{"meta":{"query_hash":"951169f744fe","filters":{"topic":"Poetry Analysis and Criticism"},"cohort_total":1024,"direct_labels_cover":0,"predictions_cover":1024,"exported":1024,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/951169f744fe","api":"https://metacan.xera.ac/api/v1/cohort?topic=Poetry+Analysis+and+Criticism"},"results":[{"id":"W104936865","doi":"","title":"Writing lines on the land: Recent poems on rulal life","year":2001,"lang":"en","type":"article","venue":"Essays on Canadian writing","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; History; Art; Genealogy","score_opus":0.06095092240033581,"score_gpt":0.25200926170221005,"score_spread":0.19105833930187424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W104936865","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30510062,0.00014486042,0.0000015770557,0.029519396,0.0003464975,0.00012758635,0.000093051705,0.000066871195,0.66459954],"genre_scores_gemma":[0.9723034,0.00008330313,0.0000036586584,0.020998307,0.0031635084,0.00002005106,0.000036734164,0.000036528287,0.0033544947],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981812,0.0001198601,0.0003696228,0.0003291904,0.0003363374,0.00066379167],"domain_scores_gemma":[0.9986744,0.00040316465,0.00008723256,0.00032875402,0.00011305162,0.0003934095],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005914881,0.00023847407,0.00024256793,0.00023272033,0.001495653,0.00054029655,0.00027403494,0.0000692786,0.005069003],"category_scores_gemma":[0.00030744873,0.00017982075,0.000131858,0.0001005232,0.00010542534,0.000098156655,0.000016690936,0.00043658318,0.00050650036],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028692504,0.00009166157,0.0018600663,0.000015548756,0.000080442354,0.00021621372,0.0021697497,0.00020647528,0.000008543391,0.9459025,0.027513906,0.02190615],"study_design_scores_gemma":[0.00041676496,0.00021290056,0.0010950615,0.0004804519,0.00005161503,0.000011094269,0.01322701,0.0015364751,0.0000552413,0.0028121294,0.97953296,0.00056829123],"about_ca_topic_score_codex":0.031987164,"about_ca_topic_score_gemma":0.21347715,"teacher_disagreement_score":0.95201904,"about_ca_system_score_codex":0.00013563654,"about_ca_system_score_gemma":0.00012276875,"threshold_uncertainty_score":0.99980426},"labels":[],"label_agreement":null},{"id":"W117214468","doi":"10.3138/jcs.38.1.154","title":"Anthologizing P.K. Page: The Case of a Protean Poet","year":2004,"lang":"en","type":"article","venue":"Journal of Canadian Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Representation (politics); Literature; History; Habit; Linguistics; Philosophy; Art; Law; Psychology; Politics","score_opus":0.08794936534879115,"score_gpt":0.2936586979615789,"score_spread":0.20570933261278773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W117214468","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9537418,0.010780038,0.000006298094,0.015012963,0.00050872116,0.000097996206,0.00003460758,0.0000045983757,0.019813005],"genre_scores_gemma":[0.9985527,0.000308291,0.000049116014,0.0003553695,0.00039780865,0.0000016507186,1.4191421e-7,0.000005098976,0.0003298159],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99928355,0.00004477141,0.00034445678,0.000052044525,0.000101753576,0.00017342929],"domain_scores_gemma":[0.9991632,0.0000752768,0.00021306315,0.00009696352,0.0003610942,0.00009039721],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004587816,0.00008061713,0.00026585298,0.0003293262,0.00043223187,0.00004757227,0.00012324059,0.000016659,0.000095669966],"category_scores_gemma":[0.00022888137,0.000045135672,0.0001418464,0.00009399297,0.0003626765,0.00012390388,0.000015009163,0.00015738339,0.0000029674115],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035459798,0.00011605864,0.0002687385,0.00014119949,0.0022207438,0.019861067,0.2667653,0.0001840414,0.00020031053,0.6624229,0.040716488,0.00706771],"study_design_scores_gemma":[0.0009900508,0.00063056964,0.00046663987,0.00038805482,0.0007493985,0.0063078706,0.6623392,0.0000051731513,0.0006025698,0.029561203,0.29764175,0.00031747634],"about_ca_topic_score_codex":0.037299704,"about_ca_topic_score_gemma":0.5852103,"teacher_disagreement_score":0.6328617,"about_ca_system_score_codex":0.000065378445,"about_ca_system_score_gemma":0.00015208013,"threshold_uncertainty_score":0.969111},"labels":[],"label_agreement":null},{"id":"W1197815488","doi":"10.1017/cbo9780511777486.034","title":"The Orient","year":2010,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Pound (networking); Exhibition; Centennial; Art history; Painting; Art; China; Orient; Poetry; History; Chinatown; Visual arts; Ancient history; Literature; Archaeology; Far East","score_opus":0.023542109335237604,"score_gpt":0.18198454658632818,"score_spread":0.15844243725109058,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1197815488","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00003394767,0.00019703443,0.000014777155,0.000063645784,0.0007750052,0.00013735367,0.00020158541,0.00007284574,0.9985038],"genre_scores_gemma":[0.0018362965,0.00012089494,0.0000037846382,0.00008586748,0.00071068946,5.0344596e-7,0.000026887203,0.000027601973,0.9971875],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990708,0.000019699299,0.00015329193,0.00028259572,0.00023307012,0.00024054175],"domain_scores_gemma":[0.99893343,0.000085501015,0.0001380392,0.00054003333,0.00019486126,0.00010812578],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.000102427744,0.00025252794,0.00024784633,0.00006569792,0.00130535,0.00022822726,0.00052462297,0.00017669308,0.00010588279],"category_scores_gemma":[0.0000065991258,0.00020119821,0.00030055776,0.0000013767491,0.0008770848,0.000058529273,0.00020440014,0.00063287903,0.00006762002],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017057684,0.0000043444843,4.342721e-8,0.000010950484,0.0001307726,0.000060605576,0.00028013936,5.0638405e-8,0.0000063145812,0.95580715,0.04280857,0.0008739988],"study_design_scores_gemma":[0.00012701137,0.000020889413,4.5943582e-7,0.00003680089,0.00028846273,0.0000025014476,0.0002574215,0.0000059854933,0.00005439693,0.0001536678,0.99879164,0.0002607833],"about_ca_topic_score_codex":0.00015422307,"about_ca_topic_score_gemma":0.00011444633,"teacher_disagreement_score":0.95598304,"about_ca_system_score_codex":0.000048505633,"about_ca_system_score_gemma":0.000049121958,"threshold_uncertainty_score":0.9999948},"labels":[],"label_agreement":null},{"id":"W1252022616","doi":"","title":"ever after and other poems","year":2010,"lang":"en","type":"article","venue":"Journal of Mennonite studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Political science; Literature","score_opus":0.044331226424114745,"score_gpt":0.2980228155407687,"score_spread":0.25369158911665396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1252022616","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97016346,0.0061625806,0.0000029313715,0.0005469341,0.0008787201,0.000024417594,0.000008108717,0.000005571253,0.022207264],"genre_scores_gemma":[0.9927218,0.00022260754,0.00007243561,0.00070556713,0.0011285652,0.0000016308064,5.9255264e-8,0.000007485368,0.0051398585],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994072,0.00002030009,0.00024855038,0.000059954084,0.00015029924,0.000113699105],"domain_scores_gemma":[0.9994762,0.00005668132,0.000121089215,0.00006779267,0.00023399586,0.00004425441],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030324011,0.00008727714,0.00022593795,0.00009201486,0.00014670409,0.00008000444,0.000061651626,0.000019138664,0.0009939598],"category_scores_gemma":[0.000012362258,0.000054666238,0.00008551252,0.00001781263,0.00024782136,0.00017677169,0.00003135751,0.00019754868,0.000015332113],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000603854,0.000827565,0.04128849,0.00032075087,0.008270532,0.0005918577,0.4256941,0.0000035350395,0.008028851,0.4439154,0.037458923,0.032996137],"study_design_scores_gemma":[0.00034045315,0.000119726705,0.0024619556,0.000040238705,0.00020859363,0.000047634916,0.013799842,0.0000037808938,0.000028365712,0.0055611306,0.97726506,0.00012323176],"about_ca_topic_score_codex":0.000007979971,"about_ca_topic_score_gemma":0.00028176772,"teacher_disagreement_score":0.9398061,"about_ca_system_score_codex":0.000005406388,"about_ca_system_score_gemma":0.000008523551,"threshold_uncertainty_score":0.9999193},"labels":[],"label_agreement":null},{"id":"W134948501","doi":"","title":"An Annotated Bibliography of Works on P.K. Page (1985–2002)","year":2018,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Stanza; Poetry; Context (archaeology); Literature; Art history; Art; History","score_opus":0.028100987009105398,"score_gpt":0.23506589047929646,"score_spread":0.20696490347019106,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W134948501","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20491081,0.0000027682172,0.0000900371,0.00005948936,0.00018507402,0.00015857744,0.00007945518,0.00013683287,0.79437697],"genre_scores_gemma":[0.97419053,0.02503524,0.00006264211,0.00019253395,0.00033001858,8.948343e-7,0.00002836573,0.000021442296,0.0001383047],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987178,0.00013807516,0.00020152378,0.00036320984,0.00024298728,0.00033642273],"domain_scores_gemma":[0.9989318,0.00005150938,0.00012998682,0.0004642273,0.00032691594,0.00009551617],"candidate_categories":["bibliometrics","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014665857,0.0002163306,0.00028703717,0.069218785,0.0003812817,0.00014070548,0.0004220673,0.00008651943,0.0015472241],"category_scores_gemma":[0.000010490843,0.00020497688,0.000229252,0.01889192,0.0005193728,0.00068045506,0.000055087476,0.00017848119,0.000077608216],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0033356624,0.0092453025,0.0040101553,0.00037688194,0.0030322915,0.0009453632,0.20475456,0.000071567716,0.0007081243,0.6019389,0.09207802,0.079503186],"study_design_scores_gemma":[0.0005633441,0.0007718761,0.00016946527,0.00008244874,0.00015358318,9.764793e-7,0.0041890163,0.0002533192,0.0006480005,0.000009522859,0.9928864,0.00027201464],"about_ca_topic_score_codex":0.020368487,"about_ca_topic_score_gemma":0.016255638,"teacher_disagreement_score":0.9008084,"about_ca_system_score_codex":0.000016764268,"about_ca_system_score_gemma":0.00004643087,"threshold_uncertainty_score":0.9993655},"labels":[],"label_agreement":null},{"id":"W1430831444","doi":"","title":"Lyndal Osborne : Selections from the Poetic Structure ofthe World","year":2003,"lang":"en","type":"article","venue":"Espace Sculpture","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Philosophy; Linguistics","score_opus":0.012446260552408519,"score_gpt":0.20649495502289417,"score_spread":0.19404869447048564,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1430831444","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17775358,0.007656509,0.0004711088,0.06318218,0.0043480033,0.0007423258,0.0010017008,0.0005127009,0.7443319],"genre_scores_gemma":[0.9086475,0.000007958709,0.000072096766,0.0021046665,0.0009655758,0.000007754534,0.00003140196,0.000020618778,0.08814245],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988709,0.00016935404,0.00015789391,0.00026534358,0.0002407633,0.0002957632],"domain_scores_gemma":[0.9992555,0.00010388767,0.000059211154,0.00040528356,0.00010033342,0.00007580706],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000114609495,0.00020129653,0.00019902509,0.00005923567,0.00087402144,0.00033682946,0.00023129786,0.00006306215,0.018301167],"category_scores_gemma":[0.00008385849,0.00011944544,0.00018101245,0.00018983934,0.00019093955,0.00013237091,0.000021756467,0.00044190328,0.00013745006],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008391161,0.000045409073,0.00047107268,0.000004716208,0.00018232178,0.0000053622844,0.029972486,0.000067425084,0.00021460683,0.88910574,0.07967581,0.00024663916],"study_design_scores_gemma":[0.00017484429,0.000015256998,0.0016476631,0.000015923397,0.00015907244,0.0000033766005,0.0074259476,0.000027893648,0.00021274123,0.010788674,0.9793419,0.00018667021],"about_ca_topic_score_codex":0.00027054007,"about_ca_topic_score_gemma":0.024589246,"teacher_disagreement_score":0.89966613,"about_ca_system_score_codex":0.000028647946,"about_ca_system_score_gemma":0.00004136015,"threshold_uncertainty_score":0.9932095},"labels":[],"label_agreement":null},{"id":"W1436719657","doi":"","title":"Poetry Editorial: Audioecopoetics","year":2015,"lang":"en","type":"article","venue":"Scholars Commons (Wilfrid Laurier University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Poetry; Literature; Art; History","score_opus":0.03185344745745851,"score_gpt":0.22431591413973992,"score_spread":0.1924624666822814,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1436719657","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10763641,0.0003593142,0.00013267307,0.0020975152,0.027516268,0.00018418659,0.00019225078,0.00038807455,0.8614933],"genre_scores_gemma":[0.9028955,0.000027544487,0.00015761424,0.00034883956,0.013446997,0.0000010057516,0.00006439289,0.000041518262,0.08301658],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983453,0.00019976655,0.00021747293,0.00032781757,0.0004915353,0.00041806413],"domain_scores_gemma":[0.9983871,0.0000760567,0.00009750668,0.0005462607,0.00047266108,0.00042043446],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00042856927,0.00023500848,0.00031362305,0.0004150462,0.00068548555,0.0003736434,0.0006379272,0.00013105871,0.0010272028],"category_scores_gemma":[0.00012540052,0.00024848757,0.00020502607,0.00026187106,0.000407393,0.0010316113,0.00022583235,0.0005737867,0.00056380796],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006185432,0.00017733677,0.0012087432,0.000009548852,0.00014856033,0.00011874862,0.0037980922,0.000018382034,0.000023585955,0.49997824,0.49415326,0.00030363642],"study_design_scores_gemma":[0.00074346724,0.0000873116,0.00005041939,0.000019444451,0.00017162232,0.0000030654674,0.009221398,0.000024201872,0.00007025051,0.0028673701,0.986416,0.00032547629],"about_ca_topic_score_codex":0.00021411896,"about_ca_topic_score_gemma":0.0012042362,"teacher_disagreement_score":0.7952591,"about_ca_system_score_codex":0.00016390246,"about_ca_system_score_gemma":0.0001840509,"threshold_uncertainty_score":0.9999967},"labels":[],"label_agreement":null},{"id":"W1481472522","doi":"10.1353/mos.2012.a468711","title":"An “Impossible Science”: Wallace Stevens and the Ecstatic Mind","year":2012,"lang":"en","type":"article","venue":"Mosaic","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Nothing; Representation (politics); Poetry; Art; Art history; Space (punctuation); Philosophy; Aesthetics; Literature; Epistemology; Politics; Law","score_opus":0.02184076236260443,"score_gpt":0.2619940924746353,"score_spread":0.24015333011203086,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1481472522","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.958317,0.00079575204,0.000013580499,0.00096907385,0.00020357723,0.00007841604,0.0000116682895,0.000014187016,0.03959678],"genre_scores_gemma":[0.99100345,0.000010589398,0.000033712193,0.00034303957,0.0002824928,0.0000063834354,0.0000034288084,0.0000055424525,0.008311387],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924994,0.000053519743,0.00011551087,0.00011781741,0.00017868748,0.00028451858],"domain_scores_gemma":[0.99956155,0.000057921392,0.00003146095,0.0002032748,0.000040264815,0.00010553467],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007274427,0.00007613033,0.000114507086,0.000051404222,0.0007203448,0.00033230305,0.00015824205,0.000012434042,0.0011449758],"category_scores_gemma":[0.000024687175,0.00004376741,0.00003346475,0.000059930648,0.0008734315,0.0004936217,0.000030045128,0.00006715587,0.00008236466],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024946787,0.0001668088,0.0011389622,0.000018736744,0.00004115354,0.0000019689926,0.14704457,0.0000062386102,0.00070274307,0.84192175,0.0026633847,0.006268742],"study_design_scores_gemma":[0.0026171359,0.00025231575,0.0046751797,0.000052708067,0.0005205493,0.000030824664,0.08130527,0.008330557,0.0026089544,0.027190452,0.87159175,0.0008243262],"about_ca_topic_score_codex":0.00017209297,"about_ca_topic_score_gemma":0.00024398172,"teacher_disagreement_score":0.8689283,"about_ca_system_score_codex":0.000018510123,"about_ca_system_score_gemma":0.000023077142,"threshold_uncertainty_score":0.99976814},"labels":[],"label_agreement":null},{"id":"W1481978410","doi":"","title":"the unfound poem","year":2004,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Literature","score_opus":0.03151874413095611,"score_gpt":0.2429915206330356,"score_spread":0.21147277650207952,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1481978410","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67008984,0.0038937638,0.0000011058953,0.0073402645,0.0011987449,0.00012559476,0.000047094683,0.000055395718,0.3172482],"genre_scores_gemma":[0.966972,0.0001355425,0.0000022177812,0.0020596276,0.00045052037,0.00004291623,0.0000018093783,0.000009603139,0.030325744],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990834,0.000016219394,0.00014675698,0.00013367012,0.00011113108,0.0005088486],"domain_scores_gemma":[0.9994069,0.00006234549,0.000027232676,0.00018428388,0.00012152096,0.00019777194],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00015839939,0.00011664486,0.00016146428,0.00007178683,0.0020995317,0.00023531464,0.00016771187,0.000016527947,0.00042821403],"category_scores_gemma":[0.000072941366,0.00007576123,0.000060461018,0.000050896302,0.0005040859,0.000092985385,0.000022474114,0.00008617894,0.0002902747],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000015008354,0.0000055509486,0.000014091056,0.000006093138,0.00021769066,0.000022100667,0.04389218,0.000005786138,8.444748e-7,0.9526016,0.0028568497,0.0003757126],"study_design_scores_gemma":[0.00011773295,0.000030169464,0.00003168397,0.00001025793,0.00002164115,0.0000014173554,0.23717418,6.667278e-7,0.0000038448234,0.10482236,0.65767,0.000116004674],"about_ca_topic_score_codex":0.0029497375,"about_ca_topic_score_gemma":0.41539285,"teacher_disagreement_score":0.8477792,"about_ca_system_score_codex":0.00046773552,"about_ca_system_score_gemma":0.00015943601,"threshold_uncertainty_score":0.9991996},"labels":[],"label_agreement":null},{"id":"W148222675","doi":"","title":"Translated or Traduced? - Canadian Literary and Political Theory in a German Context: Northrop Frye, Michael Ignatieff, and Charles Taylor","year":2007,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; German; Context (archaeology); History; Economic history; Political science; Law; Archaeology","score_opus":0.019412120122212197,"score_gpt":0.2538832640116523,"score_spread":0.2344711438894401,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W148222675","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95303416,0.0022434234,0.000039917788,0.0016881074,0.00007012508,0.00016667167,0.00011990607,0.000033588578,0.042604074],"genre_scores_gemma":[0.99329585,0.00002734301,0.00001519551,0.002935956,0.0001492706,0.0000056521512,0.000025031384,0.000015929312,0.0035297563],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987454,0.000057106627,0.00032169046,0.00024723157,0.000098826604,0.00052973384],"domain_scores_gemma":[0.9992805,0.00016593495,0.000020830637,0.00010770111,0.000040728522,0.00038427158],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003280334,0.0001771185,0.0002714495,0.0003022802,0.00022203955,0.00015390996,0.00007385598,0.00007692987,0.0026823478],"category_scores_gemma":[0.000016653117,0.0001306928,0.00004791629,0.000055687884,0.00040515978,0.00023706356,0.000009471619,0.00016341724,0.0000081404205],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000062796076,0.00005470594,0.00060916913,0.000031396103,0.000047415746,0.00015969787,0.04337686,1.6274171e-8,0.00004907625,0.9293895,0.00009975698,0.02611963],"study_design_scores_gemma":[0.007553248,0.0010612451,0.04607697,0.00043957095,0.00056255906,0.00030853788,0.08549691,0.0019910007,0.0014484777,0.26530403,0.58664024,0.00311719],"about_ca_topic_score_codex":0.06311886,"about_ca_topic_score_gemma":0.821442,"teacher_disagreement_score":0.75832313,"about_ca_system_score_codex":0.000026320145,"about_ca_system_score_gemma":0.00004838778,"threshold_uncertainty_score":0.9982293},"labels":[],"label_agreement":null},{"id":"W1482788418","doi":"","title":"\"But Cantos Oughta Sing\": Jack Kerouac's Mexico City Blues and the British-American Poetic Tradition","year":2012,"lang":"en","type":"article","venue":"˜The œalbatross","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Blues; Art; Poetry; Literature; Art history; Humanities","score_opus":0.024368264545683145,"score_gpt":0.231894389714771,"score_spread":0.20752612516908786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1482788418","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9559169,0.002619173,0.00018566432,0.0031445005,0.00050425,0.00024856528,0.0001480624,0.00007957142,0.03715333],"genre_scores_gemma":[0.9899205,0.00014448952,0.00001054053,0.0016975827,0.0015912559,0.000035976263,0.000023336806,0.000022965844,0.0065533565],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984573,0.00022323249,0.0002971646,0.00022699161,0.00029967426,0.0004956004],"domain_scores_gemma":[0.9991149,0.0002098213,0.00014020562,0.00033408008,0.00007129419,0.00012974984],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0005787847,0.00019913162,0.00034278477,0.000030341129,0.0020585775,0.0012390008,0.00027124176,0.000037619368,0.0004980457],"category_scores_gemma":[0.00002938646,0.0001293753,0.0001895352,0.00007628977,0.0021710738,0.00034910077,0.000060376893,0.00023893229,0.000048771013],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031110103,0.0010077498,0.01285511,0.00014032463,0.0011381594,0.0000441682,0.1813495,0.000018170846,0.00040314745,0.68318826,0.06670961,0.052834697],"study_design_scores_gemma":[0.003932203,0.0003588964,0.05846481,0.000190969,0.0017384925,0.0003719833,0.08452377,0.0023865842,0.00040997105,0.038014635,0.8079728,0.0016348759],"about_ca_topic_score_codex":0.013022395,"about_ca_topic_score_gemma":0.014362541,"teacher_disagreement_score":0.7412632,"about_ca_system_score_codex":0.00003567171,"about_ca_system_score_gemma":0.000021616032,"threshold_uncertainty_score":0.9997978},"labels":[],"label_agreement":null},{"id":"W1483449428","doi":"","title":"Poems of Resistance and Bondage","year":2005,"lang":"en","type":"article","venue":"Postcolonial text","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Humber College","funders":"","keywords":"Resistance (ecology); Poetry; Literature; Art; History; Biology; Ecology","score_opus":0.019767526451400876,"score_gpt":0.24655759710543135,"score_spread":0.22679007065403048,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1483449428","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74786454,0.0014598754,0.0000065945815,0.0053776456,0.000110788125,0.00007143427,0.000050393617,0.00002932604,0.2450294],"genre_scores_gemma":[0.9689227,0.000029470233,0.00007737128,0.00036038194,0.00038599307,0.0000028772467,0.000002955942,0.0000065705817,0.030211724],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946,0.000018932544,0.00017285137,0.00011400818,0.00010120239,0.00013300602],"domain_scores_gemma":[0.9997094,0.000039119706,0.000050688468,0.000110870766,0.000050459552,0.000039435316],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000098112665,0.00007144056,0.00015211503,0.00004193236,0.00013548686,0.000048425092,0.000073894415,0.000024032417,0.0015664018],"category_scores_gemma":[0.00002262887,0.000061863466,0.000050305036,0.000022608321,0.00019399321,0.00012868475,0.000024172365,0.000056369336,0.000055921635],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006126881,0.00012179467,0.00025731762,0.00004281811,0.000049956736,0.0000058924797,0.019207712,0.0000016577083,0.0013378365,0.95866877,0.0125508495,0.007694145],"study_design_scores_gemma":[0.00024633005,0.000052342908,0.0015465806,0.000020443997,0.000040205025,0.0000012077948,0.0006708633,0.000034612483,0.0008746358,0.0019431745,0.9944561,0.00011347622],"about_ca_topic_score_codex":0.00008197219,"about_ca_topic_score_gemma":0.0025517878,"teacher_disagreement_score":0.9819053,"about_ca_system_score_codex":0.000009117194,"about_ca_system_score_gemma":0.000010487394,"threshold_uncertainty_score":0.9993463},"labels":[],"label_agreement":null},{"id":"W1485368186","doi":"10.5860/choice.47-4889","title":"Narrative means, lyric ends: temporality in the nineteenth-century British long poem","year":2010,"lang":"en","type":"article","venue":"Choice Reviews Online","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":52,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"McGill University","keywords":"Temporality; Poetry; Narrative; Literature; Art; History; Philosophy; Epistemology","score_opus":0.04727139020955565,"score_gpt":0.30936250299874,"score_spread":0.2620911127891844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1485368186","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83902216,0.11093695,0.000012953647,0.0051545026,0.0013325125,0.0012939962,0.00030197072,0.00010277964,0.04184218],"genre_scores_gemma":[0.9727277,0.016745342,0.00009023922,0.0026814109,0.0026880403,0.00007920739,0.00042172323,0.000025120136,0.0045412304],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99804276,0.00033114522,0.00070314796,0.0003392415,0.00025937642,0.00032434557],"domain_scores_gemma":[0.99895835,0.00015424975,0.00020411877,0.0004978114,0.00010668832,0.00007879966],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010885041,0.00022334285,0.00054810476,0.00006696606,0.00031634944,0.0003002532,0.0005049929,0.000066475965,0.0031887742],"category_scores_gemma":[0.0003814573,0.00015639912,0.0002782426,0.00017025157,0.00024321886,0.00031853616,0.000047565205,0.0006362502,0.00008324823],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040437837,0.007968848,0.022810454,0.002455894,0.00043108134,0.000480473,0.2043295,0.00000668363,0.0005471546,0.13996981,0.17461346,0.4463462],"study_design_scores_gemma":[0.00023763439,0.000026611255,0.006054192,0.00026181276,0.000076943936,0.00001486178,0.005000904,0.000038931463,0.0000025747445,0.00026527417,0.9878024,0.00021786164],"about_ca_topic_score_codex":0.0017278777,"about_ca_topic_score_gemma":0.118649356,"teacher_disagreement_score":0.81318897,"about_ca_system_score_codex":0.000021929207,"about_ca_system_score_gemma":0.000030178227,"threshold_uncertainty_score":0.99772245},"labels":[],"label_agreement":null},{"id":"W1486484404","doi":"","title":"The Last Obsession","year":2007,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.033332382744894834,"score_gpt":0.25716498815986294,"score_spread":0.2238326054149681,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1486484404","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7338112,0.0025864164,0.0000022341894,0.0011382527,0.0011374472,0.00008139831,0.000018763756,0.000038165566,0.26118612],"genre_scores_gemma":[0.9716518,0.00010090635,0.0000020378145,0.0012078965,0.0005487017,0.000014718548,0.00000165434,0.000008399526,0.026463922],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903136,0.000018080684,0.00016313393,0.00012047258,0.00011646045,0.00055046217],"domain_scores_gemma":[0.99930733,0.00016739323,0.000030845356,0.00015270003,0.00012607525,0.00021563494],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0004309913,0.0001021129,0.00014065391,0.000087170185,0.0020016984,0.00013342513,0.00013718165,0.000018231758,0.0004301854],"category_scores_gemma":[0.00010165869,0.00006247221,0.000050489652,0.00005452828,0.00037556136,0.0000744453,0.000024741053,0.000087346314,0.00012743525],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005547054,0.000010767541,0.00032299772,0.000013599149,0.00025457697,0.000049147708,0.07870274,6.556577e-7,0.000007870003,0.8982627,0.016242592,0.0061268294],"study_design_scores_gemma":[0.000050279283,0.00001910082,0.00024458664,0.000010336043,0.000012239972,6.383107e-7,0.30213186,0.0000010414664,0.000008863783,0.007325472,0.69011116,0.00008442175],"about_ca_topic_score_codex":0.000738075,"about_ca_topic_score_gemma":0.415467,"teacher_disagreement_score":0.8909372,"about_ca_system_score_codex":0.00026303367,"about_ca_system_score_gemma":0.00006688886,"threshold_uncertainty_score":0.99929756},"labels":[],"label_agreement":null},{"id":"W1487743452","doi":"","title":"Ariel's gift : a commentary on Birthday Letters by Ted Hughes","year":2000,"lang":"en","type":"book","venue":"Faber and Faber eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Wife; Quarter (Canadian coin); Performance art; Art; Literature; Art history; History; Philosophy; Theology","score_opus":0.010469512422003188,"score_gpt":0.19159832205494434,"score_spread":0.18112880963294115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1487743452","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015039428,0.00088129326,0.000003710443,0.0019539807,0.00036049224,0.00027270243,0.0009138314,0.00012294656,0.9939871],"genre_scores_gemma":[0.018644102,0.00007260479,0.0000056362455,0.038440164,0.0014321249,0.000045628403,0.0007746471,0.00009482798,0.94049025],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99795353,0.00007665118,0.0004801235,0.000616348,0.00037636192,0.00049697765],"domain_scores_gemma":[0.99904466,0.00013287377,0.00013202617,0.0004614438,0.000040235147,0.00018875278],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000118994,0.0006299536,0.00072722905,0.00021120807,0.00059516414,0.00042458583,0.00026996972,0.00021979742,0.00443279],"category_scores_gemma":[0.0000027705964,0.00053630024,0.00031401147,0.000011061534,0.00065974746,0.00008723364,0.00007226125,0.0006480782,0.0002754747],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045185283,0.00006746331,0.00000972474,0.0000589206,0.00042868653,0.000039103637,0.004186709,2.3718644e-7,0.000030692856,0.024527999,0.9645635,0.0060418174],"study_design_scores_gemma":[0.00050233875,0.00012668448,0.0000101862515,0.00017307956,0.0003833819,0.0000035756482,0.00021440268,0.000006538192,0.000045655845,0.0042083636,0.9936413,0.0006844618],"about_ca_topic_score_codex":0.00024780005,"about_ca_topic_score_gemma":0.00020805706,"teacher_disagreement_score":0.053496838,"about_ca_system_score_codex":0.000063367326,"about_ca_system_score_gemma":0.00003886415,"threshold_uncertainty_score":0.99970883},"labels":[],"label_agreement":null},{"id":"W1488594855","doi":"","title":"Catherine Safer. Bishop’s Road .","year":2006,"lang":"en","type":"article","venue":"Newfoundland and Labrador Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"SAFER; Transport engineering; Computer science; Engineering; Computer security","score_opus":0.027937594111860593,"score_gpt":0.26015137614747386,"score_spread":0.23221378203561327,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1488594855","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8614241,0.016517213,0.000004654275,0.0020392975,0.0004209455,0.00008040724,0.000030583877,0.00009670973,0.11938609],"genre_scores_gemma":[0.9511492,0.0007324822,0.000016839884,0.00030255615,0.0011698367,0.0000122477695,0.000011795767,0.000012264281,0.046592742],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991854,0.000023863673,0.00021070805,0.00021656584,0.0001300572,0.00023343568],"domain_scores_gemma":[0.9996556,0.000047636917,0.000045712415,0.00012705292,0.00008437714,0.00003959543],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009916039,0.00017119005,0.0003013368,0.00005956566,0.0005687498,0.00017291328,0.000069524875,0.000025522198,0.0005126424],"category_scores_gemma":[0.000014065764,0.000119934164,0.000074224576,0.00003966665,0.00032035133,0.00014724044,0.000050385464,0.0000764108,0.000045031014],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042946427,0.00027411297,0.018389687,0.00015449594,0.0005733677,0.000053864416,0.019616505,0.0000060014927,0.00014390126,0.8903753,0.02876233,0.04160749],"study_design_scores_gemma":[0.0005668549,0.00009447904,0.026954712,0.000038648057,0.00014486267,0.000007565162,0.0074807084,0.000035822268,0.0000104739665,0.008833745,0.9555247,0.00030743852],"about_ca_topic_score_codex":0.0066397474,"about_ca_topic_score_gemma":0.040749334,"teacher_disagreement_score":0.92676234,"about_ca_system_score_codex":0.000021834003,"about_ca_system_score_gemma":0.0000074925865,"threshold_uncertainty_score":0.99997514},"labels":[],"label_agreement":null},{"id":"W1490868783","doi":"10.1002/9781444319095.ch31","title":"Women and Writing","year":2010,"lang":"en","type":"other","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McMaster University","funders":"","keywords":"History; Psychology","score_opus":0.02001122232659449,"score_gpt":0.22564190753677638,"score_spread":0.20563068521018188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1490868783","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002713349,0.00030932593,0.0000028006732,0.00007413116,0.00013862379,0.000025146814,0.000017051598,0.00009384282,0.9990677],"genre_scores_gemma":[0.014737971,0.000040152732,0.000028463879,0.00029122815,0.0013261404,0.0000065208233,0.0000057497255,0.00009244899,0.98347133],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996255,0.0000058511946,0.00007241819,0.000113344955,0.000055472625,0.0001273831],"domain_scores_gemma":[0.99981165,0.0000101448895,0.000029051498,0.00009847408,0.000008571437,0.00004212377],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00005288711,0.00009006328,0.00014804174,0.00007569618,0.00006678425,0.00013958832,0.000050073686,0.00007072728,0.23496878],"category_scores_gemma":[0.0000030033227,0.00006830161,0.00002582093,0.000004959198,0.000111080495,0.000019776244,0.000021494792,0.00012264049,0.00017812705],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[2.5105078e-7,0.000008435093,0.000006409082,0.000028135622,0.00003828927,0.000002339683,0.002016917,6.629968e-10,0.0000033002407,0.5142236,0.47809106,0.0055812607],"study_design_scores_gemma":[0.000039207167,0.000006197682,0.0000024370622,0.000016499784,0.000011785149,6.2807163e-7,0.0017086649,0.0000022745976,7.1713384e-7,0.0015467545,0.9965584,0.00010643321],"about_ca_topic_score_codex":0.0002148047,"about_ca_topic_score_gemma":0.002021652,"teacher_disagreement_score":0.51846737,"about_ca_system_score_codex":0.0000027833835,"about_ca_system_score_gemma":0.000004145353,"threshold_uncertainty_score":0.76573056},"labels":[],"label_agreement":null},{"id":"W1492018948","doi":"","title":"KRAMER and MITCHELL, Walk Towards the Gallows: The Tragedy of Hilda Blake, Hanged 1899","year":2002,"lang":"en","type":"article","venue":"Archivaria","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Tragedy (event); Art; Literature","score_opus":0.05726106428964505,"score_gpt":0.2102159532413096,"score_spread":0.15295488895166454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1492018948","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13549778,0.001642628,0.00011257728,0.0123517895,0.00023905645,0.00023662715,0.00006119147,0.00003968375,0.84981865],"genre_scores_gemma":[0.98809755,0.00015459636,0.000032802385,0.00094652676,0.00032695488,0.000013506276,0.0000042991182,0.000012057687,0.010411692],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990543,0.00013877002,0.00022826425,0.00016163143,0.00020332684,0.00021369079],"domain_scores_gemma":[0.99932885,0.00017950484,0.00006544918,0.00034590796,0.0000351569,0.000045137607],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027563024,0.00013023039,0.00019124302,0.000042014082,0.00044081145,0.00013759063,0.0002792126,0.000021563004,0.003452906],"category_scores_gemma":[0.00004575286,0.000066119326,0.00013013644,0.000044891935,0.0006129769,0.000087039356,0.0000621762,0.00020613665,0.00005053683],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010526673,0.00010695013,0.0000467693,0.000018752138,0.00017945358,0.0000044220233,0.060164973,0.0000031740828,0.00050308986,0.9085401,0.016234722,0.014187023],"study_design_scores_gemma":[0.0007527921,0.00019477883,0.0065300325,0.00006736997,0.0005712714,0.00001833649,0.00903614,0.003991352,0.00067162036,0.09915901,0.8786012,0.0004061333],"about_ca_topic_score_codex":0.00047046982,"about_ca_topic_score_gemma":0.00026662732,"teacher_disagreement_score":0.86236644,"about_ca_system_score_codex":0.0000038518842,"about_ca_system_score_gemma":0.0000079246165,"threshold_uncertainty_score":0.9974581},"labels":[],"label_agreement":null},{"id":"W149227743","doi":"","title":"Poems to read in the train","year":2009,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Computer science; Literature; Psychology","score_opus":0.05126679025088979,"score_gpt":0.26995509336786677,"score_spread":0.21868830311697698,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W149227743","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71329385,0.0006067382,4.198674e-7,0.022614343,0.00019583607,0.00016078886,0.000041158793,0.00001893913,0.2630679],"genre_scores_gemma":[0.9689463,0.00001775106,0.0000029998732,0.021917216,0.00029300834,0.00003938302,0.0000022914019,0.0000043997657,0.0087766955],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9991093,0.000041882326,0.00014922504,0.00014584776,0.0001086521,0.00044509323],"domain_scores_gemma":[0.9995759,0.00004804846,0.000014876646,0.00016496127,0.00004838754,0.00014783496],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002904882,0.000108486754,0.00019328392,0.0001914796,0.00037179398,0.00010605389,0.00019015349,0.000016110602,0.00061553204],"category_scores_gemma":[0.00007440426,0.000073843155,0.000042408108,0.000108885935,0.00013594276,0.00006673936,0.0000068994777,0.000088941044,0.00009974936],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000027613721,0.000019656656,0.000026063453,0.000004551759,0.00004419348,0.00006485644,0.3613279,0.0000033845229,0.0000028867903,0.62205535,0.013293653,0.0031547234],"study_design_scores_gemma":[0.000087455046,0.00010368242,0.00064880156,0.00001603611,0.000011682758,0.0000012803484,0.53762096,0.0000020615387,0.000001067797,0.027053803,0.434317,0.00013619235],"about_ca_topic_score_codex":0.002631256,"about_ca_topic_score_gemma":0.37478647,"teacher_disagreement_score":0.5950016,"about_ca_system_score_codex":0.00018146221,"about_ca_system_score_gemma":0.00004765384,"threshold_uncertainty_score":0.67396444},"labels":[],"label_agreement":null},{"id":"W1493632316","doi":"10.1108/09504121011091060","title":"Canadian Poetry Online","year":2010,"lang":"en","type":"article","venue":"Reference Reviews","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Royal Columbian Hospital","funders":"","keywords":"Poetry; Art; Literature; Computer science","score_opus":0.0806033547794473,"score_gpt":0.2945884444125623,"score_spread":0.21398508963311502,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1493632316","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0826005,0.007299717,0.0000070242677,0.002426589,0.00091424386,0.0002568925,0.0001839047,0.00006238793,0.90624875],"genre_scores_gemma":[0.95898426,0.003838207,0.00021710538,0.0017642899,0.0010016045,0.000016850987,0.000119627635,0.000013573841,0.03404446],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999172,0.000038153197,0.0002719664,0.00016868523,0.00008741685,0.00026183392],"domain_scores_gemma":[0.9993101,0.000016222597,0.000056516692,0.00032958278,0.00006556145,0.0002220401],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023603365,0.00012067217,0.00027227178,0.000087438995,0.00021904854,0.00011076979,0.00022721803,0.00004893626,0.020737901],"category_scores_gemma":[0.000082491664,0.00008573794,0.00010503071,0.00004514264,0.00007263942,0.00012262084,0.000015179797,0.00032465017,0.0018949006],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[7.1035373e-7,0.000051757383,0.00023178835,0.000051820967,0.000014587647,0.000006949904,0.0008462764,4.3399137e-8,0.00022999334,0.8443871,0.020072958,0.134106],"study_design_scores_gemma":[0.000029994866,0.000010038641,0.00024942373,0.000036493322,0.000027932254,0.0000025922627,0.00014901908,0.000012866161,0.000007518511,0.0010618351,0.99828684,0.00012541698],"about_ca_topic_score_codex":0.04502115,"about_ca_topic_score_gemma":0.8438429,"teacher_disagreement_score":0.9782139,"about_ca_system_score_codex":0.000022240618,"about_ca_system_score_gemma":0.00008705385,"threshold_uncertainty_score":0.99888223},"labels":[],"label_agreement":null},{"id":"W1495193722","doi":"","title":"Greenwor(l)ds: Ecocritical Readings of Canadian Women's Poetry. Diana M. A. Relke.","year":2003,"lang":"en","type":"article","venue":"Journals @ The Mount (Mount Saint Vincent University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McMaster University","funders":"","keywords":"Poetry; Art; Ecocriticism; Literature","score_opus":0.024001466365989814,"score_gpt":0.19774562737400264,"score_spread":0.17374416100801282,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1495193722","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87761736,0.0006494606,0.00013451546,0.008017605,0.0007790778,0.00028776898,0.00015058473,0.00005417957,0.11230943],"genre_scores_gemma":[0.99095285,0.00056413776,0.000026647629,0.001081536,0.00027266514,0.0000013218977,0.0000065169975,0.000026537613,0.0070677786],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973492,0.00032385436,0.00051616674,0.0003445702,0.0005361152,0.0009300817],"domain_scores_gemma":[0.9980793,0.00017971074,0.00025108975,0.00047430937,0.00040141007,0.0006141706],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009799954,0.00031243268,0.0005126993,0.001362204,0.0012074368,0.00026805425,0.000699523,0.000113869595,0.0074074445],"category_scores_gemma":[0.00019137394,0.0002504813,0.00034943465,0.0006097815,0.0005710668,0.00050608796,0.00007417634,0.0005544396,0.00013423024],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029802186,0.00009367177,0.00034173945,0.00002295997,0.00020060134,0.00021824853,0.0043274635,0.000030249195,0.00009337506,0.99307126,0.0013715203,0.00019910985],"study_design_scores_gemma":[0.0003986791,0.00009336302,0.00044838557,0.00011638188,0.00017926976,0.00003317672,0.030191574,0.000073481475,0.000118520926,0.00457444,0.9634458,0.00032697336],"about_ca_topic_score_codex":0.109670945,"about_ca_topic_score_gemma":0.09111227,"teacher_disagreement_score":0.98849684,"about_ca_system_score_codex":0.009536172,"about_ca_system_score_gemma":0.00033006107,"threshold_uncertainty_score":0.99999475},"labels":[],"label_agreement":null},{"id":"W1495207035","doi":"","title":"The Factors That Influenced Ezra Pound’s Translation and Introduction of Chinese Culture","year":2015,"lang":"en","type":"article","venue":"Cross-cultural communication","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pound (networking); Poetry; Literature; EPIC; Chinese culture; Chinese poetry; Chinese literature; History; Art; China; Computer science","score_opus":0.056285147477559416,"score_gpt":0.3249080638989079,"score_spread":0.2686229164213485,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1495207035","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98830914,0.0033127256,0.0000055046617,0.0015628217,0.0001093832,0.00009748045,0.000011347331,0.000035483386,0.0065561137],"genre_scores_gemma":[0.9977517,0.0002654128,0.0000320906,0.000024111594,0.00012445555,0.000007716877,0.00017713312,0.0000053624094,0.0016120239],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999311,0.0000932824,0.00022280861,0.00010760896,0.00016506766,0.00010025787],"domain_scores_gemma":[0.9989324,0.00006215464,0.00013985226,0.00035179825,0.00047217583,0.000041604566],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026164032,0.000109462526,0.00012946333,0.000022069607,0.000826383,0.0005843712,0.0002326836,0.000046012025,0.00003164427],"category_scores_gemma":[0.00012665789,0.00005782366,0.000061064304,0.00005523999,0.00080665655,0.0010600769,0.000038990474,0.00014116536,0.0000040373643],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027361425,0.0002116874,0.086810924,0.00009582551,0.00034794604,3.257827e-7,0.55303395,0.00015279122,0.0077601275,0.3205075,0.00791174,0.022893602],"study_design_scores_gemma":[0.0010037416,0.00015023648,0.08067742,0.000031423755,0.00013846582,0.0000063779366,0.06573493,0.00066876045,0.001645155,0.027250726,0.8222736,0.00041915046],"about_ca_topic_score_codex":0.00028605788,"about_ca_topic_score_gemma":0.00068710267,"teacher_disagreement_score":0.8143619,"about_ca_system_score_codex":0.000025153355,"about_ca_system_score_gemma":0.000009704421,"threshold_uncertainty_score":0.6355954},"labels":[],"label_agreement":null},{"id":"W1495500166","doi":"","title":"Young Romantics: The Tangled Lives of English Poetry’s Greatest Generation","year":2011,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":55,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Literature; English poetry","score_opus":0.054125955258945466,"score_gpt":0.2244203871433175,"score_spread":0.17029443188437204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1495500166","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8385289,0.001024925,7.698615e-7,0.00005918191,0.0008775035,0.00009850579,0.000059649505,0.00002273311,0.15932786],"genre_scores_gemma":[0.9920719,0.000078816054,0.000009832452,0.00031232578,0.0007163101,0.00004035588,0.0000071056265,0.000012355016,0.006750947],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9991155,0.000046693225,0.00022934363,0.00015745423,0.000115801355,0.0003351719],"domain_scores_gemma":[0.9990237,0.00003923048,0.00007372277,0.0002165465,0.0005313347,0.00011551274],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001788614,0.000139945,0.0002504433,0.00013022122,0.000601931,0.000066812296,0.00017171029,0.000022855496,0.0012087146],"category_scores_gemma":[0.00021563562,0.000096585165,0.000074039795,0.00006337008,0.00043787571,0.00014184408,0.00002665046,0.000076013624,0.000025250856],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000032082455,0.000025513707,0.001181623,0.000025163954,0.0004610394,0.000015364203,0.7979018,7.9921546e-7,0.000024044657,0.19879647,0.0014332765,0.00013169085],"study_design_scores_gemma":[0.00021778587,0.00017391777,0.0011443521,0.000037525366,0.00020725635,0.0000016329069,0.9623094,0.000046632955,0.00024378102,0.0051063867,0.030196471,0.00031483002],"about_ca_topic_score_codex":0.004216428,"about_ca_topic_score_gemma":0.19178161,"teacher_disagreement_score":0.19369008,"about_ca_system_score_codex":0.00013669941,"about_ca_system_score_gemma":0.000092326925,"threshold_uncertainty_score":0.9997043},"labels":[],"label_agreement":null},{"id":"W1495943600","doi":"","title":"“A Cadential Sense of Rhythm”: Dennis Lee on Poetics and Music","year":2001,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Jazz; Poetics; Poetry; Rhythm; Reading (process); Art; Art history; Literature; Sense of humor; Philosophy; Aesthetics; Psychology; Linguistics","score_opus":0.04145090015102502,"score_gpt":0.2767593120503469,"score_spread":0.23530841189932186,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1495943600","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90570897,0.018943392,2.8956737e-7,0.0021158417,0.0008707183,0.00011424076,0.00029325683,0.0000121140365,0.0719412],"genre_scores_gemma":[0.99233913,0.00083203625,0.000008130396,0.0010263199,0.0005271074,0.000004549759,0.000012032277,0.0000092962855,0.0052413917],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991852,0.000036589045,0.00019117021,0.00017729618,0.00011039099,0.00029936078],"domain_scores_gemma":[0.9995354,0.00004847945,0.000034998782,0.00014569286,0.00011566532,0.00011977498],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010501279,0.00013354118,0.00024333301,0.00026309912,0.00021207328,0.00008949196,0.000051849216,0.00005932089,0.00023873722],"category_scores_gemma":[0.00005503976,0.00011376009,0.00005337728,0.0001129836,0.00031654618,0.000086045926,0.000020577629,0.00019166098,0.000005133302],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050500606,0.000067493675,0.002318537,0.0002480369,0.00040067584,0.0026914368,0.3076559,0.000016824612,0.00002636155,0.6247065,0.058919273,0.0028984633],"study_design_scores_gemma":[0.000400746,0.00012470652,0.001457868,0.00046538605,0.00008081208,0.00007957852,0.020263188,0.00004000212,0.000021452479,0.003636866,0.97313756,0.0002918158],"about_ca_topic_score_codex":0.021998506,"about_ca_topic_score_gemma":0.76429963,"teacher_disagreement_score":0.9142183,"about_ca_system_score_codex":0.00006503576,"about_ca_system_score_gemma":0.000039445567,"threshold_uncertainty_score":0.9845141},"labels":[],"label_agreement":null},{"id":"W1496644420","doi":"","title":"Notes from and beyond my Conference Reading","year":2007,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Proposition; Poetics; Viewpoints; Reading (process); Poetry; Epistemology; Literature; Philosophy; Sociology; Linguistics; Art; Visual arts","score_opus":0.038201768348357076,"score_gpt":0.2860370639998374,"score_spread":0.24783529565148033,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1496644420","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53531975,0.05731885,0.000007671963,0.008732197,0.0016311557,0.00018436159,0.0009428472,0.000043191896,0.39582],"genre_scores_gemma":[0.9951429,0.00027671875,0.000061529514,0.0019711633,0.0005273044,0.0000031739353,0.000035234072,0.0000071639747,0.0019748064],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991733,0.000018608713,0.00016881785,0.0002053553,0.00007768146,0.00035625484],"domain_scores_gemma":[0.9994213,0.00016126479,0.000024725272,0.00011861991,0.00011082571,0.00016328228],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021328144,0.00012575684,0.00020577524,0.00019623272,0.0002867743,0.00022226875,0.00007965949,0.000055468186,0.0002482004],"category_scores_gemma":[0.00011271945,0.00010698384,0.0000302752,0.00007646024,0.00028229307,0.00016600153,0.000023073568,0.00019696761,0.0000066705948],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008680912,0.000009988264,0.004820079,0.000040323866,0.00014014952,0.00037533685,0.29638243,3.2128958e-7,0.0000343248,0.6866885,0.007614945,0.0038849232],"study_design_scores_gemma":[0.0002599918,0.000034635566,0.00456365,0.00039961733,0.00005369432,0.000005148324,0.050050575,0.000025760122,0.00005306081,0.034372136,0.9098109,0.00037081432],"about_ca_topic_score_codex":0.07984096,"about_ca_topic_score_gemma":0.933167,"teacher_disagreement_score":0.902196,"about_ca_system_score_codex":0.000077143995,"about_ca_system_score_gemma":0.000038849113,"threshold_uncertainty_score":0.92628646},"labels":[],"label_agreement":null},{"id":"W1499329011","doi":"10.11144/javeriana.cl15-30.tbhi","title":"“Trabajo bien hecho”: Una introducción informal a la poesía de Lorna Goodison","year":2011,"lang":"es","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.02728833439644716,"score_gpt":0.24337045123635115,"score_spread":0.216082116839904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1499329011","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20684734,0.0014177518,0.00095296826,0.009029939,0.0015259227,0.00066572486,0.00036385312,0.0005802407,0.77861625],"genre_scores_gemma":[0.99291706,0.0004997194,0.0008478495,0.00058575656,0.002672895,0.00017901126,0.00020884328,0.00011675353,0.0019720902],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99380195,0.0007711961,0.0015063025,0.0011259775,0.0011214851,0.0016731104],"domain_scores_gemma":[0.9962342,0.00030234072,0.0007120737,0.0010790533,0.00070696167,0.0009653876],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014198748,0.0009954566,0.0010684832,0.0009035665,0.0019254534,0.0016263126,0.0012893535,0.00089800847,0.0010038947],"category_scores_gemma":[0.00056247,0.0009457404,0.0007718955,0.0005098016,0.00017474031,0.0015302087,0.00045015596,0.0013692619,0.00012638021],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038623236,0.001366276,0.001092528,0.00030471737,0.00061164465,0.00036691802,0.022457356,0.000017525152,0.000497866,0.9687419,0.0023228305,0.0018341886],"study_design_scores_gemma":[0.001416394,0.00027137029,0.007956029,0.00046470042,0.00055141427,0.0009925705,0.0040903795,0.00045647996,0.0010062625,0.0020554168,0.9795878,0.0011512112],"about_ca_topic_score_codex":0.000025264724,"about_ca_topic_score_gemma":0.00044681143,"teacher_disagreement_score":0.97726494,"about_ca_system_score_codex":0.0005827195,"about_ca_system_score_gemma":0.0009479851,"threshold_uncertainty_score":0.99990934},"labels":[],"label_agreement":null},{"id":"W1499842326","doi":"10.7202/006004ar","title":"Sarah M. Zimmerman, Romanticism, Lyricism, and History. New York: State University of New York Press, 1999. ISBN 0791441105. Price: US$19.95.","year":2001,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Lyricism; State (computer science); Art history; History; Humanities; Art; Literature; Mathematics; Algorithm; Poetry","score_opus":0.04964176481946713,"score_gpt":0.21304108510665462,"score_spread":0.16339932028718748,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1499842326","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61883366,0.08031668,0.0010358021,0.008917233,0.0027866676,0.0015598489,0.00020648498,0.0005557229,0.28578794],"genre_scores_gemma":[0.799534,0.0027390474,0.000089336936,0.0014630555,0.00069449854,0.0000018775833,0.000033986224,0.00006658535,0.1953776],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997343,0.0001878472,0.0005579068,0.00060493965,0.0005990767,0.00070721336],"domain_scores_gemma":[0.99802226,0.00027523818,0.00040688552,0.0008217075,0.000086249354,0.00038766873],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004013177,0.0004778923,0.0007210237,0.00016617628,0.00057721866,0.00015058117,0.0007597011,0.0001305583,0.0054570483],"category_scores_gemma":[0.000043798103,0.0003896538,0.0002880248,0.00014652335,0.0005613952,0.00028056905,0.00017375906,0.00036694537,0.00015798636],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019822142,0.0002322898,0.00020106722,0.000053978863,0.0002836852,0.00007432759,0.016809966,0.00008929199,0.00015095109,0.116904505,0.86301666,0.0019850335],"study_design_scores_gemma":[0.0010025956,0.00023595896,0.0018476791,0.00013533368,0.00043072164,0.000020008372,0.0017497641,0.00123269,0.000072941046,0.0036734566,0.98911285,0.00048601624],"about_ca_topic_score_codex":0.026313093,"about_ca_topic_score_gemma":0.0018498194,"teacher_disagreement_score":0.18070038,"about_ca_system_score_codex":0.00012021764,"about_ca_system_score_gemma":0.00016680273,"threshold_uncertainty_score":0.9998555},"labels":[],"label_agreement":null},{"id":"W1499850969","doi":"","title":"Delirious Cities: Lisa Robertson’s Occasional Work and Seven Walks from the Office for Soft Architecture","year":2011,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Urbanity; Architecture; Poetry; Work (physics); Set (abstract data type); Sociology; Aesthetics; Art; Literature; Computer science; Visual arts; Engineering","score_opus":0.04462102396244177,"score_gpt":0.250418979430685,"score_spread":0.2057979554682432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1499850969","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45728013,0.35242468,0.00008700767,0.047057264,0.0068845763,0.0023737706,0.012827898,0.00017996544,0.1208847],"genre_scores_gemma":[0.9858785,0.00017199661,0.0001720018,0.006262022,0.0010787734,0.000074944044,0.0001000736,0.000020295809,0.006241365],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99889374,0.000055227894,0.0002150772,0.0002897317,0.00010793304,0.00043831798],"domain_scores_gemma":[0.9990838,0.00035963705,0.000042282736,0.0002201954,0.00014724715,0.00014682276],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017659171,0.00021268066,0.00027078757,0.00010811274,0.0006423033,0.00019609154,0.00021117587,0.000090963695,0.0005717922],"category_scores_gemma":[0.00015173796,0.00013837813,0.00009925946,0.00009149491,0.00037602586,0.00010393656,0.00004788667,0.00031455126,0.0000024851124],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000090696485,0.000025198635,0.0017813436,0.000064256434,0.0004230142,0.000086179294,0.7156676,0.0000084903395,5.690643e-7,0.08271805,0.19317529,0.0059592808],"study_design_scores_gemma":[0.00022366186,0.00003776302,0.001610715,0.00027936444,0.00007326103,0.0000044360663,0.021678613,0.000011459396,0.0000010420022,0.014077522,0.96177316,0.0002290255],"about_ca_topic_score_codex":0.0626915,"about_ca_topic_score_gemma":0.87315893,"teacher_disagreement_score":0.8104674,"about_ca_system_score_codex":0.00007734274,"about_ca_system_score_gemma":0.00008309531,"threshold_uncertainty_score":0.9435501},"labels":[],"label_agreement":null},{"id":"W1503775859","doi":"","title":"Confessing Cultures: Politics and the Self in the Poetry of Sylvia Plath by Lisa Narbeshuber (review)","year":2013,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Poetry; Literature; History; Art; Political science; Law","score_opus":0.007232318364522394,"score_gpt":0.19949810794153258,"score_spread":0.19226578957701018,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1503775859","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51813227,0.06365017,0.000040200695,0.007918371,0.00017353283,0.0008983547,0.00014618336,0.00004019908,0.4090007],"genre_scores_gemma":[0.9952547,0.0011622574,0.000020912847,0.00047701038,0.00003141623,4.096174e-7,0.000006769413,0.000002936675,0.003043569],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9993544,0.00013856117,0.00014915268,0.00009457848,0.00013965913,0.00012365096],"domain_scores_gemma":[0.9995155,0.00010672159,0.0000968064,0.0001660423,0.00008781713,0.000027149848],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018560216,0.00008527921,0.0002309268,0.000011493236,0.00018522976,0.000033953675,0.00022958255,0.000030519932,0.0017157505],"category_scores_gemma":[0.00000538254,0.000052088588,0.000087520995,0.000010884037,0.00041494373,0.00030067124,0.000014126969,0.00007405082,0.0000052211267],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017614113,0.00021285715,0.0001255433,0.00034451464,0.00016736404,0.000004441628,0.44792095,1.688559e-7,0.00005337514,0.46101922,0.08757095,0.002563],"study_design_scores_gemma":[0.0020051154,0.00031646216,0.00217279,0.0005912047,0.0005439674,0.000006015658,0.63693786,0.00035031023,0.000010553247,0.0025694584,0.35420313,0.00029315273],"about_ca_topic_score_codex":0.041041557,"about_ca_topic_score_gemma":0.008380564,"teacher_disagreement_score":0.47712243,"about_ca_system_score_codex":0.000024482368,"about_ca_system_score_gemma":0.0000141040455,"threshold_uncertainty_score":0.9991968},"labels":[],"label_agreement":null},{"id":"W1506097136","doi":"","title":"Kill the Poets: anti-verse . Kenneth J. Harvey.","year":2000,"lang":"en","type":"article","venue":"Newfoundland and Labrador Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Literature; Art","score_opus":0.03383732767557052,"score_gpt":0.2624645160543081,"score_spread":0.22862718837873758,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1506097136","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80843294,0.01775359,0.0000011930161,0.006143297,0.00044105138,0.00013817957,0.00005181328,0.000091938884,0.16694601],"genre_scores_gemma":[0.9149379,0.0070144646,0.000005936991,0.00161277,0.0007561839,0.000011917377,0.0000067441842,0.000012081983,0.07564199],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99904543,0.00006442113,0.0002085072,0.00023823688,0.00016324989,0.0002801759],"domain_scores_gemma":[0.9994917,0.00014153343,0.000039828366,0.00020042063,0.00006980228,0.000056732442],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019486065,0.00019157719,0.00030921618,0.000038179165,0.0011840318,0.00027739347,0.00013448743,0.000029591687,0.0048218425],"category_scores_gemma":[0.000024353538,0.00010542213,0.00009774824,0.000051966977,0.0006072891,0.00021572584,0.000032812502,0.00013323447,0.00016827439],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001123771,0.0003902514,0.0093084425,0.00019834584,0.0022407172,0.00010137287,0.15146801,0.000023165643,0.000041799296,0.45469236,0.14727202,0.23415112],"study_design_scores_gemma":[0.0003764601,0.00006346702,0.0071444428,0.000033898,0.00015178055,0.0000074357326,0.011552442,0.00003167295,0.0000026950906,0.0020763928,0.97836924,0.00019006534],"about_ca_topic_score_codex":0.0014350174,"about_ca_topic_score_gemma":0.010266102,"teacher_disagreement_score":0.83109725,"about_ca_system_score_codex":0.000015570227,"about_ca_system_score_gemma":0.00000900257,"threshold_uncertainty_score":0.9960879},"labels":[],"label_agreement":null},{"id":"W1506167412","doi":"","title":"from \"Ted Hughes's Birthday Letters: Annotations and Commentary\"","year":2010,"lang":"en","type":"article","venue":"Indiana Magazine of History (Indiana University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"History; Computer science; Art","score_opus":0.012559708485254922,"score_gpt":0.17281968244159834,"score_spread":0.16025997395634342,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1506167412","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95498824,0.00019774823,0.000015803644,0.0028698458,0.00062515115,0.0001047422,0.00034711012,0.00005421308,0.040797118],"genre_scores_gemma":[0.9891516,0.00002559813,0.00018123932,0.0012225996,0.00036651874,7.1590705e-7,0.00013548371,0.00001881869,0.008897446],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99905837,0.000055860277,0.00020814339,0.00028165162,0.00016779515,0.00022817636],"domain_scores_gemma":[0.9992021,0.000090100475,0.00015522604,0.00030931827,0.00008096631,0.0001623356],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007985989,0.00017928133,0.00027965242,0.0006680487,0.0002926814,0.00003659763,0.00028663778,0.000066340865,0.00487547],"category_scores_gemma":[0.000017395512,0.0002056926,0.00012488484,0.000106222615,0.0007910191,0.00048795014,0.000058158457,0.00027926386,0.0000855407],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013359975,0.00078640296,0.014292627,0.00013855973,0.0010831323,0.00091399124,0.10834014,0.00000938896,0.053425018,0.19283995,0.62364227,0.0043949066],"study_design_scores_gemma":[0.0005689476,0.00004526479,0.005345991,0.000019478277,0.0001833446,0.0000016902948,0.0027244103,0.000016815486,0.00012604064,0.0001934833,0.9905265,0.00024801926],"about_ca_topic_score_codex":0.0030810256,"about_ca_topic_score_gemma":0.018230522,"teacher_disagreement_score":0.36688423,"about_ca_system_score_codex":0.00012193541,"about_ca_system_score_gemma":0.000053742362,"threshold_uncertainty_score":0.9996842},"labels":[],"label_agreement":null},{"id":"W1506747309","doi":"10.2986/tren.006-1409","title":"Engendering Clarity And Relevancy In The Preparation Of Sermons For A Contemporary Canadian Audience","year":2004,"lang":"en","type":"dissertation","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"CLARITY; Art; Literature; Media studies; Sociology; Chemistry","score_opus":0.057929304898466184,"score_gpt":0.3009761548451946,"score_spread":0.2430468499467284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1506747309","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45208463,0.0022099866,0.00002341438,0.0004339354,0.00022898783,0.00074592984,0.00014560675,0.000013425798,0.5441141],"genre_scores_gemma":[0.99448615,0.0000398826,0.000017232747,0.00009595922,0.000055931825,0.00005768569,0.000274998,0.000005827596,0.0049663507],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99942756,0.000023151526,0.00022339959,0.00013823374,0.0000788674,0.000108772765],"domain_scores_gemma":[0.99967194,0.00005242823,0.000072779,0.00009858682,0.00007564992,0.000028591066],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019141912,0.00009171315,0.00016541009,0.00010869047,0.00017688345,0.00006395088,0.00008587506,0.00006839232,0.000072225615],"category_scores_gemma":[0.000034919907,0.00006754308,0.00005507289,0.000025806463,0.000039210514,0.000121582656,0.0000024907324,0.0001015593,6.289876e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037387264,0.000042929543,0.00009789329,0.00039193977,0.000047571903,0.0000038303024,0.14642742,0.000007828147,0.000039162427,0.8515456,0.0007736171,0.0005848211],"study_design_scores_gemma":[0.0019331662,0.0007821988,0.029175652,0.001419243,0.00058476214,0.0000063641187,0.6126814,0.0018391088,0.0009664839,0.16472948,0.1843639,0.0015182588],"about_ca_topic_score_codex":0.14623502,"about_ca_topic_score_gemma":0.95207304,"teacher_disagreement_score":0.80583805,"about_ca_system_score_codex":0.000028227983,"about_ca_system_score_gemma":0.0002457682,"threshold_uncertainty_score":0.8594503},"labels":[],"label_agreement":null},{"id":"W1507784709","doi":"","title":"In a Boat on the River Nowhere Writing Home: The Spiritual Poetic of Tim Lilburn","year":2005,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Contemplation; Poetry; Dialectic; Transcendental number; Literature; Philosophy; Aesthetics; Art; Epistemology","score_opus":0.030482263814022387,"score_gpt":0.2746662057611314,"score_spread":0.244183941947109,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1507784709","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73858565,0.038860865,1.12119714e-7,0.08413141,0.00060695474,0.0003614911,0.00033949444,0.0000132651685,0.13710077],"genre_scores_gemma":[0.9886618,0.00020724202,0.000005186592,0.0052725947,0.00075316284,0.000020712001,0.000004597897,0.000009929809,0.005064743],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989226,0.00009976837,0.00027068128,0.00017364822,0.00015258252,0.00038071748],"domain_scores_gemma":[0.99932283,0.00022549646,0.000047140104,0.00024053466,0.000105934036,0.00005804028],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003669169,0.00015226836,0.00023842836,0.00018258733,0.00032767584,0.00011751769,0.0002446481,0.00005133032,0.00046427944],"category_scores_gemma":[0.000102704114,0.000084759384,0.00008625263,0.00019626663,0.00053878734,0.00014064292,0.000033449134,0.0004281215,0.000022717666],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011892722,0.00004799838,0.0010392556,0.00006096066,0.00011853087,0.000112433874,0.36176902,0.000038905837,0.000003906531,0.5579919,0.07745553,0.0013496439],"study_design_scores_gemma":[0.00029375168,0.00006336258,0.0018219309,0.0007775706,0.000035506357,0.0000056259655,0.058476485,0.000097513686,0.000013076591,0.0053666816,0.93281966,0.00022884551],"about_ca_topic_score_codex":0.017740816,"about_ca_topic_score_gemma":0.7763935,"teacher_disagreement_score":0.85536414,"about_ca_system_score_codex":0.00014764909,"about_ca_system_score_gemma":0.00005978176,"threshold_uncertainty_score":0.9888001},"labels":[],"label_agreement":null},{"id":"W1508662406","doi":"10.1353/mos.2011.a418767","title":"Voice as “Relational Space”: Agency beyond Narcissism or the Loss of Self","year":2011,"lang":"en","type":"article","venue":"Mosaic","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narcissism; Agency (philosophy); Space (punctuation); Psychology; Social psychology; Epistemology; Linguistics; Philosophy","score_opus":0.046987304451037305,"score_gpt":0.24118954747129154,"score_spread":0.19420224302025424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1508662406","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42172393,0.0005372574,0.00005961141,0.0017882065,0.00041652078,0.00015115307,0.0000769248,0.00006589475,0.57518053],"genre_scores_gemma":[0.93846357,0.000021854477,0.000083822524,0.00034608206,0.00022384166,0.000008920168,0.0000124531525,0.000009620195,0.06082983],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992513,0.000050192684,0.00021005805,0.00012788283,0.00020699315,0.0001535934],"domain_scores_gemma":[0.9994964,0.00007701947,0.000079192985,0.00021987972,0.00008607086,0.000041427138],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017775412,0.00009819608,0.00013931282,0.000044696848,0.0002940059,0.000030687417,0.00017971949,0.000034185407,0.018889572],"category_scores_gemma":[0.00002917047,0.000051187668,0.00010973745,0.000052960306,0.00019729728,0.00013856278,0.000035595454,0.00010459577,0.00043863396],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024918636,0.0001692337,0.0005363097,0.000019346462,0.00012942024,0.000016441512,0.06727175,0.0000017212411,0.00002151669,0.9205561,0.010743877,0.00050936337],"study_design_scores_gemma":[0.00032280717,0.00016721823,0.0069226143,0.00002760004,0.0002787405,0.000013501381,0.004683263,0.00018990548,0.00047571198,0.08044208,0.90623105,0.0002454946],"about_ca_topic_score_codex":0.00029256102,"about_ca_topic_score_gemma":0.0003210609,"teacher_disagreement_score":0.8954872,"about_ca_system_score_codex":0.000009809297,"about_ca_system_score_gemma":0.00004048091,"threshold_uncertainty_score":0.9820073},"labels":[],"label_agreement":null},{"id":"W1509667953","doi":"","title":"A Poetic Record of Life","year":2014,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Simple (philosophy); Philosophy; History; Art; Epistemology","score_opus":0.020395791193067614,"score_gpt":0.27654778059660806,"score_spread":0.25615198940354045,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1509667953","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79811347,0.06182455,0.0000054652046,0.0004137593,0.00035085034,0.00006175287,0.00002276347,0.000019758807,0.13918763],"genre_scores_gemma":[0.99502367,0.00034031158,0.000038618233,0.0005314337,0.0003606241,0.0000048607612,0.000004575726,0.0000043890655,0.0036915473],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995212,0.00004489722,0.00016228862,0.000109416775,0.000059084814,0.000103104765],"domain_scores_gemma":[0.99970734,0.00008303504,0.000034986668,0.0001051042,0.00004594658,0.00002359192],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001466503,0.000078149984,0.00023270381,0.00007428686,0.000060061622,0.000036067715,0.000048396036,0.000022584778,0.00013240623],"category_scores_gemma":[0.00013867997,0.000054240765,0.00004072134,0.000047310783,0.00018534681,0.00006870922,0.0000321644,0.000086387576,0.000002475814],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023471262,0.000051569154,0.00083292153,0.0003540504,0.000116438714,0.00001601571,0.57180315,3.4548472e-7,0.00008371306,0.41413572,0.004364371,0.008218236],"study_design_scores_gemma":[0.0016965128,0.0005309445,0.0023730309,0.0016537992,0.00020040045,0.000007789829,0.23906389,0.00014706796,0.00014148022,0.031797282,0.721693,0.00069480017],"about_ca_topic_score_codex":0.000039917817,"about_ca_topic_score_gemma":0.00044425082,"teacher_disagreement_score":0.7173286,"about_ca_system_score_codex":0.000003153415,"about_ca_system_score_gemma":0.0000025247075,"threshold_uncertainty_score":0.22118741},"labels":[],"label_agreement":null},{"id":"W1512277967","doi":"","title":"Alex Colville’s Trajectory as a Muralist","year":2014,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Mount Allison University","funders":"","keywords":"Trajectory; Geology; History; Environmental science; Physics","score_opus":0.007131901538772578,"score_gpt":0.155366668587932,"score_spread":0.14823476704915942,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1512277967","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4516027,0.0033976217,0.000079548234,0.010560045,0.000294995,0.00011697393,0.000040135605,0.00019691112,0.5337111],"genre_scores_gemma":[0.8183882,0.00018993313,0.000027695816,0.0008947036,0.00029915525,0.000002941957,0.000020392737,0.000016034457,0.18016095],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908787,0.00006812825,0.00012471007,0.00022762564,0.00019024406,0.00030142695],"domain_scores_gemma":[0.9993877,0.00006249793,0.000067018605,0.0002623151,0.00007175043,0.00014874653],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013269883,0.00015544983,0.00022262425,0.00011543136,0.00079479284,0.000056010074,0.00022400197,0.000056781617,0.004823261],"category_scores_gemma":[0.000021863394,0.00015481102,0.00019501151,0.000053426535,0.00015634895,0.00016990327,0.00007089423,0.000114112314,0.0006476056],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037921807,0.00006150491,0.00006119907,0.000014776718,0.00010020989,0.0001932046,0.0036420682,0.00002930353,0.0002126758,0.84814143,0.14253858,0.004967138],"study_design_scores_gemma":[0.00042390922,0.00008283925,0.00018858013,0.000013540429,0.00012418944,0.000035731202,0.0032263224,0.0006184557,0.00006660034,0.0023234216,0.99268043,0.0002159925],"about_ca_topic_score_codex":0.008277169,"about_ca_topic_score_gemma":0.13487838,"teacher_disagreement_score":0.8501418,"about_ca_system_score_codex":0.00081100734,"about_ca_system_score_gemma":0.000014632962,"threshold_uncertainty_score":0.9983268},"labels":[],"label_agreement":null},{"id":"W1513273955","doi":"","title":"“ Against the Source”: Daphne Marlatt’s Revision of Charles Olson","year":2001,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Poetry; Style (visual arts); Face (sociological concept); Literature; Order (exchange); Space (punctuation); Psychology; Art; Philosophy; Linguistics","score_opus":0.03297425273507868,"score_gpt":0.27130527200055204,"score_spread":0.23833101926547337,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1513273955","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51195425,0.21058007,0.0000022797735,0.020998774,0.001814392,0.0005060605,0.0004404021,0.000046028523,0.25365773],"genre_scores_gemma":[0.98186153,0.0044640875,0.0000065995805,0.0017272851,0.00061359524,0.0000058286655,0.000028219976,0.0000114722125,0.011281362],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898994,0.00006856269,0.0002669179,0.00018157739,0.00014340297,0.00034959495],"domain_scores_gemma":[0.99933237,0.0000754421,0.00006121186,0.00027388148,0.00016419294,0.000092884366],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027267536,0.00014946888,0.0002791291,0.00020289497,0.00039616946,0.000120868826,0.00021079571,0.000053955948,0.00028114743],"category_scores_gemma":[0.00010265311,0.00009456107,0.00010724027,0.00019207511,0.00033736677,0.00013561326,0.00003537754,0.00024581514,0.000010903693],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003799318,0.00007373373,0.0071511893,0.00035914368,0.0004821314,0.000356127,0.44627464,0.000043580672,0.000025486619,0.28824532,0.20534386,0.051606808],"study_design_scores_gemma":[0.00010549129,0.000021239091,0.00030872435,0.000467298,0.000024889843,0.000003499235,0.018409906,0.000031495958,0.0000053009867,0.0006349887,0.9798689,0.00011825753],"about_ca_topic_score_codex":0.01845053,"about_ca_topic_score_gemma":0.59291863,"teacher_disagreement_score":0.77452505,"about_ca_system_score_codex":0.00008514497,"about_ca_system_score_gemma":0.00004550489,"threshold_uncertainty_score":0.9880857},"labels":[],"label_agreement":null},{"id":"W1517771334","doi":"","title":"“‘I am not a Tree with My Root in the Soil’: Ecofeminist Revisions of Tree Symbolism in Sylvia Plath’s Poetry”","year":2009,"lang":"en","type":"article","venue":"˜The œjournal of ecocriticism","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Dialectic; Argument (complex analysis); Metaphor; Ambivalence; Literature; Dualism; Context (archaeology); Philosophy; Aesthetics; Sociology; Art; Epistemology; History; Psychoanalysis; Psychology; Linguistics","score_opus":0.022027399629825146,"score_gpt":0.250695865302182,"score_spread":0.22866846567235688,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1517771334","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8987403,0.0016989564,0.0000678438,0.009202239,0.0002639939,0.00025958067,0.000038244074,0.000011975934,0.08971688],"genre_scores_gemma":[0.99686396,0.00013512348,0.000036906647,0.0016625348,0.00050807925,0.0000046588702,0.000003414898,0.000019698322,0.0007656074],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99717486,0.00030372725,0.0012399049,0.00019152588,0.000616025,0.00047394208],"domain_scores_gemma":[0.9981239,0.00067390053,0.0003839901,0.0004747991,0.00024357285,0.00009985664],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001550308,0.0002837952,0.00074720185,0.0004158247,0.00026950554,0.00016874117,0.0008709739,0.00007815606,0.00036885534],"category_scores_gemma":[0.00010625067,0.00015591888,0.0002933851,0.00025089743,0.0003850061,0.00033554857,0.00003408426,0.0007362527,0.000013757485],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014645574,0.0047639394,0.003777015,0.0002914642,0.0005003591,0.0021360538,0.18803565,0.0007971991,0.0014372476,0.7522565,0.0149476165,0.029592413],"study_design_scores_gemma":[0.020274984,0.011817074,0.35790318,0.010219539,0.004381918,0.0036951115,0.25892037,0.0045835543,0.0020089862,0.19290729,0.12946089,0.0038271055],"about_ca_topic_score_codex":0.00016944969,"about_ca_topic_score_gemma":0.009577191,"teacher_disagreement_score":0.5593492,"about_ca_system_score_codex":0.000050261526,"about_ca_system_score_gemma":0.000097580174,"threshold_uncertainty_score":0.6358188},"labels":[],"label_agreement":null},{"id":"W1519617862","doi":"","title":"Landscape as language: a comparative study of selected works by Susan Howe and Daphne Marlatt","year":2006,"lang":"en","type":"dissertation","venue":"Nottingham ePrints (University of Nottingham)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Materiality (auditing); Subjectivity; Postmodernism; Poetry; Relation (database); Modernism (music); Deleuze and Guattari; American literature; Literature; Reflexivity; Art; Art history; Polyphony; Aesthetics; History; Philosophy; Sociology; Epistemology; Anthropology","score_opus":0.012559321148906226,"score_gpt":0.23400059605398452,"score_spread":0.22144127490507828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1519617862","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9099385,0.00040985126,0.000008481982,0.000044650795,0.000121773155,0.0003812941,0.00010287145,0.00006346703,0.08892907],"genre_scores_gemma":[0.9498646,0.0000384792,0.00008418911,0.000012169386,0.000093198294,0.0000015309581,0.00080888404,0.00003148551,0.049065452],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9978151,0.00019480113,0.0004740326,0.00063943426,0.00051907013,0.00035756596],"domain_scores_gemma":[0.9977933,0.00020795874,0.000885638,0.00038922505,0.0006155494,0.0001083148],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031627296,0.00042213986,0.0010626443,0.00043147395,0.000530977,0.0001121704,0.00045174905,0.00024813716,0.0028224369],"category_scores_gemma":[0.00005398148,0.00049087714,0.00019267848,0.00028015178,0.00023577707,0.00025637494,0.00012278437,0.00057635544,0.000029584804],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014970707,0.005622564,0.020927113,0.0013373285,0.0031055438,0.00021864218,0.89935356,0.000046501315,0.0052000205,0.00489913,0.040425647,0.017366847],"study_design_scores_gemma":[0.0035282453,0.00071583944,0.039510116,0.0008314148,0.0015489862,0.0000042475776,0.94331896,0.00043297058,0.0009438306,0.00017724108,0.007891419,0.0010967153],"about_ca_topic_score_codex":0.0075295945,"about_ca_topic_score_gemma":0.015825436,"teacher_disagreement_score":0.04396538,"about_ca_system_score_codex":0.00003580255,"about_ca_system_score_gemma":0.00007706898,"threshold_uncertainty_score":0.9997543},"labels":[],"label_agreement":null},{"id":"W1519984783","doi":"10.3138/jcs.38.1.23","title":"The Two Giovannis: P.K. Page’s Two Modernisms","year":2004,"lang":"en","type":"article","venue":"Journal of Canadian Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Poetry; Literature; Modernism (music); History of literature; Free verse; History; Art; Art history","score_opus":0.07409745979855757,"score_gpt":0.2954240711731545,"score_spread":0.22132661137459692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1519984783","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36762473,0.12403546,0.0001049114,0.14747727,0.0058508893,0.00025940203,0.0000808996,0.00004091353,0.3545255],"genre_scores_gemma":[0.99181354,0.0014835799,0.000037210757,0.0014684064,0.0012805336,0.000002234087,3.2276674e-7,0.000010168047,0.0039039836],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989475,0.000036632846,0.00038381116,0.0000648646,0.0002539539,0.00031321516],"domain_scores_gemma":[0.998968,0.00008045941,0.00016721498,0.00013078206,0.00045559718,0.00019791776],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004121241,0.00012032212,0.0002755213,0.00029583214,0.001147469,0.00021859088,0.00023072165,0.000013296386,0.000097289936],"category_scores_gemma":[0.00009265423,0.00007072968,0.0002116498,0.00007304796,0.00034332037,0.00020119542,0.000018120407,0.00019441903,0.000030580697],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016297883,0.000030272402,0.00004170096,0.000010394756,0.0014483979,0.0003032749,0.04705157,0.00078876474,0.000023989578,0.8777542,0.064143814,0.008387294],"study_design_scores_gemma":[0.0006187423,0.00008613256,0.00009301466,0.000051992116,0.00019662295,0.00004970777,0.043462954,0.000007006848,0.00003951119,0.07291648,0.8823473,0.00013056427],"about_ca_topic_score_codex":0.024359459,"about_ca_topic_score_gemma":0.74986786,"teacher_disagreement_score":0.81820345,"about_ca_system_score_codex":0.00015873912,"about_ca_system_score_gemma":0.0002348394,"threshold_uncertainty_score":0.98213744},"labels":[],"label_agreement":null},{"id":"W1520068536","doi":"","title":"Is There a Work in This Classroom? Interpretations, Textual Readings, and American Fiction","year":2005,"lang":"en","type":"article","venue":"International fiction review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Interpretation (philosophy); Presupposition; Epistemology; Persuasion; Philosophy; Watson; Sociology; Literature; Linguistics; Art; Computer science","score_opus":0.02393113566163671,"score_gpt":0.29335875267555545,"score_spread":0.2694276170139187,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1520068536","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.046256166,0.10230622,0.0011328117,0.06562491,0.0012011455,0.00067535404,0.00015175466,0.00022903553,0.7824226],"genre_scores_gemma":[0.94761074,0.035518315,0.000085772896,0.0037082732,0.0003916457,0.00004352574,0.0000441728,0.000010131868,0.012587446],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990595,0.000053633215,0.0003789941,0.00020923115,0.000190435,0.00010819188],"domain_scores_gemma":[0.99955165,0.00005739061,0.0001383425,0.00010090017,0.000114981216,0.000036706715],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001990772,0.00011442247,0.00020124085,0.00013851855,0.000101586564,0.00012238979,0.00011290719,0.000022154833,0.009656048],"category_scores_gemma":[0.000056735134,0.00010053993,0.0000980882,0.00010369899,0.00009832082,0.0003295001,0.00002376708,0.00014875681,0.00019602245],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043700922,0.00023604007,0.0057925684,0.00021262873,0.00022665241,0.0000052207483,0.009499805,0.000018293318,0.00001326231,0.1931144,0.3624154,0.42842203],"study_design_scores_gemma":[0.0000953797,0.000022741946,0.0014008558,0.0010610117,0.00004434311,0.0000052573237,0.0008093611,0.0007519069,0.000006142256,0.00010929082,0.99558055,0.00011316971],"about_ca_topic_score_codex":0.0001955171,"about_ca_topic_score_gemma":0.00030544886,"teacher_disagreement_score":0.90135455,"about_ca_system_score_codex":0.000087766995,"about_ca_system_score_gemma":0.0000102675585,"threshold_uncertainty_score":0.99124926},"labels":[],"label_agreement":null},{"id":"W1520494546","doi":"10.5508/jhs.2006.v6.r17","title":"Review of Richard S. Hess, Song of Songs","year":2009,"lang":"en","type":"article","venue":"Journal of Hebrew Scriptures","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Literature; Art","score_opus":0.02204187346255293,"score_gpt":0.2598252170734537,"score_spread":0.23778334361090075,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1520494546","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028040493,0.9423956,0.000040263378,0.0033352384,0.0005428165,0.00008047278,0.000023102424,0.000008314841,0.025533674],"genre_scores_gemma":[0.9343177,0.01967021,0.00024721274,0.04421229,0.00094897987,5.783978e-7,0.0000030278713,0.000011562013,0.00058842305],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99846417,0.000068954316,0.00086651515,0.00007705948,0.00037082957,0.00015247437],"domain_scores_gemma":[0.998456,0.00003207324,0.0007357264,0.00016010452,0.0005456414,0.0000704344],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00056358177,0.00012119775,0.00064805336,0.00013858965,0.00006679644,0.00003436002,0.00026840033,0.000033980334,0.002014997],"category_scores_gemma":[0.00011469275,0.000081871854,0.00045750468,0.000063456806,0.00012262388,0.00027795858,0.000013801268,0.0001939534,0.000006158859],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039792936,0.00022551892,0.000045960296,0.0013268151,0.0001639083,0.000021200007,0.0022650014,0.0000025840948,0.0011160084,0.047078673,0.9413545,0.0063600307],"study_design_scores_gemma":[0.0002565648,0.00044650005,0.000546311,0.004809521,0.00036643603,0.000037532693,0.0014748024,0.0000045820634,0.0015368649,0.006392329,0.9840094,0.00011914839],"about_ca_topic_score_codex":0.000028016477,"about_ca_topic_score_gemma":0.00001583012,"teacher_disagreement_score":0.92272544,"about_ca_system_score_codex":0.000012719948,"about_ca_system_score_gemma":0.000049377486,"threshold_uncertainty_score":0.9988973},"labels":[],"label_agreement":null},{"id":"W1521334374","doi":"","title":"Woody Guthrie, American Radical (review)","year":2012,"lang":"fr","type":"article","venue":"Labour / Le Travail","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.018694500262851525,"score_gpt":0.25324820793473996,"score_spread":0.23455370767188843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1521334374","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06155095,0.7687201,0.000097378696,0.021738494,0.0021145993,0.00023858907,0.0004236634,0.00010965798,0.1450066],"genre_scores_gemma":[0.5927567,0.08132851,0.00011357987,0.008693477,0.004522463,0.0000315685,0.000048229027,0.00006175629,0.3124437],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99715966,0.0003550331,0.0006066537,0.00034615665,0.00041708784,0.0011154157],"domain_scores_gemma":[0.99852604,0.00010491297,0.00019921997,0.00050414057,0.00012466153,0.0005410465],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006741394,0.0003890503,0.0007904281,0.00007837097,0.00060731533,0.00015094539,0.00035586779,0.00010249574,0.026394796],"category_scores_gemma":[0.00007562863,0.0003671176,0.00041975768,0.00020949882,0.0018233848,0.0004922652,0.00006187972,0.0004975294,0.0030762388],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010272119,0.0008511519,0.00039841732,0.0006638549,0.00023944578,0.000019870942,0.0038575998,5.989305e-7,0.000027409164,0.7646967,0.14577349,0.08346118],"study_design_scores_gemma":[0.0003132439,0.00011262885,0.005271471,0.0005224318,0.0004159162,0.000023776996,0.003037168,0.000012793814,0.000048221846,0.00038868992,0.9893663,0.0004873593],"about_ca_topic_score_codex":0.0047860616,"about_ca_topic_score_gemma":0.00072091393,"teacher_disagreement_score":0.8435928,"about_ca_system_score_codex":0.000054073633,"about_ca_system_score_gemma":0.000093878094,"threshold_uncertainty_score":0.99987805},"labels":[],"label_agreement":null},{"id":"W1521400979","doi":"","title":"A Settlement of Memory. A Novel . Gordon Rodgers.","year":2002,"lang":"en","type":"article","venue":"Newfoundland and Labrador Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Settlement (finance); History; Archaeology; Computer science; World Wide Web","score_opus":0.06866399936979688,"score_gpt":0.26489040630065835,"score_spread":0.19622640693086146,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1521400979","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8191027,0.030360047,0.000031366693,0.0052176355,0.0007066268,0.00023640075,0.00022752555,0.00008445579,0.14403325],"genre_scores_gemma":[0.98432744,0.0011804941,0.000049793733,0.00034071878,0.00031486107,0.00001131151,0.0000042536603,0.00000863347,0.013762486],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992278,0.000016405666,0.00023812435,0.00018071418,0.00015434664,0.00018261402],"domain_scores_gemma":[0.9995978,0.000065739776,0.00007328608,0.00012736868,0.00009238833,0.000043427077],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010395628,0.00014120164,0.0003323075,0.00006481428,0.00028687433,0.000059689755,0.000067356406,0.000020523838,0.001306324],"category_scores_gemma":[0.000025756206,0.0001009815,0.000078478355,0.00004072221,0.00031316082,0.000114705865,0.000051973857,0.000062491265,0.000016976692],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000063557745,0.0011529829,0.005844926,0.0008004957,0.0026437184,0.000029243123,0.2739142,0.0000107194,0.0010152794,0.6045547,0.04680574,0.06316445],"study_design_scores_gemma":[0.0021029091,0.000462907,0.0033996804,0.0001845888,0.0004990684,0.000010916541,0.060437206,0.00047150714,0.00011488835,0.0017163208,0.9300474,0.000552599],"about_ca_topic_score_codex":0.00048468992,"about_ca_topic_score_gemma":0.003829622,"teacher_disagreement_score":0.88324165,"about_ca_system_score_codex":0.000016479935,"about_ca_system_score_gemma":0.0000032481341,"threshold_uncertainty_score":0.9996066},"labels":[],"label_agreement":null},{"id":"W1523223883","doi":"","title":"Twig: poems from 3901 . Carey J. Bishop, Andrew Draskoy, CM. Hoyles, Paul Whittle.","year":2000,"lang":"en","type":"article","venue":"Newfoundland and Labrador Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Twig; Poetry; Art; History; Literature; Horticulture; Biology","score_opus":0.04155068728709278,"score_gpt":0.2677433625585562,"score_spread":0.22619267527146342,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1523223883","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89840245,0.03630898,0.0000020131151,0.0024821637,0.0005186343,0.00013433577,0.0002952202,0.0001315658,0.061724644],"genre_scores_gemma":[0.95137054,0.008261411,0.00002165136,0.0011227427,0.001586903,0.000022160979,0.000081306636,0.000028217382,0.03750504],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983353,0.00007236914,0.00037613045,0.0004970137,0.00028184513,0.0004373327],"domain_scores_gemma":[0.9991983,0.0001688622,0.000072070354,0.000296455,0.00012241615,0.00014186832],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014183842,0.00035009393,0.0006355244,0.00008468286,0.00096286484,0.0004541689,0.00017248839,0.00007707265,0.005291783],"category_scores_gemma":[0.000028661918,0.00025813506,0.00015336662,0.00007979947,0.00048346835,0.00032788972,0.000070393755,0.000199714,0.00017422775],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038376127,0.0008764833,0.03788687,0.00040841184,0.0052275974,0.0004160593,0.22863619,0.000015733503,0.00029342968,0.10260547,0.25065804,0.37259197],"study_design_scores_gemma":[0.0010583712,0.00016454773,0.008116368,0.0001333066,0.0004043109,0.000008846497,0.021187805,0.00003738808,0.000016299953,0.00681083,0.9614981,0.0005638362],"about_ca_topic_score_codex":0.006273273,"about_ca_topic_score_gemma":0.03042206,"teacher_disagreement_score":0.71084005,"about_ca_system_score_codex":0.000039476763,"about_ca_system_score_gemma":0.000021740321,"threshold_uncertainty_score":0.99998707},"labels":[],"label_agreement":null},{"id":"W1526502438","doi":"","title":"Just Like a Barrette that Claws, that Clasps, that Clips, that Cunts: metonymy, metaphor, and simile in Angela Carr’s The Rose Concordance","year":2013,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Simile; Metonymy; Carr; Poetry; Literature; Metaphor; Art; Rose (mathematics); Art history; White (mutation); History; Philosophy; Linguistics","score_opus":0.058824131808185944,"score_gpt":0.280199080256723,"score_spread":0.22137494844853708,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1526502438","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47331813,0.44585073,0.0000010055325,0.025933847,0.003982803,0.0016513985,0.0017670067,0.00009129963,0.04740378],"genre_scores_gemma":[0.97511995,0.006121571,0.000021313748,0.009331529,0.00047893074,0.00024683247,0.000075569194,0.000045448203,0.008558854],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971379,0.00030794923,0.00037833664,0.00068776734,0.00039016048,0.0010978628],"domain_scores_gemma":[0.9983443,0.00034203826,0.00014132171,0.0006484469,0.00016808734,0.00035581234],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00060214696,0.0005503967,0.00082723773,0.0004218124,0.00080593926,0.0010152992,0.00050995057,0.00021422142,0.00064102275],"category_scores_gemma":[0.00008919481,0.0003754382,0.00020046145,0.00029529992,0.0010681403,0.000978051,0.00015888052,0.0009447342,0.000026588777],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043368334,0.00008301873,0.08530709,0.00040901324,0.0010450276,0.0006592102,0.30613387,0.00001086331,0.000010452782,0.05088333,0.5517156,0.0036991395],"study_design_scores_gemma":[0.00054382824,0.00004879495,0.010976809,0.0005370356,0.00015847394,0.000020215806,0.101888,0.00009115946,0.000026998723,0.002702042,0.88241845,0.00058819045],"about_ca_topic_score_codex":0.1157059,"about_ca_topic_score_gemma":0.90373796,"teacher_disagreement_score":0.78803205,"about_ca_system_score_codex":0.00031962918,"about_ca_system_score_gemma":0.00013424567,"threshold_uncertainty_score":0.99986976},"labels":[],"label_agreement":null},{"id":"W1529255598","doi":"","title":"My Husband's Wedding","year":2006,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; Sociology","score_opus":0.02506855339511842,"score_gpt":0.2326421920967875,"score_spread":0.20757363870166906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1529255598","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6010869,0.0013951093,0.0000011300974,0.0006916556,0.0005060393,0.00006384088,0.00005744785,0.00005291912,0.39614496],"genre_scores_gemma":[0.9484763,0.000023416555,0.0000057245315,0.0010508936,0.000961174,0.000040105653,0.00000891609,0.000013201605,0.049420238],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99892944,0.000020226384,0.00018930902,0.0001903065,0.00011377946,0.0005569586],"domain_scores_gemma":[0.9994957,0.000043283057,0.000034490007,0.00014404104,0.000116440606,0.00016608347],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012600824,0.00014789867,0.00025504432,0.00019164916,0.0008944713,0.00015426635,0.0001141734,0.000023883924,0.0023949058],"category_scores_gemma":[0.00003073754,0.00012903255,0.00007283021,0.00005947124,0.00026687206,0.0001334862,0.000020479549,0.00008057941,0.00021883422],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000020448479,0.000016999958,0.00031188608,0.000026903892,0.0002103369,0.00005963559,0.025878312,0.000008713368,0.00001231221,0.9412369,0.031907912,0.0003280222],"study_design_scores_gemma":[0.0001630651,0.00003255453,0.00015489593,0.00002362558,0.000045492605,0.0000017032409,0.15252617,0.0000112768075,0.000018938083,0.037375648,0.8093737,0.00027297882],"about_ca_topic_score_codex":0.0062136794,"about_ca_topic_score_gemma":0.23495753,"teacher_disagreement_score":0.9038613,"about_ca_system_score_codex":0.00030486548,"about_ca_system_score_gemma":0.00006741077,"threshold_uncertainty_score":0.99851704},"labels":[],"label_agreement":null},{"id":"W1532113780","doi":"10.7202/039566ar","title":"Jeffrey C. Robinson. Unfettering Poetry: Fancy in British Romanticism. New York and Houndmills, Basingstoke: Palgrave Macmillan, 2006. ISBN: 1403965137. Price: US$75","year":2009,"lang":"en","type":"article","venue":"Romanticism and Victorianism on the Net","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romanticism; Poetry; Art history; History; Media studies; Humanities; Art; Literature; Sociology","score_opus":0.015835294818596655,"score_gpt":0.21219259452460415,"score_spread":0.1963572997060075,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1532113780","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9478351,0.011069508,0.00016373581,0.006622123,0.0017348792,0.00072538364,0.00014774359,0.0002379931,0.03146353],"genre_scores_gemma":[0.9905064,0.0014291073,0.000091519134,0.004445138,0.0016920173,0.0000096495505,0.000036990492,0.00005773298,0.0017314366],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969923,0.0001585761,0.0006995888,0.0007665914,0.00049016165,0.0008927834],"domain_scores_gemma":[0.99866444,0.00020995282,0.00021125525,0.0005478609,0.00006381184,0.00030267617],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0004835978,0.00054381177,0.00074454705,0.00023706237,0.0007829869,0.00121636,0.00043181799,0.0002081115,0.000704534],"category_scores_gemma":[0.00007031807,0.00047908307,0.00016309597,0.00021603712,0.00025390493,0.00013684623,0.000104570725,0.0005311128,0.000055054094],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014357161,0.00027461513,0.0027771927,0.00014454823,0.00028562156,0.0006158578,0.019369243,0.000030585677,0.0016696557,0.9250653,0.035361186,0.014262649],"study_design_scores_gemma":[0.0065173157,0.001948019,0.2517789,0.0025309166,0.00084095175,0.00044686082,0.0063251704,0.0025685888,0.00076554756,0.21298967,0.50939447,0.0038936099],"about_ca_topic_score_codex":0.0024545775,"about_ca_topic_score_gemma":0.0020786694,"teacher_disagreement_score":0.7120756,"about_ca_system_score_codex":0.00004975037,"about_ca_system_score_gemma":0.000043819615,"threshold_uncertainty_score":0.9998205},"labels":[],"label_agreement":null},{"id":"W1534273177","doi":"10.33137/rr.v35i4.19706","title":"“Lords of Wine and Oile”: Community and Conviviality in the Poetry of Robert Herrick","year":2013,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Context (archaeology); Art; Musical; Literature; Art history; Politics; History; Law","score_opus":0.02131596234324097,"score_gpt":0.23255876402485204,"score_spread":0.21124280168161108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1534273177","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9840683,0.00064411946,0.000009481685,0.0005857398,0.000016629707,0.00007305972,0.0000068678214,0.00000322218,0.014592613],"genre_scores_gemma":[0.99957645,0.00018514683,0.000008120381,0.00009601286,0.000039008977,0.000004535433,0.000008671892,0.0000017427288,0.00008030533],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99950737,0.00010469637,0.0002129566,0.000040015766,0.0000730222,0.00006195076],"domain_scores_gemma":[0.99969226,0.000048100126,0.000089155365,0.00010677561,0.00004884642,0.000014861645],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00037155303,0.00005339865,0.0001410924,0.000039012237,0.00014885246,0.0000327647,0.000048320337,0.000025362537,0.00004554412],"category_scores_gemma":[0.000015896037,0.00003012681,0.00001581843,0.00003172801,0.00028526218,0.00035649547,0.000023545614,0.00009740778,6.786536e-7],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010003696,0.000775629,0.047837004,0.0033975432,0.00017753357,0.0000013490184,0.47979435,0.000014551232,0.0045343274,0.3930524,0.0068544964,0.06346075],"study_design_scores_gemma":[0.0018014677,0.00049447187,0.8059232,0.00061892136,0.00012818727,0.000020805408,0.12680826,0.0029758853,0.0022337502,0.030652188,0.027919972,0.00042290558],"about_ca_topic_score_codex":0.002888092,"about_ca_topic_score_gemma":0.00045449453,"teacher_disagreement_score":0.7580862,"about_ca_system_score_codex":0.0000034203601,"about_ca_system_score_gemma":0.0000031044801,"threshold_uncertainty_score":0.43659505},"labels":[],"label_agreement":null},{"id":"W1535328641","doi":"10.1353/tsw.2007.a220825","title":"Treason Our Text: A Preposthumous View","year":2007,"lang":"en","type":"article","venue":"Tulsa Studies in Women s Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Punctuation; Nephew and niece; Context (archaeology); Sociology; Literature; Psychology; History; Art; Philosophy; Linguistics","score_opus":0.03202931269838511,"score_gpt":0.3164981393091651,"score_spread":0.28446882661078,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1535328641","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72101265,0.089004196,0.0000048216602,0.0018291683,0.0014778615,0.00037607402,0.00009045155,0.00016988929,0.18603487],"genre_scores_gemma":[0.9668511,0.0006933772,0.000024445606,0.0011614707,0.00095642067,0.000049742852,0.000011838463,0.000019238552,0.030232321],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99836916,0.00006558066,0.00042435288,0.00032981238,0.00023256107,0.0005785391],"domain_scores_gemma":[0.99926335,0.00008853905,0.00008501105,0.00029528092,0.00018281805,0.00008499147],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00072388863,0.000258718,0.00048476434,0.00020390848,0.00029868144,0.0002122647,0.00019130469,0.00007236158,0.00022572394],"category_scores_gemma":[0.000102327496,0.00018996019,0.00011543828,0.00021839963,0.00014275758,0.00023931099,0.000087827946,0.00032490265,0.000056888824],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018625487,0.00034763658,0.00029786187,0.0003764461,0.00043898696,0.0006646563,0.828632,0.0000023191708,0.00006239524,0.13702959,0.014906713,0.017055124],"study_design_scores_gemma":[0.0006330015,0.00018630648,0.0006287578,0.0007523797,0.00005572281,0.000032942986,0.18667832,0.0000060525776,0.000051685613,0.0076951697,0.80282634,0.00045330563],"about_ca_topic_score_codex":0.000012055912,"about_ca_topic_score_gemma":0.0003200745,"teacher_disagreement_score":0.78791964,"about_ca_system_score_codex":0.00015584045,"about_ca_system_score_gemma":0.0000119309525,"threshold_uncertainty_score":0.7746352},"labels":[],"label_agreement":null},{"id":"W153693966","doi":"","title":"Jack Kerouac et l’Amérique","year":2009,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Art","score_opus":0.0081873341515556,"score_gpt":0.17600571913096333,"score_spread":0.16781838497940774,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W153693966","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04811813,0.14747548,0.00031960156,0.32418635,0.0005967857,0.00017550688,0.00021568392,0.00014768637,0.47876477],"genre_scores_gemma":[0.45180872,0.016368529,0.00010224441,0.0032403313,0.00053920393,0.0000012816566,0.000035083744,0.00002260555,0.527882],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99830395,0.00015825342,0.00024452218,0.00038724818,0.00026441802,0.0006416304],"domain_scores_gemma":[0.9989646,0.0000752081,0.00013257183,0.00040926464,0.00013170778,0.0002866392],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002530163,0.00032302388,0.00039905382,0.00017364271,0.001152415,0.00013777724,0.00033165066,0.0002101858,0.0036060708],"category_scores_gemma":[0.000019497416,0.00036796613,0.00039844433,0.00013552727,0.00022161304,0.00050239515,0.0001072133,0.00036847475,0.0008553617],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044522156,0.00019985597,0.000020923288,0.000021303178,0.00012334388,0.0013374618,0.0029805822,0.00008446838,0.000086462605,0.7378614,0.23695593,0.02028374],"study_design_scores_gemma":[0.00056590664,0.00023215654,0.0006192835,0.00009773458,0.00031259636,0.00015842244,0.00363814,0.00055773905,0.00007129541,0.013828273,0.9794969,0.0004215418],"about_ca_topic_score_codex":0.009866717,"about_ca_topic_score_gemma":0.12225976,"teacher_disagreement_score":0.742541,"about_ca_system_score_codex":0.0024253412,"about_ca_system_score_gemma":0.00004553997,"threshold_uncertainty_score":0.9999226},"labels":[],"label_agreement":null},{"id":"W1537118145","doi":"10.1353/mos.2012.a468717","title":"Japanese Poetry and the “Pathetic Fallacy”","year":2012,"lang":"en","type":"article","venue":"Mosaic","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Fallacy; Poetry; Haiku; Object (grammar); Subject (documents); Philosophy; Literature; Epistemology; Aesthetics; Art; Linguistics; Computer science","score_opus":0.017435825715479115,"score_gpt":0.21486213152965997,"score_spread":0.19742630581418086,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1537118145","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7939518,0.005927946,0.0000048603342,0.002157401,0.0003959087,0.00010142058,0.000014224847,0.000049197148,0.19739726],"genre_scores_gemma":[0.97919947,0.000032829437,0.0000034116852,0.00085376936,0.00054286077,0.000010281711,0.000004829437,0.000008026562,0.01934454],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99943537,0.000059661757,0.000111454414,0.00008018438,0.00010460208,0.0002087399],"domain_scores_gemma":[0.9996559,0.00007474089,0.000025585014,0.00016577623,0.000019663032,0.00005832352],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002782369,0.00008311151,0.00012863884,0.00002464081,0.00029180117,0.00011126304,0.00008921475,0.000019640926,0.0016131209],"category_scores_gemma":[0.000023212291,0.000046300407,0.000068495945,0.000020770321,0.00035151676,0.00013690398,0.000036714886,0.000081537946,0.00021005824],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002043439,0.00007941058,0.0005636107,0.000019245932,0.00006157593,0.0000018168621,0.10199686,5.0828567e-7,0.000027088103,0.88701904,0.0082640005,0.001946435],"study_design_scores_gemma":[0.00093550986,0.00002799553,0.0009810331,0.00001690062,0.00020939011,0.000018534454,0.024416585,0.00025605035,0.000042937103,0.0067486735,0.9660962,0.0002501439],"about_ca_topic_score_codex":0.00021247617,"about_ca_topic_score_gemma":0.00007919301,"teacher_disagreement_score":0.9578322,"about_ca_system_score_codex":0.000005984478,"about_ca_system_score_gemma":0.0000029677476,"threshold_uncertainty_score":0.9992995},"labels":[],"label_agreement":null},{"id":"W1537562461","doi":"","title":"\"The Game of Gravestone Country\"; \"Night of Exit\"; \"The Poet in a State of Emergency\"; \"The Book of Life\"","year":2012,"lang":"en","type":"article","venue":"Postcolonial text","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"State (computer science); History; Media studies; Sociology; Computer science","score_opus":0.02129920348140061,"score_gpt":0.2576502933631039,"score_spread":0.2363510898817033,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1537562461","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9807171,0.0084633,0.0000054781776,0.0018911802,0.0006244187,0.00028211405,0.00019461682,0.0000063865773,0.0078153545],"genre_scores_gemma":[0.9957264,0.0006153972,0.0000040968166,0.00013394302,0.00020129177,0.000017311173,0.0000054755124,0.000013985204,0.003282111],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99806696,0.00019725085,0.000910158,0.00011260822,0.00037850742,0.00033454082],"domain_scores_gemma":[0.99843353,0.000355263,0.00051437825,0.0004099262,0.0002308228,0.000056068206],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008788339,0.00015068466,0.00044203957,0.000109243054,0.00015446136,0.00001385293,0.00044048222,0.00004078673,0.0012798426],"category_scores_gemma":[0.00017985213,0.0000814284,0.000200409,0.00019882174,0.00083226745,0.00014486336,0.00007730108,0.0001575225,0.000013493169],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008997986,0.0015817514,0.012627709,0.00046658973,0.00086087553,0.0000029873352,0.16486755,0.0001012156,0.0069566835,0.77605,0.032532606,0.003052276],"study_design_scores_gemma":[0.0015867165,0.0007904356,0.086364016,0.00019308591,0.00057830603,0.000004256994,0.008964513,0.00028735367,0.008782907,0.012635925,0.8792932,0.00051927596],"about_ca_topic_score_codex":0.002358993,"about_ca_topic_score_gemma":0.004730127,"teacher_disagreement_score":0.8467606,"about_ca_system_score_codex":0.0000128948395,"about_ca_system_score_gemma":0.00006248847,"threshold_uncertainty_score":0.99963313},"labels":[],"label_agreement":null},{"id":"W1543713674","doi":"","title":"Hidden in Plain Sight: On Sylvia Plath's Missing Journals","year":2010,"lang":"en","type":"article","venue":"Indiana Magazine of History (Indiana University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Columbia College","funders":"","keywords":"Sight; Art; Astronomy; Physics","score_opus":0.026146541758439654,"score_gpt":0.20458464180057703,"score_spread":0.1784381000421374,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1543713674","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63810474,0.00033066326,0.000005709625,0.0006956511,0.00076914387,0.0001226704,0.00008640545,0.00004148793,0.35984352],"genre_scores_gemma":[0.97056305,0.000029751012,0.000050764946,0.00018489694,0.00024754507,4.3778007e-7,0.000018815394,0.000019930429,0.028884795],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985007,0.00009111858,0.00036122414,0.00033199965,0.00032401332,0.00039093808],"domain_scores_gemma":[0.99892545,0.00011694514,0.0002634094,0.00036093433,0.000113123904,0.00022014513],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00029026883,0.00024135612,0.00043326273,0.0019476912,0.00026892123,0.00005007694,0.0004945204,0.00014637696,0.009124765],"category_scores_gemma":[0.000070500515,0.0002624992,0.00022394078,0.0002007279,0.0004726756,0.00049351197,0.000046254583,0.0006659308,0.00024972827],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004892186,0.0018503789,0.009899207,0.0003450874,0.00062177604,0.007995833,0.0932576,0.000062419356,0.021321563,0.74626726,0.09123175,0.026657913],"study_design_scores_gemma":[0.0008152595,0.00012346309,0.0062531275,0.00012567363,0.00008988668,0.000008943038,0.0016109182,0.000027963493,0.00028681994,0.00047844765,0.9897939,0.00038561673],"about_ca_topic_score_codex":0.00039606314,"about_ca_topic_score_gemma":0.010741146,"teacher_disagreement_score":0.89856213,"about_ca_system_score_codex":0.0003961761,"about_ca_system_score_gemma":0.00021953338,"threshold_uncertainty_score":0.9999827},"labels":[],"label_agreement":null},{"id":"W1545174609","doi":"","title":"For Doris, A Song","year":2007,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Doris (gastropod); Art; Art history","score_opus":0.03968437053628009,"score_gpt":0.2691242660420726,"score_spread":0.22943989550579252,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1545174609","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.820735,0.0022531594,0.00005663141,0.0012063894,0.0013741631,0.0002944115,0.0001858095,0.00007193221,0.17382254],"genre_scores_gemma":[0.97648203,0.00002433936,0.000027270678,0.00192853,0.00092162413,0.00006277258,0.000006402845,0.000013191859,0.020533849],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893475,0.0000073660385,0.00017759962,0.00016206449,0.00008061429,0.00063763786],"domain_scores_gemma":[0.9993046,0.000108486776,0.000030630006,0.00012060022,0.00017325534,0.00026244382],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036374602,0.00011889086,0.00022209185,0.00018097155,0.0007634092,0.00007747997,0.00009896545,0.00002414174,0.0006423708],"category_scores_gemma":[0.00009110911,0.00010352521,0.00008048823,0.000043956883,0.00019302401,0.00008732342,0.000013006792,0.000055698918,0.00005550198],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000142934905,0.000016164335,0.00013667639,0.000055685425,0.00043933906,0.000030409823,0.11592351,7.586624e-7,0.000006111792,0.8624156,0.0190571,0.0019043349],"study_design_scores_gemma":[0.00014436006,0.000056982502,0.000053578893,0.000010712143,0.000033852622,6.569651e-7,0.32099572,0.0000036534855,0.000012796454,0.017982906,0.6605549,0.00014987565],"about_ca_topic_score_codex":0.0010304081,"about_ca_topic_score_gemma":0.28255132,"teacher_disagreement_score":0.8444327,"about_ca_system_score_codex":0.00029016548,"about_ca_system_score_gemma":0.00007061413,"threshold_uncertainty_score":0.7305403},"labels":[],"label_agreement":null},{"id":"W1546030363","doi":"","title":"Elizabeth Bishop in Newfoundland: \"Sad and Still and Foreign\"","year":2007,"lang":"en","type":"article","venue":"Newfoundland and Labrador Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"Beauty; Romance; History; Travel writing; Nova scotia; Narrative; Cape; Art history; Genealogy; Art; Archaeology; Literature","score_opus":0.03484295407316176,"score_gpt":0.28654942717201354,"score_spread":0.2517064730988518,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1546030363","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95075715,0.023837864,0.00001674302,0.0005743917,0.00017565477,0.00012964662,0.000018562652,0.0000415918,0.02444837],"genre_scores_gemma":[0.9902162,0.0052866084,0.000051966203,0.00055037497,0.00042692022,0.000007828758,0.0000067536207,0.00001664725,0.0034366818],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986792,0.00003522204,0.00033979135,0.0003721464,0.00016485232,0.00040877287],"domain_scores_gemma":[0.99931854,0.00028417297,0.00006678664,0.00012652698,0.00007801983,0.00012595452],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004783204,0.0002575549,0.00048143492,0.00020352381,0.000420658,0.00024739892,0.00006473922,0.000062276384,0.00007576649],"category_scores_gemma":[0.00006334006,0.00019079717,0.00004217604,0.000078527046,0.000604873,0.00028189635,0.00011115101,0.00016720408,0.000004038398],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013737766,0.00013758145,0.42473754,0.00030256365,0.00039309752,0.00015413422,0.061389342,8.824065e-7,0.000055037202,0.4655497,0.0008910088,0.04625174],"study_design_scores_gemma":[0.0044640047,0.000629821,0.39912802,0.00038417778,0.00041164458,0.00009469056,0.08398175,0.00020606213,0.000011105588,0.04442944,0.46502736,0.0012318972],"about_ca_topic_score_codex":0.0037498001,"about_ca_topic_score_gemma":0.14882855,"teacher_disagreement_score":0.46413636,"about_ca_system_score_codex":0.000038841525,"about_ca_system_score_gemma":0.0000103346865,"threshold_uncertainty_score":0.8667031},"labels":[],"label_agreement":null},{"id":"W1549737757","doi":"","title":"Machine-Age Discourse, Mechanical Ballet, and Popular Song as Alternative Document in Dorothy Livesay’s \"Day and Night\"","year":2007,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Intelligentsia; Bourgeoisie; Modernism (music); Poetry; Literature; Dialogic; Art; Musical; Politics; Aesthetics; Sociology; Law","score_opus":0.017493289792156728,"score_gpt":0.30214294398843683,"score_spread":0.2846496541962801,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1549737757","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76610994,0.14466852,0.000007239376,0.008620089,0.0013928178,0.00066751667,0.00039972557,0.000031844975,0.07810231],"genre_scores_gemma":[0.9914901,0.0017642231,0.000036415404,0.0012056471,0.00035484918,0.000014982195,0.000025604035,0.000014074427,0.005094065],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985825,0.00008497254,0.00029500618,0.00035646022,0.00015755605,0.0005235335],"domain_scores_gemma":[0.99942195,0.0000816646,0.000041461197,0.00014330419,0.000053016232,0.0002585699],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005855265,0.00022880128,0.0003598025,0.00036414835,0.00027317606,0.0002583959,0.000115027324,0.00007849016,0.00015047709],"category_scores_gemma":[0.000083272564,0.0001822114,0.000048865142,0.000106513435,0.00031622904,0.00024090137,0.00007026265,0.00037344996,0.0000030603355],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002676765,0.00002890333,0.0018219252,0.00006245786,0.0001635564,0.0024201837,0.16383646,0.0000015262826,0.000004372425,0.8282099,0.0013124245,0.0021115453],"study_design_scores_gemma":[0.0014791187,0.00033272384,0.0043521267,0.0011699593,0.0001169266,0.00005419412,0.087754086,0.00010265741,0.000023697354,0.096260466,0.80738777,0.00096626655],"about_ca_topic_score_codex":0.0824255,"about_ca_topic_score_gemma":0.92975,"teacher_disagreement_score":0.84732455,"about_ca_system_score_codex":0.00018788817,"about_ca_system_score_gemma":0.000033904846,"threshold_uncertainty_score":0.9236847},"labels":[],"label_agreement":null},{"id":"W1551536472","doi":"","title":"The Long Slow Death of Jack Kerouac by Jim Christy (review)","year":2000,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; History","score_opus":0.00916064041692094,"score_gpt":0.19530557541163174,"score_spread":0.1861449349947108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1551536472","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1887472,0.08168367,0.00010450816,0.0011715089,0.00017942057,0.00030086975,0.00024214943,0.000054200198,0.7275165],"genre_scores_gemma":[0.91351086,0.007687041,0.000019717201,0.00009466494,0.000058832782,1.925332e-7,0.00001939988,0.000005952935,0.078603365],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993111,0.000063024134,0.00016845478,0.00013009168,0.00017177165,0.00015555152],"domain_scores_gemma":[0.99945205,0.000042924865,0.00009542109,0.0002617552,0.00009690049,0.000050965915],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001340961,0.000097436525,0.00023644284,0.000007588335,0.000306079,0.000017199634,0.00031049992,0.000027060607,0.016882485],"category_scores_gemma":[0.0000024175154,0.0000798899,0.00019228291,0.000009638373,0.00023740111,0.0002660354,0.000008685116,0.00005124629,0.000052060517],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017419898,0.00059230946,0.00036848855,0.00048573475,0.0006232486,0.000028327342,0.054416686,0.0000015533618,0.000102618826,0.09255253,0.42308548,0.42756882],"study_design_scores_gemma":[0.00034618485,0.0003677231,0.0016086235,0.0001759744,0.00022467555,0.000001125287,0.010890333,0.00005292088,0.000017158549,0.00019151009,0.985963,0.00016078126],"about_ca_topic_score_codex":0.021601377,"about_ca_topic_score_gemma":0.021097887,"teacher_disagreement_score":0.72476363,"about_ca_system_score_codex":0.00003890779,"about_ca_system_score_gemma":0.000015134868,"threshold_uncertainty_score":0.99676454},"labels":[],"label_agreement":null},{"id":"W1552560587","doi":"","title":"Sounding John Thompson’s White Noise","year":2011,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Poetry; Politics; Pound (networking); White (mutation); Literature; Postmodernism; Art history; Art; Philosophy; History; Law","score_opus":0.07652135343359141,"score_gpt":0.27769459627834464,"score_spread":0.20117324284475324,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1552560587","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035668623,0.020083182,8.609481e-7,0.0016520009,0.0023902894,0.00014571959,0.00022755653,0.000046278827,0.9397855],"genre_scores_gemma":[0.9823878,0.00019996261,0.000057623838,0.001077931,0.0006559838,0.000020924415,0.000017178496,0.000015612579,0.015566981],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99884015,0.000045962744,0.00022174428,0.0002464377,0.000108164604,0.00053752883],"domain_scores_gemma":[0.999412,0.0000242311,0.000036492638,0.00022179683,0.000103654114,0.00020181695],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018210865,0.00018073885,0.00026543174,0.00036699738,0.000430385,0.00018225847,0.00018259631,0.000063328494,0.0016095183],"category_scores_gemma":[0.00006710519,0.00015046062,0.00009590055,0.00015428932,0.0002493035,0.0002729693,0.000030928375,0.00026985214,0.000045647692],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007997242,0.000023181312,0.006113834,0.00009217425,0.00015683161,0.0003782221,0.5350953,8.735348e-7,0.0000035554679,0.4286691,0.029111011,0.00034796074],"study_design_scores_gemma":[0.00023693591,0.0000484316,0.002879163,0.0005034442,0.00006741961,0.000012247199,0.05846248,0.00001888106,0.000011054367,0.010085243,0.92722213,0.00045257356],"about_ca_topic_score_codex":0.032319922,"about_ca_topic_score_gemma":0.78426605,"teacher_disagreement_score":0.94671917,"about_ca_system_score_codex":0.0001380704,"about_ca_system_score_gemma":0.00006972613,"threshold_uncertainty_score":0.99930316},"labels":[],"label_agreement":null},{"id":"W1553891970","doi":"","title":"Love Notes (A prose poem)","year":2007,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Art; Philosophy","score_opus":0.036302248492057015,"score_gpt":0.25876888482639876,"score_spread":0.22246663633434174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1553891970","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70529586,0.0012782809,0.0000042756697,0.0011077505,0.0005838891,0.0001192548,0.000064623346,0.00003928586,0.2915068],"genre_scores_gemma":[0.9514901,0.000029152916,0.00001164703,0.0025791645,0.0007674559,0.000010191507,0.0000044793687,0.000015298936,0.045092512],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986801,0.00001503085,0.00022269283,0.00021069922,0.00014023346,0.00073124224],"domain_scores_gemma":[0.99912536,0.000120035395,0.00004136406,0.00018003427,0.00018658741,0.000346643],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003354838,0.0001666815,0.00027102008,0.00023658456,0.00046269866,0.00011291462,0.00013040761,0.0000322424,0.0022919015],"category_scores_gemma":[0.00015286903,0.00014228893,0.000072625204,0.000075932716,0.00035677236,0.00013311044,0.000027180293,0.000107483516,0.0006994449],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014467155,0.000049991446,0.0008696638,0.00007590984,0.0006654482,0.00017771656,0.31887165,0.0000026820048,0.000030807547,0.6674407,0.009025691,0.0027752477],"study_design_scores_gemma":[0.0002082844,0.000091770984,0.00044595404,0.000029113426,0.0000568457,0.0000028771503,0.36549103,0.0000028355955,0.00010093333,0.018221768,0.61498404,0.00036456832],"about_ca_topic_score_codex":0.0017240416,"about_ca_topic_score_gemma":0.26019385,"teacher_disagreement_score":0.649219,"about_ca_system_score_codex":0.00034387663,"about_ca_system_score_gemma":0.000082660175,"threshold_uncertainty_score":0.99862015},"labels":[],"label_agreement":null},{"id":"W1554896830","doi":"","title":"The Confessing Tongue: Religious Allusions in Sylvia Plath's \"Tulips\"","year":2012,"lang":"en","type":"article","venue":"˜The œalbatross","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Confessional; Confession (law); Poetry; Literature; Art; Sociology; Law; Political science; Politics","score_opus":0.025357200062496758,"score_gpt":0.25731230774977765,"score_spread":0.2319551076872809,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1554896830","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8082665,0.01368397,0.00013136043,0.005718347,0.0031129639,0.00037951532,0.000049154434,0.00014695367,0.16851121],"genre_scores_gemma":[0.9860176,0.00015360827,0.0000062337904,0.00081361464,0.0012296559,0.000025646033,0.000008281704,0.000020207211,0.011725142],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985345,0.0001229529,0.00033329823,0.000161375,0.00024587935,0.00060201646],"domain_scores_gemma":[0.9990409,0.0002980509,0.00008902983,0.00041737518,0.00006448859,0.000090168665],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0006710364,0.00016872601,0.00020210231,0.000044586675,0.0016334287,0.000433704,0.0003669481,0.000056289,0.00034500333],"category_scores_gemma":[0.000034466124,0.00009347847,0.0001541881,0.000068453555,0.000434572,0.00021956477,0.00011666914,0.00030549947,0.00026252365],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005662096,0.0003141468,0.003603262,0.000028388073,0.00017992558,0.000027581116,0.13027331,0.00005077213,0.00037873533,0.79767734,0.052136973,0.015272957],"study_design_scores_gemma":[0.00029284437,0.000023202749,0.0024891603,0.000035670204,0.00007739849,0.000011624786,0.012680622,0.0006266452,0.000032426735,0.0059355935,0.9775604,0.00023440747],"about_ca_topic_score_codex":0.00058825995,"about_ca_topic_score_gemma":0.0067506214,"teacher_disagreement_score":0.92542344,"about_ca_system_score_codex":0.00004422378,"about_ca_system_score_gemma":0.000032192605,"threshold_uncertainty_score":0.99966633},"labels":[],"label_agreement":null},{"id":"W1556078473","doi":"","title":"The Afterlife of the City: Reconsidering Urban Poetic Practice","year":2009,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of British Columbia","funders":"","keywords":"Poetry; Urbanity; The Imaginary; Bricolage; Afterlife; Literature; The arts; Art; Architecture; Aesthetics; Sociology; Visual arts; Psychology; Psychoanalysis","score_opus":0.04531382673164101,"score_gpt":0.2872544250362,"score_spread":0.241940598304559,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1556078473","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14459965,0.18067457,3.9772917e-7,0.1834779,0.003864215,0.0005589291,0.00022275206,0.00003577703,0.48656583],"genre_scores_gemma":[0.98769605,0.0003065713,0.000009872264,0.0049450095,0.0003753494,0.0000070759215,0.0000013822355,0.0000050730614,0.0066536083],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990753,0.000103406004,0.00023706187,0.00013711562,0.00012964597,0.0003174578],"domain_scores_gemma":[0.99910855,0.00024294858,0.00007271455,0.00029972376,0.00020438967,0.00007169824],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036384596,0.00011377894,0.00017414219,0.00007909049,0.00063807133,0.00020032594,0.00021350032,0.000037123988,0.000045773293],"category_scores_gemma":[0.0006870681,0.00006296644,0.00008893559,0.00014769167,0.00031653748,0.00017281684,0.000023406763,0.0002796134,0.0000023144787],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002077006,0.00003306297,0.001607899,0.000048611815,0.0002609507,0.00010203438,0.3404835,0.0000051160987,0.0000064369206,0.5563276,0.09781803,0.003286042],"study_design_scores_gemma":[0.00007574383,0.000028036744,0.0011842579,0.00023318504,0.000042949658,0.000009367586,0.024872093,0.0000058241826,0.000008888844,0.0064856475,0.9669565,0.00009753715],"about_ca_topic_score_codex":0.0075501334,"about_ca_topic_score_gemma":0.6220911,"teacher_disagreement_score":0.8691384,"about_ca_system_score_codex":0.00009757214,"about_ca_system_score_gemma":0.00009835739,"threshold_uncertainty_score":0.99905866},"labels":[],"label_agreement":null},{"id":"W1557253573","doi":"","title":"The Modern Dilemma: Wallace Stevens, T.S. Eliot, and Humanism (review)","year":2009,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dilemma; Philosophy; Humanism; Art; Theology; Epistemology","score_opus":0.02939533077214553,"score_gpt":0.25750989236218463,"score_spread":0.2281145615900391,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1557253573","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.115543924,0.73281264,0.0000011833857,0.011538106,0.0025408957,0.00044543433,0.00006376294,0.00006212566,0.1369919],"genre_scores_gemma":[0.94614327,0.045671873,0.0000029019257,0.0028013615,0.00044545057,0.000016762391,0.0000027563965,0.0000075671733,0.004908081],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887735,0.00006197391,0.00030204063,0.00020267887,0.000249748,0.00030622465],"domain_scores_gemma":[0.9992792,0.00021025699,0.000058722697,0.00022023261,0.00018247918,0.000049121965],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028221097,0.00015878197,0.0003177315,0.000023310975,0.0005888805,0.000053925538,0.00017917987,0.000013762715,0.000075048534],"category_scores_gemma":[0.00023145076,0.00010638553,0.000043366555,0.000041708383,0.00014059452,0.00009559575,0.000059026526,0.00017488124,0.0000010968531],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008501371,0.000037237132,0.00019048738,0.00021419788,0.00024263244,0.00010246357,0.026595598,0.000023626792,0.0000014383731,0.14588341,0.80287594,0.023824466],"study_design_scores_gemma":[0.00018430894,0.00003095559,0.0004297535,0.00025937636,0.00006263437,0.0000012990477,0.014891205,0.000053597894,0.000003168699,0.005899131,0.9779732,0.00021135465],"about_ca_topic_score_codex":0.25401533,"about_ca_topic_score_gemma":0.9790344,"teacher_disagreement_score":0.8305993,"about_ca_system_score_codex":0.00029760486,"about_ca_system_score_gemma":0.0001204528,"threshold_uncertainty_score":0.75095224},"labels":[],"label_agreement":null},{"id":"W1559029955","doi":"","title":"On the Road: Kerouac's Ragged American Journey by Robert Holton (review)","year":2000,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; History","score_opus":0.009432892185995337,"score_gpt":0.19834616282287706,"score_spread":0.18891327063688174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1559029955","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25635988,0.008371976,0.000034895274,0.0061372905,0.00012551341,0.0002629622,0.000121212564,0.00006927143,0.728517],"genre_scores_gemma":[0.93173313,0.002423362,0.0000102068425,0.0013182884,0.00007773594,3.55963e-7,0.000019119825,0.000008685898,0.06440911],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991662,0.0001316523,0.00013969818,0.00016956775,0.00020904554,0.00018385463],"domain_scores_gemma":[0.99942005,0.0000549949,0.00010274737,0.00028856922,0.000061393584,0.0000722291],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001491755,0.00012832429,0.0002698109,0.000013216357,0.00036306627,0.000032822743,0.0003413818,0.000020131325,0.06312306],"category_scores_gemma":[0.000004330271,0.00010100115,0.00020232543,0.000018394652,0.00031240057,0.00024833714,0.000006919036,0.00009606936,0.0001877111],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000097016506,0.00032376318,0.000008273848,0.000041977026,0.0002221283,0.000015363878,0.036023416,0.000002145782,0.000072500305,0.030321386,0.7032289,0.22964315],"study_design_scores_gemma":[0.00030763773,0.00073277846,0.0002648966,0.00016364128,0.00017200627,0.0000013599366,0.018446691,0.00006994929,0.000009763168,0.00018461239,0.97943836,0.00020831315],"about_ca_topic_score_codex":0.04520206,"about_ca_topic_score_gemma":0.018203354,"teacher_disagreement_score":0.67537326,"about_ca_system_score_codex":0.000066492175,"about_ca_system_score_gemma":0.000013039161,"threshold_uncertainty_score":0.9997119},"labels":[],"label_agreement":null},{"id":"W1564207091","doi":"","title":"Lost and Found in the Türler Losses","year":2008,"lang":"en","type":"article","venue":"Chicago Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Meaning (existential); Indirection; Introspection; Literature; Philosophy; Reflexive pronoun; Aesthetics; Art; Linguistics; Computer science; Epistemology","score_opus":0.07673606268414104,"score_gpt":0.2746113984250381,"score_spread":0.19787533574089708,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1564207091","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.045586865,0.614147,0.0000030947922,0.008831259,0.000103551974,0.00038785784,0.000008193682,0.000016693362,0.33091545],"genre_scores_gemma":[0.8347394,0.15082632,0.0000054342645,0.01011966,0.00026614396,0.000022658885,0.0000052563173,0.0000065107106,0.0040086373],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994103,0.00007426794,0.00018279794,0.00011215499,0.00010846513,0.000112067304],"domain_scores_gemma":[0.999661,0.000070159535,0.000031455103,0.00018419758,0.000030471283,0.000022664353],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025210093,0.00007951837,0.00020786047,0.000021063634,0.00017878848,0.000048235263,0.00012008956,0.000013141255,0.0020841416],"category_scores_gemma":[0.00005540358,0.00004402534,0.000059147846,0.000057621117,0.00022563904,0.00008887922,0.000018379975,0.00010297165,0.000212774],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000048447805,0.00023866977,0.0012274843,0.003742199,0.00006902111,0.00015711082,0.019138634,2.9539737e-7,0.0000033585716,0.8170632,0.1447534,0.013601776],"study_design_scores_gemma":[0.000061915205,0.000014083126,0.0013805993,0.00076237967,0.000048504433,0.000035552046,0.00026060158,0.0000025342983,5.307242e-7,0.0012639435,0.99609196,0.000077401186],"about_ca_topic_score_codex":0.000030909236,"about_ca_topic_score_gemma":0.0002102959,"teacher_disagreement_score":0.85133857,"about_ca_system_score_codex":0.0000036927029,"about_ca_system_score_gemma":0.000011044003,"threshold_uncertainty_score":0.9988281},"labels":[],"label_agreement":null},{"id":"W1564299834","doi":"","title":"Rediscovering the Poet: Evelyn Lau","year":2004,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Confessional; Drama; Literature; Natural (archaeology); Lift (data mining); Art; History; Computer science; Law; Political science; Politics","score_opus":0.041034774884674205,"score_gpt":0.2860140660567277,"score_spread":0.24497929117205347,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1564299834","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20653184,0.13862626,0.0000027958151,0.07315937,0.0064837,0.00045912244,0.00082042295,0.00008817443,0.57382834],"genre_scores_gemma":[0.99131995,0.00027585682,0.0000106307825,0.0022436061,0.0009208443,0.000018186514,0.000013316349,0.000010148273,0.005187433],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991424,0.000024705592,0.00016029165,0.00017003418,0.00010917166,0.0003934145],"domain_scores_gemma":[0.9995574,0.000041920222,0.000023203736,0.00020159381,0.00008124223,0.00009466434],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017411361,0.000130906,0.00016580673,0.00013567605,0.0005280719,0.0002442852,0.00018205863,0.00003829504,0.00014773493],"category_scores_gemma":[0.000097970515,0.00008376557,0.000071641654,0.00013765148,0.00027902608,0.00019541559,0.000028587086,0.00026093004,0.000024235067],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000027998246,0.00000933713,0.00013392903,0.00003238074,0.000100779595,0.00018244138,0.21564086,0.00005985776,0.000002522619,0.7669948,0.016533477,0.0003068467],"study_design_scores_gemma":[0.00017156625,0.000017966819,0.00030570966,0.00026978826,0.000021432548,0.0000077673685,0.027788624,0.0000033874428,0.0000069618077,0.018357022,0.95289296,0.0001567982],"about_ca_topic_score_codex":0.0832397,"about_ca_topic_score_gemma":0.9295545,"teacher_disagreement_score":0.9363595,"about_ca_system_score_codex":0.00024400678,"about_ca_system_score_gemma":0.00011552523,"threshold_uncertainty_score":0.9228651},"labels":[],"label_agreement":null},{"id":"W1566737018","doi":"","title":"The Voice Is All: The Lonely Victory of Jack Kerouac","year":2013,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":51,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Biography; Memoir; Romance; Victory; Narrative; Literature; Style (visual arts); White (mutation); Art; History; Art history; Law","score_opus":0.029426895646216426,"score_gpt":0.2289744146825141,"score_spread":0.19954751903629767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1566737018","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16323152,0.00091121474,0.000029941677,0.018696532,0.00028344564,0.00016993714,0.000010681845,0.000038179747,0.8166285],"genre_scores_gemma":[0.9002655,0.00006571997,0.000004508429,0.00351096,0.00019414334,0.000012982827,0.0000010390066,0.0000062524177,0.095938876],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933887,0.000042164887,0.00019828636,0.000090584406,0.0001657648,0.00016434121],"domain_scores_gemma":[0.9993058,0.00017561091,0.000053297117,0.00029934934,0.00013676469,0.00002921518],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016851415,0.0000794349,0.00010432834,0.0000145444155,0.00038022528,0.00019699214,0.00028481625,0.000018819614,0.013452964],"category_scores_gemma":[0.000015150439,0.000033314904,0.00011760297,0.000020977704,0.00032226325,0.0001407755,0.000044508066,0.000082107144,0.0010807588],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000027249982,0.00004203192,0.00006948474,0.000007635197,0.00014922624,2.9858452e-7,0.013318323,8.1424923e-7,0.00013950827,0.6860556,0.29771668,0.002497653],"study_design_scores_gemma":[0.00006022654,0.000022096347,0.0011102858,0.0000044161957,0.000047830858,3.838605e-7,0.010072579,0.00020582852,0.0003284065,0.008010428,0.9800666,0.00007094553],"about_ca_topic_score_codex":0.0015055765,"about_ca_topic_score_gemma":0.0011875845,"teacher_disagreement_score":0.737034,"about_ca_system_score_codex":0.0000049284204,"about_ca_system_score_gemma":0.000009104658,"threshold_uncertainty_score":0.999697},"labels":[],"label_agreement":null},{"id":"W1570871152","doi":"10.7202/039562ar","title":"David Simpson. Wordsworth, Commodification and Social Concern: The Poetics of Modernity. Cambridge: Cambridge University Press, 2009. ISBN: 978-0-521-89877-5. Price: US$95","year":2009,"lang":"en","type":"article","venue":"Romanticism and Victorianism on the Net","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Commodification; Poetics; Modernity; Romanticism; Media studies; Art history; Sociology; Economic history; History; Art; Philosophy; Literature; Economics; Poetry; Economy; Epistemology","score_opus":0.027425972344058476,"score_gpt":0.22634473269548525,"score_spread":0.19891876035142678,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1570871152","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90212137,0.0021364007,0.0004445556,0.014221473,0.00069011305,0.00079803326,0.0007397064,0.00011903948,0.078729324],"genre_scores_gemma":[0.990116,0.0007713287,0.0000075905837,0.000830117,0.00070628215,0.0000022006004,0.000040588995,0.000015600712,0.007510291],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984603,0.0002192606,0.00032506612,0.00031624798,0.00035138044,0.0003277768],"domain_scores_gemma":[0.9989171,0.00022776415,0.0002437758,0.00039709793,0.00013556136,0.00007872398],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003797415,0.00026708568,0.00037672903,0.000046796064,0.0012123734,0.00023789641,0.00037560353,0.00011186029,0.00005471849],"category_scores_gemma":[0.000022475271,0.00018044532,0.00011181565,0.000071302224,0.00055505004,0.00020260419,0.00008387833,0.00031583128,0.000006569745],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008318853,0.00014902653,0.00008942929,0.000028727323,0.000093255265,0.0000075592193,0.0063984245,0.000010452097,0.00021868746,0.96266156,0.029812928,0.00044676918],"study_design_scores_gemma":[0.0012984697,0.00042385384,0.020340176,0.00007891811,0.0007232197,0.000010603475,0.005993344,0.005180182,0.00042091095,0.0016648913,0.96327686,0.00058859127],"about_ca_topic_score_codex":0.00040068265,"about_ca_topic_score_gemma":0.000059696456,"teacher_disagreement_score":0.9609967,"about_ca_system_score_codex":0.000025814448,"about_ca_system_score_gemma":0.000037002603,"threshold_uncertainty_score":0.9324718},"labels":[],"label_agreement":null},{"id":"W15750664","doi":"","title":"Review of J. B. Lethbridge (ed.), Edmund Spenser: New and Renewed Directions (Madison, Teaneck: Fairleigh Dickinson University Press, 2006)","year":2008,"lang":"en","type":"article","venue":"The journal of nutrition health & aging","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Theology; Philosophy","score_opus":0.042755434282106125,"score_gpt":0.26318348115834084,"score_spread":0.2204280468762347,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W15750664","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06008513,0.87336546,0.00052869256,0.056336563,0.0005858395,0.00051493134,0.000117898366,0.000047289122,0.008418217],"genre_scores_gemma":[0.23182221,0.76315093,0.00013653569,0.0017361323,0.0007638138,3.7706783e-7,0.0000074408395,0.000010815143,0.0023717403],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986657,0.00031706435,0.00053008465,0.00008678512,0.00021943406,0.00018093252],"domain_scores_gemma":[0.99876684,0.00015073929,0.00056074216,0.0001439735,0.0002300742,0.00014761294],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00073122693,0.00010598242,0.0003981032,0.00011745863,0.0007299071,0.00002078717,0.00014662925,0.000021331065,0.00017993027],"category_scores_gemma":[0.000045559813,0.00008123452,0.00013584126,0.00008786634,0.00018834691,0.00031670404,0.000025717385,0.00024805323,0.0000019533531],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012927823,0.00055178144,0.00022430919,0.004353801,0.00016989706,0.00003279657,0.00884022,0.000009230938,0.000063340376,0.012370902,0.9666282,0.0066262605],"study_design_scores_gemma":[0.00059522636,0.00017221674,0.0007910439,0.005569034,0.00017225607,0.0002168671,0.0012036578,0.000017359192,0.00004029961,0.00024482902,0.9908856,0.00009156747],"about_ca_topic_score_codex":0.0024276732,"about_ca_topic_score_gemma":0.00020866285,"teacher_disagreement_score":0.17173707,"about_ca_system_score_codex":0.000063898304,"about_ca_system_score_gemma":0.00012794188,"threshold_uncertainty_score":0.5613929},"labels":[],"label_agreement":null},{"id":"W1575777219","doi":"10.15210/interfaces.v10i1.7088","title":"BRANDT, Di; GODARD, Barbara (Org.). Wider Boundaries of Daring: The Modernist Impulse in Canadian Women’s Poetry. Waterloo, ON: Wilfrid Laurier University Press, 2009.","year":2012,"lang":"en","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Impulse (physics); Art history; Media studies; Sociology; Literature","score_opus":0.02038551567923834,"score_gpt":0.22000432580405083,"score_spread":0.19961881012481247,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1575777219","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60342187,0.00081588933,0.000057785077,0.011346818,0.0013467805,0.00048224453,0.00047672764,0.0001247913,0.38192707],"genre_scores_gemma":[0.9943756,0.000053589883,0.000025707655,0.00029225627,0.0005613493,0.000037620823,0.000079445126,0.000031690597,0.004542724],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971208,0.00031316336,0.0005193231,0.0004151586,0.0005623784,0.0010691809],"domain_scores_gemma":[0.99826527,0.00012328192,0.00020665936,0.000551296,0.00025880948,0.0005946903],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0007137258,0.00036245844,0.00046322207,0.0003787382,0.0015949723,0.0004400287,0.00060407293,0.00021848829,0.00031291737],"category_scores_gemma":[0.00016519908,0.0002908873,0.00020167003,0.00021252959,0.00018756125,0.0007626032,0.0001390879,0.0005520859,0.000011813009],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017573374,0.00034886322,0.0028306874,0.00004810564,0.00016472976,0.000053183147,0.02413527,0.000048879334,0.00006168478,0.9701663,0.0017776382,0.00018892798],"study_design_scores_gemma":[0.0006366765,0.000050641953,0.006751055,0.00005907528,0.0000769289,0.000052063057,0.004890862,0.00015732013,0.00016913668,0.0002602465,0.9865489,0.0003470682],"about_ca_topic_score_codex":0.002274654,"about_ca_topic_score_gemma":0.07955659,"teacher_disagreement_score":0.9847713,"about_ca_system_score_codex":0.00091574254,"about_ca_system_score_gemma":0.0006882612,"threshold_uncertainty_score":0.99995434},"labels":[],"label_agreement":null},{"id":"W1575915629","doi":"10.7202/1071926ar","title":"An Engineer Well Lost","year":2020,"lang":"en","type":"article","venue":"Paideusis","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Engineering; Construction engineering; Engineering ethics; Computer science","score_opus":0.030322204618064206,"score_gpt":0.2200489634826939,"score_spread":0.1897267588646297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1575915629","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19922316,0.00057474367,0.0012939282,0.013309262,0.00040378346,0.0001271937,0.00008506537,0.00033219036,0.7846507],"genre_scores_gemma":[0.99112195,0.000010365022,0.00006607557,0.004139369,0.0010446415,0.0000026627567,0.000015184574,0.000012644353,0.0035870934],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944055,0.000024501802,0.00012571714,0.00015170609,0.00011067791,0.00014687245],"domain_scores_gemma":[0.9996512,0.00002251811,0.000019174257,0.00013620094,0.00004257813,0.00012832455],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006340897,0.000087208806,0.00012783933,0.000027799344,0.00010757439,0.00012572548,0.00013280992,0.000019698067,0.028185437],"category_scores_gemma":[0.00002146391,0.0000746268,0.00008462745,0.000034809596,0.000047469148,0.00018261305,0.000015353868,0.00007141103,0.0027489213],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003196425,0.00028814652,0.0012585454,0.00010890797,0.00025317425,0.0000658314,0.068697214,0.00024152877,0.0023688495,0.8031925,0.11624111,0.007252218],"study_design_scores_gemma":[0.00011265048,0.00007707804,0.00015507685,0.000005213169,0.00007666722,4.3038656e-7,0.003165497,0.005074492,0.0004676103,0.0006343903,0.9900492,0.00018173247],"about_ca_topic_score_codex":0.00006199827,"about_ca_topic_score_gemma":0.00006886972,"teacher_disagreement_score":0.873808,"about_ca_system_score_codex":0.000005150656,"about_ca_system_score_gemma":0.000006232002,"threshold_uncertainty_score":0.99802756},"labels":[],"label_agreement":null},{"id":"W1576826852","doi":"10.1002/9781444310627.ch25","title":"Sexuality and Gender","year":2009,"lang":"en","type":"other","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Human sexuality; Poetics; Reading (process); Poetry; Gender studies; Literature; Matrix (chemical analysis); Art; Psychology; Sociology; Philosophy; Linguistics; Chemistry","score_opus":0.058586675496932646,"score_gpt":0.2740102479928129,"score_spread":0.2154235724958803,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1576826852","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000008386798,0.0011733456,0.00001929514,0.00012211646,0.000085435546,0.000030693,0.00002326822,0.000101164944,0.9984363],"genre_scores_gemma":[0.0038447788,0.0000853371,0.000024857289,0.00085452205,0.00093545933,0.0000011354151,0.000015526977,0.000054124303,0.99418426],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99960595,0.000015245876,0.000075633114,0.00013759997,0.000073102296,0.00009246422],"domain_scores_gemma":[0.99980056,0.0000057856496,0.000027203874,0.00012381066,0.0000086779355,0.00003398577],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000043895583,0.000103691294,0.00016205544,0.000058717378,0.00004878595,0.0000886448,0.0000451582,0.0000567561,0.111045234],"category_scores_gemma":[0.000002167885,0.00007570584,0.00003663416,0.0000055364203,0.00008100323,0.00001863561,0.000011626484,0.00005803304,0.00019040726],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[1.8224806e-7,0.000011831434,0.0000015434244,0.000014207812,0.000029159995,0.0000013023048,0.00049284357,2.2987732e-9,1.4971543e-7,0.3844919,0.61371726,0.0012395973],"study_design_scores_gemma":[0.00004020337,0.00000728926,0.000017114486,0.0000062761014,0.000051571544,5.077042e-7,0.00034789403,0.0000020111584,3.490678e-7,0.0061832247,0.99322575,0.00011782406],"about_ca_topic_score_codex":0.00030517046,"about_ca_topic_score_gemma":0.0014879114,"teacher_disagreement_score":0.37950847,"about_ca_system_score_codex":0.0000025866686,"about_ca_system_score_gemma":0.000004392121,"threshold_uncertainty_score":0.8897674},"labels":[],"label_agreement":null},{"id":"W1577886754","doi":"","title":"Subjects of Experience: Post-cognitive Subjectivity in the Work of bp Nichol and Daphne Marlatt","year":2000,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of the Fraser Valley","funders":"","keywords":"Essentialism; Subjectivity; Subject (documents); Narrative; Criticism; Epistemology; Consciousness; Sociology; Aesthetics; Literature; Philosophy; Linguistics; Art; Computer science","score_opus":0.025376945852686378,"score_gpt":0.28511971304979394,"score_spread":0.25974276719710754,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1577886754","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9464719,0.014298507,1.5660037e-8,0.00050820166,0.00008460625,0.00013787908,0.0001964125,0.000002448998,0.038300008],"genre_scores_gemma":[0.9975305,0.00040392365,0.0000026821017,0.0006670534,0.000090821,0.000023876288,0.000011165073,0.000005590553,0.0012643392],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990569,0.00012238868,0.00023265541,0.00018560987,0.0001278511,0.0002746261],"domain_scores_gemma":[0.99942034,0.00019377707,0.00004083316,0.00014785142,0.00014279436,0.000054416687],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028292314,0.0001297145,0.0002937975,0.00021018338,0.00014011851,0.000055898683,0.0001262218,0.000053693173,0.00027347275],"category_scores_gemma":[0.0001129587,0.000091264774,0.000053807653,0.00031462367,0.00060260814,0.0001708936,0.000015281337,0.00022774095,9.728136e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008101265,0.000071451475,0.028905863,0.00011391407,0.00009697624,0.000119546545,0.951025,0.0000017919972,0.000009018078,0.014040729,0.0012956235,0.004239053],"study_design_scores_gemma":[0.0015879325,0.0004129988,0.28132308,0.0031523139,0.00015195625,0.000025250212,0.6174579,0.000011283735,0.0001551968,0.005698262,0.08925259,0.0007712408],"about_ca_topic_score_codex":0.04458162,"about_ca_topic_score_gemma":0.6932183,"teacher_disagreement_score":0.64863664,"about_ca_system_score_codex":0.000037876158,"about_ca_system_score_gemma":0.00005592657,"threshold_uncertainty_score":0.9617806},"labels":[],"label_agreement":null},{"id":"W1578251889","doi":"","title":"Toronto: poetry in place","year":2004,"lang":"en","type":"dissertation","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Literature","score_opus":0.013133544656195654,"score_gpt":0.2573674546296885,"score_spread":0.24423390997349287,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1578251889","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037781097,0.0017303961,7.1298354e-7,0.00006107186,0.0007356572,0.000070249655,0.000012839961,0.00004266272,0.95956534],"genre_scores_gemma":[0.5252058,0.000090247944,0.000006533909,0.00012790569,0.00031921544,0.000011617714,0.00043265033,0.000016237993,0.4737898],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991505,0.000015207617,0.00026399744,0.0002116717,0.00016777289,0.00019085637],"domain_scores_gemma":[0.99968696,0.000018255252,0.000056448738,0.00014972921,0.00005112281,0.00003751631],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007162616,0.00017726026,0.00026682488,0.00006278773,0.00009220269,0.00013387413,0.0001386099,0.000121614736,0.043303218],"category_scores_gemma":[0.000011250127,0.00015318807,0.00012725816,0.00001687271,0.000023621238,0.00018807393,0.000006101343,0.00016458391,0.00023074636],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002384312,0.00011880367,0.0000124763155,0.000109077526,0.00004762434,0.000018429972,0.025708802,0.000005679328,0.000009642742,0.96644413,0.0061511183,0.0013503449],"study_design_scores_gemma":[0.0009159074,0.00010937198,0.0013353456,0.00062502245,0.00022853924,0.0000016677761,0.24625038,0.000042906922,0.00025508335,0.016762357,0.7322638,0.0012096456],"about_ca_topic_score_codex":0.013894476,"about_ca_topic_score_gemma":0.6162098,"teacher_disagreement_score":0.9496818,"about_ca_system_score_codex":0.00014999836,"about_ca_system_score_gemma":0.00007588472,"threshold_uncertainty_score":0.9926721},"labels":[],"label_agreement":null},{"id":"W1579259768","doi":"","title":"Romanticizing Sylvia Plath: Feminism and Literary Biography","year":2005,"lang":"en","type":"article","venue":"Thirdspace","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Romance; Biography; Literature; Relation (database); Contradiction; Genius; Poetry; Ideology; Feminism; Art; Philosophy; Politics; Sociology; Gender studies; Epistemology; Law","score_opus":0.014152400778716646,"score_gpt":0.206671286037087,"score_spread":0.19251888525837035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1579259768","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71665984,0.007902427,0.000054999677,0.0043700575,0.00023735357,0.00009804868,0.000029140048,0.0002087076,0.27043942],"genre_scores_gemma":[0.9886357,0.0001540139,0.0003182489,0.00090234826,0.0007216381,0.000004305202,0.00000749942,0.000015441678,0.009240794],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922025,0.000027096467,0.00016358745,0.00020981254,0.00013695599,0.0002423064],"domain_scores_gemma":[0.9995898,0.000058001668,0.000045365316,0.0001858228,0.000033887296,0.00008711298],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014155121,0.00014261958,0.00018711892,0.00015457008,0.0003226697,0.00026836983,0.00010429861,0.000042162,0.0007411075],"category_scores_gemma":[0.000008497031,0.00012158056,0.000099589255,0.0000569013,0.00018979776,0.00031227744,0.000046892474,0.00013137801,0.00012631681],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001540118,0.000113978494,0.0014162667,0.00004705351,0.00013733943,0.000023618115,0.07372355,0.0000019947602,0.00040894892,0.89118266,0.014186574,0.018742597],"study_design_scores_gemma":[0.00035231613,0.00008061377,0.0017330879,0.00009272438,0.00014018604,0.000014838536,0.0035463497,0.0009845592,0.0003731389,0.009554126,0.9827331,0.00039496072],"about_ca_topic_score_codex":0.000050440238,"about_ca_topic_score_gemma":0.00013661143,"teacher_disagreement_score":0.9685465,"about_ca_system_score_codex":0.0000050960994,"about_ca_system_score_gemma":0.000006868442,"threshold_uncertainty_score":0.81146073},"labels":[],"label_agreement":null},{"id":"W1579978686","doi":"","title":"A Reading Diary","year":2005,"lang":"en","type":"article","venue":"Chicago Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wonder; Nagging; Reading (process); Confession (law); Philosophy; Passion; Faith; Literature; Piety; History; Art; Epistemology; Psychology; Theology; Linguistics","score_opus":0.03347907056243828,"score_gpt":0.27290353646546117,"score_spread":0.23942446590302288,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1579978686","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00047112507,0.27912882,0.00004397541,0.0148765715,0.00015822124,0.000158903,0.000010291973,0.00009942959,0.7050527],"genre_scores_gemma":[0.643879,0.24448535,0.00027321334,0.044162024,0.0044292095,0.00008048874,0.000051307954,0.000042285003,0.062597126],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999341,0.00005163918,0.00022423289,0.00013261927,0.00010196094,0.00014854301],"domain_scores_gemma":[0.99961776,0.000038527483,0.00004405409,0.00020897757,0.0000340896,0.000056584693],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003168509,0.00008935762,0.00024303081,0.000025536714,0.00015326853,0.000054350374,0.00012308078,0.000014543894,0.012657163],"category_scores_gemma":[0.00006374364,0.00006554266,0.00015586092,0.00003355474,0.00006380226,0.00014262005,0.000022410344,0.00009780996,0.0015642177],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[5.972023e-7,0.000042640404,0.000009568089,0.0006499976,0.000033295106,0.00000397067,0.00086321327,1.8497964e-7,0.000009914834,0.7663206,0.09866154,0.1334045],"study_design_scores_gemma":[0.000033465294,0.0000060275825,0.000008806816,0.0010640163,0.000097083444,0.000003258615,0.00004383097,0.000022156184,0.000009673473,0.0008281296,0.9977863,0.00009727005],"about_ca_topic_score_codex":0.000007920656,"about_ca_topic_score_gemma":0.000029230876,"teacher_disagreement_score":0.89912474,"about_ca_system_score_codex":0.000011537768,"about_ca_system_score_gemma":0.000008574976,"threshold_uncertainty_score":0.99921316},"labels":[],"label_agreement":null},{"id":"W1581570244","doi":"","title":"Fighting Words: Recent Works by George Elliott Clarke","year":2013,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Francis Xavier University","funders":"","keywords":"George (robot); Art; Philosophy; Environmental ethics; History; Art history","score_opus":0.006667278865605855,"score_gpt":0.1512603477174361,"score_spread":0.14459306885183024,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1581570244","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50960034,0.059055902,0.00045275094,0.06227137,0.0006928675,0.0005051443,0.00010727726,0.00044678609,0.36686757],"genre_scores_gemma":[0.6647233,0.0068416134,0.00010797199,0.0013799381,0.00041216708,0.000013140332,0.00009581939,0.00003833542,0.32638773],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987937,0.0000617725,0.00018707487,0.00028127508,0.00021337304,0.00046278597],"domain_scores_gemma":[0.9992393,0.00007179902,0.00010347021,0.00028105953,0.00012082177,0.0001835269],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012805802,0.00019441456,0.00023942975,0.00011585792,0.0009221525,0.0001645559,0.00026830015,0.000096382566,0.017256973],"category_scores_gemma":[0.000017982222,0.00018882728,0.00015744571,0.00010723897,0.00010066339,0.00044887795,0.00012296863,0.00022836981,0.0009857047],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021005628,0.00010228451,0.00009067804,0.000013674757,0.00015886477,0.00012157732,0.0035144275,0.000012508292,0.00033863558,0.07198916,0.84350806,0.08012913],"study_design_scores_gemma":[0.00030245268,0.000028725626,0.000048648588,0.00003939198,0.00009020963,0.000010111063,0.006176338,0.0005266705,0.00012138098,0.0017487408,0.99065316,0.0002541807],"about_ca_topic_score_codex":0.004492725,"about_ca_topic_score_gemma":0.019106662,"teacher_disagreement_score":0.15512295,"about_ca_system_score_codex":0.0009811288,"about_ca_system_score_gemma":0.00001131522,"threshold_uncertainty_score":0.99979216},"labels":[],"label_agreement":null},{"id":"W1586381450","doi":"","title":"Elizabeth Bishop's Poetics of Description by Zachariah Pickard (review)","year":2013,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Philosophy; Literature; Art; Poetry","score_opus":0.013886419656183664,"score_gpt":0.1919985174928077,"score_spread":0.17811209783662402,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1586381450","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.48393118,0.06398991,0.0034522286,0.0027471236,0.001011904,0.0011518657,0.00054628064,0.00017748978,0.442992],"genre_scores_gemma":[0.983221,0.0017586004,0.00013893525,0.00012777594,0.000050366896,3.4114936e-7,0.000038012386,0.000006530217,0.014658426],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931294,0.00005368179,0.00018823052,0.0001340661,0.00017119446,0.0001399162],"domain_scores_gemma":[0.9993312,0.000018832241,0.00014314913,0.00020312022,0.00024074448,0.00006298199],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008907508,0.00009906149,0.00027568638,0.00002215479,0.000104973034,0.000018194363,0.00021597817,0.000038385682,0.017112607],"category_scores_gemma":[0.0000045013985,0.00010229858,0.00015285682,0.0000128341335,0.00018940654,0.000561493,0.000013747763,0.00004735149,0.000065697815],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032468666,0.00066317845,0.000291045,0.0009066605,0.00040220984,0.000005690971,0.08224182,8.827713e-7,0.0066867755,0.0758719,0.7817121,0.051185258],"study_design_scores_gemma":[0.0012037689,0.0018474094,0.0026093696,0.0008250138,0.0009392958,0.0000021799951,0.11705467,0.00047489954,0.00022631393,0.0017946587,0.87234735,0.00067507685],"about_ca_topic_score_codex":0.033134185,"about_ca_topic_score_gemma":0.00811473,"teacher_disagreement_score":0.4992898,"about_ca_system_score_codex":0.000047267535,"about_ca_system_score_gemma":0.00001429445,"threshold_uncertainty_score":0.98378587},"labels":[],"label_agreement":null},{"id":"W1587416535","doi":"10.18733/c3d59x","title":"Show Me Your I.D.","year":2012,"lang":"en","type":"article","venue":"Cultural and Pedagogical Inquiry","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science; Geology","score_opus":0.7508273711709302,"score_gpt":0.45972276904328685,"score_spread":0.2911046021276434,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1587416535","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9211125,0.0027280163,0.000011950054,0.00091681257,0.00061604707,0.00004309967,0.0000104189185,0.00006245601,0.074498735],"genre_scores_gemma":[0.96380675,0.00011321426,0.000017766451,0.00075274264,0.0038350704,0.0000064095834,0.00002088906,0.000005048486,0.031442102],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925464,0.000035186094,0.00014893708,0.00013499433,0.00012523356,0.00030102572],"domain_scores_gemma":[0.99962974,0.000025751076,0.00002731285,0.00008139249,0.000050823615,0.0001849992],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000111741465,0.00013001652,0.00017195696,0.000019317615,0.0003325027,0.00017646483,0.00007787418,0.000049892547,0.0060943486],"category_scores_gemma":[0.000021403677,0.000072996365,0.00009619407,0.000020554227,0.0003736444,0.00047595752,0.00004923253,0.00012480971,0.00025169956],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000130094,0.0001303533,0.0014599349,0.000021674528,0.000049694663,0.0000041497483,0.10973376,2.894068e-7,0.00064902514,0.8648331,0.018880924,0.0042240396],"study_design_scores_gemma":[0.0001487656,0.000049410584,0.0030810789,0.000011131144,0.00007114977,0.000016226846,0.0607274,0.000022056336,0.00007759648,0.0014872291,0.93405706,0.0002509144],"about_ca_topic_score_codex":0.000027344939,"about_ca_topic_score_gemma":0.000012488036,"teacher_disagreement_score":0.9151761,"about_ca_system_score_codex":0.0000063758143,"about_ca_system_score_gemma":0.0000026739085,"threshold_uncertainty_score":0.9948142},"labels":[],"label_agreement":null},{"id":"W1589956059","doi":"","title":"A Philosophy of the Verb: Bertram Brooker's Early Canadian Mystical-Modernist Verse","year":2005,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Mysticism; Poetry; Poetics; Literature; Pound (networking); Modernism (music); Scholarship; Philosophy; Alienation; Art","score_opus":0.03252158180835573,"score_gpt":0.2628648863688401,"score_spread":0.23034330456048435,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1589956059","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16095121,0.023835296,2.68267e-7,0.0400405,0.0021854576,0.0005011675,0.0022680073,0.00003205783,0.770186],"genre_scores_gemma":[0.9906892,0.00006577605,0.000014352138,0.0029812811,0.000865816,0.00001531643,0.000014583838,0.000016192642,0.0053374786],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986487,0.00005811906,0.00028780277,0.00024034648,0.00018313498,0.0005818654],"domain_scores_gemma":[0.9990106,0.000050742958,0.000045098004,0.00035353476,0.00018915778,0.0003508465],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001397703,0.00019896771,0.00029959885,0.000283854,0.00052965,0.00014068166,0.00031350742,0.00009453996,0.0004102082],"category_scores_gemma":[0.00010904986,0.00014651196,0.00015382514,0.00018502884,0.00063092704,0.00018045948,0.00003099317,0.00036856078,0.000034241453],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010781032,0.000030531242,0.001957559,0.00008040779,0.00024221776,0.00009936587,0.1158576,0.00003711448,0.0000033099545,0.8483305,0.032750104,0.0006005166],"study_design_scores_gemma":[0.00023639729,0.00003334189,0.0020774126,0.0003796668,0.000068967944,0.0000044939093,0.0025603254,0.000056987767,0.00000786008,0.006604865,0.98773104,0.00023864584],"about_ca_topic_score_codex":0.7392918,"about_ca_topic_score_gemma":0.99852574,"teacher_disagreement_score":0.9549809,"about_ca_system_score_codex":0.00048999005,"about_ca_system_score_gemma":0.00039404715,"threshold_uncertainty_score":0.5974584},"labels":[],"label_agreement":null},{"id":"W1591778030","doi":"","title":"On Ezra Pound's Aesthetic Identity With Classical Chinese Poetry","year":2015,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pound (networking); Poetry; Viewpoints; Aesthetics; Ideal (ethics); Literature; Chinese poetry; Art; Philosophy; Sociology; Epistemology; Visual arts; Computer science","score_opus":0.025185328925906802,"score_gpt":0.3115124607658915,"score_spread":0.2863271318399847,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1591778030","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91348517,0.022987884,0.000002602825,0.00075647724,0.00025933934,0.00006765323,0.000021389615,0.000031309573,0.062388174],"genre_scores_gemma":[0.99240935,0.00009022757,0.000019530207,0.00087297877,0.00038452767,0.000009953456,0.000014644684,0.0000094869465,0.006189278],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9992379,0.000053898897,0.00013425414,0.00020630634,0.00018921301,0.00017842349],"domain_scores_gemma":[0.9996198,0.00004681253,0.000030133513,0.00015985641,0.0000794527,0.00006399121],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001666117,0.000161765,0.00026034427,0.000098349075,0.00013230159,0.00022714488,0.000082615596,0.00003861827,0.000057745376],"category_scores_gemma":[0.00006488247,0.000091556845,0.000042178774,0.00010621739,0.00031358816,0.00029495088,0.00004811151,0.00023148573,0.000012828312],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001260198,0.00018184863,0.000995527,0.00008074662,0.00010406127,0.0006779206,0.41049784,0.0000025061354,0.0000065962877,0.5777309,0.008578402,0.0010176238],"study_design_scores_gemma":[0.0076187653,0.003117024,0.005166482,0.0028728857,0.00044076634,0.00040359987,0.5095901,0.0001379491,0.000026201553,0.1934327,0.27491936,0.0022741857],"about_ca_topic_score_codex":0.00003101533,"about_ca_topic_score_gemma":0.0012672817,"teacher_disagreement_score":0.3842982,"about_ca_system_score_codex":0.00002272951,"about_ca_system_score_gemma":0.000008768761,"threshold_uncertainty_score":0.37335798},"labels":[],"label_agreement":null},{"id":"W1593011578","doi":"","title":"A Writer’s Tension: Reflections on Genre, Place, and Time (Part 1)","year":2015,"lang":"en","type":"book-chapter","venue":"Aurora eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; The arts; Residence; Creative writing; History; Literature; Art; Art history; Sociology; Visual arts","score_opus":0.13083885888864796,"score_gpt":0.2818497093172838,"score_spread":0.15101085042863585,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1593011578","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000115333445,0.00048349047,9.853096e-7,0.00022777631,0.0003466885,0.00015533193,0.00016819891,0.00011286887,0.9983893],"genre_scores_gemma":[0.0060388935,0.000024644407,0.000016039658,0.0011414349,0.0014349743,0.000012550407,0.0000754125,0.00006681342,0.99118924],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986793,0.000026306232,0.00033138477,0.0004266558,0.000300248,0.00023609877],"domain_scores_gemma":[0.9989991,0.000060546354,0.00012976913,0.00043486105,0.00020760077,0.00016813292],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017212609,0.0003601512,0.00046429245,0.00021988538,0.000416409,0.0002269653,0.00013173568,0.00019324056,0.00473769],"category_scores_gemma":[0.000013261724,0.0003079815,0.00017432023,0.000004727347,0.00032357028,0.0000551573,0.00007699185,0.0004002561,0.0016901554],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026745955,0.000013650849,5.783058e-8,0.000015324084,0.00013397851,0.000058316153,0.0014660564,3.2765527e-7,0.000016393053,0.83995664,0.15622014,0.002092389],"study_design_scores_gemma":[0.00015391038,0.000227633,3.0155493e-7,0.00016559951,0.000265682,0.000020944513,0.00014826572,0.000016149848,0.00000492056,0.04087523,0.9577657,0.00035567972],"about_ca_topic_score_codex":0.000029383313,"about_ca_topic_score_gemma":0.00020955768,"teacher_disagreement_score":0.80154556,"about_ca_system_score_codex":0.000041758685,"about_ca_system_score_gemma":0.000058050526,"threshold_uncertainty_score":0.99993724},"labels":[],"label_agreement":null},{"id":"W1593213561","doi":"","title":"Handley, George B. New World Poetics: Nature and the Adamic Imagination of Whitman, Neruda, and Walcott. Athens: U of Georgia P, 2007.","year":2012,"lang":"en","type":"article","venue":"˜The œjournal of ecocriticism","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; George (robot); Art; Literature; History; Poetry; Art history","score_opus":0.011684148968394273,"score_gpt":0.234328331053815,"score_spread":0.22264418208542075,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1593213561","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88151556,0.08310796,0.0006173153,0.010382015,0.0016173031,0.00035040383,0.00007128792,0.000015142272,0.022323033],"genre_scores_gemma":[0.99202657,0.00067364896,0.000074924676,0.0006537615,0.000902389,0.0000011913879,0.0000022967056,0.000018316397,0.0056469142],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983642,0.00018103837,0.0007046115,0.0000998839,0.00035063908,0.00029964454],"domain_scores_gemma":[0.9982336,0.000532782,0.00043148795,0.00023395297,0.00044576122,0.0001223904],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012837226,0.0001866963,0.0004953333,0.00020763665,0.00023431808,0.0000922667,0.00027624625,0.000063876236,0.00056050054],"category_scores_gemma":[0.00010226273,0.00010573862,0.00017618026,0.00008088967,0.00087897363,0.00045677077,0.000075080854,0.00046519033,0.0000040180935],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034282697,0.0003293205,0.0037596768,0.00022575058,0.00058951526,0.000009486803,0.048819788,0.00001365366,0.000792298,0.9260682,0.014873033,0.004176472],"study_design_scores_gemma":[0.015384879,0.000998786,0.048274927,0.0018608649,0.008180798,0.0010865815,0.04367928,0.002368414,0.0032211104,0.3680598,0.50529516,0.0015894041],"about_ca_topic_score_codex":0.00023575616,"about_ca_topic_score_gemma":0.00047346097,"teacher_disagreement_score":0.5580084,"about_ca_system_score_codex":0.00001954121,"about_ca_system_score_gemma":0.000052037027,"threshold_uncertainty_score":0.6137088},"labels":[],"label_agreement":null},{"id":"W1594022061","doi":"","title":"Wordsworth in American Literary Culture (review)","year":2010,"lang":"en","type":"article","venue":"The Byron Journal","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Romance; History; Literature; American literature; Lyrics; American poetry; History of literature; Subject (documents); Romanticism; Literary criticism; Culture of the United States; Art history; Art; Classics","score_opus":0.008542029830750753,"score_gpt":0.24201237466761116,"score_spread":0.2334703448368604,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1594022061","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66505176,0.04765643,0.000023808607,0.025874026,0.0018373328,0.00021750393,0.00002152769,0.00005538093,0.25926223],"genre_scores_gemma":[0.9814137,0.004024383,0.000031300835,0.0039809053,0.0015148429,0.0000036507436,0.000002799954,0.000008905452,0.0090194605],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99925226,0.00008525494,0.00023810881,0.00007695728,0.00015833926,0.00018907181],"domain_scores_gemma":[0.9995815,0.000025048848,0.00010903787,0.00016368074,0.000052615782,0.00006812539],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043810654,0.00009286475,0.0001808713,0.00004611094,0.00026907155,0.00014899514,0.00026930755,0.000013308384,0.0047842273],"category_scores_gemma":[0.00003014098,0.00004859101,0.00012362178,0.00006270631,0.00021894103,0.00015948382,0.000022026912,0.00076857,0.000080769],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042410804,0.0003477081,0.0027519157,0.00010070422,0.00017227756,0.00018911212,0.06764972,0.000004923246,0.00068062503,0.25407058,0.40978512,0.26420492],"study_design_scores_gemma":[0.000114867515,0.000041162246,0.0015445272,0.00016282576,0.000045433208,0.0000888717,0.0013360984,0.00001786585,0.0000108444765,0.0054631336,0.991073,0.000101341226],"about_ca_topic_score_codex":0.000033128355,"about_ca_topic_score_gemma":0.0007046466,"teacher_disagreement_score":0.5812879,"about_ca_system_score_codex":0.0000072475536,"about_ca_system_score_gemma":0.000019799767,"threshold_uncertainty_score":0.9961255},"labels":[],"label_agreement":null},{"id":"W1596902618","doi":"","title":"Nicholas Birns. Theory after Theory: An Intellectual History of Literary Theory from 1950 to the Early 21st Century","year":2013,"lang":"en","type":"article","venue":"Style","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ideology; Period (music); Dictatorship; History; Literary theory; Reign; Assertion; Dominance (genetics); Literature; Sociology; Law; Literary criticism; Philosophy; Politics; Aesthetics; Art; Democracy; Political science","score_opus":0.01326806401783396,"score_gpt":0.19954472760056446,"score_spread":0.1862766635827305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1596902618","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8418277,0.010465742,0.00013135956,0.00029130446,0.0010683986,0.00031215936,0.0002021189,0.000085018975,0.1456162],"genre_scores_gemma":[0.9546864,0.00006809372,0.000021997077,0.0025245533,0.0007842982,0.000078192425,0.00003071454,0.00003735148,0.0417684],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980065,0.00073225744,0.00035236988,0.00033539193,0.00024985865,0.00032357808],"domain_scores_gemma":[0.99822825,0.0006904935,0.00008669487,0.000708158,0.0001469879,0.00013938939],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00073324813,0.00023218164,0.00029719854,0.00013756602,0.00017659365,0.00019207493,0.00051999115,0.00005816177,0.06638169],"category_scores_gemma":[0.00015081592,0.00014934741,0.00021640172,0.000056854296,0.0004936966,0.0005201389,0.00013376097,0.00027321462,0.0012984338],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023878404,0.00019366558,0.000075264266,0.000011659139,0.00018757275,0.0000044074354,0.34756124,7.2376514e-7,0.00024709094,0.616366,0.014301388,0.02081217],"study_design_scores_gemma":[0.00020677087,0.00021868138,0.0017252784,0.000056336135,0.00014731455,8.8846525e-7,0.028868085,0.000017932196,0.00012571059,0.13255222,0.8357542,0.00032654515],"about_ca_topic_score_codex":0.00043573006,"about_ca_topic_score_gemma":0.00023503682,"teacher_disagreement_score":0.82145286,"about_ca_system_score_codex":0.00007092015,"about_ca_system_score_gemma":0.000050528964,"threshold_uncertainty_score":0.9994792},"labels":[],"label_agreement":null},{"id":"W159933240","doi":"","title":"Don McKay's Comic Anthropocentrism: Ecocentrism Meets 'Mr. Nature Poet'","year":2002,"lang":"en","type":"article","venue":"Essays on Canadian writing","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Anthropocentrism; Comics; Art; Literature; Aesthetics; Philosophy; Environmental ethics","score_opus":0.019879583829803694,"score_gpt":0.2229622702962585,"score_spread":0.2030826864664548,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W159933240","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16250075,0.003759789,0.000003360968,0.025407048,0.0017673884,0.0002446232,0.00046411075,0.00017744242,0.8056755],"genre_scores_gemma":[0.9867414,0.00016857372,0.000020901442,0.005211458,0.0016338084,0.000008190673,0.000055550834,0.00005013709,0.0061099795],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99770373,0.00009489948,0.00042143688,0.00046631406,0.0003466115,0.00096702256],"domain_scores_gemma":[0.9986422,0.00015069135,0.00011211309,0.00037214576,0.00013071246,0.0005921517],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002672174,0.00031295535,0.00036962013,0.00040036064,0.0013927129,0.0005276893,0.000349254,0.00022367954,0.026375858],"category_scores_gemma":[0.000110050045,0.0003156183,0.0002045189,0.00012433623,0.00022481129,0.00027071618,0.000025778696,0.00079274084,0.0007801241],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007796404,0.00015118824,0.0006498745,0.000058211437,0.0001497285,0.000657558,0.0060148267,0.000027317481,0.000030573876,0.73423374,0.24744195,0.01057726],"study_design_scores_gemma":[0.000716326,0.00007850505,0.00021930198,0.0002278161,0.000102450926,0.000025849455,0.009327196,0.0027945566,0.00022689014,0.0014390539,0.9841064,0.0007356472],"about_ca_topic_score_codex":0.0352622,"about_ca_topic_score_gemma":0.17650321,"teacher_disagreement_score":0.8242406,"about_ca_system_score_codex":0.0002921028,"about_ca_system_score_gemma":0.00006249516,"threshold_uncertainty_score":0.99999785},"labels":[],"label_agreement":null},{"id":"W1599801367","doi":"","title":"Where the Poem Comes From","year":2009,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Literature","score_opus":0.02806303828363202,"score_gpt":0.2370189176035348,"score_spread":0.20895587931990278,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1599801367","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76113474,0.011562853,6.116164e-7,0.017833354,0.00064314366,0.00012461621,0.00021187765,0.000062394894,0.20842639],"genre_scores_gemma":[0.96912193,0.00020523112,0.0000028461743,0.0081725465,0.00063775684,0.000016638476,0.000006269236,0.0000069989883,0.021829786],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99912006,0.000034129036,0.00015082047,0.00016200844,0.000116508716,0.00041648594],"domain_scores_gemma":[0.99939346,0.00008473343,0.000031822594,0.00022568785,0.00009317878,0.00017108879],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000102030106,0.00013965134,0.00024011396,0.00007137314,0.0009976465,0.00017351781,0.00020704724,0.000021606707,0.0027900632],"category_scores_gemma":[0.00003651725,0.00008955765,0.00007336592,0.000047134323,0.00025470566,0.00009835935,0.000015595113,0.00010627547,0.00019585037],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004810317,0.000023202487,0.0002506346,0.000010211017,0.0005836196,0.00005326743,0.18370202,0.0000026685002,0.0000062945683,0.7231136,0.08909016,0.0031595207],"study_design_scores_gemma":[0.00010313089,0.000045228586,0.0006293531,0.00002138829,0.000048616337,4.871044e-7,0.28724137,0.0000054714305,0.0000032976177,0.053085838,0.6586552,0.00016061043],"about_ca_topic_score_codex":0.0036912311,"about_ca_topic_score_gemma":0.2727275,"teacher_disagreement_score":0.67002773,"about_ca_system_score_codex":0.00016978313,"about_ca_system_score_gemma":0.000060316932,"threshold_uncertainty_score":0.9981215},"labels":[],"label_agreement":null},{"id":"W1600102581","doi":"10.4000/cve.1414","title":"Levin Yisrael ed., A. C. Swinburne and the Singing World : New Perspectives on the Mature Work","year":2011,"lang":"fr","type":"article","venue":"Cahiers victoriens et édouardiens","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Singing; Work (physics); Literature; Art; History; Philosophy; Physics; Acoustics","score_opus":0.02350681660713104,"score_gpt":0.22466095194373034,"score_spread":0.20115413533659932,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1600102581","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12600155,0.081905656,0.0002771943,0.043648425,0.0054540336,0.0012728912,0.00012365021,0.00018428103,0.7411323],"genre_scores_gemma":[0.80745095,0.0012664573,0.0000669215,0.0021203563,0.0023737424,0.00002839244,0.0000045885286,0.00006297405,0.18662564],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99673665,0.0007196688,0.0004938865,0.000711991,0.0004621051,0.0008757032],"domain_scores_gemma":[0.99736786,0.00095066335,0.0002221043,0.0009439178,0.00021973543,0.00029570778],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0015672,0.000593094,0.00068050105,0.00020437015,0.002540546,0.000825093,0.00051064114,0.00019365351,0.0025649003],"category_scores_gemma":[0.00036738795,0.00034741816,0.0005006112,0.00045281294,0.0037665581,0.00031418723,0.00013508166,0.0015944769,0.00013390051],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016780883,0.00018420568,0.00008629606,0.0000107202695,0.00033177252,0.000039622064,0.36669332,0.000006245061,9.756409e-7,0.60378504,0.028175496,0.0005185011],"study_design_scores_gemma":[0.0012178174,0.00019834381,0.0009024973,0.00030025217,0.0009247056,0.0000148376685,0.32638443,0.00003850397,0.0000143560055,0.0078206435,0.66168064,0.0005029817],"about_ca_topic_score_codex":0.00064139673,"about_ca_topic_score_gemma":0.00061433343,"teacher_disagreement_score":0.68144935,"about_ca_system_score_codex":0.00016763691,"about_ca_system_score_gemma":0.00009656092,"threshold_uncertainty_score":0.9998978},"labels":[],"label_agreement":null},{"id":"W1600392300","doi":"","title":"The Other Side of Utopia: The Opacity of Perception in the Poetry of the First Run of Tish , 1961-63","year":2008,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Acadia University","funders":"","keywords":"Poetry; Poetics; Embodied cognition; Utopia; Literature; Perception; Aesthetics; Newspaper; History; Art; Philosophy; Sociology; Art history; Epistemology; Media studies","score_opus":0.03107913665920846,"score_gpt":0.25429130768363406,"score_spread":0.2232121710244256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1600392300","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9422632,0.009403087,1.1911161e-7,0.006398661,0.00030721116,0.00027408032,0.00040839802,0.0000021694195,0.040943075],"genre_scores_gemma":[0.996704,0.00044309202,0.0000021302455,0.00060275407,0.00014023743,0.000011803667,0.0000022210554,0.0000059844383,0.002087822],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99895614,0.00015887024,0.00036802475,0.00010547679,0.00020897115,0.00020251374],"domain_scores_gemma":[0.99903953,0.00023614535,0.00014435334,0.00038610422,0.00017433192,0.000019553052],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046664503,0.000111216614,0.00026338483,0.00007803011,0.00042852206,0.000022417658,0.00041933844,0.00005343957,0.00006682992],"category_scores_gemma":[0.00013802854,0.00004780019,0.00014525787,0.00022994081,0.0013408067,0.00006408468,0.00003834173,0.00026508482,4.6506833e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002639628,0.00008884474,0.027446948,0.00026120315,0.00025245058,0.000012393256,0.6842262,0.000034260727,0.00006615948,0.26910278,0.017902844,0.00057948363],"study_design_scores_gemma":[0.00043007729,0.00010856126,0.22532155,0.00091495225,0.000110284745,0.0000140120355,0.14953749,0.000035364057,0.00012550644,0.0044666994,0.61872935,0.0002061661],"about_ca_topic_score_codex":0.07531127,"about_ca_topic_score_gemma":0.852826,"teacher_disagreement_score":0.77751476,"about_ca_system_score_codex":0.00005006582,"about_ca_system_score_gemma":0.00007946101,"threshold_uncertainty_score":0.93084633},"labels":[],"label_agreement":null},{"id":"W1603727702","doi":"","title":"Reading the ethics of mourning in the poetry of Donald Hall","year":2011,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Reading (process); Literature; Sociology; Art; Philosophy; Linguistics","score_opus":0.11028504270444858,"score_gpt":0.31421760269023497,"score_spread":0.20393255998578638,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1603727702","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03504175,0.38284764,0.000011140374,0.008903771,0.00022133811,0.0006491091,0.00044440172,0.000005657043,0.5718752],"genre_scores_gemma":[0.99370736,0.0026430197,0.00003244942,0.0030511895,0.000064784006,0.000008022526,0.000021658272,0.0000043248915,0.00046719474],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99863195,0.0004654526,0.0004660209,0.000100913945,0.00018580703,0.0001498348],"domain_scores_gemma":[0.9987968,0.00025877834,0.00024466505,0.00028559894,0.00036382044,0.000050301536],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010552622,0.00011699395,0.00045597577,0.000114335104,0.00011588795,0.000029055724,0.00040143376,0.000052303363,0.0005182943],"category_scores_gemma":[0.00008883028,0.00006168968,0.00016413227,0.000208334,0.00030708755,0.00010721751,0.000012118981,0.0005499954,0.0000023447733],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000035242047,0.000019307307,0.000169003,0.0013969243,0.00004514872,0.000005302541,0.19684911,6.4784643e-7,0.000013166272,0.7966018,0.0047932942,0.00010280917],"study_design_scores_gemma":[0.00021336689,0.00014712199,0.004058354,0.03547401,0.00030130133,0.000015116047,0.031791203,0.000048098886,0.00043628237,0.014731575,0.9124697,0.00031391316],"about_ca_topic_score_codex":0.0060121277,"about_ca_topic_score_gemma":0.04852388,"teacher_disagreement_score":0.9586656,"about_ca_system_score_codex":0.000015390071,"about_ca_system_score_gemma":0.00013060725,"threshold_uncertainty_score":0.9688381},"labels":[],"label_agreement":null},{"id":"W1605603189","doi":"","title":"Lyric Scholarship in Controversy: Jan Zwicky and Anne Carson","year":2012,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Western University","funders":"","keywords":"Scholarship; Poetry; Criticism; Politics; Psychoanalysis; Sociology; Literature; Aesthetics; Philosophy; Art; Psychology; Law; Political science","score_opus":0.043427352836835756,"score_gpt":0.29592191780324906,"score_spread":0.2524945649664133,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1605603189","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6365366,0.28974155,4.8374964e-8,0.0029175875,0.0010728476,0.00017852658,0.00023615194,0.000015736297,0.06930097],"genre_scores_gemma":[0.99474746,0.00035322155,0.0000067081187,0.0015822448,0.00062097417,0.000015585078,0.000017699538,0.000010440689,0.0026456502],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998859,0.00007559907,0.00018503524,0.00017841102,0.0000950024,0.00060694775],"domain_scores_gemma":[0.99945325,0.00007112391,0.00002696813,0.00013597532,0.00007330633,0.00023936857],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003785883,0.00015771938,0.00028350748,0.00036764418,0.00021810878,0.00017507677,0.00008733168,0.00007459963,0.00012232814],"category_scores_gemma":[0.00016506702,0.0001363859,0.00004284904,0.00015960999,0.00020243299,0.0005098072,0.00002198492,0.00034039252,0.000009364826],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019959416,0.00005815673,0.174814,0.00017284471,0.00020554633,0.00022355758,0.31527957,0.000001620282,0.000010990987,0.48472258,0.02270542,0.0017857405],"study_design_scores_gemma":[0.00064785633,0.000042731794,0.045148846,0.00042730905,0.00005597054,0.000011111883,0.027779313,0.000009917,0.0000052975765,0.003426182,0.9220702,0.00037525408],"about_ca_topic_score_codex":0.03890472,"about_ca_topic_score_gemma":0.82099605,"teacher_disagreement_score":0.89936477,"about_ca_system_score_codex":0.00021784946,"about_ca_system_score_gemma":0.000045406206,"threshold_uncertainty_score":0.9674953},"labels":[],"label_agreement":null},{"id":"W1605824015","doi":"","title":"“A Many-Veined Leaf”: Minutiae and Multiplicity in Brian Bartlett’s Poetry","year":2003,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Appeal; Literature; Minutiae; Multiplicity (mathematics); Art; Aesthetics; Computer science; Artificial intelligence; Mathematics; Law","score_opus":0.0311547364704117,"score_gpt":0.26860676557449725,"score_spread":0.23745202910408555,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1605824015","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74122274,0.07268516,0.0000011071717,0.007840266,0.001491408,0.00044301027,0.00044176972,0.000041234278,0.17583333],"genre_scores_gemma":[0.99127537,0.00028168526,0.00003448222,0.0019286202,0.00023102533,0.000020533309,0.000017825929,0.000014080688,0.00619636],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99862134,0.000102151105,0.00027726832,0.00033892057,0.00010552533,0.0005547802],"domain_scores_gemma":[0.9994032,0.000068770496,0.00003162423,0.00021141651,0.000082514875,0.0002025228],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029905397,0.00021280281,0.00035117814,0.00040896915,0.00025816142,0.00018855833,0.000105644474,0.00009754476,0.000276799],"category_scores_gemma":[0.00021936784,0.00019255152,0.000060369028,0.00019789624,0.00029078993,0.00020001669,0.000023538629,0.0003556211,0.000010724259],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001813887,0.00007653696,0.032534447,0.00023725057,0.00018130505,0.0010125019,0.20879562,0.000008080154,0.000025584468,0.72248083,0.033581845,0.0010478212],"study_design_scores_gemma":[0.00076305825,0.000040944775,0.008514992,0.00036818342,0.000029423152,0.000018692614,0.026739312,0.000062825806,0.000017860595,0.0052770604,0.95772296,0.00044469364],"about_ca_topic_score_codex":0.045684397,"about_ca_topic_score_gemma":0.91505843,"teacher_disagreement_score":0.9241411,"about_ca_system_score_codex":0.0001844243,"about_ca_system_score_gemma":0.00007450971,"threshold_uncertainty_score":0.9606705},"labels":[],"label_agreement":null},{"id":"W1606401774","doi":"10.7202/005915ar","title":"J. Douglas Kneale, Romantic Aversions: Aftermaths of Classicism in Wordsworth and Coleridge. Montreal &amp; Kingston: McGill-Queen's University Press, 1999. ISBN: 0773518045. Price: US$49.95 / Liverpool University Press, 1999. ISBN: 0853235449. Price: £27.","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Romanticism; Classicism; Queen (butterfly); Romance; Humanities; Art; Art history; History; Literature","score_opus":0.011846221000884534,"score_gpt":0.1938691774878749,"score_spread":0.18202295648699038,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1606401774","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8158049,0.0015366432,0.00001671953,0.002018167,0.00052266085,0.0013237434,0.00092170737,0.00022764759,0.1776278],"genre_scores_gemma":[0.92410845,0.0074104397,0.000052803793,0.00043464918,0.00025369445,0.0000050602875,0.00007914012,0.000053897962,0.06760188],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964084,0.0005096415,0.0006462965,0.00086052204,0.000718022,0.0008571105],"domain_scores_gemma":[0.99766755,0.00049465103,0.00043783992,0.0009771801,0.00015441967,0.00026835795],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043481097,0.0006358745,0.0009397514,0.00027193603,0.0010275722,0.00017911295,0.0009315922,0.00028059317,0.0014920498],"category_scores_gemma":[0.000042422842,0.00055894896,0.00034901148,0.0003423765,0.0008885646,0.00072614645,0.0003581629,0.0007467707,0.000100696205],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.003848974,0.0036305094,0.0024431555,0.0007740297,0.0017331803,0.0017014975,0.019806098,0.0014879258,0.0002245652,0.5381399,0.42375475,0.0024554064],"study_design_scores_gemma":[0.0018155355,0.00023760177,0.013496615,0.00046984863,0.00058913254,0.000015756581,0.001779517,0.0018449649,0.00006721412,0.00029380718,0.9786858,0.0007041819],"about_ca_topic_score_codex":0.013515034,"about_ca_topic_score_gemma":0.0008929148,"teacher_disagreement_score":0.55493104,"about_ca_system_score_codex":0.00018055424,"about_ca_system_score_gemma":0.0000728739,"threshold_uncertainty_score":0.9996862},"labels":[],"label_agreement":null},{"id":"W1607745666","doi":"","title":"Patrick Warner. Double Talk . St. John’s: Breakwater, 2011.","year":2012,"lang":"en","type":"article","venue":"Newfoundland and Labrador Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Breakwater; Art; History; Art history; Geology; Oceanography","score_opus":0.04911316922201659,"score_gpt":0.28058782807598914,"score_spread":0.23147465885397256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1607745666","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.841804,0.07011563,0.000012854567,0.0030113116,0.0019398957,0.00022643805,0.00009965606,0.00018468636,0.08260551],"genre_scores_gemma":[0.9632847,0.002845565,0.000017783465,0.0003897155,0.002146464,0.000024458095,0.000020971207,0.00001924675,0.031251125],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99875164,0.000040250285,0.00026943214,0.00024067095,0.00020188451,0.00049613765],"domain_scores_gemma":[0.9994057,0.000079969555,0.00007281186,0.00018820776,0.000108508124,0.00014479492],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002472243,0.00025035473,0.0004201647,0.00009365357,0.0007858854,0.00020452448,0.00010490185,0.000048335707,0.0017280133],"category_scores_gemma":[0.000011089827,0.00016697736,0.00011597675,0.000039555474,0.0003166816,0.00052769703,0.00010578818,0.00013199881,0.00019648799],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000245764,0.00097374833,0.051737532,0.0005578639,0.0026707377,0.000057225323,0.14485464,0.0000031219352,0.000111314286,0.5172785,0.23385057,0.04765901],"study_design_scores_gemma":[0.0009366453,0.000083307445,0.0037873955,0.000029663812,0.00025126553,0.000015096084,0.012044288,0.000009395571,0.000020791651,0.0012270639,0.9812577,0.00033741223],"about_ca_topic_score_codex":0.0024373636,"about_ca_topic_score_gemma":0.004934531,"teacher_disagreement_score":0.74740714,"about_ca_system_score_codex":0.00003285603,"about_ca_system_score_gemma":0.000008584621,"threshold_uncertainty_score":0.99918455},"labels":[],"label_agreement":null},{"id":"W1612872488","doi":"","title":"\"A Man in a World of Men\": The Rough, the Tough, and the Tender in Robert W. Service's Songs of a Sourdough","year":2005,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Royal College of Physicians and Surgeons of Canada; Mount Royal University","funders":"","keywords":"Antithesis; Masculinity; Poetry; Wilderness; Sociology; Civilization; Individualism; Narrative; Comics; Aesthetics; Archetype; Art; Literature; Gender studies; Law; Political science","score_opus":0.02021596064509511,"score_gpt":0.2628564319664585,"score_spread":0.2426404713213634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1612872488","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42326665,0.1338992,1.812467e-7,0.28410003,0.00034739677,0.0010297756,0.00027133053,0.000010742503,0.1570747],"genre_scores_gemma":[0.99160814,0.00039210572,0.00000697339,0.0038055903,0.000212265,0.000042827975,0.0000037016819,0.000008135663,0.0039202585],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.998868,0.00016241682,0.00035024495,0.0001612612,0.00013636533,0.00032169648],"domain_scores_gemma":[0.99927926,0.00023683182,0.000073509334,0.00027287457,0.0001004979,0.000037049365],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006257066,0.00014994066,0.00034048417,0.00020813396,0.00019645678,0.00009038629,0.0002775505,0.00004085787,0.00008657782],"category_scores_gemma":[0.000054958484,0.00006961613,0.00006977629,0.00040946287,0.00062445167,0.00013491178,0.00006429938,0.00035777368,8.360211e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004577234,0.000031504973,0.0019014532,0.00012274575,0.0001627682,0.000019693014,0.6814692,0.000112722555,0.0000019265012,0.3027258,0.012328901,0.0010774994],"study_design_scores_gemma":[0.0015772443,0.000027154612,0.0047925836,0.00079322426,0.00009181607,0.000006533234,0.20408657,0.00071082433,0.000013888652,0.014513445,0.77313536,0.0002513257],"about_ca_topic_score_codex":0.14071685,"about_ca_topic_score_gemma":0.99036306,"teacher_disagreement_score":0.8496462,"about_ca_system_score_codex":0.00007950871,"about_ca_system_score_gemma":0.000058831105,"threshold_uncertainty_score":0.8650052},"labels":[],"label_agreement":null},{"id":"W1619954268","doi":"10.15210/interfaces.v3i1.6406","title":"MARTEL Yann. \"Life of Pi: a novel\". Toronto:Vintage Canada, 2001.","year":2012,"lang":"pt","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Vintage; Art; Art history; Political science; History; Archaeology","score_opus":0.029978023310367405,"score_gpt":0.24481214443914223,"score_spread":0.2148341211287748,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1619954268","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.104349,0.016224943,0.0018445771,0.027913539,0.00965015,0.0013782922,0.0026241976,0.00037311262,0.83564216],"genre_scores_gemma":[0.9881683,0.00032989198,0.00027072502,0.0007145984,0.0030059908,0.00010296922,0.0002772684,0.00009598296,0.0070342678],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99369127,0.00044581745,0.0016643491,0.0008141795,0.0015669786,0.001817409],"domain_scores_gemma":[0.9953912,0.00036435213,0.0008627631,0.0010115682,0.000855323,0.0015147896],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011102993,0.00086429523,0.0012175738,0.0002888472,0.001328813,0.0003666437,0.00096147176,0.00057351065,0.002684481],"category_scores_gemma":[0.0006247499,0.0008456585,0.00059469393,0.0003276976,0.00008621627,0.0013041918,0.0003554801,0.0007796848,0.000027140744],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001865167,0.0018698678,0.000718383,0.00032193933,0.00079048733,0.000060544276,0.0079064565,0.000024903633,0.0009436052,0.95777655,0.029041052,0.00035967064],"study_design_scores_gemma":[0.0011526521,0.00010445721,0.006142532,0.0002512123,0.0005713309,0.00029616634,0.009021059,0.00040603397,0.00035305243,0.000051683885,0.98072416,0.0009256506],"about_ca_topic_score_codex":0.007162939,"about_ca_topic_score_gemma":0.44039977,"teacher_disagreement_score":0.95772487,"about_ca_system_score_codex":0.0016685339,"about_ca_system_score_gemma":0.002348686,"threshold_uncertainty_score":0.99997133},"labels":[],"label_agreement":null},{"id":"W163062460","doi":"","title":"Cranfield and Slade: 12 Sun Songs","year":2009,"lang":"en","type":"book","venue":"JRP Ringier eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sunset; Sunrise; Art; George (robot); Art history; Cartography; Geography; Meteorology; Astronomy; Physics","score_opus":0.02526449062944682,"score_gpt":0.21605410587953758,"score_spread":0.19078961525009075,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W163062460","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00027187588,0.0008947753,0.000006302825,0.00015317377,0.00031554073,0.00014465416,0.00002714308,0.000111820875,0.9980747],"genre_scores_gemma":[0.017997632,0.00003887937,0.000018363278,0.0008334266,0.0023936087,0.000011941476,0.00002953788,0.000048486214,0.9786281],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985384,0.000023098492,0.0003608469,0.00042974562,0.00027177698,0.00037614777],"domain_scores_gemma":[0.99920404,0.00006621556,0.00012632343,0.00038304934,0.00008892757,0.00013147117],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014074949,0.00038404725,0.00054288004,0.00017918248,0.00035301107,0.00041334273,0.00022761548,0.0002594254,0.0019678585],"category_scores_gemma":[0.000014798561,0.00034304927,0.00027211616,0.000004353914,0.00027892477,0.000080013924,0.00007626994,0.0005307285,0.000103703176],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010501552,0.000022055394,0.0000031929528,0.00011765907,0.00019525593,0.00007133421,0.0065073525,2.743002e-7,0.0000055087653,0.7996141,0.17041886,0.023033949],"study_design_scores_gemma":[0.00017459739,0.00006892544,0.000012545427,0.00016247047,0.0002769879,0.000006504904,0.000291086,0.000008091715,0.000019878906,0.05570294,0.9428538,0.0004221815],"about_ca_topic_score_codex":0.00004814186,"about_ca_topic_score_gemma":0.0005039609,"teacher_disagreement_score":0.77243495,"about_ca_system_score_codex":0.000043262808,"about_ca_system_score_gemma":0.00008713915,"threshold_uncertainty_score":0.9999021},"labels":[],"label_agreement":null},{"id":"W16770356","doi":"10.1139/h05-015","title":"Diffuse Connections: Making Sense of Smell in Canadian Diasporic Women's Writing","year":2014,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Aesthetics; Gender studies; Visual arts; Sociology; History; Linguistics; Art","score_opus":0.017282244504326024,"score_gpt":0.22574052972536662,"score_spread":0.2084582852210406,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W16770356","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78003705,0.000050637787,0.000020010199,0.00015950427,0.00009414158,0.000034333105,0.0000069179046,0.000017762715,0.21957967],"genre_scores_gemma":[0.9963291,0.000008055143,0.000017344739,0.0005655838,0.00017722175,0.000008210103,0.0000029607893,0.0000083526575,0.0028831165],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991656,0.00004752291,0.00025381995,0.00012516967,0.0000805347,0.0003273402],"domain_scores_gemma":[0.99956065,0.00011291831,0.000043990232,0.0001346062,0.000053117263,0.0000947132],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00034442384,0.00008036166,0.00018369681,0.00026951262,0.00013455829,0.000051853305,0.00005627573,0.000026884261,0.00327215],"category_scores_gemma":[0.00008418772,0.000072564966,0.000049977647,0.00006983259,0.000067767614,0.00010319943,0.000011602743,0.00008075503,0.000032276475],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000022334675,0.00005836291,0.0024688607,0.000026431524,0.00001791335,0.000009860014,0.011947348,0.00001835779,0.00003768466,0.98286414,0.0001344357,0.0024143986],"study_design_scores_gemma":[0.0025700603,0.0003296024,0.045086294,0.00041043645,0.00013755757,0.000021456473,0.29664364,0.020064672,0.0003388336,0.046580993,0.58632916,0.0014872848],"about_ca_topic_score_codex":0.17797565,"about_ca_topic_score_gemma":0.7284231,"teacher_disagreement_score":0.9362831,"about_ca_system_score_codex":0.00007697786,"about_ca_system_score_gemma":0.00003115751,"threshold_uncertainty_score":0.997639},"labels":[],"label_agreement":null},{"id":"W175298466","doi":"","title":"COLLOQUE DE TORONTO - Histoire d'une traduction: Funeral Blues de W. H. Auden: Funeral Blues de W. H. Auden","year":2001,"lang":"fr","type":"article","venue":"Linguistique: revue de la Société Internationale de Linguistique Fonctionelle","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Blues; Art; Humanities; Art history","score_opus":0.012933096600019183,"score_gpt":0.3023315824832686,"score_spread":0.2893984858832494,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W175298466","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23060434,0.048045993,0.018148964,0.016793804,0.015268779,0.00094679405,0.0007408031,0.0010135552,0.66843694],"genre_scores_gemma":[0.6549137,0.0052634478,0.0037338731,0.0017593484,0.03783084,0.00024719318,0.00027493082,0.00018047213,0.2957962],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9938262,0.0012481442,0.0015249862,0.0010939786,0.00063477823,0.0016719082],"domain_scores_gemma":[0.9952584,0.0010895233,0.00074314326,0.0006835796,0.0014830232,0.0007423678],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002240394,0.00093893136,0.0010417633,0.0002850401,0.0022348403,0.0010460331,0.0009581643,0.0011290793,0.0063347975],"category_scores_gemma":[0.0036870323,0.001189963,0.0011021685,0.0002562177,0.0011733818,0.00038043835,0.00016966173,0.001654705,0.00008833928],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00050802453,0.0017499207,0.009995441,0.00066428573,0.0014139884,0.0018376549,0.061252072,0.0060657044,0.0009642406,0.85793513,0.054040093,0.003573427],"study_design_scores_gemma":[0.0014669466,0.00027106682,0.0032184238,0.00084135775,0.0007894005,0.0014812795,0.0070727267,0.019700943,0.0006492775,0.057137195,0.9061385,0.0012329249],"about_ca_topic_score_codex":0.064712755,"about_ca_topic_score_gemma":0.02658099,"teacher_disagreement_score":0.85209835,"about_ca_system_score_codex":0.0076811016,"about_ca_system_score_gemma":0.0013991987,"threshold_uncertainty_score":0.999991},"labels":[],"label_agreement":null},{"id":"W1754557512","doi":"","title":"Aztecs and Zapotecs: The Day of the Dead and the Cosmic Phantoms of Malcolm Lowry","year":2012,"lang":"en","type":"article","venue":"University of Brighton Repository (University of Brighton)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ethnography; History; Environmental ethics; Sociology; Art history; Anthropology; Ancient history; Archaeology; Philosophy","score_opus":0.0069956103418437115,"score_gpt":0.1479553436870124,"score_spread":0.1409597333451687,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1754557512","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9763939,0.0009889153,0.00011899411,0.00060877705,0.00017776588,0.00021375943,0.000048679834,0.000012210583,0.021437017],"genre_scores_gemma":[0.98923886,0.00019167665,0.00003295858,0.000028968605,0.00005059539,3.2880294e-8,0.0000025574197,0.0000062333197,0.010448115],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99872386,0.00034150953,0.0002080304,0.00019153979,0.00032770282,0.0002073503],"domain_scores_gemma":[0.99845606,0.00030439845,0.0004993271,0.00044958098,0.00021537059,0.00007526872],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0005208397,0.00015453192,0.0004451547,0.00009425398,0.0010315032,0.000017416225,0.00060022407,0.00008376007,0.00028245206],"category_scores_gemma":[0.000011289327,0.00010385053,0.00030630437,0.00011360066,0.004931219,0.00040603324,0.0002931864,0.00017974424,0.0000021133108],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001603707,0.00073536567,0.022987848,0.00075912464,0.0025968484,0.000053473075,0.28318036,0.000045706263,0.010093672,0.6673123,0.0071070176,0.0035245605],"study_design_scores_gemma":[0.013625818,0.0006187034,0.2756801,0.001228743,0.009024596,0.00022307404,0.35721406,0.0034659791,0.035676304,0.0057392865,0.29589224,0.0016110962],"about_ca_topic_score_codex":0.00532285,"about_ca_topic_score_gemma":0.0010336012,"teacher_disagreement_score":0.661573,"about_ca_system_score_codex":0.00002763873,"about_ca_system_score_gemma":0.00004726823,"threshold_uncertainty_score":0.9977768},"labels":[],"label_agreement":null},{"id":"W181751396","doi":"","title":"Frye, Northrop. Anatomy of Criticism: Four Essays. Toronto: University of Toronto Press, 2006, 450 p","year":2008,"lang":"en","type":"article","venue":"Revista chilena de literatura","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Criticism; Gerontology; Art; Art history; Medicine; Literature","score_opus":0.015327594495336796,"score_gpt":0.22575848340144003,"score_spread":0.21043088890610323,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W181751396","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3467374,0.17562254,0.0001247462,0.00030517156,0.00035209095,0.00046690486,0.0017931106,0.00013504222,0.474463],"genre_scores_gemma":[0.97956806,0.005658485,0.00019002573,0.00011741339,0.00031548846,0.0000013773229,0.000064369524,0.00001977882,0.01406499],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985773,0.00011664826,0.0004258743,0.00028509778,0.00027691142,0.0003181734],"domain_scores_gemma":[0.9987592,0.000069743975,0.00019707871,0.00046908334,0.00038234692,0.0001225169],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014816206,0.00022411383,0.00055454805,0.000016307982,0.00029744543,0.0001201105,0.00033476116,0.00008246714,0.00481293],"category_scores_gemma":[0.000031302006,0.0002118607,0.00031206428,0.00003049127,0.00037544855,0.00074309367,0.00006833175,0.0001338648,0.000007750998],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011413668,0.00047466514,0.0012373507,0.00090840016,0.00037827,0.00018948213,0.035970904,0.0000045214656,0.00048916816,0.9073267,0.050601263,0.002305122],"study_design_scores_gemma":[0.00046576845,0.00008570317,0.0014809832,0.00029531305,0.0001802556,0.000025831496,0.001348478,0.00012924593,0.000105660605,0.00027327647,0.9952951,0.00031439905],"about_ca_topic_score_codex":0.013775108,"about_ca_topic_score_gemma":0.0049021957,"teacher_disagreement_score":0.9446938,"about_ca_system_score_codex":0.00010862619,"about_ca_system_score_gemma":0.000062954176,"threshold_uncertainty_score":0.9960968},"labels":[],"label_agreement":null},{"id":"W1828229826","doi":"10.3968/j.ccc.1923670020060201.013","title":"Unity of Harmonious Rhythms and the Form in a Poem: an Analysis of Robert Frost’s Stopping by Woods on a Snowy Evening from the angle of rhythms","year":2010,"lang":"en","type":"article","venue":"Cross-cultural communication","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Hard rime; Art; Tone (literature); Humanities; Rhythm; Literature; Aesthetics","score_opus":0.026066353712922694,"score_gpt":0.3015644705040149,"score_spread":0.2754981167910922,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1828229826","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99655,0.0008130532,0.000010075743,0.0006416304,0.000029392126,0.00012484803,0.00017216719,0.000009074828,0.0016497283],"genre_scores_gemma":[0.9992129,0.0001348286,0.000051505493,0.00010291823,0.000028867307,0.000014081122,0.0002807179,0.000006334529,0.00016784694],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99887496,0.00022261655,0.00047357308,0.0001335072,0.0001740763,0.00012125092],"domain_scores_gemma":[0.99806535,0.00046006488,0.00036345655,0.0007818677,0.0003030975,0.000026134017],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007072037,0.00012034442,0.00039091575,0.00006608789,0.00045122294,0.00017012129,0.00042451915,0.000060502698,0.00011258595],"category_scores_gemma":[0.0001551426,0.000066484965,0.00015962882,0.00018677635,0.0013313212,0.0004179618,0.00011902198,0.0003266177,4.2962978e-7],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00082179165,0.00094514474,0.04243522,0.000081933555,0.0020484547,0.0000010465232,0.45412913,0.0008114896,0.046603303,0.43313324,0.00043391928,0.018555302],"study_design_scores_gemma":[0.008692073,0.0006209746,0.6415786,0.00070605497,0.004574731,0.000007515614,0.16177559,0.09908974,0.025988333,0.02754707,0.0281054,0.0013138728],"about_ca_topic_score_codex":0.0148695,"about_ca_topic_score_gemma":0.02457864,"teacher_disagreement_score":0.59914345,"about_ca_system_score_codex":0.000016582233,"about_ca_system_score_gemma":0.000011521881,"threshold_uncertainty_score":0.99322027},"labels":[],"label_agreement":null},{"id":"W1830893664","doi":"","title":"Marianne Moore's \"The Camperdown Elm\" and the Revival of Brooklyn's Prospect Park","year":2011,"lang":"en","type":"article","venue":"˜The œjournal of ecocriticism","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Poetics; History; Art history; Literature; Art","score_opus":0.025915462863365744,"score_gpt":0.2042299643587327,"score_spread":0.17831450149536696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1830893664","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68185866,0.023878677,0.00049905677,0.018947203,0.0025254635,0.0010835249,0.00009810661,0.00004056489,0.27106872],"genre_scores_gemma":[0.9946007,0.00039904678,0.000039889637,0.0009370229,0.0007930941,0.0000064819924,7.1360324e-7,0.0000186819,0.0032043704],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9981085,0.0003223518,0.0007866942,0.00012181241,0.00036151157,0.00029911328],"domain_scores_gemma":[0.99823624,0.0005145177,0.00037407118,0.000394273,0.0003988636,0.000082033825],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0019503807,0.00019328254,0.00050158036,0.00007375661,0.00057632086,0.00012961854,0.00061660615,0.000041837757,0.001500818],"category_scores_gemma":[0.00012840924,0.00008266014,0.0003242578,0.0000643555,0.0015645049,0.00021600888,0.00008804928,0.00040965044,0.000015650416],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00046641956,0.0002177706,0.00057175686,0.00008636951,0.00059505395,0.00005417037,0.048557363,0.0000046319133,0.000111567366,0.9377069,0.009620354,0.002007641],"study_design_scores_gemma":[0.008379482,0.0016821198,0.01949289,0.0009022053,0.006255947,0.0018665781,0.082444385,0.0009338119,0.0011772157,0.5436362,0.3320778,0.0011513445],"about_ca_topic_score_codex":0.00033605396,"about_ca_topic_score_gemma":0.00052423234,"teacher_disagreement_score":0.39407068,"about_ca_system_score_codex":0.000012938012,"about_ca_system_score_gemma":0.00004402072,"threshold_uncertainty_score":0.99941194},"labels":[],"label_agreement":null},{"id":"W1833700211","doi":"","title":"Writing the Body","year":2015,"lang":"en","type":"article","venue":"Canadian literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"History; Computer science","score_opus":0.022830086068236378,"score_gpt":0.21648595014130548,"score_spread":0.1936558640730691,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1833700211","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.024680125,0.006376379,0.0000025927504,0.019309064,0.0008736378,0.00009361314,0.00021939255,0.000044287648,0.9484009],"genre_scores_gemma":[0.9626162,0.0000027804058,0.0000052796768,0.005403904,0.0015796365,0.000005158527,0.000049277856,0.000008104692,0.03032967],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994379,0.00003324214,0.00009549406,0.00010404506,0.00009400585,0.00023530379],"domain_scores_gemma":[0.9993298,0.00001661943,0.000016344482,0.00018679608,0.00014667642,0.0003037598],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001651644,0.00007850867,0.00007696069,0.00006992791,0.00034667965,0.0007711218,0.0001629485,0.000036954432,0.00073511957],"category_scores_gemma":[0.000041115272,0.00004994098,0.000054875287,0.00006297658,0.0000835239,0.00016589035,0.00000808457,0.00018280392,0.00013331969],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[8.2297265e-7,0.0000027151168,0.000055920373,0.000003432346,0.0000139589265,0.00004593173,0.02209821,9.461817e-7,0.00000204721,0.7747862,0.20254259,0.00044727654],"study_design_scores_gemma":[0.000056792527,0.000009384271,0.00006116038,0.000024864885,0.000014761992,0.000008357721,0.004909783,0.00006014377,0.0000036003528,0.003908025,0.9908621,0.00008107564],"about_ca_topic_score_codex":0.011197651,"about_ca_topic_score_gemma":0.16368899,"teacher_disagreement_score":0.93793607,"about_ca_system_score_codex":0.00004448898,"about_ca_system_score_gemma":0.0001262502,"threshold_uncertainty_score":0.9953869},"labels":[],"label_agreement":null},{"id":"W1846212793","doi":"10.3968/j.css.1923669720120802.1065","title":"Basil Bunting’s Aesthetic Function: Art vs. Intellect","year":2012,"lang":"en","type":"article","venue":"Canadian social science","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Bunting; Intellect; Humanities; Meaning (existential); Poetry; Liminality; Art; Art history; Philosophy; Aesthetics; Literature; Epistemology","score_opus":0.025161887102838756,"score_gpt":0.22605734801660252,"score_spread":0.20089546091376376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1846212793","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025305245,0.00010967142,0.000017351513,0.0016978357,0.0010510781,0.000043316068,0.000009588213,0.000028653789,0.97173727],"genre_scores_gemma":[0.9774372,0.0000015601065,0.000003843332,0.003094163,0.0010797143,0.0000048181614,0.0000026803225,0.00000594817,0.018370053],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988836,0.000022518558,0.000110682115,0.00014961224,0.0002249626,0.00060860644],"domain_scores_gemma":[0.99934864,0.000010313851,0.000028569964,0.000100619116,0.00010856542,0.0004032632],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00047866715,0.000081564816,0.000100798665,0.00015789783,0.0018121521,0.0002863754,0.00023056402,0.000027827127,0.0069872118],"category_scores_gemma":[0.00004665518,0.00007680379,0.00006783052,0.00022547235,0.0009823879,0.0006298294,0.000018759527,0.000099950914,0.0010558921],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000017022239,0.000015783367,0.001180395,0.0000024848423,0.000004525047,0.00000179222,0.011325681,5.9065428e-8,0.000015173099,0.9098216,0.067683585,0.009947165],"study_design_scores_gemma":[0.000031196447,0.00001565137,0.0012657676,0.000003700528,0.000017868091,0.0000021270625,0.004876554,0.000011661313,0.000013279815,0.00057654333,0.9930629,0.00012272887],"about_ca_topic_score_codex":0.007011311,"about_ca_topic_score_gemma":0.03654461,"teacher_disagreement_score":0.95336723,"about_ca_system_score_codex":0.00019091126,"about_ca_system_score_gemma":0.00023239084,"threshold_uncertainty_score":0.9997219},"labels":[],"label_agreement":null},{"id":"W1871189484","doi":"10.15210/interfaces.v5i1.6505","title":"Jan Conn’s encounters in Brazil: an-other writing.","year":2012,"lang":"en","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Poetry; Reading (process); Art history; Philosophy; Art; Literature; Linguistics","score_opus":0.030293509874720834,"score_gpt":0.2628224180335661,"score_spread":0.23252890815884525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1871189484","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36075366,0.0008019596,0.0003183697,0.0075058835,0.0014408055,0.0003632668,0.00009671887,0.00034160254,0.62837774],"genre_scores_gemma":[0.99566436,0.000030275965,0.00024217281,0.0009670789,0.0018537426,0.00011143736,0.0000912885,0.000052361538,0.0009872719],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969824,0.00035170905,0.00069933495,0.00048881175,0.00056550116,0.0009122264],"domain_scores_gemma":[0.99845475,0.00015526584,0.0002167775,0.00047690273,0.000236231,0.0004600785],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00091881986,0.00037958947,0.0004440365,0.00046129365,0.0006339765,0.00040918676,0.00047892172,0.00024438355,0.00080347277],"category_scores_gemma":[0.00016695673,0.00035651188,0.00021281361,0.00021937111,0.00005589905,0.0013837747,0.00010141174,0.0004985853,0.000059186543],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006198901,0.00071277027,0.0019486252,0.0000357903,0.00007241134,0.000036166042,0.015080497,0.000011983317,0.00046008822,0.97999746,0.0007598587,0.0008223606],"study_design_scores_gemma":[0.00071076275,0.000051643667,0.003631059,0.00008972222,0.000063312305,0.00015910702,0.006051123,0.00024539753,0.00022428256,0.00063424325,0.9876564,0.00048290368],"about_ca_topic_score_codex":0.000013054123,"about_ca_topic_score_gemma":0.0016739696,"teacher_disagreement_score":0.9868966,"about_ca_system_score_codex":0.00033695076,"about_ca_system_score_gemma":0.00014402915,"threshold_uncertainty_score":0.99988866},"labels":[],"label_agreement":null},{"id":"W1898224843","doi":"10.7202/005997ar","title":"William Wordsworth, Last Poems, 1821-1850. Ed. Jared Curtis, Apryl Lea Denny-Ferris and Jillian Heydt Stevenson. Ithaca, New York: Cornell University Press 1999. ISBN: 0801436257. Price: US$105.","year":2001,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Romanticism; Art history; Art; History; Literature","score_opus":0.038818441556215125,"score_gpt":0.2104688238506417,"score_spread":0.17165038229442658,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1898224843","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8881688,0.00984278,0.0005883649,0.0031789348,0.0014210361,0.0010647096,0.00032686637,0.00041268815,0.09499578],"genre_scores_gemma":[0.91454095,0.002349471,0.00006641012,0.001155995,0.0010003165,0.0000053879808,0.00007215089,0.00006690398,0.0807424],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99703443,0.00029259175,0.0005200916,0.0007731086,0.00047481482,0.0009049528],"domain_scores_gemma":[0.99803144,0.0003014366,0.00029481834,0.0008516119,0.00012451498,0.00039620654],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004098491,0.0005640473,0.0006843223,0.00016305181,0.0011355724,0.00052143936,0.00074956194,0.00019510223,0.0022516814],"category_scores_gemma":[0.000052115927,0.00044862815,0.0002717817,0.0002121941,0.0004941207,0.00039432096,0.00021590396,0.000594456,0.00025529042],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00052366615,0.0008288156,0.0055858768,0.00011671828,0.00096848496,0.0004624086,0.012763785,0.00034970153,0.00018975965,0.1752949,0.7940825,0.00883337],"study_design_scores_gemma":[0.0010168852,0.00024422925,0.006774689,0.00019039644,0.00046440156,0.000038850325,0.003377422,0.0012527703,0.000118450414,0.0012052248,0.9846196,0.0006970516],"about_ca_topic_score_codex":0.002838546,"about_ca_topic_score_gemma":0.0015798947,"teacher_disagreement_score":0.19053712,"about_ca_system_score_codex":0.00008203293,"about_ca_system_score_gemma":0.00006688626,"threshold_uncertainty_score":0.99979657},"labels":[],"label_agreement":null},{"id":"W1903196930","doi":"","title":"Northrop Frye. Anatomy of Criticism: Four Essays. Toronto: University of Toronto Press, 2006","year":2008,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Criticism; Art history; History; Art; Media studies; Sociology; Literature","score_opus":0.2035807378311642,"score_gpt":0.4668706777201271,"score_spread":0.2632899398889629,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1903196930","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46388558,0.12941976,0.00016876664,0.00015476064,0.00080473314,0.00045788664,0.0006610577,0.00005005648,0.4043974],"genre_scores_gemma":[0.9544033,0.037951432,0.00007835947,0.00008559237,0.00024866415,0.0000028490163,0.000014965847,0.000033146447,0.007181716],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972764,0.000240692,0.00091699354,0.00038227448,0.0007822347,0.00040138452],"domain_scores_gemma":[0.9972079,0.00019561047,0.0008315571,0.0005836746,0.00094806077,0.00023323944],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00055719237,0.00032280516,0.0011406268,0.00009253011,0.00055450905,0.00025924263,0.0021022472,0.00010722718,0.088570006],"category_scores_gemma":[0.00008511469,0.00031565133,0.00045032197,0.00009022356,0.0007596281,0.0039339485,0.00053652737,0.0002101707,0.0000078978055],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008535108,0.003336544,0.13892454,0.0010106541,0.0029055525,0.00052991713,0.021739589,0.00018937275,0.0113317035,0.074598715,0.7333913,0.011188615],"study_design_scores_gemma":[0.0021308262,0.00008875828,0.17075048,0.00083041686,0.0010585096,0.00003549966,0.008100501,0.00024787473,0.008475143,0.007009532,0.79985785,0.001414586],"about_ca_topic_score_codex":0.17329133,"about_ca_topic_score_gemma":0.06343746,"teacher_disagreement_score":0.4905177,"about_ca_system_score_codex":0.00014463087,"about_ca_system_score_gemma":0.00014453521,"threshold_uncertainty_score":0.99992955},"labels":[],"label_agreement":null},{"id":"W1906987221","doi":"","title":"Elizabeth Barrett Browningââ¬â¢s Textual Bodies and the Rhetoric of Gender in Nineteenth-Century Critical Discourse","year":2004,"lang":"en","type":"article","venue":"Thirdspace","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Ideology; Rhetoric; Femininity; Literature; Aesthetics; Gender studies; Sociology; Philosophy; Art; Politics; Law; Linguistics; Political science","score_opus":0.02491690760069919,"score_gpt":0.2764393511413599,"score_spread":0.2515224435406607,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1906987221","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.717062,0.041753925,0.0004274702,0.022005033,0.0009255195,0.00047550426,0.00009281017,0.00012696891,0.21713075],"genre_scores_gemma":[0.9979754,0.0004831921,0.000048216818,0.0002891097,0.0002669511,0.0000101018495,0.000003826689,0.0000134619995,0.00090970506],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9988717,0.00010034473,0.00027253668,0.00020360116,0.0002567722,0.00029504832],"domain_scores_gemma":[0.9993619,0.00022871462,0.000053985113,0.00021748093,0.000073031086,0.00006489247],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003802164,0.0001604478,0.00032935938,0.000089947345,0.00021178722,0.00009077436,0.00015267973,0.000047361762,0.00035412173],"category_scores_gemma":[0.0001841523,0.000102064376,0.00010194447,0.00004267338,0.0014269329,0.00017773363,0.00007521938,0.00022211275,0.000016143365],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049715673,0.00009010242,0.0002241132,0.000042619988,0.0000407575,0.0000077935665,0.055788346,0.00003359184,0.00003296374,0.94281214,0.0007185972,0.00015927716],"study_design_scores_gemma":[0.019650752,0.00073794497,0.016735207,0.0011093277,0.0018085127,0.000075548065,0.44319347,0.0015374288,0.001220084,0.39680433,0.1145237,0.002603682],"about_ca_topic_score_codex":0.0003550292,"about_ca_topic_score_gemma":0.0007124161,"teacher_disagreement_score":0.54600775,"about_ca_system_score_codex":0.00002431526,"about_ca_system_score_gemma":0.000034579716,"threshold_uncertainty_score":0.52575934},"labels":[],"label_agreement":null},{"id":"W1916126905","doi":"10.1093/isle/isn009","title":"Crooked Run: Poems * Breathing in Darkness * Snow House","year":2009,"lang":"en","type":"article","venue":"ISLE Interdisciplinary Studies in Literature and Environment","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Poetry; Snow; Art; Baton rouge; Art history; Darkness; Geography; Literature; Meteorology","score_opus":0.030250672742779046,"score_gpt":0.293825478422425,"score_spread":0.263574805679646,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1916126905","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9326843,0.030483592,0.000023129176,0.0062879603,0.00062814023,0.0002799635,0.00003640312,0.000065818844,0.029510703],"genre_scores_gemma":[0.99456555,0.0016149529,0.000053296935,0.0005281208,0.00033791264,0.000027068763,0.000013694433,0.000016121003,0.0028432957],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99859107,0.0000651656,0.00041739707,0.0004229709,0.00016485025,0.00033857021],"domain_scores_gemma":[0.9995545,0.00007209711,0.000058287085,0.0002501046,0.000012849578,0.000052148436],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024237258,0.00027404784,0.000434025,0.00020150431,0.00030608173,0.00016968588,0.00015031436,0.00007120169,0.00011233349],"category_scores_gemma":[0.00001151946,0.00021534998,0.00009480833,0.00006577717,0.00031609042,0.0004036943,0.00033494818,0.00033327047,0.000016186175],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019764862,0.0009055317,0.0011346004,0.00016152806,0.00019976302,0.0013808752,0.9370906,0.00032003832,0.0001966227,0.02950192,0.004769258,0.024141638],"study_design_scores_gemma":[0.007044398,0.003372537,0.07921448,0.0110298395,0.0004636015,0.00032317004,0.34813088,0.0016995658,0.00045241855,0.33539578,0.2086585,0.004214823],"about_ca_topic_score_codex":0.000008515494,"about_ca_topic_score_gemma":0.00013457319,"teacher_disagreement_score":0.5889597,"about_ca_system_score_codex":0.0001132103,"about_ca_system_score_gemma":0.0000031771015,"threshold_uncertainty_score":0.87817174},"labels":[],"label_agreement":null},{"id":"W1919042164","doi":"10.1017/cbo9780511973925.005","title":"Generating modernism and New Criticism from antisemitism: Laura Riding and Robert Graves read T. S. Eliot's early poetry","year":2011,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Antisemitism; Poetry; Criticism; Modernism (music); Literature; Ideology; Philosophy; Art; Art history; Judaism; Theology; Politics; Law","score_opus":0.04742962670861775,"score_gpt":0.1999096047522007,"score_spread":0.15247997804358296,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1919042164","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012617577,0.0029629907,0.0004773927,0.000036618258,0.0002735108,0.00018434349,0.0006014816,0.00011881868,0.9827273],"genre_scores_gemma":[0.05362667,0.0007091755,0.00021567,0.00018361278,0.00079391926,4.9411074e-7,0.00007764217,0.00006895657,0.94432384],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982863,0.000048305184,0.00031192615,0.0007286812,0.00024758326,0.00037719024],"domain_scores_gemma":[0.99882895,0.00010075881,0.00020491332,0.000393412,0.00014461798,0.000327345],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00008334078,0.000523976,0.0006868953,0.00022519188,0.0007663299,0.0004579167,0.00028669354,0.0003283085,0.000112067544],"category_scores_gemma":[0.0000106427515,0.0005927745,0.000195284,0.0000037548052,0.0005662186,0.00032497483,0.00036056063,0.00054673303,0.0000073750757],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016500288,0.000007704432,0.000006499523,0.00006379822,0.00030141504,0.00031024648,0.0026418776,3.2755736e-7,0.00022583397,0.98855126,0.0054841293,0.0023904298],"study_design_scores_gemma":[0.0008971484,0.00009695479,0.00008299522,0.0008150461,0.0014605587,0.000034104083,0.00061127316,0.00039245776,0.00031379913,0.0026962825,0.99128294,0.001316458],"about_ca_topic_score_codex":0.0071192426,"about_ca_topic_score_gemma":0.00014380804,"teacher_disagreement_score":0.985855,"about_ca_system_score_codex":0.000045623994,"about_ca_system_score_gemma":0.000053156375,"threshold_uncertainty_score":0.9996524},"labels":[],"label_agreement":null},{"id":"W1925392264","doi":"10.22230/cjc.2001v26n3a1241","title":"The Sound of One Voice: Eugene Forsey and his Letters to the Press","year":2001,"lang":"en","type":"article","venue":"Canadian Journal of Communication","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Sound (geography); S Voice; Art; Speech recognition; Computer science; Acoustics; Physics","score_opus":0.04723841074235704,"score_gpt":0.24151506542500886,"score_spread":0.19427665468265182,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1925392264","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8816526,0.015865052,0.00021917067,0.08319206,0.00017970828,0.00012769586,0.000018987055,0.0000025606462,0.018742202],"genre_scores_gemma":[0.9978644,0.0005979057,0.000029186098,0.0007189729,0.00012085678,0.000001750873,0.00000146136,0.0000041829007,0.00066128024],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999457,0.000100012505,0.0002222527,0.0000289572,0.00008920433,0.00010256615],"domain_scores_gemma":[0.99914306,0.00012525794,0.00013971387,0.0003081397,0.00017454795,0.00010926094],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047841488,0.000042825173,0.000090303394,0.000052526597,0.0006312928,0.00015982162,0.00042242746,0.000011705474,0.00007133515],"category_scores_gemma":[0.00005804066,0.00002634705,0.000044833105,0.00003045152,0.00022017729,0.00011064464,0.000016128204,0.00011347311,0.0000024858073],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007769716,0.00006970262,0.0023551232,0.000024435682,0.0006160246,0.000009822056,0.10969171,0.0005366883,0.00052594533,0.742464,0.09578978,0.047839046],"study_design_scores_gemma":[0.000098218276,0.00003556469,0.0025974119,0.00003705862,0.00007385841,0.000012134632,0.0033986068,0.000053362462,0.000039334627,0.0030646825,0.990541,0.000048758466],"about_ca_topic_score_codex":0.007676492,"about_ca_topic_score_gemma":0.31495896,"teacher_disagreement_score":0.89475125,"about_ca_system_score_codex":0.000027718355,"about_ca_system_score_gemma":0.00005260145,"threshold_uncertainty_score":0.99893147},"labels":[],"label_agreement":null},{"id":"W1933858795","doi":"10.3968/j.css.1923669720110703.015","title":"Basil Bunting’s Objectivist Perspective in Poetry and Musical Association","year":2011,"lang":"en","type":"article","venue":"Canadian social science","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Bunting; Objectivism; Poetry; Modernism (music); Humanities; Philosophy; Key (lock); Art; Art history; Literature; Epistemology; Computer science; Botany","score_opus":0.025520062845703732,"score_gpt":0.22985753619623064,"score_spread":0.2043374733505269,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1933858795","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33317143,0.000020513084,8.9410435e-7,0.00036357457,0.0001363553,0.00003298388,0.0000117918835,0.000008297016,0.66625416],"genre_scores_gemma":[0.9975233,0.0000013618545,0.0000062430654,0.00050505245,0.00026022794,0.0000032452674,5.063563e-7,0.0000035435917,0.0016964868],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9991483,0.000027402231,0.000089379006,0.00020952805,0.00017747689,0.0003479025],"domain_scores_gemma":[0.99958694,0.000019532818,0.00003675168,0.000049050846,0.00014943926,0.00015830889],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046165785,0.000061921084,0.00010030988,0.00018943287,0.0007674909,0.00017456803,0.00012918763,0.00003539368,0.0005837832],"category_scores_gemma":[0.00021126904,0.00006312424,0.000029459356,0.0002013739,0.00055994804,0.0003031725,0.000018656297,0.000117467156,0.000018462135],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000011503333,0.000016397418,0.021260498,0.0000014962476,0.0000048470647,0.000008607189,0.105460726,7.1781403e-9,0.00002270678,0.8716885,0.000489528,0.0010455552],"study_design_scores_gemma":[0.00031992802,0.00005715648,0.6308131,0.000020160038,0.00004147595,0.0000018236175,0.30041572,0.00009558271,0.00006716877,0.025526207,0.042139277,0.0005023843],"about_ca_topic_score_codex":0.20969526,"about_ca_topic_score_gemma":0.552596,"teacher_disagreement_score":0.84616226,"about_ca_system_score_codex":0.0008632185,"about_ca_system_score_gemma":0.00025691843,"threshold_uncertainty_score":0.79556745},"labels":[],"label_agreement":null},{"id":"W1946279902","doi":"10.3968/j.css.1923669720070301.017","title":"The Relationship between Man and Animal in Ted Hughes' Poems/RELATIONS ENTRE L'HOMME ET LES ANIMAUX DANS LES POEMES DE TED HUGHES","year":2010,"lang":"fr","type":"article","venue":"Canadian social science","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Humanities; Human animal; Art; Philosophy; Literature; Biology","score_opus":0.05512776535293338,"score_gpt":0.2920494881269404,"score_spread":0.23692172277400705,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1946279902","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8549842,0.0006850407,0.000009761886,0.03517924,0.00017559968,0.00013889879,0.00034702718,0.000020184243,0.10846004],"genre_scores_gemma":[0.9903652,0.00002814998,0.000035504232,0.00025703508,0.00057691196,0.000010685305,0.000021254678,0.000014931491,0.008690322],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9980065,0.00022497245,0.0003285501,0.0003479682,0.00027062985,0.00082135777],"domain_scores_gemma":[0.9984448,0.0007006703,0.00009980284,0.00016620346,0.00014138382,0.00044712497],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0012415118,0.0001949944,0.00020321867,0.00026278003,0.0073995916,0.0009864364,0.00045875701,0.00022238989,0.00037025366],"category_scores_gemma":[0.00068420015,0.00018058078,0.000084920546,0.00051750895,0.00406553,0.00054959184,0.00005667503,0.0007764087,0.000018188468],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000012398142,0.00001022394,0.40811324,0.000004589442,0.000008132535,0.0000060952193,0.018578544,4.6421886e-7,0.00011717407,0.5714011,0.000597123,0.0011620854],"study_design_scores_gemma":[0.00011533352,0.000023549184,0.81381625,0.000030125764,0.0000649206,0.000003155729,0.042148743,0.00014377877,0.000011978592,0.008722027,0.1346999,0.00022024353],"about_ca_topic_score_codex":0.21744172,"about_ca_topic_score_gemma":0.8918319,"teacher_disagreement_score":0.67439014,"about_ca_system_score_codex":0.00035319387,"about_ca_system_score_gemma":0.0010980562,"threshold_uncertainty_score":0.9986448},"labels":[],"label_agreement":null},{"id":"W194652967","doi":"10.3138/jcs.38.1.108","title":"Looking at “The Gold Sun”; or, The Glosa’s Glasses","year":2004,"lang":"en","type":"article","venue":"Journal of Canadian Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Poetry; Relation (database); Philosophy; Literature; Elegance; Liminality; Dialogical self; Multitude; Aesthetics; Art history; Art; Epistemology; Computer science","score_opus":0.07418212471565377,"score_gpt":0.27828485512139933,"score_spread":0.20410273040574556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W194652967","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53159064,0.053223573,0.0000052028577,0.22378469,0.0034456877,0.00020581608,0.00006915145,0.000019188292,0.18765609],"genre_scores_gemma":[0.97073245,0.0015383533,0.000007040134,0.002903312,0.0012637672,0.000002059192,3.508214e-7,0.000009058096,0.023543583],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99905145,0.000041287778,0.0003252899,0.00006867941,0.0002512339,0.0002620796],"domain_scores_gemma":[0.99911755,0.00014991726,0.0001720553,0.00013674174,0.00030793814,0.00011581893],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00037232027,0.00011297222,0.0002473741,0.00019978495,0.0009775826,0.00016964116,0.00025464324,0.000018478659,0.0005163895],"category_scores_gemma":[0.00015750011,0.000043501,0.00017576644,0.00011099849,0.00041101564,0.0001546234,0.00003440426,0.00018317968,0.0000307927],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000059220056,0.000049750277,0.00052380824,0.000044378015,0.0028369087,0.0007599675,0.09669717,0.00028240806,0.000026979644,0.35238186,0.5411751,0.0051624356],"study_design_scores_gemma":[0.00019734637,0.00007126945,0.0004325341,0.00007298581,0.00021630069,0.00009047929,0.047705363,6.6451526e-7,0.00003829816,0.003238269,0.9478533,0.00008316382],"about_ca_topic_score_codex":0.027953606,"about_ca_topic_score_gemma":0.92243254,"teacher_disagreement_score":0.8944789,"about_ca_system_score_codex":0.0002581738,"about_ca_system_score_gemma":0.0002594717,"threshold_uncertainty_score":0.9785193},"labels":[],"label_agreement":null},{"id":"W1947018186","doi":"10.3968/j.css.1923669720070304.007","title":"A Comparison of the Hawk Image in The Hawk in the Rain and Hawk Roosting","year":2010,"lang":"en","type":"article","venue":"Canadian social science","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Humanities; Art history; Literature","score_opus":0.03173658644758527,"score_gpt":0.2919407121510484,"score_spread":0.26020412570346313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1947018186","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78225297,0.000044937653,7.995293e-7,0.0059845275,0.00013640425,0.000110201836,0.000017647448,0.0000022437334,0.2114503],"genre_scores_gemma":[0.99833643,6.184697e-7,0.0000052315395,0.0013138031,0.00016594626,0.0000060007314,5.761664e-7,0.0000023624273,0.00016901208],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99905175,0.00010168161,0.00016094,0.0001341262,0.0002500735,0.00030142383],"domain_scores_gemma":[0.9995789,0.0001162778,0.000053694435,0.00015001316,0.0000478674,0.000053276843],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015578402,0.00006465026,0.000114671566,0.00008006747,0.0011958218,0.00034168456,0.000689526,0.000027267813,0.00010767155],"category_scores_gemma":[0.00022435252,0.00003462154,0.000039897703,0.00031181826,0.0019628953,0.00016302046,0.00003060138,0.00029593642,0.0000024885344],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000011095183,0.000029054234,0.029428441,0.00000667858,0.0000024351639,0.000005757467,0.28796792,5.011154e-7,0.0010458801,0.6751413,0.0023831562,0.003987793],"study_design_scores_gemma":[0.0003260716,0.000034332075,0.33037496,0.00004638141,0.000037380156,0.0000053541567,0.49078327,0.0011330376,0.00019488906,0.011242822,0.1654955,0.00032600178],"about_ca_topic_score_codex":0.06391143,"about_ca_topic_score_gemma":0.8308413,"teacher_disagreement_score":0.76692986,"about_ca_system_score_codex":0.000035311088,"about_ca_system_score_gemma":0.0002187181,"threshold_uncertainty_score":0.9423221},"labels":[],"label_agreement":null},{"id":"W196365649","doi":"10.1215/0041462x-2011-3003","title":"Elizabeth Bishop’s Poetics of Description by Zachariah Pickard, A Poet’s High Argument: Elizabeth Bishop and Christianity by Laurel Snow Corelle","year":2011,"lang":"en","type":"article","venue":"Twentieth Century Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Icon; Argument (complex analysis); Citation; Art; Christianity; Art history; Literature; History; Poetry; Computer science; Archaeology; World Wide Web","score_opus":0.017757872414489284,"score_gpt":0.20436307362012174,"score_spread":0.18660520120563245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W196365649","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70647806,0.22044556,0.001274168,0.0012338486,0.013958528,0.0016643341,0.012812714,0.00057037256,0.04156242],"genre_scores_gemma":[0.9749265,0.0069739907,0.00025869656,0.0006989719,0.00038367772,0.000021469206,0.0019446069,0.00006646105,0.014725651],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972027,0.00021883217,0.0007315088,0.0006649735,0.00053479907,0.0006471918],"domain_scores_gemma":[0.9983045,0.000064440355,0.00037304254,0.0005559049,0.00041248268,0.00028964033],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038786512,0.00052900094,0.00067937165,0.00021259485,0.000469045,0.00051146524,0.00038529988,0.00033637983,0.0025324256],"category_scores_gemma":[0.00007324691,0.0004587014,0.00024902783,0.00023608685,0.00046658472,0.00065386447,0.0001460756,0.0006640993,0.000027161344],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029312808,0.0016824768,0.0014221239,0.00061914016,0.00063202746,0.000034459055,0.078722216,7.003474e-7,0.0059056864,0.08916115,0.8193545,0.0021724224],"study_design_scores_gemma":[0.0019925958,0.00055002456,0.0008627152,0.0006980831,0.0007792878,0.000013919039,0.0050521707,0.0001566945,0.003521186,0.0054009883,0.9798969,0.0010754227],"about_ca_topic_score_codex":0.0005266185,"about_ca_topic_score_gemma":0.000093950075,"teacher_disagreement_score":0.2684484,"about_ca_system_score_codex":0.000047776906,"about_ca_system_score_gemma":0.00003381236,"threshold_uncertainty_score":0.9997865},"labels":[],"label_agreement":null},{"id":"W1964159855","doi":"10.1353/mfs.2003.0053","title":"The Melting Pot That Boiled Over: Racial Fetishism and the Lingua Franca of Jack Kerouac's Fiction","year":2003,"lang":"en","type":"article","venue":"Modern fiction studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":29,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Fetishism; Ambivalence; Identity (music); Mythology; Narrative; Art; Human sexuality; Literature; Psychoanalysis; Gender studies; Anthropology; Sociology; Aesthetics; Psychology","score_opus":0.045856743294461086,"score_gpt":0.2730158099496173,"score_spread":0.22715906665515623,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1964159855","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8487239,0.046253327,0.00076504744,0.0015452147,0.0021827533,0.00036556902,0.000024082135,0.00010286471,0.100037225],"genre_scores_gemma":[0.99241495,0.002676696,0.000007849429,0.00012430803,0.00033803974,0.00002960903,0.000001488181,0.000010932374,0.0043961294],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989315,0.00016387695,0.00029606812,0.00018079013,0.00024631532,0.00018141446],"domain_scores_gemma":[0.9991212,0.00034715267,0.00016956593,0.00017294145,0.00016952184,0.000019621253],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0006139886,0.00014277048,0.00028480042,0.000039240436,0.002039488,0.0001715033,0.000076456745,0.000036912654,0.00007167527],"category_scores_gemma":[0.0001859169,0.00007978846,0.00013902994,0.00004053558,0.0005781609,0.00015696247,0.0000425313,0.00014786675,0.0000032016687],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003424309,0.00014095662,0.0016158499,0.00009917355,0.0017904382,0.000003200703,0.39239806,0.00018072325,0.00025017784,0.5689443,0.012985396,0.021249302],"study_design_scores_gemma":[0.0036746243,0.00014270314,0.0035709818,0.00015499462,0.00089918403,0.000008876198,0.14929788,0.0066771386,0.0010716183,0.04983484,0.78411645,0.0005507209],"about_ca_topic_score_codex":0.00010949527,"about_ca_topic_score_gemma":0.00046548998,"teacher_disagreement_score":0.77113104,"about_ca_system_score_codex":0.000019412857,"about_ca_system_score_gemma":0.000007423675,"threshold_uncertainty_score":0.9992597},"labels":[],"label_agreement":null},{"id":"W1966599974","doi":"10.1353/esc.0.0090","title":"Sounding Eyes: Mina Loy’s Acoustic Subjectivity in “The Song of the Nightingale is Like the Scent of Syringa”","year":2007,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Subjectivity; Art; Painting; Literature; Materiality (auditing); Guitar; Art history; Philosophy; Aesthetics","score_opus":0.039157325037930936,"score_gpt":0.26527545468073316,"score_spread":0.22611812964280223,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1966599974","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98444694,0.0018411089,0.0000043707646,0.0002509938,0.001220751,0.00014007295,0.0000206331,0.000003673655,0.012071478],"genre_scores_gemma":[0.99900657,0.000070805196,0.0000018921392,0.00033248708,0.00026084666,0.00000837164,3.7951617e-7,0.00000680555,0.00031186987],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9986187,0.00012998685,0.0003941267,0.00014735153,0.00041119213,0.0002986326],"domain_scores_gemma":[0.998371,0.0010049406,0.0001468627,0.00029552067,0.00016527335,0.00001639655],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.001323569,0.00012549035,0.0002837148,0.000054039396,0.00038086652,0.000023730921,0.00037794295,0.000019184687,0.000046960195],"category_scores_gemma":[0.0005363161,0.000066276,0.0000850974,0.0001788059,0.0004071357,0.000061259474,0.00010813668,0.00026974472,1.6238381e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039618742,0.00022634635,0.14642422,0.00045092314,0.00047772206,0.000054016997,0.80782205,0.00061874744,0.000050969848,0.016778154,0.026186718,0.000870504],"study_design_scores_gemma":[0.00028270934,0.000036831167,0.028193586,0.0003214059,0.00014541244,0.0000012390195,0.94725513,0.000113356495,0.00049778714,0.0005740687,0.022387061,0.00019137953],"about_ca_topic_score_codex":0.50878114,"about_ca_topic_score_gemma":0.9915254,"teacher_disagreement_score":0.48274428,"about_ca_system_score_codex":0.00032068585,"about_ca_system_score_gemma":0.0001713628,"threshold_uncertainty_score":0.4944899},"labels":[],"label_agreement":null},{"id":"W1972776496","doi":"10.7202/016705ar","title":"Doughty’s The Dawn in Britain and the Modernist Eclipse of the Victorian","year":2007,"lang":"en","type":"article","venue":"Romanticism and Victorianism on the Net","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Lost Generation; Literature; Perspectivism; History; Tribe; Modernism (music); Skepticism; Plot (graphics); EPIC; Barbarism; Philosophy; Art; Sociology; Civilization; Archaeology; Anthropology; Epistemology","score_opus":0.011722344582170327,"score_gpt":0.2026037138036594,"score_spread":0.19088136922148907,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1972776496","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8520571,0.0012333475,0.000057898116,0.02035348,0.0026777291,0.0008139524,0.00005715755,0.000031153882,0.12271818],"genre_scores_gemma":[0.9937846,0.00013456713,0.000003242377,0.0013450374,0.0019369109,0.000011761539,0.000002281815,0.000017636843,0.002763953],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983161,0.00028057263,0.00044758385,0.00024644425,0.00036089632,0.0003484195],"domain_scores_gemma":[0.99814177,0.0009996446,0.00015989346,0.00059500535,0.000052599433,0.000051087332],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0019330485,0.00022407659,0.00032684975,0.00005068272,0.000999434,0.00029240045,0.00052807014,0.00007186266,0.00019399507],"category_scores_gemma":[0.000100617646,0.00008685373,0.00013616841,0.000101265854,0.0012069546,0.000097754484,0.0001547196,0.00036274528,0.000008760102],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009565476,0.000053349035,0.00016432375,0.000012799622,0.00005559037,0.000004251343,0.03374117,0.000003933988,0.00008086442,0.9645621,0.0010234198,0.00020252223],"study_design_scores_gemma":[0.0029079788,0.00015969231,0.01826302,0.00019785813,0.00039445396,0.000020791673,0.014260953,0.00163454,0.0005765106,0.2305296,0.7305928,0.00046180075],"about_ca_topic_score_codex":0.0005954115,"about_ca_topic_score_gemma":0.0034743974,"teacher_disagreement_score":0.7340325,"about_ca_system_score_codex":0.000015967971,"about_ca_system_score_gemma":0.000020420772,"threshold_uncertainty_score":0.768694},"labels":[],"label_agreement":null},{"id":"W1974365962","doi":"10.1353/vpr.0.0108","title":"What's in a Name?: Signature, Criticism, and Authority in The Fortnightly Review","year":2010,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":12,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Criticism; Negotiation; George (robot); Politics; Law; Sociology; Political science; Media studies; Law and economics; History; Art history","score_opus":0.02140191037568865,"score_gpt":0.2949987867472607,"score_spread":0.27359687637157204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1974365962","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00501982,0.94438636,0.0000017774361,0.035564594,0.0011885749,0.00089297455,0.000022956996,0.000030850126,0.012892068],"genre_scores_gemma":[0.29755813,0.67356074,0.000027794964,0.027066741,0.00080375676,0.00022531507,0.000022660823,0.000019812347,0.00071502774],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99765563,0.00040671483,0.00078832323,0.00038413843,0.00038749972,0.00037771135],"domain_scores_gemma":[0.9989453,0.00021795229,0.00010397492,0.0005099512,0.000097223616,0.00012558477],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0023364273,0.00025871093,0.0008351815,0.00008536454,0.00024440637,0.0006128485,0.00043600556,0.00010729735,0.0049490216],"category_scores_gemma":[0.0005856408,0.0001614219,0.00020582555,0.00021469692,0.0003565073,0.0006107838,0.00005774479,0.00092823006,0.000075061274],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006893382,0.00043008625,0.0002355664,0.022888385,0.000041094863,0.00019208658,0.013311968,1.3767351e-8,0.000038963048,0.9022228,0.028257646,0.032374494],"study_design_scores_gemma":[0.00013993397,0.000031270563,0.00029110414,0.013222616,0.00011073667,0.000016187545,0.00039013795,0.0000057178477,0.0000013776156,0.0024156743,0.98315305,0.00022220482],"about_ca_topic_score_codex":0.00006619515,"about_ca_topic_score_gemma":0.003401703,"teacher_disagreement_score":0.9548954,"about_ca_system_score_codex":0.00001635188,"about_ca_system_score_gemma":0.00006001678,"threshold_uncertainty_score":0.9959606},"labels":[],"label_agreement":null},{"id":"W1976653695","doi":"10.3138/ctr.161.013","title":"The Last Walk of Adolfo Ich","year":2015,"lang":"de","type":"article","venue":"Canadian Theatre Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.042610700071057044,"score_gpt":0.2547577022707788,"score_spread":0.21214700219972177,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1976653695","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00010716527,0.7851637,6.422346e-7,0.008386815,0.00076122995,0.0002489403,0.0001987207,0.000007537947,0.20512526],"genre_scores_gemma":[0.23280756,0.7434215,0.000006019252,0.0058192746,0.0022162993,0.000034633154,0.00007847212,0.000056607845,0.015559618],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998031,0.00028599,0.0006239145,0.00022962989,0.00027656637,0.00055290665],"domain_scores_gemma":[0.9979043,0.00011000093,0.0001693407,0.0007085405,0.00031573765,0.0007920976],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0010545577,0.00024888886,0.00065471337,0.00008531023,0.00050898705,0.00017201687,0.0005181961,0.00006955525,0.001812521],"category_scores_gemma":[0.00011551214,0.00016014029,0.00037573284,0.00017032638,0.00040013256,0.000090867776,0.000034671364,0.00022706625,0.0013453458],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000044006874,0.000038369642,0.00013782673,0.0028203938,0.00047123127,0.000047514077,0.002026119,0.0000010047783,3.168452e-7,0.2751816,0.5317468,0.18752441],"study_design_scores_gemma":[0.00010265808,0.00005491571,0.000014698126,0.004122162,0.00091137306,0.000006841901,0.0012105132,0.000010951431,0.000001570129,0.0011025217,0.992266,0.0001958146],"about_ca_topic_score_codex":0.051634688,"about_ca_topic_score_gemma":0.46011952,"teacher_disagreement_score":0.46051916,"about_ca_system_score_codex":0.00015787037,"about_ca_system_score_gemma":0.0010742341,"threshold_uncertainty_score":0.9994322},"labels":[],"label_agreement":null},{"id":"W1976910191","doi":"10.7227/gs.11.1.3","title":"Writing in the Night","year":2009,"lang":"en","type":"article","venue":"Gothic Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Mount Saint Vincent University","funders":"","keywords":"Art; Visual arts","score_opus":0.10347925028854717,"score_gpt":0.3271970466086262,"score_spread":0.22371779632007904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1976910191","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3780776,0.016227009,0.000005056596,0.030139226,0.00025333415,0.00011022132,0.0000041396625,0.000054628683,0.5751288],"genre_scores_gemma":[0.99175924,0.0001762041,0.0000062212343,0.004280706,0.0003044205,0.000006955027,7.029017e-7,0.000002113832,0.0034634324],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994213,0.000051750412,0.0001593523,0.00009396154,0.00012332156,0.00015031909],"domain_scores_gemma":[0.99968654,0.00013481287,0.00002304226,0.00010691225,0.00004047466,0.000008213235],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003741313,0.000070057984,0.00014117433,0.000041001545,0.00033786692,0.00007845861,0.00011499897,0.000012587609,0.00015479734],"category_scores_gemma":[0.00006540165,0.00003991669,0.000053305157,0.000041555704,0.000121102625,0.000072638424,0.000012126673,0.000112411384,0.000045947247],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000020451205,0.000049430924,0.00024373418,0.00000891062,0.00004036875,0.00003830682,0.11593195,0.0000015781609,0.000004356649,0.87002087,0.009192099,0.0044663516],"study_design_scores_gemma":[0.00041141576,0.00018522653,0.019403419,0.00016188218,0.00011369941,0.00001460914,0.41947475,0.000046157824,0.000024005292,0.12629142,0.43353263,0.00034076849],"about_ca_topic_score_codex":0.00003726346,"about_ca_topic_score_gemma":0.0006310064,"teacher_disagreement_score":0.7437295,"about_ca_system_score_codex":0.000009192578,"about_ca_system_score_gemma":0.00000361378,"threshold_uncertainty_score":0.25986332},"labels":[],"label_agreement":null},{"id":"W1977018754","doi":"10.1093/isle/isq086","title":"Rites of Way: The Politics and Poetics of Public Space","year":2010,"lang":"en","type":"article","venue":"ISLE Interdisciplinary Studies in Literature and Environment","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Public space; Politics; Nothing; Aesthetics; Space (punctuation); Sociology; Omnipresence; Law; Law and economics; Political science; Epistemology; Art; Philosophy","score_opus":0.02735187546342122,"score_gpt":0.27874108582733015,"score_spread":0.25138921036390893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1977018754","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9707374,0.015035935,0.00000696452,0.005895089,0.00027644093,0.00009426541,0.000071749775,0.0000046211876,0.007877567],"genre_scores_gemma":[0.99632376,0.0016087164,0.000088721565,0.000064967724,0.00014431842,0.000008665101,0.000005374424,0.000006841166,0.0017486077],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99923366,0.0000410351,0.00028138582,0.0001627045,0.00011860232,0.0001625937],"domain_scores_gemma":[0.999489,0.00015517643,0.00007954243,0.00021240773,0.00003030203,0.000033577457],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023176461,0.0001339294,0.00026710072,0.00007730389,0.0002007528,0.00004854136,0.00010635015,0.000044466826,0.000069227804],"category_scores_gemma":[0.000025078396,0.000081524966,0.000056854933,0.000032102238,0.0015543401,0.00012087139,0.0005258238,0.00022953207,8.4564203e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001787233,0.0003007326,0.0041984296,0.00032031114,0.0003093731,0.000016490234,0.39302957,0.0000041045423,0.0011490114,0.59515774,0.0023507315,0.0031456351],"study_design_scores_gemma":[0.0014980442,0.0013767597,0.032624193,0.0011440852,0.0005160633,0.00008698594,0.35707504,0.0004886973,0.0021567252,0.28717974,0.31488296,0.00097071234],"about_ca_topic_score_codex":0.00000681404,"about_ca_topic_score_gemma":0.00012433939,"teacher_disagreement_score":0.31253222,"about_ca_system_score_codex":0.000009212065,"about_ca_system_score_gemma":0.000002706685,"threshold_uncertainty_score":0.57270306},"labels":[],"label_agreement":null},{"id":"W1978048203","doi":"10.1353/utq.2006.0207","title":"Stranger at the Door: Writers and the Act of Writing (review)","year":2006,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Literature; History; Linguistics; Art; Philosophy","score_opus":0.008649677474401637,"score_gpt":0.19052463298840142,"score_spread":0.1818749555139998,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1978048203","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5413505,0.063853495,0.00004597808,0.0054560606,0.000115150346,0.00036219144,0.00012845165,0.000027284477,0.38866094],"genre_scores_gemma":[0.99059474,0.0007068494,0.000009590505,0.00009714304,0.00005924564,1.2756851e-7,0.000005927925,0.0000027566914,0.008523589],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949366,0.00007664154,0.00013055828,0.00008655289,0.00011928719,0.00009329217],"domain_scores_gemma":[0.9995714,0.000095930955,0.0001008146,0.00015620205,0.000059738995,0.000015905109],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021368914,0.00006746143,0.00018634004,0.000007996236,0.00027775837,0.0000147040555,0.00015403338,0.000015650148,0.002915401],"category_scores_gemma":[0.0000018269088,0.00004240103,0.00014097212,0.0000074525906,0.00058882893,0.00015974128,0.000016863143,0.00003780668,0.0000045033503],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033952974,0.00024351839,0.000590062,0.0008914074,0.0005490255,0.000021048698,0.155196,0.000004293975,0.00058714923,0.6746434,0.10734949,0.05958506],"study_design_scores_gemma":[0.0034741512,0.00040752548,0.010242623,0.00071596145,0.001526281,0.000010139395,0.20466319,0.0002708617,0.00006178848,0.0017252911,0.77645046,0.00045172256],"about_ca_topic_score_codex":0.025466498,"about_ca_topic_score_gemma":0.08435291,"teacher_disagreement_score":0.67291814,"about_ca_system_score_codex":0.000023342627,"about_ca_system_score_gemma":0.000006295598,"threshold_uncertainty_score":0.9979961},"labels":[],"label_agreement":null},{"id":"W1978744743","doi":"10.1353/bio.2001.0101","title":"Daily Modernism: The Literary Diaries of Virginia Woolf, Antonia White, Elizabeth Smart and Anaïs Nin (review)","year":2001,"lang":"en","type":"article","venue":"Biography","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernism (music); White (mutation); Art history; Art; History","score_opus":0.015210931210904227,"score_gpt":0.22398622443609945,"score_spread":0.20877529322519522,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1978744743","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41938487,0.45446455,0.00019492839,0.0046852333,0.00043393596,0.0004893068,0.00038688458,0.00014232527,0.11981795],"genre_scores_gemma":[0.95486456,0.04141528,0.0000679344,0.0018157136,0.00017820021,0.000020126794,0.000038254344,0.000015871161,0.0015840575],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99891156,0.00009458912,0.0003316637,0.00022641843,0.00020027524,0.00023548334],"domain_scores_gemma":[0.9993238,0.00006539644,0.000107607826,0.0003377605,0.0000965955,0.00006886722],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025859958,0.00018367458,0.0003303719,0.00020186817,0.0003103889,0.00012664495,0.00020685086,0.00004164826,0.0010556151],"category_scores_gemma":[0.000011129299,0.00011732748,0.00026431275,0.00020385369,0.0006436208,0.00021538821,0.00005412122,0.00011804902,0.000013068592],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016709488,0.0008885395,0.33980894,0.0014850534,0.0016971054,0.0000671205,0.05469336,0.0000027138651,0.0006013357,0.27704147,0.2661535,0.05739375],"study_design_scores_gemma":[0.00025081594,0.00011085,0.03562365,0.00034395838,0.00032201834,0.0000066465445,0.0011314196,0.00011595841,0.0000363498,0.005753675,0.9560101,0.00029454567],"about_ca_topic_score_codex":0.00014349764,"about_ca_topic_score_gemma":0.00026807855,"teacher_disagreement_score":0.6898566,"about_ca_system_score_codex":0.000002265601,"about_ca_system_score_gemma":0.000010824369,"threshold_uncertainty_score":0.99985754},"labels":[],"label_agreement":null},{"id":"W1981267973","doi":"10.13008/2153-3695.2029","title":"Robert Henri, Walt Whitman, and the American Artist","year":2012,"lang":"en","type":"article","venue":"Walt Whitman Quarterly Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history","score_opus":0.016215773380006362,"score_gpt":0.2567961419681292,"score_spread":0.24058036858812287,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1981267973","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04749256,0.7356019,0.00016573275,0.029466689,0.0011930233,0.0017813796,0.00007248865,0.00031414023,0.18391211],"genre_scores_gemma":[0.9481606,0.026184162,0.000036162182,0.012506155,0.0013335472,0.00014960003,0.000030676372,0.000046037694,0.011553096],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976732,0.00040612824,0.0006609218,0.00032374493,0.0003113605,0.0006246211],"domain_scores_gemma":[0.9985577,0.00013589261,0.00031442975,0.0006421433,0.000107092405,0.00024273529],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010081232,0.00033546594,0.000941094,0.00006258468,0.00058608147,0.00028358417,0.00031886974,0.000027670818,0.0019841806],"category_scores_gemma":[0.000029467097,0.00020352856,0.00032102538,0.000142075,0.0009907805,0.00045155242,0.000038635637,0.00025432152,0.0006760168],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003865026,0.00022724965,0.0006006709,0.001472795,0.0002648563,0.000007820676,0.02019956,1.0479736e-7,0.000007200533,0.6804461,0.069709845,0.22702514],"study_design_scores_gemma":[0.0004092252,0.00019037328,0.0008853102,0.00070165197,0.0005764797,0.000030561365,0.001991678,0.00002954451,0.0000012971095,0.0020590725,0.9927351,0.00038970693],"about_ca_topic_score_codex":0.0004271502,"about_ca_topic_score_gemma":0.00080746727,"teacher_disagreement_score":0.92302525,"about_ca_system_score_codex":0.000023860312,"about_ca_system_score_gemma":0.000016570304,"threshold_uncertainty_score":0.9989281},"labels":[],"label_agreement":null},{"id":"W1983086723","doi":"10.1353/mos.2015.0010","title":"Falling in Love with Eve Kosofsky Sedgwick","year":2015,"lang":"en","type":"article","venue":"Mosaic","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Falling in love; Affect (linguistics); Queer theory; Falling (accident); Psychoanalysis; Art; Queer; Sociology; Psychology; Literature; Communication","score_opus":0.0483334673596846,"score_gpt":0.2343133394661558,"score_spread":0.18597987210647118,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1983086723","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7935719,0.00048666456,0.00004238002,0.001210904,0.00012508011,0.0000739663,0.000009237528,0.000037333248,0.20444253],"genre_scores_gemma":[0.98880184,0.0000037508814,0.000029851964,0.00047940397,0.00023793816,0.000003357011,0.000011535939,0.0000108781815,0.010421461],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933636,0.00002689539,0.00013894348,0.00014424062,0.0001593177,0.00019422939],"domain_scores_gemma":[0.9996737,0.000019826355,0.000029217914,0.00013831888,0.00006330228,0.00007561386],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014880442,0.000093499446,0.00015118766,0.00006338574,0.000038617476,0.00009890957,0.00009426436,0.000023931712,0.00065711717],"category_scores_gemma":[0.000014339549,0.00006979464,0.000034157765,0.000050871193,0.00008035302,0.00015542349,0.000016681382,0.00010969381,0.0005222832],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028231693,0.0009080498,0.036085375,0.00013594367,0.00033319008,0.000561698,0.40745386,0.0018941124,0.00016375004,0.4760734,0.069420956,0.00668735],"study_design_scores_gemma":[0.0029893026,0.00042318468,0.0023305647,0.00024715613,0.00017230731,0.000016262406,0.07332173,0.0054738694,0.00038631077,0.027045432,0.88656676,0.0010271388],"about_ca_topic_score_codex":0.00048670112,"about_ca_topic_score_gemma":0.0022623625,"teacher_disagreement_score":0.81714576,"about_ca_system_score_codex":0.000035468256,"about_ca_system_score_gemma":0.00003611172,"threshold_uncertainty_score":0.7194972},"labels":[],"label_agreement":null},{"id":"W1984138817","doi":"10.1353/mos.2014.0041","title":"At the Boundary of the Mighty World: Charles Olson and Hesiod","year":2014,"lang":"en","type":"article","venue":"Mosaic","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hesiod; Philosophy; Poetry; Literature; Dismissal; Classics; Art; Law","score_opus":0.013603520509726744,"score_gpt":0.2043971491710295,"score_spread":0.19079362866130276,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1984138817","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9198046,0.0021722368,0.0000032693974,0.0044458946,0.00022515171,0.00007603015,0.000033414188,0.000014857038,0.073224574],"genre_scores_gemma":[0.9508812,0.000021973538,0.0000019518993,0.0006666512,0.00019011533,0.000004356952,0.0000037381396,0.0000052947657,0.04822472],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99949485,0.00006820608,0.000116434385,0.0000946016,0.00011939483,0.000106486914],"domain_scores_gemma":[0.9996038,0.00007382685,0.000048632755,0.00023143855,0.000022520271,0.000019749816],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017270389,0.00006852829,0.00011280106,0.000021174945,0.00055734476,0.00008169827,0.00013390188,0.000012951484,0.001387863],"category_scores_gemma":[0.000014970015,0.00003164113,0.00007489121,0.000030529172,0.00040918175,0.00004676385,0.00007075692,0.000064835025,0.000029013647],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025553833,0.00010888848,0.005474224,0.00010422518,0.0001346693,0.0000012862932,0.02559591,0.000004203205,0.0010946295,0.8393334,0.109643996,0.018478967],"study_design_scores_gemma":[0.00008578574,0.000014919452,0.0032297205,0.000022062246,0.00004997199,7.812558e-7,0.00040297452,0.00010261697,0.0009779654,0.0051477784,0.9899081,0.00005734582],"about_ca_topic_score_codex":0.0001465529,"about_ca_topic_score_gemma":0.0042586126,"teacher_disagreement_score":0.8802641,"about_ca_system_score_codex":0.000007751773,"about_ca_system_score_gemma":0.000006373323,"threshold_uncertainty_score":0.999525},"labels":[],"label_agreement":null},{"id":"W1984828523","doi":"10.3138/md.0543","title":"“Wall Street Lays an Egg”: Financial Drama and the 1933 Banking Collapse in Archibald MacLeish’s <i>Panic: A Drama of Industrial Crisis</i> (1935)","year":2013,"lang":"en","type":"article","venue":"Modern Drama","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Drama; Context (archaeology); Marxist philosophy; Crash; Literature; Politics; History; Art; Law; Political science","score_opus":0.02684496866900413,"score_gpt":0.22874155581057284,"score_spread":0.20189658714156872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1984828523","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9875663,0.00027682338,0.000078733814,0.00231611,0.00021717158,0.0005293767,0.00008998565,0.000047546306,0.008877981],"genre_scores_gemma":[0.9971867,0.00002964959,0.000042067335,0.001296287,0.00067801896,0.00008319761,0.000030289344,0.000037538604,0.00061623007],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9974733,0.00031294237,0.0007351458,0.00048377487,0.00042945307,0.0005653876],"domain_scores_gemma":[0.9987181,0.00021898007,0.00022157312,0.0005297016,0.00016670847,0.00014492543],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00061313465,0.0003323696,0.00067933963,0.00019016894,0.00040912334,0.00064869947,0.0004949306,0.00018577752,0.000939232],"category_scores_gemma":[0.00012579364,0.00024837293,0.00019919682,0.00013082344,0.00061126053,0.00055276335,0.00018602074,0.0005109015,0.000022776085],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00074085064,0.001093042,0.0067310347,0.000109613735,0.00024493074,0.000056840287,0.12588553,0.00035845785,0.0004647063,0.8153369,0.014360556,0.03461757],"study_design_scores_gemma":[0.03490458,0.0016354283,0.010590595,0.0009053082,0.0012270375,0.000039453054,0.054389913,0.15533161,0.0014799909,0.6346871,0.10126004,0.0035489337],"about_ca_topic_score_codex":0.01030463,"about_ca_topic_score_gemma":0.013861523,"teacher_disagreement_score":0.18064976,"about_ca_system_score_codex":0.00004307427,"about_ca_system_score_gemma":0.00010789537,"threshold_uncertainty_score":0.99999684},"labels":[],"label_agreement":null},{"id":"W1986156033","doi":"10.1016/s0166-1280(03)00262-8","title":"David M. Bishop—gentleman and scholar","year":2003,"lang":"en","type":"article","venue":"Journal of Molecular Structure THEOCHEM","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Art; Art history; Philosophy; History","score_opus":0.008155024709696349,"score_gpt":0.2124220655466692,"score_spread":0.20426704083697286,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1986156033","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9794246,0.002767425,0.00017865772,0.00036620258,0.00025203562,0.000037490732,0.000009811597,0.0000065192244,0.01695727],"genre_scores_gemma":[0.9985617,0.00004008101,0.00046016643,0.00044632636,0.00016040115,2.67962e-7,0.0000015146913,0.000013839354,0.00031569818],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990582,0.0001153485,0.00029734956,0.000108011576,0.00026027326,0.00016080885],"domain_scores_gemma":[0.9993468,0.000021426014,0.00018633454,0.00015504831,0.00018020021,0.000110188426],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033104775,0.00013731857,0.0002523421,0.00011007474,0.00017170844,0.00018939262,0.00014279445,0.00004903449,0.0014236005],"category_scores_gemma":[0.00013788193,0.00009943171,0.00014900557,0.000040240942,0.000119574426,0.0001853788,0.000017622113,0.00034435414,0.000002840051],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025187914,0.00004750526,0.00014741065,0.000034404453,0.00036090004,0.00022807333,0.0050854012,0.000015900481,0.0915306,0.8993748,0.0012585829,0.0018912584],"study_design_scores_gemma":[0.0012486055,0.00027178533,0.00022994466,0.00009666296,0.00062884076,0.00085734925,0.005351995,0.000011630523,0.25425515,0.25195786,0.48461074,0.00047941043],"about_ca_topic_score_codex":0.0000024376532,"about_ca_topic_score_gemma":0.0000072169387,"teacher_disagreement_score":0.6474169,"about_ca_system_score_codex":0.00001325821,"about_ca_system_score_gemma":0.000029152632,"threshold_uncertainty_score":0.99948925},"labels":[],"label_agreement":null},{"id":"W1986938388","doi":"10.1111/j.1741-4113.2007.00457.x","title":"Lyric Narrative Hybrids in Victorian Poetry","year":2007,"lang":"en","type":"article","venue":"Literature Compass","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Narrative; Literature; Poetry; Section (typography); Hybridity; Sonnet; Art; History; Victorian literature; Computer science","score_opus":0.011889304870553126,"score_gpt":0.2455489541914071,"score_spread":0.23365964932085398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1986938388","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5444342,0.0031554548,0.00021835456,0.0016026933,0.0026088,0.00018811502,0.00006261123,0.00013774002,0.44759202],"genre_scores_gemma":[0.9888463,0.000005868723,0.000043218814,0.0007145002,0.0015575937,0.0000051377006,0.00006504766,0.000013418591,0.008748906],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99883556,0.000055636265,0.00031743484,0.0002448039,0.00019473855,0.0003518255],"domain_scores_gemma":[0.9994303,0.00008223486,0.000055192795,0.00021966416,0.000120109224,0.00009247221],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003105323,0.0001802689,0.00026423932,0.00025385755,0.0002077712,0.00036126783,0.00018798503,0.00006641811,0.0011080665],"category_scores_gemma":[0.000022753371,0.00014863214,0.0001122913,0.00021855344,0.00009545858,0.00029653305,0.00002934386,0.00036271295,0.000057585097],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043656455,0.00016239523,0.0011735113,0.000031211508,0.000044454988,0.0002249818,0.18847284,0.0000034755815,0.00015125982,0.8009695,0.008213889,0.0005088652],"study_design_scores_gemma":[0.00043500582,0.000055837736,0.00563862,0.00015037578,0.000018632205,0.000009508839,0.008828626,0.00008594336,0.00018139102,0.0062409015,0.9780503,0.00030487002],"about_ca_topic_score_codex":0.000029251598,"about_ca_topic_score_gemma":0.0010262016,"teacher_disagreement_score":0.9698364,"about_ca_system_score_codex":0.00004829322,"about_ca_system_score_gemma":0.000013375937,"threshold_uncertainty_score":0.99980503},"labels":[],"label_agreement":null},{"id":"W1987725967","doi":"10.1080/00144940.2010.535468","title":"W. H. Auden's MUSÉE DES BEAUX ARTS and the Golden Mean","year":2010,"lang":"en","type":"article","venue":"The Explicator","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Allusion; Art; Poetry; Line (geometry); Literature; The arts; Art history; Mathematics; Visual arts","score_opus":0.025384243836738804,"score_gpt":0.23630508648625695,"score_spread":0.21092084264951816,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1987725967","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9133994,0.00058171316,0.00002058038,0.00719331,0.00023593992,0.00017539723,0.000012792085,0.00006230287,0.078318544],"genre_scores_gemma":[0.9921742,0.000039216415,0.000018010767,0.0012831943,0.00088841235,0.0000488406,0.0000021098908,0.000012307081,0.0055337115],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935526,0.00004706466,0.00013947288,0.00014780107,0.00012800485,0.00018241873],"domain_scores_gemma":[0.99922526,0.00017414567,0.000045023706,0.00045381943,0.000042294567,0.000059441725],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004248317,0.0001073803,0.00014613292,0.000022502523,0.0007883881,0.0002681309,0.0003155044,0.000026369727,0.0011366312],"category_scores_gemma":[0.00003833651,0.00004931151,0.00008986435,0.00002667027,0.0013043439,0.000108768465,0.00008179747,0.00020240042,0.00018146091],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013015383,0.000026435413,0.000029302946,0.000004556725,0.000037654114,8.5445873e-7,0.025011538,8.663188e-8,0.00043744885,0.96849495,0.0035903282,0.002353802],"study_design_scores_gemma":[0.00057451957,0.000030224566,0.0008350267,0.0000109534,0.00017141555,0.00001356213,0.012133779,0.00011587805,0.0008357641,0.116135955,0.86893725,0.00020564579],"about_ca_topic_score_codex":0.00018548574,"about_ca_topic_score_gemma":0.0017242782,"teacher_disagreement_score":0.86534697,"about_ca_system_score_codex":0.000003886418,"about_ca_system_score_gemma":0.0000081344715,"threshold_uncertainty_score":0.9997765},"labels":[],"label_agreement":null},{"id":"W1990670892","doi":"10.1353/vpr.2014.0041","title":"Touchstones and Tit-Bits: Extracting Culture in the 1880s","year":2014,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":20,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Parallels; Poetry; Journalism; George (robot); Bridge (graph theory); Power (physics); Literature; Value (mathematics); History; Sociology; Art; Art history; Media studies; Computer science; Biology","score_opus":0.017096726922184793,"score_gpt":0.2549232954625952,"score_spread":0.2378265685404104,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1990670892","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016252762,0.50000066,0.00005992481,0.02483121,0.0011109344,0.00084282854,0.00003321617,0.00011874694,0.4567497],"genre_scores_gemma":[0.93948597,0.04424658,0.00004640701,0.010798098,0.0020929296,0.000064001375,0.0000168033,0.000017325297,0.0032319042],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99879515,0.0002482451,0.00034408725,0.00020363375,0.00021043867,0.00019843742],"domain_scores_gemma":[0.9994467,0.00012708307,0.000079953206,0.00023997389,0.000045617893,0.000060686394],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00086429453,0.00014444387,0.0003600182,0.0000311933,0.00033763537,0.00031272715,0.00020374233,0.000041942596,0.0019493754],"category_scores_gemma":[0.00034773623,0.00008128711,0.00010260861,0.00007464607,0.00017943457,0.00016112,0.000027404649,0.0002149403,0.00010800181],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000052218084,0.00018822093,0.00037078932,0.0030746807,0.000058269154,0.000024413857,0.057847265,1.9482903e-7,0.00008808054,0.8366481,0.04372187,0.05797287],"study_design_scores_gemma":[0.00008242266,0.000027474338,0.00014828316,0.0010342406,0.000069060436,0.000009183046,0.000884142,0.000012604201,0.0000018613891,0.0007175491,0.9968874,0.00012580116],"about_ca_topic_score_codex":0.0000358843,"about_ca_topic_score_gemma":0.00022596894,"teacher_disagreement_score":0.95316553,"about_ca_system_score_codex":0.00000919961,"about_ca_system_score_gemma":0.000012162827,"threshold_uncertainty_score":0.998963},"labels":[],"label_agreement":null},{"id":"W1993154834","doi":"10.1353/mos.2012.0043","title":"One's Own Voice","year":2012,"lang":"en","type":"article","venue":"Mosaic","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Library science; Publication; Mosaic; Feature (linguistics); Political science; Media studies; Sociology; Art; Computer science; Visual arts; Linguistics; Law; Philosophy","score_opus":0.04480977132360319,"score_gpt":0.24185228404383752,"score_spread":0.19704251272023432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1993154834","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23728932,0.0015472118,0.0000637543,0.0011583788,0.00080327917,0.000063502426,0.000034425306,0.00011773023,0.7589224],"genre_scores_gemma":[0.96715313,0.000006974937,0.000020977224,0.00071218825,0.0012807024,0.0000059444205,0.000015871477,0.000007874447,0.030796317],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946785,0.000020702046,0.00009929058,0.0000717958,0.000108208566,0.00023213481],"domain_scores_gemma":[0.99972147,0.000021816188,0.000021824457,0.0001387061,0.000025240326,0.00007097076],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001125551,0.000061868814,0.00009758942,0.000031314685,0.00018117292,0.000070194124,0.000079014266,0.000018918794,0.0075952355],"category_scores_gemma":[0.000012210973,0.00005418239,0.00006428293,0.000020409596,0.00006421436,0.00022295838,0.000019425386,0.000064864995,0.002215042],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000039199654,0.00025620018,0.0009341996,0.0000185753,0.00007334434,0.0000013266823,0.014944858,9.877559e-7,0.00022506242,0.9244342,0.051372286,0.0077350275],"study_design_scores_gemma":[0.00006484791,0.00001219378,0.00075245055,0.00000590454,0.000047874153,5.513331e-7,0.00084929436,0.000020243473,0.0002199095,0.001498749,0.99643034,0.00009761518],"about_ca_topic_score_codex":0.00012251083,"about_ca_topic_score_gemma":0.00011704013,"teacher_disagreement_score":0.9450581,"about_ca_system_score_codex":0.000010738107,"about_ca_system_score_gemma":0.0000043950854,"threshold_uncertainty_score":0.99856186},"labels":[],"label_agreement":null},{"id":"W1999212765","doi":"10.1177/0963947004036631","title":"A Rose is a Rose is a Hero is a Horse: Naming and Referentiality in the Poetry of Robert Kroetsch and Gertrude Stein","year":2004,"lang":"en","type":"article","venue":"Language and Literature International Journal of Stylistics","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Poetry; Poetics; Postmodernism; Literature; Representation (politics); Modernism (music); Meaning (existential); Philosophy; Art; New Criticism; Metafiction; Irony; Literary criticism; Aesthetics; Literary theory; Epistemology; Politics","score_opus":0.010700251058241612,"score_gpt":0.26698956310501204,"score_spread":0.2562893120467704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1999212765","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98528206,0.010377494,0.00008642326,0.0022029856,0.00013263078,0.00004973656,0.0003420399,0.000002807525,0.001523822],"genre_scores_gemma":[0.99612993,0.0006342533,0.00017769707,0.0020373561,0.00040143778,8.5856516e-7,0.000014316264,0.0000072617145,0.0005969167],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9989609,0.000048640053,0.0004076951,0.0001281078,0.00034146092,0.00011317548],"domain_scores_gemma":[0.99928606,0.00007600934,0.00021049783,0.00009705656,0.00027769184,0.000052667267],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028411116,0.00013120743,0.00024011671,0.00015753639,0.00007940698,0.0004795868,0.00016632368,0.00006386517,0.00014394999],"category_scores_gemma":[0.000059234095,0.00008616563,0.00007699218,0.00005469253,0.00012590573,0.0002556667,0.00004260528,0.0003150698,3.1782218e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028582395,0.00038508055,0.0011920352,0.00019988844,0.00048919086,0.0010241631,0.84028757,0.000002537489,0.0011758935,0.1464661,0.0011295237,0.007362169],"study_design_scores_gemma":[0.022651264,0.0024972984,0.04474146,0.01227333,0.0023525148,0.0061951475,0.4137354,0.0013123779,0.0076439115,0.09800644,0.38583663,0.0027542233],"about_ca_topic_score_codex":0.0002816616,"about_ca_topic_score_gemma":0.0003017441,"teacher_disagreement_score":0.4265522,"about_ca_system_score_codex":0.00001754491,"about_ca_system_score_gemma":0.000025084863,"threshold_uncertainty_score":0.46246666},"labels":[],"label_agreement":null},{"id":"W1999913463","doi":"10.1093/res/hgl148","title":"The Sheridans at Work Again: The Wallace Manuscript of The Siege of St Quintin","year":2007,"lang":"en","type":"article","venue":"The Review of English Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Siege; Hook; Work (physics); Art; History; Art history; Classics; Ancient history; Engineering","score_opus":0.038945510858161045,"score_gpt":0.2733838539503429,"score_spread":0.23443834309218187,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1999913463","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.056207538,0.81425923,0.0000017825106,0.008002736,0.0011380935,0.000631532,0.000036803933,0.000018313749,0.11970395],"genre_scores_gemma":[0.80179614,0.18232885,0.0000035656265,0.00094667915,0.0006293172,0.000024829842,0.0000013533241,0.000015613767,0.014253659],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981385,0.0003069656,0.0007608006,0.00013449726,0.00040273406,0.00025654127],"domain_scores_gemma":[0.99665415,0.0012609446,0.00048783227,0.00079412444,0.00078482257,0.000018098111],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0032046875,0.00018181336,0.000595582,0.000015715601,0.0006587027,0.000022451508,0.000808511,0.000020792188,0.00014311567],"category_scores_gemma":[0.0013063345,0.00006135949,0.0004956482,0.00015477615,0.0014186285,0.000048527472,0.0003704822,0.00017348687,0.000004844033],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008623887,0.00022317083,0.00072571763,0.007298036,0.0028737215,0.0000020290151,0.20171967,0.000008338252,0.00006303003,0.32736975,0.44512492,0.014505346],"study_design_scores_gemma":[0.0000932135,0.000037787206,0.0005913479,0.003125872,0.0006097164,3.3342891e-7,0.040908486,7.131622e-7,0.0002783443,0.00075824023,0.95349437,0.000101558304],"about_ca_topic_score_codex":0.000041923253,"about_ca_topic_score_gemma":0.0011290059,"teacher_disagreement_score":0.7455886,"about_ca_system_score_codex":0.00003335664,"about_ca_system_score_gemma":0.000013175993,"threshold_uncertainty_score":0.5226996},"labels":[],"label_agreement":null},{"id":"W2000058418","doi":"10.1080/00144940.2012.701671","title":"Counter-Pastoral in Carolyn Kizer's TWO POETS BY THE LAKE","year":2012,"lang":"en","type":"article","venue":"The Explicator","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Poetry; Wright; Minor (academic); Literature; Art; Art history; History; Humanities","score_opus":0.025641153143858657,"score_gpt":0.25455245127077825,"score_spread":0.2289112981269196,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2000058418","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90329355,0.0030790889,0.000018616884,0.007890207,0.00059215224,0.00024627603,0.00014218545,0.00006787494,0.08467004],"genre_scores_gemma":[0.9892547,0.000011445497,0.0000014823588,0.0021734622,0.0010560498,0.00005300775,0.000013672329,0.0000151462,0.0074210037],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990628,0.00009544865,0.00018688575,0.0001234849,0.00017803803,0.0003533375],"domain_scores_gemma":[0.9993485,0.000091625065,0.000051592382,0.0004190023,0.000024518944,0.00006474671],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000433448,0.00012703084,0.00016042782,0.000027469407,0.00031691734,0.0001131657,0.00038139298,0.000022854265,0.0023041405],"category_scores_gemma":[0.000011953831,0.00006531331,0.00009263838,0.00004557248,0.00022227608,0.00018787096,0.000059596092,0.00017549067,0.00047286827],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034810666,0.00033785793,0.0024212904,0.000010448028,0.00010234656,0.000002797391,0.05670098,0.0000034015366,0.0006321782,0.59687096,0.34042913,0.0024537814],"study_design_scores_gemma":[0.00020067825,0.000012987811,0.00069327664,0.0000065835716,0.00003702859,0.0000041006124,0.0038763417,0.000035311346,0.00025083518,0.000796116,0.9939666,0.00012015118],"about_ca_topic_score_codex":0.0003331194,"about_ca_topic_score_gemma":0.0019471258,"teacher_disagreement_score":0.65353745,"about_ca_system_score_codex":0.000021490087,"about_ca_system_score_gemma":0.000009500701,"threshold_uncertainty_score":0.9986079},"labels":[],"label_agreement":null},{"id":"W2000918437","doi":"10.1215/00267929-66-1-85","title":"The Laura Riding Question: Modernism, Poetry, and Truth","year":2005,"lang":"en","type":"article","venue":"Modern Language Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernism (music); Poetry; Everyday life; Art; Aesthetics; Art history; Sociology; Philosophy; Literature; Epistemology","score_opus":0.010195416291780805,"score_gpt":0.23686591503782659,"score_spread":0.22667049874604578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2000918437","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9172396,0.010016894,0.00498672,0.0057424237,0.00043586406,0.00017978321,0.00004978336,0.00027726046,0.06107168],"genre_scores_gemma":[0.98889405,0.00002044426,0.00007311943,0.00032452418,0.0011284509,0.000013598446,0.000010376565,0.000019506779,0.009515939],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989975,0.00007040004,0.00022164478,0.00022473552,0.00019484885,0.0002908735],"domain_scores_gemma":[0.99942815,0.00010783853,0.000057818008,0.00026866625,0.000058889076,0.00007861163],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024647714,0.00015738237,0.00016110632,0.00004813449,0.0007314709,0.0005978793,0.00016410458,0.00003908705,0.00032532818],"category_scores_gemma":[0.000015741725,0.00010697535,0.000073569296,0.000024801775,0.00017090593,0.00031052058,0.000014300314,0.00015107397,0.00008242892],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023796643,0.00006549661,0.000019586227,0.000017652494,0.00008386995,0.000028503822,0.1439508,0.000014051712,0.00049453916,0.50745827,0.0008468054,0.3469966],"study_design_scores_gemma":[0.0026083784,0.0010281404,0.0006508093,0.00021453443,0.0005448416,0.00017321864,0.21760197,0.29278427,0.00077126146,0.078413464,0.4031211,0.002087994],"about_ca_topic_score_codex":0.000116953444,"about_ca_topic_score_gemma":0.0015330408,"teacher_disagreement_score":0.42904484,"about_ca_system_score_codex":0.00002266654,"about_ca_system_score_gemma":0.000011674717,"threshold_uncertainty_score":0.57653636},"labels":[],"label_agreement":null},{"id":"W2001575505","doi":"10.7202/015820ar","title":"Effusive Elegies or Catty Critic: Letitia Elizabeth Landon On Felicia Hemans","year":2007,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Depiction; Public sphere; Literature; Law; Political science; Politics","score_opus":0.03943282587469246,"score_gpt":0.27041907607946825,"score_spread":0.23098625020477578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2001575505","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6325394,0.00024920615,0.00016962485,0.00630254,0.0009968737,0.00036773345,0.00008100142,0.00020335999,0.35909027],"genre_scores_gemma":[0.973072,0.00005747248,0.000014352292,0.0075589395,0.0013870953,0.0000152159155,0.000025218447,0.000039822564,0.017829893],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99799895,0.000107146385,0.00040925085,0.00035959488,0.0004957934,0.0006292482],"domain_scores_gemma":[0.99821603,0.0008984291,0.00010534527,0.0005428062,0.00012787689,0.0001095074],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00065709656,0.00032153173,0.0003991096,0.0001603865,0.0007825921,0.00029041682,0.00041383534,0.000084724794,0.0039769914],"category_scores_gemma":[0.0001618123,0.00018535083,0.0002085275,0.0000968392,0.00032733966,0.000115146846,0.000054987122,0.00035313756,0.00091221253],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023128139,0.00031163695,0.000046639685,0.000033214874,0.00013424501,0.00015809936,0.0075404067,0.000019862828,0.00024158377,0.93607956,0.054283626,0.000919861],"study_design_scores_gemma":[0.0015261676,0.0015855626,0.0035624802,0.00054682186,0.000526059,0.000032542215,0.016347839,0.0004834028,0.0092952475,0.019693904,0.9452562,0.0011438134],"about_ca_topic_score_codex":0.00043080864,"about_ca_topic_score_gemma":0.0022009215,"teacher_disagreement_score":0.91638565,"about_ca_system_score_codex":0.000039516173,"about_ca_system_score_gemma":0.000026023725,"threshold_uncertainty_score":0.9998657},"labels":[],"label_agreement":null},{"id":"W2001977355","doi":"10.5430/wjel.v4n3p18","title":"Ezra Pound’s Early Poetics and His Early Romantic and Imagist Poems","year":2014,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Beijing Higher Education Young Elite Teacher Project","keywords":"Pound (networking); Poetics; Romance; Poetry; Literature; Art; Philosophy; Computer science","score_opus":0.00970596816016577,"score_gpt":0.22018571451026236,"score_spread":0.21047974635009659,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2001977355","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9219425,0.0029045276,0.000021470783,0.00027396376,0.00052740634,0.000034618926,0.000009461273,0.000020708912,0.074265376],"genre_scores_gemma":[0.9893615,0.000064248154,0.00010598442,0.00027102584,0.0021793258,5.7656706e-7,0.0000016150344,0.000019202413,0.007996525],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989713,0.00007118282,0.0003726459,0.00013163229,0.00023177837,0.00022146816],"domain_scores_gemma":[0.99907357,0.000121643956,0.00019908465,0.00014846082,0.0003007919,0.00015647581],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042269874,0.00014979819,0.00033078963,0.00024160894,0.0001802583,0.00052147347,0.00014248317,0.00002804018,0.00046654048],"category_scores_gemma":[0.00027235958,0.00011930301,0.000108199354,0.000055281795,0.00025634267,0.0003847505,0.000040837334,0.00028019506,0.0000066245907],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013509321,0.00034439942,0.018123427,0.00019885151,0.00059101655,0.0004760142,0.45904717,0.000003907319,0.0013334521,0.48126414,0.0144458655,0.024036668],"study_design_scores_gemma":[0.002867277,0.0008673216,0.033333384,0.00045830422,0.0009579697,0.00009832491,0.03917632,0.00014004725,0.00028477176,0.0056095514,0.9152958,0.0009109462],"about_ca_topic_score_codex":0.0002597061,"about_ca_topic_score_gemma":0.0006665255,"teacher_disagreement_score":0.90084994,"about_ca_system_score_codex":0.000014550187,"about_ca_system_score_gemma":0.000011265662,"threshold_uncertainty_score":0.5108291},"labels":[],"label_agreement":null},{"id":"W2005467397","doi":"10.3138/cras.2015.s05","title":"Concord Companions: Margaret Fuller, Friendship, and Desire","year":2015,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Friendship; Admiration; Sympathy; Romance; Rhetoric; Literature; German; Context (archaeology); Poetry; Reading (process); Human sexuality; Psychoanalysis; Philosophy; Art; Sociology; Gender studies; History; Psychology; Social psychology; Theology; Linguistics","score_opus":0.1075713400241522,"score_gpt":0.31760523899999266,"score_spread":0.21003389897584046,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2005467397","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017419714,0.78448963,0.000002637161,0.006978327,0.0002614349,0.0002486776,0.00020369088,0.000027181653,0.19036871],"genre_scores_gemma":[0.89414895,0.09900522,0.00006615061,0.0059271473,0.00014485793,0.000022936627,0.000013906069,0.000011571508,0.00065927074],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990865,0.0000828322,0.00030342932,0.00016529026,0.00013282799,0.00022910838],"domain_scores_gemma":[0.99892944,0.000072017254,0.00014648773,0.00018414488,0.00034062687,0.0003272803],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025663577,0.00014212423,0.0006839699,0.00009309081,0.00016993284,0.000024236231,0.000114220406,0.000009198418,0.00024860929],"category_scores_gemma":[0.00026347436,0.00011274401,0.00008047869,0.00010268428,0.0012884459,0.000071090915,0.000032981763,0.00006826706,0.00002282478],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009112493,0.00003818027,0.001611238,0.003315432,0.00087959925,0.000065878725,0.014488501,3.2923413e-7,5.211545e-7,0.534585,0.3575995,0.08740672],"study_design_scores_gemma":[0.000090003414,0.000115392104,0.00026311819,0.0013489346,0.0001780112,0.0000057545008,0.050015397,0.0000026275186,7.6057387e-7,0.0007488754,0.9470676,0.00016350669],"about_ca_topic_score_codex":0.024991473,"about_ca_topic_score_gemma":0.11010429,"teacher_disagreement_score":0.87672925,"about_ca_system_score_codex":0.000066464396,"about_ca_system_score_gemma":0.0001595969,"threshold_uncertainty_score":0.9815012},"labels":[],"label_agreement":null},{"id":"W2010415963","doi":"10.7202/007714ar","title":"“Under the subtle wreath”: Louise Bogan, Felicia Hemans, and Petrarchan Poetics1","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Literature; Modernism (music); MAGIC (telescope); Art history; Philosophy; Physics; Astronomy","score_opus":0.026516792226090203,"score_gpt":0.22023296617836044,"score_spread":0.19371617395227023,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2010415963","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89263433,0.0008869461,0.00010207454,0.03104495,0.0003526843,0.0002658164,0.00003599888,0.000086475586,0.07459074],"genre_scores_gemma":[0.98740995,0.00014697015,0.000010237591,0.0047742124,0.00056451524,0.000014355187,0.000009153718,0.000027215552,0.007043384],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99872077,0.000081358834,0.00024278283,0.00026391214,0.00031339604,0.00037778608],"domain_scores_gemma":[0.99910456,0.000210355,0.0000687467,0.00048465483,0.000051422558,0.000080248334],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033188442,0.00022471552,0.00023192022,0.00006850839,0.00094736373,0.000341113,0.0003460946,0.00004880982,0.0010808732],"category_scores_gemma":[0.000026619206,0.000118363234,0.00013170768,0.000064082386,0.00052575953,0.00009087957,0.00007727263,0.0002693807,0.00026084026],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014222483,0.00010645512,0.000013219248,0.00000893347,0.0000716619,0.000016019148,0.008002424,0.00004271738,0.00013904956,0.9874925,0.003862544,0.00023022805],"study_design_scores_gemma":[0.0019188228,0.00081133755,0.0056523685,0.00031766563,0.00079487584,0.00008045166,0.037576757,0.0008529104,0.0033442513,0.5195085,0.42797834,0.0011637517],"about_ca_topic_score_codex":0.00046058695,"about_ca_topic_score_gemma":0.000893798,"teacher_disagreement_score":0.46798405,"about_ca_system_score_codex":0.000022042777,"about_ca_system_score_gemma":0.000022046357,"threshold_uncertainty_score":0.9998323},"labels":[],"label_agreement":null},{"id":"W2011509918","doi":"10.1080/00111610209602177","title":"Elizabeth Bishop's Stories of Childhood: Writing the Disaster","year":2002,"lang":"en","type":"article","venue":"Critique Studies in Contemporary Fiction","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":14,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Sight; Memoir; Narrative; Art; Recall; Literature; Psychology; Visual arts; History; Cognitive psychology; Physics; Optics","score_opus":0.1500853447404003,"score_gpt":0.33151239093494717,"score_spread":0.18142704619454686,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2011509918","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45914137,0.072179206,0.000071026065,0.00901414,0.0025286458,0.0005962602,0.0001133832,0.0001609215,0.45619506],"genre_scores_gemma":[0.99524075,0.0012461551,0.000009774917,0.00038737035,0.00064664474,0.00005168419,0.000007422382,0.000014719934,0.0023954744],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9987449,0.0001630358,0.00051477196,0.00020935391,0.00018034528,0.00018756866],"domain_scores_gemma":[0.9991439,0.00028851363,0.00011136698,0.00022703347,0.00020685214,0.000022326534],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041370888,0.00016572501,0.0003370965,0.00010480702,0.00042588243,0.000065175875,0.00014626674,0.00004082799,0.00028697102],"category_scores_gemma":[0.00017545457,0.000115224284,0.00013000697,0.000095139934,0.00070507056,0.0004363127,0.00006429952,0.0002109381,0.000007356934],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029384351,0.00049849163,0.0038123594,0.00034899634,0.00053923595,0.000030296267,0.5399717,0.000012613457,0.00007404324,0.3039034,0.14652167,0.004257806],"study_design_scores_gemma":[0.0007078013,0.00023749637,0.0011935616,0.00064732286,0.00011279484,0.0000073686238,0.64880204,0.00026499986,0.00023078595,0.004939928,0.34243095,0.00042494934],"about_ca_topic_score_codex":0.00014234571,"about_ca_topic_score_gemma":0.00037615254,"teacher_disagreement_score":0.5360994,"about_ca_system_score_codex":0.00003247069,"about_ca_system_score_gemma":0.000009165081,"threshold_uncertainty_score":0.46987098},"labels":[],"label_agreement":null},{"id":"W2014014299","doi":"10.1353/esc.2011.0002","title":"The Ethics of William Carlos Williams's Poetry (review)","year":2011,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Poetics; Scholarship; Art history; Philosophy; Literature; Sociology; History; Art; Law","score_opus":0.10897700402466133,"score_gpt":0.2897009182662365,"score_spread":0.1807239142415752,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2014014299","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.047603965,0.46042305,0.0000016161704,0.0021386435,0.00849619,0.00046013968,0.00016690987,0.00004418833,0.4806653],"genre_scores_gemma":[0.94845355,0.047769945,0.000008517004,0.0013693551,0.00030081705,0.000029416879,0.0000022510824,0.000011080512,0.0020550557],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986421,0.0001306977,0.00043762344,0.00015763052,0.0003591735,0.0002727777],"domain_scores_gemma":[0.9984725,0.00056795403,0.00011750756,0.00030543725,0.00049474585,0.000041838564],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00060838374,0.00014330796,0.00036982383,0.000026404883,0.00036383147,0.000009650562,0.00030534167,0.000027146369,0.00025122764],"category_scores_gemma":[0.0011007095,0.00009378659,0.00008057498,0.00007933671,0.00051191356,0.00007879159,0.0000885191,0.0003757241,0.0000014049859],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017790755,0.00008697047,0.0047195028,0.0015179315,0.0009164549,0.00008203571,0.1770108,0.0000063409093,8.839954e-7,0.21283957,0.5981511,0.004650625],"study_design_scores_gemma":[0.00012450309,0.000029251562,0.0006161958,0.0006278377,0.00010645409,5.1276635e-7,0.11013952,0.0000031998527,0.00004359658,0.0011534477,0.8869631,0.00019237548],"about_ca_topic_score_codex":0.62607914,"about_ca_topic_score_gemma":0.99051905,"teacher_disagreement_score":0.9008496,"about_ca_system_score_codex":0.00018042869,"about_ca_system_score_gemma":0.00033416625,"threshold_uncertainty_score":0.3824506},"labels":[],"label_agreement":null},{"id":"W2015929929","doi":"10.1057/9781403980892_5","title":"“Decomposing” Texts: Browning’s Poetics and Higher-Critical Parody","year":2004,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan US eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Criticism; Literature; Poetics; Philosophy; Monster; Interpretation (philosophy); Deconstruction (building); Literary criticism; New Criticism; Indeterminacy (philosophy); Historical criticism; Poetry; Mythology; Art; History; Literary theory; Epistemology; Linguistics; Literary science","score_opus":0.028124789325284616,"score_gpt":0.2475805751166911,"score_spread":0.21945578579140648,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2015929929","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00019261596,0.002895051,0.00001669793,0.00032138766,0.0007806393,0.00022034897,0.00029294108,0.00016880335,0.9951115],"genre_scores_gemma":[0.8241104,0.00014206656,0.000108626744,0.0009457154,0.0016748443,0.000012184485,0.00009140882,0.00013224794,0.17278254],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9973242,0.000039998074,0.00072283676,0.00077327184,0.0005002893,0.0006393865],"domain_scores_gemma":[0.9984524,0.00019215599,0.00018689311,0.00060719904,0.00022023178,0.00034112312],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001677843,0.0007727965,0.00094137405,0.0002747408,0.0006086565,0.0005395173,0.00032951607,0.00037177946,0.006188208],"category_scores_gemma":[0.000026673773,0.0007079884,0.00040358613,0.0000069459074,0.0014299012,0.00000738911,0.00018935186,0.000650888,0.00024564352],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001937099,0.0000046297732,0.000008515086,0.00016175426,0.00022973452,0.00017415703,0.00161067,3.8202103e-7,0.000029808643,0.9935213,0.00024055081,0.0039991257],"study_design_scores_gemma":[0.00035830634,0.00015157188,0.000042897304,0.00041006107,0.0005319438,0.000031759737,0.000100625715,0.000006543726,0.000037586244,0.73735386,0.2601777,0.00079713087],"about_ca_topic_score_codex":0.00014375495,"about_ca_topic_score_gemma":0.0002561721,"teacher_disagreement_score":0.82391775,"about_ca_system_score_codex":0.00009379855,"about_ca_system_score_gemma":0.000078194185,"threshold_uncertainty_score":0.9995371},"labels":[],"label_agreement":null},{"id":"W2017585696","doi":"10.1353/vcr.2013.0026","title":"The Ranter and the Lyric: Reform and Genre Heterogeneity in Ebenezer Elliott’s Corn Law Rhymes","year":2013,"lang":"en","type":"article","venue":"Victorian review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Politics; Sensibility; History; Law; Art; Political science","score_opus":0.014680357025689041,"score_gpt":0.228639686667033,"score_spread":0.21395932964134395,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2017585696","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04489736,0.82279027,0.0000037424218,0.016688492,0.000666063,0.0012512051,0.000019721805,0.000038174207,0.113644995],"genre_scores_gemma":[0.8447226,0.1481279,0.0000029138384,0.0038437636,0.00038532767,0.000094962226,0.0000033265076,0.000011965713,0.0028072076],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99901336,0.00016526347,0.00032762767,0.00016999047,0.00012189894,0.00020187358],"domain_scores_gemma":[0.99940294,0.00012486895,0.00007239039,0.00028771948,0.000060385173,0.000051722647],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005902632,0.00014263432,0.00033658705,0.00001738118,0.00042478376,0.00034156477,0.00015682372,0.000027992644,0.00046190704],"category_scores_gemma":[0.000023382256,0.000060308033,0.00010076628,0.000041009618,0.00042400855,0.00017796035,0.000065166394,0.00012333322,0.00007417886],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001087016,0.000019856148,0.0001324305,0.0004800504,0.00008088309,0.0000026351524,0.0022733256,3.1232634e-8,0.000005596371,0.9776152,0.0024312183,0.01694795],"study_design_scores_gemma":[0.00033137552,0.000015943075,0.0004558325,0.00043112703,0.00008485622,0.000005276339,0.00035364114,0.000023740042,0.0000066413263,0.0034726777,0.99470633,0.00011254775],"about_ca_topic_score_codex":0.00083353417,"about_ca_topic_score_gemma":0.0047140294,"teacher_disagreement_score":0.9922751,"about_ca_system_score_codex":0.000018672761,"about_ca_system_score_gemma":0.0000064793226,"threshold_uncertainty_score":0.5057558},"labels":[],"label_agreement":null},{"id":"W2021428797","doi":"10.1353/chq.2007.0022","title":"Hide-and-Seek with Angels: A Life of J. M. Barrie (review)","year":2007,"lang":"en","type":"article","venue":"Children's Literature Association quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Biography; Portrait; Art; Art history; Literature","score_opus":0.004573004106251101,"score_gpt":0.20035781041453868,"score_spread":0.19578480630828757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2021428797","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73370576,0.15001225,0.0005998042,0.014361995,0.00087623677,0.0014814582,0.0012741546,0.00038692923,0.09730141],"genre_scores_gemma":[0.99246716,0.0003996893,0.000050618288,0.002211936,0.00060419634,0.000008682469,0.0002051765,0.000019100735,0.004033446],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99853927,0.00008099389,0.00046527365,0.0002500568,0.00037840367,0.0002859935],"domain_scores_gemma":[0.9987449,0.0001380204,0.00038154013,0.00020668293,0.00039235456,0.00013650661],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00066866504,0.00020174494,0.00041982834,0.0001728848,0.00017930081,0.00017521562,0.000117839234,0.00009747596,0.00035468247],"category_scores_gemma":[0.00008933838,0.0001528565,0.00014388793,0.0001980683,0.00007338311,0.00038289744,0.0000073071174,0.00023833675,0.00001591273],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001908555,0.0007168771,0.057776466,0.001166492,0.002507576,0.000041949566,0.1451434,7.260461e-7,0.00018991793,0.60074246,0.16740774,0.024115562],"study_design_scores_gemma":[0.005827005,0.0039652335,0.36367318,0.0075914003,0.0032127143,0.000054223754,0.010096044,0.000043071548,0.0002959862,0.010225524,0.5922007,0.002814952],"about_ca_topic_score_codex":0.000023413364,"about_ca_topic_score_gemma":0.00014966202,"teacher_disagreement_score":0.5905169,"about_ca_system_score_codex":0.000040054245,"about_ca_system_score_gemma":0.000029333058,"threshold_uncertainty_score":0.6233307},"labels":[],"label_agreement":null},{"id":"W2025763074","doi":"10.2979/reseafrilite.45.3.110","title":"Affect and Diaspora: Unfashionable Hope in Melvin B. Tolson's &lt;em&gt;Libretto for the Republic of Liberia&lt;/em&gt;","year":2014,"lang":"en","type":"article","venue":"Research in African Literatures","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Subversion; Poetics; Politics; Injustice; Ideology; Democracy; Marxist philosophy; Existentialism; Affect (linguistics); Sociology; Poetry; Aesthetics; Gender studies; Literature; History; Art; Philosophy; Political science; Law; Epistemology","score_opus":0.040269053703545124,"score_gpt":0.30232464810114335,"score_spread":0.26205559439759823,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2025763074","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9498692,0.012823753,0.000020661319,0.005530089,0.00021840267,0.0010507136,0.00019084284,0.00004147223,0.030254824],"genre_scores_gemma":[0.99169827,0.00019909693,0.00008530662,0.0001606341,0.00049128156,0.0002186037,0.000035320252,0.000030306108,0.007081205],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969237,0.00072280265,0.00045473446,0.00048109796,0.0006644645,0.00075320445],"domain_scores_gemma":[0.9965815,0.0022609758,0.00009766608,0.00056603126,0.00034802646,0.00014582806],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0042904313,0.00022234175,0.00049134024,0.00067381596,0.00035574692,0.0010296131,0.0005344526,0.00011537365,0.00034540694],"category_scores_gemma":[0.0010336149,0.00014852796,0.0001428522,0.00059412443,0.0005166499,0.00045983886,0.00019597233,0.00052475714,0.0000051283046],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002705466,0.0003022429,0.00036657543,0.00036070702,0.000090113244,0.000022529379,0.05448377,0.00001707396,0.0010708349,0.90005034,0.03375573,0.009209532],"study_design_scores_gemma":[0.0013864089,0.0007903935,0.008406349,0.00052338484,0.000041988664,0.0000052829573,0.01709396,0.003076343,0.0005104312,0.0328387,0.9348497,0.000477079],"about_ca_topic_score_codex":0.00020458108,"about_ca_topic_score_gemma":0.0024373578,"teacher_disagreement_score":0.90109396,"about_ca_system_score_codex":0.000056016706,"about_ca_system_score_gemma":0.00008740374,"threshold_uncertainty_score":0.99285823},"labels":[],"label_agreement":null},{"id":"W2026695340","doi":"10.3138/md.54.4.409","title":"Auden and Britten's <i>Paul Bunyan</i> and the Frontiers of Opera","year":2011,"lang":"en","type":"article","venue":"Modern Drama","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Opera; Drama; Literature; Poetry; Mythology; Art; Musical; Performance art; History; Art history","score_opus":0.020395100855610148,"score_gpt":0.1925546627078723,"score_spread":0.17215956185226217,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2026695340","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8693193,0.0059410185,0.0008317397,0.0015501047,0.00018141842,0.00015957958,0.0000339139,0.000030336427,0.12195259],"genre_scores_gemma":[0.9930657,0.00012428111,0.00008435787,0.00046481402,0.00008384768,0.000005981072,0.0000018713961,0.000008802882,0.0061603514],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99945295,0.000039889794,0.00015017114,0.00013457956,0.00009719824,0.00012522971],"domain_scores_gemma":[0.99969167,0.000023006914,0.000040603918,0.00015791439,0.000046380508,0.000040431394],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016371609,0.00008747445,0.00020654517,0.000030047791,0.00018177937,0.00009665253,0.00011308853,0.000026574555,0.00020364915],"category_scores_gemma":[0.000011367376,0.000055040484,0.000053711374,0.000012489593,0.00063629984,0.0001295251,0.00005792092,0.000072326475,0.000004004268],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020388978,0.00014221002,0.0020592008,0.00005706903,0.0003838622,0.000015999782,0.20039016,0.0000018636492,0.000113418064,0.75518113,0.014588618,0.026862567],"study_design_scores_gemma":[0.009713344,0.0004511078,0.014913381,0.0001665714,0.0017986731,0.00006638788,0.05907136,0.029429466,0.0016830259,0.5925679,0.2886356,0.0015031885],"about_ca_topic_score_codex":0.0006105565,"about_ca_topic_score_gemma":0.00020232433,"teacher_disagreement_score":0.274047,"about_ca_system_score_codex":0.00000285599,"about_ca_system_score_gemma":0.000006175469,"threshold_uncertainty_score":0.23444732},"labels":[],"label_agreement":null},{"id":"W2027801686","doi":"10.3138/ijcs.49.335","title":"“Honeyed <i>Epoché</i>”: Thinking and Singing in Ken Babstock’s <i>Airstream Land Yacht</i>","year":2014,"lang":"en","type":"article","venue":"International Journal of Canadian Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Craft; Singing; Poetry; Griffin; Consciousness; Epoch (astronomy); Order (exchange); History; Literature; Aesthetics; Art; Visual arts; Philosophy; Epistemology; Management; Classics; Computer science","score_opus":0.025559992726717537,"score_gpt":0.2527164542263328,"score_spread":0.22715646149961527,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2027801686","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87490344,0.0052741594,0.000044918663,0.018730864,0.0022958694,0.00006997776,0.000034255943,0.000013656665,0.09863285],"genre_scores_gemma":[0.9968995,0.00037642187,0.00006970011,0.0012786933,0.00086951803,0.0000011176606,0.000001851033,0.000007685603,0.0004955096],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990588,0.000040117036,0.00035313048,0.00009165854,0.0002836788,0.00017260994],"domain_scores_gemma":[0.9991893,0.00013963807,0.00014733334,0.000050747974,0.00036240363,0.0001105808],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044146818,0.000101075966,0.0002449925,0.00081546936,0.00017004821,0.0001943775,0.00019460788,0.000021594018,0.000070615875],"category_scores_gemma":[0.00018986226,0.000083991195,0.000071172726,0.00005121211,0.00012263404,0.00024999044,0.000031234766,0.00015151108,0.000004056677],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001403642,0.00017669464,0.11189,0.000098726145,0.003928286,0.0011423348,0.17193525,0.0007452079,0.00016626448,0.6233199,0.042280316,0.044176653],"study_design_scores_gemma":[0.0015609778,0.00015584411,0.008955506,0.0007713503,0.00016332723,0.00017755602,0.0223247,0.00032720066,0.00007883901,0.03598704,0.9290949,0.0004027266],"about_ca_topic_score_codex":0.018406445,"about_ca_topic_score_gemma":0.46159446,"teacher_disagreement_score":0.8868146,"about_ca_system_score_codex":0.0001035829,"about_ca_system_score_gemma":0.000058671412,"threshold_uncertainty_score":0.9881301},"labels":[],"label_agreement":null},{"id":"W202952003","doi":"","title":"Claiming positive semantic space for women: The poetry of Dorothy Livesay","year":2001,"lang":"en","type":"article","venue":"Essays on Canadian writing","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Space (punctuation); Art; Literature; Gender studies; Sociology; Linguistics; Philosophy","score_opus":0.01989898554275941,"score_gpt":0.2308892257396951,"score_spread":0.21099024019693569,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W202952003","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50155765,0.0002804746,0.00007793326,0.010673062,0.0002538716,0.00035980582,0.00024642242,0.000033419532,0.4865174],"genre_scores_gemma":[0.98936343,0.0000134855745,0.000023702443,0.0025187393,0.0006227711,0.000037927202,0.000013329784,0.00002525515,0.0073813563],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987225,0.000060694783,0.0002738661,0.00021544621,0.00016354355,0.0005639293],"domain_scores_gemma":[0.9989876,0.0003548688,0.00009974675,0.0002164485,0.00014345521,0.00019786767],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00046498977,0.00015453857,0.00023798645,0.00019012752,0.00090580306,0.00017730366,0.0002103887,0.000047554713,0.0009456617],"category_scores_gemma":[0.000096990116,0.00012530759,0.00013636706,0.00008631382,0.00018138073,0.00012627266,0.00001467042,0.00016473711,0.000024414674],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002687878,0.00004395309,0.0006117998,0.00006464542,0.00014067307,0.00005296121,0.029323326,0.000041031883,0.000095760544,0.9604999,0.0033792874,0.0057198047],"study_design_scores_gemma":[0.0016167372,0.00080119376,0.0034785843,0.0010638592,0.00029155827,0.00006569381,0.41006464,0.0033323609,0.0011238875,0.03306228,0.54373604,0.0013631645],"about_ca_topic_score_codex":0.023088904,"about_ca_topic_score_gemma":0.1512785,"teacher_disagreement_score":0.9274376,"about_ca_system_score_codex":0.00014764388,"about_ca_system_score_gemma":0.000107119435,"threshold_uncertainty_score":0.99996763},"labels":[],"label_agreement":null},{"id":"W2030343509","doi":"10.3138/cras.2013.023","title":"Representing Alterity: The Temporal Aesthetics of Susan Howe and Charles Olson","year":2013,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Alterity; Poetics; Identity (music); Poetry; Aesthetics; Sociology; Philosophy; Literature; Art; Epistemology","score_opus":0.04124404217342418,"score_gpt":0.28444656834698895,"score_spread":0.24320252617356478,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2030343509","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4277034,0.51396936,0.0000011679147,0.02919177,0.00013009174,0.00059915637,0.00008741634,0.000015046209,0.02830258],"genre_scores_gemma":[0.8829637,0.11473333,0.000029783796,0.001561237,0.000074885334,0.000025980858,0.0000034586183,0.00000776077,0.0005998696],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991459,0.00007913804,0.00033744844,0.0001322583,0.000114267066,0.00019098596],"domain_scores_gemma":[0.99908173,0.0000700938,0.00024843655,0.00024451848,0.0002681405,0.00008705998],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002419761,0.00011156129,0.0005464407,0.00006200016,0.00020901507,0.000031025884,0.000136848,0.000007230628,0.00026976084],"category_scores_gemma":[0.00011720753,0.00006998724,0.00010297933,0.000083003106,0.0015855443,0.00007060984,0.00004384284,0.00006350409,0.0000054582492],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000049001546,0.000090926645,0.02658564,0.014357216,0.0017566178,0.000028241522,0.04342449,5.367452e-7,0.00006748943,0.13036662,0.24658178,0.53673553],"study_design_scores_gemma":[0.00007530763,0.00013937378,0.0038573323,0.0033873229,0.00035273476,0.0000066899297,0.071859375,0.000013378376,0.000035066718,0.0006833686,0.9193388,0.00025124452],"about_ca_topic_score_codex":0.100264184,"about_ca_topic_score_gemma":0.055642307,"teacher_disagreement_score":0.672757,"about_ca_system_score_codex":0.000015557718,"about_ca_system_score_gemma":0.0000434448,"threshold_uncertainty_score":0.96158975},"labels":[],"label_agreement":null},{"id":"W2032453724","doi":"10.1215/00029831-1664728","title":"Literatures of Exile and Return: Jack Kerouac and Quebec","year":2012,"lang":"en","type":"article","venue":"American Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Diaspora; Identity (music); American literature; Realism; Ideology; Blues; Art; Literature; Representation (politics); History; Art history; Aesthetics; Sociology; Gender studies; Politics; Political science; Law","score_opus":0.00768096336703409,"score_gpt":0.21897141640442738,"score_spread":0.2112904530373933,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2032453724","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9505014,0.028318029,0.000004443053,0.0005925548,0.0001746652,0.00007348618,0.00014772445,0.000031762356,0.020155968],"genre_scores_gemma":[0.9901429,0.00015965189,0.00011580548,0.000831232,0.00062389113,0.0000048513093,0.000037834026,0.000012152126,0.008071725],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992572,0.000058218175,0.0001779386,0.00016304664,0.00011292772,0.00023063929],"domain_scores_gemma":[0.99946517,0.00005903962,0.00009952439,0.00017553907,0.00008136404,0.00011938944],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010092675,0.00015157134,0.0002848523,0.00008384761,0.00012300248,0.00027743718,0.00006693068,0.000040056457,0.00026733344],"category_scores_gemma":[0.000023315451,0.00011228513,0.000059915994,0.00009582266,0.0006065061,0.00045577594,0.000040236344,0.0001768471,0.0000027081355],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000076781915,0.00019630216,0.014147676,0.00023991043,0.0002155332,0.00001271189,0.23934707,1.609021e-7,0.0018055696,0.6926821,0.024578247,0.026697984],"study_design_scores_gemma":[0.00027213537,0.0001875384,0.016375825,0.00023276999,0.0001319175,0.000030476524,0.009455574,0.000023243118,0.00043296957,0.0011665203,0.97128403,0.00040699416],"about_ca_topic_score_codex":0.00071044086,"about_ca_topic_score_gemma":0.0004060799,"teacher_disagreement_score":0.9467058,"about_ca_system_score_codex":0.000006224609,"about_ca_system_score_gemma":0.0000073419715,"threshold_uncertainty_score":0.45788547},"labels":[],"label_agreement":null},{"id":"W2035326871","doi":"10.1353/mos.2014.0024","title":"Irreverently Unromantic: A Rhetorical Path to Sophistic Poetics in the Poetry of Bob Hicok","year":2014,"lang":"en","type":"article","venue":"Mosaic","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Irony; Poetics; Rhetorical question; Literature; Poetry; Romance; Philosophy; Art","score_opus":0.0302577141670065,"score_gpt":0.2512082526618952,"score_spread":0.22095053849488872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2035326871","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8753875,0.00057327107,0.0012206899,0.0068368786,0.00090736005,0.00035886583,0.00009562939,0.00006180116,0.11455803],"genre_scores_gemma":[0.996713,0.000007793431,0.000049936996,0.0010304684,0.00031595744,0.000010709503,0.00001338978,0.000010853535,0.0018479078],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887264,0.00012878218,0.00030909452,0.0001742508,0.00027717854,0.00023808582],"domain_scores_gemma":[0.9993494,0.00016798763,0.000054751486,0.0003177176,0.000053521835,0.000056593057],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035671532,0.0001241927,0.00025438968,0.000096396994,0.000118951815,0.00007081066,0.0002976178,0.000038351696,0.00051035866],"category_scores_gemma":[0.00012863262,0.00008382627,0.000102046804,0.000107349915,0.000106271706,0.000050192266,0.0000437598,0.00014520109,0.0001159581],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017235374,0.00036644828,0.00095842895,0.00008578776,0.000030314313,0.000014096135,0.015337104,0.000013309587,0.00016572254,0.9596101,0.02139584,0.0020055836],"study_design_scores_gemma":[0.0008402826,0.00066267623,0.012267979,0.00021022766,0.00026671856,0.000009469642,0.0061531477,0.0024485718,0.000114446506,0.050824106,0.92560923,0.0005931519],"about_ca_topic_score_codex":0.00025478282,"about_ca_topic_score_gemma":0.00035734766,"teacher_disagreement_score":0.908786,"about_ca_system_score_codex":0.000023279366,"about_ca_system_score_gemma":0.000014936637,"threshold_uncertainty_score":0.5588069},"labels":[],"label_agreement":null},{"id":"W2036731661","doi":"10.5840/envirophil2008522","title":"“The Art of Poetry” (poem)","year":2008,"lang":"en","type":"article","venue":"Environmental Philosophy","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; General interest; Art; Contemporary philosophy; Applied philosophy; Philosophy; Epistemology","score_opus":0.023745234881639963,"score_gpt":0.18242918382491435,"score_spread":0.1586839489432744,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2036731661","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30529237,0.0010949619,0.000009317905,0.0020859113,0.00032043664,0.00011035555,0.000071253366,0.000029120933,0.6909863],"genre_scores_gemma":[0.9799961,0.00018681494,0.000009514835,0.00026472376,0.00045991133,0.000006293189,0.000017469296,0.000011699589,0.0190475],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923086,0.00002614557,0.00021937821,0.00013083394,0.00023906419,0.00015369622],"domain_scores_gemma":[0.99960566,0.000040338666,0.00006647943,0.00023595602,0.000003805389,0.000047759437],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000066341105,0.000105154046,0.00013387944,0.000029479917,0.000558035,0.000017209237,0.00016760474,0.000021493584,0.0026528377],"category_scores_gemma":[0.00000473748,0.0000748001,0.00014434768,0.000016218733,0.000899447,0.00010760126,0.000047232792,0.000089600995,0.00083026197],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011532943,0.000943022,0.0033195883,0.00002463259,0.00035483338,0.00006259766,0.010182197,0.000020119638,0.002781393,0.92297894,0.05704416,0.00217318],"study_design_scores_gemma":[0.0003005202,0.00013017797,0.0030073547,0.000009977345,0.000044162374,0.000013228806,0.00077336055,0.000029337085,0.0012389848,0.031507533,0.96273905,0.00020630786],"about_ca_topic_score_codex":0.000007768267,"about_ca_topic_score_gemma":0.00000519734,"teacher_disagreement_score":0.9056949,"about_ca_system_score_codex":0.00001839951,"about_ca_system_score_gemma":0.0000036429483,"threshold_uncertainty_score":0.9999477},"labels":[],"label_agreement":null},{"id":"W2037658623","doi":"10.3138/utq.71.2.595","title":"Papa Don't Preach: The Power of Prolixity in <i>Pericles</i>","year":2002,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":26,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Power (physics); History; Philosophy; Theology; Physics; Thermodynamics","score_opus":0.014901580665913171,"score_gpt":0.17848361131368132,"score_spread":0.16358203064776813,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2037658623","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74050826,0.00063542835,0.000014347225,0.00044414742,0.00007346108,0.00011090813,0.000030270066,0.000014963766,0.2581682],"genre_scores_gemma":[0.9944557,0.000023638717,0.000016475296,0.0000396759,0.000026233534,1.5879235e-7,0.0000013024633,0.0000031896175,0.005433628],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99943274,0.000060959203,0.00013105458,0.0001117591,0.00013605015,0.00012743524],"domain_scores_gemma":[0.99958104,0.00003189837,0.00008127807,0.00021373972,0.00006331784,0.000028747534],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010212978,0.00007424282,0.0001747428,0.000015889109,0.0001123849,0.000014099975,0.00024026488,0.000028876864,0.0103609795],"category_scores_gemma":[0.0000028399206,0.00006124834,0.000112877315,0.000016362288,0.00026344837,0.00029096275,0.000014311381,0.000058239275,0.0000138597925],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000081833605,0.0008511379,0.0020300713,0.00005427791,0.00013695043,0.00001890262,0.849614,0.0000038552794,0.00042399985,0.12144817,0.01179817,0.013538595],"study_design_scores_gemma":[0.0016812283,0.0013740244,0.019332798,0.0000940294,0.00019036404,0.0000027437027,0.540068,0.00068125705,0.00010407023,0.0012486435,0.43479425,0.00042862588],"about_ca_topic_score_codex":0.021818548,"about_ca_topic_score_gemma":0.06688309,"teacher_disagreement_score":0.42299607,"about_ca_system_score_codex":0.000037597725,"about_ca_system_score_gemma":0.0000058953456,"threshold_uncertainty_score":0.99054366},"labels":[],"label_agreement":null},{"id":"W2038154569","doi":"10.7202/007724ar","title":"Lucretia Davidson in Europe: Female Elegy, Literary Transmission and the Figure of the Romantic Poetess","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Elegy; Literature; Poetry; Criticism; Art; Beauty; Identity (music); Art history; Aesthetics","score_opus":0.012869338197726695,"score_gpt":0.20400835089146147,"score_spread":0.19113901269373476,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2038154569","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95952564,0.001879194,0.00001947948,0.0116674565,0.00016644663,0.00034157466,0.000017268718,0.000021182708,0.026361741],"genre_scores_gemma":[0.99503666,0.00016672588,0.0000067841765,0.001328377,0.0001302539,0.000010640842,0.000004966033,0.000019555157,0.003296031],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998573,0.00028749308,0.00036578314,0.0002248066,0.00029365713,0.00025522852],"domain_scores_gemma":[0.9990714,0.00026262185,0.00011302119,0.00046614386,0.000049516868,0.000037303653],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005119498,0.000194833,0.00030596706,0.00006153077,0.000397738,0.00015007282,0.0004870591,0.000048289454,0.00042027386],"category_scores_gemma":[0.000055689758,0.00008236293,0.00014228204,0.00017371276,0.0006097754,0.000114873925,0.00007002838,0.0003219864,0.00002424967],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014563407,0.00018917513,0.00020278986,0.00006736386,0.0000637105,0.000018652589,0.04120906,0.00009261154,0.00061380287,0.95486945,0.0008682118,0.0016595204],"study_design_scores_gemma":[0.019291058,0.0015031076,0.08363874,0.0077383392,0.0020387094,0.000118717726,0.017024698,0.011155332,0.019228088,0.3878772,0.44794682,0.0024391974],"about_ca_topic_score_codex":0.0002109116,"about_ca_topic_score_gemma":0.000100099904,"teacher_disagreement_score":0.5669923,"about_ca_system_score_codex":0.000009862311,"about_ca_system_score_gemma":0.000025808655,"threshold_uncertainty_score":0.4601704},"labels":[],"label_agreement":null},{"id":"W2038759040","doi":"10.1353/utq.0.0341","title":"Over Canadian Trails: F.P. Grove in New Letters and Documents (review)","year":2009,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Disappointment; History; Art history; Psychology","score_opus":0.008351671625114125,"score_gpt":0.19532476744248417,"score_spread":0.18697309581737004,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2038759040","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6384955,0.023625968,0.00003707081,0.012186648,0.00023341994,0.00037865847,0.00008042279,0.000038394854,0.3249239],"genre_scores_gemma":[0.9916619,0.0007065917,0.000027342652,0.0015283274,0.000051678624,2.8881258e-8,0.000007407694,0.0000025616155,0.0060141813],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951893,0.00002291928,0.00009474554,0.00012375924,0.00008255617,0.00015710159],"domain_scores_gemma":[0.99970615,0.00000800242,0.000035357705,0.00009899403,0.000016087877,0.00013541109],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000056353354,0.00007785981,0.00017409146,0.000039455314,0.00007919525,0.000019860257,0.00011077724,0.000020325582,0.00494982],"category_scores_gemma":[0.0000015325437,0.00008655447,0.000060127226,0.000010175383,0.00005450252,0.00044590107,0.0000029243197,0.00004055513,0.000009483195],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006483272,0.00021090782,0.00092795724,0.00020106425,0.00019183673,0.0002625009,0.21262494,0.000001272521,0.0004424808,0.18225753,0.32938206,0.2734326],"study_design_scores_gemma":[0.0016551543,0.000645107,0.056131456,0.0005441295,0.00022072089,0.000003368953,0.026298374,0.000066269575,0.0000030935448,0.001282782,0.9126558,0.0004937455],"about_ca_topic_score_codex":0.7692045,"about_ca_topic_score_gemma":0.9594195,"teacher_disagreement_score":0.5832737,"about_ca_system_score_codex":0.0001091701,"about_ca_system_score_gemma":0.00004079021,"threshold_uncertainty_score":0.9959598},"labels":[],"label_agreement":null},{"id":"W2043697794","doi":"10.3138/md.45.2.259","title":"Remembering the Trickster in Tomson Highway's <i>The Rez Sisters</i>","year":2002,"lang":"en","type":"article","venue":"Modern Drama","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Trickster; Mythology; Politics; Character (mathematics); Drama; Nothing; Literature; Assertion; Art; History; Media studies; Sociology; Law; Philosophy; Political science","score_opus":0.042063957264728356,"score_gpt":0.21854170559516822,"score_spread":0.17647774833043986,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2043697794","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.51196796,0.0022171803,0.00018983829,0.020821223,0.00055164687,0.00025783465,0.000010904678,0.0001123036,0.46387112],"genre_scores_gemma":[0.95403165,0.000026260836,0.0000044295907,0.0017935454,0.0004278162,0.000021436928,0.0000016128104,0.0000150149535,0.04367822],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99901664,0.000079918784,0.0002413846,0.0001877318,0.00020352383,0.00027080713],"domain_scores_gemma":[0.9994141,0.00009318693,0.00004749741,0.00038390106,0.000031482487,0.000029861108],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023146042,0.00012596522,0.00015527513,0.00004858722,0.00037410366,0.00034962528,0.00030057985,0.000033333432,0.0018573129],"category_scores_gemma":[0.000016428938,0.000069409885,0.00012383149,0.000060740636,0.00014711016,0.00016511146,0.000056909535,0.000202618,0.00018755821],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007313837,0.0007103492,0.00094436295,0.00011386053,0.00028025525,0.00015793448,0.4034612,0.00080462196,0.0009628692,0.38257626,0.09729232,0.11262284],"study_design_scores_gemma":[0.00046215774,0.00003652226,0.00030624078,0.00004734704,0.00007817961,0.000007130833,0.004109241,0.053073496,0.0001458888,0.0070556817,0.93440306,0.00027503885],"about_ca_topic_score_codex":0.00016653205,"about_ca_topic_score_gemma":0.0012218247,"teacher_disagreement_score":0.83711076,"about_ca_system_score_codex":0.000028728697,"about_ca_system_score_gemma":0.0000031336056,"threshold_uncertainty_score":0.99905515},"labels":[],"label_agreement":null},{"id":"W2043713692","doi":"10.7202/007722ar","title":"Reviving Lydia Huntley Sigourney","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ethos; Rhetoric; Subject (documents); Literature; Poetry; Art; Philosophy; Theology","score_opus":0.033389124436637475,"score_gpt":0.22141628346841324,"score_spread":0.18802715903177578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2043713692","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.52322555,0.0004423777,0.00013266454,0.013588729,0.0007717582,0.00022257084,0.000021672078,0.00015417316,0.4614405],"genre_scores_gemma":[0.98699564,0.000043550215,0.00002352689,0.003741505,0.0008101971,0.000009673516,0.000005934502,0.000021392452,0.008348556],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988806,0.00005458198,0.00027643022,0.00020925871,0.00026305596,0.00031604114],"domain_scores_gemma":[0.9992828,0.00012634008,0.000083563784,0.00039371802,0.000047246478,0.00006633952],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00035228633,0.00016889126,0.00021755073,0.00006723436,0.00057122734,0.00026820265,0.00031736612,0.00003624313,0.004156454],"category_scores_gemma":[0.00009230879,0.00010534393,0.00016568384,0.000054797754,0.00016690877,0.00012333039,0.000043972457,0.00020563908,0.0012224133],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000057438447,0.000079598445,0.000011080197,0.000008353113,0.000049175174,0.000018327215,0.00515167,0.00007297903,0.00017444362,0.9846696,0.009357089,0.00040191016],"study_design_scores_gemma":[0.0008267829,0.00030588606,0.0009608026,0.0005089217,0.0003087809,0.000017598892,0.0052696997,0.00032244637,0.0024714365,0.16013743,0.82814896,0.0007212347],"about_ca_topic_score_codex":0.0001895281,"about_ca_topic_score_gemma":0.00018589797,"teacher_disagreement_score":0.8245322,"about_ca_system_score_codex":0.000028156375,"about_ca_system_score_gemma":0.000020267464,"threshold_uncertainty_score":0.99955523},"labels":[],"label_agreement":null},{"id":"W2044163175","doi":"10.1179/147757008x267222","title":"'No arranged terror': Ammons after the New Americanists","year":2008,"lang":"en","type":"article","venue":"Comparative American Studies An International Journal","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Scholarship; Historicism; Poetry; Politics; Culturalism; Dialectic; Relevance (law); Aesthetics; Literature; Epistemology; History; Sociology; Philosophy; Art; Political science; Law","score_opus":0.13294475636832223,"score_gpt":0.36581084264582675,"score_spread":0.23286608627750452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2044163175","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9170186,0.0023871872,0.00071140594,0.009604218,0.003155693,0.00021520074,0.00007212169,0.000079191945,0.06675636],"genre_scores_gemma":[0.98299795,0.00065143453,0.00020917933,0.0025316356,0.004083933,0.00003319861,0.000006178814,0.000013173916,0.0094733145],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99838406,0.0001808782,0.00039858764,0.00022472798,0.0005361437,0.00027562978],"domain_scores_gemma":[0.998305,0.00011402786,0.00033301077,0.00019246341,0.0008959183,0.0001595387],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013312722,0.00022586215,0.00043562238,0.000112726295,0.0009905377,0.00026157836,0.00059880887,0.0000096284475,0.00160302],"category_scores_gemma":[0.00005183033,0.00014054377,0.00023788775,0.00007868892,0.0023143862,0.00044752544,0.00009934805,0.0003295862,0.0002559177],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013662844,0.00078696996,0.009761312,0.000005040112,0.008188285,0.00074176467,0.50114447,0.00014085817,0.00018414362,0.033923995,0.43019244,0.013564423],"study_design_scores_gemma":[0.00040483294,0.00041713286,0.01258071,0.00003003478,0.00009874559,0.0002767279,0.08166224,0.00013166491,0.000020267951,0.00074070884,0.9033264,0.0003105332],"about_ca_topic_score_codex":0.0003734963,"about_ca_topic_score_gemma":0.0009165913,"teacher_disagreement_score":0.47313398,"about_ca_system_score_codex":0.00010478077,"about_ca_system_score_gemma":0.00008211784,"threshold_uncertainty_score":0.99930966},"labels":[],"label_agreement":null},{"id":"W2045652936","doi":"10.7202/019257ar","title":"Smith, Wordsworth, and the Model of the Romantic Poet","year":2008,"lang":"en","type":"article","venue":"Romanticism and Victorianism on the Net","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romance; Poetry; Literature; Voice; Art; Head (geology); Philosophy; Linguistics; Geology","score_opus":0.027628358960755682,"score_gpt":0.18615340107489525,"score_spread":0.15852504211413956,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2045652936","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95500124,0.0009928618,0.00006794898,0.005803246,0.000816682,0.00032643267,0.00004244778,0.00003317421,0.036915958],"genre_scores_gemma":[0.9922966,0.00048191723,0.0000099527915,0.0010009587,0.00044821293,0.000012724482,0.0000015036344,0.000018298231,0.00572984],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99869215,0.00015922327,0.00032899494,0.00023098363,0.00032995114,0.0002586741],"domain_scores_gemma":[0.9987878,0.00043892924,0.00014312814,0.0005192828,0.0000571682,0.000053656644],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040529922,0.00021522063,0.00034565708,0.000041477582,0.0012395416,0.000115528135,0.0003754757,0.000054710923,0.0001616593],"category_scores_gemma":[0.00006650083,0.00009031871,0.00015884003,0.000064756336,0.001433184,0.00009999524,0.00013231582,0.0002387744,0.000010630872],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050215913,0.000050281284,0.00010541844,0.000016493805,0.00008863468,0.0000029434245,0.018858407,0.000029164512,0.00007656962,0.97761387,0.0030239415,0.000084043815],"study_design_scores_gemma":[0.011045453,0.0007733051,0.017456079,0.0008804048,0.0029593622,0.00023283309,0.019830948,0.124511085,0.002412531,0.5762616,0.2413681,0.0022683146],"about_ca_topic_score_codex":0.00014125045,"about_ca_topic_score_gemma":0.00009048469,"teacher_disagreement_score":0.40135232,"about_ca_system_score_codex":0.000005877115,"about_ca_system_score_gemma":0.00002966624,"threshold_uncertainty_score":0.95336765},"labels":[],"label_agreement":null},{"id":"W2046028088","doi":"10.1017/s1355771802001061","title":"Hildegard Westerkamp's <i>Kits Beach Soundwalk</i>: shifting perspectives in real world music","year":2002,"lang":"en","type":"article","venue":"Organised Sound","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":42,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"3v Geomatics (Canada)","funders":"","keywords":"Soundscape; Active listening; Fantasy; Pleasure; Distancing; Aesthetics; Visual arts; Sound (geography); Sociology; Media studies; History; Art; Psychology; Communication; Acoustics; Literature; Coronavirus disease 2019 (COVID-19)","score_opus":0.06713697437453746,"score_gpt":0.24916409772688514,"score_spread":0.18202712335234766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2046028088","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65162265,0.0006632166,0.00001759475,0.0007276304,0.00026508723,0.00014128735,0.000015982017,0.0001499756,0.34639657],"genre_scores_gemma":[0.9713741,0.000042141306,0.000035157685,0.00045707935,0.0010555729,0.000013071479,0.000016949372,0.000051398973,0.026954561],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99817806,0.000104837454,0.00041001977,0.00046828022,0.0003126901,0.00052613084],"domain_scores_gemma":[0.99920857,0.00012593316,0.00010340823,0.00034906899,0.000099315315,0.000113686096],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024048456,0.00027540233,0.00037967466,0.00031707747,0.0005699816,0.0005771228,0.00027655956,0.00006322049,0.018757552],"category_scores_gemma":[0.0000442953,0.00026538793,0.00015372326,0.000251277,0.00028139356,0.00044908724,0.00006443144,0.00034294528,0.00050575216],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020390771,0.0006366356,0.010268381,0.00004511942,0.00014613148,0.00009860465,0.38434517,0.000009587843,0.00036263614,0.5965467,0.0067850165,0.00073558924],"study_design_scores_gemma":[0.0061301547,0.0005169417,0.030692276,0.0004091559,0.00078239595,0.00004214943,0.43775707,0.0009198186,0.00043721183,0.1146357,0.40349093,0.0041862098],"about_ca_topic_score_codex":0.00042569346,"about_ca_topic_score_gemma":0.014306583,"teacher_disagreement_score":0.48191103,"about_ca_system_score_codex":0.00013953938,"about_ca_system_score_gemma":0.00001743204,"threshold_uncertainty_score":0.99997985},"labels":[],"label_agreement":null},{"id":"W2047199594","doi":"10.1353/vpr.2013.0024","title":"\"Who are we to judge?\": Issues of Identity and Cultural Authority in Late Victorian Metacritical Debate","year":2013,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Emancipation; Criticism; Ideology; Professionalization; Identity (music); Sociology; Reading (process); History; Law; Aesthetics; Political science; Social science; Politics; Art","score_opus":0.05175743720428858,"score_gpt":0.33191605722237194,"score_spread":0.28015862001808334,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2047199594","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42842954,0.45616695,0.00006152153,0.09242514,0.002534536,0.0024638365,0.00029131884,0.00020196833,0.01742519],"genre_scores_gemma":[0.9322728,0.062432714,0.00012948304,0.001575756,0.00091986405,0.000117487165,0.000013947202,0.000025603524,0.0025123816],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99752927,0.00029669306,0.00088845217,0.00042787136,0.00043464068,0.00042306172],"domain_scores_gemma":[0.9987519,0.00007279598,0.0001303287,0.00036051136,0.00032947474,0.00035502523],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006278669,0.00029100452,0.0012335896,0.00012127989,0.0002444365,0.0005178463,0.00031643664,0.00009396613,0.0067492607],"category_scores_gemma":[0.0004545647,0.00021836438,0.00023646912,0.0002243767,0.0003635729,0.00082425337,0.00014314934,0.00025159313,0.00030488608],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002393268,0.0005984812,0.0035951124,0.012729309,0.00036190782,0.00008385762,0.051103625,0.0000010570199,0.0009350948,0.8940634,0.029015683,0.0074885157],"study_design_scores_gemma":[0.00018722384,0.000062851526,0.0029402105,0.0036535128,0.00018473297,0.0000023432062,0.0005583359,0.000027956403,0.000048755865,0.0036202862,0.9883866,0.00032721617],"about_ca_topic_score_codex":0.00056575943,"about_ca_topic_score_gemma":0.0014925313,"teacher_disagreement_score":0.9593709,"about_ca_system_score_codex":0.000039135484,"about_ca_system_score_gemma":0.000029301353,"threshold_uncertainty_score":0.9941587},"labels":[],"label_agreement":null},{"id":"W2049210940","doi":"10.1080/00144940.2014.902795","title":"Robert Frost's DESIGN","year":2014,"lang":"en","type":"article","venue":"The Explicator","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Frost (temperature); Poetry; Image (mathematics); Art; Computer science; Literature; Artificial intelligence; Meteorology; Geography","score_opus":0.03045984429751366,"score_gpt":0.22424402388408554,"score_spread":0.19378417958657188,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2049210940","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.059830174,0.0013050495,0.050305743,0.022118075,0.0011264398,0.0006048649,0.00003001784,0.00053605664,0.86414355],"genre_scores_gemma":[0.98260367,0.000007186671,0.00007441704,0.0017468064,0.0009280303,0.000038056773,0.0000028518448,0.000011710115,0.014587262],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994069,0.00008636046,0.0001173608,0.00012458704,0.00010461504,0.00016018494],"domain_scores_gemma":[0.9993857,0.00013865616,0.000032224445,0.00036868453,0.000029322286,0.00004540603],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00030963542,0.00008211231,0.00011221666,0.000021386846,0.00034913942,0.00012264622,0.0002620238,0.000017164106,0.002489776],"category_scores_gemma":[0.000031813783,0.00004757789,0.00007500211,0.000021458793,0.00012772533,0.00007401938,0.000030343022,0.00007268777,0.001307395],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000062825084,0.000029287696,0.00000828423,0.0000024493186,0.000022640146,2.9627242e-7,0.0040698377,0.0000063186785,0.00032360957,0.9475439,0.04368818,0.0042988686],"study_design_scores_gemma":[0.000090677495,0.000030453251,0.00005491494,0.0000045925876,0.000036565096,9.239454e-7,0.00068075536,0.0006876561,0.0010422736,0.023016073,0.97425145,0.00010363559],"about_ca_topic_score_codex":0.000053119922,"about_ca_topic_score_gemma":0.000025676556,"teacher_disagreement_score":0.9305633,"about_ca_system_score_codex":0.0000065131903,"about_ca_system_score_gemma":0.000005909797,"threshold_uncertainty_score":0.9994702},"labels":[],"label_agreement":null},{"id":"W2049318249","doi":"10.1353/mos.2014.0019","title":"Dearly Beloveds: The Politics of Intimacy in Juliana Spahr’s This Connection of Everyone with Lungs","year":2014,"lang":"en","type":"article","venue":"Mosaic","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":31,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Complicity; Connection (principal bundle); Politics; Poetry; Context (archaeology); Literature; Sociology; Aesthetics; Art; History; Political science; Law; Archaeology","score_opus":0.012404058047648815,"score_gpt":0.21014770367609853,"score_spread":0.1977436456284497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2049318249","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94504833,0.0003348659,0.00021692534,0.0008738098,0.00010424816,0.00010751531,0.00003617395,0.000015962616,0.053262156],"genre_scores_gemma":[0.9915614,0.000009998465,0.000022123208,0.00024971354,0.00010538044,0.000003974452,0.000009754535,0.000008354008,0.008029277],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993017,0.000060736722,0.0002359802,0.000100771686,0.00015766748,0.00014318251],"domain_scores_gemma":[0.99946326,0.00009059108,0.00010101348,0.00019829374,0.00012307453,0.000023755152],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021372992,0.00008239044,0.00020647031,0.000078240875,0.00008774581,0.000028425082,0.00011806406,0.000025277166,0.0007099255],"category_scores_gemma":[0.000050848696,0.000052403302,0.000050347626,0.00008501582,0.00023709256,0.00010576449,0.000018997536,0.000094802315,0.0000145737895],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003825227,0.00020160557,0.0059498157,0.00011798051,0.00012560326,0.0000020249292,0.02065757,0.00006609636,0.00039933668,0.9622839,0.009222479,0.0009352999],"study_design_scores_gemma":[0.0032762368,0.0016834682,0.03068013,0.0006828502,0.0008757353,0.000015195882,0.019518761,0.010380118,0.013174454,0.040103633,0.8786498,0.0009596627],"about_ca_topic_score_codex":0.003043382,"about_ca_topic_score_gemma":0.0021692466,"teacher_disagreement_score":0.9221803,"about_ca_system_score_codex":0.000014089263,"about_ca_system_score_gemma":0.000022374114,"threshold_uncertainty_score":0.7773186},"labels":[],"label_agreement":null},{"id":"W2051707465","doi":"10.1215/03335372-2006-014","title":"Poetry and Avant-Garde Film: Three Recent Contributions","year":2007,"lang":"en","type":"article","venue":"Poetics Today","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Film director; Poetry; Context (archaeology); Art; Art history; German; Movie theater; Literature; Philosophy; History","score_opus":0.024104870486314742,"score_gpt":0.2628911262168405,"score_spread":0.23878625573052578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2051707465","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07927853,0.0052299947,0.007396501,0.0078050005,0.0020066623,0.00035445116,0.00047738958,0.00024707583,0.8972044],"genre_scores_gemma":[0.9783587,0.00044409084,0.000096530624,0.0008284804,0.00060283305,0.0000041642884,0.00004061126,0.000015920034,0.019608699],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989081,0.000023479348,0.0002902477,0.00020232324,0.00019441481,0.0003814062],"domain_scores_gemma":[0.99923056,0.00013405764,0.0000581897,0.0002178658,0.00020595688,0.0001533633],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00046008636,0.00014395922,0.00020324455,0.00008737196,0.00041869952,0.00015703941,0.00011170906,0.0000632449,0.0032795386],"category_scores_gemma":[0.00012759444,0.00012426161,0.000075138465,0.000015059175,0.0002539984,0.000088138215,0.000055573888,0.00017757801,0.00014188573],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025555728,0.0001774605,0.0007327729,0.000021477113,0.000119869204,0.000035449517,0.0073273643,0.00000313788,0.00025871344,0.95797646,0.022653792,0.010667965],"study_design_scores_gemma":[0.0003109429,0.00005448781,0.0019644846,0.000021022975,0.00011081857,0.000007127719,0.0009085652,0.00018952078,0.00051175937,0.011683481,0.9840255,0.00021229353],"about_ca_topic_score_codex":0.00009421293,"about_ca_topic_score_gemma":0.0032784669,"teacher_disagreement_score":0.9613717,"about_ca_system_score_codex":0.000032028325,"about_ca_system_score_gemma":0.000019484592,"threshold_uncertainty_score":0.9976316},"labels":[],"label_agreement":null},{"id":"W2054396306","doi":"10.3138/cras-s031-01-03","title":"The Price of Publishing Modernism: Ezra Pound and the Exile in America","year":2001,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pound (networking); Poetry; Art; Modernism (music); Publishing; American poetry; Art history; Literature; History; Classics","score_opus":0.041453484209134035,"score_gpt":0.2816798816367623,"score_spread":0.24022639742762825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2054396306","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022650607,0.7947028,0.0000057862676,0.048296515,0.00011326226,0.00040256535,0.000050180617,0.000008388453,0.13376984],"genre_scores_gemma":[0.6517199,0.34347498,0.000014632716,0.0038719492,0.00006222355,0.000031281703,0.0000018040881,0.0000064827277,0.00081669714],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989004,0.00015532787,0.00041077193,0.00013237803,0.00015447466,0.00024664844],"domain_scores_gemma":[0.99872845,0.00046623574,0.0002665446,0.00024619195,0.00021931969,0.0000732245],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00062567054,0.000112891605,0.00060546433,0.00007575935,0.00033752716,0.00009352784,0.00024856726,0.0000078237645,0.00007797093],"category_scores_gemma":[0.00063160155,0.00005932566,0.00010193311,0.0002131188,0.0029202984,0.00016280127,0.000047998914,0.00011576061,0.0000020548423],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005582135,0.00006680477,0.0017919538,0.0028500643,0.0013283943,0.00004069089,0.0688274,0.0000059231334,0.0000042692805,0.5120694,0.084518194,0.32844105],"study_design_scores_gemma":[0.00015387619,0.00003563029,0.00080777885,0.00097192836,0.00011807631,0.00000385058,0.052171547,0.000029274846,4.711134e-7,0.0012829488,0.94432116,0.00010347871],"about_ca_topic_score_codex":0.10011473,"about_ca_topic_score_gemma":0.21042384,"teacher_disagreement_score":0.85980296,"about_ca_system_score_codex":0.00004513868,"about_ca_system_score_gemma":0.0000961277,"threshold_uncertainty_score":0.9997932},"labels":[],"label_agreement":null},{"id":"W2054609200","doi":"10.1093/notesj/gjn099","title":"Marvell's 'A Dialogue between the Soul and Body': Probable Sources and Implications","year":2008,"lang":"en","type":"article","venue":"Notes and Queries","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto; The Scarborough Hospital","funders":"","keywords":"Soul; History; Classics; Art; Philosophy; Theology","score_opus":0.04159627781591483,"score_gpt":0.23205781093207048,"score_spread":0.19046153311615566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2054609200","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98563915,0.0030151203,0.000067891335,0.005036686,0.000023334873,0.000091132824,0.00006288448,0.000029482897,0.006034313],"genre_scores_gemma":[0.99729264,0.00090208364,0.00004137903,0.00024463373,0.00028178407,0.00001641815,0.000013415558,0.000006918252,0.0012007456],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999506,0.000025278023,0.0001247635,0.00014730413,0.000055706452,0.0001409584],"domain_scores_gemma":[0.9995851,0.00018543289,0.000035473444,0.00010932566,0.00003563524,0.000049040216],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000088259774,0.00009749401,0.00015230433,0.000025492678,0.0012394836,0.00018968957,0.000048775997,0.00002944194,0.000082452796],"category_scores_gemma":[0.000030465979,0.000060503735,0.000027025146,0.000020542546,0.00086740055,0.00015780871,0.00005336611,0.00007080861,0.0000031738966],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010427717,0.000036236135,0.2162946,0.00006874871,0.0001346434,0.0000029469854,0.040630143,7.3543094e-7,0.00012594282,0.7307066,0.0019129773,0.010076008],"study_design_scores_gemma":[0.0002866702,0.00013642624,0.3391491,0.000029269992,0.0002140362,0.000034796085,0.0056402707,0.000031165328,0.00028727937,0.049628153,0.6042007,0.00036210896],"about_ca_topic_score_codex":0.0004697091,"about_ca_topic_score_gemma":0.0007706493,"teacher_disagreement_score":0.68107843,"about_ca_system_score_codex":0.0000021457047,"about_ca_system_score_gemma":0.000009312464,"threshold_uncertainty_score":0.95332307},"labels":[],"label_agreement":null},{"id":"W2056009321","doi":"10.1353/mis.2000.0025","title":"Chorus, and: Separation, and: Puzzle at 30,000 Feet, and: Matchflame of the Ego, Moth, and: Departed Cordelia","year":2000,"lang":"nl","type":"article","venue":"˜The œMissouri review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Chorus; Bedroom; Art history; Salon; Closet; Art; History; Nothing; Visual arts; Archaeology; Literature; Philosophy","score_opus":0.01467973960140839,"score_gpt":0.2532469925323258,"score_spread":0.2385672529309174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2056009321","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20649593,0.7574584,0.000003135475,0.008894348,0.00022621304,0.0011098689,0.00026453097,0.000045369186,0.0255022],"genre_scores_gemma":[0.52016443,0.44372812,0.000006889804,0.0023377761,0.00023100918,0.000031089126,0.000017276592,0.000030152054,0.033453256],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99739534,0.00041516044,0.0008893682,0.000523657,0.00035040837,0.00042608066],"domain_scores_gemma":[0.9984768,0.00014898017,0.0003331762,0.00071898074,0.00012607522,0.00019600904],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007901218,0.00044700276,0.00096241216,0.000046164918,0.0012672474,0.00029713454,0.00033327885,0.00012444291,0.009875311],"category_scores_gemma":[0.00003181756,0.00026915432,0.00020200074,0.0001337057,0.0008435884,0.000189152,0.00021307512,0.00028587913,0.00011630027],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00044918014,0.0011587488,0.007592545,0.02567997,0.003576149,0.00008727464,0.05040374,0.000027557413,0.00037488932,0.07656002,0.39225718,0.44183275],"study_design_scores_gemma":[0.00046586976,0.00008047484,0.002037202,0.0020401794,0.0013964386,0.000095096075,0.00049811334,0.0004837964,0.000016260426,0.001038257,0.9914742,0.0003740994],"about_ca_topic_score_codex":0.00044558904,"about_ca_topic_score_gemma":0.00083057274,"teacher_disagreement_score":0.59921706,"about_ca_system_score_codex":0.000023635092,"about_ca_system_score_gemma":0.000025203046,"threshold_uncertainty_score":0.99997604},"labels":[],"label_agreement":null},{"id":"W2059504736","doi":"10.3138/md.51.4.579","title":"Crooked Europe: The Verse Drama of W.H. Auden (and Company)","year":2008,"lang":"en","type":"article","venue":"Modern Drama","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Drama; Cohesion (chemistry); Impossibility; Politics; Literature; History; Period (music); Poetry; Aesthetics; Sociology; Art; Political science; Law","score_opus":0.03793398568546765,"score_gpt":0.22948454201889318,"score_spread":0.19155055633342552,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2059504736","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8957585,0.00054310134,0.00014469249,0.0008984234,0.00010947171,0.00007918548,0.00001964731,0.000036732545,0.10241021],"genre_scores_gemma":[0.9798316,0.00006037399,0.00001582629,0.00035221016,0.00018699074,0.0000038727117,0.000004789991,0.00001374377,0.019530602],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99920285,0.000056918085,0.00021270257,0.00015687801,0.00019490831,0.00017571724],"domain_scores_gemma":[0.999439,0.00006228122,0.00006342798,0.0002712879,0.00011483918,0.000049151786],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001073407,0.00011534499,0.00020774493,0.000043339875,0.00045736815,0.000086175045,0.00020106942,0.000026248397,0.0007582086],"category_scores_gemma":[0.000024610206,0.0000766266,0.00008656734,0.000036223624,0.000600465,0.000118000644,0.000068206486,0.000116333795,0.00007455186],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010209164,0.0004118772,0.0016876077,0.00008429595,0.00036736208,0.000113607035,0.19644056,0.0002083489,0.0015945646,0.772526,0.018702678,0.007760978],"study_design_scores_gemma":[0.001620568,0.00020884357,0.012489909,0.000077826044,0.0003445372,0.00005507598,0.006219251,0.022049492,0.0010951454,0.01460219,0.9406035,0.0006336854],"about_ca_topic_score_codex":0.00022499487,"about_ca_topic_score_gemma":0.00015392312,"teacher_disagreement_score":0.9219008,"about_ca_system_score_codex":0.0000065081217,"about_ca_system_score_gemma":0.000018902234,"threshold_uncertainty_score":0.8301853},"labels":[],"label_agreement":null},{"id":"W2059770120","doi":"10.1353/cli.2010.0002","title":"From Typology to Topology: On Jack Spicer","year":2010,"lang":"en","type":"article","venue":"Contemporary Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Public Health","funders":"","keywords":"Poetics; Poetry; Literature; Typology; Dictation; Art; Metaphor; Philosophy; History; Linguistics","score_opus":0.024638567182875375,"score_gpt":0.2586228603778184,"score_spread":0.23398429319494302,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2059770120","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45420742,0.0007128297,0.000004890882,0.012927261,0.0031609149,0.00013594129,0.00034832914,0.0000927745,0.52840966],"genre_scores_gemma":[0.9525523,0.0000019908439,0.00005236122,0.010609214,0.0034982362,0.000014121721,0.0001968108,0.00001617654,0.0330588],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99910134,0.00005462346,0.00020775928,0.00033033083,0.0001025538,0.0002033845],"domain_scores_gemma":[0.9992237,0.000081476086,0.000045082998,0.0004176404,0.00009893192,0.0001331691],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000090503294,0.0001791141,0.00025480558,0.00011852699,0.0001812473,0.00026433656,0.00024134552,0.00016167283,0.006859518],"category_scores_gemma":[0.00005283228,0.00013754802,0.000116641466,0.000056916713,0.00015017041,0.00020069319,0.000043673303,0.0005341261,0.0007706004],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000072415125,0.00008158986,0.00025172532,0.000005874564,0.000057578185,0.00008727527,0.019363048,1.5590068e-7,0.0015428605,0.77059716,0.20734909,0.0005912019],"study_design_scores_gemma":[0.0002112673,0.00011773142,0.0004381625,0.000033364347,0.000013593082,0.000002117904,0.0010328395,0.000004345875,0.00031830795,0.0118484255,0.98579526,0.00018458099],"about_ca_topic_score_codex":0.0001341919,"about_ca_topic_score_gemma":0.00037848428,"teacher_disagreement_score":0.77844614,"about_ca_system_score_codex":0.000005661973,"about_ca_system_score_gemma":0.000025915444,"threshold_uncertainty_score":0.99404836},"labels":[],"label_agreement":null},{"id":"W2059771193","doi":"10.1353/vcr.2011.0015","title":"The Poetry of Chartism: Aesthetics, Politics, History (review)","year":2011,"lang":"en","type":"article","venue":"Victorian review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Poetics; Politics; Romance; Literature; History; Art history; Romanticism; Art; Law; Political science","score_opus":0.061932458776781184,"score_gpt":0.23434298157456274,"score_spread":0.17241052279778155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2059771193","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000051626306,0.83690524,0.0000038350704,0.0016030425,0.0011270598,0.00021400109,0.000015121029,0.000028470851,0.16005161],"genre_scores_gemma":[0.032953717,0.94503194,0.000023447023,0.005977838,0.0007251049,0.000035461184,0.0000104136225,0.000027687202,0.015214397],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985282,0.00015132065,0.000629506,0.00017435111,0.0002403525,0.0002762582],"domain_scores_gemma":[0.9987381,0.000048844748,0.00028077254,0.00060115143,0.0002323546,0.00009877388],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00060574256,0.00016938958,0.000534013,0.00003258969,0.00016631311,0.000010785052,0.00039013638,0.000022023472,0.0059075844],"category_scores_gemma":[0.00011530872,0.000107155625,0.00032687854,0.000046597987,0.0005007084,0.00008170535,0.000041223277,0.0001337677,0.00034567562],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000010425367,0.000055975368,0.000016950928,0.0027987224,0.000050002312,0.0000032194573,0.0014075481,9.393354e-10,0.0000014126938,0.8619254,0.12682508,0.0069146035],"study_design_scores_gemma":[0.00004253169,0.000050146373,0.000042472268,0.004111869,0.00031275794,0.000002849643,0.000091624184,4.34425e-7,0.0000117511045,0.0012499811,0.9939465,0.0001370659],"about_ca_topic_score_codex":0.00012555129,"about_ca_topic_score_gemma":0.00011280301,"teacher_disagreement_score":0.86712146,"about_ca_system_score_codex":0.0000593446,"about_ca_system_score_gemma":0.000057946887,"threshold_uncertainty_score":0.99500114},"labels":[],"label_agreement":null},{"id":"W2061945585","doi":"10.1353/utq.0.0519","title":"Modernism and Mourning (review)","year":2009,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Modernism (music); Art history; History; Literature; Sentimentality; Parade; Trope (literature); Art; Harlem Renaissance; Victory; Performance art; Politics; Law","score_opus":0.013371547116786247,"score_gpt":0.20229579430677494,"score_spread":0.18892424718998868,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2061945585","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11731669,0.060680762,0.0014126302,0.003384335,0.00015295636,0.00021809123,0.000041705345,0.000113747265,0.81667906],"genre_scores_gemma":[0.99094826,0.0012748768,0.00010975511,0.00022777118,0.00004515556,2.120872e-8,0.0000035196483,0.0000019079853,0.007388726],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996442,0.000020661488,0.0000714282,0.00009613591,0.00007872759,0.000088814595],"domain_scores_gemma":[0.99975944,0.000009374018,0.000045663222,0.00009385792,0.000046792844,0.00004486927],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000058121663,0.00006009206,0.00015188623,0.000011427657,0.00014805599,0.000013087147,0.00008739366,0.00001607309,0.002615229],"category_scores_gemma":[0.000001481411,0.00006286298,0.00006497486,0.000003475579,0.00007102654,0.00029408236,0.000004634483,0.000033319015,0.0000099219305],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040969182,0.0002336846,0.000040658982,0.00024307662,0.00014684704,0.00004584407,0.17873825,0.0000018185168,0.0005038311,0.47551996,0.024288153,0.32019693],"study_design_scores_gemma":[0.0013518267,0.0021052477,0.0054787933,0.0008924905,0.000713083,0.000012561151,0.100335814,0.0019374382,0.000019226014,0.0076004807,0.87881947,0.0007335724],"about_ca_topic_score_codex":0.002540814,"about_ca_topic_score_gemma":0.0045590345,"teacher_disagreement_score":0.8736316,"about_ca_system_score_codex":0.00001834156,"about_ca_system_score_gemma":0.0000058196774,"threshold_uncertainty_score":0.9982965},"labels":[],"label_agreement":null},{"id":"W2064728166","doi":"10.1353/mos.2014.0002","title":"Quick Fiction: Some Remarks on Writing Today","year":2014,"lang":"en","type":"article","venue":"Mosaic","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mosaic; Connection (principal bundle); Library science; History; Art history; Art; Visual arts; Engineering; Computer science","score_opus":0.018166297448421978,"score_gpt":0.23073307543587035,"score_spread":0.21256677798744839,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2064728166","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1428234,0.0002555991,0.00014860916,0.0034709037,0.00096712675,0.000082370534,0.000021733273,0.0001867608,0.8520435],"genre_scores_gemma":[0.9737473,0.000008942665,0.000018515482,0.0020067545,0.002019393,0.00000783624,0.000025082663,0.000012221729,0.022153925],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992273,0.000054807424,0.00018468758,0.00017725513,0.0001561253,0.0001998243],"domain_scores_gemma":[0.9995829,0.00007460685,0.00004168971,0.000211601,0.00003699809,0.00005221382],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002368081,0.00010149491,0.00014783525,0.00005636877,0.00039132938,0.00015729427,0.00009845054,0.000033827444,0.0033030242],"category_scores_gemma":[0.00003573541,0.000086258,0.0000968189,0.000023890305,0.00006709396,0.0001516425,0.000018389992,0.00012531683,0.00047938962],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006350289,0.000054337273,0.000050654267,0.000016689384,0.000022484264,0.0000032188186,0.001507648,0.000016542865,0.000085256026,0.94299287,0.048727624,0.0065163253],"study_design_scores_gemma":[0.00018327843,0.00010653917,0.0001568084,0.000049644063,0.000032884014,0.0000015173794,0.0011947235,0.0008723634,0.00028814262,0.006917088,0.9900243,0.00017269765],"about_ca_topic_score_codex":0.000060690298,"about_ca_topic_score_gemma":0.0000668674,"teacher_disagreement_score":0.9412967,"about_ca_system_score_codex":0.000019217267,"about_ca_system_score_gemma":0.0000055713517,"threshold_uncertainty_score":0.99760807},"labels":[],"label_agreement":null},{"id":"W2065541987","doi":"10.1215/00166928-1722944","title":"“Now It Will Soon Be Over”: Apocalyptic Redemption in<i>The Sword Went Out to Sea</i>","year":2012,"lang":"en","type":"article","venue":"Genre","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"SWORD; Witness; Silence; Literature; Psychoanalysis; Psychic; Biography; The Symbolic; Philosophy; Aesthetics; Art; Psychology; Linguistics","score_opus":0.05470444498366995,"score_gpt":0.2844893144216345,"score_spread":0.22978486943796456,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2065541987","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84287286,0.00073996047,0.00014659617,0.017909084,0.0013658047,0.00035007705,0.00005652368,0.00006377997,0.13649532],"genre_scores_gemma":[0.9757974,0.000029358018,0.00001913273,0.008231665,0.0015191433,0.00003377823,0.00002975615,0.000012894086,0.014326831],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99883854,0.000086751825,0.00023401088,0.00016948204,0.0002755584,0.00039566436],"domain_scores_gemma":[0.999491,0.0000456402,0.000042120762,0.00028711167,0.000033999695,0.00010014457],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004517405,0.00013860124,0.00017076157,0.00007814565,0.00023675691,0.0001456266,0.0001973264,0.000046875113,0.0022234772],"category_scores_gemma":[0.000025443289,0.000099036944,0.000119521275,0.000056197976,0.000053579977,0.00030834693,0.000043284963,0.00014798268,0.0006560329],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000068539804,0.0007904943,0.008600725,0.000109471126,0.00014815947,0.000022654061,0.21530765,0.000098870536,0.0006767667,0.2266824,0.5401157,0.007378582],"study_design_scores_gemma":[0.0001574573,0.00005160356,0.003078519,0.00002957084,0.00007387164,0.0000022186614,0.008766845,0.00010785345,0.000058791647,0.0007567943,0.98672485,0.00019165085],"about_ca_topic_score_codex":0.00009835165,"about_ca_topic_score_gemma":0.0022282945,"teacher_disagreement_score":0.44660914,"about_ca_system_score_codex":0.00004330573,"about_ca_system_score_gemma":0.000008936442,"threshold_uncertainty_score":0.99868864},"labels":[],"label_agreement":null},{"id":"W2065860207","doi":"10.3200/expl.64.3.174-176","title":"Gallant's The Remission","year":2006,"lang":"en","type":"article","venue":"The Explicator","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Philosophy; Medicine","score_opus":0.014435108651595443,"score_gpt":0.19553483702799918,"score_spread":0.18109972837640373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2065860207","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1933363,0.001253616,0.00007095954,0.026191927,0.00027985984,0.00018166666,0.000015946844,0.00013138838,0.77853835],"genre_scores_gemma":[0.9624594,0.000011631016,0.0000031576822,0.00072669593,0.0013128832,0.000019701947,0.000004707,0.000007411893,0.03545445],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994843,0.000039189763,0.00011843419,0.000098081226,0.00012407168,0.00013590456],"domain_scores_gemma":[0.9994939,0.000068463145,0.0000355169,0.0003576038,0.00002486137,0.000019633315],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018084842,0.00006880066,0.000072448995,0.000012375382,0.00058727025,0.00012352769,0.00027658633,0.000014089686,0.0018668971],"category_scores_gemma":[0.000008262992,0.000028589351,0.00007745914,0.000025385847,0.00014930945,0.00004355732,0.000033564203,0.00008195675,0.00041775717],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003860984,0.000024334879,0.000026410418,0.0000019317201,0.000009176969,8.352881e-7,0.0015515448,0.0000014532603,0.00064968463,0.85014355,0.14678626,0.0008009598],"study_design_scores_gemma":[0.000046353238,0.00000675924,0.00032405806,0.000004655523,0.000024652338,0.0000018811377,0.0013150669,0.00005885382,0.0007097721,0.018174239,0.97927445,0.000059254537],"about_ca_topic_score_codex":0.00022820906,"about_ca_topic_score_gemma":0.000109447734,"teacher_disagreement_score":0.8324882,"about_ca_system_score_codex":0.0000071608792,"about_ca_system_score_gemma":0.0000066533453,"threshold_uncertainty_score":0.99904555},"labels":[],"label_agreement":null},{"id":"W2067493791","doi":"10.1093/res/hgr106","title":"'Here is my Honey-Machine': Sylvia Plath and the Mereology of the Beehive","year":2011,"lang":"en","type":"article","venue":"The Review of English Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Mount Allison University","funders":"","keywords":"Beehive; Mereology; Art; Biology; Philosophy; Ecology; Epistemology","score_opus":0.050134038155841366,"score_gpt":0.26321226000280357,"score_spread":0.2130782218469622,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2067493791","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014065752,0.8676835,7.757947e-7,0.0020521013,0.00038936466,0.00035633554,0.000058013895,0.000010999563,0.11538316],"genre_scores_gemma":[0.7324035,0.26491284,0.000004787964,0.0015141089,0.00019762419,0.000025157138,7.6539504e-7,0.0000064633764,0.00093471917],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989233,0.00028806092,0.000394023,0.00011898312,0.00014682075,0.0001288332],"domain_scores_gemma":[0.998485,0.0004136458,0.000266372,0.00039200622,0.00042922376,0.000013737264],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000759917,0.0001413152,0.0006559371,0.000015372527,0.00034173354,0.000008411313,0.000357882,0.000017591436,0.00031571125],"category_scores_gemma":[0.00071444723,0.000049881666,0.00025706046,0.000053155996,0.0022085623,0.00005438616,0.00023990269,0.00013836869,0.0000035087726],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025341344,0.00005181678,0.00035655344,0.002446699,0.0013223639,5.271594e-7,0.26636088,8.7075676e-8,0.0000016416133,0.71512413,0.012442217,0.0018677241],"study_design_scores_gemma":[0.0013783247,0.00020920581,0.0011365508,0.0075067393,0.005806291,0.0000047039275,0.18259609,0.000019303305,0.0003795849,0.04267779,0.75783974,0.00044568276],"about_ca_topic_score_codex":0.00017214827,"about_ca_topic_score_gemma":0.00013090827,"teacher_disagreement_score":0.7453975,"about_ca_system_score_codex":0.0000040357236,"about_ca_system_score_gemma":0.000009771143,"threshold_uncertainty_score":0.81375396},"labels":[],"label_agreement":null},{"id":"W2068707425","doi":"10.3138/jsp.32.1.33","title":"The Editor as Gap-Filler: The Letters of Margaret Laurence and Adele Wiseman","year":2000,"lang":"en","type":"article","venue":"Journal of Scholarly Publishing","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Extant taxon; Subject (documents); Balance (ability); Sociology; Art history; History; Psychology; Computer science; Library science","score_opus":0.018585087574083673,"score_gpt":0.21949962104574539,"score_spread":0.20091453347166172,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2068707425","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8025415,0.006251038,0.000011864214,0.13913606,0.0022517852,0.00008626572,0.00001876275,0.000012876769,0.04968987],"genre_scores_gemma":[0.988115,0.00048117468,0.000028380351,0.0021483456,0.0066451035,0.0000013299318,0.0000011754655,0.000010329056,0.0025691488],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99829346,0.00015339108,0.00051688496,0.000101843085,0.0007229422,0.00021149738],"domain_scores_gemma":[0.99845207,0.0003223995,0.00035251759,0.00020314014,0.0005700923,0.00009978888],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":["scholarly_communication"],"category_scores_codex":[0.0024240913,0.00010848234,0.00020829709,0.000089861256,0.0008477185,0.018049423,0.0007543784,0.00005014456,0.0013318454],"category_scores_gemma":[0.00074701634,0.000055386998,0.00015303782,0.00008162242,0.00031642817,0.017901018,0.000052080843,0.0009630584,0.00000694245],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008631481,0.00007308474,0.0009964406,0.000022101909,0.0003029384,0.000025809408,0.016019173,0.000025006273,0.0006284673,0.088460125,0.86874115,0.02461941],"study_design_scores_gemma":[0.00025828488,0.000087908884,0.001363776,0.00009439883,0.00009361981,0.000039782357,0.00784171,0.000027806136,0.000046342033,0.004120717,0.9859329,0.000092757],"about_ca_topic_score_codex":0.00018713783,"about_ca_topic_score_gemma":0.00016339733,"teacher_disagreement_score":0.18557353,"about_ca_system_score_codex":0.000020033247,"about_ca_system_score_gemma":0.000049154743,"threshold_uncertainty_score":0.9995811},"labels":[],"label_agreement":null},{"id":"W2073089700","doi":"10.1353/crv.0.0050","title":"\"It Was My Dream That Screwed Up\": The Relativity of Transcendence in On the Road","year":2009,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dream; Transcendence (philosophy); Theory of relativity; Philosophy; Literature; Psychoanalysis; Art; Physics; Theology; Psychology; Theoretical physics; Psychotherapist","score_opus":0.07335496602205586,"score_gpt":0.3048194871489586,"score_spread":0.23146452112690274,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2073089700","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13397472,0.35919416,0.0000026486375,0.2442141,0.0002683971,0.001135654,0.00019677368,0.00002037258,0.26099318],"genre_scores_gemma":[0.93157035,0.055625018,0.0000026002874,0.01202008,0.00003845207,0.000014543935,0.0000015340215,0.0000045506886,0.0007228804],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887073,0.00020773994,0.00034124957,0.00014950872,0.00020249592,0.00022827419],"domain_scores_gemma":[0.9990412,0.00024522268,0.00019421666,0.000344433,0.00011729592,0.000057635298],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00058706803,0.00014288913,0.0006130378,0.000076991026,0.00023273948,0.000013887295,0.00028577677,0.00001069044,0.0002637143],"category_scores_gemma":[0.00022290723,0.000073748066,0.0001924758,0.0001969964,0.0012403924,0.000058080816,0.000009190785,0.00016073106,0.000008638697],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032733726,0.000190081,0.0013255312,0.0017744023,0.0009320753,0.00003473297,0.11280479,0.000008859438,0.000020525931,0.4654196,0.11631973,0.30113694],"study_design_scores_gemma":[0.0002742976,0.00061933295,0.037660513,0.013938917,0.000617301,0.0000038629855,0.13881811,0.000017415146,0.00011471928,0.002232662,0.80516833,0.000534547],"about_ca_topic_score_codex":0.02872394,"about_ca_topic_score_gemma":0.19177732,"teacher_disagreement_score":0.7975956,"about_ca_system_score_codex":0.000055168653,"about_ca_system_score_gemma":0.000092255985,"threshold_uncertainty_score":0.97774386},"labels":[],"label_agreement":null},{"id":"W2073418032","doi":"10.1353/mos.2013.0003","title":"Hart Crane in Mexico: The End of a New World Poetics","year":2013,"lang":"en","type":"article","venue":"Mosaic","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Indigenous; Poetry; Descent (aeronautics); Order (exchange); History; Literature; Indigenous culture; Art history; Aesthetics; Art; Geography; Ecology; Business","score_opus":0.02862325674974487,"score_gpt":0.23215236610811546,"score_spread":0.2035291093583706,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2073418032","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6942782,0.00140316,0.000043354474,0.019637002,0.0003964775,0.00031947848,0.00003284011,0.00004254509,0.28384697],"genre_scores_gemma":[0.93758583,0.000011101024,0.000017634711,0.00061318354,0.00015556173,0.000008307745,0.000005783414,0.0000064449114,0.06159618],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99940646,0.000028815697,0.00020067078,0.00008795177,0.0001258711,0.00015024806],"domain_scores_gemma":[0.99964696,0.000054222393,0.00003918012,0.00018969446,0.00003348906,0.00003648155],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009830685,0.00007319675,0.00014483587,0.000069321315,0.00007043422,0.000082602586,0.0001499213,0.000014965748,0.015313248],"category_scores_gemma":[0.000015464058,0.000046675388,0.000068043024,0.000068367066,0.00015246634,0.00009639199,0.00002481752,0.000093313814,0.00022045046],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000982357,0.00022551064,0.0034751191,0.000038946764,0.0000902452,0.00000743539,0.03373172,0.000052232266,0.00069339824,0.69732755,0.2519782,0.012369804],"study_design_scores_gemma":[0.00039702802,0.000039679653,0.005928823,0.000056046294,0.00006431402,0.0000011992902,0.0037846758,0.000834161,0.0011542761,0.04069611,0.9468573,0.00018644355],"about_ca_topic_score_codex":0.002596902,"about_ca_topic_score_gemma":0.00870041,"teacher_disagreement_score":0.69487906,"about_ca_system_score_codex":0.000008894028,"about_ca_system_score_gemma":0.000018172803,"threshold_uncertainty_score":0.9855869},"labels":[],"label_agreement":null},{"id":"W2076608050","doi":"10.1093/notesj/gjp142","title":"An Unacknowledged Publication by Sylvia Plath","year":2009,"lang":"en","type":"article","venue":"Notes and Queries","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Public Health","funders":"","keywords":"Poetry; Library science; History; Media studies; Sociology; Art history; Art; Literature; Computer science","score_opus":0.015678159055421005,"score_gpt":0.24573655871568667,"score_spread":0.23005839966026567,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2076608050","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8529471,0.003495718,0.00049289403,0.009370477,0.00023867413,0.00014086034,0.00011304178,0.00026913523,0.13293207],"genre_scores_gemma":[0.99578345,0.00007046532,0.000043508386,0.00079100387,0.00024065195,0.0000034766106,0.000079896585,0.0000049964397,0.002982552],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951607,0.000019483588,0.00012271275,0.00014328049,0.00007122937,0.00012723892],"domain_scores_gemma":[0.9996497,0.000026408756,0.00003162075,0.00012808516,0.00010202176,0.000062153056],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007737631,0.000086615066,0.00011604899,0.00003647338,0.0003170293,0.0003464287,0.000062349696,0.000030686428,0.00086737407],"category_scores_gemma":[0.000038896935,0.00006962935,0.000029821784,0.000024190429,0.00012291769,0.00045033655,0.0000060350303,0.00005476336,0.00002774808],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000101451815,0.00010302913,0.00030613664,0.00000769296,0.000013685442,6.556509e-7,0.008123358,2.8533327e-7,0.00092080917,0.9511657,0.010024057,0.029324472],"study_design_scores_gemma":[0.00020221507,0.00029963246,0.0030610096,0.00001433885,0.000047049707,0.0000017480924,0.002299453,0.0003772039,0.0013234459,0.018048713,0.9740598,0.00026537545],"about_ca_topic_score_codex":0.00006957215,"about_ca_topic_score_gemma":0.00016118317,"teacher_disagreement_score":0.96403575,"about_ca_system_score_codex":0.0000053622075,"about_ca_system_score_gemma":0.000007509287,"threshold_uncertainty_score":0.9497138},"labels":[],"label_agreement":null},{"id":"W2077032607","doi":"10.17742/image.crypt.2-1.5","title":"ELSE LASKER-SCHULER AND THE POETICS OF INCORPORATION","year":2011,"lang":"en","type":"article","venue":"Imaginations Journal of Cross-Cultural Image Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Art; Literature; Poetry","score_opus":0.08066321371750297,"score_gpt":0.3632091013028257,"score_spread":0.28254588758532273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2077032607","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6545523,0.013999972,0.00052190945,0.011774288,0.0009768603,0.00025878527,0.00007303958,0.000027139879,0.31781572],"genre_scores_gemma":[0.9961716,0.0007199457,0.0008566645,0.000102112426,0.00022083137,0.0000032409378,0.0000012931617,0.0000058096934,0.0019185037],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99899787,0.000069122434,0.000529698,0.000075261436,0.0002191231,0.00010893964],"domain_scores_gemma":[0.9922272,0.00010946189,0.00047434916,0.000094292365,0.0070644515,0.000030235304],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00047902815,0.00011648532,0.0003062476,0.00008990583,0.00048450142,0.00062520476,0.00014665148,0.000015093199,0.00013364195],"category_scores_gemma":[0.0006930506,0.00005994882,0.00015011203,0.00006411433,0.008187888,0.004277956,0.00005469046,0.00014107411,0.000004582103],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006409469,0.000081218255,0.00055115647,0.00002898238,0.00039799936,0.000008622556,0.055915404,0.0000013956239,0.00052935653,0.93916863,0.0013639581,0.0018891981],"study_design_scores_gemma":[0.007402329,0.000538535,0.03263749,0.00030318898,0.002214399,0.0002828146,0.14067478,0.0002476125,0.009770452,0.70613396,0.09906614,0.0007282906],"about_ca_topic_score_codex":0.00002418333,"about_ca_topic_score_gemma":0.00005077739,"teacher_disagreement_score":0.3416193,"about_ca_system_score_codex":0.000016176331,"about_ca_system_score_gemma":0.000017488843,"threshold_uncertainty_score":0.99451125},"labels":[],"label_agreement":null},{"id":"W2078942685","doi":"10.1007/s10912-010-9116-2","title":"William Carlos Williams Poetry Winners","year":2010,"lang":"en","type":"article","venue":"Journal of Medical Humanities","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Centennial College","funders":"","keywords":"Poetry; Art; Psychoanalysis; Art history; Literature; Psychology","score_opus":0.02508130661012429,"score_gpt":0.2623721452254671,"score_spread":0.2372908386153428,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2078942685","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8234673,0.0013354549,0.00006674944,0.0056450595,0.0071754404,0.00007522491,0.000022517404,0.0000578623,0.16215436],"genre_scores_gemma":[0.97714454,0.00018598579,0.00004427106,0.002059332,0.0075287195,0.000002081472,0.0000036895256,0.000024657244,0.013006735],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970078,0.00006591413,0.00077791564,0.00013079916,0.0016874581,0.00033011744],"domain_scores_gemma":[0.9985985,0.00017472885,0.00032471196,0.00020409093,0.00040909174,0.00028884437],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011079311,0.0001972395,0.0004599935,0.0002462538,0.00038867764,0.0003197655,0.0007098424,0.00015331297,0.023952909],"category_scores_gemma":[0.0003265711,0.00014085273,0.00035697926,0.00004233075,0.0011051727,0.0005184501,0.00006314314,0.0012649962,0.000074340256],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037493704,0.0003394176,0.00028704392,0.00007618047,0.00034887393,0.00043457947,0.019555137,0.0000015408439,0.00021893068,0.88944906,0.07830386,0.010947897],"study_design_scores_gemma":[0.0005701782,0.00021321038,0.00018163567,0.00013144486,0.00015204388,0.00018298987,0.01389677,0.00003557657,0.0001204457,0.0069162445,0.97737104,0.00022840785],"about_ca_topic_score_codex":0.00008076691,"about_ca_topic_score_gemma":0.0010425986,"teacher_disagreement_score":0.8990672,"about_ca_system_score_codex":0.00002476721,"about_ca_system_score_gemma":0.0001445239,"threshold_uncertainty_score":0.9769393},"labels":[],"label_agreement":null},{"id":"W2079437078","doi":"10.1353/ams.2010.0119","title":"Expanding Jack Kerouac’s “America”: Canadian Revisions of On the Road","year":2010,"lang":"en","type":"article","venue":"American studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Jazz; Paradise; History; Art history; Treasure; Art; Law; Political science; Archaeology","score_opus":0.0494347102640921,"score_gpt":0.3049023361886201,"score_spread":0.255467625924528,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2079437078","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76905143,0.00059858384,0.0000026857047,0.011269056,0.00046049352,0.00012945756,0.00006527042,0.000032885335,0.21839015],"genre_scores_gemma":[0.99512815,0.0002812688,0.00002837098,0.0021198716,0.00028812097,0.000020175981,0.0000022970992,0.000010523748,0.0021212434],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915594,0.000050780774,0.00021448165,0.00016229131,0.00015783512,0.0002586838],"domain_scores_gemma":[0.9990791,0.0002627761,0.00012617622,0.00031271006,0.00013761283,0.00008159692],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015962542,0.00013061157,0.00033788953,0.00010418822,0.0006872742,0.000046658533,0.00019834659,0.000010598192,0.0012449002],"category_scores_gemma":[0.00027394659,0.00007725746,0.00012460105,0.00012042364,0.0016366617,0.000053767748,0.00004188619,0.00019541271,0.000097173164],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016881228,0.00013431042,0.0013026345,0.000027900283,0.0011166321,0.000016169157,0.09151251,0.0000064115525,0.00076678273,0.6493452,0.113627404,0.14212717],"study_design_scores_gemma":[0.00008168407,0.0002079165,0.0027114954,0.00006411217,0.0001394408,0.0000012847241,0.19634938,0.000015299649,0.0001579723,0.00070684747,0.79931587,0.00024871668],"about_ca_topic_score_codex":0.073309675,"about_ca_topic_score_gemma":0.14867322,"teacher_disagreement_score":0.68568844,"about_ca_system_score_codex":0.000020711903,"about_ca_system_score_gemma":0.000035605186,"threshold_uncertainty_score":0.9996681},"labels":[],"label_agreement":null},{"id":"W2079445479","doi":"10.7202/007712ar","title":"Introduction: The Poetess Tradition","year":2003,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.027978252771579983,"score_gpt":0.2091774517792724,"score_spread":0.18119919900769244,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2079445479","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26699424,0.00035710196,0.00013009094,0.085228644,0.0027705692,0.0003237279,0.000024011662,0.00012529637,0.6440463],"genre_scores_gemma":[0.9804235,0.000013525341,0.0000040176415,0.002403151,0.0021786056,0.000018276376,0.0000075290413,0.000011629638,0.014939739],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907845,0.00017883738,0.00017255584,0.00016924135,0.00021122431,0.00018967112],"domain_scores_gemma":[0.999326,0.00016109762,0.00005448508,0.00038878113,0.000041287516,0.00002834475],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00042663678,0.00012045549,0.00012319781,0.000034983994,0.0008211481,0.00022053384,0.00020041292,0.000024075502,0.009883927],"category_scores_gemma":[0.00006708028,0.000058982932,0.00011098655,0.00005817654,0.00023280158,0.0000951219,0.000008253747,0.00018151356,0.00054634793],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000037797342,0.000047075227,0.0000017959795,0.0000020162324,0.00003294285,0.0000017651013,0.0020027256,0.0000148262825,0.000042730266,0.8887528,0.108896814,0.0002007357],"study_design_scores_gemma":[0.00011079432,0.000073221076,0.0001270585,0.000009853737,0.000088196706,0.000010730407,0.0036075974,0.00018235798,0.0007739821,0.055832066,0.93906045,0.00012371122],"about_ca_topic_score_codex":0.0000200888,"about_ca_topic_score_gemma":0.000026647,"teacher_disagreement_score":0.83292073,"about_ca_system_score_codex":0.000012382273,"about_ca_system_score_gemma":0.000010105138,"threshold_uncertainty_score":0.99102116},"labels":[],"label_agreement":null},{"id":"W2079500475","doi":"10.1353/mos.2015.0012","title":"“Some Things Are Better Left Unsaid”: The “Dignity of Queer Shame”","year":2015,"lang":"en","type":"article","venue":"Mosaic","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Unsaid; Queer; Shame; Dignity; Meaning (existential); Psychoanalysis; Aesthetics; Sociology; Gender studies; Art; Psychology; Philosophy; Literature; Social psychology; Epistemology; Law; Political science","score_opus":0.046347857056543054,"score_gpt":0.23803054591555114,"score_spread":0.19168268885900808,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2079500475","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88802934,0.0028288856,0.00006412263,0.021558689,0.0011917227,0.00024080917,0.0001273089,0.00013709164,0.085822046],"genre_scores_gemma":[0.9793813,0.000009228885,0.000012901639,0.0050142817,0.000631531,0.0000042674124,0.000012677957,0.000011807854,0.014921996],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991471,0.00006915085,0.00020799269,0.00013548942,0.00025746154,0.00018276829],"domain_scores_gemma":[0.9993782,0.000049902428,0.00009156174,0.0002846309,0.00013377682,0.00006193025],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032624614,0.00011110051,0.00020313679,0.0000409928,0.0001755548,0.00010446365,0.00023674499,0.000035995134,0.0011652553],"category_scores_gemma":[0.000046813704,0.000067308785,0.00012088797,0.00002663811,0.0002422254,0.00042455585,0.00005363391,0.00015437606,0.00017651154],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027409775,0.00023653831,0.0043961112,0.000077504475,0.00027238432,0.0000228489,0.080712564,0.0000262722,0.0001405893,0.5594395,0.35318843,0.00145984],"study_design_scores_gemma":[0.00027661686,0.000057694157,0.0009691813,0.000042806987,0.00013073297,0.0000028613856,0.009480328,0.00017832592,0.00051499606,0.05446591,0.93367094,0.0002096022],"about_ca_topic_score_codex":0.00048141877,"about_ca_topic_score_gemma":0.0002445792,"teacher_disagreement_score":0.5804825,"about_ca_system_score_codex":0.000017748724,"about_ca_system_score_gemma":0.000020977484,"threshold_uncertainty_score":0.9997478},"labels":[],"label_agreement":null},{"id":"W2082136732","doi":"10.1353/esq.2014.0004","title":"Herman Melville’s Fejee Mermaid, or A Confidence Man at the Lyceum","year":2014,"lang":"en","type":"article","venue":"ESQ","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":20,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Extant taxon; Skepticism; Newspaper; Literature; Poetry; Art; Art history; History; Philosophy; Sociology; Theology; Media studies","score_opus":0.02918847154273292,"score_gpt":0.23722266984395818,"score_spread":0.20803419830122527,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2082136732","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27984577,0.0005677579,0.000068286536,0.00960061,0.0007262024,0.00016402501,0.000026826616,0.00012002638,0.7088805],"genre_scores_gemma":[0.8293346,0.000018393965,0.0000046654263,0.0027016955,0.0005578528,0.000013641115,0.000007571173,0.000011498027,0.16735008],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99910027,0.00007487167,0.00018606662,0.00018446836,0.00021090131,0.00024343042],"domain_scores_gemma":[0.9993357,0.0001311245,0.000056622626,0.00035977902,0.000052671505,0.00006407099],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002520864,0.00012737501,0.00017234056,0.000030253554,0.00065728184,0.00018145959,0.00026658972,0.000029060935,0.031396296],"category_scores_gemma":[0.000043345353,0.00006985751,0.00011244133,0.000028825913,0.00028609086,0.000117222306,0.00007726022,0.00010551989,0.0021528685],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034989218,0.000042832027,0.00007769709,0.000021653736,0.0000754047,0.0000142585295,0.009104404,0.0000047380877,0.00027408343,0.8902534,0.0969037,0.0031927947],"study_design_scores_gemma":[0.00018273984,0.000049570986,0.0002068209,0.000018703102,0.0000617534,0.000007365773,0.0016230921,0.00021126849,0.00046377844,0.0022511017,0.99477667,0.00014712648],"about_ca_topic_score_codex":0.0003082716,"about_ca_topic_score_gemma":0.0068072705,"teacher_disagreement_score":0.897873,"about_ca_system_score_codex":0.000020221436,"about_ca_system_score_gemma":0.000012523309,"threshold_uncertainty_score":0.9986241},"labels":[],"label_agreement":null},{"id":"W2082875952","doi":"10.1353/crt.2013.0022","title":"Revolution of Thought/Revulsion of Feeling: Edgar Allan Poe and the Interest Concept","year":2013,"lang":"en","type":"article","venue":"Criticism","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Contemplation; Poetry; Philosophy; Feeling; Opposition (politics); Criticism; Literature; Art; Epistemology; Politics; Law","score_opus":0.033416458897423146,"score_gpt":0.24016816734708624,"score_spread":0.2067517084496631,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2082875952","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9124759,0.006797198,0.00036111526,0.0058406983,0.0005524784,0.0004134943,0.000058558184,0.00003928581,0.07346128],"genre_scores_gemma":[0.9955124,0.000081577615,0.0000468532,0.00026785283,0.0002533205,0.000010860274,0.000008708596,0.000008944404,0.00380948],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99914193,0.00009559933,0.00036933992,0.00013113716,0.00011567387,0.0001463106],"domain_scores_gemma":[0.9992065,0.00019231818,0.00009409408,0.0002141533,0.00025175596,0.000041218438],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021403725,0.00010157332,0.00029879695,0.000052658757,0.0001467135,0.000055384793,0.00014332042,0.000038761773,0.0012953229],"category_scores_gemma":[0.00013140155,0.000064537526,0.00010808946,0.000029165374,0.0010828358,0.00014924126,0.000056720393,0.00009839573,0.000021137197],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012027249,0.00004889874,0.000032167907,0.00007559048,0.000036131012,6.383987e-7,0.0081153605,9.338403e-7,0.00089006283,0.9849514,0.004440394,0.0013964109],"study_design_scores_gemma":[0.0071564666,0.0008665964,0.0042829355,0.0016398551,0.0013664202,0.00003738159,0.11116148,0.0071802293,0.02309384,0.5463294,0.29564816,0.0012372445],"about_ca_topic_score_codex":0.0003726098,"about_ca_topic_score_gemma":0.000096722746,"teacher_disagreement_score":0.43862197,"about_ca_system_score_codex":0.0000066435186,"about_ca_system_score_gemma":0.000008637796,"threshold_uncertainty_score":0.99961764},"labels":[],"label_agreement":null},{"id":"W2084593432","doi":"10.7202/016702ar","title":"The Textual Environment of George Meredith","year":2007,"lang":"en","type":"article","venue":"Romanticism and Victorianism on the Net","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Poetics; Scholarship; Literature; Reading (process); Criticism; Object (grammar); Meaning (existential); George (robot); Philosophy; Consciousness; Art; Art history; Epistemology; Linguistics; Law","score_opus":0.014105608791511081,"score_gpt":0.20570612553622697,"score_spread":0.1916005167447159,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2084593432","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67648554,0.0015415781,0.00043291322,0.005525816,0.0025250046,0.00048763526,0.00009083434,0.000071552386,0.31283912],"genre_scores_gemma":[0.9929213,0.00018110899,0.000006838319,0.00031707392,0.0011476458,0.0000040149093,0.0000045081124,0.000012249051,0.005405293],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99889594,0.00005203115,0.00030146676,0.00016361021,0.00030007528,0.00028685096],"domain_scores_gemma":[0.99898106,0.0005148451,0.00010563961,0.00031816072,0.0000181149,0.000062178005],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008005841,0.00014670109,0.00017776122,0.000034336674,0.0007454699,0.00010888323,0.00023329974,0.000040782354,0.00053907995],"category_scores_gemma":[0.000026387283,0.00007257622,0.00008504657,0.000024069439,0.00043869246,0.000054960583,0.000055323257,0.00013903403,0.0000616377],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029190607,0.00005999887,0.00003156133,0.0000041699604,0.00006891279,0.000004600963,0.0036615655,8.652752e-7,0.00034631783,0.9908722,0.0036166818,0.0013039173],"study_design_scores_gemma":[0.00027698654,0.00023553206,0.0015766574,0.000023801067,0.00011844034,0.0000031216975,0.008479236,0.000121149016,0.0016204139,0.015222093,0.9721491,0.00017351194],"about_ca_topic_score_codex":0.00008044351,"about_ca_topic_score_gemma":0.000113332084,"teacher_disagreement_score":0.97565013,"about_ca_system_score_codex":0.0000095758005,"about_ca_system_score_gemma":0.0000072770495,"threshold_uncertainty_score":0.5902547},"labels":[],"label_agreement":null},{"id":"W2084629658","doi":"10.3138/md.48.1.163","title":"Conversion Tactics in Terrence McNally’s and Paul Rudnick’s Gay Gospels","year":2005,"lang":"en","type":"article","venue":"Modern Drama","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Queer; Lesbian; Miller; Politics; Insider; Appeal; Identity (music); Sociology; Aesthetics; Gender studies; Media studies; Art; Law; Political science","score_opus":0.02770576827832572,"score_gpt":0.24424312085490507,"score_spread":0.21653735257657936,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2084629658","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9424169,0.0010500441,0.00038434484,0.0026328266,0.00014012081,0.00009206462,0.000021308335,0.000046896857,0.05321547],"genre_scores_gemma":[0.9897098,0.0000981008,0.00006755804,0.0007083661,0.00023798931,0.0000034577145,0.000008583079,0.000009784699,0.009156386],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999201,0.000028828763,0.0001991478,0.00020500824,0.00014860633,0.00021742586],"domain_scores_gemma":[0.99965614,0.00003980436,0.000044147142,0.0001582375,0.00003839613,0.00006329317],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012506526,0.00011759751,0.00017200405,0.00007545511,0.00012446013,0.00015709472,0.00010888182,0.00004518798,0.001189564],"category_scores_gemma":[0.000015298781,0.00010400523,0.000046963105,0.000024206383,0.00012352255,0.00032248438,0.000048194477,0.00014212022,0.000115705916],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002158111,0.0017501299,0.012481448,0.00030775598,0.00030094004,0.00032072942,0.21789148,0.00081006385,0.0035824275,0.45668674,0.022800902,0.28285158],"study_design_scores_gemma":[0.0022193547,0.00020555402,0.0075379102,0.00020436468,0.00018061078,0.000028941897,0.006676719,0.14289775,0.0018536164,0.028133014,0.80897266,0.0010894899],"about_ca_topic_score_codex":0.00010939192,"about_ca_topic_score_gemma":0.0010151024,"teacher_disagreement_score":0.78617173,"about_ca_system_score_codex":0.00003258076,"about_ca_system_score_gemma":0.000014437054,"threshold_uncertainty_score":0.9997235},"labels":[],"label_agreement":null},{"id":"W2085218860","doi":"10.3138/jrpc.22.1.008","title":"Faint Hope—A Theological Interpretation of Woody Allen’s <i>Crimes and Misdemeanors</i>","year":2010,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Interpretation (philosophy); Philosophy; Economic Justice; Theology; Nihilism; Sociology; Epistemology; Law; Political science","score_opus":0.009979092805429421,"score_gpt":0.2395193894575964,"score_spread":0.229540296652167,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2085218860","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98528457,0.005994748,0.00009672675,0.0009857158,0.00032586232,0.00004880954,0.000006874951,0.0000074633817,0.007249238],"genre_scores_gemma":[0.99254847,0.0038311651,0.00018013032,0.00046156906,0.0002652358,4.5586117e-7,0.000003316886,0.000004294471,0.0027053931],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993209,0.00004998392,0.00032145708,0.0000822223,0.00014248303,0.00008293617],"domain_scores_gemma":[0.99944186,0.000014622759,0.00022279238,0.00006652515,0.00017906941,0.000075130774],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023877712,0.000096087,0.0002452432,0.000058158388,0.0000950383,0.00008371946,0.00007916318,0.00008116674,0.0000855152],"category_scores_gemma":[0.00007252926,0.000055973276,0.0001221285,0.000013830333,0.00015242223,0.00016090034,0.000020920119,0.00030133754,0.0000012524833],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017152666,0.00015220477,0.0012125105,0.00007705634,0.00019512256,0.00003482292,0.041101746,0.0000037250902,0.011182836,0.8704473,0.07110511,0.004316074],"study_design_scores_gemma":[0.00050930143,0.0004259269,0.00021675903,0.000106781925,0.00021757244,0.00018703606,0.003541879,0.00011424162,0.00054697326,0.022283493,0.9716966,0.00015343462],"about_ca_topic_score_codex":0.0000224339,"about_ca_topic_score_gemma":0.00018256945,"teacher_disagreement_score":0.9005915,"about_ca_system_score_codex":0.0000028337822,"about_ca_system_score_gemma":0.00000746,"threshold_uncertainty_score":0.2282524},"labels":[],"label_agreement":null},{"id":"W2087259715","doi":"10.1353/wcw.0.0006","title":"A New World Assemblage: William Carlos Williams and the Québécois Avant-Garde","year":2007,"lang":"en","type":"article","venue":"William Carlos Williams Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Audience measurement; French; Art history; Art; Colonialism; Humanities; History; Literature; Political science; Law; Archaeology","score_opus":0.01993480224736922,"score_gpt":0.2567565689006776,"score_spread":0.2368217666533084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2087259715","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0050622434,0.74565613,0.0012148038,0.014723837,0.003276821,0.00410194,0.00020243115,0.0006743783,0.22508742],"genre_scores_gemma":[0.27069932,0.2790296,0.00072014297,0.037666798,0.007729984,0.00038811224,0.00021546413,0.00044278102,0.4031078],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99318236,0.00048478963,0.0020835218,0.0012878015,0.0013754524,0.001586093],"domain_scores_gemma":[0.9954146,0.000822664,0.0007131115,0.0017199701,0.0004949246,0.00083471026],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0031479262,0.0011691821,0.002319276,0.00035279698,0.0012474958,0.0007149732,0.0011563633,0.00020841333,0.0026217478],"category_scores_gemma":[0.00043747757,0.00077002496,0.0012372328,0.0003517572,0.0013729067,0.0008792031,0.00032018093,0.0010519739,0.00057058554],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035294113,0.00046923154,0.0019847977,0.0056247604,0.0022061449,0.00039468042,0.02703161,0.000012132296,0.00012695807,0.19111107,0.54983455,0.22085114],"study_design_scores_gemma":[0.0016899544,0.000109149136,0.00052255817,0.0036296158,0.0017012167,0.000068738445,0.0008200363,0.00002711878,0.000069779075,0.0020693897,0.98818797,0.0011044646],"about_ca_topic_score_codex":0.0045039756,"about_ca_topic_score_gemma":0.08099088,"teacher_disagreement_score":0.4666265,"about_ca_system_score_codex":0.00019815573,"about_ca_system_score_gemma":0.00026909716,"threshold_uncertainty_score":0.99947506},"labels":[],"label_agreement":null},{"id":"W2090876140","doi":"10.1093/notesj/gji129","title":"'Jenny's cage-bird': Symbolic Realism in D. G. Rossetti's 'Jenny'","year":2005,"lang":"en","type":"article","venue":"Notes and Queries","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université de Saint-Boniface; University of Manitoba","funders":"","keywords":"Realism; Art history; John Cage; The Symbolic; Art; History; Performance art; Visual arts; Psychology; Psychoanalysis","score_opus":0.018201894832576587,"score_gpt":0.2319262495167393,"score_spread":0.2137243546841627,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2090876140","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9011199,0.0037355404,0.000019557681,0.0067345034,0.0002220133,0.00012895597,0.0000655152,0.00016854396,0.08780549],"genre_scores_gemma":[0.9919214,0.0006168608,0.00007966804,0.0012775207,0.0008810346,0.000018622073,0.000013427831,0.000025020778,0.0051663984],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894106,0.000048260743,0.0002947924,0.0002498499,0.00013946902,0.0003265529],"domain_scores_gemma":[0.9995017,0.00011433487,0.000052453066,0.00019821443,0.000050278246,0.00008303569],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019868765,0.00018442044,0.0003071686,0.00011323529,0.00031263081,0.0002865554,0.00010456329,0.00006556828,0.0012366519],"category_scores_gemma":[0.000056320077,0.00015355059,0.00008250249,0.000054596327,0.00034487693,0.000392606,0.00004777651,0.0001572551,0.00006601768],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019087936,0.000080706544,0.00264853,0.000048889156,0.000035116384,0.00001796352,0.026680168,0.000012001166,0.00011834594,0.95301104,0.0015363386,0.015791835],"study_design_scores_gemma":[0.00033918943,0.00005713343,0.0063607316,0.00006539352,0.00004873257,0.00000840596,0.0030596142,0.00011835262,0.000369624,0.0054584965,0.9837808,0.00033355408],"about_ca_topic_score_codex":0.0034215858,"about_ca_topic_score_gemma":0.024736982,"teacher_disagreement_score":0.98224443,"about_ca_system_score_codex":0.00002607736,"about_ca_system_score_gemma":0.000029528555,"threshold_uncertainty_score":0.99967635},"labels":[],"label_agreement":null},{"id":"W2091758228","doi":"10.1353/smr.2006.0005","title":"The Look of Things: Poetry and Vision around 1900 (review)","year":2006,"lang":"en","type":"article","venue":"Seminar A Journal of Germanic Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Aesthetics; Art; Literature","score_opus":0.017751268815591973,"score_gpt":0.29812784390846053,"score_spread":0.28037657509286856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2091758228","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09762706,0.88484246,0.0000074156465,0.0019945311,0.0003298061,0.000067428904,0.000003716849,0.000005543035,0.015122025],"genre_scores_gemma":[0.860717,0.13139804,0.000019789022,0.00041312937,0.0006077135,0.0000014690386,5.8963377e-7,0.00000905306,0.006833236],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882865,0.00006289812,0.0005986139,0.00008142164,0.00028021348,0.00014822742],"domain_scores_gemma":[0.9987285,0.00031913217,0.00045435707,0.00011972688,0.00035235484,0.000025905205],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00076820806,0.00012017376,0.00042048053,0.000058127807,0.00041140753,0.000049560567,0.00015253153,0.000018298539,0.00004685292],"category_scores_gemma":[0.000080685495,0.00006585455,0.00018086958,0.000038683294,0.00045018538,0.00019341569,0.000066541994,0.00014732189,0.0000038771136],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019349749,0.0005935675,0.0007930508,0.0029519186,0.0030998194,0.00020663743,0.047565483,0.000006649068,0.0021899135,0.23996085,0.63049924,0.07193936],"study_design_scores_gemma":[0.0010411378,0.001189752,0.0026418907,0.008602878,0.0021864744,0.00040718264,0.07965817,0.000076159835,0.00073914847,0.031800475,0.8711362,0.0005205168],"about_ca_topic_score_codex":0.00002048905,"about_ca_topic_score_gemma":0.000043608816,"teacher_disagreement_score":0.7630899,"about_ca_system_score_codex":0.000020475989,"about_ca_system_score_gemma":0.000017415121,"threshold_uncertainty_score":0.31642556},"labels":[],"label_agreement":null},{"id":"W2097720323","doi":"10.1093/ywes/man017","title":"XVI * American Literature: The Twentieth Century","year":2008,"lang":"en","type":"article","venue":"The Year s Work in English Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Section (typography); Poetry; STELLA (programming language); Drama; Art; Art history; History; Performance art; Literature; Classics","score_opus":0.029771390969878513,"score_gpt":0.24644645429653,"score_spread":0.21667506332665148,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2097720323","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78081226,0.049732596,0.0000012894756,0.004682046,0.0029119893,0.00027979384,0.00002259407,0.00016565852,0.16139178],"genre_scores_gemma":[0.98360676,0.005591515,0.00000895465,0.00062044064,0.0014115626,0.000023187535,0.0000030462165,0.000011235369,0.008723329],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991231,0.00012784461,0.00017626694,0.00014561327,0.00018427978,0.00024288299],"domain_scores_gemma":[0.99927723,0.0002192779,0.000058342568,0.00028792996,0.00013787953,0.000019314148],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027210158,0.00012999908,0.00022474352,0.000042497693,0.00069508055,0.00009901926,0.00027016245,0.000014828676,0.00011814603],"category_scores_gemma":[0.00014927665,0.000062394254,0.000110628745,0.00024027185,0.0011094194,0.000085308326,0.0001036686,0.00028309342,0.00004640021],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034117784,0.00007419463,0.0019983386,0.000010939559,0.00028949504,0.000024361781,0.7683055,0.000018304627,4.4835969e-7,0.08079511,0.14711587,0.0013333367],"study_design_scores_gemma":[0.00013714911,0.00002587596,0.004105378,0.00006662782,0.000053332762,0.0000010549611,0.15142876,0.000002042959,0.0000037684565,0.00079915684,0.84323734,0.00013954268],"about_ca_topic_score_codex":0.000044471875,"about_ca_topic_score_gemma":0.00020566283,"teacher_disagreement_score":0.69612145,"about_ca_system_score_codex":0.000019922005,"about_ca_system_score_gemma":0.000009007741,"threshold_uncertainty_score":0.5346068},"labels":[],"label_agreement":null},{"id":"W2098131296","doi":"10.3368/cl.56.1.81","title":"John Ashbery and Hyperpastoral Suburbia","year":2015,"lang":"en","type":"article","venue":"Contemporary Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Columbia College","funders":"","keywords":"Art","score_opus":0.06981962212128992,"score_gpt":0.23487858820471544,"score_spread":0.16505896608342552,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2098131296","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22737968,0.05227855,0.000012041092,0.0030494581,0.0011993084,0.00016526456,0.00017541822,0.00017528798,0.71556497],"genre_scores_gemma":[0.9571713,0.000015225431,0.000026072983,0.0012159051,0.0010136801,0.0000067568562,0.00010485041,0.000015053761,0.040431123],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919355,0.000064014515,0.00019163208,0.00022689662,0.00015637038,0.00016752325],"domain_scores_gemma":[0.9993606,0.000025202342,0.000046336525,0.00020618345,0.00016462382,0.0001970162],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017765899,0.00016237654,0.00022959794,0.000090609436,0.000149548,0.0006062912,0.0001113006,0.000071511444,0.00021370406],"category_scores_gemma":[0.000032924312,0.00012691384,0.00007763827,0.000056572437,0.00016462675,0.00069798605,0.00004439294,0.00020740353,0.00004929258],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008114776,0.00010137336,0.0025020107,0.000055076805,0.00009995928,0.00024959317,0.05812353,4.2528725e-7,0.0000593284,0.4593691,0.47817063,0.0011878286],"study_design_scores_gemma":[0.0003858838,0.00007282794,0.00015873685,0.0000687378,0.000019618969,0.000015565354,0.0021307005,0.00004382372,0.000017581564,0.0038705738,0.9930256,0.00019032959],"about_ca_topic_score_codex":0.000037739872,"about_ca_topic_score_gemma":0.00003657908,"teacher_disagreement_score":0.72979164,"about_ca_system_score_codex":0.000011555466,"about_ca_system_score_gemma":0.00005127703,"threshold_uncertainty_score":0.584648},"labels":[],"label_agreement":null},{"id":"W2101190374","doi":"10.1353/mfs.2002.0023","title":"The Dean of American Letters: The Late Career of William Dean Howells (review)","year":2002,"lang":"en","type":"article","venue":"Modern fiction studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Biography; Quarter (Canadian coin); Classics; History; Art history; Art; Archaeology","score_opus":0.0785562893855904,"score_gpt":0.2654707294778003,"score_spread":0.18691444009220992,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2101190374","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59666765,0.33372816,0.00044915688,0.023517523,0.0008924696,0.00053664687,0.00010532013,0.000094002324,0.04400905],"genre_scores_gemma":[0.9555514,0.03925474,0.0000036397123,0.00078108086,0.00012744787,0.000016283226,0.000001249788,0.000008108397,0.004256044],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999136,0.00008399492,0.00031132376,0.0001028425,0.0002200869,0.00014576489],"domain_scores_gemma":[0.99918836,0.00015006222,0.00020134822,0.00025669267,0.00018859853,0.000014944938],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018329501,0.00011062004,0.00029753376,0.000027059572,0.0004862838,0.000022169195,0.00015234985,0.000008007006,0.00010757281],"category_scores_gemma":[0.000036011985,0.000056157885,0.00017170617,0.000056530193,0.00077161554,0.00006288901,0.000045959987,0.00007717168,0.000012648149],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003484767,0.0003451134,0.0018157713,0.0007520157,0.0037905287,0.00000443258,0.20182589,0.00058938266,0.0012187429,0.032386698,0.6343734,0.12286316],"study_design_scores_gemma":[0.00024740404,0.00016037827,0.0022139095,0.00043216322,0.0009182126,0.0000016625709,0.031666253,0.0016242719,0.0003850099,0.0009615223,0.96108216,0.00030705423],"about_ca_topic_score_codex":0.000092697795,"about_ca_topic_score_gemma":0.0003576568,"teacher_disagreement_score":0.35888374,"about_ca_system_score_codex":0.000012932405,"about_ca_system_score_gemma":0.0000018355768,"threshold_uncertainty_score":0.3740151},"labels":[],"label_agreement":null},{"id":"W2102315444","doi":"","title":"New Canadian Poetry: Anthologizing the Nation and After","year":2009,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Political science; History; Art; Literature","score_opus":0.02125144081776043,"score_gpt":0.21626311159678566,"score_spread":0.19501167077902523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2102315444","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.111460514,0.0007158781,0.00012714381,0.03788785,0.00016590314,0.00007119112,0.0000067723754,0.0000423733,0.84952235],"genre_scores_gemma":[0.97536397,0.00001254874,0.00003727894,0.0053287516,0.0002712788,8.298112e-7,0.0000018769865,0.0000018151666,0.018981671],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99968773,0.000012007209,0.000061689905,0.00007211402,0.000050244525,0.00011622193],"domain_scores_gemma":[0.99982345,0.000012341709,0.000008839654,0.00006936469,0.000019778381,0.00006624129],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000073632546,0.000046457913,0.00004960953,0.000046991976,0.00023012576,0.00019172778,0.00004545415,0.000015869606,0.0029144953],"category_scores_gemma":[0.000009613773,0.000026976853,0.000021730759,0.000018814297,0.000037425347,0.000107405336,0.000004263843,0.00004605507,0.000030176787],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000023132131,0.0000045717707,0.0003249404,8.787024e-7,0.000008857583,0.000007845419,0.0051809307,4.33343e-7,0.000013003554,0.95133036,0.015120722,0.028005144],"study_design_scores_gemma":[0.00012643487,0.00005813037,0.03276807,0.000009773577,0.000048864902,0.0000068126133,0.0053750994,0.00016406512,0.00005022595,0.033942237,0.92727464,0.00017565093],"about_ca_topic_score_codex":0.045193605,"about_ca_topic_score_gemma":0.42776868,"teacher_disagreement_score":0.91738814,"about_ca_system_score_codex":0.000009872247,"about_ca_system_score_gemma":0.000020943937,"threshold_uncertainty_score":0.997997},"labels":[],"label_agreement":null},{"id":"W2102666093","doi":"","title":"Listening at the Edge: Homage and Ohmage in Don McKay and Ken Babstock","year":2008,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Active listening; Thriving; Poetics; Sociology; Aesthetics; Literature; Art; Communication; Social science","score_opus":0.028439106656561255,"score_gpt":0.25447225250225325,"score_spread":0.226033145845692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2102666093","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8651184,0.0764907,5.643548e-8,0.0032841754,0.00026670608,0.00013940896,0.00012566126,0.000009238901,0.054565664],"genre_scores_gemma":[0.97753507,0.001427475,0.00000671863,0.0010257602,0.00023314789,0.000017163313,0.000013020123,0.000009324562,0.01973235],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991155,0.000069423,0.00017137946,0.00022336072,0.00008267288,0.00033764722],"domain_scores_gemma":[0.99957776,0.00009103697,0.00002567635,0.0001469496,0.000050533716,0.000108037806],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021904644,0.0001465597,0.00022790338,0.0001766141,0.0007107467,0.00013689321,0.000083027255,0.000052531967,0.000105790845],"category_scores_gemma":[0.000068571455,0.00010022704,0.00003321689,0.0001075842,0.00057849113,0.00016189762,0.00006725125,0.0002598145,0.0000028550176],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022479015,0.000024884444,0.05979668,0.0002179424,0.00016296885,0.0019857308,0.81222683,0.000004456828,0.000021527572,0.04375583,0.079614714,0.0021659867],"study_design_scores_gemma":[0.00044221533,0.00004415258,0.034890443,0.0003176063,0.000029707628,0.000080630205,0.022837851,0.000037808975,0.0000064543256,0.0011683473,0.9398428,0.00030197436],"about_ca_topic_score_codex":0.033908166,"about_ca_topic_score_gemma":0.91273856,"teacher_disagreement_score":0.87883043,"about_ca_system_score_codex":0.00011402104,"about_ca_system_score_gemma":0.000033883487,"threshold_uncertainty_score":0.9725251},"labels":[],"label_agreement":null},{"id":"W2109944586","doi":"","title":"The Poet is Not Here","year":2006,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Philosophy; History","score_opus":0.02620235993680821,"score_gpt":0.23192963559451688,"score_spread":0.20572727565770865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2109944586","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6330468,0.0035780035,2.9971469e-7,0.0097219385,0.0009087509,0.00010151621,0.00018674797,0.00004721116,0.35240874],"genre_scores_gemma":[0.89794666,0.00007340487,0.0000012684305,0.0033904177,0.00071592856,0.00004088724,0.0000034099933,0.00001075438,0.097817294],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989771,0.000024235062,0.00017818475,0.00015921392,0.00012961679,0.0005316374],"domain_scores_gemma":[0.999395,0.00010808394,0.000034727498,0.00020201855,0.00013348687,0.00012669266],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014472932,0.00013359182,0.00018747317,0.000068879235,0.001849165,0.00023585322,0.00016666763,0.000020970347,0.001186954],"category_scores_gemma":[0.000036905247,0.00008867292,0.00007618402,0.000047317702,0.00041547327,0.00007790573,0.00002397119,0.00008470396,0.00025921993],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000033283072,0.000009826587,0.00013336449,0.000013216586,0.00024248457,0.00002637206,0.029956868,0.0000013651577,0.0000029925259,0.8432979,0.12566417,0.0006480918],"study_design_scores_gemma":[0.00007204123,0.000018513023,0.000089825524,0.000006923145,0.000023220813,7.3886747e-7,0.16943048,0.0000041857224,0.000012264668,0.019977715,0.81023777,0.0001263065],"about_ca_topic_score_codex":0.007216184,"about_ca_topic_score_gemma":0.38180727,"teacher_disagreement_score":0.8233202,"about_ca_system_score_codex":0.0002112986,"about_ca_system_score_gemma":0.00007144041,"threshold_uncertainty_score":0.9997261},"labels":[],"label_agreement":null},{"id":"W2111672289","doi":"10.1215/10642684-2008-006","title":"Queer Lineations","year":2008,"lang":"en","type":"article","venue":"GLQ A Journal of Lesbian and Gay Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Scholarship; Context (archaeology); Poetry; Art history; Art; Politics; Sociology; History; Literature; Gender studies; Law; Political science","score_opus":0.1502017849659713,"score_gpt":0.3107174713917659,"score_spread":0.1605156864257946,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2111672289","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8585295,0.08347252,0.00014964856,0.014840798,0.00093928503,0.00006830132,0.000022069335,0.00002305705,0.04195483],"genre_scores_gemma":[0.9825456,0.0058947257,0.00007645012,0.00038437764,0.00077425706,7.1278953e-7,3.58077e-7,0.00000426529,0.010319232],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99942255,0.00002504221,0.00026640977,0.000056603156,0.00012800233,0.000101364036],"domain_scores_gemma":[0.99943537,0.000058904818,0.00010814217,0.00005084027,0.00029630534,0.000050446077],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013127316,0.000076374796,0.0002422243,0.00009041682,0.0004400124,0.000036161982,0.000053382777,0.00001362913,0.00013724747],"category_scores_gemma":[0.00006683501,0.000051630577,0.000103981525,0.000025488562,0.0003574307,0.0001520044,0.000018101386,0.000099972145,0.000009993477],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000090635636,0.00038766363,0.0093076825,0.00012571596,0.0031279975,0.00063405925,0.3724931,0.00002994769,0.00014900125,0.29775187,0.30346346,0.012438899],"study_design_scores_gemma":[0.0007148771,0.0002960353,0.0038523008,0.00015927003,0.00030364122,0.00035058014,0.047656473,0.000023731876,0.000078401456,0.005608121,0.9407314,0.00022514423],"about_ca_topic_score_codex":0.00001190738,"about_ca_topic_score_gemma":0.000121191064,"teacher_disagreement_score":0.63726795,"about_ca_system_score_codex":0.000010136145,"about_ca_system_score_gemma":0.000017278877,"threshold_uncertainty_score":0.3384264},"labels":[],"label_agreement":null},{"id":"W2112166278","doi":"10.7202/1007485ar","title":"La poésie lyrique de Leonard Cohen","year":2010,"lang":"fr","type":"article","venue":"Théologiques","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Humanities; Art","score_opus":0.010953326666187896,"score_gpt":0.25421793784673885,"score_spread":0.24326461118055095,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2112166278","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38768896,0.0027205378,0.00015868165,0.011757087,0.0009137468,0.00008884585,0.00009842034,0.00017765097,0.5963961],"genre_scores_gemma":[0.885832,0.0016145748,0.0005414152,0.0010143075,0.0018609663,0.000020370244,0.00001726576,0.000026173828,0.1090729],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99826086,0.00047305814,0.00030429594,0.00028222892,0.0001389296,0.0005406538],"domain_scores_gemma":[0.99887043,0.0004078652,0.000091670314,0.0003452349,0.00012606308,0.00015876158],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010795861,0.00025412455,0.00034773527,0.00007914854,0.00037174256,0.0003376595,0.00033623556,0.00046726697,0.010758604],"category_scores_gemma":[0.0001993163,0.00022800452,0.00023786662,0.00003915743,0.0012773284,0.00024624198,0.00008444133,0.0010454109,0.0004199379],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016839198,0.00020871208,0.00089857116,0.00005952602,0.000107133514,0.00015873063,0.009517685,0.0000018093012,0.00090819964,0.9536855,0.023773717,0.010663575],"study_design_scores_gemma":[0.00013785243,0.00015168035,0.0017394589,0.000054358166,0.00015336588,0.000091597285,0.0052708,0.0001004748,0.0014265474,0.053417653,0.9371427,0.0003134813],"about_ca_topic_score_codex":0.0028604555,"about_ca_topic_score_gemma":0.0044143368,"teacher_disagreement_score":0.913369,"about_ca_system_score_codex":0.000037874597,"about_ca_system_score_gemma":0.00015319254,"threshold_uncertainty_score":0.9901457},"labels":[],"label_agreement":null},{"id":"W2114261413","doi":"","title":"Writing in Dust","year":2012,"lang":"en","type":"article","venue":"˜The œjournal of ecocriticism","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Astrobiology; Philosophy; Physics","score_opus":0.03722452605529214,"score_gpt":0.2602009984854636,"score_spread":0.22297647243017144,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2114261413","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8574255,0.00451714,0.00019248542,0.0021995779,0.0014843651,0.00007968398,0.000009039716,0.000014724847,0.13407747],"genre_scores_gemma":[0.9953753,0.00004985882,0.00003473302,0.0008890621,0.0022475685,0.000001504809,7.514541e-7,0.000014415311,0.001386812],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984879,0.00013277697,0.0006520279,0.00005791039,0.00025228868,0.00041710548],"domain_scores_gemma":[0.9991148,0.00030201703,0.00015137134,0.00014854991,0.00017124305,0.00011197823],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014738681,0.00011964616,0.00026867053,0.00017041649,0.00022202989,0.000104888895,0.00027450002,0.000033789154,0.0017326373],"category_scores_gemma":[0.00006261763,0.00008071085,0.00015699623,0.00006215496,0.00017193666,0.00053601636,0.000034776953,0.00036289435,0.000083662875],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008221806,0.0010547006,0.013212376,0.00009900113,0.00024329427,0.0001710107,0.072218075,0.000058546575,0.0007386202,0.88299733,0.019621523,0.009503309],"study_design_scores_gemma":[0.002796768,0.00048091935,0.028043393,0.00073433935,0.00095183955,0.0012344447,0.15653881,0.0007918609,0.0007140579,0.04296673,0.7635807,0.0011661384],"about_ca_topic_score_codex":0.00007193665,"about_ca_topic_score_gemma":0.00032231002,"teacher_disagreement_score":0.8400306,"about_ca_system_score_codex":0.000036257632,"about_ca_system_score_gemma":0.000022414348,"threshold_uncertainty_score":0.9991799},"labels":[],"label_agreement":null},{"id":"W2114486730","doi":"10.1353/crc.2015.0032","title":"The Lyric Theory Reader: A Critical Anthology ed. by Virginia Jackson, and Yopie Prins (review)","year":2015,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Criticism; Enlightenment; Literature; Art history; Literary theory; New Criticism; Art; Philosophy; History; Literary criticism; Epistemology","score_opus":0.027883405661072905,"score_gpt":0.3060866269768779,"score_spread":0.278203221315805,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2114486730","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00047424875,0.9409971,0.000007727563,0.011733375,0.0001835767,0.00030405892,0.0003810965,0.000010088367,0.045908686],"genre_scores_gemma":[0.2920018,0.67279786,0.000040198298,0.028242465,0.00042828795,0.000097207136,0.0002291021,0.000023342383,0.006139705],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981533,0.0006136119,0.00046364762,0.00025399614,0.00017328523,0.00034214958],"domain_scores_gemma":[0.9981981,0.00032624052,0.00011301089,0.0003614303,0.0005671598,0.0004340653],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008618593,0.00022882594,0.00070312043,0.00006175149,0.00031069166,0.00013533587,0.00027710843,0.000060006805,0.00051323517],"category_scores_gemma":[0.00034160327,0.00014073124,0.00013442062,0.00012722019,0.0008758049,0.00017588223,0.000028158129,0.00032432552,0.000036367866],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004773657,0.000013166476,0.000010549919,0.0014994842,0.00004028408,0.000010945142,0.0023888263,1.2566692e-8,0.0000017472618,0.47707093,0.51815426,0.0008050477],"study_design_scores_gemma":[0.000089435845,0.000087580505,0.00004027079,0.00838902,0.00014862728,0.000027232,0.00079806405,0.000005556812,0.0000057002176,0.0031533544,0.987085,0.00017017395],"about_ca_topic_score_codex":0.00020944985,"about_ca_topic_score_gemma":0.0031047675,"teacher_disagreement_score":0.47391757,"about_ca_system_score_codex":0.000038115246,"about_ca_system_score_gemma":0.00019575468,"threshold_uncertainty_score":0.5738853},"labels":[],"label_agreement":null},{"id":"W2115777702","doi":"10.1111/1467-8705.00387","title":"On being Brunette: Larkin's schoolgirl fiction","year":2001,"lang":"en","type":"article","venue":"Critical Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"ROWE; Citation; Swift; Library science; Media studies; Computer science; Sociology; Management; Programming language","score_opus":0.018326222909086275,"score_gpt":0.2581977139344975,"score_spread":0.2398714910254112,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2115777702","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27074978,0.00015414126,0.001680445,0.007317942,0.0012192755,0.00010500371,0.00001864266,0.00027011993,0.71848464],"genre_scores_gemma":[0.9908556,0.000004946923,0.000023719664,0.001959056,0.0012575279,0.000013997408,0.000013142012,0.000018880395,0.0058531314],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987246,0.000070459595,0.0002648079,0.00028582042,0.00026200648,0.00039229944],"domain_scores_gemma":[0.9992328,0.00022864866,0.000019439378,0.00025116172,0.00011507554,0.0001528636],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015312257,0.00016289364,0.00019817868,0.00010626657,0.0004884175,0.00041949822,0.00013882754,0.00006225423,0.007477854],"category_scores_gemma":[0.000100325335,0.0001458531,0.00015327854,0.000054890952,0.00023065598,0.0003462646,0.0000068806353,0.00025776442,0.001265878],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022044787,0.00015592994,0.00003046198,0.0000127696785,0.000019433066,0.00006435106,0.0022690524,8.533084e-7,0.000081274775,0.9783824,0.01005828,0.008903123],"study_design_scores_gemma":[0.00052064157,0.0013898991,0.00054572156,0.00013379678,0.00016855945,0.000027552318,0.0066702254,0.0010642499,0.00008816958,0.2630928,0.7257215,0.00057694933],"about_ca_topic_score_codex":0.000062551604,"about_ca_topic_score_gemma":0.000102088045,"teacher_disagreement_score":0.7201058,"about_ca_system_score_codex":0.000027783795,"about_ca_system_score_gemma":0.000010952677,"threshold_uncertainty_score":0.9995118},"labels":[],"label_agreement":null},{"id":"W2117054745","doi":"","title":"In the Hollow of the Wave: Virginia Woolf and Modernist Uses of Nature","year":2013,"lang":"en","type":"article","venue":"˜The œjournal of ecocriticism","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Literature; History; Art; Aesthetics","score_opus":0.015939159507136848,"score_gpt":0.23267623060485718,"score_spread":0.21673707109772034,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2117054745","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98251027,0.0019426094,0.0000123566715,0.0063342927,0.00031882027,0.00012010542,0.000025405352,0.0000018206014,0.00873432],"genre_scores_gemma":[0.9969696,0.00009809802,0.000014923586,0.0015721489,0.00026477524,0.0000027979647,3.7934083e-7,0.000009770294,0.0010675231],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9986012,0.0002190615,0.00056367007,0.000077779885,0.00035404705,0.00018423091],"domain_scores_gemma":[0.9987185,0.00041586687,0.00026431997,0.00028523992,0.00028114638,0.000034940695],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00066006044,0.00012805617,0.0003230142,0.00008556676,0.00020229915,0.00010388574,0.0004932956,0.00006114543,0.0005627855],"category_scores_gemma":[0.00007559356,0.000056977155,0.00019663664,0.00006744218,0.0005709302,0.00028579644,0.000056605713,0.000524634,0.000002885141],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020524094,0.0016198679,0.0044245436,0.0005229696,0.0009405443,0.000114993054,0.16766202,0.0002293797,0.009620699,0.7534936,0.05693353,0.00423261],"study_design_scores_gemma":[0.0044313497,0.0012486881,0.114579305,0.0015654184,0.0023465548,0.0012830364,0.14829357,0.0050199633,0.0055704997,0.5319781,0.18252318,0.0011603447],"about_ca_topic_score_codex":0.00023214858,"about_ca_topic_score_gemma":0.0005347091,"teacher_disagreement_score":0.2215155,"about_ca_system_score_codex":0.0000097985285,"about_ca_system_score_gemma":0.000031924836,"threshold_uncertainty_score":0.61621064},"labels":[],"label_agreement":null},{"id":"W2119228251","doi":"10.1353/esc.2014.0026","title":"Making Noise, Making News: Suffrage Print Culture and U.S. Modernism by Mary Chapman (review)","year":2014,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Suffrage; Modernism (music); Miller; Print culture; Poetics; Politics; Literature; Poetry; Vernacular; Postmodernism; Adornment; Art history; Art; History; Law; Aesthetics; Political science","score_opus":0.041795172032525474,"score_gpt":0.27663624257908026,"score_spread":0.2348410705465548,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2119228251","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.071898766,0.40686485,0.00007501033,0.0025413877,0.0036705374,0.0006795214,0.00020812602,0.00013630377,0.5139255],"genre_scores_gemma":[0.9806295,0.012158676,0.000035296154,0.0045590624,0.00057210634,0.000024650339,0.000011170009,0.000018101226,0.0019914461],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99863654,0.000082694336,0.0003439535,0.00032496647,0.0002657467,0.00034611966],"domain_scores_gemma":[0.99940586,0.000094872565,0.00009638812,0.00021999796,0.00013146525,0.00005141617],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024284232,0.00022547408,0.00047232516,0.000039872913,0.00032989678,0.000055525223,0.00017605704,0.0000282243,0.00018586165],"category_scores_gemma":[0.00022835738,0.00018625104,0.000053147818,0.00004438586,0.0001534526,0.00013888167,0.00016466409,0.00024708442,0.0000012777068],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009603885,0.000076847035,0.002744602,0.0027053761,0.00045677516,0.00010235842,0.080794394,0.0000712943,0.000010093541,0.08813584,0.79848915,0.026403628],"study_design_scores_gemma":[0.00017450457,0.000017582817,0.00028185933,0.00091066584,0.0000674519,0.0000012538364,0.026142936,0.00024605377,0.0000031712034,0.00060060393,0.9712578,0.00029610167],"about_ca_topic_score_codex":0.13411303,"about_ca_topic_score_gemma":0.89729524,"teacher_disagreement_score":0.90873075,"about_ca_system_score_codex":0.00022835254,"about_ca_system_score_gemma":0.00006126937,"threshold_uncertainty_score":0.87165296},"labels":[],"label_agreement":null},{"id":"W2124149499","doi":"10.1023/a:1007151426035","title":"Romantic Poetry: A Contested 'Literature of Theory'","year":2000,"lang":"en","type":"article","venue":"Neohelicon","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Comparative literature; Philosophy; Linguistics","score_opus":0.011265295071250174,"score_gpt":0.20940379125324468,"score_spread":0.1981384961819945,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2124149499","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63361794,0.0014218589,0.000006407789,0.0002835122,0.000107779815,0.00007709848,0.000059331982,0.000056512752,0.36436954],"genre_scores_gemma":[0.9599246,0.000049477825,0.000007535525,0.0005630074,0.00028213282,0.0000046951823,0.000028740023,0.00001161585,0.03912822],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992345,0.00007316525,0.0002324406,0.0001555561,0.00013031045,0.00017404379],"domain_scores_gemma":[0.9995162,0.0000706646,0.000048082056,0.00023082536,0.000087203,0.000047019978],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013896164,0.00011946274,0.0002346985,0.00006999362,0.00011151664,0.00010322184,0.00013921877,0.000048229937,0.021582605],"category_scores_gemma":[0.000023455368,0.00009239252,0.00013716189,0.00006507543,0.00016019093,0.0001446911,0.000009333018,0.00011238064,0.00023267196],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000069008565,0.0001356564,0.00008339365,0.00004846303,0.00009475037,0.000017417955,0.013319888,0.0000038340945,0.0015433169,0.9612034,0.0024827276,0.02099816],"study_design_scores_gemma":[0.001308317,0.00036047786,0.0013930963,0.00044265014,0.0002900879,0.000023925337,0.003596164,0.00038644767,0.0034212654,0.04225253,0.94599193,0.0005331261],"about_ca_topic_score_codex":0.00006630243,"about_ca_topic_score_gemma":0.00005747245,"teacher_disagreement_score":0.94350916,"about_ca_system_score_codex":0.000006237224,"about_ca_system_score_gemma":0.000010221382,"threshold_uncertainty_score":0.9793118},"labels":[],"label_agreement":null},{"id":"W2124265778","doi":"10.5334/opt.101112","title":"Oliver Harris: William Burroughs and the Torso Murderer","year":2011,"lang":"en","type":"article","venue":"Opticon1826","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Torso; Art; Computer science; Anatomy; Medicine","score_opus":0.03642232330065173,"score_gpt":0.19356877405302222,"score_spread":0.1571464507523705,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2124265778","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17860284,0.0014546366,0.000040927127,0.0007557947,0.00039992295,0.00016686555,0.000015766223,0.00006125004,0.818502],"genre_scores_gemma":[0.9777888,0.000110695466,0.00007146076,0.0009217456,0.00033794763,0.00001776073,0.0000024621163,0.000012125648,0.020737002],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928683,0.000054632063,0.00018643666,0.00016244264,0.00011133161,0.00019830768],"domain_scores_gemma":[0.9995102,0.000062709616,0.00004974839,0.00024287497,0.00007563198,0.0000587804],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021536554,0.00012270606,0.00018976381,0.000030800897,0.00037742182,0.00017079043,0.00015866624,0.00003149805,0.0072253044],"category_scores_gemma":[0.00003332435,0.000072301555,0.00008258652,0.000023158422,0.0006966466,0.00021079836,0.00005560743,0.00011518245,0.00023962988],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003146717,0.00004478222,0.000152124,0.000010337647,0.00010015053,0.0000068641734,0.042307608,2.4052684e-7,0.000007109207,0.95232254,0.0038518603,0.0011648849],"study_design_scores_gemma":[0.0016490984,0.00008761521,0.0014422932,0.000038512135,0.00041239226,0.000011764247,0.01568126,0.00038355347,0.00016832669,0.024627708,0.955099,0.00039847975],"about_ca_topic_score_codex":0.00050618855,"about_ca_topic_score_gemma":0.00020491972,"teacher_disagreement_score":0.95124716,"about_ca_system_score_codex":0.0000062302192,"about_ca_system_score_gemma":0.000009312372,"threshold_uncertainty_score":0.9936822},"labels":[],"label_agreement":null},{"id":"W2134597840","doi":"","title":"'Pull Down Thy Vanity': Post-Pastoral Subject in Ezra Pound's Cantos","year":2009,"lang":"en","type":"article","venue":"˜The œjournal of ecocriticism","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Philosophy; Literature; Subject (documents); Narrative; Aesthetics; Faith; Dominion; History; Art; Epistemology","score_opus":0.017679272603219783,"score_gpt":0.24011132914402594,"score_spread":0.22243205654080617,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2134597840","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9349565,0.0017693696,0.00008885326,0.0071774605,0.0011164007,0.00016321147,0.00005881492,0.000028875229,0.05464054],"genre_scores_gemma":[0.99199927,0.0000745086,0.000032945027,0.004450685,0.0013087875,0.0000017153317,0.000005481056,0.00002001408,0.0021066123],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997665,0.00023176886,0.00090077164,0.00017109513,0.00047627164,0.0005551113],"domain_scores_gemma":[0.9985629,0.00024937929,0.00024591532,0.000308444,0.00046858433,0.00016480124],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009809645,0.00026785675,0.000543044,0.00035528935,0.00039217263,0.00029525885,0.00059374375,0.000071262286,0.0017158848],"category_scores_gemma":[0.000085281405,0.00018547465,0.00034218846,0.00012112454,0.00023683575,0.0005502442,0.000034975747,0.0006383953,0.000065555185],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017268709,0.0049141655,0.002545568,0.00019541944,0.0010004634,0.0041988967,0.12291021,0.00061405846,0.011787772,0.7517115,0.06994541,0.028449692],"study_design_scores_gemma":[0.009273147,0.007487524,0.05391258,0.0011876314,0.0024311666,0.0033144315,0.09814311,0.0012790946,0.0015008409,0.22674938,0.59139156,0.003329553],"about_ca_topic_score_codex":0.00085084164,"about_ca_topic_score_gemma":0.0067378287,"teacher_disagreement_score":0.5249621,"about_ca_system_score_codex":0.00010881886,"about_ca_system_score_gemma":0.00012584066,"threshold_uncertainty_score":0.9991967},"labels":[],"label_agreement":null},{"id":"W2135964452","doi":"","title":"Eight Types of Obscure Poetic Images","year":2011,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Constructive; Literature; Key (lock); Philosophy; Art; Image (mathematics); Aesthetics; Computer science; Artificial intelligence; Process (computing)","score_opus":0.038092769863564795,"score_gpt":0.2798245264798921,"score_spread":0.2417317566163273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2135964452","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4104065,0.28582746,0.0000017722455,0.00010443971,0.00049666414,0.000090222115,0.00009955405,0.000022538434,0.30295086],"genre_scores_gemma":[0.99115753,0.001296871,0.000064789296,0.00013505043,0.00022741561,0.000004111603,0.000007012789,0.000005236724,0.0071019796],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9994983,0.000039450322,0.0001732954,0.00012255294,0.000056724602,0.000109645785],"domain_scores_gemma":[0.9997267,0.000035705787,0.00004031652,0.00011344191,0.00006556497,0.000018256509],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000120422716,0.00009194789,0.00023248195,0.00007700694,0.00006100799,0.000024713963,0.000061788625,0.000029042978,0.0003733608],"category_scores_gemma":[0.000036710844,0.000060328202,0.00005355914,0.000051562067,0.0003174928,0.000110570756,0.00003832436,0.00010265225,0.00000334714],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018095583,0.00008030797,0.0013222806,0.00022258233,0.00019194669,0.000111999725,0.82358104,3.6980328e-8,0.00006992292,0.16783643,0.004102593,0.0024627526],"study_design_scores_gemma":[0.002150353,0.0008491573,0.024696112,0.0027808591,0.0008110051,0.00004241422,0.6894613,0.000014466604,0.0039402843,0.04738332,0.22651581,0.0013549229],"about_ca_topic_score_codex":0.000043749966,"about_ca_topic_score_gemma":0.00019763052,"teacher_disagreement_score":0.580751,"about_ca_system_score_codex":0.0000029039875,"about_ca_system_score_gemma":0.00000282928,"threshold_uncertainty_score":0.40880388},"labels":[],"label_agreement":null},{"id":"W2136606400","doi":"10.7202/007717ar","title":"Laughing at Love: L.E.L. and the Embellishment of Eros","year":2004,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Eroticism; Indulgence; Poetry; Literature; Witness; Sensibility; Reading (process); Art; Stanza; Philosophy; Psychology; Human sexuality; Theology; Sociology; Gender studies; Linguistics","score_opus":0.01669337535654256,"score_gpt":0.2070454000572631,"score_spread":0.19035202470072055,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2136606400","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8812043,0.000664084,0.000023447115,0.012432492,0.00020661145,0.00020066641,0.000014287037,0.000017108914,0.105237],"genre_scores_gemma":[0.9898047,0.00008838505,0.0000065569425,0.0014461015,0.00017904358,0.0000045738357,0.0000022635336,0.000009417066,0.008458978],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9991927,0.00006347223,0.00021750046,0.000133826,0.00022334034,0.00016912565],"domain_scores_gemma":[0.99934274,0.00023242195,0.0000886569,0.0002774569,0.000030717707,0.000027979111],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003842188,0.000114419294,0.00020500936,0.000028535023,0.00032503513,0.00010004712,0.00019325281,0.000023476696,0.0009870451],"category_scores_gemma":[0.00003232383,0.00005421566,0.000103109756,0.000028102355,0.0005326181,0.000056246146,0.000078221376,0.00011214271,0.000120572884],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044696102,0.000052959032,0.000011309475,0.000011351742,0.00007030671,0.0000045051024,0.017125113,0.000096433505,0.00012471942,0.9793569,0.0029321352,0.0001695976],"study_design_scores_gemma":[0.009862237,0.0007354672,0.0023888869,0.00082526304,0.0014038631,0.000060586375,0.030629715,0.0023192158,0.01803225,0.5413731,0.39121395,0.0011554682],"about_ca_topic_score_codex":0.00024764994,"about_ca_topic_score_gemma":0.0002647652,"teacher_disagreement_score":0.43798378,"about_ca_system_score_codex":0.000016904545,"about_ca_system_score_gemma":0.000007241702,"threshold_uncertainty_score":0.9999262},"labels":[],"label_agreement":null},{"id":"W2138014352","doi":"10.3138/cras.40.1.45","title":"Future Interior: Subjective (A)voidance in John Updike's “Rabbit” Novels","year":2010,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Freudian slip; Rabbit (cipher); Suspect; Philosophy; Id, ego and super-ego; Literature; Frame (networking); Psychoanalysis; Art; Psychology; Computer science; Criminology","score_opus":0.01784955564546823,"score_gpt":0.28156207572542846,"score_spread":0.2637125200799602,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2138014352","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.431052,0.37720373,0.0000025764448,0.019897062,0.0023383882,0.0007630515,0.00046965922,0.000049726532,0.16822381],"genre_scores_gemma":[0.94080764,0.051799726,0.00006203418,0.005973741,0.0006026042,0.000047621525,0.0000067019623,0.000016629709,0.00068332226],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987773,0.00006207993,0.00043350094,0.00025046797,0.00013596221,0.00034072224],"domain_scores_gemma":[0.9989837,0.000065505854,0.00019906541,0.00029928726,0.00030381858,0.00014861672],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002776324,0.00019966802,0.0008455061,0.00020480367,0.00015758675,0.000026428314,0.00023948993,0.000020817648,0.00066824537],"category_scores_gemma":[0.00017735043,0.00016198492,0.0001762273,0.00023252257,0.0010933618,0.000119413606,0.000034993092,0.0002893781,0.000035999332],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032369775,0.00018236785,0.009616234,0.009893068,0.0017079647,0.00028655137,0.075149335,6.9522036e-7,0.0005404296,0.4274638,0.11536823,0.35975894],"study_design_scores_gemma":[0.00008745691,0.00006883099,0.0041193194,0.0017858441,0.00008596564,0.0000051550905,0.026951745,0.000001134781,0.00003678299,0.0001824123,0.9664298,0.00024549983],"about_ca_topic_score_codex":0.042122997,"about_ca_topic_score_gemma":0.786547,"teacher_disagreement_score":0.85106164,"about_ca_system_score_codex":0.00008500359,"about_ca_system_score_gemma":0.00016286757,"threshold_uncertainty_score":0.9642556},"labels":[],"label_agreement":null},{"id":"W2143782268","doi":"10.1353/crv.0.0058","title":"Learning to Love the Bomb: Robert Lowell's Pathological Poetics","year":2010,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Literature; Pathological; Philosophy; Art; Poetry; Medicine; Pathology","score_opus":0.025450329018885373,"score_gpt":0.28637704630491156,"score_spread":0.2609267172860262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2143782268","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28284705,0.21010368,0.0000130703875,0.12582459,0.0016221825,0.0011286848,0.00017297933,0.0000760783,0.3782117],"genre_scores_gemma":[0.9477718,0.026400166,0.000089138084,0.019345215,0.00036543456,0.000018457285,0.000004495076,0.000015129369,0.0059901914],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893844,0.0000929902,0.00031211186,0.0001889807,0.0001536386,0.00031381234],"domain_scores_gemma":[0.9989648,0.00014704191,0.00012852302,0.00027930815,0.00027936825,0.00020097393],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00039997825,0.00015381382,0.00055213366,0.00007138026,0.0002875213,0.000037098303,0.00026175744,0.000014943618,0.0012334015],"category_scores_gemma":[0.0007279574,0.000091922644,0.00017835274,0.00014579548,0.0011564225,0.000034138004,0.000054820634,0.00029084037,0.00022988692],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011878096,0.00012253303,0.0025532406,0.0027025589,0.0011026142,0.00021929736,0.089399934,0.000016920081,0.00016146616,0.22140901,0.39609733,0.2862032],"study_design_scores_gemma":[0.00002271521,0.00013111375,0.0006237616,0.0004286952,0.00013482975,0.000004974097,0.021413026,0.0000025612926,0.0000056081167,0.00011465538,0.9769751,0.00014297653],"about_ca_topic_score_codex":0.011362807,"about_ca_topic_score_gemma":0.15232529,"teacher_disagreement_score":0.66492474,"about_ca_system_score_codex":0.000029949748,"about_ca_system_score_gemma":0.000074879805,"threshold_uncertainty_score":0.9996796},"labels":[],"label_agreement":null},{"id":"W2144881371","doi":"10.1093/res/hgt062","title":"ADAM POTKAY. Wordsworth's Ethics.","year":2013,"lang":"en","type":"article","venue":"The Review of English Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Philosophy; History; Art; Environmental ethics; Literature","score_opus":0.08345485945388723,"score_gpt":0.32418385924565396,"score_spread":0.24072899979176673,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2144881371","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0021803207,0.7465029,0.0000011902164,0.007956889,0.00074451097,0.00032571933,0.000009852637,0.000047713987,0.24223092],"genre_scores_gemma":[0.41398782,0.5695688,0.000020923455,0.0065511153,0.0016134547,0.00012977199,0.000004782261,0.000015459433,0.008107853],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988399,0.00017757948,0.00041468855,0.00012993088,0.00025701564,0.00018086845],"domain_scores_gemma":[0.99733967,0.0005317399,0.00014968679,0.00034400515,0.001606576,0.000028326256],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00091936364,0.00014251942,0.0005267511,0.000027077587,0.00035579252,0.000042595995,0.00026315346,0.000022155406,0.002406894],"category_scores_gemma":[0.0027198964,0.000073569645,0.00022651855,0.00006767446,0.0005449401,0.00015841902,0.00010891347,0.00025484496,0.00011866836],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000018229081,0.00008095778,0.00003171634,0.0088422,0.00085720856,0.000001147678,0.092760146,6.648367e-7,0.0000021459782,0.49073705,0.39251247,0.014172458],"study_design_scores_gemma":[0.000056888683,0.000028477569,0.0000632495,0.0043235593,0.0003046267,2.1264779e-7,0.019124854,0.000001562527,0.0000101268715,0.0038851318,0.9720768,0.00012451044],"about_ca_topic_score_codex":0.00009552325,"about_ca_topic_score_gemma":0.00010480542,"teacher_disagreement_score":0.57956433,"about_ca_system_score_codex":0.000009965806,"about_ca_system_score_gemma":0.000017233362,"threshold_uncertainty_score":0.99850506},"labels":[],"label_agreement":null},{"id":"W2146625263","doi":"10.1353/crv.2004.0012","title":"The Poetics of Torture: The Spectacle of Sylvia Plath's Poetry","year":2004,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Poetics; Body politic; Literature; Torture; Art; Nothing; Silence; Philosophy; Aesthetics; Politics; Law","score_opus":0.02647302871084784,"score_gpt":0.2777359773386408,"score_spread":0.25126294862779297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2146625263","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04090868,0.8933127,0.0000047736785,0.022746023,0.00036961227,0.00039949673,0.00024596517,0.000010677704,0.04200207],"genre_scores_gemma":[0.8342894,0.1636059,0.000020455025,0.0014860801,0.00011115694,0.000008280356,0.0000021893043,0.000008563606,0.000468033],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893916,0.000055825214,0.00048116074,0.00010890521,0.00019982668,0.00021512163],"domain_scores_gemma":[0.9986815,0.00018278234,0.00035379894,0.000366265,0.000342737,0.00007295538],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029681638,0.00012609923,0.000592526,0.000048927803,0.0003379883,0.000011780327,0.00030836355,0.0000100353,0.00009965055],"category_scores_gemma":[0.0002417208,0.000066193694,0.00022176366,0.00017193753,0.002385955,0.000032570846,0.00003453138,0.00008976108,0.000004557977],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000796259,0.00005839729,0.00034080682,0.0029931962,0.0014602254,0.000013799025,0.019169817,0.000007870898,0.000021502115,0.9128731,0.02926432,0.033789013],"study_design_scores_gemma":[0.00012681182,0.00022159088,0.0018690091,0.0029561424,0.0005947034,0.000004539578,0.07535629,0.0000010844028,0.00015175974,0.0019982085,0.9165208,0.0001990992],"about_ca_topic_score_codex":0.029865023,"about_ca_topic_score_gemma":0.14633578,"teacher_disagreement_score":0.9108749,"about_ca_system_score_codex":0.000059712485,"about_ca_system_score_gemma":0.00019279242,"threshold_uncertainty_score":0.97659516},"labels":[],"label_agreement":null},{"id":"W2152236561","doi":"10.21083/irss.v21i0.784","title":"Faithful Hearts and Gentle Lovers; The Romantic Impulse in the Songs of Andy M. Stewart","year":2008,"lang":"en","type":"article","venue":"International Review of Scottish Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romance; Impulse (physics); Art; Literature; Physics; Classical mechanics","score_opus":0.057410897945633324,"score_gpt":0.31116310050148316,"score_spread":0.25375220255584985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2152236561","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.676997,0.28970963,0.0000029148919,0.010498086,0.0003037196,0.00030809283,0.000048127094,0.0000056471968,0.022126753],"genre_scores_gemma":[0.8815901,0.11677479,0.0000077184695,0.00083888625,0.00009288507,0.00001118419,0.0000029548064,0.0000029555495,0.0006785018],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999081,0.00006472787,0.000358142,0.00010257448,0.0003096382,0.000083928295],"domain_scores_gemma":[0.99933445,0.00020122864,0.00013066609,0.00011843955,0.00020511448,0.00001012516],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041905526,0.000082497136,0.00028424745,0.000040541243,0.00011029506,0.00001794495,0.00019654325,0.000008641845,0.00021214917],"category_scores_gemma":[0.00017863968,0.000043194224,0.00010224085,0.00004374445,0.0004941493,0.00011965586,0.000069580245,0.00006576265,0.0000064005085],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057281664,0.0008916854,0.023076935,0.0076717674,0.0026911618,0.00012975288,0.15637378,0.0000074654304,0.00011919241,0.48057073,0.31100136,0.017408881],"study_design_scores_gemma":[0.0010751521,0.00032384542,0.05495976,0.013716198,0.0005832782,0.00016885732,0.067956306,0.000094271374,0.0001855398,0.0072979094,0.8531938,0.00044508654],"about_ca_topic_score_codex":0.0001531189,"about_ca_topic_score_gemma":0.0002619454,"teacher_disagreement_score":0.54219246,"about_ca_system_score_codex":0.000009722117,"about_ca_system_score_gemma":0.00001157176,"threshold_uncertainty_score":0.23228846},"labels":[],"label_agreement":null},{"id":"W2153162954","doi":"10.7202/024822ar","title":"Theoretical Apparitions of Haiku : An Intermedial Interrogation of Modernity","year":2007,"lang":"en","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Haiku; Poetry; Modernity; Photography; Art; Gesture; Literature; Interrogation; Painting; Mode (computer interface); Aesthetics; Visual arts; History; Linguistics; Philosophy; Computer science","score_opus":0.03386601901650168,"score_gpt":0.2761120867162844,"score_spread":0.2422460676997827,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2153162954","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8620124,0.00010069435,0.0024227863,0.0001320152,0.00018487059,0.00015454802,0.00006021143,0.00008646358,0.134846],"genre_scores_gemma":[0.9989905,0.00004071145,0.00038025517,0.00008370563,0.00032112226,0.0000116439005,0.00008041982,0.00002252313,0.000069129856],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99838716,0.000100922596,0.00077751535,0.00025696485,0.00021398503,0.0002634612],"domain_scores_gemma":[0.9986826,0.00016442755,0.0002460453,0.00037744225,0.00040088387,0.00012860581],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006482981,0.00019322264,0.00046162246,0.00047455143,0.00012285438,0.00004489978,0.00029947946,0.00010145939,0.0011377517],"category_scores_gemma":[0.00005882854,0.00017875666,0.00031840248,0.00014788391,0.0014647039,0.00032442325,0.00005629751,0.00019332429,0.0000032610794],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000073286465,0.00048131033,0.0010153225,0.0001556739,0.00010101001,0.0000044853787,0.011026908,0.000003159008,0.0015735344,0.98467076,0.000037792866,0.00085674704],"study_design_scores_gemma":[0.0034503697,0.004456648,0.03174848,0.0033406354,0.0021696168,0.00009612506,0.13470683,0.009526767,0.12827574,0.63110065,0.04821868,0.002909465],"about_ca_topic_score_codex":0.00012288945,"about_ca_topic_score_gemma":0.0025768534,"teacher_disagreement_score":0.35357013,"about_ca_system_score_codex":0.00001999911,"about_ca_system_score_gemma":0.000028485587,"threshold_uncertainty_score":0.99977535},"labels":[],"label_agreement":null},{"id":"W2154629028","doi":"","title":"Animals and the Irish Mouth in Edna O’Brien’s Fiction","year":2013,"lang":"en","type":"article","venue":"˜The œjournal of ecocriticism","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Irony; Style (visual arts); Narrative; Literature; Natural (archaeology); Aesthetics; Romance; Irish; Philosophy; History; Art; Linguistics","score_opus":0.018369855166669197,"score_gpt":0.22672513212327855,"score_spread":0.20835527695660935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2154629028","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9383614,0.0027660804,0.00009777915,0.008090732,0.00053637003,0.00021006746,0.0000080526415,0.000011012077,0.049918473],"genre_scores_gemma":[0.99641424,0.00018711638,0.00001361306,0.0010128358,0.0006404809,0.000007921283,5.4830775e-7,0.000011365501,0.0017118857],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9986555,0.00021689851,0.00056423346,0.00009193702,0.00023022396,0.00024119699],"domain_scores_gemma":[0.9989556,0.00039905965,0.00016619901,0.00016352691,0.00024942297,0.000066178996],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010412693,0.00012671108,0.00030372542,0.000114190705,0.00031884538,0.00031928328,0.00024768425,0.0000340633,0.0013531081],"category_scores_gemma":[0.00008027948,0.000066267385,0.00013465616,0.000049520564,0.00048897817,0.00035685167,0.000040269166,0.0003168536,0.00004015131],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005057584,0.00060771615,0.002153958,0.00013776514,0.0006349696,0.00012429785,0.16980453,0.00016096221,0.0008933126,0.62168044,0.18564288,0.017653389],"study_design_scores_gemma":[0.012467354,0.00093620364,0.05491593,0.0006393046,0.0017190092,0.001075155,0.25115958,0.010883487,0.00032348285,0.34102347,0.32352433,0.001332699],"about_ca_topic_score_codex":0.0005611214,"about_ca_topic_score_gemma":0.00045667356,"teacher_disagreement_score":0.280657,"about_ca_system_score_codex":0.000023337314,"about_ca_system_score_gemma":0.000019948884,"threshold_uncertainty_score":0.9995598},"labels":[],"label_agreement":null},{"id":"W2157163424","doi":"","title":"The Poetic Voice in George Elliott Clarke’s “Blank Sonnet”","year":2013,"lang":"en","type":"article","venue":"Verso: An Undergraduate Journal of Literary Criticism","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sonnet; Poetry; Literature; Art; Philosophy; White (mutation); George (robot); Ideology; Wonder; History; Art history; Politics; Law","score_opus":0.01449397948710915,"score_gpt":0.23306988769905987,"score_spread":0.21857590821195072,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2157163424","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9022907,0.006594277,0.00017656371,0.037203323,0.0021517712,0.00034753667,0.00004215316,0.000061010418,0.051132653],"genre_scores_gemma":[0.9849555,0.0005221975,0.00010532939,0.0019157851,0.0010700516,0.000008602081,0.000009894269,0.000038245675,0.011374409],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968885,0.00046525872,0.0011419253,0.0002567235,0.00057936076,0.00066818413],"domain_scores_gemma":[0.99791217,0.0005671095,0.00031178113,0.00039291597,0.0005192318,0.0002967852],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00087680115,0.00031541125,0.00049736997,0.0004092427,0.0006179979,0.0012753686,0.0006697496,0.000092197566,0.0010737743],"category_scores_gemma":[0.0001226576,0.0002167913,0.00033716465,0.000175077,0.00041442766,0.0021422228,0.000058651436,0.00071258744,0.00024453396],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023692608,0.0013875675,0.0012746698,0.00019760297,0.0004963681,0.0009354358,0.046560656,0.000061505816,0.0008825536,0.8502782,0.0807301,0.016958417],"study_design_scores_gemma":[0.0016123964,0.0008049674,0.002229607,0.00035583522,0.00022018616,0.00024236052,0.013741365,0.0023368492,0.00012259324,0.43553078,0.5421768,0.00062630203],"about_ca_topic_score_codex":0.00021695528,"about_ca_topic_score_gemma":0.0004542594,"teacher_disagreement_score":0.46144667,"about_ca_system_score_codex":0.000081076905,"about_ca_system_score_gemma":0.00009033874,"threshold_uncertainty_score":0.99983937},"labels":[],"label_agreement":null},{"id":"W2157208789","doi":"10.5278/ojs.academicquarter.v0i04.3290","title":"The Travails of Sal Paradise","year":2019,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Paradise; Art; Quarter (Canadian coin); Art history; American literature; American studies; Humanities; History; Literature; Archaeology","score_opus":0.25366081401893303,"score_gpt":0.5232521963588778,"score_spread":0.26959138233994473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2157208789","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86897075,0.019592926,0.00001482255,0.0002773943,0.0008199388,0.00029381475,0.00006713833,0.000016786598,0.10994645],"genre_scores_gemma":[0.9863073,0.0041886624,0.0000068082536,0.00019548346,0.00029295252,0.000012979622,0.000005848679,0.000026759204,0.008963156],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977603,0.000206423,0.0008482998,0.00025622646,0.00058899703,0.0003397523],"domain_scores_gemma":[0.9979731,0.00043008936,0.00063288375,0.0005328999,0.00029031147,0.00014074087],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011366074,0.00022334566,0.0006712519,0.00027555952,0.00046215445,0.0016296279,0.0022872214,0.000046344983,0.04379024],"category_scores_gemma":[0.00008229078,0.00014793754,0.00034396772,0.00019064803,0.00037347872,0.0014448971,0.00030912732,0.00027425846,0.00009669445],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009737942,0.0016523431,0.20965369,0.0005007242,0.0031192477,0.000063303065,0.015435961,0.0002458346,0.06706706,0.25488573,0.33779955,0.108602785],"study_design_scores_gemma":[0.0011714747,0.00005640725,0.24236394,0.0006383413,0.00055027666,0.000010238413,0.0043437653,0.0003229108,0.014088924,0.05168407,0.6838557,0.0009139266],"about_ca_topic_score_codex":0.0006427023,"about_ca_topic_score_gemma":0.00026028373,"teacher_disagreement_score":0.34605616,"about_ca_system_score_codex":0.000025693806,"about_ca_system_score_gemma":0.000072739815,"threshold_uncertainty_score":0.99940675},"labels":[],"label_agreement":null},{"id":"W2157636337","doi":"10.1093/melus/mlu061","title":"Riots, Rituals, and Ceremonials: The Multifunctionality of Rhythm and Blues and Soul as Generational Music in David Henderson's Early Poetry","year":2015,"lang":"en","type":"article","venue":"MELUS Multi-Ethnic Literature of the United States","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Université Laval","funders":"","keywords":"Blues; Soul; Poetry; Rhythm; Art; Art history; Call and response; Literature; Music history; Musical; Theology; Philosophy; Aesthetics","score_opus":0.08076846598142487,"score_gpt":0.2779575650914387,"score_spread":0.19718909911001384,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2157636337","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9845112,0.013212737,0.00002197353,0.0013179895,0.00021187175,0.00019225027,0.00032896522,0.000013286361,0.00018972736],"genre_scores_gemma":[0.99728644,0.00036595864,0.00017687965,0.00048105518,0.00017469734,0.000008156055,0.00010974945,0.000013556652,0.0013834994],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.99849975,0.00038436652,0.00038277387,0.00025641875,0.0002900307,0.00018668585],"domain_scores_gemma":[0.99878454,0.00035357923,0.00017838631,0.0002524605,0.00035033788,0.00008067544],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00068678154,0.0002076309,0.00031582743,0.00017774128,0.00024526633,0.00017441409,0.00014338357,0.00009738055,0.0000427209],"category_scores_gemma":[0.00025943192,0.00012042503,0.00006904817,0.00020846515,0.0007369268,0.00024841452,0.0001284428,0.00030949677,6.17432e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00045302257,0.00071507547,0.013448421,0.00054500566,0.0006837814,0.000021372512,0.8675209,0.0007281049,0.0013628271,0.10808682,0.0032029422,0.0032317024],"study_design_scores_gemma":[0.020895634,0.00139193,0.34620667,0.0032437963,0.0016930624,0.00033222197,0.27808592,0.109646946,0.0051955855,0.10884511,0.12145373,0.0030094082],"about_ca_topic_score_codex":0.0016917988,"about_ca_topic_score_gemma":0.0014722126,"teacher_disagreement_score":0.58943504,"about_ca_system_score_codex":0.000018815987,"about_ca_system_score_gemma":0.000037654238,"threshold_uncertainty_score":0.49107903},"labels":[],"label_agreement":null},{"id":"W2166616370","doi":"10.1353/vcr.2002.0016","title":"The Afterlife of Christina Rossetti by Alison Chapman (review)","year":2002,"lang":"en","type":"article","venue":"Victorian review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Trope (literature); Poetry; Afterlife; Representation (politics); Reading (process); Subjectivity; Literature; History of literature; Meaning (existential); History; Sociology; Philosophy; Art; Epistemology; Politics; Linguistics","score_opus":0.02090147661221983,"score_gpt":0.22656850903642745,"score_spread":0.2056670324242076,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2166616370","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00009140369,0.9514433,0.0000031877778,0.0075892988,0.00037742953,0.00027388046,0.00006235722,0.00002711492,0.04013204],"genre_scores_gemma":[0.03689725,0.94740474,0.00000436361,0.0042909496,0.0006726586,0.0000382268,0.0000220437,0.000017985412,0.0106517775],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99854076,0.00013809063,0.00059558696,0.0001932342,0.00028441992,0.000247921],"domain_scores_gemma":[0.99894977,0.000086687454,0.0002618983,0.0004856061,0.00013651402,0.00007951522],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005282588,0.00017540582,0.00055614684,0.000018234181,0.00028081433,0.000057345605,0.00034055015,0.000018520645,0.0054187165],"category_scores_gemma":[0.00012843571,0.00010526699,0.00028456456,0.000100244986,0.00022891008,0.00009662535,0.000031890475,0.0001129187,0.00036156134],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000010480059,0.00007125283,0.000011451949,0.0044368943,0.000061662766,0.0000024280087,0.0005709433,8.667976e-9,0.0000071878176,0.07003951,0.8928748,0.031922862],"study_design_scores_gemma":[0.000055213583,0.00004546123,0.000010007349,0.0050200904,0.0002151774,0.000001567661,0.000039804072,0.0000057659895,0.000009884349,0.00007317203,0.994388,0.00013587298],"about_ca_topic_score_codex":0.00004270652,"about_ca_topic_score_gemma":0.00009286051,"teacher_disagreement_score":0.10151324,"about_ca_system_score_codex":0.000014637772,"about_ca_system_score_gemma":0.0000058484684,"threshold_uncertainty_score":0.9954905},"labels":[],"label_agreement":null},{"id":"W2170151207","doi":"","title":"Whitman's Paumanok Poems and the Value of Being \"Faithful to Things\"","year":2008,"lang":"en","type":"article","venue":"Canadian journal of environmental education","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Writ; Value (mathematics); Space (punctuation); Transcendence (philosophy); American poetry; Ontology; Philosophy; Point (geometry); Literature; Aesthetics; Sociology; Epistemology; Art; Law; Computer science; Linguistics; Mathematics","score_opus":0.01037953621954258,"score_gpt":0.19086869107310098,"score_spread":0.1804891548535584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2170151207","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98548627,0.0008057144,0.000009794516,0.0023193948,0.000325189,0.000061704704,0.0000075048583,8.0471193e-7,0.010983598],"genre_scores_gemma":[0.9963218,0.000061000846,0.000048484486,0.0010939502,0.0002966344,0.0000017230799,0.0000024732656,0.000006404854,0.0021675054],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99943894,0.000040671992,0.00023515774,0.00006184958,0.0001141454,0.000109252935],"domain_scores_gemma":[0.9995438,0.00002888799,0.00012091844,0.00008471964,0.000018293746,0.00020340939],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018546748,0.00006581909,0.00013452841,0.00011938766,0.0003212039,0.000038591897,0.0001117966,0.000016885653,0.00080767606],"category_scores_gemma":[0.0000284832,0.000047720612,0.00006605314,0.000020407215,0.00037530388,0.00021840505,0.000007302087,0.00009243846,0.000007854859],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006529192,0.00023297466,0.015758801,0.000035068828,0.00026650817,0.000030072742,0.519112,0.00012196545,0.0010288986,0.42654854,0.01611708,0.020682817],"study_design_scores_gemma":[0.0017538519,0.0005023971,0.20781977,0.0003036323,0.000534797,0.0006075641,0.18620008,0.00010414254,0.0009660726,0.020387234,0.58020884,0.0006116185],"about_ca_topic_score_codex":0.0037398692,"about_ca_topic_score_gemma":0.0024846476,"teacher_disagreement_score":0.56409174,"about_ca_system_score_codex":0.000077133824,"about_ca_system_score_gemma":0.00018335384,"threshold_uncertainty_score":0.88434863},"labels":[],"label_agreement":null},{"id":"W2172536420","doi":"","title":"Newfoundland Rhapsody: Frederick R. Emerson and the Musical Culture of the Island by Glenn David Colton (review)","year":2015,"lang":"en","type":"article","venue":"British Journal of Canadian Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Musical; Art history; History; Art; Environmental ethics; Philosophy; Literature","score_opus":0.03642380536398282,"score_gpt":0.24179674407582732,"score_spread":0.2053729387118445,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2172536420","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.038425345,0.9144462,0.0000019693475,0.011748925,0.0006979488,0.00021477896,0.00022767736,0.0000033823549,0.034233797],"genre_scores_gemma":[0.8849489,0.102879435,0.000006901325,0.0037571688,0.0006480859,0.000004800948,0.000003420768,0.000011243593,0.007740032],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989024,0.0001460635,0.00038052,0.000088347544,0.00029575938,0.00018693629],"domain_scores_gemma":[0.99891305,0.00006440304,0.00023789244,0.00009502379,0.0005146038,0.00017501041],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005453431,0.000109281995,0.0004761366,0.000055376255,0.00042021982,0.00011925079,0.00021176913,0.000027889451,0.00010858996],"category_scores_gemma":[0.00032361198,0.00006283827,0.00016235866,0.00009756797,0.00078982377,0.00013155006,0.000035281086,0.00021770808,0.0000011809987],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013074978,0.0000152520615,0.00020951584,0.00006761054,0.00035719384,0.00003888785,0.012514714,5.409947e-7,0.0000017173207,0.0024933475,0.9819587,0.0023294732],"study_design_scores_gemma":[0.0009162988,0.0000666598,0.00059739314,0.0007844651,0.00041919728,0.00032937498,0.018720694,0.0000030774222,0.0000017413955,0.0007581358,0.9773027,0.000100295576],"about_ca_topic_score_codex":0.08600345,"about_ca_topic_score_gemma":0.7669173,"teacher_disagreement_score":0.8465236,"about_ca_system_score_codex":0.000048752296,"about_ca_system_score_gemma":0.00012246174,"threshold_uncertainty_score":0.9200829},"labels":[],"label_agreement":null},{"id":"W2172604271","doi":"10.1080/00131946.2015.1076680","title":"How Do You Mourn A Strong Poet?","year":2015,"lang":"en","type":"article","venue":"Educational Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Sociology; Political science","score_opus":0.15609713102612044,"score_gpt":0.3339095363474052,"score_spread":0.17781240532128478,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2172604271","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32944536,0.054028526,0.00003274611,0.23963676,0.0066748834,0.00020629539,0.00009665708,0.00010420219,0.36977458],"genre_scores_gemma":[0.89992213,0.000042063886,0.000052408883,0.00019393301,0.0026743726,0.000030793857,0.000014529159,0.000006495095,0.097063296],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935675,0.000024975274,0.000098934775,0.0001420266,0.0002243658,0.00015297341],"domain_scores_gemma":[0.9992939,0.00008902094,0.00004565459,0.000105854895,0.0003945674,0.00007097016],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013949827,0.00009806481,0.00014830864,0.000053520947,0.0003216689,0.00023852395,0.00009615398,0.000012475591,0.0005183801],"category_scores_gemma":[0.00024650822,0.00007592844,0.00006484802,0.00003184068,0.0001928166,0.00022271213,0.000037256155,0.00006250227,0.0001291565],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002901723,0.00008295693,0.0008451219,0.0000075111443,0.00018442681,5.952058e-7,0.030411588,0.0000032136156,0.0000011885818,0.75440675,0.21352978,0.00052397675],"study_design_scores_gemma":[0.00012769878,0.000030026504,0.00076620426,0.000015106892,0.000060835515,0.0000015830966,0.17858155,0.0000058811524,0.0000074427317,0.029348288,0.790924,0.00013136373],"about_ca_topic_score_codex":0.000040366565,"about_ca_topic_score_gemma":0.0001745797,"teacher_disagreement_score":0.72505844,"about_ca_system_score_codex":0.000060224556,"about_ca_system_score_gemma":0.0000733577,"threshold_uncertainty_score":0.5675898},"labels":[],"label_agreement":null},{"id":"W2173789348","doi":"10.3138/utq.84.4.08","title":"Poems by Ashley Halpé","year":2015,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Art","score_opus":0.02383484527422321,"score_gpt":0.20170548900053828,"score_spread":0.17787064372631506,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2173789348","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14467919,0.0012272396,0.00036527944,0.000513246,0.00032726052,0.00007262845,0.000111958856,0.00007332461,0.8526299],"genre_scores_gemma":[0.94833416,0.000008359006,0.000044928314,0.000046748337,0.00008909089,4.542896e-8,0.000019304109,0.000004416178,0.051452935],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994716,0.00003408024,0.00008432303,0.00012227135,0.00015564018,0.00013206877],"domain_scores_gemma":[0.9995439,0.000012452518,0.000053830714,0.00015601523,0.00012092217,0.000112888694],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008857391,0.00007698388,0.00015386764,0.000015161357,0.00012253372,0.00003188743,0.00019132084,0.000030264637,0.004961464],"category_scores_gemma":[0.0000028374063,0.000082647304,0.00009102686,0.000006725473,0.00015234639,0.00043743203,0.000011115583,0.00003703748,0.000117246615],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000768594,0.00030300138,0.00014440993,0.000018557355,0.00017739418,0.000022927365,0.25008833,0.0000014696868,0.00027265554,0.18537244,0.5493393,0.014182636],"study_design_scores_gemma":[0.0004617478,0.0004138847,0.00007365846,0.000008897711,0.000064058986,6.670333e-7,0.12427349,0.00009658461,0.000014526955,0.00062995363,0.8738284,0.00013412749],"about_ca_topic_score_codex":0.046274725,"about_ca_topic_score_gemma":0.041319333,"teacher_disagreement_score":0.80365497,"about_ca_system_score_codex":0.00007152747,"about_ca_system_score_gemma":0.000022841328,"threshold_uncertainty_score":0.99594814},"labels":[],"label_agreement":null},{"id":"W217429383","doi":"","title":"Gregory Hardy : Journeys in the Landscape","year":2001,"lang":"en","type":"book","venue":"Mendel Art Gallery eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; CITES; Painting; Art history; Art; Performance art; Visual arts; History","score_opus":0.03930602028336664,"score_gpt":0.22868289534579442,"score_spread":0.18937687506242779,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W217429383","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00008669809,0.00024395062,0.000007975695,0.0005653615,0.00048429164,0.00023353944,0.00003887252,0.000060865626,0.99827844],"genre_scores_gemma":[0.015026992,0.000107418615,0.0000041339654,0.0021618549,0.0024484622,0.00006112352,0.00013124221,0.000058631344,0.98000014],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977445,0.00016746088,0.0005921322,0.00042007005,0.0005749322,0.00050088955],"domain_scores_gemma":[0.99889636,0.00013093927,0.00018641146,0.0006125873,0.000088019755,0.00008566083],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007060534,0.00045015482,0.00059388066,0.0003106582,0.00043640018,0.0004216985,0.00064078346,0.00020058347,0.011034821],"category_scores_gemma":[0.000011657431,0.00030745106,0.00040975114,0.00001615842,0.0002503333,0.00009394961,0.00008568017,0.000910438,0.0011149513],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014842104,0.00006254359,0.0000068160343,0.000042124102,0.00015552176,0.00027722216,0.0124136275,0.000003815763,8.910176e-7,0.10174027,0.8833369,0.0019453993],"study_design_scores_gemma":[0.00029024258,0.000069300615,0.000009938874,0.00013934982,0.00014401795,0.000028962882,0.0024388363,0.000045366447,8.008369e-7,0.028363118,0.9680797,0.00039037192],"about_ca_topic_score_codex":0.000016539761,"about_ca_topic_score_gemma":0.0027692982,"teacher_disagreement_score":0.08474277,"about_ca_system_score_codex":0.000068614405,"about_ca_system_score_gemma":0.00017793338,"threshold_uncertainty_score":0.9999378},"labels":[],"label_agreement":null},{"id":"W2175864627","doi":"","title":"“For Everybody Must Answer the Sphinx”: Ted Hughes’s Translation of Seneca’s Oedipus","year":2013,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sphinx; Literature; Enlightenment; Philosophy; Poetry; History; Psychoanalysis; Art; Epistemology; Psychology","score_opus":0.04168739490596608,"score_gpt":0.276577309285252,"score_spread":0.2348899143792859,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2175864627","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.041155513,0.6946096,0.00012492837,0.024902413,0.001177657,0.005009512,0.0035194242,0.00003893436,0.22946206],"genre_scores_gemma":[0.9899834,0.001648111,0.00008356289,0.0029816038,0.00032861953,0.000094503346,0.00033058677,0.000011021074,0.0045386087],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99889904,0.000120077406,0.00046637253,0.00015990733,0.00014645793,0.00020813315],"domain_scores_gemma":[0.9985316,0.00012645281,0.00017664253,0.00027445954,0.00076489034,0.0001259736],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021003078,0.00017274541,0.0005329068,0.000103053724,0.000174211,0.0001024199,0.00022274115,0.00005113853,0.0024140177],"category_scores_gemma":[0.000025104191,0.00010765733,0.00026453848,0.00015199193,0.0002054279,0.00026926585,0.000004763673,0.0001538885,0.0000179674],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001768438,0.00008294736,0.00009053131,0.0067448127,0.00045814848,0.0000032302978,0.06112044,0.000010076674,0.00036793877,0.50463617,0.42068863,0.005779422],"study_design_scores_gemma":[0.00016641714,0.000059317073,0.00039872943,0.0033869965,0.00017296158,0.0000018210263,0.001257214,0.00018575677,0.00014480809,0.0014878712,0.99257386,0.00016423267],"about_ca_topic_score_codex":0.0027997987,"about_ca_topic_score_gemma":0.026620394,"teacher_disagreement_score":0.94882786,"about_ca_system_score_codex":0.000023931027,"about_ca_system_score_gemma":0.00012326782,"threshold_uncertainty_score":0.9984979},"labels":[],"label_agreement":null},{"id":"W218308138","doi":"10.3138/jcs.38.1.97","title":"“Out of the Painted Grove, My Buck”: The Escape from Irony in Avison and Page","year":2004,"lang":"en","type":"article","venue":"Journal of Canadian Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Irony; Poetics; Reading (process); Poetry; Transcendence (philosophy); Literature; Creatures; Modernism (music); Art; Philosophy; History; Theology; Linguistics; Natural (archaeology)","score_opus":0.041206172020729424,"score_gpt":0.23734180048590098,"score_spread":0.19613562846517155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W218308138","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96555436,0.009339927,9.836348e-7,0.017031655,0.00047974303,0.000056318448,0.000038830607,0.0000014649842,0.0074967095],"genre_scores_gemma":[0.9976612,0.0006904972,0.00000618789,0.00080596877,0.00025987017,9.63971e-7,2.8973656e-7,0.000004970949,0.0005700816],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992507,0.00006365974,0.00032068288,0.00006025578,0.00015436113,0.00015030328],"domain_scores_gemma":[0.99942535,0.00011547251,0.00016226649,0.00010268854,0.00012917026,0.000065036475],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029525123,0.000085261854,0.0002621323,0.00017078382,0.0002388737,0.000048610582,0.00015858882,0.00002031745,0.000093897404],"category_scores_gemma":[0.00012703071,0.00004276894,0.00010644952,0.000071487084,0.00032236977,0.000089745015,0.00002455859,0.00018411178,0.0000015633676],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000098308294,0.00021789363,0.015401294,0.0001146307,0.0031920932,0.0003121525,0.65300375,0.00018855592,0.00077679235,0.25075698,0.067200765,0.008736773],"study_design_scores_gemma":[0.0018690926,0.00026205427,0.08009222,0.0008647456,0.0006715477,0.00001726188,0.37473822,0.000024889643,0.0003601706,0.048378687,0.4923728,0.00034828918],"about_ca_topic_score_codex":0.053525615,"about_ca_topic_score_gemma":0.8533405,"teacher_disagreement_score":0.79981494,"about_ca_system_score_codex":0.00007285393,"about_ca_system_score_gemma":0.00009360144,"threshold_uncertainty_score":0.952777},"labels":[],"label_agreement":null},{"id":"W2185152844","doi":"","title":"Launch of The Unruly Salon Series at the University of British Columbia Green College","year":2014,"lang":"en","type":"article","venue":"ScholarSpace (University of Hawaii at Manoa)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of British Columbia","funders":"","keywords":"Salon; Series (stratigraphy); Columbia university; Media studies; Art history; Art; Sociology; Geology; Paleontology","score_opus":0.007399834978745967,"score_gpt":0.14845109810313423,"score_spread":0.14105126312438826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2185152844","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9394268,0.0001526002,0.000009891235,0.0032828655,0.00011154954,0.00014337953,0.0006246836,0.00001973579,0.05622853],"genre_scores_gemma":[0.6865883,0.0000440053,0.000027274915,0.000035675337,0.000021880944,3.476741e-8,0.0000073089027,0.000006731912,0.3132688],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988336,0.00024524835,0.000112303234,0.00023146583,0.00037294728,0.00020444703],"domain_scores_gemma":[0.9988008,0.00008010508,0.00026344683,0.0005055756,0.00028897502,0.000061085855],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038514877,0.00010203382,0.00034213814,0.000042500076,0.0016903526,0.000048902846,0.0006937216,0.000080847545,0.00429847],"category_scores_gemma":[0.00002108673,0.00012373638,0.0003112575,0.00015164344,0.0017771892,0.0004323264,0.00058333337,0.00018237835,0.000036572063],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005882623,0.00074611214,0.06896445,0.00091133965,0.0013720643,0.00011017559,0.049013622,0.00008347935,0.004523633,0.26272506,0.6079642,0.0029976077],"study_design_scores_gemma":[0.0009019199,0.00012496798,0.07426472,0.00011649605,0.00028237226,0.000010978824,0.061836895,0.000035940975,0.00009064795,0.0007159828,0.86141896,0.00020012811],"about_ca_topic_score_codex":0.04958822,"about_ca_topic_score_gemma":0.7413812,"teacher_disagreement_score":0.69179296,"about_ca_system_score_codex":0.00007978768,"about_ca_system_score_gemma":0.000050071787,"threshold_uncertainty_score":0.9996093},"labels":[],"label_agreement":null},{"id":"W2185202796","doi":"10.3968/7760","title":"The Influence of Chinese Culture on Cleanth Brooks","year":2015,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Taoism; Sentimentality; Irony; Poetry; Romanticism; Affection; Literature; Chinese culture; Philosophy; Doctrine; Rationality; Moderation; Enthusiasm; Sarcasm; Classical Chinese poetry; Aesthetics; History; Psychology; Buddhism; China; Epistemology; Art; Social psychology; Theology","score_opus":0.019677216692853643,"score_gpt":0.3055175323911166,"score_spread":0.28584031569826296,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2185202796","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9086636,0.047743868,4.6033684e-8,0.00018301362,0.00012777516,0.000044205168,0.000020351392,0.000008843925,0.04320835],"genre_scores_gemma":[0.99325174,0.00055335363,0.000004372821,0.00038297064,0.00024696518,0.00000525002,0.0000039002093,0.0000036296526,0.0055478057],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99951684,0.00003888497,0.00013269814,0.000100328376,0.00010445132,0.00010679402],"domain_scores_gemma":[0.99963796,0.00007321144,0.00003549493,0.00012999595,0.00009874954,0.000024597042],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016762706,0.000093428665,0.00016002844,0.000033501652,0.00013812243,0.00007178182,0.00008283038,0.000024388088,0.000005628387],"category_scores_gemma":[0.00015859965,0.000043119766,0.000034066998,0.000056477453,0.00030984962,0.00008496424,0.00004026237,0.00014059828,0.000002556175],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044652264,0.00003032181,0.000672245,0.000053700413,0.00007356071,0.0000360046,0.8497705,0.000010621843,0.000036447153,0.14395657,0.0044834334,0.00083197345],"study_design_scores_gemma":[0.0014094606,0.00066623784,0.006278133,0.0010979039,0.00008062874,0.000015252003,0.54432553,0.000025513371,0.00010335029,0.03800843,0.4074855,0.00050401693],"about_ca_topic_score_codex":0.00002350224,"about_ca_topic_score_gemma":0.00049471523,"teacher_disagreement_score":0.40300208,"about_ca_system_score_codex":0.0000066091434,"about_ca_system_score_gemma":0.0000041875965,"threshold_uncertainty_score":0.1758373},"labels":[],"label_agreement":null},{"id":"W2185284969","doi":"","title":"From Singing to Confession: An Expression of Discourse on 1980s’ Female Poetry","year":2015,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Confessional; Confession (law); Poetry; Singing; Expression (computer science); Subconscious; Perspective (graphical); Literature; Tone (literature); Aesthetics; Psychology; Philosophy; Art; History; Medicine; Computer science; Law; Visual arts","score_opus":0.05765141725417079,"score_gpt":0.3652870140656295,"score_spread":0.30763559681145874,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2185284969","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9703524,0.012209883,0.0000034118673,0.00019780942,0.00034274918,0.000059549668,0.00008689715,0.000014669186,0.016732598],"genre_scores_gemma":[0.99690706,0.000030885894,0.0000832718,0.0004335853,0.00075477123,0.0000060942293,0.00003643427,0.0000073736956,0.0017405367],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993197,0.00006159859,0.00016279504,0.00019304841,0.00013275338,0.00013014274],"domain_scores_gemma":[0.9995906,0.00005841276,0.000038767128,0.0001743485,0.00006479079,0.000073119314],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014442357,0.00011710297,0.00025288993,0.0000987297,0.00009206029,0.0000723098,0.00007298271,0.000033873323,0.000070926224],"category_scores_gemma":[0.00006530488,0.000076994096,0.0000324181,0.000053193813,0.00012316903,0.00017224901,0.00006298846,0.00011820883,0.0000028603347],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008103101,0.00011161684,0.0002634753,0.00004411006,0.00003081182,0.00009032386,0.9728113,0.0000052356772,0.0013780526,0.020872276,0.0023822482,0.0019295426],"study_design_scores_gemma":[0.00070666336,0.0003139369,0.00025598812,0.0021916588,0.000046625588,0.000001697093,0.9700538,0.000018308538,0.003381198,0.0022721703,0.020482594,0.00027533958],"about_ca_topic_score_codex":0.00009458508,"about_ca_topic_score_gemma":0.0002288542,"teacher_disagreement_score":0.026554616,"about_ca_system_score_codex":0.00001023703,"about_ca_system_score_gemma":0.0000060067273,"threshold_uncertainty_score":0.3139728},"labels":[],"label_agreement":null},{"id":"W2189412711","doi":"","title":"Warren Carther: As Time Passes","year":2005,"lang":"en","type":"article","venue":"Espace Sculpture","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geology","score_opus":0.007077136574899073,"score_gpt":0.21177156081359014,"score_spread":0.20469442423869105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2189412711","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11280007,0.0017662271,0.000013299113,0.029322304,0.0003279538,0.00013541653,0.000040824256,0.00026354584,0.85533035],"genre_scores_gemma":[0.73225164,0.000016782566,0.00004199559,0.0015532976,0.0016064775,0.0000062238255,0.000016047417,0.00001550038,0.26449203],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915487,0.00004351793,0.00012925237,0.0002048551,0.00021091549,0.00025658874],"domain_scores_gemma":[0.9995135,0.000023538774,0.00004093277,0.00025533763,0.0000761617,0.0000905172],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000101776044,0.00015722525,0.00019394209,0.0000579822,0.00028131917,0.00020934922,0.00016655606,0.000060916955,0.022473529],"category_scores_gemma":[0.00002682129,0.00011908555,0.0001683188,0.00004170026,0.000101325626,0.00024210311,0.000029498748,0.0001640562,0.005677777],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026059173,0.00018639873,0.00011572556,0.00002240985,0.00025307675,0.000025084251,0.064612426,0.00009641537,0.00066086306,0.65963346,0.25962785,0.0147402575],"study_design_scores_gemma":[0.00013984395,0.000029281904,0.000070917944,0.0000148743575,0.00006315364,0.0000037443133,0.0022484106,0.000121177494,0.00033575506,0.0005883499,0.9961996,0.0001848769],"about_ca_topic_score_codex":0.00006386754,"about_ca_topic_score_gemma":0.0009267926,"teacher_disagreement_score":0.7365718,"about_ca_system_score_codex":0.000020811178,"about_ca_system_score_gemma":0.000023851455,"threshold_uncertainty_score":0.99509645},"labels":[],"label_agreement":null},{"id":"W2194049495","doi":"","title":"Poem in Four Mood Swings","year":2007,"lang":"en","type":"article","venue":"Women in Judaism A Multidisciplinary e-Journal","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Mood swing; Mood; Literature; Art; Psychology; Social psychology","score_opus":0.02449526353626529,"score_gpt":0.2686513074895145,"score_spread":0.2441560439532492,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2194049495","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9497033,0.0002646818,0.000082618964,0.00082394655,0.0009396106,0.0001142069,0.000007941006,0.000029205348,0.04803451],"genre_scores_gemma":[0.991429,0.000071150556,0.00018939581,0.00010376912,0.0013812581,0.00001301067,0.0000033839171,0.00003519191,0.006773841],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9967599,0.00012612373,0.0010535954,0.00031588777,0.0004694718,0.0012750236],"domain_scores_gemma":[0.99884033,0.0001706761,0.00023796844,0.00024366859,0.0001234175,0.0003839197],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0037808432,0.0002911107,0.00050062704,0.0009111016,0.00066841394,0.0004035838,0.00047164827,0.000107381966,0.002034773],"category_scores_gemma":[0.0000984295,0.00025268632,0.00020460313,0.0002309196,0.00020596344,0.0008382139,0.00016573892,0.0010863823,0.00011351921],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0009630468,0.0024281086,0.13395907,0.00013068468,0.0002807006,0.010002806,0.7883341,0.00057669,0.0013173328,0.04451814,0.003061999,0.01442736],"study_design_scores_gemma":[0.010883334,0.0013440939,0.37848863,0.0008847561,0.00010816862,0.002409336,0.38378662,0.0020294364,0.00020990577,0.14499186,0.07254326,0.0023206063],"about_ca_topic_score_codex":0.0000723266,"about_ca_topic_score_gemma":0.0012804944,"teacher_disagreement_score":0.40454745,"about_ca_system_score_codex":0.0005085228,"about_ca_system_score_gemma":0.000099529956,"threshold_uncertainty_score":0.99999255},"labels":[],"label_agreement":null},{"id":"W2199147854","doi":"","title":"\"Trrrrrrrrrrrrrr\", \"In D\" and \"Fifth Negative Space\" (Poems)","year":2012,"lang":"en","type":"article","venue":"Staffordshire Online Repository (Staffordshire University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Musical; Art; Beauty; Elegy; Sensibility; Identity (music); White (mutation); Space (punctuation); History; Art history; Philosophy; Aesthetics; Linguistics","score_opus":0.020719839569794996,"score_gpt":0.2156711574160524,"score_spread":0.19495131784625738,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2199147854","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8526621,0.0012243387,0.00007695723,0.0007099487,0.0012234816,0.00051363296,0.00025385225,0.00032740712,0.14300829],"genre_scores_gemma":[0.95904183,0.0002738777,0.0004944714,0.00019698788,0.0015152346,0.0000060696843,0.00008077171,0.00009187957,0.038298886],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9957594,0.0003556208,0.0007664986,0.00090487825,0.00066198193,0.0015516225],"domain_scores_gemma":[0.9975093,0.00030489458,0.00038623926,0.00075022574,0.00030201505,0.0007473462],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000504285,0.0007901153,0.0009499698,0.0011545814,0.0011598069,0.00030273374,0.00062715594,0.00028961955,0.0004872987],"category_scores_gemma":[0.00011295241,0.0008013759,0.0003863718,0.000650218,0.0010415836,0.0024069848,0.00037720107,0.0007486648,0.00005149139],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006523136,0.003484022,0.036575176,0.0003790132,0.00066797005,0.0008390646,0.06734708,0.00006661697,0.00088238454,0.87830216,0.0036383427,0.0071658287],"study_design_scores_gemma":[0.0028696312,0.0005181262,0.0091665285,0.0003320965,0.0004314775,0.00012241698,0.10696798,0.00091638067,0.0005261465,0.0011846691,0.87502134,0.0019432171],"about_ca_topic_score_codex":0.0014734534,"about_ca_topic_score_gemma":0.00441008,"teacher_disagreement_score":0.8771175,"about_ca_system_score_codex":0.00045181438,"about_ca_system_score_gemma":0.00020291885,"threshold_uncertainty_score":0.9994437},"labels":[],"label_agreement":null},{"id":"W2204490842","doi":"","title":"캐나다 시인 클라인과 영미 모더니즘","year":2005,"lang":"ko","type":"article","venue":"신영어영문학","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rhetoric; Elegiac; Poetry; Style (visual arts); Literature; Taste; Art; Sonnet; Portrait; Modernism (music); Aestheticism; Art history; Philosophy; Linguistics; Psychology","score_opus":0.022952665068577478,"score_gpt":0.24254229398615465,"score_spread":0.21958962891757716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2204490842","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2509585,0.010233903,0.0001012786,0.019119257,0.0016115757,0.00024262386,0.00024543976,0.00020612578,0.7172813],"genre_scores_gemma":[0.8252007,0.0003414607,0.00004778752,0.0029233648,0.0038851355,0.000008665664,0.000029929302,0.00003399896,0.16752896],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99794364,0.000092094975,0.0005227154,0.0004281194,0.00037450762,0.00063890906],"domain_scores_gemma":[0.9989322,0.00008106282,0.00012256247,0.00052402465,0.00013290328,0.0002072906],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028303504,0.00033264238,0.0004513479,0.00014203023,0.0007355183,0.0005744236,0.00035550742,0.00014220887,0.048165936],"category_scores_gemma":[0.000028403125,0.00030266796,0.00040076333,0.000085498985,0.00030203996,0.0004059911,0.00009545337,0.00033353423,0.007477693],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031463955,0.00063109084,0.0005514072,0.00009608284,0.00038195643,0.000060314513,0.01642075,0.00006337307,0.00014366554,0.8111629,0.13905443,0.03140258],"study_design_scores_gemma":[0.0004113213,0.00009388703,0.0007547172,0.000078903824,0.00031029963,0.0000074037703,0.0031644723,0.0011639108,0.00026783315,0.002201303,0.99108464,0.0004612864],"about_ca_topic_score_codex":0.0003088672,"about_ca_topic_score_gemma":0.0012374086,"teacher_disagreement_score":0.8520302,"about_ca_system_score_codex":0.00006547793,"about_ca_system_score_gemma":0.000054405467,"threshold_uncertainty_score":0.99994254},"labels":[],"label_agreement":null},{"id":"W2209369513","doi":"10.3138/cras.2015.s11","title":"Between “Location” and “Things”: Barbara Guest, American Pragmatism, and the Construction of Subjectivity","year":2015,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pragmatism; Subjectivity; Distancing; Identity (music); Poetry; Aesthetics; Sociology; Philosophy; Epistemology; Linguistics; Coronavirus disease 2019 (COVID-19)","score_opus":0.03573786363238681,"score_gpt":0.2850094091681264,"score_spread":0.24927154553573957,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2209369513","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4494605,0.48960906,0.000057724217,0.02677678,0.00035122197,0.00097539776,0.00023788566,0.00003570686,0.032495722],"genre_scores_gemma":[0.96031636,0.038293067,0.00011520402,0.0010600099,0.00011363002,0.00001722887,0.0000038713965,0.000006336523,0.00007426675],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999067,0.00019130403,0.00033041215,0.00014111852,0.00013345333,0.00013671699],"domain_scores_gemma":[0.9987021,0.00022322587,0.00035975664,0.00016442256,0.00041348726,0.00013701749],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00061100547,0.00011574617,0.00077610445,0.00008400685,0.00016974237,0.000020225216,0.00007837654,0.0000073461824,0.0000097972425],"category_scores_gemma":[0.00053132814,0.00007688544,0.000052938543,0.00016930352,0.006078418,0.00011540362,0.000030566116,0.00007298094,0.0000011177317],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030207473,0.000031786774,0.033076365,0.006506079,0.0020428312,0.0000056825565,0.06336869,4.998855e-7,0.00000240115,0.5588173,0.01565013,0.32046804],"study_design_scores_gemma":[0.001472045,0.0008371519,0.056440223,0.007831288,0.0035996127,0.000046215435,0.3221357,0.000044747412,0.00004465489,0.0071948566,0.59936553,0.0009879684],"about_ca_topic_score_codex":0.112790994,"about_ca_topic_score_gemma":0.046568576,"teacher_disagreement_score":0.58371544,"about_ca_system_score_codex":0.00003849116,"about_ca_system_score_gemma":0.00013293387,"threshold_uncertainty_score":0.9966265},"labels":[],"label_agreement":null},{"id":"W221614106","doi":"","title":"Purposeful Looking and Songs on the Air: A Conversation with Merrill Gilfillan","year":2013,"lang":"en","type":"article","venue":"Chicago Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Conversation; Art history; History; Porch; Art; Literature; Sociology; Archaeology","score_opus":0.019261237050619374,"score_gpt":0.2050680832340192,"score_spread":0.18580684618339982,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W221614106","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21480976,0.14019588,0.000046444296,0.17567705,0.00030476644,0.0029819624,0.000027440848,0.00022402071,0.4657327],"genre_scores_gemma":[0.9799159,0.009903924,0.00000824872,0.008150403,0.00015045331,0.000071654766,0.000007811081,0.000010917437,0.0017806819],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935627,0.00006356281,0.00016017517,0.00015209956,0.00013850554,0.000129361],"domain_scores_gemma":[0.99953127,0.00007342386,0.00007311721,0.00020586442,0.00007037273,0.000045939272],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019020875,0.00011368113,0.00021751043,0.000020604066,0.00023105888,0.000106466454,0.000093486764,0.00001622657,0.0050341245],"category_scores_gemma":[0.000034503737,0.000055098655,0.000064375585,0.000032894288,0.0001655659,0.00011238864,0.000018183711,0.000106082225,0.00028603556],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006266303,0.000056894878,0.00015330076,0.0013372352,0.00021277193,0.000005201816,0.010258876,6.1180236e-7,0.00001918733,0.9071925,0.043122664,0.03763448],"study_design_scores_gemma":[0.00012839049,0.00008892974,0.00026330622,0.0020528468,0.00018090724,0.0000073308693,0.0020933696,0.00006374672,0.000020945572,0.0023069088,0.992616,0.00017734383],"about_ca_topic_score_codex":0.00008010055,"about_ca_topic_score_gemma":0.00008041043,"teacher_disagreement_score":0.9494933,"about_ca_system_score_codex":0.000007931874,"about_ca_system_score_gemma":0.000007978192,"threshold_uncertainty_score":0.9958754},"labels":[],"label_agreement":null},{"id":"W2218671113","doi":"","title":"Only So Much Is Certain: Selective Rhyme in Dickinson","year":2014,"lang":"en","type":"article","venue":"Verso: An Undergraduate Journal of Literary Criticism","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Nothing; Rhyme; Poetry; Beauty; Faith; Literature; Art; History; Aesthetics; Philosophy; Theology; Epistemology","score_opus":0.01752570269044781,"score_gpt":0.2530857468468071,"score_spread":0.2355600441563593,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2218671113","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9066898,0.0018046318,0.00079482625,0.020673828,0.0014052477,0.00019895732,0.0000839194,0.00007134088,0.068277456],"genre_scores_gemma":[0.98897964,0.0001229445,0.00018853768,0.0048523983,0.0013288665,0.0000025045463,0.000014191765,0.000043322754,0.004467584],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9970395,0.00044626754,0.001002447,0.00034029398,0.00059922267,0.00057227624],"domain_scores_gemma":[0.9982718,0.00028301452,0.00031532272,0.0003050878,0.00052507437,0.000299692],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0007416987,0.00034543037,0.00069267576,0.0007181809,0.000411139,0.0006718988,0.00043921737,0.00010735861,0.00074492535],"category_scores_gemma":[0.00011409664,0.00030114726,0.00037637548,0.00020447522,0.00032827278,0.0018209555,0.00004296387,0.00065533933,0.000052329844],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034659606,0.001396382,0.0018368312,0.00018494559,0.0003908743,0.00053020765,0.09084663,0.00002545698,0.00046787568,0.86256546,0.02326867,0.018140078],"study_design_scores_gemma":[0.0032414754,0.0020912858,0.0016740279,0.00057573145,0.00031886084,0.00033706764,0.008914461,0.002408524,0.0008125829,0.506346,0.47239926,0.0008807358],"about_ca_topic_score_codex":0.00016669,"about_ca_topic_score_gemma":0.00042632833,"teacher_disagreement_score":0.4491306,"about_ca_system_score_codex":0.000118389544,"about_ca_system_score_gemma":0.00017014617,"threshold_uncertainty_score":0.9999441},"labels":[],"label_agreement":null},{"id":"W2227099745","doi":"10.14288/cl.v0i224.187285","title":"\"Hooked\" on Canadian Women's Writing","year":2015,"lang":"en","type":"article","venue":"Open Collections","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of British Columbia","funders":"","keywords":"History","score_opus":0.0635403407963242,"score_gpt":0.26250050911380024,"score_spread":0.19896016831747604,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2227099745","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003900189,0.0000087866965,0.000003113016,0.0007587736,0.000321952,0.00011538313,0.000049151728,0.000022848957,0.9948198],"genre_scores_gemma":[0.48283374,8.937437e-7,0.000011162175,0.00087828754,0.00023453386,0.00006441188,0.0000055424034,0.0000065816525,0.51596487],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99934506,0.000035965422,0.00012289845,0.00013843022,0.000099411634,0.000258253],"domain_scores_gemma":[0.99937946,0.000027951244,0.000021383768,0.00014660577,0.000117657604,0.0003069743],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021773878,0.00007186811,0.00011652358,0.00009786178,0.003156657,0.0026524784,0.00019750468,0.00002160169,0.0122813415],"category_scores_gemma":[0.000051859803,0.00006980909,0.00003486075,0.00015645192,0.000049028076,0.00019874265,0.000032011078,0.00009668458,0.00026097288],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000073051033,0.00005520664,0.000008395397,0.0000012851898,0.000038001683,0.0000092551745,0.007120756,0.000028997507,6.6179285e-7,0.13890584,0.8535069,0.0003173877],"study_design_scores_gemma":[0.00020287283,0.000093253606,0.000006518164,0.000009285039,0.0000123631735,0.0000022862992,0.027656564,0.00009858609,0.000007325533,0.009086014,0.96271545,0.00010950658],"about_ca_topic_score_codex":0.3985844,"about_ca_topic_score_gemma":0.73625696,"teacher_disagreement_score":0.47893354,"about_ca_system_score_codex":0.00028089454,"about_ca_system_score_gemma":0.00030211022,"threshold_uncertainty_score":0.99838287},"labels":[],"label_agreement":null},{"id":"W2235404373","doi":"","title":"“Waiting for a Train” in Canada","year":2013,"lang":"fr","type":"article","venue":"Canadian Folk Music / Musique folklorique canadienne","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Waltz; Art history; Art; History","score_opus":0.01979510865897286,"score_gpt":0.18071566665322045,"score_spread":0.1609205579942476,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2235404373","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8502525,0.0069285175,0.000051132065,0.056340218,0.008295199,0.002774069,0.004499303,0.000050972976,0.070808105],"genre_scores_gemma":[0.95536554,0.000095885545,0.0000790969,0.011026342,0.0028871961,0.00095646,0.0002971319,0.00016458289,0.02912779],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9933668,0.00021802208,0.0012390172,0.0010492573,0.0002478286,0.003879083],"domain_scores_gemma":[0.99454135,0.00043345566,0.0002611839,0.00073450524,0.0006706601,0.0033588754],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006551097,0.0008249718,0.0010558519,0.0008387712,0.0010194747,0.00051492406,0.0007554235,0.0003835607,0.015579779],"category_scores_gemma":[0.00041470752,0.0010043907,0.0003973441,0.00046469903,0.00042403827,0.00072241644,0.00004643838,0.00080487755,0.0001080504],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.000011564595,0.000052127078,0.00031387078,0.0004778589,0.00026846456,0.0007750864,0.015980868,0.00018053045,0.000027575015,0.6983855,0.25042167,0.033104893],"study_design_scores_gemma":[0.00081795896,0.00008922401,0.001038161,0.00050745596,0.00015647984,0.00004923848,0.024184179,0.006990587,0.000021227035,0.00977072,0.9551174,0.0012573651],"about_ca_topic_score_codex":0.99997306,"about_ca_topic_score_gemma":0.9999997,"teacher_disagreement_score":0.7046957,"about_ca_system_score_codex":0.010397243,"about_ca_system_score_gemma":0.018146554,"threshold_uncertainty_score":0.99924064},"labels":[],"label_agreement":null},{"id":"W2236939509","doi":"","title":"The Sacrificial Poetics of A.J.M. Smith","year":2011,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"McGill University","funders":"","keywords":"Poetics; Sacrifice; Poetry; Literature; Context (archaeology); Mythology; Art; Philosophy; History; Theology","score_opus":0.071235630506624,"score_gpt":0.2748916132822274,"score_spread":0.20365598277560337,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2236939509","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.058853958,0.0829456,4.3226606e-7,0.002001244,0.0025279254,0.0001925818,0.0003691007,0.000018149525,0.853091],"genre_scores_gemma":[0.9935533,0.00059543597,0.00001899334,0.00029642475,0.0003191991,0.000007771152,0.0000033669553,0.000007122363,0.0051984116],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992379,0.00003995675,0.00021047068,0.000111533715,0.00008722066,0.00031290762],"domain_scores_gemma":[0.9994559,0.000052768355,0.000038825823,0.00018693914,0.00018405034,0.00008146642],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020687842,0.00009918522,0.00016946936,0.000119231045,0.0003720748,0.00006134224,0.00018054838,0.00003836979,0.00015323152],"category_scores_gemma":[0.0000905379,0.00006301714,0.00006673678,0.00010074206,0.00053224113,0.0000692882,0.000018455361,0.00016338695,0.000006652514],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000793667,0.000011794171,0.000793568,0.000031321426,0.00009370878,0.00004286774,0.18827009,2.2260272e-7,7.498054e-7,0.79260725,0.01714408,0.0009963867],"study_design_scores_gemma":[0.00008579328,0.000045639223,0.0010086689,0.00014091023,0.000032903252,0.0000020331936,0.035390288,0.000005840629,0.00002067526,0.017253587,0.9458898,0.00012388802],"about_ca_topic_score_codex":0.052863326,"about_ca_topic_score_gemma":0.86965185,"teacher_disagreement_score":0.9346993,"about_ca_system_score_codex":0.000053865155,"about_ca_system_score_gemma":0.000095090276,"threshold_uncertainty_score":0.95344377},"labels":[],"label_agreement":null},{"id":"W2237362801","doi":"10.3868/s010-004-015-0030-0","title":"The Field of Modern Lyric Classicism","year":2015,"lang":"en","type":"article","venue":"Frontiers of Literary Studies in China","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Classicism; Field (mathematics); Asian studies; China; History; Art; Literature; Ancient history; Archaeology; Mathematics; Pure mathematics","score_opus":0.04407984892718025,"score_gpt":0.3060229997144246,"score_spread":0.26194315078724434,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2237362801","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36355132,0.44872195,0.00042324275,0.0064113326,0.0052156253,0.00028049853,0.000063434825,0.000040442075,0.17529216],"genre_scores_gemma":[0.9934305,0.0007040301,0.0001663109,0.0001814347,0.0001831889,0.000008177308,0.0000025323216,0.000006701402,0.0053171585],"study_design_codex":"not_applicable","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99906063,0.00006593619,0.00039133002,0.00012334186,0.000194225,0.0001645224],"domain_scores_gemma":[0.99932766,0.00016685713,0.00012635541,0.00023443185,0.000114252805,0.00003042771],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031669033,0.00010914782,0.00034436636,0.00009351177,0.00012445117,0.000024789517,0.00024269159,0.000027212447,0.000011315384],"category_scores_gemma":[0.00019577144,0.00006916268,0.00011045857,0.000064026106,0.00046379806,0.00018879333,0.000095128926,0.00011387574,0.0000012679403],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013186852,0.00015428111,0.0069519333,0.00008491094,0.00048605615,0.000011482763,0.27255028,0.000022765966,0.0000032221883,0.09994536,0.5859033,0.033754546],"study_design_scores_gemma":[0.00070732465,0.0003696849,0.001373594,0.00015615103,0.000104607105,0.0000011062124,0.028379828,0.0015971126,0.00012651167,0.6133805,0.35356036,0.00024324947],"about_ca_topic_score_codex":0.00003134384,"about_ca_topic_score_gemma":0.00008301871,"teacher_disagreement_score":0.6298792,"about_ca_system_score_codex":0.000020552849,"about_ca_system_score_gemma":0.000018440209,"threshold_uncertainty_score":0.28203723},"labels":[],"label_agreement":null},{"id":"W223936554","doi":"","title":"Ablakela : A Performance Work by Dana Claxton","year":2001,"lang":"en","type":"book","venue":"Grunt Gallery eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Singing; Art; Prayer; Visual arts; Performance art; Meaning (existential); Art history; Work (physics); Aesthetics; Humanities; Sociology; Engineering; Management; Religious studies; Philosophy; Epistemology","score_opus":0.021534468007625495,"score_gpt":0.19254887788461295,"score_spread":0.17101440987698746,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W223936554","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001603962,0.0007646329,0.0000072846224,0.00008765239,0.0006343321,0.00024744959,0.00012844901,0.00017030654,0.99635595],"genre_scores_gemma":[0.021250147,0.00026726676,0.0000071030645,0.00086576474,0.0022022196,0.00005344689,0.00039444445,0.0001046537,0.97485495],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99751663,0.000051093564,0.000626777,0.0006161906,0.0005441889,0.0006451007],"domain_scores_gemma":[0.9986739,0.00006104903,0.0002623074,0.0006794188,0.00014365092,0.00017965927],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002456295,0.000622254,0.00077174464,0.0002109103,0.0006548608,0.0003730811,0.00052346056,0.00033151233,0.007520741],"category_scores_gemma":[0.000006364511,0.00056298083,0.00042317432,0.000021545073,0.0004635292,0.00012477936,0.00011764868,0.00078720815,0.0011225793],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043075983,0.000057864137,0.000020476218,0.00012904796,0.00036618309,0.00005952334,0.003840435,0.000002057138,0.0000038351113,0.016953781,0.9610733,0.01745044],"study_design_scores_gemma":[0.00022709984,0.0001039804,0.000014249859,0.0003876717,0.00023396581,0.000006441479,0.00025081084,0.000017123502,0.0000058017495,0.0011661975,0.99687713,0.0007094954],"about_ca_topic_score_codex":0.00003749752,"about_ca_topic_score_gemma":0.00034111604,"teacher_disagreement_score":0.035803884,"about_ca_system_score_codex":0.00016440234,"about_ca_system_score_gemma":0.00018095128,"threshold_uncertainty_score":0.9996822},"labels":[],"label_agreement":null},{"id":"W2261944453","doi":"10.14288/1.0102867","title":"A poet's work: Readings and comments","year":2010,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics); History; Computer science; Engineering","score_opus":0.010307056117524544,"score_gpt":0.1669850875391618,"score_spread":0.15667803142163725,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2261944453","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9734504,0.00004933872,0.00001593317,0.00031065068,0.00018043129,0.000053264743,0.00006656777,0.000034601966,0.025838815],"genre_scores_gemma":[0.9931021,0.000030513462,0.00006949399,0.00013107104,0.00006702277,1.6763816e-7,0.000010283345,0.0000068029776,0.006582559],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9994282,0.000016812603,0.00007767729,0.00019268291,0.00012131604,0.00016332642],"domain_scores_gemma":[0.99957365,0.000035723533,0.00005829175,0.00014227413,0.00009788559,0.000092157585],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011755851,0.00003099426,0.0001745514,0.00003124765,0.00041020496,0.00023436786,0.00016414499,0.000049219812,0.001605964],"category_scores_gemma":[0.000015920354,0.00010574977,0.00007442944,0.000049979368,0.00050961605,0.00028370525,0.00008222149,0.00015151512,0.000025499718],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020017522,0.00040221127,0.036129877,0.000103942475,0.00021928638,0.00021561123,0.013151579,1.7843145e-7,0.00047677275,0.0036114217,0.0821806,0.8634885],"study_design_scores_gemma":[0.00064103893,0.00004527818,0.91162854,0.00008294597,0.000102479054,0.000021124384,0.009340068,0.000030351961,6.822536e-7,0.0015348963,0.076351635,0.00022097345],"about_ca_topic_score_codex":0.05708955,"about_ca_topic_score_gemma":0.4532198,"teacher_disagreement_score":0.87549865,"about_ca_system_score_codex":0.000007644187,"about_ca_system_score_gemma":0.000010856708,"threshold_uncertainty_score":0.9993067},"labels":[],"label_agreement":null},{"id":"W2263084725","doi":"10.25071/1708-6701.3630","title":"Le Souvenir: Canadian Songs for Parlour and Stage / Chansons canadiennes populaires,sentimentales et lyriques","year":2000,"lang":"fr","type":"article","venue":"CAML Review / Revue de l ACBM","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Documentation; Stage (stratigraphy); Popular music; History; Art; Visual arts; Computer science","score_opus":0.019450142129656605,"score_gpt":0.26123342301731534,"score_spread":0.24178328088765874,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2263084725","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.040661316,0.75678045,0.000021794505,0.13691084,0.0004988502,0.0012896755,0.004887249,0.000058926442,0.05889091],"genre_scores_gemma":[0.25783437,0.34214178,0.00026893348,0.010069268,0.0012956322,0.00031299208,0.0005199064,0.00010218298,0.38745496],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977108,0.00020968847,0.0005567419,0.00048416492,0.00010561981,0.0009329369],"domain_scores_gemma":[0.9985992,0.00008418538,0.00013792134,0.00037391577,0.00011436493,0.0006904227],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006315157,0.00037637283,0.00078555645,0.00011790479,0.00095315656,0.00033538835,0.0002579747,0.00013527024,0.0040613813],"category_scores_gemma":[0.00008285341,0.00040137974,0.0004001362,0.00008761742,0.00032019857,0.0003566995,0.000026871747,0.00022852383,0.000069794856],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000086269865,0.000103448016,0.0001682529,0.00876681,0.00023323382,0.00012968807,0.005362033,0.000004004893,0.000008100875,0.84468657,0.097626984,0.042902254],"study_design_scores_gemma":[0.00021805186,0.00008227766,0.00010728626,0.0047018873,0.00054378103,0.00008965958,0.0017228428,0.00018973615,0.000015708358,0.0014080671,0.9904533,0.000467402],"about_ca_topic_score_codex":0.54794496,"about_ca_topic_score_gemma":0.9651451,"teacher_disagreement_score":0.8928263,"about_ca_system_score_codex":0.00022997393,"about_ca_system_score_gemma":0.00046457347,"threshold_uncertainty_score":0.99984384},"labels":[],"label_agreement":null},{"id":"W2270245243","doi":"10.1017/cbo9780511777486.032","title":"Visual arts","year":2010,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Pound (networking); Painting; Art; Sculpture; The arts; Poetry; Visual arts; Modernism (music); Architecture; Fine art; Visual culture; Art history; Literature","score_opus":0.03201742596202066,"score_gpt":0.20678132984524283,"score_spread":0.17476390388322216,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2270245243","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00017478467,0.00007608144,0.00003092581,0.000025987158,0.00055567734,0.00013638585,0.00028071957,0.0001293574,0.99859005],"genre_scores_gemma":[0.0075678173,0.000028387118,0.00001066434,0.00014167037,0.0009583378,3.720247e-7,0.000082705585,0.00004362834,0.9911664],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988882,0.000015180777,0.00017984294,0.0004014177,0.00024894415,0.00026643972],"domain_scores_gemma":[0.99906915,0.000040919833,0.0001518042,0.0003880714,0.00018740268,0.00016267414],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00006899418,0.00034224684,0.0004123894,0.00017960167,0.0005103993,0.00015964951,0.00036070243,0.00029284952,0.00045346882],"category_scores_gemma":[0.0000045906077,0.00037344024,0.00036787338,0.0000016408576,0.0006106687,0.000108299886,0.00019456369,0.0006921128,0.00014170102],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000204938,0.0000128895745,1.01196335e-7,0.000031587893,0.0001572089,0.00020932603,0.00028189892,6.876892e-8,0.00004055405,0.9710527,0.027586157,0.000607004],"study_design_scores_gemma":[0.00020887135,0.000038711732,9.182556e-7,0.00006312891,0.00041723266,0.0000052436967,0.00014654301,0.000011926257,0.00017625978,0.000075792384,0.9984182,0.00043718854],"about_ca_topic_score_codex":0.00017477105,"about_ca_topic_score_gemma":0.00006439555,"teacher_disagreement_score":0.9709769,"about_ca_system_score_codex":0.000049433835,"about_ca_system_score_gemma":0.000051490606,"threshold_uncertainty_score":0.99987173},"labels":[],"label_agreement":null},{"id":"W2272706104","doi":"","title":"3 Poems: Transcribing the Letters of Gertrude Stein and Virgil Thomson; Aside From; Red-Coral-to-Wet- Castanet","year":2010,"lang":"en","type":"article","venue":"Scholarship at UWindsor (University of Windsor)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Aside; Poetry; Coral; Literature; Art; History; Visual arts","score_opus":0.025698364119302104,"score_gpt":0.203935693312009,"score_spread":0.1782373291927069,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2272706104","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9892146,0.00013585603,0.000043971882,0.005636524,0.00023986831,0.00018241252,0.0003179565,0.000034397886,0.004194411],"genre_scores_gemma":[0.9969922,0.000017113654,0.00024864648,0.0004654356,0.00016901166,4.951905e-7,0.00003087576,0.000023283585,0.0020529672],"study_design_codex":"bench_or_experimental","study_design_gemma":"observational","domain_scores_codex":[0.99828684,0.00018230327,0.00028592043,0.00042242435,0.00045388506,0.00036863502],"domain_scores_gemma":[0.9986887,0.00018225718,0.00020548374,0.00055902766,0.0001671956,0.0001973555],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006108805,0.00024759394,0.00045857808,0.00022711698,0.00082122005,0.00011055018,0.00064205384,0.00012670546,0.0023577954],"category_scores_gemma":[0.000076714816,0.0002306784,0.00022655107,0.00018064151,0.0007117325,0.0007095179,0.00017084554,0.0006129862,0.000053794243],"study_design_candidate":"bench_or_experimental","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00070221926,0.00026883103,0.027290855,0.00011654312,0.0006345112,0.0001395364,0.097230464,0.000034261142,0.8333623,0.033154,0.002296377,0.0047701313],"study_design_scores_gemma":[0.006228095,0.00077838515,0.50376374,0.00066996913,0.0024193942,0.000064353204,0.11731139,0.0003954417,0.034839027,0.006299498,0.32468468,0.002546052],"about_ca_topic_score_codex":0.0018577571,"about_ca_topic_score_gemma":0.011603579,"teacher_disagreement_score":0.79852325,"about_ca_system_score_codex":0.000028376257,"about_ca_system_score_gemma":0.000032372653,"threshold_uncertainty_score":0.99855417},"labels":[],"label_agreement":null},{"id":"W227427286","doi":"","title":"Eric Ormsby's Onomatopoetics","year":2006,"lang":"en","type":"article","venue":"Parnassus. Poetry in review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Humanity; Literature; Art; Art history; Philosophy; History; Theology","score_opus":0.02428643332155644,"score_gpt":0.24897322809774605,"score_spread":0.2246867947761896,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W227427286","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015498457,0.2711871,0.000030191108,0.0029649383,0.00057014707,0.00042316294,0.00003069241,0.00012938118,0.70916593],"genre_scores_gemma":[0.9307546,0.04434065,0.00013103196,0.0036489118,0.00095822953,0.0000952127,0.00008227226,0.000044221215,0.019944854],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998206,0.00010867166,0.0007281441,0.00029205214,0.00025222232,0.0004129004],"domain_scores_gemma":[0.9992205,0.0000747066,0.00015600007,0.0003958387,0.00008173461,0.000071252],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00042570976,0.00023872562,0.0005910485,0.000118086675,0.00015253905,0.00012553482,0.0002810505,0.000050469956,0.00598467],"category_scores_gemma":[0.000060479317,0.00019585986,0.000232853,0.0001930021,0.00014826827,0.0001932418,0.000047750385,0.00022123444,0.00095383654],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000044097596,0.00041105854,0.0032295138,0.0026001404,0.000050721676,0.00010456244,0.00040804083,0.000010725089,0.000016729764,0.90305084,0.07966452,0.010448754],"study_design_scores_gemma":[0.00017103666,0.000021912982,0.0010390419,0.0015126701,0.000111376634,0.000010624146,0.00015739532,0.000043514447,0.000017366672,0.0044577518,0.99215984,0.00029746586],"about_ca_topic_score_codex":0.0003946677,"about_ca_topic_score_gemma":0.0006465259,"teacher_disagreement_score":0.91525614,"about_ca_system_score_codex":0.000056990135,"about_ca_system_score_gemma":0.00003223109,"threshold_uncertainty_score":0.99982405},"labels":[],"label_agreement":null},{"id":"W2275612396","doi":"10.4312/elope.4.1-2.59-68","title":"Psyche’s Daughter of Today: Sara Jeannette Duncan and the New Woman","year":2007,"lang":"en","type":"article","venue":"ELOPE English Language Overseas Perspectives and Enquiries","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Psyche; Femininity; Art; Ideology; Art history; Mythology; Daughter; Performance art; Literature; Psychoanalysis; Politics; Law; Psychology; Political science","score_opus":0.00714465303040904,"score_gpt":0.23234446521146837,"score_spread":0.22519981218105933,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2275612396","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6944961,0.017282862,0.00009681393,0.0016305854,0.00040024598,0.00024578904,0.000039846305,0.00007754001,0.28573024],"genre_scores_gemma":[0.9870539,0.00033054312,0.000064260355,0.00039114646,0.0013875184,0.0000037099924,0.0000057844645,0.000017398404,0.010745772],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9989738,0.00005206358,0.00022711794,0.0002722487,0.00020282983,0.0002719303],"domain_scores_gemma":[0.9992768,0.00017313832,0.00008573517,0.00022852562,0.00012299497,0.00011281331],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004260659,0.00019053124,0.0003095693,0.00008802768,0.00030285775,0.00020683992,0.00012259383,0.000045896326,0.0010036419],"category_scores_gemma":[0.0001868717,0.00012494602,0.00010760874,0.00006578701,0.0017462819,0.00030173486,0.00007661619,0.00015888018,0.0000024852882],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013686511,0.000024944222,0.00013341913,0.000015741844,0.00010719973,0.000010741158,0.47861478,3.950454e-7,0.000030220945,0.51572466,0.0042002606,0.001000809],"study_design_scores_gemma":[0.0013418557,0.00006536271,0.0012923348,0.000036476587,0.00011748422,0.000004373914,0.82510525,0.00000849939,0.00025365636,0.0029626177,0.16858569,0.00022641706],"about_ca_topic_score_codex":0.0006627626,"about_ca_topic_score_gemma":0.0013817641,"teacher_disagreement_score":0.512762,"about_ca_system_score_codex":0.000018092445,"about_ca_system_score_gemma":0.000023881747,"threshold_uncertainty_score":0.9999096},"labels":[],"label_agreement":null},{"id":"W2277267195","doi":"10.5539/ells.v6n1p69","title":"Revolutionary Poetic Voices of Victorian Period: A Comparative Study between Elizabeth Barrette Browning and Christina Rossetti","year":2016,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sonnet; Poetry; Romance; Literature; Period (music); Art; History; Aesthetics","score_opus":0.021293890439454042,"score_gpt":0.2831702509562989,"score_spread":0.2618763605168448,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2277267195","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8840373,0.11236748,0.0000029535283,0.0001854575,0.00019550888,0.00013973864,0.00022685008,0.000038873517,0.0028058183],"genre_scores_gemma":[0.99611795,0.0004279849,0.000024992483,0.000024301546,0.0015471459,0.000015705959,0.000020341182,0.000009472248,0.0018121251],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99892944,0.00013389524,0.00028439699,0.00028932397,0.0001683599,0.00019457599],"domain_scores_gemma":[0.9991451,0.00024339369,0.00010356958,0.00015117633,0.0002987547,0.000058034],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023629959,0.0002081683,0.00050832203,0.00010095205,0.000400432,0.000085690444,0.00008183907,0.000039512885,0.00006428908],"category_scores_gemma":[0.00018410978,0.00012370403,0.000058332203,0.0000750402,0.00040704847,0.0003141381,0.00009621499,0.00013257704,0.0000011644648],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018657782,0.000049976497,0.010593611,0.000094458715,0.00042827227,0.000036687637,0.98206365,4.8824557e-8,0.00006814111,0.004494389,0.0016454583,0.0005066701],"study_design_scores_gemma":[0.0009713192,0.00045192108,0.015514594,0.00083951745,0.0003877252,0.000003920443,0.91208655,0.0000018186083,0.000069639354,0.0003993334,0.06891035,0.00036331697],"about_ca_topic_score_codex":0.000021863489,"about_ca_topic_score_gemma":0.00014486955,"teacher_disagreement_score":0.11208061,"about_ca_system_score_codex":0.000011257806,"about_ca_system_score_gemma":0.000007437805,"threshold_uncertainty_score":0.5044504},"labels":[],"label_agreement":null},{"id":"W2279066822","doi":"10.14288/1.0104955","title":"Thomas Hardy's use of regionalism in his novels.","year":2011,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Regionalism (politics); History; Political science; Law; Politics; Democracy","score_opus":0.052230064287685514,"score_gpt":0.17413365504745723,"score_spread":0.12190359075977172,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2279066822","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9702838,0.00008984419,0.000037589358,0.00006373491,0.00009244335,0.000073263116,0.00018123674,0.00002091697,0.029157145],"genre_scores_gemma":[0.9907946,0.000068813366,0.00018289297,0.00006337857,0.000028133269,2.2202404e-7,0.000012635897,0.000007917958,0.0088414],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9992468,0.000043024822,0.00015739413,0.00021033897,0.00017577353,0.00016671793],"domain_scores_gemma":[0.99939775,0.000033220294,0.00011772984,0.0002095522,0.00018463818,0.00005711519],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011932048,0.000037305494,0.00027453527,0.000076750206,0.00012501911,0.00005704825,0.0002217449,0.00005607931,0.0018767195],"category_scores_gemma":[0.000019715506,0.00012135746,0.0001614834,0.000089068504,0.00050863455,0.0005251929,0.00006939798,0.00008979059,0.000012972076],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002459755,0.0054582525,0.13597545,0.000914985,0.0010920941,0.002731404,0.1417656,0.000014490076,0.00083576853,0.0612148,0.18033038,0.46942082],"study_design_scores_gemma":[0.0005887281,0.000057987796,0.96154106,0.00016599541,0.00007135402,0.000010765803,0.0068949186,0.000047020792,0.0000023273378,0.0019758432,0.02846642,0.00017756503],"about_ca_topic_score_codex":0.38105384,"about_ca_topic_score_gemma":0.6773834,"teacher_disagreement_score":0.82556564,"about_ca_system_score_codex":0.00002459632,"about_ca_system_score_gemma":0.000031035448,"threshold_uncertainty_score":0.9990357},"labels":[],"label_agreement":null},{"id":"W2279742217","doi":"10.1353/wsj.2016.0013","title":"Wallace Stevens among Others: Diva-Dames, Deleuze, and American Culture by David R. Jarraway (review)","year":2016,"lang":"en","type":"article","venue":"˜The œWallace Stevens journal","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Hollywood; Art history; Subjectivity; Diva; Art; Subject (documents); Movie theater; Philosophy; Literature","score_opus":0.009979669966062123,"score_gpt":0.22782820020623581,"score_spread":0.2178485302401737,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2279742217","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.56984955,0.21426068,0.0018309407,0.110174306,0.0024709853,0.002042421,0.0010104557,0.00045497576,0.09790567],"genre_scores_gemma":[0.7936348,0.03110878,0.00005316301,0.0035739045,0.0014254786,0.000022535658,0.0000095027735,0.000076792916,0.17009509],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971746,0.00042105012,0.0006691194,0.00041766165,0.0006039544,0.0007135696],"domain_scores_gemma":[0.99815196,0.00017082602,0.0005399651,0.0004908928,0.00027096033,0.00037539582],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008951699,0.0004382069,0.0006783206,0.000089907175,0.0010873774,0.00041394043,0.0005979528,0.00007609516,0.0023431103],"category_scores_gemma":[0.00006099874,0.00022715448,0.00036177994,0.00012424498,0.00068583956,0.00043585623,0.00012292707,0.0005397694,0.000115205956],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007731942,0.00021420469,0.0028099972,0.00016631799,0.0008707904,0.00008139891,0.015113733,0.0000030278547,0.0015205486,0.0033643588,0.9358248,0.039953507],"study_design_scores_gemma":[0.0006338529,0.00022131554,0.00042726495,0.00077021954,0.0003555164,0.00015402441,0.005111239,0.000019290366,0.000036131107,0.00040478868,0.9913923,0.0004740609],"about_ca_topic_score_codex":0.0002790217,"about_ca_topic_score_gemma":0.0035519723,"teacher_disagreement_score":0.22378519,"about_ca_system_score_codex":0.0002060935,"about_ca_system_score_gemma":0.00006117978,"threshold_uncertainty_score":0.9985689},"labels":[],"label_agreement":null},{"id":"W2280167429","doi":"10.71781/4342","title":"Geste, forme, couleur","year":2010,"lang":"fr","type":"dissertation","venue":"Open MIND","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.04145913417837655,"score_gpt":0.31679322549513045,"score_spread":0.2753340913167539,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2280167429","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33395314,0.000591441,0.000002901423,0.00029177728,0.0017249457,0.00030368663,0.00030966214,0.00000131282,0.6628211],"genre_scores_gemma":[0.24077003,0.0001376279,0.0003392416,0.00009626107,0.0010924148,0.000037752063,0.0018926142,0.000044354685,0.7555897],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981166,0.000054743043,0.0005758758,0.00052193116,0.00029585772,0.0004350061],"domain_scores_gemma":[0.9987067,0.000090436035,0.0002998993,0.00044593195,0.00029264906,0.00016438394],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003441978,0.00040020264,0.0005935031,0.000119407894,0.0011456732,0.002172196,0.00091249315,0.00043926825,0.16517079],"category_scores_gemma":[0.000052251835,0.00037423184,0.0002801338,0.000057611276,0.00022423157,0.00064416137,0.000106894906,0.00075486914,0.007558183],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023116985,0.0013237359,0.00029468042,0.00037209492,0.0010112624,0.0002163954,0.10750479,0.000009299417,0.0023096728,0.35880885,0.015000844,0.5129172],"study_design_scores_gemma":[0.0003166474,0.00009718873,0.00050197454,0.00023437248,0.0006050865,0.0000067425867,0.019378038,0.00014071695,0.0014759074,0.00071048364,0.9760106,0.0005221965],"about_ca_topic_score_codex":0.0018050876,"about_ca_topic_score_gemma":0.044363935,"teacher_disagreement_score":0.9610098,"about_ca_system_score_codex":0.000031952455,"about_ca_system_score_gemma":0.00019423252,"threshold_uncertainty_score":0.99987096},"labels":[],"label_agreement":null},{"id":"W2284761519","doi":"10.14288/1.0106996","title":"Rhythm and sound in contemporary Canadian poetry","year":2012,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rhythm; Poetry; Sound (geography); Art; History; Literature; Linguistics; Acoustics; Philosophy; Aesthetics","score_opus":0.0249763295348804,"score_gpt":0.1827871915812049,"score_spread":0.1578108620463245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2284761519","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9283483,0.0010773472,0.000005158743,0.00012323356,0.00010974553,0.00006200111,0.00014650021,0.000013578016,0.07011415],"genre_scores_gemma":[0.9970642,0.00003398243,0.000012340251,0.00012637384,0.00008455353,1.8212872e-7,0.000015416917,0.000006497525,0.002656473],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99938893,0.000034213208,0.000088169756,0.00014156435,0.00009326967,0.00025384597],"domain_scores_gemma":[0.99957395,0.000021614866,0.00003949137,0.00010776879,0.00005206357,0.00020510245],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016272382,0.00003129678,0.00018388877,0.00007749257,0.00025948245,0.0001148244,0.00009118173,0.000050718852,0.0008265439],"category_scores_gemma":[0.000009691747,0.000108119246,0.000054523338,0.000057245954,0.0003192797,0.0005395566,0.000034850087,0.000095167394,0.000021988075],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017394994,0.0004665599,0.6510927,0.00025040068,0.00022389047,0.0008654163,0.033337492,0.0000013090488,0.000022252218,0.006058976,0.0382925,0.26937106],"study_design_scores_gemma":[0.0003694235,0.000018576768,0.96020186,0.00004761539,0.000020438725,0.000029084884,0.018073982,0.000022696366,5.3207305e-8,0.00082001014,0.02024843,0.00014780629],"about_ca_topic_score_codex":0.92238885,"about_ca_topic_score_gemma":0.9942922,"teacher_disagreement_score":0.30910915,"about_ca_system_score_codex":0.000045044057,"about_ca_system_score_gemma":0.000053083888,"threshold_uncertainty_score":0.9050076},"labels":[],"label_agreement":null},{"id":"W2294114408","doi":"10.14288/1.0104920","title":"Oscillations of the absolute : an examination of the implications of Wallace Stevens' \"Central Poetry.\"","year":2011,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Absolute (philosophy); Poetry; Philosophy; Literature; Art; Theology","score_opus":0.025069381009921867,"score_gpt":0.17611446322657684,"score_spread":0.15104508221665497,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2294114408","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9805076,0.00003550001,0.00004968004,0.00010840615,0.000078213496,0.00012982302,0.00038156248,0.0000075781318,0.01870163],"genre_scores_gemma":[0.9975964,0.000015815007,0.000034734352,0.000011655262,0.000015994256,2.5376144e-7,0.000006486872,0.00000470947,0.0023139624],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9993279,0.000088647656,0.00017246575,0.00012603542,0.00017342136,0.0001115196],"domain_scores_gemma":[0.9989495,0.000027563561,0.00026926116,0.0003637716,0.00035692367,0.000032951448],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013815802,0.000029490793,0.00016462804,0.000029211538,0.0002901204,0.000016399168,0.00040056705,0.000038764003,0.0005366526],"category_scores_gemma":[0.000020655183,0.000057030335,0.00017183361,0.0001417303,0.0005439881,0.00021232008,0.000084576255,0.000060223596,8.605224e-7],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047233396,0.0043030092,0.17343259,0.00084940036,0.0010904114,0.0000065824297,0.21165307,0.00013868167,0.009661653,0.07470684,0.0072264387,0.5168841],"study_design_scores_gemma":[0.00018176073,0.000036283433,0.98963296,0.00006192576,0.00012227577,0.0000019396832,0.00825949,0.00008191072,0.000019052419,0.0012485062,0.00029575638,0.000058145753],"about_ca_topic_score_codex":0.05314002,"about_ca_topic_score_gemma":0.36462957,"teacher_disagreement_score":0.8162004,"about_ca_system_score_codex":0.00002679989,"about_ca_system_score_gemma":0.000049104816,"threshold_uncertainty_score":0.9531652},"labels":[],"label_agreement":null},{"id":"W2294658083","doi":"","title":"Sifted : The Read Room","year":2001,"lang":"en","type":"book","venue":"Artspeak Gallery eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; Reading (process); Visual arts; Poetry; Photography; Art; Sound (geography); Aesthetics; Literature; Linguistics; Philosophy","score_opus":0.03486142804035691,"score_gpt":0.2186368426025188,"score_spread":0.1837754145621619,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2294658083","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007225202,0.00046183614,0.0000042602283,0.0006509699,0.000756659,0.00026545874,0.00005681413,0.00025788025,0.9974739],"genre_scores_gemma":[0.0052002836,0.00007918247,0.000005579342,0.0019040103,0.0041566426,0.00004196497,0.00012710015,0.00009563325,0.9883896],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99782425,0.00009911222,0.00057103473,0.00049099134,0.0005015316,0.000513108],"domain_scores_gemma":[0.99828625,0.00018672197,0.00024412389,0.0009785406,0.00018039274,0.00012394562],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003141642,0.0005087148,0.0005772346,0.00015524037,0.0008714249,0.00044727593,0.00065008184,0.00021147399,0.019695725],"category_scores_gemma":[0.000023217444,0.00034354086,0.0005623045,0.000012587543,0.000542061,0.00008226545,0.00014821404,0.0007057246,0.0017926565],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013715512,0.000028734356,6.1452823e-7,0.000022980068,0.00033366185,0.00018429478,0.0061817504,0.0000010876325,0.0000017510694,0.37321952,0.61268127,0.0073306076],"study_design_scores_gemma":[0.0001458304,0.00006031601,0.000002992738,0.00013573185,0.00029082902,0.000031571108,0.0007368652,0.000024555131,0.0000021139124,0.04972064,0.9484048,0.00044374866],"about_ca_topic_score_codex":0.000086384505,"about_ca_topic_score_gemma":0.0032303906,"teacher_disagreement_score":0.33572352,"about_ca_system_score_codex":0.00008480602,"about_ca_system_score_gemma":0.00018311408,"threshold_uncertainty_score":0.99990165},"labels":[],"label_agreement":null},{"id":"W2295049895","doi":"","title":"Grasscutter's Symphony","year":2013,"lang":"en","type":"article","venue":"Island writer","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Symphony; Art; Geography; Art history","score_opus":0.011937881059711677,"score_gpt":0.19086110281057367,"score_spread":0.178923221750862,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2295049895","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43180275,0.00015866196,0.000069957845,0.0024207523,0.00043245306,0.00009913329,0.000026960133,0.0000718434,0.5649175],"genre_scores_gemma":[0.9345754,0.0000065562,0.000011237786,0.0017311618,0.00073068787,0.000020728508,0.000013331101,0.00000915088,0.062901765],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994246,0.00001877782,0.00013642221,0.00012796953,0.00010342259,0.0001888503],"domain_scores_gemma":[0.99968076,0.000021280865,0.000021035985,0.00016795834,0.000058856636,0.000050120572],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000043326,0.0000910881,0.00011913939,0.000050956358,0.00014333407,0.00035618673,0.000105820654,0.00002482964,0.04420988],"category_scores_gemma":[0.0000043742466,0.00006379824,0.00008889572,0.000016959853,0.00007601296,0.0002570022,0.00002045156,0.000063346866,0.004046757],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004386526,0.00013565687,0.0034299009,0.0000261804,0.0001330762,0.000018566288,0.014415777,0.0000013088373,0.00027260967,0.23423146,0.7387717,0.008559415],"study_design_scores_gemma":[0.00024892416,0.00003300621,0.0029305415,0.000017314464,0.000036866764,0.000004308685,0.0009640503,0.0002052127,0.00007000997,0.015879357,0.9794057,0.00020473267],"about_ca_topic_score_codex":0.00040884817,"about_ca_topic_score_gemma":0.00042599277,"teacher_disagreement_score":0.5027726,"about_ca_system_score_codex":0.0000059024837,"about_ca_system_score_gemma":0.0000039352853,"threshold_uncertainty_score":0.9967287},"labels":[],"label_agreement":null},{"id":"W2303333982","doi":"10.1093/cww/vpv018","title":"Breaking Boundaries in Contemporary Women’s Writing: A Review Essay","year":2015,"lang":"en","type":"review","venue":"Contemporary Women s Writing","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Mount Allison University","funders":"","keywords":"Scholarship; German; Ambivalence; Presentation (obstetrics); Period (music); Literature; Set (abstract data type); History; Sociology; Art history; Classics; Art; Philosophy; Psychoanalysis; Psychology; Aesthetics; Linguistics","score_opus":0.16902909480138814,"score_gpt":0.3500667450362648,"score_spread":0.18103765023487664,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2303333982","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006387417,0.7859123,0.0000022565694,0.0002246809,0.00050648267,0.0012398207,0.00033434393,0.0002522108,0.21146408],"genre_scores_gemma":[0.02821341,0.95387745,0.000012756546,0.00180347,0.001982064,0.002214498,0.0006653008,0.0002714517,0.010959577],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9900606,0.0014409503,0.0043817023,0.0014534303,0.0009920269,0.0016712532],"domain_scores_gemma":[0.9951884,0.00064904714,0.0018831084,0.0011502047,0.00050109037,0.00062813924],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0074722036,0.0014962123,0.007058686,0.0008906888,0.0010444544,0.0023951475,0.0012334164,0.00041640364,0.0019394833],"category_scores_gemma":[0.0005211676,0.001354604,0.0010034936,0.0005573113,0.0010462295,0.0015748607,0.0005297834,0.001721119,0.00030718299],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004250194,0.0004987097,0.00007239144,0.19481309,0.0012409494,0.0018230145,0.05284174,1.1444058e-7,1.6963406e-7,0.06349729,0.056043398,0.6291266],"study_design_scores_gemma":[0.00054144755,0.00010659021,4.7184582e-7,0.113957085,0.00018253745,0.000054604756,0.02128569,0.000003934258,4.803098e-8,0.00092321815,0.8616448,0.0012995411],"about_ca_topic_score_codex":0.00027623738,"about_ca_topic_score_gemma":0.00006570164,"teacher_disagreement_score":0.8056014,"about_ca_system_score_codex":0.0018180019,"about_ca_system_score_gemma":0.0048194276,"threshold_uncertainty_score":0.9997787},"labels":[],"label_agreement":null},{"id":"W2312187828","doi":"10.7202/005935ar","title":"Ashton Nichols, The Revolutionary 'I': Wordsworth and the Politics of Self-Representation. London: Macmillan; New York: St. Martin's Press, 1998. ISBN: 0-333-71889-5. Price: £42.50 (US$55). Yu Liu, Poetics and Politics: The Revolutions of Wordsworth. New York: Peter Lang, 1999. ISBN: 0-82014-4168-6. Price: £30 (US$39.95).","year":2000,"lang":"en","type":"article","venue":"Romanticism on the Net","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Politics; Romanticism; Representation (politics); Scholarship; History; Art history; Media studies; Sociology; Art; Poetry; Literature; Political science; Law","score_opus":0.020748189562708536,"score_gpt":0.23372399136740413,"score_spread":0.21297580180469558,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2312187828","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5600163,0.20627418,0.000243741,0.07077975,0.0014639086,0.0053453767,0.0016748358,0.00046079507,0.1537411],"genre_scores_gemma":[0.9260765,0.009516051,0.0002223524,0.0033092217,0.002381842,0.000062244486,0.00010826653,0.00009557581,0.05822798],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953671,0.00075268326,0.0012497837,0.0006428899,0.0010157105,0.0009718061],"domain_scores_gemma":[0.9957937,0.0014469568,0.00065588,0.0016466305,0.00017351435,0.00028333176],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010137246,0.000614666,0.00084188074,0.00014985025,0.0016786612,0.0003290316,0.0010891175,0.00019956524,0.0022433912],"category_scores_gemma":[0.0001600147,0.00032645103,0.0004204315,0.00036324337,0.0018279705,0.00017730829,0.00030278653,0.0007929519,0.00007709689],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001867584,0.00023820631,0.0014774095,0.00012574274,0.00075790024,0.000009946904,0.014201483,0.00024112625,0.000015450074,0.54771084,0.43449008,0.0005450446],"study_design_scores_gemma":[0.0020249023,0.00022864729,0.011529461,0.00035434583,0.0015779195,0.000087207714,0.0036761733,0.0030856251,0.000049950664,0.039686147,0.937093,0.00060657854],"about_ca_topic_score_codex":0.0055923215,"about_ca_topic_score_gemma":0.00048100346,"teacher_disagreement_score":0.5080247,"about_ca_system_score_codex":0.00006542852,"about_ca_system_score_gemma":0.0002313838,"threshold_uncertainty_score":0.99991876},"labels":[],"label_agreement":null},{"id":"W2314184086","doi":"","title":"The Fevered World: A Poetry Review Essay","year":2016,"lang":"en","type":"review","venue":"Women in Judaism A Multidisciplinary e-Journal","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Art; History","score_opus":0.04322031179792532,"score_gpt":0.3360601017390917,"score_spread":0.29283978994116633,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2314184086","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000075473126,0.96818346,0.0000039663446,0.0012034192,0.0026064722,0.00062952074,0.000117057054,0.00004030679,0.027208237],"genre_scores_gemma":[0.000035602865,0.90191686,0.000016323604,0.00011982038,0.0033150893,0.0002973279,0.000024208552,0.00011272382,0.094162054],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9927675,0.0013129234,0.0027358823,0.0006335321,0.0008415632,0.0017085787],"domain_scores_gemma":[0.99557143,0.0010698285,0.0015562339,0.0009725036,0.00026336475,0.00056665705],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0054825544,0.0009486951,0.0031280417,0.0008303414,0.0027748332,0.0011768827,0.0019453738,0.00020275646,0.0060268594],"category_scores_gemma":[0.0003177499,0.00047741475,0.0016548967,0.00044758405,0.00067999307,0.000631278,0.00055280415,0.0023630143,0.00095220056],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002989886,0.00027250336,0.000006655698,0.012582202,0.0007551469,0.00086593925,0.008039766,2.0962237e-7,6.495051e-8,0.011819368,0.03721139,0.92841685],"study_design_scores_gemma":[0.00039889532,0.00007374724,0.0000035528853,0.0902388,0.0004907845,0.00051521335,0.0014668893,0.0000014051395,1.3664266e-8,0.005473151,0.9006711,0.0006664403],"about_ca_topic_score_codex":0.0000059953745,"about_ca_topic_score_gemma":0.000122369,"teacher_disagreement_score":0.9277504,"about_ca_system_score_codex":0.001334764,"about_ca_system_score_gemma":0.0010339561,"threshold_uncertainty_score":0.99993855},"labels":[],"label_agreement":null},{"id":"W2317048193","doi":"10.1080/09574042.2015.1069140","title":"Decolonize or Destroy: New Feminist Poetry in the United States and Canada","year":2015,"lang":"en","type":"article","venue":"Women a Cultural Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Simon Fraser University; Australian Government","keywords":"Sociology; Aesthetics; Poetry; Solidarity; Transformative learning; Context (archaeology); Politics; Epistemology; Gender studies; Law; Political science; History; Literature; Philosophy; Art","score_opus":0.07341721391603076,"score_gpt":0.2934215341063354,"score_spread":0.22000432019030466,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2317048193","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90883976,0.057246596,4.2123278e-7,0.015885489,0.00015479862,0.0004162917,0.000045253026,0.000026762964,0.017384635],"genre_scores_gemma":[0.8920973,0.03644497,0.000025395206,0.042525813,0.00029005983,0.000086589156,0.0001242684,0.000014706545,0.028390905],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991043,0.00010773228,0.00024087302,0.00012468672,0.00018536372,0.00023700397],"domain_scores_gemma":[0.9995206,0.00007737861,0.000057564324,0.00012794136,0.00006359187,0.00015293297],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032884115,0.00012511508,0.00026912094,0.00002115555,0.00012541063,0.00017271764,0.00017465903,0.000013915041,0.0007462744],"category_scores_gemma":[0.00017644509,0.000058318477,0.00002794187,0.00011508634,0.00007720478,0.00009140982,0.000027277665,0.000109718836,0.000015133578],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003696847,0.000066218854,0.00071610237,0.0008643032,0.00008740495,0.000150425,0.078865565,0.0000021795422,9.707115e-7,0.04172919,0.8719564,0.005524243],"study_design_scores_gemma":[0.00016700645,0.00005156494,0.00008717346,0.00033221772,0.000038758302,0.000016696566,0.036738176,0.000008965244,3.4302798e-7,0.00029988802,0.96215194,0.000107270695],"about_ca_topic_score_codex":0.3167622,"about_ca_topic_score_gemma":0.74259853,"teacher_disagreement_score":0.42583632,"about_ca_system_score_codex":0.00011475887,"about_ca_system_score_gemma":0.0002183878,"threshold_uncertainty_score":0.81711817},"labels":[],"label_agreement":null},{"id":"W2318552137","doi":"10.1017/s1060150311000179","title":"CURRENT THINKING: ON TRANSATLANTIC VICTORIANISM","year":2011,"lang":"en","type":"article","venue":"Victorian Literature and Culture","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Romanticism; Enlightenment; Sublime; Subject (documents); History; Art history; Literature; Exhibition; Art; Philosophy; Epistemology","score_opus":0.0254059776179815,"score_gpt":0.21727182012429577,"score_spread":0.19186584250631428,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2318552137","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.059126295,0.040515617,0.00015976779,0.0021074696,0.01945334,0.00076103315,0.0004758257,0.00074190676,0.87665874],"genre_scores_gemma":[0.9863673,0.0003961821,0.000050145947,0.0006354345,0.0049669165,0.000012355834,0.000086176486,0.000021622012,0.0074638696],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99889123,0.000050128743,0.000212043,0.00034046013,0.00023579539,0.0002703633],"domain_scores_gemma":[0.9994514,0.000012503181,0.000053742446,0.00022825808,0.00011487783,0.00013921568],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000096298136,0.00027229928,0.00024868842,0.00008219906,0.00043485287,0.00048811015,0.00018677214,0.00012630709,0.0010035831],"category_scores_gemma":[0.000008364459,0.00017801045,0.0001466036,0.00008580333,0.00008936752,0.00029357726,0.00001550509,0.00043017254,0.00006434784],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024262583,0.000107463326,0.000036349174,0.000043213,0.000046825033,0.00001933758,0.30033308,2.2528234e-8,0.00006019339,0.6919387,0.0069553414,0.0004352087],"study_design_scores_gemma":[0.0002707119,0.00015268067,0.00016257423,0.00021948565,0.00009240943,0.0000063427137,0.00072210643,0.0000021078156,0.00013620504,0.046176646,0.9517968,0.0002618936],"about_ca_topic_score_codex":0.0000056314907,"about_ca_topic_score_gemma":0.000041924133,"teacher_disagreement_score":0.9448415,"about_ca_system_score_codex":0.000010991444,"about_ca_system_score_gemma":0.000010332499,"threshold_uncertainty_score":0.99990964},"labels":[],"label_agreement":null},{"id":"W2329326901","doi":"10.1086/671963","title":"<i>Britta Martens</i> Browning, Victorian Poetics and the Romantic Legacy: Challenging the Personal Voice<i>Browning, Victorian Poetics and the Romantic Legacy: Challenging the Personal Voice</i>. Britta Martens. Farnham: Ashgate Publishing, 2011. Pp. ii+285.","year":2013,"lang":"en","type":"article","venue":"Modern Philology","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Acadia University","funders":"","keywords":"Poetics; Romance; Publishing; Art; Art history; Literature; Poetry","score_opus":0.016905496123004207,"score_gpt":0.2024952223702276,"score_spread":0.1855897262472234,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2329326901","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4020256,0.04757838,0.00066550105,0.4981189,0.004372611,0.0025484767,0.00012611708,0.0004623899,0.04410202],"genre_scores_gemma":[0.98130345,0.0020871407,0.000022867192,0.007865284,0.004370813,0.00019132496,0.000060358343,0.00017308457,0.0039256904],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9928789,0.0013050619,0.0012257436,0.0013446264,0.0011992229,0.0020464046],"domain_scores_gemma":[0.99546796,0.0016382575,0.00067159056,0.0012846341,0.0005630994,0.00037444147],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0031430344,0.0011228431,0.0014204459,0.00022570572,0.0067604072,0.0060043153,0.0018978358,0.0003973181,0.00084945594],"category_scores_gemma":[0.0003771462,0.00061437173,0.0006276137,0.00018854688,0.004979766,0.0021899422,0.0012026533,0.0022844833,0.00013917379],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033958172,0.00031729214,0.000732186,0.00022010598,0.0021017834,0.00009779075,0.24262583,0.00005504531,0.0001234294,0.73260605,0.018524831,0.0022560619],"study_design_scores_gemma":[0.008845182,0.00043798145,0.0030965146,0.00030336244,0.0026573923,0.001023247,0.045767885,0.18202819,0.000014836055,0.07227822,0.6816313,0.0019158681],"about_ca_topic_score_codex":0.0032830245,"about_ca_topic_score_gemma":0.0033489245,"teacher_disagreement_score":0.6631065,"about_ca_system_score_codex":0.000096936914,"about_ca_system_score_gemma":0.000119558776,"threshold_uncertainty_score":0.99963075},"labels":[],"label_agreement":null},{"id":"W2329908309","doi":"10.1093/res/hgr125","title":"HEATHER CLARK. The Grief of Influence: Sylvia Plath and Ted Hughes.","year":2011,"lang":"en","type":"article","venue":"The Review of English Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Wife; Poetry; Servant; Conversation; Grief; Literature; Art; History; Psychoanalysis; Philosophy; Psychology; Theology; Linguistics","score_opus":0.06696949469923952,"score_gpt":0.2774432652067376,"score_spread":0.2104737705074981,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2329908309","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12861884,0.77765584,3.5855814e-7,0.00042214483,0.00018349821,0.0002867683,0.000023828756,0.000018960232,0.09278976],"genre_scores_gemma":[0.7947344,0.20391339,0.0000056084405,0.00059001765,0.00017575988,0.000021260734,7.751368e-7,0.000006531446,0.0005522494],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991383,0.00011426541,0.0003751018,0.00010260739,0.00015063059,0.000119121454],"domain_scores_gemma":[0.9987138,0.0002137766,0.00016793427,0.00029531243,0.00059343415,0.000015780639],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00071604823,0.00012125169,0.00047920304,0.000019887862,0.00022164648,0.000011097816,0.00021114603,0.000015665322,0.00026177606],"category_scores_gemma":[0.00064671657,0.000051558756,0.00012776496,0.00005850852,0.0009466426,0.00009025637,0.00010030806,0.00010283689,0.0000028294726],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023585046,0.00017232358,0.0008547529,0.009154823,0.00191712,0.0000021892088,0.41845122,6.0262147e-7,0.000018459083,0.5409596,0.023700738,0.0047445777],"study_design_scores_gemma":[0.00036811066,0.00026748196,0.006077027,0.011496665,0.0023791266,0.0000020363732,0.05876025,0.0000035861865,0.0002679813,0.01698162,0.90302604,0.00037006586],"about_ca_topic_score_codex":0.00007592958,"about_ca_topic_score_gemma":0.00005930607,"teacher_disagreement_score":0.87932533,"about_ca_system_score_codex":0.0000042073166,"about_ca_system_score_gemma":0.000008508911,"threshold_uncertainty_score":0.3487944},"labels":[],"label_agreement":null},{"id":"W2330035048","doi":"10.7756/spst.027.004.77-96","title":"Spenser and the Matter of Poetry","year":2012,"lang":"en","type":"article","venue":"Spenser Studies A Renaissance Poetry Annual","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Decorum; Poetry; Literature; Complaint; Mode (computer interface); Diction; Art; Law; Computer science; Political science","score_opus":0.034275407854200794,"score_gpt":0.2774601423897981,"score_spread":0.2431847345355973,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2330035048","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72332746,0.062485944,0.000013947399,0.011285933,0.0017166751,0.00041608786,0.00017810642,0.00006928493,0.20050654],"genre_scores_gemma":[0.9825332,0.0005335413,0.00004087762,0.0015836195,0.0011498376,0.000022300625,0.000004022616,0.000025044481,0.01410755],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982401,0.00015317077,0.0004851762,0.0002690945,0.00030916763,0.00054324896],"domain_scores_gemma":[0.99873006,0.00031484454,0.00020351274,0.0004056675,0.00024782718,0.00009805645],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00066959666,0.00029150612,0.0006623311,0.00008227952,0.0005624004,0.00006454516,0.0002339094,0.000054247583,0.0020187506],"category_scores_gemma":[0.000115417635,0.00017631687,0.00020531369,0.000098939054,0.0025916575,0.00051521166,0.0002498402,0.00023444068,0.00026804733],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005127394,0.00022514099,0.020239575,0.0002401024,0.0012160164,0.000010892808,0.11887788,0.0000015826867,0.000044238113,0.63155377,0.22635879,0.0007192893],"study_design_scores_gemma":[0.0032576243,0.00016957617,0.04026718,0.00030236156,0.0009002159,0.00007597536,0.20290264,0.000017230848,0.00087907305,0.009378816,0.74083906,0.0010102135],"about_ca_topic_score_codex":0.0001474616,"about_ca_topic_score_gemma":0.0001662587,"teacher_disagreement_score":0.6221749,"about_ca_system_score_codex":0.00001683035,"about_ca_system_score_gemma":0.0000095503765,"threshold_uncertainty_score":0.99889356},"labels":[],"label_agreement":null},{"id":"W2330580067","doi":"10.3968/8165","title":"Improvisation on the Way: Jazz and Kerouac’s On the Road","year":2016,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Jazz; Improvisation; Beat (acoustics); Aesthetics; Literature; Art; Psychology; Psychoanalysis; Visual arts; Acoustics; Physics","score_opus":0.026243447003674116,"score_gpt":0.2692656802195446,"score_spread":0.2430222332158705,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2330580067","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9243744,0.012317834,5.6206704e-7,0.017894536,0.00019460001,0.00013390498,0.000041578627,0.000016022865,0.045026556],"genre_scores_gemma":[0.989073,0.00057630806,9.542603e-7,0.0028678677,0.00042348146,0.000021777929,0.0000020980085,0.0000048799734,0.0070296577],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99947613,0.00007255568,0.000097705786,0.00014066242,0.000085456944,0.00012748406],"domain_scores_gemma":[0.99947435,0.0003046536,0.000027278204,0.00015108401,0.000028492721,0.000014154952],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025550995,0.00010295157,0.00011486236,0.000035298177,0.0003043624,0.00013392998,0.00005919777,0.000024040397,0.00012705704],"category_scores_gemma":[0.00011715183,0.000034754714,0.00003004765,0.00003093967,0.0002626271,0.00007834332,0.00003641813,0.00011451213,0.0000071423365],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002264317,0.000021003018,0.000040924075,0.000018639636,0.00006725846,0.000013546777,0.22454922,3.2163783e-8,0.00018145336,0.7478977,0.008184351,0.019003266],"study_design_scores_gemma":[0.0016009241,0.0009337879,0.0074663847,0.0025341474,0.00018844377,0.000014225711,0.36866048,0.000038690378,0.0011472041,0.05551295,0.56108934,0.0008134139],"about_ca_topic_score_codex":0.000023950091,"about_ca_topic_score_gemma":0.0002668629,"teacher_disagreement_score":0.6923847,"about_ca_system_score_codex":0.0000098410455,"about_ca_system_score_gemma":0.0000019390102,"threshold_uncertainty_score":0.23409401},"labels":[],"label_agreement":null},{"id":"W2333267725","doi":"10.1525/ncl.2010.65.1.96","title":"Review: <i>British Women Poets and the Romantic Writing Community</i>, by Stephen C. Behrendt","year":2010,"lang":"en","type":"article","venue":"Nineteenth-Century Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Winnipeg","funders":"","keywords":"Icon; Romance; Citation; Download; Folklife; History; Art history; Library science; Art; Media studies; Literature; World Wide Web; Computer science; Sociology","score_opus":0.004949376270718325,"score_gpt":0.20191277192614504,"score_spread":0.19696339565542673,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2333267725","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5004044,0.4410503,0.0000022997044,0.0036384864,0.0011987776,0.0006886349,0.0007380849,0.00018707791,0.052091952],"genre_scores_gemma":[0.9604888,0.024085578,0.000025334972,0.009317164,0.0008342669,0.0000843446,0.00044614132,0.00003780855,0.0046805805],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99801904,0.00041398342,0.00048122986,0.0002939466,0.00028496017,0.00050681113],"domain_scores_gemma":[0.99866295,0.00024652568,0.00015646595,0.000578287,0.000187813,0.00016795003],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009640402,0.00029555865,0.00050804403,0.000053014723,0.001229956,0.0016195215,0.0004853243,0.000119621356,0.001905524],"category_scores_gemma":[0.0001355869,0.00021998725,0.00017445172,0.000118164775,0.0006059096,0.0004478635,0.00017218525,0.0016655911,0.000020569987],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000101182144,0.0005617313,0.00029947248,0.0023148465,0.00045801522,0.0000648198,0.07387727,1.6132608e-7,0.0009836952,0.16964947,0.7275775,0.024111805],"study_design_scores_gemma":[0.00118834,0.00005219615,0.00012301322,0.001470542,0.00016451687,0.000070407164,0.0035030218,0.000027179884,0.000010631797,0.00081574876,0.99223524,0.00033913527],"about_ca_topic_score_codex":0.00019532847,"about_ca_topic_score_gemma":0.0003942194,"teacher_disagreement_score":0.46008438,"about_ca_system_score_codex":0.000014646306,"about_ca_system_score_gemma":0.000012444716,"threshold_uncertainty_score":0.9994169},"labels":[],"label_agreement":null},{"id":"W2335212632","doi":"10.3138/cras.2015.003","title":"For the Progress of “Faustus and Helen”: Crane, Whitman, and the Metropolitan Progress Poem","year":2016,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Poetics; Argument (complex analysis); Subject (documents); Literature; Metropolitan area; American literature; Art; History; Aesthetics; Philosophy; Computer science; Archaeology","score_opus":0.03255900866864509,"score_gpt":0.30529752301316326,"score_spread":0.2727385143445182,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2335212632","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009153522,0.9427089,0.0000033564872,0.0441565,0.00008006462,0.00083235995,0.00020457039,0.0000069773537,0.0028537333],"genre_scores_gemma":[0.8268301,0.17059648,0.00003391051,0.0013090727,0.000116150724,0.00018991264,9.942479e-7,0.000010194909,0.0009132225],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990647,0.00009055467,0.00032866126,0.00015554139,0.00012034756,0.00024023747],"domain_scores_gemma":[0.99864,0.00046731654,0.00023529842,0.00023246698,0.00033844417,0.000086462875],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00048745595,0.00013843081,0.00068108103,0.000058675283,0.00034321842,0.000023950257,0.0001618971,0.000008790193,0.000040443447],"category_scores_gemma":[0.00022402659,0.000054096847,0.00012530199,0.00008240508,0.007580264,0.00005058811,0.00003875182,0.00003803226,6.457292e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040544914,0.000024948069,0.002205363,0.005100053,0.0018057835,0.000003132433,0.0063794306,9.060592e-9,0.0000010999098,0.6197414,0.026216548,0.3384817],"study_design_scores_gemma":[0.000683018,0.0003209912,0.002023086,0.0039816895,0.0014898124,0.000006419775,0.058908407,0.000004008691,0.000014226125,0.0014930589,0.930836,0.00023923587],"about_ca_topic_score_codex":0.007500746,"about_ca_topic_score_gemma":0.04832803,"teacher_disagreement_score":0.9046195,"about_ca_system_score_codex":0.000036154674,"about_ca_system_score_gemma":0.000054682463,"threshold_uncertainty_score":0.9991084},"labels":[],"label_agreement":null},{"id":"W2336494600","doi":"","title":"Why Poetry Sucks: An Anthology of Humorous Experimental Canadian Poetry by Ryan Fitzpatrick and Jonathan Ball, and: Mock Modernism: An Anthology of Parodies, Travesties, Frauds, 1910–1935 ed. by Leonard Diepeveen (review)","year":2016,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Modernism (music); Art history; Art; Ball (mathematics); Performance art; Literature","score_opus":0.014775100710016111,"score_gpt":0.24318837750257566,"score_spread":0.22841327679255954,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2336494600","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8066825,0.1792633,0.000092207694,0.0020090288,0.00020461451,0.00041852865,0.0036475668,0.00007692391,0.0076053115],"genre_scores_gemma":[0.96701443,0.027759586,0.00012416152,0.0025496467,0.00014021849,0.000025386305,0.00029990307,0.00005015381,0.002036483],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969949,0.0003460188,0.00085528556,0.00075786293,0.000305693,0.00074023835],"domain_scores_gemma":[0.99829733,0.00012251566,0.0002679176,0.00057542307,0.00015821436,0.00057858805],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00039094812,0.00049488817,0.0011274831,0.0002670765,0.00035071917,0.0000493565,0.0004209517,0.00024345295,0.0026156849],"category_scores_gemma":[0.000045383724,0.00037144916,0.00013766772,0.00005834075,0.0015196844,0.0006014702,0.000112125395,0.00020187184,0.0000046004025],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032570044,0.0027163147,0.022749677,0.0011725794,0.0009698879,0.00022778384,0.025890531,0.000001440414,0.043168467,0.07458927,0.7929785,0.035209842],"study_design_scores_gemma":[0.008139558,0.012767097,0.015554309,0.0015445214,0.0020416093,0.00081478443,0.07290679,0.0005034626,0.03336485,0.0059204297,0.84027934,0.006163255],"about_ca_topic_score_codex":0.109827414,"about_ca_topic_score_gemma":0.10679762,"teacher_disagreement_score":0.16033193,"about_ca_system_score_codex":0.000060358656,"about_ca_system_score_gemma":0.00009983024,"threshold_uncertainty_score":0.99987376},"labels":[],"label_agreement":null},{"id":"W2337320859","doi":"","title":"Paddling Her Own Canoe: The Times and Texts of E. Pauline Johnson by Veronica Strong-Boag and Carole Gerson (review)","year":2002,"lang":"en","type":"article","venue":"Canadian Historical Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Philosophy","score_opus":0.026807281914837635,"score_gpt":0.2180685155184469,"score_spread":0.19126123360360925,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2337320859","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00014003644,0.96197706,8.9655146e-7,0.014810016,0.00008984063,0.00018694557,0.000059982256,0.0000071164136,0.022728115],"genre_scores_gemma":[0.092146,0.86560637,0.0000056280205,0.0068692146,0.00016856242,0.000024316663,0.000014803506,0.000017811795,0.035147317],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989223,0.00008916394,0.00035329568,0.00021612697,0.00015262852,0.00026648835],"domain_scores_gemma":[0.99921095,0.000071672686,0.000103720566,0.00024266753,0.00006677111,0.00030422202],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024485268,0.0001578919,0.00051615207,0.000036911824,0.00024242002,0.000024329402,0.00013774604,0.000036800713,0.006247358],"category_scores_gemma":[0.00011766079,0.00010745507,0.00010731458,0.00006445208,0.000101651116,0.000057995454,0.00001626075,0.00016071743,0.000027123306],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.4435325e-7,0.000013564244,0.00001852085,0.0013328766,0.000031456024,0.0000046794466,0.00022543629,6.3612994e-8,0.0000012938474,0.0026679197,0.9424291,0.053274594],"study_design_scores_gemma":[0.000060867274,0.00003678458,0.000012052965,0.0015668302,0.00028990884,0.000003393098,0.000021269983,0.000028382494,6.346738e-7,0.000024319412,0.9978238,0.0001317864],"about_ca_topic_score_codex":0.058421284,"about_ca_topic_score_gemma":0.092485115,"teacher_disagreement_score":0.096370704,"about_ca_system_score_codex":0.0004340567,"about_ca_system_score_gemma":0.00004851839,"threshold_uncertainty_score":0.9946611},"labels":[],"label_agreement":null},{"id":"W2340474801","doi":"10.1177/0148333115599910","title":"Matthew Arnold, the Oxford Movement, and the “Stanzas from the Grande Chartreuse”","year":2016,"lang":"en","type":"article","venue":"Christianity & Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Saint Mary's University","funders":"","keywords":"Christianity; Enlightenment; Context (archaeology); Poetry; Ambivalence; Movement (music); Philosophy; Literature; Art; Theology; History; Aesthetics; Psychology; Psychoanalysis; Archaeology","score_opus":0.011060571981209162,"score_gpt":0.19553420185158846,"score_spread":0.1844736298703793,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2340474801","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47374576,0.1054472,0.00044400882,0.27291492,0.0024662695,0.0017150372,0.0046508205,0.0003278783,0.13828811],"genre_scores_gemma":[0.97156304,0.0014685051,0.000004144854,0.009940465,0.0016598796,0.000039371796,0.000037271126,0.000019192797,0.015268152],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987213,0.00023305083,0.00025627686,0.00026577004,0.00024247635,0.00028111698],"domain_scores_gemma":[0.9984039,0.0006360195,0.000108342014,0.00068123365,0.000110649846,0.000059839007],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00045000555,0.00023675054,0.00024803064,0.00002218917,0.0013189858,0.001159114,0.00051428657,0.000067217,0.0018024211],"category_scores_gemma":[0.0000973592,0.00007376337,0.00019230442,0.00006831886,0.0009531591,0.00022189571,0.0001187076,0.00033719977,0.00005328081],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001406487,0.00005076928,0.00028584493,0.000017700913,0.000261722,0.000012738409,0.047385294,1.13599484e-7,0.00016919192,0.8594919,0.0886367,0.0035473949],"study_design_scores_gemma":[0.0009698849,0.000018936993,0.0017601416,0.00016497646,0.0001725277,0.0000034068337,0.0026627982,0.0000127905405,0.00006498929,0.07232584,0.92168206,0.00016166104],"about_ca_topic_score_codex":0.00029873833,"about_ca_topic_score_gemma":0.0012244429,"teacher_disagreement_score":0.83304536,"about_ca_system_score_codex":0.000013692216,"about_ca_system_score_gemma":0.000014618848,"threshold_uncertainty_score":0.99998116},"labels":[],"label_agreement":null},{"id":"W2342152337","doi":"10.51644/9780889209107","title":"Canadian Cultural Poesis","year":2006,"lang":"it","type":"book","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Linguistics; Art; Philosophy","score_opus":0.01960098186708272,"score_gpt":0.21727362615066947,"score_spread":0.19767264428358675,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2342152337","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001318748,0.00053180725,0.0000027433593,0.0018434742,0.000693781,0.00015047428,0.00086578756,0.000059024776,0.99572104],"genre_scores_gemma":[0.051879786,0.00008307014,0.000012533055,0.0017968235,0.0036789128,0.000009967321,0.0013440105,0.000053898773,0.941141],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975034,0.000056725166,0.0006296814,0.00054188934,0.0003821435,0.0008861626],"domain_scores_gemma":[0.9985319,0.000049663715,0.0001361244,0.00044651772,0.0003299297,0.0005059156],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013722418,0.0006155051,0.0007496885,0.00040567823,0.0013226159,0.0012694731,0.00043813375,0.00040415293,0.12490681],"category_scores_gemma":[0.000012246766,0.0004912141,0.00072771317,0.00004577471,0.00034023394,0.00026539943,0.000044405668,0.0004820508,0.005830757],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000010021536,0.000016240125,0.000012198932,0.00003140491,0.00015189439,0.000054812368,0.000452519,0.0000014837537,3.776784e-7,0.48950604,0.50953764,0.0002343996],"study_design_scores_gemma":[0.0001250251,0.000037660808,0.000076947224,0.00010761688,0.0006535304,0.0000065352788,0.0014535541,0.00004631079,0.000002626998,0.004453075,0.9922685,0.00076860643],"about_ca_topic_score_codex":0.82924736,"about_ca_topic_score_gemma":0.9301605,"teacher_disagreement_score":0.48505297,"about_ca_system_score_codex":0.00073551014,"about_ca_system_score_gemma":0.00077369047,"threshold_uncertainty_score":0.9999775},"labels":[],"label_agreement":null},{"id":"W2343876394","doi":"10.3138/topia.34.13","title":"What the Poet Does for Us","year":2016,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Witness; Poetry; Citizenship; Politics; Literature; Work (physics); Aesthetics; Sociology; History; Law; Art; Political science","score_opus":0.06342258317492107,"score_gpt":0.28488833609603037,"score_spread":0.22146575292110932,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2343876394","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8214715,0.024038292,0.000011558336,0.14072163,0.007410297,0.00016973594,0.000082770115,0.000009572228,0.0060846503],"genre_scores_gemma":[0.96855605,0.0010040512,0.0000090205285,0.0007842156,0.0016999464,0.000004698938,4.1468854e-7,0.0000044786734,0.027937131],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99936396,0.000027197457,0.00023620302,0.00006154539,0.00009674276,0.0002143292],"domain_scores_gemma":[0.999041,0.00015353656,0.00010999795,0.000070684786,0.0005072776,0.000117475574],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018369601,0.000091564616,0.00020509762,0.000041917894,0.0006403722,0.00029149218,0.00017825938,0.000015267571,0.00053272245],"category_scores_gemma":[0.00017792826,0.000028929464,0.00018410124,0.000017060005,0.00036351167,0.0005742038,0.0000079735255,0.000052412357,0.000009661832],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003158839,0.000013963758,0.0008999332,0.000038124646,0.0014877089,0.000045164925,0.12681377,0.0000027035871,0.000112270805,0.642278,0.202925,0.02535179],"study_design_scores_gemma":[0.00019212479,0.000064934306,0.0003409872,0.0001115059,0.00010385449,0.000011050923,0.070588864,3.3459747e-7,0.0000901909,0.007982159,0.9204331,0.0000809148],"about_ca_topic_score_codex":0.0013265443,"about_ca_topic_score_gemma":0.25098193,"teacher_disagreement_score":0.7175081,"about_ca_system_score_codex":0.000059137263,"about_ca_system_score_gemma":0.00006248278,"threshold_uncertainty_score":0.7626857},"labels":[],"label_agreement":null},{"id":"W2344182281","doi":"10.1177/0033294115626824","title":"An Episodic Plot and an Unhappy Ending","year":2016,"lang":"en","type":"article","venue":"Psychological Reports","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Laurentian University","funders":"","keywords":"Psychology; Plot (graphics); Social psychology; Cognitive psychology; Statistics; Mathematics","score_opus":0.0700063762529963,"score_gpt":0.34987893122041674,"score_spread":0.2798725549674205,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2344182281","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9074928,0.00010765906,0.00023160651,0.00043093084,0.000298811,0.000058094167,0.0000049440237,0.000129154,0.09124597],"genre_scores_gemma":[0.996474,0.000039889866,0.000060412687,0.0005106312,0.00053937413,0.000011996619,0.0000052647733,0.000010551315,0.002347859],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99874526,0.00007190716,0.00031149058,0.00045892954,0.00015968132,0.00025275233],"domain_scores_gemma":[0.99922794,0.000051576208,0.00009662699,0.00037617676,0.00004247046,0.00020519563],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038979016,0.00012814018,0.00019493302,0.000054412743,0.00023773676,0.00014408716,0.000088395034,0.0000602913,0.0049296403],"category_scores_gemma":[0.00007771449,0.00006934893,0.000060091832,0.00002379441,0.00030001168,0.0003420861,0.000019253674,0.00007582592,0.000031496347],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054824868,0.001160691,0.016348796,0.0000111534855,0.000062247294,0.0017711056,0.003338672,4.1344262e-7,0.013047593,0.7930099,0.0026758022,0.16851881],"study_design_scores_gemma":[0.00082254875,0.0024314355,0.08642359,0.00011256301,0.00016688409,0.000964798,0.002368027,0.000035835463,0.00071979786,0.3655789,0.539185,0.0011906249],"about_ca_topic_score_codex":0.000022342307,"about_ca_topic_score_gemma":0.000039550985,"teacher_disagreement_score":0.5365092,"about_ca_system_score_codex":0.000009122935,"about_ca_system_score_gemma":0.0000031010643,"threshold_uncertainty_score":0.99597996},"labels":[],"label_agreement":null},{"id":"W2345543598","doi":"","title":"The Landscapes and Travels in the Poetry of Elizabeth Bishop","year":2015,"lang":"en","type":"article","venue":"여성연구논집","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Nova scotia; Confessional; Style (visual arts); History; Literature; Grandparent; Art; Art history; Philosophy; Archaeology; Law","score_opus":0.04789876961892634,"score_gpt":0.2521529760654125,"score_spread":0.20425420644648615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2345543598","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8950291,0.0030245471,0.0000056883373,0.0027306709,0.000115832656,0.00006658434,0.000013735307,0.0000090506,0.099004775],"genre_scores_gemma":[0.99811345,0.00008563837,0.0000032384528,0.0002577071,0.0001509033,0.0000042541333,0.0000022038103,0.0000036567512,0.0013789271],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948066,0.00006778861,0.0001352091,0.00006899304,0.00013551087,0.000111857225],"domain_scores_gemma":[0.9996398,0.00013164825,0.000031444713,0.00013333774,0.000039718412,0.000024020406],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004980067,0.000055660435,0.000100793644,0.000029232435,0.00012092336,0.00010234648,0.00014264924,0.000017829292,0.000062754356],"category_scores_gemma":[0.000044155942,0.000026215821,0.000032866476,0.00003674283,0.000112713584,0.000061353094,0.00001811335,0.00007369452,0.0000074082436],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002636869,0.000100144665,0.0024353496,0.000021755985,0.000055203407,0.000008346162,0.13211522,0.0000065437357,0.000043421627,0.840346,0.015867515,0.008974176],"study_design_scores_gemma":[0.00048474438,0.00009643112,0.004148171,0.000025528567,0.000055320772,0.000004528415,0.054695696,0.00039601195,0.00010538885,0.026785852,0.91307557,0.00012676066],"about_ca_topic_score_codex":0.00016922434,"about_ca_topic_score_gemma":0.0017810393,"teacher_disagreement_score":0.89720803,"about_ca_system_score_codex":0.0000032143134,"about_ca_system_score_gemma":0.000013623014,"threshold_uncertainty_score":0.10690501},"labels":[],"label_agreement":null},{"id":"W2346102699","doi":"","title":"Cardboard Resistance: Deconstructed Rock and the Politics of Authenticity","year":2003,"lang":"en","type":"article","venue":"Ctheory","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Harmony (color); Dissent; Aesthetics; Politics; Resistance (ecology); Sociology; Hegemony; Social harmony; Social science; Law; Philosophy; Art; Political science; Visual arts","score_opus":0.01070382365782199,"score_gpt":0.20665602919330328,"score_spread":0.1959522055354813,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2346102699","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59299004,0.002636341,0.00016144788,0.00021931685,0.00021610477,0.000089891015,0.000036100504,0.000021630707,0.40362912],"genre_scores_gemma":[0.9796061,0.000026048949,0.000021812804,0.00016029364,0.000070430775,0.0000032676437,0.0000011686386,0.000005840005,0.020105036],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99933565,0.00016430601,0.00018200281,0.0000944529,0.0000905139,0.00013308137],"domain_scores_gemma":[0.99946475,0.00018121104,0.00005682683,0.00018219488,0.00008017631,0.000034816057],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031293687,0.00007331203,0.00018469797,0.00003186822,0.00027659212,0.000045421628,0.0000775655,0.000023046296,0.0009311159],"category_scores_gemma":[0.00014546822,0.00004686298,0.000083056184,0.000022745653,0.00071875646,0.000044866465,0.000013950036,0.0000700491,0.000008109377],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013148312,0.00001140157,0.00006444043,0.000018599969,0.00005175066,7.272008e-7,0.0065483726,4.893803e-7,0.000013802161,0.99273026,0.0004972624,0.000049753267],"study_design_scores_gemma":[0.0008370902,0.000011347092,0.00017735339,0.00003023309,0.0001658477,0.000003399419,0.015424489,0.000039521507,0.0009396332,0.82707125,0.1551676,0.00013227179],"about_ca_topic_score_codex":0.000018945924,"about_ca_topic_score_gemma":0.000093258976,"teacher_disagreement_score":0.38661605,"about_ca_system_score_codex":0.000006731349,"about_ca_system_score_gemma":0.000020680774,"threshold_uncertainty_score":0.9999822},"labels":[],"label_agreement":null},{"id":"W2346264526","doi":"10.14288/1.0167702","title":"Emily Dickinson, material rhetoric, and the ethos of nineteenth-century American women's poetry","year":2015,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Ethos; Rhetoric; Poetry; Literature; Art; American poetry; History; Aesthetics; Philosophy; Linguistics","score_opus":0.009787138826887766,"score_gpt":0.173998730825598,"score_spread":0.16421159199871024,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2346264526","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9924697,0.00031234653,0.000014877769,0.00021309243,0.000283479,0.00010207882,0.0002303589,0.000025059573,0.006348987],"genre_scores_gemma":[0.9981282,0.00030000962,0.000028889264,0.00012260507,0.00013100449,7.242372e-7,0.000014024971,0.00000905774,0.0012655162],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9990535,0.000116429044,0.00015453612,0.00020655486,0.00025666895,0.00021234994],"domain_scores_gemma":[0.99922764,0.000048408747,0.00018672958,0.00020012475,0.00021124996,0.0001258425],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00033281225,0.000049526585,0.0003882549,0.000037974616,0.00023234796,0.00014172465,0.00024822957,0.00003672817,0.00035407636],"category_scores_gemma":[0.000035588208,0.00010935687,0.00010150554,0.00009067719,0.0018498927,0.00020745123,0.00012691402,0.000093980125,0.0000050390126],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010012271,0.0011344345,0.015348443,0.0005142481,0.0012713174,0.00036462603,0.17506567,0.000007590028,0.00027580984,0.006440906,0.10429384,0.6942819],"study_design_scores_gemma":[0.0058406307,0.0005133484,0.52784705,0.00017522914,0.00036100225,0.000046695473,0.3121693,0.00014858058,0.0000022419176,0.0025424222,0.1497957,0.0005578154],"about_ca_topic_score_codex":0.10359303,"about_ca_topic_score_gemma":0.03502807,"teacher_disagreement_score":0.6937241,"about_ca_system_score_codex":0.00004164095,"about_ca_system_score_gemma":0.000030804633,"threshold_uncertainty_score":0.9825801},"labels":[],"label_agreement":null},{"id":"W2362203501","doi":"10.1177/0002764208321840","title":"Always—and Uniquely—Chuck Tilly","year":2008,"lang":"en","type":"article","venue":"American Behavioral Scientist","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Psychology; Sociology; Computer science; Social psychology; Epistemology; Public relations; Political science; Philosophy","score_opus":0.046111510809983464,"score_gpt":0.2763349771918089,"score_spread":0.23022346638182542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2362203501","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96539295,0.000074130396,0.000016130809,0.0003024387,0.00022293109,0.000058199537,0.00003679029,0.00006960324,0.033826813],"genre_scores_gemma":[0.98187965,0.0000314394,0.00012780854,0.00032752796,0.00009938294,0.000008620314,0.0000151335125,0.000011634829,0.017498812],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894845,0.000035423775,0.0001798643,0.00028530817,0.0002517285,0.0002991981],"domain_scores_gemma":[0.9994691,0.000014218248,0.000077633114,0.00020320906,0.00007849628,0.00015732025],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010046163,0.00013048909,0.00021296696,0.00009637663,0.00076881633,0.00016133169,0.00016780442,0.000014515383,0.0016406429],"category_scores_gemma":[0.000005943846,0.00011148406,0.00008357199,0.00013323943,0.0027085047,0.00022276698,0.00006184162,0.000095327196,0.0001360679],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047199115,0.0016307058,0.12521376,0.000023000155,0.00009160984,0.0008405216,0.04613959,0.0000031257666,0.0030103505,0.60512316,0.0979809,0.11989607],"study_design_scores_gemma":[0.00037898877,0.0005070973,0.069228955,0.000020274932,0.00017669903,0.00011748449,0.0064583523,0.00006757103,0.00029246692,0.0007073909,0.9213316,0.0007131155],"about_ca_topic_score_codex":0.004415754,"about_ca_topic_score_gemma":0.0018694467,"teacher_disagreement_score":0.8233507,"about_ca_system_score_codex":0.000022921395,"about_ca_system_score_gemma":0.000028479437,"threshold_uncertainty_score":0.999272},"labels":[],"label_agreement":null},{"id":"W237082531","doi":"","title":"Postliterary America: From Bagel Shop Jazz to Micropoetries","year":2013,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Jazz; Poetry; American poetry; Art history; Art; History; Literature; Media studies; Sociology","score_opus":0.013612992460764028,"score_gpt":0.19987597867303372,"score_spread":0.1862629862122697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W237082531","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.54016465,0.0005098721,0.00042901645,0.007055679,0.00034772453,0.00017297985,0.00012259712,0.00015605515,0.45104143],"genre_scores_gemma":[0.90642095,0.0000097994225,0.00072907185,0.009014947,0.00053275883,0.000022514558,0.00005490413,0.000015116533,0.08319994],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991292,0.000028072001,0.00022417429,0.00023294952,0.00013832623,0.00024728282],"domain_scores_gemma":[0.9993856,0.000076281765,0.000027544575,0.0002625852,0.00011350123,0.00013451786],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000030324876,0.0001441527,0.00021249698,0.00009648116,0.00022096149,0.00059200736,0.00019484373,0.000025944139,0.09967916],"category_scores_gemma":[0.000021928585,0.00010798441,0.00011003921,0.000058134712,0.00013189831,0.00038244165,0.00007341532,0.00008055564,0.008146896],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020920295,0.0002591377,0.00084870297,0.000014273128,0.00032165562,0.000019596731,0.045073498,0.0000023743637,0.008274972,0.22043411,0.6958292,0.02890156],"study_design_scores_gemma":[0.000118536416,0.00006829368,0.0012770025,0.000014849127,0.00004867867,6.0284583e-7,0.012190657,0.00008740595,0.0011844093,0.0051101195,0.97960997,0.0002894824],"about_ca_topic_score_codex":0.005897148,"about_ca_topic_score_gemma":0.0002834801,"teacher_disagreement_score":0.3678415,"about_ca_system_score_codex":0.000012619219,"about_ca_system_score_gemma":0.000009845197,"threshold_uncertainty_score":0.99262536},"labels":[],"label_agreement":null},{"id":"W2382420560","doi":"","title":"On the Emergence of Modernism in American Literature","year":2000,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernism (music); Relation (database); Criticism; Politics; American literature; Quarter (Canadian coin); Social criticism; Sociology; Literary criticism; History; Aesthetics; Art history; Literature; Art; Political science; Law","score_opus":0.017679224372079916,"score_gpt":0.22610033466498455,"score_spread":0.20842111029290464,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2382420560","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4528449,0.00007134401,0.0000054860675,0.0011282739,0.000017842109,0.000023611932,0.0000070044603,0.0000067368765,0.5458948],"genre_scores_gemma":[0.9675087,0.00005691203,0.0000059540594,0.0008626794,0.000042553063,0.000003353987,0.0000017159144,0.0000026520354,0.03151552],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99962693,0.000027010155,0.00010888832,0.000072692084,0.00008293861,0.00008155811],"domain_scores_gemma":[0.99978966,0.00003631041,0.000016702836,0.00012686897,0.000018294493,0.000012181711],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00005946483,0.00004902906,0.0000876648,0.000029842926,0.000054577602,0.000031219475,0.00009572861,0.0000076058495,0.040031597],"category_scores_gemma":[0.000005624234,0.000026170144,0.00004856476,0.000048595237,0.00012315594,0.00004577977,0.0000043144364,0.0000699971,0.0000621595],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005926593,0.00005190159,0.00002132026,0.0000022856684,0.000007890332,0.0000014721554,0.011847617,0.00004763101,0.00002509002,0.9791187,0.0033308615,0.005539308],"study_design_scores_gemma":[0.0006690898,0.0007641085,0.0050071296,0.00037892567,0.000094792194,0.0000031318798,0.049056903,0.021523416,0.0020213032,0.34870535,0.57087344,0.0009024228],"about_ca_topic_score_codex":0.00029770748,"about_ca_topic_score_gemma":0.00067492103,"teacher_disagreement_score":0.63041335,"about_ca_system_score_codex":0.0000016507078,"about_ca_system_score_gemma":0.0000029676726,"threshold_uncertainty_score":0.96084595},"labels":[],"label_agreement":null},{"id":"W2395162189","doi":"","title":"Maybe poets are dying | How did birds","year":2016,"lang":"en","type":"article","venue":"Scholars Commons (Wilfrid Laurier University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Aesthetics; Art","score_opus":0.02662231707482112,"score_gpt":0.20338785650138275,"score_spread":0.17676553942656162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2395162189","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67115164,0.00038831995,0.00053861656,0.019727571,0.0008917283,0.00023081043,0.00041011145,0.00049538136,0.30616578],"genre_scores_gemma":[0.8921244,0.00005219137,0.00004222437,0.00026921113,0.00022280477,9.825192e-7,0.000010181446,0.000029267814,0.107248716],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983908,0.00020047677,0.00016540737,0.00042083705,0.00031871756,0.0005037724],"domain_scores_gemma":[0.9986784,0.00012443708,0.0001408217,0.0006001197,0.00021573383,0.00024052478],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023562078,0.00026939824,0.00034436834,0.00052979245,0.001233474,0.0004242599,0.00064981694,0.000098452845,0.002304536],"category_scores_gemma":[0.00006927738,0.00021618686,0.00026068455,0.00024077701,0.0004377121,0.0016281445,0.00024284738,0.00032250772,0.00028282177],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010471513,0.00030666674,0.011289795,0.00003968375,0.0005004105,0.00073164713,0.005357302,0.0000023091688,0.0020146756,0.94195324,0.03063239,0.0070671933],"study_design_scores_gemma":[0.000754995,0.000047483267,0.0011237174,0.00012887141,0.00016740419,0.0000052390783,0.007902018,0.000007119957,0.00053989526,0.0012779488,0.9876256,0.00041971414],"about_ca_topic_score_codex":0.0000733644,"about_ca_topic_score_gemma":0.0008640968,"teacher_disagreement_score":0.9569932,"about_ca_system_score_codex":0.00013306216,"about_ca_system_score_gemma":0.000052468255,"threshold_uncertainty_score":0.9986075},"labels":[],"label_agreement":null},{"id":"W24066121","doi":"","title":"Tim Whiten : Up, Down, In-Between","year":2008,"lang":"en","type":"article","venue":"Espace Sculpture","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.032789859219878245,"score_gpt":0.23063269744152542,"score_spread":0.19784283822164717,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W24066121","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5373156,0.0010876853,0.000050469014,0.011977789,0.0006719351,0.00019862039,0.000059762333,0.00017900803,0.4484591],"genre_scores_gemma":[0.87803876,0.000027122134,0.00002055927,0.00052092545,0.00084915006,0.0000069130533,0.000023187698,0.00001426894,0.12049912],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999017,0.000052121053,0.00018276121,0.0002307561,0.00021966215,0.00029769077],"domain_scores_gemma":[0.9995237,0.00002929498,0.000043199725,0.0002553827,0.00006354325,0.00008490352],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012360958,0.0001583556,0.00026910845,0.00012890513,0.00028057778,0.00007433956,0.0001848807,0.00007932993,0.0032388503],"category_scores_gemma":[0.00002655039,0.00012494605,0.00014349884,0.000098968216,0.00015774956,0.00019946836,0.000037620808,0.00027116743,0.0004760765],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050054397,0.00022557935,0.056957755,0.000077952966,0.00029814802,0.00028142874,0.2829153,0.00009382556,0.0001229791,0.43983936,0.21621744,0.0029201861],"study_design_scores_gemma":[0.00037239987,0.00003273149,0.0218778,0.000031085456,0.00004569845,0.000006015507,0.0050064563,0.000028446106,0.000058135935,0.00087728933,0.9713896,0.00027433477],"about_ca_topic_score_codex":0.00014204391,"about_ca_topic_score_gemma":0.0011671649,"teacher_disagreement_score":0.7551722,"about_ca_system_score_codex":0.0000249755,"about_ca_system_score_gemma":0.000026171565,"threshold_uncertainty_score":0.9976723},"labels":[],"label_agreement":null},{"id":"W2408666171","doi":"","title":"“Do You Really Want to Hear This?” : Douglas Coupland and “Canadian” Writing","year":2004,"lang":"en","type":"article","venue":"Malmö University Publications (Malmö University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Media studies; History; Sociology","score_opus":0.019070676360434358,"score_gpt":0.1859365239500905,"score_spread":0.16686584758965614,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2408666171","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27190536,0.000043718122,0.00048995914,0.02354934,0.00015880274,0.000318527,0.00062153547,0.00022027444,0.70269245],"genre_scores_gemma":[0.8757103,0.00007780648,0.00031349313,0.0004201874,0.00015447279,3.6742912e-7,0.00011687661,0.000016347549,0.12319016],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985765,0.000059545866,0.00014582883,0.0005007631,0.00021415277,0.00050318736],"domain_scores_gemma":[0.9983748,0.000053355205,0.00007701297,0.00043863713,0.00042420154,0.00063195446],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020459207,0.00021185949,0.00024425137,0.0015010904,0.00195117,0.00037561188,0.000540582,0.00010571255,0.0017983898],"category_scores_gemma":[0.00003933224,0.00026190936,0.00011783178,0.00068854674,0.0003153651,0.0009953867,0.00019757693,0.00023898805,0.00019531889],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020914016,0.00007611378,0.0012890281,0.000011971898,0.00008249286,0.00007234606,0.0040377444,0.00007322803,0.000020999805,0.98880076,0.005231723,0.00028264913],"study_design_scores_gemma":[0.0006475492,0.000073477044,0.0021619597,0.00003394277,0.00013809418,0.0000125527185,0.017133541,0.00004666117,0.000007703014,0.00040573577,0.97900575,0.00033304287],"about_ca_topic_score_codex":0.022278292,"about_ca_topic_score_gemma":0.063445024,"teacher_disagreement_score":0.98839504,"about_ca_system_score_codex":0.0005225387,"about_ca_system_score_gemma":0.00035843658,"threshold_uncertainty_score":0.9999833},"labels":[],"label_agreement":null},{"id":"W2411087293","doi":"","title":"High Strung: Emily Hermant's Hesitations. Emily Hermant, Hésitations, Articule, Montreal, September 17 —October 17, 2010","year":2011,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Sociology; History; Mathematics","score_opus":0.01390695913628499,"score_gpt":0.17224357736012916,"score_spread":0.15833661822384418,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2411087293","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.743875,0.006174204,0.00015882912,0.004222066,0.00054465013,0.00035925122,0.00029369153,0.0003363331,0.24403593],"genre_scores_gemma":[0.6781959,0.0003558416,0.00040121836,0.00073293276,0.00025942124,0.000017087628,0.00016014013,0.000044620774,0.31983286],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99812293,0.00011040767,0.00037876127,0.00045941427,0.00035035596,0.0005781225],"domain_scores_gemma":[0.99860746,0.00010053351,0.00021350468,0.0005258843,0.00027177797,0.00028082522],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016768846,0.00035676878,0.00042258154,0.0002606057,0.0013149764,0.00010373063,0.00035923894,0.00014502901,0.009483641],"category_scores_gemma":[0.00001665507,0.0003595651,0.00031812204,0.00016139925,0.00022968724,0.00071000675,0.00012919928,0.00026439872,0.0010455985],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001015364,0.0003198881,0.0006553121,0.000030050856,0.0004997855,0.00089234964,0.012961698,0.000108488945,0.0002591841,0.12691575,0.8551374,0.0021185488],"study_design_scores_gemma":[0.0015382185,0.00016442165,0.027962828,0.00007282876,0.0011354631,0.00009770273,0.014930386,0.0007408337,0.00029668555,0.007982312,0.9441332,0.00094508694],"about_ca_topic_score_codex":0.017017968,"about_ca_topic_score_gemma":0.17560256,"teacher_disagreement_score":0.1585846,"about_ca_system_score_codex":0.0007317479,"about_ca_system_score_gemma":0.000039748098,"threshold_uncertainty_score":0.99998516},"labels":[],"label_agreement":null},{"id":"W2411444998","doi":"10.82308/36013","title":"The art of the threshold: a poetics of liminality in Emerson, Thoreau, and Whitman","year":2011,"lang":"en","type":"article","venue":"eScholarship@McGill (McGill)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"McGill University","keywords":"Poetics; Liminality; Art; Philosophy; Aesthetics; Literature; Poetry","score_opus":0.045070070830054106,"score_gpt":0.22529779541552558,"score_spread":0.18022772458547148,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2411444998","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7520903,0.00023019688,5.439078e-8,0.0000965934,0.0001566588,0.00015433323,0.00013814082,0.000013025439,0.24712071],"genre_scores_gemma":[0.99716896,0.00014489492,0.000029630784,0.00016432123,0.00002186097,0.00001453287,0.0000029834773,0.000021952816,0.0024308744],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99811625,0.00024475364,0.0006441903,0.0002860782,0.00037009528,0.00033862022],"domain_scores_gemma":[0.998666,0.00015850969,0.00027706212,0.00061069074,0.00020622597,0.00008151948],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011783696,0.00021988197,0.0003639447,0.000089577516,0.0007699287,0.00004277648,0.0005101951,0.00008893933,0.00034839968],"category_scores_gemma":[0.00021295769,0.00013487865,0.0002135935,0.00015627661,0.0007473001,0.00026930793,0.00021784753,0.00040593772,0.000012887071],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054922613,0.00018764795,0.0011956714,0.00005857921,0.000082525316,0.0000041918847,0.0004999047,8.9979204e-7,0.0010046196,0.9909506,0.000015767817,0.0059446613],"study_design_scores_gemma":[0.0016754153,0.00063358777,0.059133153,0.0005832504,0.0008276439,0.000026506026,0.017266303,0.00013035035,0.07331681,0.5578496,0.28742993,0.0011274961],"about_ca_topic_score_codex":0.00051663374,"about_ca_topic_score_gemma":0.008145136,"teacher_disagreement_score":0.43310106,"about_ca_system_score_codex":0.00003621082,"about_ca_system_score_gemma":0.000012602789,"threshold_uncertainty_score":0.5921747},"labels":[],"label_agreement":null},{"id":"W2418452298","doi":"10.1353/pmc.2000.a603723","title":"Reconstructing Southern Literature","year":2000,"lang":"en","type":"article","venue":"Postmodern Culture","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Historicism; New Historicism; Ethos; Nothing; Modernism (music); History; Seriousness; Art history; Literature; Politics; Reading (process); Skepticism; Aesthetics; Art; Philosophy; Law; Theology; Political science","score_opus":0.014481840570652455,"score_gpt":0.2115387162471348,"score_spread":0.19705687567648233,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2418452298","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3233602,0.002825273,0.000013395097,0.0011125486,0.0002571214,0.00009579233,0.00025792595,0.00020306569,0.6718747],"genre_scores_gemma":[0.8160394,0.000056446926,0.00012205358,0.00095300033,0.0013446087,0.00000537375,0.00007593792,0.000018498104,0.18138468],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991962,0.000033176213,0.00017229652,0.000224146,0.0001401518,0.00023406894],"domain_scores_gemma":[0.99961305,0.000009782594,0.000034691624,0.00018447432,0.00009011646,0.000067911446],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006360231,0.00015688543,0.00016409982,0.000027092075,0.0004034515,0.00042356396,0.00014856622,0.00007788458,0.023385834],"category_scores_gemma":[0.0000093710905,0.000112204565,0.00014930393,0.000042876938,0.00009304565,0.00023398252,0.000010979159,0.00024464526,0.0010639911],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000055292305,0.00013742648,0.00029813283,0.00006722692,0.00021953983,0.00006389476,0.76780933,0.00004408814,0.00046868573,0.11190435,0.014807451,0.1041246],"study_design_scores_gemma":[0.00023225072,0.000033176137,0.000008844956,0.00009870698,0.00007112843,0.00005181627,0.011168587,0.0005094989,0.00005036172,0.020470679,0.9669783,0.00032660953],"about_ca_topic_score_codex":0.000044213906,"about_ca_topic_score_gemma":0.00011208284,"teacher_disagreement_score":0.9521709,"about_ca_system_score_codex":0.00000961018,"about_ca_system_score_gemma":0.00000756478,"threshold_uncertainty_score":0.9997138},"labels":[],"label_agreement":null},{"id":"W24363761","doi":"10.1155/2013/548085","title":"Three poems: 'Canada, Late September' 'That Old Light on the Hill' and 'Why be a Delegate'","year":2007,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"National Natural Science Foundation of China","keywords":"Delegate; Poetry; History; Political science; Economic history; Art; Computer science; Literature","score_opus":0.03611234030902438,"score_gpt":0.21814710868023332,"score_spread":0.18203476837120894,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W24363761","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3568323,0.00025971577,0.00006212349,0.01612329,0.0002015029,0.00010894628,0.000020803665,0.000044322158,0.626347],"genre_scores_gemma":[0.93029726,0.00001203249,0.0000056389076,0.019038487,0.00026185912,0.000004171762,0.000004855001,0.000013462534,0.050362248],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989586,0.000025914862,0.000208033,0.00020860913,0.00027917922,0.00031966303],"domain_scores_gemma":[0.99933267,0.00020525382,0.00004988959,0.0002538476,0.000052959113,0.00010538247],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00044620014,0.0001643958,0.00017940416,0.00005090933,0.0004942531,0.00022429587,0.0001499409,0.00003852001,0.005689536],"category_scores_gemma":[0.000015903386,0.00009279799,0.00007799792,0.000037153044,0.00011940367,0.000120711935,0.00003858944,0.00015791286,0.000041324998],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012843826,0.00003566282,0.00051214924,0.000008298449,0.00009946138,0.000033301407,0.0016882136,0.0000011471806,0.000031043954,0.797377,0.19935107,0.0008497864],"study_design_scores_gemma":[0.00015121265,0.000043679116,0.00094306644,0.000021064569,0.000060749593,0.000003303126,0.0034739368,0.00022157838,0.00059532706,0.0040094187,0.9902713,0.0002054184],"about_ca_topic_score_codex":0.13889003,"about_ca_topic_score_gemma":0.93647563,"teacher_disagreement_score":0.7975856,"about_ca_system_score_codex":0.000028928065,"about_ca_system_score_gemma":0.000025139674,"threshold_uncertainty_score":0.9952194},"labels":[],"label_agreement":null},{"id":"W2443492037","doi":"10.1353/mos.2016.a621125","title":"Idea Eater: The Conceptual Lyric as an Emergent Literary Form","year":2016,"lang":"en","type":"article","venue":"Mosaic","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Romance; Literature; Art; Aesthetics","score_opus":0.029321261987285022,"score_gpt":0.2454125769598203,"score_spread":0.21609131497253528,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2443492037","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9321666,0.00097646995,0.000041853342,0.0045015235,0.00053650717,0.000114097325,0.00011865247,0.000090180525,0.06145417],"genre_scores_gemma":[0.95867413,0.000044762106,0.0000032328126,0.001992529,0.00075625407,0.000018013574,0.000025977517,0.000012021039,0.03847306],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991844,0.00005556958,0.00019136106,0.00017366462,0.00016181044,0.00023315837],"domain_scores_gemma":[0.9994943,0.000052811356,0.000038725164,0.0002926077,0.00004900608,0.00007253931],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013216751,0.00011613716,0.00012540848,0.000026166292,0.00034409628,0.00012703332,0.00022892648,0.000025847585,0.016465819],"category_scores_gemma":[0.000015631045,0.000053860294,0.00010887808,0.000027496402,0.00024363106,0.00033614127,0.000040764196,0.000055657223,0.00082049036],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016468926,0.000087979635,0.0006156143,0.000004957909,0.000077000375,0.000013699974,0.037415076,2.0327361e-7,0.00031855772,0.8856776,0.048910264,0.026862595],"study_design_scores_gemma":[0.00022385381,0.00012293062,0.00048116915,0.00002234285,0.000045391,0.0000030084852,0.0028279494,0.000022341605,0.00026720547,0.032112967,0.9637202,0.00015063013],"about_ca_topic_score_codex":0.00015623783,"about_ca_topic_score_gemma":0.00028581527,"teacher_disagreement_score":0.91480994,"about_ca_system_score_codex":0.00001650856,"about_ca_system_score_gemma":0.0000150396145,"threshold_uncertainty_score":0.9999575},"labels":[],"label_agreement":null},{"id":"W2464814430","doi":"10.3138/topia.35.227","title":"Canadian Poetry and its Publics","year":2016,"lang":"en","type":"article","venue":"TOPIA Canadian Journal of Cultural Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Publics; Art; Political science; Sociology; Literature; Law; Politics","score_opus":0.05987179828107523,"score_gpt":0.2617006669318637,"score_spread":0.2018288686507885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2464814430","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89267296,0.022216935,4.9844886e-7,0.045146838,0.0010016868,0.000055135097,0.00008422636,0.000007100428,0.038814634],"genre_scores_gemma":[0.97483605,0.00056097854,0.0000057235475,0.0006849323,0.00072359794,9.68645e-7,6.189283e-7,0.0000056835615,0.023181472],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917233,0.000028746976,0.00026215034,0.0000870728,0.00011400162,0.00033569167],"domain_scores_gemma":[0.99854374,0.000038459373,0.000090139445,0.000057314584,0.0006175874,0.00065275055],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015923596,0.00011909554,0.00025279837,0.00019305857,0.000563539,0.00018709952,0.00014071162,0.000031374268,0.0011449778],"category_scores_gemma":[0.00021521693,0.000063003354,0.00008710176,0.000039867486,0.00019835134,0.00049775076,0.000009937579,0.000094402254,0.000027175449],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000056063627,0.00000630743,0.0033736005,0.000029416726,0.00069515285,0.00024491968,0.036051914,5.4105715e-7,0.000050139995,0.8567287,0.09220024,0.010613458],"study_design_scores_gemma":[0.00022854995,0.00006893559,0.0019610915,0.00010303514,0.000084253734,0.00007096584,0.016817627,8.213504e-7,0.000039767663,0.0026628457,0.97778904,0.00017303343],"about_ca_topic_score_codex":0.14139304,"about_ca_topic_score_gemma":0.9725183,"teacher_disagreement_score":0.8855888,"about_ca_system_score_codex":0.00021530993,"about_ca_system_score_gemma":0.00034165228,"threshold_uncertainty_score":0.99976814},"labels":[],"label_agreement":null},{"id":"W2465611400","doi":"","title":"Seneca’s Oedipus: By Hook or By Crook","year":2013,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hook; Literature; Poetry; Art; Philosophy; Medicine","score_opus":0.02159860446944278,"score_gpt":0.261035758082809,"score_spread":0.2394371536133662,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2465611400","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.004208216,0.7324902,0.000008835044,0.007375284,0.0003020203,0.00081769464,0.002340463,0.000029958977,0.25242734],"genre_scores_gemma":[0.6728414,0.019141084,0.000055742014,0.036041144,0.00060351274,0.00019110454,0.0016816879,0.000037284608,0.269407],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99867606,0.0001327467,0.0004368007,0.0002442732,0.0001759224,0.0003341978],"domain_scores_gemma":[0.9987485,0.00005696146,0.00013728098,0.0003032222,0.0003671124,0.00038696552],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000115912444,0.0002484624,0.00066809094,0.00009210372,0.0001962358,0.00030168792,0.00027973944,0.00006383826,0.019454142],"category_scores_gemma":[0.000024665187,0.00016907332,0.00017741568,0.0001359067,0.00020647397,0.00039847053,0.000012708117,0.00023795317,0.00032064575],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000017849169,0.000020381,0.000007860734,0.00079044275,0.00006788895,0.000004812461,0.0037616792,6.1390075e-8,0.000055473578,0.020486785,0.97428757,0.0005152481],"study_design_scores_gemma":[0.00010038457,0.000054420332,0.000013095881,0.0036323424,0.000060959363,0.0000036831552,0.0005505554,0.000012705146,0.00011944894,0.0004295609,0.99479884,0.00022401179],"about_ca_topic_score_codex":0.004926374,"about_ca_topic_score_gemma":0.019168442,"teacher_disagreement_score":0.7133491,"about_ca_system_score_codex":0.00005519677,"about_ca_system_score_gemma":0.00016000739,"threshold_uncertainty_score":0.99872917},"labels":[],"label_agreement":null},{"id":"W2465665599","doi":"10.3138/uram.28.1.4","title":"Elizabeth Barrett Browning: A Poet's Quest for Ultimate Reality","year":2005,"lang":"en","type":"article","venue":"Ultimate Reality and Meaning","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Browning; Art; Philosophy; Literature; Chemistry; Food science","score_opus":0.06702575108407909,"score_gpt":0.30395585256232965,"score_spread":0.23693010147825055,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2465665599","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12687625,0.0040589315,0.014646514,0.022674419,0.0016007267,0.0019416794,0.0023506226,0.0017712539,0.82407963],"genre_scores_gemma":[0.9944107,0.00022576515,0.0014690235,0.0007147586,0.0010818122,0.00004527306,0.00020504446,0.000037664744,0.0018099936],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979595,0.00010971304,0.00057324016,0.0005109383,0.00024411762,0.00060249347],"domain_scores_gemma":[0.9988079,0.00025338033,0.00018035439,0.0003382919,0.00020390516,0.00021615475],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0011279482,0.00030463855,0.0005084607,0.0000961324,0.0009943119,0.0004273303,0.00018324655,0.00010465651,0.0004323054],"category_scores_gemma":[0.00021145512,0.00026840807,0.00020254502,0.000052255178,0.0002695672,0.00053536036,0.00006667473,0.0002020015,0.000029681174],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000103865474,0.00016930742,0.00016873269,0.00037438856,0.00017316463,0.0000069104035,0.026713356,0.00014842369,0.00052826013,0.9442803,0.0077925213,0.019540748],"study_design_scores_gemma":[0.0018059575,0.00017013648,0.0005639015,0.00034568677,0.00051622925,0.000025739379,0.0069293706,0.046635874,0.0017716791,0.021671169,0.91851336,0.0010509029],"about_ca_topic_score_codex":0.0013408898,"about_ca_topic_score_gemma":0.002404393,"teacher_disagreement_score":0.92260915,"about_ca_system_score_codex":0.00006135201,"about_ca_system_score_gemma":0.00003411155,"threshold_uncertainty_score":0.9999768},"labels":[],"label_agreement":null},{"id":"W2470090073","doi":"10.1353/esc.2015.0085","title":"Personal Modernisms: Anarchist Networks and the Later Avant-Gardes by James Gifford","year":2015,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernism (music); Criticism; Miller; Art history; Politics; Subject (documents); Literature; Art; History; Philosophy; Law","score_opus":0.03917793727145946,"score_gpt":0.23557306481423396,"score_spread":0.1963951275427745,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2470090073","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6660007,0.113385506,0.000031045663,0.007875516,0.006065879,0.00045642615,0.0002814742,0.0000767596,0.20582666],"genre_scores_gemma":[0.9923865,0.0007716288,0.0000040523146,0.0013192287,0.0005639893,0.000023649149,0.000008380435,0.000009827346,0.004912715],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99901134,0.0000895284,0.0002043429,0.0001816666,0.00023571432,0.00027743282],"domain_scores_gemma":[0.9994034,0.00023163132,0.000041673415,0.00011185528,0.00013962455,0.000071776616],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003077626,0.00014758564,0.00030649028,0.000024349549,0.0003311811,0.00008896884,0.00012994128,0.00001740609,0.00011358347],"category_scores_gemma":[0.00014160601,0.0000924272,0.00003994161,0.000016995864,0.00078057934,0.00009219231,0.00009177825,0.0001848458,7.1755267e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005518976,0.000015574382,0.0017045749,0.000019941268,0.00027135914,0.00002795251,0.1616366,0.00032047127,5.347388e-8,0.008235125,0.82666403,0.0010491083],"study_design_scores_gemma":[0.0009741343,0.000022503164,0.000072674615,0.000031896794,0.000061236446,0.0000014695261,0.2799544,0.0056907716,0.0000012453863,0.001221721,0.71175957,0.00020834933],"about_ca_topic_score_codex":0.53772116,"about_ca_topic_score_gemma":0.96850526,"teacher_disagreement_score":0.4307841,"about_ca_system_score_codex":0.00016848547,"about_ca_system_score_gemma":0.00012349039,"threshold_uncertainty_score":0.46535718},"labels":[],"label_agreement":null},{"id":"W2474536359","doi":"","title":"Stage Talk and the Localization of Bluegrass in Toronto","year":2011,"lang":"en","type":"article","venue":"Canadian Folk Music / Musique folklorique canadienne","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Stage (stratigraphy); Geology","score_opus":0.024761369963972314,"score_gpt":0.19410248056531973,"score_spread":0.1693411106013474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2474536359","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.707164,0.0016376671,0.00016192383,0.0007441666,0.0008332394,0.0006781281,0.00029175854,0.000034411947,0.28845468],"genre_scores_gemma":[0.99599034,0.00007489244,0.000014624623,0.0013691742,0.00018845196,0.0000600909,0.000029878453,0.000029055587,0.0022435046],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99838525,0.00014473339,0.00044989234,0.0003097033,0.000101206184,0.00060922897],"domain_scores_gemma":[0.998747,0.00006774964,0.00012739137,0.0003943831,0.00017731651,0.000486142],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005923048,0.00022576412,0.000395629,0.000175683,0.00025614406,0.00005967822,0.0002841023,0.000103902035,0.006154644],"category_scores_gemma":[0.00010620205,0.00018361871,0.00010534152,0.00012601315,0.0006615401,0.0003085253,0.000030072853,0.00016425156,0.000004129439],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031136755,0.000019581561,0.00022259804,0.000048091097,0.00005728131,0.0000958366,0.07511189,0.000006318514,0.000008430762,0.9221298,0.00088975363,0.0013792999],"study_design_scores_gemma":[0.0030487499,0.00021157687,0.0027448619,0.00025727012,0.00024376521,0.000031090665,0.11817521,0.0025223594,0.00030578914,0.031725697,0.83961296,0.0011206537],"about_ca_topic_score_codex":0.97595906,"about_ca_topic_score_gemma":0.999814,"teacher_disagreement_score":0.8904041,"about_ca_system_score_codex":0.0006559437,"about_ca_system_score_gemma":0.0003434557,"threshold_uncertainty_score":0.99475384},"labels":[],"label_agreement":null},{"id":"W2474935923","doi":"10.1057/pmed.2015.12","title":"The task of the dystranslator: an introduction to a dystranslation of the works of the ‘Pearl’ poet","year":2015,"lang":"en","type":"article","venue":"postmedieval a journal of medieval cultural studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Poetry; Queer; Pearl; Eroticism; Literature; Fidelity; Task (project management); Art; Human sexuality; Psychology; Aesthetics; Psychoanalysis; History; Sociology; Gender studies; Computer science; Archaeology; Engineering","score_opus":0.0624980703133377,"score_gpt":0.3023891886714107,"score_spread":0.23989111835807297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2474935923","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9414288,0.010923449,0.0000063358307,0.042473778,0.0042837607,0.00032019714,0.000041932628,0.000005584385,0.00051620696],"genre_scores_gemma":[0.9972702,0.00028566597,0.000014120352,0.00011296041,0.0019537536,0.0000034436998,9.3344835e-7,0.000009651164,0.00034922632],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9968403,0.00048559156,0.0010003328,0.0001427994,0.0012910739,0.00023987555],"domain_scores_gemma":[0.9964959,0.00021724614,0.00088081043,0.0003547901,0.0019584736,0.00009276389],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016142539,0.0002076807,0.0005112941,0.00004294014,0.00058287807,0.00005588305,0.000810549,0.00005487161,0.000026478165],"category_scores_gemma":[0.0009953753,0.00006968151,0.0005061483,0.0002245654,0.0009863778,0.00033062563,0.00011826332,0.00040947678,0.000001139366],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.002615314,0.00072810403,0.0028349017,0.000392538,0.0048563806,0.0000044174735,0.8714818,0.0020842883,0.025182663,0.044861242,0.03238107,0.012577307],"study_design_scores_gemma":[0.0045333724,0.0034837879,0.030000564,0.0024542417,0.0056958157,0.00023255758,0.76521796,0.00039110042,0.02674739,0.01603857,0.14434925,0.0008553826],"about_ca_topic_score_codex":0.00009813482,"about_ca_topic_score_gemma":0.0013577843,"teacher_disagreement_score":0.111968175,"about_ca_system_score_codex":0.00005731929,"about_ca_system_score_gemma":0.00009112725,"threshold_uncertainty_score":0.44830856},"labels":[],"label_agreement":null},{"id":"W2476766969","doi":"10.1017/s0307472200011445","title":"<i>A Poesy</i>: a postscript","year":2000,"lang":"en","type":"article","venue":"Art Libraries Journal","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Exhibition; SWORD; Indulgence; Art; Art history; Expression (computer science); Visual arts; Political science; Law; World Wide Web; Computer science","score_opus":0.015641668017606105,"score_gpt":0.19086542410043805,"score_spread":0.17522375608283194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2476766969","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06510224,0.0009617634,0.00002541854,0.006277386,0.000531253,0.00003458425,0.000015765921,0.000079949044,0.9269716],"genre_scores_gemma":[0.7510661,0.0001645758,0.00011850112,0.005238554,0.0021187717,0.0000021600288,0.0000113467,0.00002010579,0.24125989],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990037,0.00005504997,0.0002941166,0.00012115558,0.00021802612,0.00030792493],"domain_scores_gemma":[0.99955446,0.000031863266,0.00005183647,0.00015205544,0.000049949325,0.0001598299],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012947262,0.0001295452,0.00018082047,0.000078153746,0.0008417866,0.0014145288,0.00023169255,0.000029641114,0.16192739],"category_scores_gemma":[0.000014124889,0.00010012937,0.00017808776,0.000044094893,0.00024515923,0.0016160721,0.000020752883,0.00026569673,0.0025102892],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040967905,0.00008513381,0.00018147514,0.000004194556,0.00009785679,0.00009585982,0.008993043,0.000004830639,0.000035061923,0.49945602,0.47940227,0.011603294],"study_design_scores_gemma":[0.00020530797,0.000067833535,0.00016851586,0.000016424423,0.000038299382,0.00014304233,0.0011507194,0.00002658296,0.000058014433,0.026675032,0.9713079,0.00014234496],"about_ca_topic_score_codex":0.0000058402366,"about_ca_topic_score_gemma":0.000020358704,"teacher_disagreement_score":0.68596387,"about_ca_system_score_codex":0.000007483205,"about_ca_system_score_gemma":0.00004217011,"threshold_uncertainty_score":0.9996221},"labels":[],"label_agreement":null},{"id":"W2479544224","doi":"10.5840/cpsem200336","title":"Jacques Maritain's Reflections on \"America\"","year":2003,"lang":"en","type":"book-chapter","venue":"Semiotics","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; History","score_opus":0.06125111281920862,"score_gpt":0.2803126726972711,"score_spread":0.2190615598780625,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2479544224","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000034059062,0.00042941343,0.000041999556,0.0010246148,0.0007365895,0.00008244867,0.0001278584,0.00009094255,0.99746275],"genre_scores_gemma":[0.0028011603,0.00060754485,0.000110357054,0.0053933477,0.0012413353,0.0000028845548,0.000103433755,0.00007053435,0.9896694],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99883664,0.000025456955,0.00031651888,0.00031211326,0.00025852953,0.00025076504],"domain_scores_gemma":[0.99910605,0.0000925766,0.0001360371,0.00042832748,0.00014699117,0.00008998893],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000084799525,0.00032152788,0.00041398223,0.00017709087,0.00039611894,0.00017127155,0.00015939065,0.00018178188,0.013574042],"category_scores_gemma":[0.000033297456,0.000293371,0.00030335833,0.000013102438,0.00029592586,0.00005369795,0.000030234138,0.0004892092,0.0009904273],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000029655678,0.000028451794,2.9514604e-7,0.000018619927,0.00012802024,0.000016343687,0.0006005087,0.0000064558794,9.805306e-7,0.8627998,0.1354939,0.0009036422],"study_design_scores_gemma":[0.00004813348,0.00010788426,3.8535086e-7,0.00009465018,0.00022415098,0.0000026769987,0.00029326987,0.000008932916,0.0000060816174,0.1072672,0.89163953,0.00030708167],"about_ca_topic_score_codex":0.00003206566,"about_ca_topic_score_gemma":0.00018667028,"teacher_disagreement_score":0.75614566,"about_ca_system_score_codex":0.00008588632,"about_ca_system_score_gemma":0.000030993935,"threshold_uncertainty_score":0.99995184},"labels":[],"label_agreement":null},{"id":"W2489291759","doi":"10.1017/cbo9780511998409.003","title":"Coming adrift: The limits of reconstruction of the cyclic poems","year":2015,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":48,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Poetry; Geology; Art; Literature","score_opus":0.07557811288181907,"score_gpt":0.21670263485460536,"score_spread":0.1411245219727863,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2489291759","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029176623,0.00026145845,0.000007361854,0.000044048636,0.0004128147,0.00016776654,0.00027488725,0.000016197837,0.9958978],"genre_scores_gemma":[0.17051122,0.000032751606,0.000002436016,0.000022854854,0.00016443367,2.1528335e-7,0.0000068853033,0.0000134628335,0.82924575],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991548,0.00005895891,0.00023717566,0.00017759297,0.00024699306,0.00012448627],"domain_scores_gemma":[0.9986917,0.00007279265,0.00041368304,0.00047892923,0.0002989718,0.000043931574],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014517999,0.00018103397,0.00034990124,0.00008145858,0.0002832743,0.00002691181,0.00049645524,0.00012312064,0.000035638994],"category_scores_gemma":[0.000012288935,0.00012569623,0.0003323161,0.0000046933756,0.0010128357,0.000066260494,0.00015690434,0.00029865443,0.0000025875602],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022543278,0.0000064387245,0.0000023994892,0.000046364486,0.00018899482,0.0000033167235,0.0009882374,0.000002374391,0.000033920045,0.9878012,0.00960045,0.001303787],"study_design_scores_gemma":[0.0002235315,0.000028854613,0.000015057695,0.00025986912,0.0006351719,0.0000074391614,0.0013282378,0.00003214969,0.0004283182,0.00021016497,0.9966655,0.0001657241],"about_ca_topic_score_codex":0.00038192177,"about_ca_topic_score_gemma":0.00008172166,"teacher_disagreement_score":0.987591,"about_ca_system_score_codex":0.000045765984,"about_ca_system_score_gemma":0.00006374754,"threshold_uncertainty_score":0.5125743},"labels":[],"label_agreement":null},{"id":"W2490892707","doi":"10.1017/cbo9781107279612.007","title":"Form, Voice, and the Avant-Garde","year":2015,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":21,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Avant garde; Art; History; Aesthetics; Linguistics; Art history; Philosophy","score_opus":0.03908190433255693,"score_gpt":0.1980605929293342,"score_spread":0.15897868859677727,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2490892707","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000035599776,0.0007778956,0.000019128132,0.00008603789,0.0002499728,0.0002139502,0.00030087374,0.00006048805,0.998256],"genre_scores_gemma":[0.00527564,0.00016431502,0.0000033229014,0.00015701079,0.00043408622,6.136088e-7,0.000033964232,0.000026653084,0.9939044],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903905,0.000041169613,0.00016289752,0.00029515993,0.00024642714,0.00021530995],"domain_scores_gemma":[0.99903625,0.000083864354,0.00014367687,0.00038475543,0.00022126219,0.00013021463],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020121041,0.0002818978,0.00043415927,0.000096872,0.0005040784,0.00017094014,0.00035075188,0.0001392834,0.00007137549],"category_scores_gemma":[0.000009571984,0.00021540723,0.00023282313,6.755146e-7,0.0012464232,0.00010232054,0.00027422133,0.00035986933,0.00005560478],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008191065,0.0000034648574,9.0108045e-8,0.000028519738,0.00019503037,0.000051334748,0.0019679703,1.6006064e-7,2.6288498e-7,0.8671861,0.13004401,0.00044112682],"study_design_scores_gemma":[0.00093193224,0.000024333473,7.3338293e-7,0.00006140819,0.000703515,0.0000076146116,0.00056337466,0.000051228293,0.0000024496708,0.00065386156,0.9967155,0.00028404122],"about_ca_topic_score_codex":0.00031407585,"about_ca_topic_score_gemma":0.00015399959,"teacher_disagreement_score":0.8666715,"about_ca_system_score_codex":0.00005187871,"about_ca_system_score_gemma":0.000047288177,"threshold_uncertainty_score":0.87840515},"labels":[],"label_agreement":null},{"id":"W2492279662","doi":"10.1017/cco9781107284333.014","title":"Lesbianism-Poetry//Poetry-Lesbianism","year":2015,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Poetry; Content (measure theory); Art; Literature; Mathematics","score_opus":0.06639813638012289,"score_gpt":0.21232170095342676,"score_spread":0.14592356457330385,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2492279662","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00004959614,0.0007009651,0.00009243022,0.00006306877,0.00082799,0.00030904627,0.001202433,0.0002860669,0.9964684],"genre_scores_gemma":[0.007905063,0.00010623663,0.000025772615,0.00022847026,0.0012889208,0.0000011326974,0.00022775588,0.00011421334,0.9901024],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974562,0.00006912508,0.00041308516,0.00082121656,0.00066161103,0.0005787903],"domain_scores_gemma":[0.9976173,0.000067994464,0.0003450466,0.00094679184,0.00056789105,0.00045495154],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00021878745,0.0007289036,0.00089293724,0.00035933225,0.00067739916,0.00032202245,0.0009400042,0.0005075822,0.0006069418],"category_scores_gemma":[0.000016213247,0.0008151558,0.00062578206,0.000007666378,0.00090630713,0.00024529506,0.00047054418,0.00087287015,0.00043181036],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036452664,0.000020451775,2.3039964e-7,0.00006537926,0.00029947853,0.00041477455,0.0005668656,9.988357e-7,0.000006664037,0.7651885,0.2327488,0.00065136305],"study_design_scores_gemma":[0.00061218895,0.0000917585,0.0000011346194,0.00018352666,0.0008457608,0.000017355174,0.0008448474,0.00003405644,0.000037606496,0.0004012532,0.9959857,0.00094480126],"about_ca_topic_score_codex":0.0005370869,"about_ca_topic_score_gemma":0.000085781074,"teacher_disagreement_score":0.76478726,"about_ca_system_score_codex":0.0003182104,"about_ca_system_score_gemma":0.00019838852,"threshold_uncertainty_score":0.99942994},"labels":[],"label_agreement":null},{"id":"W2495330696","doi":"10.1017/ccol9780521769082.005","title":"H.D. and the ‘little magazines’","year":2011,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Quarter (Canadian coin); Art; Literature; Art history; History","score_opus":0.03238448824393519,"score_gpt":0.1751292295966103,"score_spread":0.1427447413526751,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2495330696","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000036106885,0.0005266609,0.000019203846,0.00005523761,0.00018546017,0.00016285911,0.00016852778,0.000052650797,0.9987933],"genre_scores_gemma":[0.0077392487,0.0002085346,0.0000028683394,0.0001594581,0.00031593122,5.4244003e-7,0.000017675986,0.000023964545,0.9915318],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999247,0.00003622344,0.00013755207,0.00027236692,0.00013710579,0.00016972453],"domain_scores_gemma":[0.9992527,0.00007072475,0.00011603805,0.0003655446,0.0001167545,0.000078240846],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011263133,0.00024379382,0.00035090625,0.000079726495,0.00043821154,0.00011001708,0.000306587,0.000115637704,0.00019531471],"category_scores_gemma":[0.000004886351,0.0001859677,0.00022263492,0.0000013794663,0.0014566772,0.000072346826,0.00022286476,0.00029409997,0.000047299298],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006905805,0.0000037243385,1.3570833e-7,0.00002937894,0.00016915523,0.000048401984,0.0009502438,2.1270688e-8,4.5070473e-7,0.95842755,0.039772596,0.00052929466],"study_design_scores_gemma":[0.0005545477,0.000015934405,0.0000022056788,0.000049868617,0.0005749088,0.00000561478,0.00020703554,0.000009051597,0.0000053600265,0.00073902693,0.99759644,0.00024000733],"about_ca_topic_score_codex":0.00035779542,"about_ca_topic_score_gemma":0.00003195859,"teacher_disagreement_score":0.9578238,"about_ca_system_score_codex":0.000022537864,"about_ca_system_score_gemma":0.00002202355,"threshold_uncertainty_score":0.7583543},"labels":[],"label_agreement":null},{"id":"W2496583633","doi":"10.1017/cbo9780511777486.044","title":"Pound before Paris: 1908–1920","year":2010,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Pound (networking); Poetry; Criticism; Literature; History; Vocabulary; Art; Philosophy; Linguistics; Computer science","score_opus":0.023370673418045777,"score_gpt":0.19029193904151354,"score_spread":0.16692126562346776,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2496583633","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00023087073,0.00016697485,0.000017033,0.00006198341,0.00062542385,0.00019862967,0.0007208809,0.00015746623,0.99782073],"genre_scores_gemma":[0.008152266,0.00004069112,0.000020900039,0.0001704848,0.0011423148,7.228136e-7,0.00016458052,0.000057090445,0.99025095],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99854547,0.000022554512,0.00024677633,0.0005150558,0.00031174507,0.0003584138],"domain_scores_gemma":[0.9986394,0.00003949552,0.00021784681,0.0006513914,0.0002448547,0.00020703269],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00009423217,0.00045110457,0.000547951,0.0002060144,0.0007068545,0.0002344976,0.00056538614,0.0004153139,0.00057434425],"category_scores_gemma":[0.000005232494,0.0004750259,0.0004852123,0.0000028288184,0.00081351865,0.00015453063,0.00026894792,0.0009393256,0.0001115274],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023315808,0.000013961286,6.870736e-7,0.000048075526,0.00026982537,0.00021915948,0.00066101307,7.259664e-8,0.000013461348,0.9380228,0.060182698,0.00054493116],"study_design_scores_gemma":[0.0002786,0.000054708897,0.0000024013975,0.000097876546,0.0007092837,0.0000076009496,0.00029841904,0.000007875984,0.00006861731,0.00026698623,0.99770874,0.00049888267],"about_ca_topic_score_codex":0.0006049244,"about_ca_topic_score_gemma":0.00028755114,"teacher_disagreement_score":0.9377558,"about_ca_system_score_codex":0.00008250612,"about_ca_system_score_gemma":0.00007572101,"threshold_uncertainty_score":0.99977016},"labels":[],"label_agreement":null},{"id":"W2496586926","doi":"10.1057/9780230614116_3","title":"Elizabeth Bishop: Incarnations of the “Crypto-Dream-House”","year":2008,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan US eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nova scotia; Poetry; Dream; History; Literature; Meaning (existential); Art history; Art; Humanities; Psychology; Archaeology","score_opus":0.029168752237131234,"score_gpt":0.22504873588526392,"score_spread":0.1958799836481327,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2496586926","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00055433705,0.0012908772,0.0000068584663,0.000093656985,0.00050104887,0.00030330307,0.00042719554,0.000129365,0.9966934],"genre_scores_gemma":[0.78097385,0.00039031688,0.0000144644455,0.000445075,0.0008099384,0.000015143516,0.000037596346,0.00012616435,0.21718742],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978438,0.00005300301,0.00071442296,0.0004177692,0.0006182607,0.00035272053],"domain_scores_gemma":[0.9980708,0.000107120744,0.00045963115,0.0009072291,0.00034576675,0.00010946664],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013786352,0.00049726403,0.00070132286,0.00026181614,0.0006139313,0.000088004155,0.0006660705,0.00024403886,0.0020474505],"category_scores_gemma":[0.000025588526,0.0003569774,0.0008018928,0.0000145646145,0.001032024,0.0000041926387,0.00020859405,0.00048302437,0.00014599931],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000067928304,0.0000035698515,0.000028439876,0.000047199555,0.00035048183,0.00001589567,0.003707314,0.0000026270318,0.000024617279,0.99150145,0.0021423774,0.0021692258],"study_design_scores_gemma":[0.0002925593,0.00006188238,0.000117476135,0.00022585766,0.00048041923,0.000019397867,0.00020846105,0.000024891408,0.00019717083,0.29623014,0.701556,0.00058571773],"about_ca_topic_score_codex":0.00027646238,"about_ca_topic_score_gemma":0.0015429674,"teacher_disagreement_score":0.7804195,"about_ca_system_score_codex":0.00005440676,"about_ca_system_score_gemma":0.00011274527,"threshold_uncertainty_score":0.99988824},"labels":[],"label_agreement":null},{"id":"W2496717470","doi":"10.1057/9781137014498_3","title":"Jack Kerouac and the Nomadic Cartographies of Exile","year":2012,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan US eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mainstream; Identity (music); Politics; Population; French; History; Genealogy; Art history; Humanities; Art; Media studies; Sociology; Aesthetics; Political science; Law; Demography","score_opus":0.023162165852763986,"score_gpt":0.21186729160561318,"score_spread":0.1887051257528492,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2496717470","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012648398,0.013706059,0.000002282841,0.000064324246,0.00024096441,0.00027431553,0.00022247194,0.000037239646,0.9841875],"genre_scores_gemma":[0.8986665,0.0007411346,0.0000067749897,0.00022589217,0.00075647136,0.000019337269,0.00003650307,0.000053594402,0.09949379],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9985168,0.00005091167,0.0005077339,0.0002898132,0.00030792967,0.00032680313],"domain_scores_gemma":[0.9987512,0.00017266226,0.0002996618,0.0005278586,0.00013809599,0.00011052074],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002843445,0.00041670652,0.0007800326,0.00023373001,0.00032806824,0.000107377906,0.00026736106,0.00015816264,0.0021909988],"category_scores_gemma":[0.00001020958,0.00026966818,0.00048352536,0.0000072007106,0.0025097518,0.000004161805,0.00013094278,0.00028833502,0.000051930303],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000359197,0.0000012274136,0.00004176805,0.0000926865,0.000378309,0.000004997933,0.0062158373,5.0618205e-8,0.000007967415,0.98903155,0.00017163232,0.0040180595],"study_design_scores_gemma":[0.0006975276,0.00006443008,0.00010935745,0.00015531237,0.0009766857,0.000014863768,0.00068241515,0.0000063452203,0.00004791804,0.7005369,0.29623073,0.0004775069],"about_ca_topic_score_codex":0.00038693091,"about_ca_topic_score_gemma":0.0009963786,"teacher_disagreement_score":0.8974017,"about_ca_system_score_codex":0.000009523108,"about_ca_system_score_gemma":0.000018173252,"threshold_uncertainty_score":0.99997556},"labels":[],"label_agreement":null},{"id":"W2497353824","doi":"10.3138/uram.30.1.93","title":"Unstruck Sound: Music and Forgotten Truth","year":2007,"lang":"en","type":"article","venue":"Ultimate Reality and Meaning","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sound (geography); Art; Philosophy; Literature; Acoustics; Physics","score_opus":0.05629740803503663,"score_gpt":0.2686798702239086,"score_spread":0.21238246218887197,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2497353824","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71814984,0.00026064098,0.0008327634,0.0002626445,0.00019799286,0.00007970773,0.000032864988,0.00009217607,0.28009138],"genre_scores_gemma":[0.9986951,0.00005802975,0.00017871741,0.0002879508,0.0002734658,0.0000014679302,0.00001676895,0.000010066187,0.00047848345],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9991381,0.00002390729,0.00023027793,0.00021019985,0.00011810955,0.0002793725],"domain_scores_gemma":[0.9995467,0.00012437298,0.000059581183,0.00011624505,0.000043675573,0.00010941331],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005943167,0.0001249381,0.00020397836,0.00006502238,0.00049097213,0.0001977486,0.000051642735,0.000041699437,0.00022271901],"category_scores_gemma":[0.000041869247,0.00010455491,0.000046794776,0.000026684254,0.00021652033,0.00020807331,0.000038996342,0.00010421878,0.000006094038],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018176757,0.000020796915,0.0005759958,0.00007070218,0.00004352565,0.0000121644725,0.017054114,0.0000013045845,0.00009138788,0.9676968,0.0001364734,0.014278565],"study_design_scores_gemma":[0.003358035,0.00034864826,0.021351164,0.00039195435,0.000927903,0.00020165951,0.11233818,0.0055307434,0.0011490172,0.5377058,0.31473717,0.0019597567],"about_ca_topic_score_codex":0.00048536912,"about_ca_topic_score_gemma":0.001653508,"teacher_disagreement_score":0.429991,"about_ca_system_score_codex":0.000012094494,"about_ca_system_score_gemma":0.000005486511,"threshold_uncertainty_score":0.42636254},"labels":[],"label_agreement":null},{"id":"W2506012177","doi":"10.5840/cpsem20076","title":"The Writing Cure?","year":2007,"lang":"en","type":"book-chapter","venue":"Semiotics","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; History","score_opus":0.057629141550277346,"score_gpt":0.26302635832220916,"score_spread":0.20539721677193182,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2506012177","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000006509879,0.0024047105,0.00003018097,0.0006652755,0.00066447124,0.000060662278,0.00003795712,0.00005090508,0.9960793],"genre_scores_gemma":[0.007416756,0.00084079814,0.000022457069,0.0007477238,0.0034745114,6.263778e-7,0.00003131164,0.00004864596,0.98741716],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99884933,0.000009038487,0.00038405842,0.00018262795,0.0002883729,0.00028656292],"domain_scores_gemma":[0.99900633,0.0002811992,0.00014550317,0.00034797977,0.00015681091,0.000062151325],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00039510318,0.00022415406,0.00024983054,0.00005885746,0.0007904334,0.00031489742,0.0002596859,0.00014335195,0.0022703344],"category_scores_gemma":[0.000026770816,0.00015403652,0.00024671268,0.0000057443403,0.00037305866,0.000041550808,0.000062505074,0.0004857989,0.00050797797],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000016564377,0.0000041139706,8.348745e-7,0.00001635364,0.00008418082,0.000016523778,0.00060257455,8.3407656e-7,2.888236e-7,0.9617058,0.032316506,0.0052503045],"study_design_scores_gemma":[0.00003462152,0.0000132858095,6.828583e-7,0.0000992208,0.00014560448,0.0000027207486,0.0005277088,0.000039608327,0.0000030048589,0.08003888,0.9188988,0.00019583454],"about_ca_topic_score_codex":0.000010781197,"about_ca_topic_score_gemma":0.000557409,"teacher_disagreement_score":0.8865823,"about_ca_system_score_codex":0.00003426025,"about_ca_system_score_gemma":0.00002556166,"threshold_uncertainty_score":0.9986417},"labels":[],"label_agreement":null},{"id":"W2508033331","doi":"10.30535/mto.13.3.4","title":"Listening to the Music Itself","year":2007,"lang":"en","type":"article","venue":"Music Theory Online","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Active listening; Tone (literature); Literature; Art; Humanity; Vision; Aesthetics; Philosophy; Communication; Psychology","score_opus":0.04026576789923783,"score_gpt":0.25994854552846003,"score_spread":0.2196827776292222,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2508033331","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80598444,0.00055941445,0.0031535798,0.003780887,0.0017425861,0.00024530434,0.00011298117,0.0001930509,0.18422775],"genre_scores_gemma":[0.9523212,0.000002229975,0.00010308303,0.010206204,0.0034766556,0.000004577199,0.00003037443,0.000020621568,0.033835106],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988999,0.000078286255,0.00027430014,0.00020803198,0.00019362157,0.00034591247],"domain_scores_gemma":[0.99915725,0.0002440177,0.000051051727,0.0003578132,0.000091962145,0.00009787716],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012645886,0.00014658454,0.00017637944,0.000101859834,0.00053471327,0.00013311491,0.00031233302,0.000030933472,0.007923705],"category_scores_gemma":[0.00010401587,0.00009209383,0.00013801735,0.00010198441,0.00015711974,0.00009097853,0.00008052753,0.00018266318,0.0003495015],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042316875,0.00012574572,0.00000797794,0.0000075601165,0.00005445076,0.000020108582,0.03521199,0.00001931729,0.00023719986,0.91563135,0.009273658,0.039368317],"study_design_scores_gemma":[0.00014464745,0.000055146582,0.00035547616,0.00002591448,0.00008216936,0.000004919996,0.019364908,0.00006571159,0.00008881799,0.013123323,0.9665084,0.00018055685],"about_ca_topic_score_codex":0.00006137086,"about_ca_topic_score_gemma":0.00406679,"teacher_disagreement_score":0.95723474,"about_ca_system_score_codex":0.000019592848,"about_ca_system_score_gemma":0.000013484728,"threshold_uncertainty_score":0.99298316},"labels":[],"label_agreement":null},{"id":"W2510408519","doi":"10.1086/598470","title":": <i>Refiguring the Sacred Feminine: The Poems of John Donne, Aemilia Lanyer, and John Milton</i>","year":2009,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Regina","funders":"","keywords":"Poetry; Index (typography); Art; Theology; Art history; History; Philosophy; Literature","score_opus":0.021047561806676895,"score_gpt":0.2351149339731463,"score_spread":0.21406737216646943,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2510408519","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.824585,0.016024726,0.000047470316,0.0064291097,0.00032536153,0.00029892716,0.00005732996,0.00009849839,0.15213358],"genre_scores_gemma":[0.9964719,0.00021003438,0.000017352411,0.000720235,0.0004893329,0.00001150537,0.0000052275936,0.000012674506,0.0020617612],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987294,0.00008495524,0.00036840007,0.00024424744,0.0002609472,0.00031201908],"domain_scores_gemma":[0.9990782,0.00014159425,0.00014830269,0.00048579782,0.00008473107,0.00006134687],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00035255245,0.00019763703,0.00030210975,0.000054771426,0.00054285285,0.00018577107,0.00034947848,0.000045555436,0.00024805826],"category_scores_gemma":[0.000018718512,0.00010812919,0.00014212837,0.00009684501,0.00043894016,0.00019271116,0.000012055492,0.00020719525,0.000020946953],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019061785,0.000466641,0.0009281065,0.00017963223,0.0004061476,0.00004585199,0.17421056,0.000026060605,0.008716967,0.49020752,0.18180183,0.14282008],"study_design_scores_gemma":[0.0016058328,0.0019153529,0.019190622,0.00051381765,0.00049936236,0.000061107574,0.04943895,0.00093823037,0.0025527559,0.022527702,0.89976734,0.000988921],"about_ca_topic_score_codex":0.00023760794,"about_ca_topic_score_gemma":0.00037855038,"teacher_disagreement_score":0.71796554,"about_ca_system_score_codex":0.0000081495755,"about_ca_system_score_gemma":0.000016597523,"threshold_uncertainty_score":0.44093806},"labels":[],"label_agreement":null},{"id":"W2512159511","doi":"10.3138/tric.37.1.27","title":"Around the Backside: Productive Disbelief in <i>Burning Vision</i>","year":2016,"lang":"en","type":"article","venue":"Theatre Research in Canada","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Temporality; Conversation; Materiality (auditing); Aesthetics; Confusion; Illusion; Sociology; Alienation; Heterotopia (medicine); Epistemology; Contingency; Phenomenology (philosophy); Visual arts; Psychoanalysis; Psychology; Philosophy; Art; Communication; Cognitive psychology; Law","score_opus":0.0630094985773606,"score_gpt":0.31808818621765406,"score_spread":0.25507868764029346,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2512159511","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49112824,0.0011575436,0.0000029223552,0.04898993,0.00032410002,0.00043275935,0.00006278742,0.0000140619795,0.45788765],"genre_scores_gemma":[0.99699575,0.00009892251,0.0000017099386,0.00014579724,0.0004428046,0.000041601415,0.0000018296469,0.0000127202775,0.0022588598],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976905,0.0004625807,0.0002485592,0.0002817674,0.0006943362,0.0006222695],"domain_scores_gemma":[0.99856883,0.00084704225,0.000024834271,0.00038491873,0.000090702895,0.00008368955],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016992511,0.000107078966,0.00017681615,0.00015683362,0.00031582933,0.00011192629,0.0003778772,0.000018897066,0.00088795234],"category_scores_gemma":[0.000040917377,0.000053175867,0.000034301735,0.0002169156,0.00037547149,0.00021468627,0.00010400878,0.00037937096,0.000037998132],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023998781,0.00036124288,0.025231676,0.0001226205,0.00014120803,0.0006774548,0.014533544,0.00012724716,0.0012035083,0.18317421,0.08217779,0.6920095],"study_design_scores_gemma":[0.0006329918,0.000096724325,0.0022534095,0.00047476857,0.000008806526,0.000005688749,0.037863124,0.00014658716,0.0003965903,0.036018256,0.9218129,0.0002901524],"about_ca_topic_score_codex":0.9268515,"about_ca_topic_score_gemma":0.9964209,"teacher_disagreement_score":0.83963513,"about_ca_system_score_codex":0.00075332704,"about_ca_system_score_gemma":0.0009954188,"threshold_uncertainty_score":0.9722456},"labels":[],"label_agreement":null},{"id":"W2521786571","doi":"","title":"Poetry Editorial: Seeing Words","year":2016,"lang":"en","type":"article","venue":"Scholars Commons (Wilfrid Laurier University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Poetry; Linguistics; History; Computer science; Philosophy","score_opus":0.016307091937611914,"score_gpt":0.2065539415424917,"score_spread":0.1902468496048798,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2521786571","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25815764,0.0003321063,0.00052697334,0.004652434,0.02658943,0.0002299646,0.00032177827,0.00057288463,0.7086168],"genre_scores_gemma":[0.9074243,0.000038210826,0.00004493252,0.00016221347,0.008475859,8.1135573e-7,0.000011128349,0.000027988857,0.08381459],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984338,0.00017921357,0.00020608853,0.00036188337,0.00037106834,0.00044793854],"domain_scores_gemma":[0.9987802,0.0001658265,0.00009300981,0.00052517833,0.00021442345,0.00022138048],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003157494,0.0002281927,0.00028346467,0.00044633666,0.0009624667,0.00026284106,0.0005959086,0.00011678558,0.0030994476],"category_scores_gemma":[0.00009010815,0.0001845034,0.00024228146,0.00023023302,0.00039141017,0.0014033684,0.00020721869,0.0003548372,0.00041517618],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009298404,0.00017248934,0.0033558114,0.00001451504,0.00026562868,0.00015962211,0.002522316,0.0000015564128,0.0008359612,0.82717735,0.16128159,0.0041201715],"study_design_scores_gemma":[0.0007013011,0.000044992412,0.00015635396,0.00007428829,0.00012688494,0.0000019859908,0.00248102,0.0000026060477,0.00025349113,0.0018027598,0.9940355,0.00031885016],"about_ca_topic_score_codex":0.00011138604,"about_ca_topic_score_gemma":0.0009753016,"teacher_disagreement_score":0.8327539,"about_ca_system_score_codex":0.000135864,"about_ca_system_score_gemma":0.000078619225,"threshold_uncertainty_score":0.99781185},"labels":[],"label_agreement":null},{"id":"W2527072796","doi":"","title":"Wriglesworth, \"Distant Neighbors: The Selected Letters of Wendell Berry and Gary Snyder\"","year":2016,"lang":"en","type":"article","venue":"The Trumpeter","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Regent College","funders":"","keywords":"Berry; Biology; Botany","score_opus":0.011847395257716367,"score_gpt":0.17718365107057715,"score_spread":0.1653362558128608,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2527072796","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9597703,0.00047579876,0.00008679875,0.016144529,0.00019884069,0.00012227654,0.000052504776,0.000037183934,0.023111755],"genre_scores_gemma":[0.9948212,0.000068920875,0.0000054231914,0.0013171205,0.00028109853,0.000007470236,0.0000026296696,0.000012482371,0.003483649],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99918115,0.00009533814,0.00021738099,0.00014567733,0.0001525149,0.00020795308],"domain_scores_gemma":[0.99932295,0.00021133188,0.000075451404,0.0003101898,0.00004849856,0.00003158678],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019308784,0.0001219302,0.00016284757,0.000033723518,0.00026051325,0.00006573422,0.00020752715,0.000020467718,0.0018921637],"category_scores_gemma":[0.00001597584,0.000046075937,0.00008820121,0.000040434556,0.0005990673,0.00011077793,0.00005044728,0.00008308651,0.000037444574],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026644877,0.00021768868,0.00253455,0.00009403913,0.000984462,0.00002462227,0.047989015,0.0000032365076,0.05166227,0.83211887,0.04526919,0.018835641],"study_design_scores_gemma":[0.0026645102,0.00044914658,0.028659848,0.00043145785,0.0013047953,0.00006272169,0.008537365,0.0003682009,0.01285693,0.04854044,0.8948492,0.0012753857],"about_ca_topic_score_codex":0.000078633544,"about_ca_topic_score_gemma":0.000325991,"teacher_disagreement_score":0.84958,"about_ca_system_score_codex":0.000008371745,"about_ca_system_score_gemma":0.000011576704,"threshold_uncertainty_score":0.9990202},"labels":[],"label_agreement":null},{"id":"W2527244556","doi":"","title":"Implosion and other poems","year":2016,"lang":"en","type":"article","venue":"Postcolonial text","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Implosion; Poetry; Literature; History; Art; Physics; Plasma; Nuclear physics","score_opus":0.032426328428887034,"score_gpt":0.2598762187894727,"score_spread":0.22744989036058566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2527244556","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87513304,0.00026257985,0.000030982334,0.010031051,0.00033703956,0.00009494924,0.00006933272,0.000077411074,0.11396361],"genre_scores_gemma":[0.98359084,0.000014692518,0.000011314237,0.000985511,0.00050600717,0.0000059824497,6.4447283e-7,0.000010782397,0.014874205],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994763,0.00002345606,0.000113994,0.00013733329,0.00008453352,0.00016437391],"domain_scores_gemma":[0.9997296,0.000053237818,0.0000278624,0.00010456592,0.000030572584,0.00005420236],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008101501,0.00007979787,0.00011050932,0.00003866224,0.0001841703,0.000075992204,0.000065590466,0.000022349524,0.00499299],"category_scores_gemma":[0.000021725738,0.000045627097,0.000046454243,0.000013146079,0.00015699843,0.000117812,0.00003315973,0.00003174558,0.00043970707],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003433434,0.00006306172,0.0019109609,0.0000075879107,0.00003836013,0.0000076676915,0.003955759,3.1696207e-8,0.005583758,0.9537176,0.0058723874,0.028808475],"study_design_scores_gemma":[0.00034809829,0.000115025374,0.001432969,0.000027853,0.00003292475,0.0000056506774,0.00022671394,0.0000065896834,0.0007272875,0.010607748,0.9863242,0.000144964],"about_ca_topic_score_codex":0.00021538773,"about_ca_topic_score_gemma":0.0007316402,"teacher_disagreement_score":0.98045176,"about_ca_system_score_codex":0.000010422786,"about_ca_system_score_gemma":0.00000745881,"threshold_uncertainty_score":0.9959166},"labels":[],"label_agreement":null},{"id":"W2528545329","doi":"","title":"Montréal vu par ses poètes, (sous la direction de Franz Benjamin et Rodney Saint-Éloi) Livre et disque-compact, Mémoire d’encrier, Montréal, 2006, 110 p. CD : Société Paroles, Montréal, 2006 Montréal vu par ses poètes, (sous la direction de Franz Benjamin et Rodney Saint-Éloi) Livre et disque-compact, Mémoire d’encrier, Montréal, 2006, 110 p. CD : Société Paroles, Montréal, 2006","year":2007,"lang":"fr","type":"article","venue":"Brèves littéraires","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Geology","score_opus":0.009796085108145947,"score_gpt":0.24855049435330356,"score_spread":0.23875440924515762,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2528545329","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21483833,0.6628515,0.0016914108,0.05756348,0.004057436,0.0044114604,0.017698878,0.003225807,0.03366172],"genre_scores_gemma":[0.70363843,0.2107943,0.0011241589,0.0080047585,0.00677015,0.0007315593,0.00489249,0.0015008774,0.06254326],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.96568555,0.008057398,0.007263958,0.0059560235,0.00456991,0.008467194],"domain_scores_gemma":[0.97987676,0.0057652732,0.0038263919,0.004336653,0.0018990966,0.0042958395],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.008730989,0.006950288,0.007294762,0.0021230443,0.0077614984,0.0057236277,0.003109131,0.004408216,0.0013546963],"category_scores_gemma":[0.0026348655,0.006902141,0.0048157168,0.002152341,0.0038336967,0.005589349,0.0011196824,0.0075101135,0.0004834908],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0034223902,0.011700982,0.008080738,0.0013580245,0.004758943,0.0028620965,0.023912584,0.012391869,0.0015692442,0.02903596,0.8514329,0.04947422],"study_design_scores_gemma":[0.0074581755,0.0019389424,0.048088543,0.0029530958,0.0045442916,0.0013254752,0.026688859,0.009693933,0.00076613436,0.006110366,0.8834037,0.0070284787],"about_ca_topic_score_codex":0.7593446,"about_ca_topic_score_gemma":0.5994408,"teacher_disagreement_score":0.48880014,"about_ca_system_score_codex":0.0049586543,"about_ca_system_score_gemma":0.0021327678,"threshold_uncertainty_score":0.9995582},"labels":[],"label_agreement":null},{"id":"W2529509551","doi":"10.3138/9781442697577-003","title":"1.1 The Canadian Poet’s Predicament","year":2009,"lang":"en","type":"book-chapter","venue":"University of Toronto Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Art","score_opus":0.025559014342044502,"score_gpt":0.1860214739102642,"score_spread":0.1604624595682197,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2529509551","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000018056505,0.0024573072,0.0000011952937,0.00016550737,0.00019721169,0.00012843886,0.0001613263,0.00002283757,0.9968644],"genre_scores_gemma":[0.0048481966,0.00042741097,0.00000771216,0.00007008993,0.00022018404,1.2882134e-7,0.000016958056,0.000011975518,0.99439734],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915797,0.000018372544,0.00014725047,0.00019176811,0.0002626285,0.00022199618],"domain_scores_gemma":[0.99913746,0.00003997368,0.00014224039,0.00036024678,0.00014925124,0.00017080482],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009801687,0.00018223414,0.00025026416,0.000020747548,0.00096218975,0.00009508807,0.00048491496,0.00013546269,0.002492535],"category_scores_gemma":[0.0000034936077,0.00016157782,0.00023365628,1.51883e-7,0.0005054998,0.00006716642,0.000060860115,0.00016157323,0.000014847319],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013675351,0.0000046732007,7.741192e-8,0.00000985657,0.00018886529,0.00002090395,0.008555575,4.914185e-7,2.781822e-7,0.94003123,0.035954967,0.015219396],"study_design_scores_gemma":[0.00011407834,0.000053954187,0.0000037973073,0.00006647185,0.00025025255,5.6177583e-7,0.0003957321,0.000010311562,0.0000020877364,0.0025564742,0.99637514,0.00017115242],"about_ca_topic_score_codex":0.87854934,"about_ca_topic_score_gemma":0.9925078,"teacher_disagreement_score":0.96042013,"about_ca_system_score_codex":0.00032642297,"about_ca_system_score_gemma":0.0001532799,"threshold_uncertainty_score":0.99841934},"labels":[],"label_agreement":null},{"id":"W2529525892","doi":"10.3138/9781442697577-009","title":"2.2 Butterfly in the Bush Garden: ‘Mythopoeic’ Criticism of Contemporary Poetry Written in Canada","year":2009,"lang":"en","type":"book-chapter","venue":"University of Toronto Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Butterfly; Poetry; Criticism; Art; Art history; Literature; Ecology; Biology","score_opus":0.029327947764284337,"score_gpt":0.19478775586032024,"score_spread":0.1654598080960359,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2529525892","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00038477388,0.0036234632,0.0000020414504,0.00013217746,0.00009472643,0.00021419684,0.00029303398,0.000008005349,0.9952476],"genre_scores_gemma":[0.39573202,0.00015880603,0.0000099916515,0.00027012284,0.00008538696,2.9957368e-7,0.000023047607,0.000014155073,0.6037062],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99858886,0.00008830792,0.0004116669,0.000278741,0.00040765002,0.00022479116],"domain_scores_gemma":[0.9990175,0.000118331525,0.00024402486,0.00042569972,0.00013904885,0.00005539822],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001881832,0.00026566407,0.0006683034,0.00006494932,0.00009516558,0.000024180263,0.00067002536,0.00014009135,0.0009928561],"category_scores_gemma":[0.0000059848558,0.0002590728,0.0002048027,0.0000011652988,0.00031532446,0.00012225925,0.00008925688,0.00031158864,0.0000012026856],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019393521,0.00010193118,0.000037633505,0.00032144482,0.00025822324,0.0008349551,0.05231622,0.000008152655,0.000013517326,0.91160977,0.029368863,0.0049353335],"study_design_scores_gemma":[0.0005711077,0.00006876293,0.00014253976,0.0005080854,0.00012439946,0.0000024392518,0.00837531,0.000018485358,0.00001544596,0.0017999274,0.9880572,0.00031630677],"about_ca_topic_score_codex":0.9832602,"about_ca_topic_score_gemma":0.9934823,"teacher_disagreement_score":0.9586883,"about_ca_system_score_codex":0.00032464406,"about_ca_system_score_gemma":0.00039321693,"threshold_uncertainty_score":0.9999862},"labels":[],"label_agreement":null},{"id":"W2529950507","doi":"10.51644/9781771120487-015","title":"Reading for a Civic Public Poetic: Toronto in Raymond Souster’s “Ten Elephants on Yonge Street” and Dennis Lee’s Civil Elegies","year":2015,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Reading (process); Media studies; Art; Sociology; Literature; Political science; Law","score_opus":0.08861988598199287,"score_gpt":0.2710140731016805,"score_spread":0.18239418711968763,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2529950507","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001051495,0.0036069364,0.000029092524,0.00033343586,0.00027946354,0.0004591512,0.0002176187,0.00008966889,0.99393314],"genre_scores_gemma":[0.3411614,0.00042667714,0.000026159063,0.0002665324,0.00068568025,0.00005338398,0.000110087254,0.00007839233,0.6571917],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977537,0.000030133302,0.0005983436,0.0006484228,0.0003992119,0.00057018263],"domain_scores_gemma":[0.9987578,0.00016069473,0.00019544216,0.00042525103,0.00025026637,0.00021054428],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041835214,0.0005605215,0.00086222845,0.0003017943,0.0002645458,0.0006183085,0.00029264585,0.00027859356,0.005527326],"category_scores_gemma":[0.000048788053,0.00046806765,0.00024120562,0.000011543389,0.00023245327,0.0005586573,0.0001223273,0.00026998014,0.000043399174],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043847416,0.00005768825,0.000021966694,0.00012412338,0.00021359549,0.00002052104,0.0045075924,3.6191312e-7,0.000003343859,0.95710737,0.02537437,0.012525206],"study_design_scores_gemma":[0.0009553301,0.00061932433,0.000027720927,0.00038292134,0.0002735872,0.0000047218573,0.008175306,0.00009496257,0.000004935291,0.04116908,0.9474512,0.0008409603],"about_ca_topic_score_codex":0.001260623,"about_ca_topic_score_gemma":0.23789671,"teacher_disagreement_score":0.92207676,"about_ca_system_score_codex":0.00022934785,"about_ca_system_score_gemma":0.00009441931,"threshold_uncertainty_score":0.9997771},"labels":[],"label_agreement":null},{"id":"W2533669994","doi":"10.3138/utq.85.3.394","title":"<i>The Cambridge Companion to Elizabeth Bishop</i>, edited by Angus Cleghorn and Jonathan Ellis","year":2016,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Art; Humanities","score_opus":0.007500875102975472,"score_gpt":0.18557115170676844,"score_spread":0.17807027660379296,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2533669994","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9085878,0.0028700393,0.0014145923,0.005996208,0.0008511594,0.00031381223,0.00072440534,0.000121321784,0.07912066],"genre_scores_gemma":[0.9772882,0.00014591336,0.000022487293,0.00008863573,0.00017434436,2.0608987e-7,0.000009080638,0.0000069170474,0.02226422],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992804,0.00005638683,0.00011755991,0.00018437117,0.00015883839,0.00020246484],"domain_scores_gemma":[0.9994272,0.00008225441,0.00006147328,0.00019582463,0.00011141941,0.00012180838],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001240646,0.0001069348,0.00016838926,0.000022774339,0.00044473578,0.00006138588,0.00021127943,0.000034472472,0.0004796578],"category_scores_gemma":[0.000004208325,0.000076678814,0.00007611291,0.000014117856,0.0002524396,0.00033288196,0.000024590154,0.000035835994,0.000030704352],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017532562,0.00016852857,0.00041302075,0.000023948656,0.0002106434,0.000012217179,0.0402265,1.807204e-7,0.006661565,0.076617435,0.76122683,0.1142638],"study_design_scores_gemma":[0.00040080218,0.0003855507,0.0011104398,0.00002962649,0.000058868183,8.2471234e-7,0.019589921,0.00002526161,0.00007015219,0.000059457663,0.9781195,0.00014961595],"about_ca_topic_score_codex":0.0154379,"about_ca_topic_score_gemma":0.036464583,"teacher_disagreement_score":0.21689264,"about_ca_system_score_codex":0.00006573511,"about_ca_system_score_gemma":0.000010351417,"threshold_uncertainty_score":0.9911184},"labels":[],"label_agreement":null},{"id":"W2535534557","doi":"","title":"Listening is Made for the Ashen Sky: Four Poems","year":2008,"lang":"en","type":"article","venue":"Canadian journal of environmental education","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Active listening; Sky; Psychology; Poetry; Art; Literature; Communication; Geography; Meteorology","score_opus":0.03993791823055809,"score_gpt":0.223549364734389,"score_spread":0.1836114465038309,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2535534557","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9673036,0.0042474344,0.00013049554,0.011801674,0.0021148717,0.00019660567,0.00011025573,0.0000031889276,0.014091901],"genre_scores_gemma":[0.9825475,0.00007387948,0.000061192964,0.0015341773,0.0011312024,0.000005620556,0.0000070570827,0.000009909455,0.0146294255],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994784,0.000014842311,0.00019898138,0.0000639263,0.00009684293,0.00014701484],"domain_scores_gemma":[0.9995485,0.000038708702,0.00011640298,0.0000925409,0.000021095939,0.00018273146],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011073864,0.000069549096,0.000091898524,0.00008355581,0.00059532374,0.00007009797,0.00014407573,0.000021061518,0.003391495],"category_scores_gemma":[0.000019107014,0.000051903942,0.00012831484,0.00001409871,0.0001798337,0.00018677277,0.0000033419883,0.000095587835,0.000023817729],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050431616,0.00039426197,0.017143512,0.00004547056,0.00073875627,0.000054764772,0.35862637,0.00013523044,0.0015365303,0.038188968,0.4624682,0.12061752],"study_design_scores_gemma":[0.00015325709,0.00007038526,0.019380212,0.00001966127,0.00011410256,0.00013626803,0.023339568,0.00005041184,0.000104667844,0.0008721394,0.9556524,0.00010689355],"about_ca_topic_score_codex":0.0016053489,"about_ca_topic_score_gemma":0.0027247828,"teacher_disagreement_score":0.49318424,"about_ca_system_score_codex":0.00013842121,"about_ca_system_score_gemma":0.0003151889,"threshold_uncertainty_score":0.99751955},"labels":[],"label_agreement":null},{"id":"W2538413581","doi":"10.4000/ebc.3227","title":"Guignery, Vanessa, ed., Voices and Silence in the Contemporary Novel in English","year":2016,"lang":"fr","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Silence; Psychology; Art history; History; Art; Aesthetics","score_opus":0.2535291962349012,"score_gpt":0.49485172975031494,"score_spread":0.24132253351541372,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2538413581","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6677534,0.258335,0.000043551692,0.0031426172,0.0014354067,0.0004849671,0.00031909966,0.000016527654,0.068469435],"genre_scores_gemma":[0.9528326,0.040166903,0.000011895384,0.0007611095,0.00089804095,0.00004531992,0.000005672744,0.000035817626,0.0052426388],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.9960908,0.00067438313,0.0013895972,0.0005690105,0.0006967208,0.0005794406],"domain_scores_gemma":[0.99653137,0.0016210278,0.00074518076,0.00053678785,0.0003782082,0.00018745627],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.003330559,0.00044599155,0.00103647,0.0007805549,0.0004384105,0.0028952167,0.0027544354,0.0001689402,0.01395497],"category_scores_gemma":[0.00062703993,0.00028606236,0.00021940122,0.0004516064,0.0010187405,0.0053867246,0.000660075,0.0005448685,0.000019039144],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00048426088,0.0031956595,0.616931,0.00078424724,0.0005701813,0.0005950818,0.03402104,0.00004297564,0.011700738,0.09422429,0.19208837,0.045362145],"study_design_scores_gemma":[0.0021407804,0.000043330238,0.39235163,0.0053548375,0.00020407759,0.000026185236,0.013778048,0.000076312135,0.0009936054,0.019687608,0.56432134,0.0010222187],"about_ca_topic_score_codex":0.010173862,"about_ca_topic_score_gemma":0.0022551892,"teacher_disagreement_score":0.372233,"about_ca_system_score_codex":0.0000770604,"about_ca_system_score_gemma":0.00017080626,"threshold_uncertainty_score":0.9999592},"labels":[],"label_agreement":null},{"id":"W255464545","doi":"","title":"An Interview with Stephen Rodefer: You Were a Student of Charles Olson's in the Mid-1960s at SUNY, Buffalo. What Was That Like?","year":2009,"lang":"en","type":"article","venue":"Chicago Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Sign (mathematics); Mythology; Art history; Art; History; Literature; Classics","score_opus":0.05289525360831419,"score_gpt":0.2955066017742679,"score_spread":0.24261134816595373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W255464545","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.098674946,0.86901385,0.0000047844896,0.012869071,0.0001338659,0.0010858049,0.000027622124,0.00004880935,0.01814125],"genre_scores_gemma":[0.7455197,0.24418029,0.000011111545,0.008667855,0.00015206268,0.000056740657,0.000051391213,0.000019228004,0.0013416207],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99787307,0.00044030958,0.00053885946,0.0003723567,0.00046518532,0.00031023406],"domain_scores_gemma":[0.9987033,0.00006495278,0.00023192483,0.0008237623,0.00009116652,0.00008491967],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00091016694,0.00030061055,0.00087229535,0.00006724632,0.00019244598,0.0003123527,0.000771133,0.0000452478,0.0030222896],"category_scores_gemma":[0.000012542359,0.0001620692,0.00028510083,0.00011083072,0.00018605545,0.0005603476,0.00006389278,0.00023914193,0.0001006711],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000101296384,0.003569821,0.0015339787,0.0114540085,0.000623188,0.00015940811,0.10036054,0.0000060801303,0.000044469914,0.09147164,0.017050333,0.77362525],"study_design_scores_gemma":[0.00034414607,0.0004494397,0.0024357322,0.011957999,0.00053029275,0.000016880736,0.008647114,0.000004473393,0.000023040517,0.000383868,0.97487473,0.0003322637],"about_ca_topic_score_codex":0.000057808582,"about_ca_topic_score_gemma":0.0011874478,"teacher_disagreement_score":0.9578244,"about_ca_system_score_codex":0.000039359875,"about_ca_system_score_gemma":0.000023816663,"threshold_uncertainty_score":0.9978891},"labels":[],"label_agreement":null},{"id":"W2555097278","doi":"","title":"Photograph - Dorothy Wetherald Rungeling, 1915","year":2013,"lang":"en","type":"article","venue":"Brock University Digital Repository (Brock University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.011415038086291551,"score_gpt":0.16981689023412297,"score_spread":0.15840185214783142,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2555097278","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40182993,0.000105968116,0.0001965975,0.000020686097,0.00042540918,0.00031806543,0.000078345074,0.0004360887,0.5965889],"genre_scores_gemma":[0.47041616,0.00002212414,0.000018140207,0.000072004594,0.00015830806,2.172801e-7,0.00002063844,0.00001774398,0.52927464],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982783,0.0000971023,0.00022724627,0.0005556468,0.0003513961,0.0004903086],"domain_scores_gemma":[0.9985773,0.00009547466,0.00016862644,0.00043355007,0.00037404688,0.00035101039],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0000026339385,0.0003507872,0.00035201214,0.0005987711,0.0011041601,0.00067174825,0.00071807916,0.00014435472,0.000426577],"category_scores_gemma":[0.000016985587,0.0003971054,0.0004925855,0.00030411503,0.00038151914,0.0029934268,0.0002688183,0.0002834288,0.00048225242],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00057546986,0.0014906359,0.02804999,0.00020020951,0.0016897657,0.00067553855,0.0015140193,0.00015886802,0.031158788,0.0300351,0.9011914,0.0032601976],"study_design_scores_gemma":[0.0007290586,0.00013049858,0.0014648229,0.000057841735,0.00019790397,0.000020647742,0.044699017,0.000012922822,0.00021638282,0.00029653974,0.9515511,0.00062330294],"about_ca_topic_score_codex":0.0010918162,"about_ca_topic_score_gemma":0.0010097448,"teacher_disagreement_score":0.06858622,"about_ca_system_score_codex":0.00018917065,"about_ca_system_score_gemma":0.000067075256,"threshold_uncertainty_score":0.99984807},"labels":[],"label_agreement":null},{"id":"W2564126404","doi":"","title":"Me thoughts I heard one calling, talking to God in the poetry of John Donne, George Herbert, Christina Rossetti, and Gerard Manley Hopkins","year":2000,"lang":"en","type":"dissertation","venue":"Library and Archives Canada (Government of Canada)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto","keywords":"George (robot); Poetry; Performance art; Art history; Art; History; Philosophy; Literature","score_opus":0.005411066195724708,"score_gpt":0.1653051207865174,"score_spread":0.1598940545907927,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2564126404","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47577107,0.0018529441,0.0000028172542,0.0025024645,0.00023828661,0.000302796,0.0007070979,0.000008212285,0.5186143],"genre_scores_gemma":[0.963496,0.0008461237,0.00007205197,0.0012146136,0.00027966825,0.00001692742,0.00012218613,0.00003337677,0.033919036],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99721885,0.00010599927,0.0005601988,0.0003610793,0.0013888617,0.00036500007],"domain_scores_gemma":[0.99911505,0.00021931909,0.00022942538,0.0002640647,0.0000022339543,0.00016991253],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000038186237,0.00032336326,0.0005737752,0.0000959286,0.00032675217,0.000110824614,0.0003215966,0.000057887173,0.0002876955],"category_scores_gemma":[0.000005089425,0.0002694932,0.00007277037,0.00007861308,0.000093999195,0.00025123672,0.00005020408,0.00030640067,9.7704325e-9],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0029958396,0.0004993178,0.006517928,0.0037832195,0.0010822286,0.0004980162,0.0345684,0.0001689076,0.0034297956,0.9180071,0.00965019,0.01879906],"study_design_scores_gemma":[0.0009962125,0.00036853622,0.114431575,0.0025012067,0.0005271667,0.000013779841,0.07220612,0.0005915952,0.013959464,0.005476683,0.78744924,0.001478454],"about_ca_topic_score_codex":0.026560856,"about_ca_topic_score_gemma":0.44161373,"teacher_disagreement_score":0.9125304,"about_ca_system_score_codex":0.000007213251,"about_ca_system_score_gemma":0.00054741156,"threshold_uncertainty_score":0.99997574},"labels":[],"label_agreement":null},{"id":"W2567531837","doi":"10.33137/q.i..v30i1.8430","title":"On Justice and Liberty in Natalia Ginzburg's Non-Fictional Writings","year":2009,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dictatorship; Dialectic; Poetics; Economic Justice; Pessimism; Aside; Disengagement theory; Power (physics); Sociology; Aesthetics; Philosophy; Law; Literature; Art; Political science; Democracy; Epistemology; Poetry; Politics","score_opus":0.021728806562398183,"score_gpt":0.2538898738106503,"score_spread":0.23216106724825214,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2567531837","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12803662,0.00021996142,0.00025940294,0.006468775,0.00050750276,0.00019690553,0.00018919866,0.00011791932,0.8640037],"genre_scores_gemma":[0.98257977,0.000013018816,0.00007603262,0.0027229015,0.000460403,0.000006696299,0.000031879626,0.000013202458,0.0140960915],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987907,0.000031428,0.00029754266,0.00032315825,0.0002472903,0.00030991074],"domain_scores_gemma":[0.9994767,0.000144643,0.000052224736,0.00016628562,0.00004913361,0.00011105664],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015713536,0.00018823783,0.00023496992,0.00012676872,0.0003213219,0.00025674814,0.00012307797,0.00006207097,0.0057509225],"category_scores_gemma":[0.000111423564,0.00017132248,0.000068852445,0.00005401844,0.0001780803,0.00019060272,0.000017573046,0.00024776935,0.00040349853],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030144625,0.00020027164,0.000019180483,0.00003968188,0.00001654819,0.000079753474,0.0023308692,0.0000047617636,0.00006851922,0.9789466,0.01677308,0.0014905487],"study_design_scores_gemma":[0.0022169573,0.0018052681,0.020826282,0.0006855077,0.0009232502,0.00010777173,0.019457422,0.011223346,0.00031776138,0.2595365,0.6806654,0.002234538],"about_ca_topic_score_codex":0.000110002555,"about_ca_topic_score_gemma":0.00012460278,"teacher_disagreement_score":0.85454315,"about_ca_system_score_codex":0.000037007314,"about_ca_system_score_gemma":0.000021748656,"threshold_uncertainty_score":0.99515796},"labels":[],"label_agreement":null},{"id":"W2570207277","doi":"","title":"The Soul Thinking Itself: Toward a Poetics of Subjectivity in the Poetry of Emily Dickinson","year":2011,"lang":"en","type":"dissertation","venue":"TSpace","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto","keywords":"Poetics; Soul; Subjectivity; Poetry; Literature; Philosophy; Art; Epistemology","score_opus":0.040840482864522756,"score_gpt":0.305219907652979,"score_spread":0.2643794247884563,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2570207277","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7596642,0.0024205039,0.000009226034,0.00039034514,0.0004524411,0.0002072985,0.00002062777,0.000016628584,0.23681875],"genre_scores_gemma":[0.9895542,0.00034138278,0.0000078303,0.00008737947,0.00016668248,0.0000139777185,0.000043858316,0.000021238302,0.009763396],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9985842,0.00018678044,0.0003904584,0.00018347046,0.00043073672,0.00022433679],"domain_scores_gemma":[0.99868035,0.00031461226,0.0003989114,0.00039986192,0.00018603125,0.000020257496],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007813749,0.00020568917,0.00040266264,0.00011495391,0.00026527478,0.00008557774,0.0005559307,0.00013599262,0.00020935452],"category_scores_gemma":[0.00011931768,0.000119740915,0.00024420902,0.00009987692,0.00019398241,0.00006571572,0.000027521568,0.00043405555,0.0000054120464],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008754847,0.00019856813,0.00043758357,0.00032277388,0.0001423346,0.0000040419914,0.6542391,0.0000017790807,0.00015015254,0.3419749,0.001091003,0.0013501833],"study_design_scores_gemma":[0.00041505566,0.00025681604,0.017666932,0.0007054631,0.00068169244,0.0000020548368,0.8879981,0.00005293339,0.003170646,0.04047562,0.04804135,0.0005333119],"about_ca_topic_score_codex":0.0038475632,"about_ca_topic_score_gemma":0.01604357,"teacher_disagreement_score":0.3014993,"about_ca_system_score_codex":0.00001713086,"about_ca_system_score_gemma":0.000059814964,"threshold_uncertainty_score":0.8952688},"labels":[],"label_agreement":null},{"id":"W2575172961","doi":"10.4000/1718.757","title":"Le silence de la musique dans The Wanderer de Frances Burney","year":2016,"lang":"fr","type":"article","venue":"XVII-XVIII","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Musée de la Civilisation","funders":"","keywords":"Art; Humanities","score_opus":0.007425553712266035,"score_gpt":0.226745215151051,"score_spread":0.21931966143878498,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2575172961","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16416788,0.016616927,0.0042567574,0.025550239,0.0007664818,0.00017234443,0.00017278263,0.000092108494,0.7882045],"genre_scores_gemma":[0.89280975,0.0019005883,0.00005689093,0.0018616827,0.0015376688,0.000032626147,0.0000026717585,0.000028540595,0.10176955],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979233,0.0005086197,0.00032885387,0.00032783492,0.0002361431,0.00067522237],"domain_scores_gemma":[0.9985674,0.0006275938,0.00010811374,0.0004402864,0.00009408265,0.0001625323],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000854656,0.00026235034,0.0002918087,0.00004989394,0.001320478,0.00035942838,0.00050382904,0.00018187128,0.0027953791],"category_scores_gemma":[0.00011891722,0.0001562252,0.00027838568,0.00007058264,0.002105692,0.00034422995,0.00008457661,0.0003001867,0.00027715674],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001387769,0.00016353757,0.0006917641,0.000046734778,0.00011843484,0.000048722584,0.023818363,0.000015059237,0.0020116016,0.95257235,0.01175575,0.008743784],"study_design_scores_gemma":[0.00041438357,0.000062511645,0.0023039125,0.00027145838,0.00017011871,0.000042230444,0.01020007,0.000088325665,0.0025342111,0.05212825,0.9314668,0.00031768467],"about_ca_topic_score_codex":0.003727596,"about_ca_topic_score_gemma":0.0015025679,"teacher_disagreement_score":0.9197111,"about_ca_system_score_codex":0.000072765404,"about_ca_system_score_gemma":0.00028566396,"threshold_uncertainty_score":0.9999797},"labels":[],"label_agreement":null},{"id":"W257746674","doi":"","title":"Crossings: An Interview with Erin Moure","year":2017,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Alley; Poetry; Poetics; Pilgrimage; Mosaic; Art; Visual arts; Art history; History; Literature; Archaeology","score_opus":0.04818445908317808,"score_gpt":0.24922882487259607,"score_spread":0.20104436578941798,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W257746674","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.117627665,0.0000027291262,0.00013354418,0.00038435456,0.00012318793,0.00014231278,0.00003976288,0.000116408286,0.88143003],"genre_scores_gemma":[0.99277884,0.004011264,0.00011122913,0.00021401128,0.00027970993,0.0000013994754,0.000016750284,0.000024319328,0.0025624537],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900115,0.00007854908,0.0001157723,0.0003416366,0.00016538618,0.00029751207],"domain_scores_gemma":[0.99888295,0.00001399509,0.00015211277,0.00070228276,0.00015488919,0.00009378661],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00013792382,0.0002038102,0.00025606083,0.0020362176,0.0016437195,0.001047623,0.00071318354,0.000052595155,0.00060969306],"category_scores_gemma":[0.000016165719,0.0001712041,0.00012514599,0.00028429544,0.00049576734,0.0014788698,0.00015729584,0.00018223697,0.00004398911],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005945026,0.0017536646,0.0017133959,0.0005136095,0.0011493196,0.002205676,0.24545184,0.000018614426,0.000028005925,0.5653931,0.0033076697,0.17787065],"study_design_scores_gemma":[0.00055189984,0.0002025255,0.00016485581,0.00010975625,0.00015937972,0.0000064769797,0.0054668337,0.00011657989,0.000052717704,0.0000049192236,0.9928872,0.00027686325],"about_ca_topic_score_codex":0.041391436,"about_ca_topic_score_gemma":0.14226021,"teacher_disagreement_score":0.9895795,"about_ca_system_score_codex":0.00005782496,"about_ca_system_score_gemma":0.00011869868,"threshold_uncertainty_score":0.9999894},"labels":[],"label_agreement":null},{"id":"W2582081144","doi":"10.14354/yjk.2016.51.61","title":"The Shamrock and the Maple Leaf: Yeats and Canadian Modernist Poetry","year":2016,"lang":"en","type":"article","venue":"The Yeats Journal of Korea","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Maple; Poetry; Art; Literature; Botany; Biology","score_opus":0.017676826751382657,"score_gpt":0.20863854199249304,"score_spread":0.19096171524111039,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2582081144","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7060454,0.013959851,0.00005988858,0.1239157,0.0007297352,0.00021019741,0.00008233484,0.000013715458,0.15498321],"genre_scores_gemma":[0.98333883,0.0009822617,0.0000028892023,0.00066039053,0.00062401884,0.0000013764178,2.714309e-7,0.000009139781,0.014380842],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992022,0.000106459614,0.0002275527,0.00007173135,0.00018286657,0.00020921465],"domain_scores_gemma":[0.9991454,0.00032870364,0.00011815432,0.00018563702,0.00010092297,0.00012121575],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006997781,0.00009791424,0.00017383444,0.00004360955,0.0010339582,0.00031568715,0.00027691855,0.000024117679,0.00024948263],"category_scores_gemma":[0.00007115107,0.000030967392,0.00008954995,0.000018873856,0.0008128408,0.00012949937,0.0000389502,0.000151782,0.000014245512],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023957006,0.000032388878,0.0010515719,0.000014126714,0.0005791912,0.0000635918,0.02565546,0.000004323284,0.00017671841,0.8685493,0.05641947,0.047214273],"study_design_scores_gemma":[0.0020142922,0.00014100826,0.0050343117,0.00013930754,0.00040837872,0.00042469025,0.009835364,0.00020060672,0.00011291712,0.106364325,0.875077,0.00024780206],"about_ca_topic_score_codex":0.0047215503,"about_ca_topic_score_gemma":0.043470334,"teacher_disagreement_score":0.8186575,"about_ca_system_score_codex":0.000024330864,"about_ca_system_score_gemma":0.000058330606,"threshold_uncertainty_score":0.9739838},"labels":[],"label_agreement":null},{"id":"W2582845534","doi":"","title":"The Nuclear Holocaust: Sylvia Plath as a Mother Poet","year":2016,"lang":"pl","type":"article","venue":"Jednak Książki. Gdańskie Czasopismo Humanistyczne","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; The Holocaust; Invocation; Cold war; Literature; Quarter (Canadian coin); History; Art; Law; Political science; Politics","score_opus":0.012866906574702219,"score_gpt":0.22454795434382546,"score_spread":0.21168104776912325,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2582845534","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24603243,0.012519148,0.00014519866,0.036911473,0.00845198,0.001899373,0.0013876095,0.0011294339,0.6915234],"genre_scores_gemma":[0.70787454,0.002272434,0.0000286792,0.0024467846,0.00342904,0.000059280737,0.000035823006,0.0002951452,0.28355828],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9918446,0.0005816395,0.0018434821,0.0017480878,0.0015492176,0.0024329715],"domain_scores_gemma":[0.99385417,0.0013301077,0.0008394823,0.0027286455,0.0005478088,0.0006997762],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0012719606,0.0014858352,0.0014309392,0.00036367195,0.006605834,0.0030732267,0.0023023514,0.0006179698,0.03519535],"category_scores_gemma":[0.0004769756,0.00090016046,0.0012827471,0.00027834036,0.0034652592,0.0010119212,0.0006927484,0.001013471,0.02021771],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002449137,0.0005839183,0.000077231336,0.00009947212,0.0010329832,0.0002589565,0.007872198,0.0000014446822,0.0008432204,0.8839729,0.096358,0.008654802],"study_design_scores_gemma":[0.0020453308,0.0007596251,0.000964218,0.0005620817,0.00079907523,0.000086279266,0.0049456875,0.000077195546,0.0002779951,0.027325323,0.96059483,0.0015623408],"about_ca_topic_score_codex":0.0009095845,"about_ca_topic_score_gemma":0.0010095251,"teacher_disagreement_score":0.86423683,"about_ca_system_score_codex":0.00046417987,"about_ca_system_score_gemma":0.00023780324,"threshold_uncertainty_score":0.99978906},"labels":[],"label_agreement":null},{"id":"W2586058464","doi":"10.20355/c5ws3f","title":"Citizen: An American Lyric - A Creative Rupture of Citizenship","year":2017,"lang":"en","type":"article","venue":"Journal of Contemporary Issues in Education","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"University of Alberta","keywords":"Citizenship; Degree Rankine; Literature; Art; Aesthetics; Sociology; Visual arts; Political science; Law; Engineering","score_opus":0.04872344890111336,"score_gpt":0.34858521101643647,"score_spread":0.2998617621153231,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2586058464","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8737165,0.0026500535,0.000008139399,0.0029260358,0.00065282057,0.00007105429,0.000010386657,0.0000046875925,0.11996032],"genre_scores_gemma":[0.99464697,0.00013311929,0.00013973718,0.0002008051,0.0012428972,0.0000032647665,0.000008005398,0.000010643996,0.0036145803],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99882716,0.00015069399,0.0005790029,0.00010441194,0.0002305947,0.00010813557],"domain_scores_gemma":[0.9978016,0.000056061555,0.0012681353,0.00031464724,0.00047815288,0.00008141491],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00048883155,0.000114725415,0.00043465846,0.00026838924,0.00018274976,0.00019946853,0.00038094228,0.00003229709,0.0003852251],"category_scores_gemma":[0.00024014107,0.00009413181,0.00012788751,0.000040890478,0.00043929086,0.000772887,0.000018548066,0.00019471748,0.0000033347087],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007850187,0.0034232738,0.08880111,0.0002401899,0.00068411935,0.00010505897,0.32116425,0.000015551166,0.0011307001,0.43263108,0.086547084,0.064472586],"study_design_scores_gemma":[0.0019467697,0.0028626383,0.21703057,0.0016115439,0.00029742837,0.00006118242,0.37731445,0.000097666365,0.0020913817,0.12367921,0.27220583,0.00080134784],"about_ca_topic_score_codex":0.0009416809,"about_ca_topic_score_gemma":0.0001796577,"teacher_disagreement_score":0.30895185,"about_ca_system_score_codex":0.000036476424,"about_ca_system_score_gemma":0.0002907759,"threshold_uncertainty_score":0.42179447},"labels":[],"label_agreement":null},{"id":"W2595565916","doi":"10.5353/th_b4320980","title":"Talking Chinese Canada : the poetry of Fred Wah","year":2009,"lang":"en","type":"dissertation","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Literature; History; Art history","score_opus":0.006688166700398561,"score_gpt":0.21802554007629674,"score_spread":0.21133737337589817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2595565916","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24207228,0.00079235237,7.8696235e-7,0.000281108,0.00067148067,0.00007039232,0.000044967426,0.000015268735,0.75605136],"genre_scores_gemma":[0.81326,0.000017068054,0.0000020809919,0.00032695886,0.0003752794,0.0000032389974,0.00037147445,0.000010561212,0.18563332],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907994,0.00002437836,0.0003075464,0.00014000536,0.0002956221,0.00015250256],"domain_scores_gemma":[0.99939585,0.000053881093,0.00015006277,0.00023071902,0.0001392833,0.00003017834],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0000771924,0.00017762098,0.00029774394,0.000054141936,0.00025680807,0.00007715885,0.0002466348,0.00005630938,0.00487994],"category_scores_gemma":[0.000029208395,0.00009897513,0.00015430369,0.00004331195,0.000036128604,0.000054210937,0.000007066523,0.0001792144,0.0000050568847],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064874264,0.00020877863,0.00030928935,0.00043418744,0.0008690477,0.000041238956,0.040652186,0.000022655988,0.00022308355,0.761845,0.16991778,0.025411893],"study_design_scores_gemma":[0.0005457945,0.0001252499,0.039558724,0.0004596398,0.0010979032,0.0000041594053,0.15974845,0.00035701878,0.00086788385,0.020939017,0.7748311,0.0014650179],"about_ca_topic_score_codex":0.72294897,"about_ca_topic_score_gemma":0.99410504,"teacher_disagreement_score":0.74090594,"about_ca_system_score_codex":0.000025564326,"about_ca_system_score_gemma":0.00019789538,"threshold_uncertainty_score":0.99602973},"labels":[],"label_agreement":null},{"id":"W2596534319","doi":"","title":"She Tries Her Tongue, Her Silence Softly Breaks","year":2016,"lang":"en","type":"article","venue":"Chicago Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":23,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Silence; Poetry; Venn diagram; Reading (process); Literature; Philosophy; Art history; History; Art; Linguistics; Psychology; Aesthetics","score_opus":0.03150422327427166,"score_gpt":0.26119995146717817,"score_spread":0.2296957281929065,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2596534319","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0043430487,0.46997672,0.00014969401,0.023897799,0.00067365257,0.00046226248,0.00009107333,0.00021167847,0.5001941],"genre_scores_gemma":[0.6441932,0.15965298,0.000029715586,0.014296268,0.0014409336,0.00010532296,0.00001409609,0.000047941387,0.18021958],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987488,0.000086854925,0.00039171663,0.00028243553,0.00021194037,0.0002782716],"domain_scores_gemma":[0.9991479,0.000112572976,0.0000966331,0.0004314473,0.00011417068,0.00009728119],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003113915,0.00019211098,0.00046646217,0.000033128275,0.00021773716,0.00009427976,0.0002751615,0.000039665832,0.03678501],"category_scores_gemma":[0.00014796585,0.00010292379,0.00027454086,0.000056809047,0.00030047414,0.00025794964,0.0000520085,0.00010117619,0.0018746558],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008298029,0.00013513863,0.00012094804,0.0017589449,0.000140251,0.000020859059,0.0016218993,3.5992294e-8,0.00013149742,0.43450993,0.19536896,0.36618322],"study_design_scores_gemma":[0.00012528061,0.000028019494,0.00010423862,0.003213857,0.00015594641,0.000005267702,0.000095293115,4.818041e-7,0.000059921913,0.0029556674,0.9930478,0.00020824753],"about_ca_topic_score_codex":0.000030519146,"about_ca_topic_score_gemma":0.00008112789,"teacher_disagreement_score":0.7976788,"about_ca_system_score_codex":0.0000167794,"about_ca_system_score_gemma":0.00002815395,"threshold_uncertainty_score":0.9989025},"labels":[],"label_agreement":null},{"id":"W2599516585","doi":"10.33137/q.i..v28i1.8563","title":"The Broken World: Poems 1967-1998","year":2007,"lang":"fr","type":"article","venue":"Quaderni d italianistica","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Literature","score_opus":0.03330942794547097,"score_gpt":0.27988790755512233,"score_spread":0.24657847960965135,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2599516585","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0017437172,0.024476232,0.0010211916,0.013056427,0.0047497754,0.00024180813,0.00031082318,0.000113492184,0.9542865],"genre_scores_gemma":[0.4672039,0.00028262156,0.000058090936,0.0008199808,0.0032562525,0.000007492829,0.000027494354,0.000045001576,0.52829915],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965306,0.00014748992,0.0008869932,0.0004963379,0.0006108764,0.0013277099],"domain_scores_gemma":[0.9974806,0.0010791462,0.00020527083,0.0006979873,0.00015244509,0.00038455904],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0012848595,0.00044600092,0.00043443125,0.00015486924,0.0029666955,0.0013474711,0.0006329115,0.00015907381,0.018884992],"category_scores_gemma":[0.00019817414,0.00034462658,0.00043532657,0.00020958924,0.0020433527,0.00024456886,0.0001118933,0.00058180385,0.013313774],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038853206,0.00021081783,0.00009146714,0.00006698717,0.00024275153,0.00016635432,0.002109414,0.0000015760965,0.000012523695,0.89586335,0.0858489,0.015347013],"study_design_scores_gemma":[0.00017576358,0.00012089514,0.00042027727,0.00011469618,0.0004026509,0.000023785084,0.0071640327,0.00026691635,0.00006566635,0.015805438,0.9749494,0.00049042987],"about_ca_topic_score_codex":0.0012298572,"about_ca_topic_score_gemma":0.010233314,"teacher_disagreement_score":0.88910055,"about_ca_system_score_codex":0.00015562653,"about_ca_system_score_gemma":0.00008397786,"threshold_uncertainty_score":0.9999006},"labels":[],"label_agreement":null},{"id":"W2602725905","doi":"10.31581/jbs-25.3.10(2015)","title":"On Meeting Robert Hayden in a Dream","year":2015,"lang":"en","type":"article","venue":"The Journal of Bahá’í Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dream; Art history; History; Pillar; Work (physics); African american; Environmental ethics; Art; Philosophy; Psychology; Ethnology; Engineering","score_opus":0.11131480229720096,"score_gpt":0.3120671855046662,"score_spread":0.20075238320746525,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2602725905","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88240093,0.012927886,0.0000071665504,0.005697938,0.00059466204,0.000053842636,0.0000020903656,0.0000092342325,0.09830625],"genre_scores_gemma":[0.99595183,0.0004263431,0.000013923645,0.00045495335,0.0005718074,9.826852e-7,1.1748804e-7,0.000006602877,0.0025734275],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990479,0.000114630326,0.00035989916,0.000049805814,0.0002776378,0.0001501268],"domain_scores_gemma":[0.9990947,0.00031190633,0.00018370217,0.00009856316,0.00026936695,0.00004174385],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014186929,0.00009498781,0.00029936148,0.000106402505,0.00017595263,0.00004669364,0.00018293486,0.000013305194,0.0000594447],"category_scores_gemma":[0.00038649875,0.00004948136,0.00009018016,0.000043918226,0.0001726737,0.00013217752,0.000049953193,0.00019230251,0.000025337145],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005121951,0.0005132135,0.00092612597,0.000054019714,0.0015897698,0.00016040714,0.5979182,0.0021622498,0.000115832416,0.25036907,0.14152928,0.0041496255],"study_design_scores_gemma":[0.0028477523,0.0018929394,0.001188312,0.0013385209,0.000930081,0.000109533365,0.6521175,0.00029893877,0.00048275356,0.22348309,0.11474682,0.0005637604],"about_ca_topic_score_codex":0.00008602395,"about_ca_topic_score_gemma":0.0008312223,"teacher_disagreement_score":0.11355092,"about_ca_system_score_codex":0.000048659225,"about_ca_system_score_gemma":0.000021882546,"threshold_uncertainty_score":0.20177914},"labels":[],"label_agreement":null},{"id":"W260367802","doi":"","title":"Poetry Protests: A Poetry Bell.","year":2001,"lang":"en","type":"article","venue":"English quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Art","score_opus":0.014377141762026431,"score_gpt":0.2129373548992561,"score_spread":0.19856021313722969,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W260367802","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41910055,0.0005383429,0.00015324407,0.00058952055,0.0013668183,0.00026394828,0.000037975606,0.0004459751,0.5775036],"genre_scores_gemma":[0.9681243,0.0000099671,0.00004813816,0.0004883046,0.0035407708,0.000047369478,0.000029157336,0.000032535238,0.02767947],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984342,0.00007281663,0.0003653068,0.00035134508,0.0003073967,0.00046895345],"domain_scores_gemma":[0.9990323,0.00006553865,0.00008387933,0.00041678126,0.00024907468,0.0001524009],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002126355,0.00023631108,0.00028641763,0.00014785287,0.00041491093,0.00043034024,0.0002937693,0.00007908467,0.007500173],"category_scores_gemma":[0.000060466544,0.0002116504,0.00020347652,0.00011175315,0.00018370396,0.0005537323,0.000015996517,0.00028232313,0.00061126804],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000740804,0.0010442015,0.0014837461,0.00008274537,0.00027634052,0.00030174063,0.23055305,0.000004131558,0.00014184811,0.66526264,0.06219337,0.038582105],"study_design_scores_gemma":[0.0005293236,0.0006197951,0.0003853149,0.000050519444,0.000077779114,0.000011936971,0.036607258,0.000086982676,0.000038899787,0.0077451635,0.9533887,0.00045832046],"about_ca_topic_score_codex":0.00017627541,"about_ca_topic_score_gemma":0.0003330135,"teacher_disagreement_score":0.89119536,"about_ca_system_score_codex":0.0000345448,"about_ca_system_score_gemma":0.000027032193,"threshold_uncertainty_score":0.99340713},"labels":[],"label_agreement":null},{"id":"W2605952010","doi":"10.1093/res/hgx041","title":"ELEANOR COOK. Elizabeth Bishop At Work.","year":2017,"lang":"en","type":"article","venue":"The Review of English Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Biography; Painting; Art; Art history; Literature; History","score_opus":0.08222522065597021,"score_gpt":0.3283936121292242,"score_spread":0.24616839147325398,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2605952010","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0075303977,0.65604407,3.794647e-7,0.0020422991,0.00086407433,0.00020351671,0.000021596505,0.000032003532,0.33326167],"genre_scores_gemma":[0.36395052,0.60074335,0.000007807554,0.0013328618,0.0016480109,0.000040761908,0.0000050795416,0.000016208454,0.032255433],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898314,0.00008483781,0.0003680453,0.0001547153,0.00021128402,0.00019799564],"domain_scores_gemma":[0.99792165,0.00019139351,0.00031454975,0.0007655321,0.00077789015,0.00002896692],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007157806,0.00015726924,0.000621954,0.00002088266,0.0010366665,0.000077278026,0.0005251465,0.000016239546,0.0006310001],"category_scores_gemma":[0.0022305157,0.00008408803,0.00026418775,0.000026779413,0.00087581226,0.00014095212,0.00031277063,0.00009949663,0.00006221815],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016714153,0.000095315365,0.0004451706,0.0069822324,0.0013185266,0.000005278226,0.031971455,5.149443e-7,0.0000033949627,0.15208967,0.79409087,0.012980861],"study_design_scores_gemma":[0.000095939475,0.000023843575,0.00013212404,0.0044215852,0.00044759782,1.8659924e-7,0.0025161118,5.316578e-7,0.00002688564,0.00045158033,0.9917602,0.00012344857],"about_ca_topic_score_codex":0.000016707363,"about_ca_topic_score_gemma":0.00011663329,"teacher_disagreement_score":0.3564201,"about_ca_system_score_codex":0.000019666166,"about_ca_system_score_gemma":0.000008380489,"threshold_uncertainty_score":0.7973305},"labels":[],"label_agreement":null},{"id":"W260662615","doi":"","title":"Elizabeth Bishop: Nova Scotia in Brazil","year":2001,"lang":"en","type":"article","venue":"Papers on Language & Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nova scotia; History; Poetry; Nova (rocket); Humanities; Ethnology; Art history; Art; Literature","score_opus":0.009703323572945129,"score_gpt":0.2527651549584939,"score_spread":0.24306183138554877,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W260662615","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4701269,0.0048669316,5.877356e-7,0.0012206413,0.00035401114,0.000090309724,0.000065429784,0.00007560008,0.52319956],"genre_scores_gemma":[0.96187025,0.00008281377,0.000017559094,0.0055655767,0.0007547448,0.000003587428,0.00012731522,0.000022327855,0.03155581],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886656,0.00006202505,0.00021623721,0.0003024438,0.00021499732,0.00033771896],"domain_scores_gemma":[0.9994853,0.000046927104,0.000041205414,0.00030156283,0.000045181365,0.000079829144],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013860702,0.00020887656,0.00023938912,0.00020504466,0.000103515194,0.00040532992,0.00018970438,0.00009442806,0.009745347],"category_scores_gemma":[0.000035964338,0.00016128589,0.00013989063,0.00020141929,0.00008091129,0.0002040752,0.000022203783,0.00037241747,0.0003070513],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031882868,0.001126135,0.007890591,0.00019897222,0.0002488698,0.004260078,0.44044948,0.000056109555,0.008255693,0.45872197,0.044171628,0.034301646],"study_design_scores_gemma":[0.0009459502,0.00014239796,0.002991225,0.00051747117,0.000055392815,0.000027384343,0.013386678,0.00005770801,0.0002180616,0.00042498368,0.9806379,0.0005948367],"about_ca_topic_score_codex":0.00020202111,"about_ca_topic_score_gemma":0.006867068,"teacher_disagreement_score":0.9364663,"about_ca_system_score_codex":0.000028275004,"about_ca_system_score_gemma":0.000011311204,"threshold_uncertainty_score":0.99115986},"labels":[],"label_agreement":null},{"id":"W2612483938","doi":"10.1093/acrefore/9780190201098.013.132","title":"Jack Kerouac and Translingual Literature","year":2017,"lang":"en","type":"reference-entry","venue":"Oxford Research Encyclopedia of Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"French; History; Diaspora; Narrative; French literature; Slang; Literature; Art; Classics; Sociology; Philosophy; Archaeology","score_opus":0.05944945275174949,"score_gpt":0.3428430771502048,"score_spread":0.2833936243984553,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2612483938","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014031722,0.14005904,0.0000012588456,0.0006840909,0.0012580047,0.00040378812,0.003472175,0.000038761893,0.8526797],"genre_scores_gemma":[0.0043506296,0.4897671,0.000054427586,0.000050669485,0.0051716203,0.000043836142,0.0017288598,0.00006408776,0.49876875],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952505,0.00045650598,0.0007550089,0.0009796375,0.001514659,0.0010436659],"domain_scores_gemma":[0.99604005,0.00040269113,0.00031990165,0.0012305806,0.0016248564,0.00038194208],"candidate_categories":["metaepi_narrow","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011280092,0.00069281703,0.0012271414,0.0009350273,0.0012183978,0.0027638322,0.0012150609,0.0010753961,0.0014653162],"category_scores_gemma":[0.00050271966,0.000515673,0.00048639782,0.00024057856,0.0012799129,0.0007587999,0.00030856903,0.0043766173,0.000018820463],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020663865,0.00033382542,0.000095994445,0.0066297036,0.00059670396,0.00064537843,0.07651057,1.6142623e-7,0.000002140489,0.10254329,0.62610877,0.18632683],"study_design_scores_gemma":[0.00041612264,0.00025329538,0.000050675284,0.0069258446,0.00014195192,0.000016710976,0.00094799895,0.0000047206813,0.0000038271223,0.0069242027,0.98380166,0.0005129938],"about_ca_topic_score_codex":0.00007279793,"about_ca_topic_score_gemma":0.000307211,"teacher_disagreement_score":0.3576929,"about_ca_system_score_codex":0.00004814168,"about_ca_system_score_gemma":0.0003909126,"threshold_uncertainty_score":0.9997295},"labels":[],"label_agreement":null},{"id":"W2613920859","doi":"","title":"The Old and the New: The Relationship Between Intertextuality and Originality in Writing","year":2017,"lang":"en","type":"article","venue":"Verso: An Undergraduate Journal of Literary Criticism","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Originality; Kaleidoscope; Intertextuality; Style (visual arts); Context (archaeology); Utterance; Negotiation; Literature; Sociology; Aesthetics; Epistemology; Linguistics; Art; Philosophy; Visual arts; History; Social science","score_opus":0.06551946831937158,"score_gpt":0.3210009335129404,"score_spread":0.25548146519356885,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2613920859","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8892538,0.0026433829,0.00011177227,0.10229745,0.00030725225,0.0001262011,0.00002070119,0.000008673024,0.005230763],"genre_scores_gemma":[0.9957659,0.00022659144,0.000027066399,0.0007425674,0.00090941414,0.0000019399547,0.0000021656783,0.000011090014,0.0023132141],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99787194,0.0006659385,0.00072749925,0.00016501622,0.0003047387,0.0002648947],"domain_scores_gemma":[0.9958288,0.0030300918,0.00040837075,0.00045764746,0.00014259956,0.00013250124],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0030183715,0.00017120961,0.00033873253,0.00007746364,0.002814183,0.0025039038,0.0005800809,0.000045201094,0.000021301827],"category_scores_gemma":[0.00076438015,0.00008255257,0.00014125039,0.000035713136,0.0015982027,0.0013665204,0.000113270304,0.0006461073,0.0000019584365],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000101886755,0.000027925513,0.034215923,0.000023631665,0.00007528867,0.000022624621,0.018194662,3.3166705e-7,0.0000016145719,0.9429204,0.0008615541,0.0035541533],"study_design_scores_gemma":[0.0017766248,0.00012420463,0.107383884,0.00023051102,0.000218291,0.00006854836,0.009415647,0.0001791049,0.000005225744,0.84696347,0.03346713,0.00016737927],"about_ca_topic_score_codex":0.0004490345,"about_ca_topic_score_gemma":0.0007990929,"teacher_disagreement_score":0.106512144,"about_ca_system_score_codex":0.000026310521,"about_ca_system_score_gemma":0.00005243189,"threshold_uncertainty_score":0.9985316},"labels":[],"label_agreement":null},{"id":"W2615241794","doi":"10.1353/mod.2017.0029","title":"Elizabeth Bishop's Brazil by Bethany Hicok","year":2017,"lang":"en","type":"article","venue":"Modernism/modernity","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Tourism; Government (linguistics); Art; Humanities; Art history; History; Philosophy; Archaeology; Literature","score_opus":0.047820979359689146,"score_gpt":0.2892410862961822,"score_spread":0.24142010693649307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2615241794","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4895893,0.0015827159,0.0146147795,0.0075840284,0.0013500856,0.00042000497,0.00090689934,0.0004962192,0.483456],"genre_scores_gemma":[0.9441513,0.00010850154,0.00008242655,0.0014322058,0.00072271586,0.00003533298,0.00009025249,0.00006142457,0.053315833],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99744374,0.0001308327,0.0004580258,0.000658762,0.00058450893,0.00072415697],"domain_scores_gemma":[0.9975839,0.00007610904,0.0003098417,0.0015151832,0.00022915426,0.0002857934],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004853425,0.00042824761,0.00057508773,0.00009758204,0.003482,0.0017355498,0.0011585742,0.00018219226,0.004007878],"category_scores_gemma":[0.00014231785,0.00039157222,0.00034875574,0.000015525038,0.00082798564,0.0010143137,0.00030682966,0.0005290375,0.0006479344],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030926656,0.0036443581,0.0084328335,0.00047026147,0.001760085,0.00019769573,0.07486209,0.00016185532,0.011155631,0.45128205,0.36983028,0.0778936],"study_design_scores_gemma":[0.0013666953,0.00014226467,0.0018487218,0.000072287716,0.00033826128,0.0000074833924,0.0010230211,0.017604748,0.0031803988,0.07050858,0.9025679,0.0013396075],"about_ca_topic_score_codex":0.0015958099,"about_ca_topic_score_gemma":0.0025218914,"teacher_disagreement_score":0.5327377,"about_ca_system_score_codex":0.00006553087,"about_ca_system_score_gemma":0.00006680564,"threshold_uncertainty_score":0.9998536},"labels":[],"label_agreement":null},{"id":"W2615667328","doi":"","title":"The Sound of Canadian Modernisms: The Sir George Williams University Poetry Series, 1966-74","year":2012,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; George (robot); Poetics; TRACE (psycholinguistics); American poetry; Art history; Art; Literature; History; Sociology; Humanities; Philosophy; Linguistics","score_opus":0.030631196928424125,"score_gpt":0.20177607149080734,"score_spread":0.17114487456238323,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2615667328","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06626676,0.000026270818,0.00004416716,0.0010199461,0.0003600981,0.00026459844,0.00023377604,0.00005874172,0.9317256],"genre_scores_gemma":[0.97661036,0.015995,0.000019227506,0.00015360302,0.00026157912,4.9474403e-7,0.000024365161,0.000019795425,0.00691556],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985084,0.0002143607,0.00016416848,0.00022304604,0.0002477155,0.0006423368],"domain_scores_gemma":[0.9988444,0.00014218753,0.00013161304,0.0005160316,0.00017693802,0.00018884777],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0003210504,0.00022220891,0.00023454946,0.0034627256,0.0019270355,0.000116319425,0.00073586084,0.000088422225,0.00028893712],"category_scores_gemma":[0.00002841486,0.00016105548,0.00022898533,0.0017858176,0.0007006888,0.00083724107,0.00015107001,0.00027540352,0.000036898953],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008749532,0.00012406234,0.0007742288,0.00002829459,0.00034007573,0.00004322507,0.041614875,0.000014545027,0.000003310367,0.9527367,0.0022772138,0.0019559707],"study_design_scores_gemma":[0.00024269214,0.0000448232,0.00015216721,0.0000142687595,0.0002240001,0.0000051373527,0.032904748,0.000056592267,0.000035793666,0.00002856806,0.9660739,0.0002173165],"about_ca_topic_score_codex":0.69424134,"about_ca_topic_score_gemma":0.8792101,"teacher_disagreement_score":0.9637967,"about_ca_system_score_codex":0.00023172934,"about_ca_system_score_gemma":0.00038690277,"threshold_uncertainty_score":0.9993723},"labels":[],"label_agreement":null},{"id":"W2620470675","doi":"","title":"Public Poetics: Critical Issues in Canadian Poetry and Poetics","year":2015,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Poetry; Literature; Art; Aesthetics; Sociology","score_opus":0.09579174697273231,"score_gpt":0.29366549614373894,"score_spread":0.19787374917100664,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2620470675","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07507101,0.002380795,0.00001764995,0.049131636,0.00040358302,0.00008099342,0.00003725893,0.000061163024,0.8728159],"genre_scores_gemma":[0.98457736,0.000038108312,0.00010455052,0.0018787641,0.0003270475,0.0000042561232,0.000010204869,0.000012606213,0.013047099],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882936,0.00005498354,0.00022630818,0.0002010413,0.00018214539,0.0005061322],"domain_scores_gemma":[0.99888784,0.000063741005,0.000012435533,0.00017240306,0.00019031411,0.0006732724],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00035116382,0.0001281777,0.00020215347,0.00028019265,0.00014838178,0.00048247018,0.00012877131,0.000063613654,0.0028942367],"category_scores_gemma":[0.00041115037,0.00011120685,0.00003601942,0.00006208998,0.00035374012,0.00029412395,0.00003820505,0.00014409015,0.00015396393],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000001616761,0.00003968593,0.0038603495,0.000009557318,0.000009522278,0.000033885488,0.004498372,3.1517936e-7,0.000001443381,0.97725344,0.013790189,0.0005016157],"study_design_scores_gemma":[0.00025751346,0.00007641639,0.0008633051,0.000017384098,0.000027066722,0.000009936893,0.018106248,0.0007683168,0.000014496376,0.042904507,0.9366789,0.00027590172],"about_ca_topic_score_codex":0.25138885,"about_ca_topic_score_gemma":0.8177131,"teacher_disagreement_score":0.93434894,"about_ca_system_score_codex":0.0000692505,"about_ca_system_score_gemma":0.00016753038,"threshold_uncertainty_score":0.99801725},"labels":[],"label_agreement":null},{"id":"W2621871861","doi":"","title":"Surrealist Dislocation and the Challenge to Maritime Literary Regionalism in the Works of Elizabeth Bishop","year":2016,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Regionalism (politics); Dislocation; Economic geography; Political science; History; Geography; Law; Condensed matter physics; Physics; Politics","score_opus":0.03124354024707171,"score_gpt":0.2736510428753173,"score_spread":0.24240750262824556,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2621871861","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07779056,0.34452993,0.000004640717,0.4996932,0.00096889987,0.0010509858,0.0010192464,0.000020601727,0.074921906],"genre_scores_gemma":[0.9927984,0.0027128966,0.0000041194576,0.002662196,0.00031564213,0.000058428905,0.000018255438,0.000006616901,0.0014234617],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990092,0.0001908591,0.0002405984,0.00018226562,0.00012819361,0.00024886912],"domain_scores_gemma":[0.99915135,0.00038251045,0.000037797443,0.00024851944,0.00011760071,0.00006221694],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006542881,0.000120544915,0.00023042769,0.00019883763,0.00018141429,0.00013619207,0.00020148855,0.00004817333,0.000047304613],"category_scores_gemma":[0.00015952297,0.000054239976,0.00004969281,0.00018502199,0.00053396093,0.00017530189,0.000033359058,0.00015455634,0.0000016158232],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023847018,0.000013665058,0.00046509074,0.000039932158,0.000039082308,0.000024816754,0.21602368,3.3013765e-7,3.1562632e-7,0.76383317,0.0149377715,0.0045982874],"study_design_scores_gemma":[0.0011736553,0.00006241379,0.0056507476,0.003226599,0.00004882794,0.00000960008,0.0319811,0.00001801513,0.0000012838342,0.11651238,0.84101534,0.00030004917],"about_ca_topic_score_codex":0.022973273,"about_ca_topic_score_gemma":0.76473206,"teacher_disagreement_score":0.9150078,"about_ca_system_score_codex":0.000059079513,"about_ca_system_score_gemma":0.000037935617,"threshold_uncertainty_score":0.98353285},"labels":[],"label_agreement":null},{"id":"W2624920770","doi":"","title":"Reflecting the Other: The Thing Poetry of Marianne Moore and Francis Ponge","year":2012,"lang":"en","type":"dissertation","venue":"TSpace","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto","keywords":"Poetry; Art history; Art; Philosophy; Literature","score_opus":0.04846425460982215,"score_gpt":0.3380169574026391,"score_spread":0.289552702792817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2624920770","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45052382,0.013103959,0.000008608869,0.001832111,0.000847194,0.00020050303,0.000021931357,0.000037653248,0.5334242],"genre_scores_gemma":[0.9282259,0.00004547038,0.0000072273833,0.00022239708,0.0008715313,0.000010796345,0.00003080246,0.000027967384,0.07055791],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.999143,0.00008588881,0.00021215386,0.00014738024,0.00020635167,0.00020521818],"domain_scores_gemma":[0.99917114,0.00019612595,0.00022690085,0.0002853302,0.00009143658,0.000029087349],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004665719,0.00017626282,0.0002520926,0.00005102886,0.0006401411,0.00014099237,0.00020992066,0.000097527634,0.0017479059],"category_scores_gemma":[0.000062112,0.00009326363,0.00012737764,0.000046109984,0.00011842942,0.00009167944,0.000024108678,0.0003646369,0.000015299349],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005020873,0.00005569971,0.0000885868,0.00025250163,0.00033848302,0.0000016858318,0.7436072,0.0000013877841,0.00061547407,0.23512533,0.002044413,0.017819023],"study_design_scores_gemma":[0.00034125513,0.000059092556,0.005189066,0.00034288602,0.0011393653,0.0000064659325,0.64569885,0.00015616868,0.00089154404,0.005830111,0.33980897,0.00053621246],"about_ca_topic_score_codex":0.0027615167,"about_ca_topic_score_gemma":0.0055856854,"teacher_disagreement_score":0.47770208,"about_ca_system_score_codex":0.000010010034,"about_ca_system_score_gemma":0.000013890231,"threshold_uncertainty_score":0.99916464},"labels":[],"label_agreement":null},{"id":"W2625892935","doi":"10.1353/jaas.2017.0014","title":"Renovating Vancouver: Transnational Constructions and Mortgages in Sachiko Murakami's Rebuild","year":2017,"lang":"en","type":"article","venue":"Journal of Asian American Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cityscape; Urbanism; Reading (process); Capital (architecture); Poetics; Sociology; Commodity; Repetition (rhetorical device); History; Aesthetics; Poetry; Law; Visual arts; Political science; Art; Literature; Archaeology; Philosophy; Architecture; Economics","score_opus":0.03778780579115609,"score_gpt":0.3155270317817688,"score_spread":0.2777392259906127,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2625892935","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9249131,0.0011527841,0.00007402611,0.014546167,0.00082979974,0.000063225,0.000027444725,0.000011791693,0.058381673],"genre_scores_gemma":[0.9981453,0.0002533649,0.0006780609,0.000109271976,0.00034534012,0.0000015022952,2.6636204e-7,0.000006360284,0.00046055633],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9991292,0.00003762879,0.00041760845,0.00009728772,0.00018638144,0.00013192419],"domain_scores_gemma":[0.9989535,0.00008158776,0.00058281614,0.00011146984,0.00022998924,0.000040606577],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002742211,0.000102210804,0.00040366515,0.00018281421,0.00071974425,0.00013698719,0.00013212395,0.000010619545,0.000057276317],"category_scores_gemma":[0.00017736261,0.000079731966,0.00008896763,0.000035820784,0.0014113104,0.00036165197,0.000029493882,0.00020109334,3.9877716e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010011798,0.0002603556,0.07493725,0.00009524037,0.0021305634,0.00023976146,0.085896835,0.000042345382,0.00019052133,0.66878873,0.0132705895,0.1540477],"study_design_scores_gemma":[0.0016703916,0.00057725864,0.20090252,0.00030613833,0.00043085348,0.00014821012,0.70261186,0.00008273626,0.00005804657,0.020768726,0.07192736,0.00051589333],"about_ca_topic_score_codex":0.000059367278,"about_ca_topic_score_gemma":0.004134665,"teacher_disagreement_score":0.64801997,"about_ca_system_score_codex":0.00003123347,"about_ca_system_score_gemma":0.000029261697,"threshold_uncertainty_score":0.55357635},"labels":[],"label_agreement":null},{"id":"W266888127","doi":"","title":"Zukovskij's Translation of Campbell's \"Lord Ullin's Daughter\" (1)","year":2005,"lang":"en","type":"article","venue":"Germano-Slavica","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ballad; Battle; Daughter; Lyrics; History; Art; Literature; Ancient history; Art history; Law; Poetry","score_opus":0.028315724585641525,"score_gpt":0.2457601115341006,"score_spread":0.21744438694845908,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W266888127","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.42971268,0.002128039,0.00057581445,0.005754529,0.0006283625,0.00036336554,0.0001751132,0.00021490344,0.5604472],"genre_scores_gemma":[0.98826927,0.00007214209,0.0002591511,0.00045783856,0.0011144445,0.000012402618,0.000067469206,0.000022819568,0.009724447],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99866545,0.000050685463,0.0004572353,0.0002460511,0.00028257634,0.00029799173],"domain_scores_gemma":[0.99929374,0.00006070774,0.0001255094,0.00033074885,0.00010839878,0.00008090507],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016950093,0.00018437112,0.00031070234,0.00012998874,0.00022013081,0.00008086784,0.00021784342,0.000070752096,0.006641702],"category_scores_gemma":[0.0000066054768,0.00016253215,0.0002271013,0.00006460779,0.0001956308,0.0003332622,0.000021132468,0.00013996496,0.0004167269],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002039294,0.0015092092,0.00042175877,0.00034416953,0.0006813609,0.000040840903,0.10377736,0.0003238,0.0124743115,0.51819605,0.072514854,0.28951234],"study_design_scores_gemma":[0.00042808824,0.00006248641,0.00025119173,0.00003164141,0.0001493402,0.0000032577802,0.0006154973,0.0007852541,0.0032050419,0.0013164695,0.99289477,0.00025695688],"about_ca_topic_score_codex":0.000108223554,"about_ca_topic_score_gemma":0.00056201644,"teacher_disagreement_score":0.92037994,"about_ca_system_score_codex":0.000020630681,"about_ca_system_score_gemma":0.000024429015,"threshold_uncertainty_score":0.9942664},"labels":[],"label_agreement":null},{"id":"W268618047","doi":"","title":"Promising Voice(s)","year":2008,"lang":"en","type":"article","venue":"Literator","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Prayer; Poetry; Blessing; Context (archaeology); Art; Literature; White (mutation); Heaven; Art history; Mount; Visual arts; History; Philosophy; Archaeology; Theology; Computer science","score_opus":0.036059457850114975,"score_gpt":0.21808840276993952,"score_spread":0.18202894491982455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W268618047","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78533906,0.00042412325,0.00003362364,0.000291425,0.00029470978,0.000049760623,0.000018344173,0.00008526491,0.21346371],"genre_scores_gemma":[0.9672838,0.000004969462,0.000060605533,0.00066555006,0.00082505203,0.0000056748268,0.0000073864353,0.000007655507,0.031139318],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951166,0.000017746861,0.00012678851,0.000112365204,0.00009487281,0.00013656942],"domain_scores_gemma":[0.99973595,0.0000148853005,0.000022104421,0.00012422408,0.000054387376,0.00004844607],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000044767705,0.000069547765,0.00010064918,0.00003930629,0.00034735244,0.0001280411,0.000069306145,0.00001595152,0.0024643478],"category_scores_gemma":[0.00001216487,0.000055933797,0.000065226704,0.00002461919,0.00008897798,0.00021090246,0.000012225523,0.000058167967,0.00048172663],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018173323,0.00021738168,0.0015173696,0.000046307996,0.000095598356,0.0001745892,0.12426468,0.0000011660725,0.0011459665,0.8271166,0.042851526,0.0025506],"study_design_scores_gemma":[0.000116575684,0.000022079219,0.00022795977,0.000015120927,0.000013406466,0.000009991896,0.000403918,0.00007551014,0.0005153122,0.0009917825,0.9974963,0.00011204719],"about_ca_topic_score_codex":0.00001795003,"about_ca_topic_score_gemma":0.000014533376,"teacher_disagreement_score":0.95464474,"about_ca_system_score_codex":0.000007436884,"about_ca_system_score_gemma":0.0000120796085,"threshold_uncertainty_score":0.99844754},"labels":[],"label_agreement":null},{"id":"W2730748459","doi":"10.1353/mos.2017.a663688","title":"Jorie Graham's Passion for the Reel: The Lyric Subject Encounters the Image","year":2017,"lang":"en","type":"article","venue":"Mosaic","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Subject (documents); Poetry; Passion; Reel; Photography; Art; Literature; Art history; Visual arts; History; Computer science; Psychology","score_opus":0.03630721383640625,"score_gpt":0.2731857414975384,"score_spread":0.23687852766113213,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2730748459","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23788759,0.0054097925,0.003422482,0.3697491,0.010249764,0.003148449,0.0007420447,0.0003292862,0.3690615],"genre_scores_gemma":[0.97938997,0.00009216072,0.0000038703806,0.0014662662,0.0011148727,0.00009978798,0.000009352499,0.000015318798,0.017808404],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991634,0.00006223718,0.00015942215,0.00016056054,0.00019667299,0.00025769885],"domain_scores_gemma":[0.9984675,0.00038198775,0.00012409303,0.0009119249,0.00008790062,0.00002656028],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00063647004,0.00012782913,0.00012631738,0.000016792394,0.005103698,0.0011324544,0.0008730799,0.000026116495,0.00057942723],"category_scores_gemma":[0.00015351518,0.000047475245,0.0002324383,0.000018648987,0.0006348054,0.00021558622,0.0000906571,0.00015531959,0.0000652076],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000062268795,0.000080998056,0.00018958995,0.000031251104,0.000273275,0.00000975563,0.020084053,0.0000059571958,0.0003869489,0.46193793,0.50102717,0.015910808],"study_design_scores_gemma":[0.00017189732,0.0000413875,0.00089390797,0.000016517482,0.00015298066,0.000001992199,0.0063141193,0.0011632335,0.0002253358,0.01141126,0.97949564,0.000111746136],"about_ca_topic_score_codex":0.000732705,"about_ca_topic_score_gemma":0.0018842265,"teacher_disagreement_score":0.74150234,"about_ca_system_score_codex":0.000013722831,"about_ca_system_score_gemma":0.000019624486,"threshold_uncertainty_score":0.99990445},"labels":[],"label_agreement":null},{"id":"W2732451335","doi":"10.4324/9781315778334.ch58","title":"Modernist Literature in Canada and The United States","year":2015,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Political science","score_opus":0.02425390931503932,"score_gpt":0.20463244688480223,"score_spread":0.1803785375697629,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2732451335","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86233705,0.0010043238,0.000012977604,0.0065477137,0.00010601171,0.00006210759,0.00003392946,0.00001255897,0.12988332],"genre_scores_gemma":[0.9872348,0.000033753575,0.0000027874123,0.002156701,0.000047013033,0.0000027169938,0.000032341464,0.0000024525714,0.0104874335],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996582,0.000037582027,0.00008167444,0.00005754325,0.00008130055,0.00008368113],"domain_scores_gemma":[0.9997781,0.000042608383,0.00001092712,0.00006815216,0.000061342136,0.000038872866],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000107551445,0.000047983027,0.00008112988,0.000030293199,0.000064935375,0.0001845533,0.000050488485,0.0000070842993,0.00018216317],"category_scores_gemma":[0.0000145467675,0.000024077226,0.000010672223,0.000033694276,0.00008730349,0.00006223776,0.000014718784,0.00006564172,0.0000019678637],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029065894,0.000009767955,0.00060326484,0.0000066177636,0.000019148503,0.000016330632,0.04365518,0.00021284737,1.651053e-7,0.93304074,0.022216858,0.0001899973],"study_design_scores_gemma":[0.001569232,0.000016404467,0.00031693728,0.000030371099,0.00003062189,0.000004029693,0.073306076,0.06995785,0.000007222997,0.05838629,0.796184,0.0001909879],"about_ca_topic_score_codex":0.9803679,"about_ca_topic_score_gemma":0.9972665,"teacher_disagreement_score":0.8746545,"about_ca_system_score_codex":0.000029081673,"about_ca_system_score_gemma":0.00006804804,"threshold_uncertainty_score":0.1994559},"labels":[],"label_agreement":null},{"id":"W2734465839","doi":"10.18733/c33081","title":"The Boarding House","year":2017,"lang":"en","type":"article","venue":"Cultural and Pedagogical Inquiry","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Geography; Art; History; Literature","score_opus":0.7355659053388022,"score_gpt":0.4663423528474939,"score_spread":0.26922355249130825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2734465839","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9118093,0.0015982952,0.0000053921785,0.004901779,0.0007745554,0.00005075928,0.0000045568045,0.00007343494,0.080781884],"genre_scores_gemma":[0.9736953,0.0004618847,0.0000036175816,0.00026361988,0.0018329357,0.0000056242275,0.000001518412,0.0000050804815,0.023730425],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99943626,0.000024240864,0.0001176125,0.00013663352,0.000102476035,0.00018276619],"domain_scores_gemma":[0.9995591,0.000052543506,0.000054642824,0.00020794704,0.000053835854,0.000071899434],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00013105325,0.00009322948,0.00011704778,0.000006172964,0.0041401023,0.0017090242,0.0002290734,0.000029795961,0.00034046287],"category_scores_gemma":[0.00008213217,0.00004081359,0.0000872797,0.000004166844,0.0011399825,0.00031310949,0.00010165281,0.00011652122,0.000084519874],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015403895,0.000019550263,0.0003313811,0.0000074416876,0.00004368195,0.000011320002,0.024918072,2.8289386e-7,0.00011503117,0.93986595,0.01813437,0.016537528],"study_design_scores_gemma":[0.00011911699,0.000030513169,0.002586917,0.000011496091,0.000033879343,0.0000048363854,0.023774762,0.000033415974,0.000028171171,0.0048286202,0.9684202,0.0001280727],"about_ca_topic_score_codex":0.00007525678,"about_ca_topic_score_gemma":0.00013553983,"teacher_disagreement_score":0.95028585,"about_ca_system_score_codex":0.0000039862703,"about_ca_system_score_gemma":0.0000031794766,"threshold_uncertainty_score":0.9993273},"labels":[],"label_agreement":null},{"id":"W2736437588","doi":"10.3968/9694","title":"Picturing Her Landscape: An Interpretation of Amy Lowell’s Poems From Emerson’s Transcendentalism","year":2017,"lang":"en","type":"article","venue":"Cross-cultural communication","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Creed; Transcendental number; Interpretation (philosophy); Perspective (graphical); Philosophy; Literature; Art history; Art; Epistemology; Theology","score_opus":0.0459081125610047,"score_gpt":0.334347715168234,"score_spread":0.28843960260722934,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2736437588","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9645548,0.0004625566,0.00003617157,0.000362089,0.00018177816,0.00007992529,0.000071068185,0.000043421744,0.034208186],"genre_scores_gemma":[0.99757165,0.0000949398,0.00006603705,0.00007701512,0.0001681988,0.000010270855,0.00044838077,0.000011787129,0.001551732],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9991619,0.000072636714,0.00030613632,0.00016792741,0.00015878612,0.00013263519],"domain_scores_gemma":[0.9984852,0.000030373807,0.00026171166,0.00093700056,0.00023781923,0.00004791384],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015153328,0.00013128974,0.00019708836,0.000031319287,0.0012209353,0.0012075715,0.0007915222,0.00005826408,0.0010632399],"category_scores_gemma":[0.000033796034,0.00010549556,0.00013761278,0.000011328764,0.0005714229,0.0019301279,0.000073257725,0.00015792949,0.00002859495],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005609405,0.001042518,0.029513195,0.00020906412,0.0008521598,0.0000071703985,0.64071363,0.00029391228,0.045923993,0.19859146,0.00249093,0.079801016],"study_design_scores_gemma":[0.007307051,0.00061184994,0.5190303,0.0013638509,0.0013325956,0.000012490014,0.17948778,0.03931259,0.049436107,0.037186366,0.16187479,0.003044241],"about_ca_topic_score_codex":0.0024512091,"about_ca_topic_score_gemma":0.0032336737,"teacher_disagreement_score":0.4895171,"about_ca_system_score_codex":0.000022794977,"about_ca_system_score_gemma":0.0000066073057,"threshold_uncertainty_score":0.9998499},"labels":[],"label_agreement":null},{"id":"W2736623880","doi":"10.1093/notesj/gjx104","title":"Herbert’s ‘The Collar’ and St Paul’s Laurels","year":2017,"lang":"en","type":"article","venue":"Notes and Queries","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Lethbridge","funders":"","keywords":"Thou; Allusion; Poetry; Context (archaeology); Style (visual arts); Ideology; Sacrifice; Philosophy; Literature; Argument (complex analysis); History; Theology; Art history; Art; Law; Politics","score_opus":0.03760992619388762,"score_gpt":0.25107560271377144,"score_spread":0.21346567651988382,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2736623880","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8860825,0.0046743737,0.000029433235,0.03266465,0.00043816306,0.00014642855,0.00017032302,0.000050372986,0.07574377],"genre_scores_gemma":[0.99024236,0.00039597764,0.000015859247,0.00058554276,0.00032735,0.000006943438,0.0000037865984,0.0000067192054,0.008415441],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995597,0.000017695893,0.00009572946,0.00012201121,0.00007560964,0.00012925865],"domain_scores_gemma":[0.9995578,0.00008339836,0.000053003,0.00022357861,0.00004196788,0.000040283016],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0001126009,0.00009086147,0.00013697238,0.000012401542,0.0019358885,0.00092110434,0.000098236356,0.000027698476,0.0004090928],"category_scores_gemma":[0.00007942208,0.000055121385,0.000033757355,0.000004816599,0.0007454161,0.00022026102,0.00007067389,0.00006663639,0.0000073710344],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001603525,0.000022786036,0.00473744,0.000041032807,0.00007397804,0.000010092076,0.010296823,3.1318064e-7,0.000035667166,0.96040314,0.010997278,0.013365423],"study_design_scores_gemma":[0.00016455987,0.00005433232,0.009099039,0.000027607633,0.00006798601,0.0000042459314,0.0035069142,0.000051710576,0.00012607127,0.014454945,0.9722939,0.00014869942],"about_ca_topic_score_codex":0.00046604694,"about_ca_topic_score_gemma":0.004769248,"teacher_disagreement_score":0.9612966,"about_ca_system_score_codex":0.0000023494645,"about_ca_system_score_gemma":0.000007725831,"threshold_uncertainty_score":0.9993635},"labels":[],"label_agreement":null},{"id":"W2744208175","doi":"10.3138/9781442696907-004","title":"Chapter Three. Canadian Surrealism: The Automatists","year":2012,"lang":"en","type":"book-chapter","venue":"University of Toronto Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Political science","score_opus":0.03711256090472777,"score_gpt":0.1903193930269121,"score_spread":0.15320683212218433,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2744208175","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000012832831,0.0034349398,0.000007732771,0.00007365018,0.0002570745,0.00016442472,0.0005284732,0.000035416517,0.9954855],"genre_scores_gemma":[0.04068665,0.0001940108,0.000011217347,0.000077727185,0.000295678,2.4907908e-7,0.000036345962,0.000024408077,0.9586737],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99912596,0.000017370898,0.00015808827,0.00019885998,0.00022841695,0.00027131825],"domain_scores_gemma":[0.999006,0.000036666337,0.00017038113,0.00045510798,0.00014239164,0.00018950479],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011350837,0.00024019084,0.00033963678,0.000031708987,0.00050532055,0.00005492294,0.00050228613,0.00015180233,0.0158777],"category_scores_gemma":[0.0000017793311,0.00021044783,0.0002641642,2.1599917e-7,0.0005359894,0.00014229801,0.000101454134,0.00017060562,0.000045589673],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000069833395,0.0000042867473,0.0000014540294,0.000024580957,0.00023897548,0.000015548094,0.014769336,1.9639721e-7,5.321063e-7,0.9698736,0.0060415356,0.009022939],"study_design_scores_gemma":[0.00010498016,0.000018318742,0.000045764027,0.000071674905,0.0004124385,0.0000017952772,0.00021456019,0.000022588536,0.0000019265447,0.0022823007,0.99658084,0.00024279888],"about_ca_topic_score_codex":0.9394982,"about_ca_topic_score_gemma":0.99044937,"teacher_disagreement_score":0.9905393,"about_ca_system_score_codex":0.00015391746,"about_ca_system_score_gemma":0.000063037325,"threshold_uncertainty_score":0.98502195},"labels":[],"label_agreement":null},{"id":"W2744303039","doi":"","title":"Key poet: 'Albert', 'Vanishing twin', 'Mormos and tea', 'A quarter to'","year":2007,"lang":"en","type":"article","venue":"Nottingham Trent University's Institutional Repository (Nottingham Trent Repository)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Key (lock); Art; Art history; History; Computer science; Computer security; Archaeology","score_opus":0.011011014271499144,"score_gpt":0.2018900368451557,"score_spread":0.19087902257365655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2744303039","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64999515,0.00027932678,0.0011289959,0.0007161185,0.00311198,0.00037292638,0.000030666615,0.00039524876,0.34396958],"genre_scores_gemma":[0.9601458,0.000013524663,0.0006795759,0.00029987353,0.0018061015,0.000006328039,0.0000481019,0.00004789099,0.03695282],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99517393,0.00020784391,0.0010813297,0.0013016181,0.001165159,0.0010701052],"domain_scores_gemma":[0.99710447,0.00046397428,0.00050365593,0.00068127783,0.0004735886,0.00077301246],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0006976451,0.000738595,0.0007093501,0.00081206165,0.00469797,0.0008393198,0.0006747935,0.0002611419,0.00019674163],"category_scores_gemma":[0.00015868,0.00075704686,0.0005063139,0.00034554806,0.0008472415,0.0012171353,0.00034390105,0.00069236016,0.00008010986],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016413176,0.0036573694,0.029985437,0.00062637066,0.002274532,0.009049344,0.12973326,0.0012225903,0.03845382,0.73883015,0.024867369,0.019658431],"study_design_scores_gemma":[0.0021620595,0.0005807959,0.009972945,0.0006937534,0.0008010058,0.00054436334,0.019195313,0.000597597,0.008913738,0.000158616,0.9545362,0.001843603],"about_ca_topic_score_codex":0.0012236715,"about_ca_topic_score_gemma":0.00042918,"teacher_disagreement_score":0.92966884,"about_ca_system_score_codex":0.00080360816,"about_ca_system_score_gemma":0.00026736557,"threshold_uncertainty_score":0.99948806},"labels":[],"label_agreement":null},{"id":"W2751720210","doi":"10.1353/mos.2017.a668733","title":"From Friction, Heat: Kroetsch, Spanos, and boundary 2","year":2017,"lang":"en","type":"article","venue":"Mosaic","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sympathy; Boundary (topology); Epistemology; Philosophy; Sociology; Aesthetics; Psychology; Social psychology; Mathematics","score_opus":0.02414608254569392,"score_gpt":0.2436617034588278,"score_spread":0.21951562091313387,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2751720210","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8401504,0.0017952338,0.000043956414,0.003662879,0.0009466636,0.00006275225,0.00019458216,0.00006980496,0.15307371],"genre_scores_gemma":[0.98732257,0.00006149803,0.000019543111,0.00033332146,0.0011569598,0.000005034991,0.000037849604,0.0000087537455,0.011054446],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994557,0.000016160791,0.00011556452,0.000173884,0.000099224504,0.0001394628],"domain_scores_gemma":[0.9995067,0.000018694942,0.000036058238,0.00034556308,0.00003408115,0.000058903854],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000057263034,0.00009030333,0.00014008449,0.000027211554,0.001580234,0.0008768042,0.0001408299,0.000029434555,0.002829984],"category_scores_gemma":[0.000022961936,0.0000773896,0.000051417253,0.0000053182293,0.00026067274,0.00030297003,0.0000552803,0.000083397856,0.00015066656],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005984446,0.00036571219,0.018851276,0.00006752714,0.0006452792,0.00013359454,0.053130362,0.0000041166018,0.0016558927,0.5072344,0.38748592,0.03036606],"study_design_scores_gemma":[0.0001911652,0.0000228197,0.007785014,0.000016384047,0.000065458946,0.0000012345629,0.0011255158,0.00014686532,0.00017768765,0.01733077,0.97300744,0.00012962591],"about_ca_topic_score_codex":0.0037540453,"about_ca_topic_score_gemma":0.0018797887,"teacher_disagreement_score":0.5855215,"about_ca_system_score_codex":0.000008527172,"about_ca_system_score_gemma":0.000011438302,"threshold_uncertainty_score":0.99971956},"labels":[],"label_agreement":null},{"id":"W2752030126","doi":"","title":"The Dead are Quite Dumb Really! and other poems","year":2017,"lang":"en","type":"article","venue":"Postcolonial text","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; History; Art","score_opus":0.04264615190178132,"score_gpt":0.2876017399901294,"score_spread":0.24495558808834805,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2752030126","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6462894,0.0009904656,0.0000036676922,0.026667224,0.0008325286,0.00018422473,0.00008974165,0.000060913655,0.32488182],"genre_scores_gemma":[0.9692882,0.000060393188,0.0000057460493,0.0009500631,0.0010706517,0.000012186611,0.0000012491914,0.000014415941,0.02859712],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992569,0.00003681572,0.00015410752,0.00016943591,0.00013308683,0.00024967393],"domain_scores_gemma":[0.9992315,0.000082279505,0.00014051286,0.00042042238,0.000062174775,0.000063096166],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0002258632,0.00011435309,0.00015590891,0.000020881305,0.002860167,0.0011747027,0.00032007424,0.000039705927,0.0005544305],"category_scores_gemma":[0.00010523722,0.000072990646,0.00007668098,0.0000069310463,0.0005295633,0.00016292828,0.00010292146,0.000107889806,0.00018591466],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057089397,0.00005589457,0.0070017893,0.000014123287,0.00011411179,0.00002159142,0.008006332,3.304993e-7,0.00010866355,0.9602938,0.009716936,0.014609309],"study_design_scores_gemma":[0.0002292845,0.0000563608,0.022985863,0.000023295122,0.000055164597,0.000004088806,0.0011145865,0.000046866975,0.000044049066,0.0074596694,0.9678339,0.00014692132],"about_ca_topic_score_codex":0.0017227888,"about_ca_topic_score_gemma":0.025851596,"teacher_disagreement_score":0.9581169,"about_ca_system_score_codex":0.000010612363,"about_ca_system_score_gemma":0.000013641474,"threshold_uncertainty_score":0.9998622},"labels":[],"label_agreement":null},{"id":"W2752481412","doi":"10.1017/9781316182253.007","title":"Native Poetics in Edward Johnson’s<i>Wonder-Working Providence of Sions Saviour in New England</i>","year":2017,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Poetics; Wonder; Art; Art history; Performance art; Literature; Poetry; Philosophy; Epistemology","score_opus":0.05561193517363942,"score_gpt":0.22790421658262514,"score_spread":0.17229228140898573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2752481412","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001217149,0.00031473802,0.000033777666,0.00006165909,0.00022323009,0.0002971641,0.00016687515,0.00002780517,0.9976576],"genre_scores_gemma":[0.19999063,0.00023369007,0.000019145382,0.000038491242,0.00023415062,5.033242e-7,0.000021540123,0.000024549645,0.7994373],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99854046,0.00006331098,0.00035379973,0.00043508236,0.0003022715,0.00030506306],"domain_scores_gemma":[0.9986475,0.0001485197,0.00040160233,0.0005152852,0.00016204677,0.00012504713],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00018703917,0.00033674293,0.0006596789,0.00043657547,0.00025610413,0.00010339858,0.00066949084,0.00024378044,0.000037936185],"category_scores_gemma":[0.00004650579,0.0003725742,0.00023918376,0.0000058484884,0.00046393814,0.00020084529,0.00030840686,0.0006661902,0.0000053602757],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000067890585,0.000025414789,0.000038946397,0.00007654154,0.00007809704,0.00030545422,0.0049961847,0.0000052117234,0.000009006073,0.98913836,0.00406212,0.001196786],"study_design_scores_gemma":[0.0010165148,0.000058633934,0.00007167906,0.0012723464,0.00020619978,0.000002795183,0.00068921864,0.000053151653,0.000062722494,0.00030457557,0.9958364,0.00042580298],"about_ca_topic_score_codex":0.0034412926,"about_ca_topic_score_gemma":0.004290043,"teacher_disagreement_score":0.99177426,"about_ca_system_score_codex":0.00018024063,"about_ca_system_score_gemma":0.000308467,"threshold_uncertainty_score":0.9998726},"labels":[],"label_agreement":null},{"id":"W2754997164","doi":"","title":"Intermediality and Contemporary Canadian Poetry","year":2014,"lang":"en","type":"article","venue":"Bern Open Repository and Information System (University of Bern)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Literature","score_opus":0.014974584844756481,"score_gpt":0.17069844137509949,"score_spread":0.155723856530343,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2754997164","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2986771,0.00003350725,0.00010380506,0.00020978395,0.00019063774,0.000103535276,0.00005159043,0.000016753302,0.7006133],"genre_scores_gemma":[0.9946308,0.0000034366744,0.000018385304,0.00013127668,0.000051835304,3.397594e-7,0.000027990234,0.0000022138406,0.0051337318],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99943477,0.0000799749,0.00020065266,0.00009049291,0.00010236294,0.00009173197],"domain_scores_gemma":[0.99939924,0.000025576177,0.00017322865,0.00013934066,0.000118611926,0.00014401272],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003334377,0.0000762812,0.00020624608,0.00011264324,0.00060847757,0.00027343575,0.00018637456,0.000048749276,0.00007761624],"category_scores_gemma":[0.0000054042853,0.00008051207,0.000037846643,0.000024548164,0.00019386855,0.002729896,0.000103399434,0.000057966023,0.00002009998],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013190426,0.000023428474,0.015171264,0.0006786572,0.00019088207,0.000013827088,0.079730175,0.0000017192955,0.000023185225,0.8901497,0.007524679,0.0063605695],"study_design_scores_gemma":[0.0011842791,0.00011998974,0.024607053,0.00028629677,0.00009251194,0.000041235202,0.15015501,0.0017052313,0.000033444005,0.00008558117,0.82137954,0.00030980955],"about_ca_topic_score_codex":0.10188498,"about_ca_topic_score_gemma":0.010910369,"teacher_disagreement_score":0.8900641,"about_ca_system_score_codex":0.00003413126,"about_ca_system_score_gemma":0.000058310325,"threshold_uncertainty_score":0.90409565},"labels":[],"label_agreement":null},{"id":"W2755637918","doi":"10.1007/978-3-319-55300-9","title":"John Donne and Contemporary Poetry","year":2017,"lang":"en","type":"book","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":39,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Poetry; Art; Literature; History; Art history","score_opus":0.05993334138214615,"score_gpt":0.24518541791280424,"score_spread":0.1852520765306581,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2755637918","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000027562153,0.0045295814,0.000003023038,0.00049890945,0.00038789812,0.00008189226,0.000107627966,0.000060274997,0.9943032],"genre_scores_gemma":[0.04656279,0.00019026805,0.0000050173658,0.0006692764,0.0017885783,0.000004384072,0.00012528266,0.000029620998,0.95062476],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911356,0.000015746762,0.00024456737,0.00029144395,0.00016970889,0.0001649519],"domain_scores_gemma":[0.99917614,0.000047380126,0.0001556761,0.0004456065,0.00008001012,0.00009518491],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012536673,0.00025318837,0.00047073106,0.000105112485,0.0005371307,0.0006024506,0.00023661992,0.00015352806,0.00972828],"category_scores_gemma":[0.000014306387,0.00019555142,0.00016844904,0.0000022933996,0.00051493256,0.00021484129,0.00010016528,0.0002606085,0.00032111906],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000028632671,0.000008992847,0.0000027373437,0.00004180228,0.000094158044,0.00002651808,0.0005545885,2.7424727e-9,2.953627e-7,0.52364373,0.47493383,0.0006905006],"study_design_scores_gemma":[0.00014931054,0.000033526383,0.000008735028,0.00011236779,0.000098274926,0.000003607476,0.00032821693,0.000003983039,0.0000017595625,0.031593528,0.9673864,0.00028028057],"about_ca_topic_score_codex":0.0001847663,"about_ca_topic_score_gemma":0.0004969757,"teacher_disagreement_score":0.4924526,"about_ca_system_score_codex":0.000018708026,"about_ca_system_score_gemma":0.0001270826,"threshold_uncertainty_score":0.99117696},"labels":[],"label_agreement":null},{"id":"W2758221630","doi":"","title":"Cathay at 100: A Conversation","year":2015,"lang":"en","type":"article","venue":"Chinese Literature Essays Articles Reviews (CLEAR)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conversation; Poetry; Scholarship; Literature; History; Style (visual arts); Pound (networking); Art; Art history; Linguistics; Philosophy; Law","score_opus":0.05079191402505928,"score_gpt":0.2746332321883815,"score_spread":0.2238413181633222,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2758221630","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77903867,0.07618146,0.00007565306,0.0051034894,0.0013032851,0.0007486943,0.00008130977,0.00026733542,0.13720013],"genre_scores_gemma":[0.982609,0.000555163,0.00007531946,0.0015886202,0.0010698262,0.000038612543,0.00009719319,0.00003081107,0.013935507],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981517,0.00027174057,0.00055961433,0.00036855115,0.0003056774,0.0003427221],"domain_scores_gemma":[0.99874014,0.000056674286,0.0001696385,0.00049447146,0.00025606397,0.00028300335],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00074334705,0.00030513384,0.0005219913,0.00011744928,0.00028644895,0.0005778073,0.00023939164,0.000077073244,0.0020035175],"category_scores_gemma":[0.00033387856,0.00019892851,0.00028236426,0.00025800368,0.00016833942,0.0006753371,0.0001018681,0.00022826072,0.0020420821],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00043212445,0.0005991084,0.0033233433,0.00063439045,0.0001871202,0.00013696343,0.5638601,0.00002753815,0.0016422232,0.26300487,0.14785285,0.018299364],"study_design_scores_gemma":[0.0006508186,0.00012602261,0.00017685696,0.00022063381,0.00009340582,0.000022233062,0.00094924925,0.00073535676,0.000097684104,0.013780487,0.98279536,0.00035190233],"about_ca_topic_score_codex":0.00003396642,"about_ca_topic_score_gemma":0.00023292644,"teacher_disagreement_score":0.8349425,"about_ca_system_score_codex":0.00008134354,"about_ca_system_score_gemma":0.000021356644,"threshold_uncertainty_score":0.99890876},"labels":[],"label_agreement":null},{"id":"W2759301195","doi":"10.4000/books.pup.7530","title":"Natasha Trethewey’s Personal Story as American History","year":2017,"lang":"fr","type":"book-chapter","venue":"Presses universitaires de Provence eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Portrait; Art; White (mutation); Art history; Colonialism; Literature; Middle Passage; Palimpsest; Painting; History; Archaeology","score_opus":0.025712397290732672,"score_gpt":0.2205436013766062,"score_spread":0.1948312040858735,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2759301195","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001500649,0.012117729,0.000045397082,0.0022897786,0.0008528938,0.00034502498,0.0004921579,0.00013264817,0.98222375],"genre_scores_gemma":[0.44246903,0.00061753596,0.00004510911,0.00030674852,0.0007010066,0.000009104894,0.00004750992,0.0000713566,0.5557326],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997075,0.00017114793,0.00036054032,0.0009470798,0.0006263848,0.0008198052],"domain_scores_gemma":[0.9971636,0.00028955124,0.0008656913,0.0008995232,0.000354287,0.00042734755],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.00029354863,0.0008128692,0.00090264156,0.00036886198,0.002206864,0.0003047559,0.001411788,0.0003098323,0.009143],"category_scores_gemma":[0.000102188525,0.00091338664,0.0007704125,0.0000055009687,0.007340557,0.00051664124,0.00043719885,0.0012448907,0.0004637652],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016838773,0.000070931455,0.000026994925,0.00030763057,0.000756589,0.0008245857,0.009961909,0.0000038415124,0.00011992785,0.8880538,0.010447611,0.08925782],"study_design_scores_gemma":[0.00032806257,0.00041862318,0.000037223657,0.0007181248,0.0012899672,0.000041380168,0.0041032364,0.00020201819,0.00006355288,0.016420793,0.975345,0.0010320015],"about_ca_topic_score_codex":0.004548738,"about_ca_topic_score_gemma":0.0014404128,"teacher_disagreement_score":0.9648974,"about_ca_system_score_codex":0.0014683997,"about_ca_system_score_gemma":0.0009900591,"threshold_uncertainty_score":0.99933165},"labels":[],"label_agreement":null},{"id":"W2761541966","doi":"10.4000/palimpsestes.2180","title":"Suggestive Sonorities: Representing and Translating Silence in Works by Québécois Poets Hector de Saint-Denys Garneau and Anne Hébert","year":2015,"lang":"en","type":"article","venue":"Palimpsestes","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Silence; Poetry; SAINT; Sound (geography); Representation (politics); Art; Key (lock); Mode (computer interface); Linguistics; Literature; Sociology; Art history; Philosophy; Aesthetics; Acoustics; Computer science; Law","score_opus":0.028116902284994576,"score_gpt":0.248085267518726,"score_spread":0.21996836523373142,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2761541966","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.971356,0.018748246,0.000058826394,0.0008362734,0.00006743328,0.00010887907,0.00003843402,0.00005161433,0.008734315],"genre_scores_gemma":[0.9984521,0.00015086184,0.00011040878,0.00021015095,0.00020429784,0.000019261242,0.000010842312,0.000018269815,0.0008237729],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99869657,0.000115517,0.00030761538,0.00032815713,0.00015587518,0.00039626847],"domain_scores_gemma":[0.99922884,0.0003080699,0.000076831835,0.00013988238,0.00007444408,0.00017194195],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004584137,0.00018710674,0.00029699804,0.00008977362,0.0002039097,0.00038287698,0.00009695836,0.00006420421,0.00007120556],"category_scores_gemma":[0.00027232958,0.0001748493,0.000047213773,0.000063395826,0.00026560776,0.0003988297,0.000040972,0.00018960192,0.0000030654955],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011100762,0.00028524018,0.35884127,0.0003558903,0.00019813766,0.00013269777,0.53507775,0.00006428669,0.0020036518,0.058473505,0.0029684482,0.041488152],"study_design_scores_gemma":[0.0042203167,0.0006773367,0.028177805,0.0026131684,0.00049178686,0.00013031773,0.8729645,0.015935961,0.0017925237,0.033602238,0.036897335,0.002496732],"about_ca_topic_score_codex":0.023972286,"about_ca_topic_score_gemma":0.02263178,"teacher_disagreement_score":0.33788675,"about_ca_system_score_codex":0.000048946706,"about_ca_system_score_gemma":0.000045901157,"threshold_uncertainty_score":0.99520266},"labels":[],"label_agreement":null},{"id":"W2762362810","doi":"10.31390/gradschool_dissertations.3400","title":"When I Die, I Won't Stay Dead: The Poetry of Bob Kaufman","year":2005,"lang":"en","type":"dissertation","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"York University; Louisiana State University; National Endowment for the Humanities","keywords":"Jazz; Poetry; Postmodernism; Politics; Performance art; Art; American poetry; Scholarship; Literature; Art history; Aesthetics; Law","score_opus":0.02053476308323798,"score_gpt":0.25321168551298845,"score_spread":0.23267692242975047,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2762362810","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06016803,0.0021283124,0.000005212923,0.0005538916,0.0005329453,0.00014119936,0.00008065579,0.00004630578,0.93634343],"genre_scores_gemma":[0.51358074,0.00013023416,0.000019728375,0.00031103607,0.0007776083,0.000014114216,0.00043514246,0.00002511512,0.48470628],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99859315,0.000052680607,0.00049134786,0.00024491723,0.00036595805,0.0002519283],"domain_scores_gemma":[0.99901444,0.00008859908,0.00022542337,0.00040813617,0.0002128181,0.00005056683],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019728858,0.0002631397,0.00042214885,0.0001336628,0.00032494342,0.00016934398,0.00039810335,0.00014038142,0.028913748],"category_scores_gemma":[0.000024792986,0.00016041187,0.00033992395,0.000026472166,0.0001291119,0.00014503446,0.000021616743,0.00030586607,0.00016818572],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040039926,0.00017691118,0.000045271943,0.00017645286,0.00046352434,0.00000472044,0.04450291,0.000002135574,0.000042678505,0.86533123,0.07981296,0.009401157],"study_design_scores_gemma":[0.00015529519,0.000057380457,0.0005478198,0.00010585538,0.0005085511,5.1984165e-7,0.0754316,0.000029889161,0.00055344263,0.00912124,0.9131341,0.0003543171],"about_ca_topic_score_codex":0.0010005344,"about_ca_topic_score_gemma":0.050697975,"teacher_disagreement_score":0.85621,"about_ca_system_score_codex":0.000020302557,"about_ca_system_score_gemma":0.000047877988,"threshold_uncertainty_score":0.97197396},"labels":[],"label_agreement":null},{"id":"W2768166542","doi":"","title":"Review of \"The Noble Flame of Katherine Philips: A Poetics of Culture, Politics, and Friendship\" edited by David L. Orvis and Ryan Singh Paul","year":2017,"lang":"en","type":"article","venue":"OakTrust (Texas A&M University Libraries)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Friendship; Poetics; Politics; Art history; Media studies; Sociology; Religious studies; Theology; Art; Philosophy; Law; Political science; Poetry; Literature; Social science","score_opus":0.015411020908082156,"score_gpt":0.20581053097272048,"score_spread":0.19039951006463832,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2768166542","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61127853,0.036568504,0.000081003396,0.009717651,0.00070697756,0.0008274838,0.004790053,0.00008291491,0.3359469],"genre_scores_gemma":[0.98719645,0.0049156114,0.00008983777,0.00026927932,0.00010242198,1.8571797e-7,0.000042954864,0.000013526922,0.007369745],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999069,0.000069636575,0.00027536968,0.0002070985,0.00019141189,0.0001875007],"domain_scores_gemma":[0.9987267,0.00005358177,0.00041015516,0.00053642807,0.00018002179,0.000093095856],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012824048,0.00016574662,0.00047381895,0.000059259135,0.00047577822,0.00008371952,0.00046443456,0.00007290098,0.00049499475],"category_scores_gemma":[0.00011083332,0.00013268272,0.00012625179,0.000063821804,0.0016692722,0.00055790105,0.00037087133,0.0001370194,0.0000011872413],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046165307,0.00021247767,0.003950702,0.0033909332,0.00026968276,0.0000053709127,0.0047141025,3.036833e-7,0.00031600537,0.96941435,0.016877012,0.0008029085],"study_design_scores_gemma":[0.0006783828,0.00015473655,0.0017285701,0.0017755171,0.00054198015,0.000003024725,0.0037068538,0.00003777324,0.0015040793,0.0050053457,0.98461276,0.00025095785],"about_ca_topic_score_codex":0.00060045364,"about_ca_topic_score_gemma":0.00011670398,"teacher_disagreement_score":0.96773577,"about_ca_system_score_codex":0.000011644416,"about_ca_system_score_gemma":0.000052112562,"threshold_uncertainty_score":0.6150503},"labels":[],"label_agreement":null},{"id":"W2768607297","doi":"","title":"The Canadian abridgement, second edition.","year":2016,"lang":"en","type":"article","venue":"Books | Encyclopedia of Canadian Laws","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.016266512294441763,"score_gpt":0.196748648314758,"score_spread":0.18048213602031624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2768607297","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0049782773,0.0002547795,0.0000016919004,0.005213265,0.00087128155,0.00013911842,0.00076277886,0.000016721477,0.9877621],"genre_scores_gemma":[0.7193991,0.00019643521,0.0000064449596,0.0010511468,0.001093084,0.000028039576,0.000019521314,0.000019412157,0.2781868],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986166,0.000043581327,0.00033218277,0.00019860317,0.00021129075,0.0005977657],"domain_scores_gemma":[0.99860775,0.00011661618,0.00008307039,0.00036141317,0.00016736516,0.00066375616],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00026158203,0.0001570818,0.00018563507,0.0004287056,0.001105742,0.00015703797,0.00034425536,0.000057218575,0.010548208],"category_scores_gemma":[0.00006494218,0.00009767384,0.00012371516,0.00006702378,0.0004050449,0.00020512585,0.000014518734,0.00009215493,0.00025296176],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000016459595,0.0000038126263,0.00022797898,0.000005531166,0.000046165776,0.00001243579,0.0005932753,8.7282395e-8,0.000003620884,0.677834,0.31526145,0.0060100136],"study_design_scores_gemma":[0.00014068621,0.000023683078,0.002157598,0.000024373412,0.000034424538,0.0000017216263,0.00031984018,0.0000010690878,0.000023311979,0.005811145,0.9912922,0.00016996295],"about_ca_topic_score_codex":0.9260109,"about_ca_topic_score_gemma":0.9998965,"teacher_disagreement_score":0.71442086,"about_ca_system_score_codex":0.00022397342,"about_ca_system_score_gemma":0.00086305855,"threshold_uncertainty_score":0.99035627},"labels":[],"label_agreement":null},{"id":"W2773198547","doi":"10.36510/learnland.v2i1.272","title":"Imagination’s Hope: Four Poems","year":2008,"lang":"en","type":"article","venue":"LEARNing Landscapes","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Poetry; Aesthetics; Art; Literature; Psychology","score_opus":0.030105098659502935,"score_gpt":0.23311028890571658,"score_spread":0.20300519024621366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2773198547","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59514636,0.00073302526,0.00014656883,0.0017545276,0.0002842483,0.00005282573,0.0000048159486,0.00025299232,0.40162462],"genre_scores_gemma":[0.9318254,0.000069811555,0.000031783497,0.00020326221,0.00061972876,0.0000062789695,0.000019364914,0.0000129164055,0.06721147],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993045,0.00004880573,0.00013503454,0.00015118398,0.00016981906,0.00019065739],"domain_scores_gemma":[0.9996684,0.00005128836,0.000048326394,0.00009720797,0.00008777508,0.000046993537],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010721572,0.000098574405,0.00014181009,0.00008391869,0.0006596112,0.0001136598,0.00010355322,0.000023488665,0.004383416],"category_scores_gemma":[0.00005980588,0.00008030495,0.000087576016,0.000038114646,0.000071504684,0.0002071167,0.000021207503,0.00018116919,0.0005340698],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006791042,0.00041691132,0.10127208,0.00010264821,0.00046984848,0.0005075655,0.14956756,0.0019031246,0.0006320241,0.585047,0.13546273,0.024550587],"study_design_scores_gemma":[0.00025548766,0.00004589444,0.0044838325,0.000012642486,0.000029958856,0.000029138217,0.0016847249,0.0017527738,0.00004246507,0.0006729431,0.990805,0.00018517267],"about_ca_topic_score_codex":0.000096722535,"about_ca_topic_score_gemma":0.000112518625,"teacher_disagreement_score":0.85534227,"about_ca_system_score_codex":0.000009445184,"about_ca_system_score_gemma":0.000013238024,"threshold_uncertainty_score":0.9965267},"labels":[],"label_agreement":null},{"id":"W2774357707","doi":"10.22584/nr46.2017.002","title":"One Writer, Becoming","year":2017,"lang":"en","type":"article","venue":"The Northern Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.12762955041904736,"score_gpt":0.3102703062684268,"score_spread":0.18264075584937942,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2774357707","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04100334,0.30243015,0.00002126958,0.04241111,0.0005416663,0.0004961284,0.000029977438,0.00008701493,0.61297935],"genre_scores_gemma":[0.9364228,0.032205783,0.000009268679,0.005088235,0.00093489105,0.000026268743,0.0000058085147,0.00001857594,0.025288355],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99939615,0.00004923402,0.0001878184,0.00010513853,0.00012170896,0.00013997438],"domain_scores_gemma":[0.9989562,0.000029471024,0.0001415581,0.00078600994,0.000056731213,0.000030002859],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00040281363,0.000083061124,0.00023671219,0.000008783463,0.0011787885,0.00027828672,0.00056635565,0.000010464113,0.00346853],"category_scores_gemma":[0.000065287655,0.000050039314,0.00016132869,0.0000068842996,0.00018303012,0.00012987756,0.000071377646,0.00009477864,0.0009665932],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000045249676,0.00015155885,0.0009032365,0.0014593999,0.00027597244,0.000009310398,0.0053409166,2.7685607e-7,0.000014439327,0.3024515,0.007984479,0.6814044],"study_design_scores_gemma":[0.00006767408,0.0000104589035,0.00055664557,0.0013312871,0.00024238201,0.0000013612847,0.00012607296,0.0000073024867,0.0000045704114,0.0033881231,0.99415475,0.00010936508],"about_ca_topic_score_codex":0.0002893966,"about_ca_topic_score_gemma":0.0035671305,"teacher_disagreement_score":0.9861703,"about_ca_system_score_codex":0.000007196678,"about_ca_system_score_gemma":0.000007852468,"threshold_uncertainty_score":0.9998113},"labels":[],"label_agreement":null},{"id":"W2778807342","doi":"","title":"The Poetics of Deep Time: Hugh Dunkerley Explores the Work of Don McKay","year":2017,"lang":"en","type":"article","venue":"ChiPrints (University of Chichester)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Work (physics); Deep time; Art; History; Environmental ethics; Aesthetics; Sociology; Philosophy; Literature; Poetry; Engineering; Geology","score_opus":0.025500692044047816,"score_gpt":0.2055096438169105,"score_spread":0.1800089517728627,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2778807342","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9546329,0.00016853116,0.00006407163,0.0029211189,0.00013059114,0.00008848814,0.000013661833,0.000009563899,0.041971073],"genre_scores_gemma":[0.99476826,0.000116802374,0.000029232096,0.000021459284,0.00006374262,1.9169455e-7,0.0000026297414,0.0000068173845,0.004990864],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9992617,0.000066257155,0.00017230728,0.0001313493,0.00021641227,0.00015199889],"domain_scores_gemma":[0.99847686,0.00015958866,0.0003860788,0.00078572193,0.00015310143,0.000038667775],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00030433031,0.00010533719,0.00025419943,0.000034694804,0.0010440372,0.000064255444,0.0010293757,0.000043809192,0.0007418898],"category_scores_gemma":[0.00006105818,0.00007262601,0.00020968622,0.00003162721,0.0015556146,0.00020077461,0.00027259384,0.00012808363,0.000027932167],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005592347,0.0006716947,0.021272516,0.00033270768,0.0014936655,0.000020035943,0.25949374,0.00006287299,0.0014867103,0.6604554,0.002805297,0.051346134],"study_design_scores_gemma":[0.0023318892,0.000337838,0.570869,0.0005981072,0.0014053774,0.0000038471685,0.14314479,0.0006534206,0.006160475,0.025497558,0.24812911,0.00086856575],"about_ca_topic_score_codex":0.00011140457,"about_ca_topic_score_gemma":0.00064450456,"teacher_disagreement_score":0.63495785,"about_ca_system_score_codex":0.000007766904,"about_ca_system_score_gemma":0.000017413953,"threshold_uncertainty_score":0.8123173},"labels":[],"label_agreement":null},{"id":"W2791973414","doi":"10.18432/ari28922","title":"“The Opposite of the Skeleton Inside of Me”: Women’s Poetry as Feminist Activism","year":2018,"lang":"en","type":"article","venue":"Art/Research International A Transdisciplinary Journal","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Exegesis; Oppression; Ideology; Representation (politics); Literature; Face (sociological concept); Gender studies; Feminism; Art; Sociology; Aesthetics; Politics; Law; Political science; Social science","score_opus":0.0512238586053766,"score_gpt":0.3543644405331049,"score_spread":0.3031405819277283,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2791973414","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8309506,0.00011681801,0.00003530429,0.010059695,0.00107445,0.00010988751,0.00005041148,0.0000071360687,0.15759566],"genre_scores_gemma":[0.9765825,0.00009983393,0.000015262303,0.00011866597,0.0012238323,0.000016616887,0.000002816602,0.000016706104,0.02192372],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968896,0.0003565012,0.00061877316,0.00018900025,0.001482177,0.00046398025],"domain_scores_gemma":[0.9978203,0.0004089623,0.00022263119,0.00030208076,0.0010919821,0.00015404707],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0023460553,0.00014378586,0.00022087351,0.00024579786,0.001931184,0.0003078634,0.0012435555,0.000046903504,0.003257238],"category_scores_gemma":[0.00015798322,0.00008226428,0.0002969853,0.00015799249,0.0023807446,0.0003415693,0.00022058406,0.00072887744,0.00008707679],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013470512,0.0011849364,0.0015226689,0.00006146312,0.0014923102,0.00006261461,0.3006831,0.000020733156,0.017744048,0.6442199,0.02616572,0.005495428],"study_design_scores_gemma":[0.0017184654,0.0022350296,0.0071049524,0.000497441,0.00009473157,0.0005215678,0.12167165,0.00089464727,0.014652035,0.20552668,0.64467883,0.0004039998],"about_ca_topic_score_codex":0.000029677834,"about_ca_topic_score_gemma":0.000394182,"teacher_disagreement_score":0.6185131,"about_ca_system_score_codex":0.00014431664,"about_ca_system_score_gemma":0.00022338012,"threshold_uncertainty_score":0.9993682},"labels":[],"label_agreement":null},{"id":"W2792177528","doi":"","title":"Taking Emily Seriously - The Depiction of the Canadian Female Artist in the 1920’s in L. M. Montgomery’s Emily Trilogy","year":2013,"lang":"fi","type":"dissertation","venue":"Trepo - Institutional Repository of Tampere University","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Trilogy; Depiction; Art; Performance art; Art history; Literature","score_opus":0.01777856446454571,"score_gpt":0.21564605801757453,"score_spread":0.19786749355302882,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2792177528","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9021468,0.00055288617,0.0000023527002,0.0004522676,0.0009810948,0.0004593209,0.000101218575,0.0000094020015,0.09529463],"genre_scores_gemma":[0.98849964,0.00007892786,0.000005787168,0.00011385379,0.00018261094,0.0000069258945,0.00011780622,0.000013119114,0.010981305],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9973324,0.0005466632,0.00076918403,0.00039844506,0.00059948006,0.00035382045],"domain_scores_gemma":[0.99788237,0.00020390864,0.00086370046,0.0005522282,0.00041680448,0.000080976024],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00048153248,0.00031802148,0.0005104186,0.00042236756,0.0023427685,0.00012017116,0.0008862217,0.00031558226,0.00018127933],"category_scores_gemma":[0.00013803843,0.00021750512,0.00043498032,0.0003774482,0.0012481004,0.0003863185,0.00005916705,0.000752478,0.0000063333778],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00056427263,0.0010314123,0.09550749,0.0006934602,0.00076242903,0.0007927243,0.1244815,0.0069945594,0.0018757071,0.76508045,0.0011033851,0.0011126273],"study_design_scores_gemma":[0.00085237966,0.00011567666,0.8362405,0.00092900364,0.00060013426,0.000103575265,0.09369255,0.0006161701,0.000402063,0.0003359839,0.06563958,0.00047240627],"about_ca_topic_score_codex":0.6942352,"about_ca_topic_score_gemma":0.9021033,"teacher_disagreement_score":0.76474446,"about_ca_system_score_codex":0.0007986845,"about_ca_system_score_gemma":0.0016335477,"threshold_uncertainty_score":0.998956},"labels":[],"label_agreement":null},{"id":"W2794036651","doi":"","title":"Imagining Oneness: Charting Ecological Currents in Edwin Thumboo’s Poetry","year":2018,"lang":"en","type":"article","venue":"˜The œjournal of ecocriticism","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Representation (politics); Natural (archaeology); Unification; Expression (computer science); Feeling; Identification (biology); Aesthetics; Environmental ethics; Human life; Ecology; Sociology; History; Literature; Philosophy; Epistemology; Art; Computer science; Archaeology; Law; Biology; Political science; Politics; Theology","score_opus":0.03641953911373464,"score_gpt":0.2800187053810515,"score_spread":0.24359916626731687,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2794036651","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94002354,0.0008454841,0.00020848014,0.0024821968,0.0019776563,0.00009654447,0.0000107243495,0.000022772003,0.054332573],"genre_scores_gemma":[0.99511075,0.000038942635,0.000046855832,0.0013471639,0.0027021496,0.0000030873744,0.0000015121959,0.000019146697,0.00073041464],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978566,0.00023154441,0.0008991548,0.00016330637,0.00035564357,0.0004937293],"domain_scores_gemma":[0.99866414,0.0003321796,0.0002825421,0.00021635195,0.00039362904,0.00011117521],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014878657,0.00019706934,0.00043053913,0.00023610493,0.00046475782,0.00020476228,0.0005378457,0.00005558122,0.0027482428],"category_scores_gemma":[0.0001543062,0.0001303909,0.00020812426,0.000101537575,0.0005797813,0.00042756542,0.00009438083,0.0005335286,0.00015883516],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000749071,0.00566445,0.031488225,0.0003425429,0.0011406798,0.0015617659,0.2413004,0.00018522535,0.0058528553,0.6186943,0.035418548,0.05760192],"study_design_scores_gemma":[0.00917304,0.0041096075,0.04844301,0.0029276533,0.0018640308,0.0015122906,0.17974687,0.014880159,0.0032035417,0.25511026,0.47576404,0.0032655192],"about_ca_topic_score_codex":0.00007733788,"about_ca_topic_score_gemma":0.00062393374,"teacher_disagreement_score":0.44034547,"about_ca_system_score_codex":0.00005904643,"about_ca_system_score_gemma":0.000058010854,"threshold_uncertainty_score":0.9981634},"labels":[],"label_agreement":null},{"id":"W2795436176","doi":"10.22215/etd/2014-10621","title":"Indirection and Character in \"Song of Myself\"","year":2014,"lang":"en","type":"dissertation","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Indirection; Personality; Poetry; Character (mathematics); Representation (politics); Reading (process); Literature; Psychology; Philosophy; Art; Aesthetics; Linguistics; Psychoanalysis; Computer science; Mathematics; Law; Programming language; Political science","score_opus":0.011067901625426093,"score_gpt":0.2232538990550826,"score_spread":0.21218599742965652,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2795436176","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.69748664,0.00010668523,7.3497864e-7,0.000013499443,0.00026584775,0.000037113357,0.0000032850435,0.000008759169,0.30207747],"genre_scores_gemma":[0.9323339,0.000050877545,0.000002817284,0.00003919994,0.0001653642,0.0000064475253,0.00019571467,0.000007569709,0.06719814],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995043,0.000021770118,0.00020798086,0.00011655053,0.00007541265,0.0000739641],"domain_scores_gemma":[0.9997621,0.000021441223,0.000088495915,0.00006420989,0.00004875527,0.000014999316],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000103071645,0.000088312394,0.0002304262,0.00018735846,0.000041333824,0.000040462437,0.000035791654,0.00007565271,0.002022273],"category_scores_gemma":[0.000010547549,0.0000729437,0.00004731239,0.000017622104,0.00002605973,0.00007650249,0.0000035811936,0.00010074798,0.000012164353],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000998248,0.00019819388,0.0017512394,0.00082214037,0.00018128628,0.0000037451637,0.15857768,4.4714136e-7,0.0004944413,0.808731,0.0015165372,0.027623452],"study_design_scores_gemma":[0.0019140925,0.0006543887,0.2987682,0.0018184775,0.0011204076,0.000004191157,0.2269515,0.000664316,0.006918621,0.02116873,0.43774492,0.0022721523],"about_ca_topic_score_codex":0.0003686175,"about_ca_topic_score_gemma":0.009840274,"teacher_disagreement_score":0.78756225,"about_ca_system_score_codex":0.000005615598,"about_ca_system_score_gemma":0.0000070332435,"threshold_uncertainty_score":0.99889004},"labels":[],"label_agreement":null},{"id":"W2796004203","doi":"","title":"Rabins, Alicia Jo. Divinity School. Philadelphia: The American Poetry Review, 2015.","year":2017,"lang":"en","type":"article","venue":"Women in Judaism A Multidisciplinary e-Journal","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Divinity; Poetry; Art; Theology; Literature; Philosophy","score_opus":0.030665442463423738,"score_gpt":0.32496200885328624,"score_spread":0.2942965663898625,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2796004203","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91663504,0.010366941,0.000017629754,0.049871136,0.002309468,0.00043806853,0.000084267645,0.000059146292,0.020218285],"genre_scores_gemma":[0.980895,0.00999069,0.000043763397,0.0011837279,0.0031083296,0.0000693966,0.000009145909,0.000047479934,0.0046524988],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99616814,0.000465874,0.0010770345,0.00042727398,0.00071789935,0.001143796],"domain_scores_gemma":[0.99643314,0.00017354576,0.0012821136,0.0012432904,0.0002933289,0.00057457836],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0036985332,0.00043777798,0.0009436671,0.00025382586,0.0058596665,0.0016227813,0.0019905022,0.00006673674,0.0028714656],"category_scores_gemma":[0.00067545,0.00028725303,0.0004417305,0.00011883176,0.0015037872,0.001309348,0.0006591722,0.0017360252,0.00032955682],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00085441774,0.0038694392,0.15473886,0.0010202216,0.0019536947,0.0034958876,0.16979547,0.000110065994,0.00050428655,0.021912683,0.622325,0.019419963],"study_design_scores_gemma":[0.0031768836,0.0009505174,0.46656203,0.003044636,0.0004906807,0.0010026856,0.052965246,0.0003894315,0.000021047006,0.03195423,0.43759423,0.0018483849],"about_ca_topic_score_codex":0.0002590496,"about_ca_topic_score_gemma":0.00046436954,"teacher_disagreement_score":0.3118232,"about_ca_system_score_codex":0.0003325242,"about_ca_system_score_gemma":0.00021916379,"threshold_uncertainty_score":0.999958},"labels":[],"label_agreement":null},{"id":"W2796169917","doi":"10.6082/m1kw5d6m","title":"Stuck in Time: Modernist Momentums","year":2017,"lang":"en","type":"article","venue":"Knowledge@UChicago (University of Chicago)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Andrew W. Mellon Foundation; University of Chicago; National Endowment for the Humanities","keywords":"Computer science","score_opus":0.027125626224949465,"score_gpt":0.23267360100191678,"score_spread":0.20554797477696732,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2796169917","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4593712,0.0002692066,0.000052253137,0.0014793074,0.0001949481,0.0001323758,0.00005583453,0.00005054545,0.53839433],"genre_scores_gemma":[0.9356916,0.00006846199,0.000046980116,0.000025121726,0.00016257924,5.053153e-7,0.000015917023,0.000014593993,0.06397426],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99876106,0.00008224716,0.00021298337,0.0003600471,0.0002548122,0.00032885463],"domain_scores_gemma":[0.9986872,0.000059630413,0.00021722777,0.0007595288,0.00014606056,0.00013032093],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031925485,0.00019680988,0.00046837857,0.00022432617,0.0012197064,0.00018244458,0.001209507,0.00010023123,0.005750954],"category_scores_gemma":[0.000039749975,0.0002195507,0.00023934957,0.000046004192,0.00080367376,0.0005058938,0.00036287296,0.00028781034,0.000875454],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00044918375,0.004064822,0.007327449,0.00040291663,0.00078080693,0.00022605307,0.1694464,0.0000585257,0.001630198,0.74293244,0.033901144,0.03878008],"study_design_scores_gemma":[0.0049518268,0.00033623367,0.04114256,0.00045505902,0.00047384735,0.0000059618683,0.016832557,0.013862428,0.00029580155,0.02849607,0.891773,0.0013746588],"about_ca_topic_score_codex":0.00071761565,"about_ca_topic_score_gemma":0.009467731,"teacher_disagreement_score":0.85787183,"about_ca_system_score_codex":0.000055559136,"about_ca_system_score_gemma":0.00006072519,"threshold_uncertainty_score":0.9999025},"labels":[],"label_agreement":null},{"id":"W2796692995","doi":"10.14288/1.0365527","title":"Romancing modernity : poetry, process, and postsecularism","year":2020,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Modernity; Poetry; Process (computing); Art; Aesthetics; Literature; Computer science; Philosophy; Epistemology","score_opus":0.012736116356199437,"score_gpt":0.16895544429686518,"score_spread":0.15621932794066573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2796692995","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9859796,0.0002885356,0.00022372344,0.0005564068,0.00003586557,0.00007925172,0.0001049655,0.000060376147,0.01267124],"genre_scores_gemma":[0.9988707,0.000044422264,0.000036350382,0.0002796438,0.000079957725,1.6274517e-7,0.000012920092,0.000009190389,0.00066667085],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.99925387,0.000028162893,0.000097582844,0.00027632152,0.00017670594,0.00016738074],"domain_scores_gemma":[0.99952865,0.000014763628,0.0000690426,0.00010310511,0.00014344646,0.00014096797],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007141615,0.000040441413,0.00023062425,0.00001908051,0.0004103152,0.00019752647,0.00017176062,0.000048762882,0.00061988906],"category_scores_gemma":[0.00002239992,0.00013612663,0.000090350244,0.000058449885,0.00030809498,0.00036311932,0.00008165284,0.00012861051,0.00001573186],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000101813726,0.0007338894,0.026787614,0.0019554994,0.00083127583,0.0014466083,0.115724616,0.000060889233,0.0008999937,0.0023826002,0.022828234,0.826247],"study_design_scores_gemma":[0.0013876213,0.00023459905,0.9255699,0.00020466506,0.00031316656,0.00004018028,0.05299953,0.0058195787,0.0000032853725,0.004427767,0.00840009,0.0005996393],"about_ca_topic_score_codex":0.04450836,"about_ca_topic_score_gemma":0.15793721,"teacher_disagreement_score":0.89878225,"about_ca_system_score_codex":0.000011897393,"about_ca_system_score_gemma":0.000029307354,"threshold_uncertainty_score":0.96185434},"labels":[],"label_agreement":null},{"id":"W2798736130","doi":"10.51644/9780889209299","title":"Writing in Our Time","year":2006,"lang":"en","type":"book","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science; Information retrieval","score_opus":0.018157424339543895,"score_gpt":0.22270189055096845,"score_spread":0.20454446621142455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2798736130","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000025905467,0.0001797511,0.0000018469132,0.00023545147,0.00007258902,0.00004848542,0.000032574866,0.000051092702,0.9993523],"genre_scores_gemma":[0.005268103,0.0000034234504,0.000009297604,0.00031649356,0.0017584024,0.0000040230752,0.00018069893,0.000024170695,0.9924354],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991251,0.000015350293,0.00032652498,0.000189637,0.00014750678,0.00019586663],"domain_scores_gemma":[0.999707,0.000023879003,0.000057887257,0.00014436108,0.00004207527,0.000024809346],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001284838,0.00016760633,0.00031953544,0.00016893185,0.00008607469,0.0001749752,0.00012340477,0.00009833419,0.010106672],"category_scores_gemma":[0.000004337995,0.0001461376,0.00015352629,0.000009448709,0.000033370186,0.00007703776,0.000029291778,0.00022474099,0.0021502364],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.81095e-7,0.000014956613,0.0000016415229,0.000016736856,0.000013308148,0.000021533837,0.00019616581,0.0000010171342,5.171186e-7,0.42790496,0.5715225,0.0003062073],"study_design_scores_gemma":[0.00007520464,0.000009392114,0.000004236839,0.000102044316,0.00003968352,8.143709e-7,0.00030270187,0.00007305172,9.644986e-7,0.01621118,0.9829643,0.00021644477],"about_ca_topic_score_codex":0.0002178683,"about_ca_topic_score_gemma":0.0016626086,"teacher_disagreement_score":0.41169378,"about_ca_system_score_codex":0.000054982567,"about_ca_system_score_gemma":0.000045940928,"threshold_uncertainty_score":0.9986267},"labels":[],"label_agreement":null},{"id":"W2801795768","doi":"","title":"Letter to Self and other poems","year":2018,"lang":"en","type":"letter","venue":"Postcolonial text","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; History; Art","score_opus":0.029950868735528616,"score_gpt":0.25676175498755227,"score_spread":0.22681088625202367,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2801795768","genre_codex":"commentary","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"commentary","genre_consensus":"commentary","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026284172,0.00012395644,0.0000040735513,0.88653404,0.001324485,0.00025883203,0.00025184674,0.0001252611,0.10874909],"genre_scores_gemma":[0.006407517,0.0000035031426,0.00005908928,0.8772643,0.049492624,0.000035529025,0.000033541095,0.000067509965,0.06663637],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99839437,0.000084044004,0.0002854747,0.00046754064,0.00028180867,0.00048675024],"domain_scores_gemma":[0.99929774,0.00008067124,0.00008440974,0.0003490812,0.00010264358,0.00008543868],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014447166,0.00033855785,0.00043115235,0.00017668809,0.00034371458,0.0004916075,0.00028117013,0.0003510447,0.008941108],"category_scores_gemma":[0.000021924454,0.0002821696,0.00015748695,0.000037739712,0.00023270467,0.00009297439,0.000115041374,0.0006515628,0.0031967286],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007983491,0.000021354359,0.000012505492,0.000039837112,0.00012684854,0.00006860883,0.008067987,3.023794e-8,0.0000070904066,0.0041050175,0.9872807,0.00026202347],"study_design_scores_gemma":[0.00012684034,0.00016666357,0.000018053674,0.00004374787,0.00016527573,0.000007095114,0.00004151082,0.0000044074854,0.000014323022,0.00068045437,0.9983245,0.00040712225],"about_ca_topic_score_codex":0.00053260656,"about_ca_topic_score_gemma":0.00082642754,"teacher_disagreement_score":0.048168138,"about_ca_system_score_codex":0.00003655489,"about_ca_system_score_gemma":0.000024757896,"threshold_uncertainty_score":0.99996305},"labels":[],"label_agreement":null},{"id":"W2802210744","doi":"10.1007/978-3-319-73851-2_1","title":"Introduction: Threshold Thinking","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"Liminality; Hybridity; Conversation; Field (mathematics); Context (archaeology); Key (lock); Section (typography); Sociology; History; Aesthetics; Anthropology; Art; Computer science; Archaeology; Communication","score_opus":0.03364506382117927,"score_gpt":0.22191658127676836,"score_spread":0.1882715174555891,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2802210744","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000063201987,0.00035682728,0.000020028541,0.002290947,0.0014117853,0.00005205019,0.000013523666,0.0001219843,0.9957265],"genre_scores_gemma":[0.0014374637,0.000053491785,0.0000264669,0.0008766346,0.0329397,0.0000020386262,0.000055961813,0.000035306737,0.9645729],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900824,0.0000034367865,0.00025237483,0.0003169285,0.00026207938,0.000156917],"domain_scores_gemma":[0.9993232,0.00001164196,0.00008365589,0.0003724934,0.00016460252,0.000044422275],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013153387,0.00022679711,0.00028524047,0.00010729196,0.00038609197,0.00030658318,0.00019534919,0.00011653288,0.5335455],"category_scores_gemma":[0.0000038231583,0.00017724403,0.00022232319,0.0000038232556,0.00032765316,0.00013239469,0.00006219839,0.00023594267,0.0060457382],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000014735076,0.0000037408577,5.9094003e-8,0.000007328814,0.00007485153,0.0000030730248,0.0011532524,8.576971e-8,2.7530888e-7,0.62783897,0.3707275,0.00018938103],"study_design_scores_gemma":[0.000026134036,0.000024902425,6.730329e-8,0.00002180647,0.000103848026,0.0000025060488,0.00019398502,0.0000047546882,0.000004747647,0.312048,0.68739945,0.00016984831],"about_ca_topic_score_codex":0.000012163839,"about_ca_topic_score_gemma":0.00033814672,"teacher_disagreement_score":0.52749974,"about_ca_system_score_codex":0.000023300696,"about_ca_system_score_gemma":0.00001583298,"threshold_uncertainty_score":0.99472815},"labels":[],"label_agreement":null},{"id":"W2803318885","doi":"10.55016/ojs/jah.v2018y2018.53335","title":"\"Asleep in My Sunshine Chair\"","year":2018,"lang":"en","type":"article","venue":"Journal of Applied Hermeneutics","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Psychology","score_opus":0.024221279306914967,"score_gpt":0.24376166936640084,"score_spread":0.21954039005948586,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2803318885","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5750756,0.000056091423,0.0000061309233,0.0006485684,0.0003957689,0.000053924294,0.0000046602313,0.000010650518,0.42374855],"genre_scores_gemma":[0.9960492,0.000046999598,0.00009673254,0.0008907967,0.0018065695,0.0000020336345,9.2468423e-7,0.000013977784,0.0010927387],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988894,0.000017856553,0.000520945,0.00009654979,0.00024933612,0.0002259252],"domain_scores_gemma":[0.9993495,0.000035179346,0.0002237489,0.00013830069,0.00017343884,0.00007988516],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038404242,0.00012668982,0.0003748745,0.00016968031,0.00012170744,0.000088258595,0.0002050938,0.000048065187,0.0029048095],"category_scores_gemma":[0.000008980925,0.00009395949,0.00015904054,0.00006844504,0.00022285903,0.000116511685,0.000029354178,0.00024171261,0.000061051134],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017900139,0.0005068965,0.00014016911,0.00004162646,0.0009288632,0.000098344535,0.10200935,0.000101610705,0.0013356324,0.8848057,0.0061095627,0.0037432401],"study_design_scores_gemma":[0.0020918413,0.0006856522,0.00083760516,0.000057418463,0.0018169843,0.000050104474,0.02431914,0.0006998654,0.0049591577,0.30334598,0.6605189,0.000617346],"about_ca_topic_score_codex":0.0000073974966,"about_ca_topic_score_gemma":0.00051405595,"teacher_disagreement_score":0.65440935,"about_ca_system_score_codex":0.00003848192,"about_ca_system_score_gemma":0.000036250316,"threshold_uncertainty_score":0.99800664},"labels":[],"label_agreement":null},{"id":"W2805695239","doi":"10.3138/utq.87.2.04","title":"Labour and the End(s) of Art in Archibald Lampman's “The Land of Pallas”","year":2018,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Ottawa","funders":"","keywords":"Poetry; Realm; Rationalization (economics); Subject (documents); Work (physics); Dead end; History; Sociology; Aesthetics; Literature; Law; Philosophy; Epistemology; Art; Political science; Computer science; Engineering","score_opus":0.0076192520023595665,"score_gpt":0.18252748554067738,"score_spread":0.1749082335383178,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2805695239","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9243097,0.0002632417,0.000023245742,0.00056190783,0.000050258655,0.00007345586,0.00003898183,0.000003991604,0.07467528],"genre_scores_gemma":[0.99570435,0.000032826956,0.000015329791,0.000028166547,0.00004898959,7.604856e-8,0.000001538914,0.0000019225615,0.0041667945],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995512,0.000076846474,0.00011532149,0.00007467623,0.0001005285,0.00008145019],"domain_scores_gemma":[0.99958307,0.00008492963,0.00008875661,0.00015130163,0.0000751797,0.000016763513],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020157086,0.000053386037,0.00017890095,0.000020109961,0.00009687597,0.000009269659,0.00017109567,0.000018176783,0.0015747646],"category_scores_gemma":[0.0000047413405,0.0000354326,0.00006546724,0.000011684722,0.0011842797,0.00010602083,0.000018608007,0.00003814566,0.0000037017574],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029773902,0.00009949427,0.0022936412,0.00005230248,0.00013071454,0.0000032982668,0.21800219,7.4654196e-7,0.000085224085,0.7742174,0.001284975,0.0035322283],"study_design_scores_gemma":[0.0077581867,0.0023941114,0.17189415,0.00024316812,0.0004776478,0.0000042889696,0.3425101,0.00084913627,0.00022008178,0.01381133,0.45940873,0.00042904],"about_ca_topic_score_codex":0.044672877,"about_ca_topic_score_gemma":0.3770539,"teacher_disagreement_score":0.76040614,"about_ca_system_score_codex":0.0000100507505,"about_ca_system_score_gemma":0.000011833947,"threshold_uncertainty_score":0.9993379},"labels":[],"label_agreement":null},{"id":"W2806220789","doi":"","title":"ANDREW JACKSON JIHAD / JOYCE MANOR / THE TREASURE FLEET tour dates","year":2012,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Treasure; History; Art; Art history; Archaeology","score_opus":0.04165653133405672,"score_gpt":0.24261943981988202,"score_spread":0.2009629084858253,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2806220789","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13458817,0.0022886097,0.00003477444,0.003110041,0.00048787266,0.000106376836,0.000029977537,0.00009823511,0.85925597],"genre_scores_gemma":[0.86475515,0.000029730554,0.000013649608,0.0011814598,0.0012407455,0.000009814767,0.000014731982,0.000010723813,0.13274401],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99914277,0.000049118687,0.00016701297,0.00012451842,0.00018168907,0.0003349045],"domain_scores_gemma":[0.99947554,0.00006998346,0.000037557285,0.00027682228,0.000054898508,0.00008520114],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028685987,0.00013430174,0.00015898974,0.000034912107,0.00044556073,0.00022513609,0.00019984908,0.000033701348,0.02069196],"category_scores_gemma":[0.000019688352,0.000071582566,0.0001247425,0.000033200125,0.00012456508,0.0003771801,0.00004123033,0.000109295026,0.0007109717],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011576977,0.0001861791,0.0017942329,0.000016032853,0.00013105717,0.0000022211846,0.010961942,8.137565e-7,0.00015117627,0.7479525,0.2304615,0.008330725],"study_design_scores_gemma":[0.00013622991,0.000026915492,0.0018262457,0.000009548618,0.00012483745,0.0000045650386,0.0078464765,0.000030131625,0.00091541524,0.001055537,0.9878562,0.00016787149],"about_ca_topic_score_codex":0.000263802,"about_ca_topic_score_gemma":0.0015451895,"teacher_disagreement_score":0.75739473,"about_ca_system_score_codex":0.000009697733,"about_ca_system_score_gemma":0.0000078711155,"threshold_uncertainty_score":0.9802033},"labels":[],"label_agreement":null},{"id":"W2806542238","doi":"","title":"The Feminist Poet Re-Creates the Soundscape:The Excessive Noise of Lisa Robertson and Rachel Zolf","year":2017,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Soundscape; Noise (video); Aesthetics; Art; History; Sociology; Acoustics; Visual arts; Computer science; Sound (geography); Physics; Artificial intelligence","score_opus":0.03402057553591025,"score_gpt":0.2992737907875814,"score_spread":0.2652532152516711,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2806542238","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21427993,0.27812302,2.3017856e-7,0.11741083,0.0027641335,0.0006695162,0.0010093477,0.000021600123,0.3857214],"genre_scores_gemma":[0.98343176,0.0012767741,0.0000019395886,0.00083747634,0.0005791154,0.000032718275,0.000007449469,0.000009973314,0.013822819],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900717,0.0000876082,0.00022713942,0.00018982505,0.00013715586,0.00035110576],"domain_scores_gemma":[0.99854153,0.00045582955,0.00014964897,0.000612906,0.00015866433,0.00008141327],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0004858188,0.00016943534,0.00023886345,0.00005175672,0.003986931,0.0011759677,0.0005451313,0.00005444738,0.0000862016],"category_scores_gemma":[0.0004506641,0.000076029435,0.00008263809,0.000046205674,0.0019071287,0.00015824902,0.000103056125,0.00030059635,0.000001999522],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032249307,0.000021083153,0.007282731,0.00010184832,0.00052290637,0.000073283605,0.4449566,0.0000027693707,0.000005228871,0.3709679,0.17295086,0.0030825576],"study_design_scores_gemma":[0.00014074577,0.000029232016,0.0037102671,0.00020492016,0.00008429048,0.0000050919134,0.0726795,0.000025359626,0.000007511308,0.0046145143,0.9183688,0.00012976638],"about_ca_topic_score_codex":0.06134886,"about_ca_topic_score_gemma":0.8999398,"teacher_disagreement_score":0.8385909,"about_ca_system_score_codex":0.000045727385,"about_ca_system_score_gemma":0.00006250513,"threshold_uncertainty_score":0.9998609},"labels":[],"label_agreement":null},{"id":"W2808854107","doi":"10.3138/uram.31.4.284","title":"Northrop Frye, Soren Kierkegaard and Kerygma: On the Relationshp Between Biblical Metaphors, Literal Readings of the Bible and Living in the Spirit","year":2008,"lang":"en","type":"article","venue":"Ultimate Reality and Meaning","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Literal (mathematical logic); Philosophy; Literature; Linguistics; Art","score_opus":0.08961777135080444,"score_gpt":0.25770043914607266,"score_spread":0.1680826677952682,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2808854107","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9745662,0.00036932444,0.000012688134,0.0030593153,0.00002542285,0.00013755535,0.000040577437,0.000013527694,0.021775346],"genre_scores_gemma":[0.9988828,0.00045894866,0.000022574826,0.0002957315,0.00009926575,0.0000072607986,0.0000062420645,0.0000073215538,0.00021989136],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.998877,0.00023885479,0.00030961647,0.00019393726,0.0001945257,0.0001860855],"domain_scores_gemma":[0.99884427,0.00076131383,0.00010413657,0.00020447643,0.000047137768,0.000038670583],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010404976,0.00012980509,0.00024492605,0.00017450978,0.00096077897,0.0001739328,0.00012970001,0.000048491904,0.000048610436],"category_scores_gemma":[0.00017808826,0.00006384716,0.00006643883,0.00026089192,0.00057466456,0.00020708755,0.00007994823,0.0002595312,0.0000010276507],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016593205,0.00007437407,0.22848757,0.00008927333,0.00011156846,0.000005472166,0.11900688,0.000010290962,0.000061711646,0.6491143,0.0012355297,0.0017864067],"study_design_scores_gemma":[0.0005479047,0.00015655678,0.92569023,0.0007190908,0.00040752994,0.0000471724,0.014998635,0.0024877696,0.00018004801,0.020696878,0.033640064,0.0004281048],"about_ca_topic_score_codex":0.0016313711,"about_ca_topic_score_gemma":0.0012438551,"teacher_disagreement_score":0.6972027,"about_ca_system_score_codex":0.0000079459915,"about_ca_system_score_gemma":0.000010790966,"threshold_uncertainty_score":0.73896325},"labels":[],"label_agreement":null},{"id":"W2809382581","doi":"10.1007/978-3-319-75441-3_7","title":"The Rhetoric of Plain Fact: Stevens’ “No Possum, No Sop, No Taters”","year":2018,"lang":"en","type":"book-chapter","venue":"Studies in linguistics and philosophy","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Rhetoric; Poetry; Rhetorical question; Phenomenology (philosophy); Meaning (existential); Perception; Literature; Criticism; Philosophy; Aesthetics; Art; Epistemology; Linguistics","score_opus":0.07525074806447625,"score_gpt":0.29279610411081813,"score_spread":0.2175453560463419,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2809382581","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000065072556,0.008885289,4.4627325e-7,0.00010436958,0.006113557,0.0001646485,0.00042511916,0.000017427028,0.9842241],"genre_scores_gemma":[0.39216,0.014463243,0.000061957944,0.00036376464,0.032234713,0.000020435906,0.00006771006,0.00010727832,0.5605209],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99823225,0.000031078904,0.0007225214,0.00038045322,0.00032696797,0.00030674448],"domain_scores_gemma":[0.99707574,0.0004890844,0.00034879716,0.0003920456,0.0016320643,0.00006227299],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00030378316,0.00044085874,0.00080760807,0.00013068574,0.00068476074,0.00009271944,0.00027691838,0.00014085407,0.0005229532],"category_scores_gemma":[0.0009940139,0.00030637102,0.00021483313,0.00001588831,0.0019693542,0.000016976854,0.00024382504,0.00037536715,0.00028176163],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005320439,0.000025786814,0.0000055191476,0.0003287276,0.0005911728,0.000022985818,0.0051484443,3.256069e-7,3.995415e-7,0.9783161,0.015401774,0.000105504856],"study_design_scores_gemma":[0.00014700358,0.00022219191,0.000001205678,0.00038046742,0.00016258641,4.5669353e-7,0.00022891279,0.00001168126,6.997223e-7,0.35189635,0.6467025,0.0002459495],"about_ca_topic_score_codex":0.00002546072,"about_ca_topic_score_gemma":0.00013387081,"teacher_disagreement_score":0.63130075,"about_ca_system_score_codex":0.00004646108,"about_ca_system_score_gemma":0.00003331327,"threshold_uncertainty_score":0.99993885},"labels":[],"label_agreement":null},{"id":"W283095311","doi":"","title":"Image, Text, and Spirit: Kate Braid and the Paintings of Emily Carr","year":2002,"lang":"en","type":"article","venue":"Mosaic (Winnipeg)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Carr; Painting; Poetry; Art history; Friendship; Mythology; Spirituality; Art; The arts; Philosophy; Literature; Sociology; Visual arts","score_opus":0.014545779528261379,"score_gpt":0.2156252069461253,"score_spread":0.20107942741786392,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W283095311","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78318095,0.013384767,0.000052104857,0.014466775,0.00022297197,0.00030701404,0.00010046198,0.00008654057,0.18819843],"genre_scores_gemma":[0.983555,0.00019709716,0.00004314525,0.0012044123,0.00023047665,0.000008246928,0.00000453627,0.0000145854,0.014742458],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990217,0.0000784964,0.00029819988,0.00021184105,0.00016477548,0.00022496484],"domain_scores_gemma":[0.999392,0.00014869952,0.0000960314,0.00022521686,0.000079071884,0.00005902358],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003861022,0.00015138247,0.00031202025,0.000057269808,0.0003386392,0.00018228478,0.00012939508,0.00003753441,0.0017201204],"category_scores_gemma":[0.00007955111,0.000098924946,0.000099120356,0.000049680122,0.0010630516,0.0001717014,0.00007092507,0.00013808194,0.000027548529],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010879441,0.00032230606,0.002516169,0.00049317756,0.00058361114,0.000062495514,0.12812936,0.0000024250207,0.0034356238,0.65259403,0.14828567,0.06346635],"study_design_scores_gemma":[0.0027882936,0.0001505482,0.0019171695,0.00013115596,0.00044434497,0.000030028083,0.009204285,0.0042780084,0.000711609,0.013774706,0.9660254,0.0005444138],"about_ca_topic_score_codex":0.0005585108,"about_ca_topic_score_gemma":0.00018923369,"teacher_disagreement_score":0.8177398,"about_ca_system_score_codex":0.00000590257,"about_ca_system_score_gemma":0.000004610972,"threshold_uncertainty_score":0.9991924},"labels":[],"label_agreement":null},{"id":"W2849178439","doi":"","title":"Richard Outram’s Early Poems (1957-1988): A Critical Introduction with Annotations","year":2018,"lang":"en","type":"dissertation","venue":"MacSphere (McMaster University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Government of Canada; Government of Ontario; McMaster University","keywords":"Poetry; Critical edition; Literature; Art; History; Art history","score_opus":0.019053815749715035,"score_gpt":0.22301564831444007,"score_spread":0.20396183256472503,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2849178439","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.030299682,0.000098544006,0.00027445547,0.00077383005,0.0014433421,0.00023574382,0.00015681617,0.00017320889,0.9665444],"genre_scores_gemma":[0.1292672,0.000014015154,0.00019241725,0.00008988118,0.0023396765,0.0000036003116,0.00055805576,0.00005536806,0.8674798],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99820733,0.00009787889,0.00026485304,0.0006347549,0.0003749634,0.00042024598],"domain_scores_gemma":[0.9986872,0.000049487007,0.0001549544,0.00033273498,0.0006163337,0.00015929504],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007668352,0.0003997062,0.0004340589,0.00034208165,0.000738452,0.00041514623,0.00033643117,0.00020971918,0.21609218],"category_scores_gemma":[0.000026884283,0.00038664247,0.00021328879,0.00024919538,0.0003711995,0.00065896707,0.00003193571,0.000421353,0.00058519666],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016145027,0.0008570483,0.000428986,0.00072724547,0.0016820558,0.000418144,0.08349687,0.000018068995,0.00016927501,0.7420284,0.07997315,0.08858624],"study_design_scores_gemma":[0.0004452795,0.00034918723,0.0006317012,0.00012540107,0.0008945409,0.0000045545457,0.03869995,0.000030959945,0.00007058232,0.00053230295,0.9576613,0.00055427203],"about_ca_topic_score_codex":0.0004070167,"about_ca_topic_score_gemma":0.008888601,"teacher_disagreement_score":0.8776881,"about_ca_system_score_codex":0.000106415384,"about_ca_system_score_gemma":0.0000938691,"threshold_uncertainty_score":0.99985856},"labels":[],"label_agreement":null},{"id":"W2883440355","doi":"10.1353/vpr.2018.0024","title":"The Political Poetess: Victorian Femininity, Race, and the Legacy of Separate Spheres by Tricia Lootens","year":2018,"lang":"en","type":"article","venue":"Victorian periodicals review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Femininity; Separate spheres; Portrait; Race (biology); White (mutation); Scholarship; Sociology; Art history; Art; History; Law; Gender studies; Political science; Chemistry; Ideology","score_opus":0.013859154763401616,"score_gpt":0.2714316610515353,"score_spread":0.2575725062881337,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2883440355","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.018754616,0.56576544,0.000050149174,0.081277244,0.0035792422,0.0017489002,0.0003427159,0.00015227473,0.32832944],"genre_scores_gemma":[0.95755786,0.030488191,0.000011808267,0.004325573,0.0030064876,0.000057921323,0.000014293088,0.000030279129,0.004507591],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972538,0.0005568857,0.00086395035,0.00032101295,0.00045662106,0.00054777093],"domain_scores_gemma":[0.9978693,0.0007103799,0.00025835144,0.00059517025,0.00033266222,0.0002341523],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010515414,0.00028543582,0.0008942544,0.000030241577,0.0012328393,0.00068128103,0.0005285751,0.00008056119,0.0034645842],"category_scores_gemma":[0.0007577669,0.00014036069,0.00030751046,0.00016426995,0.0038504298,0.00020249338,0.0001401711,0.00026480624,0.00016553723],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004576343,0.000064901826,0.00007157117,0.0003326025,0.00016463372,0.000002579643,0.0027843325,5.472781e-9,0.000024819987,0.9323174,0.062279727,0.0019117149],"study_design_scores_gemma":[0.00052487873,0.00011262136,0.000032587235,0.00055898255,0.00036950887,0.0000058464243,0.0014166764,0.000015714288,0.000049956165,0.0033932964,0.9933258,0.00019410688],"about_ca_topic_score_codex":0.00016277326,"about_ca_topic_score_gemma":0.00049720076,"teacher_disagreement_score":0.93880326,"about_ca_system_score_codex":0.000023668834,"about_ca_system_score_gemma":0.0000948252,"threshold_uncertainty_score":0.99886054},"labels":[],"label_agreement":null},{"id":"W2886384237","doi":"10.3138/md.61.3.468","title":"Emeline Jouve, <i>Susan Glaspell’s Poetics and Politics of Rebellion</i>","year":2018,"lang":"en","type":"article","venue":"Modern Drama","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Politics; Expansive; Drama; Reputation; Art; Sociology; Literature; Political science; Law; Social science; Physics","score_opus":0.02288186016045401,"score_gpt":0.24448695922735647,"score_spread":0.22160509906690246,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2886384237","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7315311,0.0009830198,0.0017310367,0.0016168511,0.00036824285,0.000104091036,0.000104910774,0.000059929767,0.26350084],"genre_scores_gemma":[0.97521996,0.0000694975,0.00016321329,0.00053644134,0.0010095398,0.0000011774379,0.000010421457,0.000017414528,0.022972347],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990552,0.000028720093,0.00030016527,0.00018353834,0.0001868732,0.00024551194],"domain_scores_gemma":[0.9992874,0.00003630318,0.00007793889,0.0002619948,0.00024690776,0.0000894186],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011580359,0.0001301135,0.00023023371,0.000081436054,0.00025793404,0.000102343176,0.00012926254,0.00004972439,0.001203801],"category_scores_gemma":[0.000021983184,0.00011317302,0.00007242919,0.00003438729,0.0006137594,0.00010492303,0.00006243392,0.00008886967,0.00005254692],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018330808,0.00018043374,0.00028581842,0.00006780491,0.000089474015,0.0000074938234,0.017371794,0.0000051696456,0.0011297811,0.9638698,0.01304358,0.0039305366],"study_design_scores_gemma":[0.00074789213,0.00042966712,0.00017432017,0.00008906727,0.0002793077,0.0000122702995,0.0029391388,0.016249105,0.007971342,0.17340307,0.797231,0.00047379604],"about_ca_topic_score_codex":0.00015948567,"about_ca_topic_score_gemma":0.00032681672,"teacher_disagreement_score":0.7904667,"about_ca_system_score_codex":0.000010373105,"about_ca_system_score_gemma":0.000019909736,"threshold_uncertainty_score":0.99970925},"labels":[],"label_agreement":null},{"id":"W2886688462","doi":"","title":"Into the Open: Poems New and Selected. Susan McCaslin. Toronto: Inanna Publications, 2017.","year":2018,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Sociology; Art; Literature","score_opus":0.04979734184788388,"score_gpt":0.2954387651407888,"score_spread":0.24564142329290495,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2886688462","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3664772,0.020117074,0.000003581362,0.032123163,0.0011420802,0.0006341753,0.00008643259,0.00010008456,0.5793162],"genre_scores_gemma":[0.9056591,0.0006564317,0.000019827716,0.0033540113,0.00112356,0.0000848793,0.000011377048,0.000014907311,0.08907591],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988827,0.000049288086,0.00020593317,0.00027278924,0.00010926482,0.0004800359],"domain_scores_gemma":[0.99874884,0.00006217341,0.00005778049,0.00032957675,0.00043988734,0.00036176664],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027728316,0.00016760376,0.00025245262,0.00007725279,0.0021349366,0.0007229751,0.0004452594,0.000033363885,0.003063788],"category_scores_gemma":[0.00015369116,0.00011768362,0.000030092755,0.00011538632,0.0006571558,0.0004864502,0.0001443825,0.00009019633,0.000080690865],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000042202305,0.000012444456,0.00021007647,0.00000947772,0.00029456514,0.0000025349364,0.17012931,3.8295173e-8,0.0000030939145,0.44053555,0.38544554,0.0033531666],"study_design_scores_gemma":[0.00011760495,0.00008717355,0.0003985817,0.000011693183,0.00003634696,0.0000020015407,0.16624019,0.000004417649,0.000003903356,0.009719982,0.8232216,0.00015651554],"about_ca_topic_score_codex":0.07544881,"about_ca_topic_score_gemma":0.88731,"teacher_disagreement_score":0.8118612,"about_ca_system_score_codex":0.00035703773,"about_ca_system_score_gemma":0.00036479707,"threshold_uncertainty_score":0.99916416},"labels":[],"label_agreement":null},{"id":"W2886896267","doi":"","title":"Cool Things in the Collection: The Letter Book of Ralph Blasdale, Winnipeg Real Estate Broker","year":2015,"lang":"en","type":"article","venue":"Manitoba History","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Real estate; History; Art history; Business; Finance","score_opus":0.0446856079060372,"score_gpt":0.2121829626447388,"score_spread":0.1674973547387016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2886896267","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.118392564,0.0017791284,0.000009664921,0.004760721,0.0015506364,0.00028627767,0.000008079373,0.00005100042,0.8731619],"genre_scores_gemma":[0.86849284,0.00019420483,0.00000957523,0.017161598,0.0013615151,0.000063857675,0.000011084525,0.000027974123,0.11267735],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988409,0.00019971831,0.00028632738,0.0001559198,0.00032697705,0.0001901184],"domain_scores_gemma":[0.9993264,0.00009479602,0.000107526714,0.00032330875,0.00011404404,0.000033887976],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005942717,0.00012916034,0.00018938546,0.00009427106,0.00022154284,0.00005310483,0.0003195549,0.00003753559,0.0008615536],"category_scores_gemma":[0.000025069992,0.00007812716,0.000109308276,0.000054947,0.00050838303,0.00026551486,0.0000335147,0.00023769404,0.000092399576],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041550633,0.0000763238,0.000114086964,0.000013464604,0.000027101218,0.000019865733,0.09691479,0.0000075374014,0.000020724065,0.0114277555,0.8910151,0.00032168935],"study_design_scores_gemma":[0.00033703764,0.00005823926,0.0005027544,0.000012579049,0.000057661426,0.000005101164,0.01824748,0.000069335925,0.000012865259,0.0002513979,0.98033696,0.0001086089],"about_ca_topic_score_codex":0.010634159,"about_ca_topic_score_gemma":0.022959372,"teacher_disagreement_score":0.7604846,"about_ca_system_score_codex":0.0002569559,"about_ca_system_score_gemma":0.00007572646,"threshold_uncertainty_score":0.9959541},"labels":[],"label_agreement":null},{"id":"W2886907972","doi":"10.3968/10175","title":"Robert Lee Frost: A Real Revolutionist With High Political Insight and Nationalism","year":2017,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Politics; American poetry; Nationalism; Literature; Democracy; Philosophy; Genius; Aesthetics; Sociology; Law; Art; Political science","score_opus":0.016003051345146818,"score_gpt":0.28934915081914453,"score_spread":0.2733460994739977,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2886907972","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78364754,0.039823085,0.0000015220025,0.004199996,0.00025777405,0.0001126307,0.00017257781,0.000027002508,0.17175786],"genre_scores_gemma":[0.99112964,0.00053292303,0.000054128403,0.00048739297,0.0006083264,0.000011699629,0.00003177683,0.0000064900496,0.0071376553],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993761,0.000027309841,0.00012034186,0.00019201596,0.00010559654,0.00017863215],"domain_scores_gemma":[0.99959797,0.00005220482,0.00004115058,0.00017694256,0.000086039574,0.000045721896],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009223261,0.00011808337,0.00021122803,0.00005639036,0.00079214264,0.00043675525,0.00006997269,0.000038705948,0.00004688899],"category_scores_gemma":[0.000067452704,0.00007713546,0.000022368282,0.000018181669,0.00074365764,0.00026912708,0.000074817064,0.000139469,0.0000012264858],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018813153,0.000021848904,0.0010317535,0.00005824441,0.00007411771,0.000116021656,0.08189559,3.8328494e-8,0.000015279715,0.91567063,0.0009134622,0.00018421267],"study_design_scores_gemma":[0.007095382,0.00089732365,0.19231805,0.0040935827,0.00077656587,0.00028608792,0.2051897,0.00008947558,0.0002346024,0.15141134,0.43528596,0.0023219239],"about_ca_topic_score_codex":0.0007524956,"about_ca_topic_score_gemma":0.0045571905,"teacher_disagreement_score":0.7642593,"about_ca_system_score_codex":0.000016666421,"about_ca_system_score_gemma":0.000007771378,"threshold_uncertainty_score":0.6092601},"labels":[],"label_agreement":null},{"id":"W2887419634","doi":"10.7202/1050863ar","title":"Poeticizing Ecology/Ecologizing Poetry: Reading Elizabeth Bishop’s “Poem” Ecologically","year":2018,"lang":"en","type":"article","venue":"The Trumpeter","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Deconstruction (building); Reading (process); Argument (complex analysis); Ecology; Literature; Sociology; Philosophy; Art; Linguistics; Biology","score_opus":0.036025664193361034,"score_gpt":0.2529547238129626,"score_spread":0.21692905961960154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2887419634","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.60168004,0.000083710875,0.000061384264,0.0050013466,0.0013441779,0.00021963072,0.000014034756,0.00024518446,0.3913505],"genre_scores_gemma":[0.9793741,0.000024861296,0.00015740686,0.0062300563,0.0020122046,0.000030736723,0.000008423125,0.000030192274,0.012132024],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997987,0.00024330357,0.00043052653,0.00039917132,0.00021814046,0.00072187046],"domain_scores_gemma":[0.99870133,0.00041712393,0.0001457696,0.00047579964,0.00016254793,0.00009739698],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00083763094,0.00026858418,0.00037936665,0.0001284135,0.0014087183,0.00034977394,0.00059769396,0.00011974904,0.012213556],"category_scores_gemma":[0.00019481998,0.00016412516,0.0002145026,0.000100594865,0.0010901134,0.00022827226,0.00020844411,0.00033409795,0.0015935198],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001010668,0.0002659846,0.0056908694,0.000033250108,0.00044620436,0.000060274593,0.023741169,0.000008069826,0.0020894483,0.92902106,0.031852186,0.006690395],"study_design_scores_gemma":[0.0013186703,0.001875889,0.032973718,0.00012404131,0.0008121449,0.00006423187,0.014962285,0.0016420779,0.0020595437,0.10216464,0.84049016,0.0015125723],"about_ca_topic_score_codex":0.000055150023,"about_ca_topic_score_gemma":0.00070947025,"teacher_disagreement_score":0.82685643,"about_ca_system_score_codex":0.000066737935,"about_ca_system_score_gemma":0.000032144988,"threshold_uncertainty_score":0.99989134},"labels":[],"label_agreement":null},{"id":"W2887827639","doi":"","title":"Four-Handed Poetry","year":2017,"lang":"en","type":"article","venue":"Canadian literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Royal Military College of Canada","funders":"","keywords":"Poetry; Literature; Art; History; Philosophy","score_opus":0.03333087477898445,"score_gpt":0.2261057867516091,"score_spread":0.19277491197262467,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2887827639","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.037917603,0.0013850358,0.0000020993753,0.00715017,0.0012834151,0.00007601317,0.00041569967,0.000035545043,0.9517344],"genre_scores_gemma":[0.9043416,0.000009646993,0.0000111274085,0.002099942,0.0014353422,0.0000043752016,0.000049867635,0.000011814143,0.0920363],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99929386,0.000015627433,0.000103983766,0.00017795528,0.000091175236,0.00031741057],"domain_scores_gemma":[0.99892837,0.00000874328,0.000047274243,0.00055459706,0.00011217881,0.00034886444],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007625795,0.00012092908,0.00013934232,0.00012331526,0.0015811321,0.0023825762,0.00036877856,0.00007827098,0.0035815465],"category_scores_gemma":[0.00006107073,0.00010306502,0.00010552376,0.000017787017,0.0001566268,0.00041176553,0.000017221671,0.00020291918,0.00019359059],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000032982075,0.000007905457,0.00051731046,0.000019603362,0.00005079294,0.0003267431,0.008171019,2.1488887e-7,0.000018543833,0.86624086,0.121926896,0.0027167948],"study_design_scores_gemma":[0.00012335341,0.000011545346,0.0019020423,0.00006286655,0.000023480532,0.0000087116505,0.0003035279,0.000019889143,0.000016140966,0.005099793,0.99226606,0.0001626115],"about_ca_topic_score_codex":0.015613262,"about_ca_topic_score_gemma":0.40249726,"teacher_disagreement_score":0.87033916,"about_ca_system_score_codex":0.00004113453,"about_ca_system_score_gemma":0.00009402118,"threshold_uncertainty_score":0.99971867},"labels":[],"label_agreement":null},{"id":"W2889316634","doi":"10.26443/boss.v3i0.40","title":"“Seeds Blowin’ Up the Highway in the South Wind”: Woody Guthrie’s Angry Sons and Daughters","year":2018,"lang":"en","type":"article","venue":"The Biannual Online-Journal of Springsteen Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Sentimentality; Griffin; Lyrics; Anger; Hostility; Conversation; Art; Sociology; Literature; Art history; History; Psychology; Communication; Classics; Social psychology","score_opus":0.07311129632900758,"score_gpt":0.30947804123690326,"score_spread":0.23636674490789567,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2889316634","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9665898,0.0051156003,0.0000053818944,0.025183037,0.0007746743,0.00014120279,0.000054085896,0.00001396362,0.0021222709],"genre_scores_gemma":[0.9925634,0.00054157927,0.000025063884,0.0018777195,0.0029186343,0.0000029587475,0.0000010696573,0.000017181426,0.0020523756],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99811244,0.00022381046,0.0006410427,0.00017463282,0.0004837788,0.00036427498],"domain_scores_gemma":[0.998449,0.00038233222,0.00035609302,0.00033226487,0.00042664664,0.00005365863],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0017015293,0.0002544152,0.00047944757,0.00014455395,0.0010863843,0.0002684011,0.00076218345,0.000041838863,0.00004972734],"category_scores_gemma":[0.00017521769,0.00010398094,0.0002253302,0.00015137291,0.0015336492,0.00029798062,0.00022613732,0.0005086656,0.00001669388],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022476948,0.00031069038,0.003822263,0.00005340414,0.001984151,0.00008723604,0.8841601,0.000013110193,0.00006580357,0.08546418,0.019466572,0.0043477053],"study_design_scores_gemma":[0.0008770966,0.0004926382,0.017602693,0.00026807946,0.0007182502,0.000074309995,0.76760507,0.00002673169,0.0000484248,0.0029230227,0.20907524,0.00028843322],"about_ca_topic_score_codex":0.00008528223,"about_ca_topic_score_gemma":0.0011144015,"teacher_disagreement_score":0.18960868,"about_ca_system_score_codex":0.00002529371,"about_ca_system_score_gemma":0.00003956858,"threshold_uncertainty_score":0.83557},"labels":[],"label_agreement":null},{"id":"W2890521821","doi":"10.7939/r31j97g27","title":"Theoretical and practical biography: principles, problems, processes and the inscrutable subject in Samuel Johnson's Lives of the poets","year":2000,"lang":"en","type":"article","venue":"Library and Archives Canada (Government of Canada)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Biography; Subject (documents); Epistemology; Philosophy; Psychoanalysis; Cognitive science; Literature; Psychology; Art; Computer science; Library science","score_opus":0.006709867013090984,"score_gpt":0.15984597359319924,"score_spread":0.15313610658010826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2890521821","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.55654645,0.002864321,0.0000018240635,0.012123544,0.00004250102,0.00030166097,0.00015480092,0.000005580457,0.42795932],"genre_scores_gemma":[0.9955993,0.001500165,0.000044686996,0.0007481637,0.000032082233,0.000009912193,0.0000015637889,0.00000853062,0.0020555882],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985799,0.00013555013,0.00026957344,0.00017773366,0.00063198,0.00020527],"domain_scores_gemma":[0.99914724,0.00053119427,0.000091863774,0.00014184017,0.0000017877652,0.000086068394],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000043912285,0.00013701999,0.00025108032,0.000022758235,0.00025397819,0.0000655106,0.00012431332,0.00001556417,0.00023123858],"category_scores_gemma":[0.00001935968,0.00007779076,0.000026072948,0.00008289776,0.0012636164,0.00028455345,0.00009189229,0.00014292415,1.3148203e-9],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000294368,0.000043906715,0.0061506443,0.00022357873,0.00005996462,0.000009594926,0.0014981619,0.0000070170963,0.0000812101,0.99044156,0.00009750959,0.0010924796],"study_design_scores_gemma":[0.006139654,0.00060647057,0.15634896,0.0019559383,0.00068761344,0.0001346644,0.06822096,0.00814198,0.019628746,0.25230184,0.48421422,0.0016189584],"about_ca_topic_score_codex":0.0043952838,"about_ca_topic_score_gemma":0.072150104,"teacher_disagreement_score":0.7381397,"about_ca_system_score_codex":0.0000017256605,"about_ca_system_score_gemma":0.00051817717,"threshold_uncertainty_score":0.9447807},"labels":[],"label_agreement":null},{"id":"W2894460740","doi":"10.1353/ccr.2018.0025","title":"Black Me, and: cover for Winter Black","year":2018,"lang":"en","type":"article","venue":"Cream city review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subconscious; White (mutation); Cover (algebra); Art history; Art; Engineering","score_opus":0.060635727911257264,"score_gpt":0.3019021147554498,"score_spread":0.24126638684419255,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2894460740","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.026884936,0.080361724,0.001245039,0.0068840254,0.00052132615,0.001358986,0.00021677618,0.00013563098,0.8823916],"genre_scores_gemma":[0.7906478,0.042280033,0.00015440423,0.024540545,0.0030744297,0.00006224193,0.000059716658,0.000041157047,0.13913968],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992399,0.00003382188,0.0002494384,0.0002037459,0.000089919915,0.00018314176],"domain_scores_gemma":[0.9994107,0.00005494177,0.00006409083,0.00022571016,0.00017356029,0.000071031245],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00029337947,0.00012695965,0.00035560032,0.000022275804,0.00017098513,0.00010954178,0.00011590622,0.00002677911,0.009938271],"category_scores_gemma":[0.00008694102,0.000093835944,0.0001811845,0.0000257606,0.0005937041,0.00014109786,0.000038965947,0.000058072455,0.0008567675],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016221557,0.00015567639,0.000047567664,0.0031215313,0.00016220416,0.0000014608398,0.0031076202,6.7391646e-8,0.000016321419,0.30607203,0.6797462,0.0075530806],"study_design_scores_gemma":[0.00012972244,0.0001242719,0.0000248076,0.00089887937,0.00027023742,0.0000012239018,0.00013889381,0.000070777656,0.00003214841,0.0026080492,0.99556184,0.00013917146],"about_ca_topic_score_codex":0.000015654288,"about_ca_topic_score_gemma":0.00008190387,"teacher_disagreement_score":0.76376283,"about_ca_system_score_codex":0.000009561784,"about_ca_system_score_gemma":0.00001098986,"threshold_uncertainty_score":0.9999212},"labels":[],"label_agreement":null},{"id":"W2894585040","doi":"10.1353/esc.2017.0018","title":"Robert Creeley in Transition 1967/1970: Changing Formats for the Public Poetry Reading","year":2017,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Reading (process); Literature; Transition (genetics); Presupposition; Art; History; Visual arts; Linguistics; Philosophy","score_opus":0.05029498640782083,"score_gpt":0.2744555858631437,"score_spread":0.2241605994553229,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2894585040","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80127364,0.012889105,0.00022710836,0.024821091,0.012710589,0.0014218463,0.00037785838,0.00009598593,0.14618275],"genre_scores_gemma":[0.997425,0.0002590901,0.00000851199,0.0006568806,0.00084286876,0.000110375266,0.000009242656,0.000011717274,0.0006763135],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989007,0.000027396467,0.0002711151,0.00017066137,0.00018346161,0.0004466493],"domain_scores_gemma":[0.9991272,0.0002975119,0.00008938639,0.0002915082,0.00015934171,0.000035065987],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0005158381,0.00013625831,0.00026602653,0.00011813262,0.0014949591,0.00022345036,0.00031491183,0.000022924773,0.000067726265],"category_scores_gemma":[0.00047899317,0.00010258294,0.000067089066,0.000048731374,0.0001501645,0.00046635422,0.00006778468,0.00015948026,5.387217e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006534078,0.00011219142,0.0051520234,0.00056931144,0.00081289164,0.00013629154,0.46337244,0.00040232722,0.000007454043,0.4178045,0.08826427,0.023300948],"study_design_scores_gemma":[0.000949166,0.00003203266,0.0011514615,0.00029317747,0.00008321383,0.0000019488848,0.4610099,0.0032690924,0.000050066545,0.0018408378,0.53090054,0.0004185442],"about_ca_topic_score_codex":0.4136167,"about_ca_topic_score_gemma":0.99134034,"teacher_disagreement_score":0.5777237,"about_ca_system_score_codex":0.00038215215,"about_ca_system_score_gemma":0.00013611736,"threshold_uncertainty_score":0.999805},"labels":[],"label_agreement":null},{"id":"W2896861573","doi":"10.7202/1051596ar","title":"The Jack Pine: Preserving the Northern Ontario Landscape through Painting, Music, and Short Film","year":2018,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Painting; Piano; Visual arts; Art; Landscape painting; Art history; Performance art","score_opus":0.03327366041489106,"score_gpt":0.2195074688628303,"score_spread":0.18623380844793924,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2896861573","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8984592,0.00046584627,0.0000947995,0.0025811668,0.0019151167,0.000073695206,0.000009797237,0.0000071066233,0.09639329],"genre_scores_gemma":[0.99055004,0.0000080146065,0.000007412762,0.00072076265,0.0018429575,0.0000029962525,0.0000011378372,0.000011708773,0.0068549756],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99910676,0.00007164776,0.00031613253,0.000103307044,0.00013148662,0.00027068454],"domain_scores_gemma":[0.9990754,0.00010452578,0.00011160617,0.00021016573,0.00035481513,0.00014346898],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004018224,0.00011342167,0.0001392465,0.000102109385,0.00196884,0.0005331887,0.00031932766,0.000030423555,0.0048050513],"category_scores_gemma":[0.00008492441,0.00006467431,0.00014467402,0.000065710636,0.0005111334,0.0002596691,0.000027491475,0.0003494364,0.000018270273],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004111747,0.000045983954,0.03247228,0.000015140024,0.0010089433,0.000090213776,0.5491257,0.00006207003,0.000023407161,0.038395356,0.37078142,0.007938393],"study_design_scores_gemma":[0.00011727576,0.00016356462,0.0056967577,0.00007025763,0.00013075501,0.00014681484,0.06554917,0.00015479102,0.0000074927243,0.0018996282,0.92594403,0.00011948946],"about_ca_topic_score_codex":0.2649401,"about_ca_topic_score_gemma":0.99910307,"teacher_disagreement_score":0.734163,"about_ca_system_score_codex":0.000089514346,"about_ca_system_score_gemma":0.00031056374,"threshold_uncertainty_score":0.99933046},"labels":[],"label_agreement":null},{"id":"W2899408454","doi":"10.1007/978-3-319-99948-7_5","title":"Ebb and Flow: Breath-Writing from Ancient Rhetoric to Jack Kerouac and Allen Ginsberg","year":2018,"lang":"en","type":"book-chapter","venue":"Palgrave studies in literature, science and medicine","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Durham University; Wellcome Trust","keywords":"Rhetoric; Art; History; Art history; Literature; Philosophy; Theology","score_opus":0.05388775981000188,"score_gpt":0.3105708060289976,"score_spread":0.25668304621899574,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2899408454","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.032714535,0.33065397,0.000013091214,0.0032027676,0.0026634529,0.00067844853,0.00034386019,0.00005891109,0.629671],"genre_scores_gemma":[0.8696164,0.04371786,0.0003671583,0.0061366223,0.0068432917,0.000046293844,0.00007564574,0.000055099186,0.07314166],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99739254,0.000021874484,0.0005056832,0.0009402117,0.00067161577,0.00046807973],"domain_scores_gemma":[0.9984131,0.00020127189,0.00012672102,0.00030599267,0.0006729338,0.00027999294],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0010616085,0.00045044353,0.0008558601,0.00053744705,0.0008180406,0.00028619176,0.00021589748,0.000110556044,0.00018997639],"category_scores_gemma":[0.00032749533,0.00030892304,0.00004396912,0.00011693808,0.004636896,0.00014460883,0.0003767515,0.00034369194,0.000007807102],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047038513,0.000017932962,0.0001276455,0.00033814483,0.00025919615,0.00016807993,0.44757128,2.1081891e-7,0.00012877586,0.5184469,0.014411525,0.018483257],"study_design_scores_gemma":[0.0012429797,0.000965207,0.0012199259,0.009861497,0.00048048116,0.000052159212,0.03859821,0.00013727084,0.000015295565,0.12967801,0.8166346,0.0011143818],"about_ca_topic_score_codex":0.00008600283,"about_ca_topic_score_gemma":0.0005805254,"teacher_disagreement_score":0.83690184,"about_ca_system_score_codex":0.00007134322,"about_ca_system_score_gemma":0.00004008207,"threshold_uncertainty_score":0.9999363},"labels":[],"label_agreement":null},{"id":"W2902933320","doi":"10.22215/etd/2009-06528","title":"Wyndham Lewis's kulturkampf","year":2009,"lang":"en","type":"dissertation","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Carleton University; Canadian Heritage; Library and Archives Canada","funders":"","keywords":"Humanities; Political science; Art","score_opus":0.019034500235107558,"score_gpt":0.24805553778671582,"score_spread":0.22902103755160827,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2902933320","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007811108,0.00065926847,0.0000022282939,0.00016814699,0.0008003166,0.00007419898,0.000017997862,0.00011433312,0.9903524],"genre_scores_gemma":[0.30850512,0.00005760847,0.000011993995,0.00047135763,0.0009826432,0.000008025325,0.0011977705,0.000016856484,0.68874866],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989953,0.000019429865,0.00027895876,0.0002554612,0.00022943212,0.0002214002],"domain_scores_gemma":[0.999464,0.000017248916,0.000089972404,0.00021575749,0.00015216075,0.000060860566],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000069602655,0.0002383189,0.00032631794,0.000118129115,0.0002815022,0.00033728665,0.00018649265,0.00013266194,0.028514272],"category_scores_gemma":[0.000013764484,0.00018364144,0.00026405897,0.000026486092,0.000034909615,0.00013928981,0.000004711649,0.00022359683,0.0009480174],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010787374,0.00007807827,7.6827035e-7,0.000040206105,0.000084958556,0.000008838899,0.007385856,4.5899534e-7,0.000024478793,0.88828486,0.08696932,0.01711136],"study_design_scores_gemma":[0.00008981844,0.00004509397,0.00013395761,0.00005614846,0.00018901442,6.84707e-7,0.012845529,0.000010779354,0.00020179272,0.012252488,0.9738313,0.00034337293],"about_ca_topic_score_codex":0.00033078372,"about_ca_topic_score_gemma":0.0120324595,"teacher_disagreement_score":0.886862,"about_ca_system_score_codex":0.000017477785,"about_ca_system_score_gemma":0.000030286546,"threshold_uncertainty_score":0.9998299},"labels":[],"label_agreement":null},{"id":"W2903699631","doi":"10.7575/aiac.alls.v.9n.5p.49","title":"An Experimental Documentary: Making a Case for Baird’s Modernism","year":2018,"lang":"en","type":"article","venue":"Advances in Language and Literary Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernism (music); Postmodernism; Criticism; Watson; Narrative; Assertion; Face (sociological concept); Sociology; Literature; Aesthetics; History; Art history; Art; Social science","score_opus":0.030533912014959558,"score_gpt":0.37732680753754566,"score_spread":0.3467928955225861,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2903699631","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8098513,0.18371262,0.00008196038,0.00010485917,0.0002817034,0.00015055707,0.0000612272,0.000039258044,0.005716544],"genre_scores_gemma":[0.9967858,0.0002976558,0.00061722967,0.00076877157,0.0007954635,0.00006449065,0.0000126805835,0.00001021408,0.0006476672],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993197,0.00002925618,0.0001741736,0.00022891091,0.000059936094,0.0001880651],"domain_scores_gemma":[0.99971837,0.000063081265,0.000035810328,0.000119711134,0.00003607021,0.000026942527],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009115957,0.00012839668,0.00019871136,0.00007061108,0.00037022773,0.00010207347,0.000061472776,0.000014542091,0.00021003456],"category_scores_gemma":[0.000009144173,0.00010136132,0.000039756975,0.00002104922,0.00029990106,0.0011400341,0.000040415063,0.000042918928,0.000002202086],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008675162,0.00013886392,0.00021572322,0.00009231043,0.00008981434,0.0005537439,0.88479275,0.0000012590426,0.00019854348,0.061659105,0.00024317203,0.05192795],"study_design_scores_gemma":[0.0013518595,0.0012223902,0.000019263762,0.0002605177,0.00010266119,0.0001883651,0.67988616,0.0014450873,0.0016339514,0.03762049,0.27563736,0.0006318999],"about_ca_topic_score_codex":0.000034278943,"about_ca_topic_score_gemma":0.0012205626,"teacher_disagreement_score":0.2753942,"about_ca_system_score_codex":0.000013971172,"about_ca_system_score_gemma":0.0000027476096,"threshold_uncertainty_score":0.41333947},"labels":[],"label_agreement":null},{"id":"W2906936939","doi":"10.1353/sty.2018.0051","title":"Readers for Style 2017–2018","year":2018,"lang":"en","type":"article","venue":"Style","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Style (visual arts); Scholarship; State (computer science); Irish; Columbia university; Sociology; History; Media studies; Art history; Library science; Archaeology; Law; Political science; Philosophy","score_opus":0.061502259031765386,"score_gpt":0.2818652850139061,"score_spread":0.22036302598214075,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2906936939","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.046868358,0.00033692268,0.0011717126,0.0025631187,0.0016262827,0.0003032597,0.0003009449,0.00017816883,0.9466512],"genre_scores_gemma":[0.92106324,0.000006256246,0.00017981992,0.0007423311,0.0023677368,0.0000232449,0.000023385817,0.0000145162485,0.07557947],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993101,0.000014783199,0.00014354967,0.00017738937,0.00010369393,0.00025053456],"domain_scores_gemma":[0.9995196,0.000041252002,0.000040909992,0.00021933629,0.00012289762,0.000056042412],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014161094,0.000094822586,0.00013729594,0.000050590446,0.00044733883,0.00012390075,0.00013715158,0.000031532687,0.0051196627],"category_scores_gemma":[0.000032544096,0.000079251964,0.00011271292,0.00002617192,0.00032643514,0.00015190583,0.00002121671,0.00004564334,0.000737307],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002721463,0.00007741934,0.00001746074,0.000023704213,0.000086403634,0.0000018657389,0.023993868,1.882723e-7,0.00019523682,0.4034833,0.56952643,0.0025668796],"study_design_scores_gemma":[0.00023107066,0.00015815174,0.00003463197,0.000010465755,0.000049621063,8.6548397e-7,0.009367968,0.00016933098,0.00043423288,0.0044244127,0.9849842,0.00013503716],"about_ca_topic_score_codex":0.000112701135,"about_ca_topic_score_gemma":0.0012015313,"teacher_disagreement_score":0.87419486,"about_ca_system_score_codex":0.000012924509,"about_ca_system_score_gemma":0.000013911516,"threshold_uncertainty_score":0.99578977},"labels":[],"label_agreement":null},{"id":"W2906992888","doi":"10.1353/esp.2018.0054","title":"Kerouac: Language, Poetics, and Territory by Hassan Melehy","year":2018,"lang":"fr","type":"article","venue":"˜L'œesprit créateur/˜L'œEsprit créateur","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; FAUST; Literature; French; Art; History; American literature; Art history; Poetry; Humanities","score_opus":0.011942251621601672,"score_gpt":0.24480742888204948,"score_spread":0.2328651772604478,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2906992888","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46071336,0.24105223,0.0010706569,0.044321667,0.013915557,0.001960963,0.004885984,0.001372382,0.23070721],"genre_scores_gemma":[0.72994184,0.0062620747,0.00040633115,0.003885723,0.008382696,0.00007581794,0.00030826448,0.00038535878,0.25035188],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9905472,0.0009598295,0.0020411392,0.0023029912,0.0013806047,0.0027682274],"domain_scores_gemma":[0.99487144,0.000455537,0.00065292337,0.0018518005,0.00083391176,0.0013343618],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.0015608533,0.0017839076,0.0018985647,0.0006616231,0.0027192784,0.0025503493,0.0014482267,0.0009940375,0.013517626],"category_scores_gemma":[0.00028102208,0.0018730842,0.0007821374,0.0004412089,0.0052496567,0.0015551003,0.0008039535,0.0015483098,0.003490687],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00043192346,0.002008543,0.0019082519,0.0011997523,0.0017673018,0.0008301825,0.026045129,0.0000038309126,0.0125013385,0.20085365,0.69953245,0.05291767],"study_design_scores_gemma":[0.0021163174,0.0010795952,0.00081275677,0.000573947,0.0011475555,0.00014299419,0.009735484,0.0005728843,0.00568467,0.0024948064,0.9734113,0.0022276498],"about_ca_topic_score_codex":0.00869038,"about_ca_topic_score_gemma":0.0034506677,"teacher_disagreement_score":0.2738789,"about_ca_system_score_codex":0.00029060346,"about_ca_system_score_gemma":0.00021815502,"threshold_uncertainty_score":0.9994906},"labels":[],"label_agreement":null},{"id":"W2908449525","doi":"10.1353/esp.2018.0053","title":"The Unknown Kerouac: Rare, Unpublished and Newly Translated Writings by Jack Kerouac, and: La vie est d’hommage by Jack Kerouac","year":2018,"lang":"fr","type":"article","venue":"˜L'œesprit créateur/˜L'œEsprit créateur","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history; Literature; Style (visual arts); Philosophy","score_opus":0.008647669699019889,"score_gpt":0.22358295114396132,"score_spread":0.21493528144494142,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2908449525","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45875502,0.24231054,0.00064147264,0.08031699,0.0042582913,0.0029607743,0.00468987,0.001300213,0.20476682],"genre_scores_gemma":[0.7657574,0.037616484,0.00025221746,0.004387831,0.0030448183,0.00020228329,0.00074193685,0.00064669305,0.18735038],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9859507,0.001964761,0.0032565333,0.0032139518,0.0017888667,0.003825171],"domain_scores_gemma":[0.9914063,0.0020760454,0.0010900369,0.0021797244,0.0014806453,0.0017672355],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0037586107,0.0026583571,0.0025923785,0.00054479484,0.006309966,0.010162356,0.0022919446,0.0015276808,0.004320746],"category_scores_gemma":[0.0006219723,0.0023426006,0.0009248605,0.0010992535,0.008513643,0.0035533635,0.0009202043,0.002740256,0.0009875497],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011259943,0.0020432502,0.0012116461,0.0011498171,0.002273617,0.00048280187,0.013746573,0.0000049212135,0.008206529,0.1962696,0.67673653,0.09674874],"study_design_scores_gemma":[0.00501313,0.001063049,0.00046965913,0.00076675345,0.0014644439,0.00025690533,0.0045961053,0.0013284051,0.0025144066,0.0039842785,0.9757779,0.0027649393],"about_ca_topic_score_codex":0.007310776,"about_ca_topic_score_gemma":0.0039905296,"teacher_disagreement_score":0.30700234,"about_ca_system_score_codex":0.00024456048,"about_ca_system_score_gemma":0.00034049852,"threshold_uncertainty_score":0.9997903},"labels":[],"label_agreement":null},{"id":"W2908615485","doi":"10.3138/utq.87.3.57","title":"<i>Elizabeth Bishop at Work</i> by Eleanor Cook","year":2018,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"History; Art history","score_opus":0.009559948548885951,"score_gpt":0.18411442878432133,"score_spread":0.17455448023543538,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2908615485","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33230966,0.0009790342,0.00025600192,0.00038969837,0.00035452357,0.00010625459,0.0001466692,0.000091508635,0.66536665],"genre_scores_gemma":[0.8406549,0.000023615023,0.000043836048,0.00014621804,0.00019443445,8.031338e-8,0.0000240553,0.000007283018,0.15890558],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927974,0.000040230083,0.00011693393,0.0001937189,0.00015935133,0.00021003302],"domain_scores_gemma":[0.9994323,0.00002547436,0.00008001007,0.00022617161,0.00014839518,0.00008760597],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007210569,0.000113071554,0.00019891064,0.000019700265,0.00033173835,0.000034002118,0.00024950423,0.000045946956,0.021620251],"category_scores_gemma":[0.0000019554209,0.000120986566,0.00012865549,0.000015628386,0.00048691194,0.0003473564,0.000026018626,0.000042559397,0.0003213373],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001689688,0.00019919848,0.00031256504,0.000019180516,0.0001770974,0.000010330227,0.08877204,1.2730071e-7,0.00084357755,0.023953754,0.87436116,0.01118197],"study_design_scores_gemma":[0.00038119982,0.00052294193,0.00013670138,0.000018934745,0.00009125634,4.9526795e-7,0.018753728,0.000024654748,0.000099592165,0.000093858966,0.97970235,0.00017430726],"about_ca_topic_score_codex":0.009377255,"about_ca_topic_score_gemma":0.059989657,"teacher_disagreement_score":0.50834525,"about_ca_system_score_codex":0.00010695731,"about_ca_system_score_gemma":0.000013122828,"threshold_uncertainty_score":0.9972194},"labels":[],"label_agreement":null},{"id":"W2912014453","doi":"10.3138/tric.39.2.138","title":"The Lesbian Rush: Making Time in <i>The Magic Hour</i>","year":2018,"lang":"en","type":"article","venue":"Theatre Research in Canada","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Queer; Temporality; Lesbian; Performative utterance; Narrative; Aesthetics; MAGIC (telescope); Sociology; Gender studies; Literature; Epistemology; Art; Philosophy","score_opus":0.09282450477983813,"score_gpt":0.3319804360621797,"score_spread":0.23915593128234158,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2912014453","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08214389,0.0006270444,3.2950473e-7,0.01623552,0.00014366933,0.00017933537,0.000023219682,0.000007201425,0.9006398],"genre_scores_gemma":[0.9962616,0.000040548242,0.0000015222398,0.0006550068,0.0006593374,0.00001613119,0.0000026082146,0.000011210021,0.0023520438],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997556,0.0006047529,0.0002187285,0.00017568606,0.0007461653,0.00069869723],"domain_scores_gemma":[0.9987248,0.00071872846,0.000021332644,0.00040855855,0.00007372036,0.000052845502],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0025802494,0.00009505618,0.00013267636,0.00011558044,0.000756195,0.0003091216,0.0007054273,0.000020021444,0.0012115891],"category_scores_gemma":[0.000016912973,0.00005319155,0.000037168265,0.00024172332,0.0005416545,0.00008094919,0.00007853111,0.00047799217,0.00015347768],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000173352,0.00017092784,0.0035493243,0.000070998525,0.000096584634,0.00086131954,0.027657509,0.00002088364,0.00010138103,0.21559253,0.44059104,0.31111416],"study_design_scores_gemma":[0.00013074292,0.000043320062,0.0002617522,0.00006395083,0.000004356858,0.000004589851,0.018247299,0.0005032968,0.000019347404,0.009621308,0.9710025,0.000097521566],"about_ca_topic_score_codex":0.9061331,"about_ca_topic_score_gemma":0.9981788,"teacher_disagreement_score":0.9141177,"about_ca_system_score_codex":0.0003494691,"about_ca_system_score_gemma":0.0007347218,"threshold_uncertainty_score":0.99970144},"labels":[],"label_agreement":null},{"id":"W2913514201","doi":"10.5604/01.3001.0012.8084","title":"Bohemians, Vagabonds, and Wanderers of the “Ragged Promised Land” in Jack Kerouac’s On the Road","year":2018,"lang":"en","type":"article","venue":"Kultura Popularna","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wilderness; Paradise; History; Margin (machine learning); Conformity; Art history; Political science; Law","score_opus":0.025253335177808246,"score_gpt":0.22175383738375273,"score_spread":0.19650050220594448,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2913514201","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9460721,0.0001758294,5.347127e-7,0.0040924563,0.000158527,0.00018940822,0.000019553541,0.000013996112,0.049277596],"genre_scores_gemma":[0.99264026,0.000022905731,0.000004940745,0.0007987943,0.00024494695,0.000012702078,0.000006017886,0.000008914132,0.006260535],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999106,0.00009908435,0.00024347722,0.0001711707,0.00018928724,0.00019097442],"domain_scores_gemma":[0.99948066,0.000032980784,0.00009278649,0.00029255496,0.000067753426,0.00003324833],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023978372,0.00013016806,0.00018823637,0.0000353073,0.00033200107,0.00010210893,0.00023167375,0.000045722347,0.0004955957],"category_scores_gemma":[0.00007855377,0.000060084585,0.00008813906,0.000070116024,0.00035665277,0.000082306186,0.00004607949,0.00018217822,0.000018725937],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026806138,0.00055437157,0.026039198,0.00013449862,0.00029694563,0.000014744375,0.10921816,0.00000821035,0.0067390488,0.80082536,0.043915298,0.0119861355],"study_design_scores_gemma":[0.0050645433,0.00073445775,0.15635648,0.0010383427,0.00046720594,0.000018126102,0.04161403,0.0010999178,0.017541725,0.030605206,0.74409235,0.0013676375],"about_ca_topic_score_codex":0.0007471912,"about_ca_topic_score_gemma":0.003362532,"teacher_disagreement_score":0.7702201,"about_ca_system_score_codex":0.000016496942,"about_ca_system_score_gemma":0.00001331189,"threshold_uncertainty_score":0.54264253},"labels":[],"label_agreement":null},{"id":"W2915479175","doi":"10.1353/vcr.2004.0023","title":"Tennyson's \"The Lotus-Eaters\" and the Politics of the 1830s","year":2004,"lang":"en","type":"article","venue":"Victorian review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Interpretation (philosophy); Literature; Politics; Character (mathematics); Irony; Poetry; Sympathy; Revelation; Judgement; Philosophy; Subtitle; History; Art; Linguistics; Law; Epistemology; Psychology","score_opus":0.014171574810940541,"score_gpt":0.2195443623765127,"score_spread":0.20537278756557217,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2915479175","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012874052,0.6037546,0.000040863684,0.24394019,0.0031161176,0.0017808108,0.00011649968,0.00006609028,0.13431081],"genre_scores_gemma":[0.9627546,0.022524303,0.0000053501644,0.008074103,0.00092456455,0.000021893104,0.0000019675715,0.00001234115,0.0056808465],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917,0.00013087658,0.0002656359,0.00010280027,0.000174566,0.00015608984],"domain_scores_gemma":[0.9992902,0.00008356109,0.00010390267,0.00041347582,0.000076484954,0.000032333202],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00037148406,0.0001079394,0.00028070336,0.000011798611,0.00044637144,0.00007731332,0.00030413116,0.000018399654,0.00033853302],"category_scores_gemma":[0.00008036647,0.000039296774,0.00020563672,0.00006251933,0.0006541515,0.000052797688,0.000060048056,0.00011591876,0.00002604181],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000013219385,0.000012556932,0.000018952283,0.00031030702,0.000046343775,5.232314e-7,0.0032821253,2.8859972e-7,0.0000015759776,0.99371153,0.0021139488,0.0005005179],"study_design_scores_gemma":[0.00024761006,0.000011271969,0.00010978004,0.0007767374,0.00032233668,0.0000040778464,0.0003444554,0.0000014171208,0.000015360076,0.012793097,0.98531055,0.00006327922],"about_ca_topic_score_codex":0.00013439967,"about_ca_topic_score_gemma":0.00012260713,"teacher_disagreement_score":0.9831966,"about_ca_system_score_codex":0.000015014956,"about_ca_system_score_gemma":0.000029705747,"threshold_uncertainty_score":0.3706699},"labels":[],"label_agreement":null},{"id":"W29188327","doi":"10.1007/s00128-017-2224-1","title":"Post impressionism in To the Lighthouse","year":2008,"lang":"en","type":"article","venue":"Docs.school Publications","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.03629562902456099,"score_gpt":0.257587456818868,"score_spread":0.22129182779430703,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W29188327","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3040204,0.00051974226,0.0002779575,0.23539758,0.00051079266,0.0006395689,0.00021553447,0.00031835696,0.45810008],"genre_scores_gemma":[0.94664717,0.000028865694,0.000058968984,0.0041369703,0.0004976048,0.00018574443,0.000041265703,0.000013233084,0.048390202],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99902433,0.00005754023,0.00026795678,0.00021196318,0.00018939351,0.0002488415],"domain_scores_gemma":[0.99895054,0.00006745971,0.000044850873,0.0005480223,0.00022649365,0.00016260371],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00018000782,0.000105464926,0.00012259382,0.00022378864,0.00090796297,0.00029271998,0.00042517533,0.00003214002,0.0045537404],"category_scores_gemma":[0.0002578101,0.00006977442,0.000084194864,0.00021492082,0.000102696,0.00041112237,0.00007195822,0.00019469629,0.0016389865],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000045352926,0.00020811096,0.0011869082,0.0000029613668,0.00002404382,0.0000034617783,0.01191786,0.00002548217,0.00028215157,0.70464915,0.28116056,0.00053473585],"study_design_scores_gemma":[0.000107013046,0.000016326665,0.019366724,0.0000062793197,0.000012072428,0.0000062282675,0.0015552251,0.00005363916,0.000054090957,0.0010097292,0.977693,0.000119640565],"about_ca_topic_score_codex":0.0006113525,"about_ca_topic_score_gemma":0.0023443059,"teacher_disagreement_score":0.70363945,"about_ca_system_score_codex":0.000032194523,"about_ca_system_score_gemma":0.00007893219,"threshold_uncertainty_score":0.99913836},"labels":[],"label_agreement":null},{"id":"W2919782083","doi":"","title":"Bridging aspects of rhythm and prose fiction and Demi-Gods","year":2017,"lang":"en","type":"dissertation","venue":"UEA Digital Repository (University of East Anglia)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; University of East Anglia","keywords":"Literature; Metaphor; Rhythm; Art; Philosophy; Aesthetics; Linguistics","score_opus":0.01310008313782057,"score_gpt":0.19526178219701024,"score_spread":0.18216169905918966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2919782083","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6380372,0.0007187707,0.0000061942114,0.00001485045,0.00019925115,0.00006800633,0.000077827965,0.000016888001,0.36086103],"genre_scores_gemma":[0.92299026,0.000042961754,0.000005535355,0.0000017412308,0.00014573729,1.791145e-7,0.00012025005,0.000010246259,0.076683074],"study_design_codex":"design_other","study_design_gemma":"qualitative","domain_scores_codex":[0.99930996,0.000012802686,0.00014360876,0.00023896327,0.00018011655,0.00011452318],"domain_scores_gemma":[0.99916697,0.000016076096,0.0003725684,0.00018835395,0.00018893459,0.0000671036],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000040007104,0.00014874715,0.000326095,0.00011622955,0.00050653383,0.00020803094,0.00010682231,0.00010029069,0.000032220305],"category_scores_gemma":[0.000021113417,0.00017667949,0.00012444836,0.000018939098,0.000304067,0.00073695707,0.00003546291,0.00011418672,0.0000017147562],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0021209647,0.0015745648,0.019948304,0.009665665,0.0034134912,0.0015294602,0.28680405,0.000019311106,0.008599485,0.26383683,0.012111674,0.3903762],"study_design_scores_gemma":[0.0051294407,0.0021835107,0.2346709,0.008470586,0.0058066645,0.00048859196,0.5540513,0.002333501,0.007111654,0.0097701,0.16541989,0.0045638923],"about_ca_topic_score_codex":0.00031298664,"about_ca_topic_score_gemma":0.00047153924,"teacher_disagreement_score":0.3858123,"about_ca_system_score_codex":0.000016431133,"about_ca_system_score_gemma":0.000035974987,"threshold_uncertainty_score":0.72047806},"labels":[],"label_agreement":null},{"id":"W2921179262","doi":"10.1080/03626784.2018.1552418","title":"“To wake up our minds”: The re-enchantment of praxis in Sylvia Wynter","year":2019,"lang":"en","type":"article","venue":"Curriculum Inquiry","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":31,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Praxis; Wake; Art; Sociology; Aesthetics; Philosophy; Epistemology; Engineering","score_opus":0.04129477899498176,"score_gpt":0.29110747573674284,"score_spread":0.24981269674176107,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2921179262","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97810256,0.000305893,0.000017532859,0.0016137924,0.0019695906,0.0003070645,0.000015761745,0.00001730046,0.017650511],"genre_scores_gemma":[0.988726,0.00001234792,0.0000097528755,0.00058895926,0.0004994528,0.000039089853,0.00000899345,0.000012160617,0.010103209],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99876845,0.00007666417,0.0003679476,0.0002488266,0.00025350743,0.00028461675],"domain_scores_gemma":[0.9993167,0.00003267253,0.00009043469,0.0004029174,0.00009884146,0.000058440215],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032638412,0.00015379606,0.000283423,0.00013346244,0.00009021717,0.000070051254,0.0003033306,0.000045217148,0.0019650664],"category_scores_gemma":[0.00003327947,0.000095240226,0.000149437,0.00011029497,0.000090868976,0.00014478191,0.000101807986,0.00014896302,0.00063901366],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006121252,0.0014287395,0.03678409,0.00035592625,0.00035097153,0.00003723341,0.36981854,0.00012802184,0.0012712344,0.37259597,0.21083981,0.0063282456],"study_design_scores_gemma":[0.0012005924,0.00056426326,0.009395172,0.0005615808,0.0001812139,0.0000060582297,0.40355495,0.00079685263,0.0015753284,0.0024265556,0.5789411,0.00079631916],"about_ca_topic_score_codex":0.00025377475,"about_ca_topic_score_gemma":0.00050453003,"teacher_disagreement_score":0.3701694,"about_ca_system_score_codex":0.000033338107,"about_ca_system_score_gemma":0.000018550905,"threshold_uncertainty_score":0.99894726},"labels":[],"label_agreement":null},{"id":"W2923022100","doi":"","title":"Unravel, ravel, unravel: A. K. Blakemore’s Fondue","year":2018,"lang":"en","type":"article","venue":"Canadian parliamentary review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.03523796391281544,"score_gpt":0.25251071538647846,"score_spread":0.217272751473663,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2923022100","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006550093,0.14996438,0.00004089542,0.02726771,0.0028413378,0.0014209108,0.00097555306,0.00017628899,0.8107628],"genre_scores_gemma":[0.78709793,0.024071509,0.00012583735,0.14261279,0.0045932694,0.00011720862,0.0005263763,0.00010824861,0.040746845],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979996,0.00010366985,0.0005228804,0.0004282422,0.00024724109,0.00069837697],"domain_scores_gemma":[0.99837255,0.000029906221,0.000105839514,0.0005868424,0.00019107421,0.00071375706],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00035674244,0.00030918716,0.00054338295,0.00017838154,0.0006257749,0.00017855396,0.0004352188,0.00005370972,0.06861337],"category_scores_gemma":[0.000037281545,0.00027418538,0.00024449435,0.000149297,0.00052932376,0.000261128,0.000035701472,0.00018975005,0.0042430772],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000033532056,0.00003500136,0.00014365179,0.0005437859,0.00019561691,0.00008915646,0.0016156936,9.803975e-8,0.000007570032,0.09681247,0.8743762,0.026177421],"study_design_scores_gemma":[0.00014834647,0.000087081564,0.00009964237,0.0011969311,0.0002854899,0.000016039328,0.0008211798,0.000016597169,0.000033044464,0.0009086158,0.99601203,0.0003750073],"about_ca_topic_score_codex":0.1187751,"about_ca_topic_score_gemma":0.72230417,"teacher_disagreement_score":0.78054786,"about_ca_system_score_codex":0.00023892781,"about_ca_system_score_gemma":0.0003642146,"threshold_uncertainty_score":0.99997103},"labels":[],"label_agreement":null},{"id":"W2926006401","doi":"10.57087/verbeia.2016.4194","title":"A Book Lover’s Journey: Literary Archaeology and Bibliophilia in Tim Bowling’s In the Suicide’s Library","year":2016,"lang":"en","type":"article","venue":"Verbeia.","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Performance art; Art; History; Order (exchange); Materiality (auditing); Literature; Visual arts; Aesthetics","score_opus":0.02471903982206353,"score_gpt":0.24125642665462385,"score_spread":0.21653738683256032,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2926006401","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8262558,0.041409507,0.000013771251,0.053376403,0.00035305638,0.00026234786,0.00007258254,0.00006345278,0.07819305],"genre_scores_gemma":[0.9699906,0.001438538,0.000010440764,0.0077590877,0.00034212403,0.000009768438,0.000005795848,0.000013888271,0.02042973],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989389,0.0001525567,0.00027675135,0.00021342323,0.00013064209,0.00028770082],"domain_scores_gemma":[0.99944687,0.00023916095,0.00004465211,0.00020775945,0.000013214779,0.00004836072],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025099734,0.00013052372,0.00020915137,0.0007102877,0.000067484645,0.00013095279,0.00023573748,0.000053335098,0.0040396047],"category_scores_gemma":[0.00002934211,0.000070972994,0.00006146238,0.00020158006,0.00034277816,0.0007360416,0.000097128635,0.00017230978,0.00010098265],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020008188,0.00037635316,0.050802726,0.00008805456,0.00008559885,0.0007859024,0.10117921,0.0000015640796,0.00028465202,0.54721576,0.28654996,0.012430175],"study_design_scores_gemma":[0.0006667129,0.000093452465,0.013334828,0.00016398041,0.000018184237,0.000021029255,0.0008924702,0.000049364644,0.000057034547,0.062459666,0.9220603,0.00018297872],"about_ca_topic_score_codex":0.00012610405,"about_ca_topic_score_gemma":0.00061249925,"teacher_disagreement_score":0.6355103,"about_ca_system_score_codex":0.000010346374,"about_ca_system_score_gemma":0.00002944868,"threshold_uncertainty_score":0.9968708},"labels":[],"label_agreement":null},{"id":"W2932611411","doi":"10.1353/esc.2000.0019","title":"Selected Prose of Christina Rossetti ed. by David A. Kent, P. G. Stanwood","year":2000,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Memoir; Scholarship; Biography; Brother; Literature; Art; Reading (process); Art history; History; Philosophy; Sociology; Law","score_opus":0.015081319980456403,"score_gpt":0.2315817466758068,"score_spread":0.2165004266953504,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2932611411","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9067345,0.017566487,3.030677e-7,0.00019404398,0.00070825266,0.00018553842,0.00058711774,0.0000385219,0.07398521],"genre_scores_gemma":[0.9904729,0.0012710235,0.000006412557,0.00016932127,0.00034111235,0.00002872677,0.000039012615,0.000013936275,0.007657543],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99866134,0.000056547884,0.0004045495,0.00023208777,0.0003041246,0.00034132123],"domain_scores_gemma":[0.9992009,0.0001225685,0.000074718206,0.00020080224,0.00034659996,0.000054453587],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00013536727,0.00017260636,0.00039924594,0.000039731312,0.00020754446,0.000031714404,0.00018180671,0.000021920301,0.0023316548],"category_scores_gemma":[0.00019774228,0.00015391846,0.000042610936,0.0001394661,0.00023145063,0.00011084478,0.00003255281,0.00016689127,0.0000027932522],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021614766,0.00010062587,0.0018836624,0.000099160665,0.00021482831,0.000024300844,0.019421447,0.00003804902,0.000010458699,0.0014454346,0.9750346,0.0017058147],"study_design_scores_gemma":[0.0004490247,0.000063549545,0.0006842729,0.000085890664,0.000059533777,6.492285e-7,0.026928771,0.000023013776,0.00030316817,0.00008682709,0.97104996,0.0002653291],"about_ca_topic_score_codex":0.61209494,"about_ca_topic_score_gemma":0.94777834,"teacher_disagreement_score":0.3356834,"about_ca_system_score_codex":0.00028562863,"about_ca_system_score_gemma":0.00028853543,"threshold_uncertainty_score":0.99858034},"labels":[],"label_agreement":null},{"id":"W2936938890","doi":"10.1086/701951","title":"The Sounds of Appleton House: Andrew Marvell’s Poetic Audioscapes","year":2019,"lang":"en","type":"article","venue":"Modern Philology","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Poetry; Philology; Download; Art; Art history; Literature; History; Classics; Law; Computer science; World Wide Web; Political science; Feminism","score_opus":0.01450162576028334,"score_gpt":0.21128794156303443,"score_spread":0.19678631580275108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2936938890","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76012254,0.0027678628,0.00054886995,0.0054076575,0.0008598572,0.0002702093,0.000034626315,0.00012493196,0.22986346],"genre_scores_gemma":[0.9830188,0.000082391416,0.000006836115,0.0004111559,0.00023955441,0.00000995457,0.000005279215,0.000022161963,0.01620383],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990361,0.00007380537,0.00026441852,0.00019767047,0.00015703998,0.00027097232],"domain_scores_gemma":[0.9992962,0.00015399953,0.000098006894,0.00034616474,0.00007129274,0.000034369055],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021908316,0.00012454129,0.00027790127,0.00005612415,0.0002296866,0.000063489686,0.00029821327,0.0000588217,0.0015404185],"category_scores_gemma":[0.00001532637,0.00008267325,0.00013056658,0.000026887621,0.00035550704,0.00007036696,0.00006952401,0.00012443327,0.00029109436],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054668344,0.000098592456,0.0008531887,0.00004800216,0.00017956478,0.0000030253661,0.007511048,0.00006518275,0.0017213932,0.98209924,0.0035880231,0.003778078],"study_design_scores_gemma":[0.0007917522,0.0003519672,0.0012561729,0.000024869156,0.00018928335,0.00001541436,0.0013588227,0.0031418942,0.0006531705,0.3095228,0.68232465,0.0003692186],"about_ca_topic_score_codex":0.000090842776,"about_ca_topic_score_gemma":0.0005157459,"teacher_disagreement_score":0.6787366,"about_ca_system_score_codex":0.0000113316255,"about_ca_system_score_gemma":0.000019408095,"threshold_uncertainty_score":0.9993723},"labels":[],"label_agreement":null},{"id":"W2938333606","doi":"","title":"\"Darkly Humorous and Unsentimental: An Interview with Susan Steinberg\"","year":2017,"lang":"en","type":"article","venue":"Dalhousie review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; Psychoanalysis; Art; Art history; Visual arts","score_opus":0.061749031907825616,"score_gpt":0.2980450005834138,"score_spread":0.23629596867558822,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2938333606","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.066955805,0.56376153,0.00005533565,0.010354214,0.00046141262,0.0012072517,0.00013461514,0.00025317955,0.35681668],"genre_scores_gemma":[0.7784886,0.20033973,0.00007966248,0.004631586,0.00043500258,0.00005292448,0.00006767051,0.000056946978,0.015847884],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99892265,0.000103289516,0.00027580952,0.0002956001,0.00017430441,0.00022836225],"domain_scores_gemma":[0.99884,0.000014790162,0.00019301008,0.0007554093,0.00007074232,0.00012605959],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040310665,0.00019903154,0.00048547046,0.000030197893,0.0007917832,0.0005985873,0.00033010961,0.0000205243,0.0029256474],"category_scores_gemma":[0.000011570654,0.00013551897,0.00009943072,0.000015685873,0.00034057218,0.00052090856,0.00010066726,0.000105929146,0.000091695445],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034749737,0.000886081,0.001513696,0.01645856,0.0007404726,0.00048611668,0.012194627,3.16572e-7,0.000043407792,0.27896988,0.048217192,0.6404549],"study_design_scores_gemma":[0.00021910228,0.00017447142,0.00048371154,0.0037886712,0.0004625972,0.000038480433,0.00046104155,0.000011310924,0.000010346253,0.0002377826,0.99383867,0.0002738166],"about_ca_topic_score_codex":0.00024630598,"about_ca_topic_score_gemma":0.0012559143,"teacher_disagreement_score":0.9456215,"about_ca_system_score_codex":0.0000101923315,"about_ca_system_score_gemma":0.00001572863,"threshold_uncertainty_score":0.99798584},"labels":[],"label_agreement":null},{"id":"W2939083737","doi":"","title":"\"Meadow\"; \"A Music\"; and \"I Might Not, Might Not Feel This Good Again\"","year":2016,"lang":"en","type":"article","venue":"Dalhousie review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Aesthetics; Psychology; Communication; Art","score_opus":0.04309756505471609,"score_gpt":0.24872000955069995,"score_spread":0.20562244449598385,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2939083737","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011463284,0.42169753,0.00011548517,0.04372522,0.0012192952,0.0012825114,0.0008196309,0.00043006742,0.519247],"genre_scores_gemma":[0.40407556,0.3627654,0.00013649593,0.041629605,0.00243914,0.00016247472,0.00007330459,0.00013012192,0.18858789],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980121,0.00015069295,0.0005781989,0.0004809979,0.0003362516,0.00044171835],"domain_scores_gemma":[0.99875104,0.00016919266,0.00017654651,0.00058197154,0.00014078437,0.00018047514],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00053797255,0.00032763396,0.000759261,0.00008223078,0.0003776018,0.00015548489,0.00029680884,0.000069267844,0.016021505],"category_scores_gemma":[0.00011057019,0.00019152106,0.0003197918,0.000079527344,0.0002973378,0.0003353979,0.00011417263,0.00014319927,0.001436327],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021019605,0.00026720337,0.00007960514,0.004096488,0.00035751075,0.00010432648,0.004229242,3.2220814e-8,0.00088223664,0.4317257,0.2382102,0.32002643],"study_design_scores_gemma":[0.00028790414,0.000047142614,0.00009756106,0.0029045495,0.00039768897,0.000013647596,0.000053013857,0.0000033634497,0.00016683475,0.00034631666,0.99532104,0.00036095752],"about_ca_topic_score_codex":0.000089479945,"about_ca_topic_score_gemma":0.0003753929,"teacher_disagreement_score":0.75711083,"about_ca_system_score_codex":0.00002691664,"about_ca_system_score_gemma":0.00003464367,"threshold_uncertainty_score":0.9993412},"labels":[],"label_agreement":null},{"id":"W2942380673","doi":"","title":"The Hours and the Colours: Concert and Festival Highlights","year":2018,"lang":"en","type":"article","venue":"Dalhousie review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Visual arts","score_opus":0.02165990949526654,"score_gpt":0.2585535595453289,"score_spread":0.23689365005006235,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2942380673","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010407422,0.8460901,0.0000059393187,0.046778742,0.00044250308,0.00057851215,0.000020440828,0.000056976063,0.09561936],"genre_scores_gemma":[0.50194716,0.48102716,0.00000893429,0.0071897316,0.0012183479,0.0000523542,0.0000042133775,0.000017109334,0.008534968],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991868,0.000163952,0.00020117211,0.00014827469,0.00012569787,0.00017408463],"domain_scores_gemma":[0.99927366,0.00028919804,0.00007535033,0.00022185217,0.00008911511,0.00005085434],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064272864,0.000113793525,0.00027880596,0.000009942974,0.0010414615,0.00024448114,0.0001508684,0.000017376355,0.00030527636],"category_scores_gemma":[0.000089581445,0.000047053734,0.00006932769,0.000032775948,0.0019320035,0.00007636395,0.00006293832,0.00008183007,0.000056545512],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014096611,0.000010406264,0.000015473159,0.00015651193,0.000089152054,0.000003192245,0.0029032368,5.483088e-9,0.000001107047,0.9215965,0.042649638,0.03256067],"study_design_scores_gemma":[0.00022154451,0.000038226124,0.000090557325,0.00052572077,0.00029867238,0.000011885548,0.00031422087,0.000013174876,0.0000033914066,0.002104996,0.9962927,0.00008492498],"about_ca_topic_score_codex":0.00007417192,"about_ca_topic_score_gemma":0.0004151429,"teacher_disagreement_score":0.953643,"about_ca_system_score_codex":0.000004178725,"about_ca_system_score_gemma":0.000016368584,"threshold_uncertainty_score":0.8010185},"labels":[],"label_agreement":null},{"id":"W2943261134","doi":"10.25071/1913-9632.39380","title":"What’s Left of E.P. Thompson?","year":2019,"lang":"en","type":"article","venue":"Left History An Interdisciplinary Journal of Historical Inquiry and Debate","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Merlin (protein); Romance; Art; Humanities; Literature; Medicine","score_opus":0.0501145164454909,"score_gpt":0.293078390699211,"score_spread":0.2429638742537201,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2943261134","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93301845,0.018541833,0.00022956853,0.0013114918,0.025264325,0.00013113189,0.0000080506525,0.000036257366,0.021458875],"genre_scores_gemma":[0.9739486,0.00022756931,0.000060551578,0.0002344699,0.0011558948,6.035298e-7,0.000003740355,0.0000244531,0.024344126],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99798083,0.00017898569,0.0009654663,0.00026409957,0.00035985888,0.00025076474],"domain_scores_gemma":[0.99840117,0.00014095426,0.00060268264,0.00031473843,0.000304182,0.00023628531],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00057543605,0.00023845563,0.00072771293,0.0003439573,0.00024663832,0.00007036937,0.00036897574,0.00009680116,0.006336048],"category_scores_gemma":[0.000023862909,0.00019277647,0.00036671673,0.000027002176,0.00040520396,0.0021180236,0.0001728114,0.0004277704,0.000043717155],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0021357876,0.002351711,0.0014121153,0.00058135437,0.00070237607,0.00057149713,0.7053298,0.00012469846,0.008776723,0.09913001,0.17237686,0.0065070717],"study_design_scores_gemma":[0.0009184906,0.0036770478,0.0003413098,0.00058726216,0.00037068437,0.00050348585,0.03742819,0.0002909262,0.00022814477,0.0067787883,0.9482488,0.00062687695],"about_ca_topic_score_codex":0.000012771746,"about_ca_topic_score_gemma":0.00003816788,"teacher_disagreement_score":0.77587193,"about_ca_system_score_codex":0.0006286892,"about_ca_system_score_gemma":0.00007657326,"threshold_uncertainty_score":0.9945723},"labels":[],"label_agreement":null},{"id":"W2943867534","doi":"10.1177/0306197319829325","title":"Introduction: Modernism and Collaboration","year":2019,"lang":"en","type":"article","venue":"Literature & History","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Modernism (music); Art; Art history","score_opus":0.007047913514404032,"score_gpt":0.18116104577696834,"score_spread":0.1741131322625643,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2943867534","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.18075751,0.06539763,0.00006158204,0.010153074,0.010308415,0.0003315491,0.00006408313,0.00021931539,0.73270684],"genre_scores_gemma":[0.7145063,0.000038789378,0.000041926716,0.0007695438,0.0024525907,0.000005441675,0.000053813663,0.00000837479,0.28212318],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995055,0.000026635926,0.000102269,0.00018429637,0.0000957455,0.000085533524],"domain_scores_gemma":[0.999653,0.000008203205,0.0000339643,0.00016039058,0.000112047404,0.000032390304],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0000648877,0.000081599625,0.00011143129,0.00006638876,0.000091827875,0.00013384763,0.000041641695,0.000041379848,0.0045023966],"category_scores_gemma":[0.000006369769,0.0000717103,0.00003214148,0.000023654078,0.0000719153,0.00038079088,0.000009670974,0.000114722534,0.00013820894],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000122884685,0.000022160784,0.000017299502,0.000037939764,0.000017617394,0.0000028600516,0.05052635,0.0000025674615,0.0008536997,0.75546855,0.19265416,0.0003845221],"study_design_scores_gemma":[0.000104760424,0.000029553888,0.000032361,0.000013147448,0.000018631128,0.0000033068784,0.00068579364,0.00012933879,0.000015014561,0.0011884104,0.99768525,0.00009443643],"about_ca_topic_score_codex":0.0000056178187,"about_ca_topic_score_gemma":0.0000353995,"teacher_disagreement_score":0.80503106,"about_ca_system_score_codex":0.00007445683,"about_ca_system_score_gemma":0.000019416393,"threshold_uncertainty_score":0.9964076},"labels":[],"label_agreement":null},{"id":"W294444404","doi":"","title":"Prowling the meanings : Anne Carson's 'Doubtful Forms' and 'The Traitor's Symphony'","year":2015,"lang":"en","type":"dissertation","venue":"Research Explorer (The University of Manchester)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Symphony; Art; Art history; Literature","score_opus":0.0838680477264763,"score_gpt":0.28739795139318236,"score_spread":0.20352990366670606,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W294444404","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9658924,0.0036130494,0.000006522594,0.0051971525,0.00031996542,0.0009260133,0.000036339257,0.000040290994,0.02396832],"genre_scores_gemma":[0.9901195,0.00056582596,0.0000057952952,0.00004833281,0.00045379243,0.0000085857855,0.00008892736,0.000028832752,0.008680364],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.997528,0.00046510875,0.0002191814,0.00033305908,0.0010150773,0.00043957276],"domain_scores_gemma":[0.9978878,0.00053045934,0.0001796708,0.00051656924,0.0007822812,0.00010320756],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0025584234,0.00023099402,0.00042324152,0.0001841946,0.0018309797,0.00026220182,0.0010270288,0.00012231631,0.0002740184],"category_scores_gemma":[0.00012393176,0.00012661709,0.0002465807,0.00013240427,0.0018315776,0.00033866463,0.00017666028,0.0008114105,0.00005172456],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005685998,0.0000533559,0.000015747475,0.00026740576,0.00036891882,0.000016836015,0.9188076,0.0000045207657,0.00002719166,0.05911327,0.016791137,0.003965406],"study_design_scores_gemma":[0.0009126324,0.00008842855,0.00024682694,0.00023694594,0.000286886,0.000002633257,0.73900104,0.00018798484,0.000056048717,0.008967232,0.24983174,0.00018158271],"about_ca_topic_score_codex":0.00028862647,"about_ca_topic_score_gemma":0.00079737033,"teacher_disagreement_score":0.2330406,"about_ca_system_score_codex":0.000094640505,"about_ca_system_score_gemma":0.00016106397,"threshold_uncertainty_score":0.9994685},"labels":[],"label_agreement":null},{"id":"W2945185483","doi":"","title":"A Brace of Sonnets","year":2012,"lang":"en","type":"article","venue":"Dalhousie review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Brace; Sonnet; History; Literature; Art; Engineering; Structural engineering; Poetry","score_opus":0.04428335265200265,"score_gpt":0.2759641255187725,"score_spread":0.23168077286676983,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945185483","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.006911505,0.71430844,0.000028656334,0.0008906537,0.00027594646,0.00018045523,0.000028819664,0.00004417735,0.27733135],"genre_scores_gemma":[0.9315685,0.0591827,0.00005282209,0.002199109,0.0005968229,0.00001529733,0.000015006099,0.00001497462,0.006354781],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932075,0.00004656101,0.00025095994,0.000071542956,0.0001234726,0.00018672281],"domain_scores_gemma":[0.99956334,0.000031502866,0.00008776397,0.00020367929,0.0000531503,0.000060560094],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032495274,0.000080665974,0.0003047819,0.000024650039,0.00006609458,0.000013589617,0.00010500005,0.000013989177,0.007334079],"category_scores_gemma":[0.0000440858,0.000059626775,0.00015471764,0.00003958531,0.000070024464,0.00016439313,0.000026217385,0.000051831277,0.00038107854],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000021312565,0.00030681584,0.00034519646,0.0055324375,0.000118560914,0.0000023817452,0.008072972,1.6382037e-7,0.000049723916,0.85855323,0.06596438,0.061052002],"study_design_scores_gemma":[0.000036051937,0.000011003023,0.000103311715,0.00087538105,0.00016201958,0.0000027985943,0.00013669238,0.0000022090435,0.00003273631,0.00014614833,0.99840957,0.000082074686],"about_ca_topic_score_codex":0.000037484348,"about_ca_topic_score_gemma":0.000032169224,"teacher_disagreement_score":0.93244517,"about_ca_system_score_codex":0.0000043182995,"about_ca_system_score_gemma":0.000008436385,"threshold_uncertainty_score":0.99357337},"labels":[],"label_agreement":null},{"id":"W2945781721","doi":"","title":"\"A Friend Request\" and \"The Metronome\"","year":2012,"lang":"en","type":"article","venue":"Dalhousie review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Metronome; Computer science; Medicine; Internal medicine; Rhythm","score_opus":0.02767188296128881,"score_gpt":0.2524857379042889,"score_spread":0.2248138549430001,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2945781721","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015305193,0.7906311,0.000015147157,0.0028705595,0.00021284193,0.00020037568,0.000011042477,0.000035177974,0.20449324],"genre_scores_gemma":[0.8231414,0.1577577,0.00004201016,0.006820241,0.0013630958,0.00007498328,0.0000169816,0.000022441283,0.010761127],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921805,0.00011974203,0.00023186463,0.000100866986,0.00010805724,0.00022139486],"domain_scores_gemma":[0.99950594,0.00008325998,0.00006647281,0.00023559493,0.000033301905,0.0000754105],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008831809,0.00010414911,0.00033312492,0.000023701157,0.00023206625,0.000073597854,0.000110479144,0.000014195785,0.0038528144],"category_scores_gemma":[0.000072466246,0.000057491823,0.00012389862,0.000039991362,0.00028495432,0.00022575642,0.000043326676,0.00008935664,0.00027681666],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000019907095,0.000023698693,0.000053649786,0.00041422504,0.00004883286,5.930682e-7,0.0025103162,1.0412256e-8,5.3529607e-7,0.9650574,0.01367587,0.01821293],"study_design_scores_gemma":[0.00013389727,0.0000062026384,0.000056031964,0.00026479614,0.00028876655,0.000005443278,0.00023290033,0.0000026309601,0.0000018819654,0.000818807,0.9980986,0.00009002619],"about_ca_topic_score_codex":0.000056544122,"about_ca_topic_score_gemma":0.000040298626,"teacher_disagreement_score":0.98442274,"about_ca_system_score_codex":0.000007006843,"about_ca_system_score_gemma":0.000006255801,"threshold_uncertainty_score":0.9970578},"labels":[],"label_agreement":null},{"id":"W2946103288","doi":"10.3917/rfea.159.0114","title":"Laird Hunt : Kind One , Neverhome et The Evening Road","year":2019,"lang":"fr","type":"article","venue":"Revue française d’études américaines","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Laurentian University","funders":"","keywords":"Evening; History; Art; Physics; Astronomy","score_opus":0.026137926758896538,"score_gpt":0.24186413898561482,"score_spread":0.21572621222671828,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2946103288","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4383439,0.06653904,0.00012675121,0.123130895,0.005023278,0.001291898,0.00039000128,0.00027421006,0.36488],"genre_scores_gemma":[0.87589043,0.0021847344,0.00009167655,0.0017590765,0.0028371264,0.00004978998,0.000048098755,0.00008991867,0.11704915],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99662554,0.00038735563,0.0008637319,0.00071199995,0.00052685465,0.00088449335],"domain_scores_gemma":[0.9975755,0.0005696214,0.0003358897,0.0010149009,0.00029800917,0.00020607293],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009808776,0.00058196275,0.00096424046,0.00018225313,0.0009318233,0.0006742319,0.00079514,0.00024747828,0.009037206],"category_scores_gemma":[0.0001409397,0.00046446116,0.0007147009,0.00028832315,0.0005605021,0.00068862835,0.00026591937,0.0007957659,0.00280722],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005514691,0.00067137193,0.0015461433,0.00072564266,0.0006822236,0.000058694623,0.020859255,0.00062914327,0.00019249349,0.9555722,0.0069287773,0.012078937],"study_design_scores_gemma":[0.0006261697,0.00021718632,0.0072585326,0.0010074145,0.000570233,0.000031555846,0.004529129,0.0019483782,0.0000246136,0.0013897177,0.9816839,0.0007131369],"about_ca_topic_score_codex":0.0058977683,"about_ca_topic_score_gemma":0.0040669087,"teacher_disagreement_score":0.97475517,"about_ca_system_score_codex":0.00008606477,"about_ca_system_score_gemma":0.00012829389,"threshold_uncertainty_score":0.9997807},"labels":[],"label_agreement":null},{"id":"W2946322584","doi":"","title":"\"Birthday Poem\" and \"Hospice\"","year":2016,"lang":"en","type":"article","venue":"Dalhousie review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Literature","score_opus":0.023324889613309575,"score_gpt":0.23847999090006536,"score_spread":0.21515510128675577,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2946322584","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010103447,0.6100728,0.00010540899,0.021063374,0.000437089,0.0004137323,0.00010088114,0.00020271893,0.35750052],"genre_scores_gemma":[0.43592247,0.48202023,0.000039380167,0.00967513,0.00083441177,0.000047623475,0.000009057767,0.000036262405,0.07141546],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992509,0.000044525717,0.00022751295,0.0001824078,0.00011527071,0.00017940141],"domain_scores_gemma":[0.9995333,0.000054518587,0.000055841385,0.00022797672,0.000053863692,0.00007450605],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002333924,0.00011479254,0.00029312237,0.000027529888,0.00013880499,0.00005373921,0.000104792656,0.00001787459,0.0067386017],"category_scores_gemma":[0.000057739493,0.000061950486,0.000100017074,0.000027673812,0.00013603653,0.00015983684,0.000040101633,0.000041562784,0.0005757794],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000018645271,0.00004532957,0.0001520175,0.001255614,0.00006652488,0.000015420597,0.0008590177,4.8814175e-9,0.000058762496,0.5790783,0.043275777,0.37519133],"study_design_scores_gemma":[0.00009190792,0.000022343847,0.00011688916,0.001629353,0.00010781601,0.000005229301,0.000037332742,5.506814e-7,0.000011278925,0.0012848403,0.9965656,0.00012689912],"about_ca_topic_score_codex":0.00002072202,"about_ca_topic_score_gemma":0.00007483606,"teacher_disagreement_score":0.9532898,"about_ca_system_score_codex":0.000007047175,"about_ca_system_score_gemma":0.0000102426675,"threshold_uncertainty_score":0.99416935},"labels":[],"label_agreement":null},{"id":"W2948031604","doi":"10.4000/polysemes.4831","title":"Performative Archives: The Visual Poetry of bpNichol and Derek Beaulieu","year":2019,"lang":"en","type":"article","venue":"Polysèmes","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Textuality; Performative utterance; Poetry; Materiality (auditing); Narrative; Metaphor; Temporality; Haiku; Literature; Life writing; Visual arts; Art; Aesthetics; History; Philosophy; Linguistics; Epistemology","score_opus":0.007237546915918829,"score_gpt":0.21089293727535652,"score_spread":0.2036553903594377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948031604","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8753837,0.0009240673,0.000010931141,0.00045754627,0.00008809559,0.00007751709,0.00001869443,0.000012853169,0.1230266],"genre_scores_gemma":[0.9911908,0.00005826748,0.000011651895,0.0003367322,0.00012148437,0.0000041874073,0.000004837263,0.0000068685736,0.008265158],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9993915,0.00006179698,0.0001742199,0.00010464776,0.00012100456,0.00014682327],"domain_scores_gemma":[0.99953026,0.00021309058,0.000068562884,0.00013197823,0.000023518993,0.00003257149],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011282831,0.00009247313,0.00017446553,0.00005623922,0.00033602686,0.00005836318,0.00011604754,0.000016811713,0.0013218478],"category_scores_gemma":[0.00001843097,0.000055587898,0.00008149053,0.00002397518,0.0003002876,0.00015234467,0.00007282137,0.0001267637,0.000055624078],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056687953,0.0001598032,0.008551995,0.0001515024,0.00037158976,0.00000176848,0.29468802,0.000004446725,0.0012953972,0.674734,0.0011066258,0.018878203],"study_design_scores_gemma":[0.0024291123,0.0011406067,0.07122185,0.00036259711,0.00078485947,0.00002754994,0.5290392,0.0080033485,0.013192408,0.036385365,0.33614746,0.001265616],"about_ca_topic_score_codex":0.0000869307,"about_ca_topic_score_gemma":0.00005485736,"teacher_disagreement_score":0.6383486,"about_ca_system_score_codex":0.0000027845674,"about_ca_system_score_gemma":0.0000128588235,"threshold_uncertainty_score":0.99959105},"labels":[],"label_agreement":null},{"id":"W2948604902","doi":"","title":"Stay Gold: Ottawa University Literary Journal: Gangwish Library Mobile Guide: Ebsco Mobile","year":2012,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mobile apps; Mobile device; Computer science; Library science; Media studies; World Wide Web; Sociology","score_opus":0.012175228747528648,"score_gpt":0.21568100783204605,"score_spread":0.2035057790845174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948604902","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1258113,0.003965026,0.00007189358,0.00023261605,0.00076062494,0.00015549117,0.000091074166,0.00022143505,0.86869055],"genre_scores_gemma":[0.5797911,0.00018501151,0.00017136268,0.0007023004,0.0012945812,0.0000031184795,0.000031128766,0.000021953845,0.4177994],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986922,0.000121733545,0.00031812544,0.0001760294,0.00022247457,0.00046939705],"domain_scores_gemma":[0.9991526,0.00007773094,0.00010037814,0.0002836578,0.00008245499,0.00030315408],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002541656,0.000188254,0.00025590003,0.00018543963,0.00043522895,0.0004548669,0.00033991213,0.00006365004,0.08362516],"category_scores_gemma":[0.000006783577,0.00015506167,0.00025808247,0.00008077467,0.00015662376,0.0030336378,0.00011952698,0.00024317282,0.00067202357],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011405386,0.00034674729,0.0017348333,0.000022775192,0.00014598972,0.00005445082,0.012367797,0.0000064859314,0.000030190418,0.15840472,0.81998974,0.006884882],"study_design_scores_gemma":[0.00020649849,0.00008674624,0.00016805345,0.000017602108,0.000082301005,0.000018862329,0.012419404,0.000031699285,0.00014034184,0.0009586794,0.98563224,0.00023757652],"about_ca_topic_score_codex":0.0000615233,"about_ca_topic_score_gemma":0.000035816905,"teacher_disagreement_score":0.45397982,"about_ca_system_score_codex":0.000035530335,"about_ca_system_score_gemma":0.00004248928,"threshold_uncertainty_score":0.91721255},"labels":[],"label_agreement":null},{"id":"W2949351560","doi":"","title":"The Astounded Soul","year":2013,"lang":"en","type":"article","venue":"Dalhousie review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Soul; Philosophy; Theology","score_opus":0.023278646348873496,"score_gpt":0.2385091224226789,"score_spread":0.2152304760738054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2949351560","genre_codex":"other","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001196095,0.3995822,0.000022612616,0.016718857,0.00043756008,0.00055382616,0.000008615692,0.000115111354,0.5813651],"genre_scores_gemma":[0.33731487,0.42675164,0.000048381997,0.027756838,0.0020929133,0.00053553167,0.00004038401,0.00006798055,0.20539148],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991942,0.00006787008,0.00025388796,0.00011910964,0.0001517899,0.00021312984],"domain_scores_gemma":[0.99937516,0.00008131634,0.000063644125,0.00032348942,0.00010406696,0.000052306128],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00026907673,0.00010130533,0.00021112368,0.000012930168,0.00054138433,0.00028919856,0.00023149847,0.000013749682,0.01083754],"category_scores_gemma":[0.000058519297,0.00005368408,0.00016642496,0.000037281046,0.00015194193,0.00014721001,0.000036684345,0.000092921255,0.004672232],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.2782725e-7,0.000029583438,0.0000065254676,0.00040858402,0.000061235856,0.0000018982466,0.0007272891,7.490424e-8,0.00000538836,0.55711657,0.2958681,0.1457743],"study_design_scores_gemma":[0.000030162775,0.000009885046,0.000032793872,0.00030258787,0.00007234236,0.0000021324151,0.00021944297,0.000011888154,0.0000017798999,0.003897551,0.9953327,0.000086706284],"about_ca_topic_score_codex":0.00012525402,"about_ca_topic_score_gemma":0.00020881409,"teacher_disagreement_score":0.6994646,"about_ca_system_score_codex":0.000008058385,"about_ca_system_score_gemma":0.000013723996,"threshold_uncertainty_score":0.99610275},"labels":[],"label_agreement":null},{"id":"W2950972610","doi":"10.3390/h8020115","title":"Like Melville on the Leaf of Shakespeare? Olson’s Annotations to Ace of Pentacles, by John Wieners","year":2019,"lang":"en","type":"article","venue":"Humanities","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of King's College","funders":"","keywords":"Marginalia; Literature; Poetry; Textuality; Tragedy (event); Character (mathematics); Interpretation (philosophy); Wife; Art; Philosophy; History; Art history","score_opus":0.03429427195332008,"score_gpt":0.22766192765920643,"score_spread":0.19336765570588635,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2950972610","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.664958,0.00040242428,0.000004895642,0.0009687806,0.00024049803,0.00020949483,0.00024141853,0.000025698344,0.3329488],"genre_scores_gemma":[0.92014897,0.00002293983,0.0000074578616,0.0012123978,0.00009280028,0.00001714774,0.00002671595,0.000015580701,0.078456],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99902046,0.000057580004,0.00028740946,0.0001589182,0.00029320558,0.0001824363],"domain_scores_gemma":[0.9992205,0.00015704337,0.00011074902,0.00031820431,0.00016358132,0.000029911047],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015341036,0.00013354959,0.00024571226,0.000113362585,0.00024480795,0.00009353722,0.00027335744,0.000024412682,0.010551055],"category_scores_gemma":[0.000023304474,0.00009633133,0.0001310973,0.000048240916,0.00024828757,0.00014957269,0.000046038076,0.000092775044,0.00027107226],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018966302,0.00010098628,0.00007783436,0.00004227291,0.000075226875,4.982443e-7,0.0445137,0.000031113836,0.001026087,0.850425,0.10356999,0.000118335],"study_design_scores_gemma":[0.00019816212,0.00028549778,0.0003509046,0.0001020905,0.000065400236,4.004089e-7,0.1078112,0.000033662014,0.0024962006,0.0011689882,0.8872937,0.00019380984],"about_ca_topic_score_codex":0.00063787296,"about_ca_topic_score_gemma":0.0008454296,"teacher_disagreement_score":0.849256,"about_ca_system_score_codex":0.000020833562,"about_ca_system_score_gemma":0.00002185685,"threshold_uncertainty_score":0.99035347},"labels":[],"label_agreement":null},{"id":"W2952015597","doi":"10.1017/9781787444645.012","title":"“Marriage? That's another story”: Reconsidering the Marital Trope in Robert Lowell's Poetry","year":2019,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Trope (literature); Poetry; Literature; History; Gender studies; Psychoanalysis; Art; Sociology; Psychology","score_opus":0.06851647584518662,"score_gpt":0.20809001357451545,"score_spread":0.13957353772932884,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2952015597","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00033002152,0.0014261006,0.000010872569,0.0012679623,0.000903659,0.00024904398,0.000041442334,0.000058329657,0.9957126],"genre_scores_gemma":[0.14341824,0.00013440331,0.000009966529,0.0016927627,0.000765423,0.0000065599606,0.000022587486,0.00008700721,0.85386306],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99842584,0.000055245764,0.00038906946,0.00046493372,0.00030675615,0.00035812455],"domain_scores_gemma":[0.9988758,0.00020681223,0.00016002412,0.0006509562,0.000058122867,0.000048258076],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00035930777,0.00044465854,0.0005993912,0.00021866056,0.00025705041,0.0003822996,0.0003769046,0.00022397541,0.10411877],"category_scores_gemma":[0.000013564761,0.00029562303,0.00041120255,0.000010929355,0.00028832868,0.00025285696,0.00012618476,0.0007974531,0.0015220927],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016141641,0.000026836691,0.00005017352,0.000048873673,0.00022267016,0.000058446672,0.0028131895,0.0000052056066,0.000004771609,0.9584184,0.03524707,0.0030881758],"study_design_scores_gemma":[0.00023485838,0.00003632919,0.000028530967,0.0001664013,0.00011640011,0.0000071462437,0.0017097854,0.000032861637,0.0000104895835,0.01344887,0.9837126,0.0004957272],"about_ca_topic_score_codex":0.00028969615,"about_ca_topic_score_gemma":0.009776245,"teacher_disagreement_score":0.9484655,"about_ca_system_score_codex":0.000081069324,"about_ca_system_score_gemma":0.000070359165,"threshold_uncertainty_score":0.9999496},"labels":[],"label_agreement":null},{"id":"W2954692283","doi":"10.1353/mos.2020.0004","title":"Elizabeth Bishop’s Work of Fire","year":2020,"lang":"en","type":"article","venue":"Mosaic","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Key (lock); Art history; Work (physics); Art; History; Literature; Engineering; Computer science","score_opus":0.043387701345140806,"score_gpt":0.22413463507738282,"score_spread":0.18074693373224202,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2954692283","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7591094,0.00329114,0.00012957942,0.012684273,0.0004477728,0.00014896132,0.00013974025,0.00017888266,0.22387028],"genre_scores_gemma":[0.99444044,0.000017588098,0.000020002104,0.001280927,0.00032902925,0.0000024727892,0.00001627826,0.000007727609,0.0038855488],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995031,0.000018347322,0.00015160545,0.000106437605,0.00010948298,0.0001110388],"domain_scores_gemma":[0.99974763,0.000020363696,0.00003664483,0.000102663646,0.00003677866,0.00005594035],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00004185226,0.00006621595,0.00015268981,0.00001459455,0.00007792631,0.000036916033,0.000110442554,0.000019239742,0.0048617865],"category_scores_gemma":[0.000022637729,0.000055035303,0.0000902031,0.000060778726,0.00008700975,0.0000619457,0.000024977933,0.000063916974,0.0001587924],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005900032,0.00022009313,0.0023484805,0.00020124587,0.0002691091,0.000031404918,0.067308344,0.00008548337,0.00051732286,0.3561626,0.54508245,0.027714422],"study_design_scores_gemma":[0.00015349551,0.00006684973,0.00018262872,0.000027232518,0.000063939435,1.7986132e-7,0.0018656066,0.00043431838,0.0005054803,0.0009945893,0.99557513,0.00013054603],"about_ca_topic_score_codex":0.000040580646,"about_ca_topic_score_gemma":0.00001983693,"teacher_disagreement_score":0.45049265,"about_ca_system_score_codex":0.000003718295,"about_ca_system_score_gemma":0.000008660631,"threshold_uncertainty_score":0.9960479},"labels":[],"label_agreement":null},{"id":"W2955275730","doi":"10.4324/9780203857762-23","title":"STANLEY PARK, VANCOUVER","year":2013,"lang":"fr","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.016443507408377512,"score_gpt":0.21195222513345188,"score_spread":0.19550871772507436,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2955275730","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009656291,0.006370111,0.00021367632,0.006482636,0.0031260452,0.00013143562,0.000039579416,0.000054345033,0.9739259],"genre_scores_gemma":[0.37632117,0.00022038032,0.00007024961,0.0013160894,0.00097312656,0.000013655325,0.000003615258,0.000012727949,0.62106895],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987762,0.00005756272,0.00030329495,0.00022327351,0.00019954109,0.00044013836],"domain_scores_gemma":[0.99926996,0.00006580671,0.000048104914,0.00026400428,0.00019022735,0.00016190154],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010985808,0.00018820177,0.00023877627,0.00005472939,0.0003810167,0.00048542413,0.00014992004,0.00008127347,0.43825844],"category_scores_gemma":[0.000015398624,0.00015508875,0.00019659917,0.000040164054,0.0003581419,0.00063429226,0.00004547433,0.00015857627,0.012905026],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[8.137207e-7,0.00009136468,0.00003303183,0.000023138513,0.00006187836,0.000004375148,0.0008156904,0.0000022707525,0.000006748643,0.49297896,0.49967477,0.006306949],"study_design_scores_gemma":[0.00014117299,0.000054729768,0.00015558742,0.000035996778,0.000107874665,0.0000010602079,0.007432842,0.0007600975,0.000053369335,0.02255176,0.9684591,0.00024639972],"about_ca_topic_score_codex":0.009863206,"about_ca_topic_score_gemma":0.009360671,"teacher_disagreement_score":0.47042722,"about_ca_system_score_codex":0.00003761644,"about_ca_system_score_gemma":0.000025638377,"threshold_uncertainty_score":0.9967302},"labels":[],"label_agreement":null},{"id":"W2959553305","doi":"10.33137/pbsc.v56i1/2.29566","title":"An Index of Nelson Ball’s Little Magazines: Volume 63 (1963–1967), Weed (1966–1967), and Hyphid (1968)","year":2019,"lang":"en","type":"article","venue":"Papers of The Bibliographical Society of Canada","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ball (mathematics); Index (typography); Media studies; History; Sociology; Computer science; World Wide Web; Mathematics","score_opus":0.006391998853302247,"score_gpt":0.18656709573261424,"score_spread":0.180175096879312,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2959553305","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97717726,0.001183905,0.000004064655,0.0024442791,0.00031705576,0.0002580101,0.00020289005,0.000017885508,0.018394643],"genre_scores_gemma":[0.996504,0.00042736076,0.000041931497,0.0007145721,0.00010839946,0.000006618955,0.000008299217,0.000021391605,0.0021674065],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9979044,0.00009590099,0.00053841993,0.00030628772,0.00078702514,0.00036791767],"domain_scores_gemma":[0.9985781,0.00014866929,0.00030824787,0.00052273006,0.00025876958,0.00018350512],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003712927,0.0002353537,0.0005842455,0.0004585345,0.00021417771,0.000059644994,0.00056479307,0.00012703445,0.0012871524],"category_scores_gemma":[0.00002938676,0.00017163264,0.0006214416,0.0017032011,0.0008403357,0.00019946229,0.00010524509,0.00024903688,8.4847954e-7],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028523337,0.0009918138,0.6035072,0.0021007753,0.0030495985,0.0000038766757,0.008407398,0.00029970173,0.042658165,0.05082651,0.28408223,0.0037874987],"study_design_scores_gemma":[0.0018598639,0.00056750025,0.5356881,0.00034284915,0.00058930373,0.000004370659,0.015167042,0.003500724,0.0011200962,0.0037979556,0.43646717,0.00089500844],"about_ca_topic_score_codex":0.18514831,"about_ca_topic_score_gemma":0.19876073,"teacher_disagreement_score":0.15238494,"about_ca_system_score_codex":0.000020157073,"about_ca_system_score_gemma":0.00020430096,"threshold_uncertainty_score":0.9996258},"labels":[],"label_agreement":null},{"id":"W2963490144","doi":"","title":"Poetic process with special reference to luis dudek and his contemporary canadian poets","year":2013,"lang":"en","type":"dissertation","venue":"Shodhganga","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Process (computing); Literature; Art; Computer science","score_opus":0.03132532138119204,"score_gpt":0.25107127433150195,"score_spread":0.2197459529503099,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2963490144","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2781697,0.0005163891,4.6235783e-7,0.0004930386,0.00036949705,0.00036273984,0.00020627929,0.000034452885,0.71984744],"genre_scores_gemma":[0.84865,0.000017713264,0.000011552273,0.00062815176,0.001122863,0.000082750186,0.0009109539,0.000045028348,0.14853103],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99856806,0.000036285768,0.00028425257,0.00044862606,0.00028533876,0.00037741265],"domain_scores_gemma":[0.9988881,0.000026139985,0.00010400922,0.00023745529,0.00033669398,0.00040760386],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008620535,0.00033872592,0.00044384258,0.00033744986,0.00041311284,0.00043711052,0.00022531237,0.0001478323,0.0068870294],"category_scores_gemma":[0.000029033497,0.00027508588,0.000054964563,0.00007643766,0.00009865479,0.00022429714,0.00001050143,0.0002986094,0.00030060206],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003994113,0.00022444144,0.00087540195,0.0014841299,0.0007932647,0.0005091245,0.2884419,0.000003214015,0.00012513372,0.36211622,0.33220518,0.012822599],"study_design_scores_gemma":[0.00039059948,0.00035340956,0.003624391,0.000616522,0.00028667238,0.000009025362,0.061160278,0.000008874738,0.00020085265,0.002375984,0.9298105,0.0011628951],"about_ca_topic_score_codex":0.09658875,"about_ca_topic_score_gemma":0.7743014,"teacher_disagreement_score":0.6777127,"about_ca_system_score_codex":0.00006277166,"about_ca_system_score_gemma":0.00048409757,"threshold_uncertainty_score":0.99997014},"labels":[],"label_agreement":null},{"id":"W2968982058","doi":"","title":"Selection of Poems","year":2019,"lang":"en","type":"article","venue":"Revue CMC","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Selection (genetic algorithm); Poetry; Computer science; Art; Artificial intelligence; Literature","score_opus":0.02788574682913476,"score_gpt":0.22565946075223822,"score_spread":0.19777371392310347,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2968982058","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6558043,0.00009684561,0.000011897195,0.00013921368,0.00024460568,0.000040295396,0.000004297758,0.0000177831,0.34364077],"genre_scores_gemma":[0.95089644,0.000008590209,0.000009550397,0.000042932254,0.0002550777,0.0000011743352,0.0000031654681,0.0000039406727,0.048779115],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9997247,0.000009648013,0.00009452911,0.00006461032,0.000042246167,0.000064290754],"domain_scores_gemma":[0.9998212,0.000013246392,0.000032113127,0.00007551001,0.000044686523,0.000013284848],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000050429473,0.000034443823,0.00009748719,0.000033950768,0.00003277617,0.000017278757,0.000042007767,0.000014353218,0.0063924203],"category_scores_gemma":[0.0000056763256,0.00003036337,0.000059855527,0.00002234884,0.000021475184,0.000063417756,0.00000640044,0.00003561097,0.00031954158],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000061036185,0.00005945288,0.0027434637,0.00011798121,0.00004551917,6.5486506e-7,0.0041508167,0.000014452385,0.003867921,0.98388255,0.0028991925,0.0022119237],"study_design_scores_gemma":[0.00022758475,0.00014633415,0.0019151896,0.00008868075,0.00007537839,0.000004366366,0.0018186078,0.0012091497,0.003694807,0.004660703,0.98598164,0.00017754245],"about_ca_topic_score_codex":0.000046379326,"about_ca_topic_score_gemma":0.00006694852,"teacher_disagreement_score":0.9830825,"about_ca_system_score_codex":0.000006331574,"about_ca_system_score_gemma":0.0000050009794,"threshold_uncertainty_score":0.9945159},"labels":[],"label_agreement":null},{"id":"W2969654371","doi":"","title":"Research Guides: Poetry: Featured Poem: Canada Mints","year":2012,"lang":"en","type":"libguides","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Literature; History","score_opus":0.10761995792427559,"score_gpt":0.32190615676838746,"score_spread":0.21428619884411187,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2969654371","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00019901303,0.008759219,0.0000013572361,0.004367843,0.004336617,0.00022023609,0.0008468068,0.00008270363,0.9811862],"genre_scores_gemma":[0.07360925,0.00029685564,0.000036699024,0.0024010595,0.010918329,0.000039178158,0.0010389579,0.00009246417,0.9115672],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954163,0.0002998795,0.00064906647,0.0005908306,0.0016973892,0.0013465695],"domain_scores_gemma":[0.9972536,0.0003951782,0.00014286314,0.00090244936,0.0009224375,0.000383492],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011128456,0.00050189154,0.00080073514,0.00046181076,0.0009988294,0.0006437298,0.0010013323,0.00037025838,0.07100937],"category_scores_gemma":[0.00022418365,0.00039002136,0.00028059387,0.00016156318,0.0004545688,0.00024763585,0.00026688678,0.0014097319,0.0006239522],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005731434,0.0000491018,0.000009830824,0.00012129194,0.00023058812,0.00004114117,0.0010892348,1.6787708e-7,0.0000018532199,0.11833858,0.87930954,0.0008029489],"study_design_scores_gemma":[0.00011683057,0.000030088688,0.00003509638,0.00014791288,0.00016479862,0.0000054576426,0.008197376,0.0000048388356,0.000032460455,0.0010690114,0.9896785,0.0005176461],"about_ca_topic_score_codex":0.9123352,"about_ca_topic_score_gemma":0.9791251,"teacher_disagreement_score":0.11726957,"about_ca_system_score_codex":0.00040839662,"about_ca_system_score_gemma":0.0013099014,"threshold_uncertainty_score":0.99985516},"labels":[],"label_agreement":null},{"id":"W2972837184","doi":"10.1111/criq.12468","title":"The poetics of dreams","year":2019,"lang":"en","type":"article","venue":"Critical Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Poetics; Citation; Literature; Art; Computer science; Library science; Poetry","score_opus":0.014204791531693309,"score_gpt":0.2488694751864881,"score_spread":0.23466468365479481,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2972837184","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4727024,0.00078449305,0.00028156213,0.008865191,0.0017099883,0.00017650939,0.000046881672,0.00006958962,0.5153634],"genre_scores_gemma":[0.991597,0.0000044109797,0.000014175352,0.00019716106,0.00022036466,0.0000036824335,0.000002188886,0.000007873903,0.007953142],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991984,0.00004244427,0.00024097119,0.00011488051,0.00018229971,0.00022103595],"domain_scores_gemma":[0.99906814,0.0004389804,0.000022206084,0.00026976512,0.00014551583,0.00005541669],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015947636,0.00007869647,0.00015276881,0.000022290138,0.00018739054,0.00014662219,0.00018325953,0.000026946687,0.0021501062],"category_scores_gemma":[0.000048558784,0.000049727718,0.00012134825,0.000023219456,0.00051636726,0.00010163913,0.00000871369,0.00009392009,0.0005691071],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000059192103,0.000046914098,0.00002961564,0.000021185084,0.000015913212,0.0000013356598,0.0036694263,1.0369272e-7,0.00013846318,0.9897861,0.0008183251,0.005466717],"study_design_scores_gemma":[0.00042306486,0.001525112,0.00050601916,0.000078338184,0.00016713243,0.0000054363304,0.051549498,0.0008829559,0.00043831722,0.22753437,0.71651906,0.0003706841],"about_ca_topic_score_codex":0.000031413932,"about_ca_topic_score_gemma":0.00005616665,"teacher_disagreement_score":0.76225173,"about_ca_system_score_codex":0.000005509331,"about_ca_system_score_gemma":0.000012284857,"threshold_uncertainty_score":0.9987621},"labels":[],"label_agreement":null},{"id":"W2974704628","doi":"10.1080/0013838x.2018.1558761","title":"“Upon Our Sense of Style”: W. H. Auden’s “New Year Letter” and Catastrophe","year":2019,"lang":"en","type":"article","venue":"English Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Poetry; Renunciation; Literature; Style (visual arts); Modernism (music); Reading (process); Dialectic; Philosophy; Art; Linguistics; Epistemology","score_opus":0.023406732245844712,"score_gpt":0.24917742737409745,"score_spread":0.22577069512825274,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2974704628","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9797766,0.002082385,0.0000017499573,0.0007445144,0.0007333251,0.000084253996,0.00004514047,0.000037742368,0.016494265],"genre_scores_gemma":[0.98777837,0.0001898348,0.000031706568,0.00024085463,0.0011568118,0.0000025200522,0.000004942397,0.000009861982,0.010585104],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993066,0.000033685836,0.00018121582,0.00017149473,0.00014737088,0.00015960443],"domain_scores_gemma":[0.9995167,0.00005987399,0.00006204654,0.00017029789,0.00015289176,0.00003815222],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012863046,0.000118310956,0.00030432144,0.000052183874,0.00010582944,0.00005028342,0.000060527884,0.000020792197,0.0002838808],"category_scores_gemma":[0.0001012886,0.00009302505,0.00006938687,0.00002305879,0.00006953567,0.00013251173,0.00008257265,0.0000922179,0.000052364157],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006916588,0.00014612664,0.004518771,0.0004693374,0.0013336729,0.00003136045,0.39852035,0.000016291136,0.0009284564,0.16657305,0.42636147,0.001031957],"study_design_scores_gemma":[0.0009841867,0.00023094175,0.00096356386,0.00014751186,0.00027634867,0.0000012117792,0.31449622,0.000015424015,0.0010613039,0.0005061943,0.68094647,0.00037060503],"about_ca_topic_score_codex":0.00008499787,"about_ca_topic_score_gemma":0.00020313442,"teacher_disagreement_score":0.25458503,"about_ca_system_score_codex":0.000012371674,"about_ca_system_score_gemma":0.000010054028,"threshold_uncertainty_score":0.37934515},"labels":[],"label_agreement":null},{"id":"W2980175991","doi":"10.1177/1464700119881311","title":"Gender’s ontoformativity, or refusing to be spat out of reality: reclaiming queer women’s solidarity through experimental writing","year":2019,"lang":"en","type":"article","venue":"Feminist Theory","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Lesbian; Gender studies; Queer theory; Sociology; Transgender; Human sexuality; Solidarity; Argument (complex analysis); Identity (music); Heterosexism; Aesthetics; Philosophy; Law; Politics; Political science","score_opus":0.11221207557807748,"score_gpt":0.3301584320019027,"score_spread":0.2179463564238252,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2980175991","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63153726,0.00007822686,0.0001628216,0.00019948267,0.0004198103,0.00017466497,0.00008656883,0.000057212208,0.3672839],"genre_scores_gemma":[0.9894558,0.0000046742207,0.00015707893,0.0019935223,0.000348635,0.00003355009,0.00001618344,0.000030309318,0.00796022],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99805146,0.00020971245,0.00057584903,0.00032795663,0.00034711932,0.00048790657],"domain_scores_gemma":[0.9989259,0.00022976963,0.00019484834,0.0004586521,0.00008341839,0.000107385975],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013113708,0.00023670048,0.0005093001,0.0000824988,0.00048464345,0.00021299467,0.00026291737,0.0000747995,0.0067682015],"category_scores_gemma":[0.00007940828,0.00019736968,0.00015756635,0.00004901069,0.00023231433,0.00041112103,0.00021577234,0.00019747617,0.00011069156],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021820508,0.00017328153,0.0000948586,0.00013703604,0.00009155325,0.00000820044,0.3930713,0.000003670082,0.0021842206,0.6027285,0.0007135435,0.00057565904],"study_design_scores_gemma":[0.00083948334,0.00051339023,0.000066461645,0.00033977706,0.0001047014,0.000012798843,0.6830983,0.00011338175,0.022248164,0.041154377,0.25067392,0.0008352227],"about_ca_topic_score_codex":0.00014785449,"about_ca_topic_score_gemma":0.00022002598,"teacher_disagreement_score":0.5615741,"about_ca_system_score_codex":0.00019444892,"about_ca_system_score_gemma":0.000066790824,"threshold_uncertainty_score":0.99413973},"labels":[],"label_agreement":null},{"id":"W2980307613","doi":"10.30707/etd2019.charron.j","title":"The Québecois Connection: The French-Canadian Diaspora in Jack Kerouac’s On the Road","year":2019,"lang":"en","type":"dissertation","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Epitome; Diaspora; Nothing; Connection (principal bundle); Art; Art history; Publishing; History; Literature; Sociology; Gender studies; Philosophy; Engineering","score_opus":0.022270570064770293,"score_gpt":0.2282966553171272,"score_spread":0.2060260852523569,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2980307613","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21814014,0.00091576256,2.4255885e-7,0.011720723,0.0019387585,0.00039636978,0.000040408526,0.000022254382,0.7668253],"genre_scores_gemma":[0.72857904,0.00011657157,1.0652075e-7,0.0018356891,0.00042765707,0.000064616215,0.00014152171,0.000018432778,0.26881635],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998613,0.00014459778,0.00035142593,0.0002656669,0.0002735921,0.00035169485],"domain_scores_gemma":[0.9986213,0.00046468226,0.00013131506,0.0005929177,0.00012825397,0.000061552724],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004997687,0.0002606709,0.00024819802,0.00011730127,0.0013983009,0.00068024313,0.00057146844,0.00012364534,0.01360146],"category_scores_gemma":[0.00008887704,0.000107976164,0.0002357309,0.000083330946,0.00014669076,0.00008776865,0.000011439835,0.0005630271,0.0012055783],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013950128,0.000031387997,0.000060635997,0.000014298243,0.00014543394,0.0000045715874,0.04880195,0.000010525323,6.09394e-7,0.8445641,0.10037899,0.005973555],"study_design_scores_gemma":[0.00010950804,0.000053647997,0.008529942,0.00007751952,0.00009260027,6.9763877e-7,0.3018262,0.00019383396,0.000011950921,0.0035364593,0.68528897,0.00027866598],"about_ca_topic_score_codex":0.7883306,"about_ca_topic_score_gemma":0.99615616,"teacher_disagreement_score":0.8410276,"about_ca_system_score_codex":0.0001018332,"about_ca_system_score_gemma":0.000254447,"threshold_uncertainty_score":0.9999018},"labels":[],"label_agreement":null},{"id":"W2980915275","doi":"","title":"Cover Artist's Note: Writing Landscape","year":2017,"lang":"en","type":"article","venue":"Canadian journal of environmental education","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cover (algebra); Environmental education; Cover story; Sociology; Aesthetics; Environmental ethics; Pedagogy; Art; Philosophy; Engineering","score_opus":0.012687649531738518,"score_gpt":0.22985164405057548,"score_spread":0.21716399451883697,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2980915275","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84077984,0.0007928027,0.000014383132,0.0016825824,0.0013448404,0.000036696056,0.00004149007,0.0000015907036,0.15530579],"genre_scores_gemma":[0.99137706,0.000020208274,0.00003125354,0.00033476122,0.0011250846,9.488767e-7,0.000008139119,0.0000073748643,0.007095176],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994986,0.000014420725,0.00019514929,0.00006326974,0.000093004965,0.00013554316],"domain_scores_gemma":[0.99935055,0.000009863488,0.0002187585,0.00015605468,0.000017720171,0.000247035],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012160788,0.0000640012,0.00009678242,0.0000847305,0.0007511114,0.0003910305,0.00018143926,0.000022717235,0.011053387],"category_scores_gemma":[0.00003788169,0.00006050688,0.00007432341,0.000004304228,0.00017995061,0.00044221556,0.0000062511876,0.00010571452,0.00014523405],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038827504,0.00066498655,0.114965625,0.00006648105,0.00030674943,0.0002074631,0.053540062,0.00007717971,0.0026721358,0.121943474,0.22992624,0.47559077],"study_design_scores_gemma":[0.0002391873,0.00006707015,0.13915451,0.00007184351,0.0001004372,0.000061989085,0.009435797,0.000038753205,0.00016430809,0.0014876637,0.84899026,0.00018818425],"about_ca_topic_score_codex":0.0015021294,"about_ca_topic_score_gemma":0.006907531,"teacher_disagreement_score":0.61906403,"about_ca_system_score_codex":0.00010052852,"about_ca_system_score_gemma":0.00027422927,"threshold_uncertainty_score":0.98985064},"labels":[],"label_agreement":null},{"id":"W2981349065","doi":"","title":"Stay Gold: Ottawa University Literary Journal: PLAGIARISM: QUESTIONS THAT MATTER","year":2018,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Media studies; Sociology; History","score_opus":0.01988114077359402,"score_gpt":0.21752105215037515,"score_spread":0.19763991137678114,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2981349065","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.058403715,0.00012345634,0.00073221186,0.0034121831,0.0005383113,0.000039048737,0.00003591496,0.00007481037,0.9366403],"genre_scores_gemma":[0.6905286,0.00001494561,0.00012071733,0.0014117424,0.0006814085,1.7391253e-7,0.0000057900925,0.00000711326,0.30722955],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993238,0.00007464891,0.00013066528,0.0001324158,0.00013890622,0.00019958755],"domain_scores_gemma":[0.9994858,0.00003384487,0.00005145729,0.00017100906,0.00015596274,0.00010193288],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016119826,0.00010121254,0.00012724777,0.0001361944,0.00057021686,0.00036836305,0.00018411945,0.000047124806,0.08696965],"category_scores_gemma":[0.000004562722,0.000080166676,0.00011269422,0.000032584965,0.00026714956,0.0005796338,0.000041731244,0.00019789592,0.0022617108],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000862737,0.00007520106,0.0017510399,0.0000055992755,0.00009331202,0.000038340586,0.009049821,2.2320383e-7,0.000014310561,0.36691314,0.6211605,0.0008898659],"study_design_scores_gemma":[0.00013558388,0.000043266966,0.0013224144,0.000017544837,0.0000678117,0.000017419314,0.0038306296,0.000041965795,0.00003872967,0.0076180194,0.98673004,0.0001365726],"about_ca_topic_score_codex":0.00024076992,"about_ca_topic_score_gemma":0.000862545,"teacher_disagreement_score":0.63212484,"about_ca_system_score_codex":0.000029013745,"about_ca_system_score_gemma":0.00001990624,"threshold_uncertainty_score":0.9985151},"labels":[],"label_agreement":null},{"id":"W2983553214","doi":"","title":"WAY OUT BELLEVILLE vol.1","year":2019,"lang":"en","type":"dissertation","venue":"Spectrum Research Repository (Concordia University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Grid; Ambiguity; Space (punctuation); Pathfinding; Liminality; Equilateral triangle; Abstraction; Computer science; Geography; Geology; Mathematics; Art; Aesthetics; Geodesy; Geometry; Theoretical computer science; Epistemology; Literature; Philosophy; Programming language; Shortest path problem","score_opus":0.03897611831296101,"score_gpt":0.2749037660849294,"score_spread":0.2359276477719684,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2983553214","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21733284,0.00034613282,0.000002336834,0.00019321282,0.0035734016,0.00033761456,0.000037994858,0.000098085795,0.7780784],"genre_scores_gemma":[0.4969227,0.00010606872,6.9050384e-7,0.0000067884775,0.0010209058,0.0000020514976,0.00017396477,0.000038283462,0.50172853],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99626327,0.0004900415,0.0003616838,0.00087834307,0.0010584808,0.00094817835],"domain_scores_gemma":[0.99752486,0.00024568915,0.00020014818,0.0008707083,0.0008588755,0.00029972746],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004932346,0.00040854572,0.00065712363,0.001446912,0.0018518143,0.0005470226,0.0010530776,0.000339214,0.003853302],"category_scores_gemma":[0.00008375059,0.00042717424,0.0005590141,0.00028420455,0.000448822,0.00044737133,0.00016280964,0.0015314958,0.001559638],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011796964,0.00070050755,0.003790694,0.0012515838,0.0021158934,0.0020299428,0.038557645,0.000010503421,0.0024839006,0.85476786,0.09062522,0.0024865516],"study_design_scores_gemma":[0.00045124846,0.000310774,0.0014964053,0.00019638002,0.0002297991,0.0000029313874,0.038881607,0.000051365005,0.0029625779,0.00084708486,0.95395154,0.0006183087],"about_ca_topic_score_codex":0.013880582,"about_ca_topic_score_gemma":0.10849782,"teacher_disagreement_score":0.8633263,"about_ca_system_score_codex":0.00050060975,"about_ca_system_score_gemma":0.0006052796,"threshold_uncertainty_score":0.999818},"labels":[],"label_agreement":null},{"id":"W2984062523","doi":"","title":"Stay Gold: Ottawa University Literary Journal: Chicago Style Guide: Sample papers, bibliographies and handouts","year":2017,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Library science; Sample (material); Style (visual arts); History; Media studies; Sociology; Computer science; Archaeology; Chemistry","score_opus":0.01927370908338858,"score_gpt":0.2331894532094126,"score_spread":0.21391574412602402,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2984062523","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13622324,0.0014611132,0.00007118751,0.0029916654,0.0003898176,0.00009095838,0.0001939052,0.000110533205,0.8584676],"genre_scores_gemma":[0.89740396,0.0038688825,0.00022976482,0.00037641742,0.00040018884,3.8964e-7,0.000011372782,0.000011579452,0.097697474],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991406,0.00005258874,0.00019482548,0.00019669336,0.00017618449,0.00023907251],"domain_scores_gemma":[0.99912786,0.00009594557,0.0001371789,0.00035780764,0.00012518816,0.00015599355],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027514176,0.00014524508,0.00022589271,0.0012712021,0.0020253498,0.0019476601,0.00034140048,0.000043040407,0.0067044594],"category_scores_gemma":[0.000055034838,0.00011242421,0.00016522789,0.00013636504,0.0004974487,0.00093313167,0.00012389878,0.00015807054,0.000020308054],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004415471,0.00014136385,0.022818297,0.0000396775,0.0004863613,0.00011476017,0.00861456,3.6523127e-7,0.00009275702,0.38060853,0.574759,0.012280139],"study_design_scores_gemma":[0.00048533682,0.00005487509,0.009967509,0.000024733776,0.0000974581,0.0000087754415,0.0038811332,0.00001922869,0.000017169963,0.0045098197,0.98075014,0.00018383109],"about_ca_topic_score_codex":0.0012688673,"about_ca_topic_score_gemma":0.0040490213,"teacher_disagreement_score":0.7611807,"about_ca_system_score_codex":0.000006248631,"about_ca_system_score_gemma":0.00001342526,"threshold_uncertainty_score":0.9992739},"labels":[],"label_agreement":null},{"id":"W2991195262","doi":"","title":"Canadian Poetry for Children: Coming of Age","year":2012,"lang":"fr","type":"article","venue":"Canadian Children's Literature / Littérature canadienne pour la jeunesse","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; History; Art; Literature","score_opus":0.007225841830907881,"score_gpt":0.20016778798870236,"score_spread":0.19294194615779447,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991195262","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39178535,0.3449514,0.000039179475,0.11582559,0.009392399,0.0030407528,0.09663785,0.00014435813,0.03818313],"genre_scores_gemma":[0.9460512,0.00060140505,0.00034502178,0.0034618874,0.009249313,0.00008954843,0.0057076723,0.00026417174,0.03422979],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99214834,0.0004650211,0.0012059475,0.0011031913,0.0003498963,0.004727617],"domain_scores_gemma":[0.9897206,0.0003488252,0.00044424203,0.0012923544,0.0010042428,0.0071897362],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0012875419,0.0013673389,0.0015266845,0.001926557,0.0017579724,0.001200669,0.001142466,0.0014014941,0.0011447065],"category_scores_gemma":[0.000472959,0.0014447091,0.0010212659,0.0011406135,0.00082568114,0.0011737786,0.00006462839,0.0018521746,0.00005665912],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003180962,0.0001701586,0.014142421,0.00040901618,0.001026948,0.00029664193,0.01603231,0.0000124101225,0.000022390412,0.9155258,0.050410412,0.0019197004],"study_design_scores_gemma":[0.0012355366,0.000110774614,0.033061128,0.001598962,0.0011838073,0.00079366984,0.0022243503,0.00002662622,0.000108476415,0.0022923343,0.9554972,0.0018671463],"about_ca_topic_score_codex":0.9159863,"about_ca_topic_score_gemma":0.9956428,"teacher_disagreement_score":0.91323346,"about_ca_system_score_codex":0.0019045604,"about_ca_system_score_gemma":0.0032297317,"threshold_uncertainty_score":0.99990773},"labels":[],"label_agreement":null},{"id":"W2992082858","doi":"","title":"Body, Love and Maternity in Sylvia Plath and Forough Farrokhzad: A Study Based on Helen Cixous's Ecriture Feminine","year":2013,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Psychoanalytic theory; Literature; Psychoanalysis; Closure (psychology); Art; Psychology; Gender studies; Sociology","score_opus":0.015689508588308764,"score_gpt":0.27786832311217297,"score_spread":0.2621788145238642,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992082858","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9723245,0.018997882,3.0124573e-7,0.00044823618,0.000093589035,0.00032076015,0.000062319894,0.000015981152,0.007736458],"genre_scores_gemma":[0.9961081,0.00028088267,0.000018110599,0.00086158735,0.00019098746,0.000034681587,0.000014477149,0.000011763153,0.0024793716],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99901366,0.00008023663,0.00022364644,0.00032261794,0.00012024852,0.00023959199],"domain_scores_gemma":[0.9995779,0.00012751557,0.000039611423,0.00016056313,0.000045872355,0.000048560265],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019156393,0.00022831373,0.00039737244,0.00015663198,0.00012001571,0.00027837898,0.000062708285,0.000063177584,0.00015710657],"category_scores_gemma":[0.000047819052,0.00015759312,0.000028129272,0.00006909814,0.00019050337,0.00021501924,0.000083645384,0.00027364146,0.000004170638],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000103702914,0.00048205108,0.03093734,0.0004830121,0.00016559688,0.00048598877,0.95664257,0.0000018553452,0.0000620583,0.0061223805,0.002285438,0.00222798],"study_design_scores_gemma":[0.006221275,0.001956084,0.13365214,0.002133043,0.00024654277,0.00003149268,0.8344907,0.0008942228,0.00007284388,0.004457202,0.014572496,0.0012719207],"about_ca_topic_score_codex":0.0003219743,"about_ca_topic_score_gemma":0.0019265182,"teacher_disagreement_score":0.12215186,"about_ca_system_score_codex":0.0000147257815,"about_ca_system_score_gemma":0.000004085424,"threshold_uncertainty_score":0.64264613},"labels":[],"label_agreement":null},{"id":"W2992241483","doi":"10.18357/bigr11201919272","title":"Hours of the Desert (poem)","year":2019,"lang":"en","type":"article","venue":"Borders in Globalization Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Desert (philosophy); Poetry; Art; Literature; Philosophy; Epistemology","score_opus":0.014978134035569385,"score_gpt":0.2693679321531868,"score_spread":0.2543897981176174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2992241483","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02166502,0.14875102,0.00013350829,0.0045946916,0.00091216987,0.001116575,0.000035316367,0.000040952873,0.82275075],"genre_scores_gemma":[0.9685951,0.022276964,0.000017774419,0.004924948,0.000038075876,0.000011306126,0.000015206152,0.000008972852,0.0041116625],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993325,0.000076696386,0.00025751023,0.00009360847,0.00015095307,0.00008872223],"domain_scores_gemma":[0.99956983,0.000013726688,0.00009653597,0.00022448316,0.00008264173,0.000012804249],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019059189,0.00006461761,0.00019333522,0.000022783,0.00003689773,0.000017732395,0.00017468508,0.000016645443,0.0026297506],"category_scores_gemma":[0.00006219971,0.00004210035,0.00009775176,0.0001570593,0.000058943002,0.00007495772,0.000024986311,0.000036238565,0.00004596249],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000018469947,0.0000628516,0.017662821,0.0011750662,0.000024449177,3.4150293e-7,0.0005203832,0.000058196114,0.0000032589405,0.9516709,0.025496716,0.0033231576],"study_design_scores_gemma":[0.00013848623,0.000010738719,0.0018300584,0.0026156476,0.000060016213,5.2419415e-7,0.0003401415,0.00007928543,0.000009472185,0.0018094949,0.99301153,0.00009459282],"about_ca_topic_score_codex":0.00009913162,"about_ca_topic_score_gemma":0.00039438406,"teacher_disagreement_score":0.9675148,"about_ca_system_score_codex":0.00001577677,"about_ca_system_score_gemma":0.000027164951,"threshold_uncertainty_score":0.99828196},"labels":[],"label_agreement":null},{"id":"W2993238549","doi":"","title":"Poetry: After Months of Clouds, the Sun; First Bird","year":2017,"lang":"en","type":"article","venue":"Intersections Canadian Journal of Music","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; History; Art","score_opus":0.0297554526369019,"score_gpt":0.22644144752037576,"score_spread":0.19668599488347385,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2993238549","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9476418,0.0005693551,0.00003437571,0.0057362285,0.0035886315,0.000065196706,0.00007314335,0.000006676707,0.04228459],"genre_scores_gemma":[0.9966721,0.000010642159,0.0000053174426,0.00030260885,0.0009797728,0.0000027917504,3.3670358e-7,0.000013585999,0.0020128237],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992588,0.000031068736,0.00032867718,0.000072053444,0.00012084161,0.00018855836],"domain_scores_gemma":[0.9988849,0.000039575625,0.00028997243,0.00034077832,0.00026167775,0.00018310662],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021750049,0.00009226941,0.00018330506,0.00023913335,0.0010527954,0.00031687037,0.00044463694,0.000032052267,0.0050112116],"category_scores_gemma":[0.00010741778,0.00006318149,0.00027002988,0.000030514124,0.0005317816,0.0002775075,0.00001688955,0.00022758354,0.0000319459],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026845987,0.00032090442,0.07704786,0.00013546683,0.0029445763,0.0011229403,0.3168554,0.00025505217,0.00012478739,0.24065885,0.34851885,0.011746832],"study_design_scores_gemma":[0.0004944333,0.0002943119,0.03986217,0.00032536854,0.00041100878,0.00018619941,0.040376354,0.000121464145,0.00007516843,0.0031741422,0.9144153,0.00026406994],"about_ca_topic_score_codex":0.10665954,"about_ca_topic_score_gemma":0.9146057,"teacher_disagreement_score":0.80794615,"about_ca_system_score_codex":0.00005905064,"about_ca_system_score_gemma":0.00017556059,"threshold_uncertainty_score":0.99589837},"labels":[],"label_agreement":null},{"id":"W2995976145","doi":"10.7202/1064951ar","title":"LITERATURE, LOCALISM, AND LOVE","year":2019,"lang":"en","type":"article","venue":"Surfaces","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Localism; Criticism; Rhetoric; Interpretation (philosophy); Sociology; Literary criticism; Aesthetics; Fish <Actinopterygii>; Psychoanalysis; Literature; Epistemology; Philosophy; Law; Political science; Art; Psychology; Linguistics","score_opus":0.01396158382322585,"score_gpt":0.21702694568795866,"score_spread":0.2030653618647328,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2995976145","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7666932,0.0031524193,0.0000012118074,0.00038135832,0.00021038347,0.000036242633,0.000019940027,0.000017865328,0.2294874],"genre_scores_gemma":[0.9345474,0.00007208708,0.000010965657,0.0003069456,0.00010205945,3.553564e-7,0.0000070783103,0.000005283987,0.064947784],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995875,0.000016686226,0.00008072523,0.00012287445,0.00008090492,0.00011131381],"domain_scores_gemma":[0.9997783,0.000029038647,0.000018746165,0.00010231761,0.000039642222,0.000032009444],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000070546026,0.000070225615,0.00011138089,0.000028967339,0.000047781472,0.0002527622,0.000052257463,0.000022346452,0.0040174597],"category_scores_gemma":[0.0000045781276,0.00005176578,0.000034175457,0.00002160882,0.00007711053,0.00018113242,0.000019777955,0.0000618144,0.0008336042],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015134584,0.000050711336,0.00340598,0.00010836219,0.00009050848,0.000012289152,0.041769426,0.00002409429,0.0004013508,0.94274515,0.009982924,0.0013940912],"study_design_scores_gemma":[0.0002148884,0.000059930026,0.00092888955,0.00006570313,0.000031351567,0.0000024495205,0.005736427,0.00051265943,0.0003229253,0.00956838,0.9823475,0.00020889787],"about_ca_topic_score_codex":0.00004687472,"about_ca_topic_score_gemma":0.00008271415,"teacher_disagreement_score":0.97236454,"about_ca_system_score_codex":0.0000029633795,"about_ca_system_score_gemma":0.0000040245086,"threshold_uncertainty_score":0.9999444},"labels":[],"label_agreement":null},{"id":"W2996150433","doi":"10.1002/9781118635193.ctwl0260","title":"Bridge Essay: Modern Poetry as a Global Phenomenon","year":2019,"lang":"en","type":"other","venue":"A Companion to World Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Poetry; Literature; China; History; Ideology; Globe; Aside; Haiku; Alienation; Aesthetics; Philosophy; Art; Law; Political science; Politics","score_opus":0.015101376467552486,"score_gpt":0.25413057291705765,"score_spread":0.23902919644950515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2996150433","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00010320747,0.00796969,0.000054746954,0.0011692188,0.001679862,0.00041845939,0.001338886,0.00032469345,0.9869412],"genre_scores_gemma":[0.09789259,0.000027689139,0.000047408885,0.0045026923,0.0034605244,0.000025078707,0.00057062495,0.00025646217,0.8932169],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978923,0.00009630847,0.00034676172,0.0007153703,0.000444163,0.0005050466],"domain_scores_gemma":[0.99866956,0.000024519235,0.00017738571,0.0007886644,0.000110990746,0.00022886619],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009499239,0.00058446603,0.0007781106,0.00046340842,0.00015880362,0.001093737,0.00052037387,0.00020220745,0.014740044],"category_scores_gemma":[0.000009581925,0.00050838944,0.00032490026,0.00032419313,0.000074582145,0.00013855723,0.00014980289,0.00049399433,0.0043412996],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016916683,0.000084083505,0.000019009187,0.00010877253,0.000156729,0.000026344313,0.0042309323,0.0000026754174,0.0000019486763,0.36277893,0.63150626,0.001067409],"study_design_scores_gemma":[0.00030429367,0.000051030467,0.00006455318,0.0010822845,0.00011594795,0.000008229763,0.00013332744,0.000054927354,6.6071397e-7,0.0044538607,0.9931135,0.0006173678],"about_ca_topic_score_codex":0.00047616486,"about_ca_topic_score_gemma":0.002163554,"teacher_disagreement_score":0.36160725,"about_ca_system_score_codex":0.00012819967,"about_ca_system_score_gemma":0.000076989054,"threshold_uncertainty_score":0.9999432},"labels":[],"label_agreement":null},{"id":"W2998211640","doi":"","title":"Stay Gold: Ottawa University Literary Journal: Ottawa University Archives Guide: OTTAWA UNIVERSITY ARCHIVES HOME","year":2019,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Library science; Media studies; History; Political science; Sociology; Computer science","score_opus":0.008682744758712287,"score_gpt":0.18248924751032838,"score_spread":0.1738065027516161,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2998211640","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20100781,0.00019197016,0.00068205054,0.0011654741,0.000510651,0.0001971915,0.00029063039,0.00021643173,0.7957378],"genre_scores_gemma":[0.47098064,0.0002464714,0.0005026304,0.00019708913,0.00026530153,4.2066493e-8,0.00004982442,0.000023592822,0.5277344],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99718076,0.00058600033,0.00041398976,0.00066407456,0.00041446742,0.00074071356],"domain_scores_gemma":[0.99797606,0.00045503446,0.00029670552,0.00065672706,0.00014395638,0.00047149954],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032705782,0.0004446273,0.0006363553,0.0008747079,0.0011478888,0.0003202352,0.0012078935,0.00011222416,0.014583652],"category_scores_gemma":[0.000018373123,0.00044144393,0.00068510196,0.00022473301,0.00076669257,0.0015021747,0.00037423492,0.00067185983,0.00051305984],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022882933,0.00045668773,0.009695338,0.00010956345,0.00081733224,0.0009913129,0.019285712,0.000054059466,0.000365648,0.8898359,0.07267771,0.005481918],"study_design_scores_gemma":[0.0013553617,0.00018936694,0.0054414733,0.000078530014,0.00025072953,0.00002880185,0.029579315,0.00040547235,0.000034943023,0.003693173,0.9582986,0.0006441827],"about_ca_topic_score_codex":0.00070576876,"about_ca_topic_score_gemma":0.001759474,"teacher_disagreement_score":0.88614273,"about_ca_system_score_codex":0.00014241129,"about_ca_system_score_gemma":0.00020450108,"threshold_uncertainty_score":0.9998037},"labels":[],"label_agreement":null},{"id":"W3000019751","doi":"10.1057/9781137015068_6","title":"Postscript","year":2012,"lang":"ceb","type":"book-chapter","venue":"Palgrave Macmillan US eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"White (mutation); Art; Art history; Quarter (Canadian coin); Visual arts; History; Archaeology","score_opus":0.03267742448670624,"score_gpt":0.23605341029650034,"score_spread":0.2033759858097941,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3000019751","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012867728,0.012337137,0.000014199498,0.00012091334,0.0019847704,0.00053577777,0.000996954,0.00018039567,0.98254305],"genre_scores_gemma":[0.78525317,0.0007445874,0.000022758126,0.0012598069,0.004643359,0.000014769085,0.00027064787,0.00023152988,0.20755936],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99505067,0.00012353751,0.001338509,0.0010443877,0.00091695046,0.001525959],"domain_scores_gemma":[0.99668974,0.00014625792,0.0006084095,0.0014170293,0.00040998697,0.0007285834],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00047618142,0.0014986277,0.0016407302,0.00054381177,0.0011926283,0.00062477746,0.0008137431,0.0007237519,0.042304613],"category_scores_gemma":[0.000024202456,0.0013779502,0.0014672123,0.000014717177,0.0011914816,0.000011309431,0.00036731389,0.0010904957,0.0055039013],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005042407,0.000008174238,0.00009187016,0.0002059446,0.0010214286,0.00014486306,0.005316776,1.754598e-7,0.00013715148,0.9712222,0.0002908204,0.021510169],"study_design_scores_gemma":[0.0005509498,0.00021914292,0.00029153487,0.0004090043,0.0019518207,0.00007433647,0.0008928439,0.000019900866,0.00017080439,0.27636218,0.71713614,0.0019213083],"about_ca_topic_score_codex":0.00062535796,"about_ca_topic_score_gemma":0.0006697423,"teacher_disagreement_score":0.7839664,"about_ca_system_score_codex":0.00013202195,"about_ca_system_score_gemma":0.00008755758,"threshold_uncertainty_score":0.9997763},"labels":[],"label_agreement":null},{"id":"W3000417420","doi":"10.3828/liverpool/9781786941367.003.0004","title":"Barthes in Journals","year":2018,"lang":"en","type":"book-chapter","venue":"Liverpool University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Narrative; Literature; Art; Media studies; History; Sociology; Art history","score_opus":0.05872694762138746,"score_gpt":0.20749451749681236,"score_spread":0.1487675698754249,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3000417420","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00035200594,0.00028995686,0.000007088775,0.000022824554,0.00020527723,0.00012893572,0.00015105667,0.00005118112,0.9987917],"genre_scores_gemma":[0.01290137,0.00019126643,0.000011103268,0.00009357471,0.000629969,2.7611193e-7,0.000012182925,0.000027013752,0.9861332],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988722,0.000043939206,0.00023166432,0.00033518867,0.00025729847,0.0002596887],"domain_scores_gemma":[0.9991674,0.00005971397,0.00017978056,0.00032219454,0.0001617843,0.000109142806],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012914518,0.000288144,0.00043454402,0.00033395365,0.0002915599,0.00016092272,0.00043847944,0.00020511636,0.009322079],"category_scores_gemma":[0.0000051765487,0.00030397114,0.00028185683,0.000003080883,0.0004962843,0.00016729847,0.00018060385,0.00041924516,0.00016770873],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003958707,0.000014849257,0.0000016975464,0.000028074064,0.00017818894,0.00028485985,0.00638549,7.905171e-7,0.0000025469078,0.9834364,0.008717154,0.0009103685],"study_design_scores_gemma":[0.00026836494,0.00005216819,0.0000057753873,0.00031418534,0.00023859888,0.0000033556637,0.00078567344,0.000019435787,0.000014780702,0.0075963605,0.9903467,0.00035458716],"about_ca_topic_score_codex":0.0003880583,"about_ca_topic_score_gemma":0.0010614032,"teacher_disagreement_score":0.98162955,"about_ca_system_score_codex":0.00008214717,"about_ca_system_score_gemma":0.000042827578,"threshold_uncertainty_score":0.99994123},"labels":[],"label_agreement":null},{"id":"W3003265873","doi":"10.22455/2541-7894-2019-7-202-224","title":"Ezra Pound’s Global Poetics","year":2019,"lang":"en","type":"article","venue":"Literature of the Americas","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Poetics; Literature; Poetry; Pound (networking); Cosmopolitanism; Art; Romance; World literature; History; Politics; Law","score_opus":0.009040114090170895,"score_gpt":0.2334064423243663,"score_spread":0.22436632823419542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3003265873","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4603709,0.0018195678,0.0000123822765,0.0029320216,0.0012882971,0.00013146609,0.00017593984,0.00003567257,0.53323376],"genre_scores_gemma":[0.97109115,0.00001204793,0.000053417105,0.0013501645,0.00025324797,0.0000013342623,0.000007850989,0.0000062424037,0.02722455],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993374,0.000045234578,0.00016042359,0.0001284519,0.00017973945,0.00014875499],"domain_scores_gemma":[0.99935424,0.000024582403,0.000096691765,0.00040253167,0.0000924956,0.000029429426],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00005440816,0.000103479746,0.00019151573,0.000019195842,0.00008682051,0.00015063523,0.00030086774,0.000030665386,0.0011442391],"category_scores_gemma":[0.0000177586,0.000060993916,0.00020425014,0.00011992262,0.0001819016,0.000106462336,0.00006787518,0.000117907395,0.00011747577],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021587397,0.000092284106,0.0020984148,0.000048966296,0.00010486386,0.0000038817325,0.008988632,0.000011774502,0.0004252007,0.9738333,0.013192891,0.0011781951],"study_design_scores_gemma":[0.00020889901,0.00009764226,0.0020144747,0.00013999034,0.00009814695,0.00001273568,0.0018292827,0.000080934784,0.00019932042,0.014200088,0.98092234,0.00019612434],"about_ca_topic_score_codex":0.000048983686,"about_ca_topic_score_gemma":0.000014502116,"teacher_disagreement_score":0.96772945,"about_ca_system_score_codex":0.0000145605745,"about_ca_system_score_gemma":0.000012815442,"threshold_uncertainty_score":0.99976885},"labels":[],"label_agreement":null},{"id":"W3003387374","doi":"10.22455/2541-7894-2019-7-498-504","title":"Poundians on the Trail of El Cid","year":2019,"lang":"en","type":"article","venue":"Literature of the Americas","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Excursion; Pound (networking); Impromptu; History; Successor cardinal; EPIC; Poetry; Art; Art history; Law; Literature; Political science","score_opus":0.01196505293231755,"score_gpt":0.22511538885145801,"score_spread":0.21315033591914045,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3003387374","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6947277,0.0005507629,0.0000021381773,0.0050698295,0.00040671256,0.00012400975,0.00009307794,0.000010134131,0.2990156],"genre_scores_gemma":[0.9772511,0.000011570136,0.000006924781,0.0017409268,0.00015717532,0.0000024790509,0.0000034524242,0.0000071648014,0.020819174],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99939144,0.000075482436,0.0001582459,0.0000964168,0.00017172884,0.000106718406],"domain_scores_gemma":[0.999244,0.00011870284,0.00012352718,0.00043563123,0.00006274387,0.00001539384],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010716386,0.00008682191,0.00018578589,0.000031731764,0.00008481256,0.00005803774,0.0003171527,0.0000225165,0.0013831445],"category_scores_gemma":[0.000027746717,0.00003887774,0.00022231053,0.000092611765,0.0002258926,0.000056218043,0.000026969943,0.00015265611,0.00004059686],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030098108,0.0001081542,0.00021145216,0.000041305702,0.00011194214,0.0000012410105,0.038717434,0.000010904762,0.0027529527,0.9487928,0.008364736,0.0008569773],"study_design_scores_gemma":[0.00035028125,0.0004260232,0.0029442231,0.0005342811,0.00017803392,0.0000069671355,0.009963422,0.000088980676,0.0057088616,0.020687377,0.9588256,0.00028595317],"about_ca_topic_score_codex":0.000042747473,"about_ca_topic_score_gemma":0.000010890017,"teacher_disagreement_score":0.95046085,"about_ca_system_score_codex":0.0000046034597,"about_ca_system_score_gemma":0.000009269939,"threshold_uncertainty_score":0.9995297},"labels":[],"label_agreement":null},{"id":"W3005105100","doi":"","title":"December 15th: Poetry as an Integrative Outlet","year":2019,"lang":"en","type":"article","venue":"Journal of integrative research & reflection","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Art; History; Aesthetics; Literature","score_opus":0.08022413240288967,"score_gpt":0.4217320847246858,"score_spread":0.34150795232179615,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3005105100","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5979502,0.00020665249,0.00022032238,0.00079356245,0.0007151833,0.00017216959,0.0000086955715,0.000016968865,0.39991623],"genre_scores_gemma":[0.95305115,0.00026863735,0.000113597605,0.00014174715,0.0012609849,0.000007630051,0.000007925345,0.000024082683,0.045124233],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965738,0.0010146012,0.0006141402,0.00026711661,0.0011035294,0.00042679117],"domain_scores_gemma":[0.99529934,0.0003990928,0.000295795,0.000247355,0.0035330632,0.00022534748],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002303008,0.00023388198,0.0004937794,0.0009068795,0.00044727232,0.00049279473,0.0003675364,0.000106451145,0.008284572],"category_scores_gemma":[0.00071447226,0.00013491821,0.00033925255,0.00033946565,0.00039638308,0.0014363028,0.000047641177,0.0017621516,0.00057313405],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0020667766,0.0016238189,0.0011306535,0.00006983553,0.0012794839,0.00016218556,0.1685452,0.000033378954,0.04235847,0.67243713,0.06560342,0.044689663],"study_design_scores_gemma":[0.0012694726,0.010421132,0.00043375904,0.00079266715,0.0001175766,0.00022274946,0.36996636,0.0006479746,0.026458865,0.061280385,0.52786946,0.00051956973],"about_ca_topic_score_codex":0.0006468902,"about_ca_topic_score_gemma":0.0034855285,"teacher_disagreement_score":0.6111567,"about_ca_system_score_codex":0.00039672703,"about_ca_system_score_gemma":0.0002969883,"threshold_uncertainty_score":0.992622},"labels":[],"label_agreement":null},{"id":"W3006443214","doi":"10.7202/1066940ar","title":"Friendship, Secrecy, Transatlantic Networks and the Enlightenment","year":2020,"lang":"en","type":"article","venue":"Mémoires du livre","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Enlightenment; Friendship; Secrecy; History; Literature; Humanities; Sociology; Art; Law; Political science; Philosophy; Theology; Social science","score_opus":0.01735126414732212,"score_gpt":0.19401502104243804,"score_spread":0.1766637568951159,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3006443214","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36098096,0.013202316,0.00408597,0.1814151,0.001000155,0.00078061596,0.000070538634,0.0003736277,0.4380907],"genre_scores_gemma":[0.9937129,0.0003472585,0.000008216498,0.003884215,0.0013917995,0.000014735359,0.000009279431,0.00001244525,0.0006191544],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991747,0.00008954821,0.00019013823,0.00019247508,0.00015417149,0.00019894034],"domain_scores_gemma":[0.9995924,0.00011599021,0.00003643665,0.0001288382,0.000028474265,0.00009783898],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016251538,0.0001325242,0.00021820886,0.000016170245,0.00041838488,0.00025885022,0.00015861122,0.000031235857,0.001499057],"category_scores_gemma":[0.000019115965,0.00007761995,0.00011634732,0.0000348402,0.0003429867,0.00009456375,0.000035475234,0.0001465478,0.000032031057],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000081316495,0.000042425705,0.00013053216,0.00002550192,0.00010803498,0.000023346784,0.027073385,0.00005730699,0.0000054060283,0.9639935,0.0064389315,0.002020293],"study_design_scores_gemma":[0.0015715496,0.00014089645,0.00023839345,0.000037356316,0.0003229152,0.000009816214,0.010831004,0.030304784,0.00003614948,0.0048250756,0.9513609,0.00032118274],"about_ca_topic_score_codex":0.00010670315,"about_ca_topic_score_gemma":0.00012632321,"teacher_disagreement_score":0.95916843,"about_ca_system_score_codex":0.0000067342994,"about_ca_system_score_gemma":0.00000769547,"threshold_uncertainty_score":0.9994137},"labels":[],"label_agreement":null},{"id":"W3008359826","doi":"10.1080/24692921.2020.1718977","title":"Following Bradshaw and Bishop into<i>Jacob’s Room</i>: British and Canadian editing strategies (tunnelling the textual hotspots, minding the gaps)","year":2020,"lang":"en","type":"article","venue":"Feminist Modernist Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Scholarship; Art history; History; Literature; Art; Classics; Law; Political science","score_opus":0.0519369144127157,"score_gpt":0.2674300519782672,"score_spread":0.2154931375655515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3008359826","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83929056,0.04924667,0.00012433526,0.034524124,0.0009289139,0.0005347623,0.00031191192,0.00017967731,0.07485903],"genre_scores_gemma":[0.99440783,0.00065561646,0.000028055427,0.0027175923,0.0014324762,0.000032185457,0.000011290139,0.000030832445,0.000684124],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99830383,0.00008433433,0.00038192602,0.00044596783,0.00028067463,0.0005032956],"domain_scores_gemma":[0.99908364,0.0003629044,0.000111020316,0.00017092557,0.000081987,0.00018954789],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00041683405,0.0002892463,0.00043959476,0.000050030834,0.005212528,0.0022019714,0.00028206396,0.00005286579,0.00006196662],"category_scores_gemma":[0.00018455015,0.00020789994,0.000137859,0.00007825796,0.0008762148,0.00030186182,0.00019289093,0.00034045562,0.0000075431003],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000024015859,0.000040890096,0.0052962997,0.00039448217,0.0017857746,0.00036183177,0.8249149,0.000095372285,0.00007698228,0.1305906,0.025984235,0.010434618],"study_design_scores_gemma":[0.00034590345,0.00008824168,0.0008916238,0.00026265404,0.0005027353,0.000037822858,0.82941467,0.0037258042,0.000019637242,0.0048844726,0.15928136,0.00054508116],"about_ca_topic_score_codex":0.020999383,"about_ca_topic_score_gemma":0.23613304,"teacher_disagreement_score":0.21513367,"about_ca_system_score_codex":0.00003713171,"about_ca_system_score_gemma":0.000079319216,"threshold_uncertainty_score":0.99883384},"labels":[],"label_agreement":null},{"id":"W3012991831","doi":"10.3390/rel11040152","title":"Gertrude Stein and the Metaphysical Avant-Garde","year":2020,"lang":"en","type":"article","venue":"Religions","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Counterculture; Spiritualism; Metaphysics; Immediacy; Art; Politics; Art history; Vitalism; Aesthetics; Literature; Philosophy; Theology","score_opus":0.028133203922120643,"score_gpt":0.22129890790608528,"score_spread":0.19316570398396463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3012991831","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16492741,0.0055287792,0.00049731525,0.20904735,0.0003861283,0.00038830325,0.000090374946,0.00026972507,0.6188646],"genre_scores_gemma":[0.9920633,0.00023470093,0.000013486896,0.003547036,0.00047678925,0.000008638827,0.0000037723346,0.000007059965,0.0036452147],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994791,0.00005248284,0.000121125806,0.00012473013,0.0001043188,0.00011823352],"domain_scores_gemma":[0.9996573,0.00010473024,0.000023688419,0.0001143776,0.000026908134,0.00007300181],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00006835295,0.00007517194,0.00016737993,0.00001403003,0.00030536167,0.00012960253,0.00009487671,0.000014856039,0.00041828732],"category_scores_gemma":[0.00004279421,0.00004293726,0.00012527771,0.000010536159,0.00031362462,0.000054106116,0.00004154775,0.00010843842,0.00021041239],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015713777,0.000016050588,0.0000041220746,0.0000061245782,0.00008015319,0.0000038071853,0.023261484,0.0000028179406,0.000065401626,0.93524295,0.04097101,0.00033038174],"study_design_scores_gemma":[0.0005006713,0.000034178385,0.000035490135,0.000008285551,0.00023941271,0.0000018607946,0.002429966,0.0014979977,0.00007529742,0.02214948,0.97290814,0.00011919706],"about_ca_topic_score_codex":0.000092419825,"about_ca_topic_score_gemma":0.00014329008,"teacher_disagreement_score":0.93193716,"about_ca_system_score_codex":0.000002493168,"about_ca_system_score_gemma":0.0000076148985,"threshold_uncertainty_score":0.4579953},"labels":[],"label_agreement":null},{"id":"W3022189038","doi":"10.4000/ejas.15631","title":"“Whimsies and Crochets”: Pragmatism, Poetry, and Literary Criticism’s Founding Gesture ","year":2020,"lang":"en","type":"article","venue":"European Journal of American Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"ECW Press (Canada)","funders":"","keywords":"Pragmatism; Ethos; Poetry; Literary criticism; Criticism; Transformative learning; Literature; Sociology; Close reading; Citizen journalism; Philosophy; Literary theory; Aesthetics; Epistemology; Art; Law; Political science; Linguistics; Pedagogy","score_opus":0.053733704741357434,"score_gpt":0.2749730442907911,"score_spread":0.22123933954943367,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3022189038","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8658465,0.063642316,0.00024069654,0.022349648,0.000481874,0.000086407556,0.000026256495,0.00005519093,0.04727107],"genre_scores_gemma":[0.99205595,0.0020706404,0.0004740955,0.0035100253,0.0013777774,4.534474e-7,5.34842e-7,0.000023590985,0.00048694282],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987443,0.00026613032,0.00045100437,0.00016417455,0.00019630067,0.0001780558],"domain_scores_gemma":[0.9990513,0.00017859673,0.00031319234,0.00007172923,0.0002267117,0.00015848268],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003572901,0.00018251648,0.00051570433,0.00009391326,0.00035140192,0.00027662682,0.00012399594,0.000005881086,0.00005257116],"category_scores_gemma":[0.00027731128,0.00013467134,0.00009139955,0.00006774507,0.0010460581,0.00032192506,0.00013774376,0.00023991326,0.000007496561],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002566208,0.00016243354,0.004487406,0.00071961683,0.003224518,0.0024700377,0.73066634,0.0000053039194,0.0008935691,0.097379684,0.07491197,0.08482248],"study_design_scores_gemma":[0.0010710954,0.002496731,0.0116297845,0.00057066197,0.00073115557,0.00037068737,0.31823084,0.000042909778,0.00005909582,0.0025921052,0.6615498,0.00065511634],"about_ca_topic_score_codex":0.000003885988,"about_ca_topic_score_gemma":0.000005854954,"teacher_disagreement_score":0.58663785,"about_ca_system_score_codex":0.000009420198,"about_ca_system_score_gemma":0.000010079172,"threshold_uncertainty_score":0.54917383},"labels":[],"label_agreement":null},{"id":"W3023269613","doi":"10.35824/sjrs.v3i1.20424","title":"A micro-centric network. Post-communist Romanian mainstream and indie publishers of U.S. and Canadian contemporary poetry in translation","year":2020,"lang":"en","type":"article","venue":"Swedish Journal of Romanian Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"York University","keywords":"Poetics; Poetry; Mainstream; Vernacular; Agency (philosophy); Romanian; Sociology; Media studies; Hogan; Literature; Aesthetics; History; Political science; Art; Social science; Law; Linguistics; Anthropology; Philosophy","score_opus":0.057496562237892485,"score_gpt":0.2496910859934942,"score_spread":0.19219452375560173,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3023269613","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9356959,0.043352652,0.0000013273223,0.008965407,0.00017741455,0.00012492973,0.00006684496,0.000007709648,0.011607811],"genre_scores_gemma":[0.9977981,0.0009302492,0.000081766404,0.0008039603,0.00032498266,0.0000011782977,0.00000935839,0.000013913756,0.00003648054],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99865466,0.00010877708,0.00064733863,0.00014310448,0.0001835898,0.00026252613],"domain_scores_gemma":[0.99903715,0.000095322226,0.0003073423,0.00008215606,0.0002400201,0.00023803551],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000377901,0.00017803293,0.00058195414,0.00029716975,0.00027624413,0.00020557974,0.00016608897,0.00004642745,0.000047847105],"category_scores_gemma":[0.00008252651,0.0001535791,0.00010084011,0.00015309617,0.00036717413,0.00070338894,0.000045290235,0.00028913285,7.0967866e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008334661,0.0005291538,0.27107245,0.0014492355,0.0050165905,0.002097249,0.57797456,0.000050584677,0.000406751,0.028314177,0.072507516,0.03974828],"study_design_scores_gemma":[0.007583232,0.0025042875,0.1669858,0.00160245,0.0009774198,0.00027262367,0.6157056,0.00027251636,0.000056787907,0.0035753706,0.19923428,0.0012296349],"about_ca_topic_score_codex":0.0046263183,"about_ca_topic_score_gemma":0.092112325,"teacher_disagreement_score":0.12672676,"about_ca_system_score_codex":0.000043874392,"about_ca_system_score_gemma":0.00012772655,"threshold_uncertainty_score":0.9244543},"labels":[],"label_agreement":null},{"id":"W3026826570","doi":"","title":"Stay Gold: Ottawa University Literary Journal: Ottawa University Archives Guide: HISTORY/ARCHIVES-SPECIFIC BOOKS","year":2019,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Library science; History; Media studies; Sociology; Computer science","score_opus":0.016730930523348304,"score_gpt":0.18071317023472064,"score_spread":0.16398223971137232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3026826570","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0308775,0.00095694966,0.000426031,0.00046625978,0.0006944023,0.00011940407,0.000057403402,0.00012389169,0.96627814],"genre_scores_gemma":[0.23515029,0.00028675064,0.000362602,0.00027951965,0.0003468453,9.2367735e-8,0.000023204855,0.000020067591,0.7635306],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982615,0.00028518017,0.0003266855,0.00041203114,0.00027153356,0.00044305116],"domain_scores_gemma":[0.998803,0.00021747535,0.00017605402,0.0004674051,0.00007301251,0.00026300538],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019709156,0.00026733187,0.00038375097,0.00048481836,0.00046871707,0.00016985786,0.00065776054,0.000053741365,0.03346444],"category_scores_gemma":[0.0000063060115,0.00025179528,0.0004444777,0.000048237023,0.0004891198,0.00070943765,0.00014683492,0.0004395794,0.00053324475],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006833703,0.00013338383,0.0006773032,0.000027047032,0.00018719424,0.00022699515,0.015376195,0.0000054542165,0.0002845871,0.7135937,0.264511,0.0049088253],"study_design_scores_gemma":[0.00065113715,0.00010738978,0.00078201096,0.000039713825,0.00007537669,0.000015644231,0.009051548,0.00015056913,0.000019374795,0.0025163353,0.98623294,0.00035793532],"about_ca_topic_score_codex":0.0001910495,"about_ca_topic_score_gemma":0.00034303145,"teacher_disagreement_score":0.721722,"about_ca_system_score_codex":0.0001982975,"about_ca_system_score_gemma":0.00013004577,"threshold_uncertainty_score":0.99999344},"labels":[],"label_agreement":null},{"id":"W3028316074","doi":"","title":"Stay Gold: Ottawa University Literary Journal: Ottawa University Archives Guide: OTTAWA UNIVERSITY HISTORY BOOKS & LINKS","year":2019,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Library science; History; Media studies; Political science; Sociology; Computer science","score_opus":0.01300570860475167,"score_gpt":0.17980564604744328,"score_spread":0.16679993744269161,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3028316074","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06782521,0.00049413554,0.00033245477,0.0008629978,0.00085967296,0.00017484947,0.00012518223,0.00022114253,0.9291043],"genre_scores_gemma":[0.2821141,0.00016583908,0.00029988712,0.0004776058,0.00030008674,3.6309903e-8,0.00003474277,0.000023906594,0.7165838],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975248,0.0004722797,0.00038865153,0.000593995,0.00040608365,0.0006141866],"domain_scores_gemma":[0.99814856,0.0002466604,0.0003075426,0.00062332844,0.00025364515,0.00042028044],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00042174224,0.00039257054,0.00055717974,0.0006922169,0.0008001465,0.00015124553,0.0010101096,0.00021425306,0.025911883],"category_scores_gemma":[0.000017705503,0.00040981808,0.0006199386,0.00010847142,0.00062664115,0.001312679,0.00027223155,0.0010148606,0.00057228265],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011192805,0.00025630204,0.0024780612,0.00006557892,0.0004627032,0.00073635526,0.012912907,0.000018917837,0.00016610326,0.5976233,0.3827171,0.0024507397],"study_design_scores_gemma":[0.0010859421,0.00015388512,0.0010908216,0.000058137342,0.0002643203,0.00001923011,0.016520781,0.00025219403,0.000017402415,0.00080193207,0.9791821,0.0005532026],"about_ca_topic_score_codex":0.0014088877,"about_ca_topic_score_gemma":0.0026659174,"teacher_disagreement_score":0.59682137,"about_ca_system_score_codex":0.00070593593,"about_ca_system_score_gemma":0.00034369007,"threshold_uncertainty_score":0.9998354},"labels":[],"label_agreement":null},{"id":"W3030144896","doi":"","title":"Stay Gold: Ottawa University Literary Journal: University Archives Resource Guide: Ebooks about Archives and the Archival Process in Ebschost","year":2012,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Library science; Resource (disambiguation); Archival science; Process (computing); History; Media studies; Political science; Computer science; Sociology","score_opus":0.010929965744216997,"score_gpt":0.2064943076501906,"score_spread":0.1955643419059736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3030144896","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25918627,0.00038367946,0.000121136836,0.00080022844,0.000055430428,0.000112259746,0.000026319096,0.000033522705,0.7392812],"genre_scores_gemma":[0.8581747,0.000101310296,0.00010524763,0.00027125957,0.00029252848,3.0711695e-7,0.000005592007,0.000010646552,0.14103843],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985013,0.0004929879,0.0002351188,0.00019422393,0.00016945324,0.00040694163],"domain_scores_gemma":[0.9989831,0.0004930666,0.000106362444,0.0002009714,0.000022710683,0.00019378746],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004110408,0.0001777877,0.00026785352,0.0002956223,0.00068732974,0.00021027213,0.0003918721,0.000023548264,0.00027979753],"category_scores_gemma":[0.000026125079,0.00012287124,0.00014896717,0.00004295992,0.0012605744,0.00042813056,0.00015061839,0.00042021854,0.0000070111046],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00035089673,0.00010442336,0.002970452,0.00004197174,0.00012081032,0.000048864076,0.17189364,0.0000048397233,0.000017712695,0.81127495,0.0017952365,0.011376193],"study_design_scores_gemma":[0.0015546468,0.00003762617,0.008105905,0.00008857093,0.00010994078,0.000030468125,0.06477612,0.00024733238,0.000020186984,0.014323963,0.9104457,0.00025956723],"about_ca_topic_score_codex":0.00014962148,"about_ca_topic_score_gemma":0.00036368152,"teacher_disagreement_score":0.90865046,"about_ca_system_score_codex":0.000015216762,"about_ca_system_score_gemma":0.000044313558,"threshold_uncertainty_score":0.5286454},"labels":[],"label_agreement":null},{"id":"W3031188309","doi":"10.1215/00029831-8267912","title":"The Spiritual Imagination of the BeatsWomen Writers of the Beat Era: Autobiography and IntertextualityWorld Beats: Beat Generation Writing and the Worlding of U.S. LiteratureKerouac: Language, Poetics, and Territory","year":2020,"lang":"en","type":"article","venue":"American Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Beat (acoustics); Poetics; Biography; Literature; History; Art; Aesthetics; Poetry","score_opus":0.00679342115175562,"score_gpt":0.21100827737959785,"score_spread":0.20421485622784222,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3031188309","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9506192,0.025151478,0.000018429986,0.02222529,0.00018712124,0.00035487494,0.0002776997,0.000016080143,0.0011497913],"genre_scores_gemma":[0.99702865,0.00032963319,0.000056884506,0.0019882557,0.00034116092,0.000010759829,0.000020407953,0.000013166315,0.00021109787],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99858177,0.00033364064,0.0004352253,0.00023806974,0.00024298199,0.00016833938],"domain_scores_gemma":[0.9988306,0.00031454442,0.00035299468,0.00028532255,0.00017088742,0.000045663317],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00036385894,0.00019108188,0.0003459066,0.000073157025,0.00047634298,0.00042109683,0.00026048004,0.00003582023,0.0000086655],"category_scores_gemma":[0.00010405387,0.000088831584,0.00016486734,0.0003019487,0.0028150405,0.00022936423,0.00016653546,0.00034685517,5.0731334e-8],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002613392,0.00011308055,0.014706972,0.0005467564,0.0007529321,0.0000035257997,0.6270916,0.000009658333,0.021949708,0.28369334,0.005828099,0.045042995],"study_design_scores_gemma":[0.010939329,0.0018503421,0.11138287,0.006832974,0.004236289,0.00012490441,0.59747386,0.01591018,0.030493379,0.010869362,0.20691344,0.0029730373],"about_ca_topic_score_codex":0.0001429388,"about_ca_topic_score_gemma":0.00016634639,"teacher_disagreement_score":0.272824,"about_ca_system_score_codex":0.000009055137,"about_ca_system_score_gemma":0.00001414626,"threshold_uncertainty_score":0.99989873},"labels":[],"label_agreement":null},{"id":"W3033880992","doi":"","title":"엘리자베스 비숍 시에 나타난 물의 이미지와 상상력","year":2018,"lang":"ko","type":"article","venue":"영어영문학연구","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Nova scotia; Literature; Art; History; Art history; Ethnology","score_opus":0.028998294543145932,"score_gpt":0.2565152138973186,"score_spread":0.22751691935417265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3033880992","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23919964,0.003230689,0.00018060008,0.004551434,0.003983259,0.00025085363,0.00028848354,0.00019807409,0.74811697],"genre_scores_gemma":[0.8391382,0.00017548066,0.000044219527,0.0020611593,0.0076158196,0.000010772031,0.000035515255,0.000047012258,0.15087183],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99744034,0.00013367229,0.0005892669,0.0005794714,0.00046040583,0.0007968734],"domain_scores_gemma":[0.998391,0.00010670392,0.0001627876,0.00074275874,0.00034495708,0.00025181094],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00039782273,0.00040904782,0.00055044144,0.0001733605,0.0012949711,0.0007596042,0.00048897567,0.00019054691,0.06211904],"category_scores_gemma":[0.00007068878,0.0003654434,0.0004191439,0.00013796624,0.0009904765,0.0003619413,0.00016258944,0.0003451625,0.012000375],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007104432,0.00058828515,0.0008296369,0.00015125933,0.0005984606,0.000101286336,0.021683333,0.0000024728947,0.00043340746,0.7384036,0.22177626,0.015360916],"study_design_scores_gemma":[0.00044462638,0.00036285014,0.00087974773,0.00013241987,0.00039934786,0.000008752494,0.0038051822,0.0005460151,0.00067017914,0.006479337,0.9857109,0.0005606],"about_ca_topic_score_codex":0.0006723626,"about_ca_topic_score_gemma":0.0013006178,"teacher_disagreement_score":0.7639347,"about_ca_system_score_codex":0.00005947422,"about_ca_system_score_gemma":0.0000842285,"threshold_uncertainty_score":0.9998798},"labels":[],"label_agreement":null},{"id":"W3037609972","doi":"10.1353/mos.2020.0025","title":"Poetic Connections: Sympathy and Community in Whitman's \"Song of Myself\"","year":2020,"lang":"en","type":"article","venue":"Mosaic","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sympathy; Poetry; Reflexive pronoun; Humanism; Function (biology); Literature; Philosophy; Aesthetics; Sociology; Psychology; Art; Social psychology; Theology","score_opus":0.049603196470207986,"score_gpt":0.23595000163533342,"score_spread":0.18634680516512542,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3037609972","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98160094,0.0003957035,0.000013660699,0.0010306382,0.00004719384,0.000054630003,0.000022844506,0.000023172934,0.01681119],"genre_scores_gemma":[0.99911004,0.00002972062,0.000008540842,0.0005190256,0.000057203506,0.0000053806675,0.000011161767,0.000005613727,0.00025332224],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99943,0.00014962602,0.00017581356,0.00008007641,0.000064756445,0.00009973219],"domain_scores_gemma":[0.99967784,0.000098094664,0.000036042013,0.00011179917,0.00003178332,0.000044432105],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016044943,0.00006803499,0.00017814737,0.00004823922,0.00019679639,0.000037552054,0.00008435865,0.000022665521,0.00049479434],"category_scores_gemma":[0.0000713276,0.00006259504,0.000038878294,0.000056533037,0.0001473488,0.00009053837,0.000040735835,0.00021027966,0.00001316816],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004992898,0.00052386697,0.0052274736,0.00034598494,0.00012082973,0.000019240442,0.5737647,0.0000839271,0.00070061604,0.41323304,0.0036283683,0.0023020466],"study_design_scores_gemma":[0.0034107536,0.002158879,0.0155710755,0.00039197353,0.0004812222,0.000013728734,0.72187173,0.013561841,0.0016848203,0.03804149,0.20163299,0.001179477],"about_ca_topic_score_codex":0.00058058545,"about_ca_topic_score_gemma":0.0011234954,"teacher_disagreement_score":0.37519157,"about_ca_system_score_codex":0.000007292486,"about_ca_system_score_gemma":0.0000074363807,"threshold_uncertainty_score":0.5417651},"labels":[],"label_agreement":null},{"id":"W3038923683","doi":"10.3138/cras-2019-012","title":"Lacan with Frost","year":2020,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Frost (temperature); Psychoanalytic theory; Poetry; Philosophy; Psychoanalysis; Literature; Art; Psychology; Linguistics; Physics; Meteorology","score_opus":0.05184546704798385,"score_gpt":0.2741393828720775,"score_spread":0.22229391582409366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3038923683","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01711155,0.5958903,0.000007565858,0.10467241,0.00014667482,0.00048385712,0.0005165145,0.000063736356,0.2811074],"genre_scores_gemma":[0.8927934,0.05663059,0.00006499648,0.049410034,0.00028882115,0.000020853477,0.00001306116,0.000016078124,0.0007621514],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993083,0.00003245637,0.000210516,0.00014671053,0.00011427606,0.00018777247],"domain_scores_gemma":[0.99930394,0.000029904742,0.00011332022,0.00012716162,0.00019685182,0.00022884147],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00006404563,0.00011489629,0.0005693308,0.000040424373,0.00013871343,0.000014792527,0.00012172311,0.000004392371,0.00079951005],"category_scores_gemma":[0.00009500649,0.00007923771,0.00008637226,0.00013510718,0.0008280662,0.00004811806,0.000014540319,0.000062144005,0.000045984078],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021253847,0.000039987128,0.0023550033,0.012826003,0.0023988623,0.00018282107,0.043188237,0.0000020492587,0.000008983965,0.18931587,0.669642,0.08001895],"study_design_scores_gemma":[0.000048216618,0.00016419595,0.0001633302,0.0012768734,0.00019542951,0.0000010613974,0.018249914,0.0000014534413,0.000004609181,0.000020022793,0.97974277,0.00013210859],"about_ca_topic_score_codex":0.025885096,"about_ca_topic_score_gemma":0.17028934,"teacher_disagreement_score":0.8756819,"about_ca_system_score_codex":0.000029323475,"about_ca_system_score_gemma":0.00011298861,"threshold_uncertainty_score":0.9806016},"labels":[],"label_agreement":null},{"id":"W3043525933","doi":"10.26443/ijwpc.v7i2.249","title":"Two poems: The difficulties &amp; Blues for my father","year":2020,"lang":"en","type":"article","venue":"International Journal of Whole Person Care","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Blues; Poetry; Psychoanalysis; Psychology; Literature; Sociology; Art; Art history","score_opus":0.077068172703774,"score_gpt":0.3064708117611857,"score_spread":0.22940263905741168,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3043525933","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83455455,0.0070598717,0.0016495392,0.121463075,0.003555821,0.00025080174,0.0008420123,0.000048482405,0.030575845],"genre_scores_gemma":[0.9909254,0.000018231229,0.00010269632,0.0024371545,0.0040922635,0.00000398958,0.000021886033,0.000011216007,0.0023872019],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992094,0.000027089265,0.00022219699,0.00008415359,0.00035871376,0.00009842639],"domain_scores_gemma":[0.99881184,0.00007472485,0.00015650236,0.00005565344,0.00084785186,0.000053429245],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008538388,0.00009255141,0.0001468483,0.000049068905,0.00015310032,0.00030142872,0.00040671887,0.000017142804,0.00069987174],"category_scores_gemma":[0.0000844206,0.000055963978,0.0003221079,0.000015434294,0.00010447043,0.00018883687,0.000021821865,0.000131354,0.00003105743],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029299248,0.00010291604,0.0007368141,0.000052034524,0.0013554853,0.000039427585,0.77869105,0.00056019827,0.0025764282,0.073631965,0.1204954,0.021465298],"study_design_scores_gemma":[0.0006099062,0.000085149346,0.000114743314,0.000042933996,0.00009397377,0.000011790687,0.25375384,0.00012519537,0.00017101972,0.00025561068,0.7446421,0.00009373165],"about_ca_topic_score_codex":0.00004101003,"about_ca_topic_score_gemma":0.00018910847,"teacher_disagreement_score":0.6241467,"about_ca_system_score_codex":0.000035366877,"about_ca_system_score_gemma":0.000026420079,"threshold_uncertainty_score":0.7663105},"labels":[],"label_agreement":null},{"id":"W3048567936","doi":"","title":"Stay Gold: Ottawa University Literary Journal: STAY GOLD: THE OTTAWA UNIVERSITY LITERARY JOURNAL: Personal Essays","year":2019,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Literary criticism; History; Media studies; Gold standard (test); Personal account; Art; Literature; Sociology; Medicine; Narrative","score_opus":0.010998264141496385,"score_gpt":0.19033549810414652,"score_spread":0.17933723396265014,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3048567936","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3681085,0.0015061229,0.00016365976,0.0040361728,0.0013273004,0.00021120264,0.00023097507,0.00013317988,0.62428284],"genre_scores_gemma":[0.6044918,0.00024200842,0.000081058286,0.00093617465,0.00079943286,1.1174865e-7,0.000022232036,0.000026267162,0.39340097],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971438,0.0006392477,0.00046180648,0.00040855288,0.00068079954,0.0006657983],"domain_scores_gemma":[0.99801546,0.00029391644,0.0003421059,0.0004511737,0.00051488425,0.0003824776],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011166212,0.00038765252,0.00049214816,0.0004378346,0.001443183,0.0012345227,0.0010618708,0.00013116821,0.039242584],"category_scores_gemma":[0.000022083676,0.0002768308,0.00069797656,0.00021726445,0.00038161004,0.0022260046,0.00021561756,0.0011614659,0.0005941845],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019861935,0.00045313122,0.005581261,0.00007422887,0.0011621837,0.0011332604,0.06599862,0.000016805994,0.00007325071,0.46027213,0.45778713,0.007249371],"study_design_scores_gemma":[0.00096747495,0.0001743733,0.00097507914,0.000078612145,0.0002592013,0.00018170832,0.036392123,0.0004164111,0.0000073998654,0.0041517094,0.9559592,0.00043667815],"about_ca_topic_score_codex":0.00022284721,"about_ca_topic_score_gemma":0.00044684028,"teacher_disagreement_score":0.4981721,"about_ca_system_score_codex":0.00024736184,"about_ca_system_score_gemma":0.00019894239,"threshold_uncertainty_score":0.9999684},"labels":[],"label_agreement":null},{"id":"W3080837552","doi":"10.21083/csieci.v13i1.5729","title":"Review Randy Fertel: A Taste for Chaos","year":2020,"lang":"fr","type":"article","venue":"Critical Studies in Improvisation / Études critiques en improvisation","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Taste; CHAOS (operating system); Aesthetics; Psychology; Art; Neuroscience; Computer science; Computer security","score_opus":0.20809080174458652,"score_gpt":0.4314858385886359,"score_spread":0.22339503684404935,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3080837552","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0032518604,0.4749393,0.0119410455,0.49009565,0.004793665,0.005894522,0.0014876428,0.0005222751,0.007074071],"genre_scores_gemma":[0.8445828,0.09968736,0.0014987696,0.044995237,0.005617139,0.0019009517,0.00030298537,0.00015689066,0.0012578376],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99390405,0.00079906144,0.002106729,0.0012253948,0.00059953815,0.0013652135],"domain_scores_gemma":[0.99467677,0.002549998,0.00027955984,0.0004245926,0.0015883924,0.0004807055],"candidate_categories":["metaresearch","metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0021539957,0.0008177045,0.0016029455,0.00021487748,0.0009043614,0.00046927782,0.0004560689,0.0003629939,0.00063323905],"category_scores_gemma":[0.013366286,0.0008347259,0.00062115066,0.00033860846,0.0018138335,0.0016485355,0.00023766003,0.0007086654,0.00007703115],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022757257,0.00053485954,0.000027080407,0.041178044,0.00037319414,0.000026599439,0.02323859,0.000015966392,0.0003785289,0.8582259,0.028643971,0.047129694],"study_design_scores_gemma":[0.0037533594,0.0030055807,0.00010108119,0.012668764,0.002839995,0.000025221969,0.043284927,0.016820122,0.00086034124,0.031330932,0.88308287,0.0022267848],"about_ca_topic_score_codex":0.00036138637,"about_ca_topic_score_gemma":0.00039620197,"teacher_disagreement_score":0.8544389,"about_ca_system_score_codex":0.00074190286,"about_ca_system_score_gemma":0.00025242072,"threshold_uncertainty_score":0.99941033},"labels":[],"label_agreement":null},{"id":"W3081049079","doi":"10.1353/abr.2020.0084","title":"Beat King for Sale","year":2020,"lang":"en","type":"article","venue":"American book review/˜The œAmerican book review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Estate; Art history; Drama; Quarter (Canadian coin); Literature; History; Law","score_opus":0.04126282208576041,"score_gpt":0.2928500859103568,"score_spread":0.2515872638245964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3081049079","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000008165036,0.8958315,0.00033813587,0.08616994,0.00009913554,0.0018970062,0.000092065726,0.00016903094,0.015395012],"genre_scores_gemma":[0.0002484746,0.5425267,0.00009348627,0.44988436,0.0006359054,0.00045245956,0.00004503288,0.00006514455,0.006048451],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9959619,0.00048125934,0.0013556656,0.00084494415,0.0005429461,0.00081330776],"domain_scores_gemma":[0.996469,0.00044858045,0.0013724504,0.0010198656,0.00028628923,0.00040378334],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007333763,0.00065272645,0.002680937,0.00005894681,0.0006662014,0.00015902916,0.001046292,0.000019138472,0.005874204],"category_scores_gemma":[0.0003481432,0.00044422736,0.0013935401,0.0004731203,0.0021609862,0.000372697,0.00016536501,0.00039378655,0.00089054805],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011874066,0.00003999917,0.000006606752,0.005100936,0.00019914558,0.00000780001,0.00044020306,4.874798e-7,0.000008825383,0.0041633546,0.87199104,0.11802973],"study_design_scores_gemma":[0.00012929396,0.00042938863,0.000008232006,0.0068864455,0.0015380086,0.00001267858,0.000325532,0.000041151132,0.00000533037,0.00003742823,0.98997897,0.0006075368],"about_ca_topic_score_codex":0.00026074733,"about_ca_topic_score_gemma":0.000028764927,"teacher_disagreement_score":0.3637144,"about_ca_system_score_codex":0.00007630201,"about_ca_system_score_gemma":0.0001093007,"threshold_uncertainty_score":0.99988735},"labels":[],"label_agreement":null},{"id":"W3081291269","doi":"10.1093/oso/9780190635930.003.0007","title":"<i>Chocolate Dandies</i> and the End of Sissle and Blake","year":2020,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Art","score_opus":0.019064667679790016,"score_gpt":0.1879108262543041,"score_spread":0.1688461585745141,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3081291269","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007165155,0.0032729355,0.0000048314846,0.0016932597,0.000057677844,0.00014011352,0.000076820754,0.00001535927,0.99466735],"genre_scores_gemma":[0.19003099,0.0012076485,0.000006688037,0.001115306,0.0003059349,0.000004915385,0.000012714263,0.000018937333,0.8072969],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993353,0.000012503739,0.0002497769,0.00018651324,0.00013084465,0.00008509572],"domain_scores_gemma":[0.99954003,0.000116505114,0.000100080724,0.00014665935,0.000047775866,0.00004893109],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011495735,0.0001754818,0.00043467045,0.000034430555,0.00017700183,0.00011941579,0.00008499105,0.00006125916,0.0048386883],"category_scores_gemma":[0.000008032756,0.00010031497,0.00011938294,0.0000036537126,0.001168599,0.000055756504,0.0000911292,0.00015774833,0.000016410979],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023901885,0.0000031655807,0.0000010587701,0.000053639047,0.00018634206,0.0000032809385,0.002844505,4.8038103e-8,0.0000029416233,0.9913111,0.0046350453,0.0009349739],"study_design_scores_gemma":[0.00038037385,0.000034193905,0.0000022591348,0.000042629723,0.00036051468,0.0000019109548,0.0005427935,0.000035708337,0.000009539467,0.10269882,0.89575714,0.00013411557],"about_ca_topic_score_codex":0.00010171311,"about_ca_topic_score_gemma":0.00078531425,"teacher_disagreement_score":0.8911221,"about_ca_system_score_codex":0.0000028087888,"about_ca_system_score_gemma":0.0000101741,"threshold_uncertainty_score":0.99607104},"labels":[],"label_agreement":null},{"id":"W3082851403","doi":"10.2307/j.ctv153k70q.11","title":"MIDDLEBROW COSMOPOLITANISM AND THE CANADIAN COCKTAIL","year":2020,"lang":"en","type":"book-chapter","venue":"Indiana University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Middlebrow; Cosmopolitanism; Sociology; Art; Political science; Literature; Law","score_opus":0.03876435593436101,"score_gpt":0.1707714002079672,"score_spread":0.13200704427360618,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3082851403","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000017481658,0.00038861035,0.0000014010592,0.0008171014,0.00013607866,0.00022897396,0.00058897637,0.000040165716,0.9977812],"genre_scores_gemma":[0.087316535,0.00006305751,0.000003076667,0.0010348996,0.0003101562,5.8209423e-7,0.00003448869,0.000026847054,0.91121036],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900204,0.000047307956,0.00015302534,0.00031510412,0.00021189863,0.00027060058],"domain_scores_gemma":[0.9990749,0.00007932683,0.00011367656,0.00028990337,0.00009931686,0.00034287406],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000093697025,0.00027656354,0.00039957894,0.00015155997,0.001219843,0.00029450402,0.00041432993,0.00019433654,0.00046920264],"category_scores_gemma":[0.000007653149,0.00023825497,0.00021049415,0.0000029697358,0.0015339296,0.000092217815,0.00012716035,0.0005038635,0.000045020206],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025355344,0.000001544147,3.9217713e-7,0.000026847472,0.00027007505,0.00024226688,0.0062255915,1.0155074e-7,7.450892e-8,0.98405534,0.008858738,0.00029367028],"study_design_scores_gemma":[0.0005316735,0.00001952871,0.0000013330798,0.000050584396,0.00046198268,0.0000041545436,0.00094004476,0.000013943327,0.0000014212176,0.024060609,0.9736343,0.00028041712],"about_ca_topic_score_codex":0.18431343,"about_ca_topic_score_gemma":0.50981414,"teacher_disagreement_score":0.96477556,"about_ca_system_score_codex":0.00015517384,"about_ca_system_score_gemma":0.00020218486,"threshold_uncertainty_score":0.9715756},"labels":[],"label_agreement":null},{"id":"W3094666862","doi":"10.1353/vcr.2020.0006","title":"Fidelity and Paul Laurence Dunbar's Voice(s)","year":2020,"lang":"en","type":"article","venue":"Victorian review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Fidelity; S Voice; Speech recognition; Art; History; Computer science; Telecommunications","score_opus":0.044141073527108166,"score_gpt":0.25117214514333436,"score_spread":0.2070310716162262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3094666862","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0027011344,0.77111906,0.00018190581,0.08280538,0.0012262443,0.00066818285,0.00019623747,0.00029126406,0.14081056],"genre_scores_gemma":[0.88936996,0.07856562,0.00004848885,0.027511336,0.0027591053,0.000025453855,0.00003426755,0.00001998749,0.0016657979],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915713,0.00006469641,0.00026879596,0.0002209542,0.00014127322,0.00014716644],"domain_scores_gemma":[0.9995159,0.00003497505,0.000060477654,0.00016525989,0.00007431142,0.00014905771],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017901028,0.000121792786,0.00032606433,0.000011749349,0.00014773147,0.00010389472,0.0001312492,0.000021392214,0.004397358],"category_scores_gemma":[0.00012346903,0.00009328946,0.00009722691,0.000056735433,0.00007615792,0.0001489059,0.000042236075,0.000109047316,0.00042111173],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009451642,0.00007588248,0.00024304033,0.0078205895,0.00016592839,0.00005104922,0.010488245,2.2539959e-7,0.000074412594,0.67587847,0.27469888,0.03049383],"study_design_scores_gemma":[0.00006143961,0.000028700431,0.000058039703,0.00046130092,0.00012034098,0.0000011810004,0.00009460222,0.0000154343,0.0000049485016,0.00066584925,0.99836254,0.00012563133],"about_ca_topic_score_codex":0.000021710504,"about_ca_topic_score_gemma":0.00008436456,"teacher_disagreement_score":0.8866688,"about_ca_system_score_codex":0.000006014556,"about_ca_system_score_gemma":0.000014825651,"threshold_uncertainty_score":0.9965128},"labels":[],"label_agreement":null},{"id":"W3095315658","doi":"10.1353/vcr.2020.0011","title":"From Denunciation to Dialogue: Redefining Prophetic Authority in Elizabeth Barrett Browning's \"A Curse for a Nation\"","year":2020,"lang":"en","type":"article","venue":"Victorian review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Denunciation; Curse; Browning; Political science; History; Law; Sociology; Horticulture; Politics; Biology; Anthropology","score_opus":0.0815156255187832,"score_gpt":0.2903200624491517,"score_spread":0.2088044369303685,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3095315658","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.058349654,0.48770228,0.02066574,0.33517534,0.017805334,0.015379888,0.0031689804,0.0014090921,0.060343686],"genre_scores_gemma":[0.98087144,0.0021897114,0.00080592366,0.009226682,0.00570286,0.00039648946,0.00035664492,0.000042729414,0.00040754597],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99864656,0.000116905845,0.00047568377,0.00032776062,0.00021877624,0.00021429163],"domain_scores_gemma":[0.99931425,0.00010627949,0.0001144513,0.00016908855,0.00015835265,0.00013760121],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040207358,0.00015275169,0.00043405287,0.000055037184,0.00015543676,0.00012529203,0.00017576033,0.000044204626,0.0007114783],"category_scores_gemma":[0.0010113717,0.00013729859,0.00014460961,0.00018143115,0.00002426607,0.00015832414,0.000032558924,0.00012532574,0.0001616569],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009202917,0.00021724757,0.0008350149,0.0044795503,0.00018208983,0.000019913332,0.09722456,0.000021586038,0.00025021908,0.776922,0.07924811,0.040507667],"study_design_scores_gemma":[0.00023765184,0.000098201905,0.000093900606,0.00140247,0.0001523675,1.4335782e-7,0.00024286569,0.00025148783,0.000015711501,0.0038119596,0.9934806,0.00021260857],"about_ca_topic_score_codex":0.00011431429,"about_ca_topic_score_gemma":0.00043051876,"teacher_disagreement_score":0.92252177,"about_ca_system_score_codex":0.00006027297,"about_ca_system_score_gemma":0.00005634212,"threshold_uncertainty_score":0.7790188},"labels":[],"label_agreement":null},{"id":"W3095573760","doi":"","title":"Virtual Concretism Continued: Poetry Concrete in Second Life","year":2020,"lang":"en","type":"article","venue":"Journal of International Crisis and Risk Communication Research","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Literature","score_opus":0.07128820171910684,"score_gpt":0.3455055432244566,"score_spread":0.27421734150534977,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3095573760","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9515673,0.0048774374,0.000058078516,0.023324754,0.00015763463,0.00008368805,0.00006915663,0.000007360312,0.019854581],"genre_scores_gemma":[0.98966014,0.008262838,0.00010253532,0.000933851,0.00042182673,0.0000035174032,0.000010172203,0.000010002665,0.0005951348],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977359,0.0006535116,0.0006852502,0.00012978289,0.00062896893,0.00016655141],"domain_scores_gemma":[0.99755156,0.00063523016,0.00031798676,0.00018218021,0.0011174014,0.00019562458],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002208396,0.00009452763,0.00028176003,0.00031453432,0.00026697034,0.00035220978,0.0006856236,0.000055330333,0.003399923],"category_scores_gemma":[0.00093424256,0.000077002944,0.00011342156,0.00009992868,0.00034026205,0.00043353974,0.00020172627,0.0010180138,0.000025920064],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000872426,0.0001313855,0.031136915,0.00004836603,0.0010290378,0.00006885937,0.082704626,0.000055870012,0.0007569245,0.67961806,0.19813304,0.0054444913],"study_design_scores_gemma":[0.0024071855,0.00060522195,0.011236193,0.00015773189,0.00006324218,0.000021016258,0.09854626,0.0036049827,0.00027282446,0.0045275465,0.8782932,0.0002645612],"about_ca_topic_score_codex":0.00032514805,"about_ca_topic_score_gemma":0.00022478595,"teacher_disagreement_score":0.68016016,"about_ca_system_score_codex":0.00003896362,"about_ca_system_score_gemma":0.00007897199,"threshold_uncertainty_score":0.9975111},"labels":[],"label_agreement":null},{"id":"W3097958180","doi":"10.1093/escrit/cgaa024","title":"Elizabeth Bishop’s Animal Manners","year":2020,"lang":"en","type":"article","venue":"Essays in Criticism","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Environmental ethics; Art; History; Philosophy","score_opus":0.056007123215937135,"score_gpt":0.2647539968840781,"score_spread":0.20874687366814093,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3097958180","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13399048,0.0010354213,0.00020925715,0.034216996,0.0006246906,0.00018609292,0.00008930843,0.00024824197,0.8293995],"genre_scores_gemma":[0.9890144,0.000022404614,0.000080433805,0.0072037173,0.000966291,0.00001803516,0.000014455076,0.000029263201,0.00265103],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99847233,0.000077682336,0.00038277294,0.00035886062,0.00027330394,0.00043504807],"domain_scores_gemma":[0.99944746,0.00007779763,0.000035737907,0.00018815533,0.000080287326,0.00017055494],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019879131,0.00019802728,0.00032454685,0.00011100571,0.00018943346,0.0002124664,0.0002943579,0.000063803986,0.0055304742],"category_scores_gemma":[0.00013876207,0.00019033151,0.0001363618,0.00011097363,0.00026744866,0.00031126515,0.000074015195,0.0002996112,0.0004348091],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026573496,0.00010225925,0.00022981531,0.00007450024,0.000027882385,0.00016501512,0.01830871,0.000014208966,0.00035094848,0.9589344,0.021040544,0.0007251302],"study_design_scores_gemma":[0.0013519317,0.00038224173,0.00040935338,0.00013219488,0.0001372285,0.000008376961,0.030693552,0.004962405,0.0010331162,0.044131365,0.9157325,0.0010257303],"about_ca_topic_score_codex":0.00007595061,"about_ca_topic_score_gemma":0.00021497135,"teacher_disagreement_score":0.914803,"about_ca_system_score_codex":0.00002644528,"about_ca_system_score_gemma":0.000024381181,"threshold_uncertainty_score":0.9953786},"labels":[],"label_agreement":null},{"id":"W3098525252","doi":"10.1353/wsj.2020.0020","title":"Stevens’s Epistolary Surrogates","year":2020,"lang":"de","type":"article","venue":"˜The œWallace Stevens journal","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wife; Downtown; TRIPS architecture; Daughter; History; George (robot); Housewife; Art history; Archaeology; Law; Political science; Engineering","score_opus":0.03454789360106038,"score_gpt":0.23733818425577938,"score_spread":0.20279029065471899,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3098525252","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21979046,0.22480513,0.0016300044,0.39094383,0.02070364,0.0016161659,0.0013221897,0.0005020848,0.13868652],"genre_scores_gemma":[0.95269614,0.0018023294,0.000039077073,0.0052450914,0.01213418,0.000005561841,0.000022577935,0.0000958975,0.027959151],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9952635,0.00087796396,0.0012319755,0.0005343464,0.0010110121,0.0010811687],"domain_scores_gemma":[0.9971452,0.00037582146,0.000650382,0.0005285417,0.0005072506,0.0007928347],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0012938967,0.0006332028,0.0008893208,0.00014056043,0.0028794806,0.0019596827,0.0011496841,0.00020117106,0.010081103],"category_scores_gemma":[0.00011534783,0.00045585915,0.0010280994,0.00023506941,0.0004946718,0.00044909955,0.00026336007,0.0020541975,0.0033032729],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00095092074,0.0010116824,0.0020774219,0.00058286247,0.007551808,0.002717397,0.15038605,0.0008149287,0.0009433475,0.07654252,0.7441658,0.01225527],"study_design_scores_gemma":[0.0009854065,0.00043804228,0.00031095368,0.00017288509,0.0014043199,0.000211255,0.014141192,0.0018864723,0.000040433566,0.0026297425,0.9771101,0.0006691976],"about_ca_topic_score_codex":0.00010484176,"about_ca_topic_score_gemma":0.0005296813,"teacher_disagreement_score":0.7329057,"about_ca_system_score_codex":0.0002105536,"about_ca_system_score_gemma":0.00029526418,"threshold_uncertainty_score":0.9997893},"labels":[],"label_agreement":null},{"id":"W3107197262","doi":"10.1007/978-3-476-05728-0_8907-1","title":"Klein, Abraham Moses: Das lyrische Werk","year":2020,"lang":"de","type":"book-chapter","venue":"J.B. Metzler eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.048301518301287066,"score_gpt":0.25974357111022434,"score_spread":0.21144205280893727,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3107197262","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00014746869,0.005857718,0.0001532193,0.0014515619,0.0023065938,0.0006902879,0.000755286,0.00030070532,0.98833716],"genre_scores_gemma":[0.1537294,0.00047271178,0.00014630868,0.0052041756,0.008202905,0.00007073126,0.0003380263,0.0003453168,0.83149046],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99388945,0.00018154609,0.0018403037,0.0017170947,0.0012995611,0.0010720143],"domain_scores_gemma":[0.9961367,0.0002896301,0.0007807516,0.001585248,0.00045964963,0.0007479931],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00053516973,0.0016678043,0.0023290864,0.00046777725,0.0014354752,0.0013109144,0.0012035839,0.00086877757,0.03693561],"category_scores_gemma":[0.00008607302,0.0015118127,0.001990945,0.000034477656,0.0012662021,0.00023423006,0.0005547929,0.0019612438,0.014878973],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008079797,0.00007637485,0.0000042242104,0.00029345095,0.0026170965,0.00041653708,0.007918997,0.0000018703555,0.000113054084,0.9539784,0.028947879,0.005551298],"study_design_scores_gemma":[0.0006627157,0.00029553933,0.000005886814,0.00048654462,0.0033815566,0.000011655643,0.0017312439,0.00008336681,0.00021552389,0.055180266,0.9362551,0.001690573],"about_ca_topic_score_codex":0.00018426192,"about_ca_topic_score_gemma":0.00023661311,"teacher_disagreement_score":0.90730727,"about_ca_system_score_codex":0.000117860414,"about_ca_system_score_gemma":0.0002312821,"threshold_uncertainty_score":0.9998645},"labels":[],"label_agreement":null},{"id":"W3107393803","doi":"10.59236/td2020vol13iss2455","title":"Poem as Literature Review: Poetic Rumination on the History of Poetic Inquiry","year":2020,"lang":"en","type":"article","venue":"Transformative Dialogues Teaching and Learning Journal","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Kwantlen Polytechnic University","funders":"","keywords":"Poetry; Literature; Rumination; Art; Philosophy; Psychology; Cognition","score_opus":0.051266749626073506,"score_gpt":0.25534072071173275,"score_spread":0.20407397108565925,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3107393803","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32002816,0.19259107,0.003719025,0.10010356,0.0022129263,0.00076901965,0.000045687255,0.00022295321,0.3803076],"genre_scores_gemma":[0.9857541,0.006830561,0.000016076265,0.00467694,0.0004989681,0.0000033600838,0.000023882674,0.00001243038,0.0021836818],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.997873,0.0011921496,0.0003871219,0.00011365938,0.0002683351,0.0001657099],"domain_scores_gemma":[0.99920535,0.00031627377,0.0002058128,0.00006415523,0.00011417227,0.00009422916],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0015013455,0.0001593062,0.00029327307,0.00008855938,0.0007486226,0.00012964687,0.00014371563,0.000038046244,0.00037549876],"category_scores_gemma":[0.00057745405,0.000098659926,0.00017459999,0.000037163853,0.00024567248,0.0003533089,0.000009295011,0.0020312942,0.000024396011],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042068874,0.000043462027,0.000010246037,0.00041298012,0.00008507779,0.00001046564,0.92430526,0.000026706999,0.000091395006,0.047321,0.013156578,0.0144947395],"study_design_scores_gemma":[0.0005147047,0.0011387618,0.00015788403,0.0050677415,0.00031812332,0.00007992477,0.06171801,0.00075003767,0.00002843233,0.0012007615,0.9287093,0.0003163034],"about_ca_topic_score_codex":0.000011814914,"about_ca_topic_score_gemma":0.0000022011147,"teacher_disagreement_score":0.91555274,"about_ca_system_score_codex":0.000048051505,"about_ca_system_score_gemma":0.000033554636,"threshold_uncertainty_score":0.8825075},"labels":[],"label_agreement":null},{"id":"W3115017239","doi":"10.1093/owc/9780199535729.003.0039","title":"The Quarter-Deck","year":2008,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Deck; Morning; Art; History; Art history; Forensic engineering; Engineering; Archaeology; Physics; Structural engineering; Astronomy","score_opus":0.034124665516809,"score_gpt":0.18853011614875909,"score_spread":0.1544054506319501,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3115017239","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00003553884,0.00028120028,0.000007134802,0.00007892187,0.000270267,0.00012384944,0.000106271356,0.00007966037,0.9990172],"genre_scores_gemma":[0.0034046636,0.0010204779,0.000003891997,0.00007667759,0.00042504378,4.845346e-7,0.000019958023,0.00002630396,0.9950225],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903154,0.000024937957,0.00017064998,0.00026938916,0.0002484244,0.00025504438],"domain_scores_gemma":[0.99909484,0.00008473049,0.0001451873,0.00046139734,0.00012556753,0.000088249464],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.000059085076,0.00026751077,0.0002822606,0.00007482024,0.0014470922,0.0001596385,0.0005179191,0.00014305137,0.00037440992],"category_scores_gemma":[0.0000023526245,0.00021558587,0.0003572953,0.0000015968825,0.0006800904,0.00008194047,0.00013398004,0.00035401696,0.000011710717],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002500366,0.0000056423523,1.7004429e-7,0.000010082257,0.00018554516,0.00008834668,0.0019880263,2.6196426e-7,2.7167656e-7,0.9361187,0.059815682,0.0017622408],"study_design_scores_gemma":[0.00016584904,0.000043416007,0.00000144117,0.000039444632,0.00021442526,0.000004881567,0.0005794392,0.000009770031,0.0000019680413,0.0016542564,0.9970082,0.00027690319],"about_ca_topic_score_codex":0.00007767786,"about_ca_topic_score_gemma":0.00038752024,"teacher_disagreement_score":0.9371925,"about_ca_system_score_codex":0.000053009604,"about_ca_system_score_gemma":0.000040569845,"threshold_uncertainty_score":0.9998529},"labels":[],"label_agreement":null},{"id":"W3123378305","doi":"10.1353/chy.2020.0054","title":"Self-Study with Assorted Shadows","year":2020,"lang":"en","type":"article","venue":"Christianity & Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Shadow (psychology); Art history; Taste; Art; History; Literature","score_opus":0.017380976390723602,"score_gpt":0.21103639127693533,"score_spread":0.1936554148862117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3123378305","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70401585,0.005642811,0.000120193065,0.007216995,0.00054895174,0.0012822275,0.0006120819,0.0014267637,0.27913412],"genre_scores_gemma":[0.9947732,0.000008978801,0.000079521575,0.0022932473,0.001193257,0.000017239969,0.000106599364,0.000025229781,0.0015027137],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987925,0.00008408393,0.00022399328,0.00037113417,0.00027210062,0.00025617462],"domain_scores_gemma":[0.9992125,0.000028160435,0.00007263831,0.00026588206,0.00022694528,0.00019387767],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009198987,0.00024189318,0.00031259496,0.00005145152,0.00034203776,0.0008224895,0.00024148964,0.000061704945,0.0018092118],"category_scores_gemma":[0.000035168272,0.00017305741,0.00010578053,0.0001851239,0.00007270133,0.00030274456,0.00004373932,0.00044884585,0.00017118402],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00046022385,0.002867169,0.0049480125,0.00055215944,0.0015686498,0.0017772121,0.69973624,0.000008989084,0.00016419645,0.14311753,0.14386891,0.00093069026],"study_design_scores_gemma":[0.0009394099,0.00092744775,0.001281121,0.000073075185,0.00040027796,0.00001028341,0.010182734,0.00051944144,0.000039124658,0.0002393551,0.98489153,0.0004962082],"about_ca_topic_score_codex":0.00003940166,"about_ca_topic_score_gemma":0.0001857193,"teacher_disagreement_score":0.8410226,"about_ca_system_score_codex":0.000016271955,"about_ca_system_score_gemma":0.000029122082,"threshold_uncertainty_score":0.99910325},"labels":[],"label_agreement":null},{"id":"W3126857237","doi":"10.4000/sillagescritiques.10597","title":"Coda: Pages from an R.D. Book: Time and the Anthropocene","year":2020,"lang":"en","type":"article","venue":"Sillages critiques","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Poetics; Simultaneity; Anthropocene; Coda; Poetry; Literature; Philosophy; History; Art history; Art; Aesthetics; Environmental ethics","score_opus":0.025636954226565527,"score_gpt":0.2537546818632482,"score_spread":0.22811772763668264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3126857237","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4260303,0.06663999,0.00009313561,0.22493394,0.0003685153,0.00054909,0.0009352971,0.00091239443,0.27953732],"genre_scores_gemma":[0.9810319,0.0025048016,0.00003305503,0.014120204,0.0011542062,0.00000826665,0.000055233006,0.000020851052,0.001071484],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989678,0.00019116505,0.00021275245,0.0002763805,0.00015668801,0.00019519373],"domain_scores_gemma":[0.9993818,0.000179677,0.000041670988,0.00019110173,0.00008389317,0.00012185237],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001480648,0.0001655826,0.00031207362,0.000023275354,0.00044823083,0.0004377982,0.00018535739,0.000041045703,0.0060691787],"category_scores_gemma":[0.0000639864,0.00010686865,0.00009103921,0.00002491023,0.0010795172,0.0004202651,0.00006574072,0.00012264984,0.00009831217],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025926108,0.00016673627,0.00033481093,0.00007668917,0.0004086194,0.000102684106,0.0944155,0.0000028162447,0.0015124094,0.7198595,0.17277832,0.010082648],"study_design_scores_gemma":[0.0021143956,0.0005311184,0.0012157912,0.000094696865,0.0005695106,0.0000062569197,0.024159918,0.0035524087,0.005931529,0.051343482,0.9095131,0.0009677815],"about_ca_topic_score_codex":0.0004279831,"about_ca_topic_score_gemma":0.00015526614,"teacher_disagreement_score":0.7367348,"about_ca_system_score_codex":0.000004929645,"about_ca_system_score_gemma":0.000009486274,"threshold_uncertainty_score":0.99483943},"labels":[],"label_agreement":null},{"id":"W3127382977","doi":"","title":"An Interview with Nic Bishop","year":2006,"lang":"en","type":"article","venue":"Language arts journal of Michigan","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"McGill University","keywords":"Psychology","score_opus":0.014477056002927905,"score_gpt":0.23788542516258918,"score_spread":0.22340836915966128,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3127382977","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.969676,0.0023061144,0.00018725339,0.0006085148,0.0001479738,0.000030094297,0.000007276178,0.000018411954,0.027018318],"genre_scores_gemma":[0.99421084,0.000014207725,0.00015292842,0.00067168416,0.0012540346,5.958153e-7,0.0000070396763,0.000015811524,0.0036728468],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991375,0.000067239765,0.0003362291,0.000091605994,0.00019795347,0.00016942811],"domain_scores_gemma":[0.9994058,0.000020711605,0.000199806,0.00017291702,0.00012578338,0.000074993186],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030092258,0.00011484074,0.0002398883,0.00012214432,0.00011439222,0.00018358052,0.0002076259,0.000019442592,0.0019376044],"category_scores_gemma":[0.0000059457857,0.000073923184,0.00012372696,0.00003746991,0.0000978188,0.00041607057,0.000010425324,0.0001557306,0.000023979128],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004192711,0.0037549017,0.0021451071,0.00032634666,0.001346469,0.0061951275,0.43375295,0.00042296853,0.038857233,0.42806387,0.034628276,0.050087467],"study_design_scores_gemma":[0.0030787513,0.0026921201,0.0030402276,0.00090072403,0.0011070512,0.0014003698,0.15886451,0.00021813225,0.011926088,0.0059227236,0.8097127,0.0011366137],"about_ca_topic_score_codex":0.00009808343,"about_ca_topic_score_gemma":0.0052276654,"teacher_disagreement_score":0.77508444,"about_ca_system_score_codex":0.0000071610853,"about_ca_system_score_gemma":0.00001854062,"threshold_uncertainty_score":0.99897474},"labels":[],"label_agreement":null},{"id":"W3127715095","doi":"","title":"The Night Before (McLaughlin) Christmas","year":2021,"lang":"en","type":"article","venue":"Revue CMC","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.018301298542525414,"score_gpt":0.2141416016885477,"score_spread":0.1958403031460223,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3127715095","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14867164,0.012452839,0.000052879197,0.024141312,0.0019593432,0.00011872472,0.00005182418,0.000118678465,0.81243277],"genre_scores_gemma":[0.7982638,0.00014239881,0.000012189776,0.00042622263,0.0010403725,0.00000811144,0.000020230345,0.000010262215,0.20007643],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99936056,0.000039406823,0.00017010703,0.00014722391,0.00009413892,0.00018853761],"domain_scores_gemma":[0.9994451,0.000058970072,0.000036419096,0.0003056012,0.00010816661,0.000045769],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000116981944,0.00008163637,0.00013399035,0.000015283302,0.00064581726,0.00025972366,0.0001434737,0.000027163444,0.0024434773],"category_scores_gemma":[0.000050669994,0.00005398128,0.00015358956,0.000040150055,0.00012438047,0.000078613426,0.000039884762,0.00011317791,0.00037309178],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000018473479,0.00003083973,0.000057204754,0.000020985894,0.000054347278,0.00009185242,0.0039719967,0.0000013109793,0.00002324975,0.9708402,0.019426323,0.0054797973],"study_design_scores_gemma":[0.00006440718,0.000015701058,0.00020082382,0.000025691908,0.00004445083,0.000019778992,0.0021278888,0.00008030076,0.00012934468,0.010652966,0.9865603,0.00007834988],"about_ca_topic_score_codex":0.000023794813,"about_ca_topic_score_gemma":0.0024196133,"teacher_disagreement_score":0.967134,"about_ca_system_score_codex":0.000014820171,"about_ca_system_score_gemma":0.000027697117,"threshold_uncertainty_score":0.9984684},"labels":[],"label_agreement":null},{"id":"W3127927867","doi":"10.4000/sillagescritiques.10312","title":"Robert Duncan’s Big Poetry: Re-visioning the Common","year":2020,"lang":"en","type":"article","venue":"Sillages critiques","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of the Fraser Valley","funders":"","keywords":"Articulation (sociology); Scope (computer science); Reading (process); Politics; Perspective (graphical); Poetry; Humanities; Sociology; Philosophy; Aesthetics; Epistemology; Art; Political science; Law; Linguistics","score_opus":0.044776898822615534,"score_gpt":0.2726643250478593,"score_spread":0.22788742622524377,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3127927867","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16199274,0.007174883,0.00015304648,0.1550708,0.0008054619,0.00030166277,0.000107598906,0.00068860565,0.6737052],"genre_scores_gemma":[0.9802962,0.00024139148,0.000028002973,0.014517952,0.0018757039,0.000014164544,0.000022943957,0.00002932514,0.0029743423],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986222,0.00017152466,0.0003184521,0.0002883447,0.00027698392,0.00032249946],"domain_scores_gemma":[0.99918115,0.00020189234,0.00006347038,0.0002953627,0.00012797026,0.00013015991],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023408576,0.0002057897,0.00030378098,0.000046628204,0.0007639854,0.0005423079,0.0003739374,0.000053318898,0.0023637372],"category_scores_gemma":[0.00016323896,0.00013686015,0.00019607358,0.00007925009,0.0003205494,0.00020967862,0.00011964599,0.00025764934,0.00013627412],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003214512,0.00007478022,0.00063499523,0.000100168516,0.0001407547,0.00007753395,0.061041296,0.00001748995,0.00056910986,0.77087754,0.14478174,0.021652456],"study_design_scores_gemma":[0.00017931241,0.00017024012,0.0002683203,0.000085350184,0.00011092815,0.0000039147303,0.033397038,0.00046831195,0.0017372437,0.009372743,0.95383614,0.0003704638],"about_ca_topic_score_codex":0.00065220543,"about_ca_topic_score_gemma":0.0013590057,"teacher_disagreement_score":0.8183034,"about_ca_system_score_codex":0.000017431339,"about_ca_system_score_gemma":0.000020675167,"threshold_uncertainty_score":0.9985482},"labels":[],"label_agreement":null},{"id":"W3133500071","doi":"10.21983/p3.0030.1.00","title":"The Apartment of Tragic Appliances","year":2013,"lang":"en","type":"book","venue":"Punctum Books","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Apartment; Art; Architectural engineering; Aesthetics; Engineering; Civil engineering","score_opus":0.02406791386511329,"score_gpt":0.20000752187864157,"score_spread":0.1759396080135283,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3133500071","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000038988364,0.004353288,0.000007589027,0.00023010504,0.00049644196,0.0002533023,0.000053497115,0.00002876584,0.994538],"genre_scores_gemma":[0.011992814,0.00019206142,0.0000035102817,0.00020964717,0.0010534206,0.000095578296,0.000040219376,0.000027486774,0.9863853],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987426,0.000025617694,0.00042147195,0.00021963954,0.00033268036,0.0002580357],"domain_scores_gemma":[0.9990346,0.0001350604,0.00024386928,0.00040184837,0.000127746,0.00005689486],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016860756,0.00027215655,0.0004340508,0.00004504045,0.0003792617,0.00020823088,0.00036218116,0.00008296655,0.0038000473],"category_scores_gemma":[0.000007381905,0.00014765111,0.00034713116,0.0000060085654,0.0006323172,0.00005656137,0.000049981296,0.00023173029,0.0005159882],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000031998861,0.000015783258,3.0811157e-7,0.000057999147,0.00015830214,0.0000014386951,0.00096559286,3.6712456e-7,0.0000019254742,0.741496,0.25161463,0.0056844084],"study_design_scores_gemma":[0.000065970795,0.000041342686,0.0000021357337,0.00006561313,0.00018920841,5.898545e-7,0.00034055515,0.000012910841,0.000032061966,0.08241858,0.9166653,0.0001657244],"about_ca_topic_score_codex":0.00005518226,"about_ca_topic_score_gemma":0.0002790431,"teacher_disagreement_score":0.6650507,"about_ca_system_score_codex":0.00004144948,"about_ca_system_score_gemma":0.00010392193,"threshold_uncertainty_score":0.9971106},"labels":[],"label_agreement":null},{"id":"W3133504080","doi":"10.7202/1075584ar","title":"Reading Scofield through Riel: Louis: The Heretic Poems as Dissonance","year":2021,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cognitive dissonance; Heresy; Reading (process); Poetry; Miscue analysis; Psychology; Literature; Art; Linguistics; Philosophy; Theology; Reading comprehension; Social psychology","score_opus":0.04212113554317968,"score_gpt":0.3088131196490019,"score_spread":0.2666919841058222,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3133504080","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03120574,0.1278533,0.0000010725221,0.035847556,0.0025731216,0.00018136404,0.00019187949,0.000037499987,0.80210847],"genre_scores_gemma":[0.96263206,0.0012515418,0.0000101026035,0.007364252,0.000796092,0.000024691133,0.000023296769,0.000013878,0.027884094],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987882,0.00009379569,0.00021467161,0.00027939345,0.00014494998,0.00047901904],"domain_scores_gemma":[0.9991989,0.00014355678,0.00003500386,0.00032934648,0.00019646672,0.000096711854],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018671014,0.00017191053,0.00025241508,0.00005739607,0.00066935626,0.00045026006,0.00019238394,0.00006787149,0.0007654013],"category_scores_gemma":[0.00028003036,0.00011940487,0.00010227026,0.00022714173,0.00032786402,0.00020945576,0.00004546902,0.00038808017,0.000038616487],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000029601374,0.0000108338645,0.00013870903,0.000057439098,0.00010229552,0.00070161675,0.14201497,0.0000024983142,0.0000045199276,0.82419294,0.032291163,0.00048005054],"study_design_scores_gemma":[0.00009009315,0.00002280738,0.00006500316,0.00043868067,0.00003827254,0.00003086492,0.04422113,0.0000073653246,0.000029014038,0.024464665,0.9304156,0.00017653212],"about_ca_topic_score_codex":0.042513482,"about_ca_topic_score_gemma":0.6234347,"teacher_disagreement_score":0.9314263,"about_ca_system_score_codex":0.00011955324,"about_ca_system_score_gemma":0.00016413094,"threshold_uncertainty_score":0.9638625},"labels":[],"label_agreement":null},{"id":"W3136824933","doi":"10.7202/1075881ar","title":"Winter's Last Act and On Forty Acres","year":2021,"lang":"en","type":"article","venue":"The Trumpeter","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geography; Political science; History","score_opus":0.025474119105054673,"score_gpt":0.23279456394892775,"score_spread":0.20732044484387308,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3136824933","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80674434,0.00015476896,0.0000035733021,0.002478918,0.00016110831,0.000025862742,0.000011880333,0.000021565535,0.19039801],"genre_scores_gemma":[0.9794764,0.00001969003,0.000003897752,0.0021625601,0.00034523767,0.0000034376221,0.00000441968,0.000007063646,0.017977329],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99955976,0.000038210914,0.000084856365,0.000110888686,0.00008140047,0.00012488835],"domain_scores_gemma":[0.99968773,0.00006628997,0.000017125456,0.00017880292,0.000023314033,0.000026762837],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0000722104,0.000073446485,0.000098303986,0.000016300999,0.00020803712,0.00017301638,0.00007426671,0.000013557872,0.0038277912],"category_scores_gemma":[0.000012699948,0.00004110189,0.0000710929,0.000012059186,0.00011788901,0.00007040774,0.000040767092,0.00008097309,0.0001281126],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010553183,0.00025104533,0.0030968816,0.000055591812,0.00054237864,0.0001212856,0.052141767,0.000004840398,0.00092187565,0.87823284,0.03650593,0.02802006],"study_design_scores_gemma":[0.00038127415,0.00013672886,0.01245754,0.00006248246,0.00013974517,0.000020228144,0.0054444075,0.00005748471,0.0027173266,0.013314736,0.96502775,0.00024030541],"about_ca_topic_score_codex":0.000009685813,"about_ca_topic_score_gemma":0.0005928804,"teacher_disagreement_score":0.9285218,"about_ca_system_score_codex":0.000004311545,"about_ca_system_score_gemma":0.0000060133307,"threshold_uncertainty_score":0.9970828},"labels":[],"label_agreement":null},{"id":"W3137786587","doi":"10.3828/liverpool/9781949979954.003.0015","title":"Teaching Kerouac’s Bilingualism","year":2021,"lang":"en","type":"book-chapter","venue":"Liverpool University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Vision; Neuroscience of multilingualism; Diaspora; Art; History; Literature; Sociology; Linguistics; Gender studies; Anthropology; Philosophy","score_opus":0.041190140544738324,"score_gpt":0.20667483509379372,"score_spread":0.1654846945490554,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3137786587","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00013363539,0.00034407122,0.000025402844,0.00004240341,0.0004075764,0.00013866034,0.00026676024,0.0001569259,0.99848455],"genre_scores_gemma":[0.0056198123,0.000078369274,0.000042297852,0.00020884977,0.0009052436,3.7430078e-7,0.000101415375,0.000049265807,0.99299437],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99847996,0.000080825186,0.00024117547,0.00055902096,0.00033650114,0.00030250315],"domain_scores_gemma":[0.9988217,0.00009646062,0.00019934596,0.000544614,0.0001907539,0.00014717752],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012546711,0.00040695193,0.000541753,0.00019010564,0.00077733427,0.00023736309,0.0004881272,0.00026178296,0.0022383218],"category_scores_gemma":[0.000009622084,0.00045467794,0.00051093963,0.0000022299132,0.00036504553,0.0001511496,0.0003817173,0.0008405698,0.00005565469],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001661838,0.000019569941,1.6256281e-7,0.00007187175,0.00040877957,0.00066847494,0.0071654734,0.0000011343323,0.000007905814,0.9854689,0.003926947,0.0022441538],"study_design_scores_gemma":[0.00024028032,0.0000337147,3.1703706e-7,0.0002508952,0.00071822136,0.0000075612725,0.0015838314,0.000028090362,0.000020224177,0.0025475675,0.9940453,0.0005239547],"about_ca_topic_score_codex":0.0018182695,"about_ca_topic_score_gemma":0.0005202303,"teacher_disagreement_score":0.9901184,"about_ca_system_score_codex":0.00010988457,"about_ca_system_score_gemma":0.000083158506,"threshold_uncertainty_score":0.9997905},"labels":[],"label_agreement":null},{"id":"W3146789713","doi":"10.4225/03/5921167f86217","title":"Adrienne Munich and Melissa Bradshaw (eds.). Amy Lowell, American Modern. New Brunswick: Rutgers UP, 2004 [Book review]","year":2017,"lang":"en","type":"article","venue":"Figshare","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Conversation; Art history; History; American poetry; Art; Literature; Classics; Sociology","score_opus":0.043051994581307415,"score_gpt":0.2789927919859154,"score_spread":0.235940797404608,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3146789713","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00041542214,0.5441277,0.000004943394,0.009129895,0.00047526642,0.0009201696,0.05330899,0.0003327178,0.39128488],"genre_scores_gemma":[0.40875322,0.02444855,0.00007092655,0.039055765,0.004089164,0.00013858186,0.05840088,0.00024584477,0.46479708],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985206,0.00004518841,0.00031976664,0.000423359,0.00026168628,0.00042939952],"domain_scores_gemma":[0.99821424,0.000058743943,0.00031502332,0.0009649541,0.00015617382,0.0002908398],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000080027516,0.00028881742,0.000513639,0.00006257772,0.00096650334,0.0007059225,0.000643674,0.000050409384,0.26445958],"category_scores_gemma":[0.00043012912,0.0002553527,0.0002039445,0.000033074535,0.0001583171,0.0007225658,0.00021761816,0.0002407385,0.0013788699],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000881145,0.000023927269,0.000005425249,0.0002601718,0.000064866676,0.000019255502,0.0012158823,0.0000016543428,0.0000049874216,0.000849096,0.98095036,0.01659557],"study_design_scores_gemma":[0.0002158368,0.0000528802,0.000100401194,0.003921193,0.00011009947,0.000006200678,0.00012967456,0.00026136436,0.00008103105,0.00024454575,0.99450976,0.0003670178],"about_ca_topic_score_codex":0.001672172,"about_ca_topic_score_gemma":0.0014505048,"teacher_disagreement_score":0.5196791,"about_ca_system_score_codex":0.00002186907,"about_ca_system_score_gemma":0.00015938035,"threshold_uncertainty_score":0.99998987},"labels":[],"label_agreement":null},{"id":"W3157755669","doi":"10.14288/1.0396692","title":"Performing memory : American poets theater and the poetics of the archive, 1945-1995","year":2021,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Poetics; Poetry; Art; Literature; History; Art history; Visual arts","score_opus":0.007436310194051205,"score_gpt":0.1578393308740507,"score_spread":0.1504030206799995,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3157755669","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9736032,0.00022772526,0.000021649417,0.000989812,0.00008150205,0.00007506602,0.000119288256,0.000009181087,0.024872614],"genre_scores_gemma":[0.99429595,0.00018916126,0.000033547258,0.00021338124,0.000044387594,2.343717e-7,0.000005007399,0.000006317616,0.005211981],"study_design_codex":"design_other","study_design_gemma":"observational","domain_scores_codex":[0.9992658,0.00012399758,0.00011244577,0.00016925634,0.00018230359,0.00014620414],"domain_scores_gemma":[0.9993648,0.00009580008,0.00010872551,0.0002591687,0.00013219682,0.00003930872],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016093643,0.00003687604,0.00025073497,0.000016914219,0.000561584,0.00010923853,0.000240574,0.000018576033,0.00039684],"category_scores_gemma":[0.000024815541,0.00006562066,0.00018014692,0.00007627095,0.0022632643,0.00011202173,0.00019227107,0.00011770953,0.0000025323168],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008094919,0.00042948683,0.012328464,0.00034738478,0.0007420142,0.00019530719,0.07756653,0.000019356537,0.00071562943,0.008493858,0.00751402,0.891567],"study_design_scores_gemma":[0.0013855298,0.000055362132,0.87993884,0.00020246755,0.0003756963,0.000068330606,0.102381416,0.000443182,0.000016027027,0.0038817502,0.011036179,0.0002152253],"about_ca_topic_score_codex":0.06350921,"about_ca_topic_score_gemma":0.34432012,"teacher_disagreement_score":0.89135176,"about_ca_system_score_codex":0.000009943834,"about_ca_system_score_gemma":0.000042068546,"threshold_uncertainty_score":0.94272697},"labels":[],"label_agreement":null},{"id":"W3157775036","doi":"","title":"Reflections: Solon Irving Bailey","year":2004,"lang":"en","type":"article","venue":"Journal of the Royal Astronomical Society of Canada","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.014222721774246464,"score_gpt":0.22024183706132158,"score_spread":0.20601911528707512,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3157775036","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98175067,0.00023071321,0.0002515404,0.009533071,0.0008998416,0.000037517395,0.000014311085,0.0000034457437,0.007278916],"genre_scores_gemma":[0.9970116,0.0000013827278,0.00045696215,0.00024511028,0.00066292693,3.7848773e-7,2.9181183e-7,0.000005452698,0.0016158648],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917537,0.000024037885,0.00035634227,0.000056103647,0.00022806058,0.00016009138],"domain_scores_gemma":[0.99942905,0.000034747383,0.00026589318,0.00009344272,0.000103170045,0.000073677],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018497116,0.00007394267,0.0001993936,0.000009847187,0.00027167852,0.00003581972,0.00024289901,0.000023208177,0.0004079953],"category_scores_gemma":[0.000020307725,0.00004862426,0.00042488938,0.000020674972,0.00013146621,0.00006604433,0.000036441186,0.00023574315,6.99295e-7],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014947807,0.0005422977,0.0028723988,0.00011175595,0.0023603586,0.000003914928,0.011659524,0.4395733,0.00086056266,0.08990331,0.4489151,0.003048016],"study_design_scores_gemma":[0.0028062863,0.00050797925,0.019345501,0.0005040914,0.00074672536,0.000010547823,0.031761996,0.0030402625,0.004109789,0.010291905,0.9262383,0.0006366077],"about_ca_topic_score_codex":0.07591418,"about_ca_topic_score_gemma":0.17735223,"teacher_disagreement_score":0.4773232,"about_ca_system_score_codex":0.00030913184,"about_ca_system_score_gemma":0.00053643476,"threshold_uncertainty_score":0.9302394},"labels":[],"label_agreement":null},{"id":"W3157867516","doi":"10.18192/jpp.v16i2.5396","title":"When Death Comes Knocking","year":2007,"lang":"en","type":"article","venue":"Journal of Prisoners on Prisons","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Political science; Law and economics; Computer security; Computer science; Sociology","score_opus":0.04529658238639587,"score_gpt":0.28721908217277875,"score_spread":0.2419224997863829,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3157867516","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7339873,0.0015410302,0.010050921,0.0067801657,0.0019183712,0.00014544997,0.000012988347,0.000066345136,0.24549747],"genre_scores_gemma":[0.9924158,0.000030416923,0.0008286373,0.000767485,0.0010464645,5.254752e-7,0.0000010984784,0.00001865613,0.0048909355],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984006,0.00005410078,0.0006459346,0.000121005694,0.00045236904,0.00032593406],"domain_scores_gemma":[0.9987633,0.000217615,0.0004360552,0.00017798129,0.00023377812,0.00017122817],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011544244,0.00015745449,0.00036086838,0.00035716538,0.00028652605,0.00016651441,0.00029252184,0.000045389123,0.0011896747],"category_scores_gemma":[0.000107812426,0.000118480195,0.00031672593,0.000048167756,0.0001021875,0.0002815935,0.000029732111,0.0004175874,0.00006098811],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030751608,0.00093449454,0.0088212695,0.00003465343,0.0007555138,0.0004155403,0.040865853,0.000096547235,0.00068336376,0.82568306,0.0829177,0.03848449],"study_design_scores_gemma":[0.0015338425,0.00071791885,0.0034309796,0.00019306179,0.00035801932,0.00008103819,0.015965868,0.000110047404,0.0015782376,0.011220083,0.9643876,0.0004233103],"about_ca_topic_score_codex":0.00003303606,"about_ca_topic_score_gemma":0.00012453442,"teacher_disagreement_score":0.8814699,"about_ca_system_score_codex":0.00007718109,"about_ca_system_score_gemma":0.00004632672,"threshold_uncertainty_score":0.9997234},"labels":[],"label_agreement":null},{"id":"W3159336439","doi":"10.70531/2576-6414.1009","title":"“Say It with Flowers”: Exile, Ecology, and Edna O’Brien","year":2021,"lang":"en","type":"article","venue":"Critical inquiries into Irish studies.","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Ecology; Geography; Biology","score_opus":0.06983974296065905,"score_gpt":0.34656508517313966,"score_spread":0.27672534221248063,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3159336439","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23281793,0.05310446,0.0018013305,0.1688878,0.005727444,0.0005598524,0.00017042122,0.0005585043,0.53637224],"genre_scores_gemma":[0.9802564,0.0007524986,0.0004460664,0.008090189,0.001060695,0.00006431137,0.000018610493,0.00003137115,0.009279872],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99805194,0.00011470411,0.0004200816,0.00057642686,0.00028759905,0.00054925977],"domain_scores_gemma":[0.9977681,0.00074157066,0.00003833573,0.00035689952,0.0008990319,0.00019604161],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025574202,0.00030662658,0.0006445691,0.00007427025,0.0011130252,0.00037969314,0.0001671306,0.00009251961,0.002185611],"category_scores_gemma":[0.0014380815,0.00024228398,0.00011324146,0.00010640287,0.012291822,0.00040217274,0.00035168615,0.0003012494,0.00009104096],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000041889714,0.00023241222,0.0004840056,0.00027406553,0.000642618,0.00050980353,0.04349832,0.0000010589156,0.000028841947,0.695052,0.25767928,0.0015556448],"study_design_scores_gemma":[0.00058568444,0.00038203766,0.0002631531,0.00017290382,0.0005985765,0.000060257727,0.21065329,0.000042018943,0.00037458405,0.030519502,0.75570923,0.00063876505],"about_ca_topic_score_codex":0.000031171658,"about_ca_topic_score_gemma":0.0009620456,"teacher_disagreement_score":0.74743843,"about_ca_system_score_codex":0.000059835584,"about_ca_system_score_gemma":0.000072142946,"threshold_uncertainty_score":0.99872655},"labels":[],"label_agreement":null},{"id":"W3161289574","doi":"","title":"“It was always what was under the poetry that mattered”: Reading the Paratext in Once in Blockadia by Stephen Collis","year":2020,"lang":"en","type":"article","venue":"Canadian literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Paratext; Poetry; Literature; Intertextuality; Reading (process); Meaning (existential); Metaphor; Context (archaeology); Art; History; Philosophy; Linguistics; Epistemology","score_opus":0.027622414010130734,"score_gpt":0.21802099964693925,"score_spread":0.1903985856368085,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3161289574","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38026404,0.040018953,0.0000066907396,0.468401,0.0011762782,0.0010765368,0.0013293388,0.00006211189,0.107665055],"genre_scores_gemma":[0.92360777,0.00024742217,0.000002511603,0.067567244,0.00034860388,0.000031831445,0.00014271072,0.000025740275,0.008026148],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99841857,0.00018413842,0.00028320836,0.00035742042,0.00019505397,0.00056159514],"domain_scores_gemma":[0.99911106,0.00013824464,0.00006156214,0.00035388605,0.000049744973,0.00028551047],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024085934,0.00024822145,0.00028395568,0.0001225282,0.00044330928,0.0023530377,0.00051808753,0.00013163117,0.0016555358],"category_scores_gemma":[0.00002268391,0.00015624326,0.00010210245,0.00032887806,0.00017854928,0.00068586506,0.00003382139,0.0006810299,0.00010996591],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002401091,0.000028761706,0.001822733,0.00006394309,0.00012160838,0.00027218586,0.2551845,0.00016678436,0.00010888673,0.0911574,0.6502351,0.00081405195],"study_design_scores_gemma":[0.00024523187,0.000019517138,0.0008710275,0.00033724104,0.00003716555,0.000006651977,0.064033486,0.00043346806,0.000036878013,0.0008778123,0.9328084,0.00029313227],"about_ca_topic_score_codex":0.0155139975,"about_ca_topic_score_gemma":0.3305232,"teacher_disagreement_score":0.5433438,"about_ca_system_score_codex":0.00017743013,"about_ca_system_score_gemma":0.00013792176,"threshold_uncertainty_score":0.9992571},"labels":[],"label_agreement":null},{"id":"W3162923097","doi":"","title":"『길 위에서』 에 나타난 분열분석 카토그래피와 미학적 정치성","year":2015,"lang":"ko","type":"article","venue":"미국소설","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Formality; Narrative; Paradise; Politics; Aesthetics; Representation (politics); Reflexive pronoun; Style (visual arts); Sociology; History; Literature; Anthropology; Art; Philosophy; Linguistics; Art history; Law; Political science","score_opus":0.07744998252712791,"score_gpt":0.2669843171614046,"score_spread":0.18953433463427666,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3162923097","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15703148,0.007829723,0.00007788186,0.0048622717,0.0029732133,0.00020316087,0.00020724426,0.00016040284,0.8266546],"genre_scores_gemma":[0.8579101,0.000140713,0.000027050717,0.0013450762,0.0027951128,0.000010354615,0.000043886368,0.000036800528,0.13769093],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978377,0.00013588152,0.0004901329,0.00042353338,0.000502868,0.0006098793],"domain_scores_gemma":[0.9985463,0.000069685644,0.00012899665,0.00056625775,0.00028788575,0.00040087185],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00048265833,0.00033275492,0.0004975936,0.00013967088,0.00047612438,0.00065339863,0.00038096437,0.00014911263,0.011708637],"category_scores_gemma":[0.000102151964,0.00029495786,0.00032234122,0.00010198484,0.00034807643,0.00035634148,0.0001307077,0.00032344996,0.006195581],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045733723,0.00044500464,0.00065187656,0.000081073886,0.00032083082,0.00013642081,0.021000814,0.000018525141,0.000041122636,0.6622861,0.31005964,0.00491286],"study_design_scores_gemma":[0.0006227676,0.00020134733,0.00030782123,0.000078400146,0.00033760793,0.000009271808,0.0106825195,0.0004778904,0.00011968492,0.009977773,0.97671884,0.00046606833],"about_ca_topic_score_codex":0.0007736366,"about_ca_topic_score_gemma":0.0005977148,"teacher_disagreement_score":0.7008786,"about_ca_system_score_codex":0.00007607058,"about_ca_system_score_gemma":0.00013094234,"threshold_uncertainty_score":0.99995023},"labels":[],"label_agreement":null},{"id":"W3170664003","doi":"10.1215/10642684-8994140","title":"Deferral and the Dream","year":2021,"lang":"en","type":"article","venue":"GLQ A Journal of Lesbian and Gay Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dream; Feeling; Deferral; Poetry; Psychoanalysis; Narrative; Art; Art history; Literature; Aesthetics; History; Psychology; Social psychology","score_opus":0.0843799862827366,"score_gpt":0.29607455484267825,"score_spread":0.21169456855994165,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3170664003","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6305486,0.28952542,0.000020337333,0.04460297,0.00066538044,0.00005394662,0.000011469045,0.00000848781,0.034563392],"genre_scores_gemma":[0.9848371,0.009008586,0.00002366362,0.0008197433,0.00047369598,6.600068e-7,2.3657941e-7,0.0000034199309,0.004832892],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99941856,0.00007565662,0.00022566704,0.00006570106,0.00011345429,0.000100966136],"domain_scores_gemma":[0.99945176,0.00013115234,0.00009155604,0.000057354,0.0002283286,0.000039867056],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031347087,0.00007636292,0.00029224134,0.000032712935,0.00036143328,0.00014610084,0.00004682412,0.000012234415,0.00008138847],"category_scores_gemma":[0.000111500376,0.00004001979,0.00010176117,0.000021291156,0.00080825575,0.000098539764,0.0000474447,0.00011697109,0.0000018159078],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013756567,0.00008388243,0.0009918682,0.00008419033,0.0018775519,0.00023545655,0.13257791,0.0000016861054,0.000040793526,0.82322955,0.025159156,0.015580386],"study_design_scores_gemma":[0.0035129227,0.00020904072,0.0024904283,0.00031051782,0.0010557196,0.000693139,0.31606027,0.0000289386,0.00013103429,0.08112939,0.59410375,0.00027484022],"about_ca_topic_score_codex":0.000009693369,"about_ca_topic_score_gemma":0.00028289587,"teacher_disagreement_score":0.7421002,"about_ca_system_score_codex":0.000005431799,"about_ca_system_score_gemma":0.00001532075,"threshold_uncertainty_score":0.29780522},"labels":[],"label_agreement":null},{"id":"W3176645292","doi":"10.1177/00905917211026704","title":"Book Review: <i>influx &amp; efflux: writing up with Walt Whitman</i> , by Jane Bennett","year":2021,"lang":"en","type":"article","venue":"Political Theory","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"Efflux; Philosophy; Art; History; Chemistry; Biochemistry","score_opus":0.015360669130286306,"score_gpt":0.2532700029687467,"score_spread":0.23790933383846039,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3176645292","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020244627,0.2345335,0.00036036162,0.014071822,0.00029015093,0.0002110094,0.00024209656,0.00017877866,0.7480878],"genre_scores_gemma":[0.24597909,0.004084081,0.00007735439,0.28629184,0.001984282,0.000075726995,0.00042151142,0.00010074179,0.46098536],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99768925,0.00031732477,0.00045118283,0.00039601524,0.00033704686,0.0008091806],"domain_scores_gemma":[0.99839926,0.00048297743,0.000059609956,0.000482389,0.00024420486,0.00033158148],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004959973,0.00025933445,0.0004940049,0.000037503927,0.0003707396,0.00019998198,0.00019922819,0.000059524158,0.03534713],"category_scores_gemma":[0.00026339662,0.0002021167,0.00020794768,0.00006563346,0.00051122945,0.00022318747,0.00008325393,0.00031467387,0.00075801404],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008027659,0.000069125475,0.000011124766,0.0002490917,0.00007037522,0.000017906805,0.00025885616,1.14461926e-7,0.00003498063,0.7129731,0.28604522,0.00026204335],"study_design_scores_gemma":[0.00024894436,0.000038239887,0.0000074915642,0.0006604355,0.00028316738,0.000031601994,0.0008583107,0.000004011728,0.0005587605,0.03239941,0.9645974,0.000312239],"about_ca_topic_score_codex":0.0000300343,"about_ca_topic_score_gemma":0.000031967844,"teacher_disagreement_score":0.6805737,"about_ca_system_score_codex":0.00004300168,"about_ca_system_score_gemma":0.000060846778,"threshold_uncertainty_score":0.97429895},"labels":[],"label_agreement":null},{"id":"W3181043873","doi":"10.52086/001c.25596","title":"The ‘impossible truth’ of writing off the subject: Anne Carson’s decreation poetics and ‘The glass essay’","year":2018,"lang":"en","type":"article","venue":"TEXT","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Poetics; Subject (documents); Proposition; Dream; Aesthetics; Subjectivism; Literature; Philosophy; Art; Sociology; Epistemology; Poetry; Psychology; Computer science","score_opus":0.016701133798927455,"score_gpt":0.2426964484637832,"score_spread":0.22599531466485573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3181043873","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.796886,0.0038986364,0.00003828548,0.0041611623,0.00026232156,0.0001627976,0.000018581379,0.000025810661,0.19454637],"genre_scores_gemma":[0.9928492,0.00015366227,0.000008221945,0.00021990183,0.0005189014,0.000009766345,0.0000026607993,0.000008581159,0.0062291035],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992162,0.000110004104,0.00023224547,0.00010615162,0.00016333938,0.00017205202],"domain_scores_gemma":[0.9988575,0.00060855644,0.00010165905,0.00024967032,0.00015816883,0.000024442246],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00072657893,0.00008773029,0.00014283703,0.00002213019,0.0011915657,0.00026328454,0.00019020837,0.000025078862,0.00026981748],"category_scores_gemma":[0.00012540813,0.000039127437,0.00007164509,0.00005004523,0.0013284626,0.000080541664,0.0000438888,0.000090357804,0.000020682106],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004409201,0.000017870876,0.00018359187,0.000010305171,0.00005869944,4.6317322e-7,0.026575975,9.1332737e-7,0.000050555802,0.960325,0.0016270942,0.011105424],"study_design_scores_gemma":[0.0030850873,0.0004552028,0.0074626463,0.00019911097,0.0009911231,0.000027439786,0.16678925,0.017903194,0.0032102366,0.12048917,0.67880654,0.00058101385],"about_ca_topic_score_codex":0.00036481896,"about_ca_topic_score_gemma":0.0013790069,"teacher_disagreement_score":0.8398358,"about_ca_system_score_codex":0.000011130482,"about_ca_system_score_gemma":0.000023903032,"threshold_uncertainty_score":0.916468},"labels":[],"label_agreement":null},{"id":"W3183321766","doi":"10.14288/bcs.vi210.194008","title":"Intertidal Room: A Soundwalk through Timescapes of Vancouver's Coastline","year":2020,"lang":"en","type":"article","venue":"Open Collections","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Intertidal zone; Geography; Oceanography; Geology","score_opus":0.047019556222200026,"score_gpt":0.26025185119881716,"score_spread":0.21323229497661714,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3183321766","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00065743906,0.000073145275,0.0021267273,0.0015701242,0.00036416357,0.00022305113,0.0001241941,0.00004351707,0.9948176],"genre_scores_gemma":[0.68340474,0.000013066614,0.00025627128,0.0010061482,0.00036709764,0.000038333994,0.000011806099,0.000014584762,0.3148879],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992784,0.000038673606,0.00026332846,0.00017504374,0.00011251098,0.00013201774],"domain_scores_gemma":[0.99956316,0.00004693942,0.00007352717,0.00012896475,0.00013068636,0.000056750334],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000055665623,0.00009877919,0.00024868967,0.000022401953,0.0011436337,0.00067167764,0.00027654573,0.000024269833,0.018261993],"category_scores_gemma":[0.000046640238,0.00008738016,0.00011889885,0.0002105164,0.00009522209,0.00034882536,0.00014457274,0.00009943685,0.00005158295],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049913648,0.00017135787,0.0000059188633,0.000015138734,0.00016227283,0.0000026676978,0.009841083,0.00008214844,0.000081655686,0.014962027,0.9744052,0.0002206045],"study_design_scores_gemma":[0.00039926742,0.00020861605,0.0000019978781,0.000020951578,0.000111623296,0.0000011727791,0.0076653063,0.001236735,0.0005581217,0.0051302942,0.9845335,0.00013241709],"about_ca_topic_score_codex":0.0060569216,"about_ca_topic_score_gemma":0.037689935,"teacher_disagreement_score":0.6827473,"about_ca_system_score_codex":0.000017555181,"about_ca_system_score_gemma":0.000066502245,"threshold_uncertainty_score":0.98263544},"labels":[],"label_agreement":null},{"id":"W3186100383","doi":"","title":"Selection of poems","year":2021,"lang":"en","type":"article","venue":"Revue CMC","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Selection (genetic algorithm); Poetry; Computer science; Artificial intelligence; Art; Literature","score_opus":0.04503899642404448,"score_gpt":0.24249450425166705,"score_spread":0.19745550782762256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3186100383","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38977605,0.00088012754,0.000115544746,0.00092172035,0.00046684663,0.00003465071,0.000015853597,0.000039392715,0.6077498],"genre_scores_gemma":[0.961452,0.000028716215,0.000027627164,0.00006824873,0.0003896909,0.0000012963545,0.000007128384,0.000003621085,0.038021665],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99971575,0.000015647558,0.00009849854,0.00006812739,0.0000410099,0.00006097813],"domain_scores_gemma":[0.9997765,0.000014230163,0.000025161293,0.00007069919,0.00009782643,0.000015573374],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000039619183,0.00003197868,0.00009217865,0.000021628955,0.0000587781,0.000024200666,0.000028466777,0.000013625146,0.004726436],"category_scores_gemma":[0.000019582381,0.000030534757,0.0000670529,0.00003390296,0.000027607013,0.00004843163,0.000008221663,0.00003587919,0.00004723113],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000025680824,0.0000885531,0.0004293351,0.00008697746,0.000056191417,0.000008992529,0.003981223,0.0000074511763,0.0052590366,0.98161995,0.0047704414,0.0036892905],"study_design_scores_gemma":[0.00013087751,0.00003951151,0.00068460155,0.00006689861,0.000095204174,0.000014636995,0.0023421494,0.0003971555,0.018136147,0.0062044715,0.9717633,0.00012500405],"about_ca_topic_score_codex":0.000026054364,"about_ca_topic_score_gemma":0.0002322013,"teacher_disagreement_score":0.97541547,"about_ca_system_score_codex":0.0000061888036,"about_ca_system_score_gemma":0.000012383926,"threshold_uncertainty_score":0.9961834},"labels":[],"label_agreement":null},{"id":"W3188648662","doi":"10.1080/14790726.2021.1954757","title":"In What Way Does Enthusiasm Matter?","year":2021,"lang":"en","type":"article","venue":"New Writing","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Enthusiasm; Psychology; Social psychology","score_opus":0.020231069420154846,"score_gpt":0.24609452925608585,"score_spread":0.225863459835931,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3188648662","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6937033,0.0018813065,0.000016822461,0.0116844075,0.00078542664,0.000042856664,0.000005650189,0.000040692517,0.2918395],"genre_scores_gemma":[0.95850134,0.00008642143,0.000054556414,0.003111493,0.0011786112,0.0000030501808,0.000008087747,0.0000105794115,0.03704586],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921507,0.0000362145,0.00022600727,0.00018284093,0.00011852987,0.00022132088],"domain_scores_gemma":[0.99968153,0.000056077904,0.00003079343,0.00013800176,0.000041858937,0.000051715877],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010262223,0.00008599438,0.00015351582,0.000053524695,0.00013631594,0.0006785353,0.00007813576,0.000026191672,0.025247237],"category_scores_gemma":[0.000018638038,0.00006991408,0.00007917303,0.00004305842,0.00003540409,0.0007047126,0.000042987012,0.00011611204,0.00036724034],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010786786,0.00028172258,0.005157936,0.0001916124,0.00010778181,0.00090486754,0.10344619,0.000016464008,0.006546946,0.7841414,0.042020656,0.057173636],"study_design_scores_gemma":[0.0008295805,0.000019000834,0.0025684566,0.0007450958,0.000071382645,0.000032252305,0.17519966,0.00016836745,0.0098962765,0.015762093,0.79413867,0.00056916615],"about_ca_topic_score_codex":0.0003320956,"about_ca_topic_score_gemma":0.0027903134,"teacher_disagreement_score":0.76837933,"about_ca_system_score_codex":0.000017323599,"about_ca_system_score_gemma":0.000020817622,"threshold_uncertainty_score":0.9756438},"labels":[],"label_agreement":null},{"id":"W3191561053","doi":"10.3968/12156","title":"A Concise Review of Anglo-Saxon Poetry","year":2021,"lang":"en","type":"review","venue":"Canadian social science","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Romanticism; Anglo saxon; Literature; Romance; Identity (music); Period (music); Order (exchange); History; Art; Aesthetics; Classics","score_opus":0.07500321441810003,"score_gpt":0.33175888342242205,"score_spread":0.256755669004322,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3191561053","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[1.2860521e-7,0.666242,1.8384202e-7,0.00007994367,0.00026123354,0.00012772446,0.00023936076,0.0000057865,0.33304363],"genre_scores_gemma":[0.00006560628,0.99484885,0.0000032122198,0.0013325989,0.00059827673,0.000019307816,0.000056600686,0.000013317067,0.0030622277],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981513,0.00010227658,0.00049338175,0.00036153893,0.0004200196,0.00047146634],"domain_scores_gemma":[0.99868375,0.000042771273,0.00024304255,0.0002665653,0.00040344728,0.0003604386],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00070908177,0.0002122551,0.0013709909,0.00025144222,0.0006833629,0.00016893788,0.00068096485,0.00009134431,0.005103172],"category_scores_gemma":[0.00023763228,0.00018339994,0.0006024957,0.00066267914,0.0013964305,0.00015560343,0.000053036823,0.00021647896,0.00007107633],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.2261156e-8,0.000008122199,3.215213e-7,0.021303736,0.00003201547,0.00003298006,0.0006511175,4.1219272e-10,3.7876625e-8,0.3384176,0.02367762,0.61587644],"study_design_scores_gemma":[0.000013159731,0.0000056156755,1.4353633e-7,0.032714326,0.00039891258,0.0000031862176,0.00060791924,1.0452721e-7,9.408321e-8,0.000032435102,0.966022,0.00020209176],"about_ca_topic_score_codex":0.006459686,"about_ca_topic_score_gemma":0.016550312,"teacher_disagreement_score":0.94234437,"about_ca_system_score_codex":0.00038940017,"about_ca_system_score_gemma":0.0038195245,"threshold_uncertainty_score":0.9958063},"labels":[],"label_agreement":null},{"id":"W3199586798","doi":"10.33137/ic.v35i0.37228","title":"Narratives of Nostos by Italian-Canadian Women","year":2021,"lang":"en","type":"article","venue":"Italian Canadiana","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Emigration; History; Gender studies; Sociology; Literature; Art; Archaeology","score_opus":0.012160391276246518,"score_gpt":0.1989904342144012,"score_spread":0.1868300429381547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3199586798","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3828862,0.001802845,0.0000036443173,0.0074037905,0.00056581653,0.00011172621,0.0026634226,0.000026392978,0.6045362],"genre_scores_gemma":[0.91984725,0.0000073138644,0.000013648509,0.0018305153,0.00018301605,0.000014798457,0.0001314072,0.000021785054,0.077950254],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99858344,0.0000561955,0.00030138454,0.00027730383,0.00019232176,0.00058938196],"domain_scores_gemma":[0.99864405,0.000021399357,0.00006560359,0.00032779513,0.00020198141,0.0007391876],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000106552034,0.00017649075,0.00031183608,0.00019249777,0.0003006252,0.00016412746,0.0002123996,0.000063337466,0.027851166],"category_scores_gemma":[0.00005013586,0.00018653915,0.00012902843,0.00014297699,0.0002725006,0.00022910524,0.0000140508555,0.00011274736,0.00020037549],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004989382,0.00007951351,0.0003957321,0.00006220949,0.00038902258,0.00033272323,0.08809197,0.0000026426258,0.0007901376,0.40429324,0.5036336,0.0019242035],"study_design_scores_gemma":[0.00013938746,0.000039945935,0.00012930464,0.000026053536,0.00002242925,0.0000052507694,0.062169023,0.00000774429,0.0005375519,0.0025087732,0.9341618,0.00025275088],"about_ca_topic_score_codex":0.22189854,"about_ca_topic_score_gemma":0.92406356,"teacher_disagreement_score":0.702165,"about_ca_system_score_codex":0.00026734124,"about_ca_system_score_gemma":0.0006927865,"threshold_uncertainty_score":0.9730375},"labels":[],"label_agreement":null},{"id":"W3199647985","doi":"","title":"Three Windows to Plato's Academy: A Study of Kathleen Raine's \"A House of Music\", \"Soliloquies upon Love\" and \"A Blessing\"","year":2012,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Blessing; Poetry; Philosophy; Literature; The arts; Beauty; Meaning (existential); Key (lock); Reading (process); Aesthetics; Epistemology; Art; Theology","score_opus":0.04404510266437092,"score_gpt":0.31105063328991933,"score_spread":0.26700553062554844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3199647985","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9450775,0.05168291,0.0000015177171,0.00012063258,0.00011754472,0.00021218423,0.000045299497,0.000013955142,0.0027284606],"genre_scores_gemma":[0.998703,0.00012744305,0.00004060425,0.00024045556,0.0004005075,0.000010265532,0.0000022947859,0.000015064772,0.00046033278],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990569,0.000050606366,0.0003146943,0.00018761448,0.00015073486,0.0002394506],"domain_scores_gemma":[0.99953634,0.00011356792,0.00008874557,0.00014447476,0.000058378097,0.00005852439],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003058472,0.0001801832,0.0005046626,0.00019020402,0.000092455215,0.000051376926,0.000086966604,0.000055340828,0.000053453292],"category_scores_gemma":[0.00006083776,0.00012797207,0.000045210414,0.000120158365,0.0002013641,0.00024974102,0.00015339817,0.00017761206,0.0000013891565],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000069682166,0.0002729927,0.0049619805,0.00023383075,0.0002494183,0.000014211678,0.97446126,0.0000012622716,0.00025972474,0.016869359,0.0008774721,0.0017288165],"study_design_scores_gemma":[0.0022464616,0.00096243323,0.019556154,0.0011439825,0.00045286916,0.000012123698,0.9554958,0.00001566199,0.00040459176,0.0016983171,0.01743956,0.00057209295],"about_ca_topic_score_codex":0.000101936515,"about_ca_topic_score_gemma":0.0015148136,"teacher_disagreement_score":0.05362554,"about_ca_system_score_codex":0.000007809062,"about_ca_system_score_gemma":0.000003842754,"threshold_uncertainty_score":0.52185494},"labels":[],"label_agreement":null},{"id":"W3203081161","doi":"10.3968/12249","title":"A Literature Review on Ted Hughes’ Poetry","year":2021,"lang":"en","type":"review","venue":"Studies in literature and language","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Taoism; American literature; Art; History; Philosophy; Art history; Theology; Buddhism","score_opus":0.06003362508867644,"score_gpt":0.3762429954077225,"score_spread":0.31620937031904606,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3203081161","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000020418652,0.9692406,4.268704e-8,0.00017747833,0.00058899686,0.00036199967,0.00043229005,0.000039310326,0.029157232],"genre_scores_gemma":[0.000013462592,0.9749063,0.000010718989,0.002501196,0.0015571106,0.0001209797,0.00089883263,0.000042666692,0.019948728],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976921,0.00036773042,0.00068017776,0.00065860717,0.00023729,0.00036410452],"domain_scores_gemma":[0.9987637,0.00027615498,0.00019149379,0.0005336097,0.00016473653,0.00007034074],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00034344144,0.0006630696,0.002801705,0.00032557137,0.00022093483,0.00042465059,0.00022370703,0.0002508105,0.00036741892],"category_scores_gemma":[0.00027052953,0.00041283952,0.000626944,0.00050220336,0.00022124921,0.00015344156,0.00015681359,0.0011707563,0.000021485817],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000040900954,0.0001252731,2.6735745e-7,0.21939296,0.0010442988,0.0037903048,0.08289709,1.0003758e-8,4.6703796e-8,0.06926709,0.079767495,0.54371107],"study_design_scores_gemma":[0.00006685795,0.0000308027,8.378679e-8,0.35312393,0.000568508,0.000056630153,0.001962468,4.6426656e-8,4.071525e-8,0.00005893798,0.64384365,0.00028804425],"about_ca_topic_score_codex":0.0000034814311,"about_ca_topic_score_gemma":0.000063345964,"teacher_disagreement_score":0.5640762,"about_ca_system_score_codex":0.000048821887,"about_ca_system_score_gemma":0.000033023218,"threshold_uncertainty_score":0.99983233},"labels":[],"label_agreement":null},{"id":"W3203217307","doi":"","title":"HISTORY IN AMERICAN LITERARY POSTMODERNISM OF THE LAST QUARTER OF XXTH CENTURY: ROBERT COOVER’S THE PUBLIC BURNING (38-42)","year":2019,"lang":"ru","type":"article","venue":"Восточно Европейский Научный Журнал","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Quarter (Canadian coin); History; Literature; Art; Aesthetics; Art history; Archaeology","score_opus":0.012489556151876061,"score_gpt":0.20437127195611435,"score_spread":0.1918817158042383,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3203217307","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8812098,0.016829954,0.000012491132,0.0046121827,0.0026367658,0.0008510867,0.00029381656,0.00004798481,0.093505934],"genre_scores_gemma":[0.98628175,0.00052911526,0.000014205665,0.0017142687,0.0004766405,0.000028243814,0.000048698286,0.00008464379,0.010822419],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99476224,0.00084869075,0.0015586202,0.00076853804,0.0010544054,0.0010074965],"domain_scores_gemma":[0.9959436,0.00050070445,0.0012408348,0.0017473456,0.0003882122,0.00017927242],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009148554,0.00067787955,0.0013717952,0.00040567596,0.00035967663,0.00024593982,0.0015850237,0.00020087302,0.009274341],"category_scores_gemma":[0.000090177244,0.00044622185,0.000934663,0.00045613298,0.0016926804,0.00067956693,0.00045181598,0.0010588744,0.00017824412],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005144822,0.0030643963,0.07550736,0.0013625523,0.0016780209,0.00005173388,0.23988424,0.00014957231,0.0038564568,0.61821586,0.041772008,0.013943331],"study_design_scores_gemma":[0.0017845172,0.00088515895,0.041350327,0.0010691972,0.0004726501,0.000020577407,0.029089833,0.0021712792,0.0002892485,0.0028313058,0.91901416,0.0010217329],"about_ca_topic_score_codex":0.0013837174,"about_ca_topic_score_gemma":0.0014109934,"teacher_disagreement_score":0.87724215,"about_ca_system_score_codex":0.0003546308,"about_ca_system_score_gemma":0.0004013852,"threshold_uncertainty_score":0.99979895},"labels":[],"label_agreement":null},{"id":"W3203725148","doi":"10.29173/assert22","title":"Two Versions of Notorious RBG, Two Representations of Ruth Bader Ginsburg","year":2021,"lang":"en","type":"article","venue":"Annals of Social Studies Education Research for Teachers","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; Psychoanalysis; Art","score_opus":0.39973220188130104,"score_gpt":0.5512729113967411,"score_spread":0.15154070951544002,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3203725148","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8922126,0.0060807667,0.000022319175,0.031478617,0.0007263367,0.0005590213,0.00030459656,0.000019853132,0.06859587],"genre_scores_gemma":[0.9875572,0.0004065029,0.00007126369,0.00010287535,0.00048593618,0.00009000403,0.000049788214,0.000010833559,0.011225595],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9984404,0.00023511064,0.0004099385,0.0001885461,0.00046706473,0.0002589489],"domain_scores_gemma":[0.99525785,0.00055882457,0.00017259258,0.000183141,0.0037717388,0.000055847464],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0009367825,0.000086345106,0.00033206498,0.00018698697,0.0007176508,0.000027285629,0.00016090219,0.000030171866,0.00048086574],"category_scores_gemma":[0.0012800581,0.00008443999,0.00027500506,0.0002456061,0.0009612592,0.00013340192,0.00007803382,0.00014716461,0.000003059519],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035566747,0.0010069882,0.0005568355,0.00020023542,0.0009742088,4.6535934e-7,0.26553392,0.000008707771,0.0008136843,0.5342832,0.19053458,0.0060515827],"study_design_scores_gemma":[0.00044384066,0.00010861728,0.0010398646,0.000074953925,0.00011663172,1.920342e-7,0.8041375,0.0000059935032,0.007483649,0.019264624,0.16720413,0.000119990196],"about_ca_topic_score_codex":0.0013608081,"about_ca_topic_score_gemma":0.0005468311,"teacher_disagreement_score":0.5386036,"about_ca_system_score_codex":0.000037272384,"about_ca_system_score_gemma":0.00041313734,"threshold_uncertainty_score":0.55196625},"labels":[],"label_agreement":null},{"id":"W3203794887","doi":"10.21825/aj.v10i1.20631","title":"“That city, that self”: Tracing a Historical Trajectory of the City Writer","year":2021,"lang":"en","type":"article","venue":"Authorship","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of the Fraser Valley","funders":"","keywords":"Newspaper; Context (archaeology); Persona; Perspective (graphical); History; Identity (music); Literature; Sociology; Aesthetics; Media studies; Visual arts; Art; Humanities; Archaeology","score_opus":0.12540444969824055,"score_gpt":0.25930864102968204,"score_spread":0.1339041913314415,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3203794887","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9215647,0.0010138118,0.00006808759,0.0022331153,0.0010401463,0.00006914879,0.000018450286,0.000066497894,0.07392608],"genre_scores_gemma":[0.9688177,0.000009899117,0.000029803625,0.00039982403,0.0003634661,0.0000058182527,0.0000037972256,0.000012883545,0.030356806],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987374,0.00020454032,0.00023142113,0.00023187972,0.00034768766,0.00024709682],"domain_scores_gemma":[0.99922174,0.00014102308,0.00009426019,0.0003756268,0.00009087109,0.00007649664],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041100068,0.00013907092,0.0002742726,0.000051077484,0.0003258212,0.000111464135,0.00024162637,0.00008347937,0.003295021],"category_scores_gemma":[0.000073679636,0.00009947159,0.00035994372,0.00008190103,0.000110711546,0.00015279002,0.00007084885,0.0003038132,0.000013280196],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000064231695,0.0017972941,0.114232466,0.00053867704,0.00080837245,0.00018057847,0.27022862,0.000007686249,0.002259926,0.57113194,0.034201328,0.0045488696],"study_design_scores_gemma":[0.00095163024,0.0001220003,0.10718364,0.00036711054,0.0011924919,0.000059767433,0.01295512,0.00018659324,0.029918317,0.04448584,0.8014517,0.0011257873],"about_ca_topic_score_codex":0.00021183188,"about_ca_topic_score_gemma":0.001096034,"teacher_disagreement_score":0.76725036,"about_ca_system_score_codex":0.00011049404,"about_ca_system_score_gemma":0.000053432,"threshold_uncertainty_score":0.9976161},"labels":[],"label_agreement":null},{"id":"W3204186064","doi":"","title":"Love, Darkness and Wisdom in Irving Layton’s Love Poems.","year":2021,"lang":"en","type":"article","venue":"Turkish Online Journal of Qualitative Inquiry","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Consciousness; Soul; Philosophy; Philosophy of love; Feminism; Art; Psychoanalysis; Sociology; Psychology; Theology; Gender studies; Epistemology","score_opus":0.20207192867908236,"score_gpt":0.4186028726458618,"score_spread":0.21653094396677947,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3204186064","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98159915,0.0055096187,0.00021646699,0.0042249225,0.0007011931,0.000045776487,0.000087820896,0.0000058214814,0.0076092407],"genre_scores_gemma":[0.9923224,0.00029078906,0.0006117084,0.0013959856,0.0015580901,3.6863796e-7,0.000020076517,0.000021502141,0.0037790732],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9975649,0.00063837063,0.000939919,0.00020512962,0.00038540052,0.0002662682],"domain_scores_gemma":[0.9979325,0.00063327665,0.00042434304,0.00014736688,0.00073581754,0.00012669114],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013336745,0.00019903075,0.0006172862,0.0002586834,0.0000642168,0.00019885883,0.00017143074,0.00006235783,0.0015349251],"category_scores_gemma":[0.0005733314,0.00016778248,0.00018582049,0.00014044702,0.00042978657,0.000627703,0.00008001659,0.0004909286,0.000029121637],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001061876,0.0006707094,0.00025072542,0.00011863924,0.00036857076,0.0006432894,0.94240636,0.000035200737,0.00067435467,0.046001747,0.005969148,0.0027550918],"study_design_scores_gemma":[0.0012458689,0.00020525715,0.0018586679,0.0004682643,0.00013670602,0.00012455546,0.93980855,0.0001005651,0.00022090797,0.021277322,0.034239847,0.0003134868],"about_ca_topic_score_codex":0.00003800897,"about_ca_topic_score_gemma":0.00096668256,"teacher_disagreement_score":0.0282707,"about_ca_system_score_codex":0.000062655534,"about_ca_system_score_gemma":0.00013243048,"threshold_uncertainty_score":0.9993778},"labels":[],"label_agreement":null},{"id":"W3208034431","doi":"10.32920/ryerson.14643717.v1","title":"Kathy Acker's french twist : translating sex in the Blood and guts trilogy","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; York University","funders":"","keywords":"Reactionary; Human sexuality; Postmodernism; Queer; Queer theory; Feminism; Trilogy; Literature; Subversion; Politics; Sociology; Gender studies; Psychoanalysis; Philosophy; Art; Psychology; Law","score_opus":0.03764815407826935,"score_gpt":0.2493741615762063,"score_spread":0.21172600749793694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3208034431","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62220293,0.003491047,0.000078038654,0.0030280435,0.00029401827,0.00020883135,0.00004598297,0.000040451825,0.37061065],"genre_scores_gemma":[0.9910916,0.000106405525,0.00007528295,0.00079578697,0.00048918865,0.000031269985,0.0000813782,0.000012639812,0.007316428],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99857664,0.00019822277,0.0003965061,0.00039889806,0.00018817189,0.00024155415],"domain_scores_gemma":[0.99935514,0.00013819123,0.0000701872,0.00035046227,0.000052660147,0.000033343356],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004392311,0.000226675,0.0004340889,0.00009606847,0.00019868539,0.0006588412,0.00026483042,0.0001332153,0.0021711718],"category_scores_gemma":[0.000023889517,0.00015358298,0.0001770194,0.000036543814,0.0001699298,0.000056296158,0.0001332657,0.0005938642,0.0000047587755],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000062744875,0.0006580757,0.0019041077,0.00050522713,0.0007014321,0.0003309385,0.5419093,0.0000379287,0.00011560255,0.43869528,0.0016445791,0.013491244],"study_design_scores_gemma":[0.0050314157,0.00046257448,0.010371975,0.0014121025,0.004993587,0.00018518174,0.51842415,0.0062161526,0.0006332368,0.17722416,0.27069423,0.004351213],"about_ca_topic_score_codex":0.002704053,"about_ca_topic_score_gemma":0.03153598,"teacher_disagreement_score":0.36888868,"about_ca_system_score_codex":0.0000068642667,"about_ca_system_score_gemma":0.000049172482,"threshold_uncertainty_score":0.998741},"labels":[],"label_agreement":null},{"id":"W3208071651","doi":"","title":"Inject me, infect me: origins of the Sivvy and Ted COVID poems","year":2021,"lang":"en","type":"article","venue":"Indiana Magazine of History (Indiana University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Capilano University","funders":"","keywords":"Coronavirus disease 2019 (COVID-19); Poetry; Severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2); 2019-20 coronavirus outbreak; Art; Virology; History; Literature; Medicine; Outbreak; Infectious disease (medical specialty)","score_opus":0.022581543644715985,"score_gpt":0.19298265057732333,"score_spread":0.17040110693260735,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3208071651","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8222973,0.0014320435,0.0000109647835,0.0004961127,0.0004767418,0.00014188977,0.00016654842,0.000034727374,0.17494367],"genre_scores_gemma":[0.9620969,0.0001112664,0.000015312515,0.0002061877,0.000080170925,4.1422905e-7,0.00001803659,0.000015047718,0.03745663],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987969,0.0001576342,0.00026621248,0.00028317608,0.00025591944,0.00024019711],"domain_scores_gemma":[0.99885297,0.000098633835,0.00024809956,0.00042154288,0.00024425765,0.000134492],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014039066,0.0001885089,0.00040732778,0.0004900877,0.0002712839,0.000021201373,0.00032868632,0.000084254076,0.002381581],"category_scores_gemma":[0.00009641133,0.00017331664,0.0002521677,0.00030473847,0.0008712642,0.00027371017,0.00012933933,0.00021261608,0.000023348908],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000100199395,0.00064022496,0.026799826,0.00062180957,0.001117773,0.00079155836,0.03782868,0.00004776978,0.011642751,0.8828724,0.036180034,0.001356995],"study_design_scores_gemma":[0.00061319314,0.00008673857,0.0065941443,0.000060519225,0.00031878447,0.000010473983,0.0030291674,0.000011693276,0.0010825943,0.00020912226,0.987755,0.00022855574],"about_ca_topic_score_codex":0.0011758108,"about_ca_topic_score_gemma":0.009374333,"teacher_disagreement_score":0.951575,"about_ca_system_score_codex":0.0005142066,"about_ca_system_score_gemma":0.0005339947,"threshold_uncertainty_score":0.9985304},"labels":[],"label_agreement":null},{"id":"W3208458351","doi":"10.32920/ryerson.14657745.v1","title":"Starting a Conversation: The Effort, Effect and Affect of Trans Poetics","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Poetics; Poetry; Conversation; Meaning (existential); Literature; Isolation (microbiology); Art; CITES; Sociology; Aesthetics; Philosophy; Linguistics; Epistemology","score_opus":0.022718816848189865,"score_gpt":0.24879348791860756,"score_spread":0.2260746710704177,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3208458351","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9488978,0.0015034986,0.00048503472,0.0017002544,0.00036126043,0.000305659,0.00003430726,0.000034387704,0.046677824],"genre_scores_gemma":[0.99813366,0.00008359641,0.000024375862,0.00023114953,0.00019358018,0.000014692508,0.00003139128,0.000009960616,0.0012776222],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9991264,0.00011861444,0.00026331027,0.00019700233,0.00016977832,0.00012491993],"domain_scores_gemma":[0.9992651,0.00026490728,0.00010352972,0.00025170538,0.0000845934,0.000030166335],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00044111762,0.00015803617,0.00036428362,0.00003909028,0.00015146018,0.00023419941,0.000114573246,0.000066490065,0.0019588093],"category_scores_gemma":[0.000028862463,0.00009628832,0.00022352925,0.000017891352,0.0002502245,0.000045277753,0.00010726444,0.00024389828,0.0000014962187],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011516152,0.0003126352,0.0056334403,0.0073039616,0.0036832264,0.00006917128,0.48223487,0.0005085649,0.0009928971,0.47736284,0.0045248494,0.017258378],"study_design_scores_gemma":[0.009995775,0.004147842,0.015540738,0.0086552035,0.028357374,0.000040591545,0.5455494,0.08519176,0.08709345,0.082484975,0.12522504,0.0077178585],"about_ca_topic_score_codex":0.00037979853,"about_ca_topic_score_gemma":0.0008919333,"teacher_disagreement_score":0.39487788,"about_ca_system_score_codex":0.000008562318,"about_ca_system_score_gemma":0.000029138007,"threshold_uncertainty_score":0.9989535},"labels":[],"label_agreement":null},{"id":"W3209031968","doi":"10.37536/ecozona.2021.12.2.4215","title":"An Excerpt from \"Seeds\"","year":2021,"lang":"en","type":"article","venue":"Ecozon European Journal of Literature Culture and Environment","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Douglas College","funders":"","keywords":"Poetry; Geography; Art; Literature","score_opus":0.01078170477282917,"score_gpt":0.18803639242968714,"score_spread":0.17725468765685798,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3209031968","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72466624,0.06994155,0.0006928156,0.003413779,0.0014923443,0.00009326665,0.00028615308,0.0000372172,0.19937666],"genre_scores_gemma":[0.9843812,0.0022147351,0.00055396435,0.0010268271,0.0023929358,2.6562918e-7,0.00007946895,0.000019739497,0.009330856],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988837,0.00026908022,0.00034396438,0.00018051446,0.00018883547,0.00013388859],"domain_scores_gemma":[0.9994223,0.000012452621,0.00015489383,0.00018561727,0.000058107642,0.00016659834],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023323645,0.00015558762,0.00022653601,0.000036821144,0.00017324151,0.0004984886,0.00013744016,0.000027190648,0.0031152742],"category_scores_gemma":[0.000008941183,0.00010661345,0.00013956951,0.000021995533,0.000079473546,0.00040627472,0.000033889526,0.00030023034,0.000045880046],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031496387,0.002665495,0.0013682821,0.00013835676,0.0020603721,0.01663751,0.5978401,0.00031361822,0.08670356,0.08943073,0.10501883,0.097508185],"study_design_scores_gemma":[0.0003756698,0.00023199893,0.0021986386,0.00011349417,0.00013453589,0.00009967563,0.0037857487,0.000010407406,0.00042749036,0.00080471474,0.9916517,0.00016589634],"about_ca_topic_score_codex":0.0000010324609,"about_ca_topic_score_gemma":0.0000041462763,"teacher_disagreement_score":0.8866329,"about_ca_system_score_codex":0.000013633606,"about_ca_system_score_gemma":0.000006094259,"threshold_uncertainty_score":0.997796},"labels":[],"label_agreement":null},{"id":"W3209234907","doi":"","title":"토끼풀과 단풍잎: 예이츠와 캐나다 모더니스트 시","year":2016,"lang":"ko","type":"article","venue":"The Yeats Journal of Korea","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Irish; BLISS; Style (visual arts); Literature; Modernism (music); Art; Art history; Literary criticism; History; Philosophy","score_opus":0.029577748611177204,"score_gpt":0.24811329593334,"score_spread":0.2185355473221628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3209234907","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73422134,0.0142316595,0.0003497201,0.05281119,0.0045503834,0.00021132128,0.00021435053,0.000035071633,0.19337499],"genre_scores_gemma":[0.9447281,0.0020171395,0.000015427508,0.0006782297,0.004782113,9.71983e-7,8.642441e-7,0.0000292493,0.047747925],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976604,0.0002615344,0.000862161,0.00016072721,0.00060718163,0.000448013],"domain_scores_gemma":[0.99791205,0.00037677097,0.00062968215,0.0004354112,0.00043913256,0.00020693475],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011559405,0.0002729562,0.00056553626,0.0001677563,0.0005447318,0.00032190894,0.0007640205,0.00009127618,0.009848726],"category_scores_gemma":[0.00013792011,0.00011950579,0.00064863235,0.00007527701,0.00061825605,0.00043726564,0.000093689065,0.00037079313,0.0006465152],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006162964,0.00089380256,0.0014525162,0.00010299801,0.002972256,0.0007533184,0.025810378,0.0000151449485,0.00488697,0.5860066,0.22512731,0.1513624],"study_design_scores_gemma":[0.0018834356,0.00081062753,0.0027311444,0.0010766934,0.0016443904,0.00048262827,0.005252919,0.000029899835,0.0018073395,0.03247974,0.9512794,0.00052180747],"about_ca_topic_score_codex":0.000056321227,"about_ca_topic_score_gemma":0.000062588115,"teacher_disagreement_score":0.72615206,"about_ca_system_score_codex":0.00007291281,"about_ca_system_score_gemma":0.00011544224,"threshold_uncertainty_score":0.9910564},"labels":[],"label_agreement":null},{"id":"W3209368419","doi":"","title":"\"The Cooking Calculus of Sylvia Plath\"","year":2019,"lang":"en","type":"article","venue":"Indiana Magazine of History (Indiana University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Capilano University","funders":"","keywords":"Poetry; Slang; Art; Food science; Garbage; Mathematics; Calculus (dental); Literature; Chemistry; Computer science; Philosophy; Linguistics; Programming language; Medicine","score_opus":0.01212896376737817,"score_gpt":0.16128500547379368,"score_spread":0.1491560417064155,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3209368419","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43975282,0.0014803032,0.000020121284,0.00017619244,0.0008549106,0.00019055558,0.0000614905,0.000037010017,0.5574266],"genre_scores_gemma":[0.8722431,0.00005710498,0.00000780925,0.00004637794,0.00007414282,2.6573025e-7,0.000008765569,0.000014044281,0.1275484],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988692,0.000065214095,0.0002901152,0.0002206889,0.00027027438,0.00028449716],"domain_scores_gemma":[0.99890655,0.00011951235,0.00029268774,0.00040903702,0.00017715595,0.00009503913],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018170783,0.00016009266,0.00034533592,0.0004732679,0.00023730827,0.000017291362,0.0004917041,0.00006841872,0.0027339656],"category_scores_gemma":[0.00002359662,0.00014848754,0.0002511528,0.00013352289,0.0006356577,0.00026763,0.00006554187,0.00017644219,0.00026406313],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011106812,0.00016742255,0.003107792,0.00021633097,0.00041471233,0.00016590956,0.0154349385,0.000044148823,0.001449303,0.9514432,0.02541391,0.002031246],"study_design_scores_gemma":[0.0004355852,0.000105334475,0.0011314655,0.00005554503,0.00012185193,0.000002089676,0.0026799217,0.00005525887,0.00015911768,0.00008991489,0.9949787,0.00018518083],"about_ca_topic_score_codex":0.00052783533,"about_ca_topic_score_gemma":0.0025307394,"teacher_disagreement_score":0.9695648,"about_ca_system_score_codex":0.00030511146,"about_ca_system_score_gemma":0.0001726472,"threshold_uncertainty_score":0.99817765},"labels":[],"label_agreement":null},{"id":"W3209723380","doi":"","title":"‘Inspire’ so Close to ‘Expire’: Riding out the Pandemic with Poet Partners Ted Hughes and Sylvia Plath","year":2021,"lang":"en","type":"article","venue":"Indiana Magazine of History (Indiana University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Capilano University","funders":"","keywords":"Pandemic; Art; Coronavirus disease 2019 (COVID-19); Medicine; Infectious disease (medical specialty)","score_opus":0.03406740676816477,"score_gpt":0.21362848023078093,"score_spread":0.17956107346261616,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3209723380","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88072395,0.0018674507,0.000031895714,0.0012820419,0.00037714065,0.00021188978,0.00010362861,0.00009173419,0.115310274],"genre_scores_gemma":[0.94559425,0.0001414488,0.000050661514,0.0005084888,0.00015856148,0.0000015867271,0.000026106747,0.000025875152,0.053493045],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99853957,0.00011482044,0.00024388694,0.00043350394,0.00028325783,0.0003849537],"domain_scores_gemma":[0.9988504,0.00013350787,0.00016756727,0.00042585694,0.00019156556,0.0002310736],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00017267528,0.00025894083,0.00041383345,0.0004775733,0.0005894084,0.000079499114,0.00033229313,0.000079155034,0.00086397346],"category_scores_gemma":[0.000055645272,0.00022004457,0.00014305017,0.00021132297,0.0007669538,0.0003513297,0.00010907397,0.00025203603,0.0000741285],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006255416,0.00075547653,0.041821975,0.00060156593,0.0024637224,0.0055078818,0.323472,0.00014996731,0.0039345273,0.49752772,0.11103163,0.0121079935],"study_design_scores_gemma":[0.00061485934,0.00014504553,0.0030596545,0.00010454185,0.00032399505,0.000015267624,0.009908577,0.000013971983,0.00013762833,0.00008609399,0.98524725,0.0003431196],"about_ca_topic_score_codex":0.00030126158,"about_ca_topic_score_gemma":0.018878285,"teacher_disagreement_score":0.8742156,"about_ca_system_score_codex":0.00032417776,"about_ca_system_score_gemma":0.0003574603,"threshold_uncertainty_score":0.9990246},"labels":[],"label_agreement":null},{"id":"W3213481095","doi":"","title":"Writing, history, and music in do not say we have nothing: A conversation with madeleine thien","year":2019,"lang":"en","type":"article","venue":"Canadian literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Nothing; Conversation; Literature; Linguistics; History; Art; Philosophy; Epistemology","score_opus":0.013097250237258967,"score_gpt":0.17678358950741338,"score_spread":0.1636863392701544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3213481095","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7615944,0.010354524,0.0000030974559,0.020338325,0.0006480338,0.0004835358,0.00028232374,0.000050189345,0.20624554],"genre_scores_gemma":[0.96764284,0.000018418334,0.000016383534,0.004978935,0.00024354547,0.000006347203,0.00006741217,0.000014401765,0.027011687],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.999241,0.000029823492,0.00014034947,0.00023693696,0.0001068935,0.00024499666],"domain_scores_gemma":[0.999528,0.00002251208,0.00004197633,0.00016557371,0.00007566057,0.00016626487],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011182753,0.0001330931,0.00017446109,0.00030461964,0.00008071912,0.00029457427,0.000080983016,0.00008237675,0.0024944893],"category_scores_gemma":[0.00000885281,0.000111892004,0.000032439468,0.000050358616,0.00008676096,0.00034224926,0.0000074112872,0.00026181052,0.000026010777],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042425967,0.000022811644,0.004029463,0.0002042048,0.000058207064,0.00025106236,0.52798957,0.000007810337,0.00011826466,0.43160897,0.0341542,0.0015130031],"study_design_scores_gemma":[0.00043303214,0.000056254932,0.0010494286,0.000300737,0.000023647704,0.0000106164225,0.007143256,0.00029493868,0.00000776876,0.0002448873,0.99022377,0.00021164757],"about_ca_topic_score_codex":0.013486415,"about_ca_topic_score_gemma":0.22859135,"teacher_disagreement_score":0.9560696,"about_ca_system_score_codex":0.0002053147,"about_ca_system_score_gemma":0.00011568062,"threshold_uncertainty_score":0.9984174},"labels":[],"label_agreement":null},{"id":"W3214101572","doi":"10.2021/ju.v1i1.2321","title":"A Sister’s Song","year":2021,"lang":"en","type":"article","venue":"The Journal of Macrodynamic Analysis (Memorial University of Newfoundland)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Sister; Computer science; Political science; Law","score_opus":0.01450566605659731,"score_gpt":0.20564858332389552,"score_spread":0.1911429172672982,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3214101572","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9618698,0.00055186544,0.0087067755,0.0019581572,0.0009458774,0.000047422353,0.000051541978,0.000013365905,0.025855202],"genre_scores_gemma":[0.98952854,0.0002674261,0.00008451268,0.00006497596,0.00069158804,1.9592589e-8,0.000012957966,0.0000065593176,0.009343411],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99852425,0.00030245064,0.00041910412,0.00012342793,0.00044102554,0.00018971381],"domain_scores_gemma":[0.9980972,0.00021883701,0.00058892637,0.00030954846,0.00069852185,0.00008695752],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007362891,0.00013560172,0.00062511273,0.00028712928,0.00042064989,0.000076613556,0.0005225304,0.000047279107,0.004506393],"category_scores_gemma":[0.000054030483,0.00010375098,0.000913727,0.0003776461,0.00035349236,0.0002555957,0.00009754222,0.0002347247,0.000017090862],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.010320642,0.004072714,0.03195662,0.00046582366,0.1381784,0.0044772583,0.23979722,0.044686977,0.009863979,0.46486694,0.029476333,0.021837106],"study_design_scores_gemma":[0.011345289,0.0014251653,0.028728275,0.00032666037,0.13307829,0.0005154664,0.25823405,0.044722438,0.00013877582,0.020821607,0.49876058,0.001903391],"about_ca_topic_score_codex":0.0016678108,"about_ca_topic_score_gemma":0.033083096,"teacher_disagreement_score":0.46928427,"about_ca_system_score_codex":0.000093570714,"about_ca_system_score_gemma":0.00013864075,"threshold_uncertainty_score":0.99640363},"labels":[],"label_agreement":null},{"id":"W3214559462","doi":"10.5508/jhs29586","title":"Robert Lowth, Parallelism, and Biblical Poetry","year":2021,"lang":"en","type":"article","venue":"Journal of Hebrew Scriptures","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":27,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Parallelism (grammar); Poetry; Schema (genetic algorithms); Literature; Orality; Philosophy; Phenomenon; Situated; Epistemology; Linguistics; Art; Computer science; Sociology; Artificial intelligence","score_opus":0.015842878704006153,"score_gpt":0.23557089115828944,"score_spread":0.21972801245428328,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3214559462","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50995326,0.39085406,0.00017265738,0.01240191,0.0024841325,0.000061124505,0.000026507752,0.000035677553,0.08401066],"genre_scores_gemma":[0.9434574,0.00070501916,0.00025540602,0.04846305,0.0021854956,8.156277e-7,0.000004137108,0.000016885142,0.004911755],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99889004,0.00007775608,0.00041320486,0.00012454954,0.00030299267,0.00019146125],"domain_scores_gemma":[0.99918246,0.00005845554,0.0001429137,0.00012987107,0.00033747987,0.000148834],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022864166,0.00012449585,0.0003311525,0.0002392556,0.00018368795,0.00038589264,0.00013534813,0.000053862852,0.0042550075],"category_scores_gemma":[0.00010449261,0.00008948028,0.00021340125,0.00009762074,0.00015049677,0.00035417825,0.000046467772,0.00029785416,0.000025719519],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000322537,0.00015748815,0.0005128171,0.00003413549,0.00020190682,0.00049032574,0.0023126078,0.0000053456015,0.0009355217,0.11246103,0.8799886,0.0028679634],"study_design_scores_gemma":[0.00034670896,0.00007920005,0.0017735456,0.000050959086,0.00012574192,0.00042359144,0.0021087776,0.000018030512,0.0004640609,0.0112754395,0.98320794,0.00012601055],"about_ca_topic_score_codex":0.000024734103,"about_ca_topic_score_gemma":0.00014268875,"teacher_disagreement_score":0.43350416,"about_ca_system_score_codex":0.000012019164,"about_ca_system_score_gemma":0.000058856484,"threshold_uncertainty_score":0.9966552},"labels":[],"label_agreement":null},{"id":"W3215173992","doi":"10.1353/sym.2021.0048","title":"The Specter of Rebirth","year":2021,"lang":"en","type":"article","venue":"symplokē","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Structuralism (philosophy of science); Philosophy; Philology; Meaning (existential); MAGIC (telescope); Criticism; Grammar; Literature; Epistemology; Linguistics; Art; Sociology; Physics","score_opus":0.016730642544353296,"score_gpt":0.2072749372287595,"score_spread":0.1905442946844062,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3215173992","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12256562,0.0013750205,0.000030068262,0.0028964228,0.0004872532,0.00003223937,0.000020363315,0.00002867918,0.8725643],"genre_scores_gemma":[0.9473814,0.000056630946,0.000009997048,0.00018100973,0.00028359477,0.000001854257,0.0000032087808,0.0000048134502,0.052077517],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995735,0.000029023638,0.00012530918,0.00007322794,0.00009773408,0.00010115341],"domain_scores_gemma":[0.9996044,0.000056183595,0.000027832928,0.00019343315,0.000100295234,0.000017877916],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008101436,0.0000422748,0.00008405389,0.000011037444,0.00019804577,0.00007315015,0.00008013398,0.000009618543,0.0027608327],"category_scores_gemma":[0.000028866913,0.000025968484,0.000083945735,0.000023927612,0.00012762561,0.000041594718,0.00002512809,0.000042648913,0.000086966844],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000018050825,0.000021669348,0.00012593043,0.0000058269907,0.000039442115,0.000006468659,0.0023254128,3.5146635e-7,0.00021474053,0.9920142,0.00406487,0.0011792752],"study_design_scores_gemma":[0.00007279339,0.00001430539,0.000568197,0.000011596766,0.000030672196,0.0000023949428,0.0039656656,0.0000138578425,0.002312285,0.02380438,0.9691453,0.000058582806],"about_ca_topic_score_codex":0.000027850094,"about_ca_topic_score_gemma":0.00057630625,"teacher_disagreement_score":0.9682098,"about_ca_system_score_codex":0.0000042523047,"about_ca_system_score_gemma":0.000018152325,"threshold_uncertainty_score":0.99815077},"labels":[],"label_agreement":null},{"id":"W3217041726","doi":"","title":"Haroldo de Campos’s “planetary music for mortal ears”: A Latin American Postmodern Global Poetics","year":2021,"lang":"en","type":"article","venue":"Journal of Lusophone Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Postmodernism; Poetics; Poetry; Dismissal; Literature; Modernism (music); Philosophy; Art; Aesthetics; Art history; Law","score_opus":0.059469707110434644,"score_gpt":0.3036600405229815,"score_spread":0.24419033341254687,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3217041726","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9806921,0.011120968,0.00024661922,0.003809592,0.0009751507,0.00007474492,0.00022008726,0.000016496135,0.0028442838],"genre_scores_gemma":[0.9944374,0.0006960382,0.0009032102,0.0011129022,0.0015436662,0.000003286103,0.0000090301855,0.0000135677055,0.0012809071],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9986842,0.000063417145,0.00051744876,0.00014428148,0.00028554653,0.0003050997],"domain_scores_gemma":[0.9986451,0.0001497705,0.0003421434,0.00012748406,0.0006358263,0.00009964294],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024075573,0.00017362842,0.00060152763,0.00005791388,0.0003195388,0.00010374662,0.00013594593,0.00002472646,0.00017024281],"category_scores_gemma":[0.00017403344,0.00013932807,0.0003457062,0.00008100503,0.00030069298,0.00012228552,0.000059451068,0.00016096463,0.000008443842],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0021603412,0.0034760656,0.051444337,0.0012828818,0.030212788,0.007381571,0.40657544,0.00306566,0.0042076805,0.09566846,0.36509883,0.029425943],"study_design_scores_gemma":[0.007330371,0.004756672,0.08032282,0.00087502727,0.0070083053,0.0015956174,0.4632217,0.0024718787,0.0010478623,0.08149533,0.3475973,0.0022771202],"about_ca_topic_score_codex":0.0001251178,"about_ca_topic_score_gemma":0.0021870157,"teacher_disagreement_score":0.05664625,"about_ca_system_score_codex":0.00008194157,"about_ca_system_score_gemma":0.00013467889,"threshold_uncertainty_score":0.56816334},"labels":[],"label_agreement":null},{"id":"W324459195","doi":"10.7202/1087901ar","title":"\"And Brewsters Pay for Smiles\": Ray Bagley's Alienated Verse","year":2000,"lang":"en","type":"article","venue":"Érudit (Université de Montréal)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Folklore; Tourism; Entertainment; Sociology; Alienation; Folk culture; Popular culture; Comedy; Paragraph; History; Media studies; Literature; Aesthetics; Law; Art; Visual arts; Anthropology; Political science","score_opus":0.006963338004893161,"score_gpt":0.15363014130822408,"score_spread":0.14666680330333093,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W324459195","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8636696,0.006699466,0.0002651227,0.025825571,0.00035141024,0.0005216522,0.00039475132,0.00028058383,0.10199187],"genre_scores_gemma":[0.80146706,0.00097243715,0.00007778317,0.0007299015,0.0001724225,0.0000069215384,0.00005108693,0.000020632533,0.19650173],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991683,0.000032362703,0.00012563517,0.00024715878,0.00011641531,0.00031013784],"domain_scores_gemma":[0.99952877,0.00006267026,0.000043434102,0.00017662451,0.000054046362,0.00013443718],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010047047,0.00015567584,0.00021282745,0.00009275356,0.0007800723,0.000057453708,0.00014293173,0.000059250953,0.003932445],"category_scores_gemma":[0.0000066844314,0.00013385006,0.00015496103,0.00004737122,0.00012324721,0.00020222821,0.00003705445,0.00008315456,0.00013167667],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00067742314,0.00022051511,0.0001256481,0.000086523425,0.0006454026,0.0006143151,0.0205597,0.00028114527,0.00041141236,0.4941803,0.3403631,0.14183453],"study_design_scores_gemma":[0.0009482058,0.000076230215,0.00010838788,0.000016262751,0.00020129092,0.00001837079,0.003330267,0.0013149012,0.00004870644,0.00096500147,0.9927617,0.00021071873],"about_ca_topic_score_codex":0.0019948566,"about_ca_topic_score_gemma":0.027408153,"teacher_disagreement_score":0.6523986,"about_ca_system_score_codex":0.0004148136,"about_ca_system_score_gemma":0.000011118619,"threshold_uncertainty_score":0.9969781},"labels":[],"label_agreement":null},{"id":"W328856943","doi":"10.1353/mos.2017.a650694","title":"“We Haven’t Left the Body”: An Interview with Mary Ann Caws","year":2017,"lang":"en","type":"article","venue":"Mosaic","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Front (military); History; Haven; Club; Psychology; Art history; Advertising; Geography; Meteorology; Medicine; Mathematics; Business","score_opus":0.04874882949605804,"score_gpt":0.2646453671317172,"score_spread":0.21589653763565916,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W328856943","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4101864,0.004846978,0.0001284757,0.049698953,0.001069617,0.00045902387,0.00020830969,0.00020264482,0.5331996],"genre_scores_gemma":[0.9501399,0.00007101647,0.000008368037,0.0010910153,0.00044723664,0.000008589417,0.000021488784,0.000014738071,0.048197642],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992756,0.00006987991,0.00013409094,0.000178434,0.00014188001,0.00020008412],"domain_scores_gemma":[0.9990399,0.00001764014,0.000082621315,0.00075964193,0.000042591328,0.00005759232],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021704394,0.00012574162,0.00017121926,0.000023486366,0.001228031,0.0006767212,0.0004997559,0.000023564538,0.003255956],"category_scores_gemma":[0.000009674533,0.00006856947,0.00008244215,0.000006493456,0.00034370078,0.00037630962,0.00007066159,0.00013382589,0.00014956901],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009532499,0.0007956921,0.004132351,0.00031670195,0.0008126557,0.00028156053,0.12915935,0.000015043514,0.00017601263,0.55887014,0.2213766,0.083968595],"study_design_scores_gemma":[0.00016726207,0.00013285915,0.0022514302,0.00008517026,0.00012018367,0.000009209612,0.0049185934,0.00031786104,0.000054035772,0.0024974959,0.98926896,0.00017692782],"about_ca_topic_score_codex":0.00042593226,"about_ca_topic_score_gemma":0.007698684,"teacher_disagreement_score":0.76789236,"about_ca_system_score_codex":0.000011200843,"about_ca_system_score_gemma":0.000016046497,"threshold_uncertainty_score":0.9976552},"labels":[],"label_agreement":null},{"id":"W329337060","doi":"","title":"Bolder Flights: Essays on the Canadian Long Poem ed. by Frank M. Tierney, Angela Robbeson (review)","year":2000,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; History; Art history; Art; Literature","score_opus":0.008654803422116239,"score_gpt":0.1819009178502708,"score_spread":0.17324611442815455,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W329337060","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02751756,0.026399584,0.0000119278,0.0045224377,0.00016136035,0.00026877061,0.00027589637,0.000044812637,0.9407976],"genre_scores_gemma":[0.9101557,0.003946071,0.0000074667514,0.0014575847,0.00016035802,6.122078e-7,0.00005629343,0.000012968449,0.08420293],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990863,0.00009155997,0.00013481277,0.00020141237,0.0002182344,0.000267638],"domain_scores_gemma":[0.9993623,0.00003893212,0.000056229288,0.0003123984,0.00007849546,0.0001516766],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014160464,0.00015029278,0.00023827779,0.000024082972,0.0006663256,0.000051836498,0.0003702944,0.000057742927,0.09058359],"category_scores_gemma":[0.0000023814484,0.00012304007,0.00017857779,0.000016566792,0.00019046818,0.0002958583,0.0000055121372,0.00011045227,0.00034758527],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015289228,0.000090791465,0.000023972843,0.00004143822,0.00011572306,0.000026796632,0.012102378,7.5577964e-7,0.0000033463205,0.038135663,0.92672664,0.02271719],"study_design_scores_gemma":[0.00019823883,0.00022818091,0.00029915123,0.00018032636,0.00014633,0.0000011803052,0.006629414,0.000043584423,0.0000040765353,0.00009029835,0.9919881,0.0001911171],"about_ca_topic_score_codex":0.63232964,"about_ca_topic_score_gemma":0.91021436,"teacher_disagreement_score":0.88263816,"about_ca_system_score_codex":0.00018187155,"about_ca_system_score_gemma":0.000048704358,"threshold_uncertainty_score":0.91024774},"labels":[],"label_agreement":null},{"id":"W334914248","doi":"","title":"Mixing It Up: Poetry for The Goose","year":2015,"lang":"en","type":"article","venue":"Scholars Commons (Wilfrid Laurier University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Goose; Poetry; Mixing (physics); Computer science; Art; Literature; Biology; Ecology; Physics","score_opus":0.06280447441218238,"score_gpt":0.24621616633355825,"score_spread":0.18341169192137585,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W334914248","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.109810784,0.0018840826,0.0028677073,0.02167105,0.003459222,0.0008215641,0.00052141346,0.00036158494,0.8586026],"genre_scores_gemma":[0.8644923,0.000024599274,0.00012044802,0.0009161515,0.0004082205,0.0000029862258,0.00003411045,0.000024607987,0.13397658],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988061,0.0001268464,0.0001771862,0.0002663528,0.00025205992,0.00037143452],"domain_scores_gemma":[0.99863344,0.00026275107,0.00008383873,0.00050801085,0.00030291444,0.00020905341],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0005215764,0.00018984124,0.00023045077,0.00023994876,0.0013807591,0.00040352135,0.00070940156,0.00006825821,0.0005734305],"category_scores_gemma":[0.00013017701,0.00015575941,0.00025822216,0.00019952201,0.00034472905,0.00083114125,0.00017856703,0.0003600867,0.00011068668],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012239786,0.000109097215,0.00059519155,0.000014983788,0.00029744784,0.000040333573,0.008998037,0.000032245196,0.000022527849,0.87378365,0.114006475,0.001977619],"study_design_scores_gemma":[0.00076808664,0.000056341378,0.00006194641,0.00002131188,0.00026946998,0.000002946307,0.028453168,0.00021597953,0.00006702008,0.002290134,0.9675665,0.00022708012],"about_ca_topic_score_codex":0.00019148143,"about_ca_topic_score_gemma":0.0021966589,"teacher_disagreement_score":0.8714935,"about_ca_system_score_codex":0.00009380809,"about_ca_system_score_gemma":0.00010725747,"threshold_uncertainty_score":0.9999193},"labels":[],"label_agreement":null},{"id":"W341071454","doi":"","title":"Orion, and Other Poems by Charles G.D. Roberts (review)","year":2000,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; History; Art; Art history","score_opus":0.01036956063842445,"score_gpt":0.19401718653633393,"score_spread":0.18364762589790948,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W341071454","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17199898,0.111350514,0.00004597401,0.0015501411,0.00014163658,0.00025438852,0.00029666602,0.000092529175,0.71426916],"genre_scores_gemma":[0.82032007,0.0125783095,0.000048548736,0.0010617655,0.00016624387,3.3212513e-7,0.000028629629,0.000015360907,0.16578074],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995444,0.000030680083,0.00009093718,0.0001319636,0.00009165684,0.00011035537],"domain_scores_gemma":[0.9997325,0.000011762586,0.00003965953,0.00012445041,0.000036109584,0.000055497727],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00005804916,0.0000828482,0.00018153741,0.000009013507,0.00015571431,0.000016830076,0.0001097837,0.000023789007,0.057843186],"category_scores_gemma":[7.5199085e-7,0.00008230864,0.00007170134,0.000005824841,0.00014179683,0.00026297144,0.0000046074906,0.000029198512,0.00005614216],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006187144,0.00032176377,0.00017474154,0.0003008646,0.0002590441,0.000016825941,0.098268114,3.3405968e-7,0.0001724342,0.050498568,0.50108474,0.34884068],"study_design_scores_gemma":[0.00018972682,0.00014506068,0.000117195326,0.00009572958,0.000083319035,0.0000012261612,0.0064823013,0.000018623063,0.0000032651553,0.0001029887,0.9926502,0.00011036265],"about_ca_topic_score_codex":0.025953483,"about_ca_topic_score_gemma":0.024217015,"teacher_disagreement_score":0.6483211,"about_ca_system_score_codex":0.000019767847,"about_ca_system_score_gemma":0.000005467804,"threshold_uncertainty_score":0.9935885},"labels":[],"label_agreement":null},{"id":"W35966987","doi":"10.3389/fnhum.2022.910910","title":"The Poet in the Landscape Is Made by the Landscape","year":2003,"lang":"en","type":"article","venue":"Essays on Canadian writing","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Geography; Landscape history; Art; Landscape design; Landscape archaeology; Environmental resource management; Environmental science","score_opus":0.017786043251792262,"score_gpt":0.22168471420131253,"score_spread":0.20389867094952027,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W35966987","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.090376206,0.001297681,9.368399e-7,0.028477572,0.00021133364,0.00013636707,0.00013101092,0.000015613128,0.8793533],"genre_scores_gemma":[0.9825168,0.00004988275,0.0000011482724,0.010117623,0.00034006455,0.000026935695,0.000014993299,0.000015698777,0.006916805],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99854773,0.00024248625,0.00024162579,0.0001897091,0.00024175437,0.0005366794],"domain_scores_gemma":[0.9988906,0.0005622634,0.000051983658,0.0003504959,0.000039482275,0.00010519594],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001103685,0.00014856066,0.00013222644,0.00007464806,0.0017723138,0.00075688853,0.00043848492,0.000044277404,0.0020667543],"category_scores_gemma":[0.00012761692,0.00007535757,0.00009255246,0.000114197945,0.00013222515,0.00008175267,0.000009323724,0.00035925762,0.00011172374],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000024155368,0.000017959705,0.0011816153,0.000004757059,0.00002736609,0.00002382945,0.012057909,0.0000050579742,0.0000029349421,0.6876773,0.29639176,0.002607052],"study_design_scores_gemma":[0.00018282207,0.000032157317,0.00032916057,0.000028422686,0.000023832752,0.0000098101755,0.07400291,0.00020103056,0.000017807477,0.0031333058,0.9218765,0.00016225867],"about_ca_topic_score_codex":0.022411663,"about_ca_topic_score_gemma":0.41438636,"teacher_disagreement_score":0.8921406,"about_ca_system_score_codex":0.000034399793,"about_ca_system_score_gemma":0.000084965606,"threshold_uncertainty_score":0.9995272},"labels":[],"label_agreement":null},{"id":"W412461285","doi":"","title":"Метод нарезок в произведениях Уильяма Берроуза","year":2014,"lang":"ru","type":"article","venue":"Вестник Майкопского государственного технологического университета","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Casual; Style (visual arts); Literature; Art history; Visual arts; Law","score_opus":0.01743217244222341,"score_gpt":0.21904903038736012,"score_spread":0.2016168579451367,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W412461285","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.113499954,0.017279359,0.005733323,0.014591908,0.019985534,0.0036018284,0.002854707,0.0031834047,0.81926996],"genre_scores_gemma":[0.8720225,0.0010693464,0.00047445708,0.0067814873,0.013128235,0.00027730587,0.0006123115,0.000810375,0.10482398],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9789007,0.002084869,0.0049489983,0.004564291,0.0036914842,0.005809679],"domain_scores_gemma":[0.98684263,0.0016425774,0.002056694,0.005292129,0.0015690094,0.0025969462],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"category_scores_codex":[0.0042474377,0.003960779,0.0046351254,0.0018712992,0.0047935173,0.004800277,0.004162804,0.0018036069,0.05147365],"category_scores_gemma":[0.0012934017,0.0039601345,0.0033575299,0.0012012668,0.0035168775,0.0027591353,0.0015134615,0.0036827233,0.031879116],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00048065942,0.0023154544,0.0010860402,0.0010497684,0.0018550564,0.00029283576,0.009221642,0.0003241375,0.0009723323,0.8303996,0.127326,0.024676504],"study_design_scores_gemma":[0.004507543,0.0016366938,0.0019473705,0.001057183,0.0026583653,0.00018873475,0.004820776,0.0063806963,0.0015878291,0.034371536,0.9355276,0.005315672],"about_ca_topic_score_codex":0.0027953708,"about_ca_topic_score_gemma":0.0019889998,"teacher_disagreement_score":0.8082016,"about_ca_system_score_codex":0.00084196334,"about_ca_system_score_gemma":0.0007372513,"threshold_uncertainty_score":0.9994923},"labels":[],"label_agreement":null},{"id":"W4137120","doi":"10.1111/j.1365-2141.1974.tb06778.x","title":"Longing for the Voice: Song Settings of E. E. Cummings","year":2013,"lang":"en","type":"article","venue":"Journal of Singing","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Punctuation; Poetry; Style (visual arts); Variety (cybernetics); Art; Literature; White (mutation); Meaning (existential); Grammar; Diction; Syntax; Politics; Linguistics; Art history; Psychology; Philosophy; Law; Computer science","score_opus":0.019642847778694773,"score_gpt":0.23802832065263158,"score_spread":0.2183854728739368,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4137120","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.95971656,0.003555195,0.012374996,0.012096384,0.0013060257,0.00025962153,0.0000075272737,0.000022250115,0.010661417],"genre_scores_gemma":[0.9970377,0.000015524798,0.0004713689,0.00027264614,0.0008903575,0.0000020574107,3.3191932e-7,0.000011474696,0.001298541],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991024,0.000015189149,0.00044479917,0.00005836879,0.00019259028,0.00018666644],"domain_scores_gemma":[0.9987006,0.00034582763,0.00042638398,0.00008635655,0.00040228982,0.000038506045],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00063311955,0.00008148631,0.00021691245,0.000121026394,0.00033917223,0.00021569958,0.00018551484,0.00001884984,0.00039934646],"category_scores_gemma":[0.00013059926,0.000049738428,0.00025291918,0.00003863438,0.00009967701,0.0004383684,0.000020490437,0.00014099528,0.000007054373],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016755486,0.0005326224,0.0031422772,0.0012510404,0.0028529135,0.000042223528,0.28700534,0.0028313797,0.041414578,0.32613695,0.11061737,0.22400574],"study_design_scores_gemma":[0.002028316,0.0006748513,0.001757389,0.0023704818,0.001925912,0.000168324,0.23633227,0.04064124,0.009063159,0.029927975,0.67428875,0.00082132604],"about_ca_topic_score_codex":0.00005644215,"about_ca_topic_score_gemma":0.000008641361,"teacher_disagreement_score":0.5636714,"about_ca_system_score_codex":0.000019265417,"about_ca_system_score_gemma":0.000020115518,"threshold_uncertainty_score":0.4372564},"labels":[],"label_agreement":null},{"id":"W4200570245","doi":"10.29173/jjs68","title":"Reviews","year":2021,"lang":"en","type":"article","venue":"Journal of Juvenilia Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Biography; Miller; Morse code; Performance art; Art history; History; Art; Literature; Psychoanalysis; Classics; Philosophy; Psychology; Biology","score_opus":0.1523965532257482,"score_gpt":0.3438319998475304,"score_spread":0.1914354466217822,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4200570245","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10440954,0.7333212,0.000060877843,0.015831865,0.005068684,0.00008886569,0.000011239559,0.00002053177,0.1411872],"genre_scores_gemma":[0.9135836,0.03428629,0.00037169273,0.0016092588,0.002809976,0.0000028047655,9.400355e-7,0.00001183615,0.047323607],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906987,0.00007776646,0.0005164925,0.00006571703,0.00016212468,0.000108049346],"domain_scores_gemma":[0.99893075,0.00007164911,0.00024482145,0.00009962179,0.00061484776,0.000038318467],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041148977,0.000081465194,0.000476784,0.00004947724,0.0001728853,0.000055367487,0.000086877306,0.00001216509,0.0010188761],"category_scores_gemma":[0.00040652533,0.000053437798,0.00030927145,0.00004027564,0.0001121438,0.00016205481,0.00003485898,0.00012266613,0.00005595607],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025163983,0.00029321088,0.00030147377,0.00025432205,0.001574474,0.0007484213,0.04799621,0.0000048693964,0.0006352714,0.23698892,0.6918558,0.019321853],"study_design_scores_gemma":[0.00014652438,0.000051748342,0.000048636455,0.00014678024,0.00020467797,0.00005360875,0.014011507,0.0000011373999,0.00031783394,0.0051029935,0.9798474,0.0000671728],"about_ca_topic_score_codex":0.0000015211056,"about_ca_topic_score_gemma":0.000094275965,"teacher_disagreement_score":0.80917406,"about_ca_system_score_codex":0.000021560812,"about_ca_system_score_gemma":0.000031309966,"threshold_uncertainty_score":0.9998943},"labels":[],"label_agreement":null},{"id":"W4205418778","doi":"10.1353/wlt.2013.0065","title":"Al-Mutanabbi Street Starts Here","year":2013,"lang":"en","type":"article","venue":"World Literature Today","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Tribute; Poetry; Art; Passion; Craft; Publishing; Adventure; History; Literature; Visual arts","score_opus":0.010279933863449038,"score_gpt":0.2135196304582062,"score_spread":0.20323969659475719,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205418778","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10062561,0.0056220787,0.000009856085,0.01543967,0.0013333161,0.00038567767,0.00019049426,0.00029811784,0.8760952],"genre_scores_gemma":[0.79566175,0.000013810255,0.000055993496,0.004809478,0.0008286361,0.000029089544,0.000093841794,0.000020540749,0.19848688],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987279,0.000066443936,0.00028167752,0.00030520477,0.00023961674,0.00037911418],"domain_scores_gemma":[0.9991657,0.000050195133,0.000064006446,0.0003872743,0.00018929798,0.00014349516],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000105006824,0.00023458783,0.00026037695,0.00018259378,0.00031172228,0.00105786,0.00021853362,0.00004369079,0.02893226],"category_scores_gemma":[0.000014339687,0.00017533352,0.00017524013,0.00015932349,0.00011728736,0.0006138825,0.000043869888,0.00031084096,0.0008650832],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000052084124,0.00008306918,0.0003998082,0.00002726921,0.00007912581,0.000039303715,0.007919785,0.000002220278,0.00009755613,0.47744802,0.51133966,0.0025589839],"study_design_scores_gemma":[0.00015293667,0.000031453277,0.00032277725,0.000111017966,0.00003439584,0.0000017400533,0.0012582819,0.000046287125,0.00006944462,0.00639988,0.9913153,0.00025646694],"about_ca_topic_score_codex":0.0001547142,"about_ca_topic_score_gemma":0.0027510384,"teacher_disagreement_score":0.6950361,"about_ca_system_score_codex":0.000023720871,"about_ca_system_score_gemma":0.000013815882,"threshold_uncertainty_score":0.99997914},"labels":[],"label_agreement":null},{"id":"W4205709406","doi":"10.1353/arn.2010.0029","title":"Achilles As Earthwork","year":2010,"lang":"en","type":"article","venue":"Arion","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"HERO; Art history; Art; Shot (pellet); Quarter (Canadian coin); Law; Ancient history; History; Archaeology; Literature; Political science","score_opus":0.008882493389592934,"score_gpt":0.21310047009078947,"score_spread":0.20421797670119654,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205709406","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6208931,0.000036925947,0.0000048417924,0.0007564312,0.0004380665,0.000018711053,0.000001915066,0.00003496365,0.377815],"genre_scores_gemma":[0.98058265,0.0000059327435,0.000024059747,0.0004782352,0.00067097874,0.000002433576,0.000007631033,0.0000051898414,0.01822289],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996516,0.000009061493,0.00007524308,0.0000863407,0.00007665539,0.00010107903],"domain_scores_gemma":[0.9997741,0.000019145844,0.000017282124,0.00012792696,0.000026800164,0.00003476538],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007013934,0.00005084132,0.00006389431,0.000028225382,0.00023003964,0.000107021486,0.00006772895,0.000024423756,0.010213495],"category_scores_gemma":[0.000020437386,0.000040132847,0.000055117354,0.0000130966655,0.000076821256,0.00009808358,0.000014853921,0.00012930355,0.0012366591],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000024009798,0.000026245167,0.00017918558,0.0000014946269,0.00001048903,0.0000027111532,0.0029435332,4.2409232e-7,0.0007121235,0.9876449,0.0028635105,0.0056129955],"study_design_scores_gemma":[0.000063815794,0.000021849164,0.0008260395,0.0000041494704,0.00001697569,0.0000022121687,0.0006276031,0.00003067834,0.0004288926,0.019814879,0.97808665,0.00007622647],"about_ca_topic_score_codex":0.00025758444,"about_ca_topic_score_gemma":0.0029142788,"teacher_disagreement_score":0.9752232,"about_ca_system_score_codex":0.0000015837566,"about_ca_system_score_gemma":0.0000071936047,"threshold_uncertainty_score":0.999541},"labels":[],"label_agreement":null},{"id":"W4206220808","doi":"10.4000/sillagescritiques.4141","title":"A Dangerous Difference: Pound, Douglas &amp; Proudhon","year":2003,"lang":"en","type":"article","venue":"Sillages critiques","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"NOSM University","funders":"","keywords":"Pound (networking); Economics; Computer science; World Wide Web","score_opus":0.04390430324856291,"score_gpt":0.27586813504142416,"score_spread":0.23196383179286123,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206220808","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4270237,0.0037583057,0.0003016796,0.0012105695,0.0009470348,0.00023314302,0.00005600587,0.00039320442,0.56607634],"genre_scores_gemma":[0.9502356,0.00021407986,0.00024717057,0.00077784277,0.00067955506,0.000044114542,0.000026396085,0.00002973901,0.047745515],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99851346,0.00018708821,0.00029852294,0.00032858324,0.0002559111,0.000416449],"domain_scores_gemma":[0.9991827,0.000097854834,0.000055945377,0.0003602201,0.00019450639,0.00010876089],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023929293,0.00024212366,0.00031505004,0.00010842625,0.00044055635,0.0005008035,0.00018963627,0.00007491983,0.0038172847],"category_scores_gemma":[0.0001697535,0.00020057862,0.00017048501,0.000055821893,0.00031550069,0.00022767065,0.000029915624,0.00017679964,0.00026825658],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000847758,0.00016162067,0.0004350539,0.00006768691,0.00006127077,0.000021644346,0.0135483565,4.5213275e-7,0.0007707235,0.9734853,0.009562892,0.0018765194],"study_design_scores_gemma":[0.00019770378,0.00008330862,0.00017998209,0.000056452816,0.00007330522,0.000015771902,0.0049288194,0.000003673347,0.0011934163,0.049983647,0.9428988,0.00038509365],"about_ca_topic_score_codex":0.0002845799,"about_ca_topic_score_gemma":0.001342772,"teacher_disagreement_score":0.93333596,"about_ca_system_score_codex":0.000033020096,"about_ca_system_score_gemma":0.000029624855,"threshold_uncertainty_score":0.9970934},"labels":[],"label_agreement":null},{"id":"W4206350679","doi":"10.1353/yes.2002.0058","title":"The Laughter of Foxes: A Study of Ted Hughes by Keith Sagar (review)","year":2002,"lang":"en","type":"article","venue":"The Yearbook of English Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; Poetry; Power (physics); Estate; History; Art; Psychoanalysis; Literature; Psychology; Law","score_opus":0.05405540842230109,"score_gpt":0.25994853042229715,"score_spread":0.20589312199999607,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206350679","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37418014,0.41117537,4.2989547e-7,0.0011561015,0.00051881204,0.00083712453,0.00008216945,0.000043058073,0.21200679],"genre_scores_gemma":[0.9725451,0.014359031,0.0000015812867,0.00010791577,0.00020422,0.00002870045,7.492037e-7,0.000009733074,0.012742967],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988889,0.00012879823,0.00044868194,0.00011244836,0.00027732886,0.00014386022],"domain_scores_gemma":[0.998412,0.00039106008,0.0002219736,0.00035786186,0.0006029252,0.000014157243],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004184971,0.00012577549,0.00046889458,0.000028015691,0.00022098332,0.0000114548975,0.00029209437,0.000013671218,0.00032678305],"category_scores_gemma":[0.00039323748,0.00006046787,0.00013268563,0.000056869463,0.000654461,0.000054070624,0.00009682326,0.000087670436,0.000005332666],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003051417,0.0010811696,0.0004865463,0.000511308,0.002840217,0.0000014417826,0.33052295,0.0000028469985,0.00005827914,0.018189661,0.64442086,0.0018542254],"study_design_scores_gemma":[0.0008920896,0.00079020415,0.00040032915,0.0009368471,0.0014189358,2.1686111e-7,0.23457812,0.000017877628,0.00046989808,0.000875841,0.7593453,0.00027433335],"about_ca_topic_score_codex":0.00009691392,"about_ca_topic_score_gemma":0.00034844648,"teacher_disagreement_score":0.59836495,"about_ca_system_score_codex":0.000005905712,"about_ca_system_score_gemma":0.0000036079068,"threshold_uncertainty_score":0.3578045},"labels":[],"label_agreement":null},{"id":"W4206361563","doi":"10.14325/mississippi/9781496834294.003.0007","title":"“Some of These Days”","year":2021,"lang":"en","type":"book-chapter","venue":"University Press of Mississippi eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Jazz; Literature; Theme (computing); Poetry; Art; History; Art history","score_opus":0.03782889070901468,"score_gpt":0.19515923685475456,"score_spread":0.15733034614573987,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206361563","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003037324,0.0016679149,0.0000052583277,0.00004092603,0.00012522472,0.00008883679,0.00039526887,0.00002572933,0.9973471],"genre_scores_gemma":[0.026098682,0.00023478946,0.000031042207,0.00002745576,0.00022860838,1.294763e-7,0.000033298697,0.000024494097,0.9733215],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988614,0.00003655833,0.0003138059,0.0002961709,0.00032158874,0.00017049085],"domain_scores_gemma":[0.99862,0.00008701546,0.0003624665,0.000516417,0.0003035645,0.000110591136],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009221618,0.00026219763,0.0006890202,0.00019537077,0.00012012679,0.000029850835,0.0004621485,0.00019367873,0.0030539038],"category_scores_gemma":[0.00001160722,0.00026796674,0.00052246463,0.0000041428248,0.00058421656,0.000094899835,0.00021636486,0.00024382796,0.000005945981],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003528656,0.00003578461,5.467674e-7,0.00022814289,0.00052194326,0.000080502934,0.0028148033,0.0000014346377,0.00009683448,0.9920617,0.0021631229,0.0019599001],"study_design_scores_gemma":[0.00023855269,0.00004719528,0.000001646584,0.00044935895,0.0007158069,0.0000014200313,0.0011894305,0.000007087358,0.001049536,0.0049039614,0.9911297,0.0002662787],"about_ca_topic_score_codex":0.00017886457,"about_ca_topic_score_gemma":0.00004713946,"teacher_disagreement_score":0.9889666,"about_ca_system_score_codex":0.000029666444,"about_ca_system_score_gemma":0.00009895303,"threshold_uncertainty_score":0.99997723},"labels":[],"label_agreement":null},{"id":"W4206434597","doi":"10.1353/wlt.2019.0049","title":"Lit Trends: Sewing a New Era of Poetry","year":2019,"lang":"en","type":"article","venue":"World Literature Today","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Spoken word; Literature; American poetry; Social media; Art; History; Art history; Media studies; Sociology; Law","score_opus":0.01048238888814061,"score_gpt":0.2213102722056521,"score_spread":0.2108278833175115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206434597","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05350412,0.006979233,0.000010001756,0.002646571,0.001162632,0.000099335346,0.00009072897,0.00009898692,0.9354084],"genre_scores_gemma":[0.63644457,0.000007181299,0.00007239014,0.0006577136,0.0007245761,0.0000015422747,0.000043121716,0.000012563123,0.36203632],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989162,0.000043626198,0.00031366615,0.00025299966,0.00021650564,0.00025697902],"domain_scores_gemma":[0.9993031,0.000058809226,0.000094003786,0.0003645349,0.00008474499,0.00009479341],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001270037,0.00018379142,0.00033895473,0.00026161716,0.00009119648,0.00029395157,0.00020057826,0.000050123355,0.019966522],"category_scores_gemma":[0.000011055845,0.00014332696,0.00025099315,0.00029596416,0.000051636183,0.00034082477,0.00003864418,0.00037713526,0.00019148762],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000072782466,0.0001397752,0.0007760308,0.00013920032,0.00021272543,0.000023456665,0.08387549,0.000011402593,0.00087647815,0.7886932,0.10233182,0.02284764],"study_design_scores_gemma":[0.00034791004,0.00004881692,0.0006615109,0.00043214948,0.00006476126,0.000002711709,0.00072835945,0.000039953808,0.00029651335,0.002253477,0.9948966,0.00022726758],"about_ca_topic_score_codex":0.00007231623,"about_ca_topic_score_gemma":0.00019690783,"teacher_disagreement_score":0.8925648,"about_ca_system_score_codex":0.000016137297,"about_ca_system_score_gemma":0.000025477799,"threshold_uncertainty_score":0.9809294},"labels":[],"label_agreement":null},{"id":"W4206851731","doi":"","title":"In the Same Boat: Yann Martel’s Life of Pi, the Canadian 2002 Man Booker Winner","year":2007,"lang":"en","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Art history","score_opus":0.025956283766256683,"score_gpt":0.23097441802496874,"score_spread":0.20501813425871204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206851731","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042421855,0.002945939,0.00041286155,0.09400563,0.00043319137,0.00057479035,0.00022135103,0.000045026096,0.85893935],"genre_scores_gemma":[0.9308974,0.00022816994,0.00019546968,0.003124427,0.0001253801,0.0000439415,0.0001399196,0.000026713067,0.06521859],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99517053,0.002932076,0.00059919263,0.00039859876,0.00047961873,0.00041995718],"domain_scores_gemma":[0.9956623,0.000928854,0.0003183034,0.0018369978,0.0010938541,0.00015971923],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.006926395,0.0002643466,0.00035257492,0.00028129254,0.0007385328,0.0006405987,0.0016264247,0.00017787734,0.003453519],"category_scores_gemma":[0.0005831092,0.00018218026,0.00026790317,0.00016607145,0.00071576587,0.00012318954,0.00035540256,0.0008365629,0.0000946362],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000060752873,0.00028077405,0.00048090017,0.00007617065,0.000116214775,0.000010831971,0.10686839,0.000025785243,0.000019649455,0.83704156,0.052711077,0.0023625593],"study_design_scores_gemma":[0.00023821826,4.882502e-7,0.00530524,0.0005878539,0.000121660196,0.0000037642612,0.004784565,0.0012537016,0.00044634318,0.008467912,0.9784209,0.0003693692],"about_ca_topic_score_codex":0.2838263,"about_ca_topic_score_gemma":0.8900054,"teacher_disagreement_score":0.9257098,"about_ca_system_score_codex":0.00009803694,"about_ca_system_score_gemma":0.00036464972,"threshold_uncertainty_score":0.99745744},"labels":[],"label_agreement":null},{"id":"W4206898259","doi":"10.1177/10778004211069695","title":"Two Poems: “Upon Hearing Rebecca Thomas” and “Upon Viewing Kent Monkman’s <i>Miss Chief’s Wet Dream</i> ”","year":2022,"lang":"en","type":"article","venue":"Qualitative Inquiry","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Victoria","funders":"","keywords":"Poetry; Dream; Nova scotia; Art; Literature; Art history; History; Psychology; Archaeology","score_opus":0.15595912782380703,"score_gpt":0.37320222781677376,"score_spread":0.21724309999296673,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206898259","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9358808,0.004303992,0.00022795344,0.0029348615,0.0012342391,0.000340432,0.00017832441,0.00018425885,0.054715186],"genre_scores_gemma":[0.9903019,0.00007773254,0.00011354834,0.001637193,0.0008203706,0.00012235745,0.00008151185,0.000046351757,0.0067990054],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9966475,0.0011369946,0.0005986243,0.0005638005,0.000551257,0.0005018542],"domain_scores_gemma":[0.99872786,0.00046117834,0.00020062465,0.0003505406,0.000105207815,0.00015456631],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0018305706,0.00031646417,0.0005195879,0.00021642791,0.0016178472,0.00027936941,0.00026576925,0.000035945148,0.0020000723],"category_scores_gemma":[0.00010126525,0.00030323066,0.00020713184,0.0001292395,0.00035702344,0.00043799158,0.00033413884,0.00046501652,0.000046494446],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060732054,0.00017365564,0.00005364937,0.000074431555,0.00016357638,0.000034859317,0.6639278,0.00007650984,0.0004642578,0.3274719,0.0060903705,0.0014082454],"study_design_scores_gemma":[0.000806184,0.00034732666,0.00012414854,0.00009250623,0.00013868179,0.000016905375,0.60321754,0.0004958643,0.00021212724,0.019517848,0.374436,0.0005948404],"about_ca_topic_score_codex":0.0010564189,"about_ca_topic_score_gemma":0.0004292748,"teacher_disagreement_score":0.36834562,"about_ca_system_score_codex":0.0001345172,"about_ca_system_score_gemma":0.00004289292,"threshold_uncertainty_score":0.999942},"labels":[],"label_agreement":null},{"id":"W4210552334","doi":"10.5325/bishoplowellstud.1.0006","title":"Bishop’s Stevensian Architecture in Paris and After","year":2021,"lang":"en","type":"article","venue":"Bishop–Lowell Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Seneca Polytechnic","funders":"","keywords":"Poetics; Poetry; Scholarship; Realism; Architecture; Art history; Art; Literature; Visual arts","score_opus":0.02791149958062505,"score_gpt":0.2541907504076806,"score_spread":0.22627925082705552,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210552334","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90208614,0.045278754,0.000011160682,0.0062419036,0.00052537513,0.00013239136,0.000052776606,0.00006249848,0.045609027],"genre_scores_gemma":[0.9822626,0.002967891,0.00005172854,0.001111984,0.00034834413,0.000036162717,0.0000074800446,0.000017164873,0.013196629],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99877006,0.0000885719,0.00028718406,0.00036174533,0.00017291802,0.00031950526],"domain_scores_gemma":[0.9994416,0.00011312369,0.000040197738,0.00021825006,0.0001243436,0.000062446816],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015410692,0.0002085508,0.00041362655,0.000114081005,0.0002354798,0.00015984788,0.000070856106,0.000047976344,0.00073984],"category_scores_gemma":[0.00007503678,0.00016899047,0.00011260055,0.00009543969,0.0003238149,0.000111413276,0.0001581342,0.0001961987,0.00003505424],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041798444,0.0016789908,0.14719853,0.0016272488,0.0040356177,0.006233851,0.5034154,0.000107064196,0.00052846724,0.14474101,0.10846172,0.08155411],"study_design_scores_gemma":[0.0008409193,0.00009466157,0.027676914,0.00029052756,0.00026913965,0.000028158263,0.057414446,0.00003166521,0.00030405857,0.010087108,0.9022336,0.00072880415],"about_ca_topic_score_codex":0.000109407825,"about_ca_topic_score_gemma":0.021749444,"teacher_disagreement_score":0.79377186,"about_ca_system_score_codex":0.000023344006,"about_ca_system_score_gemma":0.00002026802,"threshold_uncertainty_score":0.9961011},"labels":[],"label_agreement":null},{"id":"W4210585691","doi":"10.5406/polishreview.66.3.0042","title":"Liminality and Palimpsest in Anne Michaels’s<i>The Winter Vault</i>","year":2021,"lang":"en","type":"article","venue":"The Polish Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Vault (architecture); Liminality; Palimpsest; History; Style (visual arts); Plot (graphics); Art history; Literature; Art; Visual arts; Archaeology","score_opus":0.04231103615788033,"score_gpt":0.2724313509738215,"score_spread":0.23012031481594114,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210585691","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.054412767,0.7557279,0.0000034848786,0.108653545,0.00029299624,0.00030242198,0.00006437277,0.000028147679,0.080514394],"genre_scores_gemma":[0.88102716,0.07720676,0.0000035800365,0.03310715,0.00051966944,0.000027962165,0.000013714037,0.000011227255,0.008082765],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990263,0.00025746762,0.0002708688,0.00014848505,0.00010777279,0.00018909136],"domain_scores_gemma":[0.9993617,0.000119878365,0.000054226646,0.00035342897,0.00007362076,0.00003714012],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005907532,0.00010677928,0.00027566327,0.000012614856,0.0001935551,0.00013798576,0.00018427994,0.000015826552,0.0015073782],"category_scores_gemma":[0.000106639025,0.000054761837,0.0001163293,0.000071376955,0.00023339369,0.00009178061,0.00008293303,0.00015798068,0.000059073314],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001096356,0.00027950018,0.0007779271,0.0031986553,0.00020188159,0.00009154848,0.025914427,5.8488905e-7,0.00005106278,0.76502186,0.16563684,0.038814753],"study_design_scores_gemma":[0.00007478462,0.000010221221,0.0009783589,0.0010575461,0.00020325015,0.000026580774,0.0015672393,0.0000063057696,0.000020880374,0.0037883574,0.9921654,0.00010106001],"about_ca_topic_score_codex":0.00034620636,"about_ca_topic_score_gemma":0.0031105573,"teacher_disagreement_score":0.8266144,"about_ca_system_score_codex":0.000009219575,"about_ca_system_score_gemma":0.000017651446,"threshold_uncertainty_score":0.9994054},"labels":[],"label_agreement":null},{"id":"W4210670622","doi":"10.1007/978-3-030-93115-5_5","title":"Toward a Poetics of Terror: Sylvia Plath and the Instant of Death","year":2022,"lang":"en","type":"book-chapter","venue":"American literature readings in the 21st century","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Memorial University of Newfoundland","funders":"","keywords":"The Holocaust; Poetics; Poetry; Nazism; State of exception; Ideology; Literature; Politics; Art; History; Law; Political science","score_opus":0.016462432807224245,"score_gpt":0.22099652474039658,"score_spread":0.20453409193317235,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210670622","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015573194,0.015848713,9.429747e-7,0.0007920042,0.00020354225,0.00032484691,0.00068509,0.000014016382,0.98057353],"genre_scores_gemma":[0.97388226,0.010359407,0.000025137473,0.0010341689,0.0002041925,0.000017767083,0.000117266165,0.00004325099,0.014316569],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982897,0.00010730484,0.00060207275,0.0003072443,0.0004561913,0.00023750943],"domain_scores_gemma":[0.9984098,0.00031003446,0.00067610724,0.0004739763,0.00009055126,0.000039526316],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00050613855,0.0003502426,0.00088712445,0.00023454925,0.00016461415,0.00012850313,0.00055976334,0.00008048579,0.0004214986],"category_scores_gemma":[0.00003536761,0.00019304309,0.00030174165,0.00008531131,0.0018221904,0.0000857109,0.00016374435,0.0008436926,0.0000012426682],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000114279945,0.000033179174,0.000009158606,0.0001075297,0.00016269555,0.00001948355,0.10492001,4.6307298e-7,0.000005579843,0.8918785,0.00018301443,0.00256615],"study_design_scores_gemma":[0.00044616807,0.00019473936,0.000022315802,0.0005350194,0.00041638812,0.000038267273,0.02929473,0.000007641807,0.0000052808005,0.02380303,0.9449381,0.0002982894],"about_ca_topic_score_codex":0.00021657602,"about_ca_topic_score_gemma":0.000039009275,"teacher_disagreement_score":0.9723249,"about_ca_system_score_codex":0.00004242826,"about_ca_system_score_gemma":0.000034682274,"threshold_uncertainty_score":0.7872068},"labels":[],"label_agreement":null},{"id":"W4210794014","doi":"10.4000/books.editionsulm.3210","title":"Me, After Me: Whitman’s Rhyme","year":2019,"lang":"fr","type":"book-chapter","venue":"Éditions Rue d’Ulm eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Rhyme; Art; Psychology; Literature; Poetry","score_opus":0.01948201787460102,"score_gpt":0.2205630828228243,"score_spread":0.20108106494822328,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4210794014","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00084364857,0.0018380772,0.000120000026,0.0017185492,0.0030601402,0.00059743214,0.0055416483,0.00015971683,0.98612076],"genre_scores_gemma":[0.25819013,0.0001629324,0.000055840133,0.0012984031,0.0030833136,0.00014990727,0.0006291969,0.00016039389,0.7362699],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996118,0.00011192566,0.0011657644,0.0010211109,0.0006896802,0.00089353067],"domain_scores_gemma":[0.9971839,0.0002212514,0.00039602013,0.0013573335,0.0004928807,0.0003486128],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00027434237,0.00106711,0.0011895184,0.0005677784,0.0017938484,0.00071878644,0.00054809795,0.00070141314,0.09374273],"category_scores_gemma":[0.000021909575,0.0010808543,0.0013657429,0.000021079471,0.0018535379,0.00030476274,0.00022665736,0.0011633578,0.016187035],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003351295,0.00010201313,0.000008005486,0.00022539601,0.00071906764,0.00017823996,0.0014711616,0.0000064719,0.000030268875,0.9768986,0.018849608,0.0014776256],"study_design_scores_gemma":[0.0004525089,0.00016541668,0.00008465741,0.0008628237,0.0015977925,0.0000534784,0.00079417584,0.000087259235,0.000043612778,0.0615476,0.9330544,0.0012562964],"about_ca_topic_score_codex":0.00023283735,"about_ca_topic_score_gemma":0.0012779082,"teacher_disagreement_score":0.91535103,"about_ca_system_score_codex":0.00020356501,"about_ca_system_score_gemma":0.0002215046,"threshold_uncertainty_score":0.9995057},"labels":[],"label_agreement":null},{"id":"W4211010485","doi":"10.1017/cbo9780511485060","title":"Virginia Woolf, the Intellectual, and the Public Sphere","year":2003,"lang":"en","type":"book","venue":"Cambridge University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":176,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Highbrow; Modernism (music); Value (mathematics); Public sphere; Elitism; Reading (process); Dialogic; Literature; Sociology; Aesthetics; Criticism; Originality; Art; Social science; Philosophy; Politics; Law; Linguistics; Political science","score_opus":0.024481467507699806,"score_gpt":0.18028289954860796,"score_spread":0.15580143204090816,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4211010485","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00013033721,0.0019226449,0.00004052787,0.000358342,0.0003185949,0.00031345675,0.00012658368,0.00005524898,0.99673426],"genre_scores_gemma":[0.004797257,0.00044141003,0.0000018817749,0.00062858925,0.00038098902,0.0000021484163,0.00002686444,0.000029433928,0.99369144],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998602,0.0002899963,0.00019150463,0.00035399763,0.00025151297,0.00031098872],"domain_scores_gemma":[0.9983979,0.0005898738,0.000147943,0.0005903102,0.00017394494,0.00010001329],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00030149115,0.00032990542,0.00043010226,0.00007951651,0.0013039674,0.0005638503,0.00069052423,0.00015323352,0.00027895227],"category_scores_gemma":[0.00006947692,0.000205004,0.0003015245,0.00001024713,0.0025767332,0.00011731426,0.00029144477,0.00067049783,0.000048572074],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025322413,0.000005240172,5.2032245e-8,0.00001945583,0.000187356,0.000018480949,0.0016046069,7.27967e-8,1.2377949e-7,0.5764944,0.42133316,0.00031173683],"study_design_scores_gemma":[0.00058780634,0.000020914898,3.4223802e-7,0.000044817585,0.0005647064,0.000012594823,0.00311011,0.000045552733,0.0000029856592,0.0001552344,0.9951831,0.00027182215],"about_ca_topic_score_codex":0.00011974898,"about_ca_topic_score_gemma":0.00007402139,"teacher_disagreement_score":0.5763391,"about_ca_system_score_codex":0.00008519733,"about_ca_system_score_gemma":0.00019132794,"threshold_uncertainty_score":0.9999962},"labels":[],"label_agreement":null},{"id":"W4211074444","doi":"10.1017/cco9781139333658","title":"The Cambridge Companion to Elizabeth Bishop","year":2014,"lang":"en","type":"book","venue":"Cambridge University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":57,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Biography; Nova scotia; History; Interpretation (philosophy); Poetry; Popularity; Art history; Relation (database); Politics; Reputation; Performance art; Natural (archaeology); Literature; Art; Classics; Archaeology; Law; Philosophy; Political science; Linguistics","score_opus":0.025810496092602574,"score_gpt":0.2035148245673107,"score_spread":0.17770432847470813,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4211074444","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00019430334,0.00023691366,0.00017883432,0.00014453678,0.0008829135,0.00039430053,0.00046112316,0.00016834286,0.9973387],"genre_scores_gemma":[0.0040934766,0.000060599457,0.0000065945196,0.00045743375,0.001393585,0.0000027085405,0.00014908404,0.000060278955,0.99377626],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978964,0.00018295267,0.0003229209,0.000580375,0.0004566485,0.00056072325],"domain_scores_gemma":[0.99798256,0.00024559544,0.00022473985,0.0009067882,0.00034127664,0.00029905792],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00030671482,0.00048108315,0.0006074816,0.00020031178,0.0015900434,0.00048278394,0.0011129453,0.00021009015,0.000019952706],"category_scores_gemma":[0.000018413028,0.0004137001,0.00043860634,0.000012804866,0.0006171169,0.00010030906,0.0004535522,0.0005792403,0.00019433777],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002147539,0.000007934816,3.1043857e-7,0.000032029755,0.00011673088,0.00002367086,0.00021549265,0.0000016576512,0.000003350165,0.5236481,0.4753806,0.0005486804],"study_design_scores_gemma":[0.00027542905,0.000068583955,0.000007678568,0.00014479976,0.0004274076,0.000003491983,0.000435311,0.000097876116,0.00003095334,0.000012839382,0.997955,0.0005406146],"about_ca_topic_score_codex":0.00042586523,"about_ca_topic_score_gemma":0.00013433979,"teacher_disagreement_score":0.5236352,"about_ca_system_score_codex":0.0002720345,"about_ca_system_score_gemma":0.0001634202,"threshold_uncertainty_score":0.9998315},"labels":[],"label_agreement":null},{"id":"W4211164457","doi":"10.1017/9781108856492.002","title":"Introduction","year":2021,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Seneca Polytechnic","funders":"","keywords":"Poetry; Rhyme; Art; Plural; Art history; Literature; Performance art; History; Visual arts; Philosophy; Linguistics","score_opus":0.02597968641336528,"score_gpt":0.1824188977843612,"score_spread":0.15643921137099592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4211164457","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00002629108,0.00025276953,0.000034698962,0.00013249365,0.0006830247,0.000083498344,0.00019269618,0.000089007,0.99850553],"genre_scores_gemma":[0.00077876094,0.000089317844,0.000007555202,0.00008517713,0.0030717172,2.5173182e-7,0.00017952693,0.000029068056,0.99575865],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99905,0.000025078882,0.00014855972,0.00040498684,0.0001919637,0.00017936075],"domain_scores_gemma":[0.9991196,0.00002000022,0.000113945185,0.00041580407,0.00024350274,0.00008717512],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00005489261,0.00024444214,0.00033820813,0.00012525936,0.00033686875,0.00013870739,0.00021647615,0.0001468062,0.000780262],"category_scores_gemma":[0.000005444286,0.00028238186,0.000298348,0.0000020889493,0.00030455488,0.00009873122,0.00014311726,0.00033757417,0.00007193212],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010076146,0.000006288319,2.508018e-8,0.000031189607,0.00015897237,0.00013422292,0.00015293993,3.935522e-7,0.000007354897,0.76822335,0.23079145,0.0004837556],"study_design_scores_gemma":[0.00013728112,0.000019347654,3.4108857e-7,0.000050632116,0.00043990414,0.000006888936,0.00033619045,0.000008949556,0.000075296055,0.000028424844,0.9985888,0.0003079721],"about_ca_topic_score_codex":0.00010395918,"about_ca_topic_score_gemma":0.000019836785,"teacher_disagreement_score":0.7681949,"about_ca_system_score_codex":0.00009122679,"about_ca_system_score_gemma":0.000047739344,"threshold_uncertainty_score":0.9999628},"labels":[],"label_agreement":null},{"id":"W4211264119","doi":"10.7202/1014502ar","title":"Contributors","year":2001,"lang":"en","type":"article","venue":"Canadian University Music Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.03433931131505468,"score_gpt":0.19127679773218312,"score_spread":0.15693748641712843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4211264119","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0032176613,0.019017445,0.0000096999465,0.0065032076,0.00024333913,0.00015428207,0.00007450398,0.000028591117,0.9707513],"genre_scores_gemma":[0.76001203,0.033402592,0.0000061021865,0.020399164,0.00044883852,7.337432e-7,0.00007831842,0.0000115174025,0.18564071],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946064,0.00004190553,0.00008450298,0.00012212363,0.00006703378,0.00022379731],"domain_scores_gemma":[0.9994118,0.000014147334,0.000028555058,0.0001674618,0.00008936615,0.00028866428],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010674864,0.000076253855,0.00018906468,0.000101434816,0.00034133246,0.00003435395,0.00016917002,0.00001957491,0.037757743],"category_scores_gemma":[0.000022456043,0.000076721,0.00012048503,0.00009610014,0.00009675951,0.00013492367,0.000010256976,0.00006829886,0.000809077],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000011889306,0.000008887998,0.00010444027,0.00012023082,0.000044924745,0.00037109334,0.0005599114,1.9515487e-7,3.6070514e-7,0.60846627,0.38112965,0.009192873],"study_design_scores_gemma":[0.00007065533,0.0000067692495,0.00008753852,0.00024972582,0.00010903353,0.0000051315737,0.00050139806,0.0000036211193,1.1983934e-7,0.00010688092,0.99875665,0.00010246067],"about_ca_topic_score_codex":0.05873379,"about_ca_topic_score_gemma":0.55970865,"teacher_disagreement_score":0.78511053,"about_ca_system_score_codex":0.00013884138,"about_ca_system_score_gemma":0.00015213557,"threshold_uncertainty_score":0.9999689},"labels":[],"label_agreement":null},{"id":"W4213018994","doi":"10.32920/ryerson.14665182.v1","title":"City of New York: 104 pages in beautiful natural color","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"MAGIC (telescope); Chapel; Girl; Art history; Art; History; Psychology","score_opus":0.08776817779840543,"score_gpt":0.26903168591972926,"score_spread":0.18126350812132383,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4213018994","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.769698,0.005029347,0.00002776132,0.0014012781,0.0011879997,0.00016469858,0.00004343621,0.000050710158,0.22239676],"genre_scores_gemma":[0.92534345,0.000096914286,0.00011826044,0.00026606972,0.00037478615,0.0000074626905,0.00010451012,0.0000103592,0.07367816],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987054,0.000057903202,0.0004568277,0.00033583728,0.00022462421,0.00021944579],"domain_scores_gemma":[0.99929124,0.000059249604,0.00012784866,0.0003454628,0.000116922936,0.000059299622],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017338387,0.00021024862,0.0005859883,0.00013547033,0.00006445826,0.00022627138,0.0002817577,0.00013907283,0.012574804],"category_scores_gemma":[0.000045152337,0.00017431608,0.00031570514,0.000043520922,0.0001351678,0.000077536526,0.00034132588,0.00051959016,0.0000125051765],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007972312,0.0009400738,0.0026997325,0.0010124317,0.0011298247,0.00014509817,0.09228407,0.00022456082,0.00037695575,0.80230486,0.08616258,0.012640075],"study_design_scores_gemma":[0.0034351004,0.00032762936,0.04539631,0.003566132,0.0019413183,0.000012896742,0.19081748,0.005580637,0.01372019,0.08274141,0.64765096,0.00480992],"about_ca_topic_score_codex":0.006829817,"about_ca_topic_score_gemma":0.03853716,"teacher_disagreement_score":0.7195635,"about_ca_system_score_codex":0.000036310837,"about_ca_system_score_gemma":0.00016165574,"threshold_uncertainty_score":0.9997838},"labels":[],"label_agreement":null},{"id":"W4213158805","doi":"10.1515/9781580443609-002","title":"Roberta Frank’s Publications, 1970–present","year":2019,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"History","score_opus":0.04152557599155507,"score_gpt":0.23347238207143076,"score_spread":0.1919468060798757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4213158805","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000029896262,0.0012632536,0.00003143973,0.0029168248,0.00044704706,0.00016309254,0.00009576301,0.00010666438,0.99497294],"genre_scores_gemma":[0.0044783354,0.00021853735,0.000014871811,0.0009239212,0.0014240369,0.000009259111,0.00031341304,0.0000458747,0.9925718],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99873996,0.00000911497,0.00036541477,0.00036004043,0.00031146687,0.0002139926],"domain_scores_gemma":[0.99883705,0.00006734826,0.00012147513,0.00067913294,0.00020897972,0.00008601004],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009311698,0.00027839828,0.0003904002,0.00020757275,0.0002117715,0.0003952459,0.00033897677,0.0001592705,0.24989429],"category_scores_gemma":[0.000008258492,0.00022279265,0.0003526888,0.0000072689622,0.0001473087,0.00018211515,0.00008575978,0.00027666983,0.009408223],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[9.919028e-7,0.000014205376,0.0000012180418,0.000016286092,0.00011738761,9.138744e-7,0.00025116428,5.707411e-7,3.5217965e-7,0.7109677,0.28775096,0.00087821187],"study_design_scores_gemma":[0.000076560405,0.000018388295,0.0000031195323,0.00003559625,0.00015251873,0.0000010581681,0.0001208631,0.000043772976,0.000001982463,0.030870521,0.96837026,0.00030537328],"about_ca_topic_score_codex":0.00030605023,"about_ca_topic_score_gemma":0.0011543898,"teacher_disagreement_score":0.6806193,"about_ca_system_score_codex":0.000027612597,"about_ca_system_score_gemma":0.00006299176,"threshold_uncertainty_score":0.99136305},"labels":[],"label_agreement":null},{"id":"W4213206012","doi":"10.4000/books.editionsulm.6747","title":"Poetic Sanctions: Stevens’ French as the Language of Love and Law","year":2018,"lang":"en","type":"book-chapter","venue":"Éditions Rue d’Ulm eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Plentyoffish Media (Canada)","funders":"","keywords":"Sanctions; Poetry; Law; Art; Literature; Political science; Philosophy","score_opus":0.019229077357471723,"score_gpt":0.22933695919761213,"score_spread":0.2101078818401404,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4213206012","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000769639,0.00086211966,0.000009304102,0.00032125536,0.0002946117,0.0002050738,0.0010373142,0.000035345518,0.9964653],"genre_scores_gemma":[0.215316,0.000028318094,0.0000124866865,0.000591504,0.00097155,0.000014870507,0.000109678556,0.000034223696,0.7829214],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988792,0.000032883676,0.00038351008,0.00027631872,0.0002387405,0.00018937042],"domain_scores_gemma":[0.9989,0.00013379815,0.00019301097,0.0005193536,0.00018853019,0.00006529256],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011307963,0.00026977094,0.00036000958,0.00013475894,0.00058502745,0.00014866394,0.00019044826,0.00014327673,0.023857556],"category_scores_gemma":[0.000013169878,0.00020321664,0.00024168726,0.0000074154186,0.0017694226,0.00006360782,0.000070535774,0.00030445872,0.0008427115],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000026408168,0.000017408907,1.3669883e-7,0.000038138514,0.00018058994,0.000011397547,0.013170515,1.4963916e-7,0.000019787216,0.969244,0.016993634,0.00032159634],"study_design_scores_gemma":[0.00013118365,0.00010661198,0.0000033854656,0.00021675442,0.00046827196,0.000022717164,0.0042070397,0.000005192013,0.00006666885,0.22024414,0.77428854,0.00023950494],"about_ca_topic_score_codex":0.0005043105,"about_ca_topic_score_gemma":0.0032560595,"teacher_disagreement_score":0.7572949,"about_ca_system_score_codex":0.000022763747,"about_ca_system_score_gemma":0.00003515716,"threshold_uncertainty_score":0.99993527},"labels":[],"label_agreement":null},{"id":"W4213350654","doi":"10.1300/j155v04n04_02","title":"Writing Life","year":2000,"lang":"en","type":"article","venue":"Journal of Lesbian Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Mohawk College","funders":"","keywords":"Oppression; Life writing; Racism; Gender studies; Class (philosophy); Sociology; Psychoanalysis; Psychology; Literature; Art; Biography; Political science; Epistemology; Philosophy; Politics; Law","score_opus":0.09324148298972061,"score_gpt":0.30727695072862327,"score_spread":0.21403546773890264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4213350654","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76769954,0.028604116,0.0000054234524,0.004664917,0.00041216743,0.000026803144,0.0000058230025,0.0000172086,0.19856398],"genre_scores_gemma":[0.9840227,0.0018093192,0.000045643672,0.0007655483,0.0019946177,5.376261e-7,1.8245362e-7,0.0000067487154,0.011354754],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911326,0.000037353002,0.00044831823,0.000059284852,0.00019810926,0.00014367471],"domain_scores_gemma":[0.9993956,0.00008122896,0.00014185888,0.0000664184,0.00024915123,0.000065746826],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003091887,0.00008478611,0.00031483112,0.000074611125,0.00029794185,0.00009301782,0.00010766301,0.000013954766,0.003476849],"category_scores_gemma":[0.00008316928,0.00005988681,0.0001872187,0.000028880488,0.00016582492,0.00022809234,0.000012562619,0.00013819491,0.00008336481],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017564364,0.00053505297,0.0021402985,0.00022843276,0.004864727,0.0005748344,0.21477015,0.00014181357,0.00014509613,0.22163038,0.32509723,0.22969632],"study_design_scores_gemma":[0.00046316188,0.00019092376,0.0006219023,0.00027515762,0.00028182234,0.00004756257,0.100710556,0.000015641714,0.00004314614,0.0038721026,0.89328986,0.0001881744],"about_ca_topic_score_codex":0.0000061269016,"about_ca_topic_score_gemma":0.000038177244,"teacher_disagreement_score":0.5681926,"about_ca_system_score_codex":0.000016305927,"about_ca_system_score_gemma":0.0000189046,"threshold_uncertainty_score":0.9974341},"labels":[],"label_agreement":null},{"id":"W4220716553","doi":"10.1215/03335372-9470996","title":"Sites of Indeterminacy in Lisa Robertson","year":2022,"lang":"en","type":"article","venue":"Poetics Today","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Indeterminacy (philosophy); Criticism; Sociology; Capitalism; Aesthetics; Politics; Ambiguity; Epistemology; Post-industrial society; Contradiction; Philosophy; Literature; Linguistics; Law; Political science; Art","score_opus":0.029349754261996916,"score_gpt":0.24428156631975334,"score_spread":0.2149318120577564,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4220716553","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7716731,0.00056220684,0.000006806968,0.00056350394,0.00024251269,0.00008216304,0.00005872569,0.000020408996,0.22679058],"genre_scores_gemma":[0.98589474,0.000015676571,0.000020873487,0.0002193608,0.000083142564,0.000015398022,0.000015987793,0.000007455304,0.013727356],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992168,0.00006303336,0.00023774942,0.00011830695,0.00021027194,0.0001538252],"domain_scores_gemma":[0.9996596,0.00005876433,0.000061307015,0.00016022223,0.000034491844,0.00002564612],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021809204,0.00007459638,0.00016723522,0.00013173065,0.00013809031,0.00003130672,0.0001574513,0.000015578855,0.011196976],"category_scores_gemma":[0.000026859385,0.0000726977,0.000073491225,0.000049341455,0.0000790452,0.000064352054,0.00010514325,0.00015171325,0.000007720135],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029308969,0.00063214893,0.006803804,0.00006152388,0.000044573815,0.000044642282,0.057009175,0.0002897797,0.0011355245,0.9219297,0.007725956,0.0042938534],"study_design_scores_gemma":[0.00042554518,0.0002232026,0.0016367896,0.000021199026,0.000059086542,0.000003923988,0.009226101,0.0013498345,0.0015100741,0.0068915654,0.9783853,0.00026736016],"about_ca_topic_score_codex":0.00050505024,"about_ca_topic_score_gemma":0.0007084171,"teacher_disagreement_score":0.9706594,"about_ca_system_score_codex":0.000026824675,"about_ca_system_score_gemma":0.000014937991,"threshold_uncertainty_score":0.98970693},"labels":[],"label_agreement":null},{"id":"W4221010994","doi":"10.21226/ewjus704","title":"Marian(a) J. Rubchak: In Memoriam (1931–2021)","year":2022,"lang":"en","type":"article","venue":"East/West Journal of Ukrainian Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Virology; Art; Theology; Medicine","score_opus":0.07191586620623724,"score_gpt":0.2869536424201782,"score_spread":0.21503777621394093,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4221010994","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7652602,0.043626655,0.000014647688,0.028795417,0.020574143,0.0003504584,0.00018363664,0.0000507169,0.14114408],"genre_scores_gemma":[0.98998994,0.0003572778,0.00005741758,0.000633921,0.0036380035,0.000014015357,0.0000027026877,0.00002188784,0.0052848505],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99777216,0.00025773648,0.00082434877,0.00018883725,0.00059862976,0.00035826833],"domain_scores_gemma":[0.99887127,0.00015707922,0.00040550448,0.00018726663,0.00028079867,0.00009806574],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0013300974,0.00021289139,0.00067626114,0.00043686942,0.00071353203,0.0001096475,0.00037330025,0.000022471411,0.00600026],"category_scores_gemma":[0.00020430199,0.00017932145,0.00030795834,0.00017347933,0.0002665229,0.00028537615,0.00023753513,0.00055317534,0.000046144596],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034324432,0.0010729019,0.0026768642,0.00010567263,0.0022983837,0.002106249,0.84850377,0.0005121208,0.00008131776,0.084603876,0.04383316,0.013862415],"study_design_scores_gemma":[0.00093841885,0.00041102772,0.0010406078,0.00007087199,0.00014863773,0.000107449094,0.1620485,0.000022933831,0.0000043240548,0.002244936,0.832723,0.00023925456],"about_ca_topic_score_codex":0.00003216777,"about_ca_topic_score_gemma":0.00044505502,"teacher_disagreement_score":0.7888899,"about_ca_system_score_codex":0.00013872316,"about_ca_system_score_gemma":0.000086569795,"threshold_uncertainty_score":0.9949084},"labels":[],"label_agreement":null},{"id":"W4225312593","doi":"10.18192/jpp.v30i2.6285","title":"A Cacophony of Mayhem","year":2022,"lang":"en","type":"article","venue":"Journal of Prisoners on Prisons","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer security; Political science; Computer science","score_opus":0.02552612674221213,"score_gpt":0.24441703498686332,"score_spread":0.21889090824465118,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4225312593","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9103801,0.0012379814,0.0003779893,0.005860182,0.001735725,0.00013464445,0.00009662666,0.000022719349,0.08015399],"genre_scores_gemma":[0.9941339,0.000021598371,0.00019513693,0.00039649225,0.00028807978,0.0000034134835,0.0000016340781,0.00001379252,0.0049459483],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99846727,0.00012787954,0.00057793653,0.000097103315,0.0005547733,0.0001750535],"domain_scores_gemma":[0.9989184,0.00009749515,0.0005781139,0.00017610453,0.00014817563,0.000081709455],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005941393,0.000107391985,0.00035590335,0.00028642907,0.00029750174,0.0000376108,0.0003306481,0.00001605612,0.0053276084],"category_scores_gemma":[0.000049901704,0.00008923318,0.00033610963,0.00009274121,0.00010783747,0.00011896673,0.00006743986,0.00042427776,0.000013317552],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00076042366,0.0030152907,0.0010941505,0.00007464209,0.0011565678,0.00030145192,0.0652757,0.0023085016,0.006200392,0.6457026,0.26088482,0.01322545],"study_design_scores_gemma":[0.0018464589,0.0020632371,0.0003871232,0.000055086934,0.00035219025,0.00008947026,0.038973678,0.00029257065,0.0023376755,0.004704413,0.9485857,0.00031239388],"about_ca_topic_score_codex":0.000046260957,"about_ca_topic_score_gemma":0.00002262834,"teacher_disagreement_score":0.68770087,"about_ca_system_score_codex":0.000071628216,"about_ca_system_score_gemma":0.00009301338,"threshold_uncertainty_score":0.9955816},"labels":[],"label_agreement":null},{"id":"W4226125680","doi":"","title":"“Haunted Voice / Haunting Voices: It’s All a Matter of Archives and Heritage—Jack Kerouac and His Legend”","year":2022,"lang":"en","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Legend; Cultural heritage; Art; Literature; History; Archaeology","score_opus":0.02354364093183776,"score_gpt":0.23280036828495554,"score_spread":0.2092567273531178,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4226125680","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.504985,0.006174799,0.0024643047,0.02379451,0.000324427,0.0005313798,0.00053701544,0.00014848134,0.4610401],"genre_scores_gemma":[0.96030813,0.0008408566,0.0021960805,0.0005465523,0.000045604353,0.0000539644,0.00038534444,0.000043572643,0.035579875],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99595314,0.0022646666,0.000578869,0.0006248254,0.00029171424,0.00028679988],"domain_scores_gemma":[0.9969594,0.0010462535,0.00047446517,0.0009776381,0.00042454206,0.00011772234],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001870485,0.00029777343,0.0004840792,0.00021180816,0.0005195482,0.00056207407,0.00061833445,0.00009136116,0.00235426],"category_scores_gemma":[0.00017537472,0.0003051295,0.00018163251,0.00007069486,0.0006298411,0.0001715941,0.0016350321,0.00055113505,0.000012810268],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000496643,0.0010657313,0.011384623,0.002180357,0.0009452976,0.000017924332,0.48614728,0.00003556585,0.002774945,0.47554994,0.006322814,0.013525856],"study_design_scores_gemma":[0.001224296,0.0000034184752,0.010835849,0.0036580653,0.00076772063,0.000023658375,0.028812174,0.01322248,0.005388975,0.014358105,0.92010754,0.0015977169],"about_ca_topic_score_codex":0.0030753454,"about_ca_topic_score_gemma":0.0054777907,"teacher_disagreement_score":0.91378474,"about_ca_system_score_codex":0.000024359146,"about_ca_system_score_gemma":0.000057995956,"threshold_uncertainty_score":0.9999401},"labels":[],"label_agreement":null},{"id":"W4226267243","doi":"10.1353/wsj.2022.0000","title":"“And the World Had Worlds”: Stevens’s Ways of Doing and Becoming World Literature","year":2022,"lang":"en","type":"article","venue":"˜The œWallace Stevens journal","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Chose; Pleasure; World War II; History; Literature; China; World literature; Art history; Art; Law; Political science; Psychology","score_opus":0.025237784751803993,"score_gpt":0.23128855205727053,"score_spread":0.20605076730546654,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4226267243","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43481943,0.050874185,0.00033634438,0.28271738,0.0035255116,0.0013257948,0.00026538334,0.00013582983,0.22600013],"genre_scores_gemma":[0.92555714,0.00008293275,0.00006970049,0.0045919777,0.0008519675,0.000013432085,0.0000029231385,0.000024620098,0.068805285],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979378,0.00046987509,0.00053392036,0.00021195687,0.00047209277,0.00037434683],"domain_scores_gemma":[0.9985777,0.0005769031,0.00034652284,0.00028003033,0.00012829372,0.00009050805],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0017782773,0.00022082268,0.00041269787,0.00030146103,0.002755239,0.00072681654,0.00038035683,0.000023013074,0.0014346195],"category_scores_gemma":[0.00001727062,0.00012765783,0.00024185963,0.00025349812,0.00042026438,0.0002093813,0.00028056835,0.0013744911,0.0000029138755],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00070202746,0.00018287745,0.00090698915,0.00013876527,0.0011223382,0.00028553233,0.16971497,0.00045280854,0.00023618185,0.7244743,0.089444466,0.012338758],"study_design_scores_gemma":[0.0014921813,0.00006543614,0.00016959474,0.0001381743,0.0002977669,0.00037467535,0.013626832,0.0007354706,0.0000142062945,0.014976588,0.9678626,0.0002464481],"about_ca_topic_score_codex":0.000057957168,"about_ca_topic_score_gemma":0.0045543495,"teacher_disagreement_score":0.87841815,"about_ca_system_score_codex":0.00006618399,"about_ca_system_score_gemma":0.000039905073,"threshold_uncertainty_score":0.9994782},"labels":[],"label_agreement":null},{"id":"W4229602683","doi":"10.1093/owc/9780199536702.003.0009","title":"VII","year":2008,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Cheque; Allowance (engineering); Cash; Quarter (Canadian coin); Economics; History; Finance; Operations management; Computer science; Computer security; Archaeology","score_opus":0.04169524597703907,"score_gpt":0.18675473525923983,"score_spread":0.14505948928220075,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229602683","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000027437352,0.00015331275,0.000013213208,0.00002048417,0.00020796918,0.000103915554,0.0001925193,0.00010919071,0.999172],"genre_scores_gemma":[0.0025647453,0.00054135197,0.000011766698,0.00010450487,0.00044016304,2.620444e-7,0.00004508943,0.00003322125,0.9962589],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990832,0.000014301847,0.0001502809,0.00030847595,0.00022399906,0.0002197132],"domain_scores_gemma":[0.99927026,0.000027736838,0.00012422525,0.00035594354,0.000117022726,0.00010484072],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000031876643,0.0002803189,0.00035822394,0.00014522887,0.00053250964,0.0000706335,0.00035791044,0.00017773245,0.0018263172],"category_scores_gemma":[0.0000016173572,0.000299624,0.0003484617,0.000001407889,0.00045018646,0.00009630773,0.00015589276,0.00032357094,0.000013920079],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020141386,0.000008512675,1.359379e-7,0.000021729198,0.00018287958,0.00021515164,0.0017611296,6.4285194e-7,5.9606447e-7,0.96459407,0.031299893,0.0018951062],"study_design_scores_gemma":[0.00019463882,0.00003576592,4.302453e-7,0.000057429326,0.00027455422,0.000005707362,0.00016733397,0.000009824716,0.0000074618993,0.00096324604,0.99793,0.0003536423],"about_ca_topic_score_codex":0.00008849798,"about_ca_topic_score_gemma":0.00013529992,"teacher_disagreement_score":0.96663004,"about_ca_system_score_codex":0.000059771985,"about_ca_system_score_gemma":0.000039769075,"threshold_uncertainty_score":0.9999456},"labels":[],"label_agreement":null},{"id":"W4229660599","doi":"10.33137/caribbeanquilt.v1i0.19046","title":"From the Ground Up","year":2012,"lang":"en","type":"article","venue":"Caribbean Quilt","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Geology; Literature","score_opus":0.05177704488059625,"score_gpt":0.2527373779623656,"score_spread":0.20096033308176936,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229660599","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.71963704,0.0029086133,0.000061447856,0.0027403997,0.0033909369,0.000088784895,0.00015688421,0.00008470398,0.2709312],"genre_scores_gemma":[0.98062885,0.000007626105,0.000006100917,0.0014445159,0.005463397,0.000006157403,0.0000415518,0.00001132784,0.01239045],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993123,0.00004974139,0.00013227807,0.00010382842,0.00013950517,0.0002623584],"domain_scores_gemma":[0.9994192,0.00011528745,0.000033623885,0.00031779546,0.000041057563,0.00007301102],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016908204,0.00009729966,0.000119438984,0.000015515381,0.000343685,0.00018613745,0.00021915966,0.000027327345,0.006236565],"category_scores_gemma":[0.000030682135,0.00006002925,0.00011736596,0.000022594986,0.00018345585,0.00024576558,0.000049690858,0.00011563529,0.00072543515],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000044283393,0.000041754567,0.0009957679,0.0000028392203,0.000098510696,0.0000013858973,0.062002737,2.5749898e-7,0.000076730656,0.7755535,0.15926765,0.0019544307],"study_design_scores_gemma":[0.00010075732,0.000008765311,0.0022121354,0.000006647758,0.0001090397,8.4775337e-7,0.021429768,0.000013871865,0.000094871844,0.0061611272,0.9697386,0.0001235606],"about_ca_topic_score_codex":0.0016223923,"about_ca_topic_score_gemma":0.0004780203,"teacher_disagreement_score":0.81047094,"about_ca_system_score_codex":0.000016066231,"about_ca_system_score_gemma":0.0000082465,"threshold_uncertainty_score":0.9946719},"labels":[],"label_agreement":null},{"id":"W4229847065","doi":"10.32920/ryerson.14665182","title":"City of New York: 104 pages in beautiful natural color","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"MAGIC (telescope); Chapel; Girl; Art history; Art; History; Psychology","score_opus":0.08776817779840543,"score_gpt":0.26903168591972926,"score_spread":0.18126350812132383,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4229847065","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.769698,0.005029347,0.00002776132,0.0014012781,0.0011879997,0.00016469858,0.00004343621,0.000050710158,0.22239676],"genre_scores_gemma":[0.92534345,0.000096914286,0.00011826044,0.00026606972,0.00037478615,0.0000074626905,0.00010451012,0.0000103592,0.07367816],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987054,0.000057903202,0.0004568277,0.00033583728,0.00022462421,0.00021944579],"domain_scores_gemma":[0.99929124,0.000059249604,0.00012784866,0.0003454628,0.000116922936,0.000059299622],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017338387,0.00021024862,0.0005859883,0.00013547033,0.00006445826,0.00022627138,0.0002817577,0.00013907283,0.012574804],"category_scores_gemma":[0.000045152337,0.00017431608,0.00031570514,0.000043520922,0.0001351678,0.000077536526,0.00034132588,0.00051959016,0.0000125051765],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007972312,0.0009400738,0.0026997325,0.0010124317,0.0011298247,0.00014509817,0.09228407,0.00022456082,0.00037695575,0.80230486,0.08616258,0.012640075],"study_design_scores_gemma":[0.0034351004,0.00032762936,0.04539631,0.003566132,0.0019413183,0.000012896742,0.19081748,0.005580637,0.01372019,0.08274141,0.64765096,0.00480992],"about_ca_topic_score_codex":0.006829817,"about_ca_topic_score_gemma":0.03853716,"teacher_disagreement_score":0.7195635,"about_ca_system_score_codex":0.000036310837,"about_ca_system_score_gemma":0.00016165574,"threshold_uncertainty_score":0.9997838},"labels":[],"label_agreement":null},{"id":"W4230066429","doi":"10.4324/9781135000356-rem627-1","title":"Barnard, Mary (1909–2001)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Pound (networking); Literature; Mythology; Performance art; Art; Counterpoint; Style (visual arts); Memoir; Creative writing; Musical; Art history; History; American poetry; Legend; White (mutation); Sociology","score_opus":0.04693870562798239,"score_gpt":0.22825847782649436,"score_spread":0.18131977219851197,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230066429","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000100969155,0.000498646,0.000012273937,0.00044896017,0.0006540672,0.00007190236,0.0001227426,0.00010784223,0.99807346],"genre_scores_gemma":[0.0015340494,0.00019496288,0.000031601707,0.0021643236,0.004897278,0.0000035059716,0.00012105693,0.00005566455,0.99099755],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99876595,0.0000095706755,0.00033030173,0.00033263522,0.00028682288,0.00027473038],"domain_scores_gemma":[0.99915415,0.00003583075,0.000098292665,0.0004146148,0.00018376476,0.000113324306],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014574603,0.00031403106,0.00041248684,0.000143373,0.00026215045,0.00035858672,0.00023615152,0.00020035752,0.5766413],"category_scores_gemma":[0.000008768134,0.0002478637,0.0003599426,0.000004164665,0.00039398024,0.00018150963,0.000087878725,0.00028030056,0.01247928],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000031839875,0.0000070628253,2.5456302e-7,0.0000126116465,0.00010572408,0.00001625541,0.00042188168,2.0650777e-8,4.895325e-7,0.6023846,0.3962706,0.0007772481],"study_design_scores_gemma":[0.00007575321,0.000054871725,8.636246e-7,0.00006516739,0.00018209728,0.0000036282686,0.00021641777,0.000008483942,0.0000031709335,0.119254775,0.8798125,0.00032226965],"about_ca_topic_score_codex":0.00010060976,"about_ca_topic_score_gemma":0.001465677,"teacher_disagreement_score":0.5641621,"about_ca_system_score_codex":0.000029855675,"about_ca_system_score_gemma":0.000034841087,"threshold_uncertainty_score":0.9999974},"labels":[],"label_agreement":null},{"id":"W4230298183","doi":"10.1017/cbo9780511777486.023","title":"America","year":2010,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Geography","score_opus":0.02552302967710444,"score_gpt":0.18491645066084042,"score_spread":0.159393420983736,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230298183","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000030798987,0.000086006155,0.0000451257,0.000035201938,0.00042629472,0.00011718125,0.00043506298,0.00012495645,0.99869937],"genre_scores_gemma":[0.0018334129,0.000054396813,0.000023596229,0.00019767281,0.00070714275,3.4694355e-7,0.00007763,0.000039527436,0.99706626],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999013,0.000016371532,0.00015643929,0.00036451925,0.00021086047,0.00023881205],"domain_scores_gemma":[0.9990169,0.000038962306,0.0001562245,0.00047882792,0.00016580755,0.00014327189],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00004010137,0.00030734978,0.00039678722,0.00015264418,0.0004509279,0.00012556813,0.00042464404,0.00022218311,0.00051182794],"category_scores_gemma":[0.0000043269342,0.00033250687,0.00034988314,0.0000017234125,0.0007808144,0.0000844729,0.00017812033,0.0006625648,0.00015848773],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000146086295,0.000007737712,4.867716e-8,0.000023751496,0.00014425254,0.00014006958,0.00033327154,8.18021e-8,0.000023157023,0.9519386,0.046315223,0.0010591975],"study_design_scores_gemma":[0.00015437092,0.000029369989,4.177678e-7,0.00004488272,0.0003939069,0.000003306276,0.00016707715,0.000008361744,0.000059476883,0.00006563499,0.9986784,0.0003948097],"about_ca_topic_score_codex":0.00030799833,"about_ca_topic_score_gemma":0.000032471347,"teacher_disagreement_score":0.9523632,"about_ca_system_score_codex":0.00004559536,"about_ca_system_score_gemma":0.000045896886,"threshold_uncertainty_score":0.9999127},"labels":[],"label_agreement":null},{"id":"W4231290257","doi":"10.1093/fmls/cqm112","title":"SPROLES, KARYN Z. Desiring Women: The Partnership of Virginia Woolf and Vita Sackville-West. Toronto: University of Toronto Press, 2006. xii + 242 pp.  42.00/$65.00 (hardback);  20.00/$29.95 (paperback). ISBN 0-8020-3883-2/9402-3","year":2008,"lang":"en","type":"article","venue":"Forum for Modern Language Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; General partnership; Media studies; Art history; History; Sociology; Political science; Law","score_opus":0.03251344322341219,"score_gpt":0.24926108284849666,"score_spread":0.21674763962508448,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231290257","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24719276,0.7121196,0.000108303124,0.0007074626,0.00030721887,0.0009017614,0.0009903824,0.0001321146,0.0375404],"genre_scores_gemma":[0.9559129,0.029345924,0.00014290011,0.00022229161,0.0003510705,0.00003786397,0.000036664384,0.000051165902,0.013899219],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977333,0.00011053857,0.0005081118,0.0005027449,0.00039903805,0.0007462672],"domain_scores_gemma":[0.998454,0.00024265723,0.0003046728,0.0005790777,0.00028857056,0.00013104916],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00037720238,0.00043117217,0.00089783315,0.000012579851,0.0010739185,0.000057301426,0.0004522582,0.000105918225,0.000904725],"category_scores_gemma":[0.00006527499,0.00033706948,0.00033247028,0.00002979759,0.0009872654,0.00067246595,0.00031985468,0.00015141141,0.0000065221698],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001660264,0.0009734561,0.0017370657,0.0016811296,0.0054469854,0.00012204997,0.6236302,0.00020305136,0.0018387567,0.06291888,0.28832418,0.011463995],"study_design_scores_gemma":[0.0023922513,0.00065612246,0.00069397443,0.00023971531,0.00052509276,0.000015719723,0.37952933,0.0009786705,0.0005375043,0.0013951231,0.6121682,0.0008683083],"about_ca_topic_score_codex":0.00638535,"about_ca_topic_score_gemma":0.05104268,"teacher_disagreement_score":0.70872015,"about_ca_system_score_codex":0.000192024,"about_ca_system_score_gemma":0.000051976887,"threshold_uncertainty_score":0.99990815},"labels":[],"label_agreement":null},{"id":"W4231462813","doi":"10.1353/mdr.2011.0055","title":"Auden and Britten’s Paul Bunyan and the Frontiers of Opera","year":2011,"lang":"en","type":"article","venue":"Modern Drama","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Opera; Drama; Musical; Literature; Art; Poetry; Mythology; Legend; History","score_opus":0.02397068431859992,"score_gpt":0.19793960907933736,"score_spread":0.17396892476073744,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231462813","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9211002,0.0042751366,0.00052691426,0.00114663,0.00012669338,0.00011341554,0.000023706085,0.000021368356,0.072665915],"genre_scores_gemma":[0.9935106,0.00009889724,0.00006708002,0.0002915403,0.00007509628,0.0000057827096,0.0000017285646,0.0000076028964,0.005941652],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99950606,0.00003742133,0.0001372048,0.00012090012,0.00008561844,0.00011277895],"domain_scores_gemma":[0.9997245,0.000018962639,0.00003552658,0.00014310799,0.00004087489,0.00003703417],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001507,0.000077578115,0.00018483827,0.000029217917,0.00016896334,0.00008882553,0.000099648,0.000023883107,0.00025532788],"category_scores_gemma":[0.000010955209,0.000048193786,0.00004742693,0.000009547456,0.0005460499,0.000110532776,0.000049445865,0.00006400267,0.0000034706852],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015454846,0.00011912883,0.0027896902,0.000045982517,0.00035004987,0.00001254153,0.26813838,0.0000013371181,0.00007656243,0.6885877,0.009145434,0.030578615],"study_design_scores_gemma":[0.00860649,0.00044644807,0.03683942,0.00015391514,0.0016313342,0.000054154076,0.082101025,0.035013165,0.0011340545,0.63377154,0.19885881,0.001389652],"about_ca_topic_score_codex":0.00077267416,"about_ca_topic_score_gemma":0.0003631605,"teacher_disagreement_score":0.18971337,"about_ca_system_score_codex":0.0000031056798,"about_ca_system_score_gemma":0.0000054026823,"threshold_uncertainty_score":0.2795661},"labels":[],"label_agreement":null},{"id":"W4232416691","doi":"10.1353/ner.2020.0071","title":"Foreword","year":2020,"lang":"en","type":"article","venue":"New England review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; American poetry; Elegy; Pound (networking); Literature; Tragedy (event); History; Art; Art history; Classics","score_opus":0.07165349589138198,"score_gpt":0.2523069766168961,"score_spread":0.18065348072551413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232416691","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011908334,0.47049963,0.0002815321,0.09091639,0.00046818372,0.00035068058,0.000043095086,0.00019493491,0.4360547],"genre_scores_gemma":[0.6268448,0.15786234,0.00016092195,0.12927945,0.013753367,0.000023832512,0.00007879226,0.0000481022,0.07194836],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948406,0.00002694307,0.00016786827,0.00011644174,0.00009430399,0.00011039619],"domain_scores_gemma":[0.9996947,0.000019480629,0.00003188798,0.00009778711,0.000026039676,0.00013009243],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007548864,0.000079647594,0.00023068419,0.00000848269,0.000079946694,0.00003179778,0.00010545925,0.0000134889015,0.011128933],"category_scores_gemma":[0.000050818297,0.000051739993,0.00012250867,0.000033816694,0.000026453548,0.000068117915,0.000016779935,0.00008018537,0.00065412204],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000043159293,0.000016057953,0.00002576765,0.0012914214,0.00005021979,0.000012455397,0.0036043797,2.917762e-7,0.0000039140664,0.27085513,0.49412978,0.23000625],"study_design_scores_gemma":[0.0002160116,0.000031168423,0.000008067353,0.00035272856,0.00009771479,0.0000013212864,0.00004536542,0.000021218955,0.0000035305284,0.00053810095,0.9986036,0.00008120415],"about_ca_topic_score_codex":0.00002407357,"about_ca_topic_score_gemma":0.000051561005,"teacher_disagreement_score":0.625654,"about_ca_system_score_codex":0.00000272669,"about_ca_system_score_gemma":0.000015806387,"threshold_uncertainty_score":0.989775},"labels":[],"label_agreement":null},{"id":"W4232699485","doi":"10.3138/utq.79.3.941","title":"Opera as Translation: Ezra Pound's <i>Le Testament</i>","year":2010,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Pound (networking); Literature; Opera; Art; Philosophy; Style (visual arts)","score_opus":0.011147245876673454,"score_gpt":0.19386653900469164,"score_spread":0.18271929312801818,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232699485","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27999723,0.00019914385,0.0001510655,0.0011706467,0.00030997125,0.000089201596,0.000040414965,0.0000545823,0.7179877],"genre_scores_gemma":[0.9817449,0.000008838925,0.00022211786,0.000086998894,0.0001408349,1.1622027e-7,0.000013299086,0.0000053308995,0.017777592],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99946356,0.000023122324,0.0001011183,0.00014462054,0.00013526925,0.00013230529],"domain_scores_gemma":[0.9995719,0.000027347172,0.000047686408,0.00018894108,0.000095032214,0.00006906062],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000073860094,0.00008800053,0.00014809326,0.00001968355,0.0003148205,0.00005917359,0.00020498237,0.000041954896,0.01546042],"category_scores_gemma":[0.0000017945287,0.00009631826,0.00012459692,0.000009178428,0.00020402181,0.00062525953,0.000006642626,0.00008444899,0.0000909693],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000069351925,0.0004241192,0.00007845686,0.000028614415,0.00016182613,0.000028683577,0.21956007,0.0000016114454,0.006372451,0.7200836,0.0068116644,0.04637954],"study_design_scores_gemma":[0.0007132594,0.0003920094,0.00027481667,0.000012505754,0.00009808143,0.0000030521287,0.09396475,0.00014159468,0.00006457703,0.0013850466,0.9027374,0.00021293724],"about_ca_topic_score_codex":0.048909083,"about_ca_topic_score_gemma":0.13411103,"teacher_disagreement_score":0.8959257,"about_ca_system_score_codex":0.000019561821,"about_ca_system_score_gemma":0.00004210911,"threshold_uncertainty_score":0.9854396},"labels":[],"label_agreement":null},{"id":"W4232772417","doi":"10.1353/ctr.2012.0033","title":"Writing on the Wall","year":2012,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Visual arts; Performance art; Art; Art history; History","score_opus":0.052427143834418724,"score_gpt":0.25051760607044476,"score_spread":0.19809046223602605,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232772417","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007104608,0.16701989,2.5843914e-7,0.024128582,0.00014489668,0.00014189488,0.000020910022,0.000015423697,0.8078177],"genre_scores_gemma":[0.94424057,0.009015465,0.0000015523876,0.04204556,0.00069319335,0.000023441924,0.000009238641,0.000013080211,0.00395788],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992431,0.00008306199,0.00015573527,0.00008017936,0.00008701006,0.00035094534],"domain_scores_gemma":[0.9993707,0.000076390315,0.000028152972,0.00025404335,0.000026660462,0.00024405171],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00046159234,0.00009630781,0.00016679584,0.000036411715,0.00038538987,0.000064939944,0.00015781293,0.000015543887,0.013656286],"category_scores_gemma":[0.000024982925,0.00005537373,0.00013222708,0.00003931174,0.00006324554,0.000083829764,0.0000063287025,0.00011278291,0.0014408058],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[1.5448803e-7,0.000008423733,0.000072553594,0.00016418585,0.000024715464,0.0000025083493,0.0007546586,2.8600796e-8,2.683753e-7,0.88086325,0.078075334,0.040033903],"study_design_scores_gemma":[0.000012599203,0.0000058248556,0.00003251268,0.0008513934,0.000074526855,0.000002934115,0.0003516768,0.0000019569952,0.000001496704,0.0003380414,0.99824256,0.00008447962],"about_ca_topic_score_codex":0.014634682,"about_ca_topic_score_gemma":0.06706439,"teacher_disagreement_score":0.94353014,"about_ca_system_score_codex":0.0000521621,"about_ca_system_score_gemma":0.00004416667,"threshold_uncertainty_score":0.99933666},"labels":[],"label_agreement":null},{"id":"W4233052911","doi":"10.1017/cbo9780511777486.012","title":"Politics","year":2010,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Pound (networking); Politics; Jeffersonian democracy; Law; Political science; Supreme court; Populism; Economic history; History","score_opus":0.029617523056125788,"score_gpt":0.18971209207220596,"score_spread":0.16009456901608018,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233052911","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007751374,0.00007923728,0.00002168833,0.00003374404,0.000507482,0.00011417644,0.00063268683,0.00011681609,0.99841666],"genre_scores_gemma":[0.0038498074,0.000031749518,0.000015891646,0.0001670964,0.00107842,2.3563456e-7,0.00007622826,0.000042332464,0.9947382],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989813,0.000015133124,0.00016827924,0.00033381794,0.00021861651,0.0002828346],"domain_scores_gemma":[0.99896324,0.000041683925,0.00013164803,0.00048578985,0.00020725538,0.00017041274],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000053675874,0.0003097528,0.00037159873,0.00016136043,0.00052428676,0.0001364176,0.0004137532,0.00028494335,0.00032382217],"category_scores_gemma":[0.000005181942,0.0003420959,0.00033779713,0.0000013041658,0.00069228635,0.000080957994,0.0001796356,0.00068286754,0.00010434945],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000063989733,0.000007670934,9.2761105e-8,0.000034577854,0.00013601838,0.00014186931,0.00029214186,4.9349246e-8,0.000013255475,0.9695919,0.02960769,0.0001683392],"study_design_scores_gemma":[0.00017279999,0.000023703806,5.7044394e-7,0.00005312448,0.00044633582,0.000005064124,0.00015081099,0.000006228307,0.000100794125,0.00025408398,0.9983902,0.00039629682],"about_ca_topic_score_codex":0.0002783011,"about_ca_topic_score_gemma":0.00003965111,"teacher_disagreement_score":0.9693378,"about_ca_system_score_codex":0.000060828537,"about_ca_system_score_gemma":0.00006234011,"threshold_uncertainty_score":0.9999031},"labels":[],"label_agreement":null},{"id":"W4233305483","doi":"10.1057/9781137413901.0021","title":"Modernism in the United States and Canada","year":2014,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Modernism (music); History; Art; Art history","score_opus":0.023767799305785566,"score_gpt":0.20652719030224342,"score_spread":0.18275939099645785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233305483","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015204848,0.00034946293,0.000013055955,0.00031342809,0.00012423444,0.00015951312,0.00019039691,0.000019255205,0.99731016],"genre_scores_gemma":[0.8893251,0.000120099015,0.0000024673125,0.002651276,0.00031262747,0.000010578604,0.00023507667,0.000036393536,0.10730638],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987816,0.00005286223,0.00031471468,0.00027520323,0.0003078921,0.00026770614],"domain_scores_gemma":[0.99924254,0.00016791112,0.000109369124,0.00034145784,0.00006888888,0.00006983417],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00019296439,0.00032165507,0.00037854267,0.00016968923,0.0002249984,0.00016156645,0.00026151052,0.0000895741,0.00047939812],"category_scores_gemma":[0.000007497788,0.00021929333,0.000083140665,0.0000036875076,0.00027373768,0.0000011630954,0.00005197235,0.00033253344,0.000013694071],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004482701,3.7534198e-7,0.000007745593,0.000035190315,0.0000617161,0.000043854314,0.004744888,0.000003072234,4.6346335e-7,0.9930723,0.0006378896,0.0013880325],"study_design_scores_gemma":[0.00013478617,0.000025489713,0.000023054406,0.000062743406,0.00009014677,0.000006104833,0.0010618394,0.0003450825,0.0000014426874,0.4722099,0.52574575,0.00029364525],"about_ca_topic_score_codex":0.50439674,"about_ca_topic_score_gemma":0.949379,"teacher_disagreement_score":0.8900038,"about_ca_system_score_codex":0.00003717229,"about_ca_system_score_gemma":0.00006432246,"threshold_uncertainty_score":0.8942523},"labels":[],"label_agreement":null},{"id":"W4233491321","doi":"10.22215/etd/2001-04905","title":"Fluid motion: an examination into the function and future of the Canadian literary canonn","year":2001,"lang":"en","type":"dissertation","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Function (biology); Motion (physics); Fluid motion; Literature; History; Psychology; Art; Computer science; Artificial intelligence; Mechanics; Physics; Biology","score_opus":0.010416270526860909,"score_gpt":0.21105432736877663,"score_spread":0.2006380568419157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233491321","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.338731,0.0035179784,0.000004917318,0.002329827,0.0025376808,0.00030956932,0.0000419715,0.000026783355,0.6525003],"genre_scores_gemma":[0.8940096,0.00010096114,0.0000015882472,0.00033571327,0.0014549214,0.000013108163,0.00071370084,0.000011533461,0.10335889],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922675,0.00010115732,0.00020189678,0.00016510682,0.00019266136,0.00011244098],"domain_scores_gemma":[0.9993808,0.000014747704,0.00009130714,0.00024057068,0.00021571989,0.000056830915],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018187774,0.00013954657,0.0001357726,0.000117188545,0.00089311594,0.00023639364,0.00014426908,0.00012266285,0.0032069704],"category_scores_gemma":[0.000005518952,0.0000761478,0.000075758246,0.00006912594,0.0000813737,0.00023128028,0.000006159924,0.00016513052,0.000004793718],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000109726425,0.00003197953,0.000113919756,0.00007450076,0.000077159675,9.719296e-7,0.08063743,8.8552247e-7,0.000023933124,0.73000675,0.0021977122,0.18682379],"study_design_scores_gemma":[0.00018688354,0.00011413219,0.105028816,0.00008895564,0.0005287035,0.000003198333,0.09482388,0.00025997317,0.000088295164,0.034226347,0.7642965,0.00035431446],"about_ca_topic_score_codex":0.12380822,"about_ca_topic_score_gemma":0.9635607,"teacher_disagreement_score":0.8397525,"about_ca_system_score_codex":0.000045876004,"about_ca_system_score_gemma":0.00010767919,"threshold_uncertainty_score":0.9977042},"labels":[],"label_agreement":null},{"id":"W4233560971","doi":"10.4324/9781135000356-rem120-1","title":"Page, P. K. (1916–2010)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"PICASSO; Poetry; Dozen; Art; Art history; Visual arts; Order (exchange); Literature; Painting","score_opus":0.05687952512018397,"score_gpt":0.23017980548166359,"score_spread":0.17330028036147963,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233560971","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000010785631,0.00037791775,0.000013669293,0.00029192248,0.00093070674,0.00006417905,0.00007137763,0.00010480471,0.9981346],"genre_scores_gemma":[0.0027299684,0.000106149586,0.00001938677,0.0010967795,0.0036956125,0.0000031761285,0.000068537964,0.000047737965,0.9922327],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989826,0.0000062944764,0.00028500764,0.00029342188,0.00022793164,0.00020475706],"domain_scores_gemma":[0.99924207,0.000029702684,0.00009072605,0.00039792075,0.00015975628,0.00007983458],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009533837,0.0002776231,0.00035858777,0.00011897805,0.00025044274,0.00021865618,0.00021419374,0.00015421482,0.5311169],"category_scores_gemma":[0.00000580171,0.00021279938,0.00030660367,0.000003268977,0.00037905437,0.000095690295,0.00006294449,0.00021278922,0.015371778],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000014303157,0.000006083988,1.0157307e-7,0.00000936918,0.00008164943,0.000007714279,0.00060192496,7.6133295e-9,6.786652e-7,0.6379539,0.3608693,0.00046788866],"study_design_scores_gemma":[0.00005240764,0.00004296658,4.564651e-7,0.000043256212,0.00015360069,0.0000015852967,0.00015942218,0.000006059814,0.000005064173,0.12846088,0.87079614,0.0002781652],"about_ca_topic_score_codex":0.000069547845,"about_ca_topic_score_gemma":0.0011826274,"teacher_disagreement_score":0.5157451,"about_ca_system_score_codex":0.000018534693,"about_ca_system_score_gemma":0.000021440948,"threshold_uncertainty_score":0.9853949},"labels":[],"label_agreement":null},{"id":"W4233777166","doi":"10.4324/9781135000356-rem665-1","title":"Livesay, (Kathleen May) Dorothy (1909–1996)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Victoria","funders":"","keywords":"Poetry; Biography; Communism; Criticism; League; Politics; Art; Art history; History; Literature; Media studies; Sociology; Political science; Law","score_opus":0.044715470720951146,"score_gpt":0.23548377910263893,"score_spread":0.1907683083816878,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233777166","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000030265957,0.00072636415,0.00001640317,0.00032230013,0.00065187435,0.00015023029,0.00013868658,0.00016383058,0.99780005],"genre_scores_gemma":[0.0071097943,0.00016434291,0.000046945726,0.0014002657,0.00485864,0.000009017775,0.00011106497,0.000085566666,0.98621434],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983075,0.000015010201,0.0004587896,0.0005085644,0.00036381735,0.00034628666],"domain_scores_gemma":[0.9988373,0.000052897776,0.00016075851,0.00059028564,0.00021595843,0.00014282927],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015250275,0.00046734945,0.00059187855,0.00020886227,0.00036210928,0.0003560394,0.00038215276,0.00024809813,0.38567033],"category_scores_gemma":[0.000008464031,0.0003705914,0.0005025898,0.000007530201,0.00060394016,0.0001702425,0.00013111389,0.0003189603,0.014454227],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000057596226,0.000017493354,8.7480544e-7,0.000026804779,0.00022149817,0.00002079691,0.0017536287,4.0956664e-8,0.0000010592292,0.85137475,0.14540619,0.0011711188],"study_design_scores_gemma":[0.00010737064,0.00010466507,0.0000017698881,0.000101401965,0.00028242535,0.0000035998105,0.00041034617,0.000007469077,0.000011207408,0.09369788,0.90477884,0.0004929954],"about_ca_topic_score_codex":0.00029266943,"about_ca_topic_score_gemma":0.0028959122,"teacher_disagreement_score":0.75937265,"about_ca_system_score_codex":0.00003818736,"about_ca_system_score_gemma":0.00004046998,"threshold_uncertainty_score":0.9998746},"labels":[],"label_agreement":null},{"id":"W4233912746","doi":"10.1353/jnc.2013.0002","title":"Introduction","year":2013,"lang":"en","type":"article","venue":"J19","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Poetics; Sophistication; Politics; Literature; Scholarship; Interpretation (philosophy); History; Hypertext; Literary criticism; History of literature; Aesthetics; Variety (cybernetics); Criticism; New Criticism; Art; Philosophy; Literary theory; Law; Political science","score_opus":0.01295458433666038,"score_gpt":0.1923416540894346,"score_spread":0.17938706975277421,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233912746","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3426693,0.00009801696,0.000044427277,0.015762402,0.00089861994,0.00006777442,0.00000228891,0.00008133061,0.64037585],"genre_scores_gemma":[0.8981003,0.0000023782072,0.000011793877,0.0003197751,0.0029648317,0.000007658755,0.000004359563,0.0000027818887,0.09858612],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99975526,0.0000072130206,0.000058717655,0.000062717234,0.00004694752,0.000069122376],"domain_scores_gemma":[0.9998451,0.0000048559587,0.0000109594675,0.0000821802,0.000038940405,0.000017973794],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000027623875,0.000030564977,0.000044744807,0.000021500793,0.00008729289,0.000101108046,0.00003369823,0.000008284978,0.053487405],"category_scores_gemma":[0.0000076001097,0.000023352011,0.0000301146,0.000009889926,0.000036175235,0.00016093759,0.000006336936,0.000031418127,0.0037934936],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[3.943532e-7,0.000019444607,0.000022364433,0.0000027363394,0.000010505503,2.6642886e-7,0.0016789989,8.627356e-7,0.00021315312,0.58319134,0.4084296,0.0064303395],"study_design_scores_gemma":[0.000029995255,0.00001046724,0.00031930802,9.2240737e-7,0.000008812478,5.263339e-7,0.0018543288,0.0000777594,0.00011916876,0.0066522686,0.9908832,0.000043266446],"about_ca_topic_score_codex":0.00017425031,"about_ca_topic_score_gemma":0.000046294495,"teacher_disagreement_score":0.5824536,"about_ca_system_score_codex":0.0000046336368,"about_ca_system_score_gemma":0.0000018957816,"threshold_uncertainty_score":0.99698216},"labels":[],"label_agreement":null},{"id":"W4234434778","doi":"10.1093/obo/9780195399301-0212","title":"Literary Criticism","year":2014,"lang":"en","type":"reference-entry","venue":"Renaissance and Reformation","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Vernacular; Poetics; Poetry; Literature; Criticism; Humanism; Literary criticism; Imitation; Art; Philosophy; Theology","score_opus":0.0252747150152744,"score_gpt":0.24475810471481815,"score_spread":0.21948338969954376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234434778","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00063609413,0.018219426,0.00007890758,0.00053111813,0.0010158713,0.00010795697,0.0001374599,0.00008184741,0.9791913],"genre_scores_gemma":[0.5296311,0.047748026,0.00004194984,0.001365402,0.006239121,0.000049289312,0.0017674284,0.00005237395,0.41310534],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987614,0.000058892012,0.00042500388,0.00023870905,0.00025588108,0.0002600897],"domain_scores_gemma":[0.99931854,0.000034488625,0.00018230254,0.0002528325,0.00012752264,0.00008433029],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001671061,0.00026040943,0.00042293698,0.00018358428,0.0004288196,0.0003656143,0.0001375472,0.00019981987,0.0008506639],"category_scores_gemma":[0.000018625531,0.000181592,0.0001269687,0.000033373908,0.00019846649,0.00054995186,0.000044320943,0.0003390239,0.00020201098],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009005797,0.00003544683,0.0000047214467,0.0014500121,0.0000772937,0.0000042350043,0.0060805213,2.4817513e-7,5.441559e-7,0.21651712,0.67378414,0.10203669],"study_design_scores_gemma":[0.0001373847,0.000045566274,0.000020755055,0.0008963375,0.000088586145,0.000007797688,0.00034637813,0.00012242915,0.000009903064,0.010090944,0.9879563,0.00027765223],"about_ca_topic_score_codex":0.000037553687,"about_ca_topic_score_gemma":0.000058865495,"teacher_disagreement_score":0.566086,"about_ca_system_score_codex":0.000030522544,"about_ca_system_score_gemma":0.000026700453,"threshold_uncertainty_score":0.93141735},"labels":[],"label_agreement":null},{"id":"W4234467814","doi":"10.32920/ryerson.14657745","title":"Starting a Conversation: The Effort, Effect and Affect of Trans Poetics","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Poetics; Poetry; Conversation; Meaning (existential); Literature; Isolation (microbiology); CITES; Art; Sociology; Aesthetics; Philosophy; Epistemology; Communication","score_opus":0.022718816848189865,"score_gpt":0.24879348791860756,"score_spread":0.2260746710704177,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234467814","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9488978,0.0015034986,0.00048503472,0.0017002544,0.00036126043,0.000305659,0.00003430726,0.000034387704,0.046677824],"genre_scores_gemma":[0.99813366,0.00008359641,0.000024375862,0.00023114953,0.00019358018,0.000014692508,0.00003139128,0.000009960616,0.0012776222],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9991264,0.00011861444,0.00026331027,0.00019700233,0.00016977832,0.00012491993],"domain_scores_gemma":[0.9992651,0.00026490728,0.00010352972,0.00025170538,0.0000845934,0.000030166335],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00044111762,0.00015803617,0.00036428362,0.00003909028,0.00015146018,0.00023419941,0.000114573246,0.000066490065,0.0019588093],"category_scores_gemma":[0.000028862463,0.00009628832,0.00022352925,0.000017891352,0.0002502245,0.000045277753,0.00010726444,0.00024389828,0.0000014962187],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011516152,0.0003126352,0.0056334403,0.0073039616,0.0036832264,0.00006917128,0.48223487,0.0005085649,0.0009928971,0.47736284,0.0045248494,0.017258378],"study_design_scores_gemma":[0.009995775,0.004147842,0.015540738,0.0086552035,0.028357374,0.000040591545,0.5455494,0.08519176,0.08709345,0.082484975,0.12522504,0.0077178585],"about_ca_topic_score_codex":0.00037979853,"about_ca_topic_score_gemma":0.0008919333,"teacher_disagreement_score":0.39487788,"about_ca_system_score_codex":0.000008562318,"about_ca_system_score_gemma":0.000029138007,"threshold_uncertainty_score":0.9989535},"labels":[],"label_agreement":null},{"id":"W4234493207","doi":"10.4000/eccs.753","title":"The Handbook of Comparative North American Literature, Nischik REINGARD Ed.","year":2016,"lang":"en","type":"article","venue":"Études canadiennes / Canadian Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Library science; Computer science","score_opus":0.034580001389459124,"score_gpt":0.25133442973334075,"score_spread":0.21675442834388162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234493207","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.944599,0.016364252,0.0000015793613,0.0017971791,0.0005223157,0.00022780102,0.00074936374,0.00003512302,0.035703417],"genre_scores_gemma":[0.993611,0.0017190981,0.000014897554,0.00037061668,0.00032133242,0.000040848976,0.0000091020975,0.000015968259,0.0038971412],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984391,0.00008319235,0.00036201754,0.000278375,0.0001765835,0.00066074147],"domain_scores_gemma":[0.9983117,0.0003547444,0.00016094197,0.0003385327,0.00048554406,0.0003485111],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016550014,0.00025182453,0.0005099333,0.00018806984,0.0011226068,0.00010037619,0.0003305282,0.000019036943,0.00007111754],"category_scores_gemma":[0.00009006508,0.00013474835,0.00015536843,0.00015567051,0.001806714,0.00016056992,0.00004367382,0.00010790858,0.000020556996],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035141806,0.000021570328,0.0045308946,0.000040142822,0.0017213874,0.000067634486,0.049816426,0.0000029249957,0.000027137577,0.8694106,0.050155073,0.02417108],"study_design_scores_gemma":[0.00027229937,0.00025063165,0.0055446676,0.00034675736,0.00018380035,0.000006816747,0.08631183,0.00000568105,0.00011351094,0.0008465039,0.9056361,0.0004814524],"about_ca_topic_score_codex":0.20084372,"about_ca_topic_score_gemma":0.9986319,"teacher_disagreement_score":0.86856407,"about_ca_system_score_codex":0.00022734715,"about_ca_system_score_gemma":0.00019616424,"threshold_uncertainty_score":0.8634297},"labels":[],"label_agreement":null},{"id":"W4235460766","doi":"10.3138/cras.40.1.95","title":"Learning to Love the Bomb: Robert Lowell's Pathological Poetics","year":2010,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Confessional; Poetry; Literature; Resistance (ecology); Literal and figurative language; Cold war; Art; Philosophy; Psychoanalysis; Art history; Psychology; Linguistics; Law; Politics; Political science","score_opus":0.025450329018885373,"score_gpt":0.28637704630491156,"score_spread":0.2609267172860262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235460766","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28284705,0.21010368,0.0000130703875,0.12582459,0.0016221825,0.0011286848,0.00017297933,0.0000760783,0.3782117],"genre_scores_gemma":[0.9477718,0.026400166,0.000089138084,0.019345215,0.00036543456,0.000018457285,0.000004495076,0.000015129369,0.0059901914],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893844,0.0000929902,0.00031211186,0.0001889807,0.0001536386,0.00031381234],"domain_scores_gemma":[0.9989648,0.00014704191,0.00012852302,0.00027930815,0.00027936825,0.00020097393],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00039997825,0.00015381382,0.00055213366,0.00007138026,0.0002875213,0.000037098303,0.00026175744,0.000014943618,0.0012334015],"category_scores_gemma":[0.0007279574,0.000091922644,0.00017835274,0.00014579548,0.0011564225,0.000034138004,0.000054820634,0.00029084037,0.00022988692],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011878096,0.00012253303,0.0025532406,0.0027025589,0.0011026142,0.00021929736,0.089399934,0.000016920081,0.00016146616,0.22140901,0.39609733,0.2862032],"study_design_scores_gemma":[0.00002271521,0.00013111375,0.0006237616,0.0004286952,0.00013482975,0.000004974097,0.021413026,0.0000025612926,0.0000056081167,0.00011465538,0.9769751,0.00014297653],"about_ca_topic_score_codex":0.011362807,"about_ca_topic_score_gemma":0.15232529,"teacher_disagreement_score":0.66492474,"about_ca_system_score_codex":0.000029949748,"about_ca_system_score_gemma":0.000074879805,"threshold_uncertainty_score":0.9996796},"labels":[],"label_agreement":null},{"id":"W4236019036","doi":"10.15695/amqst.v1i1.13","title":"Exile of the Beat King: Eden, Moloch, and the Mythic American Journeys of Jack Kerouac","year":2004,"lang":"es","type":"article","venue":"AmeriQuests","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Humanities; Portrait; Art; Narrative; Art history; Literature","score_opus":0.010241584385040279,"score_gpt":0.24407503251506657,"score_spread":0.2338334481300263,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236019036","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9703007,0.0036845203,0.000029680106,0.008953841,0.00019193011,0.0002169937,0.000049803482,0.000016699387,0.016555863],"genre_scores_gemma":[0.9956795,0.0019138474,0.00002832062,0.00095324876,0.00029171043,0.000010484162,0.0000027038666,0.000024179215,0.00109602],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982316,0.00032576945,0.0005650376,0.0002403021,0.00034945767,0.00028785234],"domain_scores_gemma":[0.99838465,0.00020261102,0.00059428834,0.0005424463,0.00020674325,0.00006922716],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0004371717,0.00024578534,0.0006731674,0.00007460989,0.00037268223,0.00017472645,0.00042004342,0.000057170615,0.00025126888],"category_scores_gemma":[0.00012277675,0.00013632516,0.00032928097,0.00013945061,0.0055460013,0.00013750652,0.00016669696,0.00031925677,0.000008277115],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001454255,0.000312523,0.0032847875,0.00021858008,0.0005417047,0.000009578384,0.043929283,0.00010630666,0.00081110076,0.9421659,0.00056558417,0.007909226],"study_design_scores_gemma":[0.013916235,0.004680102,0.19237708,0.008475007,0.0064465296,0.0002894691,0.16247061,0.0008702553,0.054567695,0.17599623,0.37612492,0.0037858835],"about_ca_topic_score_codex":0.007979003,"about_ca_topic_score_gemma":0.0007289328,"teacher_disagreement_score":0.76616967,"about_ca_system_score_codex":0.000025869613,"about_ca_system_score_gemma":0.000077624594,"threshold_uncertainty_score":0.99862695},"labels":[],"label_agreement":null},{"id":"W4236902059","doi":"10.1007/978-3-030-18327-1_8","title":"Big Poetry","year":2019,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of the Fraser Valley","funders":"","keywords":"Poetry; Tribute; Poetics; Context (archaeology); Reading (process); Literature; Section (typography); Art; History; Philosophy; Art history; Linguistics; Computer science; Archaeology","score_opus":0.04607693883352116,"score_gpt":0.2129292889704353,"score_spread":0.16685235013691416,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4236902059","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000006880891,0.00056809944,0.000008554229,0.00023527035,0.000974003,0.00006347475,0.00006149584,0.00007227649,0.9980099],"genre_scores_gemma":[0.012572742,0.00008030946,0.000004385094,0.0011239876,0.0020383156,0.0000010071514,0.0000635766,0.000041818308,0.9840739],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991603,0.000003928201,0.00022721155,0.0002443172,0.00020330517,0.00016093718],"domain_scores_gemma":[0.99941903,0.00002965808,0.000072185096,0.00034729732,0.00008113184,0.000050704908],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00005434534,0.00023170297,0.000345908,0.00012696622,0.0001120425,0.000156795,0.00016978475,0.00013524301,0.14493349],"category_scores_gemma":[0.0000026411642,0.00017967049,0.00030684986,0.0000026391947,0.00013053743,0.000051923373,0.000049760984,0.00023000958,0.012263838],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000015228426,0.00000620204,4.372377e-7,0.000023039178,0.00010376672,0.0000070876636,0.00031772588,7.896619e-8,7.324804e-7,0.93990487,0.05625486,0.0033796565],"study_design_scores_gemma":[0.000058802347,0.000025573676,7.222667e-7,0.000047579477,0.00012249083,0.0000012390925,0.00015793952,0.0000041679396,0.0000026403281,0.04894501,0.9503678,0.00026601084],"about_ca_topic_score_codex":0.000047385787,"about_ca_topic_score_gemma":0.00042635264,"teacher_disagreement_score":0.89411294,"about_ca_system_score_codex":0.00001800802,"about_ca_system_score_gemma":0.00003982444,"threshold_uncertainty_score":0.98850524},"labels":[],"label_agreement":null},{"id":"W4237137876","doi":"10.32920/ryerson.14665620","title":"Funny feelings: taking love to the cinema with Woody Allen","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University; University of Toronto; Toronto Metropolitan University; Centre for Social Innovation; Brock University; York University","funders":"","keywords":"Movie theater; Phenomenology (philosophy); Feeling; Embodied cognition; Psychoanalysis; Philosophy of love; Aesthetics; Infatuation; Representation (politics); Art; Art history; Philosophy; Psychology; Epistemology","score_opus":0.04151546171713793,"score_gpt":0.25225823356006366,"score_spread":0.21074277184292572,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4237137876","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.042692248,0.0012293576,0.0018777142,0.01742591,0.00076758815,0.00036821805,0.000039933624,0.00009408776,0.935505],"genre_scores_gemma":[0.89453405,0.000044697732,0.00024986253,0.0042323982,0.0016187317,0.000026732903,0.00004816918,0.000031738735,0.09921359],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984588,0.00006057678,0.00031090525,0.0005005959,0.00035636203,0.00031276705],"domain_scores_gemma":[0.9986975,0.0000626763,0.00014659784,0.0007140281,0.00028640367,0.00009274505],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002571266,0.00030008983,0.00042630488,0.00008573608,0.0002535959,0.0012206988,0.0004720331,0.00008676477,0.026005989],"category_scores_gemma":[0.000040628114,0.00016575615,0.00022893035,0.00003488572,0.0000888052,0.00007719378,0.0005245557,0.00049554836,0.00037953738],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008980204,0.0004489616,0.00018720831,0.0005209284,0.0031922965,0.00025419303,0.40886405,0.005799077,0.00005238134,0.46327677,0.10879349,0.008520848],"study_design_scores_gemma":[0.00023322787,0.000111565605,0.00018991364,0.0006339996,0.00065347325,0.00000912777,0.15003784,0.0010283685,0.00010465496,0.0013268566,0.84482676,0.0008441928],"about_ca_topic_score_codex":0.0011461929,"about_ca_topic_score_gemma":0.018700467,"teacher_disagreement_score":0.8518418,"about_ca_system_score_codex":0.00002742421,"about_ca_system_score_gemma":0.00008315672,"threshold_uncertainty_score":0.9998161},"labels":[],"label_agreement":null},{"id":"W4237313720","doi":"10.4324/9781135000356-rem1467-1","title":"Contact Press","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Art history; Art; Reading (process); Literature; Law; Political science","score_opus":0.05694693240016087,"score_gpt":0.2323755497577687,"score_spread":0.17542861735760784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4237313720","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00000520348,0.00042960927,0.000008816208,0.0000778412,0.0003859538,0.00005832139,0.00007144052,0.00006709572,0.9988957],"genre_scores_gemma":[0.0055820057,0.000065477296,0.0000048903235,0.0004899604,0.0024376344,0.0000025712293,0.00003994612,0.000028520739,0.991349],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993108,0.0000042251145,0.00019820659,0.00019913029,0.0001544871,0.00013314695],"domain_scores_gemma":[0.99948025,0.00002374037,0.00006715441,0.00025543594,0.00012192623,0.000051480278],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000051800893,0.00019072977,0.00027594523,0.00004512323,0.00013997538,0.00018265434,0.00014944635,0.00009648388,0.33248636],"category_scores_gemma":[0.0000029952485,0.00014308134,0.00020882678,8.7893363e-7,0.00016245051,0.00007363094,0.000037817324,0.0001282893,0.003220667],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002212804,0.000004893878,3.8106357e-8,0.000010017613,0.00010101618,0.000005377896,0.0007541052,7.123435e-9,4.078402e-7,0.78618807,0.21263553,0.00029834756],"study_design_scores_gemma":[0.00005273784,0.000048616537,2.1459152e-7,0.00004138345,0.00014289327,8.7755996e-7,0.000095383824,0.000004949678,0.000008585553,0.05571999,0.9436798,0.0002045515],"about_ca_topic_score_codex":0.00010236706,"about_ca_topic_score_gemma":0.0007263702,"teacher_disagreement_score":0.7310443,"about_ca_system_score_codex":0.000012190764,"about_ca_system_score_gemma":0.000011697964,"threshold_uncertainty_score":0.99755543},"labels":[],"label_agreement":null},{"id":"W4237368772","doi":"10.5325/resoamerlitestud.40.2018.0388","title":"The Best Minds of My Generation: A Literary History of the Beats","year":2018,"lang":"en","type":"article","venue":"Resources for American Literary Study","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":28,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; History of literature; Literature; Narrative; Silence; History; Gratitude; Counterculture; Art history; Art; Psychology; Aesthetics","score_opus":0.032074693871977485,"score_gpt":0.25151193537477723,"score_spread":0.21943724150279975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4237368772","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9722,0.003860661,0.000009016898,0.00026843732,0.00043107543,0.00038938792,0.000086470835,0.000012390892,0.022742571],"genre_scores_gemma":[0.9653825,0.000008761665,0.000024327082,0.0002943465,0.0012006329,0.00005451696,0.0000061032983,0.000015455958,0.033013318],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99871355,0.00016795327,0.0004500352,0.00021020976,0.00026737258,0.00019089626],"domain_scores_gemma":[0.99872434,0.00018182125,0.00031879035,0.0005137889,0.00022262745,0.00003865777],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026097638,0.00014466279,0.00029761923,0.00007076027,0.0004656977,0.00007233099,0.00044017192,0.000014866801,0.00016628168],"category_scores_gemma":[0.000032313477,0.000080880636,0.0002370195,0.00010430673,0.0017569667,0.00012244165,0.00008632767,0.00007579084,0.0000038173735],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024124421,0.0014516114,0.012501999,0.00005698381,0.00072383677,0.0000021923345,0.8664316,0.0000019819877,0.0004104098,0.013023412,0.033733163,0.07142155],"study_design_scores_gemma":[0.00026390562,0.0014962121,0.0017051747,0.000028696373,0.00016177713,9.657721e-7,0.019692874,0.00023648546,0.00007131289,0.0002754468,0.9759454,0.000121748744],"about_ca_topic_score_codex":0.00022102818,"about_ca_topic_score_gemma":0.000259044,"teacher_disagreement_score":0.9422122,"about_ca_system_score_codex":0.000036352725,"about_ca_system_score_gemma":0.00004283281,"threshold_uncertainty_score":0.6473617},"labels":[],"label_agreement":null},{"id":"W4237426069","doi":"10.32920/ryerson.14643717","title":"Kathy Acker's french twist : translating sex in the Blood and guts trilogy","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University; York University","funders":"","keywords":"Human sexuality; Postmodernism; Reactionary; Queer; Queer theory; Trilogy; Feminism; Subversion; Literature; Sociology; Philosophy; Politics; Psychoanalysis; Gender studies; Art; Psychology; Law","score_opus":0.03764815407826935,"score_gpt":0.2493741615762063,"score_spread":0.21172600749793694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4237426069","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62220293,0.003491047,0.000078038654,0.0030280435,0.00029401827,0.00020883135,0.00004598297,0.000040451825,0.37061065],"genre_scores_gemma":[0.9910916,0.000106405525,0.00007528295,0.00079578697,0.00048918865,0.000031269985,0.0000813782,0.000012639812,0.007316428],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99857664,0.00019822277,0.0003965061,0.00039889806,0.00018817189,0.00024155415],"domain_scores_gemma":[0.99935514,0.00013819123,0.0000701872,0.00035046227,0.000052660147,0.000033343356],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0004392311,0.000226675,0.0004340889,0.00009606847,0.00019868539,0.0006588412,0.00026483042,0.0001332153,0.0021711718],"category_scores_gemma":[0.000023889517,0.00015358298,0.0001770194,0.000036543814,0.0001699298,0.000056296158,0.0001332657,0.0005938642,0.0000047587755],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000062744875,0.0006580757,0.0019041077,0.00050522713,0.0007014321,0.0003309385,0.5419093,0.0000379287,0.00011560255,0.43869528,0.0016445791,0.013491244],"study_design_scores_gemma":[0.0050314157,0.00046257448,0.010371975,0.0014121025,0.004993587,0.00018518174,0.51842415,0.0062161526,0.0006332368,0.17722416,0.27069423,0.004351213],"about_ca_topic_score_codex":0.002704053,"about_ca_topic_score_gemma":0.03153598,"teacher_disagreement_score":0.36888868,"about_ca_system_score_codex":0.0000068642667,"about_ca_system_score_gemma":0.000049172482,"threshold_uncertainty_score":0.998741},"labels":[],"label_agreement":null},{"id":"W4237865786","doi":"10.3138/cras.39.4.443","title":"“It Was My Dream That Screwed Up”: The Relativity of Transcendence in <i>On the Road</i>","year":2009,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Transcendence (philosophy); Identity (music); Vision; Romance; Dream; Psychoanalysis; Transcendental number; Aesthetics; Appropriation; Personal identity; Resistance (ecology); Philosophy; Sociology; Literature; Epistemology; Art; Psychology; Self; Anthropology","score_opus":0.06547416344204894,"score_gpt":0.29623370662825294,"score_spread":0.230759543186204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4237865786","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09799178,0.35937792,0.000003494378,0.25436935,0.00030081405,0.0012166952,0.00022892623,0.000023195968,0.28648785],"genre_scores_gemma":[0.9260593,0.056430727,0.0000027799101,0.016676588,0.000043780692,0.000016170974,0.0000016948546,0.000005105474,0.0007638205],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99879426,0.00021567232,0.0003645447,0.00016228431,0.00021642873,0.00024682723],"domain_scores_gemma":[0.9989854,0.00026169387,0.00020802279,0.00035614116,0.0001243574,0.00006435915],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00063254527,0.00015339877,0.00064425805,0.00007493951,0.00024339127,0.000014833464,0.00030184313,0.000011594111,0.00023284796],"category_scores_gemma":[0.00021344949,0.00007976123,0.00020474412,0.00021721219,0.0013049134,0.00006466416,0.0000099814315,0.00016916427,0.000008439275],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003496747,0.00019497698,0.0013518211,0.001980855,0.0009155864,0.00003776828,0.11177849,0.000009726293,0.000028037475,0.464124,0.17698964,0.24255414],"study_design_scores_gemma":[0.00022564117,0.00045382476,0.015493184,0.009993617,0.00049846823,0.0000034607012,0.092830986,0.000012711166,0.00011442219,0.0017320686,0.8782103,0.00043130046],"about_ca_topic_score_codex":0.023247052,"about_ca_topic_score_gemma":0.16852033,"teacher_disagreement_score":0.82806754,"about_ca_system_score_codex":0.000052923842,"about_ca_system_score_gemma":0.00009949783,"threshold_uncertainty_score":0.98325723},"labels":[],"label_agreement":null},{"id":"W4237918562","doi":"10.32920/ryerson.14665827","title":"Consumption and culture in Toronto's urban soundscapes","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Soundscape; Cityscape; Realm; Downtown; Consumerism; Consumption (sociology); Aesthetics; Urban culture; Consumer Culture; Sociology; Advertising; Media studies; History; Visual arts; Political science; Art; Business; Sound (geography); Archaeology; Law; Acoustics","score_opus":0.02776679731010753,"score_gpt":0.2646940828460789,"score_spread":0.2369272855359714,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4237918562","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4015629,0.03215944,0.00004405312,0.00040990132,0.00064866117,0.00017218615,0.000045763463,0.00007909467,0.564878],"genre_scores_gemma":[0.96649927,0.0015545285,0.00005588337,0.00023307925,0.0003740508,0.000017868137,0.00012435467,0.000008200133,0.031132752],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921066,0.000045371948,0.00020918986,0.00029388364,0.00010601682,0.0001348728],"domain_scores_gemma":[0.9996617,0.000016949338,0.000046013807,0.00017442643,0.000060291117,0.000040614123],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000091911694,0.00015968196,0.0002794655,0.00003063807,0.000093171424,0.00059562444,0.000081938626,0.00012477934,0.018506365],"category_scores_gemma":[0.000010247953,0.00013018464,0.00009266859,0.000005578821,0.00009063572,0.00016169157,0.0001692746,0.00022717334,0.00001109607],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010510755,0.00020470317,0.004261416,0.0005311133,0.00024595216,0.000040480692,0.13326912,0.000007735063,0.000059936712,0.8370545,0.02218486,0.0021296656],"study_design_scores_gemma":[0.0012313038,0.000100362566,0.013296395,0.0012587295,0.0007656387,0.000016830101,0.2335615,0.0021019636,0.0001633289,0.028217293,0.7169958,0.0022908729],"about_ca_topic_score_codex":0.0051824837,"about_ca_topic_score_gemma":0.16947979,"teacher_disagreement_score":0.80883723,"about_ca_system_score_codex":0.00006476674,"about_ca_system_score_gemma":0.000019234674,"threshold_uncertainty_score":0.9823909},"labels":[],"label_agreement":null},{"id":"W4238225458","doi":"10.4324/9781135000356-rem1617-1","title":"Charles Olson (1910–1970)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Poetics; Stanza; Poetry; Literature; Key (lock); Art; Free verse; Art history; Philosophy; Computer science","score_opus":0.04888442942521761,"score_gpt":0.23089423208767054,"score_spread":0.18200980266245292,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238225458","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000040148763,0.0009020287,0.000012370562,0.00029489523,0.0005615694,0.00007912132,0.000094072195,0.0001177864,0.997898],"genre_scores_gemma":[0.0066442257,0.00027085535,0.0000154127,0.00085713883,0.0042524287,0.0000046343393,0.00008993295,0.000051694384,0.98781365],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99888283,0.0000070428414,0.0003038719,0.00032674815,0.00025309811,0.00022639068],"domain_scores_gemma":[0.9992465,0.000028824903,0.00010725896,0.0003702116,0.00016531892,0.000081883474],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009837675,0.00031204507,0.00041221507,0.00013421774,0.00027500885,0.000256426,0.00022828637,0.0001636274,0.39246276],"category_scores_gemma":[0.000005711781,0.00024097077,0.0003305451,0.0000036159818,0.00038300297,0.000113320595,0.00006300562,0.00020359216,0.011235822],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000026322134,0.000009319254,2.2727292e-7,0.000018328099,0.000115723335,0.000007959982,0.0015594935,1.34215155e-8,0.0000013364005,0.84589565,0.15055695,0.0018323568],"study_design_scores_gemma":[0.000059886574,0.000054049775,5.79083e-7,0.00007851083,0.00016915199,0.0000016057155,0.00030578088,0.0000069769458,0.000013880481,0.092967,0.9060214,0.00032117183],"about_ca_topic_score_codex":0.000071900904,"about_ca_topic_score_gemma":0.0012226431,"teacher_disagreement_score":0.75546443,"about_ca_system_score_codex":0.000022444021,"about_ca_system_score_gemma":0.000021992963,"threshold_uncertainty_score":0.989534},"labels":[],"label_agreement":null},{"id":"W4239087236","doi":"10.1007/978-3-030-33180-1","title":"Elizabeth Bishop and the Music of Literature","year":2019,"lang":"en","type":"book","venue":"Palgrave studies in music and literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":42,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Seneca Polytechnic","funders":"","keywords":"Art; Visual arts; Literature; Performance art; Sound (geography); History; Art history; Acoustics","score_opus":0.03632461349895193,"score_gpt":0.25799438187332346,"score_spread":0.22166976837437152,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239087236","genre_codex":"review","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015536924,0.51064014,0.0000010591332,0.00037761073,0.0012136059,0.0005079669,0.0005126008,0.000020006784,0.4851733],"genre_scores_gemma":[0.3095908,0.03740297,0.000025111793,0.00222305,0.002633575,0.000055420365,0.000340859,0.00006525731,0.647663],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981476,0.00016503553,0.0005573641,0.0005307348,0.00028930992,0.00030996904],"domain_scores_gemma":[0.9983535,0.0005049182,0.00026954972,0.00044278966,0.00038128172,0.000047974514],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00050982734,0.00053532945,0.0012914533,0.00028451657,0.00029340887,0.00037923016,0.00022685925,0.00032117742,0.00020964265],"category_scores_gemma":[0.0001021684,0.00030185148,0.0002618432,0.00013244101,0.0021508848,0.00007306329,0.00025997733,0.0010252902,0.000004234459],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006930978,0.00001133407,0.000013905039,0.0014280386,0.00053519063,0.000045510824,0.24460535,3.0312032e-7,0.0000010395223,0.6971234,0.055066347,0.0011002431],"study_design_scores_gemma":[0.0019031452,0.00012657228,0.00005571636,0.0077889897,0.00070287124,0.000027460206,0.016770823,0.000034754874,0.0000011006911,0.20563146,0.766303,0.0006540814],"about_ca_topic_score_codex":0.000009965314,"about_ca_topic_score_gemma":0.00025553704,"teacher_disagreement_score":0.71123666,"about_ca_system_score_codex":0.000025910585,"about_ca_system_score_gemma":0.00004162232,"threshold_uncertainty_score":0.9999434},"labels":[],"label_agreement":null},{"id":"W4239178497","doi":"10.3138/cras-s034-02-04","title":"The Poetics of Torture: The Spectacle of Sylvia Plath's Poetry","year":2004,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Poetics; Body politic; Literature; Nothing; Art; Torture; Silence; Philosophy; Aesthetics; Politics; Law","score_opus":0.02647302871084784,"score_gpt":0.2777359773386408,"score_spread":0.25126294862779297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239178497","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04090868,0.8933127,0.0000047736785,0.022746023,0.00036961227,0.00039949673,0.00024596517,0.000010677704,0.04200207],"genre_scores_gemma":[0.8342894,0.1636059,0.000020455025,0.0014860801,0.00011115694,0.000008280356,0.0000021893043,0.000008563606,0.000468033],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893916,0.000055825214,0.00048116074,0.00010890521,0.00019982668,0.00021512163],"domain_scores_gemma":[0.9986815,0.00018278234,0.00035379894,0.000366265,0.000342737,0.00007295538],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00029681638,0.00012609923,0.000592526,0.000048927803,0.0003379883,0.000011780327,0.00030836355,0.0000100353,0.00009965055],"category_scores_gemma":[0.0002417208,0.000066193694,0.00022176366,0.00017193753,0.002385955,0.000032570846,0.00003453138,0.00008976108,0.000004557977],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000796259,0.00005839729,0.00034080682,0.0029931962,0.0014602254,0.000013799025,0.019169817,0.000007870898,0.000021502115,0.9128731,0.02926432,0.033789013],"study_design_scores_gemma":[0.00012681182,0.00022159088,0.0018690091,0.0029561424,0.0005947034,0.000004539578,0.07535629,0.0000010844028,0.00015175974,0.0019982085,0.9165208,0.0001990992],"about_ca_topic_score_codex":0.029865023,"about_ca_topic_score_gemma":0.14633578,"teacher_disagreement_score":0.9108749,"about_ca_system_score_codex":0.000059712485,"about_ca_system_score_gemma":0.00019279242,"threshold_uncertainty_score":0.97659516},"labels":[],"label_agreement":null},{"id":"W4240299886","doi":"10.4000/sillagescritiques.9858","title":"Robert Duncan’s Legacies: a Centennial Celebration","year":2020,"lang":"en","type":"paratext","venue":"Sillages critiques","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Computer science","score_opus":0.022470510022375684,"score_gpt":0.2638694215026942,"score_spread":0.24139891148031853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240299886","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004125583,0.009423444,0.00013251556,0.009350874,0.0037737202,0.00032389603,0.0012949465,0.00025422234,0.9750338],"genre_scores_gemma":[0.26553142,0.004117057,0.00006098252,0.0057038586,0.013105499,0.00010489911,0.0026124083,0.00014270726,0.70862114],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.997459,0.00020395074,0.0006468134,0.0006879525,0.00046527036,0.00053702365],"domain_scores_gemma":[0.9987205,0.000093662165,0.0001945841,0.00039058615,0.00039988363,0.00020073715],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013724751,0.0005835955,0.00087220856,0.00020432122,0.0005612975,0.0012387033,0.00043669043,0.00029302045,0.05014589],"category_scores_gemma":[0.00009652652,0.00053353666,0.00051103526,0.00007149063,0.0003937644,0.00050304865,0.00011909675,0.00055933953,0.0072692097],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018461256,0.000058830123,0.0000011771511,0.0003126901,0.00015278648,0.00003303166,0.008882257,0.0000026500695,0.00012157702,0.08040422,0.9093628,0.00064950355],"study_design_scores_gemma":[0.000166481,0.0001503184,0.00000213826,0.0002215212,0.00019172954,0.000004114193,0.004497807,0.00006343717,0.00065815705,0.0012273121,0.9921697,0.00064730836],"about_ca_topic_score_codex":0.0010772718,"about_ca_topic_score_gemma":0.0018694849,"teacher_disagreement_score":0.26641268,"about_ca_system_score_codex":0.00008776985,"about_ca_system_score_gemma":0.00013558712,"threshold_uncertainty_score":0.9997981},"labels":[],"label_agreement":null},{"id":"W4240955126","doi":"10.1515/9780823282067-014","title":"Acknowledgments","year":2020,"lang":"en","type":"book-chapter","venue":"Fordham University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.05537478104252359,"score_gpt":0.19340357613949802,"score_spread":0.13802879509697444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4240955126","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000009279731,0.00008858032,0.000026062946,0.0000471758,0.00032332612,0.00014700547,0.00032062252,0.00012741504,0.99891055],"genre_scores_gemma":[0.0044732154,0.000032989763,0.000011851116,0.00011874715,0.00060295017,3.7514826e-7,0.00006962944,0.000036552126,0.9946537],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990713,0.0000149716325,0.00015696035,0.0003496431,0.00021468835,0.00019244256],"domain_scores_gemma":[0.9992953,0.000022944865,0.00012433855,0.00028511166,0.00012809437,0.00014424507],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000032596447,0.0002845877,0.00037054523,0.00010048898,0.0003506052,0.000106949294,0.0004052655,0.00015021594,0.0025535484],"category_scores_gemma":[0.0000034038112,0.00030832822,0.00033365635,0.0000017808,0.00026527257,0.00009668851,0.0002449669,0.00033214354,0.0002883149],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025785288,0.000008653966,1.3375967e-7,0.00004986296,0.00027256567,0.00012521149,0.0013959978,2.7667664e-7,0.0000013693927,0.96377796,0.033343863,0.0009983492],"study_design_scores_gemma":[0.00023874358,0.000053025517,2.6332458e-7,0.000080231286,0.00041511812,9.763577e-7,0.00026336007,0.0000192679,0.000014993714,0.0041400986,0.99443805,0.00033586065],"about_ca_topic_score_codex":0.00006798556,"about_ca_topic_score_gemma":0.00012285728,"teacher_disagreement_score":0.9610942,"about_ca_system_score_codex":0.00006213293,"about_ca_system_score_gemma":0.000036763602,"threshold_uncertainty_score":0.9999369},"labels":[],"label_agreement":null},{"id":"W4241006778","doi":"10.1353/cal.2007.0003","title":"from \"Memorial\"","year":2006,"lang":"en","type":"article","venue":"Callaloo","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Quarter (Canadian coin); Art history; Art; History; Literature; Archaeology","score_opus":0.01506374012297767,"score_gpt":0.20602565013578333,"score_spread":0.19096191001280566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241006778","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3248073,0.00041463485,0.000089180234,0.0007065982,0.0011318246,0.00003590143,0.00006620982,0.00009039513,0.67265797],"genre_scores_gemma":[0.954062,0.0000021243616,0.000027850792,0.00026626425,0.0068627195,0.0000032438422,0.000060565562,0.000007810726,0.038707424],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994935,0.00001506825,0.00013275778,0.00012553531,0.00010120324,0.00013192986],"domain_scores_gemma":[0.99973696,0.000029232275,0.000022750843,0.00014391849,0.000037938204,0.000029195939],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000040888932,0.00007078337,0.000112853035,0.00002506231,0.0001316454,0.00013302517,0.00009174228,0.000023846702,0.009983886],"category_scores_gemma":[0.0000075449107,0.000059036647,0.000078760524,0.000014846284,0.000082135026,0.00007410959,0.000014577003,0.00005105861,0.0008413652],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000052662763,0.00006562188,0.00010399652,0.0000031299494,0.000027523154,0.000020004085,0.0015975893,0.0000051670613,0.00049229007,0.818534,0.17796212,0.0011832665],"study_design_scores_gemma":[0.00015632906,0.000009934756,0.00031416683,0.00000536984,0.00003987334,3.0923673e-7,0.0005213392,0.000059289054,0.0003310074,0.05359933,0.9448524,0.00011061095],"about_ca_topic_score_codex":0.003117516,"about_ca_topic_score_gemma":0.0011797034,"teacher_disagreement_score":0.7668903,"about_ca_system_score_codex":0.000010062034,"about_ca_system_score_gemma":0.000007670585,"threshold_uncertainty_score":0.9999366},"labels":[],"label_agreement":null},{"id":"W4241409286","doi":"10.1525/jm.2006.23.3.331","title":"Modern Silence","year":2006,"lang":"en","type":"article","venue":"Journal of Musicology","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Silence; Aesthetics; Realm; Musical; Expression (computer science); Literature; Musical expression; Polyphony; Harmony (color); History; Art; Visual arts; Computer science","score_opus":0.018479289275094214,"score_gpt":0.21114013810417978,"score_spread":0.19266084882908557,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241409286","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84173733,0.00068936305,0.00043264055,0.0020599675,0.00087331,0.000019745237,0.0000026362982,0.000007796453,0.15417722],"genre_scores_gemma":[0.99226224,0.000008683222,0.00005900446,0.0009765985,0.001837115,4.980689e-7,5.187594e-7,0.0000043537325,0.0048509715],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993882,0.00003496137,0.0002912236,0.0000508147,0.00011191337,0.00012286025],"domain_scores_gemma":[0.99951893,0.000052755186,0.00017487774,0.000060845112,0.00016413281,0.000028449158],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016293765,0.000054664106,0.00017951644,0.00008955489,0.000092107264,0.00004624715,0.000121307974,0.000028463519,0.0032731295],"category_scores_gemma":[0.000017550765,0.000040922154,0.00011747498,0.000017076154,0.00012319445,0.0001318306,0.0000128375095,0.000120189536,0.00003402225],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040480678,0.00035272606,0.0005269857,0.000013401508,0.000081580685,0.0002034897,0.0044369255,0.00029815268,0.0032790399,0.85614324,0.1294174,0.0052065626],"study_design_scores_gemma":[0.0005511299,0.00036225672,0.0025929299,0.000021592588,0.00015108763,0.00013412783,0.0013067401,0.00047750102,0.00023704799,0.13285153,0.86116403,0.00015005792],"about_ca_topic_score_codex":0.000038359394,"about_ca_topic_score_gemma":0.00015091893,"teacher_disagreement_score":0.7317466,"about_ca_system_score_codex":0.000014745008,"about_ca_system_score_gemma":0.000026537926,"threshold_uncertainty_score":0.997638},"labels":[],"label_agreement":null},{"id":"W4241441699","doi":"10.4324/9781315210278-1","title":"Canada Beats","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.029062532987659134,"score_gpt":0.19389422157499356,"score_spread":0.16483168858733444,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241441699","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000006957117,0.00019925479,0.0000018310895,0.00037423885,0.00047840408,0.000033441924,0.00013659046,0.000024812358,0.9987445],"genre_scores_gemma":[0.007818309,0.000018260438,0.0000038921503,0.00208001,0.0020525048,0.0000012002664,0.000056439472,0.000023531817,0.98794585],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930155,0.0000025391287,0.00017367498,0.00017470744,0.00020812519,0.00013938607],"domain_scores_gemma":[0.99953586,0.000017603226,0.000049121798,0.0002184063,0.00011567284,0.000063366366],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000032144697,0.00017338023,0.00022851051,0.000039541967,0.00017289858,0.00008739587,0.0001337364,0.000059298436,0.3723382],"category_scores_gemma":[0.000002595237,0.0001358405,0.00010420349,0.0000015260255,0.00014464966,0.00003560262,0.000029700877,0.00011016717,0.000904685],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.3604666e-7,0.0000010854009,4.6827697e-8,0.0000042671286,0.000046616497,0.000008581479,0.00012999894,1.1719722e-8,5.1746238e-8,0.5641325,0.435478,0.0001983839],"study_design_scores_gemma":[0.000025502875,0.000014454316,3.0232366e-7,0.000024938292,0.00008585115,9.116444e-7,0.0001079714,0.0000025535994,0.0000031404973,0.03591741,0.9636228,0.00019414234],"about_ca_topic_score_codex":0.5227426,"about_ca_topic_score_gemma":0.9899163,"teacher_disagreement_score":0.5282151,"about_ca_system_score_codex":0.000050096925,"about_ca_system_score_gemma":0.00023346403,"threshold_uncertainty_score":0.9998732},"labels":[],"label_agreement":null},{"id":"W4241935998","doi":"10.1093/oso/9780198718864.003.0006","title":"E Pluribus Unum","year":2017,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; History; Literature; Art; Poetry; Art history; Classics","score_opus":0.044418266516400746,"score_gpt":0.2044061528945084,"score_spread":0.15998788637810765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241935998","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00001213868,0.000098977536,0.00001772288,0.000039993447,0.00036629516,0.0001231577,0.00035627905,0.000095531715,0.9988899],"genre_scores_gemma":[0.003394894,0.00016196597,0.000008838276,0.000064909684,0.000590878,3.4334795e-7,0.000058883285,0.000035622244,0.99568367],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989833,0.000014691209,0.00015010372,0.0003588519,0.0002326207,0.00026043088],"domain_scores_gemma":[0.99877805,0.000027509039,0.00023575251,0.0006896642,0.0001474634,0.000121592595],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006363786,0.0003178315,0.00041770458,0.00013529552,0.00097082625,0.00026758146,0.0006882004,0.00021640149,0.0015173397],"category_scores_gemma":[0.0000043961127,0.00033501213,0.0003708497,5.3498024e-7,0.000567653,0.00015310457,0.00026809107,0.00037151034,0.000015198786],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025007064,0.000007645904,2.2019196e-7,0.000035919384,0.0002375293,0.0001775838,0.0009977808,4.0023053e-7,7.170082e-7,0.9843349,0.011637955,0.0025443668],"study_design_scores_gemma":[0.00024254448,0.00003512495,7.2517366e-7,0.000113375565,0.00046265178,0.000002264347,0.00013511436,0.000010531555,0.000008247896,0.0064156293,0.9921761,0.0003976812],"about_ca_topic_score_codex":0.00017600844,"about_ca_topic_score_gemma":0.0004459572,"teacher_disagreement_score":0.98053813,"about_ca_system_score_codex":0.000063627434,"about_ca_system_score_gemma":0.000048837603,"threshold_uncertainty_score":0.9999102},"labels":[],"label_agreement":null},{"id":"W4243356179","doi":"10.4324/9781135000356-rem1381-1","title":"Wilson, Edmund (1895–1972)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Taste; Audience measurement; Literature; Period (music); Narrative; Poetry; Art; TRACE (psycholinguistics); Key (lock); History; Art history; Philosophy; Aesthetics; Linguistics; Law; Psychology; Political science","score_opus":0.04301768077375908,"score_gpt":0.22773714911526963,"score_spread":0.18471946834151054,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243356179","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000023171087,0.0005903279,0.000020100677,0.00030886286,0.00068432256,0.00007919778,0.000071059,0.00010956866,0.9981134],"genre_scores_gemma":[0.0053813336,0.00010984341,0.000021412892,0.0012325484,0.00454084,0.00000382133,0.000076572695,0.000055894976,0.9885777],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987695,0.000007921118,0.0003487381,0.00034959582,0.00027369932,0.00025054486],"domain_scores_gemma":[0.99910295,0.00003522355,0.000113185306,0.0004507716,0.0002027279,0.000095129566],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011416468,0.00033460243,0.00043346558,0.00013506197,0.00031346836,0.0002917278,0.00026010146,0.00017615846,0.38388816],"category_scores_gemma":[0.000006727181,0.00026175292,0.00034261646,0.000004489266,0.00049582345,0.00012818676,0.00007583802,0.00023691624,0.010876613],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000025943095,0.000009263116,1.7075753e-7,0.000014727996,0.0001283496,0.00000864829,0.00093918387,2.202317e-8,7.2433284e-7,0.74666667,0.2515548,0.0006748387],"study_design_scores_gemma":[0.00006766257,0.00005797858,4.8437374e-7,0.00006542823,0.00020053831,0.000002284647,0.00024159993,0.00000873201,0.000005325534,0.13124584,0.8677713,0.00033281528],"about_ca_topic_score_codex":0.000078976904,"about_ca_topic_score_gemma":0.0016299217,"teacher_disagreement_score":0.61621654,"about_ca_system_score_codex":0.00002688894,"about_ca_system_score_gemma":0.000032179825,"threshold_uncertainty_score":0.9999835},"labels":[],"label_agreement":null},{"id":"W4243498507","doi":"10.4324/9781135000356-rem1560-1","title":"Charles Tory Bruce (1906–1971)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Victoria","funders":"","keywords":"Poetry; Poetics; Nova scotia; Art history; Performance art; History; Art; Mount; Literature; Archaeology; Engineering","score_opus":0.05806815295436282,"score_gpt":0.2347622648829523,"score_spread":0.17669411192858947,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243498507","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005714698,0.0014057722,0.000011026151,0.0001951688,0.0007310767,0.000078163466,0.00008940604,0.00012491744,0.9973073],"genre_scores_gemma":[0.004887955,0.00025896746,0.000015912488,0.0011238151,0.004806593,0.0000046859805,0.00006972315,0.000055032357,0.98877734],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988017,0.000009106268,0.00032844764,0.00035279905,0.0002699979,0.00023795864],"domain_scores_gemma":[0.99915904,0.000037014383,0.0001145858,0.00041321127,0.0001833207,0.00009281873],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011274933,0.00032846784,0.00042796263,0.00013583155,0.00029097946,0.0002271747,0.00026153866,0.00017414376,0.37685126],"category_scores_gemma":[0.0000065728373,0.0002627496,0.00034294892,0.00000365934,0.0004842498,0.0001331553,0.00007509448,0.00022246271,0.010188447],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000029442,0.000009764952,2.2623709e-7,0.00002104191,0.00012414415,0.000009240965,0.0016279868,1.749842e-8,0.000001888858,0.8165584,0.17988712,0.0017571971],"study_design_scores_gemma":[0.000064083666,0.00005007424,9.550184e-7,0.000077249686,0.0001718408,0.0000018777251,0.00045435005,0.0000050669078,0.000012997214,0.06370952,0.93509024,0.0003617572],"about_ca_topic_score_codex":0.000087956694,"about_ca_topic_score_gemma":0.001268532,"teacher_disagreement_score":0.7552031,"about_ca_system_score_codex":0.000030221865,"about_ca_system_score_gemma":0.000032021206,"threshold_uncertainty_score":0.9999825},"labels":[],"label_agreement":null},{"id":"W4244014447","doi":"10.1353/crv.2013.0002","title":"Resisting Imperial Jouissance : The Transideological Line in Recent American Antiwar Poetry","year":2013,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy; Linguistics","score_opus":0.05365122111100604,"score_gpt":0.30497778939964293,"score_spread":0.25132656828863686,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244014447","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3946605,0.44462448,0.0000046348637,0.11819123,0.00051963975,0.0011120819,0.00012216263,0.000049163857,0.040716097],"genre_scores_gemma":[0.83863467,0.15224019,0.00006149444,0.008434561,0.00029104145,0.00006817097,0.0000053245117,0.000011607736,0.00025296738],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99826956,0.00023156547,0.0006247289,0.0002564847,0.00017805086,0.00043960093],"domain_scores_gemma":[0.9987292,0.0002226288,0.0002722804,0.00029612557,0.00032850416,0.00015125066],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043230926,0.00020159452,0.0009437721,0.00011375402,0.00035792522,0.0000364598,0.00027917273,0.000012628495,0.0011117031],"category_scores_gemma":[0.0006668389,0.00012430943,0.00016171641,0.0003758471,0.002646604,0.00007977317,0.00003185421,0.00019442973,0.000031997748],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035125533,0.00017997825,0.0055722613,0.0034235998,0.0010756921,0.00013826153,0.025498528,0.000009541564,0.00010949369,0.054844387,0.1669646,0.7421485],"study_design_scores_gemma":[0.000192513,0.00034462425,0.014268018,0.003051332,0.00023097434,0.000007133977,0.046819415,0.000017319604,0.000020558302,0.0006808134,0.9338871,0.00048017516],"about_ca_topic_score_codex":0.12944078,"about_ca_topic_score_gemma":0.26719618,"teacher_disagreement_score":0.76692253,"about_ca_system_score_codex":0.0000946993,"about_ca_system_score_gemma":0.00012600065,"threshold_uncertainty_score":0.9998014},"labels":[],"label_agreement":null},{"id":"W4244471384","doi":"10.3138/cras-s036-02-01","title":"Relearning Denise Levertov’s Alphabet: War, Flesh, and the Intimacy of Otherness","year":2006,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Flesh; Poetry; Literature; Psyche; Poetics; Psychoanalysis; Embodied cognition; Philosophy; Compassion; Inscribed figure; Art; Psychology; Theology; Epistemology","score_opus":0.0188283583518635,"score_gpt":0.2635605071103287,"score_spread":0.2447321487584652,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244471384","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06251997,0.87259674,0.0000063011016,0.00675102,0.00008849895,0.0002957345,0.00007373125,0.000014214868,0.057653785],"genre_scores_gemma":[0.90872616,0.08773248,0.00003525173,0.0016388329,0.00010853346,0.000018187611,0.0000045800175,0.0000119217075,0.0017240676],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999067,0.00010426504,0.0003850397,0.00013517466,0.00012244917,0.00018604918],"domain_scores_gemma":[0.99914974,0.00013353681,0.00025874298,0.00018710805,0.00021561887,0.000055264776],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031042146,0.0001263388,0.00072616024,0.00007586467,0.00022795744,0.0000131556035,0.00013726289,0.000007904229,0.00021634446],"category_scores_gemma":[0.00014648656,0.00007872836,0.00014085128,0.00010640054,0.0024178426,0.000048451235,0.00002983713,0.00007366278,0.0000054521806],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039089784,0.00007352893,0.0065783407,0.010065822,0.0017792035,0.00003442246,0.026721116,0.000009347287,0.000021811149,0.6472337,0.12735958,0.18008403],"study_design_scores_gemma":[0.00034430186,0.000060967657,0.0015758442,0.0026374622,0.00058940484,0.0000045709457,0.019853707,0.000013020574,0.000018369832,0.0012077069,0.9734651,0.00022955485],"about_ca_topic_score_codex":0.14371164,"about_ca_topic_score_gemma":0.14878957,"teacher_disagreement_score":0.8462062,"about_ca_system_score_codex":0.000029397248,"about_ca_system_score_gemma":0.00006386071,"threshold_uncertainty_score":0.8908642},"labels":[],"label_agreement":null},{"id":"W4245194752","doi":"10.1111/j.0044-0124.2004.00776.x","title":"Topiary Rooster","year":2008,"lang":"en","type":"article","venue":"The Yale Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"ECW Press (Canada)","funders":"","keywords":"Rooster; Poetry; Citation; Chase; Library science; Literature; Art; Computer science; Theology; Philosophy; Database","score_opus":0.08160623478643972,"score_gpt":0.2539268718073634,"score_spread":0.17232063702092368,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245194752","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003899528,0.39619157,0.000007246053,0.009014247,0.0001783774,0.00016238214,0.0000055613737,0.000041914867,0.59049916],"genre_scores_gemma":[0.44893274,0.28888255,0.000012128237,0.025713531,0.001309749,0.000044229248,0.00001201221,0.000017829812,0.23507522],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999529,0.000057736746,0.00014493991,0.00007208655,0.00009262857,0.00010362733],"domain_scores_gemma":[0.9996489,0.00003138738,0.000029498502,0.00023889406,0.000028746574,0.00002252087],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016138508,0.00006269903,0.00016635055,0.000008827739,0.0002696952,0.000017718326,0.0001480028,0.000007708243,0.009721558],"category_scores_gemma":[0.000014533318,0.00003269073,0.00013083834,0.000021826007,0.00012148704,0.0000629539,0.00002484131,0.00006469294,0.0012451201],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000023949394,0.00008008274,0.000052700514,0.0011855732,0.000100196914,0.000040780193,0.0051632905,2.9689514e-7,0.0000072118196,0.5669349,0.37489122,0.05154135],"study_design_scores_gemma":[0.000024645171,0.0000073923143,0.00004912656,0.00032738879,0.00006764706,0.000018262015,0.00004488168,0.00000283305,0.000005332191,0.00052983046,0.9988667,0.000055984983],"about_ca_topic_score_codex":0.000026106765,"about_ca_topic_score_gemma":0.000025826439,"teacher_disagreement_score":0.62397546,"about_ca_system_score_codex":0.000004138911,"about_ca_system_score_gemma":0.000007905337,"threshold_uncertainty_score":0.9995325},"labels":[],"label_agreement":null},{"id":"W4245463126","doi":"10.1017/cbo9780511777486.016","title":"Textual criticism","year":2010,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Pound (networking); Poetry; Criticism; Literature; History; Musical; Art; Linguistics; Aesthetics; Computer science; Philosophy","score_opus":0.02975614390688549,"score_gpt":0.1969744005311648,"score_spread":0.1672182566242793,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245463126","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005523223,0.00011029545,0.000041155272,0.0000521894,0.00041335437,0.00016047304,0.0008279726,0.00015816798,0.99818116],"genre_scores_gemma":[0.007967684,0.0000309974,0.00001936346,0.00028396444,0.0010786536,5.527123e-7,0.00008923941,0.000054961994,0.9904746],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986327,0.000023737539,0.00022877342,0.00047542635,0.00029898077,0.00034034453],"domain_scores_gemma":[0.99875057,0.00007165443,0.00013905922,0.0005677171,0.0002721646,0.00019882082],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00008539932,0.0004101062,0.00049325154,0.00020991234,0.00061295665,0.00019267996,0.000539041,0.00036477367,0.0006721805],"category_scores_gemma":[0.00000902603,0.00045258936,0.00043004952,0.0000020563064,0.0009552495,0.00012786745,0.00023207522,0.00090885966,0.00017185314],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018530685,0.000013079348,5.985772e-8,0.00004824899,0.00015657154,0.00026940915,0.00027240437,5.0880146e-8,0.00004035766,0.954998,0.04372977,0.000453503],"study_design_scores_gemma":[0.0002594133,0.000038744933,5.884296e-7,0.00007902275,0.00049335894,0.000009055844,0.00043008453,0.00000797026,0.00015620243,0.00015490009,0.99783623,0.0005344127],"about_ca_topic_score_codex":0.00022739149,"about_ca_topic_score_gemma":0.00008994013,"teacher_disagreement_score":0.9548431,"about_ca_system_score_codex":0.000060229795,"about_ca_system_score_gemma":0.000065610955,"threshold_uncertainty_score":0.9997926},"labels":[],"label_agreement":null},{"id":"W4245997244","doi":"10.1080/21514399.2013.11833996","title":"Three Poems","year":2013,"lang":"en","type":"article","venue":"Chinese Literature Today","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; China; Literature; Art; Spoken word; Beijing; History; Art history","score_opus":0.011802799404463918,"score_gpt":0.22305007778147648,"score_spread":0.21124727837701257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245997244","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5171764,0.003939116,0.000102299215,0.0047299736,0.0012913503,0.00024552137,0.000056129244,0.00021847739,0.47224078],"genre_scores_gemma":[0.9664879,0.0000085037345,0.000055013068,0.0014189364,0.0019861998,0.000032648564,0.00007249844,0.00001745733,0.029920861],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991768,0.000018662746,0.00019554613,0.00021380158,0.00015453664,0.00024063612],"domain_scores_gemma":[0.99935174,0.00003883462,0.000039125553,0.00031338327,0.00016256125,0.00009436106],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000073194715,0.00019389282,0.00021280695,0.00008772244,0.00023883735,0.0009276811,0.0002030877,0.000061012583,0.014933971],"category_scores_gemma":[0.00003362844,0.00011595325,0.00016008032,0.00009838162,0.000092984,0.0005706676,0.000037088445,0.00021981329,0.0012407505],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007962882,0.00014817824,0.0021525207,0.00006146571,0.000114917806,0.00003042022,0.042456236,0.0000019447211,0.00065709447,0.78313494,0.1659612,0.005273108],"study_design_scores_gemma":[0.00034147684,0.00005591236,0.010602764,0.000098973505,0.000039831328,0.000012554608,0.0002885885,0.0004984208,0.00003274626,0.3352757,0.6522892,0.00046379454],"about_ca_topic_score_codex":0.00010156207,"about_ca_topic_score_gemma":0.00024736617,"teacher_disagreement_score":0.486328,"about_ca_system_score_codex":0.000008504014,"about_ca_system_score_gemma":0.000006854475,"threshold_uncertainty_score":0.9995369},"labels":[],"label_agreement":null},{"id":"W4246259485","doi":"10.1007/978-3-030-18327-1_2","title":"Family Matters","year":2019,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of the Fraser Valley","funders":"","keywords":"Cognitive dissonance; Drama; Feeling; Poetry; Psychology; Gender studies; Sociology; History; Social psychology; Literature; Art","score_opus":0.035359206493142385,"score_gpt":0.20727290790366504,"score_spread":0.17191370141052265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246259485","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000006011082,0.00039108197,0.000010732464,0.0009073432,0.00054786715,0.00006457285,0.000055189095,0.000059029273,0.9979582],"genre_scores_gemma":[0.0020224603,0.00007666601,0.000006492327,0.009690583,0.0006510653,0.0000011384897,0.000052934553,0.000037345268,0.9874613],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927545,0.0000033110855,0.00019883378,0.0002090695,0.00017306491,0.00014026856],"domain_scores_gemma":[0.9995474,0.000023168435,0.00005916934,0.00027645112,0.00005445364,0.00003930867],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000043677974,0.0002036169,0.0003000473,0.00009382978,0.000086667416,0.00015124374,0.00014900394,0.00008747961,0.10904368],"category_scores_gemma":[7.32192e-7,0.00015980583,0.0002563418,0.0000015767893,0.0001150529,0.0000678538,0.000036211248,0.00016464133,0.015893986],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000010043638,0.0000028861382,1.4048355e-7,0.000015950294,0.00007398829,0.000004527761,0.00021253135,1.470087e-7,0.0000017712784,0.75889283,0.24019597,0.00059826765],"study_design_scores_gemma":[0.000049981518,0.000017790037,0.0000010084511,0.000058794525,0.00011013764,6.05377e-7,0.00017794516,0.000005365853,0.0000010330009,0.02517512,0.97416526,0.00023693053],"about_ca_topic_score_codex":0.000072764,"about_ca_topic_score_gemma":0.00014135071,"teacher_disagreement_score":0.73396933,"about_ca_system_score_codex":0.000016175663,"about_ca_system_score_gemma":0.000021640391,"threshold_uncertainty_score":0.9848723},"labels":[],"label_agreement":null},{"id":"W4246385600","doi":"10.1017/cbo9780511777486.008","title":"Letters","year":2010,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Computer science","score_opus":0.025150658882560822,"score_gpt":0.17836917749063497,"score_spread":0.15321851860807414,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4246385600","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00018813032,0.00005918889,0.000036322563,0.00007265406,0.00055457593,0.00012214955,0.00033591938,0.00011852764,0.9985125],"genre_scores_gemma":[0.0031760451,0.000024918898,0.000015537764,0.0003479213,0.00082486944,3.1077772e-7,0.00006504349,0.000040545794,0.9955048],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900347,0.000015915186,0.00015631341,0.00036371505,0.00021734767,0.00024324778],"domain_scores_gemma":[0.9991194,0.00003564613,0.00013638688,0.00046084297,0.000115829855,0.00013189208],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000059845926,0.000311516,0.00036186975,0.00016494005,0.0004472271,0.00014026731,0.00042710995,0.00020534152,0.0003340417],"category_scores_gemma":[0.0000033673073,0.000341215,0.00035644523,0.0000013595828,0.0006523682,0.000096608754,0.00016251336,0.0006547197,0.00011125396],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013671963,0.000005755217,9.75613e-8,0.000028073404,0.0001507996,0.00018684103,0.00027320147,1.16088344e-7,0.00014654527,0.94302106,0.055898253,0.00027556784],"study_design_scores_gemma":[0.0001851308,0.000015304886,7.7384084e-7,0.000053306307,0.00039528887,0.0000041226667,0.00008634615,0.0000043378072,0.00013829698,0.00003217531,0.9986832,0.00040168944],"about_ca_topic_score_codex":0.0002127645,"about_ca_topic_score_gemma":0.00004622483,"teacher_disagreement_score":0.9429889,"about_ca_system_score_codex":0.000050891573,"about_ca_system_score_gemma":0.000030543102,"threshold_uncertainty_score":0.999904},"labels":[],"label_agreement":null},{"id":"W4247195479","doi":"10.1353/vp.2007.0035","title":"Swinburne","year":2007,"lang":"en","type":"article","venue":"Victorian poetry","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Soul; Scholarship; Poetry; Art history; Art; Admiration; Spirituality; Style (visual arts); Literature; Philosophy; History; Classics; Theology","score_opus":0.01595196155592827,"score_gpt":0.23273361346639593,"score_spread":0.21678165191046767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247195479","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07664628,0.00038690038,0.00036938596,0.00046918707,0.0030552961,0.00005637299,0.000014961867,0.00016091531,0.9188407],"genre_scores_gemma":[0.9651216,0.000005245812,0.000038450395,0.00055956043,0.0046225474,0.0000014875923,0.000010451831,0.000016045797,0.02962459],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99901897,0.000013927944,0.00024240327,0.00017703438,0.00021278742,0.00033490793],"domain_scores_gemma":[0.9994625,0.000054585635,0.000045469795,0.000235149,0.000077574885,0.00012475692],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033417714,0.00012229221,0.00015358735,0.00012762396,0.00024968613,0.00012779607,0.00016198533,0.000050360763,0.007920216],"category_scores_gemma":[0.000029058678,0.000105654675,0.00011768503,0.00007048837,0.00010784846,0.00017062285,0.000026598142,0.0001377708,0.0007172795],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000121592575,0.000071699855,0.00046487886,0.000009647113,0.000047436628,0.0000374455,0.007692838,2.1515751e-7,0.0003752964,0.9795172,0.0101750875,0.0015960627],"study_design_scores_gemma":[0.00016375414,0.000031004056,0.0008105125,0.000009964417,0.000029632996,0.0000026355256,0.0018504506,0.0000055327287,0.0005806597,0.0037074108,0.9926464,0.0001620225],"about_ca_topic_score_codex":0.000055008455,"about_ca_topic_score_gemma":0.0004198873,"teacher_disagreement_score":0.98247135,"about_ca_system_score_codex":0.000029889008,"about_ca_system_score_gemma":0.000013750417,"threshold_uncertainty_score":0.9929867},"labels":[],"label_agreement":null},{"id":"W4247303306","doi":"10.3138/cras-s035-02-06","title":"Falling for Jazz: Desire, Dissonance, and Racial Collaboration","year":2005,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hatred; Jazz; Narrative; Racialization; Falling (accident); History; Racism; Cognitive dissonance; Hybridity; Event (particle physics); Psychoanalysis; Literature; Art; Sociology; Art history; Gender studies; Psychology; Law; Race (biology)","score_opus":0.04139849041398819,"score_gpt":0.3199346298708715,"score_spread":0.2785361394568833,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247303306","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06802181,0.8945066,0.000029986031,0.013692602,0.00022319546,0.0007584633,0.00046831297,0.000024054953,0.022275018],"genre_scores_gemma":[0.87979686,0.11468687,0.00036992392,0.0037170637,0.0004085587,0.00006443498,0.000013500283,0.0000090536705,0.0009337015],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993708,0.000022914372,0.0002466009,0.00012649059,0.00006777307,0.000165407],"domain_scores_gemma":[0.9993383,0.00006655074,0.000123976,0.000082841194,0.00030218562,0.00008609118],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015368279,0.00009439359,0.00042503854,0.00006349621,0.00026536128,0.00002589454,0.000054004173,0.000007140729,0.000057237456],"category_scores_gemma":[0.0001540805,0.00007870938,0.00006543088,0.00008519066,0.00044909865,0.00009869479,0.000007784681,0.000027835531,0.0000034158993],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010947877,0.000029765513,0.00016801289,0.004204306,0.00047071787,0.000003440669,0.015005281,0.0000027504966,0.000008769192,0.29050437,0.04902611,0.6405655],"study_design_scores_gemma":[0.000067913315,0.00005659349,0.0001928979,0.00092269573,0.0001620159,4.4482766e-7,0.008350278,0.000014630534,0.00000916465,0.00021614296,0.98989135,0.00011584673],"about_ca_topic_score_codex":0.0024309342,"about_ca_topic_score_gemma":0.19210608,"teacher_disagreement_score":0.9408653,"about_ca_system_score_codex":0.000051673906,"about_ca_system_score_gemma":0.00008761592,"threshold_uncertainty_score":0.8226359},"labels":[],"label_agreement":null},{"id":"W4247448452","doi":"10.1017/9781108856492.039","title":"Index","year":2021,"lang":"en","type":"paratext","venue":"Cambridge University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Seneca Polytechnic","funders":"","keywords":"Index (typography); Computer science; World Wide Web","score_opus":0.029717425018818387,"score_gpt":0.21066603268390763,"score_spread":0.18094860766508924,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247448452","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00028985983,0.0007724781,0.00012574636,0.000029008148,0.0017557736,0.00010913005,0.0008366043,0.000049057588,0.99603236],"genre_scores_gemma":[0.015201114,0.00016349614,0.000003728833,0.00019227728,0.0012259932,9.800475e-7,0.00042737456,0.000030695264,0.98275435],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986512,0.00012425985,0.00018036537,0.00045921342,0.0002453742,0.00033957706],"domain_scores_gemma":[0.99892384,0.000044009183,0.0001351237,0.00049252715,0.00026568872,0.00013882115],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000059503072,0.0003129128,0.0005020064,0.00016655771,0.00047111858,0.00029752642,0.0004753218,0.00022137877,0.0016073774],"category_scores_gemma":[0.000006884069,0.00034936468,0.00037586238,0.000011819903,0.00034195013,0.00010836588,0.00027920495,0.0004973211,0.0006484285],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001072488,0.000019796615,2.2229118e-7,0.000073306976,0.0001811173,0.00013722916,0.00030904746,0.0000022158492,0.0000044809635,0.38807294,0.611032,0.00015690719],"study_design_scores_gemma":[0.00026204466,0.000016633327,0.0000020521938,0.000115686234,0.00027347074,0.0000037842199,0.0016692791,0.000041250412,0.00011672354,5.4135455e-7,0.99708945,0.0004090736],"about_ca_topic_score_codex":0.001261528,"about_ca_topic_score_gemma":0.00004137966,"teacher_disagreement_score":0.3880724,"about_ca_system_score_codex":0.00009448595,"about_ca_system_score_gemma":0.00014022278,"threshold_uncertainty_score":0.9998958},"labels":[],"label_agreement":null},{"id":"W4247771934","doi":"10.18357/bigr11201919270","title":"Borderlander (poem)","year":2019,"lang":"en","type":"article","venue":"Borders in Globalization Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Art","score_opus":0.014254636353719997,"score_gpt":0.27898297225401225,"score_spread":0.26472833590029227,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247771934","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022782732,0.08420056,0.00024519843,0.0034971666,0.0005229464,0.00061911973,0.000015284992,0.000080034595,0.90854144],"genre_scores_gemma":[0.8103993,0.112621196,0.00010392772,0.035916053,0.00028010987,0.000077864344,0.00030460005,0.000047407735,0.04024956],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990869,0.00007251955,0.00032109919,0.00018538162,0.00016803635,0.00016607497],"domain_scores_gemma":[0.9995707,0.000017657005,0.00007195059,0.00021752992,0.00009065097,0.0000314826],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023326241,0.00011060141,0.00027109252,0.00005450634,0.000053189106,0.00006134529,0.00013089959,0.00002682665,0.01181632],"category_scores_gemma":[0.000049389204,0.00009410151,0.00008504381,0.00015893669,0.00004053154,0.0001612975,0.00001977708,0.000055314016,0.0005644157],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000024884098,0.00007085076,0.004790711,0.001122498,0.000024936813,0.000002509533,0.00041984726,0.00004087907,7.6449237e-7,0.9220045,0.06798465,0.0035353685],"study_design_scores_gemma":[0.00018844272,0.000012932986,0.00036259263,0.0010028153,0.000034399833,7.141542e-7,0.00021719624,0.00023947842,5.4574747e-7,0.0017705914,0.99603117,0.00013911306],"about_ca_topic_score_codex":0.00011949711,"about_ca_topic_score_gemma":0.00052618043,"teacher_disagreement_score":0.9280465,"about_ca_system_score_codex":0.0000307427,"about_ca_system_score_gemma":0.00003291558,"threshold_uncertainty_score":0.989087},"labels":[],"label_agreement":null},{"id":"W4247897815","doi":"10.1093/obo/9780199827251-0126","title":"Jack Kerouac","year":2016,"lang":"en","type":"reference-entry","venue":"American Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Adventure; Romance; Art; Art history; Passions; Character (mathematics); Scholarship; History; George (robot); Literature; Law","score_opus":0.014612311925977613,"score_gpt":0.2416547029407238,"score_spread":0.2270423910147462,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4247897815","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00015136799,0.01785754,0.00001046175,0.0013441964,0.0017038668,0.000100545076,0.0027067421,0.00011549274,0.9760098],"genre_scores_gemma":[0.015627598,0.03285419,0.000030221481,0.0024137294,0.010443078,0.000032327207,0.0012467755,0.000073634226,0.93727845],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981118,0.00010934907,0.00036008612,0.00055026053,0.00037273066,0.00049580325],"domain_scores_gemma":[0.9985952,0.00009455331,0.00030401477,0.0006074749,0.00024094364,0.00015783956],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007307201,0.00048630376,0.0008103244,0.0002236798,0.00026123726,0.00078444945,0.00044468406,0.00018258728,0.0075691487],"category_scores_gemma":[0.000033165266,0.0003066431,0.00043919677,0.00013366457,0.00068945426,0.0002322435,0.00008126153,0.00073754287,0.00081455923],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010076347,0.000038704853,0.000006825927,0.000091042064,0.00019739823,0.000042580148,0.0037210837,1.6451134e-8,3.4304227e-7,0.07815116,0.81083894,0.106901854],"study_design_scores_gemma":[0.000107127955,0.000093064606,0.000012195282,0.0011438294,0.00015668871,0.000006434233,0.00065809133,8.2799727e-7,0.0000014247529,0.0016027462,0.99574417,0.00047337427],"about_ca_topic_score_codex":0.00011771973,"about_ca_topic_score_gemma":0.000105705665,"teacher_disagreement_score":0.18490528,"about_ca_system_score_codex":0.000056604287,"about_ca_system_score_gemma":0.00008447764,"threshold_uncertainty_score":0.9999634},"labels":[],"label_agreement":null},{"id":"W4248178627","doi":"10.29173/bluejay5859","title":"Poetry","year":2005,"lang":"en","type":"article","venue":"Blue Jay","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Art","score_opus":0.022604805931776023,"score_gpt":0.2331445015216374,"score_spread":0.21053969558986138,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248178627","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25711873,0.000459392,0.00005328233,0.0029415013,0.00025264174,0.000035721252,0.000013145043,0.00008753812,0.73903805],"genre_scores_gemma":[0.92391115,0.000007258713,0.000047638205,0.001232575,0.0016202105,0.0000032760456,0.0000046650434,0.0000067272886,0.07316648],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995516,0.000013457725,0.000108761014,0.00009595809,0.000091920316,0.00013831649],"domain_scores_gemma":[0.999762,0.000017113478,0.000019413748,0.00013093934,0.000029532062,0.00004099543],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0000701173,0.00006195057,0.00008684981,0.000037863174,0.00015163938,0.000084169646,0.00008687656,0.000019245743,0.010857982],"category_scores_gemma":[0.0000103842785,0.000050096947,0.00007346963,0.000016408192,0.00006200352,0.00012932217,0.000015179372,0.000061838,0.0016665021],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000037041102,0.000097852826,0.00007357988,0.0000070100796,0.000036593883,0.0000054108305,0.0103398245,0.000016793087,0.00010707764,0.9124537,0.058355656,0.01850279],"study_design_scores_gemma":[0.000088575645,0.0000110266765,0.00013568594,0.0000049434325,0.00001987242,0.0000013448782,0.001319883,0.00014563858,0.0002938719,0.000667336,0.9972275,0.00008431047],"about_ca_topic_score_codex":0.000031697244,"about_ca_topic_score_gemma":0.00029686256,"teacher_disagreement_score":0.93887186,"about_ca_system_score_codex":0.0000106153175,"about_ca_system_score_gemma":0.0000069214666,"threshold_uncertainty_score":0.9991108},"labels":[],"label_agreement":null},{"id":"W4249525823","doi":"10.1353/book.71922","title":"Everything Man","year":2020,"lang":"en","type":"book","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Center for the Study of Women, University of California, Los Angeles; Fordham University; University of Oxford; York University; University of Minnesota","keywords":"Computer science","score_opus":0.040287959857656465,"score_gpt":0.19951957965974731,"score_spread":0.15923161980209086,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249525823","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000016984902,0.0002877831,0.000019715371,0.0010994929,0.00029212594,0.000043653243,0.0000318824,0.000115118426,0.9981085],"genre_scores_gemma":[0.0013613577,0.000024633277,0.000014294767,0.0033647143,0.0026797631,0.000002588654,0.000115238916,0.00002852059,0.9924089],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992665,0.000010548081,0.00019386597,0.00021031682,0.00018264454,0.00013612983],"domain_scores_gemma":[0.9996463,0.000027249807,0.00005426097,0.00016019879,0.000044243458,0.00006771123],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00004334159,0.00017314829,0.00028633606,0.000055207995,0.00017273407,0.00023897488,0.00017138076,0.00007502903,0.055661563],"category_scores_gemma":[0.0000072957823,0.00014112133,0.00022998672,0.0000054899733,0.00008803635,0.00008877722,0.000053006806,0.00026190226,0.0031013438],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[5.8440423e-7,0.000002988229,5.3287113e-8,0.00002296425,0.00005107771,0.000014086649,0.0014801008,7.968479e-8,2.4810396e-7,0.5483974,0.4496966,0.00033377128],"study_design_scores_gemma":[0.000036038928,0.000012417806,1.8061348e-7,0.00004063161,0.00012846102,8.2476583e-7,0.00035344597,0.000027056258,0.0000016475054,0.034072306,0.96512884,0.00019816677],"about_ca_topic_score_codex":0.000027270804,"about_ca_topic_score_gemma":0.00018935492,"teacher_disagreement_score":0.51543224,"about_ca_system_score_codex":0.000031854193,"about_ca_system_score_gemma":0.00006195919,"threshold_uncertainty_score":0.9976749},"labels":[],"label_agreement":null},{"id":"W4249847039","doi":"10.4324/9781135000356-rem1603-1","title":"Stevens, Wallace (1879–1955)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Poetry; Indemnity; Literature; History; Art; Art history; Law; Political science","score_opus":0.04003560452652975,"score_gpt":0.2204400853360069,"score_spread":0.18040448080947713,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249847039","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000031484884,0.0005712825,0.000014080462,0.00051036914,0.00057025114,0.0000881495,0.00007863541,0.00011310031,0.9980227],"genre_scores_gemma":[0.0061756303,0.000071707604,0.000017824676,0.0007585398,0.0030762262,0.0000033664903,0.0000728966,0.0000574465,0.98976636],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99877894,0.000009644072,0.00033247727,0.00034831287,0.00028418045,0.00024642717],"domain_scores_gemma":[0.9991269,0.000036886642,0.00011058558,0.00043781393,0.00019386454,0.000093936134],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011956593,0.0003250031,0.00042777797,0.000119060955,0.00025755865,0.0002293616,0.00024759932,0.00017204806,0.38043037],"category_scores_gemma":[0.000006304665,0.00025670015,0.00032958965,0.0000040424798,0.00025315315,0.00009513277,0.000079558165,0.00022530337,0.01183244],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000031149616,0.000008365274,1.6739617e-7,0.000016367749,0.00012648183,0.00001042886,0.0011165073,3.230314e-8,7.217177e-7,0.73813623,0.25991797,0.0006636074],"study_design_scores_gemma":[0.00007513737,0.000060134873,3.5466172e-7,0.000069148264,0.00018692587,0.0000022459244,0.00024570298,0.000006715267,0.00000649566,0.08637839,0.91261935,0.00034937132],"about_ca_topic_score_codex":0.00010045401,"about_ca_topic_score_gemma":0.0041041104,"teacher_disagreement_score":0.65270144,"about_ca_system_score_codex":0.00005187944,"about_ca_system_score_gemma":0.00003864023,"threshold_uncertainty_score":0.9999885},"labels":[],"label_agreement":null},{"id":"W4250077174","doi":"10.3828/liverpool/9781949979954.001.0001","title":"The Beats","year":2021,"lang":"en","type":"book","venue":"Liverpool University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Beat (acoustics); The arts; Literature; Art; Art history; History; Visual arts","score_opus":0.0287789267333867,"score_gpt":0.1781251751569318,"score_spread":0.1493462484235451,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4250077174","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000015777046,0.0008790766,0.000008880662,0.0000509351,0.00046684442,0.00013222075,0.00017988138,0.00007592083,0.99819046],"genre_scores_gemma":[0.00052304246,0.00029864526,0.000004840424,0.00010523211,0.00073015183,7.8142375e-7,0.00007461699,0.000024082112,0.9982386],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988139,0.00010170218,0.00015820637,0.00034184937,0.0002927631,0.0002915614],"domain_scores_gemma":[0.99881995,0.0001928332,0.00013949363,0.00053232565,0.00021869407,0.000096710704],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.000091456684,0.00026412812,0.0003207988,0.00006239677,0.0013832172,0.0003819198,0.00063317135,0.00016154608,0.0005478307],"category_scores_gemma":[0.000008077397,0.00022319912,0.00038783456,0.000004294502,0.0006052544,0.000087508,0.00032564325,0.0004541631,0.00004832389],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014298576,0.000010117632,9.870417e-8,0.000027260778,0.0003248507,0.00019897286,0.0021932141,5.3681526e-7,7.6050395e-7,0.84502184,0.15077132,0.0014367341],"study_design_scores_gemma":[0.00015205088,0.000022132414,8.5179187e-7,0.00009631928,0.00050926337,0.0000025766533,0.0013982878,0.000016266808,0.000011494159,0.0014304152,0.99607885,0.00028151818],"about_ca_topic_score_codex":0.00026990895,"about_ca_topic_score_gemma":0.00063188176,"teacher_disagreement_score":0.84530747,"about_ca_system_score_codex":0.00012997558,"about_ca_system_score_gemma":0.00019439467,"threshold_uncertainty_score":0.99991685},"labels":[],"label_agreement":null},{"id":"W4250293734","doi":"10.1057/9781137339959","title":"Literary Materialisms","year":2013,"lang":"en","type":"book","venue":"Palgrave Macmillan US eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Francis Xavier University","funders":"","keywords":"Literary criticism; Object (grammar); Literature; History; Art; Philosophy; Linguistics","score_opus":0.021046848213277795,"score_gpt":0.21960343914321992,"score_spread":0.19855659092994213,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4250293734","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00045055538,0.0011804879,0.0000024466528,0.00004707047,0.0014447399,0.0003503152,0.0005965672,0.00020814441,0.9957197],"genre_scores_gemma":[0.28185746,0.000034996152,0.000018466431,0.0010145659,0.0037208574,0.000064154076,0.0006029331,0.000110643334,0.7125759],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977084,0.000080854516,0.000657953,0.000578251,0.00041068075,0.0005638599],"domain_scores_gemma":[0.9985178,0.000057787063,0.00026534297,0.0007581532,0.00019437158,0.00020652774],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014004605,0.00065086747,0.00084056164,0.00027659396,0.00034555493,0.0008793383,0.0005200496,0.00030390237,0.027583526],"category_scores_gemma":[0.00000862285,0.00054760097,0.0004951124,0.0000074168993,0.00045121188,0.0000073861834,0.000170668,0.0003658919,0.0028905978],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009594839,0.000002042772,0.0000018967264,0.00015663577,0.00024889706,0.00007314182,0.004538541,4.5411902e-8,0.00003959532,0.9610393,0.029873269,0.0040170494],"study_design_scores_gemma":[0.00013101618,0.000042938325,0.000006651513,0.00013556182,0.00016295334,0.000008597894,0.000070051436,0.000005245751,0.000046883477,0.47749585,0.5214223,0.00047189905],"about_ca_topic_score_codex":0.0001800123,"about_ca_topic_score_gemma":0.00013978849,"teacher_disagreement_score":0.49154907,"about_ca_system_score_codex":0.00007925402,"about_ca_system_score_gemma":0.0001115815,"threshold_uncertainty_score":0.99969757},"labels":[],"label_agreement":null},{"id":"W4250573769","doi":"10.1017/cbo9780511777486.011","title":"Journalism","year":2010,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Blackout; Pound (networking); Journalism; History; Political science; Media studies; Literature; Art; Law; Sociology; Computer science; World Wide Web; Physics","score_opus":0.03022215546792398,"score_gpt":0.1919104647629681,"score_spread":0.16168830929504413,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4250573769","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000070427464,0.0001405542,0.000028172974,0.00005527993,0.0006638094,0.00010668358,0.00034597213,0.00009574508,0.9984934],"genre_scores_gemma":[0.00296569,0.00007238519,0.0000149226935,0.00016348611,0.0011831046,2.1424827e-7,0.000044795073,0.0000425708,0.99551284],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998937,0.000020505371,0.00019599583,0.0003291993,0.00026407687,0.00025322384],"domain_scores_gemma":[0.9989125,0.000037578797,0.00019552506,0.00044443534,0.00023127029,0.00017869678],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00009156146,0.00032161907,0.0004059461,0.00019239598,0.0005866309,0.00020415307,0.00048097622,0.00028659942,0.0005749384],"category_scores_gemma":[0.000005038853,0.00033877278,0.00041658466,0.00000151836,0.0005687883,0.00011675329,0.00017112069,0.0009417729,0.00009819561],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014485261,0.0000070801925,6.892467e-8,0.000024406889,0.00017625069,0.00025566705,0.00034938363,7.671818e-8,0.000028567663,0.9546112,0.04413286,0.00039999824],"study_design_scores_gemma":[0.00022045683,0.000022810642,6.2924585e-7,0.00007928734,0.00047956547,0.000012918567,0.00013592129,0.000005394591,0.000088913876,0.00017600555,0.9983779,0.00040015118],"about_ca_topic_score_codex":0.00019502,"about_ca_topic_score_gemma":0.000049690847,"teacher_disagreement_score":0.95443517,"about_ca_system_score_codex":0.00005512502,"about_ca_system_score_gemma":0.000055065448,"threshold_uncertainty_score":0.9999064},"labels":[],"label_agreement":null},{"id":"W4251063133","doi":"10.5325/studamerjewilite.32.1.0113","title":"The Steins Collect: Matisse, Picasso, and the Parisian Avant-Garde and Collecting Matisse and Modern Masters","year":2013,"lang":"en","type":"article","venue":"Studies in American Jewish Literature (1981-)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"PICASSO; Art history; Art; Brother; Exhibition; Modernism (music); Painting; Taste; Salon; Cityscape; Judaism; Narrative; Contemplation; Fantasy; Sister; Hollywood; Literature; History; Visual arts; Philosophy; Sociology; Theology; Anthropology","score_opus":0.01957245568831607,"score_gpt":0.2619066002493412,"score_spread":0.24233414456102514,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251063133","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6890288,0.20208393,0.000044674172,0.023976758,0.00092882564,0.0019431404,0.00014491355,0.00012696345,0.081722],"genre_scores_gemma":[0.98115575,0.0051827645,0.0001660944,0.0008797427,0.00017474922,0.000157523,0.0000039919373,0.00002443831,0.012254969],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9982364,0.0002958708,0.00043326707,0.00038543763,0.00021097003,0.000438045],"domain_scores_gemma":[0.99829584,0.0009627028,0.0002001407,0.00027873414,0.00017678889,0.00008581765],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0004340831,0.00030587695,0.00062395,0.00010826138,0.0016487588,0.0014844373,0.0001713147,0.00003994553,0.000036027915],"category_scores_gemma":[0.0002625125,0.00016777369,0.000063607535,0.00013249308,0.0032333953,0.00025280297,0.00022071366,0.00037604797,0.0000035140856],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001431847,0.000079499405,0.0059105894,0.00027065,0.0012298984,0.000052394993,0.81555784,0.000004104222,0.00003309333,0.06746152,0.037379205,0.07187804],"study_design_scores_gemma":[0.004633433,0.00059170456,0.018361472,0.0013604029,0.000627857,0.000168417,0.74167544,0.005329581,0.000014714017,0.089229874,0.13653675,0.0014703522],"about_ca_topic_score_codex":0.0002711012,"about_ca_topic_score_gemma":0.0035283058,"teacher_disagreement_score":0.29212692,"about_ca_system_score_codex":0.00003366954,"about_ca_system_score_gemma":0.000016609572,"threshold_uncertainty_score":0.99965096},"labels":[],"label_agreement":null},{"id":"W4251307893","doi":"10.1353/mdr.2000.0038","title":"The Snark and the Orchard: A Polemical Afterword","year":2000,"lang":"en","type":"article","venue":"Modern Drama","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.011223852775275772,"score_gpt":0.2106424077677497,"score_spread":0.19941855499247393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251307893","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6862337,0.003686904,0.000085459236,0.025121065,0.00013809101,0.00018418582,0.000020362473,0.000065552354,0.28446472],"genre_scores_gemma":[0.9501945,0.00014132157,0.0000037048594,0.0012879841,0.00037266783,0.000020399602,0.0000018773984,0.000008450661,0.047969125],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993098,0.00007744891,0.00014195079,0.00013116065,0.0001379318,0.00020172207],"domain_scores_gemma":[0.99955124,0.00014048979,0.000018116585,0.00022588091,0.000023341318,0.000040946412],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021682777,0.00009098249,0.00012338681,0.000011650605,0.00076785125,0.00044739296,0.00017356117,0.000022825074,0.0023845895],"category_scores_gemma":[0.000012815927,0.000041899868,0.00008885018,0.000015508214,0.0006711288,0.00007089456,0.00003080682,0.00012773846,0.000114541464],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020730252,0.00003703677,0.00003139921,0.000005241755,0.00009101527,0.000006694168,0.030063393,0.000008065929,0.000013326928,0.8388162,0.0060669463,0.12465337],"study_design_scores_gemma":[0.0005524002,0.000018215445,0.000107710366,0.000009976914,0.00006198227,0.000006148273,0.0011396646,0.008198459,0.0000088582365,0.110667914,0.8791171,0.000111603986],"about_ca_topic_score_codex":0.00014018307,"about_ca_topic_score_gemma":0.00032273546,"teacher_disagreement_score":0.8730501,"about_ca_system_score_codex":0.0000061510345,"about_ca_system_score_gemma":0.00000697559,"threshold_uncertainty_score":0.99852735},"labels":[],"label_agreement":null},{"id":"W4251790498","doi":"10.3366/edinburgh/9781474421331.003.0015","title":"Migrating Letters","year":2019,"lang":"en","type":"book-chapter","venue":"Edinburgh University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Hummingbird; Nova scotia; Invocation; Art; History; Art history; Cartography; Geography; Philosophy; Archaeology; Biology; Ecology; Theology","score_opus":0.031784390309459704,"score_gpt":0.18856721762441733,"score_spread":0.15678282731495763,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251790498","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00014274736,0.00010328515,0.000026038131,0.000090692665,0.0008528254,0.00015443748,0.00013065645,0.000104833765,0.9983945],"genre_scores_gemma":[0.004540396,0.000026156542,0.000013747013,0.00026657063,0.0012941211,2.3792327e-7,0.000042227704,0.00003230061,0.99378425],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99883026,0.000015163544,0.00019075163,0.00039642604,0.00030102473,0.00026640142],"domain_scores_gemma":[0.99915016,0.000072194605,0.00018550234,0.0003908215,0.00010700491,0.00009433075],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008544594,0.0003283733,0.00042164052,0.00017942165,0.00036726097,0.00015430352,0.0003991124,0.0001583888,0.003825343],"category_scores_gemma":[0.000003975732,0.00035069464,0.00037646305,0.0000019520467,0.00030893294,0.00013467473,0.00017573532,0.00042644353,0.00004712498],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013568947,0.000005325917,5.520224e-7,0.000023031209,0.00021423459,0.00008163005,0.0024743257,0.0000036295767,0.000026544334,0.8760736,0.12057907,0.000504471],"study_design_scores_gemma":[0.00020751792,0.000025135885,2.4904486e-7,0.00014928402,0.0003731526,0.0000015825337,0.00045314903,0.00003338525,0.000024374602,0.0005065175,0.99781036,0.0004152885],"about_ca_topic_score_codex":0.00030780246,"about_ca_topic_score_gemma":0.00012950032,"teacher_disagreement_score":0.8772313,"about_ca_system_score_codex":0.00007703502,"about_ca_system_score_gemma":0.00004230024,"threshold_uncertainty_score":0.9998945},"labels":[],"label_agreement":null},{"id":"W4252113706","doi":"10.1017/cbo9780511777486.031","title":"Music","year":2010,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Violin; Pound (networking); Art; Opera; Poetry; Literature; Criticism; Art history","score_opus":0.03699257203088265,"score_gpt":0.18318047103078855,"score_spread":0.1461878989999059,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252113706","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00010265259,0.000086146116,0.000019644933,0.00002096797,0.0005957745,0.00013389433,0.00037852945,0.00012588476,0.9985365],"genre_scores_gemma":[0.004544798,0.000026438776,0.000012093685,0.00015921754,0.0009155808,3.3929715e-7,0.000069095804,0.000041541352,0.99423087],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989861,0.000015738293,0.00016168125,0.00037608566,0.00021786247,0.00024250687],"domain_scores_gemma":[0.9990064,0.000036889065,0.0001413632,0.0004986564,0.00017619997,0.0001405241],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00006300851,0.00031700806,0.00038244488,0.00016771947,0.00048043957,0.0001349896,0.0004323035,0.00027258514,0.0006909911],"category_scores_gemma":[0.0000040659556,0.0003443776,0.00036173168,0.0000015678171,0.00061585254,0.00009491191,0.00018914405,0.00069048424,0.00013935404],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013296347,0.000007627107,6.205123e-8,0.000031842155,0.00013907123,0.00016396238,0.00036751927,5.8577257e-8,0.00002717877,0.9508554,0.04783693,0.00055705657],"study_design_scores_gemma":[0.00019351275,0.000023594997,6.960481e-7,0.00005852637,0.00043664707,0.0000043471878,0.0001479381,0.000006097951,0.00008099931,0.00010793764,0.9985356,0.00040412284],"about_ca_topic_score_codex":0.00022915124,"about_ca_topic_score_gemma":0.00010210876,"teacher_disagreement_score":0.95074743,"about_ca_system_score_codex":0.000047437137,"about_ca_system_score_gemma":0.000048499565,"threshold_uncertainty_score":0.9999008},"labels":[],"label_agreement":null},{"id":"W4252573260","doi":"10.4324/9781135000356-rem114-1","title":"Moore, Marianne (1887–1972)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Poetry; Art history; Biography; Performance art; Ransom; Art; Criticism; Watson; Pound (networking); History; Literature","score_opus":0.037900535127642174,"score_gpt":0.2204228215081954,"score_spread":0.18252228638055323,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252573260","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000010889447,0.00040808026,0.000021340695,0.0003488716,0.0006655928,0.000084460036,0.0001119061,0.000111111694,0.9982377],"genre_scores_gemma":[0.0036161814,0.00008867293,0.000031237294,0.0011860512,0.0041738143,0.000004554959,0.00012377444,0.000057245477,0.9907185],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987957,0.000007856114,0.00034138813,0.00035037982,0.00025676205,0.00024789813],"domain_scores_gemma":[0.9991287,0.00003235073,0.000106760475,0.00044053773,0.00019337794,0.00009828105],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010906545,0.00033086597,0.00043378843,0.00014741247,0.0002723407,0.00025715824,0.0002506522,0.0001857609,0.5272652],"category_scores_gemma":[0.000007242365,0.00025838622,0.0003439527,0.0000047364706,0.0004235458,0.00011399024,0.00008176902,0.00022637122,0.012066251],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003616294,0.000009697271,1.7476337e-7,0.000013991817,0.00014397113,0.000013356849,0.00059116737,3.022703e-8,3.8910366e-7,0.74968714,0.2486908,0.0008456394],"study_design_scores_gemma":[0.00007391704,0.000053510506,6.871291e-7,0.000048468144,0.000191931,0.0000022467907,0.00016199856,0.00001123895,0.0000040400123,0.19051954,0.8086277,0.0003046786],"about_ca_topic_score_codex":0.00008623739,"about_ca_topic_score_gemma":0.0012719664,"teacher_disagreement_score":0.55993694,"about_ca_system_score_codex":0.000025473119,"about_ca_system_score_gemma":0.000028477572,"threshold_uncertainty_score":0.9999868},"labels":[],"label_agreement":null},{"id":"W4252822902","doi":"10.1353/crv.2013.0004","title":"\"Living in your American skin\": Bruce Springsteen and the Possibility of Politics","year":2013,"lang":"fr","type":"article","venue":"Canadian Review of American Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.024814306271602814,"score_gpt":0.289452865103576,"score_spread":0.2646385588319732,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252822902","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38176453,0.59209466,7.1875775e-7,0.014856084,0.000116601645,0.0004430992,0.00012459143,0.00000386741,0.0105958115],"genre_scores_gemma":[0.74140936,0.25398824,0.000049508333,0.0025909354,0.00012406839,0.00003043937,0.0000011773654,0.000013256138,0.0017930211],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.99759454,0.00044909175,0.00093552103,0.00028809567,0.00019699604,0.0005357432],"domain_scores_gemma":[0.99759436,0.0006538197,0.00060389895,0.00043826475,0.00047416947,0.00023548666],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00084914936,0.00026623564,0.0016795809,0.00016739868,0.00026390114,0.000045171928,0.00026370515,0.000019741135,0.0003130258],"category_scores_gemma":[0.000775266,0.00019170012,0.000262052,0.00035302876,0.01154184,0.00013052466,0.00011333823,0.00020332001,0.000011068756],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010354615,0.00020061039,0.057706155,0.028327852,0.0021901275,0.000024220315,0.06703824,0.0000029888802,0.0000028474378,0.5679673,0.009451503,0.2670778],"study_design_scores_gemma":[0.00051938015,0.00040464755,0.35228226,0.030495036,0.0016868042,0.00001751456,0.31713185,0.00009504193,0.000006933283,0.0027685398,0.29372066,0.00087132497],"about_ca_topic_score_codex":0.8473766,"about_ca_topic_score_gemma":0.3871733,"teacher_disagreement_score":0.5651988,"about_ca_system_score_codex":0.00018053563,"about_ca_system_score_gemma":0.00023620069,"threshold_uncertainty_score":0.9911482},"labels":[],"label_agreement":null},{"id":"W4253036682","doi":"10.1017/cbo9780511777486.038","title":"Fascism","year":2010,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Pound (networking); Politics; History; Literature; Art; Law; Political science","score_opus":0.028532568725805323,"score_gpt":0.18568647040403755,"score_spread":0.15715390167823223,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253036682","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000705772,0.00009507331,0.00003218481,0.000032878434,0.00062620686,0.00013971752,0.0004306849,0.00013731926,0.9984354],"genre_scores_gemma":[0.0037515967,0.000041638446,0.000015990483,0.00013952506,0.0008452205,3.6958232e-7,0.000070014205,0.00004411885,0.9950915],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988819,0.00001698391,0.00017833685,0.00040739143,0.00025122496,0.00026418336],"domain_scores_gemma":[0.99892306,0.000040880073,0.00015153432,0.0005333741,0.00019254962,0.0001585711],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000073608055,0.0003413518,0.00041342634,0.00018146976,0.0005262428,0.00015785891,0.0004908827,0.00030984712,0.0004551256],"category_scores_gemma":[0.0000047492085,0.00036885875,0.0003947201,0.000001637019,0.0006739363,0.00010638333,0.00020930896,0.00075713475,0.00015119971],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013695413,0.000007779644,6.8851044e-8,0.000029351646,0.00014872434,0.00016859057,0.00033927613,6.469584e-8,0.0000295885,0.9628951,0.03578367,0.0005840812],"study_design_scores_gemma":[0.00020733535,0.000024348488,7.0169153e-7,0.000058353762,0.00041943573,0.0000049721048,0.0001412187,0.0000068250624,0.000107718544,0.00014931148,0.998444,0.0004357566],"about_ca_topic_score_codex":0.00021911917,"about_ca_topic_score_gemma":0.00006288505,"teacher_disagreement_score":0.9627458,"about_ca_system_score_codex":0.000051698033,"about_ca_system_score_gemma":0.00005136046,"threshold_uncertainty_score":0.9998763},"labels":[],"label_agreement":null},{"id":"W4253089735","doi":"10.3138/9781442689626-fm","title":"Frontmatter","year":2008,"lang":"en","type":"book-chapter","venue":"University of Toronto Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Psychology","score_opus":0.03220270963557943,"score_gpt":0.18766342700889949,"score_spread":0.15546071737332007,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253089735","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000080544005,0.0021479134,0.0000128074535,0.000014317651,0.00015853163,0.000086319786,0.00016504846,0.00004045033,0.99736655],"genre_scores_gemma":[0.0010614006,0.0002455344,0.000032553842,0.000058400296,0.0002474186,8.4599876e-8,0.000023175584,0.000020544265,0.99831086],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992638,0.000012322781,0.00014740543,0.00022704848,0.0002060872,0.00014329985],"domain_scores_gemma":[0.9993021,0.000020023926,0.00016227992,0.0003225515,0.00012563296,0.00006741722],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000029190995,0.00020584214,0.00039056077,0.00001993825,0.00022910944,0.000021413063,0.00031663623,0.00013700359,0.038824752],"category_scores_gemma":[9.852808e-7,0.00022872911,0.00032303395,7.7906165e-8,0.00046083413,0.00011367149,0.00011212292,0.0001285747,0.0001369101],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003033841,0.000014215072,2.2624475e-7,0.000046197718,0.00032165952,0.00006117363,0.024624513,4.3650232e-7,0.0000026724624,0.58255154,0.3898834,0.002463637],"study_design_scores_gemma":[0.00018931301,0.000037232785,0.0000018774671,0.00007830964,0.00025905558,0.0000016454072,0.00018438735,0.000006216604,0.0000079878455,0.00034290852,0.9986511,0.00023995241],"about_ca_topic_score_codex":0.05648726,"about_ca_topic_score_gemma":0.045895897,"teacher_disagreement_score":0.6087677,"about_ca_system_score_codex":0.0000783456,"about_ca_system_score_gemma":0.00002518418,"threshold_uncertainty_score":0.97151405},"labels":[],"label_agreement":null},{"id":"W4254445021","doi":"10.1002/9781118405376.wbevl042","title":"Browning, Elizabeth Barrett","year":2015,"lang":"en","type":"other","venue":"The Encyclopedia of Victorian Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Sonnet; Poetry; Literature; Lyrics; Ballad; Romance; History; Politics; Art; Political science; Law","score_opus":0.010684566909064722,"score_gpt":0.22580936218660455,"score_spread":0.21512479527753983,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254445021","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000008253723,0.031999882,0.000002477104,0.00028210934,0.004372207,0.00017229634,0.000927198,0.00012901187,0.9621066],"genre_scores_gemma":[0.0009269127,0.0010902537,0.000032599448,0.00020925762,0.017375167,0.000013257994,0.0004380598,0.0002761568,0.97963834],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983975,0.00014008034,0.0003621813,0.00031027122,0.00047652263,0.00031344176],"domain_scores_gemma":[0.9985725,0.00005301654,0.00030360476,0.00073774013,0.00020982447,0.00012329237],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002753975,0.0004023704,0.0005727899,0.00021126762,0.0001211724,0.00018993672,0.00064486725,0.0003105925,0.013670822],"category_scores_gemma":[0.000071489885,0.00024413005,0.00022221284,0.00014752723,0.00028701476,0.00010329971,0.00007875259,0.000562529,0.00021190099],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000069097678,0.00003119342,0.000005791298,0.00009781991,0.00015115298,0.000009307954,0.026821438,1.836584e-7,9.1306e-7,0.10916051,0.8635923,0.00012247384],"study_design_scores_gemma":[0.00017488058,0.000044914763,0.0000026147948,0.00056549866,0.00022202071,0.000002165001,0.000504958,0.0000017732547,0.0000014535481,0.0025040647,0.995675,0.00030060808],"about_ca_topic_score_codex":0.00007241311,"about_ca_topic_score_gemma":0.0003885179,"teacher_disagreement_score":0.13208275,"about_ca_system_score_codex":0.00002023855,"about_ca_system_score_gemma":0.00009174356,"threshold_uncertainty_score":0.9955334},"labels":[],"label_agreement":null},{"id":"W4254798619","doi":"10.3138/cras.39.1.85","title":"Through Roots and Routes: <i>On the Road</i>’s Portrayal of an Outsider's Journey into the Meaning of America","year":2009,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Meaning (existential); Identity (music); Avatar; Ethnic group; Key (lock); National identity; Literature; History; White (mutation); Philosophy; Aesthetics; Sociology; Art; Anthropology; Politics; Epistemology; Law; Political science","score_opus":0.04508771405974359,"score_gpt":0.3001189826855859,"score_spread":0.2550312686258423,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254798619","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.23744856,0.52500707,0.000014267575,0.09526772,0.00025326275,0.00096345175,0.0001856564,0.000031351505,0.14082868],"genre_scores_gemma":[0.93992674,0.046296194,0.00008745991,0.013471759,0.00008877441,0.0000078518,0.0000029935677,0.000008273373,0.00010992542],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986958,0.000168765,0.0005317528,0.00016897684,0.00021767593,0.00021704947],"domain_scores_gemma":[0.998683,0.00014806597,0.00047678282,0.00034042558,0.00027306785,0.000078655255],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00037076717,0.0001731652,0.00080612715,0.00006176412,0.00031690515,0.000021347601,0.00025207098,0.000010594258,0.0000980115],"category_scores_gemma":[0.00026216186,0.00009145209,0.00016520107,0.00016422354,0.001720732,0.00010125943,0.000021769853,0.00012067124,0.0000014182019],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020833137,0.00014831903,0.0002914658,0.001711004,0.001581138,0.00002720778,0.18756911,0.000015270636,0.000060221624,0.27143613,0.03183902,0.5053003],"study_design_scores_gemma":[0.00026932906,0.0022774446,0.0058882064,0.008813487,0.0015240273,0.000013474336,0.39192188,0.000057626698,0.00021830077,0.006742574,0.5816035,0.0006701465],"about_ca_topic_score_codex":0.057099357,"about_ca_topic_score_gemma":0.05259465,"teacher_disagreement_score":0.70247823,"about_ca_system_score_codex":0.00003001146,"about_ca_system_score_gemma":0.00009908854,"threshold_uncertainty_score":0.964693},"labels":[],"label_agreement":null},{"id":"W4254847207","doi":"10.22148/001c.22331","title":"Against Conglomeration","year":2021,"lang":"en","type":"article","venue":"Journal of Cultural Analytics","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Multiculturalism; Politics; The arts; Sociology; Government (linguistics); Endowment; Art history; Political science; Management; Media studies; Law; Art; Economics","score_opus":0.04628210556819579,"score_gpt":0.265659557897568,"score_spread":0.21937745232937222,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254847207","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84488994,0.0018909172,0.00024353925,0.0060272333,0.001165519,0.00002639709,0.00001521396,0.000014597861,0.14572662],"genre_scores_gemma":[0.98316884,0.00021421435,0.000088501896,0.00070691796,0.0011901133,1.1558848e-7,0.000009427344,0.0000036691579,0.014618173],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992113,0.000034010005,0.00037529165,0.000054677035,0.0002267725,0.00009794804],"domain_scores_gemma":[0.9985502,0.00002484131,0.0001934835,0.0000649526,0.0011021782,0.00006438577],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012423773,0.00007133142,0.00020426337,0.000044147713,0.00013998982,0.00026522554,0.00007690241,0.000022105725,0.0012380397],"category_scores_gemma":[0.00009294851,0.000046118916,0.00024230401,0.000055467797,0.000066668974,0.00036758638,0.000011839443,0.00013524099,0.000026922691],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045013778,0.00049628457,0.00046626257,0.00007084004,0.0015085468,0.000980592,0.029156448,0.0016632412,0.011653612,0.8129996,0.13028741,0.010672166],"study_design_scores_gemma":[0.0005212313,0.00010279797,0.00020303986,0.00007736882,0.00046672722,0.00012487287,0.028541911,0.0016959227,0.0036106962,0.0033816183,0.96104884,0.00022496165],"about_ca_topic_score_codex":0.000002609997,"about_ca_topic_score_gemma":0.00007029891,"teacher_disagreement_score":0.83076143,"about_ca_system_score_codex":0.000024851464,"about_ca_system_score_gemma":0.00004380895,"threshold_uncertainty_score":0.999675},"labels":[],"label_agreement":null},{"id":"W4254855547","doi":"10.4324/9780203197479-26","title":"Andrews Wanning, from Criticism and Principles: Poetry of the Quarter, 'Southern Review', Spring 1941","year":2002,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Spring (device); Criticism; Poetry; Quarter (Canadian coin); History; Literature; Art; Archaeology; Engineering; Mechanical engineering","score_opus":0.04601023240111856,"score_gpt":0.21961439235292377,"score_spread":0.1736041599518052,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254855547","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00052132894,0.048504412,0.000012647817,0.0006025232,0.0002636979,0.00023153455,0.00035099906,0.000042310916,0.9494705],"genre_scores_gemma":[0.029814707,0.006304184,0.00003196163,0.0017481336,0.0006931148,0.0000069590296,0.000018007719,0.000060730443,0.9613222],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981557,0.00003829662,0.00075759104,0.00042062285,0.00038969505,0.00023809461],"domain_scores_gemma":[0.9986675,0.00009973969,0.00032127384,0.0006847551,0.00014193122,0.00008480168],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018902823,0.00040252553,0.0008103099,0.000081491264,0.00027280732,0.000118676086,0.0003611727,0.00016008971,0.024968162],"category_scores_gemma":[0.000030358291,0.00026148703,0.0004474438,0.0000113143915,0.0004837688,0.00009499984,0.00015795283,0.00041482522,0.0001781706],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000032198457,0.00003619436,0.000068232046,0.0007901491,0.00028870333,0.000011291505,0.005483651,1.5667078e-7,0.000008273133,0.97852474,0.013634519,0.001150839],"study_design_scores_gemma":[0.00016351278,0.000033073997,0.000027166645,0.0045470796,0.0006640569,0.0000029322966,0.0009852337,0.000036604,0.000013486241,0.009567637,0.98355675,0.00040247882],"about_ca_topic_score_codex":0.000535452,"about_ca_topic_score_gemma":0.0007025176,"teacher_disagreement_score":0.96992224,"about_ca_system_score_codex":0.000019527673,"about_ca_system_score_gemma":0.000017194941,"threshold_uncertainty_score":0.9999837},"labels":[],"label_agreement":null},{"id":"W4254895411","doi":"10.1017/cbo9780511777486.006","title":"Translation","year":2010,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Poetry; Pound (networking); Literature; Sonnet; Art; Translation studies; History; Classics; Computer science","score_opus":0.041597560195119176,"score_gpt":0.19250453506639864,"score_spread":0.15090697487127946,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254895411","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000040439834,0.00011086824,0.00007532048,0.000030941384,0.00035722222,0.00012993942,0.0003316788,0.00010148449,0.9988221],"genre_scores_gemma":[0.004701001,0.000036008732,0.000023368824,0.00006661631,0.0005740108,2.5926155e-7,0.00009544083,0.000030685398,0.9944726],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991963,0.000014318855,0.0001448604,0.0002886579,0.00018416726,0.0001717297],"domain_scores_gemma":[0.99931556,0.00003391968,0.00010857008,0.00032029327,0.00012650923,0.00009516096],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00005661637,0.00024350667,0.00028678618,0.0001379817,0.00037265196,0.000101608086,0.0002651254,0.00024303107,0.00029898304],"category_scores_gemma":[0.000001844458,0.0002698663,0.00029117469,0.0000012809254,0.0003879021,0.000101949096,0.00005020532,0.0005105108,0.000059671165],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017053575,0.0000058057635,4.6112124e-8,0.00002851395,0.000103062455,0.00005791197,0.00044080106,1.1671318e-7,0.000042533502,0.988987,0.008234244,0.0020828934],"study_design_scores_gemma":[0.00020086502,0.000019710606,4.961116e-7,0.000044700664,0.0003946765,0.000002302798,0.000090120266,0.00001729908,0.000107325366,0.00009371953,0.9987167,0.00031208905],"about_ca_topic_score_codex":0.00014504147,"about_ca_topic_score_gemma":0.00007194669,"teacher_disagreement_score":0.99048245,"about_ca_system_score_codex":0.00003206651,"about_ca_system_score_gemma":0.000033425273,"threshold_uncertainty_score":0.9999753},"labels":[],"label_agreement":null},{"id":"W4255073641","doi":"10.1093/acref/9780195301731.013.39021","title":"Whitman, Alice, Alberta, Essie, and Mabel","year":2013,"lang":"en","type":"reference-entry","venue":"African American Studies Center","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Alice (programming language); Art; History; Art history","score_opus":0.03495038659930993,"score_gpt":0.2697707077057382,"score_spread":0.23482032110642825,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255073641","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002413473,0.016315036,0.0000021553535,0.001815064,0.0011363823,0.0002819199,0.00044203477,0.0000722415,0.9775217],"genre_scores_gemma":[0.18670754,0.09652085,0.000045372864,0.0028149688,0.002360512,0.00021748015,0.0002206881,0.0001127267,0.71099985],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971084,0.00014671552,0.000636983,0.0008319878,0.0004472153,0.00082872715],"domain_scores_gemma":[0.9980671,0.0003021755,0.0005296718,0.0005569892,0.0003138445,0.00023025589],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009575236,0.0007458241,0.0016719265,0.0002781128,0.0005866383,0.00035162352,0.0003953551,0.00008656478,0.002503998],"category_scores_gemma":[0.00006399882,0.0005595352,0.00032397473,0.0001395177,0.0027203704,0.0002012715,0.00045177707,0.0005029642,0.00045269734],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014178723,0.00016309248,0.00041688525,0.00021758862,0.0020494983,0.0000140853435,0.017737864,4.7175185e-8,9.574907e-8,0.01384696,0.9167904,0.048749253],"study_design_scores_gemma":[0.00026838967,0.00013116321,0.00019151015,0.00029690235,0.00052634074,0.0000053115014,0.05691386,0.000004848569,3.8412557e-7,0.00026589338,0.94074947,0.00064590125],"about_ca_topic_score_codex":0.005498039,"about_ca_topic_score_gemma":0.0067737764,"teacher_disagreement_score":0.26652184,"about_ca_system_score_codex":0.000111375026,"about_ca_system_score_gemma":0.000047384165,"threshold_uncertainty_score":0.9999937},"labels":[],"label_agreement":null},{"id":"W4255347332","doi":"10.32920/ryerson.14665827.v1","title":"Consumption and culture in Toronto's urban soundscapes","year":2021,"lang":"en","type":"preprint","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Soundscape; Cityscape; Realm; Downtown; Consumerism; Consumption (sociology); Aesthetics; Urban culture; Consumer Culture; Sociology; Advertising; History; Political science; Visual arts; Art; Business; Sound (geography); Law; Archaeology","score_opus":0.02776679731010753,"score_gpt":0.2646940828460789,"score_spread":0.2369272855359714,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255347332","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4015629,0.03215944,0.00004405312,0.00040990132,0.00064866117,0.00017218615,0.000045763463,0.00007909467,0.564878],"genre_scores_gemma":[0.96649927,0.0015545285,0.00005588337,0.00023307925,0.0003740508,0.000017868137,0.00012435467,0.000008200133,0.031132752],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921066,0.000045371948,0.00020918986,0.00029388364,0.00010601682,0.0001348728],"domain_scores_gemma":[0.9996617,0.000016949338,0.000046013807,0.00017442643,0.000060291117,0.000040614123],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000091911694,0.00015968196,0.0002794655,0.00003063807,0.000093171424,0.00059562444,0.000081938626,0.00012477934,0.018506365],"category_scores_gemma":[0.000010247953,0.00013018464,0.00009266859,0.000005578821,0.00009063572,0.00016169157,0.0001692746,0.00022717334,0.00001109607],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010510755,0.00020470317,0.004261416,0.0005311133,0.00024595216,0.000040480692,0.13326912,0.000007735063,0.000059936712,0.8370545,0.02218486,0.0021296656],"study_design_scores_gemma":[0.0012313038,0.000100362566,0.013296395,0.0012587295,0.0007656387,0.000016830101,0.2335615,0.0021019636,0.0001633289,0.028217293,0.7169958,0.0022908729],"about_ca_topic_score_codex":0.0051824837,"about_ca_topic_score_gemma":0.16947979,"teacher_disagreement_score":0.80883723,"about_ca_system_score_codex":0.00006476674,"about_ca_system_score_gemma":0.000019234674,"threshold_uncertainty_score":0.9823909},"labels":[],"label_agreement":null},{"id":"W4255531637","doi":"10.1093/camqtly/bfz010","title":"The Taxonomist","year":2019,"lang":"en","type":"article","venue":"The Cambridge Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Politics; Guardian; Democratization; History; Literature; Media studies; Democracy; Political science; Art; Law; Sociology","score_opus":0.010360421822291407,"score_gpt":0.19168742244571435,"score_spread":0.18132700062342294,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255531637","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41662818,0.00030555064,0.000016299899,0.004156081,0.0008899861,0.00017179816,0.000018601922,0.00005011565,0.5777634],"genre_scores_gemma":[0.8858953,0.0000053056906,9.0573525e-7,0.00043275824,0.0005811005,0.000016727048,0.0000038734643,0.0000092526725,0.113054775],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999255,0.00006622403,0.00017680612,0.00012937756,0.00013314733,0.00023943995],"domain_scores_gemma":[0.9992187,0.0001557978,0.00005651541,0.0004889641,0.00004561475,0.000034390003],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003079635,0.00010319457,0.00011813537,0.00001573872,0.00068014103,0.0004520877,0.0003748927,0.000015943262,0.0007015846],"category_scores_gemma":[0.0000039002553,0.0000492002,0.00013275913,0.000022939415,0.00023674876,0.00011423851,0.000011680493,0.00012547262,0.003256385],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013844513,0.000016676147,0.000043615837,0.00000468151,0.000053193653,0.0000010529144,0.0041480097,8.186001e-7,0.0000650876,0.94998974,0.03504426,0.010619006],"study_design_scores_gemma":[0.00014524984,0.00013985168,0.00058110105,0.0000061621818,0.000036188798,0.0000031609547,0.012663701,0.0002813817,0.0000210628,0.0009988699,0.98500764,0.00011564133],"about_ca_topic_score_codex":0.00018488358,"about_ca_topic_score_gemma":0.00037089823,"teacher_disagreement_score":0.9499634,"about_ca_system_score_codex":0.000014234304,"about_ca_system_score_gemma":0.000014486633,"threshold_uncertainty_score":0.9975197},"labels":[],"label_agreement":null},{"id":"W4255645857","doi":"10.1007/978-3-476-05728-0_8047-1","title":"Boyden, Joseph","year":2020,"lang":"de","type":"book-chapter","venue":"J.B. Metzler eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Bay; Art; Art history; History; Archaeology","score_opus":0.05209987832592796,"score_gpt":0.23914162459712865,"score_spread":0.18704174627120068,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255645857","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00012170914,0.0040429225,0.000047898084,0.0013771452,0.0019682785,0.00045535597,0.000503076,0.000216109,0.9912675],"genre_scores_gemma":[0.14522961,0.00025395607,0.00006718182,0.00457046,0.0076912,0.0000366946,0.00019734635,0.0002457635,0.8417078],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99548256,0.00011109222,0.0013575968,0.001257544,0.0009925278,0.0007986998],"domain_scores_gemma":[0.99727905,0.00017101421,0.0005474567,0.0010770258,0.0003452786,0.00058018474],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00035274366,0.0012308265,0.0017089656,0.00036976222,0.000999755,0.00095973955,0.00082981965,0.0006193896,0.037106168],"category_scores_gemma":[0.000049263293,0.0011384441,0.0016497246,0.000017464668,0.0008603734,0.0001360146,0.00037280025,0.001454619,0.017872],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052796455,0.000039537925,0.0000022788106,0.00019662897,0.0017409944,0.00034684537,0.0065468187,6.336885e-7,0.00007775095,0.9670921,0.017948758,0.0059548737],"study_design_scores_gemma":[0.00046285172,0.00021404089,0.0000049644227,0.00033000665,0.0025493973,0.0000086863665,0.00081195595,0.0000528122,0.00013651117,0.059171874,0.9349906,0.0012663176],"about_ca_topic_score_codex":0.00010729701,"about_ca_topic_score_gemma":0.00022181892,"teacher_disagreement_score":0.91704184,"about_ca_system_score_codex":0.00009469992,"about_ca_system_score_gemma":0.00012512734,"threshold_uncertainty_score":0.9991066},"labels":[],"label_agreement":null},{"id":"W4256538024","doi":"10.3366/edinburgh/9781474421331.001.0001","title":"Reading Elizabeth Bishop","year":2019,"lang":"en","type":"book","venue":"Edinburgh University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":39,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Reading (process); Insider; Literature; Art; Performance art; Nova scotia; Literary criticism; Criticism; Art history; Literal (mathematical logic); History; Philosophy; Ethnology; Linguistics","score_opus":0.03184797434305801,"score_gpt":0.20839365362732504,"score_spread":0.17654567928426704,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4256538024","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000029475936,0.00012399949,0.00002838903,0.00002420828,0.0014666716,0.00021078157,0.00022407233,0.00016615151,0.99772626],"genre_scores_gemma":[0.0010224776,0.00006730545,0.00001013175,0.00013452503,0.0021508357,6.39252e-7,0.00012903378,0.000042624397,0.99644244],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99839246,0.0000450528,0.00023270956,0.00052495266,0.0004028753,0.0004019347],"domain_scores_gemma":[0.99873835,0.00012352811,0.0002157006,0.0005644248,0.00021298848,0.00014499738],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015959145,0.0003935273,0.0005954371,0.00029599076,0.00044879154,0.00022650002,0.00063526793,0.00029956695,0.00294273],"category_scores_gemma":[0.00001034099,0.00042106342,0.00041375068,0.0000072106463,0.0003616307,0.0001977726,0.00028633594,0.00059953664,0.000062115796],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015569105,0.000010756271,5.793985e-7,0.000038370126,0.00020079767,0.00006356458,0.0023842833,0.0000019787337,0.0000028349587,0.5160707,0.4808962,0.0003143354],"study_design_scores_gemma":[0.00029194192,0.000044736953,2.776443e-7,0.00023643738,0.00056745444,0.0000018409389,0.00075374753,0.000052731742,0.000017067989,0.00095353974,0.9965723,0.0005079162],"about_ca_topic_score_codex":0.0002397861,"about_ca_topic_score_gemma":0.000034846063,"teacher_disagreement_score":0.5156761,"about_ca_system_score_codex":0.00022392199,"about_ca_system_score_gemma":0.00018661573,"threshold_uncertainty_score":0.9998241},"labels":[],"label_agreement":null},{"id":"W4256663725","doi":"10.1017/cbo9780511777486.013","title":"Economics","year":2010,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Economics","score_opus":0.02819629696975853,"score_gpt":0.17543672043625344,"score_spread":0.1472404234664949,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4256663725","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00018510237,0.000059046306,0.0000125211645,0.00002759771,0.000538738,0.00011065572,0.0005105628,0.00008645376,0.9984693],"genre_scores_gemma":[0.0026324643,0.00008880511,0.00001399998,0.00012833776,0.0007859675,2.619477e-7,0.000071781404,0.0000392275,0.9962391],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99917877,0.000010681597,0.00016409047,0.00034550333,0.00009038829,0.00021057077],"domain_scores_gemma":[0.9991165,0.000033510354,0.00014999577,0.00045157733,0.00011951581,0.00012893532],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000056586345,0.0002859402,0.00036691193,0.00013957614,0.00039225997,0.00014280617,0.0004005592,0.00026049232,0.00030939898],"category_scores_gemma":[0.0000026593389,0.0003278065,0.0003317966,7.9478485e-7,0.0005225275,0.00009916681,0.00016911555,0.0005557325,0.000105599334],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000134637185,0.000005770911,7.294393e-8,0.000021079384,0.00014757797,0.000057369245,0.000211402,2.3239443e-7,0.000006114156,0.98273855,0.016264936,0.00053344265],"study_design_scores_gemma":[0.000176541,0.00001933743,4.2469412e-7,0.000031255444,0.00033788645,0.000003535066,0.00010847947,0.000013623946,0.00007380604,0.0001818035,0.99867314,0.0003801696],"about_ca_topic_score_codex":0.00017396174,"about_ca_topic_score_gemma":0.000094995354,"teacher_disagreement_score":0.98255676,"about_ca_system_score_codex":0.00006103522,"about_ca_system_score_gemma":0.00005397286,"threshold_uncertainty_score":0.9999174},"labels":[],"label_agreement":null},{"id":"W4285060818","doi":"10.22455/2541-7894-2022-12-261-273","title":"Bureau “Transatlantic”: French and US Poets on Rendezvous","year":2022,"lang":"en","type":"article","venue":"Literature of the Americas","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Russian Academy of Sciences; Russian Science Foundation","keywords":"Poetry; Objectivism; Literature; Quarter (Canadian coin); American poetry; History; Rendezvous; Art; Philosophy; Epistemology","score_opus":0.013826319357247199,"score_gpt":0.2327178270125848,"score_spread":0.2188915076553376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285060818","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8147627,0.0042295163,0.0000063555945,0.0068799383,0.00094137964,0.00019128228,0.00037481665,0.000053013828,0.17256096],"genre_scores_gemma":[0.98631614,0.000026298361,0.000016944603,0.0015753383,0.00018529028,0.000008863225,0.000018821587,0.000009178401,0.011843143],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99921393,0.00010561948,0.00014814414,0.00016242929,0.00023017604,0.00013971791],"domain_scores_gemma":[0.99951804,0.000048422153,0.00008096162,0.0002893695,0.000032139564,0.000031067277],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008775089,0.000108778186,0.0001880318,0.000057754904,0.00041193224,0.00009534745,0.00021872536,0.00001622796,0.0007842464],"category_scores_gemma":[0.000013074056,0.00006914434,0.0001262671,0.00010919874,0.00018777799,0.000051892523,0.00007233965,0.0002657155,0.0000029191583],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013182491,0.00066742377,0.0011367836,0.00012250277,0.0003957911,0.00010751472,0.12210592,0.00017558564,0.0021057508,0.8088007,0.05570483,0.008545389],"study_design_scores_gemma":[0.0002904707,0.00037729976,0.0024571985,0.00007573279,0.00014458645,0.00005192646,0.0017249538,0.00010647951,0.00024870547,0.008246311,0.98603976,0.0002365938],"about_ca_topic_score_codex":0.00022822579,"about_ca_topic_score_gemma":0.000026112448,"teacher_disagreement_score":0.9303349,"about_ca_system_score_codex":0.0000098662595,"about_ca_system_score_gemma":0.0000071325344,"threshold_uncertainty_score":0.85869485},"labels":[],"label_agreement":null},{"id":"W4285089481","doi":"10.5539/ells.v12n3p17","title":"Big Sur: Kerouac’s Spiritual Drop Scene","year":2022,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Soul; Fanaticism; Art; Mainstream; Aesthetics; Humanities; Art history; Psychoanalysis; Philosophy; Psychology; Politics; Law; Theology; Political science","score_opus":0.018133921259830325,"score_gpt":0.24127342009259162,"score_spread":0.2231394988327613,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285089481","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82040614,0.13832854,9.707978e-7,0.0006198957,0.0017717045,0.0001090096,0.00031268716,0.00014809163,0.03830298],"genre_scores_gemma":[0.9732947,0.00032430203,0.000012098089,0.00070735737,0.0027498177,0.00003938014,0.00008294454,0.000015764235,0.022773638],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989708,0.000096750555,0.00019250641,0.00027119287,0.00022187478,0.00024688203],"domain_scores_gemma":[0.99946725,0.00007863158,0.00004752998,0.00018056657,0.00017438112,0.00005164266],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022638193,0.00018254138,0.00029620042,0.00011428335,0.0009898398,0.00030325356,0.00012129578,0.000023772456,0.00083439896],"category_scores_gemma":[0.00014436083,0.00014375386,0.00010477551,0.00010707585,0.00017334377,0.00017825027,0.00021563769,0.0003219269,0.0000039738184],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018061583,0.00007465662,0.00006855687,0.000053450298,0.00023828556,0.00025310423,0.9348757,0.0000012460793,0.000046681595,0.03689311,0.023234999,0.0042421473],"study_design_scores_gemma":[0.00028535468,0.00009339973,0.000029288298,0.00003592073,0.000070809,0.0000075249427,0.460908,0.000007820445,0.000029189501,0.00024614166,0.53809434,0.00019223853],"about_ca_topic_score_codex":0.000042118558,"about_ca_topic_score_gemma":0.00020644013,"teacher_disagreement_score":0.5148593,"about_ca_system_score_codex":0.000020259919,"about_ca_system_score_gemma":0.000009411715,"threshold_uncertainty_score":0.9136083},"labels":[],"label_agreement":null},{"id":"W4285312115","doi":"10.25071/1925-5624.40425","title":"The Word Sonnet: A Distillation","year":2021,"lang":"en","type":"article","venue":"Tusaaji A Translation Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sonnet; Word (group theory); Computer science; Distillation; Natural language processing; Linguistics; Artificial intelligence; Philosophy; Chemistry; Chromatography; Poetry","score_opus":0.05772441110194449,"score_gpt":0.27600327602563773,"score_spread":0.21827886492369325,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285312115","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00086159114,0.77447295,0.00087622576,0.032479413,0.00039044867,0.00034289557,0.000030144003,0.00009211208,0.19045423],"genre_scores_gemma":[0.7994654,0.18240511,0.00011675782,0.0038113275,0.0007208231,0.00007176524,0.00018201745,0.000025151225,0.013201608],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99912614,0.000119978395,0.0003076015,0.00013828317,0.00017303966,0.0001349461],"domain_scores_gemma":[0.99943656,0.00012602827,0.000060070164,0.00021334318,0.00012883708,0.000035165373],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028906518,0.00008948724,0.00017513052,0.0000133490275,0.00046568236,0.00015374068,0.0000757846,0.000016085918,0.004041761],"category_scores_gemma":[0.00004165361,0.000058639605,0.00017220872,0.00008730654,0.00007117771,0.000121156605,0.000005391809,0.00007759754,0.00020053273],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000035621856,0.000030922958,0.000019979061,0.00050647283,0.00005980322,0.000004950431,0.0018132211,0.0000054055718,0.000014967043,0.41146263,0.0060121464,0.58006597],"study_design_scores_gemma":[0.00007497463,0.0000047785347,0.00010717467,0.00046989237,0.00014073448,0.0000027142046,0.00016638427,0.0002654481,0.000008969492,0.002618633,0.9960529,0.00008738948],"about_ca_topic_score_codex":0.000011047775,"about_ca_topic_score_gemma":0.000652736,"teacher_disagreement_score":0.9900408,"about_ca_system_score_codex":0.000008059681,"about_ca_system_score_gemma":0.000027358727,"threshold_uncertainty_score":0.99686867},"labels":[],"label_agreement":null},{"id":"W4285712576","doi":"10.5325/edgallpoerev.21.2.0311","title":"Poe Studies Association Updates","year":2020,"lang":"en","type":"article","venue":"The Edgar Allan Poe Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Icon; Citation; Download; Session (web analytics); Publishing; Library science; World Wide Web; Computer science; Political science; Law","score_opus":0.14218461788934234,"score_gpt":0.31236058093295244,"score_spread":0.1701759630436101,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4285712576","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006361212,0.78075856,0.000004014139,0.14828609,0.00035109703,0.00030041745,0.00005178761,0.00011675777,0.06949516],"genre_scores_gemma":[0.29532972,0.6054243,0.000014787206,0.07761417,0.0037745682,0.000049262966,0.00008010349,0.00003581724,0.017677277],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990429,0.00015764084,0.00027888108,0.00015224045,0.00019664339,0.0001716697],"domain_scores_gemma":[0.9993494,0.00013152637,0.00013830297,0.00019453761,0.00013683764,0.000049354632],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005333497,0.000121751735,0.00040773078,0.000010161752,0.0002596128,0.000080329075,0.00023059509,0.000017205002,0.0023346664],"category_scores_gemma":[0.00039707898,0.00006912531,0.00016391027,0.000061771214,0.000061568455,0.00007421067,0.000060526585,0.0001186167,0.0010873167],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000022284778,0.00003214432,0.000087356035,0.0013698835,0.00074470055,0.000005073827,0.009943939,5.9091684e-7,0.0000060234383,0.1915639,0.7864734,0.009770769],"study_design_scores_gemma":[0.000047817008,0.000025197882,0.000015363257,0.00041208795,0.00042091677,6.3113123e-7,0.00095244957,0.000010093965,0.000007645712,0.001202742,0.9968019,0.00010315559],"about_ca_topic_score_codex":0.000018723073,"about_ca_topic_score_gemma":0.00007214887,"teacher_disagreement_score":0.2946936,"about_ca_system_score_codex":0.000029336768,"about_ca_system_score_gemma":0.000012215516,"threshold_uncertainty_score":0.9996905},"labels":[],"label_agreement":null},{"id":"W4287082447","doi":"","title":"\"Pélieu, Beach, Ginsberg : traduction in progress\"","year":2021,"lang":"en","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Translation (biology); Computer science; Biology","score_opus":0.021891103581954906,"score_gpt":0.23125784399501073,"score_spread":0.20936674041305584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4287082447","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50363314,0.012193262,0.0058557377,0.036116123,0.001354074,0.00076007907,0.00014305631,0.0004467254,0.43949783],"genre_scores_gemma":[0.9689211,0.00046380202,0.0029818488,0.000092376955,0.00012273516,0.000108155975,0.0011160563,0.000039674112,0.0261542],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99502146,0.002933654,0.00058978953,0.0007199245,0.00038559255,0.00034957522],"domain_scores_gemma":[0.99662864,0.00030190588,0.0003045344,0.0013609359,0.0012868171,0.00011717138],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.002639438,0.00031212074,0.00045555923,0.00026033318,0.00037481857,0.0010545147,0.0007008693,0.00020105088,0.0014210477],"category_scores_gemma":[0.00034758393,0.00033213102,0.00030566528,0.00016706198,0.00042696163,0.00023158596,0.00050434103,0.00076709315,0.000026882675],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000111488725,0.0018303536,0.0013569448,0.00037743183,0.00020943796,0.000036360663,0.16159037,0.00006154451,0.00028382783,0.75235534,0.002662301,0.07922492],"study_design_scores_gemma":[0.0021694317,0.00000202134,0.0104119815,0.010890449,0.0006133593,0.000037065023,0.02013856,0.023485038,0.024834275,0.036758814,0.8675385,0.0031205073],"about_ca_topic_score_codex":0.0019317734,"about_ca_topic_score_gemma":0.019984854,"teacher_disagreement_score":0.8648762,"about_ca_system_score_codex":0.00011481538,"about_ca_system_score_gemma":0.00019157915,"threshold_uncertainty_score":0.9999825},"labels":[],"label_agreement":null},{"id":"W4289344225","doi":"10.1093/ywcct/mbac011","title":"11Poetics","year":2022,"lang":"en","type":"article","venue":"The Year s Work in Critical and Cultural Theory","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Poetry; Literature; Witness; Art; Philosophy; Linguistics","score_opus":0.046044163557470576,"score_gpt":0.2854251535829182,"score_spread":0.23938099002544763,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4289344225","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67670107,0.0034549152,0.000014300902,0.014598078,0.00068169495,0.00014116273,0.000030605854,0.00007169791,0.3043065],"genre_scores_gemma":[0.9866302,0.000019538154,0.000009629829,0.0009939445,0.00021380284,0.000018261606,0.0000030862957,0.000005408894,0.012106117],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9992523,0.00021471578,0.000116548086,0.00010976308,0.00013101475,0.00017566486],"domain_scores_gemma":[0.9995741,0.0002585699,0.000009214126,0.00010258632,0.000020780815,0.000034732464],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00041079198,0.00007071987,0.0000990373,0.00001820518,0.000596383,0.00010235362,0.00014484639,0.000011860183,0.008138531],"category_scores_gemma":[0.00006922072,0.000040566214,0.000049959854,0.000055605873,0.0005094293,0.000055949688,0.00011876489,0.00025388814,0.000054187487],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000035061406,0.000034629058,0.000038104397,0.0000038193625,0.000007340356,0.0000063033126,0.011754969,0.0000030943472,0.0000054395937,0.98518145,0.0018378627,0.0010919458],"study_design_scores_gemma":[0.00017974405,0.0000636769,0.0004033755,0.00001644294,0.00005275695,0.000009208284,0.11829992,0.00003221501,0.0000096847125,0.57481,0.3059385,0.00018442476],"about_ca_topic_score_codex":0.000010153924,"about_ca_topic_score_gemma":0.000009164293,"teacher_disagreement_score":0.41037136,"about_ca_system_score_codex":0.000011279119,"about_ca_system_score_gemma":0.000003860233,"threshold_uncertainty_score":0.99276817},"labels":[],"label_agreement":null},{"id":"W4289714985","doi":"10.1093/actrade/9780198851417.003.0001","title":"1. Less is more","year":2022,"lang":"en","type":"book-chapter","venue":"Oxford University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nova scotia; Poetry; Context (archaeology); Reputation; History; Period (music); Art; Performance art; Literature; Art history; Aesthetics; Sociology; Archaeology; Social science","score_opus":0.04905501819711154,"score_gpt":0.20470035585773816,"score_spread":0.1556453376606266,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4289714985","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006539199,0.00012656569,0.000006109106,0.00010236046,0.00025069926,0.0001280272,0.0007848919,0.000095657226,0.9984403],"genre_scores_gemma":[0.0016019575,0.00019909783,0.0000063632588,0.00037597498,0.00028237517,8.269421e-7,0.00009009689,0.000040962754,0.99740237],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887496,0.000019948526,0.00015855211,0.0003825201,0.00033021596,0.0002338151],"domain_scores_gemma":[0.99919903,0.000028785993,0.00014650867,0.00043910905,0.00008973981,0.00009685324],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00005477104,0.00029732077,0.0003780018,0.00016726376,0.00075913785,0.0001051797,0.000515535,0.00012893933,0.012227618],"category_scores_gemma":[0.000001128888,0.00033451256,0.00039510074,0.0000023902737,0.00034733527,0.000116753814,0.00038391806,0.0004690023,0.000003995788],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025728856,0.000010913029,3.0895782e-7,0.00004161553,0.00025088704,0.00015439432,0.0045227027,0.0000012969081,4.182208e-7,0.970878,0.021257252,0.002856468],"study_design_scores_gemma":[0.0001996369,0.000036129117,3.49071e-7,0.000038568684,0.00044349936,0.0000024491508,0.0026362552,0.000016591592,0.0000060129123,0.0018916664,0.99433756,0.0003912678],"about_ca_topic_score_codex":0.0002442603,"about_ca_topic_score_gemma":0.00013753922,"teacher_disagreement_score":0.97308034,"about_ca_system_score_codex":0.000101332706,"about_ca_system_score_gemma":0.00004395331,"threshold_uncertainty_score":0.9999107},"labels":[],"label_agreement":null},{"id":"W4292916518","doi":"10.5325/edgallpoerev.16.1.0141","title":"Poe Studies Association Updates","year":2015,"lang":"en","type":"article","venue":"The Edgar Allan Poe Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Citation; Icon; Listing (finance); Library science; Download; State (computer science); Publishing; Section (typography); Art history; Computer science; World Wide Web; History; Art; Algorithm; Literature","score_opus":0.20885151209377284,"score_gpt":0.34966976066134214,"score_spread":0.1408182485675693,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4292916518","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009219004,0.8365896,0.000002227971,0.0274064,0.0007173661,0.00025200707,0.00003105558,0.00008626024,0.13399318],"genre_scores_gemma":[0.305485,0.5495138,0.000027837965,0.024246424,0.0045191227,0.00009419122,0.00012536907,0.000051207404,0.11593702],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998951,0.00019805274,0.0002760873,0.00013297687,0.0002530675,0.00018876905],"domain_scores_gemma":[0.99910724,0.00011957046,0.00014630171,0.00028647314,0.0002849887,0.000055397028],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014085025,0.00012169825,0.00039060233,0.000019333018,0.00020483283,0.000086156506,0.00022207199,0.000019711242,0.0008051442],"category_scores_gemma":[0.00047628488,0.000067088265,0.0001301362,0.00005333013,0.00007402277,0.000092318514,0.000057817862,0.00010151757,0.0010625998],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000014887706,0.00003926688,0.00009443497,0.00039917819,0.00044276673,0.0000031055192,0.0055986494,4.75726e-7,7.715897e-7,0.1700314,0.8170188,0.0063696634],"study_design_scores_gemma":[0.00006742098,0.000023592624,0.0000133093445,0.0004906633,0.00038147424,0.0000017093748,0.0015617429,0.0000043060836,0.000003717965,0.0054646255,0.9918832,0.000104215906],"about_ca_topic_score_codex":0.00005484068,"about_ca_topic_score_gemma":0.00024957556,"teacher_disagreement_score":0.30456313,"about_ca_system_score_codex":0.00007059394,"about_ca_system_score_gemma":0.000024337693,"threshold_uncertainty_score":0.9997152},"labels":[],"label_agreement":null},{"id":"W4297803199","doi":"","title":"Echoes Over Water, Cross Channel Waves: Virginia Woolf’s Poetics of Sound","year":2015,"lang":"en","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Poetics; Sound (geography); Acoustics; Channel (broadcasting); Geology; Art; Computer science; Telecommunications; Literature; Poetry; Physics","score_opus":0.030429542096154824,"score_gpt":0.25810094744465767,"score_spread":0.22767140534850283,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4297803199","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73357487,0.001895008,0.0055145933,0.003147815,0.0009286514,0.00038761785,0.00060630165,0.00021040044,0.2537347],"genre_scores_gemma":[0.9521883,0.00027387607,0.0005214582,0.000093459006,0.00012761915,0.000029588746,0.0006984854,0.000050141767,0.04601708],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9958599,0.0017865689,0.00075905997,0.0006126554,0.000548168,0.00043360883],"domain_scores_gemma":[0.9938499,0.00041048296,0.00043044597,0.0018221259,0.0032953098,0.0001917698],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.004055515,0.00038260367,0.00059955334,0.0002229642,0.0004420007,0.00092340057,0.0011678273,0.0002562095,0.0014110943],"category_scores_gemma":[0.00048374862,0.0003238783,0.0003713904,0.00007448957,0.0008465628,0.00020774898,0.0012473845,0.00056874857,0.00009017358],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040086976,0.0016427579,0.0007726024,0.00072608405,0.0005485418,0.000011029608,0.26039767,0.00029591427,0.00092675484,0.7265966,0.005406756,0.0026352208],"study_design_scores_gemma":[0.003238435,0.0000052943187,0.0022182572,0.005258136,0.000984959,0.000014256744,0.009522817,0.030710008,0.08614939,0.45475563,0.40392488,0.0032179472],"about_ca_topic_score_codex":0.0018689061,"about_ca_topic_score_gemma":0.0032848304,"teacher_disagreement_score":0.39851812,"about_ca_system_score_codex":0.000084916006,"about_ca_system_score_gemma":0.00014239972,"threshold_uncertainty_score":0.9999213},"labels":[],"label_agreement":null},{"id":"W4297838021","doi":"10.5325/bishoplowellstud.2.0125","title":"Dear Elizabeth: A Play in Letters from Elizabeth Bishop to Robert Lowell and Back Again","year":2022,"lang":"en","type":"article","venue":"Bishop–Lowell Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Seneca Polytechnic","funders":"","keywords":"History; Art history; Art","score_opus":0.039010080321017236,"score_gpt":0.25892756874486933,"score_spread":0.2199174884238521,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4297838021","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9610087,0.013946018,0.000032782147,0.0069038933,0.0009542817,0.0004359198,0.00033052787,0.000094104005,0.016293772],"genre_scores_gemma":[0.97814506,0.0012255212,0.00016263225,0.011014809,0.0005402826,0.00016062157,0.00006849841,0.00006392717,0.008618654],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972697,0.00024791408,0.00059058896,0.00075187354,0.00048525835,0.0006546456],"domain_scores_gemma":[0.9989011,0.00035631596,0.00010727671,0.00039517623,0.000082845916,0.00015723558],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005270353,0.00041081145,0.0007217462,0.0003362294,0.0008990741,0.00022778474,0.000373284,0.000046745172,0.002888099],"category_scores_gemma":[0.000103116974,0.00038286933,0.00018238388,0.00024425163,0.00030828663,0.00021532118,0.0007047066,0.0003704039,0.00027899633],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038228318,0.0011114823,0.014129118,0.00020463578,0.0020814475,0.0006219774,0.23006961,0.002629651,0.0034114975,0.012330421,0.725133,0.007894885],"study_design_scores_gemma":[0.0010853944,0.00022220562,0.0026325164,0.000115335795,0.00018171815,0.0000034843492,0.032734465,0.0003033653,0.00017815852,0.0010493123,0.96063894,0.0008551025],"about_ca_topic_score_codex":0.0017346407,"about_ca_topic_score_gemma":0.0057703853,"teacher_disagreement_score":0.23550595,"about_ca_system_score_codex":0.00014776575,"about_ca_system_score_gemma":0.00002454194,"threshold_uncertainty_score":0.9998623},"labels":[],"label_agreement":null},{"id":"W4298113893","doi":"","title":"<i>Pays sans chapeau:</i> an American auto-fiction, between the real and the dreamed","year":2012,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Philosophy; Art history; Computer graphics (images); Computer science","score_opus":0.21807320362349195,"score_gpt":0.496680092329662,"score_spread":0.27860688870617,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4298113893","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89554864,0.008503503,0.00008431542,0.0018571625,0.00054432574,0.00040567672,0.00009566485,0.000055233155,0.092905454],"genre_scores_gemma":[0.9893469,0.006991183,0.000010247954,0.00095268455,0.00172734,0.000036940903,0.000016346334,0.000035155797,0.0008831537],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9973734,0.0006445785,0.00068372546,0.00027427892,0.00054636085,0.00047766994],"domain_scores_gemma":[0.99775773,0.00056142214,0.0006462241,0.00054277445,0.00021999968,0.00027186953],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0024908301,0.00028226967,0.0007271624,0.00023613573,0.001421202,0.0021738445,0.0017357843,0.00004383441,0.0061493735],"category_scores_gemma":[0.000105534025,0.00015522397,0.00022361834,0.00028814346,0.001536779,0.0025050966,0.00040396987,0.00041617244,0.000012921431],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004261834,0.00074482686,0.6200965,0.00007433393,0.0017936673,0.000010281747,0.051082633,0.000020361882,0.002786579,0.15320303,0.089576095,0.080185525],"study_design_scores_gemma":[0.00079357525,0.000026568363,0.65443015,0.00008768207,0.0008188996,0.000009866956,0.008864452,0.000088663066,0.00060167775,0.008680896,0.32507372,0.00052384817],"about_ca_topic_score_codex":0.0070949644,"about_ca_topic_score_gemma":0.0006358956,"teacher_disagreement_score":0.23549762,"about_ca_system_score_codex":0.000036989713,"about_ca_system_score_gemma":0.000038461112,"threshold_uncertainty_score":0.9998788},"labels":[],"label_agreement":null},{"id":"W4300932749","doi":"10.52086/001c.35797","title":"‘White Syntax’: A Letter from Canada","year":2001,"lang":"en","type":"article","venue":"TEXT","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Vancouver Island University","funders":"","keywords":"Syntax; Nothing; White (mutation); Linguistics; Computer science; Bar (unit); Key (lock); Poetry; Space (punctuation); Artificial intelligence; Philosophy; Physics; Epistemology; Computer security","score_opus":0.018837548939135564,"score_gpt":0.1983364964820108,"score_spread":0.17949894754287524,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300932749","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.579032,0.00021883771,0.000018273606,0.007002449,0.0003761863,0.000029505023,0.00006618136,0.00003531398,0.41322127],"genre_scores_gemma":[0.93821263,0.000005688559,0.000007299753,0.0084214015,0.0009910514,0.0000033108493,0.000019529847,0.0000073938986,0.052331693],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994609,0.000015750451,0.000111338886,0.000118505995,0.00013019504,0.00016335784],"domain_scores_gemma":[0.9997228,0.000026225789,0.000021871489,0.00015600315,0.000025371715,0.000047771187],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000028740451,0.00007627332,0.00011021291,0.000020251475,0.0001531748,0.0000827913,0.00010146204,0.000014272755,0.042254467],"category_scores_gemma":[0.000005566736,0.000063158084,0.000044490484,0.000018782368,0.00004484707,0.00007351041,0.000016096945,0.000068094436,0.00033789227],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012116774,0.00005338351,0.005196504,0.0000053061062,0.000121800906,0.0002227867,0.005796683,0.000006984842,0.000070297596,0.05564511,0.92788893,0.004980082],"study_design_scores_gemma":[0.00007615273,0.000005381512,0.002502384,0.000007736692,0.000029405326,0.0000012390133,0.00086302345,0.000048725997,0.000024143013,0.00077182037,0.9955637,0.00010628795],"about_ca_topic_score_codex":0.7314297,"about_ca_topic_score_gemma":0.9387559,"teacher_disagreement_score":0.36088955,"about_ca_system_score_codex":0.000028544759,"about_ca_system_score_gemma":0.00003458919,"threshold_uncertainty_score":0.958621},"labels":[],"label_agreement":null},{"id":"W4300984356","doi":"10.1353/arn.2014.0038","title":"Towards a Poetics of Suffering: Reading Inside and Outside Virgil's Garden","year":2014,"lang":"en","type":"article","venue":"Arion","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Girl; Art; Memoir; Fell; Art history; History; Literature; Psychology; Cartography; Poetry; Geography","score_opus":0.021848986844186385,"score_gpt":0.2271333215129815,"score_spread":0.20528433466879512,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4300984356","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67265356,0.00016514638,0.00034691757,0.00056708,0.00015797986,0.000046313602,0.0000048663537,0.00003594439,0.32602218],"genre_scores_gemma":[0.99750406,0.00004267498,0.00008385169,0.00017210846,0.00017198852,0.0000016530244,0.000004005639,0.000008359512,0.0020113324],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99947715,0.000029733708,0.00016498263,0.000111538524,0.00010329815,0.00011328279],"domain_scores_gemma":[0.99969596,0.00003938978,0.000049448074,0.00012696988,0.00004757992,0.000040661285],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016839444,0.00007391394,0.00016439139,0.00005807933,0.00009875504,0.00006382668,0.000057414803,0.00002708254,0.00021064433],"category_scores_gemma":[0.000057213343,0.00006328135,0.000047394184,0.00001561285,0.00009972761,0.00008357261,0.000040300823,0.00006151865,0.000012390257],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016087199,0.00005143783,0.0010590347,0.00010020334,0.000060544156,0.0000036646022,0.024058944,0.000011737836,0.0017014222,0.95617926,0.00090040686,0.015857244],"study_design_scores_gemma":[0.00076894305,0.00042051857,0.009713391,0.00021680714,0.0003014712,0.000011011738,0.008022964,0.0038262254,0.0070761372,0.046647094,0.9224785,0.0005169641],"about_ca_topic_score_codex":0.00027682164,"about_ca_topic_score_gemma":0.00030578882,"teacher_disagreement_score":0.92157805,"about_ca_system_score_codex":0.000007739607,"about_ca_system_score_gemma":0.000007081446,"threshold_uncertainty_score":0.25805387},"labels":[],"label_agreement":null},{"id":"W4302889404","doi":"","title":"Where the Wild Things Are: The Voice of Unreason in the Work of Canadian Playwright Judith Thompson","year":2010,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Work (physics); Art history; Art; History; Engineering; Mechanical engineering","score_opus":0.16405606937436612,"score_gpt":0.44632026349971565,"score_spread":0.28226419412534953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4302889404","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88624847,0.012943435,0.0000046364967,0.009062037,0.0009858563,0.0005137175,0.000091318005,0.000010084821,0.09014045],"genre_scores_gemma":[0.9950422,0.0022862914,0.000008325677,0.0010067542,0.00038233033,0.000022871294,0.000004328258,0.000024684068,0.0012221854],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99745315,0.00044157254,0.0007825229,0.00024214068,0.0006967146,0.00038387248],"domain_scores_gemma":[0.99702907,0.0008749399,0.0009034876,0.0007424151,0.00032365156,0.00012643068],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0028145402,0.00025609162,0.00061141193,0.0005640838,0.0007591175,0.001211516,0.00406119,0.00009271245,0.01090258],"category_scores_gemma":[0.00025185617,0.00012312824,0.00026298588,0.00081966445,0.00066248805,0.0012198272,0.00022290215,0.0009493777,0.000009362087],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028601417,0.0007735839,0.32466438,0.00027785977,0.0009879867,0.00007619938,0.06271745,0.00016485543,0.0042256974,0.13682961,0.4581187,0.010877635],"study_design_scores_gemma":[0.00035505695,0.000013071222,0.43091968,0.0010193886,0.00033007193,0.000010796812,0.013448818,0.000060454186,0.0011476476,0.011223077,0.54109323,0.00037873304],"about_ca_topic_score_codex":0.16913481,"about_ca_topic_score_gemma":0.43373498,"teacher_disagreement_score":0.26460016,"about_ca_system_score_codex":0.0000329268,"about_ca_system_score_gemma":0.0001639925,"threshold_uncertainty_score":0.9998253},"labels":[],"label_agreement":null},{"id":"W4310703307","doi":"10.3899/jrheum.220971","title":"Rusty and Wooden","year":2022,"lang":"en","type":"article","venue":"The Journal of Rheumatology","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Stanford Bio-X; School of Medicine, Stanford University","keywords":"Medicine; Dermatology","score_opus":0.01776505049204278,"score_gpt":0.2196440167753788,"score_spread":0.20187896628333601,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4310703307","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9881304,0.0014070523,0.00001989311,0.003344356,0.0003249279,0.000015970403,0.0000036255258,0.0000037941197,0.006750003],"genre_scores_gemma":[0.99835634,0.00019503887,0.000006204624,0.00027102273,0.000018491906,7.237245e-7,2.9147336e-7,0.0000037277812,0.0011481487],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99937075,0.00018094947,0.00021454079,0.00003052952,0.000112116235,0.00009108504],"domain_scores_gemma":[0.99957156,0.0001336382,0.00015704283,0.00007121212,0.00004129098,0.000025232828],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005564767,0.00004344739,0.00016728252,0.000056009718,0.00045140463,0.000020765669,0.00017138541,0.000007911813,0.0031902872],"category_scores_gemma":[0.000021971337,0.00002589943,0.00004871678,0.00001815645,0.00016226899,0.000057649697,0.000072869676,0.00020564809,0.0000057652096],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012275996,0.0000885587,0.0077395146,0.000015897333,0.00026914084,0.000018003559,0.04641703,0.000069329195,0.00003844051,0.90971154,0.033283584,0.0022261976],"study_design_scores_gemma":[0.000822925,0.00052262394,0.0007646356,0.000018063407,0.00030099147,0.010500823,0.068208195,0.00028434445,0.000016281656,0.04783508,0.87055284,0.00017322265],"about_ca_topic_score_codex":0.000116038456,"about_ca_topic_score_gemma":0.00008516823,"teacher_disagreement_score":0.8618765,"about_ca_system_score_codex":0.000008526168,"about_ca_system_score_gemma":0.000017690189,"threshold_uncertainty_score":0.99772096},"labels":[],"label_agreement":null},{"id":"W4312595170","doi":"10.1007/978-3-031-08911-4","title":"Maternal Modernism","year":2022,"lang":"en","type":"book","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Modernism (music); Art; Art history","score_opus":0.03595974755837424,"score_gpt":0.2193166686785099,"score_spread":0.18335692112013566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312595170","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00001325787,0.0002768614,0.000020900485,0.00014215015,0.000556714,0.000047065805,0.00014921797,0.00008500394,0.99870884],"genre_scores_gemma":[0.0023000175,0.00003071482,0.00000767935,0.0008069646,0.0013129511,0.000014713894,0.00016535916,0.000034320117,0.9953273],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991267,0.000015855054,0.00020019172,0.00020401421,0.00029059578,0.00016266582],"domain_scores_gemma":[0.99962336,0.000017261906,0.000063516294,0.00021934052,0.000032655793,0.000043894877],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006870372,0.00017344375,0.00025402114,0.0000952239,0.00032201025,0.00020163239,0.00023980276,0.00004897407,0.552387],"category_scores_gemma":[0.0000013953552,0.00014621363,0.00022869748,0.0000031994402,0.00009280832,0.00006483451,0.00010451276,0.00028270154,0.0011761904],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000013016651,0.000008146804,3.056858e-7,0.000013726036,0.0000642268,0.00001784551,0.00072886527,0.0000012146222,2.122574e-7,0.6984421,0.30040708,0.00031495685],"study_design_scores_gemma":[0.000044419445,0.000018862076,6.7159465e-7,0.000009169789,0.00009107321,0.0000028778472,0.00016917169,0.000058958263,0.0000012772239,0.083363175,0.9160561,0.00018424248],"about_ca_topic_score_codex":0.00012912929,"about_ca_topic_score_gemma":0.00030005278,"teacher_disagreement_score":0.61564904,"about_ca_system_score_codex":0.00006798817,"about_ca_system_score_gemma":0.00006800386,"threshold_uncertainty_score":0.9996015},"labels":[],"label_agreement":null},{"id":"W4312647447","doi":"10.1353/crc.2021.0025","title":"Leonard Cohen between Literature and Music: A Multi-Perspectivist Approach","year":2021,"lang":"en","type":"article","venue":"Canadian review of comparative literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Feeling; Singing; Metaphor; Fell; Guitar; Literature; Tone (literature); Musical; Art; Sociology; History; Psychology; Philosophy; Linguistics; Social psychology","score_opus":0.060675152743629855,"score_gpt":0.2866039046789568,"score_spread":0.22592875193532694,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312647447","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008906527,0.86062664,0.000052383162,0.002421872,0.00016458807,0.00043598886,0.0021307303,0.000025187786,0.12523608],"genre_scores_gemma":[0.97404706,0.008279076,0.00074849004,0.003650533,0.00066910975,0.000035688146,0.001343414,0.000021672131,0.01120496],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984785,0.00024313154,0.00038786232,0.0004135772,0.00017773983,0.0002992122],"domain_scores_gemma":[0.99830675,0.000060882117,0.000120981706,0.0003548345,0.0008102674,0.00034626815],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001914013,0.00028630858,0.000895425,0.00015564788,0.00026950068,0.00042765267,0.00018092681,0.00008758874,0.0006203706],"category_scores_gemma":[0.000045345732,0.00023037648,0.00022893985,0.00032818876,0.00026473773,0.00028595122,0.00002982375,0.00043081612,0.000010325665],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008332195,0.0001553536,0.00080020656,0.011524047,0.0007090517,0.00022884912,0.16945705,8.493508e-7,0.000049385722,0.7315741,0.08323332,0.0022594358],"study_design_scores_gemma":[0.0003139583,0.00004114337,0.0015276492,0.01151144,0.0002675546,0.000041483432,0.0031450924,0.000044981534,0.000046444078,0.00088743516,0.98175865,0.00041417708],"about_ca_topic_score_codex":0.00042197172,"about_ca_topic_score_gemma":0.00991431,"teacher_disagreement_score":0.9651405,"about_ca_system_score_codex":0.00005363703,"about_ca_system_score_gemma":0.00020512067,"threshold_uncertainty_score":0.93944806},"labels":[],"label_agreement":null},{"id":"W4312823923","doi":"10.53103/cjlls.v2i6.69","title":"An Insight into the Notion of Otherness in \"Désirée’s Baby\" and \"That Evening Sun\"","year":2022,"lang":"en","type":"article","venue":"Canadian Journal of Language and Literature Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Injustice; Alienation; Theme (computing); Prejudice (legal term); Racism; Character (mathematics); Civilization; Relation (database); Face (sociological concept); Gender studies; Sociology; History; White (mutation); Psychology; Social psychology; Political science; Social science; Law","score_opus":0.016943235297729342,"score_gpt":0.24880985005946352,"score_spread":0.23186661476173417,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4312823923","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89412117,0.10382131,0.0000010189126,0.00082182273,0.00014334792,0.000028741946,0.000023401633,0.0000010790362,0.0010381314],"genre_scores_gemma":[0.99888885,0.0001757609,0.000008244753,0.00028878008,0.00019425478,0.0000020450564,0.0000034145,0.0000050877225,0.00043356343],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9994514,0.00011198074,0.00017411342,0.00006907431,0.00009175906,0.00010164552],"domain_scores_gemma":[0.99964345,0.00004433338,0.00009295391,0.00006566794,0.00008680729,0.00006680785],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003379653,0.00007343502,0.0001933113,0.0002004564,0.00039808822,0.000110849556,0.00008641584,0.00001457148,0.00010745573],"category_scores_gemma":[0.00002947475,0.00004660448,0.0000375684,0.00006967601,0.00015491713,0.00019516972,0.000015352103,0.00020679632,5.8566826e-8],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011087726,0.000008812991,0.0016260904,0.000032470358,0.000074727264,0.0002356043,0.9824951,0.000007814113,0.00007325204,0.0115103945,0.00015442412,0.0037701868],"study_design_scores_gemma":[0.00038554094,0.0002363973,0.0032849913,0.00023291727,0.00009124642,0.00009767282,0.91698456,0.000026486712,0.000056892874,0.001453392,0.07700556,0.00014435785],"about_ca_topic_score_codex":0.0028059995,"about_ca_topic_score_gemma":0.08814076,"teacher_disagreement_score":0.104767695,"about_ca_system_score_codex":0.000025125044,"about_ca_system_score_gemma":0.000043155433,"threshold_uncertainty_score":0.92849827},"labels":[],"label_agreement":null},{"id":"W4313135347","doi":"10.4000/ces.10156","title":"Derek Walcott: Foreword","year":2006,"lang":"en","type":"article","venue":"Commonwealth Essays and Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Armed Forces","funders":"","keywords":"Cognitive science; Psychology","score_opus":0.06592856178698663,"score_gpt":0.2921652008351279,"score_spread":0.22623663904814129,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313135347","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2828386,0.08016745,0.00010601381,0.009377084,0.0008577373,0.00025758767,0.00006581502,0.00020782766,0.6261219],"genre_scores_gemma":[0.9915566,0.0011101619,0.00003471296,0.00062076154,0.0005789368,0.000023887142,0.000009981909,0.00001134182,0.006053606],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990726,0.00004012732,0.000278413,0.00019219883,0.00012577801,0.0002908711],"domain_scores_gemma":[0.99950933,0.00013015592,0.00006840994,0.0001452129,0.000095231306,0.000051632436],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00018479231,0.00015837622,0.00034697066,0.00006218215,0.000978004,0.00011678947,0.00008849068,0.000026082333,0.0001467569],"category_scores_gemma":[0.000020039917,0.00011605716,0.00007417534,0.000034429922,0.00038899115,0.000119796554,0.00008038978,0.000103461985,0.000022163955],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000061190995,0.00004845938,0.0017266211,0.00007805774,0.00006969633,0.0000068720456,0.0043374696,0.0000013579386,0.0000019363722,0.94870186,0.041259486,0.0037620906],"study_design_scores_gemma":[0.00048344946,0.00011872862,0.003473062,0.00007864394,0.00014541192,0.0000049316013,0.018096836,0.00015504031,0.00002067872,0.21848936,0.7585802,0.00035366637],"about_ca_topic_score_codex":0.0005473247,"about_ca_topic_score_gemma":0.0058346963,"teacher_disagreement_score":0.73021245,"about_ca_system_score_codex":0.000016568161,"about_ca_system_score_gemma":0.000009313593,"threshold_uncertainty_score":0.75221145},"labels":[],"label_agreement":null},{"id":"W4313731243","doi":"10.1353/lit.2023.0006","title":"Old Style: Unoriginality and Its Uses in Nineteenth-Century U.S. Literature by Claudia Stokes, and: Fair Copy: Relational Poetics and Antebellum American Women's Poetry by Jennifer Putzi","year":2023,"lang":"en","type":"article","venue":"College literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Poetry; Literature; Copying; Style (visual arts); Value (mathematics); Sociology; Art history; Philosophy; Art; Law","score_opus":0.007833113206465526,"score_gpt":0.21871635900177658,"score_spread":0.21088324579531106,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313731243","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92156297,0.06712877,0.0000013912977,0.0023875386,0.0002818125,0.00028029006,0.006766135,0.00010851076,0.0014826003],"genre_scores_gemma":[0.963262,0.0072492915,0.000023421462,0.00131868,0.00030039664,0.000039097828,0.0014677502,0.000035842626,0.026303513],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99789196,0.00018156061,0.0004149703,0.00063209963,0.0003318305,0.00054755574],"domain_scores_gemma":[0.9990411,0.00017562577,0.00013677933,0.0002247474,0.00016580113,0.00025596688],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00029602487,0.00040338797,0.00053011515,0.0003043098,0.00042257967,0.00072945526,0.00013976447,0.00020254414,0.00018429209],"category_scores_gemma":[0.00006482427,0.00035171144,0.00006432553,0.0006950405,0.00038823823,0.00062768883,0.00011956401,0.00068250287,0.000006898569],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037230688,0.0004722148,0.017631829,0.00090076355,0.00041896093,0.0004729616,0.08213022,0.0000033978429,0.0013866973,0.32269865,0.57239187,0.0011201483],"study_design_scores_gemma":[0.0011387604,0.00020545765,0.0062798364,0.00039762908,0.000072351344,0.000029031515,0.0061962474,0.0005886389,0.00003293677,0.0011559275,0.98327076,0.0006323965],"about_ca_topic_score_codex":0.000024941828,"about_ca_topic_score_gemma":0.000048846323,"teacher_disagreement_score":0.41087893,"about_ca_system_score_codex":0.000064194544,"about_ca_system_score_gemma":0.000032092034,"threshold_uncertainty_score":0.9998935},"labels":[],"label_agreement":null},{"id":"W4313787331","doi":"10.1353/rss.2022.0005","title":"A Fascinating Life: The New Biography of Elizabeth von Arnim","year":2022,"lang":"en","type":"article","venue":"Russell the Journal of Bertrand Russell Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Biography; Context (archaeology); Favourite; Scrutiny; Literature; Art history; Art; History; Philosophy; Theology","score_opus":0.03599285281061361,"score_gpt":0.2612061972776029,"score_spread":0.22521334446698932,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313787331","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74526334,0.20714732,0.0002151276,0.02466999,0.0022369274,0.00043135273,0.00005704338,0.00003797075,0.019940935],"genre_scores_gemma":[0.9875414,0.008392519,0.000025477075,0.00057832367,0.0007650391,0.0000036015729,9.337261e-7,0.000019045277,0.0026736911],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975679,0.00047015192,0.0008672386,0.00012393121,0.0006757156,0.0002950867],"domain_scores_gemma":[0.9977406,0.00088456756,0.000773694,0.00025092452,0.00026671978,0.00008347934],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.002217163,0.00022021451,0.0006060708,0.00021962251,0.001896173,0.0000731152,0.000642824,0.000024911293,0.00081414165],"category_scores_gemma":[0.000110374334,0.000104591505,0.0005704168,0.00030628892,0.00049482094,0.00014782573,0.00014160051,0.00059998716,0.0000046171576],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00093006785,0.000951702,0.001171889,0.000313795,0.010512877,0.000042860866,0.5682796,0.0033384613,0.0026823818,0.11318232,0.29235578,0.0062382193],"study_design_scores_gemma":[0.0017785556,0.001214088,0.000676369,0.00018386052,0.0031520305,0.000087719534,0.2915244,0.0001824203,0.0014246093,0.017475419,0.68185645,0.00044405565],"about_ca_topic_score_codex":0.00017712591,"about_ca_topic_score_gemma":0.00015329206,"teacher_disagreement_score":0.38950068,"about_ca_system_score_codex":0.000022798395,"about_ca_system_score_gemma":0.00007739005,"threshold_uncertainty_score":0.99940324},"labels":[],"label_agreement":null},{"id":"W4315642817","doi":"10.7202/1095235ar","title":"Finding a Place for the Subject: Rethinking Place in Early to Modern Canadian Criticism","year":2022,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Criticism; Sense of place; Aesthetics; Sociology; Political science; Philosophy; Social science; Law; Computer science; Library science","score_opus":0.04951191060081613,"score_gpt":0.291463217667002,"score_spread":0.24195130706618587,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4315642817","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67888784,0.07877327,0.000012046316,0.134934,0.0074999933,0.0036232413,0.010105376,0.000098284356,0.08606598],"genre_scores_gemma":[0.9794389,0.000029760587,0.000026978543,0.007814379,0.0004005797,0.00044280716,0.000034926845,0.000027995506,0.011783652],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980557,0.00011656993,0.00029194864,0.00036818374,0.00021040693,0.0009571672],"domain_scores_gemma":[0.9988474,0.00042978788,0.000032408163,0.00027613222,0.00012390596,0.00029033888],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0008858066,0.00021246295,0.00030399408,0.00080143724,0.0020469045,0.00037207498,0.0004201461,0.000058925823,0.00022543766],"category_scores_gemma":[0.00029994716,0.00018545253,0.000098326724,0.0004058419,0.00011851128,0.00016298059,0.00007683749,0.00067841785,0.0000041220733],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030010795,0.000012036647,0.0008589699,0.00006601565,0.000101895996,0.0003255377,0.7776374,0.0009117474,0.0000017314377,0.17224418,0.047414605,0.0003958317],"study_design_scores_gemma":[0.00032731373,0.00008323331,0.00046100785,0.00021538825,0.000035083034,0.000009715465,0.06270435,0.0011261841,0.0000014326564,0.011925915,0.9227494,0.00036100473],"about_ca_topic_score_codex":0.8291432,"about_ca_topic_score_gemma":0.9994673,"teacher_disagreement_score":0.8753348,"about_ca_system_score_codex":0.0014695884,"about_ca_system_score_gemma":0.00052627205,"threshold_uncertainty_score":0.9992523},"labels":[],"label_agreement":null},{"id":"W4317931392","doi":"10.1353/mos.2021.0001","title":"The \"Flesh's Vision\": Dylan Thomas's Poetics of Sensation","year":2021,"lang":"en","type":"article","venue":"Mosaic","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetics; Sensation; Romance; Poetry; Sight; Art; Flesh; Sensory system; Aesthetics; Psychology; Literature; Cognitive psychology","score_opus":0.019002201190420866,"score_gpt":0.2478891090879797,"score_spread":0.22888690789755883,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4317931392","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2122357,0.0031862576,0.00029804904,0.009305299,0.0011195608,0.00012378446,0.000114773036,0.00007588847,0.7735407],"genre_scores_gemma":[0.97292656,0.00006629663,0.000026888889,0.0001885521,0.00020725933,0.000002023132,0.000031903655,0.0000063993252,0.02654411],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993927,0.000059676564,0.00017843692,0.00009499177,0.00015987719,0.00011430953],"domain_scores_gemma":[0.9994637,0.00009764685,0.00005073711,0.00021785373,0.00014576125,0.000024338211],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014468664,0.00006007233,0.0001040371,0.000018201588,0.0003133892,0.00012137056,0.00007920066,0.00002095627,0.00067516294],"category_scores_gemma":[0.00004618648,0.000039918315,0.000085350635,0.000040189265,0.00013252602,0.00005497376,0.000029069339,0.000060981463,0.000037647224],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000041832295,0.000055092703,0.0000778915,0.000014235213,0.000044309632,0.000009646269,0.004149725,0.0000112060625,0.0006377727,0.9747936,0.015073522,0.005128806],"study_design_scores_gemma":[0.00012909388,0.000035813297,0.00034455795,0.000021309184,0.00006323675,0.00000317533,0.0063557145,0.00091222976,0.0026492125,0.01721891,0.972172,0.0000947489],"about_ca_topic_score_codex":0.000033978635,"about_ca_topic_score_gemma":0.00084524084,"teacher_disagreement_score":0.9575747,"about_ca_system_score_codex":0.000008449526,"about_ca_system_score_gemma":0.000023059063,"threshold_uncertainty_score":0.7392561},"labels":[],"label_agreement":null},{"id":"W4319953697","doi":"10.3366/cfs.2023.0082","title":"Woolrich: Toward a Minor Literature","year":2023,"lang":"en","type":"article","venue":"Crime Fiction Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Anxiety; Regret; Normative; Audience measurement; Minor (academic); Sociology; Middle class; First world war; Psychology; Psychoanalysis; Aesthetics; Law; Art; Political science; Psychiatry; Humanities","score_opus":0.1702008559770642,"score_gpt":0.3356200744122286,"score_spread":0.16541921843516438,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4319953697","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.29251957,0.03997615,0.00004647205,0.0077899476,0.007569,0.0003573785,0.00023558164,0.002075696,0.6494302],"genre_scores_gemma":[0.9019279,0.0008148758,0.0000073338606,0.00032569226,0.001113379,0.00003764609,0.00003287253,0.000011082789,0.09572925],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923694,0.00003001906,0.00017910652,0.0001956,0.00015318298,0.00020512298],"domain_scores_gemma":[0.99949795,0.00006403015,0.00003728951,0.00013689885,0.00022981413,0.000034035755],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012747756,0.00012657054,0.00020974138,0.00017611985,0.00049653044,0.00018250843,0.000073515526,0.00003062901,0.00057159294],"category_scores_gemma":[0.00007458342,0.00009685884,0.00013158805,0.0001855189,0.00013300999,0.00018791565,0.00005385894,0.00010172544,0.00087920885],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011545564,0.000040804698,0.00008278486,0.00010599967,0.0003718273,0.000028403158,0.1212093,0.0000042813317,0.000093748706,0.12426061,0.7521686,0.001622077],"study_design_scores_gemma":[0.00013385342,0.000042389005,0.0011469286,0.000061243045,0.000116080286,0.0000022014392,0.0548019,0.00004052689,0.00010500146,0.0025049676,0.9408812,0.00016368934],"about_ca_topic_score_codex":0.000010909603,"about_ca_topic_score_gemma":0.000013381466,"teacher_disagreement_score":0.60940826,"about_ca_system_score_codex":0.000019307874,"about_ca_system_score_gemma":0.000006078302,"threshold_uncertainty_score":0.99989873},"labels":[],"label_agreement":null},{"id":"W4321463547","doi":"10.4324/9781135000356-rem2011-1","title":"Ross, W. W. E. (1894–1966)","year":2018,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Brock University","funders":"","keywords":"Poetry; Paragraph; Literature; German; Dream; Art; Art history; History; Psychology; Computer science; Archaeology","score_opus":0.04467241038504422,"score_gpt":0.2244581591344599,"score_spread":0.1797857487494157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321463547","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000012431444,0.0007711862,0.000012910864,0.00021761165,0.00067332265,0.000068073925,0.00008716651,0.000116297575,0.998041],"genre_scores_gemma":[0.0038519327,0.00011775442,0.000017253022,0.0009946666,0.004166765,0.0000027687834,0.000082119455,0.00005330298,0.9907134],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99888355,0.0000059362633,0.00031016849,0.00032107075,0.0002521005,0.00022715575],"domain_scores_gemma":[0.99920756,0.000027001572,0.00009706018,0.00040373878,0.00017935154,0.0000852653],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009568963,0.00030112758,0.00038811675,0.00011352876,0.00028931952,0.0002863264,0.0002333341,0.0001611815,0.46076408],"category_scores_gemma":[0.0000056959548,0.00023563906,0.00033118328,0.0000036572665,0.00047215406,0.00010724364,0.000065948756,0.00021099958,0.014133223],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000020154619,0.0000069276753,1.1429077e-7,0.0000078985195,0.000112376285,0.000007885723,0.00056923146,1.9661181e-8,5.017516e-7,0.7011876,0.29736716,0.00073827314],"study_design_scores_gemma":[0.000061107225,0.00004637988,4.5164492e-7,0.0000516451,0.00018604679,0.0000016752094,0.00010891561,0.0000060619573,0.000007323278,0.117215276,0.88200635,0.00030877846],"about_ca_topic_score_codex":0.00005505462,"about_ca_topic_score_gemma":0.001218029,"teacher_disagreement_score":0.5846392,"about_ca_system_score_codex":0.000024107052,"about_ca_system_score_gemma":0.00002854982,"threshold_uncertainty_score":0.9866344},"labels":[],"label_agreement":null},{"id":"W4321768774","doi":"10.5430/wjel.v13n3p112","title":"Sylvia Plath's The Bell Jar: A Feministic Reading","year":2023,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Reading (process); Poetry; World War II; Expression (computer science); Feminism; Literature; Gender studies; Art; Character (mathematics); Sociology; History; Political science; Law; Computer science","score_opus":0.018149898691956497,"score_gpt":0.24870762524699494,"score_spread":0.23055772655503845,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321768774","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36217144,0.0025772387,0.000012871961,0.0009679805,0.0035214014,0.000101124424,0.000043337637,0.00012056806,0.63048404],"genre_scores_gemma":[0.95648533,0.00004630381,0.000012835641,0.00029965784,0.004124057,0.0000017950374,0.0000054710413,0.000016891221,0.03900766],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989141,0.0000655282,0.0003894208,0.00009276515,0.00029111933,0.00024705086],"domain_scores_gemma":[0.99893856,0.00034941075,0.00020141939,0.00018796063,0.00024468568,0.00007799209],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000743521,0.000115693445,0.0002426512,0.0002741174,0.00030807388,0.0002414737,0.0003130546,0.000020297068,0.0019035953],"category_scores_gemma":[0.00057563896,0.00007160308,0.00022370587,0.00020756666,0.000117229654,0.00017889547,0.000045799836,0.00033491765,0.000096121614],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005141296,0.00009781805,0.0003114019,0.00006349412,0.0003897134,0.0011059231,0.51541376,0.00008823474,0.00022539684,0.3250327,0.15030217,0.0069179893],"study_design_scores_gemma":[0.00031484044,0.00005648529,0.00019233461,0.00014911141,0.00019937957,0.000013732857,0.10848796,0.00009693968,0.000110611305,0.000963141,0.88925916,0.00015626942],"about_ca_topic_score_codex":0.000026373584,"about_ca_topic_score_gemma":0.00027540134,"teacher_disagreement_score":0.73895705,"about_ca_system_score_codex":0.00002449435,"about_ca_system_score_gemma":0.000024251489,"threshold_uncertainty_score":0.9990088},"labels":[],"label_agreement":null},{"id":"W4323660716","doi":"10.33137/ic.v20i.40109","title":"The Call of Poesis","year":2023,"lang":"en","type":"article","venue":"Italian Canadiana","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Linguistics; Art; Philosophy","score_opus":0.02360383739119258,"score_gpt":0.21842588908228536,"score_spread":0.1948220516910928,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323660716","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15003316,0.00078617147,0.0000017498342,0.014448473,0.00093703135,0.000115306575,0.0003948174,0.000089418645,0.8331939],"genre_scores_gemma":[0.92302895,0.00001785736,9.0683176e-7,0.0002602006,0.00017555105,0.000004797324,0.0000099955205,0.0000075666344,0.07649418],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99941874,0.000017814178,0.00014274385,0.000082216844,0.00011597671,0.00022248655],"domain_scores_gemma":[0.99957126,0.00006563437,0.000029916702,0.00018876487,0.000051105133,0.00009332322],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013600625,0.000057254776,0.000092190174,0.000077930345,0.00031058743,0.000078122466,0.00016711518,0.000016114092,0.00082274724],"category_scores_gemma":[0.000039054034,0.000040077935,0.00008489276,0.00009322161,0.00018257672,0.00004975804,0.000011471119,0.000040912662,0.0002879761],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000010984734,0.0000035094438,0.00007244414,0.0000070974506,0.00005167208,0.000018203029,0.0024104002,0.000003272166,0.000012662407,0.67537606,0.31887898,0.0031646134],"study_design_scores_gemma":[0.00003772803,0.000011847261,0.0009372589,0.000007222058,0.000023981447,4.5015426e-7,0.003391299,0.00010012483,0.0000387786,0.003018186,0.99236596,0.00006713794],"about_ca_topic_score_codex":0.029999357,"about_ca_topic_score_gemma":0.3621796,"teacher_disagreement_score":0.77299577,"about_ca_system_score_codex":0.000023395274,"about_ca_system_score_gemma":0.00005053382,"threshold_uncertainty_score":0.97646},"labels":[],"label_agreement":null},{"id":"W4323660839","doi":"10.33137/ic.v16i.40338","title":"Interviews: An Interview with Joe Fiorito. Before The Song Beneath the Ice","year":2023,"lang":"en","type":"article","venue":"Italian Canadiana","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; Visual arts; Art","score_opus":0.051936500993104436,"score_gpt":0.24883476387449457,"score_spread":0.19689826288139015,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323660839","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5027749,0.0057138777,0.000046009165,0.1977375,0.002872046,0.0013133523,0.0012473318,0.0005680934,0.28772688],"genre_scores_gemma":[0.9689489,0.000023535997,0.0000027577828,0.0040082387,0.0008544457,0.00004688702,0.00006378834,0.000031059037,0.026020374],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987193,0.00013902865,0.00023559648,0.0002487469,0.00021871293,0.0004386543],"domain_scores_gemma":[0.9990152,0.00003995707,0.00006375648,0.000605885,0.0000878588,0.00018735892],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00048057732,0.00019153857,0.00020873615,0.00009812644,0.00082926365,0.0005371886,0.000662466,0.000032232216,0.0022194928],"category_scores_gemma":[0.000017892455,0.00009440879,0.00014312983,0.00020909432,0.0003225083,0.00028493407,0.00004835764,0.0002013443,0.00035771553],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009118647,0.000048636546,0.0002918283,0.000104236606,0.0004725613,0.00023356627,0.14636575,0.000027977601,0.0000022641866,0.5138409,0.25886565,0.07973747],"study_design_scores_gemma":[0.000083421066,0.00014673984,0.0010844601,0.00010017882,0.00012460614,0.0000097262555,0.048848066,0.0004745086,0.0000033735917,0.001699887,0.9472642,0.00016086368],"about_ca_topic_score_codex":0.030295854,"about_ca_topic_score_gemma":0.85013974,"teacher_disagreement_score":0.8198439,"about_ca_system_score_codex":0.000064066524,"about_ca_system_score_gemma":0.00007097695,"threshold_uncertainty_score":0.99869263},"labels":[],"label_agreement":null},{"id":"W4323789538","doi":"10.33137/ic.v30i.39501","title":"Back Cover","year":2022,"lang":"en","type":"paratext","venue":"Italian Canadiana","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cover (algebra); Engineering","score_opus":0.02722876290033059,"score_gpt":0.2296220761423823,"score_spread":0.20239331324205173,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323789538","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000059328242,0.003207981,0.0000011600438,0.0010855452,0.0053909454,0.00012884327,0.0065355613,0.000011116418,0.9835795],"genre_scores_gemma":[0.011446776,0.00008230129,0.0000022864717,0.0038443946,0.0024369943,0.000033240827,0.0020279656,0.000069531,0.9800565],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983472,0.00006579297,0.00032290493,0.00042195845,0.00030786754,0.00053426466],"domain_scores_gemma":[0.9989676,0.000031585805,0.00011942594,0.00049053837,0.00006424483,0.000326607],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000085600084,0.00032690432,0.00046743697,0.0002833895,0.000549709,0.0004100338,0.00047058807,0.00011557425,0.94981986],"category_scores_gemma":[0.000008723705,0.00034264667,0.00032786443,0.00007640158,0.00019566929,0.00013186812,0.000057780828,0.00043945666,0.19696695],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000001962042,0.000015180086,5.396595e-7,0.00004938744,0.00017037345,0.000048573962,0.0012879524,0.000020690193,2.9493486e-7,0.0406977,0.95746076,0.0002465666],"study_design_scores_gemma":[0.00009572715,0.000035300403,0.0000013876843,0.000027607892,0.00010784641,0.000003968965,0.0009608497,0.000013981329,0.0000014242046,0.00012657822,0.99816406,0.00046127063],"about_ca_topic_score_codex":0.06929783,"about_ca_topic_score_gemma":0.11936616,"teacher_disagreement_score":0.7528529,"about_ca_system_score_codex":0.00040047476,"about_ca_system_score_gemma":0.00041678216,"threshold_uncertainty_score":0.99990255},"labels":[],"label_agreement":null},{"id":"W4328107877","doi":"10.5430/wjel.v13n2p521","title":"The Populist Significance of Thomas' “Do Not Go Gentle into that Good Night”, and Henley’s “Invictus” in Tarrant's Manifesto \"The Great Replacement”","year":2023,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Manifesto; Hatred; Context (archaeology); Patriotism; Ideology; Sociology; Psychoanalysis; Gender studies; Political science; Law; Psychology; History; Politics","score_opus":0.017930643169734705,"score_gpt":0.2460174564316274,"score_spread":0.2280868132618927,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4328107877","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9403896,0.006256152,0.0000040491805,0.0019307147,0.0010951025,0.00019544213,0.00003513044,0.0000266793,0.05006716],"genre_scores_gemma":[0.9805215,0.00032661294,0.000015852114,0.00021392043,0.0008701923,0.0000066832363,0.0000047987614,0.000017732538,0.018022735],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99846923,0.00016531112,0.0005391229,0.00015642392,0.00040134008,0.00026854037],"domain_scores_gemma":[0.99879694,0.00033119594,0.00032915777,0.00029602338,0.00017402432,0.0000726418],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012143641,0.00015833291,0.0003201283,0.0002091464,0.00035078087,0.00024737944,0.0003735028,0.000027537708,0.00045565394],"category_scores_gemma":[0.00024099671,0.00009000494,0.00016473321,0.00019057847,0.0002571753,0.0002263324,0.000073711264,0.0003172584,0.000007221853],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00068439083,0.000275407,0.017752385,0.00027395075,0.00067081477,0.0008056948,0.6240216,0.00008410087,0.0012914736,0.26048654,0.08325759,0.010396092],"study_design_scores_gemma":[0.001296975,0.00019998383,0.006024055,0.0003073455,0.0002243838,0.00001809679,0.20657575,0.00006476083,0.0013354771,0.0021972617,0.78143,0.00032587905],"about_ca_topic_score_codex":0.0002946834,"about_ca_topic_score_gemma":0.0093110455,"teacher_disagreement_score":0.69817245,"about_ca_system_score_codex":0.00003960223,"about_ca_system_score_gemma":0.000024823885,"threshold_uncertainty_score":0.51957816},"labels":[],"label_agreement":null},{"id":"W4328124057","doi":"10.35662/unine-thesis-3010","title":"Mysterious Geography. Elizabeth Bishop and the Mediations of Place","year":2022,"lang":"en","type":"dissertation","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.009026582120091008,"score_gpt":0.23452245220262272,"score_spread":0.22549587008253172,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4328124057","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12635928,0.008080101,0.0000037784023,0.0006503419,0.0010853101,0.0003233827,0.00025014588,0.00004932435,0.86319834],"genre_scores_gemma":[0.80636454,0.0009929747,0.000006327575,0.00025428936,0.0002150736,0.000094808405,0.0010918593,0.000020388752,0.19095972],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999139,0.00008135074,0.0002878444,0.00014705751,0.00024004983,0.00010470358],"domain_scores_gemma":[0.9993638,0.0001833586,0.00016163757,0.00017517313,0.00009170128,0.000024337673],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022438279,0.00012813785,0.00030047935,0.00015074153,0.00042863825,0.000104839615,0.00015321324,0.000042450876,0.01163661],"category_scores_gemma":[0.00002977394,0.00008029558,0.00017827145,0.000049983806,0.0001996813,0.00005798678,0.000023285704,0.00016409415,0.0000041856547],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008087907,0.000054484877,0.00004415592,0.0001568451,0.00037214995,0.0000014512782,0.059235685,0.0000049250984,0.000007801745,0.9292156,0.009702846,0.0011231544],"study_design_scores_gemma":[0.0012845815,0.00010230824,0.0008445649,0.0000674732,0.0014200727,0.0000017905343,0.2234998,0.00025758508,0.000047507947,0.009852867,0.7621625,0.0004589221],"about_ca_topic_score_codex":0.0011040561,"about_ca_topic_score_gemma":0.0075981426,"teacher_disagreement_score":0.9193628,"about_ca_system_score_codex":0.0000052899195,"about_ca_system_score_gemma":0.000029174675,"threshold_uncertainty_score":0.9892669},"labels":[],"label_agreement":null},{"id":"W4361011144","doi":"10.26522/ssj.v17i1.4063","title":"“Say It Beautifully”: Three Encounters with Love, Death and Poetry","year":2023,"lang":"en","type":"article","venue":"Studies in Social Justice","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Art; Philosophy; Aesthetics","score_opus":0.0890181930115804,"score_gpt":0.33897308666197157,"score_spread":0.24995489365039117,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4361011144","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3416548,0.002880501,0.000040636627,0.009491948,0.0018866988,0.000255297,0.00008419439,0.00016605596,0.64353985],"genre_scores_gemma":[0.98169565,0.0005850299,0.000019372135,0.0012930477,0.0013755892,0.000014469072,0.000005832447,0.000017289178,0.0149937365],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99899644,0.00003501041,0.00019412661,0.00023150198,0.00022391422,0.000319011],"domain_scores_gemma":[0.99950546,0.00021333639,0.000050293198,0.00008880319,0.000110138026,0.000031942596],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025727204,0.00015533515,0.0002974334,0.00010067142,0.0006142919,0.00007886631,0.00010510054,0.00003838184,0.00015425545],"category_scores_gemma":[0.00009039295,0.00012267222,0.00004867116,0.00015143768,0.00062882685,0.00013922811,0.000111559966,0.00015436274,0.0001035966],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000081297614,0.000086829685,0.0017887447,0.0005698732,0.0007034576,0.00020068581,0.267383,0.00001811751,0.000009524958,0.56909513,0.15832229,0.0017410293],"study_design_scores_gemma":[0.0007402254,0.00014150377,0.004224912,0.00018137856,0.0010413151,0.0000031481293,0.79385287,0.00014943,0.0000041790304,0.012036355,0.18715978,0.00046489257],"about_ca_topic_score_codex":0.000088185705,"about_ca_topic_score_gemma":0.005358597,"teacher_disagreement_score":0.6400408,"about_ca_system_score_codex":0.00004879792,"about_ca_system_score_gemma":0.000018380051,"threshold_uncertainty_score":0.50024277},"labels":[],"label_agreement":null},{"id":"W4361976672","doi":"10.2307/jj.1640567.151","title":"from Canada Poems:","year":2020,"lang":"en","type":"book-chapter","venue":"MUP eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Literature","score_opus":0.042236181924683903,"score_gpt":0.19778877649446122,"score_spread":0.15555259456977732,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4361976672","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000052564985,0.00035488355,0.0000020270738,0.00050813943,0.000678785,0.0000706396,0.0009281657,0.00005149283,0.9973533],"genre_scores_gemma":[0.087818846,0.000004017399,0.000005057822,0.002757111,0.003443375,0.0000044341955,0.00018583893,0.000050431332,0.9057309],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989084,0.000008730836,0.00028428616,0.0003227187,0.00029928793,0.00017655457],"domain_scores_gemma":[0.9993755,0.00004194622,0.000102711216,0.00028680256,0.000060999922,0.0001320384],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000024400026,0.0002858569,0.0004226234,0.000037400343,0.00020084361,0.00014498859,0.00023622013,0.00009711055,0.017840805],"category_scores_gemma":[0.000005281923,0.00026193625,0.00018895358,0.0000013195131,0.00012303192,0.00002131665,0.00006337674,0.00032433175,0.00035205192],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000043009168,0.0000018873873,2.5084347e-7,0.000013574916,0.00021624133,0.00014192035,0.0020492955,9.431766e-8,0.000004086553,0.88502115,0.11020888,0.0023383473],"study_design_scores_gemma":[0.00007595915,0.000014742314,7.437013e-7,0.00005977817,0.00019449957,4.99013e-7,0.00034833283,0.000005927148,0.000019822355,0.06302062,0.9359548,0.00030423803],"about_ca_topic_score_codex":0.5579086,"about_ca_topic_score_gemma":0.881693,"teacher_disagreement_score":0.82574594,"about_ca_system_score_codex":0.0000734742,"about_ca_system_score_gemma":0.00024952297,"threshold_uncertainty_score":0.9999833},"labels":[],"label_agreement":null},{"id":"W4367153927","doi":"10.7202/1095395ar","title":"Dickinson, \"Canadian Primal: Poets, Places, and the Music of Meaning\"","year":2023,"lang":"en","type":"article","venue":"The Trumpeter","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Northern Alberta Institute of Technology","funders":"","keywords":"Meaning (existential); Art; Literature; Aesthetics; Linguistics; Epistemology; Philosophy","score_opus":0.027271280948847412,"score_gpt":0.20170430208605894,"score_spread":0.17443302113721154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367153927","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6405233,0.00051431434,0.0000019157853,0.012478332,0.0003250129,0.0002113084,0.00006192844,0.000072528164,0.34581134],"genre_scores_gemma":[0.99014455,0.000046416513,0.000002174294,0.0013508914,0.00021980618,0.000010008407,0.0000064980004,0.00001144638,0.00820822],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992977,0.00008489079,0.00016045607,0.00010640045,0.0001337042,0.0002168994],"domain_scores_gemma":[0.9994704,0.00016637804,0.000043971533,0.00023709217,0.000032496893,0.000049671184],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00047593936,0.00008872193,0.00016114872,0.000079591875,0.0003844196,0.00010594603,0.00021019264,0.000019514373,0.0020533376],"category_scores_gemma":[0.0000319143,0.000042704592,0.00008353791,0.0000661497,0.0006068461,0.00006884145,0.000046977388,0.00009814924,0.00011061897],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023760498,0.0000059116555,0.000096366195,0.000014768803,0.00008258185,0.000004153523,0.04323046,0.000002238823,0.00001652155,0.9397516,0.015302312,0.0014693295],"study_design_scores_gemma":[0.0010707327,0.000058755468,0.0039160936,0.000051463092,0.0002795558,0.000008118399,0.014325771,0.00075600296,0.00011568361,0.050065994,0.9291169,0.00023492346],"about_ca_topic_score_codex":0.01193624,"about_ca_topic_score_gemma":0.08104742,"teacher_disagreement_score":0.9138146,"about_ca_system_score_codex":0.0000079461615,"about_ca_system_score_gemma":0.000022842214,"threshold_uncertainty_score":0.9988589},"labels":[],"label_agreement":null},{"id":"W4367277978","doi":"10.1007/978-3-030-76219-3_53-1","title":"Anchoress of Mansfield, Hymn to the Virgin","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Pontifical Institute of Mediaeval Studies","funders":"","keywords":"Hymn; Witness; Recluse; Art; Literature; History; Philosophy; Linguistics","score_opus":0.056515381270438446,"score_gpt":0.2336273299966221,"score_spread":0.17711194872618366,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367277978","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000023465731,0.00014799628,0.000030832278,0.0019783336,0.0004324086,0.00011421319,0.0001109317,0.000048520433,0.9971133],"genre_scores_gemma":[0.01941991,0.00009762564,0.000004417522,0.00097268296,0.00089439703,0.000008485438,0.000020367797,0.00003067823,0.97855145],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991677,0.0000079521615,0.00027147168,0.00018347084,0.00022996169,0.00013944675],"domain_scores_gemma":[0.99936056,0.00007539638,0.00005914264,0.00036987188,0.00009226257,0.00004274741],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013284635,0.00016600863,0.00029618852,0.000108421984,0.00013342754,0.00007506195,0.0002919645,0.000077582656,0.023950664],"category_scores_gemma":[0.000008610324,0.000099633835,0.00023601344,0.000009744497,0.00011827902,0.000031070023,0.00008184953,0.00017242336,0.0016997255],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000030183805,0.0000049186788,2.605913e-7,0.00001900232,0.00009203134,0.0000050474996,0.0014629577,0.0000022591528,0.0000013113294,0.86749655,0.12910607,0.0018065893],"study_design_scores_gemma":[0.00003241236,0.000037723545,0.000002977737,0.00006906523,0.0001064143,3.2019108e-7,0.0007071235,0.000008222043,0.000018287748,0.03934889,0.95952654,0.00014203234],"about_ca_topic_score_codex":0.00020060404,"about_ca_topic_score_gemma":0.004235558,"teacher_disagreement_score":0.83042043,"about_ca_system_score_codex":0.0000059909225,"about_ca_system_score_gemma":0.000011908688,"threshold_uncertainty_score":0.99907756},"labels":[],"label_agreement":null},{"id":"W4367841465","doi":"10.33137/ic.v4i.41056","title":"La Civis et la Polis: Toronto et Montréal dans la poésie italo-canadienne","year":2023,"lang":"fr","type":"article","venue":"Italian Canadiana","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"Brock University","funders":"","keywords":"Humanities; Art","score_opus":0.012180414946181866,"score_gpt":0.24594251215580612,"score_spread":0.23376209720962426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367841465","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05987524,0.009681728,0.0000058653236,0.020774603,0.0011096123,0.00017049801,0.0056340853,0.0001468361,0.90260154],"genre_scores_gemma":[0.7541838,0.0010296212,0.000010669714,0.0021089038,0.0006019196,0.00003090063,0.0003121525,0.000094031326,0.24162795],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964404,0.0007233611,0.0005090599,0.00059433136,0.00032440558,0.0014084146],"domain_scores_gemma":[0.9974768,0.0004627996,0.00011329363,0.0006064916,0.000111286245,0.0012292957],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0011267252,0.00050204655,0.00054777856,0.00025520285,0.00061468617,0.0010197172,0.00045385322,0.00034021205,0.005297827],"category_scores_gemma":[0.0001494752,0.0005578842,0.00041472018,0.00025421265,0.0007613958,0.00081549713,0.00008818368,0.00045505905,0.0007880069],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000052832956,0.000063270556,0.000077385455,0.0000728788,0.0003120439,0.002511663,0.031172305,0.000043976124,0.0000079943875,0.7519177,0.20999657,0.0038189294],"study_design_scores_gemma":[0.00033547665,0.00007702689,0.00403239,0.00020388307,0.00028286068,0.00011625467,0.05537376,0.0003589951,0.0000032901278,0.0054264744,0.93315554,0.0006340545],"about_ca_topic_score_codex":0.96147776,"about_ca_topic_score_gemma":0.99707925,"teacher_disagreement_score":0.74649125,"about_ca_system_score_codex":0.00085646566,"about_ca_system_score_gemma":0.0006278267,"threshold_uncertainty_score":0.99999},"labels":[],"label_agreement":null},{"id":"W4375949914","doi":"10.4324/9781003293309-11","title":"Translations and Migrations of the Poetic Diary","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; History; Art","score_opus":0.04582235043224111,"score_gpt":0.21701181273869424,"score_spread":0.17118946230645313,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4375949914","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000035324967,0.00035493975,0.00002249208,0.0016176886,0.00011997053,0.000071249204,0.00017687869,0.00002363379,0.99757785],"genre_scores_gemma":[0.094743274,0.00011059284,0.0000040944096,0.00009800976,0.00011531036,0.0000030614324,0.000019774088,0.000013231812,0.9048926],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995653,0.0000085429965,0.00017584463,0.00009204494,0.000103055485,0.000055228644],"domain_scores_gemma":[0.9996522,0.0000870343,0.000043646753,0.0001543273,0.00004479628,0.00001799042],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000053747757,0.00008887407,0.00014580956,0.000060303915,0.00020226186,0.00003732244,0.00007202388,0.000046053985,0.004027485],"category_scores_gemma":[0.0000057789666,0.00005533785,0.00015155962,0.0000073003794,0.00025782202,0.000034148583,0.000016673795,0.00009298359,0.000044601587],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[3.4948332e-7,0.0000038139713,0.0000014733869,0.000014342804,0.00005482254,3.0738983e-7,0.0024065245,7.988214e-7,0.0000022297872,0.9927355,0.0043205256,0.00045930414],"study_design_scores_gemma":[0.00005407756,0.000012261444,0.00009378681,0.000091179056,0.00043201045,7.348761e-7,0.000615389,0.00008724057,0.000007498361,0.29169014,0.7067711,0.00014458856],"about_ca_topic_score_codex":0.000076803284,"about_ca_topic_score_gemma":0.0057730493,"teacher_disagreement_score":0.7024506,"about_ca_system_score_codex":0.0000023687471,"about_ca_system_score_gemma":0.000015210476,"threshold_uncertainty_score":0.996883},"labels":[],"label_agreement":null},{"id":"W4377251013","doi":"10.1515/9780228010227-007","title":"New Poems (From Coming to Canada)","year":2021,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Geography; Literature","score_opus":0.026061167513122603,"score_gpt":0.19269619649759032,"score_spread":0.16663502898446772,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4377251013","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000013075312,0.000008045992,0.000047445606,0.0005370886,0.00052387407,0.0001675569,0.0018081858,0.000080736165,0.996814],"genre_scores_gemma":[0.0038548736,0.000024731578,0.000084346015,0.0010068675,0.0005932319,4.746245e-7,0.00015977205,0.000056768764,0.99421895],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981587,0.000041792144,0.0002726975,0.0006223761,0.0005204822,0.0003839349],"domain_scores_gemma":[0.9985107,0.00009664176,0.00015865861,0.0005891059,0.00022499902,0.00041985005],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000045632056,0.00045633246,0.00065884343,0.00015913103,0.0007731508,0.00015595536,0.0005280079,0.00020266187,0.0024382346],"category_scores_gemma":[0.000008609775,0.0005291769,0.00029830227,0.000006578426,0.00009308057,0.00007858589,0.00042874584,0.00046027862,0.000020647552],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025186879,0.0000061895876,3.115284e-7,0.000021749966,0.00040138097,0.00059030706,0.00065525365,0.000007241908,0.0000039581846,0.94874793,0.0479658,0.0015746974],"study_design_scores_gemma":[0.00026323355,0.000025683064,0.0000019632193,0.00023075222,0.0005122377,7.7118807e-7,0.00084900146,0.000004293199,0.000116874086,0.00084319484,0.99653125,0.00062072533],"about_ca_topic_score_codex":0.76029533,"about_ca_topic_score_gemma":0.082904145,"teacher_disagreement_score":0.9485655,"about_ca_system_score_codex":0.00037882477,"about_ca_system_score_gemma":0.00030373476,"threshold_uncertainty_score":0.999716},"labels":[],"label_agreement":null},{"id":"W4377820130","doi":"10.32920/23102834.v1","title":"Waubkunii Kwe: Jack Layton Chair presents Musicians during COVID 19","year":2023,"lang":"en","type":"preprint","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Coronavirus disease 2019 (COVID-19); Singing; Visual arts; Art; Acoustics; Medicine","score_opus":0.12283346802433014,"score_gpt":0.303908114242618,"score_spread":0.18107464621828784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4377820130","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46515587,0.0006298944,0.00031758347,0.01099737,0.0061316914,0.0010610156,0.001018401,0.002223364,0.5124648],"genre_scores_gemma":[0.66974634,0.00014041086,0.000017300006,0.0010647225,0.0019525505,0.00008071461,0.0002625441,0.00006534236,0.32667008],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975258,0.00010235072,0.0005506517,0.00075709634,0.00049501593,0.00056909054],"domain_scores_gemma":[0.99847275,0.00008302868,0.00017403865,0.00084938505,0.00012903943,0.00029176206],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028892412,0.00043401233,0.00060607813,0.00031833563,0.0007902925,0.0007004129,0.0006360369,0.00022523697,0.014254818],"category_scores_gemma":[0.00010826995,0.0003798596,0.00048223435,0.000060599978,0.00019206973,0.00013885486,0.0010704745,0.00066398975,0.0013788298],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009030052,0.0007273359,0.0007087583,0.0036187957,0.0022352266,0.0006858299,0.1194171,0.0035280783,0.00015811605,0.5398504,0.32810247,0.00087754696],"study_design_scores_gemma":[0.0010015224,0.00006900292,0.001970952,0.00044691065,0.0006900837,0.00000840209,0.034459557,0.002554018,0.0003379121,0.0462315,0.9102254,0.0020047196],"about_ca_topic_score_codex":0.004049733,"about_ca_topic_score_gemma":0.014145795,"teacher_disagreement_score":0.5821229,"about_ca_system_score_codex":0.00011700308,"about_ca_system_score_gemma":0.00011042278,"threshold_uncertainty_score":0.99986535},"labels":[],"label_agreement":null},{"id":"W4377826249","doi":"10.32920/23102834","title":"Waubkunii Kwe: Jack Layton Chair presents Musicians during COVID 19","year":2023,"lang":"en","type":"preprint","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Singing; Coronavirus disease 2019 (COVID-19); Visual arts; Connection (principal bundle); Art; Engineering; Acoustics; Medicine; Mechanical engineering; Physics","score_opus":0.12283346802433014,"score_gpt":0.303908114242618,"score_spread":0.18107464621828784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4377826249","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46515587,0.0006298944,0.00031758347,0.01099737,0.0061316914,0.0010610156,0.001018401,0.002223364,0.5124648],"genre_scores_gemma":[0.66974634,0.00014041086,0.000017300006,0.0010647225,0.0019525505,0.00008071461,0.0002625441,0.00006534236,0.32667008],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975258,0.00010235072,0.0005506517,0.00075709634,0.00049501593,0.00056909054],"domain_scores_gemma":[0.99847275,0.00008302868,0.00017403865,0.00084938505,0.00012903943,0.00029176206],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00028892412,0.00043401233,0.00060607813,0.00031833563,0.0007902925,0.0007004129,0.0006360369,0.00022523697,0.014254818],"category_scores_gemma":[0.00010826995,0.0003798596,0.00048223435,0.000060599978,0.00019206973,0.00013885486,0.0010704745,0.00066398975,0.0013788298],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009030052,0.0007273359,0.0007087583,0.0036187957,0.0022352266,0.0006858299,0.1194171,0.0035280783,0.00015811605,0.5398504,0.32810247,0.00087754696],"study_design_scores_gemma":[0.0010015224,0.00006900292,0.001970952,0.00044691065,0.0006900837,0.00000840209,0.034459557,0.002554018,0.0003379121,0.0462315,0.9102254,0.0020047196],"about_ca_topic_score_codex":0.004049733,"about_ca_topic_score_gemma":0.014145795,"teacher_disagreement_score":0.5821229,"about_ca_system_score_codex":0.00011700308,"about_ca_system_score_gemma":0.00011042278,"threshold_uncertainty_score":0.99986535},"labels":[],"label_agreement":null},{"id":"W4378188710","doi":"10.1215/01903659-10300579","title":"Something Worth Leaving in Shards: An Interview with Rachel Blau DuPlessis","year":2023,"lang":"en","type":"article","venue":"boundary 2","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Criticism; Feminism; Poetics; Literary criticism; Literature; Canadian literature; Art; Art history; Sociology; History; Gender studies","score_opus":0.07646010314279007,"score_gpt":0.28233235025609543,"score_spread":0.20587224711330537,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378188710","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9630942,0.0009967473,0.000081022175,0.0016060334,0.0002405547,0.00011654264,0.000032671065,0.00025542502,0.033576827],"genre_scores_gemma":[0.98948956,0.00006148107,0.000056943318,0.0007108374,0.00031033778,0.000022507069,0.00006330539,0.00002690017,0.009258115],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988141,0.00010717286,0.00026503496,0.00027549412,0.0002166838,0.00032148065],"domain_scores_gemma":[0.99952227,0.0000529765,0.000056590037,0.00024964442,0.000047911282,0.000070637005],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006732291,0.00014866613,0.00026723923,0.0002615644,0.00044020248,0.00066070876,0.00021306174,0.000034326436,0.0019865832],"category_scores_gemma":[0.00002550573,0.00011861665,0.00008476098,0.00020468215,0.00018822793,0.00065728213,0.000067750174,0.00022979979,0.00020929922],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014763694,0.0009253411,0.018313322,0.001042428,0.0006683778,0.0013202125,0.3806743,0.0003698586,0.0003237491,0.31594908,0.016412638,0.26385304],"study_design_scores_gemma":[0.00078263733,0.00022662528,0.020379419,0.0009119851,0.00015533132,0.00001156174,0.05553303,0.0031564322,0.000054209668,0.006586167,0.9114513,0.0007513283],"about_ca_topic_score_codex":0.00041989365,"about_ca_topic_score_gemma":0.009340749,"teacher_disagreement_score":0.89503866,"about_ca_system_score_codex":0.000036476184,"about_ca_system_score_gemma":0.000062710555,"threshold_uncertainty_score":0.99892575},"labels":[],"label_agreement":null},{"id":"W4378381167","doi":"10.1515/9780228003052","title":"The Poetic Imperative","year":2020,"lang":"en","type":"book","venue":"McGill-Queen's University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Poetry; Art; Literature","score_opus":0.019416569281447527,"score_gpt":0.19962119629274633,"score_spread":0.1802046270112988,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378381167","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000001419683,0.000009219854,0.000008651874,0.00070366997,0.000332012,0.00028828875,0.0008065534,0.00015376513,0.9976964],"genre_scores_gemma":[0.0019382576,0.00015323627,0.0000064057617,0.00044807827,0.000570173,0.0000025437485,0.00007961604,0.000049247574,0.99675244],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99821186,0.0001808132,0.00027285196,0.00051891495,0.00039764223,0.00041789073],"domain_scores_gemma":[0.99859476,0.00022377544,0.00021802574,0.0005099708,0.00026045792,0.0001930334],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00010226303,0.00045016123,0.00052087585,0.00010002697,0.0024399173,0.00029146113,0.0007709366,0.00020265368,0.0003085319],"category_scores_gemma":[0.00002024398,0.0003633206,0.00046722742,0.000009980216,0.00074288284,0.00013414574,0.0004034889,0.00072636,0.00009601236],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000422188,0.0000112116,5.5360065e-8,0.000040053677,0.00039121907,0.00014260103,0.0021896209,0.0000017218396,9.4806825e-7,0.8981061,0.09866928,0.00040498798],"study_design_scores_gemma":[0.0002857909,0.00008411853,4.4968536e-7,0.00007716318,0.00057520764,8.932977e-7,0.0015880604,0.000021481359,0.000037772104,0.0024430302,0.9944378,0.00044823904],"about_ca_topic_score_codex":0.00051045674,"about_ca_topic_score_gemma":0.0000119777205,"teacher_disagreement_score":0.8957685,"about_ca_system_score_codex":0.00023187367,"about_ca_system_score_gemma":0.00011398296,"threshold_uncertainty_score":0.99988186},"labels":[],"label_agreement":null},{"id":"W4378382500","doi":"10.1515/9780773588073","title":"Time in Time","year":2013,"lang":"en","type":"book","venue":"McGill-Queen's University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.013982004315447896,"score_gpt":0.18446472353289267,"score_spread":0.1704827192174448,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378382500","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00003934347,0.000002914061,7.261645e-7,0.000095866155,0.0001170198,0.00032727962,0.00063467707,0.0001605447,0.99862164],"genre_scores_gemma":[0.00043355112,0.000025085339,0.000010078345,0.0001976591,0.00029473237,0.0000026029388,0.00018885513,0.0000581238,0.9987893],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980677,0.00013813944,0.00032394272,0.00056991226,0.00041597223,0.00048434682],"domain_scores_gemma":[0.99879205,0.00010206885,0.0002059246,0.0005545068,0.00017392485,0.00017150125],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013297942,0.00047733216,0.0007405164,0.00043496335,0.00045877008,0.00015932645,0.0007645303,0.00035714704,0.005480541],"category_scores_gemma":[0.000008280866,0.00051011855,0.00036444067,0.00001178144,0.00046540098,0.0002518992,0.00040250228,0.0006061693,0.0016418434],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028142409,0.00005283703,3.1426765e-7,0.0000696537,0.00020962807,0.00021278081,0.00081189437,0.000004968561,0.000003436532,0.7921886,0.20613228,0.0002854596],"study_design_scores_gemma":[0.0004442182,0.00004896589,0.0000017795379,0.00020680235,0.00028133,8.645341e-7,0.00012469282,0.00006523277,0.00001998074,0.0011533729,0.99705863,0.0005941115],"about_ca_topic_score_codex":0.001476791,"about_ca_topic_score_gemma":0.000004373605,"teacher_disagreement_score":0.79103523,"about_ca_system_score_codex":0.0003409946,"about_ca_system_score_gemma":0.00007013131,"threshold_uncertainty_score":0.99973506},"labels":[],"label_agreement":null},{"id":"W4378385971","doi":"10.1515/9780773559813-010","title":"“It’s All a Curious Dream”: Nostalgia, Old Media, and the Vancouver Poetry Conference, 1963","year":2019,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dream; Poetry; Art; Literature; Art history; History; Psychology","score_opus":0.02029887679970426,"score_gpt":0.19469435588372505,"score_spread":0.17439547908402078,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378385971","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000210966,0.000016389844,0.000009043157,0.00061084656,0.00072332384,0.0004982831,0.0012980651,0.00010663084,0.9967163],"genre_scores_gemma":[0.030193845,0.0004433735,0.000008980935,0.0016490943,0.00029476456,0.000001987857,0.00009018183,0.00006664536,0.9672511],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99772626,0.00012031315,0.00038941653,0.0007220953,0.00055051554,0.0004913907],"domain_scores_gemma":[0.9979579,0.00037143182,0.00035928373,0.00078000675,0.0003189278,0.0002124864],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020835949,0.0006516844,0.00096188963,0.00026605936,0.00079372583,0.00022686878,0.00068980927,0.0004034631,0.0012356174],"category_scores_gemma":[0.000016826109,0.00052911113,0.0004799579,0.0000069505945,0.0013970908,0.00021730644,0.00059970556,0.0008515514,0.00007112969],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001675195,0.00002111113,5.6329884e-7,0.00009659528,0.0006337576,0.00014642435,0.006264773,0.0000012037738,5.56216e-7,0.9624702,0.02988878,0.0003085232],"study_design_scores_gemma":[0.0017620057,0.000058686503,0.0000014973581,0.0002108134,0.001207168,0.0000029651765,0.0014909707,0.00003099157,0.000007725901,0.007863328,0.9866828,0.00068106],"about_ca_topic_score_codex":0.0033943085,"about_ca_topic_score_gemma":0.0003047377,"teacher_disagreement_score":0.956794,"about_ca_system_score_codex":0.00010734116,"about_ca_system_score_gemma":0.00007400164,"threshold_uncertainty_score":0.99971604},"labels":[],"label_agreement":null},{"id":"W4378387307","doi":"10.1515/9780228000235","title":"The Danger Model","year":2019,"lang":"en","type":"book","venue":"McGill-Queen's University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.02282919712201989,"score_gpt":0.19979211781332842,"score_spread":0.17696292069130853,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378387307","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000024010353,0.000007399233,0.000027042108,0.00018232317,0.00037945627,0.0002856378,0.0008471927,0.00012637736,0.9981422],"genre_scores_gemma":[0.0010530896,0.00012360726,0.000011055288,0.00027453265,0.00033741212,0.0000019754984,0.00007897608,0.000056200894,0.99806315],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99828666,0.00009386933,0.0002467432,0.00049043127,0.00042802555,0.0004542564],"domain_scores_gemma":[0.9984114,0.00015811448,0.00022444656,0.00083357753,0.00024890283,0.00012351498],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00014801002,0.000421939,0.00048204343,0.00013592909,0.001676094,0.00022553299,0.00086520734,0.00026194743,0.00017009105],"category_scores_gemma":[0.000007850307,0.00034107015,0.0004827106,0.00000608561,0.0004988872,0.00016034338,0.00041745792,0.0006187281,0.00011503008],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029777979,0.000012836777,5.35917e-8,0.000047205485,0.00026343064,0.00003048375,0.0006213472,0.00005822686,5.2047403e-7,0.8431447,0.15538211,0.00040927946],"study_design_scores_gemma":[0.00026803665,0.00003067378,1.5150515e-7,0.00008541862,0.00051269855,4.8011594e-7,0.00037405736,0.00062874344,0.000012265297,0.003270406,0.994363,0.00045404243],"about_ca_topic_score_codex":0.00041725519,"about_ca_topic_score_gemma":0.000007720569,"teacher_disagreement_score":0.8398743,"about_ca_system_score_codex":0.00023664239,"about_ca_system_score_gemma":0.000114994335,"threshold_uncertainty_score":0.99990416},"labels":[],"label_agreement":null},{"id":"W4379465861","doi":"10.33137/ic.v1i1.41229","title":"Italian Canadian Voices: An Anthology of Poetry and Prose (1946-1983). Edited and with an introduction by Caroline Di Giovanni","year":2023,"lang":"en","type":"article","venue":"Italian Canadiana","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Art history; Literature; History","score_opus":0.012668335683552922,"score_gpt":0.22261823220274793,"score_spread":0.20994989651919502,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379465861","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98929125,0.00044511215,0.0000016905972,0.005809355,0.00035481775,0.0001942965,0.001311709,0.00006191269,0.0025298507],"genre_scores_gemma":[0.99215186,0.000027453389,0.00001429522,0.0004897687,0.0010527696,0.000015078603,0.0008258141,0.000038769278,0.0053842166],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983893,0.00008046772,0.0002849745,0.0004992751,0.00017828321,0.0005677246],"domain_scores_gemma":[0.9985094,0.000020844665,0.000085192565,0.0003663952,0.00016442759,0.0008537158],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024013294,0.00023703872,0.00035361387,0.0005664499,0.00042494325,0.00019264316,0.00015563253,0.00010731664,0.00033950424],"category_scores_gemma":[0.000035418223,0.00021797032,0.000033997294,0.0002627083,0.0006597006,0.00058757374,0.000016338654,0.00015614362,0.000008642206],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040172128,0.0004887941,0.055332668,0.0007421091,0.0014392735,0.0013855225,0.107157215,0.00013603392,0.0023611751,0.23820123,0.5708838,0.02147046],"study_design_scores_gemma":[0.0012328824,0.0016887528,0.034995463,0.00007407224,0.00045111886,0.00015743703,0.041365713,0.0016471867,0.00026673457,0.0013751654,0.9154811,0.0012643731],"about_ca_topic_score_codex":0.56659776,"about_ca_topic_score_gemma":0.9751222,"teacher_disagreement_score":0.40852445,"about_ca_system_score_codex":0.00008215527,"about_ca_system_score_gemma":0.00019868939,"threshold_uncertainty_score":0.8888571},"labels":[],"label_agreement":null},{"id":"W4379531687","doi":"10.1353/wlt.2011.0208","title":"The Extraordinary Adventures of Adele Blanc-Sec. Vol. 1 by Jacques Tardi , Kim Thompson (review)","year":2011,"lang":"en","type":"article","venue":"World Literature Today","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Adventure; Art history; German; Art; Plot (graphics); History; Literature; Classics; Archaeology; Mathematics","score_opus":0.016004791166489507,"score_gpt":0.220576946370212,"score_spread":0.2045721552037225,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379531687","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010585227,0.5483552,0.000008055362,0.0016528133,0.0011193759,0.00028611076,0.00026450798,0.0000842902,0.44717112],"genre_scores_gemma":[0.7577467,0.012394918,0.00006740424,0.002557059,0.001410244,0.00006769599,0.0001933118,0.00003930021,0.22552337],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99846137,0.00016953553,0.00047206803,0.00028081052,0.00027245935,0.0003437539],"domain_scores_gemma":[0.9988675,0.00009612288,0.00018062517,0.00049497734,0.0002745512,0.000086222404],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038355275,0.00026290843,0.00041827196,0.000086392814,0.00037564713,0.00013102559,0.00042411653,0.00005618505,0.008155961],"category_scores_gemma":[0.000046832323,0.00015557703,0.00034662758,0.00015769809,0.00027232006,0.00025650763,0.000059272577,0.00031987403,0.00004845983],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003334903,0.0001132948,0.00005272357,0.00022175223,0.000115709394,0.0000112269245,0.006640615,1.2569997e-7,0.00009049877,0.1803962,0.8087997,0.0035248147],"study_design_scores_gemma":[0.00011386687,0.000068899455,0.00014840934,0.0009493145,0.00013877773,0.000002516555,0.00037789554,0.0000067504875,0.0005095906,0.003078969,0.9943937,0.00021129813],"about_ca_topic_score_codex":0.000057090176,"about_ca_topic_score_gemma":0.00036379354,"teacher_disagreement_score":0.7566882,"about_ca_system_score_codex":0.000013674064,"about_ca_system_score_gemma":0.000015110116,"threshold_uncertainty_score":0.9927507},"labels":[],"label_agreement":null},{"id":"W4379617346","doi":"10.1353/mlr.2002.a828295","title":"Poetry and the Sense of Panic: Critical Essays on Elizabeth Bishop and John Ashbery by Lionel Kelly (review)","year":2002,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Watson; Art; Art history; Poetry; Order (exchange); Performance art; Literature; Romance; Philosophy; History","score_opus":0.024352324115260702,"score_gpt":0.26187942465333125,"score_spread":0.23752710053807055,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379617346","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.002447378,0.95948035,0.000031141393,0.008287226,0.00004067963,0.00030821603,0.000061672894,0.00002195226,0.029321397],"genre_scores_gemma":[0.31858787,0.6670003,0.0000062156187,0.011477784,0.000114874405,0.000019440195,0.0000067808437,0.000017089602,0.0027696332],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99846095,0.0004382773,0.0004092155,0.0002204405,0.00025790907,0.00021319896],"domain_scores_gemma":[0.99870884,0.0005844118,0.00010298779,0.0004719534,0.00006576196,0.00006605004],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009277161,0.00020000982,0.0006389454,0.000024146802,0.00023628208,0.000057840065,0.00016759039,0.00003372313,0.0015244031],"category_scores_gemma":[0.00030672978,0.000095825795,0.00017918987,0.00005720948,0.00064989325,0.00008025488,0.00007676165,0.0002263844,0.00004498152],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005114721,0.0005126741,0.00000732478,0.027750101,0.00045209262,0.000095729294,0.024652619,8.4276746e-7,0.00020797957,0.4310883,0.24263223,0.27254897],"study_design_scores_gemma":[0.0032166212,0.00047816715,0.000046773443,0.07312973,0.0090831695,0.0005370254,0.005209601,0.00998279,0.00017091623,0.021947758,0.8741474,0.0020500103],"about_ca_topic_score_codex":0.0000636729,"about_ca_topic_score_gemma":0.000016642272,"teacher_disagreement_score":0.6315152,"about_ca_system_score_codex":0.000006114316,"about_ca_system_score_gemma":0.0000047087733,"threshold_uncertainty_score":0.99938834},"labels":[],"label_agreement":null},{"id":"W4379617905","doi":"10.1353/mlr.2005.0172","title":"Shifting Ground: Reinventing Landscape in Modern American Poetry by Bonnie Costello (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Costello syndrome; Common ground; Literature; Aesthetics; Art; Sociology; Chemistry; Communication","score_opus":0.016834420780840208,"score_gpt":0.26845150297164766,"score_spread":0.2516170821908075,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379617905","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.027727302,0.93226194,0.00009015455,0.00488155,0.00004290606,0.0003946247,0.000026120828,0.00007765629,0.034497753],"genre_scores_gemma":[0.7211241,0.25932357,0.00003935287,0.015145072,0.00047396895,0.000053100932,0.000066374174,0.00004267415,0.0037317807],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99791884,0.00028519265,0.00067159004,0.00033658824,0.00032644867,0.00046135826],"domain_scores_gemma":[0.9989079,0.00011906129,0.00028201568,0.00056657544,0.00004506971,0.00007935659],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011221837,0.00027477843,0.00076042785,0.00005307664,0.00022938529,0.00009862756,0.0004631817,0.0000259104,0.0015728776],"category_scores_gemma":[0.000100152116,0.00018356573,0.00028699968,0.00014861717,0.00015084975,0.00022376684,0.00010137264,0.00034862853,0.0001699113],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000058972028,0.00015461598,0.00006646394,0.004515121,0.00008881393,0.00003825105,0.016855692,0.000014478497,0.00012568057,0.0025321948,0.016354507,0.9592483],"study_design_scores_gemma":[0.0010280783,0.00014223454,0.00010904371,0.05400533,0.0019312047,0.00010262445,0.009834694,0.028486189,0.000077204364,0.0022459272,0.8998327,0.0022047425],"about_ca_topic_score_codex":0.0006179629,"about_ca_topic_score_gemma":0.00083936926,"teacher_disagreement_score":0.9570435,"about_ca_system_score_codex":0.000046653677,"about_ca_system_score_gemma":0.00001795322,"threshold_uncertainty_score":0.9993398},"labels":[],"label_agreement":null},{"id":"W4379621991","doi":"10.1353/mlr.2005.0273","title":"Border Crossings: Thomas King's Cultural Inversions by Arnold E. Davidson , Priscilla L. Walton , Jennifer Andrews (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pound (networking); Marginalia; Politics; Enlightenment; Literature; Gentry; Philosophy; Faith; History; Classics; Art history; Art; Law; Theology; Political science","score_opus":0.023855163087321392,"score_gpt":0.30957290451032043,"score_spread":0.28571774142299905,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379621991","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0032614889,0.92087513,0.000042596126,0.012552434,0.000097712174,0.0005039805,0.00007293067,0.000101106656,0.062492605],"genre_scores_gemma":[0.07245296,0.7494552,0.000073716605,0.03919413,0.0009608716,0.00008215278,0.00021541011,0.00005689446,0.13750866],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980995,0.00021148175,0.00054259173,0.0003517286,0.00037802497,0.00041663763],"domain_scores_gemma":[0.9988464,0.00006551137,0.00020709466,0.0006473007,0.000120198936,0.00011345824],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006534327,0.00031736583,0.00064874836,0.000029628092,0.00063549395,0.00021652825,0.0004908622,0.00005072716,0.005836407],"category_scores_gemma":[0.00011174211,0.00017558856,0.00038517092,0.00010105149,0.00026731464,0.000356191,0.00011592278,0.0003077911,0.00048314757],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000056470353,0.00014780833,0.0000049388195,0.0032701078,0.00014199968,0.00001514007,0.020916829,0.0000030958106,0.00037692316,0.0037407407,0.7982671,0.17310962],"study_design_scores_gemma":[0.00016548253,0.000015274065,0.0000028439974,0.0055660764,0.0004925136,0.000017004924,0.00049797527,0.00028854245,0.00005028935,0.000101033096,0.99251115,0.0002918013],"about_ca_topic_score_codex":0.00020244134,"about_ca_topic_score_gemma":0.00023697132,"teacher_disagreement_score":0.19424403,"about_ca_system_score_codex":0.000050695515,"about_ca_system_score_gemma":0.00002730076,"threshold_uncertainty_score":0.99507236},"labels":[],"label_agreement":null},{"id":"W4379622389","doi":"10.1353/mlr.2004.a826947","title":"Thomas Hardy, Monism, and the Carnival Tradition: The One and Many in 'The Dynasts' by G. Glen Wickens (review)","year":2004,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Renunciation; Allegory; Parallels; Feminist theology; Nothing; Philosophy; Allusion; Symbol (formal); Argument (complex analysis); Feminism; Literature; Theology; Religious studies; Art; Sociology; Gender studies; Epistemology","score_opus":0.022407360764935557,"score_gpt":0.24530658303416267,"score_spread":0.22289922226922712,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379622389","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005518449,0.9267606,0.000056791272,0.05613454,0.000030807725,0.0007583458,0.000047372236,0.000017714005,0.010675361],"genre_scores_gemma":[0.51586914,0.46933115,0.000005076943,0.013447656,0.00019653182,0.00010787936,0.000020120111,0.000014070499,0.0010083925],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984797,0.0005204979,0.00032583234,0.00019610596,0.00026971076,0.00020812603],"domain_scores_gemma":[0.99913424,0.0001847266,0.00010333481,0.0005193048,0.000025298428,0.000033118573],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0014897618,0.00019135493,0.00045883728,0.000013569545,0.00048496557,0.00013168609,0.00040794545,0.000022916493,0.00022345316],"category_scores_gemma":[0.000042432883,0.00007220657,0.00016465673,0.00006344786,0.00067839556,0.00009870322,0.000057362802,0.0002927848,0.00001984898],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003078272,0.00023148082,0.0000044357494,0.005443255,0.00035059245,0.00005962693,0.14066294,0.000004894843,0.000032689688,0.7454912,0.019205704,0.08848237],"study_design_scores_gemma":[0.0034030634,0.00016834144,0.00036679357,0.021526808,0.005338302,0.00054137345,0.023567209,0.0007189233,0.00002245316,0.07631564,0.8669732,0.001057899],"about_ca_topic_score_codex":0.00048170995,"about_ca_topic_score_gemma":0.0003981899,"teacher_disagreement_score":0.8477675,"about_ca_system_score_codex":0.00001614476,"about_ca_system_score_gemma":0.000015783357,"threshold_uncertainty_score":0.37300122},"labels":[],"label_agreement":null},{"id":"W4379623407","doi":"10.1353/mlr.2003.a827336","title":"Thomas Hardy, Monism, and the Carnival Tradition: The One and Many in 'The Dynasts' by G. Glen Wickens (review)","year":2003,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Renunciation; Allegory; Parallels; Feminist theology; Philosophy; Nothing; Feminism; Literature; Allusion; Argument (complex analysis); Symbol (formal); Creed; Religious studies; Theology; Sociology; Gender studies; Art; Epistemology","score_opus":0.02419416378709494,"score_gpt":0.24473057046179075,"score_spread":0.22053640667469582,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379623407","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0033026028,0.94516647,0.000041517807,0.024051765,0.000034438322,0.0007387703,0.000038464932,0.00001437478,0.026611581],"genre_scores_gemma":[0.4693561,0.51525223,0.0000051440434,0.0127852885,0.00013365933,0.000120893266,0.00001550963,0.00001531229,0.0023158966],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99797046,0.0010370502,0.00032657606,0.0001961229,0.00025812254,0.00021167898],"domain_scores_gemma":[0.9990298,0.00027415238,0.00010389497,0.00053280883,0.000026274165,0.000033072665],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.002017376,0.00019138021,0.00046388974,0.000013070611,0.00048424033,0.00012876221,0.00034557437,0.000022749955,0.00043344588],"category_scores_gemma":[0.000074423224,0.00007231084,0.0001590451,0.000065343396,0.0006133015,0.000087839435,0.000036744477,0.00028475127,0.000017795866],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016763554,0.0001557276,0.0000073839633,0.003976355,0.00027211706,0.00003318312,0.07722527,9.327439e-7,0.00002025302,0.8243186,0.03836433,0.05560908],"study_design_scores_gemma":[0.00094524253,0.000053025902,0.000098409815,0.0055073067,0.002111701,0.00021674087,0.010285698,0.00041519597,0.000008877426,0.017608551,0.96232843,0.00042081389],"about_ca_topic_score_codex":0.00019267888,"about_ca_topic_score_gemma":0.00021074092,"teacher_disagreement_score":0.9239641,"about_ca_system_score_codex":0.000010739314,"about_ca_system_score_gemma":0.000013318133,"threshold_uncertainty_score":0.47459283},"labels":[],"label_agreement":null},{"id":"W4379624363","doi":"10.1353/mlr.2002.a828287","title":"The Montreal Forties: Modernist Poetry in Transition by Brian Trehearne (review)","year":2002,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Philosophy; Sympathy; Ambivalence; History; Art; Psychoanalysis; Psychology","score_opus":0.02087444341100878,"score_gpt":0.24210401961077077,"score_spread":0.221229576199762,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379624363","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00093479356,0.94237936,0.0001158675,0.014161566,0.00004910495,0.00045895096,0.000059634862,0.00004140087,0.041799303],"genre_scores_gemma":[0.2786194,0.700913,0.000002454159,0.0074411007,0.00018089257,0.00009825258,0.000041028296,0.000023773173,0.012680096],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99846244,0.0002300962,0.00049507426,0.00021626003,0.00026926672,0.00032684367],"domain_scores_gemma":[0.99917686,0.00010143717,0.00011027238,0.0005223171,0.000035268695,0.000053861415],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00061081786,0.00020438286,0.00045663695,0.000021636435,0.00039891558,0.00009500226,0.00036060606,0.000029331162,0.0023283258],"category_scores_gemma":[0.000038189573,0.000107167696,0.00028071995,0.000070615475,0.00018464736,0.00013729723,0.000023513618,0.00023157043,0.00015126322],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012134824,0.00026975927,0.000001147917,0.005045126,0.00015289038,0.000048985145,0.041729342,0.000013061984,0.00004663429,0.008672397,0.16612017,0.77788836],"study_design_scores_gemma":[0.000679334,0.000091344344,0.000020306314,0.015202067,0.0010589684,0.000052030922,0.003488273,0.019637983,0.000017084116,0.0048458176,0.9541527,0.00075410586],"about_ca_topic_score_codex":0.0010556267,"about_ca_topic_score_gemma":0.002990815,"teacher_disagreement_score":0.78803253,"about_ca_system_score_codex":0.00003401691,"about_ca_system_score_gemma":0.000006702883,"threshold_uncertainty_score":0.9985837},"labels":[],"label_agreement":null},{"id":"W4379792183","doi":"10.1353/cul.2018.a712977","title":"Transit Spaces and the Mobility Poor in Marilyn Dumont's Vancouver Poems","year":2018,"lang":"en","type":"article","venue":"Cultural Critique","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Transit (satellite); Sequence (biology); Population; Bridge (graph theory); Art history; Sociology; History; Art; Literature; Public transport; Law; Demography; Political science","score_opus":0.02325979032839435,"score_gpt":0.2633624411247857,"score_spread":0.24010265079639134,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379792183","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90461963,0.00081332674,0.000012695467,0.0058748326,0.0003873357,0.00021819615,0.000021320038,0.000044211676,0.08800844],"genre_scores_gemma":[0.9905185,0.00007063039,0.00001250931,0.0013979675,0.00056389323,0.000027125147,0.0000043901077,0.0000068545087,0.00739809],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99911743,0.00012463582,0.00021225223,0.00021490034,0.00011245919,0.00021830206],"domain_scores_gemma":[0.99956036,0.0000744666,0.000027573713,0.00014034973,0.00014789152,0.00004936379],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031899827,0.00013826569,0.00023553355,0.000028408067,0.00033944804,0.0002685723,0.00012923374,0.000047960846,0.0011102362],"category_scores_gemma":[0.000055385128,0.00007508658,0.00009603302,0.00004210026,0.0012509648,0.00038509915,0.000026912065,0.00016354001,0.000020019193],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017749122,0.00012884033,0.0003700142,0.000060428258,0.000056421584,0.000015992313,0.07385715,0.000001300629,0.00025086,0.89786935,0.026281767,0.00093038235],"study_design_scores_gemma":[0.0039741155,0.0002973601,0.012788466,0.00017445014,0.0002526468,0.000020909276,0.15095377,0.0009239616,0.0013953325,0.09213855,0.7361367,0.0009437551],"about_ca_topic_score_codex":0.0029181112,"about_ca_topic_score_gemma":0.1067016,"teacher_disagreement_score":0.8057308,"about_ca_system_score_codex":0.000016879798,"about_ca_system_score_gemma":0.000008999361,"threshold_uncertainty_score":0.9998029},"labels":[],"label_agreement":null},{"id":"W4380232913","doi":"10.1515/9780773589230","title":"The Birth of New Criticism","year":2013,"lang":"en","type":"book","venue":"McGill-Queen's University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Criticism; Art; Literature","score_opus":0.021847109015700344,"score_gpt":0.2027800787351842,"score_spread":0.18093296971948386,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380232913","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000009560071,0.000016417742,0.000011275073,0.00027780584,0.0003703707,0.00028683213,0.0005874991,0.00009496874,0.99834526],"genre_scores_gemma":[0.0016646814,0.00014323939,0.000017368735,0.00016914295,0.00046005854,0.0000015040529,0.000032631266,0.00004879399,0.9974626],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982061,0.00011232469,0.0003804384,0.0004093734,0.0004522137,0.0004395419],"domain_scores_gemma":[0.99812603,0.00024182742,0.00031347942,0.00073140225,0.00038209764,0.00020518285],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00012462388,0.00041392766,0.0006085206,0.00018398822,0.0011551721,0.000163383,0.00088281144,0.00024127045,0.0008192551],"category_scores_gemma":[0.000019530204,0.00033735923,0.0004998784,0.000010126106,0.0007826769,0.00017225082,0.00034650703,0.0005040079,0.000061720406],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002188658,0.000016158087,1.2521434e-7,0.00009135859,0.00027900175,0.000026778189,0.0007525727,0.0000011096225,0.0000013686848,0.8043037,0.19353709,0.00096885534],"study_design_scores_gemma":[0.00033258295,0.00006689402,0.0000011387802,0.00014890762,0.00043301718,7.522529e-7,0.00085102924,0.000008158585,0.00009260722,0.010209046,0.98747265,0.0003832184],"about_ca_topic_score_codex":0.0036493917,"about_ca_topic_score_gemma":0.000017929879,"teacher_disagreement_score":0.7940946,"about_ca_system_score_codex":0.00013402071,"about_ca_system_score_gemma":0.00015248684,"threshold_uncertainty_score":0.99990785},"labels":[],"label_agreement":null},{"id":"W4380236519","doi":"10.1515/9780773574373","title":"Credo","year":2000,"lang":"en","type":"book","venue":"McGill-Queen's University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.019494557819377232,"score_gpt":0.19656066942057768,"score_spread":0.17706611160120045,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380236519","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000004572464,0.000005296867,0.0000036621968,0.00008754338,0.0002756476,0.00022250303,0.0014212306,0.00025452895,0.997725],"genre_scores_gemma":[0.001015408,0.000121957215,0.000013527819,0.00029828312,0.00063428486,0.0000014665695,0.0001993002,0.00006645053,0.9976493],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99805725,0.000109348184,0.00029809983,0.00062305364,0.00042478798,0.00048745595],"domain_scores_gemma":[0.99868625,0.00007531636,0.0001936718,0.00066003355,0.00017257995,0.00021216561],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008515913,0.0005204963,0.0006713451,0.00031170712,0.0010635937,0.00016520821,0.0006797299,0.00034585767,0.004035589],"category_scores_gemma":[0.000004677141,0.00056000164,0.00055972155,0.000008800936,0.00050264236,0.0001953448,0.00022669989,0.00062715204,0.00021638218],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004579121,0.000031405685,8.337149e-8,0.000067707704,0.00029942216,0.00025140378,0.00064423564,0.0000040067303,3.5109042e-7,0.8340226,0.16380031,0.0008327309],"study_design_scores_gemma":[0.00038774215,0.000061433944,6.152781e-7,0.00015638051,0.00070468674,0.0000016339636,0.00026263122,0.0000070695637,0.000023347033,0.0021155581,0.9956241,0.00065479206],"about_ca_topic_score_codex":0.0012497704,"about_ca_topic_score_gemma":0.0000040448053,"teacher_disagreement_score":0.831907,"about_ca_system_score_codex":0.0002513703,"about_ca_system_score_gemma":0.00009142909,"threshold_uncertainty_score":0.99968517},"labels":[],"label_agreement":null},{"id":"W4380237494","doi":"10.1515/9780228005360","title":"Canadian Primal","year":2021,"lang":"en","type":"book","venue":"McGill-Queen's University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Becton Dickinson (Canada)","funders":"","keywords":"Mathematics","score_opus":0.017039115952506158,"score_gpt":0.18791862406195403,"score_spread":0.17087950810944788,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380237494","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000004353462,0.000006588052,0.0000021232674,0.0002512835,0.0004098748,0.00018164018,0.0019819494,0.000109606466,0.9970526],"genre_scores_gemma":[0.0020574853,0.000045392724,0.000017199418,0.0004891215,0.0005352372,0.0000012785098,0.0004084152,0.000056587556,0.99638927],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99810624,0.00010764019,0.00024631512,0.0006009039,0.00035268115,0.000586207],"domain_scores_gemma":[0.9984088,0.000055186985,0.00015063879,0.00059432717,0.0003376557,0.00045340924],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008915757,0.00044696496,0.00060548016,0.00038084295,0.001212755,0.00021337513,0.00056800485,0.00034540688,0.0026291395],"category_scores_gemma":[0.000009823223,0.0005151448,0.00046378004,0.000011037307,0.00028921597,0.00015480389,0.00024376955,0.00063226715,0.00006960715],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010172691,0.000014549394,4.0546988e-7,0.00007361228,0.00031869995,0.00086779724,0.00064925343,0.0000018936363,3.9617314e-7,0.89512736,0.1025973,0.00033854443],"study_design_scores_gemma":[0.00025360074,0.00003176233,0.0000013231698,0.00015132048,0.00055976183,0.000002353593,0.00059167645,0.0000050389895,0.000026617501,0.0006972029,0.9970848,0.0005945564],"about_ca_topic_score_codex":0.17838249,"about_ca_topic_score_gemma":0.007796483,"teacher_disagreement_score":0.8944875,"about_ca_system_score_codex":0.0009802321,"about_ca_system_score_gemma":0.00066169375,"threshold_uncertainty_score":0.99973},"labels":[],"label_agreement":null},{"id":"W4380237864","doi":"10.1515/9780773569126-035","title":"Vancouver Poetry Conference, 1963","year":2001,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Art; History; Literature; Art history","score_opus":0.027387035413471327,"score_gpt":0.20062416448579537,"score_spread":0.17323712907232405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380237864","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000052055293,0.000004173892,0.000029300973,0.00007022648,0.00069597835,0.0002390679,0.0010444953,0.0002287251,0.9976828],"genre_scores_gemma":[0.010607482,0.00017158462,0.000017681674,0.00031155077,0.0005070578,0.0000012023919,0.000091290116,0.00007510701,0.98821706],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978681,0.00005698295,0.00036094344,0.00070673146,0.0004969058,0.0005103235],"domain_scores_gemma":[0.99828184,0.00006989822,0.00030452883,0.00069138914,0.0004010321,0.00025131393],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009250774,0.0006391795,0.0007793973,0.00037138205,0.00097183505,0.00015698465,0.00064976263,0.0004266243,0.005941198],"category_scores_gemma":[0.0000059008953,0.0006752124,0.00055881124,0.000007857351,0.0005950104,0.00023638917,0.00035686593,0.0007332614,0.00013723299],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005091143,0.00002960093,5.251262e-7,0.00006206358,0.0004092561,0.00043462228,0.0005894372,0.000002348707,8.0122913e-7,0.95098054,0.046579394,0.0008605183],"study_design_scores_gemma":[0.0004957896,0.00006839151,6.9503693e-7,0.00019514885,0.0007048393,0.0000019344602,0.0005960035,0.00001151599,0.000017491207,0.0064370916,0.99066323,0.00080788165],"about_ca_topic_score_codex":0.0017350485,"about_ca_topic_score_gemma":0.000083881954,"teacher_disagreement_score":0.9445434,"about_ca_system_score_codex":0.00018553139,"about_ca_system_score_gemma":0.00005835604,"threshold_uncertainty_score":0.9995699},"labels":[],"label_agreement":null},{"id":"W4380874359","doi":"10.3138/ctr.129.013","title":"<i>Claybank Voices</i>: The Specificity of (T)Here","year":2007,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Beehive; TRIPS architecture; QUIET; Art; Archaeology; Factory (object-oriented programming); Geography; Visual arts; Cartography; Engineering; Transport engineering","score_opus":0.030284148084828,"score_gpt":0.248828697167489,"score_spread":0.21854454908266102,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380874359","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012662093,0.21743415,0.000008699759,0.0047166017,0.00021413522,0.00022197246,0.000078189114,0.000013463607,0.7760466],"genre_scores_gemma":[0.96567863,0.021059787,0.000007958598,0.0075411103,0.0006973643,0.00000606615,0.000016627377,0.000017726516,0.0049747396],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989988,0.000059025137,0.00035203458,0.00013609813,0.00014346397,0.00031057606],"domain_scores_gemma":[0.9991429,0.00008587406,0.00008522527,0.00039098243,0.00009529442,0.0001997233],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007770793,0.00012185862,0.0003088061,0.0000618212,0.00025585556,0.000039760605,0.00030553143,0.000028518094,0.006649104],"category_scores_gemma":[0.000020655429,0.00007480979,0.00021877993,0.00010486309,0.00021511677,0.00006651712,0.000011543461,0.00013528636,0.00020054943],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000034603577,0.00003871673,0.00029040186,0.0015194543,0.00014720678,0.000048726863,0.0022293972,4.84743e-7,0.0000120639215,0.67313325,0.1212526,0.20132424],"study_design_scores_gemma":[0.00003155865,0.000011719027,0.00009943593,0.000658134,0.00013750537,0.0000048308857,0.0008358725,0.0000011480348,0.000020228217,0.0006533065,0.9974484,0.000097849435],"about_ca_topic_score_codex":0.0453959,"about_ca_topic_score_gemma":0.57365906,"teacher_disagreement_score":0.9644124,"about_ca_system_score_codex":0.000047777157,"about_ca_system_score_gemma":0.00010798553,"threshold_uncertainty_score":0.99425894},"labels":[],"label_agreement":null},{"id":"W4380874544","doi":"10.3138/ctr.138.016","title":"Epitaph for George","year":2009,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"nobody; George (robot); Epitaph; Nothing; Art; Art history; History; Performance art; Visual arts; Literature; Philosophy; Computer science; Computer security","score_opus":0.02943037039161023,"score_gpt":0.2535362517671973,"score_spread":0.22410588137558707,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380874544","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00008248009,0.27467752,0.000018839797,0.029266527,0.0001968144,0.00045143714,0.00018557576,0.00003492307,0.6950859],"genre_scores_gemma":[0.75543606,0.06612602,0.00011521391,0.12520231,0.0025284598,0.000128638,0.00026634146,0.000050425046,0.050146516],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993042,0.000022683642,0.00018496982,0.0001386615,0.00005559536,0.00029393478],"domain_scores_gemma":[0.99942535,0.000023390872,0.00002857423,0.00021389771,0.00005963118,0.00024913557],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018458361,0.000104397215,0.00026482236,0.000063141844,0.00024510088,0.000059559476,0.00014093523,0.000021138765,0.0040439125],"category_scores_gemma":[0.000020108386,0.00008343165,0.00021386247,0.00003762929,0.000037283917,0.00007791141,0.000002090139,0.00005098703,0.00016529569],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[5.238772e-7,0.000008934461,0.0000025729191,0.00028033007,0.00001994829,0.0000056037716,0.0002267239,8.3764384e-8,7.535185e-7,0.63472104,0.15275607,0.2119774],"study_design_scores_gemma":[0.00004752103,0.000031460026,0.00001180923,0.0005586038,0.00012574041,0.0000023619962,0.000069788344,0.0000057408765,0.0000016519676,0.007876212,0.9911497,0.00011941132],"about_ca_topic_score_codex":0.005846817,"about_ca_topic_score_gemma":0.111431666,"teacher_disagreement_score":0.8383936,"about_ca_system_score_codex":0.000045424797,"about_ca_system_score_gemma":0.00009498112,"threshold_uncertainty_score":0.9968665},"labels":[],"label_agreement":null},{"id":"W4380874590","doi":"10.3138/ctr.130.004","title":"First Time Eyes: Unearthing Spoken Word","year":2007,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Instinct; Intuition; Perspective (graphical); History; Cognitive science; Visual arts; Linguistics; Art; Aesthetics; Psychology; Philosophy","score_opus":0.02039983812247925,"score_gpt":0.23422727059584447,"score_spread":0.21382743247336522,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380874590","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007357929,0.19504131,0.000009933553,0.006814663,0.00023185775,0.00026431127,0.000054799813,0.000060468792,0.79678684],"genre_scores_gemma":[0.7924796,0.061481692,0.00014983685,0.047038347,0.0039307186,0.00003636816,0.00019813626,0.00014300834,0.09454235],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99885184,0.00003367115,0.0003159591,0.00019558411,0.00012951458,0.00047341187],"domain_scores_gemma":[0.99908304,0.000067542365,0.000049859023,0.00031362643,0.00005814269,0.00042780687],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00065283605,0.0001578175,0.0003456399,0.00012823529,0.00044601242,0.00011110363,0.00021224144,0.000038027465,0.0204125],"category_scores_gemma":[0.000029444935,0.00013163533,0.00020395112,0.00010259781,0.000097489195,0.00013400769,0.000011911687,0.00014130157,0.0028006528],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005674614,0.000055423476,0.00021573908,0.0031123217,0.0002999857,0.00052580057,0.0065782648,0.000003812036,0.0000043225914,0.2321395,0.2547047,0.50235444],"study_design_scores_gemma":[0.000041122916,0.000009541181,0.00004025187,0.0017218941,0.00012385777,0.000008021588,0.00021244829,0.000012422139,0.0000017170247,0.00041571262,0.9972342,0.00017879203],"about_ca_topic_score_codex":0.03149696,"about_ca_topic_score_gemma":0.54744434,"teacher_disagreement_score":0.79174376,"about_ca_system_score_codex":0.00010241376,"about_ca_system_score_gemma":0.00010942509,"threshold_uncertainty_score":0.99797577},"labels":[],"label_agreement":null},{"id":"W4380925702","doi":"10.3138/ctr.130.006","title":"Poetic Terrorism and the Politics of Spoken Word","year":2007,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Lyrics; Spoken word; Literature; Vision; Art; Passion; Reading (process); Politics; Aesthetics; Visual arts; Sociology; Philosophy; Psychology; Linguistics; Law","score_opus":0.020430862010834817,"score_gpt":0.24216642841406857,"score_spread":0.22173556640323375,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380925702","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0047827973,0.48748064,0.0000072617704,0.012721574,0.00018245862,0.0003384254,0.000057922563,0.000011958535,0.49441695],"genre_scores_gemma":[0.9691909,0.019541973,0.000008110818,0.0052692546,0.00029240185,0.000004498759,0.00000662643,0.000011154122,0.005675062],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999222,0.000054368888,0.0002781659,0.0000971465,0.00008768626,0.00026062827],"domain_scores_gemma":[0.9993635,0.00009612478,0.000053944226,0.00023688709,0.000050566858,0.00019899734],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006448483,0.00009574383,0.0003126826,0.00007045319,0.0002029119,0.00003080487,0.00013826856,0.000022079368,0.001147208],"category_scores_gemma":[0.000029402747,0.00005754147,0.000119789845,0.000051563435,0.00041947528,0.0000393111,0.000011310134,0.00008749742,0.000026380672],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000022840566,0.0000072044872,0.00006633474,0.0007136807,0.000060735216,0.000016005708,0.0032499288,3.4331556e-8,4.6807415e-7,0.9152955,0.0063461214,0.074241735],"study_design_scores_gemma":[0.0001285532,0.000008736557,0.00011120723,0.00077585055,0.00024130256,0.000010133678,0.0011231798,0.000002679528,0.0000025124332,0.0047192564,0.99279195,0.00008462359],"about_ca_topic_score_codex":0.041444983,"about_ca_topic_score_gemma":0.18242654,"teacher_disagreement_score":0.98644584,"about_ca_system_score_codex":0.000029623336,"about_ca_system_score_gemma":0.00007160972,"threshold_uncertainty_score":0.9997659},"labels":[],"label_agreement":null},{"id":"W4380928453","doi":"10.3138/ctr.131.010","title":"Moral Adaptations: How Ann-Marie MacDonald’s <i>The Arab’s Mouth</i> became <i>Belle Moral</i>","year":2007,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Portrait; HERO; Poetry; Maturity (psychological); Art; Performance art; History; Literature; Art history; Psychology","score_opus":0.04145560949616185,"score_gpt":0.23811975506168498,"score_spread":0.19666414556552314,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380928453","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0004075014,0.50934684,0.000048283146,0.0758372,0.0005840283,0.0007921803,0.00048523297,0.000086130196,0.4124126],"genre_scores_gemma":[0.85477036,0.04609677,0.00008740464,0.055005457,0.001784484,0.00009721578,0.00028490217,0.000084015206,0.0417894],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981593,0.00011997368,0.00042531342,0.00031932472,0.00028148806,0.00069460185],"domain_scores_gemma":[0.99843407,0.00017687707,0.000120483535,0.0005849287,0.00017199822,0.00051165],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008166275,0.00028899199,0.0004814796,0.00013657875,0.0013324167,0.0002261272,0.00045989166,0.000061745835,0.0035996134],"category_scores_gemma":[0.00007071784,0.00020535277,0.00036144716,0.00021636339,0.00031791415,0.00024730666,0.00003746722,0.0002880135,0.0003481864],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000064472792,0.000053250427,0.00015445876,0.0007156618,0.00022300713,0.00017740484,0.0032646803,0.000008553748,0.000004615821,0.4425189,0.3621052,0.19076781],"study_design_scores_gemma":[0.000096738346,0.0000198747,0.00004975223,0.0006743488,0.0003174913,0.000013005563,0.0012214535,0.000033093344,0.0000050402746,0.0034235138,0.9938604,0.0002852782],"about_ca_topic_score_codex":0.035623014,"about_ca_topic_score_gemma":0.50084865,"teacher_disagreement_score":0.85436285,"about_ca_system_score_codex":0.00013999562,"about_ca_system_score_gemma":0.00029846872,"threshold_uncertainty_score":0.9999677},"labels":[],"label_agreement":null},{"id":"W4380928738","doi":"10.3138/ctr.119.008","title":"Madness and Method in <i>This Room Is Moving</i>","year":2004,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Screaming; Formative assessment; Art; Performance art; Visual arts; Art history; Porch; History; Literature; Sociology; Philosophy; Linguistics; Archaeology; Pedagogy","score_opus":0.025384027652447492,"score_gpt":0.2653351118678738,"score_spread":0.2399510842154263,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380928738","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010236043,0.48365977,0.00003170194,0.027181443,0.00018329313,0.0003485688,0.00012238839,0.000026551623,0.48742267],"genre_scores_gemma":[0.60106146,0.21623738,0.00083881465,0.15547553,0.0010618306,0.00014729815,0.000072196664,0.00011778375,0.024987731],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99914974,0.00006248801,0.00022787385,0.00020640522,0.00007829464,0.00027517785],"domain_scores_gemma":[0.9994512,0.000024412442,0.000031668777,0.00021413673,0.000031577594,0.00024696512],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032202224,0.00013151804,0.0003510367,0.00011473802,0.00014995507,0.0000789635,0.00012276687,0.00003383337,0.0051581906],"category_scores_gemma":[0.000014412979,0.00010994245,0.00009298834,0.00008834297,0.000054634547,0.000114369665,0.000012541834,0.00011876951,0.00011846068],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000021070146,0.00004787118,0.00024154155,0.0031619172,0.000095884934,0.00022602192,0.01063786,0.000003084004,0.000005316588,0.55115044,0.04184648,0.3925815],"study_design_scores_gemma":[0.00011065522,0.000010438287,0.00002262767,0.0017571723,0.00009286129,0.0000133083595,0.0002735531,0.0000051118423,0.0000059796043,0.005428241,0.9921227,0.00015736281],"about_ca_topic_score_codex":0.19565041,"about_ca_topic_score_gemma":0.5956904,"teacher_disagreement_score":0.9502762,"about_ca_system_score_codex":0.0001027697,"about_ca_system_score_gemma":0.00016501629,"threshold_uncertainty_score":0.9957512},"labels":[],"label_agreement":null},{"id":"W4381955996","doi":"10.1353/sub.2023.a900563","title":"Breathing Emily Dickinson: inspiration/expiration","year":2023,"lang":"en","type":"article","venue":"SubStance","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Expiration; Art; Aesthetics; Psychology","score_opus":0.045890324430579006,"score_gpt":0.2512849165991855,"score_spread":0.2053945921686065,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4381955996","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8488672,0.0007707374,0.0004579433,0.002542798,0.0007308813,0.000110074616,0.000030298961,0.0005159445,0.14597416],"genre_scores_gemma":[0.9878724,0.00006210337,0.000018017223,0.0009114343,0.00057484553,0.000016636925,0.000043213477,0.000010975889,0.010490361],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928653,0.000023782264,0.00017427724,0.00016249713,0.00017688384,0.00017601476],"domain_scores_gemma":[0.9996574,0.00003138552,0.00004439756,0.00015788991,0.00007501224,0.000033896325],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015994818,0.000083143685,0.00010566998,0.00007912817,0.00032495963,0.0001662824,0.00009596755,0.000025356656,0.000657998],"category_scores_gemma":[0.000018552691,0.00007609045,0.000059527407,0.000133135,0.000068436835,0.00036227147,0.000008851889,0.00007581398,0.000573961],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000853712,0.0000391405,0.0007954125,0.000031804906,0.000036581747,0.0000408745,0.0515084,0.00011739184,0.00084794505,0.9096887,0.028420957,0.008464236],"study_design_scores_gemma":[0.00027445162,0.000039594663,0.0026236682,0.00005754293,0.000034405442,0.0000015138244,0.0059965937,0.0019121506,0.0007827523,0.018175391,0.9698007,0.00030120666],"about_ca_topic_score_codex":0.000040892875,"about_ca_topic_score_gemma":0.00095834956,"teacher_disagreement_score":0.9413798,"about_ca_system_score_codex":0.000019805748,"about_ca_system_score_gemma":0.000008529088,"threshold_uncertainty_score":0.7377299},"labels":[],"label_agreement":null},{"id":"W4382044504","doi":"10.1353/vcr.2022.a900617","title":"\"My Heart Is like a Singing Bird\": The Poetess Tradition and Victorian Song","year":2022,"lang":"en","type":"article","venue":"Victorian review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ballad; Poetry; Context (archaeology); Singing; Literature; Art; Victorian era; Musical; Subject (documents); Broadside; Period (music); History; Aesthetics; Computer science; Acoustics","score_opus":0.02737375554402509,"score_gpt":0.2416105140124191,"score_spread":0.21423675846839402,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382044504","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.020096155,0.7374316,0.00011915798,0.14665417,0.015161113,0.0027430926,0.000549364,0.0009137467,0.076331586],"genre_scores_gemma":[0.97631836,0.006392215,0.000014963534,0.013256906,0.0021253282,0.00014243263,0.000023353932,0.00004641681,0.0016800036],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985498,0.00023440557,0.00034496677,0.000281542,0.00033252902,0.00025672073],"domain_scores_gemma":[0.99934304,0.00009016332,0.00010255687,0.00032592393,0.00005463051,0.000083694125],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006620262,0.00018087,0.00036595494,0.00006634719,0.0014776854,0.0002505228,0.00021019808,0.00001939485,0.00552043],"category_scores_gemma":[0.000022915017,0.00013154151,0.0002050382,0.00015590784,0.00010269226,0.000192189,0.00007964217,0.00025759486,0.00006803374],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001848231,0.00023763119,0.00039485507,0.0024839586,0.00034198476,0.000032203792,0.063805535,0.000002519914,0.0001391704,0.8020674,0.12129356,0.00918268],"study_design_scores_gemma":[0.000105379426,0.00006436975,0.000057816054,0.00038635702,0.00021451728,0.00001908885,0.0012003877,0.000042488977,0.0000034689951,0.0012337536,0.9964877,0.00018466754],"about_ca_topic_score_codex":0.00006704415,"about_ca_topic_score_gemma":0.00006641487,"teacher_disagreement_score":0.95622224,"about_ca_system_score_codex":0.000051373554,"about_ca_system_score_gemma":0.00003468924,"threshold_uncertainty_score":0.99982226},"labels":[],"label_agreement":null},{"id":"W4382044512","doi":"10.1353/vcr.2022.a900610","title":"Introduction: The Victorian Poetess Debates: Patterns, Paradoxes, Provocations","year":2022,"lang":"en","type":"article","venue":"Victorian review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Elegiac; Romance; Literature; Poetry; Femininity; Identity (music); Subjectivity; Performative utterance; Superman; Modernity; Victorian era; Patriotism; Art; History; Aesthetics; Philosophy; Sociology; Art history; Gender studies; Law; Epistemology","score_opus":0.018980467275624406,"score_gpt":0.23318754846966244,"score_spread":0.21420708119403803,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382044512","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011256534,0.4128599,0.00042983526,0.42428416,0.03527623,0.004203144,0.0008824037,0.0007719484,0.120166756],"genre_scores_gemma":[0.877339,0.027831351,0.000021266438,0.011069516,0.032312915,0.0020449907,0.00061488536,0.000090737994,0.04867536],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99818736,0.00033530468,0.0004685985,0.00033175427,0.00040069685,0.00027627786],"domain_scores_gemma":[0.9988776,0.000069811336,0.00015896476,0.00068580784,0.00013414353,0.00007369178],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000577366,0.00019291708,0.00033298915,0.00005636099,0.0016246658,0.00019122953,0.00050717976,0.000016994365,0.032550815],"category_scores_gemma":[0.000067469184,0.00013273844,0.00022036882,0.00020772373,0.00008906048,0.00018076396,0.00011629843,0.00030795293,0.00027722822],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003857203,0.00014648914,0.00006791345,0.0006455858,0.000139433,0.000006051503,0.007227163,0.0000071089203,0.000004590646,0.8934151,0.09567387,0.0026628166],"study_design_scores_gemma":[0.00008032551,0.00004698381,0.000043474294,0.00014361927,0.00023251247,0.000011744873,0.00078619417,0.000010518556,0.0000034974225,0.0011521825,0.9972997,0.00018927014],"about_ca_topic_score_codex":0.00004700449,"about_ca_topic_score_gemma":0.00013510985,"teacher_disagreement_score":0.9016258,"about_ca_system_score_codex":0.000082614395,"about_ca_system_score_gemma":0.000059671136,"threshold_uncertainty_score":0.9996751},"labels":[],"label_agreement":null},{"id":"W4382044551","doi":"10.1353/vcr.2022.a900623","title":"\"Am I Not a Poetess?\"","year":2022,"lang":"en","type":"article","venue":"Victorian review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Criticism; Contradiction; Literature; History; Task (project management); Philosophy; Art; Epistemology; Engineering","score_opus":0.037349719339064086,"score_gpt":0.25293895408411826,"score_spread":0.21558923474505418,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382044551","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0012704657,0.2617295,0.000022640463,0.017643712,0.0050957236,0.00068121037,0.00030609802,0.0002727484,0.7129779],"genre_scores_gemma":[0.90464497,0.014340444,0.00002080578,0.02429759,0.0025542527,0.00031003822,0.00008961791,0.000040418185,0.053701892],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989477,0.00012744992,0.00027175352,0.0001838604,0.0002800419,0.0001892339],"domain_scores_gemma":[0.9994967,0.000032808377,0.00007344271,0.00028730652,0.000048857175,0.0000608789],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036844067,0.00011083798,0.00029740005,0.00004453847,0.00054197613,0.00006580808,0.0002451344,0.0000087506005,0.06074109],"category_scores_gemma":[0.00003192825,0.00009454521,0.0002088087,0.00008623795,0.00004224418,0.00008694556,0.00009365954,0.00015973605,0.0004346039],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000031078464,0.00008104472,0.000012376971,0.0006121967,0.000058659658,0.000019800125,0.002232587,6.1587116e-7,0.000018341461,0.90893114,0.08151274,0.0065174005],"study_design_scores_gemma":[0.00007087601,0.0000406517,0.000007871696,0.00016398962,0.00011872914,0.000004046851,0.00020882087,0.0000052857235,0.0000043745486,0.0006514181,0.99858856,0.00013539959],"about_ca_topic_score_codex":0.000025304276,"about_ca_topic_score_gemma":0.000024926043,"teacher_disagreement_score":0.9170758,"about_ca_system_score_codex":0.00003684677,"about_ca_system_score_gemma":0.000024261994,"threshold_uncertainty_score":0.94011754},"labels":[],"label_agreement":null},{"id":"W4382044573","doi":"10.1353/vcr.2022.a900609","title":"Editor's Note","year":2022,"lang":"en","type":"article","venue":"Victorian review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Scholarship; Poetry; Amateur; CONTEST; Subject (documents); Period (music); Variety (cybernetics); Art; Literature; Aesthetics; History; Art history; Law; Political science; Computer science","score_opus":0.017421767027314912,"score_gpt":0.2561383973133039,"score_spread":0.238716630285989,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382044573","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00008864435,0.28893566,0.00010741099,0.015369269,0.06418135,0.0006000815,0.00023223535,0.0002737645,0.6302116],"genre_scores_gemma":[0.4987833,0.060335558,0.00012955359,0.052638985,0.22135,0.00097428396,0.00038361875,0.00015553215,0.16524917],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99910414,0.00010109619,0.00021986161,0.00015031254,0.0002686467,0.00015594866],"domain_scores_gemma":[0.9995731,0.000027618233,0.00005991458,0.00024184874,0.000045099074,0.000052409432],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00031330218,0.00009106577,0.00023346058,0.000034076376,0.00050971104,0.000052299787,0.0002098555,0.000008257631,0.048114244],"category_scores_gemma":[0.000026941983,0.000077746576,0.00016712393,0.00006669634,0.000035884023,0.00008128981,0.0000769801,0.00015144442,0.00043339518],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000012843565,0.00004849992,0.0000030094534,0.0003593694,0.000025629539,0.000008770523,0.0013480028,0.0000010182722,0.000004298634,0.33995783,0.65492606,0.0033162262],"study_design_scores_gemma":[0.000049872517,0.000029658831,0.000001918025,0.00012363201,0.000087949855,0.0000018445788,0.00010823317,0.0000070349583,0.0000010691373,0.0006387651,0.99883986,0.00011015734],"about_ca_topic_score_codex":0.000021322077,"about_ca_topic_score_gemma":0.000026246193,"teacher_disagreement_score":0.49869466,"about_ca_system_score_codex":0.00003864942,"about_ca_system_score_gemma":0.000024904914,"threshold_uncertainty_score":0.9527559},"labels":[],"label_agreement":null},{"id":"W4382044635","doi":"10.1353/vcr.2022.a900611","title":"Artificial Divides","year":2022,"lang":"en","type":"article","venue":"Victorian review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Criticism; Romance; Scholarship; Art; History; Law","score_opus":0.04618926355014836,"score_gpt":0.2531602591839139,"score_spread":0.20697099563376553,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382044635","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0029012167,0.3766191,0.000060666232,0.019134386,0.007777198,0.00076532847,0.00028136236,0.00033085086,0.5921299],"genre_scores_gemma":[0.9687728,0.006184732,0.000010798948,0.0070197955,0.0028198282,0.00018068541,0.00006295513,0.000023364133,0.014925016],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99909824,0.000113810915,0.00025638533,0.00014627086,0.00023221482,0.00015305447],"domain_scores_gemma":[0.9996291,0.000029182107,0.00005772474,0.00020505948,0.000033956392,0.000045010067],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00035541545,0.00008585634,0.00022660142,0.00003687368,0.00060656405,0.000065602064,0.00018265098,0.000006280793,0.059208192],"category_scores_gemma":[0.000031421936,0.00007320708,0.0001645839,0.000071169256,0.000043547367,0.00007614059,0.0000747283,0.00011922345,0.00036052885],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000015737153,0.00006104441,0.000012648703,0.0002746915,0.000032687472,0.000009697941,0.0014690206,6.7419245e-7,0.00001272012,0.9387701,0.047135994,0.012219115],"study_design_scores_gemma":[0.00001789105,0.000028602808,0.000005676778,0.0001026921,0.00009254509,0.0000019243037,0.00020974081,0.0000036976169,0.0000053172303,0.003997725,0.99543047,0.000103688755],"about_ca_topic_score_codex":0.000021367647,"about_ca_topic_score_gemma":0.000054295135,"teacher_disagreement_score":0.96587163,"about_ca_system_score_codex":0.000026069627,"about_ca_system_score_gemma":0.000018514067,"threshold_uncertainty_score":0.9416518},"labels":[],"label_agreement":null},{"id":"W4382044645","doi":"10.1353/vcr.2022.a900621","title":"Poetess Futures: Unsettling Victorian Poetry at Scale","year":2022,"lang":"en","type":"article","venue":"Victorian review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Lyrics; Literature; Print culture; Futures contract; New england; History; Art; Politics; Law","score_opus":0.01560004054975333,"score_gpt":0.22793744024565976,"score_spread":0.21233739969590643,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4382044645","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.015178199,0.54470015,0.00004308759,0.012874228,0.022927307,0.0015276356,0.0009558639,0.00071839255,0.40107512],"genre_scores_gemma":[0.83388704,0.03222793,0.00008077246,0.018850448,0.01607686,0.0005483329,0.00069277594,0.0001994769,0.09743638],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975685,0.00029321032,0.00059829146,0.00046121774,0.0006071874,0.0004716197],"domain_scores_gemma":[0.9988133,0.00008206095,0.00019576326,0.0006165245,0.000110221124,0.00018218068],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006660857,0.0002940662,0.0006200502,0.00011459225,0.0020254303,0.00014483761,0.000528825,0.000038426624,0.043824635],"category_scores_gemma":[0.000043273863,0.0002617354,0.00042881194,0.00022973224,0.00009785414,0.00018263352,0.00029061033,0.0003645493,0.0004964105],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057730267,0.00062488206,0.00060923275,0.0053980234,0.00066903245,0.00016973488,0.03752834,0.000017705346,0.00034127609,0.6987749,0.24340165,0.012407541],"study_design_scores_gemma":[0.00020326822,0.00006054143,0.000021552263,0.00045260356,0.0002929276,0.000014555512,0.0009038082,0.000008827052,0.000017019987,0.0005259033,0.9971434,0.00035558906],"about_ca_topic_score_codex":0.000040945626,"about_ca_topic_score_gemma":0.0003683427,"teacher_disagreement_score":0.81870884,"about_ca_system_score_codex":0.00022616376,"about_ca_system_score_gemma":0.000051964,"threshold_uncertainty_score":0.9999835},"labels":[],"label_agreement":null},{"id":"W4383744438","doi":"10.5325/victinstj.29.1.0229","title":"Joseph Bristow, ed. <i>The Cambridge Companion to Victorian Poetry</i>","year":2001,"lang":"en","type":"article","venue":"Victorians Institute Journal","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Western University","funders":"","keywords":"Icon; Poetry; Citation; Publishing; Download; State (computer science); Art history; Art; History; Library science; Media studies; Computer science; Literature; Sociology; World Wide Web; Algorithm","score_opus":0.02260000304234041,"score_gpt":0.24704907353354794,"score_spread":0.22444907049120752,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4383744438","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3209353,0.0013142442,0.0051472597,0.01973641,0.07860087,0.0005475099,0.00012567097,0.0003058273,0.5732869],"genre_scores_gemma":[0.95787156,0.00026535973,0.000064823565,0.0024623277,0.03085511,0.000010196068,0.00001555025,0.000036436053,0.008418625],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976461,0.000117991585,0.0006554558,0.00029845093,0.0006509485,0.00063105096],"domain_scores_gemma":[0.99852735,0.000049714374,0.00019440563,0.00045494447,0.00034784115,0.0004257352],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00064419786,0.00032128327,0.00039365128,0.00024050292,0.0021318423,0.0012237182,0.0007298893,0.00008343152,0.0013847104],"category_scores_gemma":[0.000071284565,0.00022734344,0.00031773184,0.00024751585,0.00026740925,0.00081005413,0.00008580051,0.0006784134,0.0008171674],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000100058634,0.0003120013,0.0018226289,0.000016482958,0.00031943357,0.00045829226,0.013466623,0.00024143633,0.0010000541,0.44468725,0.535457,0.0021187405],"study_design_scores_gemma":[0.00045202338,0.000101474754,0.00061590684,0.000061292565,0.00012477496,0.00036724523,0.0009968728,0.000029888264,0.000040018884,0.00040018154,0.9964751,0.00033523998],"about_ca_topic_score_codex":0.00031672366,"about_ca_topic_score_gemma":0.0022162371,"teacher_disagreement_score":0.63693625,"about_ca_system_score_codex":0.00020364743,"about_ca_system_score_gemma":0.00013424426,"threshold_uncertainty_score":0.99996084},"labels":[],"label_agreement":null},{"id":"W4383810112","doi":"10.5325/victinstj.32.1.0234","title":"Edward Marx. <i>The Idea of a Colony: Cross-Culturalism in Modern Poetry</i>","year":2004,"lang":"en","type":"article","venue":"Victorians Institute Journal","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Icon; Culturalism; Poetry; Citation; Folklife; Download; State (computer science); Sociology; Art history; Media studies; World Wide Web; History; Computer science; Art; Literature; Politics; Law; Anthropology; Algorithm; Political science","score_opus":0.022348915906729452,"score_gpt":0.26839182161821373,"score_spread":0.2460429057114843,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4383810112","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9225231,0.0008943147,0.00053119095,0.004072703,0.008171579,0.00018006291,0.00006449173,0.00003915422,0.06352344],"genre_scores_gemma":[0.99447656,0.00013676297,0.00006341299,0.0005562255,0.0032305743,0.000006279342,0.0000058560095,0.000014117695,0.0015102426],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99837124,0.000051474653,0.0006480677,0.00016903094,0.00041252832,0.00034762704],"domain_scores_gemma":[0.99913055,0.000027789916,0.00022592385,0.00022948722,0.0002844959,0.00010173036],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00045785555,0.00019138088,0.00033200526,0.00015408838,0.00060590496,0.0004787981,0.00045034985,0.000081397375,0.00038844033],"category_scores_gemma":[0.00006803879,0.0001235665,0.00025042167,0.00012068582,0.000567861,0.00085349916,0.000048728416,0.0005233914,0.00003324517],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011899676,0.00038264322,0.001710279,0.00005219295,0.00024483592,0.00031155365,0.051908128,0.006907489,0.0015199442,0.93205565,0.0036138804,0.0011744193],"study_design_scores_gemma":[0.002081419,0.00013229424,0.0014120186,0.00019475842,0.00012167369,0.00021446159,0.0025107597,0.00006914826,0.00044278798,0.057181295,0.9352904,0.00034900842],"about_ca_topic_score_codex":0.00060391455,"about_ca_topic_score_gemma":0.0055141617,"teacher_disagreement_score":0.9316765,"about_ca_system_score_codex":0.0001494787,"about_ca_system_score_gemma":0.0001650024,"threshold_uncertainty_score":0.50388956},"labels":[],"label_agreement":null},{"id":"W4383896230","doi":"10.33137/rr.v45i4.41405","title":"Lock, Anne Vaughan. Selected Poetry, Prose, and Translations, with Contextual Materials. Ed. Susan M. Felch","year":2023,"lang":"en","type":"article","venue":"Renaissance and Reformation","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Lock (firearm); Poetry; Art; Literature; History; Archaeology","score_opus":0.01507559270064703,"score_gpt":0.22355253593767924,"score_spread":0.2084769432370322,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4383896230","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9913712,0.001207427,0.000063571475,0.0014588276,0.00008606648,0.0002153693,0.000072029135,0.00015427852,0.005371209],"genre_scores_gemma":[0.9961897,0.00055720296,0.000014567323,0.000062464285,0.00019534891,0.000023058054,0.00028845618,0.000011568652,0.002657621],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992607,0.000034521636,0.00022284011,0.0001498703,0.00013695142,0.00019507944],"domain_scores_gemma":[0.9996483,0.000016150143,0.00007374827,0.00009286162,0.00011915521,0.0000498135],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00015002007,0.0001249873,0.00017987979,0.000094584575,0.00047151037,0.00021818076,0.000042314387,0.000046817888,0.00014686318],"category_scores_gemma":[0.0000071733893,0.00008274119,0.000016214164,0.00014147628,0.00015696025,0.0005852678,0.00001084507,0.00006823394,0.000027681419],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012452008,0.00048455878,0.007346589,0.0029498262,0.000957769,0.000052855637,0.16432938,0.000119419296,0.036430735,0.51958215,0.20185974,0.06464175],"study_design_scores_gemma":[0.0061868657,0.0015625979,0.094023526,0.0012593741,0.00057320384,0.00015155906,0.03343671,0.0047542574,0.0351412,0.003776243,0.816964,0.0021705066],"about_ca_topic_score_codex":0.00012604926,"about_ca_topic_score_gemma":0.00040229622,"teacher_disagreement_score":0.6151042,"about_ca_system_score_codex":0.000009567832,"about_ca_system_score_gemma":0.000014497422,"threshold_uncertainty_score":0.36265242},"labels":[],"label_agreement":null},{"id":"W4384253919","doi":"10.1515/9780773549609-001","title":"Editor's Note","year":2017,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.0216960066816197,"score_gpt":0.21255044500418815,"score_spread":0.19085443832256846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4384253919","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[4.4636818e-7,0.000003051666,0.000017513445,0.00017350935,0.0030541143,0.00019392146,0.0012471111,0.00017412807,0.9951362],"genre_scores_gemma":[0.0018482009,0.000090144946,0.000020182262,0.00014516074,0.006194609,8.916188e-7,0.00007960458,0.00006836126,0.9915528],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982238,0.000039073853,0.00025928757,0.00061181426,0.00045592402,0.000410111],"domain_scores_gemma":[0.998012,0.00006701761,0.00038589016,0.0010206306,0.00030297288,0.00021145405],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000106187144,0.00053024036,0.00066455855,0.00023484179,0.0019497961,0.00026164306,0.00089930417,0.00040457075,0.0011079019],"category_scores_gemma":[0.000012363033,0.0005609558,0.00056797545,0.0000013839593,0.0006798101,0.00026438007,0.00045261005,0.0006573516,0.00016369461],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034146713,0.000014426218,7.63214e-8,0.000056209767,0.0002694915,0.00023182484,0.00042780174,0.0000015992355,7.716409e-7,0.9230364,0.07513651,0.0007907652],"study_design_scores_gemma":[0.00035763826,0.000053175427,5.106602e-7,0.00019535422,0.000687692,9.89642e-7,0.000097509765,0.000009304222,0.000028299502,0.0036000179,0.99430865,0.00066083367],"about_ca_topic_score_codex":0.001693037,"about_ca_topic_score_gemma":0.000015633648,"teacher_disagreement_score":0.91943634,"about_ca_system_score_codex":0.00015438139,"about_ca_system_score_gemma":0.00004510329,"threshold_uncertainty_score":0.9998052},"labels":[],"label_agreement":null},{"id":"W4385173108","doi":"10.15210/interfaces.v21i0.21800","title":"River Revery: Penn Kemp nos convida a caminhar junto ao Rio Thames","year":2021,"lang":"pt","type":"article","venue":"Interfaces Brasil/Canadá","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.02687337876423873,"score_gpt":0.2560335940717618,"score_spread":0.22916021530752306,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385173108","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8275356,0.019312084,0.00007493971,0.005510902,0.0040877243,0.00042595487,0.0017024295,0.00015298334,0.14119737],"genre_scores_gemma":[0.71852523,0.00042898837,0.000021587492,0.0021583168,0.00078001525,0.000023798002,0.000102987506,0.00007261649,0.27788645],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99517024,0.00043481484,0.0011382317,0.0012391963,0.0007908686,0.0012266302],"domain_scores_gemma":[0.99698997,0.0003339045,0.0003879858,0.0011344649,0.00063797913,0.0005156782],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00037284254,0.0008535117,0.0012814489,0.00028816602,0.0009879267,0.0014795187,0.00086019415,0.00031743324,0.046464905],"category_scores_gemma":[0.00022103933,0.00084005075,0.00064828666,0.00028064422,0.00093916495,0.0008321413,0.00041792679,0.0008203798,0.0025816548],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027497168,0.0013161076,0.009128987,0.0012275841,0.005047764,0.003969719,0.11471838,0.00007977997,0.004099676,0.101419434,0.75151056,0.007207048],"study_design_scores_gemma":[0.0011626844,0.00030562727,0.0036239675,0.0010240014,0.0012103964,0.00012436778,0.049441338,0.00046432755,0.011476536,0.0010039423,0.92853653,0.0016262998],"about_ca_topic_score_codex":0.022528209,"about_ca_topic_score_gemma":0.13854457,"teacher_disagreement_score":0.17702596,"about_ca_system_score_codex":0.00032137232,"about_ca_system_score_gemma":0.0006236459,"threshold_uncertainty_score":0.999557},"labels":[],"label_agreement":null},{"id":"W4385311312","doi":"10.59962/9780774862295-007","title":"Place and Meaning in Toronto’s Reggae Text","year":2020,"lang":"en","type":"book-chapter","venue":"University of British Columbia Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Meaning (existential); Art; Sociology; Media studies; History; Genealogy; Psychology","score_opus":0.019711803919398068,"score_gpt":0.17518163983065124,"score_spread":0.15546983591125318,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385311312","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0011163598,0.0007662109,0.0000013782327,0.000013204469,0.000064844106,0.00015087266,0.00032180073,0.0000388222,0.9975265],"genre_scores_gemma":[0.15089847,0.00038197657,0.000022874507,0.00004564034,0.00008664421,2.134554e-7,0.000018285118,0.000021781221,0.8485241],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990509,0.000024819437,0.00020009905,0.00036530136,0.00019967422,0.00015921457],"domain_scores_gemma":[0.99946165,0.000039941577,0.00014691483,0.00016412283,0.00009278344,0.000094596326],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007177408,0.00012617062,0.00047643084,0.000025109879,0.00018447603,0.00021212186,0.00022882166,0.00014921767,0.0026858493],"category_scores_gemma":[0.000005632442,0.00028980788,0.00012574422,0.0000017219289,0.00042155717,0.00013849257,0.00019589147,0.00023317503,0.0000040921304],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008249246,0.000054036147,0.00003389296,0.00069149135,0.0005581848,0.0013379738,0.017624943,0.0000020218536,0.0000066723496,0.79969144,0.091623336,0.08829353],"study_design_scores_gemma":[0.0005708549,0.00008679704,0.00007558493,0.0008480518,0.000239232,0.000013080237,0.002282161,0.000047880265,5.9882836e-7,0.0025898423,0.99286354,0.00038237742],"about_ca_topic_score_codex":0.43196955,"about_ca_topic_score_gemma":0.9189633,"teacher_disagreement_score":0.9012402,"about_ca_system_score_codex":0.00009240767,"about_ca_system_score_gemma":0.000036117606,"threshold_uncertainty_score":0.9999554},"labels":[],"label_agreement":null},{"id":"W4385381108","doi":"10.29173/crossings129","title":"Cultural Literary Landscapes","year":2023,"lang":"en","type":"article","venue":"Crossings An Undergraduate Arts Journal","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"Poetry; Mythology; Depiction; Diaspora; Narrative; Representation (politics); Literature; Mediation; Ethnic group; Identity (music); Sociology; History; Art; Aesthetics; Anthropology; Gender studies; Social science","score_opus":0.054839530515975905,"score_gpt":0.30118937575150373,"score_spread":0.24634984523552783,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385381108","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8765968,0.00043601522,0.000051667223,0.0076925503,0.0010455129,0.000046544723,0.000020933645,0.00028901495,0.11382098],"genre_scores_gemma":[0.9390048,0.000116207804,0.000043309148,0.0006438393,0.0020383494,0.000002515448,0.000046012017,0.000026890908,0.0580781],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998502,0.00006205618,0.00038005586,0.00022922205,0.00032443015,0.0005022085],"domain_scores_gemma":[0.9991661,0.000038461058,0.0001421112,0.00017485164,0.0002191994,0.0002593059],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038044978,0.00020028093,0.00023546276,0.0002153693,0.002600164,0.0056544906,0.0002478157,0.00004121004,0.0011176507],"category_scores_gemma":[0.00003175666,0.00014670411,0.00022238678,0.00012955061,0.00032402267,0.0017102713,0.000045076864,0.00031756412,0.0005048874],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006317583,0.00026094803,0.00092702516,0.000045999226,0.00026452343,0.0007601566,0.09633353,0.00010347427,0.0018105777,0.30757058,0.5593404,0.032519605],"study_design_scores_gemma":[0.00041558928,0.00010172328,0.0005652855,0.000060323073,0.00005315304,0.00020200992,0.00524265,0.0013107491,0.00008433481,0.0964416,0.895232,0.00029056158],"about_ca_topic_score_codex":0.00002020291,"about_ca_topic_score_gemma":0.000115048315,"teacher_disagreement_score":0.3358916,"about_ca_system_score_codex":0.000026568856,"about_ca_system_score_gemma":0.00004729363,"threshold_uncertainty_score":0.99979544},"labels":[],"label_agreement":null},{"id":"W4385483945","doi":"10.3138/cras-2023-003","title":"Introduction: Making and Remaking American Poetry","year":2023,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Art; Philosophy; History","score_opus":0.04394394018522091,"score_gpt":0.31897928952669735,"score_spread":0.27503534934147644,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385483945","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11710224,0.61573297,0.0000081717,0.15053792,0.0016276713,0.0007455514,0.00025458957,0.0003291268,0.11366177],"genre_scores_gemma":[0.8475885,0.14244041,0.00008442975,0.0062657213,0.0012943835,0.000028733306,0.000013118099,0.000023367518,0.00226134],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988938,0.000067796784,0.00033180928,0.00025097906,0.00014501934,0.00031059235],"domain_scores_gemma":[0.9991667,0.00007812275,0.00021879312,0.00023049695,0.00019409695,0.00011173726],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031377087,0.00014836818,0.0006891323,0.0002601193,0.00033651496,0.00003245888,0.00010746121,0.0000064478468,0.00029759787],"category_scores_gemma":[0.00029496863,0.00012681291,0.000104606224,0.0004959771,0.0016629475,0.00007828161,0.000046229106,0.000089453024,0.00004822375],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000053505037,0.00001558562,0.0014907833,0.006057044,0.0010078624,0.000095174204,0.012185991,0.000001929809,0.000010495395,0.13195339,0.47958016,0.36759624],"study_design_scores_gemma":[0.000026865717,0.00006344377,0.0013271602,0.0015297445,0.0001600326,0.0000073697356,0.03761726,0.0000054857296,0.0000018610624,0.00013723887,0.95895106,0.00017247029],"about_ca_topic_score_codex":0.011001098,"about_ca_topic_score_gemma":0.055847596,"teacher_disagreement_score":0.7304863,"about_ca_system_score_codex":0.000066279375,"about_ca_system_score_gemma":0.00006189778,"threshold_uncertainty_score":0.9955847},"labels":[],"label_agreement":null},{"id":"W4385491459","doi":"10.3138/cras-2023-005","title":"Ezra Pound and Spatial Poetics","year":2023,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Pound (networking); Poetics; Narrative; Literature; Philosophy; History; Art; Poetry; Computer science","score_opus":0.04976463604688159,"score_gpt":0.30291637135082633,"score_spread":0.25315173530394475,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385491459","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10409881,0.71184564,0.0000054497787,0.035227645,0.0007821966,0.0005598145,0.0005732744,0.000120615805,0.14678656],"genre_scores_gemma":[0.76906437,0.22413896,0.000011864266,0.0040191235,0.00019950863,0.000014505605,0.000013416365,0.0000109182165,0.002527344],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928296,0.00003623868,0.0002280913,0.00013216244,0.00010381967,0.00021673703],"domain_scores_gemma":[0.9994191,0.00007116751,0.00008630646,0.0001398009,0.00015413437,0.0001295007],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016900775,0.00010281437,0.00046873203,0.0001272957,0.00019776225,0.000020823576,0.00007902594,0.0000067280894,0.00026743926],"category_scores_gemma":[0.00015855457,0.00008325515,0.000076855984,0.00014739866,0.0009219762,0.000034245182,0.000029917119,0.000048698395,0.000054599794],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004270606,0.000027709399,0.0017356973,0.010076552,0.0013481562,0.00014997165,0.02151416,7.6129083e-7,0.000010046067,0.15294409,0.46554175,0.34664682],"study_design_scores_gemma":[0.00004165934,0.00006565949,0.0013990388,0.001220848,0.00018314233,0.000002077212,0.015556757,0.000007780012,0.0000020634786,0.00035370202,0.98102635,0.00014094233],"about_ca_topic_score_codex":0.070906855,"about_ca_topic_score_gemma":0.27658573,"teacher_disagreement_score":0.66496557,"about_ca_system_score_codex":0.000028971497,"about_ca_system_score_gemma":0.00006873477,"threshold_uncertainty_score":0.9352801},"labels":[],"label_agreement":null},{"id":"W4385517787","doi":"10.1515/9780773577138","title":"We Are What We Mourn","year":2008,"lang":"en","type":"book","venue":"McGill-Queen's University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geology","score_opus":0.028461834728347644,"score_gpt":0.19984590624546128,"score_spread":0.17138407151711363,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385517787","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000066959356,0.000098688586,0.0000068858476,0.0007946138,0.0006357448,0.00028476174,0.00089451834,0.00025937412,0.9970187],"genre_scores_gemma":[0.0008582017,0.0076242876,0.00001329651,0.0003307702,0.0007601107,0.0000022236948,0.000118299875,0.00008483123,0.99020797],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975247,0.00015273703,0.00037084037,0.0007582451,0.00059267046,0.00060080935],"domain_scores_gemma":[0.9980744,0.00011319952,0.00043863265,0.0007831002,0.000309133,0.0002815316],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00008507304,0.00068085105,0.0009327871,0.000428902,0.0016079437,0.0003548795,0.0008342815,0.00045524884,0.000688487],"category_scores_gemma":[0.00000742251,0.00071587565,0.0007368199,0.000014176583,0.0006469842,0.0006686146,0.0004263633,0.00086923066,0.00013771496],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004514632,0.000052927306,2.978731e-7,0.00018425101,0.00045691163,0.0008228786,0.0030422711,0.000006200381,4.9676737e-7,0.84109545,0.15308282,0.0012103373],"study_design_scores_gemma":[0.00049469306,0.000057754685,6.0541925e-7,0.0009049253,0.0006524878,0.0000060871275,0.004586952,0.000010448635,0.000038442042,0.0014748917,0.9909472,0.00082554476],"about_ca_topic_score_codex":0.00050842244,"about_ca_topic_score_gemma":0.000014315991,"teacher_disagreement_score":0.8396206,"about_ca_system_score_codex":0.00038023916,"about_ca_system_score_gemma":0.00010521111,"threshold_uncertainty_score":0.99969184},"labels":[],"label_agreement":null},{"id":"W4385519180","doi":"10.1515/9780228014850-003","title":"Prologue","year":2022,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Prologue; Art; Literature","score_opus":0.025669566572662488,"score_gpt":0.19583190725241306,"score_spread":0.17016234067975058,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385519180","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000032707424,0.0000042524534,0.000003028576,0.00021614831,0.00035323735,0.00028028432,0.001645331,0.00021594984,0.9972785],"genre_scores_gemma":[0.0035770356,0.000083995954,0.000011158968,0.00033104816,0.00029445678,0.0000031388447,0.00019040219,0.00006403859,0.9954447],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982748,0.00007410049,0.00026111942,0.000593144,0.00042270034,0.0003741186],"domain_scores_gemma":[0.9988281,0.00006388114,0.00023665735,0.00057337515,0.00015046248,0.0001474819],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011375954,0.0004455653,0.0005597021,0.00028637273,0.0014163831,0.00008468865,0.0006074801,0.00021491275,0.008117851],"category_scores_gemma":[0.000005225338,0.0004888813,0.00048074024,0.000004670614,0.00040106516,0.00016235182,0.0005736604,0.0007553225,0.00006532861],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000529307,0.000023924702,1.8105973e-7,0.000053471504,0.0003586203,0.00035187503,0.00064636936,0.000005333932,5.9363606e-7,0.98494846,0.012997948,0.0005603183],"study_design_scores_gemma":[0.00031167088,0.000103340295,4.2136602e-7,0.000042836724,0.0005764847,0.0000020995453,0.00032638505,0.000005633743,0.000014186893,0.0037350662,0.99432904,0.00055286445],"about_ca_topic_score_codex":0.0013938502,"about_ca_topic_score_gemma":0.0000075666617,"teacher_disagreement_score":0.98133105,"about_ca_system_score_codex":0.00019533675,"about_ca_system_score_gemma":0.000037513946,"threshold_uncertainty_score":0.99988365},"labels":[],"label_agreement":null},{"id":"W4385526698","doi":"10.1515/9780773568488-001","title":"Preface","year":2000,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.022599140238899054,"score_gpt":0.19469959829209013,"score_spread":0.17210045805319107,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385526698","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000055356613,0.000005712662,0.0000037586587,0.00010738365,0.00020608366,0.00023144881,0.0011300904,0.00023034976,0.99807966],"genre_scores_gemma":[0.00478572,0.00020582594,0.00001414787,0.00022286316,0.00034939306,9.558283e-7,0.00008610744,0.0000683656,0.9942666],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982883,0.000048893646,0.0002788364,0.0006013618,0.0003836972,0.0003989249],"domain_scores_gemma":[0.998785,0.000054071934,0.00018776856,0.0006254103,0.0001562311,0.00019150098],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006906285,0.0005145195,0.00059597124,0.0002463987,0.00089386216,0.00012655836,0.0005520876,0.00031465062,0.0054415264],"category_scores_gemma":[0.0000028777788,0.00054901367,0.0004947184,0.000004044426,0.00043929243,0.00018081337,0.00021644596,0.00055708125,0.00023364779],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054235086,0.000020559659,7.616005e-8,0.000047621943,0.00033281828,0.00019194403,0.00061647507,0.0000058479663,8.17427e-7,0.98659945,0.010748974,0.0013811667],"study_design_scores_gemma":[0.00033120043,0.000059174432,4.704017e-7,0.00014863991,0.0006221652,0.0000015231399,0.00016832743,0.0000061400424,0.000042950323,0.0055280216,0.9924561,0.00063530315],"about_ca_topic_score_codex":0.001172847,"about_ca_topic_score_gemma":0.0000072039606,"teacher_disagreement_score":0.9817071,"about_ca_system_score_codex":0.00013434234,"about_ca_system_score_gemma":0.00003110002,"threshold_uncertainty_score":0.99969614},"labels":[],"label_agreement":null},{"id":"W4385526776","doi":"10.1515/9780773568488-fm","title":"Front Matter","year":2000,"lang":"en","type":"paratext","venue":"McGill-Queen's University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill-Queen's University Press","funders":"","keywords":"Front (military); Geology; Oceanography","score_opus":0.017062548629176385,"score_gpt":0.2051961072181512,"score_spread":0.18813355858897482,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385526776","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000029407312,0.000009016195,0.000010609644,0.00018443646,0.0009233883,0.00023076088,0.0027196952,0.00008642544,0.9958063],"genre_scores_gemma":[0.004222146,0.00016478325,0.000015284933,0.00074996846,0.000734747,0.0000032533535,0.00033482214,0.00006264449,0.99371237],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978983,0.0001903483,0.00031322907,0.00066771935,0.00035851888,0.000571903],"domain_scores_gemma":[0.9987511,0.000050282808,0.00019071203,0.00066809566,0.00014454951,0.0001952273],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006809658,0.0005423961,0.0007262234,0.0002971235,0.0010300397,0.00022423064,0.0007001569,0.00033535573,0.115118966],"category_scores_gemma":[0.000001873814,0.00055368984,0.0005081359,0.000010430891,0.00036585244,0.00020369321,0.00024005823,0.0006205139,0.019616652],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000066156834,0.00005892856,4.5692767e-7,0.000113762566,0.00037263642,0.000102024474,0.0010014189,0.00001813841,9.655233e-7,0.1509119,0.84702456,0.00032904366],"study_design_scores_gemma":[0.00037585365,0.000039805567,0.0000025460315,0.00013963043,0.00048466626,0.0000012241322,0.0005336953,0.000007027948,0.00007198987,0.000057403147,0.9976083,0.0006778549],"about_ca_topic_score_codex":0.0063278726,"about_ca_topic_score_gemma":0.0000062947324,"teacher_disagreement_score":0.1508545,"about_ca_system_score_codex":0.00015781105,"about_ca_system_score_gemma":0.000036729383,"threshold_uncertainty_score":0.9996915},"labels":[],"label_agreement":null},{"id":"W4385530432","doi":"10.1515/9780773589377-008","title":"“She’s Like the Swallow”: Maud Karpeles, Ralph Vaughan Williams, Frederick Emerson, and the Preservation of Newfoundland Folksongs","year":2014,"lang":"en","type":"book-chapter","venue":"McGill-Queen's University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art history; History; Art; Psychoanalysis; Environmental ethics; Philosophy; Psychology","score_opus":0.01715713807997891,"score_gpt":0.1858033997604515,"score_spread":0.1686462616804726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385530432","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000083701496,0.00006147694,0.00009976908,0.0014872471,0.0002615655,0.0006006566,0.0003426736,0.000070965645,0.99699193],"genre_scores_gemma":[0.02121775,0.0007243587,0.000017133209,0.00037888353,0.00029821464,0.0000036659076,0.000087923,0.000051434057,0.97722065],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980365,0.00019818102,0.00041648833,0.00050256227,0.0005040643,0.00034217307],"domain_scores_gemma":[0.99792975,0.0003082259,0.0005377726,0.0007633991,0.00035124822,0.00010957534],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0003829902,0.00049290736,0.0007383856,0.00015544507,0.0013069862,0.000204644,0.000755888,0.0002548696,0.00024010283],"category_scores_gemma":[0.000020863386,0.00033296252,0.0004354445,0.000013286856,0.0013651042,0.00023785503,0.0004189441,0.0005117894,0.000007037301],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017432227,0.000013212596,0.0000048073607,0.00013597471,0.00057466625,0.000014139592,0.002484442,0.000006800745,0.000001602208,0.9782241,0.017721927,0.00064400816],"study_design_scores_gemma":[0.0011911559,0.00007160614,0.000015444242,0.00021850325,0.0011042815,0.0000017517049,0.00075402606,0.000111255096,0.000008387196,0.0063317716,0.98979324,0.00039855464],"about_ca_topic_score_codex":0.009119692,"about_ca_topic_score_gemma":0.00034640916,"teacher_disagreement_score":0.97207135,"about_ca_system_score_codex":0.000075537595,"about_ca_system_score_gemma":0.00002870407,"threshold_uncertainty_score":0.9999932},"labels":[],"label_agreement":null},{"id":"W4385590451","doi":"10.1353/mos.2021.a903592","title":"Ten Songs that Came Up in Conversations with Rodney Graham","year":2021,"lang":"en","type":"article","venue":"Mosaic","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Discography; Mosaic; Art history; History; Art; Visual arts","score_opus":0.03026899439435343,"score_gpt":0.22250158211826185,"score_spread":0.19223258772390842,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385590451","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.874946,0.00062879326,0.000096297554,0.005794685,0.0004445001,0.0001237142,0.00013354036,0.000089188776,0.1177433],"genre_scores_gemma":[0.95790833,0.000016181031,0.000019557072,0.00059345056,0.00010132065,0.000011161471,0.00009849717,0.000009071285,0.04124245],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99939054,0.000032650016,0.000109096334,0.00016326082,0.00013204219,0.0001724152],"domain_scores_gemma":[0.99966884,0.000027250231,0.000026673717,0.00016837062,0.00006280017,0.00004608792],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006566646,0.000085284126,0.00014533332,0.000055183587,0.00014566156,0.00013857486,0.000068614936,0.000023342353,0.0043682475],"category_scores_gemma":[0.000013143784,0.00006807465,0.00005160211,0.000066936715,0.00009816149,0.00016330037,0.000019862096,0.000098054625,0.000114192],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034232766,0.00044540886,0.026898444,0.00007605376,0.00031250934,0.00045974765,0.11263239,0.00008785595,0.0002519404,0.7798954,0.07590482,0.003001202],"study_design_scores_gemma":[0.0011500622,0.00007241523,0.0050099427,0.000096792806,0.00017076157,0.000017737886,0.063256994,0.0006679576,0.0013527288,0.0057114484,0.9220381,0.00045510058],"about_ca_topic_score_codex":0.00077805703,"about_ca_topic_score_gemma":0.011770181,"teacher_disagreement_score":0.84613323,"about_ca_system_score_codex":0.000024518711,"about_ca_system_score_gemma":0.000049602397,"threshold_uncertainty_score":0.9965419},"labels":[],"label_agreement":null},{"id":"W4385591429","doi":"10.1353/esc.2020.a903543","title":"Listening Queerly for Queer Sonic Resonances in The Poetry Series at Sir George Williams University, 1966 to 1971","year":2020,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Queer; Poetry; Politics; Homosexuality; Declaration; George (robot); Sociology; History; Media studies; Literature; Art history; Gender studies; Art; Law; Political science","score_opus":0.05386974356994094,"score_gpt":0.24988388598386072,"score_spread":0.1960141424139198,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385591429","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9319759,0.005680951,0.000004586387,0.019008962,0.0015564889,0.0005157709,0.00036905866,0.000045644134,0.040842645],"genre_scores_gemma":[0.98984957,0.000194849,0.000024962876,0.0027574217,0.0006024235,0.000019350846,0.000008975008,0.000011489616,0.0065309824],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99880695,0.000081421866,0.00023220039,0.00027386594,0.00024784065,0.00035770476],"domain_scores_gemma":[0.99925864,0.00033843654,0.000050300278,0.00014672738,0.00014389737,0.000061996914],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022558599,0.0001630537,0.00032253962,0.00005142346,0.00046523326,0.000056439087,0.00033956754,0.000023338267,0.00007646783],"category_scores_gemma":[0.00029664618,0.00013010814,0.00006888145,0.00017123828,0.0001496715,0.00019413429,0.00014992862,0.00016383361,0.0000017716985],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018770313,0.00003921292,0.007628496,0.00023993058,0.0002379318,0.00031479268,0.5013988,0.00039605168,0.000003495991,0.12373956,0.36482236,0.000991652],"study_design_scores_gemma":[0.00025938134,0.000055675293,0.0004080742,0.00004552083,0.000022948945,3.7217345e-7,0.30865246,0.000026610871,0.000009606036,0.000113765076,0.6902642,0.00014137852],"about_ca_topic_score_codex":0.4175295,"about_ca_topic_score_gemma":0.99399596,"teacher_disagreement_score":0.57646644,"about_ca_system_score_codex":0.0005106903,"about_ca_system_score_gemma":0.00020109376,"threshold_uncertainty_score":0.58634925},"labels":[],"label_agreement":null},{"id":"W4385815629","doi":"10.58680/ej202332494","title":"Poetry: Quarter’s End Blues","year":2023,"lang":"en","type":"article","venue":"The English Journal","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Blues; Poetry; Quarter (Canadian coin); Art; Literature; Art history; History; Archaeology","score_opus":0.028691035355439588,"score_gpt":0.23958179263975934,"score_spread":0.21089075728431975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385815629","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45168278,0.00081923517,0.000028891494,0.006965391,0.0049724053,0.00008259014,0.000043423115,0.00033640658,0.53506887],"genre_scores_gemma":[0.97933745,0.00011263943,0.0000029431646,0.000382593,0.0066647986,0.000002752154,0.0000063372713,0.000012949275,0.01347753],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999018,0.00010283083,0.00022228077,0.000090318295,0.00027482893,0.0002917252],"domain_scores_gemma":[0.999406,0.000115190516,0.000071231436,0.00017057771,0.00015746713,0.00007954645],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007308179,0.00010204267,0.00014103207,0.00010972313,0.00092624134,0.0006216319,0.0003115732,0.000023740107,0.0057114004],"category_scores_gemma":[0.000110659385,0.00006033398,0.00016149237,0.000087264576,0.00016887671,0.00024711367,0.000035145356,0.00034919096,0.0005119533],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000129173495,0.00004336565,0.00007926755,0.000007174176,0.00017036489,0.00008200978,0.13217501,0.000034849432,0.00003779733,0.29926598,0.56398153,0.0041097025],"study_design_scores_gemma":[0.00020757182,0.00005384104,0.00039115755,0.000022958953,0.00007457584,0.000028691236,0.06502077,0.00016800717,0.000044210625,0.020370733,0.9134803,0.00013718025],"about_ca_topic_score_codex":0.000019271092,"about_ca_topic_score_gemma":0.00007158303,"teacher_disagreement_score":0.5276547,"about_ca_system_score_codex":0.000014895815,"about_ca_system_score_gemma":0.000019941866,"threshold_uncertainty_score":0.99519753},"labels":[],"label_agreement":null},{"id":"W4386137283","doi":"10.3406/ranam.2000.1618","title":"\"Shooting 'Dan McGrew’ : The Text as Victim in Robert Kroetsch’s The Man from the Creeks”","year":2000,"lang":"fr","type":"article","venue":"Recherches anglaises et nord-américaines","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.08979566450416157,"score_gpt":0.32377408040173267,"score_spread":0.2339784158975711,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386137283","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4523227,0.029368578,0.000022677512,0.25084186,0.00069884787,0.0006812058,0.00016273263,0.00012796425,0.26577345],"genre_scores_gemma":[0.875477,0.010385992,0.000109743174,0.0130810235,0.0032699008,0.00014451495,0.000066063,0.000119846736,0.097345866],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9935024,0.0029392703,0.0010252348,0.0008005202,0.0006310251,0.001101591],"domain_scores_gemma":[0.9906347,0.007362324,0.00028221778,0.0013381386,0.0002146518,0.0001680165],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0031538988,0.00076012226,0.00075117016,0.000102457234,0.0022029981,0.0013931324,0.0016801481,0.00038319052,0.007951357],"category_scores_gemma":[0.00094831263,0.00039832384,0.0007321045,0.00064364605,0.00133724,0.00057730725,0.00027334612,0.0018814676,0.0007355275],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033229258,0.0016787573,0.0123691205,0.00019490204,0.0014923081,0.00024483443,0.23657653,0.0015866478,0.00019374581,0.3169523,0.05453039,0.37384817],"study_design_scores_gemma":[0.00049121457,0.00013577525,0.0108628245,0.00045763614,0.0004910975,0.000035210403,0.041234687,0.0020295286,0.00009780322,0.012310698,0.9312049,0.0006486067],"about_ca_topic_score_codex":0.06853966,"about_ca_topic_score_gemma":0.06531433,"teacher_disagreement_score":0.87667453,"about_ca_system_score_codex":0.0002218546,"about_ca_system_score_gemma":0.00021860265,"threshold_uncertainty_score":0.9998469},"labels":[],"label_agreement":null},{"id":"W4386236398","doi":"10.7311/pjas.11/2/2017.12","title":"Steve McCaffery Remixed: “great poems are read from the bottom up”","year":2023,"lang":"en","type":"article","venue":"Polish Journal for American Studies.","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Foregrounding; Manifesto; Poetics; Poetry; Narrative; Literature; Art; Computer science; Political science; Law","score_opus":0.1381581713604827,"score_gpt":0.35383496863914454,"score_spread":0.21567679727866185,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386236398","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8773212,0.01920373,0.00007732967,0.056788754,0.013463009,0.0007422903,0.003297327,0.00053593493,0.028570458],"genre_scores_gemma":[0.9467473,0.0047458764,0.000037878923,0.0045980015,0.008364756,0.00006445411,0.000045165907,0.00006555477,0.03533103],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980512,0.00012337885,0.00049663836,0.00028581155,0.00040959404,0.00063336967],"domain_scores_gemma":[0.9977902,0.00086458126,0.00043864053,0.00031995508,0.00043354003,0.00015306484],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00054248417,0.00027191575,0.0006715687,0.00013137901,0.0019970224,0.00043006975,0.0004343045,0.000029199688,0.00037180647],"category_scores_gemma":[0.00046827423,0.00016787939,0.00046525936,0.00023932752,0.0009126867,0.00022695315,0.00013144444,0.00041483354,0.00012987149],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005984617,0.000034543344,0.0012658089,0.0000131297165,0.0015014142,0.000042094576,0.028073553,0.0000069008397,0.000011540302,0.010986423,0.9403,0.01770478],"study_design_scores_gemma":[0.00038252072,0.00011816282,0.0026930335,0.00010659871,0.00040700383,0.000015118201,0.21980642,0.00004631994,0.000011627963,0.007006334,0.7691311,0.00027573624],"about_ca_topic_score_codex":0.0013997533,"about_ca_topic_score_gemma":0.0014431265,"teacher_disagreement_score":0.19173285,"about_ca_system_score_codex":0.00010284004,"about_ca_system_score_gemma":0.000044047825,"threshold_uncertainty_score":0.99930227},"labels":[],"label_agreement":null},{"id":"W4386288645","doi":"10.1080/14790726.2023.2223180","title":"Special reality: Malcolm Lowry’s last notebook","year":2023,"lang":"en","type":"article","venue":"New Writing","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Liverpool John Moores University","keywords":"Wife; Art history; Literature; History; Art; Visual arts; Philosophy; Theology","score_opus":0.07433686470933797,"score_gpt":0.28019403532796006,"score_spread":0.20585717061862208,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386288645","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.035187148,0.000033489698,0.000025471458,0.002331141,0.000741829,0.00006979455,0.000026250074,0.00026942787,0.96131545],"genre_scores_gemma":[0.78000647,0.000019525301,0.00003399468,0.0009630413,0.051357973,0.0000081347,0.00005270308,0.000031896154,0.16752626],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887943,0.000033434837,0.00027587326,0.00021980678,0.00023283996,0.00035863722],"domain_scores_gemma":[0.99952596,0.0000918604,0.00005168513,0.00017496866,0.000052485746,0.00010304981],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00027006437,0.000119750075,0.00019000763,0.00011216874,0.00044145758,0.00031772,0.0001428364,0.000039812043,0.008014171],"category_scores_gemma":[0.000057253557,0.000117876494,0.00013775517,0.00008711618,0.00008012685,0.00017142104,0.00006626925,0.0001448779,0.0022311492],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000069150396,0.000020703961,0.00016015218,0.000028193961,0.000038244685,0.0000710274,0.005889499,0.000012869121,0.00012174176,0.50042754,0.457879,0.035344124],"study_design_scores_gemma":[0.00022996675,0.000022115768,0.00040250967,0.000054730717,0.000038133006,0.0000029119312,0.005992952,0.00018908393,0.00009595554,0.005388407,0.98740256,0.00018065795],"about_ca_topic_score_codex":0.00028786546,"about_ca_topic_score_gemma":0.0017674522,"teacher_disagreement_score":0.7937892,"about_ca_system_score_codex":0.000023305814,"about_ca_system_score_gemma":0.000038393264,"threshold_uncertainty_score":0.9985457},"labels":[],"label_agreement":null},{"id":"W4386338166","doi":"10.1515/9781772126174-001","title":"Preface","year":2022,"lang":"en","type":"book-chapter","venue":"University of Alberta Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.03395315929463634,"score_gpt":0.1808997778855104,"score_spread":0.14694661859087405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386338166","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005193729,0.00013309967,0.0000025476395,0.000041058847,0.00013736013,0.000105367566,0.00012322298,0.00002167021,0.99938375],"genre_scores_gemma":[0.006546445,0.00005668431,0.000008639386,0.00003834845,0.00008973516,1.6196297e-7,0.00004999898,0.000022017344,0.99318796],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992218,0.00001880519,0.00013969804,0.00025194633,0.00022967916,0.00013805705],"domain_scores_gemma":[0.99926156,0.000084371066,0.0001786778,0.00034279298,0.000073124604,0.000059497335],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000044621298,0.00018897644,0.00034332735,0.000094695955,0.00034881258,0.00002600087,0.00040634302,0.0000858182,0.036645576],"category_scores_gemma":[0.0000029208666,0.00022302054,0.00029163435,0.0000011345966,0.000367439,0.00006821016,0.00025205538,0.00025772778,0.00004213543],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002570533,0.000012491534,2.0201192e-7,0.00004593042,0.0002618901,0.000015783482,0.014716824,0.0000038597414,0.0000015416855,0.97307575,0.011310155,0.0005298826],"study_design_scores_gemma":[0.00016224393,0.000051061805,3.3608097e-7,0.00004386002,0.00038170462,0.0000010412285,0.00056481746,0.000011258676,0.000009741609,0.0027018655,0.99584,0.0002320675],"about_ca_topic_score_codex":0.017500373,"about_ca_topic_score_gemma":0.011646566,"teacher_disagreement_score":0.98452985,"about_ca_system_score_codex":0.000034013374,"about_ca_system_score_gemma":0.0000344381,"threshold_uncertainty_score":0.98904216},"labels":[],"label_agreement":null},{"id":"W4386493322","doi":"10.7202/1105636ar","title":"PORTRAIT DE NELLY ARCAN : LECTRICE ET ÉCRIVAINE","year":2023,"lang":"fr","type":"article","venue":"Voix et Images","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université de Sherbrooke","funders":"","keywords":"Portrait; Art; Humanities; Art history","score_opus":0.02725833627172853,"score_gpt":0.29792048139401756,"score_spread":0.27066214512228903,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386493322","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05534572,0.015553408,0.0009676358,0.2946683,0.0016809017,0.00028956545,0.004090081,0.0006499316,0.62675446],"genre_scores_gemma":[0.39534077,0.0036277338,0.00011804258,0.003425684,0.00091024657,0.00001642036,0.00011389903,0.0000506195,0.59639657],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978773,0.0002936425,0.00038349265,0.0003685835,0.00028845077,0.0007885322],"domain_scores_gemma":[0.9989126,0.0003311427,0.00010066312,0.00033177552,0.00013508738,0.00018874378],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0010544887,0.00029138743,0.0003507752,0.000283995,0.00046205547,0.0006252879,0.0002776576,0.00010030351,0.0049220873],"category_scores_gemma":[0.00018754734,0.00028962505,0.00029561672,0.0003209427,0.0003688013,0.00044439652,0.000101132704,0.00043825427,0.0014279868],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010955945,0.0001777055,0.00008883062,0.0001522753,0.00018196284,0.00039895315,0.009057367,0.00009632755,0.0011173394,0.61249113,0.36960182,0.006625354],"study_design_scores_gemma":[0.0002735322,0.00012714711,0.00440482,0.00012524324,0.00027005936,0.000032851876,0.002980086,0.0007957299,0.0006307951,0.020946844,0.9690251,0.00038780758],"about_ca_topic_score_codex":0.0038245528,"about_ca_topic_score_gemma":0.0009851517,"teacher_disagreement_score":0.5994233,"about_ca_system_score_codex":0.000054936605,"about_ca_system_score_gemma":0.00020404671,"threshold_uncertainty_score":0.9999556},"labels":[],"label_agreement":null},{"id":"W4386694836","doi":"10.12987/yale/9780300266689.003.0065","title":"The Letters of Sylvia Plath, Volume 2: 1956–1963","year":2022,"lang":"en","type":"book-chapter","venue":"Yale University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Tragedy (event); Depiction; Wife; Art; Feeling; Literature; Performance art; Art history; Philosophy; Theology","score_opus":0.023244412291531832,"score_gpt":0.16782555594194618,"score_spread":0.14458114365041436,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386694836","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002026736,0.0002617903,0.000008363416,0.00010808198,0.0003372095,0.00013872022,0.0004005022,0.000044666736,0.99849796],"genre_scores_gemma":[0.009315238,0.00011766948,0.000004019357,0.00009992701,0.00019891774,7.3718525e-7,0.000037553153,0.000026540329,0.9901994],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989098,0.0000456785,0.00021211909,0.0002706121,0.0003417803,0.00022005146],"domain_scores_gemma":[0.99904144,0.00010563396,0.0002357267,0.00046955835,0.00008579114,0.00006188086],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011863921,0.00023245916,0.00033924557,0.00011040068,0.0010190796,0.00007949678,0.00063438056,0.00008048884,0.0027978653],"category_scores_gemma":[0.0000040553164,0.00021284778,0.0003804248,0.0000029032444,0.0007395331,0.00007848546,0.00032568577,0.00040430858,0.000018742547],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036785663,0.000008810944,8.761163e-7,0.00003370254,0.00030576644,0.00006714602,0.002255431,0.000006734159,0.0000087205,0.97495437,0.021569228,0.00075245847],"study_design_scores_gemma":[0.00016782663,0.000037367834,0.0000017415932,0.00003821036,0.0003860316,0.0000017907369,0.00065807276,0.000025734593,0.000011650712,0.0007033172,0.99772865,0.00023958443],"about_ca_topic_score_codex":0.00070686225,"about_ca_topic_score_gemma":0.00028945343,"teacher_disagreement_score":0.97615945,"about_ca_system_score_codex":0.00007289241,"about_ca_system_score_gemma":0.000036118752,"threshold_uncertainty_score":0.9981137},"labels":[],"label_agreement":null},{"id":"W4386765793","doi":"10.3138/cras-2023-008","title":"Quests for the Power of the Poem (Forgetting the Power of the Past?)","year":2023,"lang":"en","type":"article","venue":"Canadian Review of American Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Acadia University","funders":"","keywords":"Poetry; Literature; Context (archaeology); Spoken word; Champion; Power (physics); Art; Philosophy; Aesthetics; History","score_opus":0.03743851092654249,"score_gpt":0.2978923267118167,"score_spread":0.2604538157852742,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386765793","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16093859,0.53043205,0.0000048879115,0.24137343,0.002376479,0.0033235655,0.0012439886,0.000045419376,0.06026158],"genre_scores_gemma":[0.97933745,0.0120858345,0.00000374646,0.0056725596,0.00011171395,0.00006141856,0.0000014109064,0.000014562662,0.002711313],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987732,0.0001424468,0.00045256637,0.00013066364,0.0002271254,0.00027396862],"domain_scores_gemma":[0.9980122,0.00055097765,0.0004286036,0.0005900692,0.00037721303,0.000040930805],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007185836,0.00014213062,0.0005264155,0.000043970704,0.00064483116,0.000016412136,0.0006058552,0.000010825041,0.00012033871],"category_scores_gemma":[0.0005990141,0.00005352364,0.0004710321,0.00035500037,0.0018572228,0.000032780445,0.00010893617,0.00010545509,0.000004095823],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000088008765,0.00004374502,0.0040902523,0.0035807698,0.0026227531,0.0000025697416,0.06981987,0.000012277597,0.000025286714,0.1983673,0.698765,0.022661375],"study_design_scores_gemma":[0.00005629803,0.00005827481,0.009808091,0.001903553,0.00046375568,0.0000010251885,0.08038181,0.000005084664,0.000026792164,0.00041750583,0.9067646,0.0001132051],"about_ca_topic_score_codex":0.010195804,"about_ca_topic_score_gemma":0.0523139,"teacher_disagreement_score":0.81839883,"about_ca_system_score_codex":0.000034008666,"about_ca_system_score_gemma":0.00013465992,"threshold_uncertainty_score":0.9963954},"labels":[],"label_agreement":null},{"id":"W4387397867","doi":"10.1353/leg.2022.a904365","title":"Fair Copy: Relational Poetics and Antebellum American Women’s Poetry by Jennifer Putzi (review)","year":2022,"lang":"en","type":"article","venue":"Legacy A Journal of American Women Writers","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Poetry; Literature; Scholarship; Narrative; History; Art; Sociology; Law; Political science","score_opus":0.009571335226570922,"score_gpt":0.2241740676924219,"score_spread":0.214602732465851,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387397867","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9772604,0.009437767,0.00011262649,0.0075324723,0.0004160247,0.00014874851,0.00021797811,0.00003208194,0.0048418655],"genre_scores_gemma":[0.9797203,0.0031841677,0.00015556834,0.012441841,0.0003302378,0.00003605955,0.000028706532,0.00003906556,0.0040640295],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99714565,0.00031809145,0.0008736888,0.00028099152,0.0007842842,0.0005972703],"domain_scores_gemma":[0.9980381,0.0001595071,0.0010174486,0.0002276693,0.00018515339,0.00037208523],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008597927,0.00028194912,0.00085791666,0.00034605726,0.00058709027,0.00019305426,0.0003769123,0.000014546343,0.004044563],"category_scores_gemma":[0.00006706745,0.00025539566,0.00021839452,0.00036358615,0.0012501267,0.0005865554,0.00014168242,0.00068607635,0.000010292836],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001252791,0.002544211,0.008050357,0.00065581064,0.0036261983,0.00085501856,0.2014505,0.00019838968,0.0011230607,0.031414546,0.651697,0.097132124],"study_design_scores_gemma":[0.0005528668,0.0016167086,0.00048915885,0.000088879104,0.0001151099,0.0001849261,0.12673686,0.000081585764,0.0000038186345,0.00033700935,0.869415,0.00037809747],"about_ca_topic_score_codex":0.0001607519,"about_ca_topic_score_gemma":0.000006578857,"teacher_disagreement_score":0.21771798,"about_ca_system_score_codex":0.00047558252,"about_ca_system_score_gemma":0.000097520504,"threshold_uncertainty_score":0.9999898},"labels":[],"label_agreement":null},{"id":"W4387477425","doi":"10.1080/08989575.2023.2254155","title":"Rev. of <i>Templates for Authorship: American Women’s Literary Autobiography of the 1930s</i>","year":2023,"lang":"en","type":"article","venue":"a/b Auto/Biography Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Biography; Literature; Literary criticism; Template; History; Art; Art history; Computer science","score_opus":0.05313822309518701,"score_gpt":0.2947992129406829,"score_spread":0.2416609898454959,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387477425","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9823864,0.008733757,0.00000877131,0.0022222053,0.0011136369,0.00055905164,0.0010918117,0.00027905699,0.0036053252],"genre_scores_gemma":[0.9965948,0.0009786702,0.00006261587,0.0003036202,0.00017885874,0.00023728472,0.000023700863,0.000026769223,0.0015936736],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980714,0.00012056874,0.0006633889,0.0003425679,0.00030092776,0.00050117075],"domain_scores_gemma":[0.9981247,0.000555836,0.0004182556,0.00047926276,0.00036007605,0.000061864506],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006173737,0.00027849572,0.0007780988,0.0007904401,0.0005717292,0.00005365744,0.0004246708,0.000044607725,0.0000535217],"category_scores_gemma":[0.000106510015,0.00018349328,0.0011403398,0.0015445681,0.002188837,0.00014398176,0.00015594774,0.00013294989,0.00000507558],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020266628,0.00064708845,0.048951812,0.0018682138,0.01006777,0.0000074954305,0.36450192,0.00001407772,0.0017713232,0.38150486,0.17813905,0.012323701],"study_design_scores_gemma":[0.0010213582,0.0011473659,0.05271493,0.00067590486,0.0011533719,0.000001894815,0.11037178,0.000098013006,0.0027176852,0.17740701,0.65169877,0.0009918938],"about_ca_topic_score_codex":0.0001701218,"about_ca_topic_score_gemma":0.00017739878,"teacher_disagreement_score":0.47355974,"about_ca_system_score_codex":0.000012817994,"about_ca_system_score_gemma":0.000017455874,"threshold_uncertainty_score":0.80648607},"labels":[],"label_agreement":null},{"id":"W4387786857","doi":"10.1080/14702029.2022.2157958","title":"pause","year":2023,"lang":"en","type":"article","venue":"Journal of Visual Art Practice","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Guardian; Poetry; Visual arts; Active listening; Media studies; Sociology; Art; Law; Political science; Literature","score_opus":0.04657697286312956,"score_gpt":0.35427593244630945,"score_spread":0.3076989595831799,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387786857","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.31525272,0.0005157853,0.00025437417,0.033111267,0.003037227,0.0000973498,0.000010588446,0.00012508544,0.6475956],"genre_scores_gemma":[0.96858126,0.00019303033,0.00006993405,0.001447639,0.0018278221,8.6987717e-7,0.000002514714,0.000012150777,0.027864784],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998955,0.00011006707,0.00036611417,0.00006630134,0.0003464162,0.00015606801],"domain_scores_gemma":[0.9986669,0.00046434856,0.00032543522,0.0000766431,0.00038320106,0.00008346821],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.001014083,0.00007410371,0.00017389392,0.0001723499,0.00018912327,0.00021119989,0.00011983489,0.000021425874,0.0020551656],"category_scores_gemma":[0.0008506955,0.00005577962,0.00013906228,0.00009850417,0.000060349295,0.001265546,0.000029203251,0.00023107206,0.002200878],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026386353,0.000943386,0.00006304655,0.00003370192,0.000638578,0.0011748535,0.01813377,0.00004518509,0.0013422823,0.23987108,0.72835535,0.009134871],"study_design_scores_gemma":[0.00018884864,0.00031288268,0.00009395022,0.000021609587,0.00017289506,0.00009674934,0.008024509,0.00009450316,0.00010505144,0.0009476966,0.98986566,0.00007565681],"about_ca_topic_score_codex":0.000008326167,"about_ca_topic_score_gemma":0.00001845764,"teacher_disagreement_score":0.65332854,"about_ca_system_score_codex":0.000015092174,"about_ca_system_score_gemma":0.00003669707,"threshold_uncertainty_score":0.9988571},"labels":[],"label_agreement":null},{"id":"W4388143143","doi":"10.1515/9781773854595","title":"Borderblur Poetics","year":2023,"lang":"en","type":"book","venue":"University of Calgary Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Art; Literature; Poetry","score_opus":0.036984256779631255,"score_gpt":0.20007015389959912,"score_spread":0.16308589711996785,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388143143","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00001498732,0.0001693291,0.00007496852,0.000014142321,0.0002600299,0.00011438468,0.00014790741,0.00011741588,0.99908686],"genre_scores_gemma":[0.00015015053,0.00010202615,0.000025841948,0.0000451348,0.00021995365,1.6986981e-7,0.00010787149,0.000033014487,0.99931586],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903893,0.00003663333,0.00017952536,0.00025350443,0.00028678405,0.0002046475],"domain_scores_gemma":[0.9991683,0.00007108804,0.00016267142,0.0003444336,0.00017136827,0.00008216452],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007979422,0.00021024144,0.00042679178,0.00015102388,0.00024520687,0.000041012925,0.00041719558,0.00018107965,0.0010190781],"category_scores_gemma":[0.0000062070185,0.00024297426,0.00032107538,0.000004117839,0.0005808666,0.00004935469,0.00019937671,0.0002894478,0.00008122223],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001957729,0.00001561638,1.8537936e-7,0.00012202383,0.0002457445,0.0000985597,0.004657809,0.0000012978148,0.0000013857466,0.90904474,0.08320602,0.0025870546],"study_design_scores_gemma":[0.00020510051,0.00004488175,0.0000020850614,0.00015096189,0.0004398531,7.0225497e-7,0.00044732704,0.0001009549,0.000008503045,0.006030805,0.99231625,0.00025255297],"about_ca_topic_score_codex":0.00085658446,"about_ca_topic_score_gemma":0.0018082263,"teacher_disagreement_score":0.90911025,"about_ca_system_score_codex":0.00004264351,"about_ca_system_score_gemma":0.00012549598,"threshold_uncertainty_score":0.99989414},"labels":[],"label_agreement":null},{"id":"W4388146539","doi":"10.1515/9781773852317","title":"I Want to Tell You Love","year":2021,"lang":"en","type":"book","venue":"University of Calgary Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.028118138484614783,"score_gpt":0.18739505782038823,"score_spread":0.15927691933577345,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388146539","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00004765691,0.0003841416,0.0001669879,0.00003110637,0.00020912934,0.00014768264,0.00015463415,0.0000289104,0.9988297],"genre_scores_gemma":[0.0002746937,0.000041216397,0.00008555937,0.00015774489,0.00024056525,9.867015e-8,0.000081691105,0.000021096106,0.99909735],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989119,0.000045029505,0.00018579992,0.00034146593,0.00029876336,0.00021701455],"domain_scores_gemma":[0.99903953,0.000042878684,0.00012214194,0.00041348452,0.00023605177,0.00014590472],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000067843604,0.00023063787,0.0005122877,0.00013252872,0.00014395264,0.000058697693,0.00040115233,0.00015610279,0.0044703437],"category_scores_gemma":[0.000005887928,0.00026050114,0.0003641216,0.0000043908067,0.00031224196,0.000054214594,0.00027738832,0.000270874,0.0001410187],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004784721,0.00004292536,3.1552554e-7,0.0001789612,0.0003702754,0.00031285084,0.01947536,0.0000029003081,0.000017247876,0.88039213,0.09508692,0.0040722485],"study_design_scores_gemma":[0.00018572956,0.00005955384,0.0000010847406,0.00022033534,0.0004323585,0.000001879434,0.0011582319,0.00002605988,0.00012248101,0.0011103293,0.9963862,0.00029577554],"about_ca_topic_score_codex":0.0009066849,"about_ca_topic_score_gemma":0.0015339152,"teacher_disagreement_score":0.90129924,"about_ca_system_score_codex":0.000069004585,"about_ca_system_score_gemma":0.0001709175,"threshold_uncertainty_score":0.99998474},"labels":[],"label_agreement":null},{"id":"W4388229183","doi":"10.29173/isotl685","title":"On Popup Poetry","year":2023,"lang":"en","type":"article","venue":"Imagining SoTL","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Simplicity; Style (visual arts); Meaning (existential); Word (group theory); Spoken word; Focus (optics); Art; Simple (philosophy); Linguistics; Philosophy; Epistemology","score_opus":0.03623644696971657,"score_gpt":0.26942772073792515,"score_spread":0.23319127376820858,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388229183","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21187,0.000102045036,0.00002213035,0.009328773,0.0012534555,0.00005000214,0.00003367496,0.00070420717,0.7766357],"genre_scores_gemma":[0.95740163,0.000005295692,0.000011254479,0.0012823888,0.00053089263,0.000006290061,0.000023672312,0.000017809161,0.04072075],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992727,0.000021449447,0.00012824168,0.00016664145,0.00016668513,0.0002442734],"domain_scores_gemma":[0.99962246,0.0000836076,0.000027459255,0.00018281207,0.000035660414,0.00004801955],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014214459,0.000093657894,0.00011879225,0.0001444821,0.0002648133,0.00018329115,0.000126114,0.000016713624,0.0032687979],"category_scores_gemma":[0.000055058714,0.00008215061,0.00008844639,0.00007991856,0.00010411153,0.00012514704,0.000029299528,0.00012424697,0.0045274515],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005489141,0.000023916133,0.00012467941,0.0000072510143,0.000027500604,0.000037441805,0.0056391302,0.000013608526,0.00004837607,0.89395976,0.09671662,0.0033962405],"study_design_scores_gemma":[0.00029242403,0.000087871835,0.0006885558,0.000058786285,0.00004609552,0.0000027995088,0.00694346,0.0012140265,0.00021874467,0.04175084,0.9483938,0.00030255926],"about_ca_topic_score_codex":0.000094933996,"about_ca_topic_score_gemma":0.00003560283,"teacher_disagreement_score":0.8522089,"about_ca_system_score_codex":0.000010305298,"about_ca_system_score_gemma":0.00001003462,"threshold_uncertainty_score":0.99764234},"labels":[],"label_agreement":null},{"id":"W4388259196","doi":"10.1093/oso/9780195121735.003.0006","title":"Zora Neale Hurston and the Speakerly Text","year":2000,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":8,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Globe; White (mutation); Art; Quarter (Canadian coin); Sight; Art history; Chesapeake bay; History; Visual arts; Psychology; Archaeology; Astronomy; Geology; Oceanography; Physics","score_opus":0.019142335623661643,"score_gpt":0.19192784945335345,"score_spread":0.17278551382969182,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388259196","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00004231924,0.0030849082,0.0000022616005,0.001384465,0.00012299145,0.00011467767,0.00003415796,0.000040424202,0.9951738],"genre_scores_gemma":[0.031804554,0.0009863029,0.0000036342262,0.0014255261,0.0009491928,0.0000037904604,0.000024315343,0.000028112305,0.96477455],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991644,0.00001527652,0.0002570225,0.00022916147,0.00017670493,0.00015745757],"domain_scores_gemma":[0.999476,0.00007498504,0.00006749566,0.0002884846,0.00004167394,0.000051324252],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013626034,0.0002340715,0.00038818878,0.00006352758,0.00036164976,0.00034166843,0.00015158513,0.00009197016,0.10295176],"category_scores_gemma":[0.0000026884175,0.00013167728,0.0002207943,0.0000037197149,0.00083826244,0.00008062725,0.00003134164,0.00023902082,0.0010501979],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001910233,0.000005515813,1.3865441e-7,0.0000083335235,0.00009353751,0.000006625156,0.002211335,1.4471252e-7,6.999953e-8,0.96876025,0.013871704,0.015023251],"study_design_scores_gemma":[0.00023823681,0.000022524715,0.0000014632216,0.000030433248,0.00020029768,0.0000040542714,0.00034610482,0.000017574745,3.8476475e-7,0.15521127,0.84375393,0.000173718],"about_ca_topic_score_codex":0.0003242182,"about_ca_topic_score_gemma":0.0013948326,"teacher_disagreement_score":0.8298822,"about_ca_system_score_codex":0.00000916414,"about_ca_system_score_gemma":0.0000143779,"threshold_uncertainty_score":0.9997276},"labels":[],"label_agreement":null},{"id":"W4388309229","doi":"10.5325/pacicoasphil.57.1.0024","title":"Immersion in Nature’s Creative Surge in Eugène Guillevic and Wendell Berry","year":2022,"lang":"en","type":"article","venue":"Pacific Coast Philology","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; American poetry; Art; Criticism; Paraphrase; CLARITY; History; Philosophy; Art history","score_opus":0.01705926527294165,"score_gpt":0.2331328154121144,"score_spread":0.21607355013917273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388309229","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.786951,0.0026702501,0.0000028296242,0.0036621313,0.0005480816,0.00014753736,0.00009481664,0.000021687876,0.20590165],"genre_scores_gemma":[0.99622196,0.00013463273,0.000003350645,0.00031361575,0.000100922036,0.000039083938,0.00006061964,0.000011223192,0.0031146165],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987015,0.00026869442,0.0002870488,0.00032247865,0.0001318213,0.0002884211],"domain_scores_gemma":[0.9995576,0.00014029017,0.0000653846,0.0001657172,0.000026963067,0.00004403193],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000446658,0.00013736439,0.00032147244,0.00035272568,0.00025208681,0.000025162848,0.00012562585,0.000062981184,0.0067702057],"category_scores_gemma":[0.000021071884,0.00013394651,0.000059806156,0.0001206612,0.00020779188,0.00008626255,0.00020527723,0.00055438885,0.000019238762],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040218947,0.0010754772,0.038122445,0.00006841374,0.00012771686,0.00050932914,0.09080006,0.000110969784,0.0003536742,0.84727794,0.01408637,0.007065391],"study_design_scores_gemma":[0.0024182685,0.0005375505,0.021903768,0.000046507208,0.000086731125,0.0000866117,0.19881243,0.0011505167,0.000046728142,0.04252102,0.73158944,0.00080044457],"about_ca_topic_score_codex":0.00083111,"about_ca_topic_score_gemma":0.0035281777,"teacher_disagreement_score":0.80475694,"about_ca_system_score_codex":0.000059680417,"about_ca_system_score_gemma":0.000021101723,"threshold_uncertainty_score":0.99413776},"labels":[],"label_agreement":null},{"id":"W4388319204","doi":"10.1093/oso/9780195120813.003.0002","title":"Walt Whitman 1812-1892: A Brief Biography","year":2000,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Biography; Poetry; History; Performance art; Genealogy; Art history; Art; Cartography; Ancient history; Classics; Geography; Literature","score_opus":0.025751103675644184,"score_gpt":0.2028209671036258,"score_spread":0.17706986342798162,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388319204","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000026151702,0.001287637,0.0000059846307,0.0004146817,0.00027469438,0.00012324522,0.00018717482,0.00018310457,0.9974973],"genre_scores_gemma":[0.018270146,0.00078707427,0.000013643077,0.0019147429,0.0014986728,0.0000077694385,0.00018658303,0.00007194028,0.97724944],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983839,0.000012118062,0.00045559547,0.00047449823,0.00033406526,0.00033983745],"domain_scores_gemma":[0.99910396,0.000030963587,0.00010710938,0.00050986465,0.00010622644,0.00014184309],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008493155,0.00045110466,0.0005712352,0.00046107083,0.00036983308,0.0003834472,0.0002981068,0.00021383865,0.26592246],"category_scores_gemma":[0.0000019648576,0.00037113845,0.0008182382,0.000018754881,0.00041826902,0.00014022838,0.00004387668,0.0003455665,0.002542575],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000066649363,0.000026658234,0.0000012096751,0.00001922758,0.0002668549,0.000025735033,0.0007956643,1.5158645e-7,5.438124e-7,0.89846027,0.09602359,0.0043734587],"study_design_scores_gemma":[0.00011746352,0.00005747813,0.0000026583518,0.00008120192,0.00029013792,0.0000034261625,0.0001171856,0.000003745953,0.0000035576932,0.12288407,0.87596804,0.00047100356],"about_ca_topic_score_codex":0.00043640984,"about_ca_topic_score_gemma":0.0022461063,"teacher_disagreement_score":0.7799445,"about_ca_system_score_codex":0.000016864076,"about_ca_system_score_gemma":0.000028502687,"threshold_uncertainty_score":0.99987406},"labels":[],"label_agreement":null},{"id":"W4388395771","doi":"10.1093/oso/9780199251131.003.0001","title":"Making Things Happen","year":2002,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nothing; Poetry; Phrase; Quarter (Canadian coin); Literature; Aesthetics; History; Art; Philosophy; Epistemology; Linguistics","score_opus":0.10251004003066316,"score_gpt":0.2495060306190051,"score_spread":0.14699599058834192,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388395771","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[9.470757e-7,0.00048684134,0.000023200702,0.000474502,0.00024311076,0.000057832287,0.000016617863,0.000107397005,0.9985896],"genre_scores_gemma":[0.01186011,0.00007121822,0.000030134112,0.0023005717,0.0010923891,0.0000020117443,0.000018991444,0.000042638192,0.98458195],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990783,0.000004454866,0.00026075242,0.00024870996,0.00022521657,0.0001825854],"domain_scores_gemma":[0.9995149,0.000026338726,0.00009581742,0.00025546906,0.000068049696,0.00003943233],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007191721,0.00024245521,0.0003270695,0.00011355641,0.00026305002,0.0003092899,0.00020102809,0.00011922156,0.31691152],"category_scores_gemma":[0.0000039664537,0.00019534379,0.00028268917,0.000002733149,0.00014473796,0.00017881606,0.000060894858,0.0002671565,0.0048013562],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[7.979303e-7,0.0000055857718,1.2493456e-7,0.000016367143,0.00008872408,0.00002018111,0.0018130182,1.01957006e-7,1.9495981e-7,0.9324681,0.06329531,0.002291476],"study_design_scores_gemma":[0.000038327144,0.000014120936,1.5198381e-7,0.000107189306,0.00012919074,0.0000025551103,0.00015772074,0.000050859362,7.976136e-7,0.09316906,0.90606886,0.00026113816],"about_ca_topic_score_codex":0.000035112636,"about_ca_topic_score_gemma":0.00011557989,"teacher_disagreement_score":0.84277356,"about_ca_system_score_codex":0.000021539097,"about_ca_system_score_gemma":0.0000067629085,"threshold_uncertainty_score":0.9959735},"labels":[],"label_agreement":null},{"id":"W4388546504","doi":"10.1515/9781552385470-027","title":"The Dwelling Perspective in English-Canadian Drama","year":2013,"lang":"en","type":"book-chapter","venue":"University of Calgary Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Drama; Perspective (graphical); Sociology; History; Art; Visual arts","score_opus":0.021974698316817365,"score_gpt":0.17707719891750753,"score_spread":0.15510250060069017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388546504","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005004627,0.0007179491,0.000007824659,0.000035473833,0.0001654867,0.00018184763,0.000035501365,0.000021956987,0.9987839],"genre_scores_gemma":[0.012416453,0.0001452766,0.000011994297,0.00004308504,0.00017667099,3.2857233e-7,0.000009606768,0.000018232615,0.9871783],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991489,0.000030268202,0.00016185679,0.00023701627,0.00017988306,0.00024206663],"domain_scores_gemma":[0.99902904,0.00009110508,0.000115282484,0.00028436858,0.00035914945,0.000121073004],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000105769104,0.00019197799,0.00029232653,0.0001754587,0.00047699892,0.00009871506,0.000409136,0.00015669482,0.0017991472],"category_scores_gemma":[0.000010199629,0.0001779637,0.00021378329,0.000002476656,0.00066502026,0.00008563854,0.00007279307,0.00040543554,0.000039008402],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012851416,0.0000043613018,4.318922e-7,0.000012301256,0.00011651183,0.00003847308,0.02372921,0.0000023207115,2.5992676e-7,0.9729935,0.0012797002,0.0018100871],"study_design_scores_gemma":[0.00015564114,0.000022806815,0.0000029983735,0.000098701246,0.00011883306,3.760658e-7,0.006029664,0.00015596519,0.0000029566736,0.01952679,0.9736831,0.00020214058],"about_ca_topic_score_codex":0.19764827,"about_ca_topic_score_gemma":0.45229977,"teacher_disagreement_score":0.9724034,"about_ca_system_score_codex":0.00014769714,"about_ca_system_score_gemma":0.000111985784,"threshold_uncertainty_score":0.9991133},"labels":[],"label_agreement":null},{"id":"W4388708428","doi":"10.1017/rqx.2023.487","title":": <i>Comparative Essays on the Poetry and Prose of John Donne and George Herbert: Combined Lights</i>","year":2023,"lang":"en","type":"article","venue":"Renaissance Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"George (robot); Poetry; Art history; Art; Humanities; History; Literature","score_opus":0.03267724248254968,"score_gpt":0.2461569754278238,"score_spread":0.21347973294527411,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388708428","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9375032,0.00067021133,0.0000040485866,0.0028900786,0.00011651541,0.00019851944,0.000040349012,0.00006554779,0.058511492],"genre_scores_gemma":[0.99410206,0.000045278608,0.0000038777516,0.00020475696,0.00014758857,0.000029230576,0.000008604394,0.000011787405,0.0054467903],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99901104,0.00008427669,0.00025024876,0.00024314586,0.00018142627,0.00022988541],"domain_scores_gemma":[0.9992884,0.00023379676,0.00009988358,0.00024977734,0.00006770098,0.000060449587],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023529322,0.0001675931,0.00033342,0.00008726407,0.0003770856,0.0001349881,0.00012248362,0.000037241945,0.00020670188],"category_scores_gemma":[0.000010375288,0.00010454862,0.000061983046,0.000114998336,0.00047837326,0.00015953774,0.000017167959,0.00013623295,0.00005343574],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008659231,0.0001440328,0.0003009315,0.0001031321,0.00013156567,0.0000109185985,0.07097257,0.000001750793,0.0010406179,0.8990366,0.026605159,0.001566158],"study_design_scores_gemma":[0.0070095337,0.012537655,0.050413977,0.0023019034,0.0008716391,0.00003094056,0.25334877,0.004984447,0.015040698,0.2882704,0.36204734,0.0031426775],"about_ca_topic_score_codex":0.0000701475,"about_ca_topic_score_gemma":0.0001910619,"teacher_disagreement_score":0.6107662,"about_ca_system_score_codex":0.000004815753,"about_ca_system_score_gemma":0.000009326244,"threshold_uncertainty_score":0.4263369},"labels":[],"label_agreement":null},{"id":"W4388709611","doi":"10.7202/1106655ar","title":"Wave / Lengths in Lucy Lippard’s I See / You Mean","year":2023,"lang":"fr","type":"article","venue":"RACAR Revue d art canadienne","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.031209395032012414,"score_gpt":0.22034985407338478,"score_spread":0.18914045904137236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388709611","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78114617,0.004849857,0.000005444697,0.023184862,0.0050243265,0.00036796235,0.0010952884,0.00016903224,0.18415707],"genre_scores_gemma":[0.5239363,0.0010638228,0.000014255349,0.00041850994,0.0021348181,0.000029712124,0.00023138849,0.000056068282,0.47211513],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9966884,0.0001892367,0.0007233311,0.0006594557,0.00019711403,0.0015424344],"domain_scores_gemma":[0.9984023,0.0001790941,0.00013371247,0.0006235634,0.00014084038,0.0005205032],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0009239221,0.00040377944,0.00068368815,0.00056630786,0.000578041,0.0002460604,0.00030803817,0.00020756642,0.0075777275],"category_scores_gemma":[0.0001726889,0.0004601568,0.0003621916,0.00050858717,0.00035926254,0.00038609546,0.000118535936,0.00057398714,0.00465536],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018349947,0.0001427242,0.00020848963,0.00036019486,0.00020896335,0.0022372282,0.033432256,0.00022522385,0.0000409476,0.8344592,0.08397398,0.044692453],"study_design_scores_gemma":[0.00039606166,0.00010033873,0.0007461569,0.00043201415,0.00017695033,0.000054697797,0.011470456,0.00403954,0.000026594964,0.0036436878,0.97836816,0.00054533005],"about_ca_topic_score_codex":0.02427258,"about_ca_topic_score_gemma":0.5377115,"teacher_disagreement_score":0.8943942,"about_ca_system_score_codex":0.00044092842,"about_ca_system_score_gemma":0.00012884339,"threshold_uncertainty_score":0.999785},"labels":[],"label_agreement":null},{"id":"W4388734154","doi":"10.1080/17449855.2023.2248555","title":"Interpoetics or the poetics of culture and the culture of poetics in Hannah Lowe, Russell Leong, Marilyn Chin, and Fred Wah","year":2023,"lang":"en","type":"article","venue":"Journal of Postcolonial Writing","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Liminality; Literature; Poetry; Identity (music); Hybridity; Art; Chin; Aesthetics; History","score_opus":0.017149497977845093,"score_gpt":0.2658665062356883,"score_spread":0.2487170082578432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388734154","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9813055,0.0029154299,0.000030004161,0.008297074,0.0004020194,0.00025647975,0.00008269641,0.000012267633,0.0066985497],"genre_scores_gemma":[0.9959638,0.0016332382,0.0001030422,0.0002602576,0.00048556973,0.0000016140301,0.000002134243,0.000014268389,0.0015360618],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99819547,0.00018748411,0.0008883906,0.0001125847,0.0003865681,0.00022953168],"domain_scores_gemma":[0.99838907,0.00037935827,0.00058359717,0.00013770632,0.00045219666,0.00005810344],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013809938,0.0001661797,0.0005214091,0.00013787777,0.00025541752,0.0001622584,0.00027827115,0.000093124814,0.00006274643],"category_scores_gemma":[0.0005975044,0.00007467498,0.00017317319,0.00017515522,0.00072356814,0.0001481034,0.00013423855,0.0004901349,9.978157e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0022644992,0.00048740557,0.006515206,0.00089632196,0.00096334086,0.00027784109,0.69702727,0.00018106843,0.0051249266,0.27041638,0.008802543,0.0070431726],"study_design_scores_gemma":[0.015699798,0.0041834232,0.026352702,0.004391688,0.0028126661,0.0007313343,0.74749124,0.009473645,0.0023614252,0.04225555,0.14297676,0.0012697983],"about_ca_topic_score_codex":0.00008999033,"about_ca_topic_score_gemma":0.00057768734,"teacher_disagreement_score":0.22816083,"about_ca_system_score_codex":0.000018176084,"about_ca_system_score_gemma":0.000051866653,"threshold_uncertainty_score":0.30451572},"labels":[],"label_agreement":null},{"id":"W4389131734","doi":"10.5325/bishoplowellstud.3.0175","title":"<i>Modern American Poetry and the Architectural Imagination</i> by Jo Gill","year":2023,"lang":"en","type":"article","venue":"Bishop–Lowell Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Seneca Polytechnic","funders":"","keywords":"Poetry; Art; Aesthetics; Literature; Art history","score_opus":0.02286805348374489,"score_gpt":0.2690044732535441,"score_spread":0.24613641976979922,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389131734","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.81833184,0.030809706,0.00004598865,0.052295998,0.00086095894,0.00044174935,0.00023082072,0.00051819114,0.09646473],"genre_scores_gemma":[0.98098546,0.0017958371,0.000007402854,0.001765472,0.00032636034,0.000046032103,0.000018557903,0.000017848119,0.015037035],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99885637,0.00009410065,0.00022823233,0.00026620826,0.00024175728,0.00031332922],"domain_scores_gemma":[0.9991971,0.00036780394,0.00008145761,0.00019224327,0.00011506266,0.00004633649],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00030984465,0.00019010439,0.00035539057,0.00008787589,0.00087588903,0.00020277972,0.00016816254,0.000013459731,0.000083080624],"category_scores_gemma":[0.00011567905,0.00011319898,0.00012535085,0.00014541636,0.002195203,0.00011586454,0.00016131083,0.0001378384,0.000083934545],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015877938,0.00012543843,0.0020884573,0.00014474243,0.0017736984,0.000035887,0.17564933,0.000028091923,0.00018280747,0.15167733,0.5313287,0.13680676],"study_design_scores_gemma":[0.0015998862,0.00010917489,0.0021087094,0.000049288712,0.000381727,0.000008878333,0.060482554,0.0016750372,0.00010223606,0.032714073,0.90012985,0.00063857983],"about_ca_topic_score_codex":0.00035990294,"about_ca_topic_score_gemma":0.0005629544,"teacher_disagreement_score":0.36880118,"about_ca_system_score_codex":0.000016075915,"about_ca_system_score_gemma":0.0000066048283,"threshold_uncertainty_score":0.80883163},"labels":[],"label_agreement":null},{"id":"W4389131743","doi":"10.5325/bishoplowellstud.3.0182","title":"<i>Elizabeth Bishop: A Very Short Introduction</i> by Jonathan Post","year":2023,"lang":"en","type":"article","venue":"Bishop–Lowell Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Seneca Polytechnic","funders":"","keywords":"Poetry; Literature; Fountain; Reading (process); Citation; Vignette; Art; History; Art history; Philosophy; Visual arts; Psychology; Computer science; Linguistics; Library science","score_opus":0.04216328876394396,"score_gpt":0.2740430312832812,"score_spread":0.23187974251933727,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389131743","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8010784,0.03385384,0.000028375513,0.046119474,0.010368261,0.0008048451,0.0010282318,0.0022020675,0.10451652],"genre_scores_gemma":[0.908151,0.0046208897,0.000010830002,0.0017899,0.0043733786,0.00009775769,0.0002776064,0.000062556384,0.08061609],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99773747,0.000080915874,0.00048160504,0.00060162006,0.000471363,0.0006270165],"domain_scores_gemma":[0.99882436,0.00015673043,0.000068567046,0.0004218043,0.00041616417,0.00011237171],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00046308257,0.00035962046,0.0005626792,0.00026122236,0.0010507394,0.00026474425,0.00029679993,0.000070130205,0.0010244647],"category_scores_gemma":[0.00020223987,0.00030189182,0.00028996202,0.00033028706,0.00057772885,0.00036971358,0.00023616938,0.00023021236,0.0010246082],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002333324,0.00013546592,0.00026867396,0.000070478025,0.0006482028,0.0000319829,0.008135904,0.000010398036,0.00072291686,0.01317494,0.9741723,0.0026054003],"study_design_scores_gemma":[0.00020080933,0.00012362582,0.00021497118,0.000032814696,0.0002194446,0.000004038341,0.021813286,0.000050268256,0.00057747995,0.0008770819,0.9754503,0.00043592558],"about_ca_topic_score_codex":0.00012821844,"about_ca_topic_score_gemma":0.0007247484,"teacher_disagreement_score":0.107072614,"about_ca_system_score_codex":0.00006241903,"about_ca_system_score_gemma":0.000026603253,"threshold_uncertainty_score":0.9999433},"labels":[],"label_agreement":null},{"id":"W4389250328","doi":"10.1086/726791","title":":<i>The Romantic Rhetoric of Accumulation</i>","year":2023,"lang":"en","type":"article","venue":"The Wordsworth Circle","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Rhetoric; Romance; Literature; Art; Philosophy; Aesthetics; Linguistics","score_opus":0.04508517390287414,"score_gpt":0.2744250072610249,"score_spread":0.22933983335815078,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389250328","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9079997,0.0007907459,0.00003406516,0.0035043452,0.0011897316,0.0001908554,0.00001608801,0.00018282548,0.08609166],"genre_scores_gemma":[0.98426604,0.000074845426,0.0000010223081,0.000094634495,0.000384758,0.000011714775,0.000007169825,0.000011260753,0.015148566],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999128,0.00005819024,0.00023637053,0.00010444665,0.0002513978,0.00022162666],"domain_scores_gemma":[0.9991575,0.00028631053,0.000082468716,0.00036895965,0.00007795353,0.000026841804],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00049079716,0.000070679074,0.00012258923,0.000046903566,0.0008290974,0.00010120046,0.00029890204,0.000017786819,0.00036975782],"category_scores_gemma":[0.000052797674,0.000043306274,0.000117766744,0.00021750652,0.00024179358,0.00008291057,0.000051314775,0.00009678481,0.00044317413],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021650092,0.000059108625,0.0011019676,0.000031054708,0.00017825748,0.0000052635987,0.01456023,0.000618191,0.000119022814,0.92968976,0.024981974,0.028633494],"study_design_scores_gemma":[0.00035844813,0.00006080416,0.06718832,0.00005211777,0.00020878423,0.0000023366113,0.006313305,0.004330681,0.0001896813,0.04563705,0.8753616,0.0002968458],"about_ca_topic_score_codex":0.00010086118,"about_ca_topic_score_gemma":0.0006246243,"teacher_disagreement_score":0.88405275,"about_ca_system_score_codex":0.000008078366,"about_ca_system_score_gemma":0.000017391949,"threshold_uncertainty_score":0.6376831},"labels":[],"label_agreement":null},{"id":"W4389523271","doi":"10.1525/ca.2023.42.2.249","title":"Repeating after Carson","year":2023,"lang":"en","type":"article","venue":"Classical Antiquity","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conversation; Work (physics); Art history; History; Sociology; Art; Communication; Engineering","score_opus":0.04031285128664692,"score_gpt":0.26845571844260435,"score_spread":0.22814286715595744,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389523271","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86773676,0.000055532764,0.0000385511,0.0036597215,0.00051403017,0.00005400842,0.00002988876,0.0003381328,0.12757337],"genre_scores_gemma":[0.9418937,0.00000872365,0.000009520717,0.00034554457,0.0007781899,0.00001260123,0.000013560538,0.00000955055,0.056928582],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915123,0.000040188137,0.00016982178,0.000203737,0.00017008779,0.00026491593],"domain_scores_gemma":[0.9996346,0.00004260869,0.000028010425,0.00017299101,0.000051143943,0.00007062907],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018356318,0.000092730465,0.0001612751,0.00005517058,0.00024581657,0.00014020097,0.00009916249,0.000036903893,0.0025089642],"category_scores_gemma":[0.000072299736,0.0000725155,0.0001421445,0.00008080318,0.00020062449,0.00012856799,0.00007808992,0.00013759703,0.00075793033],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003554977,0.00016718352,0.0024424272,0.00008484078,0.000080077705,0.00024383409,0.009958021,0.0000034574937,0.00054655527,0.8704355,0.10181755,0.014184999],"study_design_scores_gemma":[0.00019313615,0.00007619878,0.008953502,0.0000563747,0.000076122466,0.000002315092,0.0023724732,0.006325384,0.00042075195,0.010513932,0.97067946,0.00033036567],"about_ca_topic_score_codex":0.000025361529,"about_ca_topic_score_gemma":0.00020773736,"teacher_disagreement_score":0.8688619,"about_ca_system_score_codex":0.0000125098195,"about_ca_system_score_gemma":0.000010314045,"threshold_uncertainty_score":0.9984029},"labels":[],"label_agreement":null},{"id":"W4389614912","doi":"10.32920/24794193","title":"Narrative Poem After Charles Olson’s “Cole’s Island”","year":2023,"lang":"en","type":"preprint","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Narrative; Art; Art history; Philosophy; Literature","score_opus":0.052201560496025305,"score_gpt":0.2669948579470935,"score_spread":0.21479329745106818,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389614912","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16771239,0.0017430319,0.00047502582,0.014441237,0.005962031,0.00090565946,0.0013664849,0.0011767248,0.80621743],"genre_scores_gemma":[0.6587201,0.00013920743,0.000018820809,0.0006629329,0.0015327878,0.00022062685,0.00014150923,0.000037371894,0.33852667],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99831957,0.00007720207,0.0004011772,0.00054965337,0.0003007529,0.00035165963],"domain_scores_gemma":[0.99907374,0.000058336253,0.00011447601,0.00047835585,0.00018264182,0.000092423885],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002012194,0.00036545465,0.0005287241,0.00018932868,0.00027590178,0.0006478049,0.00032124112,0.00018364149,0.045382127],"category_scores_gemma":[0.000024859875,0.0002819811,0.00042406833,0.000028760787,0.00018797805,0.00011752368,0.00046571757,0.0005066587,0.0017408079],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004924792,0.00016966196,0.00015255,0.00029614934,0.0008722894,0.000150199,0.3662882,0.00003922439,0.000005770011,0.39001855,0.24117637,0.00078181503],"study_design_scores_gemma":[0.0004059016,0.00010254522,0.0013452765,0.00061150425,0.00053282233,0.0000025842896,0.12201364,0.0008495601,0.00009334237,0.06350443,0.8088926,0.0016457908],"about_ca_topic_score_codex":0.0014280858,"about_ca_topic_score_gemma":0.029391833,"teacher_disagreement_score":0.56771624,"about_ca_system_score_codex":0.000046222423,"about_ca_system_score_gemma":0.00005906348,"threshold_uncertainty_score":0.9999632},"labels":[],"label_agreement":null},{"id":"W4389626038","doi":"10.32920/24794193.v1","title":"Narrative Poem After Charles Olson’s “Cole’s Island”","year":2023,"lang":"en","type":"preprint","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Narrative; Art; Art history; Philosophy; Literature","score_opus":0.052201560496025305,"score_gpt":0.2669948579470935,"score_spread":0.21479329745106818,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389626038","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.16771239,0.0017430319,0.00047502582,0.014441237,0.005962031,0.00090565946,0.0013664849,0.0011767248,0.80621743],"genre_scores_gemma":[0.6587201,0.00013920743,0.000018820809,0.0006629329,0.0015327878,0.00022062685,0.00014150923,0.000037371894,0.33852667],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99831957,0.00007720207,0.0004011772,0.00054965337,0.0003007529,0.00035165963],"domain_scores_gemma":[0.99907374,0.000058336253,0.00011447601,0.00047835585,0.00018264182,0.000092423885],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002012194,0.00036545465,0.0005287241,0.00018932868,0.00027590178,0.0006478049,0.00032124112,0.00018364149,0.045382127],"category_scores_gemma":[0.000024859875,0.0002819811,0.00042406833,0.000028760787,0.00018797805,0.00011752368,0.00046571757,0.0005066587,0.0017408079],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004924792,0.00016966196,0.00015255,0.00029614934,0.0008722894,0.000150199,0.3662882,0.00003922439,0.000005770011,0.39001855,0.24117637,0.00078181503],"study_design_scores_gemma":[0.0004059016,0.00010254522,0.0013452765,0.00061150425,0.00053282233,0.0000025842896,0.12201364,0.0008495601,0.00009334237,0.06350443,0.8088926,0.0016457908],"about_ca_topic_score_codex":0.0014280858,"about_ca_topic_score_gemma":0.029391833,"teacher_disagreement_score":0.56771624,"about_ca_system_score_codex":0.000046222423,"about_ca_system_score_gemma":0.00005906348,"threshold_uncertainty_score":0.9999632},"labels":[],"label_agreement":null},{"id":"W4389678034","doi":"10.1515/9780889778030-001","title":"Foreword","year":2021,"lang":"en","type":"book-chapter","venue":"University of Regina Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Medicine","score_opus":0.04536108292394935,"score_gpt":0.1930261001608022,"score_spread":0.14766501723685285,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389678034","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00003324518,0.0006728914,0.000054620697,0.00019113526,0.00012270476,0.00006653714,0.00016796803,0.000034335455,0.9986566],"genre_scores_gemma":[0.0026652056,0.00013758881,0.000037844584,0.00003266726,0.00016749096,6.3372525e-8,0.000036775942,0.000017692766,0.9969047],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935913,0.000012768012,0.00007463477,0.0002324602,0.00018795658,0.00013302187],"domain_scores_gemma":[0.9992213,0.000028796107,0.00015821459,0.00034316487,0.00019049259,0.000058009355],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00004162721,0.00017655813,0.00037518554,0.0000877764,0.00019232044,0.000027519156,0.00026797337,0.00013091548,0.0020511528],"category_scores_gemma":[0.0000023805392,0.00020321316,0.00033104894,0.0000011601915,0.00050808175,0.000050125906,0.00012907652,0.00020389486,0.0000190989],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011649995,0.0000059040653,1.5756777e-7,0.00007893782,0.00019846154,0.00011461305,0.0020966681,3.855393e-7,0.0000015575151,0.95501065,0.039791662,0.0026893204],"study_design_scores_gemma":[0.00014922617,0.000028754865,2.7976236e-7,0.00022050229,0.00036744776,0.0000020858195,0.00063520216,0.000013844662,0.000022343847,0.0036911352,0.99466187,0.00020728735],"about_ca_topic_score_codex":0.00026859503,"about_ca_topic_score_gemma":0.00085566373,"teacher_disagreement_score":0.9548702,"about_ca_system_score_codex":0.000023267065,"about_ca_system_score_gemma":0.000042205793,"threshold_uncertainty_score":0.99886113},"labels":[],"label_agreement":null},{"id":"W4389693150","doi":"10.1515/9780889778412-042","title":"Uraneco’s Response—Saskatoon","year":2021,"lang":"en","type":"book-chapter","venue":"University of Regina Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.04042834163164648,"score_gpt":0.1943805310342867,"score_spread":0.15395218940264022,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389693150","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00027132832,0.00080682617,0.000017175074,0.000489626,0.00014894296,0.0000931121,0.00015206487,0.000050613937,0.9979703],"genre_scores_gemma":[0.0065306067,0.00011278628,0.00002435881,0.000045069442,0.00013313176,1.06853655e-7,0.000034938763,0.000025421916,0.99309355],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99906856,0.000058093643,0.00010961606,0.0003252439,0.0002613598,0.00017710839],"domain_scores_gemma":[0.99888283,0.00009521269,0.00021219536,0.00048646782,0.00024131403,0.00008195238],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012976919,0.00024007222,0.000486834,0.0001493688,0.0002683222,0.000059335376,0.00034604047,0.00018225217,0.0020390558],"category_scores_gemma":[0.0000069925945,0.00028038377,0.00039968794,0.0000020768164,0.0006944459,0.0000749082,0.00014642162,0.00027462284,0.00003268073],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018630826,0.00001166355,1.9584687e-7,0.00009626107,0.00026064194,0.0002984576,0.004495034,8.242692e-7,0.0000177958,0.94783676,0.045391556,0.0014045034],"study_design_scores_gemma":[0.00025732882,0.00007484359,0.0000013176225,0.00029487722,0.00040627952,0.000005194729,0.001105766,0.000008331462,0.00005470104,0.0011027898,0.99639994,0.00028863558],"about_ca_topic_score_codex":0.00026496444,"about_ca_topic_score_gemma":0.0009325506,"teacher_disagreement_score":0.9510084,"about_ca_system_score_codex":0.00004377802,"about_ca_system_score_gemma":0.000091146474,"threshold_uncertainty_score":0.99996483},"labels":[],"label_agreement":null},{"id":"W4389695788","doi":"10.1515/9780889773837-008","title":"CHAPTER 6 BUFFALO TRACKS AND CANOE CODES: MARSHALL McLUHAN AND ABORIGINAL MEDIA’S DISSIDENT GENEALOGY IN CANADA","year":2015,"lang":"en","type":"book-chapter","venue":"University of Regina Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Genealogy; History; Geography; Art history","score_opus":0.037015743033935004,"score_gpt":0.20669441376382816,"score_spread":0.16967867072989315,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389695788","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.008692431,0.0033942212,0.0000058004975,0.00038828718,0.00015598876,0.00017419488,0.00056165433,0.000014291174,0.98661315],"genre_scores_gemma":[0.28704894,0.0011104094,0.000020109803,0.000056412522,0.00014267128,4.1684152e-7,0.0000491984,0.000027780841,0.7115441],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989924,0.000024420833,0.00014116614,0.00034157248,0.0002758489,0.00022458125],"domain_scores_gemma":[0.99921685,0.00005492626,0.00016813522,0.00022204404,0.0001409348,0.00019712043],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00008316819,0.00026413964,0.0005458141,0.00015065666,0.00012269121,0.000033242544,0.00020716974,0.00012089864,0.00032330217],"category_scores_gemma":[0.0000028267111,0.00028637436,0.00006078979,0.000001959508,0.0006207908,0.000074203184,0.00008721902,0.00025271068,9.588341e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005396207,0.0000067964406,0.000048999325,0.000119843586,0.00012888419,0.00045079432,0.009354123,0.0000015404327,0.0000017463813,0.9814016,0.0043502864,0.0040814206],"study_design_scores_gemma":[0.00044873604,0.000043749136,0.00007553616,0.0001791388,0.00023995421,0.000014823981,0.0021540364,0.000041858122,0.0000026316063,0.0027648837,0.9937301,0.0003045319],"about_ca_topic_score_codex":0.83305955,"about_ca_topic_score_gemma":0.98799676,"teacher_disagreement_score":0.9893798,"about_ca_system_score_codex":0.00016224087,"about_ca_system_score_gemma":0.00037900987,"threshold_uncertainty_score":0.9999588},"labels":[],"label_agreement":null},{"id":"W4389988360","doi":"10.7202/1108332ar","title":"Decolonial Poetics and Trans-Subjective Lyric: Jordan Abel’s Un/Inhabited and Injun","year":2023,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Art; Literature; Poetry","score_opus":0.022467225639758975,"score_gpt":0.2763211904293375,"score_spread":0.25385396478957856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389988360","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9646402,0.016281933,2.4918305e-7,0.0054400424,0.00059309177,0.00019587345,0.00053585356,0.00004525104,0.012267477],"genre_scores_gemma":[0.9945663,0.0014976698,0.000015610629,0.0009164547,0.0003174683,0.000024806333,0.00003937003,0.000015784157,0.0026064988],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988896,0.000063138155,0.00019742938,0.00028451602,0.00010308351,0.00046221964],"domain_scores_gemma":[0.9994153,0.000115601295,0.000026091953,0.00011856082,0.0001220807,0.00020239712],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020919902,0.00018771243,0.00029263328,0.00044843726,0.000797373,0.00018712749,0.00007968407,0.000084114086,0.0000721841],"category_scores_gemma":[0.00009876355,0.00016388576,0.000044276392,0.00033908823,0.00042722243,0.00014984194,0.000044821474,0.00026125638,0.0000047801295],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032714048,0.000031388336,0.008807274,0.00024144925,0.000493654,0.00076982385,0.73816675,0.0000025215347,0.00001858051,0.22789378,0.01869917,0.004842911],"study_design_scores_gemma":[0.0012455711,0.0002734353,0.031430155,0.0004842266,0.00020458376,0.00003942654,0.06253986,0.00019644089,0.000028143391,0.03814884,0.8645798,0.0008295095],"about_ca_topic_score_codex":0.013393245,"about_ca_topic_score_gemma":0.7418062,"teacher_disagreement_score":0.8458806,"about_ca_system_score_codex":0.00009049446,"about_ca_system_score_gemma":0.00006166105,"threshold_uncertainty_score":0.99317664},"labels":[],"label_agreement":null},{"id":"W4390925107","doi":"10.1515/9781771104074-001","title":"The Llanthony Stories","year":2021,"lang":"es","type":"book-chapter","venue":"Pontifical Institute of Mediaeval Studies eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Federation for the Humanities and Social Sciences","keywords":"History","score_opus":0.09793661451361996,"score_gpt":0.30312446231425727,"score_spread":0.2051878478006373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390925107","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0030911462,0.073510736,0.000017538321,0.002786593,0.019257952,0.00051047484,0.0005767085,0.00008415683,0.9001647],"genre_scores_gemma":[0.17619869,0.022223538,0.000051855943,0.00022610498,0.005644522,0.000068374095,0.000099460434,0.00010073979,0.79538673],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99534464,0.00013202273,0.001672745,0.0008216923,0.0013083594,0.0007205309],"domain_scores_gemma":[0.9956208,0.001044941,0.0006794806,0.00096235593,0.0014610143,0.00023140934],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0010165708,0.00088220334,0.0019713375,0.0001359378,0.00298465,0.0006321533,0.00077292643,0.00037159031,0.0005069699],"category_scores_gemma":[0.00085277035,0.00057819084,0.0011111773,0.000019837516,0.0100405915,0.00012485712,0.0006243646,0.000943483,0.00012259463],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009321487,0.00005396929,0.000004266953,0.0004049459,0.0037884156,0.00022313166,0.0066993367,0.0000015820965,0.000059834223,0.96291524,0.0055123605,0.020243714],"study_design_scores_gemma":[0.00032663005,0.00012767478,0.000012552521,0.0010006002,0.0015845492,0.000011064667,0.008628238,0.000007869677,0.00028705108,0.010785237,0.97659445,0.0006341024],"about_ca_topic_score_codex":0.00016569147,"about_ca_topic_score_gemma":0.0042061424,"teacher_disagreement_score":0.9710821,"about_ca_system_score_codex":0.0001158677,"about_ca_system_score_gemma":0.00021387714,"threshold_uncertainty_score":0.9996669},"labels":[],"label_agreement":null},{"id":"W4390983258","doi":"10.51644/9781771124133","title":"Social Poesis","year":2019,"lang":"it","type":"book","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Linguistics; Philosophy","score_opus":0.03962778822608007,"score_gpt":0.25646085304734206,"score_spread":0.216833064821262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390983258","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000802656,0.0002922439,0.00001504676,0.0013698203,0.0008397385,0.00017134337,0.00020632951,0.00007113087,0.9969541],"genre_scores_gemma":[0.053131003,0.00011861118,0.0000050052536,0.0015449726,0.0063998583,0.00000708399,0.00025663574,0.000066324676,0.9384705],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977495,0.00007627438,0.0005951037,0.0005401029,0.00050838495,0.0005306414],"domain_scores_gemma":[0.99898535,0.00010986852,0.00021958505,0.00037428975,0.0002163263,0.0000945991],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020494954,0.00052766735,0.00097285485,0.00020549943,0.0009590533,0.0007134201,0.00041951722,0.00043421297,0.18897626],"category_scores_gemma":[0.000010869996,0.00044974647,0.0010500016,0.000028845483,0.00038739652,0.00018473921,0.00013437109,0.00051287597,0.021838332],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000061570663,0.00005145263,0.0000029451407,0.000119799515,0.00036596166,0.000008852048,0.0019820384,1.6628056e-7,0.0000013762168,0.6281445,0.36871043,0.0006063314],"study_design_scores_gemma":[0.00022185796,0.00006532579,0.00002762118,0.00007638159,0.0009033935,0.0000014176021,0.0019966038,0.00003327689,0.000004207771,0.011874006,0.9841476,0.0006483018],"about_ca_topic_score_codex":0.00016360596,"about_ca_topic_score_gemma":0.00009597958,"teacher_disagreement_score":0.6162705,"about_ca_system_score_codex":0.000118895776,"about_ca_system_score_gemma":0.00022777614,"threshold_uncertainty_score":0.99979544},"labels":[],"label_agreement":null},{"id":"W4391269660","doi":"10.17077/0737-0679.33671","title":"An Undetected Echo of Tennyson's \"Ulysses\" in Walt Whitman's \"Leaves of Grass\"","year":2024,"lang":"en","type":"article","venue":"Walt Whitman Quarterly Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"History","score_opus":0.02032910831503689,"score_gpt":0.2860644247503952,"score_spread":0.2657353164353583,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391269660","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36240426,0.5392332,0.0003483053,0.0028898423,0.0018530313,0.0024997569,0.00051553495,0.00066255627,0.08959351],"genre_scores_gemma":[0.9887736,0.009006655,0.00004917306,0.00028844614,0.00022191997,0.000047833702,0.00005606682,0.00004726295,0.0015090312],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971006,0.00031880074,0.0012420759,0.0005160324,0.0004020289,0.0004204848],"domain_scores_gemma":[0.99855316,0.00011157291,0.00024111915,0.0007393679,0.0002202223,0.0001345625],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007235473,0.00035205664,0.0011458357,0.0003827788,0.000095319716,0.00014441795,0.000481669,0.000093124756,0.0021369597],"category_scores_gemma":[0.00002850134,0.00028232785,0.0004304544,0.00046405545,0.00027370386,0.000555177,0.000021312631,0.00031147184,0.00010837154],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000659746,0.0017985811,0.001028346,0.06272384,0.0009627583,0.00024660854,0.06894536,0.000011269896,0.003682213,0.47164643,0.013067068,0.37582153],"study_design_scores_gemma":[0.0025827878,0.010360146,0.0058530704,0.09930592,0.0053934967,0.000092041075,0.045002546,0.004450582,0.0016283861,0.06527119,0.75532997,0.0047298903],"about_ca_topic_score_codex":0.00039672529,"about_ca_topic_score_gemma":0.002936365,"teacher_disagreement_score":0.7422629,"about_ca_system_score_codex":0.00004530411,"about_ca_system_score_gemma":0.00009080276,"threshold_uncertainty_score":0.99996287},"labels":[],"label_agreement":null},{"id":"W4391372469","doi":"10.51644/9781771122733","title":"Certain Details","year":2017,"lang":"en","type":"book","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.0511933417089173,"score_gpt":0.25310247098593097,"score_spread":0.20190912927701365,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391372469","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000024010633,0.0004327239,0.00000767945,0.00029927498,0.0004031357,0.00005703663,0.000046987596,0.000059066573,0.9986917],"genre_scores_gemma":[0.0024687925,0.000041739524,0.0000061375313,0.00042381414,0.002285946,0.0000058485966,0.00009802357,0.000026708998,0.994643],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992156,0.000011373532,0.00019236199,0.00021559707,0.00017487217,0.0001902208],"domain_scores_gemma":[0.99916583,0.000032926437,0.00011956138,0.0005337959,0.00008628885,0.000061613406],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009680198,0.00020202454,0.0003473324,0.000076672244,0.0005144247,0.0005683804,0.0003680951,0.00011480975,0.067975305],"category_scores_gemma":[0.00001674353,0.00015382846,0.0002832289,0.0000014542754,0.0002621829,0.00012002173,0.000052597064,0.00020267307,0.0031283153],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[6.2737433e-7,0.0000055209116,2.1891952e-7,0.000014353971,0.000059212332,0.000010340886,0.00035502604,2.8210037e-8,1.3100686e-7,0.57505643,0.42300302,0.0014950782],"study_design_scores_gemma":[0.000048812748,0.000014496844,8.8508165e-7,0.0000467146,0.0001439124,8.3300773e-7,0.000116151125,0.000007192328,0.0000020141263,0.07188919,0.92751175,0.00021807473],"about_ca_topic_score_codex":0.00010097029,"about_ca_topic_score_gemma":0.0022610517,"teacher_disagreement_score":0.5045087,"about_ca_system_score_codex":0.00003352868,"about_ca_system_score_gemma":0.000103873994,"threshold_uncertainty_score":0.9976479},"labels":[],"label_agreement":null},{"id":"W4391373408","doi":"10.51644/9781771122177","title":"Barking &amp; Biting","year":2016,"lang":"en","type":"book","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Biting; Geography; Computer science; Biology; Ecology","score_opus":0.05184010283567607,"score_gpt":0.23891339324301916,"score_spread":0.1870732904073431,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391373408","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000058946503,0.0003448414,0.00016456004,0.00026441828,0.0004116252,0.000041961288,0.00004468822,0.00010779009,0.9986142],"genre_scores_gemma":[0.0023774866,0.000037186077,0.00002174846,0.0006046485,0.004623861,0.000004276094,0.00005772126,0.000036670208,0.9922364],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99905336,0.000015708214,0.00026468543,0.00023706522,0.00019614982,0.00023302934],"domain_scores_gemma":[0.9994138,0.00009714589,0.00009576843,0.00024974867,0.00008808891,0.000055463355],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013521207,0.00020408037,0.00029868714,0.00012378555,0.00027997265,0.00022857975,0.00016934151,0.000095752024,0.10088624],"category_scores_gemma":[0.00001736599,0.0001333874,0.00024803227,0.0000051847155,0.00014736761,0.000101435326,0.000055936176,0.00016319177,0.00451727],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[5.467326e-7,0.000003501137,3.0311892e-7,0.000018952393,0.00005343026,0.0000031821628,0.00053389557,2.234164e-8,0.0000025509535,0.70655113,0.29031864,0.0025138261],"study_design_scores_gemma":[0.000049166527,0.000005393183,2.1894648e-7,0.00021494695,0.00008041584,0.0000012099478,0.000098270226,0.0000019851911,0.0000021205692,0.04508896,0.9542205,0.00023684284],"about_ca_topic_score_codex":0.000024487292,"about_ca_topic_score_gemma":0.00070771,"teacher_disagreement_score":0.6639018,"about_ca_system_score_codex":0.000051037838,"about_ca_system_score_gemma":0.000064347856,"threshold_uncertainty_score":0.99625784},"labels":[],"label_agreement":null},{"id":"W4391475667","doi":"10.5962/p.363456","title":"Sylvia Warblers, by Hadoram Shirihai, Gabriael Garballo, and Andreas J. Helbig [Review]","year":2002,"lang":"en","type":"article","venue":"The Canadian Field-Naturalist","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.024855197559755265,"score_gpt":0.2165324498160598,"score_spread":0.19167725225630453,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391475667","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.009259204,0.101744264,0.0000018838293,0.16823782,0.00097376585,0.00048463797,0.00047657546,0.000093799965,0.71872807],"genre_scores_gemma":[0.8749334,0.002777477,0.0000038013277,0.038543534,0.0003771816,0.000014419809,0.00006381875,0.000017790386,0.08326855],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987189,0.00008814943,0.00024839572,0.0002848183,0.0001956919,0.00046401072],"domain_scores_gemma":[0.9989782,0.000107112886,0.000061126964,0.00041828782,0.00008520424,0.00035006934],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00022630514,0.0002171286,0.00029135935,0.00006860537,0.0009325641,0.0004479953,0.0003516433,0.00009449411,0.022756226],"category_scores_gemma":[0.00009588318,0.00015524715,0.00012260342,0.000070712274,0.00027632798,0.00018223331,0.000031664018,0.000368438,0.00034009063],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000024375202,0.000011300321,0.000037552712,0.000069222355,0.00005607841,0.000026762475,0.0012460662,1.5094554e-7,0.000005819539,0.058873452,0.9366374,0.0030337467],"study_design_scores_gemma":[0.00014078167,0.00002202936,0.00004714196,0.00015300933,0.00013868921,0.000020807214,0.0003868116,0.00012601812,0.000021642158,0.0011088867,0.997568,0.00026619833],"about_ca_topic_score_codex":0.14140669,"about_ca_topic_score_gemma":0.6152784,"teacher_disagreement_score":0.8656742,"about_ca_system_score_codex":0.00007009459,"about_ca_system_score_gemma":0.00003421318,"threshold_uncertainty_score":0.97813714},"labels":[],"label_agreement":null},{"id":"W4391687532","doi":"10.51644/9781771120487-005","title":"The Counter/Public in Pain: The Making and Unmaking of Poetry in Canada","year":2015,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Art; History; Psychology; Aesthetics; Psychoanalysis; Literature","score_opus":0.07021952045047776,"score_gpt":0.22814211101518037,"score_spread":0.1579225905647026,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391687532","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00050457864,0.0039346367,0.0000024745098,0.0024110426,0.00015551472,0.00009966386,0.000024984092,0.0000047087415,0.9928624],"genre_scores_gemma":[0.8376367,0.00009110272,8.90935e-7,0.0008434265,0.00011837523,0.0000035456515,0.000004357478,0.000014534452,0.16128705],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887764,0.00005975056,0.00040065328,0.00015557211,0.0002980078,0.00020835326],"domain_scores_gemma":[0.99919087,0.00030409,0.00014217316,0.00023574413,0.000104488565,0.000022625065],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010190401,0.00016866054,0.0002904142,0.00009308933,0.0001597913,0.00015421811,0.00024773122,0.000053149604,0.0008710308],"category_scores_gemma":[0.000048679703,0.00009033844,0.000049936145,0.000015561573,0.00023233227,0.000065932996,0.00008187091,0.00030265993,0.0000016411847],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000047094745,0.0000031758443,0.00015643435,0.000022084027,0.000037823876,0.000013249438,0.0013371821,0.0000018367101,7.927847e-8,0.98797405,0.0063482127,0.0041011935],"study_design_scores_gemma":[0.00009224884,0.000011499184,0.00006916211,0.0001943612,0.000021381413,0.0000018012654,0.010216997,0.0003439104,1.3234904e-7,0.018682232,0.9702222,0.00014412458],"about_ca_topic_score_codex":0.42044613,"about_ca_topic_score_gemma":0.9966128,"teacher_disagreement_score":0.9692918,"about_ca_system_score_codex":0.00018602161,"about_ca_system_score_gemma":0.00040695927,"threshold_uncertainty_score":0.95371765},"labels":[],"label_agreement":null},{"id":"W4391687551","doi":"10.51644/9781771120487-007","title":"Rewriting and Postmodern Poetics in Canada: Neo-Haikus, Neo-Sonnets, Neo-Lullabies, Manifestos","year":2015,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Postmodernism; Poetics; Sonnet; Rewriting; Literature; History; Art; Poetry; Computer science","score_opus":0.04514028854820068,"score_gpt":0.20605981968572104,"score_spread":0.16091953113752036,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391687551","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0014456199,0.00780771,0.000008541272,0.0012694107,0.00039720806,0.0002454852,0.00028773947,0.00006464265,0.98847365],"genre_scores_gemma":[0.21428613,0.0006345468,0.00006691304,0.0016241746,0.0011896354,0.000008197491,0.0002060284,0.00011945214,0.78186494],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99720234,0.000039631483,0.00084969075,0.00065410906,0.0006366648,0.00061757455],"domain_scores_gemma":[0.99850184,0.00012614203,0.00024020566,0.0004982083,0.00032807354,0.0003055265],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00029518883,0.00064281095,0.0009271022,0.0002379973,0.00029516846,0.0003208493,0.0003310227,0.00024928682,0.0062163295],"category_scores_gemma":[0.000042251075,0.00059983926,0.00013216464,0.000020922962,0.00024533496,0.00018313146,0.00020522001,0.00069911685,0.00006822387],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016477232,0.000017856371,0.00007187245,0.00011743967,0.00012784354,0.00044850365,0.002371566,0.000012035027,0.0000016259745,0.95788175,0.034556042,0.004377006],"study_design_scores_gemma":[0.00037140105,0.00006590164,0.00004028296,0.00031398045,0.00022096597,0.000063719024,0.0040112888,0.00055262644,0.0000014862102,0.029986398,0.9634891,0.0008828244],"about_ca_topic_score_codex":0.7664043,"about_ca_topic_score_gemma":0.988671,"teacher_disagreement_score":0.9289331,"about_ca_system_score_codex":0.0004987435,"about_ca_system_score_gemma":0.0009944494,"threshold_uncertainty_score":0.9996453},"labels":[],"label_agreement":null},{"id":"W4391687766","doi":"10.51644/9781771120487","title":"Public Poetics","year":2015,"lang":"en","type":"book","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Art; Literature; Poetry","score_opus":0.14312091193425283,"score_gpt":0.24787972727643104,"score_spread":0.10475881534217821,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391687766","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[8.054982e-7,0.00069661415,0.000011132603,0.0009033098,0.0004743694,0.000045552046,0.000060223694,0.000094340365,0.9977136],"genre_scores_gemma":[0.0013429568,0.000029809862,0.000010781038,0.0008447151,0.0023540377,0.000003548661,0.000229976,0.000030275552,0.9951539],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990779,0.000015132146,0.0002187451,0.00018262272,0.00030259788,0.00020297598],"domain_scores_gemma":[0.99913955,0.000023904611,0.00006498161,0.0002888811,0.0003544062,0.00012829492],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015091173,0.00018645565,0.00029593412,0.00012486502,0.00012648053,0.00039744686,0.0002261538,0.00011745447,0.050845563],"category_scores_gemma":[0.000023308732,0.00014422774,0.00017104213,0.0000080950795,0.00020607637,0.00010687283,0.000057853653,0.00021201564,0.0032765816],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[2.393891e-7,0.000008678781,7.799989e-8,0.000007346565,0.000036978312,0.000003446448,0.00037765488,1.9414227e-8,1.741112e-8,0.51269203,0.4864011,0.0004723812],"study_design_scores_gemma":[0.000047375524,0.000020850064,6.480272e-8,0.0000123417985,0.0000842656,0.0000010222287,0.0002425336,0.000008992388,1.998936e-7,0.16777001,0.8316328,0.0001795623],"about_ca_topic_score_codex":0.000016598216,"about_ca_topic_score_gemma":0.0005920953,"teacher_disagreement_score":0.34523165,"about_ca_system_score_codex":0.000071563045,"about_ca_system_score_gemma":0.00027721145,"threshold_uncertainty_score":0.99749947},"labels":[],"label_agreement":null},{"id":"W4391696234","doi":"10.1353/eal.2024.a918922","title":"Fair Copy: Relational Poetics and Antebellum American Women's Poetry by Jennifer Putzi (review)","year":2024,"lang":"en","type":"article","venue":"Early American literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Poetry; Gender studies; History; Literature; Art; Sociology","score_opus":0.005475984163648543,"score_gpt":0.21891676515834965,"score_spread":0.2134407809947011,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391696234","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.499487,0.40576878,0.00039156125,0.019690944,0.0016582893,0.0006392109,0.003114496,0.0008133203,0.06843641],"genre_scores_gemma":[0.94309616,0.0065834005,0.00014625081,0.0062836166,0.0007914586,0.000037169313,0.00031952906,0.000050445233,0.042691953],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982297,0.00011623574,0.00035153283,0.0005038363,0.00035412298,0.000444605],"domain_scores_gemma":[0.999162,0.000110722176,0.000114219416,0.00027210807,0.00012574224,0.00021516703],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001959696,0.00031387177,0.0005000838,0.00015810021,0.00025319803,0.0006999349,0.00016878099,0.000045230463,0.0012003975],"category_scores_gemma":[0.000039153852,0.00025312894,0.00015810893,0.00044610977,0.0011074478,0.0004445036,0.00005626747,0.0005670154,0.00010900474],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049364262,0.00021076709,0.0013092612,0.0009076067,0.00065371,0.00023996833,0.055513225,0.0000010896623,0.00029337234,0.23717222,0.65405726,0.04959217],"study_design_scores_gemma":[0.00008615452,0.00029037354,0.0009942245,0.0007070756,0.00009533857,0.00002007236,0.0024513034,0.00009208888,0.0000054151274,0.0006378355,0.994236,0.00038413392],"about_ca_topic_score_codex":0.00012271064,"about_ca_topic_score_gemma":0.000013074482,"teacher_disagreement_score":0.44360918,"about_ca_system_score_codex":0.00005563199,"about_ca_system_score_gemma":0.00003772539,"threshold_uncertainty_score":0.9999921},"labels":[],"label_agreement":null},{"id":"W4391705947","doi":"10.51644/9781554581061","title":"The Last Effort of Dreams","year":2007,"lang":"en","type":"book","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science; Psychology","score_opus":0.020279737046821546,"score_gpt":0.2317778628035866,"score_spread":0.21149812575676505,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391705947","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000025312364,0.0007853225,0.000011659602,0.000052528318,0.00028302416,0.00005527238,0.00002039493,0.000020610712,0.99874586],"genre_scores_gemma":[0.006097765,0.00009958335,0.0000031458671,0.0001709657,0.00091464724,0.00000207497,0.00003577568,0.000015930831,0.9926601],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991872,0.000006059445,0.00030229526,0.00011166632,0.00023073825,0.00016207961],"domain_scores_gemma":[0.9993697,0.00011506449,0.00010628765,0.00026262848,0.00011485829,0.000031506395],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00023393155,0.00013513265,0.00024566764,0.000057509365,0.00024312215,0.00008578525,0.00021897594,0.00007683757,0.0061044265],"category_scores_gemma":[0.0000058779374,0.00007361195,0.00024820192,0.000008135073,0.00044508086,0.000032006363,0.000036142523,0.00015785416,0.00020830716],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000019555632,0.000009285666,0.0000011290938,0.000015798212,0.00008792501,0.0000018117383,0.00041319005,9.7109826e-8,2.1945125e-7,0.77856374,0.21852157,0.0023832966],"study_design_scores_gemma":[0.000039532795,0.000026276375,0.00000488932,0.000035014975,0.000100174526,6.0257895e-7,0.0005102904,0.0000029624787,0.000015361311,0.021871533,0.97729367,0.00009966658],"about_ca_topic_score_codex":0.000058425358,"about_ca_topic_score_gemma":0.0030807953,"teacher_disagreement_score":0.75877213,"about_ca_system_score_codex":0.00001865068,"about_ca_system_score_gemma":0.00005462299,"threshold_uncertainty_score":0.99480414},"labels":[],"label_agreement":null},{"id":"W4391826049","doi":"","title":"From Beat Generation to Hacker Generation: On/1 The Road: Experimental Road Narratives","year":2022,"lang":"en","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Hacker; Beat (acoustics); Narrative; Computer science; Road traffic; Computer security; Transport engineering; Engineering; Acoustics; Literature; Art; Physics","score_opus":0.03870807623381981,"score_gpt":0.24140704471006244,"score_spread":0.20269896847624264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391826049","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8760681,0.0005424581,0.001915282,0.0382415,0.00040418137,0.00027342202,0.00011945606,0.00007967195,0.08235594],"genre_scores_gemma":[0.96796167,0.00000817072,0.00064439076,0.0015470624,0.00030922398,0.00019713164,0.00047552254,0.000019360094,0.028837448],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99587256,0.002835543,0.00028550965,0.00040162224,0.00041202104,0.0001927557],"domain_scores_gemma":[0.99840677,0.00018906551,0.00011161645,0.0008098317,0.00039619196,0.00008654098],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014725331,0.00016555181,0.0001580606,0.00008189543,0.0022859396,0.00058279606,0.00050693104,0.000026276764,0.011860018],"category_scores_gemma":[0.00012842451,0.00013774326,0.0001240358,0.0001239542,0.00014637169,0.0001727775,0.00024821368,0.00019381485,0.00012137255],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009124238,0.000513668,0.000023614677,0.0000014274776,0.000071132265,0.0000023870427,0.24340402,0.00014722353,0.04759064,0.6644298,0.038656056,0.0051509417],"study_design_scores_gemma":[0.0005633874,0.000006016963,0.0002690236,0.00006884479,0.000046594138,0.0000034079485,0.045548733,0.027803358,0.24002415,0.0019362713,0.68312603,0.0006041875],"about_ca_topic_score_codex":0.0011829023,"about_ca_topic_score_gemma":0.0024729425,"teacher_disagreement_score":0.66249347,"about_ca_system_score_codex":0.00008635739,"about_ca_system_score_gemma":0.000043635595,"threshold_uncertainty_score":0.99901295},"labels":[],"label_agreement":null},{"id":"W4391864587","doi":"10.51644/9780889209183","title":"Before the First Word","year":2005,"lang":"en","type":"book","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Word (group theory); Linguistics; Computer science; History; Psychology; Philosophy","score_opus":0.019614874091477545,"score_gpt":0.20890590902786627,"score_spread":0.1892910349363887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391864587","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000044478093,0.0006196199,0.000002263462,0.0066311783,0.0002771583,0.00007699803,0.000032055417,0.00005897511,0.9922973],"genre_scores_gemma":[0.0026584368,0.000026430247,0.0000030748615,0.0033793736,0.006162764,0.0000105131485,0.000057088528,0.00002509451,0.9876772],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923635,0.000007105058,0.00020844047,0.00017054258,0.00019509441,0.00018246417],"domain_scores_gemma":[0.99948025,0.00002520182,0.00006236422,0.00034172917,0.00005796213,0.00003248194],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008632021,0.00019338589,0.00023050881,0.000049622664,0.0005083289,0.00026631192,0.0003187306,0.000086567634,0.07154097],"category_scores_gemma":[0.0000040892,0.00010167424,0.00027837124,0.0000076206948,0.0002642672,0.00006931676,0.00005246348,0.0002661872,0.0020365058],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.2268707e-7,0.0000062646577,3.0453182e-7,0.0000072187113,0.000050097216,0.0000017457751,0.0029234607,2.706394e-7,1.3921431e-9,0.529278,0.4637682,0.003964046],"study_design_scores_gemma":[0.00003599942,0.000013423591,0.0000043324,0.000036147056,0.00014227207,0.0000011346978,0.0003947325,0.000013761712,1.2912605e-7,0.022746362,0.97648674,0.00012498297],"about_ca_topic_score_codex":0.00004572365,"about_ca_topic_score_gemma":0.03166014,"teacher_disagreement_score":0.5127185,"about_ca_system_score_codex":0.000042518863,"about_ca_system_score_gemma":0.000039023085,"threshold_uncertainty_score":0.9987405},"labels":[],"label_agreement":null},{"id":"W4391864958","doi":"10.51644/9780889209299-002","title":"Preface","year":2006,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.02985555972107872,"score_gpt":0.2027767383732411,"score_spread":0.17292117865216236,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391864958","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000023172024,0.00045617556,0.000018748195,0.00017253029,0.0001861298,0.000045704524,0.000049812894,0.00007845906,0.9989901],"genre_scores_gemma":[0.0060687754,0.000022075468,0.000008204233,0.00032199614,0.0011692207,0.0000018257863,0.00007605161,0.000027520748,0.9923043],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993705,0.0000025619524,0.00018518229,0.00017503947,0.00014873981,0.000117974814],"domain_scores_gemma":[0.99964285,0.000014938586,0.00005248086,0.00019995854,0.00005917406,0.000030589334],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003464148,0.00017496728,0.00022505848,0.000062992105,0.00012589534,0.0001279821,0.00010691784,0.00008384848,0.10996943],"category_scores_gemma":[0.0000011296831,0.00013664355,0.00019925993,0.0000013882151,0.00012640092,0.00005269948,0.000025170839,0.00013862574,0.0023778062],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.883733e-7,0.000004513689,8.012464e-8,0.000007538395,0.000033844994,0.000004514765,0.0001081553,5.060774e-7,2.3885252e-7,0.732337,0.26708093,0.00042221678],"study_design_scores_gemma":[0.000032146898,0.000012180235,4.4878573e-7,0.000022655773,0.00009588261,5.7393174e-7,0.000030604915,0.0000067638484,0.0000028904387,0.07678746,0.9228238,0.00018461043],"about_ca_topic_score_codex":0.00012216014,"about_ca_topic_score_gemma":0.0008224059,"teacher_disagreement_score":0.6557429,"about_ca_system_score_codex":0.000013873879,"about_ca_system_score_gemma":0.000011572066,"threshold_uncertainty_score":0.99839896},"labels":[],"label_agreement":null},{"id":"W4391869846","doi":"10.51644/9781554581337","title":"All These Roads","year":2008,"lang":"en","type":"book","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.05759553897769387,"score_gpt":0.2327297545521284,"score_spread":0.17513421557443454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391869846","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000012755562,0.00056074304,0.0000045153997,0.00028997575,0.00026866765,0.00005221027,0.000035092427,0.00009006962,0.99868596],"genre_scores_gemma":[0.0023197767,0.0003431981,0.0000072234525,0.002149822,0.0021875117,0.000005708739,0.0001457461,0.000032093718,0.99280894],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991229,0.000015172086,0.00022678326,0.00021546001,0.0002209051,0.00019878053],"domain_scores_gemma":[0.99946666,0.000037596423,0.00006116249,0.00029663922,0.000073313946,0.000064619046],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00005630762,0.00021840275,0.00033231854,0.00009452635,0.00009614364,0.00011962506,0.00021456488,0.000115491515,0.04567297],"category_scores_gemma":[0.0000056699955,0.00015912313,0.00031083025,0.000004920932,0.00021476333,0.00007968095,0.000039641913,0.00022263435,0.0030570172],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[8.867638e-7,0.000012624763,1.2801466e-7,0.0000068192826,0.00008594701,0.000019979398,0.0026608428,1.1278065e-7,9.8675066e-8,0.56008714,0.43683216,0.00029325418],"study_design_scores_gemma":[0.000052494626,0.00001939452,8.22026e-7,0.000021944274,0.00011413509,0.0000043538357,0.00013437853,0.000009907406,0.0000015743171,0.018642223,0.9807634,0.00023541575],"about_ca_topic_score_codex":0.00010607434,"about_ca_topic_score_gemma":0.00046861963,"teacher_disagreement_score":0.5439312,"about_ca_system_score_codex":0.00003711036,"about_ca_system_score_gemma":0.00007828659,"threshold_uncertainty_score":0.9977192},"labels":[],"label_agreement":null},{"id":"W4391872698","doi":"10.51644/9780889208797-001","title":"Foreword","year":2006,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Philosophy","score_opus":0.030633563845466283,"score_gpt":0.2028031575346634,"score_spread":0.17216959368919713,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391872698","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000023163063,0.00034093772,0.000042365315,0.00018202105,0.00021688924,0.00004232774,0.0001029831,0.00007256901,0.99899757],"genre_scores_gemma":[0.0077515836,0.000015406067,0.000010549195,0.00048433268,0.0016255104,0.0000021255692,0.0001055017,0.000030117242,0.98997486],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935156,0.0000020122227,0.00020175846,0.00016847222,0.00014689253,0.00012930017],"domain_scores_gemma":[0.9996412,0.000016826143,0.000054115826,0.00019493829,0.00006116358,0.000031777367],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000035411682,0.00018033847,0.00024127813,0.00008021898,0.00013351077,0.00008522601,0.00010712919,0.00009086196,0.110540524],"category_scores_gemma":[0.0000011704573,0.00014013892,0.00024987583,0.0000015735338,0.00013742918,0.00005201104,0.000023954466,0.00014349903,0.0018827184],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[5.595451e-7,0.00000371657,1.0522586e-7,0.0000063888083,0.000032598295,0.0000060559764,0.00007105196,1.8239739e-7,6.950733e-8,0.6907511,0.30819085,0.00093731633],"study_design_scores_gemma":[0.000031849708,0.000012450197,4.7009456e-7,0.000021548058,0.000092167116,6.251581e-7,0.000026998245,0.000012999281,0.000001100314,0.16077702,0.83884925,0.00017350979],"about_ca_topic_score_codex":0.00011716146,"about_ca_topic_score_gemma":0.0014629788,"teacher_disagreement_score":0.5306584,"about_ca_system_score_codex":0.000013587531,"about_ca_system_score_gemma":0.000010567632,"threshold_uncertainty_score":0.99889445},"labels":[],"label_agreement":null},{"id":"W4391882215","doi":"10.21083/partnership.v18i2.7560","title":"Case For Chapbooks","year":2024,"lang":"en","type":"article","venue":"Partnership The Canadian Journal of Library and Information Practice and Research","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Computer science","score_opus":0.1317823417260612,"score_gpt":0.3539325501977954,"score_spread":0.2221502084717342,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391882215","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03332751,0.0130909225,0.0000712237,0.27114424,0.00061861554,0.00039933654,0.000080191945,0.000020499681,0.6812475],"genre_scores_gemma":[0.9931544,0.00033569746,0.000027679242,0.0019858666,0.00051469303,0.0000052204023,0.000004637128,0.000004450386,0.0039673774],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992637,0.00014124277,0.0002318553,0.000040703908,0.00014180088,0.0001806749],"domain_scores_gemma":[0.99851054,0.0009832721,0.000054306714,0.000057394765,0.00015478086,0.00023970258],"candidate_categories":["scholarly_communication"],"consensus_categories":["scholarly_communication"],"category_scores_codex":[0.0017855647,0.000049882416,0.00007291843,0.00036616076,0.0010926619,0.0028088796,0.000088165245,0.00003054981,0.00030980384],"category_scores_gemma":[0.00029519055,0.000029432227,0.000040601873,0.00007679768,0.0003395524,0.01495193,0.00001357744,0.00034784523,0.00001087409],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027504171,0.0000021129981,0.000004172653,0.00007642773,0.00004755128,0.00016252825,0.027511152,0.0000011317916,2.9850426e-7,0.9445879,0.02047943,0.0070997947],"study_design_scores_gemma":[0.000081192644,0.00011466381,0.000004082561,0.000040938736,0.00003819807,0.0018501419,0.03273454,0.0005366009,0.000014183358,0.0072951918,0.95724833,0.000041948177],"about_ca_topic_score_codex":0.0002656237,"about_ca_topic_score_gemma":0.00048133932,"teacher_disagreement_score":0.9598269,"about_ca_system_score_codex":0.000006928239,"about_ca_system_score_gemma":0.00045556645,"threshold_uncertainty_score":0.99882543},"labels":[],"label_agreement":null},{"id":"W4392711296","doi":"10.17754/mesk.68.1.279","title":"The Sound the Stars Make Rushing through the Sky: Jane Johnston Schoolcraft’s Poetic Discourse on the Borderline","year":2024,"lang":"en","type":"article","venue":"Modern Studies in English Language & Literature","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Sound (geography); Stars; Sky; Art; Literature; Astronomy; Physics; Acoustics","score_opus":0.02712394320045819,"score_gpt":0.3076514476456061,"score_spread":0.2805275044451479,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392711296","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.33820447,0.5223643,0.000078807214,0.052242033,0.0050881556,0.00095351704,0.00038411724,0.0003236801,0.08036093],"genre_scores_gemma":[0.9749866,0.0020430307,0.000007118475,0.0034152556,0.0030474982,0.00013990207,0.000030947172,0.00004817053,0.016281446],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9976381,0.00040627774,0.00041313015,0.00043955128,0.0005465429,0.00055636297],"domain_scores_gemma":[0.9972793,0.001509935,0.00007859757,0.0009108876,0.00019051704,0.000030754985],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0010937233,0.00039984184,0.00033085755,0.00005892617,0.0022498216,0.002799982,0.0008124926,0.00008218785,0.00011238612],"category_scores_gemma":[0.0005852001,0.00014217458,0.00027255333,0.0002686311,0.0010891189,0.00033263772,0.00025530363,0.0015726696,0.000018117817],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022503702,0.00003880814,0.000005025187,0.000046551515,0.0003183239,0.00010127154,0.68419605,0.00014823407,0.0000039630445,0.30027094,0.011893292,0.002955021],"study_design_scores_gemma":[0.00016289223,0.000046607816,0.000017096567,0.0005607944,0.00017820539,0.000006066794,0.5429928,0.001235285,0.000006325352,0.027237248,0.42731503,0.00024169093],"about_ca_topic_score_codex":0.000104027116,"about_ca_topic_score_gemma":0.005235651,"teacher_disagreement_score":0.63678217,"about_ca_system_score_codex":0.00008242975,"about_ca_system_score_gemma":0.000027866774,"threshold_uncertainty_score":0.9990491},"labels":[],"label_agreement":null},{"id":"W4392768521","doi":"10.1353/wsj.2024.a922175","title":"For The Moment, at Least","year":2024,"lang":"en","type":"article","venue":"˜The œWallace Stevens journal","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Moment (physics); Art; Physics; Classical mechanics","score_opus":0.03838694251405321,"score_gpt":0.2649822541090797,"score_spread":0.2265953115950265,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392768521","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.107231714,0.08936038,0.022461733,0.32875144,0.024865504,0.0020472105,0.00068505167,0.0004941023,0.42410284],"genre_scores_gemma":[0.72298646,0.00014687702,0.000007705693,0.0006430049,0.0027360935,0.000016385588,0.0000022803463,0.000019947143,0.27344128],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898416,0.00006177036,0.00025342486,0.0001351342,0.00025571237,0.00030978385],"domain_scores_gemma":[0.99928355,0.00028456663,0.000060734517,0.00020061455,0.00010104036,0.00006948813],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000705708,0.0001338522,0.0001386347,0.000055410565,0.0017302647,0.0009818485,0.0003204127,0.000026278423,0.0038449117],"category_scores_gemma":[0.000009137831,0.000063208856,0.00035011463,0.00004486712,0.00013832765,0.00013057666,0.00005803523,0.0002979914,0.00027115186],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006944706,0.000054208107,0.000025469279,0.00005333803,0.00088780496,0.000044869204,0.024585107,0.00016786638,0.00022952123,0.30624235,0.65178865,0.015851362],"study_design_scores_gemma":[0.00015109111,0.00005227765,0.000022184626,0.000036836318,0.0002392058,0.0001384547,0.0043966235,0.0027083145,0.0000139255835,0.005512271,0.9866256,0.0001032023],"about_ca_topic_score_codex":0.000023021363,"about_ca_topic_score_gemma":0.0011747289,"teacher_disagreement_score":0.6157547,"about_ca_system_score_codex":0.00011871999,"about_ca_system_score_gemma":0.00004288006,"threshold_uncertainty_score":0.99956936},"labels":[],"label_agreement":null},{"id":"W4393173466","doi":"10.1080/13825577.2023.2292046","title":"The mind is all the animals it has attended: limitrophy and porous borders in the poetry of Robert Bringhurst","year":2023,"lang":"en","type":"article","venue":"European Journal of English Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Art history; Literature; Aesthetics; Sociology","score_opus":0.08284186835115079,"score_gpt":0.2918588435650176,"score_spread":0.20901697521386683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393173466","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.85943085,0.032765448,0.0000010776797,0.032529574,0.00091047306,0.00012846391,0.000025534528,0.000012103826,0.074196495],"genre_scores_gemma":[0.9925867,0.004611534,0.0000044666517,0.00083438336,0.00092362065,9.452862e-7,3.602078e-7,0.000015433106,0.0010225673],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983177,0.00045321323,0.0005595765,0.00011526809,0.0003211797,0.00023305128],"domain_scores_gemma":[0.9982867,0.00070888846,0.00029492637,0.000193494,0.00048704597,0.000028915949],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0023735159,0.00014583733,0.00028795542,0.00009220227,0.00063481723,0.00028037018,0.0004409926,0.000009840397,0.00003655311],"category_scores_gemma":[0.00082454504,0.000064866144,0.0001580035,0.00011850378,0.00076829427,0.00011917489,0.00013322069,0.00029898353,0.000007601629],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010292997,0.00011171169,0.0008491264,0.000055185246,0.001727178,0.0004194054,0.7347413,0.000059286776,0.000048030295,0.011604872,0.23692627,0.013354717],"study_design_scores_gemma":[0.0003215136,0.0002470517,0.007180071,0.00009680623,0.00019105303,0.000011837546,0.27677777,0.000007729233,0.000015578149,0.00035186537,0.7146996,0.00009908383],"about_ca_topic_score_codex":0.000017852435,"about_ca_topic_score_gemma":0.00023497516,"teacher_disagreement_score":0.47777337,"about_ca_system_score_codex":0.000010575066,"about_ca_system_score_gemma":0.0000144049345,"threshold_uncertainty_score":0.48825648},"labels":[],"label_agreement":null},{"id":"W4393201510","doi":"10.5206/tc.v4i1.17189","title":"David Cronenberg : William Burroughs, Ur-text","year":2024,"lang":"fr","type":"article","venue":"Transcr(é)ation","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Environmental ethics; Art history; Philosophy; History","score_opus":0.02244152962056219,"score_gpt":0.25813713455673076,"score_spread":0.23569560493616856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393201510","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.079902686,0.31235623,0.017127594,0.08398765,0.015158579,0.0009509147,0.0014263191,0.0009154859,0.48817453],"genre_scores_gemma":[0.77946675,0.0028691436,0.000051077877,0.0003595626,0.0026038648,0.000028008344,0.00021544278,0.000054827553,0.21435134],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978284,0.00013992316,0.0005832996,0.0005217298,0.00040660644,0.00051999476],"domain_scores_gemma":[0.99923867,0.00012289437,0.00005386066,0.00031336147,0.00012735392,0.0001438391],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003639439,0.00035530073,0.00036211015,0.0001960777,0.00059242174,0.0009916136,0.0002013994,0.00020638375,0.018848695],"category_scores_gemma":[0.000013908574,0.0003530953,0.0004444778,0.00021108883,0.0003866163,0.0010843411,0.000012852186,0.00040393524,0.0026171468],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020249157,0.00022841971,0.000016242037,0.0007672844,0.00032764886,0.000059349906,0.024991624,0.00014230069,0.00081862375,0.8938678,0.021189276,0.05757119],"study_design_scores_gemma":[0.0002754761,0.00013410897,0.00037678942,0.0005765352,0.0009155997,0.000011546597,0.00139551,0.00435234,0.00042426572,0.014323026,0.9767715,0.0004433447],"about_ca_topic_score_codex":0.0009850076,"about_ca_topic_score_gemma":0.0009989464,"teacher_disagreement_score":0.9555822,"about_ca_system_score_codex":0.000119437056,"about_ca_system_score_gemma":0.000092125076,"threshold_uncertainty_score":0.9998921},"labels":[],"label_agreement":null},{"id":"W4394196218","doi":"10.6084/m9.figshare.8195069","title":"PASSIVE (RE)TRANSLATIONS AND IDENTITY STRUGGLES IN THE POETRY OF LEONARD COHEN. A COMPARISON OF THREE TRANSLATIONS OF BOOK OF LONGING (2006)","year":2019,"lang":"en","type":"dataset","venue":"Figshare","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Identity (music); Sociology; Psychoanalysis; Literature; Art; Psychology; Aesthetics","score_opus":0.0984678556901653,"score_gpt":0.3251872665854989,"score_spread":0.2267194108953336,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394196218","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00042399287,0.004230112,0.0000043181017,0.00006971716,0.000029328066,0.0002660596,0.9942305,0.0000027916335,0.00074316293],"genre_scores_gemma":[0.2719986,0.000028480223,0.0000042382876,0.000013806692,0.00003438462,0.000016771453,0.72787064,0.000006045677,0.000027026676],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985612,0.0000752772,0.00071506936,0.00016542358,0.00035207704,0.00013097767],"domain_scores_gemma":[0.99846494,0.0003844382,0.00054164755,0.00036707983,0.00022149997,0.000020411459],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000087586595,0.00016993721,0.00065766484,0.00024953092,0.00007754247,0.00003078875,0.00036362748,0.00011884725,0.050073687],"category_scores_gemma":[0.00008509624,0.00013716672,0.00020909678,0.00010814517,0.000110608526,0.00024206124,0.00003443205,0.00023887772,0.000010813051],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011057646,0.000196122,0.00018253105,0.0023042492,0.00016623818,0.0000012402571,0.006206898,0.00011251205,0.0000064889186,0.0014882061,0.9891569,0.00016753824],"study_design_scores_gemma":[0.00080721825,0.00021486692,0.008953401,0.00813537,0.0010454932,0.0000014792079,0.012039401,0.0005373556,0.0001675129,0.0013556067,0.9662623,0.00048002487],"about_ca_topic_score_codex":0.0005008608,"about_ca_topic_score_gemma":0.01804372,"teacher_disagreement_score":0.27157462,"about_ca_system_score_codex":0.0000063021444,"about_ca_system_score_gemma":0.000067742825,"threshold_uncertainty_score":0.9998744},"labels":[],"label_agreement":null},{"id":"W4394691508","doi":"10.4324/9781003427865-26","title":"Theories of Poetry","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Philosophy; Computer science; Literature; Art","score_opus":0.022047742414175325,"score_gpt":0.22237099921005551,"score_spread":0.2003232567958802,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394691508","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000059794525,0.0024995261,0.0000048724596,0.00019033552,0.00046042626,0.000032931952,0.00013327257,0.000055835986,0.99661684],"genre_scores_gemma":[0.06709527,0.00010218467,0.0000040628456,0.00012827404,0.00070253946,0.0000011531113,0.00002479277,0.00002798813,0.93191373],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933594,0.000002406677,0.00025216187,0.00015919855,0.00016035952,0.00008995239],"domain_scores_gemma":[0.9995987,0.00003593602,0.000054359363,0.00020436641,0.00008051403,0.000026171983],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000063361986,0.00016821975,0.00030957663,0.00012048107,0.000055581746,0.00008489684,0.00011785486,0.00008434934,0.088890396],"category_scores_gemma":[0.0000028796726,0.000118425174,0.00029469168,0.000003766243,0.00033946233,0.000045249843,0.000048642894,0.00016491201,0.0010798493],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002907488,0.0000049895625,7.737758e-8,0.00010030025,0.00020938963,0.000008550419,0.0014390287,4.677308e-8,0.0000012983486,0.9857413,0.0120008495,0.00049123005],"study_design_scores_gemma":[0.0000103683815,0.000013865516,5.8976077e-8,0.00007021874,0.00013904738,5.1784883e-7,0.0003562773,0.0000012894612,0.000011953957,0.48249203,0.51682353,0.00008080858],"about_ca_topic_score_codex":0.00003261059,"about_ca_topic_score_gemma":0.00018604661,"teacher_disagreement_score":0.50482273,"about_ca_system_score_codex":0.0000078094245,"about_ca_system_score_gemma":0.000016733979,"threshold_uncertainty_score":0.9996979},"labels":[],"label_agreement":null},{"id":"W4394786770","doi":"10.1080/00144940.2024.2341331","title":"Atheism vs Theism: Conflict and Ambiguity in Dylan Thomas’s “Poem on his Birthday”","year":2024,"lang":"en","type":"article","venue":"The Explicator","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Theism; Atheism; Ambiguity; Philosophy; Poetry; Epistemology; Linguistics","score_opus":0.04095049653238959,"score_gpt":0.2620777220431039,"score_spread":0.22112722551071434,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394786770","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8468771,0.0048193815,0.000017168019,0.011520229,0.00048531144,0.00028633294,0.00013204072,0.00023243878,0.13563003],"genre_scores_gemma":[0.9755784,0.0004410253,0.0000023808461,0.0012418448,0.0005885265,0.000059394486,0.000007886987,0.000023705688,0.02205681],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989833,0.00007995116,0.00022415136,0.00029985336,0.00016140055,0.0002513137],"domain_scores_gemma":[0.99928504,0.00019493792,0.000029488157,0.0004023931,0.00001893073,0.00006921448],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039303928,0.00017128327,0.00022326712,0.000108239,0.00023598234,0.00019522953,0.0002456638,0.000045243352,0.00078348315],"category_scores_gemma":[0.000019340489,0.000102117236,0.00009765155,0.000071895956,0.0002330826,0.000111979054,0.00006710291,0.0002767411,0.0003098753],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021126842,0.000048256177,0.00007325181,0.000027840262,0.00004465386,0.000016806825,0.024975019,7.0085673e-7,0.00013114893,0.95707303,0.013211443,0.004376693],"study_design_scores_gemma":[0.00014606028,0.00008051253,0.0009846512,0.000075544995,0.000043013748,0.0000049143737,0.002570973,0.0004369767,0.00037958423,0.010565591,0.98453367,0.0001785013],"about_ca_topic_score_codex":0.00028431913,"about_ca_topic_score_gemma":0.00026587013,"teacher_disagreement_score":0.97132224,"about_ca_system_score_codex":0.00002676122,"about_ca_system_score_gemma":0.000019135225,"threshold_uncertainty_score":0.8578591},"labels":[],"label_agreement":null},{"id":"W4394930732","doi":"10.5430/wjel.v14n4p372","title":"Poetic Alleviation from Turmoil: A Critical Analysis of Wallace Stevens’ Selected Poems","year":2024,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Philosophy; Literature; Art","score_opus":0.015051393828025596,"score_gpt":0.26714392336366394,"score_spread":0.2520925295356383,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394930732","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9418771,0.019846352,0.00039686004,0.000992335,0.001960737,0.00007427081,0.00026521305,0.00008878961,0.034498308],"genre_scores_gemma":[0.99279237,0.0000502529,0.00011644578,0.00010566081,0.0017908354,0.0000011884555,0.000043943797,0.000018481158,0.0050808354],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983861,0.0001353158,0.0006819261,0.00016635189,0.00042562725,0.00020470606],"domain_scores_gemma":[0.99806035,0.0005603961,0.00016114017,0.00017761116,0.0009362752,0.000104241306],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00040925166,0.00015010854,0.0005467304,0.0009698988,0.00007038473,0.00025864982,0.00020407989,0.000041798285,0.0068713375],"category_scores_gemma":[0.0009149729,0.0001186983,0.0005010171,0.00074239564,0.00008748808,0.00031733862,0.000024380764,0.00033090572,0.000010755791],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021363258,0.00074625167,0.0010147729,0.00030264593,0.016148714,0.0010389998,0.67580914,0.0005410669,0.0057682707,0.26387796,0.026335424,0.008203124],"study_design_scores_gemma":[0.0023018746,0.000870224,0.009793665,0.0023939635,0.049718715,0.000022738996,0.1543314,0.020474402,0.0042560007,0.0059637427,0.74800307,0.0018702178],"about_ca_topic_score_codex":0.00027973612,"about_ca_topic_score_gemma":0.00265248,"teacher_disagreement_score":0.72166765,"about_ca_system_score_codex":0.000068801935,"about_ca_system_score_gemma":0.00005534292,"threshold_uncertainty_score":0.9940365},"labels":[],"label_agreement":null},{"id":"W4395087379","doi":"10.1017/9781108891349.032","title":"Jerome Robbins","year":2024,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Mount Allison University","funders":"","keywords":"Psychoanalysis; Psychology; Philosophy","score_opus":0.032773723906819326,"score_gpt":0.19079212047912372,"score_spread":0.1580183965723044,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395087379","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000031922107,0.0005308579,0.000012566573,0.000051093237,0.0006563025,0.00013719777,0.00079615833,0.00022935329,0.99755454],"genre_scores_gemma":[0.004491685,0.000087498745,0.0000036771758,0.0000973023,0.00076861546,4.6395456e-7,0.00009099811,0.000059078884,0.9944007],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988254,0.000013201401,0.00018860975,0.00046687247,0.00024171785,0.00026422346],"domain_scores_gemma":[0.99917626,0.000033951477,0.00009187529,0.0004311629,0.00012714806,0.0001395825],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000060615424,0.00036252846,0.00042414313,0.0002447509,0.00031962516,0.00023948135,0.00039856182,0.00019924129,0.0003492354],"category_scores_gemma":[0.0000021958783,0.0003823369,0.00046805467,0.0000028342788,0.00042513394,0.00010153037,0.0002604603,0.00050855527,0.00043628982],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010900125,0.0000064587725,2.8414863e-8,0.000093904244,0.0003258467,0.00046725507,0.00040282152,4.4313282e-7,0.0000037314524,0.89088124,0.10758585,0.00022149866],"study_design_scores_gemma":[0.00013330813,0.000034656114,2.541475e-7,0.00021306411,0.00082952325,0.0000062252925,0.0002473739,0.000031944244,0.000017196624,0.00036667706,0.9976801,0.000439629],"about_ca_topic_score_codex":0.00020348323,"about_ca_topic_score_gemma":0.00003679458,"teacher_disagreement_score":0.8905146,"about_ca_system_score_codex":0.00011604788,"about_ca_system_score_gemma":0.000046657886,"threshold_uncertainty_score":0.99986285},"labels":[],"label_agreement":null},{"id":"W4395458443","doi":"10.1515/9780228020752","title":"Whiny Baby","year":2024,"lang":"pl","type":"book","venue":"McGill-Queen's University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Medicine","score_opus":0.020415159791644755,"score_gpt":0.20937527183271273,"score_spread":0.18896011204106797,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395458443","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000027485456,0.000040484145,0.000015758687,0.00047406668,0.0016620491,0.0005129863,0.0052262144,0.00036225276,0.9916787],"genre_scores_gemma":[0.012079478,0.00050407747,0.00002360736,0.00041715516,0.0012438283,0.0000037187447,0.00027695822,0.00016388125,0.9852873],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.995429,0.00034684112,0.0006995769,0.0015306873,0.00089465186,0.001099288],"domain_scores_gemma":[0.9972322,0.00022624784,0.0003755773,0.0012092177,0.00044620768,0.00051056844],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002959773,0.0012223865,0.0014105019,0.00075166835,0.002305666,0.00075172936,0.0013113207,0.0008443399,0.0022107605],"category_scores_gemma":[0.000019638723,0.0013080101,0.0014203227,0.000042973894,0.0010115906,0.0003035408,0.0011776524,0.0018199596,0.0008405768],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000091192465,0.00009234795,6.0659175e-7,0.0007776476,0.0015399366,0.0014497252,0.0017618214,0.000009590797,0.0000046987116,0.8795422,0.11405879,0.00067147496],"study_design_scores_gemma":[0.0006299098,0.0001683041,0.000002211455,0.001054382,0.003824991,0.000006170172,0.0016669063,0.000088083514,0.00008238628,0.0024267288,0.9885891,0.0014608267],"about_ca_topic_score_codex":0.0037926587,"about_ca_topic_score_gemma":0.000011870618,"teacher_disagreement_score":0.8771154,"about_ca_system_score_codex":0.0006899624,"about_ca_system_score_gemma":0.00022878543,"threshold_uncertainty_score":0.99993736},"labels":[],"label_agreement":null},{"id":"W4396222549","doi":"10.1002/j.2831-865x.2016.tb00312.x","title":"Anne H. Stevens's <i>Literary Theory and Criticism: An Introduction</i>. Toronto: Broadview Press, 2015. By HeatherLusty","year":2016,"lang":"en","type":"article","venue":"Popular Culture Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Criticism; Psychoanalysis; Art history; Sociology; Art; Philosophy; Psychology; Literature","score_opus":0.01507103126336707,"score_gpt":0.2758980861678538,"score_spread":0.2608270549044867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396222549","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0001391394,0.98493063,0.00009837567,0.00805568,0.00027607643,0.0003482534,0.00025061672,0.000087481756,0.0058137155],"genre_scores_gemma":[0.018187419,0.83096063,0.00014180443,0.010004463,0.0035662204,0.00014942516,0.0003150984,0.00007674989,0.13659818],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978867,0.0005723973,0.00048320234,0.00049923285,0.00023359677,0.0003248594],"domain_scores_gemma":[0.99895316,0.000022958335,0.00010960925,0.0005488625,0.00017382436,0.00019159527],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00078591215,0.0003073162,0.0006201803,0.00001191784,0.00030342996,0.00016547563,0.00022059055,0.000069704845,0.0050843367],"category_scores_gemma":[0.000108656866,0.00016993235,0.00019090358,0.00002817248,0.00020909612,0.001135384,0.00004846382,0.000119411045,0.000043163032],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000097969405,0.00012627293,0.000005120545,0.0011543854,0.00009096113,0.000004963905,0.0016285507,5.7187086e-9,0.00018287463,0.4603025,0.47445008,0.06204448],"study_design_scores_gemma":[0.00016847887,0.00008616663,0.0000030345386,0.0012749422,0.00037040297,0.000030887582,0.000242292,4.704554e-7,0.000030607323,0.006659493,0.9908294,0.00030383084],"about_ca_topic_score_codex":0.000073349314,"about_ca_topic_score_gemma":0.0001907061,"teacher_disagreement_score":0.5163793,"about_ca_system_score_codex":0.000039198898,"about_ca_system_score_gemma":0.000009561384,"threshold_uncertainty_score":0.9958252},"labels":[],"label_agreement":null},{"id":"W4396802553","doi":"10.1353/plc.2024.a926504","title":"Wake Up","year":2024,"lang":"en","type":"article","venue":"Pleiades","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wake; Physics; Mechanics","score_opus":0.04162334732561738,"score_gpt":0.25784171353339463,"score_spread":0.21621836620777726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396802553","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.118041426,0.0065518613,0.00011046862,0.0032140182,0.002428483,0.00005687045,0.000057795023,0.0004448638,0.8690942],"genre_scores_gemma":[0.8978086,0.000027478318,0.000007556484,0.00019536399,0.00079077977,0.000005475207,0.000008137972,0.000008140277,0.10114848],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995721,0.000010310708,0.00009193703,0.00011456599,0.000087426364,0.00012367492],"domain_scores_gemma":[0.99981916,0.00004043605,0.0000058287224,0.000086046195,0.00001830233,0.000030222329],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006753245,0.00006197197,0.00007723979,0.000055126464,0.00012390596,0.00038302256,0.000069933456,0.000014525383,0.012444013],"category_scores_gemma":[0.000010048896,0.000046032048,0.00008297862,0.000025697072,0.00007606741,0.00014108645,0.000013951262,0.00006843795,0.0013041707],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[8.297546e-7,0.000008832959,0.000016194695,0.00002936835,0.00003937944,0.000012035438,0.0072337273,5.014378e-7,0.000080360944,0.9513898,0.03632545,0.004863528],"study_design_scores_gemma":[0.000023699065,0.000010748508,0.000040791143,0.000027665783,0.000038613525,0.0000017452916,0.0017936588,0.00044053874,0.00021003168,0.013884267,0.98344976,0.000078460376],"about_ca_topic_score_codex":0.0000615852,"about_ca_topic_score_gemma":0.00018411894,"teacher_disagreement_score":0.9471243,"about_ca_system_score_codex":0.000007148416,"about_ca_system_score_gemma":0.000009364885,"threshold_uncertainty_score":0.99947345},"labels":[],"label_agreement":null},{"id":"W4396802715","doi":"10.1353/plc.2024.a926566","title":"Boulder Triptych (March 22, 2021)","year":2024,"lang":"en","type":"article","venue":"Pleiades","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.035485279696044314,"score_gpt":0.278285096648013,"score_spread":0.24279981695196867,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396802715","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07110553,0.013953582,0.00021174662,0.0067444416,0.0021027352,0.00014727967,0.00012869341,0.0002887329,0.90531725],"genre_scores_gemma":[0.8897861,0.00009229883,0.000019144163,0.00023740083,0.0014975709,0.000016734417,0.000021504062,0.000016057806,0.108313136],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991661,0.00003053314,0.00017206951,0.00021633622,0.00018037207,0.0002346149],"domain_scores_gemma":[0.99964374,0.00009005607,0.000011776155,0.00015752733,0.000040105962,0.00005680188],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015963441,0.00011210786,0.00014904818,0.00012228545,0.00021656051,0.00061623566,0.00012978134,0.000033867396,0.043512072],"category_scores_gemma":[0.00002188958,0.00008699154,0.00014935224,0.00006902363,0.00013268202,0.0002012933,0.00003138684,0.00015988029,0.0014797496],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000045504253,0.00004931987,0.00003920313,0.00007146513,0.000117158306,0.00004144384,0.005711704,0.0000014378844,0.00019719465,0.8527588,0.12945898,0.011548699],"study_design_scores_gemma":[0.00006489042,0.000026124604,0.00007030944,0.000046808178,0.000071222035,0.000002689896,0.00198741,0.00068133435,0.00018824993,0.012412266,0.9843084,0.00014029384],"about_ca_topic_score_codex":0.00012668248,"about_ca_topic_score_gemma":0.0001625893,"teacher_disagreement_score":0.8548494,"about_ca_system_score_codex":0.000016855818,"about_ca_system_score_gemma":0.000026979817,"threshold_uncertainty_score":0.99929774},"labels":[],"label_agreement":null},{"id":"W4398942069","doi":"10.7910/dvn/yvn6iw","title":"20C Poetry","year":2018,"lang":"en","type":"dataset","venue":"Harvard Dataverse","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Poetry; Art; Literature","score_opus":0.025318437168789537,"score_gpt":0.24112246879993052,"score_spread":0.21580403163114098,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4398942069","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000075543658,0.00000329302,0.000001996571,0.000010309915,0.0018596763,0.000095896954,0.9810421,0.000057943886,0.016921233],"genre_scores_gemma":[0.000029956565,0.00016953303,0.000013980942,0.0011224418,0.0044555943,0.000013552156,0.9806147,0.000024557165,0.013555653],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99822223,0.000073372714,0.000387113,0.0005046371,0.00039684426,0.00041579542],"domain_scores_gemma":[0.99798965,0.000051243485,0.0001768716,0.0014830144,0.00014629922,0.00015294552],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002362549,0.00037170155,0.00046618513,0.0002206175,0.00042976844,0.00048658968,0.0008441706,0.00019504936,0.54674065],"category_scores_gemma":[0.0001030366,0.0003272659,0.00025058843,0.000046542482,0.00051507296,0.00036967144,0.00033448634,0.00038332603,0.4155853],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012636779,0.000094550014,2.8179048e-7,0.00008146646,0.00017097946,0.00007798749,0.00016814675,7.254708e-8,7.182617e-7,0.004018257,0.99532217,0.000052759173],"study_design_scores_gemma":[0.00017603613,0.000055076398,0.000001096865,0.00007740922,0.0004521377,0.000005931231,0.00036694016,0.00000491872,0.0000033253286,0.00020833508,0.99822235,0.00042642202],"about_ca_topic_score_codex":0.0011231999,"about_ca_topic_score_gemma":0.002346757,"teacher_disagreement_score":0.13115536,"about_ca_system_score_codex":0.000042089505,"about_ca_system_score_gemma":0.000070094204,"threshold_uncertainty_score":0.9999179},"labels":[],"label_agreement":null},{"id":"W4399140434","doi":"10.7202/1111646ar","title":"A Born Classic to which One Cannot Remain Indifferent: On B.W. Powe’s Ladders Made of Water (Stream Elsewhere Press, 2024)","year":2024,"lang":"en","type":"article","venue":"New Explorations","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Environmental science","score_opus":0.05704762290373961,"score_gpt":0.26007851698514983,"score_spread":0.20303089408141023,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399140434","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17204031,0.0012595144,0.0014050057,0.07397725,0.0029281145,0.0010823644,0.0013088038,0.00045191392,0.7455467],"genre_scores_gemma":[0.8691312,0.000038785227,0.00003947561,0.00031589382,0.00068479415,0.000047150545,0.00018713177,0.000026356684,0.1295292],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987606,0.000054600634,0.00032764362,0.00029611762,0.00028502787,0.0002760381],"domain_scores_gemma":[0.99936116,0.000049913422,0.00002818869,0.00031154545,0.000108790075,0.0001403828],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008532142,0.0001768831,0.00023856791,0.0001983527,0.00019496336,0.0003374963,0.0001584472,0.00006058064,0.008117053],"category_scores_gemma":[0.000028434035,0.00013325676,0.000109282984,0.00012310233,0.000060135702,0.00029917472,0.00004475571,0.00020421382,0.00088946335],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029575904,0.00028108596,0.00000964569,0.00009106233,0.00028849256,0.000008615334,0.05634264,0.00020173957,0.003462869,0.45814395,0.47897232,0.0021680095],"study_design_scores_gemma":[0.00030022472,0.0003402759,0.000088339126,0.00038502598,0.00030906044,0.0000011569556,0.009126601,0.00047875952,0.006676955,0.016762977,0.96515536,0.0003752894],"about_ca_topic_score_codex":0.00077750586,"about_ca_topic_score_gemma":0.014555254,"teacher_disagreement_score":0.6970909,"about_ca_system_score_codex":0.00004244982,"about_ca_system_score_gemma":0.00008897625,"threshold_uncertainty_score":0.9998885},"labels":[],"label_agreement":null},{"id":"W4400732320","doi":"10.3138/utq.93.01.04","title":"The Mechanics of Dwelling: Karen Solie’s Early Poetry and <i>Short Haul Engine</i>","year":2024,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Poetry; History; Literature; Mechanics; Physics; Art","score_opus":0.010133768436593088,"score_gpt":0.1894670270664653,"score_spread":0.1793332586298722,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400732320","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7732969,0.030107988,0.0049626185,0.0012747995,0.0015406221,0.00036495418,0.0003278382,0.00023114383,0.18789312],"genre_scores_gemma":[0.9935669,0.0002243018,0.000035272737,0.000010368499,0.00008735401,9.409286e-8,0.000004066637,0.0000066447474,0.0060650078],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994191,0.000026234111,0.0001296586,0.00014243148,0.00014588723,0.00013666647],"domain_scores_gemma":[0.99959964,0.00007641189,0.000032123942,0.00016477963,0.00007879226,0.00004824078],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00013516938,0.00009179995,0.00016467115,0.000024082132,0.00023450136,0.00007497263,0.00018457315,0.000039054044,0.00042383582],"category_scores_gemma":[0.0000022143042,0.000077473516,0.00012322704,0.000013694845,0.0001532038,0.00029280593,0.000019143334,0.00007136488,0.0000071456298],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000049961265,0.00006584568,0.000042380798,0.00013405152,0.00041562202,0.000026995403,0.114181206,0.000004338523,0.00044005935,0.83950627,0.0043437304,0.04078953],"study_design_scores_gemma":[0.00044016942,0.0014121542,0.0005181935,0.0002502959,0.00079999765,0.0000063075304,0.17710854,0.009495508,0.0002609269,0.009943401,0.7992547,0.00050979474],"about_ca_topic_score_codex":0.0072228825,"about_ca_topic_score_gemma":0.014548417,"teacher_disagreement_score":0.8295629,"about_ca_system_score_codex":0.000028183664,"about_ca_system_score_gemma":0.000020637757,"threshold_uncertainty_score":0.9993881},"labels":[],"label_agreement":null},{"id":"W4400732817","doi":"10.3138/utq.92.04.03","title":"Larkin’s Encounters with Dionysus: What Goes on in the Shade?","year":2024,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Dawson College","funders":"","keywords":"Art; History","score_opus":0.00985910618274012,"score_gpt":0.19007584903634975,"score_spread":0.18021674285360964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400732817","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6545077,0.0047920793,0.00010476742,0.0064144013,0.0006158043,0.0002528206,0.000058748712,0.00009602316,0.33315766],"genre_scores_gemma":[0.9955009,0.000088266264,0.000006651848,0.0001427742,0.00007796643,2.3767109e-7,0.0000056403974,0.0000040705963,0.0041734655],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99945796,0.000048556238,0.00006836986,0.00014214433,0.00016812696,0.000114822804],"domain_scores_gemma":[0.99972034,0.000065148044,0.00002040867,0.00014816124,0.000025492174,0.000020425587],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001138785,0.000081400925,0.000111936904,0.00003665552,0.000119237426,0.00020766396,0.00021387236,0.000021437094,0.0020091098],"category_scores_gemma":[7.616755e-7,0.000055459488,0.00007833255,0.0000164129,0.00014580577,0.0008899712,0.000005120091,0.000074570526,0.000036479792],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009894158,0.00015050964,0.000044563993,0.000058487916,0.00012980934,0.00017788542,0.615103,0.0000054871,0.000017246104,0.3563922,0.006388324,0.021433538],"study_design_scores_gemma":[0.00022070785,0.0007408753,0.00072554004,0.0002889945,0.00007860151,0.0000021207516,0.6408524,0.0002236682,0.0000025649138,0.00043477982,0.35630557,0.00012421959],"about_ca_topic_score_codex":0.012869998,"about_ca_topic_score_gemma":0.18909441,"teacher_disagreement_score":0.35595742,"about_ca_system_score_codex":0.0000672381,"about_ca_system_score_gemma":0.000015218443,"threshold_uncertainty_score":0.9989032},"labels":[],"label_agreement":null},{"id":"W4400885170","doi":"10.1386/jepc_00068_7","title":"The Lesson and/or the master: Alex MacKeith and writing today","year":2024,"lang":"en","type":"article","venue":"Journal of European Popular Culture","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Cape Breton University","funders":"","keywords":"Psychology; Mathematics education; Visual arts; Art","score_opus":0.042931360783878304,"score_gpt":0.2601331278547772,"score_spread":0.21720176707089892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4400885170","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5134413,0.21070579,0.0001338824,0.07687764,0.0026073,0.00032286395,0.0000799919,0.00010621742,0.19572501],"genre_scores_gemma":[0.9468519,0.0021040356,0.000022837741,0.00056167773,0.0019410505,3.3146955e-7,0.0000013679629,0.000018527655,0.048498247],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991037,0.0001888594,0.00030451154,0.000094010065,0.00017384045,0.00013507027],"domain_scores_gemma":[0.9996308,0.00003739702,0.00010100717,0.000098716046,0.00007708152,0.000054978864],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.000779583,0.000107021675,0.00013178957,0.00002867122,0.00062162534,0.0013220203,0.00017064215,0.000015512667,0.00009853809],"category_scores_gemma":[0.00003654548,0.000035979738,0.00010485657,0.00003207733,0.00012693515,0.00020881902,0.000057019595,0.00034953663,0.000011561343],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009714161,0.00005594458,0.00039661225,0.00019834076,0.000724442,0.0017987762,0.11198891,0.000005410316,0.00062575366,0.6224232,0.15689704,0.10478845],"study_design_scores_gemma":[0.000099126344,0.00008928027,0.00024118504,0.00021965592,0.00015196447,0.00037126994,0.015458332,0.00006803677,0.0000067750125,0.0007320777,0.9824869,0.00007536673],"about_ca_topic_score_codex":0.0000034949787,"about_ca_topic_score_gemma":0.00006302668,"teacher_disagreement_score":0.8255899,"about_ca_system_score_codex":0.000008558021,"about_ca_system_score_gemma":0.0000078287985,"threshold_uncertainty_score":0.99971473},"labels":[],"label_agreement":null},{"id":"W4401083554","doi":"10.5771/9781793637673","title":"Reach Without Grasping","year":2021,"lang":"en","type":"book","venue":"Lexington Books","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science; Psychology","score_opus":0.04136250130720084,"score_gpt":0.2413948859724734,"score_spread":0.20003238466527257,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401083554","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000068336885,0.002055146,0.000047797508,0.00017096703,0.0007701557,0.0001100956,0.000026699076,0.00016436579,0.99658644],"genre_scores_gemma":[0.0078797415,0.00006369724,0.000033480024,0.0011855237,0.0035310243,0.000016933645,0.00030108713,0.00009548184,0.98689306],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981701,0.000048901795,0.000463777,0.0005264777,0.0004026224,0.00038812394],"domain_scores_gemma":[0.9988802,0.000050725303,0.00020921695,0.0005667786,0.0001825748,0.000110483525],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018176873,0.00040856132,0.000691398,0.00016988584,0.0004523755,0.0005485188,0.00029572248,0.00022697735,0.0062666275],"category_scores_gemma":[0.00002382797,0.00039078054,0.00046965934,0.000013163567,0.0002870849,0.00012180784,0.00011314318,0.0006710642,0.0003760423],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000043685577,0.000022327727,0.0000038006692,0.00012718128,0.00022701538,0.00007670911,0.0031623056,0.0000010143486,0.000018041372,0.8629909,0.1317671,0.0015992249],"study_design_scores_gemma":[0.00012526663,0.000032485335,0.0000018811378,0.000563172,0.00027635248,0.0000066998778,0.000408857,0.000026235162,0.000052984138,0.02695512,0.9710633,0.00048762216],"about_ca_topic_score_codex":0.000109504785,"about_ca_topic_score_gemma":0.0005960176,"teacher_disagreement_score":0.8392962,"about_ca_system_score_codex":0.00013350812,"about_ca_system_score_gemma":0.00025324165,"threshold_uncertainty_score":0.9998544},"labels":[],"label_agreement":null},{"id":"W4401420668","doi":"10.5325/pacicoasphil.57.2.0203","title":"Craig Svonkin and Steven Gould Axelrod, eds. <i>The Bloomsbury Handbook of Contemporary American Poetry</i>","year":2024,"lang":"en","type":"article","venue":"Pacific Coast Philology","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Sociology; Art; Art history; Literature","score_opus":0.023098042427124283,"score_gpt":0.2400325891160749,"score_spread":0.2169345466889506,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401420668","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27750853,0.18444647,0.00044944906,0.032001544,0.0037756274,0.00091432914,0.0010899246,0.0004991639,0.49931496],"genre_scores_gemma":[0.9920367,0.00079582876,0.000009703346,0.00051407196,0.0006134362,0.000024060046,0.000030212357,0.000025315105,0.0059506698],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986341,0.00016071534,0.00040549258,0.00035322257,0.0001685637,0.00027788413],"domain_scores_gemma":[0.9990939,0.00032332737,0.00010776351,0.00032671116,0.00007047284,0.00007784514],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032041786,0.00020759006,0.000453632,0.00015717508,0.00024079396,0.00012638675,0.00020495096,0.000055688655,0.0007368986],"category_scores_gemma":[0.000028960008,0.0001467062,0.00015709868,0.00011053169,0.0018631854,0.00011825273,0.000112933216,0.00028206376,0.000060656148],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022115726,0.00039793315,0.0025264337,0.00046977468,0.0012913074,0.00025066914,0.045927927,0.000004488843,0.0050066453,0.6777618,0.17978035,0.08636151],"study_design_scores_gemma":[0.00022250491,0.0002642911,0.00017349632,0.000114545306,0.00015672269,0.00004083679,0.0064310273,0.00014639633,0.0002489737,0.010527514,0.9814462,0.00022745701],"about_ca_topic_score_codex":0.00055792334,"about_ca_topic_score_gemma":0.00053272216,"teacher_disagreement_score":0.8016659,"about_ca_system_score_codex":0.000010531358,"about_ca_system_score_gemma":0.0000606123,"threshold_uncertainty_score":0.8068523},"labels":[],"label_agreement":null},{"id":"W4401567163","doi":"10.5406/19405103.57.1.02","title":"Victorian Poets and the Later Realism of Sarah Morgan Bryan Piatt","year":2024,"lang":"en","type":"article","venue":"American Literary Realism","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Realism; Art; History; Art history; Literature","score_opus":0.006690134823216704,"score_gpt":0.21882618552709043,"score_spread":0.21213605070387373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401567163","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.65940416,0.013000219,0.000054106546,0.026231524,0.0018853301,0.00047849532,0.0010167209,0.00040718238,0.29752228],"genre_scores_gemma":[0.98811734,0.00033540526,0.000025311476,0.0017162423,0.0010737991,0.000009353308,0.00007828843,0.00003193016,0.008612358],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99865884,0.0001646756,0.00039035786,0.0003047872,0.00022371835,0.00025763738],"domain_scores_gemma":[0.9991475,0.000222664,0.00009896923,0.00037855955,0.00006210276,0.00009025319],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028695093,0.0002025458,0.00042405014,0.00013955336,0.00019171413,0.00038413925,0.00021343784,0.000030470279,0.0005641099],"category_scores_gemma":[0.000016681404,0.00012451026,0.00017740119,0.00014974932,0.0014739813,0.0002987263,0.00007358552,0.00018755806,0.000019992776],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004299667,0.000028665167,0.000094817886,0.000058597758,0.00023027741,0.000042601925,0.123860404,3.0467385e-7,0.000066975364,0.8565245,0.008752265,0.010297584],"study_design_scores_gemma":[0.00035373008,0.00009901106,0.00072003464,0.00011889814,0.0002038189,0.00002651563,0.0023940732,0.0002968181,0.000072433526,0.028740399,0.9667327,0.0002415836],"about_ca_topic_score_codex":0.0030395277,"about_ca_topic_score_gemma":0.00017365885,"teacher_disagreement_score":0.9579804,"about_ca_system_score_codex":0.000013047277,"about_ca_system_score_gemma":0.000025437195,"threshold_uncertainty_score":0.61766076},"labels":[],"label_agreement":null},{"id":"W4401587588","doi":"10.5430/elr.v13n2p28","title":"Wallace Stevens and Zen Buddhism","year":2024,"lang":"en","type":"article","venue":"English Linguistics Research","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Social Science Foundation of Jiangsu Province; Government of Jiangsu Province","keywords":"Buddhism; Philosophy; Theology","score_opus":0.0960689171828336,"score_gpt":0.36595451995613637,"score_spread":0.26988560277330276,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401587588","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013122809,0.00540151,0.000020379382,0.00030709003,0.0036304516,0.00012508561,0.00007515768,0.00020855798,0.97710896],"genre_scores_gemma":[0.8972142,0.00018616451,0.000044949593,0.00003770516,0.011363695,0.000010510716,0.000014476641,0.000027564747,0.09110073],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99844897,0.00011946479,0.00019339356,0.00031324648,0.0005053079,0.00041960008],"domain_scores_gemma":[0.99699694,0.00061693566,0.000009799274,0.00022651289,0.0020078337,0.00014198733],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012178626,0.00011139036,0.00015401593,0.0002688041,0.00046380956,0.0011392998,0.00018038263,0.000055959204,0.0015670741],"category_scores_gemma":[0.008215552,0.00009626245,0.000059524173,0.00011881183,0.0003298574,0.000046712063,0.0001412109,0.0005940769,0.00021221557],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004288234,0.00002660636,0.000015384541,0.00013500245,0.000049240352,0.000080123864,0.022721902,0.0000015723456,0.0000070507895,0.8890087,0.086994015,0.00095609756],"study_design_scores_gemma":[0.00006464416,0.000053282994,0.00001034272,0.000087719294,0.000025030013,4.5646644e-7,0.0045298687,0.0013151144,0.0000360736,0.016140098,0.9776141,0.0001232928],"about_ca_topic_score_codex":0.00022928507,"about_ca_topic_score_gemma":0.00025140092,"teacher_disagreement_score":0.89062005,"about_ca_system_score_codex":0.00005829981,"about_ca_system_score_gemma":0.00007240908,"threshold_uncertainty_score":0.9998976},"labels":[],"label_agreement":null},{"id":"W4401596786","doi":"10.1093/alh/ajae052","title":"Carol Loeb Shloss, <i>Let the Wind Speak: Mary de Rachewiltz and Ezra Pound</i>","year":2024,"lang":"en","type":"article","venue":"American Literary History","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Pound (networking); Philosophy; Art; Literature; Computer science","score_opus":0.011317223037244658,"score_gpt":0.20098129727489183,"score_spread":0.18966407423764717,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4401596786","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12301361,0.46274608,0.000040888757,0.012182319,0.0014533702,0.00025238658,0.0001973604,0.0003412661,0.39977273],"genre_scores_gemma":[0.9097846,0.0013527783,0.00003206098,0.026331197,0.0011923024,0.00001531636,0.000038855203,0.000037007077,0.06121589],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988298,0.00012997814,0.00023265892,0.0003186831,0.00019035532,0.00029855],"domain_scores_gemma":[0.9993169,0.00015925613,0.000057250963,0.0003270435,0.00003079644,0.00010880424],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024826158,0.00019462984,0.00026097667,0.000100770536,0.00024212932,0.00016362585,0.00021395834,0.00002277376,0.0022624866],"category_scores_gemma":[0.000012785713,0.0001433258,0.0001541891,0.00006956858,0.0013379322,0.00037282333,0.00005748363,0.00029246375,0.00009720588],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020558973,0.00006886844,0.00024992635,0.00026473377,0.00021848328,0.00024696696,0.06383064,7.9269137e-7,0.00014994458,0.056964368,0.8525274,0.025457319],"study_design_scores_gemma":[0.000056805526,0.00006722463,0.00029269507,0.00014521608,0.00016795208,0.00004173465,0.001366485,0.00015442717,0.0000027705435,0.001113275,0.9963861,0.00020530191],"about_ca_topic_score_codex":0.0009360749,"about_ca_topic_score_gemma":0.00009121486,"teacher_disagreement_score":0.786771,"about_ca_system_score_codex":0.00019893142,"about_ca_system_score_gemma":0.00013997966,"threshold_uncertainty_score":0.9986496},"labels":[],"label_agreement":null},{"id":"W4402160791","doi":"10.1093/9780191919220.003.0003","title":"Projective and Receptive Verse","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Poetics; Opposition (politics); The arts; Literature; Art; Aesthetics; Linguistics; Visual arts; Sociology; Philosophy; Politics; Law; Political science","score_opus":0.03439146808246419,"score_gpt":0.22466030265668865,"score_spread":0.19026883457422447,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402160791","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000094581865,0.0008905523,0.0000015822828,0.00027120684,0.00029528164,0.000100962105,0.000098211145,0.0000696714,0.99826306],"genre_scores_gemma":[0.006972961,0.0002129825,0.000007088588,0.00019053664,0.0007082995,0.0000060725442,0.000023032117,0.00002900808,0.99185],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993804,0.0000034857776,0.00013450067,0.00027118466,0.00010986498,0.00010056368],"domain_scores_gemma":[0.9997207,0.000028217382,0.000030878287,0.000108558714,0.000073156916,0.000038520655],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00004943691,0.00018961744,0.00023155421,0.00011965963,0.00011199607,0.0001816902,0.000048603764,0.00008530181,0.028325064],"category_scores_gemma":[0.0000031701186,0.00014018478,0.00012366175,0.0000036716028,0.00026146966,0.00007345762,0.000053326647,0.0002292398,0.0014973236],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000042918723,0.0000037828959,5.9540966e-8,0.000031669995,0.00021288465,0.000018914729,0.006439175,1.4998939e-8,4.1143716e-7,0.970474,0.021337293,0.0014774832],"study_design_scores_gemma":[0.000032905336,0.000045042503,1.7599176e-7,0.000086345186,0.0002334177,0.0000018387348,0.0023475345,0.0000080745385,0.0000020405412,0.21461351,0.7824672,0.00016193364],"about_ca_topic_score_codex":0.00006923379,"about_ca_topic_score_gemma":0.0006693272,"teacher_disagreement_score":0.7611299,"about_ca_system_score_codex":0.000023678187,"about_ca_system_score_gemma":0.000018131643,"threshold_uncertainty_score":0.99928015},"labels":[],"label_agreement":null},{"id":"W4402350031","doi":"10.5206/q1144262.jorgensen.2019.pref","title":"The Road Goes Ever On: Preface","year":2019,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Computer science","score_opus":0.03210499019094606,"score_gpt":0.22089363251597963,"score_spread":0.18878864232503356,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4402350031","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000015317893,0.00084576226,0.0000013168977,0.001039792,0.0006247519,0.00011712602,0.00003692212,0.000045993656,0.997273],"genre_scores_gemma":[0.013150622,0.00024600775,0.000001142505,0.0011457759,0.0009499957,0.000003403468,0.00001645443,0.000031641706,0.98445493],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990819,0.000010502657,0.00021836064,0.00023645196,0.0002693423,0.00018344293],"domain_scores_gemma":[0.99921566,0.00010140298,0.00008054032,0.0004833414,0.000080927806,0.000038100286],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000108665925,0.00023942726,0.0002575127,0.000039572267,0.00041048793,0.00032444214,0.00027467642,0.00009923815,0.040819254],"category_scores_gemma":[0.0000062171375,0.00012459118,0.00028145083,0.0000023679288,0.0002002373,0.00006398675,0.00005195475,0.00026326333,0.008391495],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005304465,0.000005940682,1.5922899e-7,0.000007211388,0.00012836032,0.0000019700772,0.00039507606,7.376976e-7,1.8981692e-7,0.8905992,0.103838146,0.005017714],"study_design_scores_gemma":[0.000055494336,0.00004870078,0.0000040514615,0.00004772684,0.000090775895,4.8827945e-7,0.00023606465,0.00001278665,0.0000030236736,0.031042911,0.9682514,0.00020658966],"about_ca_topic_score_codex":0.000049960672,"about_ca_topic_score_gemma":0.00077800185,"teacher_disagreement_score":0.86441326,"about_ca_system_score_codex":0.000020713253,"about_ca_system_score_gemma":0.00003087284,"threshold_uncertainty_score":0.99238056},"labels":[],"label_agreement":null},{"id":"W4403089928","doi":"10.3138/ecf.36.4.625","title":"Nathaniel Lee and the Lucretian Sublime","year":2024,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sublime; Art; Art history; Aesthetics","score_opus":0.010014402321449059,"score_gpt":0.2026636314266553,"score_spread":0.19264922910520624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403089928","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13003854,0.15404426,0.0004005568,0.009773899,0.0093952995,0.00058650976,0.000111458205,0.0007106432,0.69493884],"genre_scores_gemma":[0.98731285,0.0052515194,0.000005693658,0.0002633061,0.0012654131,0.000019816825,0.00003568086,0.000016168797,0.005829565],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99910915,0.00007212166,0.00019627374,0.00023944216,0.0001938224,0.00018917031],"domain_scores_gemma":[0.9996237,0.00008971568,0.00002731011,0.00016690305,0.0000430473,0.000049287293],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002700892,0.00013436393,0.00014414477,0.00010230175,0.0004899056,0.0007158895,0.000098898825,0.00004300381,0.0025191354],"category_scores_gemma":[0.000012886536,0.00008154504,0.00014047102,0.00006794334,0.00028460272,0.00032943606,0.000035394405,0.00019536926,0.00016958042],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028863102,0.000028768778,0.00001348081,0.000030430287,0.00009317721,0.0000075493685,0.0060226596,6.1665963e-7,0.00004035448,0.9500573,0.040169038,0.003507737],"study_design_scores_gemma":[0.00032870707,0.000029784316,0.00009730526,0.000044313983,0.00016575685,0.00001032073,0.0021254907,0.002449863,0.00005658365,0.001997619,0.99256396,0.00013031797],"about_ca_topic_score_codex":0.000114118426,"about_ca_topic_score_gemma":0.00005999165,"teacher_disagreement_score":0.9523949,"about_ca_system_score_codex":0.000024526567,"about_ca_system_score_gemma":0.000012655808,"threshold_uncertainty_score":0.9983927},"labels":[],"label_agreement":null},{"id":"W4403206116","doi":"10.7202/1113972ar","title":"George Elliott Clarke. J’Accuse . . . ! (Poem versus Silence)","year":2022,"lang":"en","type":"article","venue":"Newfoundland and Labrador Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Silence; George (robot); Poetry; Art; Philosophy; Art history; Literature; Aesthetics","score_opus":0.06777173358594044,"score_gpt":0.288073688824944,"score_spread":0.22030195523900356,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4403206116","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9192988,0.018548233,0.0000027119138,0.0019931514,0.0019601197,0.00014197102,0.00012607346,0.00011968511,0.057809222],"genre_scores_gemma":[0.9597392,0.0013868778,0.000011741715,0.00058563054,0.0006911336,0.000050878163,0.000018599043,0.000017577733,0.03749837],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986899,0.000095083255,0.0002502891,0.00033015877,0.0002980855,0.00033649575],"domain_scores_gemma":[0.9993367,0.00023185859,0.00007566371,0.00019988215,0.00007858391,0.000077314435],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025692486,0.00021132281,0.00036226292,0.0001055649,0.0021371404,0.000185297,0.00016664612,0.000022838725,0.003006256],"category_scores_gemma":[0.00004421862,0.00017001803,0.000115410134,0.000087308865,0.00032500917,0.00019299249,0.0002512939,0.00023777586,0.000038900518],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00059792027,0.0004725407,0.0048390133,0.00019114243,0.0018788868,0.00015824205,0.13442814,0.000028336543,0.00007761827,0.7485194,0.07118732,0.037621424],"study_design_scores_gemma":[0.001076103,0.00030495643,0.0008588695,0.00001355968,0.00018763241,0.000005693618,0.07383738,0.000052443753,0.000004185123,0.0024034078,0.92096686,0.00028891055],"about_ca_topic_score_codex":0.0009965878,"about_ca_topic_score_gemma":0.004700441,"teacher_disagreement_score":0.84977955,"about_ca_system_score_codex":0.000064849104,"about_ca_system_score_gemma":0.000020626967,"threshold_uncertainty_score":0.99916196},"labels":[],"label_agreement":null},{"id":"W4404068776","doi":"10.59350/n4ttg-4be54","title":"'THE QUEEN MIGHT BE LISTENING!': SLINGS &amp;amp; ARROWS AND CANADIAN SHAKESPEARE","year":2023,"lang":"en","type":"preprint","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Active listening; Queen (butterfly); Art; Psychology; Communication; Biology; Zoology","score_opus":0.07513349415045315,"score_gpt":0.2714729533215614,"score_spread":0.19633945917110826,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404068776","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0537059,0.002602603,0.00006438788,0.10015725,0.0036189451,0.0007564925,0.0014303746,0.00059440325,0.83706963],"genre_scores_gemma":[0.24680048,0.00036239336,0.00008448639,0.0016990311,0.0012819729,0.00005837753,0.00043708424,0.00006432427,0.74921185],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99810815,0.00007363888,0.0004364947,0.0005362279,0.00028286086,0.00056263246],"domain_scores_gemma":[0.99849313,0.0001757365,0.0001143408,0.0006543395,0.00021139707,0.00035103384],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00045880486,0.0003436136,0.0004089716,0.00020942028,0.0013926951,0.001823898,0.0004769895,0.00019959964,0.0049553723],"category_scores_gemma":[0.00012994258,0.0002422473,0.00025703417,0.000044301807,0.000355342,0.00008469829,0.00032204232,0.0006559884,0.00062593573],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008260847,0.000017691724,0.0002824385,0.00015656989,0.00046592296,0.00003247611,0.032019023,0.000024090123,0.000003721377,0.46785972,0.4981784,0.00095170795],"study_design_scores_gemma":[0.000062884246,0.000005653434,0.00015007633,0.00008778331,0.0001412745,0.0000018918703,0.0033164388,0.00007250031,0.000002302532,0.009671079,0.98612756,0.00036054594],"about_ca_topic_score_codex":0.5554995,"about_ca_topic_score_gemma":0.9819647,"teacher_disagreement_score":0.4879492,"about_ca_system_score_codex":0.00008448962,"about_ca_system_score_gemma":0.00020564148,"threshold_uncertainty_score":0.9999074},"labels":[],"label_agreement":null},{"id":"W4404231872","doi":"10.52086/001c.125266","title":"TEXT Reviews October 2024","year":2024,"lang":"en","type":"article","venue":"TEXT","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Campion College","funders":"","keywords":"Computer science","score_opus":0.051262737674698765,"score_gpt":0.285306548283581,"score_spread":0.2340438106088822,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404231872","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020976076,0.057614695,0.000028162089,0.0025936316,0.001375404,0.000094868745,0.000022263841,0.00013662972,0.93603677],"genre_scores_gemma":[0.35259208,0.000962845,0.000016683465,0.00097487774,0.0015267112,0.00001761956,0.000009217751,0.000015571512,0.64388436],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927115,0.00003295568,0.00021550132,0.00019253179,0.00011072553,0.00017712514],"domain_scores_gemma":[0.99967843,0.000032599783,0.000015867143,0.00020172432,0.000023554874,0.00004784864],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020926466,0.000113003414,0.00018885704,0.000073160125,0.0001355431,0.00037625837,0.00011297817,0.00002531631,0.09552598],"category_scores_gemma":[0.000019212672,0.000079159305,0.00018792778,0.00005954303,0.00008870363,0.00017327792,0.000027770826,0.00013607705,0.021271326],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[6.3320726e-7,0.0000138849755,0.000002427395,0.00005855495,0.000024228082,0.000012310339,0.0025604535,1.59578e-7,0.000028136503,0.45520434,0.5147224,0.027372446],"study_design_scores_gemma":[0.000026275942,0.000015056187,0.0000127466765,0.00011403172,0.00007077132,0.0000029345426,0.0004044155,0.00015421397,0.000021185557,0.0055799442,0.99347776,0.00012063536],"about_ca_topic_score_codex":0.00008867738,"about_ca_topic_score_gemma":0.00020737624,"teacher_disagreement_score":0.47875535,"about_ca_system_score_codex":0.0000145819395,"about_ca_system_score_gemma":0.000012338144,"threshold_uncertainty_score":0.97949076},"labels":[],"label_agreement":null},{"id":"W4404252746","doi":"10.4324/9781003156574-11","title":"Writing Toronto","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.03306552618366316,"score_gpt":0.2369592307518456,"score_spread":0.20389370456818245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404252746","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000010908245,0.006548993,0.000003029168,0.00023842184,0.00052505557,0.000039369344,0.00005001638,0.00014889777,0.9924451],"genre_scores_gemma":[0.008133811,0.00017742794,0.0000072534694,0.00040291002,0.0028213246,0.0000028454033,0.000035590172,0.00004493095,0.98837394],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992265,0.000001779096,0.00024268897,0.00022987303,0.0001600635,0.00013910537],"domain_scores_gemma":[0.9996609,0.000023065119,0.00003217611,0.00018213406,0.000055469867,0.000046226498],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006719094,0.00019662309,0.00024374595,0.000034939065,0.00012871766,0.00034704842,0.00010749599,0.00008590339,0.23896785],"category_scores_gemma":[0.0000015074501,0.00015509385,0.00027291317,0.0000011919792,0.00008672895,0.00011051215,0.000051610692,0.00016219927,0.0039572255],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.991238e-7,0.0000026634086,2.2089354e-8,0.000043151762,0.00011637059,0.000022643799,0.0008906367,3.0152805e-8,4.458635e-7,0.95250654,0.044320352,0.0020966348],"study_design_scores_gemma":[0.000015401229,0.00001260183,3.3846252e-8,0.000118181175,0.00016730778,0.0000014975211,0.0007930541,0.000013867158,9.690698e-7,0.17940085,0.81929255,0.00018371486],"about_ca_topic_score_codex":0.00035821946,"about_ca_topic_score_gemma":0.009062982,"teacher_disagreement_score":0.7749722,"about_ca_system_score_codex":0.000052992345,"about_ca_system_score_gemma":0.000011917696,"threshold_uncertainty_score":0.9968183},"labels":[],"label_agreement":null},{"id":"W4404366789","doi":"10.5539/ells.v14n4p29","title":"Feminism Between the Written and the Spoken Word","year":2024,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Feminism; Word (group theory); Computer science; Linguistics; Natural language processing; Artificial intelligence; Sociology; Gender studies; Philosophy","score_opus":0.012735165937610345,"score_gpt":0.2568808373987679,"score_spread":0.24414567146115754,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404366789","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34845883,0.57226956,0.0000013914123,0.0063583623,0.00068025215,0.000162309,0.00011044605,0.00011567849,0.0718432],"genre_scores_gemma":[0.9791191,0.002019314,0.0000042459014,0.0004813322,0.004120453,0.000021417598,0.000015494063,0.000010256278,0.014208373],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931,0.00008549941,0.0001458398,0.00019008173,0.00011205121,0.00015650422],"domain_scores_gemma":[0.9991693,0.00056316674,0.000019197143,0.00015177992,0.00006984047,0.00002675082],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0004179438,0.00014777665,0.00023545818,0.000042725038,0.00056266354,0.001087341,0.000101087884,0.000033339624,0.00006937697],"category_scores_gemma":[0.00010590188,0.000060798982,0.00008273171,0.000069794325,0.0006330099,0.00016768702,0.00009820902,0.00029523272,0.0000037882767],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000059116514,0.0000025809231,0.00002991273,0.000056360215,0.00032661553,0.000041400504,0.77511096,1.9958776e-8,7.4712085e-7,0.20943043,0.0082818195,0.006713251],"study_design_scores_gemma":[0.00021294276,0.000016206,0.0001268148,0.00020422094,0.00028592974,0.000004448929,0.43365797,0.0000063466377,0.0000058165692,0.0038487916,0.56151223,0.00011825767],"about_ca_topic_score_codex":0.000018865021,"about_ca_topic_score_gemma":0.00005601137,"teacher_disagreement_score":0.6306603,"about_ca_system_score_codex":0.000003941596,"about_ca_system_score_gemma":0.0000039638994,"threshold_uncertainty_score":0.99994963},"labels":[],"label_agreement":null},{"id":"W4404462768","doi":"10.54647/sociology841362","title":"The Second Collection of Prose Poems “The Love Season of Leaves”","year":2019,"lang":"en","type":"article","venue":"SCIREA Journal of Sociology","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Art","score_opus":0.0219644432971341,"score_gpt":0.25117768974993987,"score_spread":0.22921324645280577,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404462768","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.967035,0.0016706132,0.000004916561,0.0017813223,0.00068961264,0.000071104834,0.000009543627,0.0000013760746,0.02873651],"genre_scores_gemma":[0.97034276,0.000074468575,0.000003894457,0.00012484852,0.00030700525,4.7488115e-7,4.5634317e-7,0.0000046804744,0.0291414],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991065,0.00016713324,0.00039341493,0.000058865706,0.00014305423,0.00013098783],"domain_scores_gemma":[0.9987015,0.00030679815,0.00051878707,0.00011873669,0.00033069728,0.000023469634],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008169296,0.00006515864,0.00026713143,0.00004865252,0.00016432558,0.000019933126,0.00020252382,0.000051619478,0.0018153817],"category_scores_gemma":[0.00005629809,0.000033126547,0.00020243556,0.00003364695,0.0008383851,0.000090141366,0.000020347763,0.00020836868,0.000024608027],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005667775,0.00038057123,0.016337395,0.00019715323,0.0017217286,0.0000069315306,0.2045834,0.00007620479,0.019854333,0.6820171,0.07176336,0.0024950756],"study_design_scores_gemma":[0.0030858961,0.0040513473,0.03979607,0.00021692642,0.00065047207,0.00017897488,0.19069426,0.00030361905,0.013746701,0.18453246,0.56229943,0.00044380783],"about_ca_topic_score_codex":0.000016879214,"about_ca_topic_score_gemma":0.000109538894,"teacher_disagreement_score":0.4974846,"about_ca_system_score_codex":0.000021467042,"about_ca_system_score_gemma":0.000075903896,"threshold_uncertainty_score":0.9990971},"labels":[],"label_agreement":null},{"id":"W4404601786","doi":"10.1386/crre_00139_5","title":"Prairie Interlace: Weaving, Modernisms, and the Expanded Frame, 1960–2000, Michele Hardy, Timothy Long and Julia Krueger (eds) (2023)","year":2024,"lang":"en","type":"article","venue":"Craft Research","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Ontario College of Art and Design","funders":"","keywords":"Weaving; Art history; Art; History; Engineering","score_opus":0.057423728225890126,"score_gpt":0.3443517386529634,"score_spread":0.2869280104270733,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404601786","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5473681,0.1605946,0.0007260785,0.06703812,0.0011392031,0.0015171753,0.00017238477,0.0004003084,0.22104402],"genre_scores_gemma":[0.8036038,0.0007064031,0.000015835367,0.00025153658,0.0005253778,0.00006484277,0.000011698638,0.00002984848,0.19479065],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977461,0.0002917419,0.0002902626,0.00050695473,0.0005845709,0.00058033125],"domain_scores_gemma":[0.998651,0.0005727404,0.000024713761,0.00038206563,0.00020635416,0.00016308637],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0018566618,0.00020563575,0.00030757373,0.0002573653,0.00085482793,0.0022534004,0.00030631002,0.00009876459,0.0030290512],"category_scores_gemma":[0.00016862794,0.00013260514,0.00011698028,0.00013141354,0.0018449748,0.00034362666,0.00033168317,0.00088549155,0.00034116852],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00037255147,0.00022657616,0.0007225134,0.00089747395,0.000803374,0.00028662191,0.09419174,0.0000073020724,0.0007994061,0.38083652,0.4862735,0.034582432],"study_design_scores_gemma":[0.0007740925,0.00012256992,0.0003491096,0.00028537627,0.000111978334,0.000025470035,0.005986113,0.01623506,0.0002421208,0.024096478,0.951467,0.00030466117],"about_ca_topic_score_codex":0.0006079289,"about_ca_topic_score_gemma":0.001281333,"teacher_disagreement_score":0.46519348,"about_ca_system_score_codex":0.00004304227,"about_ca_system_score_gemma":0.00012088101,"threshold_uncertainty_score":0.99878234},"labels":[],"label_agreement":null},{"id":"W4404791607","doi":"10.1111/johs.12480","title":"Ode to a Blackbird","year":2024,"lang":"en","type":"article","venue":"Sociology Lens","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Ode; Mathematics; Applied mathematics","score_opus":0.046019315660046224,"score_gpt":0.2830084650686028,"score_spread":0.23698914940855656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404791607","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47202063,0.0019745608,0.00016453037,0.024171818,0.0016326354,0.00008998033,0.000060779766,0.00035278668,0.49953228],"genre_scores_gemma":[0.9619234,0.000019597073,0.000016265452,0.0032916237,0.0009884976,0.000008739251,0.000007886595,0.000010696265,0.033733256],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999434,0.000037538393,0.0001071889,0.00017205327,0.00004782943,0.00020141562],"domain_scores_gemma":[0.9997485,0.00007349497,0.0000067700425,0.00010680702,0.000027094353,0.00003730245],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011939804,0.00007519741,0.00012773767,0.000064251646,0.00014167941,0.00006142532,0.00008363234,0.00004983534,0.0052219084],"category_scores_gemma":[0.000019363739,0.000059801252,0.00011209287,0.000019602978,0.00028769285,0.00006845039,0.000026218746,0.00013468748,0.004974054],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000015364632,0.000009681982,0.00002378427,0.000009800056,0.000065398366,0.000017871482,0.043645293,0.0000016532151,0.00012314536,0.89136827,0.06429738,0.00043621327],"study_design_scores_gemma":[0.00003072962,0.0000491186,0.000063476095,0.000012503067,0.000047123827,0.0000018192891,0.003728603,0.00006184768,0.000027800403,0.042758744,0.95312065,0.00009758882],"about_ca_topic_score_codex":0.000040658015,"about_ca_topic_score_gemma":0.00017550499,"teacher_disagreement_score":0.8888233,"about_ca_system_score_codex":0.000018252946,"about_ca_system_score_gemma":0.000019670142,"threshold_uncertainty_score":0.9958007},"labels":[],"label_agreement":null},{"id":"W4404888008","doi":"10.36317/kja/2025/v1.i63.12855","title":"A Phonological Metrical Investigation of Two of Ezra Pound and Bruce Ross’s Haiku Poems with Reference to Hayes's (1995) Parametric Metical Theory","year":2024,"lang":"en","type":"article","venue":"Kufa Journal of Arts","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Haiku; Pound (networking); Poetry; Literature; Philosophy; Art; Computer science","score_opus":0.07602046860532209,"score_gpt":0.29661487114662677,"score_spread":0.2205944025413047,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404888008","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9867361,0.00404738,0.0013188621,0.0009550562,0.00012044319,0.00007216277,0.000015634154,0.000012225575,0.006722104],"genre_scores_gemma":[0.99841136,0.00007870787,0.00088784285,0.00016192143,0.00013220815,0.0000016912905,0.0000015098786,0.000010011843,0.0003147285],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9984772,0.00014175453,0.000596666,0.00017435108,0.00042848955,0.00018152688],"domain_scores_gemma":[0.9985625,0.0006399252,0.00019084477,0.00012886147,0.00029564212,0.0001822316],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000876916,0.00014023895,0.00046523055,0.00061570836,0.00007914142,0.00016420623,0.00015474872,0.000053071264,0.00036377966],"category_scores_gemma":[0.00034442646,0.00008727009,0.00011714983,0.00037337616,0.0005116881,0.00026693227,0.000044544522,0.0002935371,0.0000074408304],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024813472,0.00015033863,0.00059079484,0.00008137408,0.00042408053,0.00010568158,0.0046834457,0.00008222132,0.0014412927,0.98556566,0.00074143696,0.0058855386],"study_design_scores_gemma":[0.0057958593,0.018351778,0.04078736,0.0041216207,0.006466898,0.0019784486,0.01840666,0.0039717173,0.034380276,0.70362246,0.15987973,0.002237197],"about_ca_topic_score_codex":0.000055713517,"about_ca_topic_score_gemma":0.00004160808,"teacher_disagreement_score":0.2819432,"about_ca_system_score_codex":0.000028660375,"about_ca_system_score_gemma":0.00008626988,"threshold_uncertainty_score":0.39831322},"labels":[],"label_agreement":null},{"id":"W4405032869","doi":"10.29173/writingacrossuofa66","title":"Hamsterdammed","year":2024,"lang":"en","type":"article","venue":"Writing across the University of Alberta","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Computer science","score_opus":0.01614435248376491,"score_gpt":0.22364914371987665,"score_spread":0.20750479123611174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405032869","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.68693954,0.000764241,0.000084274885,0.0057012704,0.00028607753,0.000059056627,0.000037547867,0.00006917725,0.30605882],"genre_scores_gemma":[0.92700887,0.000013378693,0.0000095313235,0.0001128351,0.00014664691,5.6672555e-8,0.000004896407,0.000005417765,0.07269835],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951667,0.000026843021,0.000085040316,0.000119633834,0.000094103125,0.00015773825],"domain_scores_gemma":[0.99952495,0.0002353951,0.000023169854,0.00015004749,0.0000410199,0.00002544017],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017111925,0.00006263313,0.00010020034,0.000023372271,0.0006081737,0.00014215455,0.00023019756,0.000020448884,0.0025248895],"category_scores_gemma":[0.000017165932,0.00004938269,0.00013138683,0.000042108826,0.00042001976,0.00014799133,0.000075484175,0.0000990972,0.00020996497],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016443637,0.000040821,0.00010444057,0.00012732438,0.00021274615,0.00003757913,0.2559291,0.00001603611,0.00018117049,0.7151799,0.020431649,0.0077227456],"study_design_scores_gemma":[0.00011729957,0.000021045593,0.0001409528,0.00014204555,0.00008076702,0.0000045229945,0.08422269,0.0015138307,0.00009497244,0.001027629,0.9125211,0.00011314064],"about_ca_topic_score_codex":0.0037716087,"about_ca_topic_score_gemma":0.005533842,"teacher_disagreement_score":0.8920895,"about_ca_system_score_codex":0.000012464663,"about_ca_system_score_gemma":0.000011888857,"threshold_uncertainty_score":0.9983869},"labels":[],"label_agreement":null},{"id":"W4405621048","doi":"10.1093/notesj/gjae144","title":"<i>Paradise Lost</i>’s ‘Sad Cure’ as a Source for Wallace Stevens’s ‘Cure Beyond Forgetfulness’ in ‘The Rock’","year":2024,"lang":"en","type":"article","venue":"Notes and Queries","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Social Sciences and Humanities Research Council","keywords":"Paradise; History; Art; Philosophy; Art history","score_opus":0.02080943733807939,"score_gpt":0.2595584567782407,"score_spread":0.2387490194401613,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405621048","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7529148,0.06535732,0.0045409775,0.11058199,0.0017552241,0.001671438,0.00065017596,0.00037179783,0.06215627],"genre_scores_gemma":[0.979272,0.00020664843,0.00002523163,0.0013290418,0.00060284085,0.00008426896,0.00003613343,0.000024700843,0.018419113],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99898535,0.000044851855,0.00023849824,0.00027747484,0.00016001024,0.00029378902],"domain_scores_gemma":[0.9993201,0.0003760067,0.000033100616,0.00017364639,0.000047429654,0.00004971201],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00025356238,0.00019545286,0.00025060264,0.00008500269,0.00037684944,0.00060623005,0.00013786151,0.00006379759,0.00046415388],"category_scores_gemma":[0.00005416743,0.00013027767,0.00014785113,0.00007038516,0.00012747316,0.00028331863,0.000035757894,0.0001679258,0.000046339737],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005314909,0.0000645405,0.00010825032,0.00031117134,0.000075644035,0.000024244477,0.060607985,0.000030321477,0.000034214023,0.9120314,0.020863432,0.005795626],"study_design_scores_gemma":[0.00018487507,0.00012860687,0.0000349785,0.000082158855,0.000110771005,0.000012719237,0.011203056,0.001310509,0.00012169468,0.041323416,0.94527185,0.00021537738],"about_ca_topic_score_codex":0.00037040887,"about_ca_topic_score_gemma":0.00323908,"teacher_disagreement_score":0.9244084,"about_ca_system_score_codex":0.00001698131,"about_ca_system_score_gemma":0.000034042714,"threshold_uncertainty_score":0.584589},"labels":[],"label_agreement":null},{"id":"W4405667126","doi":"10.29173/isotl797","title":"And so it happens","year":2024,"lang":"en","type":"article","venue":"Imagining SoTL","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Mount Royal University","funders":"","keywords":"Computer science","score_opus":0.024943742337264475,"score_gpt":0.2678858471985307,"score_spread":0.24294210486126622,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4405667126","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0426208,0.008488555,0.00022798797,0.04892364,0.0012285791,0.000059276124,0.000036115114,0.0004025836,0.89801246],"genre_scores_gemma":[0.9766574,0.0000318144,0.000040429844,0.00092131604,0.0004976048,0.0000031155523,0.0000045762617,0.000011901055,0.021831833],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995284,0.000010914614,0.000097954464,0.00014826756,0.000076508775,0.00013796233],"domain_scores_gemma":[0.9998041,0.000046570392,0.000008708959,0.00008229138,0.000020894708,0.000037446312],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000101958,0.00007125795,0.00008813293,0.000059071415,0.00020320698,0.00089285517,0.000051183804,0.000011656739,0.0026136253],"category_scores_gemma":[0.000011827198,0.000059575195,0.000046609715,0.000021161959,0.00021154876,0.00020644389,0.00002573975,0.000098589226,0.00036135735],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000017825142,0.0000082260185,0.000047294885,0.000031368258,0.000049817987,0.000044619464,0.023994882,5.15332e-7,0.00006942407,0.93102515,0.033222303,0.011504647],"study_design_scores_gemma":[0.00004071559,0.000018995017,0.00002679654,0.000055042794,0.000049782815,0.0000082116685,0.0034575372,0.0015960733,0.000037948586,0.0053152354,0.98930055,0.00009310962],"about_ca_topic_score_codex":0.00013576458,"about_ca_topic_score_gemma":0.0001298901,"teacher_disagreement_score":0.95607823,"about_ca_system_score_codex":0.000005288355,"about_ca_system_score_gemma":0.000016268461,"threshold_uncertainty_score":0.9982981},"labels":[],"label_agreement":null},{"id":"W4406289668","doi":"10.2979/vic.00160","title":"Revisioning Victorian(ist) Listening: Rereading Elizabeth Gaskell's Canadian Landscapes through Inuk Sound","year":2024,"lang":"en","type":"article","venue":"Victorian Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Active listening; Sound (geography); Art; Literature; Sociology; Acoustics; Communication","score_opus":0.053785948727275545,"score_gpt":0.31001761617679086,"score_spread":0.2562316674495153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406289668","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03758903,0.18282597,0.00014272565,0.0043188566,0.022793401,0.00045479747,0.0002595789,0.0009702414,0.7506454],"genre_scores_gemma":[0.97640723,0.002070979,0.00009111052,0.0003138436,0.008203402,0.000030273106,0.000037598667,0.00006191433,0.01278363],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977171,0.000091425274,0.0005295183,0.00058828195,0.00036573867,0.00070793676],"domain_scores_gemma":[0.9987588,0.00032798506,0.00007505922,0.00035175378,0.00028343353,0.00020296664],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043029868,0.0003940829,0.0006109281,0.00028613486,0.0015216967,0.0011590737,0.00027364068,0.0000961073,0.0010917721],"category_scores_gemma":[0.00022202646,0.00031574196,0.00026951704,0.00025431658,0.00021436045,0.00059859484,0.00010292913,0.00034084005,0.0004196774],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007055674,0.000017888866,0.00039267508,0.0003570839,0.0009642583,0.00016899729,0.17561352,0.000012919722,0.00003109437,0.79449636,0.027514925,0.00042324193],"study_design_scores_gemma":[0.00012717792,0.00007309854,0.000024499073,0.0006508674,0.0002573984,0.0000069329067,0.017877858,0.000103528444,0.000022140173,0.01238531,0.9680592,0.00041201487],"about_ca_topic_score_codex":0.0039303205,"about_ca_topic_score_gemma":0.1056641,"teacher_disagreement_score":0.94054425,"about_ca_system_score_codex":0.00028946207,"about_ca_system_score_gemma":0.00013521126,"threshold_uncertainty_score":0.9999295},"labels":[],"label_agreement":null},{"id":"W4406410513","doi":"10.1017/9781009183185.038","title":"Poetic Legacies post 1950","year":2025,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Literature","score_opus":0.02272127040238019,"score_gpt":0.18760264925846598,"score_spread":0.16488137885608578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406410513","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000041700725,0.00034653055,0.000027204229,0.000118822354,0.00044902883,0.00017587816,0.0009697779,0.00014452483,0.99772656],"genre_scores_gemma":[0.005243369,0.000074988195,0.0000065683575,0.00035860168,0.00036920572,5.281089e-7,0.0001370647,0.000028488215,0.9937812],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998774,0.000030297113,0.00021759316,0.00044230887,0.0002451074,0.00029068172],"domain_scores_gemma":[0.998835,0.00007009072,0.00013860565,0.0005114803,0.00032850093,0.000116277144],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00006427386,0.00038775135,0.00050103996,0.00030511012,0.0005633658,0.00022331749,0.00050906366,0.00020828134,0.0002596931],"category_scores_gemma":[0.000009638402,0.00042346818,0.00045182527,0.0000037132284,0.0006038141,0.00013205958,0.0002877363,0.00042921482,0.00007287446],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002770176,0.000010209814,1.3390435e-7,0.000100967285,0.0002565272,0.00016805685,0.00048376937,2.655232e-7,0.0000057170446,0.88297355,0.11537166,0.0006014568],"study_design_scores_gemma":[0.00023000147,0.00004155117,0.0000016842066,0.0002204333,0.0007561097,0.0000033081542,0.0005823826,0.000013707004,0.00003232796,0.000068156354,0.99760777,0.0004425627],"about_ca_topic_score_codex":0.0005541634,"about_ca_topic_score_gemma":0.00008497845,"teacher_disagreement_score":0.88290536,"about_ca_system_score_codex":0.000104819344,"about_ca_system_score_gemma":0.00010652791,"threshold_uncertainty_score":0.9998217},"labels":[],"label_agreement":null},{"id":"W4406707676","doi":"10.1177/14647001241296384","title":"Figment made flesh: minstrelsy and nonbinary embodiment in Of Montreal's Georgie Fruit saga","year":2025,"lang":"en","type":"article","venue":"Feminist Theory","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Flesh; Art; Biology; Horticulture","score_opus":0.014618281531503536,"score_gpt":0.23737914624832393,"score_spread":0.22276086471682038,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406707676","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32224098,0.0021166762,0.000019431323,0.00043541857,0.00018759257,0.00013923054,0.00008969603,0.000022068703,0.6747489],"genre_scores_gemma":[0.97105914,0.000081052814,0.000027148231,0.0004406251,0.00006083863,0.000023112727,0.000018412939,0.000007940884,0.028281707],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9990384,0.00008378324,0.00033917365,0.00021765643,0.000117957476,0.00020300786],"domain_scores_gemma":[0.9994446,0.00018160923,0.000070901086,0.00023474307,0.000025023099,0.00004309615],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033877717,0.00014355622,0.00029356804,0.00015735526,0.0001269555,0.000050346927,0.0001413489,0.000047830054,0.0012935154],"category_scores_gemma":[0.000023779266,0.00012583617,0.00008408706,0.00004940511,0.000317327,0.00005434228,0.0000937393,0.000105053055,0.000014952332],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000082867715,0.00024896208,0.0005403009,0.000089612695,0.00008564991,0.000022913773,0.008464721,0.0000030347912,0.00012041471,0.9804216,0.002148774,0.0077711754],"study_design_scores_gemma":[0.0022662277,0.00031228902,0.013820104,0.00092826854,0.0004496925,0.000006025354,0.06782805,0.00022394829,0.0034550554,0.717324,0.19272178,0.00066451886],"about_ca_topic_score_codex":0.00023614,"about_ca_topic_score_gemma":0.00038149187,"teacher_disagreement_score":0.6488182,"about_ca_system_score_codex":0.000034949284,"about_ca_system_score_gemma":0.00003469447,"threshold_uncertainty_score":0.9996194},"labels":[],"label_agreement":null},{"id":"W4406780342","doi":"10.5325/utopianstudies.35.2-3.0563","title":"Response 4: <i>Refractions:</i> Moving with Queer Theory into Queer Poethics","year":2024,"lang":"en","type":"article","venue":"Utopian Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Calgary","funders":"","keywords":"Queer; Queer theory; Sociology; Gender studies","score_opus":0.04108135701448129,"score_gpt":0.30965530097392896,"score_spread":0.26857394395944767,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406780342","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.46964538,0.11534419,0.0035084314,0.06905257,0.005331105,0.0006933961,0.0001088003,0.0020489164,0.3342672],"genre_scores_gemma":[0.8662819,0.0003768889,0.00010470289,0.0017114137,0.00055011513,0.000040739687,0.000002410245,0.000027065878,0.13090475],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988046,0.00021611601,0.0002181971,0.00028817166,0.00023956092,0.00023334664],"domain_scores_gemma":[0.9986912,0.00080321875,0.00003244598,0.00023453649,0.00019132286,0.000047277674],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008601618,0.0001898565,0.00025281322,0.0001564652,0.0007280162,0.00034825658,0.0001064881,0.000043449985,0.00061143097],"category_scores_gemma":[0.00019987418,0.00012643311,0.000112386566,0.00009490081,0.00053458696,0.00033253254,0.000064351414,0.00030374885,0.00024200173],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011898883,0.0000219594,0.000039444778,0.00009601908,0.00058013364,0.00009291822,0.087692164,0.0000062442823,0.0000691442,0.9027005,0.0063015074,0.0022810164],"study_design_scores_gemma":[0.0001059759,0.000092821254,0.00011048552,0.00025510075,0.0002158957,0.000010476676,0.059875045,0.000037825903,0.00011802543,0.036863334,0.90208125,0.00023375131],"about_ca_topic_score_codex":0.00011926022,"about_ca_topic_score_gemma":0.0010878893,"teacher_disagreement_score":0.8957797,"about_ca_system_score_codex":0.00006894891,"about_ca_system_score_gemma":0.000060448365,"threshold_uncertainty_score":0.669474},"labels":[],"label_agreement":null},{"id":"W4406879477","doi":"","title":"The Review as Bakhtinian Rejoinder: Edward W. Said as Music Reviewer","year":2015,"lang":"en","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Psychology; Philosophy","score_opus":0.3797349161716072,"score_gpt":0.5376232629683424,"score_spread":0.1578883467967352,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406879477","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016227273,0.61237913,0.000008026144,0.0041719447,0.0020965494,0.0007793864,0.000039605744,0.000052958432,0.36424515],"genre_scores_gemma":[0.34736785,0.59542644,0.000033777356,0.016817335,0.0026408988,0.0001446647,0.0000398047,0.00012507205,0.03740416],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99537444,0.00076038874,0.0015298208,0.000501028,0.0012532586,0.0005810409],"domain_scores_gemma":[0.9954626,0.00039742014,0.0010865168,0.001034057,0.0015008326,0.00051856134],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.004920153,0.00044696167,0.0013077422,0.00030025744,0.0010331896,0.0032823095,0.0034118965,0.00008267625,0.077316105],"category_scores_gemma":[0.00236956,0.0002922756,0.00059853215,0.0004428122,0.00044808123,0.002237849,0.0008059037,0.0005952344,0.0008667381],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006268284,0.00017169473,0.0013036258,0.0004156388,0.0003536987,0.000053971322,0.0011874833,0.0000023040222,0.00012889736,0.018751264,0.94556826,0.03200048],"study_design_scores_gemma":[0.00025860526,0.00002214646,0.0014636758,0.0031730926,0.00042956576,0.000023304156,0.0006749024,0.000004695944,0.0001746298,0.022862593,0.9704861,0.00042668762],"about_ca_topic_score_codex":0.001372628,"about_ca_topic_score_gemma":0.0006306004,"teacher_disagreement_score":0.33114058,"about_ca_system_score_codex":0.00009337965,"about_ca_system_score_gemma":0.00030614997,"threshold_uncertainty_score":0.9999529},"labels":[],"label_agreement":null},{"id":"W4407133147","doi":"10.4324/9781003463825","title":"Poetry and Culture in Britain, Canada and the United States","year":2025,"lang":"en","type":"book","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; History; Literature; Genealogy; Art","score_opus":0.0068785914394534475,"score_gpt":0.18814090260438968,"score_spread":0.18126231116493624,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407133147","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00063197553,0.0055975234,0.0000012663332,0.0027488417,0.00009002928,0.00011874559,0.00017669762,0.000012816448,0.9906221],"genre_scores_gemma":[0.0059889024,0.0014457465,0.0000015981234,0.004860928,0.00012374591,0.000005233381,0.00030404783,0.000007132804,0.98726267],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932605,0.00004420864,0.00019665138,0.00017260291,0.0001213369,0.0001391586],"domain_scores_gemma":[0.99955815,0.00016522588,0.000039758866,0.00012425215,0.000076568474,0.000036015637],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000116052855,0.00016831883,0.00030820287,0.000101600264,0.00019483209,0.00020996404,0.000096616284,0.00007020113,0.0006132305],"category_scores_gemma":[0.000021374386,0.00009642272,0.00003526714,0.00002768681,0.00034740102,0.00003615964,0.00006262273,0.00028075685,7.611604e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006608922,0.0000030587041,0.000009504915,0.000060893388,0.000062636536,0.000011364453,0.0030449547,9.2042757e-7,1.2277916e-8,0.54724306,0.44940126,0.00015575333],"study_design_scores_gemma":[0.00032963263,0.0000062193053,0.000013367937,0.00010376049,0.000095283416,0.0000013837065,0.005052757,0.00012487732,2.1238469e-7,0.038154766,0.95598227,0.00013546528],"about_ca_topic_score_codex":0.7972551,"about_ca_topic_score_gemma":0.9866569,"teacher_disagreement_score":0.5090883,"about_ca_system_score_codex":0.00004972709,"about_ca_system_score_gemma":0.00022574009,"threshold_uncertainty_score":0.6714444},"labels":[],"label_agreement":null},{"id":"W4407142716","doi":"10.52885/bkvr1g61","title":"The Relationship Between Reader and Writer in Contemporary Haiku Poems","year":2025,"lang":"en","type":"article","venue":"Papers in Arts and Humanities","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Haiku; Poetry; Literature; Art","score_opus":0.1678724480508003,"score_gpt":0.29339620827006313,"score_spread":0.12552376021926284,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4407142716","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32615846,0.005608078,6.506461e-7,0.0021681879,0.00012734212,0.00011341557,0.000012309798,0.0000198004,0.66579175],"genre_scores_gemma":[0.9622176,0.00012705104,0.0000028599588,0.0006330326,0.00012160308,0.000021584805,0.000008552424,0.000006493473,0.036861178],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99922675,0.00006437693,0.00028610363,0.00016583988,0.00008303546,0.00017387794],"domain_scores_gemma":[0.99910927,0.0006933287,0.000034950626,0.00012216835,0.000019381048,0.000020922138],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00031233497,0.000116971256,0.00018700563,0.00017139359,0.0006772192,0.00044042422,0.000078740944,0.000038936112,0.00010618148],"category_scores_gemma":[0.00005940005,0.00008404177,0.000032315682,0.00003200362,0.0006383025,0.00017200914,0.000043859007,0.00018879506,0.0000028312982],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000072563507,0.00001167517,0.13536839,0.000028562197,0.000016481887,0.0000036368347,0.020124728,1.4785573e-7,0.0000012229723,0.84244275,0.001048769,0.0009463853],"study_design_scores_gemma":[0.00040085497,0.000027137752,0.30319285,0.00019024097,0.000025024641,5.956532e-7,0.050813958,0.000017210234,0.000002026235,0.05907375,0.58608615,0.0001701788],"about_ca_topic_score_codex":0.0003677775,"about_ca_topic_score_gemma":0.0068631074,"teacher_disagreement_score":0.783369,"about_ca_system_score_codex":0.00001516491,"about_ca_system_score_gemma":0.000016924776,"threshold_uncertainty_score":0.5208691},"labels":[],"label_agreement":null},{"id":"W4408051378","doi":"10.59962/9780774870719-009","title":"7 Branches of Sound: The Aurality of Safety in Suf Toronto","year":2025,"lang":"en","type":"book-chapter","venue":"University of British Columbia Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sound (geography); Acoustics; Physics","score_opus":0.019530456839067754,"score_gpt":0.1862424789477093,"score_spread":0.16671202210864153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408051378","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0031115694,0.0011298195,0.000010010624,0.00001240166,0.00009992839,0.00022828911,0.0017237616,0.000012710707,0.99367154],"genre_scores_gemma":[0.29719466,0.00024175289,0.000009275713,0.000016335258,0.000031299463,2.1677819e-7,0.000021402877,0.000007451664,0.7024776],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99888366,0.000058881684,0.00040907832,0.00024164819,0.0002603587,0.00014636393],"domain_scores_gemma":[0.998861,0.00012891683,0.00034093176,0.00036561058,0.00027184552,0.000031708587],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021512141,0.00011561959,0.00065635,0.00003175867,0.0001566017,0.000055992186,0.00048873696,0.00015401705,0.0023014913],"category_scores_gemma":[0.000010435993,0.00019523913,0.00036144242,0.000003850611,0.0010800496,0.00009550939,0.00020031702,0.00018626187,4.7676505e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001340195,0.0001397462,0.00013725039,0.0012519419,0.0009101251,0.000057504258,0.013676681,0.0000039054953,0.0000069911935,0.92107016,0.031501833,0.031109856],"study_design_scores_gemma":[0.00085244473,0.00008192221,0.0010951352,0.001627521,0.0006541925,0.000002549526,0.0044290163,0.000017369102,0.000007824169,0.025028288,0.96584344,0.0003602831],"about_ca_topic_score_codex":0.6436185,"about_ca_topic_score_gemma":0.9412346,"teacher_disagreement_score":0.9343416,"about_ca_system_score_codex":0.00007202878,"about_ca_system_score_gemma":0.00007909447,"threshold_uncertainty_score":0.99861056},"labels":[],"label_agreement":null},{"id":"W4408279614","doi":"10.3138/utq.94.01.03","title":"Black Ice and Yellow Snow: On Digging into Canuck Pulp Fiction","year":2025,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"","keywords":"Digging; Snow; History; Physical geography; Geology; Archaeology; Geography; Geomorphology","score_opus":0.008105054215361333,"score_gpt":0.19732290796321683,"score_spread":0.1892178537478555,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408279614","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.45020372,0.00019760871,0.0004329099,0.00070036785,0.00022379197,0.0000836623,0.000015891,0.00004661536,0.5480954],"genre_scores_gemma":[0.96634984,0.000032907228,0.000026560981,0.00007597499,0.00005068834,7.012321e-8,0.000005968413,0.000002639279,0.033455364],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995527,0.000029326317,0.00008124043,0.00015206986,0.00008151725,0.000103131664],"domain_scores_gemma":[0.9996945,0.000039424314,0.00004127683,0.00012953638,0.000058317968,0.000036927155],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00005889523,0.00007951488,0.00013906247,0.00004279993,0.00028337922,0.000042935477,0.000099448596,0.000031907053,0.000993269],"category_scores_gemma":[0.00000366869,0.00008741263,0.00006590897,0.000011868499,0.00017672782,0.00028282177,0.000012754682,0.000050674684,0.000013040418],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020038044,0.0002764063,0.00033829332,0.0001705457,0.00035156775,0.000020701558,0.41720983,0.00001936559,0.00049268035,0.46013921,0.038144566,0.08263645],"study_design_scores_gemma":[0.00085909496,0.000689126,0.0030412572,0.00021562095,0.00029184658,4.0731007e-7,0.340766,0.0017527237,0.00007338678,0.0023319453,0.6496826,0.00029599475],"about_ca_topic_score_codex":0.034893215,"about_ca_topic_score_gemma":0.0949733,"teacher_disagreement_score":0.611538,"about_ca_system_score_codex":0.00009036231,"about_ca_system_score_gemma":0.000014922089,"threshold_uncertainty_score":0.99991995},"labels":[],"label_agreement":null},{"id":"W4408851923","doi":"10.5206/mf.v10i2.22703","title":"Stevens, Anne H. Literary Theory and Criticism.","year":2025,"lang":"fr","type":"article","venue":"Mouvances Francophones","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Literary criticism; Criticism; Literary theory; New Criticism; Literature; Art; Philosophy","score_opus":0.006244243134626821,"score_gpt":0.24357908837954984,"score_spread":0.23733484524492302,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408851923","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.033040408,0.87098897,0.0016757925,0.0076047243,0.01470064,0.00020488807,0.00041626574,0.00009125223,0.07127705],"genre_scores_gemma":[0.5424672,0.01170136,0.000097548866,0.002456359,0.0014012726,0.00003152554,0.000011390546,0.00002366219,0.44180968],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99788463,0.00033747242,0.00052188954,0.0005160508,0.00019914492,0.0005407842],"domain_scores_gemma":[0.99798733,0.001262346,0.00008432589,0.00037777243,0.00016740599,0.0001208391],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00063367386,0.00038278723,0.0005875436,0.0002250198,0.0011965759,0.0005070517,0.00024042718,0.00016229152,0.0065348563],"category_scores_gemma":[0.00012894321,0.00036378024,0.00020850635,0.00021681043,0.0012983088,0.0006107686,0.00010815839,0.00037807212,0.00023702197],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012605962,0.00021819193,0.0002695824,0.0009364911,0.00034241637,0.000066877874,0.008049493,0.000012838943,0.00007145327,0.82683235,0.034032665,0.12904155],"study_design_scores_gemma":[0.00047023807,0.00007014603,0.0009994467,0.00071889325,0.00027873364,0.00000600478,0.008254699,0.0003115241,0.00028428086,0.18211415,0.8061505,0.0003413844],"about_ca_topic_score_codex":0.00038916638,"about_ca_topic_score_gemma":0.00049493124,"teacher_disagreement_score":0.8592876,"about_ca_system_score_codex":0.00003065156,"about_ca_system_score_gemma":0.00005854318,"threshold_uncertainty_score":0.9998814},"labels":[],"label_agreement":null},{"id":"W4409246488","doi":"10.1080/02188791.2025.2477572","title":"Toward a notion of poetical education: Heidegger and Stevens","year":2025,"lang":"en","type":"article","venue":"Asia Pacific Journal of Education","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Stockholms Universitet; University of Calgary","keywords":"Philosophy; Epistemology; Sociology; Pedagogy","score_opus":0.021226945209712352,"score_gpt":0.2796021682561597,"score_spread":0.25837522304644733,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409246488","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4771547,0.0050653634,0.00074347574,0.020031162,0.0044706194,0.00015598803,0.0000057790753,0.000009247649,0.49236366],"genre_scores_gemma":[0.99131334,0.00010088273,0.00015247111,0.00011897135,0.00046476346,0.0000028270915,0.0000044333333,0.000003845317,0.007838455],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992577,0.00005311899,0.00039909818,0.00007855196,0.00013168392,0.00007984783],"domain_scores_gemma":[0.9990762,0.000053993084,0.00020173649,0.00009760405,0.00052009546,0.000050395236],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023494975,0.00007097397,0.00017993608,0.00022781688,0.000083484534,0.00007044929,0.00007186995,0.000032280834,0.00032588112],"category_scores_gemma":[0.00008194603,0.000059451686,0.000085505155,0.00007328138,0.000121342346,0.00020742867,0.000009151803,0.000108069755,0.000004543931],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003032411,0.0007370496,0.0010696981,0.00010143591,0.00010480746,5.1757894e-7,0.013483802,0.0000013124891,0.00032182244,0.9107285,0.021518711,0.051901992],"study_design_scores_gemma":[0.00059729756,0.0003719785,0.027344294,0.0010138687,0.00081377645,0.000107225984,0.32040733,0.000046446316,0.0013287591,0.10901115,0.53864294,0.00031494227],"about_ca_topic_score_codex":0.000020951886,"about_ca_topic_score_gemma":0.000008898094,"teacher_disagreement_score":0.8017174,"about_ca_system_score_codex":0.000032374817,"about_ca_system_score_gemma":0.000514359,"threshold_uncertainty_score":0.35681698},"labels":[],"label_agreement":null},{"id":"W4409708117","doi":"10.1080/02722011.2025.2462505","title":"<i>Rouge</i> : The Subway Poetics of Adrian De Leon’s Sub/Urban Toronto","year":2024,"lang":"en","type":"article","venue":"The American Review of Canadian Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Poetics; ROUGE; Art; Humanities; Baton rouge; Art history; Poetry; Literature; Computer science","score_opus":0.034817543039835475,"score_gpt":0.2934597244120507,"score_spread":0.25864218137221523,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409708117","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010535387,0.911904,0.000001867943,0.019218251,0.00022175614,0.00021891524,0.00018391488,0.0000181352,0.057697784],"genre_scores_gemma":[0.69194555,0.3016854,0.000007962222,0.0046542953,0.00027016437,0.0000240716,0.0000032536639,0.000013842312,0.0013954269],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99881005,0.00017557235,0.00038796355,0.00014040027,0.00019405891,0.00029192297],"domain_scores_gemma":[0.99892694,0.00024705043,0.00015596203,0.00039947586,0.0001837401,0.00008682993],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000659292,0.00015482176,0.000589432,0.00006734663,0.00025666622,0.000039092472,0.0003631262,0.0000086010405,0.00026914422],"category_scores_gemma":[0.00011465747,0.00007973222,0.00026509498,0.00022834598,0.0014880388,0.00006709692,0.000040204617,0.00010408665,0.000014144637],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000053255944,0.000019398074,0.00012038785,0.0033480984,0.001403838,0.000013493114,0.04672031,7.5620864e-7,0.000041139338,0.5055956,0.3971599,0.04557174],"study_design_scores_gemma":[0.000021285583,0.00007674995,0.00021636533,0.0019898452,0.0006286093,0.0000038086455,0.02390568,0.00000572827,0.000040431652,0.000829068,0.9721649,0.00011750981],"about_ca_topic_score_codex":0.19760187,"about_ca_topic_score_gemma":0.7273214,"teacher_disagreement_score":0.6814102,"about_ca_system_score_codex":0.000121197816,"about_ca_system_score_gemma":0.00020989114,"threshold_uncertainty_score":0.80774134},"labels":[],"label_agreement":null},{"id":"W4409817665","doi":"10.21983/p3.0189.1.09","title":"Introduction: Someday We'll Look Back with Pleasure Even on This: Sedgwick's Uncollected Poems","year":2017,"lang":"en","type":"book-chapter","venue":"Punctum Books","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Pleasure; Poetry; Art; Literature; Art history; Psychology","score_opus":0.0373481520702666,"score_gpt":0.2134719277373594,"score_spread":0.1761237756670928,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409817665","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000021735745,0.0011206231,0.000010245327,0.0037414695,0.0014960138,0.00044000562,0.00017745892,0.00015439904,0.992838],"genre_scores_gemma":[0.00637088,0.000114065384,0.00001565063,0.0005685057,0.011497239,0.000038249997,0.00022399693,0.00016504535,0.9810064],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970732,0.000049983202,0.0005438901,0.00096595014,0.000817312,0.0005496695],"domain_scores_gemma":[0.9972332,0.00007799391,0.0005058112,0.0014730664,0.00048807397,0.00022181493],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002479169,0.00090673176,0.0010926035,0.00030421492,0.001201773,0.00073613186,0.00060086645,0.00037249742,0.05078749],"category_scores_gemma":[0.000037304475,0.000638817,0.00048432924,0.00001166936,0.0008250047,0.00025228484,0.000096222844,0.0010888147,0.0045353565],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016755651,0.00006443803,0.0000013013545,0.0001345208,0.0008711192,0.00009464923,0.0025980237,0.000005656783,0.000007882824,0.5065032,0.48783913,0.0017124837],"study_design_scores_gemma":[0.00055623415,0.00043115614,0.000004095025,0.0005215241,0.00069044763,0.00002718596,0.00020098679,0.00001152782,0.000042148768,0.020722724,0.9759409,0.000851067],"about_ca_topic_score_codex":0.0001190656,"about_ca_topic_score_gemma":0.0014543189,"teacher_disagreement_score":0.48810175,"about_ca_system_score_codex":0.00018883089,"about_ca_system_score_gemma":0.00030034856,"threshold_uncertainty_score":0.9996063},"labels":[],"label_agreement":null},{"id":"W4409818473","doi":"10.21983/p3.0189.1.02","title":"Introduction","year":2017,"lang":"en","type":"book-chapter","venue":"Punctum Books","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Philosophy","score_opus":0.034866428274030845,"score_gpt":0.21843675761895395,"score_spread":0.18357032934492312,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409818473","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000037400591,0.00051519636,0.000012433781,0.0013607721,0.0018113279,0.00008620039,0.000048882725,0.00007835545,0.9960831],"genre_scores_gemma":[0.005257753,0.000054118012,0.000004888158,0.00024140193,0.015767854,0.0000073566857,0.00009799662,0.00005017374,0.9785185],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989564,0.000006619405,0.00025018287,0.00035430922,0.00023493693,0.00019759573],"domain_scores_gemma":[0.9988732,0.000015140836,0.0002125898,0.00069659506,0.00013382977,0.00006866972],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012314865,0.00030234395,0.00039564449,0.00010467785,0.0006059528,0.00042511142,0.0002576582,0.00013274902,0.036394946],"category_scores_gemma":[0.000020263424,0.00024341603,0.00031956364,6.504573e-7,0.00037848038,0.00014069752,0.00006376228,0.0003403787,0.0025924298],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000042346483,0.0000054569664,1.10073536e-7,0.000020853318,0.00010329271,0.000011008619,0.00048486516,1.1302771e-7,0.0000026837215,0.8364467,0.15607937,0.0068413387],"study_design_scores_gemma":[0.00005694912,0.000025262692,0.0000011275783,0.000038106446,0.00022890915,0.0000036649906,0.000028347751,0.0000037813215,0.000010876696,0.13265316,0.8666954,0.00025437615],"about_ca_topic_score_codex":0.00004726885,"about_ca_topic_score_gemma":0.00038572415,"teacher_disagreement_score":0.71061605,"about_ca_system_score_codex":0.000037302707,"about_ca_system_score_gemma":0.000033864315,"threshold_uncertainty_score":0.99818414},"labels":[],"label_agreement":null},{"id":"W4409982035","doi":"10.1177/08861099251339915","title":"Unyielding: Words Under Fire","year":2025,"lang":"en","type":"article","venue":"Affilia","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Psychology","score_opus":0.022202660290582144,"score_gpt":0.25453211751978355,"score_spread":0.2323294572292014,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409982035","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13039054,0.0006685234,0.00019224931,0.003985362,0.00078306993,0.00004974002,0.000008142116,0.00010097601,0.8638214],"genre_scores_gemma":[0.8045076,0.000012775725,0.000010739367,0.0013278085,0.00016924263,0.000004756705,0.0000053370186,0.00000407954,0.19395766],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99948937,0.000016774675,0.00012467532,0.00013461823,0.00008068098,0.00015385846],"domain_scores_gemma":[0.9996939,0.000046136975,0.00001744438,0.00017537382,0.000039335268,0.000027851229],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000072097675,0.00007965421,0.000116240786,0.00005579701,0.0002331787,0.00012231879,0.00012435035,0.00003033596,0.0068421904],"category_scores_gemma":[0.00001939989,0.00006726419,0.00008701699,0.00006223907,0.00009512688,0.00008646694,0.00003332132,0.000083523584,0.00020243946],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000032354442,0.00003789673,0.000094575276,0.000010631092,0.00005241438,0.0000025816637,0.0015431069,0.000008744378,0.00002017598,0.93715906,0.056707524,0.0043600462],"study_design_scores_gemma":[0.00015975739,0.000018546449,0.0004233614,0.000047363894,0.00008367254,3.7715958e-7,0.007331682,0.00044620116,0.00021060785,0.039286084,0.95184505,0.0001472929],"about_ca_topic_score_codex":0.00013153267,"about_ca_topic_score_gemma":0.00052563124,"teacher_disagreement_score":0.897873,"about_ca_system_score_codex":0.00001080856,"about_ca_system_score_gemma":0.000020179054,"threshold_uncertainty_score":0.9940657},"labels":[],"label_agreement":null},{"id":"W4410921633","doi":"10.1007/978-3-031-71307-1_13","title":"Poet of Joy: Nietzschean Motifs in Philip Larkin","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dawson College","funders":"","keywords":"Motif (music); Art; Literature; Philosophy; Aesthetics","score_opus":0.02526389610325212,"score_gpt":0.21962645005077486,"score_spread":0.19436255394752275,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410921633","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005321893,0.0007478541,0.000008064365,0.0003797202,0.0003122998,0.000087229506,0.00009861109,0.000029399029,0.9982836],"genre_scores_gemma":[0.049484663,0.00017054014,0.000013053871,0.0003346998,0.000290876,0.0000032570772,0.00006452322,0.000020430396,0.949618],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988086,0.000016879176,0.00050902064,0.0002788746,0.00020908167,0.00017753038],"domain_scores_gemma":[0.9993071,0.00009201309,0.0001088694,0.0003497792,0.00010258692,0.0000396625],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019127961,0.00024352067,0.0005823268,0.0003607908,0.00006124224,0.000050113325,0.00022486995,0.00015876628,0.05149008],"category_scores_gemma":[0.000021617243,0.00021127771,0.00029644568,0.000014424826,0.00018938651,0.000068094865,0.00007569769,0.0002939548,0.00019873289],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000058002993,0.000034321714,0.0000069322336,0.00009607973,0.00010118241,0.000010882872,0.0010848442,7.897872e-7,0.0000019866031,0.9626771,0.03400072,0.0019793343],"study_design_scores_gemma":[0.00015057741,0.000022008266,0.000007776652,0.00027882127,0.00011918167,3.9717014e-7,0.00040374362,0.000031484913,0.000019730984,0.059497353,0.9392577,0.0002112695],"about_ca_topic_score_codex":0.00044115513,"about_ca_topic_score_gemma":0.0050147944,"teacher_disagreement_score":0.9052569,"about_ca_system_score_codex":0.00002878748,"about_ca_system_score_gemma":0.00005358561,"threshold_uncertainty_score":0.949377},"labels":[],"label_agreement":null},{"id":"W4411336277","doi":"10.5007/2175-8026.2025.e107347","title":"Women Creators: Representations of Space and Place in Women's Writing","year":2025,"lang":"en","type":"article","venue":"Ilha do Desterro A Journal of English Language Literatures in English and Cultural Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"National Eye Institute; Universidade Federal de Santa Catarina; Queen's University; Conselho Nacional de Desenvolvimento Científico e Tecnológico; Queen's University Belfast","keywords":"Space (punctuation); Linguistics; Sociology; English studies; Gender studies; Philosophy","score_opus":0.010922392337029716,"score_gpt":0.2810578632684806,"score_spread":0.27013547093145085,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411336277","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93647856,0.055706535,2.9849988e-7,0.00008939388,0.00036722925,0.00007382589,0.000018524905,0.000010677749,0.007254955],"genre_scores_gemma":[0.9971304,0.0013017916,0.00005083786,0.00015263776,0.00056195195,0.000016699136,0.000002083242,0.000006533471,0.00077705696],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9986084,0.00014076462,0.0006224306,0.00018379683,0.00016460202,0.00027997966],"domain_scores_gemma":[0.99856555,0.0003232767,0.00020527642,0.00010368016,0.000733835,0.00006839364],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005315697,0.00018505074,0.0005597521,0.0003067222,0.00012294807,0.0003712858,0.00012409501,0.000059908994,0.000034374127],"category_scores_gemma":[0.0020150708,0.00013177744,0.00006820203,0.00019735015,0.0002813628,0.00069882505,0.00008826667,0.0003843176,5.1076537e-8],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013209163,0.00007925124,0.0038354169,0.00020979959,0.00020238174,0.00007765709,0.9824986,0.000019695912,0.00006225826,0.011113821,0.0006737453,0.0010952718],"study_design_scores_gemma":[0.0011336395,0.00011801317,0.0016551996,0.0011212247,0.00004281787,0.0000052955534,0.9854541,0.000005899192,0.00007054105,0.0008790694,0.009361253,0.00015295095],"about_ca_topic_score_codex":0.000023137502,"about_ca_topic_score_gemma":0.00017020015,"teacher_disagreement_score":0.06065185,"about_ca_system_score_codex":0.00008028618,"about_ca_system_score_gemma":0.00001874932,"threshold_uncertainty_score":0.5373728},"labels":[],"label_agreement":null},{"id":"W4411669239","doi":"10.3126/sudurpaschim.v2i2.80426","title":"Exploring Silent Strength in Langston Hughes's Poetry","year":2024,"lang":"en","type":"article","venue":"Sudurpaschim Spectrum","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Poetry; Art; Literature; Art history","score_opus":0.08975454461423225,"score_gpt":0.24832235696084343,"score_spread":0.15856781234661116,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411669239","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80566347,0.0019966508,0.000011902425,0.003429361,0.001716048,0.00010545686,0.00004111205,0.000309662,0.18672635],"genre_scores_gemma":[0.98882085,0.0002252075,0.000011959957,0.00013860814,0.0014222823,0.00003579318,0.000023356615,0.000033493903,0.009288455],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986373,0.000042522333,0.00029253413,0.00035896376,0.00023813188,0.00043053413],"domain_scores_gemma":[0.9995705,0.00006854017,0.000023182827,0.00024560132,0.000012043531,0.00008016382],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020076762,0.00019815059,0.00024314108,0.00035252556,0.00014293913,0.00037273753,0.00017582574,0.000034882716,0.004502555],"category_scores_gemma":[0.000016636057,0.00017261873,0.0001751958,0.000122787,0.000083931984,0.0005551414,0.000053117514,0.0003441906,0.00078360084],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011448387,0.00010851891,0.0003277702,0.000098162556,0.000074800555,0.00022175541,0.013747325,0.000012186661,0.000106783475,0.97852355,0.0023751108,0.0043925927],"study_design_scores_gemma":[0.0004290512,0.00017337396,0.003614446,0.00050715345,0.00012254431,0.000014314535,0.015824612,0.0013929731,0.0026898019,0.026298683,0.9481181,0.0008149785],"about_ca_topic_score_codex":0.00080350076,"about_ca_topic_score_gemma":0.005377635,"teacher_disagreement_score":0.95222485,"about_ca_system_score_codex":0.000086275686,"about_ca_system_score_gemma":0.000034795034,"threshold_uncertainty_score":0.9999944},"labels":[],"label_agreement":null},{"id":"W4412221339","doi":"","title":"Jack Kerouac, écrivain bilingue ? Questions sur les identités de l’écrivain et de son écriture:Jack Kerouac, bilingual writer? Questions about the identities of the writer and his writing","year":2024,"lang":"fr","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history","score_opus":0.029271050047562357,"score_gpt":0.2994510632866769,"score_spread":0.27018001323911456,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412221339","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7667344,0.13269107,0.0033266412,0.05465343,0.0028580192,0.0008007452,0.0013749889,0.0003723736,0.03718831],"genre_scores_gemma":[0.881256,0.006939495,0.00036478537,0.0014807354,0.0019684942,0.0000540703,0.0000444202,0.000101165504,0.10779087],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99460125,0.0015279781,0.0014057311,0.000767375,0.0006405006,0.0010571445],"domain_scores_gemma":[0.9962325,0.0018082192,0.00022994213,0.0009141168,0.00058756146,0.00022768028],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0032812636,0.0006604825,0.00069827435,0.00037452328,0.0021573657,0.0035578918,0.0008485198,0.0003775874,0.002988368],"category_scores_gemma":[0.0010655686,0.0004599995,0.00081287546,0.0004157152,0.002350726,0.001077476,0.00048184523,0.0013639157,0.00005467962],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011950416,0.00027625126,0.0026057712,0.0011365205,0.0004542491,0.00007017963,0.029244166,0.00014333153,0.0010748502,0.9482442,0.013353425,0.0033851143],"study_design_scores_gemma":[0.0010174938,0.00032056408,0.016190559,0.011906641,0.004340372,0.0007821256,0.10095429,0.020990234,0.00223994,0.1461014,0.69310665,0.0020497243],"about_ca_topic_score_codex":0.024164401,"about_ca_topic_score_gemma":0.029952927,"teacher_disagreement_score":0.8021428,"about_ca_system_score_codex":0.00024132132,"about_ca_system_score_gemma":0.00065691024,"threshold_uncertainty_score":0.9997852},"labels":[],"label_agreement":null},{"id":"W4412733409","doi":"10.1111/criq.70006","title":"Finding Patterns: Virginia Woolf and Marianne Moore's Poetics of Paper","year":2025,"lang":"en","type":"article","venue":"Critical Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Poetics; Art; Art history; Literature; Poetry","score_opus":0.01403448614661111,"score_gpt":0.26665568223665687,"score_spread":0.25262119609004574,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412733409","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.83841574,0.0015683128,0.0028893866,0.012101627,0.0010937386,0.00019601348,0.00023478744,0.000103083075,0.14339732],"genre_scores_gemma":[0.9964463,0.000012362633,0.000066047956,0.00089048303,0.00019198246,0.000009014081,0.000008274491,0.000009440319,0.0023661107],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9989789,0.0000551171,0.00034603575,0.0002209847,0.00013721394,0.00026174542],"domain_scores_gemma":[0.99927086,0.00030112715,0.000024875844,0.00020791913,0.00011592304,0.00007927404],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014487997,0.00013886523,0.00028452778,0.000112462585,0.00018947784,0.0001887484,0.00012272167,0.0000622797,0.001965226],"category_scores_gemma":[0.00008474211,0.00012252363,0.000098743716,0.000044432032,0.00042893787,0.00021883199,0.000022934206,0.00014347558,0.000025312085],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011758846,0.00011301624,0.0004041153,0.00018096722,0.000051760297,0.000012504247,0.004451929,1.0151593e-7,0.00026148133,0.98378575,0.0010821135,0.009644507],"study_design_scores_gemma":[0.0026118008,0.0024079706,0.025754511,0.0016833134,0.0016363724,0.00001815205,0.08929502,0.0019648988,0.00092172396,0.6154719,0.25668907,0.0015452883],"about_ca_topic_score_codex":0.000086330874,"about_ca_topic_score_gemma":0.00012847407,"teacher_disagreement_score":0.36831388,"about_ca_system_score_codex":0.000010025522,"about_ca_system_score_gemma":0.000016250484,"threshold_uncertainty_score":0.9989471},"labels":[],"label_agreement":null},{"id":"W4412990790","doi":"10.15353/un-disturbed.v2i1.6428","title":"4. Queer Snapshots","year":2025,"lang":"en","type":"article","venue":"(Un)Disturbed A Journal of Feminist Voices","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Queer; Computer science; Sociology; Gender studies","score_opus":0.013540916991230492,"score_gpt":0.25289991924799254,"score_spread":0.23935900225676204,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4412990790","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32529175,0.009020707,0.00025899452,0.005221143,0.0026578684,0.00012390756,0.00006259515,0.000047648493,0.6573154],"genre_scores_gemma":[0.98525757,0.00008219238,0.00012477404,0.0014921589,0.00090497267,0.0000033397562,0.000005022455,0.000012472651,0.012117518],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99838793,0.00008620437,0.00070801575,0.00017785687,0.00036144117,0.00027856903],"domain_scores_gemma":[0.9987307,0.00018086126,0.00042206596,0.000226542,0.00032354458,0.00011625122],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00052619353,0.00020849798,0.0004794338,0.00027427106,0.0004893197,0.0004307918,0.0004850456,0.000066460496,0.003111359],"category_scores_gemma":[0.00008732108,0.00015895476,0.0003954608,0.00012920244,0.0002860024,0.00028435604,0.00005575877,0.0003382429,0.00004140931],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029248145,0.0008870556,0.0026556782,0.00021494375,0.0022028629,0.00042013574,0.040796477,0.000011450953,0.0009439267,0.8544921,0.0730958,0.023987085],"study_design_scores_gemma":[0.0008297958,0.00017340883,0.002670947,0.00021769255,0.00057813834,0.000053145566,0.012387006,0.00003986115,0.0007298129,0.017962022,0.96407574,0.00028244773],"about_ca_topic_score_codex":0.00004266674,"about_ca_topic_score_gemma":0.00015249012,"teacher_disagreement_score":0.89097995,"about_ca_system_score_codex":0.000036851943,"about_ca_system_score_gemma":0.00008744138,"threshold_uncertainty_score":0.99779993},"labels":[],"label_agreement":null},{"id":"W4413077278","doi":"10.3138/md-68-2-rev7","title":"Adrienne Kennedy. <i>Collected Plays &amp; Other Writings</i>","year":2025,"lang":"en","type":"article","venue":"Modern Drama","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Period (music); Literature; History; Performance art; Art history; Art; Classics; Aesthetics","score_opus":0.02062489365020937,"score_gpt":0.23885938013660066,"score_spread":0.2182344864863913,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413077278","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17640029,0.0005526925,0.0051882644,0.0019423708,0.00033530398,0.0001568819,0.00008084657,0.0002521967,0.81509113],"genre_scores_gemma":[0.7895014,0.000007305529,0.000092281814,0.0025024505,0.00027295656,0.00002615266,0.000021302363,0.000019333907,0.20755678],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998817,0.000048084046,0.00029730366,0.00030755528,0.00016347157,0.0003665325],"domain_scores_gemma":[0.9993231,0.00007595964,0.000054500968,0.0003429176,0.0001388525,0.000064658714],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014072412,0.00018455328,0.00027135925,0.00015372176,0.00052355666,0.00036074096,0.00023637293,0.00006963875,0.0044037835],"category_scores_gemma":[0.00005366212,0.00016663628,0.00016219649,0.000115704875,0.00016259616,0.00015106193,0.00006344592,0.00017160628,0.00029106266],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005383793,0.00030863952,0.0003240776,0.000065101376,0.00024688905,0.000011349467,0.01603928,0.00005747387,0.0013957865,0.89164215,0.08388971,0.005965684],"study_design_scores_gemma":[0.00045871237,0.000017681923,0.000112254034,0.00006809559,0.00009888663,0.000001361881,0.00086643884,0.0018364806,0.00031208876,0.037831258,0.95814854,0.00024819825],"about_ca_topic_score_codex":0.000334794,"about_ca_topic_score_gemma":0.0029818923,"teacher_disagreement_score":0.8742588,"about_ca_system_score_codex":0.0000354883,"about_ca_system_score_gemma":0.000036998463,"threshold_uncertainty_score":0.99650633},"labels":[],"label_agreement":null},{"id":"W4413253198","doi":"10.21810/aer.v8i1.6140","title":"American Frontier Soundscapes","year":2023,"lang":"en","type":"article","venue":"Acoustic Ecology Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mile; Frontier; Quarter (Canadian coin); History; Soundscape; Solitude; Morning; Archaeology; Art history; Art; Geography; Sound (geography); Oceanography; Literature; Geology","score_opus":0.025500186439024138,"score_gpt":0.2732901986316101,"score_spread":0.24779001219258595,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413253198","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12167752,0.23478656,0.00061083137,0.06067856,0.0074262675,0.0021130445,0.0002314376,0.0024629321,0.57001287],"genre_scores_gemma":[0.8908404,0.057831578,0.000030255667,0.011998173,0.00058177864,0.000117784,0.000059337504,0.000024862873,0.038515843],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990273,0.000085233056,0.00027757487,0.00020503419,0.0000938933,0.00031092632],"domain_scores_gemma":[0.9993897,0.00016378818,0.00009269837,0.00022610094,0.00006955461,0.000058136495],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031224004,0.00012244737,0.00046650475,0.00007572044,0.00023903491,0.000035974583,0.00017828647,0.000022102104,0.0080160955],"category_scores_gemma":[0.00017046458,0.000097173375,0.0001515023,0.00014283696,0.00032713587,0.00007121709,0.000049633134,0.00010749285,0.0043715364],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000023691837,0.000069670605,0.00089506066,0.0009482481,0.0002195304,0.00006371502,0.00095899065,0.000014188587,0.000013952796,0.03624992,0.93969405,0.020870304],"study_design_scores_gemma":[0.000074106836,0.00007305266,0.0016936612,0.00022130494,0.00049934385,0.0000061350825,0.0009849102,0.0002660845,6.028793e-7,0.0021129693,0.99387926,0.00018856896],"about_ca_topic_score_codex":0.000031032938,"about_ca_topic_score_gemma":0.0007036699,"teacher_disagreement_score":0.7691629,"about_ca_system_score_codex":0.000014963433,"about_ca_system_score_gemma":0.00002421539,"threshold_uncertainty_score":0.9964037},"labels":[],"label_agreement":null},{"id":"W4413486766","doi":"10.5539/elt.v18n9p65","title":"A Stylistic Analysis of Katherine Mansfield’s “The Singing Lesson”","year":2025,"lang":"en","type":"article","venue":"English Language Teaching","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; Singing; Linguistics; Psychoanalysis; Philosophy","score_opus":0.009386655961893645,"score_gpt":0.26011622164045156,"score_spread":0.2507295656785579,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413486766","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66839194,0.0008047573,0.0020741,0.00021909554,0.00022950744,0.00005791247,0.000024853489,0.000084440646,0.32811338],"genre_scores_gemma":[0.98807734,0.000003522128,0.00006501861,0.00031624248,0.00023024745,0.000005843516,0.000022890425,0.000008149132,0.011270773],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9990979,0.00012888577,0.00027406117,0.00016744659,0.0001470407,0.00018468569],"domain_scores_gemma":[0.99924695,0.00027495896,0.00007426967,0.00033511716,0.00004595394,0.000022738197],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006158341,0.000116262294,0.00030372365,0.00031476837,0.00035697364,0.00015410516,0.00025087377,0.000028876999,0.0012327925],"category_scores_gemma":[0.00039390867,0.00008312056,0.00025434102,0.00019131193,0.00009617374,0.00010406659,0.00005884746,0.00029049412,0.0000026236376],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000054527836,0.0000703996,0.00028898375,0.00003901594,0.0012094026,0.000008465632,0.3855353,0.00027981232,0.00025410973,0.60326236,0.00031746452,0.008729243],"study_design_scores_gemma":[0.00042852064,0.000038394937,0.00067566277,0.00020242241,0.006569087,5.339294e-7,0.7798756,0.009859081,0.00035480765,0.00085767027,0.20071067,0.00042758344],"about_ca_topic_score_codex":0.00092757127,"about_ca_topic_score_gemma":0.0015345903,"teacher_disagreement_score":0.60240465,"about_ca_system_score_codex":0.000018700546,"about_ca_system_score_gemma":0.000012119848,"threshold_uncertainty_score":0.9996802},"labels":[],"label_agreement":null},{"id":"W4414526821","doi":"10.1007/978-3-031-90002-0_10","title":"The Plenitude Poem","year":2025,"lang":"en","type":"book-chapter","venue":"Modern and contemporary poetry and poetics","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Symbol (formal); Poetry; Tone (literature); Trope (literature); Pun; Key (lock)","score_opus":0.03541490830326979,"score_gpt":0.22297309018004416,"score_spread":0.18755818187677437,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414526821","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00011542241,0.053349614,0.00006549504,0.0020750999,0.0003993373,0.00018623003,0.000260762,0.000060938088,0.9434871],"genre_scores_gemma":[0.24085881,0.0039939643,0.0000055569494,0.0010475664,0.00043772263,0.000007124475,0.000062367115,0.000029500776,0.7535574],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985405,0.000039197785,0.0004790543,0.00043038095,0.00024197022,0.0002688893],"domain_scores_gemma":[0.9989038,0.00027047942,0.00016061697,0.00041249552,0.00011228416,0.0001403193],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00022397318,0.0004478278,0.00051715376,0.00010583983,0.0011651756,0.000605576,0.00023985474,0.00024276631,0.0003001822],"category_scores_gemma":[0.000016513686,0.0003197104,0.00018463824,0.00001028812,0.00079938886,0.0001293211,0.00018757807,0.000531084,0.000021457614],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004258832,0.000015319094,0.000014695889,0.00009943077,0.00026910586,0.000027235143,0.0018942836,1.4284376e-7,0.0000014825287,0.94788444,0.030837487,0.018913804],"study_design_scores_gemma":[0.00023388056,0.00006680093,0.0000070353103,0.00017788025,0.00017744642,0.0000062848458,0.00045958537,0.0003071848,0.0000023275113,0.13272285,0.8654887,0.00035004216],"about_ca_topic_score_codex":0.0000434825,"about_ca_topic_score_gemma":0.00020166642,"teacher_disagreement_score":0.8346512,"about_ca_system_score_codex":0.0000128886095,"about_ca_system_score_gemma":0.00009439066,"threshold_uncertainty_score":0.9999255},"labels":[],"label_agreement":null},{"id":"W4414550888","doi":"10.1007/978-3-031-90002-0_1","title":"Introduction: Will Alexander’s Poetics—A Transmutational Orchestra","year":2025,"lang":"en","type":"book-chapter","venue":"Modern and contemporary poetry and poetics","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Feeling; Reading (process); Sentence; Field (mathematics); Line drawings","score_opus":0.03517321257823589,"score_gpt":0.22709836847886253,"score_spread":0.19192515590062664,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414550888","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00023021395,0.01967932,0.0010272095,0.009091493,0.00066863914,0.00027498297,0.0006289555,0.00010354949,0.96829563],"genre_scores_gemma":[0.23652321,0.0014600832,0.00004674587,0.0010523489,0.0020423278,0.000008959634,0.0004402181,0.000044206543,0.7583819],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979765,0.00004632887,0.0006442525,0.0007079581,0.0003409744,0.00028400787],"domain_scores_gemma":[0.998945,0.00013390505,0.00017929716,0.00034834363,0.00019232726,0.00020111544],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020051365,0.00058061036,0.00072006794,0.0002464004,0.00054284337,0.0003722128,0.00017260457,0.00036598014,0.0031960437],"category_scores_gemma":[0.000014920593,0.0005516907,0.00022158347,0.000020568037,0.00083303923,0.00033653184,0.000074407704,0.0006295504,0.00002077001],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000795233,0.000051409068,0.000016330398,0.00031251737,0.00038527753,0.000043082753,0.0035437103,0.0000035715436,0.0000072669486,0.9441014,0.04252883,0.0089270845],"study_design_scores_gemma":[0.0005121341,0.00013784139,0.000012274731,0.00018967845,0.0003431215,0.000027120654,0.00047657522,0.00059914234,0.000008264752,0.105277285,0.8918281,0.00058844115],"about_ca_topic_score_codex":0.00002538473,"about_ca_topic_score_gemma":0.000055500244,"teacher_disagreement_score":0.8492993,"about_ca_system_score_codex":0.000024477506,"about_ca_system_score_gemma":0.00016745678,"threshold_uncertainty_score":0.99969345},"labels":[],"label_agreement":null},{"id":"W4415698475","doi":"10.4000/150ru","title":"Ideas in Circulation: The Aesthetics of Transmission in Mina Loy’s “Feminist Manifesto”","year":2025,"lang":"fr","type":"article","venue":"Sillages critiques","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Manifesto; Rhetoric; Politics; Transmission (telecommunications); Interpersonal communication; Feminism","score_opus":0.014091008621875876,"score_gpt":0.2847373892150266,"score_spread":0.2706463805931507,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4415698475","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41677326,0.15148084,0.00026184256,0.060556408,0.0008323087,0.000530613,0.00010454168,0.000047890648,0.36941227],"genre_scores_gemma":[0.9827642,0.004413108,0.000047083868,0.00063961657,0.00015041571,0.000017311633,0.00001071446,0.000016282987,0.011941303],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99800444,0.00036903992,0.0007754598,0.00028842888,0.00021972759,0.00034293238],"domain_scores_gemma":[0.9991364,0.00027736716,0.00008763565,0.00032672545,0.00012740993,0.00004449656],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006435029,0.00023566828,0.00043780022,0.00028250288,0.00022986966,0.00014618893,0.00028262511,0.00017255843,0.0006622271],"category_scores_gemma":[0.000062400635,0.00019830337,0.00020796932,0.00024434584,0.0008090262,0.00016464079,0.000042641397,0.00030063032,0.0000086482705],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027804968,0.00033090173,0.004093533,0.00065759383,0.000033154633,0.0000893354,0.015373883,0.00008390597,0.00008590809,0.96321136,0.0017905912,0.0142220035],"study_design_scores_gemma":[0.0009381872,0.0002082768,0.029788706,0.0053539905,0.00037500402,0.000026361757,0.04182932,0.0019958038,0.0018509681,0.22987488,0.6871379,0.00062058173],"about_ca_topic_score_codex":0.002271572,"about_ca_topic_score_gemma":0.0028834525,"teacher_disagreement_score":0.7333365,"about_ca_system_score_codex":0.000079798694,"about_ca_system_score_gemma":0.00009137796,"threshold_uncertainty_score":0.8086577},"labels":[],"label_agreement":null},{"id":"W4416445919","doi":"10.1177/14744740251360361","title":"Fully left justified? Poetry’s potential for relineating cultural geography and beyond","year":2025,"lang":"en","type":"article","venue":"Cultural Geographies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Northern British Columbia","funders":"Canada Research Chairs","keywords":"Cultural geography; Human geography; Assemblage (archaeology); Cultural studies; Historical geography","score_opus":0.014999412956919266,"score_gpt":0.25730494399632176,"score_spread":0.2423055310394025,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416445919","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91432,0.01235736,0.00023627857,0.0051295212,0.0020155783,0.00066140713,0.00038143146,0.0003808025,0.0645176],"genre_scores_gemma":[0.9862005,0.000613379,0.0004028734,0.0008350599,0.0006617746,0.00004232358,0.00018205676,0.000013612543,0.011048399],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984947,0.000037136015,0.00041450025,0.0004250338,0.00018140036,0.00044725204],"domain_scores_gemma":[0.99905014,0.0001000077,0.000100220925,0.00018912028,0.0004726077,0.000087892724],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00016326786,0.00030676226,0.00037463842,0.0003848325,0.0015086972,0.0008470634,0.00020933713,0.00009550423,0.00027661354],"category_scores_gemma":[0.00012534893,0.00021853326,0.0004587782,0.00019811378,0.00085118896,0.000538459,0.000088651635,0.00018344939,0.0000058147843],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001818618,0.00018399936,0.0055486267,0.0005659863,0.0012220775,0.000012015822,0.015245528,0.000049205522,0.0026836875,0.86648375,0.09510203,0.012721257],"study_design_scores_gemma":[0.001717638,0.000362599,0.012313808,0.00045695272,0.0021590954,0.00003091965,0.14284615,0.0012947634,0.00055159803,0.02736992,0.8092889,0.0016076462],"about_ca_topic_score_codex":0.00020626953,"about_ca_topic_score_gemma":0.0004218211,"teacher_disagreement_score":0.83911383,"about_ca_system_score_codex":0.0000070771844,"about_ca_system_score_gemma":0.000009975185,"threshold_uncertainty_score":0.9997912},"labels":[],"label_agreement":null},{"id":"W4416491423","doi":"10.5040/9798765191736","title":"Walking into God","year":2024,"lang":"","type":"book","venue":"Fairleigh Dickinson University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Heaven; Poetry; Poetics; Wonder; Culmination","score_opus":0.02344340025520431,"score_gpt":0.21101193099527868,"score_spread":0.18756853074007437,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416491423","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00046105377,0.0035366495,0.00018666382,0.0001621453,0.0025397055,0.000611825,0.00082136755,0.0005125125,0.9911681],"genre_scores_gemma":[0.116325796,0.0009064187,0.00004670383,0.00018746509,0.002377778,0.0000040073955,0.00023283476,0.00017864838,0.87974036],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9942548,0.00042077096,0.0009206951,0.0019725857,0.0011799077,0.001251201],"domain_scores_gemma":[0.99676174,0.00029186174,0.00052430504,0.0013358693,0.00047889602,0.0006073295],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0004385763,0.0014887459,0.0016665516,0.0010860736,0.0027234815,0.0017436247,0.0018695942,0.0010298564,0.003166158],"category_scores_gemma":[0.000025670124,0.0016398415,0.0017796897,0.000056357017,0.0019694373,0.00059768825,0.0016050021,0.002287908,0.0007143092],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012543266,0.000120688484,0.0000018871684,0.0013783275,0.0018108499,0.0017219626,0.026635952,0.000005545508,0.000016400802,0.90011746,0.059148073,0.008917419],"study_design_scores_gemma":[0.00073949556,0.00022415322,0.0000048695133,0.0020475788,0.0042722775,0.000015078248,0.006440984,0.00039441758,0.00012349161,0.0063921264,0.97756827,0.0017772526],"about_ca_topic_score_codex":0.0023738898,"about_ca_topic_score_gemma":0.0006074399,"teacher_disagreement_score":0.9184202,"about_ca_system_score_codex":0.0010690163,"about_ca_system_score_gemma":0.0006110214,"threshold_uncertainty_score":0.9997862},"labels":[],"label_agreement":null},{"id":"W4416576184","doi":"","title":"Beyond the Archives: Editorial Resistance and Feminism in the Poetry of Mina Loy","year":2023,"lang":"en","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Feminism; Poetry; Resistance (ecology); World literature","score_opus":0.0126524888508504,"score_gpt":0.21626302552089524,"score_spread":0.20361053667004483,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416576184","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2451432,0.0012664761,0.00039218384,0.034514617,0.0018033701,0.0002862557,0.000083191124,0.00007502347,0.7164357],"genre_scores_gemma":[0.9808056,0.00019731066,0.000108823646,0.000112663925,0.00047588846,0.000017087566,0.000035475787,0.000008006415,0.01823917],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976184,0.0015503437,0.00024046362,0.00017769344,0.0002505193,0.00016259104],"domain_scores_gemma":[0.9968295,0.0022495429,0.000106218606,0.00058846804,0.000197145,0.00002911593],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0029057774,0.00008884087,0.00013176136,0.000083895204,0.0003961872,0.00018681091,0.0005110556,0.00003245962,0.000072941366],"category_scores_gemma":[0.00039796068,0.00005807476,0.00006920433,0.00018421942,0.000555424,0.00008014639,0.000118388205,0.00017669232,0.00001029378],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000073225006,0.00008655916,0.00022571451,0.000027241764,0.000015472642,0.0000016550855,0.1357361,7.7513744e-7,0.00026741024,0.84177333,0.019734072,0.002124357],"study_design_scores_gemma":[0.0007731805,0.0000013126513,0.008902799,0.00056754425,0.00007884216,0.0000026769,0.040818907,0.0010973121,0.0035268392,0.104901694,0.83901256,0.00031630095],"about_ca_topic_score_codex":0.00025165075,"about_ca_topic_score_gemma":0.004415905,"teacher_disagreement_score":0.81927854,"about_ca_system_score_codex":0.000005937291,"about_ca_system_score_gemma":0.000029811561,"threshold_uncertainty_score":0.30471918},"labels":[],"label_agreement":null},{"id":"W4416703260","doi":"10.3366/irss.2025.0057","title":"Donald S. Murray. <i>Leaving Songs</i>","year":2025,"lang":"en","type":"article","venue":"International Review of Scottish Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Period (music); Natural (archaeology)","score_opus":0.0339273648568333,"score_gpt":0.34511021302689826,"score_spread":0.311182848170065,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416703260","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0034954967,0.46250698,0.00004690741,0.02238755,0.001964194,0.0001617428,0.000061040104,0.000038834285,0.50933725],"genre_scores_gemma":[0.6739372,0.28391615,0.0001154785,0.010701661,0.00050286326,0.00005469131,0.000022652224,0.000009424353,0.030739892],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99891084,0.00002972832,0.00048655408,0.00016997132,0.000287054,0.00011587183],"domain_scores_gemma":[0.9988998,0.00014851928,0.00014382337,0.00013231492,0.00065794465,0.000017573104],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032034027,0.000116796364,0.00039443822,0.00009945481,0.00013091948,0.000045860004,0.00028611283,0.000013593888,0.0011921515],"category_scores_gemma":[0.0004725673,0.0000937777,0.00021971001,0.00006492349,0.0002527407,0.00017536829,0.00012783264,0.00008236237,0.000041570023],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000044431076,0.000076485,0.00030207713,0.003267759,0.0009988677,0.0000049779383,0.0009948821,6.495561e-7,0.0000279257,0.6200172,0.3568623,0.017442422],"study_design_scores_gemma":[0.00011567222,0.000012627656,0.00019674216,0.015269012,0.00018074909,0.000001187847,0.0019174628,0.0000075349744,0.000116634365,0.006706175,0.9753749,0.000101314625],"about_ca_topic_score_codex":0.00005674704,"about_ca_topic_score_gemma":0.000119956065,"teacher_disagreement_score":0.6704417,"about_ca_system_score_codex":0.000037671947,"about_ca_system_score_gemma":0.000023954399,"threshold_uncertainty_score":0.9997209},"labels":[],"label_agreement":null},{"id":"W4416952820","doi":"10.5325/bishoplowellstud.5.0176","title":"<i>Difficult Ornaments: Florida and the Poets</i> by Ange Mlinko","year":2025,"lang":"en","type":"article","venue":"Bishop–Lowell Studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Seneca Polytechnic","funders":"","keywords":"Poetry; Fell; White (mutation); Representation (politics); Presentation (obstetrics); Spell","score_opus":0.015846319078944304,"score_gpt":0.25781869991456524,"score_spread":0.24197238083562095,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416952820","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.325164,0.1989403,0.000069188,0.043749187,0.0035843484,0.00089400355,0.00026409604,0.00030210472,0.42703277],"genre_scores_gemma":[0.920548,0.005587954,0.0000069484545,0.005047457,0.00040818722,0.000083107414,0.000014017006,0.00001230884,0.068292],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99884903,0.00008140033,0.00031007073,0.000289757,0.0001885361,0.00028118535],"domain_scores_gemma":[0.9991947,0.00027188225,0.000066187575,0.00023699211,0.0001924414,0.0000377927],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00030633723,0.0002211715,0.00043343767,0.000056248653,0.0010082321,0.00026154876,0.0001992308,0.000036506295,0.00021246141],"category_scores_gemma":[0.0001344102,0.00012742908,0.00012771017,0.00010470393,0.0009908422,0.00013609025,0.00018649004,0.00014544709,0.00004262475],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007840482,0.000107791006,0.00034530027,0.000096157266,0.0012384555,0.00000968358,0.017045833,0.0000014244664,0.000053793337,0.2818531,0.69587356,0.003296497],"study_design_scores_gemma":[0.0013651118,0.000032353848,0.00023389967,0.000083660176,0.00043305077,0.0000012600314,0.025743263,0.000048884354,0.00011760348,0.005191098,0.9665191,0.00023071411],"about_ca_topic_score_codex":0.0001675576,"about_ca_topic_score_gemma":0.00047939876,"teacher_disagreement_score":0.59538406,"about_ca_system_score_codex":0.000028595961,"about_ca_system_score_gemma":0.000011612669,"threshold_uncertainty_score":0.7754608},"labels":[],"label_agreement":null},{"id":"W4417042886","doi":"10.3138/chr.106.4.br22","title":"<i>Ron Thom Architect: The Life of a Creative Modernist</i> . Adele Weder","year":2025,"lang":"en","type":"article","venue":"Canadian Historical Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Carleton University","funders":"","keywords":"Artificial life","score_opus":0.03697704266393643,"score_gpt":0.25176123457438626,"score_spread":0.21478419191044984,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417042886","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000072573916,0.40185517,0.00012388108,0.029995373,0.00031759808,0.00027009216,0.000054753797,0.00001568152,0.5672949],"genre_scores_gemma":[0.672787,0.028611865,0.000032832653,0.03811299,0.0004568509,0.00014218269,0.000026427317,0.000027328,0.2598025],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990113,0.00010714019,0.00034286059,0.00017283951,0.00013698691,0.0002288761],"domain_scores_gemma":[0.99916965,0.000099519195,0.00007314735,0.0003160824,0.00012102067,0.00022057268],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021414057,0.00012312373,0.00041262328,0.0000871817,0.0003223287,0.000030205145,0.00027429088,0.00002954126,0.0021482762],"category_scores_gemma":[0.00031508837,0.000081910395,0.0002296511,0.00012820351,0.00010686115,0.000040052633,0.00001848713,0.00017400106,0.000044142293],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002987358,0.000028416021,0.000010610937,0.00068958977,0.000090186026,0.000005157929,0.0013725527,0.0000018339315,0.0000015629346,0.39398298,0.5805307,0.023283405],"study_design_scores_gemma":[0.000044831606,0.000021549495,0.000014975454,0.00062728353,0.00025484437,4.8047343e-7,0.00009550379,0.000031687723,0.0000013901947,0.0018109513,0.99700826,0.00008823268],"about_ca_topic_score_codex":0.13520552,"about_ca_topic_score_gemma":0.2134921,"teacher_disagreement_score":0.6727145,"about_ca_system_score_codex":0.00070663966,"about_ca_system_score_gemma":0.00043462298,"threshold_uncertainty_score":0.9987639},"labels":[],"label_agreement":null},{"id":"W4417273292","doi":"10.58544/imsj.v3i1.8203","title":"Lyrical Ableism and the Disabled Poem","year":2025,"lang":"","type":"article","venue":"International Mad Studies Journal","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Ableism; Poetry; Normative; Life writing; Process (computing); Accommodation","score_opus":0.024648865020388714,"score_gpt":0.33671574854132547,"score_spread":0.31206688352093676,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417273292","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.022549098,0.10588552,0.00061254937,0.29726633,0.015059271,0.00027985475,0.00007105792,0.000028940976,0.5582474],"genre_scores_gemma":[0.86537206,0.028337853,0.00002255456,0.003104549,0.0024811786,0.000014898863,0.0000019361264,0.000010520372,0.100654475],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99755245,0.0002827215,0.00091673416,0.0002905278,0.00058099354,0.00037655144],"domain_scores_gemma":[0.9975005,0.0010420225,0.0002849854,0.00017523856,0.0009072875,0.00008995991],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012523828,0.00030839103,0.00063399685,0.00024022104,0.0025472348,0.0016289251,0.00057953876,0.000066368746,0.0018688716],"category_scores_gemma":[0.0007229232,0.00018262785,0.00042246323,0.00010050882,0.001977117,0.00036388185,0.00047269123,0.0007508555,0.00004837573],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032496202,0.00012644853,0.0004020923,0.000031425432,0.005575403,0.000048247104,0.0073885396,0.000027979077,0.0000023687874,0.91433215,0.06581173,0.005928648],"study_design_scores_gemma":[0.0034562214,0.000055236433,0.00083270273,0.0004496342,0.0009386552,0.00012920702,0.02749239,0.0020700144,0.0000052076534,0.26139572,0.7029396,0.00023537109],"about_ca_topic_score_codex":0.000045408637,"about_ca_topic_score_gemma":0.00009675794,"teacher_disagreement_score":0.8428229,"about_ca_system_score_codex":0.00017612682,"about_ca_system_score_gemma":0.00007556455,"threshold_uncertainty_score":0.9994075},"labels":[],"label_agreement":null},{"id":"W4417341293","doi":"10.22584/nr58.2025.008","title":"Review of The Nancy Poems, by John Morgan","year":2025,"lang":"","type":"article","venue":"The Northern Review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"","score_opus":0.02033552678505837,"score_gpt":0.27288601034055365,"score_spread":0.2525504835554953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4417341293","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002103658,0.8896683,0.000004792296,0.039731137,0.00050295494,0.0011163938,0.00016681742,0.00001571848,0.068583556],"genre_scores_gemma":[0.016552791,0.8975571,8.167891e-7,0.045741238,0.00017019738,0.000053947155,0.000016730532,0.000026770656,0.039880455],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961973,0.0009596177,0.0015730804,0.00038431375,0.0004633588,0.00042236387],"domain_scores_gemma":[0.9967031,0.00018720677,0.0007311168,0.0018745166,0.00044080603,0.00006327592],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0017575707,0.0004451799,0.0014294427,0.000032951015,0.000934792,0.000092828086,0.0016526402,0.00006666111,0.008644043],"category_scores_gemma":[0.0003365763,0.00021538275,0.001231725,0.0005556213,0.0006925068,0.000103272665,0.00031629662,0.0004895666,0.00029689347],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000005521625,0.00033837376,0.00017777638,0.20842229,0.00090458663,0.0000017255185,0.00087197724,2.3824389e-7,0.000016282474,0.085019834,0.53967285,0.16456856],"study_design_scores_gemma":[0.00008404688,0.000019525962,0.000040946845,0.21934196,0.0028502499,0.000002336736,0.0001220411,0.000002180453,0.000024988956,0.0008645752,0.77646315,0.00018398817],"about_ca_topic_score_codex":0.00037343163,"about_ca_topic_score_gemma":0.000613733,"teacher_disagreement_score":0.23679031,"about_ca_system_score_codex":0.000050973627,"about_ca_system_score_gemma":0.0002146513,"threshold_uncertainty_score":0.9922622},"labels":[],"label_agreement":null},{"id":"W560739495","doi":"","title":"Tracing the Lines: Reflections on Contemporary Poetics and Cultural Policies in Honour of Roy Miki ed. by Maia Joseph et al. (review)","year":2014,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Honour; Poetics; Tracing; Sociology; Philosophy; Literature; Art; Political science; Law; Computer science","score_opus":0.026435954896572043,"score_gpt":0.26412127872396746,"score_spread":0.2376853238273954,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W560739495","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.690217,0.034903232,0.00016591707,0.016139165,0.00021972296,0.00037467005,0.00022438275,0.00004704694,0.25770885],"genre_scores_gemma":[0.9948526,0.0024146931,0.00001999734,0.0010471524,0.000027563217,2.0932532e-7,0.000011932402,0.0000036904562,0.0016221635],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994014,0.00013772868,0.00015665904,0.00010888407,0.00010009209,0.000095245494],"domain_scores_gemma":[0.9995838,0.00007804647,0.000103961516,0.00012657973,0.00007619082,0.000031418527],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002046337,0.000089144305,0.0002253853,0.000023999923,0.00017445066,0.00001868798,0.00012457662,0.000023560906,0.00019666755],"category_scores_gemma":[0.000011076787,0.00006968418,0.000086621956,0.000014398991,0.00019371741,0.00024147307,0.000010105098,0.00008791307,0.0000024049054],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010489347,0.00046697917,0.00020465549,0.0003135715,0.00020261543,0.000005485002,0.26016355,0.000009037059,0.0011929327,0.12219675,0.6063153,0.008824248],"study_design_scores_gemma":[0.0005884599,0.0008056564,0.001502113,0.00059103,0.00010667314,0.000002424398,0.19506542,0.00015470204,0.00003855862,0.00016148627,0.80078256,0.00020094434],"about_ca_topic_score_codex":0.026288236,"about_ca_topic_score_gemma":0.037691664,"teacher_disagreement_score":0.30463558,"about_ca_system_score_codex":0.00002723078,"about_ca_system_score_gemma":0.000012450474,"threshold_uncertainty_score":0.9801958},"labels":[],"label_agreement":null},{"id":"W577003551","doi":"","title":"American and Canadian women poets, 1930-present","year":2002,"lang":"en","type":"book","venue":"Chelsea House Publishers eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"History; Political science","score_opus":0.022410715300950634,"score_gpt":0.19913556154288373,"score_spread":0.1767248462419331,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W577003551","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015898109,0.00068375166,4.5358638e-7,0.0008349932,0.0005229899,0.00027183967,0.00018737216,0.00028505223,0.9956237],"genre_scores_gemma":[0.03672155,0.000031180167,0.000007251771,0.002058147,0.0023080842,0.00010253005,0.000080018515,0.00022230913,0.9584689],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970145,0.00006931237,0.0004926514,0.0007544081,0.0005031527,0.0011659749],"domain_scores_gemma":[0.99747235,0.00007446943,0.00024952326,0.0007575767,0.00021959272,0.0012264685],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028301778,0.0006270724,0.00089511985,0.0007619969,0.000627232,0.0035212433,0.00065285823,0.00025120904,0.0049235392],"category_scores_gemma":[0.00004251784,0.0006028002,0.00025454577,0.00003505785,0.0014295264,0.0004960287,0.00014721666,0.00078907725,0.00024031811],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006499932,0.000029373801,0.000007689187,0.000085352694,0.0004668325,0.00011828406,0.02669195,4.905773e-7,5.202e-7,0.027811289,0.9189363,0.025845423],"study_design_scores_gemma":[0.00023227616,0.000080543,0.0000112116895,0.000053447337,0.00015733879,0.000007057251,0.004047728,0.00001769916,0.0000019023206,0.004020831,0.99065274,0.0007172389],"about_ca_topic_score_codex":0.04431952,"about_ca_topic_score_gemma":0.14708231,"teacher_disagreement_score":0.10276279,"about_ca_system_score_codex":0.0008922288,"about_ca_system_score_gemma":0.0006368916,"threshold_uncertainty_score":0.9996423},"labels":[],"label_agreement":null},{"id":"W577406267","doi":"","title":"X: Poems & Anti-Poems by Shane Rhodes","year":2014,"lang":"en","type":"article","venue":"The Goose","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Poetry; Art; Literature","score_opus":0.03147035375069846,"score_gpt":0.23989116647580905,"score_spread":0.2084208127251106,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W577406267","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.49904153,0.0011089885,0.00019145444,0.0044403276,0.0005003227,0.00010301137,0.000053894615,0.00013257058,0.4944279],"genre_scores_gemma":[0.95608574,0.000036013498,0.000005293156,0.00131686,0.0007066248,0.000006086776,0.000017990735,0.00001332319,0.041812047],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992305,0.00007985989,0.00015798898,0.000144782,0.000150851,0.00023599342],"domain_scores_gemma":[0.9994594,0.000088579545,0.000047229376,0.00031464722,0.00003778804,0.000052347234],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033481827,0.000116041614,0.00017423478,0.00002698759,0.00039558354,0.00019787649,0.0002721049,0.000026005126,0.003041002],"category_scores_gemma":[0.000032473243,0.000069873975,0.00009800496,0.000029036153,0.00022941847,0.000108423905,0.00004126813,0.00010991346,0.00068251067],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008813204,0.000134235,0.00008277113,0.000015797585,0.00008516492,0.000002264821,0.010100332,0.000007120055,0.0022139563,0.8420228,0.1340835,0.011243271],"study_design_scores_gemma":[0.00017436096,0.000047465837,0.00018475899,0.000013449232,0.00007301095,0.0000022659206,0.0013645167,0.00058906013,0.00093069824,0.013868225,0.98258126,0.0001709118],"about_ca_topic_score_codex":0.0002981399,"about_ca_topic_score_gemma":0.00015261276,"teacher_disagreement_score":0.84849775,"about_ca_system_score_codex":0.000006759173,"about_ca_system_score_gemma":0.0000051184225,"threshold_uncertainty_score":0.9978703},"labels":[],"label_agreement":null},{"id":"W579957505","doi":"","title":"Expanding the Circle: New Poets to The Goose","year":2014,"lang":"en","type":"article","venue":"The Goose","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Goose; Computer science; Biology; Ecology","score_opus":0.03066368891048741,"score_gpt":0.25199927075910983,"score_spread":0.22133558184862243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W579957505","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32818064,0.0013572667,0.0009759705,0.12732452,0.0018463895,0.0005876996,0.00002673873,0.0001879936,0.5395128],"genre_scores_gemma":[0.9460596,0.0000157535,0.000005127222,0.007289754,0.0024345147,0.000015676946,0.000002475641,0.00001605938,0.04416108],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893624,0.00016995186,0.00018906289,0.00016684261,0.00023378793,0.00030410688],"domain_scores_gemma":[0.998854,0.0002858095,0.000056576337,0.00068197364,0.000038525905,0.000083162886],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0007708187,0.00013127325,0.00015050225,0.000030251722,0.00121106,0.0004216586,0.0006955195,0.000022988812,0.0017273414],"category_scores_gemma":[0.000114072194,0.00005675619,0.00013760389,0.00007439397,0.00016984403,0.00009615662,0.00012702194,0.0001877383,0.0012147288],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002216791,0.000047956055,0.00002293911,0.000007488173,0.0001057945,0.000002378195,0.085543014,0.00007396959,0.00023137825,0.642557,0.16460028,0.10678561],"study_design_scores_gemma":[0.00014728367,0.000042552427,0.00092447974,0.000021886084,0.000108179534,0.0000041252765,0.0060754125,0.00015528822,0.00022483434,0.01983384,0.97231805,0.00014406326],"about_ca_topic_score_codex":0.00054872746,"about_ca_topic_score_gemma":0.0012617009,"teacher_disagreement_score":0.80771774,"about_ca_system_score_codex":0.000014958202,"about_ca_system_score_gemma":0.000018640174,"threshold_uncertainty_score":0.9995629},"labels":[],"label_agreement":null},{"id":"W594580887","doi":"","title":"The Canadian Poetry Book: A Book of Modern Verse","year":2010,"lang":"en","type":"book","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Literature; Art; History","score_opus":0.0074271018417017155,"score_gpt":0.17212510186383811,"score_spread":0.1646980000221364,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W594580887","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000010165429,0.002154921,3.542948e-8,0.00051735475,0.00042429162,0.00024175765,0.00038885037,0.000030479532,0.99623215],"genre_scores_gemma":[0.0021635673,0.0003531187,0.0000137071775,0.0011265356,0.0003616512,0.000009493698,0.00020195762,0.000029374776,0.9957406],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99800456,0.000043229662,0.0008829973,0.00016545279,0.0005197558,0.0003839946],"domain_scores_gemma":[0.99797785,0.00018880867,0.00056387135,0.00051648717,0.0005530222,0.00019994211],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00032561267,0.0003283502,0.00047522728,0.00009581541,0.0006236301,0.00020272609,0.0005254272,0.00038510218,0.36813784],"category_scores_gemma":[0.00008578104,0.000264215,0.00037340462,0.0000020228258,0.0007218711,8.3409765e-7,0.000064604224,0.0006551985,0.004439981],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000033520035,0.0000138298565,8.741103e-8,0.00016663244,0.00012181852,0.0000127122275,0.0016416559,0.000034733526,8.968795e-8,0.0150676025,0.98174006,0.0011672586],"study_design_scores_gemma":[0.00020052372,0.00007792377,6.3033883e-7,0.0001224241,0.00017048101,0.000017986886,0.0002525059,0.000040967778,0.0000033166184,0.0006209134,0.99820954,0.0002828154],"about_ca_topic_score_codex":0.069073066,"about_ca_topic_score_gemma":0.61005974,"teacher_disagreement_score":0.5409867,"about_ca_system_score_codex":0.00011667319,"about_ca_system_score_gemma":0.00037478792,"threshold_uncertainty_score":0.999981},"labels":[],"label_agreement":null},{"id":"W595429913","doi":"10.1017/cbo9780511610967","title":"The Cambridge Introduction to Ezra Pound","year":2007,"lang":"en","type":"book","venue":"Cambridge University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":18,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Pound (networking); Poetry; Modernism (music); Literature; Politics; History; Allusion; Style (visual arts); Art; Classics; Art history; Law; Political science; Computer science","score_opus":0.02158920346297513,"score_gpt":0.20410734619674467,"score_spread":0.18251814273376954,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W595429913","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00012994032,0.00024680054,0.00015938812,0.00037681477,0.0015272558,0.00037491022,0.0002918019,0.0001371305,0.99675596],"genre_scores_gemma":[0.0010161336,0.000059536374,0.000007800482,0.00032003567,0.0064608348,0.0000017325358,0.00012578239,0.00004867518,0.99195945],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980346,0.00008883242,0.00030576138,0.00059536734,0.00043714352,0.00053831143],"domain_scores_gemma":[0.998233,0.00014545521,0.00019256439,0.0008145353,0.00037787601,0.00023654893],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00037052724,0.000409213,0.00043024484,0.00026771368,0.001504149,0.00044259508,0.0007496627,0.00020584576,0.00003164745],"category_scores_gemma":[0.000023094475,0.00036503313,0.00035775438,0.000016218417,0.0006666883,0.00014083304,0.00030052473,0.00060570316,0.00014999625],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047471447,0.000008376567,7.747343e-8,0.000020173904,0.00012503941,0.0000479117,0.00022664445,8.9979255e-7,0.0000050872527,0.5177046,0.4809748,0.00083890575],"study_design_scores_gemma":[0.00019777006,0.000063538384,0.0000039523115,0.000047634385,0.000410123,0.000008520994,0.00084566185,0.000010421779,0.00006157754,0.000016551898,0.99788636,0.00044791732],"about_ca_topic_score_codex":0.00046879606,"about_ca_topic_score_gemma":0.00014821149,"teacher_disagreement_score":0.5176881,"about_ca_system_score_codex":0.00043885008,"about_ca_system_score_gemma":0.00016619274,"threshold_uncertainty_score":0.99988014},"labels":[],"label_agreement":null},{"id":"W595593115","doi":"","title":"The early poems","year":2003,"lang":"en","type":"book","venue":"Routledge eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Sonnet; Poetics; Literature; Soul; Medievalism; Philosophy; Genius; Art; History; Classics; Art history; Theology; Middle Ages","score_opus":0.033630147710893614,"score_gpt":0.2223539737794547,"score_spread":0.18872382606856108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W595593115","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000030406407,0.0014963254,0.000007702187,0.00008115983,0.0013851246,0.00016370298,0.000048936545,0.00007072696,0.9967159],"genre_scores_gemma":[0.005960476,0.00002214892,0.0000020678256,0.00034979914,0.0025174513,0.000029337898,0.000022897673,0.00006708498,0.9910287],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998558,0.00006793229,0.00037948572,0.00029894302,0.00030376998,0.0003918548],"domain_scores_gemma":[0.9988867,0.00014439414,0.00015481464,0.00057633664,0.00014391885,0.000093804025],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0002544594,0.00033399437,0.00037683238,0.00007176574,0.0010779887,0.0006868573,0.0004159954,0.00016631081,0.0018212228],"category_scores_gemma":[0.000020238283,0.00021807154,0.0004107205,0.0000057266484,0.0005076486,0.000041713938,0.000056668094,0.0004968046,0.0018041225],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000031067102,0.0000058751407,3.8950594e-7,0.000011697217,0.00012316009,0.000009704216,0.002579732,2.9090678e-8,5.260629e-7,0.74265337,0.25195268,0.002659752],"study_design_scores_gemma":[0.000100296675,0.00003657296,0.0000013193011,0.00005325652,0.00017377596,0.0000020456998,0.00021016553,0.0000025508978,0.0000055068026,0.08929754,0.90983725,0.00027973863],"about_ca_topic_score_codex":0.000025711142,"about_ca_topic_score_gemma":0.00044322244,"teacher_disagreement_score":0.65788454,"about_ca_system_score_codex":0.00008429571,"about_ca_system_score_gemma":0.00019538782,"threshold_uncertainty_score":0.99909127},"labels":[],"label_agreement":null},{"id":"W599149059","doi":"","title":"Edmund Spenser : new and renewed directions","year":2006,"lang":"en","type":"book","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Criticism; Friendship; Poetry; Literature; Literary criticism; New Criticism; Historical criticism; History; Art; Classics; Sociology; Literary theory; Social science; Literary science","score_opus":0.02497093781995631,"score_gpt":0.21309392005015407,"score_spread":0.18812298223019774,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W599149059","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000014297655,0.0013354241,0.000015065488,0.00042410253,0.00031394738,0.00006240418,0.000033083656,0.00008093881,0.9977207],"genre_scores_gemma":[0.0003149134,0.00011911961,0.000029294693,0.00031679263,0.0027875437,0.0000023696582,0.00012050792,0.000025942456,0.99628353],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992519,0.00001195736,0.00021495664,0.00023706444,0.00012807988,0.00015604138],"domain_scores_gemma":[0.99956936,0.00004399658,0.000056421995,0.00019907086,0.000051267012,0.00007989487],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00004475574,0.00019874398,0.00029782963,0.00011861849,0.00027586115,0.0002903387,0.000075555254,0.00010072128,0.021801302],"category_scores_gemma":[0.0000050048516,0.00016299514,0.00014264563,0.000010349701,0.00014773996,0.00008757073,0.000034082725,0.00015950965,0.00026598133],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[8.661397e-7,0.000007648866,7.2109106e-7,0.0000074775353,0.00004466431,0.0000030515712,0.0002006453,1.27819e-7,4.071877e-7,0.40916002,0.5895891,0.0009852254],"study_design_scores_gemma":[0.00008666085,0.00001661326,0.000012073038,0.000034364126,0.00022185034,0.0000028025265,0.000066028755,0.0000047803587,0.0000020256034,0.058526993,0.9408108,0.00021500172],"about_ca_topic_score_codex":0.0023655314,"about_ca_topic_score_gemma":0.024306104,"teacher_disagreement_score":0.35122165,"about_ca_system_score_codex":0.000029357581,"about_ca_system_score_gemma":0.00008940112,"threshold_uncertainty_score":0.9934978},"labels":[],"label_agreement":null},{"id":"W60419913","doi":"","title":"The Iron Shoes : Poems","year":2009,"lang":"en","type":"article","venue":"Canadian women's studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Literature","score_opus":0.030231513559137703,"score_gpt":0.24528283675281656,"score_spread":0.21505132319367887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W60419913","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6324946,0.005593741,3.5372395e-7,0.011647079,0.000811944,0.00012448269,0.000040536623,0.00006234896,0.34922487],"genre_scores_gemma":[0.95698774,0.00020652097,0.0000012368188,0.0035058304,0.0005075662,0.000020095216,0.0000021026194,0.0000062254,0.03876271],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903655,0.000025485879,0.00015290435,0.00014467606,0.00011199106,0.0005283632],"domain_scores_gemma":[0.99942374,0.00006945398,0.000028215498,0.00019069762,0.000096671945,0.00019119905],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00017150205,0.00012644882,0.00017793666,0.00007705955,0.0017859188,0.00021580262,0.00017601554,0.000018234225,0.00050670555],"category_scores_gemma":[0.00006526847,0.00007984998,0.00006327669,0.00004434773,0.00030868946,0.00009226603,0.000012780104,0.00008758185,0.000120748016],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000033350013,0.000010883312,0.0000307184,0.0000059788713,0.00013238385,0.000021100104,0.058064148,0.0000018493212,0.000004833087,0.9150842,0.021200232,0.0054403786],"study_design_scores_gemma":[0.00007132553,0.000074405136,0.00018293047,0.000009273474,0.00002538518,8.8207315e-7,0.21868838,0.000005442889,0.0000041474896,0.042944066,0.7378456,0.00014816772],"about_ca_topic_score_codex":0.00063237245,"about_ca_topic_score_gemma":0.1225157,"teacher_disagreement_score":0.8721401,"about_ca_system_score_codex":0.00020229132,"about_ca_system_score_gemma":0.00006184064,"threshold_uncertainty_score":0.9995136},"labels":[],"label_agreement":null},{"id":"W607693551","doi":"","title":"in/pulse (Original writing, Poetry).","year":2006,"lang":"en","type":"article","venue":"Scholarship at UWindsor (University of Windsor)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Art; Literature; Computer science","score_opus":0.017742661922916094,"score_gpt":0.21548418877344147,"score_spread":0.19774152685052537,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W607693551","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86857796,0.00021827055,0.00001270231,0.00084339984,0.00017642876,0.00009040519,0.000061939485,0.000049010698,0.12996988],"genre_scores_gemma":[0.95674175,0.000012261281,0.00012916813,0.00015710657,0.00035037537,3.478039e-7,0.000044150074,0.000018619377,0.042546213],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982572,0.00013144282,0.0003017832,0.000403408,0.00042950345,0.00047665733],"domain_scores_gemma":[0.99908084,0.00007122614,0.00017848582,0.00035180268,0.00020315831,0.00011451199],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00051750673,0.00022499509,0.00039346833,0.0004419892,0.00063415105,0.000096504285,0.00049923867,0.00013452515,0.014570523],"category_scores_gemma":[0.000022974436,0.00027335781,0.0002471246,0.00025982325,0.0004644113,0.0011943718,0.00014609876,0.0004067029,0.0005499869],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00043245533,0.0011812692,0.27341634,0.00020832516,0.0002000515,0.0010795912,0.014200429,0.00008982094,0.0046037934,0.69104,0.0124600725,0.001087856],"study_design_scores_gemma":[0.0043818797,0.0002700817,0.3839848,0.00026520202,0.00036643905,0.000049691793,0.018954819,0.00014859975,0.00126929,0.022483643,0.56642663,0.001398883],"about_ca_topic_score_codex":0.0022940245,"about_ca_topic_score_gemma":0.008839298,"teacher_disagreement_score":0.66855633,"about_ca_system_score_codex":0.000120310564,"about_ca_system_score_gemma":0.000055720466,"threshold_uncertainty_score":0.99997187},"labels":[],"label_agreement":null},{"id":"W621608097","doi":"","title":"The American Voice Anthology of Poetry","year":2015,"lang":"en","type":"book","venue":"UKnowledge (University of Kentucky)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Mainstream; American poetry; Literature; Performance art; History; Fifteenth; Art; Art history; Classics; Political science; Law","score_opus":0.025005503390808613,"score_gpt":0.21790763520682604,"score_spread":0.19290213181601742,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W621608097","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0025013161,0.0019666394,0.00002274272,0.00033630867,0.00042086703,0.00009641121,0.00016447104,0.00002811223,0.99446315],"genre_scores_gemma":[0.03541618,0.00057178625,0.000028113149,0.000027298804,0.00033560718,1.3362052e-7,0.00005428593,0.000020231764,0.96354634],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99888545,0.00011785753,0.00023482442,0.00025896303,0.00026876258,0.00023411389],"domain_scores_gemma":[0.99785036,0.00019464357,0.0006332241,0.0005010013,0.0007271294,0.00009365712],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0003412208,0.00020285771,0.0006886198,0.0002193113,0.00040126644,0.000020544365,0.00071206974,0.000104542974,0.0008157896],"category_scores_gemma":[0.00004897273,0.00018573372,0.0003590124,0.00007091555,0.0029534355,0.00009190656,0.0002245693,0.00030223365,0.00025138474],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016006776,0.00012377815,0.000021477228,0.0001417327,0.00051493075,0.000037225498,0.014562016,5.553842e-7,0.0000133306585,0.34127095,0.6345653,0.008588652],"study_design_scores_gemma":[0.0002110854,0.00018457166,0.00008560182,0.00008930149,0.00039210467,0.0000021227343,0.011157353,0.000017748625,0.000004351009,0.0068678576,0.9807966,0.00019135472],"about_ca_topic_score_codex":0.00030028916,"about_ca_topic_score_gemma":0.0056845555,"teacher_disagreement_score":0.34623125,"about_ca_system_score_codex":0.0000943763,"about_ca_system_score_gemma":0.000274293,"threshold_uncertainty_score":0.99976},"labels":[],"label_agreement":null},{"id":"W634402556","doi":"","title":"Book of Longing","year":2006,"lang":"en","type":"book","venue":"Medical Entomology and Zoology","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":10,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Sensibility; Mysticism; Mythology; Art; Performance art; Art history; Literature; Spirituality; History","score_opus":0.010274022724330036,"score_gpt":0.2289380262754671,"score_spread":0.21866400355113708,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W634402556","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00024430253,0.019442467,0.00008967495,0.0011217217,0.000644893,0.000057583587,0.00002264332,0.000029302206,0.9783474],"genre_scores_gemma":[0.006295121,0.00040140154,0.0000048122033,0.003362954,0.00073033007,0.0000068787817,0.00015017371,0.000017255945,0.9890311],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99863493,0.000094061696,0.00046389175,0.00028778554,0.00023220525,0.0002871506],"domain_scores_gemma":[0.9992237,0.0002710645,0.00015831763,0.00017240478,0.00006372963,0.0001107986],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028547266,0.0002039727,0.0007169158,0.00019637708,0.00010412104,0.000010020541,0.00019881807,0.0006228562,0.044168558],"category_scores_gemma":[0.000068246874,0.00016897077,0.00014633583,0.0000110513765,0.0023347263,0.000035512177,0.00010291657,0.0005006645,0.00007610984],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009999968,0.000045455337,0.00003806534,0.000093004484,0.0001315921,0.00022152488,0.00047559055,1.1678089e-7,3.8439234e-7,0.7255761,0.27151245,0.0018957402],"study_design_scores_gemma":[0.0002627485,0.0001271064,0.00003284672,0.00007494951,0.00021689809,0.00009210529,0.000028800043,0.000032685297,0.0000027879971,0.06956327,0.92940336,0.00016241775],"about_ca_topic_score_codex":0.00024657013,"about_ca_topic_score_gemma":0.00068109593,"teacher_disagreement_score":0.657891,"about_ca_system_score_codex":0.000016325961,"about_ca_system_score_gemma":0.00014630656,"threshold_uncertainty_score":0.9567052},"labels":[],"label_agreement":null},{"id":"W634901110","doi":"10.1515/9781474470759","title":"Variations","year":2010,"lang":"en","type":"book","venue":"Edinburgh University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trent University","funders":"","keywords":"Variation (astronomy); Transcendental number; Poetics; Poetry; Philosophy; Empiricism; Deleuze and Guattari; Art history; Humanism; Art; Literature; Epistemology; Theology","score_opus":0.027605205174471927,"score_gpt":0.19866557528059012,"score_spread":0.1710603701061182,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W634901110","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000063014936,0.000038113616,0.000086732696,0.00005260846,0.0013698125,0.00012961728,0.00028764224,0.00013600908,0.99789315],"genre_scores_gemma":[0.0006511308,0.000016231923,0.000027680362,0.00008355681,0.0028070267,8.435929e-7,0.00011605018,0.000023021172,0.9962745],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989799,0.000024031386,0.00016286003,0.00032547177,0.00026495737,0.00024275073],"domain_scores_gemma":[0.9990134,0.000084915606,0.0001490148,0.0004198985,0.00020808604,0.00012468064],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009910039,0.00025499403,0.00032988263,0.00019198729,0.0006091802,0.00017530912,0.00047123316,0.00030244276,0.006017754],"category_scores_gemma":[0.000010498061,0.00027673927,0.00028769346,0.000004144836,0.00038583679,0.00012969939,0.00016477078,0.00074367627,0.000026312593],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000050399326,0.000012499672,7.07704e-8,0.000007952888,0.00011511005,0.000030201021,0.001956519,3.3917146e-7,0.0000028373206,0.6568538,0.3406643,0.00035136225],"study_design_scores_gemma":[0.0001800292,0.00001899938,3.2178505e-7,0.000040523664,0.00050922955,0.0000013489614,0.0001950366,0.000032528682,0.000007979249,0.0055824206,0.9931132,0.00031838415],"about_ca_topic_score_codex":0.00028977945,"about_ca_topic_score_gemma":0.00032712807,"teacher_disagreement_score":0.6524489,"about_ca_system_score_codex":0.000085624335,"about_ca_system_score_gemma":0.00017911376,"threshold_uncertainty_score":0.99996847},"labels":[],"label_agreement":null},{"id":"W640986281","doi":"","title":"We Are What We Mourn: The Contemporary English-Canadian Elegy","year":2008,"lang":"en","type":"book","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":20,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Elegy; History; Sociology; Art; Literature; Political science; Media studies; Poetry","score_opus":0.05630145552162262,"score_gpt":0.20775996185030227,"score_spread":0.15145850632867963,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W640986281","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00000820827,0.039939594,9.1177014e-7,0.010202929,0.0013574001,0.00020738589,0.00017450924,0.00008532475,0.94802374],"genre_scores_gemma":[0.019259978,0.013208022,0.0000013514693,0.00485788,0.0052436395,0.000021513717,0.00018854735,0.00006316636,0.9571559],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99823534,0.00007900731,0.00046293926,0.00039239315,0.00037613636,0.0004541581],"domain_scores_gemma":[0.9984443,0.00014152667,0.00020215941,0.0006281513,0.00029459523,0.0002892575],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016189746,0.00044649755,0.00062310015,0.00026733143,0.000972761,0.0011871583,0.00061012286,0.00026430926,0.018719452],"category_scores_gemma":[0.00002217814,0.0002849145,0.0005110335,0.000027567492,0.0005150456,0.0006639297,0.000055638808,0.00069923885,0.00091537356],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000209608,0.000011269144,0.0000011706201,0.000023753148,0.0001505752,0.00009095646,0.011600302,3.8773774e-7,1.9266041e-8,0.34754333,0.63982666,0.00074949046],"study_design_scores_gemma":[0.000116118776,0.000026581618,0.0000012147267,0.0003023808,0.00008470432,0.0000063091557,0.030726664,0.00001146199,9.730616e-7,0.0071825054,0.96113133,0.00040973685],"about_ca_topic_score_codex":0.0070117344,"about_ca_topic_score_gemma":0.23934388,"teacher_disagreement_score":0.34036082,"about_ca_system_score_codex":0.00014987204,"about_ca_system_score_gemma":0.00085465825,"threshold_uncertainty_score":0.9999603},"labels":[],"label_agreement":null},{"id":"W643636035","doi":"","title":"A quest for language: Jack Kerouac as a minor writer","year":2001,"lang":"en","type":"article","venue":"Illinois Digital Environment for Access to Learning and Scholarship (University of Illinois at Urbana-Champaign)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Minor (academic); Art; Linguistics; Literature; Philosophy; Humanities","score_opus":0.028115886095967275,"score_gpt":0.2452378824582283,"score_spread":0.21712199636226104,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W643636035","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.98818564,0.0009093056,0.0032102715,0.0010242925,0.000079821206,0.00065473036,0.00036452236,0.000080190606,0.0054912176],"genre_scores_gemma":[0.93950313,0.00020294088,0.00029839593,0.0002878533,0.0001803344,0.00001232249,0.00025510087,0.000044641474,0.05921527],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980456,0.000058277976,0.00032409446,0.000674342,0.00036457484,0.0005330932],"domain_scores_gemma":[0.9987774,0.00024173803,0.00022561227,0.0003079104,0.00010817495,0.0003391687],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000375543,0.00034865786,0.00052814145,0.00025472452,0.0010304498,0.0006260564,0.0004711926,0.00014676145,0.0017607906],"category_scores_gemma":[0.00013212915,0.00037673707,0.00039596396,0.00007918856,0.00034045495,0.0015705714,0.00028205832,0.00025632995,0.00015029668],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.010540643,0.0052084117,0.32055083,0.0023327419,0.003942493,0.0006400444,0.22722998,0.0076292064,0.008592005,0.05860964,0.024544092,0.33017993],"study_design_scores_gemma":[0.0016027163,0.00086317054,0.004068499,0.000108408225,0.00026041933,0.000012837643,0.009592289,0.00051111076,0.00027032863,0.00070899184,0.98125297,0.00074827037],"about_ca_topic_score_codex":0.00021670142,"about_ca_topic_score_gemma":0.0003798658,"teacher_disagreement_score":0.95670885,"about_ca_system_score_codex":0.00012036214,"about_ca_system_score_gemma":0.000018665007,"threshold_uncertainty_score":0.99986845},"labels":[],"label_agreement":null},{"id":"W656070730","doi":"","title":"Seven pages missing","year":2000,"lang":"en","type":"book","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Panopticon; Reading (process); Art; Performance art; Art history; Volume (thermodynamics); Literature; Computer science; Brother; Philosophy; Physics; Law; Linguistics; Political science","score_opus":0.03674811144197859,"score_gpt":0.2285458502524158,"score_spread":0.1917977388104372,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W656070730","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000031830289,0.0010738006,0.00000520842,0.00049876026,0.00015876841,0.00004101398,0.000034640438,0.000088343375,0.9980963],"genre_scores_gemma":[0.00097416353,0.00016436081,0.000015106903,0.0009535127,0.0019552233,0.0000023696139,0.00011937216,0.000029783736,0.99578613],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992189,0.000015725886,0.00021501289,0.00020402798,0.00016760468,0.00017875324],"domain_scores_gemma":[0.99960595,0.000037440033,0.00004810041,0.00021563242,0.000036216636,0.000056683155],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000060456434,0.00019585787,0.00030165966,0.00008857585,0.00024152701,0.0002969805,0.00015000107,0.000100896454,0.16667494],"category_scores_gemma":[0.0000030051826,0.00015422104,0.00022574006,0.0000054357297,0.00013866754,0.00008481706,0.000018185696,0.00019284688,0.0019430352],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000011781336,0.000010137227,5.196128e-8,0.00002116487,0.000065465465,0.000013911225,0.0013043454,2.4848012e-7,2.72592e-7,0.33823696,0.64763004,0.012716253],"study_design_scores_gemma":[0.000039224225,0.000012213413,4.5581473e-7,0.00007969039,0.0001349724,0.0000016899244,0.00019332528,0.00001010633,0.0000026756718,0.048891798,0.95040876,0.0002250846],"about_ca_topic_score_codex":0.000025333959,"about_ca_topic_score_gemma":0.00013941101,"teacher_disagreement_score":0.30277875,"about_ca_system_score_codex":0.000030155756,"about_ca_system_score_gemma":0.000076460834,"threshold_uncertainty_score":0.9988341},"labels":[],"label_agreement":null},{"id":"W658140306","doi":"10.5860/choice.43-3253","title":"Writing lovers: reading Canadian love poetry by women","year":2006,"lang":"en","type":"article","venue":"Choice Reviews Online","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Reading (process); Literature; Art; Philosophy; Linguistics","score_opus":0.02569018827278788,"score_gpt":0.2641938449961216,"score_spread":0.2385036567233337,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W658140306","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13546686,0.10368161,0.00006118831,0.005252458,0.0007650589,0.0007173617,0.0017074296,0.00014750224,0.75220054],"genre_scores_gemma":[0.8068896,0.006285746,0.00024799013,0.008595237,0.008536107,0.000031188174,0.0014158167,0.00009853857,0.16789977],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982597,0.000074115334,0.0005953696,0.00030034414,0.0001596982,0.00061076146],"domain_scores_gemma":[0.9991391,0.00008154677,0.00015188385,0.00030109368,0.000083300976,0.00024312902],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004251281,0.00022983941,0.0005006726,0.00013093276,0.00023655008,0.00023761287,0.00023085359,0.00005910474,0.0063205436],"category_scores_gemma":[0.0001288077,0.00019931939,0.00017414593,0.000110869485,0.000096468255,0.00029577178,0.000024244791,0.00022370424,0.00091529544],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000067918922,0.0006246937,0.003245995,0.0010550187,0.00017830497,0.000062125066,0.007098777,0.000010037982,0.00078735803,0.08076741,0.84417856,0.061984956],"study_design_scores_gemma":[0.00014010866,0.000018936644,0.00013686848,0.00025631412,0.000052767355,0.0000024020587,0.0015673332,0.00007714577,0.000011338741,0.000328148,0.9971518,0.0002568356],"about_ca_topic_score_codex":0.07049147,"about_ca_topic_score_gemma":0.21118401,"teacher_disagreement_score":0.6714227,"about_ca_system_score_codex":0.00027246462,"about_ca_system_score_gemma":0.000058264086,"threshold_uncertainty_score":0.9998626},"labels":[],"label_agreement":null},{"id":"W658602391","doi":"10.1515/9780748626786","title":"Modern North American criticism and theory : a critical guide","year":2006,"lang":"en","type":"book","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Criticism; Critical theory; Epistemology; History; Sociology; Philosophy; Political science; Law","score_opus":0.015961671816397065,"score_gpt":0.24661877851622466,"score_spread":0.23065710669982759,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W658602391","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00013077309,0.0008103057,0.00095114624,0.0005841821,0.00015333878,0.000098121716,0.00029091057,0.00013850103,0.99684274],"genre_scores_gemma":[0.031088335,0.000040279043,0.000106550026,0.0025394643,0.0015463773,0.000017808263,0.00014138443,0.00007001685,0.96444976],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980515,0.000083745166,0.0005202364,0.0005334007,0.000347955,0.00046316252],"domain_scores_gemma":[0.9986161,0.0005031663,0.00007909637,0.0003957161,0.0002341154,0.00017180252],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018863745,0.00043637172,0.00073402614,0.00019108785,0.0004009835,0.00042011272,0.0002276511,0.00008839762,0.0037554132],"category_scores_gemma":[0.00007931278,0.0003639261,0.00025957235,0.000021302485,0.0022289963,0.00015497398,0.0001055468,0.000398977,0.00014621476],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000053147373,0.000041599993,0.00000584753,0.000067500085,0.00007292725,0.00004580214,0.0006930757,3.4988938e-7,2.4865932e-7,0.7555694,0.23855065,0.0049472684],"study_design_scores_gemma":[0.00007281231,0.000066119486,0.00003153907,0.000039909246,0.00034949335,0.0000076188358,0.00028937627,0.00013225999,6.316121e-7,0.23304018,0.7655388,0.00043122456],"about_ca_topic_score_codex":0.000379034,"about_ca_topic_score_gemma":0.008586426,"teacher_disagreement_score":0.5269882,"about_ca_system_score_codex":0.000057220786,"about_ca_system_score_gemma":0.00010776511,"threshold_uncertainty_score":0.99988127},"labels":[],"label_agreement":null},{"id":"W658795200","doi":"","title":"P.K. Page: Essays on Her Works ed. by Linda Rogers, Barbara Colebrook Peace (review)","year":2002,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Art history","score_opus":0.010778481790766691,"score_gpt":0.1905718043856101,"score_spread":0.17979332259484343,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W658795200","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011674749,0.14082824,0.00019082599,0.0020183872,0.00044947446,0.00037549718,0.00018917031,0.00014099282,0.84413266],"genre_scores_gemma":[0.87430316,0.015734667,0.000048347254,0.0009533337,0.00022668432,7.996331e-7,0.000045902023,0.000021452588,0.10866563],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989595,0.000091739035,0.00017954483,0.0002626087,0.0002559516,0.0002506984],"domain_scores_gemma":[0.99929255,0.000043821492,0.00011531916,0.00032516778,0.00010146297,0.00012167174],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011342307,0.00018045703,0.00034561337,0.000023551822,0.0003043101,0.00004834273,0.0003158206,0.00006975233,0.05859317],"category_scores_gemma":[0.0000047447293,0.00018992394,0.00024179723,0.000017104932,0.00018582451,0.00046102054,0.00001561967,0.00013718054,0.00038152095],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020772133,0.00028850246,0.000014482567,0.00009054228,0.00011078089,0.00001887191,0.012252455,0.0000011826985,0.00002159682,0.0073725176,0.9589025,0.020905796],"study_design_scores_gemma":[0.00055617205,0.0005836233,0.00003950046,0.0005221153,0.00022723856,0.0000012062972,0.01772138,0.00032122323,0.0000064356423,0.000042087788,0.97966397,0.0003150219],"about_ca_topic_score_codex":0.0038104018,"about_ca_topic_score_gemma":0.0056965672,"teacher_disagreement_score":0.86262846,"about_ca_system_score_codex":0.000111723115,"about_ca_system_score_gemma":0.0000089196465,"threshold_uncertainty_score":0.9422674},"labels":[],"label_agreement":null},{"id":"W6885994508","doi":"10.14288/cl.v0i236.189663","title":"And Tomorrow, I’m Somewhere Else: Destabilization and Dispossession in the Vancouvers of Lisa Robertson and Mercedes Eng","year":2017,"lang":"en","type":"article","venue":"Open Collections","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Subject (documents); Space (punctuation); Colonialism; Urban space","score_opus":0.03127504074849806,"score_gpt":0.2793721828167138,"score_spread":0.2480971420682157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6885994508","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5954286,0.0003824445,0.000037360587,0.0008021545,0.00015255401,0.00040872666,0.000028406357,0.000007405253,0.40275237],"genre_scores_gemma":[0.9705636,0.00027302498,0.000028851051,0.000031919677,0.00003273118,0.000022768365,0.0000021331616,0.000004074014,0.02904093],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99957734,0.000051812724,0.00011478798,0.00012153503,0.00006225353,0.000072255905],"domain_scores_gemma":[0.99964416,0.00008391234,0.00006316739,0.00014870559,0.00003775763,0.000022291382],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.000203181,0.000061000836,0.00011939223,0.000033817807,0.0029998538,0.0016305749,0.000114118695,0.000023367169,0.0004185096],"category_scores_gemma":[0.000065130596,0.000042237112,0.000014291254,0.00004205015,0.00021991074,0.0005201231,0.00008358255,0.000056898076,1.1379951e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041751453,0.0017750189,0.052362345,0.00072177325,0.00037420916,0.00003342329,0.33033904,0.00018085165,0.0032661639,0.34839788,0.19128151,0.07085027],"study_design_scores_gemma":[0.005264616,0.0009227079,0.11666031,0.0010709659,0.0008592881,0.00005114292,0.35263214,0.007912307,0.0013110485,0.04885327,0.46321282,0.001249404],"about_ca_topic_score_codex":0.009346232,"about_ca_topic_score_gemma":0.14103535,"teacher_disagreement_score":0.37513497,"about_ca_system_score_codex":0.000009087248,"about_ca_system_score_gemma":0.0000149105645,"threshold_uncertainty_score":0.9994058},"labels":[],"label_agreement":null},{"id":"W6886017501","doi":"10.14288/cl.v0i210-11.192818","title":"Neo-Baroque Configurations in Contemporary Canadian Digital Poetics","year":2020,"lang":"en","type":"article","venue":"Open Collections","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Narrative; Focus (optics)","score_opus":0.08448526601000719,"score_gpt":0.2546379770903019,"score_spread":0.1701527110802947,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6886017501","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00041399692,0.000036102196,0.000036204685,0.008808457,0.00012159722,0.0002542446,0.00044999807,0.00002194516,0.98985744],"genre_scores_gemma":[0.8233083,0.0000030618403,0.000010332459,0.0018365495,0.00014698778,0.000041779902,0.00007396665,0.000008937114,0.17457011],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935204,0.000028017808,0.00021732919,0.00016534766,0.000070046146,0.00016724033],"domain_scores_gemma":[0.9995255,0.000038625574,0.000028409986,0.000106322506,0.00008411294,0.00021701265],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000045389,0.00008779633,0.00015793885,0.00007724077,0.0016653631,0.0037063335,0.00021784105,0.0000309097,0.0077250586],"category_scores_gemma":[0.000068571026,0.0000899048,0.000053358002,0.0002875137,0.000085091786,0.0005158662,0.000034244153,0.00013316977,0.00010339367],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000100905445,0.00007230941,0.00009626041,0.0000042873808,0.000047980397,0.000033241424,0.007811515,0.000053328375,0.0000071665945,0.10630173,0.8854175,0.00014458182],"study_design_scores_gemma":[0.00026503738,0.000054244105,0.000043213207,0.000009403608,0.000012240782,0.0000019917945,0.00840828,0.0007499,0.000011453823,0.0018191842,0.98848766,0.00013736372],"about_ca_topic_score_codex":0.36930653,"about_ca_topic_score_gemma":0.77520347,"teacher_disagreement_score":0.8228943,"about_ca_system_score_codex":0.000058582813,"about_ca_system_score_gemma":0.00051676866,"threshold_uncertainty_score":0.9996343},"labels":[],"label_agreement":null},{"id":"W6886018205","doi":"10.14288/cl.vi241.192535","title":"Whose Canadian Avant-Garde?","year":2020,"lang":"en","type":"article","venue":"Open Collections","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Work (physics); Agency (philosophy); Perspective (graphical)","score_opus":0.05305480746850188,"score_gpt":0.24303491565176116,"score_spread":0.18998010818325928,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6886018205","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00009337515,0.000026415328,0.000017806211,0.008388846,0.0002512142,0.00014264818,0.00012654779,0.000027523409,0.9909256],"genre_scores_gemma":[0.2912381,0.0000072013036,0.000025837762,0.0032562625,0.00036010388,0.000029506531,0.000013395049,0.000008895892,0.7050607],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994483,0.000026780774,0.00011981078,0.00015501768,0.00006798979,0.00018208267],"domain_scores_gemma":[0.99952024,0.000016703185,0.000018852463,0.00010920419,0.00007328375,0.00026169288],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00005123699,0.000072329145,0.00012576186,0.00003918259,0.0037316226,0.0025269454,0.0002469541,0.000020673668,0.068318136],"category_scores_gemma":[0.000036218396,0.0000690192,0.00006221946,0.000060715804,0.00005450371,0.00019980055,0.00004573313,0.00009276462,0.0004964937],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003413467,0.000017381875,0.0000047583835,0.000001914747,0.000038954604,0.000007707347,0.0075458228,0.000007994919,0.0000033198612,0.013372787,0.9788211,0.00017483887],"study_design_scores_gemma":[0.00012738364,0.00003927991,0.000010184348,0.0000041129706,0.00003762201,0.0000014484394,0.0031054737,0.00033055642,0.000016935266,0.0010808894,0.9951422,0.00010391634],"about_ca_topic_score_codex":0.5050533,"about_ca_topic_score_gemma":0.9529424,"teacher_disagreement_score":0.4478891,"about_ca_system_score_codex":0.00004064268,"about_ca_system_score_gemma":0.00019363587,"threshold_uncertainty_score":0.9985085},"labels":[],"label_agreement":null},{"id":"W6902081953","doi":"10.6082/uchicago.4800","title":"Failed Instruments: Abolition and the Lyric in Antebellum America","year":2022,"lang":"en","type":"dissertation","venue":"Knowledge@UChicago (University of Chicago)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Poetics; Rhetoric; Realm; Romance; Aside; Expansive; Politics","score_opus":0.008329478595257954,"score_gpt":0.20695336662684813,"score_spread":0.19862388803159017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6902081953","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5839916,0.0027629528,0.000007699289,0.0009677717,0.0007272725,0.0004622124,0.00018053791,0.000057728776,0.41084227],"genre_scores_gemma":[0.95505065,0.0012005485,0.000017227301,0.000060176357,0.00013910921,0.000005220033,0.0008674549,0.00002551687,0.0426341],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99821794,0.000367182,0.00034431854,0.00045565772,0.00031442047,0.00030050622],"domain_scores_gemma":[0.998869,0.00017406582,0.0003663128,0.00036078133,0.00015003725,0.00007980737],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00032856897,0.0003005965,0.0007599491,0.00049322785,0.00088867045,0.00007211896,0.0005398347,0.00014598292,0.008951813],"category_scores_gemma":[0.000047186393,0.0002824255,0.00031083002,0.00027335595,0.00071312167,0.00024650389,0.0001478381,0.00073253084,0.00005194335],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015271311,0.0010128932,0.00021128908,0.00076349237,0.00074763503,0.00003454613,0.43741405,0.000008220277,0.00007449819,0.5105753,0.0054331943,0.042197753],"study_design_scores_gemma":[0.004428416,0.00017140471,0.006391013,0.000316604,0.00084007985,0.0000027558626,0.35091174,0.0014984097,0.000015537036,0.013074358,0.6216173,0.00073234725],"about_ca_topic_score_codex":0.0016909761,"about_ca_topic_score_gemma":0.021810764,"teacher_disagreement_score":0.6161841,"about_ca_system_score_codex":0.00008037833,"about_ca_system_score_gemma":0.00012306243,"threshold_uncertainty_score":0.9999628},"labels":[],"label_agreement":null},{"id":"W6902651284","doi":"10.7273/bb5c-8919","title":"“the many gods of Mile End”: CanLit Print-Culture Nostalgia and J.R. Carpenter’s Entre Ville","year":2021,"lang":"en","type":"article","venue":"Washington State University","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mile; Work (physics); Identity (music); Key (lock)","score_opus":0.008853586727317252,"score_gpt":0.18677781175981817,"score_spread":0.1779242250325009,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6902651284","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90138024,0.0005323772,0.000032143995,0.0008282961,0.00019529524,0.00007261239,0.0003451154,0.00003002885,0.0965839],"genre_scores_gemma":[0.90258706,0.00043323296,0.000023645069,0.000055856486,0.00003386329,1.4580303e-7,0.000028534132,0.000005633195,0.09683204],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924463,0.00007998546,0.000130594,0.00019715584,0.00015537093,0.00019223863],"domain_scores_gemma":[0.9994096,0.000050928727,0.00007221236,0.00019391305,0.00019756959,0.00007577938],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010761618,0.00010751609,0.00017057577,0.000034081913,0.0006028861,0.00011668167,0.00015443152,0.000029044844,0.00092249556],"category_scores_gemma":[0.000018839974,0.00008695622,0.0001013837,0.000050172686,0.0002709031,0.00018434387,0.0001622827,0.00013138323,0.000009003915],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018478952,0.0003133175,0.0032177465,0.00025414428,0.00078200357,0.00051371206,0.18789047,0.000025276386,0.003449469,0.7576592,0.03549497,0.01021493],"study_design_scores_gemma":[0.0003035854,0.000029990753,0.0006949812,0.000027619995,0.00008252882,0.0000035659632,0.057257425,0.000063536245,0.0017185841,0.0004280287,0.93926704,0.00012311358],"about_ca_topic_score_codex":0.0008706741,"about_ca_topic_score_gemma":0.0069356915,"teacher_disagreement_score":0.90377206,"about_ca_system_score_codex":0.0000485789,"about_ca_system_score_gemma":0.000043105894,"threshold_uncertainty_score":0.9999908},"labels":[],"label_agreement":null},{"id":"W6903046108","doi":"10.1017/9781009617802.008","title":"Poetics of Alterity","year":2025,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Poetics; Alterity; Empathy; Narrative; Poetry; Power (physics)","score_opus":0.029112242771422606,"score_gpt":0.19879928705466776,"score_spread":0.16968704428324516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6903046108","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006021585,0.00016929884,0.000062123,0.000019766221,0.00025912694,0.00011810121,0.0009340087,0.000047283946,0.99833006],"genre_scores_gemma":[0.007840029,0.00008800388,0.00001361924,0.00006770756,0.00017336184,1.7463047e-7,0.000055615063,0.000015154011,0.9917463],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99914014,0.000023072238,0.00021678576,0.0002700418,0.00018563987,0.00016430758],"domain_scores_gemma":[0.99902827,0.000050383667,0.00017730171,0.00041795394,0.00025663545,0.00006943789],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00006138093,0.00024008077,0.00046281712,0.00018205511,0.0001894737,0.000043080316,0.00037175938,0.00015750062,0.000113972805],"category_scores_gemma":[0.0000061945643,0.00027073143,0.00033858596,0.0000024917463,0.00052017445,0.000052349125,0.00022548046,0.00026918584,0.000008157895],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023904213,0.000012286851,2.79361e-7,0.00016616317,0.00022282876,0.000047158443,0.0002398064,2.6535824e-7,0.0000067037736,0.9380771,0.060677372,0.0005261102],"study_design_scores_gemma":[0.00018177832,0.000032240063,0.0000012276415,0.00020551478,0.0005925415,8.6518565e-7,0.0001679795,0.00002215793,0.00014455528,0.00011122758,0.99829733,0.0002425995],"about_ca_topic_score_codex":0.00025728456,"about_ca_topic_score_gemma":0.000021057971,"teacher_disagreement_score":0.93796587,"about_ca_system_score_codex":0.000052691394,"about_ca_system_score_gemma":0.00007113298,"threshold_uncertainty_score":0.9999745},"labels":[],"label_agreement":null},{"id":"W6904646937","doi":"10.14288/1.0370050","title":"[Letter fragments from Beattie, Marion J., Woodford PO Ontario]","year":2017,"lang":"en","type":"article","venue":"Open Collections","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sequence (biology); Term (time); Fragment (logic); Set (abstract data type)","score_opus":0.04658765876167278,"score_gpt":0.2632458785063332,"score_spread":0.2166582197446604,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6904646937","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.012275233,0.000016265634,0.000047558544,0.0015809444,0.0010318403,0.00020520063,0.00010013892,0.000021424608,0.9847214],"genre_scores_gemma":[0.24068218,0.0000046164473,0.00009376561,0.001171576,0.0005053794,0.000063575724,0.000042332587,0.000010842814,0.7574257],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99920636,0.000025967904,0.00018380173,0.00024659352,0.00013994331,0.00019734593],"domain_scores_gemma":[0.9991819,0.000026547805,0.00010138546,0.0005490305,0.000072502946,0.000068595386],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000085247164,0.00012309787,0.00019602195,0.000038055146,0.011172439,0.008418559,0.0005975555,0.00004341638,0.07073917],"category_scores_gemma":[0.000019227104,0.00011217103,0.000107340784,0.00002813468,0.00011784929,0.00071373954,0.0002525277,0.000167381,0.000190226],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020368218,0.00014584135,0.00049278804,0.0000015604348,0.00017503601,0.000008164672,0.00317307,0.0000017278402,0.000006365014,0.0038135084,0.9916122,0.0005493603],"study_design_scores_gemma":[0.00041649013,0.000039128467,0.0022480348,0.000025292304,0.00010724629,7.697143e-7,0.00048327603,0.000023288228,0.000051077222,0.009481483,0.98695844,0.00016544537],"about_ca_topic_score_codex":0.67357016,"about_ca_topic_score_gemma":0.8686069,"teacher_disagreement_score":0.22840695,"about_ca_system_score_codex":0.000104125786,"about_ca_system_score_gemma":0.00006971403,"threshold_uncertainty_score":0.9926108},"labels":[],"label_agreement":null},{"id":"W6904743442","doi":"10.14288/cl.v0i234.189719","title":"Lyric Intimacy in Contemporary Canadian Poetry","year":2017,"lang":"en","type":"article","venue":"Open Collections","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Narrative; Identity (music); Style (visual arts)","score_opus":0.10150162196543112,"score_gpt":0.3079437319506922,"score_spread":0.20644210998526108,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6904743442","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00207795,0.000050102117,0.0000024029612,0.0017360636,0.0003947376,0.000180658,0.00006641852,0.000010502368,0.9954812],"genre_scores_gemma":[0.5995907,0.000004435019,0.00000854639,0.00025078954,0.00010390282,0.00003248594,0.0000068661925,0.000005604187,0.39999664],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993854,0.00003151357,0.00016333349,0.00016392149,0.00006354783,0.00019227153],"domain_scores_gemma":[0.99938035,0.000021974558,0.00005547171,0.0003618766,0.000062177394,0.00011812408],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00016060797,0.00008080375,0.00016057269,0.00014179366,0.0075199488,0.00572365,0.00053735194,0.000030249723,0.0098380605],"category_scores_gemma":[0.00007362604,0.000079050835,0.00005365176,0.000083307874,0.00013542167,0.0006372252,0.00009553393,0.00012906929,0.000087233384],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000008064551,0.000084057094,0.0012692616,0.0000037643154,0.00004428152,0.000041854997,0.0018471929,0.000002776763,0.0000019822241,0.054895665,0.9413301,0.00047101447],"study_design_scores_gemma":[0.00036155604,0.000023493354,0.0023980252,0.000023850234,0.000013659544,0.0000026371856,0.0024570539,0.00016212386,0.000006825432,0.005871655,0.9885325,0.00014662727],"about_ca_topic_score_codex":0.9329519,"about_ca_topic_score_gemma":0.97772026,"teacher_disagreement_score":0.5975128,"about_ca_system_score_codex":0.000090995745,"about_ca_system_score_gemma":0.00037356222,"threshold_uncertainty_score":0.9953085},"labels":[],"label_agreement":null},{"id":"W6923294567","doi":"10.14288/cl.vi247.193831","title":"“a dungeon every night and every day”","year":2020,"lang":"en","type":"article","venue":"Open Collections","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Depiction; Criticism; Wright; Neoliberalism (international relations); Consumption (sociology)","score_opus":0.04202622496263636,"score_gpt":0.23347315134993213,"score_spread":0.19144692638729577,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6923294567","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016098459,0.00016398041,0.00007291471,0.0034148083,0.00020890412,0.00017180172,0.00005807213,0.000041298044,0.9942584],"genre_scores_gemma":[0.39983636,0.000053096388,0.000034753626,0.0018700253,0.00041933448,0.000038549268,0.000010908027,0.000010707238,0.5977263],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999413,0.0000481071,0.00013767599,0.00019157566,0.00008251491,0.00012711644],"domain_scores_gemma":[0.9996627,0.00005300428,0.000028442402,0.000101802296,0.000055943565,0.000098135555],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000084244624,0.00008471053,0.00015633945,0.000027505725,0.002512236,0.0019608608,0.00015040862,0.000024528266,0.010725871],"category_scores_gemma":[0.00004080871,0.00007609898,0.00005259336,0.00014883821,0.000080606005,0.0003671085,0.000115131494,0.000097779935,0.00005766048],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016000311,0.000053518474,0.000022168324,0.000008362016,0.00008416518,0.000006814519,0.004874931,0.000004280118,0.000030890566,0.024428945,0.9700869,0.00038307003],"study_design_scores_gemma":[0.00020555165,0.000071471986,0.00007389592,0.000009132559,0.00007508576,0.0000027915455,0.0026290412,0.00038065552,0.00007074947,0.0021286665,0.9942222,0.00013073676],"about_ca_topic_score_codex":0.002094564,"about_ca_topic_score_gemma":0.0040348847,"teacher_disagreement_score":0.3982265,"about_ca_system_score_codex":0.000013727139,"about_ca_system_score_gemma":0.000038407718,"threshold_uncertainty_score":0.9990752},"labels":[],"label_agreement":null},{"id":"W6923486628","doi":"10.14288/1.0135389","title":"Prism international","year":2015,"lang":"en","type":"article","venue":"Open Collections","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Prism; Indexicality; Aestheticism; Courage; Performance art","score_opus":0.08324837869409564,"score_gpt":0.29234182279514015,"score_spread":0.20909344410104452,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6923486628","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00014665996,0.00001407215,0.00014267252,0.0012487009,0.0009635429,0.000072915456,0.000013652,0.000024074556,0.9973737],"genre_scores_gemma":[0.10532944,0.0000028303564,0.00011779432,0.00028140674,0.0003905866,0.00003479677,0.000012090689,0.000004601974,0.8938265],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.999621,0.000018093884,0.00009508973,0.00009152662,0.00009931008,0.00007499091],"domain_scores_gemma":[0.99971145,0.000012847775,0.00002173449,0.000092742295,0.00010215014,0.00005905366],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000111212874,0.000042952102,0.00006681669,0.000035047146,0.001046683,0.002301403,0.00024069186,0.000012532755,0.010580596],"category_scores_gemma":[0.000036736445,0.00003827568,0.00003488966,0.00007271651,0.00004607156,0.00028715504,0.00007978204,0.000051240986,0.00014966588],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000517761,0.0000620722,0.000004908593,2.2855241e-7,0.000036636684,0.0000016078714,0.0017935707,0.000004238954,0.0000010155028,0.0700561,0.9277293,0.00030514775],"study_design_scores_gemma":[0.00020750158,0.000022795732,0.0000045909196,0.0000027618973,0.000015760648,0.0000030915692,0.003000296,0.00031486238,0.0000125750075,0.014671681,0.9816866,0.000057512498],"about_ca_topic_score_codex":0.00500602,"about_ca_topic_score_gemma":0.0042092474,"teacher_disagreement_score":0.105182774,"about_ca_system_score_codex":0.00003701942,"about_ca_system_score_gemma":0.000054650176,"threshold_uncertainty_score":0.9987343},"labels":[],"label_agreement":null},{"id":"W6924346270","doi":"10.15468/dl.92q5kx","title":"Occurrence Download","year":2025,"lang":"en","type":"dataset","venue":"Global Biodiversity Information Facility","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Matching (statistics); Range (aeronautics); Set (abstract data type); Identification (biology); Order (exchange)","score_opus":0.017964474090522167,"score_gpt":0.21796792407437282,"score_spread":0.20000344998385067,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6924346270","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000043225413,0.000034363395,0.0000012524046,0.00023625082,0.00084926205,0.0001383758,0.9927882,0.00006431991,0.005844749],"genre_scores_gemma":[0.000030901203,0.000050915303,1.3843787e-7,0.001034867,0.00000500141,0.0000028923596,0.9988699,4.0431387e-9,0.0000053803265],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99879557,0.000048861642,0.00038133483,0.00018201044,0.00034876142,0.00024346967],"domain_scores_gemma":[0.998939,0.000019613835,0.00018572643,0.00043167186,0.00033243565,0.00009154705],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016982705,0.00024596576,0.00030481166,0.00011361594,0.00058422284,0.0004313432,0.00047768233,0.00017618322,0.012986003],"category_scores_gemma":[0.00009132066,0.00023595386,0.0002348384,0.000100974685,0.00029554658,0.00088749913,0.00022974424,0.0002420366,0.051285982],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000016472253,0.00003737186,0.000031772073,0.00018392161,0.000065656284,0.000001306883,0.0002516936,0.0000014594445,1.7579224e-9,0.000026365395,0.9986715,0.0007125041],"study_design_scores_gemma":[0.00016016497,0.00001690018,0.0000030338554,0.0000049069426,0.00015979193,4.8776525e-7,0.00082580524,1.1014342e-7,3.6076537e-7,0.000004781382,0.99859023,0.00023343456],"about_ca_topic_score_codex":0.0011629341,"about_ca_topic_score_gemma":0.00016533851,"teacher_disagreement_score":0.038299978,"about_ca_system_score_codex":0.00015476333,"about_ca_system_score_gemma":0.00011758373,"threshold_uncertainty_score":0.9879163},"labels":[],"label_agreement":null},{"id":"W6942505484","doi":"10.14288/cl.vi242.193894","title":"Huckleberries and HEPA Filters","year":2020,"lang":"en","type":"article","venue":"Open Collections","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Improvisation; Poetry; Personal account; Power (physics)","score_opus":0.051919799168685936,"score_gpt":0.24153081756334713,"score_spread":0.18961101839466118,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6942505484","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010222918,0.00006126593,0.000045712673,0.005566779,0.00010242964,0.00010908442,0.000049530936,0.000029727194,0.9930132],"genre_scores_gemma":[0.47735056,0.000025498157,0.00007331333,0.002252845,0.00025701488,0.00003434032,0.0000073294627,0.000007825556,0.5199913],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99962693,0.000020052881,0.000090390786,0.0001261633,0.00004925441,0.000087210145],"domain_scores_gemma":[0.99978715,0.000026903768,0.000017611976,0.00006303302,0.00003316199,0.000072144154],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000034487162,0.00005692739,0.00010623976,0.000015236325,0.00237396,0.002212698,0.00010933166,0.000011824362,0.010987273],"category_scores_gemma":[0.00002651389,0.0000510341,0.000032817636,0.000093614006,0.00010373616,0.00023207543,0.00008148206,0.000056145764,0.00002923031],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010741448,0.000023661583,0.000014882602,0.0000055881724,0.000053123687,0.0000027946264,0.007748069,0.0000038691387,0.000014064929,0.05733742,0.93446296,0.00032282007],"study_design_scores_gemma":[0.00014332023,0.000058693735,0.000013445472,0.000004335538,0.000038775295,0.0000016962377,0.005951685,0.0003217932,0.000041605726,0.002239149,0.99110276,0.00008276851],"about_ca_topic_score_codex":0.003602326,"about_ca_topic_score_gemma":0.005911452,"teacher_disagreement_score":0.47632825,"about_ca_system_score_codex":0.000006236292,"about_ca_system_score_gemma":0.00002106912,"threshold_uncertainty_score":0.9989248},"labels":[],"label_agreement":null},{"id":"W6944178507","doi":"10.17456/simple-226","title":"Becoming a Sound Poet. Paul Dutton’s Poetry in Performance","year":2024,"lang":"en","type":"article","venue":"Le Simplegadi","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Sound (geography); Plural; Realm; Identity (music); Performing arts","score_opus":0.037284517763630794,"score_gpt":0.25982310539517045,"score_spread":0.22253858763153966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6944178507","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.87256974,0.0014717707,0.000048220587,0.0019461154,0.0007635895,0.00007601159,0.000033758544,0.00014337093,0.12294744],"genre_scores_gemma":[0.9838171,0.000035205812,0.000015206245,0.00045744298,0.0007437719,0.000017401262,0.000024173396,0.000025518491,0.0148641635],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988708,0.000032849857,0.00029271224,0.0002730258,0.00015660864,0.00037400308],"domain_scores_gemma":[0.99956864,0.00011958459,0.000023908133,0.00019969071,0.000026310672,0.00006186461],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024588202,0.00016870057,0.00022806747,0.00021533162,0.00025548812,0.000490039,0.00016654008,0.000047076228,0.002146053],"category_scores_gemma":[0.000022619843,0.00014017148,0.00013407438,0.0001174393,0.00010769277,0.00053121353,0.00004828274,0.00026289964,0.0003701454],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012748416,0.00010462167,0.0015911945,0.00025016238,0.000097658296,0.0001833581,0.025911229,0.000043748085,0.0000837611,0.94666505,0.01544031,0.009616174],"study_design_scores_gemma":[0.0003020434,0.000058999776,0.0011485864,0.00015181064,0.000051149418,0.000021902799,0.008369144,0.008544781,0.00014222492,0.016585182,0.96423733,0.00038684704],"about_ca_topic_score_codex":0.00076561753,"about_ca_topic_score_gemma":0.003531988,"teacher_disagreement_score":0.94879705,"about_ca_system_score_codex":0.000053658347,"about_ca_system_score_gemma":0.000059021455,"threshold_uncertainty_score":0.9987661},"labels":[],"label_agreement":null},{"id":"W6945377600","doi":"10.25355/288","title":"Religious Migrations","year":2021,"lang":"en","type":"article","venue":"Herder-Institut für historische Ostmitteleuropaforschung","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.022930659362143058,"score_gpt":0.24539704127600284,"score_spread":0.22246638191385978,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6945377600","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08939521,0.016516827,0.0014941666,0.0033869473,0.005560586,0.000294858,0.000093052826,0.0006880132,0.8825703],"genre_scores_gemma":[0.898078,0.0004372604,0.0006602854,0.0015826306,0.002113264,0.00004088121,0.0001336472,0.00006870869,0.09688529],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975046,0.00015657207,0.0006185702,0.0006462551,0.00049789145,0.00057609624],"domain_scores_gemma":[0.9982179,0.00009336266,0.00015519053,0.00077705976,0.0005105584,0.00024592405],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022610919,0.00037458047,0.0004645753,0.00018159635,0.0012470232,0.00038004149,0.00034189448,0.000108904336,0.0035233505],"category_scores_gemma":[0.00026682566,0.00037545557,0.0003891002,0.00024727726,0.0003582264,0.0005508914,0.000112169895,0.00045876286,0.0015084699],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023577612,0.00043059362,0.00040560076,0.00009440841,0.00022957896,0.0012773825,0.011402683,0.000054331103,0.0023934871,0.7078042,0.2710706,0.004813577],"study_design_scores_gemma":[0.000376584,0.000042406922,0.000052105323,0.000041620457,0.00019036689,0.00008026951,0.0019050854,0.00012668538,0.0011305932,0.0007068924,0.9948632,0.00048418462],"about_ca_topic_score_codex":0.000253054,"about_ca_topic_score_gemma":0.0021314418,"teacher_disagreement_score":0.8086828,"about_ca_system_score_codex":0.00016938213,"about_ca_system_score_gemma":0.00030584092,"threshold_uncertainty_score":0.99986976},"labels":[],"label_agreement":null},{"id":"W6950591179","doi":"10.5281/zenodo.7922756","title":"Timbral Progression in Rebecca Saunders's dichroic seventeen","year":2022,"lang":"en","type":"article","venue":"Zenodo (CERN European Organization for Nuclear Research)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Dichroic glass; Noise (video); Context (archaeology); Dichroic filter","score_opus":0.04326692303311369,"score_gpt":0.2524835590109105,"score_spread":0.20921663597779683,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6950591179","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10654712,0.0003473804,0.00020033195,0.004008874,0.0002986076,0.0005929609,0.00036046538,0.00081520586,0.8868291],"genre_scores_gemma":[0.9916558,0.00001490328,0.000014431536,0.00023469164,0.00016179134,1.3357949e-7,0.00094294944,0.00042666137,0.006548598],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983732,0.00040839057,0.00022910886,0.000291324,0.00039294572,0.0003050049],"domain_scores_gemma":[0.999453,0.000014147026,0.00006791091,0.00025748977,0.00012626352,0.00008118595],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006347645,0.00010147901,0.00013027315,0.00024485725,0.0035713566,0.0005673253,0.00061577663,0.000018600871,0.108318605],"category_scores_gemma":[0.000093776056,0.000103950486,0.00006236151,0.00022068962,0.00015865003,0.0002240802,0.0009530097,0.0003171132,0.0017210861],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023079487,0.0012757616,0.000032948064,0.00013037171,0.000116771516,0.00014379378,0.038967174,0.00033250696,0.0011351873,0.33790332,0.500827,0.11890437],"study_design_scores_gemma":[0.00035828623,0.0002060715,0.0001704614,0.000018178498,0.000011473373,0.000024587618,0.00490656,0.0005461697,0.000024071956,0.00091942126,0.9926811,0.00013363734],"about_ca_topic_score_codex":0.000048803227,"about_ca_topic_score_gemma":0.000007484181,"teacher_disagreement_score":0.8851087,"about_ca_system_score_codex":0.00016599259,"about_ca_system_score_gemma":0.0000035780358,"threshold_uncertainty_score":0.99905616},"labels":[],"label_agreement":null},{"id":"W6958347236","doi":"10.6084/m9.figshare.22599263","title":"Additional file 5 of Prospective evaluation of Gadoxetate-enhanced magnetic resonance imaging and computed tomography for hepatocellular carcinoma detection and transplant eligibility assessment with explant histopathology correlation","year":2023,"lang":"en","type":"article","venue":"Figshare","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Princess Margaret Cancer Centre; University Health Network; University of Toronto","funders":"","keywords":"Hepatocellular carcinoma; Magnetic resonance imaging; Histopathology; Computed tomography; Lesion; Correlation; Prospective cohort study","score_opus":0.02781299434762589,"score_gpt":0.2474639729816061,"score_spread":0.21965097863398023,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6958347236","genre_codex":"dataset","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04715508,0.00035876638,0.00006620858,0.000006741619,0.000016201586,0.00044795664,0.95142674,0.000022066895,0.0005002401],"genre_scores_gemma":[0.7807423,0.0000012039526,0.000060459373,0.0000045043244,0.000020333177,0.0007125794,0.218422,0.000005059194,0.000031565512],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99928546,0.000055126904,0.00018252256,0.000206863,0.00017818902,0.00009181131],"domain_scores_gemma":[0.99905056,0.00034084194,0.00011574066,0.00007492087,0.00039682383,0.000021123742],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009760374,0.00008285287,0.00015716201,0.00010640857,0.00012045594,0.000016441467,0.000027631817,0.000022041142,0.20192234],"category_scores_gemma":[0.000089735215,0.00007390506,0.00003904455,0.000073858035,0.000051532814,0.0000964958,0.000009356175,0.00004706983,0.0000026233222],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014784087,0.00083298166,0.01507954,0.0046254494,0.00020670766,0.000059031925,0.037077133,0.00058636774,0.005852318,0.002952281,0.8094374,0.12181241],"study_design_scores_gemma":[0.0011934836,0.00052371103,0.5672309,0.0015049976,0.00019283476,0.00001249523,0.001154824,0.4152103,0.0013679813,0.0013615077,0.010009844,0.00023711787],"about_ca_topic_score_codex":0.000011010956,"about_ca_topic_score_gemma":0.00009937767,"teacher_disagreement_score":0.7994275,"about_ca_system_score_codex":0.000020931751,"about_ca_system_score_gemma":0.00003642941,"threshold_uncertainty_score":0.7988072},"labels":[],"label_agreement":null},{"id":"W6964481626","doi":"10.25623/conn033-dyck-1","title":"The Providential Rose: Herbert’s Full Cosmos and Fellowship of Creatures","year":2024,"lang":"en","type":"article","venue":"Englisches Seminar der Universität Tübingen","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Mennonite University","funders":"","keywords":"Humanity; Poetry; Relation (database); Creatures; Criticism; Cosmos (plant); Theme (computing); Expression (computer science)","score_opus":0.010423926832412134,"score_gpt":0.20114285649516167,"score_spread":0.19071892966274953,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6964481626","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7118106,0.071206,0.0001536818,0.002765292,0.0015036766,0.000411609,0.00010451765,0.00028852082,0.21175613],"genre_scores_gemma":[0.951376,0.0003104427,0.00002400526,0.000033203112,0.00041176498,0.0000024207213,0.000010532678,0.00001707024,0.047814514],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991285,0.00006710826,0.00015890034,0.0002328062,0.00019253817,0.00022013171],"domain_scores_gemma":[0.9993317,0.00028148052,0.0000437976,0.00018873626,0.00008841822,0.000065840184],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00021704202,0.00015209886,0.00017489956,0.00009368974,0.0005401426,0.00037265164,0.00021546782,0.00006076648,0.00033489565],"category_scores_gemma":[0.000042024352,0.0001096501,0.00013119637,0.00007125156,0.00043267498,0.0005689416,0.00010097882,0.00019097122,0.000017619295],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011312797,0.00006812014,0.00009515591,0.0002518863,0.0009213568,0.00015034343,0.0906718,0.000011210183,0.0022078636,0.8621743,0.03608205,0.0072527984],"study_design_scores_gemma":[0.00019393314,0.000118138574,0.00004658055,0.0001632675,0.00061794295,0.0000074031773,0.03794139,0.00046130104,0.0019748567,0.002500838,0.95574474,0.00022962957],"about_ca_topic_score_codex":0.00012967178,"about_ca_topic_score_gemma":0.00037407744,"teacher_disagreement_score":0.91966265,"about_ca_system_score_codex":0.000028747303,"about_ca_system_score_gemma":0.000041555082,"threshold_uncertainty_score":0.44714013},"labels":[],"label_agreement":null},{"id":"W6964547810","doi":"10.3389/fcvm.2024.1461073.s001","title":"Datasheet1_Association of systemic inflammatory markers with clinical adverse prognosis and outcomes in HFpEF: a systematic review and meta-analysis of cohort studies.pdf","year":2024,"lang":"en","type":"dataset","venue":"Figshare","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Systemic inflammation; Cohort study; Cohort; Heart failure; Observational study; Meta-analysis; Adverse effect; MEDLINE; Prospective cohort study","score_opus":0.1018951941870384,"score_gpt":0.3474168345989418,"score_spread":0.24552164041190339,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6964547810","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00006410079,0.084472574,3.8707504e-9,0.0000378742,0.00001758589,0.00122585,0.9141321,0.000008133221,0.000041761617],"genre_scores_gemma":[0.001707734,0.0050341575,0.00000137174,0.00012498564,0.000016906164,0.000953509,0.99181426,0.0000136229,0.00033348243],"study_design_codex":"not_applicable","study_design_gemma":"meta_analysis","domain_scores_codex":[0.9966317,0.0004662707,0.0018696248,0.0004477353,0.00043099915,0.00015369328],"domain_scores_gemma":[0.9969096,0.0008218587,0.00135978,0.00052298116,0.00033064326,0.000055098495],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011021103,0.0003474054,0.0054701827,0.00043780258,0.00004903145,0.00005448927,0.00022279134,0.0001343325,0.021221405],"category_scores_gemma":[0.0014973514,0.00021556154,0.00078955025,0.0002402012,0.000077863544,0.00015580565,0.00017753473,0.00026144297,0.00013472876],"study_design_candidate":"meta_analysis","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000025948407,0.000030442665,0.00026526168,0.29672912,0.1894452,0.000012213648,0.00013490953,4.4040516e-7,2.7107367e-9,0.000008567427,0.513371,2.9928742e-7],"study_design_scores_gemma":[0.00011514799,0.000051412957,0.00047622094,0.06518446,0.91600066,0.0000020828993,0.0014548234,0.000011603338,5.069889e-8,0.0000025483819,0.016441546,0.00025942863],"about_ca_topic_score_codex":0.00007148412,"about_ca_topic_score_gemma":0.0024508259,"teacher_disagreement_score":0.72655547,"about_ca_system_score_codex":0.000042752756,"about_ca_system_score_gemma":0.000057735087,"threshold_uncertainty_score":0.9796733},"labels":[],"label_agreement":null},{"id":"W6973704487","doi":"10.58066/nyse-r924","title":"Letter from Kathleen Raine to Robin Skelton, January 12 [between 1952 and 1970]","year":2023,"lang":"en","type":"article","venue":"UVic’s Research and Learning Repository (University of Victoria)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Wife; English literature; Adventure; Creative writing","score_opus":0.04020293960333182,"score_gpt":0.26151596609258804,"score_spread":0.22131302648925621,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6973704487","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97341776,0.0002031957,0.000026025582,0.0018166362,0.00019346892,0.00010465917,0.00002740983,0.00008725088,0.024123587],"genre_scores_gemma":[0.93154204,0.00006515945,0.000045242876,0.000041360014,0.0012143155,8.304493e-7,0.000054066324,0.000014003027,0.06702296],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981921,0.00034697496,0.00015490993,0.00040837316,0.0004921129,0.0004055789],"domain_scores_gemma":[0.9987677,0.00048956316,0.000057711946,0.00022059647,0.00019410223,0.00027035223],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00073685136,0.00013566006,0.00030769754,0.0003709397,0.0015750529,0.00019907842,0.00024427794,0.00008802066,0.000347008],"category_scores_gemma":[0.00008183751,0.00014902705,0.00007608057,0.00019112237,0.00044028452,0.00026793472,0.00031175296,0.0005758519,0.00011861347],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00091709173,0.00035513382,0.17227817,0.00055602763,0.0018529067,0.00131928,0.34903243,0.00021029773,0.03254,0.013504264,0.40983832,0.017596088],"study_design_scores_gemma":[0.0005818377,0.0004018863,0.04655441,0.00010063719,0.000060516326,0.0000014166523,0.014901163,0.00026915647,0.00014204373,0.0004335539,0.9363269,0.00022646437],"about_ca_topic_score_codex":0.00394293,"about_ca_topic_score_gemma":0.00037290208,"teacher_disagreement_score":0.5264886,"about_ca_system_score_codex":0.00003905941,"about_ca_system_score_gemma":0.00003203211,"threshold_uncertainty_score":0.99972475},"labels":[],"label_agreement":null},{"id":"W6977004785","doi":"10.6084/m9.figshare.19745649","title":"Additional file 1 of The course of primary progressive aphasia diagnosis: a cross-sectional study","year":2022,"lang":"en","type":"article","venue":"Figshare","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Table (database); Aphasia; Medical diagnosis; Primary progressive aphasia; Course (navigation)","score_opus":0.04388344382484354,"score_gpt":0.26971468573870216,"score_spread":0.22583124191385862,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6977004785","genre_codex":"dataset","genre_gemma":"dataset","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":"dataset","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0022381453,0.0001146824,1.7538748e-9,0.000015533205,0.000042835654,0.00020330217,0.984797,0.000011628504,0.0125768725],"genre_scores_gemma":[0.46150926,5.7449178e-8,0.0000013636931,0.000078713914,0.00015267814,0.0039389995,0.5319732,0.0000067511137,0.002339017],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990608,0.00007234114,0.00023138331,0.00013634478,0.00039878002,0.0001003706],"domain_scores_gemma":[0.99886256,0.00051542575,0.00022039826,0.00016766411,0.00021329863,0.000020676865],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00003456032,0.00007887173,0.00014168383,0.000034356464,0.00047498665,0.000043183056,0.00026553654,0.000014128804,0.9991844],"category_scores_gemma":[0.00028201548,0.000058145717,0.00018246715,0.00007116353,0.00005675648,0.00008649481,0.00019736175,0.00013695689,0.0000876342],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007639972,0.00075672206,0.00058361667,0.00003363104,0.00008806937,0.0000065768927,0.0011070572,0.0000125201705,2.0557194e-7,0.00012496693,0.99712616,0.00015280595],"study_design_scores_gemma":[0.00014115029,0.0001276132,0.15651745,0.00016070019,0.00001790007,0.000005310524,0.0021194385,0.000014479712,0.000006157027,0.00009226569,0.84072304,0.0000745202],"about_ca_topic_score_codex":0.000006089202,"about_ca_topic_score_gemma":0.000027050179,"teacher_disagreement_score":0.9990968,"about_ca_system_score_codex":0.0000256259,"about_ca_system_score_gemma":0.0001328172,"threshold_uncertainty_score":0.36532614},"labels":[],"label_agreement":null},{"id":"W6977225030","doi":"10.6084/m9.figshare.c.5659253","title":"The cost-effectiveness of as-needed budesonide-formoterol versus low-dose inhaled corticosteroid maintenance therapy in patients with mild asthma in Canada","year":2021,"lang":"en","type":"other","venue":"Figshare","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Maintenance therapy; Budesonide; Terbutaline; Asthma; Adverse effect; Exacerbation; Cohort; Quality of life (healthcare)","score_opus":0.02890511253563202,"score_gpt":0.23387546532092257,"score_spread":0.20497035278529055,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6977225030","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28920102,0.006897675,3.6269623e-7,0.00014568081,0.0014114237,0.006943553,0.26261446,0.0000862569,0.4326996],"genre_scores_gemma":[0.9556521,0.00005702753,0.0000011312891,0.00019282945,0.00009847259,0.00053680723,0.0251018,0.00018398493,0.018175827],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99846095,0.00017407603,0.0003285116,0.0003067906,0.00036378152,0.0003659038],"domain_scores_gemma":[0.9988609,0.00028881736,0.00025007376,0.0003729601,0.00017027868,0.000056978817],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000071414244,0.00030220553,0.00052065833,0.00011616152,0.00007394152,0.00008925881,0.00031548043,0.00008944091,0.07815604],"category_scores_gemma":[0.00014927814,0.0002022471,0.0000854389,0.0001179678,0.000036653066,0.000055316734,0.000057276397,0.00027827465,0.000031030657],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.010601525,0.0018411317,0.00587796,0.0046755145,0.002320526,0.0012608969,0.0051721088,0.00013115934,0.000012100598,0.0016222382,0.9277036,0.038781203],"study_design_scores_gemma":[0.015519274,0.0007557232,0.06608249,0.033314697,0.00004027654,0.0000021057738,0.0034539215,0.00007652022,0.00013905998,0.00002727544,0.8794575,0.0011312006],"about_ca_topic_score_codex":0.3430038,"about_ca_topic_score_gemma":0.96756494,"teacher_disagreement_score":0.6664511,"about_ca_system_score_codex":0.00032639815,"about_ca_system_score_gemma":0.00049042224,"threshold_uncertainty_score":0.92268664},"labels":[],"label_agreement":null},{"id":"W6977397521","doi":"10.6084/m9.figshare.c.7419939.v1","title":"A review of Patient Reported Outcome Measures (PROMs) for characterizing Long COVID (LC)—merits, gaps, and recommendations","year":2024,"lang":"en","type":"other","venue":"Figshare","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Saskatchewan Health Authority; Saskatchewan Health Quality Council; University of Saskatchewan","funders":"","keywords":"Prom; Patient-reported outcome; Coronavirus disease 2019 (COVID-19); Cognition; Scale (ratio); Descriptive statistics; Test (biology); MEDLINE","score_opus":0.1493367888382779,"score_gpt":0.3312733707815466,"score_spread":0.18193658194326873,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6977397521","genre_codex":"dataset","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"dataset","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000010021894,0.29033402,0.0000014746886,0.0012358138,0.00034552542,0.0010464174,0.4967625,0.00016791828,0.21010533],"genre_scores_gemma":[0.00046038895,0.0153924385,0.00008651197,0.005894931,0.0012850842,0.0017109019,0.36244065,0.0006332537,0.61209583],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987455,0.000038287602,0.0005886171,0.00031753804,0.0001486701,0.00016140596],"domain_scores_gemma":[0.998986,0.000050962113,0.00047274036,0.00027854813,0.00014369046,0.000068069436],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010236756,0.00022802484,0.00056666933,0.0001541944,0.00008225214,0.0001120724,0.000106887484,0.00008576065,0.34306076],"category_scores_gemma":[0.0006182776,0.00019109283,0.00023931512,0.00004407669,0.000018753184,0.000060324506,0.00006320183,0.00013895554,0.00020072829],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000014155142,0.000023105367,0.0000013905312,0.031689372,0.00021056048,0.0000071844465,0.00038525238,2.3685343e-9,0.0000014079731,0.00046910805,0.9638891,0.0033220842],"study_design_scores_gemma":[0.000056282635,0.000030198773,0.0000027140334,0.08371834,0.0002970238,0.000004685831,0.000095518495,0.0000013585222,0.0000065411996,0.000052320793,0.91553307,0.00020194057],"about_ca_topic_score_codex":0.000042370622,"about_ca_topic_score_gemma":0.00023544168,"teacher_disagreement_score":0.40199053,"about_ca_system_score_codex":0.000019338326,"about_ca_system_score_gemma":0.000038000613,"threshold_uncertainty_score":0.77925396},"labels":[],"label_agreement":null},{"id":"W6980586912","doi":"","title":"CMOK to YOu To: A Correspondence","year":2016,"lang":"en","type":"book","venue":"Directory of Open access Books (OAPEN Foundation)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Serbian; Poetry; Imperfect; Absurdism; Order (exchange); Reflexive pronoun","score_opus":0.121041452896562,"score_gpt":0.3967709646736516,"score_spread":0.2757295117770896,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6980586912","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000401268,0.00005944458,0.00014170646,0.00071852846,0.0014790917,0.0011841173,0.000058187707,0.00006920836,0.9958885],"genre_scores_gemma":[0.009141172,0.00002530112,0.000051619416,0.0021300283,0.0009385846,0.00023401873,0.00020767882,0.0000917107,0.9871799],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99696505,0.00012118206,0.0009052659,0.0008537321,0.0007287456,0.0004260322],"domain_scores_gemma":[0.9971543,0.0003113176,0.00051823986,0.000985836,0.0007075466,0.00032274696],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006280661,0.00051395927,0.0010167339,0.0006746441,0.00052289217,0.0038616445,0.0043581617,0.00009248356,0.13846375],"category_scores_gemma":[0.00021242825,0.0004422317,0.0002821979,0.00008799253,0.0003231039,0.0025206981,0.0018431211,0.00023642309,0.013996292],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019008885,0.00007720485,0.00003909163,0.00009256305,0.0002753591,0.000015138511,0.001932663,0.0000028822683,0.000096151685,0.7108703,0.1332314,0.15317711],"study_design_scores_gemma":[0.0002370968,0.000080111866,0.00018058518,0.00070932176,0.00014600366,0.0000012431225,0.000123,0.0000026507144,0.00019430557,0.01140308,0.98626703,0.0006555448],"about_ca_topic_score_codex":0.0005231439,"about_ca_topic_score_gemma":0.0021328626,"teacher_disagreement_score":0.8530356,"about_ca_system_score_codex":0.00030004684,"about_ca_system_score_gemma":0.00081427855,"threshold_uncertainty_score":0.99980295},"labels":[],"label_agreement":null},{"id":"W6981141640","doi":"","title":"Diferencias de Género en la Relación entre la Experiencia de los Orgasmos y su Duración","year":2024,"lang":"es","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"AS Composite (Canada)","funders":"","keywords":"Persona; Product (mathematics); Statistical analysis; Research methodology; Order (exchange)","score_opus":0.12856519692348475,"score_gpt":0.5082149828795963,"score_spread":0.37964978595611154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981141640","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84262127,0.058552045,0.00019936482,0.00059202744,0.000791058,0.00034294988,0.00034572947,0.00012935187,0.096426204],"genre_scores_gemma":[0.96306556,0.025240825,0.000046210924,0.0004192611,0.0013406902,0.00007079066,0.000029188304,0.00014582157,0.009641623],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99406284,0.0015956026,0.0014606044,0.00083075045,0.0010278889,0.0010223372],"domain_scores_gemma":[0.99596465,0.0017811992,0.00056178827,0.0006895793,0.00038379437,0.0006189984],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0027301307,0.0007716057,0.0013618104,0.0011664403,0.0008657075,0.017181046,0.0030922212,0.0004209619,0.08300485],"category_scores_gemma":[0.0006792337,0.0006820166,0.00077927293,0.00061520346,0.0006334879,0.003406619,0.0010764976,0.0014217845,0.00016084922],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00051040645,0.002289455,0.1765886,0.0027386565,0.0043444927,0.0051470306,0.083983675,0.00019897883,0.053519327,0.38463354,0.25269017,0.033355683],"study_design_scores_gemma":[0.0008669037,0.000050220016,0.12358736,0.0062961155,0.0020430302,0.00032255388,0.012477417,0.0010885722,0.011791754,0.03494211,0.8045354,0.00199855],"about_ca_topic_score_codex":0.0014241559,"about_ca_topic_score_gemma":0.00020228546,"teacher_disagreement_score":0.55184525,"about_ca_system_score_codex":0.00038090884,"about_ca_system_score_gemma":0.00075963803,"threshold_uncertainty_score":0.9995631},"labels":[],"label_agreement":null},{"id":"W6981381058","doi":"","title":"Effect of manganese and silicon on iron intermetallics in 206 foundry alloy","year":2010,"lang":"en","type":"article","venue":"NPARC","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Intermetallic; Alloy; Manganese; Foundry; Differential scanning calorimetry; Aluminium","score_opus":0.008639840249012898,"score_gpt":0.2403747388302242,"score_spread":0.2317348985812113,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981381058","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9087649,0.000018635825,2.4932865e-7,0.00010230806,0.00014905901,0.000058191476,0.000004746629,0.000009023012,0.09089286],"genre_scores_gemma":[0.9974141,0.000009426769,0.0000069196917,0.00009975146,0.00011756194,0.000006751347,0.0000043331647,0.0000074161107,0.002333701],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99947786,0.000049499933,0.00014141953,0.00012284037,0.000093399176,0.00011495449],"domain_scores_gemma":[0.99964064,0.00013272751,0.000033416785,0.00014447811,0.000016571923,0.000032154734],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025932243,0.00008872363,0.00018693793,0.0000847923,0.000044652377,0.00004170223,0.00007905112,0.000037972117,0.0014735239],"category_scores_gemma":[0.00004386486,0.00006678655,0.000056215216,0.000018472332,0.0001350069,0.000074952375,0.000024638592,0.00016020195,0.000023245513],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001942718,0.00028123605,0.0026222407,0.0003148753,0.00005816861,0.00003339122,0.008467511,0.0000025992263,0.25081426,0.70468503,0.0011854357,0.03134099],"study_design_scores_gemma":[0.012884986,0.013980159,0.050990123,0.0011348362,0.0012903654,0.000060971175,0.007976807,0.00772443,0.30516556,0.08736381,0.50802284,0.0034050732],"about_ca_topic_score_codex":0.000080446334,"about_ca_topic_score_gemma":0.0017198273,"teacher_disagreement_score":0.6173212,"about_ca_system_score_codex":0.0000047796584,"about_ca_system_score_gemma":0.000003381505,"threshold_uncertainty_score":0.99943924},"labels":[],"label_agreement":null},{"id":"W6981474362","doi":"","title":"Endeudamiento público subnacional y federalismo fiscal : el caso del estado de Nuevo León y la provincia de Ontario durante el periodo 2000-2016","year":2018,"lang":"es","type":"dissertation","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"State (computer science); Government (linguistics); Context (archaeology); Legislation; Latin Americans; Public policy","score_opus":0.018476601407595016,"score_gpt":0.2503564065493243,"score_spread":0.23187980514172926,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981474362","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7732351,0.0014058617,0.0009421867,0.006686756,0.0025661206,0.0013225317,0.0011157006,0.0005573773,0.21216838],"genre_scores_gemma":[0.96618557,0.00048169922,0.00080503896,0.00057625637,0.003937276,0.0005771669,0.0033950754,0.00027676244,0.023765156],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98912436,0.0013278227,0.0023617563,0.0022797054,0.0022792662,0.0026270717],"domain_scores_gemma":[0.993545,0.0005626407,0.0014348668,0.0011795522,0.0018072799,0.001470694],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0017928452,0.001994162,0.0019023156,0.0014570697,0.0048131305,0.0036081455,0.0017870149,0.002237591,0.0016878853],"category_scores_gemma":[0.00065395166,0.0019679435,0.0015105718,0.00052747555,0.0002657011,0.0014131627,0.00039439675,0.002689742,0.0001634537],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.0013148066,0.0023580552,0.0030113172,0.00073750614,0.0013862577,0.0010563177,0.06993697,0.000038752034,0.0017845487,0.91018987,0.0063759354,0.0018096875],"study_design_scores_gemma":[0.0021290723,0.00030389705,0.024599139,0.0012124376,0.0011443266,0.0019925593,0.007422421,0.0008129975,0.0006015229,0.0014304968,0.95615447,0.002196644],"about_ca_topic_score_codex":0.0017276708,"about_ca_topic_score_gemma":0.1200434,"teacher_disagreement_score":0.94977856,"about_ca_system_score_codex":0.004967846,"about_ca_system_score_gemma":0.008218335,"threshold_uncertainty_score":0.9996111},"labels":[],"label_agreement":null},{"id":"W6981559328","doi":"","title":"ERIC ED478343: Cabinetmaker. Occupational Analysis Series.","year":2000,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Scope (computer science); Chart; Pie chart; Section (typography)","score_opus":0.009017627726304711,"score_gpt":0.18697426382746934,"score_spread":0.17795663610116463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981559328","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000026844373,0.0004343252,2.757131e-7,0.000120989396,0.00021823958,0.00017845955,0.0009576549,0.00015905258,0.9979042],"genre_scores_gemma":[0.0014394149,0.00030392173,0.00015378761,0.00035674495,0.0005767905,0.000017959437,0.0014346376,0.000088849294,0.9956279],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99811494,0.00006701245,0.0007614633,0.00023913485,0.0005071652,0.00031026406],"domain_scores_gemma":[0.99879956,0.000050316656,0.0004889621,0.00040769708,0.00013887213,0.000114612114],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012091951,0.00038280818,0.00067589723,0.00025072583,0.00016219991,0.00016669801,0.00030548367,0.00024013082,0.9404395],"category_scores_gemma":[0.00002516842,0.00035877235,0.0005026247,0.000017378492,0.00029385698,5.419968e-7,0.000041984495,0.00021805878,0.014004946],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000058909987,0.000057389767,0.0000029181886,0.00017220661,0.0008411182,0.0000118665575,0.0004885634,0.00026408173,1.9913243e-8,0.00094346143,0.9966588,0.00050067686],"study_design_scores_gemma":[0.00022760694,0.000069719106,0.000015313974,0.00007920218,0.0009816306,0.000011716574,0.00025238455,0.00003111393,6.809311e-7,0.000018673582,0.99791414,0.00039782788],"about_ca_topic_score_codex":0.0076310677,"about_ca_topic_score_gemma":0.015915152,"teacher_disagreement_score":0.9264346,"about_ca_system_score_codex":0.000027115955,"about_ca_system_score_gemma":0.000035136374,"threshold_uncertainty_score":0.99988645},"labels":[],"label_agreement":null},{"id":"W6981730124","doi":"","title":"The exploration of occupational therapy early intervention to target greater social inclusion for individuals with psychosis.","year":2012,"lang":"en","type":"dissertation","venue":"Queen Margaret University eTheses Repository","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Intervention (counseling); Occupational therapy; Psychological intervention; Social work; Inclusion (mineral); Psychosis; Rehabilitation; Occupational rehabilitation","score_opus":0.0462403066509655,"score_gpt":0.2871159947191844,"score_spread":0.2408756880682189,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981730124","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97282,0.00025573224,0.0007670512,0.000622515,0.0009932851,0.001063038,0.00036020522,0.0000611812,0.023057],"genre_scores_gemma":[0.960102,0.000021728049,0.00008739491,0.00003776183,0.0005212214,0.000023522918,0.00077123265,0.000026687076,0.038408402],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986665,0.00019945095,0.00028349351,0.0002433563,0.00041211714,0.00019508094],"domain_scores_gemma":[0.9986919,0.00012114435,0.00039608285,0.00017912689,0.0005591097,0.00005263942],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00029198432,0.0002106411,0.00027446978,0.0002010783,0.0019801597,0.0001297835,0.0003078525,0.00015538132,0.0001461599],"category_scores_gemma":[0.000013176726,0.00015846829,0.00026934748,0.000066862034,0.000114501505,0.0005369438,0.00006124089,0.00014889298,0.0000039024503],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.012932603,0.0009284392,0.015201584,0.00048243572,0.003000822,0.000013043946,0.74572235,0.000018784987,0.00054935773,0.18202731,0.02073153,0.01839176],"study_design_scores_gemma":[0.0015068268,0.0011263291,0.06789141,0.00043956895,0.0007640804,0.0000012245415,0.07423464,0.0000111408945,0.003364487,0.0021493644,0.8476976,0.0008133424],"about_ca_topic_score_codex":0.0014443583,"about_ca_topic_score_gemma":0.0018825395,"teacher_disagreement_score":0.82696605,"about_ca_system_score_codex":0.00009149251,"about_ca_system_score_gemma":0.000046183388,"threshold_uncertainty_score":0.99931914},"labels":[],"label_agreement":null},{"id":"W6981768846","doi":"","title":"Exploration du potentiel bicodant du gène PIDD1 humain : caractérisation du produit de l'ORF non-annoté altPIDD1","year":2024,"lang":"fr","type":"other","venue":"Knowledge UdeS (Institutional Deposit of the University of Sherbrooke)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Canadian Institutes of Health Research; Université de Sherbrooke","keywords":"ORFS; Detoxication; Context (archaeology)","score_opus":0.013448095983273017,"score_gpt":0.19436352101914336,"score_spread":0.18091542503587035,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981768846","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09553542,0.019775234,0.05497653,0.004103423,0.0041092727,0.001177938,0.0003124134,0.00012898994,0.8198808],"genre_scores_gemma":[0.760327,0.0016641468,0.00037737866,0.000046222078,0.001507856,0.0000030331425,0.00007328136,0.000068243215,0.23593284],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975935,0.00024863778,0.000609951,0.0005989606,0.0005528339,0.00039607094],"domain_scores_gemma":[0.99847203,0.00006629786,0.00034949422,0.0005169053,0.00045253083,0.00014272331],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005031698,0.000513465,0.00071613136,0.00043983312,0.001315312,0.00013663848,0.00084124686,0.00035786015,0.0020141976],"category_scores_gemma":[0.000077409466,0.00047622764,0.0008564944,0.00025779696,0.0016769075,0.00054662005,0.00037129616,0.00044805382,0.0005708062],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028445682,0.0023443026,0.0026383454,0.01235534,0.002601564,0.00015009844,0.08107348,0.010497755,0.016186196,0.7621837,0.10688499,0.00279973],"study_design_scores_gemma":[0.0009385238,0.0001930888,0.008184077,0.00825912,0.0027156326,0.000054003714,0.002982194,0.015468822,0.0046785306,0.0022861573,0.95349765,0.0007422108],"about_ca_topic_score_codex":0.00605772,"about_ca_topic_score_gemma":0.024208976,"teacher_disagreement_score":0.84661263,"about_ca_system_score_codex":0.0014944179,"about_ca_system_score_gemma":0.0003863038,"threshold_uncertainty_score":0.99998486},"labels":[],"label_agreement":null},{"id":"W6981830148","doi":"","title":"The five-factor model of academic readiness, evaluating underlying assumptions and exploring the use of person-oriented analyses","year":2001,"lang":"en","type":"other","venue":"Library and Archives Canada (Government of Canada)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Perspective (graphical); Context (archaeology); Set (abstract data type); Work (physics)","score_opus":0.19034222488296837,"score_gpt":0.2642595176684499,"score_spread":0.07391729278548154,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981830148","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17995104,0.007749294,0.00041617148,0.00354267,0.00061021023,0.00071045605,0.0038148696,0.00003806323,0.8031672],"genre_scores_gemma":[0.6566401,0.0028679054,0.00017972881,0.00017009035,0.000121122976,0.00001634043,0.00001373852,0.000074516625,0.3399164],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980689,0.000096931486,0.0003488851,0.00019225242,0.0010823295,0.00021069603],"domain_scores_gemma":[0.9987113,0.0005815094,0.00038948024,0.00023077267,0.0000026300856,0.00008433204],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000023458582,0.00020489517,0.00035912855,0.00004753181,0.00039852306,0.000041855186,0.00020548202,0.000029853309,0.00017797649],"category_scores_gemma":[0.00001585774,0.00013165253,0.000062603955,0.00004568,0.00035451766,0.00027452587,0.000084797124,0.00021282259,1.3589878e-9],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029276888,0.00006889806,0.00518469,0.0011411203,0.0026139254,0.000016150838,0.0071718697,0.0031280166,0.010353931,0.90847313,0.036339253,0.025216244],"study_design_scores_gemma":[0.0011033631,0.0002307438,0.007725638,0.0034626517,0.0019948476,0.000006757531,0.16399243,0.19487888,0.005176641,0.0028850108,0.61703306,0.0015099546],"about_ca_topic_score_codex":0.018422317,"about_ca_topic_score_gemma":0.089036964,"teacher_disagreement_score":0.90558815,"about_ca_system_score_codex":0.0000051924394,"about_ca_system_score_gemma":0.00040681692,"threshold_uncertainty_score":0.9881141},"labels":[],"label_agreement":null},{"id":"W6981962751","doi":"","title":"Gender and Drug Use Discrimination Among People Who Inject Drugs: An Intersectional Approach Using the COSINUS Cohort","year":2024,"lang":"fr","type":"article","venue":"DOAJ (DOAJ: Directory of Open Access Journals)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Health care; Stigma (botany); Cohort; Substance use; Public health; Social stigma; Prejudice (legal term); Human immunodeficiency virus (HIV)","score_opus":0.2418851492119308,"score_gpt":0.4828199724838679,"score_spread":0.24093482327193708,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6981962751","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92007893,0.06374597,0.0016643461,0.00023471769,0.001997325,0.00052375044,0.0002630362,0.000038730635,0.011453173],"genre_scores_gemma":[0.9845343,0.0077789794,0.000056589008,0.00018830452,0.0011485141,0.00003837254,0.000064808,0.00007590059,0.0061141946],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.9961005,0.0009745022,0.000941111,0.00067721383,0.00083320023,0.00047347808],"domain_scores_gemma":[0.99790245,0.00056846446,0.00042244152,0.0004229262,0.00041961746,0.00026408676],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0026304047,0.00046593024,0.0008022811,0.000803612,0.001518451,0.014370413,0.0011524576,0.00013378405,0.007841758],"category_scores_gemma":[0.00012266543,0.00035920748,0.00034935464,0.0005352962,0.0009174413,0.009371907,0.0006311314,0.00081442914,0.0000051772076],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028252642,0.0018561311,0.5297579,0.0023144474,0.0052552978,0.00014214596,0.1999382,0.0030610242,0.0020212743,0.15207529,0.085284285,0.018011482],"study_design_scores_gemma":[0.0004564782,0.000026423317,0.79821575,0.0024345228,0.0031543507,0.0001688443,0.06346634,0.08599382,0.0004966125,0.013974357,0.030261196,0.0013512977],"about_ca_topic_score_codex":0.0188646,"about_ca_topic_score_gemma":0.0017075533,"teacher_disagreement_score":0.26845786,"about_ca_system_score_codex":0.0002116413,"about_ca_system_score_gemma":0.00017046124,"threshold_uncertainty_score":0.999886},"labels":[],"label_agreement":null},{"id":"W6982141617","doi":"","title":"Guide pratique des études universitaires au Québec","year":2015,"lang":"fr","type":"other","venue":"Bibliothèque et Archives nationales du Québec (Québec government)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Identification (biology); Subject (documents); Focus (optics)","score_opus":0.01493728105688046,"score_gpt":0.2266055370724294,"score_spread":0.21166825601554892,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982141617","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019336915,0.01931418,0.00019792738,0.023422617,0.00025657358,0.00046734486,0.0010324966,0.00019662929,0.93577534],"genre_scores_gemma":[0.20374225,0.0013034762,0.00031086997,0.001450527,0.0016725804,0.00008153846,0.00009213367,0.00029084418,0.7910558],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99465185,0.00059163314,0.0011410577,0.0010782965,0.0016459336,0.000891242],"domain_scores_gemma":[0.9919494,0.0055246437,0.00085702346,0.0007314612,0.00033287107,0.000604608],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.00062938844,0.0011421059,0.001075614,0.0014672455,0.0014892479,0.0010324601,0.0014279896,0.00025628257,0.0669637],"category_scores_gemma":[0.002758932,0.0010945272,0.00073815085,0.000505534,0.0027760097,0.0011279949,0.0006649001,0.0007211119,0.0018898969],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.000121588804,0.00071862026,0.0077376124,0.00036830327,0.0013390549,0.00009156041,0.028413475,0.00014715976,0.000071447364,0.5059041,0.45382783,0.0012592936],"study_design_scores_gemma":[0.00092479127,0.00029242464,0.008011702,0.0007149128,0.0006488843,0.000043449785,0.005907262,0.00027176994,0.000051538198,0.0011343359,0.98080033,0.0011985733],"about_ca_topic_score_codex":0.9463312,"about_ca_topic_score_gemma":0.9997793,"teacher_disagreement_score":0.52697253,"about_ca_system_score_codex":0.022934888,"about_ca_system_score_gemma":0.19386293,"threshold_uncertainty_score":0.9999379},"labels":[],"label_agreement":null},{"id":"W6982241324","doi":"","title":"History and Overview of Dual Language Immersion Programs","year":2016,"lang":"en","type":"article","venue":"Arizona State University Library Digital Repository (Arizona State University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Foreign language; Language industry; Dual language; Immersion (mathematics); Dual (grammatical number); Language assessment; Natural language; Universal Networking Language","score_opus":0.01590903147043421,"score_gpt":0.1659699661980621,"score_spread":0.15006093472762788,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982241324","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7412339,0.00060862955,0.0001036316,0.00021523293,0.00026328565,0.00021177057,0.00048990414,0.00023134117,0.25664228],"genre_scores_gemma":[0.7063783,0.00047138028,0.000036649002,0.000034579887,0.00004175954,1.1049972e-7,0.000059827642,0.000026539163,0.2929509],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982768,0.00012474121,0.00028992226,0.00055429206,0.0003246359,0.00042954943],"domain_scores_gemma":[0.9988055,0.000146,0.00027038812,0.00036648003,0.00010870066,0.00030293598],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000049459562,0.00032709527,0.00042611716,0.0005159076,0.0003472288,0.00014670541,0.0003932223,0.000077009514,0.00054491684],"category_scores_gemma":[0.0000072927173,0.00029852678,0.00026856098,0.00018692706,0.0011439958,0.0050839316,0.00045883702,0.00016031436,0.00003413429],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0035139336,0.0023459664,0.028967706,0.0009560434,0.0023879055,0.010867131,0.045000747,0.000008009667,0.009241344,0.6838558,0.03170286,0.18115255],"study_design_scores_gemma":[0.0016773061,0.000642429,0.0011881952,0.00027010834,0.00021341041,0.000022925757,0.015403052,0.000019636422,0.00094590016,0.0008831414,0.978024,0.0007098771],"about_ca_topic_score_codex":0.0002901009,"about_ca_topic_score_gemma":0.00005033848,"teacher_disagreement_score":0.9463211,"about_ca_system_score_codex":0.00021725152,"about_ca_system_score_gemma":0.00019557444,"threshold_uncertainty_score":0.9999467},"labels":[],"label_agreement":null},{"id":"W6982393626","doi":"","title":"The impact of employment on mother and infant health","year":2000,"lang":"en","type":"other","venue":"Library and Archives Canada (Government of Canada)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Public health; Breastfeeding; Population; Health care; Government (linguistics); MEDLINE","score_opus":0.005018466045847813,"score_gpt":0.17168289710454654,"score_spread":0.16666443105869871,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982393626","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001571397,0.0021719781,5.2147095e-7,0.0018130038,0.00007326353,0.00013641651,0.00091836223,0.0000059379213,0.99330914],"genre_scores_gemma":[0.41890472,0.0017980849,0.000008072782,0.0006255777,0.00013822078,0.000005027301,0.0000094129755,0.00007658105,0.5784343],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99853295,0.000060414885,0.00025932098,0.00017125107,0.0007453755,0.00023069182],"domain_scores_gemma":[0.9993055,0.000116593736,0.00021842986,0.00020796983,1.8099193e-7,0.00015136156],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000009954733,0.00020741203,0.00035434836,0.000029779289,0.00019440992,0.00003670116,0.0001451438,0.000019966059,0.0010824936],"category_scores_gemma":[5.809311e-7,0.00013045387,0.000057548128,0.000015270822,0.00020222212,0.000050799492,0.00003999974,0.00010555294,3.9495482e-9],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038805348,0.00009109018,0.0012330269,0.00026117353,0.00097333785,0.000021454558,0.000932389,0.000026577864,0.00003787922,0.5888238,0.36965153,0.0375597],"study_design_scores_gemma":[0.0002022785,0.00021004214,0.0028571351,0.0003131923,0.000027901868,0.0000011178754,0.0015174736,0.00009184041,0.00016549329,0.0006129078,0.9937972,0.00020342204],"about_ca_topic_score_codex":0.062828295,"about_ca_topic_score_gemma":0.29792836,"teacher_disagreement_score":0.6241457,"about_ca_system_score_codex":0.0000047073718,"about_ca_system_score_gemma":0.0007050643,"threshold_uncertainty_score":0.99983066},"labels":[],"label_agreement":null},{"id":"W6982423338","doi":"","title":"Indonesian delegation visits US, Canada to promote B20 agenda","year":2022,"lang":"de","type":"other","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Delegation; Indonesian; Government (linguistics); Indonesian government","score_opus":0.014276034836099093,"score_gpt":0.21975645567827518,"score_spread":0.20548042084217608,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982423338","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.007495005,0.0009360095,0.000058740214,0.0024252909,0.0015854359,0.00065032183,0.00075087487,0.00007987118,0.9860185],"genre_scores_gemma":[0.12997839,0.00004828523,0.000045112472,0.0054549687,0.0018559716,0.00006525068,0.0007167049,0.00018846686,0.86164683],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99732345,0.0001404338,0.0005371454,0.0006581328,0.00076837617,0.0005724431],"domain_scores_gemma":[0.9988836,0.000028014854,0.00019405322,0.00052642776,0.000107527674,0.0002603832],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019398282,0.000498104,0.0006182471,0.0003136053,0.0008999862,0.00043851163,0.0004538619,0.00012915424,0.54541653],"category_scores_gemma":[0.00002409084,0.00046598897,0.00016719181,0.0001814957,0.00004215102,0.000093451985,0.000177237,0.00039330753,0.0012585853],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017562108,0.00013233136,0.0002423049,0.00014669329,0.00068834674,0.00020535786,0.0028223605,0.000037428075,0.000015990347,0.09630923,0.8950097,0.004372689],"study_design_scores_gemma":[0.00017276987,0.00011240892,0.00026886037,0.000058034955,0.00032159715,0.0000031186373,0.0013949757,0.000090143956,0.000021389353,0.000087628236,0.99682254,0.0006465609],"about_ca_topic_score_codex":0.76286715,"about_ca_topic_score_gemma":0.9836674,"teacher_disagreement_score":0.544158,"about_ca_system_score_codex":0.00043412513,"about_ca_system_score_gemma":0.0006626535,"threshold_uncertainty_score":0.99977916},"labels":[],"label_agreement":null},{"id":"W6982695007","doi":"","title":"Is nursing transferable and portable : the experiences of travel nurses","year":2014,"lang":"en","type":"article","venue":"Arca (British Columbia Electronic Library Network)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Transferability; Software portability; Qualitative research; Work (physics); Health care; Nurse education; Nursing research; Qualitative analysis; Transferable skills analysis; Career Pathways","score_opus":0.007516971323816833,"score_gpt":0.1898971821214441,"score_spread":0.18238021079762726,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982695007","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32811296,0.0094589,0.000013537428,0.0010646331,0.00045164264,0.00028948844,0.000017451743,0.000092175665,0.6604992],"genre_scores_gemma":[0.9741118,0.00078769174,0.000019993147,0.001077693,0.0006683718,0.00005122413,0.000017900891,0.000029497913,0.023235826],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99828136,0.0001264324,0.00036082522,0.00032370846,0.00020998405,0.0006976853],"domain_scores_gemma":[0.999444,0.00012876553,0.000078699624,0.00023672722,0.000029269768,0.00008253454],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019529229,0.00012991426,0.00034674213,0.000020769217,0.0008203374,0.001073522,0.00030186214,0.00005284228,0.09343918],"category_scores_gemma":[0.0000052868236,0.00015702595,0.00013825062,0.0001307578,0.0006506186,0.0007987095,0.000021921274,0.00022548926,0.0000029724895],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014734552,0.00016624304,0.000620555,0.00002962057,0.00012747021,0.0000036087406,0.035096213,0.0000107802625,0.0000023657174,0.8226233,0.1143236,0.026981508],"study_design_scores_gemma":[0.00060586125,0.0005833259,0.0003975212,0.00041571097,0.00023886657,0.000055298027,0.026394257,0.002494463,0.00015977261,0.7195623,0.24858327,0.0005093477],"about_ca_topic_score_codex":0.0018013095,"about_ca_topic_score_gemma":0.012332957,"teacher_disagreement_score":0.64599884,"about_ca_system_score_codex":0.00001036285,"about_ca_system_score_gemma":0.00008769675,"threshold_uncertainty_score":0.99996346},"labels":[],"label_agreement":null},{"id":"W6982992045","doi":"","title":"Las Cabañucas de Selviejo","year":2021,"lang":"es","type":"dissertation","venue":"UCrea (University of Cantabria)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nova scotia; Context (archaeology); Placemaking","score_opus":0.014827098819519692,"score_gpt":0.2167483303186602,"score_spread":0.2019212314991405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982992045","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77158755,0.00184128,0.00008867573,0.00031734572,0.00057931955,0.00012923134,0.00059487764,0.00004059931,0.22482114],"genre_scores_gemma":[0.83827084,0.0017412041,0.000091449176,0.00006289954,0.00033693298,3.2114446e-7,0.0014040513,0.00003084347,0.15806144],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983044,0.00016554254,0.0002553004,0.00043947413,0.00041674662,0.00041852155],"domain_scores_gemma":[0.9985021,0.00010866306,0.00034930048,0.00037291902,0.00047534253,0.00019169098],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021496856,0.0003270556,0.00081027806,0.00028771878,0.0007916513,0.000178977,0.0004198981,0.00030109938,0.012772294],"category_scores_gemma":[0.00003674661,0.0004413517,0.00062379695,0.00012104742,0.00026775978,0.00027832427,0.00007312927,0.00035342187,0.000104318424],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005688007,0.0010123096,0.0018595225,0.002768297,0.0038901656,0.0017820806,0.21802679,0.00005782244,0.0034080502,0.71491736,0.038755484,0.012953306],"study_design_scores_gemma":[0.0012394865,0.00018457779,0.011899488,0.0013152753,0.0041217776,0.00002922875,0.46836042,0.00043001756,0.0007630481,0.0010298177,0.5094885,0.0011383182],"about_ca_topic_score_codex":0.026524635,"about_ca_topic_score_gemma":0.03733552,"teacher_disagreement_score":0.7138876,"about_ca_system_score_codex":0.00013095557,"about_ca_system_score_gemma":0.0005144583,"threshold_uncertainty_score":0.99980384},"labels":[],"label_agreement":null},{"id":"W6982998937","doi":"","title":"Laura Taler : Three Songs","year":2023,"lang":"en","type":"book","venue":"E-Artexte (Artexte)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Drug Applied Research Center, Tabriz University of Medical Sciences; Ontario Arts Council; Canada Council for the Arts","keywords":"Subject (documents); Natural (archaeology); Perspective (graphical); Set (abstract data type); Face (sociological concept)","score_opus":0.03603735418981706,"score_gpt":0.23039576702140502,"score_spread":0.19435841283158795,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982998937","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0005209726,0.0023869409,0.000061028702,0.0011542792,0.003141603,0.00047352034,0.0005750714,0.0007361485,0.99095047],"genre_scores_gemma":[0.008053124,0.00027134418,0.000016352786,0.0009809458,0.0061319834,0.00009456589,0.00074379356,0.00032025622,0.98338765],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954104,0.000089604364,0.001115416,0.0011872128,0.001036607,0.0011607583],"domain_scores_gemma":[0.9972287,0.0002620409,0.00045215234,0.0013330242,0.00036183387,0.00036224857],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00057371444,0.0010422813,0.0013850586,0.00050193403,0.0010726488,0.00072918297,0.00094987586,0.0005492292,0.057352606],"category_scores_gemma":[0.00006168386,0.00096207426,0.0011573115,0.00012552692,0.00081467687,0.0005228098,0.00028205104,0.0012252735,0.052919913],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014040114,0.000081052676,0.0000031376835,0.00013526258,0.00043090835,0.00017213133,0.0036454757,0.0000023911607,0.0000067614596,0.3254148,0.6625041,0.007589955],"study_design_scores_gemma":[0.00040422785,0.00011924824,0.00008385293,0.00040547273,0.0005706332,0.000011725269,0.00094044016,0.00010359015,0.0000048892284,0.09929386,0.89696455,0.0010974942],"about_ca_topic_score_codex":0.00013948811,"about_ca_topic_score_gemma":0.006083794,"teacher_disagreement_score":0.2344605,"about_ca_system_score_codex":0.00018847598,"about_ca_system_score_gemma":0.0003218321,"threshold_uncertainty_score":0.99928296},"labels":[],"label_agreement":null},{"id":"W6983116518","doi":"","title":"2021 04 09 Le président des Alouettes de Montréal Mario Checcini","year":2021,"lang":"fr","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Field (mathematics); White (mutation)","score_opus":0.006920577651943367,"score_gpt":0.1742438148371245,"score_spread":0.16732323718518113,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983116518","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010996355,0.0120778745,0.0000015208221,0.0016229564,0.0004305598,0.00026157283,0.00018040207,0.00004154148,0.9842839],"genre_scores_gemma":[0.0050575584,0.0032429532,0.0005763073,0.00058823696,0.0009910216,0.000024621186,0.00030405377,0.00008848357,0.98912674],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99718744,0.00021646106,0.0011312893,0.00032687208,0.00049483235,0.0006431022],"domain_scores_gemma":[0.99803096,0.00020769368,0.0005806787,0.0004720253,0.00047067666,0.00023796635],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00039363976,0.00055984186,0.0008075999,0.00009434723,0.00057536777,0.0004468601,0.00039696146,0.00044248634,0.8962506],"category_scores_gemma":[0.00021006081,0.0005767092,0.00057762105,0.000009132496,0.000618783,8.4254435e-7,0.00016846157,0.00046998664,0.011378871],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052518728,0.00023553043,0.00001580312,0.0010479286,0.00043174883,0.00015450995,0.0040256903,0.0007780624,0.0000015932995,0.007571042,0.9789838,0.0067017707],"study_design_scores_gemma":[0.0005558883,0.0001416461,0.00009313172,0.00084262626,0.00034998692,0.00010878388,0.004617046,0.000106682346,0.000037743386,0.00033112933,0.99221647,0.0005988563],"about_ca_topic_score_codex":0.11513167,"about_ca_topic_score_gemma":0.08208727,"teacher_disagreement_score":0.8848717,"about_ca_system_score_codex":0.00019442754,"about_ca_system_score_gemma":0.00015694152,"threshold_uncertainty_score":0.9996684},"labels":[],"label_agreement":null},{"id":"W6983419642","doi":"","title":"Measurement of inclusive jet cross sections in Z/gamma*(-> e(+)e(-))+jets production in p(p)over-bar collisions at root s=1.96 TeV","year":2008,"lang":"en","type":"article","venue":"Purdue e-Pubs (Purdue University System)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Science and Technology Facilities Council; Natural Sciences and Engineering Research Council of Canada; Istituto Nazionale di Fisica Nucleare; Centre National de la Recherche Scientifique; National Science Council; Alfred P. Sloan Foundation; U.S. Department of Energy; Schweizerischer Nationalfonds zur Förderung der Wissenschaftlichen Forschung; Ministry of Education, Culture, Sports, Science and Technology; National Science Foundation","keywords":"Rapidity; Collider Detector at Fermilab; Jet (fluid); Fermilab; Perturbative QCD; Multiplicity (mathematics); Collider; Quantum chromodynamics","score_opus":0.028433057066556803,"score_gpt":0.2220615700453971,"score_spread":0.1936285129788403,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6983419642","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96985376,0.00030559895,0.000029985786,0.00042200513,0.0008219781,0.0006349785,0.00015987399,0.00008276984,0.027689045],"genre_scores_gemma":[0.9932957,0.000048437323,0.000016950647,0.000013093328,0.0002805645,0.0000105727495,0.00003818123,0.000023643388,0.006272811],"study_design_codex":"observational","study_design_gemma":"not_applicable","domain_scores_codex":[0.99704576,0.0003702905,0.0006517664,0.00061587285,0.0008030339,0.0005132888],"domain_scores_gemma":[0.99825495,0.000077128985,0.0003084286,0.00052461494,0.0006705582,0.00016430099],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00094023446,0.0003182489,0.0006715405,0.0008654059,0.0011445221,0.00006291836,0.00038986266,0.00015849408,0.00026390093],"category_scores_gemma":[0.00018475248,0.00033552622,0.00026861075,0.00053761556,0.00042632845,0.0007632839,0.00025645152,0.0003305422,0.00008542163],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014734231,0.0038889132,0.6856854,0.002329772,0.00094260694,0.0017588101,0.13187799,0.014346894,0.0040554544,0.13943167,0.014013813,0.00019521733],"study_design_scores_gemma":[0.012091888,0.00091900944,0.39955968,0.0049096323,0.0009175904,0.00044879867,0.13685031,0.002509711,0.02554014,0.00043055476,0.41250974,0.0033129298],"about_ca_topic_score_codex":0.0059037516,"about_ca_topic_score_gemma":0.040697943,"teacher_disagreement_score":0.3984959,"about_ca_system_score_codex":0.0022027725,"about_ca_system_score_gemma":0.00024582815,"threshold_uncertainty_score":0.9999097},"labels":[],"label_agreement":null},{"id":"W6986483194","doi":"","title":"Poetic attention : the impressionist sensibility and the poetry of John Ashbery","year":2003,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Sensibility; Poetry; Romance; Consciousness; Focus (optics); Conjunction (astronomy)","score_opus":0.015540565316838893,"score_gpt":0.23025769273429378,"score_spread":0.21471712741745488,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6986483194","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70960414,0.0014548419,6.3258476e-8,0.00009541525,0.001030604,0.0004707789,0.00049673417,0.000046202385,0.2868012],"genre_scores_gemma":[0.9459416,0.00036406057,0.000011041126,0.00030392894,0.0000970329,0.000055833523,0.00028055385,0.00007049964,0.0528754],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9959564,0.0010773371,0.001051732,0.0007130518,0.0007398529,0.00046162913],"domain_scores_gemma":[0.9970107,0.0005858119,0.0007244418,0.0009879092,0.0005579257,0.00013320503],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0020698532,0.0005640456,0.0008443481,0.00016650964,0.0031870906,0.000313417,0.00049642037,0.00035832546,0.001130241],"category_scores_gemma":[0.0006739905,0.00033377422,0.00065511983,0.00016576744,0.00083167234,0.00039181445,0.00010284855,0.0012817392,0.000056181067],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027997192,0.00019135827,0.000022401555,0.0004156157,0.00045287056,0.000012562062,0.00023818992,0.0000028455531,0.0026985914,0.9799505,0.00005996444,0.01567516],"study_design_scores_gemma":[0.007169248,0.00043971144,0.0099995425,0.0023351817,0.008076847,0.00013855373,0.05768833,0.00022921024,0.017785307,0.45203358,0.4403869,0.0037176213],"about_ca_topic_score_codex":0.0007079165,"about_ca_topic_score_gemma":0.0029835152,"teacher_disagreement_score":0.5279169,"about_ca_system_score_codex":0.000085732914,"about_ca_system_score_gemma":0.00003617108,"threshold_uncertainty_score":0.9999114},"labels":[],"label_agreement":null},{"id":"W6988026031","doi":"","title":"\"Who are you?\" Poetic Metalepsis in the Work of Anne Carson","year":2022,"lang":"en","type":"article","venue":"Digital Access to Libraries (Université catholique de Louvain (UCL), l'Université de Namur (UNamur) and the Université Saint-Louis (USL-B))","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Poetics; Creativity; Embodied cognition; Statement (logic); Quality (philosophy); Point (geometry)","score_opus":0.014922996541365119,"score_gpt":0.20338847223611012,"score_spread":0.188465475694745,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6988026031","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7976439,0.0018338906,0.00023393572,0.011988464,0.00018056449,0.00083314313,0.0008193835,0.0001504327,0.18631628],"genre_scores_gemma":[0.9652901,0.00023813831,0.000041922733,0.001815883,0.00011138417,0.000013053539,0.00014797441,0.000062879924,0.032278616],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99608064,0.00076516083,0.00047367922,0.0008431577,0.0008013388,0.0010359997],"domain_scores_gemma":[0.99728054,0.00071131677,0.0005060302,0.0009012238,0.00022935978,0.00037154378],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008484171,0.00064989715,0.0010590588,0.0012087991,0.0030231262,0.0011418085,0.0030551874,0.00018738615,0.0015432306],"category_scores_gemma":[0.000103956365,0.00058017083,0.00064723374,0.0018114173,0.0014654641,0.0011445213,0.0027073468,0.0008510436,0.000021621237],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0027009074,0.0003468221,0.0056987563,0.00011313854,0.0005325877,0.0012859664,0.37978324,0.0009788817,0.00002218322,0.6001011,0.0059405346,0.0024958737],"study_design_scores_gemma":[0.0038471874,0.00037766102,0.011046712,0.00017969077,0.000880788,0.00017385121,0.14209825,0.00071707065,0.00010192811,0.0064764326,0.83295786,0.0011425843],"about_ca_topic_score_codex":0.0019521179,"about_ca_topic_score_gemma":0.000492683,"teacher_disagreement_score":0.8270173,"about_ca_system_score_codex":0.0009686177,"about_ca_system_score_gemma":0.0002130498,"threshold_uncertainty_score":0.9998951},"labels":[],"label_agreement":null},{"id":"W6988130545","doi":"","title":"Writing the body, writing the land : Barbour, Brandt, Webb, and Halfe","year":2010,"lang":"en","type":"other","venue":"OpenGrey (Institut de l'Information Scientifique et Technique)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Focus (optics); Poetry; Work (physics); Creative work; Creative writing; Defamiliarization","score_opus":0.018366307346803525,"score_gpt":0.25789957961331195,"score_spread":0.23953327226650842,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6988130545","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0003179806,0.00029026737,0.0069343494,0.004411021,0.00063093164,0.0030109773,0.00021151995,0.0003655143,0.9838274],"genre_scores_gemma":[0.3276122,0.0010938336,0.0020165453,0.009937896,0.0027965393,0.0025879457,0.0006672044,0.0003860879,0.65290177],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99781317,0.00020002847,0.0006729473,0.00031643192,0.00052683835,0.0004705911],"domain_scores_gemma":[0.9982983,0.00017460171,0.0004752999,0.0007172785,0.00021603706,0.00011848615],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0039058807,0.0003900701,0.00038553568,0.00037036013,0.0016476118,0.003713982,0.0008359094,0.00029529937,0.0037160637],"category_scores_gemma":[0.00024061232,0.0002343135,0.00017927519,0.00015332057,0.0009428823,0.0013188564,0.00027736567,0.0010741898,0.00012941577],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010220261,0.000041709543,0.000121030105,0.0004966201,0.000109968016,0.000010889629,0.0077684233,0.0000057806405,0.00022258259,0.50893694,0.45316076,0.029115105],"study_design_scores_gemma":[0.00020546056,0.000010176189,0.00003492788,0.0006790604,0.00008199831,0.000032325195,0.0010192858,0.00037646983,0.00047909532,0.0009490993,0.99578154,0.00035053873],"about_ca_topic_score_codex":0.00097444735,"about_ca_topic_score_gemma":0.0066788867,"teacher_disagreement_score":0.54262084,"about_ca_system_score_codex":0.00004029719,"about_ca_system_score_gemma":0.00015522003,"threshold_uncertainty_score":0.9996521},"labels":[],"label_agreement":null},{"id":"W6989063429","doi":"","title":"After Canaan : essays on race, writing, and region","year":2010,"lang":"en","type":"book","venue":"Arca (British Columbia Electronic Library Network)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Diafiltration; Liquation; Dysgeusia; Hemopericardium; Fusible alloy; Proteogenomics","score_opus":0.005119328336907921,"score_gpt":0.1618277032304942,"score_spread":0.15670837489358627,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989063429","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00077991304,0.012404623,3.6291837e-7,0.0005860331,0.000655075,0.0004955687,0.00015410705,0.00031754392,0.98460674],"genre_scores_gemma":[0.37032712,0.0032941583,0.000009276066,0.002241958,0.005636702,0.0001175963,0.00050310127,0.0001737543,0.61769634],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99600214,0.00015790194,0.0007104031,0.0010976368,0.00044728094,0.0015846327],"domain_scores_gemma":[0.9983904,0.00021116745,0.00031129515,0.0006902118,0.000070510985,0.0003264144],"candidate_categories":["metaepi_narrow","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00021870737,0.00050831615,0.0009577165,0.00010422065,0.0010030837,0.0040876283,0.000530944,0.0005723888,0.20505935],"category_scores_gemma":[0.000013004509,0.0008363814,0.00039226844,0.00008758336,0.00064444315,0.0008842989,0.0002475239,0.0024735008,0.000075943746],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023730103,0.000052984073,0.000117770745,0.000059382142,0.00015457196,0.00032135955,0.00011737635,9.890805e-7,1.3465643e-8,0.44785315,0.54101616,0.010282476],"study_design_scores_gemma":[0.00026637758,0.00024007076,0.000028085504,0.0005954073,0.00017368949,0.000088085195,0.000022102024,0.000033947417,1.3654885e-7,0.41320127,0.58476603,0.00058477215],"about_ca_topic_score_codex":0.003103641,"about_ca_topic_score_gemma":0.3869264,"teacher_disagreement_score":0.3838228,"about_ca_system_score_codex":0.00012053199,"about_ca_system_score_gemma":0.00074300607,"threshold_uncertainty_score":0.99982786},"labels":[],"label_agreement":null},{"id":"W6989159026","doi":"","title":"An AEsthetics of Oblivion and Silence: Voices from Italian-Canadian Poetry","year":2005,"lang":"en","type":"article","venue":"CINECA IRIS Institutional Research information system (University of Urbino)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Silence; Poetry; Taste; Subject (documents); Aesthetic experience; Modernity","score_opus":0.04742537798396915,"score_gpt":0.26414832651981995,"score_spread":0.2167229485358508,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989159026","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89861006,0.00016384655,0.0006221976,0.0007065482,0.000090782785,0.00017071064,0.00093267905,0.000024960946,0.09867822],"genre_scores_gemma":[0.9990316,0.000039035094,0.0002205384,0.000031049338,0.000092048824,5.0813446e-7,0.0001920277,0.0000023553523,0.00039082873],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987039,0.000088262204,0.0002678519,0.00011267103,0.0006264884,0.00020081899],"domain_scores_gemma":[0.99850506,0.000059337282,0.00013066056,0.00019803434,0.00089369644,0.00021320858],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006475098,0.00008457282,0.00018599269,0.0006964171,0.0007795258,0.000097503325,0.00028921533,0.00007639008,0.00064748514],"category_scores_gemma":[0.000048852777,0.000089748566,0.0000598552,0.00015879674,0.00077647006,0.0026182192,0.000046831123,0.00015059848,0.00020556258],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007538008,0.000078354125,0.0015915119,0.0002882527,0.00008300697,0.000007806084,0.041313797,0.00049649406,0.00010414685,0.9377282,0.0068011614,0.011431877],"study_design_scores_gemma":[0.0011314537,0.00026816555,0.017767716,0.00054955645,0.00007109769,0.000013111995,0.26251587,0.02479804,0.00014131861,0.00047447355,0.69195265,0.0003165603],"about_ca_topic_score_codex":0.038781434,"about_ca_topic_score_gemma":0.011942576,"teacher_disagreement_score":0.9372537,"about_ca_system_score_codex":0.00017209986,"about_ca_system_score_gemma":0.0003213618,"threshold_uncertainty_score":0.9676194},"labels":[],"label_agreement":null},{"id":"W6989337124","doi":"","title":"Audibility in the Archive: Langston Hughes and Sylvia Plath’s Poetry for Radio","year":2020,"lang":"en","type":"article","venue":"Research Repository UCD (University College Dublin)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Archivist; Sound (geography); Welsh; White (mutation); Boss; Colossus computer; Quarter (Canadian coin)","score_opus":0.10634632963943368,"score_gpt":0.28521985890636803,"score_spread":0.17887352926693434,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989337124","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9742318,0.00024893318,0.00006002872,0.0074665323,0.000070012364,0.0004905969,0.00039329255,0.00003637985,0.017002469],"genre_scores_gemma":[0.98885334,0.000023276987,0.00005527121,0.00014794324,0.00038905194,0.0000055994865,0.000027927927,0.000009972314,0.010487597],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980093,0.00055072404,0.00016419009,0.00041821852,0.0004573242,0.00040019347],"domain_scores_gemma":[0.9986277,0.000676174,0.000046644454,0.00027956476,0.00019848492,0.0001714102],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0009836428,0.00012978514,0.00024412898,0.00023615253,0.0014179086,0.00018503093,0.0004958484,0.000066999164,0.00009938102],"category_scores_gemma":[0.00016902077,0.00011159549,0.00013495775,0.00023300128,0.0006079885,0.0004248977,0.00014600018,0.00046435563,0.000013695528],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032233025,0.00013190311,0.00013273908,0.00013840753,0.000059204773,0.0002787209,0.019687328,0.0000023301222,0.0006332866,0.95182085,0.026634643,0.00015825372],"study_design_scores_gemma":[0.0022492995,0.0007386618,0.0067546307,0.000084660205,0.00011268684,0.00002414185,0.16519506,0.051837403,0.00021123061,0.0032863177,0.76905245,0.000453439],"about_ca_topic_score_codex":0.00060019566,"about_ca_topic_score_gemma":0.0016118356,"teacher_disagreement_score":0.94853455,"about_ca_system_score_codex":0.00008728473,"about_ca_system_score_gemma":0.0001299931,"threshold_uncertainty_score":0.9998821},"labels":[],"label_agreement":null},{"id":"W6989424931","doi":"","title":"avant-garde echo chamber","year":2020,"lang":"en","type":"dissertation","venue":"OCAD University Open Research Repository (OCAD University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Government of Ontario","keywords":"Poetry; Echo (communications protocol); Ontology; Criticism","score_opus":0.08358024218005128,"score_gpt":0.2972041481369294,"score_spread":0.21362390595687814,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989424931","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.017442161,0.00011148498,0.000007722914,0.00045469042,0.00097587245,0.00069909455,0.00012009217,0.00012982891,0.980059],"genre_scores_gemma":[0.18268624,0.00028998737,0.000026528305,0.000048450114,0.00046260995,7.0223126e-7,0.00055039057,0.00005295035,0.81588215],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99532276,0.0010197331,0.00032609497,0.001219046,0.001211168,0.00090121146],"domain_scores_gemma":[0.9968858,0.00017044801,0.00028303158,0.0008224905,0.001209468,0.0006288049],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005628062,0.0005221027,0.0008295297,0.0010279652,0.0041194186,0.0011112816,0.0024758854,0.00049187616,0.000278743],"category_scores_gemma":[0.000057171015,0.0006215919,0.0005131468,0.00028033336,0.0007261944,0.0014056672,0.0005248537,0.0019511663,0.00089535577],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00078540243,0.00019571195,0.00003688978,0.00015820781,0.00053703086,0.0035299114,0.020222178,0.000003862786,0.00031352584,0.96074384,0.01315434,0.00031908118],"study_design_scores_gemma":[0.00086686213,0.00022825999,0.00014415152,0.00023322164,0.0003829018,0.000007786602,0.062047794,0.00009321295,0.00047100018,0.00016657516,0.9346867,0.00067150197],"about_ca_topic_score_codex":0.004656475,"about_ca_topic_score_gemma":0.014855361,"teacher_disagreement_score":0.9605773,"about_ca_system_score_codex":0.00075853505,"about_ca_system_score_gemma":0.0009868128,"threshold_uncertainty_score":0.9999257},"labels":[],"label_agreement":null},{"id":"W6989635416","doi":"","title":"Birding in the 'Old Days' (pre-1980)","year":2024,"lang":"en","type":"article","venue":"Digital Commons - University of South Florida (University of South Florida)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Natural (archaeology); Context (archaeology); Component (thermodynamics)","score_opus":0.024738719199102168,"score_gpt":0.19184398951706202,"score_spread":0.16710527031795985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989635416","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9112818,0.0002122182,0.00077601755,0.0006701657,0.00045724263,0.00020740376,0.0011756942,0.00014712817,0.085072294],"genre_scores_gemma":[0.99441683,0.000017576062,0.00003595648,0.00003274526,0.00017992708,8.939707e-8,0.00007272677,0.000020913702,0.0052232486],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99820274,0.000084455314,0.00025411512,0.0004635378,0.00056602375,0.0004291159],"domain_scores_gemma":[0.9987757,0.00022457461,0.00015938027,0.00054846384,0.0001594672,0.00013238385],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00035200102,0.00029385692,0.00054009433,0.0006433252,0.0007189137,0.00025321436,0.0011635994,0.00012562238,0.00062347256],"category_scores_gemma":[0.000027755219,0.00031201166,0.0005663016,0.0005377031,0.0010601408,0.0013673544,0.000349331,0.0004897667,0.00016639104],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033223143,0.00020248757,0.0108631905,0.0003755573,0.00058015576,0.0005827401,0.61313415,0.00019449825,0.00003211983,0.3689771,0.0028120019,0.0019138111],"study_design_scores_gemma":[0.0013800291,0.00026578057,0.008263935,0.0005259962,0.0006284912,0.00000876475,0.8668,0.0023164959,0.000019747431,0.002211074,0.11677874,0.0008009097],"about_ca_topic_score_codex":0.0010927927,"about_ca_topic_score_gemma":0.0011374122,"teacher_disagreement_score":0.366766,"about_ca_system_score_codex":0.00008238388,"about_ca_system_score_gemma":0.00008653635,"threshold_uncertainty_score":0.9999332},"labels":[],"label_agreement":null},{"id":"W6989691323","doi":"","title":"Canadian Singer/Songwriter Bruce Cockburn in Concert March 17","year":2002,"lang":"en","type":"article","venue":"DigitalCommons@CalPoly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Period (music); Natural (archaeology); Work (physics)","score_opus":0.046189826925914744,"score_gpt":0.22794874864740064,"score_spread":0.1817589217214859,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6989691323","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15179715,0.001139628,0.000003734779,0.0054857396,0.00024081291,0.00013782503,0.00023085563,0.000070346476,0.8408939],"genre_scores_gemma":[0.9676858,0.000021666894,0.000008666735,0.0023411335,0.0003534415,0.000020971765,0.000059926966,0.0000337607,0.0294746],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981024,0.00007205474,0.00044757366,0.00035534982,0.00027047162,0.0007521182],"domain_scores_gemma":[0.9989394,0.00015073475,0.00005640456,0.00041253297,0.00008147549,0.000359482],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001726655,0.00026405678,0.0003803332,0.00037917795,0.0003700387,0.0007949517,0.00037755107,0.000093494535,0.008449635],"category_scores_gemma":[0.000057329045,0.0002522867,0.00019231024,0.00015779944,0.0002952471,0.0005834341,0.000058686557,0.00036899652,0.0007894487],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030657102,0.00070418604,0.01950722,0.00006285777,0.00023320444,0.00079790625,0.015968032,0.000021280563,0.000050478026,0.5032856,0.39312527,0.06621331],"study_design_scores_gemma":[0.00041496175,0.00006018005,0.0015597191,0.00007381539,0.000028966933,0.000014009568,0.002074379,0.000960431,0.000031021424,0.0011555584,0.9931577,0.00046927558],"about_ca_topic_score_codex":0.059849806,"about_ca_topic_score_gemma":0.4246908,"teacher_disagreement_score":0.8158887,"about_ca_system_score_codex":0.00018913996,"about_ca_system_score_gemma":0.00005146316,"threshold_uncertainty_score":0.99999297},"labels":[],"label_agreement":null},{"id":"W6991056010","doi":"","title":"Expanding Jack Kerouacâs âAmericaâ: Canadian Revisions of On the Road","year":2012,"lang":"en","type":"article","venue":"Latin American Theatre Review (The University of Kansas)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Work (physics); Legislation; Agency (philosophy)","score_opus":0.026971177307085422,"score_gpt":0.23513135893022644,"score_spread":0.208160181623141,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6991056010","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07586877,0.032897536,0.00009558794,0.030819919,0.00023316374,0.0009383405,0.00023036439,0.000053052307,0.8588633],"genre_scores_gemma":[0.9854243,0.011298705,0.000041122094,0.0016651474,0.000105510364,7.0188173e-7,0.000008068869,0.000010030374,0.001446422],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988395,0.00029367575,0.00023352852,0.00013241889,0.00021018913,0.00029069584],"domain_scores_gemma":[0.99872744,0.00026421307,0.0002988149,0.00049248704,0.000076900935,0.00014015842],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000447718,0.0001461351,0.0004816387,0.00007663179,0.000563966,0.000012201753,0.00045052372,0.000015874428,0.006585493],"category_scores_gemma":[0.000044571683,0.000088360706,0.00031624315,0.0002426405,0.0009885823,0.000098032535,0.000044667955,0.00016138096,0.00013715679],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037613336,0.00033704878,0.003095022,0.0008384195,0.00076294475,0.000008073551,0.06182948,0.000025616186,0.00007899636,0.2113184,0.0838846,0.63778377],"study_design_scores_gemma":[0.00006964795,0.00008189692,0.0011445526,0.0012675324,0.00044571812,0.0000011808048,0.026630947,0.000030133326,0.000013291889,0.000053985365,0.97009605,0.0001650683],"about_ca_topic_score_codex":0.054333564,"about_ca_topic_score_gemma":0.008069695,"teacher_disagreement_score":0.9095555,"about_ca_system_score_codex":0.000051169096,"about_ca_system_score_gemma":0.00004664032,"threshold_uncertainty_score":0.9943226},"labels":[],"label_agreement":null},{"id":"W6991246655","doi":"","title":"Forging the Future, Preserving the Past: Developing Web Archives and Research Collections","year":2013,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Presentation (obstetrics); Forging; The Internet; Web site; Web application","score_opus":0.016483745111514868,"score_gpt":0.21685836299621913,"score_spread":0.20037461788470426,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6991246655","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000033759752,0.0014391321,6.2019194e-7,0.0024638253,0.00023116979,0.00040238124,0.000047113313,0.000056928227,0.9953251],"genre_scores_gemma":[0.0012226928,0.0009473327,0.00009753467,0.00024694577,0.0011358003,0.000057345664,0.000024106908,0.000055629265,0.9962126],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985826,0.00021341443,0.00038059856,0.00014337114,0.00037375337,0.00030623275],"domain_scores_gemma":[0.9988142,0.00045654015,0.00021161317,0.0003185621,0.00014936567,0.000049703118],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00044074442,0.00019885127,0.00023338755,0.0001316387,0.0012011323,0.0005311423,0.00041823724,0.00010142961,0.21889538],"category_scores_gemma":[0.00006540269,0.000118188735,0.00010418711,0.0000126547375,0.0005749815,5.4974583e-7,0.00019605478,0.00043350615,0.0009861899],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007134448,0.000008505042,6.8834925e-7,0.00019610497,0.00008559398,0.0000011644808,0.0031454498,0.00000949111,5.68035e-8,0.016409213,0.9792723,0.0008642698],"study_design_scores_gemma":[0.00011481726,0.000028108208,0.0000041013377,0.00019084543,0.00004785547,0.000014655557,0.009493241,0.00011241016,6.298475e-7,0.0003679645,0.989471,0.00015436478],"about_ca_topic_score_codex":0.0035148868,"about_ca_topic_score_gemma":0.008143052,"teacher_disagreement_score":0.21790919,"about_ca_system_score_codex":0.000015939102,"about_ca_system_score_gemma":0.00003618992,"threshold_uncertainty_score":0.9997917},"labels":[],"label_agreement":null},{"id":"W69945251","doi":"","title":"Quarter Turn vs. Rising Stem: Who is in Control?","year":2001,"lang":"en","type":"article","venue":"Chemical engineering progress","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Control (management); Turn (biochemistry); Engineering; Operations management; Economics; History; Chemistry; Management; Archaeology","score_opus":0.01180843777483289,"score_gpt":0.2111418912528915,"score_spread":0.19933345347805861,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W69945251","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99041635,0.0017535421,0.00043576647,0.0018898747,0.0002813113,0.00015193054,0.000015849333,0.00020236651,0.004852988],"genre_scores_gemma":[0.9986357,0.000007974236,0.00003693918,0.00019596476,0.00040131866,0.00002301561,0.0000042284564,0.000019684934,0.00067517697],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990648,0.000008233413,0.00024722348,0.00020121655,0.00014653882,0.0003319934],"domain_scores_gemma":[0.9996569,0.00003760561,0.000029308916,0.00015704484,0.000039367034,0.000079779296],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009430605,0.00015537551,0.0002705528,0.00007698584,0.000041400814,0.00014979884,0.00014186307,0.00006213454,0.00038271546],"category_scores_gemma":[0.000010127923,0.0001379711,0.0000988928,0.00006241568,0.00007752881,0.0001465193,0.000019127048,0.0002042459,0.00003152796],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0012530824,0.0042764232,0.056888685,0.0037006116,0.0026395603,0.0024119546,0.19729115,0.0043708393,0.03893271,0.50381136,0.06336102,0.121062614],"study_design_scores_gemma":[0.005793884,0.00022012924,0.0019977759,0.0014644254,0.00034922693,0.00007110734,0.001959051,0.19257016,0.028582094,0.0011083597,0.76331717,0.0025666447],"about_ca_topic_score_codex":0.000013464804,"about_ca_topic_score_gemma":0.0000031428115,"teacher_disagreement_score":0.6999561,"about_ca_system_score_codex":0.000032118383,"about_ca_system_score_gemma":0.0000052879327,"threshold_uncertainty_score":0.5626298},"labels":[],"label_agreement":null},{"id":"W6995139018","doi":"","title":"Three Poems","year":2014,"lang":"en","type":"article","venue":"USF Scholarship Repository (University of San Francisco)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Gloom; Selection (genetic algorithm); Subject (documents)","score_opus":0.0254819539473315,"score_gpt":0.19746410711716283,"score_spread":0.17198215316983134,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6995139018","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8049417,0.00029017942,0.0016128117,0.00014555534,0.00048051376,0.00007750731,0.00000983415,0.00008465369,0.19235726],"genre_scores_gemma":[0.99391073,0.00000488659,0.00025064358,0.00009719476,0.0003581155,2.0979914e-7,0.0000066178686,0.000013201199,0.005358385],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99885917,0.000088855275,0.00018158782,0.00029200342,0.00033426002,0.00024410612],"domain_scores_gemma":[0.9990279,0.00006802513,0.00014947365,0.00042894564,0.00019363618,0.00013204066],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036554565,0.00015239802,0.00030040374,0.00011827393,0.0008677081,0.00011781239,0.00045629934,0.00008823869,0.0016222122],"category_scores_gemma":[0.00003083252,0.00017034168,0.00020999476,0.00007606626,0.00045255665,0.000741264,0.00007478702,0.0002846351,0.00017760515],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023321153,0.00067537575,0.056623362,0.0003096369,0.0006559152,0.00019776088,0.030347964,0.000052025316,0.022867179,0.8546416,0.011204788,0.022191193],"study_design_scores_gemma":[0.003011934,0.0008170408,0.22224826,0.0004221268,0.00097561453,0.00004604771,0.023627209,0.0017197178,0.0043441462,0.03413676,0.7068873,0.0017638732],"about_ca_topic_score_codex":0.00056662847,"about_ca_topic_score_gemma":0.0014615195,"teacher_disagreement_score":0.82050484,"about_ca_system_score_codex":0.00003094702,"about_ca_system_score_gemma":0.000024852388,"threshold_uncertainty_score":0.99929047},"labels":[],"label_agreement":null},{"id":"W6995365073","doi":"","title":"9781773854588_OA.pdf","year":2023,"lang":"en","type":"other","venue":"OAPEN (The OAPEN Foundation)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Poetry; Meaning (existential); Hegemony; Cultural hegemony","score_opus":0.030542313017266124,"score_gpt":0.25122940869488875,"score_spread":0.22068709567762262,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6995365073","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000008307373,0.000006018027,0.000038090508,0.0016424927,0.0019383451,0.00034722543,7.8982524e-8,0.0006258694,0.9953936],"genre_scores_gemma":[0.0018740639,0.00018270216,0.000020132407,0.00078294874,0.003559756,0.000118100696,0.0003489107,0.00082228374,0.9922911],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981015,0.00011257938,0.0004093689,0.00047448018,0.00048593708,0.00041618504],"domain_scores_gemma":[0.9985801,0.00017455926,0.00030295452,0.00076327677,0.00009069178,0.0000884223],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00033976045,0.00040098757,0.0004637591,0.00026026164,0.0006515109,0.0008505192,0.0007256186,0.00013143271,0.97977084],"category_scores_gemma":[0.0000699158,0.00029049086,0.0003025277,0.00014192787,0.00041690958,0.00022996985,0.00014404052,0.00033783037,0.9863376],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004222362,0.000044272634,0.000010037089,0.000032258293,0.00034131831,0.000010420741,0.00071999215,0.0000010437526,0.0000015866935,0.16468275,0.047699124,0.78645295],"study_design_scores_gemma":[0.00017450366,0.000023231873,0.000038944923,0.00011382028,0.0002828976,0.0000025387128,0.00071468065,0.000032663047,0.0000024702244,0.0029994398,0.99521726,0.00039757532],"about_ca_topic_score_codex":0.0016187262,"about_ca_topic_score_gemma":0.013285382,"teacher_disagreement_score":0.9475181,"about_ca_system_score_codex":0.00006546324,"about_ca_system_score_gemma":0.00007429022,"threshold_uncertainty_score":0.9999547},"labels":[],"label_agreement":null},{"id":"W6995568588","doi":"","title":"\"An Open Wound\": Two Poems in Conversation with Plath","year":2020,"lang":"en","type":"article","venue":"Indiana Magazine of History (Indiana University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Conversation; Poetry; Narrative; Face (sociological concept); Style (visual arts)","score_opus":0.04827137636620092,"score_gpt":0.21758835735747264,"score_spread":0.16931698099127174,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6995568588","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6835606,0.00015978486,0.000076871016,0.0013576484,0.00018269684,0.00041727992,0.00008892491,0.000068022484,0.31408817],"genre_scores_gemma":[0.9928465,0.000010930806,0.000073538846,0.00052558695,0.00010822688,8.877311e-7,0.000056002562,0.000019866182,0.006358471],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887794,0.000089283705,0.0002209455,0.0003544473,0.00021211029,0.00024524148],"domain_scores_gemma":[0.99921036,0.000027743357,0.00018354435,0.00026045807,0.00010409909,0.00021381001],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000118877884,0.00018040696,0.0003599022,0.00051813555,0.00013262533,0.00006176227,0.0006887512,0.00005296501,0.0033211797],"category_scores_gemma":[0.000011903069,0.0001925709,0.00006495025,0.0002175257,0.00037873344,0.0011818473,0.000070618196,0.00020500289,0.00012227842],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014378984,0.0011429122,0.021464843,0.00032194093,0.0005826631,0.0031218936,0.3326489,0.00075775327,0.002280608,0.6071689,0.026058968,0.003012716],"study_design_scores_gemma":[0.0028166,0.00075106515,0.0035403238,0.00006103965,0.00015913045,0.0000030366025,0.018960226,0.00033385606,0.00008036551,0.00014116,0.97267634,0.00047682942],"about_ca_topic_score_codex":0.0034059458,"about_ca_topic_score_gemma":0.027660776,"teacher_disagreement_score":0.9466174,"about_ca_system_score_codex":0.0004031394,"about_ca_system_score_gemma":0.00027320546,"threshold_uncertainty_score":0.99758995},"labels":[],"label_agreement":null},{"id":"W6995835704","doi":"","title":"On the Poetics of Self-Knowledge: Poetry in Parley Pratt's Autobiography","year":2011,"lang":"en","type":"article","venue":"ScholarsArchive  (Brigham Young University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Poetry; Biography; Narrative; Event (particle physics)","score_opus":0.02968026571874155,"score_gpt":0.19636574443849347,"score_spread":0.16668547871975192,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6995835704","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4217105,0.00007587634,0.000043082153,0.00009485064,0.00019614559,0.00014538586,0.000055060154,0.000056788307,0.5776223],"genre_scores_gemma":[0.99362266,0.00006957413,0.00010760603,0.00008024672,0.000059177044,9.414588e-7,0.000008739014,0.000014870914,0.006036191],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99863505,0.00032393145,0.00023183369,0.00029598785,0.00019289547,0.00032030436],"domain_scores_gemma":[0.9990438,0.00019957112,0.00012184242,0.0004034253,0.00014560865,0.00008573375],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002880804,0.00019988076,0.00025801698,0.0008129253,0.00040053154,0.00007954016,0.00059177604,0.000059188307,0.0009125414],"category_scores_gemma":[0.000044954042,0.00015787917,0.00024863417,0.0004059888,0.00050229015,0.0003615737,0.00012074078,0.00048731835,0.00008009035],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056812387,0.0004916227,0.005304888,0.000019475918,0.00014569015,0.000050957053,0.022733426,0.0000013058991,0.0000936664,0.97049177,0.0004769177,0.00013348064],"study_design_scores_gemma":[0.004457486,0.0018012248,0.22165363,0.0009187589,0.0014046027,0.000021639413,0.086934395,0.0005706724,0.0038719971,0.15541135,0.52051824,0.0024359904],"about_ca_topic_score_codex":0.00033514827,"about_ca_topic_score_gemma":0.0011734429,"teacher_disagreement_score":0.8150804,"about_ca_system_score_codex":0.000042982065,"about_ca_system_score_gemma":0.00007936917,"threshold_uncertainty_score":0.9991689},"labels":[],"label_agreement":null},{"id":"W6996089809","doi":"","title":"Readings on Liu Xiaobo and Xu Zhiyong","year":2009,"lang":"en","type":"article","venue":"Lincoln (University of Nebraska)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Charter; China; The Internet; Treaty","score_opus":0.013380553629094205,"score_gpt":0.173653281628328,"score_spread":0.16027272799923378,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6996089809","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73710877,0.00013727912,0.0000810985,0.0038156214,0.000085434105,0.00007702793,0.000023389439,0.000054564498,0.25861683],"genre_scores_gemma":[0.9746597,0.000053291253,0.00010786175,0.00045615877,0.000130041,4.5736012e-8,0.0000065312847,0.000004003897,0.0245824],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994254,0.00002213833,0.00008058401,0.00018430497,0.00014255964,0.00014499653],"domain_scores_gemma":[0.9996175,0.00004514944,0.000063448424,0.00013429731,0.00006205851,0.00007751833],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008706405,0.00009296801,0.00019568397,0.00013815633,0.00035559788,0.00004325011,0.00014222249,0.000046659865,0.0011145733],"category_scores_gemma":[0.000010820073,0.00010310669,0.00009144347,0.00005407256,0.00018043858,0.00022465145,0.000030135787,0.00010121471,0.00005974845],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000077628465,0.00023473582,0.0002747626,0.000025767602,0.00006764622,0.000055683166,0.018561127,0.0000075398516,0.00035216808,0.94078374,0.0107581625,0.028801015],"study_design_scores_gemma":[0.0021958335,0.0015335561,0.04697952,0.000288067,0.00039563116,0.000009476283,0.05143068,0.0013926583,0.00029447998,0.02853399,0.8661188,0.00082732213],"about_ca_topic_score_codex":0.00022257285,"about_ca_topic_score_gemma":0.00039954393,"teacher_disagreement_score":0.9122498,"about_ca_system_score_codex":0.000016687049,"about_ca_system_score_gemma":0.000012656806,"threshold_uncertainty_score":0.99979854},"labels":[],"label_agreement":null},{"id":"W6999305589","doi":"","title":"A CHAPBOOK OF POETRY","year":2013,"lang":"en","type":"article","venue":"ScholarsArchive  (Brigham Young University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Receipt; Inclusion (mineral); Quarter (Canadian coin); Remainder","score_opus":0.010189564440426565,"score_gpt":0.16209510598555296,"score_spread":0.1519055415451264,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6999305589","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.39636424,0.000059454585,0.00012824999,0.00013189913,0.00016215729,0.0001286682,0.000044793305,0.00005547044,0.60292506],"genre_scores_gemma":[0.9414618,0.000021490912,0.00010794697,0.000082127954,0.00012150048,6.836615e-7,0.000014741582,0.000011664643,0.058178045],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990292,0.000091866306,0.0001701256,0.0002375133,0.00020188755,0.0002694164],"domain_scores_gemma":[0.999256,0.00005353596,0.00009551381,0.00027163498,0.00020357606,0.00011972174],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006652915,0.0001434096,0.00022935677,0.0004088509,0.0003498523,0.00013343789,0.00036791284,0.000037316924,0.0055451803],"category_scores_gemma":[0.000023893153,0.00013836464,0.00019265854,0.00011776961,0.00043589302,0.00090015266,0.00010816324,0.00024061366,0.0004592316],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022838954,0.00012631725,0.0014560148,0.000026908947,0.00015418064,0.00003536909,0.0056676627,0.000002697177,0.0038720563,0.9856957,0.0017576439,0.0011826182],"study_design_scores_gemma":[0.0018374723,0.0003751451,0.047233544,0.00019933941,0.00043887348,0.00002088259,0.026996039,0.00040978673,0.0026904228,0.04482212,0.8738969,0.0010794973],"about_ca_topic_score_codex":0.00087621144,"about_ca_topic_score_gemma":0.0002152989,"teacher_disagreement_score":0.94087356,"about_ca_system_score_codex":0.000032350796,"about_ca_system_score_gemma":0.000045266977,"threshold_uncertainty_score":0.9953639},"labels":[],"label_agreement":null},{"id":"W7000890876","doi":"","title":"I Live I Live I Live, and: About a Quarter Pound of Bologna, and: In Never Land","year":2020,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); Pound (networking); Work (physics); Government (linguistics)","score_opus":0.022647463979629606,"score_gpt":0.20918428891189117,"score_spread":0.18653682493226156,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7000890876","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8283269,0.000037580772,0.000015954489,0.0006349288,0.000048688853,0.00022987433,0.00008209316,0.000045877976,0.17057809],"genre_scores_gemma":[0.9854781,0.013731897,0.00004280466,0.0004889742,0.00011112235,0.0000012470335,0.000011360739,0.00001188358,0.00012259695],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900734,0.000105747895,0.0001856957,0.000335201,0.00012393467,0.0002420698],"domain_scores_gemma":[0.99950063,0.000093795745,0.000092246104,0.00013239161,0.00008822661,0.00009271888],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007895364,0.00018355587,0.00035440014,0.0018011314,0.00013616231,0.00007329894,0.00015758075,0.00007673744,0.00044385705],"category_scores_gemma":[0.000028330996,0.0001764462,0.000090277485,0.00051139144,0.00026098132,0.0005065329,0.0001300851,0.00019500575,0.000028513501],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00090384134,0.00064919965,0.028221153,0.0005258353,0.0006102,0.0007826928,0.89450955,0.000012589543,0.00003675282,0.06698486,0.0013628771,0.0054004523],"study_design_scores_gemma":[0.0014167121,0.000427163,0.002334009,0.00010021231,0.00022508268,0.000005152221,0.042805362,0.0006221465,0.000024720579,0.000018124982,0.9516696,0.00035176464],"about_ca_topic_score_codex":0.04407837,"about_ca_topic_score_gemma":0.039637197,"teacher_disagreement_score":0.95030665,"about_ca_system_score_codex":0.000028547676,"about_ca_system_score_gemma":0.00007156634,"threshold_uncertainty_score":0.9778869},"labels":[],"label_agreement":null},{"id":"W7000900098","doi":"","title":"“‘Here at the Brink’: Don McKay’s edge poetics and the articulation of wilderness in Canadian poetry”","year":2018,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"McGill University","funders":"","keywords":"Wilderness; Poetics; Articulation (sociology); Poetry; Frame (networking)","score_opus":0.015445204984706104,"score_gpt":0.22576591403381516,"score_spread":0.21032070904910904,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7000900098","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8355629,0.0008050577,1.5100527e-8,0.00016986605,0.00065164285,0.00042545155,0.0005138196,0.000022091972,0.16184917],"genre_scores_gemma":[0.9763013,0.00020329266,0.000004968924,0.00032468664,0.000151004,0.00005523596,0.00045530318,0.00007028553,0.022433938],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971402,0.00040380046,0.0008109054,0.0005283076,0.00051527016,0.0006014918],"domain_scores_gemma":[0.99805564,0.00026986827,0.00042127582,0.0006341818,0.00040812243,0.00021092605],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0012160201,0.00045631942,0.0006341433,0.00029771824,0.0018229556,0.00021032488,0.0004773097,0.00033942735,0.0011659983],"category_scores_gemma":[0.00033247625,0.00030666532,0.00027108387,0.00020410094,0.000586781,0.0003409319,0.00008570026,0.0007207328,0.00007921975],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024349296,0.00009264792,0.00041314005,0.00027519008,0.00028767355,0.000021850996,0.0012817518,0.000017037175,0.0005553613,0.98051476,0.00005258541,0.016244533],"study_design_scores_gemma":[0.0043586357,0.00026030565,0.017417956,0.0015789443,0.0021421427,0.00004169199,0.03343221,0.00047975723,0.014026945,0.09879466,0.8251401,0.0023266578],"about_ca_topic_score_codex":0.1723356,"about_ca_topic_score_gemma":0.9413954,"teacher_disagreement_score":0.88172007,"about_ca_system_score_codex":0.00038418092,"about_ca_system_score_gemma":0.00007803112,"threshold_uncertainty_score":0.99993855},"labels":[],"label_agreement":null},{"id":"W7005845863","doi":"","title":"ShortCuts!: TAKE 1 – Canadian Poetry “In The Air” and “On The Page”","year":2023,"lang":"en","type":"article","venue":"Spectrum Research Repository (Concordia University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Object (grammar); Print media; Print culture; Audience response","score_opus":0.056730736398679885,"score_gpt":0.25933540953756323,"score_spread":0.20260467313888336,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7005845863","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5989068,0.000036078556,2.0113762e-7,0.013195599,0.00012886913,0.00015176689,0.000013064127,0.000028659242,0.38753894],"genre_scores_gemma":[0.95720494,0.000084655076,1.2154638e-7,0.00026305212,0.00036390786,0.0000035780877,0.000006237262,0.000011809831,0.04206172],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977609,0.0006321751,0.00012982773,0.0003237362,0.0004672656,0.00068612327],"domain_scores_gemma":[0.99865454,0.0005970684,0.000025785159,0.00046308475,0.00007044583,0.00018904649],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0011740426,0.00013264467,0.00015004941,0.0008609237,0.002077602,0.00032635574,0.00064559194,0.000058290967,0.0003064521],"category_scores_gemma":[0.00006831609,0.0000885508,0.000099424215,0.0007171343,0.00074798206,0.00017254223,0.000101069745,0.0006642568,0.00013958337],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005034429,0.00005344215,0.023587413,0.000024007002,0.00009694654,0.0033825568,0.0101823965,0.00001152339,0.00012614488,0.9282652,0.033917397,0.00030263799],"study_design_scores_gemma":[0.00022302849,0.00019940204,0.08443091,0.000036924794,0.00003215785,0.00001590798,0.06592249,0.00023741407,0.00022293172,0.003489919,0.84496826,0.00022065997],"about_ca_topic_score_codex":0.29286775,"about_ca_topic_score_gemma":0.746942,"teacher_disagreement_score":0.92477524,"about_ca_system_score_codex":0.00017863087,"about_ca_system_score_gemma":0.00024101263,"threshold_uncertainty_score":0.99922156},"labels":[],"label_agreement":null},{"id":"W7006827751","doi":"","title":"World Without Memory (2003 program)","year":2003,"lang":"en","type":"article","venue":"Scholar Works at Harding (Harding University Main Campus)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Set (abstract data type); Key (lock); Work (physics); Subject (documents)","score_opus":0.018653181040834348,"score_gpt":0.22239744516951945,"score_spread":0.2037442641286851,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7006827751","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36723727,0.0010783327,0.0004882341,0.0003810698,0.0022876654,0.00069238676,0.00006296477,0.00078348606,0.6269886],"genre_scores_gemma":[0.8467266,0.00008330096,0.0013732493,0.000274695,0.00035471175,0.0000041724716,0.000032939734,0.000050748928,0.15109959],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970837,0.00050854817,0.00031642243,0.00072082184,0.00049789634,0.0008725951],"domain_scores_gemma":[0.9984634,0.000083591796,0.00018905965,0.0005962327,0.00032596133,0.00034175414],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0015453647,0.00041319,0.0005657433,0.00052016584,0.0032915846,0.0008823572,0.0004958824,0.00014661552,0.0041833823],"category_scores_gemma":[0.0003142346,0.00044381534,0.00040470448,0.0006721328,0.00038601356,0.0012244643,0.00019638713,0.0010107426,0.0004676483],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003472771,0.00077464094,0.021280536,0.00022135559,0.002202357,0.0011269687,0.01795864,0.00091519475,0.0008516301,0.7894873,0.1446139,0.020220183],"study_design_scores_gemma":[0.0009568659,0.000038266113,0.00024535635,0.0002475899,0.00037147844,0.000019057372,0.013841104,0.0001578098,0.00021716848,0.00035719032,0.98289233,0.00065577653],"about_ca_topic_score_codex":0.000051389692,"about_ca_topic_score_gemma":0.00043748287,"teacher_disagreement_score":0.8382784,"about_ca_system_score_codex":0.00062109914,"about_ca_system_score_gemma":0.000110343826,"threshold_uncertainty_score":0.99980134},"labels":[],"label_agreement":null},{"id":"W7011227518","doi":"","title":"Little Horses &amp; Mindless: Please Press Pause!","year":2020,"lang":"en","type":"article","venue":"DigitalCommons - CalPoly (California State Polytechnic University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mainstream; Face (sociological concept); Politics; Work (physics); Quarter (Canadian coin); Ambivalence; Mass media; Litany","score_opus":0.049560628275946574,"score_gpt":0.21390904386051873,"score_spread":0.16434841558457217,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7011227518","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.15979914,0.00078768947,0.00461009,0.0051667695,0.0002818557,0.0006373353,0.013068842,0.0014508907,0.81419736],"genre_scores_gemma":[0.9830911,0.000087665365,0.00007058014,0.00067101856,0.00021680226,0.000003641652,0.00028499152,0.000045377354,0.015528818],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979297,0.00008631083,0.0003963961,0.0005635816,0.00036577726,0.00065823714],"domain_scores_gemma":[0.9984878,0.00012078116,0.00016562118,0.00052319356,0.0001299937,0.00057264674],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008012009,0.00040774693,0.00049775443,0.00027917715,0.0004993192,0.00044120025,0.0007621783,0.00010060151,0.0011689997],"category_scores_gemma":[0.00007197536,0.00040864144,0.00038447426,0.00032289836,0.0006087864,0.0007102083,0.00035512575,0.00036389782,0.0008696333],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010632918,0.0020946413,0.0013649911,0.00042783903,0.001665999,0.0013246957,0.016507365,0.00028840033,0.0013113209,0.69185287,0.25466457,0.027433997],"study_design_scores_gemma":[0.0005117274,0.000105054765,0.000031122945,0.00003410159,0.00018347027,0.0000047786693,0.0019125812,0.00015926456,0.0005243519,0.0003294387,0.9956639,0.0005402214],"about_ca_topic_score_codex":0.00075001625,"about_ca_topic_score_gemma":0.0015619962,"teacher_disagreement_score":0.82329196,"about_ca_system_score_codex":0.000092641036,"about_ca_system_score_gemma":0.000080106234,"threshold_uncertainty_score":0.9999083},"labels":[],"label_agreement":null},{"id":"W7011514181","doi":"","title":"The Musical Landscape Of\\nSinclair Ross's As For Me And My House","year":2000,"lang":"en","type":"article","venue":"Insecta mundi","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Surprise; Painting; Criticism; Musical; George (robot); Subject (documents); Poetry; Style (visual arts)","score_opus":0.01871335114943121,"score_gpt":0.23627658038577287,"score_spread":0.21756322923634167,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7011514181","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9530991,0.0008766687,0.000003930999,0.0006756309,0.00011798113,0.00010705466,0.000029135572,0.00004473865,0.045045808],"genre_scores_gemma":[0.98995256,0.00010774136,0.000010959749,0.00031976015,0.00040371087,0.00001561879,0.000005183166,0.000016335636,0.009168128],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993632,0.000028442159,0.00017953673,0.00013413528,0.00011153404,0.00018317455],"domain_scores_gemma":[0.99947387,0.00021069916,0.00003470617,0.0001863503,0.000050226787,0.00004417548],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015009232,0.000092415896,0.00015717345,0.000027566868,0.0005282445,0.00018088963,0.00012768462,0.00003446234,0.001547644],"category_scores_gemma":[0.000033460237,0.000059347763,0.00009903902,0.000024318651,0.000268699,0.00009768707,0.000020266581,0.00007192313,0.000039295715],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041919874,0.00032682912,0.0017406605,0.000067745015,0.00039725404,0.000015822974,0.037429392,0.000010151097,0.0004936225,0.8723415,0.03283597,0.053921822],"study_design_scores_gemma":[0.0005555425,0.0002257138,0.00295541,0.000020404665,0.00010948533,0.000008363099,0.00042461988,0.00052313367,0.000054796892,0.010368939,0.98458695,0.00016663996],"about_ca_topic_score_codex":0.0015523257,"about_ca_topic_score_gemma":0.006175682,"teacher_disagreement_score":0.951751,"about_ca_system_score_codex":0.000004961053,"about_ca_system_score_gemma":0.000017852399,"threshold_uncertainty_score":0.9993651},"labels":[],"label_agreement":null},{"id":"W7018047298","doi":"","title":"CMOK to YOu To: A Correspondence","year":2016,"lang":"en","type":"book","venue":"Directory of Open access Books (OAPEN Foundation)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Serbian; Poetry; Imperfect; Absurdism; Order (exchange); Reflexive pronoun","score_opus":0.121041452896562,"score_gpt":0.3967709646736516,"score_spread":0.2757295117770896,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7018047298","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000401268,0.00005944458,0.00014170646,0.00071852846,0.0014790917,0.0011841173,0.000058187707,0.00006920836,0.9958885],"genre_scores_gemma":[0.009141172,0.00002530112,0.000051619416,0.0021300283,0.0009385846,0.00023401873,0.00020767882,0.0000917107,0.9871799],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99696505,0.00012118206,0.0009052659,0.0008537321,0.0007287456,0.0004260322],"domain_scores_gemma":[0.9971543,0.0003113176,0.00051823986,0.000985836,0.0007075466,0.00032274696],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006280661,0.00051395927,0.0010167339,0.0006746441,0.00052289217,0.0038616445,0.0043581617,0.00009248356,0.13846375],"category_scores_gemma":[0.00021242825,0.0004422317,0.0002821979,0.00008799253,0.0003231039,0.0025206981,0.0018431211,0.00023642309,0.013996292],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019008885,0.00007720485,0.00003909163,0.00009256305,0.0002753591,0.000015138511,0.001932663,0.0000028822683,0.000096151685,0.7108703,0.1332314,0.15317711],"study_design_scores_gemma":[0.0002370968,0.000080111866,0.00018058518,0.00070932176,0.00014600366,0.0000012431225,0.000123,0.0000026507144,0.00019430557,0.01140308,0.98626703,0.0006555448],"about_ca_topic_score_codex":0.0005231439,"about_ca_topic_score_gemma":0.0021328626,"teacher_disagreement_score":0.8530356,"about_ca_system_score_codex":0.00030004684,"about_ca_system_score_gemma":0.00081427855,"threshold_uncertainty_score":0.99980295},"labels":[],"label_agreement":null},{"id":"W7019250451","doi":"","title":"Expanding Jack Kerouac’s “America”: Canadian Revisions of <i>On the Road</i>","year":2013,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Government (linguistics); Work (physics); Agency (philosophy); Legislation","score_opus":0.028846444810975716,"score_gpt":0.21469492392957443,"score_spread":0.1858484791185987,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7019250451","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06451259,0.0000027618755,0.0000197738,0.0015403555,0.00011625452,0.00031439244,0.000059002065,0.000041284475,0.9333936],"genre_scores_gemma":[0.9926243,0.0055023837,0.000026150257,0.0008272476,0.00013097473,0.0000037838233,0.000013351721,0.000015461092,0.0008563458],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989325,0.00012479292,0.00017481986,0.00023469196,0.00018246632,0.00035074961],"domain_scores_gemma":[0.9990967,0.00011660335,0.00010222139,0.0003912989,0.00016610486,0.00012707489],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000106692874,0.00016945956,0.0002369591,0.003516927,0.00061186246,0.0001286139,0.00042243485,0.00004617523,0.0040792646],"category_scores_gemma":[0.00005617857,0.00012588693,0.0001887522,0.0013219515,0.0002503838,0.00034447055,0.00006788083,0.00019098054,0.00024142006],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005136423,0.00045387147,0.00031205494,0.00010223599,0.00062964,0.00012243839,0.11256318,0.000040463354,0.000067247434,0.74193096,0.05157435,0.092152216],"study_design_scores_gemma":[0.00014784944,0.00007653363,0.000057182908,0.000061595325,0.000076925084,8.767916e-7,0.011972405,0.00009335013,0.00007339072,0.0000070131737,0.98727,0.00016287445],"about_ca_topic_score_codex":0.8035764,"about_ca_topic_score_gemma":0.35241514,"teacher_disagreement_score":0.93569565,"about_ca_system_score_codex":0.00011161843,"about_ca_system_score_gemma":0.0001991355,"threshold_uncertainty_score":0.9968311},"labels":[],"label_agreement":null},{"id":"W7019557400","doi":"","title":"How Poetry is Translated...","year":2018,"lang":"en","type":"article","venue":"Electronic Volyn National University Institutional Repository","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Spoken word; Free verse; Gloom","score_opus":0.013311830382506374,"score_gpt":0.19536098147456374,"score_spread":0.18204915109205735,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7019557400","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.14288592,0.00074357894,0.0015466638,0.00609354,0.0008753769,0.0001437728,0.00012875117,0.00018209995,0.8474003],"genre_scores_gemma":[0.9157772,0.000014452857,0.000022925691,0.00045049813,0.0012357831,6.4461614e-7,0.000041554817,0.0000059791255,0.082450986],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99866164,0.000042598687,0.00012379281,0.00028456617,0.0005790167,0.00030836955],"domain_scores_gemma":[0.99904114,0.000035845926,0.00006466726,0.000114355294,0.00066353864,0.00008047159],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00012404642,0.00014169996,0.00012771114,0.00021306014,0.0018066778,0.00014901027,0.00024985572,0.00007335146,0.0008621613],"category_scores_gemma":[0.000020435305,0.00015116185,0.00016770366,0.00012846806,0.0008425212,0.00069256866,0.000024432236,0.00022006656,0.00012217944],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044386317,0.000087128254,0.00003521859,0.000005237112,0.00015765967,0.000024867459,0.0014096448,0.0000062580325,0.0006802114,0.98822373,0.009098518,0.00022712711],"study_design_scores_gemma":[0.00036868145,0.00009814075,0.00014989819,0.000012867175,0.0000644734,0.000047504465,0.0006331392,0.0005447846,0.0014824992,0.005410148,0.9909801,0.00020779199],"about_ca_topic_score_codex":0.00010157626,"about_ca_topic_score_gemma":0.00019863456,"teacher_disagreement_score":0.9828136,"about_ca_system_score_codex":0.0005254358,"about_ca_system_score_gemma":0.00080967235,"threshold_uncertainty_score":0.9994928},"labels":[],"label_agreement":null},{"id":"W7023489584","doi":"","title":"Poems","year":2014,"lang":"en","type":"article","venue":"Research Online (University of Wollongong)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Line (geometry); Style (visual arts); Key (lock)","score_opus":0.13794707259139843,"score_gpt":0.3198655000275688,"score_spread":0.18191842743617037,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7023489584","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7936019,0.00010472588,0.0002361399,0.0048071807,0.00008796101,0.00009519231,0.00008123456,0.000052497653,0.2009332],"genre_scores_gemma":[0.94993365,0.000053934407,0.00018445241,0.00003548944,0.00028685475,9.444942e-8,0.000033740325,0.0000074251902,0.04946438],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99874616,0.00019007873,0.00009489799,0.00019383582,0.0004624478,0.00031259115],"domain_scores_gemma":[0.9989746,0.00016308893,0.000038902992,0.00028589848,0.00041225986,0.00012521126],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000763742,0.00007382785,0.00020017922,0.00030286785,0.00053882616,0.000042105512,0.0004173801,0.000042469706,0.0042432253],"category_scores_gemma":[0.000103740575,0.00007816381,0.00013631799,0.00014896327,0.0006890288,0.00020960049,0.00014593695,0.00026106447,0.00021015613],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007172483,0.00062271685,0.0005225412,0.000084442894,0.00015053195,0.00002916723,0.014463205,0.000014148248,0.0007084154,0.9281107,0.030670045,0.024552353],"study_design_scores_gemma":[0.0005018355,0.00022901705,0.0026258393,0.000045263987,0.00003572003,0.0000012853375,0.031688355,0.0029065772,0.00004426165,0.005399177,0.9563612,0.00016147977],"about_ca_topic_score_codex":0.0020469176,"about_ca_topic_score_gemma":0.005395559,"teacher_disagreement_score":0.9256911,"about_ca_system_score_codex":0.000026248545,"about_ca_system_score_gemma":0.00004119883,"threshold_uncertainty_score":0.996667},"labels":[],"label_agreement":null},{"id":"W7023831859","doi":"","title":"Poetry Journals and Chapbooks Collection","year":2010,"lang":"en","type":"article","venue":"San Jose State University Scholar Works (San Jose State University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Publishing; Performance art; Canadian literature; George (robot)","score_opus":0.013271413455827438,"score_gpt":0.19631440041781748,"score_spread":0.18304298696199003,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7023831859","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91378886,0.00014954347,0.00047422573,0.00036158762,0.00066925556,0.00025823776,0.00024026005,0.00020027094,0.08385778],"genre_scores_gemma":[0.9064836,0.0007975342,0.00029571206,0.00014743696,0.0001760174,1.2087617e-7,0.000034328583,0.000039177845,0.092026055],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99747616,0.0003657392,0.00030137273,0.00069833494,0.00042010308,0.0007383134],"domain_scores_gemma":[0.99799454,0.00012040221,0.0002783567,0.00047602583,0.0004976012,0.00063306204],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00064054126,0.00043656892,0.0004963886,0.0015337548,0.0033544432,0.0007877027,0.00057768205,0.00017594469,0.0037074825],"category_scores_gemma":[0.00006685919,0.00050603325,0.0002971573,0.0006426277,0.00083727605,0.0027386732,0.00029510297,0.00196021,0.00009884708],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.006477182,0.0026636862,0.021588605,0.0004783204,0.005791564,0.015871016,0.297162,0.0005770266,0.016456572,0.39780268,0.048126645,0.18700473],"study_design_scores_gemma":[0.0028576222,0.00025875788,0.0037125372,0.00018325225,0.00043201674,0.000041579144,0.057131395,0.00031862018,0.00031438048,0.002245083,0.93144214,0.0010626419],"about_ca_topic_score_codex":0.00043458975,"about_ca_topic_score_gemma":0.006646425,"teacher_disagreement_score":0.88331544,"about_ca_system_score_codex":0.00018782335,"about_ca_system_score_gemma":0.00016006597,"threshold_uncertainty_score":0.9997391},"labels":[],"label_agreement":null},{"id":"W7024124272","doi":"","title":"Review of &lt;i&gt;Out of Place: The Writings of Robert Kroetsch&lt;/i&gt; By\\nSimona Bertacco","year":2004,"lang":"en","type":"article","venue":"Insecta mundi","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Allusion; Poetry; Sign (mathematics); Argument (complex analysis); Conviction; Witness; Dismissal; Delicacy; Trickster; Set (abstract data type)","score_opus":0.017583190349313153,"score_gpt":0.24017394432778588,"score_spread":0.22259075397847272,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7024124272","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5553257,0.19787014,0.00003905254,0.003394637,0.0006223559,0.00071016053,0.00038058424,0.000069399815,0.24158798],"genre_scores_gemma":[0.9873635,0.007647025,0.00003477363,0.0010990554,0.00017467285,0.000019309971,0.000043898843,0.000027467582,0.0035903063],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99797076,0.00011519305,0.0009500237,0.00024135142,0.00042717034,0.00029547722],"domain_scores_gemma":[0.9983063,0.0002348591,0.00048458073,0.0005615472,0.000349297,0.000063461375],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005989319,0.00023307942,0.000701513,0.00009146771,0.0001961033,0.00004004656,0.0005065723,0.0000723597,0.0016881173],"category_scores_gemma":[0.0002180214,0.00016708116,0.00040259905,0.00012752057,0.00058167183,0.00020019217,0.00009499793,0.00017632914,0.000027793616],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009779608,0.0012138871,0.0005967196,0.008363427,0.0008376607,0.000013057205,0.025391582,0.000029063342,0.036509044,0.8303416,0.09351819,0.0030879697],"study_design_scores_gemma":[0.0009318679,0.00033024602,0.0006380968,0.007178391,0.00060997246,0.000007639462,0.00034509838,0.00001860644,0.002576849,0.0038926061,0.98302436,0.00044625936],"about_ca_topic_score_codex":0.0026053651,"about_ca_topic_score_gemma":0.0067922943,"teacher_disagreement_score":0.88950616,"about_ca_system_score_codex":0.000030378567,"about_ca_system_score_gemma":0.000090437534,"threshold_uncertainty_score":0.9992245},"labels":[],"label_agreement":null},{"id":"W7024151282","doi":"","title":"OF RAINSTORMS AND BUS STOPS PIOGGIA E COLORE NELLA POESIA POP INGLESE","year":2009,"lang":"en","type":"article","venue":"Nova Science Publishers (Nova Science Publishers, Inc.)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Romance; Power (physics); Quarter (Canadian coin)","score_opus":0.03828717236751496,"score_gpt":0.27182201876269957,"score_spread":0.23353484639518463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7024151282","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72151136,0.00019885763,0.0000809392,0.010886833,0.0027511832,0.00046926358,0.000031920652,0.00020514107,0.26386452],"genre_scores_gemma":[0.99418974,0.0000059362214,0.00079866266,0.0025947003,0.00036035126,0.000009789877,0.000019614994,0.000026622334,0.001994612],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.991389,0.000071632785,0.0011575953,0.0018407323,0.0034784386,0.0020626495],"domain_scores_gemma":[0.9940044,0.00011244811,0.00062770356,0.0012760401,0.002972381,0.0010069695],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts","scholarly_communication"],"category_scores_codex":[0.0075380467,0.00060391746,0.0008201329,0.0028452533,0.0023642383,0.018873394,0.004367822,0.00019006334,0.0020117736],"category_scores_gemma":[0.0024755448,0.0004985869,0.00020447858,0.0063036997,0.01642272,0.04237056,0.00061742635,0.0007250046,0.000032016866],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009467786,0.0010623855,0.0042278403,0.00009437192,0.000065048145,0.000050304712,0.039167665,0.00014223649,0.019004984,0.8387451,0.053984072,0.04336129],"study_design_scores_gemma":[0.009304529,0.0050179553,0.16515781,0.0007436035,0.000600076,0.00038300862,0.23343627,0.008403671,0.009156466,0.09360075,0.46548995,0.008705894],"about_ca_topic_score_codex":0.0018986843,"about_ca_topic_score_gemma":0.0005330172,"teacher_disagreement_score":0.74514437,"about_ca_system_score_codex":0.0006678522,"about_ca_system_score_gemma":0.0030777608,"threshold_uncertainty_score":0.99974656},"labels":[],"label_agreement":null},{"id":"W7024627036","doi":"","title":"Sarah Matthes, 45th Annual ODU Literary Festival","year":2022,"lang":"en","type":"article","venue":"ODU Digital Commons (Old Dominion University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Center (category theory); Quarter (Canadian coin); Judaism; Yiddish","score_opus":0.015897402916020667,"score_gpt":0.18072610567694236,"score_spread":0.1648287027609217,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7024627036","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26154447,0.00014272062,0.000024775378,0.0012537712,0.00049248367,0.00013755397,0.0023967957,0.00018603663,0.7338214],"genre_scores_gemma":[0.8241432,0.000005183218,0.000007306457,0.00021551338,0.0001768115,0.0000013630977,0.00022796504,0.00001782768,0.17520486],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986808,0.00012142594,0.0002083343,0.00034349613,0.00031560124,0.00033038674],"domain_scores_gemma":[0.99916863,0.00014054065,0.00009783451,0.00037433935,0.000070508766,0.00014813084],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011933099,0.00021220862,0.000286161,0.00041481425,0.0011801795,0.00038255635,0.0005352563,0.000034256987,0.0032618954],"category_scores_gemma":[0.000018112047,0.00023044548,0.0002608404,0.00025017504,0.0002610811,0.0011691473,0.0005421345,0.00030488533,0.00014480963],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025139117,0.000628557,0.0011228241,0.000017608083,0.00016537849,0.00043108957,0.008162819,0.000032160962,0.000013025493,0.92246914,0.060092673,0.006613344],"study_design_scores_gemma":[0.0005969523,0.00017445922,0.00031542964,0.0000125055185,0.000055817192,0.000021484155,0.011568709,0.000046475066,0.00001114349,0.002093192,0.98479533,0.0003085289],"about_ca_topic_score_codex":0.00006751978,"about_ca_topic_score_gemma":0.000072196664,"teacher_disagreement_score":0.92470264,"about_ca_system_score_codex":0.000118762975,"about_ca_system_score_gemma":0.000047792626,"threshold_uncertainty_score":0.99764925},"labels":[],"label_agreement":null},{"id":"W7026694934","doi":"","title":"Amiri Baraka. Ritratto dell'artista in nero","year":2007,"lang":"it","type":"book","venue":"Archivio istituzionale della ricerca (Alma Mater Studiorum Università di Bologna)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Blues; Popular music; Nova scotia","score_opus":0.02177979258401834,"score_gpt":0.22999180398382665,"score_spread":0.20821201139980833,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7026694934","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03590691,0.0018721202,0.0004936193,0.0015120343,0.0015713562,0.0010013336,0.0030958452,0.0001793971,0.9543674],"genre_scores_gemma":[0.2799139,0.0023831674,0.00015957422,0.0008617247,0.0012385306,0.000021504702,0.0011646062,0.00016820061,0.7140888],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99113256,0.00056641863,0.001800691,0.0023758854,0.0015031614,0.002621296],"domain_scores_gemma":[0.99595183,0.0007232653,0.00073141063,0.0013920171,0.00052691647,0.00067457155],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","insufficient_payload"],"category_scores_codex":[0.00096233777,0.0019120084,0.0024858937,0.0021010553,0.0020887495,0.000560301,0.0019603798,0.00079080695,0.005658359],"category_scores_gemma":[0.000033617507,0.002019683,0.0012108333,0.00047304906,0.0028068502,0.00061468757,0.001465422,0.0020718945,0.0026237397],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006406873,0.0011776751,0.0034708232,0.00057527807,0.001548941,0.0060112556,0.005035725,0.00031579263,0.000101852944,0.94188976,0.03847349,0.00075874344],"study_design_scores_gemma":[0.0025744124,0.00043381067,0.012844514,0.0009989659,0.0017817528,0.0002397563,0.005454818,0.0004249929,0.000037069538,0.005036652,0.9673466,0.0028266483],"about_ca_topic_score_codex":0.00062556355,"about_ca_topic_score_gemma":0.0045961677,"teacher_disagreement_score":0.9368531,"about_ca_system_score_codex":0.0011619125,"about_ca_system_score_gemma":0.0006548108,"threshold_uncertainty_score":0.99990696},"labels":[],"label_agreement":null},{"id":"W7028589129","doi":"","title":"The Good Cobbler, the Good Poet, and the Unseen Bride","year":2023,"lang":"en","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Form of the Good; Bride; The good life; Gloom","score_opus":0.023850311061584868,"score_gpt":0.22508158314436305,"score_spread":0.2012312720827782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7028589129","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03660792,0.014510515,0.0033943602,0.35905018,0.0017578374,0.00140863,0.00035834758,0.00051465625,0.5823976],"genre_scores_gemma":[0.8205335,0.004057875,0.00010550817,0.00046004448,0.00018879579,0.00016475118,0.00015722726,0.000050822237,0.17428148],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99283683,0.005271547,0.00053851726,0.000505538,0.0004616864,0.0003858883],"domain_scores_gemma":[0.9892339,0.0069785197,0.00040292408,0.0022573972,0.0010345656,0.000092689166],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.009485246,0.00030279753,0.00036230986,0.00006621087,0.0029398676,0.0022911667,0.001822122,0.00011785924,0.00020697498],"category_scores_gemma":[0.0012813241,0.00016025841,0.0003274822,0.00012951424,0.0019135149,0.00009404226,0.0016055827,0.0008413376,0.00009543938],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010509222,0.000061969346,0.00007317909,0.000032181953,0.00019664537,0.0000015172899,0.03126155,0.000009152917,0.0000086783675,0.9558226,0.0063071563,0.0062148925],"study_design_scores_gemma":[0.000766008,4.7267056e-7,0.0013286667,0.00069570355,0.00036515066,0.000007411707,0.0068292436,0.0068486216,0.00045808038,0.08985625,0.8924148,0.00042955848],"about_ca_topic_score_codex":0.0055366433,"about_ca_topic_score_gemma":0.028594492,"teacher_disagreement_score":0.8861077,"about_ca_system_score_codex":0.000036610378,"about_ca_system_score_gemma":0.00011984436,"threshold_uncertainty_score":0.99874455},"labels":[],"label_agreement":null},{"id":"W7029144643","doi":"","title":"Inside is the sky : for mezzo soprano and chamber orchestra","year":2005,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Sky; Musical; Composition (language)","score_opus":0.03127216985674363,"score_gpt":0.2533781291430957,"score_spread":0.22210595928635207,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7029144643","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5628717,0.0012338405,7.402564e-8,0.0003378304,0.0008673701,0.0007551706,0.0020986074,0.00013184668,0.4317036],"genre_scores_gemma":[0.8904143,0.00047897527,0.00007195859,0.0019272544,0.0005466772,0.00026869142,0.00067285006,0.00015719289,0.10546209],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9968714,0.00016897907,0.0008103775,0.0008850446,0.00056433404,0.0006998815],"domain_scores_gemma":[0.99785566,0.00040103594,0.00039815466,0.00066419947,0.00045942745,0.00022151103],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007819552,0.0007292315,0.0007760226,0.00023892979,0.0029467898,0.00046138198,0.00043082688,0.0004588397,0.0023766852],"category_scores_gemma":[0.00024313884,0.00056500593,0.00059031055,0.00011015192,0.00021679248,0.0007152561,0.00007280201,0.0010424479,0.00019592365],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012245795,0.00014366666,0.0000026504656,0.00030513282,0.0005282961,0.000015712849,0.00071856624,0.0000025453307,0.00074416987,0.9194669,0.00021160417,0.07773829],"study_design_scores_gemma":[0.00051673705,0.00011410191,0.00012332528,0.00020837823,0.00084503903,0.000013953142,0.0054669594,0.00003576819,0.0057645338,0.048181962,0.93787324,0.0008559963],"about_ca_topic_score_codex":0.0003595079,"about_ca_topic_score_gemma":0.01201497,"teacher_disagreement_score":0.93766165,"about_ca_system_score_codex":0.00013640123,"about_ca_system_score_gemma":0.00004248259,"threshold_uncertainty_score":0.99968016},"labels":[],"label_agreement":null},{"id":"W7033667880","doi":"","title":"Rupi Kaur, La Poésie 2.0 : numérisation, performance et féminisme transnational","year":2021,"lang":"en","type":"dissertation","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Politics; Publication; The Internet; Digital media; Social media; Spoken word","score_opus":0.013362699875930053,"score_gpt":0.2277261840593646,"score_spread":0.21436348418343454,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7033667880","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.124646954,0.00079163926,0.0012985478,0.009540651,0.0004498,0.00019965514,0.00014710214,0.00015313188,0.8627725],"genre_scores_gemma":[0.75633836,0.00039484986,0.0007807712,0.00017953079,0.00007211523,0.0000599475,0.006820059,0.000049299477,0.23530509],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9954563,0.00242537,0.0006180639,0.000573008,0.00062318676,0.00030409909],"domain_scores_gemma":[0.99496,0.0009805316,0.0003604043,0.00080283155,0.0027714376,0.00012479228],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0027984132,0.00035118105,0.0004081134,0.00022508614,0.00074821874,0.0008972707,0.00060644717,0.00023179746,0.0052474975],"category_scores_gemma":[0.00037665796,0.00037292007,0.00031526032,0.0001891084,0.0002053287,0.00040667606,0.000055041673,0.00053692714,0.00006572436],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000097442235,0.0003542241,0.00008949103,0.0001519242,0.0001100593,0.000004444861,0.06520667,0.000006874022,0.00023894398,0.9245781,0.0018457881,0.0074037723],"study_design_scores_gemma":[0.0014233891,0.0000021850863,0.010440399,0.0023348231,0.00045008416,0.000022883161,0.022610951,0.0048169317,0.017717727,0.013495108,0.92501825,0.0016672437],"about_ca_topic_score_codex":0.00025898652,"about_ca_topic_score_gemma":0.009050786,"teacher_disagreement_score":0.9231725,"about_ca_system_score_codex":0.000055425586,"about_ca_system_score_gemma":0.00037499855,"threshold_uncertainty_score":0.99987227},"labels":[],"label_agreement":null},{"id":"W7036276981","doi":"","title":"And the Virus Spread: Infection as a Bond Between William Burroughs’s and David Cronenberg’s Dystopian Works","year":2017,"lang":"en","type":"dissertation","venue":"UVaDOC UVaDOC University of Valladolid Documentary Repository (University of Valladolid)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dystopia; Trilogy; Subject (documents); Ticket; Order (exchange); Confession (law)","score_opus":0.010906728600247455,"score_gpt":0.2118378152799733,"score_spread":0.20093108667972584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7036276981","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8963836,0.0027501194,0.000048543254,0.0006634128,0.0009368508,0.00092589436,0.0001799941,0.000115195915,0.09799643],"genre_scores_gemma":[0.89623636,0.005121018,0.00014814071,0.00004915662,0.00042118668,5.422611e-7,0.0004092324,0.00005536996,0.09755897],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99682134,0.0003941587,0.00053463294,0.0009641708,0.0007550486,0.0005306538],"domain_scores_gemma":[0.99650335,0.00024515603,0.0014858452,0.0010081744,0.00043053593,0.0003269433],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.00048048998,0.00070324395,0.0015341315,0.00045205138,0.003260979,0.00035384655,0.0010304974,0.0005003097,0.00085742597],"category_scores_gemma":[0.000028696237,0.0007711295,0.0007360928,0.00011555403,0.002504013,0.0014610601,0.00037570708,0.0008223766,0.00002353749],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.024360131,0.0030857725,0.04139009,0.01145768,0.03059135,0.0030757943,0.62583065,0.00017498224,0.004451372,0.13098808,0.046557344,0.07803673],"study_design_scores_gemma":[0.020106044,0.002037158,0.12285958,0.0063117333,0.025010122,0.00021583297,0.21789488,0.0001883984,0.0014763508,0.008980104,0.59026283,0.004656959],"about_ca_topic_score_codex":0.07624169,"about_ca_topic_score_gemma":0.022095377,"teacher_disagreement_score":0.5437055,"about_ca_system_score_codex":0.00019823297,"about_ca_system_score_gemma":0.00021624757,"threshold_uncertainty_score":0.999474},"labels":[],"label_agreement":null},{"id":"W7037161005","doi":"","title":"Dipper Radio, Episode 1","year":2007,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Voting; Politics; Power (physics); Democracy; Perception","score_opus":0.008919737354856114,"score_gpt":0.18968256038232575,"score_spread":0.18076282302746965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7037161005","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000009604613,0.0007997909,5.1432824e-7,0.00016587818,0.00047710497,0.00019294258,0.00020688589,0.00017152268,0.99797577],"genre_scores_gemma":[0.0013363211,0.00015654555,0.00012473126,0.00054470636,0.0008740516,0.000007984044,0.00016959709,0.00012398175,0.9966621],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983357,0.00004564517,0.0006568251,0.00018615268,0.0004236503,0.00035201322],"domain_scores_gemma":[0.9988993,0.000066680484,0.00041133698,0.00036343475,0.00014131269,0.000117966934],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024283513,0.00034171104,0.0005028126,0.0001732264,0.0001288442,0.0001226862,0.00031196952,0.00027683633,0.9016078],"category_scores_gemma":[0.000051115992,0.00031020693,0.00029436397,0.0000039493343,0.00030323776,2.2853911e-7,0.000053575077,0.00027062502,0.03338938],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022400935,0.000047580106,6.9644574e-7,0.00025554714,0.0001299784,0.000018076418,0.00072018465,0.000014263338,4.062723e-8,0.0051415944,0.9922787,0.0013709645],"study_design_scores_gemma":[0.00026332398,0.000064285465,0.0000011855356,0.00018049512,0.00013146135,0.000018113084,0.00047766176,0.000007918023,0.0000020386183,0.000038508693,0.9984513,0.0003637381],"about_ca_topic_score_codex":0.006798232,"about_ca_topic_score_gemma":0.007053551,"teacher_disagreement_score":0.8682184,"about_ca_system_score_codex":0.000031925287,"about_ca_system_score_gemma":0.000013576284,"threshold_uncertainty_score":0.99993503},"labels":[],"label_agreement":null},{"id":"W7037723839","doi":"","title":"Encountering maternal silence: writing strategies for negotiating margins of mother/ing in contemporary Canadian prairie women's poetry","year":2016,"lang":"en","type":"dissertation","venue":"Mspace (University of Manitoba)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Elegy; Subjectivity; Negotiation; Reading (process); Narrative; Literary criticism; Transformative learning; Life writing","score_opus":0.023452254284219022,"score_gpt":0.22260756081709804,"score_spread":0.19915530653287902,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7037723839","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.93641216,0.00022998948,0.000085288186,0.00014617317,0.0003477587,0.00021388111,0.00035837706,0.000019182695,0.062187206],"genre_scores_gemma":[0.99562997,0.000025423682,0.000056363857,0.000016510701,0.00015352789,0.000002335328,0.00008756874,0.000027679043,0.004000651],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9988216,0.0000465947,0.0002665695,0.0002655553,0.00021891699,0.00038072834],"domain_scores_gemma":[0.9990064,0.00008358705,0.00043472135,0.00015942662,0.0002236272,0.00009223599],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00027209107,0.00021935634,0.00049339776,0.00051838363,0.00035056027,0.00011743963,0.0003274516,0.00014738031,0.00014844618],"category_scores_gemma":[0.000018771216,0.00025481038,0.00014656126,0.00005786038,0.00013348175,0.0006038777,0.00002664072,0.00017469905,0.000004348185],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0014828416,0.00046308254,0.15157731,0.015384489,0.0021208227,0.0005827311,0.40058154,0.00051863963,0.008816641,0.40483424,0.0059307455,0.0077069206],"study_design_scores_gemma":[0.00051528163,0.00008942302,0.022860765,0.0015073608,0.00005398549,7.894422e-7,0.9684662,0.00044124358,0.000055909408,0.00088888727,0.0047966973,0.00032340657],"about_ca_topic_score_codex":0.19585738,"about_ca_topic_score_gemma":0.94517714,"teacher_disagreement_score":0.74931973,"about_ca_system_score_codex":0.0002479926,"about_ca_system_score_gemma":0.00040882,"threshold_uncertainty_score":0.9999904},"labels":[],"label_agreement":null},{"id":"W7039790916","doi":"","title":"Niagra Frontier - 207434","year":2008,"lang":"en","type":"other","venue":"OhioLink ETD Center (Ohio Library and Information Network)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Frontier; Shipbuilding; Empire; British Empire; Shore","score_opus":0.010195021506058883,"score_gpt":0.18546559707101037,"score_spread":0.1752705755649515,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7039790916","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000040399573,0.0028031506,0.00012321035,0.00045900454,0.0014514428,0.00023345342,0.00043610277,0.0003748828,0.9941147],"genre_scores_gemma":[0.0029263909,0.015070569,0.00022106692,0.0076962053,0.006669913,0.0000330614,0.0039028942,0.00020891547,0.96327096],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983016,0.00006891342,0.0006882521,0.00023392196,0.00022954747,0.0004777535],"domain_scores_gemma":[0.9990271,0.000024865874,0.0004041607,0.00034459683,0.00002052777,0.00017878144],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006674183,0.00043212844,0.0005519481,0.0003097632,0.00035834964,0.0005435826,0.0002777878,0.00028465813,0.03849593],"category_scores_gemma":[0.000003583668,0.0003645136,0.00021888575,0.00008867865,0.00024151859,0.0052063917,0.00013994308,0.0003777798,0.0006006724],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010941422,0.000018696242,0.000013470983,0.000055771736,0.00008594323,0.0000025972117,0.0004915774,0.0000038162175,9.556891e-9,0.43852273,0.5585433,0.0022511368],"study_design_scores_gemma":[0.0004325239,0.00003493666,0.000037807316,0.00029656044,0.00005655827,0.000009553941,0.000038410475,0.0002552568,7.207798e-7,0.00054803316,0.9978453,0.00044434395],"about_ca_topic_score_codex":8.2160716e-7,"about_ca_topic_score_gemma":0.000009651765,"teacher_disagreement_score":0.43930197,"about_ca_system_score_codex":0.0000061248743,"about_ca_system_score_gemma":0.000034905297,"threshold_uncertainty_score":0.9998807},"labels":[],"label_agreement":null},{"id":"W7042344209","doi":"","title":"Overture: DJ Methodology: Resounding the Past","year":2025,"lang":"en","type":"article","venue":"Scholars Commons (Wilfrid Laurier University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Citizenship; Poetry; Musical; Multiculturalism; Politics; Population; Key (lock); Identity (music)","score_opus":0.047854217204227154,"score_gpt":0.2572459427763102,"score_spread":0.20939172557208302,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7042344209","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.100824915,0.00094077893,0.0014412034,0.013853638,0.0012062815,0.00021715976,0.000081745915,0.00019600827,0.8812383],"genre_scores_gemma":[0.8375344,0.000046450063,0.00022733014,0.0019850163,0.00026922225,0.000001626745,0.0000208378,0.000015371403,0.15989971],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982705,0.0006882952,0.0001887064,0.00031284048,0.0001863628,0.00035330013],"domain_scores_gemma":[0.9984929,0.00059823284,0.00007700321,0.00061303633,0.00013781727,0.0000810104],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00074365526,0.00019538362,0.00028381153,0.00046674887,0.0020897067,0.00037666762,0.00080748746,0.00009185444,0.00097241777],"category_scores_gemma":[0.00015509344,0.0001567874,0.00025368546,0.00044804055,0.0005622014,0.00050370704,0.00029669193,0.000672444,0.00006147586],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039998024,0.000048579248,0.0020155637,0.00001069156,0.00023237031,0.00004064857,0.0018668155,0.000006862954,0.000058419067,0.96489155,0.029989544,0.0007989842],"study_design_scores_gemma":[0.00032606898,0.000020588895,0.000874343,0.00003634539,0.00032101682,0.0000021686974,0.009184541,0.000026779559,0.000069456604,0.010552201,0.9784077,0.00017883704],"about_ca_topic_score_codex":0.00018811751,"about_ca_topic_score_gemma":0.0020008709,"teacher_disagreement_score":0.9543393,"about_ca_system_score_codex":0.00009623075,"about_ca_system_score_gemma":0.000068725494,"threshold_uncertainty_score":0.9999408},"labels":[],"label_agreement":null},{"id":"W7042866105","doi":"","title":"Public Poetics: Critical Issues in Canadian Poetry and Poetics","year":2015,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Durvalumab","score_opus":0.061049621032862246,"score_gpt":0.2529629016289831,"score_spread":0.19191328059612087,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7042866105","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05192372,0.00003907963,0.00001748246,0.0051812297,0.00025538699,0.0001591219,0.00008152938,0.00007862894,0.94226384],"genre_scores_gemma":[0.9914427,0.0072137904,0.000110797555,0.0004229043,0.00023459554,0.0000011540336,0.000021871585,0.00002098264,0.00053119793],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984449,0.00014375187,0.0001878106,0.00034876858,0.0002255316,0.00064924324],"domain_scores_gemma":[0.9988328,0.00008140881,0.000033616383,0.00026141733,0.00027808317,0.0005126598],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00028196225,0.00021015196,0.00028373188,0.008436564,0.00026824133,0.00033180375,0.00028724837,0.00011082074,0.00029786356],"category_scores_gemma":[0.00030155317,0.00022281504,0.00007302025,0.0013057246,0.0004279334,0.00063951325,0.00011246761,0.000259028,0.000053237633],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027192615,0.00019227972,0.0037508905,0.000049461567,0.00006107087,0.00061803707,0.03988892,0.000001785203,6.563242e-7,0.94982755,0.0023539714,0.0032281799],"study_design_scores_gemma":[0.0004646001,0.00010067545,0.00010844717,0.00002988399,0.00006515104,0.000009117138,0.0148354275,0.0003134725,0.000007817908,0.00010180317,0.9836729,0.0002906896],"about_ca_topic_score_codex":0.8377485,"about_ca_topic_score_gemma":0.9512227,"teacher_disagreement_score":0.98131895,"about_ca_system_score_codex":0.00028764264,"about_ca_system_score_gemma":0.0007090559,"threshold_uncertainty_score":0.9086133},"labels":[],"label_agreement":null},{"id":"W7043100056","doi":"","title":"Representative Poetry","year":2005,"lang":"en","type":"book","venue":"TSpace (University of Toronto)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Representative democracy; Style (visual arts); Gloom","score_opus":0.025598836906003102,"score_gpt":0.2430357660810597,"score_spread":0.2174369291750566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7043100056","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00014297094,0.0019220226,0.000027670047,0.0005698278,0.00018211304,0.00009724142,0.00012779413,0.000052898602,0.99687743],"genre_scores_gemma":[0.029340485,0.0005308257,0.00010339385,0.000057382644,0.0006195397,1.0188454e-7,0.00008368976,0.00001991366,0.96924466],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903196,0.00004235859,0.000119616685,0.00031244685,0.00028874906,0.00020484524],"domain_scores_gemma":[0.99904734,0.00005494325,0.00024675133,0.00038680588,0.00017119494,0.00009295266],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000087626155,0.00021747925,0.00048621462,0.00005621146,0.0002865356,0.000031748496,0.000388298,0.00015579234,0.3461318],"category_scores_gemma":[0.000007027029,0.0002623531,0.00037790873,0.0000078000885,0.00050084863,0.0004468192,0.00013522682,0.00019799451,0.00029284725],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005573532,0.0000871378,0.0000036425681,0.00008896424,0.0006026705,0.00005992023,0.10265097,0.0000028558964,0.000007047191,0.40974495,0.47221595,0.014480159],"study_design_scores_gemma":[0.00028255355,0.00007397618,0.00034602344,0.000097791075,0.00042866575,0.0000012392152,0.04441045,0.000029545106,0.0000024901772,0.00057133177,0.9534363,0.0003196226],"about_ca_topic_score_codex":0.04942868,"about_ca_topic_score_gemma":0.16506502,"teacher_disagreement_score":0.48122036,"about_ca_system_score_codex":0.00034162783,"about_ca_system_score_gemma":0.00012180087,"threshold_uncertainty_score":0.9999829},"labels":[],"label_agreement":null},{"id":"W7043265372","doi":"","title":"ShortCuts Introduction: Canadian Poetry of the 1930s and 1940s—Listening to Literary History","year":2023,"lang":"en","type":"article","venue":"Spectrum Research Repository (Concordia University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; History of literature; Series (stratigraphy); Literary criticism; CLIPS","score_opus":0.03448627359144958,"score_gpt":0.23870487615800814,"score_spread":0.20421860256655855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7043265372","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.74356985,0.00023746479,0.0000011651978,0.0061663664,0.0011170068,0.000169934,0.000018698718,0.000052442876,0.24866708],"genre_scores_gemma":[0.8376624,0.000021590082,0.0000017621002,0.00005096531,0.00097060105,0.0000012518284,0.0000051327465,0.000012298078,0.16127403],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982818,0.00027804665,0.00017505267,0.00036716196,0.00039523587,0.0005027001],"domain_scores_gemma":[0.9988732,0.00009712659,0.000044555698,0.00045587696,0.00018902241,0.0003402254],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000443842,0.00012118843,0.00019781417,0.0011307517,0.001016221,0.00010622223,0.00043746334,0.000056510144,0.00041250835],"category_scores_gemma":[0.00006304155,0.00011016808,0.00012253945,0.0006054162,0.0006884712,0.00027205964,0.00024362172,0.00039234755,0.000036759502],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019044356,0.00009254372,0.061273396,0.00019872724,0.00042242868,0.001273054,0.039449025,0.00003929727,0.0050850767,0.58610815,0.30385017,0.0020177152],"study_design_scores_gemma":[0.00011628145,0.00009405723,0.02641437,0.000035035275,0.00003500717,0.000012516386,0.0049210605,0.00005759258,0.0006804165,0.0005411807,0.966946,0.00014647775],"about_ca_topic_score_codex":0.17238975,"about_ca_topic_score_gemma":0.33460435,"teacher_disagreement_score":0.66309583,"about_ca_system_score_codex":0.0006169752,"about_ca_system_score_gemma":0.0005180422,"threshold_uncertainty_score":0.83312136},"labels":[],"label_agreement":null},{"id":"W7043880324","doi":"","title":"A Theatre for Spenserians: Papers of the International Spencer Colloquium Fredericton, New Brunswick October 1969","year":2023,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Durvalumab","score_opus":0.030490134854146346,"score_gpt":0.2273736420534897,"score_spread":0.19688350719934336,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7043880324","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.046080727,0.0000020689374,0.000033484248,0.0020363776,0.00083412573,0.0004473929,0.000092273716,0.00009716597,0.9503764],"genre_scores_gemma":[0.96833616,0.007186855,0.00011890555,0.000614192,0.0008202411,0.0000036344102,0.00006277278,0.00003978872,0.022817424],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989986,0.00004336454,0.000181952,0.00026859975,0.00024539392,0.00026211797],"domain_scores_gemma":[0.9993119,0.00009737181,0.00011676379,0.00028769753,0.0001344735,0.000051768704],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011434342,0.00016066873,0.00021438101,0.0018958007,0.00030183766,0.00009740527,0.0006137139,0.000053049454,0.0010735983],"category_scores_gemma":[0.00003551424,0.00012613361,0.0003244171,0.0014630248,0.00017233207,0.00024674588,0.00016495393,0.00009880085,0.000040526786],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0005543482,0.00044535808,0.00282606,0.00017433442,0.0014860654,0.00007979954,0.103059225,0.0001351369,0.00044909192,0.8152977,0.06253286,0.012960005],"study_design_scores_gemma":[0.000642696,0.000052946416,0.000204049,0.00004505117,0.00015413323,0.0000014134719,0.008077246,0.00017007488,0.0004095529,0.000030037412,0.9900509,0.00016189723],"about_ca_topic_score_codex":0.07881948,"about_ca_topic_score_gemma":0.16088273,"teacher_disagreement_score":0.92755896,"about_ca_system_score_codex":0.00007898279,"about_ca_system_score_gemma":0.00055185205,"threshold_uncertainty_score":0.99983954},"labels":[],"label_agreement":null},{"id":"W7044094880","doi":"","title":"Word of Mouth: Strange Corridors, Dizzying Syntax, and the Unexpected Echoes of Underwhich Editions","year":2021,"lang":"en","type":"dissertation","venue":"QSpace (Queen's University Library)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Publishing; Poetry; Musical; Opposition (politics); Mainstream; Sound (geography)","score_opus":0.00980925771550841,"score_gpt":0.18544837301994957,"score_spread":0.17563911530444115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7044094880","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8224901,0.00105928,0.000034007404,0.017911276,0.0010451929,0.0005586176,0.0014621791,0.00018242642,0.15525694],"genre_scores_gemma":[0.8133437,0.0008516158,0.000048454374,0.000028262408,0.00014812151,0.0000010538952,0.001295057,0.000024691337,0.18425901],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99882054,0.00019212835,0.00025263723,0.00028905284,0.00025727233,0.00018833755],"domain_scores_gemma":[0.99882805,0.0003007879,0.00032872896,0.00030044824,0.00017062626,0.000071329654],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000047472204,0.0002437456,0.00058067864,0.00029191215,0.0004110385,0.00011642668,0.0002977643,0.00015898458,0.0022391598],"category_scores_gemma":[0.000032514105,0.00021024012,0.00028838534,0.00023204615,0.00044783694,0.000619575,0.00007519815,0.00033467723,0.00000244759],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00083541014,0.00042285916,0.0004909025,0.0013943261,0.0018979748,0.00010414431,0.094099395,0.0000382374,0.000051287192,0.81230617,0.08753644,0.00082288304],"study_design_scores_gemma":[0.0027454412,0.0001047443,0.0085933115,0.0020260669,0.0035197965,6.5277203e-7,0.8697008,0.00003706552,0.0032788645,0.006489038,0.102348976,0.0011552623],"about_ca_topic_score_codex":0.006457029,"about_ca_topic_score_gemma":0.0030431454,"teacher_disagreement_score":0.8058171,"about_ca_system_score_codex":0.000018821152,"about_ca_system_score_gemma":0.00014983455,"threshold_uncertainty_score":0.9986729},"labels":[],"label_agreement":null},{"id":"W7045751764","doi":"","title":"“Canada in John Newlove’s Imagery”","year":2008,"lang":"en","type":"book-chapter","venue":"Archivio istituzionale della ricerca (Alma Mater Studiorum Università di Bologna)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; George (robot); Narrative; Criticism","score_opus":0.019312414195781332,"score_gpt":0.19843391082413034,"score_spread":0.179121496628349,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7045751764","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0019235689,0.0011386841,0.000024756897,0.0016768106,0.0008075701,0.0003241659,0.0012779073,0.0000851457,0.9927414],"genre_scores_gemma":[0.0953224,0.0017844624,0.000041282598,0.0009500295,0.0005669849,0.000007676748,0.0004502886,0.00009092398,0.900786],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99650747,0.000082681574,0.0006918259,0.0010182337,0.0008122276,0.00088754034],"domain_scores_gemma":[0.99833775,0.00021764381,0.00032376178,0.00065569807,0.00021936366,0.00024580304],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014540514,0.0008582401,0.0011610934,0.00065644435,0.0008346092,0.000117450676,0.0008461454,0.00020846108,0.004886041],"category_scores_gemma":[0.000013931392,0.00087388785,0.00045129505,0.00006129315,0.0009453336,0.0003023853,0.0005963411,0.0008201846,0.00052523793],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008383043,0.00010655327,0.00014427638,0.000086745444,0.00049439183,0.003453718,0.0017212596,0.000057237576,0.000008065671,0.8157944,0.17758086,0.00046862243],"study_design_scores_gemma":[0.0006336749,0.00007343233,0.0007607437,0.00019486957,0.00030622265,0.00006895686,0.0005527147,0.00003848299,0.0000072808884,0.0022172718,0.9941434,0.0010029043],"about_ca_topic_score_codex":0.026770703,"about_ca_topic_score_gemma":0.4081252,"teacher_disagreement_score":0.8165626,"about_ca_system_score_codex":0.000575087,"about_ca_system_score_gemma":0.0008134777,"threshold_uncertainty_score":0.9993712},"labels":[],"label_agreement":null},{"id":"W7064586970","doi":"","title":"Bearing Witness: Bruce Cockburn’s Cultural Interventions in Central America","year":2019,"lang":"en","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Witness; Power (physics); Psychological intervention; Work (physics)","score_opus":0.03177020655563427,"score_gpt":0.2572916598033696,"score_spread":0.22552145324773532,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7064586970","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5581037,0.00074658863,0.00067478855,0.010948473,0.0019560307,0.00058714364,0.00008299768,0.00035152055,0.4265488],"genre_scores_gemma":[0.9955915,0.00007007258,0.0002347021,0.0002283252,0.00056861324,0.0000855505,0.00015211065,0.000032570202,0.0030365463],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99725205,0.00022883715,0.00072789297,0.00055976945,0.000492195,0.0007392649],"domain_scores_gemma":[0.9986988,0.00010709689,0.00024983834,0.00040468667,0.00027138166,0.00026822952],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0002455429,0.00033848558,0.00048843597,0.0003798666,0.00049359276,0.0004526422,0.0004891113,0.00017047956,0.00083929196],"category_scores_gemma":[0.00015311914,0.00030888783,0.00041998332,0.00028972505,0.000051084782,0.0008058203,0.00016528803,0.00056069315,0.00008389646],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005951194,0.00043924153,0.0011774979,0.00011211817,0.000114372604,0.000058468962,0.0098576285,0.00014654695,0.0006230479,0.9862391,0.00047454095,0.0006979406],"study_design_scores_gemma":[0.00091797084,0.00007178087,0.007097077,0.00036101526,0.00008448135,0.00012687096,0.0070305713,0.0008261576,0.00012630034,0.00080275664,0.9820735,0.00048152343],"about_ca_topic_score_codex":0.000017934186,"about_ca_topic_score_gemma":0.0012203228,"teacher_disagreement_score":0.9854363,"about_ca_system_score_codex":0.00041193535,"about_ca_system_score_gemma":0.0001524732,"threshold_uncertainty_score":0.99993634},"labels":[],"label_agreement":null},{"id":"W7067466671","doi":"","title":"Life-cycle assessment of highway bridges","year":2002,"lang":"en","type":"article","venue":"NPARC","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"Natural Sciences and Engineering Research Council of Canada","keywords":"Bridge (graph theory); Markov chain; Component (thermodynamics); Independence (probability theory); Markov process; State (computer science)","score_opus":0.03618550231956872,"score_gpt":0.2548468776203192,"score_spread":0.2186613753007505,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7067466671","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13971132,0.0001099056,0.000059949758,0.001889453,0.00016318356,0.000035524707,0.000025026391,0.000036172354,0.85796946],"genre_scores_gemma":[0.98495823,0.000033174707,0.00011109428,0.00038694977,0.00028364488,0.000004880522,0.0000034717223,0.000006945771,0.014211618],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99939024,0.000025829311,0.00017752952,0.00010644172,0.00016760564,0.00013234983],"domain_scores_gemma":[0.9996271,0.000034823366,0.00004856265,0.00016102228,0.000055627905,0.0000728772],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000079871614,0.000069127826,0.00015921186,0.000045935412,0.0001119353,0.000051687668,0.00010545792,0.000017933708,0.047243536],"category_scores_gemma":[0.000023308263,0.000057539266,0.000090312176,0.000021524758,0.00011271327,0.00009494808,0.000021333188,0.00006163911,0.00010334596],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000011431347,0.00019334162,0.0002322512,0.000023577117,0.00005720358,0.000003500648,0.0022628054,0.000018965819,0.00075694406,0.9456992,0.04728871,0.0034623684],"study_design_scores_gemma":[0.00069271773,0.00021855782,0.005485432,0.00006280561,0.00020251039,0.0000022891081,0.003468061,0.041374102,0.0010550894,0.022251692,0.9247394,0.00044734066],"about_ca_topic_score_codex":0.000035907495,"about_ca_topic_score_gemma":0.00003902846,"teacher_disagreement_score":0.9234475,"about_ca_system_score_codex":0.00000945704,"about_ca_system_score_gemma":0.000009270833,"threshold_uncertainty_score":0.9536274},"labels":[],"label_agreement":null},{"id":"W7070610582","doi":"","title":"Préface: Before yesterday : the long history of native American writing","year":2009,"lang":"en","type":"book-chapter","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Yesterday; Native american; Metis","score_opus":0.017632003180415714,"score_gpt":0.21366841443292478,"score_spread":0.19603641125250906,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7070610582","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009743786,0.0024372344,0.00051097025,0.0040367916,0.00011344388,0.00018525425,0.00005950813,0.00006792062,0.9916145],"genre_scores_gemma":[0.2208851,0.00019971281,0.00020052327,0.00021976714,0.00007579432,0.000008242086,0.00012307013,0.000034114488,0.7782537],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9976151,0.00083636097,0.00053627044,0.00037160018,0.0004100842,0.00023060967],"domain_scores_gemma":[0.9958625,0.0006953939,0.0007447122,0.0010183317,0.0016007432,0.00007830744],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0019434631,0.00028182502,0.00044809465,0.00015521284,0.00035124493,0.00014436035,0.000734161,0.000086644184,0.0015265171],"category_scores_gemma":[0.00020967251,0.00023076347,0.0003198718,0.00003769036,0.001410088,0.00013231309,0.00017183067,0.00044635055,0.00003499429],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000003031282,0.00007005421,0.000019716656,0.00003325201,0.00009300251,0.000003238306,0.043117944,7.605639e-7,0.0000122062265,0.87885386,0.003129434,0.07466352],"study_design_scores_gemma":[0.00016486747,0.0000019305712,0.00027902098,0.0012835314,0.00019142947,0.000004449384,0.0012052829,0.00033200605,0.00022616124,0.012419683,0.9835379,0.0003537013],"about_ca_topic_score_codex":0.0005672798,"about_ca_topic_score_gemma":0.007605942,"teacher_disagreement_score":0.9804085,"about_ca_system_score_codex":0.00020405398,"about_ca_system_score_gemma":0.00016016561,"threshold_uncertainty_score":0.99938625},"labels":[],"label_agreement":null},{"id":"W7072053294","doi":"","title":"Vliv Jacka Kerouaca na Jacquese Poulina: hledání identity v románech Na cestě a Volkswagen blues","year":2016,"lang":"en","type":"dissertation","venue":"Digital Repository (National Repository of Grey Literature)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Blues; Identity (music); Paradise; Narrative; Order (exchange); EPIC; Ain't; Perception","score_opus":0.011781436840199219,"score_gpt":0.24997886692235252,"score_spread":0.2381974300821533,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7072053294","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37887856,0.0072548343,0.000018112485,0.00007050114,0.005498785,0.0005078002,0.00094864186,0.0002349643,0.6065878],"genre_scores_gemma":[0.7243682,0.00004768755,0.000018715928,0.00006009617,0.002781367,0.00007188865,0.0020887395,0.000097363394,0.27046594],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9934583,0.00020061963,0.0019323884,0.0012441758,0.0025604733,0.0006040794],"domain_scores_gemma":[0.9926073,0.00034294522,0.0014392636,0.00077755976,0.0045107794,0.000322153],"candidate_categories":["metaepi_narrow","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00033209973,0.00097347534,0.0011482099,0.0007083968,0.0012534845,0.0043422896,0.0010079085,0.0007205845,0.00019888951],"category_scores_gemma":[0.00045755718,0.0008303927,0.0012131319,0.0002577501,0.00048247952,0.005236837,0.000121107936,0.0006199857,0.00009897938],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0032339864,0.0055149863,0.014379832,0.0058913683,0.009138983,0.003451514,0.07144756,0.000029766265,0.050957434,0.77365094,0.055663515,0.006640104],"study_design_scores_gemma":[0.0072968574,0.003463712,0.09567917,0.03235981,0.005541502,0.0019981207,0.012364134,0.0004114152,0.13804917,0.12968282,0.5571861,0.015967127],"about_ca_topic_score_codex":0.000112494185,"about_ca_topic_score_gemma":0.00007430016,"teacher_disagreement_score":0.6439681,"about_ca_system_score_codex":0.00035683875,"about_ca_system_score_gemma":0.00058862404,"threshold_uncertainty_score":0.9994147},"labels":[],"label_agreement":null},{"id":"W7093720509","doi":"","title":"Review of <i>Out of Place: The Writings of Robert Kroetsch</i> BySimona Bertacco","year":2004,"lang":"","type":"article","venue":"Lincoln (University of Nebraska)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Allusion; Poetry; Argument (complex analysis); Conviction; Sign (mathematics); Witness; Dismissal; Trickster; Euphemism","score_opus":0.014960824043071448,"score_gpt":0.21380344532513515,"score_spread":0.1988426212820637,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7093720509","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.52511054,0.27695885,0.0004859312,0.02001081,0.0010445912,0.0021268092,0.0016026854,0.000056608977,0.17260318],"genre_scores_gemma":[0.95183307,0.040485766,0.000310707,0.0005387025,0.00015195998,6.323371e-7,0.000035722634,0.000024331053,0.006619109],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9973587,0.00019905131,0.0009802219,0.0003995883,0.0006950387,0.000367391],"domain_scores_gemma":[0.9963307,0.00034707077,0.0015232274,0.0007521953,0.000921318,0.0001255198],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007792173,0.0003337977,0.0014662503,0.00021980419,0.00046558725,0.000020430092,0.0010648888,0.00017478663,0.0031867062],"category_scores_gemma":[0.00009167552,0.00032468038,0.0011010584,0.00039139268,0.001861494,0.0004286279,0.00035370296,0.0003472452,0.00002360778],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0008939768,0.005653635,0.0009712746,0.070352495,0.0042899833,0.00008422601,0.08764631,0.0006049308,0.0027144845,0.7597892,0.032880705,0.034118723],"study_design_scores_gemma":[0.006873743,0.0020800766,0.002280788,0.0708196,0.008785534,0.000022188171,0.12160517,0.00037502637,0.0037841627,0.008217843,0.773528,0.0016279094],"about_ca_topic_score_codex":0.0038182656,"about_ca_topic_score_gemma":0.0027212,"teacher_disagreement_score":0.7515714,"about_ca_system_score_codex":0.000052943422,"about_ca_system_score_gemma":0.0003409979,"threshold_uncertainty_score":0.99992055},"labels":[],"label_agreement":null},{"id":"W7093793100","doi":"","title":"Postscripts","year":2012,"lang":"","type":"article","venue":"Lincoln (University of Nebraska)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Shore; Settlement (finance); Nova scotia; Natural (archaeology); Period (music); Adventure; Personal account","score_opus":0.024948327008700893,"score_gpt":0.1900466475069367,"score_spread":0.1650983204982358,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7093793100","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6116444,0.008277474,0.00036985916,0.0028796198,0.0021869408,0.0002886605,0.00035649454,0.00007549012,0.37392104],"genre_scores_gemma":[0.918727,0.00036762244,0.0001880786,0.00021740369,0.00096146506,1.2392807e-7,0.000025896465,0.00001919344,0.079493225],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99816597,0.00014715834,0.00027747703,0.000307147,0.0004227973,0.00067944755],"domain_scores_gemma":[0.99855745,0.00009514598,0.00027323177,0.0004390714,0.00024585152,0.00038927872],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00036300696,0.00027704265,0.0005674334,0.0003057545,0.0010316699,0.00008164128,0.00051547197,0.00019436251,0.026628356],"category_scores_gemma":[0.00002387037,0.0003506029,0.00053714914,0.000200481,0.0007740696,0.0011667002,0.0002613593,0.0002912531,0.0010494392],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021780924,0.0022810947,0.006986814,0.0003751158,0.0010158861,0.000067292865,0.09438878,0.00001104046,0.0005599849,0.82692224,0.0429541,0.024219818],"study_design_scores_gemma":[0.0008674764,0.00021794761,0.021719566,0.00013773453,0.0008772615,0.0000076242404,0.07159217,0.00035722525,0.0000635339,0.0007551618,0.9028692,0.0005350814],"about_ca_topic_score_codex":0.0013266123,"about_ca_topic_score_gemma":0.00064495066,"teacher_disagreement_score":0.85991514,"about_ca_system_score_codex":0.000074632655,"about_ca_system_score_gemma":0.00008420471,"threshold_uncertainty_score":0.9998946},"labels":[],"label_agreement":null},{"id":"W7093986177","doi":"","title":"OF RAINSTORMS AND BUS STOPS &#13;\\nPIOGGIA E COLORE NELLA POESIA POP INGLESE","year":2009,"lang":"it","type":"article","venue":"Nova Science Publishers (Nova Science Publishers, Inc.)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Romance; Power (physics); Quarter (Canadian coin)","score_opus":0.034732725888706524,"score_gpt":0.274794782111292,"score_spread":0.24006205622258547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7093986177","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.72236234,0.00083752203,0.000095920215,0.020021023,0.0061347038,0.0010026133,0.00012475865,0.0002464863,0.24917462],"genre_scores_gemma":[0.9903897,0.00003995203,0.0006630938,0.003518877,0.0007557491,0.000015075522,0.00004759805,0.000063118416,0.004506847],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.98302567,0.00018989062,0.002442652,0.0036638733,0.0065423558,0.004135558],"domain_scores_gemma":[0.98796314,0.00024096474,0.001531043,0.0024250713,0.005682179,0.002157574],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","open_science","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","scholarly_communication"],"category_scores_codex":[0.014329023,0.0013505336,0.0017824606,0.0052416106,0.0047700577,0.044194967,0.0081976075,0.0005496234,0.0041342713],"category_scores_gemma":[0.0046030735,0.0011849051,0.00047176916,0.013678524,0.031789128,0.065178566,0.0014598615,0.0017148898,0.000080544],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033020278,0.0034503096,0.010571859,0.00040031978,0.00026800463,0.00019112356,0.06969581,0.0005565409,0.023643222,0.7183777,0.10661341,0.06590148],"study_design_scores_gemma":[0.012298808,0.007868576,0.23055072,0.0018974172,0.0014753283,0.0005714353,0.2753437,0.0145155955,0.0057372996,0.050303817,0.38728225,0.012155046],"about_ca_topic_score_codex":0.0054372554,"about_ca_topic_score_gemma":0.0009322814,"teacher_disagreement_score":0.6680739,"about_ca_system_score_codex":0.0015968457,"about_ca_system_score_gemma":0.008112389,"threshold_uncertainty_score":0.99992454},"labels":[],"label_agreement":null},{"id":"W7094007984","doi":"","title":"Poems","year":2024,"lang":"","type":"article","venue":"Figshare","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.09886360378958796,"score_gpt":0.2881059792843884,"score_spread":0.18924237549480044,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7094007984","genre_codex":"dataset","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000041715,0.03903903,3.101847e-7,0.0006397527,0.0006860628,0.000087590786,0.53893113,0.00016664783,0.42040777],"genre_scores_gemma":[0.74892,0.00006119586,0.0000012794342,0.0004858948,0.004261602,0.000072875955,0.095139004,0.00005130846,0.15100679],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99853456,0.000039076916,0.00031608786,0.0004214807,0.00027067168,0.00041811858],"domain_scores_gemma":[0.9992753,0.00015068703,0.00003169611,0.00029211826,0.00010931734,0.00014087948],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00005170335,0.00026068304,0.00024870102,0.00015184323,0.00041677224,0.0026848954,0.00026454442,0.00011154668,0.9830645],"category_scores_gemma":[0.00015373729,0.00023111695,0.00042611218,0.00012654516,0.00002568111,0.00043883096,0.000110351844,0.00035108492,0.13786542],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000015305485,0.00003382446,1.5566742e-7,0.00085491827,0.00015765306,0.00020913883,0.0030938536,0.0000020390107,0.000003628748,0.07294849,0.9129409,0.009753861],"study_design_scores_gemma":[0.000046427816,0.000046661968,0.000013103796,0.0063844384,0.00011864011,0.000009007156,0.000816793,0.0029406152,0.000049669674,0.0011218623,0.9881279,0.00032491618],"about_ca_topic_score_codex":0.00001991717,"about_ca_topic_score_gemma":0.00003766841,"teacher_disagreement_score":0.84519905,"about_ca_system_score_codex":0.000039301012,"about_ca_system_score_gemma":0.00010421138,"threshold_uncertainty_score":0.99835044},"labels":[],"label_agreement":null},{"id":"W7094317843","doi":"","title":"Dorothy Livesay introducing and reading “Bartok and the Geranium” – 
Sir George Williams University (Montreal), January 14, 1971","year":2020,"lang":"en","type":"article","venue":"Spectrum Research Repository (Concordia University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; George (robot); Reading (process); Musical; Close reading","score_opus":0.026132081896602474,"score_gpt":0.22546623349101838,"score_spread":0.19933415159441592,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7094317843","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7179687,0.00045280135,0.000052792642,0.010770918,0.00018295522,0.00036983157,0.000023064516,0.00010326454,0.2700757],"genre_scores_gemma":[0.95762646,0.00055664603,0.000007634929,0.00012182582,0.00084282097,5.7614943e-7,0.0000058736096,0.000018285356,0.04081987],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972261,0.0008570434,0.00019973723,0.00069434306,0.0004227427,0.00060003024],"domain_scores_gemma":[0.9983805,0.00056345284,0.00009297386,0.00038164732,0.00017713931,0.00040431152],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0007079916,0.00023395692,0.00041777646,0.0003460329,0.002572639,0.00044134833,0.00046412292,0.000088333065,0.0001479368],"category_scores_gemma":[0.00010378415,0.0002022818,0.00016135827,0.0003625328,0.0020451257,0.0006924411,0.0004946522,0.0007512905,0.000022286258],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0031151026,0.0001672229,0.015742145,0.00027515783,0.0010474874,0.003380503,0.07102297,0.000030607862,0.0033844826,0.8832851,0.015957417,0.0025917813],"study_design_scores_gemma":[0.0051198695,0.0007286947,0.015145565,0.00013634695,0.00055580185,0.00007137585,0.09216676,0.0023568647,0.001970669,0.0025831705,0.87821543,0.0009494811],"about_ca_topic_score_codex":0.02377655,"about_ca_topic_score_gemma":0.009435698,"teacher_disagreement_score":0.88070196,"about_ca_system_score_codex":0.00015882637,"about_ca_system_score_gemma":0.00012623784,"threshold_uncertainty_score":0.9987259},"labels":[],"label_agreement":null},{"id":"W7094760359","doi":"","title":"Poems","year":2014,"lang":"","type":"article","venue":"Figshare","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Terrace (agriculture); Spring (device); Morning","score_opus":0.07121733645053607,"score_gpt":0.25256939105656656,"score_spread":0.1813520546060305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7094760359","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00015285258,0.001412276,0.0000013335189,0.0004382861,0.0002964456,0.000098769095,0.2994015,0.00007246697,0.6981261],"genre_scores_gemma":[0.877643,0.000008203207,0.000003084743,0.001299252,0.0033540467,0.00004804451,0.066305764,0.000034924782,0.05130372],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99847144,0.00009513683,0.00034066645,0.00035402406,0.00027742365,0.000461292],"domain_scores_gemma":[0.99889326,0.0001648906,0.000120757744,0.00044161777,0.00019811356,0.00018136924],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008291666,0.0002630229,0.0003316321,0.00008832444,0.0006434033,0.00077123166,0.00035702242,0.000114937175,0.9640347],"category_scores_gemma":[0.0006214575,0.000245159,0.00032140786,0.00006297189,0.000029762105,0.0002626632,0.00012146975,0.00024779097,0.06578344],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000031678685,0.00007433779,0.0000021699943,0.00020511073,0.0000640698,0.000006516326,0.0015233767,0.0000051574098,0.000003436905,0.06276598,0.9264635,0.008883177],"study_design_scores_gemma":[0.00017523608,0.000087526416,0.0001276337,0.0012516243,0.00006730684,0.000002347234,0.00044835804,0.0019307382,0.00006187148,0.0011193561,0.9943724,0.00035556758],"about_ca_topic_score_codex":0.000023677441,"about_ca_topic_score_gemma":0.00006258652,"teacher_disagreement_score":0.89825124,"about_ca_system_score_codex":0.000020764544,"about_ca_system_score_gemma":0.000032236945,"threshold_uncertainty_score":0.99972934},"labels":[],"label_agreement":null},{"id":"W7095182678","doi":"","title":"want. Psynopsis: Canada’s Psychology Newspaper, 29(2), 6.","year":2015,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ask price; Dignity; Deception; Perception","score_opus":0.07541146826478404,"score_gpt":0.2728565004487483,"score_spread":0.19744503218396428,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7095182678","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.011744121,0.00038915887,0.000032480824,0.013297479,0.00092079805,0.000039279872,0.00001458979,0.000057539986,0.97350454],"genre_scores_gemma":[0.86125475,0.00001390022,0.00004182769,0.010200912,0.00058767153,0.000005940914,0.000012115318,0.000010441983,0.12787242],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99908227,0.000037424823,0.0002066834,0.00019361316,0.00021435005,0.0002656807],"domain_scores_gemma":[0.9993872,0.000019116424,0.00003242894,0.00025258472,0.00012329376,0.00018535089],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012557332,0.00011745599,0.00018475855,0.00004446077,0.00014514565,0.00008261677,0.00018308031,0.00003162009,0.009956583],"category_scores_gemma":[0.000027994081,0.0000895539,0.000057101268,0.000028482584,0.000100801975,0.00011150295,0.000025122241,0.00009637913,0.00024918604],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000060034363,0.000035442907,0.000057720838,0.000002100029,0.000036180805,0.00002238258,0.0017199647,0.0000017904373,0.000008319537,0.27503973,0.72149664,0.0015737256],"study_design_scores_gemma":[0.00024685482,0.00003741519,0.00008079166,0.0000031399209,0.000026047219,0.000008214626,0.006200947,0.000045552846,0.000018418086,0.0045574834,0.9886279,0.00014724764],"about_ca_topic_score_codex":0.5992061,"about_ca_topic_score_gemma":0.9709041,"teacher_disagreement_score":0.84951067,"about_ca_system_score_codex":0.000039233248,"about_ca_system_score_gemma":0.0002502074,"threshold_uncertainty_score":0.99094844},"labels":[],"label_agreement":null},{"id":"W7097895741","doi":"","title":"63 Copyright © Canadian Academy of Oriental and Occidental Culture Eco-Feminism in Emily Dickinson’s Poetry","year":2015,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Line (geometry); Print culture; Free verse","score_opus":0.03230828686275404,"score_gpt":0.26056397543418613,"score_spread":0.22825568857143208,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7097895741","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64484274,0.0006711495,9.691366e-7,0.0009848258,0.00017281045,0.000082913866,0.00010569527,0.00001747322,0.35312143],"genre_scores_gemma":[0.98794234,0.000033703913,0.000020617588,0.0017565637,0.0002271632,0.000004175644,0.00002751338,0.000009491407,0.009978453],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990274,0.000029799907,0.00027836222,0.00020339106,0.00018893434,0.00027212923],"domain_scores_gemma":[0.9994994,0.000015197793,0.00004735471,0.00007664268,0.000037269696,0.00032417427],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00015928011,0.00014054122,0.00024240084,0.00017942867,0.00011278269,0.000082693,0.0001395408,0.000102458274,0.0016430822],"category_scores_gemma":[0.000013805286,0.000108886285,0.000058497775,0.000058867172,0.00021925771,0.00028174222,0.000036908903,0.00019230739,0.000038524544],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029488896,0.0001482873,0.03273706,0.000035843914,0.00009018883,0.000060523555,0.09000287,0.0000014813147,0.0001297344,0.6616481,0.2145562,0.00056018884],"study_design_scores_gemma":[0.0010608627,0.00011288807,0.0080232425,0.000057386722,0.000067313726,0.000024321658,0.07556409,0.00013696197,0.0009057953,0.006348321,0.9072926,0.000406224],"about_ca_topic_score_codex":0.05319664,"about_ca_topic_score_gemma":0.22478841,"teacher_disagreement_score":0.6927364,"about_ca_system_score_codex":0.00008535189,"about_ca_system_score_gemma":0.000060556187,"threshold_uncertainty_score":0.99926955},"labels":[],"label_agreement":null},{"id":"W7097945740","doi":"","title":"Contents Collections ♦ Canadian Composer Rediscovered","year":2014,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Feature (linguistics); Government (linguistics); Agency (philosophy); Perspective (graphical)","score_opus":0.02490423963591233,"score_gpt":0.2030009120521747,"score_spread":0.17809667241626237,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7097945740","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.010414076,0.000011685245,0.00010803117,0.0012413138,0.00033892336,0.00004176447,0.000032490938,0.000033045697,0.98777866],"genre_scores_gemma":[0.7522273,0.0000016311452,0.000008742324,0.0013321214,0.00021652928,0.0000039744223,0.000014896935,0.0000044159274,0.24619038],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951744,0.000024730773,0.00011000049,0.00009852312,0.00007372245,0.00017555422],"domain_scores_gemma":[0.9996409,0.000022532204,0.000014547597,0.00011856845,0.00007039678,0.00013310231],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0000598174,0.00006220869,0.00010188825,0.000105009254,0.0006603455,0.00022286328,0.000076306416,0.000018219727,0.0141268205],"category_scores_gemma":[0.000014612194,0.000050439252,0.000060857445,0.000039912724,0.00007726954,0.000098894736,0.000005030071,0.000048966365,0.0002858801],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000015320073,0.000017783956,0.000079099955,0.0000015861235,0.000028647608,8.608331e-7,0.0008818716,0.0000027622523,0.000022311016,0.8575149,0.14130715,0.00014147548],"study_design_scores_gemma":[0.00015274469,0.000025253647,0.00014907513,0.0000043947384,0.000023932636,9.0871055e-7,0.0012317572,0.0007280269,0.000048214763,0.0049479175,0.9925958,0.00009196242],"about_ca_topic_score_codex":0.21274702,"about_ca_topic_score_gemma":0.83781767,"teacher_disagreement_score":0.852567,"about_ca_system_score_codex":0.00002559418,"about_ca_system_score_gemma":0.000020517735,"threshold_uncertainty_score":0.9867744},"labels":[],"label_agreement":null},{"id":"W7098774348","doi":"","title":"Title: Sorting by Transpositions: Fixed-parameter Algorithms and","year":2008,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Permission; Sorting; Sorting algorithm; Field (mathematics)","score_opus":0.030270979905934952,"score_gpt":0.22993672857342487,"score_spread":0.19966574866748993,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7098774348","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.028086813,0.0007114111,0.0008378309,0.0003919995,0.000081765036,0.00003071256,0.000025163006,0.000052555573,0.96978176],"genre_scores_gemma":[0.91505784,0.000059387614,0.0001890243,0.00042382453,0.00010440086,0.0000025851614,0.0000114405975,0.0000041280546,0.084147364],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99976355,0.0000053313747,0.000067239394,0.000059638758,0.0000414207,0.00006279349],"domain_scores_gemma":[0.9999039,0.000016843574,0.0000081567205,0.000038440623,0.000012304561,0.000020363832],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000019797262,0.00003562941,0.000052312327,0.000015473945,0.00015220621,0.000026576214,0.000020470088,0.000011636301,0.011933924],"category_scores_gemma":[0.0000027656463,0.000027685257,0.00002643919,0.000008493213,0.0000717559,0.000057291112,0.0000028053144,0.00003090235,0.00016170187],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000034334475,0.00012928556,0.00016445594,0.000021254815,0.00010858279,0.000023371433,0.009143484,4.7024292e-7,0.0004170031,0.33249617,0.6351084,0.02238411],"study_design_scores_gemma":[0.00014657027,0.00003362289,0.00008145943,0.000009488853,0.00004763048,0.000013678134,0.0008008549,0.001296854,0.0006607413,0.0027211576,0.99401486,0.00017309822],"about_ca_topic_score_codex":0.000038039372,"about_ca_topic_score_gemma":0.000014433951,"teacher_disagreement_score":0.88697106,"about_ca_system_score_codex":0.0000018876136,"about_ca_system_score_gemma":0.0000023798286,"threshold_uncertainty_score":0.9889693},"labels":[],"label_agreement":null},{"id":"W7099447780","doi":"","title":"2002b). “How do young people choose college majors","year":2011,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Higher education; Agency (philosophy); Qualitative research","score_opus":0.03341251188136198,"score_gpt":0.20615724117791207,"score_spread":0.17274472929655008,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7099447780","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.064472675,0.00012728921,0.000034037734,0.00040524313,0.00036934548,0.000075234166,0.000046842633,0.00008763487,0.9343817],"genre_scores_gemma":[0.77577263,0.000014815814,0.000061814986,0.0002026025,0.0002509869,0.000011044754,0.0000054833863,0.000011609863,0.22366904],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991874,0.000027334998,0.00015674325,0.00019667619,0.00016158994,0.00027023413],"domain_scores_gemma":[0.99951243,0.000017577073,0.00003905639,0.0002461459,0.00009012758,0.0000946723],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00012115753,0.00013585508,0.00019739654,0.00008437512,0.0003118503,0.00015129491,0.0001772463,0.00003703817,0.07542316],"category_scores_gemma":[0.00001529125,0.00010381681,0.00013635875,0.000052573065,0.00009631609,0.0002913122,0.000039153987,0.00008770744,0.00074923947],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000067178416,0.00009883844,0.00066666893,0.000008301883,0.000050717117,0.000011920122,0.015120423,3.759518e-8,0.000010921027,0.92012274,0.063601576,0.00030112782],"study_design_scores_gemma":[0.0009195905,0.00017518786,0.017298682,0.000034112873,0.0003348961,0.0000326251,0.111647025,0.00019373445,0.00073715416,0.037958376,0.82968706,0.0009815863],"about_ca_topic_score_codex":0.00088465906,"about_ca_topic_score_gemma":0.008527616,"teacher_disagreement_score":0.88216436,"about_ca_system_score_codex":0.000013933281,"about_ca_system_score_gemma":0.000014298973,"threshold_uncertainty_score":0.96302074},"labels":[],"label_agreement":null},{"id":"W7099506311","doi":"","title":"Revised 09/30/99 HARBOR PORPOISE (Phocoena phocoena): Central California Stock STOCK DEFINITION AND GEOGRAPHIC RANGE In the Pacific, harbor porpoise are found in coastal and","year":2013,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Porpoise; Bay; Range (aeronautics); Stock (firearms); Fishing; Phylogeography; Cetacea","score_opus":0.026243189601615053,"score_gpt":0.2111019928795347,"score_spread":0.18485880327791965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7099506311","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9851411,0.0018754755,0.000029992185,0.0019551425,0.00009744675,0.001230892,0.00032906397,0.00006114548,0.009279751],"genre_scores_gemma":[0.99763936,0.00046419594,0.0000382578,0.00089371036,0.00019685474,0.00026473444,0.00005644522,0.000032326025,0.0004141422],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99756163,0.0002598156,0.0006272215,0.00051092624,0.00035964153,0.0006807491],"domain_scores_gemma":[0.9989542,0.00016814284,0.00018310957,0.00035382347,0.00014230187,0.00019846972],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00048518594,0.00038824003,0.00053432444,0.00033880892,0.00038891446,0.0007446652,0.00020456432,0.00011153579,0.0028106],"category_scores_gemma":[0.00006156105,0.00027171953,0.00013710442,0.00019326278,0.00045928557,0.00056836277,0.00007163057,0.0003803497,0.0000706582],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00085967133,0.0035966164,0.61079633,0.001624371,0.0004968053,0.00070859375,0.04228825,0.000021047194,0.0007950437,0.29290125,0.03917472,0.0067372606],"study_design_scores_gemma":[0.009036601,0.00054341083,0.8589214,0.0008289473,0.00048320918,0.000042005868,0.04261736,0.005037665,0.000044591063,0.014226178,0.06618986,0.0020287775],"about_ca_topic_score_codex":0.003816001,"about_ca_topic_score_gemma":0.012504458,"teacher_disagreement_score":0.27867508,"about_ca_system_score_codex":0.000035999088,"about_ca_system_score_gemma":0.000036654837,"threshold_uncertainty_score":0.9999735},"labels":[],"label_agreement":null},{"id":"W7099542091","doi":"","title":"BIOLOGIE CELLULAIRE ET MOLECULAIRE","year":2015,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Qualitative analysis; Sequence (biology)","score_opus":0.16367625840447161,"score_gpt":0.28535366699568343,"score_spread":0.12167740859121182,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7099542091","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.041414995,0.00027280222,0.0004243438,0.002429067,0.0002361679,0.0000340352,0.0000064124747,0.00012855619,0.9550536],"genre_scores_gemma":[0.96554166,0.0000081517,0.000055729408,0.0017347849,0.00015963905,0.0000038196813,0.00001628417,0.0000061710775,0.032473765],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995021,0.00003584751,0.00010744159,0.00011833422,0.00009717548,0.00013906904],"domain_scores_gemma":[0.9996648,0.000014751233,0.000017348351,0.0001430371,0.000080783975,0.00007930867],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014672107,0.00007625556,0.000103317354,0.000035380654,0.00008439033,0.00009763366,0.00010263327,0.000023024364,0.0022806337],"category_scores_gemma":[0.000030038585,0.000052677537,0.000068467234,0.0000198115,0.00010553051,0.00010783651,0.000033282304,0.000055107248,0.00058425695],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000025509248,0.000033193643,0.00005529747,0.0000022116126,0.000013597344,0.000010887847,0.0024794873,0.00000518115,0.000053593307,0.96416765,0.032111235,0.0010651016],"study_design_scores_gemma":[0.00019621158,0.00007887045,0.000033713743,0.000005965597,0.000025538006,0.0000020946743,0.009506357,0.00024945237,0.000581452,0.034998726,0.9541449,0.00017669518],"about_ca_topic_score_codex":0.00021595803,"about_ca_topic_score_gemma":0.00040851752,"teacher_disagreement_score":0.92916894,"about_ca_system_score_codex":0.00001209302,"about_ca_system_score_gemma":0.00002975461,"threshold_uncertainty_score":0.9986314},"labels":[],"label_agreement":null},{"id":"W7099892399","doi":"","title":"Article","year":2014,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Promotion (chess); Work (physics); Order (exchange)","score_opus":0.017376573261331303,"score_gpt":0.20422548895228623,"score_spread":0.18684891569095494,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7099892399","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.09468928,0.000008336001,0.00051075016,0.0006883181,0.00007284428,0.000008223286,3.7077575e-7,0.000046432968,0.9039754],"genre_scores_gemma":[0.947356,3.9906652e-7,0.000029422254,0.0009973078,0.0002891782,0.0000011852818,5.870687e-7,0.0000022874788,0.051323667],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999762,0.000010577166,0.000055104567,0.000050205203,0.000046340963,0.000075794225],"domain_scores_gemma":[0.99985635,0.000016211861,0.0000062504737,0.000077129574,0.000018961038,0.000025103942],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0000689506,0.000027122142,0.00004317295,0.000013682324,0.000092062735,0.000066381894,0.00003854423,0.0000054788966,0.017027145],"category_scores_gemma":[0.000011745942,0.00001932981,0.000030598298,0.000007546928,0.00004263496,0.00006475369,0.000006895056,0.000019548545,0.0011650552],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[3.9898785e-7,0.000012397833,0.00004704049,8.2647847e-7,0.0000037319458,1.3331858e-7,0.00075385097,7.1223656e-7,0.000060612514,0.9902041,0.00583835,0.0030778318],"study_design_scores_gemma":[0.00006397577,0.000015997064,0.0001786399,0.0000011864802,0.000009645765,2.5082846e-7,0.00070953264,0.001557205,0.00050376955,0.02571072,0.97119576,0.000053295833],"about_ca_topic_score_codex":0.000044354463,"about_ca_topic_score_gemma":0.00018098367,"teacher_disagreement_score":0.9653574,"about_ca_system_score_codex":0.0000016149696,"about_ca_system_score_gemma":0.0000011132609,"threshold_uncertainty_score":0.9996126},"labels":[],"label_agreement":null},{"id":"W7100385532","doi":"","title":"OPTIMAL THERAPY REPORT Optimal Therapy Recommendations for the Prescribing and Use of Blood Glucose Test","year":2009,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Documentation; Health care; Quality (philosophy); Test (biology); Process (computing); Patient care","score_opus":0.09267609426438596,"score_gpt":0.2913398248705218,"score_spread":0.19866373060613585,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7100385532","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9682946,0.0034842822,0.0018272545,0.016194757,0.0002002828,0.0008778179,0.00013881938,0.000107393425,0.0088747665],"genre_scores_gemma":[0.98759526,0.0015746218,0.002588317,0.0010423573,0.00020408578,0.000030778072,0.00003187507,0.000011926121,0.006920806],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99916726,0.000023749231,0.00034079666,0.00018793113,0.00010623903,0.00017403274],"domain_scores_gemma":[0.99894965,0.0004751689,0.00011209944,0.00026658637,0.0001587367,0.000037779253],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00026709185,0.00012757238,0.00018615957,0.000048589023,0.00045412345,0.00027443614,0.00011253562,0.000029642742,0.00086018577],"category_scores_gemma":[0.000072888855,0.00007597981,0.00013129426,0.0000328558,0.00012824507,0.00032922885,0.000013464475,0.000073519885,8.814776e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038952075,0.0037478602,0.0011565578,0.000022385997,0.0015687722,0.00003250478,0.030576004,0.00047130132,0.014318739,0.7233748,0.04838809,0.17595346],"study_design_scores_gemma":[0.0020495013,0.0014907229,0.0016437713,0.00003905078,0.00033162397,0.000053869342,0.0054553207,0.0054919515,0.017179115,0.0020246434,0.96380645,0.00043395974],"about_ca_topic_score_codex":0.00014435331,"about_ca_topic_score_gemma":0.000047874903,"teacher_disagreement_score":0.9154184,"about_ca_system_score_codex":0.0000032179555,"about_ca_system_score_gemma":0.000017662287,"threshold_uncertainty_score":0.9418431},"labels":[],"label_agreement":null},{"id":"W7100388634","doi":"","title":"XMM-Newton Surveys of the Canada-France Redshift Survey Fields- III: The Environments of X-ray Selected","year":2008,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Redshift; Luminosity; Galaxy; Redshift survey; Universe; Population; Accretion (finance); Amplitude","score_opus":0.021749042335462092,"score_gpt":0.19127478688341695,"score_spread":0.16952574454795485,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7100388634","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9777408,0.00016733744,0.00011555318,0.0007630233,0.00022044675,0.00012125445,0.00013932593,0.0000067638744,0.02072548],"genre_scores_gemma":[0.9539799,0.000038470906,0.0000019750428,0.00025400036,0.00004814588,0.000003096686,0.000015422147,0.000006589346,0.0456524],"study_design_codex":"observational","study_design_gemma":"observational","domain_scores_codex":[0.99855894,0.0004615576,0.0003296319,0.00013037119,0.00034437244,0.00017513928],"domain_scores_gemma":[0.99910206,0.00026231166,0.00013284263,0.00038912662,0.00008506564,0.000028603563],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00052743324,0.000109120214,0.00022724135,0.000017782546,0.00033510514,0.000011393105,0.0003589781,0.00003370048,0.0019395924],"category_scores_gemma":[0.00008222784,0.000057209763,0.000083630446,0.00009562816,0.0003566039,0.0000427575,0.00004601698,0.00011880171,0.000002430179],"study_design_candidate":"observational","study_design_consensus":"observational","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010651576,0.0010300447,0.5400259,0.00012844328,0.0016798689,0.0000201892,0.03787581,0.0014259085,0.0024889829,0.08782552,0.3252533,0.0021395076],"study_design_scores_gemma":[0.00026194728,0.0000357067,0.9479705,0.000013374652,0.000043342396,9.999961e-7,0.0005757751,0.000104115206,0.0035146226,0.00013688991,0.047201276,0.00014144443],"about_ca_topic_score_codex":0.70459676,"about_ca_topic_score_gemma":0.91832894,"teacher_disagreement_score":0.40794462,"about_ca_system_score_codex":0.000015938092,"about_ca_system_score_gemma":0.00012701261,"threshold_uncertainty_score":0.9989728},"labels":[],"label_agreement":null},{"id":"W7100683034","doi":"","title":"1 Copyright © Canadian Academy of Oriental and Occidental Culture Application of Communicative Method in EFL Listening and Speaking Class","year":2015,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Active listening; Class (philosophy); Discourse analysis; Listening comprehension; Style (visual arts)","score_opus":0.043065759188188404,"score_gpt":0.31975751796660334,"score_spread":0.27669175877841495,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7100683034","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7029147,0.0015661491,0.0005035908,0.00091083377,0.00003704905,0.0002582238,0.0000793522,0.000014105747,0.29371598],"genre_scores_gemma":[0.9984501,0.000018429408,0.0009500894,0.0001433468,0.000028125127,0.000003890165,0.000013012609,0.0000039911706,0.0003890162],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.999439,0.00006659045,0.00020802264,0.00010583462,0.00008410926,0.00009643896],"domain_scores_gemma":[0.9996706,0.000041107443,0.00008035109,0.00007006889,0.00004867479,0.00008918184],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00027127445,0.000068780726,0.00018531556,0.00009457138,0.00007511393,0.000026580334,0.00009114841,0.000044589193,0.00006675229],"category_scores_gemma":[0.000013875819,0.000054247805,0.000021805563,0.000046032736,0.00020082472,0.00016050482,0.000046267316,0.00011406828,8.5692204e-7],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017831913,0.000037690566,0.010844567,0.000031229967,0.00004918298,9.67543e-7,0.09846323,0.0000033497925,0.0008808174,0.88668865,0.00047196532,0.0025105192],"study_design_scores_gemma":[0.0029346573,0.00029935982,0.021217111,0.00030742487,0.00036020522,0.000040055093,0.57459706,0.019706815,0.0145263905,0.026566908,0.3385956,0.0008483813],"about_ca_topic_score_codex":0.08866124,"about_ca_topic_score_gemma":0.24911676,"teacher_disagreement_score":0.8601217,"about_ca_system_score_codex":0.000033353437,"about_ca_system_score_gemma":0.00001781177,"threshold_uncertainty_score":0.91740745},"labels":[],"label_agreement":null},{"id":"W7103236285","doi":"","title":"Festival","year":2015,"lang":"","type":"article","venue":"EngagedScholarship @ Cleveland State University (Cleveland State University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Parade; Paragraph; Wonder; Center (category theory); Performance art","score_opus":0.06966551632132778,"score_gpt":0.21685241815943773,"score_spread":0.14718690183810995,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7103236285","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8215727,0.00058039103,0.0046189,0.0010013811,0.0018381616,0.00073412765,0.004304412,0.00044641766,0.1649035],"genre_scores_gemma":[0.6980507,0.0012508177,0.00022944964,0.00014774167,0.00028408543,2.1129273e-7,0.00019587102,0.00008964826,0.2997515],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.98982203,0.0038698008,0.00086027314,0.0018202829,0.0014667644,0.0021608244],"domain_scores_gemma":[0.99344784,0.0008216396,0.00065682956,0.0011494049,0.0014992658,0.0024250064],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0030582405,0.0013737476,0.0015330261,0.0020513972,0.005165346,0.001229666,0.001994059,0.00050992006,0.0017580962],"category_scores_gemma":[0.00042711565,0.0015820151,0.0008539241,0.001395928,0.0014025398,0.0038851206,0.00090629264,0.0038936199,0.0011226201],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.01970467,0.005985554,0.05093865,0.000998254,0.011245132,0.059666734,0.40745842,0.0035256494,0.00028540008,0.328316,0.060850583,0.05102493],"study_design_scores_gemma":[0.008973031,0.00075753935,0.008059846,0.00023636538,0.0011344921,0.000054766413,0.083972536,0.0005217608,0.00009293815,0.0031251246,0.8907815,0.0022900745],"about_ca_topic_score_codex":0.0020949005,"about_ca_topic_score_gemma":0.004303302,"teacher_disagreement_score":0.82993096,"about_ca_system_score_codex":0.0013646205,"about_ca_system_score_gemma":0.0013638393,"threshold_uncertainty_score":0.9999013},"labels":[],"label_agreement":null},{"id":"W7103411874","doi":"","title":"Oakwood","year":2018,"lang":"","type":"article","venue":"Open PRAIRIE (South Dakota State University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"MAGIC (telescope); Beauty; George (robot); Obituary; Performance art","score_opus":0.037504763176179685,"score_gpt":0.24171861087162844,"score_spread":0.20421384769544876,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7103411874","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04240471,0.00014496577,0.0005532711,0.0025947953,0.0011456868,0.0006825684,0.0014269173,0.00008874149,0.9509584],"genre_scores_gemma":[0.56109023,0.00007114004,0.00008085276,0.00043497782,0.00050074595,7.028963e-7,0.000048483173,0.000040516188,0.43773237],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9962692,0.0004254628,0.00056410243,0.0011575491,0.0004881613,0.0010955152],"domain_scores_gemma":[0.9969936,0.000103185645,0.00044677078,0.0011342706,0.00077259965,0.0005495907],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00055454194,0.0006188547,0.0008092706,0.0005774635,0.003381815,0.0026617893,0.002663398,0.00017276325,0.037049692],"category_scores_gemma":[0.000058294398,0.0006723511,0.00036774133,0.0006561534,0.0023219578,0.0024940523,0.0020274478,0.00049820624,0.0064976793],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010584327,0.00079377636,0.0009091715,0.0001036336,0.0016675703,0.0008582229,0.076850496,0.00001052846,0.000041389743,0.8234171,0.0878496,0.006440075],"study_design_scores_gemma":[0.0018290078,0.0007344407,0.00033816832,0.000150703,0.0007277291,0.0000045910274,0.035010256,0.00021325995,0.00010590211,0.0014504585,0.9585188,0.0009166752],"about_ca_topic_score_codex":0.001486597,"about_ca_topic_score_gemma":0.0052500404,"teacher_disagreement_score":0.8706692,"about_ca_system_score_codex":0.0001810244,"about_ca_system_score_gemma":0.00044854172,"threshold_uncertainty_score":0.99957275},"labels":[],"label_agreement":null},{"id":"W7106802555","doi":"10.3138/ecf-2024-0025","title":"Kathyrn Ready and David Sigler, editors. <i>Romantic Women’s Writing and Sexual Transgression</i>","year":2025,"lang":"en","type":"article","venue":"Eighteenth-Century Fiction","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Human sexuality","score_opus":0.01057705526706738,"score_gpt":0.2269766691563368,"score_spread":0.21639961388926943,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7106802555","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9578864,0.00880924,0.00008655563,0.00083001936,0.003897106,0.00021719922,0.00007147456,0.00016684686,0.02803514],"genre_scores_gemma":[0.99262816,0.002218558,0.000016204065,0.0003540819,0.0024612576,0.000037657133,0.00006174787,0.000015996939,0.002206325],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986215,0.00007682804,0.00035594142,0.00040320368,0.00020787786,0.00033465435],"domain_scores_gemma":[0.9994521,0.00011635381,0.00007411457,0.00018000377,0.00007337424,0.00010405872],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024216787,0.0002119138,0.0002696056,0.00017227126,0.00079467765,0.00033325652,0.00008381691,0.00008926729,0.00043774664],"category_scores_gemma":[0.000022894763,0.0001840802,0.000045129138,0.00007144676,0.00019904335,0.00039671353,0.00004657708,0.00021441304,0.000010986373],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004682268,0.0014678959,0.0066345115,0.0011470498,0.0008162504,0.00006494576,0.07094422,0.0000079405445,0.008034265,0.44315124,0.3931781,0.07408537],"study_design_scores_gemma":[0.0008365405,0.00019582704,0.0017098187,0.00016460339,0.0001932188,0.000006002067,0.016168417,0.0004578356,0.0001898059,0.000403607,0.9793597,0.0003146524],"about_ca_topic_score_codex":0.0000826771,"about_ca_topic_score_gemma":0.00004064301,"teacher_disagreement_score":0.5861816,"about_ca_system_score_codex":0.000053834967,"about_ca_system_score_gemma":0.00001880721,"threshold_uncertainty_score":0.75065726},"labels":[],"label_agreement":null},{"id":"W7113202309","doi":"","title":"“Walt Whitman and Canada: A Controversial Relationship”","year":2024,"lang":"en","type":"book-chapter","venue":"CINECA IRIS Institutial Research Information System (University of Genoa)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Criticism; Focus (optics); Politics; World literature; Canadian literature","score_opus":0.06338122634620044,"score_gpt":0.23762101774530484,"score_spread":0.1742397913991044,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7113202309","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000772341,0.00033749995,0.0002384682,0.00072313467,0.00048641372,0.00037409068,0.0007988031,0.00004874329,0.9962205],"genre_scores_gemma":[0.7001509,0.00006094406,0.000012290585,0.000026258444,0.00028484163,6.6614973e-7,0.00016379976,0.000010066045,0.2992902],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980933,0.000042869542,0.00038766905,0.00021198466,0.0009938618,0.0002703],"domain_scores_gemma":[0.99825865,0.00013589762,0.00021251087,0.00029377337,0.00091299426,0.00018616255],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00066884805,0.00020004867,0.00043529295,0.00075579935,0.0011425809,0.00020889695,0.00031167487,0.00019331365,0.00079664023],"category_scores_gemma":[0.000072488925,0.00022042943,0.00013632727,0.000053935044,0.00074013503,0.00088579353,0.00021992477,0.0005990049,0.0003488402],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057082885,0.0000026837715,0.00000780724,0.00075293274,0.00016237255,0.00004441677,0.0056774127,0.000009839574,6.5399223e-7,0.95568407,0.03712116,0.00047954082],"study_design_scores_gemma":[0.00041627072,0.000062346095,0.000037919715,0.00048696055,0.00015268248,0.000009967268,0.020974837,0.00042514582,5.9933467e-7,0.00091795815,0.97631216,0.00020314276],"about_ca_topic_score_codex":0.19778934,"about_ca_topic_score_gemma":0.44029942,"teacher_disagreement_score":0.95476615,"about_ca_system_score_codex":0.0006301696,"about_ca_system_score_gemma":0.0011669097,"threshold_uncertainty_score":0.89888513},"labels":[],"label_agreement":null},{"id":"W7113428201","doi":"","title":"Poems","year":2024,"lang":"","type":"article","venue":"Figshare","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.09886360378958796,"score_gpt":0.2881059792843884,"score_spread":0.18924237549480044,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7113428201","genre_codex":"dataset","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000041715,0.03903903,3.101847e-7,0.0006397527,0.0006860628,0.000087590786,0.53893113,0.00016664783,0.42040777],"genre_scores_gemma":[0.74892,0.00006119586,0.0000012794342,0.0004858948,0.004261602,0.000072875955,0.095139004,0.00005130846,0.15100679],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99853456,0.000039076916,0.00031608786,0.0004214807,0.00027067168,0.00041811858],"domain_scores_gemma":[0.9992753,0.00015068703,0.00003169611,0.00029211826,0.00010931734,0.00014087948],"candidate_categories":["scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00005170335,0.00026068304,0.00024870102,0.00015184323,0.00041677224,0.0026848954,0.00026454442,0.00011154668,0.9830645],"category_scores_gemma":[0.00015373729,0.00023111695,0.00042611218,0.00012654516,0.00002568111,0.00043883096,0.000110351844,0.00035108492,0.13786542],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000015305485,0.00003382446,1.5566742e-7,0.00085491827,0.00015765306,0.00020913883,0.0030938536,0.0000020390107,0.000003628748,0.07294849,0.9129409,0.009753861],"study_design_scores_gemma":[0.000046427816,0.000046661968,0.000013103796,0.0063844384,0.00011864011,0.000009007156,0.000816793,0.0029406152,0.000049669674,0.0011218623,0.9881279,0.00032491618],"about_ca_topic_score_codex":0.00001991717,"about_ca_topic_score_gemma":0.00003766841,"teacher_disagreement_score":0.84519905,"about_ca_system_score_codex":0.000039301012,"about_ca_system_score_gemma":0.00010421138,"threshold_uncertainty_score":0.99835044},"labels":[],"label_agreement":null},{"id":"W7113911796","doi":"10.7202/1120234ar","title":"Blues and Bliss, The Poetry of George Elliott Clarke","year":2009,"lang":"en","type":"article","venue":"Atlantis Critical Studies in Gender Culture & Social Justice","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"George (robot); Blues; Poetry; Criticism","score_opus":0.08766911570664039,"score_gpt":0.36193801959529537,"score_spread":0.274268903888655,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7113911796","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21479467,0.11356873,0.00015579772,0.032445043,0.0034839145,0.0006253172,0.00020290403,0.00019371977,0.6345299],"genre_scores_gemma":[0.99243003,0.0023406404,0.00004541903,0.0024954132,0.0014186514,0.0000065381537,0.0000066071716,0.000009079617,0.0012476202],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9984386,0.00016063904,0.00040296567,0.000280958,0.00031724147,0.00039962458],"domain_scores_gemma":[0.9990804,0.00038813957,0.000056095498,0.00013223845,0.00028840228,0.00005473092],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003393511,0.00021650083,0.0004605892,0.00004322771,0.0009331816,0.00011571838,0.00020694624,0.00010654665,0.00012495539],"category_scores_gemma":[0.0005752847,0.0001380434,0.00013691428,0.00012711051,0.0014441333,0.00017860782,0.00009191661,0.00035431335,0.0000082295655],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000017331964,0.00013603903,0.000117304815,0.0002061158,0.00013037637,0.000030084228,0.076843336,3.4510623e-7,0.000081894206,0.8943544,0.027153399,0.0009293736],"study_design_scores_gemma":[0.0007588078,0.00023326949,0.010462849,0.00017635852,0.0026074888,0.00002485908,0.46268064,0.000045647943,0.00011298398,0.108676635,0.4134972,0.0007232736],"about_ca_topic_score_codex":0.000059123697,"about_ca_topic_score_gemma":0.00019936613,"teacher_disagreement_score":0.7856778,"about_ca_system_score_codex":0.000024315153,"about_ca_system_score_gemma":0.000011501993,"threshold_uncertainty_score":0.71773726},"labels":[],"label_agreement":null},{"id":"W7114130984","doi":"","title":"The 1963 Vancouver poetry conference Robert Creeley's contexts of poetry","year":2009,"lang":"en","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Criticism; George (robot); Free verse","score_opus":0.014722007900371628,"score_gpt":0.22994905538367008,"score_spread":0.21522704748329846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7114130984","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.036134053,0.0009684152,0.0002866178,0.0015794581,0.00049440976,0.00011416854,0.000019003575,0.00006807636,0.9603358],"genre_scores_gemma":[0.90255237,0.00006513694,0.000022125294,0.0011817748,0.00022903222,0.000002518778,0.0000035286052,0.0000065928884,0.09593693],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886703,0.000047153855,0.00036256047,0.0001815848,0.00025933224,0.00028230646],"domain_scores_gemma":[0.9991123,0.00012688106,0.00010200867,0.0003435881,0.00024467992,0.00007054377],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019997724,0.00015448547,0.00026021476,0.000048703754,0.00041015298,0.00016857052,0.00031530127,0.000047038,0.0052522724],"category_scores_gemma":[0.000041693733,0.00009241625,0.00017315679,0.000046034696,0.00031439352,0.00019539575,0.000029389275,0.00014323434,0.00006585706],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029492854,0.00010095191,0.000048752412,0.0000061949136,0.000055109012,0.0000036505369,0.0022023204,0.0000016016868,0.00022167666,0.92811966,0.05567014,0.013540439],"study_design_scores_gemma":[0.00049134716,0.0002503578,0.001581094,0.000051661602,0.0001015606,0.0000022688027,0.009483304,0.00033482385,0.0014243006,0.040564816,0.9453727,0.00034177018],"about_ca_topic_score_codex":0.00028863983,"about_ca_topic_score_gemma":0.006154389,"teacher_disagreement_score":0.88970256,"about_ca_system_score_codex":0.000012834111,"about_ca_system_score_gemma":0.000036481502,"threshold_uncertainty_score":0.9956571},"labels":[],"label_agreement":null},{"id":"W7115036459","doi":"","title":"New forms of subjectivity: critical intermedia and socially engaged poetics, 1971–2021","year":2025,"lang":"en","type":"dissertation","venue":"Open MIND","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Action (physics); Agency (philosophy); Subject (documents); Narrative","score_opus":0.0555949691065929,"score_gpt":0.3354115062528538,"score_spread":0.2798165371462609,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7115036459","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17076261,0.0004726673,0.000023914245,0.00047228354,0.0009570915,0.00027527913,0.0001966334,0.0000011397958,0.8268384],"genre_scores_gemma":[0.7584996,0.000056513025,0.00022216773,0.000025757403,0.00035464493,0.000008374404,0.0004558115,0.000014648625,0.24036244],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99879086,0.00013589267,0.00037779674,0.00031806374,0.00018108587,0.00019632238],"domain_scores_gemma":[0.99890715,0.00052586786,0.000116807445,0.0001871549,0.00017808838,0.000084912965],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00042645508,0.00020842096,0.0005588255,0.00013243454,0.00038726162,0.0005365765,0.00031145575,0.00016232478,0.022675982],"category_scores_gemma":[0.0006435135,0.00018885496,0.00014931012,0.000040248055,0.00012876683,0.000247716,0.00009589757,0.0005251655,0.000050924336],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017124388,0.00020567107,0.00003789199,0.00028053258,0.0004281788,0.000020309204,0.14356223,9.261453e-8,0.00022729034,0.28631753,0.0029925539,0.5657565],"study_design_scores_gemma":[0.002057957,0.00059142505,0.0014684561,0.0029785945,0.0036323834,0.0000039612264,0.38543808,0.000068306996,0.01043648,0.11627699,0.47526175,0.0017856262],"about_ca_topic_score_codex":0.00083568966,"about_ca_topic_score_gemma":0.070339866,"teacher_disagreement_score":0.587737,"about_ca_system_score_codex":0.000020341266,"about_ca_system_score_gemma":0.00055715634,"threshold_uncertainty_score":0.9782174},"labels":[],"label_agreement":null},{"id":"W7120058714","doi":"10.15210/interfaces.v19i2.16584","title":"Bearing Witness: Bruce Cockburn’s Cultural Interventions in Central America","year":2019,"lang":"en","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Witness; Power (physics); Psychological intervention; Work (physics)","score_opus":0.03177020655563427,"score_gpt":0.2572916598033696,"score_spread":0.22552145324773532,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7120058714","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5581037,0.00074658863,0.00067478855,0.010948473,0.0019560307,0.00058714364,0.00008299768,0.00035152055,0.4265488],"genre_scores_gemma":[0.9955915,0.00007007258,0.0002347021,0.0002283252,0.00056861324,0.0000855505,0.00015211065,0.000032570202,0.0030365463],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99725205,0.00022883715,0.00072789297,0.00055976945,0.000492195,0.0007392649],"domain_scores_gemma":[0.9986988,0.00010709689,0.00024983834,0.00040468667,0.00027138166,0.00026822952],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0002455429,0.00033848558,0.00048843597,0.0003798666,0.00049359276,0.0004526422,0.0004891113,0.00017047956,0.00083929196],"category_scores_gemma":[0.00015311914,0.00030888783,0.00041998332,0.00028972505,0.000051084782,0.0008058203,0.00016528803,0.00056069315,0.00008389646],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005951194,0.00043924153,0.0011774979,0.00011211817,0.000114372604,0.000058468962,0.0098576285,0.00014654695,0.0006230479,0.9862391,0.00047454095,0.0006979406],"study_design_scores_gemma":[0.00091797084,0.00007178087,0.007097077,0.00036101526,0.00008448135,0.00012687096,0.0070305713,0.0008261576,0.00012630034,0.00080275664,0.9820735,0.00048152343],"about_ca_topic_score_codex":0.000017934186,"about_ca_topic_score_gemma":0.0012203228,"teacher_disagreement_score":0.9854363,"about_ca_system_score_codex":0.00041193535,"about_ca_system_score_gemma":0.0001524732,"threshold_uncertainty_score":0.99993634},"labels":[],"label_agreement":null},{"id":"W7125225408","doi":"10.1525/jrpc.2.1.006b","title":"Review: The Bop Apocalypse: The Religious Visions of Kerouac, Ginsberg, and Burroughs, by John Lardas","year":2002,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Vision; Perspective (graphical); Faith","score_opus":0.014667450172317941,"score_gpt":0.24582614067756686,"score_spread":0.23115869050524893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7125225408","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.01641935,0.960914,0.000015691117,0.019165786,0.00021325274,0.00013902932,0.000030856314,0.000008174718,0.003093844],"genre_scores_gemma":[0.22982152,0.75693554,0.000013654283,0.0064344844,0.00031905665,0.0000017039517,0.000005770414,0.000009376304,0.0064588846],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882287,0.0001191281,0.00051140296,0.000112342335,0.0002897019,0.00014453747],"domain_scores_gemma":[0.99910706,0.000031389038,0.00036612208,0.00020502301,0.00020591552,0.00008448883],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040273153,0.00015323311,0.0003600949,0.000036420774,0.00040479866,0.00013672076,0.00020982734,0.00006558787,0.00008877819],"category_scores_gemma":[0.00008258586,0.00006661929,0.00020434282,0.00007213283,0.00021980132,0.00015258262,0.000038549697,0.00038992977,0.0000058575692],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000006844031,0.000040773484,0.000025148927,0.000080056045,0.00008400985,0.000007848221,0.004046525,5.232842e-7,0.0000945628,0.022386208,0.9721912,0.0010363049],"study_design_scores_gemma":[0.00022027752,0.00012683148,0.00000486689,0.00055564597,0.00033424844,0.00018062216,0.00070091063,0.000017071243,0.00003424459,0.0013777319,0.9963522,0.000095379095],"about_ca_topic_score_codex":0.00007178959,"about_ca_topic_score_gemma":0.000049881764,"teacher_disagreement_score":0.21340217,"about_ca_system_score_codex":0.000008138771,"about_ca_system_score_gemma":0.0000053492035,"threshold_uncertainty_score":0.3113425},"labels":[],"label_agreement":null},{"id":"W7125585834","doi":"10.7152/ssj.v42i1.15324","title":"Appendix I: Selected Examples of Translated Poetry","year":2020,"lang":"","type":"article","venue":"Slovene Studies Journal","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"","score_opus":0.09060998978405964,"score_gpt":0.2944903639961899,"score_spread":0.20388037421213023,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7125585834","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.582934,0.3659452,0.00063870876,0.023680001,0.0027811707,0.000485844,0.0006794151,0.000113656104,0.022742009],"genre_scores_gemma":[0.98174715,0.013635828,0.0000887796,0.0006225759,0.0027314168,0.000002366511,0.000017678472,0.00005218043,0.0011020435],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99588615,0.00037417098,0.0017437335,0.00045036597,0.00075267046,0.0007929277],"domain_scores_gemma":[0.996914,0.00023125106,0.0007668146,0.00022358264,0.0014523404,0.0004119828],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005361584,0.00055684306,0.0015728222,0.00021813637,0.0013498233,0.00029308174,0.0005107825,0.0001314621,0.010011805],"category_scores_gemma":[0.00039094902,0.00046932505,0.00076108234,0.0005260836,0.00089513377,0.000406019,0.00012008086,0.0010055816,0.00020053255],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0021305026,0.0018570735,0.0030017556,0.003490228,0.04581711,0.0011118734,0.6439563,0.00058903266,0.020415815,0.080459625,0.16425022,0.03292044],"study_design_scores_gemma":[0.0058100275,0.0039027417,0.0016319454,0.0015936486,0.0065611987,0.0002856035,0.18033582,0.0011519885,0.00609986,0.005786804,0.7848709,0.0019694213],"about_ca_topic_score_codex":0.000034227778,"about_ca_topic_score_gemma":0.00007547986,"teacher_disagreement_score":0.6206207,"about_ca_system_score_codex":0.00006379006,"about_ca_system_score_gemma":0.0002018039,"threshold_uncertainty_score":0.9999503},"labels":[],"label_agreement":null},{"id":"W7127657423","doi":"10.1525/jrpc.5.1.006d","title":"Review: Poetry, Prose and Art in the American Social Gospel Movement, 1880-1910, by John C. Waldmeir","year":2003,"lang":"en","type":"article","venue":"Journal of Religion and Popular Culture","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Gospel; Social criticism; Social Gospel; Narrative","score_opus":0.013783950274192438,"score_gpt":0.2629127171218979,"score_spread":0.24912876684770546,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7127657423","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3817329,0.55097806,0.0000402988,0.024408018,0.0004918203,0.00060575834,0.00007283044,0.00002292047,0.0416474],"genre_scores_gemma":[0.3642822,0.53378606,0.00009311319,0.071964115,0.00095423224,0.000008932119,0.00003165505,0.000028216326,0.028851476],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989833,0.0001692605,0.00036789037,0.00010849824,0.00021921612,0.00015183513],"domain_scores_gemma":[0.9994626,0.0000075961575,0.00030720845,0.0000756957,0.000087350214,0.000059532515],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00047010375,0.00013454058,0.00033976906,0.000048434296,0.00022335148,0.00016982957,0.0000998133,0.000034230638,0.000034444452],"category_scores_gemma":[0.00004879834,0.00007500276,0.00012860887,0.00009059396,0.0001366313,0.00015000167,0.000010491409,0.00030088692,0.000003763617],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011852395,0.000075480755,0.00032932058,0.00007241333,0.000035454283,0.000016332688,0.0044250144,8.516613e-8,0.00008598651,0.07486824,0.91937023,0.0007096132],"study_design_scores_gemma":[0.00028828168,0.00013874228,0.00009022768,0.00016064644,0.00010149923,0.00006434698,0.0017568773,0.0000010543199,0.000012017703,0.0021857927,0.9950913,0.000109206914],"about_ca_topic_score_codex":0.0000456204,"about_ca_topic_score_gemma":0.00013594836,"teacher_disagreement_score":0.0757211,"about_ca_system_score_codex":0.000015529198,"about_ca_system_score_gemma":0.000011703349,"threshold_uncertainty_score":0.30585238},"labels":[],"label_agreement":null},{"id":"W7128616455","doi":"10.26180/4977929","title":"Adrienne Munich and Melissa Bradshaw (eds.). Amy Lowell, American Modern. New Brunswick: Rutgers UP, 2004 [Book review]","year":2017,"lang":"","type":"article","venue":"Monash University","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conversation; Poetry; Reputation; Variety (cybernetics); Power (physics); Modernism (music)","score_opus":0.015718958172927983,"score_gpt":0.22587505589929951,"score_spread":0.21015609772637153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7128616455","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04866535,0.5080185,0.0004790154,0.028606009,0.0016266878,0.0013533216,0.00048463294,0.00025143428,0.41051507],"genre_scores_gemma":[0.45573568,0.20194471,0.000045180037,0.003074447,0.00044942182,3.6325739e-7,0.000040977848,0.00004552957,0.3386637],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99680775,0.00023633725,0.0004918319,0.0010325754,0.0005224758,0.0009090341],"domain_scores_gemma":[0.9961558,0.00010531721,0.0007643371,0.0018486332,0.00029881418,0.00082709995],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0003766762,0.00066196604,0.0012415324,0.00021728686,0.0045844205,0.0007843252,0.0014920877,0.0001578376,0.005617511],"category_scores_gemma":[0.00009512674,0.0007354156,0.00056920503,0.0001227319,0.0028300185,0.0018240173,0.00083115796,0.00063101307,0.0001948866],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00062031887,0.00062990776,0.0012709752,0.0011576819,0.0017137324,0.00081428443,0.015498363,0.00005098929,0.000104645995,0.067047045,0.81242085,0.09867121],"study_design_scores_gemma":[0.0010523745,0.00020418083,0.0012168044,0.0009272781,0.001635871,0.000010883158,0.0021624763,0.0012693102,0.00007753647,0.00049839524,0.98999023,0.0009546838],"about_ca_topic_score_codex":0.030880423,"about_ca_topic_score_gemma":0.0054506278,"teacher_disagreement_score":0.40707034,"about_ca_system_score_codex":0.00017483639,"about_ca_system_score_gemma":0.0005508755,"threshold_uncertainty_score":0.9998837},"labels":[],"label_agreement":null},{"id":"W7128625666","doi":"10.26180/4977929.v1","title":"Adrienne Munich and Melissa Bradshaw (eds.). Amy Lowell, American Modern. New Brunswick: Rutgers UP, 2004 [Book review]","year":2017,"lang":"","type":"article","venue":"Monash University","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conversation; Poetry; Reputation; Variety (cybernetics); Power (physics); Modernism (music)","score_opus":0.015718958172927983,"score_gpt":0.22587505589929951,"score_spread":0.21015609772637153,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7128625666","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04866535,0.5080185,0.0004790154,0.028606009,0.0016266878,0.0013533216,0.00048463294,0.00025143428,0.41051507],"genre_scores_gemma":[0.45573568,0.20194471,0.000045180037,0.003074447,0.00044942182,3.6325739e-7,0.000040977848,0.00004552957,0.3386637],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99680775,0.00023633725,0.0004918319,0.0010325754,0.0005224758,0.0009090341],"domain_scores_gemma":[0.9961558,0.00010531721,0.0007643371,0.0018486332,0.00029881418,0.00082709995],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.0003766762,0.00066196604,0.0012415324,0.00021728686,0.0045844205,0.0007843252,0.0014920877,0.0001578376,0.005617511],"category_scores_gemma":[0.00009512674,0.0007354156,0.00056920503,0.0001227319,0.0028300185,0.0018240173,0.00083115796,0.00063101307,0.0001948866],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00062031887,0.00062990776,0.0012709752,0.0011576819,0.0017137324,0.00081428443,0.015498363,0.00005098929,0.000104645995,0.067047045,0.81242085,0.09867121],"study_design_scores_gemma":[0.0010523745,0.00020418083,0.0012168044,0.0009272781,0.001635871,0.000010883158,0.0021624763,0.0012693102,0.00007753647,0.00049839524,0.98999023,0.0009546838],"about_ca_topic_score_codex":0.030880423,"about_ca_topic_score_gemma":0.0054506278,"teacher_disagreement_score":0.40707034,"about_ca_system_score_codex":0.00017483639,"about_ca_system_score_gemma":0.0005508755,"threshold_uncertainty_score":0.9998837},"labels":[],"label_agreement":null},{"id":"W7128795467","doi":"10.1093/alh/ajaf108","title":"Margaret Greaves, <i>Lyric Poetry and Space Exploration: From Einstein to the Present</i>","year":2025,"lang":"en","type":"article","venue":"American Literary History","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Einstein; Poetry; Space (punctuation); Spacetime","score_opus":0.016045600211888177,"score_gpt":0.2147721685520589,"score_spread":0.19872656834017075,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7128795467","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13162783,0.113164835,0.0010455006,0.06515415,0.0031390379,0.0006696867,0.00039921622,0.0003341984,0.6844655],"genre_scores_gemma":[0.8858297,0.00018544935,0.000100937614,0.014409346,0.00081218005,0.000051120347,0.00006168887,0.000016767659,0.09853281],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989853,0.0001276332,0.00021782266,0.00031735224,0.00016142588,0.00019046314],"domain_scores_gemma":[0.9992359,0.00012439775,0.000074591255,0.00042493723,0.00005343793,0.00008670869],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000090799345,0.00016254437,0.00024173365,0.00014177982,0.00027961098,0.00011702955,0.00022998381,0.00001916395,0.0010715111],"category_scores_gemma":[0.000020104202,0.00012571362,0.00007869224,0.00011905574,0.00049967994,0.00037079677,0.0000967991,0.00014091416,0.000074381336],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037153535,0.00006394911,0.00038591409,0.000016061304,0.00010907804,0.00001574642,0.044737652,0.0000042677643,0.00003658036,0.09773372,0.8186914,0.038168523],"study_design_scores_gemma":[0.00009726177,0.000055219636,0.00055969815,0.000036191985,0.00006175279,5.595953e-7,0.0039758086,0.00009349564,0.000012707794,0.0014957938,0.99346006,0.00015142394],"about_ca_topic_score_codex":0.0018108882,"about_ca_topic_score_gemma":0.000540115,"teacher_disagreement_score":0.7542019,"about_ca_system_score_codex":0.00010354526,"about_ca_system_score_gemma":0.00005427591,"threshold_uncertainty_score":0.99984163},"labels":[],"label_agreement":null},{"id":"W7130641200","doi":"10.5817/cejcs2019-14-13","title":"The stars on the page, the voice in the sky : myth, Ovid and the Cree elders in Robert Bringhurst's Ursa Major","year":2019,"lang":"en","type":"article","venue":"The Central European journal of Canadian studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Polyphony; Mythology; Object (grammar); Stress (linguistics); Humanism","score_opus":0.027294908339149007,"score_gpt":0.21436618306254632,"score_spread":0.1870712747233973,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7130641200","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6391343,0.01750071,7.068651e-7,0.2644891,0.000646157,0.00047234495,0.00001897772,0.0000048100487,0.07773286],"genre_scores_gemma":[0.9835343,0.0037223746,6.0551724e-7,0.009760798,0.00047326396,0.0000035420774,3.134042e-7,0.000018572095,0.0024862322],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965499,0.0018887898,0.00048029947,0.00013354681,0.00037898796,0.0005684703],"domain_scores_gemma":[0.99740976,0.0017465258,0.00022603961,0.00042293142,0.00010859684,0.00008617366],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.004666207,0.00020903225,0.000288233,0.00011569963,0.0015538861,0.00052907865,0.0011376401,0.000012747907,0.00008237624],"category_scores_gemma":[0.000302456,0.0000624196,0.00018412496,0.00017298292,0.0012345016,0.000119271004,0.0000796168,0.00074031437,0.00003175142],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004748115,0.000075415555,0.0013258676,0.000032435924,0.0016536592,0.0003761403,0.38364062,0.00039561998,0.000023152723,0.46471778,0.13816358,0.009120926],"study_design_scores_gemma":[0.0010136584,0.00014825868,0.024003327,0.00017021662,0.0002478238,0.000035966874,0.22709928,0.00005339987,0.0000053719955,0.0017800534,0.7452718,0.00017085706],"about_ca_topic_score_codex":0.012021626,"about_ca_topic_score_gemma":0.33693328,"teacher_disagreement_score":0.6071082,"about_ca_system_score_codex":0.000077214754,"about_ca_system_score_gemma":0.00008253912,"threshold_uncertainty_score":0.99974597},"labels":[],"label_agreement":null},{"id":"W7131659978","doi":"10.5220/0013946700004915","title":"The Transregional Transformation of New Sensationism: Urban Writing from Mu Shiying to Liu Yichang","year":2025,"lang":"","type":"article","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Electronic Arts (Canada); University of British Columbia","funders":"","keywords":"Transformation (genetics); Perspective (graphical); Field (mathematics); Subject (documents)","score_opus":0.03092113841216957,"score_gpt":0.2621319773055327,"score_spread":0.23121083889336316,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7131659978","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30467176,0.007770629,0.14554231,0.101909086,0.0019865339,0.001301019,0.00035119354,0.00014552158,0.43632194],"genre_scores_gemma":[0.97268665,0.00021291044,0.0001552436,0.0014487588,0.00074801635,0.000011709551,0.000042885276,0.00001317215,0.024680657],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99772435,0.00011785674,0.0010681415,0.00029388053,0.00040491964,0.00039081948],"domain_scores_gemma":[0.9987361,0.00049765577,0.00012679162,0.00028444378,0.00022862974,0.00012638952],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00048898294,0.00025473844,0.00038730243,0.00019423463,0.0018045235,0.000766871,0.0002908147,0.0001024119,0.0020775488],"category_scores_gemma":[0.00003687025,0.00019948595,0.00037787607,0.00022806785,0.00017659058,0.00042804002,0.00002659062,0.00021718815,0.0000386924],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057226745,0.00006097061,0.00006029169,0.00006786262,0.00033545552,8.956591e-7,0.07609521,0.00010860253,0.00043619337,0.88256186,0.005568923,0.03464649],"study_design_scores_gemma":[0.0020277633,0.00021785735,0.00242523,0.0017031602,0.001726156,0.0000016081053,0.28297195,0.025429614,0.009087679,0.06332588,0.61012685,0.0009562766],"about_ca_topic_score_codex":0.0029789333,"about_ca_topic_score_gemma":0.0042416938,"teacher_disagreement_score":0.819236,"about_ca_system_score_codex":0.00005016681,"about_ca_system_score_gemma":0.0001714553,"threshold_uncertainty_score":0.99949497},"labels":[],"label_agreement":null},{"id":"W7132553086","doi":"","title":"Roots and Consequences of the Grotesque in Rebellious Poetry","year":2025,"lang":"hr","type":"dissertation","venue":"Repository of the Faculty of Humanities and Social Sciences Osijek","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Croatian; Body weight; Physical activity","score_opus":0.04307895243935231,"score_gpt":0.28516915457170655,"score_spread":0.24209020213235424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132553086","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9620982,0.0029546267,1.7100113e-7,0.00046173786,0.0006643167,0.00026881666,0.0001818157,0.0000045632823,0.033365794],"genre_scores_gemma":[0.98646396,0.00027374452,0.0000053842664,0.00007067381,0.00010715361,0.0000045544703,0.000010184079,0.000006337441,0.013058013],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99754924,0.000324818,0.0008700804,0.00034157556,0.0006532601,0.00026105077],"domain_scores_gemma":[0.99833304,0.00020895065,0.0009839908,0.00017839858,0.00027806402,0.000017588114],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00054924394,0.0002755135,0.0007284231,0.00016591894,0.0026743081,0.00019234662,0.00071460626,0.00018648246,0.000029506567],"category_scores_gemma":[0.000061292776,0.00017229491,0.0003542058,0.00019313618,0.0075131096,0.00019161911,0.00016674926,0.0002900369,1.15742125e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00010895191,0.000332352,0.00922291,0.0041975407,0.00043603056,0.0000049043706,0.40985152,0.000060151164,0.010506023,0.5639032,0.0005652096,0.00081119593],"study_design_scores_gemma":[0.0010409644,0.0006167817,0.13762698,0.0067717615,0.0015094206,0.000015223753,0.7876832,0.00021898714,0.02851959,0.026936328,0.008020993,0.0010398136],"about_ca_topic_score_codex":0.013514313,"about_ca_topic_score_gemma":0.008434895,"teacher_disagreement_score":0.53696686,"about_ca_system_score_codex":0.000037715767,"about_ca_system_score_gemma":0.00030267116,"threshold_uncertainty_score":0.9986241},"labels":[],"label_agreement":null},{"id":"W7132894306","doi":"","title":"For the Record: Infidelity, Illegitimacy, and Sound in Modernist Poetry and Popular Song","year":2023,"lang":"","type":"dissertation","venue":"TSpace","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Skepticism; Poetry; Modernism (music); Subject (documents); Vernacular; Ballad; Pound (networking); Sound (geography); Popular culture","score_opus":0.06436132744397703,"score_gpt":0.3562968533553082,"score_spread":0.29193552591133115,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132894306","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9698323,0.013401061,0.00034788027,0.0029474045,0.0013508592,0.0013640904,0.00020124947,0.00007006142,0.010485104],"genre_scores_gemma":[0.9089951,0.004646354,0.00003815525,0.00025323578,0.00064693694,0.00019028493,0.00036806217,0.00009442769,0.08476746],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99759877,0.000104471364,0.00069364125,0.00071076,0.0003115439,0.0005807913],"domain_scores_gemma":[0.9983979,0.0005895118,0.00028284418,0.0003996162,0.00020305572,0.00012710919],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.000718937,0.00052467966,0.00076137687,0.00028103727,0.0016104383,0.0012430744,0.00025260568,0.0002796287,0.00034511622],"category_scores_gemma":[0.00020579902,0.00042985138,0.00023979612,0.00012062384,0.00038946958,0.00023238419,0.00011721253,0.0005471718,0.000020413352],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010635275,0.00033782292,0.0055837515,0.003947933,0.0014050818,0.00007491816,0.44883505,0.00018664937,0.000072845105,0.49003798,0.008763806,0.03969064],"study_design_scores_gemma":[0.0018140984,0.0003768943,0.007600284,0.0008133741,0.001680311,0.000011835755,0.7142881,0.047457986,0.0000139608,0.084749945,0.13962758,0.0015656269],"about_ca_topic_score_codex":0.011259846,"about_ca_topic_score_gemma":0.062438447,"teacher_disagreement_score":0.40528804,"about_ca_system_score_codex":0.000053146337,"about_ca_system_score_gemma":0.00006464552,"threshold_uncertainty_score":0.99981534},"labels":[],"label_agreement":null},{"id":"W7132905675","doi":"","title":"She] ⟨Ha?⟩ She","year":2016,"lang":"","type":"dissertation","venue":"TSpace","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Reading (process); Criticism; Sight; Interpretation (philosophy); The Thing","score_opus":0.02853629450792305,"score_gpt":0.32876385644308465,"score_spread":0.3002275619351616,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132905675","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.07050642,0.004642633,0.00005234846,0.0019580342,0.0030663863,0.00028938722,0.00009425959,0.00010559172,0.91928494],"genre_scores_gemma":[0.46378422,0.0007748665,0.00000811231,0.00022845843,0.002495933,0.000030168365,0.00024497148,0.00006427005,0.532369],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996867,0.00014724572,0.0007209474,0.00081132445,0.00064039143,0.0008131179],"domain_scores_gemma":[0.9979365,0.000177582,0.00041413723,0.000769325,0.0004385773,0.00026388722],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031933666,0.0007451456,0.00092990976,0.0003032055,0.0014238101,0.0007487094,0.0005551933,0.0003380227,0.11690936],"category_scores_gemma":[0.00008898907,0.0005762735,0.0007588573,0.0000972735,0.00030990381,0.00031499867,0.0000578121,0.00052174594,0.0056641926],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023970711,0.00046861675,0.00005849353,0.0007400981,0.0012324249,0.00012655683,0.17070495,0.000002381991,0.0017002528,0.7552849,0.042021815,0.02741981],"study_design_scores_gemma":[0.00054156414,0.00017204626,0.00023779189,0.0008662679,0.0010587111,0.000004758793,0.086158566,0.00006011386,0.0014252472,0.0038399764,0.9044867,0.0011482445],"about_ca_topic_score_codex":0.0008148225,"about_ca_topic_score_gemma":0.0012552303,"teacher_disagreement_score":0.8624649,"about_ca_system_score_codex":0.0000933694,"about_ca_system_score_gemma":0.0001720731,"threshold_uncertainty_score":0.9998762},"labels":[],"label_agreement":null},{"id":"W7132921951","doi":"","title":"Towards an Ethics of Reading: The Canadian Documentary Long Poem","year":2021,"lang":"","type":"dissertation","venue":"TSpace","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Toronto","funders":"University of Toronto; McGill University","keywords":"Poetry; Reading (process); Representation (politics); Indeterminacy (philosophy); Scrutiny; Arbitrariness; Subject (documents); Indigenous; Sister; Interrogative","score_opus":0.057614459191952905,"score_gpt":0.36924649165595924,"score_spread":0.31163203246400634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132921951","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34593365,0.0074810493,0.000017455232,0.018852586,0.0028289044,0.00052085763,0.0002401231,0.000034451903,0.6240909],"genre_scores_gemma":[0.86194617,0.00077251246,0.000018108945,0.0011640546,0.0007351936,0.00001645314,0.0019860156,0.00005286177,0.13330862],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.996727,0.0005571298,0.0006837875,0.00055930455,0.00083711423,0.0006356478],"domain_scores_gemma":[0.99719447,0.00019931135,0.00039114998,0.0008650161,0.00094565604,0.0004043953],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0011521681,0.00049578754,0.00073599495,0.00028291452,0.0025704554,0.00096607866,0.0006721982,0.00057083124,0.019601196],"category_scores_gemma":[0.00017221979,0.00040524313,0.00046811718,0.00020348204,0.00044956934,0.00029288762,0.00004574465,0.00175814,0.000040720242],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034342414,0.00012320382,0.00011409317,0.0004587471,0.0006763299,0.00011003938,0.56452876,0.000025375877,0.000073534095,0.42986634,0.0019107456,0.0020784526],"study_design_scores_gemma":[0.00027327993,0.00022551905,0.0023867453,0.0008877309,0.00201773,0.000012026931,0.81904083,0.00023722704,0.0019427204,0.0031363496,0.16896275,0.0008770588],"about_ca_topic_score_codex":0.8718083,"about_ca_topic_score_gemma":0.9877344,"teacher_disagreement_score":0.51601255,"about_ca_system_score_codex":0.0002467504,"about_ca_system_score_gemma":0.0026666282,"threshold_uncertainty_score":0.99983996},"labels":[],"label_agreement":null},{"id":"W7132964683","doi":"","title":"Willing shape-shifters: The loathly lady from Irish Sovranty to Spenser&apos;s Duessa","year":2001,"lang":"en","type":"dissertation","venue":"TSpace","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Irish; Government (linguistics); Population; Period (music)","score_opus":0.07399031061142829,"score_gpt":0.3525552096272488,"score_spread":0.2785648990158205,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132964683","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59000975,0.0014869684,0.000023824286,0.0021216287,0.0015327992,0.00030548658,0.00013304122,0.00012341818,0.4042631],"genre_scores_gemma":[0.60906816,0.00023055045,0.000037096575,0.0017459126,0.0028880697,0.000043045693,0.0012335208,0.0000840895,0.38466957],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99805796,0.0000924305,0.00040270563,0.0005257088,0.00047052742,0.0004506865],"domain_scores_gemma":[0.99874234,0.00016461863,0.00020263328,0.000561453,0.00019125923,0.00013772189],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00022141171,0.0004259146,0.00054798526,0.00013076681,0.00063646695,0.0007828682,0.000548512,0.00018000769,0.02181879],"category_scores_gemma":[0.00005809832,0.00031528002,0.0003341609,0.00009713595,0.000082955965,0.00016703442,0.000039910767,0.0004951374,0.0011925957],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004097018,0.00034489433,0.00010412101,0.00017641424,0.0011247969,0.00021535909,0.6781117,0.00007842068,0.00052352535,0.03907699,0.2665407,0.013293382],"study_design_scores_gemma":[0.00025718228,0.000062748186,0.00043004195,0.0003679722,0.0005889703,0.0000012718483,0.15921661,0.00027073603,0.00025160643,0.0025340896,0.83534396,0.00067481905],"about_ca_topic_score_codex":0.004594166,"about_ca_topic_score_gemma":0.018719839,"teacher_disagreement_score":0.56880325,"about_ca_system_score_codex":0.00004566469,"about_ca_system_score_gemma":0.000050664345,"threshold_uncertainty_score":0.9999299},"labels":[],"label_agreement":null},{"id":"W7132993385","doi":"","title":"Unthinkable Subjects: Postmortem Poetics in Modernity","year":2021,"lang":"","type":"dissertation","venue":"TSpace","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; York University; Fordham University","keywords":"Queer; Poetics; Rhetoric; Racialization; Racism; Politics; Ethos; Fantasy","score_opus":0.03350229134686872,"score_gpt":0.31894143775644523,"score_spread":0.2854391464095765,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132993385","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6487911,0.009837484,0.000034399716,0.00061268493,0.001394483,0.00031449145,0.00006821895,0.00005748104,0.33888966],"genre_scores_gemma":[0.7177361,0.001420628,0.000035866837,0.0002721,0.00050827337,0.00002776604,0.0012132856,0.00007607989,0.2787099],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99605703,0.00033787722,0.0010134747,0.0009490616,0.0007362606,0.00090628996],"domain_scores_gemma":[0.99775106,0.00018881907,0.0004072057,0.00080701977,0.00061832706,0.00022758379],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00051233347,0.000773004,0.0012716358,0.0004224191,0.0007665167,0.0009665881,0.00046860252,0.0005791431,0.018497173],"category_scores_gemma":[0.00018552916,0.00084197905,0.0005514824,0.00032240723,0.0001921889,0.00030813378,0.000089594774,0.0013355594,0.00032758358],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033702102,0.002401671,0.0008748598,0.0024027524,0.0009567502,0.0011099391,0.68158156,0.00086116866,0.0009821566,0.3027132,0.0038968166,0.0018821529],"study_design_scores_gemma":[0.0015580261,0.00031276976,0.0025705576,0.0023943733,0.0015788847,0.000018584533,0.8818565,0.010533716,0.0027699748,0.0066560786,0.08713068,0.0026198635],"about_ca_topic_score_codex":0.009747151,"about_ca_topic_score_gemma":0.04430853,"teacher_disagreement_score":0.2960571,"about_ca_system_score_codex":0.00021198552,"about_ca_system_score_gemma":0.00051227544,"threshold_uncertainty_score":0.9994031},"labels":[],"label_agreement":null},{"id":"W7132995984","doi":"","title":"First Winter","year":2017,"lang":"","type":"dissertation","venue":"TSpace","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Context (archaeology); Feeling; Choir; Flute; Set (abstract data type); Adversarial system; Key (lock)","score_opus":0.038851772544423194,"score_gpt":0.3359713817235591,"score_spread":0.29711960917913594,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132995984","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.03859876,0.0021054964,0.000013931485,0.0018702758,0.0033343886,0.00020240196,0.00004073194,0.000049435184,0.9537846],"genre_scores_gemma":[0.48631406,0.00038493756,0.000003876101,0.000095909134,0.0013492419,0.000017067325,0.0002021981,0.000038897557,0.5115938],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99793327,0.000048668957,0.00046474775,0.0006060061,0.00040364006,0.0005436736],"domain_scores_gemma":[0.997879,0.00006323056,0.0005319913,0.0010425869,0.0003097104,0.00017342763],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00019910172,0.00056891644,0.00075731083,0.00017587522,0.003181896,0.001853387,0.0007423317,0.00031477457,0.08931642],"category_scores_gemma":[0.00009946652,0.0005327235,0.00068013975,0.000022175036,0.0003331531,0.00030178073,0.000045167948,0.0005519138,0.0034090446],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026126028,0.0005775478,0.00013605077,0.0015779142,0.0016551662,0.00018874479,0.5183978,0.000017327535,0.000101719175,0.3599372,0.11016645,0.0069828294],"study_design_scores_gemma":[0.0002779757,0.00010046374,0.0006913885,0.0008152647,0.000796537,0.00000247051,0.058167588,0.00017128553,0.00019477394,0.0010354364,0.9370611,0.00068572396],"about_ca_topic_score_codex":0.0017120247,"about_ca_topic_score_gemma":0.010321386,"teacher_disagreement_score":0.82689464,"about_ca_system_score_codex":0.00005329043,"about_ca_system_score_gemma":0.00008826296,"threshold_uncertainty_score":0.9997124},"labels":[],"label_agreement":null},{"id":"W7134486711","doi":"","title":"Charlie Steinman, Tom Smith, & Alice Glaser","year":2001,"lang":"","type":"article","venue":"Digital Kenyon (Kenyon College)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Blues; Victory; Rainbow; White (mutation); Performance art; Aunt","score_opus":0.019253393173145464,"score_gpt":0.2222490344912372,"score_spread":0.20299564131809172,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134486711","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24258755,0.0069389483,0.0000930067,0.002273407,0.0027709163,0.00095967256,0.0035985103,0.0003570364,0.74042094],"genre_scores_gemma":[0.68512887,0.0013351272,0.000012132578,0.0014346035,0.0028262648,0.000068808644,0.00021127143,0.00016163957,0.3088213],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9919125,0.00021251994,0.0021327771,0.0018438632,0.0016278077,0.0022705265],"domain_scores_gemma":[0.9954221,0.00039823126,0.0006243857,0.0016455523,0.00084985624,0.0010598733],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0005321492,0.0015565587,0.0017821362,0.0005975608,0.002081773,0.004709522,0.0013403703,0.00054335117,0.030834239],"category_scores_gemma":[0.00015741393,0.0015352068,0.0014674207,0.0006804186,0.0011154144,0.0035392318,0.0005289489,0.000935355,0.008022929],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013095809,0.0053229625,0.003064099,0.0007175864,0.0025326677,0.0030948825,0.009722403,0.00008911892,0.00009482642,0.72097915,0.21866994,0.034402777],"study_design_scores_gemma":[0.0022323283,0.0007645171,0.00059121393,0.0005085005,0.00059631694,0.0001279883,0.012428847,0.0009884358,0.00017830351,0.0031213053,0.97647506,0.0019871944],"about_ca_topic_score_codex":0.00031805347,"about_ca_topic_score_gemma":0.0003752236,"teacher_disagreement_score":0.7578051,"about_ca_system_score_codex":0.00033928576,"about_ca_system_score_gemma":0.00038457583,"threshold_uncertainty_score":0.99971825},"labels":[],"label_agreement":null},{"id":"W7134538069","doi":"","title":"The Preacher","year":2021,"lang":"","type":"article","venue":"UND Scholarly Commons (University of North Dakota)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"World War II; State (computer science); Spanish Civil War; Sculpture; Key (lock)","score_opus":0.030132818228845414,"score_gpt":0.21542156591572506,"score_spread":0.18528874768687964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7134538069","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77408785,0.014249538,0.00021925976,0.0073544253,0.00059260544,0.00017793606,0.0004205151,0.00004678953,0.20285109],"genre_scores_gemma":[0.8995832,0.0013977063,0.00007066682,0.00012051036,0.00016805672,2.2139923e-7,0.00006841612,0.00001938119,0.09857182],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974619,0.0005572612,0.00036113444,0.0004741165,0.00060382177,0.00054174167],"domain_scores_gemma":[0.99681276,0.0004027279,0.000289095,0.0011748719,0.0010621881,0.00025836242],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005057254,0.00030035694,0.00051785907,0.00014494438,0.005290614,0.0015411881,0.0011612065,0.00013936224,0.0045485324],"category_scores_gemma":[0.00012970238,0.00030376215,0.00064014364,0.00041004957,0.0013217739,0.0020718214,0.0006233403,0.0010102547,0.00032541956],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026069535,0.001977468,0.11070183,0.00020687362,0.0052047623,0.0009781067,0.030350875,0.0000524897,0.0000731056,0.74483156,0.03979161,0.06557065],"study_design_scores_gemma":[0.00059316336,0.00010175664,0.14326142,0.000077258715,0.0011728299,0.000007380665,0.015406436,0.00023357093,0.0000129411155,0.0012199152,0.8375548,0.00035853428],"about_ca_topic_score_codex":0.0010112955,"about_ca_topic_score_gemma":0.08031163,"teacher_disagreement_score":0.79776317,"about_ca_system_score_codex":0.00008386463,"about_ca_system_score_gemma":0.000318963,"threshold_uncertainty_score":0.99994147},"labels":[],"label_agreement":null},{"id":"W7135585617","doi":"","title":"Keith Hayward in conversation with Veronique Voruz","year":2008,"lang":"en","type":"book-chapter","venue":"Research at the University of Copenhagen (University of Copenhagen)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institute on Governance","funders":"","keywords":"","score_opus":0.06659421009591426,"score_gpt":0.2284037739447866,"score_spread":0.16180956384887232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7135585617","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0104406215,0.0030527834,0.00011004426,0.0007608883,0.00004608439,0.00074569957,0.00022576634,0.000028856157,0.9845893],"genre_scores_gemma":[0.3009411,0.0012470568,0.000044445278,0.000019411089,0.00003438953,9.843297e-8,0.00009802132,0.000026907772,0.69758856],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971254,0.0003676183,0.00026595566,0.00057141745,0.0011549524,0.0005146606],"domain_scores_gemma":[0.99744713,0.00035382048,0.00038082484,0.0007605756,0.0008680331,0.00018963865],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.0009641326,0.00034540685,0.00082861213,0.0005021267,0.0013330445,0.000042290245,0.0012962671,0.00026282418,0.58649373],"category_scores_gemma":[0.00002194632,0.0003479915,0.0003399265,0.00015442398,0.0032285387,0.0005284989,0.00058565696,0.0008245799,0.03203554],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011167541,0.00010002525,0.0000018741825,0.00015691288,0.00051662454,0.0006834581,0.029918801,0.000053718,0.000056205667,0.021698438,0.94478387,0.00091333286],"study_design_scores_gemma":[0.0012338677,0.00040595705,0.00028717818,0.00033878715,0.00022326692,0.000008870338,0.014416502,0.00008864108,0.000100737765,0.00006282466,0.98247075,0.00036259476],"about_ca_topic_score_codex":0.0035404079,"about_ca_topic_score_gemma":0.023828816,"teacher_disagreement_score":0.5544582,"about_ca_system_score_codex":0.00051192986,"about_ca_system_score_gemma":0.0005768306,"threshold_uncertainty_score":0.9999671},"labels":[],"label_agreement":null},{"id":"W7135709272","doi":"","title":"The Influence of Jack Kerouac on Jacques Poulin : Identity Search in On the road and Volkswagen blues","year":2016,"lang":"fr","type":"dissertation","venue":"Digital Repository (National Repository of Grey Literature)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Blues; Paradise; Identity (music); Narrative; Order (exchange); EPIC","score_opus":0.010986260637553657,"score_gpt":0.2553028045852897,"score_spread":0.24431654394773605,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7135709272","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88311785,0.0051333937,7.1507117e-7,0.0004017784,0.00069372816,0.0003615498,0.00030323016,0.000014668057,0.109973066],"genre_scores_gemma":[0.9429848,0.00031149236,0.000002203388,0.00007858701,0.0006609366,0.000042664913,0.00012155426,0.000034182,0.055763584],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"observational","domain_scores_codex":[0.9953687,0.0004274595,0.0013967694,0.0006394783,0.0017933479,0.00037419898],"domain_scores_gemma":[0.9945551,0.0017398513,0.0007926306,0.0005259014,0.0022702084,0.0001163065],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0006702725,0.0005144114,0.0005769602,0.00033213303,0.0014239092,0.002106393,0.0006866119,0.00032597716,0.000014176534],"category_scores_gemma":[0.0007319946,0.00030969857,0.0004098592,0.0002176922,0.001245239,0.001638922,0.00009204018,0.0006533959,0.000012410443],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001198359,0.0008764721,0.011747284,0.00074016006,0.000788792,0.00012978178,0.02004293,0.00027009405,0.009165628,0.95149386,0.00060870463,0.0029379115],"study_design_scores_gemma":[0.0014453871,0.002079334,0.84011835,0.019743664,0.0004218491,0.00013356237,0.010622559,0.0003682543,0.055239905,0.034523156,0.033382468,0.0019215248],"about_ca_topic_score_codex":0.0003213489,"about_ca_topic_score_gemma":0.00013265735,"teacher_disagreement_score":0.91697073,"about_ca_system_score_codex":0.00018888476,"about_ca_system_score_gemma":0.0002818648,"threshold_uncertainty_score":0.9999355},"labels":[],"label_agreement":null},{"id":"W7139656086","doi":"","title":"Her Place","year":2007,"lang":"","type":"article","venue":"Digital Commons - Trinity University (Trinity University)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"","score_opus":0.026626375528033173,"score_gpt":0.20358040920603135,"score_spread":0.17695403367799817,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139656086","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.32441813,0.00011004989,0.0009983545,0.0005531113,0.0005532396,0.0004033237,0.0018171188,0.0003376742,0.670809],"genre_scores_gemma":[0.80285555,0.0001833226,0.000025704461,0.00010732168,0.00033221414,4.907063e-8,0.00023145208,0.000049533064,0.19621482],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.994694,0.00044431468,0.0007446614,0.0013049291,0.0009686178,0.0018434591],"domain_scores_gemma":[0.9944781,0.0013480157,0.0005687946,0.0013929062,0.0008267167,0.0013854797],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0008778982,0.0010671873,0.0013133248,0.0025466639,0.004141736,0.0011453751,0.0023267039,0.00064382335,0.0029689732],"category_scores_gemma":[0.00016693068,0.0014240659,0.0014804873,0.002063774,0.0023788924,0.004194567,0.001612825,0.0018622371,0.0011058183],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0036452892,0.005009269,0.011219546,0.00024633372,0.0020488994,0.008535788,0.008011044,0.000065273685,0.000016524884,0.94267684,0.009210445,0.00931472],"study_design_scores_gemma":[0.0037579474,0.00054188457,0.0037597315,0.00013761627,0.0010117027,0.00003099042,0.063896224,0.0000721685,0.000059064765,0.00039453796,0.9247527,0.0015854118],"about_ca_topic_score_codex":0.0018841003,"about_ca_topic_score_gemma":0.009477888,"teacher_disagreement_score":0.9422823,"about_ca_system_score_codex":0.001340683,"about_ca_system_score_gemma":0.0005028685,"threshold_uncertainty_score":0.9998915},"labels":[],"label_agreement":null},{"id":"W7139747798","doi":"","title":"Three Poems","year":2014,"lang":"","type":"article","venue":"USF Scholarship Repository (University of San Francisco)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Gloom; Selection (genetic algorithm); Subject (documents)","score_opus":0.024733339383024022,"score_gpt":0.2032061238199721,"score_spread":0.17847278443694808,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7139747798","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.80807,0.003118474,0.0032945578,0.00032550952,0.0017719996,0.00026351202,0.000059494894,0.000106093365,0.18299033],"genre_scores_gemma":[0.9868068,0.00007984665,0.00031492425,0.00014356653,0.0010077779,3.897288e-7,0.000016145217,0.000044650893,0.011585887],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965028,0.00038313004,0.0006069327,0.0008705869,0.0009132467,0.00072327314],"domain_scores_gemma":[0.9969755,0.00021282825,0.0006072914,0.0011747724,0.0005848677,0.0004447413],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.001067152,0.0005155788,0.0009783743,0.00032804167,0.0028885135,0.00046645282,0.001254665,0.0004029411,0.00487333],"category_scores_gemma":[0.0000837546,0.0006363465,0.00075422897,0.0002651327,0.0015693436,0.0017778307,0.00028449317,0.0010194031,0.0004778085],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011197883,0.0029492134,0.08633136,0.0020195793,0.0034999955,0.0008582238,0.054424964,0.00018642699,0.028956912,0.75432044,0.014701548,0.05063157],"study_design_scores_gemma":[0.0060382932,0.0023244838,0.27007052,0.0020286038,0.004636442,0.000111108326,0.04238269,0.0052099703,0.003948586,0.025240706,0.63412064,0.0038879726],"about_ca_topic_score_codex":0.0014456317,"about_ca_topic_score_gemma":0.0019325858,"teacher_disagreement_score":0.7290797,"about_ca_system_score_codex":0.000119170014,"about_ca_system_score_gemma":0.00012234192,"threshold_uncertainty_score":0.99960876},"labels":[],"label_agreement":null},{"id":"W7140893723","doi":"10.22148/11039","title":"Beyond Poet Voice: Sampling the (Non-) Performance Styles of 100 American Poets","year":2018,"lang":"","type":"article","venue":"Journal of Cultural Analytics","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"University of California, Davis; Northwestern University","keywords":"Sampling (signal processing); Style (visual arts); Narrative; Sample (material)","score_opus":0.04519147385284388,"score_gpt":0.3072623438947864,"score_spread":0.2620708700419425,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7140893723","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97769433,0.0016927314,0.00013775636,0.002791419,0.0008891304,0.0000883811,0.000059098104,0.00000590289,0.016641276],"genre_scores_gemma":[0.98666817,0.002398456,0.0002053277,0.0004901004,0.006107804,5.868675e-7,0.0000048475713,0.00002372791,0.0041010045],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99618095,0.00014324709,0.0018848627,0.00023141516,0.0009902122,0.0005693393],"domain_scores_gemma":[0.9936514,0.0002807549,0.0025563412,0.00038775126,0.0028918097,0.00023193158],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009885905,0.0004287967,0.0011358592,0.00024659673,0.0010069803,0.00054571265,0.0009078615,0.00008991273,0.0011134649],"category_scores_gemma":[0.00019508762,0.00023190632,0.0009478083,0.00044244836,0.002914372,0.0008458262,0.00013116206,0.0007383138,0.000056085642],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00326023,0.0045679584,0.017500712,0.0020907794,0.025519209,0.00021245149,0.49818957,0.0067141014,0.016321763,0.17142928,0.135432,0.11876194],"study_design_scores_gemma":[0.0024621051,0.010024031,0.023497453,0.0021739185,0.011023054,0.00044598704,0.40283033,0.030865448,0.0073848986,0.0030364862,0.5042728,0.0019835029],"about_ca_topic_score_codex":0.00014631545,"about_ca_topic_score_gemma":0.00021977621,"teacher_disagreement_score":0.36884078,"about_ca_system_score_codex":0.00009327978,"about_ca_system_score_gemma":0.00018300614,"threshold_uncertainty_score":0.99979967},"labels":[],"label_agreement":null},{"id":"W7155570685","doi":"10.5406/23256672.102.3.14","title":"Castaways and Other Writings, 1996–2024","year":2025,"lang":"en","type":"article","venue":"Italica","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Victoria; University of Toronto","funders":"","keywords":"Feeling; Element (criminal law); Biography; Poetry; EPIC; Tragedy (event); Respite care; Aside","score_opus":0.022118956348282526,"score_gpt":0.2536557721299115,"score_spread":0.231536815781629,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7155570685","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04790452,0.0009341544,0.000027633432,0.001412458,0.00019869747,0.000042112497,0.000043410833,0.00004536806,0.94939166],"genre_scores_gemma":[0.9003373,0.000007329357,0.000015940454,0.0020573777,0.00018324706,0.000006263054,0.0000020685318,0.000005776292,0.09738472],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995476,0.000013108343,0.0001161041,0.0001348528,0.000060200393,0.00012814188],"domain_scores_gemma":[0.9997863,0.000030369602,0.000015757152,0.000112685266,0.00002490591,0.000029975752],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00006867649,0.00007212265,0.00010959672,0.00006103571,0.00018774623,0.00017190132,0.000060775084,0.000021408738,0.002249669],"category_scores_gemma":[0.000014184227,0.000060404374,0.000048143727,0.000031296975,0.0001324157,0.000061174724,0.000032083884,0.000058510992,0.00006600714],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000022694924,0.000023662338,0.00034980464,0.000021644384,0.000040480674,0.000004647478,0.001774604,1.152413e-7,0.0000553022,0.96302277,0.031951934,0.0027527618],"study_design_scores_gemma":[0.00009060632,0.000012619061,0.00014283734,0.000029438217,0.00004160079,0.0000016225373,0.0024187285,0.000039729795,0.00006533037,0.007877815,0.98920304,0.00007664888],"about_ca_topic_score_codex":0.00032953362,"about_ca_topic_score_gemma":0.0005152696,"teacher_disagreement_score":0.9572511,"about_ca_system_score_codex":0.0000065728545,"about_ca_system_score_gemma":0.000008430594,"threshold_uncertainty_score":0.9986624},"labels":[],"label_agreement":null},{"id":"W7161938306","doi":"10.82308/44205","title":"Metaphors of identity crisis in the era of celebrity in Canadian poetry","year":2010,"lang":"en","type":"dissertation","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Poetry; Identity crisis; Criticism","score_opus":0.014639598443261253,"score_gpt":0.26594665700795017,"score_spread":0.25130705856468893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161938306","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8360182,0.00027294524,1.770521e-7,0.0001700089,0.00025220757,0.0000915217,0.0000882515,0.0000024443957,0.16310427],"genre_scores_gemma":[0.9966507,0.000052560317,0.000005474021,0.0001546841,0.000057680194,0.000009444112,0.00022103866,0.000008529292,0.002839899],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99879205,0.00008379109,0.0004965579,0.00015829204,0.00026008696,0.00020921827],"domain_scores_gemma":[0.999359,0.000046768346,0.00014368151,0.00026182277,0.00014130029,0.000047388257],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006120074,0.00013692438,0.00041581792,0.00040748005,0.00006858553,0.00006434013,0.0003714986,0.00015964895,0.0048383097],"category_scores_gemma":[0.000053916563,0.00009986681,0.00019188428,0.00014018244,0.00006580548,0.0001855295,0.000006974783,0.0005935085,0.0000069007524],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021101496,0.000306416,0.0059595904,0.00041817248,0.00013487905,0.000020880263,0.10772575,0.0000017387018,0.00014255836,0.8811339,0.0033241955,0.00081080594],"study_design_scores_gemma":[0.00058356643,0.00009760546,0.29405203,0.000352387,0.0007546481,0.0000014241085,0.6290456,0.00007211897,0.0029877767,0.03845792,0.03271519,0.0008797111],"about_ca_topic_score_codex":0.9550836,"about_ca_topic_score_gemma":0.99959004,"teacher_disagreement_score":0.842676,"about_ca_system_score_codex":0.000027318994,"about_ca_system_score_gemma":0.00017911161,"threshold_uncertainty_score":0.9960714},"labels":[],"label_agreement":null},{"id":"W7161981549","doi":"10.82308/32559","title":"New forms of subjectivity: critical intermedia and socially engaged poetics, 1971–2021","year":2025,"lang":"en","type":"dissertation","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetics; Poetry; Subjectivity; Capitalism; Politics; Late capitalism; Argument (complex analysis); Sociality; Marxist philosophy; Materialism","score_opus":0.02840085358419047,"score_gpt":0.2904563080170566,"score_spread":0.2620554544328661,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161981549","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.05427979,0.00078135537,0.00019219142,0.0007845509,0.0014988428,0.00016148358,0.000091883805,0.000032590193,0.9421773],"genre_scores_gemma":[0.74620783,0.00011204403,0.00006951336,0.00009167895,0.0004584002,0.000006044271,0.00027643584,0.000014770984,0.2527633],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99877363,0.00011775513,0.00039938392,0.00027634486,0.00021729243,0.00021556414],"domain_scores_gemma":[0.9986861,0.00074035395,0.00008650634,0.00016555596,0.00023310441,0.000088414505],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00029003865,0.00023127817,0.0005553476,0.00019559677,0.0003675015,0.00019411574,0.00013979635,0.0001843019,0.0072462773],"category_scores_gemma":[0.00077644363,0.00019599519,0.00023020606,0.000040421175,0.00014145725,0.00015148277,0.000033760985,0.00059480505,0.000012802517],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000034885,0.00006397139,0.000017793534,0.00036851142,0.00016709397,0.0000036734257,0.029606368,2.4696442e-8,0.0000603805,0.9468374,0.0042118933,0.018627962],"study_design_scores_gemma":[0.0013063278,0.00047870126,0.0020127892,0.0016579801,0.0030145794,0.0000024374972,0.36304078,0.00011128924,0.0046918727,0.5382694,0.08381737,0.0015965108],"about_ca_topic_score_codex":0.0011837605,"about_ca_topic_score_gemma":0.08174246,"teacher_disagreement_score":0.691928,"about_ca_system_score_codex":0.000019647601,"about_ca_system_score_gemma":0.00039048513,"threshold_uncertainty_score":0.9936612},"labels":[],"label_agreement":null},{"id":"W7161993745","doi":"10.82308/24836","title":"“‘Here at the Brink’: Don McKay’s edge poetics and the articulation of wilderness in Canadian poetry”","year":2018,"lang":"en","type":"dissertation","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"ESPACE; Poetics; Articulation (sociology); Wilderness","score_opus":0.01316987095611223,"score_gpt":0.23433235083368747,"score_spread":0.22116247987757526,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161993745","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.75842494,0.00087094837,7.8731625e-7,0.0009145626,0.00033434137,0.00021555937,0.00003114157,0.000006983785,0.23920073],"genre_scores_gemma":[0.9151427,0.000087622284,0.0000015274906,0.00021349385,0.00023999304,0.000014510289,0.00024821595,0.000015420355,0.08403653],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989555,0.00008610429,0.00034668137,0.00018372737,0.00019250975,0.00023549738],"domain_scores_gemma":[0.9992849,0.00009301169,0.00013626377,0.0002601314,0.00016198054,0.00006366588],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003455449,0.00017007168,0.00028119577,0.00011744552,0.00038307483,0.00014736963,0.00016285131,0.00011408435,0.002509791],"category_scores_gemma":[0.000040943367,0.00009135474,0.000101194106,0.00005956748,0.00038831576,0.000074707306,0.0000189956,0.00015527052,0.00002400681],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015242846,0.00005639369,0.0033777459,0.00022731474,0.00021831962,0.000005952352,0.08847366,0.000010986,0.000040968454,0.89673847,0.0073917196,0.0033060717],"study_design_scores_gemma":[0.0033498432,0.0001742112,0.075973734,0.0008919625,0.0018230019,0.000012803235,0.33116013,0.003695011,0.0020580005,0.029388757,0.5499556,0.0015169367],"about_ca_topic_score_codex":0.4130957,"about_ca_topic_score_gemma":0.9902437,"teacher_disagreement_score":0.8673497,"about_ca_system_score_codex":0.00006230054,"about_ca_system_score_gemma":0.000094559684,"threshold_uncertainty_score":0.99840206},"labels":[],"label_agreement":null},{"id":"W7162036556","doi":"10.82308/27833","title":"Inside is the sky : for mezzo soprano and chamber orchestra","year":2005,"lang":"en","type":"dissertation","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Sky; Musical; Composition (language)","score_opus":0.034974861456971075,"score_gpt":0.2756644746762041,"score_spread":0.24068961321923302,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7162036556","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.062357686,0.0013693933,0.000008419657,0.0026750006,0.00035900925,0.00033519554,0.00009252362,0.000043158416,0.93275964],"genre_scores_gemma":[0.48774025,0.00019305207,0.000029810764,0.0017055656,0.001090639,0.00006832871,0.00029086493,0.000024956413,0.50885653],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992091,0.000016208427,0.000231298,0.00022112932,0.00013867051,0.00018356637],"domain_scores_gemma":[0.9994819,0.00010430727,0.00007713811,0.00017747514,0.00011996566,0.000039179136],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001302717,0.00019511765,0.00024550536,0.000056394354,0.00043623144,0.00027919194,0.0000875373,0.000103832666,0.006422758],"category_scores_gemma":[0.000015757205,0.00011729643,0.00017869742,0.000015577396,0.00007907497,0.00011297478,0.000008371227,0.00014757457,0.000046685924],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003407753,0.000049315495,0.000004333566,0.00014355223,0.00025901684,0.0000016521977,0.05435867,4.7093963e-7,0.000021747683,0.88102555,0.050874315,0.013227312],"study_design_scores_gemma":[0.0001369217,0.000034089946,0.000122951,0.000037591835,0.00033947665,0.0000014259838,0.033686575,0.00011342272,0.0003515259,0.0078854775,0.957052,0.00023853869],"about_ca_topic_score_codex":0.00022710726,"about_ca_topic_score_gemma":0.0141381575,"teacher_disagreement_score":0.9061777,"about_ca_system_score_codex":0.00000842225,"about_ca_system_score_gemma":0.000032017906,"threshold_uncertainty_score":0.9944855},"labels":[],"label_agreement":null},{"id":"W7162105431","doi":"10.82308/10357","title":"\"A Strange Gestation\": Periods of poetic silence in modern Canadian creative careers","year":2016,"lang":"en","type":"dissertation","venue":"","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Silence; Poetry; Metaphor; Perspective (graphical); Order (exchange); Creative writing","score_opus":0.018960511944888434,"score_gpt":0.2474652014271274,"score_spread":0.22850468948223898,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7162105431","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28071404,0.00040816856,0.000008912182,0.000099981735,0.00018112219,0.00013156846,0.00038338706,0.000011199053,0.7180616],"genre_scores_gemma":[0.87490183,0.00006249293,0.0000076782935,0.00004724224,0.00006804532,0.000022556498,0.00039778353,0.000016770573,0.124475576],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99897784,0.000037501246,0.00032433227,0.00022275114,0.00019854399,0.00023900534],"domain_scores_gemma":[0.99935675,0.000039859537,0.000098642384,0.00015554165,0.00024987967,0.000099329016],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000079341466,0.00018269024,0.00032073315,0.0003839492,0.00012377584,0.000063974694,0.00016022555,0.00010708811,0.011286665],"category_scores_gemma":[0.000026886262,0.0001446793,0.00011109136,0.000040775056,0.000104034894,0.00014898014,0.0000030673511,0.00012296389,0.000025725085],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005583173,0.000099527264,0.000744472,0.00047959964,0.0002410151,0.00004458777,0.59540236,0.00002256299,0.00030281502,0.37052694,0.0010721694,0.031008143],"study_design_scores_gemma":[0.0009312593,0.00025433095,0.030158814,0.0017824327,0.0005303806,0.0000013129562,0.92984265,0.00067032495,0.0010298705,0.02079401,0.012487169,0.0015174688],"about_ca_topic_score_codex":0.4307381,"about_ca_topic_score_gemma":0.9579821,"teacher_disagreement_score":0.59418786,"about_ca_system_score_codex":0.000101407364,"about_ca_system_score_gemma":0.00033213606,"threshold_uncertainty_score":0.98961717},"labels":[],"label_agreement":null},{"id":"W7163410661","doi":"10.5876/9781885635945.c022","title":"On Coffee in Canada En Route to (and from) Elizabeth Bishop’s Childhood Home in Great Village, Nova Scotia","year":2025,"lang":"","type":"book-chapter","venue":"University of Colorado Press eBooks","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nova scotia; Work (physics); Population; Cape","score_opus":0.012548853935717523,"score_gpt":0.18060329524938373,"score_spread":0.1680544413136662,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7163410661","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.25780642,0.00059817155,0.000011443653,0.00024914817,0.00041051538,0.0007740194,0.0022227254,0.000015920654,0.73791164],"genre_scores_gemma":[0.87528557,0.00027510486,0.000021747708,0.00043945122,0.000060704137,4.875761e-7,0.000064480395,0.00002927767,0.12382321],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972831,0.00016277483,0.0006193199,0.00088636164,0.0005260957,0.00052232895],"domain_scores_gemma":[0.9982586,0.00046499298,0.00028239028,0.0005695401,0.00016988294,0.00025458858],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001841043,0.0006573122,0.0014493366,0.0008564295,0.00025759323,0.000112962574,0.0007560664,0.00035006896,0.0015313477],"category_scores_gemma":[0.000021913787,0.0008063271,0.00022544664,0.000030433168,0.00038245297,0.00012488873,0.0005567021,0.0007572897,0.000010890013],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010798601,0.00020240956,0.0013368768,0.00033780796,0.0011384304,0.0011634242,0.025930125,0.0004362672,0.000017213595,0.95778066,0.0028721849,0.007704742],"study_design_scores_gemma":[0.00895171,0.0010611754,0.03025933,0.010092235,0.0022660524,0.000004705579,0.011584205,0.000651318,0.00019535261,0.011099086,0.92019486,0.003639973],"about_ca_topic_score_codex":0.9565242,"about_ca_topic_score_gemma":0.9936121,"teacher_disagreement_score":0.94668156,"about_ca_system_score_codex":0.0007484606,"about_ca_system_score_gemma":0.0009281469,"threshold_uncertainty_score":0.99943876},"labels":[],"label_agreement":null},{"id":"W7164923965","doi":"10.1080/17153379.2011.12559091","title":"Voices in Revolution: Poetry and the Auditory Imagination in Modern China.","year":2011,"lang":"en","type":"article","venue":"Pacific Affairs","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Imagination","score_opus":0.015153943881299694,"score_gpt":0.20346313720420667,"score_spread":0.18830919332290696,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164923965","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.025576295,0.0021439407,0.00008063543,0.0005001469,0.00030876973,0.00010694688,0.000005571568,0.000024756317,0.9712529],"genre_scores_gemma":[0.9961825,0.000106626336,0.000017135208,0.000011265782,0.00023688252,0.000020150852,0.0000038962116,0.000006531314,0.003415036],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.99929,0.00009681434,0.00019106906,0.0001619472,0.00010747086,0.0001527258],"domain_scores_gemma":[0.99972016,0.00003996797,0.000050525192,0.0001407292,0.00002509717,0.000023549937],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00040552692,0.000091094975,0.00014938152,0.000117863776,0.00013040684,0.00005436589,0.00009412247,0.000029127452,0.00045909168],"category_scores_gemma":[0.000026533477,0.00006316773,0.00004139493,0.00005496033,0.00041306976,0.0002822177,0.000025324194,0.00014102072,0.000025925361],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009434237,0.00014856599,0.0032024875,0.000042228647,0.000025461859,0.000015185435,0.27201876,0.000007401489,0.000014630886,0.71611917,0.0018742655,0.006437479],"study_design_scores_gemma":[0.002307881,0.000037947866,0.03151174,0.00010155748,0.000061838204,0.000006225853,0.75115585,0.014405462,0.000020960708,0.19060192,0.009388548,0.00040005698],"about_ca_topic_score_codex":0.00048170408,"about_ca_topic_score_gemma":0.0012660294,"teacher_disagreement_score":0.9706062,"about_ca_system_score_codex":0.000024394187,"about_ca_system_score_gemma":0.000011432979,"threshold_uncertainty_score":0.5026732},"labels":[],"label_agreement":null},{"id":"W7165132163","doi":"10.6082/qwn56-4bw52","title":"Failed Instruments: Abolition and the Lyric in Antebellum America","year":2022,"lang":"en","type":"dissertation","venue":"University of Chicago","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Poetics; Rhetoric; Realm; Romance; Aside; Expansive; Politics","score_opus":0.005900428801261796,"score_gpt":0.18522765130025154,"score_spread":0.17932722249898975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7165132163","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7339496,0.00042610726,0.0000023318012,0.0005130442,0.00020570269,0.00015719628,0.00009475046,0.0000148012805,0.26463646],"genre_scores_gemma":[0.97072196,0.000573963,0.0000044601916,0.000066855755,0.000033162392,5.3005e-7,0.0005064205,0.0000053536783,0.028087268],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99939996,0.00009315407,0.00011859425,0.00014279223,0.00015099683,0.000094504656],"domain_scores_gemma":[0.99965006,0.00004226638,0.0001383909,0.00011296103,0.00003675768,0.000019558205],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008872548,0.00009215293,0.00025578673,0.00015946855,0.00031842547,0.000024380965,0.00016156705,0.00003864186,0.0053571602],"category_scores_gemma":[0.000010744395,0.0000820137,0.000096449534,0.00006042917,0.00028044762,0.00009218321,0.00003319537,0.00021122993,0.0000053479503],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.001070904,0.00030325825,0.00035653994,0.00026632252,0.00037969832,0.000027455453,0.30592722,0.000010565915,0.000030487516,0.6756878,0.003174475,0.0127653135],"study_design_scores_gemma":[0.0021900747,0.000072154515,0.00575411,0.00010215954,0.00035843457,5.896559e-7,0.41450724,0.00033614496,0.0000084705125,0.006579416,0.56982464,0.00026658646],"about_ca_topic_score_codex":0.0024367138,"about_ca_topic_score_gemma":0.0049276967,"teacher_disagreement_score":0.66910833,"about_ca_system_score_codex":0.000025033765,"about_ca_system_score_gemma":0.000027417538,"threshold_uncertainty_score":0.99555206},"labels":[],"label_agreement":null},{"id":"W72391385","doi":"10.14288/cl.v0i174.193102","title":"The Railway in Canadian Poetry","year":2020,"lang":"en","type":"article","venue":"Open Collections","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; History; Literature; Art","score_opus":0.03748036970079505,"score_gpt":0.24601316972265286,"score_spread":0.2085328000218578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W72391385","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00028405484,0.00006359341,0.0000027199014,0.015354096,0.00016350216,0.00013415773,0.000031958774,0.000009492208,0.9839564],"genre_scores_gemma":[0.5995084,0.00001353219,0.0000042424977,0.0017822474,0.00017625476,0.000037029036,0.0000035266482,0.000005167801,0.39846957],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994857,0.000037987236,0.00011702291,0.000104926876,0.00005381027,0.00020056724],"domain_scores_gemma":[0.99966305,0.000049328257,0.000014671687,0.00009504217,0.00003559735,0.000142334],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001179706,0.00005067286,0.00008074243,0.000029483082,0.0042809118,0.0024469574,0.0002739572,0.000015608166,0.0071395165],"category_scores_gemma":[0.00006592409,0.000037412185,0.000037562724,0.0002489841,0.000065898086,0.00013169287,0.000038967955,0.00010850222,0.00008620693],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000054530983,0.000013820291,0.000047698613,0.0000011350905,0.00002162383,0.000006149922,0.0037708685,0.000013180997,0.0000014773108,0.111983836,0.8837896,0.0003451656],"study_design_scores_gemma":[0.00010547278,0.00001886148,0.00005770232,0.0000029711045,0.000008818892,6.4220836e-7,0.0050512804,0.00042029232,0.0000049535233,0.0016288129,0.99264103,0.000059136768],"about_ca_topic_score_codex":0.8177617,"about_ca_topic_score_gemma":0.99240243,"teacher_disagreement_score":0.5992244,"about_ca_system_score_codex":0.00005502132,"about_ca_system_score_gemma":0.00020636136,"threshold_uncertainty_score":0.9985886},"labels":[],"label_agreement":null},{"id":"W746556899","doi":"","title":"Things That Matter: Three Decades of Passions, Pastimes and Politics","year":2014,"lang":"en","type":"article","venue":"˜The œJournal of social, political, and economic studies","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Passions; Politics; Ideology; Sociology; Independence (probability theory); Style (visual arts); Law; History; Psychoanalysis; Media studies; Political science; Psychology; Art; Literature","score_opus":0.04542341658435341,"score_gpt":0.2802687546170513,"score_spread":0.23484533803269791,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W746556899","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9694177,0.003747003,0.000044106437,0.010146466,0.00031443176,0.000053375297,0.000034222394,0.000007686081,0.016234996],"genre_scores_gemma":[0.9966899,0.00054188696,0.000028434773,0.0011318281,0.0009702434,0.0000014218475,4.284849e-7,0.000010746743,0.00062509713],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9989678,0.000073519215,0.00046457697,0.00009648255,0.0000961013,0.00030147313],"domain_scores_gemma":[0.9988448,0.00062870875,0.00024771315,0.00008436411,0.000096508775,0.00009791026],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004972394,0.00014626326,0.00052746607,0.00007703982,0.000704205,0.00009906532,0.00013271293,0.00004271254,0.00017166072],"category_scores_gemma":[0.00003690597,0.00009303942,0.00012687367,0.000008822606,0.0015264993,0.00019701937,0.0000917776,0.00013753209,0.000009800214],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010130655,0.000026848968,0.0063614063,0.000068108995,0.00044130787,6.468709e-7,0.011956803,4.4780958e-7,0.000005175986,0.97165555,0.009201725,0.0002718745],"study_design_scores_gemma":[0.0012116107,0.00039755282,0.030231964,0.0002370414,0.0017040439,0.00007725408,0.26321897,0.0002105205,0.00015307263,0.55378157,0.14822927,0.00054711424],"about_ca_topic_score_codex":0.0002057013,"about_ca_topic_score_gemma":0.00016038698,"teacher_disagreement_score":0.41787395,"about_ca_system_score_codex":0.00003436971,"about_ca_system_score_gemma":0.000025944004,"threshold_uncertainty_score":0.56244504},"labels":[],"label_agreement":null},{"id":"W754651687","doi":"","title":"Between the Temple and the Cave: The Religious Dimensions of the Poetry of E.J. Pratt by Angela T. McAuliffe (review)","year":2001,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Cave; Temple; Art; Theology; Art history; History; Philosophy; Literature; Archaeology; Ancient history","score_opus":0.012252734329013656,"score_gpt":0.20821971145802734,"score_spread":0.19596697712901368,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W754651687","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8163755,0.1134167,0.000054316115,0.01917782,0.00024039212,0.0010611387,0.00052600016,0.0000287718,0.04911939],"genre_scores_gemma":[0.99092716,0.005359019,0.000004104113,0.0002640532,0.000051524126,4.3561644e-7,0.0000048606216,0.000004589203,0.0033842616],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990684,0.00025885532,0.00020524622,0.00011545005,0.00022170124,0.00013036828],"domain_scores_gemma":[0.9988472,0.00031510938,0.00023148145,0.00045677935,0.00012088105,0.000028584807],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00036869635,0.00010349794,0.00029246253,0.0000087276585,0.0005707052,0.000013191297,0.00048555672,0.000031982487,0.00034922588],"category_scores_gemma":[0.000016326612,0.00004312602,0.00021274445,0.000031114985,0.0011240353,0.00011035375,0.00005734505,0.00010269863,0.0000023120488],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016686594,0.00027629716,0.004537317,0.00030397874,0.0011373463,0.0000061368105,0.23905751,0.000001715863,0.00030446955,0.056872178,0.6816773,0.01565892],"study_design_scores_gemma":[0.0012245727,0.0003788925,0.009506046,0.00034173595,0.0016291463,0.0000068154663,0.13442914,0.00005101524,0.000045952023,0.0014519498,0.8507231,0.00021162954],"about_ca_topic_score_codex":0.026948288,"about_ca_topic_score_gemma":0.014915485,"teacher_disagreement_score":0.17455168,"about_ca_system_score_codex":0.000019218734,"about_ca_system_score_gemma":0.00001798718,"threshold_uncertainty_score":0.97953135},"labels":[],"label_agreement":null},{"id":"W755516807","doi":"","title":"Selected Letters – Charles Olson ed. by Ralph Maud (review)","year":2001,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.007844556477125782,"score_gpt":0.186896441230968,"score_spread":0.1790518847538422,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W755516807","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.62849045,0.115614116,0.000948454,0.00871304,0.0006834635,0.00070231815,0.0005226475,0.00039609548,0.24392945],"genre_scores_gemma":[0.95312107,0.017253548,0.000077508776,0.001028367,0.00025259744,5.820103e-7,0.00018171722,0.000018464047,0.02806612],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99923307,0.000059696955,0.00013978942,0.00018622982,0.00016800746,0.0002132331],"domain_scores_gemma":[0.99949926,0.000020319476,0.000096216405,0.00019080416,0.00011747144,0.00007591616],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007779253,0.00012894452,0.0002733233,0.000021660118,0.00021942075,0.000023828981,0.00024486685,0.0000311873,0.017888887],"category_scores_gemma":[0.000003282079,0.00013760859,0.00014830174,0.000021212754,0.00014261181,0.00044346647,0.000010610641,0.000060451956,0.00009860313],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000043346347,0.00018816945,0.00012504883,0.00013093105,0.00017966969,0.000036093763,0.01534751,3.4067943e-7,0.0021094691,0.0060313623,0.9578303,0.017977769],"study_design_scores_gemma":[0.0004038088,0.00023683376,0.00044533712,0.00016283341,0.00020703094,0.0000032066557,0.010221549,0.000046890564,0.000022191807,0.000022846478,0.9879852,0.00024228948],"about_ca_topic_score_codex":0.014963995,"about_ca_topic_score_gemma":0.015096473,"teacher_disagreement_score":0.32463068,"about_ca_system_score_codex":0.00007326695,"about_ca_system_score_gemma":0.000012508495,"threshold_uncertainty_score":0.99159545},"labels":[],"label_agreement":null},{"id":"W77882681","doi":"","title":"Writing and Painting under the Gaze: Emily Carr's Growing Pains","year":2001,"lang":"en","type":"article","venue":"West Virginia University Philological Papers","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mythology; Carr; Narrative; Painting; Gaze; Embodied cognition; Reputation; Life writing; Art; Literature; Aesthetics; Visual arts; History; Sociology; Psychology; Psychoanalysis; Philosophy; Social science","score_opus":0.020583063268747266,"score_gpt":0.20797710265278696,"score_spread":0.1873940393840397,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W77882681","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.75069964,0.00011845149,0.000026117239,0.0067391773,0.00007418597,0.000056543995,0.000007543263,0.00009341105,0.24218492],"genre_scores_gemma":[0.9943242,0.000113736125,0.000018813927,0.0026249567,0.00030812155,4.595956e-7,0.000006874534,0.000008110717,0.0025946954],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99885845,0.00021687658,0.00014820519,0.00028658527,0.00015874387,0.00033114452],"domain_scores_gemma":[0.9992449,0.00039483112,0.000058314276,0.00015742201,0.000042073632,0.00010242259],"candidate_categories":["sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00044481808,0.00015790891,0.00019255458,0.000060753795,0.0014195512,0.0001426897,0.00023486331,0.00007860609,0.00209696],"category_scores_gemma":[0.00005003871,0.00011612239,0.0001343052,0.00008782958,0.0006356726,0.0002706416,0.00012809318,0.0003142023,0.000035720666],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000046973764,0.000084762185,0.005860838,0.000016478802,0.00016053938,0.00028154915,0.006261994,0.00011158813,0.0010552573,0.9822538,0.0006528264,0.0032134082],"study_design_scores_gemma":[0.00081428094,0.0001630218,0.0352927,0.00007250792,0.00030699084,0.000039608483,0.24848376,0.00038850997,0.000010883063,0.0025184834,0.71128994,0.00061933533],"about_ca_topic_score_codex":0.00019717739,"about_ca_topic_score_gemma":0.00034377296,"teacher_disagreement_score":0.9797353,"about_ca_system_score_codex":0.000037286063,"about_ca_system_score_gemma":0.000011364687,"threshold_uncertainty_score":0.9998805},"labels":[],"label_agreement":null},{"id":"W794751987","doi":"","title":"ONTARIO'S YORK TRANSIT: MEETING THE NEEDS OF A FAST-GROWING REGION","year":2005,"lang":"en","type":"article","venue":"Passenger transport","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Transit (satellite); Urban transit; Transport engineering; Rapid transit; Regional science; Public transport; Engineering; Geography","score_opus":0.028136807744539794,"score_gpt":0.2074903138468331,"score_spread":0.1793535061022933,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W794751987","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7687275,0.00055228005,0.00053578836,0.004218598,0.00019882557,0.00014635212,0.000009782876,0.00006509196,0.22554582],"genre_scores_gemma":[0.9899219,0.0000166072,0.000042598294,0.00047579844,0.000534357,0.000012437126,0.000013235543,0.000017737479,0.008965287],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99886346,0.000036656656,0.00043558015,0.00014305572,0.00025044728,0.00027082252],"domain_scores_gemma":[0.99948335,0.000060828424,0.000081790466,0.00025084108,0.00006852929,0.000054683285],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002862324,0.0001732183,0.00029180918,0.00009809929,0.00030766055,0.000041000876,0.00020700377,0.00004947562,0.0016312435],"category_scores_gemma":[0.000002733542,0.00011791005,0.0003262571,0.000085243424,0.00016990215,0.00025691374,0.000003938658,0.00022275462,0.000018283803],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009671176,0.000390725,0.0073125428,0.00012838676,0.0005389632,0.00003546014,0.7548446,0.0006280326,0.0019344174,0.21630412,0.0015327132,0.016253294],"study_design_scores_gemma":[0.00037154925,0.000059445072,0.003203921,0.00015352438,0.0006077932,0.000009962544,0.039468773,0.00013807551,0.0025002332,0.0003988439,0.9527281,0.0003597848],"about_ca_topic_score_codex":0.007953242,"about_ca_topic_score_gemma":0.104957364,"teacher_disagreement_score":0.95119536,"about_ca_system_score_codex":0.000030698127,"about_ca_system_score_gemma":0.000042675136,"threshold_uncertainty_score":0.9992814},"labels":[],"label_agreement":null},{"id":"W824197426","doi":"10.5860/choice.191977","title":"The state of the art: a chronicle of American poetry, 1988-2014","year":2015,"lang":"en","type":"article","venue":"Choice Reviews Online","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; State (computer science); Art; History; Literature; Art history; Computer science; Programming language","score_opus":0.05741417356461687,"score_gpt":0.31227776465965734,"score_spread":0.2548635910950405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W824197426","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5295024,0.39162478,0.000121067984,0.014652975,0.0015283935,0.0017239742,0.0008309347,0.000078805635,0.05993665],"genre_scores_gemma":[0.94387764,0.02463912,0.00009917168,0.0012129155,0.000993631,0.000028216436,0.000036173355,0.000032722146,0.029080395],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99871737,0.0001865213,0.00056037115,0.00012629938,0.0002240132,0.0001854544],"domain_scores_gemma":[0.99859506,0.00013360058,0.00045836242,0.0005612479,0.0001878422,0.00006390597],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00064923434,0.00012075699,0.0004396209,0.000023921497,0.00013170883,0.000033396176,0.0004204359,0.00001016536,0.00012607271],"category_scores_gemma":[0.00032833253,0.000056237306,0.00025768566,0.00011682201,0.000654413,0.0000700111,0.00008029661,0.00012596333,0.00006431587],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000050773404,0.0011975686,0.0015728388,0.0008071163,0.0003990095,0.0000017944867,0.011331031,0.000067962326,0.0006993711,0.04344537,0.26504156,0.6753856],"study_design_scores_gemma":[0.00013831208,0.00007336249,0.00053494726,0.00013876578,0.00008738368,6.378194e-7,0.00050304714,0.00015795819,0.00009788964,0.00050038437,0.9976935,0.000073817224],"about_ca_topic_score_codex":0.00046142368,"about_ca_topic_score_gemma":0.006655928,"teacher_disagreement_score":0.73265195,"about_ca_system_score_codex":0.000023365541,"about_ca_system_score_gemma":0.00006555302,"threshold_uncertainty_score":0.37141642},"labels":[],"label_agreement":null},{"id":"W832404277","doi":"","title":"'I don't really notice where I live' : Philip Larkin's literary nationalities","year":2012,"lang":"en","type":"dissertation","venue":"Repository@Hull (Worktribe) (University of Hull)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Notice; Performance art; Law; Art; History; Art history; Political science","score_opus":0.01079961628142624,"score_gpt":0.18951200971651183,"score_spread":0.1787123934350856,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W832404277","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30007896,0.015782235,0.000020280151,0.00050791824,0.0035116104,0.00049478654,0.00051728106,0.00025697149,0.67882997],"genre_scores_gemma":[0.6498734,0.00034681484,0.000076461525,0.00004269359,0.0013105354,0.0000016404748,0.0014554363,0.000043960743,0.34684905],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972953,0.00025133215,0.000499699,0.0006082747,0.00084184227,0.00050350797],"domain_scores_gemma":[0.99728847,0.00023844953,0.0007582323,0.0006038022,0.00089262106,0.00021845543],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00033450668,0.0005028837,0.0008334325,0.00042131878,0.001325066,0.00023866486,0.0007306121,0.00047250633,0.00856035],"category_scores_gemma":[0.000028875276,0.0005793523,0.0006949738,0.00014866711,0.0003122169,0.0008922722,0.00009656629,0.0006525132,0.0002103522],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015927942,0.002031402,0.0020021282,0.004807409,0.004603596,0.0007838925,0.40637535,0.000042913274,0.001285266,0.4297637,0.14081697,0.0058945958],"study_design_scores_gemma":[0.0008516454,0.00015525962,0.0054086866,0.0014212879,0.0024081178,0.000028254199,0.10240058,0.000075145974,0.00017587967,0.0021970249,0.8835632,0.0013149001],"about_ca_topic_score_codex":0.003229473,"about_ca_topic_score_gemma":0.008250969,"teacher_disagreement_score":0.74274623,"about_ca_system_score_codex":0.00016641697,"about_ca_system_score_gemma":0.00022072392,"threshold_uncertainty_score":0.9999751},"labels":[],"label_agreement":null},{"id":"W83975977","doi":"10.15210/interfaces.v13i2.7253","title":"Poesia Experimental Contemporânea no Canadá e no Brasil: Convergência e Contraste","year":2013,"lang":"pt","type":"article","venue":"LA Referencia (Red Federada de Repositorios Institucionales de Publicaciones Científicas)","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"University of Alberta","funders":"","keywords":"Poetry; Poetics; Humanities; Art; Art history; Philosophy; Literature","score_opus":0.02252606013477287,"score_gpt":0.2391291094869222,"score_spread":0.21660304935214933,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W83975977","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.13890512,0.0043395357,0.00027179808,0.019547949,0.0075074006,0.0021648675,0.0006780506,0.0006701017,0.82591516],"genre_scores_gemma":[0.9711456,0.00014488258,0.00014130083,0.0015198657,0.003181281,0.0004717999,0.0004087597,0.00014613176,0.0228404],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9927395,0.00077377184,0.0018072971,0.0014406716,0.0014462525,0.0017925028],"domain_scores_gemma":[0.9942919,0.00036602403,0.0008113854,0.0010767275,0.002048716,0.0014052654],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006782768,0.0012119232,0.0013994692,0.0005749637,0.0023054667,0.0018173656,0.0011642379,0.0008094709,0.006905748],"category_scores_gemma":[0.00048926385,0.0011766381,0.00080678443,0.00035862075,0.00016538777,0.0015680041,0.00034671157,0.0011835966,0.0016046362],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026451724,0.0014174304,0.00033349934,0.00020597047,0.00088714116,0.0003180748,0.0073476206,0.000008352641,0.006008532,0.93916994,0.043802317,0.0002365825],"study_design_scores_gemma":[0.0024369655,0.00033360464,0.0017508088,0.00034222045,0.0003156371,0.00038416864,0.0062009613,0.0016664345,0.0012132552,0.0001516637,0.9838039,0.0014003388],"about_ca_topic_score_codex":0.00020531575,"about_ca_topic_score_gemma":0.0019887632,"teacher_disagreement_score":0.9400016,"about_ca_system_score_codex":0.0011591811,"about_ca_system_score_gemma":0.0010748509,"threshold_uncertainty_score":0.9992188},"labels":[],"label_agreement":null},{"id":"W84342183","doi":"","title":"Zukovskij's Translation of Oliver Goldsmith's \"The Deserted Village\" (1)","year":2005,"lang":"en","type":"article","venue":"Germano-Slavica","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Doctrine; Politics; Indignation; Irish; Literature; History; Law; Classics; Philosophy; Art; Theology; Political science; Linguistics","score_opus":0.02697824445328972,"score_gpt":0.23994580214317754,"score_spread":0.21296755768988782,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W84342183","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53685606,0.0032921603,0.00040407642,0.009593517,0.0004684779,0.00043535398,0.00010841421,0.00020070645,0.44864127],"genre_scores_gemma":[0.99169546,0.000051991818,0.000096423064,0.0006599769,0.00062473543,0.000011050822,0.000023094617,0.000017307264,0.006819948],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988633,0.00006610311,0.00037766088,0.00017976468,0.00026439052,0.0002488289],"domain_scores_gemma":[0.99930274,0.00008345136,0.00010754836,0.00031425516,0.00013896558,0.000053058622],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00019824793,0.00014913415,0.00022237141,0.00008166803,0.00028815176,0.000081317055,0.00024702467,0.000054503125,0.0049564643],"category_scores_gemma":[0.000010804647,0.000104461025,0.00017086421,0.00008267605,0.00024501258,0.00023827603,0.000021290221,0.00012164166,0.00033109318],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015411519,0.000799907,0.00032461615,0.00016532328,0.0007405198,0.000023113753,0.10523034,0.00027187372,0.009838281,0.5982168,0.057791706,0.22644344],"study_design_scores_gemma":[0.0004470681,0.000052726773,0.0013952216,0.00002902568,0.0002115006,0.0000045341153,0.0010595504,0.0019211732,0.002452489,0.0013664764,0.99082506,0.00023520387],"about_ca_topic_score_codex":0.00013147449,"about_ca_topic_score_gemma":0.0007679596,"teacher_disagreement_score":0.93303335,"about_ca_system_score_codex":0.00001952755,"about_ca_system_score_gemma":0.000023297931,"threshold_uncertainty_score":0.99595314},"labels":[],"label_agreement":null},{"id":"W941982440","doi":"","title":"The Canadian Garden (Poem)","year":2004,"lang":"en","type":"article","venue":"Canadian Literature = Littérature canadienne: A quarterly o criticism and review","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Geography; Art; Literature","score_opus":0.00876271294472737,"score_gpt":0.2034478963116222,"score_spread":0.19468518336689483,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W941982440","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0013486829,0.6972612,0.0000029164657,0.15936264,0.002130132,0.0010278852,0.0016857074,0.00008501731,0.13709581],"genre_scores_gemma":[0.89465946,0.022496236,0.00005409605,0.04596531,0.0026848442,0.00019386815,0.000524748,0.000115693954,0.033305768],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961107,0.00017793925,0.000696184,0.0007305274,0.00028422798,0.002000438],"domain_scores_gemma":[0.9949312,0.00009062315,0.00010259322,0.0008723914,0.00059118506,0.0034120001],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00075040135,0.00062656717,0.0007135188,0.00040688028,0.0038831264,0.0025450594,0.0006871426,0.00031214618,0.00056606065],"category_scores_gemma":[0.00018248994,0.00043732853,0.00033397245,0.0004783216,0.0007908485,0.00048046192,0.00001425009,0.0010398134,0.00009970758],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000032266673,0.000010619494,0.0000031003658,0.00068793417,0.000099465266,0.00059331075,0.014036393,2.5523005e-7,0.0000020424254,0.9178771,0.05456225,0.012124301],"study_design_scores_gemma":[0.00027047985,0.00015740148,0.00008368328,0.003167546,0.0002337279,0.0002635707,0.0023536016,0.0000030682452,0.0000010924061,0.014206911,0.9786465,0.0006124087],"about_ca_topic_score_codex":0.72907645,"about_ca_topic_score_gemma":0.9994975,"teacher_disagreement_score":0.92408425,"about_ca_system_score_codex":0.00080612703,"about_ca_system_score_gemma":0.002093627,"threshold_uncertainty_score":0.99980783},"labels":[],"label_agreement":null},{"id":"W993631048","doi":"10.1353/esc.2014.0034","title":"The Birth of New Criticism: Conflict and Conciliation in the Early Work of William Empson, I.A. Richards, Laura Riding, and Robert Graves by Donald J. Childs (review)","year":2014,"lang":"en","type":"article","venue":"English studies in Canada","topic":"Poetry Analysis and Criticism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Criticism; Conciliation; Poetics; Literary criticism; Psychoanalysis; Philosophy; Literature; Poetry; Psychology; Sociology; Art; Mediation","score_opus":0.020276969008026755,"score_gpt":0.24246275594801855,"score_spread":0.2221857869399918,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W993631048","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6663645,0.32336587,0.0000019209779,0.0036952556,0.0004334799,0.00027180073,0.000081223065,0.0000061183505,0.0057798536],"genre_scores_gemma":[0.96687835,0.031219874,0.0000030826857,0.0012119621,0.00014173982,0.000013567442,0.000003448294,0.000005956389,0.0005219973],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988481,0.00014160314,0.0004128063,0.00014779127,0.0002677215,0.00018200585],"domain_scores_gemma":[0.9987698,0.00073966326,0.0001255124,0.0001583165,0.00017340845,0.000033254062],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00068283064,0.00013117353,0.00038875066,0.000031075997,0.00018943976,0.000030539042,0.000152882,0.000018153067,0.000018994464],"category_scores_gemma":[0.00061359856,0.00007891106,0.00003265788,0.00009807054,0.00035354198,0.00007125439,0.00004451493,0.0001404778,6.740155e-8],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023700433,0.000043948206,0.04377454,0.0007100272,0.00029348079,0.0000040360264,0.10429634,0.0000071466634,0.0000036994088,0.061673377,0.78451085,0.0046588797],"study_design_scores_gemma":[0.000389621,0.00005912172,0.017890286,0.0006119357,0.0000750216,5.04311e-7,0.029846553,0.000010558935,0.000022913684,0.000684025,0.9502608,0.0001486671],"about_ca_topic_score_codex":0.30843535,"about_ca_topic_score_gemma":0.8752094,"teacher_disagreement_score":0.5667741,"about_ca_system_score_codex":0.00004000843,"about_ca_system_score_gemma":0.00007060327,"threshold_uncertainty_score":0.69616985},"labels":[],"label_agreement":null}]}