0.0024256282,0.004651201,0.08420961],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002259884,0.0000011828118,0.000019200626,0.000019677955,8.446519e-7,0.000022775837,0.00002066733,0.0000043702294,0.0000053162844,0.00031624513,0.9974336,0.0021538718],"study_design_scores_gemma":[0.0000036757558,0.00000421411,0.0006336318,0.00012379339,0.000006168579,0.000054875705,0.0001484729,0.000027150887,0.000040195122,0.00027539543,0.99866986,0.000012736802],"about_ca_topic_score_codex":0.23487864,"about_ca_topic_score_gemma":0.33759034,"teacher_disagreement_score":0.23487864,"about_ca_system_score_codex":0.011166916,"about_ca_system_score_gemma":0.008628823,"threshold_uncertainty_score":0.49190694},"labels":[],"label_agreement":null},{"id":"W4240696826","doi":"10.1386/jcs.5.2.257_5","title":"Exhibition Reviews","year":2016,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Exhibition; Art history; Art; The arts; Studio; Visual arts; History","score_opus":0.15536738673034195,"score_gpt":0.34910113294724837,"score_spread":0.19373374621690642,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240696826","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00036505883,0.07548244,0.0007567893,0.025480015,0.08707635,0.0002897898,0.0038003998,0.0009312027,0.8058179],"genre_scores_gemma":[0.0024725257,0.041210894,0.0005333713,0.009114417,0.021028748,0.00020643717,0.00266603,0.0005511799,0.92221653],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99859685,0.0002110049,0.00009423503,0.00018320749,0.00071709545,0.00019756136],"domain_scores_gemma":[0.996971,0.0004202571,0.00021179851,0.00037420777,0.001504086,0.00051861507],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011496525,0.0010696428,0.0007410146,0.0030988911,0.0015957914,0.0062412624,0.0020484885,0.0026781007,0.5929445],"category_scores_gemma":[0.005106442,0.00044688262,0.00084172795,0.0030346352,0.00078211667,0.0044048675,0.0037476383,0.002570824,0.40519673],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008191827,0.000008058704,0.000019524217,0.00028074754,0.00000192053,0.000028254753,0.000033069024,0.000018568591,0.00006494483,0.0012923984,0.96732926,0.030915072],"study_design_scores_gemma":[0.000001247088,0.0000025407865,0.000050116294,0.00019477152,9.3611345e-7,0.000023814377,0.000025383802,0.0000027112796,0.000014505815,0.00014131765,0.99954116,0.0000015205275],"about_ca_topic_score_codex":0.005207947,"about_ca_topic_score_gemma":0.0070896177,"teacher_disagreement_score":0.5929445,"about_ca_system_score_codex":0.0025048733,"about_ca_system_score_gemma":0.0043473532,"threshold_uncertainty_score":0.5806153},"labels":[],"label_agreement":null},{"id":"W4240743155","doi":"10.32920/ryerson.14658213.v1","title":"Describing uncatalogued photographs in nineteenth century albums : a practical project in collections management","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; University of Guelph-Humber","funders":"","keywords":"George (robot); Visual arts; Computer science; Unit (ring theory); Art; World Wide Web; Art history","score_opus":0.11720017295318803,"score_gpt":0.31217763872688115,"score_spread":0.19497746577369313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240743155","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.75423706,0.005685379,0.14229196,0.015881963,0.0005833368,0.0026711717,0.0013188398,0.0009955661,0.076334745],"genre_scores_gemma":[0.76556927,0.0044325134,0.18714908,0.0008412342,0.00033798956,0.00087369187,0.0010084038,0.0005076455,0.03928025],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99247015,0.005007054,0.00057393673,0.00060492405,0.0009775375,0.0003664231],"domain_scores_gemma":[0.9873388,0.006395984,0.0012678881,0.0019970816,0.0024377813,0.0005624519],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01435274,0.0004438736,0.0003785262,0.0076273503,0.005343844,0.0059848307,0.0013279566,0.00064941595,0.004369784],"category_scores_gemma":[0.023232331,0.00065620244,0.00023725472,0.007888084,0.0053089587,0.0073896684,0.0051693297,0.001504844,0.0010029505],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011283322,0.00022143962,0.033958238,0.0005590713,0.000016401167,0.0010995767,0.41018268,0.0011508538,0.010483014,0.032796487,0.014412696,0.49500662],"study_design_scores_gemma":[0.000021159221,0.00018633065,0.049875967,0.0005716701,0.000027833916,0.0013641528,0.49525818,0.0013711556,0.009116278,0.009257703,0.43285093,0.000098569566],"about_ca_topic_score_codex":0.015695147,"about_ca_topic_score_gemma":0.035870913,"teacher_disagreement_score":0.015695147,"about_ca_system_score_codex":0.0054409006,"about_ca_system_score_gemma":0.0039086514,"threshold_uncertainty_score":0.07590544},"labels":[],"label_agreement":null},{"id":"W4240895840","doi":"10.32920/ryerson.14654220","title":"The Public Lives of Private Family Albums: a Case Study in Collections and Exhibitions at the Art Gallery of Ontario and Max Dean: Album","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Context (archaeology); Art gallery; Visual arts; Art; Public art; Photography; Preamble; Art history; Space (punctuation); Studio; Sociology; History; Computer science","score_opus":0.06043048345274712,"score_gpt":0.26503660775297755,"score_spread":0.20460612430023042,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240895840","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9799658,0.00059272826,0.00026062253,0.0018645574,0.000043987817,0.000107714215,0.00014625053,0.000012625313,0.017005604],"genre_scores_gemma":[0.9898755,0.0006415567,0.00029923278,0.0001801457,0.000027344353,0.0000623322,0.000054283435,0.000021487776,0.008838027],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9949132,0.0024684654,0.00011185052,0.00040000794,0.00062071625,0.0014856451],"domain_scores_gemma":[0.9943851,0.0028935822,0.0007782622,0.0004713615,0.0004291611,0.0010426567],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037682927,0.000860291,0.000723084,0.0019083258,0.042882662,0.0063427133,0.0027081976,0.0025405516,0.006592407],"category_scores_gemma":[0.007046152,0.0007502889,0.0004386659,0.003491478,0.018259695,0.0040731616,0.0067281085,0.0027769106,0.0004645588],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027839162,0.000050034232,0.0030013556,0.00005987651,0.000004044504,0.0028352733,0.9880145,0.000034132587,0.00030169325,0.001580865,0.0012640415,0.0028262807],"study_design_scores_gemma":[0.0000017047233,0.000015638254,0.0036254232,0.0000414664,0.0000030209233,0.00027249067,0.9860531,0.000016366022,0.00009707739,0.000059281865,0.009808571,0.0000058829755],"about_ca_topic_score_codex":0.50701636,"about_ca_topic_score_gemma":0.80110437,"teacher_disagreement_score":0.49298364,"about_ca_system_score_codex":0.0322379,"about_ca_system_score_gemma":0.011841331,"threshold_uncertainty_score":0.99177384},"labels":[],"label_agreement":null},{"id":"W4240944102","doi":"10.1353/scu.2006.0014","title":"Front Porch","year":2006,"lang":"en","type":"article","venue":"Southern cultures","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Memphis; Porch; Quarter (Canadian coin); Front (military); Art; Art history; Courtesy; Visual arts; History; Law; Archaeology; Engineering; Geology; Political science","score_opus":0.017362984984135344,"score_gpt":0.23577613468985945,"score_spread":0.2184131497057241,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240944102","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00196634,0.00026740908,0.0006867008,0.00044563864,0.0012266868,0.000071125534,0.0018311443,0.000694059,0.9928109],"genre_scores_gemma":[0.005375728,0.00017493183,0.00033354232,0.00018694813,0.00007124059,0.000013221489,0.00093346677,0.00026383836,0.99264705],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99984694,0.000008429608,0.0000037896643,0.00004086679,0.000065457214,0.00003454244],"domain_scores_gemma":[0.9997701,0.000016542039,0.0000070029846,0.000027653448,0.00010969857,0.00006900528],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013024265,0.0006991476,0.000363783,0.0008292371,0.0021768888,0.001810921,0.0005321504,0.001019767,0.8571582],"category_scores_gemma":[0.00045370287,0.0002535808,0.00038541327,0.0005258993,0.0003410786,0.0012330337,0.0019176533,0.0009769724,0.66497505],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013224638,0.000044221142,0.00044109108,0.00012567936,0.0000029539422,0.0002851057,0.00014304754,0.000081158694,0.0014495413,0.0034880647,0.8893349,0.10447201],"study_design_scores_gemma":[0.0000070384704,0.000024147892,0.0010282169,0.000049413014,0.0000016869276,0.00014364033,0.000311353,0.000052634907,0.0002808629,0.0003628734,0.9977337,0.000004305823],"about_ca_topic_score_codex":0.0038273332,"about_ca_topic_score_gemma":0.010713394,"teacher_disagreement_score":0.8571582,"about_ca_system_score_codex":0.00046382158,"about_ca_system_score_gemma":0.0004822915,"threshold_uncertainty_score":0.20374644},"labels":[],"label_agreement":null},{"id":"W4241219438","doi":"10.32920/ryerson.14653881","title":"Photographic retouching: the press picture editor's \"invisible\" tool 1930-1939 : a study of retouched press prints from the Art Gallery of Ontario's British Press Agencies Collection","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Newspaper; Art history; Photojournalism; Visual arts; Narrative; Art; Media studies; Sociology; Literature","score_opus":0.04590707283637275,"score_gpt":0.2470325598800103,"score_spread":0.20112548704363756,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241219438","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92798567,0.0046640644,0.0003703203,0.0029502865,0.00012780004,0.00011108142,0.000609579,0.00002903458,0.06315226],"genre_scores_gemma":[0.9645606,0.004244959,0.00029395462,0.0003550073,0.000088694964,0.000069508074,0.00023637536,0.00006668774,0.030084277],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9971957,0.00081365445,0.00012948581,0.00033629857,0.0009774014,0.0005474814],"domain_scores_gemma":[0.9889914,0.0052905018,0.0024761755,0.00082427135,0.0018596892,0.0005579615],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003704862,0.00043083672,0.0004275654,0.0056788158,0.01513569,0.007391079,0.0016150421,0.0011320496,0.007892074],"category_scores_gemma":[0.015186766,0.00069484627,0.00020071364,0.012054222,0.014985883,0.0035644697,0.0033327183,0.00203747,0.0006832572],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026172109,0.000013684169,0.005417986,0.000114328264,0.0000037539417,0.000574498,0.9814361,0.000010578522,0.0003741358,0.0017207891,0.0018984046,0.008409627],"study_design_scores_gemma":[0.000003900594,0.00002792015,0.09051883,0.00024821577,0.00001153785,0.00030481748,0.79541516,0.0000150900705,0.0005168823,0.00015624988,0.11276396,0.000017486185],"about_ca_topic_score_codex":0.6465918,"about_ca_topic_score_gemma":0.8500625,"teacher_disagreement_score":0.6465918,"about_ca_system_score_codex":0.03471824,"about_ca_system_score_gemma":0.014474308,"threshold_uncertainty_score":0.710979},"labels":[],"label_agreement":null},{"id":"W4241325802","doi":"10.5860/choice.41-1949","title":"Looking north: Royal Canadian Mounted Police illustrations: the Potlatch Collection","year":2003,"lang":"en","type":"article","venue":"Choice Reviews Online","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Geography; Visual arts; Archaeology; Art; Ancient history","score_opus":0.06299257296641995,"score_gpt":0.3069396341345709,"score_spread":0.24394706116815096,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241325802","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027796743,0.07659816,0.0016000612,0.04458573,0.037673462,0.00075973227,0.04233545,0.0029688932,0.79069877],"genre_scores_gemma":[0.004710712,0.010793549,0.0011919782,0.0022365497,0.0033077132,0.0001242853,0.0040974254,0.0010754878,0.97246236],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972072,0.0002003902,0.00013081364,0.00012691825,0.0020923018,0.0002423503],"domain_scores_gemma":[0.9817888,0.0017464685,0.00072139554,0.0010887499,0.012614912,0.0020396758],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027188759,0.001120101,0.000896393,0.015345298,0.007454149,0.008200369,0.0013133348,0.0017998951,0.2778003],"category_scores_gemma":[0.013368526,0.0006663554,0.00050251605,0.016806327,0.0019342712,0.002399883,0.0020303975,0.001554236,0.12148762],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005021934,0.0000013866778,0.000031983353,0.000051205217,6.393002e-7,0.000014550461,0.00007412314,0.000008995794,0.00006131151,0.0002819399,0.99124956,0.0082192],"study_design_scores_gemma":[7.724679e-7,0.000001133748,0.0006184555,0.00006110031,0.0000012824219,0.000011937327,0.0001188304,0.0000053631566,0.000043880413,0.000059318463,0.9990734,0.000004405285],"about_ca_topic_score_codex":0.59549415,"about_ca_topic_score_gemma":0.8786933,"teacher_disagreement_score":0.40450585,"about_ca_system_score_codex":0.01497376,"about_ca_system_score_gemma":0.022576028,"threshold_uncertainty_score":0.9293346},"labels":[],"label_agreement":null},{"id":"W4241547049","doi":"10.32920/ryerson.14653794.v1","title":"The Self : A Journey into Cogito Ergo Sum","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Performative utterance; Portrait; Identity (music); Mysticism; Poetry; Semiotics; Art; Feeling; Aesthetics; Id, ego and super-ego; Meaning (existential); Literature; Visual arts; Psychology; Psychoanalysis; Philosophy; Epistemology; Social psychology","score_opus":0.04558020757710305,"score_gpt":0.2813181755512628,"score_spread":0.23573796797415977,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241547049","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.046260953,0.078180455,0.006396716,0.10907409,0.0051092147,0.000079211546,0.00014501145,0.00023890863,0.7545154],"genre_scores_gemma":[0.6928036,0.04655782,0.00897462,0.017849257,0.0031901451,0.00019299972,0.00025029623,0.0006127912,0.22956851],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9985366,0.0007827477,0.00003804727,0.00012810461,0.00028304345,0.0002313608],"domain_scores_gemma":[0.99865854,0.0006436306,0.000053981214,0.00014658133,0.00026034136,0.00023693277],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00386194,0.0006766694,0.00048047653,0.0031089552,0.009654748,0.017225115,0.0011664546,0.0027712635,0.009184689],"category_scores_gemma":[0.0024291512,0.00024018099,0.00028144286,0.0016600001,0.02111299,0.009665404,0.0062331283,0.0035321284,0.0018254165],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000360945,0.00006637731,0.0007839511,0.00024667574,0.0000039712377,0.000515641,0.16720116,0.000075712,0.00031281397,0.7202621,0.04021619,0.070279375],"study_design_scores_gemma":[0.000004111864,0.000022229078,0.00083022617,0.0006655331,0.0000026421446,0.0003639215,0.11430437,0.0001237909,0.00015419902,0.08171492,0.8018019,0.000012115698],"about_ca_topic_score_codex":0.010270784,"about_ca_topic_score_gemma":0.016061904,"teacher_disagreement_score":0.017225115,"about_ca_system_score_codex":0.008539372,"about_ca_system_score_gemma":0.005257746,"threshold_uncertainty_score":0.061957836},"labels":[],"label_agreement":null},{"id":"W4241592408","doi":"10.32920/ryerson.14661225","title":"Not just the Paris Portraits: preserving Berenice Abbott's glass plate negatives","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Negative; Portrait; Art history; Biography; Art; Order (exchange); Visual arts","score_opus":0.07781353449304262,"score_gpt":0.2919372030773071,"score_spread":0.21412366858426446,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241592408","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11007662,0.005220031,0.009331706,0.0126889525,0.0023299982,0.00008830641,0.00055069797,0.00048159648,0.85923207],"genre_scores_gemma":[0.5768502,0.005126397,0.01592094,0.0017786976,0.0009883604,0.00006428051,0.0004067856,0.0009326897,0.3979316],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993492,0.00019520901,0.000010537401,0.00006931166,0.00030843794,0.000067429624],"domain_scores_gemma":[0.9994605,0.0001227677,0.000054672182,0.00015169595,0.00012767088,0.000082630584],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010881828,0.00044271915,0.00013366145,0.0014858596,0.0044998447,0.0053193327,0.00054520805,0.00058326987,0.020953674],"category_scores_gemma":[0.0021344605,0.0001799674,0.00010411024,0.0015671401,0.0042704116,0.0022043262,0.002084741,0.0015013724,0.004459785],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020561271,0.000045045126,0.002477879,0.00029604335,0.000010862234,0.0014865467,0.124917075,0.0005929504,0.009564486,0.26850387,0.29413033,0.29776937],"study_design_scores_gemma":[0.000003425788,0.000024932184,0.0018718605,0.00014703853,0.0000045346674,0.00069218857,0.015837459,0.000076310454,0.0021762317,0.0032326488,0.97592056,0.000012810327],"about_ca_topic_score_codex":0.008986478,"about_ca_topic_score_gemma":0.033602927,"teacher_disagreement_score":0.020953674,"about_ca_system_score_codex":0.0026944242,"about_ca_system_score_gemma":0.001245648,"threshold_uncertainty_score":0.07009709},"labels":[],"label_agreement":null},{"id":"W4241600600","doi":"10.32920/ryerson.14663106","title":"\"Viele herzliche grüsse\" : with heartfelt greetings: translating and cataloguing a German WWI postcard album","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"German; Digitization; Handwriting; Portrait; George (robot); Visual arts; Cataloging; Art history; Computer science; Art; Library science; Artificial intelligence; History; Archaeology; Telecommunications","score_opus":0.03278263021131022,"score_gpt":0.2638400968710093,"score_spread":0.23105746665969906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241600600","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5642078,0.002124777,0.014927721,0.009705458,0.00086779986,0.0005748725,0.003001584,0.00081450556,0.4037755],"genre_scores_gemma":[0.7538932,0.003087679,0.042459935,0.0010306418,0.0002785676,0.00024214262,0.0030194875,0.00076031586,0.19522801],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990325,0.0004111546,0.000069195135,0.00012953837,0.00025577663,0.00010177673],"domain_scores_gemma":[0.99857926,0.0005252834,0.00015371846,0.00033952447,0.00031789843,0.00008429787],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019260369,0.00024212546,0.00012936276,0.0017629376,0.0024977669,0.00429555,0.0003330107,0.0004240333,0.015301698],"category_scores_gemma":[0.0060055596,0.00020864961,0.00009006551,0.0031000194,0.0020679326,0.0023398441,0.0014364935,0.00059313065,0.004803621],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014979605,0.00009680317,0.013937613,0.00034856223,0.000009223797,0.0005676447,0.1435869,0.0002953779,0.0057948786,0.05277349,0.16717519,0.61526453],"study_design_scores_gemma":[0.0000134362435,0.0000637201,0.042471427,0.00042237245,0.000014546898,0.0003956047,0.13944556,0.0004965808,0.008777388,0.004243001,0.80361944,0.000036943205],"about_ca_topic_score_codex":0.016644703,"about_ca_topic_score_gemma":0.04776663,"teacher_disagreement_score":0.016644703,"about_ca_system_score_codex":0.0020797718,"about_ca_system_score_gemma":0.0015674582,"threshold_uncertainty_score":0.051189303},"labels":[],"label_agreement":null},{"id":"W4241968807","doi":"10.22215/etd/2004-06077","title":"Home in the age of mechanical reproduction: Canadian contemporary photographers and the contested terrain of home","year":2004,"lang":"en","type":"dissertation","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reproduction; Terrain; Geography; Gender studies; Sociology; Cartography; Ecology; Biology","score_opus":0.033523887716706814,"score_gpt":0.25429846994580985,"score_spread":0.22077458222910304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241968807","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6080431,0.015174047,0.0007393202,0.049689256,0.00040464877,0.000040786425,0.00028198434,0.00004017784,0.32558662],"genre_scores_gemma":[0.97874,0.0030627828,0.00020586261,0.0007948361,0.000044500877,0.0000054874135,0.000027017288,0.000023056431,0.017096506],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9982705,0.0003959748,0.000028717957,0.00015421015,0.00036643533,0.0007841722],"domain_scores_gemma":[0.99742943,0.00054337434,0.00023393551,0.00013285068,0.0008357667,0.0008247356],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019364578,0.0003087013,0.000307675,0.0020007817,0.028182724,0.013649355,0.0016638555,0.0023250333,0.012282788],"category_scores_gemma":[0.004726435,0.00030376762,0.00019987715,0.0045520584,0.028073942,0.0044336687,0.0042617302,0.0037322876,0.00040012505],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058967373,0.000023389837,0.0042641424,0.00006872172,0.0000043615223,0.00061607355,0.8781641,0.00007314363,0.00023267286,0.07668865,0.016289415,0.023516301],"study_design_scores_gemma":[0.000005416389,0.000009285496,0.012052018,0.00015783604,0.000009197275,0.00027711352,0.81276035,0.00005027837,0.00012345114,0.0025025501,0.17202136,0.000031096835],"about_ca_topic_score_codex":0.9801932,"about_ca_topic_score_gemma":0.992814,"teacher_disagreement_score":0.055510916,"about_ca_system_score_codex":0.055510916,"about_ca_system_score_gemma":0.04823403,"threshold_uncertainty_score":0.40276176},"labels":[],"label_agreement":null},{"id":"W4241971224","doi":"10.3138/cras.38.1.165","title":"Shooting the Movement: Black Panther Party Photography and African American Protest Traditions","year":2008,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":21,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Rhetorical question; Photography; Realization (probability); Movement (music); Focus (optics); History; Art; Sociology; Aesthetics; Literature; Visual arts","score_opus":0.06954087834740186,"score_gpt":0.28257652624504687,"score_spread":0.213035647897645,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241971224","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7229655,0.13644056,0.00024574023,0.0095405225,0.00024092042,0.000022027338,0.000042623604,0.0000076467295,0.13049452],"genre_scores_gemma":[0.96110266,0.035646606,0.00010004898,0.0005122425,0.00008505773,0.0000070705064,0.0000099894005,0.000002634952,0.0025337476],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9992495,0.00046162403,0.000021727246,0.000059168113,0.00014377065,0.000064251806],"domain_scores_gemma":[0.99813604,0.0010389463,0.00045801807,0.000046416477,0.00025285527,0.000067743735],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014974567,0.00010821516,0.0001391427,0.00225174,0.00234623,0.0030691146,0.00026993942,0.0005308869,0.0044929977],"category_scores_gemma":[0.0025251915,0.00011421536,0.00006967914,0.0033870926,0.003937131,0.0015160376,0.0011183566,0.0006751019,0.00013803135],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013468,0.00021341443,0.078437254,0.0038091124,0.00006540528,0.0022300933,0.5363745,0.00009214013,0.0015435492,0.0844769,0.015386886,0.27723604],"study_design_scores_gemma":[0.000009706906,0.00005880878,0.25149754,0.0039561843,0.00007178407,0.0015146004,0.54921836,0.000051551193,0.00055669824,0.0033870821,0.18965395,0.00002370639],"about_ca_topic_score_codex":0.04483957,"about_ca_topic_score_gemma":0.10429513,"teacher_disagreement_score":0.04483957,"about_ca_system_score_codex":0.0020608893,"about_ca_system_score_gemma":0.0022302608,"threshold_uncertainty_score":0.089157104},"labels":[],"label_agreement":null},{"id":"W4242060741","doi":"10.32920/ryerson.14648841","title":"Charles Gagnon’s Use of SX-70 and Minox Cameras in the Context of his Photographic Work","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design; Toronto Metropolitan University","funders":"","keywords":"Photography; Visual arts; Context (archaeology); Art; White (mutation); Art history; History of photography; History; Archaeology","score_opus":0.07876581688445015,"score_gpt":0.25910442561876357,"score_spread":0.1803386087343134,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242060741","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17083524,0.014381533,0.0074725477,0.014798683,0.001297229,0.00015276727,0.00028213207,0.00011711475,0.79066277],"genre_scores_gemma":[0.7542618,0.010636591,0.00857286,0.0016566275,0.00016018616,0.00006153521,0.00008794822,0.00014805334,0.22441436],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99832517,0.00036065004,0.00003341773,0.00031386662,0.0007539153,0.00021294004],"domain_scores_gemma":[0.9985123,0.00060537417,0.00007883363,0.00014857115,0.0004891198,0.00016577028],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014376938,0.00037430058,0.00018370766,0.0016880183,0.00940038,0.0042704036,0.0006839226,0.00080263254,0.0061853556],"category_scores_gemma":[0.003499291,0.0002541324,0.00016386076,0.0021279582,0.012023183,0.0019776104,0.0019288247,0.0014763079,0.00039489433],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013313019,0.000023117509,0.009281815,0.00033165613,0.000015584777,0.0014713967,0.3113484,0.0006096205,0.006882533,0.44511202,0.06370651,0.16108413],"study_design_scores_gemma":[0.0000034592679,0.000014694831,0.011257879,0.00031653096,0.0000067233773,0.0005388853,0.026707202,0.0001125671,0.0014462816,0.004284212,0.9552746,0.00003705684],"about_ca_topic_score_codex":0.8143735,"about_ca_topic_score_gemma":0.93917197,"teacher_disagreement_score":0.8143735,"about_ca_system_score_codex":0.02943332,"about_ca_system_score_gemma":0.01770782,"threshold_uncertainty_score":0.37343937},"labels":[],"label_agreement":null},{"id":"W4242215013","doi":"10.32920/ryerson.14664327","title":"The Painter Who Uses a Camera: An Analysis of the Photographs of Frank “Franz” Johnston : Providing a Comprehensive Catalogue for the Collection Housed at the Archive of Modern Conflict","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University; Toronto Public Health","funders":"","keywords":"Ephemera; Painting; Amateur; Photography; Visual arts; Documentation; Art; Printmaking; Art history; History; Archaeology; Computer science","score_opus":0.05885021610135175,"score_gpt":0.2827490632459779,"score_spread":0.22389884714462618,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242215013","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6780504,0.010778292,0.0030235215,0.0037992431,0.00021745045,0.0003987472,0.0049886247,0.000072572744,0.2986712],"genre_scores_gemma":[0.9353458,0.010698963,0.0051660556,0.00040075948,0.00010000038,0.00013632099,0.0023565446,0.00019539114,0.04560021],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99858534,0.00029748288,0.000044075085,0.00010525919,0.0007544782,0.00021344145],"domain_scores_gemma":[0.99755126,0.0006765977,0.00031703498,0.00019424885,0.0011343805,0.00012646765],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012287813,0.00022200638,0.0001886756,0.0063867955,0.0048560253,0.0035072498,0.00064538623,0.00039499073,0.0059342613],"category_scores_gemma":[0.0042229407,0.00022709425,0.00014445836,0.010529016,0.00289886,0.0013664726,0.0013491001,0.000608078,0.0006619037],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011979671,0.0000426214,0.03530855,0.0010227654,0.000024956766,0.002132297,0.683514,0.00026437806,0.003110657,0.039710958,0.064870745,0.1698783],"study_design_scores_gemma":[0.0000027641147,0.000016621329,0.19849007,0.00065402425,0.000022771026,0.0009265263,0.4260384,0.0001553449,0.0008597536,0.0005281366,0.3722705,0.000035034063],"about_ca_topic_score_codex":0.50601584,"about_ca_topic_score_gemma":0.7932262,"teacher_disagreement_score":0.50601584,"about_ca_system_score_codex":0.012410722,"about_ca_system_score_gemma":0.0069451598,"threshold_uncertainty_score":0.9937867},"labels":[],"label_agreement":null},{"id":"W4242568190","doi":"10.32920/ryerson.14646588.v1","title":"The photographic negative as a historical object : an analysis of the Henryk Ross Łódź ghetto collection at the Art Gallery of Ontario","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Negative; Object (grammar); Photography; Art history; Value (mathematics); Art; Judaism; Visual arts; History; Archaeology; Philosophy; Computer science","score_opus":0.032613520787205426,"score_gpt":0.2563596299193831,"score_spread":0.22374610913217768,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242568190","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7653252,0.0034568373,0.00072530936,0.0023309998,0.00013624852,0.00019985565,0.0015779156,0.000023802544,0.22622386],"genre_scores_gemma":[0.9343491,0.0033594726,0.00076058623,0.0003103458,0.00007465252,0.00009009976,0.00074170536,0.00010009676,0.060213964],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99801254,0.0002905912,0.00005029945,0.00015175175,0.0010757912,0.000419048],"domain_scores_gemma":[0.9976457,0.00049063045,0.00049199106,0.0002132644,0.0009458557,0.00021252577],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015287066,0.00041937118,0.00030699905,0.0058726193,0.013232699,0.0051572323,0.0008862439,0.00047098708,0.0059961164],"category_scores_gemma":[0.0033705956,0.00030896484,0.00023383531,0.009872469,0.010168645,0.0014374254,0.0031005146,0.0008631998,0.0004035446],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001184147,0.0000209284,0.03344542,0.00041686938,0.000023946273,0.0015838423,0.8972968,0.0000776581,0.0030580994,0.020506548,0.012272226,0.031179318],"study_design_scores_gemma":[0.000003996168,0.000023488554,0.23340599,0.00034957795,0.000028791403,0.00048431358,0.5434113,0.000043656157,0.0007774295,0.00049703196,0.22094467,0.00002971645],"about_ca_topic_score_codex":0.8559466,"about_ca_topic_score_gemma":0.9628735,"teacher_disagreement_score":0.1440534,"about_ca_system_score_codex":0.039649878,"about_ca_system_score_gemma":0.017254619,"threshold_uncertainty_score":0.2898035},"labels":[],"label_agreement":null},{"id":"W4242865009","doi":"10.22215/etd/2016-11420","title":"Photographic Encounters in the North: Rosemary Gilliat Eaton's 1960 Trip to the Eastern Canadian Arctic","year":2016,"lang":"en","type":"dissertation","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Carleton University","funders":"National Geographic Society","keywords":"Indigenous; Arctic; Narrative; Performative utterance; Colonialism; Object (grammar); Subject (documents); Power (physics); Photography; Meaning (existential); History; Space (punctuation); Geography; Anthropology; Visual arts; Archaeology; Sociology; Art; Aesthetics; Psychology; Literature; Oceanography","score_opus":0.02326667883387149,"score_gpt":0.24251655456018548,"score_spread":0.219249875726314,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242865009","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8107521,0.0043830406,0.00048409833,0.02959193,0.00068888353,0.000078442856,0.0001871802,0.0000637382,0.15377049],"genre_scores_gemma":[0.9219381,0.003559717,0.0007970016,0.003096962,0.0000909518,0.000028461984,0.00006501637,0.00009581373,0.07032797],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9982508,0.0005781033,0.000028537093,0.00020911271,0.00042161922,0.0005117439],"domain_scores_gemma":[0.998473,0.0005248104,0.000118036456,0.00006771976,0.0003637346,0.00045269667],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016338006,0.00057502947,0.0004445787,0.0012142569,0.04936983,0.004827126,0.0017591864,0.0021200497,0.0059895036],"category_scores_gemma":[0.0026699114,0.00040665994,0.00027328308,0.0016177116,0.01166887,0.0019924918,0.0038920655,0.003495233,0.00064399734],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019512603,0.000019617913,0.0018734655,0.000045298297,0.000004101618,0.0040427917,0.9663353,0.00004711248,0.000715742,0.0039932174,0.016023796,0.006880113],"study_design_scores_gemma":[0.0000014185016,0.00001306833,0.0029579639,0.00008685619,0.0000054593506,0.00094153103,0.84973097,0.000023390852,0.00022680912,0.0001284015,0.14586724,0.000016876036],"about_ca_topic_score_codex":0.916378,"about_ca_topic_score_gemma":0.98199844,"teacher_disagreement_score":0.08362198,"about_ca_system_score_codex":0.030957343,"about_ca_system_score_gemma":0.023022223,"threshold_uncertainty_score":0.2246123},"labels":[],"label_agreement":null},{"id":"W4242994601","doi":"10.4000/critiquedart.17607","title":"Photography, Film, Video, and New Media","year":2014,"lang":"fr","type":"article","venue":"Critique d’art","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Computer graphics (images); Art; Visual arts; Computer science; Multimedia","score_opus":0.028738069886398734,"score_gpt":0.2645153825516366,"score_spread":0.23577731266523785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242994601","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0105933715,0.15783893,0.004138381,0.061279934,0.013598998,0.00003950012,0.000119406475,0.00007505648,0.7523164],"genre_scores_gemma":[0.25973538,0.10151114,0.0028206892,0.010077495,0.02225157,0.00009208748,0.00011257396,0.00024746594,0.60315156],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99909866,0.000461745,0.000028326584,0.000085405765,0.00023430333,0.00009161924],"domain_scores_gemma":[0.99813485,0.0013497107,0.00009244354,0.00010026052,0.00017718489,0.00014555329],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009537616,0.0005847945,0.00034040678,0.0020556326,0.004072222,0.0080185495,0.00057949236,0.0018186927,0.022159716],"category_scores_gemma":[0.0022596645,0.00021755189,0.0003292613,0.0014383785,0.0069586267,0.0047296304,0.0019555804,0.003422722,0.002133717],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052475763,0.000056788173,0.0008887775,0.0005541137,0.000014762842,0.00027449487,0.023630952,0.00013823624,0.0008244083,0.6506769,0.26180986,0.061078202],"study_design_scores_gemma":[0.0000028003078,0.0000106475845,0.0010103035,0.0003533836,0.0000031978814,0.00012981561,0.005403805,0.000055458288,0.0001963744,0.013815467,0.9790125,0.0000062184095],"about_ca_topic_score_codex":0.008577736,"about_ca_topic_score_gemma":0.02179193,"teacher_disagreement_score":0.022159716,"about_ca_system_score_codex":0.004419161,"about_ca_system_score_gemma":0.0019139916,"threshold_uncertainty_score":0.07413167},"labels":[],"label_agreement":null},{"id":"W4243080246","doi":"10.32920/ryerson.14646588","title":"The photographic negative as a historical object : an analysis of the Henryk Ross Łódź ghetto collection at the Art Gallery of Ontario","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Negative; Photography; Object (grammar); Art history; Value (mathematics); Art; Judaism; Visual arts; History; Archaeology; Philosophy; Computer science","score_opus":0.032613520787205426,"score_gpt":0.2563596299193831,"score_spread":0.22374610913217768,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243080246","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7653252,0.0034568373,0.00072530936,0.0023309998,0.00013624852,0.00019985565,0.0015779156,0.000023802544,0.22622386],"genre_scores_gemma":[0.9343491,0.0033594726,0.00076058623,0.0003103458,0.00007465252,0.00009009976,0.00074170536,0.00010009676,0.060213964],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99801254,0.0002905912,0.00005029945,0.00015175175,0.0010757912,0.000419048],"domain_scores_gemma":[0.9976457,0.00049063045,0.00049199106,0.0002132644,0.0009458557,0.00021252577],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015287066,0.00041937118,0.00030699905,0.0058726193,0.013232699,0.0051572323,0.0008862439,0.00047098708,0.0059961164],"category_scores_gemma":[0.0033705956,0.00030896484,0.00023383531,0.009872469,0.010168645,0.0014374254,0.0031005146,0.0008631998,0.0004035446],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001184147,0.0000209284,0.03344542,0.00041686938,0.000023946273,0.0015838423,0.8972968,0.0000776581,0.0030580994,0.020506548,0.012272226,0.031179318],"study_design_scores_gemma":[0.000003996168,0.000023488554,0.23340599,0.00034957795,0.000028791403,0.00048431358,0.5434113,0.000043656157,0.0007774295,0.00049703196,0.22094467,0.00002971645],"about_ca_topic_score_codex":0.8559466,"about_ca_topic_score_gemma":0.9628735,"teacher_disagreement_score":0.8559466,"about_ca_system_score_codex":0.039649878,"about_ca_system_score_gemma":0.017254619,"threshold_uncertainty_score":0.2898035},"labels":[],"label_agreement":null},{"id":"W4243112435","doi":"10.32920/ryerson.14646849","title":"A Descriptive Analysis of F. Beato &amp; Co.’s Commercial Souvenir Album, Photographic Views and Costumes of Japan, Held at George Eastman House","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; St. Thomas University","funders":"","keywords":"George (robot); Studio; Art; Visual arts; Photography; Art history; Context (archaeology); History; Archaeology","score_opus":0.09841897462785529,"score_gpt":0.3027786962417588,"score_spread":0.2043597216139035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243112435","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.640338,0.0030458819,0.0030661707,0.0026817725,0.0004917234,0.0005919049,0.056238234,0.0001753038,0.29337096],"genre_scores_gemma":[0.7202137,0.00477882,0.0037069458,0.00069864,0.00041784314,0.0010335032,0.03720336,0.00041118506,0.23153596],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9995435,0.00006264103,0.000029889366,0.000078198085,0.00020669858,0.000078974525],"domain_scores_gemma":[0.998061,0.000737797,0.000266148,0.000108731794,0.0007126577,0.00011356948],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006687925,0.00023551902,0.00012993539,0.0043264832,0.0017781741,0.0014550609,0.00025456966,0.0001770452,0.010653154],"category_scores_gemma":[0.002098135,0.00015507772,0.00008193581,0.006520151,0.0008818179,0.00081166485,0.00049049186,0.0004468362,0.0022774509],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031711828,0.00013871944,0.07079737,0.0011803387,0.0000137849765,0.0016825343,0.30925268,0.0002717109,0.009631556,0.049987298,0.39050496,0.1662219],"study_design_scores_gemma":[0.0000020478956,0.000024758034,0.18328775,0.00025044143,0.000003986723,0.00032122096,0.095100455,0.00009421125,0.0013139567,0.00032895265,0.71925366,0.000018601342],"about_ca_topic_score_codex":0.038107876,"about_ca_topic_score_gemma":0.08958207,"teacher_disagreement_score":0.038107876,"about_ca_system_score_codex":0.0036998158,"about_ca_system_score_gemma":0.0014135245,"threshold_uncertainty_score":0.07577211},"labels":[],"label_agreement":null},{"id":"W4243324776","doi":"10.17645/mac.v1i1.74","title":"The Nanking Atrocity: Still and Moving Images 1937–1944","year":2014,"lang":"en","type":"article","venue":"Media and Communication","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Ottawa","funders":"","keywords":"Emotive; Context (archaeology); Public opinion; Visual culture; Media studies; World War II; Sociology; History; Visual arts; Law; Political science; Art; Politics; Archaeology; Anthropology","score_opus":0.0201976460219209,"score_gpt":0.2300293061459094,"score_spread":0.20983166012398852,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243324776","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26953402,0.010758577,0.00066218455,0.018172981,0.0032240935,0.00002430396,0.0006134447,0.00005463054,0.6969558],"genre_scores_gemma":[0.8332388,0.0054143914,0.0003915979,0.0014116507,0.0012333597,0.000014195449,0.00021183812,0.00008582762,0.15799837],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99969876,0.000080980295,0.000009408577,0.00003890067,0.00010247153,0.000069461654],"domain_scores_gemma":[0.99958223,0.0001855185,0.00006138884,0.00004201971,0.00009008588,0.000038810096],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005028165,0.00019332686,0.000117316704,0.0012438927,0.0057194848,0.002777872,0.00027071883,0.00086333015,0.011328901],"category_scores_gemma":[0.0018277585,0.00015010695,0.000099488665,0.0012589428,0.004449501,0.0020414703,0.0011565478,0.0018903546,0.0013851112],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003175111,0.000042835905,0.009583583,0.00033555517,0.000028844832,0.0041141277,0.45399082,0.00019319674,0.0033202353,0.21672618,0.20421524,0.107131824],"study_design_scores_gemma":[0.0000028065147,0.000017170456,0.010641181,0.00016479653,0.000007327843,0.00042174978,0.03906761,0.000033966327,0.00082186726,0.0012824591,0.9475238,0.000015271486],"about_ca_topic_score_codex":0.046681765,"about_ca_topic_score_gemma":0.1246705,"teacher_disagreement_score":0.046681765,"about_ca_system_score_codex":0.0042647603,"about_ca_system_score_gemma":0.0009839555,"threshold_uncertainty_score":0.09282011},"labels":[],"label_agreement":null},{"id":"W4243464695","doi":"10.32920/ryerson.14662737.v1","title":"A Great Variety of New and Fine Designs: Advertisements for Painted Backgrounds, 1856--1903","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; University of Toronto","funders":"","keywords":"Portrait; Studio; George (robot); Visual arts; Photography; Art; Art history; Index (typography); Period (music); Advertising; History; Computer science; Aesthetics; Business","score_opus":0.12393462614626224,"score_gpt":0.30244466085912297,"score_spread":0.17851003471286073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243464695","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60343474,0.017550448,0.0009175748,0.0026888156,0.00079529727,0.000051653846,0.0011429744,0.00011644159,0.373302],"genre_scores_gemma":[0.859372,0.009067116,0.0010729694,0.0004059368,0.00054903264,0.00001750912,0.0003963276,0.00013600291,0.12898317],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996815,0.00008313209,0.000016270087,0.000056554272,0.000120880366,0.000041635056],"domain_scores_gemma":[0.99939156,0.0002541036,0.00010878541,0.000058742444,0.00011218203,0.00007457372],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007039017,0.00019825091,0.00011805691,0.0016873971,0.002130733,0.0016862145,0.0001563858,0.00030271357,0.009872916],"category_scores_gemma":[0.0013966385,0.0002042448,0.00009772984,0.0016214155,0.0013495166,0.0009419234,0.0006951569,0.0006565777,0.0016348166],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005975507,0.00011475523,0.046360467,0.0012438269,0.000036965394,0.0030196155,0.3402688,0.00024093756,0.016745184,0.08600775,0.12298986,0.38237435],"study_design_scores_gemma":[0.00000559576,0.00007568705,0.10347279,0.00024513676,0.00001587401,0.00088739896,0.01641733,0.000056559114,0.002528788,0.0005201913,0.87575597,0.000018679199],"about_ca_topic_score_codex":0.005931497,"about_ca_topic_score_gemma":0.04214212,"teacher_disagreement_score":0.009872916,"about_ca_system_score_codex":0.0016777185,"about_ca_system_score_gemma":0.00059030944,"threshold_uncertainty_score":0.033028185},"labels":[],"label_agreement":null},{"id":"W4243481352","doi":"10.1177/1206331202005001007","title":"Encounters","year":2002,"lang":"en","type":"article","venue":"Space and Culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Negotiation; Vernacular; Visual arts; Art; Photojournalism; Art history; Photography; Sociology; Literature; Social science","score_opus":0.027786087829216967,"score_gpt":0.20809299903884312,"score_spread":0.18030691120962616,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243481352","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014268187,0.002186415,0.0020642406,0.008199014,0.0016499496,0.000051422594,0.00020272964,0.000112841524,0.9712653],"genre_scores_gemma":[0.20764264,0.0025704263,0.0018060922,0.0053116055,0.00039570683,0.0000900704,0.00034797302,0.00024028146,0.7815952],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99659014,0.0014467395,0.000090144364,0.0004109307,0.0006981576,0.00076389086],"domain_scores_gemma":[0.9983936,0.00032590772,0.00015840997,0.00020549686,0.00033076867,0.0005857758],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010979113,0.00056602916,0.00042289632,0.0011671325,0.018933248,0.009387623,0.0010568268,0.0033136162,0.11380428],"category_scores_gemma":[0.0045869434,0.0004620518,0.00046288432,0.001747128,0.0049079806,0.0052532763,0.010180809,0.004524489,0.026941974],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011199482,0.00006139525,0.0013925378,0.00019713411,0.000014360704,0.002483606,0.23582786,0.00007339506,0.00129912,0.23524287,0.462252,0.061043754],"study_design_scores_gemma":[0.0000034685982,0.000008888329,0.00037535117,0.00007662763,0.0000023189555,0.00048582949,0.047929443,0.000018509822,0.00008248321,0.004576326,0.9464327,0.000008058167],"about_ca_topic_score_codex":0.021300618,"about_ca_topic_score_gemma":0.049024705,"teacher_disagreement_score":0.11380428,"about_ca_system_score_codex":0.004319712,"about_ca_system_score_gemma":0.0020984684,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4243502883","doi":"10.32920/ryerson.14663331","title":"Photographic Censorship In The First World War : A Comparison Between The Realistic Travels Stereograph Set And British Personal Photograph Albums From The Collection Of The Art Gallery Of Ontario","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Censorship; Front (military); First world war; World War II; Spanish Civil War; Object (grammar); Visual arts; History; Order (exchange); Photography; Art history; Media studies; Art; Law; Sociology; Ancient history; Geography; Political science; Archaeology; Computer science","score_opus":0.06406557622344,"score_gpt":0.257773084570181,"score_spread":0.193707508346741,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243502883","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9361696,0.00093126483,0.0003993997,0.00026398557,0.00003865096,0.00007572898,0.0008379169,0.000023844072,0.061259676],"genre_scores_gemma":[0.98668265,0.0007876746,0.00061769894,0.00003633213,0.000023659566,0.000036016918,0.00070617715,0.000063784275,0.011046085],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99772745,0.0004928206,0.000085234075,0.00017541848,0.0012061907,0.00031290666],"domain_scores_gemma":[0.99456316,0.0021340258,0.0009974196,0.000755631,0.0011818304,0.0003679522],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020605577,0.00023548423,0.0002583885,0.0051174667,0.0042672716,0.0037369323,0.00059871614,0.00035576525,0.0057913256],"category_scores_gemma":[0.006664097,0.00038697905,0.0002479952,0.0075335307,0.0038387366,0.00087625964,0.0023082625,0.000461616,0.0004421565],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000880012,0.000088777924,0.085089214,0.00079305004,0.00009487076,0.0010507583,0.7984473,0.0004324399,0.014554351,0.00629489,0.005568383,0.08670605],"study_design_scores_gemma":[0.000010780396,0.00008339431,0.72944075,0.00022015983,0.00003438769,0.00039539114,0.19265261,0.0001093632,0.0016761781,0.00013890154,0.075200245,0.000037855945],"about_ca_topic_score_codex":0.5381839,"about_ca_topic_score_gemma":0.823537,"teacher_disagreement_score":0.46181607,"about_ca_system_score_codex":0.011497338,"about_ca_system_score_gemma":0.003704617,"threshold_uncertainty_score":0.9290716},"labels":[],"label_agreement":null},{"id":"W4243530381","doi":"10.1386/pop.5.1.77_5","title":"Reviews","year":2014,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"George Brown College","funders":"","keywords":"Photography; Humanities; Art; Globalization; Media studies; Art history; Sociology; Political science; Visual arts; Law","score_opus":0.05373289625254825,"score_gpt":0.2557010360685159,"score_spread":0.20196813981596767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243530381","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00040705586,0.50027615,0.0015492502,0.033865646,0.08705332,0.00026784962,0.005924224,0.00090107374,0.36975554],"genre_scores_gemma":[0.0047197123,0.4718052,0.0017864396,0.030184431,0.038249765,0.00032001032,0.007931901,0.00061212166,0.44439033],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983119,0.00022809516,0.00015588685,0.00031501878,0.00083106087,0.00015804949],"domain_scores_gemma":[0.99673575,0.0006687852,0.00024205931,0.0003350264,0.0016381512,0.00038019006],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012476787,0.0011602743,0.0014135932,0.004039443,0.0009026784,0.005285637,0.0023303085,0.0026189026,0.32674244],"category_scores_gemma":[0.006636459,0.00042394965,0.00093802344,0.0036198806,0.00085429556,0.0034380564,0.0024280169,0.002513947,0.24390851],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002282533,0.000013659502,0.00004097036,0.001715595,0.000010788761,0.000055205517,0.000045797806,0.000046009118,0.00016963386,0.0031727147,0.89711475,0.09759202],"study_design_scores_gemma":[0.0000030405008,0.000003995649,0.000055707496,0.00071177183,0.0000041762814,0.0000587952,0.000020994847,0.000003963201,0.00002438294,0.0005449706,0.99856585,0.000002496782],"about_ca_topic_score_codex":0.0033316207,"about_ca_topic_score_gemma":0.003775937,"teacher_disagreement_score":0.6732576,"about_ca_system_score_codex":0.0026978217,"about_ca_system_score_gemma":0.0053065843,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4243593652","doi":"10.32920/ryerson.14647164","title":"Preservation Of A Time-Based Media Installation : A Case Study of George Eastman House 1968 and 2008 Exhibitions, Conscience The Ultimate Weapon","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Exhibition; Conscience; George (robot); Interpretation (philosophy); Politics; Dissent; Visual arts; Context (archaeology); Art history; Law; Art; Sociology; Political science; History; Philosophy","score_opus":0.05940508304527902,"score_gpt":0.26975625467072767,"score_spread":0.21035117162544864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243593652","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97277325,0.00038426157,0.0005862872,0.0017458576,0.00005246071,0.000065617234,0.00005890176,0.000020026082,0.02431339],"genre_scores_gemma":[0.9836993,0.000767025,0.0011724351,0.0003641067,0.00005117039,0.00006217843,0.00005006145,0.000044941175,0.0137888435],"study_design_codex":"qualitative","study_design_gemma":"case_report","domain_scores_codex":[0.9972007,0.0016772421,0.000053444703,0.00017628034,0.00032643482,0.00056582544],"domain_scores_gemma":[0.9973015,0.0014675355,0.00033936306,0.0002844642,0.00016225061,0.0004449586],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002187633,0.0005827076,0.0003276424,0.001564511,0.018568732,0.004362811,0.0016922253,0.002383975,0.004422063],"category_scores_gemma":[0.0043510864,0.00052017753,0.00040939276,0.002219416,0.009812694,0.0029639304,0.0048346813,0.0027923575,0.00038250588],"study_design_candidate":"case_report","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009291402,0.000238992,0.008775138,0.00015007688,0.0000182087,0.019266088,0.9427629,0.0002357506,0.0014018136,0.008825788,0.0047289785,0.0135034025],"study_design_scores_gemma":[0.000006394243,0.00011340467,0.011271425,0.0001422743,0.000014186897,0.0036660442,0.9241762,0.00012904924,0.00087608653,0.0003540699,0.0592267,0.000024126559],"about_ca_topic_score_codex":0.047009606,"about_ca_topic_score_gemma":0.16516769,"teacher_disagreement_score":0.047009606,"about_ca_system_score_codex":0.004895082,"about_ca_system_score_gemma":0.0021466876,"threshold_uncertainty_score":0.093472004},"labels":[],"label_agreement":null},{"id":"W4243610904","doi":"10.32920/ryerson.14654850.v1","title":"Views Of Egypt By Georgios And Constantinos Zangaki : Examining A Late Nineteenth-Century Photographic Album At The Art Gallery of Ontario","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Art; Period (music); Visual arts; Tourism; Art history; Ancient history; History; Archaeology","score_opus":0.047256437418619256,"score_gpt":0.2431196990913401,"score_spread":0.19586326167272083,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243610904","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6748844,0.014237946,0.0004586148,0.011127321,0.00020784646,0.000026222777,0.0002638275,0.000024233977,0.29876965],"genre_scores_gemma":[0.9258015,0.008759374,0.00027267548,0.0003773289,0.00004267758,0.0000076170127,0.00007913725,0.00003111969,0.06462852],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99980336,0.00003413885,0.000004559993,0.000022026694,0.000060736045,0.00007516226],"domain_scores_gemma":[0.99986064,0.000033102555,0.000024619585,0.00000821412,0.0000400216,0.00003330601],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036946632,0.000266162,0.00010137498,0.0008650541,0.007819587,0.0030383652,0.00035186688,0.00047249554,0.0037662117],"category_scores_gemma":[0.00040475785,0.00015622021,0.000099508296,0.0011784273,0.006517421,0.0011382988,0.0014228821,0.0009866557,0.00037400238],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009380756,0.000019843055,0.0070386683,0.00016229514,0.000010293744,0.002258633,0.84896284,0.00015959091,0.0026892498,0.084686965,0.02637894,0.027538845],"study_design_scores_gemma":[0.0000048339175,0.00001061942,0.032490455,0.00020056035,0.000015819827,0.0004945366,0.42696986,0.00006764553,0.0011135639,0.0016963889,0.5369166,0.000019131186],"about_ca_topic_score_codex":0.6573091,"about_ca_topic_score_gemma":0.88441986,"teacher_disagreement_score":0.34269089,"about_ca_system_score_codex":0.021770526,"about_ca_system_score_gemma":0.0064014853,"threshold_uncertainty_score":0.6894181},"labels":[],"label_agreement":null},{"id":"W4243648323","doi":"10.32920/ryerson.14644941","title":"Old Works / New Works: When Contemporary Photographic Artworks held by Canadian Public Institutions Change After Accession","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Concordia University; York University","funders":"","keywords":"Materiality (auditing); Interpretation (philosophy); Art; Visual arts; Narrative; Object (grammar); Public art; Aesthetics; Literature","score_opus":0.17434359535167032,"score_gpt":0.2881532621254855,"score_spread":0.11380966677381515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243648323","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89046776,0.002701157,0.00047099395,0.0056748367,0.00020223459,0.00007613043,0.0005624478,0.000038460974,0.09980607],"genre_scores_gemma":[0.99016285,0.0010514174,0.00025258298,0.00028417635,0.000025446996,0.000018417513,0.0001604046,0.000032602686,0.008012061],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99265045,0.0007395978,0.00018832953,0.0006810918,0.0032420936,0.0024984097],"domain_scores_gemma":[0.993317,0.0011678828,0.001202384,0.00051855535,0.0025819826,0.0012121856],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0040996955,0.0002938658,0.00053147547,0.0047848336,0.021900687,0.017198144,0.0024418554,0.001560806,0.010576904],"category_scores_gemma":[0.01434245,0.0004675027,0.0003623021,0.009253842,0.014566568,0.005323682,0.0074368366,0.0026757314,0.00045962122],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019888132,0.00004402046,0.06782561,0.00027182818,0.000049600367,0.0014850836,0.834294,0.00019511572,0.0011769666,0.021760743,0.01114919,0.0615489],"study_design_scores_gemma":[0.0000031822347,0.000014381787,0.13040423,0.00023723126,0.000017609611,0.00011895066,0.8091852,0.00005636645,0.00023186248,0.0006149005,0.059073154,0.000042875527],"about_ca_topic_score_codex":0.95917624,"about_ca_topic_score_gemma":0.98416334,"teacher_disagreement_score":0.096968785,"about_ca_system_score_codex":0.096968785,"about_ca_system_score_gemma":0.050360475,"threshold_uncertainty_score":0.70356107},"labels":[],"label_agreement":null},{"id":"W4243784690","doi":"10.32920/ryerson.14665503","title":"“This Prodigious Frightful Fall”: An Exploration of Tourist Images of Niagara Falls in Stereography and on Instagram","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; University of Waterloo","funders":"","keywords":"Photography; Tourism; Social media; Circulation (fluid dynamics); Visual arts; Point (geometry); History; Art; Archaeology; Computer science; World Wide Web; Engineering","score_opus":0.06480790819355489,"score_gpt":0.28813920837237716,"score_spread":0.22333130017882227,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243784690","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86760366,0.0013807835,0.00085976993,0.0018806164,0.000095175346,0.00004835097,0.000473436,0.000052181338,0.12760611],"genre_scores_gemma":[0.9784434,0.0010283551,0.0009345042,0.00026039765,0.000036355465,0.000029340252,0.00019507551,0.00007812637,0.018994471],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99968934,0.00013546021,0.0000055728356,0.000042200514,0.0000647827,0.000062567415],"domain_scores_gemma":[0.999658,0.00016805454,0.000048157523,0.000028895603,0.00004510996,0.00005181321],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040768928,0.00026537117,0.00015897494,0.0012573507,0.005599608,0.0029601608,0.00044312575,0.0004953456,0.006395495],"category_scores_gemma":[0.0008240231,0.00021192798,0.00016280827,0.0022486676,0.0037807005,0.0022584994,0.0020424975,0.00089505856,0.0003843128],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006321484,0.00001910113,0.0074539087,0.00019427341,0.00000982567,0.0018566415,0.94819754,0.000058785034,0.0019053608,0.005847862,0.00918921,0.025204275],"study_design_scores_gemma":[0.0000017858281,0.000021337912,0.038539685,0.00022586527,0.0000085441925,0.00084278994,0.8465556,0.000056874407,0.00052725256,0.00037790553,0.112830386,0.000011981693],"about_ca_topic_score_codex":0.08746381,"about_ca_topic_score_gemma":0.3881414,"teacher_disagreement_score":0.9125362,"about_ca_system_score_codex":0.0029799375,"about_ca_system_score_gemma":0.0016186222,"threshold_uncertainty_score":0.17390943},"labels":[],"label_agreement":null},{"id":"W4243822807","doi":"10.32920/ryerson.14657133.v1","title":"Private collection &amp; public exhibition: the Art Gallery of Ontario’s Responding to Photography","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University; York University","funders":"","keywords":"Exhibition; Photography; Context (archaeology); Visual arts; Art gallery; Public art; Art; History; Archaeology","score_opus":0.0691527678966068,"score_gpt":0.27312467269309154,"score_spread":0.20397190479648475,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243822807","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2718099,0.0028785525,0.002140138,0.0071213203,0.0006668825,0.0004952106,0.0126040885,0.00043902983,0.7018449],"genre_scores_gemma":[0.44250295,0.0024456533,0.0027433988,0.0005609079,0.00019922423,0.00018607412,0.0034802763,0.00057115214,0.54731035],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99842525,0.00013926181,0.00003369567,0.00012243299,0.00081211684,0.00046730286],"domain_scores_gemma":[0.9980071,0.0003200757,0.00020853164,0.00044685314,0.0005741627,0.00044327806],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012042812,0.00043742135,0.00024111483,0.0029617022,0.0162827,0.004697672,0.0009906297,0.00073929847,0.039554175],"category_scores_gemma":[0.0020211192,0.00046359547,0.00036949504,0.007318502,0.004829797,0.0009848502,0.0029686026,0.0008786086,0.0030417845],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035013733,0.00006770179,0.03047108,0.0008722417,0.00005836125,0.0025511237,0.23141673,0.00075895974,0.012902729,0.041296322,0.57438487,0.10486977],"study_design_scores_gemma":[0.0000053142367,0.000015143659,0.10152021,0.00012538303,0.000011517656,0.00015808028,0.039755326,0.00008807365,0.0013288747,0.00026683108,0.85669434,0.000030919415],"about_ca_topic_score_codex":0.91874623,"about_ca_topic_score_gemma":0.9847394,"teacher_disagreement_score":0.08125377,"about_ca_system_score_codex":0.03515986,"about_ca_system_score_gemma":0.026241014,"threshold_uncertainty_score":0.25510383},"labels":[],"label_agreement":null},{"id":"W4243855166","doi":"10.32920/ryerson.14652405","title":"Camera Work And The Alfred Stieglitz Collection At The Metropolitan Museum Of Art","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Photography; Champion; Listing (finance); Visual arts; Art; Work (physics); Metropolitan area; Art history; History; Engineering; Archaeology","score_opus":0.030011775037528374,"score_gpt":0.25014475175433076,"score_spread":0.22013297671680238,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243855166","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035394773,0.039539635,0.00530631,0.009083971,0.0029877669,0.0007002376,0.07845805,0.0016150606,0.8269143],"genre_scores_gemma":[0.070066184,0.046172492,0.028053816,0.0008974352,0.0016115766,0.0009188496,0.0883492,0.001881898,0.7620486],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976793,0.00029606582,0.00020972217,0.00029371306,0.001372221,0.0001490626],"domain_scores_gemma":[0.99707186,0.00031942036,0.00034567923,0.0006745415,0.0013104053,0.00027807965],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027328336,0.00062080025,0.00043275915,0.013181071,0.0027816643,0.006651442,0.0007880469,0.000586473,0.09045428],"category_scores_gemma":[0.0074626524,0.00055537326,0.00030742108,0.023980934,0.0012108963,0.0032393578,0.0033975197,0.0008612925,0.024647659],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005308455,0.000022751958,0.004046467,0.00042708588,0.000015278993,0.00009963259,0.002792471,0.00007465816,0.00053554936,0.04113203,0.76550466,0.18529634],"study_design_scores_gemma":[0.0000026094465,0.000005376341,0.010176223,0.00014302366,0.0000033948893,0.000058192483,0.0006065192,0.000025704332,0.0002173778,0.00072850264,0.98802596,0.0000070482747],"about_ca_topic_score_codex":0.056856487,"about_ca_topic_score_gemma":0.09223639,"teacher_disagreement_score":0.09045428,"about_ca_system_score_codex":0.0041599222,"about_ca_system_score_gemma":0.005335846,"threshold_uncertainty_score":0.30259973},"labels":[],"label_agreement":null},{"id":"W4243909707","doi":"10.32920/ryerson.14648052","title":"Facing Canada: portraits in Toronto","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Nexus (standard); Subject (documents); Representation (politics); Identity (music); Visual arts; Multiculturalism; Colonialism; National identity; Ethnography; Media studies; Identification (biology); National Identities; Sociology; History; Art; Aesthetics; Political science; Law; Anthropology; Computer science; Library science; Archaeology","score_opus":0.03257480997656717,"score_gpt":0.255253576993605,"score_spread":0.22267876701703784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243909707","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43353802,0.016558882,0.0020902418,0.017707756,0.000979775,0.00011691933,0.0048647844,0.00016609761,0.52397746],"genre_scores_gemma":[0.918001,0.005889513,0.0011823939,0.00069026096,0.00007170421,0.000022430124,0.000749085,0.00009302704,0.07330054],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994721,0.000105288476,0.000010199348,0.000059183836,0.00014614622,0.00020700494],"domain_scores_gemma":[0.99958724,0.000074793315,0.000033931356,0.000022096574,0.00010660009,0.0001753052],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026425926,0.00062540034,0.00020278752,0.0011025066,0.01466863,0.0037021965,0.0007297658,0.0011116564,0.014621577],"category_scores_gemma":[0.0007340851,0.00023000881,0.00028448892,0.0032956598,0.0040756366,0.0010187658,0.0016741818,0.0018852844,0.0010039145],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002261707,0.000028577611,0.016739389,0.0007410415,0.00006927681,0.011049055,0.7160369,0.0016006185,0.0049277814,0.07634043,0.13644686,0.035793938],"study_design_scores_gemma":[0.0000074935456,0.000025289923,0.04026463,0.00038208556,0.00005023917,0.0011683869,0.36089352,0.00039374837,0.0006980332,0.0015586808,0.59450525,0.000052668078],"about_ca_topic_score_codex":0.9791047,"about_ca_topic_score_gemma":0.9958354,"teacher_disagreement_score":0.049115404,"about_ca_system_score_codex":0.049115404,"about_ca_system_score_gemma":0.019550849,"threshold_uncertainty_score":0.3563589},"labels":[],"label_agreement":null},{"id":"W4243999815","doi":"10.32920/ryerson.14647848.v1","title":"Contextualizing the Rhode Island School of Design group portfolios and the state of art photography in the 1960s and 1970s","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Photography; Seriousness; Visual arts; Art; Political science","score_opus":0.04018029617796767,"score_gpt":0.2547718673907478,"score_spread":0.21459157121278014,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243999815","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45718566,0.009442926,0.0014228993,0.025252957,0.00032242524,0.0000783848,0.000092884635,0.00004196204,0.5061599],"genre_scores_gemma":[0.94940364,0.0032839808,0.00073587004,0.0010844808,0.00010540897,0.00004681252,0.00003141987,0.00006941786,0.045238946],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948992,0.0028321475,0.00018894905,0.00062246097,0.0007230618,0.00073412334],"domain_scores_gemma":[0.9950706,0.0022055,0.00053714943,0.0005798144,0.0007705395,0.00083648926],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009576575,0.00037038466,0.00031340512,0.0032434636,0.0127555365,0.0104173105,0.0010527194,0.0018339377,0.006049583],"category_scores_gemma":[0.006913368,0.00055485766,0.00021411895,0.002560682,0.02808721,0.0055889203,0.0066106217,0.0047650808,0.0004856669],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004164037,0.000085882784,0.0048116986,0.0000941796,0.0000053795625,0.00068852695,0.6416554,0.00014243892,0.0005268188,0.3064236,0.010178224,0.03534618],"study_design_scores_gemma":[0.000015154812,0.000059758826,0.029756626,0.00053837954,0.0000070886454,0.0002224502,0.40604413,0.00013256747,0.0007221126,0.011026055,0.5514406,0.000035086035],"about_ca_topic_score_codex":0.27022314,"about_ca_topic_score_gemma":0.42308438,"teacher_disagreement_score":0.27022314,"about_ca_system_score_codex":0.026551586,"about_ca_system_score_gemma":0.008349842,"threshold_uncertainty_score":0.5373005},"labels":[],"label_agreement":null},{"id":"W4244097874","doi":"10.3138/uhr.41.01.05","title":"Beyond a Boundary: Washington’s Historic Districts and Their Racial Contents","year":2012,"lang":"en","type":"article","venue":"Urban History Review","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Gentrification; Principle of legality; Neighbourhood (mathematics); Opposition (politics); Supreme court; Law; Sociology; Political science; Public administration; Politics; Economic growth","score_opus":0.05790374280981659,"score_gpt":0.2379542951246407,"score_spread":0.1800505523148241,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244097874","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50079066,0.0029860283,0.0007516333,0.010351487,0.00028220465,0.000028469438,0.0001010803,0.000022674969,0.48468575],"genre_scores_gemma":[0.969375,0.0006702866,0.00033198856,0.0006182019,0.000061205435,0.000020995214,0.0000614079,0.000018774346,0.028842086],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99924517,0.00031776357,0.000016162701,0.00008191316,0.00008880394,0.00025015636],"domain_scores_gemma":[0.9995253,0.00012995029,0.000061521896,0.000051500185,0.00007995003,0.00015178783],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007712579,0.00016125492,0.00011329551,0.0017922019,0.0150382565,0.009414907,0.00052741554,0.0008500711,0.0066007497],"category_scores_gemma":[0.0016616534,0.00019843644,0.00010214584,0.0019948266,0.008369259,0.0041209576,0.003793403,0.0017779989,0.00033069297],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000070786155,0.00006285532,0.017094988,0.00006998282,0.000011968152,0.000431919,0.2029643,0.00018551394,0.00032729065,0.67736995,0.023891497,0.07751897],"study_design_scores_gemma":[0.00001077016,0.00004260363,0.032306336,0.00040570894,0.000024747978,0.00020758263,0.39378577,0.00015317056,0.00048432036,0.03546418,0.53708535,0.000029488448],"about_ca_topic_score_codex":0.09221897,"about_ca_topic_score_gemma":0.28594527,"teacher_disagreement_score":0.09221897,"about_ca_system_score_codex":0.0076411967,"about_ca_system_score_gemma":0.003624147,"threshold_uncertainty_score":0.18336439},"labels":[],"label_agreement":null},{"id":"W4244511076","doi":"10.32920/ryerson.14655228.v1","title":"Robert C. Kraut's Japan : cataloguing and contextualizing post World War Two photographic albums of Japan and the South Pacific","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Vernacular; Narrative; Art history; Visual arts; Cataloging; Art; Library science; Computer science; Literature","score_opus":0.02361159966108175,"score_gpt":0.2452115664472403,"score_spread":0.22159996678615854,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244511076","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9309507,0.0032762226,0.0007163893,0.0027369477,0.00016213629,0.000082479375,0.00019537962,0.000036492827,0.061843265],"genre_scores_gemma":[0.97107375,0.003687768,0.0016359783,0.00023737579,0.00008293209,0.000050756327,0.00015286313,0.000048745547,0.023029799],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99939287,0.00023629885,0.000026487938,0.00008496916,0.00013247001,0.00012698179],"domain_scores_gemma":[0.99817014,0.00073181646,0.00039815254,0.00019084566,0.00029046478,0.00021858705],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002022138,0.00036351677,0.0001470252,0.002805364,0.009445448,0.0043747844,0.00049364875,0.00036731214,0.0027297488],"category_scores_gemma":[0.0032901682,0.00018792154,0.00010475654,0.004031679,0.006046049,0.0025744825,0.003251573,0.00090608303,0.00020225976],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041416388,0.000024672103,0.014054719,0.00017555738,0.0000041109192,0.0010087284,0.91978705,0.000063396605,0.0017087514,0.007164411,0.007903243,0.048064012],"study_design_scores_gemma":[0.000002127154,0.000032293075,0.082108505,0.00020300195,0.000009585206,0.00028720428,0.7152955,0.000039148552,0.0010601406,0.0003477934,0.2005986,0.000016049444],"about_ca_topic_score_codex":0.21625088,"about_ca_topic_score_gemma":0.5227566,"teacher_disagreement_score":0.21625088,"about_ca_system_score_codex":0.008037992,"about_ca_system_score_gemma":0.0052080285,"threshold_uncertainty_score":0.42998433},"labels":[],"label_agreement":null},{"id":"W4244653133","doi":"10.32920/ryerson.14657133","title":"Private collection &amp; public exhibition: the Art Gallery of Ontario’s Responding to Photography","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University; York University","funders":"","keywords":"Exhibition; Photography; Context (archaeology); Visual arts; Art gallery; Public art; Institution; Art; Sociology; History; Archaeology; Social science","score_opus":0.0691527678966068,"score_gpt":0.27312467269309154,"score_spread":0.20397190479648475,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244653133","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2718099,0.0028785525,0.002140138,0.0071213203,0.0006668825,0.0004952106,0.0126040885,0.00043902983,0.7018449],"genre_scores_gemma":[0.44250295,0.0024456533,0.0027433988,0.0005609079,0.00019922423,0.00018607412,0.0034802763,0.00057115214,0.54731035],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99842525,0.00013926181,0.00003369567,0.00012243299,0.00081211684,0.00046730286],"domain_scores_gemma":[0.9980071,0.0003200757,0.00020853164,0.00044685314,0.0005741627,0.00044327806],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012042812,0.00043742135,0.00024111483,0.0029617022,0.0162827,0.004697672,0.0009906297,0.00073929847,0.039554175],"category_scores_gemma":[0.0020211192,0.00046359547,0.00036949504,0.007318502,0.004829797,0.0009848502,0.0029686026,0.0008786086,0.0030417845],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035013733,0.00006770179,0.03047108,0.0008722417,0.00005836125,0.0025511237,0.23141673,0.00075895974,0.012902729,0.041296322,0.57438487,0.10486977],"study_design_scores_gemma":[0.0000053142367,0.000015143659,0.10152021,0.00012538303,0.000011517656,0.00015808028,0.039755326,0.00008807365,0.0013288747,0.00026683108,0.85669434,0.000030919415],"about_ca_topic_score_codex":0.91874623,"about_ca_topic_score_gemma":0.9847394,"teacher_disagreement_score":0.08125377,"about_ca_system_score_codex":0.03515986,"about_ca_system_score_gemma":0.026241014,"threshold_uncertainty_score":0.25510383},"labels":[],"label_agreement":null},{"id":"W4244820274","doi":"10.32920/ryerson.14654220.v1","title":"The Public Lives of Private Family Albums: a Case Study in Collections and Exhibitions at the Art Gallery of Ontario and Max Dean: Album","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Context (archaeology); Art; Visual arts; Public art; Photography; Art gallery; Preamble; Art history; Space (punctuation); Sociology; History; Computer science","score_opus":0.06043048345274712,"score_gpt":0.26503660775297755,"score_spread":0.20460612430023042,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244820274","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9799658,0.00059272826,0.00026062253,0.0018645574,0.000043987817,0.000107714215,0.00014625053,0.000012625313,0.017005604],"genre_scores_gemma":[0.9898755,0.0006415567,0.00029923278,0.0001801457,0.000027344353,0.0000623322,0.000054283435,0.000021487776,0.008838027],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9949132,0.0024684654,0.00011185052,0.00040000794,0.00062071625,0.0014856451],"domain_scores_gemma":[0.9943851,0.0028935822,0.0007782622,0.0004713615,0.0004291611,0.0010426567],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037682927,0.000860291,0.000723084,0.0019083258,0.042882662,0.0063427133,0.0027081976,0.0025405516,0.006592407],"category_scores_gemma":[0.007046152,0.0007502889,0.0004386659,0.003491478,0.018259695,0.0040731616,0.0067281085,0.0027769106,0.0004645588],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027839162,0.000050034232,0.0030013556,0.00005987651,0.000004044504,0.0028352733,0.9880145,0.000034132587,0.00030169325,0.001580865,0.0012640415,0.0028262807],"study_design_scores_gemma":[0.0000017047233,0.000015638254,0.0036254232,0.0000414664,0.0000030209233,0.00027249067,0.9860531,0.000016366022,0.00009707739,0.000059281865,0.009808571,0.0000058829755],"about_ca_topic_score_codex":0.50701636,"about_ca_topic_score_gemma":0.80110437,"teacher_disagreement_score":0.49298364,"about_ca_system_score_codex":0.0322379,"about_ca_system_score_gemma":0.011841331,"threshold_uncertainty_score":0.99177384},"labels":[],"label_agreement":null},{"id":"W4244875466","doi":"10.32920/ryerson.14655090.v1","title":"Retrieving histories: a case study of Cyril J. Brown’s family album","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University; Royal Ontario Museum; University of Toronto","funders":"","keywords":"Photography; Object (grammar); Visual arts; History of photography; Genealogy; Art history; Art; History; Computer science; Artificial intelligence","score_opus":0.09957846815132607,"score_gpt":0.29272074154959704,"score_spread":0.19314227339827097,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244875466","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95182395,0.001401897,0.0010890916,0.005107314,0.00023524009,0.00019081232,0.00016479669,0.000042409836,0.03994459],"genre_scores_gemma":[0.9707873,0.0016679288,0.0016470009,0.0006114214,0.00010317411,0.00007828208,0.000075735086,0.00011322958,0.02491588],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9972371,0.0015026348,0.000084692925,0.00029143962,0.00039860499,0.00048559447],"domain_scores_gemma":[0.99664164,0.0017534316,0.00037865833,0.0002924073,0.0003125524,0.00062131364],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029892044,0.00089126173,0.00065049186,0.002860825,0.026042683,0.0050371937,0.0021929303,0.0022311152,0.0063569797],"category_scores_gemma":[0.009391693,0.0006222323,0.0003630927,0.0027271656,0.011851105,0.002997679,0.0060758432,0.0032456424,0.0006424295],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032224765,0.000061916435,0.0038784584,0.0001026383,0.0000053741755,0.019725658,0.9590274,0.00005717587,0.0007315692,0.0054118624,0.0039528613,0.0070128245],"study_design_scores_gemma":[0.0000041141566,0.00003489531,0.004278626,0.0001568869,0.000007978894,0.007984706,0.9172952,0.00010595453,0.00064558664,0.00041266705,0.06905136,0.000022027616],"about_ca_topic_score_codex":0.1803665,"about_ca_topic_score_gemma":0.40392807,"teacher_disagreement_score":0.1803665,"about_ca_system_score_codex":0.011055778,"about_ca_system_score_gemma":0.006180351,"threshold_uncertainty_score":0.35863334},"labels":[],"label_agreement":null},{"id":"W4245008870","doi":"10.32920/ryerson.14648814","title":"The Arnold Newman Collection of Photographs at the Art Gallery of Ontario finding aid","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Visual arts; Data collection; Art; Art gallery; Sociology; Exhibition; Social science","score_opus":0.0474505703261351,"score_gpt":0.2549384703890839,"score_spread":0.20748790006294882,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245008870","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035617314,0.0076981545,0.003346119,0.005679388,0.001463171,0.0006590292,0.04161678,0.00048576287,0.9034342],"genre_scores_gemma":[0.08247469,0.008922418,0.0109236315,0.000306304,0.00025528081,0.00025769093,0.0127165355,0.00076548546,0.883378],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986545,0.00010225843,0.00004253629,0.00014051527,0.00092405133,0.00013613352],"domain_scores_gemma":[0.9975037,0.00020158735,0.0001528653,0.00029987658,0.0015403926,0.00030151312],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011226471,0.0004611159,0.00036543392,0.004345958,0.0076621748,0.0037873806,0.0007369667,0.00039078563,0.08911804],"category_scores_gemma":[0.0032090247,0.0004594281,0.00024411548,0.009285732,0.0019656722,0.0012975797,0.0017114858,0.0005318662,0.013257048],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007943462,0.00001400156,0.0042522,0.00038947884,0.000009727684,0.00034914122,0.013766392,0.0001665835,0.001776757,0.011423558,0.8763447,0.091428064],"study_design_scores_gemma":[0.0000021070673,0.0000036215845,0.012878969,0.00011498681,0.0000032749415,0.00008155178,0.0028358374,0.000029035727,0.00022916892,0.00028028814,0.9835317,0.000009353342],"about_ca_topic_score_codex":0.85990065,"about_ca_topic_score_gemma":0.9711089,"teacher_disagreement_score":0.14009935,"about_ca_system_score_codex":0.021795832,"about_ca_system_score_gemma":0.025702411,"threshold_uncertainty_score":0.2981295},"labels":[],"label_agreement":null},{"id":"W4245127355","doi":"10.32920/ryerson.14647350.v1","title":"The space between photography and film : an object study from the Warner Bros.-First National Keybook collection","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Object (grammar); Exhibition; Photography; Movie theater; Visual arts; Context (archaeology); Scholarship; Argument (complex analysis); Art; Space (punctuation); History of photography; Film studies; Art history; Sociology; Aesthetics; History; Computer science; Archaeology; Law; Political science","score_opus":0.05368455396844516,"score_gpt":0.2788615987845316,"score_spread":0.22517704481608644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245127355","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8131095,0.006821034,0.0015661416,0.0013142182,0.00012141318,0.00029828373,0.0010687668,0.000020407078,0.17568006],"genre_scores_gemma":[0.9033599,0.010672056,0.0027680728,0.00041325524,0.00014056535,0.0002994486,0.0010684978,0.0001583436,0.08112003],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989987,0.00039379756,0.00006182607,0.00012489448,0.0003066799,0.00011413448],"domain_scores_gemma":[0.99821424,0.0010434764,0.00025196152,0.00014942115,0.0002216883,0.00011932221],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017880219,0.00032591305,0.0003291072,0.00415191,0.0058397474,0.005423573,0.00065724296,0.0004316564,0.0054206876],"category_scores_gemma":[0.0037314738,0.00032758524,0.00015919717,0.0067358497,0.004689617,0.0027532342,0.0021525095,0.0007394609,0.0005185209],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005558444,0.00007473907,0.016206045,0.00047056703,0.000007750802,0.001194159,0.90182304,0.000028585773,0.0019178727,0.032471687,0.0072254343,0.038524482],"study_design_scores_gemma":[0.0000031505656,0.00006428689,0.076709256,0.0006124078,0.000012519093,0.0010359451,0.610817,0.000026204196,0.0010693566,0.0008750871,0.30875826,0.000016478794],"about_ca_topic_score_codex":0.036810596,"about_ca_topic_score_gemma":0.10900308,"teacher_disagreement_score":0.036810596,"about_ca_system_score_codex":0.005774771,"about_ca_system_score_gemma":0.0015804191,"threshold_uncertainty_score":0.073192716},"labels":[],"label_agreement":null},{"id":"W4245135806","doi":"10.1002/9781444391503.ch10","title":"Morning Cleaning: Jeff Wall and <i>The Large Glass</i>","year":2010,"lang":"en","type":"other","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Dream; Art history; Art; Modernity; Morning; Photography; Visual arts; Aesthetics; Psychology; Philosophy; Physics; Epistemology; Astronomy","score_opus":0.013439372402375624,"score_gpt":0.22485534858048417,"score_spread":0.21141597617810853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245135806","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018913291,0.017720558,0.000405547,0.05266586,0.010328646,0.000035637087,0.00028884946,0.00023885543,0.9164246],"genre_scores_gemma":[0.0036461886,0.0027470144,0.0001419767,0.0043348544,0.000578082,0.000011735799,0.00005928779,0.00012410515,0.98835677],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99971503,0.00006585241,0.000007983259,0.000040330004,0.000114189635,0.0000566454],"domain_scores_gemma":[0.9997085,0.00006567229,0.000017661523,0.000016239956,0.00008088714,0.00011101585],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046161225,0.0005652485,0.00027146607,0.00083932234,0.0076808985,0.0044154325,0.0005233712,0.002194123,0.17989132],"category_scores_gemma":[0.00096010667,0.00027453134,0.00023433326,0.0010187698,0.0013423989,0.0038865786,0.0022908845,0.0027630883,0.04602474],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000046679716,0.000011038435,0.000058343332,0.00002328057,5.7371136e-7,0.00002284311,0.0006268658,0.0000064123738,0.000063084364,0.006276916,0.98029375,0.012612188],"study_design_scores_gemma":[6.555248e-7,0.0000016492563,0.00028801255,0.000038771464,4.5859034e-7,0.000019930887,0.0013200816,0.00000652199,0.00005955709,0.00045336306,0.9978085,0.0000024929734],"about_ca_topic_score_codex":0.035468895,"about_ca_topic_score_gemma":0.19244689,"teacher_disagreement_score":0.17989132,"about_ca_system_score_codex":0.0024662146,"about_ca_system_score_gemma":0.0021712792,"threshold_uncertainty_score":0.6017964},"labels":[],"label_agreement":null},{"id":"W4245261224","doi":"10.1111/j.1540-6245.2011.01493.x","title":"Introduction","year":2012,"lang":"en","type":"article","venue":"Journal of Aesthetics and Art Criticism","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Materials science","score_opus":0.02197309249432284,"score_gpt":0.25102618342536454,"score_spread":0.2290530909310417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245261224","genre_codex":"other","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"editorial","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015040822,0.0039832434,0.0043345937,0.012201524,0.008907025,0.00024468193,0.003735839,0.0013247617,0.96376413],"genre_scores_gemma":[0.010624155,0.0032796983,0.003065496,0.0061483323,0.0018717248,0.0002369565,0.00409029,0.0006165419,0.9700668],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99753535,0.0003538445,0.00014686833,0.000675883,0.0009730668,0.00031495062],"domain_scores_gemma":[0.9974686,0.00031822213,0.000108103,0.00041418543,0.0011334441,0.0005575125],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015686174,0.0010112205,0.0007867841,0.0016848375,0.0030477117,0.008117718,0.0024995725,0.0040915697,0.57995754],"category_scores_gemma":[0.005934517,0.00042231719,0.0008610012,0.0017630585,0.0013907672,0.005315411,0.0048807366,0.0031104733,0.41616204],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008252916,0.000071641596,0.00076003216,0.0003477398,0.000009804183,0.000269809,0.0006216444,0.00012331757,0.00044997272,0.051207308,0.78045744,0.16559874],"study_design_scores_gemma":[0.0000041361604,0.000011159127,0.00025039233,0.000101857506,0.000001977963,0.00011416489,0.00015453744,0.000028927603,0.00007639222,0.003055833,0.9961953,0.000005417177],"about_ca_topic_score_codex":0.00446114,"about_ca_topic_score_gemma":0.0048609404,"teacher_disagreement_score":0.57995754,"about_ca_system_score_codex":0.003164405,"about_ca_system_score_gemma":0.0048282277,"threshold_uncertainty_score":0.5991396},"labels":[],"label_agreement":null},{"id":"W4245392445","doi":"10.32920/ryerson.14653758","title":"Urban decay: a case study of the negatives in the Toronto Telegram fonds, Clara Thomas Archives and Special Collections","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"York University","keywords":"Negative; Cellulose acetate; History; Special collections; Library science; Gerontology; Cellulose; Engineering; Medicine; Art; Visual arts; Computer science; Chemical engineering","score_opus":0.045134318577907596,"score_gpt":0.28511760844980494,"score_spread":0.23998328987189735,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245392445","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9865406,0.0012593429,0.00031268314,0.0010480093,0.00004996617,0.000066122055,0.0001423735,0.000009834212,0.010571087],"genre_scores_gemma":[0.99007493,0.0017206331,0.00034266486,0.000197992,0.000046878202,0.000022541411,0.000068891706,0.000016485736,0.0075088977],"study_design_codex":"case_report","study_design_gemma":"qualitative","domain_scores_codex":[0.99915206,0.00023614347,0.00003043036,0.00007319348,0.00019916629,0.00030902596],"domain_scores_gemma":[0.9993443,0.00017236202,0.00016766312,0.000057321868,0.000072457064,0.00018595165],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044733763,0.0010380198,0.00046521376,0.002321998,0.012266006,0.0021163973,0.0014535243,0.0018024343,0.003261003],"category_scores_gemma":[0.0017742486,0.00071882637,0.00034834098,0.0035340388,0.005516913,0.0008422161,0.0026943153,0.0019391958,0.00030539228],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014670102,0.00021384479,0.06361829,0.00039935336,0.00003739119,0.47788507,0.4255342,0.0004411765,0.0016568332,0.00758184,0.0064559956,0.01602938],"study_design_scores_gemma":[0.000011060569,0.00019550174,0.08728822,0.000385881,0.00006471745,0.25952086,0.60077304,0.00046922252,0.001558438,0.00084712903,0.048809655,0.00007628169],"about_ca_topic_score_codex":0.29148433,"about_ca_topic_score_gemma":0.5968508,"teacher_disagreement_score":0.70851564,"about_ca_system_score_codex":0.010284174,"about_ca_system_score_gemma":0.0036747344,"threshold_uncertainty_score":0.5795754},"labels":[],"label_agreement":null},{"id":"W4246137318","doi":"10.32920/ryerson.14646864","title":"Old works / New Works: when contemporary photographic artworks held by Canadian public institutions change after accession","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Materiality (auditing); Art; Visual arts; Interpretation (philosophy); Narrative; Public art; Object (grammar); Aesthetics; Literature","score_opus":0.17434359535167032,"score_gpt":0.2881532621254855,"score_spread":0.11380966677381515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246137318","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89046776,0.002701157,0.00047099395,0.0056748367,0.00020223459,0.00007613043,0.0005624478,0.000038460974,0.09980607],"genre_scores_gemma":[0.99016285,0.0010514174,0.00025258298,0.00028417635,0.000025446996,0.000018417513,0.0001604046,0.000032602686,0.008012061],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99265045,0.0007395978,0.00018832953,0.0006810918,0.0032420936,0.0024984097],"domain_scores_gemma":[0.993317,0.0011678828,0.001202384,0.00051855535,0.0025819826,0.0012121856],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0040996955,0.0002938658,0.00053147547,0.0047848336,0.021900687,0.017198144,0.0024418554,0.001560806,0.010576904],"category_scores_gemma":[0.01434245,0.0004675027,0.0003623021,0.009253842,0.014566568,0.005323682,0.0074368366,0.0026757314,0.00045962122],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019888132,0.00004402046,0.06782561,0.00027182818,0.000049600367,0.0014850836,0.834294,0.00019511572,0.0011769666,0.021760743,0.01114919,0.0615489],"study_design_scores_gemma":[0.0000031822347,0.000014381787,0.13040423,0.00023723126,0.000017609611,0.00011895066,0.8091852,0.00005636645,0.00023186248,0.0006149005,0.059073154,0.000042875527],"about_ca_topic_score_codex":0.95917624,"about_ca_topic_score_gemma":0.98416334,"teacher_disagreement_score":0.096968785,"about_ca_system_score_codex":0.096968785,"about_ca_system_score_gemma":0.050360475,"threshold_uncertainty_score":0.70356107},"labels":[],"label_agreement":null},{"id":"W4246161613","doi":"10.32920/ryerson.14661714.v1","title":"A Descriptive analysis of Ten Painted Tintypes from the George Eastman House Collection","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"George (robot); Period (music); Art; Popularity; Visual arts; Photography; Portrait; Art history; Relation (database); Aesthetics; Computer science; Psychology","score_opus":0.050568863589995704,"score_gpt":0.251374614965567,"score_spread":0.2008057513755713,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246161613","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8991916,0.0017313536,0.0022178448,0.0004906386,0.0001603947,0.00044535924,0.004816671,0.000043968143,0.09090221],"genre_scores_gemma":[0.9328263,0.002659836,0.0046690777,0.00038415263,0.00014930364,0.0007028021,0.0056395605,0.00031110726,0.052657932],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9988933,0.00029105745,0.00006180297,0.00013895717,0.00045487922,0.00016000644],"domain_scores_gemma":[0.9977787,0.00093365007,0.0003579239,0.0002261384,0.0005792515,0.00012437868],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010861855,0.0003336708,0.00027754495,0.004770217,0.0038901356,0.0023331072,0.0005694328,0.00039011284,0.007409338],"category_scores_gemma":[0.0030736977,0.00025570052,0.00016692585,0.0062579024,0.0027202119,0.0012454618,0.0014687539,0.00084316474,0.0010708848],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016279591,0.000053226504,0.023527049,0.00083454547,0.000018592807,0.0020150032,0.89082825,0.00008636178,0.008000996,0.015853174,0.015963437,0.04265653],"study_design_scores_gemma":[0.0000030250064,0.000039628696,0.11541784,0.00055591925,0.000012731296,0.001465461,0.6091641,0.00007014826,0.0020539523,0.000649036,0.27053058,0.000037610334],"about_ca_topic_score_codex":0.026582774,"about_ca_topic_score_gemma":0.098960474,"teacher_disagreement_score":0.026582774,"about_ca_system_score_codex":0.0031539206,"about_ca_system_score_gemma":0.0011508332,"threshold_uncertainty_score":0.052856088},"labels":[],"label_agreement":null},{"id":"W4246381500","doi":"10.32920/ryerson.14666382.v1","title":"Between Art And Photojournalism :An Examination Of Henri Cartier-Bresson's The People Of Moscow","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Photojournalism; Photography; Art history; Art; Agency (philosophy); Visual arts; Period (music); Sociology; Aesthetics; Social science","score_opus":0.04767591865451668,"score_gpt":0.27696713930304917,"score_spread":0.2292912206485325,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246381500","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6681733,0.048647966,0.0005149913,0.008953565,0.0007578224,0.000040274426,0.00010273417,0.000028154906,0.27278116],"genre_scores_gemma":[0.9775738,0.0082858335,0.00013824322,0.000502245,0.00020208523,0.000027144115,0.000028057973,0.000033228593,0.013209333],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9977095,0.0014259715,0.00007279751,0.0001631608,0.00031733696,0.00031117475],"domain_scores_gemma":[0.9981584,0.0012353092,0.00024799828,0.00005489145,0.000093606744,0.00020974244],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018591762,0.00027646375,0.00042284394,0.004305608,0.00964154,0.007960666,0.0005491818,0.001102117,0.0038920932],"category_scores_gemma":[0.0025311208,0.00034856735,0.00017435869,0.006780147,0.0139486585,0.0032007287,0.0047039078,0.0014409374,0.00026045425],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024540239,0.000019684363,0.0050352872,0.0001733205,0.000008188582,0.00039712482,0.9347186,0.000019428264,0.0001857924,0.03964487,0.006135382,0.01363779],"study_design_scores_gemma":[0.0000054709435,0.000029381437,0.04408094,0.00064470177,0.000010854599,0.00047684077,0.7548158,0.000025260792,0.00012472656,0.002665729,0.19710913,0.000011038423],"about_ca_topic_score_codex":0.029379204,"about_ca_topic_score_gemma":0.048634738,"teacher_disagreement_score":0.029379204,"about_ca_system_score_codex":0.0071067335,"about_ca_system_score_gemma":0.0025038763,"threshold_uncertainty_score":0.058416367},"labels":[],"label_agreement":null},{"id":"W4246738032","doi":"10.32920/ryerson.14646618","title":"The Matthew R. Isenburg collection: the dissemination of information on a private photographic collection, 1972 ‐ 2012","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design; Toronto Metropolitan University","funders":"","keywords":"Photography; Studio; Reputation; Documentation; Data collection; Visual arts; Library science; Collection development; History; Art history; Art; Sociology; Computer science; Social science","score_opus":0.01919563791349166,"score_gpt":0.2569600764725673,"score_spread":0.23776443855907564,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246738032","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04304577,0.039934713,0.0031621312,0.015992329,0.0054895836,0.00039831275,0.017032165,0.0007201,0.87422484],"genre_scores_gemma":[0.13211575,0.05285015,0.0077522155,0.0017836079,0.003551525,0.00048804586,0.011204611,0.001252542,0.7890014],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99806005,0.00027811565,0.00012403323,0.00021668097,0.0011543437,0.00016683573],"domain_scores_gemma":[0.9953354,0.0011034323,0.00043304387,0.0009007781,0.0019063707,0.00032087526],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030853252,0.00037163956,0.00027082727,0.0076134996,0.005034881,0.0049494086,0.0005610831,0.0004941252,0.03042576],"category_scores_gemma":[0.007965642,0.00043033183,0.00016081148,0.00963337,0.0028427502,0.0033118466,0.0029605958,0.0010766458,0.007781847],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040474577,0.00002118047,0.0025312058,0.00048103978,0.0000073517467,0.00023931992,0.022883266,0.000088283785,0.0010851788,0.031156892,0.7359847,0.20548108],"study_design_scores_gemma":[8.112518e-7,0.0000027062497,0.0044762297,0.0001637079,0.0000014075338,0.00005254366,0.0017139417,0.0000068908944,0.00018913455,0.00018925848,0.99319834,0.000005066066],"about_ca_topic_score_codex":0.088691615,"about_ca_topic_score_gemma":0.19234549,"teacher_disagreement_score":0.088691615,"about_ca_system_score_codex":0.007500571,"about_ca_system_score_gemma":0.008396307,"threshold_uncertainty_score":0.17635077},"labels":[],"label_agreement":null},{"id":"W4246900997","doi":"10.1017/9781108381697.009","title":"Untimely Objects","year":2018,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Computer science","score_opus":0.040567420815068284,"score_gpt":0.20246782627092877,"score_spread":0.16190040545586049,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246900997","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00070790394,0.004690504,0.0033616184,0.0012943643,0.002125137,0.000023356386,0.00036008848,0.00031814966,0.98711884],"genre_scores_gemma":[0.005738554,0.002213233,0.0015409461,0.0003324854,0.0002056659,0.00002076122,0.00027879854,0.00027926025,0.9893902],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997316,0.000033797503,0.0000103645725,0.0000622673,0.00012166017,0.000040249906],"domain_scores_gemma":[0.99974865,0.00005248155,0.000012865047,0.00008247693,0.000069337446,0.000034123506],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035021018,0.00075330475,0.00035497182,0.00083558855,0.002524645,0.0050359843,0.0008491599,0.0010172529,0.22174491],"category_scores_gemma":[0.0009338177,0.00033181882,0.0005304832,0.0009427265,0.0024293025,0.006337456,0.0025308235,0.0019059243,0.079146005],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004190365,0.000018219755,0.000071787734,0.0002046079,0.0000033222782,0.00012943758,0.0016523094,0.00012129723,0.0007899069,0.44738072,0.43290845,0.116678044],"study_design_scores_gemma":[8.9364056e-7,0.0000040596865,0.000043624605,0.000068176385,8.4057353e-7,0.00005068106,0.00011249973,0.00001927612,0.00013202052,0.007598137,0.9919674,0.000002452084],"about_ca_topic_score_codex":0.0031456563,"about_ca_topic_score_gemma":0.006880766,"teacher_disagreement_score":0.22174491,"about_ca_system_score_codex":0.0015404108,"about_ca_system_score_gemma":0.0010611569,"threshold_uncertainty_score":0.7418106},"labels":[],"label_agreement":null},{"id":"W4246923500","doi":"10.32920/ryerson.14666421.v1","title":"Re-contextualizing a visual history of Canada : the division of the National Film Board of Canada's Still Photography Division collection","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Exhibition; Photography; Newspaper; History of photography; Mandate; Ephemera; Archivist; Visual arts; Collection development; Presentation (obstetrics); Library science; History; Media studies; Sociology; Political science; Art; Archaeology; Law; Computer science","score_opus":0.03148510302509996,"score_gpt":0.2363273279969047,"score_spread":0.20484222497180474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246923500","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1260444,0.025742332,0.0061331554,0.058051918,0.0026516349,0.0002093453,0.0025128743,0.00021616784,0.7784382],"genre_scores_gemma":[0.8601026,0.017566172,0.004129565,0.0040345322,0.00033831326,0.0001366294,0.0009631491,0.0004431363,0.11228587],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9948348,0.00097397104,0.0001351305,0.00061665213,0.00218273,0.0012567716],"domain_scores_gemma":[0.992474,0.0011132848,0.00036769875,0.00035683103,0.0042312606,0.0014568107],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037411351,0.0006566015,0.000456252,0.007467525,0.031837802,0.02177239,0.0024045303,0.001414288,0.013684611],"category_scores_gemma":[0.007943028,0.0005729301,0.00028010522,0.01284733,0.021806085,0.005639047,0.005342065,0.0041620582,0.0007645204],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006906689,0.00002745201,0.006950683,0.00034753248,0.00002585576,0.0010526242,0.48571932,0.00038124772,0.00073089387,0.2516463,0.16710787,0.0859412],"study_design_scores_gemma":[0.0000026254443,0.0000044947533,0.010850077,0.00048482334,0.0000119735205,0.00013448186,0.13843727,0.00008167923,0.00019591418,0.0020236936,0.8477421,0.00003084887],"about_ca_topic_score_codex":0.9941023,"about_ca_topic_score_gemma":0.9976501,"teacher_disagreement_score":0.20179188,"about_ca_system_score_codex":0.20179188,"about_ca_system_score_gemma":0.17699383,"threshold_uncertainty_score":0.92580825},"labels":[],"label_agreement":null},{"id":"W4246943327","doi":"10.32920/ryerson.14663124","title":"The California Gold Rush: approaches to producing daguerreotype views : an examination of views in the Matthew R. Isenburg Collection at AMC Toronto","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gold rush; Frontier; Portrait; Visual arts; Terrain; Art history; Art; Field (mathematics); Photography; Archaeology; History; Cartography; Geography","score_opus":0.24768563310149244,"score_gpt":0.30375687659201395,"score_spread":0.056071243490521505,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246943327","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39229178,0.011063277,0.006791866,0.0066619767,0.0007838461,0.00042773449,0.0031042837,0.00021803871,0.5786572],"genre_scores_gemma":[0.831353,0.01024394,0.015243817,0.00066383334,0.00028595925,0.00021973948,0.0019135929,0.00053666375,0.13953948],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99799,0.0005718119,0.00006320975,0.00032803157,0.0007832367,0.00026377643],"domain_scores_gemma":[0.9973551,0.0008067615,0.00029840783,0.000332187,0.0009247291,0.0002827652],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027480572,0.00045780116,0.00022044338,0.0051395404,0.011244937,0.0042796507,0.001164591,0.00047412762,0.009866859],"category_scores_gemma":[0.00453723,0.00036846526,0.00018899972,0.0057483334,0.00707101,0.0015656777,0.0027673682,0.0013388915,0.00087379385],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006547025,0.00001652508,0.018983614,0.0002754175,0.000017561071,0.0010081028,0.76777977,0.00018169105,0.003522934,0.03322648,0.06741543,0.10750699],"study_design_scores_gemma":[0.0000030756453,0.000016884975,0.095839545,0.00037379356,0.000011947349,0.0003547353,0.21116431,0.00007093278,0.0009028297,0.00074636296,0.6904821,0.00003358936],"about_ca_topic_score_codex":0.64572936,"about_ca_topic_score_gemma":0.9391106,"teacher_disagreement_score":0.64572936,"about_ca_system_score_codex":0.023968007,"about_ca_system_score_gemma":0.0094490275,"threshold_uncertainty_score":0.712714},"labels":[],"label_agreement":null},{"id":"W4246979707","doi":"10.32920/ryerson.14645097","title":"Working life in Canada, 1890–1930: rehousing the Edith Sarah Watson albums at the Art Gallery of Ontario","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Watson; Art; Art history; Performance art; Visual arts; Photography; Style (visual arts); Computer science","score_opus":0.05295123898596408,"score_gpt":0.22872828647859667,"score_spread":0.1757770474926326,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246979707","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8104377,0.0042529404,0.00060037675,0.010909176,0.00041922764,0.00017854187,0.0019358547,0.000059549868,0.17120662],"genre_scores_gemma":[0.9129701,0.003143821,0.0007408931,0.00076761865,0.000040695682,0.000053440286,0.0005015685,0.000068137306,0.08171375],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99856204,0.00011690927,0.000024816,0.00012443811,0.00051209243,0.0006597976],"domain_scores_gemma":[0.9981876,0.00013549646,0.00011059933,0.00007289897,0.00071651046,0.00077704183],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010996248,0.00043422074,0.00030294567,0.001341372,0.027213272,0.003952812,0.0014839253,0.00062754983,0.0065182396],"category_scores_gemma":[0.0023185506,0.00038339797,0.00022484087,0.0034789415,0.0088892635,0.001286135,0.002930745,0.0019430991,0.00058760314],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015375731,0.0000780621,0.0355907,0.00018154604,0.000022124514,0.0018442803,0.7964595,0.00027095672,0.00188717,0.022270046,0.06435461,0.07688727],"study_design_scores_gemma":[0.0000066786492,0.000028432198,0.13359138,0.0001482615,0.000011949649,0.0002176546,0.43962514,0.00009360814,0.0005428554,0.00034006455,0.4253498,0.00004410108],"about_ca_topic_score_codex":0.9982356,"about_ca_topic_score_gemma":0.9995703,"teacher_disagreement_score":0.16175528,"about_ca_system_score_codex":0.16175528,"about_ca_system_score_gemma":0.14490375,"threshold_uncertainty_score":0.97224504},"labels":[],"label_agreement":null},{"id":"W4247085092","doi":"10.32920/ryerson.14645754.v1","title":"Accepted attitudes : photography's appearance in Janson's History of Art","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Horst; Photography; Context (archaeology); Art; History of photography; Visual arts; History of art; Art history; Order (exchange); History; Archaeology; Architecture","score_opus":0.05490063868873621,"score_gpt":0.2626455283155625,"score_spread":0.20774488962682627,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247085092","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0326906,0.0498282,0.001543287,0.10580097,0.025091665,0.000029342154,0.00022979133,0.00009187066,0.7846942],"genre_scores_gemma":[0.4220326,0.026586784,0.0014068902,0.0124289235,0.011578382,0.00003085534,0.00019614777,0.00029936357,0.5254401],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984388,0.0005629422,0.00005671391,0.00025746447,0.00057516317,0.000109013155],"domain_scores_gemma":[0.9980683,0.0010369194,0.00015856508,0.00019417112,0.00038504152,0.0001569837],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018241059,0.00019525182,0.00017531075,0.0012063443,0.0036271785,0.007685076,0.0004055566,0.0013810477,0.016956672],"category_scores_gemma":[0.0067655654,0.00016850873,0.00014370699,0.0014947569,0.00514928,0.004200917,0.002394544,0.0024582024,0.0020269281],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058906928,0.000029634675,0.0014500112,0.00020352886,0.000008324406,0.0003243596,0.048698008,0.00011537829,0.0007885194,0.51941884,0.36065042,0.068254076],"study_design_scores_gemma":[0.0000016827761,0.000006067549,0.0014408161,0.00015912388,0.0000018810143,0.00010112785,0.004312809,0.000027539818,0.00012306478,0.004350994,0.9894694,0.000005511668],"about_ca_topic_score_codex":0.009078519,"about_ca_topic_score_gemma":0.013992727,"teacher_disagreement_score":0.016956672,"about_ca_system_score_codex":0.0043769763,"about_ca_system_score_gemma":0.0015022083,"threshold_uncertainty_score":0.05672568},"labels":[],"label_agreement":null},{"id":"W4247278651","doi":"10.32920/ryerson.14650098.v1","title":"A hidden history of early colour photography in Britain: the photographs of Agnes B. Warburg (1872-1953)","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; Dalhousie University","funders":"","keywords":"Amateur; Photography; History of photography; White (mutation); Art history; Negative; Art; Front (military); Visual arts; History; Archaeology; Geography","score_opus":0.0456165230583583,"score_gpt":0.24389673667678094,"score_spread":0.19828021361842263,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247278651","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2601192,0.077548064,0.0034321535,0.015588241,0.0024942446,0.00006713027,0.0007566737,0.00010971698,0.63988453],"genre_scores_gemma":[0.832295,0.024611725,0.0014381033,0.001136409,0.0005897733,0.00003186858,0.00017327005,0.00015594861,0.13956787],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930596,0.00025002228,0.00002858928,0.00010095725,0.00020753425,0.0001068844],"domain_scores_gemma":[0.9991171,0.00048522596,0.00011349173,0.00006263091,0.0001310733,0.00009055031],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001047646,0.00023563203,0.00014098939,0.0021176352,0.0038647512,0.0032120522,0.0002945412,0.00073796423,0.009828863],"category_scores_gemma":[0.002446052,0.00034198991,0.000104749844,0.0022710683,0.0077316007,0.0022928352,0.0021432096,0.0015989671,0.0018077897],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033970646,0.00006199398,0.00844092,0.001081796,0.00003268748,0.0030871246,0.41343954,0.00034195642,0.005061563,0.2573421,0.11349314,0.19727749],"study_design_scores_gemma":[0.000004524802,0.000018550625,0.023618575,0.0004876049,0.000006437471,0.0004983576,0.0126138,0.000027354099,0.0008606857,0.0022628317,0.95958364,0.000017648084],"about_ca_topic_score_codex":0.046449017,"about_ca_topic_score_gemma":0.1211465,"teacher_disagreement_score":0.046449017,"about_ca_system_score_codex":0.0076546306,"about_ca_system_score_gemma":0.0015527708,"threshold_uncertainty_score":0.09235728},"labels":[],"label_agreement":null},{"id":"W4247401911","doi":"10.32920/ryerson.14654850","title":"Views Of Egypt By Georgios And Constantinos Zangaki : Examining A Late Nineteenth-Century Photographic Album At The Art Gallery of Ontario","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Period (music); Art; Visual arts; Tourism; Iconography; Ancient history; Art history; Archaeology; Classics; History","score_opus":0.047256437418619256,"score_gpt":0.2431196990913401,"score_spread":0.19586326167272083,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247401911","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6748844,0.014237946,0.0004586148,0.011127321,0.00020784646,0.000026222777,0.0002638275,0.000024233977,0.29876965],"genre_scores_gemma":[0.9258015,0.008759374,0.00027267548,0.0003773289,0.00004267758,0.0000076170127,0.00007913725,0.00003111969,0.06462852],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99980336,0.00003413885,0.000004559993,0.000022026694,0.000060736045,0.00007516226],"domain_scores_gemma":[0.99986064,0.000033102555,0.000024619585,0.00000821412,0.0000400216,0.00003330601],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036946632,0.000266162,0.00010137498,0.0008650541,0.007819587,0.0030383652,0.00035186688,0.00047249554,0.0037662117],"category_scores_gemma":[0.00040475785,0.00015622021,0.000099508296,0.0011784273,0.006517421,0.0011382988,0.0014228821,0.0009866557,0.00037400238],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009380756,0.000019843055,0.0070386683,0.00016229514,0.000010293744,0.002258633,0.84896284,0.00015959091,0.0026892498,0.084686965,0.02637894,0.027538845],"study_design_scores_gemma":[0.0000048339175,0.00001061942,0.032490455,0.00020056035,0.000015819827,0.0004945366,0.42696986,0.00006764553,0.0011135639,0.0016963889,0.5369166,0.000019131186],"about_ca_topic_score_codex":0.6573091,"about_ca_topic_score_gemma":0.88441986,"teacher_disagreement_score":0.34269089,"about_ca_system_score_codex":0.021770526,"about_ca_system_score_gemma":0.0064014853,"threshold_uncertainty_score":0.6894181},"labels":[],"label_agreement":null},{"id":"W4247519748","doi":"10.32920/ryerson.14646714","title":"Denis Brihat Pierre Cordier Jean-Pierre Sudre : A European experiment","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Photography; Materiality (auditing); Mainstream; History of photography; Visual arts; Art; Art history; Aesthetics; Philosophy","score_opus":0.05936817662431292,"score_gpt":0.28333507130261665,"score_spread":0.22396689467830372,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247519748","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7614073,0.0012331867,0.0023557509,0.007539445,0.0002732703,0.00047416735,0.00040321943,0.0000650801,0.22624856],"genre_scores_gemma":[0.89440924,0.0014421559,0.005319011,0.0035196182,0.000117115305,0.0009665438,0.00032013864,0.00014355824,0.09376264],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9923173,0.005375024,0.00013601502,0.0008299977,0.0009744664,0.0003670749],"domain_scores_gemma":[0.9925101,0.0042799665,0.00035206528,0.0012011363,0.0010710554,0.0005856503],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.011266965,0.0004907093,0.000615161,0.00067111186,0.004371365,0.0052427915,0.0007986679,0.0029431193,0.02056467],"category_scores_gemma":[0.010113203,0.00031925656,0.00040635339,0.0012927024,0.0051477635,0.0033626584,0.0030783948,0.0025945099,0.0022785326],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.009162627,0.016886223,0.015613027,0.0008048684,0.00017658177,0.0020921913,0.12585971,0.0028572793,0.015819475,0.57702345,0.08278742,0.15091717],"study_design_scores_gemma":[0.0021949147,0.0049531115,0.039230432,0.0007978445,0.00013298707,0.0008749359,0.0550941,0.0022915408,0.010635866,0.052163444,0.831391,0.00023986165],"about_ca_topic_score_codex":0.021255253,"about_ca_topic_score_gemma":0.012913573,"teacher_disagreement_score":0.021255253,"about_ca_system_score_codex":0.0039002467,"about_ca_system_score_gemma":0.002456358,"threshold_uncertainty_score":0.06879568},"labels":[],"label_agreement":null},{"id":"W4247694686","doi":"10.32920/ryerson.14662392","title":"In context : an examination of Larry Towell's work No man's land from the twin perspectives of maker and user","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Exhibition; Photojournalism; Agency (philosophy); Documentation; Media studies; Sociology; Newspaper; Meaning (existential); Politics; Visual arts; History; Public relations; Political science; Law; Art; Psychology; Social science; Archaeology","score_opus":0.03234582390815124,"score_gpt":0.2570432105769517,"score_spread":0.22469738666880043,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247694686","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54201025,0.01887291,0.0024747655,0.0442604,0.0013759073,0.00015316474,0.00010421368,0.00013902332,0.39060938],"genre_scores_gemma":[0.9315193,0.0068124984,0.0011946129,0.003856423,0.00027242416,0.000076883574,0.000044000422,0.00018687636,0.056037057],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9937272,0.004090225,0.00010793699,0.00035107206,0.00095578237,0.00076782133],"domain_scores_gemma":[0.99517125,0.002672631,0.00042121904,0.000207685,0.0007158067,0.00081127457],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0033686,0.00054923305,0.0005921258,0.0032727337,0.031131754,0.015862241,0.0020762812,0.0025241803,0.007075072],"category_scores_gemma":[0.006488417,0.0005279419,0.00028738513,0.0036523116,0.021743115,0.0060116965,0.007996474,0.0041498677,0.0007144769],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008750122,0.00001965307,0.00070388947,0.00007280891,0.00000212208,0.001402861,0.9752745,0.0000104748815,0.00036627657,0.008705156,0.0064935377,0.006939972],"study_design_scores_gemma":[0.0000012041907,0.000012165723,0.0015153663,0.00016485335,0.0000036703282,0.00044779357,0.85989344,0.000013143223,0.00010825378,0.000432306,0.13739994,0.000007769914],"about_ca_topic_score_codex":0.1507635,"about_ca_topic_score_gemma":0.3635556,"teacher_disagreement_score":0.1507635,"about_ca_system_score_codex":0.015750084,"about_ca_system_score_gemma":0.009498826,"threshold_uncertainty_score":0.29977196},"labels":[],"label_agreement":null},{"id":"W4247727766","doi":"10.32920/ryerson.14665098.v1","title":"The Matthew R. Isenburg collection: the dissemination of information on a private photographic collection, 1972-2012","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Studio; Reputation; Documentation; Data collection; Visual arts; Library science; Art; History; Art history; Sociology; Computer science; Social science","score_opus":0.019247725107694572,"score_gpt":0.2564188943892547,"score_spread":0.23717116928156012,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247727766","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.049793135,0.039299108,0.003065403,0.015072036,0.0049627195,0.00042046656,0.02136065,0.0007706911,0.8652559],"genre_scores_gemma":[0.14452294,0.053540885,0.007906821,0.00175221,0.0033794127,0.0005190406,0.013865835,0.0013342905,0.7731785],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99793905,0.00029233174,0.00013198772,0.00022066906,0.0012372293,0.00017881338],"domain_scores_gemma":[0.99495715,0.0011588748,0.00048141865,0.00093800854,0.0021220252,0.00034248026],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003204906,0.0003612703,0.0002837343,0.007942095,0.0049357573,0.0049459906,0.0005311716,0.0004874787,0.03026578],"category_scores_gemma":[0.0086384835,0.00041459466,0.00015752004,0.010493344,0.0026450485,0.0032648458,0.003039706,0.0010382076,0.00827258],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004615647,0.000022036143,0.002991259,0.00052301463,0.0000072697153,0.0002565019,0.026183411,0.00008614254,0.001119464,0.028651858,0.7221338,0.2179791],"study_design_scores_gemma":[8.604218e-7,0.0000030227693,0.005655299,0.00017395294,0.0000014533064,0.00005611712,0.002029759,0.000006806409,0.00018640743,0.00018159766,0.9916997,0.0000052144865],"about_ca_topic_score_codex":0.08754523,"about_ca_topic_score_gemma":0.19694386,"teacher_disagreement_score":0.08754523,"about_ca_system_score_codex":0.007542817,"about_ca_system_score_gemma":0.008441615,"threshold_uncertainty_score":0.17407131},"labels":[],"label_agreement":null},{"id":"W4247730294","doi":"10.32920/ryerson.14653581","title":"A presentation set of 19th and 20th century photographic processes from the Art Gallery of Ontario's Harris study collection","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University; Western University","funders":"","keywords":"Photography; Presentation (obstetrics); Materiality (auditing); Visual arts; Set (abstract data type); Identification (biology); Painting; Art; Computer science; Aesthetics","score_opus":0.04602559976144739,"score_gpt":0.26942583169337053,"score_spread":0.22340023193192315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247730294","genre_codex":"other","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"dataset","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2741254,0.0058686403,0.011545028,0.009182286,0.0044968347,0.006273359,0.05064531,0.0013094076,0.6365537],"genre_scores_gemma":[0.45863613,0.0064169043,0.020278573,0.0011099005,0.0018389007,0.0038383212,0.025621736,0.0018475476,0.48041198],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926025,0.00018212784,0.000040212057,0.000079011574,0.0003582083,0.00008015081],"domain_scores_gemma":[0.9982071,0.0006201446,0.000094188545,0.00032552323,0.00049388746,0.00025920448],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019235838,0.0005422175,0.00025508692,0.0046331077,0.005160406,0.0026892524,0.00057542534,0.0005187154,0.04798624],"category_scores_gemma":[0.003408003,0.00028097903,0.00035219005,0.0058118342,0.0017823831,0.0009995074,0.0026433505,0.0011027189,0.0035633792],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005186587,0.00014554655,0.0043086386,0.002535949,0.000026079759,0.0018764064,0.20450962,0.00049574795,0.028763197,0.02588921,0.51935744,0.21157356],"study_design_scores_gemma":[0.00002082941,0.00006606625,0.016044596,0.000316029,0.0000100364205,0.0003186377,0.022136517,0.00007903567,0.00224259,0.0012862867,0.9574525,0.000026804246],"about_ca_topic_score_codex":0.038476005,"about_ca_topic_score_gemma":0.1429932,"teacher_disagreement_score":0.04798624,"about_ca_system_score_codex":0.0059767934,"about_ca_system_score_gemma":0.004704861,"threshold_uncertainty_score":0.16052997},"labels":[],"label_agreement":null},{"id":"W4247989228","doi":"10.1086/706613","title":"About the Contributors","year":2020,"lang":"en","type":"article","venue":"Signs","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Lesbian; Sociology; Gender studies; Queer; Transgender; Human sexuality; Politics; Feminism; Modernity; Women of color; Media studies; Law; Political science; Race (biology)","score_opus":0.084534090523351,"score_gpt":0.2531629754875771,"score_spread":0.16862888496422612,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247989228","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004394729,0.005566325,0.0011959855,0.031592064,0.118729234,0.00035540998,0.0090648085,0.00241373,0.83064306],"genre_scores_gemma":[0.0020888855,0.0027967286,0.00053432444,0.006439141,0.008643131,0.00021509179,0.0033321315,0.0010819141,0.9748686],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997592,0.0004043134,0.00016761544,0.00044071698,0.0011012064,0.00029428452],"domain_scores_gemma":[0.9911903,0.0008417972,0.00031966213,0.0011237542,0.0048479377,0.0016766196],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0017245265,0.0012226112,0.00092910696,0.0036788709,0.0037351078,0.010378021,0.0022204502,0.0028197006,0.7614726],"category_scores_gemma":[0.015464809,0.0004104107,0.00057589525,0.0032524264,0.0008446759,0.0059107635,0.004233909,0.003614636,0.7294668],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000053003964,0.0000054833554,0.00003846995,0.000057106066,8.697069e-7,0.00001776848,0.000052249823,0.0000061731507,0.000029394982,0.0015700245,0.9798012,0.018416075],"study_design_scores_gemma":[9.587329e-7,0.0000014126869,0.000039169496,0.00004458582,5.852329e-7,0.000016192496,0.00005821085,0.000005052638,0.000014489966,0.00024498967,0.99957234,0.0000018284438],"about_ca_topic_score_codex":0.0022971532,"about_ca_topic_score_gemma":0.0028517721,"teacher_disagreement_score":0.23852742,"about_ca_system_score_codex":0.0023705945,"about_ca_system_score_gemma":0.0039050258,"threshold_uncertainty_score":0.3402304},"labels":[],"label_agreement":null},{"id":"W4248065632","doi":"10.32920/ryerson.14644941.v1","title":"Old Works / New Works: When Contemporary Photographic Artworks held by Canadian Public Institutions Change After Accession","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Concordia University; York University","funders":"","keywords":"Materiality (auditing); Visual arts; Interpretation (philosophy); Narrative; Art; Object (grammar); Public art; Aesthetics; Literature","score_opus":0.17434359535167032,"score_gpt":0.2881532621254855,"score_spread":0.11380966677381515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248065632","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89046776,0.002701157,0.00047099395,0.0056748367,0.00020223459,0.00007613043,0.0005624478,0.000038460974,0.09980607],"genre_scores_gemma":[0.99016285,0.0010514174,0.00025258298,0.00028417635,0.000025446996,0.000018417513,0.0001604046,0.000032602686,0.008012061],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99265045,0.0007395978,0.00018832953,0.0006810918,0.0032420936,0.0024984097],"domain_scores_gemma":[0.993317,0.0011678828,0.001202384,0.00051855535,0.0025819826,0.0012121856],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0040996955,0.0002938658,0.00053147547,0.0047848336,0.021900687,0.017198144,0.0024418554,0.001560806,0.010576904],"category_scores_gemma":[0.01434245,0.0004675027,0.0003623021,0.009253842,0.014566568,0.005323682,0.0074368366,0.0026757314,0.00045962122],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019888132,0.00004402046,0.06782561,0.00027182818,0.000049600367,0.0014850836,0.834294,0.00019511572,0.0011769666,0.021760743,0.01114919,0.0615489],"study_design_scores_gemma":[0.0000031822347,0.000014381787,0.13040423,0.00023723126,0.000017609611,0.00011895066,0.8091852,0.00005636645,0.00023186248,0.0006149005,0.059073154,0.000042875527],"about_ca_topic_score_codex":0.95917624,"about_ca_topic_score_gemma":0.98416334,"teacher_disagreement_score":0.096968785,"about_ca_system_score_codex":0.096968785,"about_ca_system_score_gemma":0.050360475,"threshold_uncertainty_score":0.70356107},"labels":[],"label_agreement":null},{"id":"W4248451365","doi":"10.32920/ryerson.14649255.v1","title":"Expanding and facilitating access to the Paul Lewis Anderson photographs at George Eastman House","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"George (robot); Photography; Listing (finance); Art history; Art; Visual arts; History; Sociology","score_opus":0.09085868465330463,"score_gpt":0.31180436774244913,"score_spread":0.2209456830891445,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248451365","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022961438,0.007952043,0.010119732,0.012625084,0.0015795961,0.00036135977,0.001082429,0.0008751468,0.94244325],"genre_scores_gemma":[0.083398595,0.01970328,0.048746627,0.0022643246,0.00071986613,0.00035458812,0.0010080849,0.0010539873,0.8427506],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935573,0.0002223632,0.00002112429,0.00005443069,0.00026494896,0.0000814461],"domain_scores_gemma":[0.9990257,0.00029765037,0.00004917059,0.00012254519,0.0003409501,0.00016399327],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014189989,0.0003281031,0.0001695528,0.0022639385,0.0033466124,0.0026717403,0.0005150506,0.0004843668,0.04851196],"category_scores_gemma":[0.0026573313,0.0002792908,0.00011260491,0.0019188793,0.0011963237,0.002845356,0.003588399,0.0011734684,0.014991712],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000172248,0.000030876432,0.00056127243,0.00014049205,0.0000014155262,0.0003564488,0.022190586,0.00010495308,0.0014514375,0.036434937,0.7513117,0.18739858],"study_design_scores_gemma":[0.0000011392975,0.000003076916,0.0006442357,0.00010288133,9.790929e-7,0.000067852256,0.0029279892,0.000019916914,0.0002345731,0.0006255181,0.99536836,0.0000035146559],"about_ca_topic_score_codex":0.029243216,"about_ca_topic_score_gemma":0.15217632,"teacher_disagreement_score":0.04851196,"about_ca_system_score_codex":0.0021170648,"about_ca_system_score_gemma":0.002985678,"threshold_uncertainty_score":0.16228867},"labels":[],"label_agreement":null},{"id":"W4248524466","doi":"10.32920/ryerson.14653875","title":"A full catalogue and analysis of Indian painted photographs at Royal Ontario Museum's South Asian photographic collection","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Studio; Photography; Visual arts; Art; Negative; Oil painting; Art history","score_opus":0.023349073920586605,"score_gpt":0.22180754095717026,"score_spread":0.19845846703658365,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248524466","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04923897,0.020055572,0.0056833113,0.00088781124,0.0011548692,0.0018826878,0.31229985,0.0022841522,0.60651284],"genre_scores_gemma":[0.08884492,0.049530055,0.02911718,0.00050121,0.000846664,0.0014211206,0.3259616,0.004619517,0.4991578],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.9980527,0.00008290883,0.00016252232,0.00016595617,0.0013433448,0.00019248297],"domain_scores_gemma":[0.99577373,0.00042601625,0.00035147968,0.00081224507,0.0023391368,0.00029741207],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012611432,0.00080233545,0.00079489854,0.03693273,0.0029609166,0.0028146864,0.0010521905,0.0002797916,0.078522205],"category_scores_gemma":[0.0028426596,0.0007060008,0.00065861613,0.06754664,0.0010085631,0.0013866336,0.0016395857,0.0008057147,0.021469835],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027674343,0.00007530522,0.014211454,0.006051874,0.000081312144,0.001492148,0.016469643,0.00038767853,0.0096115805,0.005921562,0.5451029,0.4003178],"study_design_scores_gemma":[0.000004159787,0.000010359245,0.056874525,0.00038771797,0.000023528488,0.00048618042,0.0020760205,0.000034513236,0.0007634962,0.00008415218,0.9392254,0.000029925968],"about_ca_topic_score_codex":0.25432932,"about_ca_topic_score_gemma":0.5013217,"teacher_disagreement_score":0.7456707,"about_ca_system_score_codex":0.0054498874,"about_ca_system_score_gemma":0.008789517,"threshold_uncertainty_score":0.50569797},"labels":[],"label_agreement":null},{"id":"W4248723787","doi":"10.32920/ryerson.14644761","title":"Collecting locally : Walker Evans's photographs of Alabama in Alabama institutions","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Context (archaeology); Mythology; State (computer science); Visual arts; Photography; The arts; Locality; Sense of place; Geography; History; Sociology; Archaeology; Art; Economic geography","score_opus":0.09384120912934572,"score_gpt":0.3111770170067744,"score_spread":0.21733580787742868,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248723787","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7937745,0.0016825,0.00077364006,0.0052669873,0.00016173703,0.00010472257,0.0009115065,0.00012106868,0.1972034],"genre_scores_gemma":[0.9050717,0.0015275836,0.0026757705,0.000589137,0.00003917859,0.00006077974,0.00027791175,0.00006036135,0.089697585],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99983454,0.00007577176,0.0000040416817,0.0000215677,0.0000345785,0.000029462602],"domain_scores_gemma":[0.9996916,0.00010165117,0.000038568964,0.000033285203,0.00007247188,0.00006237085],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003777346,0.00019667335,0.00009615998,0.0008862253,0.006778362,0.001217528,0.00026033184,0.0003222518,0.011536602],"category_scores_gemma":[0.00075642456,0.00012233967,0.00004729779,0.0014727203,0.00095105567,0.0006103715,0.0012016749,0.0006027234,0.0011178438],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012956213,0.00015218761,0.032752443,0.00035927308,0.000015803435,0.0054433034,0.64066947,0.00030829327,0.015015527,0.010751778,0.16266388,0.13173853],"study_design_scores_gemma":[0.0000041460585,0.00003799914,0.06768135,0.00018643853,0.00001008179,0.0009940445,0.40935767,0.00010223299,0.0020120745,0.00051438337,0.5190783,0.00002128254],"about_ca_topic_score_codex":0.09312342,"about_ca_topic_score_gemma":0.5003419,"teacher_disagreement_score":0.09312342,"about_ca_system_score_codex":0.0016017023,"about_ca_system_score_gemma":0.0017305501,"threshold_uncertainty_score":0.18516278},"labels":[],"label_agreement":null},{"id":"W4248734420","doi":"10.1177/1461444818776939","title":"Nonhuman photography","year":2018,"lang":"en","type":"article","venue":"New Media & Society","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dawson College","funders":"","keywords":"Photography; Psychology; Visual arts; Sociology; Art","score_opus":0.05116795709749136,"score_gpt":0.2631979370287162,"score_spread":0.21202997993122483,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248734420","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009907069,0.003997877,0.0034823478,0.0013111666,0.00043033846,0.000022397162,0.00013375544,0.00008013888,0.9806349],"genre_scores_gemma":[0.3725014,0.009435987,0.006813652,0.0013494783,0.0005881737,0.000053035936,0.00029649204,0.00017348054,0.6087883],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996007,0.00011345077,0.000013183199,0.00009446732,0.00012612934,0.00005212868],"domain_scores_gemma":[0.9994823,0.00012255444,0.000042419164,0.00020840036,0.00007255663,0.00007174298],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045013745,0.000352764,0.0001353338,0.0011082069,0.0017203465,0.003519988,0.000450471,0.00075312384,0.093898594],"category_scores_gemma":[0.0015262986,0.0001512926,0.00024805052,0.0005634159,0.0033925504,0.0022117242,0.0021896877,0.0009601868,0.009609888],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010315728,0.00007410737,0.0019930468,0.00046944892,0.00002027206,0.00054457074,0.006573832,0.0001600165,0.009412409,0.63136905,0.07302694,0.27625313],"study_design_scores_gemma":[0.000006008347,0.00002998938,0.005933228,0.00022563794,0.0000072722914,0.0011652134,0.0019034608,0.000095595344,0.0026003185,0.033319663,0.95470273,0.000010893716],"about_ca_topic_score_codex":0.0029743651,"about_ca_topic_score_gemma":0.006433672,"teacher_disagreement_score":0.093898594,"about_ca_system_score_codex":0.0010024938,"about_ca_system_score_gemma":0.000772948,"threshold_uncertainty_score":0.31412208},"labels":[],"label_agreement":null},{"id":"W4248761595","doi":"10.32920/ryerson.14649531.v1","title":"The Life of Werner Wolff: an analysis of Werner Wolff’s contributions to Life Magazine","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photojournalism; Photography; Art history; Drama; Agency (philosophy); Art; Visual arts; Negative; History; Sociology; Social science","score_opus":0.037043632144660985,"score_gpt":0.31150972671392546,"score_spread":0.27446609456926446,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248761595","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7815989,0.008228769,0.0007225137,0.007284676,0.0005525604,0.000048787046,0.00022314994,0.000031512838,0.20130914],"genre_scores_gemma":[0.9499769,0.006227255,0.0003430943,0.0006898798,0.0003058536,0.000036927013,0.00019656269,0.00009822957,0.042125225],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9978751,0.0011085595,0.00005061162,0.00014326023,0.00047060655,0.00035196097],"domain_scores_gemma":[0.9951202,0.00255208,0.0006394164,0.0001343337,0.0006794606,0.0008743792],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001954211,0.00036564126,0.00019579638,0.0050429516,0.0071675307,0.006283965,0.00052363164,0.0008492113,0.004955805],"category_scores_gemma":[0.0073409984,0.00020659239,0.000110994086,0.0037119812,0.004402884,0.0030264647,0.0027529474,0.0011458937,0.0009044687],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006214824,0.000047296347,0.009578671,0.00015908005,0.000009335363,0.0029258186,0.8916082,0.000037008023,0.00072052766,0.022975223,0.02401488,0.047861747],"study_design_scores_gemma":[0.0000023948107,0.000026250644,0.033450276,0.0003538884,0.0000053811505,0.0011284589,0.5275015,0.000037131143,0.0004009972,0.0012027071,0.43587574,0.000015274876],"about_ca_topic_score_codex":0.012733325,"about_ca_topic_score_gemma":0.032201048,"teacher_disagreement_score":0.012733325,"about_ca_system_score_codex":0.00509878,"about_ca_system_score_gemma":0.0019175009,"threshold_uncertainty_score":0.036994398},"labels":[],"label_agreement":null},{"id":"W4248992255","doi":"10.32920/ryerson.14650098","title":"A hidden history of early colour photography in Britain: the photographs of Agnes B. Warburg (1872-1953)","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; Dalhousie University","funders":"","keywords":"Amateur; Photography; History of photography; White (mutation); Art history; Negative; Art; Front (military); Visual arts; History; Archaeology; Geography","score_opus":0.0456165230583583,"score_gpt":0.24389673667678094,"score_spread":0.19828021361842263,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248992255","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2601192,0.077548064,0.0034321535,0.015588241,0.0024942446,0.00006713027,0.0007566737,0.00010971698,0.63988453],"genre_scores_gemma":[0.832295,0.024611725,0.0014381033,0.001136409,0.0005897733,0.00003186858,0.00017327005,0.00015594861,0.13956787],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99930596,0.00025002228,0.00002858928,0.00010095725,0.00020753425,0.0001068844],"domain_scores_gemma":[0.9991171,0.00048522596,0.00011349173,0.00006263091,0.0001310733,0.00009055031],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001047646,0.00023563203,0.00014098939,0.0021176352,0.0038647512,0.0032120522,0.0002945412,0.00073796423,0.009828863],"category_scores_gemma":[0.002446052,0.00034198991,0.000104749844,0.0022710683,0.0077316007,0.0022928352,0.0021432096,0.0015989671,0.0018077897],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033970646,0.00006199398,0.00844092,0.001081796,0.00003268748,0.0030871246,0.41343954,0.00034195642,0.005061563,0.2573421,0.11349314,0.19727749],"study_design_scores_gemma":[0.000004524802,0.000018550625,0.023618575,0.0004876049,0.000006437471,0.0004983576,0.0126138,0.000027354099,0.0008606857,0.0022628317,0.95958364,0.000017648084],"about_ca_topic_score_codex":0.046449017,"about_ca_topic_score_gemma":0.1211465,"teacher_disagreement_score":0.046449017,"about_ca_system_score_codex":0.0076546306,"about_ca_system_score_gemma":0.0015527708,"threshold_uncertainty_score":0.09235728},"labels":[],"label_agreement":null},{"id":"W4249021563","doi":"10.32920/ryerson.14648277","title":"Photographic Exhibition in the Anti-Cube Gallery : a Case Study of Daniel Libeskind’s Roloff Beny Gallery","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University; Toronto Public Health","funders":"","keywords":"Exhibition; Photography; Visual arts; Art; Architecture; White (mutation); Space (punctuation); Art gallery; Art history; Cube (algebra); Computer science","score_opus":0.06105025204666772,"score_gpt":0.2823741900739055,"score_spread":0.2213239380272378,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249021563","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93872297,0.0005576859,0.0012566082,0.0026147314,0.00006651655,0.00008236327,0.000094730225,0.000037066693,0.056567278],"genre_scores_gemma":[0.96181357,0.0007393489,0.0024056127,0.00034290197,0.00004113874,0.00006119374,0.000054548174,0.000069685324,0.034471918],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99709857,0.0017048455,0.000049172108,0.00023597435,0.00038914534,0.00052224385],"domain_scores_gemma":[0.99764353,0.0012327484,0.00023188029,0.00029691783,0.000163807,0.00043106065],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021665432,0.0006298432,0.00036497557,0.0012846605,0.018844578,0.0046639405,0.0016277304,0.0022988566,0.0057107],"category_scores_gemma":[0.0033995206,0.00046645015,0.0004647049,0.0016929996,0.010296185,0.00203984,0.0053932294,0.0024040637,0.0006068948],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008604976,0.00015266314,0.0067672576,0.00020567612,0.000015195524,0.014892283,0.93589747,0.0004268353,0.0023833606,0.014645818,0.00835381,0.016173532],"study_design_scores_gemma":[0.000007855724,0.0001036715,0.011358908,0.00019185558,0.000016218883,0.0050918795,0.81352687,0.00023587029,0.0017604886,0.00057499757,0.16708946,0.000041960797],"about_ca_topic_score_codex":0.05253809,"about_ca_topic_score_gemma":0.21738745,"teacher_disagreement_score":0.05253809,"about_ca_system_score_codex":0.0064278715,"about_ca_system_score_gemma":0.0026772486,"threshold_uncertainty_score":0.10446459},"labels":[],"label_agreement":null},{"id":"W4249023868","doi":"10.32920/ryerson.14657874","title":"The Luis Medina Archive at The Art Institute of Chicago","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Ephemera; Photography; Library science; Visual arts; Art; Bureaucracy; Art history; Computer science; Political science; Law","score_opus":0.04227912302937557,"score_gpt":0.26477740461705807,"score_spread":0.22249828158768248,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249023868","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010840055,0.0152109945,0.003397252,0.0062496583,0.0026176628,0.00027005412,0.042157467,0.0039193933,0.91533744],"genre_scores_gemma":[0.06362795,0.021061486,0.019060163,0.0011037308,0.0032260153,0.00077661005,0.07611186,0.0039856415,0.8110466],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983113,0.0002342976,0.00006825899,0.00029917178,0.0009423616,0.00014469621],"domain_scores_gemma":[0.9970203,0.00031759354,0.00018374453,0.0007895067,0.0011392382,0.0005495888],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018102317,0.0006314152,0.0005261249,0.008606946,0.0039575044,0.011190365,0.0009069355,0.0007087502,0.20503034],"category_scores_gemma":[0.0035295766,0.00042548223,0.00024486467,0.009471517,0.001501133,0.0027928012,0.004339911,0.0016220085,0.06188113],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045744586,0.000027416574,0.0016818524,0.00018074659,0.000005642761,0.000085123516,0.0013839864,0.000071079696,0.00042373457,0.027419172,0.864802,0.10387343],"study_design_scores_gemma":[0.000003005459,0.0000040971804,0.0025827875,0.00018833924,0.0000019008959,0.000049029375,0.0005313404,0.00005480927,0.00019671035,0.0011654769,0.9952165,0.0000060784473],"about_ca_topic_score_codex":0.024619492,"about_ca_topic_score_gemma":0.035150196,"teacher_disagreement_score":0.20503034,"about_ca_system_score_codex":0.0033325502,"about_ca_system_score_gemma":0.004823883,"threshold_uncertainty_score":0.68589485},"labels":[],"label_agreement":null},{"id":"W4249078784","doi":"10.32920/ryerson.14648529.v1","title":"The Arthur H. Flint collection : preserving photographic objects for a private collection","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Context (archaeology); Data collection; Photography; Art history; Biography; Art; Visual arts; Archaeology; History; Sociology; Social science","score_opus":0.04807104586776659,"score_gpt":0.27132667652040265,"score_spread":0.22325563065263607,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249078784","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21472478,0.0054068863,0.037721653,0.0103402855,0.0013815225,0.0040615546,0.004356197,0.0011417987,0.7208653],"genre_scores_gemma":[0.31191382,0.005379306,0.09615487,0.0013271733,0.00065925106,0.001626836,0.0035882874,0.001458536,0.57789195],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983267,0.00043101865,0.00005122504,0.0002254235,0.00078099995,0.00018468514],"domain_scores_gemma":[0.9984907,0.00025732393,0.00012908506,0.0005499633,0.00029842983,0.0002746078],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029991216,0.0003989257,0.00016076487,0.002080139,0.010811704,0.0052263844,0.0008607317,0.00077609066,0.021729052],"category_scores_gemma":[0.0035288453,0.0003165084,0.0001666574,0.0027408272,0.0029231468,0.003776269,0.004000206,0.0010658894,0.0040207496],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014436354,0.00028227404,0.0057435245,0.00042757863,0.000011384163,0.0012284425,0.059671033,0.00030976027,0.013713065,0.04604016,0.27452382,0.5979046],"study_design_scores_gemma":[0.0000067831984,0.00005665362,0.010637427,0.00015589758,0.0000050252984,0.00054948946,0.012152083,0.00009680121,0.0024621536,0.0011773619,0.9726819,0.000018442619],"about_ca_topic_score_codex":0.041337024,"about_ca_topic_score_gemma":0.1446883,"teacher_disagreement_score":0.041337024,"about_ca_system_score_codex":0.0032198692,"about_ca_system_score_gemma":0.005816142,"threshold_uncertainty_score":0.08219284},"labels":[],"label_agreement":null},{"id":"W4249143003","doi":"10.32920/ryerson.14653545","title":"Forgotten photographic processes : experiments based on the descriptions of Robert Hunt","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Photography; Object (grammar); Visual arts; History of photography; Resource (disambiguation); Digital photography; Computer science; Process (computing); Art; Computer graphics (images); Artificial intelligence","score_opus":0.08369409040866113,"score_gpt":0.27698660851541984,"score_spread":0.1932925181067587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249143003","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15174405,0.012690074,0.08702705,0.013595674,0.0019477571,0.0018502702,0.0006533645,0.0004911615,0.7300006],"genre_scores_gemma":[0.5900919,0.019770067,0.14345308,0.0036076664,0.00028790513,0.0021783877,0.00039593867,0.00067733467,0.23953772],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9967163,0.0019789005,0.00008051172,0.00030934048,0.0008275752,0.00008732833],"domain_scores_gemma":[0.9970618,0.00200593,0.000116637246,0.000416664,0.0003077575,0.00009126527],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037289415,0.00040490084,0.00026698064,0.00045274032,0.0022783785,0.002577495,0.000843109,0.0009598672,0.008688429],"category_scores_gemma":[0.006549632,0.00027984174,0.0002647909,0.0005674054,0.0070835217,0.0029514325,0.0022190064,0.0024170037,0.0016728927],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040223484,0.0007440607,0.0006229044,0.00085885986,0.000012330013,0.00028349808,0.037145942,0.0009749715,0.025969604,0.7171984,0.054076,0.16171125],"study_design_scores_gemma":[0.000120221855,0.00092740875,0.0014328088,0.0005550545,0.000025599982,0.00050227053,0.009246222,0.0008439508,0.032264624,0.05899087,0.8950199,0.000071083065],"about_ca_topic_score_codex":0.0030545637,"about_ca_topic_score_gemma":0.003206852,"teacher_disagreement_score":0.008688429,"about_ca_system_score_codex":0.0015970089,"about_ca_system_score_gemma":0.0012541745,"threshold_uncertainty_score":0.029065669},"labels":[],"label_agreement":null},{"id":"W4249279809","doi":"10.32920/ryerson.14653455","title":"Focus: architecture in photographic exhibitions 1858–1861 An exhibition proposal for the Museum of Fine Arts, Houston","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Exhibition; Visual arts; Architecture; Fine art; Context (archaeology); Art; Object (grammar); Framing (construction); The arts; Computer science; History; Archaeology","score_opus":0.04980814230020183,"score_gpt":0.28402460418207126,"score_spread":0.23421646188186943,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249279809","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22265679,0.009564538,0.0057447897,0.03528106,0.004586381,0.0005989074,0.0032489153,0.0004868006,0.7178318],"genre_scores_gemma":[0.41397193,0.0054522287,0.0062899226,0.0014179866,0.0019416433,0.0003400498,0.0016206313,0.00019299627,0.5687726],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995939,0.00011792625,0.000010859892,0.000047797017,0.00013842717,0.00009109828],"domain_scores_gemma":[0.9995426,0.0001028123,0.00004132773,0.000055815668,0.00013574368,0.00012177331],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015084946,0.00036666417,0.00011338997,0.0009294974,0.0033894,0.0024281207,0.0006286372,0.0006803478,0.030797875],"category_scores_gemma":[0.0011640787,0.00021035552,0.00022148967,0.0014393033,0.0015195308,0.0011035952,0.0016290256,0.0012543811,0.0025493854],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029136174,0.00012669442,0.0073282747,0.000490865,0.000022439202,0.0012412757,0.050958037,0.001351304,0.0057301116,0.095898986,0.7206932,0.11586757],"study_design_scores_gemma":[0.000009014688,0.00005238183,0.01623681,0.00011314972,0.0000043514715,0.00014629876,0.007855529,0.000068946676,0.00066114456,0.0006212976,0.9742181,0.000012918685],"about_ca_topic_score_codex":0.015076755,"about_ca_topic_score_gemma":0.053282,"teacher_disagreement_score":0.030797875,"about_ca_system_score_codex":0.004283743,"about_ca_system_score_gemma":0.0022009527,"threshold_uncertainty_score":0.10302913},"labels":[],"label_agreement":null},{"id":"W4249376093","doi":"10.32920/ryerson.14645754","title":"Accepted attitudes : photography's appearance in Janson's History of Art","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Horst; Photography; Context (archaeology); Art; History of photography; History of art; Visual arts; Art history; Order (exchange); History; Archaeology; Architecture","score_opus":0.05490063868873621,"score_gpt":0.2626455283155625,"score_spread":0.20774488962682627,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249376093","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0326906,0.0498282,0.001543287,0.10580097,0.025091665,0.000029342154,0.00022979133,0.00009187066,0.7846942],"genre_scores_gemma":[0.4220326,0.026586784,0.0014068902,0.0124289235,0.011578382,0.00003085534,0.00019614777,0.00029936357,0.5254401],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9984388,0.0005629422,0.00005671391,0.00025746447,0.00057516317,0.000109013155],"domain_scores_gemma":[0.9980683,0.0010369194,0.00015856508,0.00019417112,0.00038504152,0.0001569837],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018241059,0.00019525182,0.00017531075,0.0012063443,0.0036271785,0.007685076,0.0004055566,0.0013810477,0.016956672],"category_scores_gemma":[0.0067655654,0.00016850873,0.00014370699,0.0014947569,0.00514928,0.004200917,0.002394544,0.0024582024,0.0020269281],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058906928,0.000029634675,0.0014500112,0.00020352886,0.000008324406,0.0003243596,0.048698008,0.00011537829,0.0007885194,0.51941884,0.36065042,0.068254076],"study_design_scores_gemma":[0.0000016827761,0.000006067549,0.0014408161,0.00015912388,0.0000018810143,0.00010112785,0.004312809,0.000027539818,0.00012306478,0.004350994,0.9894694,0.000005511668],"about_ca_topic_score_codex":0.009078519,"about_ca_topic_score_gemma":0.013992727,"teacher_disagreement_score":0.016956672,"about_ca_system_score_codex":0.0043769763,"about_ca_system_score_gemma":0.0015022083,"threshold_uncertainty_score":0.05672568},"labels":[],"label_agreement":null},{"id":"W4249641532","doi":"10.32920/ryerson.14661225.v1","title":"Not just the Paris Portraits: preserving Berenice Abbott's glass plate negatives","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Negative; Portrait; Art history; Biography; Philately; Art; Order (exchange); Television series; Cartography; Visual arts; Law; Sociology; Geography; Media studies; Political science","score_opus":0.07781353449304262,"score_gpt":0.2919372030773071,"score_spread":0.21412366858426446,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249641532","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11007662,0.005220031,0.009331706,0.0126889525,0.0023299982,0.00008830641,0.00055069797,0.00048159648,0.85923207],"genre_scores_gemma":[0.5768502,0.005126397,0.01592094,0.0017786976,0.0009883604,0.00006428051,0.0004067856,0.0009326897,0.3979316],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993492,0.00019520901,0.000010537401,0.00006931166,0.00030843794,0.000067429624],"domain_scores_gemma":[0.9994605,0.0001227677,0.000054672182,0.00015169595,0.00012767088,0.000082630584],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010881828,0.00044271915,0.00013366145,0.0014858596,0.0044998447,0.0053193327,0.00054520805,0.00058326987,0.020953674],"category_scores_gemma":[0.0021344605,0.0001799674,0.00010411024,0.0015671401,0.0042704116,0.0022043262,0.002084741,0.0015013724,0.004459785],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020561271,0.000045045126,0.002477879,0.00029604335,0.000010862234,0.0014865467,0.124917075,0.0005929504,0.009564486,0.26850387,0.29413033,0.29776937],"study_design_scores_gemma":[0.000003425788,0.000024932184,0.0018718605,0.00014703853,0.0000045346674,0.00069218857,0.015837459,0.000076310454,0.0021762317,0.0032326488,0.97592056,0.000012810327],"about_ca_topic_score_codex":0.008986478,"about_ca_topic_score_gemma":0.033602927,"teacher_disagreement_score":0.020953674,"about_ca_system_score_codex":0.0026944242,"about_ca_system_score_gemma":0.001245648,"threshold_uncertainty_score":0.07009709},"labels":[],"label_agreement":null},{"id":"W4249645207","doi":"10.32920/ryerson.14660706","title":"Esson’s Ontario A Photographic Exhibition Proposal For The Archives Of Ontario","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Exhibition; Visual arts; Reading (process); Art; Art history; Library science; Computer science; Political science; Law","score_opus":0.046943199147147605,"score_gpt":0.255746496967564,"score_spread":0.2088032978204164,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249645207","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020887693,0.0026535713,0.004108019,0.019827258,0.0059021614,0.0012009044,0.00853698,0.0010188357,0.93586457],"genre_scores_gemma":[0.028670492,0.0015822945,0.0034774626,0.0006041616,0.00035649512,0.00028856177,0.0021710838,0.00040642882,0.962443],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998833,0.00010078733,0.000027032693,0.00013750361,0.00062372687,0.00027797106],"domain_scores_gemma":[0.9981717,0.00009980743,0.000059169204,0.00018713753,0.00080548704,0.00067675416],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001435971,0.0005485872,0.00024118634,0.00094496884,0.009283648,0.0051080533,0.00090402074,0.0013412533,0.1637161],"category_scores_gemma":[0.0016802497,0.0005127777,0.00047710695,0.0017436442,0.0018698722,0.0015362193,0.0022805214,0.0014626308,0.023072159],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000930984,0.00002288485,0.0008901822,0.00014636466,0.0000048003385,0.0003334381,0.0045710485,0.00017591704,0.0022786544,0.017560076,0.95091295,0.023010612],"study_design_scores_gemma":[0.0000034680502,0.000006294974,0.0015287906,0.000032629923,0.000001198789,0.000026644544,0.0013606678,0.000019956451,0.00012493473,0.00012855194,0.9967595,0.000007362406],"about_ca_topic_score_codex":0.7059221,"about_ca_topic_score_gemma":0.9041729,"teacher_disagreement_score":0.29407787,"about_ca_system_score_codex":0.019631395,"about_ca_system_score_gemma":0.023065414,"threshold_uncertainty_score":0.5916195},"labels":[],"label_agreement":null},{"id":"W4249839099","doi":"10.32920/ryerson.14665788","title":"Reviewing the Department of Manpower and Immigration collection: a case study on item-level descriptions of immigrants in government archives, MRP","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University; Toronto Metropolitan University; Library and Archives Canada","funders":"Strong","keywords":"Immigration; Government (linguistics); Performative utterance; Data collection; Photography; Power (physics); Visual arts; Library science; History; Sociology; Political science; Law; Computer science; Social science; Art; Linguistics","score_opus":0.10458650001291166,"score_gpt":0.2943805028223103,"score_spread":0.18979400280939868,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249839099","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97822064,0.0008206795,0.00087941706,0.001975149,0.00003843076,0.00019060062,0.00025072286,0.000032713917,0.017591646],"genre_scores_gemma":[0.98180574,0.001289402,0.0024696894,0.00044713815,0.000021592019,0.000118239666,0.00020452439,0.0000699396,0.013573813],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9946784,0.0028274874,0.0003212833,0.00032241497,0.0011151278,0.0007353084],"domain_scores_gemma":[0.98962736,0.0049886643,0.0013693548,0.0011689741,0.002221361,0.0006243653],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00583159,0.00032493917,0.00039957272,0.0025001764,0.017124768,0.004816607,0.0019616147,0.0014043761,0.003817231],"category_scores_gemma":[0.019195093,0.00055057777,0.00025323578,0.006407475,0.005506388,0.0021362852,0.00439806,0.0019258297,0.00047186183],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002484393,0.000036422494,0.008456975,0.00017203364,0.00000494814,0.007253239,0.95892537,0.00011474654,0.0009758791,0.0025461758,0.0027162551,0.018773008],"study_design_scores_gemma":[0.0000012460713,0.000018653489,0.007534593,0.00011080442,0.0000055337578,0.0014339042,0.95108634,0.000052863874,0.00040905786,0.0000908461,0.039244525,0.0000116422925],"about_ca_topic_score_codex":0.38833883,"about_ca_topic_score_gemma":0.7005219,"teacher_disagreement_score":0.38833883,"about_ca_system_score_codex":0.021498114,"about_ca_system_score_gemma":0.02147232,"threshold_uncertainty_score":0.7721569},"labels":[],"label_agreement":null},{"id":"W4249916453","doi":"10.32920/ryerson.14645805.v1","title":"Preparing For Destruction : A Management Plan For The Los Angeles Police Department's 1925-1939 Collection Of Cellulose Nitrate Negatives","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Plan (archaeology); Section (typography); Data collection; Negative; Business; History; Advertising; Archaeology; Art; Sociology; Visual arts","score_opus":0.05044580612118372,"score_gpt":0.28166474127137364,"score_spread":0.23121893515018993,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249916453","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21428321,0.0076799407,0.101476066,0.1409128,0.0033158287,0.018486725,0.0046923463,0.0059158574,0.50323725],"genre_scores_gemma":[0.2726728,0.010996892,0.39618844,0.007386098,0.000868763,0.008069904,0.009194484,0.00093585026,0.29368678],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99574715,0.00075393985,0.0003315648,0.0002660572,0.0020722703,0.0008289796],"domain_scores_gemma":[0.99489117,0.0005840789,0.0006437674,0.0004571713,0.0022333115,0.0011904713],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009459772,0.0006383899,0.00022599932,0.0049673454,0.008121685,0.010184333,0.003157525,0.0020608234,0.01202205],"category_scores_gemma":[0.0077188034,0.0008548924,0.00039096485,0.002824808,0.0021197028,0.005910144,0.0036868227,0.0034113373,0.0046209083],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016631349,0.00092685374,0.024183286,0.00054255145,0.000022138702,0.0035585922,0.021229414,0.00527006,0.009086754,0.056198623,0.40070194,0.47811353],"study_design_scores_gemma":[0.000050434694,0.00027857054,0.02676077,0.00065212155,0.000015858617,0.0006091431,0.043282364,0.0014762874,0.003800189,0.0050760987,0.9178419,0.00015619953],"about_ca_topic_score_codex":0.059149902,"about_ca_topic_score_gemma":0.084799685,"teacher_disagreement_score":0.059149902,"about_ca_system_score_codex":0.011271057,"about_ca_system_score_gemma":0.03820274,"threshold_uncertainty_score":0.11761123},"labels":[],"label_agreement":null},{"id":"W4250133721","doi":"10.4000/artelogie.1056","title":"Photographie contemporaine en Amérique latine","year":2015,"lang":"fr","type":"paratext","venue":"Artelogie","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Materials science","score_opus":0.06928151304466904,"score_gpt":0.3029065708488937,"score_spread":0.23362505780422468,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4250133721","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1562366,0.011294149,0.0014537354,0.010150083,0.00065633125,0.00004382321,0.0005673092,0.000084232204,0.81951374],"genre_scores_gemma":[0.8017512,0.010748359,0.001910219,0.0009706991,0.00026381027,0.00007754639,0.0003515483,0.00013550889,0.1837911],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996443,0.00014046754,0.0000118579355,0.000070598246,0.00007785236,0.000054891494],"domain_scores_gemma":[0.99931896,0.00033000973,0.00006745105,0.0000715599,0.0001542444,0.00005773435],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00089449843,0.0002653292,0.00012914251,0.0016917074,0.0036822718,0.0035990756,0.00027975344,0.0005075144,0.02968306],"category_scores_gemma":[0.0020541502,0.0001278596,0.000119055134,0.0032037026,0.0040769703,0.0022980366,0.002032327,0.0010311955,0.00112451],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015661196,0.000045561726,0.009979285,0.0006802757,0.000012933086,0.0014017107,0.44353932,0.00020071898,0.0038389333,0.32389832,0.05171978,0.16452654],"study_design_scores_gemma":[0.000007397362,0.000013884774,0.013153138,0.0004031396,0.0000059911954,0.00039191172,0.073380366,0.000045423072,0.0003840202,0.003387241,0.9088199,0.0000076128804],"about_ca_topic_score_codex":0.14772259,"about_ca_topic_score_gemma":0.21690413,"teacher_disagreement_score":0.14772259,"about_ca_system_score_codex":0.0070325565,"about_ca_system_score_gemma":0.003863811,"threshold_uncertainty_score":0.29372555},"labels":[],"label_agreement":null},{"id":"W4250362142","doi":"10.32920/ryerson.14647344","title":"Cataloguing Andy Warhol's Family Album : 1969 - 1974","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University; Toronto Metropolitan University","funders":"","keywords":"Photography; Visual arts; Cataloging; Art; Object (grammar); Art history; Library science; Computer science; Artificial intelligence","score_opus":0.06983288695464165,"score_gpt":0.2688080161275287,"score_spread":0.19897512917288704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4250362142","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17356342,0.01956716,0.0042800973,0.0032644216,0.0028497677,0.00038430645,0.02599938,0.00063721795,0.76945424],"genre_scores_gemma":[0.2274845,0.014103857,0.0068020467,0.00016903125,0.00048536505,0.00015179605,0.009956685,0.00063263794,0.74021417],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997482,0.000025852754,0.000019485655,0.000052855325,0.00011210814,0.00004150324],"domain_scores_gemma":[0.9994124,0.00009586993,0.00007015051,0.00013534006,0.00021233762,0.000073931515],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00051391165,0.00033202005,0.00016021855,0.004638701,0.0029412631,0.001763072,0.00039889847,0.00026450655,0.04158656],"category_scores_gemma":[0.0013173273,0.0001442794,0.00011300268,0.0050821463,0.001040831,0.0015593353,0.0012729008,0.00048807342,0.0077495906],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024320232,0.000054307915,0.011755257,0.00063972065,0.000009335308,0.0010217662,0.026152119,0.00023207943,0.0049205893,0.04515533,0.3095039,0.6003124],"study_design_scores_gemma":[0.0000014956092,0.0000065703093,0.008490329,0.000076865006,0.0000019700271,0.00017096172,0.0018705338,0.00002011061,0.001183945,0.00024993508,0.9879232,0.00000406979],"about_ca_topic_score_codex":0.0476106,"about_ca_topic_score_gemma":0.10578572,"teacher_disagreement_score":0.0476106,"about_ca_system_score_codex":0.003937258,"about_ca_system_score_gemma":0.002388568,"threshold_uncertainty_score":0.13912088},"labels":[],"label_agreement":null},{"id":"W4250373736","doi":"10.22215/etd/2020-14219","title":"The Influence of the Visual Arts on the Landscape Photographs of William James Topley","year":2020,"lang":"en","type":"dissertation","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Carleton University","funders":"","keywords":"Painting; The arts; Visual arts; Art; Art history; Landscape painting; Cape; Argument (complex analysis); Photography; History; Archaeology","score_opus":0.01890977887457719,"score_gpt":0.25753366732363586,"score_spread":0.23862388844905869,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4250373736","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26625636,0.0077265473,0.0004410712,0.020562155,0.00050526153,0.000031838365,0.00009257256,0.000025114477,0.7043592],"genre_scores_gemma":[0.8953131,0.004089508,0.00037425433,0.0021503211,0.0000876424,0.000009668282,0.000017427637,0.000035667334,0.09792237],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99916375,0.00032495448,0.000010235797,0.000103166916,0.0002659019,0.0001320677],"domain_scores_gemma":[0.99880993,0.0005266483,0.000114333394,0.000053954864,0.0003169552,0.00017827287],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00074517314,0.00015237844,0.000091660004,0.0006999779,0.00983918,0.0042748135,0.00041904146,0.00046093133,0.0073081],"category_scores_gemma":[0.0022469352,0.00015511794,0.000060285067,0.00089574326,0.0081168655,0.0015494471,0.00202275,0.0012944728,0.0004765429],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006496818,0.00004849271,0.007455982,0.00019663968,0.000009102938,0.002370565,0.50450426,0.00025206775,0.0025197235,0.21983269,0.16849756,0.09424795],"study_design_scores_gemma":[0.0000029088253,0.000014593784,0.015773589,0.00020026012,0.0000070139777,0.00047832995,0.207008,0.000060125094,0.0007597296,0.0025998328,0.7730671,0.000028490524],"about_ca_topic_score_codex":0.5927743,"about_ca_topic_score_gemma":0.8170145,"teacher_disagreement_score":0.5927743,"about_ca_system_score_codex":0.009821692,"about_ca_system_score_gemma":0.0048465757,"threshold_uncertainty_score":0.8192479},"labels":[],"label_agreement":null},{"id":"W4250535804","doi":"10.32920/ryerson.14650101.v1","title":"Virtual revisions and the vernacular image: the photographs of Elizabeth Howe Bliss","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"BLISS; Vernacular; Exhibition; Georgian; Value (mathematics); Art history; History; Art; Visual arts; Literature; Philosophy","score_opus":0.023475523875303956,"score_gpt":0.25769840207657324,"score_spread":0.23422287820126927,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4250535804","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25947422,0.007185747,0.0024226988,0.024361648,0.0031122195,0.0000266743,0.00017692932,0.00014241341,0.70309746],"genre_scores_gemma":[0.8964025,0.002098273,0.0009379454,0.0013059536,0.00035143294,0.000011423833,0.000046432455,0.00012695204,0.09871905],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993395,0.00040583283,0.000008839764,0.000059998998,0.00011363311,0.00007221066],"domain_scores_gemma":[0.9992613,0.00035228996,0.00007266265,0.00011659572,0.00008612732,0.00011093762],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00079887686,0.0003177462,0.00010494631,0.0006762114,0.005582394,0.0054046134,0.00032659547,0.00067171047,0.0074562593],"category_scores_gemma":[0.0024713343,0.00014378168,0.000097154865,0.00063803955,0.0067506367,0.0034131957,0.0028912672,0.0018211936,0.0008825555],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009682565,0.000027185519,0.0018741944,0.00011652168,0.0000063102916,0.0013786061,0.68316907,0.00013150455,0.002452997,0.19070232,0.08041663,0.0396278],"study_design_scores_gemma":[0.0000027474298,0.000016683493,0.0012219817,0.00012640475,0.000002932925,0.0006166989,0.13074611,0.000050166866,0.0006155471,0.0023347877,0.8642545,0.0000114183385],"about_ca_topic_score_codex":0.010510757,"about_ca_topic_score_gemma":0.03339509,"teacher_disagreement_score":0.010510757,"about_ca_system_score_codex":0.0021040495,"about_ca_system_score_gemma":0.0005951943,"threshold_uncertainty_score":0.02494371},"labels":[],"label_agreement":null},{"id":"W4250613933","doi":"10.32920/ryerson.14665008.v1","title":"The colour of time: Stephen Shore’s American Surfaces 1972-2014","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"Ministry of Minority Affairs","keywords":"Photography; Exhibition; Visual arts; Art; Visual art of the United States; Materiality (auditing); Negative; Art history; Aesthetics; Performance art","score_opus":0.024824153634171908,"score_gpt":0.2595043291212658,"score_spread":0.2346801754870939,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4250613933","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15045127,0.015325558,0.0025339865,0.048583396,0.0058447057,0.000040534036,0.00017300618,0.0001202367,0.77692735],"genre_scores_gemma":[0.6508862,0.012931553,0.0026519678,0.0043911315,0.001054355,0.000031239717,0.00010417897,0.0003651723,0.32758424],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989973,0.00028563404,0.000016149079,0.0001240865,0.0004716519,0.000105166415],"domain_scores_gemma":[0.99945813,0.00021329374,0.000037224763,0.000050143874,0.0001585571,0.00008266129],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011589299,0.00033717937,0.00013371448,0.0010260381,0.008282514,0.005195888,0.00034919,0.0009642917,0.00504698],"category_scores_gemma":[0.0019825406,0.00023859447,0.00016165768,0.0014076038,0.008588307,0.0034108448,0.0031982285,0.003113744,0.00085474463],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000086835826,0.000035471105,0.003183411,0.00013921359,0.000007847038,0.0010522734,0.34117863,0.00014806686,0.002265411,0.29933077,0.26066706,0.0919051],"study_design_scores_gemma":[0.0000015230233,0.000011129217,0.002780531,0.00011552458,0.0000017710887,0.00027905233,0.050002594,0.00003369606,0.0006349836,0.0041450937,0.9419811,0.000013101347],"about_ca_topic_score_codex":0.033424653,"about_ca_topic_score_gemma":0.10870045,"teacher_disagreement_score":0.033424653,"about_ca_system_score_codex":0.0042507546,"about_ca_system_score_gemma":0.0022879273,"threshold_uncertainty_score":0.06646019},"labels":[],"label_agreement":null},{"id":"W4250760330","doi":"10.32920/ryerson.14645115.v1","title":"Without Words You Spoke: Queer Representing, Early Photography and Feeling","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design; Toronto Metropolitan University; York University","funders":"","keywords":"Queer; Visual culture; Queer theory; Politics; Aesthetics; Photography; Subversion; Homosexuality; Representation (politics); Sociology; Art; Gender studies; Visual arts; History; Law; Political science","score_opus":0.038122304858021476,"score_gpt":0.27345900295308867,"score_spread":0.2353366980950672,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4250760330","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27263033,0.041262735,0.0076946337,0.0917627,0.0020838014,0.000061518534,0.00014304798,0.00010891632,0.5842523],"genre_scores_gemma":[0.9648712,0.006373471,0.0004050178,0.003075396,0.00023983011,0.00001692787,0.000018030625,0.00004168891,0.024958411],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99681324,0.0024278131,0.0000380909,0.00014625413,0.00026810152,0.00030652745],"domain_scores_gemma":[0.99775463,0.0013925983,0.00023180086,0.00018335314,0.00023289147,0.00020475325],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003518249,0.00032358084,0.00024798905,0.0012823537,0.013612318,0.009730033,0.0006086677,0.0018928049,0.0066371444],"category_scores_gemma":[0.0058141463,0.00022047956,0.00022906117,0.0012911889,0.04547288,0.012593662,0.0033459158,0.0040460383,0.00063229835],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024792444,0.000013853096,0.0006284962,0.00006238928,0.0000037203408,0.00024276042,0.6479879,0.000035680256,0.00022580616,0.33220777,0.008244217,0.01032256],"study_design_scores_gemma":[0.000009113866,0.00003252224,0.0022217608,0.00043834365,0.000010556986,0.00044270142,0.67734367,0.00007953309,0.00037801388,0.047131877,0.2718781,0.00003379998],"about_ca_topic_score_codex":0.037622433,"about_ca_topic_score_gemma":0.04068111,"teacher_disagreement_score":0.037622433,"about_ca_system_score_codex":0.006468143,"about_ca_system_score_gemma":0.0022101307,"threshold_uncertainty_score":0.07480687},"labels":[],"label_agreement":null},{"id":"W4250995201","doi":"10.32920/ryerson.14644560","title":"Description of war photographs : designing a list of subject headings","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Subject (documents); Photography; Computer science; Terminology; Vocabulary; Spanish Civil War; Visual arts; Special collections; Library science; Cataloging; World War II; Key (lock); World Wide Web; History; Linguistics; Art; Archaeology","score_opus":0.07049862754347817,"score_gpt":0.2650019163276184,"score_spread":0.1945032887841402,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4250995201","genre_codex":"methods","genre_gemma":"methods","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"methods","genre_consensus":"methods","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015817171,0.0009209476,0.92467445,0.0015403671,0.00059795275,0.005720817,0.009647307,0.01586484,0.02521608],"genre_scores_gemma":[0.028985173,0.00094240456,0.9408202,0.00026220168,0.00018890307,0.0027431317,0.010889548,0.003290584,0.011877829],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9936792,0.002583359,0.0017946418,0.00080065447,0.0008787014,0.0002634561],"domain_scores_gemma":[0.9836211,0.006643394,0.001648444,0.002096628,0.0049973386,0.0009931528],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01042882,0.0013870702,0.0014096656,0.011715078,0.002896091,0.006578033,0.0021972258,0.0015580886,0.02573054],"category_scores_gemma":[0.02055668,0.0018630357,0.0012086516,0.007299249,0.0018810513,0.010394846,0.003183756,0.0019162428,0.014269131],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005488218,0.00034434817,0.008553799,0.0045026955,0.000068080546,0.0014893527,0.026240509,0.0035646763,0.06016419,0.13509996,0.09653405,0.6628895],"study_design_scores_gemma":[0.000113818416,0.0004523782,0.0052051162,0.0013686499,0.0001058277,0.0010295447,0.011739563,0.00798906,0.017471882,0.02085674,0.93343574,0.00023174028],"about_ca_topic_score_codex":0.005051059,"about_ca_topic_score_gemma":0.0056116623,"teacher_disagreement_score":0.02573054,"about_ca_system_score_codex":0.0024067687,"about_ca_system_score_gemma":0.0051542684,"threshold_uncertainty_score":0.08607727},"labels":[],"label_agreement":null},{"id":"W4251194876","doi":"10.47451/art2022-02-02","title":"Exploration of Time in Jeff Wall’s Photography","year":2019,"lang":"en","type":"article","venue":"Klironomy Journal","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Art; Computer graphics (images); Visual arts; Art history; Computer science","score_opus":0.02442370839598424,"score_gpt":0.2271178034862673,"score_spread":0.20269409509028308,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251194876","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30673337,0.022812698,0.010467732,0.03454916,0.002041401,0.0000727725,0.00015337493,0.00009138595,0.6230781],"genre_scores_gemma":[0.95067286,0.005275726,0.0022902505,0.0013238784,0.00023128449,0.000022988645,0.000036206075,0.00007289157,0.040073894],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99863654,0.0008983661,0.000023665101,0.000101013815,0.00021030752,0.0001300516],"domain_scores_gemma":[0.9987134,0.0008569753,0.00010447217,0.000054758588,0.00013713905,0.00013317948],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001557766,0.00032599724,0.00020806355,0.0015970698,0.009760731,0.0059276996,0.0005307827,0.0013768334,0.0026889124],"category_scores_gemma":[0.0034641954,0.00021635459,0.00019278936,0.0012975328,0.018517284,0.003916058,0.0029490313,0.0024165176,0.0002773365],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004436845,0.000013988929,0.00060814444,0.00011548012,0.0000053480226,0.0009834635,0.45867896,0.00015584592,0.00080589106,0.50695705,0.016725767,0.014905784],"study_design_scores_gemma":[0.0000058869164,0.000034152952,0.002624522,0.00047613005,0.0000086736645,0.0009889768,0.20249747,0.00019134616,0.0011569713,0.023936512,0.76803726,0.000042108244],"about_ca_topic_score_codex":0.031356733,"about_ca_topic_score_gemma":0.057511695,"teacher_disagreement_score":0.031356733,"about_ca_system_score_codex":0.007759508,"about_ca_system_score_gemma":0.0021972687,"threshold_uncertainty_score":0.062348425},"labels":[],"label_agreement":null},{"id":"W4251284093","doi":"10.32920/ryerson.14666301.v1","title":"Between Art And Photojournalism : An Examination Of Henri Cartier-Bresson's The People Of Moscow","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Photojournalism; Photography; Art history; Agency (philosophy); Art; Period (music); Visual arts; Sociology; Aesthetics; Social science","score_opus":0.04799305125378437,"score_gpt":0.2772419166433479,"score_spread":0.22924886538956354,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251284093","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6681733,0.048647966,0.0005149913,0.008953565,0.0007578224,0.000040274426,0.00010273417,0.000028154906,0.27278116],"genre_scores_gemma":[0.9775738,0.0082858335,0.00013824322,0.000502245,0.00020208523,0.000027144115,0.000028057973,0.000033228593,0.013209333],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977095,0.0014259715,0.00007279751,0.0001631608,0.00031733696,0.00031117475],"domain_scores_gemma":[0.9981584,0.0012353092,0.00024799828,0.00005489145,0.000093606744,0.00020974244],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018591762,0.00027646375,0.00042284394,0.004305608,0.00964154,0.007960666,0.0005491818,0.001102117,0.0038920932],"category_scores_gemma":[0.0025311208,0.00034856735,0.00017435869,0.006780147,0.0139486585,0.0032007287,0.0047039078,0.0014409374,0.00026045425],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024540239,0.000019684363,0.0050352872,0.0001733205,0.000008188582,0.00039712482,0.9347186,0.000019428264,0.0001857924,0.03964487,0.006135382,0.01363779],"study_design_scores_gemma":[0.0000054709435,0.000029381437,0.04408094,0.00064470177,0.000010854599,0.00047684077,0.7548158,0.000025260792,0.00012472656,0.002665729,0.19710913,0.000011038423],"about_ca_topic_score_codex":0.029379204,"about_ca_topic_score_gemma":0.048634738,"teacher_disagreement_score":0.029379204,"about_ca_system_score_codex":0.0071067335,"about_ca_system_score_gemma":0.0025038763,"threshold_uncertainty_score":0.058416367},"labels":[],"label_agreement":null},{"id":"W4251727233","doi":"10.32920/ryerson.14649531","title":"The Life of Werner Wolff: an analysis of Werner Wolff’s contributions to Life Magazine","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photojournalism; Photography; Art history; Drama; Art; Agency (philosophy); Visual arts; History; Sociology; Social science","score_opus":0.037043632144660985,"score_gpt":0.31150972671392546,"score_spread":0.27446609456926446,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251727233","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7815989,0.008228769,0.0007225137,0.007284676,0.0005525604,0.000048787046,0.00022314994,0.000031512838,0.20130914],"genre_scores_gemma":[0.9499769,0.006227255,0.0003430943,0.0006898798,0.0003058536,0.000036927013,0.00019656269,0.00009822957,0.042125225],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9978751,0.0011085595,0.00005061162,0.00014326023,0.00047060655,0.00035196097],"domain_scores_gemma":[0.9951202,0.00255208,0.0006394164,0.0001343337,0.0006794606,0.0008743792],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001954211,0.00036564126,0.00019579638,0.0050429516,0.0071675307,0.006283965,0.00052363164,0.0008492113,0.004955805],"category_scores_gemma":[0.0073409984,0.00020659239,0.000110994086,0.0037119812,0.004402884,0.0030264647,0.0027529474,0.0011458937,0.0009044687],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006214824,0.000047296347,0.009578671,0.00015908005,0.000009335363,0.0029258186,0.8916082,0.000037008023,0.00072052766,0.022975223,0.02401488,0.047861747],"study_design_scores_gemma":[0.0000023948107,0.000026250644,0.033450276,0.0003538884,0.0000053811505,0.0011284589,0.5275015,0.000037131143,0.0004009972,0.0012027071,0.43587574,0.000015274876],"about_ca_topic_score_codex":0.012733325,"about_ca_topic_score_gemma":0.032201048,"teacher_disagreement_score":0.012733325,"about_ca_system_score_codex":0.00509878,"about_ca_system_score_gemma":0.0019175009,"threshold_uncertainty_score":0.036994398},"labels":[],"label_agreement":null},{"id":"W4251790165","doi":"10.32920/ryerson.14645382.v1","title":"Preserving a family’s photographic history: the private collection of Michina Pope","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University; ECW Press (Canada)","funders":"","keywords":"Negative; Photography; Visual arts; Resource (disambiguation); Data collection; Art; Computer science; Sociology; Social science","score_opus":0.06592480004573632,"score_gpt":0.2441511941362975,"score_spread":0.17822639409056118,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251790165","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62540394,0.011123838,0.009844155,0.02523251,0.0013476849,0.0008115335,0.0039234944,0.00037254055,0.32194027],"genre_scores_gemma":[0.7326613,0.007662811,0.027020589,0.0014855382,0.00035884074,0.00039986207,0.0017209594,0.00035390933,0.2283362],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993668,0.00021279986,0.000019583478,0.00009842088,0.00022714815,0.00007523727],"domain_scores_gemma":[0.9990338,0.00015715056,0.00010280624,0.00029059884,0.00021599447,0.00019963691],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016649029,0.00040848777,0.00021455424,0.0013494651,0.015125073,0.0031603933,0.0009784689,0.0007099342,0.009561608],"category_scores_gemma":[0.002393084,0.00031371662,0.00012613361,0.0021267182,0.00380912,0.001966233,0.003735319,0.0011153707,0.0010971125],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012102776,0.000046196645,0.012302809,0.0006086311,0.000026594642,0.0055650263,0.61903083,0.00023025996,0.008837906,0.031093858,0.15749933,0.16463752],"study_design_scores_gemma":[0.000003998416,0.000026997484,0.02387103,0.00026662947,0.000010322545,0.0014719603,0.13577688,0.000058282592,0.0013628814,0.00066664076,0.8364569,0.000027446229],"about_ca_topic_score_codex":0.15473273,"about_ca_topic_score_gemma":0.58580464,"teacher_disagreement_score":0.15473273,"about_ca_system_score_codex":0.0054096757,"about_ca_system_score_gemma":0.0057814578,"threshold_uncertainty_score":0.30766416},"labels":[],"label_agreement":null},{"id":"W4251980680","doi":"10.32920/ryerson.14666430","title":"Family in colour: integrating colour into Sally Mann’s Family Pictures","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University; Toronto Metropolitan University","funders":"","keywords":"Exhibition; Photography; Studio; Digitization; Visual arts; White (mutation); Situated; Reading (process); Art; Variety (cybernetics); Art history; Computer science; Artificial intelligence","score_opus":0.043827734390875506,"score_gpt":0.2831153652258582,"score_spread":0.23928763083498267,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251980680","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2539033,0.0056301104,0.009739712,0.013383097,0.0012171307,0.00007775587,0.00052604347,0.00033241534,0.71519035],"genre_scores_gemma":[0.8300731,0.0042130873,0.012110523,0.0011653465,0.00031184743,0.00005548209,0.00023034064,0.0004841632,0.15135615],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994686,0.00029112457,0.000010620303,0.000047838083,0.00013482128,0.000046989826],"domain_scores_gemma":[0.9994869,0.00020773025,0.000045044293,0.00010779833,0.00007280337,0.00007971537],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00081136165,0.00022106706,0.00007778123,0.0012862618,0.00275985,0.0028928516,0.00034197868,0.00031703783,0.011042158],"category_scores_gemma":[0.0023974276,0.00017175717,0.00009960352,0.0010622138,0.002723581,0.0028899591,0.002487431,0.00090009236,0.00091038045],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014525652,0.000045193836,0.0054313764,0.00021352201,0.000012871486,0.0014512505,0.29580727,0.00043428125,0.0051114573,0.21920808,0.1581909,0.31394854],"study_design_scores_gemma":[0.000003448782,0.000025902325,0.0070734527,0.00016076658,0.0000068473046,0.0010857546,0.05058856,0.00019368382,0.001613774,0.007937568,0.93129086,0.000019396579],"about_ca_topic_score_codex":0.0075138765,"about_ca_topic_score_gemma":0.0326189,"teacher_disagreement_score":0.011042158,"about_ca_system_score_codex":0.0018205581,"about_ca_system_score_gemma":0.0007548831,"threshold_uncertainty_score":0.03693968},"labels":[],"label_agreement":null},{"id":"W4252044870","doi":"10.22215/etd/2016-11470","title":"Rethinking Photographic Histories: Indigenous Representation in the Byron Harmon Collection","year":2016,"lang":"en","type":"dissertation","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Carleton University","funders":"","keywords":"Interrogation; Indigenous; Photography; Representation (politics); Visual arts; Biography; Reflexivity; Art history; History; Art; Anthropology; Archaeology; Sociology; Politics; Law","score_opus":0.05086896613736177,"score_gpt":0.2870224779362319,"score_spread":0.23615351179887015,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252044870","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.630217,0.009800951,0.004724038,0.018436981,0.00076537224,0.00025812216,0.00024876735,0.00007859041,0.3354702],"genre_scores_gemma":[0.9613106,0.0032965336,0.0022027239,0.0008848439,0.00017123783,0.000074304146,0.00006568233,0.00010262298,0.031891324],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.994858,0.0033596905,0.000094193936,0.00034738754,0.0007865175,0.0005541917],"domain_scores_gemma":[0.9956487,0.0024366814,0.00049914344,0.0005546512,0.000587313,0.0002736594],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.007180862,0.00035978088,0.00035660242,0.003697045,0.023170091,0.010616764,0.0016234725,0.0015284618,0.004752605],"category_scores_gemma":[0.008519105,0.00046195186,0.0002043083,0.0047189044,0.025495706,0.007201165,0.007552847,0.0024878844,0.00031793254],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009337054,0.000004278094,0.0007677918,0.000054110176,0.000002794811,0.00042539724,0.9708137,0.000014892423,0.00027211147,0.017907249,0.0029753605,0.006752912],"study_design_scores_gemma":[0.0000020520076,0.000010228346,0.00374874,0.0002313385,0.000008979484,0.00031883075,0.8395644,0.00003186444,0.00040869377,0.0012841773,0.15437739,0.000013336856],"about_ca_topic_score_codex":0.24423698,"about_ca_topic_score_gemma":0.5597144,"teacher_disagreement_score":0.24423698,"about_ca_system_score_codex":0.01527635,"about_ca_system_score_gemma":0.007885248,"threshold_uncertainty_score":0.4856307},"labels":[],"label_agreement":null},{"id":"W4252084211","doi":"10.32920/ryerson.14664327.v1","title":"The Painter Who Uses a Camera: An Analysis of the Photographs of Frank “Franz” Johnston : Providing a Comprehensive Catalogue for the Collection Housed at the Archive of Modern Conflict","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University; Toronto Public Health","funders":"","keywords":"Ephemera; Painting; Amateur; Photography; Visual arts; Documentation; Art; Art history; Printmaking; History; Archaeology; Computer science","score_opus":0.05885021610135175,"score_gpt":0.2827490632459779,"score_spread":0.22389884714462618,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252084211","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6780504,0.010778292,0.0030235215,0.0037992431,0.00021745045,0.0003987472,0.0049886247,0.000072572744,0.2986712],"genre_scores_gemma":[0.9353458,0.010698963,0.0051660556,0.00040075948,0.00010000038,0.00013632099,0.0023565446,0.00019539114,0.04560021],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99858534,0.00029748288,0.000044075085,0.00010525919,0.0007544782,0.00021344145],"domain_scores_gemma":[0.99755126,0.0006765977,0.00031703498,0.00019424885,0.0011343805,0.00012646765],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012287813,0.00022200638,0.0001886756,0.0063867955,0.0048560253,0.0035072498,0.00064538623,0.00039499073,0.0059342613],"category_scores_gemma":[0.0042229407,0.00022709425,0.00014445836,0.010529016,0.00289886,0.0013664726,0.0013491001,0.000608078,0.0006619037],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011979671,0.0000426214,0.03530855,0.0010227654,0.000024956766,0.002132297,0.683514,0.00026437806,0.003110657,0.039710958,0.064870745,0.1698783],"study_design_scores_gemma":[0.0000027641147,0.000016621329,0.19849007,0.00065402425,0.000022771026,0.0009265263,0.4260384,0.0001553449,0.0008597536,0.0005281366,0.3722705,0.000035034063],"about_ca_topic_score_codex":0.50601584,"about_ca_topic_score_gemma":0.7932262,"teacher_disagreement_score":0.50601584,"about_ca_system_score_codex":0.012410722,"about_ca_system_score_gemma":0.0069451598,"threshold_uncertainty_score":0.9937867},"labels":[],"label_agreement":null},{"id":"W4252545675","doi":"10.32920/ryerson.14648733","title":"Photographic views taken in Egypt and Nubia by James Douglas, M.D. and James Douglas Jr.","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Guelph; Toronto Metropolitan University; Université du Québec; Université Laval","funders":"","keywords":"Egyptology; Art history; Art; History; Visual arts; Classics; Media studies; Sociology","score_opus":0.040193666988403896,"score_gpt":0.262516244706409,"score_spread":0.2223225777180051,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252545675","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.102792785,0.097973906,0.00080034323,0.057477836,0.005282129,0.000038485152,0.0011688957,0.00009130853,0.73437434],"genre_scores_gemma":[0.48604175,0.055840492,0.0009607903,0.002647627,0.0015062441,0.000022852597,0.00035352207,0.00010784467,0.45251885],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997919,0.00006399807,0.000006641543,0.000029576004,0.00007075056,0.00003699501],"domain_scores_gemma":[0.99970704,0.000063333115,0.000049222475,0.000016341506,0.00009584563,0.00006818202],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00052641786,0.00024168286,0.00010713093,0.0008477709,0.002377022,0.0014981733,0.0001379495,0.00038070697,0.009864489],"category_scores_gemma":[0.0008038136,0.00015415715,0.00008373389,0.00087507785,0.0015853083,0.0010638696,0.0008761307,0.0010372496,0.0018432655],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009560809,0.000033283904,0.0050320267,0.0002518176,0.000009495036,0.00078785856,0.07806659,0.00019869355,0.001990804,0.06928542,0.7591189,0.085129485],"study_design_scores_gemma":[0.0000016153753,0.0000050867643,0.009849654,0.00015860554,0.0000018028135,0.00015822635,0.016278943,0.00001772192,0.00037464587,0.00055006205,0.9725981,0.000005541027],"about_ca_topic_score_codex":0.04375168,"about_ca_topic_score_gemma":0.09882617,"teacher_disagreement_score":0.04375168,"about_ca_system_score_codex":0.0035514797,"about_ca_system_score_gemma":0.0010966819,"threshold_uncertainty_score":0.08699405},"labels":[],"label_agreement":null},{"id":"W4252616243","doi":"10.32920/ryerson.14648271.v1","title":"The picture press in archives: facing the institutional challenges of newspaper photo collections","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"York University","keywords":"Newspaper; Special collections; Globe; Digitization; Library science; Cultural institution; Institution; National archives; Digital collections; History; Scale (ratio); Media studies; Political science; Sociology; Engineering; Computer science; Geography; Law; Cartography; Telecommunications","score_opus":0.06891155082867513,"score_gpt":0.2629282061663634,"score_spread":0.1940166553376883,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252616243","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8026109,0.0057116,0.00270366,0.04498055,0.0003985083,0.00015321154,0.00019039358,0.00009089351,0.14316027],"genre_scores_gemma":[0.9788127,0.0031435492,0.0017310813,0.0014590503,0.00028118474,0.00008361048,0.00005184912,0.000095469324,0.014341509],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.98002774,0.013689414,0.0006439918,0.0009691689,0.002744268,0.0019254228],"domain_scores_gemma":[0.97107387,0.014701414,0.004567665,0.0030310925,0.0026087784,0.0040171635],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.014296999,0.00037561706,0.00048306125,0.0023257213,0.024084125,0.0319183,0.0025359304,0.002704279,0.011925108],"category_scores_gemma":[0.029940747,0.0007802039,0.00029340334,0.0067555658,0.018886825,0.01815643,0.012530003,0.004788384,0.0016028387],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000110148736,0.00016338775,0.020204136,0.0005486891,0.00003338396,0.005835543,0.835768,0.00028265652,0.0010140503,0.050617825,0.015350038,0.07007206],"study_design_scores_gemma":[0.00000821285,0.000035881316,0.005433741,0.00024885015,0.000013430469,0.0010702335,0.87661743,0.00006828743,0.00038332766,0.0020972595,0.11400325,0.000020169677],"about_ca_topic_score_codex":0.020651774,"about_ca_topic_score_gemma":0.037039746,"teacher_disagreement_score":0.0319183,"about_ca_system_score_codex":0.011008612,"about_ca_system_score_gemma":0.01333672,"threshold_uncertainty_score":0.07987338},"labels":[],"label_agreement":null},{"id":"W4252724381","doi":"10.32920/ryerson.14663331.v1","title":"Photographic Censorship In The First World War : A Comparison Between The Realistic Travels Stereograph Set And British Personal Photograph Albums From The Collection Of The Art Gallery Of Ontario","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Censorship; Front (military); First world war; World War II; Spanish Civil War; Object (grammar); Visual arts; History; Order (exchange); Photography; Art history; Art; Law; Ancient history; Geography; Archaeology; Political science; Computer science","score_opus":0.06406557622344,"score_gpt":0.257773084570181,"score_spread":0.193707508346741,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252724381","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9361696,0.00093126483,0.0003993997,0.00026398557,0.00003865096,0.00007572898,0.0008379169,0.000023844072,0.061259676],"genre_scores_gemma":[0.98668265,0.0007876746,0.00061769894,0.00003633213,0.000023659566,0.000036016918,0.00070617715,0.000063784275,0.011046085],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99772745,0.0004928206,0.000085234075,0.00017541848,0.0012061907,0.00031290666],"domain_scores_gemma":[0.99456316,0.0021340258,0.0009974196,0.000755631,0.0011818304,0.0003679522],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0020605577,0.00023548423,0.0002583885,0.0051174667,0.0042672716,0.0037369323,0.00059871614,0.00035576525,0.0057913256],"category_scores_gemma":[0.006664097,0.00038697905,0.0002479952,0.0075335307,0.0038387366,0.00087625964,0.0023082625,0.000461616,0.0004421565],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000880012,0.000088777924,0.085089214,0.00079305004,0.00009487076,0.0010507583,0.7984473,0.0004324399,0.014554351,0.00629489,0.005568383,0.08670605],"study_design_scores_gemma":[0.000010780396,0.00008339431,0.72944075,0.00022015983,0.00003438769,0.00039539114,0.19265261,0.0001093632,0.0016761781,0.00013890154,0.075200245,0.000037855945],"about_ca_topic_score_codex":0.5381839,"about_ca_topic_score_gemma":0.823537,"teacher_disagreement_score":0.9957327,"about_ca_system_score_codex":0.011497338,"about_ca_system_score_gemma":0.003704617,"threshold_uncertainty_score":0.9290716},"labels":[],"label_agreement":null},{"id":"W4252814057","doi":"10.22215/etd/2004-05864","title":"Problematizing identity: the shift in Quebecois photography","year":2004,"lang":"en","type":"dissertation","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Photography; Gender studies; Visual arts; Art; History; Sociology; Aesthetics","score_opus":0.0257477709993461,"score_gpt":0.27551220136225474,"score_spread":0.24976443036290863,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252814057","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65160614,0.0031523136,0.0023258692,0.06344328,0.0003320673,0.00006241622,0.00014698767,0.0000343555,0.27889657],"genre_scores_gemma":[0.9802674,0.0006194481,0.00051706104,0.0014086606,0.000024732146,0.000014334072,0.000034982448,0.000021438596,0.01709186],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9947659,0.0024044767,0.00009982896,0.00036000257,0.0012353212,0.0011345153],"domain_scores_gemma":[0.994193,0.0014074643,0.0005452153,0.00039676038,0.0024557125,0.0010019011],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004983364,0.00027353564,0.00031072306,0.0019771352,0.023803104,0.014212402,0.0017849114,0.0024561991,0.010940862],"category_scores_gemma":[0.010781104,0.00021312007,0.00029241253,0.0035266494,0.019138783,0.005994264,0.0049531064,0.0033182907,0.0005330832],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000075381664,0.00008833827,0.023233254,0.0000868767,0.000017837632,0.00049676164,0.70779425,0.00025189013,0.000956255,0.16357276,0.024491712,0.07893474],"study_design_scores_gemma":[0.0000070597366,0.000015082244,0.031561088,0.00018556017,0.00000818455,0.00013698853,0.8427724,0.00034554154,0.00029563572,0.010158385,0.11448105,0.00003300989],"about_ca_topic_score_codex":0.9430291,"about_ca_topic_score_gemma":0.9571097,"teacher_disagreement_score":0.058867555,"about_ca_system_score_codex":0.058867555,"about_ca_system_score_gemma":0.03820064,"threshold_uncertainty_score":0.42711604},"labels":[],"label_agreement":null},{"id":"W4253050316","doi":"10.24908/iqurcp.13328","title":"Picturing Canada","year":2019,"lang":"en","type":"article","venue":"Inquiry Queen s Undergraduate Research Conference Proceedings","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Queen's University","funders":"","keywords":"Studio; Photography; Newspaper; Visual arts; Period (music); Aerial photography; Movement (music); Negative; History; Geography; Media studies; Cartography; Art; Sociology","score_opus":0.10453635344676808,"score_gpt":0.330376397162554,"score_spread":0.22584004371578592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253050316","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015699608,0.0045235613,0.0016953838,0.0025335285,0.0010418582,0.00008211317,0.0071419585,0.00029836592,0.96698374],"genre_scores_gemma":[0.16162692,0.008368446,0.0055084904,0.00068933493,0.000120310746,0.00006547928,0.0051095653,0.00033003394,0.81818146],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992767,0.000053497926,0.000018285002,0.000109867804,0.00039098004,0.00015074344],"domain_scores_gemma":[0.99912995,0.000063034764,0.000026179045,0.00006663107,0.0005928951,0.00012127924],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004424365,0.00058098475,0.00026000815,0.0031617936,0.010250126,0.0052235215,0.0006931908,0.00051848555,0.11293081],"category_scores_gemma":[0.0013904666,0.00024826417,0.00025698708,0.007350877,0.0019528479,0.0011539997,0.0015913337,0.00097503123,0.010011203],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011972997,0.000022753356,0.0064581623,0.00052015425,0.000017351656,0.00078934606,0.019639548,0.00043207634,0.0023713897,0.115528114,0.53783834,0.31626305],"study_design_scores_gemma":[0.0000021119827,0.000005218635,0.0063292384,0.00011446198,0.00000579303,0.00012649228,0.0043305554,0.000057034653,0.00028164696,0.00047988413,0.9882555,0.000012131873],"about_ca_topic_score_codex":0.9672313,"about_ca_topic_score_gemma":0.9913783,"teacher_disagreement_score":0.11293081,"about_ca_system_score_codex":0.025472818,"about_ca_system_score_gemma":0.034928367,"threshold_uncertainty_score":0.37779117},"labels":[],"label_agreement":null},{"id":"W4253106741","doi":"10.32920/ryerson.14648529","title":"The Arthur H. Flint collection : preserving photographic objects for a private collection","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Context (archaeology); Art; Data collection; Art history; Biography; Visual arts; Photography; Archaeology; History; Sociology; Social science","score_opus":0.04807104586776659,"score_gpt":0.27132667652040265,"score_spread":0.22325563065263607,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253106741","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21472478,0.0054068863,0.037721653,0.0103402855,0.0013815225,0.0040615546,0.004356197,0.0011417987,0.7208653],"genre_scores_gemma":[0.31191382,0.005379306,0.09615487,0.0013271733,0.00065925106,0.001626836,0.0035882874,0.001458536,0.57789195],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983267,0.00043101865,0.00005122504,0.0002254235,0.00078099995,0.00018468514],"domain_scores_gemma":[0.9984907,0.00025732393,0.00012908506,0.0005499633,0.00029842983,0.0002746078],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029991216,0.0003989257,0.00016076487,0.002080139,0.010811704,0.0052263844,0.0008607317,0.00077609066,0.021729052],"category_scores_gemma":[0.0035288453,0.0003165084,0.0001666574,0.0027408272,0.0029231468,0.003776269,0.004000206,0.0010658894,0.0040207496],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014436354,0.00028227404,0.0057435245,0.00042757863,0.000011384163,0.0012284425,0.059671033,0.00030976027,0.013713065,0.04604016,0.27452382,0.5979046],"study_design_scores_gemma":[0.0000067831984,0.00005665362,0.010637427,0.00015589758,0.0000050252984,0.00054948946,0.012152083,0.00009680121,0.0024621536,0.0011773619,0.9726819,0.000018442619],"about_ca_topic_score_codex":0.041337024,"about_ca_topic_score_gemma":0.1446883,"teacher_disagreement_score":0.041337024,"about_ca_system_score_codex":0.0032198692,"about_ca_system_score_gemma":0.005816142,"threshold_uncertainty_score":0.08219284},"labels":[],"label_agreement":null},{"id":"W4253192550","doi":"10.32920/ryerson.14643870","title":"An Access Guide To Nickolas Muray’s The Great Tribes Of Africa Collection At George Eastman House","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"George (robot); Photography; Visual arts; Ethnography; Period (music); Negative; Work (physics); Art history; Art; Library science; History; Archaeology; Engineering; Computer science","score_opus":0.07321079004360348,"score_gpt":0.32153134005349326,"score_spread":0.24832055000988978,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253192550","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0038365556,0.012392511,0.0075787865,0.0059773847,0.0035614949,0.0012020039,0.03228266,0.004484582,0.92868406],"genre_scores_gemma":[0.0052797617,0.0053120246,0.00775853,0.0012769873,0.00072233984,0.0005306346,0.007830138,0.0022427796,0.96904683],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995241,0.00010401862,0.000034181954,0.00008341751,0.0001997648,0.000054498818],"domain_scores_gemma":[0.9982133,0.00041766075,0.000095855234,0.00040552163,0.0005297561,0.00033788185],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011402398,0.00045896607,0.0005850741,0.0034084676,0.0020899375,0.0025124922,0.0007713476,0.00057568477,0.4041081],"category_scores_gemma":[0.0029766907,0.0005055869,0.00014959485,0.0047550797,0.0007491787,0.0032808555,0.0023186002,0.0013783999,0.23571907],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010601974,0.000012029844,0.00014054237,0.00006680605,6.4470964e-7,0.000046359528,0.0008890963,0.000009506304,0.00030590198,0.0023424767,0.9624497,0.033726368],"study_design_scores_gemma":[5.877367e-7,0.0000015342434,0.00033288155,0.000030409486,1.484722e-7,0.000026169006,0.00021454357,0.0000030304611,0.0000268231,0.00009491802,0.9992679,0.0000012147528],"about_ca_topic_score_codex":0.016461851,"about_ca_topic_score_gemma":0.06741687,"teacher_disagreement_score":0.4041081,"about_ca_system_score_codex":0.0013793488,"about_ca_system_score_gemma":0.0015210167,"threshold_uncertainty_score":0.8499675},"labels":[],"label_agreement":null},{"id":"W4253193632","doi":"10.1177/155019061100700407","title":"Re/framing Race and Postcolonial Subjects","year":2011,"lang":"en","type":"article","venue":"Collections A Journal for Museum and Archives Professionals","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Framing (construction); Gender studies; Subjectification; Photography; Colonialism; Race (biology); Identity (music); Sociology; History; Media studies; Visual arts; Art; Aesthetics","score_opus":0.055727185727163404,"score_gpt":0.3042469179066089,"score_spread":0.2485197321794455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253193632","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42024833,0.0019355983,0.004850338,0.009814736,0.0002938922,0.000048074322,0.000031331852,0.00003614903,0.5627415],"genre_scores_gemma":[0.9638871,0.0005882272,0.001018329,0.00055815105,0.000098582495,0.00003851558,0.000015428528,0.00003842885,0.033757314],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99779177,0.0013972997,0.000040726085,0.00015757579,0.00022127476,0.0003914586],"domain_scores_gemma":[0.997638,0.0009988234,0.00041215343,0.00036304593,0.00027704157,0.0003110163],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034310073,0.00041935337,0.00024002783,0.0018920132,0.008686376,0.007643497,0.00068515143,0.001041013,0.0072487197],"category_scores_gemma":[0.0030381903,0.00018131676,0.00026097277,0.0011169598,0.018010883,0.0043042814,0.005946915,0.0016471776,0.00047727025],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032953503,0.000044147408,0.0043931655,0.000052031053,0.000004734169,0.00050139596,0.5650063,0.000046935726,0.0011243811,0.40010098,0.0022656205,0.026427332],"study_design_scores_gemma":[0.000014088384,0.00006124608,0.018455755,0.00050430006,0.000025328058,0.0007668391,0.5925756,0.00022482056,0.0032198974,0.047350705,0.3367732,0.00002817321],"about_ca_topic_score_codex":0.014638804,"about_ca_topic_score_gemma":0.029634925,"teacher_disagreement_score":0.014638804,"about_ca_system_score_codex":0.0045339684,"about_ca_system_score_gemma":0.003002457,"threshold_uncertainty_score":0.03289634},"labels":[],"label_agreement":null},{"id":"W4253336985","doi":"10.32920/ryerson.14657613.v1","title":"Memory comes from the forgotten: analyzing photographic albums created by Canadian military personnel from the first World War","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Trent University; Toronto Metropolitan University; Canadian Museum of Nature; Library and Archives Canada","funders":"","keywords":"Context (archaeology); Event (particle physics); Military service; Argument (complex analysis); First world war; Subject matter; Visual arts; History; Spanish Civil War; World War II; Subject (documents); Media studies; Sociology; Political science; Law; Art; Library science; Computer science; Archaeology; Ancient history","score_opus":0.026213381737383152,"score_gpt":0.21857616362879856,"score_spread":0.1923627818914154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253336985","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9744031,0.0009334364,0.0004023698,0.00038857202,0.00008908063,0.000042518524,0.00058065547,0.000022452188,0.023137787],"genre_scores_gemma":[0.99276114,0.0007376648,0.00074315304,0.000056478275,0.000047153597,0.000016454149,0.00039496194,0.00003855129,0.005204499],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9994717,0.000084464424,0.000010963409,0.000050870916,0.00023477852,0.00014716058],"domain_scores_gemma":[0.9981184,0.00057556777,0.00031964006,0.00018124055,0.00063258444,0.00017256218],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00068392226,0.00042788548,0.00019914495,0.0038778437,0.0044871257,0.0035100803,0.00054109644,0.00040061583,0.0045747673],"category_scores_gemma":[0.004066061,0.00016081639,0.00021128276,0.0031269747,0.0028778568,0.0010529608,0.001735859,0.00057687063,0.00038776212],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00090476853,0.00010478197,0.11071035,0.0009885373,0.00014488194,0.002909281,0.6674146,0.0006848195,0.019282075,0.006297963,0.024220338,0.16633761],"study_design_scores_gemma":[0.000008991492,0.000053257107,0.45529756,0.00036677028,0.000082269384,0.000668604,0.45950976,0.0004992551,0.0021858737,0.00038642524,0.080877684,0.00006349591],"about_ca_topic_score_codex":0.47494435,"about_ca_topic_score_gemma":0.75605685,"teacher_disagreement_score":0.52505565,"about_ca_system_score_codex":0.006013546,"about_ca_system_score_gemma":0.0025847736,"threshold_uncertainty_score":0.9443597},"labels":[],"label_agreement":null},{"id":"W4253411665","doi":"10.32920/ryerson.14652753.v1","title":"Adapting to born-digital photographs: a case study of the Canadian Centre for Architecture","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design; Toronto Metropolitan University","funders":"","keywords":"CLARITY; Guideline; Workflow; Photography; Digital photography; Architecture; Computer science; Library science; Set (abstract data type); Visual arts; Multimedia; Art; Medicine; Database","score_opus":0.05297668801997046,"score_gpt":0.2687656975388741,"score_spread":0.21578900951890362,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253411665","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8940338,0.0007867331,0.0043303906,0.008160058,0.00016927796,0.00064484245,0.000326777,0.00007588925,0.09147228],"genre_scores_gemma":[0.9576432,0.001150701,0.007945601,0.0012368175,0.00003105983,0.00014364111,0.0001777324,0.00010870513,0.03156262],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99309206,0.0028617824,0.00014733673,0.00045048143,0.0018039778,0.0016443522],"domain_scores_gemma":[0.993658,0.0021309361,0.00036008243,0.00055638165,0.0016784103,0.0016161515],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0054666116,0.0006610016,0.00031986312,0.0020510003,0.02877575,0.004703004,0.003624748,0.0027252343,0.0049625444],"category_scores_gemma":[0.0128751,0.0004811376,0.00046121218,0.0042742696,0.009051243,0.0018598771,0.0049325386,0.0034421794,0.00053949864],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084670595,0.00030057106,0.015122262,0.0002947267,0.000019885962,0.024228811,0.8798836,0.0009536404,0.0020480098,0.017247658,0.016359834,0.043456268],"study_design_scores_gemma":[0.0000070301844,0.00007295036,0.013695096,0.00021051489,0.000014990576,0.0027864126,0.8353964,0.00049263705,0.0007174543,0.00076661806,0.14578414,0.000055781267],"about_ca_topic_score_codex":0.86870545,"about_ca_topic_score_gemma":0.97505003,"teacher_disagreement_score":0.13129455,"about_ca_system_score_codex":0.049673665,"about_ca_system_score_gemma":0.047500417,"threshold_uncertainty_score":0.36040932},"labels":[],"label_agreement":null},{"id":"W4253513368","doi":"10.32920/ryerson.14657613","title":"Memory comes from the forgotten: analyzing photographic albums created by Canadian military personnel from the first World War","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Trent University; Toronto Metropolitan University; Canadian Museum of Nature; Library and Archives Canada","funders":"","keywords":"Context (archaeology); Military service; Event (particle physics); First world war; Argument (complex analysis); Visual arts; Spanish Civil War; Subject matter; World War II; Service personnel; History; Military personnel; Art history; Sociology; Service (business); Law; Political science; Art; Archaeology; Marketing; Ancient history; Business","score_opus":0.026213381737383152,"score_gpt":0.21857616362879856,"score_spread":0.1923627818914154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253513368","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9744031,0.0009334364,0.0004023698,0.00038857202,0.00008908063,0.000042518524,0.00058065547,0.000022452188,0.023137787],"genre_scores_gemma":[0.99276114,0.0007376648,0.00074315304,0.000056478275,0.000047153597,0.000016454149,0.00039496194,0.00003855129,0.005204499],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9994717,0.000084464424,0.000010963409,0.000050870916,0.00023477852,0.00014716058],"domain_scores_gemma":[0.9981184,0.00057556777,0.00031964006,0.00018124055,0.00063258444,0.00017256218],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00068392226,0.00042788548,0.00019914495,0.0038778437,0.0044871257,0.0035100803,0.00054109644,0.00040061583,0.0045747673],"category_scores_gemma":[0.004066061,0.00016081639,0.00021128276,0.0031269747,0.0028778568,0.0010529608,0.001735859,0.00057687063,0.00038776212],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00090476853,0.00010478197,0.11071035,0.0009885373,0.00014488194,0.002909281,0.6674146,0.0006848195,0.019282075,0.006297963,0.024220338,0.16633761],"study_design_scores_gemma":[0.000008991492,0.000053257107,0.45529756,0.00036677028,0.000082269384,0.000668604,0.45950976,0.0004992551,0.0021858737,0.00038642524,0.080877684,0.00006349591],"about_ca_topic_score_codex":0.47494435,"about_ca_topic_score_gemma":0.75605685,"teacher_disagreement_score":0.52505565,"about_ca_system_score_codex":0.006013546,"about_ca_system_score_gemma":0.0025847736,"threshold_uncertainty_score":0.9443597},"labels":[],"label_agreement":null},{"id":"W4253702808","doi":"10.1515/9780822376811-007","title":"5 : : André Martin, Inventor of Animation Cinema: Prolegomena for a History of Terms","year":2020,"lang":"en","type":"book-chapter","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Animation; Art; Art history; Visual arts","score_opus":0.07258434428537278,"score_gpt":0.23300809781188564,"score_spread":0.16042375352651286,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253702808","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003064293,0.23082572,0.00510426,0.10498146,0.020059284,0.00004372463,0.00045305214,0.00056933635,0.6348988],"genre_scores_gemma":[0.11663563,0.061779015,0.0038775946,0.017542738,0.012717629,0.000116213945,0.0002409484,0.0008865793,0.7862036],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999151,0.00041676412,0.000028983093,0.00013948536,0.00019291065,0.00007086473],"domain_scores_gemma":[0.99927574,0.00035682193,0.00006630709,0.000051083676,0.00012338876,0.00012665718],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007862276,0.0007426112,0.0003037207,0.0016037975,0.0034965752,0.005161714,0.0006256928,0.0022371334,0.03877167],"category_scores_gemma":[0.0031255377,0.00032432887,0.00015976347,0.00082512345,0.004135521,0.005334978,0.0020206776,0.0034057898,0.0117039755],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036451805,0.00001432571,0.0003126516,0.00023926263,0.0000038373933,0.00011916623,0.0070829517,0.00006200804,0.00022864743,0.3472468,0.60275674,0.04189711],"study_design_scores_gemma":[0.0000013299046,0.0000030446554,0.00012943328,0.00017193399,9.4090205e-7,0.00008323506,0.00037555178,0.000025684714,0.000075147575,0.0040356317,0.9950949,0.00000312467],"about_ca_topic_score_codex":0.006891707,"about_ca_topic_score_gemma":0.013302503,"teacher_disagreement_score":0.03877167,"about_ca_system_score_codex":0.0039545735,"about_ca_system_score_gemma":0.0012747687,"threshold_uncertainty_score":0.12970412},"labels":[],"label_agreement":null},{"id":"W4253790310","doi":"10.32920/ryerson.14653758.v1","title":"Urban decay: a case study of the negatives in the Toronto Telegram fonds, Clara Thomas Archives and Special Collections","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"York University","keywords":"Negative; Cellulose acetate; Special collections; History; Library science; Cellulose; Art; Chemistry; Computer science; Visual arts; Organic chemistry","score_opus":0.045134318577907596,"score_gpt":0.28511760844980494,"score_spread":0.23998328987189735,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253790310","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9865406,0.0012593429,0.00031268314,0.0010480093,0.00004996617,0.000066122055,0.0001423735,0.000009834212,0.010571087],"genre_scores_gemma":[0.99007493,0.0017206331,0.00034266486,0.000197992,0.000046878202,0.000022541411,0.000068891706,0.000016485736,0.0075088977],"study_design_codex":"case_report","study_design_gemma":"qualitative","domain_scores_codex":[0.99915206,0.00023614347,0.00003043036,0.00007319348,0.00019916629,0.00030902596],"domain_scores_gemma":[0.9993443,0.00017236202,0.00016766312,0.000057321868,0.000072457064,0.00018595165],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044733763,0.0010380198,0.00046521376,0.002321998,0.012266006,0.0021163973,0.0014535243,0.0018024343,0.003261003],"category_scores_gemma":[0.0017742486,0.00071882637,0.00034834098,0.0035340388,0.005516913,0.0008422161,0.0026943153,0.0019391958,0.00030539228],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014670102,0.00021384479,0.06361829,0.00039935336,0.00003739119,0.47788507,0.4255342,0.0004411765,0.0016568332,0.00758184,0.0064559956,0.01602938],"study_design_scores_gemma":[0.000011060569,0.00019550174,0.08728822,0.000385881,0.00006471745,0.25952086,0.60077304,0.00046922252,0.001558438,0.00084712903,0.048809655,0.00007628169],"about_ca_topic_score_codex":0.29148433,"about_ca_topic_score_gemma":0.5968508,"teacher_disagreement_score":0.70851564,"about_ca_system_score_codex":0.010284174,"about_ca_system_score_gemma":0.0036747344,"threshold_uncertainty_score":0.5795754},"labels":[],"label_agreement":null},{"id":"W4254065022","doi":"10.32920/ryerson.14648841.v1","title":"Charles Gagnon’s Use of SX-70 and Minox Cameras in the Context of his Photographic Work","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design; Toronto Metropolitan University","funders":"","keywords":"Photography; Visual arts; Context (archaeology); Art; White (mutation); Art history; History; Archaeology","score_opus":0.07876581688445015,"score_gpt":0.25910442561876357,"score_spread":0.1803386087343134,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254065022","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17083524,0.014381533,0.0074725477,0.014798683,0.001297229,0.00015276727,0.00028213207,0.00011711475,0.79066277],"genre_scores_gemma":[0.7542618,0.010636591,0.00857286,0.0016566275,0.00016018616,0.00006153521,0.00008794822,0.00014805334,0.22441436],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99832517,0.00036065004,0.00003341773,0.00031386662,0.0007539153,0.00021294004],"domain_scores_gemma":[0.9985123,0.00060537417,0.00007883363,0.00014857115,0.0004891198,0.00016577028],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014376938,0.00037430058,0.00018370766,0.0016880183,0.00940038,0.0042704036,0.0006839226,0.00080263254,0.0061853556],"category_scores_gemma":[0.003499291,0.0002541324,0.00016386076,0.0021279582,0.012023183,0.0019776104,0.0019288247,0.0014763079,0.00039489433],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013313019,0.000023117509,0.009281815,0.00033165613,0.000015584777,0.0014713967,0.3113484,0.0006096205,0.006882533,0.44511202,0.06370651,0.16108413],"study_design_scores_gemma":[0.0000034592679,0.000014694831,0.011257879,0.00031653096,0.0000067233773,0.0005388853,0.026707202,0.0001125671,0.0014462816,0.004284212,0.9552746,0.00003705684],"about_ca_topic_score_codex":0.8143735,"about_ca_topic_score_gemma":0.93917197,"teacher_disagreement_score":0.8143735,"about_ca_system_score_codex":0.02943332,"about_ca_system_score_gemma":0.01770782,"threshold_uncertainty_score":0.37343937},"labels":[],"label_agreement":null},{"id":"W4254352560","doi":"10.32920/ryerson.14663667","title":"Close to home: holdings of Marion Faller's Work at the George Eastman House International Museum of Photography and Film","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"George (robot); Photography; Art; Visual arts; Work (physics); Art history; Film director; Engineering; Movie theater; Mechanical engineering","score_opus":0.02324155062483629,"score_gpt":0.24039835938668735,"score_spread":0.21715680876185106,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254352560","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50301695,0.08421554,0.0016884923,0.05999855,0.004069819,0.00020262439,0.0008040904,0.00022621312,0.34577772],"genre_scores_gemma":[0.7287981,0.035758927,0.002428957,0.008916689,0.0011396753,0.00012892646,0.0004264918,0.0005588178,0.22184342],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977806,0.00077325833,0.00006288579,0.00035648534,0.00080689875,0.0002197969],"domain_scores_gemma":[0.99729794,0.001241656,0.00034111564,0.00023513836,0.00044196533,0.0004421154],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026898345,0.00038727155,0.0004965315,0.003312514,0.016452666,0.0048760604,0.0011044923,0.0009951328,0.012666888],"category_scores_gemma":[0.005981461,0.0004252955,0.00021137767,0.004121357,0.007747006,0.003620416,0.0045085065,0.0024933526,0.001614378],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033105687,0.000041035684,0.0025350016,0.00032235906,0.0000114620525,0.0027270277,0.788769,0.000026830801,0.00092724554,0.010090355,0.12697785,0.067538776],"study_design_scores_gemma":[0.0000019743234,0.000028778295,0.009745047,0.00083152135,0.000009092807,0.0011345065,0.35062605,0.000011744187,0.00037128277,0.0005492062,0.6366735,0.00001719852],"about_ca_topic_score_codex":0.075176954,"about_ca_topic_score_gemma":0.26255307,"teacher_disagreement_score":0.075176954,"about_ca_system_score_codex":0.006395171,"about_ca_system_score_gemma":0.0042525954,"threshold_uncertainty_score":0.14947873},"labels":[],"label_agreement":null},{"id":"W4254868558","doi":"10.32920/ryerson.14658213","title":"Describing uncatalogued photographs in nineteenth century albums : a practical project in collections management","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; University of Guelph-Humber","funders":"","keywords":"George (robot); Visual arts; Computer science; Unit (ring theory); Art; Art history","score_opus":0.11720017295318803,"score_gpt":0.31217763872688115,"score_spread":0.19497746577369313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254868558","genre_codex":"empirical","genre_gemma":"methods","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"methods","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.75423706,0.005685379,0.14229196,0.015881963,0.0005833368,0.0026711717,0.0013188398,0.0009955661,0.076334745],"genre_scores_gemma":[0.76556927,0.0044325134,0.18714908,0.0008412342,0.00033798956,0.00087369187,0.0010084038,0.0005076455,0.03928025],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99247015,0.005007054,0.00057393673,0.00060492405,0.0009775375,0.0003664231],"domain_scores_gemma":[0.9873388,0.006395984,0.0012678881,0.0019970816,0.0024377813,0.0005624519],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.01435274,0.0004438736,0.0003785262,0.0076273503,0.005343844,0.0059848307,0.0013279566,0.00064941595,0.004369784],"category_scores_gemma":[0.023232331,0.00065620244,0.00023725472,0.007888084,0.0053089587,0.0073896684,0.0051693297,0.001504844,0.0010029505],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011283322,0.00022143962,0.033958238,0.0005590713,0.000016401167,0.0010995767,0.41018268,0.0011508538,0.010483014,0.032796487,0.014412696,0.49500662],"study_design_scores_gemma":[0.000021159221,0.00018633065,0.049875967,0.0005716701,0.000027833916,0.0013641528,0.49525818,0.0013711556,0.009116278,0.009257703,0.43285093,0.000098569566],"about_ca_topic_score_codex":0.015695147,"about_ca_topic_score_gemma":0.035870913,"teacher_disagreement_score":0.015695147,"about_ca_system_score_codex":0.0054409006,"about_ca_system_score_gemma":0.0039086514,"threshold_uncertainty_score":0.07590544},"labels":[],"label_agreement":null},{"id":"W4254910311","doi":"10.32920/ryerson.14647350","title":"The space between photography and film : an object study from the Warner Bros.-First National Keybook collection","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Object (grammar); Exhibition; Photography; Movie theater; Visual arts; Context (archaeology); Scholarship; Argument (complex analysis); Space (punctuation); Art; History of photography; Film studies; Art history; Aesthetics; Sociology; History; Computer science; Archaeology; Law; Political science","score_opus":0.05368455396844516,"score_gpt":0.2788615987845316,"score_spread":0.22517704481608644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254910311","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8131095,0.006821034,0.0015661416,0.0013142182,0.00012141318,0.00029828373,0.0010687668,0.000020407078,0.17568006],"genre_scores_gemma":[0.9033599,0.010672056,0.0027680728,0.00041325524,0.00014056535,0.0002994486,0.0010684978,0.0001583436,0.08112003],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989987,0.00039379756,0.00006182607,0.00012489448,0.0003066799,0.00011413448],"domain_scores_gemma":[0.99821424,0.0010434764,0.00025196152,0.00014942115,0.0002216883,0.00011932221],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017880219,0.00032591305,0.0003291072,0.00415191,0.0058397474,0.005423573,0.00065724296,0.0004316564,0.0054206876],"category_scores_gemma":[0.0037314738,0.00032758524,0.00015919717,0.0067358497,0.004689617,0.0027532342,0.0021525095,0.0007394609,0.0005185209],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005558444,0.00007473907,0.016206045,0.00047056703,0.000007750802,0.001194159,0.90182304,0.000028585773,0.0019178727,0.032471687,0.0072254343,0.038524482],"study_design_scores_gemma":[0.0000031505656,0.00006428689,0.076709256,0.0006124078,0.000012519093,0.0010359451,0.610817,0.000026204196,0.0010693566,0.0008750871,0.30875826,0.000016478794],"about_ca_topic_score_codex":0.036810596,"about_ca_topic_score_gemma":0.10900308,"teacher_disagreement_score":0.036810596,"about_ca_system_score_codex":0.005774771,"about_ca_system_score_gemma":0.0015804191,"threshold_uncertainty_score":0.073192716},"labels":[],"label_agreement":null},{"id":"W4254992160","doi":"10.32920/ryerson.14647848","title":"Contextualizing the Rhode Island School of Design group portfolios and the state of art photography in the 1960s and 1970s","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Photography; Seriousness; Visual arts; Art; Political science","score_opus":0.04018029617796767,"score_gpt":0.2547718673907478,"score_spread":0.21459157121278014,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254992160","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45718566,0.009442926,0.0014228993,0.025252957,0.00032242524,0.0000783848,0.000092884635,0.00004196204,0.5061599],"genre_scores_gemma":[0.94940364,0.0032839808,0.00073587004,0.0010844808,0.00010540897,0.00004681252,0.00003141987,0.00006941786,0.045238946],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9948992,0.0028321475,0.00018894905,0.00062246097,0.0007230618,0.00073412334],"domain_scores_gemma":[0.9950706,0.0022055,0.00053714943,0.0005798144,0.0007705395,0.00083648926],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.009576575,0.00037038466,0.00031340512,0.0032434636,0.0127555365,0.0104173105,0.0010527194,0.0018339377,0.006049583],"category_scores_gemma":[0.006913368,0.00055485766,0.00021411895,0.002560682,0.02808721,0.0055889203,0.0066106217,0.0047650808,0.0004856669],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004164037,0.000085882784,0.0048116986,0.0000941796,0.0000053795625,0.00068852695,0.6416554,0.00014243892,0.0005268188,0.3064236,0.010178224,0.03534618],"study_design_scores_gemma":[0.000015154812,0.000059758826,0.029756626,0.00053837954,0.0000070886454,0.0002224502,0.40604413,0.00013256747,0.0007221126,0.011026055,0.5514406,0.000035086035],"about_ca_topic_score_codex":0.27022314,"about_ca_topic_score_gemma":0.42308438,"teacher_disagreement_score":0.27022314,"about_ca_system_score_codex":0.026551586,"about_ca_system_score_gemma":0.008349842,"threshold_uncertainty_score":0.5373005},"labels":[],"label_agreement":null},{"id":"W4255159070","doi":"10.32920/ryerson.14660844","title":"A full catalogue and analysis of a collection of postcards at the Art Gallery of Ontario depicting scenes of Toronto","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Photography; Scope (computer science); Visual arts; History of photography; Art history; Library science; Art; History; Computer science","score_opus":0.032338033502242035,"score_gpt":0.2558932498267662,"score_spread":0.22355521632452416,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255159070","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23267719,0.0108549,0.005101886,0.0022070582,0.0011237478,0.0012875951,0.18554501,0.00089243695,0.5603102],"genre_scores_gemma":[0.40355334,0.020374462,0.017350296,0.00044732963,0.0005581439,0.0006610236,0.12533738,0.0014235519,0.4302945],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99902487,0.00007614442,0.00006544463,0.000093651906,0.0006013547,0.00013847812],"domain_scores_gemma":[0.9975783,0.00043727402,0.00025846448,0.00033831867,0.0012010406,0.00018662077],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006189133,0.0005963791,0.00029440646,0.015453726,0.003843009,0.0029955932,0.0005229967,0.00037478723,0.051714268],"category_scores_gemma":[0.0027684066,0.0003437074,0.00031553497,0.036059454,0.0016977579,0.00088267616,0.0011695141,0.00039111264,0.0047273347],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030765295,0.000037458572,0.025407406,0.004621626,0.00004893549,0.0027821844,0.094765835,0.0007940594,0.011296071,0.019212965,0.5242523,0.31647354],"study_design_scores_gemma":[0.000004599569,0.000016153344,0.09209752,0.00032492745,0.000017394055,0.00036654164,0.014740648,0.00010130987,0.0008510243,0.00018719607,0.89126694,0.000025769632],"about_ca_topic_score_codex":0.679321,"about_ca_topic_score_gemma":0.8900539,"teacher_disagreement_score":0.320679,"about_ca_system_score_codex":0.012960098,"about_ca_system_score_gemma":0.013257359,"threshold_uncertainty_score":0.64513505},"labels":[],"label_agreement":null},{"id":"W4255202258","doi":"10.32920/ryerson.14648271","title":"The picture press in archives: facing the institutional challenges of newspaper photo collections","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"York University","keywords":"Newspaper; Special collections; Globe; Library science; Digitization; National archives; Cultural institution; Institution; Digital collections; Scale (ratio); History; Media studies; Political science; Sociology; Engineering; Computer science; Geography; Law; Cartography; Telecommunications; Medicine","score_opus":0.06891155082867513,"score_gpt":0.2629282061663634,"score_spread":0.1940166553376883,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255202258","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8026109,0.0057116,0.00270366,0.04498055,0.0003985083,0.00015321154,0.00019039358,0.00009089351,0.14316027],"genre_scores_gemma":[0.9788127,0.0031435492,0.0017310813,0.0014590503,0.00028118474,0.00008361048,0.00005184912,0.000095469324,0.014341509],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.98002774,0.013689414,0.0006439918,0.0009691689,0.002744268,0.0019254228],"domain_scores_gemma":[0.97107387,0.014701414,0.004567665,0.0030310925,0.0026087784,0.0040171635],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.014296999,0.00037561706,0.00048306125,0.0023257213,0.024084125,0.0319183,0.0025359304,0.002704279,0.011925108],"category_scores_gemma":[0.029940747,0.0007802039,0.00029340334,0.0067555658,0.018886825,0.01815643,0.012530003,0.004788384,0.0016028387],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000110148736,0.00016338775,0.020204136,0.0005486891,0.00003338396,0.005835543,0.835768,0.00028265652,0.0010140503,0.050617825,0.015350038,0.07007206],"study_design_scores_gemma":[0.00000821285,0.000035881316,0.005433741,0.00024885015,0.000013430469,0.0010702335,0.87661743,0.00006828743,0.00038332766,0.0020972595,0.11400325,0.000020169677],"about_ca_topic_score_codex":0.020651774,"about_ca_topic_score_gemma":0.037039746,"teacher_disagreement_score":0.0319183,"about_ca_system_score_codex":0.011008612,"about_ca_system_score_gemma":0.01333672,"threshold_uncertainty_score":0.07987338},"labels":[],"label_agreement":null},{"id":"W4255222122","doi":"10.32920/ryerson.14647164.v1","title":"Preservation Of A Time-Based Media Installation : A Case Study of George Eastman House 1968 and 2008 Exhibitions, Conscience The Ultimate Weapon","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Exhibition; Conscience; George (robot); Interpretation (philosophy); Politics; Visual arts; Dissent; Context (archaeology); Art history; Law; Art; Sociology; Political science; History; Philosophy","score_opus":0.05940508304527902,"score_gpt":0.26975625467072767,"score_spread":0.21035117162544864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255222122","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97277325,0.00038426157,0.0005862872,0.0017458576,0.00005246071,0.000065617234,0.00005890176,0.000020026082,0.02431339],"genre_scores_gemma":[0.9836993,0.000767025,0.0011724351,0.0003641067,0.00005117039,0.00006217843,0.00005006145,0.000044941175,0.0137888435],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9972007,0.0016772421,0.000053444703,0.00017628034,0.00032643482,0.00056582544],"domain_scores_gemma":[0.9973015,0.0014675355,0.00033936306,0.0002844642,0.00016225061,0.0004449586],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002187633,0.0005827076,0.0003276424,0.001564511,0.018568732,0.004362811,0.0016922253,0.002383975,0.004422063],"category_scores_gemma":[0.0043510864,0.00052017753,0.00040939276,0.002219416,0.009812694,0.0029639304,0.0048346813,0.0027923575,0.00038250588],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009291402,0.000238992,0.008775138,0.00015007688,0.0000182087,0.019266088,0.9427629,0.0002357506,0.0014018136,0.008825788,0.0047289785,0.0135034025],"study_design_scores_gemma":[0.000006394243,0.00011340467,0.011271425,0.0001422743,0.000014186897,0.0036660442,0.9241762,0.00012904924,0.00087608653,0.0003540699,0.0592267,0.000024126559],"about_ca_topic_score_codex":0.047009606,"about_ca_topic_score_gemma":0.16516769,"teacher_disagreement_score":0.047009606,"about_ca_system_score_codex":0.004895082,"about_ca_system_score_gemma":0.0021466876,"threshold_uncertainty_score":0.093472004},"labels":[],"label_agreement":null},{"id":"W4255526821","doi":"10.32920/ryerson.14666421","title":"Re-contextualizing a visual history of Canada : the division of the National Film Board of Canada's Still Photography Division collection","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Exhibition; Photography; Newspaper; Mandate; History of photography; Ephemera; Archivist; Visual arts; Collection development; Special collections; Library science; History; Media studies; Sociology; Political science; Art; Law; Computer science","score_opus":0.03148510302509996,"score_gpt":0.2363273279969047,"score_spread":0.20484222497180474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255526821","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1260444,0.025742332,0.0061331554,0.058051918,0.0026516349,0.0002093453,0.0025128743,0.00021616784,0.7784382],"genre_scores_gemma":[0.8601026,0.017566172,0.004129565,0.0040345322,0.00033831326,0.0001366294,0.0009631491,0.0004431363,0.11228587],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9948348,0.00097397104,0.0001351305,0.00061665213,0.00218273,0.0012567716],"domain_scores_gemma":[0.992474,0.0011132848,0.00036769875,0.00035683103,0.0042312606,0.0014568107],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037411351,0.0006566015,0.000456252,0.007467525,0.031837802,0.02177239,0.0024045303,0.001414288,0.013684611],"category_scores_gemma":[0.007943028,0.0005729301,0.00028010522,0.01284733,0.021806085,0.005639047,0.005342065,0.0041620582,0.0007645204],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006906689,0.00002745201,0.006950683,0.00034753248,0.00002585576,0.0010526242,0.48571932,0.00038124772,0.00073089387,0.2516463,0.16710787,0.0859412],"study_design_scores_gemma":[0.0000026254443,0.0000044947533,0.010850077,0.00048482334,0.0000119735205,0.00013448186,0.13843727,0.00008167923,0.00019591418,0.0020236936,0.8477421,0.00003084887],"about_ca_topic_score_codex":0.9941023,"about_ca_topic_score_gemma":0.9976501,"teacher_disagreement_score":0.20179188,"about_ca_system_score_codex":0.20179188,"about_ca_system_score_gemma":0.17699383,"threshold_uncertainty_score":0.92580825},"labels":[],"label_agreement":null},{"id":"W4255564425","doi":"10.32920/ryerson.14656200","title":"DeGreening: An Installation of Photographic Works","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"NSCAD University; Systems, Applications & Products in Data Processing (Canada)","funders":"Vlaamse regering","keywords":"Exhibition; Depiction; Subjectivity; Relevance (law); Presentation (obstetrics); Politics; Work (physics); History; Aesthetics; Visual arts; Sociology; Political science; Archaeology; Art; Law; Engineering; Epistemology","score_opus":0.0838261042692378,"score_gpt":0.28426039235619105,"score_spread":0.20043428808695324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255564425","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06742666,0.0018256243,0.02930223,0.0021076691,0.0022603353,0.0008707013,0.0041012825,0.0048170863,0.8872883],"genre_scores_gemma":[0.34962034,0.0023430795,0.11300192,0.00041585957,0.0013607399,0.00066461967,0.004923773,0.0034750544,0.5241945],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991767,0.00029208948,0.000029159808,0.00012423017,0.0002793052,0.00009847791],"domain_scores_gemma":[0.9991683,0.00022371778,0.00003097623,0.0003200385,0.000096127456,0.00016086057],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013236066,0.00076337054,0.0002595628,0.002001737,0.0042111664,0.0028175253,0.001003512,0.0007040469,0.07686806],"category_scores_gemma":[0.0017007985,0.00044544955,0.00038987843,0.0021971758,0.0016139776,0.0021886055,0.0052008396,0.0018500843,0.009263885],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00067684014,0.0003490493,0.003575608,0.0016522007,0.000035586192,0.0029469342,0.09209781,0.0015318705,0.041221138,0.078732386,0.38479394,0.3923867],"study_design_scores_gemma":[0.00001471257,0.000044793996,0.002545802,0.00013344645,0.000006334536,0.00038577075,0.0059683905,0.00019714283,0.0017166268,0.0010274195,0.98794436,0.000015234534],"about_ca_topic_score_codex":0.002035772,"about_ca_topic_score_gemma":0.008628024,"teacher_disagreement_score":0.07686806,"about_ca_system_score_codex":0.0009675222,"about_ca_system_score_gemma":0.000885472,"threshold_uncertainty_score":0.25714928},"labels":[],"label_agreement":null},{"id":"W4255585711","doi":"10.1386/cc.5.2.303_4","title":"Exhibition Review","year":2018,"lang":"en","type":"article","venue":"Clothing Cultures","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Exhibition; Art; Art history; Visual arts; History","score_opus":0.044141921613383046,"score_gpt":0.3159950847571614,"score_spread":0.2718531631437784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255585711","genre_codex":"review","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00043836783,0.85626507,0.0002426492,0.020341674,0.03934037,0.00016485556,0.00281319,0.00016251036,0.080231376],"genre_scores_gemma":[0.004545424,0.77541816,0.0005689803,0.013497446,0.022732249,0.00032628296,0.0038190952,0.00019789382,0.17889443],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991961,0.00016004441,0.00008074021,0.00011748606,0.00027895768,0.00016669242],"domain_scores_gemma":[0.99691355,0.0006955354,0.00035970073,0.00017983963,0.0013859851,0.00046541184],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016196135,0.0011643459,0.00091044116,0.003967283,0.0014218945,0.003585198,0.0016053268,0.0020640062,0.23982131],"category_scores_gemma":[0.0061525228,0.000493411,0.0011128628,0.004380485,0.0010811795,0.0025277992,0.0033080191,0.0018663256,0.054693043],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043069467,0.000011439602,0.00009184403,0.0045368616,0.000025072797,0.0000722154,0.00006374665,0.00003267665,0.00008363356,0.0006010388,0.9344122,0.06002611],"study_design_scores_gemma":[0.0000063910766,0.0000065646873,0.0002432168,0.0033908526,0.00001713776,0.00009805316,0.000059990223,0.0000034413447,0.000022411514,0.00009335717,0.99605465,0.0000039553543],"about_ca_topic_score_codex":0.018966988,"about_ca_topic_score_gemma":0.03544569,"teacher_disagreement_score":0.23982131,"about_ca_system_score_codex":0.0032835323,"about_ca_system_score_gemma":0.008944567,"threshold_uncertainty_score":0.8022822},"labels":[],"label_agreement":null},{"id":"W4255621299","doi":"10.32920/ryerson.14644761.v1","title":"Collecting locally : Walker Evans's photographs of Alabama in Alabama institutions","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Context (archaeology); Mythology; State (computer science); Locality; Sense of place; The arts; Photography; Visual arts; Geography; Archaeology; History; Sociology; Art; Economic geography","score_opus":0.09384120912934572,"score_gpt":0.3111770170067744,"score_spread":0.21733580787742868,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255621299","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7937745,0.0016825,0.00077364006,0.0052669873,0.00016173703,0.00010472257,0.0009115065,0.00012106868,0.1972034],"genre_scores_gemma":[0.9050717,0.0015275836,0.0026757705,0.000589137,0.00003917859,0.00006077974,0.00027791175,0.00006036135,0.089697585],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99983454,0.00007577176,0.0000040416817,0.0000215677,0.0000345785,0.000029462602],"domain_scores_gemma":[0.9996916,0.00010165117,0.000038568964,0.000033285203,0.00007247188,0.00006237085],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003777346,0.00019667335,0.00009615998,0.0008862253,0.006778362,0.001217528,0.00026033184,0.0003222518,0.011536602],"category_scores_gemma":[0.00075642456,0.00012233967,0.00004729779,0.0014727203,0.00095105567,0.0006103715,0.0012016749,0.0006027234,0.0011178438],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012956213,0.00015218761,0.032752443,0.00035927308,0.000015803435,0.0054433034,0.64066947,0.00030829327,0.015015527,0.010751778,0.16266388,0.13173853],"study_design_scores_gemma":[0.0000041460585,0.00003799914,0.06768135,0.00018643853,0.00001008179,0.0009940445,0.40935767,0.00010223299,0.0020120745,0.00051438337,0.5190783,0.00002128254],"about_ca_topic_score_codex":0.09312342,"about_ca_topic_score_gemma":0.5003419,"teacher_disagreement_score":0.09312342,"about_ca_system_score_codex":0.0016017023,"about_ca_system_score_gemma":0.0017305501,"threshold_uncertainty_score":0.18516278},"labels":[],"label_agreement":null},{"id":"W4255900991","doi":"10.32920/ryerson.14649588","title":"Lartigue before Lartigue : the GEH [George Eastman House] album Paris aviation 1910","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; NSCAD University","funders":"","keywords":"George (robot); Exhibition; Art history; Art; Aviation; Photography; Visual arts; Engineering","score_opus":0.03633639031901091,"score_gpt":0.25344580156579805,"score_spread":0.21710941124678712,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255900991","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14640073,0.020001236,0.00069544907,0.014209711,0.0023363505,0.000032748558,0.00085945113,0.0001959339,0.81526834],"genre_scores_gemma":[0.5891103,0.006816536,0.00095245463,0.0007468028,0.0008962941,0.00001357974,0.00043760566,0.00019759376,0.40082875],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997564,0.00006698303,0.0000029646835,0.000037356163,0.000075983415,0.000060247403],"domain_scores_gemma":[0.99981254,0.000034291483,0.000021737329,0.000013282696,0.000057870217,0.000060311726],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029694889,0.00031653378,0.00010049776,0.0007370503,0.0031801986,0.0028886867,0.0003039151,0.00045274527,0.023552522],"category_scores_gemma":[0.00068536366,0.00011973345,0.000083962885,0.0010574773,0.0019132165,0.00082684634,0.00085852016,0.00088992744,0.0024634746],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021448421,0.000071372764,0.005152508,0.00018341442,0.000019328429,0.0024850168,0.07399157,0.00038292233,0.002903437,0.24625048,0.5408797,0.12746583],"study_design_scores_gemma":[0.000002778385,0.0000115288985,0.010262482,0.00007564049,0.0000023887235,0.00016003216,0.0065196576,0.000036073343,0.000370817,0.00076721393,0.9817853,0.0000061291908],"about_ca_topic_score_codex":0.20180279,"about_ca_topic_score_gemma":0.3078455,"teacher_disagreement_score":0.20180279,"about_ca_system_score_codex":0.00743884,"about_ca_system_score_gemma":0.0014500935,"threshold_uncertainty_score":0.40125632},"labels":[],"label_agreement":null},{"id":"W4255992145","doi":"10.32920/ryerson.14657433.v1","title":"ACQuISITION PROPOSAL FOR CONTEMPORARY BRAZILIAN PHOTOGRAPHS FOR THE GEORGE EAST.MAN HOUSE COLLECTION","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"George (robot); Photography; Institution; Section (typography); Visual arts; Biography; Art history; Art; History; Sociology; Computer science; Social science","score_opus":0.06016359706252831,"score_gpt":0.2841862061268761,"score_spread":0.22402260906434782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255992145","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034593966,0.0027826633,0.010327919,0.023860482,0.0012925249,0.00056779507,0.0002030224,0.00013228886,0.92623925],"genre_scores_gemma":[0.492028,0.0035918555,0.018268714,0.0061133006,0.0009815608,0.0007692546,0.00035291465,0.00032986424,0.47756457],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971136,0.000835559,0.00011304897,0.0003980884,0.0010573199,0.00048245702],"domain_scores_gemma":[0.99796814,0.000523222,0.00017159185,0.0003195883,0.0007582158,0.00025932756],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003535846,0.0003843815,0.00023941186,0.0015248227,0.0093048075,0.0052334317,0.0008676634,0.0026733913,0.014726496],"category_scores_gemma":[0.0061853523,0.00047481354,0.00026613486,0.0013475047,0.0063125966,0.0038522957,0.0035096235,0.0035688335,0.001918767],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000125401475,0.000022116961,0.00053457986,0.000094235074,0.0000018194678,0.000599456,0.023016237,0.00006770643,0.0012347945,0.91885495,0.034344926,0.021216638],"study_design_scores_gemma":[0.000004855851,0.00001595037,0.001722733,0.00020486921,0.0000050735657,0.00040570533,0.009337169,0.000094237905,0.0004897872,0.013976872,0.9737273,0.000015505359],"about_ca_topic_score_codex":0.051792108,"about_ca_topic_score_gemma":0.10959283,"teacher_disagreement_score":0.051792108,"about_ca_system_score_codex":0.010033207,"about_ca_system_score_gemma":0.009487035,"threshold_uncertainty_score":0.10298133},"labels":[],"label_agreement":null},{"id":"W4255994839","doi":"10.32920/ryerson.14652213","title":"The Personal Albums Of Samuel Bourne At The National Media Museum And The Art Gallery Of Ontario","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Documentation; Photography; Visual arts; History of photography; Art; Colonialism; Art history; History; Archaeology; Computer science","score_opus":0.05235643320292365,"score_gpt":0.25542653183313874,"score_spread":0.20307009863021508,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255994839","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5679014,0.0065342193,0.0010206043,0.0015207011,0.00043349277,0.00032838513,0.017362133,0.00017353366,0.40472558],"genre_scores_gemma":[0.7209553,0.0037498167,0.0028912502,0.00012495086,0.00010224406,0.00011907769,0.004951205,0.00018457526,0.26692152],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999509,0.00004904429,0.00001782644,0.000067865585,0.0002080723,0.00014820139],"domain_scores_gemma":[0.9991068,0.00017761724,0.00012154993,0.00010949947,0.0003108694,0.00017353022],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003671343,0.00038198443,0.00015522537,0.0045380006,0.0051475144,0.0023696339,0.00043352816,0.0002194335,0.022864057],"category_scores_gemma":[0.0014254228,0.00017326174,0.00014474406,0.006956202,0.002007713,0.00070853846,0.0012158904,0.00032472456,0.001360952],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005051204,0.00006930713,0.09559006,0.0012404737,0.000050884977,0.0035974174,0.39340526,0.00038555017,0.010411811,0.04607473,0.15214409,0.29652524],"study_design_scores_gemma":[0.0000037475675,0.000014125123,0.23382017,0.00017813384,0.000013101382,0.00039133447,0.062276922,0.000049189184,0.0011448477,0.00028660387,0.70180213,0.000019596599],"about_ca_topic_score_codex":0.7746625,"about_ca_topic_score_gemma":0.933522,"teacher_disagreement_score":0.2253375,"about_ca_system_score_codex":0.014993022,"about_ca_system_score_gemma":0.008549745,"threshold_uncertainty_score":0.4533291},"labels":[],"label_agreement":null},{"id":"W4256131981","doi":"10.4000/litteratures.472","title":"Daniel Grojnowski, Usages de la photographie. Vérités et croyances. Documents. Reportages. Fictions","year":2011,"lang":"fr","type":"article","venue":"Littératures","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Philosophy","score_opus":0.04170228168488352,"score_gpt":0.3061550740880231,"score_spread":0.26445279240313957,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4256131981","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0050216927,0.43601027,0.002401631,0.35006595,0.014811013,0.000056941553,0.0007188151,0.00023003103,0.19068368],"genre_scores_gemma":[0.13352211,0.3096674,0.0030815932,0.06415617,0.013361962,0.00019989426,0.0005927242,0.0006302456,0.47478786],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973954,0.00084309827,0.00017625542,0.0002760507,0.0010837205,0.000225507],"domain_scores_gemma":[0.9970747,0.0018023473,0.0003192723,0.000094041876,0.00055520574,0.00015444067],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016035959,0.00071680156,0.00039904148,0.002951831,0.005856131,0.006383619,0.0010399905,0.0034530673,0.015282727],"category_scores_gemma":[0.0050337464,0.00047029107,0.00022615193,0.002954111,0.0046404274,0.00996529,0.0022128366,0.005031595,0.0055178865],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031894746,0.000024178313,0.00038526766,0.0003298812,0.0000046013724,0.00015078193,0.011307508,0.00002679181,0.0002583185,0.16373189,0.7856625,0.03808626],"study_design_scores_gemma":[0.0000045570623,0.000004321046,0.00093679986,0.00018943206,0.0000022190422,0.00011824502,0.0032760731,0.0000153828,0.00022079471,0.0063406304,0.98887736,0.000014209382],"about_ca_topic_score_codex":0.04090343,"about_ca_topic_score_gemma":0.08215931,"teacher_disagreement_score":0.04090343,"about_ca_system_score_codex":0.004379853,"about_ca_system_score_gemma":0.0029343169,"threshold_uncertainty_score":0.08133066},"labels":[],"label_agreement":null},{"id":"W4256670695","doi":"10.32920/ryerson.14660706.v1","title":"Esson’s Ontario A Photographic Exhibition Proposal For The Archives Of Ontario","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Exhibition; Visual arts; Reading (process); Art history; Art; Library science; Computer science; Political science; Law","score_opus":0.046943199147147605,"score_gpt":0.255746496967564,"score_spread":0.2088032978204164,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4256670695","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020887693,0.0026535713,0.004108019,0.019827258,0.0059021614,0.0012009044,0.00853698,0.0010188357,0.93586457],"genre_scores_gemma":[0.028670492,0.0015822945,0.0034774626,0.0006041616,0.00035649512,0.00028856177,0.0021710838,0.00040642882,0.962443],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998833,0.00010078733,0.000027032693,0.00013750361,0.00062372687,0.00027797106],"domain_scores_gemma":[0.9981717,0.00009980743,0.000059169204,0.00018713753,0.00080548704,0.00067675416],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001435971,0.0005485872,0.00024118634,0.00094496884,0.009283648,0.0051080533,0.00090402074,0.0013412533,0.1637161],"category_scores_gemma":[0.0016802497,0.0005127777,0.00047710695,0.0017436442,0.0018698722,0.0015362193,0.0022805214,0.0014626308,0.023072159],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000930984,0.00002288485,0.0008901822,0.00014636466,0.0000048003385,0.0003334381,0.0045710485,0.00017591704,0.0022786544,0.017560076,0.95091295,0.023010612],"study_design_scores_gemma":[0.0000034680502,0.000006294974,0.0015287906,0.000032629923,0.000001198789,0.000026644544,0.0013606678,0.000019956451,0.00012493473,0.00012855194,0.9967595,0.000007362406],"about_ca_topic_score_codex":0.7059221,"about_ca_topic_score_gemma":0.9041729,"teacher_disagreement_score":0.29407787,"about_ca_system_score_codex":0.019631395,"about_ca_system_score_gemma":0.023065414,"threshold_uncertainty_score":0.5916195},"labels":[],"label_agreement":null},{"id":"W4281681536","doi":"10.1525/aft.2022.49.2.19","title":"Through Thick and Thin","year":2022,"lang":"en","type":"article","venue":"Afterimage","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Icon; Citation; The arts; Computer science; World Wide Web; Visual arts; Art","score_opus":0.03332418699182011,"score_gpt":0.2487556229159226,"score_spread":0.2154314359241025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4281681536","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0061063212,0.0075179124,0.00866215,0.04236923,0.018196661,0.00015881713,0.00061318337,0.0016748785,0.9147009],"genre_scores_gemma":[0.037071735,0.0041281837,0.0052756383,0.01358283,0.0023939991,0.00008302174,0.00041765027,0.0017182623,0.9353287],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977539,0.0004469081,0.00008215866,0.0004637285,0.0008288113,0.00042445192],"domain_scores_gemma":[0.9963018,0.0003933312,0.00023116771,0.0005133216,0.0013740906,0.0011864146],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0020553812,0.0016283666,0.0006854391,0.0020393566,0.011315061,0.016429618,0.0016956909,0.0034542999,0.22651285],"category_scores_gemma":[0.009547907,0.00090588833,0.0007532624,0.0010709597,0.0056885686,0.015918847,0.011688734,0.0070471824,0.11687635],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007330321,0.00005972139,0.00089573255,0.00020845092,0.000016258831,0.00077187445,0.011463517,0.0000737835,0.0010990271,0.064447,0.8375484,0.08334291],"study_design_scores_gemma":[0.0000029929708,0.000010841441,0.00021859468,0.0001851004,0.000003620694,0.00024244361,0.00404855,0.00003175662,0.00013017865,0.0028705504,0.99224454,0.000010856215],"about_ca_topic_score_codex":0.007333368,"about_ca_topic_score_gemma":0.01565252,"teacher_disagreement_score":0.22651285,"about_ca_system_score_codex":0.003129312,"about_ca_system_score_gemma":0.0029884854,"threshold_uncertainty_score":0.757761},"labels":[],"label_agreement":null},{"id":"W4281722687","doi":"10.1177/17506980221085537","title":"Representing evidence","year":2022,"lang":"en","type":"article","venue":"Memory Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Exhibition; The Holocaust; Architecture; Visual arts; Art history; Art; History; Aesthetics; Law; Political science","score_opus":0.31571449556992903,"score_gpt":0.36633050461027283,"score_spread":0.0506160090403438,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4281722687","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017292455,0.015484826,0.06173424,0.13608243,0.007055103,0.00020001335,0.0003747844,0.00048019024,0.76129603],"genre_scores_gemma":[0.66662467,0.021831788,0.054349087,0.025420243,0.0040420946,0.00035946918,0.0008834583,0.0007855779,0.22570354],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9825874,0.010240942,0.0009566614,0.0017894396,0.0031819695,0.0012436433],"domain_scores_gemma":[0.97573197,0.010250118,0.0020112286,0.0072307903,0.0035182768,0.0012577098],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.015941683,0.0009373802,0.00065134175,0.0030598727,0.008634809,0.030694438,0.0035845442,0.005770666,0.031385995],"category_scores_gemma":[0.04928559,0.0005314286,0.0008629535,0.0028577608,0.022581097,0.033002287,0.013068982,0.005458868,0.00769761],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002861161,0.000016555356,0.0005685181,0.00021959333,0.000018572282,0.00027189622,0.026901418,0.00014844535,0.00027898667,0.8767612,0.035103336,0.05968305],"study_design_scores_gemma":[0.0000086999935,0.000024814364,0.00027451076,0.0011286493,0.00002863231,0.00044441663,0.022849904,0.00012569907,0.0005954826,0.15994947,0.8145457,0.000024036988],"about_ca_topic_score_codex":0.0033696394,"about_ca_topic_score_gemma":0.0030786742,"teacher_disagreement_score":0.031385995,"about_ca_system_score_codex":0.0048784884,"about_ca_system_score_gemma":0.006218283,"threshold_uncertainty_score":0.10499656},"labels":[],"label_agreement":null},{"id":"W4283011506","doi":"10.31390/gradschool_theses.4042","title":"This is only Temporary","year":2016,"lang":"en","type":"dissertation","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Manitoba; Louisiana State University","keywords":"Exhibition; Narrative; Context (archaeology); Visual arts; Space (punctuation); Art; Aesthetics; Architectural engineering; Engineering; History; Computer science; Archaeology; Literature","score_opus":0.03224499959476467,"score_gpt":0.2768520637669565,"score_spread":0.2446070641721918,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283011506","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0060571074,0.0031772843,0.002128669,0.058811657,0.031896606,0.0000656705,0.0005650917,0.00062871486,0.89666927],"genre_scores_gemma":[0.08344578,0.0030346736,0.0013234991,0.015713373,0.0049253884,0.000100954894,0.00043390522,0.00089410937,0.89012825],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970049,0.0006910764,0.000107127045,0.0006738488,0.0010090732,0.0005139998],"domain_scores_gemma":[0.9948041,0.0005943195,0.00021038117,0.0019190431,0.0012988251,0.0011733493],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002163389,0.0004610421,0.0005675916,0.0008194369,0.007177412,0.0111983465,0.0015581524,0.0025058826,0.17072375],"category_scores_gemma":[0.009932226,0.0003887287,0.0005907842,0.0007660902,0.006920155,0.013608938,0.010770989,0.0064064586,0.0721843],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006773133,0.000051536757,0.0006259869,0.00021509374,0.000015525302,0.00033982343,0.010547604,0.00004107858,0.00094819674,0.194917,0.7244598,0.06777067],"study_design_scores_gemma":[0.000002084157,0.000012761361,0.00022882916,0.00010308848,0.0000022839486,0.00013068119,0.001850069,0.000007463418,0.00012098178,0.003078251,0.9944576,0.000006007368],"about_ca_topic_score_codex":0.0024342872,"about_ca_topic_score_gemma":0.0069233244,"teacher_disagreement_score":0.17072375,"about_ca_system_score_codex":0.0024076619,"about_ca_system_score_gemma":0.002915459,"threshold_uncertainty_score":0.57112783},"labels":[],"label_agreement":null},{"id":"W4283277662","doi":"10.18357/bigr32202220787","title":"The Social Life of Images","year":2022,"lang":"en","type":"article","venue":"Borders in Globalization Review","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Discipline; Multidisciplinary approach; Visual culture; Cultural studies; Sociology; Aesthetics; Meaning (existential); Public culture; Social science; Epistemology; Art; Anthropology; Political science","score_opus":0.02930843115272171,"score_gpt":0.3233436810783401,"score_spread":0.2940352499256184,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283277662","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1634226,0.10360405,0.008753402,0.059649844,0.0014335194,0.00008088933,0.00025756392,0.00009296765,0.6627052],"genre_scores_gemma":[0.9435115,0.03098683,0.0018199765,0.0027409084,0.00075367,0.00006154318,0.000078581266,0.000066094486,0.01998079],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9977477,0.0014934298,0.000059412265,0.0002352193,0.00030818314,0.00015598699],"domain_scores_gemma":[0.99788684,0.0011442251,0.00029487952,0.00022565447,0.00023258451,0.00021586852],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016208823,0.0003358212,0.0002877432,0.0020940616,0.0048797573,0.011314869,0.00060846,0.0014858666,0.005599502],"category_scores_gemma":[0.0040883785,0.0001714716,0.00018835494,0.0017714411,0.02398814,0.008977951,0.0046270536,0.0017323946,0.00047033836],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027488253,0.000031186228,0.0021906823,0.0007980976,0.000028904447,0.00052624656,0.3160837,0.000116900694,0.0010599324,0.5626665,0.01585966,0.10061064],"study_design_scores_gemma":[0.000005442497,0.000043870186,0.0055538993,0.001541615,0.000015907557,0.00091927446,0.23071516,0.00008947494,0.00047575127,0.06622472,0.69439113,0.000023782055],"about_ca_topic_score_codex":0.0038685605,"about_ca_topic_score_gemma":0.003877149,"teacher_disagreement_score":0.011314869,"about_ca_system_score_codex":0.0029151111,"about_ca_system_score_gemma":0.0019078874,"threshold_uncertainty_score":0.021150708},"labels":[],"label_agreement":null},{"id":"W4283803592","doi":"10.1017/s002074382200037x","title":"Building Spectatorial Solidarity against the “War on Terror” Media-Military Gaze","year":2022,"lang":"en","type":"article","venue":"International Journal Middle East Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"York University","keywords":"Disinformation; Media studies; Iconography; History; Aesthetics; Sociology; Political science; Law; Art; Social media; Art history","score_opus":0.10107261760292387,"score_gpt":0.3079238027882815,"score_spread":0.20685118518535767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4283803592","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17566456,0.004785313,0.005954493,0.024013279,0.0009205921,0.000029678442,0.00009349667,0.00019860748,0.78833985],"genre_scores_gemma":[0.9724673,0.0012999113,0.00069812336,0.0011956525,0.00036259877,0.000019053268,0.000029948538,0.00015105336,0.02377648],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894375,0.00068358297,0.000015818867,0.00009808253,0.00013643526,0.00012224252],"domain_scores_gemma":[0.99787605,0.001402871,0.00020532767,0.00019086478,0.00017221617,0.00015267826],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018210887,0.00057943276,0.00025151702,0.002863317,0.008628921,0.012122283,0.0006086711,0.0015195509,0.009607855],"category_scores_gemma":[0.0051684715,0.0002141218,0.0002106148,0.0011102564,0.026606183,0.007822773,0.00521116,0.0031019417,0.0009515157],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006846232,0.000016622962,0.001057242,0.0001309641,0.000010819727,0.000422696,0.49609116,0.00014308645,0.0020937878,0.47074592,0.012755672,0.016463634],"study_design_scores_gemma":[0.000014346168,0.000058505546,0.003820679,0.0008762807,0.00002859385,0.00068952003,0.42553017,0.0004401733,0.0023859441,0.05460137,0.51152194,0.0000325358],"about_ca_topic_score_codex":0.00590591,"about_ca_topic_score_gemma":0.008482319,"teacher_disagreement_score":0.012122283,"about_ca_system_score_codex":0.003090385,"about_ca_system_score_gemma":0.001125685,"threshold_uncertainty_score":0.032141447},"labels":[],"label_agreement":null},{"id":"W4285012913","doi":"10.22215/etd/2022-15003","title":"I Went for a Walk: Observations, Reflections, and Imaginings upon Montreal's Everyday Thresholds","year":2022,"lang":"en","type":"dissertation","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Everyday life; Anticipation (artificial intelligence); Aesthetics; Space (punctuation); Set (abstract data type); Situationism; QUIET; Psychology; Sociology; Social psychology; History; Cognitive psychology; Art; Epistemology; Computer science; Artificial intelligence; Philosophy","score_opus":0.06532498327495152,"score_gpt":0.324158142062801,"score_spread":0.2588331587878495,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285012913","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88781893,0.0022258318,0.0022107672,0.0128526455,0.00036470374,0.00017406534,0.000463893,0.0001816658,0.093707405],"genre_scores_gemma":[0.9743791,0.00093325146,0.00076457125,0.00099127,0.000057522633,0.00004635714,0.00007728847,0.00010899266,0.022641642],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9973712,0.0014217559,0.000033439042,0.00028347474,0.00037633424,0.00051380985],"domain_scores_gemma":[0.99812573,0.00083140767,0.00017528645,0.00011293086,0.00032283738,0.00043180605],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022088932,0.0012096144,0.00043875497,0.0014176085,0.013202928,0.00604272,0.0020864229,0.0024758347,0.00454628],"category_scores_gemma":[0.0065496694,0.00070231827,0.0004194269,0.001494283,0.018864792,0.0038682513,0.0038235702,0.0058357045,0.0006888309],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002437371,0.000020894713,0.0014171753,0.000040997937,0.0000048804263,0.00094563037,0.9857056,0.000063443644,0.0010268324,0.0024961287,0.005384228,0.0028697622],"study_design_scores_gemma":[0.0000032631756,0.000031003463,0.0037465303,0.00007382965,0.000006313145,0.00020949834,0.9604707,0.00006155118,0.00029083717,0.00032076347,0.034751814,0.00003383248],"about_ca_topic_score_codex":0.425972,"about_ca_topic_score_gemma":0.6773596,"teacher_disagreement_score":0.574028,"about_ca_system_score_codex":0.014834916,"about_ca_system_score_gemma":0.00513218,"threshold_uncertainty_score":0.84698516},"labels":[],"label_agreement":null},{"id":"W4285028079","doi":"10.22215/etd/2022-15042","title":"Fred Herzog and Jeff Wall: Exploring Topography in Vancouver Through Photo-Based Art","year":2022,"lang":"en","type":"dissertation","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Carleton University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Materiality (auditing); Art; Photography; Art history; Visual arts; Aesthetics","score_opus":0.05845811130299368,"score_gpt":0.271026111908318,"score_spread":0.21256800060532433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285028079","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46634716,0.010415255,0.0011974641,0.013270055,0.00023542525,0.00013021792,0.00015579887,0.000029362542,0.50821924],"genre_scores_gemma":[0.79448056,0.013720774,0.0022026387,0.0012900642,0.00004547274,0.000060714483,0.000099855264,0.000035355188,0.18806456],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997795,0.000082633705,0.0000034745196,0.00002126782,0.00007836185,0.00003483652],"domain_scores_gemma":[0.9998018,0.00007097278,0.000016548718,0.0000064535143,0.000051303763,0.00005290698],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040195053,0.00022676385,0.000088489876,0.00078625156,0.007353776,0.0038579023,0.00029247193,0.0005232365,0.00442706],"category_scores_gemma":[0.0008676647,0.00013602167,0.000069950576,0.0012710976,0.0028149958,0.0009536916,0.001325956,0.00096072577,0.00038361858],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033484343,0.00013564482,0.011206741,0.0003421721,0.000012855627,0.00096287136,0.6812461,0.00034611078,0.0020718214,0.05941103,0.091740556,0.15249059],"study_design_scores_gemma":[0.0000055580326,0.000023795954,0.027915368,0.0004860656,0.000012194058,0.00034467955,0.43723387,0.00016466755,0.0010049551,0.004180705,0.5286075,0.000020595095],"about_ca_topic_score_codex":0.4086245,"about_ca_topic_score_gemma":0.7886885,"teacher_disagreement_score":0.59137547,"about_ca_system_score_codex":0.006481382,"about_ca_system_score_gemma":0.0054910504,"threshold_uncertainty_score":0.8124921},"labels":[],"label_agreement":null},{"id":"W4285464599","doi":"10.32920/ryerson.14665200.v1","title":"Photographic representations of 'truth': the history and contemporary practice of photographic narrative tableaux","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University; Toronto Metropolitan University","funders":"","keywords":"Postmodernism; Narrative; Metaphor; Uncanny; Sublime; Mythology; Verisimilitude; Art; Allegory; Aesthetics; Modernism (music); Criticism; Literature; Representation (politics); Philosophy; Politics","score_opus":0.07050478241073732,"score_gpt":0.29431933761730233,"score_spread":0.223814555206565,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285464599","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12395301,0.07223754,0.018953647,0.052673116,0.0021357166,0.00009646979,0.00017085945,0.0002220688,0.7295575],"genre_scores_gemma":[0.93320733,0.014723398,0.0035757131,0.0013153072,0.00048505308,0.000041656713,0.00005106935,0.00015968467,0.046440877],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9939189,0.0041021677,0.00018273467,0.000535593,0.00091745285,0.00034320803],"domain_scores_gemma":[0.9901564,0.0072088796,0.0005113787,0.0010726422,0.0006883739,0.00036232575],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0061294558,0.00033630055,0.00037412683,0.0031221611,0.007749994,0.013497922,0.0015633904,0.0025039192,0.012032027],"category_scores_gemma":[0.016240334,0.00044583954,0.00021195447,0.0030572468,0.033486515,0.009536158,0.004837885,0.0038639933,0.00079972495],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035145124,0.000014971503,0.00045565894,0.00029776533,0.000004643625,0.00042415215,0.34782416,0.00017569664,0.00041805243,0.5937456,0.009871201,0.046732865],"study_design_scores_gemma":[0.000007224498,0.000028625265,0.0012609342,0.0009847376,0.0000051933584,0.0006381312,0.113550775,0.0002799534,0.00068131235,0.031667534,0.85087144,0.000024196097],"about_ca_topic_score_codex":0.020292722,"about_ca_topic_score_gemma":0.028287606,"teacher_disagreement_score":0.020292722,"about_ca_system_score_codex":0.011931763,"about_ca_system_score_gemma":0.003951481,"threshold_uncertainty_score":0.086571395},"labels":[],"label_agreement":null},{"id":"W4286457438","doi":"10.4000/interfaces.5289","title":"Susan Schuppli. Material Witness: Media, Forensics, Evidence","year":2022,"lang":"en","type":"article","venue":"Interfaces","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Witness; Argument (complex analysis); Politics; Sociology; Tribunal; History; Law; Aesthetics; Media studies; Political science; Art","score_opus":0.0720469667825393,"score_gpt":0.2713385805960318,"score_spread":0.19929161381349247,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4286457438","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014657808,0.12804642,0.0022820022,0.6611984,0.016139224,0.000059066628,0.00011778031,0.00015625708,0.19053505],"genre_scores_gemma":[0.105632804,0.12007281,0.0044308207,0.29992324,0.01676059,0.00026787948,0.00013222657,0.0002911814,0.45248842],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99901056,0.0003458942,0.000042480293,0.00015170315,0.0003690789,0.000080211816],"domain_scores_gemma":[0.99847144,0.0008471019,0.00010165169,0.000044307228,0.00027490905,0.0002605852],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010932366,0.0006804892,0.00017515704,0.0014193591,0.005559721,0.0044936826,0.0007925738,0.006234632,0.018954419],"category_scores_gemma":[0.0046784817,0.0003174274,0.00015485016,0.00080383767,0.0055743135,0.0076566953,0.0031747087,0.005168766,0.0051501915],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000756703,0.000009011593,0.00018541933,0.000119335215,0.0000023301548,0.00016518089,0.0042861686,0.00001476745,0.000088988745,0.094385594,0.8432578,0.05747775],"study_design_scores_gemma":[0.0000038309317,0.0000067338838,0.000293518,0.0003627235,0.0000019190122,0.00036645378,0.0039700186,0.000034465666,0.00017375,0.030673863,0.9641022,0.000010526502],"about_ca_topic_score_codex":0.012573364,"about_ca_topic_score_gemma":0.034873784,"teacher_disagreement_score":0.018954419,"about_ca_system_score_codex":0.0028810836,"about_ca_system_score_gemma":0.0036948097,"threshold_uncertainty_score":0.06340885},"labels":[],"label_agreement":null},{"id":"W4286696479","doi":"10.4000/focales.965","title":"Éléonore Challine, Une Histoire contrariée. Le musée de la photographie en France (1839-1945)","year":2019,"lang":"fr","type":"article","venue":"Focales","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art","score_opus":0.006654990478785637,"score_gpt":0.22542831502715466,"score_spread":0.218773324548369,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4286696479","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01997211,0.13453752,0.003349852,0.12095567,0.016053544,0.000093845665,0.0010240019,0.00023018377,0.7037833],"genre_scores_gemma":[0.20274615,0.029327929,0.0025337082,0.012038397,0.0035229595,0.000108827975,0.00032091627,0.00042147096,0.7489796],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985495,0.0005733555,0.000035973088,0.00026478776,0.00041893814,0.00015752472],"domain_scores_gemma":[0.99888545,0.0004099571,0.00013649953,0.000086552485,0.00029370913,0.00018787202],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011440613,0.0004920095,0.00021266154,0.0015170246,0.0061864136,0.0049873,0.0005314385,0.0014828884,0.022445384],"category_scores_gemma":[0.0026252412,0.00020870929,0.0002589636,0.0012656539,0.0060402635,0.0034989482,0.0022958564,0.0025069856,0.0032806545],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007721714,0.000020099636,0.002318217,0.00037672216,0.000020049441,0.0009768849,0.053442746,0.00009788996,0.0012683534,0.22448692,0.6274436,0.08947131],"study_design_scores_gemma":[0.0000017670658,0.000003923938,0.0014783129,0.00013872149,0.0000016993172,0.00017218309,0.004387454,0.0000060465154,0.00015842762,0.0016228629,0.99202216,0.0000063730567],"about_ca_topic_score_codex":0.08256832,"about_ca_topic_score_gemma":0.19792011,"teacher_disagreement_score":0.08256832,"about_ca_system_score_codex":0.00627132,"about_ca_system_score_gemma":0.0031737732,"threshold_uncertainty_score":0.16417545},"labels":[],"label_agreement":null},{"id":"W4288915847","doi":"10.4000/books.pupo.23000","title":"La conservation et la valorisation du patrimoine photographique contemporain dé/re-matérialisé","year":2019,"lang":"fr","type":"book-chapter","venue":"Presses universitaires de Paris Nanterre eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.026438704151643396,"score_gpt":0.24534161096549476,"score_spread":0.21890290681385136,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4288915847","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015960444,0.021775113,0.0026110564,0.012857513,0.0016784125,0.00003120388,0.00008081184,0.00007955024,0.944926],"genre_scores_gemma":[0.25591156,0.010996502,0.0017358726,0.0016876747,0.00084001146,0.00004645531,0.00008478771,0.00021142166,0.7284858],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990729,0.00026113258,0.000019267873,0.00018144208,0.0002922299,0.00017290965],"domain_scores_gemma":[0.99931467,0.00017815012,0.000065483786,0.00015310208,0.00020344237,0.000085107014],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011011405,0.00038026916,0.00024412666,0.0016153844,0.006601719,0.007854703,0.00087688526,0.0012874808,0.027013576],"category_scores_gemma":[0.0023990485,0.00027828317,0.00022950649,0.001982119,0.01380743,0.0046662875,0.0029347802,0.0033019702,0.0029706724],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034116027,0.000016051616,0.00062688836,0.00013891204,0.000005836425,0.0002753104,0.048502922,0.00009017577,0.00047213098,0.8117195,0.07227247,0.065845646],"study_design_scores_gemma":[0.0000025934369,0.0000076193874,0.0010022917,0.0001767021,0.0000032394626,0.00018751487,0.0056784065,0.000036843423,0.00024513574,0.007310442,0.9853431,0.000006104492],"about_ca_topic_score_codex":0.14458254,"about_ca_topic_score_gemma":0.25633696,"teacher_disagreement_score":0.14458254,"about_ca_system_score_codex":0.011782095,"about_ca_system_score_gemma":0.009179622,"threshold_uncertainty_score":0.28748196},"labels":[],"label_agreement":null},{"id":"W4297313214","doi":"10.1515/9781789201277-008","title":"CHAPTER 4 In the Eye of the Beholder: Gaze and Distance through Photographic Collage in the Topography of Terror and the Canadian Museum for Human Rights","year":2022,"lang":"en","type":"book-chapter","venue":"Berghahn Books","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gaze; Art; Visual arts; Computer vision; Computer science","score_opus":0.037984575716288896,"score_gpt":0.2438789564712378,"score_spread":0.20589438075494892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4297313214","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015671502,0.09202967,0.0008468633,0.009748439,0.0019694031,0.000057421363,0.00027872124,0.00005541424,0.8934469],"genre_scores_gemma":[0.024774915,0.040354438,0.0011409312,0.0028850627,0.0004917223,0.000040843857,0.00014493654,0.00010262603,0.9300645],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9998141,0.000037156715,0.000005007997,0.000025627485,0.00007879463,0.000039358652],"domain_scores_gemma":[0.9998253,0.00006915923,0.0000062535623,0.000008389807,0.000067220535,0.000023759481],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025702507,0.0007247826,0.0003099786,0.0013309568,0.005066388,0.004804629,0.00097037764,0.002284873,0.06458794],"category_scores_gemma":[0.00071480346,0.00031420062,0.00032067564,0.0025372284,0.0031830645,0.0030117047,0.0011505713,0.0019876228,0.006433773],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017252938,0.000029793524,0.00027447694,0.0002826011,0.0000042812935,0.000118150965,0.010435377,0.00011307855,0.00036125173,0.21050248,0.7114861,0.06637519],"study_design_scores_gemma":[0.0000021120247,0.0000041744493,0.0011238611,0.00035460107,0.000003690557,0.00009877163,0.004000463,0.000025407619,0.00010915874,0.013741335,0.9805274,0.000008934748],"about_ca_topic_score_codex":0.5110989,"about_ca_topic_score_gemma":0.8151447,"teacher_disagreement_score":0.48890108,"about_ca_system_score_codex":0.008554876,"about_ca_system_score_gemma":0.0091219,"threshold_uncertainty_score":0.9835606},"labels":[],"label_agreement":null},{"id":"W4297341037","doi":"10.32920/ryerson.14664327.v2","title":"The Painter Who Uses A Camera: An Analysis of the Photographs of Frank “Franz” Johnston : providing a comprehensive catalogue for the collection housed at the Archive of Modern Conflict","year":2022,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University; Toronto Public Health","funders":"","keywords":"Ephemera; Painting; Amateur; Photography; Visual arts; Documentation; Art; Art history; Printmaking; History; Archaeology; Computer science","score_opus":0.06202198077431678,"score_gpt":0.28938756198821014,"score_spread":0.22736558121389336,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4297341037","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67843544,0.010679037,0.0029893161,0.0037885653,0.00021651415,0.00039742384,0.0048829643,0.00007184947,0.29853892],"genre_scores_gemma":[0.9357812,0.01059834,0.0050944993,0.00040088673,0.0000992836,0.0001354716,0.0022986229,0.0001924116,0.04539938],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985884,0.0002975698,0.000043866476,0.000104679086,0.00075219444,0.00021328095],"domain_scores_gemma":[0.99756444,0.00067194935,0.0003156836,0.0001925619,0.0011293922,0.00012600944],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012299271,0.00022163056,0.0001879911,0.0063683665,0.0048848307,0.0035110412,0.00064583606,0.00039518866,0.0059329392],"category_scores_gemma":[0.004218405,0.0002272632,0.0001436852,0.010465126,0.0029073844,0.0013677373,0.001350185,0.0006077439,0.0006590268],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011871869,0.000042396183,0.035040963,0.0010120589,0.000024674564,0.002122823,0.686164,0.00026086997,0.0030799794,0.03940002,0.06446178,0.16827166],"study_design_scores_gemma":[0.0000027420892,0.000016679336,0.19705713,0.000647834,0.000022474249,0.00092231674,0.4306935,0.00015384164,0.0008525734,0.0005232002,0.36907306,0.000034765173],"about_ca_topic_score_codex":0.5052636,"about_ca_topic_score_gemma":0.7932595,"teacher_disagreement_score":0.5052636,"about_ca_system_score_codex":0.012395325,"about_ca_system_score_gemma":0.006957075,"threshold_uncertainty_score":0.99529994},"labels":[],"label_agreement":null},{"id":"W4297473722","doi":"10.32920/ryerson.14657433.v2","title":"ACQUISITION PROPOSAL FOR CONTEMPORARY BRAZILIAN PHOTOGRAPHS FOR THE GEORGE EASTMAN HOUSE COLLECTION","year":2022,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"George (robot); Photography; Institution; Section (typography); Visual arts; Biography; Art history; History; Art; Sociology; Computer science; Social science","score_opus":0.05873619642566243,"score_gpt":0.2936930073058157,"score_spread":0.23495681088015327,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4297473722","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03530449,0.0026237352,0.010582323,0.022452524,0.001287095,0.0004819643,0.00016372428,0.000120765326,0.9269835],"genre_scores_gemma":[0.5250307,0.0035351599,0.018856384,0.005824348,0.0009955094,0.00070744066,0.00030951927,0.00032064784,0.44442025],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971413,0.00085795997,0.00011142026,0.0003862343,0.0010210612,0.00048195812],"domain_scores_gemma":[0.9979705,0.0005639062,0.00016526939,0.00031418962,0.0007446651,0.0002415564],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034198782,0.00037825474,0.00023841963,0.0014439388,0.009091903,0.005041354,0.00083459186,0.0026111011,0.014326826],"category_scores_gemma":[0.0062784706,0.0004390447,0.0002578923,0.0013105134,0.006426324,0.0038925847,0.0034109794,0.0035628052,0.0018532957],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012245878,0.000020401165,0.00045264038,0.00008717394,0.0000016183523,0.00055165397,0.023920871,0.000061032453,0.0011727466,0.9268697,0.026723314,0.020126488],"study_design_scores_gemma":[0.0000049191267,0.000015527103,0.0015363612,0.00021334596,0.000005063017,0.00043530774,0.009917749,0.000090236135,0.0005059812,0.015680332,0.97157955,0.000015598567],"about_ca_topic_score_codex":0.043555733,"about_ca_topic_score_gemma":0.09057925,"teacher_disagreement_score":0.043555733,"about_ca_system_score_codex":0.009263465,"about_ca_system_score_gemma":0.008980156,"threshold_uncertainty_score":0.08660442},"labels":[],"label_agreement":null},{"id":"W4297494810","doi":"10.32920/ryerson.14644560.v2","title":"Description of war photographs : designing a list of subject headings","year":2022,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Subject (documents); Photography; Computer science; Terminology; Vocabulary; Spanish Civil War; Visual arts; Library science; Key (lock); Special collections; World War II; World Wide Web; History; Art; Linguistics; Archaeology","score_opus":0.07544595078963721,"score_gpt":0.2735199359371893,"score_spread":0.1980739851475521,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4297494810","genre_codex":"methods","genre_gemma":"methods","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"methods","genre_consensus":"methods","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015886454,0.0009272219,0.9241477,0.0015579375,0.000606315,0.005765903,0.009639441,0.015726337,0.025742726],"genre_scores_gemma":[0.029244851,0.000947693,0.9405025,0.0002641777,0.00019013441,0.0027545798,0.0108216945,0.0032577028,0.012016671],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9937045,0.0025826253,0.0017834735,0.00079340587,0.00087406585,0.0002618891],"domain_scores_gemma":[0.98368675,0.0066067674,0.0016395526,0.002077772,0.005002507,0.0009866743],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010404794,0.0013758031,0.0013936629,0.011696978,0.0029003462,0.006549561,0.0021854297,0.0015481815,0.025702044],"category_scores_gemma":[0.020483565,0.0018445362,0.0011947756,0.007289054,0.0018835776,0.010351652,0.003158842,0.0019025403,0.014214626],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005427676,0.00034111048,0.008511278,0.004484506,0.00006712676,0.0014831204,0.026453886,0.0035387392,0.05966346,0.1356164,0.096732974,0.6625646],"study_design_scores_gemma":[0.00011197482,0.0004496176,0.0051866905,0.0013673953,0.000104454055,0.001023505,0.011846484,0.007856609,0.017246645,0.020755641,0.9338217,0.00022928636],"about_ca_topic_score_codex":0.0050637475,"about_ca_topic_score_gemma":0.0056345062,"teacher_disagreement_score":0.025702044,"about_ca_system_score_codex":0.0024102998,"about_ca_system_score_gemma":0.0051553855,"threshold_uncertainty_score":0.085981846},"labels":[],"label_agreement":null},{"id":"W4297997843","doi":"10.32920/ryerson.14652753.v2","title":"Adapting to born-digital photographs : a case study of the Canadian Centre for Architecture","year":2022,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design; Toronto Metropolitan University","funders":"","keywords":"CLARITY; Guideline; Photography; Digital photography; Workflow; Architecture; Computer science; Library science; Set (abstract data type); Visual arts; Multimedia; Art; Medicine; Database","score_opus":0.054709009482847445,"score_gpt":0.2754556468877437,"score_spread":0.22074663740489625,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4297997843","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89407533,0.00078616326,0.004310135,0.008174921,0.00016920464,0.0006437707,0.00032545882,0.00007578068,0.09143919],"genre_scores_gemma":[0.9579567,0.0011441932,0.007878737,0.0012387005,0.00003091789,0.00014308127,0.00017630104,0.00010773717,0.031323634],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99308264,0.0028596586,0.00014745876,0.0004503908,0.0018080107,0.0016517866],"domain_scores_gemma":[0.9936614,0.0021231244,0.00036011802,0.00055564253,0.0016804502,0.0016192644],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005466425,0.00066265126,0.00032005162,0.0020557567,0.028898422,0.0047109895,0.00363253,0.0027316825,0.004949505],"category_scores_gemma":[0.012875336,0.0004819218,0.00046165075,0.004279322,0.0090603875,0.0018607944,0.0049385736,0.003449538,0.0005379925],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008475961,0.0003005676,0.015154283,0.00029429863,0.000019988118,0.024354778,0.8797501,0.0009564788,0.002043642,0.01727833,0.016358811,0.04340408],"study_design_scores_gemma":[0.000007024802,0.00007300416,0.013681643,0.00020975617,0.000015020241,0.002785131,0.835979,0.0004926604,0.00071505294,0.0007643735,0.14522167,0.000055698332],"about_ca_topic_score_codex":0.8698894,"about_ca_topic_score_gemma":0.9753135,"teacher_disagreement_score":0.13011062,"about_ca_system_score_codex":0.049929865,"about_ca_system_score_gemma":0.047788918,"threshold_uncertainty_score":0.3622682},"labels":[],"label_agreement":null},{"id":"W4298382094","doi":"10.1515/9781478091950-007","title":"5 : : André Martin, Inventor of Animation Cinema: Prolegomena for a History of Terms","year":2014,"lang":"en","type":"book-chapter","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Animation; Art; Art history; Visual arts","score_opus":0.053838880131551116,"score_gpt":0.2305240603108906,"score_spread":0.17668518017933948,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4298382094","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003064293,0.23082572,0.00510426,0.10498146,0.020059284,0.00004372463,0.00045305214,0.00056933635,0.6348988],"genre_scores_gemma":[0.11663563,0.061779015,0.0038775946,0.017542738,0.012717629,0.000116213945,0.0002409484,0.0008865793,0.7862036],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999151,0.00041676412,0.000028983093,0.00013948536,0.00019291065,0.00007086473],"domain_scores_gemma":[0.99927574,0.00035682193,0.00006630709,0.000051083676,0.00012338876,0.00012665718],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007862276,0.0007426112,0.0003037207,0.0016037975,0.0034965752,0.005161714,0.0006256928,0.0022371334,0.03877167],"category_scores_gemma":[0.0031255377,0.00032432887,0.00015976347,0.00082512345,0.004135521,0.005334978,0.0020206776,0.0034057898,0.0117039755],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036451805,0.00001432571,0.0003126516,0.00023926263,0.0000038373933,0.00011916623,0.0070829517,0.00006200804,0.00022864743,0.3472468,0.60275674,0.04189711],"study_design_scores_gemma":[0.0000013299046,0.0000030446554,0.00012943328,0.00017193399,9.4090205e-7,0.00008323506,0.00037555178,0.000025684714,0.000075147575,0.0040356317,0.9950949,0.00000312467],"about_ca_topic_score_codex":0.006891707,"about_ca_topic_score_gemma":0.013302503,"teacher_disagreement_score":0.03877167,"about_ca_system_score_codex":0.0039545735,"about_ca_system_score_gemma":0.0012747687,"threshold_uncertainty_score":0.12970412},"labels":[],"label_agreement":null},{"id":"W4301309060","doi":"","title":"Canadian Photography and the Exhaustion of Landscape","year":2017,"lang":"en","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Geography; Visual arts; Art","score_opus":0.01847758450115745,"score_gpt":0.22342464014485358,"score_spread":0.20494705564369614,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4301309060","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18832614,0.00805859,0.00040283843,0.040462285,0.00038480156,0.00003060289,0.00060899806,0.000027372145,0.76169837],"genre_scores_gemma":[0.96019244,0.0022077672,0.00017332236,0.0010625318,0.00005879521,0.0000066843486,0.00010654177,0.000029046121,0.036162745],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997618,0.0002826485,0.00003571225,0.00021755465,0.0008834591,0.0009626335],"domain_scores_gemma":[0.99595815,0.00050559174,0.00032605324,0.00021039316,0.0019953381,0.0010044555],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014519002,0.00033651365,0.0003451512,0.0031042679,0.02000174,0.011699121,0.001166083,0.0015109946,0.031469792],"category_scores_gemma":[0.006564511,0.00028631554,0.00022291123,0.006533026,0.011926985,0.002202129,0.0044109803,0.0029330687,0.00070422236],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027836152,0.000065705695,0.017958375,0.00024420893,0.000042907952,0.0008291757,0.115219764,0.00040205385,0.00087812956,0.6775511,0.11383587,0.07269447],"study_design_scores_gemma":[0.00003458061,0.000030964944,0.097077586,0.0003356663,0.000043769927,0.0002998569,0.13636056,0.00021908896,0.0003822131,0.023274364,0.7418435,0.000097772536],"about_ca_topic_score_codex":0.9843164,"about_ca_topic_score_gemma":0.99350995,"teacher_disagreement_score":0.07752615,"about_ca_system_score_codex":0.07752615,"about_ca_system_score_gemma":0.05867883,"threshold_uncertainty_score":0.5624943},"labels":[],"label_agreement":null},{"id":"W4301914357","doi":"10.2307/2674852","title":"Seeing America: Women Photographers between the Wars","year":2001,"lang":"en","type":"article","venue":"Journal of American History","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"History; Media studies; Art history; Library science; Sociology","score_opus":0.03093332056260002,"score_gpt":0.23677572394660512,"score_spread":0.2058424033840051,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4301914357","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02757384,0.34104323,0.00059179193,0.2640872,0.013695049,0.00007380379,0.00035289623,0.00024053911,0.3523416],"genre_scores_gemma":[0.21933915,0.22150005,0.0010529495,0.03777013,0.006407078,0.00010785173,0.00028028662,0.00035500785,0.51318747],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887055,0.00053698797,0.000036206748,0.000097931035,0.00023037895,0.00022785657],"domain_scores_gemma":[0.99854964,0.0005482681,0.00022610431,0.00006580713,0.0001645311,0.00044575072],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018445521,0.00062060624,0.00036499643,0.0015284306,0.0096995635,0.008576922,0.0005935175,0.002575428,0.048171908],"category_scores_gemma":[0.003738685,0.000470175,0.0001960011,0.002952627,0.0053945365,0.010281865,0.0045540207,0.0026131459,0.007068131],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004028541,0.00002801795,0.00086043123,0.00036637456,0.000006429181,0.0003610904,0.11433154,0.000009189751,0.00040195746,0.012677473,0.77666247,0.09425478],"study_design_scores_gemma":[0.0000045477045,0.000012166713,0.0020654318,0.00050486554,0.000005389332,0.00041353493,0.10353934,0.0000035333283,0.00010963573,0.0009325261,0.89240074,0.000008211224],"about_ca_topic_score_codex":0.031074118,"about_ca_topic_score_gemma":0.09609766,"teacher_disagreement_score":0.048171908,"about_ca_system_score_codex":0.0027584773,"about_ca_system_score_gemma":0.0035057752,"threshold_uncertainty_score":0.16115111},"labels":[],"label_agreement":null},{"id":"W4302442012","doi":"10.1215/215820251_1-2-215","title":"Summaries of Scholarly Symposia 1.2","year":2011,"lang":"en","type":"article","venue":"Trans Asia Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Expansive; Studio; Presentation (obstetrics); Panel discussion; Library science; Media studies; Photography; State (computer science); Narrative; Sociology; Art history; History; Visual arts; Art; Medicine","score_opus":0.06310972213012393,"score_gpt":0.22764889049510956,"score_spread":0.1645391683649856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4302442012","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00069307955,0.06387985,0.0016296033,0.0237499,0.33976972,0.0007124565,0.0040156962,0.0015298469,0.5640198],"genre_scores_gemma":[0.0022901017,0.03354951,0.00088125403,0.004510512,0.07224492,0.0004675544,0.0034913868,0.00068901206,0.8818758],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981415,0.00027808422,0.00016739428,0.00023744194,0.00090468716,0.0002708617],"domain_scores_gemma":[0.9958882,0.00039826744,0.00022347383,0.00042057602,0.0019753017,0.0010943465],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0019639127,0.0015556775,0.001354056,0.006105138,0.0024157108,0.009691845,0.0020171106,0.0026754641,0.5280044],"category_scores_gemma":[0.005250686,0.00060740777,0.001285718,0.0069333273,0.0006606741,0.0039263875,0.0041888244,0.0027645337,0.3929843],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022870809,0.00003056226,0.00003853258,0.0002928762,0.0000030974863,0.000023846378,0.000037766862,0.000025862246,0.00018481654,0.0009892196,0.955188,0.043162562],"study_design_scores_gemma":[0.000004976766,0.000010837991,0.00017775118,0.00024235097,0.0000025026825,0.000016292015,0.000073240946,0.000012594742,0.00003627599,0.00028600483,0.99913377,0.0000035576634],"about_ca_topic_score_codex":0.0018926978,"about_ca_topic_score_gemma":0.003235651,"teacher_disagreement_score":0.5280044,"about_ca_system_score_codex":0.0020321067,"about_ca_system_score_gemma":0.0034285919,"threshold_uncertainty_score":0.6732444},"labels":[],"label_agreement":null},{"id":"W4306824785","doi":"10.37113/ij.v19i01.475","title":"Ghost Written","year":2022,"lang":"en","type":"article","venue":"IDEA JOURNAL","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Nothing; Narrative; Uncanny; Art; Shot (pellet); Shadow (psychology); Literature; Art history; Meaning (existential); Visual arts; History; Philosophy; Psychoanalysis; Psychology","score_opus":0.03315988569832083,"score_gpt":0.24754807087555808,"score_spread":0.21438818517723723,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306824785","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013628633,0.00072328333,0.0020472985,0.002840543,0.005630581,0.00010400207,0.0016190878,0.0010397083,0.9846326],"genre_scores_gemma":[0.0090279505,0.0003645203,0.001103654,0.0011528082,0.0005072257,0.000058561567,0.0009324123,0.000885879,0.985967],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990922,0.00019742576,0.00006609656,0.00019155338,0.00032730738,0.0001254107],"domain_scores_gemma":[0.99860483,0.00030157177,0.0000800573,0.0004044858,0.00043305077,0.00017598947],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007236638,0.0006049457,0.00040951007,0.001243798,0.002920906,0.0063471776,0.0011553752,0.0015399035,0.6259077],"category_scores_gemma":[0.004787507,0.0003357596,0.0003075867,0.0011103114,0.0011679656,0.0039286036,0.003705744,0.0019938604,0.34174633],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007985989,0.000025762734,0.00020826908,0.00023143645,0.0000039155016,0.00025032889,0.002250773,0.00005984379,0.0006233289,0.07617528,0.79888326,0.12120794],"study_design_scores_gemma":[0.0000025852955,0.0000035340977,0.000053553522,0.000038327147,6.742076e-7,0.00005834229,0.0002275698,0.000016301095,0.00009578393,0.0009563055,0.99854434,0.000002670131],"about_ca_topic_score_codex":0.0018512928,"about_ca_topic_score_gemma":0.0043827696,"teacher_disagreement_score":0.6259077,"about_ca_system_score_codex":0.0013293657,"about_ca_system_score_gemma":0.0014189996,"threshold_uncertainty_score":0.53359723},"labels":[],"label_agreement":null},{"id":"W4306949525","doi":"10.25071/2369-7326.40318","title":"Democratizing the Museum: Disability and the Need for Accessibility","year":2022,"lang":"en","type":"article","venue":"Pivot A Journal of Interdisciplinary Studies and Thought","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Exhibition; Ableism; Disability studies; Sociology; Aesthetics; Politics; Inclusion (mineral); Gender studies; Identity (music); Normative; Democratization; Political science; Art; Law; Visual arts; Democracy","score_opus":0.055049236737243865,"score_gpt":0.3441941747104773,"score_spread":0.28914493797323343,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306949525","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6133154,0.005119669,0.0027047284,0.04222736,0.00020522194,0.000028330418,0.000042969292,0.0000447587,0.3363115],"genre_scores_gemma":[0.994822,0.00047342893,0.00021708151,0.00033283274,0.000021700193,0.0000064026226,0.000003962934,0.0000064558303,0.004116094],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978935,0.001343666,0.000051444305,0.00012224463,0.00019423121,0.0003949964],"domain_scores_gemma":[0.9987748,0.0005309351,0.00015600216,0.00018046946,0.000083796855,0.00027400962],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017891754,0.00019932524,0.0002099972,0.0011043482,0.008807045,0.008734321,0.0006797982,0.0016913321,0.005127104],"category_scores_gemma":[0.0026256384,0.0001639436,0.00030740528,0.0006721017,0.03368718,0.0059670787,0.009836425,0.002270835,0.00025848113],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004238262,0.000049015827,0.0071821115,0.00016118516,0.000010319928,0.00082157843,0.45102113,0.00016713806,0.00092083873,0.50938374,0.0049436036,0.025296988],"study_design_scores_gemma":[0.000015726619,0.000066019355,0.013369093,0.0007201672,0.000020859814,0.0014565443,0.66647226,0.00022535078,0.0006936922,0.06395331,0.25296113,0.000045779274],"about_ca_topic_score_codex":0.014159633,"about_ca_topic_score_gemma":0.023627635,"teacher_disagreement_score":0.014159633,"about_ca_system_score_codex":0.0034344934,"about_ca_system_score_gemma":0.0025805286,"threshold_uncertainty_score":0.028154433},"labels":[],"label_agreement":null},{"id":"W4308463253","doi":"10.5539/ach.v14n2p183","title":"The “Authentic Evocation” in Ethnographic Photography as Art: Taking Lau Pok Chi’s Art Practice as an Example","year":2022,"lang":"en","type":"article","venue":"Asian Culture and History","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ethnography; Reflexivity; Sociology; Photography; Evocation; Representation (politics); Aesthetics; Anthropology; Art; Visual arts","score_opus":0.03956382362632971,"score_gpt":0.2675347349764904,"score_spread":0.22797091135016068,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4308463253","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.69297826,0.0076162345,0.04839613,0.02455073,0.00077426084,0.0005915618,0.00010087716,0.00008037475,0.22491151],"genre_scores_gemma":[0.98445094,0.0016030933,0.007830376,0.00082321273,0.00013395207,0.0002501433,0.00001564953,0.00003330333,0.0048593576],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.98028606,0.018033141,0.00022420015,0.0004129768,0.00061326736,0.00043024245],"domain_scores_gemma":[0.9890377,0.008435622,0.00052355416,0.0012388161,0.0004593433,0.00030499615],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.012306442,0.0005592603,0.00036290995,0.0024074395,0.010278871,0.0068678358,0.00125586,0.0023596461,0.0022118283],"category_scores_gemma":[0.012853943,0.0003950075,0.0003627695,0.001910595,0.03487973,0.0069878455,0.010026355,0.002047025,0.0002275071],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017039432,0.000025770987,0.001341777,0.00013475309,0.0000039488464,0.00075316057,0.9194703,0.00005875294,0.0005679006,0.06862051,0.0007751618,0.008230982],"study_design_scores_gemma":[0.00000903232,0.000044955766,0.0023205401,0.00040526883,0.000009503545,0.0011287763,0.928041,0.00020836497,0.0007610177,0.009995559,0.057059716,0.000016293705],"about_ca_topic_score_codex":0.007297812,"about_ca_topic_score_gemma":0.017985383,"teacher_disagreement_score":0.012306442,"about_ca_system_score_codex":0.0028212913,"about_ca_system_score_gemma":0.0024666733,"threshold_uncertainty_score":0.065083444},"labels":[],"label_agreement":null},{"id":"W4308644667","doi":"10.17742/image.tp.13.2.8","title":"Spaces of Empathy: Visual Strategies in Photojournalistic Imagery of Migration","year":2022,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Witness; CONTEST; Narrative; Forced migration; Empathy; Inclusion (mineral); Set (abstract data type); Sociology; Visual arts; Aesthetics; Psychology; Art; History; Social psychology; Refugee; Gender studies; Political science; Literature","score_opus":0.049602882907622076,"score_gpt":0.40599489101297825,"score_spread":0.3563920081053562,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4308644667","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.69704896,0.0034434034,0.020068834,0.010229278,0.00039468252,0.00006698864,0.000061289946,0.0001222674,0.26856425],"genre_scores_gemma":[0.9944031,0.00035696555,0.001078896,0.00018847143,0.000030505274,0.000018262112,0.000012224292,0.00004297603,0.0038686437],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99635005,0.0029094142,0.00005009121,0.00018463368,0.00024644518,0.0002592931],"domain_scores_gemma":[0.99703324,0.0020955019,0.00032398835,0.00023326038,0.00014292587,0.00017102042],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023478733,0.00069451757,0.00025053573,0.0016740224,0.006316279,0.0063278093,0.0007843347,0.0018693098,0.0035268755],"category_scores_gemma":[0.007896922,0.00031870216,0.00031690788,0.0011110451,0.017185139,0.006862182,0.007965799,0.0022042822,0.00033300405],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039883544,0.0000075519933,0.0005691736,0.00008220343,0.000005222181,0.00065990636,0.94943786,0.00007863769,0.0012049536,0.042082734,0.0010071304,0.0048247543],"study_design_scores_gemma":[0.000006514408,0.000028561262,0.0013423245,0.00017232794,0.000008655922,0.0011675316,0.9386249,0.00017008864,0.0005426857,0.009924301,0.047994584,0.000017510876],"about_ca_topic_score_codex":0.002016886,"about_ca_topic_score_gemma":0.002826763,"teacher_disagreement_score":0.0063278093,"about_ca_system_score_codex":0.0013878491,"about_ca_system_score_gemma":0.0008480404,"threshold_uncertainty_score":0.012416899},"labels":[],"label_agreement":null},{"id":"W4308644671","doi":"10.17742/image.tp.13.2.3","title":"Migrant Portraiture and Life Imaging in Fazal Sheikh’s Photodocumentaries","year":2022,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Portrait; Refugee; Inscribed figure; Sociology; Representation (politics); Art; Storytelling; Aesthetics; Gender studies; Art history; Narrative; History; Literature; Politics; Political science; Law","score_opus":0.03985028629111984,"score_gpt":0.373033261944897,"score_spread":0.33318297565377714,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4308644671","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7188999,0.005987376,0.0027106982,0.009027757,0.00045499735,0.000041711413,0.00008826838,0.000060100185,0.2627292],"genre_scores_gemma":[0.97461957,0.0012370363,0.00055688515,0.00029191424,0.000054315722,0.000009064093,0.000019990024,0.000026304398,0.023184989],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99967647,0.00018420031,0.0000074401905,0.000026118982,0.00005527701,0.000050544968],"domain_scores_gemma":[0.99968815,0.00016825911,0.000044025906,0.000032466814,0.00002908739,0.00003814022],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00060540024,0.00022346259,0.000099275145,0.00090033,0.0042771157,0.0024797383,0.00034931686,0.0008096066,0.0046760533],"category_scores_gemma":[0.0010634349,0.000147426,0.00010781922,0.0004986264,0.0044770725,0.00205787,0.0021478003,0.0013842718,0.00046348968],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000061999795,0.000027677164,0.0016873154,0.000119030454,0.0000049574082,0.00297622,0.8804112,0.00013175282,0.0032556795,0.07929075,0.0059866067,0.026046827],"study_design_scores_gemma":[0.000007862411,0.000066075634,0.0073607718,0.00022134202,0.000008003304,0.0056700422,0.5325865,0.0001890967,0.0028001235,0.0047202543,0.446347,0.000022841816],"about_ca_topic_score_codex":0.0050380947,"about_ca_topic_score_gemma":0.008957605,"teacher_disagreement_score":0.0050380947,"about_ca_system_score_codex":0.0017478457,"about_ca_system_score_gemma":0.00046702768,"threshold_uncertainty_score":0.015642941},"labels":[],"label_agreement":null},{"id":"W4311621283","doi":"","title":"Le ciel est bleu : une histoire de la photographie couleur de Nathalie Boulouch","year":2012,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Art; Humanities; BLEU; Computer science; Artificial intelligence","score_opus":0.0158348837124651,"score_gpt":0.2368558650027515,"score_spread":0.22102098129028638,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4311621283","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12743302,0.104723565,0.010372157,0.06061007,0.009289522,0.0001422595,0.0006212146,0.00015621989,0.6866519],"genre_scores_gemma":[0.6597255,0.038440812,0.0050098975,0.0026393216,0.0018324578,0.00009521723,0.00017432412,0.00040890818,0.29167366],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924004,0.00033860764,0.000015878326,0.00010322046,0.00016966838,0.00013264631],"domain_scores_gemma":[0.9994481,0.0002898686,0.00004302255,0.000049645798,0.00012219687,0.000047110414],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011322487,0.0006400738,0.000270114,0.0028313245,0.007890413,0.0045733955,0.0006626823,0.0019836805,0.011246406],"category_scores_gemma":[0.0027337421,0.0003166023,0.00036094102,0.0020421068,0.0068178885,0.0025942198,0.0025466392,0.0032336893,0.0014986743],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021802401,0.00002513931,0.0031870727,0.0006975994,0.00004472387,0.005970401,0.29171807,0.00052449293,0.006902237,0.4777424,0.12239267,0.090577275],"study_design_scores_gemma":[0.0000028392496,0.000008046777,0.004573193,0.00031473042,0.0000064664023,0.0013522562,0.022719715,0.000077947174,0.00087068207,0.0034324243,0.96662563,0.000016110684],"about_ca_topic_score_codex":0.11055981,"about_ca_topic_score_gemma":0.24192394,"teacher_disagreement_score":0.11055981,"about_ca_system_score_codex":0.008436088,"about_ca_system_score_gemma":0.0029355492,"threshold_uncertainty_score":0.2198326},"labels":[],"label_agreement":null},{"id":"W4311621294","doi":"","title":"Photojournalismes de Vincent Lavoie","year":2012,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Sociology","score_opus":0.02442766715077053,"score_gpt":0.24422019080199106,"score_spread":0.21979252365122054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4311621294","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009442729,0.4269146,0.0017338215,0.19979265,0.03833446,0.000053415028,0.0005201131,0.00030173693,0.32290652],"genre_scores_gemma":[0.171317,0.081321016,0.0017892256,0.015097264,0.01584965,0.00006884117,0.00022633284,0.00050119427,0.71382946],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982998,0.0006403092,0.00004375879,0.00032588304,0.00050997926,0.00018036025],"domain_scores_gemma":[0.9983699,0.00054216245,0.00013021655,0.000074161275,0.0004023307,0.00048118894],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019344093,0.00087555614,0.00046078357,0.0018185881,0.0032175852,0.005875652,0.0005994079,0.0021835694,0.022743635],"category_scores_gemma":[0.0037879904,0.00048766323,0.00027929345,0.0011365917,0.002831218,0.00299918,0.0016850862,0.0046971883,0.005828571],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006951621,0.000028275888,0.0003978474,0.0002076913,0.000008159197,0.00031131625,0.004130909,0.00008835301,0.00071262976,0.061747294,0.886033,0.046264928],"study_design_scores_gemma":[0.0000017729508,0.0000032603398,0.00028759558,0.000056435547,5.405524e-7,0.0001507791,0.0004082719,0.0000135213,0.000100851335,0.000643053,0.99832994,0.000003828299],"about_ca_topic_score_codex":0.033560548,"about_ca_topic_score_gemma":0.029703002,"teacher_disagreement_score":0.033560548,"about_ca_system_score_codex":0.0044036107,"about_ca_system_score_gemma":0.0024357778,"threshold_uncertainty_score":0.07608509},"labels":[],"label_agreement":null},{"id":"W4312307084","doi":"10.7202/1094908ar","title":"More Life—Beyond the Archival &amp; the Algorithmic","year":2022,"lang":"en","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.02844212766517941,"score_gpt":0.21938783597485104,"score_spread":0.1909457083096716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312307084","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009966178,0.016829442,0.07396029,0.05459989,0.002485699,0.000091984504,0.00032331893,0.0005868765,0.8411563],"genre_scores_gemma":[0.3243743,0.016770344,0.06925456,0.0064446684,0.0020150694,0.00019782467,0.0005552425,0.0015754137,0.5788126],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966588,0.001458918,0.00010758192,0.0005871273,0.0009201412,0.00026747238],"domain_scores_gemma":[0.99469596,0.001615511,0.00019219176,0.0021359366,0.0008483158,0.0005120682],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004156378,0.00065358035,0.0004221699,0.0025579445,0.00693535,0.019230135,0.0018004992,0.002438196,0.03890323],"category_scores_gemma":[0.008489489,0.0005119616,0.00062377576,0.002242148,0.025649041,0.016223246,0.0071405675,0.0034361586,0.006260195],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017547558,0.000009901567,0.00041937153,0.00010415614,0.0000068344048,0.0000578269,0.0062167286,0.0003306939,0.0002441537,0.9012306,0.037619445,0.05374284],"study_design_scores_gemma":[0.000004629807,0.000007201261,0.0004028464,0.00017746554,0.000005446014,0.00012259475,0.0034932257,0.00045163793,0.00027786274,0.16233635,0.8327057,0.000015130428],"about_ca_topic_score_codex":0.024134947,"about_ca_topic_score_gemma":0.041019738,"teacher_disagreement_score":0.03890323,"about_ca_system_score_codex":0.007930987,"about_ca_system_score_gemma":0.005727935,"threshold_uncertainty_score":0.1301443},"labels":[],"label_agreement":null},{"id":"W4312404578","doi":"10.7202/1094918ar","title":"Tina M. Campt, A Black Gaze: Artists Changing How We See, Cambridge, MA: MIT Press, 2021, 232 pp. 78 colour &amp; 33 b/w illus., $29.95 US (hardcover) ISBN 9780262045872 $24.95 US (paper) ISBN 9780262546058 (February 2023)","year":2022,"lang":"en","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Art; Gaze; Humanities; Psychology; Psychoanalysis","score_opus":0.023071625420395894,"score_gpt":0.21195483341027216,"score_spread":0.18888320798987626,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312404578","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00017541058,0.84635246,0.00046960983,0.04475754,0.00464771,0.000027134938,0.00027009685,0.00018667606,0.10311333],"genre_scores_gemma":[0.004127224,0.58652586,0.001482664,0.013763194,0.0030341074,0.0001037212,0.000285492,0.00030426306,0.39037344],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882954,0.00025037778,0.00006952992,0.00016589729,0.00054930797,0.00013532474],"domain_scores_gemma":[0.998635,0.00053981255,0.00011448159,0.00005358066,0.00039238844,0.0002647208],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016481904,0.002018962,0.00085893134,0.0040566376,0.004473181,0.006764393,0.0016627167,0.005017204,0.11391025],"category_scores_gemma":[0.0028583384,0.0013384854,0.0006441446,0.0053643235,0.003298267,0.011150048,0.0033729912,0.004820474,0.060675126],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008750107,0.0000035322014,0.000053419637,0.00026730335,0.0000024077278,0.000027438555,0.0007755153,0.000011518483,0.000055852914,0.002543537,0.9635925,0.032658197],"study_design_scores_gemma":[0.0000026297416,0.000002272791,0.00049812294,0.00054569595,0.0000034131037,0.00009337708,0.0010915528,0.000008260314,0.00002776365,0.001067461,0.9966528,0.000006687748],"about_ca_topic_score_codex":0.107708275,"about_ca_topic_score_gemma":0.2753207,"teacher_disagreement_score":0.11391025,"about_ca_system_score_codex":0.005961001,"about_ca_system_score_gemma":0.0055534528,"threshold_uncertainty_score":0.38106775},"labels":[],"label_agreement":null},{"id":"W4312614737","doi":"10.7202/1094917ar","title":"Jan Wade et al., Jan Wade: Soul Power, exh. cat., Vancouver: Information Office and the Vancouver Art Gallery, 2022, 176 pp. 150+ colour illus., $35.00 (paper) ISBN 9781988860138","year":2022,"lang":"en","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Soul; Art history; Power (physics); Art; History; Theology; Philosophy","score_opus":0.00932192484159226,"score_gpt":0.19649394763244593,"score_spread":0.18717202279085368,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312614737","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007976805,0.49691284,0.00062857184,0.02430058,0.0069257272,0.00007654115,0.0017658643,0.0003326758,0.46825948],"genre_scores_gemma":[0.0024471933,0.12923647,0.0003423364,0.0017727206,0.0004751168,0.000033837125,0.00051726954,0.00016879561,0.8650063],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994862,0.00005243486,0.000019734574,0.00007235707,0.0002985944,0.00007065484],"domain_scores_gemma":[0.999343,0.00009629751,0.00003459517,0.000024801584,0.00037029412,0.00013108207],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00053535606,0.0011745067,0.0005999517,0.00190284,0.0030080387,0.0052013383,0.0008492154,0.0019877884,0.2613131],"category_scores_gemma":[0.0014920138,0.00080756017,0.00026924108,0.006091577,0.0008769509,0.0028069962,0.0015209342,0.0022554584,0.1578463],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008938496,0.0000034608713,0.0000944336,0.00020796196,0.0000017871894,0.000027660408,0.0002002657,0.000018599405,0.00008842345,0.0007146048,0.95049363,0.04814031],"study_design_scores_gemma":[0.0000011871125,0.0000014300886,0.0005195343,0.00022120537,0.0000015938554,0.000040476847,0.00038695964,0.000005908499,0.00003414596,0.0001362431,0.99864775,0.0000036649988],"about_ca_topic_score_codex":0.30382752,"about_ca_topic_score_gemma":0.70327336,"teacher_disagreement_score":0.6961725,"about_ca_system_score_codex":0.003921117,"about_ca_system_score_gemma":0.0055836122,"threshold_uncertainty_score":0.8741794},"labels":[],"label_agreement":null},{"id":"W4312647459","doi":"10.1353/vcr.2022.0010","title":"On Microphotography: Aunt Lucy at the Microscope","year":2022,"lang":"en","type":"article","venue":"Victorian review","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Aunt; Nephew and niece; Art; Subject (documents); Art history; Nothing; Visual arts; Philosophy; Computer science","score_opus":0.021320150140149846,"score_gpt":0.25100950316319126,"score_spread":0.22968935302304141,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312647459","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0059293606,0.06352149,0.032748498,0.29789618,0.06929272,0.0003048413,0.00034292642,0.0037491762,0.52621484],"genre_scores_gemma":[0.026756648,0.021281794,0.016114648,0.0675907,0.011408792,0.00018505927,0.00012315655,0.0008715153,0.85566765],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99845266,0.0003241768,0.000051391515,0.0003870346,0.0006510262,0.00013362886],"domain_scores_gemma":[0.99830997,0.00042502052,0.000073635885,0.00017699489,0.0005953087,0.00041910593],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015393434,0.0010830206,0.00038556615,0.0010706236,0.004689581,0.004021691,0.00093806104,0.0034675356,0.058608916],"category_scores_gemma":[0.004043207,0.0006654311,0.0003559113,0.0005040877,0.0051875836,0.005637849,0.0028690828,0.0076579344,0.03431889],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019440406,0.000011753703,0.00022548607,0.0001032901,0.000004873338,0.00041555866,0.0017783956,0.00003250902,0.0023479199,0.009698564,0.94911253,0.03624957],"study_design_scores_gemma":[0.0000021616893,0.000013389114,0.00026863508,0.0001319923,0.0000018448674,0.0005762916,0.00064825575,0.00003031931,0.00042568217,0.0021292695,0.9957585,0.000013655745],"about_ca_topic_score_codex":0.008907261,"about_ca_topic_score_gemma":0.02655871,"teacher_disagreement_score":0.058608916,"about_ca_system_score_codex":0.0031037824,"about_ca_system_score_gemma":0.001273446,"threshold_uncertainty_score":0.19606638},"labels":[],"label_agreement":null},{"id":"W4312729666","doi":"10.7202/1094914ar","title":"Teju Cole, Liz Ikiriko, Mark Sealy, et al., As We Rise: Photography from the Black Atlantic: Selections from the Wedge Collection, New York: Aperture, 2021, 184 pp. 142 b/w and colour illus., $65.00 (hardcover) ISBN9781597115100","year":2022,"lang":"en","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Photography; Art history; Wedge (geometry); Visual arts; Physics; Optics","score_opus":0.022296207789141983,"score_gpt":0.21689202945956282,"score_spread":0.19459582167042083,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312729666","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005487574,0.66161454,0.0010610117,0.020724613,0.01343474,0.00012615294,0.0016055732,0.00050725247,0.30037737],"genre_scores_gemma":[0.0031228114,0.31486905,0.0013704669,0.0036388382,0.002760343,0.0000908056,0.0008557494,0.00036351354,0.67292845],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995622,0.000059744547,0.000024160398,0.00005732387,0.0002481842,0.000048316026],"domain_scores_gemma":[0.99884677,0.000243138,0.000075733646,0.000037756356,0.0006122775,0.00018436206],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007939171,0.0011225524,0.00069157645,0.0025079658,0.0017322733,0.0048095793,0.0009034817,0.001338038,0.2109378],"category_scores_gemma":[0.0018321745,0.000665913,0.00042611564,0.0044800257,0.00089779566,0.004050816,0.0016932783,0.0017637619,0.12279076],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008494039,0.0000017053283,0.000036869307,0.00022982986,0.0000013479018,0.000020200016,0.00016071969,0.000007247241,0.00010746124,0.0003618503,0.9701791,0.02888508],"study_design_scores_gemma":[0.000001641661,0.0000020428208,0.0007066898,0.00038008628,0.0000028462148,0.00009196614,0.0005184675,0.0000063278057,0.000038514852,0.000120471406,0.9981262,0.0000048996453],"about_ca_topic_score_codex":0.06537147,"about_ca_topic_score_gemma":0.20011011,"teacher_disagreement_score":0.2109378,"about_ca_system_score_codex":0.0023756213,"about_ca_system_score_gemma":0.0023402048,"threshold_uncertainty_score":0.70565724},"labels":[],"label_agreement":null},{"id":"W4312836028","doi":"10.7202/1094920ar","title":"Martha Langford and Johanne Sloan, eds., Photogenic Montreal: Activisms and Archives in a Post-industrial City, Montreal and Kingston: McGill-Queen’s University Press, 2021, 368 pp. 136 colour illus., $49.95 (hardcover) ISBN 9780228008576","year":2022,"lang":"en","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Art history; Art; Humanities; Library science; Media studies; Sociology; Biology; Computer science; Zoology","score_opus":0.017954927922005467,"score_gpt":0.18575389237835963,"score_spread":0.16779896445635417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312836028","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00034462975,0.9316837,0.00035940896,0.012348707,0.00167569,0.000024920557,0.000282958,0.0000792204,0.053200904],"genre_scores_gemma":[0.005364947,0.8076022,0.0009257217,0.0019793303,0.0010179662,0.000047436377,0.0003225641,0.00011120203,0.18262856],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907315,0.00017416301,0.000033732686,0.0001113329,0.00044323786,0.00016437013],"domain_scores_gemma":[0.99890363,0.00028981044,0.00010827526,0.000049499933,0.0003718641,0.00027688107],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014244757,0.0015878319,0.0007581807,0.0024392968,0.002590829,0.006744862,0.0015775138,0.0020106386,0.06331952],"category_scores_gemma":[0.0020357738,0.0010748534,0.00050976156,0.0059424434,0.0025882637,0.0054240716,0.0020221004,0.0021519843,0.020658247],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022841865,0.000009285148,0.00023412719,0.00090901734,0.0000074068753,0.000053191292,0.0017450104,0.00006151608,0.00012135232,0.0052183806,0.8651745,0.1264434],"study_design_scores_gemma":[0.0000028466882,0.0000022954855,0.0010485768,0.0006149026,0.0000059974964,0.00006413939,0.00091843907,0.000012208875,0.00003606338,0.00047388798,0.9968137,0.00000693447],"about_ca_topic_score_codex":0.5439318,"about_ca_topic_score_gemma":0.71974707,"teacher_disagreement_score":0.45606822,"about_ca_system_score_codex":0.01175598,"about_ca_system_score_gemma":0.02168642,"threshold_uncertainty_score":0.9175082},"labels":[],"label_agreement":null},{"id":"W4312937466","doi":"10.1177/14704129221088295","title":"Transgressive frames","year":2022,"lang":"en","type":"article","venue":"Journal of Visual Culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Transgressive; Rhetorical question; White (mutation); Exhibition; Visual arts; State (computer science); Face (sociological concept); Sociology; Representation (politics); Aesthetics; History; Art; Politics; Law; Political science; Literature; Social science","score_opus":0.02687587366721811,"score_gpt":0.2928695286543919,"score_spread":0.2659936549871738,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312937466","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037416592,0.0014375654,0.016160764,0.0067416416,0.00074395,0.0000666145,0.00008081406,0.00010148271,0.93725055],"genre_scores_gemma":[0.88271934,0.00077836233,0.004532473,0.0011092256,0.00031010763,0.00009726204,0.000112855756,0.00019941825,0.110140994],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99494535,0.0022623532,0.00012324106,0.0010542307,0.00089152,0.00072330324],"domain_scores_gemma":[0.9975666,0.0009195259,0.00020375714,0.0006420017,0.0004103532,0.00025776116],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004064557,0.0010565742,0.00040692752,0.0024817856,0.012582994,0.010613759,0.0019523286,0.0030885728,0.023890264],"category_scores_gemma":[0.0068855346,0.0003513634,0.0004728639,0.0016672021,0.035739534,0.008730123,0.008756316,0.0051273764,0.0023335977],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008507864,0.000006356922,0.00013392737,0.000017699744,0.0000018818283,0.00015576271,0.052763797,0.000028754075,0.00011490558,0.94069415,0.0020766144,0.0039976365],"study_design_scores_gemma":[0.000013801538,0.000038620423,0.0006719748,0.00038329582,0.000016924196,0.0005148629,0.12173731,0.00028981926,0.00070769887,0.2394331,0.6361727,0.000019882329],"about_ca_topic_score_codex":0.01378958,"about_ca_topic_score_gemma":0.014479145,"teacher_disagreement_score":0.023890264,"about_ca_system_score_codex":0.008617926,"about_ca_system_score_gemma":0.0033525913,"threshold_uncertainty_score":0.07992089},"labels":[],"label_agreement":null},{"id":"W4312978720","doi":"10.1353/vcr.2022.0011","title":"Blended Identities in American Photography","year":2022,"lang":"en","type":"article","venue":"Victorian review","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Indigenous; Studio; Visual arts; Identity (music); Portrait; White (mutation); Style (visual arts); Representation (politics); Art; Clothing; Subject (documents); Negative; History; Archaeology; Aesthetics","score_opus":0.021283942098399983,"score_gpt":0.26236950538115916,"score_spread":0.24108556328275918,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312978720","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04085981,0.016546411,0.003092238,0.012098095,0.0012543736,0.000031628202,0.0000903456,0.00007560307,0.92595154],"genre_scores_gemma":[0.90140873,0.011530373,0.0045814533,0.002413796,0.0010107724,0.000054245545,0.00009978578,0.00012472461,0.07877626],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99726725,0.0014723669,0.00011301766,0.00026137033,0.00059426454,0.00029170315],"domain_scores_gemma":[0.997996,0.0009292134,0.00022443087,0.00028208038,0.00031608078,0.00025232456],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024977243,0.00036261548,0.00017116126,0.0037515247,0.010092268,0.011692861,0.0005419003,0.0015714159,0.0144134145],"category_scores_gemma":[0.0045670825,0.0003301395,0.00014888178,0.0040198104,0.011331182,0.0075346758,0.006467821,0.002460816,0.0012200914],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040476258,0.000032002226,0.0029403267,0.000118795026,0.0000064075293,0.0006808838,0.13168144,0.00008083922,0.00047389304,0.74206734,0.053366896,0.0685107],"study_design_scores_gemma":[0.000004302828,0.000009503421,0.006769577,0.00039722992,0.000007957553,0.00081077067,0.058149878,0.00013556905,0.00025246147,0.03795552,0.89548796,0.000019243393],"about_ca_topic_score_codex":0.015226633,"about_ca_topic_score_gemma":0.03851692,"teacher_disagreement_score":0.015226633,"about_ca_system_score_codex":0.0054805325,"about_ca_system_score_gemma":0.0015903845,"threshold_uncertainty_score":0.048217654},"labels":[],"label_agreement":null},{"id":"W4313186983","doi":"10.5209/anha.83075","title":"Thinking Onto the Box: The Photographer’s Archive as Instrument","year":2022,"lang":"en","type":"article","venue":"Anales de Historia del Arte","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Narrative; Context (archaeology); Visual arts; Power (physics); Art; Process (computing); History; Computer science; Literature; Archaeology","score_opus":0.02526407521813895,"score_gpt":0.22513970037146463,"score_spread":0.1998756251533257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313186983","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38143605,0.007974358,0.027291035,0.0118335495,0.00028854972,0.00014623016,0.0002149967,0.00019312068,0.5706221],"genre_scores_gemma":[0.9758976,0.0014547232,0.0051631397,0.00036575898,0.000090650494,0.000048449856,0.00003517287,0.00008138561,0.016863024],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99602926,0.0027749247,0.00007816967,0.0003197745,0.00044792145,0.0003500957],"domain_scores_gemma":[0.9961451,0.0025101593,0.0003043657,0.0005560898,0.0002996704,0.00018449836],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0044044326,0.00046044568,0.00034275567,0.0036459644,0.012579511,0.015577643,0.0012320294,0.001805975,0.006599918],"category_scores_gemma":[0.0073418915,0.0003880426,0.00031701516,0.003386515,0.048490807,0.017677695,0.005149947,0.0022540446,0.000515125],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047414174,0.000017376733,0.0022385071,0.0000925765,0.000006482155,0.0003483216,0.5086343,0.00010688883,0.0004126837,0.46754274,0.0018588804,0.018693805],"study_design_scores_gemma":[0.000026404652,0.00007421352,0.0074637868,0.00090563495,0.000056295015,0.000814716,0.6170841,0.00043404405,0.0018302461,0.075313136,0.2959419,0.000055661498],"about_ca_topic_score_codex":0.08092678,"about_ca_topic_score_gemma":0.09962864,"teacher_disagreement_score":0.08092678,"about_ca_system_score_codex":0.011426388,"about_ca_system_score_gemma":0.007062434,"threshold_uncertainty_score":0.16091144},"labels":[],"label_agreement":null},{"id":"W4313681473","doi":"10.5206/tba.v4i1.15025","title":"“To be continued . . .”","year":2023,"lang":"en","type":"article","venue":"tba Journal of Art Media and Visual Culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cityscape; Photography; Narrative; Framing (construction); Visual arts; Art; Space (punctuation); Meaning (existential); Aesthetics; Style (visual arts); Sociology; History; Literature; Computer science; Epistemology; Philosophy; Archaeology","score_opus":0.047239313443674505,"score_gpt":0.3032315682911236,"score_spread":0.2559922548474491,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313681473","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011260904,0.004190988,0.003345886,0.097414955,0.021997893,0.00018913073,0.0005182293,0.0005949373,0.8604871],"genre_scores_gemma":[0.041541107,0.0013126072,0.0016606959,0.01835929,0.0012770789,0.0001247076,0.00021405767,0.00036334767,0.9351471],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989272,0.00031694587,0.000027554848,0.00015787384,0.00028193946,0.0002884628],"domain_scores_gemma":[0.99892956,0.000076041004,0.000057842328,0.00013830708,0.0005282361,0.00026993686],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011695353,0.0007202019,0.00028489824,0.00055539707,0.007958271,0.003997657,0.0010140071,0.0022487885,0.13019435],"category_scores_gemma":[0.0039361757,0.00022951896,0.00042599178,0.00041715926,0.0028747017,0.006262402,0.0037280896,0.005619541,0.078146875],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057902533,0.000049648526,0.0008599642,0.0001305593,0.000008789332,0.00042270895,0.018593783,0.000033421955,0.00088553294,0.04734452,0.86024696,0.071366146],"study_design_scores_gemma":[0.0000026047494,0.000010231234,0.0003618089,0.000073737836,0.0000021162048,0.00011683685,0.004852561,0.000014394764,0.00012209857,0.00093392713,0.99350315,0.000006595848],"about_ca_topic_score_codex":0.0076139756,"about_ca_topic_score_gemma":0.014060217,"teacher_disagreement_score":0.13019435,"about_ca_system_score_codex":0.0014663788,"about_ca_system_score_gemma":0.001832758,"threshold_uncertainty_score":0.43554348},"labels":[],"label_agreement":null},{"id":"W4320074301","doi":"10.1093/actrade/9780198853695.003.0039","title":"The Cabin-Table","year":2022,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Noon; Quarter (Canadian coin); Table (database); Sitting; Aeronautics; Meteorology; Art; Engineering; Geography; Archaeology; Computer science; Geology; Atmospheric sciences; Medicine; Database","score_opus":0.03775639882508587,"score_gpt":0.19702231332155132,"score_spread":0.15926591449646543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320074301","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003013302,0.0008962742,0.00036432978,0.0008179077,0.000879314,0.000023156452,0.0005559606,0.00035498437,0.9958068],"genre_scores_gemma":[0.0025139975,0.00027872447,0.00018111832,0.00020775164,0.000060586906,0.000008439134,0.00019377236,0.00014376269,0.99641186],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99986327,0.0000140501725,0.0000032407395,0.000035863803,0.000048767462,0.000034824556],"domain_scores_gemma":[0.9998361,0.000012123904,0.000004807989,0.000017220174,0.00006621178,0.00006354931],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011414296,0.00065326714,0.00035316695,0.0006352203,0.0042825495,0.0037423226,0.0006732142,0.0009611835,0.63812774],"category_scores_gemma":[0.00042441522,0.00032721786,0.00030527325,0.00091858255,0.0006609748,0.0025770895,0.0015554478,0.0019489652,0.3084651],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018811352,0.000010657117,0.00008242108,0.000033090884,7.268801e-7,0.000050017283,0.0002850645,0.000025360196,0.00024039822,0.014973067,0.9538165,0.030463895],"study_design_scores_gemma":[0.0000011116558,0.0000026339367,0.00011381461,0.00001804178,3.6451786e-7,0.000025203059,0.00015458709,0.00001181842,0.00003423846,0.00034691708,0.9992895,0.0000016863031],"about_ca_topic_score_codex":0.035913363,"about_ca_topic_score_gemma":0.0958215,"teacher_disagreement_score":0.63812774,"about_ca_system_score_codex":0.0016594138,"about_ca_system_score_gemma":0.001302661,"threshold_uncertainty_score":0.5161668},"labels":[],"label_agreement":null},{"id":"W4321633971","doi":"10.1386/scp_00080_5","title":"Scenography and Art History: Performance Design and Visual Culture, Astrid Von Rosen and Viveka Kjellmer (eds) (2021)","year":2022,"lang":"en","type":"article","venue":"Studies in Costume & Performance","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Scenography; Art; Visual culture; Visual arts; Art history","score_opus":0.060921163023757184,"score_gpt":0.2747883815497769,"score_spread":0.21386721852601973,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321633971","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00015659531,0.9880518,0.00013586346,0.0020940483,0.00075013004,0.0000025091965,0.000022992119,0.000011632831,0.008774519],"genre_scores_gemma":[0.0042308527,0.9722572,0.0004077447,0.0005811916,0.001090108,0.000010522007,0.000087244356,0.00002441103,0.021310756],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916685,0.0002625511,0.000057989524,0.00009603908,0.0003381214,0.0000783727],"domain_scores_gemma":[0.99893683,0.00053451565,0.00012965499,0.00004285046,0.00024410768,0.000112021],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016399691,0.0013891145,0.0010649231,0.0028379655,0.00096417364,0.006955708,0.0009712929,0.0018874813,0.036805663],"category_scores_gemma":[0.0024388058,0.00063720066,0.0005138098,0.005329404,0.0027146318,0.0063595194,0.0022410664,0.001721472,0.0120838545],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039725728,0.000020591775,0.0002951691,0.002953661,0.000019579018,0.00009724487,0.0010591901,0.00019085576,0.00031070464,0.011527033,0.31123182,0.6722544],"study_design_scores_gemma":[0.0000062598533,0.000020812677,0.0019217967,0.0037192204,0.000013749283,0.0004648245,0.0015972853,0.0000543266,0.00011177007,0.004273279,0.9878022,0.000014542787],"about_ca_topic_score_codex":0.017879559,"about_ca_topic_score_gemma":0.0315273,"teacher_disagreement_score":0.036805663,"about_ca_system_score_codex":0.0031511486,"about_ca_system_score_gemma":0.003066965,"threshold_uncertainty_score":0.12312722},"labels":[],"label_agreement":null},{"id":"W4362079122","doi":"10.1093/ahr/rhad042","title":"David Shneer. <i>Grief: The Biography of a Holocaust Photograph</i>.","year":2023,"lang":"en","type":"article","venue":"The American Historical Review","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Dalhousie University","funders":"Arts and Humanities Research Council","keywords":"Biography; The Holocaust; Grief; History; Art; Art history; Psychoanalysis; Medicine; Psychology; Philosophy; Theology; Psychiatry","score_opus":0.05416719563259019,"score_gpt":0.2886101346283237,"score_spread":0.23444293899573349,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4362079122","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00008381706,0.9435894,0.000058011443,0.024799218,0.006650966,0.000006170856,0.00011738197,0.000021760537,0.024673289],"genre_scores_gemma":[0.0054555237,0.85666966,0.00020996964,0.01621348,0.007337185,0.000027528708,0.00022410936,0.00006768533,0.11379482],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906176,0.0002908651,0.00006895184,0.00008824898,0.00040215478,0.000087942826],"domain_scores_gemma":[0.99803406,0.000778022,0.00021087995,0.000069313,0.0006559817,0.0002517676],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010749287,0.00094531145,0.0005336458,0.0037590764,0.0015853891,0.003490259,0.0008689546,0.0024198913,0.056787077],"category_scores_gemma":[0.0049034464,0.00047251358,0.00032424196,0.0038931263,0.0015842045,0.005897814,0.0016763828,0.002781675,0.02544272],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000072383777,0.0000023897267,0.00005025964,0.00043674663,0.000002983628,0.000023325918,0.0003050459,0.0000056530394,0.000020201422,0.002554744,0.9721953,0.024395993],"study_design_scores_gemma":[0.000002503403,0.0000030376636,0.00041411843,0.001020142,0.0000032564146,0.00011576872,0.0005023321,0.0000031226805,0.000025532083,0.00081440265,0.9970919,0.0000039804895],"about_ca_topic_score_codex":0.029107708,"about_ca_topic_score_gemma":0.055178076,"teacher_disagreement_score":0.056787077,"about_ca_system_score_codex":0.0025328647,"about_ca_system_score_gemma":0.002420209,"threshold_uncertainty_score":0.18997169},"labels":[],"label_agreement":null},{"id":"W4362464199","doi":"10.1093/oxartj/kcad005","title":"Photographic Power","year":2023,"lang":"en","type":"article","venue":"Oxford Art Journal","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Power (physics); Physics","score_opus":0.03350387996586723,"score_gpt":0.2557360015822011,"score_spread":0.22223212161633388,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4362464199","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00073099375,0.037340414,0.0007008614,0.018589962,0.022548968,0.000039729268,0.0005036807,0.00030458247,0.9192409],"genre_scores_gemma":[0.0129032405,0.02208434,0.00062153855,0.0045943405,0.009330302,0.000030783947,0.00042063088,0.00039512466,0.9496197],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997647,0.00036519975,0.00010997772,0.0003060337,0.0013366966,0.00023511681],"domain_scores_gemma":[0.9967932,0.0007074744,0.00018512546,0.000632711,0.0010711998,0.0006101941],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013275316,0.00070819963,0.0006341191,0.0029091726,0.0038672483,0.011739123,0.0011470327,0.0023204796,0.47350052],"category_scores_gemma":[0.008198674,0.000393557,0.0004732271,0.0037041982,0.0028001054,0.006471333,0.0047297985,0.0026259106,0.17077155],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021798434,0.000010469382,0.0001146562,0.00028787728,0.0000039922697,0.00009595593,0.0006122306,0.000023611574,0.00019330705,0.017111566,0.86614853,0.115376085],"study_design_scores_gemma":[0.0000014734102,0.0000026752957,0.00013813084,0.00013780176,0.00000119825,0.00009163037,0.0002461542,0.0000049907085,0.000033729062,0.00082785205,0.9985123,0.0000020608004],"about_ca_topic_score_codex":0.008126992,"about_ca_topic_score_gemma":0.012775114,"teacher_disagreement_score":0.47350052,"about_ca_system_score_codex":0.0027433084,"about_ca_system_score_gemma":0.0031206552,"threshold_uncertainty_score":0.7509876},"labels":[],"label_agreement":null},{"id":"W4362471443","doi":"10.1215/15525864-10256281","title":"Toward New Feminist Aesthetics","year":2023,"lang":"en","type":"article","venue":"Journal of Middle East Women s Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Aesthetics; Feminist philosophy; Art; Sociology; Gender studies","score_opus":0.21643282509097952,"score_gpt":0.30935866468980505,"score_spread":0.09292583959882553,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4362471443","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0059545706,0.0145855695,0.0076493565,0.06951419,0.0027792163,0.00002489378,0.00008271088,0.00010361296,0.89930594],"genre_scores_gemma":[0.5288138,0.013923406,0.009390706,0.026690276,0.0066592847,0.00023141509,0.00014495762,0.0007644214,0.4133818],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99648786,0.0021352489,0.00005661648,0.00033594642,0.0005725181,0.00041174857],"domain_scores_gemma":[0.99879324,0.0005556828,0.0000969133,0.00017883931,0.00019102781,0.00018425463],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003673221,0.0007966601,0.00035231095,0.0014045172,0.009147195,0.010075737,0.001157703,0.0030631355,0.020751746],"category_scores_gemma":[0.0028568506,0.0003195053,0.00037891848,0.00090539304,0.033536483,0.007822488,0.004630696,0.0066302693,0.0033468618],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007473072,0.0000069588305,0.00007106311,0.00003675836,0.0000010632905,0.000056453977,0.022441037,0.000042662246,0.00009999184,0.94667506,0.023257794,0.0073036156],"study_design_scores_gemma":[0.0000029134228,0.0000064845613,0.00008855154,0.00013471486,0.0000010319859,0.00015374419,0.011735,0.00007847342,0.00009120115,0.13211416,0.85558814,0.0000055289215],"about_ca_topic_score_codex":0.0044032116,"about_ca_topic_score_gemma":0.008183717,"teacher_disagreement_score":0.020751746,"about_ca_system_score_codex":0.007753475,"about_ca_system_score_gemma":0.002406384,"threshold_uncertainty_score":0.06942153},"labels":[],"label_agreement":null},{"id":"W4362565694","doi":"10.7202/1098143ar","title":"Conceptualizing ‘Science’ in the Photography Collections at the National Science and Media Museum","year":2022,"lang":"en","type":"article","venue":"Scientia Canadensis Canadian Journal of the History of Science Technology and Medicine","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Visual arts; National museum; History of photography; History; Media studies; Sociology; Art; Archaeology","score_opus":0.03587933208220981,"score_gpt":0.2414982542999966,"score_spread":0.2056189222177868,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4362565694","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.039993152,0.032604303,0.012226098,0.081481725,0.0012907824,0.00011351495,0.00024961156,0.00006117975,0.8319796],"genre_scores_gemma":[0.926274,0.013872467,0.009956345,0.005027443,0.0006127106,0.00021174047,0.00022223883,0.00012745002,0.043695588],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.98994726,0.006309754,0.0003650909,0.00070795603,0.0019003793,0.000769629],"domain_scores_gemma":[0.9904522,0.004590197,0.0010517351,0.0008876996,0.0020510228,0.00096718484],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.011701989,0.00046884263,0.00037185696,0.0063437345,0.017420122,0.017136177,0.0023457634,0.0041419812,0.008405586],"category_scores_gemma":[0.01308403,0.00065231556,0.00039289368,0.009315635,0.0655193,0.02093788,0.011811395,0.0051523442,0.0005604196],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009155755,0.00001169376,0.0005916986,0.00009656005,0.000005055502,0.00009583685,0.080379285,0.00009490514,0.0001018706,0.89805394,0.011359654,0.009200347],"study_design_scores_gemma":[0.00001626007,0.000017890054,0.0055745505,0.0013076129,0.000028811533,0.00022969847,0.17249385,0.00023510212,0.0004236106,0.23458333,0.5850292,0.000060182778],"about_ca_topic_score_codex":0.19946668,"about_ca_topic_score_gemma":0.29786733,"teacher_disagreement_score":0.9825799,"about_ca_system_score_codex":0.0336751,"about_ca_system_score_gemma":0.029363612,"threshold_uncertainty_score":0.39661127},"labels":[],"label_agreement":null},{"id":"W4362565726","doi":"10.7202/1098137ar","title":"Photography: Science, Technology and Practice","year":2022,"lang":"en","type":"article","venue":"Scientia Canadensis Canadian Journal of the History of Science Technology and Medicine","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Visual arts; Art","score_opus":0.021969852773461807,"score_gpt":0.24296002560985933,"score_spread":0.22099017283639752,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4362565726","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0054390263,0.32885423,0.004225214,0.2681786,0.007936146,0.00009218714,0.0000774106,0.00013648935,0.38506073],"genre_scores_gemma":[0.421749,0.2834802,0.011146512,0.06076491,0.01003488,0.00032334437,0.00007395193,0.00024833827,0.2121789],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9922146,0.0046088933,0.0005618563,0.0008625455,0.0013890899,0.00036299336],"domain_scores_gemma":[0.9937785,0.0035361324,0.0003718736,0.00063722965,0.000870298,0.0008059395],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0082600275,0.000500307,0.0005225198,0.00340145,0.0068081734,0.014477636,0.0011269045,0.005607981,0.01794672],"category_scores_gemma":[0.014836088,0.00042609088,0.00026077777,0.0031409035,0.038076583,0.008951862,0.008173157,0.0053153806,0.0034018818],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025050645,0.000033784894,0.0007281329,0.00084204314,0.000006170897,0.00036509513,0.039260745,0.000094857416,0.00037714245,0.61885643,0.20588143,0.13352914],"study_design_scores_gemma":[0.0000055357373,0.000013691024,0.0008214705,0.0018570138,0.0000025699098,0.00031076907,0.015802514,0.0000420573,0.00012594162,0.039810956,0.9411936,0.000013726061],"about_ca_topic_score_codex":0.017418295,"about_ca_topic_score_gemma":0.015845414,"teacher_disagreement_score":0.99319184,"about_ca_system_score_codex":0.010863896,"about_ca_system_score_gemma":0.009485399,"threshold_uncertainty_score":0.07882351},"labels":[],"label_agreement":null},{"id":"W4362565730","doi":"10.7202/1098138ar","title":"At the Cutting Edge of Halftone Printing: William Augustus Leggo and George Edward Desbarats","year":2022,"lang":"en","type":"article","venue":"Scientia Canadensis Canadian Journal of the History of Science Technology and Medicine","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Canadian Historical Association","funders":"","keywords":"George (robot); Halftone; Art history; Photography; History; Focus (optics); Visual arts; Art; Computer science; Artificial intelligence","score_opus":0.022188976949852123,"score_gpt":0.22328241345623964,"score_spread":0.20109343650638753,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4362565730","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015905353,0.062101,0.0028441264,0.12114367,0.041068066,0.00013432172,0.00092040916,0.0014028556,0.7687951],"genre_scores_gemma":[0.002008773,0.005244225,0.00074794935,0.0025501982,0.0007428698,0.000016298993,0.000110335684,0.00021527981,0.988364],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99893564,0.00013563913,0.000040739073,0.00015790891,0.00063147605,0.000098624536],"domain_scores_gemma":[0.99794286,0.0003618998,0.00011679578,0.00016802095,0.001056411,0.00035393203],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009794082,0.00086362386,0.000652204,0.0018037218,0.0028658393,0.004028996,0.0007870143,0.0026424257,0.4223575],"category_scores_gemma":[0.0035157173,0.00072449597,0.0003331822,0.0015683935,0.0012568412,0.0039536646,0.0027640671,0.0038679834,0.2697521],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015877155,0.00000528645,0.000044035245,0.000050801318,0.0000012914837,0.000046233872,0.00012084019,0.000010910803,0.0002577049,0.0022181857,0.9593075,0.0379212],"study_design_scores_gemma":[0.000001993074,0.0000035682513,0.00021218957,0.00007326671,9.1922817e-7,0.00005172691,0.00016819868,0.000010054128,0.0001367842,0.0005313349,0.998806,0.000003938831],"about_ca_topic_score_codex":0.009251058,"about_ca_topic_score_gemma":0.030890917,"teacher_disagreement_score":0.99713415,"about_ca_system_score_codex":0.0013764277,"about_ca_system_score_gemma":0.0013791037,"threshold_uncertainty_score":0.82393694},"labels":[],"label_agreement":null},{"id":"W4366384220","doi":"10.3138/seminar.59.2.rev005","title":"Randall Halle. <i>Visual Alterity: Seeing Difference in Cinema</i>","year":2023,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Alterity; Movie theater; Art; Visual arts; Art history; Aesthetics; Philosophy; Epistemology","score_opus":0.07938056707151857,"score_gpt":0.34257328932110276,"score_spread":0.2631927222495842,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366384220","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012568153,0.21841775,0.00071790325,0.117066935,0.021658955,0.00006631993,0.0010020721,0.0005353179,0.6392779],"genre_scores_gemma":[0.012580329,0.03867601,0.00054662867,0.021389877,0.004670719,0.00008940356,0.0002834592,0.0005259745,0.92123747],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995968,0.000099869794,0.000021259431,0.00008502726,0.00014419113,0.000052941352],"domain_scores_gemma":[0.99931,0.0002578349,0.00004217429,0.00004815086,0.00016267106,0.00017914032],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005456094,0.0010135232,0.00030461999,0.0019313544,0.004150978,0.003772828,0.0011761693,0.004443245,0.14035839],"category_scores_gemma":[0.0018660022,0.00051441527,0.00028297084,0.0017133394,0.0015979024,0.0048779743,0.0028543768,0.0022924684,0.046612933],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011625201,0.000006795447,0.00005373163,0.000075827375,0.0000016124309,0.00002881098,0.0005109458,0.000007632388,0.00008581975,0.004790126,0.97001183,0.024415122],"study_design_scores_gemma":[0.000003669447,0.0000042479464,0.00039358693,0.00014985944,0.000001989052,0.000040099778,0.001001293,0.0000068610416,0.00008228128,0.0011899956,0.9971213,0.0000048182205],"about_ca_topic_score_codex":0.026174057,"about_ca_topic_score_gemma":0.10539859,"teacher_disagreement_score":0.14035839,"about_ca_system_score_codex":0.0013375551,"about_ca_system_score_gemma":0.0008466956,"threshold_uncertainty_score":0.4695456},"labels":[],"label_agreement":null},{"id":"W4377250610","doi":"10.1515/9780228012191-008","title":"<i>Free</i> Black North: Photography and Transnational Identities in Nineteenth-Century Southern Ontario","year":2022,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Geography; History; Archaeology; Visual arts; Art","score_opus":0.018528121143157897,"score_gpt":0.1824185071506486,"score_spread":0.16389038600749073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4377250610","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12280409,0.011202382,0.0006031842,0.017109165,0.00034941133,0.000049650447,0.0003840341,0.00004136799,0.84745663],"genre_scores_gemma":[0.4063182,0.0062520527,0.00051446864,0.0011161029,0.000055892917,0.00003853422,0.00009712181,0.00007534754,0.58553225],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994849,0.00007550805,0.000012750967,0.000051542862,0.00013550627,0.00023979477],"domain_scores_gemma":[0.99951863,0.000107519496,0.000035267414,0.00002405116,0.00015258127,0.00016184503],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004001334,0.00039889565,0.00025456163,0.001070895,0.02479094,0.006733126,0.000641846,0.0012515647,0.022049151],"category_scores_gemma":[0.00081891345,0.00038093096,0.00021726212,0.002735382,0.009887555,0.0021478494,0.0023431622,0.0019584855,0.0012288896],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008074805,0.000035451514,0.008252123,0.00021321235,0.00001033426,0.0007435865,0.42721406,0.00016949995,0.00087072595,0.42869106,0.09142216,0.042297073],"study_design_scores_gemma":[0.000007979964,0.000009188045,0.019558493,0.00022971952,0.000013134922,0.00011843887,0.14497423,0.00007312341,0.0002503659,0.007266464,0.8274749,0.000024036284],"about_ca_topic_score_codex":0.9883079,"about_ca_topic_score_gemma":0.9981547,"teacher_disagreement_score":0.068078026,"about_ca_system_score_codex":0.068078026,"about_ca_system_score_gemma":0.055205453,"threshold_uncertainty_score":0.49394298},"labels":[],"label_agreement":null},{"id":"W4377263106","doi":"10.1515/9780773569133-010","title":"A Note on the Photographic Collections at the McCord Museum of Canadian History","year":2001,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Archaeology; Art history; Art; History; Geography; Visual arts","score_opus":0.03889297010578418,"score_gpt":0.1937053279866019,"score_spread":0.1548123578808177,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4377263106","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002133598,0.043558713,0.0011262476,0.042820923,0.0075682052,0.0003339456,0.011343164,0.00044606978,0.89066905],"genre_scores_gemma":[0.00893358,0.014983919,0.002779942,0.00396751,0.00080424064,0.00007109332,0.0019769361,0.00030482476,0.96617794],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99867827,0.00009034616,0.00003472588,0.000101165926,0.0007844442,0.0003109946],"domain_scores_gemma":[0.9976387,0.0002813557,0.000056098816,0.00015189729,0.0015003475,0.00037147664],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012916859,0.0007938547,0.00059256563,0.006698299,0.01683181,0.006427055,0.0020326646,0.001500455,0.122451365],"category_scores_gemma":[0.0035480068,0.00081365067,0.0005455823,0.011708162,0.0032342735,0.0028451816,0.0018000861,0.002991674,0.015540891],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000074068325,0.0000045276156,0.00012159723,0.000059111277,0.0000012525701,0.00003641365,0.00050773134,0.000019415926,0.00007429347,0.009280373,0.97433597,0.015551928],"study_design_scores_gemma":[9.937926e-7,8.295912e-7,0.0010486781,0.000054207514,0.0000017570471,0.000015302214,0.00043465215,0.0000056709737,0.000038434337,0.00027608775,0.9981164,0.000007055864],"about_ca_topic_score_codex":0.9800695,"about_ca_topic_score_gemma":0.99702436,"teacher_disagreement_score":0.122451365,"about_ca_system_score_codex":0.03606373,"about_ca_system_score_gemma":0.053316448,"threshold_uncertainty_score":0.4096406},"labels":[],"label_agreement":null},{"id":"W4378380983","doi":"10.1080/17540763.2023.2189287","title":"INTRODUCTION: THE POLITICS AND PRACTICES OF COMPUTATIONAL SEEING","year":2023,"lang":"en","type":"article","venue":"Photographies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Visual culture; Photography; Media studies; Sociology; Digitization; Social media; Everyday life; Digital media; Digital culture; The arts; Visual arts; Aesthetics; Art history; Art; Political science; Law; Computer science","score_opus":0.047763715873251324,"score_gpt":0.30211123361909226,"score_spread":0.2543475177458409,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378380983","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004439887,0.015568112,0.0712745,0.23637784,0.009211946,0.000067968635,0.0011010814,0.002131473,0.65982723],"genre_scores_gemma":[0.21300557,0.028021077,0.09622328,0.09831105,0.032220222,0.0004150458,0.0015080395,0.0070885434,0.5232071],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9969343,0.0011078757,0.0001010038,0.00068181125,0.0009914109,0.00018359521],"domain_scores_gemma":[0.9802931,0.013488275,0.000472284,0.0027532496,0.0022521035,0.0007410787],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0037119708,0.0004084459,0.00035368887,0.0014399353,0.0029281434,0.011900015,0.001899596,0.004658549,0.09764954],"category_scores_gemma":[0.017919233,0.00058307865,0.0004906429,0.002197345,0.010284428,0.015757663,0.003928742,0.007259983,0.024601642],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030697895,0.00001541351,0.00022979175,0.00010871439,0.0000030220021,0.000017773287,0.0009310557,0.00026811246,0.0004948897,0.67054725,0.27205727,0.05529605],"study_design_scores_gemma":[0.0000068253257,0.000007851003,0.00030665088,0.00017104927,0.0000027681835,0.00008003442,0.0003263276,0.0005803134,0.0005030537,0.06993943,0.9280528,0.000022797325],"about_ca_topic_score_codex":0.007284276,"about_ca_topic_score_gemma":0.007953996,"teacher_disagreement_score":0.09764954,"about_ca_system_score_codex":0.0032081294,"about_ca_system_score_gemma":0.0015434016,"threshold_uncertainty_score":0.3266703},"labels":[],"label_agreement":null},{"id":"W4378381186","doi":"10.1515/9780773596375-004","title":"Rethinking Relevance: Studying the Visual in Canada","year":2014,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Relevance (law); Psychology; Political science; Law","score_opus":0.03113785664255602,"score_gpt":0.20997912942374342,"score_spread":0.1788412727811874,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378381186","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.082361415,0.01718583,0.0023259635,0.03798564,0.00048876327,0.000050743813,0.00022800258,0.00008520606,0.8592884],"genre_scores_gemma":[0.81269693,0.013284617,0.0017517926,0.0040484704,0.000106573396,0.00003657219,0.00011512413,0.0002263171,0.16773355],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99783665,0.0004294722,0.000028360497,0.00023664726,0.00077358325,0.00069535006],"domain_scores_gemma":[0.99753594,0.0008680178,0.000106955275,0.00010082938,0.00084782206,0.0005404397],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001372091,0.0006516094,0.0004832197,0.0027983885,0.025984075,0.02074339,0.0019463486,0.0024105485,0.01630198],"category_scores_gemma":[0.0058257403,0.00042022817,0.0003307185,0.007938786,0.0284647,0.006698325,0.004759577,0.0055645793,0.0008503712],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005300431,0.00004102525,0.003930162,0.00021937372,0.000016892249,0.00048215088,0.3161589,0.00041267186,0.0005231612,0.5038912,0.07739248,0.0968789],"study_design_scores_gemma":[0.0000102654985,0.000014696767,0.010781989,0.00049068296,0.000028126538,0.00020016685,0.2548777,0.00030027403,0.0004289818,0.045631137,0.6871812,0.000054870146],"about_ca_topic_score_codex":0.9931678,"about_ca_topic_score_gemma":0.9965829,"teacher_disagreement_score":0.1305109,"about_ca_system_score_codex":0.1305109,"about_ca_system_score_gemma":0.16300243,"threshold_uncertainty_score":0.94692725},"labels":[],"label_agreement":null},{"id":"W4378383464","doi":"10.1515/9780773585720-018","title":"Writing Photography in Canada: A Historiography","year":2011,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Historiography; Photography; Art; History; Visual arts; Art history; Archaeology","score_opus":0.028118918422506793,"score_gpt":0.18324053889910563,"score_spread":0.15512162047659883,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378383464","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.050768018,0.33108595,0.0015437368,0.10346564,0.0071018566,0.0001587267,0.0017802845,0.00014538172,0.5039505],"genre_scores_gemma":[0.3060195,0.3021189,0.0022583052,0.010381694,0.0012687694,0.00009679079,0.00059935875,0.0003975248,0.37685907],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981482,0.000204726,0.00009291465,0.00022784625,0.0008263987,0.0004999973],"domain_scores_gemma":[0.9958111,0.0007639882,0.00017496037,0.00009014454,0.0024432435,0.00071650813],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019403156,0.0008184579,0.0006041154,0.007921863,0.0224268,0.013259194,0.0018864601,0.0025599415,0.020281078],"category_scores_gemma":[0.0059416546,0.00062211044,0.00032018044,0.02184822,0.010858564,0.0027341142,0.0023163941,0.004347898,0.0011115543],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010754572,0.00007118772,0.003240161,0.0011803518,0.000025857387,0.0013349575,0.13573807,0.000627288,0.00077940343,0.21998389,0.42964196,0.20726933],"study_design_scores_gemma":[0.000003980513,0.0000062960717,0.003992152,0.00064696674,0.000008061312,0.00013865183,0.018848764,0.00007485171,0.00015468482,0.0010100107,0.97509027,0.000025385174],"about_ca_topic_score_codex":0.9956352,"about_ca_topic_score_gemma":0.99762964,"teacher_disagreement_score":0.19113363,"about_ca_system_score_codex":0.19113363,"about_ca_system_score_gemma":0.30964065,"threshold_uncertainty_score":0.9381703},"labels":[],"label_agreement":null},{"id":"W4378440832","doi":"10.1515/9780773575660","title":"Seduced by Modernity","year":2007,"lang":"en","type":"book","venue":"McGill-Queen's University Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernity; Art; Art history; Philosophy; Epistemology","score_opus":0.02810743338815552,"score_gpt":0.22139269158559613,"score_spread":0.1932852581974406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378440832","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006489548,0.036058456,0.0011465738,0.008914675,0.0023238757,0.000014155799,0.00004778567,0.00007758733,0.9449274],"genre_scores_gemma":[0.18547231,0.022576962,0.0015564158,0.006721181,0.0029678738,0.0000434765,0.00007315332,0.00017734138,0.7804113],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99929774,0.00021389114,0.000017490707,0.00007667026,0.00023966782,0.00015449477],"domain_scores_gemma":[0.9995066,0.00010677992,0.00005377164,0.00010942906,0.00011936998,0.00010407009],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006683637,0.00051423017,0.00031847437,0.0011195244,0.0055259303,0.0044913176,0.0005621085,0.00092256285,0.016350217],"category_scores_gemma":[0.00136883,0.00021280354,0.00033429515,0.0009880672,0.016883818,0.0044262027,0.0039275945,0.0032984726,0.0025016253],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018921713,0.000013910306,0.00021887937,0.00013992203,0.0000068072313,0.00017124145,0.024925742,0.00006471087,0.00045377435,0.8098045,0.10241811,0.061763402],"study_design_scores_gemma":[0.0000020953084,0.000007699706,0.0003022025,0.000116757255,0.0000020785053,0.00011132081,0.0013131448,0.00001101497,0.00008100221,0.020537471,0.9775105,0.0000047913404],"about_ca_topic_score_codex":0.012586822,"about_ca_topic_score_gemma":0.028706208,"teacher_disagreement_score":0.016350217,"about_ca_system_score_codex":0.0042902897,"about_ca_system_score_gemma":0.0033442304,"threshold_uncertainty_score":0.054696918},"labels":[],"label_agreement":null},{"id":"W4379392587","doi":"10.7765/9781526167583.00005","title":"List of contributors","year":2023,"lang":"en","type":"book-chapter","venue":"Manchester University Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Visual arts; Art history; Art","score_opus":0.06995752182954607,"score_gpt":0.20660964068988527,"score_spread":0.1366521188603392,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379392587","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00055897655,0.0062696454,0.0013260744,0.009168684,0.03436798,0.0004623753,0.02021841,0.0021015476,0.9255263],"genre_scores_gemma":[0.0007324048,0.0021852758,0.00052804453,0.00078245794,0.0015944113,0.00009256385,0.004340313,0.00039318088,0.98935133],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990049,0.00008972613,0.000057124686,0.00015418812,0.0005830475,0.00011096659],"domain_scores_gemma":[0.9945503,0.00036512004,0.00017066124,0.00036354852,0.0034234235,0.0011270335],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009811298,0.000866163,0.001032807,0.004544403,0.0023586964,0.0068979985,0.0018282353,0.0013620917,0.7458941],"category_scores_gemma":[0.006224017,0.00033443127,0.0004067908,0.005337466,0.00036037818,0.004351756,0.0020740645,0.0015788407,0.69525856],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000042855618,0.000005348473,0.000044314846,0.00007307106,6.3720574e-7,0.000017738394,0.000025467905,0.000009551686,0.00005032552,0.0013047092,0.9751701,0.0232945],"study_design_scores_gemma":[9.3997335e-7,0.0000022983306,0.0000901026,0.00006775315,6.8614787e-7,0.000025260417,0.00003274014,0.0000072591156,0.000020382355,0.000186768,0.99956375,0.0000020275618],"about_ca_topic_score_codex":0.0056520295,"about_ca_topic_score_gemma":0.012208409,"teacher_disagreement_score":0.25410593,"about_ca_system_score_codex":0.0019178239,"about_ca_system_score_gemma":0.0029706724,"threshold_uncertainty_score":0.36245126},"labels":[],"label_agreement":null},{"id":"W4379743147","doi":"10.1353/mos.2020.0041","title":"At Bear River Station: A Snapshot of Place and Time","year":2020,"lang":"en","type":"article","venue":"Mosaic","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Snapshot (computer storage); Liminality; History; Genealogy; Visual arts; Art history; Geography; Cartography; Art; Archaeology; Computer science","score_opus":0.03162610154340867,"score_gpt":0.2270040843267169,"score_spread":0.19537798278330823,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379743147","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33481744,0.01391946,0.0025961369,0.015248532,0.0018620945,0.00006450353,0.0056889635,0.00029041863,0.6255125],"genre_scores_gemma":[0.8043532,0.011534095,0.0028668742,0.0012358197,0.00037644428,0.00004089907,0.0012969992,0.0002749249,0.17802082],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998665,0.000027896718,0.0000033619697,0.000024748708,0.000041303767,0.000036128382],"domain_scores_gemma":[0.9998791,0.000022560433,0.000015123176,0.000015218956,0.000029145682,0.000038734644],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001927164,0.00020669524,0.00013203757,0.0012095021,0.004451677,0.0032890178,0.00045296305,0.00055746257,0.013874422],"category_scores_gemma":[0.00046736415,0.00026726868,0.00011783063,0.0021501798,0.0017843549,0.0023282997,0.0013238657,0.0014569847,0.0012163155],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014431095,0.000058921996,0.014936169,0.0004818216,0.000046867302,0.00433147,0.4987306,0.00032471417,0.0053555956,0.05652895,0.29515573,0.12390491],"study_design_scores_gemma":[0.00000470112,0.000016835245,0.04835973,0.00033221903,0.000024053728,0.0006404893,0.17449076,0.000064039974,0.0005225707,0.0013033847,0.7742103,0.000030948166],"about_ca_topic_score_codex":0.3182547,"about_ca_topic_score_gemma":0.71715343,"teacher_disagreement_score":0.3182547,"about_ca_system_score_codex":0.0021861496,"about_ca_system_score_gemma":0.0021667453,"threshold_uncertainty_score":0.6328045},"labels":[],"label_agreement":null},{"id":"W4379781584","doi":"10.1353/aiq.2011.a453957","title":"Running the \"Medicine Line\": Images of the Border in Contemporary Native American Art","year":2011,"lang":"en","type":"article","venue":"The American Indian Quarterly","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mohawk; Bridge (graph theory); History; Mainland; FLAGS register; Media studies; Archaeology; Geography; Sociology; Library science","score_opus":0.051976841133863326,"score_gpt":0.29430128666532185,"score_spread":0.24232444553145852,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379781584","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19603853,0.023418482,0.0024674332,0.06215876,0.004529343,0.00004369354,0.00007215618,0.00022400245,0.7110476],"genre_scores_gemma":[0.91435945,0.006534697,0.0013982013,0.006997551,0.0013416756,0.000053827607,0.000029040144,0.00017685552,0.0691087],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989504,0.0005801361,0.000017811974,0.000062344574,0.00019588006,0.00019341253],"domain_scores_gemma":[0.9994912,0.000162505,0.000039997234,0.000036770412,0.00009654418,0.00017297461],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014977476,0.0005207788,0.00020336181,0.0013141325,0.026424024,0.00764055,0.00078148855,0.0020474985,0.009760745],"category_scores_gemma":[0.0014022447,0.00025628827,0.00020544072,0.000993918,0.019135723,0.0057352204,0.0043651373,0.004884657,0.0006913653],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027721842,0.000052029787,0.0010022335,0.00010291784,0.0000054991287,0.0009300544,0.7983995,0.000059332677,0.00038115156,0.09036259,0.09424436,0.014432584],"study_design_scores_gemma":[0.000004531931,0.000017070493,0.0019709754,0.000244813,0.0000067826336,0.001586989,0.51274365,0.000103006685,0.000090477995,0.006018742,0.4771934,0.000019603081],"about_ca_topic_score_codex":0.04138383,"about_ca_topic_score_gemma":0.16045411,"teacher_disagreement_score":0.04138383,"about_ca_system_score_codex":0.0047523705,"about_ca_system_score_gemma":0.0024293072,"threshold_uncertainty_score":0.08228588},"labels":[],"label_agreement":null},{"id":"W4380249901","doi":"10.1515/9780773587960-004","title":"Image-building in Manitoba","year":2013,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Image (mathematics); Computer science; Geology; Artificial intelligence","score_opus":0.02887947435469059,"score_gpt":0.21172298232383993,"score_spread":0.18284350796914933,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380249901","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09105976,0.015764695,0.0017087518,0.009261973,0.0003189087,0.00009202056,0.0007626234,0.00029119564,0.88074017],"genre_scores_gemma":[0.3665596,0.012019728,0.0051571513,0.0008251112,0.000027189575,0.000062304425,0.00044461046,0.00027145608,0.61463284],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998671,0.000019353343,0.0000030677263,0.000019395065,0.000038898095,0.000052171672],"domain_scores_gemma":[0.99981564,0.00003209964,0.000008265422,0.000013847393,0.000056571305,0.00007361301],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027153955,0.00028584234,0.0001343015,0.00080120855,0.0049115126,0.0034940636,0.00072806806,0.00053495995,0.0331059],"category_scores_gemma":[0.0004615284,0.00025589418,0.00013715072,0.0025755616,0.0018096201,0.0009000435,0.0017452777,0.0010697916,0.002071505],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014143181,0.0001865339,0.00954912,0.00048702644,0.000015237577,0.001976398,0.055214655,0.0008687726,0.006218684,0.26486412,0.14457878,0.51589924],"study_design_scores_gemma":[0.000006125349,0.000021842907,0.022102024,0.00025159583,0.000008598026,0.00024222632,0.019614572,0.00035294108,0.0010310394,0.0031709673,0.9531806,0.000017493083],"about_ca_topic_score_codex":0.85147333,"about_ca_topic_score_gemma":0.96204597,"teacher_disagreement_score":0.14852667,"about_ca_system_score_codex":0.014859887,"about_ca_system_score_gemma":0.020143475,"threshold_uncertainty_score":0.29880267},"labels":[],"label_agreement":null},{"id":"W4380266032","doi":"10.1515/9780228013327","title":"Out of the Studio","year":2022,"lang":"en","type":"book","venue":"McGill-Queen's University Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Studio; Computer graphics (images); Art; Computer science; Visual arts","score_opus":0.031834405335740404,"score_gpt":0.2169823912648003,"score_spread":0.1851479859290599,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380266032","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010010918,0.001531826,0.0008540638,0.001034091,0.0016242918,0.00004763378,0.00022743648,0.00048763544,0.993192],"genre_scores_gemma":[0.0050685485,0.00066791615,0.00041340542,0.00043092028,0.00016816884,0.000011686852,0.000107588945,0.00016020145,0.9929716],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995635,0.000055577813,0.000011126433,0.00006315142,0.00022244337,0.00008415754],"domain_scores_gemma":[0.9995454,0.000061421015,0.0000128833735,0.000078660174,0.0001547714,0.00014689939],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00030426992,0.0008921046,0.00038845235,0.0015080165,0.005073823,0.005796316,0.0009897028,0.0010552936,0.28782374],"category_scores_gemma":[0.0010911173,0.00036069786,0.00040648124,0.0010975348,0.0018192086,0.002720812,0.0028565868,0.0026250638,0.10607518],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032639357,0.000039493363,0.0002070617,0.0001398361,0.0000022993067,0.00031695125,0.0042458377,0.00006186241,0.0012062672,0.040416762,0.8742014,0.07912955],"study_design_scores_gemma":[0.000001566718,0.000004155503,0.00019286001,0.000034944074,7.9641666e-7,0.00011384938,0.00045480314,0.000016170576,0.000078879515,0.0004238791,0.9986753,0.0000028221045],"about_ca_topic_score_codex":0.050642457,"about_ca_topic_score_gemma":0.16447198,"teacher_disagreement_score":0.28782374,"about_ca_system_score_codex":0.0037360324,"about_ca_system_score_gemma":0.0034323237,"threshold_uncertainty_score":0.9628663},"labels":[],"label_agreement":null},{"id":"W4380270419","doi":"10.1515/9780228009788-013","title":"Fading In and Fading Out: Negatives and Positives in the Photographic Afterlives of Ephemeral Site-Specific Installations by Martha Fleming &amp; Lyne Lapointe","year":2021,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ephemeral key; Fading; False positive paradox; Psychology; Computer science; Computer security; Telecommunications; Channel (broadcasting); Artificial intelligence","score_opus":0.029906689728887565,"score_gpt":0.22004490975050203,"score_spread":0.19013822002161446,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380270419","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02957675,0.0128254285,0.0007537814,0.00924322,0.0013811594,0.000024036408,0.00009554582,0.00011534362,0.94598466],"genre_scores_gemma":[0.18273433,0.010395668,0.0009005281,0.0018679032,0.0005018315,0.000019984862,0.000074278694,0.0002586047,0.8032469],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993338,0.0002086822,0.000010647569,0.00006200898,0.0002886003,0.000096178046],"domain_scores_gemma":[0.9994025,0.00024175632,0.00006031672,0.000056802666,0.00016598692,0.000072707095],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00086814276,0.00040108414,0.00022719169,0.00067532103,0.004527273,0.004613775,0.00051323907,0.00083664147,0.019463694],"category_scores_gemma":[0.0014332912,0.00037178572,0.00015560503,0.0010100924,0.0038629198,0.0026564344,0.0017889156,0.002354925,0.003128228],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056354864,0.000034296216,0.0020626525,0.000219694,0.0000057303905,0.000971079,0.08949861,0.00009873472,0.0024414891,0.063123606,0.65952915,0.18195856],"study_design_scores_gemma":[0.0000027876004,0.000022875713,0.008108227,0.00030512732,0.0000057814204,0.0007183265,0.026886262,0.00003153508,0.0005134252,0.001345307,0.9620471,0.000013213325],"about_ca_topic_score_codex":0.033544824,"about_ca_topic_score_gemma":0.14373735,"teacher_disagreement_score":0.033544824,"about_ca_system_score_codex":0.0023426097,"about_ca_system_score_gemma":0.0016806833,"threshold_uncertainty_score":0.06669915},"labels":[],"label_agreement":null},{"id":"W4380667202","doi":"10.1353/flm.2019.0042","title":"Celluloid War Memorials: The British Instructional Films Company and the Memory of the Great War by Mark Connelly (review)","year":2019,"lang":"en","type":"article","venue":"Film & history","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Scholarship; Spanish Civil War; World War II; First world war; History; Sociology; Art history; Media studies; Visual arts; Classics; Law; Art; Political science; Ancient history; Archaeology","score_opus":0.013613004369707008,"score_gpt":0.1892102599172728,"score_spread":0.1755972555475658,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380667202","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000034062403,0.9923808,0.000017210192,0.002417497,0.0033483026,0.000008216692,0.0000334024,0.0000063797643,0.0017541299],"genre_scores_gemma":[0.0006499459,0.9886723,0.000058434827,0.0024378542,0.0020923961,0.000025016696,0.00008755325,0.000006428012,0.0059700264],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99899274,0.0001524014,0.000121627185,0.00013217246,0.0004954678,0.000105656225],"domain_scores_gemma":[0.99737823,0.00061354303,0.0005169476,0.000064418535,0.0010471013,0.00037970292],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012213645,0.0015248052,0.0014522563,0.0034843697,0.0009822045,0.004506728,0.0016475086,0.0024453076,0.024303474],"category_scores_gemma":[0.0054139122,0.0005772067,0.0006036855,0.0066754855,0.0012514931,0.004205959,0.00196355,0.004080808,0.010141344],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043194745,0.000014074085,0.00013813924,0.011570964,0.000040445695,0.000074538795,0.00019692448,0.00004769073,0.000086129585,0.0009798128,0.79301524,0.19379288],"study_design_scores_gemma":[0.000011762128,0.000015938596,0.0006913636,0.011349494,0.000043388154,0.00026229565,0.00022022371,0.000009963518,0.000035631052,0.00018019893,0.987165,0.000014881064],"about_ca_topic_score_codex":0.026616452,"about_ca_topic_score_gemma":0.02872788,"teacher_disagreement_score":0.026616452,"about_ca_system_score_codex":0.002791402,"about_ca_system_score_gemma":0.0068646166,"threshold_uncertainty_score":0.08130318},"labels":[],"label_agreement":null},{"id":"W4380681738","doi":"10.24926/24716839.17497","title":"Rare Merit: Women in Photography in Canada, 1840–1940","year":2023,"lang":"en","type":"article","venue":"Panorama","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Visual arts; Geography; Archaeology; Art; Advertising; Business","score_opus":0.023445921945621236,"score_gpt":0.22694009359193693,"score_spread":0.2034941716463157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380681738","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7827684,0.026741521,0.00047805905,0.028467469,0.0011562355,0.00014160591,0.0064043365,0.00008575917,0.15375656],"genre_scores_gemma":[0.9214253,0.007233752,0.00032126103,0.0013048574,0.00012957264,0.00002554716,0.0008748201,0.000056382774,0.06862843],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998226,0.000109886554,0.00003157536,0.00015972533,0.0006565516,0.000816391],"domain_scores_gemma":[0.9972754,0.00022072512,0.00021480361,0.00006398724,0.0011390897,0.0010859976],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011298481,0.0003275746,0.00043849973,0.0029139041,0.022473546,0.00409021,0.0016798746,0.0011059184,0.010894068],"category_scores_gemma":[0.004035679,0.00043481635,0.00024158288,0.0070571494,0.005480026,0.0013039737,0.0033775065,0.0022100285,0.0006091926],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025231572,0.000090929956,0.107032,0.0005929944,0.0000545962,0.003153431,0.55545694,0.00025619808,0.0010036901,0.03510736,0.14157951,0.1554201],"study_design_scores_gemma":[0.000008183264,0.000026596917,0.2978405,0.0004835021,0.000020577943,0.00092683354,0.23079945,0.00009069298,0.00025066794,0.0008512227,0.4686412,0.00006066598],"about_ca_topic_score_codex":0.997083,"about_ca_topic_score_gemma":0.99933285,"teacher_disagreement_score":0.11174215,"about_ca_system_score_codex":0.11174215,"about_ca_system_score_gemma":0.12678882,"threshold_uncertainty_score":0.8107498},"labels":[],"label_agreement":null},{"id":"W4380742544","doi":"10.3138/uhr-2022-0027","title":"Martha Langford and Johanne Sloan, eds. <i>Photogenic Montreal: Activism and Archives in a Post-Industrial City</i>","year":2023,"lang":"en","type":"article","venue":"Urban History Review","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Concordia University","funders":"","keywords":"Art history; Political science; Art","score_opus":0.07335251780173509,"score_gpt":0.2387972599892147,"score_spread":0.16544474218747962,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380742544","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00014633998,0.9846602,0.00007037805,0.006605389,0.0013800996,0.000004145866,0.000059652863,0.000016004322,0.0070577622],"genre_scores_gemma":[0.0023664632,0.98148525,0.00019443396,0.0012575206,0.0017252676,0.00001126014,0.000072547205,0.000017901191,0.0128693795],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930084,0.00016775515,0.00003647397,0.000065972876,0.00032318235,0.00010582072],"domain_scores_gemma":[0.9981824,0.000774238,0.00020141272,0.00005010662,0.0005510231,0.0002407222],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015531804,0.0012094612,0.0006927054,0.0040172185,0.0014586159,0.0049788645,0.0014616917,0.0022081838,0.022148844],"category_scores_gemma":[0.002486791,0.00074140384,0.0005012897,0.006952738,0.0019434543,0.004891056,0.0017443772,0.0018194104,0.006983],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003651459,0.000026685108,0.00041930197,0.0030308145,0.000020148895,0.00009131507,0.0014736397,0.00011840853,0.00015397808,0.0059398664,0.7446421,0.24404721],"study_design_scores_gemma":[0.000005747789,0.000010364924,0.0024116172,0.0027359617,0.00001881458,0.00015398256,0.0013862806,0.000026149173,0.00006862707,0.0006486284,0.9925228,0.0000108588665],"about_ca_topic_score_codex":0.17995891,"about_ca_topic_score_gemma":0.40496537,"teacher_disagreement_score":0.82004106,"about_ca_system_score_codex":0.0050266986,"about_ca_system_score_gemma":0.009408487,"threshold_uncertainty_score":0.35782284},"labels":[],"label_agreement":null},{"id":"W4380925765","doi":"10.3138/ctr.116.002","title":"To risk is dangerous too, but the rewards are very seductive","year":2003,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Passion; Beauty; Visual arts; Shot (pellet); Art; Brother; Performance art; Aesthetics; Art history; Sociology; Psychology","score_opus":0.034710793340914294,"score_gpt":0.2534583726417524,"score_spread":0.21874757930083813,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380925765","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0033728196,0.07005959,0.008116641,0.6765023,0.025628809,0.000079164085,0.00017280954,0.00044818642,0.21561971],"genre_scores_gemma":[0.12876704,0.08414023,0.011840909,0.40060914,0.022077724,0.00027617044,0.000228589,0.0008982567,0.3511619],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9850641,0.005633723,0.0005723336,0.0010606814,0.0066711674,0.0009979648],"domain_scores_gemma":[0.9669613,0.013024797,0.0031266832,0.0037224821,0.008859603,0.004305079],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.012156632,0.0011511095,0.0012784201,0.001460904,0.008781673,0.009326819,0.0019101277,0.007689914,0.03367961],"category_scores_gemma":[0.052267443,0.00044646984,0.00084139354,0.0008939225,0.01793456,0.013953053,0.008113737,0.016221132,0.022773497],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008468555,0.00010251506,0.0009803284,0.00066995784,0.00007977002,0.0006081819,0.0036042298,0.00011039107,0.0005984218,0.12059115,0.7690205,0.10354974],"study_design_scores_gemma":[0.000011137445,0.000055263932,0.00062017154,0.0010102281,0.000020911388,0.0012788698,0.0052149454,0.000048155194,0.00019710007,0.033995077,0.95750886,0.00003927783],"about_ca_topic_score_codex":0.016144168,"about_ca_topic_score_gemma":0.028424237,"teacher_disagreement_score":0.03367961,"about_ca_system_score_codex":0.0033863718,"about_ca_system_score_gemma":0.005368615,"threshold_uncertainty_score":0.11266953},"labels":[],"label_agreement":null},{"id":"W4382654995","doi":"10.3138/chr-104-2-rev20","title":"<i>Through a Changing Landscape: Photographing Place and Community in Waterloo Region</i>. Philippe Elsworthy","year":2023,"lang":"en","type":"article","venue":"Canadian Historical Review","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Guelph","funders":"","keywords":"Place making; Geography; Sociology; Architectural engineering; Engineering","score_opus":0.06528312423358067,"score_gpt":0.2585457626873117,"score_spread":0.19326263845373104,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382654995","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00027151912,0.9471796,0.000062155465,0.040715486,0.0029267464,0.000010069378,0.000079911864,0.000008485455,0.008746017],"genre_scores_gemma":[0.005038876,0.971387,0.00020352355,0.01034248,0.002208468,0.000018890767,0.00009158656,0.000020755344,0.010688374],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984522,0.0005070746,0.00010289189,0.00013689115,0.00060483016,0.00019616963],"domain_scores_gemma":[0.9953053,0.0013778814,0.00030503917,0.000078837744,0.0025145665,0.00041836407],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002888736,0.00076137076,0.0007307307,0.0048920517,0.004580873,0.00485985,0.0014086122,0.0028826583,0.010690907],"category_scores_gemma":[0.0044425866,0.000643047,0.00032622486,0.013703836,0.005190439,0.006669822,0.0020605372,0.0034488398,0.0019508194],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013337484,0.000008465992,0.00056157814,0.0018540411,0.00000952115,0.00009329158,0.0040226197,0.000027860073,0.00006323715,0.006571549,0.9264375,0.06033686],"study_design_scores_gemma":[0.0000041371227,0.0000072955963,0.0035764403,0.0032636798,0.000015901802,0.00017333352,0.0070073167,0.000012856736,0.000046796016,0.0005724695,0.9853022,0.000017627961],"about_ca_topic_score_codex":0.7736665,"about_ca_topic_score_gemma":0.90519035,"teacher_disagreement_score":0.2263335,"about_ca_system_score_codex":0.014755834,"about_ca_system_score_gemma":0.026264494,"threshold_uncertainty_score":0.45533282},"labels":[],"label_agreement":null},{"id":"W4383740637","doi":"10.32870/elojoquepiensa/v0i26.400","title":"Community-based Cinema by First Nations Communities in Abya Yala in the XX Century","year":2023,"lang":"en","type":"article","venue":"El ojo que piensa Revista de cine iberoamericano","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Filmmaking; Movie theater; Period (music); Context (archaeology); TRACE (psycholinguistics); Media studies; History; Sociology; Social science; Geography; Art history; Art; Aesthetics; Archaeology","score_opus":0.03316949462123099,"score_gpt":0.2823886607574206,"score_spread":0.2492191661361896,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4383740637","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4437417,0.08367249,0.0010427583,0.012915403,0.0024675054,0.00011306004,0.00015554341,0.00007583119,0.45581564],"genre_scores_gemma":[0.9125751,0.019525293,0.00080089766,0.00079905486,0.0004461395,0.00004195069,0.000064866836,0.000048969938,0.06569772],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99938905,0.00023873338,0.00001900538,0.000068898495,0.00010231725,0.00018194194],"domain_scores_gemma":[0.99946195,0.00017602567,0.000093294766,0.000031645133,0.00009257237,0.00014456944],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010919377,0.00044316734,0.00022080436,0.0013786928,0.009814334,0.006600109,0.0005420178,0.000919403,0.009155982],"category_scores_gemma":[0.0011342614,0.00023992876,0.00015525022,0.0015717944,0.0051322165,0.003516556,0.003299556,0.0021509482,0.0005290484],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030776596,0.00019021764,0.008852686,0.0011591053,0.000023995422,0.002610935,0.60882866,0.00019992002,0.0051899413,0.21678554,0.033551343,0.12229987],"study_design_scores_gemma":[0.000014821922,0.00007000736,0.017084235,0.0012272949,0.0000142212175,0.0014569908,0.17872226,0.00011111249,0.0011602581,0.0027547958,0.7973529,0.000031144635],"about_ca_topic_score_codex":0.022526177,"about_ca_topic_score_gemma":0.062192854,"teacher_disagreement_score":0.022526177,"about_ca_system_score_codex":0.006417051,"about_ca_system_score_gemma":0.0034908557,"threshold_uncertainty_score":0.046559155},"labels":[],"label_agreement":null},{"id":"W4384070999","doi":"10.33137/wij.v19i1.41329","title":"Brutin, Batya. Etched in Flesh and Soul: The Auschwitz Number in Art. Berlin/Boston: Walter de Gruyter, 2021.","year":2023,"lang":"en","type":"article","venue":"Women in Judaism A Multidisciplinary e-Journal","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Flesh; Soul; Art; Art history; Humanities; Theology; Philosophy; Biology; Horticulture","score_opus":0.022547726792282927,"score_gpt":0.28708935846302613,"score_spread":0.2645416316707432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4384070999","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006340999,0.97464335,0.000077265795,0.009982683,0.0038641614,0.000004638393,0.000045168694,0.000011263693,0.011308091],"genre_scores_gemma":[0.0037606007,0.9424359,0.0003551465,0.008261992,0.0027590592,0.000029195964,0.000105077765,0.00007845322,0.04221455],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99873,0.00034972175,0.00015990385,0.00012267727,0.0005498995,0.000087709035],"domain_scores_gemma":[0.9971142,0.001050738,0.00025675632,0.00008450413,0.0012523936,0.00024142761],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014894692,0.0008397959,0.0008993697,0.004367138,0.0021357352,0.0033290759,0.0010749436,0.003075646,0.03169379],"category_scores_gemma":[0.0044858265,0.00069001026,0.00032069275,0.0041271914,0.0028842841,0.005937232,0.0016586668,0.0036564055,0.014068667],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028973813,0.000007704294,0.00010239451,0.0014876092,0.0000073904175,0.00007405682,0.00074975565,0.000022713217,0.000093137234,0.0061798156,0.85380054,0.13744599],"study_design_scores_gemma":[0.0000026145688,0.000005529201,0.0004721619,0.0018743736,0.000004360198,0.0001437287,0.00039126427,0.0000038141907,0.000036981928,0.00068498665,0.9963748,0.0000054164375],"about_ca_topic_score_codex":0.034448173,"about_ca_topic_score_gemma":0.0975162,"teacher_disagreement_score":0.034448173,"about_ca_system_score_codex":0.003554152,"about_ca_system_score_gemma":0.0031249153,"threshold_uncertainty_score":0.10602629},"labels":[],"label_agreement":null},{"id":"W4384661997","doi":"10.22215/etd/2023-15616","title":"An Imaginary Reconstruction of Blackness in Africville, Mapping and Place Making","year":2023,"lang":"en","type":"dissertation","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nova scotia; The Imaginary; Context (archaeology); Injustice; Social injustice; Resistance (ecology); Making-of; Acre; Sociology; Gender studies; Political science; Aesthetics; Geography; Art; Law; Archaeology; Management; Psychology; Politics; Ethnology","score_opus":0.03562216949450322,"score_gpt":0.29195697424128325,"score_spread":0.25633480474678005,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4384661997","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5004741,0.0021406405,0.0055932472,0.015517471,0.00047069739,0.000045929093,0.00011175251,0.0000829143,0.47556326],"genre_scores_gemma":[0.96996766,0.00041135706,0.0012108024,0.00028002798,0.00001955687,0.000008606651,0.000015431739,0.00003849098,0.028048037],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9988953,0.0006247385,0.000010254029,0.00007591898,0.00013761215,0.00025610323],"domain_scores_gemma":[0.99928206,0.00024977437,0.000053323194,0.000084214116,0.0001225438,0.00020804827],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001696328,0.00061353005,0.00019403509,0.001589424,0.02804963,0.009221278,0.0008863942,0.0012052159,0.0058710966],"category_scores_gemma":[0.001744521,0.00023896057,0.00019247069,0.0013517238,0.032513596,0.0029188069,0.0042977002,0.0019670331,0.0003200971],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006351965,0.000017663666,0.0016081402,0.000042522675,0.000005753825,0.00074172,0.7194982,0.00030163242,0.0010013167,0.25567997,0.006791194,0.014248332],"study_design_scores_gemma":[0.0000050722024,0.000020046798,0.0020028607,0.00012184634,0.000010143404,0.00040336285,0.77472574,0.00021536722,0.00048141895,0.0124194,0.20957243,0.000022325015],"about_ca_topic_score_codex":0.58483714,"about_ca_topic_score_gemma":0.8203683,"teacher_disagreement_score":0.41516286,"about_ca_system_score_codex":0.018222764,"about_ca_system_score_gemma":0.016306777,"threshold_uncertainty_score":0.8352157},"labels":[],"label_agreement":null},{"id":"W4384706265","doi":"10.7202/1097966ar","title":"Rexer, Raisa Adah. The Fallen Veil: A Literary and Cultural History of the Photographic Nude in Nineteenth-Century France","year":2023,"lang":"en","type":"article","venue":"Dalhousie French Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sublime; Cultural history; Art; History of literature; Art history; Literature; History","score_opus":0.046999214719085906,"score_gpt":0.2658811646548145,"score_spread":0.21888194993572857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4384706265","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012146463,0.68123466,0.00062031223,0.10080762,0.0037328184,0.000029235725,0.00021211804,0.00008126683,0.20113543],"genre_scores_gemma":[0.47846395,0.2636999,0.0013236273,0.01481331,0.004690881,0.00009684168,0.00013596802,0.0001674405,0.23660816],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931586,0.00031964073,0.000024607789,0.000069661284,0.00018675104,0.00008342105],"domain_scores_gemma":[0.9985567,0.00078025955,0.00014938148,0.000050721013,0.00037895347,0.00008404431],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012055162,0.0007920661,0.00039357803,0.0019299504,0.005641941,0.0031661037,0.0009642481,0.0027613607,0.011479711],"category_scores_gemma":[0.0018546344,0.00029738148,0.0002461115,0.001522784,0.0043336228,0.004024385,0.0010060268,0.0024099192,0.0021029057],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001039174,0.00006927496,0.0011660855,0.00063179084,0.000018970371,0.0007972666,0.110500194,0.00010385023,0.0006505711,0.20033951,0.5844435,0.101175115],"study_design_scores_gemma":[0.000018004364,0.000030155234,0.005655325,0.00066155195,0.000010722943,0.00039539748,0.026165051,0.000024168075,0.00034676152,0.0040048505,0.9626688,0.00001918881],"about_ca_topic_score_codex":0.08593747,"about_ca_topic_score_gemma":0.1519407,"teacher_disagreement_score":0.08593747,"about_ca_system_score_codex":0.004195433,"about_ca_system_score_gemma":0.0014439134,"threshold_uncertainty_score":0.17087454},"labels":[],"label_agreement":null},{"id":"W4385311556","doi":"10.59962/9780774867061","title":"Rare Merit","year":2022,"lang":"it","type":"book","venue":"University of British Columbia Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Figure of merit; Materials science; Optoelectronics","score_opus":0.024567814682263753,"score_gpt":0.19015571515476215,"score_spread":0.16558790047249838,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385311556","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00043994974,0.002517749,0.00035847144,0.0035265344,0.0023396974,0.000026637657,0.00047454616,0.0003787623,0.98993766],"genre_scores_gemma":[0.0013279371,0.00076765846,0.00017318739,0.0006760377,0.0002470614,0.000008299948,0.0002399784,0.00015418066,0.9964057],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991617,0.000055030323,0.000020123736,0.00010931653,0.00052818557,0.00012571413],"domain_scores_gemma":[0.99831605,0.00019334133,0.000041382336,0.00017967784,0.00078323483,0.00048632064],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042096828,0.00044550648,0.00043602605,0.0020311677,0.0042303903,0.007177775,0.0010543459,0.0016084856,0.3965604],"category_scores_gemma":[0.0024842964,0.00034556768,0.00029277123,0.0020865162,0.0010761167,0.0028570257,0.0022132506,0.0019279987,0.20408975],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000058507844,0.0000071980216,0.00012112411,0.00004793986,6.789336e-7,0.00007471954,0.00019249656,0.000019435067,0.000100641475,0.015396406,0.9355625,0.048471034],"study_design_scores_gemma":[4.3842746e-7,8.5072634e-7,0.00007941562,0.000019326411,1.8682009e-7,0.000058993264,0.000047489208,0.000005996575,0.000011140844,0.0003179022,0.99945706,0.0000011055531],"about_ca_topic_score_codex":0.057427708,"about_ca_topic_score_gemma":0.21880299,"teacher_disagreement_score":0.3965604,"about_ca_system_score_codex":0.006046556,"about_ca_system_score_gemma":0.0060608243,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4385590467","doi":"10.59962/9780774866620","title":"Adjusting the Lens","year":2021,"lang":"en","type":"book","venue":"University of British Columbia Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Lens (geology); Geology; Materials science; Optics; Physics","score_opus":0.03818907133586764,"score_gpt":0.18555552424171315,"score_spread":0.14736645290584552,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385590467","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034069503,0.011068452,0.01019377,0.030842083,0.0065673376,0.000051961455,0.00010145528,0.00026473627,0.9375032],"genre_scores_gemma":[0.13484544,0.014043647,0.012296436,0.016067864,0.002857873,0.0001478192,0.00015205647,0.00070454984,0.81888425],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99835604,0.000777156,0.00004248304,0.00020527192,0.00041699287,0.00020199256],"domain_scores_gemma":[0.9979341,0.0011910878,0.000069417976,0.00027624902,0.0003153455,0.00021370174],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018855085,0.00066530873,0.00036146736,0.0021924137,0.0075886203,0.014729451,0.0010816942,0.0033140036,0.023650752],"category_scores_gemma":[0.004521655,0.0003183074,0.000329466,0.0019459605,0.01948834,0.01295606,0.0051737237,0.005739913,0.0051367325],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018235096,0.000008131692,0.00017087074,0.00012514542,0.0000024261228,0.0002222517,0.023331543,0.00011410084,0.00031102163,0.77444166,0.14700605,0.054248694],"study_design_scores_gemma":[0.000001622832,0.0000033481513,0.00007836539,0.00014680807,0.0000016974693,0.00012831698,0.008181089,0.000047386406,0.00010874719,0.035130356,0.9561663,0.0000058778023],"about_ca_topic_score_codex":0.023943266,"about_ca_topic_score_gemma":0.054266486,"teacher_disagreement_score":0.023943266,"about_ca_system_score_codex":0.008552082,"about_ca_system_score_gemma":0.0045260526,"threshold_uncertainty_score":0.07911968},"labels":[],"label_agreement":null},{"id":"W4385745541","doi":"10.59962/9780774824460-003","title":"Acknowledgments","year":2013,"lang":"en","type":"book-chapter","venue":"University of British Columbia Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.03134245307248758,"score_gpt":0.18423127191324473,"score_spread":0.15288881884075717,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385745541","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0063217944,0.009917355,0.019491715,0.08908036,0.06918183,0.001368841,0.030429278,0.0049245344,0.76928437],"genre_scores_gemma":[0.019810734,0.004554442,0.014149111,0.017397577,0.0044519054,0.0008025069,0.015444102,0.002210222,0.9211794],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9941255,0.0008909671,0.00028381235,0.0008528547,0.0034129547,0.00043389568],"domain_scores_gemma":[0.98333734,0.0011228017,0.0004446577,0.001065369,0.0113298325,0.0027000774],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.003937638,0.0009708914,0.000897858,0.0019591453,0.0029441114,0.00501333,0.002562206,0.0017894309,0.3147736],"category_scores_gemma":[0.018128136,0.00037445384,0.00073684484,0.0017463978,0.0008690924,0.002671204,0.0042027747,0.003117211,0.25573778],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045829063,0.000021019525,0.0006644789,0.00016428821,0.0000057709626,0.00020578707,0.0007506632,0.000079356076,0.00040154174,0.0067234016,0.9433912,0.047546685],"study_design_scores_gemma":[0.0000043938408,0.0000063841107,0.0003057104,0.0001293984,0.0000034809955,0.00016200072,0.00045439965,0.000034383072,0.00013266574,0.0009270332,0.997834,0.000006162846],"about_ca_topic_score_codex":0.008369488,"about_ca_topic_score_gemma":0.013610071,"teacher_disagreement_score":0.68522644,"about_ca_system_score_codex":0.0039475136,"about_ca_system_score_gemma":0.006908888,"threshold_uncertainty_score":0.9773923},"labels":[],"label_agreement":null},{"id":"W4385745938","doi":"10.59962/9780774824460","title":"Photography, Memory, and Refugee Identity","year":2013,"lang":"en","type":"book","venue":"University of British Columbia Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Refugee; Identity (music); Photography; Art; Visual arts; Art history; History; Aesthetics; Archaeology","score_opus":0.019398188546668946,"score_gpt":0.18967617741590218,"score_spread":0.17027798886923323,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385745938","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009956322,0.11656241,0.00031922164,0.009324795,0.0011499056,0.000020392314,0.00010958426,0.000041654228,0.86251575],"genre_scores_gemma":[0.16902211,0.110967875,0.0005905885,0.0029179247,0.00072913064,0.000044214456,0.00015285159,0.00005703443,0.71551824],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9998068,0.00006559081,0.000006066872,0.000019094314,0.0000656941,0.00003681255],"domain_scores_gemma":[0.9997845,0.0001043296,0.000020359636,0.00002354329,0.00003561755,0.000031644544],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003362348,0.00033278822,0.00016952597,0.0016244799,0.003401075,0.0049564354,0.0005101927,0.0009267379,0.020237522],"category_scores_gemma":[0.00087785756,0.0001699688,0.00012873615,0.0015601781,0.005043696,0.003147408,0.0017307667,0.001256782,0.0025115076],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003133907,0.00003777543,0.0011820189,0.00037888341,0.000007169731,0.00069908815,0.07382306,0.00008125033,0.00027174925,0.3426692,0.42040473,0.16041379],"study_design_scores_gemma":[0.0000034007815,0.000007620518,0.0018839489,0.0005172637,0.0000035215867,0.0005489759,0.019532438,0.000013565492,0.000113371556,0.0066233254,0.9707465,0.0000059252056],"about_ca_topic_score_codex":0.036573976,"about_ca_topic_score_gemma":0.098832175,"teacher_disagreement_score":0.036573976,"about_ca_system_score_codex":0.003421247,"about_ca_system_score_gemma":0.0018768973,"threshold_uncertainty_score":0.0727222},"labels":[],"label_agreement":null},{"id":"W4385896315","doi":"10.5194/ica-abs-6-185-2023","title":"Voyage Around Our Rooms: Performance in the Mapping of Lockdown Spaces","year":2023,"lang":"en","type":"article","venue":"Abstracts of the ICA","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Computer science; Computer graphics (images); Geography; Visual arts; Architectural engineering; Art; Engineering","score_opus":0.05135823499146556,"score_gpt":0.2590436675077869,"score_spread":0.20768543251632135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385896315","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88693553,0.00026746755,0.0045238966,0.0007347268,0.00012083229,0.00004242951,0.00042872972,0.00025439798,0.10669193],"genre_scores_gemma":[0.9920477,0.000057681267,0.0014849688,0.000024707606,0.000010529181,0.000011882061,0.00011978,0.000089405825,0.006153258],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993753,0.00027485815,0.000011473424,0.00010182214,0.0000729475,0.00016367264],"domain_scores_gemma":[0.9989981,0.0003445626,0.000080400525,0.00015964429,0.00012431828,0.0002929296],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006681494,0.00029820827,0.00021928038,0.0011617568,0.0033441528,0.004612437,0.00082162773,0.0007193376,0.017798936],"category_scores_gemma":[0.005072456,0.00017169084,0.00021301587,0.0017172112,0.0020624048,0.0022837177,0.0037811405,0.0007483731,0.0014775159],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0018822287,0.00025030278,0.07278339,0.00048001818,0.00008595613,0.001209705,0.57962996,0.00418448,0.014428064,0.031086031,0.031558804,0.26242104],"study_design_scores_gemma":[0.000027111677,0.0002471255,0.18170223,0.00042240007,0.000049981467,0.00038235763,0.6679604,0.005801148,0.00338542,0.010596041,0.12933621,0.000089625886],"about_ca_topic_score_codex":0.0273357,"about_ca_topic_score_gemma":0.064532004,"teacher_disagreement_score":0.0273357,"about_ca_system_score_codex":0.0008906085,"about_ca_system_score_gemma":0.0010455103,"threshold_uncertainty_score":0.05954337},"labels":[],"label_agreement":null},{"id":"W4387140841","doi":"10.1080/03087298.2023.2256584","title":"Capitalism and the Camera: Essays on Photography and Extraction","year":2022,"lang":"en","type":"article","venue":"History of Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Art; Art history; Capitalism; Visual arts; Political science; Law","score_opus":0.020236839438084988,"score_gpt":0.21113409289318566,"score_spread":0.19089725345510067,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387140841","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019293195,0.16240394,0.0021145225,0.2471862,0.014393332,0.00002718305,0.00013634015,0.000052671956,0.55439264],"genre_scores_gemma":[0.56296825,0.107581906,0.0018742095,0.028575743,0.022548033,0.00006407544,0.00013823317,0.0002948308,0.2759547],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99805945,0.00096555264,0.00006866872,0.00016617712,0.00050100597,0.00023915041],"domain_scores_gemma":[0.99206287,0.006060525,0.00042078167,0.0003701041,0.0006950662,0.00039061307],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029358645,0.000449822,0.00039780955,0.002435889,0.0073221023,0.009839189,0.00075390184,0.0029756224,0.009966161],"category_scores_gemma":[0.011554282,0.0002412873,0.00023641606,0.0036123847,0.015472251,0.009523412,0.002763866,0.003108945,0.0008956882],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000309036,0.000018068853,0.00031715096,0.00023373861,0.000008582783,0.00016856768,0.029386576,0.00007044533,0.00015490592,0.586216,0.35511792,0.028277125],"study_design_scores_gemma":[0.0000056260365,0.0000054668803,0.0014370993,0.00075866433,0.0000049495998,0.00010773676,0.012203922,0.000053530515,0.00018081114,0.029735498,0.95549417,0.000012616532],"about_ca_topic_score_codex":0.013155573,"about_ca_topic_score_gemma":0.02889511,"teacher_disagreement_score":0.013155573,"about_ca_system_score_codex":0.00972044,"about_ca_system_score_gemma":0.0032477367,"threshold_uncertainty_score":0.07052708},"labels":[],"label_agreement":null},{"id":"W4387565001","doi":"10.1515/9781399525091","title":"Reconfiguring the Portrait","year":2023,"lang":"en","type":"book","venue":"Edinburgh University Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Art; Art history","score_opus":0.061080999830190094,"score_gpt":0.22013352541154257,"score_spread":0.15905252558135247,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387565001","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09570426,0.004783392,0.025877947,0.018510567,0.0031488554,0.00005947574,0.000106322535,0.00033847446,0.85147077],"genre_scores_gemma":[0.8333268,0.0023918475,0.006896451,0.0014842774,0.0008047266,0.000035395955,0.000096874304,0.00037158246,0.15459195],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985281,0.0007488092,0.00003634272,0.00019459658,0.00036720638,0.00012488112],"domain_scores_gemma":[0.99891376,0.0004694807,0.00010209485,0.0002453441,0.00012263082,0.0001467279],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011987363,0.0004612159,0.00021160755,0.0012743464,0.003907441,0.0068858056,0.0005901277,0.0012682206,0.009880761],"category_scores_gemma":[0.003636866,0.00018458207,0.00033624956,0.00065409445,0.010727736,0.0069567063,0.005043251,0.0022683935,0.002251915],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042429707,0.000018937268,0.00087275956,0.00013232131,0.000008952655,0.0011071755,0.28264308,0.00039571134,0.002677425,0.6182148,0.038728934,0.05515742],"study_design_scores_gemma":[0.0000046072582,0.000032707747,0.00053418794,0.00020699689,0.000008040214,0.0016030597,0.049509134,0.00044118802,0.0010191714,0.019530857,0.9270932,0.000016958367],"about_ca_topic_score_codex":0.001281527,"about_ca_topic_score_gemma":0.0022314389,"teacher_disagreement_score":0.009880761,"about_ca_system_score_codex":0.0019215298,"about_ca_system_score_gemma":0.00058663456,"threshold_uncertainty_score":0.03305441},"labels":[],"label_agreement":null},{"id":"W4387707185","doi":"10.33137/rr.v46i1.41757","title":"Kim, David Young. Ground Work: A History of the Renaissance Picture","year":2023,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"The Renaissance; Work (physics); Art history; Art; Common ground; Visual arts; Sociology; Engineering; Mechanical engineering; Communication","score_opus":0.0376714466511986,"score_gpt":0.23460019122451514,"score_spread":0.19692874457331655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387707185","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007291558,0.3612346,0.0007228032,0.16522157,0.012101664,0.000022917378,0.00015644451,0.000087930166,0.4531605],"genre_scores_gemma":[0.31855977,0.23809524,0.0012398267,0.025983501,0.009300665,0.000074251606,0.00018763248,0.0003923739,0.4061667],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991122,0.00040535297,0.000028397968,0.00012130531,0.0001903039,0.00014247737],"domain_scores_gemma":[0.9993563,0.00026603736,0.000042650947,0.00004579,0.000102578284,0.000186616],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014156543,0.00074864976,0.00033173373,0.002545438,0.008410615,0.0069621606,0.0010697856,0.0028117301,0.02537229],"category_scores_gemma":[0.001714453,0.00039705998,0.00029620892,0.0032290355,0.012269415,0.010938354,0.0038229942,0.0050326716,0.002974061],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020117059,0.000020244526,0.00022619915,0.00020682093,0.0000049137793,0.00040226144,0.051476296,0.000038064445,0.00006097329,0.6148048,0.28789496,0.044844385],"study_design_scores_gemma":[0.0000022587205,0.0000033110139,0.00022350303,0.00016070971,0.0000010640277,0.00008020704,0.007923765,0.000008475863,0.000023924913,0.008204249,0.98336434,0.000004154043],"about_ca_topic_score_codex":0.03401608,"about_ca_topic_score_gemma":0.08761555,"teacher_disagreement_score":0.03401608,"about_ca_system_score_codex":0.0095311245,"about_ca_system_score_gemma":0.0023249767,"threshold_uncertainty_score":0.0848788},"labels":[],"label_agreement":null},{"id":"W4388305433","doi":"10.1353/tech.2023.a911036","title":"Rare Merit: Women in Photography in Canada, 1840–1940 by Colleen Skidmore (review)","year":2023,"lang":"en","type":"article","venue":"Technology and Culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Art history; Studio; Archaeology; Sociology; Art; Visual arts; History","score_opus":0.009051711895100624,"score_gpt":0.21771113943022422,"score_spread":0.2086594275351236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388305433","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000038499355,0.9969913,0.000005514928,0.0016108929,0.0007495586,0.0000034839081,0.000039820072,0.0000017323347,0.00055921706],"genre_scores_gemma":[0.0008003961,0.9961914,0.000020115373,0.0012006119,0.00067690626,0.000008841581,0.00007334897,0.0000023488126,0.0010260342],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986533,0.00015985162,0.00011688717,0.00013899135,0.00076530443,0.00016564796],"domain_scores_gemma":[0.9953081,0.0007641938,0.00044325957,0.000053807657,0.002777486,0.00065309467],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013109634,0.0011687157,0.0015488495,0.0056497734,0.0019135553,0.0032400077,0.0016373472,0.0017397618,0.008770234],"category_scores_gemma":[0.0059568575,0.00047472777,0.00059057504,0.011801843,0.0021734247,0.0024733008,0.0014544777,0.0026700865,0.0016852564],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000632858,0.000015446618,0.0007203718,0.020235915,0.00008215331,0.00010213395,0.00070929,0.00008320641,0.00006309464,0.0012542807,0.74053127,0.23613957],"study_design_scores_gemma":[0.000016577282,0.000022316255,0.008303829,0.04168826,0.00012710733,0.00040860326,0.0011732564,0.000019329305,0.000034009117,0.0002650658,0.94789714,0.000044541575],"about_ca_topic_score_codex":0.66696024,"about_ca_topic_score_gemma":0.7639973,"teacher_disagreement_score":0.33303976,"about_ca_system_score_codex":0.014695132,"about_ca_system_score_gemma":0.04553782,"threshold_uncertainty_score":0.6700022},"labels":[],"label_agreement":null},{"id":"W4388334237","doi":"10.1093/oso/9780195146301.003.0001","title":"Introduction","year":2003,"lang":"en","type":"book-chapter","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indigenous; Photography; Artifact (error); Curiosity; Colonialism; History; Geography; Adventure; Tourism; Crew; Visual arts; Archaeology; Art history; Art; Psychology; Ecology","score_opus":0.03528042061404081,"score_gpt":0.22138881217137654,"score_spread":0.18610839155733572,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388334237","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00069906807,0.003955393,0.0024302104,0.0046222485,0.0047602067,0.00011651489,0.0022608866,0.00056461367,0.9805909],"genre_scores_gemma":[0.004654453,0.0030642673,0.0013508587,0.0014283215,0.0010779464,0.000078052,0.001965753,0.0002408152,0.9861394],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933016,0.00006455489,0.00003474974,0.00017776933,0.0003123125,0.00008043546],"domain_scores_gemma":[0.99918395,0.0000831156,0.000037791153,0.000114288974,0.0004240778,0.0001568648],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005427351,0.0008729833,0.0004987636,0.001494633,0.0018402744,0.0059871115,0.001565598,0.0019576773,0.535147],"category_scores_gemma":[0.001704596,0.0003112938,0.00056382956,0.0014941997,0.0007335676,0.0037165529,0.002368667,0.0019587995,0.38141423],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026775937,0.000051459807,0.00024834185,0.0002098684,0.0000029728776,0.000108460445,0.0004731878,0.00011411675,0.00035802717,0.040812626,0.7884942,0.16909997],"study_design_scores_gemma":[0.0000013311804,0.0000062195036,0.00012514935,0.00007480097,7.289135e-7,0.000045713754,0.00008474242,0.000013044631,0.00004078767,0.00166009,0.99794537,0.000002088632],"about_ca_topic_score_codex":0.004726996,"about_ca_topic_score_gemma":0.005475833,"teacher_disagreement_score":0.464853,"about_ca_system_score_codex":0.0023516505,"about_ca_system_score_gemma":0.002302025,"threshold_uncertainty_score":0.6630564},"labels":[],"label_agreement":null},{"id":"W4388454036","doi":"10.1080/03087298.2023.2266945","title":"Victorian Facebooks: Privacy Concerns at William Notman’s Studio","year":2022,"lang":"en","type":"article","venue":"History of Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Studio; Photography; Visibility; Amateur; Visual arts; Notation; Salon; Art; Portrait; Art history; Sociology; History; Geography; Archaeology","score_opus":0.055703790820454485,"score_gpt":0.24075014754637944,"score_spread":0.18504635672592495,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388454036","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34259045,0.01085834,0.0016945815,0.1796996,0.0008543169,0.00007472289,0.00014462814,0.00008744617,0.46399602],"genre_scores_gemma":[0.7794452,0.003857405,0.00065069133,0.0106192315,0.00017417804,0.000035834353,0.000034223718,0.000075516866,0.20510775],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99714166,0.0013532294,0.00005155273,0.0002874007,0.00076346495,0.00040256354],"domain_scores_gemma":[0.9971288,0.0015364148,0.00026854823,0.00021083218,0.0003944002,0.00046103724],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021656775,0.0001594296,0.00018775571,0.00044317244,0.027256558,0.0070863897,0.0007320215,0.0024501954,0.007676982],"category_scores_gemma":[0.0054683383,0.00034260016,0.000115072435,0.00084534404,0.010293259,0.0036660207,0.0026317753,0.0034396467,0.0007277025],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041485644,0.000034639088,0.0033984163,0.00008696763,0.0000049463874,0.002480857,0.63915896,0.000086158296,0.0011333133,0.21142563,0.1005552,0.041593373],"study_design_scores_gemma":[0.000002727254,0.000017687047,0.0033787838,0.00014060341,0.000002858337,0.000766178,0.12655756,0.00010992895,0.000504802,0.00589006,0.862598,0.00003085641],"about_ca_topic_score_codex":0.45582607,"about_ca_topic_score_gemma":0.640176,"teacher_disagreement_score":0.45582607,"about_ca_system_score_codex":0.01708414,"about_ca_system_score_gemma":0.0103249755,"threshold_uncertainty_score":0.9063457},"labels":[],"label_agreement":null},{"id":"W4388810902","doi":"10.1353/vpr.2023.a912325","title":"The Wood Engravers' Self-Portrait: The Dalziel Archive and Victorian Illustration by Bethan Stevens (review)","year":2023,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Portrait; Art history; Art; Memoir; Reading (process); Visual arts; History; Philosophy","score_opus":0.018848626704650547,"score_gpt":0.2553593219735306,"score_spread":0.23651069526888008,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388810902","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000424578,0.99431664,0.000019715319,0.0021649587,0.0012980019,0.0000034847296,0.000013463182,0.000003372977,0.0021380277],"genre_scores_gemma":[0.0012166979,0.9873431,0.00007691986,0.0031888299,0.0014573964,0.000017431277,0.00006312543,0.000008598983,0.006627872],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911267,0.00018817623,0.0001004499,0.00009434541,0.00041959953,0.000084773674],"domain_scores_gemma":[0.99799263,0.0006494575,0.0002628031,0.00006276373,0.0007757274,0.000256611],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013099731,0.0006858377,0.0010501412,0.0023974082,0.000861334,0.0039783567,0.0012268218,0.0017791061,0.018162912],"category_scores_gemma":[0.0049679508,0.00045211843,0.0004213258,0.0033107353,0.0014824091,0.0036967513,0.0019772104,0.0030836263,0.006707516],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024822048,0.000012238942,0.000119738615,0.01082372,0.000031288004,0.00012646374,0.00058831665,0.0000417535,0.00012822187,0.0026630058,0.70431876,0.28112173],"study_design_scores_gemma":[0.000003121918,0.000005369703,0.00041217517,0.0054751914,0.000012803331,0.00035151557,0.00023584338,0.0000051981556,0.000019059995,0.00015633019,0.9933154,0.000007973154],"about_ca_topic_score_codex":0.013577608,"about_ca_topic_score_gemma":0.027549535,"teacher_disagreement_score":0.018162912,"about_ca_system_score_codex":0.0025944356,"about_ca_system_score_gemma":0.0040150136,"threshold_uncertainty_score":0.060760975},"labels":[],"label_agreement":null},{"id":"W4388847793","doi":"10.4324/9781003380047-5","title":"Emerging faces","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Universitat Oberta de Catalunya; Università degli Studi di Torino; University of Toronto; Fonds De La Recherche Scientifique - FNRS; University of Oxford","keywords":"Computer science","score_opus":0.0796903162896742,"score_gpt":0.266302827284368,"score_spread":0.18661251099469378,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388847793","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023463978,0.0013098918,0.007147563,0.0012568462,0.0010199823,0.000059290363,0.0007928425,0.00032587038,0.98574126],"genre_scores_gemma":[0.031021435,0.0030445252,0.008767958,0.0011274954,0.00047436683,0.00012443602,0.0020969163,0.0003706855,0.9529722],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996476,0.000047719237,0.000013454593,0.00007394643,0.00015993253,0.00005732614],"domain_scores_gemma":[0.9997602,0.000051661107,0.0000110992,0.00004333709,0.000090298134,0.00004336698],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035071652,0.00059440144,0.00032816696,0.0008432697,0.0018414661,0.0038441434,0.0009477459,0.0010778587,0.29449975],"category_scores_gemma":[0.0013231119,0.0002087891,0.0004414193,0.00073024095,0.00060279836,0.0033924165,0.002607553,0.0014795293,0.11496678],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008258823,0.00003662022,0.00044581213,0.00020647877,0.0000052184773,0.0005082277,0.0023055084,0.00020936562,0.0024627387,0.30551332,0.32867035,0.35955378],"study_design_scores_gemma":[0.0000022654515,0.000008708821,0.00022700083,0.000055308854,0.0000017027229,0.00043422938,0.00066044444,0.00007841259,0.00034014782,0.0074261003,0.99076134,0.0000042517586],"about_ca_topic_score_codex":0.0012438666,"about_ca_topic_score_gemma":0.002619508,"teacher_disagreement_score":0.29449975,"about_ca_system_score_codex":0.00085949665,"about_ca_system_score_gemma":0.0005449735,"threshold_uncertainty_score":0.9851998},"labels":[],"label_agreement":null},{"id":"W4388987119","doi":"10.1515/9781552384503-005","title":"4 Important Moments in Canadian History and Visual Culture","year":2001,"lang":"en","type":"book-chapter","venue":"University of Calgary Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual culture; Art; Visual arts","score_opus":0.029137971533803445,"score_gpt":0.19669411314210353,"score_spread":0.16755614160830007,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388987119","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012091696,0.027121417,0.00032107174,0.020082263,0.0009345141,0.000027397937,0.00016706267,0.000044516768,0.93920994],"genre_scores_gemma":[0.36085925,0.0234517,0.0009900713,0.0040613348,0.000357624,0.00003432378,0.00012698778,0.00013271828,0.609986],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988563,0.00017205243,0.000018183775,0.00007847861,0.00030122107,0.00057364325],"domain_scores_gemma":[0.9992254,0.0001407672,0.000026269534,0.000034256733,0.000301815,0.00027144587],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007843882,0.0007677086,0.00031888575,0.003255733,0.028556934,0.0153707815,0.0011182757,0.002507428,0.034924664],"category_scores_gemma":[0.0017520105,0.0004445994,0.00030981138,0.0055368473,0.015247504,0.0026919625,0.0025792955,0.0038066308,0.0015702372],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003700426,0.000019915202,0.00062316377,0.00014761092,0.000004833776,0.00029564137,0.050481804,0.00013268922,0.0001995603,0.7045722,0.19236752,0.05111796],"study_design_scores_gemma":[0.0000036285253,0.000004674183,0.002366694,0.0002529679,0.000006945477,0.00008421249,0.029390918,0.000037059664,0.00012785858,0.012436392,0.9552671,0.000021566631],"about_ca_topic_score_codex":0.9827983,"about_ca_topic_score_gemma":0.99502677,"teacher_disagreement_score":0.11701601,"about_ca_system_score_codex":0.11701601,"about_ca_system_score_gemma":0.093496464,"threshold_uncertainty_score":0.8490145},"labels":[],"label_agreement":null},{"id":"W4388987204","doi":"10.1515/9781552384503-004","title":"3 A Survey of Visual Culture in Canada","year":2001,"lang":"en","type":"book-chapter","venue":"University of Calgary Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.04109948528674201,"score_gpt":0.2057265978061624,"score_spread":0.1646271125194204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388987204","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23568158,0.117548086,0.0005802238,0.015727483,0.0003677529,0.00015751967,0.013007966,0.00016862882,0.61676073],"genre_scores_gemma":[0.68124866,0.12123976,0.0011677028,0.0022675684,0.000091179034,0.00008835126,0.003730802,0.000096958,0.19006899],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986217,0.00006471894,0.00003650088,0.00009393445,0.0006464853,0.0005365438],"domain_scores_gemma":[0.99721354,0.000220231,0.0001220067,0.00004366556,0.0018151497,0.00058544846],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005525903,0.00040398186,0.0003593935,0.0070066573,0.008326819,0.005961049,0.00092266663,0.0006389423,0.027581178],"category_scores_gemma":[0.0022142185,0.00035403686,0.00026042966,0.023818448,0.0016437719,0.0014197038,0.0014561075,0.0009240523,0.0015182536],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015750945,0.00014986518,0.0942838,0.0013596141,0.000047119138,0.0006281719,0.03365485,0.000479174,0.00092466496,0.067068234,0.25377515,0.54747176],"study_design_scores_gemma":[0.000007105271,0.000022052149,0.30501658,0.0008173895,0.000016225104,0.0001914095,0.0332686,0.00015941895,0.00027377278,0.0013381697,0.65884435,0.000044921002],"about_ca_topic_score_codex":0.99607486,"about_ca_topic_score_gemma":0.9978264,"teacher_disagreement_score":0.06264141,"about_ca_system_score_codex":0.06264141,"about_ca_system_score_gemma":0.10733868,"threshold_uncertainty_score":0.4544974},"labels":[],"label_agreement":null},{"id":"W4389155171","doi":"10.1017/9781108560740.017","title":"Cameras","year":2023,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Dominion; Photography; Representation (politics); Objectivity (philosophy); Transparency (behavior); Art; Naturalness; Modalities; Imperfect; Art history; Aesthetics; Visual arts; History; Philosophy; Computer science; Sociology; Epistemology; Law; Political science; Social science","score_opus":0.058536680748481645,"score_gpt":0.211114613071236,"score_spread":0.15257793232275435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389155171","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012964121,0.008594818,0.00986635,0.0010176135,0.0013797253,0.000090012516,0.00053176645,0.000806026,0.9764173],"genre_scores_gemma":[0.022709807,0.012792079,0.012004997,0.0010905365,0.00039141107,0.000098087745,0.0009013807,0.00048849644,0.94952315],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994178,0.000046168,0.000022327002,0.00014402925,0.0003111477,0.000058587277],"domain_scores_gemma":[0.99978775,0.000040124083,0.000016310907,0.000040032653,0.000090158035,0.000025631747],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027020363,0.0010479869,0.00037139942,0.0017145461,0.0019521837,0.0041948296,0.0011636108,0.0016708703,0.1633683],"category_scores_gemma":[0.00085358514,0.0004317782,0.00046191664,0.001574556,0.0008062149,0.0039058123,0.0018761078,0.0016903493,0.06199509],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009738207,0.000040974308,0.0002757897,0.0006296057,0.000008582631,0.00024587387,0.0012937578,0.0004313186,0.0037694315,0.23789036,0.2735256,0.48179135],"study_design_scores_gemma":[0.0000025569611,0.0000073661313,0.00012366025,0.00007308978,0.0000016354178,0.00014880598,0.00011476158,0.00006372779,0.0006671992,0.0019761184,0.996816,0.000005034147],"about_ca_topic_score_codex":0.0034408413,"about_ca_topic_score_gemma":0.0060126884,"teacher_disagreement_score":0.1633683,"about_ca_system_score_codex":0.0014671526,"about_ca_system_score_gemma":0.00090211484,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W4389234900","doi":"10.18061/dsq.v43i1.9649","title":"The Keller Plantation and the Racial Plot of Disability History in the U.S.","year":2023,"lang":"en","type":"article","venue":"Disability Studies Quarterly","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Biography; Politics; Narrative; Context (archaeology); History; Gender studies; Plot (graphics); Sociology; Disability studies; Literature; Art; Art history; Law; Political science","score_opus":0.07319138142879136,"score_gpt":0.30577351089736676,"score_spread":0.2325821294685754,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389234900","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7565799,0.005810632,0.00039917746,0.05173453,0.0004610217,0.000010650326,0.000051529343,0.000033815046,0.18491875],"genre_scores_gemma":[0.99145025,0.00087577134,0.000060959606,0.0012938379,0.000035263693,0.000005819178,0.000004510525,0.000006487492,0.006267092],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9995871,0.00019964902,0.000005603002,0.000034011697,0.00004834258,0.00012520804],"domain_scores_gemma":[0.99942744,0.00028197226,0.00007281681,0.000020490366,0.000043432537,0.00015386005],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044161416,0.00023444052,0.000090361005,0.0009362061,0.020066487,0.0040355776,0.00030875727,0.0010500031,0.0028576916],"category_scores_gemma":[0.0012114703,0.00013185866,0.00006993563,0.0008883182,0.01351594,0.002656371,0.003035172,0.0023397428,0.00015542797],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002865766,0.000025534875,0.0040709972,0.000023558496,0.0000029968007,0.0007191526,0.79341406,0.00006841345,0.00049187784,0.17112264,0.016223345,0.013808765],"study_design_scores_gemma":[0.0000033404006,0.000024674498,0.008209741,0.00013036949,0.000006098137,0.0003526044,0.7435971,0.00005816112,0.0002912927,0.0069290963,0.24037807,0.000019404175],"about_ca_topic_score_codex":0.10809948,"about_ca_topic_score_gemma":0.2710064,"teacher_disagreement_score":0.10809948,"about_ca_system_score_codex":0.0056045935,"about_ca_system_score_gemma":0.0037039272,"threshold_uncertainty_score":0.21494055},"labels":[],"label_agreement":null},{"id":"W4389478594","doi":"10.3366/irss.2023.0020","title":"Coming into View: Eric Watt’s Photographs of Glasgow Kelvingrove Art Gallery, Glasgow, 4 March 2023 to 31 July 2023","year":2023,"lang":"en","type":"article","venue":"International Review of Scottish Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Watt; History; Archaeology; Art history; Power (physics); Physics","score_opus":0.05948473445476708,"score_gpt":0.3473448817816612,"score_spread":0.2878601473268941,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389478594","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01974748,0.17972107,0.0006851495,0.20754455,0.115162455,0.00031370885,0.0050123385,0.0009781115,0.47083515],"genre_scores_gemma":[0.041734066,0.023627976,0.0005816564,0.019532435,0.0060037007,0.00007476045,0.0008883007,0.0005531274,0.907004],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99895537,0.00014311567,0.000026399264,0.00007982334,0.00045168216,0.00034350436],"domain_scores_gemma":[0.9987472,0.00016260844,0.000080492784,0.00009255496,0.00044183855,0.00047528517],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012714379,0.0013011848,0.00042603764,0.002851681,0.0077224355,0.004715533,0.0012058865,0.0030918724,0.11033066],"category_scores_gemma":[0.0028618989,0.0006051781,0.00071530027,0.0030651502,0.0022489831,0.0027414907,0.0058887037,0.002833734,0.020508671],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017108234,0.0000047414105,0.00009613618,0.00007443273,0.000003155143,0.00017944629,0.0009845508,0.000013416195,0.00007193348,0.00045226514,0.9932827,0.0048200916],"study_design_scores_gemma":[0.0000039158804,0.0000052761106,0.0027667133,0.00011060373,0.0000040306504,0.00012400043,0.0026869355,0.0000031749769,0.000045060355,0.00008831143,0.99415356,0.000008509865],"about_ca_topic_score_codex":0.1526975,"about_ca_topic_score_gemma":0.5504899,"teacher_disagreement_score":0.1526975,"about_ca_system_score_codex":0.0045643602,"about_ca_system_score_gemma":0.0029329376,"threshold_uncertainty_score":0.36909288},"labels":[],"label_agreement":null},{"id":"W4389569544","doi":"10.1080/08865655.2023.2289130","title":"Walled Life: Concrete, Cinema, Art","year":2023,"lang":"en","type":"article","venue":"Journal of Borderlands Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Movie theater; Art history; Art","score_opus":0.0672583257202964,"score_gpt":0.3189753282401575,"score_spread":0.2517170025198611,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389569544","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008255707,0.07486444,0.0017306163,0.07260201,0.0044925865,0.000027247897,0.00015071854,0.00010946796,0.8377671],"genre_scores_gemma":[0.22039749,0.05086486,0.0027621053,0.015060897,0.0024165849,0.000068352456,0.00013866006,0.00026952266,0.70802146],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994605,0.00023388823,0.000018104181,0.000058216996,0.00014644324,0.000082872866],"domain_scores_gemma":[0.9995639,0.00012890859,0.000027413627,0.00004797258,0.000052903066,0.00017889659],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007759964,0.00041126096,0.00020043366,0.0007845261,0.0047276486,0.008618334,0.0003926578,0.0021443805,0.04778089],"category_scores_gemma":[0.0014479499,0.0003038881,0.00017110446,0.0008344543,0.005897565,0.0065619145,0.0040995087,0.0028898504,0.007221792],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029699018,0.00002865299,0.00072550855,0.00015617118,0.000004641293,0.00022444919,0.02754948,0.00006760068,0.00061584386,0.18723652,0.65832007,0.1250413],"study_design_scores_gemma":[0.0000018354709,0.000004190467,0.0007233748,0.00023048633,7.8780994e-7,0.0000915245,0.010751017,0.0000131046345,0.00009561974,0.0037603942,0.9843233,0.000004444787],"about_ca_topic_score_codex":0.018986415,"about_ca_topic_score_gemma":0.06537058,"teacher_disagreement_score":0.04778089,"about_ca_system_score_codex":0.0020557323,"about_ca_system_score_gemma":0.0015159445,"threshold_uncertainty_score":0.15984303},"labels":[],"label_agreement":null},{"id":"W4389575412","doi":"10.4000/sillagescritiques.15174","title":"Framing the Land: Canadian Landscapes Revisited in Jin-me Yoon and Lorraine Gilbert’s Photography","year":2023,"lang":"en","type":"article","venue":"Sillages critiques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Framing (construction); Photography; Geography; Visual arts; Art; Art history; Archaeology","score_opus":0.020760727969279816,"score_gpt":0.25781171240652667,"score_spread":0.23705098443724687,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389575412","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26638165,0.020711264,0.0025172571,0.17885098,0.00312833,0.00011407858,0.00033330492,0.00011547109,0.52784765],"genre_scores_gemma":[0.9133366,0.0055858144,0.0015140732,0.009114209,0.00027398014,0.00004072328,0.00006148393,0.00011096338,0.06996222],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99782515,0.0006092788,0.00003170257,0.00021771606,0.000535605,0.00078050076],"domain_scores_gemma":[0.99804914,0.0007372678,0.00009870509,0.00009367561,0.00062601425,0.00039515673],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026228789,0.0006994188,0.00038399053,0.002635523,0.046795435,0.015359933,0.0020264788,0.0032461795,0.00409292],"category_scores_gemma":[0.0037466467,0.0004672113,0.00035849493,0.0036502713,0.041628327,0.004652678,0.00475425,0.0061692693,0.00020762737],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034804834,0.000015049044,0.0013236151,0.000103094506,0.0000064775763,0.0012115842,0.70629215,0.00022225683,0.00046845677,0.22193077,0.052372493,0.0160192],"study_design_scores_gemma":[0.0000062172394,0.000007783632,0.0028494406,0.00021897146,0.000010971396,0.00021152003,0.45338902,0.00012889283,0.00028115726,0.0057797665,0.53706765,0.000048668677],"about_ca_topic_score_codex":0.9834547,"about_ca_topic_score_gemma":0.99452025,"teacher_disagreement_score":0.116246834,"about_ca_system_score_codex":0.116246834,"about_ca_system_score_gemma":0.06624686,"threshold_uncertainty_score":0.84343374},"labels":[],"label_agreement":null},{"id":"W4390572469","doi":"10.1386/jicms_00245_5","title":"The Dream, Fabio Bucciarelli and Peter Bouckaert (2016)","year":2024,"lang":"en","type":"article","venue":"Journal of Italian Cinema and Media Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Dream; Humanities; Art history; Art; Psychology","score_opus":0.038470989139422145,"score_gpt":0.2887352308108251,"score_spread":0.25026424167140293,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390572469","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000053296495,0.9610614,0.0000707652,0.030140752,0.0051667797,0.0000038165626,0.00005783691,0.000010925363,0.0034345707],"genre_scores_gemma":[0.0031504037,0.9464007,0.00032242291,0.020389216,0.009358328,0.000033956076,0.00017185477,0.000050690756,0.020122426],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915063,0.0002482969,0.000079167025,0.00015552153,0.00027076295,0.00009561257],"domain_scores_gemma":[0.9978004,0.0010956649,0.00017550259,0.00007038334,0.0006008152,0.00025728001],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023024958,0.0012492518,0.0011466165,0.0027877328,0.0017584707,0.0066212397,0.0014169714,0.0038302976,0.022431776],"category_scores_gemma":[0.008019949,0.00077847944,0.0004522264,0.0038486524,0.0029565769,0.011101804,0.0031790426,0.005622819,0.011076458],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026608313,0.000008498659,0.00011679689,0.001678167,0.0000065957497,0.0000276684,0.0005282491,0.000027010972,0.000038072,0.0049616387,0.9143074,0.078273155],"study_design_scores_gemma":[0.000007983533,0.0000071392687,0.00072299066,0.0024094,0.000010065266,0.00019212958,0.00087217096,0.0000121560315,0.000030954103,0.0033470371,0.99237895,0.000009125344],"about_ca_topic_score_codex":0.022789512,"about_ca_topic_score_gemma":0.036186054,"teacher_disagreement_score":0.022789512,"about_ca_system_score_codex":0.003514246,"about_ca_system_score_gemma":0.005402581,"threshold_uncertainty_score":0.07504171},"labels":[],"label_agreement":null},{"id":"W4390762117","doi":"10.7202/1108214ar","title":"A Problematic Past and the Promise of Light in Seen but Not Seen","year":2023,"lang":"en","type":"article","venue":"Journal of the Canadian Historical Association","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; History; Political science; Philosophy","score_opus":0.02051322250693563,"score_gpt":0.20188522476970994,"score_spread":0.1813720022627743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390762117","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025097549,0.027183209,0.0019913355,0.17131004,0.0029904365,0.000023626671,0.00010487076,0.000026824588,0.7712721],"genre_scores_gemma":[0.9256771,0.0074999677,0.0008215748,0.0077378764,0.00075900974,0.000029712915,0.000043223386,0.00009170098,0.057339843],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952485,0.0022413,0.00009302959,0.0004459109,0.00104516,0.00092615833],"domain_scores_gemma":[0.99607974,0.0014181394,0.00041884516,0.0004419307,0.0008605487,0.00078089995],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004866186,0.0002834055,0.0004391931,0.0012800096,0.02917416,0.015524805,0.0011636629,0.0039634616,0.011250235],"category_scores_gemma":[0.008409255,0.00047299938,0.00025778633,0.0017021617,0.08136062,0.017331326,0.008269063,0.008960716,0.0012154318],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038106074,0.000015463273,0.00033738854,0.000041673466,0.0000031159414,0.00024289111,0.077175,0.000027418651,0.00009949863,0.8847155,0.0266897,0.010614195],"study_design_scores_gemma":[0.000015964619,0.000018985267,0.001893195,0.00044865525,0.00001039442,0.00053383416,0.13430731,0.000066311244,0.00022562589,0.28773025,0.5747053,0.000044100158],"about_ca_topic_score_codex":0.11631012,"about_ca_topic_score_gemma":0.23339692,"teacher_disagreement_score":0.8836899,"about_ca_system_score_codex":0.017049138,"about_ca_system_score_gemma":0.0112795895,"threshold_uncertainty_score":0.23126626},"labels":[],"label_agreement":null},{"id":"W4390829137","doi":"10.25158/l12.2.12","title":"Review of <i>Skin Theory: Visual Culture and the Postwar Prison Laboratory</i> by Cristina Visperas (New York University Press)","year":2023,"lang":"en","type":"article","venue":"Lateral","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Prison; Sociology; Visual culture; Media studies; Criminology; Anthropology","score_opus":0.015321395351010686,"score_gpt":0.2397594046648112,"score_spread":0.2244380093138005,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390829137","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000033164415,0.988997,0.000067748515,0.006234403,0.0022709502,0.000002735112,0.00001299897,0.0000060320735,0.0023750144],"genre_scores_gemma":[0.0009560856,0.98891246,0.00016840905,0.003709065,0.003575682,0.000012456531,0.000026880998,0.000013133076,0.0026258188],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999116,0.00035606485,0.00006887331,0.00012325932,0.00026505854,0.00007087542],"domain_scores_gemma":[0.9950937,0.0032944456,0.00023827587,0.00013827079,0.0010199732,0.00021536206],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022055232,0.0011764175,0.0011468891,0.0050678086,0.0013915839,0.0037116886,0.0014367125,0.0030180183,0.01338638],"category_scores_gemma":[0.00519284,0.0004974728,0.0005904715,0.005061564,0.0040715393,0.0053427466,0.002592038,0.0045251246,0.006175263],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028694498,0.000029546183,0.00012833813,0.005288201,0.00002543363,0.000059883627,0.00047669912,0.000098110526,0.0001157314,0.021283811,0.7089101,0.26355535],"study_design_scores_gemma":[0.0000058078226,0.000017293787,0.00057856325,0.009303631,0.00001863197,0.00029847395,0.00051343435,0.00003320697,0.00006744852,0.0048881527,0.9842553,0.000020014575],"about_ca_topic_score_codex":0.01228693,"about_ca_topic_score_gemma":0.019264322,"teacher_disagreement_score":0.01338638,"about_ca_system_score_codex":0.003265473,"about_ca_system_score_gemma":0.0037389977,"threshold_uncertainty_score":0.044781864},"labels":[],"label_agreement":null},{"id":"W4391015646","doi":"10.17742/image29666","title":"(Un)Seeing Goa’s Bom Jesus in Vishvesh Prabhakar Kandolkar’s This is Not the Basilica!","year":2023,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Baroque; Portuguese; Style (visual arts); Colonialism; Symbol (formal); SAINT; Identity (music); Art; History; Subject (documents); Art history; Ancient history; Visual arts; Archaeology; Aesthetics; Philosophy; Computer science","score_opus":0.08187915001803951,"score_gpt":0.41651231146034884,"score_spread":0.3346331614423093,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391015646","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43800542,0.006181843,0.0016346374,0.027052348,0.0015556002,0.000022136539,0.0000942711,0.00009502824,0.52535874],"genre_scores_gemma":[0.9603769,0.001293378,0.0004998477,0.0015049656,0.0001631652,0.00000696723,0.000017261764,0.00007160196,0.036065858],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998216,0.000081641105,0.000002577269,0.00002530361,0.000031942254,0.000036900266],"domain_scores_gemma":[0.999843,0.00006535279,0.000017200171,0.000022507009,0.000022092996,0.000029951005],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043508108,0.00018768142,0.000119369455,0.0003593159,0.005780222,0.0036449148,0.00023349846,0.0007341988,0.0056990185],"category_scores_gemma":[0.0006102924,0.000107732274,0.00009252139,0.00037592085,0.0045311023,0.0022182232,0.0013809128,0.0020765688,0.00062241557],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011026703,0.000037234135,0.003022308,0.00024266046,0.000011940614,0.0018799353,0.6519277,0.00010281115,0.0065229484,0.23368174,0.058533106,0.043927293],"study_design_scores_gemma":[0.000004534762,0.000035935736,0.00795313,0.0002294466,0.000011864166,0.0017004709,0.36393353,0.000091632806,0.0013260791,0.006819795,0.6178695,0.000024084133],"about_ca_topic_score_codex":0.008754753,"about_ca_topic_score_gemma":0.036906365,"teacher_disagreement_score":0.008754753,"about_ca_system_score_codex":0.0011643736,"about_ca_system_score_gemma":0.00057820993,"threshold_uncertainty_score":0.019065082},"labels":[],"label_agreement":null},{"id":"W4391083175","doi":"10.5149/northcarolina/9781469662701.002.0004","title":"Copyright Page","year":2022,"lang":"en","type":"book-chapter","venue":"University of North Carolina Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Chapel; Courtesy; The arts; Art history; Miller; Library science; Index (typography); Art; History; Visual arts; Law; Political science","score_opus":0.04287208738448177,"score_gpt":0.19424775099075392,"score_spread":0.15137566360627214,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391083175","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00015076438,0.00069866946,0.00022167311,0.0007142619,0.00260345,0.000087408385,0.0030603218,0.00070430234,0.9917591],"genre_scores_gemma":[0.00041606664,0.0003668494,0.00008708589,0.00025268857,0.00018794254,0.000022898445,0.0014103961,0.00021089574,0.9970452],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995896,0.000025619876,0.000020320833,0.000080250815,0.00022427364,0.000059905826],"domain_scores_gemma":[0.9990777,0.00008773279,0.000027853239,0.00018021371,0.0004788808,0.00014759453],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00036386627,0.0008718382,0.0007801069,0.0016037617,0.0018585834,0.0053205844,0.0011233226,0.0015632862,0.9109317],"category_scores_gemma":[0.0021796103,0.00044017387,0.00054958573,0.0023127373,0.0005443079,0.0026795785,0.0017038819,0.0015369224,0.8700009],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000074438362,0.000008376084,0.00003868946,0.000065340515,8.567422e-7,0.000021936188,0.000018839597,0.000011395614,0.00009118834,0.0012839027,0.96879554,0.02965652],"study_design_scores_gemma":[0.000002147184,0.0000028030051,0.00014434691,0.000060062775,4.7311897e-7,0.000019640343,0.000023225664,0.000009293407,0.00003702821,0.00019084344,0.99950826,0.0000018339917],"about_ca_topic_score_codex":0.011098506,"about_ca_topic_score_gemma":0.014815534,"teacher_disagreement_score":0.08906829,"about_ca_system_score_codex":0.0015503183,"about_ca_system_score_gemma":0.0019262735,"threshold_uncertainty_score":0.12704504},"labels":[],"label_agreement":null},{"id":"W4391181710","doi":"10.24840/2183-8976_2023-0008_0001_5","title":"Changing the Image: Photographic Investigations on the Anonymous Modern in Aachen, Germany 1970-1989","year":2023,"lang":"en","type":"article","venue":"Sophia","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Deutsche Forschungsgemeinschaft; McGill University","keywords":"Philosophy of religion; Philosophy; Epistemology","score_opus":0.0588221009003143,"score_gpt":0.2662004671748306,"score_spread":0.20737836627451628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391181710","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94941247,0.0022255534,0.00024685558,0.00079599785,0.000104177314,0.000038606642,0.0002518269,0.000010289672,0.046914253],"genre_scores_gemma":[0.98761046,0.001439449,0.00024634032,0.00009706441,0.000042464275,0.000010873731,0.000082792394,0.000010281139,0.010460123],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99958307,0.00014729056,0.000016608157,0.000061965206,0.00008920828,0.00010185662],"domain_scores_gemma":[0.99975353,0.00008562629,0.00006813734,0.000027279133,0.00003896578,0.000026365513],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005240179,0.0002539009,0.00013113329,0.0020653845,0.0032133288,0.0018807756,0.00034978276,0.0004376067,0.003311875],"category_scores_gemma":[0.0010079949,0.00021370694,0.000095787225,0.002135904,0.00387457,0.0011532458,0.0013063921,0.0007057223,0.00024487916],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002015732,0.00009958603,0.03610331,0.00053619937,0.000028411185,0.0041308315,0.83665514,0.00033395833,0.004014847,0.025315322,0.0140557485,0.07852514],"study_design_scores_gemma":[0.000006198246,0.00009028468,0.30090973,0.00027365543,0.000028407274,0.0014480272,0.44355574,0.00012728658,0.0015687629,0.00063326716,0.25133353,0.000024931667],"about_ca_topic_score_codex":0.086711,"about_ca_topic_score_gemma":0.2996838,"teacher_disagreement_score":0.086711,"about_ca_system_score_codex":0.0041063493,"about_ca_system_score_gemma":0.00092310715,"threshold_uncertainty_score":0.17241257},"labels":[],"label_agreement":null},{"id":"W4391213195","doi":"10.5117/9789462986534_ch12","title":"Cinema and Industrial Design","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Movie theater; Computer science; Art; Visual arts","score_opus":0.16771382626452497,"score_gpt":0.25644197622201015,"score_spread":0.08872814995748518,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391213195","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023828985,0.021009512,0.0021999173,0.0033637665,0.0007628632,0.0000201978,0.000029076706,0.000069436865,0.9701624],"genre_scores_gemma":[0.16957177,0.022256255,0.004026018,0.0024719296,0.0011837666,0.00010015585,0.0000931754,0.00017407638,0.80012286],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999474,0.0002751744,0.000012633032,0.000070568996,0.0001004388,0.00006725756],"domain_scores_gemma":[0.99963415,0.0001837735,0.000021925709,0.00005532836,0.00004951299,0.00005540334],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005940195,0.0005918358,0.00019706265,0.0010136014,0.0032517633,0.006444416,0.00058729434,0.0011948422,0.042377543],"category_scores_gemma":[0.0012482896,0.00023253844,0.0002476776,0.00081353827,0.0058273003,0.0023334282,0.0017347934,0.0019154295,0.0040743286],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016610129,0.000029319865,0.00022499422,0.00029117498,0.000004533099,0.00013564792,0.011530375,0.00016907098,0.00041649502,0.798264,0.11971276,0.069205016],"study_design_scores_gemma":[0.0000031163192,0.000010171564,0.00022040219,0.00018382183,0.0000024117408,0.0001316565,0.0013100514,0.00008185379,0.00012510874,0.014620278,0.98330843,0.0000028556346],"about_ca_topic_score_codex":0.0047444655,"about_ca_topic_score_gemma":0.009533443,"teacher_disagreement_score":0.042377543,"about_ca_system_score_codex":0.0039463458,"about_ca_system_score_gemma":0.0015156507,"threshold_uncertainty_score":0.14176697},"labels":[],"label_agreement":null},{"id":"W4391287554","doi":"","title":"‘Like the gardener mowing the lawn’ : Virginia Woolf et la surface cinégraphique","year":2006,"lang":"fr","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Association for Canadian and Québec Literatures","funders":"","keywords":"Lawn; Art; Horticulture; Biology; Botany","score_opus":0.017930565471512103,"score_gpt":0.22788568598107886,"score_spread":0.20995512050956677,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391287554","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027853463,0.020983422,0.0026001716,0.06970253,0.004356898,0.000042797605,0.000045920955,0.00009618356,0.8743186],"genre_scores_gemma":[0.328095,0.0070316456,0.0008484352,0.006173422,0.0010153722,0.000037605143,0.000022436305,0.0003042492,0.65647185],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994444,0.00021485014,0.000007733509,0.00008656038,0.00010038603,0.00014593118],"domain_scores_gemma":[0.9995511,0.00020396303,0.000026154865,0.00002003585,0.00010216291,0.000096584045],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007776639,0.0004534093,0.00027624215,0.0009874211,0.013713965,0.011317702,0.0007869427,0.0038866855,0.016974088],"category_scores_gemma":[0.0020691296,0.00028498162,0.00017141832,0.00087683555,0.008467302,0.0065515623,0.0023108448,0.004914284,0.0015638764],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001937597,0.00003224228,0.00026970977,0.00006091669,0.0000029858318,0.0003638572,0.16787516,0.00004689041,0.00049581414,0.48123404,0.30080354,0.048795406],"study_design_scores_gemma":[0.0000025526467,0.000008197515,0.00036401916,0.00014136554,0.000002202694,0.00012962648,0.03499605,0.000059943683,0.00012503944,0.009491522,0.9546691,0.00001028538],"about_ca_topic_score_codex":0.17033122,"about_ca_topic_score_gemma":0.34403336,"teacher_disagreement_score":0.17033122,"about_ca_system_score_codex":0.006690449,"about_ca_system_score_gemma":0.003423148,"threshold_uncertainty_score":0.3386796},"labels":[],"label_agreement":null},{"id":"W4391551989","doi":"10.1080/03087298.2023.2295174","title":"Contributors","year":2023,"lang":"en","type":"article","venue":"History of Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.05184384886327315,"score_gpt":0.22798664760996368,"score_spread":0.17614279874669053,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391551989","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002189181,0.0073704803,0.003094282,0.07970739,0.16739243,0.0012011887,0.013196786,0.0024403175,0.72340786],"genre_scores_gemma":[0.003423615,0.0021866881,0.00090432755,0.007882823,0.007652385,0.0002775892,0.002894734,0.0004844869,0.9742933],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99695194,0.00035325598,0.00010374401,0.0003769061,0.0018848882,0.00032928304],"domain_scores_gemma":[0.9715788,0.0013844512,0.00044151986,0.0010215393,0.019179165,0.006394593],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0027478808,0.0006003421,0.0005774631,0.002834812,0.0030055041,0.0060076946,0.0014374275,0.0014435276,0.5107677],"category_scores_gemma":[0.022621894,0.000279327,0.0002965214,0.0019403287,0.0005662625,0.002052115,0.0027715242,0.0016223289,0.31254467],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000689032,0.0000037766533,0.00008650483,0.000027956676,4.1727805e-7,0.000020318306,0.00008105193,0.000007154318,0.000031001076,0.000539251,0.9855027,0.013693],"study_design_scores_gemma":[0.0000017998626,0.0000016429217,0.0001255418,0.000041108113,6.0626235e-7,0.00002779377,0.00014338731,0.000006717214,0.000015684262,0.00014101398,0.999493,0.0000016251009],"about_ca_topic_score_codex":0.01264852,"about_ca_topic_score_gemma":0.026498683,"teacher_disagreement_score":0.4892323,"about_ca_system_score_codex":0.0046222485,"about_ca_system_score_gemma":0.007964797,"threshold_uncertainty_score":0.6978305},"labels":[],"label_agreement":null},{"id":"W4391772294","doi":"10.7202/1109072ar","title":"“Photographs of Lightning”: The Intersection of Research and Creation in Leo Daft’s Photographs of Electric Sparks","year":2024,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Lightning (connector); Intersection (aeronautics); Meteorology; Visual arts; Telecommunications; Art; Engineering; Geography; Cartography; Physics; Power (physics)","score_opus":0.039147594882437076,"score_gpt":0.30162041340856094,"score_spread":0.26247281852612386,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391772294","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03964687,0.037505817,0.00841409,0.039683715,0.0047711907,0.000069811445,0.00023658456,0.00017356817,0.86949825],"genre_scores_gemma":[0.7572576,0.015559998,0.0058093346,0.006004753,0.0023911411,0.00010275909,0.00012518936,0.00027780992,0.21247143],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99842,0.00085576164,0.00004126325,0.00016422741,0.00031836226,0.00020036678],"domain_scores_gemma":[0.9986198,0.0008748305,0.00010107947,0.00013476319,0.00016147818,0.00010806511],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019443247,0.00050644955,0.00021315912,0.0024127765,0.007875473,0.0062437523,0.0006235597,0.0020899572,0.007572473],"category_scores_gemma":[0.0036892758,0.00029558124,0.00034772584,0.0014918603,0.012625782,0.006977682,0.002784384,0.003354266,0.0009602471],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012433759,0.000018162207,0.0008209988,0.0002456954,0.000007217134,0.00090327737,0.13525866,0.00013188165,0.00077824836,0.7494639,0.06993744,0.042310193],"study_design_scores_gemma":[0.000011060857,0.000017331975,0.00083891925,0.00027030293,0.0000054690495,0.0005150946,0.018793741,0.000064985274,0.0005752752,0.022548439,0.95634204,0.000017274615],"about_ca_topic_score_codex":0.011745077,"about_ca_topic_score_gemma":0.036049586,"teacher_disagreement_score":0.011745077,"about_ca_system_score_codex":0.006734112,"about_ca_system_score_gemma":0.0021087513,"threshold_uncertainty_score":0.048859656},"labels":[],"label_agreement":null},{"id":"W4391772301","doi":"10.7202/1109082ar","title":"Julie Crooks, Dominique Fontaine, Silvia Forni, eds., Making History: Visual Arts &amp; Blackness in Canada, Toronto and Vancouver: Royal Ontario Museum; On Point Press: 2023, 255 pp., illustrations (chiefly colour), $50.00 (paper) ISBN 9780774890649","year":2024,"lang":"en","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The arts; Art; Art history; Visual arts","score_opus":0.02298025743382675,"score_gpt":0.2206495135352514,"score_spread":0.19766925610142463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391772301","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00031173378,0.92269707,0.0004053626,0.013030913,0.0029644985,0.00002504449,0.00035918033,0.00007053571,0.060135603],"genre_scores_gemma":[0.0032249878,0.8332038,0.0007624095,0.0013646488,0.00086242816,0.00002313458,0.00031046412,0.000113426286,0.16013476],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988457,0.00012354908,0.000040958774,0.00013829085,0.0007075027,0.00014391581],"domain_scores_gemma":[0.9978682,0.0004905625,0.00011633661,0.000054752123,0.0011586322,0.0003115004],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015966175,0.0015275468,0.0009433352,0.0044240686,0.0033654738,0.007834625,0.0012144696,0.0019349765,0.070295],"category_scores_gemma":[0.0025939485,0.0010214064,0.00047665014,0.010255173,0.0025413202,0.005274617,0.0017329215,0.0024312898,0.03072416],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001603128,0.0000053719978,0.00021925759,0.0012702993,0.0000075809057,0.000056472632,0.0015354712,0.000046225883,0.0001005865,0.004158834,0.89008296,0.102500975],"study_design_scores_gemma":[0.0000017104855,0.0000013991419,0.00085662847,0.0008501316,0.0000063616403,0.000076062555,0.00125858,0.0000100659845,0.000035004345,0.00042853775,0.99646914,0.000006424021],"about_ca_topic_score_codex":0.6653815,"about_ca_topic_score_gemma":0.8445274,"teacher_disagreement_score":0.3346185,"about_ca_system_score_codex":0.016276317,"about_ca_system_score_gemma":0.027193664,"threshold_uncertainty_score":0.6731783},"labels":[],"label_agreement":null},{"id":"W4391836418","doi":"10.33137/rr.v46i3.42710","title":"Faraday, Christina J. Tudor Liveliness: Vivid Art in Post-Reformation England","year":2024,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Saint Mary's University","funders":"","keywords":"Faraday cage; Art; Art history; Physics","score_opus":0.018414143654098943,"score_gpt":0.24736982672888916,"score_spread":0.22895568307479022,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391836418","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07473563,0.10831132,0.0014988886,0.12169618,0.008535569,0.00007851472,0.00015010106,0.0001238306,0.68486995],"genre_scores_gemma":[0.50030416,0.019868342,0.0006045363,0.0092890365,0.0012651731,0.0000831632,0.000049199265,0.0001397042,0.4683967],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989901,0.0004928703,0.000023249937,0.00009918852,0.00020669882,0.00018781325],"domain_scores_gemma":[0.9994943,0.00027003695,0.000044203305,0.00003966552,0.00006510895,0.00008668919],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011742858,0.00031191978,0.0003347292,0.000565162,0.012447883,0.008527531,0.00088501064,0.0028205935,0.016904663],"category_scores_gemma":[0.0022036969,0.00027712298,0.00015662561,0.0007846431,0.012726973,0.004979557,0.00387395,0.004032156,0.0014508989],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000068972964,0.000040727482,0.00040301756,0.00027189704,0.0000038846997,0.0010049677,0.3839144,0.00008213473,0.00044655986,0.38184497,0.2024929,0.02942559],"study_design_scores_gemma":[0.000006309324,0.00001672153,0.00078231806,0.000204049,0.000001917373,0.00020456086,0.059426036,0.000020076704,0.00012417199,0.0049231984,0.9342813,0.000009390148],"about_ca_topic_score_codex":0.05306458,"about_ca_topic_score_gemma":0.11082852,"teacher_disagreement_score":0.05306458,"about_ca_system_score_codex":0.009278808,"about_ca_system_score_gemma":0.0025786331,"threshold_uncertainty_score":0.10551143},"labels":[],"label_agreement":null},{"id":"W4391836987","doi":"10.1080/10714421.2024.2314385","title":"Cold War Camera","year":2024,"lang":"en","type":"article","venue":"The Communication Review","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Cold war; History; Art; Art history; Media studies; Political science; Sociology; Law; Politics","score_opus":0.0700280306698385,"score_gpt":0.3212098178146214,"score_spread":0.2511817871447829,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391836987","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00035821775,0.13221835,0.002763143,0.1131689,0.12269467,0.00014923839,0.0011104675,0.0016588593,0.6258781],"genre_scores_gemma":[0.0024215444,0.035433475,0.0010797045,0.021093711,0.0173265,0.00009820995,0.00046863582,0.0005897328,0.92148846],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99812824,0.0002939394,0.00009770542,0.00026132568,0.0010662153,0.00015255324],"domain_scores_gemma":[0.99398947,0.0012729799,0.00029457978,0.0004839577,0.0031141702,0.0008448369],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018628025,0.0010721929,0.0006795763,0.0025699597,0.0033402327,0.009948025,0.0012251723,0.004127897,0.28960046],"category_scores_gemma":[0.00866977,0.00055447326,0.00059972564,0.002072845,0.0013153007,0.0050776685,0.0027868515,0.0066695595,0.20097041],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000061402125,0.0000014186987,0.0000124269545,0.000037685495,8.14092e-7,0.000013076178,0.0000313944,0.0000055821865,0.000038808783,0.0014999557,0.98366517,0.014687495],"study_design_scores_gemma":[0.0000011142248,0.0000013509534,0.00003516183,0.000053442483,4.5436656e-7,0.000018147928,0.000043746626,0.000004090091,0.000018285942,0.0001331796,0.9996892,0.0000017409081],"about_ca_topic_score_codex":0.014459012,"about_ca_topic_score_gemma":0.03948551,"teacher_disagreement_score":0.28960046,"about_ca_system_score_codex":0.0021819314,"about_ca_system_score_gemma":0.0033811263,"threshold_uncertainty_score":0.9688101},"labels":[],"label_agreement":null},{"id":"W4391863026","doi":"10.51644/9780889209398-002","title":"Acknowledgements","year":2006,"lang":"en","type":"book-chapter","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.04586480025723933,"score_gpt":0.24496548141893548,"score_spread":0.19910068116169616,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391863026","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018915114,0.008306783,0.01383943,0.057549313,0.083849266,0.0007946222,0.034815952,0.0033025858,0.79565054],"genre_scores_gemma":[0.009853581,0.003996474,0.009429683,0.0141907735,0.006915117,0.0007239679,0.025844866,0.0028047173,0.9262408],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960432,0.00076450844,0.0002636606,0.0005589797,0.0021009443,0.00026868552],"domain_scores_gemma":[0.98209226,0.0025429924,0.0005785299,0.0014153845,0.011366292,0.0020044853],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0032410626,0.00083172036,0.0008797064,0.0025022286,0.0022479403,0.0038409252,0.0025558844,0.0014506798,0.40656942],"category_scores_gemma":[0.023748113,0.0003139105,0.0005591399,0.0028115246,0.00072553655,0.0023262878,0.003502683,0.0030836787,0.33129406],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019826446,0.000007333883,0.00014144232,0.00013533988,0.0000026821126,0.0001186221,0.00038175078,0.00003236938,0.0001667167,0.007322234,0.9670629,0.024608895],"study_design_scores_gemma":[0.0000018120818,0.0000020906382,0.00008832831,0.000059636168,0.0000011688538,0.000079532976,0.00012743146,0.000013735285,0.000036609374,0.000748134,0.9988391,0.0000025595914],"about_ca_topic_score_codex":0.004839327,"about_ca_topic_score_gemma":0.005883913,"teacher_disagreement_score":0.5934306,"about_ca_system_score_codex":0.0024918232,"about_ca_system_score_gemma":0.0036513556,"threshold_uncertainty_score":0.8464567},"labels":[],"label_agreement":null},{"id":"W4392122120","doi":"10.1017/s0007087424000190","title":"Jonathan Finn, <i>Beyond the Finish Line: Images, Evidence and the History of the Photo-finish</i> Montreal: McGill-Queen's University Press, 2020. Pp. xii + 212. ISBN 978-0-2280-0343-4. CD$43.95 (cloth).","year":2024,"lang":"en","type":"article","venue":"The British Journal for the History of Science","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queen (butterfly); Finish line; Art history; Art; Line (geometry); Media studies; Sociology; Gender studies; Geometry; Botany","score_opus":0.0287963114073886,"score_gpt":0.2275099719916907,"score_spread":0.19871366058430212,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392122120","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00076527597,0.7504418,0.00089945196,0.12555408,0.0108769005,0.000039548213,0.00043437717,0.00017477167,0.11081372],"genre_scores_gemma":[0.017788077,0.4792655,0.001777244,0.024024785,0.003493535,0.00007158094,0.00044374543,0.0003922895,0.4727433],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993554,0.00017883591,0.000038443533,0.00008325006,0.00027985248,0.00006418138],"domain_scores_gemma":[0.99878234,0.00054188096,0.00008196459,0.000048087404,0.0003769321,0.00016887987],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012125365,0.0009548418,0.0004077476,0.0015228108,0.0026039183,0.0045002997,0.0014275762,0.0027728833,0.0662749],"category_scores_gemma":[0.0036654843,0.0007481331,0.0002650627,0.0019470119,0.0024999755,0.008657043,0.0015973533,0.0031273034,0.023694765],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001334117,0.0000030069625,0.00008877441,0.00023245183,0.0000026245207,0.000040791798,0.0008712078,0.000011783731,0.00005274563,0.0027780952,0.97219884,0.02370639],"study_design_scores_gemma":[0.0000028737277,0.0000027647332,0.00096826995,0.0006730362,0.0000035465227,0.000159268,0.0026822542,0.000013342457,0.00008439547,0.0021064638,0.9932921,0.00001179961],"about_ca_topic_score_codex":0.09987469,"about_ca_topic_score_gemma":0.24699566,"teacher_disagreement_score":0.09987469,"about_ca_system_score_codex":0.0034897197,"about_ca_system_score_gemma":0.003329834,"threshold_uncertainty_score":0.22171164},"labels":[],"label_agreement":null},{"id":"W4392256629","doi":"","title":"The Landscape of American Landscape Photography : 1960 – 1990","year":2019,"lang":"en","type":"preprint","venue":"theses.fr (ABES)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Geography; Cartography; Visual arts; Art","score_opus":0.02786190153209605,"score_gpt":0.25956043690763564,"score_spread":0.23169853537553958,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392256629","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5187288,0.021106854,0.00092715916,0.0056931796,0.0005107827,0.000109191,0.006587048,0.00009812061,0.44623885],"genre_scores_gemma":[0.928084,0.0113564255,0.0013802447,0.0006689785,0.00030672908,0.000053919022,0.0028374242,0.000080432794,0.055231854],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.9997178,0.000034499004,0.000012574612,0.00007626448,0.000094469375,0.000064271124],"domain_scores_gemma":[0.999483,0.00008875132,0.00010083599,0.000041377953,0.00019954982,0.00008652145],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00051022193,0.00016495373,0.00009180906,0.002414324,0.002515916,0.0019873902,0.00025466384,0.0004238783,0.00887055],"category_scores_gemma":[0.0011466416,0.00023124371,0.00012327461,0.0038595758,0.001324695,0.0014352184,0.0012599258,0.0009491113,0.0008068033],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00083788834,0.00022879442,0.1795455,0.0012100143,0.00007832593,0.0018559118,0.105889566,0.00054281676,0.0069283093,0.04138921,0.19969751,0.4617962],"study_design_scores_gemma":[0.000003870053,0.000016660573,0.496271,0.0002099922,0.000009983707,0.00028101372,0.010020055,0.000043021966,0.00029560883,0.00034006525,0.4924968,0.000012007695],"about_ca_topic_score_codex":0.1615199,"about_ca_topic_score_gemma":0.53689235,"teacher_disagreement_score":0.1615199,"about_ca_system_score_codex":0.004451738,"about_ca_system_score_gemma":0.0011869051,"threshold_uncertainty_score":0.32115948},"labels":[],"label_agreement":null},{"id":"W4392394242","doi":"10.1080/1472586x.2024.2292436","title":"The death and life of great visual urbanism","year":2024,"lang":"en","type":"article","venue":"Visual Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Urbanism; History; Aesthetics; Sociology; Visual arts; Art; Architecture","score_opus":0.0742634680847067,"score_gpt":0.338947644116432,"score_spread":0.26468417603172534,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392394242","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09707653,0.017669437,0.0030310096,0.3911336,0.0053129257,0.000020298374,0.00022387416,0.00032949197,0.48520285],"genre_scores_gemma":[0.89596236,0.0037098597,0.00077716704,0.022004241,0.0013574304,0.000018181167,0.000067183486,0.00024290849,0.07586082],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99781215,0.0012493238,0.000027315027,0.00021854263,0.00034374365,0.00034880143],"domain_scores_gemma":[0.9975141,0.0006266114,0.00016505303,0.0004587903,0.00037250156,0.00086290884],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024822426,0.00035819394,0.00032213447,0.00067574816,0.011343716,0.012549382,0.00069523446,0.0024680535,0.008750603],"category_scores_gemma":[0.004897656,0.00027828952,0.00028277907,0.00062216853,0.040407177,0.006272892,0.0063546766,0.0060269856,0.0017338713],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000849408,0.00002925309,0.001199385,0.00011402424,0.000020231006,0.00038263793,0.09485654,0.00016072727,0.00054643286,0.63290715,0.243171,0.026527638],"study_design_scores_gemma":[0.000012531967,0.000028449207,0.0010977581,0.00017601362,0.000004961774,0.00038095357,0.054924272,0.000092845854,0.00025205646,0.078863114,0.86414117,0.000025873276],"about_ca_topic_score_codex":0.008936916,"about_ca_topic_score_gemma":0.016928041,"teacher_disagreement_score":0.012549382,"about_ca_system_score_codex":0.0051662438,"about_ca_system_score_gemma":0.002026735,"threshold_uncertainty_score":0.03748393},"labels":[],"label_agreement":null},{"id":"W4392461455","doi":"10.23856/6105","title":"HARMONY OF LIGHT AND SHADOW: KEY ASPECTS OF LIGHTING IN PORTRAIT PHOTOGRAPHY","year":2024,"lang":"en","type":"article","venue":"Polonia University Scientific Journal","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centennial College","funders":"","keywords":"Portrait; Photography; Shadow (psychology); Harmony (color); Visual arts; Computer science; Aesthetics; Artificial intelligence; Art; Psychology","score_opus":0.01740167681413223,"score_gpt":0.21384952596615084,"score_spread":0.1964478491520186,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392461455","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25883287,0.04142911,0.07107329,0.0065252585,0.0011950159,0.00018746017,0.0000875667,0.00020789068,0.6204615],"genre_scores_gemma":[0.9545279,0.011290707,0.01302601,0.0002672733,0.00040244035,0.00003729901,0.000029467672,0.00011560839,0.020303199],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931645,0.00031628268,0.000024786761,0.000069592876,0.00020627615,0.00006654272],"domain_scores_gemma":[0.99933225,0.00042081476,0.000068548616,0.00003907213,0.00009340952,0.000045939927],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00066353544,0.00029371204,0.00021680271,0.0009319023,0.0014078947,0.0032644316,0.00036710923,0.0006062687,0.004284994],"category_scores_gemma":[0.0023994595,0.00019362554,0.00031795044,0.00078623666,0.0035213497,0.002318499,0.0013662623,0.0009716951,0.0004782403],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027942826,0.000088787936,0.011609555,0.0019933162,0.00006208727,0.0045754923,0.12507457,0.0020918075,0.03411468,0.39067927,0.008518945,0.420912],"study_design_scores_gemma":[0.000042531767,0.00047805868,0.13401574,0.002350331,0.0002264183,0.017492522,0.123278454,0.006886622,0.028823212,0.17530923,0.5108283,0.0002686312],"about_ca_topic_score_codex":0.0012479031,"about_ca_topic_score_gemma":0.0016859929,"teacher_disagreement_score":0.004284994,"about_ca_system_score_codex":0.0010392462,"about_ca_system_score_gemma":0.00038559886,"threshold_uncertainty_score":0.014334798},"labels":[],"label_agreement":null},{"id":"W4392608411","doi":"10.33137/ijournal.v9i1.42232","title":"Colourization of Photographs as Remix","year":2023,"lang":"en","type":"article","venue":"The iJournal Student Journal of the Faculty of Information","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Visual arts; Art; Computer graphics (images); Computer science","score_opus":0.02802988782113773,"score_gpt":0.29659297971928433,"score_spread":0.2685630918981466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392608411","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.104552165,0.004191121,0.08195986,0.007238974,0.0020932977,0.00024501933,0.00022331209,0.00053609296,0.79896027],"genre_scores_gemma":[0.8241631,0.0031030565,0.03959107,0.0012356793,0.0004942234,0.00014239662,0.000113498696,0.0005094193,0.13064763],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99811316,0.0011303157,0.00004858609,0.0001505333,0.00040418102,0.00015329076],"domain_scores_gemma":[0.9973519,0.000969996,0.00022824013,0.00092583353,0.00039737285,0.00012668307],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023100523,0.0004323753,0.00018845628,0.0012619013,0.0018785042,0.005291461,0.00068038283,0.0007360907,0.011442904],"category_scores_gemma":[0.007099702,0.00022370243,0.00031718233,0.0008429182,0.0067017996,0.0060195574,0.004057083,0.0017139455,0.0013711022],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013148549,0.000022496359,0.0007704717,0.00033936676,0.000016651333,0.0005798079,0.089546196,0.0007380069,0.007759239,0.816775,0.009679621,0.07364162],"study_design_scores_gemma":[0.000028932114,0.00013376414,0.0029029292,0.00066141156,0.000037372873,0.0018007825,0.047111396,0.001193468,0.010408616,0.13508372,0.80056965,0.00006803832],"about_ca_topic_score_codex":0.001507788,"about_ca_topic_score_gemma":0.0023999321,"teacher_disagreement_score":0.011442904,"about_ca_system_score_codex":0.0015208625,"about_ca_system_score_gemma":0.00074537704,"threshold_uncertainty_score":0.03828031},"labels":[],"label_agreement":null},{"id":"W4392845966","doi":"10.32920/25417459","title":"Picturing a Photographer: Organizing, Digitizing, &amp; Inventorying the Archive of Mazher Master (1920-1977)","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; Computer graphics (images); Art; Computer science","score_opus":0.08412467178260544,"score_gpt":0.27109469921905055,"score_spread":0.1869700274364451,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392845966","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19422318,0.028670197,0.040944327,0.016961187,0.003018782,0.00089819403,0.003776165,0.0009810008,0.71052706],"genre_scores_gemma":[0.36946782,0.036992088,0.1035233,0.0009922995,0.001595547,0.00046011148,0.0028798685,0.0011776377,0.48291138],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994843,0.00012333403,0.000033134147,0.0001087731,0.00019193305,0.00005854521],"domain_scores_gemma":[0.9993117,0.00017011722,0.000104359155,0.00012945698,0.00020476597,0.000079635895],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015467848,0.00031065522,0.00012931244,0.0026109894,0.0024720845,0.0035700563,0.0004891987,0.00042578997,0.014153291],"category_scores_gemma":[0.00307778,0.0003098176,0.0001909502,0.0030123661,0.0020386104,0.0028859577,0.0016715991,0.0012542169,0.0051723938],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065707245,0.000039050617,0.007558816,0.00043976674,0.000007748982,0.0003834682,0.05070236,0.0004481471,0.0054278234,0.10159016,0.2462029,0.5871341],"study_design_scores_gemma":[0.0000030213919,0.000023359591,0.011059238,0.00038458782,0.00000590329,0.00046771028,0.0075082164,0.00013806489,0.0029879753,0.002401264,0.9750055,0.000015219623],"about_ca_topic_score_codex":0.009774627,"about_ca_topic_score_gemma":0.025916368,"teacher_disagreement_score":0.014153291,"about_ca_system_score_codex":0.0027641356,"about_ca_system_score_gemma":0.0021371422,"threshold_uncertainty_score":0.047347486},"labels":[],"label_agreement":null},{"id":"W4392845990","doi":"10.32920/25417459.v1","title":"Picturing a Photographer: Organizing, Digitizing, &amp; Inventorying the Archive of Mazher Master (1920-1977)","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; Art","score_opus":0.08412467178260544,"score_gpt":0.27109469921905055,"score_spread":0.1869700274364451,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392845990","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19422318,0.028670197,0.040944327,0.016961187,0.003018782,0.00089819403,0.003776165,0.0009810008,0.71052706],"genre_scores_gemma":[0.36946782,0.036992088,0.1035233,0.0009922995,0.001595547,0.00046011148,0.0028798685,0.0011776377,0.48291138],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994843,0.00012333403,0.000033134147,0.0001087731,0.00019193305,0.00005854521],"domain_scores_gemma":[0.9993117,0.00017011722,0.000104359155,0.00012945698,0.00020476597,0.000079635895],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015467848,0.00031065522,0.00012931244,0.0026109894,0.0024720845,0.0035700563,0.0004891987,0.00042578997,0.014153291],"category_scores_gemma":[0.00307778,0.0003098176,0.0001909502,0.0030123661,0.0020386104,0.0028859577,0.0016715991,0.0012542169,0.0051723938],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065707245,0.000039050617,0.007558816,0.00043976674,0.000007748982,0.0003834682,0.05070236,0.0004481471,0.0054278234,0.10159016,0.2462029,0.5871341],"study_design_scores_gemma":[0.0000030213919,0.000023359591,0.011059238,0.00038458782,0.00000590329,0.00046771028,0.0075082164,0.00013806489,0.0029879753,0.002401264,0.9750055,0.000015219623],"about_ca_topic_score_codex":0.009774627,"about_ca_topic_score_gemma":0.025916368,"teacher_disagreement_score":0.014153291,"about_ca_system_score_codex":0.0027641356,"about_ca_system_score_gemma":0.0021371422,"threshold_uncertainty_score":0.047347486},"labels":[],"label_agreement":null},{"id":"W4393164223","doi":"10.32920/ryerson.14646180.v2","title":"Gender and consumerism in Nickolas Muray's photography for McCall's Magazine, 1933-1945","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; NSCAD University","funders":"","keywords":"Consumerism; Photography; Art; Aesthetics; Art history; Literature; Sociology; Visual arts; Political science; Law","score_opus":0.058000761694700566,"score_gpt":0.2907054398461426,"score_spread":0.23270467815144205,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393164223","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7337193,0.013896924,0.00045394828,0.012725334,0.00074841426,0.000025741796,0.00015988789,0.00004726768,0.23822312],"genre_scores_gemma":[0.9381719,0.0022093775,0.00023192664,0.00055313343,0.00013938302,0.00000958944,0.000022745931,0.000040077666,0.05862186],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995677,0.00019800347,0.000010093646,0.00005028284,0.00009452421,0.00007934454],"domain_scores_gemma":[0.9993794,0.00030473573,0.000092735965,0.000024728304,0.00010145558,0.00009686279],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00074959826,0.00023644649,0.00012235716,0.0012288468,0.0068454733,0.003304355,0.00025206245,0.0007237928,0.0052772677],"category_scores_gemma":[0.0015056632,0.00020201558,0.00010682897,0.00072087406,0.004181092,0.0014893564,0.001215982,0.0009945566,0.0003536425],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019109735,0.00003807922,0.009579822,0.00016560983,0.000011834128,0.0031002415,0.83942044,0.000067870795,0.0037856032,0.058341064,0.047149833,0.03814848],"study_design_scores_gemma":[0.000003923793,0.00005137995,0.036854636,0.00019036718,0.000010075928,0.0010776707,0.1976762,0.00002821103,0.0023925067,0.00081633934,0.7608718,0.000026899008],"about_ca_topic_score_codex":0.09868046,"about_ca_topic_score_gemma":0.29646266,"teacher_disagreement_score":0.09868046,"about_ca_system_score_codex":0.0080060875,"about_ca_system_score_gemma":0.0009710274,"threshold_uncertainty_score":0.19621217},"labels":[],"label_agreement":null},{"id":"W4393378073","doi":"10.1525/aft.2024.51.1.4","title":"Photographic Ethics of Coexistence","year":2024,"lang":"en","type":"article","venue":"Afterimage","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sociology; Engineering ethics; Engineering","score_opus":0.06910667896111902,"score_gpt":0.31591583544004687,"score_spread":0.24680915647892784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393378073","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0064149555,0.004559906,0.006285185,0.036724385,0.0010979689,0.000045549226,0.000057296857,0.00004998989,0.9447648],"genre_scores_gemma":[0.7515632,0.003438233,0.0049202247,0.019260596,0.0015422021,0.00030494874,0.00009385224,0.0002128327,0.21866399],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99000555,0.0059044147,0.00032783643,0.0013754966,0.0013533311,0.0010334245],"domain_scores_gemma":[0.992147,0.0037366536,0.0004112042,0.0021553298,0.0010771403,0.00047259516],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.008123952,0.00046347445,0.00044621603,0.0012919344,0.013817492,0.010797935,0.001468131,0.008734404,0.016698532],"category_scores_gemma":[0.0146786,0.000475417,0.0004415559,0.00096279534,0.055343136,0.007285125,0.008263966,0.008397359,0.0028446433],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005810783,0.0000027668486,0.000088791014,0.000015555075,0.0000014380406,0.0000747803,0.0052611902,0.000028407068,0.0000360402,0.9824195,0.009159819,0.002905799],"study_design_scores_gemma":[0.00001147288,0.000009904389,0.0002676723,0.00023751931,0.000006924719,0.00039734918,0.0067715407,0.00015423195,0.00017391758,0.31334692,0.67860746,0.000015144549],"about_ca_topic_score_codex":0.01018005,"about_ca_topic_score_gemma":0.010557096,"teacher_disagreement_score":0.016698532,"about_ca_system_score_codex":0.0064346255,"about_ca_system_score_gemma":0.004224098,"threshold_uncertainty_score":0.05586219},"labels":[],"label_agreement":null},{"id":"W4393644926","doi":"10.5281/zenodo.10312102","title":"Heart of Brother Saint André...","year":2019,"lang":"fr","type":"dataset","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Brother; SAINT; Genealogy; Art; Art history; History; Sociology; Anthropology","score_opus":0.05919622593829402,"score_gpt":0.2689889538530078,"score_spread":0.2097927279147138,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393644926","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002780035,0.0024481183,0.0015834,0.002192698,0.0014437302,0.00008000856,0.8638442,0.004475956,0.12115191],"genre_scores_gemma":[0.009912004,0.001671603,0.0027681955,0.0007512857,0.00021386905,0.000100754034,0.83899444,0.0014564457,0.14413135],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99957615,0.000054671626,0.000017712246,0.00014510771,0.00011930521,0.00008704649],"domain_scores_gemma":[0.9994723,0.000069123475,0.00003874718,0.0001263651,0.00016402076,0.00012946299],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033140593,0.0014741136,0.0009038416,0.0014670185,0.0016279753,0.0022337576,0.0011011442,0.0010352886,0.22052503],"category_scores_gemma":[0.0021785952,0.00040849633,0.0005840657,0.0025204145,0.0003074583,0.0017038479,0.0014259455,0.0014286593,0.2775619],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035492445,0.000004090178,0.00031385646,0.00006494162,0.0000024802434,0.00002180042,0.000024821305,0.000035442114,0.00006557379,0.0004099465,0.99170274,0.0073187817],"study_design_scores_gemma":[0.0000059884082,0.0000025118793,0.0016168396,0.0000461269,0.000002002135,0.000058968744,0.000075815056,0.00007430081,0.00014209781,0.00023634694,0.9977343,0.000004689708],"about_ca_topic_score_codex":0.059594434,"about_ca_topic_score_gemma":0.16367504,"teacher_disagreement_score":0.22052503,"about_ca_system_score_codex":0.0014266649,"about_ca_system_score_gemma":0.0014142003,"threshold_uncertainty_score":0.73772967},"labels":[],"label_agreement":null},{"id":"W4393767319","doi":"10.5281/zenodo.10312103","title":"Heart of Brother Saint André...","year":2019,"lang":"fr","type":"dataset","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Brother; SAINT; Art; Genealogy; Art history; History; Political science; Law","score_opus":0.05919622593829402,"score_gpt":0.2689889538530078,"score_spread":0.2097927279147138,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393767319","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002780035,0.0024481183,0.0015834,0.002192698,0.0014437302,0.00008000856,0.8638442,0.004475956,0.12115191],"genre_scores_gemma":[0.009912004,0.001671603,0.0027681955,0.0007512857,0.00021386905,0.000100754034,0.83899444,0.0014564457,0.14413135],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99957615,0.000054671626,0.000017712246,0.00014510771,0.00011930521,0.00008704649],"domain_scores_gemma":[0.9994723,0.000069123475,0.00003874718,0.0001263651,0.00016402076,0.00012946299],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033140593,0.0014741136,0.0009038416,0.0014670185,0.0016279753,0.0022337576,0.0011011442,0.0010352886,0.22052503],"category_scores_gemma":[0.0021785952,0.00040849633,0.0005840657,0.0025204145,0.0003074583,0.0017038479,0.0014259455,0.0014286593,0.2775619],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035492445,0.000004090178,0.00031385646,0.00006494162,0.0000024802434,0.00002180042,0.000024821305,0.000035442114,0.00006557379,0.0004099465,0.99170274,0.0073187817],"study_design_scores_gemma":[0.0000059884082,0.0000025118793,0.0016168396,0.0000461269,0.000002002135,0.000058968744,0.000075815056,0.00007430081,0.00014209781,0.00023634694,0.9977343,0.000004689708],"about_ca_topic_score_codex":0.059594434,"about_ca_topic_score_gemma":0.16367504,"teacher_disagreement_score":0.22052503,"about_ca_system_score_codex":0.0014266649,"about_ca_system_score_gemma":0.0014142003,"threshold_uncertainty_score":0.73772967},"labels":[],"label_agreement":null},{"id":"W4393910190","doi":"10.17742/image.sightoil.3-1.11","title":"THE NEW TOPOGRAPHICS, DARK ECOLOGY, AND THE ENERGY INFRASTRUCTURE OF NATIONS: CONSIDERING AGENCY IN THE PHOTOGRAPHS OF EDWARD BURTYNSKY AND MITCH EPSTEIN FROM A POST-ANARCHIST PERSPECTIVE","year":2012,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Agency (philosophy); Perspective (graphical); Ecology; Sociology; Environmental ethics; Energy (signal processing); Social science; Biology; Visual arts; Philosophy; Art; Physics","score_opus":0.022191635852334263,"score_gpt":0.34288739835533044,"score_spread":0.3206957625029962,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393910190","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16150667,0.007690467,0.0059807287,0.04462108,0.0009164308,0.000041068954,0.00008008332,0.00005381531,0.77910966],"genre_scores_gemma":[0.9354245,0.0021438035,0.0014704849,0.0014827511,0.00012135192,0.000030279272,0.00001850356,0.000059754097,0.05924857],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995289,0.00029397177,0.000006229112,0.00003949868,0.00007541932,0.000055994788],"domain_scores_gemma":[0.99972695,0.00014294514,0.00002252703,0.000032116634,0.0000378678,0.00003757645],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00060214836,0.0002853555,0.000116452684,0.0005676754,0.0056329113,0.005222043,0.00042297153,0.0011577355,0.004002298],"category_scores_gemma":[0.0011531343,0.00017990805,0.0001371272,0.00046776637,0.013215352,0.0055777035,0.0021363166,0.002305871,0.00035761116],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026149872,0.000017121494,0.00061938225,0.00004303728,0.0000029419111,0.0005515056,0.28294584,0.00033708822,0.00053641037,0.680631,0.02577722,0.008512403],"study_design_scores_gemma":[0.000005884732,0.000013911021,0.0011405551,0.00011507773,0.0000048695224,0.00039920758,0.1993582,0.00027398928,0.00037932812,0.040166985,0.7581234,0.000018654027],"about_ca_topic_score_codex":0.023785973,"about_ca_topic_score_gemma":0.053900138,"teacher_disagreement_score":0.023785973,"about_ca_system_score_codex":0.004627363,"about_ca_system_score_gemma":0.0011662913,"threshold_uncertainty_score":0.047295034},"labels":[],"label_agreement":null},{"id":"W4393937286","doi":"10.1353/hir.2024.a923881","title":"The Art of Witnessing: Francisco de Goya's Disasters of War by Michael Iarocci, and: Francisco de Goya and the Art of Critique by Anthony J. Cascardi (review)","year":2024,"lang":"en","type":"article","venue":"Hispanic Review","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Humanities; History","score_opus":0.009038984212229866,"score_gpt":0.26326699166590634,"score_spread":0.25422800745367646,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393937286","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005914674,0.9896728,0.000015089387,0.007757865,0.0012257434,0.000002178051,0.000010988824,0.0000020272955,0.0012542739],"genre_scores_gemma":[0.0030833296,0.98325825,0.00006338137,0.005061056,0.0025325231,0.000017160291,0.00006178874,0.0000073189594,0.0059151542],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894756,0.00033317972,0.00006112998,0.00014552074,0.0004049605,0.00010764896],"domain_scores_gemma":[0.9976547,0.0010394048,0.00034722427,0.00006418212,0.00065466383,0.00023971296],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021816108,0.0010971627,0.0011155045,0.002490021,0.0013981536,0.0045813476,0.0010804309,0.002470501,0.008943794],"category_scores_gemma":[0.005982845,0.00047495615,0.0006073143,0.0048206453,0.0033628438,0.004042099,0.0018581968,0.0038868242,0.0018404103],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003367435,0.000008599035,0.00025848675,0.0050230515,0.000049516126,0.00008339189,0.0012982608,0.000106650084,0.00006638868,0.0053292913,0.84254855,0.14519414],"study_design_scores_gemma":[0.000009454358,0.000009486086,0.0013005467,0.00933776,0.000027945152,0.0002035551,0.0010985123,0.000014433743,0.000021413525,0.0011943682,0.98676646,0.000016009535],"about_ca_topic_score_codex":0.03979095,"about_ca_topic_score_gemma":0.052332573,"teacher_disagreement_score":0.03979095,"about_ca_system_score_codex":0.0053708334,"about_ca_system_score_gemma":0.010332672,"threshold_uncertainty_score":0.07911867},"labels":[],"label_agreement":null},{"id":"W4394940753","doi":"10.33137/ic.v37i1.42110","title":"Insider/Outsider. My Immigrant Experience as a Photo Artist","year":2023,"lang":"en","type":"article","venue":"Italian Canadiana","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Insider; Immigration; Art; Visual arts; Sociology; Political science; Law","score_opus":0.040677684543436086,"score_gpt":0.26904537150560537,"score_spread":0.22836768696216928,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394940753","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6493022,0.003382098,0.0019436707,0.017549248,0.0008507598,0.000077439545,0.00013055511,0.0000908919,0.3266731],"genre_scores_gemma":[0.9708821,0.0005553265,0.00039333905,0.0020324686,0.00008928119,0.000030596744,0.000018121267,0.000043363416,0.025955463],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99634296,0.0021425493,0.00006330507,0.0003980088,0.00052663917,0.0005265358],"domain_scores_gemma":[0.9979505,0.000823318,0.00024952172,0.0002075714,0.00026670747,0.0005024362],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034401696,0.00042751813,0.00033449917,0.00097260467,0.014714408,0.009326819,0.0007353387,0.0019347416,0.0062315925],"category_scores_gemma":[0.004681547,0.00025228053,0.00034559125,0.0007706482,0.019811116,0.0035224126,0.005573613,0.0031864597,0.0007532049],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015484145,0.000008481221,0.001228776,0.000029374442,0.0000020873913,0.00041257415,0.9805453,0.000009385046,0.0004878054,0.009922927,0.003054335,0.0042834557],"study_design_scores_gemma":[0.000004304365,0.000023834218,0.0022307353,0.00011463085,0.0000051542897,0.00088883523,0.9018752,0.00002804428,0.00013750719,0.00065813627,0.09401539,0.000018216577],"about_ca_topic_score_codex":0.043662623,"about_ca_topic_score_gemma":0.055256844,"teacher_disagreement_score":0.9563374,"about_ca_system_score_codex":0.0032342256,"about_ca_system_score_gemma":0.0027286082,"threshold_uncertainty_score":0.08681691},"labels":[],"label_agreement":null},{"id":"W4396803563","doi":"10.3390/genealogy8020054","title":"Curating Community behind Barbed Wire: Canadian Prisoner of War Art from the Second World War","year":2024,"lang":"en","type":"article","venue":"Genealogy","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Carleton University","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Prisoners of war; World War II; Art history; First world war; Economic history; History; Art; Ancient history; Archaeology","score_opus":0.04267352413665865,"score_gpt":0.25767832309394223,"score_spread":0.21500479895728358,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396803563","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68021053,0.0071238684,0.0015367867,0.02890764,0.0009961198,0.00014746547,0.0010537189,0.00016816721,0.27985567],"genre_scores_gemma":[0.9194082,0.0036103334,0.0011221264,0.002045889,0.000067352885,0.000043238622,0.00029055946,0.00017275404,0.073239446],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99854666,0.00026324732,0.000021482436,0.0001396818,0.00047120315,0.0005578184],"domain_scores_gemma":[0.99859065,0.00022837218,0.00010679597,0.00007961153,0.00056881283,0.0004257468],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010747423,0.00074266637,0.00040463553,0.0029836814,0.049970567,0.00786334,0.002027255,0.0015914917,0.012804361],"category_scores_gemma":[0.0032224995,0.00049308134,0.00033652136,0.0038283644,0.014607932,0.0021589582,0.005931921,0.0036134133,0.00082317274],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046439036,0.000016952827,0.0034373328,0.000115932235,0.000009217514,0.0018679939,0.91853166,0.00009135057,0.0007618442,0.013602288,0.042371165,0.019147765],"study_design_scores_gemma":[0.0000027382812,0.000010428814,0.0067925006,0.00020285025,0.000014043905,0.0005236129,0.70658404,0.000063150255,0.00030488247,0.0004375156,0.2850313,0.00003291848],"about_ca_topic_score_codex":0.99028933,"about_ca_topic_score_gemma":0.99785846,"teacher_disagreement_score":0.07540983,"about_ca_system_score_codex":0.07540983,"about_ca_system_score_gemma":0.080096744,"threshold_uncertainty_score":0.54713917},"labels":[],"label_agreement":null},{"id":"W4396873577","doi":"","title":"Léon Gimpel : les audaces d’un photographe (1875-1948),","year":2008,"lang":"fr","type":"book","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Philosophy","score_opus":0.02146111049304161,"score_gpt":0.2168955988387858,"score_spread":0.1954344883457442,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396873577","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005189663,0.5117617,0.0007327051,0.014142551,0.005464627,0.000038970546,0.00041718705,0.00005171496,0.46220082],"genre_scores_gemma":[0.09048529,0.16215174,0.00071318424,0.0030600496,0.002695202,0.00008984058,0.00023191821,0.00013068985,0.7404421],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99956626,0.00012328371,0.000020118661,0.00010995301,0.000093402974,0.00008696307],"domain_scores_gemma":[0.9998055,0.00008645418,0.000025280217,0.000014504213,0.000047260528,0.000021004558],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048356163,0.0010417164,0.00038957098,0.0033250218,0.003962033,0.0036436508,0.0006078879,0.0025041671,0.023866463],"category_scores_gemma":[0.001507056,0.00053538743,0.00024528924,0.0033834889,0.0038001933,0.0049724947,0.0021010372,0.0029174846,0.0041150968],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000108755565,0.00002974048,0.0004887557,0.00064067496,0.000013496843,0.0005051643,0.017427612,0.00020277275,0.0002977004,0.4014185,0.46496958,0.11389734],"study_design_scores_gemma":[0.000003394216,0.0000047817935,0.00073823205,0.00032908164,0.0000026423795,0.00008834756,0.00075850385,0.000008943421,0.000096206415,0.0039365427,0.99402833,0.0000049191185],"about_ca_topic_score_codex":0.08347054,"about_ca_topic_score_gemma":0.20304705,"teacher_disagreement_score":0.08347054,"about_ca_system_score_codex":0.00805225,"about_ca_system_score_gemma":0.0027365047,"threshold_uncertainty_score":0.16596931},"labels":[],"label_agreement":null},{"id":"W4399192590","doi":"10.1515/9782760624313-fm","title":"Front Matter","year":2004,"lang":"fr","type":"paratext","venue":"Les Presses de l'Université de Montréal eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal; Bibliothèque et Archives nationales du Québec","funders":"","keywords":"Front (military); Medicine; Physics; Meteorology","score_opus":0.01192874073960997,"score_gpt":0.1945566806331104,"score_spread":0.18262793989350043,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399192590","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020731452,0.0021776285,0.0007161849,0.0070755356,0.0038112018,0.00007473336,0.0018200364,0.0006041197,0.9816475],"genre_scores_gemma":[0.003473821,0.000969305,0.00030834987,0.0010894662,0.00027860995,0.000020489748,0.00064735615,0.00014857411,0.9930641],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931,0.000064038584,0.000025862924,0.00025276738,0.00019341648,0.00015387175],"domain_scores_gemma":[0.9994404,0.00010373858,0.000035826146,0.00004554342,0.0001301033,0.00024432133],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00059895276,0.0016325838,0.0007418438,0.00082788744,0.0019441129,0.0044726795,0.0011168651,0.0044882526,0.88835216],"category_scores_gemma":[0.0015183295,0.00036505298,0.0006306797,0.00056792167,0.0012199002,0.0022669164,0.0015976073,0.001900314,0.8094584],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004085428,0.00012140139,0.002028609,0.00047823062,0.000020253758,0.00083981804,0.0002311344,0.00013473158,0.0027503413,0.015232365,0.6581642,0.3195903],"study_design_scores_gemma":[0.000025267862,0.000025003294,0.0008919975,0.00011053686,0.000004446978,0.0003917289,0.00018188558,0.000082680104,0.0002530443,0.0011522121,0.9968753,0.000005852102],"about_ca_topic_score_codex":0.004173852,"about_ca_topic_score_gemma":0.00844023,"teacher_disagreement_score":0.111647844,"about_ca_system_score_codex":0.0011567853,"about_ca_system_score_gemma":0.0010890913,"threshold_uncertainty_score":0.15925205},"labels":[],"label_agreement":null},{"id":"W4399263582","doi":"10.1007/978-3-031-56000-2_5","title":"The Medium in Sight: Mina Loy’s Vision","year":2024,"lang":"en","type":"book-chapter","venue":"Material modernisms","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Sight; Optometry; Art; Astronomy; Medicine; Physics","score_opus":0.02870664028164575,"score_gpt":0.24804325678215963,"score_spread":0.2193366165005139,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399263582","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0042985114,0.057658456,0.002332362,0.15351959,0.006009014,0.000024049983,0.000044974284,0.000089666915,0.7760234],"genre_scores_gemma":[0.20042953,0.023203053,0.0023870482,0.03142263,0.004404456,0.00007797437,0.000036707195,0.00027826877,0.73776037],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994929,0.00023087274,0.00000943611,0.00007957046,0.0000864433,0.000100692836],"domain_scores_gemma":[0.9996125,0.0001611004,0.000025949972,0.000025089024,0.000072778224,0.00010258247],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00093909394,0.00056593766,0.00033104784,0.00081682607,0.008488546,0.00915237,0.00073670124,0.003550361,0.013245382],"category_scores_gemma":[0.0015234222,0.00024087036,0.00021732798,0.00062750344,0.01410696,0.00906451,0.0038053202,0.0073214513,0.0017591028],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021219106,0.000015329619,0.00008256403,0.000059239566,0.0000023721147,0.0000706081,0.013326438,0.000027009233,0.00010764428,0.75225985,0.21032646,0.023701336],"study_design_scores_gemma":[0.0000030107879,0.0000069050116,0.00014237929,0.0001117145,0.0000015357126,0.00008140815,0.0045798053,0.000026609046,0.0000635528,0.041157745,0.95381874,0.000006637344],"about_ca_topic_score_codex":0.02086205,"about_ca_topic_score_gemma":0.05547751,"teacher_disagreement_score":0.02086205,"about_ca_system_score_codex":0.0052268156,"about_ca_system_score_gemma":0.0034396662,"threshold_uncertainty_score":0.044310212},"labels":[],"label_agreement":null},{"id":"W4399281187","doi":"10.52975/llt.2024v93.030","title":"Robert Forrant and Mary Anne Trasciatti, eds., Where are the Workers? Labor’s Stories at Museums and Historic Sites (Urbana, Chicago, and Springfield: University of Illinois Press, 2022)","year":2024,"lang":"en","type":"article","venue":"Labour / Le Travail","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Media studies; Sociology; Gerontology; History; Medicine","score_opus":0.012428299914880163,"score_gpt":0.1965788586085964,"score_spread":0.18415055869371622,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399281187","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00061271025,0.9070125,0.0006141658,0.04639866,0.00447173,0.000020293106,0.00016215183,0.000071874536,0.040635873],"genre_scores_gemma":[0.006787578,0.8973612,0.0011601889,0.0045689903,0.002688782,0.000050536622,0.00019960193,0.000119301585,0.08706386],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984798,0.00050855044,0.00008387034,0.00012505252,0.00066057465,0.0001420508],"domain_scores_gemma":[0.9977276,0.0010890368,0.00023012412,0.000085019594,0.0005642821,0.00030393974],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025300942,0.0014094891,0.0007422012,0.002497748,0.0023195501,0.0053167627,0.0013889082,0.0028278292,0.022349548],"category_scores_gemma":[0.0042949445,0.0009827273,0.0004898499,0.0028592723,0.0021189041,0.011838046,0.0019555618,0.0036520304,0.0152771175],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025630452,0.000017441436,0.00024916593,0.00041468427,0.0000043534405,0.00007382193,0.0032175211,0.000038093527,0.000062632505,0.0045294035,0.90550387,0.085863374],"study_design_scores_gemma":[0.0000059756894,0.0000056262033,0.0013007675,0.0013729577,0.0000068410545,0.0002484092,0.004341687,0.000021706146,0.00007637621,0.0026785845,0.989925,0.00001598848],"about_ca_topic_score_codex":0.03656893,"about_ca_topic_score_gemma":0.0817409,"teacher_disagreement_score":0.03656893,"about_ca_system_score_codex":0.0023135364,"about_ca_system_score_gemma":0.0034802146,"threshold_uncertainty_score":0.074766636},"labels":[],"label_agreement":null},{"id":"W4399660409","doi":"10.32920/26042728","title":"Forgotten Not Lost: Rediscovering the Life and Work of Minna Keene (1859-1943) at the Image Centre","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Studio; Biography; History; Negative; Art history; Scope (computer science); Work (physics); Visual arts; Art; Engineering","score_opus":0.03226834291696124,"score_gpt":0.24921614342057816,"score_spread":0.21694780050361692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399660409","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63163877,0.046560396,0.0018609109,0.023294875,0.0015567432,0.000054396052,0.00029083918,0.000059889095,0.29468316],"genre_scores_gemma":[0.90415204,0.010205153,0.00079993263,0.0016442259,0.00018139664,0.000032512482,0.00007902754,0.00016594536,0.08273975],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99762315,0.0010931502,0.000051194893,0.00043943033,0.00033666147,0.00045645222],"domain_scores_gemma":[0.99811184,0.0008585474,0.00020375404,0.0001621273,0.00025826533,0.00040552876],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027840424,0.00049385556,0.0004708145,0.0018405374,0.026512168,0.009651561,0.00093671825,0.0014981469,0.0050350716],"category_scores_gemma":[0.0059863282,0.00049634883,0.00017815847,0.0017894905,0.023347775,0.0077148974,0.008615812,0.0036953855,0.0009400321],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004262461,0.000011521742,0.0016144062,0.00008518978,0.0000060315306,0.0005408068,0.91500133,0.000028265755,0.00040644367,0.050723426,0.0137132695,0.017826708],"study_design_scores_gemma":[0.0000016136877,0.000026717917,0.004936573,0.0004808521,0.0000070889064,0.0007453168,0.34675315,0.000020642934,0.0005717529,0.0033728261,0.6430541,0.000029319861],"about_ca_topic_score_codex":0.05281103,"about_ca_topic_score_gemma":0.17182861,"teacher_disagreement_score":0.05281103,"about_ca_system_score_codex":0.013805912,"about_ca_system_score_gemma":0.0050896136,"threshold_uncertainty_score":0.10500729},"labels":[],"label_agreement":null},{"id":"W4399660490","doi":"10.32920/26042710","title":"Beyond the Album Covers: A Finding Aid for a Collection of Early Twentieth-century Snapshot Albums at the Museum of Fine Arts, Boston","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Snapshot (computer storage); Ephemera; Amateur; Visual arts; Photography; Art; Art history; Computer science; History; Archaeology","score_opus":0.0515618889359862,"score_gpt":0.28731958798386287,"score_spread":0.23575769904787666,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399660490","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5385914,0.012527929,0.044686828,0.016324235,0.0066270735,0.003462915,0.07882197,0.00842413,0.2905336],"genre_scores_gemma":[0.31803983,0.011803799,0.2751407,0.0015452631,0.0027802798,0.0021601042,0.0444757,0.00779916,0.3362552],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942076,0.00020093846,0.00003984887,0.00007684067,0.00021064839,0.00005108651],"domain_scores_gemma":[0.99762315,0.00079905376,0.00016124597,0.0005712197,0.00059558806,0.00024971858],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016384528,0.0003852803,0.0002528956,0.0042903055,0.002654935,0.0020736638,0.00046887214,0.00036379325,0.02162666],"category_scores_gemma":[0.0035802685,0.00030769085,0.0002287615,0.0047197174,0.00063403,0.0018078767,0.0026080925,0.0006313391,0.005288797],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021375003,0.00008893756,0.010665157,0.00085786893,0.000022384877,0.0015258595,0.0689357,0.0003808377,0.011432254,0.0037406264,0.54729664,0.35484],"study_design_scores_gemma":[0.000009084903,0.000027385384,0.017121792,0.0002605394,0.00000911453,0.00035507133,0.01980443,0.00019904158,0.0015696548,0.00033501905,0.96028817,0.000020542457],"about_ca_topic_score_codex":0.008577384,"about_ca_topic_score_gemma":0.05041997,"teacher_disagreement_score":0.02162666,"about_ca_system_score_codex":0.0010781361,"about_ca_system_score_gemma":0.0013891853,"threshold_uncertainty_score":0.072348356},"labels":[],"label_agreement":null},{"id":"W4399660528","doi":"10.32920/26042710.v1","title":"Beyond the Album Covers: A Finding Aid for a Collection of Early Twentieth-century Snapshot Albums at the Museum of Fine Arts, Boston","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Snapshot (computer storage); Ephemera; Amateur; Visual arts; Photography; Art; Art history; Computer science; History; Archaeology","score_opus":0.0515618889359862,"score_gpt":0.28731958798386287,"score_spread":0.23575769904787666,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399660528","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5385914,0.012527929,0.044686828,0.016324235,0.0066270735,0.003462915,0.07882197,0.00842413,0.2905336],"genre_scores_gemma":[0.31803983,0.011803799,0.2751407,0.0015452631,0.0027802798,0.0021601042,0.0444757,0.00779916,0.3362552],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942076,0.00020093846,0.00003984887,0.00007684067,0.00021064839,0.00005108651],"domain_scores_gemma":[0.99762315,0.00079905376,0.00016124597,0.0005712197,0.00059558806,0.00024971858],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016384528,0.0003852803,0.0002528956,0.0042903055,0.002654935,0.0020736638,0.00046887214,0.00036379325,0.02162666],"category_scores_gemma":[0.0035802685,0.00030769085,0.0002287615,0.0047197174,0.00063403,0.0018078767,0.0026080925,0.0006313391,0.005288797],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021375003,0.00008893756,0.010665157,0.00085786893,0.000022384877,0.0015258595,0.0689357,0.0003808377,0.011432254,0.0037406264,0.54729664,0.35484],"study_design_scores_gemma":[0.000009084903,0.000027385384,0.017121792,0.0002605394,0.00000911453,0.00035507133,0.01980443,0.00019904158,0.0015696548,0.00033501905,0.96028817,0.000020542457],"about_ca_topic_score_codex":0.008577384,"about_ca_topic_score_gemma":0.05041997,"teacher_disagreement_score":0.02162666,"about_ca_system_score_codex":0.0010781361,"about_ca_system_score_gemma":0.0013891853,"threshold_uncertainty_score":0.072348356},"labels":[],"label_agreement":null},{"id":"W4399660537","doi":"10.32920/26042728.v1","title":"Forgotten Not Lost: Rediscovering the Life and Work of Minna Keene (1859-1943) at the Image Centre","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Studio; Biography; History; Art history; Visual arts; Art","score_opus":0.03226834291696124,"score_gpt":0.24921614342057816,"score_spread":0.21694780050361692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399660537","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63163877,0.046560396,0.0018609109,0.023294875,0.0015567432,0.000054396052,0.00029083918,0.000059889095,0.29468316],"genre_scores_gemma":[0.90415204,0.010205153,0.00079993263,0.0016442259,0.00018139664,0.000032512482,0.00007902754,0.00016594536,0.08273975],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99762315,0.0010931502,0.000051194893,0.00043943033,0.00033666147,0.00045645222],"domain_scores_gemma":[0.99811184,0.0008585474,0.00020375404,0.0001621273,0.00025826533,0.00040552876],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0027840424,0.00049385556,0.0004708145,0.0018405374,0.026512168,0.009651561,0.00093671825,0.0014981469,0.0050350716],"category_scores_gemma":[0.0059863282,0.00049634883,0.00017815847,0.0017894905,0.023347775,0.0077148974,0.008615812,0.0036953855,0.0009400321],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004262461,0.000011521742,0.0016144062,0.00008518978,0.0000060315306,0.0005408068,0.91500133,0.000028265755,0.00040644367,0.050723426,0.0137132695,0.017826708],"study_design_scores_gemma":[0.0000016136877,0.000026717917,0.004936573,0.0004808521,0.0000070889064,0.0007453168,0.34675315,0.000020642934,0.0005717529,0.0033728261,0.6430541,0.000029319861],"about_ca_topic_score_codex":0.05281103,"about_ca_topic_score_gemma":0.17182861,"teacher_disagreement_score":0.05281103,"about_ca_system_score_codex":0.013805912,"about_ca_system_score_gemma":0.0050896136,"threshold_uncertainty_score":0.10500729},"labels":[],"label_agreement":null},{"id":"W4400544680","doi":"10.7202/1112079ar","title":"[ Sans Titre - No Title ]The Undead Archive: 100 Years of Photographing Ghosts. Gallery 1C03, Winnipeg, Manitoba, September 7 – November 10, 2023; University of Manitoba Archives &amp; Special Collections, Winnipeg, Manitoba, September 21, 2023 – April 21, 2024; School of Art Gallery, Winnipeg, Manitoba, September 21 – November 10, 2023. Curated by Dr. Serena Keshavjee","year":2024,"lang":"en","type":"article","venue":"Archivaria","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Gerontology; History; Art; Archaeology; Medicine","score_opus":0.021015468388604356,"score_gpt":0.23834329098151455,"score_spread":0.2173278225929102,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400544680","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004886038,0.008349484,0.00052689126,0.0073784534,0.03375285,0.0005044145,0.026205413,0.0012072496,0.92158675],"genre_scores_gemma":[0.0015189393,0.0038986884,0.00042158065,0.00096010906,0.001318879,0.00013177261,0.009525707,0.0010437676,0.98118055],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99872285,0.00008967309,0.00008186596,0.00014521353,0.00079969695,0.00016056822],"domain_scores_gemma":[0.99366224,0.00035778058,0.00027090893,0.0006780068,0.0044692885,0.0005618409],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012799486,0.0012695525,0.0010993321,0.0046120626,0.0039598094,0.0075943354,0.002053299,0.0015206019,0.72715294],"category_scores_gemma":[0.007494326,0.0008194783,0.00069173827,0.007604372,0.0013333046,0.0030907907,0.0037576568,0.0024464119,0.6304744],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006926229,0.0000015027956,0.00002436789,0.0000611123,7.915816e-7,0.000008042845,0.000052123432,0.000004241905,0.000049541108,0.00033233743,0.9929986,0.0064603346],"study_design_scores_gemma":[0.000001693758,0.0000016420319,0.00031725096,0.00010217831,6.9670705e-7,0.000015782962,0.0000793688,0.000002605278,0.000028008284,0.00003927561,0.9994091,0.000002484983],"about_ca_topic_score_codex":0.1623118,"about_ca_topic_score_gemma":0.24182992,"teacher_disagreement_score":0.8376882,"about_ca_system_score_codex":0.0040662354,"about_ca_system_score_gemma":0.0051545957,"threshold_uncertainty_score":0.38918316},"labels":[],"label_agreement":null},{"id":"W4400545272","doi":"10.7202/1112078ar","title":"[ Sans Titre - No Title ]The Art of Ectoplasm: Encounters with Winnipeg’s Ghost Photographs. Serena Keshavjee, editor. Winnipeg: University of Manitoba Press, 2023. 318 pp. 9781772840377","year":2024,"lang":"en","type":"article","venue":"Archivaria","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Gerontology; Medicine","score_opus":0.010625041608224922,"score_gpt":0.20020207232744916,"score_spread":0.18957703071922424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400545272","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013706681,0.65725446,0.0012983823,0.0399237,0.06899956,0.00013135318,0.0013440078,0.00024214295,0.22943577],"genre_scores_gemma":[0.017269202,0.38057914,0.0018513144,0.00586062,0.0089570135,0.00008122768,0.0016326034,0.00054946746,0.5832194],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924445,0.00014902376,0.000046584893,0.00007009245,0.00042521534,0.00006464169],"domain_scores_gemma":[0.9983448,0.00034569862,0.00011291643,0.0001399562,0.00089949,0.00015714375],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011343148,0.001244531,0.0008215135,0.0032307995,0.0024107804,0.0070257774,0.0016209965,0.0017069596,0.11520443],"category_scores_gemma":[0.0035935377,0.00076587516,0.00041892426,0.005201486,0.0021378847,0.0041692606,0.0024077066,0.0022487028,0.039228927],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015542857,0.000003493078,0.00012544011,0.00058125576,0.0000062104614,0.000085712,0.0009894903,0.00003146167,0.00021482338,0.0033300861,0.9283479,0.06626862],"study_design_scores_gemma":[0.0000012003388,0.000001550252,0.00044020783,0.00044696638,0.0000031066381,0.000112389826,0.0006602635,0.000009683496,0.00004210529,0.00021948588,0.9980596,0.0000034817956],"about_ca_topic_score_codex":0.32500628,"about_ca_topic_score_gemma":0.46166503,"teacher_disagreement_score":0.67499375,"about_ca_system_score_codex":0.0050736545,"about_ca_system_score_gemma":0.0058753956,"threshold_uncertainty_score":0.646229},"labels":[],"label_agreement":null},{"id":"W4401632694","doi":"10.22215/etd/2024-16118","title":"A Proposal for The Portrait Gallery of Canada","year":2024,"lang":"en","type":"dissertation","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Institution; Commission; Narrative; Identity (music); National identity; Capital (architecture); National capital; Architecture; Public administration; Political science; Genealogy; History; Art history; Art; Law; Archaeology; Aesthetics; Business; Literature; Politics","score_opus":0.02096977421264252,"score_gpt":0.25717676506234366,"score_spread":0.23620699084970115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401632694","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.041626554,0.0067363107,0.0049227346,0.059663247,0.0036445213,0.0004215538,0.0020623875,0.00021872154,0.8807039],"genre_scores_gemma":[0.49996257,0.008383974,0.014973786,0.0081957765,0.00048117503,0.0003954129,0.001256259,0.00038077182,0.46597034],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989285,0.00017952094,0.000019696306,0.00012600415,0.00041949417,0.0003268018],"domain_scores_gemma":[0.99933356,0.00006128081,0.000028044977,0.000050384715,0.00031927228,0.00020749822],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00083505886,0.0006977072,0.000241602,0.0019246953,0.019056937,0.0082724895,0.0015069075,0.0017982639,0.010497132],"category_scores_gemma":[0.0015769918,0.00023698002,0.00031616038,0.0026099775,0.0077410885,0.001969551,0.0022049325,0.002982398,0.0012442471],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005552684,0.0000145930535,0.0009149256,0.00012402085,0.0000072420758,0.0010346782,0.07520908,0.0007008772,0.0013399816,0.5383623,0.35634616,0.025890619],"study_design_scores_gemma":[0.0000034145298,0.0000026557761,0.00093969714,0.000102936116,0.00000428182,0.00016698815,0.029469006,0.00014526013,0.00021455734,0.003994787,0.9649375,0.000018971175],"about_ca_topic_score_codex":0.9614541,"about_ca_topic_score_gemma":0.98035526,"teacher_disagreement_score":0.06079801,"about_ca_system_score_codex":0.06079801,"about_ca_system_score_gemma":0.06000672,"threshold_uncertainty_score":0.44112253},"labels":[],"label_agreement":null},{"id":"W4401757944","doi":"10.32920/26809294.v1","title":"Jo Spence: Work | Politics | Survival","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Politics; Work (physics); Political science; Sociology; Engineering; Law","score_opus":0.0798475412549454,"score_gpt":0.300207026786643,"score_spread":0.2203594855316976,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401757944","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007616112,0.035198662,0.0014363999,0.34184486,0.009014046,0.000031989963,0.00010217379,0.00020645345,0.6045492],"genre_scores_gemma":[0.34794724,0.029924152,0.001577612,0.05518504,0.006650685,0.00016171888,0.0000964873,0.00046568792,0.5579914],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973272,0.0012377496,0.00006471733,0.00038284596,0.0006032903,0.00038425732],"domain_scores_gemma":[0.996851,0.0016055066,0.00020797446,0.0003120566,0.00037667967,0.00064676895],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026617912,0.000434494,0.00035909296,0.00094139396,0.014118585,0.011491622,0.000964861,0.0049118036,0.033536192],"category_scores_gemma":[0.0050999634,0.00023689734,0.00024600993,0.0012508568,0.027924148,0.008732724,0.0060450523,0.006790891,0.007155268],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028415718,0.000028837447,0.00028574435,0.00020236336,0.0000047711133,0.00034373236,0.0433591,0.000061580286,0.0001718479,0.42747745,0.48869723,0.039338894],"study_design_scores_gemma":[0.000002383217,0.00000659676,0.00015185897,0.00018119013,9.3605325e-7,0.00010469124,0.009046988,0.000011360176,0.000077580466,0.014423478,0.9759862,0.000006837691],"about_ca_topic_score_codex":0.019351514,"about_ca_topic_score_gemma":0.024891555,"teacher_disagreement_score":0.033536192,"about_ca_system_score_codex":0.006228357,"about_ca_system_score_gemma":0.0052940347,"threshold_uncertainty_score":0.11218977},"labels":[],"label_agreement":null},{"id":"W4401758347","doi":"10.32920/26809294","title":"Jo Spence: Work | Politics | Survival","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Work (physics); Political science; Sociology; Thermodynamics; Law; Physics","score_opus":0.0798475412549454,"score_gpt":0.300207026786643,"score_spread":0.2203594855316976,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401758347","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007616112,0.035198662,0.0014363999,0.34184486,0.009014046,0.000031989963,0.00010217379,0.00020645345,0.6045492],"genre_scores_gemma":[0.34794724,0.029924152,0.001577612,0.05518504,0.006650685,0.00016171888,0.0000964873,0.00046568792,0.5579914],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973272,0.0012377496,0.00006471733,0.00038284596,0.0006032903,0.00038425732],"domain_scores_gemma":[0.996851,0.0016055066,0.00020797446,0.0003120566,0.00037667967,0.00064676895],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026617912,0.000434494,0.00035909296,0.00094139396,0.014118585,0.011491622,0.000964861,0.0049118036,0.033536192],"category_scores_gemma":[0.0050999634,0.00023689734,0.00024600993,0.0012508568,0.027924148,0.008732724,0.0060450523,0.006790891,0.007155268],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028415718,0.000028837447,0.00028574435,0.00020236336,0.0000047711133,0.00034373236,0.0433591,0.000061580286,0.0001718479,0.42747745,0.48869723,0.039338894],"study_design_scores_gemma":[0.000002383217,0.00000659676,0.00015185897,0.00018119013,9.3605325e-7,0.00010469124,0.009046988,0.000011360176,0.000077580466,0.014423478,0.9759862,0.000006837691],"about_ca_topic_score_codex":0.019351514,"about_ca_topic_score_gemma":0.024891555,"teacher_disagreement_score":0.033536192,"about_ca_system_score_codex":0.006228357,"about_ca_system_score_gemma":0.0052940347,"threshold_uncertainty_score":0.11218977},"labels":[],"label_agreement":null},{"id":"W4401853617","doi":"10.24908/jcri.v11i1.17830","title":"Making History: Visual Arts and Blackness in Canada, edited by Julie Crooks, Dominique Fontaine, and Silvia Forni. Reviewed by Shanice Wolters.","year":2024,"lang":"en","type":"article","venue":"Journal of Critical Race Inquiry","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The arts; Art history; Art; Visual arts","score_opus":0.05234818201407394,"score_gpt":0.32862457924248906,"score_spread":0.2762763972284151,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401853617","genre_codex":"review","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011642157,0.88685685,0.00023526775,0.0436894,0.0059385956,0.000027219083,0.00043538117,0.00003891936,0.061614152],"genre_scores_gemma":[0.030342953,0.7891088,0.0006983069,0.007946969,0.002517092,0.000029180124,0.0004313244,0.00009481503,0.16883054],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992481,0.00007179372,0.000020631582,0.000052045478,0.00048658808,0.00012087119],"domain_scores_gemma":[0.9983474,0.00018690932,0.00006644504,0.000030418034,0.0011112696,0.00025769317],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00083002215,0.0011499127,0.0006302095,0.0036699,0.007942799,0.0072105695,0.0013959217,0.0018777952,0.017151153],"category_scores_gemma":[0.0027025987,0.0005459218,0.00032229174,0.0076373545,0.00661648,0.0029233121,0.0016822458,0.0026419922,0.002538211],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001695166,0.000014327784,0.0006727313,0.0005878017,0.000012866598,0.00008912913,0.0039303326,0.00013903111,0.00016147437,0.017183015,0.89179397,0.085398495],"study_design_scores_gemma":[0.000003346454,0.0000036283936,0.0038321924,0.0008943686,0.000009552145,0.00009253926,0.005506844,0.000029645154,0.000070866765,0.0033813624,0.98615927,0.000016346912],"about_ca_topic_score_codex":0.9650956,"about_ca_topic_score_gemma":0.991507,"teacher_disagreement_score":0.041937843,"about_ca_system_score_codex":0.041937843,"about_ca_system_score_gemma":0.103600696,"threshold_uncertainty_score":0.30428177},"labels":[],"label_agreement":null},{"id":"W4402035733","doi":"10.32920/26882473.v1","title":"\"Knock on Wood\": Creating a Decentred Finding Aid for the Montgomery Collection of Caribbean Photographs at the Art Gallery of Ontario","year":2024,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Visual arts; Art; Art gallery; Archaeology; Geography; Exhibition","score_opus":0.05208552082461416,"score_gpt":0.2696977879947367,"score_spread":0.21761226717012255,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402035733","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21559216,0.0028238867,0.082607776,0.0072710603,0.0013440793,0.0055610975,0.008523253,0.01032565,0.665951],"genre_scores_gemma":[0.15347643,0.0032777097,0.3276268,0.0011766762,0.00026241667,0.0014925594,0.008680128,0.005749966,0.4982573],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99817276,0.00035063524,0.000088750014,0.00025345682,0.0008708977,0.0002634418],"domain_scores_gemma":[0.9974955,0.00030747996,0.00011380938,0.0005450151,0.0010814042,0.00045685194],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024742477,0.0005885498,0.00030204645,0.003254766,0.0055003935,0.0045439866,0.0016985679,0.00067822734,0.03893506],"category_scores_gemma":[0.0050156116,0.0005686298,0.00030461387,0.0027791206,0.0018284529,0.0026041165,0.004980497,0.0006973838,0.009679417],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020685568,0.00022754994,0.008215457,0.0007536299,0.000019978814,0.0020783956,0.072293304,0.00073978887,0.021621455,0.009363562,0.32211038,0.56236964],"study_design_scores_gemma":[0.000011075798,0.000024554225,0.0035071769,0.00015653088,0.000012982354,0.00023303421,0.012943259,0.00038030345,0.0015790622,0.00028352786,0.980841,0.000027518528],"about_ca_topic_score_codex":0.38684338,"about_ca_topic_score_gemma":0.78302354,"teacher_disagreement_score":0.38684338,"about_ca_system_score_codex":0.006053019,"about_ca_system_score_gemma":0.011856796,"threshold_uncertainty_score":0.7691834},"labels":[],"label_agreement":null},{"id":"W4402053330","doi":"10.1386/jcs_00103_5","title":"The Art of Ectoplasm: Encounters with Winnipeg’s Ghost Photographs, Serena Keshavjee (ed.)","year":2024,"lang":"en","type":"article","venue":"Journal of Curatorial Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Art; Geography","score_opus":0.025926682406036208,"score_gpt":0.2840453760844306,"score_spread":0.2581186936783944,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402053330","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000819295,0.9711401,0.000117653144,0.0073537957,0.001675091,0.000007832798,0.00003294908,0.00001522955,0.018838009],"genre_scores_gemma":[0.015031391,0.93597263,0.0007897957,0.0021547936,0.0009037763,0.000014261908,0.000074330885,0.00006989255,0.044989053],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.99921227,0.0002582312,0.00003533911,0.00006689419,0.00033573422,0.00009144258],"domain_scores_gemma":[0.99910635,0.000322664,0.000085548745,0.000044933626,0.0002886574,0.00015176546],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014511524,0.0010266667,0.0007084855,0.002573104,0.0033658673,0.0071616084,0.0011223,0.0016508579,0.01536951],"category_scores_gemma":[0.002889757,0.00068002916,0.00027009184,0.004160219,0.004152135,0.004222728,0.0023357049,0.001692931,0.0031200515],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036796326,0.000014046831,0.00060870306,0.002602692,0.000018484647,0.0006429522,0.018225018,0.00009673927,0.00054995384,0.019558894,0.62099296,0.33665267],"study_design_scores_gemma":[0.0000017613047,0.000003006823,0.0016676844,0.0013274305,0.0000056571444,0.00059897924,0.0044269087,0.000008829836,0.000065397886,0.0006978623,0.9911897,0.000006795828],"about_ca_topic_score_codex":0.41710663,"about_ca_topic_score_gemma":0.6075183,"teacher_disagreement_score":0.5828934,"about_ca_system_score_codex":0.007819066,"about_ca_system_score_gemma":0.011183324,"threshold_uncertainty_score":0.8293576},"labels":[],"label_agreement":null},{"id":"W4402104817","doi":"10.55016/ojs/jet.v32i2.52523","title":"Shapes and Spaces: Inside Joseph Lancaster's \"Monitorial\" Laboratory","year":2018,"lang":"en","type":"article","venue":"Journal of educational thought.","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"Art","score_opus":0.0318153383551449,"score_gpt":0.3015420161175461,"score_spread":0.2697266777624012,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402104817","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10207833,0.004086123,0.008135578,0.0326416,0.0009178586,0.00004413625,0.00006439995,0.00047155455,0.85156035],"genre_scores_gemma":[0.7983,0.0011231662,0.0044940463,0.0033037357,0.00018230724,0.000033603894,0.000027279,0.00017044613,0.19236538],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99902105,0.0004559377,0.000012326517,0.00014394794,0.00021609823,0.00015046561],"domain_scores_gemma":[0.9991653,0.00028262296,0.000057298697,0.00013459168,0.00011338815,0.0002467984],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00092298316,0.00025147916,0.00016799086,0.0006219122,0.012252656,0.0074562915,0.0008690514,0.0013899278,0.013695892],"category_scores_gemma":[0.0019855883,0.00024201444,0.00021377135,0.0005881231,0.025022822,0.0032882204,0.0038267132,0.002691169,0.0013775195],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008389515,0.00002789211,0.0009690823,0.000057726655,0.0000031267266,0.00066821097,0.111625,0.00022194914,0.0013257127,0.77082413,0.082479134,0.031714134],"study_design_scores_gemma":[0.000013080076,0.00003440614,0.0012382598,0.00008212235,0.000004361254,0.00029065742,0.03701783,0.00022456367,0.0009979289,0.030638736,0.9294251,0.000032933556],"about_ca_topic_score_codex":0.07695814,"about_ca_topic_score_gemma":0.20363107,"teacher_disagreement_score":0.07695814,"about_ca_system_score_codex":0.008847773,"about_ca_system_score_gemma":0.0035686316,"threshold_uncertainty_score":0.15302038},"labels":[],"label_agreement":null},{"id":"W4402238747","doi":"10.1007/978-3-031-55256-4_23","title":"Color Field Film: Post-Painterly Landscapes in Experimental Cinema","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Movie theater; Field (mathematics); Art; Computer graphics (images); Visual arts; Computer science; Mathematics; Pure mathematics","score_opus":0.02245930987079881,"score_gpt":0.2527157501048709,"score_spread":0.2302564402340721,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402238747","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20562574,0.0057474426,0.0019829348,0.0023705943,0.00048017397,0.00009530118,0.0001932159,0.000049307964,0.7834554],"genre_scores_gemma":[0.8392076,0.0023036755,0.0014948553,0.00030483588,0.00010079714,0.00008584215,0.00012222209,0.000080669466,0.15629953],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998448,0.00008710103,0.0000026861157,0.000020937983,0.00002460307,0.000019836714],"domain_scores_gemma":[0.9997017,0.00020532389,0.000010402753,0.000026181639,0.000021978754,0.000034462508],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003891126,0.00027192172,0.000105878105,0.000457049,0.0019388323,0.002932207,0.00044259024,0.00061872223,0.023894854],"category_scores_gemma":[0.0009432727,0.00012082325,0.00007513456,0.00050769415,0.002211542,0.0015744218,0.00088556774,0.0009200283,0.00078715273],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00087267783,0.00113384,0.0021577564,0.0008280834,0.000010247195,0.0009785033,0.20605704,0.00029268506,0.03541832,0.4484585,0.095083,0.20870933],"study_design_scores_gemma":[0.00007902249,0.00051813317,0.030608397,0.00058303186,0.000029687515,0.0011960419,0.12091475,0.0005825283,0.015584142,0.020933907,0.80893534,0.000034964032],"about_ca_topic_score_codex":0.0035867197,"about_ca_topic_score_gemma":0.012507007,"teacher_disagreement_score":0.023894854,"about_ca_system_score_codex":0.00093188713,"about_ca_system_score_gemma":0.0004900965,"threshold_uncertainty_score":0.07993621},"labels":[],"label_agreement":null},{"id":"W4402460130","doi":"10.1386/jem_00122_1","title":"Autoradiography: Self-portraits of coral","year":2024,"lang":"en","type":"article","venue":"Journal of Environmental Media","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Coral; Portrait; Geology; Geography; Oceanography; Archaeology","score_opus":0.014429310160161548,"score_gpt":0.21642007997419738,"score_spread":0.20199076981403583,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402460130","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36113194,0.0059021744,0.021184709,0.0046253856,0.0005876565,0.00006734377,0.00040740732,0.00027579916,0.60581756],"genre_scores_gemma":[0.95844173,0.0017559954,0.0063537136,0.0004622705,0.00016529931,0.000018995113,0.0001505995,0.00018899319,0.032462366],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99974316,0.0001153269,0.000007829784,0.000040474322,0.000071385744,0.000021771173],"domain_scores_gemma":[0.99932814,0.00033495534,0.0000899001,0.00011522505,0.0000771701,0.00005455765],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005194172,0.00024939608,0.00007641262,0.0012535397,0.0009861566,0.0019160341,0.00037958895,0.000608802,0.0042994204],"category_scores_gemma":[0.0017357839,0.00018813903,0.0001899158,0.0005372664,0.0033731435,0.001777019,0.0011316523,0.0012079201,0.0007457763],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025717972,0.00004375052,0.015885534,0.00059574627,0.00006112639,0.006232377,0.5331331,0.0010577322,0.06193845,0.2837071,0.02213848,0.07494933],"study_design_scores_gemma":[0.000022108374,0.00013353772,0.06896996,0.0005140552,0.00007258658,0.016923763,0.12840256,0.002239639,0.018748097,0.047692414,0.71616805,0.000113238544],"about_ca_topic_score_codex":0.0019938264,"about_ca_topic_score_gemma":0.003590713,"teacher_disagreement_score":0.0042994204,"about_ca_system_score_codex":0.000543146,"about_ca_system_score_gemma":0.00024366668,"threshold_uncertainty_score":0.014383018},"labels":[],"label_agreement":null},{"id":"W4402829479","doi":"10.3138/ngcr.14-002","title":"Icons and Authorship: Photography in Canada in the 1960s / Icônes et vision de l’artiste : La photographie au Canada dans les années 1960","year":2024,"lang":"fr","type":"article","venue":"National Gallery of Canada Review","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Photography; Humanities; Art history; Visual arts","score_opus":0.022060343519524826,"score_gpt":0.2781033211483886,"score_spread":0.25604297762886374,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402829479","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036839778,0.96745926,0.00009725627,0.0033805177,0.0008333396,0.000012484659,0.00009409066,0.00000661593,0.02443253],"genre_scores_gemma":[0.0812994,0.9055811,0.00027307268,0.00206927,0.0004894719,0.000014212717,0.000121404984,0.000015312036,0.010136664],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975858,0.0003983981,0.00012215333,0.00022041154,0.001346851,0.00032639303],"domain_scores_gemma":[0.99463516,0.0014328625,0.00043173484,0.00011521397,0.003010097,0.0003748805],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002367556,0.0005495266,0.0006277436,0.0066653057,0.0041703675,0.0053863763,0.00084984663,0.0010709205,0.005313589],"category_scores_gemma":[0.006740021,0.00027644847,0.00031608623,0.01426848,0.0074406387,0.0022414546,0.0013089828,0.0017457713,0.00035978053],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023076545,0.000050016544,0.005961677,0.018769901,0.00013091975,0.0005676221,0.032762334,0.00043237218,0.0006776619,0.09182837,0.12676023,0.7218282],"study_design_scores_gemma":[0.000014672259,0.000032514905,0.023314739,0.011262542,0.00010147289,0.00032974462,0.009107785,0.000045575744,0.00032041644,0.001199601,0.9542257,0.000045195287],"about_ca_topic_score_codex":0.9648681,"about_ca_topic_score_gemma":0.98040915,"teacher_disagreement_score":0.050294373,"about_ca_system_score_codex":0.050294373,"about_ca_system_score_gemma":0.0819417,"threshold_uncertainty_score":0.36491293},"labels":[],"label_agreement":null},{"id":"W4402829510","doi":"10.3138/ngcr.14-003","title":"Kan Azuma’s Canadian Landscape Photography: An Other Gaze from Within / La photographie du paysage canadien de Kan Azuma : un autre regard de l’intérieur","year":2024,"lang":"fr","type":"article","venue":"National Gallery of Canada Review","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Gaze; Humanities; Geography; Psychology","score_opus":0.014965644201018527,"score_gpt":0.2403444792962617,"score_spread":0.22537883509524317,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402829510","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46178064,0.02584446,0.0014686035,0.039498564,0.001564169,0.00009142839,0.000574357,0.00009139692,0.46908632],"genre_scores_gemma":[0.9158696,0.006811407,0.0007726562,0.0029716734,0.00016340098,0.000024522924,0.00013845155,0.0000934976,0.0731547],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988483,0.00023236098,0.0000147759265,0.00014593932,0.00033289858,0.0004256295],"domain_scores_gemma":[0.9990025,0.00019487794,0.00005314265,0.000048976868,0.00044053717,0.0002600062],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011849001,0.00062945706,0.00045591718,0.0022558447,0.035519168,0.00841624,0.0010082369,0.0014931329,0.007336031],"category_scores_gemma":[0.0017012424,0.0003143169,0.00037884386,0.0034903516,0.009409215,0.0019783229,0.0033522632,0.0030540817,0.000457945],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006684039,0.000023000894,0.005707663,0.00023523821,0.000021822296,0.00255956,0.9007492,0.00008554071,0.002585319,0.027483173,0.03886157,0.02162103],"study_design_scores_gemma":[0.000003631869,0.000013743048,0.016099226,0.00024092848,0.000024382482,0.000756137,0.5273156,0.000043920754,0.00043082135,0.0004651176,0.4545619,0.000044609256],"about_ca_topic_score_codex":0.9726619,"about_ca_topic_score_gemma":0.9940988,"teacher_disagreement_score":0.042026658,"about_ca_system_score_codex":0.042026658,"about_ca_system_score_gemma":0.03384003,"threshold_uncertainty_score":0.30492616},"labels":[],"label_agreement":null},{"id":"W4403757320","doi":"10.1007/979-8-8688-0763-3_6","title":"Creating a Parallax: Bring Your Vintage or Historical Photos to Life","year":2024,"lang":"en","type":"book-chapter","venue":"Apress eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Delta-Q Technologies (Canada)","funders":"","keywords":"Vintage; Parallax; Art; Visual arts; Computer graphics (images); Art history; Aesthetics; Computer science; History; Computer vision; Archaeology","score_opus":0.11199365359233655,"score_gpt":0.28400654391702695,"score_spread":0.17201289032469042,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403757320","genre_codex":"other","genre_gemma":"methods","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"methods","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00061080384,0.0023983172,0.0065534813,0.0008425733,0.0012859611,0.000045438963,0.0001541755,0.0006835963,0.9874257],"genre_scores_gemma":[0.004554252,0.003480836,0.0060153,0.0004918479,0.0002297699,0.000033118955,0.0001841758,0.0006831811,0.9843276],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99992967,0.000010141327,0.0000020727516,0.000009949787,0.00004013881,0.000008094313],"domain_scores_gemma":[0.9998938,0.00002837596,0.000004010016,0.000017921837,0.00002756726,0.000028302231],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012380627,0.00049332203,0.00014929376,0.000824734,0.0011194593,0.00290156,0.00046245035,0.0005691455,0.15560146],"category_scores_gemma":[0.00042292135,0.00024248655,0.0002364456,0.00068072334,0.00080429553,0.0027741098,0.0015550362,0.0013843746,0.06763645],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010156052,0.000020950236,0.00007909463,0.00025978018,0.000002373967,0.00015149852,0.0015293151,0.0001423786,0.0023406174,0.06384561,0.6944674,0.2371509],"study_design_scores_gemma":[9.5223663e-7,0.0000037211914,0.000108869426,0.000055752836,6.4242573e-7,0.00015561828,0.00022221799,0.00003456669,0.00020615307,0.0030107596,0.9961985,0.0000023266687],"about_ca_topic_score_codex":0.0017508335,"about_ca_topic_score_gemma":0.0076808664,"teacher_disagreement_score":0.15560146,"about_ca_system_score_codex":0.0005160654,"about_ca_system_score_gemma":0.00046688475,"threshold_uncertainty_score":0.5205387},"labels":[],"label_agreement":null},{"id":"W4403824656","doi":"10.7202/1113719ar","title":"Les imagiers photographiques : miroir du monde ou monde à part ?","year":2024,"lang":"fr","type":"article","venue":"Mémoires du livre","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.034533305200071245,"score_gpt":0.2710290781600002,"score_spread":0.23649577295992896,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403824656","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.064203836,0.028990127,0.007698181,0.028376145,0.0036399455,0.000035711306,0.00011146961,0.000110425404,0.8668342],"genre_scores_gemma":[0.7972979,0.013261229,0.0022765954,0.0021752594,0.0014882421,0.00005104019,0.00007374502,0.00018420094,0.18319176],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99853265,0.00068563013,0.000041938776,0.00016531927,0.000341452,0.00023292153],"domain_scores_gemma":[0.99854016,0.00066967617,0.00016509397,0.00019688772,0.00021833593,0.00020988671],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013872234,0.00047099587,0.00030651738,0.0014166847,0.006047525,0.009526399,0.0006555282,0.0013903301,0.018553622],"category_scores_gemma":[0.0040502353,0.00021156155,0.0003087702,0.0013557103,0.011996991,0.008107251,0.0039166072,0.0030305625,0.0020713324],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006555654,0.000014114458,0.001374698,0.00021610677,0.000006122495,0.00036298917,0.13767055,0.00004861634,0.00063426024,0.791756,0.018304992,0.049545903],"study_design_scores_gemma":[0.000006939051,0.000032668675,0.00281852,0.00057264464,0.000008620007,0.0005550024,0.07958827,0.00006754682,0.00046109007,0.026688151,0.8891811,0.00001951294],"about_ca_topic_score_codex":0.011311696,"about_ca_topic_score_gemma":0.019489337,"teacher_disagreement_score":0.018553622,"about_ca_system_score_codex":0.0039539556,"about_ca_system_score_gemma":0.002218181,"threshold_uncertainty_score":0.062068045},"labels":[],"label_agreement":null},{"id":"W4404477331","doi":"10.1525/9780520422742","title":"The Photographic Object 1970","year":2016,"lang":"en","type":"book","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Object (grammar); Computer science; Computer graphics (images); Art; Computer vision; Artificial intelligence","score_opus":0.027052383186711236,"score_gpt":0.2346648764254186,"score_spread":0.20761249323870737,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404477331","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006327892,0.012951905,0.00054153183,0.0017598077,0.002582552,0.00002390376,0.00009955751,0.000077148376,0.98133093],"genre_scores_gemma":[0.005798201,0.010396935,0.0005124089,0.00090918865,0.000627523,0.000032220654,0.00015543812,0.00014227867,0.9814259],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994568,0.00008517231,0.00001996031,0.000083793486,0.00028368662,0.0000705488],"domain_scores_gemma":[0.99967146,0.000092114584,0.000023141343,0.000061717015,0.00009152142,0.000060106337],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000558899,0.00065592286,0.00032635021,0.0018290664,0.003946432,0.0076533523,0.00066638243,0.0012494493,0.08170956],"category_scores_gemma":[0.001089139,0.00043056384,0.00033052213,0.0022196209,0.003585813,0.0051845503,0.0029744187,0.0032705676,0.022864886],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023362772,0.000018292934,0.0001659057,0.00018017481,0.0000021249264,0.00014789234,0.0034294971,0.00005573481,0.00043515008,0.36883074,0.5401468,0.086564265],"study_design_scores_gemma":[7.269598e-7,0.0000023358639,0.00010704885,0.00008188463,4.092157e-7,0.000048912756,0.00020903217,0.000004586219,0.000044307955,0.0014913239,0.99800795,0.0000014621324],"about_ca_topic_score_codex":0.01651194,"about_ca_topic_score_gemma":0.0334504,"teacher_disagreement_score":0.08170956,"about_ca_system_score_codex":0.0047455127,"about_ca_system_score_gemma":0.0034145669,"threshold_uncertainty_score":0.2733457},"labels":[],"label_agreement":null},{"id":"W4404907015","doi":"10.1386/public_00228_4","title":"Indiscernible Thresholds, Escaped Veillances at Art Museum","year":2024,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McMaster University","funders":"","keywords":"Art; Visual arts; Computer graphics (images); Computer science","score_opus":0.05227603210339182,"score_gpt":0.2532793847539819,"score_spread":0.20100335265059005,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404907015","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.104515314,0.018863587,0.010338842,0.07324291,0.004267397,0.00008356946,0.00063456147,0.0010949103,0.78695905],"genre_scores_gemma":[0.731923,0.005881255,0.0035781804,0.0036623657,0.00076177606,0.000047852125,0.00015811945,0.0007196933,0.25326774],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99884486,0.00041827944,0.00002747166,0.00014757208,0.0003235905,0.000238146],"domain_scores_gemma":[0.99841595,0.0004994336,0.00010686602,0.00027522352,0.00014007489,0.00056240876],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001669266,0.00056326744,0.00031754965,0.0012544187,0.0136963045,0.012133223,0.00082433445,0.0013211721,0.02413065],"category_scores_gemma":[0.0031414067,0.0004498717,0.00043125273,0.0008229578,0.014508494,0.004879007,0.00787421,0.004330525,0.0017351658],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014778797,0.000042358155,0.002415002,0.00025638592,0.000024736411,0.001762081,0.2641324,0.000410875,0.0030024177,0.29517886,0.3699227,0.062704474],"study_design_scores_gemma":[0.000005926871,0.000017675513,0.0017991494,0.00023678505,0.000007948582,0.00058179034,0.060879275,0.00012229299,0.0005777632,0.007526077,0.92822295,0.000022329372],"about_ca_topic_score_codex":0.062881,"about_ca_topic_score_gemma":0.20705874,"teacher_disagreement_score":0.062881,"about_ca_system_score_codex":0.0076141553,"about_ca_system_score_gemma":0.00275733,"threshold_uncertainty_score":0.12502998},"labels":[],"label_agreement":null},{"id":"W4404960525","doi":"10.1080/14780038.2024.2418417","title":"Hiding in Plain Sight: Indigenous Repression and Resistance in Photographs of the 1901 Royal Tour of Canada","year":2024,"lang":"en","type":"article","venue":"Cultural and Social History","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Arts and Humanities Research Council","keywords":"Sight; Indigenous; Resistance (ecology); History; Visual arts; Ancient history; Art; Astronomy; Biology","score_opus":0.030432714606701494,"score_gpt":0.2258203032296096,"score_spread":0.19538758862290811,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404960525","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80353147,0.0046186466,0.00065894687,0.0071778414,0.0003757915,0.00008876206,0.0011242368,0.00007301396,0.18235137],"genre_scores_gemma":[0.9655417,0.0022628466,0.00036759643,0.00042014354,0.000055101587,0.000021794043,0.00017901727,0.00007306063,0.03107873],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9991147,0.00025285783,0.00001534375,0.000067303954,0.00024522337,0.00030454496],"domain_scores_gemma":[0.99907255,0.000336239,0.00014476554,0.00007036085,0.00022106174,0.00015499251],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007028094,0.0005563553,0.0003305426,0.001862228,0.017695632,0.005701545,0.001181516,0.0010461021,0.00883168],"category_scores_gemma":[0.002146317,0.00043240204,0.00026374427,0.0031810289,0.009747683,0.0013803514,0.0028150775,0.0031618432,0.00057272916],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050970488,0.000010798127,0.0014443009,0.00015116163,0.000009862232,0.0013506982,0.98005646,0.00007913127,0.00095468963,0.0022669726,0.0072911796,0.0063337237],"study_design_scores_gemma":[0.0000030446554,0.000011563337,0.014793676,0.00023293878,0.000014536989,0.0004588526,0.8956652,0.000037550915,0.00038013543,0.00015403012,0.08822325,0.000025261488],"about_ca_topic_score_codex":0.88095325,"about_ca_topic_score_gemma":0.97334677,"teacher_disagreement_score":0.11904675,"about_ca_system_score_codex":0.025224444,"about_ca_system_score_gemma":0.012566144,"threshold_uncertainty_score":0.23949564},"labels":[],"label_agreement":null},{"id":"W4404995788","doi":"10.14305/jn.29960819.2024.2.1.8","title":"Chronicling Harriett: Speculative Museology through Immersive Technology","year":2024,"lang":"en","type":"article","venue":"Newhouse Impact Journal","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Quest University Canada","funders":"","keywords":"Museology; Visual arts; Art","score_opus":0.03932947668454596,"score_gpt":0.342731561602129,"score_spread":0.303402084917583,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404995788","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23160934,0.023224883,0.085918285,0.09714346,0.0030021071,0.00016181079,0.00010683787,0.00054552645,0.55828786],"genre_scores_gemma":[0.8959262,0.0045770183,0.014070788,0.004308478,0.0005414166,0.00016132729,0.00002858332,0.00023514408,0.0801511],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985839,0.00088140764,0.000020843305,0.00014320757,0.00024727394,0.00012339403],"domain_scores_gemma":[0.9976675,0.0016016107,0.00012757498,0.00024935248,0.00012823478,0.00022569096],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028980854,0.00048278322,0.00020633845,0.0007527805,0.007680311,0.009189042,0.0012068385,0.002197343,0.0059306584],"category_scores_gemma":[0.0046660546,0.00032377092,0.0002362376,0.000530374,0.026970733,0.0079705715,0.008439719,0.0035605766,0.00060979585],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030217954,0.000017691049,0.00054953474,0.0001395867,0.0000060174116,0.0009357471,0.5059726,0.0001684802,0.0018369958,0.42677498,0.03247685,0.031091295],"study_design_scores_gemma":[0.000011735558,0.00004198326,0.00044363484,0.00033323537,0.000009361668,0.0016027815,0.14547941,0.00029081857,0.0016552062,0.049419455,0.80068386,0.000028565733],"about_ca_topic_score_codex":0.0030941411,"about_ca_topic_score_gemma":0.0103683965,"teacher_disagreement_score":0.009189042,"about_ca_system_score_codex":0.0015292211,"about_ca_system_score_gemma":0.0010506675,"threshold_uncertainty_score":0.019840062},"labels":[],"label_agreement":null},{"id":"W4405098875","doi":"10.3138/chr.105.4.rev9","title":"<i>Rare Merit: Women in Photography in Canada, 1840–1940</i>.","year":2024,"lang":"en","type":"article","venue":"Canadian Historical Review","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Carleton University","funders":"","keywords":"Photography; History; Art; Art history; Visual arts","score_opus":0.02698576513373223,"score_gpt":0.22782919391029866,"score_spread":0.2008434287765664,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405098875","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003551441,0.876655,0.00010886542,0.054662123,0.004406597,0.000017824665,0.0011833587,0.00002387591,0.05939088],"genre_scores_gemma":[0.07528911,0.8563765,0.00037656672,0.01271237,0.0036277291,0.000024530702,0.0008115346,0.00006564012,0.05071597],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980738,0.00016743082,0.000079839105,0.000140923,0.0009781071,0.00055978715],"domain_scores_gemma":[0.9955323,0.0007048196,0.00029271198,0.00010981454,0.002632901,0.00072759815],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021578008,0.00066177157,0.00056599546,0.0052115824,0.009171533,0.0058182604,0.0018517553,0.0020680025,0.0122564025],"category_scores_gemma":[0.0053345654,0.00041496335,0.00031968995,0.014929782,0.00957402,0.0025894616,0.002022547,0.0026960005,0.001108802],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000070739334,0.000017843657,0.0039186734,0.0027236845,0.00002779584,0.0004171458,0.01693295,0.000119711156,0.00016398255,0.046179954,0.766134,0.16329361],"study_design_scores_gemma":[0.0000027114284,0.00000560334,0.019931128,0.002486036,0.000017155642,0.0002463861,0.0093605425,0.00001603105,0.000069619775,0.00079837855,0.96704346,0.000023000834],"about_ca_topic_score_codex":0.9903847,"about_ca_topic_score_gemma":0.99671566,"teacher_disagreement_score":0.07867157,"about_ca_system_score_codex":0.07867157,"about_ca_system_score_gemma":0.16989559,"threshold_uncertainty_score":0.57080483},"labels":[],"label_agreement":null},{"id":"W4405099443","doi":"10.22215/etd/2024-16174","title":"From 'Somewhere in France' to Somewhere in the Collections: Recovering Soldier Art at the Canadian War Museum","year":2024,"lang":"en","type":"dissertation","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"University of Cambridge; Canadian Armed Forces; Parks Canada; Manitoba Health Research Council; University of Ottawa","keywords":"Spanish Civil War; History; World War II; Media studies; Art history; Visual arts; Art; Sociology; Archaeology","score_opus":0.019753780613895322,"score_gpt":0.25637289444291833,"score_spread":0.236619113829023,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405099443","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23110226,0.02046426,0.0022771508,0.0873228,0.0026714173,0.00036504492,0.0031916765,0.0007500858,0.65185535],"genre_scores_gemma":[0.4749648,0.014254019,0.0071693547,0.0071425824,0.00038178184,0.00012548102,0.0017496283,0.0009692767,0.4932431],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976369,0.0002708353,0.000030817697,0.00017085424,0.0008872416,0.0010034521],"domain_scores_gemma":[0.9977023,0.00015855835,0.00007846079,0.0001753893,0.00092810753,0.0009572142],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025440073,0.0006024976,0.00040822598,0.0038121808,0.04798228,0.013373426,0.0030280352,0.0015978446,0.039413694],"category_scores_gemma":[0.0048679737,0.00055743253,0.00053351227,0.0042512286,0.010585215,0.0036538804,0.008284684,0.00382428,0.003936379],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011402407,0.00009884972,0.009526596,0.00022124959,0.00004380652,0.0011408875,0.20920083,0.0002516198,0.0012718382,0.026614359,0.53269523,0.21882066],"study_design_scores_gemma":[0.000006058758,0.000015976759,0.013532294,0.00030004643,0.00002109771,0.00020702483,0.14312294,0.000059141443,0.00036825862,0.00071108044,0.8416188,0.00003742047],"about_ca_topic_score_codex":0.97804934,"about_ca_topic_score_gemma":0.9959984,"teacher_disagreement_score":0.06544958,"about_ca_system_score_codex":0.06544958,"about_ca_system_score_gemma":0.09264926,"threshold_uncertainty_score":0.47487217},"labels":[],"label_agreement":null},{"id":"W4405116351","doi":"10.1515/iph-2024-2014","title":"Public History as Graphic History","year":2024,"lang":"en","type":"article","venue":"International Public History","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Public history; History; Archaeology","score_opus":0.1381576480812181,"score_gpt":0.251677190304463,"score_spread":0.1135195422232449,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405116351","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012831695,0.021072268,0.0019625816,0.04102295,0.0039663548,0.000026132082,0.00013294388,0.00012715391,0.9188579],"genre_scores_gemma":[0.82175356,0.017887276,0.0011688547,0.0059616473,0.0059797433,0.000050234594,0.00017740378,0.000258352,0.14676295],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9978174,0.0013011179,0.000054432698,0.00015947233,0.00039060123,0.00027689798],"domain_scores_gemma":[0.995983,0.0022694094,0.0003290731,0.0005031418,0.00039168957,0.00052366167],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019446568,0.0003551971,0.0003401878,0.003178325,0.005228085,0.01756638,0.00064855,0.0020999839,0.028445825],"category_scores_gemma":[0.005635353,0.00022987068,0.00022054894,0.0030896964,0.023077652,0.009549959,0.0049488544,0.0038311386,0.0020589894],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013774106,0.000015706986,0.00058858615,0.00012807566,0.0000037265334,0.00015635109,0.026664892,0.000117014926,0.000104563114,0.8832836,0.060926106,0.02799761],"study_design_scores_gemma":[0.0000022876675,0.000014571738,0.00085387885,0.0005958565,0.0000060333955,0.00021249859,0.014696261,0.000085172396,0.00014234245,0.050989002,0.9323944,0.000007790604],"about_ca_topic_score_codex":0.0063361526,"about_ca_topic_score_gemma":0.010110649,"teacher_disagreement_score":0.028445825,"about_ca_system_score_codex":0.007394624,"about_ca_system_score_gemma":0.0038939887,"threshold_uncertainty_score":0.09516072},"labels":[],"label_agreement":null},{"id":"W4405351998","doi":"","title":"La cécité comme atout et les arts : des arts aveugles aux études critiques de cécité et retour","year":2025,"lang":"fr","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Blindness; The arts; Optometry; Psychology; Art; Medicine; Visual arts","score_opus":0.07550067707384245,"score_gpt":0.3004553277390511,"score_spread":0.22495465066520864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405351998","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0052038804,0.032486767,0.0034483569,0.037875745,0.0056825196,0.000023255807,0.00004167098,0.0000532799,0.91518456],"genre_scores_gemma":[0.22729513,0.016553335,0.0019720984,0.008798243,0.004194171,0.00010834827,0.000058598973,0.00042895915,0.7405911],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9967333,0.001915727,0.00004961337,0.00030958685,0.0006395347,0.000352195],"domain_scores_gemma":[0.99717796,0.0017675145,0.00010565646,0.00021204035,0.000510884,0.00022588913],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029333155,0.0011216743,0.0005360625,0.00277027,0.014603348,0.018997604,0.0012077683,0.0067089396,0.015338319],"category_scores_gemma":[0.0049356706,0.00042659117,0.00047286617,0.0025594598,0.031739626,0.009192981,0.004087359,0.00976523,0.0032112019],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000150534925,0.000007155692,0.00005021239,0.00006271787,0.0000020402163,0.000089062225,0.02649828,0.0000384598,0.0001314804,0.90954745,0.055059034,0.008499123],"study_design_scores_gemma":[0.000004408121,0.000007752099,0.00024833073,0.0002540382,0.000003590893,0.00014471126,0.010974807,0.000051612224,0.0001849158,0.034538485,0.953577,0.00001034008],"about_ca_topic_score_codex":0.051073875,"about_ca_topic_score_gemma":0.10221031,"teacher_disagreement_score":0.051073875,"about_ca_system_score_codex":0.015299902,"about_ca_system_score_gemma":0.00932067,"threshold_uncertainty_score":0.11100906},"labels":[],"label_agreement":null},{"id":"W4405499838","doi":"10.7202/1115030ar","title":"Colonial Legacies: The American Museum of Natural History, the Theodore Roosevelt Equestrian Statue, and Public History","year":2024,"lang":"en","type":"article","venue":"Journal of the Canadian Historical Association","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Statue; Exhibition; Colonialism; Politics; History; Art history; Law; Art; Sociology; Archaeology; Political science","score_opus":0.0302616448637815,"score_gpt":0.21981546038399724,"score_spread":0.18955381552021575,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405499838","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.056128897,0.070973486,0.0003610117,0.22546929,0.0024187777,0.000026825155,0.00013097916,0.000037257072,0.64445347],"genre_scores_gemma":[0.89181036,0.030789131,0.0005083022,0.013772923,0.0013256562,0.000053177406,0.000101853555,0.00005733575,0.061581403],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.998769,0.0005690387,0.000024705281,0.00011100854,0.00022355972,0.00030271203],"domain_scores_gemma":[0.9981135,0.0007235831,0.00020599167,0.000101488964,0.00020392973,0.0006515205],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018222651,0.00023935892,0.00020411865,0.0016159974,0.01771897,0.011361677,0.0007977909,0.0017319138,0.008650641],"category_scores_gemma":[0.0035393676,0.0002598659,0.000119667035,0.0030747398,0.01972796,0.0064753536,0.0045193913,0.003990068,0.00034057104],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034803194,0.0000680536,0.007870501,0.00015040909,0.000012927125,0.00038456835,0.1017129,0.000050145376,0.00013357672,0.65789014,0.17700823,0.054683756],"study_design_scores_gemma":[0.00000526358,0.0000086987175,0.014896845,0.00045492622,0.000009893355,0.00015178147,0.09561598,0.000041433534,0.00006259261,0.01760022,0.87113005,0.000022298722],"about_ca_topic_score_codex":0.42271435,"about_ca_topic_score_gemma":0.7592934,"teacher_disagreement_score":0.42271435,"about_ca_system_score_codex":0.016401831,"about_ca_system_score_gemma":0.018010626,"threshold_uncertainty_score":0.84050775},"labels":[],"label_agreement":null},{"id":"W4405713410","doi":"10.29173/hsi484","title":"Photography","year":2022,"lang":"en","type":"article","venue":"Health Science Inquiry","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Art; Visual arts","score_opus":0.14227515867132978,"score_gpt":0.3606526510783886,"score_spread":0.21837749240705884,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405713410","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025380005,0.0010272196,0.0014597699,0.001956819,0.0012355869,0.00013987867,0.001202497,0.0003188937,0.99012125],"genre_scores_gemma":[0.027200047,0.0016061298,0.0036171575,0.0013941574,0.0007719285,0.0001086654,0.001422265,0.00022681165,0.9636528],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992931,0.000101350495,0.000026504951,0.00012778761,0.00036478037,0.00008652251],"domain_scores_gemma":[0.9991602,0.00011215766,0.000049747454,0.00021465284,0.00031447626,0.00014877178],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005659048,0.00048159782,0.00024114172,0.002770216,0.0021490536,0.003180923,0.00062263565,0.0008393107,0.36451522],"category_scores_gemma":[0.0021303084,0.0002207568,0.0004173263,0.0015994565,0.00087365526,0.0011543509,0.0019208001,0.0012526255,0.1124141],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010442034,0.0000785268,0.0011192764,0.00036833473,0.000007710513,0.00032175696,0.0012183271,0.000088038476,0.0058955033,0.029520918,0.620625,0.34065214],"study_design_scores_gemma":[0.0000071190047,0.000015308484,0.0019679603,0.00006803716,0.0000031299628,0.0002242206,0.00053349196,0.000030485871,0.0008427934,0.0012631158,0.99503857,0.0000056334225],"about_ca_topic_score_codex":0.006155926,"about_ca_topic_score_gemma":0.013843565,"teacher_disagreement_score":0.6354848,"about_ca_system_score_codex":0.0013444633,"about_ca_system_score_gemma":0.0014927456,"threshold_uncertainty_score":0.9064419},"labels":[],"label_agreement":null},{"id":"W4405751520","doi":"10.29173/hsi453","title":"Photography","year":2021,"lang":"en","type":"article","venue":"Health Science Inquiry","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Art; Visual arts","score_opus":0.1554613416372157,"score_gpt":0.3769332346204845,"score_spread":0.2214718929832688,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405751520","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002504527,0.0010312786,0.0014214867,0.0019787366,0.0012340795,0.0001363933,0.0011826251,0.00030906423,0.9902019],"genre_scores_gemma":[0.026862988,0.0016113411,0.003543254,0.0013920831,0.0007724836,0.00010611758,0.0013865138,0.00022222473,0.964103],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992899,0.000103523926,0.000026695887,0.00012728292,0.00036594892,0.00008666625],"domain_scores_gemma":[0.99915206,0.000115506075,0.000050170172,0.00021574828,0.00031669662,0.00014984148],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00057003176,0.00047888578,0.00024116634,0.0027818535,0.0021698847,0.0031857418,0.0006225835,0.0008433066,0.36564472],"category_scores_gemma":[0.0021677795,0.00021895842,0.0004161393,0.0016139868,0.0008861514,0.0011640076,0.0019320843,0.0012568898,0.112334035],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000103448714,0.00007758391,0.0011108652,0.00036926215,0.000007610677,0.0003207547,0.0012465552,0.00008631503,0.0057357834,0.029884888,0.623018,0.33803898],"study_design_scores_gemma":[0.000006949682,0.000015037089,0.0019499575,0.00006886947,0.000003082644,0.00022422586,0.00054513087,0.000029864068,0.00082362944,0.001273232,0.99505436,0.000005577063],"about_ca_topic_score_codex":0.0061896862,"about_ca_topic_score_gemma":0.013997169,"teacher_disagreement_score":0.6343553,"about_ca_system_score_codex":0.0013584534,"about_ca_system_score_gemma":0.001490573,"threshold_uncertainty_score":0.9048308},"labels":[],"label_agreement":null},{"id":"W4406067088","doi":"10.1353/mos.2022.a948448","title":"When it All Suddenly Clicked: Deconstruction after Psychoanalysis after Photography","year":2022,"lang":"en","type":"article","venue":"Mosaic","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Deconstruction (building); Photography; Psychoanalysis; Art; Psychology; Aesthetics; Visual arts; Sociology; Engineering","score_opus":0.022029613660136192,"score_gpt":0.2482269996224033,"score_spread":0.2261973859622671,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406067088","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3729389,0.012710381,0.021964727,0.09833146,0.0055803424,0.00009424765,0.000069732596,0.0003748521,0.48793545],"genre_scores_gemma":[0.9721405,0.0011650724,0.00096441555,0.001960254,0.000334965,0.00002584015,0.000008863926,0.00012432275,0.023275875],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9971528,0.001799215,0.00005774589,0.00023633627,0.00042460155,0.000329241],"domain_scores_gemma":[0.9956666,0.0029389225,0.00033847248,0.00041123273,0.00037910303,0.00026563613],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.003795595,0.0002768248,0.00037217245,0.0006739108,0.007753339,0.009679994,0.00070616056,0.002549531,0.006913568],"category_scores_gemma":[0.010270613,0.00021495168,0.00027587396,0.0007431839,0.031780947,0.010415355,0.006510237,0.005120621,0.00054870173],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007070948,0.000023070615,0.00062497414,0.000056196033,0.0000040839,0.0007262895,0.23084837,0.00006143398,0.00089826534,0.7489502,0.0074799354,0.010256547],"study_design_scores_gemma":[0.000038826747,0.00013367581,0.0024699422,0.00049764535,0.000018728695,0.0009993002,0.37311214,0.0006333682,0.0031550394,0.24439113,0.37448272,0.0000674508],"about_ca_topic_score_codex":0.0042369436,"about_ca_topic_score_gemma":0.0039404198,"teacher_disagreement_score":0.009679994,"about_ca_system_score_codex":0.0035189798,"about_ca_system_score_gemma":0.0022736976,"threshold_uncertainty_score":0.025532126},"labels":[],"label_agreement":null},{"id":"W4406067090","doi":"10.1353/mos.2022.a948449","title":"Shudder Speed: The Photograph as Ecstasy and Tragedy","year":2022,"lang":"en","type":"article","venue":"Mosaic","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ecstasy; Tragedy (event); Art; Psychology; Literature; Psychiatry","score_opus":0.023307194336899,"score_gpt":0.23211902382284613,"score_spread":0.20881182948594712,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406067090","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20899622,0.04191582,0.003139962,0.031485125,0.0015553518,0.000028919401,0.000094065945,0.00007181161,0.7127127],"genre_scores_gemma":[0.9708458,0.006639292,0.00058837334,0.0011321245,0.00041348327,0.000009885856,0.000013495983,0.000030933676,0.02032662],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99940705,0.00031662278,0.000014895456,0.00005674434,0.00014126879,0.000063442494],"domain_scores_gemma":[0.99846447,0.0009779563,0.00021635718,0.00011685527,0.0001339581,0.00009043],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00072131597,0.00021671302,0.0001649572,0.00086294446,0.0019550389,0.0044524088,0.00032379222,0.0011247558,0.008547393],"category_scores_gemma":[0.0031666441,0.00013063109,0.00012579717,0.0007558927,0.0115621425,0.004116889,0.001557671,0.001474256,0.0003208126],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014805008,0.000049500926,0.0016526916,0.00020542117,0.000013050845,0.0005969383,0.07963069,0.00020482334,0.001173677,0.8582279,0.016800819,0.0412963],"study_design_scores_gemma":[0.00009355443,0.0002560136,0.017122582,0.0010979514,0.00006494599,0.0029293143,0.10421983,0.0009130954,0.0025285138,0.27502254,0.59567463,0.00007704624],"about_ca_topic_score_codex":0.003906736,"about_ca_topic_score_gemma":0.004745673,"teacher_disagreement_score":0.008547393,"about_ca_system_score_codex":0.0021642076,"about_ca_system_score_gemma":0.00068729615,"threshold_uncertainty_score":0.028593898},"labels":[],"label_agreement":null},{"id":"W4406067129","doi":"10.1353/mos.2022.a948447","title":"Notes on Archive Works","year":2022,"lang":"en","type":"article","venue":"Mosaic","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Art","score_opus":0.03734071066842681,"score_gpt":0.24470037659024887,"score_spread":0.20735966592182206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406067129","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00048118545,0.0044280947,0.00044971108,0.0044002268,0.008806826,0.00015053905,0.015254426,0.00047612362,0.9655528],"genre_scores_gemma":[0.0024777541,0.002352059,0.00033858969,0.00042862757,0.00087841455,0.00003906558,0.0043071676,0.00033686898,0.9888416],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9988827,0.00006923856,0.000043759173,0.00010650271,0.00073510635,0.00016280772],"domain_scores_gemma":[0.99754214,0.00023003003,0.000073418385,0.00047423743,0.0014419471,0.00023830151],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00072688365,0.00083040586,0.00073827413,0.0053457,0.00690912,0.0059412383,0.0013633105,0.0010233398,0.62802327],"category_scores_gemma":[0.0056319023,0.00039449267,0.0005562402,0.009768523,0.0011514439,0.0021560304,0.0024698526,0.0021798084,0.33229154],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012603819,0.000005797118,0.000042034135,0.000045596214,0.000001117662,0.000040792274,0.00009676535,0.000020903159,0.000051679646,0.0037882007,0.9748061,0.021088384],"study_design_scores_gemma":[0.0000011778562,0.0000010388599,0.00015660787,0.000038506245,5.2984626e-7,0.000016990798,0.0000636074,0.0000050111357,0.000034082062,0.0002988758,0.9993813,0.000002166331],"about_ca_topic_score_codex":0.2496461,"about_ca_topic_score_gemma":0.3485106,"teacher_disagreement_score":0.62802327,"about_ca_system_score_codex":0.0064930846,"about_ca_system_score_gemma":0.006655003,"threshold_uncertainty_score":0.5305797},"labels":[],"label_agreement":null},{"id":"W4407069944","doi":"10.5206/tba.v6i1.18959","title":"Photography, Memory and Postmigration:","year":2025,"lang":"en","type":"article","venue":"tba Journal of Art Media and Visual Culture","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Photography; History; Art; Visual arts","score_opus":0.013571535030288136,"score_gpt":0.2664113039321231,"score_spread":0.25283976890183496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407069944","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48486665,0.030291652,0.0052197888,0.027300272,0.0022313937,0.00006366137,0.00026662374,0.000114079834,0.44964582],"genre_scores_gemma":[0.9617797,0.0064289407,0.0009248245,0.0008000003,0.00039778178,0.00001957062,0.000050000974,0.00004625331,0.029553011],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.999461,0.00030451803,0.000016769172,0.00006407294,0.000085247746,0.00006846766],"domain_scores_gemma":[0.99860865,0.00080357457,0.00016768421,0.00017600223,0.0001388361,0.00010531797],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012842311,0.00033687297,0.00013478633,0.0012746067,0.0035057482,0.005518198,0.00060941384,0.0009950219,0.006211056],"category_scores_gemma":[0.0036957806,0.0001439109,0.00015687791,0.00093408383,0.008429155,0.0049421834,0.0027750072,0.0013873125,0.000510373],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012995188,0.000051663737,0.005606342,0.00042820084,0.000014661906,0.0015828979,0.77175534,0.00009367735,0.0016414701,0.11148008,0.016715398,0.09050026],"study_design_scores_gemma":[0.000016676735,0.00012957958,0.0143922465,0.0010116997,0.00003696566,0.0025786657,0.46575853,0.00016423783,0.0018969134,0.015428433,0.49855727,0.000028721204],"about_ca_topic_score_codex":0.0037645749,"about_ca_topic_score_gemma":0.009752134,"teacher_disagreement_score":0.006211056,"about_ca_system_score_codex":0.0014224999,"about_ca_system_score_gemma":0.0008156582,"threshold_uncertainty_score":0.020778},"labels":[],"label_agreement":null},{"id":"W4408023117","doi":"10.1386/btwo_00104_7","title":"Memories of the light: Seeing the unseen","year":2024,"lang":"en","type":"article","venue":"Book 2 0","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Capilano University","funders":"","keywords":"Computer science; Cognitive science; Psychology","score_opus":0.02075161431774087,"score_gpt":0.23019066444744068,"score_spread":0.20943905012969982,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408023117","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0075741415,0.06813042,0.0022429968,0.045244556,0.009155805,0.000025713682,0.00011808402,0.000104034305,0.8674043],"genre_scores_gemma":[0.16480218,0.04171571,0.0014426005,0.01574119,0.0051209126,0.00004206721,0.00008923643,0.00032065966,0.7707254],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999681,0.00012786112,0.0000064803876,0.00003442622,0.000096546675,0.000053774664],"domain_scores_gemma":[0.999468,0.00027518976,0.000034936576,0.000059730828,0.00006760481,0.0000945743],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006317668,0.0005783119,0.00027525314,0.00074972503,0.004205222,0.011293211,0.0006270808,0.0022490732,0.034443177],"category_scores_gemma":[0.0019425886,0.0003477434,0.00028313653,0.0006603996,0.009643101,0.008292724,0.002416491,0.0045742835,0.004783365],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006134451,0.00003514775,0.00034449287,0.00022559108,0.000011357542,0.00036401924,0.047978528,0.00008358373,0.0008832678,0.3773959,0.50107485,0.071542],"study_design_scores_gemma":[0.000006499944,0.000017422044,0.0005092398,0.00025746922,0.000007226318,0.00043999008,0.026875531,0.00003533953,0.0003507189,0.049691234,0.92179245,0.00001686565],"about_ca_topic_score_codex":0.007884125,"about_ca_topic_score_gemma":0.023114711,"teacher_disagreement_score":0.034443177,"about_ca_system_score_codex":0.001514593,"about_ca_system_score_gemma":0.0019242961,"threshold_uncertainty_score":0.115223885},"labels":[],"label_agreement":null},{"id":"W4408184010","doi":"10.1080/17526272.2025.2463209","title":"Cold War Visual Legacies","year":2025,"lang":"en","type":"article","venue":"Journal of War and Culture Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Cold war; History; Visual arts; Political science; Art; Law; Politics","score_opus":0.02902031470355219,"score_gpt":0.3174461647792198,"score_spread":0.28842585007566757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408184010","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0107253315,0.05399831,0.00070719945,0.06586593,0.12418156,0.000053580898,0.00095584214,0.0002665833,0.7432456],"genre_scores_gemma":[0.18197303,0.052210346,0.0008391962,0.020091588,0.07376056,0.000115986026,0.0013786514,0.00097321864,0.6686574],"study_design_codex":"not_applicable","study_design_gemma":"qualitative","domain_scores_codex":[0.9993917,0.00015506861,0.00002345564,0.000086181855,0.00018117709,0.00016240966],"domain_scores_gemma":[0.9990723,0.00035154595,0.00008483819,0.00010070529,0.00017422548,0.00021631634],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00073124655,0.0008903137,0.00032498845,0.002168604,0.00575958,0.009334145,0.00080216996,0.0021110484,0.10762581],"category_scores_gemma":[0.0028405841,0.00026618864,0.00035898638,0.0018418983,0.0027878587,0.00455084,0.004734288,0.0036624346,0.012741163],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004458744,0.00002073022,0.0002906928,0.00022509837,0.000006227155,0.00014949036,0.0065250974,0.000041406878,0.00032960236,0.047315944,0.8975854,0.0474657],"study_design_scores_gemma":[0.0000015212436,0.0000042156503,0.00021624801,0.00017119404,0.0000013477986,0.00009408604,0.0018552393,0.000007816967,0.00006091899,0.0013245326,0.99625957,0.0000033965086],"about_ca_topic_score_codex":0.006261672,"about_ca_topic_score_gemma":0.014953764,"teacher_disagreement_score":0.10762581,"about_ca_system_score_codex":0.0037011534,"about_ca_system_score_gemma":0.0015536612,"threshold_uncertainty_score":0.36004418},"labels":[],"label_agreement":null},{"id":"W4408829074","doi":"10.2139/ssrn.5192901","title":"Coping with a Radical Technological Change: Modes of Knowledge Recombination and Inventive Impact in the Photography Industry","year":2025,"lang":"en","type":"preprint","venue":"SSRN Electronic Journal","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Impact","funders":"","keywords":"Coping (psychology); Photography; Recombination; Business; Psychology; Art; Visual arts; Clinical psychology; Biology; Genetics","score_opus":0.048146363215369886,"score_gpt":0.31196234472814843,"score_spread":0.2638159815127785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408829074","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7590167,0.0007668186,0.03979881,0.0036965243,0.0000423392,0.000118571115,0.000047385292,0.00012842892,0.19638442],"genre_scores_gemma":[0.9912513,0.00015198001,0.0047555286,0.0000666376,0.000017707222,0.00003464473,0.000012552469,0.000021375858,0.00368821],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9969441,0.0016224779,0.000089563844,0.00039085923,0.0005134816,0.00043940142],"domain_scores_gemma":[0.9826806,0.012059675,0.0012613444,0.0027742926,0.00061033975,0.0006138187],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.005048747,0.00030373433,0.00032183394,0.0022687465,0.0031054532,0.0112916995,0.0015610452,0.003354564,0.010453094],"category_scores_gemma":[0.018572047,0.0003965423,0.00055633835,0.0019557052,0.01066647,0.012661182,0.0057930853,0.0020200557,0.0007856794],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00039680288,0.00041242442,0.028377993,0.00021072997,0.00005603579,0.0015307813,0.16019678,0.0023458763,0.0074531427,0.6808844,0.0014409242,0.11669412],"study_design_scores_gemma":[0.00015285569,0.00047153395,0.04263206,0.0003116279,0.00010787088,0.0025197258,0.19502921,0.015684625,0.0075943666,0.69606847,0.039317176,0.00011037147],"about_ca_topic_score_codex":0.0012152345,"about_ca_topic_score_gemma":0.0007909992,"teacher_disagreement_score":0.0112916995,"about_ca_system_score_codex":0.0018863165,"about_ca_system_score_gemma":0.0018410253,"threshold_uncertainty_score":0.03496909},"labels":[],"label_agreement":null},{"id":"W4408947750","doi":"10.31124/advance.174314133.34336140/v1","title":"Generative Photorealistic Images as Nodes of Memory: Artistic Practices and Multisensory Archives in the Digital Era","year":2025,"lang":"en","type":"preprint","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Generative grammar; Visual arts; Computer science; Digital era; Multimedia; Computer graphics (images); Cognitive science; Computer vision; Aesthetics; Art; Artificial intelligence; Psychology; World Wide Web","score_opus":0.05695712168429229,"score_gpt":0.3207453049555282,"score_spread":0.26378818327123593,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408947750","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5874967,0.009986599,0.06011371,0.01024499,0.0004926358,0.000112256486,0.00016742431,0.00051585614,0.3308698],"genre_scores_gemma":[0.97807807,0.0010521236,0.008791845,0.00024163995,0.000057776528,0.000027283657,0.000032009968,0.00014023445,0.011578896],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99778545,0.0013121775,0.000058595826,0.00025834813,0.00041957316,0.00016580355],"domain_scores_gemma":[0.9961344,0.0020247647,0.0002690178,0.0012338829,0.00015379523,0.00018427693],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034961249,0.00045854645,0.00021864884,0.0018151132,0.004757868,0.008027509,0.0012298306,0.0011732857,0.0054560313],"category_scores_gemma":[0.0068847197,0.00033713147,0.00039044433,0.0011026427,0.018033233,0.008255572,0.0075194044,0.0018009586,0.0005419235],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010084118,0.000049374754,0.0028669955,0.00032183644,0.000027016818,0.0010125778,0.58949083,0.0006727119,0.0041332836,0.30501923,0.004631237,0.09167409],"study_design_scores_gemma":[0.000043654163,0.0001708657,0.0062767384,0.00092380843,0.00007264667,0.004640133,0.3348463,0.0027052318,0.009120986,0.16523962,0.47583827,0.000121745354],"about_ca_topic_score_codex":0.0011467028,"about_ca_topic_score_gemma":0.0027466828,"teacher_disagreement_score":0.008027509,"about_ca_system_score_codex":0.0018895728,"about_ca_system_score_gemma":0.0007962859,"threshold_uncertainty_score":0.01848948},"labels":[],"label_agreement":null},{"id":"W4409107646","doi":"10.1093/jahist/jaae333","title":"Picturing Indians: Native Americans in Film, 1941–1960","year":2025,"lang":"en","type":"article","venue":"Journal of American History","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Lethbridge","funders":"","keywords":"Business; Geography; Political science","score_opus":0.024846915896447087,"score_gpt":0.2595524145870072,"score_spread":0.2347054986905601,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409107646","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93130857,0.0019115886,0.0000872259,0.00066378125,0.0001823528,0.000020441905,0.00035592917,0.000013487457,0.06545655],"genre_scores_gemma":[0.98435336,0.0017299008,0.000110525085,0.00008459895,0.000074142336,0.0000048337142,0.00010787132,0.000011294531,0.013523406],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9997931,0.000052446863,0.000012321887,0.000035464178,0.00004027016,0.00006646142],"domain_scores_gemma":[0.99954057,0.00014186863,0.00008803684,0.000030228946,0.00013151923,0.00006774906],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040283127,0.0002555455,0.00011134071,0.0013774399,0.0037258377,0.0017660427,0.0002949577,0.00028439917,0.0040061683],"category_scores_gemma":[0.0014560374,0.00017513717,0.000088761175,0.0020347307,0.0012662483,0.00089040236,0.0010370031,0.0009879661,0.0003767986],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003293222,0.00013414616,0.061333332,0.00026499006,0.000025141555,0.0019679014,0.84065276,0.000057051227,0.005900774,0.005545509,0.009661136,0.074127965],"study_design_scores_gemma":[0.000005924947,0.0000757395,0.3255729,0.00013654384,0.00007095972,0.0013973798,0.5218071,0.000076930024,0.003580012,0.0002065212,0.14704333,0.000026666648],"about_ca_topic_score_codex":0.1271688,"about_ca_topic_score_gemma":0.34803742,"teacher_disagreement_score":0.1271688,"about_ca_system_score_codex":0.0012898822,"about_ca_system_score_gemma":0.0008652902,"threshold_uncertainty_score":0.2528572},"labels":[],"label_agreement":null},{"id":"W4410049457","doi":"10.33137/ijournal.v10i2.45413","title":"Between Surveillance and Street Photography","year":2025,"lang":"en","type":"article","venue":"The iJournal Student Journal of the Faculty of Information","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Geography; Remote sensing; Visual arts; Art","score_opus":0.019640041662587756,"score_gpt":0.2857643772276648,"score_spread":0.26612433556507703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410049457","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21372114,0.012679252,0.026010763,0.050866503,0.0015403044,0.00010386916,0.00008831409,0.000104092076,0.69488573],"genre_scores_gemma":[0.97465396,0.0019834123,0.0024729462,0.0028048432,0.00036323114,0.0000385638,0.000021043257,0.00005969302,0.017602392],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99008876,0.006741401,0.00022237512,0.0009442884,0.001303405,0.00069982413],"domain_scores_gemma":[0.9867243,0.0081910575,0.002038693,0.0013312991,0.0009054582,0.0008091079],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006577092,0.00041649587,0.0002675282,0.0014744687,0.0075844093,0.009592965,0.0008428399,0.0032790052,0.010481695],"category_scores_gemma":[0.019252528,0.00042049083,0.0003820613,0.0008438464,0.02480291,0.008436603,0.009041847,0.0047221887,0.0009630742],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018273866,0.00012533048,0.021789413,0.00031370192,0.000041874857,0.0019884913,0.15996441,0.00037205164,0.0018578826,0.7076024,0.014706551,0.0910551],"study_design_scores_gemma":[0.00003527412,0.0002336952,0.021429602,0.002161517,0.000056062625,0.00816915,0.2236606,0.00087773084,0.0027484195,0.2760725,0.46442774,0.0001277273],"about_ca_topic_score_codex":0.0055089765,"about_ca_topic_score_gemma":0.0065377406,"teacher_disagreement_score":0.010481695,"about_ca_system_score_codex":0.003201027,"about_ca_system_score_gemma":0.0023233239,"threshold_uncertainty_score":0.035064757},"labels":[],"label_agreement":null},{"id":"W4410192947","doi":"10.1386/pop_00110_5","title":"Mortevivum: Photography and the Politics of the Visual, Kimberly Juanita Brown (2024)","year":2025,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Art; Photography; Politics; Visual arts; Art history; Political science; Law","score_opus":0.018187679178457768,"score_gpt":0.2517778102290791,"score_spread":0.23359013105062132,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410192947","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00017287105,0.9353468,0.00014412463,0.025364479,0.0052726823,0.0000040287937,0.00004719528,0.000021113858,0.033626743],"genre_scores_gemma":[0.013486101,0.7561076,0.0004919886,0.01134561,0.010603589,0.00003174441,0.00013092978,0.00009892434,0.20770355],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99920064,0.00030099635,0.000030874362,0.000105348656,0.00027069694,0.000091397575],"domain_scores_gemma":[0.9990307,0.0004209922,0.00009102768,0.000051072708,0.00025740714,0.00014891474],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011291218,0.0009237098,0.00057563704,0.0025826036,0.0025535938,0.0066456413,0.0009500984,0.0029436313,0.04302665],"category_scores_gemma":[0.0028981185,0.0005500828,0.0003363284,0.0027129967,0.00395141,0.0066317143,0.002426592,0.0031135841,0.013627519],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016053416,0.0000068639674,0.000098530596,0.00036869128,0.000004533786,0.00004084687,0.00059969246,0.000037526144,0.00006438628,0.030177101,0.9030527,0.06553316],"study_design_scores_gemma":[0.0000017642726,0.000002344034,0.0003879898,0.00075314444,0.0000020418313,0.00007706832,0.00048046076,0.0000085010215,0.000026480564,0.0033197224,0.9949367,0.000003838905],"about_ca_topic_score_codex":0.03270114,"about_ca_topic_score_gemma":0.051908933,"teacher_disagreement_score":0.04302665,"about_ca_system_score_codex":0.006266107,"about_ca_system_score_gemma":0.0043263207,"threshold_uncertainty_score":0.14393848},"labels":[],"label_agreement":null},{"id":"W4410484665","doi":"10.46840/ec.2024.21.744","title":"The Art of Forgetting: Reading the 1974 Venice Biennale","year":2024,"lang":"en","type":"article","venue":"Economía Creativa","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Forgetting; Reading (process); Art; Visual arts; Linguistics; Philosophy","score_opus":0.02601494887628225,"score_gpt":0.2525617626199895,"score_spread":0.22654681374370728,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410484665","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18300144,0.021778695,0.0014355424,0.035722394,0.0042122663,0.000044136756,0.00013555164,0.00011731979,0.7535527],"genre_scores_gemma":[0.890561,0.004096394,0.00043887287,0.0027623961,0.0011474255,0.000026284988,0.000054109747,0.00018048284,0.10073296],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903595,0.00048664838,0.000015616819,0.00010843251,0.00015733205,0.00019610526],"domain_scores_gemma":[0.9989568,0.00066184986,0.00010058903,0.000108008426,0.00009242301,0.000080282654],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013078868,0.0006624944,0.00026596998,0.002003179,0.012880688,0.0075244806,0.00076267467,0.001996647,0.0052033714],"category_scores_gemma":[0.0033323143,0.00035025174,0.00022644905,0.0011688131,0.026047558,0.0041733882,0.00338755,0.004572575,0.0006936514],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009342767,0.000021060205,0.0009841787,0.00015501751,0.000010841649,0.0016990242,0.65704566,0.000117277785,0.00090806535,0.24759512,0.07451876,0.016851535],"study_design_scores_gemma":[0.0000040515934,0.000020456808,0.002072824,0.00033381817,0.0000063696275,0.0005176147,0.16922244,0.000046361485,0.0006646974,0.0048232875,0.8222691,0.000019142817],"about_ca_topic_score_codex":0.026692443,"about_ca_topic_score_gemma":0.06536864,"teacher_disagreement_score":0.026692443,"about_ca_system_score_codex":0.007869854,"about_ca_system_score_gemma":0.001980088,"threshold_uncertainty_score":0.057100058},"labels":[],"label_agreement":null},{"id":"W4411985558","doi":"10.15353/cjds.v12i3.1040","title":"Review of Finding Blindness: International Constructions and Deconstructions","year":2023,"lang":"en","type":"article","venue":"Canadian Journal of Disability Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Blindness; Sociology; Psychology; Medicine; Optometry","score_opus":0.13193701737374375,"score_gpt":0.3587137040636437,"score_spread":0.22677668668989998,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411985558","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00011926418,0.9938438,0.000105411396,0.0029320333,0.00068835204,0.000003431251,0.000016839353,0.0000026184414,0.0022882298],"genre_scores_gemma":[0.0022533468,0.99479526,0.00015159197,0.0014057284,0.00071629166,0.0000121413295,0.000029718514,0.000008105243,0.00062786223],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961415,0.0017137402,0.0005117493,0.0003238919,0.0010472741,0.00026200112],"domain_scores_gemma":[0.98391426,0.011526749,0.0009097067,0.00047645974,0.0028479393,0.00032484203],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0066518863,0.0008611985,0.002024289,0.010807106,0.0017089915,0.0069924495,0.0015635227,0.0022721628,0.0054853633],"category_scores_gemma":[0.017356543,0.00066386466,0.00082965044,0.021667419,0.008417812,0.007485787,0.0032303527,0.003874546,0.001114537],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059403115,0.00003172387,0.00059273076,0.035111256,0.00013494496,0.00023676985,0.00872196,0.00027334347,0.00020270298,0.08941165,0.26066715,0.6045563],"study_design_scores_gemma":[0.000005672492,0.000019418145,0.0016990649,0.034107957,0.000052747204,0.0005705754,0.0047613247,0.000025775722,0.000066796274,0.0067769266,0.95188785,0.00002595594],"about_ca_topic_score_codex":0.017698241,"about_ca_topic_score_gemma":0.02771876,"teacher_disagreement_score":0.017698241,"about_ca_system_score_codex":0.005873725,"about_ca_system_score_gemma":0.011264623,"threshold_uncertainty_score":0.042617083},"labels":[],"label_agreement":null},{"id":"W4412211582","doi":"","title":"The Generative Image:Spatial Photography, Embodied Experience, and Architectural Design","year":2025,"lang":"en","type":"article","venue":"Architecture, Design and Conservation (Aarhus School of Architecture, Design School Kolding, The Royal Danish Academy of Fine Arts, Schools of Architecture, Design and Conservation (KADK))","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Innovation Cluster (Canada)","funders":"","keywords":"Embodied cognition; Photography; Generative grammar; Image (mathematics); Generative Design; Computer science; Computer graphics (images); Visual arts; Architectural engineering; Artificial intelligence; Art; Engineering","score_opus":0.03530265429006978,"score_gpt":0.27167256382495164,"score_spread":0.23636990953488185,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412211582","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17781462,0.03429669,0.053079735,0.028482022,0.0010959536,0.000079855636,0.0000956729,0.0002403641,0.7048151],"genre_scores_gemma":[0.9639572,0.004428028,0.007469512,0.0011592548,0.00026804765,0.000043163975,0.00002998602,0.000053707983,0.022590967],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99892896,0.0007343626,0.000028150886,0.00009607364,0.00014923849,0.00006325728],"domain_scores_gemma":[0.99905103,0.00059290166,0.00008438371,0.00014653437,0.000059054677,0.000066053384],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013982613,0.00036701775,0.00016831154,0.0011352856,0.0016155834,0.0061739343,0.00067974447,0.0014867533,0.0059545427],"category_scores_gemma":[0.0024645987,0.00016669696,0.0003248506,0.0009006864,0.021196708,0.005322018,0.0033257992,0.0014022118,0.00040778413],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059918842,0.000026984882,0.0013063076,0.00032165518,0.000011314582,0.00054117583,0.11702097,0.00033355888,0.0012110585,0.82655144,0.0045296415,0.048085988],"study_design_scores_gemma":[0.00006155406,0.00019839164,0.007539284,0.0011830333,0.000045771805,0.0034789026,0.1345894,0.0019647912,0.0024123557,0.37755692,0.47090033,0.00006917383],"about_ca_topic_score_codex":0.002984663,"about_ca_topic_score_gemma":0.003402058,"teacher_disagreement_score":0.0061739343,"about_ca_system_score_codex":0.0018650237,"about_ca_system_score_gemma":0.0009101202,"threshold_uncertainty_score":0.019919872},"labels":[],"label_agreement":null},{"id":"W4412899040","doi":"10.1515/9780228025320","title":"A History of Photography in Canada, Volume 1","year":2025,"lang":"en","type":"book","venue":"McGill-Queen's University Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Volume (thermodynamics); Art; Visual arts; History; Art history; Physics","score_opus":0.016470988082131415,"score_gpt":0.17998764418785754,"score_spread":0.16351665610572613,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412899040","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0059469678,0.3734868,0.0010835208,0.024362605,0.010187832,0.00012609003,0.0021347106,0.00022528283,0.5824463],"genre_scores_gemma":[0.09666255,0.31844267,0.0019447719,0.009222473,0.0031646518,0.00007142529,0.00144925,0.00038998426,0.5686523],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972193,0.00020898532,0.0000816648,0.00024447008,0.0017041684,0.0005413806],"domain_scores_gemma":[0.99813783,0.00028794503,0.0000823139,0.000097301585,0.0010769776,0.00031762736],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010971319,0.00085583667,0.00051251845,0.00809993,0.017396444,0.013268961,0.0016748123,0.0021985392,0.029315975],"category_scores_gemma":[0.0033963558,0.0006574312,0.00034965304,0.014570422,0.009872036,0.0035978088,0.0032071036,0.0033832751,0.0036997665],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006632059,0.000046290043,0.0013902717,0.00089048356,0.000012842922,0.0005854463,0.013515716,0.0002969486,0.0006794136,0.09857549,0.71598417,0.16795652],"study_design_scores_gemma":[7.615119e-7,0.0000024669646,0.0010643834,0.00018497604,0.0000016887584,0.00006997997,0.0009560746,0.000008159455,0.000064637876,0.00051049393,0.99712914,0.000007332533],"about_ca_topic_score_codex":0.95120096,"about_ca_topic_score_gemma":0.97514886,"teacher_disagreement_score":0.10111059,"about_ca_system_score_codex":0.10111059,"about_ca_system_score_gemma":0.09686401,"threshold_uncertainty_score":0.7336121},"labels":[],"label_agreement":null},{"id":"W4412899094","doi":"10.1515/9780228025320-005","title":"2 Before Photography, Before Canada","year":2025,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Visual arts; Art; Geography","score_opus":0.013888739665711473,"score_gpt":0.19255925183553724,"score_spread":0.17867051216982577,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412899094","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00048577893,0.011446506,0.0004151422,0.009389863,0.0026178206,0.000044903303,0.00043653217,0.000109246284,0.9750542],"genre_scores_gemma":[0.0041175643,0.0029708063,0.00027299908,0.0021485658,0.0001613442,0.000017129027,0.00010180257,0.0001043141,0.99010557],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989975,0.0000833831,0.000028573315,0.00017866533,0.00042604763,0.00028576492],"domain_scores_gemma":[0.9994615,0.00006215735,0.000017413975,0.00005460262,0.0003087481,0.00009566239],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004614655,0.00084695505,0.0004396834,0.0020531828,0.007725717,0.010064585,0.0011705,0.0043221368,0.1521341],"category_scores_gemma":[0.0015095967,0.00065503677,0.00049073226,0.0029568723,0.0036562923,0.0030562978,0.001958736,0.0052451896,0.03741104],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027532975,0.000012549605,0.0001596546,0.00014195236,0.0000025459963,0.00010263091,0.001014689,0.00008306234,0.00024369135,0.22639729,0.7090485,0.062765814],"study_design_scores_gemma":[0.0000011343359,0.0000014108948,0.00023603722,0.000049450897,0.0000010106605,0.00001678549,0.00017088478,0.00001144932,0.000039399678,0.0014183548,0.9980502,0.0000039579827],"about_ca_topic_score_codex":0.87353945,"about_ca_topic_score_gemma":0.95090294,"teacher_disagreement_score":0.1521341,"about_ca_system_score_codex":0.021871636,"about_ca_system_score_gemma":0.029573264,"threshold_uncertainty_score":0.50893927},"labels":[],"label_agreement":null},{"id":"W4414166326","doi":"10.2979/fih.00015","title":"Following Caribou Via Rupta from the Early Hunting Film to Jerry Evans’s Apaja’lujik (2019)","year":2025,"lang":"en","type":"article","venue":"Film History","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Shot (pellet); Panning (audio); Stalking; Agency (philosophy); Crime scene; Front (military); Feature film","score_opus":0.02376578852672338,"score_gpt":0.2343835486698006,"score_spread":0.21061776014307723,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414166326","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64820385,0.005281477,0.0012722691,0.010902498,0.0010233636,0.000047317346,0.00021071314,0.00010129565,0.3329572],"genre_scores_gemma":[0.95956814,0.0017019523,0.0006175707,0.0005252731,0.00012283857,0.00001640153,0.00007504318,0.00006156704,0.03731117],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997601,0.00008243596,0.0000044475973,0.000037616563,0.00004575842,0.00006972238],"domain_scores_gemma":[0.9997136,0.00011277133,0.000032689197,0.000024642859,0.00006676645,0.000049612976],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005017435,0.00021140791,0.00011209805,0.00071114465,0.0059484094,0.0028476976,0.0003848631,0.00053026783,0.007628538],"category_scores_gemma":[0.0017774674,0.00013541784,0.00007036504,0.00068359,0.003866598,0.0016024733,0.0017393014,0.0019358646,0.00044237322],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001825562,0.0000526383,0.0044659683,0.0003094238,0.00002109082,0.0032344211,0.8270151,0.00012449775,0.004390028,0.04270244,0.042409696,0.07509204],"study_design_scores_gemma":[0.000004417068,0.000054801578,0.020893866,0.0004265664,0.000021784927,0.0011335885,0.4076281,0.00010389014,0.0015031234,0.0010950771,0.56710744,0.000027414731],"about_ca_topic_score_codex":0.0635771,"about_ca_topic_score_gemma":0.21243326,"teacher_disagreement_score":0.0635771,"about_ca_system_score_codex":0.0028361091,"about_ca_system_score_gemma":0.0009756976,"threshold_uncertainty_score":0.12641412},"labels":[],"label_agreement":null},{"id":"W4414429269","doi":"10.32920/30192640.v1","title":"Canadian Midwives of Colour History Project : Maps","year":2025,"lang":"en","type":"article","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Field (mathematics); Feature (linguistics)","score_opus":0.03674794041504019,"score_gpt":0.24806423021648955,"score_spread":0.21131628980144934,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414429269","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004071881,0.002765517,0.0027978825,0.018296482,0.002232289,0.0010843639,0.34008476,0.0016967459,0.6269701],"genre_scores_gemma":[0.049622223,0.0056385975,0.023797778,0.003820421,0.00025727943,0.0018784186,0.09129124,0.002547917,0.8211462],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978344,0.00019841046,0.00006058176,0.00016969377,0.0011875504,0.00054934266],"domain_scores_gemma":[0.98702383,0.0006330095,0.00024772604,0.0004938687,0.009747117,0.0018544927],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026409908,0.0007894972,0.00050155993,0.0054413807,0.008987934,0.004774835,0.0019598438,0.001019701,0.19145735],"category_scores_gemma":[0.010500767,0.00089927285,0.000509964,0.010266252,0.0014227064,0.0017558861,0.0029368042,0.0020514054,0.023634247],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022556464,0.0000065091854,0.0005239087,0.000105244864,0.0000024962765,0.000022207078,0.0005511784,0.00004227466,0.000046942045,0.0024916115,0.9802757,0.01590947],"study_design_scores_gemma":[0.000008162243,0.0000024771496,0.0068786195,0.00013499806,0.000004396738,0.000011925228,0.0015398762,0.000044140874,0.00007247298,0.0003087709,0.9909797,0.000014497168],"about_ca_topic_score_codex":0.9913059,"about_ca_topic_score_gemma":0.9960794,"teacher_disagreement_score":0.19145735,"about_ca_system_score_codex":0.05362902,"about_ca_system_score_gemma":0.13975967,"threshold_uncertainty_score":0.6404886},"labels":[],"label_agreement":null},{"id":"W4414429309","doi":"10.32920/30192640","title":"Canadian Midwives of Colour History Project : Maps","year":2025,"lang":"en","type":"article","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Field (mathematics); Feature (linguistics)","score_opus":0.03674794041504019,"score_gpt":0.24806423021648955,"score_spread":0.21131628980144934,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414429309","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004071881,0.002765517,0.0027978825,0.018296482,0.002232289,0.0010843639,0.34008476,0.0016967459,0.6269701],"genre_scores_gemma":[0.049622223,0.0056385975,0.023797778,0.003820421,0.00025727943,0.0018784186,0.09129124,0.002547917,0.8211462],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978344,0.00019841046,0.00006058176,0.00016969377,0.0011875504,0.00054934266],"domain_scores_gemma":[0.98702383,0.0006330095,0.00024772604,0.0004938687,0.009747117,0.0018544927],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0026409908,0.0007894972,0.00050155993,0.0054413807,0.008987934,0.004774835,0.0019598438,0.001019701,0.19145735],"category_scores_gemma":[0.010500767,0.00089927285,0.000509964,0.010266252,0.0014227064,0.0017558861,0.0029368042,0.0020514054,0.023634247],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022556464,0.0000065091854,0.0005239087,0.000105244864,0.0000024962765,0.000022207078,0.0005511784,0.00004227466,0.000046942045,0.0024916115,0.9802757,0.01590947],"study_design_scores_gemma":[0.000008162243,0.0000024771496,0.0068786195,0.00013499806,0.000004396738,0.000011925228,0.0015398762,0.000044140874,0.00007247298,0.0003087709,0.9909797,0.000014497168],"about_ca_topic_score_codex":0.9913059,"about_ca_topic_score_gemma":0.9960794,"teacher_disagreement_score":0.19145735,"about_ca_system_score_codex":0.05362902,"about_ca_system_score_gemma":0.13975967,"threshold_uncertainty_score":0.6404886},"labels":[],"label_agreement":null},{"id":"W4414922860","doi":"10.1080/02722011.2025.2510545","title":"Canadian Photographs","year":2025,"lang":"en","type":"article","venue":"The American Review of Canadian Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Queen's University","funders":"","keywords":"Brother; Photography; George (robot); Feature (linguistics)","score_opus":0.042218371367093936,"score_gpt":0.31966176055092055,"score_spread":0.2774433891838266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414922860","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000915666,0.011836526,0.00033054105,0.0041227317,0.0032292055,0.00008565495,0.015069402,0.00017001736,0.9642403],"genre_scores_gemma":[0.014544897,0.02277831,0.0015945387,0.0018685821,0.00048199433,0.000059450198,0.011747332,0.000232424,0.94669247],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988759,0.000055662862,0.000025091802,0.00011149078,0.0007809129,0.00015093423],"domain_scores_gemma":[0.99746835,0.00007513618,0.00004646609,0.00010203816,0.0021006211,0.00020732377],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005633445,0.0009069899,0.00042219,0.005500396,0.007441501,0.0031142652,0.0010720106,0.000721949,0.3771897],"category_scores_gemma":[0.002619345,0.00037111665,0.0005699326,0.009638248,0.00078004814,0.0010866377,0.0012986981,0.0013370297,0.08398726],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010018331,0.0000018021053,0.00012409691,0.00007096499,0.000001823748,0.000037563776,0.00017182271,0.000014205295,0.00007118081,0.0022156988,0.9823038,0.0149770845],"study_design_scores_gemma":[0.0000013317012,8.291146e-7,0.0009784679,0.00006551622,0.0000017614939,0.000051557792,0.00033637963,0.000004375943,0.000030176045,0.000113902206,0.9984119,0.0000037059635],"about_ca_topic_score_codex":0.9063103,"about_ca_topic_score_gemma":0.97275925,"teacher_disagreement_score":0.3771897,"about_ca_system_score_codex":0.014157012,"about_ca_system_score_gemma":0.0181452,"threshold_uncertainty_score":0.8883633},"labels":[],"label_agreement":null},{"id":"W4415401103","doi":"10.3828/bjcs.2025.14","title":"Reclaiming, remembering, and reinventing the land in Lorraine Gilbert’s photography","year":2025,"lang":"en","type":"article","venue":"British Journal of Canadian Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Sense of place; Expression (computer science)","score_opus":0.046159353081509355,"score_gpt":0.2674458867234126,"score_spread":0.2212865336419032,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415401103","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33264664,0.017125659,0.0048137195,0.13476062,0.0017814612,0.00006954056,0.000095602605,0.00019205801,0.5085146],"genre_scores_gemma":[0.9481116,0.0024025934,0.0013923383,0.002954698,0.0001944849,0.000013710442,0.000009200954,0.000065006265,0.044856433],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983304,0.0010348526,0.000024155997,0.000102534366,0.0002791211,0.00022894607],"domain_scores_gemma":[0.9982023,0.0009561525,0.00018978621,0.00017299112,0.00026723367,0.00021149298],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019769752,0.0003430914,0.0001928129,0.001143045,0.010701843,0.006410202,0.0008341984,0.001421083,0.0027338527],"category_scores_gemma":[0.004460369,0.00021313026,0.00014408294,0.0007738596,0.030851496,0.004818701,0.003225071,0.003240456,0.00033172173],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003287595,0.0000133013245,0.0010731609,0.00009502071,0.0000038744774,0.000739113,0.75303197,0.00012773795,0.0009658259,0.18147068,0.04353664,0.018909898],"study_design_scores_gemma":[0.000008138732,0.000021196607,0.0019129934,0.00022709063,0.0000068830595,0.0008660793,0.3633511,0.00012397692,0.00070404034,0.010930497,0.6218064,0.000041458574],"about_ca_topic_score_codex":0.23411028,"about_ca_topic_score_gemma":0.51107204,"teacher_disagreement_score":0.7658897,"about_ca_system_score_codex":0.009013232,"about_ca_system_score_gemma":0.0039069476,"threshold_uncertainty_score":0.46549523},"labels":[],"label_agreement":null},{"id":"W4415958931","doi":"10.1080/23322551.2025.2557728","title":"Digital Scenography","year":2025,"lang":"en","type":"article","venue":"Theatre & Performance Design","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Scenography; Digital media; Object (grammar); Representation (politics)","score_opus":0.027307877547430214,"score_gpt":0.2322720094252233,"score_spread":0.20496413187779308,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415958931","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014524534,0.025344176,0.013648012,0.019656481,0.0039391527,0.000080165744,0.0009303776,0.0005131995,0.92136395],"genre_scores_gemma":[0.39842242,0.053881615,0.017715942,0.006490536,0.003876702,0.0001372916,0.0014285445,0.0007789508,0.51726794],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932015,0.00024911112,0.000027190106,0.00008618168,0.0002190483,0.00009831582],"domain_scores_gemma":[0.9990877,0.00024320756,0.000050460934,0.00024266241,0.00015724268,0.00021870245],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010555775,0.00035474246,0.00023839188,0.0014753634,0.0023028455,0.008756286,0.0005671432,0.0009006114,0.05076867],"category_scores_gemma":[0.0026302438,0.00016001123,0.00034070452,0.0017932121,0.004071164,0.0062511032,0.004926097,0.0014371208,0.0081469305],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008331323,0.000033313292,0.0017086134,0.00047765375,0.000017339302,0.0003571981,0.006358642,0.00052093517,0.0013762063,0.5553713,0.17953156,0.254164],"study_design_scores_gemma":[0.000003964194,0.000013554743,0.0006086175,0.00017522942,0.0000029994048,0.00022192457,0.0020475478,0.0000898303,0.00036213026,0.02164044,0.97482556,0.000008141999],"about_ca_topic_score_codex":0.002241657,"about_ca_topic_score_gemma":0.0037536426,"teacher_disagreement_score":0.05076867,"about_ca_system_score_codex":0.0017866045,"about_ca_system_score_gemma":0.0019173167,"threshold_uncertainty_score":0.16983813},"labels":[],"label_agreement":null},{"id":"W4416855964","doi":"10.5117/9789463729321_ch09","title":"The Agency of Portrayal","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Langara College","funders":"","keywords":"Portrait; Agency (philosophy); Negotiation; Object (grammar); Function (biology); Order (exchange)","score_opus":0.03296288353542627,"score_gpt":0.24099143554783892,"score_spread":0.20802855201241266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416855964","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03817924,0.0039863475,0.0051739635,0.0049607675,0.00025445299,0.00001573971,0.0000614348,0.00004470069,0.9473234],"genre_scores_gemma":[0.9203536,0.0022950904,0.0010461808,0.00037951313,0.0002484959,0.000027956508,0.000036709815,0.00009986418,0.07551252],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99736446,0.0015426833,0.000042195392,0.00022518473,0.0006053155,0.00022012551],"domain_scores_gemma":[0.9985594,0.00079855946,0.00014356944,0.00020360624,0.00018333065,0.00011149596],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0016732137,0.0002673913,0.00019682512,0.0011354072,0.0026778649,0.0076279645,0.00048505593,0.0006896904,0.0052502574],"category_scores_gemma":[0.0041209827,0.00019609233,0.00015547512,0.000987463,0.0147034405,0.004902167,0.0028912371,0.0015164649,0.00077737786],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020690888,0.000007285836,0.000945171,0.00007265212,0.00000544548,0.0002692191,0.1668309,0.00009804318,0.0010833612,0.7988519,0.0077235918,0.024091644],"study_design_scores_gemma":[0.000008658682,0.00003287479,0.0034897088,0.00047190435,0.000019045114,0.0008563864,0.10673479,0.00035238927,0.0012894584,0.09925691,0.78746957,0.000018309098],"about_ca_topic_score_codex":0.0031192566,"about_ca_topic_score_gemma":0.0038032965,"teacher_disagreement_score":0.9947497,"about_ca_system_score_codex":0.0021824173,"about_ca_system_score_gemma":0.0009434952,"threshold_uncertainty_score":0.01756382},"labels":[],"label_agreement":null},{"id":"W4416914691","doi":"10.7202/1121867ar","title":"Anne Koval, Mary Pratt: A Love Affair with Vision, Goose Lane Editions, 2023, 320 pp., illus. (chiefly colour), $45.00 (hardcover), ISBN 9781773101729","year":2025,"lang":"en","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Goose; White (mutation)","score_opus":0.009466225662920224,"score_gpt":0.21807628509648286,"score_spread":0.20861005943356264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416914691","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004655825,0.62013537,0.00085393555,0.045213416,0.009792676,0.00006541263,0.00070152653,0.00038141914,0.32239076],"genre_scores_gemma":[0.0034936534,0.1612714,0.00088447565,0.0074397693,0.0013331496,0.00005352331,0.00037081834,0.00032528656,0.8248279],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908006,0.00012820147,0.000043085605,0.00011826793,0.0005369431,0.000093427734],"domain_scores_gemma":[0.99918514,0.00019781731,0.00005676042,0.000033667333,0.000388175,0.00013833086],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008905024,0.0009154372,0.000623818,0.001752788,0.00309885,0.005347787,0.0010937977,0.0029756594,0.20082125],"category_scores_gemma":[0.0023408527,0.0006808846,0.00037983654,0.003425612,0.0012724131,0.007466949,0.0024462196,0.0035348446,0.12508151],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000060816465,0.0000027910696,0.00002843521,0.00012304299,0.0000010581851,0.000018238181,0.0002189088,0.000006452879,0.0000501109,0.0015098731,0.96730316,0.030731844],"study_design_scores_gemma":[9.025462e-7,0.0000013611169,0.00019565738,0.00017587659,8.9998315e-7,0.000060481798,0.0002759922,0.0000039211923,0.000018168399,0.0002827938,0.9989812,0.0000026831071],"about_ca_topic_score_codex":0.065693945,"about_ca_topic_score_gemma":0.17217183,"teacher_disagreement_score":0.20082125,"about_ca_system_score_codex":0.0029793705,"about_ca_system_score_gemma":0.003933094,"threshold_uncertainty_score":0.671814},"labels":[],"label_agreement":null},{"id":"W4416914698","doi":"10.7202/1121871ar","title":"Esther Chadwick, The Radical Print: Art and Politics in Late Eighteenth-Century Britain, New Haven et Londres, Paul Mellon Centre for Studies in British Art et Yale University Press, 2024, 248 pp., 200 illus. noir &amp; blanc et couleur, 60 $ (Relié), ISBN 9781913107437","year":2025,"lang":"en","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Haven; Politics; Performance art; History of art","score_opus":0.028315776321085697,"score_gpt":0.25178859088951466,"score_spread":0.22347281456842896,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416914698","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00013944384,0.95074505,0.000106929074,0.01622606,0.00233173,0.000009778737,0.00015194685,0.000024430143,0.030264638],"genre_scores_gemma":[0.004785663,0.77583927,0.00039162557,0.0054173074,0.0016883201,0.000037267866,0.00021724921,0.000077957564,0.21154535],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99873215,0.00023601114,0.000087451306,0.00014827018,0.0006535602,0.00014253268],"domain_scores_gemma":[0.9983845,0.0006989538,0.00012625563,0.0000553058,0.0005429164,0.00019201792],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014463905,0.0015153569,0.00082865974,0.004083425,0.0030076883,0.006137836,0.0014525909,0.003536916,0.07138047],"category_scores_gemma":[0.0027902261,0.0010089681,0.00042139713,0.0076611065,0.003394981,0.009427674,0.0022125694,0.003495947,0.029316362],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018286297,0.000008056908,0.00012757939,0.00078719005,0.0000057184966,0.000042640357,0.0016336673,0.000019626304,0.00006810531,0.00873098,0.94415396,0.044404082],"study_design_scores_gemma":[0.0000033551373,0.0000025127667,0.0010091388,0.00090293225,0.000003939964,0.000060458773,0.0014888567,0.00000564839,0.00002913286,0.001380266,0.9951072,0.000006566848],"about_ca_topic_score_codex":0.17152795,"about_ca_topic_score_gemma":0.40253454,"teacher_disagreement_score":0.17152795,"about_ca_system_score_codex":0.0083659785,"about_ca_system_score_gemma":0.007858141,"threshold_uncertainty_score":0.3410591},"labels":[],"label_agreement":null},{"id":"W4416914988","doi":"10.7202/1121634ar","title":"Siobhan Angus, Camera Geologica: An Elemental History of Photography, Durham, NC: Duke University Press, 2024 328 pp., 32 colour and 23 b/w illus. $28.95 (paper) ISBN 9781478030188 $107.95 (cloth) ISBN 9781478025931","year":2024,"lang":"en","type":"article","venue":"RACAR Revue d art canadienne","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography","score_opus":0.021519681075972883,"score_gpt":0.19965928988953288,"score_spread":0.17813960881356,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416914988","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00029260444,0.8503444,0.0011052105,0.017348653,0.004781684,0.00003156435,0.00086317695,0.00018801376,0.12504472],"genre_scores_gemma":[0.0061990507,0.5954314,0.0026151587,0.0028977343,0.0018348098,0.00005652676,0.0006222521,0.00028650986,0.3900565],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985459,0.00023106506,0.00009804776,0.00016863215,0.0008500534,0.00010633215],"domain_scores_gemma":[0.9975389,0.00063248974,0.00014688524,0.0001207692,0.0012938401,0.00026710215],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014687345,0.0013195863,0.0008399156,0.0041151494,0.002961519,0.0055331285,0.0012703884,0.002099543,0.101743095],"category_scores_gemma":[0.0031711902,0.0012437511,0.00046776637,0.007872754,0.002374058,0.006316118,0.0017175808,0.0029390824,0.0421634],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016071555,0.0000040405253,0.00012994671,0.0005358253,0.00000509295,0.00005458779,0.00065380527,0.00003795174,0.00013666178,0.006464166,0.9163453,0.07561654],"study_design_scores_gemma":[0.0000012137933,0.0000015538385,0.0007374137,0.000416431,0.0000027062185,0.00006394589,0.00058453705,0.000012316005,0.00004424168,0.0006433091,0.9974868,0.000005538055],"about_ca_topic_score_codex":0.32158402,"about_ca_topic_score_gemma":0.5388181,"teacher_disagreement_score":0.32158402,"about_ca_system_score_codex":0.007619627,"about_ca_system_score_gemma":0.011065407,"threshold_uncertainty_score":0.6394244},"labels":[],"label_agreement":null},{"id":"W4417499244","doi":"10.32920/30916628.v1","title":"\"Knock on wood”: creating a decentred finding aid for the Montgomery Collection of Caribbean Photographs at the Art Gallery of Ontario","year":2025,"lang":"","type":"article","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Art gallery; Scope (computer science); Photography; Data collection","score_opus":0.03319671243951182,"score_gpt":0.26538618191540314,"score_spread":0.2321894694758913,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417499244","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16225445,0.002704826,0.07548699,0.008153874,0.0015971438,0.005761497,0.006917338,0.008902226,0.7282216],"genre_scores_gemma":[0.122384116,0.003256341,0.32507995,0.0013855845,0.00029403684,0.0016467951,0.0074417046,0.005856813,0.5326547],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980216,0.00043461152,0.000093261486,0.00026330093,0.0009304131,0.0002567908],"domain_scores_gemma":[0.99747497,0.00030795962,0.0001137261,0.0004921951,0.001110545,0.0005006061],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028529207,0.000538837,0.00026679743,0.0032305939,0.0060470235,0.0047713714,0.0017141968,0.0006658314,0.044233873],"category_scores_gemma":[0.0050075753,0.0005821122,0.00030037572,0.0025637627,0.001901985,0.0028300271,0.0052399174,0.0008140416,0.0115421],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013544057,0.00021018778,0.005951897,0.0006343817,0.00001577798,0.0016908523,0.065965734,0.00054338906,0.015643831,0.009274801,0.382404,0.51752967],"study_design_scores_gemma":[0.0000072841253,0.000018749504,0.002234017,0.00012405323,0.000008345447,0.00017695903,0.012003987,0.00024676818,0.0010824167,0.00024773963,0.9838291,0.000020603107],"about_ca_topic_score_codex":0.28661057,"about_ca_topic_score_gemma":0.7166549,"teacher_disagreement_score":0.7133894,"about_ca_system_score_codex":0.005483353,"about_ca_system_score_gemma":0.0112879835,"threshold_uncertainty_score":0.56988466},"labels":[],"label_agreement":null},{"id":"W47457986","doi":"10.4000/transatlantica.1168","title":"Joel Meyerowitz, Out of the Ordinary.","year":2006,"lang":"en","type":"article","venue":"Transatlantica","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Humanities; Art; Exposition (narrative); Philosophy; Literature","score_opus":0.022977199785849785,"score_gpt":0.21909278384421554,"score_spread":0.19611558405836577,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W47457986","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0057074246,0.29582685,0.0028339874,0.19034515,0.02317807,0.00002471355,0.00035916019,0.00040094662,0.48132372],"genre_scores_gemma":[0.04352064,0.05005648,0.0015369736,0.015323422,0.0033978606,0.000033394455,0.00012569339,0.00034471764,0.8856609],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996743,0.00007470645,0.000012611451,0.00007589123,0.00012779432,0.000034685243],"domain_scores_gemma":[0.9995509,0.00013596754,0.000040097057,0.000028898487,0.00015631778,0.000087799046],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042942335,0.0004533097,0.00017866048,0.00088498025,0.0028978058,0.003266111,0.00042507565,0.0016473714,0.03299108],"category_scores_gemma":[0.0017473232,0.0002267219,0.00012711817,0.00061895605,0.0014489051,0.0036969674,0.0013519517,0.0017630275,0.014538209],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026869871,0.000011254803,0.00038107223,0.00014853019,0.000004167563,0.00017367472,0.0046996423,0.000030825857,0.0007996203,0.0587828,0.8641222,0.07081935],"study_design_scores_gemma":[7.731334e-7,0.0000013896083,0.00025510986,0.00004722916,7.8032673e-7,0.00009552579,0.0010051862,0.000008396955,0.0000966604,0.0013657007,0.99712104,0.0000023208195],"about_ca_topic_score_codex":0.009725936,"about_ca_topic_score_gemma":0.022989485,"teacher_disagreement_score":0.03299108,"about_ca_system_score_codex":0.001403052,"about_ca_system_score_gemma":0.00093279866,"threshold_uncertainty_score":0.110366166},"labels":[],"label_agreement":null},{"id":"W49720664","doi":"","title":"Contact.01 : 5th Annual Toronto Photography Festival : Event Guide","year":2001,"lang":"en","type":"book","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Event (particle physics); Photography; Visual arts; Index (typography); Geography; Cartography; Art; History; Computer science; World Wide Web","score_opus":0.024830920946674665,"score_gpt":0.27919246605760717,"score_spread":0.2543615451109325,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W49720664","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009510709,0.0012403321,0.0006495626,0.0012954661,0.00192635,0.00034374965,0.0158549,0.0017675953,0.975971],"genre_scores_gemma":[0.0018355752,0.0006496898,0.00030980946,0.00012143194,0.00009645208,0.00006663822,0.003836654,0.00030777545,0.99277604],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998293,0.000009466602,0.000004512808,0.00001958363,0.00008685531,0.000050239094],"domain_scores_gemma":[0.9994849,0.000019396617,0.000014625134,0.000032729906,0.00020769873,0.00024066927],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033368,0.0008975185,0.00040888926,0.0013976203,0.002983372,0.0042137126,0.00094765745,0.0009998588,0.65546924],"category_scores_gemma":[0.0006333279,0.00055700395,0.0003058005,0.001705164,0.00035086315,0.001518853,0.0013755347,0.0013774282,0.41677663],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000062753825,0.0000040856894,0.000051694253,0.000027794958,2.4037402e-7,0.000016853253,0.00008207807,0.000008341334,0.000043716685,0.00034086744,0.99255496,0.0068630218],"study_design_scores_gemma":[0.000002287386,0.000003677428,0.00064438354,0.000034340206,5.4486515e-7,0.00001600531,0.00015737895,0.000008931494,0.000029393945,0.00003486419,0.9990651,0.000003097328],"about_ca_topic_score_codex":0.15789224,"about_ca_topic_score_gemma":0.4855632,"teacher_disagreement_score":0.65546924,"about_ca_system_score_codex":0.003955302,"about_ca_system_score_gemma":0.0030687498,"threshold_uncertainty_score":0.4914313},"labels":[],"label_agreement":null},{"id":"W5449106","doi":"","title":"Photograph of Two Girls by R. F. Uren, Photographer, St. Catharines [n.d.]","year":2011,"lang":"en","type":"article","venue":"Acta veterinaria Scandinavica","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cabinet (room); Photography; Art; Studio; Visual arts; Art history","score_opus":0.06828334312731707,"score_gpt":0.2688288973616114,"score_spread":0.20054555423429435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W5449106","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005277837,0.005617827,0.000806979,0.005901322,0.0051482827,0.0002270135,0.0031614925,0.00038319328,0.973476],"genre_scores_gemma":[0.008929564,0.0016247783,0.00082069595,0.00071279035,0.00023179059,0.00004053133,0.00083572755,0.00015102648,0.98665303],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998235,0.00001510939,0.000005321029,0.00005847891,0.000076899574,0.000020685044],"domain_scores_gemma":[0.99975044,0.000011760579,0.000010011083,0.000014364358,0.00014590475,0.0000675597],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002280807,0.0007734789,0.00029937105,0.00065632345,0.0030752996,0.0011754625,0.000518222,0.00047577402,0.39095557],"category_scores_gemma":[0.00039395658,0.00036805295,0.00025475735,0.0005703584,0.00028218442,0.00076665723,0.00095892383,0.0012661924,0.109884165],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018446779,0.000009713846,0.0002945411,0.000040802504,0.0000013337516,0.00019957473,0.00029062887,0.000017159526,0.0007102311,0.0005214641,0.97235394,0.02554226],"study_design_scores_gemma":[0.0000018810854,0.0000076505985,0.0018614829,0.000027967575,0.0000010152477,0.00021782321,0.00030478835,0.000017616738,0.00013123643,0.000025042491,0.99740076,0.0000027625624],"about_ca_topic_score_codex":0.105214015,"about_ca_topic_score_gemma":0.30242005,"teacher_disagreement_score":0.39095557,"about_ca_system_score_codex":0.0015053443,"about_ca_system_score_gemma":0.0012667914,"threshold_uncertainty_score":0.868728},"labels":[],"label_agreement":null},{"id":"W563913406","doi":"","title":"Big Bend Pictures by James Evans with a foreword by Robert Draper, 2003. Reviewed by","year":2002,"lang":"en","type":"article","venue":"Journal of Borderlands Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art history; Psychoanalysis; Law and economics; Art; Sociology; Psychology","score_opus":0.03483347297652805,"score_gpt":0.2703477364568317,"score_spread":0.23551426348030363,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W563913406","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00034004747,0.5734456,0.00053208426,0.10726431,0.14635617,0.000051016093,0.00071593217,0.0001831066,0.17111169],"genre_scores_gemma":[0.0032473449,0.14199562,0.00038719454,0.015741631,0.017384129,0.00003095892,0.00036411724,0.00016100313,0.82068795],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99976224,0.0000342237,0.000020102754,0.000056883182,0.0001049792,0.00002154665],"domain_scores_gemma":[0.9986363,0.00023682741,0.00007679478,0.000038408507,0.0008278404,0.00018384271],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005612393,0.001108858,0.0005617113,0.0017916613,0.0013764481,0.0021833945,0.0006323107,0.0019276821,0.1349664],"category_scores_gemma":[0.001735103,0.00038600748,0.0003359682,0.001410529,0.00068580307,0.0026046888,0.0011098377,0.0032120445,0.08028089],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000049770106,0.0000017610362,0.000020446512,0.000087599314,0.0000011718226,0.000010875104,0.00002577415,0.000009780935,0.00004427859,0.0006104227,0.9890086,0.010174227],"study_design_scores_gemma":[0.0000012873097,0.00000203969,0.00024200261,0.00013691076,0.0000014696996,0.000043507636,0.000070954164,0.0000052277896,0.000025545032,0.0001362457,0.9993326,0.000002076415],"about_ca_topic_score_codex":0.013816867,"about_ca_topic_score_gemma":0.035663452,"teacher_disagreement_score":0.1349664,"about_ca_system_score_codex":0.0013957993,"about_ca_system_score_gemma":0.0011634916,"threshold_uncertainty_score":0.45150763},"labels":[],"label_agreement":null},{"id":"W570507817","doi":"","title":"Edward Burtynsky : quarries : the quarry photographs of Edward Burtynsky","year":2007,"lang":"en","type":"book","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Honour; China; Officer; Order (exchange); Art history; Outreach; Archaeology; Visual arts; Art; History; Geography; Cartography; Political science; Law","score_opus":0.03007022424978327,"score_gpt":0.2556427591848422,"score_spread":0.2255725349350589,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W570507817","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0059024775,0.11707105,0.0010058522,0.0615821,0.010848726,0.000046642814,0.00029886648,0.00025082406,0.8029935],"genre_scores_gemma":[0.021620546,0.020289795,0.00065810647,0.0061318814,0.00059377105,0.000016849346,0.00009661856,0.00014669188,0.9504458],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997689,0.00002697151,0.0000059080735,0.000032506217,0.00012495952,0.000040701147],"domain_scores_gemma":[0.9996538,0.000054488686,0.000010687497,0.000019773528,0.00017556736,0.00008561277],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00030774102,0.00036757888,0.00019811449,0.0009998793,0.0057509583,0.003755881,0.0005001995,0.0009987706,0.028574063],"category_scores_gemma":[0.0009486909,0.00029251486,0.00013578233,0.0011466291,0.001898592,0.003313358,0.0014232851,0.0024028611,0.005952697],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000044953003,0.0000040054815,0.00013120717,0.000032481406,6.20502e-7,0.00011135131,0.0027085117,0.000016025866,0.00011620331,0.011844721,0.9699037,0.015126632],"study_design_scores_gemma":[4.8316855e-7,0.0000011189184,0.00033589627,0.00005368552,5.677008e-7,0.00014733073,0.001472908,0.000007940848,0.000040742703,0.00033892342,0.9975975,0.0000030854633],"about_ca_topic_score_codex":0.34000796,"about_ca_topic_score_gemma":0.68143946,"teacher_disagreement_score":0.34000796,"about_ca_system_score_codex":0.005904074,"about_ca_system_score_gemma":0.0032096151,"threshold_uncertainty_score":0.6760578},"labels":[],"label_agreement":null},{"id":"W573021576","doi":"","title":"Le document photographique : logique de la séduction. La couleur du confort, commissaire : Élène Tremblay, le mois de la photo à montréal 1999, Vox et Espace # 705. Du 3 septembre au 3 octobre 1999 La couleur du confort, commissaire : Élène Tremblay, le mois de la photo à montréal 1999, Vox et Espace # 705. Du 3 septembre au 3 octobre 1999","year":2000,"lang":"fr","type":"article","venue":"ETC","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.006993772041004492,"score_gpt":0.2457918604464647,"score_spread":0.2387980884054602,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W573021576","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019850812,0.00990408,0.0020313985,0.010764129,0.0069333306,0.00038614092,0.01706739,0.0016366164,0.9492918],"genre_scores_gemma":[0.007984,0.0050323466,0.0013423564,0.00089963805,0.0007202693,0.000093699295,0.0052037495,0.00095947244,0.9777646],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993543,0.000060191076,0.000023233582,0.00006585665,0.00042168098,0.00007468338],"domain_scores_gemma":[0.99867505,0.00015739494,0.00006826158,0.00014015092,0.000800942,0.00015818572],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005661524,0.0005997896,0.0004056544,0.0025998126,0.0025054216,0.0058591664,0.0007204699,0.0013733696,0.4325294],"category_scores_gemma":[0.0025421726,0.00047560624,0.00030970568,0.0039084805,0.00096003176,0.0020007142,0.0011963055,0.0020079624,0.19932762],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020258633,0.000006610241,0.00013589989,0.00007472558,0.0000018281364,0.000059425718,0.00016325024,0.000024445128,0.00042847075,0.0018215182,0.97136164,0.025901929],"study_design_scores_gemma":[0.0000027789004,0.0000030363535,0.0012842307,0.00005154091,9.2616096e-7,0.00007741163,0.00012691032,0.000014212651,0.00018356204,0.00011316773,0.9981382,0.0000039136785],"about_ca_topic_score_codex":0.13386008,"about_ca_topic_score_gemma":0.17830706,"teacher_disagreement_score":0.8661399,"about_ca_system_score_codex":0.0041346727,"about_ca_system_score_gemma":0.0043339063,"threshold_uncertainty_score":0.809428},"labels":[],"label_agreement":null},{"id":"W585361549","doi":"","title":"19th-century British photographs from the National Gallery of Canada","year":2011,"lang":"en","type":"book","venue":"National Gallery of Canada eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Period (music); Visual arts; Context (archaeology); Art history; Art; Performance art; History; Cartography; Geography; Archaeology; Aesthetics","score_opus":0.02879720315076348,"score_gpt":0.2071871553792462,"score_spread":0.17838995222848272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W585361549","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018760035,0.015099138,0.0006672816,0.0041909344,0.0011599084,0.000054416592,0.003797244,0.00016729279,0.9561037],"genre_scores_gemma":[0.06274369,0.0127792945,0.0012242509,0.0005612857,0.00008739239,0.000023962308,0.0014272508,0.00017302656,0.9209798],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995968,0.000015166389,0.000007912962,0.000032355234,0.00025484365,0.000092961054],"domain_scores_gemma":[0.9996087,0.000028139539,0.0000107792275,0.000022760032,0.00026891232,0.000060788883],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021268548,0.0003923074,0.0001557719,0.0026128725,0.007931399,0.0037605125,0.00068213226,0.00046552622,0.041800436],"category_scores_gemma":[0.00065649487,0.0002487205,0.00016973348,0.0046239863,0.0015248089,0.00093623105,0.0011344525,0.00083798985,0.004416701],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042815293,0.000013189791,0.0015419011,0.00034460207,0.0000081316,0.00050013635,0.017303605,0.00015772294,0.0011450697,0.043080285,0.8129381,0.12292438],"study_design_scores_gemma":[7.0285597e-7,0.0000010696341,0.0037991886,0.00006850001,0.000002343975,0.00009967045,0.0020292322,0.000017119091,0.00020115943,0.00021528939,0.9935596,0.0000061278556],"about_ca_topic_score_codex":0.9709265,"about_ca_topic_score_gemma":0.99542964,"teacher_disagreement_score":0.041800436,"about_ca_system_score_codex":0.038449105,"about_ca_system_score_gemma":0.021946391,"threshold_uncertainty_score":0.2789691},"labels":[],"label_agreement":null},{"id":"W587951117","doi":"","title":"American Photographs 1900-1950 from the National Gallery of Canada","year":2011,"lang":"en","type":"book","venue":"Medical Entomology and Zoology","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Period (music); White (mutation); League; Art history; History of photography; Art; History; Shot (pellet); Visual arts; Performance art; Aesthetics","score_opus":0.02627713853364253,"score_gpt":0.24141119926746002,"score_spread":0.2151340607338175,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W587951117","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0037378506,0.015829563,0.00032302283,0.003004973,0.0015816553,0.000047002344,0.0060468614,0.0001506606,0.96927845],"genre_scores_gemma":[0.016302932,0.009842692,0.00047916343,0.00050843036,0.00010589855,0.00001721225,0.0019095243,0.00008600275,0.97074807],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99960536,0.000009744487,0.0000056432496,0.000037968894,0.00026189242,0.00007941127],"domain_scores_gemma":[0.999529,0.000016122058,0.000010225632,0.000012598451,0.00035975024,0.000072371346],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018932654,0.0005798656,0.00021563914,0.0032586171,0.009058521,0.0032154615,0.0007360623,0.0004814645,0.10436825],"category_scores_gemma":[0.00058879814,0.000250856,0.00018130604,0.0055975243,0.0010377686,0.00097353675,0.0010293208,0.00101151,0.017670013],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000144046135,0.0000055089736,0.00044041348,0.00008924776,0.0000020675168,0.00009666508,0.0014146968,0.00006252378,0.00025018054,0.013668711,0.9448675,0.039088096],"study_design_scores_gemma":[3.577137e-7,5.244564e-7,0.0012314689,0.000038090053,9.459132e-7,0.000030149044,0.000347682,0.000007966288,0.000042479638,0.00014271031,0.9981552,0.000002502562],"about_ca_topic_score_codex":0.9658431,"about_ca_topic_score_gemma":0.993212,"teacher_disagreement_score":0.10436825,"about_ca_system_score_codex":0.0357785,"about_ca_system_score_gemma":0.028053755,"threshold_uncertainty_score":0.34914654},"labels":[],"label_agreement":null},{"id":"W591450112","doi":"","title":"Prospect : panoramic photographs","year":2012,"lang":"en","type":"book","venue":"Damiani eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wright; Visual arts; Las vegas; Art; Appeal; Architecture; Art history; Quarter (Canadian coin); Memphis; Piano; History; Archaeology; Law; Tourism","score_opus":0.034109847722028915,"score_gpt":0.21920036195474665,"score_spread":0.18509051423271775,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W591450112","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001229634,0.0035456817,0.00751413,0.0015650437,0.002933405,0.00017474958,0.0061910604,0.0031251344,0.9737213],"genre_scores_gemma":[0.02043327,0.005239638,0.0184642,0.0011061877,0.0015925101,0.0001925308,0.009781448,0.0027735755,0.9404167],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99955887,0.000049554747,0.0000148379695,0.000046918925,0.0002996462,0.00003003172],"domain_scores_gemma":[0.99964476,0.000047951395,0.000016071052,0.00008494552,0.00016623453,0.00003999648],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003293002,0.00080325,0.00023713485,0.0019658979,0.0009397003,0.0028633918,0.00066032854,0.00078619394,0.35284123],"category_scores_gemma":[0.0011821211,0.0005537231,0.00036299403,0.00228401,0.00034452407,0.002810113,0.0016150536,0.0016152266,0.14690652],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026415044,0.0000102589265,0.00007953538,0.000093664385,0.0000019111833,0.00015937134,0.00014558915,0.000095547824,0.0009798692,0.003980021,0.9370845,0.057343327],"study_design_scores_gemma":[0.0000027094613,0.0000036768035,0.00043316314,0.000031616793,8.4351984e-7,0.0002949052,0.000071037524,0.000053713808,0.00013804199,0.00044428933,0.9985221,0.0000038242447],"about_ca_topic_score_codex":0.0033104066,"about_ca_topic_score_gemma":0.008963049,"teacher_disagreement_score":0.35284123,"about_ca_system_score_codex":0.0006325042,"about_ca_system_score_gemma":0.0005617373,"threshold_uncertainty_score":0.92309344},"labels":[],"label_agreement":null},{"id":"W598803245","doi":"","title":"Photograph of Young Woman by R. F. Uren, Photographer, St. Catharines [n.d.]","year":2011,"lang":"en","type":"article","venue":"Brock University Digital Repository (Brock University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Art; Cabinet (room); Studio; Possession (linguistics); Art history; White (mutation); Publishing; Visual arts; Philosophy; Literature","score_opus":0.01941103105731249,"score_gpt":0.18059466220229614,"score_spread":0.16118363114498366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W598803245","genre_codex":"other","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"dataset","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01820584,0.011122362,0.00062679325,0.0101347985,0.002723063,0.0002055118,0.003707542,0.00027854714,0.95299566],"genre_scores_gemma":[0.037844744,0.004364793,0.00071605615,0.001115886,0.000184291,0.000037350757,0.0007624043,0.00010075304,0.95487374],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9999417,0.000005706774,0.000001896204,0.000014854698,0.000025267536,0.000010510949],"domain_scores_gemma":[0.9998604,0.000008765582,0.000008118994,0.000007723554,0.00007601756,0.000038982133],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014447323,0.0003758816,0.0001714059,0.00048158728,0.0022832984,0.0006255541,0.0002738634,0.00027421353,0.19980085],"category_scores_gemma":[0.0002872079,0.00023526544,0.000107538806,0.0005525279,0.00019747384,0.0004224644,0.00054483296,0.00058844587,0.035554826],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025018819,0.000009459366,0.0007011464,0.00006406571,0.000001547444,0.00058548484,0.0011169615,0.000025380838,0.0012209076,0.0005050019,0.9720809,0.023664115],"study_design_scores_gemma":[0.000002647627,0.000011526517,0.008263103,0.00006222256,0.0000018171398,0.00063644507,0.0013803961,0.00002564151,0.0001998915,0.000032409545,0.9893801,0.0000036935696],"about_ca_topic_score_codex":0.21456198,"about_ca_topic_score_gemma":0.5787951,"teacher_disagreement_score":0.21456198,"about_ca_system_score_codex":0.001199822,"about_ca_system_score_gemma":0.0011220045,"threshold_uncertainty_score":0.6684004},"labels":[],"label_agreement":null},{"id":"W599953165","doi":"","title":"The Graphic Art of Michael Schwab","year":2000,"lang":"en","type":"book","venue":"Graphis eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Style (visual arts); Visual arts; Graphic design; Quarter (Canadian coin); Art history; Center (category theory); Art; Quality (philosophy); History; Archaeology; Philosophy; Epistemology","score_opus":0.02154461017125984,"score_gpt":0.21158763920057633,"score_spread":0.1900430290293165,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W599953165","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010777035,0.012481626,0.0025771703,0.0061951443,0.0016466558,0.000019528989,0.00008183539,0.00026558802,0.9756547],"genre_scores_gemma":[0.009353168,0.0051471423,0.0011483503,0.0010396591,0.00019579724,0.000022238179,0.000038566348,0.00020471703,0.98285043],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998018,0.00003722837,0.000004992238,0.000027865426,0.000105527106,0.000022661281],"domain_scores_gemma":[0.9998592,0.000038711125,0.000005863862,0.000012227389,0.00005710967,0.000026843018],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018295915,0.00071236555,0.00017380099,0.0010183132,0.0022780795,0.0036683867,0.00034196008,0.0007030603,0.045506738],"category_scores_gemma":[0.00077657856,0.00033998987,0.00015677472,0.00078206183,0.001664601,0.0024587007,0.0012944081,0.001883168,0.01910867],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012982158,0.000009929447,0.00007148323,0.000061344,0.0000016584879,0.00009159774,0.0013683232,0.00015832893,0.0003384642,0.13002908,0.78688204,0.08097482],"study_design_scores_gemma":[7.429736e-7,0.0000021128521,0.000068612135,0.00005362049,5.636785e-7,0.000114246024,0.00020885517,0.000051903644,0.000078687386,0.0035196529,0.9958989,0.000002045922],"about_ca_topic_score_codex":0.012180613,"about_ca_topic_score_gemma":0.025918234,"teacher_disagreement_score":0.045506738,"about_ca_system_score_codex":0.0017520973,"about_ca_system_score_gemma":0.0014332756,"threshold_uncertainty_score":0.15223521},"labels":[],"label_agreement":null},{"id":"W608430597","doi":"","title":"Hearst the Collector","year":2008,"lang":"en","type":"book","venue":"Medical Entomology and Zoology","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Newspaper; Art; Quarter (Canadian coin); Metropolitan area; Art gallery; Hollywood; History; Archaeology; Exhibition; Media studies; Sociology","score_opus":0.02676341479328861,"score_gpt":0.24375218721284952,"score_spread":0.2169887724195609,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W608430597","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009485006,0.022341087,0.0013682279,0.01261121,0.01975379,0.000091637674,0.0003704667,0.00047471435,0.9420403],"genre_scores_gemma":[0.0017722254,0.003150737,0.00031332747,0.0020611284,0.0012215574,0.000019058549,0.00008801699,0.00015123161,0.9912226],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994493,0.000056193014,0.00001635923,0.00014502539,0.00027452566,0.00005860874],"domain_scores_gemma":[0.9992435,0.0001254517,0.00003083902,0.00006500699,0.00040025116,0.00013495814],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00060248905,0.0009161265,0.00046653464,0.0018856882,0.0058987057,0.006708024,0.0009957943,0.0017407591,0.12212005],"category_scores_gemma":[0.0024929862,0.0005250273,0.00031061168,0.0016825629,0.0018376671,0.0065393024,0.0029201698,0.004052921,0.052105166],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000042015013,0.000006354796,0.000051658586,0.000043552158,6.259697e-7,0.00007442321,0.0009159577,0.000012324417,0.000073884614,0.017064879,0.9577425,0.024009699],"study_design_scores_gemma":[7.094832e-7,0.0000015545013,0.00004551023,0.000036741814,4.5649415e-7,0.000069960166,0.00023031692,0.000004649775,0.00001557883,0.00041756345,0.999175,0.0000018608653],"about_ca_topic_score_codex":0.019759813,"about_ca_topic_score_gemma":0.057982933,"teacher_disagreement_score":0.12212005,"about_ca_system_score_codex":0.003128133,"about_ca_system_score_gemma":0.0033906081,"threshold_uncertainty_score":0.40853226},"labels":[],"label_agreement":null},{"id":"W608656583","doi":"10.1093/fs/knu294","title":"Charles Marville: Photographer of Paris <i>Charles Marville: Photographer of Paris</i> . Catalogue of the exhibition held at National Gallery of Art (Washington), Metropolitan Museum of Art (New York), and National Gallery of Canada (Ottawa), 2013–14. By S <scp>arah</scp> K <scp>ennel</scp> , with A <scp>nne de</scp> M <scp>ondenard</scp> , P <scp>eter</scp> B <scp>arberie</scp> , F <scp>rançoise de</scp> R <scp>eynaud</scp> , and J <scp>oke de</scp> W <scp>olf</scp> . Washington, DC:Publishing Office, National Gallery of Art in association with Chicago: University of Chicago Press, 2014. xi + 265 pp., ill.","year":2015,"lang":"en","type":"article","venue":"French Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Agency (philosophy); Art; Panorama; Pseudonym; Persona; Visual arts; Photography; Modernization theory; Identity (music); Art history; Revelation; Portrait; Aesthetics; Sociology; Literature; Humanities; Law; Political science; Social science","score_opus":0.016927369440639224,"score_gpt":0.20757346917815814,"score_spread":0.19064609973751892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W608656583","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010359116,0.04666911,0.00071439357,0.0069708107,0.0064265113,0.00008692361,0.0042036865,0.0010189248,0.9328738],"genre_scores_gemma":[0.0045835124,0.010640022,0.00065597735,0.0007919226,0.0006951965,0.000040418854,0.0012119327,0.0004650119,0.9809161],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999627,0.00003894658,0.000011508842,0.000088902634,0.00017524531,0.000058254245],"domain_scores_gemma":[0.999587,0.00003436932,0.00002991605,0.00004565805,0.00022401781,0.00007909397],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040329236,0.0016079679,0.0004928873,0.00370627,0.0031755553,0.0048820106,0.00088917126,0.0011296162,0.38280633],"category_scores_gemma":[0.001047399,0.0005288313,0.00040161214,0.0040210206,0.0009366678,0.0025525677,0.0017559212,0.002069302,0.21309233],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000070867086,0.0000018746649,0.000051913645,0.000052909036,0.0000014614324,0.00006236676,0.00017108115,0.000021079988,0.00009248018,0.0017283999,0.98160595,0.016203387],"study_design_scores_gemma":[5.1932193e-7,7.802699e-7,0.00028570773,0.00003837422,4.8137184e-7,0.000044213506,0.00010585543,0.0000033290105,0.000029302992,0.00004852677,0.99944085,0.0000021925953],"about_ca_topic_score_codex":0.13469806,"about_ca_topic_score_gemma":0.24083006,"teacher_disagreement_score":0.38280633,"about_ca_system_score_codex":0.005991849,"about_ca_system_score_gemma":0.002887492,"threshold_uncertainty_score":0.88035184},"labels":[],"label_agreement":null},{"id":"W6146269","doi":"","title":"Otto Dix's Portrait of the lawyer Hugo Simons : German art for a Canadian Museum","year":2002,"lang":"en","type":"dissertation","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Portrait; Nazism; German; Politics; Painting; Nazi Germany; Art history; Art; Friendship; Law; Sociology; History; Political science; Social science","score_opus":0.029458028101500968,"score_gpt":0.2637149718380128,"score_spread":0.23425694373651182,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6146269","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.068351746,0.021865357,0.0014754938,0.028582482,0.0026122408,0.00014126583,0.0011290666,0.00028308333,0.8755593],"genre_scores_gemma":[0.43712196,0.009235964,0.0021175563,0.0026441375,0.00025734384,0.00003498089,0.00029651832,0.00018091092,0.54811066],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996238,0.000035691726,0.0000043313844,0.000042288233,0.00016044872,0.00013359498],"domain_scores_gemma":[0.9998621,0.000015402393,0.0000066396474,0.0000065998374,0.000042103406,0.00006721275],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003181345,0.0006743659,0.00014889838,0.0015964038,0.01650541,0.003416878,0.0008306262,0.0010296028,0.029588401],"category_scores_gemma":[0.00051457144,0.00025440395,0.00024629905,0.0018793428,0.004907969,0.00094472483,0.0015691544,0.0015598476,0.0014898209],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011215372,0.000052157713,0.0029630743,0.0003085557,0.000020830668,0.0022597057,0.067761414,0.0009272823,0.004160736,0.16987582,0.69342273,0.058135502],"study_design_scores_gemma":[0.0000028481516,0.0000067878914,0.0026474032,0.000076777535,0.0000058778037,0.000286209,0.012797526,0.0000744786,0.00020643407,0.0006786474,0.9831993,0.000017609338],"about_ca_topic_score_codex":0.9438484,"about_ca_topic_score_gemma":0.989305,"teacher_disagreement_score":0.05615163,"about_ca_system_score_codex":0.03742022,"about_ca_system_score_gemma":0.023027435,"threshold_uncertainty_score":0.27150398},"labels":[],"label_agreement":null},{"id":"W62767030","doi":"","title":"Peaceful Ironies: The History and Aesthetics of Postmortem Photography in Quebec and Ontario (19th and 20th Centuries)","year":2014,"lang":"en","type":"article","venue":"Spectrum Research Repository (Concordia University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Subject (documents); History; Reading (process); Bourgeoisie; Visual arts; Art; Aesthetics; Politics; Law","score_opus":0.027390831014628577,"score_gpt":0.22541010528033806,"score_spread":0.19801927426570948,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W62767030","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46293306,0.028225176,0.0029017457,0.038742363,0.0020716179,0.00015099601,0.0012724716,0.00016317939,0.46353942],"genre_scores_gemma":[0.8955571,0.0056138006,0.00092411897,0.001142802,0.00011466282,0.000021238746,0.00016617413,0.000093190356,0.09636697],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99877995,0.00022514246,0.000027013062,0.00014169986,0.0004403865,0.0003858018],"domain_scores_gemma":[0.99784553,0.00043224858,0.00017988696,0.0001394407,0.001005296,0.0003976954],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015051336,0.0003862773,0.00022607691,0.0017711688,0.02356519,0.0051873475,0.0013147052,0.0011579887,0.0098574255],"category_scores_gemma":[0.0033054717,0.00029497233,0.00026806182,0.0022954785,0.016907914,0.0014398029,0.0020321936,0.0015914561,0.00036286013],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027249617,0.00003943193,0.015301606,0.00040262434,0.000034628458,0.0035092796,0.6386216,0.0005287188,0.002622394,0.13952962,0.09280186,0.1063357],"study_design_scores_gemma":[0.000011365014,0.000028679144,0.040438317,0.00036759666,0.000023885801,0.0008421841,0.15707767,0.00018108016,0.00069083925,0.0015930246,0.79867345,0.00007181622],"about_ca_topic_score_codex":0.99468815,"about_ca_topic_score_gemma":0.9986292,"teacher_disagreement_score":0.12135949,"about_ca_system_score_codex":0.12135949,"about_ca_system_score_gemma":0.071241096,"threshold_uncertainty_score":0.88052887},"labels":[],"label_agreement":null},{"id":"W631632711","doi":"","title":"Modernist Photographs from the National Gallery of Canada","year":2007,"lang":"en","type":"book","venue":"Medical Entomology and Zoology","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; Geography; Archaeology; Art; Cartography","score_opus":0.029262924992110494,"score_gpt":0.25626348307508656,"score_spread":0.22700055808297606,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W631632711","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02786016,0.021282073,0.0007522422,0.00313582,0.001034336,0.000111875044,0.025317874,0.00030348817,0.92020214],"genre_scores_gemma":[0.06671809,0.014469401,0.0020839036,0.0004050193,0.00017119938,0.000021640793,0.009162446,0.00022731835,0.9067411],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997342,0.00000719838,0.0000047694775,0.00002679639,0.00016734908,0.000059660648],"domain_scores_gemma":[0.9997298,0.00001052223,0.000010198321,0.000013834575,0.00019224623,0.00004332966],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018281196,0.0006566165,0.0003010873,0.0043081786,0.0054369,0.0020018544,0.0007165246,0.0003239719,0.09216908],"category_scores_gemma":[0.0003254011,0.00035213667,0.00031747489,0.007306173,0.000788864,0.0005701228,0.00074486324,0.0008840771,0.008878582],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009018324,0.0000197945,0.0023549518,0.00036148852,0.000021579834,0.0003938976,0.0031679415,0.00030522564,0.0015439484,0.005799085,0.8789058,0.107036054],"study_design_scores_gemma":[0.0000032754558,0.000004296957,0.030953499,0.00011494622,0.000008102519,0.00028369646,0.0012539186,0.000048698454,0.0002159103,0.0002443129,0.96685666,0.000012672966],"about_ca_topic_score_codex":0.9666489,"about_ca_topic_score_gemma":0.99573106,"teacher_disagreement_score":0.09216908,"about_ca_system_score_codex":0.017830992,"about_ca_system_score_gemma":0.011979917,"threshold_uncertainty_score":0.30833626},"labels":[],"label_agreement":null},{"id":"W642110695","doi":"","title":"Christian Châtel, Magali Desbazeille, Christl Lidl : Myopie","year":2001,"lang":"fr","type":"book","venue":"Galerie de l'UQAM eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Visual arts; Art; Event (particle physics); Plan (archaeology); Art history; History; Archaeology","score_opus":0.0315092658063265,"score_gpt":0.24864043305615938,"score_spread":0.2171311672498329,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W642110695","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0038095145,0.36398116,0.00200752,0.08611352,0.0136272255,0.00007259932,0.00069217203,0.0005077904,0.5291884],"genre_scores_gemma":[0.028303891,0.04945614,0.0009511987,0.009397261,0.002418076,0.00005306445,0.00024621235,0.00046251185,0.9087117],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996958,0.00005613595,0.000006661704,0.000065040826,0.000114983086,0.00006138984],"domain_scores_gemma":[0.9997733,0.00006971765,0.000010626642,0.000008504013,0.00007334984,0.000064535],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005317699,0.00083013764,0.00026612447,0.0013465136,0.0041143484,0.0022509978,0.00063360686,0.0017834745,0.0536262],"category_scores_gemma":[0.0008308055,0.00032447575,0.00021753779,0.0007695107,0.0012721937,0.002080221,0.001236538,0.0023888429,0.018011654],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019211533,0.000008475196,0.00010668062,0.000110367015,0.0000023066605,0.00009196602,0.0011693446,0.00003165139,0.00017594063,0.012471789,0.95169014,0.03412223],"study_design_scores_gemma":[0.0000026577268,0.0000040250984,0.00064274843,0.00010678059,9.478008e-7,0.00015469671,0.0004967362,0.000018574345,0.00011212302,0.0009387865,0.99751604,0.000006007838],"about_ca_topic_score_codex":0.08016417,"about_ca_topic_score_gemma":0.20572743,"teacher_disagreement_score":0.08016417,"about_ca_system_score_codex":0.00402475,"about_ca_system_score_gemma":0.0018688287,"threshold_uncertainty_score":0.17939746},"labels":[],"label_agreement":null},{"id":"W644108214","doi":"","title":"Melvin Charney. Melvin Charney, Musée d’art Contemporain de Montréal, February 22 to April 28, 2002Melvin Charney, Musée d’art Contemporain de Montréal, February 22 to April 28, 2002","year":2003,"lang":"en","type":"article","venue":"CV Photo","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.024735182937756155,"score_gpt":0.24075944703137328,"score_spread":0.21602426409361714,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W644108214","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007850321,0.10712448,0.0008709939,0.09533803,0.00847595,0.00015565538,0.002488741,0.00036120033,0.77733463],"genre_scores_gemma":[0.0331873,0.011866679,0.0003158684,0.0034796214,0.00058765104,0.00004028997,0.00029557434,0.0001393268,0.95008755],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995974,0.000040207135,0.000008528959,0.00007900326,0.00015822916,0.00011661536],"domain_scores_gemma":[0.9994929,0.00005227703,0.000035415884,0.000029090086,0.00020326319,0.00018710594],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000447869,0.0008364796,0.0001839192,0.0010956441,0.012556869,0.00427712,0.0012565491,0.0016374025,0.11535313],"category_scores_gemma":[0.001449883,0.00044231417,0.00019611549,0.0018793144,0.002563219,0.0020360742,0.0026958175,0.0020720658,0.010213816],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016551847,0.0000053613994,0.00043055127,0.00006550141,0.000002578364,0.00016122592,0.002527009,0.000027921747,0.00020919474,0.01313044,0.96699834,0.01642524],"study_design_scores_gemma":[0.0000015978634,0.0000013202863,0.0011223906,0.000048100574,0.0000010694309,0.00003937084,0.0009596594,0.000005427611,0.000070386595,0.00018069078,0.997566,0.000004083534],"about_ca_topic_score_codex":0.8214269,"about_ca_topic_score_gemma":0.9464857,"teacher_disagreement_score":0.8214269,"about_ca_system_score_codex":0.020564558,"about_ca_system_score_gemma":0.009352576,"threshold_uncertainty_score":0.38589472},"labels":[],"label_agreement":null},{"id":"W67351415","doi":"","title":"Confluence : Contemporary Canadien Photography = Confluence: La photographie canadienne contemporaine","year":2003,"lang":"fr","type":"book","venue":"Canadian Museum of Contemporary Photography/Musée canadien de la photographie contemporaine eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Photography; Subject (documents); Creativity; Narrative; Art; Visual arts; Confluence; Art history; Literature; Library science; Political science","score_opus":0.022870397801106057,"score_gpt":0.2315279519828768,"score_spread":0.20865755418177073,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W67351415","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023209408,0.015874356,0.00049480004,0.0014502312,0.00090422056,0.000057274967,0.0028503323,0.00035245507,0.97569543],"genre_scores_gemma":[0.03739353,0.016587306,0.0014964074,0.0006127478,0.00037779435,0.00008398012,0.0039515896,0.00062865793,0.93886787],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994273,0.00003352927,0.00001200573,0.000070660106,0.00031848508,0.00013803555],"domain_scores_gemma":[0.99951863,0.00004361928,0.000017962675,0.000059365393,0.0002497811,0.00011067501],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003342349,0.0006960708,0.00034995066,0.0047520325,0.006203917,0.0067855245,0.00085280795,0.00097106025,0.16766019],"category_scores_gemma":[0.0009246639,0.0003399116,0.00025037408,0.010180718,0.0022692753,0.002442521,0.0019749713,0.0013471813,0.027176214],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042055603,0.000013924683,0.0009019995,0.00039306466,0.0000049103987,0.00021258957,0.0083240485,0.000058610236,0.0005197551,0.061922774,0.80817145,0.11943489],"study_design_scores_gemma":[7.6872095e-7,9.880451e-7,0.0010594785,0.00005246698,8.9595824e-7,0.00006157655,0.0008006197,0.0000036395932,0.000031076288,0.00022988672,0.9977549,0.0000037079249],"about_ca_topic_score_codex":0.8071855,"about_ca_topic_score_gemma":0.93193823,"teacher_disagreement_score":0.19281453,"about_ca_system_score_codex":0.014300554,"about_ca_system_score_gemma":0.013708921,"threshold_uncertainty_score":0.56087923},"labels":[],"label_agreement":null},{"id":"W6899085771","doi":"10.58079/cx7x","title":"[Appel à communications] Photography as Art – Why Jeff Wall Matters Today (Mannheim, 25-26 Jul 18)","year":2018,"lang":"en","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Color photography; Feature (linguistics); Line drawings; Exhibition","score_opus":0.04122173825793063,"score_gpt":0.27658863808979445,"score_spread":0.23536689983186382,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6899085771","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011561173,0.013464122,0.0003090551,0.015814107,0.009277402,0.00017376989,0.0015135413,0.00045451513,0.9578374],"genre_scores_gemma":[0.0032126214,0.0020054025,0.00009859854,0.0019879148,0.0005298546,0.000037640333,0.00018012805,0.00011894388,0.991829],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999549,0.000048888644,0.000025055891,0.00007904752,0.0001668068,0.00013122967],"domain_scores_gemma":[0.9996524,0.000056754696,0.000030681338,0.00003313378,0.00015223496,0.00007492284],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00047461735,0.0007326161,0.00028804925,0.0009592847,0.0046311533,0.003997095,0.0006914265,0.0038887833,0.34640017],"category_scores_gemma":[0.0019100286,0.00056818966,0.0002663567,0.0012199183,0.000926207,0.002389218,0.0017116014,0.0022914796,0.22744924],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000109074535,0.000003933962,0.0000680744,0.000032024258,9.0618e-7,0.000057017423,0.00015444969,0.0000056465237,0.000089226975,0.0017430786,0.987357,0.010477803],"study_design_scores_gemma":[0.0000019195559,0.0000026187743,0.00061855884,0.000041378447,4.848026e-7,0.000038161732,0.00020106109,0.0000031073428,0.000031419917,0.00009943227,0.9989593,0.0000026634461],"about_ca_topic_score_codex":0.08346755,"about_ca_topic_score_gemma":0.27807564,"teacher_disagreement_score":0.34640017,"about_ca_system_score_codex":0.002020267,"about_ca_system_score_gemma":0.0014088637,"threshold_uncertainty_score":0.93228084},"labels":[],"label_agreement":null},{"id":"W6901974233","doi":"10.6084/m9.figshare.16993384.v1","title":"Face-mockers, Face-shifters, and Face swappers: Agency and Personal Identity in Portrait Photography Today","year":2021,"lang":"en","type":"article","venue":"Figshare","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Face (sociological concept); Subject (documents); Character (mathematics); Portrait; Agency (philosophy); Realm; Identity (music); Smiley; Girl","score_opus":0.048734354518648985,"score_gpt":0.2769590361892415,"score_spread":0.2282246816705925,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6901974233","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33812696,0.04342384,0.006036456,0.022948796,0.0013566912,0.00004485173,0.00016305801,0.00012527333,0.58777416],"genre_scores_gemma":[0.9548964,0.011015337,0.0016676007,0.0019169179,0.00045106985,0.000022345714,0.000069568436,0.00009368422,0.029867018],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99914575,0.0004486524,0.000023506896,0.00012899384,0.00015583358,0.00009730653],"domain_scores_gemma":[0.99947125,0.00025109595,0.00006970343,0.0000757188,0.00004562408,0.00008658259],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009700634,0.0003537794,0.0001760082,0.0013908142,0.004049527,0.0054467944,0.0003748328,0.0013209463,0.004691316],"category_scores_gemma":[0.0019437491,0.0003042708,0.000215828,0.0007620964,0.00774914,0.0057379864,0.002577787,0.0023270317,0.00073439965],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000819772,0.000037593694,0.0076702833,0.0001795485,0.000019752792,0.0025633397,0.8058945,0.000062554565,0.002756767,0.091022134,0.023413103,0.06629852],"study_design_scores_gemma":[0.000010248382,0.000050650386,0.034273654,0.0005558018,0.00003076423,0.00932871,0.42708555,0.00017983805,0.0010897359,0.01567002,0.511676,0.00004895986],"about_ca_topic_score_codex":0.0050670775,"about_ca_topic_score_gemma":0.012524906,"teacher_disagreement_score":0.0054467944,"about_ca_system_score_codex":0.001574224,"about_ca_system_score_gemma":0.00042752546,"threshold_uncertainty_score":0.015693963},"labels":[],"label_agreement":null},{"id":"W6903453674","doi":"10.1177/15501906209640","title":"Resurrecting Images from the Morgue: A Case Study of the London Free Press Collection of Photographic Negatives","year":2020,"lang":"en","type":"article","venue":"Scholarship@Western (Western University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photojournalism; Negative; Newspaper; Metadata; Photography; Free press; Resource (disambiguation); Digital photography; Digitization","score_opus":0.1606753162452834,"score_gpt":0.3083674359643038,"score_spread":0.14769211971902044,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6903453674","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89608306,0.0027094802,0.0018401294,0.008041602,0.00027914805,0.00039785836,0.0002744753,0.00006762073,0.090306595],"genre_scores_gemma":[0.940518,0.003337502,0.0032976798,0.0020969785,0.00017586409,0.00026332485,0.00028867228,0.00025631007,0.049765624],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9923626,0.004505981,0.00021856859,0.00046453485,0.0014333059,0.001014954],"domain_scores_gemma":[0.9927335,0.0042440137,0.00080212223,0.0007944142,0.00071034883,0.00071560073],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0047414317,0.0010663032,0.0007345277,0.0037036124,0.03101544,0.01062832,0.0035204783,0.005645026,0.0071085882],"category_scores_gemma":[0.014312074,0.0009900994,0.0007009015,0.005286417,0.014710329,0.005997478,0.0075840643,0.0047496203,0.0013026407],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006553491,0.00016595826,0.0036095765,0.00032214276,0.000015808302,0.036241937,0.92719465,0.00013601297,0.0010834901,0.009865078,0.009451506,0.011848181],"study_design_scores_gemma":[0.000007881949,0.000053255822,0.003142993,0.00022356672,0.000010610581,0.0076610586,0.86568815,0.000103522965,0.0007707497,0.0004483241,0.12186062,0.00002925013],"about_ca_topic_score_codex":0.07516419,"about_ca_topic_score_gemma":0.25060576,"teacher_disagreement_score":0.9248358,"about_ca_system_score_codex":0.011028716,"about_ca_system_score_gemma":0.0044093886,"threshold_uncertainty_score":0.1494534},"labels":[],"label_agreement":null},{"id":"W6927379885","doi":"10.26180/25817152","title":"Visualising rights through practices of survivance: Examining practical enactments of rights and survivance in the photographic works of Brenda L. Croft and Rosalie Favell","year":2024,"lang":"en","type":"dissertation","venue":"Open MIND","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indigenous; Politics; Colonialism; Embodied cognition; Ethnography","score_opus":0.13075001505521605,"score_gpt":0.40961393434162685,"score_spread":0.2788639192864108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6927379885","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64063174,0.0049333097,0.009518557,0.013599699,0.00027449976,0.00010780684,0.000040342293,0.000067999594,0.33082607],"genre_scores_gemma":[0.98118144,0.0014835761,0.0017661835,0.0003246957,0.000034274082,0.000025100506,0.000008854141,0.00003951712,0.015136345],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99689925,0.0022335337,0.000047982416,0.00015158276,0.0004010188,0.0002666566],"domain_scores_gemma":[0.9956044,0.0032935753,0.00026802853,0.00031822833,0.00027712277,0.00023875287],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0043938756,0.00036448287,0.00024901022,0.0016768385,0.010586789,0.008032667,0.00086445006,0.0013686117,0.004582356],"category_scores_gemma":[0.007007869,0.00026150228,0.00023624954,0.0010037232,0.029107744,0.0056586824,0.0057458887,0.002438088,0.00025175983],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008244743,0.000007749195,0.00054926187,0.00005690051,0.0000018678372,0.0003088676,0.9613916,0.000052801017,0.000536746,0.026939321,0.00083196297,0.009314669],"study_design_scores_gemma":[0.0000027387075,0.000013436751,0.0015790821,0.00024096444,0.0000043627906,0.0003942329,0.9059052,0.000068924186,0.00039255607,0.004558301,0.086830474,0.000009762719],"about_ca_topic_score_codex":0.045327786,"about_ca_topic_score_gemma":0.10304239,"teacher_disagreement_score":0.045327786,"about_ca_system_score_codex":0.006050885,"about_ca_system_score_gemma":0.0038997487,"threshold_uncertainty_score":0.090127885},"labels":[],"label_agreement":null},{"id":"W6927782013","doi":"10.35010/ecuad:2693","title":"The Illuminated Body: Excerpts from an Atlas of Illness and Injury","year":2011,"lang":"en","type":"article","venue":"Arca (British Columbia Electronic Library Network)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Simon Fraser University","keywords":"Metaphor; Embodied cognition; Phenomenology (philosophy); Intentionality; Perception; Introspection; Uncanny; Reciprocal; Icon; Photography; Psychology of self","score_opus":0.009894055725008063,"score_gpt":0.19137712921165573,"score_spread":0.18148307348664766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6927782013","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46202162,0.055221196,0.01886178,0.024104621,0.0058460585,0.00056968885,0.00516916,0.00060485554,0.42760104],"genre_scores_gemma":[0.83110285,0.023292381,0.010186924,0.005171948,0.0012135425,0.00043376067,0.0018402198,0.0006849121,0.12607346],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99959654,0.00019808437,0.000016499784,0.000028573113,0.0001019612,0.000058399208],"domain_scores_gemma":[0.999288,0.00052586,0.000059869133,0.000024559888,0.000030535353,0.000071197996],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003515946,0.00073895295,0.0004860918,0.0017231298,0.0035228075,0.0025462855,0.00060880167,0.0013108124,0.008974158],"category_scores_gemma":[0.0014353947,0.00025065689,0.0004240361,0.002089303,0.003256609,0.0017128094,0.0032620057,0.0030567222,0.0011410036],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001719194,0.00006476421,0.0013148291,0.0015558301,0.00003119571,0.013894251,0.8564317,0.00054533425,0.005699637,0.028291363,0.04761276,0.04438647],"study_design_scores_gemma":[0.00001339688,0.00006106891,0.013221201,0.0013942281,0.000017883496,0.011127009,0.31963667,0.00022853228,0.00080503843,0.006172726,0.64727175,0.000050577095],"about_ca_topic_score_codex":0.0067650266,"about_ca_topic_score_gemma":0.02645851,"teacher_disagreement_score":0.008974158,"about_ca_system_score_codex":0.0017538529,"about_ca_system_score_gemma":0.00086695695,"threshold_uncertainty_score":0.030021548},"labels":[],"label_agreement":null},{"id":"W6939062090","doi":"10.6068/dp15e2af1efd637","title":"TREND: Federal Housing Finance Agency. House Price Index: House Price Index - All Transactions | State: New York | Seasonally Adjusted: Non-Seasonally Adj, 1975/1 - 2017/1. Data-Planet™ Statistical Datasets by Conquest Systems, Inc. Dataset-ID: 057-001-001","year":2017,"lang":"en","type":"other","venue":"Data Planet","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Underwriting; Mortgage insurance; Index (typography); Loan-to-value ratio; Securitization; Mortgage underwriting; Quarter (Canadian coin); Shared appreciation mortgage","score_opus":0.055052647414634295,"score_gpt":0.28153500901786394,"score_spread":0.22648236160322965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6939062090","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000119511074,0.000020437843,0.000037659018,0.000046925634,0.000023844545,0.000012582651,0.99896026,0.00007144919,0.00070738076],"genre_scores_gemma":[0.0003471673,0.00002911368,0.00012778369,0.000029667463,0.000016530801,0.00009719018,0.9981357,0.000029962317,0.0011868812],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99874276,0.00012966763,0.0001629957,0.00036313597,0.00044918264,0.00015231197],"domain_scores_gemma":[0.99532384,0.00045522695,0.000644606,0.0006145549,0.002652492,0.00030925052],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009579623,0.0016693987,0.0013066629,0.0036237645,0.0008376537,0.001975744,0.0023334704,0.0011500288,0.09018247],"category_scores_gemma":[0.0062529435,0.00073615415,0.00096560916,0.008569983,0.000318656,0.0022235287,0.0013445044,0.0025201256,0.1566472],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018261853,0.000010685548,0.0009829468,0.00011166999,0.000008650483,0.0000046063988,0.000006767617,0.00007154463,0.000017374672,0.00017309269,0.9970868,0.0015074711],"study_design_scores_gemma":[0.00013959521,0.000020665088,0.014455369,0.00020811055,0.00001912656,0.000024240437,0.00012484365,0.0004024871,0.00015855183,0.00063441053,0.98378766,0.000024840097],"about_ca_topic_score_codex":0.06830245,"about_ca_topic_score_gemma":0.086675905,"teacher_disagreement_score":0.09018247,"about_ca_system_score_codex":0.002012628,"about_ca_system_score_gemma":0.0028045308,"threshold_uncertainty_score":0.3016904},"labels":[],"label_agreement":null},{"id":"W6939341892","doi":"10.6084/m9.figshare.16993384.v2","title":"Face-mockers, Face-shifters, and Face swappers: Agency and Personal Identity in Portrait Photography Today","year":2021,"lang":"en","type":"article","venue":"Figshare","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Face (sociological concept); Subject (documents); Character (mathematics); Portrait; Agency (philosophy); Realm; Identity (music); Smiley; Girl","score_opus":0.048734354518648985,"score_gpt":0.2769590361892415,"score_spread":0.2282246816705925,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6939341892","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33812696,0.04342384,0.006036456,0.022948796,0.0013566912,0.00004485173,0.00016305801,0.00012527333,0.58777416],"genre_scores_gemma":[0.9548964,0.011015337,0.0016676007,0.0019169179,0.00045106985,0.000022345714,0.000069568436,0.00009368422,0.029867018],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99914575,0.0004486524,0.000023506896,0.00012899384,0.00015583358,0.00009730653],"domain_scores_gemma":[0.99947125,0.00025109595,0.00006970343,0.0000757188,0.00004562408,0.00008658259],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009700634,0.0003537794,0.0001760082,0.0013908142,0.004049527,0.0054467944,0.0003748328,0.0013209463,0.004691316],"category_scores_gemma":[0.0019437491,0.0003042708,0.000215828,0.0007620964,0.00774914,0.0057379864,0.002577787,0.0023270317,0.00073439965],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000819772,0.000037593694,0.0076702833,0.0001795485,0.000019752792,0.0025633397,0.8058945,0.000062554565,0.002756767,0.091022134,0.023413103,0.06629852],"study_design_scores_gemma":[0.000010248382,0.000050650386,0.034273654,0.0005558018,0.00003076423,0.00932871,0.42708555,0.00017983805,0.0010897359,0.01567002,0.511676,0.00004895986],"about_ca_topic_score_codex":0.0050670775,"about_ca_topic_score_gemma":0.012524906,"teacher_disagreement_score":0.0054467944,"about_ca_system_score_codex":0.001574224,"about_ca_system_score_gemma":0.00042752546,"threshold_uncertainty_score":0.015693963},"labels":[],"label_agreement":null},{"id":"W6961321240","doi":"10.1371/journal.pone.0295626.s001","title":"PRISMA 2020 checklist.","year":2024,"lang":"en","type":"article","venue":"Figshare","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cardiomyopathy; Allele; Genetic model; Meta-analysis; Angiotensin-converting enzyme; Polymorphism (computer science); Angiotensin II","score_opus":0.048759601040487606,"score_gpt":0.2698731190666497,"score_spread":0.22111351802616208,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6961321240","genre_codex":"dataset","genre_gemma":"methods","domain_codex":null,"domain_gemma":"reporting","model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"methods","genre_consensus":null,"domain_candidate":"reporting","domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001032639,0.0027504126,0.017682076,0.006679766,0.003925091,0.25614873,0.69442624,0.009748847,0.007606165],"genre_scores_gemma":[0.0019925742,0.0011475726,0.059523623,0.0014490653,0.00016365031,0.90631443,0.022055374,0.0013082034,0.0060454034],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.962826,0.017519511,0.012692865,0.0033604945,0.002601573,0.0009996088],"domain_scores_gemma":[0.86710423,0.08864272,0.0121169705,0.012502325,0.017861841,0.0017720235],"candidate_categories":["metaresearch","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.059207276,0.0045132875,0.010755067,0.012872057,0.0023116749,0.0080611035,0.008659065,0.004821265,0.5054463],"category_scores_gemma":[0.16171885,0.0060122153,0.014171973,0.015168627,0.0033744692,0.0044309287,0.0054928735,0.007913261,0.04592149],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0029840828,0.00020652522,0.00053386495,0.4515803,0.0029194735,0.00022081171,0.00096137123,0.0019347554,0.00034796319,0.012549591,0.49236086,0.03340042],"study_design_scores_gemma":[0.035431493,0.0005897499,0.003767139,0.15100387,0.0053221798,0.00037578418,0.0019108016,0.006122302,0.0010693106,0.05643565,0.7370937,0.00087797845],"about_ca_topic_score_codex":0.0115095,"about_ca_topic_score_gemma":0.017073214,"teacher_disagreement_score":0.94079274,"about_ca_system_score_codex":0.007518675,"about_ca_system_score_gemma":0.040802296,"threshold_uncertainty_score":0.7054208},"labels":[],"label_agreement":null},{"id":"W6962615356","doi":"10.17613/9ra1-gp48","title":"Focus on Japanese Photography","year":2023,"lang":"en","type":"article","venue":"Knowledge Commons (Lakehead University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Focus (optics); Launched; Reading (process); Digital photography","score_opus":0.05344991255182348,"score_gpt":0.2530486516318323,"score_spread":0.19959873908000886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6962615356","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000107920554,0.992572,0.000042253712,0.002775961,0.0019646552,0.000006133569,0.00003848786,0.000008314388,0.0024843088],"genre_scores_gemma":[0.0018534643,0.9859418,0.00009189863,0.0075116656,0.002386392,0.000019013467,0.00007237849,0.000010183885,0.0021131262],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986873,0.0003517166,0.00021965137,0.00021261036,0.0004000738,0.00012871757],"domain_scores_gemma":[0.99172133,0.002842604,0.0010329547,0.0002838822,0.0035685995,0.00055074895],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025905112,0.0007770127,0.0015854464,0.0038569241,0.00069014344,0.002924473,0.0009829388,0.0017541585,0.014443208],"category_scores_gemma":[0.007150544,0.0003984126,0.0009246665,0.005062988,0.0013765176,0.0033190728,0.0014738595,0.0022923083,0.0036960212],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009178432,0.000018237597,0.00028465188,0.07774043,0.00024541194,0.00014740319,0.00052354595,0.00005615004,0.00091473886,0.004340522,0.5174887,0.39814845],"study_design_scores_gemma":[0.000009420401,0.000029478912,0.0010170041,0.021212282,0.00021328666,0.00027972815,0.00019194784,0.000007080825,0.00010768962,0.0003998921,0.97652197,0.000010223963],"about_ca_topic_score_codex":0.00659201,"about_ca_topic_score_gemma":0.018652719,"teacher_disagreement_score":0.014443208,"about_ca_system_score_codex":0.002502143,"about_ca_system_score_gemma":0.0058138184,"threshold_uncertainty_score":0.048317373},"labels":[],"label_agreement":null},{"id":"W6962619271","doi":"10.17603/ds2-9v51-k957","title":"Evolution of Cascadia Subduction Zone Sciences: Qualitative Research Instrument and Planning Documents","year":2022,"lang":"en","type":"dataset","venue":"Texas Advanced Computing Center","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subduction; Perspective (graphical); Hazard; Qualitative research; Resilience (materials science)","score_opus":0.12633027229304375,"score_gpt":0.42817414976761037,"score_spread":0.30184387747456665,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6962619271","genre_codex":"empirical","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"dataset","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.630073,0.0036473458,0.023745466,0.01405242,0.00027056452,0.012230122,0.19007215,0.0001918251,0.12571713],"genre_scores_gemma":[0.80135983,0.004321181,0.04390689,0.0020127275,0.000055924076,0.04371841,0.066915296,0.00033137537,0.037378423],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99591404,0.0023419308,0.00027362868,0.000408632,0.00065287255,0.0004089111],"domain_scores_gemma":[0.984432,0.01080859,0.00062135584,0.0009725259,0.002577451,0.00058801414],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0144243445,0.00028050205,0.00031520694,0.005803795,0.004972759,0.0031431033,0.0012999461,0.00075487274,0.010075286],"category_scores_gemma":[0.019103533,0.00038763555,0.00023872257,0.01176223,0.0035570597,0.0022643805,0.0028940125,0.0012963223,0.0011543136],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015679536,0.00020821752,0.028680965,0.0021681334,0.000016161564,0.001103546,0.7578139,0.001370852,0.0017177977,0.07392188,0.06545298,0.06738875],"study_design_scores_gemma":[0.000020506905,0.00002787043,0.014402925,0.0012438311,0.0000064655105,0.0001308879,0.7163843,0.0004587463,0.0009276002,0.0043883286,0.26197955,0.000028950331],"about_ca_topic_score_codex":0.10071651,"about_ca_topic_score_gemma":0.14343269,"teacher_disagreement_score":0.10071651,"about_ca_system_score_codex":0.0141177215,"about_ca_system_score_gemma":0.018579332,"threshold_uncertainty_score":0.20026052},"labels":[],"label_agreement":null},{"id":"W6973966963","doi":"10.58079/orli","title":"Le fotografie dal ghetto di Łódź (Polonia) di Henryk Ross","year":2016,"lang":"it","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Context (archaeology); Perspective (graphical); Representation (politics)","score_opus":0.02763180378952737,"score_gpt":0.25559099756788056,"score_spread":0.2279591937783532,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6973966963","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1344844,0.031232031,0.000571057,0.020034244,0.0023176938,0.00007503332,0.0006660225,0.00005962869,0.81055987],"genre_scores_gemma":[0.2617995,0.008346175,0.00031909609,0.0006779279,0.00017045048,0.000024119863,0.00012122916,0.000065078064,0.72847646],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99978,0.000044878885,0.000005793468,0.00004470742,0.0000471978,0.00007738057],"domain_scores_gemma":[0.99983406,0.00005053274,0.000024863562,0.000016518898,0.000024023122,0.000049821945],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028552747,0.00023028968,0.00009696781,0.00050378725,0.004215368,0.0027561162,0.00018123293,0.00046278528,0.021529252],"category_scores_gemma":[0.0005702733,0.00020646951,0.00006582854,0.000942872,0.0030062445,0.0012586424,0.0015381946,0.0011921177,0.002408756],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022717979,0.00003396932,0.011717629,0.00067091454,0.0000085197735,0.0013115627,0.14949974,0.00014156476,0.0032337494,0.21185216,0.4295289,0.19177416],"study_design_scores_gemma":[0.0000020146535,0.0000074382797,0.0072923317,0.000077142744,0.0000012668775,0.00009617376,0.004820403,0.000006965661,0.00023531549,0.00042306853,0.9870323,0.0000055416795],"about_ca_topic_score_codex":0.1779276,"about_ca_topic_score_gemma":0.54225934,"teacher_disagreement_score":0.1779276,"about_ca_system_score_codex":0.0051816073,"about_ca_system_score_gemma":0.0038996818,"threshold_uncertainty_score":0.3537839},"labels":[],"label_agreement":null},{"id":"W6976640237","doi":"10.6084/m9.figshare.16993384","title":"Face-mockers, Face-shifters, and Face swappers: Agency and Personal Identity in Portrait Photography Today","year":2021,"lang":"en","type":"article","venue":"Figshare","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Face (sociological concept); Subject (documents); Character (mathematics); Portrait; Agency (philosophy); Realm; Identity (music); Smiley; Girl","score_opus":0.048734354518648985,"score_gpt":0.2769590361892415,"score_spread":0.2282246816705925,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6976640237","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33812696,0.04342384,0.006036456,0.022948796,0.0013566912,0.00004485173,0.00016305801,0.00012527333,0.58777416],"genre_scores_gemma":[0.9548964,0.011015337,0.0016676007,0.0019169179,0.00045106985,0.000022345714,0.000069568436,0.00009368422,0.029867018],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99914575,0.0004486524,0.000023506896,0.00012899384,0.00015583358,0.00009730653],"domain_scores_gemma":[0.99947125,0.00025109595,0.00006970343,0.0000757188,0.00004562408,0.00008658259],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009700634,0.0003537794,0.0001760082,0.0013908142,0.004049527,0.0054467944,0.0003748328,0.0013209463,0.004691316],"category_scores_gemma":[0.0019437491,0.0003042708,0.000215828,0.0007620964,0.00774914,0.0057379864,0.002577787,0.0023270317,0.00073439965],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000819772,0.000037593694,0.0076702833,0.0001795485,0.000019752792,0.0025633397,0.8058945,0.000062554565,0.002756767,0.091022134,0.023413103,0.06629852],"study_design_scores_gemma":[0.000010248382,0.000050650386,0.034273654,0.0005558018,0.00003076423,0.00932871,0.42708555,0.00017983805,0.0010897359,0.01567002,0.511676,0.00004895986],"about_ca_topic_score_codex":0.0050670775,"about_ca_topic_score_gemma":0.012524906,"teacher_disagreement_score":0.0054467944,"about_ca_system_score_codex":0.001574224,"about_ca_system_score_gemma":0.00042752546,"threshold_uncertainty_score":0.015693963},"labels":[],"label_agreement":null},{"id":"W6976890599","doi":"10.6084/m9.figshare.14516204.v1","title":"Additional file 2 of Effectiveness of interventions on early neurodevelopment of preterm infants: a systematic review and meta-analysis","year":2021,"lang":"en","type":"article","venue":"Figshare","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Jewish General Hospital; Hospital for Sick Children; SickKids Foundation; University of Toronto; Université de Montréal; Centre Hospitalier Universitaire Sainte-Justine","funders":"","keywords":"Psychological intervention; Table (database); Judgement; Clinical judgement; MEDLINE; Risk assessment","score_opus":0.10683985441442626,"score_gpt":0.2993822621362729,"score_spread":0.19254240772184664,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6976890599","genre_codex":"dataset","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000663956,0.0009060311,0.00061478815,0.00029374257,0.00010878181,0.0028520438,0.99326503,0.00028062702,0.0010150014],"genre_scores_gemma":[0.053548045,0.006305639,0.034847718,0.0045512123,0.00085209304,0.2150578,0.64249265,0.0016338582,0.040710986],"study_design_codex":"systematic_review","study_design_gemma":"meta_analysis","domain_scores_codex":[0.9969542,0.0007243114,0.001022351,0.0004886077,0.00053482654,0.0002757923],"domain_scores_gemma":[0.9431757,0.044953786,0.006713332,0.0013298996,0.0033066103,0.0005207391],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0062094466,0.0023715105,0.0047898046,0.006286255,0.0008502902,0.0026499096,0.002302933,0.0021525195,0.8344455],"category_scores_gemma":[0.07730645,0.0014271302,0.0056311493,0.008339906,0.0005123734,0.0037608335,0.0017024827,0.0014537901,0.02837106],"study_design_candidate":"meta_analysis","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00422289,0.00019068523,0.002263042,0.7140584,0.0039838483,0.00020743364,0.00023309246,0.0014477157,0.0003901311,0.0027703422,0.25275177,0.017480712],"study_design_scores_gemma":[0.123201005,0.002700668,0.041591365,0.27562445,0.030419122,0.0013259191,0.0010764217,0.007924537,0.002222256,0.03289649,0.4801784,0.00083935197],"about_ca_topic_score_codex":0.006069661,"about_ca_topic_score_gemma":0.014098308,"teacher_disagreement_score":0.8344455,"about_ca_system_score_codex":0.002375523,"about_ca_system_score_gemma":0.004925043,"threshold_uncertainty_score":0.23614335},"labels":[],"label_agreement":null},{"id":"W6980282584","doi":"","title":"Black Visuality in Canada Through the Decolonial Option: A Sociogenic Account of the Work of Jorian Charlton","year":2022,"lang":"en","type":"dissertation","venue":"The Atrium (University of Guelph)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Praxis; Cabinet (room); Relation (database); Contemporary art; Hegemony; Black British; Identity (music)","score_opus":0.02304741205613853,"score_gpt":0.23933830438262316,"score_spread":0.21629089232648463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6980282584","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29191792,0.0052758614,0.0018329022,0.041137166,0.00059715705,0.00007586886,0.00017278125,0.00008586572,0.65890443],"genre_scores_gemma":[0.9186168,0.0021439574,0.00072194036,0.002165051,0.00006858122,0.00002797983,0.00003583145,0.000092649796,0.07612729],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9978034,0.0005751612,0.000022046288,0.00020250164,0.00055800553,0.00083894265],"domain_scores_gemma":[0.9984231,0.00039807326,0.00009526654,0.000077801466,0.0005028153,0.0005029047],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018661736,0.0006807665,0.0003425603,0.0018977706,0.058111444,0.010779928,0.001513408,0.002241156,0.0070304526],"category_scores_gemma":[0.00260626,0.00038220698,0.0002685668,0.002440043,0.040265813,0.002580487,0.0048595774,0.0037987048,0.00044908808],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003296301,0.000022742122,0.0019277331,0.00006788663,0.0000078676485,0.000888285,0.7275766,0.00026496802,0.00060633256,0.2282849,0.028729176,0.011590571],"study_design_scores_gemma":[0.000005822267,0.000011991366,0.0038986388,0.00019493973,0.000013722978,0.00030761107,0.514224,0.00021577202,0.00042849765,0.0087108025,0.4719311,0.000057084326],"about_ca_topic_score_codex":0.98345906,"about_ca_topic_score_gemma":0.99401927,"teacher_disagreement_score":0.10980662,"about_ca_system_score_codex":0.10980662,"about_ca_system_score_gemma":0.083080284,"threshold_uncertainty_score":0.7967065},"labels":[],"label_agreement":null},{"id":"W6980588565","doi":"","title":"Cloning and characterization of the genes encoding Oenococcus oeni H+-ATPase and Cu+-ATPase","year":2000,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Agriculture and Agri-Food Canada; Natural Sciences and Engineering Research Council of Canada","keywords":"Oenococcus oeni; Gene; Operon; Malic acid; Cloning (programming); Northern blot; Messenger RNA; Enzyme","score_opus":0.020179681365390077,"score_gpt":0.2298790998996357,"score_spread":0.20969941853424562,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6980588565","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98946625,0.0023278482,0.0036814997,0.00022663125,0.000049140453,0.00007127136,0.0021600365,0.000036521495,0.0019807164],"genre_scores_gemma":[0.9383783,0.0038758945,0.015937647,0.00018283112,0.000040066683,0.00008658738,0.025187097,0.00006234133,0.016249254],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9999368,0.0000063890166,0.000006079071,0.000013915159,0.000019489944,0.000017249275],"domain_scores_gemma":[0.9998734,0.000021301606,0.0000278066,0.000010712847,0.000034442764,0.000032298332],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011062921,0.00032222294,0.00018635135,0.0002774939,0.00011628768,0.00028204537,0.00015941107,0.0002264553,0.00057039317],"category_scores_gemma":[0.00027173743,0.00011731133,0.00017740023,0.00027961773,0.00013400984,0.00024240844,0.00015154426,0.00033450528,0.0006002363],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060201477,0.000022041973,0.00050211267,0.000050904066,0.0000017818932,0.000050325118,0.000037448706,0.000025802656,0.99561787,0.000079038844,0.000036527763,0.0035159797],"study_design_scores_gemma":[0.00003525038,0.000503938,0.109910116,0.000058534344,0.000053733293,0.0014636747,0.00035229544,0.0012874744,0.85248893,0.0002763302,0.033547334,0.00002226256],"about_ca_topic_score_codex":0.0025923129,"about_ca_topic_score_gemma":0.0025333553,"teacher_disagreement_score":0.0025923129,"about_ca_system_score_codex":0.00032018655,"about_ca_system_score_gemma":0.00031579856,"threshold_uncertainty_score":0.0051544905},"labels":[],"label_agreement":null},{"id":"W6980746779","doi":"","title":"Constitutionalizing Canadian Private International Law - 25 Years Since Morguard","year":2017,"lang":"en","type":"article","venue":"eYLS (Yale Law School)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conflict of laws; Private sector; International law; Legislation; Work (physics)","score_opus":0.03420002289822671,"score_gpt":0.2716327868118782,"score_spread":0.23743276391365148,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6980746779","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030142158,0.0089258775,0.0022547587,0.11703633,0.00260752,0.00016106205,0.001232022,0.00020639264,0.8374339],"genre_scores_gemma":[0.44822693,0.0037751326,0.003887595,0.06798649,0.0010490996,0.00021382974,0.00063859415,0.00034590572,0.47387645],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.97642547,0.0017340736,0.00049744453,0.0025608926,0.010290907,0.00849117],"domain_scores_gemma":[0.9848835,0.0032527368,0.00034488746,0.0016480634,0.007689626,0.002181192],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.012477595,0.0010086668,0.0009841636,0.0032973096,0.028206907,0.026115065,0.004377446,0.017075093,0.018927194],"category_scores_gemma":[0.026588943,0.001094935,0.0014593613,0.003572433,0.022002976,0.0070722187,0.008263126,0.017601676,0.0015473142],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.000029711267,0.000022356517,0.00055178674,0.000038803057,0.000011699033,0.0000988185,0.0026218805,0.00021367891,0.00016793697,0.91439354,0.07380845,0.00804133],"study_design_scores_gemma":[0.00003808451,0.000021035494,0.0051879613,0.0004274965,0.000058547223,0.000073739175,0.0048908386,0.00045176968,0.0008745998,0.06816084,0.9196703,0.00014482357],"about_ca_topic_score_codex":0.98143035,"about_ca_topic_score_gemma":0.98855186,"teacher_disagreement_score":0.83911705,"about_ca_system_score_codex":0.16088296,"about_ca_system_score_gemma":0.23087044,"threshold_uncertainty_score":0.9732568},"labels":[],"label_agreement":null},{"id":"W6981089595","doi":"","title":"Diagnostic sur l’holothurie (Cucumaria frondosa) de la ZEE de St-Pierre et Miquelon et recommandations de gestion pour 2019","year":2019,"lang":"en","type":"article","venue":"Institutional Archive of Ifremer (French Research Institute for Exploitation of the Sea)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Stock (firearms); Stock assessment; Life history; Sociology of scientific knowledge; Scientific literature","score_opus":0.09346082060748298,"score_gpt":0.3618739219842917,"score_spread":0.26841310137680874,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981089595","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7373671,0.061831806,0.015411215,0.033387914,0.002644094,0.001255611,0.012071771,0.0007762868,0.13525422],"genre_scores_gemma":[0.8875689,0.027431572,0.025607668,0.004545652,0.0006588439,0.00067617494,0.016397381,0.00016920082,0.03694456],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9973672,0.00045763518,0.00031184294,0.00022612816,0.0012516928,0.00038551557],"domain_scores_gemma":[0.99438125,0.0010421968,0.00076312944,0.00021427727,0.0031210433,0.00047811336],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004167196,0.00040198272,0.00027980414,0.0030915327,0.0012817486,0.0017241669,0.0011055188,0.001000037,0.0024508645],"category_scores_gemma":[0.006704476,0.00025193894,0.00035630816,0.0010524127,0.0011437546,0.00067150884,0.0008965053,0.00085389067,0.001038683],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003131297,0.00013906634,0.6169438,0.0016351503,0.00008304292,0.0068567772,0.00657614,0.0006619953,0.020380273,0.004644133,0.052181423,0.2895851],"study_design_scores_gemma":[0.000023085851,0.00021676667,0.44114164,0.0022589923,0.000102480124,0.007259473,0.0071210717,0.00072810386,0.012066407,0.00063631084,0.52836794,0.00007775545],"about_ca_topic_score_codex":0.18175362,"about_ca_topic_score_gemma":0.19854952,"teacher_disagreement_score":0.81824636,"about_ca_system_score_codex":0.0026916848,"about_ca_system_score_gemma":0.0042770305,"threshold_uncertainty_score":0.36139143},"labels":[],"label_agreement":null},{"id":"W6981527200","doi":"","title":"-$0.22 EPS Expected for American Superconductor Co. (NASDAQ:AMSC) This Quarter","year":2021,"lang":"en","type":"other","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Superconductivity; Measure (data warehouse); Superconducting Super Collider","score_opus":0.04961026611741868,"score_gpt":0.29812212848556136,"score_spread":0.24851186236814268,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981527200","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000512956,0.00011381593,0.00048509968,0.00082868774,0.001782829,0.0000792433,0.0014402439,0.001626703,0.9931304],"genre_scores_gemma":[0.00062329357,0.000050732328,0.00009298235,0.000104877094,0.00008154682,0.000014207994,0.00049340376,0.0002851581,0.99825376],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99959534,0.000033647124,0.00001216767,0.00005518699,0.00022494818,0.00007867971],"domain_scores_gemma":[0.9981123,0.00009929568,0.000032312488,0.00018606013,0.000907865,0.0006621407],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005350531,0.0011764035,0.0007186582,0.0018067507,0.0021375644,0.0045205154,0.0010011013,0.0013840642,0.90443176],"category_scores_gemma":[0.0022068005,0.0006661031,0.00073848024,0.0008635037,0.00059650815,0.0020112158,0.002741883,0.0016134098,0.87235886],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037174963,0.000020438694,0.000060759914,0.000026834328,9.951144e-7,0.000019767553,0.000011405395,0.00003573922,0.00021636176,0.0010321928,0.97529715,0.023241103],"study_design_scores_gemma":[0.000012273109,0.000022580918,0.00044941084,0.00004053699,0.0000018215924,0.000045386158,0.00006442098,0.00015234352,0.00014536305,0.00033085627,0.9987276,0.000007347777],"about_ca_topic_score_codex":0.012207977,"about_ca_topic_score_gemma":0.02627026,"teacher_disagreement_score":0.90443176,"about_ca_system_score_codex":0.0011418893,"about_ca_system_score_gemma":0.0016257649,"threshold_uncertainty_score":0.13631648},"labels":[],"label_agreement":null},{"id":"W6981537687","doi":"","title":"Energy trends for Europe in a global perspective. Baseline projections by twelve E3-models in the CASCADE MINTS project:","year":2004,"lang":"en","type":"report","venue":"TNO Repository","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Joint Research Centre; National Technical University of Athens; Natural Resources Canada; International Institute for Applied Systems Analysis; Paul Scherrer Institut; U.S. Department of Energy","keywords":"Baseline (sea); Variety (cybernetics); Energy (signal processing); Population; Energy policy; Range (aeronautics); Fossil fuel; Greenhouse gas; Projection (relational algebra)","score_opus":0.06792493748238981,"score_gpt":0.3311123992583914,"score_spread":0.2631874617760016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981537687","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33825153,0.006583,0.035752524,0.0062196255,0.0005055413,0.0004596444,0.17707106,0.0016658349,0.43349117],"genre_scores_gemma":[0.8068462,0.010446913,0.035644848,0.0003866626,0.00009149305,0.00072244456,0.09887524,0.0005041374,0.04648209],"study_design_codex":"simulation_or_modeling","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.99982077,0.000037901995,0.000012353043,0.00003217603,0.00007028299,0.000026477403],"domain_scores_gemma":[0.9998659,0.0000177795,0.00001932982,0.00001598039,0.00006680287,0.000014262434],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00049063587,0.0008410448,0.00023807115,0.0010703014,0.00037233907,0.0017552803,0.0005260861,0.0009023942,0.006135195],"category_scores_gemma":[0.00089722907,0.00026215383,0.0009948204,0.002875648,0.0001439868,0.0017648048,0.00055442494,0.0005898572,0.0010486096],"study_design_candidate":"simulation_or_modeling","study_design_consensus":"simulation_or_modeling","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007565012,0.00022689084,0.03176867,0.00080395694,0.00016797845,0.0010055723,0.0005936312,0.577875,0.0017855064,0.10985457,0.14121993,0.13394178],"study_design_scores_gemma":[0.0003039359,0.0004962249,0.08423828,0.0009693584,0.00024679056,0.0007989504,0.0022005856,0.23623279,0.0064483755,0.060019948,0.60787827,0.000166405],"about_ca_topic_score_codex":0.086088404,"about_ca_topic_score_gemma":0.07051033,"teacher_disagreement_score":0.086088404,"about_ca_system_score_codex":0.0022427507,"about_ca_system_score_gemma":0.0018453484,"threshold_uncertainty_score":0.17117465},"labels":[],"label_agreement":null},{"id":"W6981752702","doi":"","title":"Explaining the decision not to prosecute to victims and the complaint against non-prosecution of criminal offenses :An empirical legal study","year":2020,"lang":"nl","type":"article","venue":"VU Research Portal","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"L'Alliance Boviteq","funders":"","keywords":"Complaint; Self representation; Research method","score_opus":0.20406586000374566,"score_gpt":0.44002673594483044,"score_spread":0.23596087594108478,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981752702","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98794633,0.0009088294,0.0005656119,0.004806937,0.000064707725,0.00031602397,0.00032679812,0.00000719973,0.0050576422],"genre_scores_gemma":[0.99371064,0.0006568924,0.00056246034,0.00096362276,0.00006662091,0.00035389964,0.00042481988,0.00001908985,0.0032419756],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9801001,0.012518561,0.001655181,0.0015923034,0.0020064188,0.0021273445],"domain_scores_gemma":[0.63538593,0.28794172,0.052671544,0.009447816,0.008555793,0.0059971414],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.031349428,0.00046774585,0.0010157804,0.0032143416,0.005080114,0.007309082,0.004069148,0.006079184,0.033658717],"category_scores_gemma":[0.17854552,0.0011303109,0.0016664261,0.0029344787,0.0052020433,0.005267619,0.005328949,0.006562067,0.0042287395],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00151457,0.0136974985,0.8177716,0.0010581048,0.00053781416,0.0019382843,0.08468114,0.0008964498,0.00027644148,0.026314098,0.014871677,0.03644232],"study_design_scores_gemma":[0.0006953844,0.0020741732,0.7210637,0.0029400247,0.001153254,0.0010195022,0.22030877,0.0105855735,0.0005763784,0.020093555,0.01922141,0.00026832975],"about_ca_topic_score_codex":0.034682393,"about_ca_topic_score_gemma":0.038160622,"teacher_disagreement_score":0.034682393,"about_ca_system_score_codex":0.006014011,"about_ca_system_score_gemma":0.0082710935,"threshold_uncertainty_score":0.16579366},"labels":[],"label_agreement":null},{"id":"W6981781474","doi":"","title":"Field Trial for Brown Patch Control, Summer 2006","year":2021,"lang":"en","type":"report","venue":"The Atrium (University of Guelph)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Chemical control; Rhizoctonia solani; Disease control; Field trial; Field experiment","score_opus":0.06847324214573561,"score_gpt":0.27046426127927237,"score_spread":0.20199101913353676,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981781474","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9921748,0.00049744773,0.0007136708,0.00020087407,0.00016289105,0.002940479,0.0008697313,0.00014900671,0.0022911034],"genre_scores_gemma":[0.96665287,0.0004780527,0.0062392633,0.000939793,0.00019391302,0.0026083686,0.0027973878,0.000037040903,0.020053273],"study_design_codex":"bench_or_experimental","study_design_gemma":"nonrandomized_trial","domain_scores_codex":[0.9995634,0.00011731793,0.000020654315,0.00014909137,0.0000659719,0.000083603016],"domain_scores_gemma":[0.99924004,0.00008014063,0.00009862317,0.00005018431,0.00015301738,0.0003779542],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000961544,0.00082493445,0.0010041619,0.00043211505,0.0008672832,0.00027671532,0.0007060008,0.00094167254,0.003900847],"category_scores_gemma":[0.0004588226,0.00027202672,0.00042010518,0.00016180926,0.0002884733,0.00024801126,0.00022863505,0.0008849141,0.00062858],"study_design_candidate":"nonrandomized_trial","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.14364235,0.093943916,0.008364696,0.0008641939,0.00033176673,0.00041965014,0.00047865114,0.0012239221,0.6685286,0.00027583074,0.0074460814,0.07448031],"study_design_scores_gemma":[0.02227249,0.8399645,0.05940391,0.000054146898,0.00020037996,0.00017942238,0.00016744704,0.0011430255,0.06578907,0.00008691422,0.010697225,0.00004141286],"about_ca_topic_score_codex":0.0056285704,"about_ca_topic_score_gemma":0.0152768595,"teacher_disagreement_score":0.0056285704,"about_ca_system_score_codex":0.0007393658,"about_ca_system_score_gemma":0.00086568936,"threshold_uncertainty_score":0.013049662},"labels":[],"label_agreement":null},{"id":"W6982209485","doi":"","title":"Highway Book Shop northern Ontario's unexpected treasure","year":2011,"lang":"en","type":"article","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Treasure; Prospection; Period (music); Work (physics)","score_opus":0.06792095972480437,"score_gpt":0.21397614579974022,"score_spread":0.14605518607493584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982209485","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006813501,0.0032347126,0.00023204907,0.0154250795,0.0032478932,0.000093363524,0.0037507222,0.000294946,0.96690774],"genre_scores_gemma":[0.0049849506,0.00050829473,0.000081099606,0.0004744841,0.000080565085,0.0000058832625,0.00031943884,0.000049137823,0.99349606],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999554,0.000021588807,0.000008080129,0.000037872993,0.00025038427,0.00012808357],"domain_scores_gemma":[0.99919087,0.00006397845,0.000020041394,0.000048296235,0.00041516498,0.00026171093],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00045762816,0.0005189607,0.00037545647,0.00097506517,0.01162789,0.0061515635,0.00072103454,0.001969924,0.3496119],"category_scores_gemma":[0.001008762,0.00044616906,0.0004420204,0.0013060588,0.0009968167,0.0010861264,0.0012436528,0.0015868457,0.050894115],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027112977,0.000009480436,0.00074649276,0.000035422476,0.0000025568033,0.00013913208,0.00026424092,0.00003489429,0.00012272474,0.0015627005,0.9876337,0.00942171],"study_design_scores_gemma":[0.000004607359,0.00000560788,0.0035273186,0.00003443614,0.0000027024478,0.000039921026,0.0011225108,0.000028919869,0.00007176081,0.00017033191,0.9949844,0.0000074293903],"about_ca_topic_score_codex":0.8848003,"about_ca_topic_score_gemma":0.9880144,"teacher_disagreement_score":0.3496119,"about_ca_system_score_codex":0.01500356,"about_ca_system_score_gemma":0.020047886,"threshold_uncertainty_score":0.9276997},"labels":[],"label_agreement":null},{"id":"W6982286496","doi":"","title":"Hydro-Québec chooses w.illi.am/","year":2011,"lang":"en","type":"other","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.04265464775646341,"score_gpt":0.23463455341938927,"score_spread":0.19197990566292586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982286496","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003725901,0.00047657706,0.00029228246,0.0004981954,0.00018623467,0.00003253544,0.006063804,0.000979606,0.9910981],"genre_scores_gemma":[0.0012340243,0.00021771554,0.000111138426,0.00010878092,0.000013241883,0.000009990999,0.000971227,0.00055551785,0.9967784],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999706,0.000017793142,0.0000074510467,0.000044690423,0.00012448351,0.00009944217],"domain_scores_gemma":[0.9989844,0.00007922311,0.000028565557,0.00009066098,0.0004321223,0.0003849769],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033421232,0.0011916176,0.00063616154,0.0016897324,0.003752614,0.0036434224,0.0010111006,0.0017940702,0.8931144],"category_scores_gemma":[0.0011312659,0.0005605376,0.0004807051,0.0026872556,0.00095357123,0.0014667545,0.0017545902,0.0013264997,0.7452822],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028872408,0.000026191556,0.00035489292,0.000084323365,0.0000025868362,0.000053564494,0.00008469393,0.00007061006,0.00017485609,0.0022875979,0.9293104,0.067521304],"study_design_scores_gemma":[0.000004288058,0.0000035483267,0.00095442653,0.00008559398,0.0000012685016,0.000026350235,0.00014042036,0.000054259013,0.00013788351,0.00020061052,0.99838555,0.000005878714],"about_ca_topic_score_codex":0.63837,"about_ca_topic_score_gemma":0.86148727,"teacher_disagreement_score":0.8931144,"about_ca_system_score_codex":0.005636251,"about_ca_system_score_gemma":0.0054302285,"threshold_uncertainty_score":0.72751945},"labels":[],"label_agreement":null},{"id":"W6982308121","doi":"","title":"Identification of a determinant of high affinity agonist binding of ã-aminobutyric acid type A receptors and the role of high affinity agonist binding in desensitization","year":2000,"lang":"en","type":"other","venue":"Library and Archives Canada (Government of Canada)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Agonist; Receptor; Desensitization (medicine); Homologous desensitization; Binding site; Identification (biology); G protein-coupled receptor","score_opus":0.0055500709491108965,"score_gpt":0.1617216458075219,"score_spread":0.15617157485841102,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982308121","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97281533,0.002587964,0.0022751084,0.0003376011,0.0000669015,0.000117418575,0.0005963661,0.000045533787,0.021157796],"genre_scores_gemma":[0.9764572,0.00087993004,0.0016381001,0.00017915845,0.000013493437,0.00005164691,0.0006715197,0.000027052181,0.020081818],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9998691,0.000013752112,0.0000060204193,0.000020018748,0.000032552256,0.00005845715],"domain_scores_gemma":[0.99979836,0.000062922285,0.000021990902,0.000024729045,0.00004891474,0.00004311486],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017169084,0.0002675045,0.00024469057,0.00020255097,0.00049466145,0.0006471829,0.00049490127,0.00038735924,0.008491628],"category_scores_gemma":[0.00034495266,0.00019218461,0.00021726583,0.00016242759,0.00042920848,0.00022801416,0.0002904645,0.0007024746,0.0014577542],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029220336,0.00005621696,0.00045702126,0.00004143728,0.000004826954,0.00013209683,0.000037554608,0.000066519446,0.9951681,0.0008662523,0.00018008993,0.002697718],"study_design_scores_gemma":[0.0001219493,0.0005759848,0.13144194,0.000045796627,0.00003265642,0.0012436492,0.00043757126,0.0034781361,0.8523915,0.0008409295,0.009364915,0.000025108366],"about_ca_topic_score_codex":0.030051226,"about_ca_topic_score_gemma":0.045932982,"teacher_disagreement_score":0.030051226,"about_ca_system_score_codex":0.0017325742,"about_ca_system_score_gemma":0.0008330497,"threshold_uncertainty_score":0.059752643},"labels":[],"label_agreement":null},{"id":"W6982442709","doi":"","title":"Improving the energy response of external beam therapy (EBT) GAFCHROMIC Dosimetry films at low energies (s100keV)","year":2013,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Jewish General Hospital","keywords":"Dosimetry; Monte Carlo method; Beam (structure); Energy (signal processing); Beam energy; Mockup","score_opus":0.016670735348028768,"score_gpt":0.2292158201519434,"score_spread":0.21254508480391462,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982442709","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97600275,0.0030860992,0.015950728,0.00016086712,0.00004222709,0.000080466896,0.00032053114,0.00034507355,0.004011279],"genre_scores_gemma":[0.97629845,0.0017365321,0.015953286,0.0001568974,0.000009739961,0.00007474553,0.00030627547,0.00030861198,0.0051554325],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9997454,0.000032733446,0.000016539534,0.000071960065,0.00010529025,0.000028086946],"domain_scores_gemma":[0.99970716,0.00009942209,0.0000641528,0.000027961678,0.00009014476,0.000011257036],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033979013,0.00034738242,0.0002200782,0.00036986262,0.00016831057,0.00042364642,0.00028777198,0.00044705946,0.0020366558],"category_scores_gemma":[0.00069879286,0.000275166,0.00026118185,0.00038048075,0.00020025582,0.00046321139,0.00027372036,0.00040324836,0.00041742102],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028018767,0.000005929082,0.0001774912,0.000042271222,0.0000036554427,0.000024902683,0.000022115812,0.00017015607,0.99820065,0.000027109108,0.000053189247,0.0012445525],"study_design_scores_gemma":[0.0000041481953,0.00015658716,0.0035861554,0.0000092183,0.00001668335,0.0001460816,0.000026307087,0.0005553236,0.9941771,0.000009716707,0.0013079579,0.0000046676123],"about_ca_topic_score_codex":0.00094062206,"about_ca_topic_score_gemma":0.0014655734,"teacher_disagreement_score":0.0020366558,"about_ca_system_score_codex":0.00037324565,"about_ca_system_score_gemma":0.0001372559,"threshold_uncertainty_score":0.0068132877},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"bench_or_experimental","genre":"empirical","about_ca_system":false,"about_ca_topic":false,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"bench_or_experimental","genre":"empirical","about_ca_system":false,"about_ca_topic":false,"confidence":"high"}],"label_agreement":"agree"},{"id":"W6982884772","doi":"","title":"La matérialité photographique","year":2020,"lang":"fr","type":"book","venue":"E-Artexte (Artexte)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exposition (narrative); Photography; Exhibition; Line drawings","score_opus":0.037237259527811414,"score_gpt":0.2535163489857888,"score_spread":0.21627908945797736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982884772","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00021232103,0.008280296,0.0016024081,0.0020345822,0.0015435108,0.00010847058,0.0024476731,0.0005497531,0.98322105],"genre_scores_gemma":[0.0010402454,0.0013154675,0.0005573683,0.00026737354,0.00018217333,0.000026701638,0.0005847075,0.00016581379,0.99586016],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996716,0.000035903497,0.0000070463725,0.00005815637,0.00018094029,0.000046479592],"domain_scores_gemma":[0.9996431,0.000059337013,0.000014212769,0.00003065117,0.00020847704,0.000044307006],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036909088,0.001071474,0.00050989696,0.001926897,0.0024128258,0.0036303424,0.0007825304,0.0013199408,0.497144],"category_scores_gemma":[0.00078618154,0.0005736076,0.00049091096,0.0020672872,0.0009507246,0.0016757901,0.00088949164,0.0022160427,0.22844361],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001107993,0.000010519078,0.000031017644,0.000056875095,0.0000013178229,0.000036492795,0.00007805193,0.00004521717,0.0004109431,0.01357302,0.9519584,0.033787157],"study_design_scores_gemma":[0.0000019675356,0.0000022792558,0.00016494546,0.000016021899,4.9085116e-7,0.000032813477,0.000015087945,0.000013420622,0.000058904447,0.0002793575,0.9994123,0.0000024446015],"about_ca_topic_score_codex":0.28264368,"about_ca_topic_score_gemma":0.41886067,"teacher_disagreement_score":0.497144,"about_ca_system_score_codex":0.005401607,"about_ca_system_score_gemma":0.0047523575,"threshold_uncertainty_score":0.717263},"labels":[],"label_agreement":null},{"id":"W6983094531","doi":"","title":"Les Marseillaises en performance poétique. \\n Les Marseillaises, Le Lieu, Centre en art actuel, Québec, 18-19 mai 2007","year":2007,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Field (mathematics); Context (archaeology); Relation (database); Work (physics); Perspective (graphical)","score_opus":0.010070562314560959,"score_gpt":0.18956814216357923,"score_spread":0.17949757984901826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983094531","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14085683,0.0614556,0.0018248096,0.06049435,0.0062775146,0.00018313779,0.006755412,0.0006331647,0.7215192],"genre_scores_gemma":[0.13921116,0.004584451,0.00080616615,0.00072390185,0.00021294247,0.000036841662,0.0005735487,0.00012067596,0.8537303],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992816,0.00010073897,0.000015684474,0.00008239729,0.00023459354,0.0002850442],"domain_scores_gemma":[0.99928635,0.00005892646,0.000057407928,0.000025423695,0.0003068077,0.00026499075],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006836258,0.000683719,0.00029119707,0.00061218493,0.0067214416,0.0026577257,0.0006432324,0.0011895632,0.085971326],"category_scores_gemma":[0.0014097402,0.00030549508,0.00025498064,0.0011039354,0.0013253449,0.00085440464,0.0013964848,0.001962401,0.0076273936],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022342309,0.00007108985,0.007718907,0.00026462507,0.000023930432,0.00060612394,0.011652251,0.0004301995,0.002057804,0.017568184,0.8204445,0.13893887],"study_design_scores_gemma":[0.0000062348477,0.000016909069,0.036366604,0.000077316894,0.0000029158393,0.00008680992,0.0032703618,0.000047433467,0.00022046949,0.00011185164,0.9597803,0.000012833817],"about_ca_topic_score_codex":0.9141666,"about_ca_topic_score_gemma":0.9798948,"teacher_disagreement_score":0.9141666,"about_ca_system_score_codex":0.017160779,"about_ca_system_score_gemma":0.016146736,"threshold_uncertainty_score":0.28760272},"labels":[],"label_agreement":null},{"id":"W6983209927","doi":"","title":"Los Conceptos de 'codificación' y 'estandarización' según las experiencias catalana y asturiana","year":2002,"lang":"es","type":"article","venue":"Universitat de Girona Digital Repository (Universitat de Girona)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Limiting; Work (physics); Government (linguistics); Population","score_opus":0.015395221093176696,"score_gpt":0.20460511802315387,"score_spread":0.18920989692997717,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983209927","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32102823,0.0097747,0.020340638,0.024329081,0.0006709301,0.000096522606,0.0004899477,0.00029526764,0.6229747],"genre_scores_gemma":[0.95133513,0.0015249124,0.0046215067,0.0008568411,0.000042164334,0.000046519024,0.00018917894,0.00006146827,0.041322205],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99806625,0.0009790114,0.000072066876,0.00027542826,0.00032003637,0.00028722116],"domain_scores_gemma":[0.99864644,0.00032696544,0.00015379612,0.00022253832,0.0004747321,0.00017549735],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002291376,0.000839646,0.00025659634,0.0012264316,0.0038267116,0.009042423,0.0015780524,0.0017420788,0.0033704403],"category_scores_gemma":[0.00164891,0.00022872334,0.00026384086,0.0017722684,0.018938012,0.0023013647,0.002657349,0.002216686,0.00069249055],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009494925,0.000027966882,0.007511856,0.00025210902,0.000023097346,0.00048494033,0.21271925,0.00076168426,0.00206638,0.704505,0.0124397995,0.05911294],"study_design_scores_gemma":[0.000030137431,0.00006481889,0.039305087,0.0007047148,0.000042610125,0.00071251334,0.18403988,0.0010006956,0.0010711291,0.056087546,0.7168424,0.00009846425],"about_ca_topic_score_codex":0.20235981,"about_ca_topic_score_gemma":0.18887123,"teacher_disagreement_score":0.20235981,"about_ca_system_score_codex":0.0144289555,"about_ca_system_score_gemma":0.007928852,"threshold_uncertainty_score":0.40236384},"labels":[],"label_agreement":null},{"id":"W6983254748","doi":"","title":"+91-9829791419$# Maaran Mantra To Kill, Remove, Destroy Enemy In Kedarnath, Rishikesh","year":2021,"lang":"en","type":"other","venue":"OSF Preprints (OSF Preprints)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mantra; MAGIC (telescope); Spell; nobody; Unicorn; Curse","score_opus":0.0246904051665658,"score_gpt":0.26487493138757606,"score_spread":0.24018452622101027,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983254748","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00142224,0.0008945629,0.00049114705,0.0025596267,0.0019484261,0.00008510139,0.000867,0.0013377914,0.9903942],"genre_scores_gemma":[0.0012383319,0.00023775175,0.00018200796,0.00041180532,0.00006608327,0.0000119916485,0.00020129835,0.00017025463,0.99748045],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99967206,0.000022310225,0.000011121064,0.00011358228,0.00010779989,0.000073112315],"domain_scores_gemma":[0.9990125,0.00009930659,0.000043156873,0.00005367422,0.00029189585,0.0004995552],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003474001,0.0009334872,0.0006650536,0.0006364314,0.002193928,0.003122075,0.00089581026,0.0013405329,0.9289538],"category_scores_gemma":[0.0009559983,0.00034770594,0.0003519541,0.0006359115,0.00040115777,0.0018561399,0.0023211883,0.0013833031,0.8994948],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008012025,0.000065388944,0.0003936998,0.00013365639,0.000003539065,0.00016235765,0.00014664799,0.000047524078,0.0011266192,0.001570691,0.869121,0.1271489],"study_design_scores_gemma":[0.0000075246003,0.00004539161,0.0006752265,0.00005394522,0.0000030636897,0.00018963419,0.00018482769,0.000041613544,0.00015868178,0.00014969816,0.9984848,0.000005603926],"about_ca_topic_score_codex":0.0019346433,"about_ca_topic_score_gemma":0.0047992216,"teacher_disagreement_score":0.07104617,"about_ca_system_score_codex":0.00052510016,"about_ca_system_score_gemma":0.00077220367,"threshold_uncertainty_score":0.101338744},"labels":[],"label_agreement":null},{"id":"W6983258065","doi":"","title":"L’utero dell’anima. Note su esegesi e corpo femminile in Gerolamo[The Uterus and the Soul. Notes on Female Body and Exegesis in Jerome]","year":2024,"lang":"en","type":"article","venue":"Research Padua  Archive (University of Padua)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exegesis; Virginity test; Asceticism; Quarter (Canadian coin); Coronation","score_opus":0.08052001856934424,"score_gpt":0.3104588225778398,"score_spread":0.22993880400849556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983258065","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.085416496,0.14557062,0.0018551484,0.10862765,0.0130349845,0.00006101694,0.000094603434,0.000096529424,0.6452429],"genre_scores_gemma":[0.76661605,0.012697007,0.0007320669,0.013242583,0.003673983,0.000043309257,0.000026822761,0.000102145816,0.202866],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996425,0.00017050118,0.000007958742,0.00006105081,0.00005194758,0.000065961074],"domain_scores_gemma":[0.9998128,0.00011186547,0.000027780849,0.000012396278,0.000010990048,0.00002420929],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005801777,0.00038458858,0.00017785025,0.00062157144,0.0045692422,0.0023874477,0.000399539,0.0023336802,0.0037964263],"category_scores_gemma":[0.0013828265,0.00022275506,0.0001605045,0.00030217637,0.008147839,0.0017204563,0.0016391292,0.002458814,0.0005359912],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013254184,0.00002871606,0.0011666626,0.00031597714,0.000008726073,0.0033497578,0.1983052,0.00012222886,0.0016197041,0.6051865,0.15074404,0.039019886],"study_design_scores_gemma":[0.000004918546,0.000024268578,0.0023256226,0.00014330176,0.0000036229267,0.000875129,0.019114476,0.00003641714,0.00029890728,0.008087852,0.9690766,0.000009036451],"about_ca_topic_score_codex":0.0077392096,"about_ca_topic_score_gemma":0.02272955,"teacher_disagreement_score":0.0077392096,"about_ca_system_score_codex":0.0014801867,"about_ca_system_score_gemma":0.00061327254,"threshold_uncertainty_score":0.01538831},"labels":[],"label_agreement":null},{"id":"W6983397409","doi":"","title":"Measurements of initial velocity in matrix assisted laser desorption/ionization (MALDI) and identification of wheat varieties using MALDI-TOF","year":2005,"lang":"en","type":"dissertation","venue":"Mspace (University of Manitoba)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Manitoba","funders":"","keywords":"Matrix (chemical analysis); Analytical Chemistry (journal); Extraction (chemistry); Mass spectrometry; Analyte; Kernel (algebra); Measure (data warehouse); Identification (biology)","score_opus":0.057473372039316344,"score_gpt":0.27776769718224276,"score_spread":0.2202943251429264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983397409","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81955826,0.0021096875,0.17170732,0.00011735599,0.00014580095,0.00029909823,0.00084659155,0.00089233374,0.0043235873],"genre_scores_gemma":[0.7356776,0.0024417697,0.24910116,0.00015662992,0.000022219827,0.00036006694,0.0023174079,0.00033535532,0.0095878355],"study_design_codex":"bench_or_experimental","study_design_gemma":"bench_or_experimental","domain_scores_codex":[0.9991609,0.000074402014,0.00006015412,0.0002324419,0.00037576363,0.000096298325],"domain_scores_gemma":[0.9984869,0.00038837086,0.00020220543,0.00007586566,0.00072125037,0.00012545071],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011552238,0.0007501971,0.0004036262,0.0012127149,0.0005161109,0.0010134107,0.0006784549,0.0006068291,0.0015967109],"category_scores_gemma":[0.002340326,0.00040623604,0.00027182035,0.0009438742,0.00039635788,0.0010703257,0.0005021682,0.0010552503,0.0008451391],"study_design_candidate":"bench_or_experimental","study_design_consensus":"bench_or_experimental","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000104063365,0.000026385113,0.0014050746,0.000041949916,0.0000061651945,0.000027908207,0.000085501626,0.000105580824,0.9932279,0.00015721927,0.000075326156,0.0047369897],"study_design_scores_gemma":[0.0000070251626,0.00022714786,0.010691758,0.0000105161,0.000011383232,0.00015590977,0.000107960324,0.0032830157,0.98364097,0.00012608957,0.0017135959,0.000024715746],"about_ca_topic_score_codex":0.0031327251,"about_ca_topic_score_gemma":0.0040007723,"teacher_disagreement_score":0.0031327251,"about_ca_system_score_codex":0.00079438207,"about_ca_system_score_gemma":0.0005139403,"threshold_uncertainty_score":0.0062289834},"labels":[],"label_agreement":null},{"id":"W6986475888","doi":"","title":"Pop Photographica: Photographâs Objects in Everyday Life 1842â1969","year":2003,"lang":"en","type":"article","venue":"Archivaria","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Everyday life; Object (grammar); Frame (networking)","score_opus":0.0277451061390114,"score_gpt":0.23152387587553727,"score_spread":0.20377876973652587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6986475888","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042362504,0.03130261,0.00059529534,0.008428398,0.0011530112,0.00006919525,0.0014782554,0.00016720845,0.9144435],"genre_scores_gemma":[0.42509547,0.036634408,0.0015668606,0.0014684199,0.001756382,0.00013790226,0.0012331809,0.00025505247,0.5318524],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997173,0.00009083086,0.000009557647,0.000037753598,0.00008757907,0.000057017056],"domain_scores_gemma":[0.9997968,0.00004964006,0.000026912547,0.000027286975,0.000032114895,0.000067312205],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041777646,0.00045203677,0.00011871595,0.0014671261,0.005228894,0.003948721,0.00031465056,0.0008761028,0.033108205],"category_scores_gemma":[0.000676476,0.00022103376,0.00009213216,0.0027922594,0.0030951912,0.0021206178,0.0023550012,0.0012683275,0.003693283],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011327082,0.00006174317,0.006732017,0.00079634285,0.000009483542,0.0014643879,0.19824444,0.000078475445,0.001891758,0.09271573,0.5062299,0.19166245],"study_design_scores_gemma":[0.0000014065091,0.0000049538594,0.0073443865,0.00009225916,9.357173e-7,0.00029778754,0.009109292,0.000003827812,0.000099707526,0.00029474768,0.98274785,0.0000028023255],"about_ca_topic_score_codex":0.042752247,"about_ca_topic_score_gemma":0.1254005,"teacher_disagreement_score":0.042752247,"about_ca_system_score_codex":0.0029501112,"about_ca_system_score_gemma":0.0012488592,"threshold_uncertainty_score":0.11075801},"labels":[],"label_agreement":null},{"id":"W6986485172","doi":"","title":"Postcard, LOVELIFE at Studio@620 in St. Petersburg, Florida","year":2017,"lang":"en","type":"article","venue":"Digital Commons - University of South Florida (University of South Florida)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Exhibition; Work (physics); Everyday life","score_opus":0.035980941948589446,"score_gpt":0.20629687499390692,"score_spread":0.17031593304531747,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6986485172","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005701598,0.0009653842,0.00019494664,0.0037313176,0.0015097741,0.00011333094,0.0025344433,0.0003666537,0.98488253],"genre_scores_gemma":[0.008036006,0.00042757636,0.000106254796,0.00027512445,0.00015408862,0.000025790088,0.00037728535,0.00009775282,0.99050015],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9999052,0.000008354769,0.0000018721257,0.00002439898,0.000030055395,0.00003010597],"domain_scores_gemma":[0.99984527,0.000014543768,0.0000063229704,0.000009726955,0.00003600091,0.00008807174],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014883692,0.00048452616,0.00017546311,0.000621884,0.0029790609,0.0017520706,0.00032360613,0.00068040646,0.7511367],"category_scores_gemma":[0.0003981865,0.00021036592,0.00013812166,0.00038630105,0.00028854536,0.0011951511,0.0011684257,0.0008900936,0.23096398],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005537486,0.00003004011,0.000363776,0.000038579914,0.0000014872811,0.00014943915,0.00019321055,0.00001589071,0.0007190455,0.001457107,0.95589733,0.041078705],"study_design_scores_gemma":[0.000007814312,0.000024456609,0.0024812364,0.000027692176,0.0000011501131,0.000068794456,0.00034133517,0.000029758427,0.0001627909,0.000103232735,0.9967489,0.000002793588],"about_ca_topic_score_codex":0.009456685,"about_ca_topic_score_gemma":0.058345463,"teacher_disagreement_score":0.7511367,"about_ca_system_score_codex":0.000830267,"about_ca_system_score_gemma":0.0005537233,"threshold_uncertainty_score":0.35497326},"labels":[],"label_agreement":null},{"id":"W6986596712","doi":"","title":"Postcard: Barnett's Place on U.S. 40N. Beloit, Kansas","year":2021,"lang":"en","type":"article","venue":"FHSU Scholars Repository (Fort Hays State University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Front (military); Handwriting; White (mutation); Window (computing); Quarter (Canadian coin)","score_opus":0.014444749780858657,"score_gpt":0.19064648947072654,"score_spread":0.17620173968986788,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6986596712","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001779736,0.00073481037,0.00014331967,0.0021513829,0.0027034755,0.000097754266,0.004429602,0.0005357683,0.9874241],"genre_scores_gemma":[0.00200102,0.00022060897,0.000043383643,0.00017374454,0.00007854317,0.000011867783,0.0005727897,0.000060967508,0.99683714],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99985063,0.000010620382,0.0000072763733,0.000030996558,0.000052433174,0.000047957794],"domain_scores_gemma":[0.9994766,0.00003506251,0.000018598239,0.000033982713,0.0002893096,0.00014647284],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019708014,0.0007321621,0.00043985996,0.0007542396,0.0034287826,0.0021856064,0.00053141516,0.0011389104,0.86153024],"category_scores_gemma":[0.0007621864,0.0004520247,0.00016023703,0.0010206855,0.00045730395,0.0017790282,0.0011666368,0.0010751596,0.63320696],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029628927,0.00001868903,0.00023214874,0.000027086468,6.319873e-7,0.000047366266,0.000057218163,0.000010781428,0.00012347802,0.00061125064,0.9824607,0.016380927],"study_design_scores_gemma":[0.000009479449,0.000016893304,0.0020853705,0.00005515554,0.0000012024809,0.000019862093,0.00021838566,0.000019731238,0.000053317093,0.000079809164,0.99743783,0.0000029231367],"about_ca_topic_score_codex":0.04715287,"about_ca_topic_score_gemma":0.18623029,"teacher_disagreement_score":0.86153024,"about_ca_system_score_codex":0.0014325952,"about_ca_system_score_gemma":0.0014779592,"threshold_uncertainty_score":0.1975103},"labels":[],"label_agreement":null},{"id":"W6986712616","doi":"","title":"ReClaiming Montreal’s Memory: Demolition and the Photography of Edith Mather","year":2013,"lang":"en","type":"other","venue":"eScholarship@McGill (McGill)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Demolition; Photography; Exposition (narrative); Perspective (graphical); Ethnography","score_opus":0.01779489561522409,"score_gpt":0.20788719092962213,"score_spread":0.19009229531439803,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6986712616","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0066628987,0.028792629,0.00059449626,0.109511726,0.007927928,0.0000485669,0.0003738843,0.00036636033,0.8457216],"genre_scores_gemma":[0.14789645,0.01238886,0.0008962857,0.009892975,0.0028267277,0.000044176766,0.00012918169,0.0005054534,0.8254197],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992939,0.00021055517,0.000014053829,0.00007882758,0.00020923345,0.00019341834],"domain_scores_gemma":[0.9988194,0.00024300153,0.000077536446,0.00014886081,0.00035620332,0.00035493035],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011461475,0.0007120235,0.0001746947,0.0015813826,0.009863757,0.0072522243,0.0013123563,0.002502719,0.07400914],"category_scores_gemma":[0.0046768566,0.0002412825,0.00018423163,0.0014042082,0.007308328,0.0033209363,0.0029980124,0.0026435405,0.0059659164],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001488076,0.0000050754206,0.00017249766,0.000064671265,0.0000026045102,0.00015945837,0.008474591,0.000033567012,0.000117337855,0.057352073,0.894472,0.039131224],"study_design_scores_gemma":[0.0000018564252,0.000002568477,0.00042317997,0.00007330442,0.0000014607981,0.00006445457,0.0032270437,0.000008893462,0.00006466834,0.0010995402,0.9950282,0.000004786795],"about_ca_topic_score_codex":0.5027243,"about_ca_topic_score_gemma":0.81209433,"teacher_disagreement_score":0.4972757,"about_ca_system_score_codex":0.0107770255,"about_ca_system_score_gemma":0.009850452,"threshold_uncertainty_score":0.99959624},"labels":[],"label_agreement":null},{"id":"W6986917113","doi":"","title":"Robert Graham, Three Montreal Photographers + — Robert Graham’s History of Photography in Montreal","year":2021,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Line drawings; Feature (linguistics); Ridiculous","score_opus":0.009360504433242442,"score_gpt":0.16476283339393874,"score_spread":0.1554023289606963,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6986917113","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005648085,0.1941946,0.0015805158,0.47781008,0.020750003,0.00006956126,0.00035500087,0.0001706494,0.2994215],"genre_scores_gemma":[0.13014497,0.0652481,0.0017129146,0.067312315,0.007727223,0.0000631099,0.0001323824,0.0003386944,0.7273202],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970974,0.0008242252,0.000060607257,0.00034800565,0.000978513,0.0006913284],"domain_scores_gemma":[0.99751663,0.00046538617,0.0001308822,0.00013319988,0.0009034782,0.000850349],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0030024054,0.0006810338,0.0004004349,0.001980664,0.012119302,0.009418509,0.001809067,0.0040535275,0.03268572],"category_scores_gemma":[0.006096389,0.00070069777,0.0003706079,0.0025686717,0.012408126,0.00492545,0.0037597064,0.006711898,0.003132515],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031974017,0.000018786108,0.00052398467,0.00009086929,0.000009792436,0.00018530687,0.0032286502,0.00006265124,0.00016389448,0.16024049,0.79706806,0.038375583],"study_design_scores_gemma":[0.0000030555302,0.0000027876506,0.00049725425,0.000058841786,0.0000024887786,0.000052715364,0.00086499495,0.000008242988,0.000055800465,0.0016550737,0.9967861,0.000012675406],"about_ca_topic_score_codex":0.74494606,"about_ca_topic_score_gemma":0.8618272,"teacher_disagreement_score":0.25505394,"about_ca_system_score_codex":0.031839088,"about_ca_system_score_gemma":0.02032691,"threshold_uncertainty_score":0.51311195},"labels":[],"label_agreement":null},{"id":"W6987406547","doi":"","title":"Street Improvement Photographs -- Box 48, Folder 29 (September 24, 1937 - October 23, 1937) -- print, 1937-09-24","year":2013,"lang":"en","type":"other","venue":"Spectrum Research Repository (Concordia University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Front (military); Photography; Line drawings; Legibility; Quarter (Canadian coin)","score_opus":0.036220973013292274,"score_gpt":0.26287928837916963,"score_spread":0.22665831536587736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987406547","genre_codex":"other","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"dataset","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00054422615,0.00043926918,0.0001762626,0.00037477294,0.00041991813,0.000051875548,0.0044064815,0.00033536728,0.99325186],"genre_scores_gemma":[0.0024853805,0.00029475693,0.00022915578,0.00005416523,0.000045896108,0.000017244245,0.0013237764,0.00020817349,0.99534154],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998714,0.000011132343,0.0000036955687,0.000020723213,0.00006549434,0.000027592785],"domain_scores_gemma":[0.9997191,0.000020797148,0.0000112176895,0.000028337956,0.00017156864,0.00004896056],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028294628,0.0004877053,0.00032544605,0.0014391465,0.002253636,0.0016620196,0.00037200924,0.00041217744,0.747967],"category_scores_gemma":[0.0008729376,0.00025685946,0.00019913509,0.0017868052,0.0004757931,0.00094186905,0.0007435905,0.0009973575,0.48224658],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001406985,0.0000070870888,0.00011726749,0.00002037615,4.7091905e-7,0.000017749408,0.00008812723,0.000009343947,0.00009876175,0.0017394024,0.98200697,0.01588028],"study_design_scores_gemma":[0.000002397083,0.0000041135836,0.0015807998,0.000037775684,6.657647e-7,0.000022859489,0.00015985066,0.000008693156,0.00010469375,0.00019559424,0.99788,0.0000024906117],"about_ca_topic_score_codex":0.043182064,"about_ca_topic_score_gemma":0.12972325,"teacher_disagreement_score":0.747967,"about_ca_system_score_codex":0.0022181494,"about_ca_system_score_gemma":0.0010700051,"threshold_uncertainty_score":0.35949445},"labels":[],"label_agreement":null},{"id":"W6987676768","doi":"","title":"Trois photographes montréalais + = Three Montréal Photographers +","year":2021,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Set (abstract data type); Photography; Relation (database)","score_opus":0.021144443032922084,"score_gpt":0.2097039632109821,"score_spread":0.18855952017806,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6987676768","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008128393,0.0021529924,0.0002830449,0.00044026345,0.00046665283,0.000045940775,0.0016168925,0.0003612726,0.99382013],"genre_scores_gemma":[0.0019191604,0.0005671393,0.00018271402,0.00005148999,0.000027957056,0.000010339526,0.00035194337,0.00010783243,0.99678135],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999729,0.000024348657,0.000004963288,0.000052764564,0.00013209073,0.00005679294],"domain_scores_gemma":[0.99979633,0.000021952137,0.000007838996,0.000020692178,0.000087417924,0.00006579561],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027597445,0.0011125385,0.00037241483,0.0014709185,0.0033254276,0.0046396586,0.0008310984,0.0009067044,0.67381954],"category_scores_gemma":[0.00044738816,0.000600595,0.00040266462,0.0024557854,0.00071544753,0.0019599576,0.0012294814,0.0013091025,0.21394396],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024769162,0.00001625365,0.00030064484,0.000081259735,0.0000024776284,0.000052534375,0.00018805281,0.00008157933,0.0003653173,0.010808527,0.89875865,0.089319915],"study_design_scores_gemma":[0.00000327428,0.000004555922,0.0010399986,0.000019904706,0.0000012017074,0.00003447438,0.00010389462,0.000029477289,0.00011974883,0.00022386092,0.99841547,0.0000040532336],"about_ca_topic_score_codex":0.50893563,"about_ca_topic_score_gemma":0.8330323,"teacher_disagreement_score":0.67381954,"about_ca_system_score_codex":0.005531484,"about_ca_system_score_gemma":0.0037325555,"threshold_uncertainty_score":0.9879127},"labels":[],"label_agreement":null},{"id":"W6988071593","doi":"","title":"Visual Storytelling in the Context of Marshall McLuhan’s Media Theory: Rita Leistner and Her Socially Engaged Photography","year":2021,"lang":"en","type":"article","venue":"Roger Williams University - Digital Commons (Roger Williams University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photojournalism; Storytelling; Context (archaeology); Meaning (existential); Photography; The arts; Field (mathematics); Character (mathematics)","score_opus":0.023033710954039912,"score_gpt":0.20125854495323436,"score_spread":0.17822483399919445,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6988071593","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07755352,0.034400284,0.013724156,0.18944009,0.0016571508,0.00014423198,0.00010005894,0.00013908114,0.6828415],"genre_scores_gemma":[0.9310421,0.007717957,0.004384231,0.008932264,0.0007930727,0.00024414537,0.00003958592,0.00021675116,0.046629846],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9921903,0.006355366,0.00007844484,0.00044343472,0.00046998909,0.00046242247],"domain_scores_gemma":[0.9925299,0.0057695135,0.00041522493,0.00036313245,0.0003604397,0.0005618395],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0061742417,0.00088194176,0.0004970237,0.0028199996,0.01825104,0.021187274,0.0027158712,0.0051985583,0.0056431927],"category_scores_gemma":[0.008755166,0.0006542017,0.00044276682,0.0017474208,0.060945563,0.016616942,0.009826997,0.008153973,0.0008207678],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018301811,0.00002955886,0.00022372979,0.00008615087,0.0000060108046,0.00052838185,0.420649,0.0001124896,0.00017941158,0.55777717,0.013600201,0.006789587],"study_design_scores_gemma":[0.0000216557,0.000036826066,0.0005700202,0.0006535064,0.0000145379245,0.000775943,0.3028101,0.00039560808,0.00047103976,0.18028131,0.5139212,0.000048350943],"about_ca_topic_score_codex":0.026299974,"about_ca_topic_score_gemma":0.03234422,"teacher_disagreement_score":0.026299974,"about_ca_system_score_codex":0.012085147,"about_ca_system_score_gemma":0.0034961149,"threshold_uncertainty_score":0.08768433},"labels":[],"label_agreement":null},{"id":"W6989156510","doi":"","title":"Andrea Kunard, La photographie au Musée des beaux-arts du Canada : un entretien d’Hélène Samson","year":2024,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Context (archaeology); Work (physics)","score_opus":0.0061692840240455795,"score_gpt":0.15824861130550963,"score_spread":0.15207932728146406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989156510","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018778441,0.2945462,0.0017965423,0.42899677,0.01192639,0.00014670132,0.00093095226,0.000108783985,0.24276921],"genre_scores_gemma":[0.25311357,0.18493584,0.0021356435,0.059496403,0.0023030145,0.00021107493,0.0003232868,0.0003951289,0.49708602],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974177,0.00083278044,0.00007416597,0.0002557283,0.0010041802,0.00041546737],"domain_scores_gemma":[0.9967784,0.0011673305,0.00016171225,0.000085886444,0.0013385253,0.00046814457],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021093725,0.0006880908,0.0003830551,0.0017803989,0.017576998,0.0062506148,0.0013778816,0.003597971,0.018537983],"category_scores_gemma":[0.005512959,0.00057839707,0.0002872457,0.0027052434,0.0061786966,0.0055718822,0.0024898814,0.004854975,0.002250486],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041322575,0.000026493852,0.0014874312,0.00040872264,0.00001428397,0.0006051577,0.0905569,0.00007945637,0.00062333816,0.057772454,0.815051,0.033333413],"study_design_scores_gemma":[0.000002817259,0.0000034152904,0.0029866893,0.00024820527,0.0000036178528,0.00013365086,0.033733018,0.00001455748,0.00019608717,0.0007580034,0.96189415,0.000025739764],"about_ca_topic_score_codex":0.83733416,"about_ca_topic_score_gemma":0.92856914,"teacher_disagreement_score":0.16266584,"about_ca_system_score_codex":0.02353857,"about_ca_system_score_gemma":0.02165115,"threshold_uncertainty_score":0.32724762},"labels":[],"label_agreement":null},{"id":"W6991432788","doi":"","title":"Geoffrey James, Canadian Photographs — A Weakness for Places","year":2025,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Weakness; Line drawings","score_opus":0.007569524131340313,"score_gpt":0.17428974030423636,"score_spread":0.16672021617289604,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6991432788","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019905178,0.13834219,0.0021053161,0.18670346,0.030457065,0.00019747808,0.005374703,0.00047837917,0.6343509],"genre_scores_gemma":[0.033739053,0.07862788,0.0031749257,0.016889641,0.0028679615,0.00007885815,0.0015988564,0.0005372543,0.8624856],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99734527,0.00024360837,0.00009269948,0.00021555045,0.0018072113,0.00029564454],"domain_scores_gemma":[0.99092835,0.00054357835,0.00021695835,0.00031688175,0.007404491,0.00058967294],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002032653,0.00082481926,0.0003612164,0.0042163767,0.0136697525,0.0060184337,0.0014029532,0.0023340764,0.09192947],"category_scores_gemma":[0.0062186397,0.0007636448,0.00032641058,0.0059951926,0.0043647024,0.0051969257,0.002173252,0.0038818058,0.022936847],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009015757,0.0000022540146,0.00014092101,0.00009443555,0.0000020111656,0.000043024575,0.0006650444,0.000017591128,0.0001315278,0.005302647,0.9767181,0.01687347],"study_design_scores_gemma":[0.0000011183843,8.728845e-7,0.0010185959,0.00013044487,0.0000020682162,0.000044904747,0.0010930639,0.0000039162,0.00007927984,0.00025855316,0.9973592,0.000007878131],"about_ca_topic_score_codex":0.9384376,"about_ca_topic_score_gemma":0.9796371,"teacher_disagreement_score":0.09192947,"about_ca_system_score_codex":0.021521995,"about_ca_system_score_gemma":0.026238253,"threshold_uncertainty_score":0.3075347},"labels":[],"label_agreement":null},{"id":"W6991647275","doi":"","title":"H13-1829.50. Hoekstra, Thomas A. Photographs, 1912-1919. Digital.","year":2014,"lang":"en","type":"article","venue":"Hope College Digital Commons (Hope College)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Crew; Centennial; Cruise; Albatross; Midnight","score_opus":0.022273209579138115,"score_gpt":0.2303241538293949,"score_spread":0.20805094425025678,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6991647275","genre_codex":"other","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"dataset","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003515332,0.0041906554,0.0001776483,0.0005230993,0.0019810277,0.000056352343,0.008552272,0.00024690756,0.9839204],"genre_scores_gemma":[0.0016303054,0.0013966376,0.000101284124,0.00013232724,0.00016324018,0.000021663596,0.0014607596,0.000086610766,0.99500716],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99980825,0.000014834299,0.000008478219,0.00003524885,0.00009604017,0.00003711977],"domain_scores_gemma":[0.9998087,0.000019762152,0.000011045778,0.000020887846,0.00010159814,0.000038006652],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019256138,0.0009236465,0.00031106954,0.0016755923,0.0014908116,0.0022156811,0.00069938716,0.0009828322,0.7288136],"category_scores_gemma":[0.00073016266,0.00044948678,0.0003129307,0.0029082915,0.00050625554,0.0017601278,0.0011720737,0.0012926753,0.46903512],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033642795,0.000013234815,0.00013724735,0.000102787635,0.0000021967,0.00004789615,0.000090091715,0.000032824995,0.00015312641,0.001651239,0.94738317,0.05035261],"study_design_scores_gemma":[0.000002233621,0.0000041699336,0.00076010573,0.00005346023,7.122414e-7,0.00002554638,0.00005929433,0.000006509982,0.000028857346,0.00010575439,0.9989517,0.0000016052352],"about_ca_topic_score_codex":0.037469268,"about_ca_topic_score_gemma":0.13429673,"teacher_disagreement_score":0.7288136,"about_ca_system_score_codex":0.001450854,"about_ca_system_score_gemma":0.00083457446,"threshold_uncertainty_score":0.38681448},"labels":[],"label_agreement":null},{"id":"W6992565317","doi":"","title":"Luce Lebart, Institut canadien de la photographie (ICP) : Une entrevue de Carol Payne","year":2017,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Triacetin; Emperipolesis; Durvalumab","score_opus":0.008519387293179323,"score_gpt":0.18703597547005624,"score_spread":0.1785165881768769,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6992565317","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0033213072,0.2748739,0.0034286326,0.5704751,0.10123973,0.00007664393,0.0007011354,0.00052105344,0.04536241],"genre_scores_gemma":[0.07739621,0.11118802,0.0045706895,0.0918934,0.063992955,0.00019582985,0.00047695672,0.0013496839,0.6489363],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9939587,0.0014611183,0.0002400715,0.0011885064,0.002372188,0.00077947794],"domain_scores_gemma":[0.9876078,0.0030095524,0.0005511383,0.00030940378,0.004071182,0.0044510355],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006055868,0.0017937559,0.0012893012,0.002278695,0.0059666885,0.009798165,0.0016213205,0.00634786,0.05184227],"category_scores_gemma":[0.01551679,0.0006419986,0.0006085194,0.0014534005,0.0031316157,0.005596173,0.004508827,0.00798174,0.016193092],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014731515,0.000068162124,0.00086992694,0.00038852703,0.00002291915,0.0005383613,0.0016438583,0.00021956071,0.0008639914,0.029581796,0.9238481,0.0418075],"study_design_scores_gemma":[0.000007940507,0.0000085673155,0.0006645371,0.0001316001,0.0000030855308,0.00033182188,0.00068542844,0.000047199574,0.00021877523,0.0007830724,0.99710196,0.000015958876],"about_ca_topic_score_codex":0.060688086,"about_ca_topic_score_gemma":0.04460689,"teacher_disagreement_score":0.9393119,"about_ca_system_score_codex":0.008150534,"about_ca_system_score_gemma":0.011261889,"threshold_uncertainty_score":0.17342967},"labels":[],"label_agreement":null},{"id":"W6993011999","doi":"","title":"\\n Autoportraits dans la photographie canadienne contemporaine, Éditions J’ai Vu, collection L’opposite, Québec, 2004, 111 p.","year":2005,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Triacetin; Emperipolesis; Fusible alloy","score_opus":0.005835053821768187,"score_gpt":0.16933914197575195,"score_spread":0.16350408815398376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6993011999","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0028794291,0.5562407,0.0021832588,0.024113325,0.01308944,0.000074450465,0.008773254,0.0004373102,0.39220884],"genre_scores_gemma":[0.027640535,0.17744067,0.003036127,0.0027007065,0.0018546006,0.000067202986,0.0034233995,0.0005480943,0.7832886],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99941695,0.00006853899,0.000027225515,0.00006831621,0.0003485384,0.000070437556],"domain_scores_gemma":[0.9987526,0.00021278633,0.000048434795,0.0000916241,0.00082129124,0.00007329599],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00074845116,0.00097629457,0.000585516,0.004162782,0.004889747,0.0051332074,0.0008549796,0.0012496664,0.078767695],"category_scores_gemma":[0.0020230291,0.0005134196,0.0004598794,0.009293965,0.0020604793,0.0023451417,0.000899428,0.0016842338,0.012956309],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018853494,0.000006789193,0.00043059548,0.00026535187,0.000008629207,0.000056240093,0.00096654287,0.00006977899,0.00023386,0.0071565183,0.94014126,0.050645553],"study_design_scores_gemma":[0.0000022018567,0.0000015063206,0.0027005968,0.00019646088,0.0000031678267,0.00005692289,0.00057837524,0.000023971501,0.00010161945,0.0003171899,0.9960115,0.00000652337],"about_ca_topic_score_codex":0.9288178,"about_ca_topic_score_gemma":0.9792956,"teacher_disagreement_score":0.078767695,"about_ca_system_score_codex":0.020519841,"about_ca_system_score_gemma":0.015262196,"threshold_uncertainty_score":0.26350415},"labels":[],"label_agreement":null},{"id":"W6993119568","doi":"","title":"Truth in Framing","year":2005,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Demotion","score_opus":0.017576511803109436,"score_gpt":0.23394072770940633,"score_spread":0.2163642159062969,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6993119568","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03209839,0.013420041,0.05766515,0.061395388,0.0018449406,0.00006947536,0.00028146448,0.0001070998,0.833118],"genre_scores_gemma":[0.954543,0.0021887857,0.008539365,0.0028397506,0.0008993066,0.00011892399,0.00018446943,0.00015853364,0.030527854],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99140245,0.0053892815,0.00027684093,0.0012485265,0.0009128767,0.0007701123],"domain_scores_gemma":[0.99008816,0.0068504196,0.0005139101,0.0012409033,0.0009560468,0.00035059915],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010093644,0.00063989294,0.0007763096,0.0026625672,0.008752641,0.013149235,0.0013237472,0.0049927975,0.014904908],"category_scores_gemma":[0.025803,0.0007371458,0.0005409582,0.0022590936,0.0381882,0.019889409,0.0047989325,0.0058531174,0.0012722034],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000089046625,0.000002556431,0.00007010074,0.000013786419,0.000001320427,0.000017038607,0.0039935037,0.000056720117,0.000018828461,0.99242365,0.0016688954,0.0017246483],"study_design_scores_gemma":[0.000011470941,0.0000049223295,0.00011205596,0.00008856346,0.000005761601,0.00002975435,0.0027060208,0.00020122215,0.00008038863,0.95733654,0.03941622,0.0000070202154],"about_ca_topic_score_codex":0.010695019,"about_ca_topic_score_gemma":0.005833243,"teacher_disagreement_score":0.014904908,"about_ca_system_score_codex":0.006694097,"about_ca_system_score_gemma":0.0034807723,"threshold_uncertainty_score":0.053380907},"labels":[],"label_agreement":null},{"id":"W6994327986","doi":"","title":"Sites of Assembly","year":2017,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Canada Council for the Arts","keywords":"Exhibition; Photography; Test (biology); Patriarchy; Nationalism; Public history","score_opus":0.052665637376947794,"score_gpt":0.2761877780190226,"score_spread":0.22352214064207482,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6994327986","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00084858376,0.0016854213,0.0012759664,0.0014915239,0.002330344,0.00012786457,0.0015552726,0.0006308906,0.990054],"genre_scores_gemma":[0.008779224,0.00075028185,0.0007689798,0.0003811167,0.00031061404,0.00014362187,0.0013204381,0.00057960534,0.98696613],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894804,0.00020264773,0.000039721075,0.0002198265,0.00036987042,0.00021980761],"domain_scores_gemma":[0.9989767,0.00011526694,0.000051073548,0.0002617919,0.00032253138,0.0002727173],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00095803296,0.0006646845,0.00042629056,0.0021784108,0.00852404,0.007271732,0.0012752296,0.0010148184,0.3028447],"category_scores_gemma":[0.002614159,0.0004920376,0.0004920048,0.0036375937,0.0023958154,0.0040994873,0.0063248593,0.0029451333,0.14815252],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021211565,0.00000851316,0.00019193205,0.00007221605,0.0000014413165,0.00009453548,0.002726808,0.000024292985,0.00014178955,0.057911124,0.89277476,0.04603147],"study_design_scores_gemma":[6.533023e-7,0.0000013043244,0.00018292585,0.000028974584,3.3431377e-7,0.00003536898,0.0003367134,0.000003985847,0.00001651736,0.00033675213,0.99905485,0.0000016404985],"about_ca_topic_score_codex":0.014387521,"about_ca_topic_score_gemma":0.032848656,"teacher_disagreement_score":0.3028447,"about_ca_system_score_codex":0.0026871203,"about_ca_system_score_gemma":0.0039315363,"threshold_uncertainty_score":0.9944074},"labels":[],"label_agreement":null},{"id":"W6995767703","doi":"","title":"Photographs: Whence veracity","year":2007,"lang":"en","type":"article","venue":"USC Research Bank (University of the Sunshine Coast)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Government (linguistics); Focus (optics); Quarter (Canadian coin); Digital imaging; Digital photography","score_opus":0.10292720287829299,"score_gpt":0.30415597043182757,"score_spread":0.20122876755353458,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6995767703","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020177705,0.031251736,0.020443926,0.26371893,0.014780674,0.00005906028,0.00017660379,0.00025328615,0.64913803],"genre_scores_gemma":[0.8483347,0.016713029,0.0063702995,0.03198273,0.0063736476,0.000106247004,0.000118220385,0.0007273216,0.089273654],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98893774,0.0063874726,0.0004480764,0.00093055976,0.002662865,0.0006331636],"domain_scores_gemma":[0.98145205,0.011139181,0.0013695686,0.002832314,0.002362302,0.000844608],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00856829,0.0005212275,0.0005128244,0.0020605705,0.0067830025,0.017615493,0.0011868875,0.0037545057,0.017348623],"category_scores_gemma":[0.0454744,0.00043386573,0.0003474026,0.0017504735,0.04503784,0.03302295,0.008462283,0.0086772535,0.0028928898],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034587054,0.000008092557,0.00060746795,0.00013635449,0.000010458424,0.00015053361,0.028573578,0.00013336692,0.00021426914,0.8957437,0.03955134,0.034836136],"study_design_scores_gemma":[0.000011325134,0.000029859788,0.00072666456,0.001047719,0.000016381002,0.00041291182,0.032837972,0.00016693269,0.00046567485,0.2848736,0.67937475,0.000036206264],"about_ca_topic_score_codex":0.0064399205,"about_ca_topic_score_gemma":0.006142186,"teacher_disagreement_score":0.017615493,"about_ca_system_score_codex":0.004908507,"about_ca_system_score_gemma":0.002268905,"threshold_uncertainty_score":0.058036923},"labels":[],"label_agreement":null},{"id":"W6995836763","doi":"","title":"Photograph of Richard, Iris and Albert Sloman [n.d.]","year":2011,"lang":"en","type":"article","venue":"Brock University Digital Repository (Brock University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; Dysgeusia; TSG101; Liquation; Diafiltration; Triacetin; Durvalumab; Emperipolesis","score_opus":0.02078363425730651,"score_gpt":0.17803335507775703,"score_spread":0.15724972082045052,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6995836763","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009882243,0.0064056935,0.00045595365,0.008678189,0.006058609,0.00009290371,0.001980286,0.0003801964,0.97495985],"genre_scores_gemma":[0.0059425356,0.0024274625,0.00036741534,0.0011450041,0.00047232187,0.00002389134,0.0007614184,0.00012558103,0.98873436],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998123,0.000018610306,0.0000053248223,0.000032456697,0.00009954632,0.000031771102],"domain_scores_gemma":[0.99938154,0.000031210748,0.00002428126,0.000036605332,0.00039874695,0.00012761333],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00033245687,0.000505446,0.0003975188,0.0010560286,0.0034415887,0.0016062955,0.00054069044,0.0007860063,0.42237315],"category_scores_gemma":[0.0010225499,0.0003902417,0.00029325482,0.0012463316,0.0005256179,0.0012261302,0.001127891,0.0018684657,0.187417],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014022222,0.0000030756032,0.00005561993,0.000021335303,6.102208e-7,0.00003909188,0.00008299264,0.000011287607,0.00013402045,0.00039319397,0.99121124,0.008033527],"study_design_scores_gemma":[0.0000023153375,0.000004773663,0.00086494046,0.000035566634,0.0000012670051,0.000069995695,0.00019033137,0.0000104830215,0.000047547277,0.00006363889,0.9987067,0.0000024193266],"about_ca_topic_score_codex":0.091220595,"about_ca_topic_score_gemma":0.25337604,"teacher_disagreement_score":0.9087794,"about_ca_system_score_codex":0.0015478691,"about_ca_system_score_gemma":0.0011839399,"threshold_uncertainty_score":0.8239146},"labels":[],"label_agreement":null},{"id":"W6996595202","doi":"","title":"Sorel Cohen : Métaphores conceptuelles","year":2022,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conjunction (astronomy); Exhibition; Relation (database); Subject (documents)","score_opus":0.029595551146708324,"score_gpt":0.23919120470528463,"score_spread":0.2095956535585763,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6996595202","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0036172718,0.084675334,0.005464085,0.03980021,0.004861568,0.00003401752,0.00012427603,0.00017095111,0.86125225],"genre_scores_gemma":[0.50890684,0.057603456,0.008124295,0.018647255,0.003231398,0.0003050086,0.00019732221,0.000518848,0.40246555],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99787366,0.0011399632,0.000030534182,0.0002321161,0.0005117043,0.00021188801],"domain_scores_gemma":[0.99913484,0.00043491376,0.00007411927,0.00005329348,0.00021448372,0.00008837975],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018116721,0.0010173116,0.0003945512,0.0018028292,0.0066732317,0.007862965,0.0012011233,0.0025455083,0.010189891],"category_scores_gemma":[0.003292696,0.0004434587,0.00034662598,0.0020882227,0.02087749,0.007939527,0.0026782956,0.005706654,0.0025268833],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008389656,0.000004532895,0.0000343629,0.00005188485,0.0000012445173,0.000087891036,0.009121777,0.000023673561,0.00008577992,0.9057695,0.07705618,0.007754752],"study_design_scores_gemma":[0.0000053780773,0.0000030507829,0.00007696694,0.00015632584,0.0000013718864,0.00017290417,0.0051471386,0.00005593417,0.00007249756,0.04851217,0.9457893,0.000006983591],"about_ca_topic_score_codex":0.05542183,"about_ca_topic_score_gemma":0.057255108,"teacher_disagreement_score":0.05542183,"about_ca_system_score_codex":0.015292648,"about_ca_system_score_gemma":0.0062436876,"threshold_uncertainty_score":0.11095643},"labels":[],"label_agreement":null},{"id":"W6998632117","doi":"","title":"‘Art is all over’: The Hybrid Landscapes of Canadian Post-Centennial Photography","year":2017,"lang":"en","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Photojournalism; Field (mathematics); Narrative","score_opus":0.02078891829010908,"score_gpt":0.22654082868370737,"score_spread":0.2057519103935983,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6998632117","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26106957,0.005753863,0.0011082687,0.030889163,0.0006335835,0.000043887776,0.00028561277,0.000073484036,0.7001427],"genre_scores_gemma":[0.96181035,0.001137315,0.00049070164,0.0008560817,0.000053858686,0.000010886889,0.000052278403,0.00007541355,0.03551313],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976484,0.00043805272,0.000028275783,0.00019532314,0.0006579927,0.0010318641],"domain_scores_gemma":[0.9983133,0.0003256063,0.00008168035,0.00015428032,0.00053858524,0.00058650906],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002197343,0.0004886588,0.0003252854,0.0030231504,0.04300117,0.023008209,0.0017455766,0.0019449133,0.018825265],"category_scores_gemma":[0.0031116134,0.00036255532,0.0003358699,0.004960042,0.029135114,0.0036928335,0.0072789267,0.003611158,0.0006484638],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009677863,0.00002223666,0.0032367343,0.00011151216,0.000017064338,0.0007437662,0.61307526,0.00019627143,0.0009612619,0.2912959,0.0464951,0.0437482],"study_design_scores_gemma":[0.0000050865387,0.000010629177,0.015133183,0.00016509197,0.000017656592,0.00037330005,0.4677818,0.00010698867,0.00019492784,0.0064364695,0.5097182,0.000056773915],"about_ca_topic_score_codex":0.9691731,"about_ca_topic_score_gemma":0.9912341,"teacher_disagreement_score":0.06711157,"about_ca_system_score_codex":0.06711157,"about_ca_system_score_gemma":0.05296184,"threshold_uncertainty_score":0.4869308},"labels":[],"label_agreement":null},{"id":"W6999895493","doi":"","title":"Disraeli revisite. Chronique d’un evenement photographique quebecois.\\nMusee McCord Stewart, Montreal (28.10.2022 — 19.02.2023)","year":2023,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Event (particle physics); Power (physics); Context (archaeology); Period (music)","score_opus":0.010401229110775626,"score_gpt":0.19007044764378506,"score_spread":0.17966921853300943,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6999895493","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004885129,0.36925322,0.0006368093,0.09585765,0.035546917,0.00015886713,0.009492338,0.00044665489,0.48372242],"genre_scores_gemma":[0.07532216,0.08812665,0.00095219404,0.00687523,0.003685289,0.00010333855,0.0033144185,0.00053409603,0.8210866],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99863356,0.00013723157,0.000037521037,0.000143324,0.00065654784,0.00039178587],"domain_scores_gemma":[0.9978131,0.00014232969,0.00014185636,0.000119243094,0.0011984362,0.0005849418],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013249044,0.00082954456,0.0004620267,0.0030673526,0.0079683475,0.006234587,0.0014378005,0.0021131206,0.11709154],"category_scores_gemma":[0.0025169835,0.0005568611,0.0003448629,0.005815073,0.0037754762,0.0029022954,0.0025929,0.0038751054,0.010947304],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016926215,0.0000036940103,0.0004824687,0.00010870722,0.000003344132,0.00009013451,0.00109894,0.000028154602,0.000109369095,0.0062033744,0.97253484,0.019320035],"study_design_scores_gemma":[0.0000012546376,0.0000012946036,0.00234361,0.00009516404,0.0000010275419,0.000029449227,0.0006213206,0.000005794524,0.000033385724,0.00009990031,0.99676126,0.000006519819],"about_ca_topic_score_codex":0.9599351,"about_ca_topic_score_gemma":0.9839093,"teacher_disagreement_score":0.11709154,"about_ca_system_score_codex":0.04218831,"about_ca_system_score_gemma":0.03442513,"threshold_uncertainty_score":0.39171022},"labels":[],"label_agreement":null},{"id":"W6999988091","doi":"","title":"Doubled Sense of Resistance:&#13;\\nThe Makortoff Family Collection of Photographs of Doukhobor Daily Life 1920 – 1950","year":2011,"lang":"en","type":"dissertation","venue":"Spectrum Research Repository (Concordia University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reading (process); Modernity; Mainstream; Negotiation; Agency (philosophy); State (computer science); Family life","score_opus":0.04576542164677603,"score_gpt":0.2681844471354777,"score_spread":0.22241902548870165,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6999988091","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7288898,0.011731285,0.0015129377,0.006918716,0.000722248,0.00025436698,0.010912128,0.00012390816,0.23893452],"genre_scores_gemma":[0.8469724,0.007115088,0.0023419722,0.0006549318,0.0000622873,0.00014671986,0.003364656,0.00020080408,0.1391411],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99969673,0.00007929774,0.000013223072,0.000053764947,0.000086849584,0.00007010438],"domain_scores_gemma":[0.99965906,0.000056913555,0.00003435895,0.00005429575,0.00014046278,0.000054899527],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005028855,0.00026715634,0.0001459565,0.0017867873,0.008684717,0.0024384952,0.00036543564,0.00027826885,0.008230997],"category_scores_gemma":[0.00081353285,0.00024851403,0.0000850035,0.0025790697,0.0018054782,0.0010591863,0.0012998118,0.0005485744,0.00084803515],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000119323144,0.00002216432,0.0152745135,0.000349074,0.000017438566,0.002019511,0.6512283,0.00009592183,0.0051250136,0.011365423,0.21522096,0.0991624],"study_design_scores_gemma":[0.0000013855202,0.000007094794,0.063823685,0.00024456787,0.000008757744,0.00070509844,0.24409081,0.000025231046,0.0008766418,0.00022759195,0.68996775,0.000021313052],"about_ca_topic_score_codex":0.5947931,"about_ca_topic_score_gemma":0.8893064,"teacher_disagreement_score":0.40520692,"about_ca_system_score_codex":0.006655274,"about_ca_system_score_gemma":0.004240097,"threshold_uncertainty_score":0.8151865},"labels":[],"label_agreement":null},{"id":"W7000564073","doi":"","title":"Exhibition floor talk | Disruptive Immersion","year":2023,"lang":"en","type":"article","venue":"Australasian Journal of Paramedicine","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Photography; Wife; Bachelor; Art gallery","score_opus":0.04091430065888425,"score_gpt":0.2992542440996093,"score_spread":0.2583399434407251,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7000564073","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01935969,0.0055759856,0.004021981,0.040166426,0.08725283,0.0006806075,0.007963933,0.0047615077,0.8302172],"genre_scores_gemma":[0.09364578,0.0037527632,0.0018227543,0.010211469,0.03354255,0.0007011549,0.004040627,0.0021033345,0.85017955],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951863,0.00010454833,0.000019779643,0.000071559516,0.00013602553,0.0001493934],"domain_scores_gemma":[0.99918705,0.00016208168,0.00004858436,0.00008134867,0.00017302888,0.00034786988],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008705536,0.0011866519,0.00036201326,0.000584952,0.002332317,0.0028989122,0.00070498587,0.0018851382,0.31238216],"category_scores_gemma":[0.0019169772,0.00025875604,0.0008577846,0.00037532175,0.0008064055,0.0020384302,0.0063020675,0.0037449917,0.07954919],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024386175,0.000056659414,0.0002957703,0.00026402992,0.000009973351,0.0004387703,0.00095283025,0.00007046061,0.0021425898,0.0013773794,0.97410893,0.02003885],"study_design_scores_gemma":[0.000018076125,0.00007796678,0.0011019629,0.0001387154,0.0000043016817,0.0003498906,0.0007088349,0.000055689325,0.0004688396,0.00037504165,0.99668676,0.000013908106],"about_ca_topic_score_codex":0.0010205626,"about_ca_topic_score_gemma":0.0028127506,"teacher_disagreement_score":0.31238216,"about_ca_system_score_codex":0.00049863185,"about_ca_system_score_gemma":0.00048675112,"threshold_uncertainty_score":0.9808034},"labels":[],"label_agreement":null},{"id":"W7001786735","doi":"","title":"Les lieux des savoirs photographiques, Montréal, FAEP et Artexte, 2021–2023, sept tomes","year":2025,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Photography; Doors; Theme (computing)","score_opus":0.01412670734054253,"score_gpt":0.21409522326949793,"score_spread":0.1999685159289554,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7001786735","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11183369,0.094160624,0.0045613516,0.02329085,0.0043742475,0.00061619014,0.08980815,0.0011314561,0.6702235],"genre_scores_gemma":[0.20587245,0.01348356,0.0044206358,0.0004658907,0.00029905257,0.0001897427,0.00901715,0.00031856925,0.76593286],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993735,0.000052788277,0.000011355307,0.000090632915,0.0003037602,0.0001679984],"domain_scores_gemma":[0.99886656,0.00011697203,0.00008113596,0.00004640396,0.000627148,0.0002618649],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006718846,0.00060900743,0.00023914177,0.002341521,0.0037926787,0.0029372035,0.0008355543,0.0006998976,0.087856755],"category_scores_gemma":[0.0021852467,0.0005420514,0.00032634896,0.0045629893,0.0012593642,0.0012159675,0.0012180164,0.0017103024,0.005545437],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002582202,0.000051843403,0.016754843,0.00068135856,0.000053906253,0.0006511156,0.0074471044,0.0006219192,0.0027661924,0.014800537,0.78857505,0.16733794],"study_design_scores_gemma":[0.000010619016,0.0000116386755,0.1393399,0.00013072038,0.0000074160616,0.0001415333,0.0019173102,0.0000669755,0.0006939201,0.00025531912,0.85740393,0.000020713069],"about_ca_topic_score_codex":0.9447872,"about_ca_topic_score_gemma":0.9819661,"teacher_disagreement_score":0.087856755,"about_ca_system_score_codex":0.023630325,"about_ca_system_score_gemma":0.018279657,"threshold_uncertainty_score":0.29391015},"labels":[],"label_agreement":null},{"id":"W7002171789","doi":"","title":"Lynne Cohen, nothing is hidden [Scotiabank Photography Award ; on the occassion of the Awarding of the 2011 Scotiabank Photography Award to Lynne Cohen and an exhibition at the Design Exchange, Toronto from May 3 to June 30, 2012]","year":2012,"lang":"en","type":"article","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nothing; Photography; Exhibition; Performance art","score_opus":0.050245382979659456,"score_gpt":0.2725248272199075,"score_spread":0.22227944424024804,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7002171789","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023523632,0.032247495,0.0011295737,0.43239382,0.10761251,0.00013941052,0.000703575,0.0003322111,0.42308897],"genre_scores_gemma":[0.011949597,0.007163218,0.00047882888,0.034946013,0.0035594078,0.000046138015,0.00018093194,0.000112702364,0.9415631],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99836224,0.00019453031,0.000061836305,0.00024187002,0.0008245557,0.00031495985],"domain_scores_gemma":[0.9971487,0.00020740088,0.00009637864,0.000080891594,0.0011992761,0.0012673211],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021006435,0.00053504977,0.0004017885,0.0007757812,0.013440693,0.00912121,0.0010759337,0.0056506195,0.05066554],"category_scores_gemma":[0.0051390845,0.0006618756,0.0004017789,0.0007024857,0.0025838655,0.0034930278,0.0022471703,0.0074448623,0.013312722],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000046514374,0.000002267552,0.00005473329,0.000007658225,0.0000010399804,0.0000127234125,0.00007172201,0.0000073850415,0.000031061216,0.0023362003,0.9943393,0.0031313226],"study_design_scores_gemma":[0.000002907545,0.000005021914,0.0006357561,0.000037326372,0.0000017630813,0.000022376855,0.00060920295,0.000011354322,0.000027572816,0.00037675785,0.9982582,0.000011910297],"about_ca_topic_score_codex":0.37154296,"about_ca_topic_score_gemma":0.74047714,"teacher_disagreement_score":0.62845707,"about_ca_system_score_codex":0.0064739184,"about_ca_system_score_gemma":0.0105617745,"threshold_uncertainty_score":0.7387607},"labels":[],"label_agreement":null},{"id":"W7003523877","doi":"","title":"Amor fati","year":2020,"lang":"en","type":"article","venue":"Digital Commons - RISD (Rhode Island School of Design)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wife; Grief; Quarter (Canadian coin); Heredity; CLARITY; Narrative","score_opus":0.08408657759857832,"score_gpt":0.25650050148983733,"score_spread":0.172413923891259,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7003523877","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021906153,0.0046986104,0.0040888474,0.018914478,0.015892185,0.00022966483,0.0023086832,0.0038430362,0.94783396],"genre_scores_gemma":[0.005550193,0.0014407334,0.00092795334,0.0035078486,0.001181496,0.00009378147,0.00079500873,0.00081666233,0.98568636],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988147,0.00018824788,0.000057005847,0.00032313386,0.00045512154,0.00016185695],"domain_scores_gemma":[0.99768853,0.0002394179,0.00010508605,0.00021153355,0.0009057944,0.00084964035],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001002034,0.0009474962,0.00066545716,0.001387923,0.002571076,0.005183569,0.0012741073,0.002276882,0.75963837],"category_scores_gemma":[0.005430916,0.00038545314,0.00054253184,0.00072608783,0.00063731393,0.0029226006,0.0035204631,0.0025489065,0.6035604],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000072986775,0.00005088888,0.00041759273,0.00022160255,0.000006543456,0.00019404445,0.00041872307,0.00006269255,0.0007227421,0.007904121,0.8562555,0.13367261],"study_design_scores_gemma":[0.0000036085344,0.000010824577,0.00025620745,0.000060587307,0.0000017151926,0.00012085383,0.0001209613,0.00003941698,0.00010465992,0.00064114295,0.99863595,0.0000040243444],"about_ca_topic_score_codex":0.0021100915,"about_ca_topic_score_gemma":0.0037792893,"teacher_disagreement_score":0.75963837,"about_ca_system_score_codex":0.0013789553,"about_ca_system_score_gemma":0.0017968785,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W7003694792","doi":"","title":"Proof 22","year":2015,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Durvalumab; Liquation; Diafiltration; Triacetin; Demotion","score_opus":0.044750513422847596,"score_gpt":0.25764990652984543,"score_spread":0.21289939310699785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7003694792","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001613772,0.0013924155,0.0014559298,0.005462685,0.005066403,0.00009570077,0.0012157721,0.0009125829,0.98423713],"genre_scores_gemma":[0.0032830036,0.0008676876,0.0006054874,0.0018472804,0.0006478803,0.00006665835,0.00070173695,0.0003634749,0.9916168],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99831295,0.00016237289,0.00007099305,0.00024213547,0.0010428363,0.00016864507],"domain_scores_gemma":[0.9967608,0.0005366828,0.000089549336,0.00045334356,0.0019646913,0.00019493377],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001312672,0.0010364939,0.00059841323,0.0019724541,0.0036034796,0.0095410915,0.0018315598,0.003177148,0.4428223],"category_scores_gemma":[0.007659098,0.00056120503,0.0008957727,0.0011855181,0.002785969,0.005694189,0.0030565814,0.0037685328,0.292032],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005625085,0.000005038256,0.0000267511,0.00007390866,0.0000015289027,0.000033224183,0.00008558646,0.00002286341,0.00006503125,0.06382025,0.91907704,0.016783165],"study_design_scores_gemma":[0.0000017326463,0.000002360776,0.000056611854,0.000060315444,0.0000010244279,0.000047226018,0.000032130614,0.00002018835,0.00006900929,0.0037803215,0.9959247,0.0000044254675],"about_ca_topic_score_codex":0.025529003,"about_ca_topic_score_gemma":0.032653473,"teacher_disagreement_score":0.4428223,"about_ca_system_score_codex":0.005671005,"about_ca_system_score_gemma":0.004975856,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W7004793576","doi":"","title":"The Origins of Photography Library","year":2018,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Photojournalism; National library; Digital photography; History of photography","score_opus":0.017835878277645163,"score_gpt":0.22249659541057587,"score_spread":0.20466071713293071,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7004793576","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016594578,0.020326674,0.0010836282,0.008990964,0.00088970235,0.000037994112,0.0004073766,0.00018664637,0.96641755],"genre_scores_gemma":[0.058992706,0.01924186,0.0023821346,0.003198341,0.00035893824,0.000058553218,0.00044890482,0.00028987453,0.91502863],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998684,0.00021321757,0.00003269888,0.00016370174,0.00059149717,0.00031490216],"domain_scores_gemma":[0.99926656,0.00012224868,0.000036567104,0.00009159907,0.00033796718,0.00014503454],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011087586,0.00039793775,0.00024225294,0.0029748941,0.013794787,0.013037493,0.0011213623,0.0013587789,0.02209402],"category_scores_gemma":[0.0018779339,0.00046360897,0.00021462831,0.0030674052,0.011485763,0.0065300427,0.004741983,0.00372702,0.005710259],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000133452595,0.0000049256073,0.00017209981,0.00009674007,0.0000017215692,0.00011274596,0.009452464,0.00002904755,0.00010140487,0.67901576,0.25224644,0.05875336],"study_design_scores_gemma":[6.057138e-7,5.839081e-7,0.0003040553,0.0000924952,8.011444e-7,0.000036087997,0.00074677577,0.0000062040294,0.00006651495,0.0026802418,0.9960626,0.000003090356],"about_ca_topic_score_codex":0.6597217,"about_ca_topic_score_gemma":0.8254868,"teacher_disagreement_score":0.6597217,"about_ca_system_score_codex":0.043712694,"about_ca_system_score_gemma":0.03334221,"threshold_uncertainty_score":0.6845646},"labels":[],"label_agreement":null},{"id":"W7004803435","doi":"","title":"View from the Hill","year":2002,"lang":"en","type":"article","venue":"Syracuse University Magazine","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photojournalism; Amateur; Homeland; Photography; Shot (pellet); Newspaper; Judaism; Quarter (Canadian coin)","score_opus":0.04220457843646869,"score_gpt":0.18729954560620707,"score_spread":0.14509496716973838,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7004803435","genre_codex":"other","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011825017,0.006807641,0.00044924323,0.04484934,0.018003626,0.00004539992,0.0005772908,0.00046978254,0.9276152],"genre_scores_gemma":[0.0034938478,0.0018123769,0.0002011491,0.00857991,0.0006781277,0.000012305857,0.00018669455,0.0002113794,0.98482424],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995621,0.000052262207,0.000012428702,0.00009294284,0.00013230594,0.00014805922],"domain_scores_gemma":[0.99960417,0.000023569324,0.000011338448,0.000030278969,0.00014810558,0.00018257735],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025828625,0.0006779843,0.00044672567,0.00059123256,0.006711136,0.0070961365,0.0009152867,0.0027022066,0.42529026],"category_scores_gemma":[0.00094461505,0.00038572054,0.00041359162,0.00062362157,0.00091765926,0.0034798093,0.004308432,0.0053928173,0.14396273],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010748214,0.000009612555,0.00013330948,0.000030698866,0.0000014038387,0.00018438899,0.0003332901,0.000013386883,0.00008146854,0.00462639,0.9801722,0.014403131],"study_design_scores_gemma":[0.0000012192,0.0000016335218,0.00008332543,0.00002823489,4.316711e-7,0.000052272975,0.00047907734,0.0000038684952,0.000012387404,0.00018634515,0.99914944,0.0000016928999],"about_ca_topic_score_codex":0.045061912,"about_ca_topic_score_gemma":0.14352776,"teacher_disagreement_score":0.42529026,"about_ca_system_score_codex":0.0024529637,"about_ca_system_score_gemma":0.0035342905,"threshold_uncertainty_score":0.8197537},"labels":[],"label_agreement":null},{"id":"W7006330139","doi":"","title":"Ãthique et gouvernance : les règles qui régissent la prévention et la sanction des conflits d'intérêts chez les élus municipaux","year":2010,"lang":"fr","type":"other","venue":"Library and Archives Canada (Government of Canada)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Limiting; Ethnic discrimination","score_opus":0.008836198949952176,"score_gpt":0.1930074796821086,"score_spread":0.18417128073215644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7006330139","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47887722,0.016221,0.0040199114,0.031177482,0.00038125654,0.00006895679,0.000391144,0.000054262335,0.46880874],"genre_scores_gemma":[0.9325249,0.0036275724,0.0008370318,0.0007342178,0.000065470114,0.000053065494,0.00008884883,0.000030353049,0.062038526],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983719,0.00075604976,0.000035334993,0.00020916981,0.00027032726,0.00035724096],"domain_scores_gemma":[0.9988788,0.00040953764,0.0002659899,0.0000830495,0.00019165275,0.00017094576],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011843449,0.00029843292,0.000351091,0.0008908402,0.0070637586,0.006885871,0.00096421957,0.0015197644,0.012370552],"category_scores_gemma":[0.003396091,0.00021297159,0.00029928517,0.0021962267,0.00991031,0.0030428546,0.0040834206,0.0025221487,0.0007634898],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006670747,0.000037665934,0.025987815,0.0003617094,0.00003485909,0.0009256351,0.26338878,0.00055870204,0.00083625363,0.6640288,0.009681488,0.034091547],"study_design_scores_gemma":[0.00001771645,0.00009578601,0.1075644,0.0008281007,0.000049941125,0.0006661068,0.23993716,0.00040067677,0.00070091005,0.034390133,0.61527085,0.00007817185],"about_ca_topic_score_codex":0.16554181,"about_ca_topic_score_gemma":0.40381873,"teacher_disagreement_score":0.16554181,"about_ca_system_score_codex":0.011502358,"about_ca_system_score_gemma":0.009504274,"threshold_uncertainty_score":0.32915652},"labels":[],"label_agreement":null},{"id":"W7006715488","doi":"","title":"Voir la peinture en iconoclaste : Jeff Wall et La Mort de Sardanapale","year":2011,"lang":"en","type":"article","venue":"Digital Access to Libraries (Université catholique de Louvain (UCL), l'Université de Namur (UNamur) and the Université Saint-Louis (USL-B))","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Tribute; Painting; Romance; Reflection (computer programming); Salon","score_opus":0.01533490544988605,"score_gpt":0.22156447345519367,"score_spread":0.20622956800530762,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7006715488","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14790258,0.06594119,0.0014364412,0.14066105,0.011297311,0.000026994368,0.00011752486,0.000116480245,0.63250035],"genre_scores_gemma":[0.7285504,0.016314087,0.0006885199,0.012746455,0.0019453295,0.00003087295,0.000048582195,0.00017829194,0.23949742],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999589,0.00020293039,0.000005635563,0.00004035735,0.00008883611,0.000073221854],"domain_scores_gemma":[0.9997607,0.00009983056,0.000027034379,0.000014991638,0.000037635673,0.00005975265],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005230969,0.0004820716,0.00016760624,0.00059113506,0.006973603,0.0042737764,0.00039230948,0.0014562058,0.005363192],"category_scores_gemma":[0.0012831283,0.00015377969,0.000115720766,0.0005028103,0.0077647557,0.0024315002,0.0020810815,0.0034731934,0.0009821829],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006810521,0.000041789004,0.00084203563,0.00013875091,0.000008498878,0.0016717118,0.30390558,0.00007063657,0.0010033958,0.25664303,0.3896799,0.045926586],"study_design_scores_gemma":[0.0000024118076,0.000012146875,0.0008576686,0.00021847294,0.0000017178876,0.0004287208,0.046340045,0.000019630057,0.00025682597,0.0024819735,0.94937134,0.000009049917],"about_ca_topic_score_codex":0.028043065,"about_ca_topic_score_gemma":0.073272124,"teacher_disagreement_score":0.028043065,"about_ca_system_score_codex":0.0034563637,"about_ca_system_score_gemma":0.0011458833,"threshold_uncertainty_score":0.05575967},"labels":[],"label_agreement":null},{"id":"W7008370381","doi":"","title":"Cartes de Visite Photograph Collection, 1850s-1890s","year":2008,"lang":"en","type":"other","venue":"NDSU Repository (North Dakota State University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Spanish Civil War; World War II; Period (music); Photography; First world war","score_opus":0.010727122757158942,"score_gpt":0.17614227184078696,"score_spread":0.165415149083628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7008370381","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011057847,0.008595835,0.00051124964,0.0009422945,0.0015875114,0.00023036622,0.1826396,0.0005352514,0.7939],"genre_scores_gemma":[0.048005104,0.016409436,0.002743901,0.00046566018,0.0008798114,0.0004213868,0.13739371,0.00073438365,0.7929466],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995683,0.00003649574,0.000025942712,0.000062559426,0.00024582117,0.000060842915],"domain_scores_gemma":[0.9993229,0.000049303515,0.000056243272,0.00008988566,0.00041604985,0.00006568497],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00049401686,0.00043665332,0.00025977968,0.008101409,0.0023081638,0.0021799265,0.0004592593,0.00025598178,0.09879878],"category_scores_gemma":[0.0014508374,0.00034318434,0.00018115708,0.011591127,0.0004978409,0.0012331664,0.0011817692,0.0007377498,0.02887292],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032839125,0.000012335524,0.001958176,0.00030097092,0.0000050382146,0.00011803514,0.0017192292,0.000052769956,0.00023408678,0.0032908004,0.93365663,0.058618937],"study_design_scores_gemma":[9.0770334e-7,0.0000014952087,0.012691418,0.00007293463,0.0000011677282,0.000055165572,0.00034497413,0.000005094341,0.00005801241,0.00004980255,0.9867163,0.0000026349467],"about_ca_topic_score_codex":0.1715834,"about_ca_topic_score_gemma":0.4031389,"teacher_disagreement_score":0.1715834,"about_ca_system_score_codex":0.0038265444,"about_ca_system_score_gemma":0.0025690943,"threshold_uncertainty_score":0.34116936},"labels":[],"label_agreement":null},{"id":"W7008424910","doi":"","title":"Cabinet Card of Young African Canadian by The Dominion Photo Studio, Toronto [n.d.]","year":2011,"lang":"en","type":"article","venue":"Brock University Digital Repository (Brock University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dominion; Cabinet (room); Subpoena; Pretext; Circumstantial evidence","score_opus":0.018162575666168614,"score_gpt":0.17565467511700755,"score_spread":0.15749209945083895,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7008424910","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00865137,0.0018611631,0.00043627998,0.0033202148,0.0014278152,0.00028077135,0.013871411,0.00041911486,0.9697318],"genre_scores_gemma":[0.015716715,0.0010865013,0.00044823927,0.00042277327,0.00006115666,0.000028623012,0.0024179358,0.00011857766,0.97969955],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99983585,0.000006862689,0.000003504293,0.000030294306,0.000055357632,0.000068202964],"domain_scores_gemma":[0.9995741,0.000010464715,0.000013877278,0.00001564044,0.00027028084,0.00011574655],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016219559,0.0006042612,0.00029199297,0.001003282,0.008503275,0.0017627699,0.00060729834,0.00047122512,0.49137762],"category_scores_gemma":[0.00045552757,0.00034409112,0.00016487573,0.0020436933,0.0005491888,0.0006886803,0.00091586023,0.00063632644,0.10778955],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021306852,0.000006333959,0.00073729735,0.000044552155,7.281173e-7,0.00018773085,0.00054995454,0.000017134635,0.00032033012,0.00076489034,0.9757647,0.021585042],"study_design_scores_gemma":[0.0000030059964,0.0000050528934,0.0064887092,0.00004971205,0.0000014800457,0.00010728549,0.0013735052,0.000020951693,0.00011757896,0.000043363714,0.9917823,0.0000071093496],"about_ca_topic_score_codex":0.9041166,"about_ca_topic_score_gemma":0.9834194,"teacher_disagreement_score":0.49137762,"about_ca_system_score_codex":0.007502076,"about_ca_system_score_gemma":0.0102428915,"threshold_uncertainty_score":0.72548807},"labels":[],"label_agreement":null},{"id":"W7010191261","doi":"","title":"Granulations : Emerging photo practices from Saskatchewan : Blair Fornwald, James Hare, Crystal Klassen, Chrystal Kruszelnicki, Serena McCarroll, Sarah Oneschuk, Sara Salahub","year":2007,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Triacetin; Emperipolesis; Demotion","score_opus":0.037019509168116776,"score_gpt":0.277258341396696,"score_spread":0.2402388322285792,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7010191261","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11184227,0.053318687,0.0026192428,0.04173861,0.0015158039,0.00023522097,0.007813528,0.00071138435,0.78020513],"genre_scores_gemma":[0.13203448,0.033917073,0.0027948648,0.0048634983,0.000059299786,0.00017581494,0.0030753382,0.0005148277,0.8225647],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99969304,0.00004204617,0.0000147198,0.000051171966,0.000106688574,0.00009236957],"domain_scores_gemma":[0.9993893,0.00014249171,0.00004132715,0.000056379336,0.00022169117,0.00014876532],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00058047194,0.00062186737,0.00026772698,0.0019777874,0.005572799,0.0069563934,0.0012450953,0.0012543512,0.05163384],"category_scores_gemma":[0.0007806136,0.00046834638,0.00027514083,0.0073088505,0.0028400982,0.0034550878,0.0032448021,0.0020040474,0.008306688],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012247059,0.0000662233,0.0062218304,0.00070341054,0.000019703926,0.0009262511,0.059737433,0.00029691707,0.003597955,0.039359715,0.5318945,0.35705364],"study_design_scores_gemma":[0.000010058108,0.000011746511,0.020552585,0.00043108244,0.00001004923,0.00026961043,0.0652706,0.00006276069,0.0006806072,0.0024681306,0.91019803,0.0000347041],"about_ca_topic_score_codex":0.81081206,"about_ca_topic_score_gemma":0.9720606,"teacher_disagreement_score":0.18918794,"about_ca_system_score_codex":0.019096453,"about_ca_system_score_gemma":0.02793475,"threshold_uncertainty_score":0.3806042},"labels":[],"label_agreement":null},{"id":"W7010267776","doi":"","title":"1986 House Bill 4915. Resolve Relative To The Elimination Of The Metropolitan District Commission.","year":2016,"lang":"en","type":"other","venue":"State Library's electronic repository (State Library of Massachusetts)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Legislature; Metropolitan area; Legislation; House of Representatives; Quarter (Canadian coin)","score_opus":0.011090141698185984,"score_gpt":0.22302914912090097,"score_spread":0.211939007422715,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7010267776","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017435283,0.0018911235,0.00051404984,0.013498653,0.0024369524,0.00024536427,0.0067934874,0.0003468874,0.9725299],"genre_scores_gemma":[0.006691734,0.00053309044,0.00028703175,0.009248813,0.00045967646,0.0001588601,0.0013799932,0.000091853784,0.9811489],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99808735,0.00018953973,0.00010482033,0.00021959624,0.00091188756,0.00048674602],"domain_scores_gemma":[0.99842036,0.0002173931,0.000086816995,0.00008723154,0.0010202471,0.00016804253],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010901366,0.0010093796,0.00044670273,0.0013078195,0.0054156515,0.0038301067,0.0013045918,0.007728778,0.16092788],"category_scores_gemma":[0.0054296516,0.0010473296,0.0006410198,0.001434469,0.0009660057,0.0016068071,0.0017687937,0.006413376,0.08787997],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018478657,0.000025868054,0.00019346591,0.000033252483,0.0000021224946,0.00006448455,0.000100596575,0.000044469965,0.00010581997,0.02337806,0.97039324,0.0056400974],"study_design_scores_gemma":[0.000020464326,0.000009645592,0.002773276,0.00007361113,0.000006830233,0.000034411725,0.00012044598,0.000056908048,0.00016702998,0.0015350769,0.9951917,0.000010665015],"about_ca_topic_score_codex":0.18197095,"about_ca_topic_score_gemma":0.36016586,"teacher_disagreement_score":0.18197095,"about_ca_system_score_codex":0.006287661,"about_ca_system_score_gemma":0.008474735,"threshold_uncertainty_score":0.5383574},"labels":[],"label_agreement":null},{"id":"W7010643019","doi":"","title":"The international right to health and Jordan's Principle: a comparative analysis of the substantive and procedural differences to Indigenous children’s right to health in Canada","year":2024,"lang":"en","type":"dissertation","venue":"Mspace (University of Manitoba)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Winnipeg; University of Manitoba","funders":"","keywords":"Right to health; Human rights; Indigenous; International human rights law; International Covenant on Civil and Political Rights; Convention on the Rights of the Child; Cultural rights; Right to property; Jurisdiction","score_opus":0.017727252809188528,"score_gpt":0.2492031805123101,"score_spread":0.2314759277031216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7010643019","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53140575,0.0064737815,0.0008671369,0.012009562,0.000115294315,0.00016262748,0.00040245106,0.000012660507,0.4485508],"genre_scores_gemma":[0.97991,0.0036395031,0.00070082815,0.0011909875,0.000017447062,0.000037038077,0.000111996975,0.000014748135,0.014377468],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9908093,0.0010548129,0.000163958,0.0003830516,0.00430689,0.003281998],"domain_scores_gemma":[0.9922065,0.0025184827,0.00048822598,0.00017572178,0.0033092522,0.0013018198],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0039009766,0.00022983606,0.0005623051,0.0030184875,0.018907826,0.008329895,0.0019085602,0.0012457086,0.0044463146],"category_scores_gemma":[0.012308129,0.00024251846,0.00048550952,0.007389568,0.012913153,0.0017779514,0.0046170126,0.0034291933,0.0001098816],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012580316,0.000095123265,0.034508053,0.00039531713,0.00006669895,0.0012191858,0.18403806,0.0011180358,0.0005174774,0.7314865,0.010100454,0.036329344],"study_design_scores_gemma":[0.00003998189,0.00006165445,0.19401284,0.0011664798,0.00018566684,0.00035905736,0.5030987,0.0018349789,0.0007371574,0.015697548,0.28263274,0.00017314695],"about_ca_topic_score_codex":0.99409324,"about_ca_topic_score_gemma":0.99778026,"teacher_disagreement_score":0.17936446,"about_ca_system_score_codex":0.17936446,"about_ca_system_score_gemma":0.24494231,"threshold_uncertainty_score":0.9518209},"labels":[],"label_agreement":null},{"id":"W7011064447","doi":"","title":"La photographie à travers le prisme de l’image projetée ou brûlée ::One Second in Montreal (Michael Snow, 1969) et [nostalgia] (Hollis Frampton, 1971)","year":2019,"lang":"fr","type":"article","venue":"ArODES (HES-SO (https://www.hes-so.ch/))","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Context (archaeology); Identity (music); Perspective (graphical)","score_opus":0.019247243427742422,"score_gpt":0.25356129860446813,"score_spread":0.2343140551767257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7011064447","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012141646,0.05187762,0.008622683,0.023083122,0.013439756,0.00026245118,0.011273943,0.0017928743,0.8775059],"genre_scores_gemma":[0.1750653,0.021252112,0.011059558,0.0019886217,0.0027659275,0.00012640249,0.003565744,0.0018689382,0.7823074],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949014,0.00008420884,0.00001188638,0.000083005514,0.00024254172,0.000088151195],"domain_scores_gemma":[0.99953485,0.00006242794,0.00002929608,0.00006908443,0.00018687376,0.00011748364],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007238052,0.0010143496,0.00023710523,0.0036790103,0.003982493,0.004658825,0.00073609495,0.0011590454,0.06817907],"category_scores_gemma":[0.0018338863,0.00033150325,0.00038672276,0.004251776,0.003030718,0.001972056,0.001379787,0.002143697,0.009880307],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009327906,0.000014959318,0.0011023858,0.00041084184,0.000018489105,0.00031077827,0.0067669246,0.00019550946,0.0017413758,0.048889656,0.8212623,0.11919355],"study_design_scores_gemma":[0.0000046668806,0.000004615449,0.00460443,0.00010511889,0.0000033861704,0.00015003388,0.00078103977,0.000035576573,0.00037717508,0.000499983,0.9934214,0.000012573545],"about_ca_topic_score_codex":0.6187757,"about_ca_topic_score_gemma":0.8097925,"teacher_disagreement_score":0.38122427,"about_ca_system_score_codex":0.010093131,"about_ca_system_score_gemma":0.0070186313,"threshold_uncertainty_score":0.76693875},"labels":[],"label_agreement":null},{"id":"W7013200153","doi":"","title":"Auto-Pathographies","year":2012,"lang":"fr","type":"book","venue":"E-Artexte (Artexte)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Subject (documents); Object (grammar); Face (sociological concept); Identity (music)","score_opus":0.03194220618599306,"score_gpt":0.24987887337860018,"score_spread":0.21793666719260713,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7013200153","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022677807,0.0023127622,0.0014696732,0.00087478315,0.0004650344,0.00005716043,0.00029644673,0.00016818996,0.99208826],"genre_scores_gemma":[0.04529766,0.0044664694,0.0015107862,0.00061036675,0.0002969696,0.0001274504,0.00041080607,0.000407402,0.946872],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99952626,0.00013565892,0.000013938102,0.00006575576,0.00018876525,0.00006960364],"domain_scores_gemma":[0.9994548,0.00021089436,0.000029108209,0.00012739649,0.00013265596,0.000045222587],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003516412,0.00069231965,0.00015908535,0.002283807,0.0035541942,0.00352223,0.00062892603,0.00074442755,0.1089953],"category_scores_gemma":[0.0012638572,0.00027781844,0.00022715032,0.0021502227,0.0039148554,0.00324634,0.0025803556,0.0016395124,0.015187166],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028004337,0.000014264134,0.00017461681,0.00023160694,0.000002860684,0.00034081895,0.019376665,0.000121132456,0.0007351488,0.41450542,0.5000133,0.06445617],"study_design_scores_gemma":[7.392792e-7,0.000001879649,0.00013832923,0.00006235254,5.060936e-7,0.00016763061,0.0018817887,0.000020068086,0.00011888094,0.0024408132,0.995165,0.000002044492],"about_ca_topic_score_codex":0.0111722555,"about_ca_topic_score_gemma":0.022847522,"teacher_disagreement_score":0.1089953,"about_ca_system_score_codex":0.0028645303,"about_ca_system_score_gemma":0.0018785945,"threshold_uncertainty_score":0.36462563},"labels":[],"label_agreement":null},{"id":"W7014710687","doi":"","title":"Posing for the Republic: Making the modern Turkish citizen in vernacular photographs from the 1920s and 1930s","year":2020,"lang":"en","type":"dissertation","venue":"UvA-DARE (University of Amsterdam)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Boğaziçi Üniversitesi; Universiteit van Amsterdam; York University; New York University Abu Dhabi","keywords":"Photography; Vernacular; Turkish; Context (archaeology); Portrait; Identity (music); Photojournalism","score_opus":0.031223900719044993,"score_gpt":0.23045867432611036,"score_spread":0.19923477360706537,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7014710687","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90253353,0.0022609795,0.00037424522,0.0017194132,0.00024619838,0.000029543426,0.00011569301,0.000015461626,0.09270496],"genre_scores_gemma":[0.98919886,0.0008775695,0.00023416396,0.00021259514,0.000024853549,0.0000090210215,0.000042925887,0.000017371238,0.009382513],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9994312,0.0002935024,0.000017799724,0.000065022374,0.00007688245,0.000115664465],"domain_scores_gemma":[0.9997508,0.00006952957,0.000045596513,0.000029008403,0.000066502675,0.000038494152],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015082202,0.0003375323,0.00017775226,0.0010759353,0.0065552006,0.0033546267,0.000342269,0.00048078893,0.004165803],"category_scores_gemma":[0.0013144047,0.00019756462,0.00014056842,0.0011297861,0.0042061405,0.0025256348,0.0017373164,0.0011435793,0.0006214346],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006384732,0.000021303022,0.005650728,0.00007750233,0.00000438603,0.00062253757,0.9589237,0.000028195067,0.0013146615,0.00766226,0.0039497847,0.021681124],"study_design_scores_gemma":[0.0000019664105,0.000032275715,0.020411465,0.00010157559,0.000006801014,0.00032680205,0.8787518,0.000023700863,0.0005382,0.0003113458,0.09947973,0.000014378002],"about_ca_topic_score_codex":0.022330744,"about_ca_topic_score_gemma":0.07051478,"teacher_disagreement_score":0.022330744,"about_ca_system_score_codex":0.003528748,"about_ca_system_score_gemma":0.0009061059,"threshold_uncertainty_score":0.044401526},"labels":[],"label_agreement":null},{"id":"W7015239965","doi":"","title":"Smith Photographic History Vol. 2 No. 2 - 1960s","year":2021,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wife; State (computer science); George (robot); Volume (thermodynamics); American history","score_opus":0.012258534333068017,"score_gpt":0.18098119408129218,"score_spread":0.16872265974822417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7015239965","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011543873,0.0052322764,0.0001328155,0.0015577251,0.004619011,0.000043327997,0.003604398,0.00019229551,0.9834637],"genre_scores_gemma":[0.0049299835,0.0026415214,0.00011632469,0.00022013958,0.00041315125,0.000014151975,0.0012356882,0.000100961566,0.990328],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99978465,0.0000169663,0.00000797924,0.000038007372,0.00012094762,0.000031482214],"domain_scores_gemma":[0.9997174,0.000023429924,0.000019247049,0.00004387224,0.00015048479,0.000045482422],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019125889,0.0007212878,0.000214746,0.0019316686,0.0023555313,0.002718179,0.000427067,0.00055089325,0.48581418],"category_scores_gemma":[0.00079485384,0.00034239117,0.00015599931,0.0024831966,0.00052899064,0.0015447248,0.0013340375,0.0011707552,0.17523512],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001000434,0.0000050066633,0.00016952344,0.000054583023,7.0411846e-7,0.000051184983,0.00020361232,0.000014846353,0.00019741672,0.0018527033,0.97810066,0.019339735],"study_design_scores_gemma":[3.928853e-7,0.000001218394,0.0006311464,0.000032885582,3.725735e-7,0.00001971522,0.00007297794,0.000002857401,0.000028913215,0.000058749865,0.9991499,8.4922414e-7],"about_ca_topic_score_codex":0.049924824,"about_ca_topic_score_gemma":0.14514299,"teacher_disagreement_score":0.48581418,"about_ca_system_score_codex":0.0029781174,"about_ca_system_score_gemma":0.0009597026,"threshold_uncertainty_score":0.73342365},"labels":[],"label_agreement":null},{"id":"W7017152197","doi":"","title":"\"Alive &amp; Kicking\": Queer Cultural Memory of Toronto's Gay and Lesbian Liberation Movement Through Photographs of Violence and Protest in The Body Politic (1971-1987)","year":2021,"lang":"en","type":"dissertation","venue":"QSpace (Queen's University Library)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Metanarrative; Lesbian; Cultural memory; Narrative; Collective memory; Queer theory","score_opus":0.018077928051574394,"score_gpt":0.23652185110741722,"score_spread":0.21844392305584281,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7017152197","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9362577,0.0033158488,0.00037211966,0.005015552,0.0002462289,0.000044075357,0.0009063531,0.00003710123,0.053805064],"genre_scores_gemma":[0.9797279,0.0019886447,0.00015640902,0.00023579,0.00005344257,0.000021860826,0.00018433107,0.000030514875,0.01760111],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9995036,0.00016687241,0.0000132942405,0.000047693622,0.00014205971,0.00012638813],"domain_scores_gemma":[0.99851006,0.0005725354,0.0002908731,0.00011016622,0.00026833822,0.00024803908],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00071520486,0.0004488362,0.00024714213,0.0019731224,0.011370428,0.004124754,0.0007947686,0.00066713383,0.0071248654],"category_scores_gemma":[0.0032073136,0.00027225688,0.000169142,0.0029722038,0.008001522,0.0020286178,0.0024061084,0.0016671061,0.00042154177],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028642968,0.0000070592246,0.0031677105,0.00007472468,0.000004070387,0.00038265492,0.9851805,0.000026608684,0.00036701502,0.0018472554,0.0041246866,0.0047890497],"study_design_scores_gemma":[0.0000021172566,0.000018077013,0.025543617,0.00012872601,0.000012367028,0.00019204682,0.91094416,0.000023752245,0.00037189858,0.00010136838,0.062649034,0.0000128332595],"about_ca_topic_score_codex":0.68308306,"about_ca_topic_score_gemma":0.894418,"teacher_disagreement_score":0.31691694,"about_ca_system_score_codex":0.023895634,"about_ca_system_score_gemma":0.0062511833,"threshold_uncertainty_score":0.6375667},"labels":[],"label_agreement":null},{"id":"W7017274168","doi":"","title":"Adjusting the Lens : Indigenous Activism, Colonial Legacies, and Photographic Heritage","year":2021,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indigenous; Photography; Colonialism; Perspective (graphical); Through-the-lens metering; Lens (geology); Cultural heritage","score_opus":0.030797325265074716,"score_gpt":0.23139815437904732,"score_spread":0.2006008291139726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7017274168","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.038491447,0.049422793,0.001792227,0.032248046,0.0017256321,0.00004384709,0.000030651336,0.00008613415,0.87615913],"genre_scores_gemma":[0.6795509,0.034257084,0.0021175705,0.0053195115,0.001492869,0.00010293597,0.000042976935,0.00013152057,0.27698466],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992269,0.0005359369,0.000012810023,0.000042941752,0.000109606044,0.000071704475],"domain_scores_gemma":[0.9989612,0.0007641986,0.00006186987,0.00005636196,0.000054834683,0.00010148724],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001140533,0.0003324914,0.0001768038,0.0012148126,0.0050345655,0.0076751695,0.00055635447,0.0011016116,0.0056493315],"category_scores_gemma":[0.0016825189,0.00013689765,0.000127076,0.001655022,0.01679715,0.005524505,0.0037869306,0.0021689713,0.00038574467],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021617541,0.00003274187,0.0009665593,0.00023229324,0.0000043804416,0.0005467201,0.24501048,0.00006748826,0.00020345474,0.61690223,0.06833859,0.06767347],"study_design_scores_gemma":[0.0000074363625,0.000021177195,0.0027868084,0.00061844377,0.000008561454,0.0005479905,0.18107885,0.00009538689,0.00027711559,0.04000529,0.77454114,0.00001184399],"about_ca_topic_score_codex":0.014852683,"about_ca_topic_score_gemma":0.0472163,"teacher_disagreement_score":0.014852683,"about_ca_system_score_codex":0.00348124,"about_ca_system_score_gemma":0.0020595677,"threshold_uncertainty_score":0.029532433},"labels":[],"label_agreement":null},{"id":"W7019304895","doi":"","title":"Gaëlle Morel, Guest Curator : Le Mois de la photo à Montréal 2009","year":2009,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Exhibition; Focus (optics); Perspective (graphical); Subject (documents)","score_opus":0.005854283861113837,"score_gpt":0.1775508727380132,"score_spread":0.17169658887689937,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7019304895","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021952142,0.05767487,0.0024814403,0.2644426,0.30827552,0.00041989898,0.0046045356,0.00269444,0.35721144],"genre_scores_gemma":[0.0073454194,0.0076389196,0.00066967285,0.009944729,0.014226871,0.00005848518,0.0004311629,0.00060592574,0.95907885],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994955,0.00005410251,0.000013910106,0.00011713993,0.00022121501,0.00009804214],"domain_scores_gemma":[0.9984939,0.00015064918,0.000056141336,0.000039805538,0.000944947,0.00031445996],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007160021,0.001397832,0.000769854,0.0018281797,0.004779834,0.0028074193,0.001011431,0.0017414844,0.21841417],"category_scores_gemma":[0.0023882315,0.0004753608,0.0006609632,0.00108071,0.0007622804,0.0015379786,0.0019072009,0.0036692063,0.073724106],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010064022,0.0000017005402,0.000031004896,0.000024338156,8.378718e-7,0.000052023952,0.00004618813,0.000008525225,0.00008526067,0.00022924489,0.9967423,0.002768497],"study_design_scores_gemma":[0.0000026118983,0.0000027205044,0.0002799754,0.00003365963,0.0000014512996,0.00008243909,0.00019004593,0.0000150612,0.00007560651,0.000042503038,0.99926907,0.000004905237],"about_ca_topic_score_codex":0.1809742,"about_ca_topic_score_gemma":0.3896673,"teacher_disagreement_score":0.8190258,"about_ca_system_score_codex":0.0041073207,"about_ca_system_score_gemma":0.0023168956,"threshold_uncertainty_score":0.7306682},"labels":[],"label_agreement":null},{"id":"W7019665326","doi":"","title":"H14-1870. Knutson, Carol. Photographs, n.d., 1908-1909. 1 folder and Digital.","year":2018,"lang":"en","type":"article","venue":"Hope College Digital Commons (Hope College)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Period (music); Photography; Window (computing)","score_opus":0.02304505717985812,"score_gpt":0.23710407418596718,"score_spread":0.21405901700610908,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7019665326","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00074792444,0.012578395,0.00012969713,0.0018281118,0.0032986668,0.00005414951,0.010372957,0.00019025776,0.97079974],"genre_scores_gemma":[0.0030648836,0.003336914,0.0000832374,0.00021553971,0.00014533704,0.000021719572,0.001451364,0.00007392718,0.9916072],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99987805,0.000009005837,0.0000062554855,0.00002593759,0.000052810894,0.000028023218],"domain_scores_gemma":[0.9997303,0.000019807732,0.000015557147,0.000011600351,0.00016476617,0.00005785442],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017536274,0.0007431308,0.00028268876,0.0016680801,0.002261268,0.0018030496,0.0005440126,0.00080729625,0.65758777],"category_scores_gemma":[0.00067121576,0.00044870083,0.00017074721,0.0028746868,0.00041718033,0.0020467201,0.0009374481,0.0013496374,0.34388882],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003362842,0.000008025552,0.0002187028,0.00007956527,0.0000012221171,0.000049077164,0.00013947276,0.000018044237,0.00008936026,0.0018794102,0.9600902,0.037393246],"study_design_scores_gemma":[0.0000016685424,0.0000030890092,0.0008253927,0.00006229936,4.871654e-7,0.000020305191,0.00012454757,0.0000025813185,0.000023083016,0.000073073,0.99886215,0.000001270467],"about_ca_topic_score_codex":0.093696155,"about_ca_topic_score_gemma":0.3369869,"teacher_disagreement_score":0.65758777,"about_ca_system_score_codex":0.0022547075,"about_ca_system_score_gemma":0.0014291493,"threshold_uncertainty_score":0.48840946},"labels":[],"label_agreement":null},{"id":"W7019843547","doi":"","title":"IMAGES TRANSFORMÉES","year":2020,"lang":"en","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Center (category theory); Mode (computer interface); Work (physics)","score_opus":0.024855603307503502,"score_gpt":0.22089395101191603,"score_spread":0.19603834770441253,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7019843547","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02435289,0.0033748348,0.1862458,0.0031631973,0.0041643414,0.00026482446,0.0022554917,0.004015928,0.7721628],"genre_scores_gemma":[0.3161078,0.0060800277,0.1228502,0.0015776256,0.0008595012,0.00033220605,0.0037817871,0.002610542,0.5458003],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994771,0.000046398545,0.000022510727,0.00012264441,0.00025401174,0.00007730255],"domain_scores_gemma":[0.99960274,0.000073916264,0.000018461062,0.00011188645,0.00016261368,0.00003033569],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003298353,0.0008030537,0.00041371226,0.0014660765,0.0012246071,0.005086541,0.00067894487,0.0010171346,0.10351719],"category_scores_gemma":[0.0016139323,0.00034879457,0.00072211586,0.0012719035,0.0013435436,0.0033015595,0.0026788176,0.001595079,0.027004078],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00052033423,0.00007654898,0.00059542054,0.00064831687,0.000038005997,0.0014298266,0.0029645308,0.0034349433,0.0525723,0.35014367,0.09586663,0.49170953],"study_design_scores_gemma":[0.000037917547,0.00007072643,0.0010247639,0.0002042583,0.00002530656,0.0015741347,0.0016350703,0.006308151,0.021251123,0.0396499,0.9281597,0.00005886921],"about_ca_topic_score_codex":0.002381742,"about_ca_topic_score_gemma":0.002503855,"teacher_disagreement_score":0.10351719,"about_ca_system_score_codex":0.0009866444,"about_ca_system_score_gemma":0.0006729079,"threshold_uncertainty_score":0.34629947},"labels":[],"label_agreement":null},{"id":"W7020645709","doi":"","title":"Martha Langford, Suspended Conversations: The Afterlife of Memory in Photographic Albums, Montreal &amp; Kingston: McGill-Queen's University Press 2001, 241 p.","year":2002,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Diafiltration; Liquation; Emperipolesis; Triacetin; Fusible alloy","score_opus":0.018110900540614976,"score_gpt":0.17204530489412365,"score_spread":0.15393440435350866,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7020645709","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013036261,0.88325447,0.0006504624,0.07379233,0.002935424,0.00003483267,0.00050882535,0.00012723266,0.037392724],"genre_scores_gemma":[0.045345236,0.7692597,0.0025731141,0.02085925,0.004809689,0.00015377057,0.0003903278,0.00026425664,0.15634468],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994261,0.00016620579,0.000035212805,0.00005659291,0.00023574219,0.00008000113],"domain_scores_gemma":[0.9976993,0.0011033912,0.0002049435,0.00007641676,0.00059355894,0.00032233744],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015664003,0.0014433566,0.0006726066,0.0033848735,0.006530928,0.0057105487,0.0030388867,0.00475314,0.021642618],"category_scores_gemma":[0.0040570945,0.0011129121,0.00038762408,0.004546094,0.0048306864,0.009385281,0.0017144849,0.0028439981,0.006603048],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030280313,0.00001863423,0.00057974807,0.00042350078,0.0000118512025,0.00019847114,0.009929498,0.00005545599,0.00013869732,0.010931337,0.92087626,0.056806326],"study_design_scores_gemma":[0.00001635806,0.000011818259,0.012578763,0.0013384973,0.000021689271,0.00036796462,0.013441546,0.00005360334,0.00024276625,0.005434917,0.9664582,0.000033997832],"about_ca_topic_score_codex":0.55708295,"about_ca_topic_score_gemma":0.83072823,"teacher_disagreement_score":0.44291705,"about_ca_system_score_codex":0.008268508,"about_ca_system_score_gemma":0.008367082,"threshold_uncertainty_score":0.89105093},"labels":[],"label_agreement":null},{"id":"W7021133256","doi":"","title":"\\n After Midnight. Through the Seasons at the Montreal Botanical Gardens, Photographs by Linda Rutenberg, 2008, Verve Editions, Ltd., 128 pages","year":2008,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Line drawings; Photography; Feature (linguistics); Exhibition","score_opus":0.010696795382365636,"score_gpt":0.17317364079572253,"score_spread":0.16247684541335689,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7021133256","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0033439074,0.0068791755,0.0016641343,0.0062506897,0.01081471,0.00031975107,0.010489556,0.0030727019,0.95716536],"genre_scores_gemma":[0.0070967088,0.00154269,0.00088807987,0.0006770325,0.00033213076,0.000053159016,0.0013020184,0.0006728076,0.9874352],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998579,0.000011057852,0.000003338225,0.000027123835,0.00006044621,0.000040108913],"domain_scores_gemma":[0.99955267,0.000017220184,0.000016319345,0.0000336454,0.00024940114,0.0001307492],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026659705,0.0007657989,0.0005136438,0.000789182,0.0035524198,0.002435735,0.0009874955,0.0006793536,0.4163246],"category_scores_gemma":[0.0007833197,0.00038153952,0.00032135748,0.0008099075,0.0005995636,0.0015308989,0.0014627345,0.0016284109,0.22188656],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041830343,0.0000058801093,0.00018664054,0.00006013439,0.0000020586474,0.000055635428,0.00020310013,0.000010306675,0.0005837882,0.0005866622,0.97309047,0.025173467],"study_design_scores_gemma":[0.0000058129485,0.0000047238163,0.0023547723,0.000062135485,0.0000011843005,0.000029034934,0.00029607894,0.000011098403,0.00011921477,0.00011911227,0.99699116,0.0000056989393],"about_ca_topic_score_codex":0.17276525,"about_ca_topic_score_gemma":0.5487587,"teacher_disagreement_score":0.4163246,"about_ca_system_score_codex":0.0016382547,"about_ca_system_score_gemma":0.0016444896,"threshold_uncertainty_score":0.8325421},"labels":[],"label_agreement":null},{"id":"W7021151185","doi":"","title":"\\n FAKING DEATH, Canadian Art Photography and the Canadian Imagination, Penny Cousineau-Levine, McGill-Queen's University Press, Montréal/Kingston 2003","year":2004,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Feature (linguistics); Immigration; Photojournalism","score_opus":0.0062580638686038125,"score_gpt":0.15203192885815264,"score_spread":0.14577386498954883,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7021151185","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013496658,0.21505162,0.00077751937,0.27608204,0.00484144,0.0000389105,0.00033386805,0.000059569098,0.4893185],"genre_scores_gemma":[0.444227,0.17471619,0.0012371346,0.032351766,0.0036327038,0.000046899713,0.00020218898,0.00013461715,0.34345144],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99807835,0.00046903815,0.000052989235,0.00014484495,0.0008798106,0.0003749261],"domain_scores_gemma":[0.99623895,0.0014743385,0.00023618071,0.0001506847,0.0014489279,0.00045096152],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023573437,0.00081508636,0.000470802,0.002507546,0.024837073,0.019696834,0.0013065584,0.0060363654,0.0147485],"category_scores_gemma":[0.008973047,0.00046237963,0.00027076737,0.0045083803,0.027466623,0.0067763817,0.0027480102,0.004885387,0.0012057045],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039446673,0.00002113967,0.0016098833,0.00037348198,0.000015982387,0.0002595972,0.06584616,0.0001063559,0.00018590133,0.22125196,0.6471893,0.06310075],"study_design_scores_gemma":[0.000007826637,0.0000066821417,0.0046241065,0.0006368554,0.000013286047,0.00020319861,0.08211478,0.00006187852,0.00012149799,0.010401144,0.9017745,0.000034217966],"about_ca_topic_score_codex":0.9472837,"about_ca_topic_score_gemma":0.98045874,"teacher_disagreement_score":0.052716315,"about_ca_system_score_codex":0.035222657,"about_ca_system_score_gemma":0.041772872,"threshold_uncertainty_score":0.25555944},"labels":[],"label_agreement":null},{"id":"W7023219656","doi":"","title":"A Handful of Dust","year":2015,"lang":"en","type":"book","venue":"WestminsterResearch (University of Westminster)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Photography; Amateur; Modernity; Metaphor; History of photography","score_opus":0.08804213586119808,"score_gpt":0.2551418826609856,"score_spread":0.1670997467997875,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7023219656","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003045123,0.020626815,0.0016001909,0.017407594,0.014039462,0.00007136238,0.0011164083,0.0011068846,0.9409861],"genre_scores_gemma":[0.006313377,0.0037452818,0.0005084018,0.0026921781,0.0015920735,0.000025766929,0.0005700852,0.00045345514,0.9840994],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992182,0.00009812005,0.00002488802,0.00016064355,0.00040591304,0.00009217975],"domain_scores_gemma":[0.9992015,0.00012658437,0.000045015586,0.00015576946,0.00025369503,0.00021745925],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046628702,0.0008919274,0.00048478623,0.0020268075,0.0038012338,0.007456248,0.00096617744,0.0012937819,0.2930347],"category_scores_gemma":[0.0025424554,0.00037381417,0.00043377042,0.0019404117,0.0020620753,0.006089597,0.0035208645,0.0020895218,0.09737502],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017459222,0.000018183793,0.0001962326,0.00010674579,0.0000028673646,0.00011817845,0.0007968834,0.000039507362,0.0002816105,0.018651713,0.925179,0.05459166],"study_design_scores_gemma":[7.628449e-7,0.0000029262917,0.00013057703,0.000039433464,5.5968053e-7,0.000057831694,0.00026489538,0.000011254978,0.000037199297,0.0006368783,0.9988154,0.0000021156536],"about_ca_topic_score_codex":0.0077358526,"about_ca_topic_score_gemma":0.019662093,"teacher_disagreement_score":0.2930347,"about_ca_system_score_codex":0.0023876296,"about_ca_system_score_gemma":0.0018255182,"threshold_uncertainty_score":0.98029876},"labels":[],"label_agreement":null},{"id":"W7023408359","doi":"","title":"A Matter of Method","year":2014,"lang":"en","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; German; Reading (process); Subject matter","score_opus":0.02767424572968597,"score_gpt":0.272587425720102,"score_spread":0.244913179990416,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7023408359","genre_codex":"methods","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00481666,0.0116682695,0.64609134,0.08998487,0.022546455,0.004307928,0.0028720505,0.0013664264,0.21634592],"genre_scores_gemma":[0.17734244,0.008511359,0.6199479,0.050468486,0.007686762,0.01867641,0.0018927502,0.003051963,0.11242192],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.89100075,0.07655686,0.005850451,0.011781225,0.013206525,0.0016042117],"domain_scores_gemma":[0.8551186,0.082791835,0.003311238,0.035807844,0.02139542,0.0015751038],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.094300315,0.001211783,0.0019273721,0.0028584376,0.0051022773,0.0128720505,0.004041855,0.0038210496,0.049663216],"category_scores_gemma":[0.19262807,0.0011273619,0.0017848264,0.0027940287,0.023216965,0.016303977,0.006799145,0.008011979,0.0153134195],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001142796,0.0000861328,0.00054845103,0.00077199814,0.00005900595,0.000048790596,0.0032536248,0.00014027985,0.0002689355,0.8926108,0.037439693,0.064658],"study_design_scores_gemma":[0.00010479024,0.00007701125,0.0003564603,0.0018306662,0.000047736863,0.00016865782,0.0021648607,0.00065590726,0.00088902825,0.540364,0.4532955,0.0000452718],"about_ca_topic_score_codex":0.0032309836,"about_ca_topic_score_gemma":0.0021505642,"teacher_disagreement_score":0.094300315,"about_ca_system_score_codex":0.007056538,"about_ca_system_score_gemma":0.011138093,"threshold_uncertainty_score":0.49871367},"labels":[],"label_agreement":null},{"id":"W7023634301","doi":"","title":"Of Time and Place","year":2017,"lang":"en","type":"other","venue":"WestminsterResearch (University of Westminster)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"German; Work (physics); Key (lock); Subject (documents); Ridiculous","score_opus":0.037927857486762764,"score_gpt":0.24990630196592298,"score_spread":0.2119784444791602,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7023634301","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0044875587,0.011557154,0.0017417172,0.021338165,0.0023543653,0.000015173406,0.00017319231,0.00004402176,0.95828867],"genre_scores_gemma":[0.44444773,0.010516354,0.0012566734,0.0073174094,0.0015061582,0.0000713624,0.00020891552,0.00025568268,0.5344197],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984282,0.0007353288,0.000040716208,0.00024860437,0.00026553136,0.00028158075],"domain_scores_gemma":[0.9990953,0.00023398234,0.000073597876,0.0001693522,0.00017093246,0.00025680143],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012386002,0.0005168028,0.00034795946,0.0010106388,0.0070146746,0.011347154,0.000672348,0.0015451118,0.0335688],"category_scores_gemma":[0.0034716919,0.00022952509,0.00028262328,0.0015955415,0.020370705,0.011299127,0.00549935,0.0024489372,0.0056489455],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003008342,0.000008238149,0.0004336359,0.000056369146,0.0000050921176,0.00008571988,0.028988512,0.000040800103,0.00008077219,0.8717664,0.07333659,0.025167799],"study_design_scores_gemma":[0.0000032443793,0.0000063186235,0.00049012504,0.00019636501,0.0000027803653,0.00007590962,0.018014818,0.000016486802,0.00003862359,0.05424785,0.9269014,0.0000060395796],"about_ca_topic_score_codex":0.017354347,"about_ca_topic_score_gemma":0.031994864,"teacher_disagreement_score":0.0335688,"about_ca_system_score_codex":0.0046366625,"about_ca_system_score_gemma":0.0040161354,"threshold_uncertainty_score":0.112298846},"labels":[],"label_agreement":null},{"id":"W7023731779","doi":"","title":"The Photobook as Variant : Exhibiting, Projecting, and Publishing John Max's Open Passport","year":2020,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Photography; Narrative; Publishing; Photojournalism; Subjectivity","score_opus":0.04374468353614173,"score_gpt":0.26292048917218097,"score_spread":0.21917580563603925,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7023731779","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0030223858,0.006487957,0.0016675852,0.0032849186,0.0025860094,0.00003409412,0.00020675866,0.0005366053,0.98217356],"genre_scores_gemma":[0.017786914,0.0050040632,0.0017111432,0.00050902925,0.000313685,0.000032766475,0.00013233343,0.00032876074,0.9741813],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99980384,0.00004190919,0.0000044876724,0.00002579248,0.00009793639,0.000025959545],"domain_scores_gemma":[0.9998254,0.00004490931,0.000010684042,0.000032951935,0.000031452495,0.000054600318],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002664705,0.00044927472,0.00012934647,0.0009275383,0.0026788868,0.005232598,0.00061932113,0.00057473494,0.08281621],"category_scores_gemma":[0.000765487,0.00022366317,0.0001281743,0.0011114972,0.0020725923,0.0032918933,0.0021146005,0.0013913501,0.014089861],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000124001745,0.000010282762,0.000118180345,0.000121807076,0.0000014387011,0.00020862388,0.0054806136,0.000047867674,0.00043046428,0.08647488,0.80048996,0.106603615],"study_design_scores_gemma":[6.651453e-7,0.000002088583,0.00016511626,0.000037828897,4.621762e-7,0.000104354156,0.00092157756,0.000011505101,0.00009747185,0.0006622159,0.9979943,0.0000024680737],"about_ca_topic_score_codex":0.01765536,"about_ca_topic_score_gemma":0.06617636,"teacher_disagreement_score":0.08281621,"about_ca_system_score_codex":0.0013470517,"about_ca_system_score_gemma":0.0021649832,"threshold_uncertainty_score":0.2770478},"labels":[],"label_agreement":null},{"id":"W7023873899","doi":"","title":"Photography Fifth Edition : A Cultural History","year":2021,"lang":"id","type":"book","venue":"Institutional Repository (Institut Seni Indonesia Yogyakarta)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Indie film; Nova scotia","score_opus":0.03171927916686544,"score_gpt":0.2351287730245398,"score_spread":0.20340949385767437,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7023873899","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00093786494,0.08447738,0.0013905442,0.0070013544,0.009573468,0.00008467996,0.0013914517,0.0003300074,0.8948134],"genre_scores_gemma":[0.008594552,0.039373044,0.0013546471,0.0011249693,0.0018672872,0.00004840437,0.00072089373,0.00025746736,0.9466586],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99926955,0.0001315054,0.000050595034,0.00013734124,0.00033297355,0.000078061996],"domain_scores_gemma":[0.99909914,0.00016212661,0.000048122387,0.00017891065,0.0003978542,0.00011390911],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009434143,0.0010017277,0.00048453905,0.0055484776,0.0031992076,0.007842079,0.0009496608,0.001275387,0.16920853],"category_scores_gemma":[0.0019165393,0.00051303266,0.0004415984,0.0053198803,0.0022402648,0.004314665,0.002203935,0.002528772,0.05849327],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001810429,0.000013904013,0.00024970947,0.00033024236,0.0000037804814,0.00010382235,0.0012866091,0.0000664894,0.00032232847,0.027360983,0.8332328,0.13701126],"study_design_scores_gemma":[5.1361707e-7,0.00000201649,0.00035146685,0.0001513885,7.949043e-7,0.00005923107,0.00024292244,0.000006099659,0.000034840516,0.00055616634,0.9985923,0.0000022018116],"about_ca_topic_score_codex":0.024724104,"about_ca_topic_score_gemma":0.0527828,"teacher_disagreement_score":0.16920853,"about_ca_system_score_codex":0.0050673233,"about_ca_system_score_gemma":0.0034833234,"threshold_uncertainty_score":0.5660589},"labels":[],"label_agreement":null},{"id":"W7023893777","doi":"","title":"Postcard: Rock City Ottawa County, Kansas","year":2021,"lang":"en","type":"article","venue":"FHSU Scholars Repository (Fort Hays State University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rock art; Sitting; Rock shelter; Position (finance)","score_opus":0.01778712789984234,"score_gpt":0.20022981802219014,"score_spread":0.18244269012234782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7023893777","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0024779243,0.00018133412,0.00018627277,0.0029604766,0.00229257,0.00028024684,0.011568896,0.0012427745,0.97880954],"genre_scores_gemma":[0.0038507027,0.000093354945,0.00008130932,0.0003066908,0.00014386514,0.00004941461,0.0022233874,0.0001626043,0.99308866],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997099,0.000021469179,0.000012295249,0.000039908668,0.00011888036,0.00009748114],"domain_scores_gemma":[0.9978388,0.00015582726,0.000082565224,0.00019846168,0.0011549542,0.00056946976],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027704265,0.0007279616,0.00045994998,0.0008659398,0.0033890344,0.003212066,0.00080836355,0.0014353141,0.9038215],"category_scores_gemma":[0.0021371453,0.00047279857,0.0001234273,0.0010699058,0.00043463858,0.0019286522,0.0013981862,0.0011132344,0.705062],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003793227,0.000014287045,0.000115202085,0.000015128139,3.708153e-7,0.000025835978,0.000024792536,0.0000060797056,0.000070381546,0.00030747784,0.99208474,0.007297795],"study_design_scores_gemma":[0.000033945435,0.000025619327,0.0021335173,0.000030454765,0.0000012340603,0.000029242177,0.0002831654,0.000046707257,0.00008858917,0.000095734846,0.99722594,0.0000058488313],"about_ca_topic_score_codex":0.041790716,"about_ca_topic_score_gemma":0.13178837,"teacher_disagreement_score":0.9038215,"about_ca_system_score_codex":0.0021982265,"about_ca_system_score_gemma":0.0018406021,"threshold_uncertainty_score":0.13718694},"labels":[],"label_agreement":null},{"id":"W7026871784","doi":"","title":"Black, Bob, photographs, 1978","year":2023,"lang":"en","type":"article","venue":"Pittsburg State University Digital Commons (Pittsburg State University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Blues; Publishing; Ballroom; State (computer science); Service (business); Franchise; Club; Adventure","score_opus":0.025906939856059602,"score_gpt":0.2046567646554054,"score_spread":0.17874982479934579,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7026871784","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00050932466,0.004559541,0.00016609981,0.0038603072,0.004798074,0.000039523828,0.003525041,0.00035704472,0.98218507],"genre_scores_gemma":[0.0016985388,0.0021695904,0.00015577298,0.0004105986,0.00024386906,0.000015817543,0.0010151622,0.000116650655,0.99417394],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99981636,0.000013968831,0.00000658441,0.000029272347,0.00009696291,0.000036886777],"domain_scores_gemma":[0.99964416,0.000026250786,0.00001622507,0.000027500198,0.00018487437,0.00010109925],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019950168,0.00075680885,0.00026279045,0.0015094832,0.0034617616,0.0033003434,0.00050523906,0.00069636805,0.5862425],"category_scores_gemma":[0.000866028,0.00033611525,0.00014700193,0.0022430078,0.000429938,0.0025126045,0.0013013949,0.0014250068,0.33881965],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005991942,0.0000033152937,0.000038715585,0.000015829963,2.1577318e-7,0.000028222814,0.00004230355,0.0000075982193,0.00005177576,0.0007622028,0.98637426,0.012669583],"study_design_scores_gemma":[6.872938e-7,8.798128e-7,0.00024161914,0.000017551925,2.1911761e-7,0.000026927137,0.00009014177,0.0000033281267,0.000022054679,0.000055940945,0.9995396,9.170898e-7],"about_ca_topic_score_codex":0.042536214,"about_ca_topic_score_gemma":0.12092411,"teacher_disagreement_score":0.5862425,"about_ca_system_score_codex":0.0027027426,"about_ca_system_score_gemma":0.001240874,"threshold_uncertainty_score":0.59017485},"labels":[],"label_agreement":null},{"id":"W7027055136","doi":"","title":"Capturing space: women, photography, and demolition in Montreal, 1966-1975","year":2024,"lang":"en","type":"dissertation","venue":"Open MIND","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Demolition; Work (physics); Term (time); Identification (biology)","score_opus":0.033376433603741006,"score_gpt":0.2951489299965048,"score_spread":0.26177249639276384,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7027055136","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79068357,0.026320973,0.000434468,0.018174894,0.0004666067,0.0001906484,0.0037749447,0.000056281282,0.15989764],"genre_scores_gemma":[0.8956659,0.0071975323,0.00023979499,0.00035382502,0.000053572894,0.000030980133,0.0003554511,0.000025450023,0.09607749],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99952924,0.000102305654,0.000016534223,0.00006192577,0.00011826335,0.0001716696],"domain_scores_gemma":[0.99907035,0.00019222735,0.00015543222,0.000027032927,0.00032065084,0.00023436149],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009074952,0.0002856865,0.0001718307,0.0017921833,0.007600944,0.0019950268,0.0011761485,0.00044854943,0.01458384],"category_scores_gemma":[0.003212014,0.00021593645,0.0001403552,0.0047523077,0.0033349998,0.0012924697,0.0016423286,0.0009034295,0.000417852],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032568193,0.0001774392,0.13221769,0.000576274,0.00004292469,0.0014411014,0.52049416,0.0005108663,0.001427731,0.033895355,0.09285563,0.21603511],"study_design_scores_gemma":[0.000007650995,0.00005081192,0.36537117,0.00022875014,0.00002207829,0.0002355852,0.2718856,0.00006694482,0.0008993881,0.000522629,0.36067405,0.00003533512],"about_ca_topic_score_codex":0.97793245,"about_ca_topic_score_gemma":0.99486804,"teacher_disagreement_score":0.034880325,"about_ca_system_score_codex":0.034880325,"about_ca_system_score_gemma":0.019724816,"threshold_uncertainty_score":0.25307566},"labels":[],"label_agreement":null},{"id":"W7028311848","doi":"","title":"Étude de l'album de voyage de Hugh A. Peck (1888-1945). La photographie amateur au tournant du XXe siècle : construction identitaire et mémoire collective","year":2020,"lang":"fr","type":"other","venue":"Archipelago (University of Quebec in Montreal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Peck (Imperial); Adventure; Amateur","score_opus":0.008699455538229353,"score_gpt":0.20239396863179546,"score_spread":0.1936945130935661,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7028311848","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30296728,0.009884327,0.001438819,0.0029696634,0.00072830514,0.00012862543,0.0011038773,0.00006986909,0.6807093],"genre_scores_gemma":[0.67574847,0.0036818264,0.0014313731,0.00028959475,0.00012766662,0.000052109735,0.00041039538,0.00013226106,0.31812626],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995474,0.00006921318,0.00000909551,0.00012436364,0.00015402914,0.000095909694],"domain_scores_gemma":[0.9997073,0.000066564106,0.000048468424,0.00002871314,0.00008945127,0.00005943127],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00043153606,0.0003119519,0.0001407107,0.0016679713,0.006059377,0.0030900547,0.00051650533,0.0004768917,0.013167922],"category_scores_gemma":[0.00094977795,0.00028417094,0.00013766461,0.0020738207,0.0037259385,0.0016389731,0.0015640112,0.0015007149,0.0011862348],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002526753,0.00007256397,0.023920942,0.00068288174,0.000026144511,0.0053851395,0.3940039,0.0004445035,0.007936225,0.14155427,0.081508525,0.34421223],"study_design_scores_gemma":[0.0000029388323,0.00002326062,0.06070968,0.0001577119,0.000004683932,0.0006786498,0.023603063,0.0000578898,0.0007521775,0.00055341155,0.91344064,0.000015830221],"about_ca_topic_score_codex":0.25837472,"about_ca_topic_score_gemma":0.5573774,"teacher_disagreement_score":0.25837472,"about_ca_system_score_codex":0.008738008,"about_ca_system_score_gemma":0.003502919,"threshold_uncertainty_score":0.5137416},"labels":[],"label_agreement":null},{"id":"W7028971998","doi":"","title":"Guidance Counselors' Enactment of Educational Equity Policies: A Cross-Case Analysis of Ontario and Trinidad and Tobago","year":2022,"lang":"en","type":"article","venue":"Scholarship@Western (Western University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Equity (law); Thematic analysis; Educational equity; Education policy; Commodification; Policy analysis; Globalization; Marketization; Framing (construction)","score_opus":0.1298128868130992,"score_gpt":0.3630203304585593,"score_spread":0.23320744364546012,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7028971998","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98944676,0.00035940262,0.00015670592,0.0014615041,0.00001405927,0.00009961652,0.0000851236,0.0000060682955,0.00837081],"genre_scores_gemma":[0.9925321,0.00054668105,0.0003324586,0.0004096696,0.000004461002,0.00007786854,0.00008964444,0.000012552348,0.005994622],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99179274,0.0029460832,0.00025374806,0.0004850091,0.0015629068,0.0029595809],"domain_scores_gemma":[0.99053115,0.0035680002,0.0013272472,0.00045370296,0.0023753662,0.0017446685],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0056056012,0.0003395113,0.0005476625,0.0022383162,0.021249028,0.004593299,0.0021942954,0.0017792763,0.0029515952],"category_scores_gemma":[0.01314394,0.00065361714,0.00029053094,0.004194047,0.00793475,0.0021966887,0.0051818117,0.0024622174,0.00018909147],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003414892,0.00004174691,0.026576275,0.00006716435,0.000007692794,0.0022538838,0.96246874,0.00008045623,0.00028515668,0.0016460111,0.0011131441,0.0054256218],"study_design_scores_gemma":[0.0000028114546,0.00001633622,0.023121795,0.000078364064,0.0000046809587,0.0001324391,0.96305025,0.000058714922,0.00009659842,0.000064230284,0.013364826,0.000008955079],"about_ca_topic_score_codex":0.95304525,"about_ca_topic_score_gemma":0.98493886,"teacher_disagreement_score":0.094957344,"about_ca_system_score_codex":0.094957344,"about_ca_system_score_gemma":0.074436866,"threshold_uncertainty_score":0.688967},"labels":[],"label_agreement":null},{"id":"W7029725767","doi":"","title":"Le Vertige de l'évidence : Deuxième année photographique à Québec","year":2004,"lang":"fr","type":"book","venue":"E-Artexte (Artexte)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Feature (linguistics); Natural (archaeology)","score_opus":0.020179780141430025,"score_gpt":0.23884430171855292,"score_spread":0.2186645215771229,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7029725767","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08472823,0.13100968,0.006242291,0.12588607,0.01033445,0.0003329617,0.00443519,0.000253964,0.6367772],"genre_scores_gemma":[0.249574,0.029988121,0.004310213,0.0045267413,0.00046791404,0.000099063865,0.0006983344,0.00022259269,0.7101131],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992112,0.00012555692,0.000028369328,0.00011043288,0.0003209549,0.0002035785],"domain_scores_gemma":[0.99878234,0.00025516812,0.000045375098,0.000050861145,0.00071882555,0.00014750431],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011635021,0.0004367734,0.00036656455,0.0015768672,0.010075233,0.007200115,0.0007520001,0.0022949458,0.031769753],"category_scores_gemma":[0.002934031,0.00052029185,0.0004279797,0.0031750891,0.002717016,0.0017347448,0.0016006229,0.0033782334,0.0012631032],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017007413,0.00008208623,0.0072976574,0.0006734092,0.000054354605,0.0026996958,0.026408136,0.0009850216,0.0026827054,0.13472693,0.599056,0.2251639],"study_design_scores_gemma":[0.0000073955257,0.0000102647045,0.012837632,0.00021187647,0.000010937397,0.00017463305,0.0045461776,0.00011173691,0.0003363339,0.0009480593,0.9807798,0.000025238422],"about_ca_topic_score_codex":0.98713803,"about_ca_topic_score_gemma":0.9951898,"teacher_disagreement_score":0.04694025,"about_ca_system_score_codex":0.04694025,"about_ca_system_score_gemma":0.047511306,"threshold_uncertainty_score":0.34057695},"labels":[],"label_agreement":null},{"id":"W7030134588","doi":"","title":"MF107 Ole Larsen Photograph Collection (University of New Brunswick Library)","year":2024,"lang":"en","type":"article","venue":"DigitalCommons (California Polytechnic State University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"White (mutation); Photography; Work (physics); Data collection","score_opus":0.02039899114194336,"score_gpt":0.20265053834493085,"score_spread":0.1822515472029875,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7030134588","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021272202,0.008263004,0.0006411891,0.0026385828,0.0017874577,0.00030636147,0.100190066,0.0006624189,0.8833837],"genre_scores_gemma":[0.004140439,0.0050526983,0.0012649399,0.00023945374,0.00007667758,0.000086150256,0.020003472,0.00029351778,0.9688427],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995504,0.00002326564,0.000031498468,0.00008302011,0.00023700441,0.00007480918],"domain_scores_gemma":[0.9989945,0.000046737245,0.000037713533,0.000101941485,0.00073125813,0.00008783934],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00059217354,0.0006421556,0.00043248883,0.004764167,0.003200791,0.003610403,0.0011080386,0.00050158723,0.47866163],"category_scores_gemma":[0.0016254582,0.0005162831,0.00026936663,0.011238519,0.00059864053,0.0017539999,0.0011019103,0.0010258851,0.19164139],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019272025,0.0000059538706,0.00029901505,0.00013694803,0.0000016107085,0.00005920298,0.00023282939,0.000021156893,0.00030456966,0.0017125412,0.95280665,0.044400215],"study_design_scores_gemma":[0.0000013042377,8.202788e-7,0.001803957,0.00007267129,0.0000011278026,0.000020073865,0.00018878444,0.000004008892,0.000098118915,0.000057272937,0.9977488,0.0000030529995],"about_ca_topic_score_codex":0.65637946,"about_ca_topic_score_gemma":0.8727589,"teacher_disagreement_score":0.65637946,"about_ca_system_score_codex":0.011250723,"about_ca_system_score_gemma":0.011722047,"threshold_uncertainty_score":0.7436259},"labels":[],"label_agreement":null},{"id":"W7039602881","doi":"","title":"\\n Manufactured Landscapes: The Photographs of Edward Burtynsky, National Gallery of Canada, 31 January—4 May 2003","year":2003,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Line drawings; Clothing; Exhibition","score_opus":0.008049127798477053,"score_gpt":0.1659535631418949,"score_spread":0.15790443534341786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039602881","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034351725,0.039047334,0.00131095,0.045130253,0.009341597,0.0004370204,0.020582287,0.00060924876,0.8491896],"genre_scores_gemma":[0.042152524,0.006284832,0.0011211919,0.00157084,0.00025127572,0.000035227098,0.0020182051,0.00029966742,0.9462662],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997247,0.000014920198,0.000004613496,0.00003081305,0.00013058627,0.00009430916],"domain_scores_gemma":[0.99949193,0.000021380123,0.000015345824,0.000021476702,0.00032407106,0.00012570662],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033241027,0.0008309033,0.00035432706,0.002108648,0.01524182,0.0037974254,0.000963528,0.0011868825,0.062512875],"category_scores_gemma":[0.0006891779,0.0005093441,0.00040270438,0.002677878,0.0011938085,0.0010964909,0.0016730799,0.002058722,0.009805562],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032171636,0.0000068840786,0.00065357715,0.0000532963,0.0000046855794,0.00014797175,0.0017670818,0.00006596722,0.0003241149,0.0007003623,0.98574775,0.01049605],"study_design_scores_gemma":[0.0000020938728,0.000002599758,0.008792316,0.00009183204,0.000004300234,0.000088288485,0.0049281586,0.000028075488,0.00016457881,0.00008627561,0.9858015,0.000009939571],"about_ca_topic_score_codex":0.9550699,"about_ca_topic_score_gemma":0.9951899,"teacher_disagreement_score":0.062512875,"about_ca_system_score_codex":0.014311534,"about_ca_system_score_gemma":0.015958494,"threshold_uncertainty_score":0.20912641},"labels":[],"label_agreement":null},{"id":"W7039840578","doi":"","title":"Truth in Framing","year":2005,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Demotion","score_opus":0.017576511803109436,"score_gpt":0.23394072770940633,"score_spread":0.2163642159062969,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039840578","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03209839,0.013420041,0.05766515,0.061395388,0.0018449406,0.00006947536,0.00028146448,0.0001070998,0.833118],"genre_scores_gemma":[0.954543,0.0021887857,0.008539365,0.0028397506,0.0008993066,0.00011892399,0.00018446943,0.00015853364,0.030527854],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99140245,0.0053892815,0.00027684093,0.0012485265,0.0009128767,0.0007701123],"domain_scores_gemma":[0.99008816,0.0068504196,0.0005139101,0.0012409033,0.0009560468,0.00035059915],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.010093644,0.00063989294,0.0007763096,0.0026625672,0.008752641,0.013149235,0.0013237472,0.0049927975,0.014904908],"category_scores_gemma":[0.025803,0.0007371458,0.0005409582,0.0022590936,0.0381882,0.019889409,0.0047989325,0.0058531174,0.0012722034],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000089046625,0.000002556431,0.00007010074,0.000013786419,0.000001320427,0.000017038607,0.0039935037,0.000056720117,0.000018828461,0.99242365,0.0016688954,0.0017246483],"study_design_scores_gemma":[0.000011470941,0.0000049223295,0.00011205596,0.00008856346,0.000005761601,0.00002975435,0.0027060208,0.00020122215,0.00008038863,0.95733654,0.03941622,0.0000070202154],"about_ca_topic_score_codex":0.010695019,"about_ca_topic_score_gemma":0.005833243,"teacher_disagreement_score":0.014904908,"about_ca_system_score_codex":0.006694097,"about_ca_system_score_gemma":0.0034807723,"threshold_uncertainty_score":0.053380907},"labels":[],"label_agreement":null},{"id":"W7040911845","doi":"","title":"Raymonde April","year":2012,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Object (grammar); Line drawings; Photography; Period (music)","score_opus":0.036983540361885135,"score_gpt":0.2377586219891657,"score_spread":0.20077508162728055,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7040911845","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006066943,0.019494627,0.0004985846,0.008773247,0.0058127707,0.000036893958,0.000464321,0.00035928484,0.9639536],"genre_scores_gemma":[0.0028011382,0.0025231808,0.00023589893,0.0016233806,0.00024073131,0.000012495021,0.000082937775,0.00009469299,0.9923855],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995695,0.000064999804,0.000009211059,0.000081161554,0.00020519436,0.000069996255],"domain_scores_gemma":[0.99976283,0.000053632837,0.000014064955,0.000025644338,0.000100102385,0.00004374876],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031073668,0.0009414223,0.0002555202,0.0014742862,0.0044101574,0.0043532373,0.00063438935,0.001471823,0.16289201],"category_scores_gemma":[0.0011253582,0.00033088535,0.0003556627,0.001066984,0.0014409916,0.0023399421,0.0018103938,0.0023143883,0.040454675],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011254792,0.0000034896689,0.00007101102,0.000049098333,0.0000011385717,0.00007565141,0.0007148996,0.000021589827,0.0001021356,0.050436515,0.9226533,0.025859876],"study_design_scores_gemma":[2.7364223e-7,6.4565467e-7,0.00004026541,0.00001668179,1.7225743e-7,0.000024764982,0.000060966926,0.0000027284966,0.000018810206,0.00021379099,0.99961984,9.247342e-7],"about_ca_topic_score_codex":0.13525844,"about_ca_topic_score_gemma":0.36321837,"teacher_disagreement_score":0.837108,"about_ca_system_score_codex":0.0049709077,"about_ca_system_score_gemma":0.0031592848,"threshold_uncertainty_score":0.5449281},"labels":[],"label_agreement":null},{"id":"W7040977070","doi":"","title":"VU","year":2008,"lang":"lb","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The arts; Plastic arts; Canna","score_opus":0.01576205133273223,"score_gpt":0.1671543715029791,"score_spread":0.15139232017024687,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7040977070","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0023591565,0.0013607875,0.004386834,0.0041868985,0.0028962328,0.00015318907,0.0016515723,0.0016474279,0.9813579],"genre_scores_gemma":[0.028589802,0.001584013,0.0047706678,0.0034354178,0.00068588747,0.00016085495,0.0031890299,0.0012122549,0.956372],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977715,0.0003448419,0.00014613777,0.00055220193,0.0008361598,0.000349149],"domain_scores_gemma":[0.9980196,0.00021656683,0.00011318946,0.0003946404,0.00089474715,0.00036131547],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016837856,0.00088967854,0.00050136255,0.0018024353,0.0030367232,0.009239837,0.0015652246,0.003030466,0.42822608],"category_scores_gemma":[0.0046978616,0.00050092785,0.00063631794,0.0014729915,0.0014349772,0.0056868074,0.0041515534,0.0024916586,0.2333952],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015035731,0.00007092813,0.0022941376,0.00047651402,0.000018389454,0.0004762993,0.0019563164,0.00023887424,0.0015740746,0.16724497,0.5830196,0.2424795],"study_design_scores_gemma":[0.000004037782,0.000007198482,0.00031866485,0.00006612301,0.0000025398936,0.00009588662,0.0002673565,0.00004345225,0.0001911591,0.0023943647,0.99660325,0.0000061180413],"about_ca_topic_score_codex":0.010403473,"about_ca_topic_score_gemma":0.009719687,"teacher_disagreement_score":0.42822608,"about_ca_system_score_codex":0.002545926,"about_ca_system_score_gemma":0.0037698383,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W7042483421","doi":"","title":"Photogenic Montreal: Activisms and Archives in a Post-Industrial City, Martha Langford and Johanne Sloan (editors), Montreal, McGill-Queen’s University Press, 2021, 368 p.","year":2022,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Assemblage (archaeology); Context (archaeology); Natural (archaeology)","score_opus":0.011884240466090852,"score_gpt":0.163511440961545,"score_spread":0.15162720049545414,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7042483421","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022788155,0.88546085,0.00027465643,0.028281614,0.0047174697,0.000021436037,0.00035563103,0.00013715932,0.0784725],"genre_scores_gemma":[0.051620785,0.6832544,0.0010110182,0.004675929,0.0062284954,0.00005423988,0.0005622808,0.00019595615,0.25239694],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993013,0.00017790834,0.000020465675,0.00006678171,0.00029486188,0.00013865774],"domain_scores_gemma":[0.9992231,0.00020293564,0.00007957797,0.000048420097,0.0001900332,0.0002559421],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010072341,0.0016811698,0.00054820196,0.00235913,0.0032327992,0.010621904,0.0019780896,0.0017815992,0.03258451],"category_scores_gemma":[0.0017175785,0.00070287,0.0003366356,0.007642741,0.004955951,0.0036755498,0.0026993041,0.0018053141,0.005099233],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029211802,0.000024605279,0.0006269869,0.0007840125,0.000016950453,0.0001395125,0.0065206517,0.0001774622,0.00024611838,0.02141725,0.79551756,0.17449975],"study_design_scores_gemma":[0.0000037349714,0.0000034100867,0.0025646507,0.00037617696,0.000008282233,0.00007416627,0.0031798983,0.000017686532,0.000053127522,0.0006044013,0.99310595,0.0000086001355],"about_ca_topic_score_codex":0.64947397,"about_ca_topic_score_gemma":0.8466376,"teacher_disagreement_score":0.35052603,"about_ca_system_score_codex":0.01625807,"about_ca_system_score_gemma":0.019868623,"threshold_uncertainty_score":0.7051807},"labels":[],"label_agreement":null},{"id":"W7043246263","doi":"","title":"Review of The Undead Archive: 100 Years of Photographing Ghosts, curated by Serena Keshavjee","year":2024,"lang":"en","type":"article","venue":"WinnSpace (University of Winnipeg)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Art gallery","score_opus":0.01693501550846357,"score_gpt":0.22352574965516844,"score_spread":0.20659073414670487,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7043246263","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00117152,0.6070899,0.0010575961,0.09032834,0.19418232,0.00029108115,0.005376576,0.00038274706,0.1001199],"genre_scores_gemma":[0.00849648,0.5595602,0.0028779,0.021882951,0.042492025,0.00026843365,0.008667132,0.0011906668,0.3545642],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968076,0.0004351609,0.00032394126,0.00020476463,0.0019748441,0.00025377824],"domain_scores_gemma":[0.9627956,0.0020739983,0.001213902,0.0014212946,0.029792773,0.002702523],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0052056033,0.0009423991,0.0009499513,0.011706066,0.0037304177,0.0050812154,0.0019820405,0.0013010331,0.053176563],"category_scores_gemma":[0.020644654,0.0007557101,0.00040103387,0.008567512,0.0023325223,0.003559937,0.0028837218,0.002293925,0.031017166],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000048817024,0.0000013379614,0.00007705721,0.0003202476,0.000001639569,0.00003264339,0.00015011319,0.000008038264,0.000040986568,0.00039890895,0.97906053,0.019903641],"study_design_scores_gemma":[6.9136513e-7,0.0000012459785,0.00064372295,0.0008047531,0.0000019205231,0.00008406201,0.00026710166,0.0000033820534,0.000021627262,0.000049428305,0.9981186,0.000003375763],"about_ca_topic_score_codex":0.28925127,"about_ca_topic_score_gemma":0.54154855,"teacher_disagreement_score":0.28925127,"about_ca_system_score_codex":0.007561555,"about_ca_system_score_gemma":0.021644395,"threshold_uncertainty_score":0.5751353},"labels":[],"label_agreement":null},{"id":"W7043625193","doi":"","title":"Tintype of Seated African American Gentleman [n.d.]","year":2011,"lang":"en","type":"article","venue":"Brock University Digital Repository (Brock University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"African american; White (mutation); Possession (linguistics); African-American culture; Photography; National museum; Aside; Culture of the United States","score_opus":0.02495871349583914,"score_gpt":0.1845393182507081,"score_spread":0.15958060475486896,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7043625193","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.032099575,0.0015471306,0.00065509015,0.0038998176,0.0031440547,0.00019601174,0.0057965363,0.00026406214,0.9523979],"genre_scores_gemma":[0.103090495,0.0018525152,0.0008418905,0.0024380016,0.0003602916,0.00013099187,0.0030336585,0.00014730186,0.8881048],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9999529,0.000004153417,0.0000017335879,0.000013180804,0.000012097323,0.000015954203],"domain_scores_gemma":[0.9999342,0.0000034066736,0.000006616485,0.000004807599,0.00003431109,0.00001661995],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007830957,0.0003651094,0.00020211247,0.00040155146,0.003077316,0.0004612876,0.0003443542,0.00032176307,0.24403326],"category_scores_gemma":[0.0002596482,0.00013520171,0.00009419608,0.0004920299,0.00024983325,0.00063170504,0.00051519426,0.00076526863,0.045330662],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009437628,0.000057777233,0.0029950845,0.00008815338,0.000004078827,0.0010727094,0.002266804,0.000017241144,0.0014311565,0.002663712,0.91348076,0.075828165],"study_design_scores_gemma":[0.0000053733597,0.000025693977,0.011261102,0.00006579043,0.0000021365881,0.00059280044,0.0019600857,0.000013612432,0.00020677857,0.000107278276,0.9857544,0.0000049261625],"about_ca_topic_score_codex":0.038483277,"about_ca_topic_score_gemma":0.12879595,"teacher_disagreement_score":0.24403326,"about_ca_system_score_codex":0.0003720201,"about_ca_system_score_gemma":0.00033052466,"threshold_uncertainty_score":0.8163726},"labels":[],"label_agreement":null},{"id":"W7043633440","doi":"","title":"Tintype of Three African American Women [n.d.]","year":2011,"lang":"en","type":"article","venue":"Brock University Digital Repository (Brock University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Diafiltration; Fusible alloy; Gestational period; TSG101; Liquation; Hyporeflexia; Articular cartilage damage","score_opus":0.024399801962474984,"score_gpt":0.17861620303291922,"score_spread":0.15421640107044424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7043633440","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20125341,0.006611676,0.0018956556,0.035179943,0.008218694,0.00056157453,0.004605427,0.0002696969,0.741404],"genre_scores_gemma":[0.36276188,0.0057501,0.0020737764,0.023733402,0.000554477,0.00046912578,0.0017638173,0.0001415513,0.602752],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999931,0.00000891549,0.0000024379315,0.000018278959,0.000012974758,0.00002646328],"domain_scores_gemma":[0.9999285,0.000006946645,0.000007183791,0.0000047225944,0.000025667843,0.000027015822],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011984299,0.0005231318,0.00030959467,0.0004280264,0.0059759296,0.0005006777,0.00041246376,0.0006123661,0.061054885],"category_scores_gemma":[0.00040587757,0.0002860345,0.00015294382,0.0004843262,0.0004279212,0.0006977677,0.00069755566,0.0016610341,0.008942315],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003245816,0.00027457942,0.015631719,0.00020137083,0.000019170762,0.0067451266,0.026352255,0.000058374233,0.0027281889,0.008034295,0.7668877,0.17274268],"study_design_scores_gemma":[0.000019955343,0.00014340701,0.03972586,0.00020396576,0.000011826893,0.003906802,0.023188043,0.00005537133,0.000414205,0.0006073662,0.9316975,0.000025797473],"about_ca_topic_score_codex":0.07134887,"about_ca_topic_score_gemma":0.21018332,"teacher_disagreement_score":0.07134887,"about_ca_system_score_codex":0.0005418825,"about_ca_system_score_gemma":0.00059924135,"threshold_uncertainty_score":0.20424896},"labels":[],"label_agreement":null},{"id":"W7044119185","doi":"","title":"Venezia nelle fotografie stereoscopiche di Underwood&amp;Underwood","year":2014,"lang":"it","type":"book-chapter","venue":"Research Padua  Archive (University of Padua)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Happening; Fortuna","score_opus":0.15869314830879824,"score_gpt":0.3136682959888959,"score_spread":0.15497514768009765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7044119185","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018958736,0.019389719,0.0058451593,0.0020264313,0.0015033402,0.000034097728,0.000118266245,0.00013124308,0.9690558],"genre_scores_gemma":[0.01361695,0.008693702,0.0019545425,0.00068537716,0.00028184435,0.000027662281,0.000076791686,0.00010519027,0.97455794],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997863,0.0000249016,0.0000051385055,0.000055041095,0.00010385042,0.000024780638],"domain_scores_gemma":[0.9998622,0.000048768987,0.000008090826,0.0000170293,0.00005128411,0.000012686084],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021175147,0.0004903488,0.00014199222,0.0013077037,0.0012442813,0.0026028955,0.00031822608,0.00070180447,0.027914621],"category_scores_gemma":[0.00042599972,0.00026017628,0.00018821817,0.0014137465,0.0020927866,0.0016455177,0.000779723,0.002232694,0.0060811355],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002659968,0.000021982325,0.00024295406,0.00021302079,0.0000031624268,0.00009162203,0.0019300093,0.0003191321,0.0017627242,0.40832984,0.3550877,0.23197122],"study_design_scores_gemma":[8.654669e-7,0.0000037732239,0.00022382344,0.000045539757,9.43405e-7,0.00006723571,0.00010391846,0.00006964702,0.0002827802,0.0045702783,0.9946287,0.0000025485808],"about_ca_topic_score_codex":0.024815883,"about_ca_topic_score_gemma":0.058880832,"teacher_disagreement_score":0.027914621,"about_ca_system_score_codex":0.00279259,"about_ca_system_score_gemma":0.0022555366,"threshold_uncertainty_score":0.09338367},"labels":[],"label_agreement":null},{"id":"W7046166607","doi":"","title":"Contact : Toronto Photography Festival : Still Revolution","year":2009,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Feature (linguistics); Exhibition; Industrial Revolution","score_opus":0.02110424073562354,"score_gpt":0.24387355733156513,"score_spread":0.2227693165959416,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7046166607","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001511705,0.007482911,0.00023992689,0.0044901147,0.003174893,0.00006277942,0.0030656694,0.0005004573,0.97947145],"genre_scores_gemma":[0.005012402,0.0014669859,0.00009831928,0.00021987985,0.00023572888,0.000012050094,0.00051683816,0.00013390167,0.9923039],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99976975,0.000017118924,0.000004658492,0.00003562375,0.00009676477,0.00007610547],"domain_scores_gemma":[0.9996531,0.000031784824,0.000013249293,0.00004348757,0.000101782476,0.00015665329],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034638634,0.000946437,0.00042773742,0.0015624379,0.005965088,0.005282599,0.0007125533,0.0021001257,0.5046275],"category_scores_gemma":[0.000634097,0.00041700638,0.0004013517,0.0022976135,0.0010935819,0.0018457376,0.0019049984,0.001825957,0.13478757],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018659544,0.0000046401055,0.00008460518,0.0000575558,0.0000013189853,0.000059280006,0.0002423021,0.000017807115,0.00015345315,0.002678077,0.9854807,0.011201613],"study_design_scores_gemma":[0.000002889997,0.00000340077,0.0008214006,0.000034518827,0.000001334997,0.000022128526,0.00031099643,0.00000976287,0.000066642264,0.00013694607,0.998587,0.000003016702],"about_ca_topic_score_codex":0.37634134,"about_ca_topic_score_gemma":0.81164837,"teacher_disagreement_score":0.5046275,"about_ca_system_score_codex":0.009411887,"about_ca_system_score_gemma":0.0047667404,"threshold_uncertainty_score":0.7483016},"labels":[],"label_agreement":null},{"id":"W7067510815","doi":"","title":"&lt;em&gt;Faking Death: Art Photography and the Canadian Imagination&lt;/em&gt; by Penny Cousineau-Levine [Review]","year":2003,"lang":"en","type":"article","venue":"Scholars Commons (Wilfrid Laurier University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Feature (linguistics); Photojournalism; Exhibition","score_opus":0.016778553132168538,"score_gpt":0.21426827739340154,"score_spread":0.197489724261233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7067510815","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00024619492,0.9697328,0.000047325397,0.017114455,0.001836374,0.000010222875,0.00004218765,0.0000049046807,0.01096548],"genre_scores_gemma":[0.0073077288,0.963512,0.00014683732,0.005533867,0.0017267988,0.000021455106,0.00005539593,0.000008058519,0.021687837],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988391,0.0003081644,0.00004496507,0.00009610247,0.0005828323,0.00012885369],"domain_scores_gemma":[0.9967398,0.001533988,0.0002494882,0.00007492245,0.0012297046,0.00017214414],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021125958,0.0009885799,0.00078181515,0.003931452,0.0035236345,0.004521919,0.0009873459,0.0035716186,0.018901648],"category_scores_gemma":[0.0060382793,0.00039312168,0.00045351047,0.006054488,0.0052230856,0.0039178017,0.0013835956,0.0020787278,0.0025169416],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040251583,0.000015924266,0.00047525598,0.0035681273,0.000034837532,0.00014654496,0.0016987076,0.00007120329,0.00014996654,0.01458617,0.7184195,0.2607936],"study_design_scores_gemma":[0.0000148793715,0.000014578087,0.0033707651,0.0042907037,0.00003699827,0.00022864633,0.0017825592,0.000023426672,0.00008753035,0.0013212172,0.98880416,0.000024549654],"about_ca_topic_score_codex":0.5211668,"about_ca_topic_score_gemma":0.726946,"teacher_disagreement_score":0.4788332,"about_ca_system_score_codex":0.008681484,"about_ca_system_score_gemma":0.015163741,"threshold_uncertainty_score":0.9633063},"labels":[],"label_agreement":null},{"id":"W7070204345","doi":"","title":"Uncertain Memory","year":2016,"lang":"en","type":"dissertation","venue":"UWSpace (University of Waterloo)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Ambiguity; Painting; Focus (optics); Identity (music); Literal and figurative language; Process (computing); Personal identity","score_opus":0.020346603177724115,"score_gpt":0.21489169313422546,"score_spread":0.19454508995650135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7070204345","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034748163,0.0036481693,0.04019659,0.01861481,0.0012595291,0.00012364233,0.0007016489,0.00046492027,0.9002425],"genre_scores_gemma":[0.76071244,0.0036836865,0.00891618,0.005586852,0.000719609,0.00016125687,0.0008506353,0.0002953775,0.2190739],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99826485,0.0005718183,0.000081835446,0.00030786713,0.0005081654,0.00026545476],"domain_scores_gemma":[0.9963659,0.0011883092,0.00038815435,0.00089903857,0.0007516041,0.0004069184],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017572105,0.0005410928,0.00029397788,0.00077943323,0.0030193313,0.006581171,0.001399949,0.001808758,0.050394557],"category_scores_gemma":[0.011821279,0.00029538374,0.00038624104,0.00082060666,0.005543076,0.010508728,0.005378075,0.0021990822,0.0063497256],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014668668,0.000043023556,0.0023034364,0.00027066426,0.000024604255,0.0005460747,0.020598417,0.0004892308,0.0007221776,0.78246784,0.09958203,0.0928059],"study_design_scores_gemma":[0.000015691203,0.00005038261,0.0017074128,0.00027910958,0.000020439438,0.00097045075,0.010846318,0.0006855316,0.00090971787,0.2595611,0.72491217,0.000041817035],"about_ca_topic_score_codex":0.003219144,"about_ca_topic_score_gemma":0.003997858,"teacher_disagreement_score":0.050394557,"about_ca_system_score_codex":0.0022950908,"about_ca_system_score_gemma":0.0015241505,"threshold_uncertainty_score":0.16858661},"labels":[],"label_agreement":null},{"id":"W7070980211","doi":"","title":"Photographie, autoreprésentation et décolonisation : les catalogues et brochures d'expositions collectives de photographes autochtones aux États-Unis et au Canada - 1984-2009","year":2024,"lang":"fr","type":"other","venue":"Archipelago (Université du Québec à Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Social power; Context (archaeology); Social impact","score_opus":0.01638777219058287,"score_gpt":0.22926187066081097,"score_spread":0.2128740984702281,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7070980211","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.56344104,0.013894036,0.0034698474,0.00820185,0.0006266993,0.00017983503,0.0032770825,0.00026993087,0.40663978],"genre_scores_gemma":[0.71615654,0.007915979,0.0017607015,0.00055772427,0.00012364199,0.000092926304,0.0010355833,0.00022473148,0.27213222],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99869776,0.00021064842,0.000029419029,0.00014964686,0.0006032436,0.00030920882],"domain_scores_gemma":[0.99823964,0.00039766607,0.00015239955,0.00023738739,0.0007025699,0.00027031958],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014126907,0.0004486822,0.000303117,0.0037016708,0.012100943,0.0057473388,0.00081068353,0.000632926,0.017188273],"category_scores_gemma":[0.00213706,0.00027908903,0.00029939332,0.007920852,0.0064319195,0.0017548784,0.0028632393,0.001315941,0.0014420679],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014163385,0.000033015553,0.020248469,0.0006817305,0.00003092637,0.00089255057,0.74275595,0.0003683283,0.0034103694,0.03738467,0.0683185,0.12573388],"study_design_scores_gemma":[0.0000046416335,0.000017647157,0.060813293,0.00032414505,0.000017096268,0.00032867468,0.177657,0.00007517876,0.0008012699,0.00044325003,0.75948983,0.000027927117],"about_ca_topic_score_codex":0.8769242,"about_ca_topic_score_gemma":0.9622383,"teacher_disagreement_score":0.12307578,"about_ca_system_score_codex":0.034381464,"about_ca_system_score_gemma":0.028553706,"threshold_uncertainty_score":0.24945617},"labels":[],"label_agreement":null},{"id":"W7071566473","doi":"","title":"Trois photographes montréalais+, Galerie McClure du Centre des arts visuels, Montréal","year":2022,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Photography; The arts; Exposition (narrative)","score_opus":0.00946880037043056,"score_gpt":0.1645575619061232,"score_spread":0.15508876153569262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7071566473","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011464003,0.05008744,0.0021265144,0.027045883,0.014138001,0.0002481598,0.011905379,0.0010885469,0.881896],"genre_scores_gemma":[0.028300121,0.0061177616,0.0015175106,0.00081904675,0.0010030812,0.000034470606,0.0009475655,0.0003374797,0.9609229],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991848,0.00010788019,0.0000151323175,0.000212131,0.00033259747,0.00014745713],"domain_scores_gemma":[0.9991271,0.00009814068,0.000044897555,0.00005607818,0.00046392012,0.00020985694],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007331053,0.0016062114,0.00042647772,0.002530305,0.0053737275,0.0036609054,0.00081984495,0.0010549783,0.36138788],"category_scores_gemma":[0.001703813,0.0006354928,0.00061879476,0.0021318377,0.0009640253,0.0010347806,0.0016315761,0.0018580881,0.0380889],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013804571,0.000033858763,0.0016816688,0.00020868586,0.000026980817,0.000558764,0.00047793,0.00031971134,0.002130195,0.011071982,0.9035225,0.079829745],"study_design_scores_gemma":[0.000008926647,0.000010763176,0.007494096,0.00006789872,0.000007403485,0.00019643568,0.00033877933,0.0000688954,0.0003703923,0.00024036538,0.9911841,0.000011948455],"about_ca_topic_score_codex":0.75385195,"about_ca_topic_score_gemma":0.92020833,"teacher_disagreement_score":0.36138788,"about_ca_system_score_codex":0.010176169,"about_ca_system_score_gemma":0.0077423854,"threshold_uncertainty_score":0.9109027},"labels":[],"label_agreement":null},{"id":"W7071731870","doi":"","title":"Ubiquity : Photography's Multitudes","year":2021,"lang":"en","type":"book","venue":"BiblioBoard Library Catalog (Open Research Library)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Mythology; Subject (documents); PARRY; Portrait; Ridiculous","score_opus":0.17723394913116605,"score_gpt":0.3559637226159237,"score_spread":0.17872977348475763,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7071731870","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.043801393,0.04066744,0.007289838,0.09510972,0.0050032157,0.000058560603,0.00011459772,0.00013243195,0.8078229],"genre_scores_gemma":[0.8567042,0.016971657,0.0024295952,0.007310133,0.00596455,0.000115682895,0.00006681505,0.00020296012,0.11023444],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99679214,0.0016373849,0.00009925764,0.0005590653,0.0006693322,0.00024286639],"domain_scores_gemma":[0.9947732,0.003478985,0.00043443765,0.0006071454,0.00040111324,0.00030528518],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0035346532,0.00071016495,0.00060507347,0.0035808487,0.011297024,0.016934652,0.0008728989,0.0023223723,0.008823465],"category_scores_gemma":[0.008233131,0.0004812704,0.00040353287,0.0021092873,0.03656971,0.023310352,0.008212101,0.004600661,0.0008436824],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012141871,0.000006636954,0.00027127,0.00007532723,0.000004175364,0.00019081752,0.05619503,0.00003253845,0.00010783628,0.9092616,0.024151716,0.009690989],"study_design_scores_gemma":[0.00001065225,0.000015186969,0.0009005993,0.0004884925,0.0000075355097,0.00046874685,0.042083345,0.000105604624,0.00017878019,0.19005653,0.7656679,0.000016684158],"about_ca_topic_score_codex":0.002069105,"about_ca_topic_score_gemma":0.0028607312,"teacher_disagreement_score":0.016934652,"about_ca_system_score_codex":0.004866267,"about_ca_system_score_gemma":0.0014437985,"threshold_uncertainty_score":0.035307467},"labels":[],"label_agreement":null},{"id":"W7071802329","doi":"","title":"On (Un)Truths of Photography : A Discussion with Photographer and Visual Artist Richard-Max Tremblay","year":2020,"lang":"en","type":"article","venue":"E-Artexte (Artexte)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; Dysgeusia; TSG101; Diafiltration; Liquation; Durvalumab; Triacetin; Fusible alloy","score_opus":0.014234995269597726,"score_gpt":0.21914200645747686,"score_spread":0.20490701118787913,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7071802329","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12051286,0.033386864,0.0034671829,0.67733157,0.0049686134,0.00009948582,0.00006221864,0.00007701265,0.1600942],"genre_scores_gemma":[0.90122646,0.009081886,0.0011372854,0.05607502,0.0013724726,0.000077617835,0.000018341329,0.00015947728,0.030851303],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9609195,0.031728223,0.0006130317,0.0012727606,0.0034614415,0.0020049952],"domain_scores_gemma":[0.96358967,0.029661179,0.0013914681,0.0006613322,0.0028121083,0.0018841668],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.028420342,0.00076081377,0.0010139447,0.001677305,0.05659406,0.015506035,0.0029233622,0.015176137,0.003947583],"category_scores_gemma":[0.043761324,0.001129438,0.0006780942,0.0017773551,0.060119323,0.014518464,0.0076550795,0.025309265,0.0004956876],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000138963,0.0000067447613,0.0001566577,0.000052664313,0.000003873634,0.00079831824,0.93303597,0.000026334279,0.00018290668,0.04409088,0.01924997,0.0023819075],"study_design_scores_gemma":[0.0000063217385,0.000012716547,0.00037771478,0.00038900092,0.000006291942,0.00046488544,0.8133288,0.000059715298,0.00021346564,0.003571357,0.18154056,0.000029251027],"about_ca_topic_score_codex":0.16121653,"about_ca_topic_score_gemma":0.20648965,"teacher_disagreement_score":0.16121653,"about_ca_system_score_codex":0.024670424,"about_ca_system_score_gemma":0.012941915,"threshold_uncertainty_score":0.32055628},"labels":[],"label_agreement":null},{"id":"W7093503688","doi":"","title":"Ðев ÐеÑдников: РÑÑÑкий ÐаланÑнÑй век в лиÑÐ°Ñ Ð¸ ÑÑжеÑаÑ: в 2 кн. Montreal: Accent Graphics Communications 2013, кн. 1â2","year":2015,"lang":"ru","type":"article","venue":"Russian Review (Polish Association of Russian Studies)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Focus (optics); Process (computing); Graphics; Feature (linguistics)","score_opus":0.12518556509118597,"score_gpt":0.36856794953132466,"score_spread":0.24338238444013868,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7093503688","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014551742,0.7633106,0.0030286424,0.015397052,0.007943474,0.000049035676,0.00032407435,0.00017077144,0.20832117],"genre_scores_gemma":[0.027252007,0.79920685,0.0038948625,0.0028810818,0.004549899,0.000077385565,0.0004901941,0.00013427508,0.1615134],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991811,0.00020089104,0.000061021998,0.00013645063,0.00035007027,0.00007051603],"domain_scores_gemma":[0.9991043,0.00021717678,0.00008490332,0.000050415885,0.00047529506,0.00006780854],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013988675,0.00073231803,0.00044611373,0.0020652246,0.0012296061,0.004865032,0.00085620536,0.0011890081,0.049429238],"category_scores_gemma":[0.0022476215,0.0003117518,0.00043318424,0.0022699058,0.0017768448,0.004043833,0.0015413557,0.0013845434,0.020800304],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052463867,0.000042089297,0.00083354977,0.0033754034,0.00004060981,0.00013460613,0.00072704855,0.00014476056,0.001300021,0.07872124,0.3812121,0.5334162],"study_design_scores_gemma":[0.0000024607136,0.0000076602655,0.00084448524,0.00062001275,0.0000088402685,0.00021824159,0.00031457437,0.000031755706,0.0004289597,0.0032532064,0.994263,0.0000068041754],"about_ca_topic_score_codex":0.011041517,"about_ca_topic_score_gemma":0.011904372,"teacher_disagreement_score":0.95057076,"about_ca_system_score_codex":0.0026559683,"about_ca_system_score_gemma":0.00308826,"threshold_uncertainty_score":0.16535729},"labels":[],"label_agreement":null},{"id":"W7094558691","doi":"","title":"Review of &lt;i&gt; 'Pictures Bring Us Messages' / Sinaakssiiksi aohtsimaahpihkookiyaawa: Photographs and Histories from the Kainai Nation&lt;/i&gt; by Alison K. Brown and Laura Peers with members of the Kainai Nation","year":2007,"lang":"","type":"article","venue":"Insecta mundi","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Line drawings","score_opus":0.01582607544568654,"score_gpt":0.22982316578564277,"score_spread":0.21399709033995623,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7094558691","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00053398893,0.97603875,0.00012327227,0.005464392,0.0061781676,0.000008953247,0.00018674634,0.000014094195,0.011451602],"genre_scores_gemma":[0.005117082,0.97901505,0.00020763253,0.0020260843,0.002521005,0.000017092576,0.00029362252,0.000023306991,0.010779162],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999451,0.00009893756,0.00008752794,0.00008625184,0.00021854362,0.00005777227],"domain_scores_gemma":[0.9952415,0.0014173615,0.00052619603,0.00018899767,0.002383698,0.00024222345],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011917435,0.0005508518,0.00058059976,0.0065101236,0.001043302,0.0030203837,0.0011898805,0.0011684651,0.02064588],"category_scores_gemma":[0.004725289,0.00043898716,0.00026804674,0.011925676,0.0017312354,0.0036859124,0.00090763485,0.0014299183,0.007039136],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002657918,0.000021396358,0.00078695844,0.011714861,0.00002611929,0.00015714078,0.0010955265,0.00007835081,0.000389472,0.003570082,0.5285741,0.45355946],"study_design_scores_gemma":[7.2017815e-7,0.000004369824,0.0018933245,0.0032149074,0.000009344731,0.00020547883,0.0006005415,0.000005302242,0.000052362302,0.00008878133,0.993919,0.000005658468],"about_ca_topic_score_codex":0.022724602,"about_ca_topic_score_gemma":0.06397936,"teacher_disagreement_score":0.9772754,"about_ca_system_score_codex":0.0025547857,"about_ca_system_score_gemma":0.0041001085,"threshold_uncertainty_score":0.06906736},"labels":[],"label_agreement":null},{"id":"W7094735685","doi":"","title":"Review of &lt;i&gt;Defamiliarizing the Aboriginal: Cultural Practices\\nand Decolonization in Canada.&lt;/i&gt; By Julia V.\\nEmberley.","year":2009,"lang":"","type":"article","venue":"Insecta mundi","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Decolonization; Colonialism; Indigenous; Agency (philosophy); Representation (politics); Context (archaeology); Postcolonialism (international relations); Hegemony","score_opus":0.022335144914700275,"score_gpt":0.2948912380453229,"score_spread":0.2725560931306226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7094735685","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00030672204,0.9883662,0.00004991814,0.0052470053,0.0010188331,0.0000073107635,0.00009747369,0.0000070919327,0.0048994715],"genre_scores_gemma":[0.0037943167,0.98876053,0.00007995718,0.0018058807,0.0004442847,0.0000089210625,0.00012660131,0.000012013959,0.004967404],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979874,0.0002123706,0.00013332276,0.00016534534,0.0011646758,0.00033684188],"domain_scores_gemma":[0.9933964,0.0009140657,0.0003326028,0.00008646008,0.004701733,0.00056870905],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00243521,0.0008836498,0.0012859844,0.008076808,0.0048286677,0.0045700297,0.0022523564,0.0019888652,0.0064662527],"category_scores_gemma":[0.0045371437,0.0007158411,0.0004537578,0.024772078,0.006481207,0.002320528,0.0015187156,0.0025406398,0.0010439946],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005164743,0.000044435314,0.0011940054,0.018212246,0.00006684305,0.0004128923,0.007991117,0.0003880884,0.00034830265,0.017438374,0.5807044,0.3731477],"study_design_scores_gemma":[0.000002632118,0.000012085177,0.0037475056,0.0050663436,0.00002222317,0.00013904576,0.001964605,0.000021271466,0.0000579472,0.00026451502,0.9886828,0.000019010333],"about_ca_topic_score_codex":0.95241016,"about_ca_topic_score_gemma":0.97580546,"teacher_disagreement_score":0.049187444,"about_ca_system_score_codex":0.049187444,"about_ca_system_score_gemma":0.12938099,"threshold_uncertainty_score":0.35688156},"labels":[],"label_agreement":null},{"id":"W7095705158","doi":"","title":"EPISTEMOLOGY OF THE CARTESIAN IMAGE","year":2014,"lang":"en","type":"article","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Inclusion (mineral); Image (mathematics); Context (archaeology); Ontology; Set (abstract data type)","score_opus":0.01554809026733562,"score_gpt":0.2204958047206928,"score_spread":0.2049477144533572,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7095705158","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.060764335,0.013523773,0.10497841,0.024249928,0.0010487022,0.000042980813,0.0002949306,0.00012226556,0.7949747],"genre_scores_gemma":[0.9662076,0.0026075228,0.0138749415,0.0010405297,0.0005277316,0.000075921926,0.00011996995,0.000090401016,0.015455295],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99685705,0.0020931605,0.000108479115,0.0004242231,0.00034833397,0.00016875377],"domain_scores_gemma":[0.9951846,0.0027976742,0.0002230014,0.00092799397,0.0006215444,0.00024514346],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0034842272,0.00036174123,0.00056825,0.0018124146,0.0038590024,0.006969744,0.0007353545,0.0014785766,0.0068459464],"category_scores_gemma":[0.0067390446,0.00036142534,0.00057342777,0.0012222939,0.034424126,0.009368729,0.00403086,0.003220339,0.0008688283],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000032141054,0.000001874914,0.00005084125,0.000010720268,0.000001135773,0.0000072635876,0.00084771833,0.000047502646,0.000016583523,0.9976731,0.0004435821,0.00089648913],"study_design_scores_gemma":[0.0000050076633,0.000003735741,0.00012352296,0.00003648338,0.000002447675,0.00003392213,0.0007496488,0.00025271458,0.00004214047,0.98537755,0.013369634,0.000003180846],"about_ca_topic_score_codex":0.004410421,"about_ca_topic_score_gemma":0.0026843408,"teacher_disagreement_score":0.006969744,"about_ca_system_score_codex":0.004269732,"about_ca_system_score_gemma":0.0023512735,"threshold_uncertainty_score":0.030979216},"labels":[],"label_agreement":null},{"id":"W7097830318","doi":"","title":"Imaginary. Bazin and Malraux on the Limits of Painting and Photography","year":2015,"lang":"en","type":"article","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Exhibition; Photography; Promotion (chess)","score_opus":0.09749215555889088,"score_gpt":0.27321382591683574,"score_spread":0.17572167035794486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7097830318","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005120348,0.23245664,0.0026349202,0.32963562,0.007558858,0.00003328466,0.00019905825,0.00008078772,0.4222804],"genre_scores_gemma":[0.36471575,0.17221747,0.006886865,0.089879565,0.017268194,0.00017534565,0.00019949893,0.0003849,0.34827235],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99754614,0.0013124192,0.00011190069,0.00026263393,0.00059492956,0.00017189723],"domain_scores_gemma":[0.9928141,0.004751142,0.00020439758,0.0004478816,0.0015245338,0.0002580065],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002847393,0.00063759735,0.0006009521,0.0022215312,0.0051799146,0.0074029444,0.0009797198,0.005058863,0.012756394],"category_scores_gemma":[0.009106827,0.00043693813,0.00038441224,0.0013398342,0.017160382,0.0120407995,0.002908564,0.006334814,0.003766675],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006336971,0.000026132906,0.00046397615,0.00015305616,0.000013749302,0.00008088192,0.008446629,0.000084359264,0.00012025895,0.6811111,0.2777531,0.03168336],"study_design_scores_gemma":[0.000018801502,0.000014434074,0.0015634575,0.0006769232,0.000009738838,0.0001599915,0.0048944512,0.00009572379,0.00019256704,0.18779857,0.8045478,0.000027566979],"about_ca_topic_score_codex":0.019902728,"about_ca_topic_score_gemma":0.04149104,"teacher_disagreement_score":0.019902728,"about_ca_system_score_codex":0.0033935567,"about_ca_system_score_gemma":0.0020016017,"threshold_uncertainty_score":0.042674422},"labels":[],"label_agreement":null},{"id":"W7100261854","doi":"","title":"A Photographic Ontology Being Haunted Within The Blue Hour And Expanding Field Monograph","year":2014,"lang":"en","type":"article","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Field (mathematics); Ontology; Inclusion (mineral); Photography","score_opus":0.019191112794869614,"score_gpt":0.24480129759914612,"score_spread":0.2256101848042765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7100261854","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013616403,0.007080097,0.004907527,0.030862076,0.0044244514,0.00003321736,0.00015737803,0.00015503996,0.93876386],"genre_scores_gemma":[0.2102007,0.010111566,0.005772008,0.0041190693,0.0013129037,0.00004237309,0.00018916337,0.0006115109,0.7676407],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9992507,0.0002570911,0.000018677814,0.00011163978,0.00024186511,0.00011995901],"domain_scores_gemma":[0.99889237,0.00021051313,0.00005781194,0.0001896331,0.0003270104,0.00032281678],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001324343,0.00029698512,0.00022655055,0.0013522395,0.010618332,0.0098575875,0.0006332633,0.0010951415,0.04119809],"category_scores_gemma":[0.0019158716,0.00022702907,0.00024399027,0.001330268,0.008486306,0.0065393522,0.00419482,0.0029723493,0.0054273168],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037939055,0.000018904666,0.00074343046,0.00012924073,0.000004324093,0.00027659448,0.08729577,0.00010166825,0.0008691525,0.44153818,0.37924954,0.089735255],"study_design_scores_gemma":[0.0000010158279,0.0000048946936,0.000523338,0.00011614581,0.0000022104066,0.00012280108,0.02167075,0.000032950564,0.00012685347,0.0058685634,0.9715256,0.0000049136916],"about_ca_topic_score_codex":0.041633252,"about_ca_topic_score_gemma":0.12526998,"teacher_disagreement_score":0.041633252,"about_ca_system_score_codex":0.007253295,"about_ca_system_score_gemma":0.0045801187,"threshold_uncertainty_score":0.13782138},"labels":[],"label_agreement":null},{"id":"W7103208289","doi":"","title":"Review of &lt;i&gt;Saskatchewan: The Luminous Landscape&lt;/i&gt; By\\nCourtney Milne","year":2008,"lang":"","type":"article","venue":"Insecta mundi","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Beauty; Passion; Photography; Character (mathematics); Poetry; CLARITY; Painting; Studio","score_opus":0.026704156812327268,"score_gpt":0.243309750059793,"score_spread":0.21660559324746573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7103208289","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00038649057,0.9175542,0.00022488472,0.024394378,0.0206965,0.00004635667,0.00073707395,0.000047613015,0.035912544],"genre_scores_gemma":[0.0029594863,0.9042088,0.00027510573,0.011803247,0.002707897,0.00006392018,0.0007858145,0.000055430835,0.07714041],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992186,0.00008333366,0.00007946977,0.00010088837,0.00038874033,0.00012888372],"domain_scores_gemma":[0.99520063,0.0003471915,0.00013018167,0.00009457208,0.0037580954,0.0004694236],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012763683,0.00102801,0.0009192861,0.00413014,0.0021164103,0.0036362284,0.0020407012,0.0018701872,0.03798136],"category_scores_gemma":[0.0034038818,0.0006577533,0.00048123626,0.011535776,0.0020426938,0.0021490126,0.0013041713,0.0027497357,0.01735856],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013110062,0.00000961587,0.00017964376,0.0022272936,0.0000126720015,0.00012493703,0.00017144342,0.000076163946,0.00024782753,0.001491976,0.89348716,0.10195801],"study_design_scores_gemma":[0.0000014420816,0.0000018282809,0.0006609936,0.001187596,0.0000038729227,0.000057786536,0.00013049772,0.000004221466,0.0000236879,0.00006000391,0.9978613,0.0000066867833],"about_ca_topic_score_codex":0.6468958,"about_ca_topic_score_gemma":0.82924026,"teacher_disagreement_score":0.35310417,"about_ca_system_score_codex":0.019761238,"about_ca_system_score_gemma":0.051886257,"threshold_uncertainty_score":0.7103673},"labels":[],"label_agreement":null},{"id":"W7103568376","doi":"","title":"Review of &lt;i&gt;Whooping Crane: Images from the Wild.&lt;/i&gt; By Klaus Nigge.","year":2011,"lang":"","type":"article","venue":"Insecta mundi","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wildlife; Dozen; Population; Mythology; Ridiculous; Wildlife refuge","score_opus":0.04290287652827872,"score_gpt":0.25283119348853716,"score_spread":0.20992831696025843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7103568376","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00068771886,0.8072014,0.0013596732,0.014428182,0.06453092,0.000091961534,0.000839248,0.00039322872,0.110467665],"genre_scores_gemma":[0.0032573033,0.50155747,0.0016893543,0.007894693,0.016585624,0.000096161675,0.0015573091,0.00048665906,0.46687537],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999509,0.000048573183,0.000033325585,0.00007613512,0.00029915554,0.000033725973],"domain_scores_gemma":[0.99848133,0.00026108627,0.000077012264,0.000047416383,0.0009721091,0.00016101863],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040713002,0.0012226962,0.0009827712,0.0036230262,0.0011265272,0.0027954893,0.0011620324,0.0014062511,0.06034938],"category_scores_gemma":[0.0016423317,0.00070723484,0.00048423803,0.0045832875,0.00079977454,0.0033446294,0.0011636779,0.0023939689,0.04677547],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000060821912,0.0000078993435,0.000045254543,0.00064298115,0.0000029584114,0.000057417637,0.00009608065,0.000041316085,0.00017175698,0.00037183345,0.92159975,0.076956615],"study_design_scores_gemma":[7.5340535e-7,0.0000048166303,0.000319615,0.0005191185,0.0000016710438,0.00015034927,0.00007678885,0.00001157777,0.00003489265,0.000062807616,0.9988134,0.000004288447],"about_ca_topic_score_codex":0.017976519,"about_ca_topic_score_gemma":0.041684464,"teacher_disagreement_score":0.06034938,"about_ca_system_score_codex":0.0015147626,"about_ca_system_score_gemma":0.001612041,"threshold_uncertainty_score":0.2018888},"labels":[],"label_agreement":null},{"id":"W7103568661","doi":"","title":"LOVELIFE","year":2017,"lang":"","type":"article","venue":"Digital Commons - University of South Florida (University of South Florida)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Meaning (existential); Pleasure; Wish; Expression (computer science); Love story; Miami; Evocation","score_opus":0.03994090794038332,"score_gpt":0.2095008980250604,"score_spread":0.16955999008467706,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7103568661","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014429552,0.002205782,0.0003420332,0.009084693,0.0030701759,0.000026239792,0.00047854663,0.00040167442,0.982948],"genre_scores_gemma":[0.005912228,0.0011459803,0.00020965375,0.0024362637,0.0003473545,0.000017520659,0.00025696258,0.00020713179,0.98946685],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958223,0.000070388836,0.000008672448,0.00005920046,0.00018943677,0.00009007678],"domain_scores_gemma":[0.9992975,0.000038860147,0.000024819028,0.000059876726,0.00022728277,0.0003516252],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004277348,0.0003731841,0.00020502644,0.00056768756,0.004341285,0.0052805776,0.0004337979,0.0008727749,0.40073392],"category_scores_gemma":[0.00129096,0.00021277148,0.00017938475,0.0005570416,0.0005916799,0.0029651467,0.0030578747,0.0021874905,0.16038476],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000800902,0.0000072110306,0.00011487584,0.000016692424,5.6328224e-7,0.000054641027,0.00055866165,0.0000040450795,0.000102452424,0.004450233,0.9767768,0.017905856],"study_design_scores_gemma":[4.758128e-7,0.0000015358196,0.00010550734,0.000012022713,1.741144e-7,0.000047829646,0.00036584112,0.0000025108907,0.000017016817,0.00006564301,0.99938,0.000001343296],"about_ca_topic_score_codex":0.008608375,"about_ca_topic_score_gemma":0.031133395,"teacher_disagreement_score":0.59926605,"about_ca_system_score_codex":0.0012775637,"about_ca_system_score_gemma":0.00096720946,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W7104509053","doi":"10.1386/public_00258_5","title":"Glitchy Vision: A Feminist History of the Social Photo","year":2025,"lang":"en","type":"article","venue":"Public","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Photography; Reading (process); CONTEST; Narrative; Visual culture; Social history (medicine); Social media","score_opus":0.044509332317814676,"score_gpt":0.2773715093536657,"score_spread":0.23286217703585105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7104509053","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05089768,0.03672114,0.0070176944,0.12479761,0.0023913307,0.000059904854,0.00011737496,0.00008971078,0.77790755],"genre_scores_gemma":[0.83377737,0.017838847,0.0024292804,0.012619646,0.0013631395,0.00017119388,0.000049055823,0.00027658834,0.13147491],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975514,0.0017305679,0.000024061488,0.00017354368,0.0002673519,0.00025318455],"domain_scores_gemma":[0.99723345,0.0021813058,0.00011546593,0.00013885438,0.0001664772,0.00016455431],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029511184,0.00038696136,0.0003058034,0.0018959977,0.01427476,0.0076507307,0.000884785,0.00245141,0.008801994],"category_scores_gemma":[0.0037783037,0.00028727693,0.0001823181,0.0013631664,0.038437612,0.0077904155,0.004927032,0.004597314,0.000798795],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021442223,0.000015210297,0.00022977323,0.00006924031,0.0000022765987,0.0002395634,0.19752139,0.000055464723,0.00014037882,0.7450972,0.03577816,0.020829823],"study_design_scores_gemma":[0.0000035831138,0.000010545789,0.0003101162,0.00028159987,0.0000015063383,0.00018756145,0.08580063,0.00006640654,0.00023528817,0.044011284,0.86908334,0.000008130834],"about_ca_topic_score_codex":0.016583407,"about_ca_topic_score_gemma":0.034868076,"teacher_disagreement_score":0.016583407,"about_ca_system_score_codex":0.007887006,"about_ca_system_score_gemma":0.003196923,"threshold_uncertainty_score":0.057224512},"labels":[],"label_agreement":null},{"id":"W7113782644","doi":"","title":"Interview with Margaret Denny","year":2024,"lang":"","type":"article","venue":"Digital Commons - Columbia College Chicago (Columbia College Chicago)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; American history; Columbia university; George (robot); Oral history","score_opus":0.028530744545118107,"score_gpt":0.24085124251505863,"score_spread":0.2123204979699405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7113782644","genre_codex":"commentary","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.034097675,0.010816198,0.00043626706,0.8782374,0.006137894,0.00020490869,0.0005376424,0.00010600092,0.069425985],"genre_scores_gemma":[0.14865607,0.007963019,0.00062817073,0.6058776,0.0019039707,0.00098175,0.00019688775,0.0001828885,0.23360966],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984378,0.00054718845,0.00005408243,0.00022970012,0.00032181063,0.00040944488],"domain_scores_gemma":[0.9963966,0.0013087726,0.00027866545,0.00007709283,0.0006804541,0.0012584219],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002012584,0.00057174056,0.00089955697,0.0011011359,0.016272644,0.0027063438,0.0009781311,0.0054208445,0.035910033],"category_scores_gemma":[0.008854818,0.00082777976,0.00030420118,0.0015087941,0.0030825285,0.0036614863,0.0026609735,0.012743675,0.009041189],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030322648,0.00006173973,0.0014544207,0.000102972546,0.000003945572,0.0013365526,0.053603623,0.000034389108,0.00035197553,0.0035691846,0.9318735,0.0075773154],"study_design_scores_gemma":[0.0000069378625,0.000029650211,0.0024275985,0.00026841497,0.000004331529,0.00086762954,0.12614152,0.000042505922,0.000112940936,0.00057881174,0.8694934,0.00002624672],"about_ca_topic_score_codex":0.046665758,"about_ca_topic_score_gemma":0.07405649,"teacher_disagreement_score":0.046665758,"about_ca_system_score_codex":0.0063126534,"about_ca_system_score_gemma":0.0062587825,"threshold_uncertainty_score":0.120131075},"labels":[],"label_agreement":null},{"id":"W7114292767","doi":"","title":"Collective states worlds of photography at the Art Gallery of Ontario","year":2025,"lang":"en","type":"article","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art gallery; Photography; Exhibition; Photojournalism; Feature (linguistics)","score_opus":0.019092736159749428,"score_gpt":0.2405969724180451,"score_spread":0.22150423625829566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7114292767","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4862639,0.00084996235,0.00053835334,0.0171213,0.00024134984,0.000059877846,0.0004999063,0.000063202366,0.4943621],"genre_scores_gemma":[0.85654444,0.00032262967,0.00027355022,0.00034699374,0.000036890382,0.000017968156,0.00010465077,0.00006416872,0.1422888],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985607,0.0003673679,0.00002498409,0.00013689767,0.0003989921,0.00051100185],"domain_scores_gemma":[0.99752754,0.00054720935,0.00018726483,0.00016578424,0.0005482708,0.0010238466],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001153531,0.00019563254,0.0002119383,0.0010783344,0.03432216,0.009536487,0.00079984154,0.0012739325,0.028908791],"category_scores_gemma":[0.0028215232,0.0003301905,0.00028585104,0.0017543747,0.0077066263,0.0019040203,0.005289043,0.0021138117,0.0009468411],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026378134,0.00007029766,0.025067676,0.00012716108,0.00004433263,0.0016625235,0.7534349,0.00045640487,0.0019607998,0.085600324,0.09106956,0.04024223],"study_design_scores_gemma":[0.000009202153,0.00002417066,0.049390353,0.00011416698,0.000017730408,0.00014011984,0.5254816,0.00018109972,0.00039379817,0.0024336353,0.4217821,0.00003205973],"about_ca_topic_score_codex":0.9045247,"about_ca_topic_score_gemma":0.98686373,"teacher_disagreement_score":0.9045247,"about_ca_system_score_codex":0.042589232,"about_ca_system_score_gemma":0.028532714,"threshold_uncertainty_score":0.30900794},"labels":[],"label_agreement":null},{"id":"W7115930979","doi":"10.32920/30914027.v1","title":"Projecting the Archives of the Planet: seeing Canada through the autochromes of Frederic Gadmer (1878–1954)","year":2025,"lang":"","type":"article","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Negative; Aerial photography","score_opus":0.017928735576712745,"score_gpt":0.23955708913040874,"score_spread":0.221628353553696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115930979","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37187582,0.017155143,0.003995898,0.012648711,0.00034109288,0.00011679368,0.0010170225,0.00014762695,0.59270185],"genre_scores_gemma":[0.9094097,0.007268781,0.0023272403,0.0003682385,0.00002539397,0.000017692077,0.00013977477,0.000061435334,0.08038177],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924916,0.00013207734,0.00001098137,0.0001257377,0.0003038467,0.00017815203],"domain_scores_gemma":[0.9992512,0.00017716397,0.000060079634,0.000047415306,0.00034539335,0.000118733944],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006978861,0.00034194172,0.0001315595,0.0014962051,0.013288848,0.0055225226,0.00064418453,0.00044658667,0.005586303],"category_scores_gemma":[0.0020031084,0.00024496228,0.0001286137,0.002673882,0.012977146,0.0015942757,0.0014022279,0.0013525216,0.00037274355],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010316736,0.000031007374,0.009307852,0.0002780281,0.000016847182,0.0012387222,0.41811508,0.00095047255,0.0017010184,0.3754136,0.044424277,0.14841992],"study_design_scores_gemma":[0.00000485045,0.000021507356,0.027876396,0.00041082012,0.000018661465,0.000549801,0.16427237,0.00024609338,0.0018335371,0.0041087167,0.8006088,0.000048321595],"about_ca_topic_score_codex":0.98627716,"about_ca_topic_score_gemma":0.9953644,"teacher_disagreement_score":0.086028896,"about_ca_system_score_codex":0.086028896,"about_ca_system_score_gemma":0.05649072,"threshold_uncertainty_score":0.6241863},"labels":[],"label_agreement":null},{"id":"W7115934110","doi":"10.32920/30914027","title":"Projecting the Archives of the Planet: seeing Canada through the autochromes of Frederic Gadmer (1878–1954)","year":2025,"lang":"","type":"article","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Negative; Aerial photography","score_opus":0.017928735576712745,"score_gpt":0.23955708913040874,"score_spread":0.221628353553696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115934110","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37187582,0.017155143,0.003995898,0.012648711,0.00034109288,0.00011679368,0.0010170225,0.00014762695,0.59270185],"genre_scores_gemma":[0.9094097,0.007268781,0.0023272403,0.0003682385,0.00002539397,0.000017692077,0.00013977477,0.000061435334,0.08038177],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99924916,0.00013207734,0.00001098137,0.0001257377,0.0003038467,0.00017815203],"domain_scores_gemma":[0.9992512,0.00017716397,0.000060079634,0.000047415306,0.00034539335,0.000118733944],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006978861,0.00034194172,0.0001315595,0.0014962051,0.013288848,0.0055225226,0.00064418453,0.00044658667,0.005586303],"category_scores_gemma":[0.0020031084,0.00024496228,0.0001286137,0.002673882,0.012977146,0.0015942757,0.0014022279,0.0013525216,0.00037274355],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010316736,0.000031007374,0.009307852,0.0002780281,0.000016847182,0.0012387222,0.41811508,0.00095047255,0.0017010184,0.3754136,0.044424277,0.14841992],"study_design_scores_gemma":[0.00000485045,0.000021507356,0.027876396,0.00041082012,0.000018661465,0.000549801,0.16427237,0.00024609338,0.0018335371,0.0041087167,0.8006088,0.000048321595],"about_ca_topic_score_codex":0.98627716,"about_ca_topic_score_gemma":0.9953644,"teacher_disagreement_score":0.086028896,"about_ca_system_score_codex":0.086028896,"about_ca_system_score_gemma":0.05649072,"threshold_uncertainty_score":0.6241863},"labels":[],"label_agreement":null},{"id":"W7115947511","doi":"10.3167/hrrh.2025.510305","title":"Beyond the Frame","year":2025,"lang":"","type":"article","venue":"Historical Reflections/Réflexions Historiques","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Identity (music); Immigration; German; Frame (networking); Photography","score_opus":0.0419673742567338,"score_gpt":0.32502262708502244,"score_spread":0.28305525282828864,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115947511","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.055414252,0.0059252507,0.010712485,0.024966538,0.0024802089,0.000063610736,0.00010502271,0.0000977423,0.90023494],"genre_scores_gemma":[0.9227397,0.0016142372,0.0021946277,0.0023122607,0.00042856796,0.00005536086,0.000054991044,0.00009834865,0.07050201],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980447,0.0010526131,0.000040567495,0.00032338587,0.00027481702,0.0002638714],"domain_scores_gemma":[0.9987563,0.00046723583,0.000113997805,0.00024051561,0.0002250489,0.00019700847],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0021640942,0.00042545283,0.000269738,0.0010598849,0.008230717,0.008641334,0.0007981951,0.0018071488,0.011399425],"category_scores_gemma":[0.0031142135,0.000178722,0.00018839733,0.0007935339,0.026563419,0.00562158,0.0042109606,0.003404403,0.0015317053],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021639771,0.000008074402,0.00036414215,0.000034574026,0.0000022035274,0.00015992952,0.08752883,0.000043697826,0.00022980684,0.8925766,0.007869376,0.011161138],"study_design_scores_gemma":[0.000009625142,0.000034463308,0.0009865533,0.00042061313,0.000008241219,0.00022858124,0.08364684,0.00012029428,0.00041383886,0.09743993,0.8166796,0.000011526305],"about_ca_topic_score_codex":0.01609835,"about_ca_topic_score_gemma":0.013341414,"teacher_disagreement_score":0.01609835,"about_ca_system_score_codex":0.006335973,"about_ca_system_score_gemma":0.0035532028,"threshold_uncertainty_score":0.045970917},"labels":[],"label_agreement":null},{"id":"W7116130364","doi":"10.32920/30916628","title":"\"Knock on wood”: creating a decentred finding aid for the Montgomery Collection of Caribbean Photographs at the Art Gallery of Ontario","year":2025,"lang":"","type":"article","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Art gallery; Scope (computer science); Photography; Data collection","score_opus":0.03319671243951182,"score_gpt":0.26538618191540314,"score_spread":0.2321894694758913,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7116130364","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16225445,0.002704826,0.07548699,0.008153874,0.0015971438,0.005761497,0.006917338,0.008902226,0.7282216],"genre_scores_gemma":[0.122384116,0.003256341,0.32507995,0.0013855845,0.00029403684,0.0016467951,0.0074417046,0.005856813,0.5326547],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980216,0.00043461152,0.000093261486,0.00026330093,0.0009304131,0.0002567908],"domain_scores_gemma":[0.99747497,0.00030795962,0.0001137261,0.0004921951,0.001110545,0.0005006061],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0028529207,0.000538837,0.00026679743,0.0032305939,0.0060470235,0.0047713714,0.0017141968,0.0006658314,0.044233873],"category_scores_gemma":[0.0050075753,0.0005821122,0.00030037572,0.0025637627,0.001901985,0.0028300271,0.0052399174,0.0008140416,0.0115421],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013544057,0.00021018778,0.005951897,0.0006343817,0.00001577798,0.0016908523,0.065965734,0.00054338906,0.015643831,0.009274801,0.382404,0.51752967],"study_design_scores_gemma":[0.0000072841253,0.000018749504,0.002234017,0.00012405323,0.000008345447,0.00017695903,0.012003987,0.00024676818,0.0010824167,0.00024773963,0.9838291,0.000020603107],"about_ca_topic_score_codex":0.28661057,"about_ca_topic_score_gemma":0.7166549,"teacher_disagreement_score":0.7133894,"about_ca_system_score_codex":0.005483353,"about_ca_system_score_gemma":0.0112879835,"threshold_uncertainty_score":0.56988466},"labels":[],"label_agreement":null},{"id":"W7117673470","doi":"10.3138/jh.60.3.br03","title":"Christos Lynteris, <i>Visual Plague: The Emergence of Epidemic Photography</i>","year":2025,"lang":"en","type":"article","venue":"Journal of History","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Pandemic; Population; Natural (archaeology); MEDLINE","score_opus":0.02619757964831978,"score_gpt":0.26211927862848816,"score_spread":0.23592169898016838,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7117673470","genre_codex":"commentary","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009266449,0.12840481,0.0013310508,0.68008757,0.053114384,0.00009989767,0.0006973844,0.00023540003,0.126763],"genre_scores_gemma":[0.13743022,0.1938566,0.0017297344,0.26827034,0.038880683,0.00024841834,0.00058682554,0.00073804875,0.35825914],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99850583,0.00033948786,0.00009056174,0.00028990008,0.0005355731,0.00023866234],"domain_scores_gemma":[0.9972071,0.0010190292,0.00030587544,0.00010617845,0.000801287,0.00056046294],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0018976633,0.0006554148,0.00031793377,0.0018958588,0.005227319,0.005586509,0.0012536586,0.0059013343,0.014230664],"category_scores_gemma":[0.007716365,0.00039287703,0.0002559603,0.0010052861,0.0032199167,0.0042644506,0.0028087064,0.0056845136,0.004986349],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000350433,0.000028538621,0.0012887494,0.00022881501,0.000007290043,0.00048581822,0.0055849086,0.000046170066,0.0003667033,0.021878319,0.9364312,0.03361837],"study_design_scores_gemma":[0.000005070484,0.000009771415,0.0019320021,0.00029048338,0.0000048404777,0.00055335,0.0053196503,0.00003246566,0.00036479213,0.0016675044,0.98980474,0.000015266774],"about_ca_topic_score_codex":0.07701981,"about_ca_topic_score_gemma":0.11091544,"teacher_disagreement_score":0.07701981,"about_ca_system_score_codex":0.0030133056,"about_ca_system_score_gemma":0.0040286514,"threshold_uncertainty_score":0.15314299},"labels":[],"label_agreement":null},{"id":"W7125461733","doi":"","title":"Le livre photographique au Québec : perspectives actuelles","year":2025,"lang":"fr","type":"book","venue":"E-Artexte (Artexte)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Natural (archaeology); Gloom","score_opus":0.016275314217088922,"score_gpt":0.24629790104308832,"score_spread":0.2300225868259994,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7125461733","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026712753,0.44300342,0.0021322947,0.04378024,0.0033147961,0.000056085013,0.0015200707,0.00016898107,0.47931135],"genre_scores_gemma":[0.21394582,0.17952166,0.0026281534,0.0037122509,0.00064575725,0.00006524666,0.00070075697,0.00012592501,0.5986544],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993055,0.0001224511,0.000021606053,0.000094936804,0.00026456174,0.0001910099],"domain_scores_gemma":[0.9991424,0.00016712787,0.000044826662,0.000031524913,0.000510971,0.000103175145],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008923435,0.0007489431,0.00043984002,0.0025308442,0.005406172,0.006874135,0.0010032371,0.0020183309,0.03862219],"category_scores_gemma":[0.0018337588,0.00039348236,0.0004483293,0.0053941016,0.0029060913,0.0022913609,0.0009913519,0.002265569,0.0018287115],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015053344,0.000079698926,0.0038048655,0.0012821781,0.000047157766,0.0009184556,0.007402724,0.0013102574,0.001437382,0.27509084,0.37474173,0.33373427],"study_design_scores_gemma":[0.00000956425,0.000012355489,0.011933563,0.0005712551,0.000015103278,0.00018190297,0.003756151,0.0003335965,0.00018848937,0.0024927447,0.9804812,0.000024044362],"about_ca_topic_score_codex":0.9910097,"about_ca_topic_score_gemma":0.994372,"teacher_disagreement_score":0.06675096,"about_ca_system_score_codex":0.06675096,"about_ca_system_score_gemma":0.049528763,"threshold_uncertainty_score":0.48431438},"labels":[],"label_agreement":null},{"id":"W7125462671","doi":"","title":"The Photobook in Quebec : Current Perspectives","year":2025,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.019459528881294614,"score_gpt":0.26294575688201816,"score_spread":0.24348622800072353,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7125462671","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010595276,0.31887206,0.0012489567,0.06005713,0.0043006223,0.00007030395,0.004325996,0.00043687635,0.60009277],"genre_scores_gemma":[0.08700849,0.2022058,0.0018862577,0.006222532,0.0008500948,0.000058711525,0.0019610762,0.0002285852,0.6995785],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992162,0.000101331396,0.000021619086,0.000090501104,0.00035361116,0.00021671114],"domain_scores_gemma":[0.9977264,0.00039743146,0.000083319035,0.00007145935,0.0012872427,0.00043412714],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014809417,0.0005220959,0.0004472792,0.0030695305,0.004331074,0.010332526,0.0020884173,0.0016685288,0.12888801],"category_scores_gemma":[0.0024054663,0.00031348254,0.00034079124,0.008062034,0.0021184909,0.003662412,0.001316117,0.0015507828,0.006910337],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003871775,0.000032428998,0.0012629027,0.00078845397,0.000010332244,0.00016974201,0.0013970989,0.00041425414,0.0003108329,0.0634116,0.7263929,0.20577067],"study_design_scores_gemma":[0.00000292586,0.0000041506287,0.0032756254,0.00036032,0.0000046421574,0.000040150724,0.0014534426,0.00009176439,0.000050523027,0.00052932254,0.99417806,0.000009045254],"about_ca_topic_score_codex":0.9839744,"about_ca_topic_score_gemma":0.99310255,"teacher_disagreement_score":0.12888801,"about_ca_system_score_codex":0.053547833,"about_ca_system_score_gemma":0.05458488,"threshold_uncertainty_score":0.43117332},"labels":[],"label_agreement":null},{"id":"W7128795837","doi":"10.1386/pop_00124_5","title":"The Perception Machine: Our Photographic Future between the Eye and AI, Joanna Zylinska (2023)","year":2025,"lang":"en","type":"article","venue":"Philosophy of Photography","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Perception; Photography; Visual perception","score_opus":0.017778850913044472,"score_gpt":0.2733046296831134,"score_spread":0.25552577877006893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7128795837","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001905922,0.9348426,0.0012287803,0.03912903,0.005870267,0.0000058902415,0.000043581305,0.00004975993,0.018639592],"genre_scores_gemma":[0.013987663,0.8765913,0.0027404972,0.016294358,0.014142588,0.000042404987,0.000126318,0.0001522415,0.07592261],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9991635,0.00029265415,0.000050305043,0.000120075245,0.00030601962,0.00006756269],"domain_scores_gemma":[0.9986084,0.0006487755,0.00008634637,0.000056841272,0.00046343877,0.00013628649],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017142507,0.0006547637,0.00058602734,0.001827555,0.0013317328,0.0058413893,0.0006779491,0.0023827448,0.01797172],"category_scores_gemma":[0.003075158,0.00044576434,0.00034706545,0.0020695361,0.0035012153,0.009457163,0.0016094054,0.0039956947,0.008000107],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002705845,0.000009737968,0.00013388321,0.0008464383,0.000009981549,0.00005536119,0.00064678775,0.000103754435,0.00025934563,0.059273023,0.75464976,0.18398483],"study_design_scores_gemma":[0.0000029822388,0.000006771326,0.00039451732,0.0005403656,0.00000329171,0.00018096268,0.00038864693,0.000044569533,0.00007142453,0.014697032,0.9836624,0.000007120116],"about_ca_topic_score_codex":0.009716667,"about_ca_topic_score_gemma":0.013825908,"teacher_disagreement_score":0.01797172,"about_ca_system_score_codex":0.0035181171,"about_ca_system_score_gemma":0.0032284386,"threshold_uncertainty_score":0.060121417},"labels":[],"label_agreement":null},{"id":"W7130911038","doi":"","title":"The rising tide of photographs: Not drowning but waving?","year":2016,"lang":"en","type":"article","venue":"University of Brighton Repository (University of Brighton)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Snapshot (computer storage); Subject (documents); Variety (cybernetics); Photography; The arts","score_opus":0.012031703282226795,"score_gpt":0.16655163810695345,"score_spread":0.15451993482472665,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7130911038","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2895607,0.025753107,0.0077731423,0.2502581,0.0067266547,0.000056250967,0.00012452241,0.00020969569,0.41953784],"genre_scores_gemma":[0.9369359,0.0057785916,0.001294434,0.0093584405,0.00096741505,0.000020843729,0.00003149612,0.0001732865,0.045439772],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9965288,0.0017458126,0.00008387907,0.0003644024,0.0009147439,0.00036244278],"domain_scores_gemma":[0.99528605,0.0023258042,0.0005262758,0.0006001818,0.0008054518,0.00045623034],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.004215602,0.0002906218,0.00028901536,0.0008920421,0.012778194,0.009283907,0.0008595613,0.002451389,0.008437429],"category_scores_gemma":[0.015512698,0.00029248613,0.00021058708,0.0010541485,0.025952619,0.009012763,0.0055504143,0.0054745576,0.0011107298],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007862754,0.000021648757,0.0036139581,0.00026603055,0.000014317061,0.0007408345,0.6149621,0.00006751685,0.001365411,0.2461526,0.07224357,0.060473286],"study_design_scores_gemma":[0.0000067989236,0.000033590783,0.0035974693,0.0005120359,0.000010093845,0.00066674687,0.4318417,0.00007122143,0.0007136194,0.014767945,0.5477444,0.000034328976],"about_ca_topic_score_codex":0.036898576,"about_ca_topic_score_gemma":0.06155928,"teacher_disagreement_score":0.036898576,"about_ca_system_score_codex":0.0051774085,"about_ca_system_score_gemma":0.0025589594,"threshold_uncertainty_score":0.073367596},"labels":[],"label_agreement":null},{"id":"W7132457298","doi":"","title":"How Will You Remember Me?","year":2025,"lang":"hr","type":"dissertation","venue":"Repository of the Academy of Arts and Culture in Osijek","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Electronic equipment; Statistical analysis; Virtual instrument","score_opus":0.02336534409524384,"score_gpt":0.2692209264003513,"score_spread":0.24585558230510743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132457298","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044950727,0.024382984,0.0050060404,0.38285527,0.017212266,0.00013631779,0.00062641397,0.00042348314,0.5244065],"genre_scores_gemma":[0.29202437,0.011923531,0.0019023009,0.07809163,0.0027565805,0.00011874071,0.00044914085,0.00033303196,0.61240065],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99805176,0.00093732163,0.00005961605,0.00024564794,0.00031048726,0.0003951099],"domain_scores_gemma":[0.99708885,0.00046132927,0.00028968728,0.00021624853,0.0006521334,0.0012918387],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002124474,0.0006209136,0.0005908224,0.00069798756,0.008200528,0.008904168,0.00078693335,0.0032767649,0.05897013],"category_scores_gemma":[0.00816189,0.00028171804,0.00049591233,0.00057972723,0.0055133067,0.009717108,0.004026486,0.005807596,0.036046304],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000109914195,0.00009638572,0.0057161436,0.00021970189,0.000027830973,0.001212991,0.10204147,0.00003954138,0.0004920899,0.07043218,0.7336837,0.085928075],"study_design_scores_gemma":[0.000009621642,0.000035410576,0.001478678,0.0001990255,0.000007904439,0.0006420016,0.05988609,0.000031732274,0.0001399661,0.008393278,0.9291471,0.000029168756],"about_ca_topic_score_codex":0.0057308087,"about_ca_topic_score_gemma":0.007960899,"teacher_disagreement_score":0.05897013,"about_ca_system_score_codex":0.0020600106,"about_ca_system_score_gemma":0.0022435116,"threshold_uncertainty_score":0.19727474},"labels":[],"label_agreement":null},{"id":"W7132507519","doi":"","title":"Fotoğraf Sanatında Yapay Zekâ Kullanımı","year":2020,"lang":"tr","type":"article","venue":"Kocaeli Üniversitesi - AVESİS","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Canadian literature; Video on demand; Project commissioning","score_opus":0.053528852815205544,"score_gpt":0.22256230620554018,"score_spread":0.16903345339033465,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132507519","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10346206,0.009965986,0.037557922,0.0131322015,0.0065337527,0.0006602067,0.012574152,0.030482484,0.7856313],"genre_scores_gemma":[0.18525891,0.009690502,0.032114368,0.0023107596,0.0011483625,0.0003577125,0.014892262,0.0057862117,0.748441],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994874,0.000046362533,0.00003261738,0.00009454223,0.00025314666,0.00008579229],"domain_scores_gemma":[0.99865377,0.0001767284,0.00010390476,0.00016391941,0.000737853,0.00016373974],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007454562,0.0008449882,0.00053090486,0.0014005471,0.0013662402,0.0027079878,0.00079142366,0.0010789894,0.2089696],"category_scores_gemma":[0.001992174,0.00028365746,0.0004630913,0.0015998275,0.00064891914,0.002544304,0.001453932,0.0011537299,0.09461992],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005991397,0.00018005921,0.0031860701,0.0011171036,0.000029537401,0.0011994331,0.0016110226,0.00072455447,0.016822087,0.008961288,0.56724554,0.39832422],"study_design_scores_gemma":[0.000019033214,0.000054334352,0.0041413764,0.0001458208,0.00001745675,0.000655179,0.0008226773,0.00047024083,0.004475148,0.00096369715,0.9882052,0.000029898307],"about_ca_topic_score_codex":0.004286089,"about_ca_topic_score_gemma":0.005631143,"teacher_disagreement_score":0.2089696,"about_ca_system_score_codex":0.00090199104,"about_ca_system_score_gemma":0.0016195478,"threshold_uncertainty_score":0.69907296},"labels":[],"label_agreement":null},{"id":"W7132882407","doi":"","title":"Developing the Future: Félix Nadar&apos;s Photographic Experiments","year":2020,"lang":"","type":"dissertation","venue":"TSpace","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; University of Toronto","keywords":"Photography; Historiography; Pride; History of photography; Ideal (ethics); Narrative; Litany; Comparative historical research; History of science","score_opus":0.09299270720869934,"score_gpt":0.3851776084902728,"score_spread":0.2921849012815735,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132882407","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17988579,0.013671427,0.0047743274,0.12754299,0.0025612363,0.00019118348,0.00022230251,0.00012569652,0.6710251],"genre_scores_gemma":[0.8467192,0.009617867,0.007902785,0.014340527,0.00044605942,0.00025069015,0.00010145581,0.00017411612,0.120447256],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9975152,0.0016402088,0.000027749169,0.0002539584,0.00032989445,0.00023306154],"domain_scores_gemma":[0.9968753,0.0021427965,0.00008877389,0.00020759113,0.00040672984,0.00027874883],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0055790604,0.0004138379,0.00028696732,0.0008494035,0.0152593795,0.0063023213,0.00094019104,0.0023311847,0.007937424],"category_scores_gemma":[0.0066747176,0.00023939292,0.00027449548,0.0006869897,0.011802571,0.006898681,0.0029565406,0.0050860173,0.0010930024],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013517682,0.0004481847,0.001360749,0.000117307536,0.000013872012,0.0006287907,0.15384857,0.0002886016,0.0006167602,0.62833345,0.16154115,0.05266736],"study_design_scores_gemma":[0.000039511368,0.0001044562,0.0017374808,0.00026502844,0.000008496389,0.00027026705,0.07187518,0.00029298346,0.0009512428,0.050470036,0.87394214,0.00004322318],"about_ca_topic_score_codex":0.034433227,"about_ca_topic_score_gemma":0.084891744,"teacher_disagreement_score":0.034433227,"about_ca_system_score_codex":0.008125362,"about_ca_system_score_gemma":0.0028900884,"threshold_uncertainty_score":0.06846559},"labels":[],"label_agreement":null},{"id":"W7133074823","doi":"","title":"Entries to Intimacy: Shared Solitude in Garth Greenwell&apos;s What Belongs to You, Anne Carson&apos;s Nox, and Roni Horn&apos;s Another Water (The River Thames, for Example)","year":2019,"lang":"","type":"dissertation","venue":"TSpace","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; University of Toronto","keywords":"Impossibility; Solitude; Space (punctuation); TRACE (psycholinguistics); Sight; Michel foucault","score_opus":0.06730950904366009,"score_gpt":0.35457938412490064,"score_spread":0.2872698750812406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7133074823","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32041353,0.00626411,0.003516712,0.033154428,0.0016503001,0.00006271528,0.000116316536,0.00016069434,0.6346612],"genre_scores_gemma":[0.82409054,0.0016349973,0.0012607164,0.002074243,0.0001736277,0.000035466273,0.00007260403,0.00023804288,0.17041981],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9977532,0.0011902734,0.000046364523,0.0002252753,0.00053277146,0.00025217465],"domain_scores_gemma":[0.9964431,0.0018715244,0.00027754277,0.00029756062,0.0003333697,0.0007769006],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017134292,0.00031643722,0.00041398685,0.00087689824,0.014515231,0.008244597,0.00080143794,0.0017899555,0.012162537],"category_scores_gemma":[0.0050671333,0.00033337885,0.00019662271,0.0015550345,0.019180994,0.0084220795,0.0061613605,0.0042706872,0.0009679792],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023005796,0.00002880858,0.0006592277,0.000063969994,0.000002675315,0.00071928714,0.82723516,0.000028436476,0.00025873058,0.13569905,0.023662288,0.011619428],"study_design_scores_gemma":[0.0000069085677,0.000028983677,0.0013619257,0.0002190548,0.0000042853094,0.00057758216,0.38887358,0.000061769366,0.00030496146,0.01149019,0.5970484,0.000022344666],"about_ca_topic_score_codex":0.021443488,"about_ca_topic_score_gemma":0.074860394,"teacher_disagreement_score":0.021443488,"about_ca_system_score_codex":0.006046049,"about_ca_system_score_gemma":0.003963488,"threshold_uncertainty_score":0.04386729},"labels":[],"label_agreement":null},{"id":"W7134117458","doi":"10.5281/zenodo.18904219","title":"TOKIWA TOYOKO, A SESSÃO DE FOTOGRAFIA DE NUDEZ E AS ÓTICAS DE GÊNERO DA FOTOGRAFIA JAPONESA DO PÓS-GUERRA","year":2025,"lang":"pt","type":"article","venue":"Open MIND","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Photography; Photojournalism; Context (archaeology); Period (music); Queer","score_opus":0.059208330491206794,"score_gpt":0.36921109524624013,"score_spread":0.31000276475503336,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134117458","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8227256,0.0067583644,0.0028767593,0.0064541004,0.0006645006,0.000081260085,0.00012160694,0.00004530022,0.16027258],"genre_scores_gemma":[0.94074696,0.0029226393,0.0020532128,0.00081895164,0.000067044595,0.00006582696,0.00007632959,0.00004591966,0.053203065],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9995029,0.00016071707,0.000022336018,0.00009881427,0.00008299978,0.00013222368],"domain_scores_gemma":[0.999343,0.0002053109,0.000116486764,0.00006958291,0.00008821188,0.00017750073],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010859739,0.00058565097,0.00027453422,0.00085298193,0.007865859,0.004704526,0.00056777574,0.0010542173,0.008081867],"category_scores_gemma":[0.0012609714,0.00034190842,0.00031546218,0.0012633138,0.0054069743,0.0044666855,0.0044036214,0.0020351328,0.00061455485],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002079346,0.000056223762,0.017226586,0.0008270133,0.000030989744,0.00359379,0.81055784,0.00007994735,0.013570197,0.09341893,0.0050097806,0.055420842],"study_design_scores_gemma":[0.000011693948,0.00014056184,0.049469594,0.00051072025,0.000074933574,0.001627487,0.55321,0.00016815477,0.0020113501,0.007792725,0.38490036,0.000082388106],"about_ca_topic_score_codex":0.010240581,"about_ca_topic_score_gemma":0.037005607,"teacher_disagreement_score":0.010240581,"about_ca_system_score_codex":0.0016818285,"about_ca_system_score_gemma":0.0018548692,"threshold_uncertainty_score":0.027036488},"labels":[],"label_agreement":null},{"id":"W7134117805","doi":"10.5281/zenodo.18904218","title":"TOKIWA TOYOKO, A SESSÃO DE FOTOGRAFIA DE NUDEZ E AS ÓTICAS DE GÊNERO DA FOTOGRAFIA JAPONESA DO PÓS-GUERRA","year":2025,"lang":"pt","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Photography; Photojournalism; Context (archaeology); Period (music); Queer","score_opus":0.042648201298162304,"score_gpt":0.29731661279390903,"score_spread":0.2546684114957467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134117805","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8227256,0.0067583644,0.0028767593,0.0064541004,0.0006645006,0.000081260085,0.00012160694,0.00004530022,0.16027258],"genre_scores_gemma":[0.94074696,0.0029226393,0.0020532128,0.00081895164,0.000067044595,0.00006582696,0.00007632959,0.00004591966,0.053203065],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9995029,0.00016071707,0.000022336018,0.00009881427,0.00008299978,0.00013222368],"domain_scores_gemma":[0.999343,0.0002053109,0.000116486764,0.00006958291,0.00008821188,0.00017750073],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010859739,0.00058565097,0.00027453422,0.00085298193,0.007865859,0.004704526,0.00056777574,0.0010542173,0.008081867],"category_scores_gemma":[0.0012609714,0.00034190842,0.00031546218,0.0012633138,0.0054069743,0.0044666855,0.0044036214,0.0020351328,0.00061455485],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002079346,0.000056223762,0.017226586,0.0008270133,0.000030989744,0.00359379,0.81055784,0.00007994735,0.013570197,0.09341893,0.0050097806,0.055420842],"study_design_scores_gemma":[0.000011693948,0.00014056184,0.049469594,0.00051072025,0.000074933574,0.001627487,0.55321,0.00016815477,0.0020113501,0.007792725,0.38490036,0.000082388106],"about_ca_topic_score_codex":0.010240581,"about_ca_topic_score_gemma":0.037005607,"teacher_disagreement_score":0.010240581,"about_ca_system_score_codex":0.0016818285,"about_ca_system_score_gemma":0.0018548692,"threshold_uncertainty_score":0.027036488},"labels":[],"label_agreement":null},{"id":"W7134309327","doi":"","title":"Book Reviews","year":2021,"lang":"","type":"article","venue":"Journal of International Crisis and Risk Communication Research","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"George (robot); Bibliography; Biography; State (computer science)","score_opus":0.13685034523295803,"score_gpt":0.438171362450119,"score_spread":0.301321017217161,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134309327","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00038083823,0.34269723,0.0013567393,0.014601611,0.033925198,0.00016662422,0.0037410415,0.0007409372,0.6023898],"genre_scores_gemma":[0.0017723419,0.13148487,0.001270822,0.007528564,0.007829773,0.00009887968,0.003700683,0.00036803624,0.845946],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908376,0.00008722518,0.000060127513,0.00016899708,0.00053171685,0.00006819275],"domain_scores_gemma":[0.99812204,0.00024402863,0.00010604483,0.00010612475,0.0012094547,0.00021228078],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006017037,0.0011352445,0.0012248842,0.0039699855,0.0010664765,0.0041875476,0.001740455,0.0014840249,0.3792358],"category_scores_gemma":[0.0033878766,0.0004304268,0.0006705074,0.005037853,0.0005479956,0.0029984813,0.0014357727,0.0019506763,0.3799216],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000064035075,0.000009539897,0.000023261468,0.00031381426,0.000002233419,0.000029708293,0.00003266915,0.000023257608,0.000087127286,0.0011288929,0.93767875,0.060664386],"study_design_scores_gemma":[0.0000013178584,0.0000026641662,0.000048965663,0.00018551634,0.000001509345,0.00005228718,0.000019004827,0.0000042335832,0.000014026075,0.00021338672,0.9994553,0.000001839889],"about_ca_topic_score_codex":0.0047225095,"about_ca_topic_score_gemma":0.0097586615,"teacher_disagreement_score":0.6207642,"about_ca_system_score_codex":0.0014944673,"about_ca_system_score_gemma":0.003179665,"threshold_uncertainty_score":0.88544476},"labels":[],"label_agreement":null},{"id":"W7134343723","doi":"","title":"Amor fati","year":2020,"lang":"","type":"article","venue":"Digital Commons - RISD (Rhode Island School of Design)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wife; Grief; Quarter (Canadian coin); Heredity; CLARITY; Narrative","score_opus":0.08258000907851476,"score_gpt":0.2643495332633189,"score_spread":0.18176952418480413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134343723","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019920997,0.0039815633,0.0032685283,0.01381263,0.010985249,0.00018958996,0.0020793206,0.0031237465,0.9605673],"genre_scores_gemma":[0.005426678,0.0013187808,0.0007541438,0.0025165076,0.00085963943,0.00007741057,0.00069657125,0.0006831629,0.9876672],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998845,0.00016815407,0.00005711532,0.00032440998,0.00044860548,0.00015661296],"domain_scores_gemma":[0.99795026,0.00022715631,0.000091692484,0.00020088826,0.0007676637,0.0007622863],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00092615705,0.0009601352,0.0006907307,0.0014837777,0.0026357672,0.0053919377,0.0012058986,0.0022674429,0.77204794],"category_scores_gemma":[0.004944855,0.00038445514,0.0005119482,0.00081593805,0.00067872554,0.0029825524,0.0036088238,0.0025250486,0.6293645],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000793209,0.00005805677,0.00048184328,0.00023574446,0.00000667037,0.00022884073,0.00044226667,0.00007731632,0.0007888543,0.009389016,0.83015585,0.15805623],"study_design_scores_gemma":[0.0000038468,0.000011806454,0.00027672263,0.0000649456,0.000001846766,0.00013505729,0.00012879467,0.00004363598,0.00012367012,0.00075144,0.998454,0.000004262135],"about_ca_topic_score_codex":0.0019416958,"about_ca_topic_score_gemma":0.0035495635,"teacher_disagreement_score":0.77204794,"about_ca_system_score_codex":0.0013552759,"about_ca_system_score_gemma":0.0017956524,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W7134863896","doi":"","title":"2018-October-30-It is curtain time","year":2018,"lang":"","type":"article","venue":"Digital Commons - East Tennessee State University (East Tennessee State University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Photography; Shot (pellet); Sign (mathematics); Architecture; Quarter (Canadian coin); Studio; White (mutation)","score_opus":0.02164445376228799,"score_gpt":0.19946467967234388,"score_spread":0.1778202259100559,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134863896","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011436542,0.0004983965,0.00027689963,0.0015300218,0.0072251265,0.00011760851,0.0027548021,0.0016282864,0.9848252],"genre_scores_gemma":[0.0022627434,0.00019256717,0.00009428628,0.00033841425,0.0002453386,0.000026819716,0.0011186271,0.0003940486,0.99532723],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997205,0.000017488646,0.0000072138946,0.000042757812,0.00011511474,0.000096840595],"domain_scores_gemma":[0.9993851,0.000017895562,0.0000135112805,0.00006141632,0.00028875557,0.00023327494],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003457524,0.0006344773,0.00034859113,0.000534212,0.002401211,0.003981699,0.0006350986,0.0008976989,0.82069],"category_scores_gemma":[0.0009518552,0.00030241124,0.00033798232,0.00041815423,0.00034903374,0.0021321916,0.0023020576,0.0017324968,0.68216056],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024644638,0.000020026147,0.00012394518,0.000027917937,0.0000012415268,0.000027500868,0.00005174235,0.0000078291105,0.00016756308,0.00062417274,0.98453426,0.014389224],"study_design_scores_gemma":[0.0000018102644,0.00000492079,0.000418951,0.000024632971,4.908377e-7,0.000011047867,0.00011069007,0.0000068098475,0.000053399825,0.00004551658,0.99932003,0.0000016867679],"about_ca_topic_score_codex":0.010351383,"about_ca_topic_score_gemma":0.044556383,"teacher_disagreement_score":0.82069,"about_ca_system_score_codex":0.0010709419,"about_ca_system_score_gemma":0.00090774207,"threshold_uncertainty_score":0.255764},"labels":[],"label_agreement":null},{"id":"W7134874343","doi":"","title":"2018-October-15-UPSTATE exhibit","year":2018,"lang":"","type":"article","venue":"Digital Commons - East Tennessee State University (East Tennessee State University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Photography; Shot (pellet); Sign (mathematics); Architecture; Swift; Studio; White (mutation)","score_opus":0.023494004805321708,"score_gpt":0.1964004636358262,"score_spread":0.17290645883050448,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134874343","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009819072,0.00021238484,0.00021173304,0.00049466506,0.0013567188,0.00009729503,0.0043530213,0.0015070693,0.99078524],"genre_scores_gemma":[0.0026770034,0.0001860645,0.00013207042,0.00021655324,0.00015820755,0.000051292176,0.0030892254,0.0003861576,0.9931035],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99980325,0.000013561532,0.000005772909,0.000033526336,0.00007881933,0.000065144224],"domain_scores_gemma":[0.9995931,0.000014927755,0.000010102281,0.000047590114,0.0001803084,0.00015402898],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002755023,0.00070376816,0.00029759307,0.0006203517,0.002210567,0.0029801643,0.0007343167,0.0007736827,0.84948385],"category_scores_gemma":[0.000633836,0.00028624214,0.00035909042,0.00057069,0.00024228064,0.002091344,0.0025791163,0.0014695171,0.70767033],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022172346,0.000037790058,0.00019970686,0.00002858052,0.0000011387649,0.00003976225,0.000035198755,0.000013649152,0.0001779451,0.00054154743,0.98622143,0.012681049],"study_design_scores_gemma":[0.0000029994992,0.000007743697,0.0008435115,0.000030892807,9.656309e-7,0.000018626208,0.0001037626,0.0000220015,0.00009794222,0.00007462101,0.9987941,0.000002934678],"about_ca_topic_score_codex":0.008268161,"about_ca_topic_score_gemma":0.03529938,"teacher_disagreement_score":0.84948385,"about_ca_system_score_codex":0.0010113607,"about_ca_system_score_gemma":0.00081468414,"threshold_uncertainty_score":0.21469295},"labels":[],"label_agreement":null},{"id":"W7134880085","doi":"","title":"2018-October-30-Chasing Portraits","year":2018,"lang":"","type":"article","venue":"Digital Commons - East Tennessee State University (East Tennessee State University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Holocaust; Nazism; Painting; nobody; The arts; Sculpture; Portrait; Judaism","score_opus":0.02535403854846562,"score_gpt":0.2011671131695416,"score_spread":0.17581307462107598,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134880085","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011125076,0.0034689952,0.00029725605,0.0057941307,0.002436141,0.000036155117,0.00062504713,0.00021311949,0.9760041],"genre_scores_gemma":[0.09814308,0.0035941082,0.0004189264,0.002480578,0.00081353553,0.000029059625,0.0009557521,0.0003105823,0.89325434],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998092,0.000034100427,0.000003592983,0.000018773246,0.00007387972,0.000060441023],"domain_scores_gemma":[0.999928,0.000005488092,0.0000038113858,0.0000050416056,0.000022202981,0.00003548118],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017486617,0.0005147878,0.00015506825,0.00059944816,0.006709927,0.0036604323,0.00051918806,0.0010330087,0.07951186],"category_scores_gemma":[0.0002308221,0.00016441199,0.0001933783,0.0006550908,0.000958564,0.0009975244,0.0014454199,0.0022183857,0.028772568],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035435663,0.000053647585,0.0007121466,0.000048976868,0.0000036601277,0.0012240098,0.014812694,0.00005261582,0.0006929539,0.018460376,0.94739836,0.016505076],"study_design_scores_gemma":[0.0000011122795,0.0000032635019,0.00070071995,0.00002441167,8.713464e-7,0.00015119558,0.0047184234,0.000010718178,0.00006569757,0.00013116148,0.99418986,0.0000026471678],"about_ca_topic_score_codex":0.058603007,"about_ca_topic_score_gemma":0.25166398,"teacher_disagreement_score":0.07951186,"about_ca_system_score_codex":0.0032163786,"about_ca_system_score_gemma":0.00078400155,"threshold_uncertainty_score":0.26599365},"labels":[],"label_agreement":null},{"id":"W7135088050","doi":"10.1353/vcr.2025.a985012","title":"Lewis Carroll's Photography and Modern Childhood by Diane Waggoner (review)","year":2025,"lang":"en","type":"article","venue":"Victorian review","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Photography; Color photography; Fantasy","score_opus":0.0064695670543877025,"score_gpt":0.2356100785960277,"score_spread":0.22914051154164,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7135088050","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000022063903,0.9842904,0.000023887,0.008173317,0.006555424,0.000005081225,0.000010753815,0.000002702443,0.0009164577],"genre_scores_gemma":[0.0005744559,0.97222996,0.00007630274,0.015278644,0.006544386,0.000020469226,0.00001897135,0.000006923022,0.005249898],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99859136,0.00037881304,0.00014159232,0.00019634597,0.0005379056,0.00015399545],"domain_scores_gemma":[0.997535,0.0010317634,0.00024930062,0.000058123573,0.00083085545,0.00029497495],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0025680831,0.0014178928,0.0015269003,0.004521608,0.0012503369,0.00384861,0.0013772657,0.0042052898,0.008033848],"category_scores_gemma":[0.0068478207,0.0006187326,0.00056190306,0.004520728,0.002314959,0.004245212,0.0038594932,0.004977093,0.0034352525],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045000434,0.0000134195325,0.00009857555,0.0055937334,0.00003039436,0.0001061986,0.00023734527,0.00002685833,0.00013403576,0.0025551207,0.8329459,0.15821344],"study_design_scores_gemma":[0.000016735341,0.00001787528,0.00037924034,0.0057950555,0.000030285011,0.00029102084,0.00016375184,0.0000061321825,0.000045417855,0.0006684577,0.99256814,0.000017999508],"about_ca_topic_score_codex":0.036077466,"about_ca_topic_score_gemma":0.06431791,"teacher_disagreement_score":0.036077466,"about_ca_system_score_codex":0.0033569278,"about_ca_system_score_gemma":0.006342193,"threshold_uncertainty_score":0.071734965},"labels":[],"label_agreement":null},{"id":"W7135651951","doi":"","title":"Photography and Film in Raymond Depardon´s Work","year":2009,"lang":"cs","type":"dissertation","venue":"Digital Repository (National Repository of Grey Literature)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Filmography; Photography; Work (physics); Feature (linguistics); Quarter (Canadian coin); Feature film; Film director","score_opus":0.009403726277844983,"score_gpt":0.23605360549871499,"score_spread":0.22664987922087002,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7135651951","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0901041,0.0324178,0.0010274071,0.013105988,0.0010091333,0.000049724888,0.000099220946,0.00012433955,0.86206234],"genre_scores_gemma":[0.56959045,0.018684188,0.0017424569,0.0014694047,0.00026825105,0.000044235796,0.00006999256,0.00017817506,0.40795285],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988312,0.0005916876,0.00003138277,0.0001314452,0.00022452918,0.00018967465],"domain_scores_gemma":[0.9994005,0.00021164105,0.000082818435,0.000066680404,0.000096269716,0.00014208176],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007293994,0.00024241535,0.00018486229,0.0013375164,0.007048424,0.0076126205,0.00046221723,0.0007501238,0.018621296],"category_scores_gemma":[0.0015184192,0.00022896576,0.00014481113,0.001867999,0.005238683,0.0016822898,0.0027563232,0.0016648734,0.0018819825],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009662531,0.000047479454,0.0016149043,0.00028316138,0.0000066610955,0.0009612555,0.31755307,0.00011363364,0.0012087803,0.4288414,0.12421795,0.1250552],"study_design_scores_gemma":[0.0000019891784,0.000013023231,0.002566769,0.00025026096,0.0000016927448,0.00022119432,0.031097505,0.000022686161,0.00030518527,0.0020697466,0.9634428,0.000007071653],"about_ca_topic_score_codex":0.059432235,"about_ca_topic_score_gemma":0.09064412,"teacher_disagreement_score":0.059432235,"about_ca_system_score_codex":0.010787681,"about_ca_system_score_gemma":0.0032493607,"threshold_uncertainty_score":0.118172586},"labels":[],"label_agreement":null},{"id":"W7139256459","doi":"","title":"LOVELIFE","year":2017,"lang":"","type":"article","venue":"Digital Commons - University of South Florida (University of South Florida)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Meaning (existential); Pleasure; Wish; Expression (computer science); Love story","score_opus":0.03994090794038332,"score_gpt":0.2095008980250604,"score_spread":0.16955999008467706,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139256459","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014429552,0.002205782,0.0003420332,0.009084693,0.0030701759,0.000026239792,0.00047854663,0.00040167442,0.982948],"genre_scores_gemma":[0.005912228,0.0011459803,0.00020965375,0.0024362637,0.0003473545,0.000017520659,0.00025696258,0.00020713179,0.98946685],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99958223,0.000070388836,0.000008672448,0.00005920046,0.00018943677,0.00009007678],"domain_scores_gemma":[0.9992975,0.000038860147,0.000024819028,0.000059876726,0.00022728277,0.0003516252],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004277348,0.0003731841,0.00020502644,0.00056768756,0.004341285,0.0052805776,0.0004337979,0.0008727749,0.40073392],"category_scores_gemma":[0.00129096,0.00021277148,0.00017938475,0.0005570416,0.0005916799,0.0029651467,0.0030578747,0.0021874905,0.16038476],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000800902,0.0000072110306,0.00011487584,0.000016692424,5.6328224e-7,0.000054641027,0.00055866165,0.0000040450795,0.000102452424,0.004450233,0.9767768,0.017905856],"study_design_scores_gemma":[4.758128e-7,0.0000015358196,0.00010550734,0.000012022713,1.741144e-7,0.000047829646,0.00036584112,0.0000025108907,0.000017016817,0.00006564301,0.99938,0.000001343296],"about_ca_topic_score_codex":0.008608375,"about_ca_topic_score_gemma":0.031133395,"teacher_disagreement_score":0.40073392,"about_ca_system_score_codex":0.0012775637,"about_ca_system_score_gemma":0.00096720946,"threshold_uncertainty_score":0},"labels":[],"label_agreement":null},{"id":"W7139563660","doi":"","title":"Jeff Wall Catalogue Raisonné 2005–2021","year":2022,"lang":"en","type":"book","venue":"UWA Profiles and Research Repository (University of Western Australia)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Scholarship; Photography; Reputation; Globe; History of photography; Period (music)","score_opus":0.12139383242093758,"score_gpt":0.307423913787098,"score_spread":0.1860300813661604,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139563660","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00032149136,0.004941659,0.00036026203,0.00073734607,0.0016755412,0.000041028237,0.0011842825,0.00032078451,0.99041766],"genre_scores_gemma":[0.0012246127,0.0016549861,0.00030551938,0.00020760452,0.00015331758,0.00002390246,0.001084658,0.00021161033,0.9951338],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999204,0.000056252135,0.000031711097,0.00010723491,0.0005213292,0.00007952046],"domain_scores_gemma":[0.99897975,0.00009450043,0.000036753558,0.00015059921,0.0006114457,0.00012697265],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00054699864,0.0006823273,0.00051265577,0.00547204,0.0033113807,0.00831215,0.0011438401,0.0013669312,0.28955925],"category_scores_gemma":[0.0023154742,0.0005479162,0.00029836892,0.004404811,0.00094090577,0.0039628763,0.0016550764,0.0017191096,0.17012538],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000068655354,0.000005778125,0.000043952856,0.00008385419,9.3372745e-7,0.0000391462,0.0003230323,0.00003513624,0.00010711498,0.019617803,0.9342327,0.045503546],"study_design_scores_gemma":[1.680235e-7,6.531857e-7,0.000048580376,0.000031267915,1.6065898e-7,0.000018877958,0.000036011883,0.0000031341613,0.000020181888,0.000113146714,0.9997266,0.0000012184405],"about_ca_topic_score_codex":0.07775478,"about_ca_topic_score_gemma":0.14763094,"teacher_disagreement_score":0.28955925,"about_ca_system_score_codex":0.005816482,"about_ca_system_score_gemma":0.004614824,"threshold_uncertainty_score":0.96867216},"labels":[],"label_agreement":null},{"id":"W7139697067","doi":"","title":"Merleau-Ponty and Barthes on Image Consciousness: Probing the (Im)possibility of Meaning","year":2019,"lang":"en","type":"article","venue":"Open Access Journals at BC (Boston College)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Impossibility; Freudian slip; Phenomenology (philosophy); Psychoanalytic theory; Painting; Meaning (existential); Pleasure; Metaphysics","score_opus":0.08954447212064463,"score_gpt":0.3706086253095627,"score_spread":0.28106415318891803,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139697067","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25820813,0.024244083,0.02417399,0.1407289,0.0009910436,0.00006974868,0.00008139941,0.00007232525,0.5514304],"genre_scores_gemma":[0.9854575,0.003563998,0.0014379174,0.0023172763,0.0003132216,0.000056395773,0.000009847935,0.000030852687,0.00681317],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9986308,0.0008263577,0.000023845345,0.00017280414,0.00022765639,0.00011852632],"domain_scores_gemma":[0.99666816,0.0026143002,0.00018054349,0.00022003542,0.00019891097,0.00011803453],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019179838,0.00038772036,0.00035448247,0.0012183905,0.0035717054,0.006247861,0.0007814465,0.0032352451,0.0035208128],"category_scores_gemma":[0.007767317,0.00023484073,0.00027745237,0.00094284496,0.045999277,0.01057393,0.0042900997,0.003921285,0.0002513085],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018972303,0.000011384918,0.00023459649,0.00004988764,0.0000033634083,0.000098619865,0.043778855,0.00008360489,0.0001705634,0.9462481,0.0026777496,0.0066243657],"study_design_scores_gemma":[0.000023052426,0.00002570593,0.0015349112,0.0002224053,0.000009679336,0.00020194979,0.030194899,0.000375234,0.0004535947,0.92018926,0.0467446,0.000024813175],"about_ca_topic_score_codex":0.003601455,"about_ca_topic_score_gemma":0.0027186403,"teacher_disagreement_score":0.006247861,"about_ca_system_score_codex":0.002350749,"about_ca_system_score_gemma":0.0012463856,"threshold_uncertainty_score":0.017055929},"labels":[],"label_agreement":null},{"id":"W7140359965","doi":"10.1353/vpr.2025.a985892","title":"\"Catching the right expression\": Amateur and Professional Women's Photography in The Woman at Home , 1893–1918","year":2025,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Amateur; Photography; Materiality (auditing); Representation (politics); Femininity; Feature (linguistics)","score_opus":0.011673107922624253,"score_gpt":0.2694362416259149,"score_spread":0.2577631337032906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7140359965","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23431392,0.35677242,0.0005610413,0.022889286,0.0020208575,0.000044792952,0.000074836156,0.000027570593,0.3832953],"genre_scores_gemma":[0.83305675,0.09700061,0.00022761093,0.0019504935,0.0010179114,0.000026133515,0.000026962975,0.000033039258,0.06666056],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99841285,0.0008028468,0.00004863935,0.00014661768,0.0003663403,0.00022266095],"domain_scores_gemma":[0.9983486,0.00097034517,0.0002125273,0.000085057014,0.00024104856,0.00014244058],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0024606872,0.00020469789,0.00025755,0.001856883,0.004591527,0.0034309686,0.00048021894,0.0012809609,0.003916153],"category_scores_gemma":[0.003063143,0.00018326782,0.00011495485,0.0021402666,0.009747066,0.0017929358,0.0021000097,0.0015083065,0.00050396327],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010154087,0.000056986763,0.0029688948,0.0010940488,0.000014710527,0.0017065495,0.65243506,0.00004393239,0.0014061168,0.11550155,0.03350119,0.19116947],"study_design_scores_gemma":[0.0000047406775,0.000056109046,0.019927582,0.0015566372,0.00001118563,0.0013268173,0.12805611,0.000020311352,0.0008479144,0.0012896837,0.846883,0.000019926569],"about_ca_topic_score_codex":0.048085514,"about_ca_topic_score_gemma":0.09715333,"teacher_disagreement_score":0.048085514,"about_ca_system_score_codex":0.0061502606,"about_ca_system_score_gemma":0.0032199488,"threshold_uncertainty_score":0.095611215},"labels":[],"label_agreement":null},{"id":"W7146533502","doi":"","title":"「呼びかけと応答」 : 日系カナダ人アーティスト、シンディ・モチズキのアート・アニメーションにおける「記憶」の表現","year":2014,"lang":"ja","type":"article","venue":"Institutional Repositories DataBase (IRDB)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Representation (politics); Perspective (graphical); Postmodernism; Natural (archaeology); Point (geometry)","score_opus":0.025661370572879122,"score_gpt":0.25709481180238347,"score_spread":0.23143344122950435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7146533502","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7497166,0.0022300633,0.0060392614,0.0032836176,0.00021490955,0.000116629984,0.00031016025,0.00011013478,0.23797862],"genre_scores_gemma":[0.9658495,0.00097471074,0.0016298795,0.00026629225,0.000040219686,0.000037678547,0.000082581486,0.000060186143,0.031059057],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923813,0.00032656503,0.000020180318,0.000085799446,0.00018253486,0.00014684736],"domain_scores_gemma":[0.9990658,0.0005350278,0.00006925502,0.000098597324,0.00012941267,0.00010187345],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009937169,0.00044459733,0.00018908984,0.0014423365,0.007544209,0.0038098418,0.0005024244,0.0006728018,0.0042211926],"category_scores_gemma":[0.0018502584,0.00018555419,0.00016039373,0.0014755488,0.009861335,0.0016557699,0.0016310837,0.0010275195,0.00041281167],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041959753,0.000014939295,0.003108607,0.00013384597,0.0000054750235,0.0005980784,0.9419138,0.00010931777,0.0021340097,0.030969115,0.003846801,0.017124103],"study_design_scores_gemma":[0.000006305209,0.000029999279,0.015124243,0.000250502,0.000021260608,0.0010898364,0.7239346,0.00034401874,0.0025415495,0.0032992524,0.25332007,0.00003841327],"about_ca_topic_score_codex":0.20117332,"about_ca_topic_score_gemma":0.41925624,"teacher_disagreement_score":0.7988267,"about_ca_system_score_codex":0.0055454765,"about_ca_system_score_gemma":0.00449901,"threshold_uncertainty_score":0.40000468},"labels":[],"label_agreement":null},{"id":"W7149036742","doi":"10.70675/7617651ez4425z4301zab82z8232755bafc0","title":"Le paysage de la photographie américaine de paysage : 1960-1990","year":2019,"lang":"","type":"dissertation","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Decolonization; Middle Ages; The arts","score_opus":0.0130928835458491,"score_gpt":0.26693244866866866,"score_spread":0.2538395651228196,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7149036742","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4237407,0.014748472,0.0005957103,0.005160608,0.0005704166,0.00007249945,0.0035950092,0.000063785104,0.55145276],"genre_scores_gemma":[0.8009731,0.0065062437,0.0006512771,0.00041697174,0.00017437855,0.000055677734,0.0013690375,0.000046091514,0.18980727],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99972814,0.00003015172,0.0000096628555,0.000058933063,0.00008042168,0.00009260179],"domain_scores_gemma":[0.999703,0.000058625126,0.000063314386,0.000017609524,0.0000810324,0.00007646151],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035333686,0.00018749987,0.00010178258,0.0015651962,0.003528986,0.0022241604,0.00019656874,0.00050664,0.024682095],"category_scores_gemma":[0.00093115185,0.00015315003,0.00014412691,0.002748903,0.0012456415,0.0013308713,0.0012209975,0.0010700903,0.0014074665],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005269318,0.00013099019,0.10424426,0.001005549,0.000041693274,0.0021102573,0.16867937,0.00051775493,0.005505941,0.2874951,0.16707547,0.26266667],"study_design_scores_gemma":[0.000005106044,0.000018391394,0.18585114,0.00019387918,0.000004734557,0.0002975493,0.013073342,0.000038645885,0.00026690317,0.0008240451,0.79941785,0.000008344729],"about_ca_topic_score_codex":0.20014521,"about_ca_topic_score_gemma":0.43881878,"teacher_disagreement_score":0.20014521,"about_ca_system_score_codex":0.005237592,"about_ca_system_score_gemma":0.002442885,"threshold_uncertainty_score":0.39796048},"labels":[],"label_agreement":null},{"id":"W7149291757","doi":"10.70675/22571aaez2dfdz4ed7za934z6d3ed3e6e865","title":"Artistes femmes, queer et autochtones face à leur(s) image(s) : pour une histoire intersectionnelle et décoloniale des arts contemporains autochtones aux Etats-Unis et au Canada (1969-2019)","year":2020,"lang":"","type":"dissertation","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The arts; Women's suffrage; Monster; Context (archaeology)","score_opus":0.09869570029391152,"score_gpt":0.3259720137843149,"score_spread":0.2272763134904034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7149291757","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55622846,0.014267156,0.0011108156,0.041290067,0.00069433363,0.000040899657,0.00025504865,0.000030620096,0.38608256],"genre_scores_gemma":[0.93142205,0.0040330878,0.00034990182,0.0023798884,0.000096399905,0.000014679849,0.000038496157,0.000013872236,0.06165162],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99934834,0.00011215803,0.000007923182,0.00009020492,0.00012639331,0.00031490077],"domain_scores_gemma":[0.99971503,0.000069687725,0.000040284416,0.000019082167,0.00007781066,0.00007810492],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007756685,0.00026614347,0.00016714851,0.0010174909,0.012962196,0.0053485427,0.00047750984,0.00081515306,0.0055862367],"category_scores_gemma":[0.00086051604,0.00012485703,0.00014880415,0.0011751256,0.013659919,0.001655512,0.0017660646,0.00208697,0.00029835186],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038164755,0.000015640664,0.016310088,0.0001126552,0.000010200505,0.00065413455,0.72105736,0.000052044532,0.00063603075,0.19747636,0.0154336905,0.04820358],"study_design_scores_gemma":[0.000003264355,0.000016354386,0.044858262,0.00035075535,0.000017667835,0.0004221844,0.5405095,0.000056146764,0.00038137255,0.00492162,0.4084389,0.000023895918],"about_ca_topic_score_codex":0.67731255,"about_ca_topic_score_gemma":0.86005294,"teacher_disagreement_score":0.32268745,"about_ca_system_score_codex":0.009728641,"about_ca_system_score_gemma":0.011757337,"threshold_uncertainty_score":0.64917564},"labels":[],"label_agreement":null},{"id":"W7154871626","doi":"","title":"2022-January-01-ETSU presenting 'The Yellow Book' by Johanna Warwick","year":2022,"lang":"","type":"article","venue":"Digital Commons - East Tennessee State University (East Tennessee State University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Thriving; State (computer science); Government (linguistics); General partnership; White (mutation); Negative; CONTEST","score_opus":0.015418206252132537,"score_gpt":0.18250552526127517,"score_spread":0.16708731900914264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7154871626","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009226236,0.0019102873,0.0002527991,0.0020987845,0.015115731,0.00013269288,0.0023219434,0.0010026129,0.97624254],"genre_scores_gemma":[0.00076392107,0.00030196522,0.000067758825,0.00042000736,0.00030475412,0.000033108285,0.0006145005,0.00020023523,0.99729365],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996786,0.000032918142,0.000010968304,0.00004729754,0.00014522822,0.00008490684],"domain_scores_gemma":[0.9995352,0.00002557225,0.000014489841,0.00004275576,0.00018806919,0.00019389598],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005276335,0.0009265415,0.00045052188,0.0009382889,0.0023146404,0.0044724355,0.0010184626,0.0019443275,0.78989065],"category_scores_gemma":[0.00088204263,0.000543843,0.00049532135,0.0010207293,0.00047736353,0.00266392,0.0030585,0.001937388,0.69091463],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000112720745,0.000019142199,0.000070775,0.00003321579,8.4235387e-7,0.000027494141,0.000024948567,0.000015999825,0.00014004177,0.00077723194,0.98025596,0.018623054],"study_design_scores_gemma":[0.000001686941,0.000007151822,0.00029994067,0.000036521473,2.7595127e-7,0.000013288802,0.000045953282,0.000009672466,0.00004407217,0.000072192626,0.9994673,0.0000020030418],"about_ca_topic_score_codex":0.0052485894,"about_ca_topic_score_gemma":0.024524827,"teacher_disagreement_score":0.78989065,"about_ca_system_score_codex":0.0014068614,"about_ca_system_score_gemma":0.001101642,"threshold_uncertainty_score":0.2996955},"labels":[],"label_agreement":null},{"id":"W7154950043","doi":"10.66331/beyh9444","title":"“Ashes And Snow” By Gregory Colbert – An Interweaving Of Vision And Word In Sepia Color","year":2024,"lang":"","type":"article","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Movie theater; Silence; Sign (mathematics); Poetics; Documentary film; Shot (pellet); Film director","score_opus":0.015294854179169962,"score_gpt":0.28407520827997246,"score_spread":0.2687803541008025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7154950043","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18595478,0.017934008,0.0018865862,0.108669885,0.0060532065,0.00008123301,0.00019426201,0.00020027896,0.67902577],"genre_scores_gemma":[0.798433,0.004109093,0.0014163916,0.010144131,0.0002720499,0.000017556127,0.000036538608,0.00016829252,0.1854029],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997546,0.00008361677,0.000004065938,0.00003197236,0.00005551649,0.00007019093],"domain_scores_gemma":[0.99968266,0.00008362853,0.000021715116,0.000018799552,0.00011978001,0.00007348483],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026467102,0.00029708905,0.00011251914,0.0004970895,0.008677586,0.002873744,0.00027202748,0.0006618428,0.003375297],"category_scores_gemma":[0.00077628816,0.00013488083,0.00010538314,0.0004327608,0.0057417466,0.000934406,0.0012177369,0.0017966477,0.00043542797],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016803862,0.00004894794,0.0043950025,0.00017982941,0.00002339365,0.0037820812,0.27134758,0.00016518396,0.0038649973,0.16281961,0.4597796,0.09342569],"study_design_scores_gemma":[0.000003387844,0.000014410403,0.003559525,0.00011314314,0.000004213378,0.00079474197,0.0671099,0.00005001976,0.0009132549,0.0027655475,0.9246558,0.000015935766],"about_ca_topic_score_codex":0.4506595,"about_ca_topic_score_gemma":0.7362727,"teacher_disagreement_score":0.4506595,"about_ca_system_score_codex":0.006299757,"about_ca_system_score_gemma":0.005043265,"threshold_uncertainty_score":0.89607275},"labels":[],"label_agreement":null},{"id":"W7160671715","doi":"","title":"Wage Earner","year":2023,"lang":"en","type":"dissertation","venue":"Open MIND","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Immigration; Context (archaeology); Representation (politics); Field (mathematics); Affect (linguistics); The arts; Work (physics)","score_opus":0.11747533458572171,"score_gpt":0.35776818337702615,"score_spread":0.24029284879130444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7160671715","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21466903,0.0023915984,0.00049531326,0.0125545785,0.00075447856,0.0001427294,0.0035348753,0.00008009113,0.7653773],"genre_scores_gemma":[0.23544711,0.0018576146,0.0003800985,0.0013963302,0.00008666535,0.000052429365,0.0011338732,0.00003788473,0.75960803],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990231,0.000052781495,0.000015715434,0.00007160943,0.000346198,0.0004906462],"domain_scores_gemma":[0.9990398,0.000045210883,0.00005095107,0.000033103184,0.00031283576,0.00051804906],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005782684,0.00018505275,0.00028931556,0.0009110781,0.006538113,0.0029389984,0.00062542537,0.0004924585,0.07734387],"category_scores_gemma":[0.0016653389,0.000100035,0.00014939216,0.0013709617,0.0008055327,0.0007372803,0.0014868815,0.000996153,0.014883506],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017822292,0.0003206147,0.08293352,0.0001800471,0.000016814523,0.0011080417,0.04790237,0.00024416516,0.0014999547,0.112710185,0.36831686,0.3845893],"study_design_scores_gemma":[0.000012911602,0.000056005647,0.097627,0.00020447739,0.0000050464673,0.00022295094,0.034547955,0.00010532944,0.00018577634,0.0017175638,0.8652935,0.00002144717],"about_ca_topic_score_codex":0.60293216,"about_ca_topic_score_gemma":0.8321074,"teacher_disagreement_score":0.60293216,"about_ca_system_score_codex":0.006857053,"about_ca_system_score_gemma":0.015854256,"threshold_uncertainty_score":0.7988125},"labels":[],"label_agreement":null},{"id":"W7164886386","doi":"10.1080/17153379.2010.12558988","title":"Photography and Australia.","year":2010,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"","score_opus":0.028961619813381294,"score_gpt":0.2512131273596856,"score_spread":0.2222515075463043,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164886386","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020173315,0.12577228,0.00021325442,0.012701965,0.0027240433,0.000020522242,0.0007029458,0.00013233113,0.8557152],"genre_scores_gemma":[0.016659895,0.030066015,0.00026695387,0.0017593385,0.0006636297,0.000028741657,0.00027406382,0.00007299672,0.9502083],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996697,0.00004205305,0.000023910476,0.000050185157,0.00015772428,0.000056314915],"domain_scores_gemma":[0.9993818,0.00007516554,0.000060305752,0.00006784465,0.00026069742,0.00015419761],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003387089,0.0004382517,0.00032142643,0.0015248792,0.0018093531,0.0030030536,0.0003892404,0.0012833062,0.14374962],"category_scores_gemma":[0.0016660835,0.00036315067,0.0001531493,0.003508496,0.0009099646,0.0035417965,0.0018675437,0.0020277163,0.036772043],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029701709,0.000037629714,0.001052507,0.00043002423,0.000005452079,0.00013803736,0.0014201151,0.00004785936,0.00020847493,0.04951664,0.6888872,0.2582264],"study_design_scores_gemma":[0.0000012227739,0.0000056663566,0.0052754483,0.0001310342,0.0000020007822,0.000105741965,0.00041901262,0.00002084672,0.00003888913,0.0012729688,0.99272424,0.00000287596],"about_ca_topic_score_codex":0.0505293,"about_ca_topic_score_gemma":0.16535445,"teacher_disagreement_score":0.14374962,"about_ca_system_score_codex":0.0018825658,"about_ca_system_score_gemma":0.0023015058,"threshold_uncertainty_score":0.4808904},"labels":[],"label_agreement":null},{"id":"W7164918200","doi":"10.1080/17153379.2011.12559095","title":"The Birth of a Republic: Francis Stafford’s Photographs of China’s 1911 Revolution and Beyond. China Program Book.","year":2011,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"China; History of China","score_opus":0.017921400469988493,"score_gpt":0.22393596294629484,"score_spread":0.20601456247630634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164918200","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014798853,0.072977014,0.00061440235,0.14012997,0.0038056376,0.000028156739,0.00026771982,0.000069195885,0.76730907],"genre_scores_gemma":[0.227146,0.02426072,0.0005642267,0.014014732,0.0011006788,0.000033298948,0.00012246933,0.00008476434,0.7326731],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99984455,0.000050226976,0.000003048142,0.000014022682,0.000041881525,0.000046239544],"domain_scores_gemma":[0.99984694,0.00004923077,0.0000103556,0.00001570157,0.00003732386,0.00004037851],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004005311,0.00037938182,0.00011545118,0.0009736514,0.00709483,0.0027559455,0.0004450048,0.0010646128,0.013386556],"category_scores_gemma":[0.0007813516,0.0002267165,0.00015470317,0.0013843515,0.003864716,0.003405898,0.0012279442,0.002384228,0.0011413906],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019917537,0.000011488623,0.0004262564,0.00004620811,0.000002498425,0.00022805069,0.01685855,0.000053064527,0.00010765533,0.20460561,0.7449747,0.032665912],"study_design_scores_gemma":[0.0000030376946,0.000003150225,0.0018250137,0.00008121113,0.000002036605,0.000051516334,0.0057099625,0.00003353885,0.00011003669,0.0066355774,0.98554,0.000004952324],"about_ca_topic_score_codex":0.14539583,"about_ca_topic_score_gemma":0.47177845,"teacher_disagreement_score":0.14539583,"about_ca_system_score_codex":0.0062452382,"about_ca_system_score_gemma":0.0043881135,"threshold_uncertainty_score":0.28909904},"labels":[],"label_agreement":null},{"id":"W7164924512","doi":"10.1080/17153379.2010.12558911","title":"Michael Rockefeller: New Guinea Photographs, 1961","year":2010,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"","score_opus":0.018418169265610317,"score_gpt":0.2276085843870041,"score_spread":0.20919041512139377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164924512","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014305828,0.05883322,0.000505794,0.0019833748,0.0017653728,0.00004446921,0.0023637316,0.0003160765,0.93275726],"genre_scores_gemma":[0.0054402384,0.0187088,0.0006819229,0.00017845265,0.00017995127,0.000030938256,0.0005182174,0.00017516135,0.9740863],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9998343,0.00002735037,0.000011442756,0.000042850366,0.000060327362,0.00002373501],"domain_scores_gemma":[0.99972194,0.000054182932,0.000022626691,0.000052713192,0.00010822443,0.000040309365],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004509453,0.0012367765,0.00042386557,0.0036499593,0.0024652716,0.002990613,0.0006708324,0.0013047621,0.4249775],"category_scores_gemma":[0.0011424909,0.00074720476,0.0002289376,0.0055893366,0.0007534095,0.004302161,0.0013170149,0.0015403997,0.13194034],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000053222266,0.000019731358,0.0004594752,0.00031732087,0.000004987261,0.0002036237,0.0006517754,0.00008283487,0.00040845625,0.009393907,0.6786322,0.30977246],"study_design_scores_gemma":[0.000002532455,0.000004365786,0.0012892779,0.00022689397,0.0000031600248,0.000108160384,0.00040062764,0.000021518908,0.00011081587,0.0006250412,0.9972037,0.0000038966655],"about_ca_topic_score_codex":0.0510705,"about_ca_topic_score_gemma":0.16200471,"teacher_disagreement_score":0.4249775,"about_ca_system_score_codex":0.0017274703,"about_ca_system_score_gemma":0.0011422231,"threshold_uncertainty_score":0.8201998},"labels":[],"label_agreement":null},{"id":"W7164927978","doi":"10.1080/17153379.2011.12556548","title":"Refracted Visions: Popular Photography and National Modernity in Java. Objects/Histories.","year":2011,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Modernity; Photography; National museum; National identity","score_opus":0.05240572220847116,"score_gpt":0.23976161423699655,"score_spread":0.18735589202852537,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164927978","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57993114,0.007846781,0.00058781,0.02188915,0.00047445396,0.000026749216,0.00031956052,0.00005205513,0.38887227],"genre_scores_gemma":[0.96526414,0.0013883492,0.00021971516,0.00080799137,0.00006768371,0.0000079398205,0.000052026116,0.000038106635,0.032154042],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996101,0.00018381064,0.000016808166,0.000042422245,0.00005172759,0.00009519052],"domain_scores_gemma":[0.9987317,0.00042114183,0.00028624386,0.00010448245,0.00018398165,0.00027250458],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010305041,0.00009689137,0.00009635761,0.0008133802,0.0043415325,0.003335729,0.00035731756,0.0005346987,0.011410322],"category_scores_gemma":[0.0020721555,0.00014401275,0.00007397289,0.0012788799,0.0043363334,0.0033453766,0.0026135424,0.0017442346,0.0004285092],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012634303,0.0001285493,0.033095088,0.00022449909,0.000010504028,0.0012740178,0.69767934,0.00004396172,0.0011882368,0.09831754,0.03893501,0.12897699],"study_design_scores_gemma":[0.000008478762,0.000029554074,0.12193712,0.00020171414,0.000016694883,0.0005374211,0.55034184,0.00006046443,0.0003785433,0.00376295,0.32270536,0.000019800555],"about_ca_topic_score_codex":0.078220814,"about_ca_topic_score_gemma":0.24759255,"teacher_disagreement_score":0.078220814,"about_ca_system_score_codex":0.0027797483,"about_ca_system_score_gemma":0.0018508778,"threshold_uncertainty_score":0.15553105},"labels":[],"label_agreement":null},{"id":"W7164930599","doi":"10.1080/17153379.2023.12558254","title":"Warring Visions: Photography and Vietnam.","year":2023,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"","score_opus":0.027380483177713688,"score_gpt":0.24519755237356922,"score_spread":0.21781706919585553,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164930599","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0885752,0.33996585,0.0005139431,0.08987254,0.002814331,0.00003620517,0.00053556345,0.000045031167,0.4776413],"genre_scores_gemma":[0.7747414,0.124648534,0.0004353766,0.0035254406,0.0014592625,0.000021813186,0.00018555394,0.000038256618,0.09494443],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996346,0.00020876713,0.000012850447,0.000026967886,0.000054953503,0.000061766434],"domain_scores_gemma":[0.9988053,0.00053029525,0.00014058985,0.000037238213,0.000188862,0.00029771158],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007864974,0.0002797636,0.00014124249,0.0015384026,0.0028528394,0.0038406316,0.00031152365,0.0010752472,0.02224751],"category_scores_gemma":[0.0027818575,0.00017162506,0.00008289714,0.0022982955,0.0044783223,0.0033911334,0.0018517633,0.0014136637,0.0006402206],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017833612,0.00015150454,0.0199314,0.0014351648,0.000027505932,0.0034403757,0.18625493,0.0002537381,0.0007862101,0.23158814,0.2734603,0.28249243],"study_design_scores_gemma":[0.000010877467,0.00006241494,0.055469867,0.0020310837,0.0000146232505,0.0017285668,0.31126657,0.00012021803,0.0002460422,0.013396671,0.61563027,0.000022854454],"about_ca_topic_score_codex":0.112572014,"about_ca_topic_score_gemma":0.25415036,"teacher_disagreement_score":0.112572014,"about_ca_system_score_codex":0.0025031453,"about_ca_system_score_gemma":0.0028266248,"threshold_uncertainty_score":0.22383356},"labels":[],"label_agreement":null},{"id":"W72784134","doi":"","title":"Photographs from the unveiling ceremony of Barbara Godard Way","year":2011,"lang":"en","type":"other","venue":"York University Digital Library (York University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ceremony; Sign (mathematics); Sister; Art; Art history; History; Visual arts; Sociology; Archaeology; Anthropology; Mathematics","score_opus":0.021818485600549397,"score_gpt":0.15565533730186998,"score_spread":0.1338368517013206,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W72784134","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019735409,0.0015175006,0.000522267,0.0040085046,0.0024503565,0.000052325144,0.0014475301,0.0001962714,0.9700698],"genre_scores_gemma":[0.084110625,0.0014072693,0.0009491751,0.0007177025,0.00020983042,0.00001981642,0.00074868026,0.00031974088,0.9115172],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99983,0.000027993932,0.0000025187908,0.00001964494,0.000081067046,0.00003872576],"domain_scores_gemma":[0.99980384,0.000019984653,0.000012475283,0.000025702708,0.000062695246,0.00007528439],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020404879,0.0004259065,0.00013895574,0.0007355886,0.004494956,0.0012936213,0.00028554135,0.00046527758,0.11896669],"category_scores_gemma":[0.0005903626,0.00020457651,0.0001702853,0.0009308946,0.0006207866,0.0006293884,0.0014177787,0.0015956106,0.022930974],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044367425,0.000012808588,0.00033904234,0.000048194473,0.0000020903221,0.00063931546,0.008652042,0.000038154798,0.0010927119,0.0040935352,0.96665925,0.018378489],"study_design_scores_gemma":[0.000001977495,0.0000054529355,0.0021651075,0.000031929616,0.0000016290322,0.00018319424,0.004688904,0.000015188979,0.0002721248,0.00009979741,0.99253005,0.0000047645062],"about_ca_topic_score_codex":0.070857204,"about_ca_topic_score_gemma":0.37002906,"teacher_disagreement_score":0.11896669,"about_ca_system_score_codex":0.0012892215,"about_ca_system_score_gemma":0.0007926014,"threshold_uncertainty_score":0.39798325},"labels":[],"label_agreement":null},{"id":"W7464134","doi":"10.4000/critiquedart.13248","title":"Jeff Wall, Marcel Duchamp : Etant donnés","year":2013,"lang":"fr","type":"article","venue":"Critique d’art","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Humanities","score_opus":0.02050891966632334,"score_gpt":0.2614710680698615,"score_spread":0.24096214840353813,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7464134","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0038322886,0.2403238,0.0034647966,0.37670362,0.034074396,0.00004044184,0.000508861,0.00018066076,0.34087113],"genre_scores_gemma":[0.059964977,0.1317038,0.0024449597,0.055052307,0.013605369,0.00014330931,0.00027546615,0.0006718627,0.736138],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950765,0.0019273416,0.00018067543,0.00072456367,0.0018345653,0.00025638953],"domain_scores_gemma":[0.9939131,0.0034378485,0.00028114024,0.0004229505,0.001526378,0.00041850086],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0036924302,0.0007074916,0.0004963391,0.0019459983,0.008590698,0.009522724,0.0011291143,0.0044133454,0.032356124],"category_scores_gemma":[0.022075448,0.00060008693,0.00030157427,0.0028163304,0.00625206,0.008294512,0.0037517424,0.006591857,0.010111451],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013854873,0.000004988392,0.00018553516,0.0002641711,0.0000055113824,0.00023336841,0.018753558,0.000022162272,0.000226753,0.055156607,0.89654046,0.028593015],"study_design_scores_gemma":[3.067599e-7,6.525228e-7,0.00008602374,0.00013265335,6.823898e-7,0.00007405915,0.0018024415,0.0000036703445,0.000046612626,0.0005605833,0.99728906,0.00000333424],"about_ca_topic_score_codex":0.053278428,"about_ca_topic_score_gemma":0.08137012,"teacher_disagreement_score":0.053278428,"about_ca_system_score_codex":0.0071585444,"about_ca_system_score_gemma":0.0053055575,"threshold_uncertainty_score":0.108241975},"labels":[],"label_agreement":null},{"id":"W750802909","doi":"","title":"Cause and Affect War Art and Emotion","year":2015,"lang":"en","type":"article","venue":"Scholars Commons (Wilfrid Laurier University)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Affect (linguistics); Psychology; Cognitive psychology; Communication","score_opus":0.04142146036624936,"score_gpt":0.23339969088639137,"score_spread":0.191978230520142,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W750802909","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48206425,0.0118582975,0.0017818504,0.012542492,0.00054808875,0.00005502366,0.00009941837,0.000039084498,0.4910114],"genre_scores_gemma":[0.9924516,0.0013962307,0.00009717346,0.00049088534,0.00005409307,0.000012238127,0.000011637523,0.000009285361,0.005476783],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989355,0.00051093544,0.000025290228,0.000095026815,0.00020188115,0.00023146934],"domain_scores_gemma":[0.9994092,0.00027073798,0.00012362197,0.000034046076,0.00006722339,0.000095116855],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00088440155,0.00034355815,0.0002735002,0.0007956207,0.003468142,0.0067310436,0.00034544614,0.0012856108,0.0052906987],"category_scores_gemma":[0.002218904,0.00018357144,0.00031656213,0.0005317585,0.008949117,0.0016457244,0.0025454622,0.0013989053,0.00033173023],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003651993,0.00021046924,0.046368726,0.0006209939,0.00017653719,0.0016919012,0.5608948,0.000998038,0.0040919827,0.30898198,0.012966424,0.06263288],"study_design_scores_gemma":[0.00007022447,0.00015037802,0.15938902,0.0006187172,0.00012207543,0.0010689828,0.5678801,0.00074205396,0.0012853387,0.1033567,0.16520432,0.00011214692],"about_ca_topic_score_codex":0.010646011,"about_ca_topic_score_gemma":0.009069819,"teacher_disagreement_score":0.010646011,"about_ca_system_score_codex":0.0031128516,"about_ca_system_score_gemma":0.001038688,"threshold_uncertainty_score":0.022585452},"labels":[],"label_agreement":null},{"id":"W757970407","doi":"","title":"Robert Burley: The Disappearance of Darkness","year":2014,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Photography; Art history; Visual arts; Shot (pellet); Uncanny; Art; Aesthetics","score_opus":0.02613743636796294,"score_gpt":0.26270137806905564,"score_spread":0.23656394170109268,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W757970407","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005113887,0.052676935,0.0007492918,0.09067655,0.017746406,0.000041102954,0.0005272223,0.00062267407,0.8318458],"genre_scores_gemma":[0.039856043,0.020381263,0.00061330985,0.0072318027,0.0018158511,0.000022472303,0.00021533482,0.00035419126,0.92950964],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993773,0.00010988411,0.000009950048,0.00007419045,0.00029463664,0.0001339999],"domain_scores_gemma":[0.9995803,0.00004933607,0.000023573146,0.000048095037,0.00013211455,0.00016651672],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006237782,0.00064961653,0.00024416205,0.0006010111,0.006656204,0.005943511,0.0007839242,0.0014833523,0.09552913],"category_scores_gemma":[0.0012572382,0.0004246617,0.00025918492,0.0008275897,0.0035812296,0.0023270638,0.0029142755,0.0029572898,0.014862561],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015283826,0.0000042315637,0.00009735893,0.000051866504,0.0000017772335,0.00012785672,0.0017687515,0.000021222953,0.00018955613,0.011824408,0.9735421,0.012355632],"study_design_scores_gemma":[9.547055e-7,0.0000016854759,0.00019904831,0.000043873562,7.520624e-7,0.00006272826,0.00091245316,0.000004801588,0.000054820415,0.00019248319,0.9985232,0.0000032370506],"about_ca_topic_score_codex":0.2792281,"about_ca_topic_score_gemma":0.5397869,"teacher_disagreement_score":0.2792281,"about_ca_system_score_codex":0.00838188,"about_ca_system_score_gemma":0.0046599843,"threshold_uncertainty_score":0.5552056},"labels":[],"label_agreement":null},{"id":"W802713245","doi":"","title":"Recognizance Mission : The Photographs of Lynne Cohen","year":2002,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Exposition (narrative); Art history; Literature","score_opus":0.01922341197888879,"score_gpt":0.166347383336683,"score_spread":0.1471239713577942,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W802713245","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0981443,0.035924125,0.0037356007,0.15277667,0.0067770616,0.00010906379,0.0004198565,0.00019459566,0.7019188],"genre_scores_gemma":[0.56050044,0.014222292,0.0033378352,0.01195933,0.0008681758,0.000077147415,0.00014501382,0.0003571331,0.4085327],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994319,0.00024491138,0.000008448293,0.000070611124,0.00014378468,0.000100325626],"domain_scores_gemma":[0.9992803,0.00020125924,0.000056617253,0.000048460843,0.00021315148,0.0002002734],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00090281304,0.0004342652,0.00017740228,0.001059429,0.010617045,0.0046256916,0.00054760685,0.0012870639,0.011252802],"category_scores_gemma":[0.0024919854,0.00025379343,0.00017344455,0.00080742314,0.005204228,0.0029670054,0.002653534,0.0037053514,0.0013256529],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014700479,0.00003156215,0.0029915436,0.00023098578,0.000010279676,0.0018480861,0.2217949,0.00031380556,0.0023808568,0.09815458,0.6152251,0.05687133],"study_design_scores_gemma":[0.000003037271,0.000008972836,0.00195599,0.00016091169,0.0000031579732,0.00035901,0.059722353,0.000047613426,0.0003468623,0.0014758246,0.9359012,0.00001507864],"about_ca_topic_score_codex":0.29345658,"about_ca_topic_score_gemma":0.5991162,"teacher_disagreement_score":0.29345658,"about_ca_system_score_codex":0.00877642,"about_ca_system_score_gemma":0.0041123033,"threshold_uncertainty_score":0.5834969},"labels":[],"label_agreement":null},{"id":"W829968037","doi":"","title":"Imagining Resistance: Visual Culture and Activism in Canada ed. by J. Keri Cronin and Kirsty Robertson, and: Challenge for Change: Activist Documentary at the National Film Board of Canada ed. by Thomas Waugh, Michael Brendan Baker, and Ezra Winton (review)","year":2014,"lang":"en","type":"article","venue":"British Journal of Canadian Studies","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Resistance (ecology); Media studies; History; Political science; Sociology","score_opus":0.01665403546150478,"score_gpt":0.25315561294077416,"score_spread":0.23650157747926936,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W829968037","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007070954,0.99539536,0.000017664104,0.0031403797,0.00027766268,0.0000027030744,0.0000112104935,0.0000017939066,0.0010825442],"genre_scores_gemma":[0.0019801683,0.9955788,0.000053246302,0.0008760666,0.00026405844,0.00000788084,0.00001814512,0.000003778911,0.0012179207],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99823415,0.00045402406,0.00009449773,0.00011960931,0.00086987467,0.00022785173],"domain_scores_gemma":[0.9965798,0.001357684,0.0003440248,0.000056975798,0.0012396077,0.0004218456],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002860893,0.0012350025,0.0016755548,0.0045326236,0.003297355,0.007141994,0.0020530752,0.0038143073,0.011822364],"category_scores_gemma":[0.0053965403,0.0007652423,0.0006396168,0.00963283,0.0071345866,0.003876223,0.0025224665,0.0038074593,0.0015537055],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000118992335,0.000057112808,0.0006610689,0.015434355,0.00010818238,0.00022685235,0.005667481,0.00018221485,0.00026862457,0.013342632,0.41835287,0.5455796],"study_design_scores_gemma":[0.000035089815,0.000029825525,0.0065667373,0.020674305,0.00009788614,0.00055585656,0.0062631993,0.000039471426,0.00015226424,0.002463526,0.9630629,0.000058832225],"about_ca_topic_score_codex":0.72959435,"about_ca_topic_score_gemma":0.87488925,"teacher_disagreement_score":0.27040565,"about_ca_system_score_codex":0.023650074,"about_ca_system_score_gemma":0.043080695,"threshold_uncertainty_score":0.5439962},"labels":[],"label_agreement":null},{"id":"W839672672","doi":"","title":"Brush, Canvas, Paint, and Uniform Malak Karsh’s portrait photographs of Second World War Canadian War Artists","year":2015,"lang":"en","type":"article","venue":"Canadian military history","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Portrait; Art; Brush; Art history; Visual arts; World War II; Geography; Archaeology; Engineering","score_opus":0.03235510688581307,"score_gpt":0.19686491557355904,"score_spread":0.16450980868774595,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W839672672","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13926512,0.018281301,0.0017823403,0.007762961,0.0017114988,0.00016000756,0.0035193947,0.0002641984,0.8272532],"genre_scores_gemma":[0.44588467,0.011211502,0.0030262938,0.000964881,0.00015170554,0.000049882634,0.0010104481,0.00019886944,0.5375017],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997069,0.00002167232,0.0000043490963,0.00003171568,0.00012764451,0.000107753694],"domain_scores_gemma":[0.9998373,0.000013597608,0.000007863389,0.00001422885,0.00007506474,0.00005188625],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024513775,0.00063612906,0.00014595997,0.0017687853,0.0075601493,0.0032070316,0.00061458413,0.00048084854,0.02651238],"category_scores_gemma":[0.00045294172,0.00026855915,0.00022242928,0.0021854402,0.0026674403,0.0007439212,0.0011968897,0.0011475628,0.0027544887],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003800355,0.000052782158,0.012190765,0.00064883643,0.00006389188,0.0023608569,0.0985457,0.00093045644,0.016047467,0.060430527,0.6749693,0.13337937],"study_design_scores_gemma":[0.000004845538,0.000013449627,0.025772309,0.0001236498,0.000012499424,0.00046742673,0.021606447,0.00008661249,0.0011286782,0.0004085492,0.9503464,0.000029168099],"about_ca_topic_score_codex":0.92141885,"about_ca_topic_score_gemma":0.98748475,"teacher_disagreement_score":0.078581154,"about_ca_system_score_codex":0.021208555,"about_ca_system_score_gemma":0.011157505,"threshold_uncertainty_score":0.15808779},"labels":[],"label_agreement":null},{"id":"W846996841","doi":"","title":"Le Mois De la Photo a Montreal: September 5-October 5, 2013","year":2014,"lang":"en","type":"article","venue":"Comparative technology transfer and society","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Art history; Visual arts; Art","score_opus":0.018845909687039024,"score_gpt":0.2630667802027945,"score_spread":0.24422087051575547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W846996841","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002315033,0.0063801934,0.0006480744,0.0124373445,0.012603727,0.00030607902,0.008675051,0.001745123,0.9548894],"genre_scores_gemma":[0.0062508946,0.0013008417,0.00032602635,0.0012775221,0.0006138705,0.000035331264,0.0014805585,0.00030802598,0.98840696],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99954826,0.000024227757,0.000005881133,0.000074534706,0.00019783825,0.00014930025],"domain_scores_gemma":[0.99929297,0.00002325448,0.000016629294,0.000040609168,0.000405634,0.00022082645],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004752254,0.0010914546,0.00038033823,0.0010044153,0.00553258,0.00449996,0.0011783628,0.0018844726,0.5828986],"category_scores_gemma":[0.0011380614,0.00042021394,0.0005228312,0.00090306514,0.00084837334,0.0016324975,0.0020161902,0.0024025638,0.19196129],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034951125,0.000014612126,0.0002734682,0.000045019806,0.0000034091977,0.00010701532,0.000106507265,0.000028147886,0.00029845015,0.0010830245,0.9856629,0.01234273],"study_design_scores_gemma":[0.000004535321,0.000006701734,0.0011845707,0.000052397365,0.0000017545688,0.000039099763,0.00015780107,0.000016315285,0.000106881234,0.00007488374,0.9983486,0.000006526043],"about_ca_topic_score_codex":0.34847254,"about_ca_topic_score_gemma":0.7552033,"teacher_disagreement_score":0.65152746,"about_ca_system_score_codex":0.0077906437,"about_ca_system_score_gemma":0.0041520125,"threshold_uncertainty_score":0.6928884},"labels":[],"label_agreement":null},{"id":"W858106139","doi":"10.1525/aft.2015.42.5.6","title":"Position as Desired: A Conversation with Kenneth Montague","year":2015,"lang":"en","type":"article","venue":"Afterimage","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Icon; Conversation; Citation; Computer science; World Wide Web; Sociology; Communication","score_opus":0.04542874909245173,"score_gpt":0.24021388988601286,"score_spread":0.19478514079356113,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W858106139","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0030873336,0.0104523115,0.0011330501,0.8482056,0.030730119,0.00005420191,0.00008455434,0.0002234466,0.10602923],"genre_scores_gemma":[0.06842628,0.013673341,0.0025107292,0.29462704,0.010591432,0.0001969421,0.000103218874,0.00095551164,0.60891545],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99589264,0.0022512076,0.0001229838,0.00036802213,0.00094579236,0.00041931315],"domain_scores_gemma":[0.99209446,0.002757846,0.00027259797,0.00027236098,0.0013610492,0.003241758],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.006866255,0.00059998396,0.00060729607,0.0007679479,0.014426318,0.0085821375,0.0016854255,0.0065946775,0.063913524],"category_scores_gemma":[0.015806474,0.00060512935,0.00045423798,0.0006905978,0.0055657774,0.0077327536,0.0049200794,0.013108528,0.017840775],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014088645,0.000017609515,0.00006729032,0.000026289772,0.0000016061459,0.00023405442,0.00741097,0.000009166397,0.00011349045,0.0030134777,0.9827572,0.006334805],"study_design_scores_gemma":[0.0000027715032,0.000008042089,0.00009915612,0.00010700587,0.0000011756163,0.00020419243,0.01185869,0.000015300448,0.00005454791,0.000891104,0.9867476,0.000010431015],"about_ca_topic_score_codex":0.02316625,"about_ca_topic_score_gemma":0.08520798,"teacher_disagreement_score":0.063913524,"about_ca_system_score_codex":0.0075398977,"about_ca_system_score_gemma":0.0052222484,"threshold_uncertainty_score":0.21381205},"labels":[],"label_agreement":null},{"id":"W86094954","doi":"","title":"Gaëlle Morel (dir.), Photojournalisme et art contemporain. Les derniers tableaux","year":2008,"lang":"fr","type":"article","venue":"OpenEdition (OpenEdition)","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Art history","score_opus":0.05002381609139596,"score_gpt":0.2696760953579044,"score_spread":0.21965227926650843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W86094954","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022087505,0.4837345,0.0010802256,0.20256476,0.050935987,0.00006609053,0.0008936337,0.00031141037,0.25820467],"genre_scores_gemma":[0.037388217,0.18682131,0.000920139,0.04767842,0.01806321,0.00013208551,0.0005397513,0.0005161018,0.70794076],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991066,0.00022948973,0.000036887664,0.00017362769,0.00035350732,0.00009990187],"domain_scores_gemma":[0.99876034,0.00053851923,0.00011629081,0.000058071502,0.00038287268,0.00014380745],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008531611,0.0005704606,0.00033537508,0.0014965464,0.0037372306,0.0056749186,0.0007781046,0.0033230043,0.04547998],"category_scores_gemma":[0.0026784763,0.00041130683,0.00023748804,0.0022086608,0.0021708317,0.004791307,0.0018833318,0.0034025281,0.016967867],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016829708,0.00000856629,0.0001769859,0.00013994955,0.000002191921,0.00006477293,0.001133564,0.00001820578,0.00010370476,0.015818246,0.9581781,0.024339005],"study_design_scores_gemma":[0.000002647019,0.0000030979033,0.0007528961,0.00015318647,0.0000013630416,0.00008096592,0.0009786895,0.000009787823,0.0000753085,0.0013763773,0.99655837,0.00000718599],"about_ca_topic_score_codex":0.06662751,"about_ca_topic_score_gemma":0.13725077,"teacher_disagreement_score":0.06662751,"about_ca_system_score_codex":0.003916265,"about_ca_system_score_gemma":0.0022040715,"threshold_uncertainty_score":0.15214568},"labels":[],"label_agreement":null},{"id":"W915211314","doi":"","title":"Other Photographers Composite Photographs","year":2011,"lang":"en","type":"article","venue":"","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Studio; Visual arts; Simple (philosophy); Art; Photography; Computer graphics (images); Advertising; Art history; Computer science; Business; Philosophy","score_opus":0.08662976961849593,"score_gpt":0.2374640041991021,"score_spread":0.15083423458060619,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W915211314","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004424903,0.003505481,0.003061903,0.0068116076,0.0036238623,0.00038919746,0.0026774865,0.0013519358,0.9741536],"genre_scores_gemma":[0.0071293255,0.0010808985,0.0029366738,0.001252544,0.00037664955,0.00005885646,0.0006498358,0.0004344456,0.98608077],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984865,0.00019852328,0.00006634729,0.0002911643,0.00072982826,0.0002275395],"domain_scores_gemma":[0.9970782,0.0004366286,0.00012862775,0.00074358005,0.0011792223,0.00043379216],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0019431416,0.0009009131,0.00047197836,0.005145422,0.006239627,0.00329493,0.0010263054,0.0014077619,0.39843124],"category_scores_gemma":[0.0048334175,0.0006357166,0.0005422082,0.0037295192,0.001186987,0.0024292737,0.0015870165,0.0020413073,0.11914136],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007000107,0.000037963076,0.0006289926,0.00019576048,0.0000056929653,0.00043876085,0.0018784808,0.000053450098,0.002584434,0.011692169,0.8840767,0.098337516],"study_design_scores_gemma":[0.000003220139,0.000003553979,0.0008852896,0.000031460953,0.0000015099714,0.00009684493,0.00030686255,0.000016436865,0.00031878543,0.00027300962,0.9980562,0.0000068545974],"about_ca_topic_score_codex":0.064481996,"about_ca_topic_score_gemma":0.24591185,"teacher_disagreement_score":0.39843124,"about_ca_system_score_codex":0.003943646,"about_ca_system_score_gemma":0.0024549353,"threshold_uncertainty_score":0.85806483},"labels":[],"label_agreement":null},{"id":"W946258904","doi":"","title":"Sue Lloyd, Kelly McCray : Breath Taking","year":2001,"lang":"en","type":"book","venue":"Gallery TPW eBooks","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Allegory; Exhibition; Art; Visual arts; Art history; Performance art","score_opus":0.04775119503549497,"score_gpt":0.244832261232928,"score_spread":0.19708106619743304,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W946258904","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026343227,0.20706233,0.002967516,0.054413687,0.017956171,0.00009398845,0.00023193605,0.0005715385,0.7140685],"genre_scores_gemma":[0.008953163,0.024756331,0.0015820054,0.009193753,0.0008798983,0.000039337658,0.000067328365,0.00018446712,0.9543436],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997267,0.000046119854,0.000009314012,0.000050340263,0.00013516989,0.000032418164],"domain_scores_gemma":[0.9997776,0.00005142047,0.00001175953,0.000018461844,0.00006304495,0.000077628894],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004819448,0.00047917775,0.00024684967,0.00067145796,0.0023855406,0.00290261,0.00063027616,0.0014720879,0.052654695],"category_scores_gemma":[0.0013400307,0.00027727598,0.00018671116,0.000542368,0.0014215045,0.0029546,0.0017528322,0.0019421052,0.019773714],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007265689,0.000010783043,0.00006678582,0.00009697301,0.0000010441654,0.00016284232,0.0017005624,0.000008152022,0.00025719355,0.009129536,0.91072106,0.077837676],"study_design_scores_gemma":[0.0000012225214,0.000004745889,0.0002516514,0.00013354262,7.93729e-7,0.00032568374,0.00091307657,0.0000057459224,0.00007920964,0.00075192953,0.99752957,0.0000029752534],"about_ca_topic_score_codex":0.012619791,"about_ca_topic_score_gemma":0.054352183,"teacher_disagreement_score":0.052654695,"about_ca_system_score_codex":0.0015017556,"about_ca_system_score_gemma":0.0015922087,"threshold_uncertainty_score":0.17614752},"labels":[],"label_agreement":null},{"id":"W97675386","doi":"","title":"The Photography of Decolonization / The Decolonization of Photography: an image from the Algerian War of Independence","year":2014,"lang":"en","type":"article","venue":"Revue CMC","topic":"Photography and Visual Culture","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Portrait; Independence (probability theory); Presidential system; Rhetoric; Visual culture; Decolonization; Vision; Power (physics); Sociology; Law; Art history; History; Art; Visual arts; Political science; Politics; Anthropology; Philosophy","score_opus":0.0144375222572189,"score_gpt":0.23201276289932246,"score_spread":0.21757524064210357,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W97675386","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"metacan-v3-hybrid-931329e0061c","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34159347,0.013794142,0.0018106004,0.030074792,0.004998601,0.00017171036,0.0017593659,0.0002485,0.60554886],"genre_scores_gemma":[0.9051093,0.004688664,0.0016373973,0.0043262183,0.001253874,0.00005100278,0.00051015645,0.00025396617,0.08216936],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997594,0.0000911855,0.0000038027308,0.000019230756,0.000050499773,0.000075822514],"domain_scores_gemma":[0.9997981,0.000059421764,0.00002301964,0.000021791026,0.000051356245,0.000046268447],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047650203,0.0005598865,0.00016863023,0.00085189106,0.005366678,0.0020231341,0.00032065454,0.0008330021,0.0074035046],"category_scores_gemma":[0.0006668806,0.00018636041,0.00025021014,0.0007518206,0.0024502398,0.0011582705,0.0012057613,0.0020528613,0.0010658604],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007749095,0.0002095111,0.0061200038,0.0010101629,0.00008098009,0.007685448,0.41804892,0.00071700575,0.0079250075,0.04152896,0.4438372,0.07206186],"study_design_scores_gemma":[0.000029706378,0.000079047655,0.028369972,0.000323975,0.000028100312,0.001964349,0.106523395,0.00018268357,0.0012593439,0.00077084044,0.86043155,0.000037036705],"about_ca_topic_score_codex":0.03507741,"about_ca_topic_score_gemma":0.12587626,"teacher_disagreement_score":0.03507741,"about_ca_system_score_codex":0.0028091006,"about_ca_system_score_gemma":0.0010063205,"threshold_uncertainty_score":0.069746494},"labels":[],"label_agreement":null}]}