{"meta":{"query_hash":"ee37d151c2e6","filters":{"topic":"Samuel Beckett and Modernism"},"cohort_total":347,"direct_labels_cover":1,"predictions_cover":347,"exported":347,"export_cap":100000,"truncated":false,"label_status":"direct model label, unvalidated","prediction_status":"machine_predicted_unvalidated (Codex and Gemma teacher distillation)","score_status":"score_only:v0-immature-baseline","snapshot":{"source":"OpenAlex, pinned release, all 482 partitions","release":"2026-06-24","frame_built":"2026-07-12"},"permalink":"https://metacan.xera.ac/q/ee37d151c2e6","api":"https://metacan.xera.ac/api/v1/cohort?topic=Samuel+Beckett+and+Modernism"},"results":[{"id":"W134770902","doi":"","title":"Modalités po(ï)étiques de configuration textuelle. Le cas de Molloy de Samuel Beckett by Carla Taban (review)","year":2013,"lang":"fr","type":"article","venue":"University of Toronto Quarterly","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art","score_opus":0.018921374490337692,"score_gpt":0.22901471183556735,"score_spread":0.21009333734522967,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W134770902","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4281116,0.2855905,0.008131625,0.020562703,0.00086777034,0.0017225543,0.0009230591,0.0002667986,0.2538234],"genre_scores_gemma":[0.76119155,0.01924306,0.0010350778,0.0013102948,0.00045143187,0.000006285708,0.00016368247,0.000060672897,0.21653797],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981412,0.00032471307,0.00030700932,0.000350932,0.00023454051,0.0006415573],"domain_scores_gemma":[0.9986943,0.00008522925,0.00025104117,0.00035454,0.00030744518,0.00030746206],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003023223,0.00032903848,0.0004742996,0.000038207294,0.00053221587,0.00010632797,0.0004062857,0.00025140162,0.009596413],"category_scores_gemma":[0.000013105965,0.00041062126,0.00029382214,0.000015664034,0.00046116242,0.0011721397,0.000029094765,0.00020769949,0.00013227768],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000065441214,0.00051503826,0.00044119515,0.0010970505,0.0003180966,0.000058514623,0.2259863,0.0000051515426,0.0041892664,0.055548564,0.64156324,0.070212126],"study_design_scores_gemma":[0.0014257682,0.0009979244,0.0037396413,0.00089158776,0.00047764907,0.000036474426,0.08846802,0.001395485,0.0006791934,0.0022058648,0.89886856,0.00081385416],"about_ca_topic_score_codex":0.7573311,"about_ca_topic_score_gemma":0.18391751,"teacher_disagreement_score":0.5734136,"about_ca_system_score_codex":0.00093387987,"about_ca_system_score_gemma":0.00039543086,"threshold_uncertainty_score":0.99983454},"labels":[],"label_agreement":null},{"id":"W1485758760","doi":"10.3917/nre.008.0050","title":"Œuvrer à l'impotence","year":2011,"lang":"fr","type":"article","venue":"Nouvelle revue d’esthétique","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Chicoutimi","funders":"","keywords":"Humanities; Art","score_opus":0.10213349227377307,"score_gpt":0.2339861386008103,"score_spread":0.13185264632703725,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1485758760","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.20690507,0.021642735,0.00076085323,0.008218532,0.009201229,0.00083121954,0.00019409129,0.00033546926,0.7519108],"genre_scores_gemma":[0.43346706,0.00818469,0.002479356,0.0012918436,0.004182309,0.0001065719,0.000035240126,0.00016314346,0.5500898],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974822,0.0001504721,0.00060110434,0.0006672956,0.00022312437,0.00087582733],"domain_scores_gemma":[0.99839485,0.00008847071,0.00023740149,0.00075160066,0.00024047084,0.00028722564],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003365434,0.0005166947,0.0005149812,0.00015717614,0.00058482634,0.0001716812,0.0005626428,0.0004451234,0.018805481],"category_scores_gemma":[0.00005442735,0.0005393538,0.00034198348,0.00008167002,0.00070332317,0.00045833894,0.00015934564,0.00064958364,0.004835549],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000114163995,0.0007801718,0.00046767425,0.00059218635,0.00015190948,0.00048806763,0.15558429,0.000003746555,0.00020300547,0.73494667,0.048084352,0.058583766],"study_design_scores_gemma":[0.00043889476,0.00038467,0.0009370566,0.0004641772,0.00013252546,0.00018262943,0.0044244304,0.00021261939,0.0013657695,0.014340165,0.9763055,0.0008116002],"about_ca_topic_score_codex":0.0039565573,"about_ca_topic_score_gemma":0.001621389,"teacher_disagreement_score":0.9282211,"about_ca_system_score_codex":0.00011539822,"about_ca_system_score_gemma":0.00023654611,"threshold_uncertainty_score":0.9997058},"labels":[],"label_agreement":null},{"id":"W1491677323","doi":"","title":"A Deconstructive Reading of Samuel Beckett’s The Unnamable : The Threshold of Language Limits","year":2012,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Deconstruction (building); Contradiction; Reading (process); Différance; Philosophy; Meaning (existential); Literature; Metaphysics; Object (grammar); Epistemology; Literary theory; Subject (documents); Linguistics; Literary criticism; Art; Computer science","score_opus":0.06576653663651093,"score_gpt":0.32027997134762165,"score_spread":0.2545134347111107,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1491677323","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8266084,0.12779436,8.608113e-7,0.00021456851,0.00036009095,0.00016655233,0.0000562486,0.0000111758645,0.044787746],"genre_scores_gemma":[0.99646664,0.00043630245,0.000032717504,0.0003711762,0.00045848708,0.000018612576,0.0000056981535,0.000010286286,0.0022000873],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9992873,0.00005515482,0.00020963889,0.00011106108,0.00011584784,0.00022100039],"domain_scores_gemma":[0.99933994,0.0002470667,0.00010360407,0.00022072365,0.00006808691,0.000020564594],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00034772974,0.00013478105,0.00024584486,0.00006332424,0.00016826332,0.00003646115,0.00013749643,0.00003997621,0.000055124947],"category_scores_gemma":[0.00007241608,0.000065362394,0.000062585,0.00006708469,0.0006242302,0.0001829706,0.00008426008,0.00019625458,0.0000010843073],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025212059,0.00002568091,0.0023755264,0.00010825376,0.000114761446,0.000004855298,0.8813165,4.3693237e-7,0.00030681904,0.11288895,0.001262767,0.0015702806],"study_design_scores_gemma":[0.0007398575,0.00010789877,0.0030819257,0.00077399984,0.00015323747,0.000032070886,0.96930325,0.000018261257,0.003484159,0.0035598346,0.018452987,0.0002924923],"about_ca_topic_score_codex":0.00013070069,"about_ca_topic_score_gemma":0.0006502701,"teacher_disagreement_score":0.16985822,"about_ca_system_score_codex":0.000009830342,"about_ca_system_score_gemma":0.0000072855505,"threshold_uncertainty_score":0.2665401},"labels":[],"label_agreement":null},{"id":"W1495073830","doi":"10.1353/mos.2011.a461286","title":"Derrida on Beckett or the Painful Freudian Mark","year":2011,"lang":"en","type":"article","venue":"Mosaic","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Anecdote; Freudian slip; Poetry; Art; Literature; White (mutation); Philosophy; Art history; Sensibility; Psychoanalysis; Psychology","score_opus":0.2073380377780726,"score_gpt":0.2505773990509881,"score_spread":0.04323936127291547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1495073830","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.30437165,0.00021578441,0.000028679404,0.002563198,0.00162991,0.0003944091,0.00006543547,0.000252344,0.6904786],"genre_scores_gemma":[0.9231795,0.0000189875,0.000050084232,0.0048863045,0.0007447945,0.000045467383,0.000012546809,0.00003029436,0.07103202],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992362,0.000049805312,0.00013537245,0.00017190544,0.00014565665,0.0002610546],"domain_scores_gemma":[0.9994479,0.00007855052,0.0000443246,0.0003415863,0.000029560171,0.00005806845],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015426072,0.00014273789,0.00011337041,0.00004136887,0.00039268844,0.00008746001,0.00024929218,0.00003861787,0.014704441],"category_scores_gemma":[0.000027732596,0.0000681576,0.000076987744,0.00001902432,0.00016982778,0.00007751425,0.000036426358,0.00014385977,0.0013811628],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00027782252,0.00027343474,0.0014309229,0.000035078654,0.00014903136,0.000105529114,0.18538244,9.073028e-7,0.00002178776,0.2720956,0.46023577,0.079991676],"study_design_scores_gemma":[0.00025507898,0.00015239604,0.0014630759,0.000027703483,0.000025119147,0.000003530881,0.0028175812,0.000033976194,0.0002450471,0.010696997,0.9840943,0.00018517807],"about_ca_topic_score_codex":0.0009847112,"about_ca_topic_score_gemma":0.0052875653,"teacher_disagreement_score":0.6194466,"about_ca_system_score_codex":0.000017775146,"about_ca_system_score_gemma":0.00002853674,"threshold_uncertainty_score":0.9993964},"labels":[],"label_agreement":null},{"id":"W1504124389","doi":"10.1353/mos.2012.0030","title":"“cease to exist in order to be”: Worstward Ho between Badiou and Deleuze","year":2012,"lang":"en","type":"article","venue":"Mosaic","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Order (exchange); Philosophy; Ontology; Position (finance); Epistemology; Humanities; Aesthetics; Economics","score_opus":0.11852502715592325,"score_gpt":0.2884083986525068,"score_spread":0.16988337149658353,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1504124389","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97796947,0.00030342783,0.000087987886,0.0022037178,0.00028935363,0.00022973478,0.000057812234,0.000053797772,0.018804697],"genre_scores_gemma":[0.9865896,0.0000041729368,0.00022385911,0.0032260641,0.0008027314,0.000039259023,0.000026563934,0.000024765939,0.009062946],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99912107,0.000027013926,0.00015787309,0.00018021569,0.00012680009,0.00038705565],"domain_scores_gemma":[0.99944365,0.000040759474,0.000019308443,0.00017064284,0.000051019302,0.0002745915],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00016500466,0.00013938952,0.0001821541,0.00012711177,0.00012637397,0.00009621029,0.00010015899,0.000040288844,0.0005992789],"category_scores_gemma":[0.00005434792,0.00012609769,0.00002123546,0.0000764253,0.000046050405,0.00016634441,0.000077844445,0.0000976303,0.00030449327],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012183614,0.0002949532,0.2798737,0.0001041063,0.00009748554,0.000027972756,0.35282144,0.000023236149,0.00019327519,0.085691996,0.20577022,0.074979775],"study_design_scores_gemma":[0.00030130564,0.000058787864,0.019605555,0.000021902046,0.000019000328,0.0000010634644,0.0010334187,0.0000069096695,0.00009956393,0.00050677377,0.978095,0.00025073273],"about_ca_topic_score_codex":0.0008647799,"about_ca_topic_score_gemma":0.0036469216,"teacher_disagreement_score":0.77232474,"about_ca_system_score_codex":0.000034259436,"about_ca_system_score_gemma":0.000019552346,"threshold_uncertainty_score":0.6561684},"labels":[],"label_agreement":null},{"id":"W1518823523","doi":"","title":"\"The Immense Odds Against the Fossil’s Occurrence\": The Poetry of Christopher Dewdney as Materialist Historiography","year":2006,"lang":"en","type":"article","venue":"Studies in Canadian Literature","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Poetry; Historicity (philosophy); Temporality; Literature; Solipsism; Historiography; Materialism; Poetics; Consciousness; Philosophy; Spiritualism; Evocation; History; Epistemology; Politics; Art","score_opus":0.030420582086949984,"score_gpt":0.26593467884069727,"score_spread":0.2355140967537473,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1518823523","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3797591,0.33080217,3.5008927e-7,0.027065333,0.019666333,0.0010300219,0.0022501498,0.00006305728,0.23936348],"genre_scores_gemma":[0.987969,0.00059864554,0.000003436312,0.0019754437,0.001359754,0.00007298321,0.00004144756,0.000016060278,0.007963245],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998696,0.00010424284,0.00031622013,0.00020765694,0.00019455842,0.0004812909],"domain_scores_gemma":[0.99905854,0.00014107481,0.000110693174,0.00042566296,0.00019522457,0.00006881197],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.000343011,0.00022251939,0.0002151719,0.0001247725,0.0014129211,0.00034843726,0.00042430934,0.000072105206,0.00007594106],"category_scores_gemma":[0.000058336107,0.000108332206,0.00013619535,0.00015598457,0.0013090537,0.00009173002,0.000045020406,0.0002849872,0.000008919537],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028519045,0.000016780974,0.0009883736,0.000050161492,0.00010348261,0.00004462748,0.10146365,0.0000018977149,0.000019214793,0.17893913,0.71720093,0.0011432417],"study_design_scores_gemma":[0.0001609552,0.00002397649,0.0009085198,0.00009539931,0.000021129445,0.00000386777,0.007455845,0.0000015407977,0.000013417578,0.004215916,0.9869508,0.00014859473],"about_ca_topic_score_codex":0.13103673,"about_ca_topic_score_gemma":0.79468906,"teacher_disagreement_score":0.66365236,"about_ca_system_score_codex":0.00018162964,"about_ca_system_score_gemma":0.00018151432,"threshold_uncertainty_score":0.9998871},"labels":[],"label_agreement":null},{"id":"W1564452059","doi":"10.26522/vp.v4i1.497","title":"Beckett palimpseste de Proust ou la réécriture par déni","year":2007,"lang":"fr","type":"article","venue":"Voix Plurielles","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Philosophy","score_opus":0.03641548181092322,"score_gpt":0.27226629767493976,"score_spread":0.23585081586401654,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1564452059","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.52478874,0.05770097,0.0016087285,0.07677949,0.0062988675,0.0011023678,0.00079472334,0.00060405815,0.33032206],"genre_scores_gemma":[0.638697,0.0018186425,0.0007438405,0.0023288685,0.0064325365,0.00003250171,0.00006595495,0.00014913423,0.34973148],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971831,0.00015773115,0.0005491452,0.00051850936,0.000387727,0.0012038209],"domain_scores_gemma":[0.9983967,0.0004352782,0.00017276393,0.00047722436,0.0001613982,0.00035662812],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0009259217,0.0005200018,0.00037053254,0.0001752672,0.00090377044,0.00051601464,0.00038459897,0.0005212508,0.0017878747],"category_scores_gemma":[0.00009312465,0.00049771613,0.00030122176,0.00007476432,0.0009642096,0.00031139018,0.00012718952,0.000695188,0.0006549445],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018436079,0.0006373785,0.0022687907,0.0005011376,0.0002759325,0.0008589525,0.1287648,0.000016565697,0.00037448746,0.69162166,0.1345583,0.039937634],"study_design_scores_gemma":[0.0007292557,0.00020810882,0.0015306362,0.00030439132,0.00021194614,0.000105423955,0.0065276017,0.00007379131,0.0019753377,0.0075352173,0.9801546,0.0006436908],"about_ca_topic_score_codex":0.002521068,"about_ca_topic_score_gemma":0.006422372,"teacher_disagreement_score":0.8455963,"about_ca_system_score_codex":0.00009450492,"about_ca_system_score_gemma":0.00022172742,"threshold_uncertainty_score":0.99974746},"labels":[],"label_agreement":null},{"id":"W1585165862","doi":"","title":"The international reception of Samuel Beckett","year":2009,"lang":"en","type":"book","venue":"Continuum eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"German; Art history; History; Art","score_opus":0.05875725392413495,"score_gpt":0.2400590183881522,"score_spread":0.18130176446401725,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1585165862","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0002041242,0.00055554317,0.000008973277,0.000317841,0.002218745,0.00025036218,0.000048244492,0.00007236845,0.9963238],"genre_scores_gemma":[0.0033783289,0.000057478894,0.000014722641,0.00041669986,0.0030980061,0.00001897311,0.00010169103,0.000039576586,0.9928745],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998743,0.00002515863,0.00043509997,0.00023679921,0.00035244576,0.000207522],"domain_scores_gemma":[0.9987957,0.00013005162,0.0003919084,0.00035143466,0.0002905391,0.000040403647],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00024116809,0.0002465925,0.00029613372,0.00009574134,0.00025692707,0.00022133968,0.0005558003,0.00016042701,0.0009647219],"category_scores_gemma":[0.000032065458,0.00018008998,0.00025781937,0.000002383679,0.0004214537,0.00004705071,0.00007641802,0.00031235663,0.00015074096],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037005862,0.000010911191,0.0000014249243,0.000015164317,0.000105190134,0.0000027637855,0.0056008743,3.095626e-8,0.00008567281,0.27584428,0.6101969,0.1080998],"study_design_scores_gemma":[0.00024005094,0.000053291533,0.000012760236,0.00013272795,0.00005695655,0.0000016951294,0.00021338597,0.0000031460131,0.0001564375,0.056909617,0.942029,0.0001909259],"about_ca_topic_score_codex":0.000025181307,"about_ca_topic_score_gemma":0.0023872792,"teacher_disagreement_score":0.3318321,"about_ca_system_score_codex":0.000074233896,"about_ca_system_score_gemma":0.00016149781,"threshold_uncertainty_score":0.99994856},"labels":[],"label_agreement":null},{"id":"W1726290620","doi":"","title":"Deconstructive Study of Man’s Deplorable Status in the Panoptical Society of Samuel Beckett’s Molloy","year":2011,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Panopticon; Skepticism; Nothing; Deconstruction (building); Philosophy; Power (physics); Michel foucault; Metaphysics; Will to power; Value (mathematics); Epistemology; Injustice; Sociology; Aesthetics; Law; Political science; Politics","score_opus":0.12332541239584537,"score_gpt":0.317955578306753,"score_spread":0.1946301659109076,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1726290620","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97366625,0.012045123,4.983931e-7,0.000024621384,0.00013025271,0.0002778247,0.000038605285,0.000008320565,0.013808511],"genre_scores_gemma":[0.99890804,0.0003472872,0.00016445672,0.00020164732,0.00007386389,0.00003344963,0.0000038528183,0.000008521523,0.00025885223],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.999138,0.000087247434,0.00026540447,0.00017543099,0.00013189674,0.00020199886],"domain_scores_gemma":[0.9995389,0.00012534703,0.00007159798,0.00017390064,0.00007261364,0.00001761465],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022950952,0.00013717223,0.00030862456,0.00007139249,0.00007472931,0.000022933698,0.00011084105,0.000043373024,0.000052656298],"category_scores_gemma":[0.000028867858,0.000083403815,0.00005654219,0.000070551876,0.00041467987,0.00013147728,0.00007459364,0.00020212117,4.3854973e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057499874,0.00029826,0.022806082,0.00011461322,0.00011897848,0.000028532255,0.9628932,1.5184823e-7,0.000019872983,0.012432363,0.0005013968,0.0007290536],"study_design_scores_gemma":[0.0010861147,0.0003416892,0.017665481,0.00014653636,0.00004894601,0.0000043277064,0.97730637,0.0000064967207,0.00008682003,0.0024110144,0.0007687695,0.00012745298],"about_ca_topic_score_codex":0.0007234854,"about_ca_topic_score_gemma":0.004786334,"teacher_disagreement_score":0.025241826,"about_ca_system_score_codex":0.000012281109,"about_ca_system_score_gemma":0.000010182904,"threshold_uncertainty_score":0.34011087},"labels":[],"label_agreement":null},{"id":"W17941529","doi":"10.36253/978-88-6453-406-0","title":"Beyond the Suffering of Being: Desire in Giacomo Leopardi and Samuel Beckett","year":2017,"lang":"en","type":"book","venue":"Studi e saggi","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph","funders":"","keywords":"Pessimism; Nothing; Nihilism; Subject (documents); Philosophy; Infinity; Emptiness; Psychoanalysis; Literature; Art; Epistemology; Psychology","score_opus":0.07995795503582302,"score_gpt":0.268696796816178,"score_spread":0.18873884178035494,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W17941529","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.013581758,0.005766557,0.0000030657638,0.00025330423,0.00090085604,0.0004720078,0.000088215354,0.00003765438,0.97889656],"genre_scores_gemma":[0.31688437,0.0006934074,0.000014371393,0.00017802433,0.0012039777,0.000038744656,0.000034457324,0.00006773839,0.6808849],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985288,0.000046760688,0.0003961117,0.00037690095,0.00030596732,0.00034550918],"domain_scores_gemma":[0.9987593,0.00018055378,0.00031852062,0.0005992504,0.000091418886,0.000050944913],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00036857984,0.00038089417,0.00069115235,0.0001355282,0.00060372637,0.00018496529,0.0004749206,0.00015999454,0.00017851267],"category_scores_gemma":[0.00004322756,0.00027612734,0.00016242465,0.000008572658,0.0008605456,0.00013022151,0.0003529193,0.00049169007,0.000019940984],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007423643,0.00010050686,0.0018273351,0.00069772295,0.00061946025,0.00006652308,0.099656545,0.000001600089,0.000017592254,0.73811203,0.11606502,0.042761415],"study_design_scores_gemma":[0.0007439444,0.00014584124,0.0023513532,0.00055053586,0.00022743538,0.000005999722,0.0019900396,0.000006887337,0.000024694598,0.095305845,0.8981076,0.0005398313],"about_ca_topic_score_codex":0.00029270674,"about_ca_topic_score_gemma":0.0047442657,"teacher_disagreement_score":0.78204256,"about_ca_system_score_codex":0.00006208454,"about_ca_system_score_gemma":0.0001516269,"threshold_uncertainty_score":0.99996907},"labels":[],"label_agreement":null},{"id":"W1836472995","doi":"10.3968/j.css.1923669720070302.010","title":"An Insight into Human Sufferings: on Beckett’s Waiting for Godot","year":2010,"lang":"en","type":"article","venue":"Canadian social science","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Meaning (existential); Tragedy (event); Philosophy; Human life; Human being; Art; Literature; Epistemology; Theology; Humanity","score_opus":0.07282743798314882,"score_gpt":0.3026947343481423,"score_spread":0.22986729636499348,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1836472995","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7150364,0.0000043986647,0.000003433852,0.00063504785,0.0009631914,0.00015826413,0.000026112835,0.00004727517,0.2831259],"genre_scores_gemma":[0.9950298,2.427956e-7,0.000046037436,0.0017510692,0.0021184364,0.000027101782,0.0000107085025,0.000016481803,0.0010001085],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988732,0.000009310654,0.00011607756,0.00029613194,0.00019885079,0.000506441],"domain_scores_gemma":[0.9992488,0.000023829618,0.00004239107,0.00015179475,0.0001430306,0.00039017282],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0003324051,0.00011167451,0.0001043693,0.00018059762,0.0035471374,0.0004996926,0.0004612672,0.000056801484,0.00047174102],"category_scores_gemma":[0.000059796745,0.0001094072,0.000048611873,0.000060488997,0.0009930048,0.0003621102,0.000016001904,0.00017793721,0.000028858596],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000017568144,0.000011465868,0.00034814366,0.000004861478,0.0000020015939,0.00000214546,0.058609825,3.9426737e-8,0.0067969314,0.91991353,0.0009140348,0.013395237],"study_design_scores_gemma":[0.0002732314,0.00015082244,0.0015548485,0.000018620034,0.0000104769715,7.3182497e-7,0.007761397,0.00019461948,0.0021084677,0.02128017,0.9661883,0.0004582816],"about_ca_topic_score_codex":0.044399977,"about_ca_topic_score_gemma":0.67642546,"teacher_disagreement_score":0.9652743,"about_ca_system_score_codex":0.000122020814,"about_ca_system_score_gemma":0.00034439043,"threshold_uncertainty_score":0.9977501},"labels":[],"label_agreement":null},{"id":"W1844312110","doi":"10.3968/j.css.1923669720070304.008","title":"Absurdity underneath realistic elements in Pinter’s The Dumb Waiter","year":2010,"lang":"en","type":"article","venue":"Canadian social science","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Absurdity; Humanities; Plot (graphics); Philosophy; Art; Realism; Interpretation (philosophy); Art history; Literature; Linguistics","score_opus":0.0653293384881964,"score_gpt":0.28095243135619047,"score_spread":0.21562309286799408,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1844312110","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.41188625,0.0000055724668,0.0000025626434,0.0018517438,0.0012118611,0.00011842027,0.000040049003,0.000015052704,0.5848685],"genre_scores_gemma":[0.99392706,7.210134e-7,0.000005094008,0.0019140067,0.00059370795,0.000009437372,0.00000327237,0.0000056666063,0.0035410281],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991,0.000015490337,0.00011005837,0.00017130678,0.00019521054,0.000407877],"domain_scores_gemma":[0.99960625,0.0000192308,0.000030443534,0.00012971333,0.00005925603,0.00015509792],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00043922797,0.000069935726,0.00006695059,0.00009200718,0.0009607233,0.00030120413,0.0004346773,0.000028372808,0.0014930632],"category_scores_gemma":[0.000052459684,0.000052219068,0.000028585282,0.00007102914,0.0011534377,0.00017229166,0.000030457342,0.0001926614,0.00008738357],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000019148085,0.000012420802,0.00988639,0.0000031136315,0.0000034620198,0.000013362738,0.05266704,7.222134e-8,0.00021602522,0.9148571,0.013204346,0.009134758],"study_design_scores_gemma":[0.00016884413,0.000012779248,0.03797973,0.000006713537,0.0000063602247,0.0000014054832,0.0066366545,0.000116666255,0.000021894062,0.012445608,0.94239867,0.00020469305],"about_ca_topic_score_codex":0.13006558,"about_ca_topic_score_gemma":0.922959,"teacher_disagreement_score":0.92919433,"about_ca_system_score_codex":0.00015774577,"about_ca_system_score_gemma":0.00037945443,"threshold_uncertainty_score":0.9994197},"labels":[],"label_agreement":null},{"id":"W1902893437","doi":"10.18192/analyses.v10i3.1410","title":"Beckett et le nouveau néant","year":2015,"lang":"fr","type":"article","venue":"Analyses Revue de littératures franco-canadiennes et québécoise","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.09637447197895152,"score_gpt":0.3150426688861679,"score_spread":0.21866819690721637,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1902893437","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0675167,0.092390165,0.0002800828,0.04225104,0.0067189224,0.00061040156,0.0010086586,0.00027686203,0.78894717],"genre_scores_gemma":[0.8512821,0.00261018,0.00060489855,0.013304194,0.0054408815,0.00011031295,0.00036568663,0.00023612194,0.12604563],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950223,0.0006693633,0.0009881037,0.0010816336,0.00049306604,0.0017455522],"domain_scores_gemma":[0.99585474,0.0003408854,0.00047278023,0.0011844966,0.0006829997,0.0014641164],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0010866552,0.0009803678,0.0011991959,0.0005726785,0.000690371,0.00086068694,0.00086371484,0.00061743835,0.00071189104],"category_scores_gemma":[0.00038494953,0.0009904323,0.000837694,0.00039566794,0.00083640515,0.0010300516,0.00017819513,0.001278339,0.00037573502],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001516523,0.00042598095,0.00028559682,0.00035860355,0.00064402726,0.000833382,0.054432955,0.0008964576,0.00012905145,0.83190477,0.10446748,0.0054700165],"study_design_scores_gemma":[0.0013436527,0.00032291535,0.0007412321,0.0005081995,0.00062498596,0.00022190172,0.013622807,0.0013343339,0.00015773781,0.012711176,0.96721804,0.0011930193],"about_ca_topic_score_codex":0.49848372,"about_ca_topic_score_gemma":0.9570067,"teacher_disagreement_score":0.86275053,"about_ca_system_score_codex":0.00046022574,"about_ca_system_score_gemma":0.0021093674,"threshold_uncertainty_score":0.9992546},"labels":[],"label_agreement":null},{"id":"W1914918642","doi":"","title":"The Mathematical Language and Performance in Beckett's Happy Days","year":2010,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Hyperbola; Conic section; Perspective (graphical); Language of mathematics; Irish; Mathematics; Key (lock); Mathematics education; Literature; Psychology; Linguistics; Computer science; Art; Philosophy; Geometry","score_opus":0.028114620862866358,"score_gpt":0.29190637575797046,"score_spread":0.2637917548951041,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1914918642","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9374919,0.028098142,2.270986e-7,0.000359956,0.00028970052,0.00012009218,0.000010833868,0.000020075462,0.033609055],"genre_scores_gemma":[0.99339867,0.0007930381,0.000057607926,0.00030543024,0.0003901876,0.00002849599,0.0000044097837,0.000009838911,0.005012336],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993809,0.00002308527,0.00015132655,0.00015770608,0.00008193841,0.00020503346],"domain_scores_gemma":[0.9995833,0.000190396,0.000026278127,0.00015253914,0.000021197258,0.000026268624],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002653098,0.00012900305,0.00016911705,0.000059323855,0.00022401182,0.00017850057,0.00008288465,0.0000497878,0.000055756587],"category_scores_gemma":[0.00009050627,0.00007365724,0.000019438743,0.000033509255,0.00042486907,0.0001437686,0.000083311585,0.0003735383,0.000004669319],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025394193,0.000023639892,0.0014772614,0.00014688255,0.00002013889,0.00006757165,0.88856256,2.772165e-8,0.00016219442,0.09695439,0.0007042467,0.011855685],"study_design_scores_gemma":[0.002577163,0.00032063332,0.022852615,0.0016034964,0.00006740065,0.00015835813,0.6444427,0.00038230355,0.00045583758,0.017782584,0.30822164,0.0011353248],"about_ca_topic_score_codex":0.000020787753,"about_ca_topic_score_gemma":0.0034493555,"teacher_disagreement_score":0.30751738,"about_ca_system_score_codex":0.0000052422565,"about_ca_system_score_gemma":0.0000046750324,"threshold_uncertainty_score":0.3003655},"labels":[],"label_agreement":null},{"id":"W1967527266","doi":"10.1080/09647040701804219","title":"The Pen Nib and the Bolt: The Rhomboid Fossa of the Fourth Ventricle or the Symbol of the Censorship of the Press?","year":2009,"lang":"en","type":"article","venue":"Journal of the History of the Neurosciences","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Trois-Rivières","funders":"","keywords":"Symbol (formal); Censorship; Fourth ventricle; Rhomboid; Psychology; Ventricle; Neuroscience; Cognitive science; Art; Anatomy; Communication; Medicine; Philosophy; Linguistics; Physics; Internal medicine; Theology","score_opus":0.0799607864674135,"score_gpt":0.232408407638211,"score_spread":0.1524476211707975,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1967527266","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91931987,0.00647755,0.0000025973075,0.04720279,0.0192627,0.0011987893,0.0000373487,0.000009309654,0.0064890776],"genre_scores_gemma":[0.96130943,0.00036213174,0.0000023344492,0.001776102,0.0003697423,0.0000063247203,2.4327163e-8,0.000016173226,0.036157735],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9953187,0.0017071307,0.00085962994,0.00021210508,0.0015404073,0.00036199173],"domain_scores_gemma":[0.99419963,0.0014973369,0.002560441,0.0014375794,0.00025873477,0.00004624471],"candidate_categories":["sts","open_science"],"consensus_categories":["sts"],"category_scores_codex":[0.0029809703,0.0002698408,0.00043798855,0.00004133006,0.0025645483,0.00014271589,0.0063088895,0.000058468653,0.000055169883],"category_scores_gemma":[0.0010778436,0.000059567003,0.0008510899,0.00019903872,0.008003597,0.00023278053,0.00061482703,0.00076417945,6.2690634e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0038896229,0.0016761811,0.009218206,0.0003063832,0.00062309514,0.000007316644,0.49867636,0.0034425394,0.041631512,0.08769989,0.34269485,0.010134047],"study_design_scores_gemma":[0.0027075147,0.000788731,0.13039926,0.00066206465,0.0011984295,0.00025484723,0.021739531,0.0013143694,0.012465964,0.025418004,0.8026031,0.00044817216],"about_ca_topic_score_codex":0.00024750514,"about_ca_topic_score_gemma":0.0004394303,"teacher_disagreement_score":0.47693682,"about_ca_system_score_codex":0.00007619914,"about_ca_system_score_gemma":0.00037598723,"threshold_uncertainty_score":0.9990674},"labels":[],"label_agreement":null},{"id":"W1968292182","doi":"10.1007/s11013-014-9416-5","title":"Thwarting the Diseased Will: Ulysses Contracts, the Self and Addiction","year":2014,"lang":"en","type":"article","venue":"Culture Medicine and Psychiatry","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":32,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Addiction; Business; Psychology; Neuroscience","score_opus":0.023403827825698862,"score_gpt":0.24252103757115442,"score_spread":0.21911720974545557,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1968292182","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.40875012,0.1024643,0.0003097294,0.24805757,0.00916669,0.0011082175,0.000036383506,0.00051840465,0.22958858],"genre_scores_gemma":[0.981691,0.0005304435,0.000023010833,0.009866173,0.0059494306,0.000015871408,0.000014164698,0.0000115463245,0.0018983716],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993593,0.00007966728,0.00014540426,0.00014795398,0.00012847545,0.00013920275],"domain_scores_gemma":[0.9995398,0.0001257523,0.00007630413,0.00014987281,0.00004360322,0.00006464727],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002863448,0.0001279073,0.00012971782,0.000016388944,0.0009705011,0.000091858885,0.0000823356,0.000036508078,0.00017838535],"category_scores_gemma":[0.000059567476,0.000049935777,0.00003116903,0.00001873942,0.0003343282,0.00010538336,0.000014913788,0.00020488487,0.000004596201],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005429377,0.00006400238,0.0067262887,0.000085570704,0.00016568699,7.6828866e-7,0.16799861,5.435238e-7,0.00006677158,0.33723098,0.4687979,0.018808594],"study_design_scores_gemma":[0.00059774803,0.000107039246,0.0053788302,0.00008837193,0.0002069861,0.000008198319,0.014118945,0.00012828312,0.0000016218216,0.0074571455,0.9718142,0.000092609676],"about_ca_topic_score_codex":0.00006350593,"about_ca_topic_score_gemma":0.00042283745,"teacher_disagreement_score":0.5729409,"about_ca_system_score_codex":0.0000024911694,"about_ca_system_score_gemma":0.000013437352,"threshold_uncertainty_score":0.74644077},"labels":[],"label_agreement":null},{"id":"W1970289585","doi":"10.3138/md.53.2.187","title":"“Some Exceptions” and the “Normal Thing”: Reconsidering <i>Waiting for Godot</i>'s Theatrical Form through Its Prison Performances","year":2010,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Drama; Performative utterance; Allegory; Existentialism; Prison; Scholarship; Aesthetics; Literature; Norm (philosophy); Art; Reading (process); Sociology; Philosophy; Epistemology; Linguistics; Law; Political science","score_opus":0.08268576334958434,"score_gpt":0.2664972107035248,"score_spread":0.18381144735394045,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1970289585","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9693876,0.0015401036,0.0009727521,0.0026681458,0.0010858132,0.00065238425,0.000023193414,0.000174862,0.023495125],"genre_scores_gemma":[0.99237245,0.00017488602,0.000667579,0.00078565616,0.00248896,0.00014767969,0.000008767855,0.00003743761,0.0033165829],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9987991,0.000027709644,0.0003046387,0.00027530233,0.00018501941,0.00040823637],"domain_scores_gemma":[0.9991622,0.00034929084,0.000118099306,0.00022255266,0.000092394286,0.00005549417],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0004358932,0.00020959748,0.0002561597,0.00004801992,0.001373968,0.00052030984,0.0002074241,0.00009548442,0.00020128375],"category_scores_gemma":[0.000074653806,0.00013694869,0.00013749723,0.000016827413,0.0003570491,0.0010541505,0.000099317,0.00040555652,0.000024215065],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021331345,0.00006226725,0.00030067936,0.00013377081,0.00007625761,0.0000020573102,0.22642948,0.000019446605,0.00060998864,0.7018501,0.001299381,0.06900326],"study_design_scores_gemma":[0.005454598,0.00019415372,0.000310507,0.00010945988,0.00020740385,0.0000773545,0.010332423,0.18053216,0.002122045,0.40994385,0.38977295,0.00094308186],"about_ca_topic_score_codex":0.000067036955,"about_ca_topic_score_gemma":0.0004000982,"teacher_disagreement_score":0.38847357,"about_ca_system_score_codex":0.000010841486,"about_ca_system_score_gemma":0.00003163492,"threshold_uncertainty_score":0.9999261},"labels":[],"label_agreement":null},{"id":"W1974944365","doi":"10.3138/md.50.2.138","title":"How to Do Nothing with Words, or <i>Waiting for Godot</i> as Performativity","year":2007,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":15,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Performative utterance; Realism; Performativity; Nothing; Representation (politics); Philosophy; Aesthetics; Reading (process); Art; Literature; Linguistics; Epistemology","score_opus":0.06331783547585303,"score_gpt":0.26876190735683364,"score_spread":0.20544407188098063,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1974944365","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82253313,0.000094033465,0.117083035,0.0029373115,0.00038724756,0.00075483776,0.000036218476,0.0002387179,0.055935495],"genre_scores_gemma":[0.95923966,0.0000015881127,0.0024000444,0.0022456464,0.0009573268,0.000051610627,0.000010678797,0.00005532723,0.03503811],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99865335,0.000013433286,0.00019582776,0.00029714807,0.00028832618,0.000551919],"domain_scores_gemma":[0.99918824,0.00018659522,0.00009406597,0.00024459773,0.0001406679,0.00014584252],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00042749042,0.00022847376,0.00023735329,0.00010420557,0.00064298225,0.00087894715,0.00019680348,0.000061122606,0.00019142749],"category_scores_gemma":[0.000073260904,0.00016255229,0.000079154415,0.00003298871,0.0000802609,0.00055399386,0.00005841445,0.00017023348,0.00004968171],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013217869,0.0001618254,0.0003965771,0.00021461413,0.000113074006,0.00004919112,0.5884584,0.000079562895,0.0006311005,0.081381,0.0037547266,0.32343814],"study_design_scores_gemma":[0.0016110298,0.0005694611,0.00010195969,0.00023126249,0.00006374926,0.000028285156,0.025369832,0.006436625,0.0031144347,0.0047799386,0.95692694,0.0007664899],"about_ca_topic_score_codex":0.00011645539,"about_ca_topic_score_gemma":0.0019253712,"teacher_disagreement_score":0.9531722,"about_ca_system_score_codex":0.000042944255,"about_ca_system_score_gemma":0.000048805832,"threshold_uncertainty_score":0.8475708},"labels":[],"label_agreement":null},{"id":"W1975023516","doi":"10.4148/2334-4415.1560","title":"Malone Dies and the Beckettian Mimesis of Inexistence","year":2003,"lang":"en","type":"article","venue":"Studies in 20th & 21st century literature","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Metaphysics; Presupposition; Philosophy; Subjectivity; Contemplation; Epistemology; Representation (politics); Phenomenology (philosophy); Transcendental number; Consciousness; Antecedent (behavioral psychology); Psychology; Law; Social psychology; Politics","score_opus":0.0545375592717423,"score_gpt":0.27997196294237325,"score_spread":0.22543440367063095,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1975023516","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17845197,0.5927675,0.0000017476982,0.0026540817,0.0031913128,0.0007252133,0.00015104609,0.000064096326,0.22199304],"genre_scores_gemma":[0.9786303,0.015698804,0.00012803038,0.00059979525,0.00023393593,0.000039872368,0.000008639436,0.000016293401,0.004644337],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887675,0.00014286261,0.0003027186,0.0002443844,0.00017064373,0.00026262456],"domain_scores_gemma":[0.9992414,0.0002103859,0.000105566556,0.00024874078,0.00016335612,0.00003051038],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003085437,0.00021857851,0.00040354143,0.0000905716,0.00027591115,0.000097544056,0.00014248396,0.00005617949,0.00009450707],"category_scores_gemma":[0.00018560587,0.0001270913,0.00008787893,0.00008489488,0.001405613,0.00016374876,0.000090052396,0.00024394985,0.0000037435886],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009526715,0.000047832156,0.00077520905,0.00022866105,0.00014976517,0.000012957433,0.34216413,7.002537e-7,0.000010423115,0.6523917,0.0030540312,0.0010693278],"study_design_scores_gemma":[0.002494726,0.00008703873,0.0013034135,0.00076010666,0.00010598655,0.000018005481,0.1316745,0.000007753092,0.000094881885,0.020412374,0.84265447,0.0003867424],"about_ca_topic_score_codex":0.00003009184,"about_ca_topic_score_gemma":0.00037512157,"teacher_disagreement_score":0.83960044,"about_ca_system_score_codex":0.000018132312,"about_ca_system_score_gemma":0.000013209703,"threshold_uncertainty_score":0.5182633},"labels":[],"label_agreement":null},{"id":"W1976145209","doi":"10.3138/utq.70.2.620","title":"The Beckettian Mimesis of Seeing Nothing","year":2001,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Nothing; Philosophy; History; Epistemology","score_opus":0.02486467422125386,"score_gpt":0.2010903828814536,"score_spread":0.17622570866019974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1976145209","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6295396,0.0013380867,0.00033493686,0.0008571251,0.0004168033,0.0001390429,0.000017987573,0.000057113495,0.3672993],"genre_scores_gemma":[0.9750694,0.000052748514,0.00011163121,0.000031943164,0.0000900254,7.0807246e-8,0.000002056178,0.000006070859,0.024636025],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994944,0.000028023414,0.000105442596,0.00009922444,0.0001314497,0.00014150751],"domain_scores_gemma":[0.9995176,0.00006948999,0.000106937696,0.00018538166,0.00008652649,0.00003405644],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010108111,0.00007326203,0.0001242424,0.000016225324,0.00038775074,0.000024820418,0.00024147933,0.000028374707,0.0015970649],"category_scores_gemma":[0.0000031575928,0.000064622946,0.00010556389,0.0000060371704,0.00021656275,0.0002908364,0.000015116124,0.000041613835,0.000014392371],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013705426,0.000076415956,0.0005169875,0.0000273833,0.00013577398,0.000015889276,0.815714,0.0000015188663,0.0005603613,0.051195737,0.005554679,0.12606423],"study_design_scores_gemma":[0.00036791395,0.00022176186,0.0016391966,0.000030536823,0.000048948983,0.0000014072731,0.14648075,0.00013302304,0.000040848743,0.0003010302,0.8506214,0.00011316759],"about_ca_topic_score_codex":0.038119566,"about_ca_topic_score_gemma":0.10690574,"teacher_disagreement_score":0.8450667,"about_ca_system_score_codex":0.000043665415,"about_ca_system_score_gemma":0.000019950285,"threshold_uncertainty_score":0.9993156},"labels":[],"label_agreement":null},{"id":"W1976286425","doi":"10.3200/expl.66.3.143-147","title":"Antonin Artaud and the Madman in Beckett's Endgame","year":2008,"lang":"en","type":"article","venue":"The Explicator","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Chess endgame; Art; Literature; Computer science; Artificial intelligence","score_opus":0.06904420453654248,"score_gpt":0.21534264094346098,"score_spread":0.1462984364069185,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1976286425","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9511539,0.0011408987,0.00000611803,0.0062952274,0.00014336884,0.00028551032,0.000006913076,0.000053177468,0.04091494],"genre_scores_gemma":[0.9879194,0.0002230665,0.000009678162,0.0016006924,0.0004492193,0.000097808384,0.0000022566487,0.000015388823,0.009682475],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992998,0.000068270216,0.00015266595,0.00015732262,0.000119137585,0.00020276703],"domain_scores_gemma":[0.99941534,0.00015423149,0.000045262037,0.00033347902,0.000015091691,0.00003658485],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002406809,0.00011305203,0.00015196475,0.000036377976,0.00040917343,0.00006114661,0.0002386309,0.000025378597,0.00044456657],"category_scores_gemma":[0.00001817698,0.000055941928,0.000050051785,0.000022686396,0.00080031535,0.00008579781,0.00006777834,0.00015545885,0.00017200004],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001318144,0.0000598513,0.001898732,0.000008057662,0.000028486667,0.000014319719,0.20129514,6.1818173e-7,0.0001582495,0.7763873,0.016731048,0.003286406],"study_design_scores_gemma":[0.0021026765,0.000040802614,0.013276504,0.000017952487,0.000023911218,0.000049787795,0.005909998,0.00015393567,0.000621941,0.017463535,0.9600707,0.0002682197],"about_ca_topic_score_codex":0.0005265129,"about_ca_topic_score_gemma":0.001076592,"teacher_disagreement_score":0.9433397,"about_ca_system_score_codex":0.000010250374,"about_ca_system_score_gemma":0.000017004013,"threshold_uncertainty_score":0.4867692},"labels":[],"label_agreement":null},{"id":"W1981440396","doi":"10.3138/md.54.3.357","title":"A Centenary of Missed Opportunities: A Guide to Assembling an Accurate Volume of Samuel Beckett's Dramatic “Shorts”","year":2011,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Publishing; Literature; History; Art history; Classics; Art","score_opus":0.2706862236182963,"score_gpt":0.31036858423727365,"score_spread":0.03968236061897734,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1981440396","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91882277,0.00021373802,0.0048101265,0.0004094424,0.00042956084,0.00056411244,0.000136772,0.00015847318,0.07445501],"genre_scores_gemma":[0.9828984,0.00001695132,0.001512032,0.00072999444,0.00019620765,0.000044295524,0.000048131347,0.00007679664,0.014477205],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99771345,0.000092714145,0.0008920929,0.0003923902,0.00041919056,0.0004901766],"domain_scores_gemma":[0.9981377,0.000057197878,0.00034682325,0.00071497634,0.00046308272,0.00028019756],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00037227324,0.00033037603,0.0005947513,0.00032451563,0.00017893086,0.00010154725,0.00055401796,0.00010487926,0.0018725502],"category_scores_gemma":[0.00007513461,0.0003070995,0.00020811541,0.000054235436,0.00023674205,0.0005651608,0.00013555343,0.00015236712,0.000040182167],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007854927,0.0024895025,0.0017147504,0.0011333204,0.00063429895,0.00017373258,0.85230833,0.0003201528,0.014829692,0.06265503,0.02114356,0.041812133],"study_design_scores_gemma":[0.0075131967,0.0061497274,0.007909673,0.0030354797,0.001535707,0.00010884631,0.2393108,0.22119847,0.03180207,0.07431641,0.40118787,0.005931725],"about_ca_topic_score_codex":0.0018097376,"about_ca_topic_score_gemma":0.0006843112,"teacher_disagreement_score":0.61299753,"about_ca_system_score_codex":0.00003680164,"about_ca_system_score_gemma":0.00016470166,"threshold_uncertainty_score":0.99993813},"labels":[],"label_agreement":null},{"id":"W1987513540","doi":"10.3138/md.55.2.216","title":"<i>Noli Me Tangere</i>: Haptic Certitude in Beckett’s <i>Eh Joe</i> and <i>Nacht und Träume</i>","year":2012,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dream; Meaning (existential); Art; Aesthetics; Philosophy; Disenchantment; Art history; Psychology; Epistemology; Law","score_opus":0.05959377962350734,"score_gpt":0.26342827874364455,"score_spread":0.2038344991201372,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1987513540","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86951417,0.01675782,0.00034767846,0.0019792332,0.0014044952,0.0005039506,0.00006494677,0.000279893,0.10914785],"genre_scores_gemma":[0.98746413,0.00016376624,0.00014659992,0.002430954,0.0011808998,0.000068517584,0.00002537,0.00008320961,0.008436581],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9978158,0.00008110459,0.00042139104,0.0004316993,0.00035497115,0.00089504494],"domain_scores_gemma":[0.999037,0.00009524812,0.00010926556,0.0004290522,0.000059827544,0.0002695861],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0002876274,0.000389683,0.00043377024,0.00016227044,0.0003098973,0.00032450998,0.00026608442,0.00014851066,0.0006804723],"category_scores_gemma":[0.000022314245,0.00035605003,0.000116506526,0.000049121103,0.00032414068,0.0007910635,0.00015484529,0.0003515578,0.00028660882],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042627318,0.0024561628,0.04871981,0.0006912048,0.000630719,0.00014760514,0.48332042,0.00004662374,0.011564684,0.33315617,0.05820208,0.06063827],"study_design_scores_gemma":[0.0031996805,0.00017728657,0.0052750045,0.0001892179,0.00028216993,0.000047619997,0.0036452697,0.0030921996,0.0013600517,0.022320595,0.95881975,0.0015911743],"about_ca_topic_score_codex":0.00067831593,"about_ca_topic_score_gemma":0.003431115,"teacher_disagreement_score":0.90061766,"about_ca_system_score_codex":0.00007660167,"about_ca_system_score_gemma":0.000031726857,"threshold_uncertainty_score":0.99988914},"labels":[],"label_agreement":null},{"id":"W1989322946","doi":"10.3200/expl.65.3.167-171","title":"The Nietzschean Madman in Beckett's Endgame","year":2007,"lang":"en","type":"article","venue":"The Explicator","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Chess endgame; Philosophy; Astrobiology; Art; Literature; Physics; Computer science; Artificial intelligence","score_opus":0.05271217921431584,"score_gpt":0.26548980883172196,"score_spread":0.21277762961740612,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1989322946","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8383942,0.0010148664,0.000056483193,0.007317082,0.00068064505,0.0003827638,0.0000069559046,0.00012838063,0.15201858],"genre_scores_gemma":[0.9831378,0.000042948846,0.000013320897,0.0012089139,0.001027887,0.000045254834,0.0000027821866,0.000022583645,0.014498551],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999021,0.000037473084,0.00022363372,0.00016259865,0.00017113946,0.0003841321],"domain_scores_gemma":[0.9991078,0.00026717113,0.000056896275,0.00048479205,0.000025665802,0.000057676083],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008141685,0.00012322624,0.000104156614,0.000042715154,0.0005223636,0.00013963586,0.00045969922,0.000033761295,0.00038241406],"category_scores_gemma":[0.000026346197,0.00006388997,0.00007071141,0.00003455028,0.0002858272,0.000080774495,0.00007011495,0.00021398452,0.00049741264],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008204328,0.00007306743,0.0012008605,0.0000061671485,0.000026334757,0.000009019538,0.058536533,3.5053438e-7,0.00054813677,0.87456393,0.026331961,0.03862161],"study_design_scores_gemma":[0.0002039583,0.000022939017,0.0046208897,0.000006873192,0.00000687723,0.0000026281061,0.0070230043,0.000011665992,0.0009865059,0.007838402,0.9791547,0.00012155466],"about_ca_topic_score_codex":0.00030456047,"about_ca_topic_score_gemma":0.007996279,"teacher_disagreement_score":0.95282274,"about_ca_system_score_codex":0.000030895022,"about_ca_system_score_gemma":0.000017174565,"threshold_uncertainty_score":0.6393399},"labels":[],"label_agreement":null},{"id":"W1989939461","doi":"10.3138/md.53.4.431","title":"Samuel Beckett and the Radiophonic Body: Beckett and the BBC","year":2010,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Drama; Subjectivity; Literature; Elegy; Art; Representation (politics); Minimalism (technical communication); Spectacle; Focus (optics); Philosophy; Aesthetics; Politics","score_opus":0.023315916846168343,"score_gpt":0.22400780590967823,"score_spread":0.20069188906350988,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1989939461","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9192399,0.0040912894,0.00013507399,0.016348623,0.00112785,0.00067860546,0.000028386296,0.0001375516,0.058212712],"genre_scores_gemma":[0.9794723,0.00020115302,0.00004568417,0.0026754027,0.0011357487,0.00008322896,0.0000070807564,0.000045675526,0.016333763],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99856657,0.00012199361,0.00027410538,0.0003673562,0.00027234395,0.00039765085],"domain_scores_gemma":[0.99871916,0.00043058282,0.000107969034,0.00056685926,0.000074073294,0.000101381556],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0006969952,0.00028291947,0.0003661815,0.00005537198,0.0011048097,0.00077784917,0.00036234196,0.000106270236,0.0005143302],"category_scores_gemma":[0.00009047362,0.00014517743,0.0001394331,0.000022700771,0.0028722319,0.00021474992,0.00018740082,0.000591368,0.000056431658],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004353369,0.000046365916,0.0001876055,0.000030166364,0.00012962805,0.000007929273,0.10899944,0.0000012661019,0.00039274196,0.8619861,0.0048932484,0.022890149],"study_design_scores_gemma":[0.014684447,0.00008190242,0.002189078,0.000038264796,0.00034477803,0.00012121221,0.0038141164,0.022543313,0.00025031154,0.39233682,0.5628473,0.0007484688],"about_ca_topic_score_codex":0.0012331557,"about_ca_topic_score_gemma":0.0040701483,"teacher_disagreement_score":0.5579541,"about_ca_system_score_codex":0.000010737167,"about_ca_system_score_gemma":0.00004575658,"threshold_uncertainty_score":0.9998414},"labels":[],"label_agreement":null},{"id":"W1994280574","doi":"10.3138/md.43.2.182","title":"Splitting Images: Samuel Beckett's <i>Nacht und Träume</i>","year":2000,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Drama; Taste; Mainstream; Art; Appeal; Art history; Literature; Aesthetics; Philosophy; Psychology; Law; Political science; Theology","score_opus":0.04666669882720737,"score_gpt":0.2610220906928859,"score_spread":0.21435539186567854,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W1994280574","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.355542,0.0021932553,0.00045369193,0.0013619963,0.00061236764,0.0003032988,0.00008154949,0.0005189091,0.63893294],"genre_scores_gemma":[0.8310734,0.000062166604,0.00030355435,0.0021985276,0.0014149296,0.000035113455,0.000045328445,0.00008301164,0.16478397],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980609,0.00005777753,0.00039054902,0.000504283,0.00035591878,0.0006305794],"domain_scores_gemma":[0.9991034,0.00006876774,0.00008223742,0.0005061757,0.000082252205,0.00015712505],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00020580475,0.00033610233,0.00032759827,0.00008672521,0.00061942206,0.0005837487,0.00036900115,0.000101807316,0.01381606],"category_scores_gemma":[0.000018147453,0.00030919648,0.00020979378,0.000035708203,0.0002802733,0.00048721762,0.000057456225,0.00029245546,0.0019989067],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015128292,0.0004305993,0.00046766872,0.00011062927,0.00025486853,0.0001073405,0.09158241,0.00011922054,0.001122159,0.04715134,0.05970738,0.7987951],"study_design_scores_gemma":[0.00094011857,0.00007530474,0.0002554566,0.00005698069,0.00010546166,0.0000114313025,0.000873456,0.0029220546,0.00073783833,0.025825728,0.9675817,0.0006144845],"about_ca_topic_score_codex":0.00058837095,"about_ca_topic_score_gemma":0.00040730665,"teacher_disagreement_score":0.9078743,"about_ca_system_score_codex":0.000053149553,"about_ca_system_score_gemma":0.000046473862,"threshold_uncertainty_score":0.999936},"labels":[],"label_agreement":null},{"id":"W2004133248","doi":"10.3138/md.52.2.207","title":"Sacrifice, Inhibition, and Oedipal Fantasy in <i>Krapp's Last Tape</i>","year":2009,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Sacrifice; Renunciation; Fantasy; Narrative; Literature; Power (physics); Psychoanalysis; Oedipus complex; Philosophy; Freudian slip; Art; Psychoanalytic theory; Psychology; Theology","score_opus":0.028739923721055157,"score_gpt":0.23155935098942093,"score_spread":0.20281942726836577,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2004133248","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86731184,0.0006275964,0.00023469579,0.001071108,0.00022740173,0.00018456818,0.000027301665,0.000118723445,0.1301968],"genre_scores_gemma":[0.99408877,0.000039404593,0.00007219242,0.0017384103,0.0004284488,0.0000118903345,0.000028147044,0.000018088058,0.0035746766],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99897194,0.00002670312,0.00022975456,0.0002899549,0.00017071319,0.0003109278],"domain_scores_gemma":[0.99963135,0.00002442344,0.0000459313,0.00017050741,0.000048403395,0.000079374106],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000106541,0.00017890477,0.00019589346,0.00011755849,0.00019495377,0.00024432925,0.00008143242,0.00006888108,0.00029488278],"category_scores_gemma":[0.000009671987,0.00016576255,0.000047186582,0.00002878462,0.00013072869,0.0003034466,0.000026512354,0.00017762027,0.00007943924],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00024484706,0.00088119897,0.003336825,0.0000982747,0.000055945373,0.00026853915,0.21355677,0.000091707545,0.007233952,0.58720493,0.031558666,0.15546836],"study_design_scores_gemma":[0.005039863,0.00051921845,0.017585546,0.00024804863,0.000071128045,0.00006520613,0.0042047612,0.0059100287,0.0022723207,0.24182262,0.72072434,0.0015368984],"about_ca_topic_score_codex":0.000081349775,"about_ca_topic_score_gemma":0.0017317733,"teacher_disagreement_score":0.6891657,"about_ca_system_score_codex":0.000021151396,"about_ca_system_score_gemma":0.000020220496,"threshold_uncertainty_score":0.6759601},"labels":[],"label_agreement":null},{"id":"W2013580696","doi":"10.7202/041524ar","title":"Récits et drames beckettiens : la jonction clausulaire","year":2010,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.030406315529825922,"score_gpt":0.2682670901552003,"score_spread":0.23786077462537436,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2013580696","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3575726,0.0019170211,0.00004755663,0.062119782,0.009225711,0.001014189,0.00079833856,0.00085573486,0.56644905],"genre_scores_gemma":[0.68880117,0.0015464472,0.00052098534,0.0018115238,0.0040693954,0.00014816925,0.00023482417,0.000306591,0.3025609],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.993823,0.0005412293,0.0013830225,0.0015508115,0.00082547363,0.0018764479],"domain_scores_gemma":[0.99582845,0.00077907235,0.00065125077,0.0014087977,0.0005270073,0.00080542127],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0010618637,0.0015033897,0.0013105269,0.0004933014,0.0015133909,0.001377667,0.0011571589,0.0012764531,0.0026220784],"category_scores_gemma":[0.00034338672,0.0015480907,0.0011659083,0.00024058415,0.0025716026,0.0019408839,0.00026679898,0.0030714518,0.0007294366],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020748044,0.000956932,0.0005634456,0.00080940995,0.00040479575,0.0003447365,0.03380618,0.00004988435,0.0014982648,0.8841399,0.057451,0.019767959],"study_design_scores_gemma":[0.00057896296,0.00047738937,0.0030689938,0.0010030601,0.0006295991,0.0005113488,0.0018443023,0.0002666821,0.00055829476,0.0052828,0.98400855,0.0017700343],"about_ca_topic_score_codex":0.0038082032,"about_ca_topic_score_gemma":0.21955025,"teacher_disagreement_score":0.92655754,"about_ca_system_score_codex":0.00021767835,"about_ca_system_score_gemma":0.00087949977,"threshold_uncertainty_score":0.9997865},"labels":[],"label_agreement":null},{"id":"W2015108264","doi":"10.3138/md.52.1.38","title":"Things, Voices, Events: Harold Pinter's <i>Mountain Language</i> as Testamental Text","year":2009,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Conversation; Literature; History; Linguistics; Philosophy; Art","score_opus":0.02222831528294887,"score_gpt":0.2551628165849348,"score_spread":0.2329345013019859,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2015108264","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7431064,0.0014978925,0.0004040356,0.0039195293,0.000699015,0.0004230679,0.000063130195,0.0005814304,0.24930546],"genre_scores_gemma":[0.9324743,0.00001534884,0.00009655525,0.011294645,0.000763386,0.000016660897,0.000062746294,0.00004072605,0.055235647],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984611,0.000041786563,0.00028164603,0.0003867315,0.00035918946,0.00046954252],"domain_scores_gemma":[0.99931204,0.000036387424,0.00010438888,0.00036197976,0.00005781682,0.00012740852],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013894113,0.00029011056,0.00025153908,0.00012887204,0.00033746782,0.00036678812,0.00037020814,0.000080922895,0.002200368],"category_scores_gemma":[0.000023651006,0.0002573223,0.00014866477,0.00003168025,0.000095222655,0.0006666256,0.00006734247,0.00026209376,0.0011322597],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033016922,0.0015926072,0.0008312556,0.00008278979,0.0002620817,0.00030684273,0.4950253,0.00003060045,0.012384001,0.17041892,0.06577374,0.25296167],"study_design_scores_gemma":[0.0029601404,0.0009098195,0.0006370199,0.00028503098,0.00014376082,0.000084677355,0.017981343,0.0041809347,0.0046998044,0.09202285,0.8745946,0.001499961],"about_ca_topic_score_codex":0.00084046193,"about_ca_topic_score_gemma":0.00038593498,"teacher_disagreement_score":0.8088209,"about_ca_system_score_codex":0.00008999654,"about_ca_system_score_gemma":0.000038544706,"threshold_uncertainty_score":0.9999879},"labels":[],"label_agreement":null},{"id":"W2030811819","doi":"10.5840/symposium2005919","title":"The Author’s Intention","year":2005,"lang":"en","type":"article","venue":"Symposium","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology; Business","score_opus":0.05200424505692363,"score_gpt":0.2637588318736377,"score_spread":0.21175458681671405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2030811819","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.044365514,0.0003922576,0.000078896235,0.02911363,0.002243767,0.00013863367,0.000004749529,0.00016555826,0.923497],"genre_scores_gemma":[0.7619923,0.000022078546,0.000016166925,0.00038923995,0.0010926675,0.000012748562,0.0000036237525,0.000008365941,0.23646282],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999558,0.000016751992,0.00010226557,0.00008312842,0.00009351633,0.00014637882],"domain_scores_gemma":[0.99974084,0.000025005636,0.000028258264,0.00013512983,0.000044168195,0.000026590184],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00011984299,0.00005968667,0.000043972912,0.00001837999,0.0004644422,0.0001918665,0.00011119502,0.000018003755,0.00087996933],"category_scores_gemma":[0.0000059965596,0.000036656464,0.000052908974,0.000006488225,0.000102692575,0.00011945353,0.00002327586,0.0000661218,0.0011073423],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000128362535,0.000027241982,0.00005402166,0.000003617751,0.000018761591,6.7742866e-7,0.019158674,0.0000027966203,0.0009875614,0.8532092,0.105151914,0.021372717],"study_design_scores_gemma":[0.000086378095,0.000016381879,0.0000672055,0.0000040259497,0.000008319788,0.0000011601487,0.00093988935,0.00019251504,0.00038620728,0.0023080662,0.9959295,0.000060359205],"about_ca_topic_score_codex":0.000048958595,"about_ca_topic_score_gemma":0.0010832874,"teacher_disagreement_score":0.8907776,"about_ca_system_score_codex":0.000017431665,"about_ca_system_score_gemma":0.0000091217,"threshold_uncertainty_score":0.9996704},"labels":[],"label_agreement":null},{"id":"W2035934748","doi":"10.3138/md.51.2.274","title":"French Tragic Farce in an Age of Interpellation: Michel Azama's <i>Croisades</i> and Hervé Blutsch's <i>Anatole Felde</i>","year":2008,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Ideology; Existentialism; Psychoanalytic theory; Identity (music); Subject (documents); Literature; Philosophy; Object (grammar); Absurdism; Criticism; Psychoanalysis; Aesthetics; History; Art; Politics; Epistemology; Law; Political science","score_opus":0.05212141421739677,"score_gpt":0.24917093652059769,"score_spread":0.1970495223032009,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2035934748","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97359806,0.0012306431,0.00042105783,0.0003403625,0.00014837907,0.00018970302,0.000025314414,0.00006773168,0.023978723],"genre_scores_gemma":[0.992741,0.00005163919,0.0001583312,0.0006211159,0.00019329741,0.000012177738,0.000042076008,0.000034800007,0.0061455676],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99869007,0.00005992126,0.00037885396,0.00035370773,0.00021990907,0.0002975295],"domain_scores_gemma":[0.99937993,0.00004451369,0.00009612802,0.00030831463,0.0000720032,0.0000991153],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00011840595,0.00022329969,0.00033753566,0.00013416045,0.00016745349,0.00009688831,0.00021078819,0.00010093005,0.00030145157],"category_scores_gemma":[0.000008787327,0.0002148968,0.00007810648,0.000041759555,0.00037450812,0.00034320875,0.00006294834,0.00021944159,0.000019037323],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002456641,0.0015542062,0.07154853,0.00039156666,0.00015302887,0.00058589916,0.8319555,0.00039065265,0.0162118,0.023123179,0.010674831,0.043165136],"study_design_scores_gemma":[0.018944511,0.0024822191,0.12886493,0.0010969937,0.00035822007,0.00055510626,0.018268844,0.11090819,0.015391193,0.12549087,0.57163465,0.0060042655],"about_ca_topic_score_codex":0.001940886,"about_ca_topic_score_gemma":0.009009278,"teacher_disagreement_score":0.81368667,"about_ca_system_score_codex":0.000023834893,"about_ca_system_score_gemma":0.000037201553,"threshold_uncertainty_score":0.87632376},"labels":[],"label_agreement":null},{"id":"W2039688249","doi":"10.3138/md.50.2.258","title":"Is Nothing to Be Done?","year":2007,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Absurdity; Nothing; Politics; Injustice; Aesthetics; Meaning (existential); Comedy; Impulse (physics); Economic Justice; Tragedy (event); Misfortune; Sociology; Literature; Epistemology; Psychoanalysis; Philosophy; Law; Psychology; Art; Political science; Social science","score_opus":0.10982518851247326,"score_gpt":0.2900689806784966,"score_spread":0.18024379216602338,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2039688249","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6764974,0.00014791713,0.016380258,0.008904815,0.0008894291,0.0002154257,0.000024381836,0.0002509375,0.29668945],"genre_scores_gemma":[0.92246276,0.0000015799483,0.00038608507,0.021085318,0.00082668365,0.0000068148543,0.0000054100124,0.000032974418,0.05519239],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989367,0.0000072967123,0.00018985599,0.00024508478,0.00024160478,0.00037946814],"domain_scores_gemma":[0.9994598,0.00004208303,0.000033560835,0.0002616126,0.0000710184,0.0001319062],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020530527,0.0001441402,0.00014026846,0.000108243425,0.0002843755,0.00022410834,0.00018376138,0.000052982894,0.0019717314],"category_scores_gemma":[0.0000149819225,0.00013181136,0.00008245725,0.000020250316,0.000057618676,0.00016473285,0.00006617931,0.00012592837,0.00057762966],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006144099,0.00008972869,0.00021908981,0.000021669965,0.00004385873,0.000038773436,0.8285068,0.00001334456,0.0020149194,0.0732273,0.03729462,0.058468416],"study_design_scores_gemma":[0.00025268598,0.00004087045,0.00025538026,0.0000149943,0.000013486839,0.0000026965668,0.0021728412,0.0004556171,0.0025270968,0.005925779,0.9880924,0.0002461569],"about_ca_topic_score_codex":0.00040643345,"about_ca_topic_score_gemma":0.0015369036,"teacher_disagreement_score":0.9507978,"about_ca_system_score_codex":0.000034314122,"about_ca_system_score_gemma":0.000014869083,"threshold_uncertainty_score":0.9989406},"labels":[],"label_agreement":null},{"id":"W2042407940","doi":"10.3138/md.45.2.209","title":"A Feminist Absurd: Margaret Hollingsworth's <i>The House That Jack Built</i>","year":2002,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Absurdism; Drama; Argument (complex analysis); Meaning (existential); Subject (documents); Sociology; Philosophy; Psychoanalysis; Aesthetics; Epistemology; Literature; Art; Psychology; Computer science","score_opus":0.09815311105612744,"score_gpt":0.2417655991303529,"score_spread":0.14361248807422544,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2042407940","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38791916,0.0028798974,0.0005925306,0.0073561664,0.001851052,0.0006752802,0.0001308088,0.0011079923,0.5974871],"genre_scores_gemma":[0.93282485,0.0000831204,0.000045844066,0.004150338,0.0009893457,0.00005058552,0.000008474436,0.00010262474,0.061744787],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99834806,0.00004855016,0.0002670919,0.00039608483,0.00041198812,0.00052820967],"domain_scores_gemma":[0.9989351,0.00010236752,0.00012092575,0.0006617549,0.000061115075,0.00011875332],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017479403,0.00030631752,0.00026877955,0.000067118075,0.0007754602,0.0007057486,0.00052104925,0.000095655145,0.0044185054],"category_scores_gemma":[0.000020360008,0.00022071392,0.00019975333,0.00003236245,0.00039657665,0.00017117064,0.00010882732,0.00031317433,0.0016588083],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009665612,0.0005665786,0.004137881,0.00009361914,0.00025916882,0.00018470155,0.32219148,0.000086653825,0.00018444618,0.08766074,0.523412,0.06112609],"study_design_scores_gemma":[0.0005393595,0.000052835112,0.0001676192,0.00002883942,0.000050923834,0.000018418557,0.0011621738,0.0049008518,0.00016661051,0.0060785576,0.98644274,0.000391038],"about_ca_topic_score_codex":0.00027359897,"about_ca_topic_score_gemma":0.0011602099,"teacher_disagreement_score":0.5449057,"about_ca_system_score_codex":0.000031954292,"about_ca_system_score_gemma":0.0000151944405,"threshold_uncertainty_score":0.9991185},"labels":[],"label_agreement":null},{"id":"W2044510067","doi":"10.3138/md.49.4.416","title":"The Prompter's Box: Birthdays and Beckett's Bony Ghost","year":2006,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Centennial; Drama; Dramatization; Honour; History; Griffin; Performance art; Contemplation; Literature; Tempest; Prologue; Art; Art history; Visual arts; Classics; Philosophy","score_opus":0.02692661088497258,"score_gpt":0.2198031727732,"score_spread":0.1928765618882274,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2044510067","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79899526,0.0032949017,0.00032557664,0.0041668275,0.0006381444,0.00039380536,0.00003963768,0.00027169395,0.19187416],"genre_scores_gemma":[0.9487219,0.00003152155,0.000045309484,0.00042397034,0.00095157843,0.00004201608,0.000014290404,0.000036384583,0.04973307],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988909,0.000030892694,0.00021656779,0.00026964216,0.0002136683,0.00037834214],"domain_scores_gemma":[0.9994406,0.00007406679,0.00006773626,0.0002949675,0.00006418538,0.000058418427],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014590778,0.00019308594,0.00015529561,0.00004474432,0.0009572581,0.00074698107,0.000189404,0.000053297128,0.00023009922],"category_scores_gemma":[0.0000103450675,0.00012891043,0.00007023249,0.00001446952,0.00037148996,0.00018906078,0.00008171654,0.00014680087,0.000114844435],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009201932,0.00020362176,0.0024980535,0.00005775688,0.00009290432,0.000042010695,0.043557342,0.000016909797,0.0008490357,0.79217416,0.06872702,0.09168917],"study_design_scores_gemma":[0.0005018605,0.00006134749,0.0022142064,0.000019158479,0.000028727978,0.000010417167,0.000853405,0.0022505482,0.00029858822,0.08399576,0.9094653,0.0003006523],"about_ca_topic_score_codex":0.000854991,"about_ca_topic_score_gemma":0.0040649483,"teacher_disagreement_score":0.8407383,"about_ca_system_score_codex":0.000019677802,"about_ca_system_score_gemma":0.000023017164,"threshold_uncertainty_score":0.7362552},"labels":[],"label_agreement":null},{"id":"W2054533999","doi":"10.1353/mdr.2010.0008","title":"Beckett at 100: Revolving It All (review)","year":2010,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Historicism; Reading (process); German; Philosophy; Art history; Literature; Art; Linguistics","score_opus":0.0813328311581571,"score_gpt":0.28619677691191997,"score_spread":0.20486394575376288,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2054533999","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3229221,0.018361187,0.00020016287,0.015212256,0.0033920074,0.00080190634,0.00006769472,0.0005807189,0.63846195],"genre_scores_gemma":[0.7293134,0.0014288216,0.00033343348,0.01856694,0.0019660648,0.00008277065,0.00008683311,0.00010042088,0.24812132],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985459,0.000030552234,0.00031299892,0.00037384612,0.00029901817,0.00043768337],"domain_scores_gemma":[0.999012,0.00005997473,0.00010587229,0.0005642356,0.00011699313,0.00014094326],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024527346,0.00024825954,0.0002986609,0.00006117598,0.0003655466,0.00012574626,0.00034942338,0.00009069446,0.017608935],"category_scores_gemma":[0.00006545725,0.00021422337,0.00018341932,0.000016003234,0.00017576339,0.00023210557,0.00016389387,0.0003576236,0.0020505602],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002700298,0.00016655559,0.00030044123,0.0005426151,0.00010754685,0.000046938207,0.040476326,0.0000023276414,0.006393659,0.037257805,0.8718158,0.042863],"study_design_scores_gemma":[0.00025564682,0.000026406327,0.00008969243,0.00017097013,0.00006390698,0.000014075257,0.00009506638,0.0009790213,0.00025056952,0.0043644924,0.9933651,0.00032502433],"about_ca_topic_score_codex":0.00021893691,"about_ca_topic_score_gemma":0.0050774976,"teacher_disagreement_score":0.4063913,"about_ca_system_score_codex":0.000037868675,"about_ca_system_score_gemma":0.000030895135,"threshold_uncertainty_score":0.9987265},"labels":[],"label_agreement":null},{"id":"W2059704106","doi":"10.3138/md.47.2.219","title":"This Is Home, This Isn't Home: Reza Abdoh's <i>Tight Right White</i>","year":2004,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Midnight; White (mutation); Politics; Art; Identity (music); Aesthetics; Perspective (graphical); Literature; Art history; History; Visual arts; Law; Political science","score_opus":0.02940999388730004,"score_gpt":0.23081033103803492,"score_spread":0.20140033715073488,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2059704106","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.11943905,0.0024348474,0.001214803,0.008701735,0.0024840888,0.0005397487,0.00023822268,0.000812812,0.86413467],"genre_scores_gemma":[0.6532068,0.00012456506,0.0004036585,0.0059037986,0.0014102639,0.00005034186,0.000057019704,0.000116434894,0.33872712],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972418,0.000047632275,0.00050796184,0.00073904096,0.00064334355,0.00082021096],"domain_scores_gemma":[0.9984395,0.000044918517,0.00017227385,0.0008817064,0.0002167631,0.00024482468],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0001929665,0.00052024284,0.0005215147,0.00021611906,0.0008546051,0.00067810976,0.00061937084,0.00023249513,0.054454796],"category_scores_gemma":[0.000012962,0.00043876123,0.00033868023,0.00007765939,0.00039691714,0.0006613678,0.00015870002,0.00047452125,0.0050228555],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012924412,0.0006011447,0.00079239276,0.0001343962,0.00024967833,0.00020555567,0.22762926,0.000033143504,0.00046505674,0.17527835,0.58434856,0.010133242],"study_design_scores_gemma":[0.001708929,0.00013245257,0.00016655569,0.00009185772,0.000092180075,0.000022830587,0.0002796849,0.00025783913,0.001485308,0.076448575,0.91845,0.00086378935],"about_ca_topic_score_codex":0.00070011936,"about_ca_topic_score_gemma":0.000953403,"teacher_disagreement_score":0.53376776,"about_ca_system_score_codex":0.00015206033,"about_ca_system_score_gemma":0.00012840859,"threshold_uncertainty_score":0.9998064},"labels":[],"label_agreement":null},{"id":"W2063364714","doi":"10.3138/utq.83.3.606","title":"Seeing in Plain Sight – Installations in Flight","year":2014,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dream; Sight; Expansive; Art history; Elevation (ballistics); Space (punctuation); Art; Aesthetics; Visual arts; Philosophy; Psychology; Physics; Astronomy","score_opus":0.018130651459893808,"score_gpt":0.19141791554052112,"score_spread":0.1732872640806273,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2063364714","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5991176,0.000083319166,0.00018898865,0.00015095144,0.00012325408,0.00008224695,0.0000070608144,0.000023769031,0.40022287],"genre_scores_gemma":[0.9930963,0.000004544656,0.00010733605,0.000023462706,0.000050428323,1.2901413e-7,0.000007260509,0.0000045323,0.0067060045],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99952847,0.00004449147,0.00010065,0.00011880371,0.00007979155,0.0001277667],"domain_scores_gemma":[0.9997509,0.00004075614,0.00004397098,0.000110179295,0.000025057667,0.000029102239],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008907672,0.000068819434,0.00012876248,0.00006323401,0.000083969055,0.000015955016,0.000121195204,0.000036157482,0.0019396404],"category_scores_gemma":[0.0000029428033,0.00007972192,0.000039898314,0.000009321075,0.00006897149,0.00038015255,0.000010505454,0.00005200675,0.000024000385],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007322807,0.00018386864,0.0054133367,0.000035604804,0.000020597037,0.000021316166,0.7366232,0.000036781592,0.00041752576,0.22841641,0.0014928165,0.027265254],"study_design_scores_gemma":[0.0021702156,0.0003995289,0.036695734,0.00010390554,0.000017572502,7.259241e-7,0.07782588,0.0030466728,0.000024572722,0.0023162917,0.87705564,0.00034322988],"about_ca_topic_score_codex":0.042758137,"about_ca_topic_score_gemma":0.6875601,"teacher_disagreement_score":0.87556285,"about_ca_system_score_codex":0.00009937542,"about_ca_system_score_gemma":0.000015930038,"threshold_uncertainty_score":0.9989727},"labels":[],"label_agreement":null},{"id":"W2072888150","doi":"10.7202/037246ar","title":"Translation as Writing Across Languages: Samuel Beckett and Fakir Mohan Senapati","year":2007,"lang":"en","type":"article","venue":"TTR traduction terminologie rédaction","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":23,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Originality; Relation (database); Creativity; Principal (computer security); Linguistics; Literature; Translation (biology); Philosophy; Sociology; History; Art; Computer science; Law; Political science","score_opus":0.1498227652249554,"score_gpt":0.3585806519631905,"score_spread":0.2087578867382351,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2072888150","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9824282,0.0003883325,0.001328857,0.00064292114,0.0010066741,0.00026585461,0.000018186101,0.00059042627,0.013330565],"genre_scores_gemma":[0.99477035,0.00015462654,0.00025255914,0.0001975481,0.0014079495,0.000017246632,0.000067587935,0.000033467877,0.0030986557],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99853784,0.000044322187,0.00038029015,0.00038590623,0.00021247905,0.00043915663],"domain_scores_gemma":[0.99938947,0.000101098005,0.00015938438,0.00019142023,0.00007820947,0.00008042014],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00038277655,0.00022929098,0.00020160613,0.0001614091,0.0006337705,0.0002125415,0.00008578029,0.0001607646,0.00026614283],"category_scores_gemma":[0.000037338956,0.00022149374,0.00008619061,0.000050154456,0.00025575026,0.0007325641,0.000016649201,0.0002700324,0.00007699678],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011918029,0.00009395361,0.0012266942,0.00006985952,0.0000448085,0.000023891023,0.049733415,0.0000050925833,0.010111519,0.0051905136,0.00027371952,0.9331074],"study_design_scores_gemma":[0.0059786565,0.0015242164,0.14021896,0.0003129073,0.00039071348,0.0011839918,0.30707037,0.001199494,0.11973228,0.01492128,0.40442464,0.0030424849],"about_ca_topic_score_codex":0.0007260353,"about_ca_topic_score_gemma":0.001454556,"teacher_disagreement_score":0.93006486,"about_ca_system_score_codex":0.00009876321,"about_ca_system_score_gemma":0.000017753971,"threshold_uncertainty_score":0.9032253},"labels":[],"label_agreement":null},{"id":"W2076438232","doi":"10.3138/md.54.2.181","title":"Pozzo's Knook, Beckett's Boys, and Santa Claus","year":2011,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Chess endgame; Context (archaeology); Art; Literature; Art history; History; Computer science; Archaeology","score_opus":0.11427791974966309,"score_gpt":0.24656578266764564,"score_spread":0.13228786291798256,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2076438232","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61727583,0.0014675305,0.00029911293,0.00022936446,0.00053054997,0.00020129123,0.000031299263,0.00022896538,0.37973607],"genre_scores_gemma":[0.97129554,0.00005772922,0.00020555929,0.0008127769,0.0005008704,0.000021054733,0.000012311982,0.000044056553,0.02705008],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988975,0.000029931049,0.0002057454,0.00033129432,0.0001730346,0.0003624723],"domain_scores_gemma":[0.99941105,0.000025168243,0.0000620322,0.0003133938,0.000060981583,0.00012736139],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010228282,0.00021731918,0.00021705615,0.00008495655,0.00031745856,0.00018178881,0.00018858457,0.00008217018,0.0029559415],"category_scores_gemma":[0.000011299138,0.0001892867,0.00007575195,0.000013057063,0.00025852968,0.00028275343,0.0001006471,0.0001689215,0.0002827181],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020960621,0.0004230306,0.0045327423,0.00011256724,0.0002163037,0.00014004545,0.4414941,8.360818e-7,0.0009387235,0.36648488,0.0370773,0.14836985],"study_design_scores_gemma":[0.0017513487,0.00032919418,0.008027675,0.00007341452,0.0001653123,0.000051700903,0.005295225,0.0019938173,0.0016628207,0.1573864,0.822103,0.0011600406],"about_ca_topic_score_codex":0.0009781481,"about_ca_topic_score_gemma":0.0014201521,"teacher_disagreement_score":0.7850258,"about_ca_system_score_codex":0.000018387347,"about_ca_system_score_gemma":0.000024660174,"threshold_uncertainty_score":0.9979555},"labels":[],"label_agreement":null},{"id":"W2078954083","doi":"10.5539/ells.v2n2p76","title":"Nathaniel Hawthorne and the Style of Moral Narration","year":2012,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Narrative; Style (visual arts); Meaning (existential); Politics; Interpretation (philosophy); Literature; Romanticism; Order (exchange); Aesthetics; Philosophy; History; Sociology; Epistemology; Art; Law; Political science; Linguistics","score_opus":0.03051291638027294,"score_gpt":0.2590382152526038,"score_spread":0.22852529887233086,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2078954083","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82099694,0.16207415,0.0000011572228,0.00018823711,0.0005488266,0.000108643755,0.000022654149,0.000026612028,0.016032765],"genre_scores_gemma":[0.9930502,0.0004547463,0.00002968073,0.0001591877,0.0016019932,0.000013394346,0.000011607392,0.000006913967,0.0046722787],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9995607,0.000048199083,0.00010771278,0.0000831695,0.00007813059,0.00012210238],"domain_scores_gemma":[0.99964345,0.00009298496,0.00004555392,0.00008490172,0.00010912571,0.000024000368],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00022414212,0.000098156605,0.00017098842,0.00003145736,0.00019645349,0.00009386425,0.00003554967,0.000028526008,0.000039840383],"category_scores_gemma":[0.00012924978,0.000053171916,0.000032285236,0.000019032428,0.000308204,0.00026267834,0.00004654764,0.00010260222,6.163156e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028452461,0.000011637617,0.00020575074,0.00004238856,0.000059863472,0.0000015097235,0.8683576,2.1211306e-8,0.000023259709,0.12815855,0.0020791795,0.0010317982],"study_design_scores_gemma":[0.0011587831,0.000051672498,0.00046144822,0.00010882048,0.0000852373,0.000005337864,0.9274658,0.000007724217,0.0002458979,0.0011479217,0.06909645,0.00016488796],"about_ca_topic_score_codex":0.000019551926,"about_ca_topic_score_gemma":0.00006842221,"teacher_disagreement_score":0.17205323,"about_ca_system_score_codex":0.0000026121277,"about_ca_system_score_gemma":0.00000221915,"threshold_uncertainty_score":0.21682878},"labels":[],"label_agreement":null},{"id":"W2078961828","doi":"10.3138/md.49.4.491","title":"A Look Anew at Beckett’s Other Peg","year":2006,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Chess endgame; Persona; Denial; Character (mathematics); Literature; Philosophy; Art; Aesthetics; Psychoanalysis; Psychology; Humanities; Computer science","score_opus":0.050261870475336506,"score_gpt":0.23633177611972153,"score_spread":0.18606990564438503,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2078961828","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.52993363,0.0008241025,0.00037914535,0.00085376523,0.0004111514,0.00017954888,0.00004591474,0.00026900673,0.46710372],"genre_scores_gemma":[0.69665277,0.0000024032483,0.00005502564,0.0010009899,0.0011013633,0.00002008766,0.000024219915,0.000046290286,0.30109686],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99881655,0.000025422594,0.00021685763,0.00031095443,0.00024358486,0.00038661752],"domain_scores_gemma":[0.9994525,0.000028454084,0.00006698892,0.00033026532,0.000057536763,0.00006430931],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000071819806,0.00021282674,0.00019793893,0.00007206809,0.00035363645,0.00021261729,0.00018719192,0.00007208411,0.00789196],"category_scores_gemma":[0.000004487886,0.00018521845,0.00013241499,0.000014305217,0.00018245835,0.00016177149,0.00007431101,0.000108953696,0.0016441159],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018746352,0.0006821575,0.0062862653,0.00011666652,0.00015105831,0.00014269026,0.081539795,0.00016484303,0.0037464942,0.5011935,0.37569743,0.030091621],"study_design_scores_gemma":[0.00063091255,0.00003986415,0.00051822985,0.000016439471,0.000036337366,0.0000099127055,0.00023696687,0.0015673252,0.00062491285,0.04812009,0.94784397,0.00035502],"about_ca_topic_score_codex":0.0019118637,"about_ca_topic_score_gemma":0.009289955,"teacher_disagreement_score":0.57214653,"about_ca_system_score_codex":0.00006818481,"about_ca_system_score_gemma":0.000024422421,"threshold_uncertainty_score":0.9991332},"labels":[],"label_agreement":null},{"id":"W2079343110","doi":"10.1177/1077800411420671","title":"Death—A Poem","year":2011,"lang":"en","type":"article","venue":"Qualitative Inquiry","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Toronto Metropolitan University","funders":"","keywords":"Poetry; Embodied cognition; Literature; Aesthetics; Sociology; Philosophy; Art; Epistemology","score_opus":0.689461905967966,"score_gpt":0.41983315396961757,"score_spread":0.2696287519983484,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2079343110","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3779919,0.00016862275,0.0007121249,0.0001272683,0.0013016348,0.00011512032,0.000020116619,0.00015649293,0.6194067],"genre_scores_gemma":[0.96962285,0.000005127161,0.0006164304,0.00091804215,0.0007626704,0.000029595207,0.000011851628,0.000022944521,0.028010465],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9991021,0.0001623599,0.00019361981,0.00018449083,0.00013820952,0.00021917542],"domain_scores_gemma":[0.99947464,0.00012281822,0.00006413139,0.00017017666,0.0001057092,0.00006253234],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00031235395,0.0001295498,0.00014501116,0.00007046708,0.00017817128,0.000041314128,0.0001393332,0.00003516782,0.008985321],"category_scores_gemma":[0.000044521646,0.0001074872,0.0000787719,0.000014969565,0.00038568332,0.00023712745,0.000033226785,0.00009687194,0.0015649248],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000125602355,0.000031416945,0.000040441795,0.0000052990636,0.000019023119,0.0000037411378,0.5278089,1.0941912e-8,0.000010860831,0.46543837,0.00608375,0.00054561475],"study_design_scores_gemma":[0.0004071536,0.00022404366,0.0010370744,0.000026941954,0.000028424865,0.000002065398,0.47121787,0.000005728882,0.0007042294,0.22973953,0.2962322,0.00037475483],"about_ca_topic_score_codex":0.0003177183,"about_ca_topic_score_gemma":0.000096588235,"teacher_disagreement_score":0.59163094,"about_ca_system_score_codex":0.00001734982,"about_ca_system_score_gemma":0.000019643223,"threshold_uncertainty_score":0.99921244},"labels":[],"label_agreement":null},{"id":"W2083616946","doi":"10.5539/ells.v1n1p40","title":"Samuel Beckett’s Waiting for Godot: A Postmodernist Study","year":2011,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":11,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Scrutiny; Opposition (politics); Aesthetics; Perception; Sociology; Hegelianism; Philosophy; Epistemology; Law; Theology; Political science","score_opus":0.11231704029560545,"score_gpt":0.29767529918437846,"score_spread":0.185358258888773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2083616946","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9307878,0.030843992,0.0000066057005,0.0000705771,0.0011771449,0.0006645208,0.00016071455,0.00021922376,0.036069416],"genre_scores_gemma":[0.98652637,0.000086547436,0.00020779693,0.00030826847,0.002483232,0.00015409265,0.000038710357,0.000037723566,0.010157229],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9988736,0.00004874419,0.00024459267,0.00037227216,0.00013589188,0.0003248906],"domain_scores_gemma":[0.9991732,0.00012616017,0.00007992851,0.00021097178,0.00034627237,0.00006342806],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024645653,0.00027618848,0.00034945126,0.00009334187,0.0006167533,0.0002919253,0.00012837545,0.000055020384,0.00012659383],"category_scores_gemma":[0.0002466127,0.00020527936,0.00010263709,0.000031964264,0.00016834645,0.00030677547,0.000098355646,0.0001943806,0.000003740229],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006902259,0.00013875602,0.00054360775,0.000093913,0.00026122757,0.00006312591,0.97358745,1.6440845e-8,0.000011699774,0.018586079,0.0033802371,0.0032648752],"study_design_scores_gemma":[0.0010773486,0.00042472823,0.00024902157,0.00014801927,0.00015662395,0.000004573981,0.93850714,0.000013450063,0.00007465524,0.0012420112,0.05772652,0.00037588118],"about_ca_topic_score_codex":0.00007894679,"about_ca_topic_score_gemma":0.0008398819,"teacher_disagreement_score":0.055738594,"about_ca_system_score_codex":0.0000098335695,"about_ca_system_score_gemma":0.0000093344015,"threshold_uncertainty_score":0.8371049},"labels":[],"label_agreement":null},{"id":"W2084868492","doi":"10.1080/09670882.2014.984395","title":"Echoes of Samuel Beckett","year":2014,"lang":"en","type":"article","venue":"Irish Studies Review","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Literature; Philosophy; Art; Echo (communications protocol); Computer science","score_opus":0.23280410075395916,"score_gpt":0.3634856622850514,"score_spread":0.13068156153109226,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2084868492","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003401864,0.6547717,0.000021093072,0.002466979,0.00076546246,0.00034758734,0.000016726892,0.00008709685,0.3381215],"genre_scores_gemma":[0.3084812,0.6558052,0.00024533394,0.011766549,0.0016949903,0.00015052762,0.000016766428,0.000057594545,0.021781873],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99900746,0.00006969451,0.00038374623,0.00017951269,0.00017673105,0.00018287392],"domain_scores_gemma":[0.9991463,0.00014413816,0.00016715527,0.00027579837,0.00023219369,0.000034405875],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00035430372,0.0001583079,0.0006083534,0.000034343764,0.000155175,0.00001817457,0.00016904269,0.000019743464,0.0010903697],"category_scores_gemma":[0.00029075134,0.0001116,0.00017427707,0.000027652137,0.00029181511,0.000088446905,0.000085629785,0.00007725391,0.00019242344],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000033894512,0.000051321804,0.00014468325,0.005837915,0.00021854883,0.0000016708788,0.0060744258,1.771299e-7,0.0000069848406,0.027235895,0.8434156,0.11700936],"study_design_scores_gemma":[0.00012986679,0.00005603756,0.00012580836,0.0015795096,0.00014185505,0.000001375862,0.0006343058,0.0000022171755,0.000029249915,0.0014448506,0.9957139,0.00014101394],"about_ca_topic_score_codex":0.000041414325,"about_ca_topic_score_gemma":0.00010886867,"teacher_disagreement_score":0.31633964,"about_ca_system_score_codex":0.000012833781,"about_ca_system_score_gemma":0.000011903423,"threshold_uncertainty_score":0.9998228},"labels":[],"label_agreement":null},{"id":"W2090193467","doi":"10.7202/041603ar","title":"Interfaces et interférences dans la communication théâtrale moderne. De l’espace vide… et son archétype beckettien","year":2010,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"","keywords":"Humanities; Art","score_opus":0.03851430342155332,"score_gpt":0.28725044935315575,"score_spread":0.24873614593160243,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2090193467","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58038676,0.0023440332,0.00037126883,0.05968034,0.0017442098,0.0008416484,0.00054454897,0.000571134,0.35351604],"genre_scores_gemma":[0.8791214,0.0045234337,0.002247771,0.0014535431,0.0007566003,0.00020729452,0.00022699275,0.00027178615,0.11119113],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99356455,0.001441566,0.0013092102,0.0013142736,0.0006763536,0.0016940563],"domain_scores_gemma":[0.99473816,0.0016126502,0.000763234,0.0018080199,0.00043033308,0.0006476231],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.0021849885,0.0013640346,0.0012119001,0.00042933194,0.0011325277,0.0015892813,0.0024028653,0.0009011354,0.0011359964],"category_scores_gemma":[0.0004477789,0.001382135,0.00075172115,0.00019791292,0.0034636161,0.0022235767,0.00058142043,0.0032267065,0.00023024155],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00034325785,0.000902498,0.0010652079,0.00063949276,0.0003813356,0.00010274888,0.1675135,0.00032502224,0.0045347265,0.8014416,0.018538749,0.004211858],"study_design_scores_gemma":[0.00047348518,0.00049968355,0.0027725634,0.002126084,0.00047527955,0.0003609883,0.009260663,0.0019774667,0.0032744724,0.008547432,0.96860105,0.0016308465],"about_ca_topic_score_codex":0.010713477,"about_ca_topic_score_gemma":0.5145566,"teacher_disagreement_score":0.9500623,"about_ca_system_score_codex":0.00028117653,"about_ca_system_score_gemma":0.0010078197,"threshold_uncertainty_score":0.99991107},"labels":[],"label_agreement":null},{"id":"W2096731584","doi":"10.3138/md.49.4.414","title":"A Krapp Chronology","year":2006,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"George (robot); Irish; Art; Musical; Performance art; Literature; Art history; Reading (process); History; Philosophy","score_opus":0.03959712888615737,"score_gpt":0.2314600567828723,"score_spread":0.1918629278967149,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2096731584","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4536276,0.0006153833,0.0018064491,0.0010016076,0.00057635986,0.00011716154,0.000012969943,0.00027156406,0.5419709],"genre_scores_gemma":[0.9297591,0.0000027553638,0.00007893287,0.00043870957,0.0011147106,0.000019589157,0.000020886728,0.000021980868,0.06854337],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927855,0.000015726398,0.00014264055,0.00019571587,0.000101409634,0.00026594946],"domain_scores_gemma":[0.9996739,0.000018000377,0.0000370255,0.00020169359,0.0000401188,0.00002924437],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000042800286,0.00011880104,0.00013080746,0.00006178834,0.00019290153,0.00011777928,0.00013142606,0.000052006744,0.0027281707],"category_scores_gemma":[0.0000033463461,0.00010532101,0.00006914342,0.000009662084,0.00016635192,0.00010893982,0.00003409243,0.000091085676,0.00075221714],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023938315,0.0001741259,0.00050238514,0.000018811326,0.00003404644,0.00002961802,0.015634174,0.000054930195,0.0010871787,0.89531344,0.0576512,0.029476136],"study_design_scores_gemma":[0.00044302514,0.000041843756,0.00066356827,0.0000058684923,0.000015645535,0.0000056818626,0.00018353196,0.0023945398,0.00032946776,0.1282805,0.8674284,0.00020791727],"about_ca_topic_score_codex":0.00083896396,"about_ca_topic_score_gemma":0.0021664097,"teacher_disagreement_score":0.8097772,"about_ca_system_score_codex":0.000022777354,"about_ca_system_score_gemma":0.000021003927,"threshold_uncertainty_score":0.9981835},"labels":[],"label_agreement":null},{"id":"W2099267735","doi":"10.5539/elt.v4n1p197","title":"The Religious Meaning in Waiting for Godot","year":2011,"lang":"en","type":"article","venue":"English Language Teaching","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Repentance; Meaning (existential); Absurdism; Theme (computing); Literature; Philosophy; Psychology; Epistemology; Art; Theology; Computer science","score_opus":0.05914002422071223,"score_gpt":0.2567300440606724,"score_spread":0.19759001983996016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2099267735","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6313271,0.0009402554,0.00009284042,0.000033229695,0.0008177013,0.00019638118,0.0000051709208,0.00019550177,0.3663918],"genre_scores_gemma":[0.9953348,0.000009861371,0.00047229012,0.00016743067,0.0013706936,0.000043262626,0.0000073209158,0.000033032673,0.002561304],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9991461,0.00006816334,0.00020353474,0.00016480988,0.00009816363,0.00031919862],"domain_scores_gemma":[0.9994032,0.00028911384,0.00006699361,0.00018331921,0.0000260597,0.00003134374],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008520754,0.0001149638,0.000115359835,0.000054936867,0.00056646403,0.00016626387,0.00021239845,0.000032752036,0.00008015568],"category_scores_gemma":[0.0006172805,0.000082596714,0.00007141528,0.0000102453005,0.00005374792,0.00016767514,0.00004452038,0.0003169306,0.000009915938],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011767787,0.000013601761,0.000116865944,0.000008017964,0.000008992889,0.0000080604,0.80509675,7.3221526e-7,0.0000365614,0.17712335,0.00086709147,0.016708229],"study_design_scores_gemma":[0.0007534227,0.00006193306,0.000030007479,0.000115099865,0.000024859073,0.0000023155094,0.7663254,0.00077536155,0.00049241446,0.0077298936,0.22334273,0.00034654897],"about_ca_topic_score_codex":0.0011644186,"about_ca_topic_score_gemma":0.0042516543,"teacher_disagreement_score":0.36400768,"about_ca_system_score_codex":0.000022209602,"about_ca_system_score_gemma":0.000010998686,"threshold_uncertainty_score":0.43568408},"labels":[],"label_agreement":null},{"id":"W2101967064","doi":"10.1111/oli.12022","title":"Beckett and Beyond","year":2013,"lang":"en","type":"article","venue":"Orbis Litterarum","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":30,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Linguistics; Yesterday; Argument (complex analysis); Literature; Colonialism; History; Philosophy; Art","score_opus":0.028648867347025937,"score_gpt":0.2087503419081875,"score_spread":0.18010147456116157,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2101967064","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61590326,0.00035964005,0.000007838469,0.005732403,0.00044820557,0.00014724657,0.000009719965,0.00009150039,0.3773002],"genre_scores_gemma":[0.9251618,0.000016904305,0.0001050875,0.004613003,0.0007129541,0.000039557424,0.000010915458,0.000019478246,0.0693203],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99935037,0.000016421738,0.00012634457,0.00017823093,0.00009929069,0.0002293165],"domain_scores_gemma":[0.99965525,0.000027398348,0.000029659519,0.00016344553,0.000043492622,0.000080739934],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00004313115,0.00011944343,0.00011893927,0.000052344738,0.00020161243,0.00035350368,0.00008766896,0.00003255798,0.010988096],"category_scores_gemma":[0.000006254786,0.00009662505,0.00003868615,0.000009992717,0.00014176541,0.00036683306,0.000050412098,0.00008562795,0.0012630516],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009521833,0.000090547524,0.0034752307,0.00005954124,0.000065446635,0.0000119172955,0.07277975,1.2877629e-7,0.00077795633,0.31483367,0.49019647,0.11769983],"study_design_scores_gemma":[0.00024478167,0.0000475015,0.0028468359,0.0000099962845,0.000011453863,0.0000055530004,0.0012385229,0.00004834744,0.00018585115,0.022582298,0.9725797,0.00019915364],"about_ca_topic_score_codex":0.00037362907,"about_ca_topic_score_gemma":0.00012785391,"teacher_disagreement_score":0.48238325,"about_ca_system_score_codex":0.0000071904205,"about_ca_system_score_gemma":0.0000072025273,"threshold_uncertainty_score":0.9995146},"labels":[],"label_agreement":null},{"id":"W2103535727","doi":"10.7202/037339ar","title":"Écriture de soi et traduction dans les oeuvres « jumelles » de Samuel Beckett et Wilfred R. Bion","year":2007,"lang":"fr","type":"article","venue":"TTR traduction terminologie rédaction","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.13353597281535354,"score_gpt":0.3379447922150943,"score_spread":0.2044088193997408,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2103535727","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.90665317,0.0074227364,0.031209357,0.027845358,0.011572084,0.0006894269,0.00017481744,0.0011753169,0.0132577475],"genre_scores_gemma":[0.91238916,0.011502223,0.00174484,0.0007752168,0.0061292024,0.000066116074,0.00034257135,0.00015926703,0.066891395],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99598736,0.00055576855,0.00086131075,0.00089272944,0.0004534741,0.0012493721],"domain_scores_gemma":[0.99828166,0.00025429824,0.00048466184,0.00052724325,0.00019211891,0.0002600415],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0014107494,0.0007256052,0.00052133115,0.00059638853,0.0012988843,0.00045841312,0.0003196922,0.000991974,0.0006137599],"category_scores_gemma":[0.00015531172,0.0007670683,0.00043960792,0.00016016165,0.0008314605,0.0015401806,0.000048927606,0.0013486746,0.00012146821],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0010283665,0.0020213178,0.0039318013,0.0006560734,0.00047729438,0.00017469308,0.12810019,0.0006215234,0.112551756,0.10792457,0.0383635,0.6041489],"study_design_scores_gemma":[0.0015631447,0.00075579475,0.05057285,0.00033743354,0.0005427696,0.0012484199,0.037124142,0.0006389137,0.064317554,0.012756118,0.8288945,0.0012483915],"about_ca_topic_score_codex":0.008371946,"about_ca_topic_score_gemma":0.00883419,"teacher_disagreement_score":0.790531,"about_ca_system_score_codex":0.0016771912,"about_ca_system_score_gemma":0.00031057931,"threshold_uncertainty_score":0.99947804},"labels":[],"label_agreement":null},{"id":"W2107708458","doi":"10.3138/md.49.4.469","title":"Beckett and Television: In a Different Context","year":2006,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":7,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Opposition (politics); Ethnic group; Context (archaeology); Sociology; Identity (music); Social science; Media studies; Social psychology; History; Psychology; Political science; Aesthetics; Politics; Law; Art; Anthropology","score_opus":0.04112429217998591,"score_gpt":0.23450031240495375,"score_spread":0.19337602022496786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2107708458","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9542303,0.0011903703,0.00017821346,0.00092623936,0.00016448792,0.00014597535,0.000010162932,0.00006506934,0.04308919],"genre_scores_gemma":[0.98446614,0.000010672533,0.000014172022,0.0003831765,0.00047123336,0.000019547724,0.00001114506,0.000019087485,0.014604858],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992022,0.000023089278,0.00019083034,0.00022318332,0.00013277541,0.00022791745],"domain_scores_gemma":[0.9997082,0.000042731765,0.000035127963,0.00014781526,0.000026074713,0.000040055314],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000053424897,0.00015328989,0.00019763841,0.00008193013,0.00012361276,0.00018118,0.000082342536,0.00004533675,0.0005335743],"category_scores_gemma":[0.0000059038402,0.00011719765,0.00004562566,0.00001042458,0.0001269605,0.00014965008,0.000047141835,0.00010972314,0.000041775245],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012550535,0.000608847,0.01742284,0.00010988174,0.000037648533,0.000104199826,0.085580856,0.000018643483,0.00089393987,0.58784896,0.0153171765,0.2919315],"study_design_scores_gemma":[0.0040904195,0.00020846498,0.049159683,0.0002050091,0.00004559782,0.000019261859,0.0032690186,0.012630293,0.00065262744,0.2945279,0.63418305,0.0010086951],"about_ca_topic_score_codex":0.0011731279,"about_ca_topic_score_gemma":0.0082297195,"teacher_disagreement_score":0.61886585,"about_ca_system_score_codex":0.000025794572,"about_ca_system_score_gemma":0.000009371014,"threshold_uncertainty_score":0.5842265},"labels":[],"label_agreement":null},{"id":"W2122515011","doi":"10.3138/md.50.4.500","title":"<i>The Gas Heart</i>: Disfigurement and the Dada Body","year":2007,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Disfigurement; Human body; Aesthetics; Opposition (politics); Art; History; Politics; Law; Political science; Medicine; Anatomy","score_opus":0.033867617493687,"score_gpt":0.24591076590956723,"score_spread":0.21204314841588023,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2122515011","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.58936065,0.007538997,0.0027542196,0.029091788,0.001867845,0.0010172828,0.000018696623,0.00023110569,0.3681194],"genre_scores_gemma":[0.98158514,0.00005636536,0.000017511997,0.0018668371,0.0006554453,0.000020363723,0.0000036749072,0.00001965516,0.015774995],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99899626,0.000040495674,0.0001983179,0.00017502878,0.00025168306,0.00033819352],"domain_scores_gemma":[0.9993094,0.00022981284,0.000047510683,0.0002988798,0.000051040548,0.000063309846],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006979708,0.00013556793,0.00013032788,0.000020778536,0.0010643257,0.00044985896,0.00017848462,0.00002937057,0.00015923144],"category_scores_gemma":[0.000024556439,0.00006865281,0.00007354385,0.000011417116,0.0005577292,0.000091156,0.00007319471,0.00014856376,0.000060421],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028848436,0.00006319268,0.00033573445,0.000015203489,0.00007589189,0.000008630213,0.049545083,0.0000037864936,0.00032582443,0.8837964,0.02670605,0.03883574],"study_design_scores_gemma":[0.0010710526,0.00003354705,0.00053123734,0.000011097864,0.00003057331,0.000006460375,0.0016754309,0.0013648071,0.00028610302,0.050047193,0.9447964,0.00014613375],"about_ca_topic_score_codex":0.0003204672,"about_ca_topic_score_gemma":0.0026087838,"teacher_disagreement_score":0.9180903,"about_ca_system_score_codex":0.000015963189,"about_ca_system_score_gemma":0.000014767926,"threshold_uncertainty_score":0.818604},"labels":[],"label_agreement":null},{"id":"W2134482780","doi":"10.7202/041613ar","title":"L’oeil supplicié","year":2010,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.03102699187914966,"score_gpt":0.2513616335364398,"score_spread":0.22033464165729016,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2134482780","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.26399702,0.0024083606,0.000025713603,0.06511318,0.012584165,0.0011974999,0.0012742108,0.0008109122,0.65258896],"genre_scores_gemma":[0.5911263,0.0011497749,0.00049754704,0.0014153782,0.007339638,0.00016318848,0.0002013121,0.00030473107,0.3978021],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99364024,0.00021662547,0.0014639789,0.00157763,0.0007809986,0.0023205052],"domain_scores_gemma":[0.99571854,0.00049412565,0.0005518918,0.0017699272,0.0004796333,0.0009858989],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.00068023865,0.001538354,0.001410368,0.00043177922,0.0015689109,0.0010642312,0.0016409627,0.0010556345,0.009624745],"category_scores_gemma":[0.00020453152,0.0015867761,0.0012304091,0.0002191168,0.002534951,0.0014217064,0.0003027281,0.0026151591,0.0021624956],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016783897,0.00093399355,0.000474852,0.0008230384,0.0003514784,0.00035721122,0.016597696,0.000021834978,0.0025604393,0.8563419,0.109003335,0.012366383],"study_design_scores_gemma":[0.0005266043,0.00043693976,0.0010038752,0.00059140887,0.0005757569,0.0003646258,0.0011199198,0.00023169671,0.0011878278,0.004844981,0.9872313,0.0018850275],"about_ca_topic_score_codex":0.0048274198,"about_ca_topic_score_gemma":0.239394,"teacher_disagreement_score":0.878228,"about_ca_system_score_codex":0.00018962834,"about_ca_system_score_gemma":0.0006711489,"threshold_uncertainty_score":0.99997276},"labels":[],"label_agreement":null},{"id":"W2138332259","doi":"10.3968/j.css.1923669720070304.001","title":"From Winnie Back to Prometheus: on the Similarities and Differences between Happy Days and Prometheus Bound","year":2010,"lang":"en","type":"article","venue":"Canadian social science","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Drama; Humanities; Literature; Tone (literature); Philosophy","score_opus":0.09023620105445783,"score_gpt":0.2688297963122179,"score_spread":0.17859359525776003,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2138332259","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9054946,0.000027706736,0.0000012213766,0.0063262754,0.0003341438,0.00024387393,0.00021713399,0.000014654809,0.08734044],"genre_scores_gemma":[0.99553293,0.0000026183488,0.00003995441,0.0015929182,0.0009529363,0.000018737477,0.0000024246199,0.000008556434,0.0018488953],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893606,0.000028341481,0.00010156829,0.00030216484,0.00024108819,0.00039077442],"domain_scores_gemma":[0.99922234,0.00019181478,0.000033463162,0.00013765655,0.00006775719,0.000346995],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0003810192,0.00012611583,0.00014561425,0.00012029456,0.0019318822,0.0010096722,0.00036714942,0.000053473093,0.00079299376],"category_scores_gemma":[0.00016148752,0.00008664324,0.000019992334,0.0000860392,0.002475346,0.00020421788,0.000059747053,0.00021102533,0.000031968466],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009300078,0.000019841555,0.036288932,0.000020291905,0.00003752839,0.000005777259,0.38910422,1.1041137e-8,0.0017842622,0.52114487,0.011531862,0.040053077],"study_design_scores_gemma":[0.0002795583,0.00022435721,0.2002608,0.0000753915,0.000046970417,0.0000012193541,0.049485743,0.00002136009,0.00055982167,0.10005966,0.6481659,0.0008192034],"about_ca_topic_score_codex":0.040913153,"about_ca_topic_score_gemma":0.20281377,"teacher_disagreement_score":0.63663405,"about_ca_system_score_codex":0.00003847325,"about_ca_system_score_gemma":0.00024186916,"threshold_uncertainty_score":0.9993675},"labels":[],"label_agreement":null},{"id":"W2143101920","doi":"","title":"The Tragic Hero of the Modern Period: The European Concept","year":2013,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"HERO; Tragedy (event); Comedy; Period (music); Literature; Greek tragedy; Order (exchange); Philosophy; Miller; History; Aesthetics; Art","score_opus":0.030227588798020757,"score_gpt":0.26229075167879645,"score_spread":0.2320631628807757,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2143101920","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6318435,0.17957222,9.472071e-7,0.0036577326,0.00082769146,0.00039695075,0.000028176459,0.000023614059,0.18364917],"genre_scores_gemma":[0.9799381,0.00031885627,0.000002968845,0.00079772423,0.00043616307,0.000018424833,0.0000017727887,0.0000093791805,0.01847663],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9993656,0.00015641257,0.000137897,0.00010453026,0.000092984286,0.00014257312],"domain_scores_gemma":[0.99954385,0.00010885471,0.000048822243,0.00023138408,0.000055495875,0.000011605996],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0001834215,0.00010514618,0.00011511434,0.000012200764,0.000452959,0.00018105289,0.0002056859,0.0000168453,0.00005855327],"category_scores_gemma":[0.00003440499,0.000037516384,0.000054636967,0.00002723292,0.00077270943,0.00007909474,0.00010939995,0.0001881546,0.000004140144],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000034873278,0.000008755603,0.000058727055,0.000019765024,0.00004319713,0.0000047579224,0.95910984,5.7435403e-7,0.00006386913,0.017796606,0.01012788,0.01276253],"study_design_scores_gemma":[0.00091151946,0.00009422989,0.0063978275,0.00043521763,0.00006491943,0.000021578011,0.5439242,0.00007935674,0.000145206,0.021906756,0.42566946,0.00034970313],"about_ca_topic_score_codex":0.00006648273,"about_ca_topic_score_gemma":0.00057699677,"teacher_disagreement_score":0.4155416,"about_ca_system_score_codex":0.000004909348,"about_ca_system_score_gemma":0.00000430821,"threshold_uncertainty_score":0.34838402},"labels":[],"label_agreement":null},{"id":"W2146752103","doi":"10.5944/epos.26.2010.10644","title":"Samuel Beckett, El innombrable y el fin de la modernidad","year":2010,"lang":"es","type":"article","venue":"Epos Revista de filología","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.02903572170918612,"score_gpt":0.2949859775766664,"score_spread":0.2659502558674803,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2146752103","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84821683,0.0034945998,0.0003599172,0.0011469638,0.0011254604,0.0005027869,0.00037395005,0.0002830114,0.14449649],"genre_scores_gemma":[0.9573734,0.00046671907,0.0010142687,0.0019787434,0.0036227175,0.00010229249,0.00012174921,0.00016150207,0.035158616],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9963234,0.0004663737,0.0007773758,0.00078826206,0.00037182332,0.0012727412],"domain_scores_gemma":[0.9974228,0.0005908233,0.0003791811,0.0010403531,0.00019200581,0.00037484526],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0012354859,0.0006907736,0.0007952786,0.00026414363,0.00092923787,0.002411376,0.0008652316,0.00073158636,0.0069950987],"category_scores_gemma":[0.00051328895,0.00066727836,0.000414164,0.00007922655,0.0010174,0.00036495042,0.00027051553,0.0018392324,0.0010114482],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016045377,0.0006075002,0.014529488,0.0006068394,0.0002871588,0.000287893,0.017685266,0.000022481254,0.016650626,0.83793515,0.103070445,0.008156691],"study_design_scores_gemma":[0.00091212033,0.0001729431,0.0083929915,0.00021773472,0.0002171632,0.00014645811,0.00042465102,0.0014540284,0.0009727183,0.01145546,0.97476447,0.00086925906],"about_ca_topic_score_codex":0.0008257857,"about_ca_topic_score_gemma":0.00021951937,"teacher_disagreement_score":0.871694,"about_ca_system_score_codex":0.00013632771,"about_ca_system_score_gemma":0.00059374934,"threshold_uncertainty_score":0.9997664},"labels":[],"label_agreement":null},{"id":"W2148212768","doi":"10.3138/md.0679r","title":"Krapp at the Hawk’s Well: Beckett, Yeats, and Joyce","year":2015,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Literature; Relation (database); Space (punctuation); Art; Philosophy; Aesthetics; History; Psychoanalysis; Psychology; Computer science; Linguistics","score_opus":0.0965938934562304,"score_gpt":0.25646539792166445,"score_spread":0.15987150446543405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2148212768","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.64736545,0.0032263428,0.00016486994,0.0040375507,0.0006322596,0.0002378962,0.000025640253,0.00015548455,0.3441545],"genre_scores_gemma":[0.797997,0.000027142325,0.000027563794,0.0013204893,0.0005553321,0.000019949257,0.000013096806,0.000030796964,0.20000862],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99902093,0.000045032197,0.0001517048,0.00025608714,0.00024654454,0.00027969043],"domain_scores_gemma":[0.99935764,0.000049427163,0.00005146348,0.0003400843,0.00007210839,0.00012929898],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001958598,0.00017216372,0.00015777937,0.000037923754,0.00041434026,0.00028387926,0.00019068453,0.00005410287,0.0010189312],"category_scores_gemma":[0.000017914514,0.00011391939,0.000060017872,0.000013348357,0.000337465,0.0001588325,0.00016752111,0.00013875225,0.0007110663],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011656503,0.00014647355,0.0028493816,0.000047423662,0.00015053841,0.000052842468,0.24879237,0.00003946626,0.00027480218,0.08673541,0.6203789,0.04041581],"study_design_scores_gemma":[0.00057601003,0.00004684271,0.00041610005,0.00001168888,0.000036998434,0.000014436239,0.0017821159,0.0015142314,0.0002035437,0.017703017,0.9774786,0.00021639872],"about_ca_topic_score_codex":0.00045549264,"about_ca_topic_score_gemma":0.0022833524,"teacher_disagreement_score":0.3570997,"about_ca_system_score_codex":0.00004009678,"about_ca_system_score_gemma":0.000033588585,"threshold_uncertainty_score":0.99989426},"labels":[],"label_agreement":null},{"id":"W2149736541","doi":"10.3138/md.49.4.501","title":"Talk about Landscapes: What There Is to Recognize","year":2006,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Witness; Scenography; Chess endgame; History; Art; Dream; Henry IV, Holy Roman Emperor; Space (punctuation); Art history; Literature; Visual arts; Aesthetics; Performance art; Law; Philosophy; Computer science; Psychology; Political science","score_opus":0.03808979679457102,"score_gpt":0.24104225563421444,"score_spread":0.2029524588396434,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2149736541","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78877753,0.0025045788,0.00054627936,0.0029521824,0.0008889402,0.00028295963,0.000050477185,0.0002472132,0.20374985],"genre_scores_gemma":[0.8974168,0.000051156618,0.000104243474,0.003120351,0.001318364,0.000041016974,0.00003211621,0.000049368104,0.0978666],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988317,0.000021368141,0.00021788517,0.0003302346,0.00022989874,0.0003689529],"domain_scores_gemma":[0.9994189,0.00003340689,0.000051353894,0.000315021,0.00009575804,0.00008552297],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008134915,0.00020982669,0.00020728228,0.00008094563,0.0002676235,0.0009363412,0.00021711794,0.00007270747,0.005851171],"category_scores_gemma":[0.0000062519307,0.00017659289,0.00011818654,0.000023941657,0.000048330956,0.0004660275,0.00005764234,0.00011611931,0.0014338132],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019934565,0.00057992566,0.0009860992,0.00013032,0.00018429507,0.00016613417,0.2049215,0.00016465528,0.0016675815,0.055944238,0.30881795,0.42623794],"study_design_scores_gemma":[0.0005111241,0.000061157014,0.00047412465,0.00009282214,0.000027907381,0.0000058589812,0.002381874,0.0011768666,0.0007701609,0.03539046,0.9587076,0.00040006585],"about_ca_topic_score_codex":0.0010124897,"about_ca_topic_score_gemma":0.0052469852,"teacher_disagreement_score":0.64988965,"about_ca_system_score_codex":0.000025722311,"about_ca_system_score_gemma":0.000020781954,"threshold_uncertainty_score":0.9993437},"labels":[],"label_agreement":null},{"id":"W215527103","doi":"","title":"\"The Essential Doesn't Change\": Essence Precedes Experience and Cartesian Rationalism in Samuel Beckett' Waiting for Godot","year":2012,"lang":"en","type":"article","venue":"Notes on Contemporary Literature","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Existentialism; Philosophy; Absurdism; Nihilism; Criticism; Enlightenment; Subject (documents); The Thing; Literature; Epistemology; Art","score_opus":0.14585051431918403,"score_gpt":0.31470689202044383,"score_spread":0.1688563777012598,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W215527103","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9431982,0.02707426,0.000116238436,0.011809268,0.003210493,0.0019251293,0.0003899778,0.00016200705,0.012114401],"genre_scores_gemma":[0.99349165,0.000046868838,0.00008236874,0.0016268163,0.0026612582,0.0003952496,0.00012376056,0.000028105282,0.0015439001],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99873763,0.000080042584,0.0002888822,0.00029813516,0.00020764298,0.00038766288],"domain_scores_gemma":[0.9988597,0.0005947115,0.00012026916,0.00021195094,0.0001130573,0.000100288264],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00032116045,0.0002466306,0.000208558,0.000084501116,0.00069113396,0.0006504468,0.00017318208,0.0001100248,0.000044618046],"category_scores_gemma":[0.00015034468,0.00016775116,0.00007498425,0.000047334244,0.00022175946,0.0011034857,0.000040761228,0.00023801392,0.000004241448],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0003223337,0.00015542688,0.01297982,0.00015613968,0.00003816458,0.000011034153,0.45544556,5.313873e-7,0.0011808644,0.51823574,0.003468621,0.008005749],"study_design_scores_gemma":[0.0030083414,0.00036449335,0.01664005,0.001630356,0.000037244477,0.000025468604,0.016292877,0.0015137743,0.005487533,0.014263023,0.93924767,0.0014891645],"about_ca_topic_score_codex":0.00011596979,"about_ca_topic_score_gemma":0.0003769773,"teacher_disagreement_score":0.93577904,"about_ca_system_score_codex":0.000016191656,"about_ca_system_score_gemma":0.00003108997,"threshold_uncertainty_score":0.6840694},"labels":[],"label_agreement":null},{"id":"W2162131101","doi":"10.3138/md.49.4.452","title":"Apnea and True Illusion: Breath(less) in Beckett","year":2006,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Literature; Illusion; Philosophy; Nothing; Aesthetics; History; Art; Epistemology; Psychology","score_opus":0.037885584829888685,"score_gpt":0.2276796632307018,"score_spread":0.1897940784008131,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2162131101","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86565167,0.0009027489,0.00022630826,0.0008242925,0.00022518904,0.00014519805,0.00001895317,0.000096364405,0.1319093],"genre_scores_gemma":[0.97396374,0.000013420667,0.000062176245,0.00041031235,0.0005965081,0.000020827429,0.000022943635,0.000029253973,0.024880802],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989988,0.00002753485,0.00022262004,0.00028970322,0.0001660717,0.00029525527],"domain_scores_gemma":[0.9996254,0.000036403697,0.000044358254,0.00020692205,0.00003629193,0.000050631683],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000098986806,0.00017787985,0.00020887572,0.000113962815,0.000212755,0.0002034785,0.000118540105,0.00007353488,0.00046140017],"category_scores_gemma":[0.000005750609,0.00015759886,0.00005331583,0.000021605918,0.000177793,0.00019496906,0.00007419761,0.00013687978,0.000059932136],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017442368,0.0007463786,0.013412229,0.0001616638,0.000053968237,0.000329305,0.15308432,0.00015813652,0.0015269975,0.55157226,0.014842502,0.26393783],"study_design_scores_gemma":[0.0045121484,0.00017928546,0.03833896,0.00014524958,0.00007516304,0.00006815808,0.0057397275,0.027988091,0.0005057864,0.2676846,0.65325546,0.0015073465],"about_ca_topic_score_codex":0.0022320864,"about_ca_topic_score_gemma":0.008811545,"teacher_disagreement_score":0.63841295,"about_ca_system_score_codex":0.000027121292,"about_ca_system_score_gemma":0.000019544428,"threshold_uncertainty_score":0.6426695},"labels":[],"label_agreement":null},{"id":"W2163243901","doi":"10.3138/md.43.3.393","title":"Space, Time, and the Self in Beckett's Late Theatre","year":2000,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":9,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Immediacy; Nothing; Event (particle physics); Certainty; Space (punctuation); Art; Literature; Aesthetics; Visual arts; History; Philosophy; Epistemology; Physics","score_opus":0.019855113698636757,"score_gpt":0.2135568638295537,"score_spread":0.19370175013091692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2163243901","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59052765,0.0005841201,0.0000029094156,0.0030711226,0.00005518912,0.00018591736,0.000008497137,0.00009149055,0.4054731],"genre_scores_gemma":[0.90482384,0.00010582945,0.000029007933,0.0008163045,0.0001990019,0.00001944879,0.000005575937,0.00002358788,0.09397739],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919516,0.0000644915,0.000152336,0.0002047712,0.00013199808,0.00025122167],"domain_scores_gemma":[0.9996171,0.000073176336,0.000025710475,0.00022500285,0.000016635602,0.000042356663],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017853442,0.00014916349,0.0001920458,0.000047574264,0.0002184927,0.00022329215,0.00014033266,0.00004863422,0.003719594],"category_scores_gemma":[0.0000030904278,0.00009462935,0.000058237543,0.000019286876,0.00024988147,0.00015158649,0.000032373908,0.0001575046,0.000479762],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006430606,0.00031789174,0.0006259165,0.00004840974,0.00016759842,0.00006838738,0.5174075,0.00030835957,0.00012503554,0.19697748,0.010273063,0.2730373],"study_design_scores_gemma":[0.0049853837,0.000065068554,0.0012441576,0.000057423298,0.00007654056,0.00001366353,0.00070317014,0.0759359,0.00007280186,0.13225359,0.78406686,0.0005254726],"about_ca_topic_score_codex":0.00054294453,"about_ca_topic_score_gemma":0.0012743941,"teacher_disagreement_score":0.77379376,"about_ca_system_score_codex":0.000014211626,"about_ca_system_score_gemma":0.000017042892,"threshold_uncertainty_score":0.99719113},"labels":[],"label_agreement":null},{"id":"W2167292917","doi":"10.1111/j.1468-4004.2008.49104_13.x","title":"Bernard Pagel and me","year":2008,"lang":"en","type":"article","venue":"Astronomy & Geophysics","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Psychology","score_opus":0.046512501742832106,"score_gpt":0.19917288208938003,"score_spread":0.1526603803465479,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2167292917","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9529544,0.00011212718,0.0003201789,0.00021541651,0.00024119078,0.000086402135,0.000014634873,0.000064069434,0.04599155],"genre_scores_gemma":[0.9838644,0.000021068052,0.00051529385,0.00018422268,0.0009940091,0.000014449905,0.00001586522,0.000017190348,0.014373484],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994313,0.000009887075,0.000103973485,0.0001617928,0.00009019921,0.00020282557],"domain_scores_gemma":[0.9996959,0.000020783258,0.000040962237,0.00014740172,0.000034855348,0.000060103914],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000023315231,0.00012183597,0.00013161768,0.000022561751,0.0002961527,0.0000495534,0.00008007448,0.000019062483,0.0003441548],"category_scores_gemma":[0.0000015238894,0.000113411734,0.000056363948,0.000009030635,0.00022649989,0.00020185712,0.000046990666,0.00009168526,0.0002695816],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007603231,0.0004492681,0.031732626,0.000052209718,0.00037967373,0.000055884324,0.13241813,0.000014978132,0.000707117,0.5560311,0.05828652,0.21979648],"study_design_scores_gemma":[0.00046110578,0.000081428,0.013532131,0.000008528068,0.00003129101,0.000005837843,0.0013635694,0.00003467756,0.00017913114,0.00366213,0.9803823,0.000257855],"about_ca_topic_score_codex":0.00020018568,"about_ca_topic_score_gemma":0.000041227766,"teacher_disagreement_score":0.9220958,"about_ca_system_score_codex":0.000009132222,"about_ca_system_score_gemma":0.000028794359,"threshold_uncertainty_score":0.46247965},"labels":[],"label_agreement":null},{"id":"W2174850194","doi":"10.1353/dtc.2007.0010","title":"The Article, the Debate, the Book","year":2007,"lang":"en","type":"article","venue":"Journal of dramatic theory and criticism","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Scholarship; Publishing; Variety (cybernetics); Cornerstone; Drama; Criticism; Sociology; Media studies; Art; Literature; Visual arts; Law; Political science; Computer science","score_opus":0.020402234714042497,"score_gpt":0.25721302819839675,"score_spread":0.23681079348435424,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2174850194","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8847709,0.01712376,0.0021284495,0.019263418,0.0017968302,0.00027816495,0.0000031163288,0.000023930445,0.07461148],"genre_scores_gemma":[0.9819886,0.00013504163,0.0000107636,0.004903585,0.00083206926,0.000001645178,7.655044e-8,0.000010673061,0.012117538],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99888,0.0001782991,0.00041657494,0.00005374618,0.00023090062,0.00024045164],"domain_scores_gemma":[0.99632466,0.0031299796,0.0001601931,0.00018597693,0.00013945004,0.00005976587],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0044077346,0.00010137918,0.00013111027,0.000026668678,0.0012829801,0.00039707441,0.00030911044,0.000025951938,0.00037032668],"category_scores_gemma":[0.00029302365,0.000036719804,0.000106127336,0.000018510289,0.00082536385,0.00020323471,0.000034589782,0.0002999962,0.000019986524],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000089836925,0.00002574118,0.0000068114127,0.000010418165,0.0000583964,0.000017682507,0.04311098,6.055129e-7,0.000091731934,0.94140345,0.0043398654,0.010844453],"study_design_scores_gemma":[0.00031698612,0.00009714743,0.00029322185,0.000051819174,0.00012277364,0.00023391953,0.060428448,0.00002544488,0.000464908,0.62278575,0.31509602,0.000083544604],"about_ca_topic_score_codex":0.000003421633,"about_ca_topic_score_gemma":0.000051870396,"teacher_disagreement_score":0.31861773,"about_ca_system_score_codex":0.000009236695,"about_ca_system_score_gemma":0.000023514442,"threshold_uncertainty_score":0.9867775},"labels":[],"label_agreement":null},{"id":"W2193347154","doi":"10.18192/cjcs.v0i2.1104","title":"The Sense of Community in Cavell’s Conception of Aesthetic and Moral Judgment","year":2014,"lang":"en","type":"article","venue":"Conversations The Journal of Cavellian Studies","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Meaning (existential); Value (mathematics); Epistemology; Axiom; Style (visual arts); Perception; Aesthetics; Philosophy; Analytic philosophy; Value theory; Sociology; Contemporary philosophy; Literature; Art; Mathematics","score_opus":0.12889943002105383,"score_gpt":0.2936328486297424,"score_spread":0.1647334186086886,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2193347154","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99422216,0.001992369,0.00006372834,0.0020250531,0.0002481639,0.00009150916,0.000004303058,0.0000020465145,0.0013506647],"genre_scores_gemma":[0.9981034,0.0013602974,0.00001668248,0.00008419716,0.00005585936,0.0000012585286,3.5150217e-7,0.0000042500988,0.00037373733],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990344,0.00033961888,0.0003772035,0.000025002138,0.0001430596,0.00008070459],"domain_scores_gemma":[0.99860126,0.0005349408,0.00037390774,0.00013802224,0.0003348679,0.000017031067],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0011458661,0.00007109462,0.00020540792,0.000058351685,0.00036793988,0.0000152361745,0.00010602445,0.000015047538,0.0000127644025],"category_scores_gemma":[0.00008530961,0.00003856401,0.000050165192,0.00002363005,0.0010160913,0.00006981408,0.00004172011,0.00016770208,0.000001209297],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001376085,0.000111033914,0.0027489455,0.0000850339,0.00023696151,0.0000010087966,0.910434,0.00018318961,0.00027792013,0.07037935,0.003903206,0.011501732],"study_design_scores_gemma":[0.00236644,0.0008403292,0.017104037,0.00031086217,0.00038727914,0.000040287836,0.9052333,0.000594731,0.0015623554,0.029102761,0.042253457,0.00020414403],"about_ca_topic_score_codex":0.00016253273,"about_ca_topic_score_gemma":0.0010191161,"teacher_disagreement_score":0.04127659,"about_ca_system_score_codex":0.00002296035,"about_ca_system_score_gemma":0.00002181018,"threshold_uncertainty_score":0.3743831},"labels":[],"label_agreement":null},{"id":"W2194679822","doi":"10.18192/analyses.v7i1.387","title":"Le degré in-fini de l'écriture : la prose d'Éric Chevillard","year":2012,"lang":"fr","type":"article","venue":"Analyses Revue de littératures franco-canadiennes et québécoise","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Referent; Humanities; Art; Philosophy; Linguistics","score_opus":0.04523533549805946,"score_gpt":0.2969535275415666,"score_spread":0.25171819204350715,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2194679822","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2541472,0.17350915,0.00011315383,0.007035528,0.0027571807,0.0006024867,0.00028874204,0.00014736818,0.5613992],"genre_scores_gemma":[0.93387955,0.0045872466,0.00048975536,0.004544128,0.00501427,0.0001529295,0.00012330417,0.00017429818,0.051034518],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950252,0.00077898277,0.0008382052,0.0007330693,0.000295057,0.0023294836],"domain_scores_gemma":[0.99718106,0.0004858226,0.00033140258,0.000849802,0.0001738535,0.0009780535],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0011347834,0.00084118254,0.0010384043,0.0006330187,0.0005792505,0.00049310795,0.00064821873,0.0008633465,0.00047073298],"category_scores_gemma":[0.0003438732,0.0008717664,0.00065885775,0.0004927674,0.0006440741,0.0010020117,0.00012432241,0.0015360308,0.00011704741],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013479474,0.0007798414,0.010100118,0.0008747685,0.0004485289,0.0005010536,0.09895332,0.00029077716,0.00031350722,0.8595755,0.017433153,0.010594638],"study_design_scores_gemma":[0.0008820867,0.000107250904,0.017303254,0.0006132066,0.00045792267,0.00031562187,0.0059121656,0.00032853728,0.00023923477,0.0039722673,0.9688323,0.0010361167],"about_ca_topic_score_codex":0.21490437,"about_ca_topic_score_gemma":0.88044405,"teacher_disagreement_score":0.9513992,"about_ca_system_score_codex":0.00041205384,"about_ca_system_score_gemma":0.0011607328,"threshold_uncertainty_score":0.9993733},"labels":[],"label_agreement":null},{"id":"W2242283267","doi":"","title":"Samuel Beckett. Secret transfusions. The 1930 Literary Translations from Italian","year":2013,"lang":"en","type":"article","venue":"Repositorio Digital Institucional de la Universidad de Buenos Aires (Universidad de Buenos Aires)","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Literature; Art; History","score_opus":0.016694489531634805,"score_gpt":0.2301450399939979,"score_spread":0.2134505504623631,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2242283267","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.67824405,0.000999634,0.0011459775,0.0044477447,0.00085074076,0.00078929466,0.0008545131,0.00052189676,0.31214613],"genre_scores_gemma":[0.97750455,0.00015218409,0.00044698376,0.000842863,0.0014011802,0.000035689907,0.00031947176,0.00010666459,0.019190414],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965485,0.00027431623,0.00054725335,0.0008384817,0.0007726475,0.0010188159],"domain_scores_gemma":[0.99712366,0.0008633157,0.00025628702,0.00077481504,0.00034469448,0.0006372249],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020180612,0.000650981,0.0005303748,0.00070444524,0.002620416,0.0043175644,0.0011629757,0.00046525706,0.0017171868],"category_scores_gemma":[0.00007352085,0.000641677,0.00067008636,0.00033895596,0.001363855,0.0033451018,0.00019222549,0.0008723976,0.00035235423],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00079364737,0.0013179249,0.006028217,0.00015911044,0.0016892438,0.0021552455,0.1862422,0.0010054157,0.005375997,0.6270577,0.12068598,0.047489356],"study_design_scores_gemma":[0.0021752238,0.00022707321,0.01616865,0.0003212041,0.00037918414,0.00027611482,0.013270274,0.0016695104,0.0002114214,0.02517511,0.9389629,0.0011633361],"about_ca_topic_score_codex":0.028831493,"about_ca_topic_score_gemma":0.0045301914,"teacher_disagreement_score":0.81827694,"about_ca_system_score_codex":0.0009663045,"about_ca_system_score_gemma":0.0011107058,"threshold_uncertainty_score":0.99960345},"labels":[],"label_agreement":null},{"id":"W2257731474","doi":"10.33137/q.i..v33i2.19420","title":"On Dark Laughter: Leopardi’s and Beckett’s Humour","year":2013,"lang":"en","type":"article","venue":"Quaderni d italianistica","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Existentialism; Laughter; Literature; Pessimism; Philosophy; Poetry; Absurdity; Emptiness; Psychoanalysis; Theme (computing); Art; Aesthetics; Psychology; Epistemology","score_opus":0.05157029146899244,"score_gpt":0.25023608571191186,"score_spread":0.1986657942429194,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2257731474","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.17575583,0.00020266797,0.00006667948,0.0020824969,0.0007169985,0.00036119393,0.00007412968,0.00022277808,0.82051724],"genre_scores_gemma":[0.9373007,0.00001039585,0.00010217762,0.0019532035,0.0006068739,0.0000644889,0.000028200144,0.000045194753,0.05988881],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99864227,0.000044941535,0.00025815077,0.0003834897,0.00026075295,0.00041038456],"domain_scores_gemma":[0.99920666,0.00013863939,0.00007063017,0.00031926355,0.00008010606,0.00018468735],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008999448,0.00026802745,0.0002609209,0.000081439954,0.00043214203,0.00055832317,0.00018503433,0.00007258719,0.024220254],"category_scores_gemma":[0.00006424218,0.00022460335,0.000083592764,0.000015872904,0.000346575,0.00023705153,0.000058551555,0.00019488011,0.008839686],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018707862,0.000113025075,0.00015367787,0.00004413794,0.0000550752,0.00001559705,0.010180743,3.6616046e-7,0.00013800828,0.65545106,0.32904577,0.004783839],"study_design_scores_gemma":[0.0005485263,0.00038017886,0.0018621199,0.00007282727,0.000075848504,0.000018460689,0.0042098863,0.0001875172,0.00023045758,0.0948312,0.8968754,0.0007075777],"about_ca_topic_score_codex":0.0005201405,"about_ca_topic_score_gemma":0.0002331395,"teacher_disagreement_score":0.7615448,"about_ca_system_score_codex":0.000026162643,"about_ca_system_score_gemma":0.000022541151,"threshold_uncertainty_score":0.99193203},"labels":[],"label_agreement":null},{"id":"W2262244110","doi":"10.5508/jhs.2008.v8.r47","title":"Review of Joseph Blenkinsopp, Opening the Sealed Book","year":2010,"lang":"en","type":"article","venue":"Journal of Hebrew Scriptures","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Philosophy","score_opus":0.042571309408963566,"score_gpt":0.2749856469547258,"score_spread":0.23241433754576227,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2262244110","genre_codex":"review","genre_gemma":"commentary","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04313064,0.8699574,0.000012504884,0.007611231,0.004223543,0.00027444234,0.00001351651,0.000017888651,0.074758835],"genre_scores_gemma":[0.28907007,0.028565966,0.0007858132,0.66040397,0.009027865,0.00001446126,0.000007120203,0.000096313925,0.012028421],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99877465,0.00007391073,0.00055943476,0.000081850005,0.00034081747,0.00016936324],"domain_scores_gemma":[0.9986741,0.00008240685,0.00055330654,0.00023764862,0.00038314154,0.000069430585],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0008084334,0.00013130535,0.00035661843,0.00007601303,0.00019935137,0.00010750795,0.00048066958,0.00004167476,0.007850601],"category_scores_gemma":[0.00014604517,0.00007003957,0.00026681423,0.000023437704,0.00021115877,0.00034039732,0.000050285,0.00056975975,0.000026132113],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002359171,0.000034321136,0.000054711305,0.00042408894,0.000068000896,0.000015959917,0.0049526636,3.7124306e-7,0.0017185422,0.01298769,0.97774094,0.0019790938],"study_design_scores_gemma":[0.0002707138,0.00007892802,0.00019731282,0.0013492743,0.00010542922,0.00015454242,0.0005419841,0.0000031161999,0.00062971143,0.001577715,0.99500304,0.000088210305],"about_ca_topic_score_codex":0.00004343559,"about_ca_topic_score_gemma":0.0001424404,"teacher_disagreement_score":0.84139144,"about_ca_system_score_codex":0.000008118311,"about_ca_system_score_gemma":0.000099122466,"threshold_uncertainty_score":0.99305636},"labels":[],"label_agreement":null},{"id":"W2282773896","doi":"10.1017/cbo9780511485985.011","title":"Afterword","year":2008,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Psychology","score_opus":0.07285195341468659,"score_gpt":0.19420632964439638,"score_spread":0.12135437622970979,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2282773896","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000107543856,0.00031207767,0.000018919767,0.000016788428,0.0006700528,0.00024690627,0.0003398531,0.00023501537,0.99805284],"genre_scores_gemma":[0.0015961278,0.0002480808,0.000014238269,0.00018072074,0.0008540833,6.7337186e-7,0.00006811739,0.00006736525,0.9969706],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989163,0.000014995685,0.00015389727,0.00040601066,0.00023613483,0.00027263007],"domain_scores_gemma":[0.9991001,0.00003251218,0.00014538185,0.00044563576,0.0001391839,0.00013717852],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00002947657,0.00037342895,0.00036092423,0.00016577734,0.0004121965,0.00007521399,0.0003920907,0.00022421454,0.00018338549],"category_scores_gemma":[0.0000020057164,0.00042095088,0.00029064814,9.274379e-7,0.0005629425,0.00009852434,0.00021926603,0.00039188805,0.00018817183],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040450403,0.000005215505,1.8126791e-7,0.000026852125,0.00008896209,0.00036887193,0.0015114048,8.967001e-8,0.0000014706325,0.72969323,0.26720577,0.001057476],"study_design_scores_gemma":[0.00035116644,0.000037288257,0.0000015451658,0.000084743406,0.00014006926,0.000014684395,0.00010737451,0.000004886942,0.00002473866,0.000016022846,0.99873316,0.00048432386],"about_ca_topic_score_codex":0.00025909705,"about_ca_topic_score_gemma":0.000033610246,"teacher_disagreement_score":0.7315274,"about_ca_system_score_codex":0.000098832716,"about_ca_system_score_gemma":0.0000732481,"threshold_uncertainty_score":0.9998242},"labels":[],"label_agreement":null},{"id":"W2300384622","doi":"10.14288/1.0104943","title":"The use of ritual in the theatre of the absurd; a study of Beckett, Pinter, Genet","year":2011,"lang":"en","type":"article","venue":"cIRcle (University of British Columbia)","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Absurdism; Art; History; Art history; Aesthetics; Literature","score_opus":0.10527070404108615,"score_gpt":0.19203635052587464,"score_spread":0.08676564648478849,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2300384622","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9939174,0.00014394056,0.0000028327918,0.00004235001,0.0001297366,0.00039654362,0.00012694777,0.0000073903034,0.005232879],"genre_scores_gemma":[0.99879605,0.00005230995,0.000012075449,0.000028131202,0.0000211652,9.206661e-7,0.0000015009673,0.000007990701,0.0010798766],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.9990703,0.00016818188,0.00020084064,0.00014989034,0.00026631003,0.0001445157],"domain_scores_gemma":[0.9990221,0.00013451563,0.00022848125,0.000438169,0.00015757921,0.000019115763],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024646736,0.00004480093,0.00022777662,0.000029796101,0.0002451656,0.00004141322,0.00069833203,0.000038058544,0.000158909],"category_scores_gemma":[0.000016410379,0.00006667687,0.00014504619,0.00006653935,0.00083536765,0.00017019699,0.00016479453,0.0001186805,0.0000014026657],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002489828,0.004118752,0.14743392,0.00018169718,0.0004976949,0.000061297374,0.5295754,0.000009608056,0.00017549541,0.00055145187,0.02134575,0.29579994],"study_design_scores_gemma":[0.0008967028,0.00029522929,0.8982058,0.00009046194,0.00007506119,0.000004635308,0.09694017,0.000025961242,0.0000036558074,0.0003777478,0.0030059242,0.00007865236],"about_ca_topic_score_codex":0.34069481,"about_ca_topic_score_gemma":0.8701671,"teacher_disagreement_score":0.7507719,"about_ca_system_score_codex":0.000011084683,"about_ca_system_score_gemma":0.000040896382,"threshold_uncertainty_score":0.6636956},"labels":[],"label_agreement":null},{"id":"W2320044359","doi":"10.3917/nre.008.0050","title":"Œuvrer à l'impotence","year":2011,"lang":"fr","type":"article","venue":"Cairn.info","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Chicoutimi","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.1732553901650093,"score_gpt":0.23622458288298895,"score_spread":0.06296919271797966,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2320044359","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.057642907,0.009069983,0.00016085683,0.0016579006,0.0065609706,0.00020693752,0.000071489434,0.0001343102,0.9244946],"genre_scores_gemma":[0.25465634,0.0005361119,0.000342273,0.0011527607,0.0019395744,0.00002311943,0.000009054217,0.000042108022,0.7412987],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998468,0.000038362872,0.00034260095,0.0003311936,0.00022960719,0.0005902577],"domain_scores_gemma":[0.9990046,0.000042344545,0.00011663752,0.00046755918,0.00015242204,0.00021643926],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016209477,0.00030112674,0.0002651144,0.00008721309,0.00046651068,0.00017048598,0.00035469618,0.00017722175,0.081755064],"category_scores_gemma":[0.00003370133,0.00029109258,0.00020680961,0.000033066255,0.000787701,0.00050296355,0.000108019536,0.00026377756,0.009101075],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000028427035,0.00013811102,0.0008006502,0.00008302027,0.00006589517,0.00008243302,0.16189545,6.09117e-7,0.000028954917,0.7404565,0.0813523,0.015067617],"study_design_scores_gemma":[0.0003448818,0.0001501829,0.0031482577,0.000103263206,0.000091678034,0.00002624131,0.003006552,0.000061695704,0.00053641194,0.009141338,0.98296016,0.0004293393],"about_ca_topic_score_codex":0.020247541,"about_ca_topic_score_gemma":0.0031941782,"teacher_disagreement_score":0.9016079,"about_ca_system_score_codex":0.00020746992,"about_ca_system_score_gemma":0.000095565694,"threshold_uncertainty_score":0.9999541},"labels":[],"label_agreement":null},{"id":"W2322448372","doi":"10.1097/01.naj.0000457389.67823.b3","title":"He Told Me a Dream of Animals Leaving His Heart","year":2014,"lang":"en","type":"article","venue":"AJN American Journal of Nursing","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Dream; Psychology; Psychoanalysis; Psychotherapist","score_opus":0.0624699183184196,"score_gpt":0.3008548923470571,"score_spread":0.23838497402863748,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2322448372","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9669482,0.00059103296,0.00085297815,0.0026595283,0.0007313933,0.00005104803,0.0000031301195,0.000020271944,0.028142415],"genre_scores_gemma":[0.996943,0.0000142989675,0.0012578778,0.00034056994,0.0009268525,4.540642e-7,3.3098377e-7,0.00002309342,0.000493549],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99885386,0.000095195246,0.00044391063,0.000102013604,0.00027267128,0.00023234304],"domain_scores_gemma":[0.99889725,0.00012719432,0.00054282113,0.00013586717,0.00019276881,0.00010408616],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003491803,0.00012456573,0.00044763813,0.00016847673,0.00013659809,0.00006914558,0.0001674299,0.000017669665,0.00032425328],"category_scores_gemma":[0.000059030797,0.000103869126,0.00018701717,0.000045124252,0.0005425499,0.00018433062,0.000011637541,0.00017742363,0.000009824654],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00042795838,0.0005983365,0.0034866205,0.000052026655,0.00030964694,0.00002001639,0.18843485,0.00007658793,0.036312256,0.03473188,0.03275027,0.70279956],"study_design_scores_gemma":[0.0030838596,0.011269673,0.017623907,0.004383142,0.0009509885,0.0011120182,0.13297689,0.0013431835,0.01590372,0.016163275,0.793709,0.001480385],"about_ca_topic_score_codex":0.00012087738,"about_ca_topic_score_gemma":0.000017704564,"teacher_disagreement_score":0.7609587,"about_ca_system_score_codex":0.000052625866,"about_ca_system_score_gemma":0.000042535226,"threshold_uncertainty_score":0.423566},"labels":[],"label_agreement":null},{"id":"W2333948222","doi":"10.3828/qs.44.1.89","title":"Mrs. Beckett's Old Steamer Trunk","year":2007,"lang":"en","type":"article","venue":"Quebec Studies","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université de Montréal","funders":"","keywords":"Art; Trunk; Biology","score_opus":0.1384315351631999,"score_gpt":0.32322099090141343,"score_spread":0.18478945573821354,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2333948222","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.73989236,0.011198196,0.00004762347,0.0019024363,0.0030209864,0.00027510116,0.000018480092,0.00035685208,0.24328797],"genre_scores_gemma":[0.71210355,0.00017666006,0.00006575886,0.0013750636,0.0015504307,0.000020287536,0.000006650558,0.000031289157,0.28467035],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99878955,0.000019918629,0.00028485045,0.00025686694,0.00022195386,0.0004268657],"domain_scores_gemma":[0.99929744,0.00017236746,0.0000788254,0.00022681853,0.00015844482,0.00006609043],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00030365458,0.00021507425,0.0002987021,0.00010835139,0.00047363117,0.00009169398,0.00014361399,0.00004298505,0.0014593796],"category_scores_gemma":[0.000057203913,0.00016802471,0.00012159697,0.000027895749,0.00044899012,0.00019205862,0.000082080194,0.00013586103,0.00052691024],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060008446,0.00012192441,0.001321854,0.0000885733,0.0005026642,0.000051407493,0.23506573,6.7541464e-7,0.000098521334,0.5301171,0.17897074,0.053600814],"study_design_scores_gemma":[0.00038302396,0.00006118549,0.0027416341,0.000040006347,0.00006166409,0.0000019300599,0.051298838,0.0000022029733,0.0003844356,0.0028910793,0.941832,0.00030201595],"about_ca_topic_score_codex":0.0065868716,"about_ca_topic_score_gemma":0.17129146,"teacher_disagreement_score":0.76286125,"about_ca_system_score_codex":0.000080331454,"about_ca_system_score_gemma":0.000023132914,"threshold_uncertainty_score":0.9994534},"labels":[],"label_agreement":null},{"id":"W2337451552","doi":"","title":"As I Recall/Si je me souviens bien ed. by John Meisel, Guy Rocher, and Arthur Silver (review)","year":2000,"lang":"en","type":"article","venue":"Canadian Historical Review","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Ancient history; Art; Humanities","score_opus":0.04128062563667654,"score_gpt":0.24045598971021004,"score_spread":0.1991753640735335,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2337451552","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00019534725,0.8197577,7.4423286e-7,0.011277341,0.00038639837,0.0004937738,0.000056010813,0.000051788,0.16778088],"genre_scores_gemma":[0.0006364318,0.79509425,0.000020045454,0.04083861,0.0003939894,0.00008275747,0.000056049823,0.000044499975,0.16283338],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980018,0.0001120059,0.0005272694,0.0004843401,0.00027675752,0.00059781555],"domain_scores_gemma":[0.99821687,0.00006347268,0.00009741265,0.00044946244,0.00010818223,0.0010646009],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00030726125,0.0003343788,0.00074511283,0.00007649748,0.0003616561,0.00005664531,0.00029157946,0.00009945478,0.044037756],"category_scores_gemma":[0.00019518426,0.00028867632,0.0002184406,0.00008588758,0.00011671986,0.00016689918,0.00001895739,0.0002855467,0.0027277414],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000001743735,0.00001671536,0.000005003833,0.00095764396,0.00001808212,0.000023825303,0.00034713655,1.4480045e-8,0.0000021060373,0.0022450855,0.85985684,0.13652578],"study_design_scores_gemma":[0.00012977085,0.000058518628,0.000005565944,0.0023188244,0.00018135038,0.000018781591,0.000008211909,0.0000020946031,8.1033266e-7,0.00023660884,0.9966492,0.00039025454],"about_ca_topic_score_codex":0.037983034,"about_ca_topic_score_gemma":0.057289936,"teacher_disagreement_score":0.13679235,"about_ca_system_score_codex":0.0012932612,"about_ca_system_score_gemma":0.00028159207,"threshold_uncertainty_score":0.99995655},"labels":[],"label_agreement":null},{"id":"W2339623551","doi":"10.1163/18757405-023001011","title":"Transpositions de L'Œuvre de Beckett dans L'Art Contemporain au Québec, 2000-2010","year":2012,"lang":"en","type":"article","venue":"Samuel Beckett Today / Aujourd’hui","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Subject (documents); Object (grammar); Meaning (existential); Perception; Art; Discipline; Humanities; Aesthetics; Psychology; Sociology; Philosophy; Epistemology; Linguistics; Computer science; Library science; Social science","score_opus":0.05740121988603063,"score_gpt":0.2675229560492047,"score_spread":0.21012173616317403,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2339623551","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8061575,0.002441952,0.0030522007,0.017274642,0.003117815,0.0009918449,0.0007439553,0.0008709751,0.16534908],"genre_scores_gemma":[0.86113155,0.00007125003,0.00082738727,0.0038037435,0.0042419787,0.00024191501,0.00027329286,0.00021439315,0.12919448],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99513197,0.00031748993,0.00091214513,0.0006838843,0.00064285746,0.00231165],"domain_scores_gemma":[0.99716187,0.0003229769,0.00030731893,0.00093529414,0.00022514834,0.0010474027],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0012441499,0.0008325003,0.0007793966,0.0003614953,0.0017647989,0.0003772362,0.0008264108,0.00040907273,0.0068017337],"category_scores_gemma":[0.00012540942,0.0008007436,0.00065586675,0.0001436912,0.00082494324,0.0011417104,0.00009656854,0.00078705803,0.0018034411],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00040311718,0.0014233204,0.03180013,0.00021438648,0.00057024433,0.00011596778,0.61009717,0.000018981647,0.006626433,0.048976094,0.2940004,0.005753791],"study_design_scores_gemma":[0.0018600925,0.00026775885,0.013243585,0.0001947818,0.00041203242,0.00015832578,0.020493094,0.0001466555,0.003531535,0.0021958062,0.95606256,0.0014338056],"about_ca_topic_score_codex":0.047602896,"about_ca_topic_score_gemma":0.21550027,"teacher_disagreement_score":0.6620621,"about_ca_system_score_codex":0.0015041496,"about_ca_system_score_gemma":0.002094567,"threshold_uncertainty_score":0.9995348},"labels":[],"label_agreement":null},{"id":"W2401509597","doi":"10.7202/1035771ar","title":"Figure(s) de sang : amours secrètes, troubles fratries et « miscégénation » dans The Searchers, The Unforgiven et The Missing","year":2016,"lang":"fr","type":"article","venue":"Cinémas Revue d études cinématographiques","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.06640383095952636,"score_gpt":0.2936368889084181,"score_spread":0.22723305794889176,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2401509597","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1903982,0.043883905,0.0047730897,0.6055887,0.0015764093,0.0020625954,0.00036305469,0.00039596963,0.15095809],"genre_scores_gemma":[0.9519363,0.012117999,0.0002693834,0.005227248,0.0016559206,0.00021713057,0.00004994438,0.00014616299,0.028379913],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99556124,0.0016367601,0.0006900786,0.0005749168,0.00053333,0.0010036966],"domain_scores_gemma":[0.9954124,0.002550254,0.0004478012,0.0010522094,0.00035238083,0.00018496858],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":["sts"],"category_scores_codex":[0.0027443073,0.0006493988,0.00048485986,0.00021128099,0.0025233363,0.001395658,0.0012849282,0.00030209046,0.0007721725],"category_scores_gemma":[0.00031471995,0.00030305417,0.00061828794,0.00026782043,0.002906048,0.00082456914,0.00023689342,0.0008821168,0.00006104156],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000060280367,0.00010827109,0.0038456942,0.00016019116,0.00038462592,0.00001955095,0.08176255,0.000027194426,0.0008369444,0.8781976,0.022052731,0.01254437],"study_design_scores_gemma":[0.00051852525,0.00014080184,0.008757191,0.0011331672,0.000344272,0.00007354824,0.023008464,0.00014479012,0.0015494731,0.02055351,0.9432589,0.0005173559],"about_ca_topic_score_codex":0.0025374333,"about_ca_topic_score_gemma":0.013834784,"teacher_disagreement_score":0.9212062,"about_ca_system_score_codex":0.00017229034,"about_ca_system_score_gemma":0.0003648239,"threshold_uncertainty_score":0.9999422},"labels":[],"label_agreement":null},{"id":"W2415978131","doi":"10.1093/brain/awp139","title":"Editorial","year":2009,"lang":"es","type":"editorial","venue":"Brain","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Medicine","score_opus":0.026941991121047025,"score_gpt":0.2704804706259522,"score_spread":0.24353847950490518,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2415978131","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000073907504,0.00050090783,0.000005136601,0.0014411767,0.8986518,0.00030680143,0.0005274136,0.00019607999,0.09829679],"genre_scores_gemma":[0.000118193646,0.00013365767,0.000015678992,0.0005066246,0.8690795,0.000023385242,0.00072131027,0.0000942196,0.12930745],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965282,0.00015019807,0.0005722186,0.0007071085,0.0013241887,0.000718071],"domain_scores_gemma":[0.99765074,0.0009042832,0.0003060648,0.00057678495,0.00036520077,0.00019694773],"candidate_categories":["metaepi_narrow","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00050285284,0.0006878363,0.0007438369,0.00020893109,0.0006542614,0.0015754037,0.0006412752,0.0013728843,0.0034856626],"category_scores_gemma":[0.00078245846,0.000648794,0.0004487084,0.000024671079,0.00028767422,0.00023652699,0.00010758102,0.0012990732,0.0024387138],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000120891804,0.00011701404,8.3226877e-7,0.000073891846,0.000087823755,0.000014845831,0.0049900077,3.609004e-7,0.000019126339,0.028717155,0.95943147,0.0064266],"study_design_scores_gemma":[0.0011708527,0.0003453156,0.0000050570916,0.00019638306,0.00011284313,7.1554456e-7,0.0002258416,0.0000037765712,0.0000065778295,0.004439313,0.9927021,0.00079118897],"about_ca_topic_score_codex":0.00044985322,"about_ca_topic_score_gemma":0.00029906098,"teacher_disagreement_score":0.033270683,"about_ca_system_score_codex":0.000119240874,"about_ca_system_score_gemma":0.0004930956,"threshold_uncertainty_score":0.9999235},"labels":[],"label_agreement":null},{"id":"W2466412470","doi":"10.1057/9780333977903_2","title":"Nations without States","year":2001,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":36,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Mores; Indigenous; Colonialism; Politics; Context (archaeology); Resistance (ecology); Ethnology; Sociology; History; Geography; Political science; Law; Archaeology; Ecology","score_opus":0.058546814569645514,"score_gpt":0.2508033297818767,"score_spread":0.1922565152122312,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2466412470","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007639095,0.00083604356,0.00003482965,0.00007911543,0.00086777477,0.00045610525,0.00039486002,0.00026872798,0.99698615],"genre_scores_gemma":[0.5983221,0.00015412847,0.00002875221,0.0003242266,0.0011902091,0.00002921948,0.00022815987,0.00011198445,0.39961123],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.998216,0.000016527043,0.00044384613,0.00048825928,0.00040659378,0.00042879046],"domain_scores_gemma":[0.9987489,0.00009686574,0.00024299201,0.0005283044,0.0002243318,0.00015863145],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000099504476,0.00057591446,0.0005158962,0.0004130359,0.0005052163,0.00024644876,0.0003207541,0.00022138118,0.012973237],"category_scores_gemma":[0.000010708387,0.0005166105,0.0003008604,0.000004259543,0.00043627011,0.0000010004161,0.00010264264,0.000359854,0.0013837703],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014399322,3.7716757e-7,0.00002160874,0.00003635895,0.00016487247,0.00003896706,0.008044381,4.7506396e-7,0.0000037371162,0.9856874,0.00039405288,0.005593418],"study_design_scores_gemma":[0.00020438938,0.00004084827,0.000005183176,0.00008665025,0.00008978046,0.000010019568,0.00020305355,0.000011167291,0.000010389135,0.5955107,0.40339833,0.00042943275],"about_ca_topic_score_codex":0.0002258956,"about_ca_topic_score_gemma":0.006412549,"teacher_disagreement_score":0.5982457,"about_ca_system_score_codex":0.00006428928,"about_ca_system_score_gemma":0.000075457945,"threshold_uncertainty_score":0.99972856},"labels":[],"label_agreement":null},{"id":"W2483495831","doi":"10.7202/1044389ar","title":"Beckett Spams Counter-Strike","year":2016,"lang":"fr","type":"article","venue":"Sens public","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Political science","score_opus":0.08791283966205399,"score_gpt":0.25212198420004206,"score_spread":0.16420914453798807,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2483495831","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.22425006,0.015622209,0.00038933562,0.22807017,0.015584327,0.00045491417,0.001263116,0.0004435771,0.5139223],"genre_scores_gemma":[0.5249586,0.0005330107,0.000029041124,0.0012336655,0.0047796573,0.000010621048,0.000022270502,0.00005649263,0.46837664],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99767345,0.00010795763,0.00038919118,0.00047333667,0.00038533975,0.0009707388],"domain_scores_gemma":[0.99852496,0.00017720876,0.00014429138,0.0005622587,0.0002929875,0.00029831385],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00030187474,0.00036151652,0.00032516918,0.00018458333,0.00053365564,0.0006841495,0.00032777808,0.00021787232,0.025732279],"category_scores_gemma":[0.00009657017,0.00025982526,0.00021937216,0.000052382362,0.0009358434,0.00077493745,0.0001255444,0.00021048445,0.0072938506],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014643103,0.00018052524,0.00067189033,0.000056231944,0.00013321875,0.000058156253,0.003455397,6.034433e-8,0.00023733242,0.5887206,0.2849661,0.12150584],"study_design_scores_gemma":[0.0008265075,0.00012102948,0.0004433521,0.00016168694,0.000056959412,0.000040437026,0.00095347036,0.000021586346,0.00018912321,0.005263111,0.99147993,0.00044281528],"about_ca_topic_score_codex":0.0006893564,"about_ca_topic_score_gemma":0.0025466206,"teacher_disagreement_score":0.7065138,"about_ca_system_score_codex":0.00017377167,"about_ca_system_score_gemma":0.00018541754,"threshold_uncertainty_score":0.9999854},"labels":[],"label_agreement":null},{"id":"W2492405063","doi":"10.1057/9781137272621_12","title":"Afterword: A Poem by David Punter","year":2013,"lang":"en","type":"book-chapter","venue":"Palgrave Macmillan UK eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Novelis (Canada)","funders":"","keywords":"Poetry; Art; Literature; Art history; History","score_opus":0.03823074312943091,"score_gpt":0.2203438463280108,"score_spread":0.18211310319857987,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2492405063","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00017531966,0.001959227,0.000017218745,0.00013139426,0.0012978278,0.0007282489,0.00065351254,0.0002524974,0.9947848],"genre_scores_gemma":[0.52758676,0.000046301448,0.000023454648,0.00097634096,0.001262562,0.000073381685,0.00020363415,0.00016140327,0.46966618],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9974168,0.00002566067,0.00061717787,0.00077015423,0.0004983194,0.00067189534],"domain_scores_gemma":[0.9983146,0.00006992429,0.00031210596,0.0008549093,0.00017900318,0.0002694467],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010552237,0.0009124587,0.00077270815,0.00023897625,0.00030176324,0.00046079894,0.0005467331,0.00040226855,0.04755234],"category_scores_gemma":[0.0000062020276,0.0007845416,0.0004877783,0.0000028424868,0.0004804012,0.0000021131175,0.00023129076,0.0005475137,0.006782234],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026803835,6.981766e-7,0.00000602941,0.00006635703,0.00023195463,0.00004182708,0.0075710923,1.8643503e-8,0.000054387474,0.9616947,0.015660105,0.014646001],"study_design_scores_gemma":[0.0002873856,0.00007501581,0.0000037477494,0.00012438034,0.00009899191,0.00000926345,0.0001132763,0.0000036052068,0.000044851844,0.46778315,0.53077656,0.0006797988],"about_ca_topic_score_codex":0.00035990475,"about_ca_topic_score_gemma":0.00078952155,"teacher_disagreement_score":0.5274114,"about_ca_system_score_codex":0.000074000214,"about_ca_system_score_gemma":0.000051877025,"threshold_uncertainty_score":0.9994606},"labels":[],"label_agreement":null},{"id":"W2492822330","doi":"10.1017/cbo9781139174558.011","title":"Literature and writing","year":2003,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"History; Psychology","score_opus":0.05426382180055384,"score_gpt":0.1985223434792645,"score_spread":0.14425852167871067,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2492822330","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00020512936,0.0012377896,0.000010307437,0.000025010613,0.00030941257,0.00018334747,0.00030068186,0.000101272126,0.997627],"genre_scores_gemma":[0.0012890046,0.00019805109,0.000023990497,0.00029856505,0.00040576904,3.2872722e-7,0.00005608012,0.000043585213,0.9976846],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991662,0.000018453955,0.000119705546,0.00035465593,0.00013582339,0.00020518058],"domain_scores_gemma":[0.9993739,0.00003465055,0.00010746703,0.0002474618,0.00012884877,0.000107676446],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000051548785,0.0002992926,0.00027417915,0.00012787887,0.0003682721,0.00023704825,0.00016071617,0.00022376093,0.000037743528],"category_scores_gemma":[0.0000023829077,0.00032872168,0.00012448253,0.0000010810878,0.00031846162,0.000109326545,0.00012459756,0.000416188,0.000010436966],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015612193,0.0000026901223,4.637384e-7,0.00008802225,0.000064788,0.0001969632,0.0023281747,2.5130477e-8,0.0000037023005,0.94288045,0.053403996,0.0010150874],"study_design_scores_gemma":[0.00030769536,0.000023984288,0.0000011337976,0.0002729737,0.00012879983,0.00001823403,0.00021394684,0.0000042781708,0.000016005166,0.00012682595,0.9985177,0.00036845775],"about_ca_topic_score_codex":0.000035480785,"about_ca_topic_score_gemma":0.0000069380058,"teacher_disagreement_score":0.94511366,"about_ca_system_score_codex":0.000041089184,"about_ca_system_score_gemma":0.000022083545,"threshold_uncertainty_score":0.9999165},"labels":[],"label_agreement":null},{"id":"W2495139850","doi":"10.1017/cbo9780511777486.022","title":"Dante and early Italian poetry","year":2010,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Pound (networking); Seriousness; Poetry; Art; Classics; Literature; History; Art history; Philosophy; Computer science","score_opus":0.04548018720105873,"score_gpt":0.19226297282987118,"score_spread":0.14678278562881245,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2495139850","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.003682424,0.00017913859,0.000010750923,0.000021690392,0.0006641793,0.00023395063,0.0003358362,0.00014356931,0.99472845],"genre_scores_gemma":[0.010373617,0.000045837816,0.0000212135,0.00009061469,0.00057893916,3.90934e-7,0.00002725636,0.00005613046,0.988806],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903065,0.000012041988,0.0001350724,0.00040114234,0.00017853547,0.00024252936],"domain_scores_gemma":[0.99917763,0.000032238593,0.00013768737,0.00037678058,0.00011168501,0.00016394505],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00004907785,0.00033774978,0.00032825733,0.00015676986,0.0004195953,0.00017694503,0.00029482326,0.0003080192,0.00007543226],"category_scores_gemma":[0.0000030332978,0.00037017628,0.00015564033,8.844675e-7,0.00073074683,0.00013025138,0.0002580183,0.0006186984,0.000039086808],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003445158,0.000004561062,0.0000035471269,0.00004980632,0.000093041184,0.00016627568,0.0019854798,5.5070437e-9,0.000052057774,0.9865173,0.010211326,0.000882166],"study_design_scores_gemma":[0.00035879322,0.00004594924,0.000024363893,0.00008656236,0.00017784243,0.000010316867,0.00018146202,0.0000017337702,0.00009154821,0.000093802555,0.9984894,0.00043825287],"about_ca_topic_score_codex":0.0006233833,"about_ca_topic_score_gemma":0.00008959462,"teacher_disagreement_score":0.98827803,"about_ca_system_score_codex":0.00003260178,"about_ca_system_score_gemma":0.000040932126,"threshold_uncertainty_score":0.999875},"labels":[],"label_agreement":null},{"id":"W2498971145","doi":"10.1017/cbo9781107279612.004","title":"“Mixing/Memory and Desire”","year":2015,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Mixing (physics); Psychology; Physics","score_opus":0.1319948544416926,"score_gpt":0.21674536407644687,"score_spread":0.08475050963475428,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2498971145","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00026122198,0.0007213448,0.000018300338,0.00001351627,0.00046915765,0.0002496876,0.00022206761,0.0001767442,0.99786794],"genre_scores_gemma":[0.0031002713,0.00006357197,0.000019298353,0.000098430566,0.00056381954,4.717192e-7,0.000042518124,0.000056458462,0.9960552],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990074,0.000019509229,0.00013162423,0.00038848358,0.00021972862,0.00023324351],"domain_scores_gemma":[0.9991092,0.000037326867,0.00013305656,0.00033513815,0.00018840011,0.00019685373],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0000880353,0.00033414268,0.00034662997,0.00014650715,0.00029881595,0.00011755852,0.00025879635,0.00021203634,0.000058686386],"category_scores_gemma":[0.00000462762,0.0003686023,0.000120376644,8.5669893e-7,0.000586948,0.00011385709,0.00027688738,0.00032766984,0.000043539923],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042454823,0.0000041330322,2.057367e-7,0.000052708394,0.000082899576,0.00016435022,0.0014045751,1.2371788e-7,0.000002579338,0.90374625,0.09230749,0.0021922113],"study_design_scores_gemma":[0.0004884409,0.000046116475,0.0000013000881,0.00009175351,0.00021162373,0.000011566176,0.00040399548,0.000012576008,0.000020315769,0.00024204531,0.998035,0.00043525078],"about_ca_topic_score_codex":0.0002580861,"about_ca_topic_score_gemma":0.000024631816,"teacher_disagreement_score":0.9057275,"about_ca_system_score_codex":0.000091761234,"about_ca_system_score_gemma":0.00008897634,"threshold_uncertainty_score":0.9998766},"labels":[],"label_agreement":null},{"id":"W2499021205","doi":"10.1075/chlel.xxvii.04jir","title":"Beckett and Beyond: Ergodic Texts, the Neo-Baroque, and Intermedia Performance as Social Sculpture","year":2014,"lang":"en","type":"book-chapter","venue":"˜A œcomparative history of literatures in European languages","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Windsor","funders":"","keywords":"Sculpture; Baroque; Intermedia; Art; Ergodic theory; Visual arts; Art history; Aesthetics; Literature; Performance art; Mathematics; Pure mathematics","score_opus":0.037534422302437684,"score_gpt":0.24749568779417838,"score_spread":0.2099612654917407,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2499021205","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.016657945,0.061679672,8.804228e-7,0.0001315407,0.00067164813,0.0001946777,0.00008186063,0.000044522876,0.92053723],"genre_scores_gemma":[0.38301462,0.00023976882,0.000016246093,0.0010523725,0.0012102196,0.000005745805,0.00009153018,0.00005826733,0.6143112],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99844885,0.00020663529,0.00041709212,0.00044340472,0.00025774774,0.00022626013],"domain_scores_gemma":[0.9990821,0.00011656742,0.00034732348,0.0002875298,0.00010162921,0.000064883876],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.0002978637,0.00048388372,0.0006210019,0.0002942347,0.00022868734,0.00012777695,0.0003319501,0.0001395794,0.0008909913],"category_scores_gemma":[0.000011341185,0.00034620802,0.00012549468,0.000010958905,0.0019302308,0.00014058307,0.00016387428,0.0008562371,0.000038920563],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001251467,0.000024264586,0.00002411496,0.00026042087,0.00011289682,0.000066905886,0.5671657,4.988047e-7,0.000051429328,0.27263615,0.14362338,0.015909119],"study_design_scores_gemma":[0.00037800733,0.00014750437,0.0012361489,0.00033513756,0.0000686141,0.000018134859,0.001474853,0.000009503868,0.000005574328,0.00057882356,0.99534875,0.0003989199],"about_ca_topic_score_codex":0.000018816763,"about_ca_topic_score_gemma":0.00038957535,"teacher_disagreement_score":0.8517254,"about_ca_system_score_codex":0.00009952849,"about_ca_system_score_gemma":0.00004603288,"threshold_uncertainty_score":0.99989897},"labels":[],"label_agreement":null},{"id":"W2517367933","doi":"10.3138/utq.76.4.1099","title":"Lecker's Lost Worlds","year":2007,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History; Possible world; Philosophy; Epistemology","score_opus":0.02470232389715176,"score_gpt":0.21201124945807545,"score_spread":0.18730892556092368,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2517367933","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.21342133,0.000289867,0.00091233285,0.00012659817,0.00043187515,0.00008385882,0.000016935526,0.000058065616,0.78465915],"genre_scores_gemma":[0.90610033,0.0000063894354,0.00021826934,0.000060328653,0.00020347087,1.8099279e-8,0.000006483218,0.0000069349053,0.09339777],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994587,0.000011987471,0.000090284615,0.00012559677,0.00012729244,0.00018618774],"domain_scores_gemma":[0.9996055,0.00002826369,0.000061770224,0.00015703778,0.00007828472,0.00006917236],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010922121,0.00008459923,0.00012267283,0.000029444021,0.00015919413,0.000019600626,0.0001771731,0.000036154932,0.012700129],"category_scores_gemma":[0.0000012119991,0.000095076975,0.000088610555,0.000005671254,0.00017830895,0.00033405458,0.000011847744,0.000047141875,0.0002183397],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029928703,0.00023701877,0.0008605263,0.000039424966,0.00013534083,0.000082833816,0.5608496,4.2689499e-7,0.0005506551,0.2648354,0.051311452,0.12079806],"study_design_scores_gemma":[0.00053518766,0.00033635253,0.0036343618,0.000015969796,0.000033211036,0.0000011958143,0.07085527,0.000014994578,0.000043524673,0.00048858236,0.92387366,0.00016769322],"about_ca_topic_score_codex":0.022963041,"about_ca_topic_score_gemma":0.30943173,"teacher_disagreement_score":0.8725622,"about_ca_system_score_codex":0.00007708242,"about_ca_system_score_gemma":0.000017851453,"threshold_uncertainty_score":0.9882024},"labels":[],"label_agreement":null},{"id":"W2522891282","doi":"10.4000/babel.4495","title":"Performer Proust : Locke’s Way de Donigan Cumming et La dernière bande de Samuel Beckett","year":2016,"lang":"fr","type":"article","venue":"Babel","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Humanities; Art","score_opus":0.03994734735337482,"score_gpt":0.28456243359630184,"score_spread":0.24461508624292702,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2522891282","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7633278,0.0073636267,0.0017847457,0.01834132,0.0014325354,0.00043989587,0.00020403907,0.00017693354,0.20692912],"genre_scores_gemma":[0.6655626,0.0010207631,0.000549992,0.001485725,0.0016884775,0.00006203163,0.000012247163,0.000099742196,0.3295184],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972995,0.00025557537,0.00041017504,0.00050020777,0.0003318838,0.0012026854],"domain_scores_gemma":[0.99863315,0.00033471925,0.0001472637,0.00042708634,0.00013090667,0.0003268954],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0008635278,0.00046579604,0.00038009704,0.00012402669,0.0007509495,0.00040581927,0.0003661746,0.00034987796,0.0049589397],"category_scores_gemma":[0.000101829544,0.00035334684,0.00025135357,0.000032404114,0.00060695806,0.00055735465,0.00013847399,0.00043983123,0.0010158439],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00017617684,0.00080688146,0.026577288,0.0006099193,0.00037811452,0.00026347672,0.0658372,0.000007722821,0.006059206,0.40261236,0.08863921,0.40803245],"study_design_scores_gemma":[0.00152737,0.00016946414,0.004500184,0.00069533614,0.00018512429,0.00014076113,0.0019207273,0.0002004834,0.0025602558,0.005484295,0.9819507,0.000665319],"about_ca_topic_score_codex":0.001955705,"about_ca_topic_score_gemma":0.004647397,"teacher_disagreement_score":0.8933115,"about_ca_system_score_codex":0.0003008063,"about_ca_system_score_gemma":0.00040719318,"threshold_uncertainty_score":0.9998919},"labels":[],"label_agreement":null},{"id":"W2536687530","doi":"10.7202/1037328ar","title":"Quand le corps réduit au silence répond : traumatismes, contre-mélodies et « objets voix » dans la pièce Krapp’s Last Tape1","year":2016,"lang":"fr","type":"article","venue":"L’Annuaire théâtral Revue québécoise d’études théâtrales","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Humanities; Art; Silence","score_opus":0.049149715721200776,"score_gpt":0.2518759626059449,"score_spread":0.20272624688474414,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2536687530","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38485792,0.0073051937,0.00047194608,0.09526534,0.003946705,0.0018827991,0.004650079,0.0009339498,0.50068605],"genre_scores_gemma":[0.74229,0.004494578,0.00020755154,0.00080375373,0.0013052626,0.00023093596,0.00010526971,0.0002843126,0.2502783],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99198246,0.0010058818,0.0018311318,0.001833472,0.00094028004,0.0024067843],"domain_scores_gemma":[0.9941639,0.0020835067,0.0009232243,0.0014742906,0.00046966266,0.00088547316],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts"],"category_scores_codex":[0.0011342302,0.0018441319,0.001900871,0.00043106292,0.0016608296,0.00092248636,0.0015572831,0.00084089476,0.0010557845],"category_scores_gemma":[0.0003733753,0.0015483613,0.0011266626,0.00020716051,0.0041542645,0.0024275065,0.00033383459,0.0010296814,0.0006113047],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000399905,0.001081542,0.0012258553,0.0011056559,0.00067300285,0.00063001004,0.08778668,0.000051250587,0.0021978382,0.8451449,0.046671886,0.013031434],"study_design_scores_gemma":[0.0016420842,0.0006920598,0.006704082,0.0047252662,0.0006034546,0.00045777083,0.008650807,0.00009409541,0.0011613981,0.006298772,0.9667591,0.0022111319],"about_ca_topic_score_codex":0.014763612,"about_ca_topic_score_gemma":0.46674502,"teacher_disagreement_score":0.9200872,"about_ca_system_score_codex":0.0006112177,"about_ca_system_score_gemma":0.0019276082,"threshold_uncertainty_score":0.99985737},"labels":[],"label_agreement":null},{"id":"W2540764067","doi":"","title":"Le prophète virulent et la spirale / Limbes, d’après Calvaire, Résurrection et Purgatoire de William Butler Yeats. Mise en scène, traduction, adaptation et réécriture de Christian Lapointe. Production : Théâtre Péril; coproduction : Théâtre français du Centre national des Arts; codiffusion : les Productions Recto-Verso; à la salle Multi du Complexe Méduse à Québec, du 3 au 7 novembre 2009","year":2010,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy; Humanities; Art","score_opus":0.02180282127714852,"score_gpt":0.1998270183445546,"score_spread":0.17802419706740608,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2540764067","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7829325,0.0055057057,0.0020431336,0.19967712,0.003513114,0.0013402295,0.00059480965,0.00054859,0.0038447776],"genre_scores_gemma":[0.893706,0.00921973,0.0025662843,0.0004148184,0.0037271676,0.000078259895,0.00085385464,0.00019748574,0.08923638],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99617344,0.0008897242,0.00050370564,0.001098408,0.00060874765,0.0007259489],"domain_scores_gemma":[0.9975194,0.00019610963,0.00044732945,0.00047715308,0.0010312482,0.00032881432],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0011947671,0.000690599,0.00048860896,0.0004528586,0.003486246,0.00025511786,0.00028988873,0.00058230857,0.00035437828],"category_scores_gemma":[0.0005210767,0.00078254595,0.00035364283,0.00028714573,0.0008754966,0.0015167954,0.00012905309,0.001296697,0.00006515698],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0016548495,0.006348481,0.008347732,0.0008959066,0.0007888188,0.00041195907,0.2554331,0.019341994,0.020247037,0.12540896,0.5333669,0.027754242],"study_design_scores_gemma":[0.0019827173,0.00016267262,0.01615307,0.00036159597,0.0003639516,0.0016448086,0.018663472,0.003813152,0.00089530874,0.00055994495,0.9546109,0.00078841223],"about_ca_topic_score_codex":0.28456572,"about_ca_topic_score_gemma":0.85362417,"teacher_disagreement_score":0.5690584,"about_ca_system_score_codex":0.0033848537,"about_ca_system_score_gemma":0.0014901075,"threshold_uncertainty_score":0.99946254},"labels":[],"label_agreement":null},{"id":"W2574844656","doi":"10.1016/b978-1-4832-2951-5.50121-0","title":"WART, SEBORRHŒIC","year":2013,"lang":"en","type":"book-chapter","venue":"Elsevier eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut d'Histoire de l'Amérique Française","funders":"","keywords":"Computer science","score_opus":0.053141703926014576,"score_gpt":0.22873523547004804,"score_spread":0.17559353154403345,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2574844656","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000025865402,0.0013603615,4.9225935e-7,0.00010677061,0.0016006327,0.0005039632,0.00006618267,0.00021069773,0.99612504],"genre_scores_gemma":[0.0008051552,0.00005973598,0.00003775305,0.0012465155,0.0031168223,0.00006559024,0.000060485767,0.00016429937,0.99444366],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984862,0.0000132646965,0.0003947305,0.00042882262,0.0003106071,0.00036637482],"domain_scores_gemma":[0.9989088,0.000040876115,0.00019666174,0.00056889415,0.0001437547,0.000140984],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009228417,0.00050739903,0.00051270187,0.00014761655,0.00027592524,0.0002582104,0.0003183446,0.00024963453,0.045707695],"category_scores_gemma":[0.0000045364045,0.0004311868,0.00033174426,0.0000011134774,0.00033205288,0.00008074291,0.00011360905,0.00048191365,0.014979862],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000027882352,0.0000036048782,1.4417607e-7,0.0000429277,0.00007424267,0.000014115349,0.004741836,1.932808e-8,0.0000021083165,0.31135264,0.010891568,0.67287403],"study_design_scores_gemma":[0.00015514767,0.000040720395,6.020491e-7,0.00017421697,0.00010836854,0.0000057566263,0.0000593945,0.0000028300756,0.000007758054,0.071315445,0.9276148,0.00051494327],"about_ca_topic_score_codex":0.0000051926877,"about_ca_topic_score_gemma":0.00025211443,"teacher_disagreement_score":0.91672325,"about_ca_system_score_codex":0.000047901758,"about_ca_system_score_gemma":0.00007460963,"threshold_uncertainty_score":0.999814},"labels":[],"label_agreement":null},{"id":"W2574978370","doi":"10.3138/md.0780","title":"Samuel Beckett’s <i>Krapp’s Last Tape</i>: Remembering Kant, Forgetting Proust","year":2017,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Metaphysics; Philosophy; Forgetting; Scholarship; Criticism; Literature; Art history; Epistemology; Art","score_opus":0.09244116155855847,"score_gpt":0.27659038102341743,"score_spread":0.18414921946485896,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2574978370","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5325745,0.000449202,0.0010243002,0.002076636,0.001950903,0.0005514763,0.00005112708,0.0004911067,0.46083078],"genre_scores_gemma":[0.95335567,0.00001781831,0.000394838,0.0006367633,0.0020580532,0.000066869,0.000021676848,0.00010073657,0.04334759],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99790287,0.000031663032,0.00038826454,0.000555183,0.00039184935,0.00073016516],"domain_scores_gemma":[0.998239,0.000045938446,0.00032106478,0.001075258,0.00016041168,0.00015837516],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00029409092,0.0003696511,0.0003728416,0.00009233553,0.0026332831,0.0017045409,0.0007893312,0.00011816283,0.00064689066],"category_scores_gemma":[0.000115113166,0.0003399986,0.00020888996,0.000012119444,0.00036773467,0.0009009952,0.00034434823,0.0003397485,0.00031367096],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028902112,0.0008403441,0.016699232,0.0008262206,0.00068404886,0.00036781124,0.2576031,0.00022275788,0.011696117,0.26723444,0.07356821,0.36996868],"study_design_scores_gemma":[0.0019447365,0.00013046937,0.0029682242,0.0003100727,0.00013780386,0.000034979963,0.0025398037,0.012877321,0.0025522972,0.024930026,0.9501727,0.0014015285],"about_ca_topic_score_codex":0.00062370434,"about_ca_topic_score_gemma":0.005097738,"teacher_disagreement_score":0.8766045,"about_ca_system_score_codex":0.00005459804,"about_ca_system_score_gemma":0.000060058475,"threshold_uncertainty_score":0.9999052},"labels":[],"label_agreement":null},{"id":"W2579900267","doi":"10.5539/ells.v7n1p31","title":"Beckett’s Cruel Lover","year":2017,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Cruelty; Selfishness; Theme (computing); Girl; Psychoanalysis; Art; Literature; Philosophy; Psychology; Criminology; Social psychology; Computer science; Developmental psychology","score_opus":0.04943258580030883,"score_gpt":0.30229807956380733,"score_spread":0.2528654937634985,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2579900267","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6815739,0.065349154,7.987811e-7,0.00063744566,0.0023674117,0.00012149975,0.00008220291,0.000118782336,0.2497488],"genre_scores_gemma":[0.92554986,0.0005197773,0.000035482673,0.00042396525,0.0041942606,0.000009707861,0.000016058517,0.000017242046,0.069233656],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993072,0.000018879082,0.00011762823,0.00023036134,0.00011590658,0.00021001692],"domain_scores_gemma":[0.999284,0.000045433517,0.00007709292,0.0003602154,0.00018408921,0.00004911929],"candidate_categories":["scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00010445698,0.00018045379,0.00022550866,0.000046612688,0.0009040522,0.0010431119,0.00016758752,0.000050105107,0.00021405282],"category_scores_gemma":[0.00031748248,0.00012753473,0.000067174624,0.000007526645,0.00035264046,0.00051430444,0.00014563964,0.000182716,0.000021834072],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012746478,0.000015967627,0.00030676802,0.000060804756,0.00011718502,0.00010769332,0.91880757,2.0080279e-8,0.000014336781,0.043288447,0.03343905,0.0038294191],"study_design_scores_gemma":[0.00057909364,0.000051640793,0.0008014658,0.00022559939,0.00005834037,0.0000044479543,0.23611571,0.0000021174133,0.0001068838,0.0015160018,0.76022476,0.0003139338],"about_ca_topic_score_codex":0.000041769268,"about_ca_topic_score_gemma":0.00043246648,"teacher_disagreement_score":0.7267857,"about_ca_system_score_codex":0.000007552562,"about_ca_system_score_gemma":0.000005847116,"threshold_uncertainty_score":0.9999939},"labels":[],"label_agreement":null},{"id":"W2584671511","doi":"10.71781/14951","title":"Narrative mourning : Joyce, Freud, Kincaid, Derrida","year":2004,"lang":"en","type":"dissertation","venue":"Open MIND","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Narrative; Psychoanalysis; Art; Literature; Psychology","score_opus":0.11116379171967386,"score_gpt":0.3348620910246231,"score_spread":0.22369829930494925,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2584671511","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.37511536,0.00032781623,0.0000019044896,0.00008018146,0.0013618491,0.00042075384,0.00004790933,0.0000049864566,0.62263924],"genre_scores_gemma":[0.35005566,0.000017519376,0.00039137612,0.00008958969,0.0009095382,0.000068175024,0.0019680536,0.00007184758,0.6464282],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99859196,0.000038347294,0.0003426629,0.00045954622,0.00026070542,0.00030677166],"domain_scores_gemma":[0.9991527,0.000032532527,0.00028969996,0.0002613001,0.0001744481,0.00008929996],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013830618,0.00035325618,0.00041098904,0.00013601035,0.00068281655,0.001184895,0.0005992399,0.00019518503,0.066135876],"category_scores_gemma":[0.00002709094,0.00032407837,0.00013282603,0.000024511313,0.00007139675,0.00043857808,0.0000686815,0.00042270287,0.0019686178],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00011298437,0.00008973189,0.0000118689495,0.000040690058,0.00017533489,0.00005500197,0.9252226,0.00000996163,0.000120442666,0.0034940671,0.007117031,0.06355029],"study_design_scores_gemma":[0.0006972126,0.000085521424,0.000079024816,0.00043140064,0.00012119072,0.0000037202306,0.16632435,0.000008069983,0.0017819203,0.0019196683,0.82795376,0.00059415516],"about_ca_topic_score_codex":0.0016562896,"about_ca_topic_score_gemma":0.06060031,"teacher_disagreement_score":0.8208367,"about_ca_system_score_codex":0.00008750782,"about_ca_system_score_gemma":0.00037057535,"threshold_uncertainty_score":0.99992114},"labels":[],"label_agreement":null},{"id":"W2608144673","doi":"","title":"Reel-Unreel de Francis Alÿs / Reel-Unreel, by Francis Alÿs","year":2015,"lang":"en","type":"article","venue":"Esse/Esse arts + opinions","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Reel; Art; Visual arts","score_opus":0.11725814565877055,"score_gpt":0.29457610170340354,"score_spread":0.177317956044633,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2608144673","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.087980494,0.014467516,0.014928007,0.0708603,0.019797092,0.0028034768,0.0026324887,0.0031122717,0.78341836],"genre_scores_gemma":[0.9561208,0.00018888048,0.00052034616,0.004468776,0.004036968,0.00031260346,0.000802452,0.00022117514,0.033328023],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9961503,0.0001596472,0.00077690417,0.00086635974,0.000803836,0.0012429621],"domain_scores_gemma":[0.9969912,0.00026152085,0.00027371882,0.0012293814,0.00045196572,0.00079218455],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0006930316,0.00065663137,0.0006993235,0.0002610229,0.001067959,0.00054605707,0.00082477985,0.0002944609,0.0034647726],"category_scores_gemma":[0.00026296295,0.0006260002,0.00032691934,0.00015730501,0.0005670801,0.00075970887,0.00025417746,0.00064169,0.0017141226],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008174932,0.00043546487,0.0006439388,0.00006132502,0.00013611591,0.000049227012,0.027123671,0.000014531773,0.0006528312,0.21229069,0.7557688,0.0027416595],"study_design_scores_gemma":[0.001664685,0.00020951971,0.00028181548,0.000102379374,0.00007950937,0.000026647082,0.0045471946,0.00072702765,0.0007518803,0.008401621,0.98236,0.0008477259],"about_ca_topic_score_codex":0.0023561027,"about_ca_topic_score_gemma":0.0031796808,"teacher_disagreement_score":0.8681403,"about_ca_system_score_codex":0.00014840676,"about_ca_system_score_gemma":0.00028026037,"threshold_uncertainty_score":0.9996191},"labels":[],"label_agreement":null},{"id":"W2619613624","doi":"10.5539/ells.v7n2p1","title":"Beckett’s Optimistic Heroine","year":2017,"lang":"en","type":"article","venue":"English Language and Literature Studies","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Character (mathematics); Drama; Irony; Chess endgame; Literature; Presentation (obstetrics); Face (sociological concept); Metaphysics; Loneliness; Milestone; Philosophy; History; Psychoanalysis; Art; Psychology; Linguistics; Epistemology; Computer science; Social psychology","score_opus":0.05101499723172303,"score_gpt":0.30313918578902804,"score_spread":0.252124188557305,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2619613624","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7216352,0.084434755,0.0000025730915,0.00086496316,0.0024909566,0.00016353778,0.00010151638,0.0001849766,0.19012149],"genre_scores_gemma":[0.9492302,0.0005302205,0.00009486716,0.00026124646,0.003806619,0.000017087761,0.000022966151,0.0000179643,0.04601885],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932486,0.000018567634,0.00012201215,0.00022618739,0.00010405087,0.00020430822],"domain_scores_gemma":[0.99928665,0.000051981966,0.00007600082,0.00035102002,0.00018182534,0.000052525444],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00010701387,0.00018037997,0.0002345477,0.000043298394,0.0010919739,0.0009273456,0.00016281533,0.000042726882,0.00021339241],"category_scores_gemma":[0.0004222404,0.00012895216,0.000057550995,0.000007665233,0.00034885193,0.00036059695,0.00012912876,0.00017301831,0.000010813384],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015203473,0.000018727407,0.000119946504,0.00008633173,0.00012595719,0.00016407866,0.9441061,1.1231132e-7,0.000019151583,0.03456003,0.016544333,0.0042400565],"study_design_scores_gemma":[0.0010982562,0.00012552692,0.00055433717,0.0005076906,0.00013006612,0.000013232826,0.37300614,0.00001324806,0.00014361269,0.0019105386,0.6219236,0.0005737158],"about_ca_topic_score_codex":0.000034644836,"about_ca_topic_score_gemma":0.0003141496,"teacher_disagreement_score":0.60537934,"about_ca_system_score_codex":0.000007638972,"about_ca_system_score_gemma":0.0000056848608,"threshold_uncertainty_score":0.89424145},"labels":[],"label_agreement":null},{"id":"W2691271229","doi":"10.5539/ass.v13n7p62","title":"“Sniffing the Trace of Air”: The Creativity of Influence in Ezra Pound’s “The Return”","year":2017,"lang":"en","type":"article","venue":"Asian Social Science","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Pound (networking); Poetry; Creativity; Literature; American poetry; Art; Aesthetics; Philosophy; Psychology; Social psychology; Computer science","score_opus":0.07088017852824323,"score_gpt":0.31274200963916055,"score_spread":0.2418618311109173,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2691271229","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6253721,0.0000271252,0.0000030037982,0.006910504,0.00014217598,0.00012974525,0.000015045262,0.0000058653536,0.36739442],"genre_scores_gemma":[0.99850655,0.0000034612435,0.0000052328924,0.00019651576,0.00016948317,0.00000857537,1.4904953e-7,0.0000034268305,0.0011066076],"study_design_codex":"qualitative","study_design_gemma":"observational","domain_scores_codex":[0.999081,0.00006560151,0.00016180074,0.00013044859,0.0003581745,0.00020293571],"domain_scores_gemma":[0.9990752,0.00016726226,0.0002627667,0.00036043712,0.00011725702,0.0000170979],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0011111007,0.000069641545,0.000113592345,0.000022437498,0.0025429747,0.00022139783,0.0012760835,0.000023586086,0.00013762718],"category_scores_gemma":[0.00048122284,0.000033514778,0.00005748686,0.000059393795,0.00573901,0.00044812818,0.00014024816,0.00015924165,0.000004258207],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015866122,0.000046092435,0.004945034,0.000012554102,0.000009084649,0.0000016151604,0.508171,0.0000010145252,0.0018021655,0.43588316,0.0011107948,0.04800156],"study_design_scores_gemma":[0.0001795709,0.000033729284,0.8972352,0.0000500694,0.000015664167,0.0000012321676,0.038868625,0.000029984034,0.0011726236,0.021032602,0.041253515,0.00012714222],"about_ca_topic_score_codex":0.0018612632,"about_ca_topic_score_gemma":0.0052289725,"teacher_disagreement_score":0.89229023,"about_ca_system_score_codex":0.000023533461,"about_ca_system_score_gemma":0.00013762286,"threshold_uncertainty_score":0.9987556},"labels":[],"label_agreement":null},{"id":"W2730966425","doi":"10.1177/001458581204600201","title":"Leopardi's and Beckett's Dianoetic Laugh: The Intermediate Space of Desire in the <i>Operette Morali</i> and <i>Krapp's Last Tape</i>","year":2012,"lang":"en","type":"article","venue":"Forum Italicum A Journal of Italian Studies","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Nothing; Literature; Context (archaeology); Philosophy; Space (punctuation); Poetry; Art; Psychoanalysis; Aesthetics; History; Psychology; Epistemology","score_opus":0.07644931725440471,"score_gpt":0.28235634889613703,"score_spread":0.20590703164173232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2730966425","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94480014,0.042673547,0.0000042132,0.008339456,0.00063328265,0.00022088575,0.0000434463,0.000007230386,0.003277807],"genre_scores_gemma":[0.99618846,0.0013815755,0.000024732126,0.0012788883,0.0004945091,0.000013636715,0.0000011147588,0.000020756463,0.00059629674],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99842983,0.00019208677,0.0005123802,0.00012413012,0.00032119945,0.0004203955],"domain_scores_gemma":[0.9988601,0.00034090565,0.00037861126,0.00018204642,0.00015706837,0.00008126623],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00095871516,0.00024793006,0.0004890806,0.00011335987,0.00035051018,0.00014005024,0.00026905278,0.000042288233,0.000016989701],"category_scores_gemma":[0.00007735995,0.0001253463,0.00013179352,0.00005991141,0.0010871787,0.0005932924,0.00015741203,0.00030088294,0.000004482383],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00023770922,0.00036134693,0.085986406,0.00037352782,0.0012302544,0.000071704,0.6012825,0.0000030510773,0.0003182194,0.10153888,0.20214339,0.0064530126],"study_design_scores_gemma":[0.002299473,0.00094545196,0.028695613,0.00073848024,0.0006425272,0.0005746373,0.641909,0.000010647558,0.00082173443,0.0060485406,0.31664032,0.00067360466],"about_ca_topic_score_codex":0.000036779275,"about_ca_topic_score_gemma":0.0006492897,"teacher_disagreement_score":0.114496924,"about_ca_system_score_codex":0.000019359557,"about_ca_system_score_gemma":0.00002037392,"threshold_uncertainty_score":0.5111474},"labels":[],"label_agreement":null},{"id":"W2745768737","doi":"10.3138/md.0850r","title":"Samuel Beckett’s Hypnotic Theatre","year":2017,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dramaturgy; Subject (documents); Hypnosis; Context (archaeology); Psychoanalytic theory; Parallels; Psychoanalysis; Psychology; Literature; Art; Aesthetics; History; Computer science; Medicine","score_opus":0.09816494381296086,"score_gpt":0.2758807565365087,"score_spread":0.1777158127235478,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2745768737","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.28379357,0.0003957736,0.00034668724,0.003193714,0.0014650252,0.00021252161,0.000035257046,0.00023212415,0.7103253],"genre_scores_gemma":[0.93725985,0.00001147321,0.0000829319,0.00068651355,0.0012929027,0.000022013075,0.00001155159,0.000046123776,0.06058664],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988049,0.00002293505,0.00019348707,0.000328649,0.00024859968,0.00040139025],"domain_scores_gemma":[0.99865997,0.000034410303,0.00012828026,0.000993944,0.00007430106,0.00010908727],"candidate_categories":["sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011866581,0.00022261035,0.00023465448,0.0000588968,0.0015931368,0.0011230439,0.0006432083,0.00007438897,0.001965868],"category_scores_gemma":[0.000032093794,0.00018647402,0.0001532309,0.000004391842,0.00038931667,0.00046048494,0.00015356843,0.00018429656,0.0009294451],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000106062726,0.0003650164,0.0042074416,0.00010305634,0.00022252215,0.00012930584,0.10206004,0.000026231935,0.0007096618,0.4744362,0.037876762,0.3797577],"study_design_scores_gemma":[0.0014929391,0.00011501775,0.0050270786,0.00008320714,0.00011415151,0.000014075675,0.00137363,0.0062546483,0.0005184221,0.22677065,0.75738394,0.00085225084],"about_ca_topic_score_codex":0.0006350518,"about_ca_topic_score_gemma":0.0018761557,"teacher_disagreement_score":0.71950716,"about_ca_system_score_codex":0.000029597244,"about_ca_system_score_gemma":0.00003789803,"threshold_uncertainty_score":0.9999139},"labels":[],"label_agreement":null},{"id":"W2751047343","doi":"","title":"Attendre Godot, tuer le temps à Métis / En attendant Godot, texte de Samuel Beckett, mise en scène de Lorraine Côté, au Théâtre de la Bordée, du 17 janvier au 11 février 2006 / La société de Métis, texte de Normand Chaurette, mise en scène de Joël Beddows par le Théâtre Blanc, au Théâtre Périscope du 24 janvier au 12 février 2006","year":2006,"lang":"fr","type":"article","venue":"Spirale : Arts &#8226; Lettres &#8226; Sciences humaines","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Philosophy; Humanities","score_opus":0.018534224994937783,"score_gpt":0.25990681281124633,"score_spread":0.24137258781630855,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2751047343","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7665517,0.010818188,0.0011743031,0.040639717,0.002200893,0.002118795,0.0024007105,0.00037068926,0.17372505],"genre_scores_gemma":[0.5310918,0.0016633887,0.0046962453,0.006491113,0.0198538,0.0006926287,0.0005262479,0.0007074298,0.43427733],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.97868055,0.00351949,0.0028850615,0.0034590208,0.0025456026,0.008910259],"domain_scores_gemma":[0.9909503,0.0025383525,0.0015912447,0.0021612393,0.00068762584,0.002071273],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","sts","research_integrity"],"category_scores_codex":[0.010763435,0.0032848401,0.0028282788,0.0013350742,0.010261916,0.0029536674,0.0037592512,0.0018707316,0.004475071],"category_scores_gemma":[0.00099905,0.003121035,0.0017547375,0.0009489058,0.011041626,0.0033259045,0.0014115827,0.0025164834,0.00046207177],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.0005409435,0.0030355665,0.31127372,0.0009560344,0.0008695436,0.0033427724,0.051565077,0.0066896593,0.0059109842,0.047394317,0.55558896,0.012832399],"study_design_scores_gemma":[0.004773551,0.000565412,0.069902234,0.001412243,0.0009891823,0.00185335,0.007856938,0.0029555284,0.0018250436,0.003154184,0.90104306,0.003669294],"about_ca_topic_score_codex":0.1333793,"about_ca_topic_score_gemma":0.25993168,"teacher_disagreement_score":0.34545407,"about_ca_system_score_codex":0.004093158,"about_ca_system_score_gemma":0.011308522,"threshold_uncertainty_score":0.99978477},"labels":[],"label_agreement":null},{"id":"W2759195446","doi":"","title":"Apologie du végétal / Étienne Beaulieu, Splendeur au bois Beckett, Montréal, Éditions Nota Bene, collection La ligne du risque, 2016, 142 pages","year":2017,"lang":"fr","type":"article","venue":"˜Les œcahiers de lecture de l'Action nationale","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.029348966901846837,"score_gpt":0.2541398572897709,"score_spread":0.22479089038792405,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2759195446","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.38592693,0.03225101,0.050516684,0.27236226,0.016650215,0.002288119,0.003682027,0.0014493759,0.23487338],"genre_scores_gemma":[0.8105115,0.009593731,0.0010878419,0.0014355459,0.007052437,0.0002745604,0.00046772006,0.0001476704,0.16942897],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99693054,0.0003754016,0.00054702326,0.00069370057,0.0005722606,0.000881072],"domain_scores_gemma":[0.99704623,0.0008952516,0.0006398226,0.0005745141,0.00053531193,0.00030889694],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006730735,0.000586554,0.00046588393,0.0004967215,0.010982931,0.0009194557,0.0004986706,0.0010338323,0.002301506],"category_scores_gemma":[0.0010143894,0.00062978367,0.00044350806,0.00012918033,0.0015343019,0.0010440245,0.000120846096,0.0011849562,0.00018080961],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038145596,0.0010298464,0.0045512835,0.00024909168,0.0008161516,0.00015110514,0.027208226,0.002961698,0.00097134005,0.103361785,0.83842736,0.019890668],"study_design_scores_gemma":[0.0016092397,0.00019589544,0.026269635,0.00011218367,0.0003867221,0.00024432462,0.002431065,0.0031929098,0.001189936,0.022980269,0.940662,0.0007257932],"about_ca_topic_score_codex":0.014022954,"about_ca_topic_score_gemma":0.0732799,"teacher_disagreement_score":0.4245846,"about_ca_system_score_codex":0.0023305183,"about_ca_system_score_gemma":0.00061821117,"threshold_uncertainty_score":0.9996154},"labels":[],"label_agreement":null},{"id":"W2763834118","doi":"10.1386/peet.7.1.13_1","title":"Godots arrivent: More morality plays for our times","year":2017,"lang":"en","type":"article","venue":"Performing Ethos International Journal of Ethics in Theatre and Performance","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Morality; Nothing; Irish; Literature; Consumerism; Argument (complex analysis); Philosophy; Aesthetics; Art; Epistemology; Linguistics; Law","score_opus":0.1933447321741618,"score_gpt":0.405652243327648,"score_spread":0.2123075111534862,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2763834118","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96917474,0.00030404094,0.00009049389,0.010935168,0.0025154864,0.000120359015,0.000042247015,0.000008990281,0.016808486],"genre_scores_gemma":[0.99503165,0.00081003824,0.00064239145,0.00045683008,0.0017611521,0.0000071660083,0.0000058289907,0.000015374113,0.0012695588],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988279,0.000030026666,0.0004167131,0.00013651475,0.0004007415,0.00018814308],"domain_scores_gemma":[0.9986427,0.00019069173,0.000448362,0.00017536418,0.00048319946,0.000059674538],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0016392851,0.00014557668,0.00022910461,0.00015766655,0.0006234333,0.0003272402,0.0005972532,0.00011605374,0.00006330014],"category_scores_gemma":[0.00020490306,0.00011518875,0.00011215615,0.000006633004,0.00019502756,0.0008645664,0.00009810283,0.00075374177,0.0000038043418],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0025040845,0.00037295665,0.20600635,0.0007300905,0.0006036481,0.00008662349,0.3593773,0.00038386497,0.0003270771,0.15703255,0.002245694,0.27032977],"study_design_scores_gemma":[0.012853255,0.0022050666,0.10700793,0.0061235237,0.00035734722,0.0007239629,0.053240966,0.045275968,0.008944262,0.07085332,0.6902233,0.002191131],"about_ca_topic_score_codex":0.00011234953,"about_ca_topic_score_gemma":0.00017494941,"teacher_disagreement_score":0.68797755,"about_ca_system_score_codex":0.00004629259,"about_ca_system_score_gemma":0.00011065841,"threshold_uncertainty_score":0.4795008},"labels":[],"label_agreement":null},{"id":"W2763865812","doi":"10.1093/escrit/cgx020","title":"STILL LESS REVELATIONSThe Letters of Samuel Beckett, IV: 1966-1989. Edited by George Craig, Martha Dow Fehsenfeld, Dan Gunn, and Lois More Overbeck","year":2017,"lang":"en","type":"article","venue":"Essays in Criticism","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"George (robot); Art history; Performance art; Art; Literature; Soliloquy; History; Psychoanalysis; Philosophy; Psychology","score_opus":0.05940433316210248,"score_gpt":0.2895201425875221,"score_spread":0.23011580942541965,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2763865812","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9480725,0.00071472704,0.00018269126,0.008384261,0.0013682859,0.00040909034,0.00052821694,0.00007460249,0.04026563],"genre_scores_gemma":[0.9883852,0.000090036505,0.00019627657,0.0017327851,0.00077410345,0.000042377615,0.00008463117,0.00005775157,0.008636811],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99793905,0.00008509499,0.00056438084,0.0004896506,0.000409164,0.00051266415],"domain_scores_gemma":[0.9984173,0.0002557872,0.00025446352,0.0007814994,0.00015914487,0.00013176315],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00040508987,0.00035289038,0.00050688395,0.00019692135,0.00058917014,0.00039601212,0.000489446,0.00015350162,0.00045116452],"category_scores_gemma":[0.0002512506,0.0003378721,0.0001187772,0.000030213017,0.0012032711,0.0006772526,0.0002004446,0.00037493397,0.00001744677],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025013543,0.0009748046,0.08260765,0.0010706672,0.00030597308,0.0002690372,0.13885161,0.000029148723,0.010882128,0.49039352,0.25591102,0.018454287],"study_design_scores_gemma":[0.0063413098,0.00022599101,0.08048801,0.0013053534,0.00031412745,0.000052430376,0.01554469,0.00131663,0.0030744565,0.02845823,0.8605676,0.0023111168],"about_ca_topic_score_codex":0.0025940428,"about_ca_topic_score_gemma":0.0031974507,"teacher_disagreement_score":0.60465664,"about_ca_system_score_codex":0.000063658736,"about_ca_system_score_gemma":0.000040892934,"threshold_uncertainty_score":0.9999073},"labels":[],"label_agreement":null},{"id":"W2780405175","doi":"10.1017/9781139086264.006","title":"How Unusual Is Your Object?","year":2017,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Object (grammar); Computer science; Artificial intelligence","score_opus":0.11011412584922392,"score_gpt":0.22662034861000727,"score_spread":0.11650622276078335,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2780405175","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000083677805,0.00022985096,0.000025231917,0.000106681226,0.001036949,0.00030789262,0.0012724902,0.00018890998,0.9967483],"genre_scores_gemma":[0.0037516945,0.00007319497,0.00000952225,0.0002065927,0.0013369743,7.3295166e-7,0.00007883604,0.0000796089,0.99446285],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99862355,0.000017221084,0.00012863359,0.0005530616,0.00031967735,0.00035785802],"domain_scores_gemma":[0.9983805,0.00002749802,0.0003219922,0.00086861965,0.00022804123,0.00017338948],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000055741057,0.00048641153,0.00047658046,0.00018330429,0.00096931565,0.000645054,0.0008016995,0.00033438104,0.00009486126],"category_scores_gemma":[0.000006679736,0.00053171517,0.000386355,5.489323e-7,0.00072137726,0.000249278,0.00038749896,0.0005118623,0.00006902843],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000039088853,0.000005888662,3.6224998e-7,0.000052262396,0.00017528288,0.00023351175,0.0022125023,1.8189068e-8,0.0000053557956,0.80195963,0.19328693,0.0020291838],"study_design_scores_gemma":[0.0005191367,0.00005010983,0.0000023768632,0.00012768958,0.0003102958,0.000007574042,0.00048029106,0.0000070463825,0.00014406965,0.000099800745,0.99762416,0.0006274508],"about_ca_topic_score_codex":0.00047230543,"about_ca_topic_score_gemma":0.00007958602,"teacher_disagreement_score":0.8043372,"about_ca_system_score_codex":0.00010745238,"about_ca_system_score_gemma":0.000115421826,"threshold_uncertainty_score":0.9997134},"labels":[],"label_agreement":null},{"id":"W2787775680","doi":"10.4000/books.pum.4807","title":"Bibliographie des ouvrages cités","year":2010,"lang":"fr","type":"book-chapter","venue":"Presses de l’Université de Montréal eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Philosophy","score_opus":0.03085048200946938,"score_gpt":0.19643984327821876,"score_spread":0.16558936126874937,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2787775680","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.02806919,0.023425033,0.0002265487,0.0003569741,0.0009923943,0.0004811327,0.0007136361,0.0003222348,0.9454129],"genre_scores_gemma":[0.067676224,0.014693543,0.00082681054,0.00038526286,0.0012120758,0.000019357143,0.00008027217,0.00022572406,0.91488075],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9971359,0.00008413944,0.00044123863,0.0007599735,0.00046066308,0.0011180845],"domain_scores_gemma":[0.9976763,0.0002979977,0.0003717821,0.0007595847,0.00031140645,0.0005829279],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002198728,0.00094820274,0.0007347032,0.0019004345,0.0027096241,0.00047354642,0.000898623,0.0010214093,0.031059446],"category_scores_gemma":[0.000023003202,0.0010237965,0.0008096111,0.000048824495,0.0025037627,0.0002565729,0.00073728344,0.0013180387,0.00044505377],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00065120484,0.00014221254,0.001972001,0.00073768623,0.001569529,0.0023549444,0.043336764,0.000031397874,0.004797518,0.83967865,0.029602576,0.07512553],"study_design_scores_gemma":[0.00090137625,0.0001910173,0.00211477,0.00037625484,0.0010441836,0.00017706607,0.0010338293,0.00006412959,0.0020794508,0.06698552,0.9239581,0.0010742606],"about_ca_topic_score_codex":0.014792736,"about_ca_topic_score_gemma":0.047499448,"teacher_disagreement_score":0.8943556,"about_ca_system_score_codex":0.00029732363,"about_ca_system_score_gemma":0.00009702726,"threshold_uncertainty_score":0.99922127},"labels":[],"label_agreement":null},{"id":"W2788755614","doi":"10.19134/eutomia-v1i20p139-152","title":"Samuel Beckett e Stan Douglas: aproximações pontuais","year":2018,"lang":"pt","type":"article","venue":"Eutomia","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history; The arts; Visual arts","score_opus":0.07970071296448887,"score_gpt":0.29187197745044935,"score_spread":0.21217126448596046,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2788755614","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5024805,0.005480647,0.00019560501,0.0031325654,0.015341013,0.00094289624,0.00058757904,0.0007520831,0.47108713],"genre_scores_gemma":[0.74827904,0.00013158466,0.00013609574,0.0020951363,0.0128854625,0.000034753888,0.00005881201,0.00014358276,0.23623554],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965748,0.00014936691,0.0007060085,0.0008398506,0.00060201774,0.0011279342],"domain_scores_gemma":[0.99786943,0.00013073006,0.00028327483,0.0009605582,0.0004250023,0.00033100118],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00044317334,0.0006835792,0.0006521505,0.0002775326,0.0014064192,0.0009632704,0.0006967029,0.00030352373,0.023247113],"category_scores_gemma":[0.000069394555,0.0006330805,0.00036914836,0.00010429199,0.0011773758,0.00054254895,0.00027946784,0.00050961284,0.008953494],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004980204,0.0004861053,0.0015117057,0.0002268248,0.000537153,0.00009230243,0.1751432,5.762492e-7,0.00047844983,0.14879878,0.65222853,0.01999833],"study_design_scores_gemma":[0.001487921,0.0006468848,0.0026886556,0.000197014,0.0002151273,0.00001375723,0.008468641,0.00043283813,0.0011358588,0.0027925149,0.980972,0.0009487751],"about_ca_topic_score_codex":0.00097712,"about_ca_topic_score_gemma":0.005053514,"teacher_disagreement_score":0.32874346,"about_ca_system_score_codex":0.00016886357,"about_ca_system_score_gemma":0.00022163046,"threshold_uncertainty_score":0.9998936},"labels":[],"label_agreement":null},{"id":"W2792026207","doi":"10.3138/md.0748r2","title":"“Something is taking its course”: <i>Endgame</i>’s Frustrated Musicality and the Evolution of Beckett’s Late Dramatic Style","year":2018,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Musicality; Chess endgame; Scholarship; Style (visual arts); Musical; Drama; Skepticism; Literature; Aesthetics; Art; Philosophy; Epistemology; Law; Political science","score_opus":0.06721430166890746,"score_gpt":0.2793521448735151,"score_spread":0.21213784320460766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2792026207","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96634865,0.001067265,0.0015087649,0.0014780721,0.0004004059,0.00035670056,0.00004687104,0.00010821971,0.028685063],"genre_scores_gemma":[0.9939248,0.000015431571,0.0000806841,0.0007719745,0.00049141905,0.000017480845,0.0000056097356,0.000029937026,0.004662674],"study_design_codex":"qualitative","study_design_gemma":"simulation_or_modeling","domain_scores_codex":[0.99844736,0.00015893785,0.00040080762,0.00031317913,0.000345754,0.00033397772],"domain_scores_gemma":[0.9987892,0.00016996394,0.00032074493,0.0003554182,0.00029513528,0.000069544876],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00065545726,0.00021520557,0.00035342044,0.000069059046,0.0005901862,0.00026344942,0.0002412021,0.00009955483,0.0008753133],"category_scores_gemma":[0.00009901871,0.00015190104,0.000108523745,0.000055388613,0.0010886083,0.00031309592,0.00010565217,0.00025344067,0.00005535633],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00033406352,0.00028131803,0.00059410057,0.00029036822,0.0003823841,0.0000068351,0.5783148,0.000024579676,0.0026727745,0.39401492,0.0022452204,0.020838663],"study_design_scores_gemma":[0.0128275,0.00059261644,0.009544999,0.0008486887,0.0012195003,0.000030010575,0.03016245,0.5330429,0.0069820243,0.3682383,0.03464924,0.0018617902],"about_ca_topic_score_codex":0.0013645806,"about_ca_topic_score_gemma":0.0010273353,"teacher_disagreement_score":0.5481523,"about_ca_system_score_codex":0.000052445037,"about_ca_system_score_gemma":0.00007488152,"threshold_uncertainty_score":0.9584067},"labels":[],"label_agreement":null},{"id":"W2793275398","doi":"10.1080/10848770.2018.1441180","title":"Samuel Beckett’s Library","year":2018,"lang":"en","type":"article","venue":"The European Legacy","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Ottawa","funders":"","keywords":"Philosophy; Art","score_opus":0.07105627423439581,"score_gpt":0.23509873743915272,"score_spread":0.1640424632047569,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2793275398","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.086971276,0.00018719993,0.000022625303,0.0029503042,0.0010922414,0.00009455994,0.0000086032,0.00032519206,0.908348],"genre_scores_gemma":[0.83196515,0.000010454441,0.000040566294,0.0041412245,0.008730305,0.0000020494567,0.000009488544,0.000060985378,0.1550398],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990756,0.00021158464,0.00015777143,0.00017894978,0.00012936424,0.00024672927],"domain_scores_gemma":[0.99938023,0.00004514863,0.000053725165,0.0004303989,0.00003359872,0.000056899928],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024514724,0.00013782465,0.00009411634,0.00004254384,0.00057976175,0.00062239915,0.00050753256,0.000010919724,0.007725007],"category_scores_gemma":[0.000015798374,0.000084865125,0.000076068914,0.000024981573,0.00057807565,0.00068530755,0.00018107829,0.00014290595,0.011054266],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002826711,0.000047285062,0.000071716,0.0000075222542,0.000038903545,0.000025627061,0.066602334,1.719331e-7,0.000117517746,0.35571137,0.5418135,0.035535824],"study_design_scores_gemma":[0.00018469668,0.000059252656,0.0012555788,0.000012981971,0.000016496853,0.0000050239937,0.0011992833,0.000013011911,0.00020540271,0.003235318,0.9936695,0.000143417],"about_ca_topic_score_codex":0.000044127402,"about_ca_topic_score_gemma":0.00004927178,"teacher_disagreement_score":0.7533082,"about_ca_system_score_codex":0.000004521131,"about_ca_system_score_gemma":0.00001745666,"threshold_uncertainty_score":0.99318206},"labels":[{"model":"gemma","categories":[],"domain":null,"study_design":"not_applicable","genre":"empirical","about_ca_system":false,"about_ca_topic":false,"confidence":"low"},{"model":"gpt","categories":[],"domain":null,"study_design":"theoretical_or_conceptual","genre":"empirical","about_ca_system":false,"about_ca_topic":false,"confidence":"low"}],"label_agreement":"split"},{"id":"W2805260802","doi":"10.3138/utq.87.2.01","title":"A Joycean Interface: Re-Territorializing between Deleuze and Lacan","year":2018,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Deleuze and Guattari; Psychoanalytic theory; Psychoanalysis; Interpretation (philosophy); Philosophy; Epistemology; Literature; Psychology; Art; Linguistics","score_opus":0.039363916518985416,"score_gpt":0.2395871986661856,"score_spread":0.2002232821472002,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2805260802","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88324445,0.00021985247,0.00041776348,0.00019839252,0.00087636354,0.0001077956,0.000045784807,0.00007541916,0.114814185],"genre_scores_gemma":[0.99174416,0.0000072377884,0.00022660813,0.000018673853,0.0013141637,5.969662e-8,0.0000050543945,0.00000809838,0.006675946],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944764,0.000032872984,0.00009639656,0.00016661242,0.000103972074,0.00015249968],"domain_scores_gemma":[0.99959475,0.00002618044,0.00007155915,0.00014544319,0.00009011844,0.00007193343],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0000773987,0.000097899945,0.00016757588,0.000024269226,0.00025887633,0.000048405087,0.00016259232,0.00004690193,0.002093435],"category_scores_gemma":[0.0000024486515,0.00010717538,0.000048368205,0.0000041817616,0.0003424963,0.00039663407,0.000030591436,0.00004862586,0.000025013973],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00019582605,0.00006429023,0.0040147533,0.00005960874,0.00020785126,0.000009031615,0.8677936,5.5636228e-8,0.0005282384,0.024688238,0.03988612,0.06255238],"study_design_scores_gemma":[0.00083790894,0.0013034433,0.002851554,0.000057263154,0.00009033639,7.9801333e-7,0.080796786,0.000045191548,0.000083188104,0.0006531512,0.91304034,0.00024005411],"about_ca_topic_score_codex":0.04207487,"about_ca_topic_score_gemma":0.16933367,"teacher_disagreement_score":0.8731542,"about_ca_system_score_codex":0.00005907041,"about_ca_system_score_gemma":0.0000168611,"threshold_uncertainty_score":0.9988188},"labels":[],"label_agreement":null},{"id":"W2886211048","doi":"10.7202/1050587ar","title":"Regard et prédation dans Film de Samuel Beckett","year":2018,"lang":"fr","type":"article","venue":"Études françaises","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.060844836603078635,"score_gpt":0.28904999865830217,"score_spread":0.22820516205522354,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2886211048","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24587847,0.0052095535,0.0009223736,0.0054819155,0.00318141,0.00037328762,0.0002943247,0.00026713967,0.7383915],"genre_scores_gemma":[0.88482535,0.0005308674,0.00074596313,0.0029875445,0.004455936,0.000047797424,0.000084097344,0.00008605568,0.1062364],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979397,0.00013445436,0.00041117868,0.00047109355,0.00035077945,0.0006928123],"domain_scores_gemma":[0.9987174,0.00018077393,0.00016158597,0.00047101703,0.0002777999,0.00019140309],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004015825,0.0003923402,0.00033953096,0.00013244945,0.0010592858,0.00045562055,0.00036513407,0.00023498254,0.013192217],"category_scores_gemma":[0.00010868206,0.0003921975,0.00021180393,0.000055401062,0.0015308859,0.0006319239,0.00011477381,0.00030281505,0.0020077103],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007906215,0.000313405,0.002385989,0.00016895984,0.00014642805,0.00002416155,0.07572589,0.0000096137055,0.0008608677,0.85042137,0.06405338,0.0058108936],"study_design_scores_gemma":[0.00060717197,0.00038422373,0.0061027133,0.00025731768,0.00018564568,0.000022588654,0.0043794755,0.00040734102,0.002295627,0.003782193,0.98107177,0.0005039533],"about_ca_topic_score_codex":0.005499117,"about_ca_topic_score_gemma":0.040783253,"teacher_disagreement_score":0.91701835,"about_ca_system_score_codex":0.00012434003,"about_ca_system_score_gemma":0.00027073693,"threshold_uncertainty_score":0.999853},"labels":[],"label_agreement":null},{"id":"W2892399092","doi":"10.1080/09670882.2018.1520786","title":"“Words fail us”: Beckett, Leacock, and Johnson","year":2018,"lang":"en","type":"article","venue":"Irish Studies Review","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Politics; Linguistics; Conversation; Sociology; Standard language; Normative; Identity (music); Language politics; Philosophy; Epistemology; Aesthetics; Law; Political science","score_opus":0.20169026470886886,"score_gpt":0.36350444184701947,"score_spread":0.1618141771381506,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2892399092","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.014757104,0.78062963,0.0000049879386,0.0033747866,0.00090014824,0.00038030313,0.000014812135,0.00011475282,0.1998235],"genre_scores_gemma":[0.08618593,0.8661838,0.000105981584,0.01346487,0.00319908,0.000116111274,0.000008598108,0.000046794026,0.030688789],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99884135,0.000060182283,0.00032206046,0.00030435546,0.00018229251,0.0002897706],"domain_scores_gemma":[0.99926215,0.00006845446,0.0001104098,0.00025488375,0.00023974679,0.00006437302],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00028536093,0.00022855857,0.00054280646,0.0000412552,0.000534337,0.000082665174,0.0001383617,0.000030176203,0.0018549787],"category_scores_gemma":[0.00013337527,0.00016735167,0.000106916305,0.00003810982,0.00070115755,0.00017352703,0.00016063883,0.000117032076,0.000500351],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000004670952,0.000018026441,0.00015692404,0.0014622472,0.00015633283,0.0000070911433,0.012934029,4.657283e-9,0.0000021749124,0.0025253822,0.9167395,0.06599359],"study_design_scores_gemma":[0.00016702506,0.00011071384,0.00025458596,0.0012746471,0.0001647321,0.0000072269218,0.0013082365,0.0000017077601,0.000009225115,0.0004249861,0.9960542,0.00022272339],"about_ca_topic_score_codex":0.00009534686,"about_ca_topic_score_gemma":0.00077553734,"teacher_disagreement_score":0.1691347,"about_ca_system_score_codex":0.000024698118,"about_ca_system_score_gemma":0.000018359322,"threshold_uncertainty_score":0.9990575},"labels":[],"label_agreement":null},{"id":"W2893698825","doi":"10.1163/18757405-03002002","title":"The Voices Unwording the Words in Beckett’s All Strange Away and Fizzles","year":2018,"lang":"en","type":"article","venue":"Samuel Beckett Today / Aujourd’hui","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dawson College","funders":"","keywords":"Nothing; Silence; Crying; Invisibility; Space (punctuation); Literature; Philosophy; Movement (music); Aesthetics; Art; History; Linguistics; Psychology; Epistemology; Physics; Social psychology","score_opus":0.07892377387663546,"score_gpt":0.2916625152033874,"score_spread":0.2127387413267519,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2893698825","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8958802,0.0076705846,0.000043471202,0.027469693,0.0029493035,0.00091278955,0.000093105475,0.00026842556,0.0647124],"genre_scores_gemma":[0.9694509,0.0006947006,0.00006576734,0.0025005785,0.0033306608,0.00010063429,0.000019415687,0.00009346068,0.0237439],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99659204,0.0002856754,0.0007020036,0.00067255663,0.0006048302,0.001142893],"domain_scores_gemma":[0.99771917,0.0008313823,0.0002645008,0.000794066,0.0001923172,0.00019856205],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014470695,0.00056236575,0.00047199795,0.00021333389,0.0021646488,0.0012551704,0.00096136733,0.00018273879,0.0012757313],"category_scores_gemma":[0.00017109574,0.0003341183,0.00021119216,0.00015399772,0.001796313,0.0005870237,0.00028850147,0.00071688875,0.00024804493],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00060639327,0.0003923722,0.00942939,0.000194766,0.0007379538,0.00014112426,0.47841886,0.000014837931,0.0007265423,0.17983781,0.1539343,0.17556566],"study_design_scores_gemma":[0.0009518909,0.00021033316,0.005246362,0.00016252317,0.00010327609,0.00002496641,0.029102873,0.0004176868,0.00037450567,0.0121850055,0.9505883,0.0006323129],"about_ca_topic_score_codex":0.0018214893,"about_ca_topic_score_gemma":0.06718665,"teacher_disagreement_score":0.796654,"about_ca_system_score_codex":0.00009284907,"about_ca_system_score_gemma":0.00011222499,"threshold_uncertainty_score":0.99991107},"labels":[],"label_agreement":null},{"id":"W2924540509","doi":"10.47925/2016.176","title":"On Not Being Arrested as a Wizard","year":2016,"lang":"en","type":"article","venue":"Philosophy of education","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Wizard; Computer science; World Wide Web","score_opus":0.08386807837236825,"score_gpt":0.2918615408501331,"score_spread":0.20799346247776485,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2924540509","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5767332,0.000028400764,0.000011038036,0.00795154,0.0012028927,0.00009836049,0.0000061799883,0.000033101172,0.41393533],"genre_scores_gemma":[0.99152094,0.000006747056,0.000023655597,0.0010762395,0.0013310235,0.000021293336,0.0000066258717,0.00001246378,0.006000988],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.9994912,0.000017075106,0.0001367247,0.0001306688,0.00013169217,0.00009260599],"domain_scores_gemma":[0.99953496,0.000083090315,0.0000804209,0.00016925148,0.00009423282,0.000038056318],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000050732415,0.00008048016,0.000090326525,0.00009904268,0.000085963045,0.000020159352,0.0000861408,0.000023113695,0.0011519823],"category_scores_gemma":[0.000065544475,0.00005608277,0.00005041739,0.000013070401,0.000091491,0.00013372304,0.000009130001,0.00003385239,0.00038937712],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000037485035,0.00014003628,0.00006821177,0.000015497044,0.000011861883,1.4479099e-7,0.0077808057,1.0962335e-7,0.0013432602,0.9741252,0.0020322255,0.014445136],"study_design_scores_gemma":[0.00027221732,0.00014896793,0.00060548796,0.00022439922,0.000018782785,7.381166e-7,0.00029778696,0.0000014743586,0.005350332,0.94822186,0.044721946,0.0001359939],"about_ca_topic_score_codex":0.00006217931,"about_ca_topic_score_gemma":0.000015170658,"teacher_disagreement_score":0.4147878,"about_ca_system_score_codex":0.000023771272,"about_ca_system_score_gemma":0.00007475995,"threshold_uncertainty_score":0.9997611},"labels":[],"label_agreement":null},{"id":"W2940190444","doi":"10.1080/10848770.2019.1598143","title":"Beckett’s Late Stage: Trauma, Language, and Subjectivity","year":2019,"lang":"en","type":"article","venue":"The European Legacy","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":16,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Subjectivity; Representation (politics); Stage (stratigraphy); Psychoanalysis; Literature; Philosophy; Linguistics; Epistemology; Art; Psychology; Law; Political science; Geology","score_opus":0.03957442662787031,"score_gpt":0.24298769364865752,"score_spread":0.20341326702078721,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2940190444","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5860751,0.00029753282,0.0000024469098,0.00024531633,0.00021924257,0.00010530132,0.000008604305,0.00007701494,0.4129694],"genre_scores_gemma":[0.8346817,0.000008614862,0.0000061906444,0.00046697468,0.000523752,0.0000013800786,0.000005692513,0.000032981283,0.16427273],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915284,0.00022124113,0.00011275258,0.0001918538,0.00011723235,0.00020407829],"domain_scores_gemma":[0.99949664,0.000060021015,0.000050998227,0.0003267099,0.000022818567,0.000042828502],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00036269877,0.00013221397,0.00012063337,0.00003496702,0.0002303393,0.0003619296,0.00019690742,0.000011538159,0.0017794701],"category_scores_gemma":[0.000012422578,0.000085645304,0.000051062565,0.000015643971,0.00015349341,0.00032838425,0.00009427966,0.00018497185,0.0016000936],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012484778,0.00017099174,0.00167636,0.00014346174,0.00016662283,0.00012967535,0.64924216,0.000024750005,0.0029533044,0.17283474,0.015402784,0.15713029],"study_design_scores_gemma":[0.0012436947,0.00013695109,0.031185523,0.000033884782,0.000052229698,0.000007824245,0.021456607,0.00016598661,0.0005353699,0.00070357294,0.9440028,0.00047557376],"about_ca_topic_score_codex":0.0004006021,"about_ca_topic_score_gemma":0.00033798415,"teacher_disagreement_score":0.9286,"about_ca_system_score_codex":0.000008117785,"about_ca_system_score_gemma":0.000007603156,"threshold_uncertainty_score":0.9991773},"labels":[],"label_agreement":null},{"id":"W2941839248","doi":"10.3138/md.62.2.br7","title":"S.E. Gontarski. <i>Revisioning Beckett: Samuel Beckett’s Decadent Turn</i>.","year":2019,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Foregrounding; Art; Literature; Offensive; Cover (algebra); Art history; Philosophy; Aesthetics; Engineering","score_opus":0.04139792972983452,"score_gpt":0.2501043681572204,"score_spread":0.2087064384273859,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2941839248","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8427541,0.0023331358,0.0005324214,0.0014826673,0.0021895212,0.0006215126,0.000054744287,0.00040296096,0.14962892],"genre_scores_gemma":[0.9249898,0.00004773548,0.00024849482,0.0025865042,0.0010697134,0.000040263974,0.00006098468,0.00010326847,0.07085323],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99729985,0.00007255795,0.000521208,0.0007103678,0.0006227337,0.00077326165],"domain_scores_gemma":[0.9985565,0.00011879317,0.00018782703,0.0007534875,0.00016570264,0.0002176974],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00029961122,0.0004580173,0.00051687716,0.00018105212,0.0004480215,0.0006328918,0.00056411576,0.00015656013,0.007640448],"category_scores_gemma":[0.000033748252,0.00040375142,0.00032541613,0.000047360616,0.00016924922,0.0005805895,0.00022291139,0.00047110213,0.0038581556],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00041581414,0.0009814849,0.016940162,0.0005185868,0.00063914736,0.00018935345,0.28472307,0.000530049,0.007111102,0.3867935,0.09788395,0.20327382],"study_design_scores_gemma":[0.0016634297,0.00019785478,0.0018391772,0.00022848157,0.000103445615,0.000027158476,0.0022290254,0.0056312503,0.00096398155,0.016331686,0.9697411,0.0010433871],"about_ca_topic_score_codex":0.00062257965,"about_ca_topic_score_gemma":0.0010501725,"teacher_disagreement_score":0.87185717,"about_ca_system_score_codex":0.00012411675,"about_ca_system_score_gemma":0.00008315116,"threshold_uncertainty_score":0.99984145},"labels":[],"label_agreement":null},{"id":"W2944877591","doi":"","title":"Review: Subjects and Sequences: Margaret Tait Reader, Benjamin Cook and Peter Todd (eds) (London: Lux, 2004)","year":2005,"lang":"en","type":"article","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Center for Northern Studies","funders":"","keywords":"Art; Art history; Philosophy; History","score_opus":0.04918773213397094,"score_gpt":0.25512113500150263,"score_spread":0.2059334028675317,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2944877591","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.06437396,0.52367294,0.000033741,0.010974304,0.0004701393,0.00092515734,0.00007233735,0.00030874775,0.3991687],"genre_scores_gemma":[0.39337718,0.18950526,0.0009703354,0.06424655,0.0027959659,0.00012495929,0.00013305452,0.000111061825,0.34873563],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998852,0.00004168573,0.00027380884,0.00034853027,0.00016319453,0.00032075762],"domain_scores_gemma":[0.99942696,0.00007073429,0.00006842025,0.00022850781,0.00007638544,0.0001289759],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00018910806,0.00023291564,0.00030254657,0.00006367896,0.00023298665,0.00020248377,0.00011209433,0.00006138173,0.0063805394],"category_scores_gemma":[0.000025234434,0.0001771518,0.000054252432,0.000019483645,0.00029409304,0.000398522,0.000060981125,0.0001383649,0.00014368647],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000026115298,0.000057831116,0.0003818288,0.0006678527,0.000059554146,0.000025930198,0.007834272,3.041672e-7,0.00014064633,0.023307255,0.91916454,0.048333872],"study_design_scores_gemma":[0.00041159822,0.000070744245,0.00021818635,0.0003393521,0.000056487854,0.00003957943,0.0002956798,0.000039893872,0.00015845863,0.0005475865,0.99753153,0.0002908769],"about_ca_topic_score_codex":0.00022742873,"about_ca_topic_score_gemma":0.0037017574,"teacher_disagreement_score":0.33416766,"about_ca_system_score_codex":0.000020330886,"about_ca_system_score_gemma":0.00003215046,"threshold_uncertainty_score":0.99452776},"labels":[],"label_agreement":null},{"id":"W2948212546","doi":"10.1080/10436928.2019.1598225","title":"Atmospheric Violence: Samuel Beckett’s Aesthetics of Respiration","year":2019,"lang":"en","type":"article","venue":"LIT Literature Interpretation Theory","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Aesthetics; Respiration; Medicine; Anatomy","score_opus":0.012218877229501112,"score_gpt":0.23268546676469215,"score_spread":0.22046658953519105,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2948212546","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8520238,0.0035728815,0.0019569881,0.00019830452,0.0021812818,0.0005191704,0.00007843556,0.0001569486,0.13931221],"genre_scores_gemma":[0.983399,0.000026546466,0.00035123678,0.0011210324,0.00023250678,0.000019534922,0.00008643361,0.000028726172,0.014735029],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99877954,0.0001669968,0.0003961559,0.0002586543,0.00022522552,0.00017345327],"domain_scores_gemma":[0.99895096,0.00013915075,0.00021846869,0.000348822,0.00029962885,0.00004297721],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003372363,0.00018756639,0.00022608158,0.00005057483,0.00007206272,0.0002004698,0.0002081005,0.0001063081,0.0020090404],"category_scores_gemma":[0.000058426183,0.00015578249,0.00014699431,0.00006763218,0.00013929067,0.0004526368,0.000030712505,0.00020821915,0.00021594799],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00026864788,0.0000496703,0.00023318606,0.00010626512,0.000032589436,0.0000016318944,0.08933073,0.000024271265,0.00078721246,0.8819377,0.00028221888,0.026945882],"study_design_scores_gemma":[0.00177719,0.0013013455,0.0011087172,0.003986556,0.00016747316,0.000020503481,0.011250224,0.008231683,0.0050602434,0.64976525,0.31616783,0.0011629908],"about_ca_topic_score_codex":0.000010231093,"about_ca_topic_score_gemma":0.000013924275,"teacher_disagreement_score":0.31588563,"about_ca_system_score_codex":0.000027497657,"about_ca_system_score_gemma":0.000035515495,"threshold_uncertainty_score":0.9989033},"labels":[],"label_agreement":null},{"id":"W2952632728","doi":"10.18844/ijntss.v2i2.3872","title":"Domestication and foreignisation of allusions in Persian translations of Waiting for Godot: A case study","year":2018,"lang":"en","type":"article","venue":"International Journal of New Trends in Social Sciences","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Allusion; Domestication; Persian; Domestication and foreignization; Literature; Style (visual arts); Literary translation; Art; History; Philosophy; Linguistics; Biology; Genetics","score_opus":0.3256584772517709,"score_gpt":0.4550237833466873,"score_spread":0.12936530609491642,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2952632728","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.99436855,0.00003014536,0.00028039032,0.0010646695,0.00021411212,0.000056721678,0.000010830435,0.0000013989384,0.003973158],"genre_scores_gemma":[0.998885,0.0000034379016,0.00054264895,0.000015810241,0.00046646743,0.0000016026214,0.0000010264228,0.0000020539715,0.000081990685],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99927086,0.000025847285,0.00034362628,0.000064095955,0.00023369947,0.00006187278],"domain_scores_gemma":[0.9994009,0.00010771793,0.00024957053,0.000016216469,0.00020994645,0.000015636568],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00044494515,0.00004031109,0.00010355476,0.00041011095,0.00013044788,0.000033451146,0.000121964506,0.000016615706,0.000090077694],"category_scores_gemma":[0.000051474104,0.000034019737,0.000043466658,0.00007825138,0.00030286907,0.00025415648,0.0000116636,0.000039346647,7.011046e-8],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008308614,0.0003150395,0.022139609,0.0000050073677,0.0000452903,0.00001951661,0.69767237,0.000032773063,0.00027949674,0.0937188,0.00017749333,0.18551151],"study_design_scores_gemma":[0.008122054,0.0028564287,0.12880285,0.00031486526,0.0001612987,0.00026701132,0.7298585,0.010667658,0.0003363348,0.114535384,0.003714321,0.0003632584],"about_ca_topic_score_codex":0.0009099629,"about_ca_topic_score_gemma":0.010706331,"teacher_disagreement_score":0.18514825,"about_ca_system_score_codex":0.000020124979,"about_ca_system_score_gemma":0.000070150374,"threshold_uncertainty_score":0.5974384},"labels":[],"label_agreement":null},{"id":"W2953074515","doi":"10.18192/cjcs.v0i1.952","title":"Stanley's Taste","year":2013,"lang":"en","type":"article","venue":"Conversations The Journal of Cavellian Studies","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"STELLA (programming language); Art; Taste; Art history; Reading (process); Key (lock); Spectacle; Humanities; Philosophy; Psychology; Law; Computer science","score_opus":0.11570581271302906,"score_gpt":0.28152293433421227,"score_spread":0.16581712162118323,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2953074515","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.82246995,0.026087627,0.0013053181,0.042815655,0.0077106534,0.00081321376,0.00003098708,0.000075884345,0.0986907],"genre_scores_gemma":[0.98103946,0.00089736463,0.00007672482,0.00060842227,0.000676529,0.0000045469305,4.7620713e-7,0.0000096733675,0.016686808],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99927175,0.00005937063,0.00030055165,0.000044346216,0.00019418569,0.00012977979],"domain_scores_gemma":[0.9985805,0.00023437626,0.00024461345,0.00012455338,0.0007764827,0.000039442526],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027033495,0.00009338857,0.00017281805,0.00007639007,0.00041259767,0.00008298652,0.0001815053,0.000014140492,0.0015062504],"category_scores_gemma":[0.00007291318,0.000052019306,0.0000872436,0.000025203643,0.00038600893,0.00032160833,0.000033574128,0.00012978482,0.00031075577],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000238935,0.000053371135,0.00040291547,0.000034817007,0.0009568284,0.0000055209175,0.48794457,0.000033148564,0.00018615574,0.047223028,0.4561184,0.007017322],"study_design_scores_gemma":[0.00052670774,0.00015686169,0.0007936324,0.000061888415,0.00024883286,0.000023152425,0.32163897,0.000060163973,0.00027776166,0.014522358,0.66153145,0.00015823761],"about_ca_topic_score_codex":0.00004416389,"about_ca_topic_score_gemma":0.00009930341,"teacher_disagreement_score":0.20541303,"about_ca_system_score_codex":0.0000350442,"about_ca_system_score_gemma":0.00003727957,"threshold_uncertainty_score":0.9994065},"labels":[],"label_agreement":null},{"id":"W2953250225","doi":"10.18192/cjcs.vi7.4281","title":"Apologies to Stanley Cavell","year":2019,"lang":"en","type":"article","venue":"Conversations The Journal of Cavellian Studies","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Nothing; Movie theater; Champion; Taste; Art; Painting; Order (exchange); Literature; Art history; Philosophy; Section (typography); History; Psychology; Epistemology","score_opus":0.11824736376909646,"score_gpt":0.3069116698067113,"score_spread":0.18866430603761486,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2953250225","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92797977,0.0057386872,0.00041350373,0.016315347,0.0052411747,0.0004605673,0.000027584872,0.00004255671,0.043780837],"genre_scores_gemma":[0.9732843,0.0005859525,0.00010642133,0.0010213329,0.00042904503,0.0000023848706,5.076906e-7,0.00001115226,0.024558887],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915504,0.00006247621,0.00031639362,0.00007092924,0.00022772263,0.00016741097],"domain_scores_gemma":[0.9986264,0.000352489,0.00020984135,0.00018515883,0.00057997496,0.000046139532],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00041761404,0.00011663299,0.00024452183,0.00012540496,0.00028601885,0.00005811245,0.00026306917,0.000019560584,0.0007216025],"category_scores_gemma":[0.000116109986,0.00006810697,0.00009736581,0.000041704887,0.00023290297,0.00017948463,0.000067987035,0.00014148068,0.00051849644],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014179757,0.00005797777,0.0017803187,0.00006017068,0.0009512444,0.000008835761,0.74931854,0.00029325875,0.00039905074,0.06107594,0.18240815,0.0035047028],"study_design_scores_gemma":[0.00034880635,0.000292851,0.0006131601,0.000064736785,0.00015292008,0.000013425439,0.3228206,0.000017782528,0.0006777803,0.0036164213,0.6712211,0.00016046125],"about_ca_topic_score_codex":0.000027881479,"about_ca_topic_score_gemma":0.00017804437,"teacher_disagreement_score":0.4888129,"about_ca_system_score_codex":0.00005962823,"about_ca_system_score_gemma":0.000055687793,"threshold_uncertainty_score":0.79010415},"labels":[],"label_agreement":null},{"id":"W2956064980","doi":"10.5539/ijel.v9n4p93","title":"Syntactic Deconstruction of Beckett’s Dramatic Text: A Transitivity Analysis of Waiting for Godot","year":2019,"lang":"en","type":"article","venue":"International Journal of English Linguistics","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":4,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Transitive relation; Drama; Situated; Syntax; Meaning (existential); Deconstruction (building); Linguistics; Simple (philosophy); Literature; Philosophy; Sociology; Epistemology; Art; Computer science; Mathematics; Artificial intelligence","score_opus":0.035941899530507,"score_gpt":0.28552760484256473,"score_spread":0.24958570531205773,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2956064980","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96104914,0.00009497363,0.0017254608,0.000024903025,0.012004538,0.00012665255,0.00023367006,0.000009956247,0.024730686],"genre_scores_gemma":[0.9956505,0.00001125887,0.000830335,0.000031930995,0.0033072666,0.0000011782705,0.000017812989,0.000012319372,0.00013740934],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9986395,0.000031098698,0.0007494537,0.00009081329,0.00038657238,0.00010251927],"domain_scores_gemma":[0.98580205,0.0006325024,0.0009134174,0.00009012717,0.012524549,0.000037320882],"candidate_categories":["metaresearch"],"consensus_categories":[],"category_scores_codex":[0.00041550287,0.00010012994,0.00040854933,0.0004831945,0.000033059892,0.000054455235,0.0002171459,0.000043741617,0.00040677082],"category_scores_gemma":[0.0097487485,0.00009236959,0.00039183762,0.000050772385,0.000091772534,0.00009729097,0.000015009964,0.0001305653,0.0000010191875],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011027235,0.00092193764,0.025717061,0.00064265105,0.01627784,0.0000194458,0.08618018,0.008192899,0.000685108,0.848409,0.0011941206,0.010657066],"study_design_scores_gemma":[0.01675496,0.003115802,0.017002076,0.0037963921,0.028369738,0.000033807162,0.07536704,0.22820227,0.024777325,0.05019473,0.54999125,0.0023945891],"about_ca_topic_score_codex":0.00004508632,"about_ca_topic_score_gemma":0.00012864763,"teacher_disagreement_score":0.79821426,"about_ca_system_score_codex":0.0000404067,"about_ca_system_score_gemma":0.00008207277,"threshold_uncertainty_score":0.99859256},"labels":[],"label_agreement":null},{"id":"W2972559605","doi":"10.3366/jobs.2019.0265","title":"‘fountains frozen o'er’: Samuel Beckett's Atavistic Translations","year":2019,"lang":"en","type":"article","venue":"Journal of Beckett Studies","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Argument (complex analysis); Art; Receptacle; Quarter (Canadian coin); Literature; Irish; Philosophy; Art history; History; Linguistics","score_opus":0.15010643130992857,"score_gpt":0.3260232790379012,"score_spread":0.17591684772797261,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2972559605","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92298764,0.013837646,0.00018255821,0.00635161,0.0050132996,0.00041003586,0.00009239692,0.00008560968,0.051039193],"genre_scores_gemma":[0.9818887,0.00062051584,0.00030073235,0.0008924649,0.0020179655,0.000007244261,0.0000069261077,0.000044101573,0.014221321],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99800134,0.00007521845,0.0007960442,0.00021444392,0.0005351046,0.00037786874],"domain_scores_gemma":[0.99811816,0.0003576713,0.00048517168,0.000259877,0.00066793454,0.00011115617],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00044946166,0.00029217033,0.0007041096,0.0002849505,0.00044659112,0.00015411866,0.00032680944,0.00006459299,0.001564992],"category_scores_gemma":[0.00012764866,0.0002218166,0.00038354757,0.00006148609,0.00031282209,0.00056467415,0.00006309991,0.00039125848,0.0003699922],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006822842,0.0010035108,0.024025721,0.00076568243,0.0059408993,0.00027905055,0.5068167,0.00021442685,0.0016064765,0.20258927,0.23171444,0.024361517],"study_design_scores_gemma":[0.0026729668,0.0007847004,0.0071453047,0.0004044175,0.0006897989,0.00008902931,0.047234576,0.00008163026,0.00016861013,0.016359737,0.9236853,0.0006839287],"about_ca_topic_score_codex":0.00005732354,"about_ca_topic_score_gemma":0.00060393027,"teacher_disagreement_score":0.6919708,"about_ca_system_score_codex":0.000103796614,"about_ca_system_score_gemma":0.00010503363,"threshold_uncertainty_score":0.9993477},"labels":[],"label_agreement":null},{"id":"W2974681327","doi":"","title":"Imagination morte imaginez de Samuel Beckett, entre discours scientifique et théologie négative","year":2015,"lang":"fr","type":"preprint","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Heritage","funders":"","keywords":"Philosophy; Humanities; Art","score_opus":0.049088076621935456,"score_gpt":0.2803813229516626,"score_spread":0.23129324632972717,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2974681327","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.10595274,0.00766522,0.07609625,0.17664328,0.0025090498,0.0018641051,0.0014858614,0.00073871727,0.6270448],"genre_scores_gemma":[0.71155554,0.0028964912,0.02237892,0.0010058439,0.00039360486,0.0003853701,0.0034560598,0.00024268025,0.25768548],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9856527,0.009168375,0.0011088023,0.0017670181,0.0010757503,0.0012273788],"domain_scores_gemma":[0.9867233,0.0017696219,0.0011781254,0.0025724953,0.007129414,0.00062702846],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["sts"],"category_scores_codex":[0.012527849,0.001025333,0.00092738715,0.0004921331,0.0014050035,0.0025407774,0.0021819072,0.00050846563,0.0016615585],"category_scores_gemma":[0.0025171319,0.0010722439,0.00057635695,0.00029105842,0.0027669275,0.0009776514,0.0019384855,0.0017032445,0.00036950666],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030397576,0.0010388005,0.0014562096,0.00027365916,0.0002118722,0.00002819032,0.116052784,0.00011129313,0.0008720429,0.8389891,0.025237052,0.015698597],"study_design_scores_gemma":[0.002765921,0.0000039810893,0.00769869,0.00619697,0.00067508966,0.00007441021,0.01067938,0.029901125,0.021197844,0.2911784,0.62680596,0.0028221926],"about_ca_topic_score_codex":0.010289643,"about_ca_topic_score_gemma":0.014771086,"teacher_disagreement_score":0.6056028,"about_ca_system_score_codex":0.00091604487,"about_ca_system_score_gemma":0.0024594702,"threshold_uncertainty_score":0.99994695},"labels":[],"label_agreement":null},{"id":"W2977854879","doi":"","title":"The Instinct of Climbing a Fence","year":2008,"lang":"en","type":"article","venue":"ScholarsArchive  (Brigham Young University)","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Instinct; Fence (mathematics); Climbing; Engineering; Biology; Ecology; Structural engineering","score_opus":0.05318655190265264,"score_gpt":0.19031159451841273,"score_spread":0.13712504261576008,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2977854879","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6423926,0.00009908956,0.00011122806,0.00008965309,0.0003673468,0.000110844,0.00002135229,0.000059079714,0.35674882],"genre_scores_gemma":[0.9566969,0.00017499675,0.00011092345,0.000040117204,0.00012860872,4.430827e-7,0.0000057557863,0.000011889364,0.042830314],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990589,0.00010007302,0.00014575968,0.000204265,0.00022097601,0.00027003238],"domain_scores_gemma":[0.99924636,0.00016147704,0.00011334932,0.000271694,0.00013510378,0.00007200179],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.00013059155,0.00012790828,0.00014588106,0.00017144931,0.0017680248,0.00007476871,0.0004727291,0.000028347997,0.00013436387],"category_scores_gemma":[0.00005256823,0.00010185957,0.00012665792,0.00008012852,0.0009480781,0.0004606242,0.00014268231,0.00028808415,0.00006144197],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020395945,0.000108870816,0.017335732,0.000021369917,0.0001296565,0.00025769678,0.041490294,0.000008366258,0.0014294646,0.9339332,0.0015017322,0.0035796857],"study_design_scores_gemma":[0.0009006522,0.00013765723,0.021641543,0.000060562998,0.000053129264,0.000043817643,0.0059205666,0.00008169376,0.0005980885,0.0040976256,0.96615267,0.00031199178],"about_ca_topic_score_codex":0.00036168905,"about_ca_topic_score_gemma":0.0009931403,"teacher_disagreement_score":0.9646509,"about_ca_system_score_codex":0.000036549456,"about_ca_system_score_gemma":0.00011942031,"threshold_uncertainty_score":0.99953157},"labels":[],"label_agreement":null},{"id":"W2983254895","doi":"10.24162/ei2019-9144","title":"Introduction. “Cephalopods of state”: Beckett and Biopolitics","year":2019,"lang":"en","type":"article","venue":"Estudios Irlandeses","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Saint Mary's University","funders":"","keywords":"Biopower; Politics; State of exception; Power (physics); State (computer science); Sovereignty; Sociology; Philosophy; Aesthetics; Law; Political science","score_opus":0.024798843359157764,"score_gpt":0.23302685602671344,"score_spread":0.20822801266755567,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2983254895","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96730983,0.00058539497,0.000010484786,0.00069728907,0.00082208024,0.0001530195,0.000028038949,0.000051863495,0.030342003],"genre_scores_gemma":[0.9798002,0.00010173327,0.00006365253,0.000103706145,0.0008891352,0.0000056305394,0.0000090694175,0.000015653179,0.019011203],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928707,0.000021989066,0.00018475659,0.0001843271,0.0001415076,0.00018036284],"domain_scores_gemma":[0.99954814,0.00006197103,0.00006673753,0.0001835035,0.000096442054,0.000043234657],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010308711,0.00011777567,0.00021890058,0.00007855409,0.00009456178,0.00004607929,0.000075864235,0.000025008216,0.0015911148],"category_scores_gemma":[0.000029683908,0.00009334712,0.00004008461,0.000021053816,0.00023306007,0.00013339227,0.00005100275,0.0000763808,0.00012621345],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012001991,0.00039367753,0.09889874,0.0005017015,0.00042841252,0.000011154089,0.06758432,0.000015636788,0.0019798882,0.748169,0.07179359,0.010103872],"study_design_scores_gemma":[0.0010197869,0.00035832997,0.015012469,0.00004137523,0.0000647969,0.000015146314,0.0062059797,0.00004198824,0.0028675387,0.007423278,0.9665806,0.00036866753],"about_ca_topic_score_codex":0.00014586169,"about_ca_topic_score_gemma":0.0001718972,"teacher_disagreement_score":0.8947871,"about_ca_system_score_codex":0.000011663501,"about_ca_system_score_gemma":0.000022943037,"threshold_uncertainty_score":0.9993216},"labels":[],"label_agreement":null},{"id":"W2983578122","doi":"10.24162/ei2019-9186","title":"Beckett, Censorship and the Problem of Parody","year":2019,"lang":"en","type":"article","venue":"Estudios Irlandeses","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Saint Mary's University","funders":"","keywords":"Complicity; Sectarianism; Scholarship; Theocracy; Tone (literature); Censorship; Prejudice (legal term); Philosophy; Sociology; Art; Literature; Law; Political science; Theology","score_opus":0.032942035690939925,"score_gpt":0.22336415211135116,"score_spread":0.19042211642041124,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2983578122","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8558117,0.0009617224,0.0000022363204,0.0007683861,0.00015890601,0.00035128655,0.000007660777,0.000036214107,0.14190185],"genre_scores_gemma":[0.98800176,0.000084913336,0.00003796918,0.00020180081,0.00021476173,0.000020839001,0.0000025035977,0.0000119033975,0.01142353],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999336,0.0000560582,0.00016728169,0.00014125717,0.00014772125,0.00015169675],"domain_scores_gemma":[0.9994257,0.0002454126,0.00007715601,0.00017071786,0.000055888984,0.000025110707],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002584914,0.00010723822,0.00023612149,0.00003274455,0.00012548965,0.000052006777,0.00011916765,0.000024355422,0.00061111175],"category_scores_gemma":[0.00001869587,0.000058256548,0.00005869542,0.000015867197,0.00036561262,0.0000797347,0.000057326935,0.00008601956,0.00008416261],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020972578,0.000074645584,0.046614297,0.0001646538,0.000149502,0.0000024100366,0.05089267,0.0000033553235,0.00007553374,0.89286095,0.0058774613,0.0030748076],"study_design_scores_gemma":[0.008232981,0.0004317229,0.042443782,0.00025760903,0.00024092609,0.000020705813,0.01448144,0.00012468484,0.00071111764,0.034334254,0.89805615,0.00066460355],"about_ca_topic_score_codex":0.00016293876,"about_ca_topic_score_gemma":0.00027146016,"teacher_disagreement_score":0.8921787,"about_ca_system_score_codex":0.0000044396893,"about_ca_system_score_gemma":0.000013993126,"threshold_uncertainty_score":0.6691245},"labels":[],"label_agreement":null},{"id":"W2989902285","doi":"10.15209/jpp.1177","title":"Cripistemologies in the City: 'Walking-Together' as Sense-Making","year":2019,"lang":"en","type":"article","venue":"Journal of Public Pedagogies","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":5,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Guelph; York University; Toronto Metropolitan University","funders":"","keywords":"Performative utterance; Blindness; Narrative; Aesthetics; Visual arts; The arts; Mode (computer interface); Point (geometry); Sociology; Sense of place; Art; Literature; Social science; Computer science","score_opus":0.22003202325768653,"score_gpt":0.3497969221688434,"score_spread":0.12976489891115686,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2989902285","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.84924644,0.00097415154,0.000019327885,0.007490026,0.0013318363,0.000102731734,0.0000026204,0.000033109154,0.14079976],"genre_scores_gemma":[0.9910216,0.000068841095,0.000066165965,0.0012903269,0.0008691989,0.000003127165,8.915636e-7,0.00001534918,0.006664531],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99844944,0.00020886,0.00046927406,0.00012800764,0.00041759087,0.00032682728],"domain_scores_gemma":[0.9986417,0.00043031163,0.00040451472,0.00025613984,0.00023574846,0.000031552354],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0014925387,0.00016016114,0.0003113885,0.0003087951,0.00015266973,0.0007144729,0.0005023551,0.000063537365,0.0012618563],"category_scores_gemma":[0.00042462396,0.00009648721,0.00018532047,0.00005429529,0.00017568145,0.00073173334,0.00008008202,0.00043167957,0.0000886928],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000112701935,0.0002697793,0.037815303,0.00014336639,0.00022558153,0.0005536724,0.4522643,0.000026700607,0.00027405727,0.45793393,0.014317004,0.036063604],"study_design_scores_gemma":[0.00058467407,0.00030015825,0.007818334,0.0001327492,0.000029004517,0.00055527786,0.21537328,0.000025086452,0.000028808026,0.02899071,0.7459329,0.00022907027],"about_ca_topic_score_codex":0.00007503438,"about_ca_topic_score_gemma":0.000519583,"teacher_disagreement_score":0.73161584,"about_ca_system_score_codex":0.0000501705,"about_ca_system_score_gemma":0.0001436951,"threshold_uncertainty_score":0.99965113},"labels":[],"label_agreement":null},{"id":"W2990480489","doi":"10.4000/rief.3020","title":"Beckett traducteur de Joyce : Anna Lyvia Pluratself","year":2019,"lang":"fr","type":"article","venue":"Revue italienne d’études françaises","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Historical Studies in Education","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.029608414982890147,"score_gpt":0.23466763127935758,"score_spread":0.20505921629646742,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2990480489","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70051795,0.041248918,0.000047373018,0.00632845,0.0053423448,0.0008253289,0.00046735798,0.00033196606,0.2448903],"genre_scores_gemma":[0.7956637,0.001842441,0.00023229707,0.0009675734,0.0034976385,0.000054348493,0.000084165724,0.00018007848,0.19747773],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.996044,0.00017723053,0.00083702174,0.0009958385,0.00041133587,0.0015346116],"domain_scores_gemma":[0.9976639,0.0003321402,0.0003181737,0.0009745126,0.0002563167,0.00045494587],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00046549938,0.00082984555,0.00096014875,0.0002603019,0.00075056485,0.00063201215,0.0007871413,0.00045258043,0.012010117],"category_scores_gemma":[0.00009008244,0.00087883236,0.000642684,0.00013389683,0.00081635185,0.0009870835,0.00016989128,0.00068711484,0.006101225],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015444461,0.001349828,0.004034751,0.0023682695,0.0004945558,0.00025965166,0.06010603,0.0001224236,0.0022873422,0.8884613,0.02653024,0.013831177],"study_design_scores_gemma":[0.0013549651,0.00049750676,0.0021168496,0.00083965255,0.00032470774,0.00017987983,0.004601095,0.00060472346,0.00066389376,0.0020313596,0.98560756,0.0011778233],"about_ca_topic_score_codex":0.0026378364,"about_ca_topic_score_gemma":0.0036407479,"teacher_disagreement_score":0.9590773,"about_ca_system_score_codex":0.00020471984,"about_ca_system_score_gemma":0.0002412441,"threshold_uncertainty_score":0.9993662},"labels":[],"label_agreement":null},{"id":"W2991089197","doi":"10.3917/aco.181.0053","title":"Travail de deuil, philosophie et expérience cinématographique","year":2018,"lang":"fr","type":"article","venue":"A contrario","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Canadian Philosophical Association","funders":"","keywords":"Humanities; Philosophy; Psychoanalysis; Psychology","score_opus":0.05085130462451824,"score_gpt":0.277968811346123,"score_spread":0.22711750672160474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W2991089197","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3338189,0.020970274,0.001536812,0.015871072,0.0035194145,0.0004888806,0.00012256386,0.00023587703,0.6234362],"genre_scores_gemma":[0.940569,0.0009676775,0.00026340183,0.0091997795,0.0054108193,0.000045541812,0.000010752867,0.000054939916,0.04347812],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980039,0.00017072355,0.0003720955,0.00043412356,0.00023142505,0.0007877523],"domain_scores_gemma":[0.99883604,0.0001394596,0.00012809409,0.00042222015,0.00021178329,0.00026239126],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00044322707,0.00034494133,0.00033913236,0.00013307514,0.00072334486,0.0004097413,0.0003612695,0.00022829749,0.0048992094],"category_scores_gemma":[0.000053921893,0.0003485911,0.00021655147,0.000068753696,0.0020661633,0.00048477438,0.000059795948,0.00038547756,0.0008170662],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006154367,0.00018005593,0.0006626589,0.000041857784,0.000104289844,0.00007984986,0.0705052,4.2604998e-7,0.00023541007,0.8904927,0.02834318,0.009292869],"study_design_scores_gemma":[0.00091592234,0.0003726433,0.0024925577,0.00017665609,0.00010977527,0.000075931755,0.0012259255,0.00019058217,0.0005051205,0.06840088,0.9250733,0.00046065866],"about_ca_topic_score_codex":0.00511416,"about_ca_topic_score_gemma":0.015085518,"teacher_disagreement_score":0.8967302,"about_ca_system_score_codex":0.00005926392,"about_ca_system_score_gemma":0.00029750474,"threshold_uncertainty_score":0.9999609},"labels":[],"label_agreement":null},{"id":"W3000856531","doi":"10.3968/11408","title":"Symbolic Analysis of Waiting for Godot : A Critical Comparison Between the Bible and Quran Symbols in Waiting for Godot","year":2019,"lang":"en","type":"article","venue":"Studies in literature and language","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Drama; Absurdism; Literature; Modernism (music); Philosophy; Art; Irish; Linguistics","score_opus":0.10206033049202387,"score_gpt":0.3926991349349261,"score_spread":0.29063880444290224,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3000856531","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96725243,0.029441684,0.000010672692,0.0003653481,0.00012389116,0.00044047288,0.0002295699,0.000012924053,0.002122988],"genre_scores_gemma":[0.9987992,0.00010696543,0.00009608264,0.00019039275,0.00031455845,0.000068281115,0.000053133554,0.000012510406,0.0003588933],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9990379,0.00004879477,0.00033521184,0.00023310502,0.00008714662,0.00025780473],"domain_scores_gemma":[0.9982329,0.0014595493,0.00007011176,0.00012721436,0.000086871434,0.000023323695],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0004305433,0.0001489583,0.00058512157,0.0003082352,0.00016822717,0.00012432798,0.00008254723,0.000056445326,0.000016362399],"category_scores_gemma":[0.00018819557,0.000098158926,0.00009775072,0.00016641514,0.00019797763,0.0001160156,0.000062046456,0.0001567922,2.6413292e-7],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000739134,0.00004655233,0.06908956,0.0011680297,0.0007121723,0.0000036122249,0.7856919,0.000004552183,0.00018270659,0.13684073,0.0004577115,0.0057285167],"study_design_scores_gemma":[0.005130029,0.0007426281,0.06102626,0.003890258,0.0029334568,0.0000041682856,0.86616844,0.015689254,0.00056807016,0.010887183,0.031717848,0.0012424045],"about_ca_topic_score_codex":0.00010540689,"about_ca_topic_score_gemma":0.0012729288,"teacher_disagreement_score":0.12595354,"about_ca_system_score_codex":0.000007673515,"about_ca_system_score_gemma":0.0000060078405,"threshold_uncertainty_score":0.40028048},"labels":[],"label_agreement":null},{"id":"W3001653438","doi":"10.1007/978-3-030-34902-8_3","title":"The Liberating Laughter of “Nearly There”: Beckett’s Solidarity-Building Dramas","year":2020,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Fanshawe College","funders":"","keywords":"Solidarity; Appeal; Laughter; Aesthetics; Sociology; Articulation (sociology); Social psychology; Psychology; Political science; Art; Law","score_opus":0.07960433209535249,"score_gpt":0.24643666706030143,"score_spread":0.16683233496494893,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3001653438","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00019208001,0.0017439551,0.00006305373,0.0018025731,0.00073623256,0.00026212147,0.000054013202,0.00013750896,0.99500847],"genre_scores_gemma":[0.030127764,0.00009741944,0.00020696699,0.0011572058,0.0022093172,0.000011241158,0.000023333188,0.00012263659,0.9660441],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983857,0.000025113754,0.0005444865,0.0003636472,0.0003894174,0.00029163278],"domain_scores_gemma":[0.9987705,0.0002496051,0.0003156021,0.00041188466,0.00016842812,0.00008398983],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0001956767,0.0004026571,0.00047137897,0.00006134011,0.0007256278,0.0006191067,0.00044351412,0.00019505873,0.005764914],"category_scores_gemma":[0.000020243198,0.000258062,0.00035132252,0.000005611536,0.00045430684,0.00014964411,0.00020237605,0.0006128275,0.00026794174],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000014695103,0.000006496471,0.000002091292,0.00004675199,0.00016741965,0.000008940529,0.009766729,1.8048183e-7,0.000038622573,0.96521556,0.017104937,0.0076275496],"study_design_scores_gemma":[0.00015367799,0.00006787986,0.0000012605901,0.00012397117,0.00008405898,0.0000017896708,0.00051280495,0.000055334203,0.00019610717,0.11069742,0.88778394,0.00032173994],"about_ca_topic_score_codex":0.0001350453,"about_ca_topic_score_gemma":0.001253463,"teacher_disagreement_score":0.870679,"about_ca_system_score_codex":0.000024889197,"about_ca_system_score_gemma":0.00008874774,"threshold_uncertainty_score":0.9999872},"labels":[],"label_agreement":null},{"id":"W3002493289","doi":"10.1007/978-3-030-34902-8_7","title":"Conclusion","year":2020,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Fanshawe College","funders":"","keywords":"Solidarity; Cognition; Relevance (law); Aesthetics; Context (archaeology); Entertainment; Diagrammatic reasoning; Sociology; Contemporary society; Interpreter; Psychology; Art; Linguistics; History; Philosophy; Political science; Social science; Law; Computer science; Visual arts; Politics","score_opus":0.13075708864300017,"score_gpt":0.23222019112309977,"score_spread":0.1014631024800996,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3002493289","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000015685356,0.0002839855,0.000014973833,0.0010521496,0.0006705797,0.00010001963,0.000031364674,0.00017152898,0.9976738],"genre_scores_gemma":[0.0018946438,0.000044977955,0.00001812887,0.003311489,0.0020176414,0.0000017301182,0.00006497834,0.000044307133,0.9926021],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994641,0.0000018096116,0.00013147328,0.00018165744,0.00013997764,0.00008101701],"domain_scores_gemma":[0.99970865,0.000015868623,0.00005078048,0.00012665975,0.00004176158,0.00005629962],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000017039634,0.00017056173,0.0001889178,0.000032818687,0.00012996422,0.00007423983,0.00010536676,0.0000889972,0.11037913],"category_scores_gemma":[0.0000021234437,0.00013478371,0.00011741026,5.6534856e-7,0.00010334108,0.0000378208,0.00009445408,0.00016485105,0.00640472],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000032400844,0.0000012579131,5.172379e-8,0.0000102055765,0.000018826624,0.000011079431,0.0023941505,1.0563483e-8,0.0000018749603,0.82841307,0.16615038,0.0029958768],"study_design_scores_gemma":[0.00007618976,0.00002921147,8.2057866e-8,0.000023063012,0.000026427531,7.2194064e-7,0.000059802478,0.000006881469,0.000005754843,0.10397929,0.89561796,0.00017460523],"about_ca_topic_score_codex":0.00002515842,"about_ca_topic_score_gemma":0.00023840167,"teacher_disagreement_score":0.7294676,"about_ca_system_score_codex":0.000012616627,"about_ca_system_score_gemma":0.000023741695,"threshold_uncertainty_score":0.9943689},"labels":[],"label_agreement":null},{"id":"W3006661337","doi":"10.1386/fict_00004_1","title":"Beckett’s fizzles: De-creating the short story","year":2019,"lang":"en","type":"article","venue":"Short Fiction in Theory and Practice","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Silence; Deconstruction (building); Literature; Art; Philosophy; History; Aesthetics; Engineering","score_opus":0.05134577867608261,"score_gpt":0.31108021185195817,"score_spread":0.2597344331758756,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3006661337","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.35083064,0.000860003,0.00016983337,0.0008002374,0.0008138974,0.00025032338,0.000005709715,0.00006485078,0.6462045],"genre_scores_gemma":[0.981808,0.00014845614,0.000041981617,0.0013635062,0.00046893093,0.00003224524,0.0000070928145,0.000017082399,0.016112685],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985621,0.000739498,0.00016459583,0.00020240273,0.00013436202,0.0001970378],"domain_scores_gemma":[0.9970674,0.002588725,0.000046055284,0.0002080582,0.000053049836,0.00003672547],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0034165853,0.000120398116,0.0001165075,0.00006133079,0.000460927,0.00015854966,0.00010415517,0.00006031182,0.0014313683],"category_scores_gemma":[0.0004282226,0.00008932406,0.000042519576,0.000027809763,0.00015009115,0.00063594786,0.00003607395,0.0003990931,0.000053880452],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00054871343,0.000075011296,0.0028925478,0.000034361223,0.00006485254,0.0000089902405,0.1270855,0.000040110674,0.00020118702,0.8458139,0.003040255,0.020194607],"study_design_scores_gemma":[0.00013432483,0.000075763055,0.0016565104,0.000038809707,0.00006810948,0.000057786896,0.0906174,0.0001733699,0.00006781349,0.0060467944,0.90088516,0.0001781552],"about_ca_topic_score_codex":0.0000900803,"about_ca_topic_score_gemma":0.00014549731,"teacher_disagreement_score":0.8978449,"about_ca_system_score_codex":0.000038218033,"about_ca_system_score_gemma":0.000036010653,"threshold_uncertainty_score":0.99948144},"labels":[],"label_agreement":null},{"id":"W3008957112","doi":"10.4324/9781315258379-10","title":"Postscript: A Boeing Comeback?","year":2017,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Aeronautics; History; Engineering","score_opus":0.16287418695535383,"score_gpt":0.258828285327145,"score_spread":0.0959540983717912,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3008957112","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000011429282,0.00060387736,0.0000060278057,0.00040615452,0.0018102909,0.00015675761,0.00006045474,0.00016656432,0.9967784],"genre_scores_gemma":[0.0035887673,0.00008075632,0.000026498696,0.0010241166,0.002118532,0.000004804917,0.00006583421,0.00008156788,0.99300915],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99907416,0.0000032393225,0.00021020582,0.00028169298,0.0002100864,0.00022060315],"domain_scores_gemma":[0.9990472,0.000021388063,0.00017338489,0.000580295,0.00010220855,0.00007549394],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000066433386,0.00031167307,0.0003485132,0.00010043867,0.0005705108,0.0005266895,0.00034985025,0.00016373403,0.053236187],"category_scores_gemma":[0.0000069518715,0.00025715394,0.0002212528,3.3015803e-7,0.0002892945,0.00015134567,0.00011398725,0.00028586187,0.004140245],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000048941924,0.0000043816676,0.0000012083823,0.000021888307,0.000061956875,0.000028201897,0.002870642,9.412903e-9,0.0000016021789,0.8974293,0.09414404,0.0054319],"study_design_scores_gemma":[0.00013704438,0.00003128296,0.0000027153617,0.000109434426,0.000054578133,0.0000043617592,0.00007331982,0.0000037541893,0.000003264461,0.08840353,0.910837,0.00033974726],"about_ca_topic_score_codex":0.00031298274,"about_ca_topic_score_gemma":0.0033879054,"teacher_disagreement_score":0.81669295,"about_ca_system_score_codex":0.000027423608,"about_ca_system_score_gemma":0.000043327887,"threshold_uncertainty_score":0.9999881},"labels":[],"label_agreement":null},{"id":"W3011093713","doi":"10.24908/iqurcp.10530","title":"En attendant Godot: L'attente continue","year":2018,"lang":"fr","type":"article","venue":"Inquiry Queen s Undergraduate Research Conference Proceedings","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.18609368286227634,"score_gpt":0.38918957788874736,"score_spread":0.20309589502647102,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3011093713","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.19583791,0.0035977692,0.0008992298,0.39165133,0.008899473,0.00236099,0.00025290743,0.0006028615,0.39589754],"genre_scores_gemma":[0.73620605,0.0031148,0.00022940077,0.0004916055,0.009894654,0.00015364264,0.000023384038,0.00014548084,0.24974099],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99093384,0.0004039895,0.0010392063,0.0015972899,0.0029475754,0.0030781259],"domain_scores_gemma":[0.98789585,0.00055059185,0.00033154344,0.0005518909,0.0098110335,0.0008591206],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","research_integrity","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.0048956154,0.0008555363,0.0008876329,0.0008882534,0.0025871915,0.003509186,0.001622628,0.0005801375,0.003531157],"category_scores_gemma":[0.0010868573,0.00083567965,0.0003240887,0.00045900507,0.011797564,0.0018626003,0.0010760217,0.0024574962,0.007099118],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018684886,0.00026799788,0.0007361014,0.0004401373,0.00023090097,0.00005623297,0.056114633,6.014823e-8,0.0014239707,0.6787125,0.24777538,0.014055252],"study_design_scores_gemma":[0.0010497025,0.0012430154,0.00039897984,0.0013914384,0.0000941409,0.000060263123,0.024890114,0.0006939305,0.0022954114,0.13501899,0.8319549,0.00090908987],"about_ca_topic_score_codex":0.0060388185,"about_ca_topic_score_gemma":0.0012164129,"teacher_disagreement_score":0.5841796,"about_ca_system_score_codex":0.0007817424,"about_ca_system_score_gemma":0.0012237013,"threshold_uncertainty_score":0.9998439},"labels":[],"label_agreement":null},{"id":"W3017755129","doi":"10.5489/cuaj.6630","title":"Pandemic, urology, and Waiting for Godot","year":2020,"lang":"en","type":"editorial","venue":"Canadian Urological Association Journal","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Pandemic; Coronavirus disease 2019 (COVID-19); Urology; Medicine; Internal medicine; Infectious disease (medical specialty)","score_opus":0.05033595226483473,"score_gpt":0.24358592229406587,"score_spread":0.19324997002923114,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3017755129","genre_codex":"editorial","genre_gemma":"editorial","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"editorial","genre_consensus":"editorial","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016188227,0.0016638789,0.000039847742,0.026577072,0.9572182,0.0003920364,0.0018475944,0.00010476163,0.010537769],"genre_scores_gemma":[0.026237039,0.0002260226,0.000033448545,0.00478038,0.96366805,0.000026462536,0.00032103676,0.000043038028,0.0046645193],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99818534,0.00014036405,0.00041291423,0.000309539,0.00033711418,0.0006147091],"domain_scores_gemma":[0.9969881,0.0013862037,0.000494068,0.000063575644,0.00046223906,0.00060576695],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00078907533,0.00025033267,0.00044289004,0.00013201863,0.00090317335,0.00061308546,0.00023080097,0.0009462093,0.00085244665],"category_scores_gemma":[0.0037632824,0.00021744797,0.00018522306,0.000016870768,0.00009116252,0.000110210065,0.000028033135,0.0016580706,0.00004467144],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022273098,0.000004640491,0.0013260968,0.000009660398,0.00010783083,0.00001382334,0.0012544659,7.1590625e-7,7.4062507e-7,0.0024319517,0.9929168,0.0019109673],"study_design_scores_gemma":[0.0005185412,0.00020201351,0.00018177892,0.000007038686,0.00013853252,0.0000069595403,0.00016416241,0.00010368909,9.5307854e-8,0.005622365,0.9928083,0.00024651876],"about_ca_topic_score_codex":0.0010742728,"about_ca_topic_score_gemma":0.011955295,"teacher_disagreement_score":0.024618218,"about_ca_system_score_codex":0.0003666752,"about_ca_system_score_gemma":0.0006805001,"threshold_uncertainty_score":0.93336934},"labels":[],"label_agreement":null},{"id":"W3042504465","doi":"10.18192/cjcs.vi7.4632","title":"\"Stay on Your Path, Young Man\"","year":2020,"lang":"en","type":"article","venue":"Conversations The Journal of Cavellian Studies","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Skepticism; Reading (process); Path (computing); Front (military); Psychology; Art; Psychoanalysis; Philosophy; Art history; Literature; Theology; Computer science; Linguistics; Physics","score_opus":0.24941804360570938,"score_gpt":0.30969839038628955,"score_spread":0.06028034678058017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3042504465","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.6948927,0.017077915,0.0023028562,0.15183745,0.0092079425,0.0008214245,0.0001177018,0.00015735255,0.123584636],"genre_scores_gemma":[0.99070066,0.0009993304,0.000040749874,0.0028342141,0.0012789092,0.0000018825948,9.004431e-7,0.0000133714675,0.0041299565],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915427,0.000082735714,0.0003052257,0.00007039694,0.0002541531,0.0001331959],"domain_scores_gemma":[0.9990605,0.00019727883,0.0002482579,0.00010760696,0.00032369624,0.00006263498],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002813421,0.0001210139,0.00021137408,0.000054333537,0.00046247206,0.00006116787,0.00020538757,0.000018212315,0.00042728943],"category_scores_gemma":[0.00013041105,0.00007200333,0.00012075728,0.000028390488,0.0002501573,0.00015030068,0.000036319954,0.0002020098,0.00020588111],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012965102,0.000047991838,0.00048207803,0.00003836124,0.00075189443,0.00002948749,0.79615,0.00005377474,0.00008833983,0.032187965,0.16764933,0.002391094],"study_design_scores_gemma":[0.0009096525,0.00048437354,0.0006672949,0.0000809637,0.0004123751,0.00002248265,0.3680844,0.00017240409,0.00048082825,0.0030962373,0.6253573,0.00023174036],"about_ca_topic_score_codex":0.000008888645,"about_ca_topic_score_gemma":0.000037138932,"teacher_disagreement_score":0.45770794,"about_ca_system_score_codex":0.000035157213,"about_ca_system_score_gemma":0.000032752505,"threshold_uncertainty_score":0.46785194},"labels":[],"label_agreement":null},{"id":"W305088601","doi":"10.4000/questionsdecommunication.1608","title":"Élisabeth Angel-Perez, Voyages au bout du possible. Les théâtres du traumatisme de Samuel Beckett à Sarah Kane","year":2008,"lang":"fr","type":"article","venue":"Questions de communication","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Art; Humanities","score_opus":0.08966201543306165,"score_gpt":0.2816029239458765,"score_spread":0.19194090851281484,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W305088601","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77764106,0.09693921,0.0025834432,0.044597756,0.00076011574,0.0006263461,0.00044908555,0.00060061825,0.07580238],"genre_scores_gemma":[0.9185749,0.041316506,0.0042143767,0.0006207505,0.0011298383,0.0001515956,0.00040651404,0.00008495162,0.033500526],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9969365,0.0010518368,0.00064295344,0.00035983467,0.00028933317,0.0007195353],"domain_scores_gemma":[0.99701005,0.0006589287,0.00030928387,0.0014092864,0.0003643328,0.00024812453],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00081161567,0.0004513643,0.00043879345,0.0002379336,0.0041935453,0.00038310688,0.00094410067,0.00037637234,0.0014409568],"category_scores_gemma":[0.00031260966,0.00048487243,0.00025769434,0.000118529366,0.0018474286,0.0007590257,0.000224955,0.0007503699,0.0002737727],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006219478,0.001425904,0.04035604,0.00023400545,0.00026326795,0.000036823196,0.14084929,0.00030305362,0.00025487447,0.6633277,0.08540211,0.06748473],"study_design_scores_gemma":[0.0010376935,0.00022960917,0.20515662,0.0009832726,0.0003927562,0.00043261566,0.0052458732,0.0066878046,0.00033915552,0.02283224,0.7557356,0.0009267934],"about_ca_topic_score_codex":0.03808162,"about_ca_topic_score_gemma":0.021262513,"teacher_disagreement_score":0.67033345,"about_ca_system_score_codex":0.0007271924,"about_ca_system_score_gemma":0.00049107184,"threshold_uncertainty_score":0.99976027},"labels":[],"label_agreement":null},{"id":"W3100747942","doi":"10.18192/cjcs.vi7.4912","title":"Stanley Cavell, Philosopher Untamed","year":2020,"lang":"en","type":"article","venue":"Conversations The Journal of Cavellian Studies","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art history; Philosophy; Art; Star (game theory); Psychoanalysis; Literature; Psychology; Physics; Astrophysics","score_opus":0.2682968576657625,"score_gpt":0.3038194283483054,"score_spread":0.03552257068254289,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3100747942","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.43257695,0.05238115,0.0035276604,0.37278965,0.009283464,0.001216857,0.00016166645,0.00021670572,0.12784588],"genre_scores_gemma":[0.99102825,0.0011429657,0.00006677954,0.0035623785,0.0016499026,0.0000019210916,9.905272e-7,0.000015979429,0.0025308307],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990486,0.0000822161,0.00037939873,0.000074366726,0.00026875336,0.00014667855],"domain_scores_gemma":[0.9987058,0.00023730792,0.00030035278,0.00011568116,0.00055925624,0.00008159056],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0002567765,0.00013188842,0.00025812403,0.000051276984,0.00042035495,0.000057628335,0.00024531028,0.000020881223,0.00078931905],"category_scores_gemma":[0.00014797448,0.000079967474,0.00012379886,0.00004654268,0.0004373244,0.00021638963,0.00004889138,0.00020410892,0.00014205826],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014030428,0.000047032576,0.0002946149,0.00005666598,0.0011536245,0.000023220826,0.77225894,0.00006905385,0.00017566366,0.05098789,0.17307188,0.0017211222],"study_design_scores_gemma":[0.00092126685,0.00027177524,0.00014385239,0.00005291931,0.00045212495,0.000014825084,0.21866913,0.00010426917,0.00048657146,0.0071278294,0.7715503,0.00020511007],"about_ca_topic_score_codex":0.000011765978,"about_ca_topic_score_gemma":0.00005514746,"teacher_disagreement_score":0.59847844,"about_ca_system_score_codex":0.000040817453,"about_ca_system_score_gemma":0.000066965345,"threshold_uncertainty_score":0.864249},"labels":[],"label_agreement":null},{"id":"W3110980170","doi":"10.3138/md.63.4.br7","title":"Jean-Michel Rabaté, ed. <i>The New Samuel Beckett Studies</i>.","year":2020,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Drama; Art; Literature; Art history; Michel foucault; Law","score_opus":0.11360995367965016,"score_gpt":0.2865568488315445,"score_spread":0.17294689515189432,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3110980170","genre_codex":"commentary","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.1331769,0.0901714,0.01311059,0.57041276,0.0071535725,0.0026412706,0.00024028918,0.0025843426,0.18050891],"genre_scores_gemma":[0.86527437,0.0004324957,0.00019833392,0.042233005,0.0065497775,0.00004545942,0.000028892577,0.000114827104,0.08512286],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9982228,0.000063681255,0.00035802517,0.00047137827,0.00038432493,0.0004997553],"domain_scores_gemma":[0.99884945,0.00021908002,0.00011746288,0.00043332455,0.00013654017,0.00024416647],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00015139281,0.00033927016,0.00038383043,0.000039428483,0.0006047337,0.00034347735,0.0005491042,0.00007718113,0.0015488944],"category_scores_gemma":[0.00018396648,0.00024019562,0.00022403034,0.000043372096,0.0003187495,0.00026214318,0.00022175629,0.00036754762,0.0012417473],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00006228663,0.000048418224,0.00003633401,0.000046529018,0.00021720958,0.000021464526,0.15450637,0.00007069763,0.000430834,0.025703738,0.79149413,0.02736201],"study_design_scores_gemma":[0.00076379173,0.00009543552,0.000016183772,0.00002575682,0.00010131675,0.0000026149144,0.005099271,0.0029932577,0.0003902269,0.014137873,0.976004,0.0003702631],"about_ca_topic_score_codex":0.00030514543,"about_ca_topic_score_gemma":0.0006465979,"teacher_disagreement_score":0.73209745,"about_ca_system_score_codex":0.000039445244,"about_ca_system_score_gemma":0.00009506535,"threshold_uncertainty_score":0.9995359},"labels":[],"label_agreement":null},{"id":"W3123390267","doi":"","title":"OS LIMITES DA LINGUAGEM, DESCONSTRUÇÃO E RIZOMÁTICA – O INOMINÁVEL, DE SAMUEL BECKETT","year":2020,"lang":"pt","type":"article","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"","keywords":"Humanities; Philosophy; Art","score_opus":0.16105828398964642,"score_gpt":0.28433356954690026,"score_spread":0.12327528555725384,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3123390267","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5509514,0.0074008126,0.002628137,0.020751955,0.002154764,0.0011868062,0.00039501837,0.0010527861,0.41347829],"genre_scores_gemma":[0.937733,0.00019669608,0.0011922749,0.015492777,0.0035325964,0.000032985892,0.000055777637,0.00014054288,0.041623347],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99651444,0.0001558986,0.0008146028,0.00089701964,0.00043116754,0.0011868589],"domain_scores_gemma":[0.9978299,0.00039813248,0.00023427105,0.0005475753,0.00019662156,0.0007934657],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00027055756,0.00073133205,0.0007528406,0.00016867279,0.0008342801,0.0013925569,0.0007170984,0.00033420883,0.025726197],"category_scores_gemma":[0.0003560501,0.0006922832,0.00044604883,0.00010926253,0.00070914114,0.00042568508,0.00036366723,0.00075144443,0.0027499704],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00049629563,0.0007450542,0.0073003927,0.00095280126,0.0010608921,0.00048961496,0.357087,0.000031182914,0.0030932329,0.33778006,0.24392007,0.04704345],"study_design_scores_gemma":[0.002925872,0.0010293635,0.0007256947,0.00031265806,0.00083217456,0.00004946343,0.05750074,0.011644518,0.0059631006,0.0023346797,0.91437083,0.0023108989],"about_ca_topic_score_codex":0.000587063,"about_ca_topic_score_gemma":0.00063859345,"teacher_disagreement_score":0.67045075,"about_ca_system_score_codex":0.00009712461,"about_ca_system_score_gemma":0.0004476435,"threshold_uncertainty_score":0.9996441},"labels":[],"label_agreement":null},{"id":"W3124346010","doi":"10.33178/alpha.20.19","title":"Stanley Cavell and Film: Scepticism and Self-Reliance at the Cinema, by Catherine Wheatley","year":2021,"lang":"en","type":"article","venue":"Alphaville Journal of Film and Screen Media","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Wilfrid Laurier University","funders":"","keywords":"Movie theater; Skepticism; Acknowledgement; Perfectionism (psychology); Object (grammar); Philosophy; Psychoanalysis; Literature; Art history; Art; Epistemology; Psychology; Linguistics; Social psychology; Computer science","score_opus":0.024990441236625385,"score_gpt":0.2284579375216583,"score_spread":0.2034674962850329,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3124346010","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9470941,0.042253193,0.000018738541,0.0028053543,0.00034042576,0.00009057476,0.00012219304,0.000012235758,0.0072631743],"genre_scores_gemma":[0.9577875,0.019375982,0.00033964677,0.0016088596,0.0009376373,0.000003764172,0.000025607855,0.000037864298,0.019883117],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.998941,0.000060795843,0.0003283426,0.0001761619,0.00026919064,0.00022449144],"domain_scores_gemma":[0.9990829,0.00021080108,0.00016519029,0.00014704023,0.00019348983,0.0002005846],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003027892,0.00017713233,0.00030851195,0.000044745404,0.00034611768,0.00015795861,0.0001028768,0.000057734436,0.0014851594],"category_scores_gemma":[0.000056223897,0.00011300837,0.000058537233,0.000026051384,0.00028556283,0.00018748724,0.000095552154,0.00022057579,0.000007246575],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030994677,0.0004214237,0.013346349,0.00018200597,0.0006731015,0.0006581695,0.12098297,0.0000044481726,0.007604493,0.00664006,0.80253506,0.046641994],"study_design_scores_gemma":[0.002551625,0.00039439008,0.008699168,0.00018878316,0.0003063812,0.0007028482,0.012444247,0.00020582428,0.0016711835,0.0006300156,0.9718017,0.00040383157],"about_ca_topic_score_codex":0.00023715681,"about_ca_topic_score_gemma":0.0024307738,"teacher_disagreement_score":0.16926666,"about_ca_system_score_codex":0.0000149273565,"about_ca_system_score_gemma":0.00004386488,"threshold_uncertainty_score":0.9994276},"labels":[],"label_agreement":null},{"id":"W3128002388","doi":"10.7202/1075801ar","title":"Sounding a Crip Aesthetic: Transforming the Sonic in Samuel Beckett’s Not I","year":2021,"lang":"en","type":"article","venue":"Performance Matters","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Performing arts; Articulation (sociology); Interpretation (philosophy); Aesthetics; The arts; Art; Sign (mathematics); Visual arts; Linguistics; Philosophy; Political science; Politics; Law","score_opus":0.07328547114937815,"score_gpt":0.246311257153413,"score_spread":0.17302578600403484,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3128002388","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9665212,0.0002518481,0.0000406349,0.017985892,0.000695418,0.00014007073,0.0000060494704,0.00005700474,0.0143018495],"genre_scores_gemma":[0.98493683,0.000111761605,0.00003299486,0.009727799,0.0002146155,0.000048359405,0.000008715773,0.000028209917,0.0048907017],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988509,0.000033558492,0.00025519007,0.00021794369,0.00021560343,0.00042683244],"domain_scores_gemma":[0.9995987,0.000037513317,0.000046572546,0.0002397927,0.0000371168,0.00004030855],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025424449,0.00016811145,0.00017527126,0.00008608925,0.00043696485,0.00024505606,0.00020843068,0.000034107372,0.0010921163],"category_scores_gemma":[0.0000050748977,0.00012446055,0.00009508082,0.000051146322,0.00016878214,0.00034622382,0.00003603877,0.0002512542,0.00019525683],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00020934436,0.0003288942,0.014189056,0.0006788082,0.000110016925,0.00015660028,0.6974401,0.00041272055,0.0031953661,0.07165808,0.019695066,0.19192594],"study_design_scores_gemma":[0.0014802872,0.00008394774,0.0047877342,0.00036636798,0.000067757624,0.00014566105,0.02905789,0.004197802,0.0059129945,0.0010883857,0.9520352,0.00077597616],"about_ca_topic_score_codex":0.00015485234,"about_ca_topic_score_gemma":0.0015877804,"teacher_disagreement_score":0.93234015,"about_ca_system_score_codex":0.000063354884,"about_ca_system_score_gemma":0.000054954624,"threshold_uncertainty_score":0.999821},"labels":[],"label_agreement":null},{"id":"W315233801","doi":"10.1353/mdr.2013.0011","title":"10 Ways of Thinking about Samuel Beckett: The Falsetto of Reason by Enoch Brater (review)","year":2013,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.057490102729233133,"score_gpt":0.23964285570750474,"score_spread":0.1821527529782716,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W315233801","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.50399226,0.10622879,0.0012987836,0.037749488,0.00073746673,0.002819143,0.00038594118,0.0003322276,0.3464559],"genre_scores_gemma":[0.94161934,0.00097139686,0.00014027664,0.012289115,0.00040322877,0.00011561823,0.00010678038,0.00007237041,0.044281874],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99842614,0.000071841285,0.000489489,0.0002594071,0.00042005,0.0003330563],"domain_scores_gemma":[0.9987302,0.00011481991,0.00026635753,0.0005634427,0.0002753677,0.000049841026],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025372612,0.00023471318,0.00041266132,0.00004517296,0.00022356272,0.000101905025,0.00052081584,0.00008923901,0.015311242],"category_scores_gemma":[0.000041379677,0.0001502342,0.00018990756,0.000027714157,0.0003052484,0.0002616979,0.00010936653,0.00021411678,0.00064094947],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000225029,0.0001469478,0.000105240535,0.0006796509,0.0001407433,0.0000022683892,0.04213314,0.0000046719088,0.0032416652,0.02263201,0.8822499,0.048641287],"study_design_scores_gemma":[0.00058137235,0.00017187465,0.00027828105,0.00089209684,0.00016096131,0.000004820082,0.00077129574,0.001402632,0.0064345673,0.046440873,0.9423731,0.00048810444],"about_ca_topic_score_codex":0.0011284857,"about_ca_topic_score_gemma":0.00014814961,"teacher_disagreement_score":0.43762708,"about_ca_system_score_codex":0.000017595588,"about_ca_system_score_gemma":0.000029649165,"threshold_uncertainty_score":0.9855889},"labels":[],"label_agreement":null},{"id":"W3152431190","doi":"10.3138/md.43.3.376","title":"Beckett's Dying Remains: The Process of Playwriting in the <i>Ohio Impromptu </i>Manuscripts","year":2000,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Impromptu; Biography; Undoing; Identity (music); Literature; Reflexive pronoun; Reading (process); Art; Philosophy; History; Psychoanalysis; Aesthetics; Psychology; Linguistics; Computer science","score_opus":0.05958467957997271,"score_gpt":0.2622550677540959,"score_spread":0.2026703881741232,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3152431190","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8630296,0.0006993482,0.000031096424,0.0015650823,0.000110158966,0.00036879582,0.000012174223,0.00005369433,0.13413005],"genre_scores_gemma":[0.99418396,0.00002698687,0.000018496205,0.0016703526,0.00044690407,0.00007607171,0.000009364356,0.000030335705,0.0035375142],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99846816,0.000107157866,0.00038355947,0.00026620997,0.0003819356,0.0003929983],"domain_scores_gemma":[0.99925524,0.00012703617,0.000105142535,0.000411952,0.00007172896,0.000028889284],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00055624085,0.00019757904,0.00022438263,0.000049463448,0.00046904924,0.0002516387,0.00059278833,0.0000596302,0.0006936708],"category_scores_gemma":[0.000026623446,0.00011537273,0.00009893904,0.000054610955,0.00026562775,0.00027227236,0.000033703152,0.00032405625,0.00004086758],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012327723,0.00035733343,0.00090887997,0.00025174138,0.00006464573,0.000046757777,0.84947944,0.00042575912,0.0007806114,0.038579307,0.002251353,0.10673091],"study_design_scores_gemma":[0.0076815854,0.0008031586,0.013612602,0.0018879693,0.00043278403,0.00020577494,0.20770867,0.0788818,0.0051889047,0.2768234,0.40353256,0.0032407832],"about_ca_topic_score_codex":0.00029994483,"about_ca_topic_score_gemma":0.0019373382,"teacher_disagreement_score":0.6417707,"about_ca_system_score_codex":0.000019671079,"about_ca_system_score_gemma":0.000041025607,"threshold_uncertainty_score":0.7595209},"labels":[],"label_agreement":null},{"id":"W3159888732","doi":"10.1017/9781800103634.001","title":"Foreword to the French Edition","year":2021,"lang":"en","type":"other","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science; History; Information retrieval","score_opus":0.08117452899852483,"score_gpt":0.25860637292584987,"score_spread":0.17743184392732503,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3159888732","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000045234992,0.0005354169,0.00037478458,0.0016386454,0.0028964141,0.0001613858,0.00008696524,0.000113257,0.9941886],"genre_scores_gemma":[0.00037261122,0.000016871505,0.00006613963,0.0028678975,0.009963709,0.000042706462,0.0001331458,0.00012564397,0.9864113],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99953634,0.000009383913,0.00006870898,0.00014434702,0.000121466044,0.00011978566],"domain_scores_gemma":[0.99968016,0.000012973787,0.000028142273,0.00022573365,0.000023753126,0.000029249422],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000031538344,0.00011372607,0.00010729124,0.00005582947,0.00008858737,0.00009013833,0.00012856389,0.00006225147,0.3397905],"category_scores_gemma":[0.000005534747,0.00006577489,0.00006430758,0.000009592073,0.00003619768,0.000011575086,0.000039342656,0.00008575294,0.0012275042],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[2.4277105e-7,0.000007067996,7.276521e-7,0.000010115023,0.00002020676,0.000001483712,0.002099249,4.2869893e-8,3.7412713e-7,0.067468725,0.92724395,0.0031478442],"study_design_scores_gemma":[0.000038147686,0.000010720956,0.000010129495,0.00005730767,0.000013642993,4.924598e-7,0.000442732,0.0000027300584,0.0000044174544,0.0006607688,0.99864644,0.00011247787],"about_ca_topic_score_codex":0.002365797,"about_ca_topic_score_gemma":0.1026437,"teacher_disagreement_score":0.338563,"about_ca_system_score_codex":0.0000073459832,"about_ca_system_score_gemma":0.00001857349,"threshold_uncertainty_score":0.99955016},"labels":[],"label_agreement":null},{"id":"W3186074638","doi":"10.4000/variants.1528","title":"Tracing “Auto(bio)graphy” in “Three Novels” by Samuel Beckett: A Review Essay","year":2021,"lang":"en","type":"review","venue":"Variants","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Realisation; Tracing; Art history; Art; Philosophy; Literature; Computer science; Programming language; Physics","score_opus":0.1640632440803481,"score_gpt":0.3296131728904133,"score_spread":0.16554992881006522,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3186074638","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000001957988,0.9653353,0.000053470387,0.00015889568,0.0013809417,0.0011195457,0.00062809594,0.00011144448,0.031210314],"genre_scores_gemma":[0.000010105049,0.9892862,0.00007113533,0.0009226199,0.00073501223,0.00028635128,0.00068863435,0.00015378676,0.007846156],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99614626,0.00029660817,0.0013700312,0.0009784097,0.00045884354,0.00074984785],"domain_scores_gemma":[0.9980831,0.00022401947,0.00054584316,0.00086248043,0.00012092454,0.00016361181],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0007530526,0.00087384926,0.0032301513,0.0003729568,0.00025450691,0.00034787453,0.00067241,0.00037723122,0.0053617484],"category_scores_gemma":[0.00013644174,0.0007315905,0.0010330902,0.00027694696,0.00014435248,0.0002915818,0.00016750781,0.0009065786,0.00043218242],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000017214043,0.00020761995,0.0000020508198,0.039218012,0.00027327475,0.0001398644,0.0014071139,2.6679858e-8,2.9149845e-7,0.013270143,0.036581177,0.9088987],"study_design_scores_gemma":[0.00025653435,0.000023391533,0.0000025124095,0.1083779,0.00079963217,0.000032715834,0.000049145325,0.0000039601405,2.148633e-7,0.0003215601,0.88937914,0.0007532667],"about_ca_topic_score_codex":0.00049592194,"about_ca_topic_score_gemma":0.0017779865,"teacher_disagreement_score":0.9081454,"about_ca_system_score_codex":0.00015223911,"about_ca_system_score_gemma":0.0005531107,"threshold_uncertainty_score":0.9995135},"labels":[],"label_agreement":null},{"id":"W3203894910","doi":"10.1163/18757405-03302009","title":"“Je cherche la vérité”","year":2021,"lang":"fr","type":"article","venue":"Samuel Beckett Today / Aujourd’hui","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Philosophy","score_opus":0.0993575661859247,"score_gpt":0.30222638746178043,"score_spread":0.20286882127585573,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3203894910","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12370647,0.1154101,0.0004885564,0.080500126,0.014959256,0.00081122544,0.0011654912,0.0006963512,0.66226244],"genre_scores_gemma":[0.2291053,0.006213959,0.0012977431,0.0055914107,0.0097426055,0.0001053857,0.0003437632,0.0003929978,0.74720687],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9927585,0.0011381122,0.0013178227,0.0015437976,0.0011240987,0.0021176569],"domain_scores_gemma":[0.99517024,0.0010998246,0.00042334973,0.0015638467,0.00091927696,0.0008234694],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0014041831,0.0012450159,0.0012911098,0.00030526688,0.001560215,0.0017643954,0.0009532885,0.0011270538,0.03665964],"category_scores_gemma":[0.0006827883,0.0013203468,0.0010834401,0.00032710243,0.0015187298,0.0010081324,0.0005869465,0.0022134061,0.0055626025],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001607829,0.0017187122,0.0007139703,0.00094852695,0.0010674399,0.003024259,0.0650736,0.000034118257,0.0015579873,0.46648392,0.3410748,0.11814187],"study_design_scores_gemma":[0.001957361,0.00018246462,0.0010104772,0.00069361355,0.00050764676,0.00044373085,0.011944342,0.00023498794,0.0031222885,0.020769902,0.95756435,0.0015688387],"about_ca_topic_score_codex":0.001819622,"about_ca_topic_score_gemma":0.0032610162,"teacher_disagreement_score":0.6164895,"about_ca_system_score_codex":0.00043727976,"about_ca_system_score_gemma":0.001291026,"threshold_uncertainty_score":0.99973965},"labels":[],"label_agreement":null},{"id":"W3209233499","doi":"10.18192/cjcs.vi8.5794","title":"Friends and Strangers","year":2020,"lang":"en","type":"article","venue":"Conversations The Journal of Cavellian Studies","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"Haute école Spécialisée de Suisse Occidentale","keywords":"Conviction; Conversation; Skepticism; The arts; Interpretation (philosophy); Biography; Movie theater; Duty; Philosophy; Reflexive pronoun; Psychoanalysis; Literature; Art history; Art; Psychology; Epistemology; Linguistics; Visual arts; Law; Theology","score_opus":0.22980364045696727,"score_gpt":0.28920306336851925,"score_spread":0.05939942291155198,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W3209233499","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7960336,0.031885702,0.0012242622,0.12379072,0.0024686828,0.0003275887,0.000046477664,0.000060011815,0.044162944],"genre_scores_gemma":[0.9968723,0.0008135218,0.000042950884,0.0009788611,0.0005035113,5.978631e-7,2.782482e-7,0.0000055367523,0.00078243023],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995527,0.000033359473,0.00018149566,0.000040949286,0.00011699011,0.00007445039],"domain_scores_gemma":[0.9994329,0.00013879716,0.00012595294,0.000046689827,0.000207879,0.00004778659],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00014805797,0.000066879344,0.000135667,0.000030684714,0.00032670837,0.000038878425,0.00009006926,0.000010262661,0.00022961698],"category_scores_gemma":[0.000041339954,0.00003968309,0.00004626336,0.000019757133,0.0003451779,0.00013939105,0.000022654194,0.0001025805,0.000014738779],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056897916,0.0000134012125,0.00041892196,0.000040100538,0.0006983763,0.000008774575,0.9030582,0.00001583303,0.00009533658,0.03158314,0.060994428,0.0030165957],"study_design_scores_gemma":[0.00065870467,0.00023386252,0.00046509918,0.000032373617,0.00042715992,0.000015673724,0.39986828,0.00009762852,0.00023006942,0.0024373804,0.5954039,0.0001298501],"about_ca_topic_score_codex":0.0000062437457,"about_ca_topic_score_gemma":0.000038195005,"teacher_disagreement_score":0.53440946,"about_ca_system_score_codex":0.0000075931293,"about_ca_system_score_gemma":0.000017806706,"threshold_uncertainty_score":0.2514145},"labels":[],"label_agreement":null},{"id":"W327953158","doi":"","title":"An Insight into Human Sufferings: On Beckett's Waiting for Godot/INTERPRETATION DES SOUFFRANCES HUMAINES : DANS EN ATTENTE DE GODOT DE BECKETT","year":2007,"lang":"fr","type":"article","venue":"Canadian social science","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanities; Tragedy (event); Meaning (existential); Philosophy; Interpretation (philosophy); Art; Literature; Epistemology","score_opus":0.044987903402075195,"score_gpt":0.3185521013456929,"score_spread":0.2735641979436177,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W327953158","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91479176,0.00065680686,0.0014982885,0.0013102753,0.0010752128,0.00040730927,0.00011681487,0.0000715813,0.08007196],"genre_scores_gemma":[0.99218035,0.000025932502,0.0004003227,0.0017272055,0.0031701117,0.00004080778,0.000027217751,0.000051409148,0.0023766502],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9968297,0.00011351689,0.00039748332,0.0006027264,0.00037834398,0.0016782478],"domain_scores_gemma":[0.998306,0.00019856528,0.00016685118,0.00019953155,0.0003034404,0.0008256214],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":["sts"],"category_scores_codex":[0.0021161572,0.00033584362,0.00028647383,0.0004002925,0.0074192593,0.00087911496,0.0007659988,0.00020494833,0.00015225264],"category_scores_gemma":[0.0002175644,0.00037635595,0.00017015717,0.0002140186,0.0035194126,0.00092135515,0.00003893212,0.00030952238,0.000015702015],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003251499,0.00006478617,0.01410054,0.000121766425,0.000027134332,0.000030733612,0.4899644,0.00000728888,0.006619076,0.4345865,0.00036419305,0.05408108],"study_design_scores_gemma":[0.0019042551,0.0016706587,0.112109795,0.0017734101,0.00032992518,0.0000321468,0.42808676,0.0067429123,0.011021181,0.09565708,0.33763677,0.0030351086],"about_ca_topic_score_codex":0.22757241,"about_ca_topic_score_gemma":0.80088735,"teacher_disagreement_score":0.5733149,"about_ca_system_score_codex":0.0022389062,"about_ca_system_score_gemma":0.0008991383,"threshold_uncertainty_score":0.9998688},"labels":[],"label_agreement":null},{"id":"W372587886","doi":"10.4000/caliban.152","title":"Beckett, Duchamp and Chess: A Crossroads at Arcachon in the Summer of 1940","year":2013,"lang":"fr","type":"article","venue":"Anglophonia Caliban/Sigma","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Humanities; Art","score_opus":0.04418066949428408,"score_gpt":0.25039013518211306,"score_spread":0.206209465687829,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W372587886","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9328348,0.024081968,0.000008162935,0.0076597533,0.0011256319,0.0007251726,0.00011263541,0.00003484913,0.033417027],"genre_scores_gemma":[0.9274102,0.0009006168,0.000052790754,0.0022904945,0.0007016314,0.00015300144,0.000041093987,0.0000687433,0.068381414],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972684,0.00026133168,0.00066698476,0.0005601,0.00043833154,0.0008048873],"domain_scores_gemma":[0.99851185,0.00033736217,0.00023455925,0.0006359474,0.00012167241,0.00015863458],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005016222,0.00047574125,0.0005649639,0.0001416976,0.0005532535,0.00036106526,0.0004270047,0.00028875354,0.0064819613],"category_scores_gemma":[0.000049830192,0.00036664004,0.00022494965,0.0001626398,0.0017158199,0.00044707113,0.00025948108,0.0004406346,0.00040529727],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00028481553,0.0014267811,0.11215598,0.0011606124,0.0003673046,0.0002425615,0.37109658,0.000023039345,0.0021888702,0.06153592,0.42154232,0.027975209],"study_design_scores_gemma":[0.0015605157,0.00023961655,0.08938944,0.00028764564,0.000119762706,0.00005074943,0.00605736,0.00030465325,0.00078824465,0.006154076,0.89438796,0.00065998203],"about_ca_topic_score_codex":0.022243125,"about_ca_topic_score_gemma":0.016149191,"teacher_disagreement_score":0.47284564,"about_ca_system_score_codex":0.00010953151,"about_ca_system_score_gemma":0.00007574274,"threshold_uncertainty_score":0.9998786},"labels":[],"label_agreement":null},{"id":"W4205818000","doi":"10.1353/yes.2004.0045","title":"C�line, Gadda, Beckett: Experimental Writings of the 1930s by Norma Bouchard (review)","year":2004,"lang":"en","type":"article","venue":"The Yearbook of English Studies","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Dream; Irish; Art; Art history; Literature; History; Philosophy; Psychology","score_opus":0.062148450471130004,"score_gpt":0.2832921728015774,"score_spread":0.22114372233044743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4205818000","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5494082,0.27780962,0.0000011234773,0.002551109,0.0019657093,0.00081087515,0.00011842063,0.00009082022,0.1672441],"genre_scores_gemma":[0.9866585,0.0042020995,0.000018460305,0.0012664949,0.00094575214,0.000054362285,0.0000039675992,0.000024678866,0.0068256985],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99897295,0.00004108248,0.00034813,0.00014289796,0.00029621983,0.00019870485],"domain_scores_gemma":[0.99901253,0.00008426838,0.00020186421,0.00031353295,0.00036564778,0.000022137023],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023977684,0.00017113615,0.00035317428,0.000021469672,0.00026101668,0.000015884409,0.00035212585,0.00002425825,0.00021324857],"category_scores_gemma":[0.00020111467,0.00009441049,0.00018734118,0.000028411801,0.00089062395,0.00010958527,0.00019964071,0.0001343132,0.000013309357],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005736929,0.00042925525,0.000110569265,0.0008688495,0.0007607422,0.0000021038,0.45017084,0.000007333457,0.0028902306,0.08269389,0.46097296,0.001035842],"study_design_scores_gemma":[0.0015799257,0.00032745756,0.00016666135,0.002138622,0.0003129365,0.0000014526873,0.093019605,0.0000016618424,0.10349363,0.0024159772,0.7960823,0.00045977897],"about_ca_topic_score_codex":0.00019945666,"about_ca_topic_score_gemma":0.00010048226,"teacher_disagreement_score":0.43725026,"about_ca_system_score_codex":0.000028558898,"about_ca_system_score_gemma":0.00002599331,"threshold_uncertainty_score":0.3849948},"labels":[],"label_agreement":null},{"id":"W4206457006","doi":"10.1163/9789047420217_001","title":"Preliminary Material","year":2007,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Economic and Social Research Council; École française d'Extrême-Orient; Université Laval; Université de Montréal; British Academy; University of Hull; University of Otago","keywords":"Materials science","score_opus":0.14394384056361897,"score_gpt":0.2615858353375473,"score_spread":0.11764199477392834,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4206457006","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000043484626,0.00014293846,0.000011828465,0.00006098876,0.0024253163,0.0001417131,0.00007689397,0.00017877707,0.9969181],"genre_scores_gemma":[0.0012148275,0.000027269536,0.00005203227,0.000631535,0.0045289476,0.0000032417431,0.00013776944,0.000067718094,0.9933367],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924284,0.000002007808,0.00020579177,0.00020493509,0.00016821473,0.00017618747],"domain_scores_gemma":[0.9996006,0.000018692761,0.00006929257,0.0002078486,0.00005309424,0.000050486753],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00005869543,0.0002353147,0.00020942303,0.00010356565,0.000117535776,0.00011735943,0.00012714407,0.0001771502,0.1950919],"category_scores_gemma":[0.0000011624171,0.00019260193,0.0001217346,6.4424904e-7,0.00015867931,0.00005934897,0.000060585775,0.00014505343,0.0031015407],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047191505,0.000005641422,8.832345e-8,0.000020721194,0.00003079362,0.00003128569,0.0016414445,1.462361e-8,0.0000017588314,0.90441483,0.08700546,0.0068007596],"study_design_scores_gemma":[0.000082967315,0.0000953678,0.0000010565215,0.000037722548,0.00004252196,0.000004802938,0.000057482037,0.0000010357949,0.000033941924,0.040030926,0.95934856,0.00026361854],"about_ca_topic_score_codex":0.0000609579,"about_ca_topic_score_gemma":0.00031734514,"teacher_disagreement_score":0.8723431,"about_ca_system_score_codex":0.000019056086,"about_ca_system_score_gemma":0.000020954836,"threshold_uncertainty_score":0.99767464},"labels":[],"label_agreement":null},{"id":"W4230023802","doi":"10.1119/1.2783144","title":"Worth Rereading","year":2007,"lang":"en","type":"article","venue":"The Physics Teacher","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Dalhousie University","funders":"","keywords":"Mathematics education; Physics education; Theoretical physics; Physics; Epistemology; Philosophy; Calculus (dental); Mathematics","score_opus":0.10743388644512543,"score_gpt":0.27643535057915153,"score_spread":0.1690014641340261,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230023802","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.332337,0.00006692172,0.0011599155,0.00033616583,0.00031174914,0.00007335785,0.0000015326822,0.000099367426,0.665614],"genre_scores_gemma":[0.9388737,0.0000015241056,0.000021476459,0.00040888824,0.002252936,0.0000028362424,0.000003771819,0.000017151753,0.058417726],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951875,0.000013842004,0.00008327295,0.00008696815,0.00010443103,0.0001927193],"domain_scores_gemma":[0.99967796,0.000041221832,0.00003360859,0.00019867883,0.0000223649,0.000026165444],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025683275,0.000078496465,0.000068256224,0.000011387852,0.00024792302,0.000065137254,0.00013789741,0.00001452026,0.00093450636],"category_scores_gemma":[0.000004607633,0.00004917257,0.000054900178,0.0000144975675,0.00011794157,0.00008430782,0.000028690396,0.00014368496,0.0003645994],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000011763243,0.00006695935,0.0005687208,0.0000036098777,0.00003811182,0.0000022759373,0.101789385,0.0000019624795,0.0002164652,0.8293346,0.013525781,0.054440334],"study_design_scores_gemma":[0.0002262129,0.000023122035,0.0011645944,0.000013765951,0.00004474348,0.0000012535038,0.0059249294,0.00010753349,0.000973179,0.098981135,0.8922959,0.00024366194],"about_ca_topic_score_codex":0.00013589216,"about_ca_topic_score_gemma":0.00029836982,"teacher_disagreement_score":0.8787701,"about_ca_system_score_codex":0.000013780649,"about_ca_system_score_gemma":0.0000065598124,"threshold_uncertainty_score":0.9999788},"labels":[],"label_agreement":null},{"id":"W4230569670","doi":"10.1163/9789004251311_001","title":"Preliminary Material","year":2013,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Norges Forskningsråd; Deutscher Akademischer Austauschdienst; Deutsche Forschungsgemeinschaft; York University","keywords":"Materials science; Environmental science","score_opus":0.08062948157309471,"score_gpt":0.2214930203294911,"score_spread":0.1408635387563964,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4230569670","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000083961466,0.000114939605,0.000002457672,0.00014458556,0.0021436429,0.00020543828,0.000070575115,0.00017134377,0.99706304],"genre_scores_gemma":[0.0018897647,0.000031124087,0.000038996368,0.0004916495,0.0034936538,0.000015767104,0.0001326525,0.00006790598,0.9938385],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993315,0.0000027309165,0.0001803375,0.0002018226,0.00013381835,0.00014980078],"domain_scores_gemma":[0.99958616,0.000013377437,0.00006866103,0.00022506593,0.00005857359,0.00004818103],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000022406914,0.00023649108,0.00021493068,0.0000620258,0.00011015353,0.00020637682,0.00013736448,0.00014798777,0.5219369],"category_scores_gemma":[9.95004e-7,0.00018273982,0.000111166606,4.1045382e-7,0.00014189271,0.00009605695,0.000071304064,0.00012122157,0.01678118],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009906862,0.0000035809685,3.2921744e-8,0.000016729196,0.000024894365,0.000005350489,0.0011427653,1.0501551e-8,0.0000024287738,0.7102442,0.28513905,0.003411078],"study_design_scores_gemma":[0.00006782495,0.000083310726,8.9993347e-7,0.000034533703,0.000036802776,0.0000026841863,0.000047585938,0.0000025534778,0.000019714675,0.07278599,0.926668,0.00025012073],"about_ca_topic_score_codex":0.00012106399,"about_ca_topic_score_gemma":0.000088580215,"teacher_disagreement_score":0.64152896,"about_ca_system_score_codex":0.000013832531,"about_ca_system_score_gemma":0.000019260515,"threshold_uncertainty_score":0.98398435},"labels":[],"label_agreement":null},{"id":"W4231127340","doi":"10.1163/9789087907358_001","title":"Preliminary Material","year":2009,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Simon Fraser University","funders":"","keywords":"Materials science; Geology; Computer science","score_opus":0.07717375869401413,"score_gpt":0.2312970756569425,"score_spread":0.15412331696292836,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231127340","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00003093147,0.00015292864,0.0000018777481,0.00020681205,0.0013415916,0.00013883218,0.00006741351,0.00018985706,0.99786973],"genre_scores_gemma":[0.0015100152,0.00004142552,0.00003339702,0.00086783926,0.0036861151,0.0000033599058,0.00014091123,0.000046510067,0.9936704],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993235,0.0000026829136,0.00017950678,0.00020537843,0.00014177876,0.00014715572],"domain_scores_gemma":[0.99962807,0.000009928354,0.000064882646,0.00021210845,0.000041880558,0.000043131913],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000028531329,0.00023665883,0.000222198,0.0000701287,0.000115016956,0.00014712122,0.0001314256,0.00014592413,0.13530098],"category_scores_gemma":[9.3028746e-7,0.00019205167,0.00012365456,5.1027354e-7,0.000103378356,0.000066304,0.000037338174,0.000126064,0.0023445166],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003134472,0.000006408764,2.497884e-8,0.000011264769,0.000020708865,0.00001906436,0.0012706346,2.6273508e-8,0.0000021596336,0.8459519,0.13128248,0.021403976],"study_design_scores_gemma":[0.00007661474,0.00014983259,0.000001273625,0.000038622176,0.000042115582,0.0000038924,0.000026481956,0.0000011631282,0.000019860025,0.10640242,0.89299315,0.0002445959],"about_ca_topic_score_codex":0.00002966533,"about_ca_topic_score_gemma":0.00010313189,"teacher_disagreement_score":0.76171064,"about_ca_system_score_codex":0.000015676917,"about_ca_system_score_gemma":0.000021730224,"threshold_uncertainty_score":0.9984323},"labels":[],"label_agreement":null},{"id":"W4231690383","doi":"10.4000/books.pulm.13795","title":"Say for Missaid: Learning the Rules of Beckett´s Losing Game","year":2011,"lang":"en","type":"book-chapter","venue":"Presses universitaires de la Méditerranée eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Assembly of First Nations","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.05645464918105355,"score_gpt":0.23283159583658497,"score_spread":0.1763769466555314,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4231690383","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0007568708,0.0021022323,0.00046188958,0.00017265366,0.0003148583,0.00047936803,0.0001749016,0.00013917501,0.99539804],"genre_scores_gemma":[0.3328538,0.0001267972,0.00010209098,0.00013995596,0.00065922947,0.000011794744,0.00008243118,0.00012498323,0.6658989],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99865687,0.00008152421,0.00031109058,0.00035946807,0.00023447811,0.00035656118],"domain_scores_gemma":[0.9982899,0.00063482067,0.00041019198,0.0003859637,0.00019509482,0.000084052],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0002210683,0.00042901904,0.00046353534,0.00021940551,0.00051305443,0.00015929062,0.00061254186,0.00029045556,0.0019154588],"category_scores_gemma":[0.00002745428,0.0003555634,0.0004368218,0.0000030718984,0.0011142247,0.00013794334,0.00018632018,0.0004982818,0.000022524104],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002214821,0.000020772923,0.0000069699718,0.00032478466,0.00046403243,0.000028431214,0.044131555,0.0000078490875,0.00012078096,0.9115876,0.009403182,0.033682577],"study_design_scores_gemma":[0.00042979972,0.00011318335,0.000006524854,0.00039909623,0.00048465072,0.000008600845,0.0008709556,0.000030002655,0.000272545,0.20099896,0.79602987,0.00035583647],"about_ca_topic_score_codex":0.00021180794,"about_ca_topic_score_gemma":0.0001266677,"teacher_disagreement_score":0.78662664,"about_ca_system_score_codex":0.000057601053,"about_ca_system_score_gemma":0.00011145909,"threshold_uncertainty_score":0.9998896},"labels":[],"label_agreement":null},{"id":"W4232044814","doi":"10.3138/md.55.3.407","title":"Reviews","year":2012,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"George (robot); Art history; Art; Performance art; Drama; Philosophy; Literature","score_opus":0.14404093458441136,"score_gpt":0.2876092293559108,"score_spread":0.14356829477149946,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4232044814","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12617478,0.01538709,0.0015897658,0.0006946175,0.0021220865,0.00033156207,0.000010656068,0.00023740665,0.853452],"genre_scores_gemma":[0.931585,0.00007426101,0.00012985696,0.0012021435,0.0019130504,0.000029329813,0.000008113647,0.000020023299,0.06503821],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99932396,0.00002808241,0.00014897695,0.00010154201,0.00009966193,0.00029776135],"domain_scores_gemma":[0.99962175,0.00001457121,0.000042053092,0.00021136068,0.000022478132,0.00008776473],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017260174,0.00010772406,0.00014622843,0.000032575088,0.00016151658,0.00008381292,0.000107851796,0.000028778553,0.004142222],"category_scores_gemma":[0.000015885656,0.00008342667,0.000084103776,0.000007860357,0.00006450133,0.00028883386,0.00003180132,0.00008076406,0.0028499337],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000012943647,0.00021843924,0.0016221193,0.00006222216,0.0000315135,0.000002234186,0.17711073,9.948061e-7,0.00038832388,0.45201546,0.14686576,0.22166927],"study_design_scores_gemma":[0.00010499277,0.000009366318,0.00017224847,0.000011602122,0.000013806071,0.0000018582278,0.00017094566,0.00011831102,0.000078646095,0.005036018,0.99415225,0.00012995274],"about_ca_topic_score_codex":0.00004203299,"about_ca_topic_score_gemma":0.000068004614,"teacher_disagreement_score":0.8472865,"about_ca_system_score_codex":0.000014588911,"about_ca_system_score_gemma":0.0000059640347,"threshold_uncertainty_score":0.9979265},"labels":[],"label_agreement":null},{"id":"W4233946326","doi":"10.1163/9789460911378_001","title":"Preliminary Material","year":2010,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Materials science","score_opus":0.06821369237687964,"score_gpt":0.22589039042101594,"score_spread":0.1576766980441363,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4233946326","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00013589273,0.000054348016,0.0000028521806,0.00014537996,0.004060818,0.0001402134,0.00011201163,0.00017277067,0.9951757],"genre_scores_gemma":[0.0021209912,0.000017933264,0.00007248677,0.0004172522,0.005127034,0.0000071109675,0.00014407496,0.00006905955,0.99202406],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99934703,0.000002037861,0.00016812218,0.00020562671,0.00013524316,0.00014194321],"domain_scores_gemma":[0.9995631,0.000014290799,0.00006807283,0.00025548358,0.00005100798,0.00004805722],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003365745,0.00023012784,0.00020521175,0.000065264794,0.00015047075,0.00015901602,0.0001516799,0.00024363102,0.28230184],"category_scores_gemma":[0.0000015286446,0.00018296365,0.0001173795,4.0212512e-7,0.000207677,0.000063311854,0.0000711049,0.00027481813,0.0033577115],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027170705,0.0000056163394,7.127094e-8,0.000018115219,0.00002496697,0.000013483087,0.0017681842,3.855368e-9,0.000044868502,0.95567137,0.039856564,0.0025696016],"study_design_scores_gemma":[0.0000718173,0.00007085037,7.634294e-7,0.000022473338,0.000040856135,0.0000044531844,0.000026506714,5.6230044e-7,0.0001579694,0.07955457,0.9198038,0.0002453817],"about_ca_topic_score_codex":0.000055966917,"about_ca_topic_score_gemma":0.0004755427,"teacher_disagreement_score":0.87994725,"about_ca_system_score_codex":0.000007865008,"about_ca_system_score_gemma":0.000026043099,"threshold_uncertainty_score":0.9974183},"labels":[],"label_agreement":null},{"id":"W4234812063","doi":"10.1017/9781316476864.035","title":"Scavenging","year":2017,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Scavenging; Environmental science; Chemistry; Organic chemistry","score_opus":0.08211681190708436,"score_gpt":0.21223302324555388,"score_spread":0.1301162113384695,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4234812063","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000034079345,0.00016086383,0.000029398401,0.000018089004,0.0008745856,0.00020817449,0.00027206808,0.00018336283,0.9982194],"genre_scores_gemma":[0.0030162777,0.00005071622,0.000010657737,0.000064267115,0.0009314956,3.925899e-7,0.00004803398,0.000059643105,0.9958185],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990487,0.000010623592,0.0001191598,0.00036729785,0.00019594822,0.00025825787],"domain_scores_gemma":[0.99885106,0.000027439217,0.0002200697,0.00065786694,0.00012606439,0.00011752478],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000057412755,0.00032548225,0.00033305548,0.00014264528,0.0008528281,0.0002359556,0.00058684306,0.0001956347,0.00010665666],"category_scores_gemma":[0.0000045253014,0.00037166837,0.00025855933,2.4333303e-7,0.0005031632,0.00013580052,0.000282567,0.0003768448,0.00012333687],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002171962,0.000003017388,2.0697478e-7,0.000043489166,0.0001068834,0.00020964642,0.0009559429,1.4545472e-7,0.0000031452428,0.9329236,0.06344853,0.0022836565],"study_design_scores_gemma":[0.00031764596,0.000020003434,0.0000012031423,0.00018081289,0.00018813749,0.0000048842976,0.000103674516,0.00001496064,0.000031141564,0.000076028795,0.9986289,0.00043260996],"about_ca_topic_score_codex":0.0002996171,"about_ca_topic_score_gemma":0.000038375256,"teacher_disagreement_score":0.93518037,"about_ca_system_score_codex":0.00008577385,"about_ca_system_score_gemma":0.000062515355,"threshold_uncertainty_score":0.9998735},"labels":[],"label_agreement":null},{"id":"W4235160603","doi":"10.1353/mdr.0.0162","title":"\"Some Exceptions\" and the \"Normal Thing\": Reconsidering Waiting for Godot 's Theatrical Form through Its Prison Performances","year":2010,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Drama; Performative utterance; Allegory; Prison; Existentialism; Aesthetics; Scholarship; Literature; Art; Reading (process); Norm (philosophy); Absurdism; Sociology; Philosophy; Epistemology; Law; Linguistics; Political science; Criminology","score_opus":0.09147742490867948,"score_gpt":0.26967930862939465,"score_spread":0.17820188372071516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235160603","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9764397,0.0011155335,0.000790591,0.0024613237,0.0009825703,0.00055603904,0.000018427892,0.00014693745,0.017488865],"genre_scores_gemma":[0.9929084,0.00012161032,0.0006160363,0.0006038564,0.00226763,0.0001325353,0.000008156333,0.000033601966,0.0033081823],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.998881,0.000024536139,0.0002839106,0.00025701761,0.00017077212,0.00038279177],"domain_scores_gemma":[0.9992237,0.00032313942,0.00010587205,0.00021044174,0.00008549474,0.000051329742],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0003991925,0.00019400714,0.00023454872,0.000045924808,0.0012962865,0.00049113587,0.00019244239,0.00008914572,0.00023627796],"category_scores_gemma":[0.00007455592,0.0001252387,0.00012546915,0.00001457649,0.00033396488,0.0009852566,0.00009239406,0.00037789217,0.000023855551],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":"theoretical_or_conceptual","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021230278,0.000058966896,0.00036164452,0.0001260431,0.00007316968,0.0000019207691,0.25895375,0.000020361882,0.00062297174,0.66185117,0.00108599,0.07663171],"study_design_scores_gemma":[0.0054012085,0.00020753188,0.0004962909,0.000105137085,0.0001945979,0.00007518652,0.011896887,0.26866657,0.0022475792,0.42473462,0.28503972,0.0009346686],"about_ca_topic_score_codex":0.000074170035,"about_ca_topic_score_gemma":0.00039176067,"teacher_disagreement_score":0.28395373,"about_ca_system_score_codex":0.000010694854,"about_ca_system_score_gemma":0.000028918726,"threshold_uncertainty_score":0.99701184},"labels":[],"label_agreement":null},{"id":"W4235491741","doi":"10.1353/mdr.2011.0039","title":"A Centenary of Missed Opportunities: A Guide to Assembling an Accurate Volume of Samuel Beckett's Dramatic \"Shorts\"","year":2011,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Volume (thermodynamics); History; Art; Art history; Computer science; Physics","score_opus":0.2692355867063757,"score_gpt":0.3101874271252605,"score_spread":0.04095184041888478,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235491741","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.91931087,0.00021739886,0.004840313,0.0003929042,0.0004320699,0.0005641014,0.00013668873,0.00015847207,0.07394716],"genre_scores_gemma":[0.9827913,0.000017118848,0.0015193907,0.00070871745,0.0001902284,0.000044266995,0.000047827292,0.00007602686,0.014605104],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9977183,0.000092556176,0.0008903213,0.0003915356,0.00041830458,0.00048903155],"domain_scores_gemma":[0.9981432,0.000057800356,0.00034571716,0.0007109973,0.00046254956,0.00027970996],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00036672884,0.00032996555,0.00059395266,0.00032952777,0.00017845198,0.00010137149,0.00055382296,0.00010476949,0.0017743019],"category_scores_gemma":[0.00007605264,0.0003067538,0.00020797277,0.000055543856,0.00023618883,0.00056403223,0.00013517651,0.00015197483,0.000039122282],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00077535224,0.0024700167,0.0018363455,0.0011499451,0.0006353642,0.0001743721,0.85110295,0.00031459128,0.014999508,0.06601125,0.019711075,0.04081923],"study_design_scores_gemma":[0.0076532303,0.006251975,0.0084011955,0.0031194158,0.0015800741,0.000111543224,0.24219309,0.22728907,0.03309572,0.08037412,0.3838543,0.006076261],"about_ca_topic_score_codex":0.0017915207,"about_ca_topic_score_gemma":0.0006432903,"teacher_disagreement_score":0.60890985,"about_ca_system_score_codex":0.000037474874,"about_ca_system_score_gemma":0.00016764966,"threshold_uncertainty_score":0.9999384},"labels":[],"label_agreement":null},{"id":"W4235768268","doi":"10.3138/md.43.2.311","title":"Book Reviews","year":2000,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Tragedy (event); Postmodernism; Hegelianism; Comedy; Philosophy; Art history; Exegesis; Performance art; Art; Literature; Theology; Epistemology","score_opus":0.07257989015716342,"score_gpt":0.26227348247915455,"score_spread":0.18969359232199112,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4235768268","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.019188413,0.03751164,0.00014065235,0.00127557,0.0003275109,0.00028704465,0.000011194181,0.00021120027,0.9410468],"genre_scores_gemma":[0.09133199,0.0014735009,0.00006145097,0.013322523,0.00104715,0.00004711209,0.000015529784,0.000032516422,0.89266825],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924964,0.000028874945,0.00019022188,0.00018974638,0.00011461815,0.00022688377],"domain_scores_gemma":[0.99960834,0.000012066639,0.000029892697,0.0002682992,0.000020866775,0.000060555838],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008403306,0.00013109457,0.0001797405,0.000029178234,0.00020609883,0.00014542436,0.00014989756,0.00003382829,0.10800728],"category_scores_gemma":[0.0000050223425,0.00010571063,0.00010613612,0.00000848889,0.000090465845,0.00021584962,0.000014090245,0.000095468706,0.006942771],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015093472,0.00005544823,0.000011074193,0.000020069365,0.000012983313,0.0000075473695,0.026957192,0.0000050084786,0.000038237245,0.012910524,0.5781528,0.38181406],"study_design_scores_gemma":[0.00017396128,0.000020969683,0.000017824259,0.000020510719,0.0000128608235,0.0000023257612,0.000037334237,0.0005794488,0.000033922894,0.005350494,0.9935981,0.00015223019],"about_ca_topic_score_codex":0.00006242925,"about_ca_topic_score_gemma":0.00010582029,"teacher_disagreement_score":0.41544536,"about_ca_system_score_codex":0.000014159458,"about_ca_system_score_gemma":0.000010830232,"threshold_uncertainty_score":0.99383044},"labels":[],"label_agreement":null},{"id":"W4238570093","doi":"10.3138/md.45.4.663","title":"Book Reviews","year":2002,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Art history; Performance art; Philosophy","score_opus":0.1244538118910093,"score_gpt":0.2589455508013268,"score_spread":0.13449173891031752,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4238570093","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0039048865,0.10330098,0.0005687926,0.0024538084,0.0007373069,0.00032565487,0.000010362854,0.00024880306,0.88844943],"genre_scores_gemma":[0.19047888,0.001720627,0.000079494166,0.013901645,0.0012585043,0.00005422065,0.0000075286134,0.00003834149,0.79246074],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992478,0.000027073145,0.00018896049,0.00018608177,0.000121632605,0.00022844892],"domain_scores_gemma":[0.9995726,0.000015141793,0.00004918462,0.00027260667,0.000028975699,0.00006153022],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007020763,0.0001314817,0.00018000642,0.000041623694,0.00020558074,0.00014781948,0.0001494145,0.000034162502,0.04454425],"category_scores_gemma":[0.000013318474,0.00010644343,0.00010731299,0.000009098478,0.00008938216,0.00021682771,0.000029985491,0.000101411446,0.005580195],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000023141813,0.00005643259,0.000012616225,0.00001967492,0.000010368104,0.000006668126,0.03090375,0.0000011284271,0.000044940407,0.01940835,0.88026917,0.06926458],"study_design_scores_gemma":[0.00016815784,0.000021192927,0.000007139739,0.00001896298,0.000012934042,0.0000023912178,0.000057161695,0.0029289778,0.000032839835,0.003117385,0.99347943,0.00015344666],"about_ca_topic_score_codex":0.000026514163,"about_ca_topic_score_gemma":0.00007191146,"teacher_disagreement_score":0.18657398,"about_ca_system_score_codex":0.000015827907,"about_ca_system_score_gemma":0.0000029287555,"threshold_uncertainty_score":0.9951941},"labels":[],"label_agreement":null},{"id":"W4239368585","doi":"10.1353/mdr.2007.0032","title":"How to Do Nothing with Words, or Waiting for Godot as Performativity","year":2007,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Performative utterance; Realism; Performativity; Nothing; Philosophy; Aesthetics; Representation (politics); Reading (process); Object (grammar); Art; Epistemology; Literature; Linguistics","score_opus":0.07338001044718437,"score_gpt":0.27469583691221294,"score_spread":0.20131582646502857,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239368585","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.86433655,0.000066217704,0.09274788,0.0023867013,0.00030848553,0.00060031575,0.000024881927,0.00018491149,0.03934403],"genre_scores_gemma":[0.95932406,0.0000011779256,0.002199137,0.0014398608,0.00090125855,0.000045674493,0.000009561513,0.000049361588,0.03602991],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99875367,0.000012080735,0.00018092887,0.00027518868,0.00026525377,0.00051288767],"domain_scores_gemma":[0.9992504,0.00017161219,0.0000833302,0.00022998045,0.00013077274,0.00013388424],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00039910607,0.00021020664,0.00021854865,0.00010539624,0.0006020788,0.00081481715,0.00018033813,0.000056284214,0.000244883],"category_scores_gemma":[0.00007683982,0.00014712379,0.00007165305,0.000027926528,0.00007291336,0.00050867116,0.000054010656,0.00015822246,0.000049365906],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011225098,0.00013167983,0.00035201196,0.00017928661,0.000096699354,0.00003925224,0.59758,0.00007364088,0.0004696444,0.07647267,0.0022450264,0.3212376],"study_design_scores_gemma":[0.001835977,0.0007239704,0.0001956099,0.0002716779,0.00007105815,0.000031104555,0.034000978,0.012791466,0.0034821753,0.005655523,0.9400493,0.00089116994],"about_ca_topic_score_codex":0.00012222507,"about_ca_topic_score_gemma":0.001925991,"teacher_disagreement_score":0.9378043,"about_ca_system_score_codex":0.000041969324,"about_ca_system_score_gemma":0.000044194523,"threshold_uncertainty_score":0.78573006},"labels":[],"label_agreement":null},{"id":"W4239597923","doi":"10.18192/cjcs.v0i3.1291","title":"Romantic Affinities?","year":2015,"lang":"en","type":"article","venue":"Conversations The Journal of Cavellian Studies","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Passions; Opera; Skepticism; Argument (complex analysis); Relation (database); Romance; Philosophy; Expression (computer science); Literature; Epistemology; Aesthetics; Art","score_opus":0.39678723954234935,"score_gpt":0.33287632535440387,"score_spread":0.06391091418794548,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239597923","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.75377584,0.036462158,0.0010928902,0.028176142,0.01339069,0.00044676356,0.000028463612,0.00009456462,0.16653246],"genre_scores_gemma":[0.98782855,0.00054734113,0.00006408019,0.00045068708,0.00097457523,0.0000015849056,5.9435484e-7,0.000009556683,0.010123038],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992229,0.00007531388,0.00029252426,0.000042785738,0.0002441662,0.00012231075],"domain_scores_gemma":[0.9985334,0.00023367953,0.0002461368,0.00012182895,0.00080839073,0.000056532663],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005380672,0.00009370005,0.00018922618,0.00009110555,0.00029642164,0.000060983093,0.00019044624,0.000015063463,0.0001573322],"category_scores_gemma":[0.00018614985,0.000054662352,0.00008110081,0.000028315566,0.0004326242,0.00023295374,0.000037578862,0.00012449815,0.000116812196],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000057288362,0.000044945766,0.00030967247,0.000020153713,0.00059793395,0.000015199138,0.6954443,0.00005424064,0.0000113054975,0.068609565,0.23369616,0.0011392729],"study_design_scores_gemma":[0.00066807435,0.00016935125,0.00014353932,0.000047609068,0.0002785985,0.00003953426,0.426973,0.00004427453,0.00010057994,0.012658265,0.558759,0.000118220494],"about_ca_topic_score_codex":0.000019349898,"about_ca_topic_score_gemma":0.00012850184,"teacher_disagreement_score":0.3250628,"about_ca_system_score_codex":0.000048455575,"about_ca_system_score_gemma":0.00009667219,"threshold_uncertainty_score":0.22798656},"labels":[],"label_agreement":null},{"id":"W4239939390","doi":"10.1017/cbo9780511777486.005","title":"Poetics","year":2010,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Poetics; Pound (networking); Poetry; Literature; Art; Philosophy; History; Linguistics; Computer science","score_opus":0.06301082610645793,"score_gpt":0.20053551886771356,"score_spread":0.13752469276125562,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4239939390","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000092477094,0.000079669524,0.000031704843,0.000024820338,0.0011682597,0.0002238166,0.00039689962,0.00019931953,0.997783],"genre_scores_gemma":[0.0011713252,0.000043061533,0.000039626168,0.00015550722,0.0009821721,3.6134452e-7,0.00006999655,0.00006550814,0.99747247],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99903667,0.000010711934,0.00013869184,0.0003507248,0.00021443998,0.0002487876],"domain_scores_gemma":[0.9990219,0.000036961188,0.00014811126,0.00048175643,0.00017290583,0.00013836485],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000045407756,0.00033605387,0.00030895552,0.00013960554,0.0003867558,0.000117459145,0.00042920807,0.00034724973,0.0002509086],"category_scores_gemma":[0.0000035048931,0.00037577108,0.00023388988,7.0350325e-7,0.0006215805,0.000070689486,0.00022667862,0.0007205144,0.00014911499],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023341507,0.000005750394,1.6204282e-7,0.000035086035,0.0000763932,0.00012761555,0.0010458633,3.707996e-8,0.00003042598,0.9541476,0.043838583,0.0006691635],"study_design_scores_gemma":[0.0002906856,0.000030693962,8.191519e-7,0.00005572717,0.00020125862,0.00000560846,0.00012149595,0.0000044285007,0.00016146997,0.00011737238,0.99856883,0.00044158899],"about_ca_topic_score_codex":0.00019716781,"about_ca_topic_score_gemma":0.00007181985,"teacher_disagreement_score":0.9547303,"about_ca_system_score_codex":0.000053378095,"about_ca_system_score_gemma":0.000070324866,"threshold_uncertainty_score":0.9998694},"labels":[],"label_agreement":null},{"id":"W4241193003","doi":"10.1353/mdr.2007.0012","title":"A Look Anew at Beckett’s Other Peg","year":2006,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"PEG ratio; Art; Aesthetics; Visual arts; History; Literature; Business","score_opus":0.050261870475336506,"score_gpt":0.23633177611972153,"score_spread":0.18606990564438503,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241193003","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.52993363,0.0008241025,0.00037914535,0.00085376523,0.0004111514,0.00017954888,0.00004591474,0.00026900673,0.46710372],"genre_scores_gemma":[0.69665277,0.0000024032483,0.00005502564,0.0010009899,0.0011013633,0.00002008766,0.000024219915,0.000046290286,0.30109686],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99881655,0.000025422594,0.00021685763,0.00031095443,0.00024358486,0.00038661752],"domain_scores_gemma":[0.9994525,0.000028454084,0.00006698892,0.00033026532,0.000057536763,0.00006430931],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000071819806,0.00021282674,0.00019793893,0.00007206809,0.00035363645,0.00021261729,0.00018719192,0.00007208411,0.00789196],"category_scores_gemma":[0.000004487886,0.00018521845,0.00013241499,0.000014305217,0.00018245835,0.00016177149,0.00007431101,0.000108953696,0.0016441159],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018746352,0.0006821575,0.0062862653,0.00011666652,0.00015105831,0.00014269026,0.081539795,0.00016484303,0.0037464942,0.5011935,0.37569743,0.030091621],"study_design_scores_gemma":[0.00063091255,0.00003986415,0.00051822985,0.000016439471,0.000036337366,0.0000099127055,0.00023696687,0.0015673252,0.00062491285,0.04812009,0.94784397,0.00035502],"about_ca_topic_score_codex":0.0019118637,"about_ca_topic_score_gemma":0.009289955,"teacher_disagreement_score":0.57214653,"about_ca_system_score_codex":0.00006818481,"about_ca_system_score_gemma":0.000024422421,"threshold_uncertainty_score":0.9991332},"labels":[],"label_agreement":null},{"id":"W4241627871","doi":"10.1163/9789087901714_001","title":"Preliminary Material","year":2007,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Materials science","score_opus":0.14394384056361897,"score_gpt":0.2615858353375473,"score_spread":0.11764199477392834,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241627871","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000043484626,0.00014293846,0.000011828465,0.00006098876,0.0024253163,0.0001417131,0.00007689397,0.00017877707,0.9969181],"genre_scores_gemma":[0.0012148275,0.000027269536,0.00005203227,0.000631535,0.0045289476,0.0000032417431,0.00013776944,0.000067718094,0.9933367],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924284,0.000002007808,0.00020579177,0.00020493509,0.00016821473,0.00017618747],"domain_scores_gemma":[0.9996006,0.000018692761,0.00006929257,0.0002078486,0.00005309424,0.000050486753],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00005869543,0.0002353147,0.00020942303,0.00010356565,0.000117535776,0.00011735943,0.00012714407,0.0001771502,0.1950919],"category_scores_gemma":[0.0000011624171,0.00019260193,0.0001217346,6.4424904e-7,0.00015867931,0.00005934897,0.000060585775,0.00014505343,0.0031015407],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047191505,0.000005641422,8.832345e-8,0.000020721194,0.00003079362,0.00003128569,0.0016414445,1.462361e-8,0.0000017588314,0.90441483,0.08700546,0.0068007596],"study_design_scores_gemma":[0.000082967315,0.0000953678,0.0000010565215,0.000037722548,0.00004252196,0.000004802938,0.000057482037,0.0000010357949,0.000033941924,0.040030926,0.95934856,0.00026361854],"about_ca_topic_score_codex":0.0000609579,"about_ca_topic_score_gemma":0.00031734514,"teacher_disagreement_score":0.8723431,"about_ca_system_score_codex":0.000019056086,"about_ca_system_score_gemma":0.000020954836,"threshold_uncertainty_score":0.99767464},"labels":[],"label_agreement":null},{"id":"W4241846369","doi":"10.1353/ctr.2011.0021","title":"Remembering Beckett","year":2011,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Interpretation (philosophy); Performance art; Art; Art history; Visual arts; History; Philosophy","score_opus":0.16473850226348283,"score_gpt":0.2529686771688344,"score_spread":0.0882301749053516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4241846369","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00046418523,0.10307387,0.0000012970564,0.00068974757,0.0003764565,0.00020539814,0.000018272818,0.000051003608,0.8951198],"genre_scores_gemma":[0.7376918,0.11978266,0.0004431433,0.057740334,0.0031868648,0.00024192024,0.00009602857,0.00024145261,0.08057581],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992714,0.000026569754,0.00017050107,0.00015527205,0.00006948158,0.00030675516],"domain_scores_gemma":[0.999345,0.000008163757,0.000034655248,0.00028418688,0.000039211613,0.00028874856],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013795398,0.00012562594,0.00020442008,0.00006697815,0.0001842118,0.000031314703,0.00018231504,0.000025228579,0.026447926],"category_scores_gemma":[0.000008762139,0.00010462929,0.000105805906,0.000024629,0.000073262294,0.00010187946,0.000012194498,0.000088441106,0.001323271],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000002446106,0.000019671133,0.00028065563,0.0016952408,0.00007744979,0.0001164423,0.017388422,2.22332e-8,0.000003091123,0.2576194,0.2105721,0.5122251],"study_design_scores_gemma":[0.000038488346,0.000011161976,0.000042690852,0.0009170633,0.000050640872,0.000009308846,0.00015685099,8.7686436e-7,0.0000076773895,0.0009832936,0.9976336,0.00014835644],"about_ca_topic_score_codex":0.09953436,"about_ca_topic_score_gemma":0.5825562,"teacher_disagreement_score":0.81454396,"about_ca_system_score_codex":0.00005805455,"about_ca_system_score_gemma":0.00013849008,"threshold_uncertainty_score":0.9994543},"labels":[],"label_agreement":null},{"id":"W4242897470","doi":"10.4324/9781315571911-16","title":"Tragedy, Contingency and Atonement: Waiting for Godot and Jesus of Montreal","year":2016,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Atonement; Tragedy (event); Contingency; Art; History; Theology; Psychoanalysis; Literature; Psychology; Philosophy; Linguistics","score_opus":0.07127969073635713,"score_gpt":0.2330538066969261,"score_spread":0.16177411596056895,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4242897470","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0018091208,0.002173072,0.00004340496,0.00012888366,0.00016972037,0.00035768893,0.00021342984,0.000034919132,0.99506974],"genre_scores_gemma":[0.113655396,0.00043503995,0.0000653042,0.00007483779,0.0005544203,0.000013503989,0.000015821413,0.000041731262,0.88514394],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992127,0.0000037981501,0.00028651918,0.00023722398,0.00009684715,0.0001629396],"domain_scores_gemma":[0.99946433,0.00012249402,0.00017045304,0.00010630383,0.00008692494,0.000049476977],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00010394214,0.00021313099,0.00033856608,0.000066624154,0.00015512238,0.00005291517,0.00005422353,0.000098040524,0.0015252704],"category_scores_gemma":[0.0000079091005,0.0001513774,0.00008581559,7.464375e-7,0.00022139182,0.000064717344,0.000042378884,0.00006678259,0.000004557397],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000022838134,0.00000522812,0.000008736887,0.00013727849,0.00008590877,0.0000013977694,0.003846287,2.0196789e-9,0.00002298632,0.92506,0.0025887785,0.06822058],"study_design_scores_gemma":[0.0015059994,0.00019659115,0.00002846471,0.00041675492,0.00023636715,0.000003672528,0.00073333865,0.00002937156,0.00012989686,0.13984182,0.85642445,0.00045328913],"about_ca_topic_score_codex":0.00016174639,"about_ca_topic_score_gemma":0.0019304544,"teacher_disagreement_score":0.85383564,"about_ca_system_score_codex":0.0000044256853,"about_ca_system_score_gemma":0.000013635834,"threshold_uncertainty_score":0.99938744},"labels":[],"label_agreement":null},{"id":"W4243283356","doi":"10.1353/mdr.2007.0001","title":"Beckett and Television: In a Different Context","year":2006,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Context (archaeology); History; Archaeology","score_opus":0.04112429217998591,"score_gpt":0.23450031240495375,"score_spread":0.19337602022496786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243283356","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9542303,0.0011903703,0.00017821346,0.00092623936,0.00016448792,0.00014597535,0.000010162932,0.00006506934,0.04308919],"genre_scores_gemma":[0.98446614,0.000010672533,0.000014172022,0.0003831765,0.00047123336,0.000019547724,0.00001114506,0.000019087485,0.014604858],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992022,0.000023089278,0.00019083034,0.00022318332,0.00013277541,0.00022791745],"domain_scores_gemma":[0.9997082,0.000042731765,0.000035127963,0.00014781526,0.000026074713,0.000040055314],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.000053424897,0.00015328989,0.00019763841,0.00008193013,0.00012361276,0.00018118,0.000082342536,0.00004533675,0.0005335743],"category_scores_gemma":[0.0000059038402,0.00011719765,0.00004562566,0.00001042458,0.0001269605,0.00014965008,0.000047141835,0.00010972314,0.000041775245],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012550535,0.000608847,0.01742284,0.00010988174,0.000037648533,0.000104199826,0.085580856,0.000018643483,0.00089393987,0.58784896,0.0153171765,0.2919315],"study_design_scores_gemma":[0.0040904195,0.00020846498,0.049159683,0.0002050091,0.00004559782,0.000019261859,0.0032690186,0.012630293,0.00065262744,0.2945279,0.63418305,0.0010086951],"about_ca_topic_score_codex":0.0011731279,"about_ca_topic_score_gemma":0.0082297195,"teacher_disagreement_score":0.61886585,"about_ca_system_score_codex":0.000025794572,"about_ca_system_score_gemma":0.000009371014,"threshold_uncertainty_score":0.5842265},"labels":[],"label_agreement":null},{"id":"W4243296994","doi":"10.1515/9780748693436-003","title":"Acknowledgements","year":2020,"lang":"en","type":"book-chapter","venue":"Edinburgh University Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Surrey; Queen's University; University of Portsmouth","keywords":"Psychology","score_opus":0.09815467045563177,"score_gpt":0.2206676244586615,"score_spread":0.12251295400302974,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243296994","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000050208314,0.00011130169,0.00002075413,0.000051256844,0.002539884,0.00026569716,0.00016281765,0.00024028434,0.996603],"genre_scores_gemma":[0.0002949326,0.00004213239,0.000016307418,0.00019079783,0.003331094,6.2940927e-7,0.00005505016,0.000048145594,0.9960209],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989131,0.00000945257,0.00015284916,0.00042473202,0.0002767896,0.00022305852],"domain_scores_gemma":[0.99910194,0.00003118628,0.00014690908,0.00030085343,0.00025354724,0.00016554561],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00003956835,0.00034812972,0.0003433461,0.00011773633,0.00032236605,0.00010756797,0.00047206535,0.00019263464,0.024219915],"category_scores_gemma":[0.000007528584,0.00038803704,0.00023706733,0.0000012209858,0.00031230156,0.00010241743,0.00036772335,0.0004079942,0.00055232545],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000032274544,0.00000555748,1.5690472e-7,0.000019516368,0.00014989288,0.00007804883,0.0054084514,1.06388136e-7,0.0000016912221,0.5271991,0.46539152,0.0017136844],"study_design_scores_gemma":[0.00040576188,0.00004939986,1.285929e-7,0.00008519168,0.00023124147,5.2480493e-7,0.00025398948,0.0000115014445,0.00002020818,0.0036106284,0.9949186,0.00041281452],"about_ca_topic_score_codex":0.000027941976,"about_ca_topic_score_gemma":0.00007105413,"teacher_disagreement_score":0.52952707,"about_ca_system_score_codex":0.00008256213,"about_ca_system_score_gemma":0.00006119286,"threshold_uncertainty_score":0.9998571},"labels":[],"label_agreement":null},{"id":"W4243498750","doi":"10.1353/mdr.0.0086","title":"Things, Voices, Events: Harold Pinter’s Mountain Language as Testamental Text","year":2009,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Conversation; Literature; Linguistics; History; Philosophy; Art","score_opus":0.02636277776633716,"score_gpt":0.26307527302299555,"score_spread":0.23671249525665838,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4243498750","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79357094,0.0010893035,0.00035653028,0.0028565326,0.00050310907,0.00034388385,0.000050846116,0.00045625868,0.20077263],"genre_scores_gemma":[0.92149097,0.000012143245,0.00008987807,0.0071583795,0.00063979736,0.00001513919,0.00005941596,0.000036483594,0.07049781],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985772,0.000037611993,0.0002631098,0.00035785628,0.0003319595,0.00043228205],"domain_scores_gemma":[0.99936783,0.00003197817,0.00009437336,0.00033927851,0.0000511577,0.000115378956],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012825725,0.0002670506,0.00023178622,0.00013787065,0.00030217643,0.00033519487,0.00033935727,0.00007562185,0.0026376736],"category_scores_gemma":[0.000024321389,0.00023591789,0.00013533897,0.000027128472,0.00008408976,0.00061351317,0.00006175425,0.00024033163,0.0011238513],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025819562,0.0013003934,0.0006979278,0.00007185292,0.00020762772,0.00026685186,0.54296905,0.000026913707,0.010089932,0.19710732,0.037512902,0.20949104],"study_design_scores_gemma":[0.0036437314,0.0011209546,0.0014238252,0.00034098435,0.00016679945,0.00008754939,0.028728984,0.008859459,0.004706255,0.13134742,0.8177097,0.0018643632],"about_ca_topic_score_codex":0.00095080846,"about_ca_topic_score_gemma":0.0004089916,"teacher_disagreement_score":0.7801968,"about_ca_system_score_codex":0.0000957428,"about_ca_system_score_gemma":0.00003384608,"threshold_uncertainty_score":0.9996539},"labels":[],"label_agreement":null},{"id":"W4244084587","doi":"10.7765/9781526110619.00014","title":"Bibliography","year":2016,"lang":"en","type":"book-chapter","venue":"Manchester University Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto; American Academy in Rome; University of Oxford; Yale University; University of Cambridge; Trinity College, University of Cambridge; Österreichischen Akademie der Wissenschaften; University of Ottawa; University of Pennsylvania; Princeton University","keywords":"Variety (cybernetics); Scope (computer science); Semiotics; Order (exchange); Sociology; Media studies; New media; Art; Visual arts; Aesthetics; Epistemology; Computer science; World Wide Web; Philosophy","score_opus":0.08541968522079275,"score_gpt":0.19918793088746006,"score_spread":0.11376824566666731,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244084587","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000019964991,0.00013033663,0.000047401933,0.000050299015,0.00059247745,0.0002221245,0.00021198925,0.00021853189,0.9985069],"genre_scores_gemma":[0.0008421479,0.00042987536,0.000015723415,0.00019289095,0.00077240734,8.5428644e-7,0.0000140876555,0.00006181713,0.9976702],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989361,0.000015457,0.00014462716,0.00040828512,0.00022607649,0.00026945295],"domain_scores_gemma":[0.99912405,0.000040584357,0.00015347665,0.00046771998,0.00010435619,0.000109785826],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000045271914,0.00035875285,0.0003107492,0.0030408779,0.00025409364,0.00014243451,0.00042292295,0.00022090663,0.0014034418],"category_scores_gemma":[5.047556e-7,0.00032261433,0.000343039,0.000009205608,0.0004811722,0.00015333497,0.00023907663,0.00023894288,0.00018323887],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000038068425,0.0000055130135,0.0000023146872,0.000047671954,0.00016504625,0.00007917052,0.0024298616,1.6753265e-8,0.0000032353862,0.9032736,0.09098517,0.002970347],"study_design_scores_gemma":[0.00040199896,0.000036304882,0.0000034127156,0.00017066475,0.000167023,0.0000019902864,0.00008740581,4.2874078e-7,0.000022891489,0.00670202,0.99195224,0.00045364196],"about_ca_topic_score_codex":0.000048296843,"about_ca_topic_score_gemma":0.000076591896,"teacher_disagreement_score":0.90096706,"about_ca_system_score_codex":0.000019745708,"about_ca_system_score_gemma":0.000016097185,"threshold_uncertainty_score":0.9999226},"labels":[],"label_agreement":null},{"id":"W4244504730","doi":"10.4000/books.puc.761","title":"Introduction","year":2011,"lang":"fr","type":"book-chapter","venue":"Presses universitaires de Caen eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Geography","score_opus":0.04736933973734675,"score_gpt":0.20254422382670847,"score_spread":0.15517488408936173,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244504730","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00057726435,0.0023877246,0.00027265967,0.0018254905,0.0020284061,0.00036596117,0.00018076673,0.0002199764,0.9921417],"genre_scores_gemma":[0.19069757,0.00054903806,0.0001081105,0.00014796059,0.0050008004,0.0000053678746,0.00009924378,0.0001148667,0.803277],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981652,0.0000582858,0.00031190447,0.0006363397,0.000256249,0.0005720166],"domain_scores_gemma":[0.9985345,0.00008208061,0.00028385362,0.0005890268,0.00027618717,0.00023437098],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00010977748,0.0006003436,0.00046666953,0.0003075816,0.0008894116,0.000182969,0.00051402196,0.0004490803,0.025648113],"category_scores_gemma":[0.0000152032135,0.0006770513,0.00035716748,0.000004089784,0.0013469375,0.00027577384,0.00029246128,0.00057951454,0.0010368084],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014422048,0.000030747276,0.000015691925,0.00019291913,0.0004457791,0.00017645054,0.0076380763,0.0000056615713,0.00009411722,0.88924277,0.021092083,0.08092147],"study_design_scores_gemma":[0.00033684509,0.00015870674,0.000020943811,0.00017909748,0.0007499861,0.000041005744,0.0007021017,0.000014882134,0.00044834928,0.09396686,0.90271956,0.00066164514],"about_ca_topic_score_codex":0.0017146412,"about_ca_topic_score_gemma":0.0009852985,"teacher_disagreement_score":0.8816275,"about_ca_system_score_codex":0.00028164109,"about_ca_system_score_gemma":0.00016918976,"threshold_uncertainty_score":0.999741},"labels":[],"label_agreement":null},{"id":"W4244697322","doi":"10.1353/mdr.2010.0023","title":"Samuel Beckett and the Radiophonic Body: Beckett and the BBC","year":2010,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Literature; Art; Performance art; History; Aesthetics; Visual arts; Art history","score_opus":0.023315916846168343,"score_gpt":0.22400780590967823,"score_spread":0.20069188906350988,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4244697322","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9192399,0.0040912894,0.00013507399,0.016348623,0.00112785,0.00067860546,0.000028386296,0.0001375516,0.058212712],"genre_scores_gemma":[0.9794723,0.00020115302,0.00004568417,0.0026754027,0.0011357487,0.00008322896,0.0000070807564,0.000045675526,0.016333763],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99856657,0.00012199361,0.00027410538,0.0003673562,0.00027234395,0.00039765085],"domain_scores_gemma":[0.99871916,0.00043058282,0.000107969034,0.00056685926,0.000074073294,0.000101381556],"candidate_categories":["sts"],"consensus_categories":[],"category_scores_codex":[0.0006969952,0.00028291947,0.0003661815,0.00005537198,0.0011048097,0.00077784917,0.00036234196,0.000106270236,0.0005143302],"category_scores_gemma":[0.00009047362,0.00014517743,0.0001394331,0.000022700771,0.0028722319,0.00021474992,0.00018740082,0.000591368,0.000056431658],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0004353369,0.000046365916,0.0001876055,0.000030166364,0.00012962805,0.000007929273,0.10899944,0.0000012661019,0.00039274196,0.8619861,0.0048932484,0.022890149],"study_design_scores_gemma":[0.014684447,0.00008190242,0.002189078,0.000038264796,0.00034477803,0.00012121221,0.0038141164,0.022543313,0.00025031154,0.39233682,0.5628473,0.0007484688],"about_ca_topic_score_codex":0.0012331557,"about_ca_topic_score_gemma":0.0040701483,"teacher_disagreement_score":0.5579541,"about_ca_system_score_codex":0.000010737167,"about_ca_system_score_gemma":0.00004575658,"threshold_uncertainty_score":0.9998414},"labels":[],"label_agreement":null},{"id":"W4245406808","doi":"10.1353/ctr.0.0048","title":"Papier","year":2010,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Aesthetics; Art; Visual arts","score_opus":0.050597813374136366,"score_gpt":0.2494905687083384,"score_spread":0.19889275533420203,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245406808","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001391152,0.06148174,4.1573819e-7,0.0064400295,0.001074677,0.0002293327,0.000038997845,0.000041824016,0.92930186],"genre_scores_gemma":[0.71803486,0.049094878,0.00016288817,0.10071778,0.0065270844,0.00018521877,0.00014407083,0.00015347455,0.124979734],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994486,0.000014535604,0.00011772249,0.00012000888,0.00006152033,0.00023760887],"domain_scores_gemma":[0.999368,0.000013239237,0.000022301314,0.00027089965,0.00003766293,0.0002878843],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012048001,0.000096282594,0.00015556854,0.00004702227,0.00017420365,0.00005611886,0.00015138595,0.000029391913,0.034411613],"category_scores_gemma":[0.000012183211,0.00007448335,0.00008557478,0.000016893098,0.00008601625,0.000068176785,0.0000068038853,0.00016363707,0.0020028888],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[3.5788347e-7,0.000006084391,0.00009665098,0.0003973615,0.000018618122,0.000021037682,0.0013450757,6.8762294e-9,0.000013577782,0.24179648,0.29002884,0.4662759],"study_design_scores_gemma":[0.00003392127,0.0000048351476,0.000027568509,0.0002373711,0.000029107048,0.000007537901,0.000034964574,8.021019e-7,0.000003124816,0.0010761835,0.9984351,0.00010948506],"about_ca_topic_score_codex":0.037288237,"about_ca_topic_score_gemma":0.78111833,"teacher_disagreement_score":0.80432206,"about_ca_system_score_codex":0.000017888617,"about_ca_system_score_gemma":0.00017791172,"threshold_uncertainty_score":0.9987742},"labels":[],"label_agreement":null},{"id":"W4245869203","doi":"10.3138/md.49.4.428","title":"Reinventing Beckett","year":2006,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Humanism; Narrative; Art; Literature; Art history; History; Philosophy; Theology","score_opus":0.05633571148338257,"score_gpt":0.23928455404730187,"score_spread":0.1829488425639193,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4245869203","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4593701,0.00037870315,0.0009967707,0.00060287025,0.00048127526,0.0001021305,0.000009186242,0.00026406895,0.5377949],"genre_scores_gemma":[0.8969352,0.0000014652786,0.00013512227,0.00038674587,0.0014318852,0.000013242118,0.000024669376,0.000029744255,0.101041876],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.999087,0.000018233033,0.00019552455,0.00021709988,0.00018208171,0.00030010394],"domain_scores_gemma":[0.9996103,0.00002200891,0.000058909867,0.00021474216,0.00005648853,0.000037571317],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00009210775,0.00013603191,0.00013345666,0.00006306902,0.00032332697,0.00025243993,0.00014419336,0.00004181287,0.0016097989],"category_scores_gemma":[0.000007820676,0.00012476157,0.00010011674,0.000013648892,0.00010889989,0.0001809512,0.000043281212,0.00010695589,0.0004576173],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019361143,0.00016215061,0.0013468566,0.000038309776,0.00003460662,0.000040565406,0.019159943,0.00008547854,0.0014294548,0.8974341,0.04956497,0.030684197],"study_design_scores_gemma":[0.00049467897,0.000028729532,0.00063328305,0.000026753512,0.000029185461,0.000005425114,0.00044024878,0.0062310807,0.0009330164,0.18484002,0.805977,0.00036058747],"about_ca_topic_score_codex":0.0008724034,"about_ca_topic_score_gemma":0.0013475661,"teacher_disagreement_score":0.756412,"about_ca_system_score_codex":0.000022100492,"about_ca_system_score_gemma":0.000015432228,"threshold_uncertainty_score":0.99930286},"labels":[],"label_agreement":null},{"id":"W4248428292","doi":"10.1353/mdr.2000.0070","title":"Space, Time, and the Self in Beckett's Late Theatre","year":2000,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.019855113698636757,"score_gpt":0.2135568638295537,"score_spread":0.19370175013091692,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4248428292","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.59052765,0.0005841201,0.0000029094156,0.0030711226,0.00005518912,0.00018591736,0.000008497137,0.00009149055,0.4054731],"genre_scores_gemma":[0.90482384,0.00010582945,0.000029007933,0.0008163045,0.0001990019,0.00001944879,0.000005575937,0.00002358788,0.09397739],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99919516,0.0000644915,0.000152336,0.0002047712,0.00013199808,0.00025122167],"domain_scores_gemma":[0.9996171,0.000073176336,0.000025710475,0.00022500285,0.000016635602,0.000042356663],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017853442,0.00014916349,0.0001920458,0.000047574264,0.0002184927,0.00022329215,0.00014033266,0.00004863422,0.003719594],"category_scores_gemma":[0.0000030904278,0.00009462935,0.000058237543,0.000019286876,0.00024988147,0.00015158649,0.000032373908,0.0001575046,0.000479762],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006430606,0.00031789174,0.0006259165,0.00004840974,0.00016759842,0.00006838738,0.5174075,0.00030835957,0.00012503554,0.19697748,0.010273063,0.2730373],"study_design_scores_gemma":[0.0049853837,0.000065068554,0.0012441576,0.000057423298,0.00007654056,0.00001366353,0.00070317014,0.0759359,0.00007280186,0.13225359,0.78406686,0.0005254726],"about_ca_topic_score_codex":0.00054294453,"about_ca_topic_score_gemma":0.0012743941,"teacher_disagreement_score":0.77379376,"about_ca_system_score_codex":0.000014211626,"about_ca_system_score_gemma":0.000017042892,"threshold_uncertainty_score":0.99719113},"labels":[],"label_agreement":null},{"id":"W4249195737","doi":"10.1353/mdr.2013.0003","title":"Mobilizing Maurya: J.M. Synge, Bertolt Brecht, and the Revolutionary Mother","year":2013,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.031605153071106284,"score_gpt":0.2167609354154387,"score_spread":0.18515578234433241,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249195737","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.61795753,0.012394207,0.0024316127,0.015891265,0.0008472612,0.0014454437,0.000027647966,0.00038568574,0.34861937],"genre_scores_gemma":[0.9035919,0.000096695185,0.00011574505,0.0013000628,0.0004387174,0.0001371432,0.000005041916,0.00003442383,0.09428027],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990718,0.000060775354,0.00018926342,0.00024217933,0.00016871674,0.00026729197],"domain_scores_gemma":[0.9993879,0.000121662735,0.00005631781,0.000295098,0.00008013992,0.000058851998],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00014368775,0.00016662212,0.00018842945,0.00004483578,0.000445037,0.00027348017,0.00017198216,0.000056721063,0.0018714251],"category_scores_gemma":[0.000021354328,0.00010541717,0.00008112299,0.000014075308,0.0004183383,0.0004321886,0.00009125094,0.000157222,0.0002969758],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012392948,0.00017751433,0.000636631,0.00009772414,0.0002152368,0.000010048465,0.09693249,0.00004357314,0.00051748275,0.6796726,0.11809278,0.10347997],"study_design_scores_gemma":[0.0026056133,0.00008312829,0.0014583451,0.000081988386,0.00009992927,0.0000421917,0.0035224967,0.048168696,0.000061338156,0.46794912,0.47530836,0.0006187862],"about_ca_topic_score_codex":0.0017044076,"about_ca_topic_score_gemma":0.00042155717,"teacher_disagreement_score":0.35721558,"about_ca_system_score_codex":0.000028566938,"about_ca_system_score_gemma":0.00001614057,"threshold_uncertainty_score":0.999041},"labels":[],"label_agreement":null},{"id":"W4249809270","doi":"10.1163/9789087903336_001","title":"Preliminary Material","year":2007,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Materials science; Environmental science","score_opus":0.14394384056361897,"score_gpt":0.2615858353375473,"score_spread":0.11764199477392834,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4249809270","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000043484626,0.00014293846,0.000011828465,0.00006098876,0.0024253163,0.0001417131,0.00007689397,0.00017877707,0.9969181],"genre_scores_gemma":[0.0012148275,0.000027269536,0.00005203227,0.000631535,0.0045289476,0.0000032417431,0.00013776944,0.000067718094,0.9933367],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99924284,0.000002007808,0.00020579177,0.00020493509,0.00016821473,0.00017618747],"domain_scores_gemma":[0.9996006,0.000018692761,0.00006929257,0.0002078486,0.00005309424,0.000050486753],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00005869543,0.0002353147,0.00020942303,0.00010356565,0.000117535776,0.00011735943,0.00012714407,0.0001771502,0.1950919],"category_scores_gemma":[0.0000011624171,0.00019260193,0.0001217346,6.4424904e-7,0.00015867931,0.00005934897,0.000060585775,0.00014505343,0.0031015407],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047191505,0.000005641422,8.832345e-8,0.000020721194,0.00003079362,0.00003128569,0.0016414445,1.462361e-8,0.0000017588314,0.90441483,0.08700546,0.0068007596],"study_design_scores_gemma":[0.000082967315,0.0000953678,0.0000010565215,0.000037722548,0.00004252196,0.000004802938,0.000057482037,0.0000010357949,0.000033941924,0.040030926,0.95934856,0.00026361854],"about_ca_topic_score_codex":0.0000609579,"about_ca_topic_score_gemma":0.00031734514,"teacher_disagreement_score":0.8723431,"about_ca_system_score_codex":0.000019056086,"about_ca_system_score_gemma":0.000020954836,"threshold_uncertainty_score":0.99767464},"labels":[],"label_agreement":null},{"id":"W4250134147","doi":"10.1017/cbo9781316584965.019","title":"Inside rhythm","year":2016,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Rhythm; Content (measure theory); Computer science; Communication; Mathematics; Psychology; Art; Aesthetics","score_opus":0.06626366349931005,"score_gpt":0.20128182103359066,"score_spread":0.1350181575342806,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4250134147","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00004993967,0.00016154596,0.00005069993,0.000040114035,0.0008421607,0.0002483193,0.0005518509,0.00023956335,0.9978158],"genre_scores_gemma":[0.0019483238,0.000080866186,0.000009800293,0.00019491589,0.0011876428,6.576803e-7,0.00002994988,0.00007039741,0.9964774],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99887455,0.00001789864,0.00016253955,0.00042456496,0.00022749224,0.0002929812],"domain_scores_gemma":[0.99897486,0.00005496056,0.00017518499,0.00048721433,0.00016476602,0.00014303328],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000046878235,0.00037668442,0.0003636404,0.00017054717,0.0003397692,0.000089717876,0.0003296256,0.00023555652,0.00025340836],"category_scores_gemma":[0.0000035922913,0.00035394594,0.00026398746,7.55816e-7,0.0005234991,0.00012733438,0.0002595883,0.00030153428,0.00030111102],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003895733,0.000003741637,1.14619695e-7,0.000033183544,0.00011329067,0.00026935028,0.0006855446,2.6450682e-8,0.000006888822,0.9052098,0.0901651,0.0034740304],"study_design_scores_gemma":[0.0004590077,0.00003372964,7.8685224e-7,0.00017932322,0.00014855528,0.000012559669,0.00008619967,0.0000018267316,0.00006464921,0.00020673074,0.998316,0.0004906539],"about_ca_topic_score_codex":0.000123215,"about_ca_topic_score_gemma":0.000036021178,"teacher_disagreement_score":0.90815085,"about_ca_system_score_codex":0.00012304462,"about_ca_system_score_gemma":0.00008250942,"threshold_uncertainty_score":0.9998913},"labels":[],"label_agreement":null},{"id":"W4250720454","doi":"10.7765/9781526102478.00001","title":"Front Matter","year":2015,"lang":"en","type":"paratext","venue":"Manchester University Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Variety (cybernetics); Scope (computer science); Semiotics; Front (military); New media; Sociology; Order (exchange); Media studies; Art; Aesthetics; Visual arts; Literature; Epistemology; Computer science; Engineering; Philosophy; World Wide Web","score_opus":0.09928458712356035,"score_gpt":0.22732394244726026,"score_spread":0.12803935532369992,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4250720454","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00033065726,0.00025855118,0.000055107754,0.00005260938,0.0030693295,0.00027900544,0.0003510602,0.0000710737,0.99553263],"genre_scores_gemma":[0.0013074704,0.000015113279,0.000028229839,0.00050852017,0.0014402628,0.0000028125064,0.00017464117,0.000056112352,0.9964668],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99870914,0.000079987294,0.00015734487,0.00043574107,0.00025718668,0.00036061558],"domain_scores_gemma":[0.99903506,0.000020587564,0.00014947636,0.0005020186,0.00014791693,0.00014495723],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006516626,0.00037083792,0.00040629593,0.00013665264,0.00022101084,0.00024658974,0.00054429815,0.00024566273,0.02176015],"category_scores_gemma":[9.730379e-7,0.00037777683,0.00017639027,0.0000019865363,0.0002721324,0.00015063147,0.00035180003,0.00038579982,0.029515957],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051654497,0.000019922949,0.000002329235,0.000121063385,0.00011003492,0.000037209786,0.027469888,0.0000013553467,0.0000013541372,0.003637863,0.96815884,0.00038849853],"study_design_scores_gemma":[0.000470469,0.00002907252,0.000004238705,0.00008565292,0.00013621198,0.0000022502354,0.0013433635,0.0000056406993,0.000031665575,0.000040016374,0.99737835,0.0004730716],"about_ca_topic_score_codex":0.0008274296,"about_ca_topic_score_gemma":0.00018812531,"teacher_disagreement_score":0.029219521,"about_ca_system_score_codex":0.00013602297,"about_ca_system_score_gemma":0.000080153084,"threshold_uncertainty_score":0.99986744},"labels":[],"label_agreement":null},{"id":"W4251954136","doi":"10.3138/utq.80.1.089","title":"The Beckettian Mimesis of Time","year":2011,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":6,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Representation (politics); Relation (database); Consistency (knowledge bases); Illusion; Epistemology; Aesthetics; Contrast (vision); Psychology; Sociology; Philosophy; Social psychology; Cognitive psychology; Computer science; Artificial intelligence; Law; Political science; Politics","score_opus":0.03304436467492399,"score_gpt":0.18120789227400244,"score_spread":0.14816352759907844,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251954136","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.24126813,0.00050985947,0.00004764706,0.00010509416,0.00021349202,0.00011288036,0.00003359437,0.00003838922,0.75767094],"genre_scores_gemma":[0.93464035,0.00002408742,0.0001578136,0.000014767181,0.0000533549,9.08786e-8,0.0000027394067,0.000006359683,0.06510046],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995896,0.00002857127,0.00008856251,0.00008425704,0.00009639076,0.00011258024],"domain_scores_gemma":[0.99955934,0.000033061926,0.00009394772,0.00019503201,0.00008507042,0.000033564702],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00007398369,0.00006547184,0.000114852686,0.000012213056,0.00021083471,0.000008577057,0.0002595399,0.00002612779,0.008546081],"category_scores_gemma":[0.0000016321477,0.000054974556,0.00010004094,0.000003619139,0.00031616163,0.00019533858,0.000013444234,0.000027077711,0.00007759082],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00021239572,0.00015485029,0.00022159591,0.000023066099,0.00019236073,0.00000659546,0.8272257,4.622294e-8,0.00044409191,0.08856031,0.026715428,0.05624359],"study_design_scores_gemma":[0.00096609973,0.0014321174,0.008115421,0.000042411262,0.00018841401,0.0000013929682,0.18932602,0.000084788546,0.0004057377,0.002925818,0.7961872,0.00032454228],"about_ca_topic_score_codex":0.041590642,"about_ca_topic_score_gemma":0.06739641,"teacher_disagreement_score":0.7694718,"about_ca_system_score_codex":0.000022992304,"about_ca_system_score_gemma":0.000019326899,"threshold_uncertainty_score":0.99236023},"labels":[],"label_agreement":null},{"id":"W4251963674","doi":"10.7560/316948-003","title":"Biographies","year":2018,"lang":"en","type":"book-chapter","venue":"University of Texas Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"York University","keywords":"Sociology","score_opus":0.08378362748124368,"score_gpt":0.19987383664728298,"score_spread":0.1160902091660393,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4251963674","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00018813356,0.0002479846,0.000008906383,0.000011665669,0.0003095211,0.00014186527,0.00018664208,0.000089390254,0.9988159],"genre_scores_gemma":[0.0026182658,0.000089963025,0.00005229906,0.000031709093,0.00031510566,4.829158e-8,0.000021530119,0.000025982159,0.9968451],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99933356,0.000007959052,0.00011201409,0.00023144831,0.00017493543,0.00014006886],"domain_scores_gemma":[0.999271,0.00002456379,0.0001777793,0.00031104177,0.00016138228,0.00005427055],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00003994227,0.0002073971,0.0002794739,0.00022430444,0.00018497612,0.000030930787,0.00034846851,0.00016086995,0.0067584617],"category_scores_gemma":[0.0000013064297,0.00022564169,0.0002567257,9.224741e-7,0.0014254561,0.000049251903,0.00016769343,0.00014587703,0.0001506259],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047004018,0.000008647617,0.000001822703,0.00006854576,0.00022556742,0.000018429644,0.016114168,5.5218763e-8,0.0000034057186,0.9118227,0.069961235,0.0017284515],"study_design_scores_gemma":[0.00020718217,0.00007219567,0.0000025682696,0.00011556769,0.00017178971,7.60749e-7,0.00030547896,0.0000017718088,0.000053354186,0.014593103,0.9842359,0.00024034276],"about_ca_topic_score_codex":0.0010929123,"about_ca_topic_score_gemma":0.0017784141,"teacher_disagreement_score":0.91427463,"about_ca_system_score_codex":0.000013140046,"about_ca_system_score_gemma":0.00002440858,"threshold_uncertainty_score":0.9941495},"labels":[],"label_agreement":null},{"id":"W4252087945","doi":"10.1111/j.1748-0922.2003.tb00388.x","title":"Review Essays","year":2003,"lang":"en","type":"article","venue":"Religious Studies Review","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Faith; Postmodernism; Theology; Philosophy; Religious studies; Comparative theology; Epistemology","score_opus":0.1486675449537374,"score_gpt":0.341339699086056,"score_spread":0.19267215413231858,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252087945","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000011078138,0.6992628,0.0000024590888,0.0019464155,0.00045053326,0.00046946865,0.0000036331423,0.0000834995,0.2977701],"genre_scores_gemma":[0.0008891571,0.9557036,0.00004781097,0.036863983,0.00018705992,0.00016764202,0.000005111712,0.000026644688,0.006108964],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985769,0.00013631157,0.00048774065,0.00028268644,0.00019616233,0.00032022016],"domain_scores_gemma":[0.99903,0.00008708277,0.00015283043,0.00040791146,0.00025809053,0.000064090695],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00052320975,0.00025267046,0.0008169371,0.000028027582,0.0003063128,0.000026240916,0.00015898989,0.000021716349,0.0012647989],"category_scores_gemma":[0.00045735456,0.00017694353,0.0002671305,0.000056439098,0.00016965643,0.00006853169,0.0000499154,0.00012810489,0.001519068],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[4.3660324e-7,0.000018573424,0.000004086113,0.020559557,0.00011022391,0.000007667433,0.0010741778,1.7165618e-8,2.272385e-7,0.12630466,0.8398986,0.012021808],"study_design_scores_gemma":[0.00009791167,0.000029845387,3.0403407e-7,0.024663728,0.00031602595,0.00001855837,0.00018053438,8.486679e-8,0.0000025150548,0.005763528,0.96869844,0.00022854771],"about_ca_topic_score_codex":0.000019768137,"about_ca_topic_score_gemma":0.00007193939,"teacher_disagreement_score":0.29166114,"about_ca_system_score_codex":0.000056368324,"about_ca_system_score_gemma":0.000032334592,"threshold_uncertainty_score":0.99964815},"labels":[],"label_agreement":null},{"id":"W4252656275","doi":"10.1163/18757405-02801002","title":"Introduction","year":2016,"lang":"en","type":"article","venue":"Samuel Beckett Today / Aujourd’hui","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Quarter (Canadian coin); History; Visual arts; Art; Art history; Media studies; Sociology; Archaeology","score_opus":0.05424503578881222,"score_gpt":0.25716302019106674,"score_spread":0.2029179844022545,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4252656275","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.63213944,0.0016420113,0.002053585,0.1304657,0.017730717,0.0011164912,0.00029647283,0.0018732968,0.2126823],"genre_scores_gemma":[0.7762619,0.00013687827,0.00017389432,0.0013254018,0.014896327,0.00006652526,0.00003440946,0.00010517276,0.20699944],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99732053,0.00011172575,0.00054068514,0.0007100765,0.00051591883,0.0008010503],"domain_scores_gemma":[0.99838907,0.00013925425,0.00020537194,0.0007536541,0.0002705116,0.00024212108],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000444453,0.0004362401,0.0004165393,0.00025961167,0.00061004417,0.00028201874,0.00044835042,0.00015354864,0.027339645],"category_scores_gemma":[0.00017699997,0.00029367904,0.0002687747,0.000072315015,0.00047300904,0.0008186531,0.00012242331,0.00026471587,0.0054561216],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016260207,0.00023534906,0.00060131383,0.00005151495,0.00018090839,0.00003662249,0.018590154,0.000001942249,0.008572268,0.19616045,0.6440784,0.13132851],"study_design_scores_gemma":[0.000976624,0.0001469313,0.0005388279,0.000060592007,0.000060596627,0.00002506061,0.0014635036,0.000010309873,0.0039774934,0.011938101,0.9802541,0.00054782594],"about_ca_topic_score_codex":0.00017963047,"about_ca_topic_score_gemma":0.000685707,"teacher_disagreement_score":0.33617577,"about_ca_system_score_codex":0.00015295125,"about_ca_system_score_gemma":0.00009500167,"threshold_uncertainty_score":0.99995154},"labels":[],"label_agreement":null},{"id":"W4253834929","doi":"10.1017/cbo9780511610967.005","title":"Works","year":2007,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Computer science","score_opus":0.10373664992762126,"score_gpt":0.2202718275918733,"score_spread":0.11653517766425205,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4253834929","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000035293175,0.00033195375,0.00013022151,0.000011214829,0.00083684793,0.00024648817,0.00015742397,0.00023654752,0.99801403],"genre_scores_gemma":[0.0008334966,0.00008293512,0.000024197025,0.00021402832,0.0010377947,2.9786062e-7,0.000066889705,0.00006620637,0.99767417],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988636,0.000011612164,0.00016619175,0.00039046002,0.00024985266,0.00031831546],"domain_scores_gemma":[0.9990543,0.000052297146,0.00015752827,0.00042756918,0.00015652357,0.00015177316],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00008021661,0.00036297907,0.0003373691,0.00021719444,0.00034694248,0.00013922212,0.00039827393,0.0003217213,0.00023155818],"category_scores_gemma":[0.0000025233423,0.00041057478,0.0002697239,0.0000012074066,0.00048155448,0.00011261185,0.0002067584,0.0005400814,0.00014942883],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056295205,0.0000056462795,1.3450766e-7,0.00003113048,0.0001070439,0.00026967833,0.0009507256,1.5210769e-7,0.0000013195429,0.90849304,0.08426158,0.0058232676],"study_design_scores_gemma":[0.00035557637,0.000028853732,8.3876824e-7,0.00018097124,0.00018041779,0.0000049930477,0.00025269366,0.0000068335676,0.000023996872,0.00005097726,0.99844295,0.00047091243],"about_ca_topic_score_codex":0.00023658253,"about_ca_topic_score_gemma":0.00006658236,"teacher_disagreement_score":0.91418135,"about_ca_system_score_codex":0.0001149214,"about_ca_system_score_gemma":0.000054860677,"threshold_uncertainty_score":0.9998346},"labels":[],"label_agreement":null},{"id":"W4254462520","doi":"10.1017/cbo9780511777486.029","title":"Imagism","year":2010,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Pound (networking); Carving; Art; Aesthetics; Computer science; Visual arts","score_opus":0.05490608510063841,"score_gpt":0.19721177873021695,"score_spread":0.14230569362957854,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254462520","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007744035,0.00010331021,0.000028435981,0.000033043263,0.0012648824,0.00025176728,0.00040364193,0.00023938711,0.9975981],"genre_scores_gemma":[0.000928391,0.00003727733,0.00003687889,0.00018443596,0.001110538,5.4386965e-7,0.00007711813,0.000071201626,0.9975536],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99893403,0.000011902888,0.00014789445,0.0004108104,0.0002222052,0.00027316727],"domain_scores_gemma":[0.9989533,0.000036259913,0.00016199995,0.0005207792,0.00017925874,0.00014840339],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000052139458,0.0003705064,0.00033827135,0.00015841216,0.00042078842,0.00013668147,0.00046882554,0.00031929906,0.00034261018],"category_scores_gemma":[0.00000343619,0.00041040662,0.0002726364,7.353935e-7,0.0007306492,0.00010862322,0.00024492244,0.00079354015,0.00020646959],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000025647229,0.0000056673216,1.2008752e-7,0.00003107204,0.00007922874,0.00016430886,0.0009311148,2.0730859e-8,0.000053530748,0.935801,0.06179577,0.0011124709],"study_design_scores_gemma":[0.00034490522,0.000024192736,8.792458e-7,0.00005407806,0.00018897734,0.0000075178086,0.00009930023,0.00000396644,0.00018209105,0.00015870911,0.9984533,0.00048206086],"about_ca_topic_score_codex":0.00038230536,"about_ca_topic_score_gemma":0.000072454844,"teacher_disagreement_score":0.93665755,"about_ca_system_score_codex":0.00005877056,"about_ca_system_score_gemma":0.000075276694,"threshold_uncertainty_score":0.9998348},"labels":[],"label_agreement":null},{"id":"W4254547138","doi":"10.3138/utq.79.2.838","title":"Autism, Narrative, and Emotions: On Samuel Beckett's <i>Murphy</i>","year":2010,"lang":"en","type":"article","venue":"University of Toronto Quarterly","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":21,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"HERO; Narrative; Metonymy; Autism; Representation (politics); Premise; Psychology; Interpretation (philosophy); Epistemology; Criticism; Ambiguity; Causation; Rhetorical question; Psychoanalysis; Philosophy; Literature; Linguistics; Metaphor; Developmental psychology; Art","score_opus":0.02038653290855181,"score_gpt":0.20902702684465677,"score_spread":0.18864049393610496,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4254547138","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8148446,0.00008715469,0.000040938674,0.0007074793,0.00055219297,0.00013123335,0.0000486747,0.000071267044,0.18351646],"genre_scores_gemma":[0.9795445,0.000015387428,0.00025693604,0.000110548,0.00012095319,2.2565287e-7,0.000009682254,0.000008830447,0.019932898],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994103,0.000026499736,0.00008847036,0.00019681882,0.00012763687,0.0001503044],"domain_scores_gemma":[0.99954903,0.0000393646,0.00007261994,0.00019829925,0.00005864657,0.000082061946],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000062953826,0.00012217656,0.00015772774,0.00003214007,0.00040477002,0.000043458826,0.00015288539,0.00006215515,0.0051177214],"category_scores_gemma":[0.0000033513663,0.00012932616,0.00007135229,0.0000055601117,0.00034883135,0.00042420957,0.000015408936,0.00012825699,0.000041056406],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009400583,0.00019381444,0.00013201774,0.000025984193,0.00006873468,0.0000123247755,0.548813,2.2759082e-7,0.0015852909,0.39855194,0.016328901,0.034193754],"study_design_scores_gemma":[0.0014597176,0.0013280507,0.012490301,0.000045957237,0.00006742709,0.0000052680366,0.15158299,0.0000980245,0.000037904283,0.0034944909,0.8289899,0.00039995273],"about_ca_topic_score_codex":0.011705344,"about_ca_topic_score_gemma":0.14128862,"teacher_disagreement_score":0.812661,"about_ca_system_score_codex":0.00002439803,"about_ca_system_score_gemma":0.000023561324,"threshold_uncertainty_score":0.99579173},"labels":[],"label_agreement":null},{"id":"W4255223065","doi":"10.1007/978-3-030-34902-8","title":"The Affects, Cognition, and Politics of Samuel Beckett's Postwar Drama and Fiction","year":2020,"lang":"en","type":"book","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Fanshawe College","funders":"","keywords":"Drama; Politics; Context (archaeology); Cognition; Literature; History; Sociology; Aesthetics; Political science; Art; Psychology; Law; Archaeology; Neuroscience","score_opus":0.04279914788292207,"score_gpt":0.23060808433112878,"score_spread":0.1878089364482067,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4255223065","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00078589446,0.0051136496,0.000020184503,0.0014885486,0.00041792044,0.00037170117,0.00025078416,0.000086531516,0.9914648],"genre_scores_gemma":[0.030724304,0.0018932498,0.000025544887,0.00103933,0.0015634542,0.000013470781,0.00021369933,0.000056009587,0.9644709],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99915475,0.000029530112,0.00021942952,0.00023116152,0.00018451337,0.00018064184],"domain_scores_gemma":[0.9991952,0.0002911547,0.00014284294,0.0001455416,0.00013896056,0.000086298176],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00008514686,0.00023177774,0.0002773418,0.00005749554,0.0005239887,0.00023202418,0.000086159,0.00013662585,0.00032585204],"category_scores_gemma":[0.000034876342,0.00016162389,0.00007151605,0.000006496563,0.0006325468,0.00008745009,0.000077817276,0.00022259461,0.000015593901],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015353027,0.000010012987,0.0000054843385,0.00019228153,0.00010724944,0.0000027036251,0.0048753093,2.1614103e-8,0.000010687722,0.6924202,0.29998243,0.0023782798],"study_design_scores_gemma":[0.0002807087,0.0001545533,0.000040105228,0.00009347418,0.0002053262,0.000007646418,0.0010592566,0.000023574328,0.000054224274,0.04348665,0.95438933,0.00020512364],"about_ca_topic_score_codex":0.00008743671,"about_ca_topic_score_gemma":0.0003841409,"teacher_disagreement_score":0.65440696,"about_ca_system_score_codex":0.00001901341,"about_ca_system_score_gemma":0.000097621676,"threshold_uncertainty_score":0.6590831},"labels":[],"label_agreement":null},{"id":"W4280649931","doi":"10.3356/rapt-56-03-06","title":"A Response to Viani","year":2022,"lang":"en","type":"article","venue":"Journal of Raptor Research","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of the Fraser Valley","funders":"","keywords":"Geography; Biology","score_opus":0.30582771321592833,"score_gpt":0.4124688091413613,"score_spread":0.10664109592543297,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4280649931","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.97128266,0.00033452027,0.000014662634,0.011823892,0.0008468445,0.0001412607,0.000015142477,0.000010107303,0.01553091],"genre_scores_gemma":[0.9564999,0.000007027013,0.00007967507,0.00055018766,0.0007884484,0.000015448606,3.911645e-7,0.000017570297,0.042041406],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9975039,0.000662487,0.00024578112,0.00009267657,0.0012025874,0.00029257685],"domain_scores_gemma":[0.99879926,0.00034615985,0.000068573914,0.00015625662,0.0004608575,0.00016891427],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0054259114,0.000058781832,0.00013690608,0.00067040283,0.0007304489,0.00015073115,0.00043762193,0.000011911136,0.012921133],"category_scores_gemma":[0.00030845485,0.00004859699,0.000104541556,0.00010013387,0.00009008262,0.00012210969,0.0002080069,0.00064842374,0.00015666895],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.008457701,0.00034860717,0.00015249355,0.0000121498515,0.000088472516,0.00051009597,0.12025454,0.000042393665,0.021825774,0.025501592,0.81499326,0.007812923],"study_design_scores_gemma":[0.00038932674,0.0014374286,0.00017807905,0.0000089384785,0.000003278817,0.00005529418,0.012282676,0.000008573427,0.00030052295,0.001194496,0.9840814,0.000059980393],"about_ca_topic_score_codex":0.000046045807,"about_ca_topic_score_gemma":0.000031846484,"teacher_disagreement_score":0.16908816,"about_ca_system_score_codex":0.00015942239,"about_ca_system_score_gemma":0.00024513042,"threshold_uncertainty_score":0.9879812},"labels":[],"label_agreement":null},{"id":"W4286823073","doi":"10.1515/9781474447225-001","title":"Preface","year":2019,"lang":"en","type":"book-chapter","venue":"Edinburgh University Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.07962840412114695,"score_gpt":0.20839284615940426,"score_spread":0.12876444203825732,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4286823073","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000337657,0.00015043213,0.000015574293,0.000029988172,0.0020469234,0.0003712799,0.00018322672,0.00021645104,0.99695235],"genre_scores_gemma":[0.0010079535,0.00005514723,0.000013233199,0.000103492355,0.001362191,3.9202374e-7,0.00004254144,0.00005312741,0.9973619],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99882257,0.0000099939925,0.00014814327,0.00043763145,0.0003064163,0.00027522698],"domain_scores_gemma":[0.9990355,0.00005650629,0.00017401883,0.00048628068,0.00013928843,0.00010842584],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000060056238,0.0003677773,0.00037467814,0.00015009078,0.0002658144,0.00011108665,0.0004725089,0.00027873422,0.0062227333],"category_scores_gemma":[0.0000024744213,0.0003953283,0.00025578847,8.7834854e-7,0.00031604827,0.00012787728,0.00027905355,0.00045433088,0.00013651956],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004046175,0.000005894525,3.260546e-7,0.000025540598,0.00013057345,0.000045704997,0.0058410587,0.0000010470833,0.0000034920408,0.83726,0.15542988,0.0012160132],"study_design_scores_gemma":[0.00039396537,0.000050887313,2.6861412e-7,0.00011568878,0.00018813313,0.0000018522221,0.0002714866,0.000012006247,0.00002357366,0.0021447928,0.99632734,0.0004700333],"about_ca_topic_score_codex":0.00024122102,"about_ca_topic_score_gemma":0.00010587311,"teacher_disagreement_score":0.84089744,"about_ca_system_score_codex":0.00009325769,"about_ca_system_score_gemma":0.000106954416,"threshold_uncertainty_score":0.99984986},"labels":[],"label_agreement":null},{"id":"W4306692195","doi":"10.1017/s0266464x22000276","title":"A Private Honesty: Torture and Interiority in the Theatre of Sarah Kane","year":2022,"lang":"en","type":"article","venue":"New Theatre Quarterly","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Torture; Subjectivity; Drama; Intersubjectivity; Psychoanalysis; Sociology; Phenomenology (philosophy); Literature; Art; Philosophy; Law; Psychology; Epistemology; Political science; Human rights; Social science","score_opus":0.027286294769353486,"score_gpt":0.2316148817333389,"score_spread":0.20432858696398543,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4306692195","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9465108,0.00084516004,0.000009659644,0.0030532642,0.00031767742,0.00031108782,0.000052234343,0.000040696596,0.048859447],"genre_scores_gemma":[0.9973959,0.000009093886,0.000021200301,0.0005775515,0.0003561146,0.000026825574,0.000011819327,0.000015468388,0.0015860253],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99901,0.00014575098,0.00022572742,0.00019749838,0.00022313865,0.0001978751],"domain_scores_gemma":[0.9995033,0.00007588924,0.000072929266,0.00029622822,0.000012733623,0.000038927396],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00023113946,0.00014767866,0.00021594284,0.000078668614,0.00021081603,0.00008012655,0.00028033333,0.000029095545,0.000880849],"category_scores_gemma":[0.000001287034,0.000100402125,0.00007539554,0.000043006698,0.00011419397,0.00011620083,0.000039180064,0.00026724275,0.0000070969045],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00031063677,0.00027050806,0.0035900292,0.00006767463,0.000060466366,0.000051656592,0.60381126,0.0000020867626,0.00071635743,0.08313324,0.011815744,0.29617032],"study_design_scores_gemma":[0.0013547867,0.0021138268,0.0042928155,0.00004203896,0.000058736434,0.000059805694,0.1292894,0.000058594404,0.000031384603,0.023529818,0.8388548,0.0003140228],"about_ca_topic_score_codex":0.001811074,"about_ca_topic_score_gemma":0.002956944,"teacher_disagreement_score":0.827039,"about_ca_system_score_codex":0.000019816429,"about_ca_system_score_gemma":0.000037235644,"threshold_uncertainty_score":0.9644679},"labels":[],"label_agreement":null},{"id":"W4310182897","doi":"10.33137/wij.v18i2.39684","title":"Rothman-Zecher, Moriel. Before All the World: A Novel. New York: Farrar, Straus &amp; Giroux, 2022.","year":2022,"lang":"en","type":"article","venue":"Women in Judaism A Multidisciplinary e-Journal","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Mathematical physics; Philosophy; Mathematics","score_opus":0.10106504609151351,"score_gpt":0.3014642400414522,"score_spread":0.20039919394993871,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4310182897","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.94884384,0.0024293242,0.0001658888,0.011079648,0.0075789182,0.0009904933,0.00017283447,0.00017216292,0.028566917],"genre_scores_gemma":[0.72155404,0.00006052535,0.00070248946,0.0008529119,0.004567539,0.00034622278,0.000077085475,0.00014591595,0.27169326],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9956171,0.00029354758,0.000999226,0.0005491903,0.0010272712,0.0015136998],"domain_scores_gemma":[0.9980486,0.00018249109,0.0004970908,0.0006568394,0.00007675774,0.0005382273],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0020695229,0.00053401646,0.00055721,0.0006587361,0.0031839758,0.0008152711,0.0014217666,0.000087517576,0.014807572],"category_scores_gemma":[0.000047367757,0.00040567707,0.00033898026,0.00029233273,0.00033152997,0.0006056632,0.0008482575,0.0027455902,0.00012415789],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0006612317,0.0011749916,0.0023043954,0.000033422242,0.00035138192,0.00049552036,0.84387505,0.001044587,0.0003828371,0.014961271,0.12426757,0.010447759],"study_design_scores_gemma":[0.0032106836,0.00044704846,0.0022599357,0.000052387266,0.000053988224,0.0007639687,0.07982048,0.00038754565,0.0000075795638,0.026308738,0.8860753,0.00061235274],"about_ca_topic_score_codex":0.00033541763,"about_ca_topic_score_gemma":0.0049189287,"teacher_disagreement_score":0.76405454,"about_ca_system_score_codex":0.000867455,"about_ca_system_score_gemma":0.0005511775,"threshold_uncertainty_score":0.9998395},"labels":[],"label_agreement":null},{"id":"W4311894748","doi":"10.7765/9781526150592.00004","title":"Acknowledgments","year":2022,"lang":"en","type":"book-chapter","venue":"Manchester University Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Simon Fraser University; University of Massachusetts Boston; University of Denver","keywords":"Sympathy; Impeachment; Orientalism; Prejudice (legal term); Politics; Sociology; History; Political science; Law; Literature; Art; Psychology; Social psychology","score_opus":0.10547017116920353,"score_gpt":0.2050290786893297,"score_spread":0.09955890752012618,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4311894748","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000037242567,0.00010619501,0.0000061259307,0.000023464805,0.0010088827,0.00026367654,0.00018475528,0.00016357277,0.9982061],"genre_scores_gemma":[0.0008879396,0.000033838045,0.000011780476,0.00017890165,0.0004922438,0.000001867743,0.00007155744,0.000062220875,0.99825966],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99894917,0.000022027869,0.00013850046,0.00039536378,0.00026178118,0.00023315357],"domain_scores_gemma":[0.9992571,0.000026503834,0.0001421021,0.0004240533,0.000065610446,0.00008466295],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000049371043,0.0003177931,0.00028942668,0.00014333018,0.00046454786,0.00010006704,0.00047661568,0.0001260549,0.008485879],"category_scores_gemma":[9.4355744e-7,0.00036968617,0.00021895148,9.1820266e-7,0.00023701934,0.00012225378,0.0005810461,0.0004281322,0.00017349381],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000042488024,0.000012387813,5.939023e-7,0.000060283302,0.00015648888,0.0001299976,0.013786912,3.3194092e-7,0.0000011105816,0.96143484,0.021003056,0.0033715193],"study_design_scores_gemma":[0.00038563204,0.000045342716,0.0000011046668,0.000046073546,0.0001777106,0.0000020380742,0.00035672213,0.0000028991913,0.000008618412,0.0014885211,0.99707776,0.00040756445],"about_ca_topic_score_codex":0.00007792091,"about_ca_topic_score_gemma":0.00012520565,"teacher_disagreement_score":0.9760747,"about_ca_system_score_codex":0.00015425845,"about_ca_system_score_gemma":0.00003968984,"threshold_uncertainty_score":0.9998755},"labels":[],"label_agreement":null},{"id":"W4313431712","doi":"10.1017/9781009222563.005","title":"Pre-echoing the Bones","year":2022,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Originality; Literature; Poetry; Quarter (Canadian coin); Art; Politics; Formative assessment; Art history; History; Sociology; Anthropology","score_opus":0.0640795339297356,"score_gpt":0.20456530005297238,"score_spread":0.14048576612323677,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313431712","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00013753495,0.00034962653,0.000014937695,0.000071274015,0.00088681286,0.000392097,0.0003629018,0.00019405884,0.9975908],"genre_scores_gemma":[0.0026246877,0.000088804394,0.0000049265695,0.00024455623,0.00064095325,0.000002529039,0.00006446949,0.000060716437,0.99626833],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998867,0.00004013813,0.00015385242,0.00037183915,0.00030950207,0.0002576874],"domain_scores_gemma":[0.99901766,0.0000953086,0.0001876429,0.0005456178,0.00008078994,0.00007298968],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000098936034,0.0003206231,0.00028101384,0.00011435864,0.0012277791,0.00014564327,0.00065639627,0.00011422107,0.0005971434],"category_scores_gemma":[0.0000040066393,0.00028686097,0.00028017838,0.0000015946345,0.00045842855,0.0001108889,0.00056175527,0.0006304694,0.000033212604],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004535818,0.0000052134815,3.3581932e-7,0.000031612068,0.00012504576,0.00009493299,0.0035075697,0.0000012579483,0.000002604335,0.9224749,0.07266985,0.0010413168],"study_design_scores_gemma":[0.00024012354,0.00003674337,0.000002442258,0.00004275657,0.00023151263,0.000008026441,0.0006366559,0.000016872058,0.000012458711,0.00010303283,0.99831027,0.0003591195],"about_ca_topic_score_codex":0.00076272176,"about_ca_topic_score_gemma":0.00006187075,"teacher_disagreement_score":0.9256404,"about_ca_system_score_codex":0.00012208421,"about_ca_system_score_gemma":0.00007429985,"threshold_uncertainty_score":0.99995834},"labels":[],"label_agreement":null},{"id":"W4313788840","doi":"10.1163/9789004534896_001","title":"Preliminary Material","year":2022,"lang":"fr","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Melbourne; Universiteit Leiden; University of Cape Town; Emory University; Deutsche Forschungsgemeinschaft; York University; Nanyang Technological University; Ford Foundation","keywords":"Materials science","score_opus":0.08698764425420243,"score_gpt":0.24081133150404369,"score_spread":0.15382368724984125,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313788840","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010533113,0.0009328315,0.0000061903006,0.0012190425,0.009455968,0.00035243758,0.0009925545,0.00016224259,0.9858254],"genre_scores_gemma":[0.013995279,0.0005379777,0.00007899036,0.0007863577,0.004696254,0.000044284858,0.0005168289,0.00013591313,0.9792081],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99837804,0.000030473875,0.00041699718,0.00045873827,0.00034752354,0.00036824308],"domain_scores_gemma":[0.9992218,0.00006610018,0.0001560576,0.0003942649,0.00005552431,0.000106274136],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000111596964,0.00048485262,0.0004173808,0.00012736669,0.0010851288,0.0002404953,0.00030992122,0.00021281494,0.8325049],"category_scores_gemma":[0.0000034782313,0.00047135237,0.00031233585,0.0000028576278,0.00055782706,0.00017416799,0.00039855498,0.00041150092,0.0033872672],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016386891,0.00004665215,0.000002128827,0.00010007407,0.00012797094,0.0001347383,0.0023734595,0.0000017067027,0.0000110591445,0.9672096,0.022417165,0.007411573],"study_design_scores_gemma":[0.00021950745,0.0005733291,0.000014523531,0.00005318708,0.00019030336,0.00003638161,0.00035913227,0.0000176226,0.000033350356,0.023335796,0.9745665,0.0006003581],"about_ca_topic_score_codex":0.0013510826,"about_ca_topic_score_gemma":0.0002146997,"teacher_disagreement_score":0.95214933,"about_ca_system_score_codex":0.0000970911,"about_ca_system_score_gemma":0.00006801922,"threshold_uncertainty_score":0.9997738},"labels":[],"label_agreement":null},{"id":"W4313885984","doi":"10.1163/9789004532847_001","title":"Preliminary Material","year":2022,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Australian Antarctic Division; University of the Philippines; University of Queensland; Monash University; University of Wollongong; University of Tasmania; University of Sydney; Centre for Marine Socioecology; Department of Foreign Affairs and Trade, Australian Government; Dalhousie University; University of Waikato; Georgetown University; European Commission; Royal Geographical Society; Australian National University; University College London","keywords":"Materials science","score_opus":0.08675760967035559,"score_gpt":0.22907192480116106,"score_spread":0.14231431513080547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4313885984","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000037934948,0.00014185654,7.8909784e-7,0.00017434839,0.0030412977,0.00015112298,0.0002408868,0.00017415904,0.9960376],"genre_scores_gemma":[0.001283969,0.000043582208,0.000013427166,0.0005566474,0.002345985,0.000020376208,0.0003336136,0.000070375165,0.995332],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928874,0.000004803958,0.00016762679,0.00021458356,0.00019021802,0.00013405437],"domain_scores_gemma":[0.9996392,0.000015678828,0.00006738035,0.00021924263,0.000024056644,0.0000344482],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000039021263,0.00020526083,0.00019614844,0.000075552045,0.00024430463,0.000106211766,0.0001623992,0.000073442985,0.73550045],"category_scores_gemma":[9.4086136e-7,0.00018017346,0.00012667451,6.615284e-7,0.00010247622,0.000070060305,0.00015960916,0.00017930585,0.0012916625],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003489633,0.0000058871656,5.182214e-8,0.000015665695,0.000031275245,0.000024955301,0.002202519,7.444408e-8,0.000001242508,0.846455,0.14936407,0.001864396],"study_design_scores_gemma":[0.0000758166,0.00013781022,4.025174e-7,0.000010647732,0.00004417738,0.0000048588367,0.00010062135,0.0000012661958,0.000006533012,0.043251257,0.95612335,0.00024323336],"about_ca_topic_score_codex":0.000096599506,"about_ca_topic_score_gemma":0.000108132204,"teacher_disagreement_score":0.8067593,"about_ca_system_score_codex":0.000028805714,"about_ca_system_score_gemma":0.000029311454,"threshold_uncertainty_score":0.99948597},"labels":[],"label_agreement":null},{"id":"W4315866282","doi":"10.5430/wjel.v13n2p1","title":"Giving a Voice to the Oppressed in Samuel Beckett’s Waiting for Godot and Toni Morrison’s Beloved","year":2023,"lang":"en","type":"article","venue":"World Journal of English Language","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Postmodernism; Postcolonialism (international relations); Literature; Literary criticism; Aesthetics; Philosophy; Through-the-lens metering; Art; Sociology; Lens (geology); Gender studies; Optics","score_opus":0.051544510794462164,"score_gpt":0.28276773549436895,"score_spread":0.2312232246999068,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4315866282","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.982275,0.0015982018,0.000026842621,0.0021068333,0.0014321465,0.0003031258,0.000044836306,0.000054033622,0.012158954],"genre_scores_gemma":[0.9848273,0.000027777582,0.00019311327,0.00094161555,0.0030779426,0.00002044674,0.000004524271,0.00003281348,0.01087451],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989026,0.000052307823,0.00038200984,0.00014129025,0.00020225093,0.00031951777],"domain_scores_gemma":[0.99888986,0.0004955832,0.00017023388,0.00013942379,0.00021460142,0.00009028835],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008992916,0.00013768078,0.00025318615,0.0003458505,0.00020520648,0.0002443927,0.00025042496,0.000026597108,0.00018319843],"category_scores_gemma":[0.0010074421,0.00009786715,0.000105420266,0.000114735005,0.00004571854,0.00022809593,0.00008061223,0.0002658768,0.000007947649],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00015127374,0.00006128004,0.0015384024,0.00011845665,0.00009170013,0.00010453767,0.903604,0.00014753586,0.0010242742,0.0066351974,0.06722951,0.019293843],"study_design_scores_gemma":[0.0013396495,0.00009729882,0.0024783104,0.0003534329,0.000051141717,0.00000551438,0.12953119,0.0008452096,0.00037306803,0.00027257713,0.8643979,0.0002547535],"about_ca_topic_score_codex":0.00018750665,"about_ca_topic_score_gemma":0.011479595,"teacher_disagreement_score":0.7971684,"about_ca_system_score_codex":0.000029072638,"about_ca_system_score_gemma":0.000030053185,"threshold_uncertainty_score":0.64058834},"labels":[],"label_agreement":null},{"id":"W4316652981","doi":"10.1163/9789047415404_001","title":"Preliminary Material","year":2005,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Computer science","score_opus":0.07938520740717764,"score_gpt":0.23249279300791176,"score_spread":0.15310758560073412,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4316652981","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000044093886,0.00019571884,0.0000024839371,0.0002308072,0.0016431339,0.00013675081,0.0001042946,0.00018449154,0.9974582],"genre_scores_gemma":[0.0019108809,0.000053463573,0.000047336234,0.00065676885,0.0078201,0.000006569748,0.00013725764,0.000067503686,0.98930013],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993087,0.000002487849,0.00018817393,0.0002068141,0.00014328382,0.00015052185],"domain_scores_gemma":[0.9996248,0.000011961754,0.000065634784,0.00021264219,0.00004074098,0.00004424618],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000028840308,0.00023696262,0.00021178788,0.00006928497,0.00011454296,0.0001375504,0.00013347318,0.0001464431,0.30181044],"category_scores_gemma":[8.6229034e-7,0.0001935604,0.000122837,4.4833737e-7,0.00013201631,0.00007880546,0.00006178607,0.00012886862,0.0046667387],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027195798,0.000006007717,4.5844953e-8,0.000013702148,0.000028821894,0.000009978576,0.0016036535,5.5665073e-8,0.0000017648273,0.8423396,0.14659713,0.009372086],"study_design_scores_gemma":[0.00008856083,0.00007786067,7.083361e-7,0.000034628763,0.00004716543,0.000004188378,0.000037605692,0.0000024526028,0.000021307402,0.025465885,0.9739508,0.00026883115],"about_ca_topic_score_codex":0.000034002132,"about_ca_topic_score_gemma":0.0002558075,"teacher_disagreement_score":0.82735366,"about_ca_system_score_codex":0.00002031129,"about_ca_system_score_gemma":0.00002330865,"threshold_uncertainty_score":0.99610823},"labels":[],"label_agreement":null},{"id":"W4316653766","doi":"10.1163/9780585475219_001","title":"Preliminary Material","year":2002,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Montréal","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Computer science","score_opus":0.10503541669284004,"score_gpt":0.22280692110722788,"score_spread":0.11777150441438784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4316653766","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000027291724,0.00016701895,0.0000020348778,0.00013204283,0.0019606003,0.00013579126,0.00010304891,0.00018356423,0.9972886],"genre_scores_gemma":[0.0018067942,0.00007179915,0.000022148524,0.00042343474,0.0036250865,0.0000066326493,0.000094146206,0.000068157446,0.9938818],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993083,0.0000027430867,0.00018135061,0.00021033478,0.00014719309,0.00015010036],"domain_scores_gemma":[0.99961585,0.00001281264,0.00006513102,0.00022231028,0.000040083312,0.000043838572],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00002237487,0.0002386935,0.00021705004,0.00007065414,0.00012214667,0.00014428263,0.00013039297,0.0001471159,0.43725443],"category_scores_gemma":[9.912984e-7,0.0001948344,0.00012523597,5.2545425e-7,0.00013762555,0.00006603174,0.0000580438,0.00012890097,0.0062911087],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013631524,0.0000060893913,5.3830966e-8,0.000017730372,0.000027590128,0.00001835837,0.0016957512,1.959019e-8,8.9176575e-7,0.7667049,0.22869788,0.0028170636],"study_design_scores_gemma":[0.00008384541,0.00009607786,5.236446e-7,0.00003830209,0.000047375925,0.0000047209173,0.000028451928,0.000004451594,0.000012895427,0.034923572,0.96449155,0.00026826106],"about_ca_topic_score_codex":0.000033344117,"about_ca_topic_score_gemma":0.00005595102,"teacher_disagreement_score":0.73579365,"about_ca_system_score_codex":0.000015580314,"about_ca_system_score_gemma":0.000009230593,"threshold_uncertainty_score":0.99448264},"labels":[],"label_agreement":null},{"id":"W4317555028","doi":"10.3138/md-65-4-1182","title":"“A Positive Statement of a Negative Thing”: Nietzschean Eternal Recurrence as Dramatic Form in Samuel Beckett’s <i>Waiting for Godot</i>","year":2022,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dramatization; Pessimism; Statement (logic); Literature; Philosophy; Repetition (rhetorical device); Period (music); Object (grammar); Aesthetics; Art; History; Epistemology; Linguistics","score_opus":0.06496127890715864,"score_gpt":0.28792229668759073,"score_spread":0.2229610177804321,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4317555028","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9769691,0.00033364762,0.0019096495,0.00085420354,0.0005263395,0.0012760328,0.0005813811,0.00007160839,0.017478026],"genre_scores_gemma":[0.99502033,0.000009682959,0.0006467427,0.0008587271,0.00015114906,0.00043391404,0.000084172854,0.000048195936,0.002747075],"study_design_codex":"qualitative","study_design_gemma":"theoretical_or_conceptual","domain_scores_codex":[0.99778485,0.00012718306,0.00067046017,0.0004022553,0.0005110847,0.0005041911],"domain_scores_gemma":[0.998779,0.00035762266,0.00038679602,0.0002366123,0.00016214071,0.000077800636],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00064954895,0.0002645962,0.00040268453,0.00018823183,0.00058373524,0.00014708989,0.00036908407,0.000040611205,0.0005492818],"category_scores_gemma":[0.00010153662,0.00026721237,0.00018249909,0.000058409914,0.00015727915,0.00036234225,0.00023157315,0.00037585638,0.000009254333],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007022134,0.00066633965,0.00068055606,0.00032865925,0.00017782695,0.000032855383,0.8252953,0.0004557394,0.0009835765,0.13629553,0.0016814109,0.03269997],"study_design_scores_gemma":[0.008521686,0.0027348541,0.0006264097,0.0009335324,0.00022316152,0.000033319408,0.11591775,0.16800617,0.008535146,0.6654127,0.02729581,0.0017594371],"about_ca_topic_score_codex":0.0013980867,"about_ca_topic_score_gemma":0.0013520675,"teacher_disagreement_score":0.7093776,"about_ca_system_score_codex":0.0002035559,"about_ca_system_score_gemma":0.00014292,"threshold_uncertainty_score":0.999978},"labels":[],"label_agreement":null},{"id":"W4318010503","doi":"10.1163/9789004521827_001","title":"Preliminary Material","year":2022,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Université de Fribourg; University of Exeter; University of Toronto; Durham University; Amherst College; University of St. Thomas","keywords":"Materials science","score_opus":0.08675760967035559,"score_gpt":0.22907192480116106,"score_spread":0.14231431513080547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4318010503","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000037934948,0.00014185654,7.8909784e-7,0.00017434839,0.0030412977,0.00015112298,0.0002408868,0.00017415904,0.9960376],"genre_scores_gemma":[0.001283969,0.000043582208,0.000013427166,0.0005566474,0.002345985,0.000020376208,0.0003336136,0.000070375165,0.995332],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928874,0.000004803958,0.00016762679,0.00021458356,0.00019021802,0.00013405437],"domain_scores_gemma":[0.9996392,0.000015678828,0.00006738035,0.00021924263,0.000024056644,0.0000344482],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000039021263,0.00020526083,0.00019614844,0.000075552045,0.00024430463,0.000106211766,0.0001623992,0.000073442985,0.73550045],"category_scores_gemma":[9.4086136e-7,0.00018017346,0.00012667451,6.615284e-7,0.00010247622,0.000070060305,0.00015960916,0.00017930585,0.0012916625],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003489633,0.0000058871656,5.182214e-8,0.000015665695,0.000031275245,0.000024955301,0.002202519,7.444408e-8,0.000001242508,0.846455,0.14936407,0.001864396],"study_design_scores_gemma":[0.0000758166,0.00013781022,4.025174e-7,0.000010647732,0.00004417738,0.0000048588367,0.00010062135,0.0000012661958,0.000006533012,0.043251257,0.95612335,0.00024323336],"about_ca_topic_score_codex":0.000096599506,"about_ca_topic_score_gemma":0.000108132204,"teacher_disagreement_score":0.8067593,"about_ca_system_score_codex":0.000028805714,"about_ca_system_score_gemma":0.000029311454,"threshold_uncertainty_score":0.99948597},"labels":[],"label_agreement":null},{"id":"W4318010793","doi":"10.1163/9789004502130_001","title":"Preliminary Material","year":2002,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Materials science","score_opus":0.10503541669284004,"score_gpt":0.22280692110722788,"score_spread":0.11777150441438784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4318010793","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000027291724,0.00016701895,0.0000020348778,0.00013204283,0.0019606003,0.00013579126,0.00010304891,0.00018356423,0.9972886],"genre_scores_gemma":[0.0018067942,0.00007179915,0.000022148524,0.00042343474,0.0036250865,0.0000066326493,0.000094146206,0.000068157446,0.9938818],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993083,0.0000027430867,0.00018135061,0.00021033478,0.00014719309,0.00015010036],"domain_scores_gemma":[0.99961585,0.00001281264,0.00006513102,0.00022231028,0.000040083312,0.000043838572],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00002237487,0.0002386935,0.00021705004,0.00007065414,0.00012214667,0.00014428263,0.00013039297,0.0001471159,0.43725443],"category_scores_gemma":[9.912984e-7,0.0001948344,0.00012523597,5.2545425e-7,0.00013762555,0.00006603174,0.0000580438,0.00012890097,0.0062911087],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013631524,0.0000060893913,5.3830966e-8,0.000017730372,0.000027590128,0.00001835837,0.0016957512,1.959019e-8,8.9176575e-7,0.7667049,0.22869788,0.0028170636],"study_design_scores_gemma":[0.00008384541,0.00009607786,5.236446e-7,0.00003830209,0.000047375925,0.0000047209173,0.000028451928,0.000004451594,0.000012895427,0.034923572,0.96449155,0.00026826106],"about_ca_topic_score_codex":0.000033344117,"about_ca_topic_score_gemma":0.00005595102,"teacher_disagreement_score":0.73579365,"about_ca_system_score_codex":0.000015580314,"about_ca_system_score_gemma":0.000009230593,"threshold_uncertainty_score":0.99448264},"labels":[],"label_agreement":null},{"id":"W4318061160","doi":"10.1163/9789004529847_000","title":"Preliminary Material","year":2022,"lang":"nl","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Temple University; McGill University; University of Haifa; Concordia University; University of Bedfordshire; Brandeis University","keywords":"Computer science","score_opus":0.08012887845951903,"score_gpt":0.2404340432523435,"score_spread":0.16030516479282447,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4318061160","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00091880147,0.0005901951,0.000002995202,0.0005142965,0.007938557,0.00047170426,0.0009893054,0.00021263055,0.98836154],"genre_scores_gemma":[0.020805279,0.0005194526,0.00003359466,0.0009720138,0.0043715634,0.000052498588,0.00070765615,0.00016951535,0.9723684],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99789196,0.000030770967,0.00053898984,0.00061295653,0.00048935454,0.00043594075],"domain_scores_gemma":[0.99896854,0.00006338409,0.00022384775,0.0005507998,0.00006959954,0.00012379895],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00013563591,0.000622561,0.00056158483,0.00018793638,0.0010608009,0.00039915708,0.00042514867,0.00024954305,0.90042615],"category_scores_gemma":[0.0000038283174,0.0005821746,0.0003935446,0.0000037634497,0.0003430076,0.00019518212,0.0005590955,0.0005163547,0.008551213],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00029100527,0.000048771828,0.0000013106905,0.00009270379,0.00016820684,0.00013698157,0.003507009,7.3578127e-7,0.000013063467,0.9265148,0.06639504,0.0028303831],"study_design_scores_gemma":[0.00031806374,0.00070529664,0.000009238731,0.000054143253,0.00023215494,0.000026776817,0.0006969176,0.00001222441,0.000036372447,0.016748723,0.9803921,0.00076797995],"about_ca_topic_score_codex":0.00063808233,"about_ca_topic_score_gemma":0.00008214384,"teacher_disagreement_score":0.91399705,"about_ca_system_score_codex":0.000080701386,"about_ca_system_score_gemma":0.00008163996,"threshold_uncertainty_score":0.999663},"labels":[],"label_agreement":null},{"id":"W4318061947","doi":"10.1163/9789004525306_001","title":"Preliminary Material","year":2022,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto; Universiteit van Amsterdam; McGill University; Pennsylvania State University","keywords":"History","score_opus":0.08675760967035559,"score_gpt":0.22907192480116106,"score_spread":0.14231431513080547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4318061947","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000037934948,0.00014185654,7.8909784e-7,0.00017434839,0.0030412977,0.00015112298,0.0002408868,0.00017415904,0.9960376],"genre_scores_gemma":[0.001283969,0.000043582208,0.000013427166,0.0005566474,0.002345985,0.000020376208,0.0003336136,0.000070375165,0.995332],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928874,0.000004803958,0.00016762679,0.00021458356,0.00019021802,0.00013405437],"domain_scores_gemma":[0.9996392,0.000015678828,0.00006738035,0.00021924263,0.000024056644,0.0000344482],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000039021263,0.00020526083,0.00019614844,0.000075552045,0.00024430463,0.000106211766,0.0001623992,0.000073442985,0.73550045],"category_scores_gemma":[9.4086136e-7,0.00018017346,0.00012667451,6.615284e-7,0.00010247622,0.000070060305,0.00015960916,0.00017930585,0.0012916625],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003489633,0.0000058871656,5.182214e-8,0.000015665695,0.000031275245,0.000024955301,0.002202519,7.444408e-8,0.000001242508,0.846455,0.14936407,0.001864396],"study_design_scores_gemma":[0.0000758166,0.00013781022,4.025174e-7,0.000010647732,0.00004417738,0.0000048588367,0.00010062135,0.0000012661958,0.000006533012,0.043251257,0.95612335,0.00024323336],"about_ca_topic_score_codex":0.000096599506,"about_ca_topic_score_gemma":0.000108132204,"teacher_disagreement_score":0.8067593,"about_ca_system_score_codex":0.000028805714,"about_ca_system_score_gemma":0.000029311454,"threshold_uncertainty_score":0.99948597},"labels":[],"label_agreement":null},{"id":"W4318609781","doi":"10.1163/9789004488021_001","title":"Preliminary Material","year":2001,"lang":"fr","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut national de psychiatrie légale Philippe-Pinel","funders":"","keywords":"Materials science","score_opus":0.09149464911368825,"score_gpt":0.24581749396251024,"score_spread":0.15432284484882197,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4318609781","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001388908,0.00092768925,0.000037438283,0.0009802582,0.0063681575,0.00032911723,0.000339012,0.0001751515,0.98945427],"genre_scores_gemma":[0.016301181,0.0010350505,0.00009711062,0.00068369793,0.008741705,0.000014574042,0.0002422986,0.00013108975,0.9727533],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983751,0.000017468848,0.00045426562,0.00045403434,0.00026276908,0.00043633688],"domain_scores_gemma":[0.99915254,0.000053636017,0.000151797,0.0003966808,0.00010427781,0.00014108572],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00008195035,0.00056563824,0.0004658893,0.00012335122,0.000552377,0.0003257496,0.00025538515,0.00042999772,0.44240344],"category_scores_gemma":[0.0000036912259,0.0005106261,0.00030059868,0.0000028171862,0.00074774673,0.00016834556,0.00015354627,0.00028989516,0.009354107],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000145397,0.000045017165,0.0000050520966,0.000091855596,0.00011825231,0.0001778993,0.0013199004,6.237692e-7,0.000011702967,0.9585186,0.023407318,0.016158381],"study_design_scores_gemma":[0.00025304427,0.00039146733,0.000025046971,0.00019218461,0.00020134599,0.00006398145,0.0001835441,0.00002096215,0.0000563751,0.03790797,0.9600559,0.00064816256],"about_ca_topic_score_codex":0.00104277,"about_ca_topic_score_gemma":0.00042823632,"teacher_disagreement_score":0.9366486,"about_ca_system_score_codex":0.00005797505,"about_ca_system_score_gemma":0.000049022605,"threshold_uncertainty_score":0.9997345},"labels":[],"label_agreement":null},{"id":"W4318964334","doi":"10.1163/9789004468085_001","title":"Preliminary Material","year":2021,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Universität Leipzig; University of Delhi; Indian Institute of Technology Kanpur; University of Cambridge; Università degli Studi di Padova; Pennsylvania State University; Západočeská Univerzita v Plzni; University of Oxford; York University","keywords":"Materials science","score_opus":0.09016716939432359,"score_gpt":0.23262822847505987,"score_spread":0.14246105908073628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4318964334","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005624731,0.0003493518,0.0000031787613,0.00016104514,0.0025910996,0.00009663965,0.00010439282,0.00012329424,0.99651474],"genre_scores_gemma":[0.0010459286,0.000060747145,0.000035184545,0.00054373546,0.0036625601,0.0000061427386,0.00031516395,0.00006056231,0.99426997],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993229,0.0000037774032,0.00017182728,0.0002273578,0.00014184482,0.0001323294],"domain_scores_gemma":[0.99958915,0.000014610278,0.000055527973,0.00023237478,0.00006794989,0.00004038962],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000025648409,0.00021409405,0.00023109643,0.000049299742,0.00011200232,0.0001940478,0.00010616003,0.00013686626,0.32962862],"category_scores_gemma":[0.0000015837975,0.00018151893,0.00013961732,6.204266e-7,0.00010976006,0.000055040106,0.000089581285,0.00012716508,0.0015253886],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015698855,0.0000057946036,5.611509e-8,0.000027466696,0.00004255715,0.000054467244,0.0013869995,2.0170978e-8,0.0000048514034,0.88702875,0.10890334,0.0025299746],"study_design_scores_gemma":[0.00007280944,0.000057166428,5.7597106e-7,0.000062680854,0.000052787702,0.000006624226,0.000110038054,0.0000011263469,0.000058663773,0.024922675,0.9744063,0.00024854168],"about_ca_topic_score_codex":0.000039160757,"about_ca_topic_score_gemma":0.00020552956,"teacher_disagreement_score":0.86550295,"about_ca_system_score_codex":0.00001491161,"about_ca_system_score_gemma":0.000041159925,"threshold_uncertainty_score":0.999252},"labels":[],"label_agreement":null},{"id":"W4319442632","doi":"10.1163/9789004466739_001","title":"Preliminary Material","year":2021,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Groupe de recherche interuniversitaire en limnologie","keywords":"Materials science","score_opus":0.09016716939432359,"score_gpt":0.23262822847505987,"score_spread":0.14246105908073628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4319442632","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005624731,0.0003493518,0.0000031787613,0.00016104514,0.0025910996,0.00009663965,0.00010439282,0.00012329424,0.99651474],"genre_scores_gemma":[0.0010459286,0.000060747145,0.000035184545,0.00054373546,0.0036625601,0.0000061427386,0.00031516395,0.00006056231,0.99426997],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993229,0.0000037774032,0.00017182728,0.0002273578,0.00014184482,0.0001323294],"domain_scores_gemma":[0.99958915,0.000014610278,0.000055527973,0.00023237478,0.00006794989,0.00004038962],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000025648409,0.00021409405,0.00023109643,0.000049299742,0.00011200232,0.0001940478,0.00010616003,0.00013686626,0.32962862],"category_scores_gemma":[0.0000015837975,0.00018151893,0.00013961732,6.204266e-7,0.00010976006,0.000055040106,0.000089581285,0.00012716508,0.0015253886],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015698855,0.0000057946036,5.611509e-8,0.000027466696,0.00004255715,0.000054467244,0.0013869995,2.0170978e-8,0.0000048514034,0.88702875,0.10890334,0.0025299746],"study_design_scores_gemma":[0.00007280944,0.000057166428,5.7597106e-7,0.000062680854,0.000052787702,0.000006624226,0.000110038054,0.0000011263469,0.000058663773,0.024922675,0.9744063,0.00024854168],"about_ca_topic_score_codex":0.000039160757,"about_ca_topic_score_gemma":0.00020552956,"teacher_disagreement_score":0.86550295,"about_ca_system_score_codex":0.00001491161,"about_ca_system_score_gemma":0.000041159925,"threshold_uncertainty_score":0.999252},"labels":[],"label_agreement":null},{"id":"W4320069952","doi":"10.1163/9789004514553_001","title":"Preliminary Material","year":2022,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"York University; Yale University","keywords":"Materials science","score_opus":0.08675760967035559,"score_gpt":0.22907192480116106,"score_spread":0.14231431513080547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320069952","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000037934948,0.00014185654,7.8909784e-7,0.00017434839,0.0030412977,0.00015112298,0.0002408868,0.00017415904,0.9960376],"genre_scores_gemma":[0.001283969,0.000043582208,0.000013427166,0.0005566474,0.002345985,0.000020376208,0.0003336136,0.000070375165,0.995332],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928874,0.000004803958,0.00016762679,0.00021458356,0.00019021802,0.00013405437],"domain_scores_gemma":[0.9996392,0.000015678828,0.00006738035,0.00021924263,0.000024056644,0.0000344482],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000039021263,0.00020526083,0.00019614844,0.000075552045,0.00024430463,0.000106211766,0.0001623992,0.000073442985,0.73550045],"category_scores_gemma":[9.4086136e-7,0.00018017346,0.00012667451,6.615284e-7,0.00010247622,0.000070060305,0.00015960916,0.00017930585,0.0012916625],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003489633,0.0000058871656,5.182214e-8,0.000015665695,0.000031275245,0.000024955301,0.002202519,7.444408e-8,0.000001242508,0.846455,0.14936407,0.001864396],"study_design_scores_gemma":[0.0000758166,0.00013781022,4.025174e-7,0.000010647732,0.00004417738,0.0000048588367,0.00010062135,0.0000012661958,0.000006533012,0.043251257,0.95612335,0.00024323336],"about_ca_topic_score_codex":0.000096599506,"about_ca_topic_score_gemma":0.000108132204,"teacher_disagreement_score":0.8067593,"about_ca_system_score_codex":0.000028805714,"about_ca_system_score_gemma":0.000029311454,"threshold_uncertainty_score":0.99948597},"labels":[],"label_agreement":null},{"id":"W4320158980","doi":"10.1163/9789004500365_001","title":"Preliminary Material","year":2021,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto; Association for the Sociology of Religion; University of Pittsburgh; Emory University","keywords":"Materials science","score_opus":0.09016716939432359,"score_gpt":0.23262822847505987,"score_spread":0.14246105908073628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320158980","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005624731,0.0003493518,0.0000031787613,0.00016104514,0.0025910996,0.00009663965,0.00010439282,0.00012329424,0.99651474],"genre_scores_gemma":[0.0010459286,0.000060747145,0.000035184545,0.00054373546,0.0036625601,0.0000061427386,0.00031516395,0.00006056231,0.99426997],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993229,0.0000037774032,0.00017182728,0.0002273578,0.00014184482,0.0001323294],"domain_scores_gemma":[0.99958915,0.000014610278,0.000055527973,0.00023237478,0.00006794989,0.00004038962],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000025648409,0.00021409405,0.00023109643,0.000049299742,0.00011200232,0.0001940478,0.00010616003,0.00013686626,0.32962862],"category_scores_gemma":[0.0000015837975,0.00018151893,0.00013961732,6.204266e-7,0.00010976006,0.000055040106,0.000089581285,0.00012716508,0.0015253886],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015698855,0.0000057946036,5.611509e-8,0.000027466696,0.00004255715,0.000054467244,0.0013869995,2.0170978e-8,0.0000048514034,0.88702875,0.10890334,0.0025299746],"study_design_scores_gemma":[0.00007280944,0.000057166428,5.7597106e-7,0.000062680854,0.000052787702,0.000006624226,0.000110038054,0.0000011263469,0.000058663773,0.024922675,0.9744063,0.00024854168],"about_ca_topic_score_codex":0.000039160757,"about_ca_topic_score_gemma":0.00020552956,"teacher_disagreement_score":0.86550295,"about_ca_system_score_codex":0.00001491161,"about_ca_system_score_gemma":0.000041159925,"threshold_uncertainty_score":0.999252},"labels":[],"label_agreement":null},{"id":"W4320807535","doi":"10.1163/9789004518438_000","title":"Preliminary Material","year":2022,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Faculty of Medicine and Health, University of Sydney; Nova Southeastern University; Kent State University; University of South Florida; McGill University; Baylor University; University of Houston; University of Southern Mississippi; American Educational Research Association","keywords":"Materials science","score_opus":0.08675760967035559,"score_gpt":0.22907192480116106,"score_spread":0.14231431513080547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4320807535","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000037934948,0.00014185654,7.8909784e-7,0.00017434839,0.0030412977,0.00015112298,0.0002408868,0.00017415904,0.9960376],"genre_scores_gemma":[0.001283969,0.000043582208,0.000013427166,0.0005566474,0.002345985,0.000020376208,0.0003336136,0.000070375165,0.995332],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928874,0.000004803958,0.00016762679,0.00021458356,0.00019021802,0.00013405437],"domain_scores_gemma":[0.9996392,0.000015678828,0.00006738035,0.00021924263,0.000024056644,0.0000344482],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000039021263,0.00020526083,0.00019614844,0.000075552045,0.00024430463,0.000106211766,0.0001623992,0.000073442985,0.73550045],"category_scores_gemma":[9.4086136e-7,0.00018017346,0.00012667451,6.615284e-7,0.00010247622,0.000070060305,0.00015960916,0.00017930585,0.0012916625],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003489633,0.0000058871656,5.182214e-8,0.000015665695,0.000031275245,0.000024955301,0.002202519,7.444408e-8,0.000001242508,0.846455,0.14936407,0.001864396],"study_design_scores_gemma":[0.0000758166,0.00013781022,4.025174e-7,0.000010647732,0.00004417738,0.0000048588367,0.00010062135,0.0000012661958,0.000006533012,0.043251257,0.95612335,0.00024323336],"about_ca_topic_score_codex":0.000096599506,"about_ca_topic_score_gemma":0.000108132204,"teacher_disagreement_score":0.8067593,"about_ca_system_score_codex":0.000028805714,"about_ca_system_score_gemma":0.000029311454,"threshold_uncertainty_score":0.99948597},"labels":[],"label_agreement":null},{"id":"W4321217294","doi":"10.1515/9781474497404-001","title":"Figures","year":2023,"lang":"en","type":"book-chapter","venue":"Edinburgh University Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.11281854294786124,"score_gpt":0.22139623337545342,"score_spread":0.10857769042759217,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321217294","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000011598618,0.000078531164,0.0000061550495,0.000039075072,0.0021868753,0.00021930122,0.000261365,0.00052293274,0.9966742],"genre_scores_gemma":[0.00027029015,0.000110733476,0.000006666487,0.00008702365,0.0021414608,8.5034463e-7,0.00006652369,0.00006886828,0.9972476],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99885106,0.000009097905,0.00014889405,0.00039506194,0.00031441796,0.0002814676],"domain_scores_gemma":[0.9991653,0.000083523715,0.00013858815,0.00037078853,0.00012507061,0.00011675927],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000068310386,0.00033841885,0.00032877782,0.0002193207,0.00039852542,0.00011792638,0.00043510023,0.00025742716,0.0037998864],"category_scores_gemma":[0.0000053273234,0.0003668682,0.0002634212,0.0000014819487,0.0003774442,0.00008885184,0.00026336464,0.0004170693,0.00014382532],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00002065828,0.0000030163835,8.0738765e-8,0.000018341181,0.00010778346,0.00018967883,0.004611462,5.342226e-7,0.0000011599407,0.6664736,0.32749408,0.0010795881],"study_design_scores_gemma":[0.00026296542,0.00003402856,2.3244239e-7,0.00013732623,0.00016729259,0.0000017917681,0.0003505046,0.000008640818,0.000011761374,0.009864476,0.98874575,0.00041523337],"about_ca_topic_score_codex":0.00037590603,"about_ca_topic_score_gemma":0.00026830565,"teacher_disagreement_score":0.66125166,"about_ca_system_score_codex":0.00006254238,"about_ca_system_score_gemma":0.000057222966,"threshold_uncertainty_score":0.99987835},"labels":[],"label_agreement":null},{"id":"W4321346886","doi":"10.1163/9789004480094_001","title":"Preliminary Material","year":2002,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Computer science","score_opus":0.10503541669284004,"score_gpt":0.22280692110722788,"score_spread":0.11777150441438784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4321346886","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000027291724,0.00016701895,0.0000020348778,0.00013204283,0.0019606003,0.00013579126,0.00010304891,0.00018356423,0.9972886],"genre_scores_gemma":[0.0018067942,0.00007179915,0.000022148524,0.00042343474,0.0036250865,0.0000066326493,0.000094146206,0.000068157446,0.9938818],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993083,0.0000027430867,0.00018135061,0.00021033478,0.00014719309,0.00015010036],"domain_scores_gemma":[0.99961585,0.00001281264,0.00006513102,0.00022231028,0.000040083312,0.000043838572],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00002237487,0.0002386935,0.00021705004,0.00007065414,0.00012214667,0.00014428263,0.00013039297,0.0001471159,0.43725443],"category_scores_gemma":[9.912984e-7,0.0001948344,0.00012523597,5.2545425e-7,0.00013762555,0.00006603174,0.0000580438,0.00012890097,0.0062911087],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013631524,0.0000060893913,5.3830966e-8,0.000017730372,0.000027590128,0.00001835837,0.0016957512,1.959019e-8,8.9176575e-7,0.7667049,0.22869788,0.0028170636],"study_design_scores_gemma":[0.00008384541,0.00009607786,5.236446e-7,0.00003830209,0.000047375925,0.0000047209173,0.000028451928,0.000004451594,0.000012895427,0.034923572,0.96449155,0.00026826106],"about_ca_topic_score_codex":0.000033344117,"about_ca_topic_score_gemma":0.00005595102,"teacher_disagreement_score":0.73579365,"about_ca_system_score_codex":0.000015580314,"about_ca_system_score_gemma":0.000009230593,"threshold_uncertainty_score":0.99448264},"labels":[],"label_agreement":null},{"id":"W4323065977","doi":"10.1109/memc.2022.10058840","title":"Book Reviews","year":2022,"lang":"en","type":"article","venue":"IEEE Electromagnetic Compatibility Magazine","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Regret; Conversation; Reading (process); Value (mathematics); Test (biology); Quarter (Canadian coin); Psychology; Computer science; History; Philosophy; Linguistics; Communication","score_opus":0.04897277709893658,"score_gpt":0.25518349780579314,"score_spread":0.20621072070685656,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4323065977","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7035149,0.048128225,0.00006509259,0.0032252222,0.0030208991,0.002062901,0.00009669713,0.0005618765,0.23932424],"genre_scores_gemma":[0.73832273,0.00031111867,0.0001829245,0.010622493,0.0011351166,0.00056826614,0.00010115232,0.000068452704,0.24868774],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99788105,0.00030575687,0.00050717586,0.00046608722,0.00036758947,0.00047232507],"domain_scores_gemma":[0.99897265,0.00008518138,0.00013717933,0.000639276,0.00006693863,0.000098763325],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00053996954,0.0002447842,0.0004120957,0.00010371915,0.0006958157,0.000087663,0.00039182667,0.000019010224,0.100377485],"category_scores_gemma":[0.00003208078,0.00023536038,0.00018163076,0.00007673594,0.0001916323,0.00012594505,0.000104207815,0.00039330331,0.0009251546],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007138429,0.0004000686,0.00008147414,0.000054810153,0.00001850415,0.000010184949,0.0060295835,0.000013942602,0.0055012517,0.005044627,0.9744066,0.008367591],"study_design_scores_gemma":[0.0004625356,0.0010129733,0.00048537285,0.000005234793,0.000036356305,0.000015017144,0.00007334577,0.0006660776,0.00015703813,0.0019058798,0.99489355,0.0002866462],"about_ca_topic_score_codex":0.00010309645,"about_ca_topic_score_gemma":0.0005430021,"teacher_disagreement_score":0.09945233,"about_ca_system_score_codex":0.00012683896,"about_ca_system_score_gemma":0.0000649617,"threshold_uncertainty_score":0.9998527},"labels":[],"label_agreement":null},{"id":"W4360587885","doi":"10.1163/9780585474151_001","title":"Preliminary Material","year":2001,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Materials science","score_opus":0.09139360582700515,"score_gpt":0.2344028230054975,"score_spread":0.14300921717849235,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4360587885","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000050034014,0.00014106331,0.000004772155,0.0001401577,0.0020436393,0.0001411109,0.000082228755,0.00018800188,0.997209],"genre_scores_gemma":[0.0015146976,0.00008476733,0.000016680191,0.0004890231,0.0044218344,0.0000067757624,0.0001580239,0.0000685872,0.9932396],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992995,0.0000027539309,0.0001826215,0.00021239344,0.00014382918,0.00015885802],"domain_scores_gemma":[0.99961025,0.000012722789,0.00006554346,0.00022059593,0.000045182966,0.00004573526],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000028654404,0.00023947234,0.00021895068,0.000073170006,0.00012431016,0.00014387011,0.00013381874,0.00014841444,0.3074246],"category_scores_gemma":[9.984765e-7,0.0001951905,0.000121913385,6.521664e-7,0.00013738693,0.000067717956,0.00006148158,0.00012630914,0.0035802515],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003212478,0.0000058941323,1.2760148e-7,0.000014918959,0.000029984974,0.000034187644,0.0012708761,2.8229524e-8,0.0000013642114,0.8336501,0.16071536,0.0042450475],"study_design_scores_gemma":[0.00008638234,0.000092985734,6.8608057e-7,0.000038029666,0.000046195957,0.000008445361,0.000050818737,0.0000014885759,0.000010914692,0.068475984,0.9309285,0.00025954592],"about_ca_topic_score_codex":0.00007453445,"about_ca_topic_score_gemma":0.00021570148,"teacher_disagreement_score":0.7702132,"about_ca_system_score_codex":0.000017199998,"about_ca_system_score_gemma":0.000021125034,"threshold_uncertainty_score":0.9971956},"labels":[],"label_agreement":null},{"id":"W4360588618","doi":"10.1163/9789087901202_001","title":"Preliminary Material","year":2006,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Materials science","score_opus":0.06533167564916612,"score_gpt":0.21974817540561942,"score_spread":0.1544164997564533,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4360588618","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000051560317,0.00013123582,0.0000058933133,0.00009393084,0.0018212607,0.00013699067,0.00015165059,0.00018641973,0.9974211],"genre_scores_gemma":[0.0026839478,0.000011699308,0.000023350925,0.00029479922,0.004512618,0.0000065892264,0.00032955265,0.000067420326,0.99207],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931157,0.0000025338722,0.00019176977,0.00020449156,0.00014300492,0.0001466299],"domain_scores_gemma":[0.99964654,0.000011897505,0.00006937298,0.00019945955,0.000042556614,0.000030145302],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00002528791,0.00023579347,0.00021131951,0.0000697081,0.00011867248,0.00014862018,0.00011788941,0.00014500953,0.121602006],"category_scores_gemma":[5.759779e-7,0.00019283073,0.00012355276,4.980614e-7,0.00014079912,0.0000593197,0.00005390998,0.00011250807,0.00221808],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015412872,0.0000047597578,8.7147804e-8,0.000014901388,0.000015545087,0.000013268739,0.00039223596,8.2900755e-8,0.0000015604223,0.6176008,0.38089374,0.0010475861],"study_design_scores_gemma":[0.00008217052,0.000072425086,0.0000016519291,0.00003227587,0.000046229,0.0000030081203,0.000018244213,0.000002279587,0.000022629583,0.050695818,0.94876206,0.00026120787],"about_ca_topic_score_codex":0.00018497919,"about_ca_topic_score_gemma":0.00028334057,"teacher_disagreement_score":0.56786835,"about_ca_system_score_codex":0.000016830492,"about_ca_system_score_gemma":0.000020351237,"threshold_uncertainty_score":0.9985588},"labels":[],"label_agreement":null},{"id":"W4360589311","doi":"10.1163/9789004478176_001","title":"Preliminary Material","year":2001,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Geology; Materials science","score_opus":0.09139360582700515,"score_gpt":0.2344028230054975,"score_spread":0.14300921717849235,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4360589311","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000050034014,0.00014106331,0.000004772155,0.0001401577,0.0020436393,0.0001411109,0.000082228755,0.00018800188,0.997209],"genre_scores_gemma":[0.0015146976,0.00008476733,0.000016680191,0.0004890231,0.0044218344,0.0000067757624,0.0001580239,0.0000685872,0.9932396],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992995,0.0000027539309,0.0001826215,0.00021239344,0.00014382918,0.00015885802],"domain_scores_gemma":[0.99961025,0.000012722789,0.00006554346,0.00022059593,0.000045182966,0.00004573526],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000028654404,0.00023947234,0.00021895068,0.000073170006,0.00012431016,0.00014387011,0.00013381874,0.00014841444,0.3074246],"category_scores_gemma":[9.984765e-7,0.0001951905,0.000121913385,6.521664e-7,0.00013738693,0.000067717956,0.00006148158,0.00012630914,0.0035802515],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003212478,0.0000058941323,1.2760148e-7,0.000014918959,0.000029984974,0.000034187644,0.0012708761,2.8229524e-8,0.0000013642114,0.8336501,0.16071536,0.0042450475],"study_design_scores_gemma":[0.00008638234,0.000092985734,6.8608057e-7,0.000038029666,0.000046195957,0.000008445361,0.000050818737,0.0000014885759,0.000010914692,0.068475984,0.9309285,0.00025954592],"about_ca_topic_score_codex":0.00007453445,"about_ca_topic_score_gemma":0.00021570148,"teacher_disagreement_score":0.7702132,"about_ca_system_score_codex":0.000017199998,"about_ca_system_score_gemma":0.000021125034,"threshold_uncertainty_score":0.9971956},"labels":[],"label_agreement":null},{"id":"W4360590064","doi":"10.1163/9789004502758_001","title":"Preliminary Material","year":2000,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Materials science","score_opus":0.071459926501309,"score_gpt":0.22351392892957606,"score_spread":0.15205400242826705,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4360590064","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007439845,0.0001460114,7.5948833e-7,0.00010066738,0.0013090123,0.00013736682,0.0001362594,0.0001828266,0.9979127],"genre_scores_gemma":[0.0022137521,0.00009628287,0.000016009823,0.0005196829,0.003471765,0.000006682528,0.00018076735,0.00006697478,0.9934281],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993213,0.0000028647446,0.00018057188,0.00021109078,0.00013618181,0.00014801939],"domain_scores_gemma":[0.9996566,0.00001108447,0.000047765825,0.00021631652,0.000025382902,0.000042842064],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000022054299,0.00023600906,0.00021422975,0.000068537964,0.000121906596,0.00014314555,0.00013108339,0.00014509536,0.5148871],"category_scores_gemma":[4.419679e-7,0.00019279467,0.00012323465,4.989601e-7,0.00014141515,0.00006556935,0.000035911697,0.0001234718,0.006316222],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000544095,0.0000059474996,3.3054466e-8,0.000013207918,0.000030319477,0.00001959375,0.001747206,4.9200313e-8,0.0000010214633,0.8713261,0.116394706,0.010407434],"study_design_scores_gemma":[0.000077725,0.000086941924,5.419379e-7,0.000036714595,0.000042852567,0.0000042924007,0.000024197894,0.000001236543,0.00001360945,0.10557727,0.8938884,0.0002462168],"about_ca_topic_score_codex":0.00006692071,"about_ca_topic_score_gemma":0.00013317555,"teacher_disagreement_score":0.7774937,"about_ca_system_score_codex":0.000013092555,"about_ca_system_score_gemma":0.000022864879,"threshold_uncertainty_score":0.9944575},"labels":[],"label_agreement":null},{"id":"W4361010849","doi":"10.1163/9789004347823_001","title":"Preliminary Material","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"International Fund for Agricultural Development; Max-Planck-Institut für Astronomie; International Labour Organization; University of Oxford; Government of Canada","keywords":"Materials science","score_opus":0.1307273738151628,"score_gpt":0.2433209790680518,"score_spread":0.112593605252889,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4361010849","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000029417928,0.00003595451,0.0000014758249,0.00016921453,0.003791633,0.00013803957,0.0001717403,0.0004682851,0.99519426],"genre_scores_gemma":[0.0005997488,0.00004431958,0.000010393088,0.00027919293,0.0037063651,0.00001041632,0.00022526679,0.00010650814,0.99501777],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930423,0.0000025890374,0.00017452666,0.00021276422,0.0001536988,0.00015217985],"domain_scores_gemma":[0.9996325,0.000023178607,0.000056469224,0.00020844743,0.00004025657,0.00003917845],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003860217,0.00021427,0.00020618847,0.00009066239,0.00012238705,0.00014268514,0.00013282362,0.00013774766,0.10225028],"category_scores_gemma":[0.0000018794133,0.00017613164,0.000121571305,8.9716804e-7,0.000122012956,0.000052068834,0.00009152879,0.000121748446,0.0124029955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001886982,0.0000025263482,4.5889117e-8,0.000023715502,0.000033155146,0.000026321466,0.0015556392,3.3488124e-8,0.0000014475779,0.7952392,0.2012399,0.0018591412],"study_design_scores_gemma":[0.000062181076,0.00007174635,0.0000011510596,0.000045941793,0.000039802424,0.0000017520314,0.00007002671,0.00000231801,0.000011561025,0.1094737,0.8899962,0.00022367008],"about_ca_topic_score_codex":0.00006225769,"about_ca_topic_score_gemma":0.00027572946,"teacher_disagreement_score":0.6887562,"about_ca_system_score_codex":0.000012368691,"about_ca_system_score_gemma":0.000022222646,"threshold_uncertainty_score":0.98836595},"labels":[],"label_agreement":null},{"id":"W4361764887","doi":"10.1163/9789004543379_000","title":"Preliminary Material","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Pretoria; Centre for Studies in Religion and Society, University of Victoria; University of Victoria","keywords":"Materials science","score_opus":0.1307273738151628,"score_gpt":0.2433209790680518,"score_spread":0.112593605252889,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4361764887","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000029417928,0.00003595451,0.0000014758249,0.00016921453,0.003791633,0.00013803957,0.0001717403,0.0004682851,0.99519426],"genre_scores_gemma":[0.0005997488,0.00004431958,0.000010393088,0.00027919293,0.0037063651,0.00001041632,0.00022526679,0.00010650814,0.99501777],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930423,0.0000025890374,0.00017452666,0.00021276422,0.0001536988,0.00015217985],"domain_scores_gemma":[0.9996325,0.000023178607,0.000056469224,0.00020844743,0.00004025657,0.00003917845],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003860217,0.00021427,0.00020618847,0.00009066239,0.00012238705,0.00014268514,0.00013282362,0.00013774766,0.10225028],"category_scores_gemma":[0.0000018794133,0.00017613164,0.000121571305,8.9716804e-7,0.000122012956,0.000052068834,0.00009152879,0.000121748446,0.0124029955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001886982,0.0000025263482,4.5889117e-8,0.000023715502,0.000033155146,0.000026321466,0.0015556392,3.3488124e-8,0.0000014475779,0.7952392,0.2012399,0.0018591412],"study_design_scores_gemma":[0.000062181076,0.00007174635,0.0000011510596,0.000045941793,0.000039802424,0.0000017520314,0.00007002671,0.00000231801,0.000011561025,0.1094737,0.8899962,0.00022367008],"about_ca_topic_score_codex":0.00006225769,"about_ca_topic_score_gemma":0.00027572946,"teacher_disagreement_score":0.6887562,"about_ca_system_score_codex":0.000012368691,"about_ca_system_score_gemma":0.000022222646,"threshold_uncertainty_score":0.98836595},"labels":[],"label_agreement":null},{"id":"W4362242742","doi":"10.1163/9789004501225_001","title":"Preliminary Material","year":2021,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Materials science","score_opus":0.09016716939432359,"score_gpt":0.23262822847505987,"score_spread":0.14246105908073628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4362242742","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005624731,0.0003493518,0.0000031787613,0.00016104514,0.0025910996,0.00009663965,0.00010439282,0.00012329424,0.99651474],"genre_scores_gemma":[0.0010459286,0.000060747145,0.000035184545,0.00054373546,0.0036625601,0.0000061427386,0.00031516395,0.00006056231,0.99426997],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993229,0.0000037774032,0.00017182728,0.0002273578,0.00014184482,0.0001323294],"domain_scores_gemma":[0.99958915,0.000014610278,0.000055527973,0.00023237478,0.00006794989,0.00004038962],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000025648409,0.00021409405,0.00023109643,0.000049299742,0.00011200232,0.0001940478,0.00010616003,0.00013686626,0.32962862],"category_scores_gemma":[0.0000015837975,0.00018151893,0.00013961732,6.204266e-7,0.00010976006,0.000055040106,0.000089581285,0.00012716508,0.0015253886],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015698855,0.0000057946036,5.611509e-8,0.000027466696,0.00004255715,0.000054467244,0.0013869995,2.0170978e-8,0.0000048514034,0.88702875,0.10890334,0.0025299746],"study_design_scores_gemma":[0.00007280944,0.000057166428,5.7597106e-7,0.000062680854,0.000052787702,0.000006624226,0.000110038054,0.0000011263469,0.000058663773,0.024922675,0.9744063,0.00024854168],"about_ca_topic_score_codex":0.000039160757,"about_ca_topic_score_gemma":0.00020552956,"teacher_disagreement_score":0.86550295,"about_ca_system_score_codex":0.00001491161,"about_ca_system_score_gemma":0.000041159925,"threshold_uncertainty_score":0.999252},"labels":[],"label_agreement":null},{"id":"W4362242743","doi":"10.1163/9789004466432_001","title":"Preliminary Material","year":2021,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Universität Hamburg; Westfälische Wilhelms-Universität Münster; Hebrew University of Jerusalem; Beijing Normal University; Università degli Studi di Sassari; Universität Heidelberg; Nankai University; Fudan University; Tunghai University; Royal Society of Canada; McGill University; Royal Society; Università degli Studi di Napoli Federico II; City University of New York; Rheinische Friedrich-Wilhelms-Universität Bonn; Harvard University; Brown University","keywords":"Computer science","score_opus":0.09016716939432359,"score_gpt":0.23262822847505987,"score_spread":0.14246105908073628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4362242743","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005624731,0.0003493518,0.0000031787613,0.00016104514,0.0025910996,0.00009663965,0.00010439282,0.00012329424,0.99651474],"genre_scores_gemma":[0.0010459286,0.000060747145,0.000035184545,0.00054373546,0.0036625601,0.0000061427386,0.00031516395,0.00006056231,0.99426997],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993229,0.0000037774032,0.00017182728,0.0002273578,0.00014184482,0.0001323294],"domain_scores_gemma":[0.99958915,0.000014610278,0.000055527973,0.00023237478,0.00006794989,0.00004038962],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000025648409,0.00021409405,0.00023109643,0.000049299742,0.00011200232,0.0001940478,0.00010616003,0.00013686626,0.32962862],"category_scores_gemma":[0.0000015837975,0.00018151893,0.00013961732,6.204266e-7,0.00010976006,0.000055040106,0.000089581285,0.00012716508,0.0015253886],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015698855,0.0000057946036,5.611509e-8,0.000027466696,0.00004255715,0.000054467244,0.0013869995,2.0170978e-8,0.0000048514034,0.88702875,0.10890334,0.0025299746],"study_design_scores_gemma":[0.00007280944,0.000057166428,5.7597106e-7,0.000062680854,0.000052787702,0.000006624226,0.000110038054,0.0000011263469,0.000058663773,0.024922675,0.9744063,0.00024854168],"about_ca_topic_score_codex":0.000039160757,"about_ca_topic_score_gemma":0.00020552956,"teacher_disagreement_score":0.86550295,"about_ca_system_score_codex":0.00001491161,"about_ca_system_score_gemma":0.000041159925,"threshold_uncertainty_score":0.999252},"labels":[],"label_agreement":null},{"id":"W4362242750","doi":"10.1163/9789004513969_000","title":"Preliminary Material","year":2022,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Monash University; University of Oxford; Humboldt-Universität zu Berlin; British Academy; Central Connecticut State University; McMaster University; San José State University; Oxford Brookes University; Pepperdine University","keywords":"Materials science","score_opus":0.08675760967035559,"score_gpt":0.22907192480116106,"score_spread":0.14231431513080547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4362242750","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000037934948,0.00014185654,7.8909784e-7,0.00017434839,0.0030412977,0.00015112298,0.0002408868,0.00017415904,0.9960376],"genre_scores_gemma":[0.001283969,0.000043582208,0.000013427166,0.0005566474,0.002345985,0.000020376208,0.0003336136,0.000070375165,0.995332],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928874,0.000004803958,0.00016762679,0.00021458356,0.00019021802,0.00013405437],"domain_scores_gemma":[0.9996392,0.000015678828,0.00006738035,0.00021924263,0.000024056644,0.0000344482],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000039021263,0.00020526083,0.00019614844,0.000075552045,0.00024430463,0.000106211766,0.0001623992,0.000073442985,0.73550045],"category_scores_gemma":[9.4086136e-7,0.00018017346,0.00012667451,6.615284e-7,0.00010247622,0.000070060305,0.00015960916,0.00017930585,0.0012916625],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003489633,0.0000058871656,5.182214e-8,0.000015665695,0.000031275245,0.000024955301,0.002202519,7.444408e-8,0.000001242508,0.846455,0.14936407,0.001864396],"study_design_scores_gemma":[0.0000758166,0.00013781022,4.025174e-7,0.000010647732,0.00004417738,0.0000048588367,0.00010062135,0.0000012661958,0.000006533012,0.043251257,0.95612335,0.00024323336],"about_ca_topic_score_codex":0.000096599506,"about_ca_topic_score_gemma":0.000108132204,"teacher_disagreement_score":0.8067593,"about_ca_system_score_codex":0.000028805714,"about_ca_system_score_gemma":0.000029311454,"threshold_uncertainty_score":0.99948597},"labels":[],"label_agreement":null},{"id":"W4362284326","doi":"10.1163/9789004462359_001","title":"Preliminary Material","year":2021,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Toshiba International Foundation","keywords":"Materials science","score_opus":0.09016716939432359,"score_gpt":0.23262822847505987,"score_spread":0.14246105908073628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4362284326","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005624731,0.0003493518,0.0000031787613,0.00016104514,0.0025910996,0.00009663965,0.00010439282,0.00012329424,0.99651474],"genre_scores_gemma":[0.0010459286,0.000060747145,0.000035184545,0.00054373546,0.0036625601,0.0000061427386,0.00031516395,0.00006056231,0.99426997],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993229,0.0000037774032,0.00017182728,0.0002273578,0.00014184482,0.0001323294],"domain_scores_gemma":[0.99958915,0.000014610278,0.000055527973,0.00023237478,0.00006794989,0.00004038962],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000025648409,0.00021409405,0.00023109643,0.000049299742,0.00011200232,0.0001940478,0.00010616003,0.00013686626,0.32962862],"category_scores_gemma":[0.0000015837975,0.00018151893,0.00013961732,6.204266e-7,0.00010976006,0.000055040106,0.000089581285,0.00012716508,0.0015253886],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015698855,0.0000057946036,5.611509e-8,0.000027466696,0.00004255715,0.000054467244,0.0013869995,2.0170978e-8,0.0000048514034,0.88702875,0.10890334,0.0025299746],"study_design_scores_gemma":[0.00007280944,0.000057166428,5.7597106e-7,0.000062680854,0.000052787702,0.000006624226,0.000110038054,0.0000011263469,0.000058663773,0.024922675,0.9744063,0.00024854168],"about_ca_topic_score_codex":0.000039160757,"about_ca_topic_score_gemma":0.00020552956,"teacher_disagreement_score":0.86550295,"about_ca_system_score_codex":0.00001491161,"about_ca_system_score_gemma":0.000041159925,"threshold_uncertainty_score":0.999252},"labels":[],"label_agreement":null},{"id":"W4362460004","doi":"10.1163/9789004460232_001","title":"Preliminary Material","year":2021,"lang":"fr","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Royal Society; Royal Society of Canada; International Society for the History of Rhetoric; McGill University","keywords":"Computer science","score_opus":0.0902982450961122,"score_gpt":0.24433976469335703,"score_spread":0.15404151959724482,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4362460004","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0015658078,0.0023016746,0.000025012967,0.0011295815,0.00808884,0.00022608545,0.0004316511,0.00011521097,0.9861161],"genre_scores_gemma":[0.011357935,0.0007451538,0.00020570544,0.0007634494,0.007277478,0.000013269415,0.00048528227,0.000116251606,0.9790355],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984399,0.000023961798,0.00042743917,0.00048603467,0.00025915445,0.00036350172],"domain_scores_gemma":[0.9991106,0.00006159163,0.00012860059,0.00041784983,0.00015681391,0.00012459427],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00007335374,0.0005057117,0.0004917266,0.000083111685,0.0004977078,0.00043933367,0.00020260522,0.00039654813,0.46777186],"category_scores_gemma":[0.0000058550654,0.00047487122,0.00034424185,0.000002680079,0.00059745717,0.00013683124,0.00022371406,0.0002918593,0.0039986745],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000069553265,0.000043320244,0.000002174728,0.00016552175,0.00016427526,0.00027740502,0.0014100141,4.3627014e-7,0.00004073602,0.973766,0.014586177,0.009474375],"study_design_scores_gemma":[0.0002089723,0.00023582534,0.000020601445,0.00031031782,0.00022541384,0.000049169084,0.00038932447,0.000015540114,0.00029680892,0.013201011,0.9844389,0.0006081338],"about_ca_topic_score_codex":0.0005481282,"about_ca_topic_score_gemma":0.0004080459,"teacher_disagreement_score":0.9698527,"about_ca_system_score_codex":0.000050261984,"about_ca_system_score_gemma":0.00009551291,"threshold_uncertainty_score":0.9997703},"labels":[],"label_agreement":null},{"id":"W4366384486","doi":"10.1017/9781009337489.017","title":"Ending at a Beginning","year":2023,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Content (measure theory); Computer science; Information retrieval; World Wide Web; Mathematics","score_opus":0.11303485581307135,"score_gpt":0.21411982427715437,"score_spread":0.10108496846408302,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366384486","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00016481796,0.0000770947,0.000015288215,0.000018190183,0.0010237723,0.0002335844,0.00035913163,0.0005073361,0.9976008],"genre_scores_gemma":[0.0013329404,0.000053282547,0.000008130736,0.00007900552,0.0007545447,8.972603e-7,0.000113163485,0.00010416754,0.9975539],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99878806,0.000015432472,0.00015485309,0.00044963238,0.0002568716,0.00033514478],"domain_scores_gemma":[0.9991534,0.000078210425,0.00017161305,0.0003744007,0.00009474441,0.00012764918],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00007080245,0.00035784944,0.00035433553,0.0002531713,0.0006924503,0.00011059242,0.00036376892,0.00020949959,0.00013125074],"category_scores_gemma":[0.0000048241072,0.0004187372,0.0002711879,0.0000018182932,0.0003679864,0.00009045107,0.00053998275,0.0003693615,0.0003043033],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031731142,0.0000021964279,4.837481e-7,0.000056856607,0.00013303991,0.00037190583,0.0022630712,4.807145e-7,0.000012663104,0.89429796,0.10224993,0.0005796907],"study_design_scores_gemma":[0.00031242083,0.00002463241,0.0000012565405,0.0001874556,0.00019233381,0.0000063403254,0.0003119279,0.000024474835,0.000051169387,0.000051624997,0.99837136,0.0004649912],"about_ca_topic_score_codex":0.0002474209,"about_ca_topic_score_gemma":0.000070163595,"teacher_disagreement_score":0.89612144,"about_ca_system_score_codex":0.00022620271,"about_ca_system_score_gemma":0.000044122495,"threshold_uncertainty_score":0.99982643},"labels":[],"label_agreement":null},{"id":"W4366384741","doi":"10.1017/9781009337489.020","title":"Works Cited","year":2023,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Waterloo","funders":"","keywords":"Philosophy","score_opus":0.09470402221146597,"score_gpt":0.20683593818106383,"score_spread":0.11213191596959786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4366384741","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000048124162,0.00010235249,0.0000309355,0.000030602412,0.0011321788,0.00027793943,0.00036371767,0.0005992663,0.9974149],"genre_scores_gemma":[0.00060984236,0.00011405104,0.000007902282,0.00013324956,0.0008180958,8.801977e-7,0.00015900862,0.0001031734,0.9980538],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988169,0.000017453525,0.00016451359,0.0004371325,0.0002543712,0.00030959462],"domain_scores_gemma":[0.9990253,0.00007064087,0.00015303721,0.0004569603,0.00015691738,0.0001371645],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000060492785,0.00037008827,0.0003655915,0.00028134504,0.0003824051,0.00018017534,0.00043364058,0.00030074967,0.0001374684],"category_scores_gemma":[0.0000046975542,0.00042153356,0.00028215616,0.0000026678442,0.00040739932,0.000108792956,0.000290152,0.0005103225,0.00037470536],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000036344543,0.0000036660172,1.4283953e-7,0.000037349815,0.0001403132,0.0002580221,0.00095296284,3.8744002e-7,0.0000019175386,0.82292086,0.17391087,0.0017371926],"study_design_scores_gemma":[0.00037350992,0.000025835407,0.0000015329105,0.0002527393,0.00020290625,0.000002499287,0.00030555023,0.000023984723,0.000012182335,0.00011050269,0.9982109,0.0004778478],"about_ca_topic_score_codex":0.00026356112,"about_ca_topic_score_gemma":0.000058741953,"teacher_disagreement_score":0.82430005,"about_ca_system_score_codex":0.000089144894,"about_ca_system_score_gemma":0.000057821908,"threshold_uncertainty_score":0.99982363},"labels":[],"label_agreement":null},{"id":"W4367026459","doi":"10.1163/9780585473888_001","title":"Preliminary Material","year":2000,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of New Brunswick","funders":"","keywords":"Materials science","score_opus":0.071459926501309,"score_gpt":0.22351392892957606,"score_spread":0.15205400242826705,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4367026459","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007439845,0.0001460114,7.5948833e-7,0.00010066738,0.0013090123,0.00013736682,0.0001362594,0.0001828266,0.9979127],"genre_scores_gemma":[0.0022137521,0.00009628287,0.000016009823,0.0005196829,0.003471765,0.000006682528,0.00018076735,0.00006697478,0.9934281],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993213,0.0000028647446,0.00018057188,0.00021109078,0.00013618181,0.00014801939],"domain_scores_gemma":[0.9996566,0.00001108447,0.000047765825,0.00021631652,0.000025382902,0.000042842064],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000022054299,0.00023600906,0.00021422975,0.000068537964,0.000121906596,0.00014314555,0.00013108339,0.00014509536,0.5148871],"category_scores_gemma":[4.419679e-7,0.00019279467,0.00012323465,4.989601e-7,0.00014141515,0.00006556935,0.000035911697,0.0001234718,0.006316222],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000544095,0.0000059474996,3.3054466e-8,0.000013207918,0.000030319477,0.00001959375,0.001747206,4.9200313e-8,0.0000010214633,0.8713261,0.116394706,0.010407434],"study_design_scores_gemma":[0.000077725,0.000086941924,5.419379e-7,0.000036714595,0.000042852567,0.0000042924007,0.000024197894,0.000001236543,0.00001360945,0.10557727,0.8938884,0.0002462168],"about_ca_topic_score_codex":0.00006692071,"about_ca_topic_score_gemma":0.00013317555,"teacher_disagreement_score":0.7774937,"about_ca_system_score_codex":0.000013092555,"about_ca_system_score_gemma":0.000022864879,"threshold_uncertainty_score":0.9944575},"labels":[],"label_agreement":null},{"id":"W4372346298","doi":"10.55221/1940-5537.1130","title":"Review of Writing God and the Self: Samuel Beckett and C. S. Lewis","year":2023,"lang":"en","type":"article","venue":"Sehnsucht The C S Lewis Journal","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity Western University","funders":"","keywords":"Philosophy; Art; Literature","score_opus":0.06133603707312052,"score_gpt":0.27042738882271955,"score_spread":0.20909135174959903,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4372346298","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.36157238,0.49919108,0.00002757249,0.079264574,0.0016589012,0.0009883775,0.000074821655,0.00024162738,0.056980662],"genre_scores_gemma":[0.7659426,0.2177092,0.000079923375,0.00818088,0.0023238454,0.000027513499,0.000007725947,0.000059189777,0.005669151],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985508,0.00023767656,0.0004638781,0.00015356007,0.00029033452,0.00030378258],"domain_scores_gemma":[0.998794,0.00046961193,0.00026619088,0.00023024996,0.00016289983,0.000077046745],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0022326878,0.00017647204,0.00035043442,0.0000815887,0.0010036054,0.00029050998,0.00027990248,0.00003705152,0.0003556177],"category_scores_gemma":[0.00016197478,0.0000885702,0.00017763683,0.000076588614,0.00063196156,0.00019484897,0.00014260238,0.0004173391,0.000027214694],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001762878,0.000108347886,0.0013271974,0.004924163,0.0013517857,0.0000647959,0.16487584,0.000003533868,0.00030828264,0.30303445,0.30003095,0.22379439],"study_design_scores_gemma":[0.0028336649,0.0001221997,0.0027628993,0.0047524082,0.00073047803,0.00079263485,0.01437631,0.0004551392,0.00007898946,0.03259036,0.9400698,0.00043514912],"about_ca_topic_score_codex":0.000064527834,"about_ca_topic_score_gemma":0.00004753924,"teacher_disagreement_score":0.64003885,"about_ca_system_score_codex":0.000014475481,"about_ca_system_score_gemma":0.000049194903,"threshold_uncertainty_score":0.7719023},"labels":[],"label_agreement":null},{"id":"W4376118792","doi":"10.1163/9789004541061_001","title":"Preliminary Material","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Oxford; McGill University; City University of New York","keywords":"Computer science","score_opus":0.1307273738151628,"score_gpt":0.2433209790680518,"score_spread":0.112593605252889,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4376118792","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000029417928,0.00003595451,0.0000014758249,0.00016921453,0.003791633,0.00013803957,0.0001717403,0.0004682851,0.99519426],"genre_scores_gemma":[0.0005997488,0.00004431958,0.000010393088,0.00027919293,0.0037063651,0.00001041632,0.00022526679,0.00010650814,0.99501777],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930423,0.0000025890374,0.00017452666,0.00021276422,0.0001536988,0.00015217985],"domain_scores_gemma":[0.9996325,0.000023178607,0.000056469224,0.00020844743,0.00004025657,0.00003917845],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003860217,0.00021427,0.00020618847,0.00009066239,0.00012238705,0.00014268514,0.00013282362,0.00013774766,0.10225028],"category_scores_gemma":[0.0000018794133,0.00017613164,0.000121571305,8.9716804e-7,0.000122012956,0.000052068834,0.00009152879,0.000121748446,0.0124029955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001886982,0.0000025263482,4.5889117e-8,0.000023715502,0.000033155146,0.000026321466,0.0015556392,3.3488124e-8,0.0000014475779,0.7952392,0.2012399,0.0018591412],"study_design_scores_gemma":[0.000062181076,0.00007174635,0.0000011510596,0.000045941793,0.000039802424,0.0000017520314,0.00007002671,0.00000231801,0.000011561025,0.1094737,0.8899962,0.00022367008],"about_ca_topic_score_codex":0.00006225769,"about_ca_topic_score_gemma":0.00027572946,"teacher_disagreement_score":0.6887562,"about_ca_system_score_codex":0.000012368691,"about_ca_system_score_gemma":0.000022222646,"threshold_uncertainty_score":0.98836595},"labels":[],"label_agreement":null},{"id":"W4376483086","doi":"10.1163/9789004510180_001","title":"Preliminary Material","year":2022,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"McMaster University","keywords":"Computer science","score_opus":0.08675760967035559,"score_gpt":0.22907192480116106,"score_spread":0.14231431513080547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4376483086","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000037934948,0.00014185654,7.8909784e-7,0.00017434839,0.0030412977,0.00015112298,0.0002408868,0.00017415904,0.9960376],"genre_scores_gemma":[0.001283969,0.000043582208,0.000013427166,0.0005566474,0.002345985,0.000020376208,0.0003336136,0.000070375165,0.995332],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928874,0.000004803958,0.00016762679,0.00021458356,0.00019021802,0.00013405437],"domain_scores_gemma":[0.9996392,0.000015678828,0.00006738035,0.00021924263,0.000024056644,0.0000344482],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000039021263,0.00020526083,0.00019614844,0.000075552045,0.00024430463,0.000106211766,0.0001623992,0.000073442985,0.73550045],"category_scores_gemma":[9.4086136e-7,0.00018017346,0.00012667451,6.615284e-7,0.00010247622,0.000070060305,0.00015960916,0.00017930585,0.0012916625],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003489633,0.0000058871656,5.182214e-8,0.000015665695,0.000031275245,0.000024955301,0.002202519,7.444408e-8,0.000001242508,0.846455,0.14936407,0.001864396],"study_design_scores_gemma":[0.0000758166,0.00013781022,4.025174e-7,0.000010647732,0.00004417738,0.0000048588367,0.00010062135,0.0000012661958,0.000006533012,0.043251257,0.95612335,0.00024323336],"about_ca_topic_score_codex":0.000096599506,"about_ca_topic_score_gemma":0.000108132204,"teacher_disagreement_score":0.8067593,"about_ca_system_score_codex":0.000028805714,"about_ca_system_score_gemma":0.000029311454,"threshold_uncertainty_score":0.99948597},"labels":[],"label_agreement":null},{"id":"W4376483090","doi":"10.1163/9789004512238_001","title":"Preliminary Material","year":2022,"lang":"fr","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Université de Montréal; University of Oxford; Arcadia Fund; Princeton University","keywords":"Materials science","score_opus":0.08698764425420243,"score_gpt":0.24081133150404369,"score_spread":0.15382368724984125,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4376483090","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010533113,0.0009328315,0.0000061903006,0.0012190425,0.009455968,0.00035243758,0.0009925545,0.00016224259,0.9858254],"genre_scores_gemma":[0.013995279,0.0005379777,0.00007899036,0.0007863577,0.004696254,0.000044284858,0.0005168289,0.00013591313,0.9792081],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99837804,0.000030473875,0.00041699718,0.00045873827,0.00034752354,0.00036824308],"domain_scores_gemma":[0.9992218,0.00006610018,0.0001560576,0.0003942649,0.00005552431,0.000106274136],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000111596964,0.00048485262,0.0004173808,0.00012736669,0.0010851288,0.0002404953,0.00030992122,0.00021281494,0.8325049],"category_scores_gemma":[0.0000034782313,0.00047135237,0.00031233585,0.0000028576278,0.00055782706,0.00017416799,0.00039855498,0.00041150092,0.0033872672],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016386891,0.00004665215,0.000002128827,0.00010007407,0.00012797094,0.0001347383,0.0023734595,0.0000017067027,0.0000110591445,0.9672096,0.022417165,0.007411573],"study_design_scores_gemma":[0.00021950745,0.0005733291,0.000014523531,0.00005318708,0.00019030336,0.00003638161,0.00035913227,0.0000176226,0.000033350356,0.023335796,0.9745665,0.0006003581],"about_ca_topic_score_codex":0.0013510826,"about_ca_topic_score_gemma":0.0002146997,"teacher_disagreement_score":0.95214933,"about_ca_system_score_codex":0.0000970911,"about_ca_system_score_gemma":0.00006801922,"threshold_uncertainty_score":0.9997738},"labels":[],"label_agreement":null},{"id":"W4378232022","doi":"10.1080/10509585.2023.2205072","title":"New Romanticisms","year":2023,"lang":"en","type":"article","venue":"European Romantic Review","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Art","score_opus":0.11202150921837316,"score_gpt":0.27935446617963455,"score_spread":0.16733295696126138,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378232022","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00474541,0.040208787,0.00013427908,0.0036962451,0.0015618062,0.00047390797,0.0000059995223,0.0010266529,0.94814694],"genre_scores_gemma":[0.13197732,0.09688271,0.00047041712,0.014295763,0.0050498196,0.000020039355,0.00016957996,0.00031737852,0.750817],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99866396,0.00015205688,0.00036288085,0.00027192853,0.00023108955,0.000318078],"domain_scores_gemma":[0.9992805,0.000040893552,0.00009107012,0.00042754036,0.000037121532,0.00012287361],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0005359543,0.00018524563,0.00030359277,0.00008252647,0.00019298418,0.00013518464,0.00034316818,0.000010630241,0.0072099753],"category_scores_gemma":[0.00006551634,0.0001448671,0.00017717302,0.000094916126,0.000056870853,0.00013291505,0.00011564796,0.00010964587,0.0567794],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000012570603,0.000011682018,0.000023076316,0.0007075627,0.000029398825,0.00017419741,0.0022853967,2.3191774e-7,0.000025635014,0.068625815,0.85250115,0.07561462],"study_design_scores_gemma":[0.00015020324,0.00002972381,0.0010121623,0.0016646981,0.0000767167,0.000009843941,0.00006180442,0.000014607088,0.0000057454836,0.0006632728,0.99610627,0.00020493745],"about_ca_topic_score_codex":0.000033124958,"about_ca_topic_score_gemma":0.000019975274,"teacher_disagreement_score":0.19732994,"about_ca_system_score_codex":0.0000067234205,"about_ca_system_score_gemma":0.000023180077,"threshold_uncertainty_score":0.9936976},"labels":[],"label_agreement":null},{"id":"W4378532658","doi":"10.30965/9783657790890_001","title":"Preliminary Material","year":2023,"lang":"de","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Child, Adolescent and Family Mental Health","funders":"","keywords":"Materials science","score_opus":0.11504612938047741,"score_gpt":0.25333872205116764,"score_spread":0.13829259267069022,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378532658","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00042175213,0.00032236555,0.0000068672853,0.00050869863,0.013895535,0.0004269654,0.0007494231,0.00058596476,0.9830824],"genre_scores_gemma":[0.006232286,0.0008369029,0.00002724623,0.00050884194,0.01039554,0.00002595648,0.0008011681,0.00025935075,0.9809127],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99798524,0.0000163034,0.0005437966,0.00058977655,0.00038640242,0.0004785015],"domain_scores_gemma":[0.99896795,0.00008793135,0.00018073586,0.00051482377,0.00011066217,0.00013788408],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012969776,0.00062665873,0.0005696448,0.00022690075,0.00050685654,0.000530192,0.0003332601,0.00045377194,0.19831213],"category_scores_gemma":[0.000007411375,0.0005499356,0.00036659386,0.000004857541,0.00039301743,0.00011892763,0.00030653703,0.0003442,0.08147067],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016807466,0.000021225029,0.0000010455558,0.0001386305,0.00025254383,0.00016969434,0.0032571338,3.6624556e-7,0.0000130175995,0.9091909,0.08362509,0.0031622904],"study_design_scores_gemma":[0.00026151582,0.00035852342,0.000016380582,0.00023066731,0.00029911925,0.0000059121076,0.000344521,0.000025000623,0.000054583652,0.04829536,0.94938886,0.0007195311],"about_ca_topic_score_codex":0.00026936876,"about_ca_topic_score_gemma":0.00021176858,"teacher_disagreement_score":0.8657638,"about_ca_system_score_codex":0.00003282449,"about_ca_system_score_gemma":0.000058693455,"threshold_uncertainty_score":0.99969524},"labels":[],"label_agreement":null},{"id":"W4378532663","doi":"10.1163/9789004485211_001","title":"Preliminary Material","year":2000,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Queen's University","funders":"","keywords":"Materials science","score_opus":0.071459926501309,"score_gpt":0.22351392892957606,"score_spread":0.15205400242826705,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378532663","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007439845,0.0001460114,7.5948833e-7,0.00010066738,0.0013090123,0.00013736682,0.0001362594,0.0001828266,0.9979127],"genre_scores_gemma":[0.0022137521,0.00009628287,0.000016009823,0.0005196829,0.003471765,0.000006682528,0.00018076735,0.00006697478,0.9934281],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993213,0.0000028647446,0.00018057188,0.00021109078,0.00013618181,0.00014801939],"domain_scores_gemma":[0.9996566,0.00001108447,0.000047765825,0.00021631652,0.000025382902,0.000042842064],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000022054299,0.00023600906,0.00021422975,0.000068537964,0.000121906596,0.00014314555,0.00013108339,0.00014509536,0.5148871],"category_scores_gemma":[4.419679e-7,0.00019279467,0.00012323465,4.989601e-7,0.00014141515,0.00006556935,0.000035911697,0.0001234718,0.006316222],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000544095,0.0000059474996,3.3054466e-8,0.000013207918,0.000030319477,0.00001959375,0.001747206,4.9200313e-8,0.0000010214633,0.8713261,0.116394706,0.010407434],"study_design_scores_gemma":[0.000077725,0.000086941924,5.419379e-7,0.000036714595,0.000042852567,0.0000042924007,0.000024197894,0.000001236543,0.00001360945,0.10557727,0.8938884,0.0002462168],"about_ca_topic_score_codex":0.00006692071,"about_ca_topic_score_gemma":0.00013317555,"teacher_disagreement_score":0.7774937,"about_ca_system_score_codex":0.000013092555,"about_ca_system_score_gemma":0.000022864879,"threshold_uncertainty_score":0.9944575},"labels":[],"label_agreement":null},{"id":"W4378676383","doi":"10.1163/9789004508576_001","title":"Preliminary Material","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Université Laval","keywords":"Materials science","score_opus":0.1307273738151628,"score_gpt":0.2433209790680518,"score_spread":0.112593605252889,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4378676383","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000029417928,0.00003595451,0.0000014758249,0.00016921453,0.003791633,0.00013803957,0.0001717403,0.0004682851,0.99519426],"genre_scores_gemma":[0.0005997488,0.00004431958,0.000010393088,0.00027919293,0.0037063651,0.00001041632,0.00022526679,0.00010650814,0.99501777],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930423,0.0000025890374,0.00017452666,0.00021276422,0.0001536988,0.00015217985],"domain_scores_gemma":[0.9996325,0.000023178607,0.000056469224,0.00020844743,0.00004025657,0.00003917845],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003860217,0.00021427,0.00020618847,0.00009066239,0.00012238705,0.00014268514,0.00013282362,0.00013774766,0.10225028],"category_scores_gemma":[0.0000018794133,0.00017613164,0.000121571305,8.9716804e-7,0.000122012956,0.000052068834,0.00009152879,0.000121748446,0.0124029955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001886982,0.0000025263482,4.5889117e-8,0.000023715502,0.000033155146,0.000026321466,0.0015556392,3.3488124e-8,0.0000014475779,0.7952392,0.2012399,0.0018591412],"study_design_scores_gemma":[0.000062181076,0.00007174635,0.0000011510596,0.000045941793,0.000039802424,0.0000017520314,0.00007002671,0.00000231801,0.000011561025,0.1094737,0.8899962,0.00022367008],"about_ca_topic_score_codex":0.00006225769,"about_ca_topic_score_gemma":0.00027572946,"teacher_disagreement_score":0.6887562,"about_ca_system_score_codex":0.000012368691,"about_ca_system_score_gemma":0.000022222646,"threshold_uncertainty_score":0.98836595},"labels":[],"label_agreement":null},{"id":"W4379196617","doi":"10.1163/9789004677432_000","title":"Preliminary Material","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Department of Higher Education and Training; Mekelle University; Division of Chemistry; University of Toronto; University of Bath; Yükseköğretim Kurulu; University of Johannesburg; National Research Foundation","keywords":"Computer science","score_opus":0.1307273738151628,"score_gpt":0.2433209790680518,"score_spread":0.112593605252889,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379196617","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000029417928,0.00003595451,0.0000014758249,0.00016921453,0.003791633,0.00013803957,0.0001717403,0.0004682851,0.99519426],"genre_scores_gemma":[0.0005997488,0.00004431958,0.000010393088,0.00027919293,0.0037063651,0.00001041632,0.00022526679,0.00010650814,0.99501777],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930423,0.0000025890374,0.00017452666,0.00021276422,0.0001536988,0.00015217985],"domain_scores_gemma":[0.9996325,0.000023178607,0.000056469224,0.00020844743,0.00004025657,0.00003917845],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003860217,0.00021427,0.00020618847,0.00009066239,0.00012238705,0.00014268514,0.00013282362,0.00013774766,0.10225028],"category_scores_gemma":[0.0000018794133,0.00017613164,0.000121571305,8.9716804e-7,0.000122012956,0.000052068834,0.00009152879,0.000121748446,0.0124029955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001886982,0.0000025263482,4.5889117e-8,0.000023715502,0.000033155146,0.000026321466,0.0015556392,3.3488124e-8,0.0000014475779,0.7952392,0.2012399,0.0018591412],"study_design_scores_gemma":[0.000062181076,0.00007174635,0.0000011510596,0.000045941793,0.000039802424,0.0000017520314,0.00007002671,0.00000231801,0.000011561025,0.1094737,0.8899962,0.00022367008],"about_ca_topic_score_codex":0.00006225769,"about_ca_topic_score_gemma":0.00027572946,"teacher_disagreement_score":0.6887562,"about_ca_system_score_codex":0.000012368691,"about_ca_system_score_gemma":0.000022222646,"threshold_uncertainty_score":0.98836595},"labels":[],"label_agreement":null},{"id":"W4379196665","doi":"10.1163/9789004536630_001","title":"Preliminary Material","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Killam Trusts; Buddhist Tzu Chi Medical Foundation; University of Toronto; Hebrew University of Jerusalem; National Endowment for the Humanities; University of Oxford; McMaster University; University of Rochester","keywords":"Materials science","score_opus":0.1307273738151628,"score_gpt":0.2433209790680518,"score_spread":0.112593605252889,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379196665","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000029417928,0.00003595451,0.0000014758249,0.00016921453,0.003791633,0.00013803957,0.0001717403,0.0004682851,0.99519426],"genre_scores_gemma":[0.0005997488,0.00004431958,0.000010393088,0.00027919293,0.0037063651,0.00001041632,0.00022526679,0.00010650814,0.99501777],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930423,0.0000025890374,0.00017452666,0.00021276422,0.0001536988,0.00015217985],"domain_scores_gemma":[0.9996325,0.000023178607,0.000056469224,0.00020844743,0.00004025657,0.00003917845],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003860217,0.00021427,0.00020618847,0.00009066239,0.00012238705,0.00014268514,0.00013282362,0.00013774766,0.10225028],"category_scores_gemma":[0.0000018794133,0.00017613164,0.000121571305,8.9716804e-7,0.000122012956,0.000052068834,0.00009152879,0.000121748446,0.0124029955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001886982,0.0000025263482,4.5889117e-8,0.000023715502,0.000033155146,0.000026321466,0.0015556392,3.3488124e-8,0.0000014475779,0.7952392,0.2012399,0.0018591412],"study_design_scores_gemma":[0.000062181076,0.00007174635,0.0000011510596,0.000045941793,0.000039802424,0.0000017520314,0.00007002671,0.00000231801,0.000011561025,0.1094737,0.8899962,0.00022367008],"about_ca_topic_score_codex":0.00006225769,"about_ca_topic_score_gemma":0.00027572946,"teacher_disagreement_score":0.6887562,"about_ca_system_score_codex":0.000012368691,"about_ca_system_score_gemma":0.000022222646,"threshold_uncertainty_score":0.98836595},"labels":[],"label_agreement":null},{"id":"W4379211600","doi":"10.1163/9789004505131_000","title":"Preliminary Material","year":2021,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Lingnan University; Chinese University of Hong Kong; University of Hong Kong; University of Nottingham; University of Melbourne; University of New England; University of Queensland; Peking University; Queensland University of Technology; University of Oxford; Tsinghua University; Beijing Normal University; University of Glasgow; University of Calgary","keywords":"Environmental science; Materials science","score_opus":0.09016716939432359,"score_gpt":0.23262822847505987,"score_spread":0.14246105908073628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379211600","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005624731,0.0003493518,0.0000031787613,0.00016104514,0.0025910996,0.00009663965,0.00010439282,0.00012329424,0.99651474],"genre_scores_gemma":[0.0010459286,0.000060747145,0.000035184545,0.00054373546,0.0036625601,0.0000061427386,0.00031516395,0.00006056231,0.99426997],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993229,0.0000037774032,0.00017182728,0.0002273578,0.00014184482,0.0001323294],"domain_scores_gemma":[0.99958915,0.000014610278,0.000055527973,0.00023237478,0.00006794989,0.00004038962],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000025648409,0.00021409405,0.00023109643,0.000049299742,0.00011200232,0.0001940478,0.00010616003,0.00013686626,0.32962862],"category_scores_gemma":[0.0000015837975,0.00018151893,0.00013961732,6.204266e-7,0.00010976006,0.000055040106,0.000089581285,0.00012716508,0.0015253886],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015698855,0.0000057946036,5.611509e-8,0.000027466696,0.00004255715,0.000054467244,0.0013869995,2.0170978e-8,0.0000048514034,0.88702875,0.10890334,0.0025299746],"study_design_scores_gemma":[0.00007280944,0.000057166428,5.7597106e-7,0.000062680854,0.000052787702,0.000006624226,0.000110038054,0.0000011263469,0.000058663773,0.024922675,0.9744063,0.00024854168],"about_ca_topic_score_codex":0.000039160757,"about_ca_topic_score_gemma":0.00020552956,"teacher_disagreement_score":0.86550295,"about_ca_system_score_codex":0.00001491161,"about_ca_system_score_gemma":0.000041159925,"threshold_uncertainty_score":0.999252},"labels":[],"label_agreement":null},{"id":"W4379433049","doi":"10.1353/see.2009.0009","title":"The Absurd in Literature by Neil Cornwell (review)","year":2009,"lang":"en","type":"article","venue":"The Slavonic and East European Review","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Absurdism; Absurdity; Rhetoric; Drama; Literature; Philosophy; Existentialism; Art; Art history; Theology; Epistemology","score_opus":0.02490093673539369,"score_gpt":0.22950222134251472,"score_spread":0.20460128460712101,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379433049","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00031019433,0.80890393,9.591641e-7,0.013763672,0.0001125895,0.00033737108,0.000011425824,0.000027336942,0.17653254],"genre_scores_gemma":[0.02933509,0.9210335,0.0000018112755,0.02514538,0.00027938452,0.0000063689167,0.000019393396,0.000018355177,0.024160683],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99873877,0.00036753714,0.00032490023,0.00018868226,0.00012607091,0.0002540216],"domain_scores_gemma":[0.9993676,0.000048098515,0.0001064968,0.00038632815,0.00003979275,0.00005170406],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0010315519,0.00018801038,0.00027050838,0.000011827281,0.00034205546,0.0001454914,0.00034334074,0.000012795102,0.00032233197],"category_scores_gemma":[0.000037147078,0.000086806525,0.00010748988,0.000050007267,0.00015225536,0.00008614288,0.000047612255,0.00027143245,0.0004400459],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000009034416,0.000029968063,0.0000035334203,0.00088089815,0.000014532732,0.000014189223,0.0026502921,4.679439e-8,0.0000039396086,0.021133628,0.53923506,0.43602487],"study_design_scores_gemma":[0.00013360089,0.00004834507,0.00014585671,0.00734784,0.000050384184,0.00001409315,0.00007319662,0.000003916753,2.746648e-7,0.00040580024,0.9916496,0.00012704097],"about_ca_topic_score_codex":0.000006678555,"about_ca_topic_score_gemma":0.00002785557,"teacher_disagreement_score":0.45241457,"about_ca_system_score_codex":0.000008290563,"about_ca_system_score_gemma":0.000012425015,"threshold_uncertainty_score":0.5656046},"labels":[],"label_agreement":null},{"id":"W4379434397","doi":"10.1353/see.2009.0014","title":"La Russie et le monde francophone by J. Douglas Clayton (review)","year":2009,"lang":"en","type":"article","venue":"The Slavonic and East European Review","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Absurdism; Philosophy; Existentialism; Adventure; Nihilism; Art history; Literature; Psychoanalysis; Art; Epistemology; Psychology","score_opus":0.0313794475189096,"score_gpt":0.24596207916153162,"score_spread":0.21458263164262203,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379434397","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00066900573,0.6711946,0.000008988456,0.013635987,0.00015150476,0.00027625222,0.000013632834,0.00006472398,0.3139853],"genre_scores_gemma":[0.12701474,0.8249306,0.000010504466,0.033263892,0.00034144917,0.000008510962,0.000029637995,0.000033958757,0.014366689],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984965,0.0005446646,0.00032984852,0.00023417173,0.00015344811,0.0002413668],"domain_scores_gemma":[0.99932754,0.00003816348,0.0001297892,0.0003935258,0.000031474567,0.000079490965],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0010402388,0.00022959881,0.00038302914,0.000015751411,0.00027908158,0.0000757012,0.00028566524,0.00001892013,0.0009748922],"category_scores_gemma":[0.000024134286,0.00013675276,0.00014808468,0.00004077656,0.00017895162,0.00012024007,0.000060812923,0.00027952087,0.0009238293],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000071960862,0.000081448205,0.0000010641592,0.0013656314,0.00003385579,0.000015602704,0.0028558043,1.303395e-7,0.000030269475,0.039197143,0.6362276,0.32018423],"study_design_scores_gemma":[0.00026952178,0.000053698768,0.00014523414,0.004684446,0.000083388724,0.000027915052,0.0001348821,0.0000035590608,0.000001884011,0.00036224697,0.99404114,0.00019205583],"about_ca_topic_score_codex":0.0000199381,"about_ca_topic_score_gemma":0.0000141166265,"teacher_disagreement_score":0.35781354,"about_ca_system_score_codex":0.000006668346,"about_ca_system_score_gemma":0.000029120758,"threshold_uncertainty_score":0.99993837},"labels":[],"label_agreement":null},{"id":"W4379621271","doi":"10.1353/mos.2020.0027","title":"\"When the Panting Stops\": Breath and Breathing in Beckett and How It Is","year":2020,"lang":"en","type":"article","venue":"Mosaic","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Novella; Irish; Literature; Art; Aesthetics; Philosophy; Linguistics","score_opus":0.09422826225129749,"score_gpt":0.24177164954197686,"score_spread":0.14754338729067937,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379621271","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8914903,0.001355408,0.00002133213,0.094891034,0.00008965673,0.00016077567,0.000026769883,0.00005311512,0.011911659],"genre_scores_gemma":[0.9856774,0.000054039207,0.00004543713,0.010143073,0.00034024345,0.0000072809767,0.000004425888,0.000015206533,0.0037128679],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9994029,0.000030688403,0.00008844103,0.00020037242,0.00010021686,0.00017741986],"domain_scores_gemma":[0.9997343,0.000069692855,0.000036245197,0.00009346456,0.000015465534,0.000050854924],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00012657107,0.00011262571,0.00013625254,0.000025130033,0.00026175723,0.00034684903,0.00008524734,0.000030654835,0.00021323269],"category_scores_gemma":[0.000026131494,0.000078094745,0.00002477356,0.000015599791,0.00012446722,0.0001695824,0.00008266953,0.00015589914,0.000008862868],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020076235,0.000018296756,0.011596089,0.00009511464,0.000038776117,0.00004602613,0.89275813,7.3053366e-7,0.00031598902,0.012840851,0.057678565,0.02459135],"study_design_scores_gemma":[0.0007951957,0.00007609191,0.0034204372,0.00007892916,0.000048283295,0.000020463613,0.030632645,0.0027840484,0.00016524986,0.0029787286,0.9586839,0.00031603168],"about_ca_topic_score_codex":0.00049205724,"about_ca_topic_score_gemma":0.0006699797,"teacher_disagreement_score":0.9010053,"about_ca_system_score_codex":0.0000073745455,"about_ca_system_score_gemma":0.000011107745,"threshold_uncertainty_score":0.33446732},"labels":[],"label_agreement":null},{"id":"W4379623444","doi":"10.1353/mlr.2005.a826859","title":"Literary Silences in Pascal, Rousseau, and Beckett by Elisabeth Loevlie (review)","year":2005,"lang":"en","type":"article","venue":"The Modern Language Review","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Stress (linguistics); Literature; Poetry; Silence; Art; Philosophy; Art history; History; Linguistics; Aesthetics","score_opus":0.02486480881504073,"score_gpt":0.2727753600316064,"score_spread":0.2479105512165657,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4379623444","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0155168455,0.95932734,0.000010584613,0.009810919,0.00006378881,0.0006165747,0.0000439668,0.0000644517,0.014545552],"genre_scores_gemma":[0.07732692,0.8848008,0.000051119736,0.028090486,0.0004587609,0.0001142874,0.000052562686,0.000034346922,0.009070718],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985615,0.00018612467,0.00041756852,0.00029050672,0.00022860835,0.00031571637],"domain_scores_gemma":[0.99925673,0.000112307636,0.00011452234,0.00041516277,0.000030064437,0.00007124033],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0006057895,0.00024737182,0.0005007493,0.000032840348,0.00013864117,0.00008220882,0.00032901033,0.00003652849,0.0020884373],"category_scores_gemma":[0.00004294589,0.00014749292,0.00011605195,0.000042733274,0.00018290861,0.00026267782,0.00008888297,0.0002380099,0.000175816],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00000424495,0.00007862464,0.00001778898,0.0045514405,0.000027229815,0.000013999667,0.034310516,2.739004e-7,0.000038291208,0.001544937,0.09456432,0.8648483],"study_design_scores_gemma":[0.00023767125,0.000030990264,0.000029685481,0.012015986,0.00013656255,0.000021826601,0.00041879303,0.00021604188,0.000026425947,0.0014702872,0.98504597,0.0003497766],"about_ca_topic_score_codex":0.00016820994,"about_ca_topic_score_gemma":0.0005328487,"teacher_disagreement_score":0.89048165,"about_ca_system_score_codex":0.000021875116,"about_ca_system_score_gemma":0.000020616042,"threshold_uncertainty_score":0.99882376},"labels":[],"label_agreement":null},{"id":"W4380369007","doi":"10.3386/w31316","title":"Cassatts in the Attic","year":2023,"lang":"en","type":"report","venue":"National Bureau of Economic Research","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":13,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Attic; Art; History; Archaeology","score_opus":0.9014090592956878,"score_gpt":0.6090217962324139,"score_spread":0.2923872630632739,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380369007","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0035706204,0.00036125083,4.8390255e-8,0.0016149245,0.0009635037,0.00035792033,0.0001094792,0.000014279798,0.99300796],"genre_scores_gemma":[0.7727384,0.00062545284,0.0000033469405,0.00006079439,0.0036451372,0.00019662149,0.00045374208,0.000048514947,0.22222796],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997304,0.00017395458,0.00046602948,0.00028777868,0.0014540011,0.00031419648],"domain_scores_gemma":[0.997119,0.0016321478,0.00013047336,0.00024778556,0.00084075524,0.000029819088],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0065802545,0.000132518,0.00027934133,0.00074478146,0.00017224885,0.00014809196,0.0005760541,0.00015163113,0.00245134],"category_scores_gemma":[0.0006114038,0.000100013116,0.00013266988,0.000044271743,0.00037321288,0.00007081149,0.0000999959,0.00070435146,0.0012296374],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000077374925,0.00003109093,0.00012278534,0.000082915365,0.000047285776,0.00000999112,0.0030347933,0.000016416745,9.418775e-7,0.53370535,0.46227974,0.0006609705],"study_design_scores_gemma":[0.00017911723,0.000038448663,0.00073364377,0.00008142149,0.0000070899496,0.0000069879366,0.0011298929,0.00007661708,0.0000027687636,0.34820786,0.6494135,0.00012259572],"about_ca_topic_score_codex":0.009784099,"about_ca_topic_score_gemma":0.02360474,"teacher_disagreement_score":0.77078,"about_ca_system_score_codex":0.0006762544,"about_ca_system_score_gemma":0.0020965731,"threshold_uncertainty_score":0.999548},"labels":[],"label_agreement":null},{"id":"W4380840032","doi":"10.1163/9789004424005_001","title":"Preliminary Material","year":2021,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Humanities Research Group, University of Windsor; Western Sydney University; University of Leeds; Arts and Humanities Research Council; University of Liverpool; University of Cambridge; Royal Historical Society","keywords":"Computer science","score_opus":0.09016716939432359,"score_gpt":0.23262822847505987,"score_spread":0.14246105908073628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380840032","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005624731,0.0003493518,0.0000031787613,0.00016104514,0.0025910996,0.00009663965,0.00010439282,0.00012329424,0.99651474],"genre_scores_gemma":[0.0010459286,0.000060747145,0.000035184545,0.00054373546,0.0036625601,0.0000061427386,0.00031516395,0.00006056231,0.99426997],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993229,0.0000037774032,0.00017182728,0.0002273578,0.00014184482,0.0001323294],"domain_scores_gemma":[0.99958915,0.000014610278,0.000055527973,0.00023237478,0.00006794989,0.00004038962],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000025648409,0.00021409405,0.00023109643,0.000049299742,0.00011200232,0.0001940478,0.00010616003,0.00013686626,0.32962862],"category_scores_gemma":[0.0000015837975,0.00018151893,0.00013961732,6.204266e-7,0.00010976006,0.000055040106,0.000089581285,0.00012716508,0.0015253886],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015698855,0.0000057946036,5.611509e-8,0.000027466696,0.00004255715,0.000054467244,0.0013869995,2.0170978e-8,0.0000048514034,0.88702875,0.10890334,0.0025299746],"study_design_scores_gemma":[0.00007280944,0.000057166428,5.7597106e-7,0.000062680854,0.000052787702,0.000006624226,0.000110038054,0.0000011263469,0.000058663773,0.024922675,0.9744063,0.00024854168],"about_ca_topic_score_codex":0.000039160757,"about_ca_topic_score_gemma":0.00020552956,"teacher_disagreement_score":0.86550295,"about_ca_system_score_codex":0.00001491161,"about_ca_system_score_gemma":0.000041159925,"threshold_uncertainty_score":0.999252},"labels":[],"label_agreement":null},{"id":"W4380874040","doi":"10.3138/ctr.101.001","title":"Passing the Province, or, the Tyrannical Prehension: Theoretical Readings of BC Theatre","year":2000,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Aside; Interrupt; Illusion; Drama; Power (physics); Order (exchange); Visual arts; Aesthetics; Literature; Art; Psychology; Engineering; Electrical engineering; Physics; Cognitive psychology","score_opus":0.04127218137713432,"score_gpt":0.25807656112412464,"score_spread":0.21680437974699032,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380874040","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0016855291,0.096941136,0.0000028173256,0.06714476,0.00029635188,0.0013884105,0.00007219994,0.000060188588,0.8324086],"genre_scores_gemma":[0.8691044,0.060891334,0.000033552285,0.029463798,0.0015332344,0.0001283162,0.00003044941,0.000103778366,0.038711164],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99846447,0.00023660714,0.0003997422,0.0002431601,0.00023348018,0.00042255793],"domain_scores_gemma":[0.9987168,0.00030014577,0.00007394911,0.00063779054,0.000059767317,0.0002115989],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00051771867,0.00022158948,0.00039623128,0.000035365007,0.0006082623,0.00011215872,0.00052516797,0.00006243316,0.027353723],"category_scores_gemma":[0.000026133868,0.000083885636,0.00023287655,0.00006650721,0.0012209611,0.000091651185,0.000024465182,0.0002806266,0.00029238773],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000019716712,0.00001641016,0.000018320887,0.00039572653,0.00004415398,0.0000252248,0.0022076294,3.9029078e-7,9.1871567e-7,0.34961414,0.05781946,0.5898379],"study_design_scores_gemma":[0.000095658,0.00004853452,0.000020951595,0.0017112668,0.00017699486,0.00004008827,0.00031601425,0.000026770687,0.0000049151886,0.0034265837,0.99398476,0.00014747401],"about_ca_topic_score_codex":0.010936359,"about_ca_topic_score_gemma":0.08089837,"teacher_disagreement_score":0.9361653,"about_ca_system_score_codex":0.000055431192,"about_ca_system_score_gemma":0.00052360503,"threshold_uncertainty_score":0.9956499},"labels":[],"label_agreement":null},{"id":"W4380925802","doi":"10.3138/ctr.110.019","title":"Views &amp; Reviews","year":2002,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Chess endgame; Space (punctuation); The Imaginary; Colonialism; History; Everyday life; Media studies; Aesthetics; Visual arts; Art; Sociology; Political science; Law; Psychology","score_opus":0.24599796667821608,"score_gpt":0.2902759347117858,"score_spread":0.04427796803356973,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380925802","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000015199679,0.52374214,0.0000014234425,0.0037505096,0.00027410107,0.00039682354,0.000021518026,0.000027156117,0.47177115],"genre_scores_gemma":[0.0016433591,0.8143863,0.00007816321,0.041669313,0.0011075987,0.00014764696,0.000048222875,0.000048046306,0.14087135],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99879974,0.000107424035,0.0003731501,0.00022738021,0.00009817708,0.0003941211],"domain_scores_gemma":[0.99893117,0.000019479956,0.00007999227,0.0005217387,0.00003955812,0.00040808672],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00029638727,0.00020499596,0.00048596135,0.00008434376,0.00025977127,0.000077828205,0.00025255594,0.000035648543,0.095498025],"category_scores_gemma":[0.000032366297,0.00015402232,0.00024842194,0.000050450144,0.00008719053,0.000117213414,0.000011711968,0.00013755563,0.023409197],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[8.844252e-8,0.000005195856,0.000006889836,0.00058396644,0.0000070323013,0.000004418498,0.001106853,6.863632e-9,3.318837e-7,0.0066065765,0.6765137,0.31516495],"study_design_scores_gemma":[0.0000484675,0.0000080126465,0.0000021456726,0.00200885,0.00006813947,0.000011854547,0.000017982014,0.0000016796618,2.5069247e-7,0.00024569375,0.9973816,0.00020527226],"about_ca_topic_score_codex":0.013830744,"about_ca_topic_score_gemma":0.56289625,"teacher_disagreement_score":0.5490655,"about_ca_system_score_codex":0.00008592676,"about_ca_system_score_gemma":0.000043803586,"threshold_uncertainty_score":0.9927362},"labels":[],"label_agreement":null},{"id":"W4380925988","doi":"10.3138/ctr.110.020","title":"Canada Dry!: A Canadian Theatre Company in Egypt","year":2002,"lang":"en","type":"article","venue":"Canadian Theatre Review","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Mantra; Power (physics); Art history; History; Visual arts; Media studies; Literature; Humanities; Sociology; Theology; Philosophy","score_opus":0.06540782250608748,"score_gpt":0.2260814088854178,"score_spread":0.16067358637933032,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4380925988","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.001363417,0.20262995,1.3203855e-7,0.023035824,0.00063644204,0.0006734411,0.0004978415,0.00003039033,0.7711326],"genre_scores_gemma":[0.90916014,0.022379018,0.0000146676275,0.051946465,0.0006713293,0.00010106692,0.00010570754,0.00008729848,0.015534302],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980072,0.000098697055,0.00039818056,0.00033673077,0.00019907061,0.0009601368],"domain_scores_gemma":[0.99811834,0.000044211178,0.000056758316,0.00049497146,0.000059973598,0.0012257271],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00017455859,0.00030830497,0.0005287984,0.00027054304,0.00036419585,0.0001036513,0.00041003161,0.00006607918,0.024360865],"category_scores_gemma":[0.000014121406,0.00027704245,0.00012210975,0.00012605525,0.000103231076,0.00012237117,0.000013186572,0.00028745705,0.0005622074],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[9.283008e-7,0.000015639587,0.0015326644,0.0006607915,0.000045603185,0.00051133824,0.0029201943,0.0000019611493,2.4489665e-7,0.01869836,0.769404,0.20620829],"study_design_scores_gemma":[0.00015205135,0.000011482871,0.00021543627,0.0012722525,0.00004191845,0.000013597496,0.00032248028,0.000067298584,3.8500406e-7,0.00014636006,0.997406,0.0003507116],"about_ca_topic_score_codex":0.9998993,"about_ca_topic_score_gemma":0.9999995,"teacher_disagreement_score":0.90779674,"about_ca_system_score_codex":0.0012931675,"about_ca_system_score_gemma":0.0030110714,"threshold_uncertainty_score":0.9999682},"labels":[],"label_agreement":null},{"id":"W4385145287","doi":"10.1163/9789004473348_001","title":"Preliminary Material","year":2021,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"St. Thomas University","keywords":"Materials science","score_opus":0.09016716939432359,"score_gpt":0.23262822847505987,"score_spread":0.14246105908073628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385145287","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005624731,0.0003493518,0.0000031787613,0.00016104514,0.0025910996,0.00009663965,0.00010439282,0.00012329424,0.99651474],"genre_scores_gemma":[0.0010459286,0.000060747145,0.000035184545,0.00054373546,0.0036625601,0.0000061427386,0.00031516395,0.00006056231,0.99426997],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993229,0.0000037774032,0.00017182728,0.0002273578,0.00014184482,0.0001323294],"domain_scores_gemma":[0.99958915,0.000014610278,0.000055527973,0.00023237478,0.00006794989,0.00004038962],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000025648409,0.00021409405,0.00023109643,0.000049299742,0.00011200232,0.0001940478,0.00010616003,0.00013686626,0.32962862],"category_scores_gemma":[0.0000015837975,0.00018151893,0.00013961732,6.204266e-7,0.00010976006,0.000055040106,0.000089581285,0.00012716508,0.0015253886],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015698855,0.0000057946036,5.611509e-8,0.000027466696,0.00004255715,0.000054467244,0.0013869995,2.0170978e-8,0.0000048514034,0.88702875,0.10890334,0.0025299746],"study_design_scores_gemma":[0.00007280944,0.000057166428,5.7597106e-7,0.000062680854,0.000052787702,0.000006624226,0.000110038054,0.0000011263469,0.000058663773,0.024922675,0.9744063,0.00024854168],"about_ca_topic_score_codex":0.000039160757,"about_ca_topic_score_gemma":0.00020552956,"teacher_disagreement_score":0.86550295,"about_ca_system_score_codex":0.00001491161,"about_ca_system_score_gemma":0.000041159925,"threshold_uncertainty_score":0.999252},"labels":[],"label_agreement":null},{"id":"W4385285699","doi":"10.1080/09670882.2023.2235109","title":"The new Joyce studies","year":2023,"lang":"en","type":"article","venue":"Irish Studies Review","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"History; Computer science","score_opus":0.44600423105844944,"score_gpt":0.43102183540016886,"score_spread":0.014982395658280578,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385285699","genre_codex":"review","genre_gemma":"review","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":"review","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00024454275,0.9116289,5.3266734e-7,0.036116105,0.0018077258,0.0003601812,0.0000049844775,0.00024292394,0.049594093],"genre_scores_gemma":[0.00072637416,0.83430713,0.000007219177,0.0037617793,0.0010661196,0.00010609997,0.000002956156,0.000018057197,0.16000424],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99880487,0.00006668078,0.00034913525,0.00021231931,0.00023362412,0.00033339282],"domain_scores_gemma":[0.9988041,0.00049699727,0.000106868996,0.00031550915,0.00022999104,0.000046543773],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0005180001,0.00018996264,0.0004778531,0.000028620048,0.0011064648,0.000084529885,0.00024726512,0.000014265566,0.00022050446],"category_scores_gemma":[0.00065178494,0.00010162627,0.00017297926,0.00009414808,0.00038490177,0.000097148266,0.00024289147,0.0001105745,0.0020939102],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000013710285,0.0000034429274,0.000005164766,0.0007061883,0.00032706631,0.00000823025,0.00922488,1.00849626e-7,2.2355593e-7,0.005390673,0.9026274,0.08170527],"study_design_scores_gemma":[0.00009651623,0.000024535408,0.000034090066,0.0010867158,0.00013560864,0.0000018569955,0.008981235,8.7615183e-7,0.0000019821916,0.0037905285,0.9857073,0.00013877696],"about_ca_topic_score_codex":0.0000248895,"about_ca_topic_score_gemma":0.0004069108,"teacher_disagreement_score":0.11041015,"about_ca_system_score_codex":0.000029697874,"about_ca_system_score_gemma":0.000035097815,"threshold_uncertainty_score":0.9986831},"labels":[],"label_agreement":null},{"id":"W4385319450","doi":"10.1163/9789004506992_001","title":"Preliminary Material","year":2022,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto","keywords":"Materials science; Computer science","score_opus":0.08675760967035559,"score_gpt":0.22907192480116106,"score_spread":0.14231431513080547,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385319450","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000037934948,0.00014185654,7.8909784e-7,0.00017434839,0.0030412977,0.00015112298,0.0002408868,0.00017415904,0.9960376],"genre_scores_gemma":[0.001283969,0.000043582208,0.000013427166,0.0005566474,0.002345985,0.000020376208,0.0003336136,0.000070375165,0.995332],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99928874,0.000004803958,0.00016762679,0.00021458356,0.00019021802,0.00013405437],"domain_scores_gemma":[0.9996392,0.000015678828,0.00006738035,0.00021924263,0.000024056644,0.0000344482],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000039021263,0.00020526083,0.00019614844,0.000075552045,0.00024430463,0.000106211766,0.0001623992,0.000073442985,0.73550045],"category_scores_gemma":[9.4086136e-7,0.00018017346,0.00012667451,6.615284e-7,0.00010247622,0.000070060305,0.00015960916,0.00017930585,0.0012916625],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003489633,0.0000058871656,5.182214e-8,0.000015665695,0.000031275245,0.000024955301,0.002202519,7.444408e-8,0.000001242508,0.846455,0.14936407,0.001864396],"study_design_scores_gemma":[0.0000758166,0.00013781022,4.025174e-7,0.000010647732,0.00004417738,0.0000048588367,0.00010062135,0.0000012661958,0.000006533012,0.043251257,0.95612335,0.00024323336],"about_ca_topic_score_codex":0.000096599506,"about_ca_topic_score_gemma":0.000108132204,"teacher_disagreement_score":0.8067593,"about_ca_system_score_codex":0.000028805714,"about_ca_system_score_gemma":0.000029311454,"threshold_uncertainty_score":0.99948597},"labels":[],"label_agreement":null},{"id":"W4385372958","doi":"10.1163/9789004459984_001","title":"Preliminary Material","year":2021,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Universität Innsbruck; Karl-Franzens-Universität Graz; University of Melbourne; University of Alberta; Sveučilište u Zagrebu","keywords":"Materials science","score_opus":0.09016716939432359,"score_gpt":0.23262822847505987,"score_spread":0.14246105908073628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4385372958","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005624731,0.0003493518,0.0000031787613,0.00016104514,0.0025910996,0.00009663965,0.00010439282,0.00012329424,0.99651474],"genre_scores_gemma":[0.0010459286,0.000060747145,0.000035184545,0.00054373546,0.0036625601,0.0000061427386,0.00031516395,0.00006056231,0.99426997],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993229,0.0000037774032,0.00017182728,0.0002273578,0.00014184482,0.0001323294],"domain_scores_gemma":[0.99958915,0.000014610278,0.000055527973,0.00023237478,0.00006794989,0.00004038962],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000025648409,0.00021409405,0.00023109643,0.000049299742,0.00011200232,0.0001940478,0.00010616003,0.00013686626,0.32962862],"category_scores_gemma":[0.0000015837975,0.00018151893,0.00013961732,6.204266e-7,0.00010976006,0.000055040106,0.000089581285,0.00012716508,0.0015253886],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015698855,0.0000057946036,5.611509e-8,0.000027466696,0.00004255715,0.000054467244,0.0013869995,2.0170978e-8,0.0000048514034,0.88702875,0.10890334,0.0025299746],"study_design_scores_gemma":[0.00007280944,0.000057166428,5.7597106e-7,0.000062680854,0.000052787702,0.000006624226,0.000110038054,0.0000011263469,0.000058663773,0.024922675,0.9744063,0.00024854168],"about_ca_topic_score_codex":0.000039160757,"about_ca_topic_score_gemma":0.00020552956,"teacher_disagreement_score":0.86550295,"about_ca_system_score_codex":0.00001491161,"about_ca_system_score_gemma":0.000041159925,"threshold_uncertainty_score":0.999252},"labels":[],"label_agreement":null},{"id":"W4386409953","doi":"10.12775/se.2023.0004","title":"Zdigitalizowany Beckett. Technologia cyfrowa w badaniach nad praktyką autoprzekładu Samuela Becketta","year":2023,"lang":"pl","type":"article","venue":"Sztuka Edycji","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Theology; Physics; Philosophy","score_opus":0.08989475023546321,"score_gpt":0.2789656826006942,"score_spread":0.18907093236523098,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386409953","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.57299984,0.0074875522,0.00009906498,0.012280578,0.012032674,0.0024548639,0.0024509742,0.0072406153,0.38295388],"genre_scores_gemma":[0.76671755,0.000951729,0.00019468139,0.0015909749,0.003673189,0.00025783826,0.00082831294,0.00041705347,0.22536863],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.991718,0.00022601028,0.0015968061,0.002031018,0.0015599023,0.0028682402],"domain_scores_gemma":[0.99567395,0.00043569034,0.00062749546,0.0021917156,0.00049078563,0.0005803574],"candidate_categories":["metaepi_narrow","sts","scholarly_communication","insufficient_payload"],"consensus_categories":["metaepi_narrow","insufficient_payload"],"category_scores_codex":[0.0010748637,0.0015568805,0.001460885,0.0012790521,0.0020257446,0.001938443,0.0019790633,0.0011917693,0.0066737966],"category_scores_gemma":[0.0004610402,0.0015155897,0.0009060538,0.00094647834,0.0016662069,0.0011351889,0.0011181652,0.0016528597,0.019600486],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00022170048,0.0007189645,0.0024574995,0.00062931265,0.001036171,0.0009489116,0.023081731,0.000019637744,0.0014354007,0.2825398,0.6372783,0.04963252],"study_design_scores_gemma":[0.0016664825,0.00068553915,0.0044007706,0.00042525315,0.0003748683,0.00006826658,0.008151287,0.00073524495,0.0011637793,0.015209108,0.9649831,0.0021362912],"about_ca_topic_score_codex":0.0012852723,"about_ca_topic_score_gemma":0.0027645999,"teacher_disagreement_score":0.32770476,"about_ca_system_score_codex":0.00037756618,"about_ca_system_score_gemma":0.0006239181,"threshold_uncertainty_score":0.99971795},"labels":[],"label_agreement":null},{"id":"W4386577970","doi":"10.1163/9789004546165_001","title":"Preliminary Material","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Rijksuniversiteit Groningen; McMaster University; Pennsylvania State University; University of Pennsylvania","keywords":"Materials science","score_opus":0.1307273738151628,"score_gpt":0.2433209790680518,"score_spread":0.112593605252889,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4386577970","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000029417928,0.00003595451,0.0000014758249,0.00016921453,0.003791633,0.00013803957,0.0001717403,0.0004682851,0.99519426],"genre_scores_gemma":[0.0005997488,0.00004431958,0.000010393088,0.00027919293,0.0037063651,0.00001041632,0.00022526679,0.00010650814,0.99501777],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930423,0.0000025890374,0.00017452666,0.00021276422,0.0001536988,0.00015217985],"domain_scores_gemma":[0.9996325,0.000023178607,0.000056469224,0.00020844743,0.00004025657,0.00003917845],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003860217,0.00021427,0.00020618847,0.00009066239,0.00012238705,0.00014268514,0.00013282362,0.00013774766,0.10225028],"category_scores_gemma":[0.0000018794133,0.00017613164,0.000121571305,8.9716804e-7,0.000122012956,0.000052068834,0.00009152879,0.000121748446,0.0124029955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001886982,0.0000025263482,4.5889117e-8,0.000023715502,0.000033155146,0.000026321466,0.0015556392,3.3488124e-8,0.0000014475779,0.7952392,0.2012399,0.0018591412],"study_design_scores_gemma":[0.000062181076,0.00007174635,0.0000011510596,0.000045941793,0.000039802424,0.0000017520314,0.00007002671,0.00000231801,0.000011561025,0.1094737,0.8899962,0.00022367008],"about_ca_topic_score_codex":0.00006225769,"about_ca_topic_score_gemma":0.00027572946,"teacher_disagreement_score":0.6887562,"about_ca_system_score_codex":0.000012368691,"about_ca_system_score_gemma":0.000022222646,"threshold_uncertainty_score":0.98836595},"labels":[],"label_agreement":null},{"id":"W4387223420","doi":"10.3138/md-66-3-rev08","title":"Corey Wakeling. <i>Beckett’s Laboratory: Experiments in the Theatre Enclosure</i>","year":2023,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Dramaturgy; Enclosure; Rhetorical question; Aesthetics; Art; Literature; Visual arts; Sociology; Engineering","score_opus":0.08453791022533208,"score_gpt":0.28143889767085284,"score_spread":0.19690098744552076,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387223420","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9073388,0.0007407888,0.0000261481,0.0029481258,0.00091587345,0.00039090918,0.000078549994,0.0003554502,0.08720536],"genre_scores_gemma":[0.99170923,0.000035927344,0.000013709994,0.002494253,0.00062309403,0.0001216594,0.000049762606,0.00004250804,0.0049098693],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9985173,0.00010824361,0.00024490443,0.00030700036,0.0003815029,0.00044106224],"domain_scores_gemma":[0.99929464,0.00009714662,0.000054603,0.00044003167,0.00006165788,0.000051907544],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00038921493,0.00021310039,0.00019786107,0.00012282145,0.00033984403,0.0003059263,0.00043552488,0.000071201954,0.00044945863],"category_scores_gemma":[0.000017488119,0.00014718754,0.00008707344,0.00010971148,0.00014979228,0.00019387405,0.00007195494,0.00025266717,0.0008153631],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00009987287,0.00041488014,0.0057714134,0.00006540705,0.00009117637,0.00025532392,0.72448015,0.00012077426,0.0022824896,0.0785793,0.16872536,0.019113831],"study_design_scores_gemma":[0.0012747407,0.00010389951,0.0013312532,0.000065388165,0.000031411302,0.0000036432402,0.022269702,0.005027918,0.0011356678,0.025151622,0.94303346,0.0005713015],"about_ca_topic_score_codex":0.0003039156,"about_ca_topic_score_gemma":0.0010427567,"teacher_disagreement_score":0.7743081,"about_ca_system_score_codex":0.000030569667,"about_ca_system_score_gemma":0.00005387422,"threshold_uncertainty_score":0.9999626},"labels":[],"label_agreement":null},{"id":"W4387243134","doi":"10.1163/9789004463417_001","title":"Preliminary Material","year":2021,"lang":"pt","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Cambridge; York University; Yale University","keywords":"Materials science","score_opus":0.0919487312610595,"score_gpt":0.24952707483009617,"score_spread":0.15757834356903666,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387243134","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0009953682,0.0012930577,0.000021873253,0.00050426123,0.00693177,0.0003033858,0.00042413405,0.00015223766,0.9893739],"genre_scores_gemma":[0.023544284,0.0005093891,0.000053936965,0.00092648127,0.0052495007,0.000015711097,0.0006575478,0.00014769679,0.96889544],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9980213,0.00002382226,0.0005373973,0.0006398876,0.00035770738,0.000419909],"domain_scores_gemma":[0.9988552,0.000053264816,0.00018129712,0.0005760397,0.00019055518,0.00014367636],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000086134496,0.00064060075,0.0006469946,0.00012842899,0.00047892923,0.0006833455,0.00027187946,0.0004573931,0.49652237],"category_scores_gemma":[0.0000058479354,0.00058094185,0.0004284263,0.0000035820417,0.00031609568,0.00014535448,0.00031431814,0.00035896274,0.0042857034],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013176487,0.000048195794,0.0000014558436,0.00016639949,0.0002298811,0.0002882629,0.0038099685,2.2575304e-7,0.000042325908,0.9588897,0.031108942,0.005282878],"study_design_scores_gemma":[0.00030488704,0.0002986688,0.000011637744,0.00031990875,0.00027585303,0.00003635792,0.00096028234,0.000016481417,0.0002913894,0.0059794197,0.9907163,0.0007888583],"about_ca_topic_score_codex":0.00020332598,"about_ca_topic_score_gemma":0.00023523542,"teacher_disagreement_score":0.9596073,"about_ca_system_score_codex":0.000039836745,"about_ca_system_score_gemma":0.000108066015,"threshold_uncertainty_score":0.9996642},"labels":[],"label_agreement":null},{"id":"W4387505141","doi":"10.1163/9789004524835_001","title":"Preliminary Material","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Raymond and Beverly Sackler Institute for Biological, Physical and Engineering Sciences, Yale University; Zhejiang University; University of Oxford; St. Thomas University; Yale University; Vanderbilt University; Temple University; University of Cambridge; Georgetown University; Amicus Therapeutics; Ohio State University; University of Miami; Tulane University","keywords":"Psychology; Materials science","score_opus":0.1307273738151628,"score_gpt":0.2433209790680518,"score_spread":0.112593605252889,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387505141","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000029417928,0.00003595451,0.0000014758249,0.00016921453,0.003791633,0.00013803957,0.0001717403,0.0004682851,0.99519426],"genre_scores_gemma":[0.0005997488,0.00004431958,0.000010393088,0.00027919293,0.0037063651,0.00001041632,0.00022526679,0.00010650814,0.99501777],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930423,0.0000025890374,0.00017452666,0.00021276422,0.0001536988,0.00015217985],"domain_scores_gemma":[0.9996325,0.000023178607,0.000056469224,0.00020844743,0.00004025657,0.00003917845],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003860217,0.00021427,0.00020618847,0.00009066239,0.00012238705,0.00014268514,0.00013282362,0.00013774766,0.10225028],"category_scores_gemma":[0.0000018794133,0.00017613164,0.000121571305,8.9716804e-7,0.000122012956,0.000052068834,0.00009152879,0.000121748446,0.0124029955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001886982,0.0000025263482,4.5889117e-8,0.000023715502,0.000033155146,0.000026321466,0.0015556392,3.3488124e-8,0.0000014475779,0.7952392,0.2012399,0.0018591412],"study_design_scores_gemma":[0.000062181076,0.00007174635,0.0000011510596,0.000045941793,0.000039802424,0.0000017520314,0.00007002671,0.00000231801,0.000011561025,0.1094737,0.8899962,0.00022367008],"about_ca_topic_score_codex":0.00006225769,"about_ca_topic_score_gemma":0.00027572946,"teacher_disagreement_score":0.6887562,"about_ca_system_score_codex":0.000012368691,"about_ca_system_score_gemma":0.000022222646,"threshold_uncertainty_score":0.98836595},"labels":[],"label_agreement":null},{"id":"W4387650160","doi":"10.1163/9789004680784_001","title":"Preliminary Material","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Dedan Kimathi University of Technology; Uppsala Universitet; Humboldt-Universität zu Berlin; Institut Universitaire de France; Centre National de la Recherche Scientifique; Georgetown University; Universiteit Gent; Trinity Western University; Università degli Studi di Napoli \"L'Orientale\"; Universidade de Trás-os-Montes e Alto Douro; Princeton University","keywords":"Materials science","score_opus":0.1307273738151628,"score_gpt":0.2433209790680518,"score_spread":0.112593605252889,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387650160","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000029417928,0.00003595451,0.0000014758249,0.00016921453,0.003791633,0.00013803957,0.0001717403,0.0004682851,0.99519426],"genre_scores_gemma":[0.0005997488,0.00004431958,0.000010393088,0.00027919293,0.0037063651,0.00001041632,0.00022526679,0.00010650814,0.99501777],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930423,0.0000025890374,0.00017452666,0.00021276422,0.0001536988,0.00015217985],"domain_scores_gemma":[0.9996325,0.000023178607,0.000056469224,0.00020844743,0.00004025657,0.00003917845],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003860217,0.00021427,0.00020618847,0.00009066239,0.00012238705,0.00014268514,0.00013282362,0.00013774766,0.10225028],"category_scores_gemma":[0.0000018794133,0.00017613164,0.000121571305,8.9716804e-7,0.000122012956,0.000052068834,0.00009152879,0.000121748446,0.0124029955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001886982,0.0000025263482,4.5889117e-8,0.000023715502,0.000033155146,0.000026321466,0.0015556392,3.3488124e-8,0.0000014475779,0.7952392,0.2012399,0.0018591412],"study_design_scores_gemma":[0.000062181076,0.00007174635,0.0000011510596,0.000045941793,0.000039802424,0.0000017520314,0.00007002671,0.00000231801,0.000011561025,0.1094737,0.8899962,0.00022367008],"about_ca_topic_score_codex":0.00006225769,"about_ca_topic_score_gemma":0.00027572946,"teacher_disagreement_score":0.6887562,"about_ca_system_score_codex":0.000012368691,"about_ca_system_score_gemma":0.000022222646,"threshold_uncertainty_score":0.98836595},"labels":[],"label_agreement":null},{"id":"W4387846428","doi":"10.1163/9789004536906_001","title":"Preliminary Material","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Haverford College; Fordham University; MacEwan University; Medieval Academy of America; San José State University; Renaissance Society of America; University of Pennsylvania","keywords":"Business","score_opus":0.1307273738151628,"score_gpt":0.2433209790680518,"score_spread":0.112593605252889,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4387846428","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000029417928,0.00003595451,0.0000014758249,0.00016921453,0.003791633,0.00013803957,0.0001717403,0.0004682851,0.99519426],"genre_scores_gemma":[0.0005997488,0.00004431958,0.000010393088,0.00027919293,0.0037063651,0.00001041632,0.00022526679,0.00010650814,0.99501777],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930423,0.0000025890374,0.00017452666,0.00021276422,0.0001536988,0.00015217985],"domain_scores_gemma":[0.9996325,0.000023178607,0.000056469224,0.00020844743,0.00004025657,0.00003917845],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003860217,0.00021427,0.00020618847,0.00009066239,0.00012238705,0.00014268514,0.00013282362,0.00013774766,0.10225028],"category_scores_gemma":[0.0000018794133,0.00017613164,0.000121571305,8.9716804e-7,0.000122012956,0.000052068834,0.00009152879,0.000121748446,0.0124029955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001886982,0.0000025263482,4.5889117e-8,0.000023715502,0.000033155146,0.000026321466,0.0015556392,3.3488124e-8,0.0000014475779,0.7952392,0.2012399,0.0018591412],"study_design_scores_gemma":[0.000062181076,0.00007174635,0.0000011510596,0.000045941793,0.000039802424,0.0000017520314,0.00007002671,0.00000231801,0.000011561025,0.1094737,0.8899962,0.00022367008],"about_ca_topic_score_codex":0.00006225769,"about_ca_topic_score_gemma":0.00027572946,"teacher_disagreement_score":0.6887562,"about_ca_system_score_codex":0.000012368691,"about_ca_system_score_gemma":0.000022222646,"threshold_uncertainty_score":0.98836595},"labels":[],"label_agreement":null},{"id":"W4388048689","doi":"10.3998/fc.4738","title":"The Camera Is a Printer: Manufactured Horizon as Expanded Consciousness in Adam Beckett’s &lt;i&gt;Dear Janice&lt;/i&gt;","year":2023,"lang":"en","type":"article","venue":"Film criticism","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Art; Art history; Theology; Philosophy","score_opus":0.037608790926432926,"score_gpt":0.271923311608573,"score_spread":0.2343145206821401,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388048689","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8150896,0.001353952,0.000021662448,0.00969325,0.0036736594,0.0009166455,0.00028035138,0.00059847184,0.16837244],"genre_scores_gemma":[0.88949513,0.0002266221,0.000017668986,0.0019597881,0.00071054493,0.00021802474,0.000065348824,0.00008435827,0.1072225],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.997172,0.00014734136,0.0005685268,0.0005939064,0.00055872404,0.00095948065],"domain_scores_gemma":[0.99843544,0.00044556602,0.00010405983,0.00067013485,0.00017345544,0.00017133876],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00044952228,0.0004208827,0.00045597454,0.00025872755,0.0008400478,0.0005465275,0.00060393434,0.0001739596,0.0032299764],"category_scores_gemma":[0.00015470586,0.0003290803,0.00023675968,0.000104784966,0.0005250104,0.00026551585,0.00022434491,0.00041187144,0.0022625627],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00025577343,0.00025166557,0.00009793795,0.00016988191,0.00021337067,0.0005024702,0.111132875,0.000009613908,0.003995597,0.47380725,0.39382505,0.015738523],"study_design_scores_gemma":[0.0011139405,0.00022088748,0.0011432448,0.00013132418,0.00005060358,0.000016109845,0.005016594,0.00039549664,0.00250692,0.014523017,0.9743539,0.00052795204],"about_ca_topic_score_codex":0.000337451,"about_ca_topic_score_gemma":0.008144044,"teacher_disagreement_score":0.58052886,"about_ca_system_score_codex":0.00008483298,"about_ca_system_score_gemma":0.00012704004,"threshold_uncertainty_score":0.99991614},"labels":[],"label_agreement":null},{"id":"W4388145159","doi":"10.7202/1106619ar","title":"Trahir","year":2023,"lang":"fr","type":"article","venue":"Études littéraires","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"Université du Québec à Chicoutimi","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.08663200742275176,"score_gpt":0.28015484018329584,"score_spread":0.19352283276054408,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388145159","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.2487776,0.034078393,0.000010622936,0.042286124,0.0104127405,0.00041421197,0.0006566472,0.0013446787,0.662019],"genre_scores_gemma":[0.3848174,0.0014160636,0.000033000655,0.00082917395,0.0048383507,0.000039746068,0.000068339854,0.00006762138,0.6078903],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99822706,0.0000677026,0.00032182044,0.00036952624,0.00030918195,0.0007046886],"domain_scores_gemma":[0.9991967,0.000159722,0.00006890784,0.0003391728,0.00007635907,0.00015913571],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024609684,0.0002917636,0.00028176236,0.00018213512,0.00059602066,0.00035299078,0.00029411656,0.00015303331,0.0058340277],"category_scores_gemma":[0.00004511534,0.00028293126,0.00024426947,0.00012518425,0.00059637224,0.00029862448,0.00011747684,0.0002314162,0.006261069],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013223032,0.0000821341,0.00013327491,0.00016294346,0.000093361356,0.000089431174,0.014099751,0.000010917309,0.00003885499,0.73880947,0.20227595,0.044190697],"study_design_scores_gemma":[0.00030365522,0.00010698281,0.0033359486,0.00015183122,0.00006633662,0.000008440176,0.0036724783,0.00031811823,0.00008884172,0.0130359195,0.9785548,0.00035663767],"about_ca_topic_score_codex":0.0014124627,"about_ca_topic_score_gemma":0.0025141365,"teacher_disagreement_score":0.77627885,"about_ca_system_score_codex":0.00005545437,"about_ca_system_score_gemma":0.000100957775,"threshold_uncertainty_score":0.9999623},"labels":[],"label_agreement":null},{"id":"W4388201591","doi":"10.1163/9789004465565_001","title":"Preliminary Material","year":2021,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université du Québec à Rimouski","funders":"","keywords":"History","score_opus":0.09016716939432359,"score_gpt":0.23262822847505987,"score_spread":0.14246105908073628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388201591","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005624731,0.0003493518,0.0000031787613,0.00016104514,0.0025910996,0.00009663965,0.00010439282,0.00012329424,0.99651474],"genre_scores_gemma":[0.0010459286,0.000060747145,0.000035184545,0.00054373546,0.0036625601,0.0000061427386,0.00031516395,0.00006056231,0.99426997],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993229,0.0000037774032,0.00017182728,0.0002273578,0.00014184482,0.0001323294],"domain_scores_gemma":[0.99958915,0.000014610278,0.000055527973,0.00023237478,0.00006794989,0.00004038962],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000025648409,0.00021409405,0.00023109643,0.000049299742,0.00011200232,0.0001940478,0.00010616003,0.00013686626,0.32962862],"category_scores_gemma":[0.0000015837975,0.00018151893,0.00013961732,6.204266e-7,0.00010976006,0.000055040106,0.000089581285,0.00012716508,0.0015253886],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015698855,0.0000057946036,5.611509e-8,0.000027466696,0.00004255715,0.000054467244,0.0013869995,2.0170978e-8,0.0000048514034,0.88702875,0.10890334,0.0025299746],"study_design_scores_gemma":[0.00007280944,0.000057166428,5.7597106e-7,0.000062680854,0.000052787702,0.000006624226,0.000110038054,0.0000011263469,0.000058663773,0.024922675,0.9744063,0.00024854168],"about_ca_topic_score_codex":0.000039160757,"about_ca_topic_score_gemma":0.00020552956,"teacher_disagreement_score":0.86550295,"about_ca_system_score_codex":0.00001491161,"about_ca_system_score_gemma":0.000041159925,"threshold_uncertainty_score":0.999252},"labels":[],"label_agreement":null},{"id":"W4388262019","doi":"10.1163/18757405-03502010","title":"The Good-for-Nothing","year":2023,"lang":"en","type":"article","venue":"Samuel Beckett Today / Aujourd’hui","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Nothing; Trilogy; Narrative; Philosophy; Literature; Art; Art history; Epistemology","score_opus":0.10125624877123493,"score_gpt":0.29742779492398785,"score_spread":0.19617154615275292,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388262019","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.5019872,0.0049926504,0.0009372814,0.09311938,0.024839353,0.0039392454,0.0007963122,0.005207768,0.36418077],"genre_scores_gemma":[0.67197216,0.0004068742,0.00018127685,0.003669553,0.0062305653,0.00046498355,0.0001819698,0.00024651768,0.31664613],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99694675,0.00009560115,0.00060409773,0.0005733483,0.0005790821,0.0012011138],"domain_scores_gemma":[0.99765366,0.0009221736,0.00021704116,0.0007465196,0.0002531442,0.00020748156],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0011731881,0.00044321813,0.00040253,0.0002168005,0.0029490055,0.0009850367,0.0008283724,0.00015607825,0.00092583924],"category_scores_gemma":[0.00028795726,0.0003175794,0.00042391868,0.00015763871,0.0004482493,0.0004206015,0.00020704989,0.0004450899,0.002031953],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00014039432,0.00008675527,0.00034663235,0.00012057301,0.00030240885,0.000042798147,0.11072158,0.000043616852,0.00057472376,0.41489756,0.40518287,0.06754008],"study_design_scores_gemma":[0.0007273259,0.00010515025,0.0004058465,0.000059101978,0.00006471379,0.0000067691294,0.0112312315,0.0006966937,0.0004198933,0.021601535,0.96419513,0.00048662382],"about_ca_topic_score_codex":0.00026151186,"about_ca_topic_score_gemma":0.0013379835,"teacher_disagreement_score":0.55901223,"about_ca_system_score_codex":0.00008809921,"about_ca_system_score_gemma":0.00013516186,"threshold_uncertainty_score":0.9999874},"labels":[],"label_agreement":null},{"id":"W4388478610","doi":"10.1163/9789004687264_001","title":"Preliminary Material","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Directorate-General for Communication; Directorate-General for Health and Consumers; Directorate-General for the Environment; Centers for Disease Control and Prevention; Masarykova Univerzita; Universiteit Antwerpen; Univerza v Ljubljani; Ostravská Univerzita v Ostravě; University of International Business and Economics; Ministero dell’Istruzione, dell’Università e della Ricerca; University of Alberta; Coalition for Epidemic Preparedness Innovations; Università di Bologna; Universita degli Studi di Bari Aldo Moro; Centre International de Mathématiques et Informatique de Toulouse; Critical Ecosystem Partnership Fund; Agenzia Nazionale di Valutazione del Sistema Universitario e della Ricerca; European Commission; Directorate-General for Communications Networks, Content and Technology; University of Pittsburgh","keywords":"Materials science","score_opus":0.1307273738151628,"score_gpt":0.2433209790680518,"score_spread":0.112593605252889,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388478610","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000029417928,0.00003595451,0.0000014758249,0.00016921453,0.003791633,0.00013803957,0.0001717403,0.0004682851,0.99519426],"genre_scores_gemma":[0.0005997488,0.00004431958,0.000010393088,0.00027919293,0.0037063651,0.00001041632,0.00022526679,0.00010650814,0.99501777],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930423,0.0000025890374,0.00017452666,0.00021276422,0.0001536988,0.00015217985],"domain_scores_gemma":[0.9996325,0.000023178607,0.000056469224,0.00020844743,0.00004025657,0.00003917845],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003860217,0.00021427,0.00020618847,0.00009066239,0.00012238705,0.00014268514,0.00013282362,0.00013774766,0.10225028],"category_scores_gemma":[0.0000018794133,0.00017613164,0.000121571305,8.9716804e-7,0.000122012956,0.000052068834,0.00009152879,0.000121748446,0.0124029955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001886982,0.0000025263482,4.5889117e-8,0.000023715502,0.000033155146,0.000026321466,0.0015556392,3.3488124e-8,0.0000014475779,0.7952392,0.2012399,0.0018591412],"study_design_scores_gemma":[0.000062181076,0.00007174635,0.0000011510596,0.000045941793,0.000039802424,0.0000017520314,0.00007002671,0.00000231801,0.000011561025,0.1094737,0.8899962,0.00022367008],"about_ca_topic_score_codex":0.00006225769,"about_ca_topic_score_gemma":0.00027572946,"teacher_disagreement_score":0.6887562,"about_ca_system_score_codex":0.000012368691,"about_ca_system_score_gemma":0.000022222646,"threshold_uncertainty_score":0.98836595},"labels":[],"label_agreement":null},{"id":"W4388511479","doi":"10.1163/9789004685130_001","title":"Preliminary Material","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Università degli Studi di Torino; Universität Zürich; University of Cambridge; University of Oxford; York University; Moderna; European University Institute; Università degli Studi di Cagliari","keywords":"Materials science","score_opus":0.1307273738151628,"score_gpt":0.2433209790680518,"score_spread":0.112593605252889,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388511479","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000029417928,0.00003595451,0.0000014758249,0.00016921453,0.003791633,0.00013803957,0.0001717403,0.0004682851,0.99519426],"genre_scores_gemma":[0.0005997488,0.00004431958,0.000010393088,0.00027919293,0.0037063651,0.00001041632,0.00022526679,0.00010650814,0.99501777],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930423,0.0000025890374,0.00017452666,0.00021276422,0.0001536988,0.00015217985],"domain_scores_gemma":[0.9996325,0.000023178607,0.000056469224,0.00020844743,0.00004025657,0.00003917845],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003860217,0.00021427,0.00020618847,0.00009066239,0.00012238705,0.00014268514,0.00013282362,0.00013774766,0.10225028],"category_scores_gemma":[0.0000018794133,0.00017613164,0.000121571305,8.9716804e-7,0.000122012956,0.000052068834,0.00009152879,0.000121748446,0.0124029955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001886982,0.0000025263482,4.5889117e-8,0.000023715502,0.000033155146,0.000026321466,0.0015556392,3.3488124e-8,0.0000014475779,0.7952392,0.2012399,0.0018591412],"study_design_scores_gemma":[0.000062181076,0.00007174635,0.0000011510596,0.000045941793,0.000039802424,0.0000017520314,0.00007002671,0.00000231801,0.000011561025,0.1094737,0.8899962,0.00022367008],"about_ca_topic_score_codex":0.00006225769,"about_ca_topic_score_gemma":0.00027572946,"teacher_disagreement_score":0.6887562,"about_ca_system_score_codex":0.000012368691,"about_ca_system_score_gemma":0.000022222646,"threshold_uncertainty_score":0.98836595},"labels":[],"label_agreement":null},{"id":"W4388645969","doi":"10.30965/9783657791330_001","title":"Preliminary Material","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"York University","keywords":"Materials science","score_opus":0.1307273738151628,"score_gpt":0.2433209790680518,"score_spread":0.112593605252889,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388645969","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000029417928,0.00003595451,0.0000014758249,0.00016921453,0.003791633,0.00013803957,0.0001717403,0.0004682851,0.99519426],"genre_scores_gemma":[0.0005997488,0.00004431958,0.000010393088,0.00027919293,0.0037063651,0.00001041632,0.00022526679,0.00010650814,0.99501777],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930423,0.0000025890374,0.00017452666,0.00021276422,0.0001536988,0.00015217985],"domain_scores_gemma":[0.9996325,0.000023178607,0.000056469224,0.00020844743,0.00004025657,0.00003917845],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003860217,0.00021427,0.00020618847,0.00009066239,0.00012238705,0.00014268514,0.00013282362,0.00013774766,0.10225028],"category_scores_gemma":[0.0000018794133,0.00017613164,0.000121571305,8.9716804e-7,0.000122012956,0.000052068834,0.00009152879,0.000121748446,0.0124029955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001886982,0.0000025263482,4.5889117e-8,0.000023715502,0.000033155146,0.000026321466,0.0015556392,3.3488124e-8,0.0000014475779,0.7952392,0.2012399,0.0018591412],"study_design_scores_gemma":[0.000062181076,0.00007174635,0.0000011510596,0.000045941793,0.000039802424,0.0000017520314,0.00007002671,0.00000231801,0.000011561025,0.1094737,0.8899962,0.00022367008],"about_ca_topic_score_codex":0.00006225769,"about_ca_topic_score_gemma":0.00027572946,"teacher_disagreement_score":0.6887562,"about_ca_system_score_codex":0.000012368691,"about_ca_system_score_gemma":0.000022222646,"threshold_uncertainty_score":0.98836595},"labels":[],"label_agreement":null},{"id":"W4388847584","doi":"10.1163/9789004686557_001","title":"Preliminary Material","year":2023,"lang":"de","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"California State University Long Beach; University of Oxford; Johns Hopkins University; Concordia University of Edmonton; Portland State University","keywords":"Materials science","score_opus":0.11504612938047741,"score_gpt":0.25333872205116764,"score_spread":0.13829259267069022,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388847584","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00042175213,0.00032236555,0.0000068672853,0.00050869863,0.013895535,0.0004269654,0.0007494231,0.00058596476,0.9830824],"genre_scores_gemma":[0.006232286,0.0008369029,0.00002724623,0.00050884194,0.01039554,0.00002595648,0.0008011681,0.00025935075,0.9809127],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99798524,0.0000163034,0.0005437966,0.00058977655,0.00038640242,0.0004785015],"domain_scores_gemma":[0.99896795,0.00008793135,0.00018073586,0.00051482377,0.00011066217,0.00013788408],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00012969776,0.00062665873,0.0005696448,0.00022690075,0.00050685654,0.000530192,0.0003332601,0.00045377194,0.19831213],"category_scores_gemma":[0.000007411375,0.0005499356,0.00036659386,0.000004857541,0.00039301743,0.00011892763,0.00030653703,0.0003442,0.08147067],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00016807466,0.000021225029,0.0000010455558,0.0001386305,0.00025254383,0.00016969434,0.0032571338,3.6624556e-7,0.0000130175995,0.9091909,0.08362509,0.0031622904],"study_design_scores_gemma":[0.00026151582,0.00035852342,0.000016380582,0.00023066731,0.00029911925,0.0000059121076,0.000344521,0.000025000623,0.000054583652,0.04829536,0.94938886,0.0007195311],"about_ca_topic_score_codex":0.00026936876,"about_ca_topic_score_gemma":0.00021176858,"teacher_disagreement_score":0.8657638,"about_ca_system_score_codex":0.00003282449,"about_ca_system_score_gemma":0.000058693455,"threshold_uncertainty_score":0.99969524},"labels":[],"label_agreement":null},{"id":"W4388870239","doi":"10.1163/9789004687769_000","title":"Preliminary Material","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Materials science","score_opus":0.1307273738151628,"score_gpt":0.2433209790680518,"score_spread":0.112593605252889,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4388870239","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000029417928,0.00003595451,0.0000014758249,0.00016921453,0.003791633,0.00013803957,0.0001717403,0.0004682851,0.99519426],"genre_scores_gemma":[0.0005997488,0.00004431958,0.000010393088,0.00027919293,0.0037063651,0.00001041632,0.00022526679,0.00010650814,0.99501777],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930423,0.0000025890374,0.00017452666,0.00021276422,0.0001536988,0.00015217985],"domain_scores_gemma":[0.9996325,0.000023178607,0.000056469224,0.00020844743,0.00004025657,0.00003917845],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003860217,0.00021427,0.00020618847,0.00009066239,0.00012238705,0.00014268514,0.00013282362,0.00013774766,0.10225028],"category_scores_gemma":[0.0000018794133,0.00017613164,0.000121571305,8.9716804e-7,0.000122012956,0.000052068834,0.00009152879,0.000121748446,0.0124029955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001886982,0.0000025263482,4.5889117e-8,0.000023715502,0.000033155146,0.000026321466,0.0015556392,3.3488124e-8,0.0000014475779,0.7952392,0.2012399,0.0018591412],"study_design_scores_gemma":[0.000062181076,0.00007174635,0.0000011510596,0.000045941793,0.000039802424,0.0000017520314,0.00007002671,0.00000231801,0.000011561025,0.1094737,0.8899962,0.00022367008],"about_ca_topic_score_codex":0.00006225769,"about_ca_topic_score_gemma":0.00027572946,"teacher_disagreement_score":0.6887562,"about_ca_system_score_codex":0.000012368691,"about_ca_system_score_gemma":0.000022222646,"threshold_uncertainty_score":0.98836595},"labels":[],"label_agreement":null},{"id":"W4389015863","doi":"10.1163/9789004308572_001","title":"Preliminary Material","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Queen's University; Queen's University Belfast; University of Pennsylvania","keywords":"Materials science","score_opus":0.1307273738151628,"score_gpt":0.2433209790680518,"score_spread":0.112593605252889,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389015863","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000029417928,0.00003595451,0.0000014758249,0.00016921453,0.003791633,0.00013803957,0.0001717403,0.0004682851,0.99519426],"genre_scores_gemma":[0.0005997488,0.00004431958,0.000010393088,0.00027919293,0.0037063651,0.00001041632,0.00022526679,0.00010650814,0.99501777],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930423,0.0000025890374,0.00017452666,0.00021276422,0.0001536988,0.00015217985],"domain_scores_gemma":[0.9996325,0.000023178607,0.000056469224,0.00020844743,0.00004025657,0.00003917845],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003860217,0.00021427,0.00020618847,0.00009066239,0.00012238705,0.00014268514,0.00013282362,0.00013774766,0.10225028],"category_scores_gemma":[0.0000018794133,0.00017613164,0.000121571305,8.9716804e-7,0.000122012956,0.000052068834,0.00009152879,0.000121748446,0.0124029955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001886982,0.0000025263482,4.5889117e-8,0.000023715502,0.000033155146,0.000026321466,0.0015556392,3.3488124e-8,0.0000014475779,0.7952392,0.2012399,0.0018591412],"study_design_scores_gemma":[0.000062181076,0.00007174635,0.0000011510596,0.000045941793,0.000039802424,0.0000017520314,0.00007002671,0.00000231801,0.000011561025,0.1094737,0.8899962,0.00022367008],"about_ca_topic_score_codex":0.00006225769,"about_ca_topic_score_gemma":0.00027572946,"teacher_disagreement_score":0.6887562,"about_ca_system_score_codex":0.000012368691,"about_ca_system_score_gemma":0.000022222646,"threshold_uncertainty_score":0.98836595},"labels":[],"label_agreement":null},{"id":"W4389088858","doi":"10.1163/9789004481978_001","title":"Preliminary Material","year":2001,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Materials science; Computer science","score_opus":0.09139360582700515,"score_gpt":0.2344028230054975,"score_spread":0.14300921717849235,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389088858","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000050034014,0.00014106331,0.000004772155,0.0001401577,0.0020436393,0.0001411109,0.000082228755,0.00018800188,0.997209],"genre_scores_gemma":[0.0015146976,0.00008476733,0.000016680191,0.0004890231,0.0044218344,0.0000067757624,0.0001580239,0.0000685872,0.9932396],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992995,0.0000027539309,0.0001826215,0.00021239344,0.00014382918,0.00015885802],"domain_scores_gemma":[0.99961025,0.000012722789,0.00006554346,0.00022059593,0.000045182966,0.00004573526],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000028654404,0.00023947234,0.00021895068,0.000073170006,0.00012431016,0.00014387011,0.00013381874,0.00014841444,0.3074246],"category_scores_gemma":[9.984765e-7,0.0001951905,0.000121913385,6.521664e-7,0.00013738693,0.000067717956,0.00006148158,0.00012630914,0.0035802515],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003212478,0.0000058941323,1.2760148e-7,0.000014918959,0.000029984974,0.000034187644,0.0012708761,2.8229524e-8,0.0000013642114,0.8336501,0.16071536,0.0042450475],"study_design_scores_gemma":[0.00008638234,0.000092985734,6.8608057e-7,0.000038029666,0.000046195957,0.000008445361,0.000050818737,0.0000014885759,0.000010914692,0.068475984,0.9309285,0.00025954592],"about_ca_topic_score_codex":0.00007453445,"about_ca_topic_score_gemma":0.00021570148,"teacher_disagreement_score":0.7702132,"about_ca_system_score_codex":0.000017199998,"about_ca_system_score_gemma":0.000021125034,"threshold_uncertainty_score":0.9971956},"labels":[],"label_agreement":null},{"id":"W4389089164","doi":"10.1163/9789047406013_001","title":"Preliminary Material","year":2004,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Environmental science","score_opus":0.07681761905437025,"score_gpt":0.22852492270240507,"score_spread":0.1517073036480348,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389089164","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000052227817,0.000118678574,0.000003497404,0.00015715574,0.0020638509,0.00015291951,0.000102732665,0.00018735867,0.99716157],"genre_scores_gemma":[0.006793868,0.000031565214,0.0000355426,0.00045974253,0.0032399301,0.000006675557,0.00014823189,0.0000682032,0.98921627],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931717,0.0000019139986,0.00017802085,0.00021031896,0.00014491165,0.00014765473],"domain_scores_gemma":[0.99963367,0.000008636588,0.00006392718,0.00020787778,0.000041990064,0.000043902095],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00002478077,0.00023879691,0.0002120065,0.000067970286,0.000121759076,0.00013916963,0.00012960641,0.00014850822,0.25427166],"category_scores_gemma":[9.207643e-7,0.00019478123,0.00012572717,5.1375935e-7,0.00015644456,0.00006754886,0.000059686954,0.00012898605,0.0032267626],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029414,0.0000067968776,4.0473754e-8,0.000028849823,0.000032137712,0.00002480727,0.002252318,1.4155071e-7,0.0000021438464,0.9624042,0.03357717,0.0016420077],"study_design_scores_gemma":[0.00011062743,0.00009273585,5.998868e-7,0.000059825124,0.000039316572,0.0000031640132,0.000035891466,3.4813604e-7,0.000028555849,0.22261302,0.7767922,0.00022370038],"about_ca_topic_score_codex":0.000103402424,"about_ca_topic_score_gemma":0.0001590872,"teacher_disagreement_score":0.743215,"about_ca_system_score_codex":0.00003449772,"about_ca_system_score_gemma":0.000051468494,"threshold_uncertainty_score":0.99754936},"labels":[],"label_agreement":null},{"id":"W4389090902","doi":"10.1163/9780080478951_001","title":"Preliminary Material","year":2005,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"Materials science; Computer science","score_opus":0.07938520740717764,"score_gpt":0.23249279300791176,"score_spread":0.15310758560073412,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389090902","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000044093886,0.00019571884,0.0000024839371,0.0002308072,0.0016431339,0.00013675081,0.0001042946,0.00018449154,0.9974582],"genre_scores_gemma":[0.0019108809,0.000053463573,0.000047336234,0.00065676885,0.0078201,0.000006569748,0.00013725764,0.000067503686,0.98930013],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993087,0.000002487849,0.00018817393,0.0002068141,0.00014328382,0.00015052185],"domain_scores_gemma":[0.9996248,0.000011961754,0.000065634784,0.00021264219,0.00004074098,0.00004424618],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000028840308,0.00023696262,0.00021178788,0.00006928497,0.00011454296,0.0001375504,0.00013347318,0.0001464431,0.30181044],"category_scores_gemma":[8.6229034e-7,0.0001935604,0.000122837,4.4833737e-7,0.00013201631,0.00007880546,0.00006178607,0.00012886862,0.0046667387],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027195798,0.000006007717,4.5844953e-8,0.000013702148,0.000028821894,0.000009978576,0.0016036535,5.5665073e-8,0.0000017648273,0.8423396,0.14659713,0.009372086],"study_design_scores_gemma":[0.00008856083,0.00007786067,7.083361e-7,0.000034628763,0.00004716543,0.000004188378,0.000037605692,0.0000024526028,0.000021307402,0.025465885,0.9739508,0.00026883115],"about_ca_topic_score_codex":0.000034002132,"about_ca_topic_score_gemma":0.0002558075,"teacher_disagreement_score":0.82735366,"about_ca_system_score_codex":0.00002031129,"about_ca_system_score_gemma":0.00002330865,"threshold_uncertainty_score":0.99610823},"labels":[],"label_agreement":null},{"id":"W4389094572","doi":"10.1163/9789004484399_001","title":"Preliminary Material","year":2000,"lang":"fr","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Institut national de psychiatrie légale Philippe-Pinel","funders":"","keywords":"Materials science","score_opus":0.07193126376175477,"score_gpt":0.23514822808347144,"score_spread":0.16321696432171667,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389094572","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0020661228,0.00096124114,0.000005964904,0.00070499367,0.0040898537,0.00032073262,0.0005622804,0.00017051391,0.9911183],"genre_scores_gemma":[0.0236506,0.0011750276,0.000093170034,0.00072625704,0.006867295,0.000014367633,0.00027705453,0.00012795588,0.96706825],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998426,0.00001817221,0.00044917985,0.00045126159,0.0002488055,0.00040658418],"domain_scores_gemma":[0.99926287,0.00004673251,0.00011063407,0.0003890116,0.000058586476,0.0001321699],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00006307511,0.00055746053,0.00045584637,0.0001155428,0.0005417012,0.00032410934,0.00025016553,0.00042038405,0.6548303],"category_scores_gemma":[0.0000016338951,0.0005043605,0.0003038559,0.0000021553767,0.0007696571,0.00016300469,0.00008969058,0.00028338414,0.01642961],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0002242244,0.000041363193,0.0000011917023,0.00007405049,0.000108880624,0.000092848044,0.0016523702,9.899383e-7,0.000007979185,0.94773495,0.014517881,0.035543293],"study_design_scores_gemma":[0.00023152627,0.0003721991,0.000020118461,0.0001886678,0.00018992473,0.00003306824,0.00008887656,0.000017706736,0.00007147819,0.060778387,0.9373828,0.0006252489],"about_ca_topic_score_codex":0.0009363429,"about_ca_topic_score_gemma":0.00026441747,"teacher_disagreement_score":0.9228649,"about_ca_system_score_codex":0.000044130753,"about_ca_system_score_gemma":0.000053059954,"threshold_uncertainty_score":0.9997408},"labels":[],"label_agreement":null},{"id":"W4389106945","doi":"10.1163/9789004482470_001","title":"Preliminary Material","year":2000,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Alberta","funders":"","keywords":"Computer science; Materials science","score_opus":0.071459926501309,"score_gpt":0.22351392892957606,"score_spread":0.15205400242826705,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389106945","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00007439845,0.0001460114,7.5948833e-7,0.00010066738,0.0013090123,0.00013736682,0.0001362594,0.0001828266,0.9979127],"genre_scores_gemma":[0.0022137521,0.00009628287,0.000016009823,0.0005196829,0.003471765,0.000006682528,0.00018076735,0.00006697478,0.9934281],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993213,0.0000028647446,0.00018057188,0.00021109078,0.00013618181,0.00014801939],"domain_scores_gemma":[0.9996566,0.00001108447,0.000047765825,0.00021631652,0.000025382902,0.000042842064],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000022054299,0.00023600906,0.00021422975,0.000068537964,0.000121906596,0.00014314555,0.00013108339,0.00014509536,0.5148871],"category_scores_gemma":[4.419679e-7,0.00019279467,0.00012323465,4.989601e-7,0.00014141515,0.00006556935,0.000035911697,0.0001234718,0.006316222],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000544095,0.0000059474996,3.3054466e-8,0.000013207918,0.000030319477,0.00001959375,0.001747206,4.9200313e-8,0.0000010214633,0.8713261,0.116394706,0.010407434],"study_design_scores_gemma":[0.000077725,0.000086941924,5.419379e-7,0.000036714595,0.000042852567,0.0000042924007,0.000024197894,0.000001236543,0.00001360945,0.10557727,0.8938884,0.0002462168],"about_ca_topic_score_codex":0.00006692071,"about_ca_topic_score_gemma":0.00013317555,"teacher_disagreement_score":0.7774937,"about_ca_system_score_codex":0.000013092555,"about_ca_system_score_gemma":0.000022864879,"threshold_uncertainty_score":0.9944575},"labels":[],"label_agreement":null},{"id":"W4389107037","doi":"10.1163/9789047403197_001","title":"Preliminary Material","year":2002,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Materials science; Computer science","score_opus":0.10503541669284004,"score_gpt":0.22280692110722788,"score_spread":0.11777150441438784,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389107037","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000027291724,0.00016701895,0.0000020348778,0.00013204283,0.0019606003,0.00013579126,0.00010304891,0.00018356423,0.9972886],"genre_scores_gemma":[0.0018067942,0.00007179915,0.000022148524,0.00042343474,0.0036250865,0.0000066326493,0.000094146206,0.000068157446,0.9938818],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993083,0.0000027430867,0.00018135061,0.00021033478,0.00014719309,0.00015010036],"domain_scores_gemma":[0.99961585,0.00001281264,0.00006513102,0.00022231028,0.000040083312,0.000043838572],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00002237487,0.0002386935,0.00021705004,0.00007065414,0.00012214667,0.00014428263,0.00013039297,0.0001471159,0.43725443],"category_scores_gemma":[9.912984e-7,0.0001948344,0.00012523597,5.2545425e-7,0.00013762555,0.00006603174,0.0000580438,0.00012890097,0.0062911087],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013631524,0.0000060893913,5.3830966e-8,0.000017730372,0.000027590128,0.00001835837,0.0016957512,1.959019e-8,8.9176575e-7,0.7667049,0.22869788,0.0028170636],"study_design_scores_gemma":[0.00008384541,0.00009607786,5.236446e-7,0.00003830209,0.000047375925,0.0000047209173,0.000028451928,0.000004451594,0.000012895427,0.034923572,0.96449155,0.00026826106],"about_ca_topic_score_codex":0.000033344117,"about_ca_topic_score_gemma":0.00005595102,"teacher_disagreement_score":0.73579365,"about_ca_system_score_codex":0.000015580314,"about_ca_system_score_gemma":0.000009230593,"threshold_uncertainty_score":0.99448264},"labels":[],"label_agreement":null},{"id":"W4389150182","doi":"10.1163/9789004482036_001","title":"Preliminary Material","year":2001,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"York University","funders":"","keywords":"Environmental science","score_opus":0.09139360582700515,"score_gpt":0.2344028230054975,"score_spread":0.14300921717849235,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389150182","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000050034014,0.00014106331,0.000004772155,0.0001401577,0.0020436393,0.0001411109,0.000082228755,0.00018800188,0.997209],"genre_scores_gemma":[0.0015146976,0.00008476733,0.000016680191,0.0004890231,0.0044218344,0.0000067757624,0.0001580239,0.0000685872,0.9932396],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992995,0.0000027539309,0.0001826215,0.00021239344,0.00014382918,0.00015885802],"domain_scores_gemma":[0.99961025,0.000012722789,0.00006554346,0.00022059593,0.000045182966,0.00004573526],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000028654404,0.00023947234,0.00021895068,0.000073170006,0.00012431016,0.00014387011,0.00013381874,0.00014841444,0.3074246],"category_scores_gemma":[9.984765e-7,0.0001951905,0.000121913385,6.521664e-7,0.00013738693,0.000067717956,0.00006148158,0.00012630914,0.0035802515],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003212478,0.0000058941323,1.2760148e-7,0.000014918959,0.000029984974,0.000034187644,0.0012708761,2.8229524e-8,0.0000013642114,0.8336501,0.16071536,0.0042450475],"study_design_scores_gemma":[0.00008638234,0.000092985734,6.8608057e-7,0.000038029666,0.000046195957,0.000008445361,0.000050818737,0.0000014885759,0.000010914692,0.068475984,0.9309285,0.00025954592],"about_ca_topic_score_codex":0.00007453445,"about_ca_topic_score_gemma":0.00021570148,"teacher_disagreement_score":0.7702132,"about_ca_system_score_codex":0.000017199998,"about_ca_system_score_gemma":0.000021125034,"threshold_uncertainty_score":0.9971956},"labels":[],"label_agreement":null},{"id":"W4389150359","doi":"10.1163/9789004480056_001","title":"Preliminary Material","year":2001,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Environmental science","score_opus":0.09139360582700515,"score_gpt":0.2344028230054975,"score_spread":0.14300921717849235,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389150359","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000050034014,0.00014106331,0.000004772155,0.0001401577,0.0020436393,0.0001411109,0.000082228755,0.00018800188,0.997209],"genre_scores_gemma":[0.0015146976,0.00008476733,0.000016680191,0.0004890231,0.0044218344,0.0000067757624,0.0001580239,0.0000685872,0.9932396],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992995,0.0000027539309,0.0001826215,0.00021239344,0.00014382918,0.00015885802],"domain_scores_gemma":[0.99961025,0.000012722789,0.00006554346,0.00022059593,0.000045182966,0.00004573526],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000028654404,0.00023947234,0.00021895068,0.000073170006,0.00012431016,0.00014387011,0.00013381874,0.00014841444,0.3074246],"category_scores_gemma":[9.984765e-7,0.0001951905,0.000121913385,6.521664e-7,0.00013738693,0.000067717956,0.00006148158,0.00012630914,0.0035802515],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00003212478,0.0000058941323,1.2760148e-7,0.000014918959,0.000029984974,0.000034187644,0.0012708761,2.8229524e-8,0.0000013642114,0.8336501,0.16071536,0.0042450475],"study_design_scores_gemma":[0.00008638234,0.000092985734,6.8608057e-7,0.000038029666,0.000046195957,0.000008445361,0.000050818737,0.0000014885759,0.000010914692,0.068475984,0.9309285,0.00025954592],"about_ca_topic_score_codex":0.00007453445,"about_ca_topic_score_gemma":0.00021570148,"teacher_disagreement_score":0.7702132,"about_ca_system_score_codex":0.000017199998,"about_ca_system_score_gemma":0.000021125034,"threshold_uncertainty_score":0.9971956},"labels":[],"label_agreement":null},{"id":"W4389526661","doi":"10.1163/9789004690707_001","title":"Preliminary Material","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto; McGill University","keywords":"Medicine","score_opus":0.1307273738151628,"score_gpt":0.2433209790680518,"score_spread":0.112593605252889,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389526661","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000029417928,0.00003595451,0.0000014758249,0.00016921453,0.003791633,0.00013803957,0.0001717403,0.0004682851,0.99519426],"genre_scores_gemma":[0.0005997488,0.00004431958,0.000010393088,0.00027919293,0.0037063651,0.00001041632,0.00022526679,0.00010650814,0.99501777],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930423,0.0000025890374,0.00017452666,0.00021276422,0.0001536988,0.00015217985],"domain_scores_gemma":[0.9996325,0.000023178607,0.000056469224,0.00020844743,0.00004025657,0.00003917845],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003860217,0.00021427,0.00020618847,0.00009066239,0.00012238705,0.00014268514,0.00013282362,0.00013774766,0.10225028],"category_scores_gemma":[0.0000018794133,0.00017613164,0.000121571305,8.9716804e-7,0.000122012956,0.000052068834,0.00009152879,0.000121748446,0.0124029955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001886982,0.0000025263482,4.5889117e-8,0.000023715502,0.000033155146,0.000026321466,0.0015556392,3.3488124e-8,0.0000014475779,0.7952392,0.2012399,0.0018591412],"study_design_scores_gemma":[0.000062181076,0.00007174635,0.0000011510596,0.000045941793,0.000039802424,0.0000017520314,0.00007002671,0.00000231801,0.000011561025,0.1094737,0.8899962,0.00022367008],"about_ca_topic_score_codex":0.00006225769,"about_ca_topic_score_gemma":0.00027572946,"teacher_disagreement_score":0.6887562,"about_ca_system_score_codex":0.000012368691,"about_ca_system_score_gemma":0.000022222646,"threshold_uncertainty_score":0.98836595},"labels":[],"label_agreement":null},{"id":"W4389870751","doi":"10.1163/97890045247330_001","title":"Preliminary Material","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; Nederlandse Organisatie voor Wetenschappelijk Onderzoek; Austrian Science Fund; Deutsche Forschungsgemeinschaft","keywords":"Materials science","score_opus":0.1307273738151628,"score_gpt":0.2433209790680518,"score_spread":0.112593605252889,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389870751","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000029417928,0.00003595451,0.0000014758249,0.00016921453,0.003791633,0.00013803957,0.0001717403,0.0004682851,0.99519426],"genre_scores_gemma":[0.0005997488,0.00004431958,0.000010393088,0.00027919293,0.0037063651,0.00001041632,0.00022526679,0.00010650814,0.99501777],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930423,0.0000025890374,0.00017452666,0.00021276422,0.0001536988,0.00015217985],"domain_scores_gemma":[0.9996325,0.000023178607,0.000056469224,0.00020844743,0.00004025657,0.00003917845],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003860217,0.00021427,0.00020618847,0.00009066239,0.00012238705,0.00014268514,0.00013282362,0.00013774766,0.10225028],"category_scores_gemma":[0.0000018794133,0.00017613164,0.000121571305,8.9716804e-7,0.000122012956,0.000052068834,0.00009152879,0.000121748446,0.0124029955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001886982,0.0000025263482,4.5889117e-8,0.000023715502,0.000033155146,0.000026321466,0.0015556392,3.3488124e-8,0.0000014475779,0.7952392,0.2012399,0.0018591412],"study_design_scores_gemma":[0.000062181076,0.00007174635,0.0000011510596,0.000045941793,0.000039802424,0.0000017520314,0.00007002671,0.00000231801,0.000011561025,0.1094737,0.8899962,0.00022367008],"about_ca_topic_score_codex":0.00006225769,"about_ca_topic_score_gemma":0.00027572946,"teacher_disagreement_score":0.6887562,"about_ca_system_score_codex":0.000012368691,"about_ca_system_score_gemma":0.000022222646,"threshold_uncertainty_score":0.98836595},"labels":[],"label_agreement":null},{"id":"W4389884168","doi":"10.1080/1369801x.2023.2290559","title":"Irish Setters and Palestine Retrievers: Liberal Zionism in Beckett’s <i>Watt</i> manuscripts","year":2023,"lang":"en","type":"article","venue":"Interventions","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Saint Mary's University","funders":"","keywords":"Zionism; Biopower; Irish; Watt; Judaism; Politics; Law; Literature; History; Classics; Sociology; Art; Philosophy; Political science; Archaeology; Power (physics)","score_opus":0.22804527239610026,"score_gpt":0.3225412518415023,"score_spread":0.09449597944540203,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4389884168","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96866995,0.00036538017,0.00004117327,0.008079613,0.0013777115,0.00023627057,0.00011424835,0.00031848977,0.020797156],"genre_scores_gemma":[0.9374825,0.00004744288,0.000049561135,0.00076360337,0.00028004387,0.00004924959,0.00012318807,0.000025009627,0.06117942],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990273,0.000044385717,0.0003014547,0.000230218,0.0001263248,0.00027032514],"domain_scores_gemma":[0.99964064,0.000047134603,0.000059147475,0.0001538888,0.00003740183,0.000061789055],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020185008,0.00013056422,0.00015542145,0.00025026733,0.00019832005,0.00020893799,0.00011762202,0.0000468869,0.0008857831],"category_scores_gemma":[0.0000371528,0.0001299962,0.00016337656,0.0000812085,0.00016910298,0.00026595424,0.00009125133,0.00017579478,0.0003193428],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000040358813,0.00023303615,0.011542152,0.00027247524,0.000099667726,0.00018958838,0.027959991,0.000006935576,0.00023939682,0.019909691,0.9308423,0.008664402],"study_design_scores_gemma":[0.0031814522,0.00035432127,0.14044176,0.00146444,0.00013981124,0.000035289875,0.008163835,0.0005116792,0.0002105396,0.029565033,0.8150028,0.00092905876],"about_ca_topic_score_codex":0.00034224542,"about_ca_topic_score_gemma":0.0034032166,"teacher_disagreement_score":0.1288996,"about_ca_system_score_codex":0.000026884269,"about_ca_system_score_gemma":0.000010435061,"threshold_uncertainty_score":0.9698704},"labels":[],"label_agreement":null},{"id":"W4390075876","doi":"10.5840/cpsem20223","title":"Unconscious Lostness","year":2022,"lang":"en","type":"book-chapter","venue":"Semiotics","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Unconscious mind; Psychology; Psychoanalysis","score_opus":0.07360441982018315,"score_gpt":0.23717228105970334,"score_spread":0.1635678612395202,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390075876","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000046105943,0.0008615082,0.000005324427,0.00040040698,0.0032551098,0.00016210692,0.00027926813,0.00014753286,0.99484265],"genre_scores_gemma":[0.0027296087,0.00022063905,0.000023410623,0.0011293752,0.0018703752,0.000004275894,0.00021659622,0.00011127298,0.9936944],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989052,0.000010187733,0.00025215466,0.0002832059,0.00032039185,0.00022885644],"domain_scores_gemma":[0.9992311,0.00007840789,0.00014402864,0.00039653035,0.00008049583,0.000069423615],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009025943,0.00029524355,0.0003264919,0.00010996122,0.00035738293,0.00010378808,0.00027553432,0.00013108176,0.072556905],"category_scores_gemma":[0.000010242971,0.00028961123,0.00018428217,0.0000033782644,0.00024809968,0.000055443437,0.00017313429,0.0005162076,0.0009238889],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000053521017,0.000010395828,0.000001989048,0.000038454607,0.000066628665,0.000060621045,0.003616798,0.000005257506,5.38913e-7,0.8911002,0.103353955,0.0017397603],"study_design_scores_gemma":[0.00011552171,0.000042864798,4.0582086e-7,0.000036134035,0.000098601755,0.000008013843,0.0001892057,0.000012589746,0.0000029976352,0.07322348,0.9259237,0.00034650593],"about_ca_topic_score_codex":0.000040607752,"about_ca_topic_score_gemma":0.0006611564,"teacher_disagreement_score":0.8225697,"about_ca_system_score_codex":0.00009138195,"about_ca_system_score_gemma":0.00009872986,"threshold_uncertainty_score":0.9999556},"labels":[],"label_agreement":null},{"id":"W4390469884","doi":"10.1163/9789004687257_001","title":"Preliminary Material","year":2023,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Thompson Rivers University","keywords":"Computer science","score_opus":0.1307273738151628,"score_gpt":0.2433209790680518,"score_spread":0.112593605252889,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390469884","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000029417928,0.00003595451,0.0000014758249,0.00016921453,0.003791633,0.00013803957,0.0001717403,0.0004682851,0.99519426],"genre_scores_gemma":[0.0005997488,0.00004431958,0.000010393088,0.00027919293,0.0037063651,0.00001041632,0.00022526679,0.00010650814,0.99501777],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99930423,0.0000025890374,0.00017452666,0.00021276422,0.0001536988,0.00015217985],"domain_scores_gemma":[0.9996325,0.000023178607,0.000056469224,0.00020844743,0.00004025657,0.00003917845],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00003860217,0.00021427,0.00020618847,0.00009066239,0.00012238705,0.00014268514,0.00013282362,0.00013774766,0.10225028],"category_scores_gemma":[0.0000018794133,0.00017613164,0.000121571305,8.9716804e-7,0.000122012956,0.000052068834,0.00009152879,0.000121748446,0.0124029955],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00001886982,0.0000025263482,4.5889117e-8,0.000023715502,0.000033155146,0.000026321466,0.0015556392,3.3488124e-8,0.0000014475779,0.7952392,0.2012399,0.0018591412],"study_design_scores_gemma":[0.000062181076,0.00007174635,0.0000011510596,0.000045941793,0.000039802424,0.0000017520314,0.00007002671,0.00000231801,0.000011561025,0.1094737,0.8899962,0.00022367008],"about_ca_topic_score_codex":0.00006225769,"about_ca_topic_score_gemma":0.00027572946,"teacher_disagreement_score":0.6887562,"about_ca_system_score_codex":0.000012368691,"about_ca_system_score_gemma":0.000022222646,"threshold_uncertainty_score":0.98836595},"labels":[],"label_agreement":null},{"id":"W4390720560","doi":"10.1017/9781009409940.011","title":"Works Cited","year":2024,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"History","score_opus":0.06388162601592769,"score_gpt":0.20257473411491658,"score_spread":0.13869310809898888,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4390720560","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000038022154,0.0008230786,0.00002357836,0.000040652056,0.0013721636,0.0002606797,0.00038132232,0.0004322969,0.9966282],"genre_scores_gemma":[0.0013157058,0.00011004665,0.0000082715,0.00014078138,0.0010304097,7.368868e-7,0.00010804383,0.00008914337,0.99719685],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988643,0.000010225547,0.00015840263,0.0004700686,0.00022590035,0.0002711378],"domain_scores_gemma":[0.99918944,0.00004029688,0.000099909106,0.00041547665,0.00012464599,0.00013022196],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000046092748,0.0003897966,0.00034247595,0.0002708568,0.00026843313,0.00029151203,0.00037949206,0.0002914645,0.0002373405],"category_scores_gemma":[0.000001844567,0.00042025626,0.00031554681,0.0000020918671,0.00040953013,0.000107831795,0.00028598346,0.0006301292,0.00037183808],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031308282,0.000003744525,4.6272532e-8,0.0000774264,0.0001879791,0.00036497062,0.0011384788,2.1587707e-7,0.0000023243056,0.8333146,0.16348957,0.0013893622],"study_design_scores_gemma":[0.00023979931,0.00002648715,2.2618927e-7,0.00043432025,0.00037079465,0.0000057509887,0.00026084812,0.000032190033,0.000016091453,0.00027876577,0.99785477,0.00047995395],"about_ca_topic_score_codex":0.00018700604,"about_ca_topic_score_gemma":0.000033931614,"teacher_disagreement_score":0.8343652,"about_ca_system_score_codex":0.00011518208,"about_ca_system_score_gemma":0.00005583548,"threshold_uncertainty_score":0.99982494},"labels":[],"label_agreement":null},{"id":"W4391346661","doi":"10.51644/9781771122696-fm","title":"Front Matter","year":2017,"lang":"en","type":"paratext","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Canada Council for the Arts; Federation for the Humanities and Social Sciences; Social Sciences and Humanities Research Council of Canada; Government of Canada; Wilfrid Laurier University","keywords":"Front (military); Computer science; Geology; Oceanography","score_opus":0.11197984213417739,"score_gpt":0.28903627526170783,"score_spread":0.17705643312753044,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391346661","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00003840953,0.00079175085,0.000025035892,0.00051115855,0.01002463,0.00011615892,0.00013278592,0.000029141984,0.9883309],"genre_scores_gemma":[0.0011066858,0.00006679167,0.000018843357,0.0019796435,0.005590689,0.000024917754,0.0002267045,0.000044741995,0.990941],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992748,0.000010654459,0.00014121605,0.00023226581,0.00012348164,0.00021759032],"domain_scores_gemma":[0.99926716,0.000011294935,0.00011219252,0.0005129209,0.000050823517,0.00004559036],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000034250963,0.00022010203,0.00027319408,0.00005672075,0.00038335254,0.00065055414,0.00035424915,0.00013045949,0.9153675],"category_scores_gemma":[0.0000018035942,0.00016046979,0.00013714001,5.525457e-7,0.00015850416,0.0001071871,0.00007712926,0.00019887029,0.83638316],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000027825513,0.00001061884,0.0000025708064,0.000034602355,0.00003893491,0.0000022997983,0.002987477,5.9545794e-8,5.4883117e-7,0.0029538262,0.9932028,0.0007634869],"study_design_scores_gemma":[0.0000913665,0.000010099579,0.000010403121,0.00004080634,0.00002339754,8.346925e-7,0.00012772118,0.0000017452888,0.000010857989,0.00032144162,0.99910134,0.00025999564],"about_ca_topic_score_codex":0.0011675061,"about_ca_topic_score_gemma":0.0013174459,"teacher_disagreement_score":0.07898434,"about_ca_system_score_codex":0.000016079832,"about_ca_system_score_gemma":0.000039208775,"threshold_uncertainty_score":0.6543768},"labels":[],"label_agreement":null},{"id":"W4391729396","doi":"10.1163/9789004526747_001","title":"Preliminary Material","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Manitoba","funders":"Eötvös Loránd Tudományegyetem; Central European University; Ministry of Minority Affairs; Central European History Society","keywords":"Materials science","score_opus":0.07900894160109158,"score_gpt":0.23699941701406038,"score_spread":0.1579904754129688,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391729396","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000021561487,0.0005169823,0.0000010469381,0.00024347425,0.004864476,0.00012693743,0.0001823247,0.0003085391,0.99373466],"genre_scores_gemma":[0.0015966734,0.000042265347,0.000011077796,0.00030136443,0.004968158,0.000008278067,0.00013640516,0.000088286084,0.9928475],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993384,0.0000013122293,0.00016625611,0.00023358152,0.00013213878,0.00012830754],"domain_scores_gemma":[0.9997049,0.000011296611,0.00003265088,0.00018451599,0.000029961286,0.00003665025],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000027252787,0.0002290623,0.00018959063,0.00008655574,0.00007766747,0.00026454875,0.00011191269,0.00013236864,0.18559055],"category_scores_gemma":[5.7000494e-7,0.00017545148,0.0001402593,6.5753784e-7,0.00012278013,0.00005143857,0.000089946516,0.00015984208,0.01229282],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015312806,0.0000025514223,1.0600517e-8,0.000059436985,0.000047404417,0.00004030451,0.0019210485,1.551837e-8,0.0000018084617,0.81141144,0.18512444,0.0013762432],"study_design_scores_gemma":[0.000029715531,0.000062579995,8.280907e-8,0.000077680226,0.000072991505,0.000004319638,0.000048101425,0.000002859051,0.000013898661,0.23643184,0.7630662,0.0001897638],"about_ca_topic_score_codex":0.0000395117,"about_ca_topic_score_gemma":0.00013485526,"teacher_disagreement_score":0.5779417,"about_ca_system_score_codex":0.00001714242,"about_ca_system_score_gemma":0.000021354792,"threshold_uncertainty_score":0.9884762},"labels":[],"label_agreement":null},{"id":"W4391989347","doi":"","title":"The Years de Virginia Woolf : une poétique du contemporain à la rencontre des arts du spectacle","year":2010,"lang":"fr","type":"article","venue":"HAL (Le Centre pour la Communication Scientifique Directe)","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Association for Canadian and Québec Literatures","funders":"","keywords":"Spectacle; Art; Political science","score_opus":0.01624559506738229,"score_gpt":0.2217030933057783,"score_spread":0.205457498238396,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391989347","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.53008014,0.003431965,0.002291615,0.08151084,0.0009115098,0.00034576844,0.00008057547,0.00017947078,0.38116813],"genre_scores_gemma":[0.85394955,0.0012966761,0.0018582941,0.00026985002,0.00029811787,0.000039901715,0.000050222334,0.000058111218,0.14217927],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9950775,0.0031332166,0.00046884813,0.00044373763,0.00029189762,0.000584798],"domain_scores_gemma":[0.994197,0.0029432797,0.000310381,0.0011869546,0.0011047444,0.0002576014],"candidate_categories":["metaepi_narrow","sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.0062491894,0.00030576793,0.0002799748,0.00008973917,0.0017930127,0.001377756,0.0008989528,0.00023051303,0.0008613727],"category_scores_gemma":[0.0015575674,0.00028153145,0.0002231568,0.00014202266,0.0021206934,0.00032252265,0.00027639655,0.00073130487,0.00019380792],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000021702088,0.0003520972,0.002651808,0.000030327366,0.000067184665,0.000034076438,0.1034214,0.0000015074065,0.001693088,0.8337081,0.015727842,0.04229089],"study_design_scores_gemma":[0.0007465325,0.0000013343123,0.015953846,0.00042484535,0.0000489771,0.00005791716,0.002422164,0.001556239,0.0031033447,0.033368297,0.9419597,0.00035684035],"about_ca_topic_score_codex":0.016074806,"about_ca_topic_score_gemma":0.14036298,"teacher_disagreement_score":0.9262318,"about_ca_system_score_codex":0.000083166,"about_ca_system_score_gemma":0.00030069856,"threshold_uncertainty_score":0.9999637},"labels":[],"label_agreement":null},{"id":"W4391999236","doi":"10.1163/9789004693890_001","title":"Preliminary Material","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Amherst College; McGill University; Princeton University","keywords":"Materials science","score_opus":0.07900894160109158,"score_gpt":0.23699941701406038,"score_spread":0.1579904754129688,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4391999236","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000021561487,0.0005169823,0.0000010469381,0.00024347425,0.004864476,0.00012693743,0.0001823247,0.0003085391,0.99373466],"genre_scores_gemma":[0.0015966734,0.000042265347,0.000011077796,0.00030136443,0.004968158,0.000008278067,0.00013640516,0.000088286084,0.9928475],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993384,0.0000013122293,0.00016625611,0.00023358152,0.00013213878,0.00012830754],"domain_scores_gemma":[0.9997049,0.000011296611,0.00003265088,0.00018451599,0.000029961286,0.00003665025],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000027252787,0.0002290623,0.00018959063,0.00008655574,0.00007766747,0.00026454875,0.00011191269,0.00013236864,0.18559055],"category_scores_gemma":[5.7000494e-7,0.00017545148,0.0001402593,6.5753784e-7,0.00012278013,0.00005143857,0.000089946516,0.00015984208,0.01229282],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015312806,0.0000025514223,1.0600517e-8,0.000059436985,0.000047404417,0.00004030451,0.0019210485,1.551837e-8,0.0000018084617,0.81141144,0.18512444,0.0013762432],"study_design_scores_gemma":[0.000029715531,0.000062579995,8.280907e-8,0.000077680226,0.000072991505,0.000004319638,0.000048101425,0.000002859051,0.000013898661,0.23643184,0.7630662,0.0001897638],"about_ca_topic_score_codex":0.0000395117,"about_ca_topic_score_gemma":0.00013485526,"teacher_disagreement_score":0.5779417,"about_ca_system_score_codex":0.00001714242,"about_ca_system_score_gemma":0.000021354792,"threshold_uncertainty_score":0.9884762},"labels":[],"label_agreement":null},{"id":"W4392924677","doi":"10.1163/9789004244467_001","title":"Preliminary Material","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada","keywords":"Materials science","score_opus":0.07900894160109158,"score_gpt":0.23699941701406038,"score_spread":0.1579904754129688,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4392924677","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000021561487,0.0005169823,0.0000010469381,0.00024347425,0.004864476,0.00012693743,0.0001823247,0.0003085391,0.99373466],"genre_scores_gemma":[0.0015966734,0.000042265347,0.000011077796,0.00030136443,0.004968158,0.000008278067,0.00013640516,0.000088286084,0.9928475],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993384,0.0000013122293,0.00016625611,0.00023358152,0.00013213878,0.00012830754],"domain_scores_gemma":[0.9997049,0.000011296611,0.00003265088,0.00018451599,0.000029961286,0.00003665025],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000027252787,0.0002290623,0.00018959063,0.00008655574,0.00007766747,0.00026454875,0.00011191269,0.00013236864,0.18559055],"category_scores_gemma":[5.7000494e-7,0.00017545148,0.0001402593,6.5753784e-7,0.00012278013,0.00005143857,0.000089946516,0.00015984208,0.01229282],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015312806,0.0000025514223,1.0600517e-8,0.000059436985,0.000047404417,0.00004030451,0.0019210485,1.551837e-8,0.0000018084617,0.81141144,0.18512444,0.0013762432],"study_design_scores_gemma":[0.000029715531,0.000062579995,8.280907e-8,0.000077680226,0.000072991505,0.000004319638,0.000048101425,0.000002859051,0.000013898661,0.23643184,0.7630662,0.0001897638],"about_ca_topic_score_codex":0.0000395117,"about_ca_topic_score_gemma":0.00013485526,"teacher_disagreement_score":0.5779417,"about_ca_system_score_codex":0.00001714242,"about_ca_system_score_gemma":0.000021354792,"threshold_uncertainty_score":0.9884762},"labels":[],"label_agreement":null},{"id":"W4393097448","doi":"10.31581/jbs-33.3.546(2023)","title":"Reason to Remain","year":2024,"lang":"en","type":"article","venue":"The Journal of Bahá’í Studies","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Philosophy","score_opus":0.20488372512350914,"score_gpt":0.35801971338898,"score_spread":0.15313598826547084,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393097448","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7006406,0.16225924,0.00022108856,0.045502633,0.007367817,0.00022136138,0.000013897845,0.00009843022,0.08367491],"genre_scores_gemma":[0.9760272,0.002337047,0.00008060789,0.0007495871,0.002643637,0.0000020409916,1.4087838e-7,0.000016546892,0.018143194],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993289,0.000044410837,0.00023175374,0.00005443923,0.00020612893,0.0001343438],"domain_scores_gemma":[0.9993788,0.0002596232,0.00005961798,0.00009838212,0.00016628567,0.00003727902],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0007282005,0.00009146164,0.0001867231,0.000088620094,0.000233771,0.000096037395,0.00016200136,0.000011503373,0.0002121434],"category_scores_gemma":[0.000098301214,0.000045263005,0.000093855226,0.000029590423,0.00011945641,0.00012383152,0.000060066268,0.00015849856,0.00014273939],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00008598359,0.000023441704,0.000019841957,0.000070630056,0.000648892,0.00006780475,0.36000174,0.000015499181,0.00025801017,0.08858489,0.53126234,0.018960921],"study_design_scores_gemma":[0.00010089677,0.00021386545,0.00011404546,0.00031152158,0.0001611909,0.00005964082,0.033904936,0.000011843601,0.0001922827,0.014365651,0.9504737,0.00009040807],"about_ca_topic_score_codex":0.00001840971,"about_ca_topic_score_gemma":0.00021377196,"teacher_disagreement_score":0.41921136,"about_ca_system_score_codex":0.000034249017,"about_ca_system_score_gemma":0.000025067782,"threshold_uncertainty_score":0.23228215},"labels":[],"label_agreement":null},{"id":"W4393236504","doi":"10.1163/9789004548695_001","title":"Preliminary Material","year":2024,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"York University","keywords":"Environmental science","score_opus":0.07900894160109158,"score_gpt":0.23699941701406038,"score_spread":0.1579904754129688,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393236504","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000021561487,0.0005169823,0.0000010469381,0.00024347425,0.004864476,0.00012693743,0.0001823247,0.0003085391,0.99373466],"genre_scores_gemma":[0.0015966734,0.000042265347,0.000011077796,0.00030136443,0.004968158,0.000008278067,0.00013640516,0.000088286084,0.9928475],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993384,0.0000013122293,0.00016625611,0.00023358152,0.00013213878,0.00012830754],"domain_scores_gemma":[0.9997049,0.000011296611,0.00003265088,0.00018451599,0.000029961286,0.00003665025],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000027252787,0.0002290623,0.00018959063,0.00008655574,0.00007766747,0.00026454875,0.00011191269,0.00013236864,0.18559055],"category_scores_gemma":[5.7000494e-7,0.00017545148,0.0001402593,6.5753784e-7,0.00012278013,0.00005143857,0.000089946516,0.00015984208,0.01229282],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000015312806,0.0000025514223,1.0600517e-8,0.000059436985,0.000047404417,0.00004030451,0.0019210485,1.551837e-8,0.0000018084617,0.81141144,0.18512444,0.0013762432],"study_design_scores_gemma":[0.000029715531,0.000062579995,8.280907e-8,0.000077680226,0.000072991505,0.000004319638,0.000048101425,0.000002859051,0.000013898661,0.23643184,0.7630662,0.0001897638],"about_ca_topic_score_codex":0.0000395117,"about_ca_topic_score_gemma":0.00013485526,"teacher_disagreement_score":0.5779417,"about_ca_system_score_codex":0.00001714242,"about_ca_system_score_gemma":0.000021354792,"threshold_uncertainty_score":0.9884762},"labels":[],"label_agreement":null},{"id":"W4393940487","doi":"10.1515/9781580468909-001","title":"Acknowledgements","year":2015,"lang":"en","type":"book-chapter","venue":"Boydell and Brewer eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Computer science","score_opus":0.1530927369413016,"score_gpt":0.25678383812760036,"score_spread":0.10369110118629876,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4393940487","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000048793754,0.0017855852,0.000008303526,0.000030804542,0.0017325805,0.00021656817,0.00006711094,0.00009937138,0.9960109],"genre_scores_gemma":[0.0017371302,0.000026828702,0.000019383253,0.0004582585,0.0027747545,0.0000062317185,0.00004356088,0.000075086406,0.99485874],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988805,0.000005615328,0.0002631499,0.00033753848,0.00026286818,0.00025033727],"domain_scores_gemma":[0.9990525,0.000017837325,0.00011035883,0.00025584886,0.00040217143,0.0001612625],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00016098894,0.00034892996,0.00031939024,0.00012813733,0.00017211364,0.00015525612,0.00014751019,0.0001967445,0.012430816],"category_scores_gemma":[0.000005692694,0.00029262356,0.0001072438,0.0000010016747,0.0002840524,0.00004800099,0.00014481787,0.00025064297,0.0042888066],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000027892476,0.000010051243,9.882885e-7,0.000057177444,0.00010570113,0.000024163697,0.007330499,1.2685791e-8,0.0000027236324,0.55947834,0.3802253,0.052737124],"study_design_scores_gemma":[0.00031669007,0.000060195656,9.2044013e-7,0.000084268264,0.000089636684,0.0000032941782,0.0001541339,0.0000027513408,0.000007618801,0.08868544,0.91023743,0.00035759422],"about_ca_topic_score_codex":0.000012730837,"about_ca_topic_score_gemma":0.0005474321,"teacher_disagreement_score":0.53001213,"about_ca_system_score_codex":0.000028518347,"about_ca_system_score_gemma":0.00005881301,"threshold_uncertainty_score":0.9999526},"labels":[],"label_agreement":null},{"id":"W4394897786","doi":"10.15215/aupress/9781778290008.006","title":"5. Métis in Lethbridge: A Conversation with Elder Roderick McLeod","year":2023,"lang":"en","type":"book-chapter","venue":"Athabasca University Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Conversation; Psychology; Communication","score_opus":0.06934727367767944,"score_gpt":0.20326023780040856,"score_spread":0.13391296412272913,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4394897786","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0008283229,0.00004037511,0.00006542049,0.0000515831,0.00031063345,0.00041469536,0.00015337025,0.0002520122,0.99788356],"genre_scores_gemma":[0.023827696,0.000057864203,0.000030881005,0.000083038925,0.00018855197,0.000002394749,0.000069621485,0.00008320769,0.97565675],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998716,0.000027557175,0.00017317336,0.00047744767,0.00027860582,0.0003272321],"domain_scores_gemma":[0.9992126,0.000063737745,0.00017069018,0.0003499024,0.000119440185,0.00008362323],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00008471885,0.0003561549,0.00036422632,0.0003011881,0.0002016858,0.000078287376,0.0003079263,0.00021736351,0.00047960336],"category_scores_gemma":[0.0000030175663,0.00037450923,0.00014190859,0.000005347791,0.0003421455,0.00018218602,0.00019082442,0.0004181181,0.00011754742],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00012622843,0.00001451378,0.000015706786,0.000074223804,0.0001658399,0.00041277794,0.029002445,0.0000019914137,0.0000015710348,0.96424437,0.004269209,0.0016711263],"study_design_scores_gemma":[0.0010564562,0.00011478984,0.00009258596,0.00026894518,0.00018460666,0.000005014401,0.0016075148,0.0000383973,0.000025647838,0.0015683608,0.99450296,0.00053472637],"about_ca_topic_score_codex":0.00594775,"about_ca_topic_score_gemma":0.009474768,"teacher_disagreement_score":0.9902337,"about_ca_system_score_codex":0.00011589433,"about_ca_system_score_gemma":0.00010033705,"threshold_uncertainty_score":0.99987066},"labels":[],"label_agreement":null},{"id":"W4395054837","doi":"10.3138/md-67-1-rev7","title":"Hannah Simpson. <i>Samuel Beckett and the Theatre of Witness: Pain in Postwar Francophone Drama</i>","year":2024,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"The King's University; University of New Brunswick","funders":"","keywords":"Drama; Witness; French; Art; Literature; History; Art history; Philosophy; Humanities; Linguistics","score_opus":0.023037247815209754,"score_gpt":0.23087375786073194,"score_spread":0.2078365100455222,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4395054837","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.8719479,0.06259992,0.002656068,0.010003743,0.0017315492,0.0010458023,0.00016278004,0.00036393947,0.049488302],"genre_scores_gemma":[0.994025,0.00021620451,0.000036684956,0.0010157985,0.00049703056,0.00005825625,0.000015190583,0.000056320645,0.0040795077],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9984392,0.0001693425,0.00038638603,0.00037232827,0.00028301153,0.0003497333],"domain_scores_gemma":[0.99907124,0.00039276015,0.000062177765,0.0003520832,0.00005872536,0.0000630221],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00080708764,0.00026554993,0.00039928756,0.00014664247,0.00018589773,0.00029834057,0.0002525808,0.0000982112,0.00039406389],"category_scores_gemma":[0.000038906648,0.00017309665,0.00014931348,0.0000836943,0.00079061964,0.00024382885,0.000099316385,0.00031148994,0.000052443862],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007742019,0.0003110751,0.00068092166,0.0009248405,0.00029273916,0.00014077833,0.4337609,0.00016687642,0.0010319918,0.15453951,0.019262398,0.38811374],"study_design_scores_gemma":[0.0057383673,0.00043525788,0.0005667268,0.0010695282,0.00016257493,0.000028468608,0.018513102,0.13301443,0.0009046738,0.35814965,0.48031813,0.0010991072],"about_ca_topic_score_codex":0.002027374,"about_ca_topic_score_gemma":0.0021046617,"teacher_disagreement_score":0.46105573,"about_ca_system_score_codex":0.000023013361,"about_ca_system_score_gemma":0.00006802461,"threshold_uncertainty_score":0.70586765},"labels":[],"label_agreement":null},{"id":"W4396641628","doi":"10.1093/jaac/kpae019","title":"Speaking of Godot: Fiction, Reference, and Indeterminate Identities","year":2024,"lang":"en","type":"article","venue":"Journal of Aesthetics and Art Criticism","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":1,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Saskatchewan","funders":"","keywords":"Indeterminate; Art; Literature; Philosophy; Mathematics; Pure mathematics","score_opus":0.049169546303062785,"score_gpt":0.275785814344666,"score_spread":0.2266162680416032,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4396641628","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96131665,0.004735877,0.00010506786,0.00080638594,0.0007899332,0.000034696448,0.000013851145,0.0000123095115,0.032185256],"genre_scores_gemma":[0.99395895,0.0011643186,0.0000818567,0.00010005764,0.00025458075,4.804073e-7,6.8256236e-7,0.000011456283,0.004427603],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993312,0.000017127508,0.00031834096,0.00007547152,0.00015514265,0.000102761835],"domain_scores_gemma":[0.99961954,0.000039245027,0.000079778794,0.000052867243,0.00015869376,0.00004985861],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00020735757,0.000085749816,0.00017566375,0.00016853263,0.00010307659,0.00026804765,0.000054102653,0.000032168875,0.00015766028],"category_scores_gemma":[0.00001154745,0.00006624059,0.000052165502,0.000013292015,0.00025027784,0.0002681228,0.000026847638,0.0001574972,0.000003901288],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000045623336,0.0001109368,0.0002548505,0.00076883566,0.00012449325,0.00050226337,0.07316163,0.000005316898,0.001271137,0.8448395,0.021314098,0.057601284],"study_design_scores_gemma":[0.0003720519,0.00053207896,0.00035825468,0.00083771464,0.00016153768,0.001105897,0.0076103928,0.0005178368,0.00052627455,0.09226336,0.89550227,0.00021232651],"about_ca_topic_score_codex":0.000006229407,"about_ca_topic_score_gemma":0.00001732379,"teacher_disagreement_score":0.8741882,"about_ca_system_score_codex":0.0000057104235,"about_ca_system_score_gemma":0.000021739941,"threshold_uncertainty_score":0.27012128},"labels":[],"label_agreement":null},{"id":"W4399162947","doi":"10.1017/9781009091015.009","title":"Works Cited","year":2024,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Arcadia Fund; McGill University; Dumbarton Oaks Research Library and Collection; Johns Hopkins University; University of Toronto; Michigan State University; University of Pennsylvania; College of Engineering, Michigan State University; Harvard University; Moderna; State University of New York; Consejo Superior de Investigaciones Científicas; University of Cambridge; Yale University","keywords":"History","score_opus":0.06388162601592769,"score_gpt":0.20257473411491658,"score_spread":0.13869310809898888,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399162947","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000038022154,0.0008230786,0.00002357836,0.000040652056,0.0013721636,0.0002606797,0.00038132232,0.0004322969,0.9966282],"genre_scores_gemma":[0.0013157058,0.00011004665,0.0000082715,0.00014078138,0.0010304097,7.368868e-7,0.00010804383,0.00008914337,0.99719685],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9988643,0.000010225547,0.00015840263,0.0004700686,0.00022590035,0.0002711378],"domain_scores_gemma":[0.99918944,0.00004029688,0.000099909106,0.00041547665,0.00012464599,0.00013022196],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000046092748,0.0003897966,0.00034247595,0.0002708568,0.00026843313,0.00029151203,0.00037949206,0.0002914645,0.0002373405],"category_scores_gemma":[0.000001844567,0.00042025626,0.00031554681,0.0000020918671,0.00040953013,0.000107831795,0.00028598346,0.0006301292,0.00037183808],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031308282,0.000003744525,4.6272532e-8,0.0000774264,0.0001879791,0.00036497062,0.0011384788,2.1587707e-7,0.0000023243056,0.8333146,0.16348957,0.0013893622],"study_design_scores_gemma":[0.00023979931,0.00002648715,2.2618927e-7,0.00043432025,0.00037079465,0.0000057509887,0.00026084812,0.000032190033,0.000016091453,0.00027876577,0.99785477,0.00047995395],"about_ca_topic_score_codex":0.00018700604,"about_ca_topic_score_gemma":0.000033931614,"teacher_disagreement_score":0.8343652,"about_ca_system_score_codex":0.00011518208,"about_ca_system_score_gemma":0.00005583548,"threshold_uncertainty_score":0.99982494},"labels":[],"label_agreement":null},{"id":"W4399263567","doi":"10.1007/978-3-031-56000-2_4","title":"Calculating Humans: Samuel Beckett’s Encipherment","year":2024,"lang":"en","type":"book-chapter","venue":"Material modernisms","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Brock University","funders":"","keywords":"Philosophy; Art","score_opus":0.08972690702937673,"score_gpt":0.2535468650480035,"score_spread":0.16381995801862675,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4399263567","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0026657975,0.0007218959,0.000038958085,0.00023820132,0.009235802,0.0005909463,0.00090836536,0.00066401175,0.984936],"genre_scores_gemma":[0.066971935,0.000054856308,0.000088992274,0.00052165915,0.007042185,0.00008088934,0.00051978126,0.00036708466,0.92435265],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99711156,0.000017584716,0.00076469156,0.000897766,0.0006151597,0.0005932453],"domain_scores_gemma":[0.99884486,0.00002850354,0.0002487949,0.0006136743,0.000110506815,0.00015366914],"candidate_categories":["metaepi_narrow","scholarly_communication","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00017198437,0.0008610938,0.0007659723,0.00021349727,0.00045458105,0.0011452052,0.00041658757,0.00042831575,0.04470401],"category_scores_gemma":[0.000004892162,0.00077716255,0.00043168647,0.0000045543266,0.0003452972,0.0001804894,0.00032079054,0.000473571,0.004763719],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000044104127,0.000023180366,3.6067098e-7,0.0003329019,0.00023341225,0.00013306041,0.014134334,0.00001115414,0.0006325168,0.9727675,0.008754921,0.0029325562],"study_design_scores_gemma":[0.000200433,0.000092102375,0.0000010692336,0.00045051688,0.00024203742,0.000007785892,0.00014966604,0.0001354884,0.00022007896,0.25805274,0.73964566,0.00080242706],"about_ca_topic_score_codex":0.00030907354,"about_ca_topic_score_gemma":0.00066629186,"teacher_disagreement_score":0.73089075,"about_ca_system_score_codex":0.00019820855,"about_ca_system_score_gemma":0.00008192085,"threshold_uncertainty_score":0.9998917},"labels":[],"label_agreement":null},{"id":"W4404686627","doi":"10.4000/12r0z","title":"L’attente dans More Pricks than Kicks de Beckett","year":2024,"lang":"fr","type":"book-chapter","venue":"Presses Universitaires de Bordeaux eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art","score_opus":0.031125444165134446,"score_gpt":0.2386746285366307,"score_spread":0.20754918437149628,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404686627","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.005191603,0.00833749,0.00043250513,0.0028106985,0.0014402963,0.0007839353,0.0011363721,0.0006293377,0.97923774],"genre_scores_gemma":[0.35450295,0.0007418164,0.00017274384,0.00038433346,0.0013470723,0.000018600556,0.00014566338,0.0002747925,0.64241207],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99611634,0.00008152264,0.0005880269,0.001177762,0.0006320092,0.0014043498],"domain_scores_gemma":[0.9975621,0.00025950815,0.00034564454,0.000953537,0.00030448887,0.0005747231],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["metaepi_narrow"],"category_scores_codex":[0.00021417227,0.0012764592,0.00086847274,0.00060126086,0.0013657763,0.0007123131,0.0012317189,0.0008548871,0.0028341014],"category_scores_gemma":[0.000022401962,0.0013794504,0.000926149,0.00002267282,0.0022655106,0.00031527926,0.0008837433,0.0014709895,0.0005671908],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00018249234,0.00007188813,0.0003063966,0.00094421994,0.0014507468,0.0018798885,0.042303357,0.000050340226,0.00021428576,0.9341343,0.007946523,0.010515566],"study_design_scores_gemma":[0.0006271059,0.00023025845,0.00016444275,0.001565225,0.0021633157,0.00011685558,0.011101011,0.00053580845,0.00026224655,0.08013287,0.9016962,0.0014046277],"about_ca_topic_score_codex":0.0047348887,"about_ca_topic_score_gemma":0.0033381258,"teacher_disagreement_score":0.8937497,"about_ca_system_score_codex":0.0008236754,"about_ca_system_score_gemma":0.0006739275,"threshold_uncertainty_score":0.99999875},"labels":[],"label_agreement":null},{"id":"W4404916905","doi":"10.25071/zaphg009","title":"Three poems in honour of the Robarts Centre","year":2024,"lang":"en","type":"article","venue":"Canada Watch","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"York University","funders":"","keywords":"Honour; Poetry; Literature; Art; Political science; Law","score_opus":0.04222022581488588,"score_gpt":0.2017471666688049,"score_spread":0.15952694085391902,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4404916905","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.88158333,0.0021523542,0.000006247301,0.04105726,0.004210226,0.00021118012,0.00009121567,0.00003791798,0.070650265],"genre_scores_gemma":[0.9843456,0.0000052616115,0.0000020853954,0.00027165064,0.0002105391,0.0000024619715,0.0000028592451,0.000009515983,0.015150035],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99951535,0.000010034582,0.00010522314,0.00009547612,0.00013295376,0.00014092843],"domain_scores_gemma":[0.99978906,0.000026263937,0.000013625881,0.00012553605,0.000020594194,0.000024934137],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00004939082,0.000063606625,0.00007768049,0.000013964224,0.00006260149,0.00003905067,0.00012308836,0.000016471547,0.0008052327],"category_scores_gemma":[0.000006974412,0.000040728595,0.000034915076,0.000023466519,0.000046017412,0.000039524715,0.00002663266,0.000106234875,0.00000702392],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000033654399,0.000012613384,0.0025936067,0.00006862415,0.000023775694,0.000049852628,0.017228723,0.000019306955,0.000059765607,0.06343703,0.9109496,0.0055537275],"study_design_scores_gemma":[0.000064877175,0.0000029896798,0.0015131104,0.00007367023,0.000007188011,0.0000014132095,0.001256058,0.00021122997,0.0002859915,0.0035229109,0.9929924,0.00006818617],"about_ca_topic_score_codex":0.68084973,"about_ca_topic_score_gemma":0.9962851,"teacher_disagreement_score":0.31543532,"about_ca_system_score_codex":0.00006253652,"about_ca_system_score_gemma":0.0002690426,"threshold_uncertainty_score":0.88167334},"labels":[],"label_agreement":null},{"id":"W4406438370","doi":"10.1080/0950236x.2025.2453645","title":"Samuel Beckett and posthuman spaces","year":2025,"lang":"en","type":"article","venue":"Textual Practice","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"Western University","funders":"","keywords":"Posthuman; Aesthetics; Posthumanism; Art; Philosophy; Literature","score_opus":0.049588054451521,"score_gpt":0.30922619226333614,"score_spread":0.25963813781181516,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406438370","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.08454641,0.0016066809,0.0000526237,0.012561787,0.0004158828,0.00016148933,0.00001213286,0.00015098465,0.900492],"genre_scores_gemma":[0.90952104,0.00009224335,0.00019033249,0.00664562,0.00035440593,0.00001121895,0.000007833739,0.000014148971,0.083163135],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992181,0.00007027501,0.0001538368,0.00022369517,0.00013426061,0.00019981859],"domain_scores_gemma":[0.9990665,0.00050456234,0.00007600155,0.00019378743,0.00011087461,0.000048328715],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00025940538,0.000136099,0.00014056002,0.000097619246,0.00042220892,0.00042205365,0.000120531746,0.000044705408,0.0012363838],"category_scores_gemma":[0.00034276943,0.00011868144,0.000035283927,0.000026869771,0.00023978263,0.0006580667,0.00008658119,0.00019148094,0.00024913796],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00007436286,0.000088234214,0.00006983966,0.000026524189,0.00007201122,0.000010452745,0.019874122,2.2953942e-7,0.000112836315,0.9158348,0.04835322,0.015483396],"study_design_scores_gemma":[0.0003264922,0.000062697865,0.0003330239,0.00002300611,0.00009354299,0.000009369007,0.020460103,0.000028459306,0.000057913156,0.0057659615,0.9726927,0.00014669291],"about_ca_topic_score_codex":0.0007677743,"about_ca_topic_score_gemma":0.00080568116,"teacher_disagreement_score":0.92433953,"about_ca_system_score_codex":0.000016661708,"about_ca_system_score_gemma":0.000040586787,"threshold_uncertainty_score":0.99967664},"labels":[],"label_agreement":null},{"id":"W4406924375","doi":"10.1017/9781108954792.010","title":"‘Verses, Good and Bad’","year":2025,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Psychology","score_opus":0.04284460732734858,"score_gpt":0.19558959029043954,"score_spread":0.15274498296309097,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4406924375","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000051151725,0.00037702455,0.00002136108,0.000026889644,0.00053431105,0.0002518445,0.0005151199,0.00014997969,0.9980723],"genre_scores_gemma":[0.00086755655,0.00016336958,0.000019735216,0.00017869125,0.00030808384,4.998179e-7,0.00005849579,0.000029260476,0.9983743],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99909544,0.000015079114,0.00012561739,0.0003990931,0.00015275856,0.00021202548],"domain_scores_gemma":[0.99929804,0.00005392644,0.00010410878,0.00032964215,0.00010813955,0.00010613876],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00003994817,0.0003191355,0.00033155046,0.00017619191,0.00036454346,0.0001175128,0.00025391296,0.00021101272,0.00008693136],"category_scores_gemma":[0.0000033097886,0.00036151652,0.00015080861,0.0000011595856,0.0004315055,0.00008443456,0.00031252165,0.0003273479,0.000022436368],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000030560284,0.000004332905,6.2716987e-7,0.000074961485,0.00012935072,0.00012609859,0.0006189536,2.9571941e-8,0.000001569093,0.87326604,0.123282865,0.0024646062],"study_design_scores_gemma":[0.0004419193,0.000030412451,0.0000027973956,0.00015755036,0.0002980964,0.0000036609147,0.00022381937,0.000011411875,0.000015782134,0.00007663609,0.9983705,0.00036741435],"about_ca_topic_score_codex":0.0004216219,"about_ca_topic_score_gemma":0.00006541416,"teacher_disagreement_score":0.8750876,"about_ca_system_score_codex":0.00006955124,"about_ca_system_score_gemma":0.00008269008,"threshold_uncertainty_score":0.99988365},"labels":[],"label_agreement":null},{"id":"W4408319176","doi":"10.1017/9781009180689","title":"Pilgrim's Gress: The Beckett Walk","year":2025,"lang":"en","type":"book","venue":"Cambridge University Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":2,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Concordia University","funders":"","keywords":"Pilgrim; History; Philosophy; Theology","score_opus":0.05129921166303134,"score_gpt":0.20733534695861888,"score_spread":0.15603613529558755,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408319176","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0000473419,0.0006672816,0.000030469333,0.00016098711,0.0014839014,0.0005572212,0.00068801874,0.00025975154,0.996105],"genre_scores_gemma":[0.00036068313,0.00009916863,0.000006089181,0.00069329346,0.0012157807,0.0000036629604,0.00015764135,0.000046557365,0.99741715],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99839073,0.000100535086,0.0002182573,0.00052681926,0.000344087,0.000419542],"domain_scores_gemma":[0.99841094,0.00018845793,0.00021614686,0.00084335415,0.00023341077,0.000107702064],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00012628673,0.00047543496,0.00045581313,0.00019228947,0.0009867251,0.000270004,0.0011571249,0.00028692978,0.00008854021],"category_scores_gemma":[0.000012483797,0.00039903275,0.00039108915,0.000005668156,0.0008818746,0.00011156662,0.00055916875,0.00078303553,0.00006830317],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000029036351,0.0000077655595,2.046737e-7,0.00007329496,0.00013794017,0.000065738,0.0013458114,2.0396301e-7,8.1923037e-7,0.5160914,0.48132753,0.00092027633],"study_design_scores_gemma":[0.00044374415,0.000031512805,0.0000031542509,0.00023455275,0.00047191748,0.0000037348277,0.00066754426,0.00001502861,0.00003396132,0.00008462268,0.9975578,0.00045239952],"about_ca_topic_score_codex":0.0007633793,"about_ca_topic_score_gemma":0.00013219567,"teacher_disagreement_score":0.5162303,"about_ca_system_score_codex":0.00025406154,"about_ca_system_score_gemma":0.00046889184,"threshold_uncertainty_score":0.99984616},"labels":[],"label_agreement":null},{"id":"W4408958427","doi":"10.1525/sfs.31.2.0334","title":"And the Sequel–ICFA-26","year":2004,"lang":"en","type":"article","venue":"Science Fiction Studies","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Calgary","funders":"","keywords":"Art; Geology","score_opus":0.16826603365850898,"score_gpt":0.32705982799207,"score_spread":0.15879379433356103,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4408958427","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.78081864,0.0059926,0.00009095068,0.014651339,0.003650135,0.00032059467,0.000004755776,0.00029297237,0.19417801],"genre_scores_gemma":[0.99546254,0.0003325561,0.000028980456,0.0004937194,0.00024461086,0.000016979233,1.0201904e-7,0.0000035017085,0.003417026],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99944216,0.000009096009,0.00008216038,0.00014461814,0.0001847007,0.00013728591],"domain_scores_gemma":[0.9996953,0.00003609732,0.000030312818,0.00009357337,0.00012391168,0.000020816737],"candidate_categories":["sts"],"consensus_categories":["sts"],"category_scores_codex":[0.00039087282,0.00006061397,0.000083574894,0.000050036946,0.0016182148,0.00016720497,0.000091081696,0.0000070437713,0.00003527944],"category_scores_gemma":[0.00006924777,0.00003232809,0.000022357399,0.00004798401,0.0037539406,0.00028158742,0.00006792494,0.000049691953,0.000047556703],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000010202957,0.000007988339,0.00005873473,0.000004756179,0.000015381336,6.2383987e-7,0.13006821,0.000013212426,0.00009225929,0.8663973,0.0017353819,0.0015959133],"study_design_scores_gemma":[0.002562526,0.00011910316,0.002894548,0.00005626488,0.000062392326,0.00001884546,0.19064301,0.000090915295,0.00108258,0.19772065,0.60441995,0.00032920367],"about_ca_topic_score_codex":0.0000935583,"about_ca_topic_score_gemma":0.00023336291,"teacher_disagreement_score":0.6686767,"about_ca_system_score_codex":0.000029914558,"about_ca_system_score_gemma":0.000030743617,"threshold_uncertainty_score":0.99968153},"labels":[],"label_agreement":null},{"id":"W4409392773","doi":"10.1007/978-3-031-85845-1_5","title":"Proust in Prison, Roth at the Movies","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of British Columbia","funders":"","keywords":"Prison; Art; Psychology; History; Criminology","score_opus":0.0718475096423762,"score_gpt":0.24010984677880176,"score_spread":0.16826233713642558,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409392773","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000045046083,0.0015476878,0.0000041325047,0.0012891525,0.00044106942,0.00046806404,0.000035546673,0.00007387041,0.9960954],"genre_scores_gemma":[0.00094019156,0.00015204909,0.00000890458,0.0013132951,0.00043850509,0.000041652267,0.00003605392,0.000029144763,0.9970402],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9991808,0.000008524119,0.0002385955,0.0002379798,0.0001628291,0.00017129052],"domain_scores_gemma":[0.99947983,0.00006361383,0.000072804985,0.0003140684,0.000050324088,0.00001933837],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00008994122,0.0002373323,0.00024678762,0.000100409656,0.00021532165,0.00011902061,0.00020974029,0.000121031146,0.024872493],"category_scores_gemma":[0.0000063126754,0.00013907187,0.00011633754,0.0000031133577,0.00022482277,0.000048686208,0.00016319123,0.00025944834,0.0005859357],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000007642053,0.0000059006397,0.000007408808,0.00003609712,0.000026792619,0.0000046849254,0.005677302,2.5553535e-7,2.7687145e-7,0.8119513,0.1773247,0.004957667],"study_design_scores_gemma":[0.0001122359,0.000015083064,0.00000791706,0.000103576225,0.000026373948,7.131659e-7,0.0003483147,0.000007508456,0.000006657618,0.042168844,0.9570202,0.00018255725],"about_ca_topic_score_codex":0.0003819648,"about_ca_topic_score_gemma":0.040981825,"teacher_disagreement_score":0.7796955,"about_ca_system_score_codex":0.00006347421,"about_ca_system_score_gemma":0.000059951395,"threshold_uncertainty_score":0.97651774},"labels":[],"label_agreement":null},{"id":"W4409419730","doi":"10.1163/9789004722705_000","title":"Preliminary Material","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Kwame Nkrumah University of Science and Technology; Rheinische Friedrich-Wilhelms-Universität Bonn; University of Johannesburg; University of Oxford; York University; Universität Basel","keywords":"Materials science","score_opus":0.06426611997597516,"score_gpt":0.23399911679900526,"score_spread":0.1697329968230301,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409419730","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00001000635,0.00016373002,0.000006120806,0.00020584615,0.0027848473,0.00014959413,0.00015441702,0.00016970052,0.9963557],"genre_scores_gemma":[0.00058073783,0.00003877328,0.000029270705,0.0006878712,0.0020411133,0.000008255146,0.00016047708,0.000031467098,0.99642205],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993868,0.0000028099175,0.00017239293,0.00020361136,0.00011043853,0.00012398679],"domain_scores_gemma":[0.99963534,0.000020058444,0.000049795755,0.00021738058,0.00004918447,0.000028246079],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000026563941,0.00021272364,0.00021459947,0.000092308896,0.00012022172,0.00013444049,0.00013836386,0.00013940549,0.13694894],"category_scores_gemma":[0.0000017248503,0.00017556391,0.0001201649,6.9995014e-7,0.0001116239,0.000047919166,0.000089905385,0.00012091269,0.001160487],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023034712,0.0000035122243,4.481093e-8,0.000033254877,0.000032297743,0.000008021227,0.0007197969,1.140037e-8,8.000674e-7,0.69754326,0.2973666,0.0042694104],"study_design_scores_gemma":[0.00007323806,0.000054791846,4.2855322e-7,0.00008215017,0.000060953786,0.0000010462414,0.000038154045,0.0000021409905,0.000021278893,0.06718238,0.93228453,0.00019888171],"about_ca_topic_score_codex":0.0000573202,"about_ca_topic_score_gemma":0.0001608983,"teacher_disagreement_score":0.634918,"about_ca_system_score_codex":0.000016597754,"about_ca_system_score_gemma":0.0000441855,"threshold_uncertainty_score":0.9996172},"labels":[],"label_agreement":null},{"id":"W4409982705","doi":"10.3366/jobs.2025.0443","title":"Beckett and the Aesthetics of Black Inexpression","year":2025,"lang":"en","type":"article","venue":"Journal of Beckett Studies","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Aesthetics; Art history; Visual arts","score_opus":0.08175531042889626,"score_gpt":0.32006085742875257,"score_spread":0.2383055469998563,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4409982705","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.92200035,0.035611164,0.00005520221,0.016167965,0.0011472371,0.00018307149,0.000006950786,0.000013060644,0.02481501],"genre_scores_gemma":[0.989004,0.0041280305,0.00008726281,0.0006964959,0.0003210885,0.0000027065523,2.4146553e-7,0.000008485531,0.005751651],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.998943,0.00008474616,0.0005327606,0.00008293207,0.00022712314,0.00012944151],"domain_scores_gemma":[0.99860424,0.0003544675,0.00040588842,0.00013700592,0.00047249545,0.000025911022],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0005739467,0.00013254707,0.0004764487,0.00013989655,0.00025706427,0.000047421883,0.00017904077,0.000031893083,0.000037953654],"category_scores_gemma":[0.00020870572,0.00006866906,0.00015676474,0.000035921898,0.0014365801,0.0001231036,0.0001331727,0.00019473126,0.0000019915656],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0011678806,0.0002513366,0.0023147243,0.00053209165,0.001765106,0.000024078741,0.3309676,0.000023954843,0.0004552894,0.42897528,0.211854,0.021668643],"study_design_scores_gemma":[0.009117035,0.00060709624,0.0030392257,0.0021403208,0.0012095795,0.000040613264,0.14080623,0.00014460647,0.0028410493,0.124240704,0.71540594,0.00040760427],"about_ca_topic_score_codex":0.000020536312,"about_ca_topic_score_gemma":0.00007787395,"teacher_disagreement_score":0.50355196,"about_ca_system_score_codex":0.000016926373,"about_ca_system_score_gemma":0.000040566534,"threshold_uncertainty_score":0.5293139},"labels":[],"label_agreement":null},{"id":"W4410725001","doi":"10.1163/9789004522756_001","title":"Preliminary Material","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Centre National de la Recherche Scientifique; New York University Abu Dhabi; York University; Yale University","keywords":"Materials science","score_opus":0.06426611997597516,"score_gpt":0.23399911679900526,"score_spread":0.1697329968230301,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410725001","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00001000635,0.00016373002,0.000006120806,0.00020584615,0.0027848473,0.00014959413,0.00015441702,0.00016970052,0.9963557],"genre_scores_gemma":[0.00058073783,0.00003877328,0.000029270705,0.0006878712,0.0020411133,0.000008255146,0.00016047708,0.000031467098,0.99642205],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993868,0.0000028099175,0.00017239293,0.00020361136,0.00011043853,0.00012398679],"domain_scores_gemma":[0.99963534,0.000020058444,0.000049795755,0.00021738058,0.00004918447,0.000028246079],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000026563941,0.00021272364,0.00021459947,0.000092308896,0.00012022172,0.00013444049,0.00013836386,0.00013940549,0.13694894],"category_scores_gemma":[0.0000017248503,0.00017556391,0.0001201649,6.9995014e-7,0.0001116239,0.000047919166,0.000089905385,0.00012091269,0.001160487],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023034712,0.0000035122243,4.481093e-8,0.000033254877,0.000032297743,0.000008021227,0.0007197969,1.140037e-8,8.000674e-7,0.69754326,0.2973666,0.0042694104],"study_design_scores_gemma":[0.00007323806,0.000054791846,4.2855322e-7,0.00008215017,0.000060953786,0.0000010462414,0.000038154045,0.0000021409905,0.000021278893,0.06718238,0.93228453,0.00019888171],"about_ca_topic_score_codex":0.0000573202,"about_ca_topic_score_gemma":0.0001608983,"teacher_disagreement_score":0.634918,"about_ca_system_score_codex":0.000016597754,"about_ca_system_score_gemma":0.0000441855,"threshold_uncertainty_score":0.9996172},"labels":[],"label_agreement":null},{"id":"W4410977585","doi":"10.53103/cjlls.v5i3.218","title":"W. B. Yeats: Wordsmith and Political Actor","year":2025,"lang":"en","type":"article","venue":"Canadian Journal of Language and Literature Studies","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Politics; Political science; Sociology; Art; Law","score_opus":0.025102450292202347,"score_gpt":0.28142890735466575,"score_spread":0.2563264570624634,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4410977585","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7597907,0.20308398,0.0000029186847,0.0047075627,0.0008009725,0.0000521608,0.000059828017,0.000006411239,0.03149546],"genre_scores_gemma":[0.9881804,0.00017878554,0.000031840136,0.0015622632,0.00060957705,7.8999835e-7,0.0000015255789,0.000004775925,0.009430029],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9995486,0.000019424868,0.00013261943,0.000070520386,0.000044884695,0.0001839579],"domain_scores_gemma":[0.9995417,0.00005405572,0.000033590863,0.000051200546,0.00014170515,0.00017775902],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00007682952,0.00009045478,0.00018368516,0.00019434154,0.00020189161,0.00023089448,0.00004885778,0.000031637224,0.00006573341],"category_scores_gemma":[0.000090403606,0.00006131666,0.000035755664,0.000026462152,0.00024114661,0.00012539765,0.000011736766,0.00015976767,6.158089e-7],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000173993,0.000006062767,0.0019115428,0.00012414041,0.00029778783,0.0007090572,0.5625133,1.8730557e-8,0.000019271523,0.3987233,0.028675426,0.0070026834],"study_design_scores_gemma":[0.00063079665,0.00012007957,0.0019146657,0.0009010566,0.00014396921,0.00013013768,0.28598627,0.000001105283,0.000045710978,0.008223214,0.7017058,0.00019719727],"about_ca_topic_score_codex":0.00039308224,"about_ca_topic_score_gemma":0.015571386,"teacher_disagreement_score":0.6730304,"about_ca_system_score_codex":0.000022611437,"about_ca_system_score_gemma":0.00010707673,"threshold_uncertainty_score":0.86891985},"labels":[],"label_agreement":null},{"id":"W4411296374","doi":"10.1163/9789004731745_000","title":"Preliminary Material","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Social Sciences and Humanities Research Council of Canada; University of Toronto","keywords":"Materials science","score_opus":0.06426611997597516,"score_gpt":0.23399911679900526,"score_spread":0.1697329968230301,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4411296374","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00001000635,0.00016373002,0.000006120806,0.00020584615,0.0027848473,0.00014959413,0.00015441702,0.00016970052,0.9963557],"genre_scores_gemma":[0.00058073783,0.00003877328,0.000029270705,0.0006878712,0.0020411133,0.000008255146,0.00016047708,0.000031467098,0.99642205],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993868,0.0000028099175,0.00017239293,0.00020361136,0.00011043853,0.00012398679],"domain_scores_gemma":[0.99963534,0.000020058444,0.000049795755,0.00021738058,0.00004918447,0.000028246079],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000026563941,0.00021272364,0.00021459947,0.000092308896,0.00012022172,0.00013444049,0.00013836386,0.00013940549,0.13694894],"category_scores_gemma":[0.0000017248503,0.00017556391,0.0001201649,6.9995014e-7,0.0001116239,0.000047919166,0.000089905385,0.00012091269,0.001160487],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023034712,0.0000035122243,4.481093e-8,0.000033254877,0.000032297743,0.000008021227,0.0007197969,1.140037e-8,8.000674e-7,0.69754326,0.2973666,0.0042694104],"study_design_scores_gemma":[0.00007323806,0.000054791846,4.2855322e-7,0.00008215017,0.000060953786,0.0000010462414,0.000038154045,0.0000021409905,0.000021278893,0.06718238,0.93228453,0.00019888171],"about_ca_topic_score_codex":0.0000573202,"about_ca_topic_score_gemma":0.0001608983,"teacher_disagreement_score":0.634918,"about_ca_system_score_codex":0.000016597754,"about_ca_system_score_gemma":0.0000441855,"threshold_uncertainty_score":0.9996172},"labels":[],"label_agreement":null},{"id":"W4413762113","doi":"10.1017/9781108917872.002","title":"Forms and Genres","year":2025,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Université Laval","funders":"","keywords":"Computer science","score_opus":0.04853705892868577,"score_gpt":0.1994254804473395,"score_spread":0.15088842151865373,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4413762113","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00020174036,0.0004069254,0.000028183738,0.000021421052,0.00031368533,0.00023566067,0.00035308,0.00012684769,0.9983125],"genre_scores_gemma":[0.0014202158,0.00015576584,0.000012921657,0.00015755076,0.00023058262,5.3409735e-7,0.000045285466,0.00002459509,0.9979525],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992433,0.000008428529,0.000112402966,0.00032138856,0.00012661835,0.00018781633],"domain_scores_gemma":[0.99942183,0.000040606912,0.00008889763,0.0002724485,0.00009165447,0.00008456679],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00003577183,0.00027158787,0.00028283725,0.0001583555,0.00033993585,0.00011076728,0.00022352392,0.00017350363,0.000043627595],"category_scores_gemma":[0.0000027211627,0.00027832473,0.00013225786,7.916216e-7,0.00038480217,0.00008650998,0.00027734242,0.00025468017,0.000013129099],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000031370477,0.0000027887852,3.6202064e-7,0.00008827969,0.00010751092,0.00006075876,0.0007128659,2.8955107e-8,0.0000020304078,0.9062046,0.08743223,0.005357189],"study_design_scores_gemma":[0.00031792276,0.000026697307,0.0000015316397,0.00012138471,0.0001960715,0.000002857937,0.00035441658,0.000010308587,0.00002710854,0.00013427874,0.9984974,0.00030997166],"about_ca_topic_score_codex":0.0002445137,"about_ca_topic_score_gemma":0.00005599495,"teacher_disagreement_score":0.9110652,"about_ca_system_score_codex":0.00004969298,"about_ca_system_score_gemma":0.000055548073,"threshold_uncertainty_score":0.9999669},"labels":[],"label_agreement":null},{"id":"W4414105687","doi":"10.1017/9781009604987.028","title":"On Love","year":2025,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Information system; Context (archaeology); Natural (archaeology); Set (abstract data type); Variety (cybernetics)","score_opus":0.05214243701996274,"score_gpt":0.2032880082291414,"score_spread":0.15114557120917865,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414105687","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000020997033,0.000085969994,0.000029609919,0.000038052767,0.00085914717,0.00026256926,0.00052962906,0.00013006218,0.99804395],"genre_scores_gemma":[0.00063711195,0.00003221597,0.0000055243604,0.0004156398,0.00038279127,2.3008127e-7,0.00005705328,0.00003368278,0.99843574],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990515,0.000014860619,0.0001252948,0.00039344965,0.0001982987,0.00021658686],"domain_scores_gemma":[0.9991569,0.00008410235,0.00011276302,0.00043889915,0.000121276134,0.000086076536],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00003505024,0.00033558375,0.00031902813,0.00021267649,0.00020039645,0.00009037346,0.00036533567,0.00021301862,0.0002583696],"category_scores_gemma":[0.000004796812,0.0003689353,0.00024994096,0.0000010187559,0.0002995424,0.00005129874,0.00018839983,0.0004126003,0.00032597524],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000052652264,0.000005786039,2.6552827e-8,0.00003869615,0.00009150745,0.00009166178,0.0005557252,2.1082722e-7,7.5624183e-7,0.67328966,0.32509163,0.0007816798],"study_design_scores_gemma":[0.00036957138,0.000053790412,3.090621e-7,0.0002185512,0.00018170656,0.0000010115083,0.00012927479,0.000010659295,0.000035582245,0.00026497451,0.99836856,0.00036602476],"about_ca_topic_score_codex":0.00015870237,"about_ca_topic_score_gemma":0.000023112882,"teacher_disagreement_score":0.6732769,"about_ca_system_score_codex":0.00012070696,"about_ca_system_score_gemma":0.00008421793,"threshold_uncertainty_score":0.99987626},"labels":[],"label_agreement":null},{"id":"W4414105693","doi":"10.1017/9781009604987.025","title":"On Fate","year":2025,"lang":"en","type":"book-chapter","venue":"Cambridge University Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Toronto","funders":"","keywords":"Information system; Context (archaeology); Public access; Process (computing); Set (abstract data type)","score_opus":0.05698799807758274,"score_gpt":0.20495203680516957,"score_spread":0.14796403872758684,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414105693","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00003878648,0.00007668243,0.000030858744,0.00002841707,0.00083660893,0.00025581935,0.00050089706,0.00019809463,0.9980338],"genre_scores_gemma":[0.0011144491,0.000038274156,0.0000055149435,0.00037909727,0.00033183378,5.742407e-7,0.000055256074,0.000034065408,0.9980409],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99905616,0.00001583681,0.00012674156,0.0003902423,0.00019108763,0.00021992823],"domain_scores_gemma":[0.99918413,0.00007222109,0.00011176152,0.00042989696,0.000116848874,0.000085114356],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.000036641144,0.00033394483,0.0003164064,0.00021584872,0.00034246605,0.00009492491,0.00037064758,0.00019952259,0.00014457719],"category_scores_gemma":[0.000004302477,0.0003646534,0.00024238198,0.0000010255004,0.0002871442,0.00005180799,0.00019121631,0.00039970194,0.00012027223],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005431114,0.000005457606,2.8445792e-8,0.00004226948,0.00009697075,0.0000997165,0.00038830336,2.6501567e-7,0.0000010727683,0.7361511,0.26149258,0.0016679252],"study_design_scores_gemma":[0.00036565796,0.0000485483,4.5361404e-7,0.00021903445,0.00017656812,9.2323944e-7,0.0000768968,0.000010378722,0.00004066323,0.000256996,0.99844015,0.00036373094],"about_ca_topic_score_codex":0.00019143918,"about_ca_topic_score_gemma":0.000023885445,"teacher_disagreement_score":0.73694754,"about_ca_system_score_codex":0.00010512044,"about_ca_system_score_gemma":0.000073830386,"threshold_uncertainty_score":0.99988055},"labels":[],"label_agreement":null},{"id":"W4414621459","doi":"10.1163/9789004741218_001","title":"Preliminary Material","year":2025,"lang":"en","type":"book-chapter","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"Canadian Foundation for Healthcare Improvement","keywords":"","score_opus":0.06426611997597516,"score_gpt":0.23399911679900526,"score_spread":0.1697329968230301,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4414621459","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00001000635,0.00016373002,0.000006120806,0.00020584615,0.0027848473,0.00014959413,0.00015441702,0.00016970052,0.9963557],"genre_scores_gemma":[0.00058073783,0.00003877328,0.000029270705,0.0006878712,0.0020411133,0.000008255146,0.00016047708,0.000031467098,0.99642205],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9993868,0.0000028099175,0.00017239293,0.00020361136,0.00011043853,0.00012398679],"domain_scores_gemma":[0.99963534,0.000020058444,0.000049795755,0.00021738058,0.00004918447,0.000028246079],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000026563941,0.00021272364,0.00021459947,0.000092308896,0.00012022172,0.00013444049,0.00013836386,0.00013940549,0.13694894],"category_scores_gemma":[0.0000017248503,0.00017556391,0.0001201649,6.9995014e-7,0.0001116239,0.000047919166,0.000089905385,0.00012091269,0.001160487],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000023034712,0.0000035122243,4.481093e-8,0.000033254877,0.000032297743,0.000008021227,0.0007197969,1.140037e-8,8.000674e-7,0.69754326,0.2973666,0.0042694104],"study_design_scores_gemma":[0.00007323806,0.000054791846,4.2855322e-7,0.00008215017,0.000060953786,0.0000010462414,0.000038154045,0.0000021409905,0.000021278893,0.06718238,0.93228453,0.00019888171],"about_ca_topic_score_codex":0.0000573202,"about_ca_topic_score_gemma":0.0001608983,"teacher_disagreement_score":0.634918,"about_ca_system_score_codex":0.000016597754,"about_ca_system_score_gemma":0.0000441855,"threshold_uncertainty_score":0.9996172},"labels":[],"label_agreement":null},{"id":"W4416742325","doi":"10.3366/jobs.2025.0455","title":"Impure Naiveté: On Beckett’s Backward Modernism","year":2025,"lang":"en","type":"article","venue":"Journal of Beckett Studies","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"St. Francis Xavier University","funders":"","keywords":"Modernism (music); Narrative; Resistance (ecology); Realism; History of literature; Irish; Situated; Literary fiction","score_opus":0.1596480684201268,"score_gpt":0.3683033286445444,"score_spread":0.2086552602244176,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W4416742325","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.70695806,0.04127137,0.0003292467,0.0288113,0.012479416,0.00051789894,0.000062066254,0.00017127364,0.20939936],"genre_scores_gemma":[0.96050316,0.0022187238,0.0002444888,0.0044427128,0.0021053746,0.000012915975,0.000002095532,0.000036699323,0.03043381],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99802744,0.00008762851,0.0007590203,0.00024238718,0.0004971393,0.00038636356],"domain_scores_gemma":[0.99813586,0.00030847383,0.00044199004,0.00026610887,0.00075668993,0.00009084904],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00046691444,0.000338493,0.00075049995,0.00044407242,0.0006131844,0.00014975312,0.00038603254,0.00008505104,0.00032014088],"category_scores_gemma":[0.00021370164,0.0002448462,0.00042764356,0.000060678067,0.00040332967,0.00029152952,0.00013424206,0.0005161347,0.00008885619],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00066610164,0.0005686309,0.0009616678,0.00030956542,0.0036547105,0.0002272856,0.09161547,0.00007883257,0.00026813394,0.23582537,0.61200327,0.053820945],"study_design_scores_gemma":[0.0023934776,0.00088532787,0.0014122621,0.0013239178,0.0005247675,0.000038118145,0.029197289,0.000055451103,0.0010564532,0.07488052,0.8876823,0.0005501267],"about_ca_topic_score_codex":0.00002652301,"about_ca_topic_score_gemma":0.00023307759,"teacher_disagreement_score":0.27567902,"about_ca_system_score_codex":0.0001464739,"about_ca_system_score_gemma":0.00013024386,"threshold_uncertainty_score":0.9984538},"labels":[],"label_agreement":null},{"id":"W579793719","doi":"10.2307/25515687","title":"Joyce's Rare View: The Nature of Things in \"Finnegans Wake\"","year":2007,"lang":"en","type":"article","venue":"The Canadian Journal of Irish Studies","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":3,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Wake; Art; Philosophy; Literature; Engineering; Aerospace engineering","score_opus":0.07413487413569808,"score_gpt":0.29243521130985434,"score_spread":0.21830033717415626,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W579793719","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.76181865,0.10076068,0.000006864631,0.042227503,0.003009645,0.0002954938,0.000029040646,0.000009979085,0.09184216],"genre_scores_gemma":[0.99348545,0.00037971922,0.000016020549,0.0032481113,0.00062441983,0.0000011053129,4.0895955e-7,0.000011451234,0.0022333364],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9989616,0.000057315967,0.00040974628,0.000067013214,0.00021384658,0.00029044886],"domain_scores_gemma":[0.99882185,0.00027037936,0.0002566948,0.00015168413,0.0004102688,0.000089106485],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0013071685,0.00012262157,0.0002802908,0.00017128435,0.00057374383,0.00007370016,0.00041479303,0.000055551314,0.00012639962],"category_scores_gemma":[0.00023580366,0.00006055729,0.00012084513,0.00006336309,0.00064638496,0.00016342742,0.00002310441,0.00064852333,0.000004117143],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004547853,0.000018566128,0.0041660885,0.00005074394,0.00040619847,0.00020428604,0.63909143,0.000012040892,0.000017101996,0.019285997,0.33085,0.0058520804],"study_design_scores_gemma":[0.00051462994,0.0001225628,0.012828471,0.00033370053,0.00010941279,0.00006994886,0.16136186,0.0000034804139,0.00020818242,0.0097671235,0.81449366,0.0001869733],"about_ca_topic_score_codex":0.009525143,"about_ca_topic_score_gemma":0.5888652,"teacher_disagreement_score":0.5793401,"about_ca_system_score_codex":0.00009621605,"about_ca_system_score_gemma":0.00024674297,"threshold_uncertainty_score":0.9970705},"labels":[],"label_agreement":null},{"id":"W648007518","doi":"","title":"Filiations & connexions = Filiations & connecting lines","year":2011,"lang":"en","type":"book","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Art; Humanities; Art history; Literature","score_opus":0.16976114917609358,"score_gpt":0.2689994711633099,"score_spread":0.09923832198721633,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W648007518","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00005151824,0.00034810713,0.00021510772,0.00040054662,0.0016739713,0.0003159955,0.0005095296,0.00046624066,0.996019],"genre_scores_gemma":[0.0020951307,0.000050484206,0.00028222907,0.0007488056,0.0027330418,0.000054958404,0.0010267512,0.000083065235,0.9929255],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9987324,0.000022592118,0.000430345,0.0003514369,0.00017701232,0.0002862048],"domain_scores_gemma":[0.9986567,0.00027906147,0.00023188254,0.0004016307,0.00033447857,0.00009628594],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00009358637,0.00033638187,0.00035142776,0.00021322918,0.00086875894,0.00020995036,0.00025802717,0.00021612992,0.095812425],"category_scores_gemma":[0.00008831877,0.00030257454,0.00026452664,0.000012577622,0.00017749533,0.00019273366,0.000079384845,0.00035768212,0.0031099424],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000018127632,0.000024371606,0.0000016338402,0.000019884217,0.000071382885,0.0000017094669,0.011476874,8.124578e-7,0.0000013962737,0.65712357,0.3306705,0.00060604216],"study_design_scores_gemma":[0.0001493711,0.000032683343,0.0000036957479,0.00007435131,0.00014723967,0.0000022993368,0.0011729128,0.00007741894,0.000014715228,0.062457528,0.9354811,0.00038669066],"about_ca_topic_score_codex":0.00038397714,"about_ca_topic_score_gemma":0.011226207,"teacher_disagreement_score":0.6048106,"about_ca_system_score_codex":0.00006420326,"about_ca_system_score_gemma":0.0002620117,"threshold_uncertainty_score":0.99994266},"labels":[],"label_agreement":null},{"id":"W658020087","doi":"","title":"Kim Morgan : Antsee","year":2003,"lang":"fr","type":"article","venue":"Espace Sculpture","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.030313011467145084,"score_gpt":0.2382083263706017,"score_spread":0.2078953149034566,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W658020087","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.040830895,0.07035164,0.00033210643,0.03173514,0.0133876875,0.00049318833,0.00017391323,0.00025899409,0.84243643],"genre_scores_gemma":[0.33793676,0.0004793173,0.00028981705,0.0015986526,0.0019217771,0.000009726341,0.000014539386,0.00007064408,0.6576788],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9981711,0.00016993009,0.00022314362,0.00042822195,0.00031293632,0.00069465843],"domain_scores_gemma":[0.9990267,0.000040667644,0.00009791757,0.00047888598,0.00012925817,0.00022655813],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00023355104,0.00039011316,0.00032524086,0.00009219778,0.0006971359,0.0003841137,0.00021504686,0.00029543575,0.016291942],"category_scores_gemma":[0.0000869164,0.00036004768,0.00024326869,0.00007010726,0.00042194882,0.0003062393,0.000041575713,0.00053457153,0.0025379956],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000013113472,0.00013947605,0.0003989768,0.00009316805,0.00010093851,0.00006295503,0.042362213,0.000015130392,0.0001114231,0.8327399,0.12205728,0.001905462],"study_design_scores_gemma":[0.0005511226,0.000071930845,0.00037876223,0.00010595401,0.000112318856,0.000032853797,0.010305073,0.000027088618,0.0005112981,0.004427531,0.9829937,0.00048237198],"about_ca_topic_score_codex":0.00021511255,"about_ca_topic_score_gemma":0.0010325457,"teacher_disagreement_score":0.8609364,"about_ca_system_score_codex":0.000070929265,"about_ca_system_score_gemma":0.00013158678,"threshold_uncertainty_score":0.99988514},"labels":[],"label_agreement":null},{"id":"W6976932433","doi":"10.6084/m9.figshare.16641930","title":"Additional file 5 of Predicting the risk of mortality during hospitalization in sick severely malnourished children using daily evaluation of key clinical warning signs","year":2021,"lang":"en","type":"article","venue":"Figshare","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"SickKids Foundation; Hospital for Sick Children; University of Toronto","funders":"","keywords":"Warning signs; Key (lock); Outcome (game theory); Vital signs; Early warning score; Warning system","score_opus":0.1732616450964553,"score_gpt":0.3224140371196239,"score_spread":0.1491523920231686,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6976932433","genre_codex":"dataset","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47796464,0.00003737487,4.1416905e-7,0.0000019073026,0.000023733455,0.00011500483,0.52058625,0.000007044274,0.0012636558],"genre_scores_gemma":[0.66329354,0.0000013048538,0.000043217875,0.00000595586,0.00020063353,0.00004510031,0.33632806,0.000009498972,0.00007265854],"study_design_codex":"not_applicable","study_design_gemma":"observational","domain_scores_codex":[0.99848515,0.00028149402,0.00053177157,0.00017059859,0.00042274263,0.00010825516],"domain_scores_gemma":[0.99790275,0.0006831878,0.00062288385,0.00017649091,0.0005952189,0.000019473211],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027392502,0.00008945664,0.00019941357,0.000045454235,0.00011869416,0.000022460506,0.00010272971,0.000060657774,0.8717505],"category_scores_gemma":[0.0048176413,0.00007754372,0.00012434323,0.000059128753,0.00003557784,0.00017931162,0.00007671909,0.00014894565,0.000012811272],"study_design_candidate":"observational","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000047946945,0.0004329333,0.12459165,0.00045407013,0.000464953,0.000004103972,0.021122625,0.010348738,0.00005206369,0.000063687185,0.84165186,0.000765389],"study_design_scores_gemma":[0.00043712163,0.000033601453,0.9763457,0.0019641244,0.000098771874,0.0000014298736,0.00073294906,0.018252432,0.00025692236,0.00014865752,0.0016194514,0.00010883641],"about_ca_topic_score_codex":0.00011216619,"about_ca_topic_score_gemma":0.0003075966,"teacher_disagreement_score":0.87173766,"about_ca_system_score_codex":0.000024997598,"about_ca_system_score_gemma":0.00020290406,"threshold_uncertainty_score":0.5767515},"labels":[],"label_agreement":null},{"id":"W6979980677","doi":"","title":"Apologie du végétal. Étienne Beaulieu, Splendeur au bois\\n Beckett, Montréal, Éditions Nota Bene, collection La ligne du risque, 2016,\\n 142 pages","year":2017,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Data collection; Point (geometry); Ridiculous","score_opus":0.019921693850055492,"score_gpt":0.1922242567188925,"score_spread":0.17230256286883702,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6979980677","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.3209044,0.13231626,0.00057695946,0.29290658,0.0075602834,0.0013295261,0.0025220907,0.0009388612,0.24094503],"genre_scores_gemma":[0.46411383,0.1090865,0.00025251118,0.00043219444,0.0030806884,0.00005482784,0.00017606892,0.00017065856,0.4226327],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9964971,0.00027180178,0.0004881378,0.00094160007,0.00049143936,0.0013099296],"domain_scores_gemma":[0.9966517,0.0004176943,0.00073208957,0.0013149265,0.00034924824,0.0005343413],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00045469042,0.0007913634,0.0007799622,0.00043846847,0.017717747,0.00048882794,0.001046485,0.0006558021,0.0017805084],"category_scores_gemma":[0.00023021095,0.00089537015,0.0006327352,0.000117145864,0.0015079353,0.0013231201,0.0010786877,0.0006478072,0.00083463883],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00030847196,0.00063639565,0.0014350943,0.000115709794,0.0005645912,0.0025915967,0.009194528,0.0001589009,0.00017466724,0.086040266,0.8855126,0.013267219],"study_design_scores_gemma":[0.0027158586,0.0003658525,0.010567923,0.00020744858,0.0008343042,0.00034298145,0.005989218,0.0012288752,0.00022756425,0.0037916284,0.9727414,0.0009869013],"about_ca_topic_score_codex":0.19291213,"about_ca_topic_score_gemma":0.5647935,"teacher_disagreement_score":0.3718814,"about_ca_system_score_codex":0.005789345,"about_ca_system_score_gemma":0.00024149171,"threshold_uncertainty_score":0.9999433},"labels":[],"label_agreement":null},{"id":"W6982862175","doi":"","title":"La gestion des eaux pluviales comme outil de protection de la qualité de l'eau des lacs de villégiature","year":2019,"lang":"fr","type":"other","venue":"Corpus Université Laval (Université Laval)","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Environmental policy; Urban environment; Natural regeneration","score_opus":0.04123878924902767,"score_gpt":0.2274090176713368,"score_spread":0.18617022842230913,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6982862175","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4885274,0.0048038717,0.0048682024,0.0011744301,0.00059007935,0.0009026957,0.00034019645,0.0005727465,0.49822038],"genre_scores_gemma":[0.34276706,0.0077261953,0.0013350594,0.00026522117,0.00083375274,0.000008797995,0.0001097576,0.0003766397,0.64657754],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.995245,0.0018171065,0.00031737098,0.00082503544,0.00044429683,0.001351234],"domain_scores_gemma":[0.9973852,0.0006492827,0.0004930017,0.0006240419,0.00029390922,0.0005545843],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00096040475,0.00094896945,0.0008170814,0.00075222994,0.0020255763,0.0004012692,0.0009611924,0.0018979029,0.0011084644],"category_scores_gemma":[0.00013429178,0.0011152595,0.0006144124,0.00024124484,0.0017997203,0.0005434589,0.00039411752,0.0017125721,0.00017556496],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0015594009,0.00077231653,0.026230972,0.0020134507,0.0013054766,0.0017493939,0.4103213,0.00073346606,0.018176027,0.4246425,0.009491311,0.1030044],"study_design_scores_gemma":[0.0030560438,0.0004573091,0.02052988,0.0016416805,0.0013624368,0.00052853505,0.030720944,0.0009162685,0.00250966,0.008128626,0.92868423,0.0014643782],"about_ca_topic_score_codex":0.10723075,"about_ca_topic_score_gemma":0.09461402,"teacher_disagreement_score":0.9191929,"about_ca_system_score_codex":0.0058918414,"about_ca_system_score_gemma":0.001505912,"threshold_uncertainty_score":0.9998047},"labels":[],"label_agreement":null},{"id":"W6990643796","doi":"","title":"Dublin Celebrates the <i>Wake</i>'s 80th Birthday: \"<i>Finnegans Wake</i> at 80\"; \"Lucia Joyce: Perspectives\"; \"Text/Sound/Performance: Making in Canadian Space\"; and \"Finnegans Wake-End,\" 11-13 April, 25-27 April, and 3-5 May, 2019","year":2019,"lang":"en","type":"article","venue":"Project Muse (Johns Hopkins University)","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Nucleofection; Gestational period; TSG101; Dysgeusia; Liquation; Diafiltration; Emperipolesis; Triacetin; Durvalumab","score_opus":0.020317668138356483,"score_gpt":0.20948378177893665,"score_spread":0.18916611364058017,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6990643796","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7575622,0.00014983508,0.000007019208,0.0021158992,0.000636638,0.0011438152,0.00023659121,0.00016362095,0.23798434],"genre_scores_gemma":[0.97205955,0.02123182,0.00005346142,0.00077541795,0.00037862122,0.000010079751,0.00006102123,0.000113515816,0.0053165127],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99631745,0.00024219323,0.00040546493,0.0011433958,0.00046345248,0.0014280691],"domain_scores_gemma":[0.9981534,0.00023570382,0.0002650142,0.00077038084,0.00024812506,0.00032737307],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.000505274,0.0007503037,0.0006898127,0.005745915,0.0013414,0.00070252386,0.0007028483,0.00029866403,0.00071595743],"category_scores_gemma":[0.00004406535,0.00066157995,0.00018211162,0.0016418701,0.00075044006,0.001409145,0.00047635552,0.0007516506,0.0001661343],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007245078,0.000447439,0.24119405,0.0006370639,0.0005594781,0.00054445415,0.48700863,0.0001213158,0.00009953476,0.25184312,0.011903944,0.0049164356],"study_design_scores_gemma":[0.0022378066,0.00021946996,0.0034584636,0.00016422335,0.00012911556,0.000057286074,0.026317038,0.00091577176,0.000106530926,0.0000325447,0.9654205,0.0009412617],"about_ca_topic_score_codex":0.5443791,"about_ca_topic_score_gemma":0.9520769,"teacher_disagreement_score":0.95351654,"about_ca_system_score_codex":0.0008727644,"about_ca_system_score_gemma":0.0008780321,"threshold_uncertainty_score":0.9999587},"labels":[],"label_agreement":null},{"id":"W6994203256","doi":"","title":"Hamilton, Ohio","year":2009,"lang":"en","type":"other","venue":"OhioLink ETD Center (Ohio Library and Information Network)","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Miami; George (robot); Quarter (Canadian coin); State (computer science)","score_opus":0.018473089362372193,"score_gpt":0.2026019253726591,"score_spread":0.1841288360102869,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6994203256","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000007219276,0.001679209,0.00007509478,0.0004529151,0.0018916827,0.00042252548,0.00027028285,0.00076243066,0.99443865],"genre_scores_gemma":[0.0018377339,0.007262409,0.00028061162,0.017929455,0.008561891,0.000035281246,0.004106711,0.00027508312,0.95971084],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9983523,0.000057364443,0.0005756875,0.00025417708,0.00022617354,0.000534332],"domain_scores_gemma":[0.9989899,0.000028309796,0.00040619075,0.00037195126,0.000018951161,0.00018470608],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0000734613,0.0004948701,0.00045251552,0.0003074745,0.00027497942,0.00075363833,0.0003099756,0.00034807893,0.02113307],"category_scores_gemma":[0.0000023337107,0.00043131533,0.00015772166,0.000059611662,0.00016266594,0.0050466284,0.00010231486,0.00041392702,0.0006830438],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000018145129,0.000015959695,0.0000051386633,0.00006272872,0.000037794125,0.0000015872333,0.0013171175,0.000003940335,2.603477e-8,0.46458986,0.5258143,0.0081334],"study_design_scores_gemma":[0.000641243,0.00006545636,0.00005706833,0.00043371823,0.00003329351,0.000007151013,0.000023611497,0.00019542109,0.0000013099567,0.0013719124,0.99665594,0.00051385537],"about_ca_topic_score_codex":4.2027625e-7,"about_ca_topic_score_gemma":0.000017138858,"teacher_disagreement_score":0.47084165,"about_ca_system_score_codex":0.000007625166,"about_ca_system_score_gemma":0.00004017834,"threshold_uncertainty_score":0.99981385},"labels":[],"label_agreement":null},{"id":"W6999526857","doi":"","title":"Delirium of Interpretation: Surrealism, The Possessions, and Beckett's Outsider Artists","year":2018,"lang":"en","type":"article","venue":"DMU Open Research Archive (De Montfort University)","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Ambivalence; Delirium; Section (typography); Quarter (Canadian coin); Key (lock); Irrational number","score_opus":0.16713406776255535,"score_gpt":0.3568025047255363,"score_spread":0.18966843696298097,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W6999526857","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.34461054,0.00011312466,0.0013057799,0.0030890254,0.00017250379,0.0008292478,0.0001735346,0.00003286596,0.6496734],"genre_scores_gemma":[0.97694343,0.00007798021,0.0002880951,0.000263487,0.000180949,0.000004664005,0.000020728388,0.000014340727,0.022206344],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99851596,0.00033671092,0.00015335737,0.00027092537,0.0003054641,0.00041758467],"domain_scores_gemma":[0.9985457,0.00035378503,0.00006432328,0.00034732014,0.0005312416,0.00015764349],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0008168069,0.00011436858,0.00017252429,0.00028490883,0.0010178362,0.0002770051,0.0008243176,0.000033701515,0.00058935216],"category_scores_gemma":[0.00013820596,0.000086292595,0.000057805704,0.000102295184,0.0018314254,0.0004517665,0.0009456968,0.00028957546,0.000030032616],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00096759433,0.00015619074,0.0056455527,0.0000520396,0.0001791669,0.00012277954,0.12859853,0.0000025986917,0.0007394152,0.7623993,0.08362644,0.017510371],"study_design_scores_gemma":[0.0012532799,0.00064373383,0.019926105,0.00019983434,0.000055601922,0.000015204889,0.05464293,0.0028775814,0.00062845077,0.03350903,0.8859137,0.00033452152],"about_ca_topic_score_codex":0.00770606,"about_ca_topic_score_gemma":0.024514247,"teacher_disagreement_score":0.8022873,"about_ca_system_score_codex":0.000048292182,"about_ca_system_score_gemma":0.000217961,"threshold_uncertainty_score":0.9989017},"labels":[],"label_agreement":null},{"id":"W7000368954","doi":"","title":"The expanse : self-consciousness and the transatlantic prose poem","year":2008,"lang":"en","type":"other","venue":"OpenGrey (Institut de l'Information Scientifique et Technique)","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Poetry; Judgement; Parenthesis; Lyrics; Identification (biology)","score_opus":0.02625217215478023,"score_gpt":0.24885301114840766,"score_spread":0.22260083899362743,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7000368954","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00021648435,0.0005771617,0.008954086,0.0025843792,0.0013269704,0.010900749,0.00012771242,0.0009902234,0.97432226],"genre_scores_gemma":[0.009186731,0.00480306,0.0016289748,0.0027054555,0.0006801005,0.005117895,0.00020121563,0.00024836307,0.9754282],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9979854,0.00022781169,0.00053996174,0.000293627,0.00051038933,0.00044278445],"domain_scores_gemma":[0.9984537,0.00015483677,0.00040283482,0.0006945967,0.00019019688,0.00010385139],"candidate_categories":["sts","scholarly_communication"],"consensus_categories":[],"category_scores_codex":[0.00227094,0.00039841892,0.00036873505,0.00031047282,0.0016086155,0.0019234936,0.0007853682,0.00024195985,0.00050345395],"category_scores_gemma":[0.000098807635,0.00022703208,0.00015450254,0.000103839215,0.001723792,0.0010131819,0.00012281397,0.0005127349,0.00020430131],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000054776112,0.000035439243,0.0000068736977,0.0002991956,0.00007304226,0.000007042413,0.06115693,0.0000019630445,0.000008985538,0.2035452,0.7182661,0.016544398],"study_design_scores_gemma":[0.00078357273,0.000011874654,0.00000816364,0.0003445279,0.000051083847,0.000053384992,0.00068421493,0.00012804064,0.00021240728,0.000857808,0.99651086,0.00035406524],"about_ca_topic_score_codex":0.00071981695,"about_ca_topic_score_gemma":0.00434381,"teacher_disagreement_score":0.2782447,"about_ca_system_score_codex":0.000067029265,"about_ca_system_score_gemma":0.00039173276,"threshold_uncertainty_score":0.9996911},"labels":[],"label_agreement":null},{"id":"W7008755923","doi":"","title":"Club d'Elf Live at Lizard Lounge on 2009-11-06","year":2009,"lang":"en","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Club; Lizard; Guitar; Quarter (Canadian coin); Nail (fastener)","score_opus":0.016991708902690826,"score_gpt":0.19453942349566944,"score_spread":0.1775477145929786,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7008755923","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00010871146,0.00070398476,6.5239504e-8,0.00023940382,0.0006521474,0.000499597,0.00042828286,0.0003424774,0.9970253],"genre_scores_gemma":[0.0004971711,0.0003926454,0.000093306844,0.0015806408,0.0011093203,0.000016760208,0.00047861846,0.00018271612,0.9956488],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99804175,0.000059968588,0.0006326061,0.0002829649,0.00055263954,0.0004300772],"domain_scores_gemma":[0.9985391,0.000086071115,0.00060347567,0.00047730352,0.00015146549,0.00014258272],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00014013515,0.0005242289,0.00055760075,0.0001289555,0.00019522739,0.00014119448,0.0003771032,0.0004136619,0.8524836],"category_scores_gemma":[0.000042197335,0.00048214427,0.00028325355,0.000002240296,0.00022924856,3.4920686e-7,0.00008648594,0.00029384386,0.13413495],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000084373896,0.0000797659,0.0000013248382,0.00023103657,0.000072649236,0.000027682083,0.0029254965,0.000029432678,4.37598e-8,0.00078053965,0.9944228,0.0013448386],"study_design_scores_gemma":[0.0005701954,0.00026971305,0.000005463024,0.00028745303,0.00008342628,0.00002496509,0.00030146498,0.0000069085777,0.0000032140445,0.00003531497,0.9978747,0.00053719437],"about_ca_topic_score_codex":0.0047899606,"about_ca_topic_score_gemma":0.01689267,"teacher_disagreement_score":0.7183486,"about_ca_system_score_codex":0.00009098982,"about_ca_system_score_gemma":0.000027978225,"threshold_uncertainty_score":0.999763},"labels":[],"label_agreement":null},{"id":"W7017774355","doi":"","title":"Attendre Godot, tuer le temps à Métis. \\n En attendant Godot, texte de Samuel Beckett, mise en scène de Lorraine Côté, au Théâtre de la Bordée, du 17 janvier au 11 février 2006 \\n La société de Métis, texte de Normand Chaurette, mise en scène de Joël Beddows par le Théâtre Blanc, au Théâtre Périscope du 24 janvier au 12 février 2006","year":2006,"lang":"fr","type":"article","venue":"Érudit (Université de Montréal)","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Order (exchange); Context (archaeology); Limiting","score_opus":0.007156583801742526,"score_gpt":0.192118316929571,"score_spread":0.18496173312782846,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7017774355","genre_codex":"empirical","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.77993953,0.031674206,0.002819611,0.05990526,0.0011386176,0.0019007025,0.0038237027,0.00033818482,0.1184602],"genre_scores_gemma":[0.29871598,0.007849449,0.0027239297,0.002275178,0.007985616,0.00018709854,0.0008682029,0.00070912106,0.6786854],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9861505,0.0027081855,0.001499747,0.0021439479,0.0013585066,0.0061391047],"domain_scores_gemma":[0.99305457,0.0015945737,0.0010839901,0.0017779744,0.0005066543,0.0019822677],"candidate_categories":["metaepi_narrow","sts","research_integrity","insufficient_payload"],"consensus_categories":["metaepi_narrow","research_integrity"],"category_scores_codex":[0.0044339565,0.0024479737,0.0022340405,0.0008305779,0.0058649,0.00068695087,0.002109307,0.002202044,0.0029480995],"category_scores_gemma":[0.00032124895,0.0027049638,0.0015678627,0.0004990644,0.0024615692,0.0017211839,0.001291107,0.0024615892,0.0004931446],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":true,"study_design_scores_codex":[0.0012919557,0.0022475233,0.094857246,0.00061009295,0.0018097365,0.0138731925,0.045994177,0.0029735623,0.002895114,0.04646582,0.7669632,0.020018367],"study_design_scores_gemma":[0.0077082817,0.00028037248,0.055148084,0.00084064394,0.0020291568,0.004035867,0.009945369,0.0032223996,0.0007372697,0.001646128,0.9116019,0.0028045438],"about_ca_topic_score_codex":0.32860705,"about_ca_topic_score_gemma":0.6920962,"teacher_disagreement_score":0.56022525,"about_ca_system_score_codex":0.022619044,"about_ca_system_score_gemma":0.006783171,"threshold_uncertainty_score":0.9998398},"labels":[],"label_agreement":null},{"id":"W7024594142","doi":"","title":"Smugglers, Husbands, and Doppelgängers: J.M. Barrie and Home Chimes","year":2020,"lang":"en","type":"article","venue":"SAS-Space (University of London)","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Photography; Object (grammar); Window (computing); Point (geometry)","score_opus":0.03156088592017634,"score_gpt":0.17299165586420867,"score_spread":0.14143076994403234,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7024594142","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.96189916,0.0019779515,0.000084369116,0.010658924,0.00012423693,0.00015457803,0.00007583747,0.00009926954,0.024925698],"genre_scores_gemma":[0.99295074,0.0005101158,0.00024499997,0.00033465837,0.0001337176,1.3911276e-7,0.000011922791,0.000013401839,0.005800294],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.99931604,0.000027774904,0.000067249406,0.00026244612,0.00013718761,0.0001892874],"domain_scores_gemma":[0.99952614,0.000042565312,0.00007244297,0.00011997439,0.000050227787,0.0001886458],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.000056454137,0.000142492,0.0002493673,0.00007382993,0.0003299145,0.000060138093,0.0001341123,0.0000553335,0.0013527875],"category_scores_gemma":[0.000010562242,0.0001580939,0.000062591615,0.00003489858,0.0005102027,0.00037985982,0.00013529962,0.000119987315,0.000036809695],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0007696601,0.00011952189,0.014053349,0.00069154677,0.00048135544,0.00018632035,0.6826765,0.0000057880134,0.0021190727,0.18165685,0.09302115,0.02421888],"study_design_scores_gemma":[0.0038158433,0.00054303545,0.012968823,0.00009060181,0.00028445377,0.000010995276,0.14293288,0.00044997237,0.00019669298,0.0018483871,0.8361127,0.000745619],"about_ca_topic_score_codex":0.0004261897,"about_ca_topic_score_gemma":0.0012394751,"teacher_disagreement_score":0.7430915,"about_ca_system_score_codex":0.000009067793,"about_ca_system_score_gemma":0.000028300075,"threshold_uncertainty_score":0.9995601},"labels":[],"label_agreement":null},{"id":"W7036394144","doi":"","title":"Brookfield's $50bn fund proposal sees limited interest from Canadian pension funds","year":2024,"lang":"en","type":"other","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Pension; Pension fund; Sovereign wealth fund; Government (linguistics); Fund of funds; Income fund","score_opus":0.14148168199262934,"score_gpt":0.27310186595573505,"score_spread":0.1316201839631057,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7036394144","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00036410755,0.002229312,0.0000046815703,0.001428246,0.004167551,0.00028796043,0.0005216043,0.0005071822,0.99048936],"genre_scores_gemma":[0.037667077,0.000057310597,0.000072233815,0.001376344,0.0037538388,0.000016707138,0.00050698116,0.00051532354,0.9560342],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99876577,0.000026488236,0.00020498704,0.00047454698,0.00015463431,0.00037357854],"domain_scores_gemma":[0.9992795,0.000027045564,0.00005887833,0.00037664326,0.000032833876,0.00022510228],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00004126269,0.00037164555,0.00032321506,0.0004347699,0.00010318507,0.00052549253,0.00024707374,0.00033074216,0.25659522],"category_scores_gemma":[0.0000069789057,0.00028710952,0.0001420939,0.00001689053,0.00013864753,0.000057384917,0.000082815415,0.00038439466,0.012169797],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000054683946,0.000013744845,0.00001393835,0.00006128263,0.00014047482,0.000078463185,0.0035997967,1.8251994e-8,0.000005312279,0.050205525,0.94399637,0.0018796142],"study_design_scores_gemma":[0.0001304021,0.0000474321,0.000011052286,0.0003545129,0.00009627398,0.0000020170453,0.0012051215,0.000023602137,0.00001045983,0.0048048645,0.9928978,0.00041643047],"about_ca_topic_score_codex":0.7334895,"about_ca_topic_score_gemma":0.9941293,"teacher_disagreement_score":0.2606398,"about_ca_system_score_codex":0.000060992006,"about_ca_system_score_gemma":0.00022090203,"threshold_uncertainty_score":0.9999581},"labels":[],"label_agreement":null},{"id":"W7041097254","doi":"","title":"Book reviews","year":2018,"lang":"en","type":"article","venue":"Figshare","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"The Holocaust; Storytelling; Narrative","score_opus":0.27600654043038686,"score_gpt":0.30349349555235244,"score_spread":0.027486955121965584,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7041097254","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.000024148421,0.01631394,2.8007017e-7,0.00023570193,0.00030124985,0.00021097266,0.03843485,0.00013370106,0.9443452],"genre_scores_gemma":[0.00918274,0.00010640357,0.000040927152,0.045763295,0.014339556,0.0004336999,0.05606306,0.00006380058,0.8740065],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996155,0.000011270796,0.000090694564,0.000101358746,0.000057631063,0.0001235353],"domain_scores_gemma":[0.9997052,0.000013257684,0.000035393652,0.00014969152,0.000062120176,0.000034356046],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.000018252578,0.00006901154,0.00008373393,0.000019939163,0.0001569287,0.000079517355,0.00010826708,0.000019354628,0.9616627],"category_scores_gemma":[0.000097855715,0.000053470147,0.00005159834,0.000007027355,0.000016263415,0.00013298473,0.000033268127,0.000043952565,0.11191237],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[9.368865e-7,0.0000045238257,3.5743602e-7,0.000021973867,0.000002169431,9.818954e-7,0.0029822462,2.0166522e-9,0.000002397047,0.00064866623,0.99252677,0.0038090034],"study_design_scores_gemma":[0.000050544695,0.000026133954,0.000014009494,0.00028482097,0.0000025987981,7.4521483e-7,0.0000332652,0.0000064856317,0.00010743702,0.00010098064,0.9992896,0.000083392726],"about_ca_topic_score_codex":0.0000045180636,"about_ca_topic_score_gemma":0.00008158727,"teacher_disagreement_score":0.84975034,"about_ca_system_score_codex":0.000006195012,"about_ca_system_score_gemma":0.000010307793,"threshold_uncertainty_score":0.8887791},"labels":[],"label_agreement":null},{"id":"W7043728956","doi":"","title":"Therapeutic theatre: trauma and bodily articulation in post-war European drama","year":2016,"lang":"en","type":"dissertation","venue":"eScholarship@McGill (McGill)","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"McGill University","keywords":"Drama; Articulation (sociology); Gesture; Intervention (counseling); Agency (philosophy); Traumatic memories; Resistance (ecology); Silence; Perspective (graphical)","score_opus":0.03322666175315658,"score_gpt":0.2380343222835146,"score_spread":0.204807660530358,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7043728956","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66032696,0.0006827539,4.0642025e-8,0.000048844584,0.0008286242,0.00040611986,0.00031413292,0.00015137639,0.33724117],"genre_scores_gemma":[0.98419076,0.00020590196,0.000022406726,0.0005145402,0.00022571272,0.00005726,0.00053999294,0.00021975211,0.014023678],"study_design_codex":"design_other","study_design_gemma":"not_applicable","domain_scores_codex":[0.99687076,0.00045715674,0.0007410722,0.00084017456,0.00047374208,0.0006171172],"domain_scores_gemma":[0.9985614,0.00016936082,0.00033939947,0.00048931,0.00025380717,0.00018672997],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00064302015,0.0006703325,0.00055066566,0.00042753032,0.0010331224,0.00023073339,0.00033846003,0.00031172778,0.0010934641],"category_scores_gemma":[0.00007516593,0.0005546844,0.00023211815,0.00006736967,0.00012889432,0.00083094643,0.000056894994,0.00076257647,0.00056728534],"study_design_candidate":"design_other","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032216142,0.0002131587,0.00008702502,0.00018408906,0.00019875698,0.00008195592,0.0018174244,0.0000012177999,0.014819486,0.16874357,0.0000052502487,0.8135259],"study_design_scores_gemma":[0.008181824,0.0011506865,0.05975239,0.0026084962,0.0010718909,0.00006730847,0.01394818,0.00004882537,0.023663202,0.18258609,0.7014327,0.0054884055],"about_ca_topic_score_codex":0.00040055695,"about_ca_topic_score_gemma":0.008484828,"teacher_disagreement_score":0.8080375,"about_ca_system_score_codex":0.00019562678,"about_ca_system_score_gemma":0.00002697549,"threshold_uncertainty_score":0.9998197},"labels":[],"label_agreement":null},{"id":"W7067401486","doi":"","title":"2019 06 11 La fieuvre des Raptors de Toronto au Saguenay Lac st Jean avec Phillipe Hurtibise","year":2019,"lang":"fr","type":"other","venue":"Bulletin of Miscellaneous Information (Royal Gardens Kew)","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Prehistory; Period (music); White (mutation); Context (archaeology)","score_opus":0.011100240957666175,"score_gpt":0.1950045747222376,"score_spread":0.1839043337645714,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7067401486","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00330312,0.0026841946,0.0000015057924,0.0005802258,0.0012154896,0.00078154326,0.0005397,0.00015434071,0.9907399],"genre_scores_gemma":[0.006998949,0.0015546167,0.0002399462,0.00044079282,0.0012725405,0.00002252761,0.0003997928,0.0001874325,0.9888834],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99696016,0.0002362089,0.0010368091,0.00038667288,0.00053860585,0.0008415127],"domain_scores_gemma":[0.99756926,0.00040343963,0.0007792776,0.0006396186,0.0003156429,0.0002927768],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004916097,0.0007733544,0.0007973849,0.00008195144,0.00042113764,0.00032116272,0.00058984477,0.0007564008,0.7163047],"category_scores_gemma":[0.00013796923,0.00075213896,0.0004750273,0.000004050009,0.0007949619,0.0000024651752,0.00015697912,0.00041983943,0.034652803],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013094407,0.00014898874,0.00007849366,0.0012417869,0.00020328422,0.000027055543,0.01923611,0.0003381282,6.7545614e-7,0.0031855742,0.9703722,0.005036737],"study_design_scores_gemma":[0.0010995467,0.00026098228,0.00012170034,0.00077419565,0.00022771834,0.00006050012,0.0023426774,0.00007250369,0.000009428333,0.00006567461,0.9941065,0.000858578],"about_ca_topic_score_codex":0.16635656,"about_ca_topic_score_gemma":0.19418764,"teacher_disagreement_score":0.68165195,"about_ca_system_score_codex":0.00043915995,"about_ca_system_score_gemma":0.00016928483,"threshold_uncertainty_score":0.99949294},"labels":[],"label_agreement":null},{"id":"W7126669692","doi":"","title":"“I will tell you of Salieri’s cabals”: Conspiratorial Thought and the Intriguing Afterlives of Antonio Salieri","year":2025,"lang":"en","type":"article","venue":"Indiana Magazine of History (Indiana University)","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Western University","funders":"","keywords":"Feature (linguistics); Perspective (graphical); George (robot); Subject (documents)","score_opus":0.016018910527233587,"score_gpt":0.18826843400745125,"score_spread":0.17224952348021766,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7126669692","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7029076,0.0061664674,0.000058961596,0.0003631108,0.0021570742,0.0005399227,0.00021783888,0.000051285446,0.28753772],"genre_scores_gemma":[0.9637343,0.00027017467,0.00008330638,0.00011400049,0.00020589134,0.0000012393973,0.00001028798,0.000018730118,0.03556207],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99874866,0.0001366613,0.00039886232,0.00026911162,0.00021107569,0.00023564095],"domain_scores_gemma":[0.998742,0.00018590348,0.0004187576,0.00036424684,0.00021708045,0.00007200113],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00024891327,0.00021999974,0.00056996994,0.00073751144,0.0001753981,0.000016714836,0.00040307696,0.000110455134,0.00054256],"category_scores_gemma":[0.000064314605,0.00019619649,0.00018440797,0.00014479284,0.0025572865,0.00037692543,0.00012831602,0.00018113716,0.0000059279614],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0013268008,0.00023727391,0.005662609,0.00076399127,0.0006858861,0.00010563235,0.09385846,0.0000075650146,0.0026031926,0.87395406,0.01707714,0.0037174155],"study_design_scores_gemma":[0.0029218309,0.00012913471,0.001339094,0.00016413027,0.00028250887,0.0000018371728,0.0040831277,0.000008031355,0.00094775297,0.0005739383,0.9893232,0.0002254308],"about_ca_topic_score_codex":0.0009969427,"about_ca_topic_score_gemma":0.0028397767,"teacher_disagreement_score":0.97224605,"about_ca_system_score_codex":0.00018304848,"about_ca_system_score_gemma":0.00038734433,"threshold_uncertainty_score":0.94224286},"labels":[],"label_agreement":null},{"id":"W7128217664","doi":"10.1093/notesj/gjaf136","title":"The Fortunes of <i>Pertinax</i> : Burton and Johnson","year":2025,"lang":"en","type":"article","venue":"Notes and Queries","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Trinity College","funders":"","keywords":"","score_opus":0.026988718319740354,"score_gpt":0.24174486147299426,"score_spread":0.21475614315325392,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7128217664","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9250685,0.014947627,0.000045668134,0.0048324866,0.00033961606,0.000110199675,0.000010557225,0.00003247117,0.054612894],"genre_scores_gemma":[0.9910954,0.0017492853,0.000021476217,0.0002622552,0.00006915221,0.000008206708,0.0000011789535,0.000004039126,0.0067889704],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9996761,0.000009771879,0.00010330498,0.00007833703,0.000042776646,0.00008972533],"domain_scores_gemma":[0.9996712,0.00016983532,0.000029543586,0.0000776199,0.000037919683,0.000013861178],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00006665373,0.00006456963,0.00009401351,0.000020486248,0.00036463197,0.00009558622,0.000036503665,0.000019996623,0.00002742602],"category_scores_gemma":[0.00003664156,0.00003832233,0.000022399914,0.000009339476,0.00040980376,0.00006950798,0.000039174374,0.000035564586,5.4024986e-7],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000056415174,0.000011388701,0.00250463,0.00008615333,0.000029506862,5.214227e-7,0.01479096,1.2844188e-7,0.0004889035,0.886755,0.0025599361,0.092716455],"study_design_scores_gemma":[0.00015779237,0.000048198934,0.0024854844,0.00004155872,0.000021362164,6.649379e-7,0.0028688104,0.000026928208,0.0031794603,0.017389677,0.9737152,0.00006487868],"about_ca_topic_score_codex":0.00042619187,"about_ca_topic_score_gemma":0.001734594,"teacher_disagreement_score":0.9711552,"about_ca_system_score_codex":0.0000016743719,"about_ca_system_score_gemma":0.00001200028,"threshold_uncertainty_score":0.28044912},"labels":[],"label_agreement":null},{"id":"W7128916970","doi":"10.1080/00168890.2025.2608771","title":"“The Poetry of the Manufacturers…and their Imitators”: Keller’s Speculative Realism <sup>1</sup>","year":2025,"lang":"en","type":"article","venue":"The Germanic Review Literature Culture Theory","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"McGill University","funders":"","keywords":"Realism; Poetry; Gloom; Narrative","score_opus":0.015443701309578223,"score_gpt":0.24442342506792286,"score_spread":0.22897972375834463,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7128916970","genre_codex":"review","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"review","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0071181315,0.80124074,0.000029651927,0.01301819,0.0012239284,0.0018452358,0.00017429377,0.00009227543,0.17525753],"genre_scores_gemma":[0.69358873,0.08846235,0.000017162572,0.027263712,0.0015557487,0.00015603656,0.000092863505,0.00007808697,0.18878533],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99762475,0.0009402215,0.000524384,0.0003356454,0.00023475701,0.00034025943],"domain_scores_gemma":[0.99781626,0.0005148629,0.00030308389,0.0010986393,0.00021650002,0.000050660045],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0012913629,0.00043680432,0.00052083033,0.00003800264,0.0011670084,0.00029322586,0.00096567225,0.00012946883,0.00025226024],"category_scores_gemma":[0.0001398074,0.00015049228,0.00044785932,0.00015138919,0.000978605,0.00015536025,0.00026664967,0.00078223035,0.000018748411],"study_design_candidate":"theoretical_or_conceptual","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004024145,0.000018350227,0.0000024192507,0.0005899256,0.00023258555,0.0000014935279,0.1094754,0.0000010357107,0.000042123622,0.79669935,0.087349795,0.0055472935],"study_design_scores_gemma":[0.00019205411,0.000016947191,0.00005930643,0.0029790055,0.00020567382,0.000017881566,0.004726933,0.000008597864,0.00022261238,0.16577928,0.825614,0.00017770789],"about_ca_topic_score_codex":0.000006596097,"about_ca_topic_score_gemma":0.00002334533,"teacher_disagreement_score":0.7382642,"about_ca_system_score_codex":0.000033122047,"about_ca_system_score_gemma":0.000048286336,"threshold_uncertainty_score":0.8975803},"labels":[],"label_agreement":null},{"id":"W7132908948","doi":"","title":"Aural Readings: Performative Monologues as Oppositional Narratives","year":2022,"lang":"","type":"dissertation","venue":"TSpace","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"International Centre for Comparative Criminology","funders":"","keywords":"Performative utterance; Narrative; Opposition (politics); Performativity; Politics; Power (physics)","score_opus":0.06193462123845295,"score_gpt":0.3612651192729967,"score_spread":0.29933049803454376,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7132908948","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.66065204,0.0021870246,0.000009906419,0.0013138796,0.0026108515,0.00057602074,0.00015684635,0.00013955391,0.3323539],"genre_scores_gemma":[0.6386946,0.0003787509,0.00007567883,0.000454012,0.0008896092,0.00031757963,0.0055058044,0.00008644548,0.35359755],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9967865,0.00036031523,0.0006316107,0.00073948153,0.0007971982,0.0006849124],"domain_scores_gemma":[0.99821573,0.0002173832,0.00067352055,0.00033656586,0.0003725141,0.00018429683],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0003144617,0.00081755896,0.00073357776,0.0004108569,0.0045837113,0.000629315,0.00052280317,0.0003045462,0.13433613],"category_scores_gemma":[0.000065708635,0.00082557485,0.00043570038,0.000079014484,0.00044875377,0.00072879123,0.00014096934,0.001572382,0.0014015733],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00046909292,0.00015895479,0.00002100081,0.00014671388,0.00036852778,0.000024800562,0.8123681,0.000011382976,0.00035635923,0.17483348,0.010607143,0.00063447363],"study_design_scores_gemma":[0.0005096743,0.0007170616,0.00023328743,0.0001783694,0.00014268233,0.000021159365,0.7900282,0.00017913005,0.0007966633,0.0060916054,0.20027368,0.00082846463],"about_ca_topic_score_codex":0.0016864849,"about_ca_topic_score_gemma":0.00059420377,"teacher_disagreement_score":0.18966652,"about_ca_system_score_codex":0.0002978755,"about_ca_system_score_gemma":0.00046211405,"threshold_uncertainty_score":0.9994195},"labels":[],"label_agreement":null},{"id":"W7133013927","doi":"","title":"Modernism, postcolonialism, and the experience of place: a study of Samuel Beckett and Derek Walcott","year":2001,"lang":"","type":"dissertation","venue":"TSpace","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":true,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"","funders":"University of Toronto","keywords":"Modernity; Irish; Modernism (music); Postcolonialism (international relations); Postmodernism; Phenomenon; State (computer science); Posthuman","score_opus":0.05972019333953381,"score_gpt":0.346804685467741,"score_spread":0.2870844921282072,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7133013927","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.9794684,0.0077496935,0.00001654801,0.00030208306,0.00055587734,0.0021192092,0.000041320596,0.000029631403,0.009717207],"genre_scores_gemma":[0.96162885,0.0021872919,0.000029034658,0.00010767843,0.0001910001,0.00018242233,0.000040366584,0.00008078712,0.03555257],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.9966202,0.00035519764,0.0010166256,0.00077299675,0.0007315988,0.00050342333],"domain_scores_gemma":[0.9971192,0.000586442,0.001087567,0.0006607257,0.00039877207,0.00014730162],"candidate_categories":["metaepi_narrow"],"consensus_categories":[],"category_scores_codex":[0.00049575797,0.0007267679,0.0013989673,0.0002499377,0.0008373237,0.00025174863,0.0004502137,0.00031357745,0.0005685982],"category_scores_gemma":[0.000115465846,0.0005423276,0.00018888447,0.00009144631,0.0016372505,0.00023410747,0.000190636,0.0004951659,0.0000031820005],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0027929128,0.00053630024,0.0006205083,0.00044292287,0.0003533522,0.000013184091,0.9802602,0.000020790389,0.00032365837,0.013185438,0.00013414343,0.0013165947],"study_design_scores_gemma":[0.008682062,0.0013049648,0.003063797,0.00039522917,0.00096440135,0.000023074692,0.9776572,0.0017137615,0.00055466907,0.0012644808,0.0036544849,0.0007218635],"about_ca_topic_score_codex":0.017506974,"about_ca_topic_score_gemma":0.015503223,"teacher_disagreement_score":0.02583536,"about_ca_system_score_codex":0.000038077127,"about_ca_system_score_gemma":0.00019038895,"threshold_uncertainty_score":0.9997028},"labels":[],"label_agreement":null},{"id":"W7133078924","doi":"","title":"Transpositions de l&apos;œuvre de Beckett dans l&apos;art contemporain au Québec, 2000-2010","year":2011,"lang":"fr","type":"article","venue":"TSpace","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Object (grammar); Meaning (existential); Subject (documents); Discipline; Cognition","score_opus":0.16567303242190007,"score_gpt":0.33810499917485465,"score_spread":0.17243196675295458,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7133078924","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.4056899,0.005402903,0.002596584,0.03203347,0.001910566,0.0005229665,0.00032499747,0.00028562435,0.551233],"genre_scores_gemma":[0.36763784,0.00020972054,0.00087933795,0.0012529958,0.0012172532,0.00007463008,0.00006356812,0.00010260184,0.62856203],"study_design_codex":"qualitative","study_design_gemma":"not_applicable","domain_scores_codex":[0.9972958,0.00025740103,0.00045682598,0.0005102213,0.00026444191,0.0012153328],"domain_scores_gemma":[0.99842143,0.0001365824,0.0001715587,0.0006063883,0.00014221507,0.0005218016],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.0004627827,0.0005307748,0.0004751502,0.0001535889,0.0012140748,0.0001784971,0.00046300184,0.00036130313,0.014193764],"category_scores_gemma":[0.000031455504,0.000568594,0.00040015124,0.00006928542,0.0010933279,0.00035378794,0.000045817276,0.0004999562,0.0016399599],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001402863,0.00059355865,0.0024358751,0.00014851274,0.0002252874,0.0001604928,0.8037063,0.000004366206,0.0016738237,0.0767016,0.11300901,0.0012008899],"study_design_scores_gemma":[0.0010710517,0.00034256675,0.004421063,0.00027744222,0.00044643926,0.00010333144,0.046805326,0.00021635965,0.0021324246,0.0023284643,0.94105804,0.0007974778],"about_ca_topic_score_codex":0.59520656,"about_ca_topic_score_gemma":0.67868394,"teacher_disagreement_score":0.82804906,"about_ca_system_score_codex":0.000982285,"about_ca_system_score_gemma":0.002301627,"threshold_uncertainty_score":0.9996765},"labels":[],"label_agreement":null},{"id":"W7153396165","doi":"","title":"Further Afield","year":2002,"lang":"","type":"article","venue":"Digital Commons - University of South Florida (University of South Florida)","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"Nortel (Canada)","funders":"","keywords":"","score_opus":0.05548676144265815,"score_gpt":0.18110918772886822,"score_spread":0.12562242628621006,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7153396165","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.7622305,0.0007275257,0.0013081911,0.00093775155,0.0015283404,0.0005875499,0.004219849,0.00022714061,0.22823311],"genre_scores_gemma":[0.9540159,0.00014836979,0.00014091055,0.000048038557,0.0004349385,8.56223e-8,0.00010067395,0.00007378961,0.045037277],"study_design_codex":"qualitative","study_design_gemma":"qualitative","domain_scores_codex":[0.99609697,0.00012209923,0.0005428196,0.0010547643,0.0011005233,0.0010828323],"domain_scores_gemma":[0.99618614,0.00022457128,0.0009639567,0.0013150107,0.0006861461,0.00062416523],"candidate_categories":["metaepi_narrow","sts","insufficient_payload"],"consensus_categories":["sts","insufficient_payload"],"category_scores_codex":[0.00022181762,0.00086484407,0.0014391136,0.0008606959,0.001800074,0.00025606112,0.002029676,0.0005911762,0.015419883],"category_scores_gemma":[0.00004453906,0.0012193706,0.0013508566,0.00044538797,0.0032841326,0.0021716694,0.0011260364,0.00093642535,0.0014905618],"study_design_candidate":"qualitative","study_design_consensus":"qualitative","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0017680484,0.0009833502,0.0281599,0.00072872883,0.0021341883,0.0006129684,0.91855764,0.00014600414,0.000041233227,0.021699568,0.016118273,0.009050097],"study_design_scores_gemma":[0.0071217823,0.0011530931,0.0053861146,0.0006572231,0.0014739195,0.000013737038,0.7409262,0.0022862633,0.000051849907,0.00070525665,0.23786096,0.0023636078],"about_ca_topic_score_codex":0.0009674449,"about_ca_topic_score_gemma":0.00075597886,"teacher_disagreement_score":0.22174269,"about_ca_system_score_codex":0.00016578808,"about_ca_system_score_gemma":0.00014555751,"threshold_uncertainty_score":0.99949944},"labels":[],"label_agreement":null},{"id":"W7161781754","doi":"10.82308/736","title":"Beckett, Babel et bilinguisme, suivi de, Espaces","year":2003,"lang":"fr","type":"dissertation","venue":"","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Identity (music); Neuroscience of multilingualism; Creativity; Creative writing; Personal identity; Creative work; Dimension (graph theory)","score_opus":0.054239117827825936,"score_gpt":0.30739622928604793,"score_spread":0.253157111458222,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7161781754","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.27746555,0.007113416,0.00007631455,0.0011465889,0.00456804,0.00039958413,0.00010321663,0.00016697189,0.7089603],"genre_scores_gemma":[0.05496736,0.001721983,0.0008668236,0.0028198287,0.0011943618,0.00007949391,0.00090868527,0.00016029515,0.9372812],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99705964,0.00022373605,0.000599262,0.0006740114,0.00042268014,0.0010206728],"domain_scores_gemma":[0.99831814,0.00026874006,0.00029936418,0.0004313369,0.00039460618,0.00028780603],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00061910594,0.00073548703,0.0006321321,0.00030808806,0.00089379755,0.00073755207,0.00034701076,0.000567759,0.018939147],"category_scores_gemma":[0.0002051197,0.00068161066,0.0004139133,0.00006256962,0.00027464225,0.00025252395,0.000031733918,0.0006855676,0.0010630008],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00005137945,0.0003076911,0.0009710375,0.00049461925,0.00022438316,0.000039201128,0.08718298,0.000012572921,0.00024256392,0.86213434,0.046756256,0.0015829667],"study_design_scores_gemma":[0.0005834528,0.00015830195,0.00067457074,0.00024888545,0.00030934523,0.000011125385,0.0305165,0.00021185604,0.0023408574,0.008191753,0.95575887,0.0009944903],"about_ca_topic_score_codex":0.01141098,"about_ca_topic_score_gemma":0.095133744,"teacher_disagreement_score":0.9090026,"about_ca_system_score_codex":0.00014151057,"about_ca_system_score_gemma":0.0007299751,"threshold_uncertainty_score":0.9997148},"labels":[],"label_agreement":null},{"id":"W7163024172","doi":"10.2307/jj.42890710.15","title":"WILMER’S PARK, PRINCE GEORGE’S COUNTY","year":2024,"lang":"","type":"book-chapter","venue":"University of Georgia Press eBooks","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"","score_opus":0.06261298709855728,"score_gpt":0.21238846885812035,"score_spread":0.14977548175956307,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7163024172","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0010840083,0.0025471642,0.000058164544,0.00011523454,0.001828727,0.00082141545,0.0018273218,0.00021309161,0.99150485],"genre_scores_gemma":[0.029268999,0.0011716813,0.00006422207,0.000083930514,0.00059175293,8.8437724e-7,0.00008879249,0.00013736718,0.96859235],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9965987,0.000051856245,0.00062896824,0.001169966,0.0008195543,0.00073095196],"domain_scores_gemma":[0.9973203,0.00014385245,0.0006521707,0.0010534901,0.00051163434,0.00031852833],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00027719574,0.000988413,0.0011554253,0.0003677028,0.0009412043,0.00025146277,0.0011767403,0.0007181323,0.006887531],"category_scores_gemma":[0.000006453712,0.0011673212,0.00086197385,0.0000058450373,0.0026491266,0.00024425515,0.0010863692,0.0011558618,0.00052230427],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00032060622,0.000057139627,0.0000048918355,0.0010135191,0.0010946797,0.00040574,0.03163121,0.000008051821,0.000046917394,0.95665133,0.0049592764,0.0038066315],"study_design_scores_gemma":[0.000851942,0.00017461482,0.000013355695,0.0012419202,0.0015746497,0.000014435825,0.001753628,0.00014535409,0.00010778441,0.011010691,0.98197407,0.0011375372],"about_ca_topic_score_codex":0.0066586914,"about_ca_topic_score_gemma":0.0022700524,"teacher_disagreement_score":0.97701484,"about_ca_system_score_codex":0.0002250008,"about_ca_system_score_gemma":0.00039931713,"threshold_uncertainty_score":0.9999561},"labels":[],"label_agreement":null},{"id":"W7164509887","doi":"10.1515/9780820372273-fm","title":"Preliminary Material","year":2020,"lang":"","type":"book-chapter","venue":"Semiotics","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"","score_opus":0.080176667113896,"score_gpt":0.2432164208847547,"score_spread":0.16303975377085872,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7164509887","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.0006935034,0.0009238138,0.000048124974,0.0020966283,0.01025912,0.00065660814,0.0013978512,0.00023563489,0.9836887],"genre_scores_gemma":[0.1975503,0.0015625523,0.00027877488,0.0033252074,0.019200247,0.000008104113,0.0007306771,0.00042706876,0.7769171],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9970651,0.000035445562,0.0009265847,0.0008354432,0.00055168767,0.0005857417],"domain_scores_gemma":[0.998221,0.00011375397,0.0004510916,0.0006722997,0.00019232547,0.00034957466],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00011951159,0.0009731242,0.0009879759,0.0001311874,0.00065617,0.00060531654,0.000575841,0.0006887679,0.044814724],"category_scores_gemma":[0.000033214717,0.0009881567,0.00051158504,0.000008285259,0.000731089,0.00016166717,0.00048795016,0.00086252275,0.0051216315],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00038543873,0.000051378247,0.0000038755916,0.00049381296,0.0003326525,0.00028342867,0.009135013,0.0000054229317,0.00006223208,0.95000184,0.03525148,0.0039934283],"study_design_scores_gemma":[0.000401023,0.0008315085,0.000009132038,0.00045904075,0.00067698356,0.00002350517,0.00046115342,0.00026693483,0.0002542792,0.03804546,0.9574537,0.001117224],"about_ca_topic_score_codex":0.00003426093,"about_ca_topic_score_gemma":0.000025161366,"teacher_disagreement_score":0.9222023,"about_ca_system_score_codex":0.00007919636,"about_ca_system_score_gemma":0.00015333165,"threshold_uncertainty_score":0.9992569},"labels":[],"label_agreement":null},{"id":"W7165734623","doi":"10.1353/vcr.2025.a993451","title":"Daniel Deronda, Thief in the Night","year":2025,"lang":"en","type":"article","venue":"Victorian review","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"","score_opus":0.047034840186263374,"score_gpt":0.29251629590484696,"score_spread":0.2454814557185836,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7165734623","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.00034275,0.20222278,0.000028055118,0.014981323,0.0018889507,0.00056538114,0.0000065499144,0.00004853638,0.7799157],"genre_scores_gemma":[0.38676658,0.1413956,0.000092095564,0.13642159,0.003222467,0.0006287906,0.00007213444,0.00006427621,0.33133647],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.9992382,0.00010544897,0.00022912356,0.00014424288,0.00012235521,0.000160624],"domain_scores_gemma":[0.99951744,0.00007978406,0.00003848747,0.00031493724,0.0000321803,0.000017194994],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0003635219,0.00011097401,0.00021040975,0.00004778798,0.00014578814,0.000091594186,0.00030561164,0.000026854992,0.001313588],"category_scores_gemma":[0.000038613438,0.000065021355,0.000086673404,0.00006752236,0.00005418279,0.000081785016,0.0000290263,0.00014581662,0.0002255021],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0000014647023,0.000033700893,0.00006868519,0.00065748,0.000013166899,0.000010238805,0.007494125,2.356939e-8,0.0000014356601,0.8073956,0.1775194,0.0068046963],"study_design_scores_gemma":[0.00011463024,0.000010790462,0.00014278227,0.0012657755,0.000037033584,0.0000014934546,0.00020808984,0.0000010504917,0.0000018938052,0.0051800925,0.9929578,0.000078591875],"about_ca_topic_score_codex":0.000044354263,"about_ca_topic_score_gemma":0.0008624026,"teacher_disagreement_score":0.8154384,"about_ca_system_score_codex":0.000018370785,"about_ca_system_score_gemma":0.00004105831,"threshold_uncertainty_score":0.99959934},"labels":[],"label_agreement":null},{"id":"W7165776368","doi":"10.1353/vcr.2025.a993441","title":"\"I Have Thought of You More Than Any Other Being in the World\": Trauma and the Urgency of Filial Desire in Daniel Deronda","year":2025,"lang":"en","type":"article","venue":"Victorian review","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"","score_opus":0.04867089655601845,"score_gpt":0.3004854293077734,"score_spread":0.2518145327517549,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W7165776368","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.12900661,0.36571676,0.000039871346,0.012928407,0.0017228945,0.0036994612,0.00008073897,0.00003837184,0.4867669],"genre_scores_gemma":[0.98222554,0.0066914554,0.000033716562,0.001476955,0.00028791846,0.00008324926,0.000004469737,0.000015870039,0.009180856],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99892026,0.00021953302,0.000434092,0.0001443153,0.00013576633,0.00014604053],"domain_scores_gemma":[0.9993725,0.00018660624,0.000115545976,0.00027610792,0.000035108824,0.000014159254],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.0006565803,0.00013075178,0.00040199677,0.00008900788,0.00007130499,0.000026811202,0.00024490955,0.00002924802,0.00026198896],"category_scores_gemma":[0.00005804375,0.00006927086,0.000106510546,0.00010875489,0.00023045117,0.00006970993,0.000035593075,0.00013868966,0.0000013261395],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000051470335,0.00008688786,0.004038137,0.0022982988,0.00004764251,0.0000038025,0.061973635,2.8103884e-7,0.00001107273,0.91062367,0.0026469908,0.018218124],"study_design_scores_gemma":[0.000863034,0.000018521467,0.0029377018,0.0042848806,0.000108830725,8.084468e-7,0.0019529038,0.00001670436,0.00007767728,0.009386083,0.9802354,0.00011743656],"about_ca_topic_score_codex":0.0002550368,"about_ca_topic_score_gemma":0.0090606855,"teacher_disagreement_score":0.9775884,"about_ca_system_score_codex":0.0000117013915,"about_ca_system_score_gemma":0.000032914202,"threshold_uncertainty_score":0.50560755},"labels":[],"label_agreement":null},{"id":"W796761817","doi":"10.1353/mdr.2004.0036","title":"Beckett and Aesthetics by Daneil Albright (review)","year":2004,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"History","score_opus":0.03412788690845854,"score_gpt":0.24045559730903326,"score_spread":0.20632771040057474,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W796761817","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.47951788,0.20872778,0.002673251,0.026709363,0.0011089754,0.0011669289,0.00020735215,0.00067370693,0.27921477],"genre_scores_gemma":[0.9502686,0.0057276892,0.00017772913,0.008293778,0.00034952932,0.000039709445,0.000069993665,0.00006602841,0.03500694],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.9990213,0.000019298019,0.00020608291,0.00027384335,0.00019778524,0.0002816884],"domain_scores_gemma":[0.99950457,0.000015401463,0.000056378445,0.00026154728,0.0000550007,0.00010713401],"candidate_categories":[],"consensus_categories":[],"category_scores_codex":[0.00009223069,0.00019739763,0.00023156738,0.00003400171,0.00024642915,0.00011875237,0.00015391178,0.000051950803,0.0006389994],"category_scores_gemma":[0.0000096231415,0.00016389496,0.000070459515,0.000013164292,0.00022834454,0.00015537888,0.000051348925,0.00013686085,0.00018272712],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00004217713,0.00064540043,0.0001360973,0.00097482395,0.00014863534,0.000097295844,0.08429702,0.000024311867,0.00093114167,0.28680703,0.3629963,0.26289976],"study_design_scores_gemma":[0.00068750884,0.00007200249,0.000024970836,0.00024788448,0.000057220517,0.000023929968,0.00014335099,0.00012959406,0.00042400294,0.03411271,0.96375096,0.0003258941],"about_ca_topic_score_codex":0.00025419059,"about_ca_topic_score_gemma":0.0003283957,"teacher_disagreement_score":0.6007546,"about_ca_system_score_codex":0.000030186231,"about_ca_system_score_gemma":0.000028430366,"threshold_uncertainty_score":0.6996595},"labels":[],"label_agreement":null},{"id":"W803786127","doi":"","title":"La voix et l'os. Imaginaire de l'ascèse chez Saint-Denys Garneau et Samuel Beckett by Frédérique Bernier (review)","year":2014,"lang":"fr","type":"article","venue":"University of Toronto Quarterly","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Art; Humanities","score_opus":0.011862191117474717,"score_gpt":0.23029412239301914,"score_spread":0.21843193127554442,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W803786127","genre_codex":"other","genre_gemma":"other","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":"other","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.098633446,0.26902875,0.007845993,0.060565077,0.0020655966,0.001401173,0.0033185496,0.00043660123,0.5567048],"genre_scores_gemma":[0.454842,0.05678935,0.0020100179,0.007774455,0.0009343055,0.0000055619453,0.00037078589,0.00020468503,0.4770688],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99702984,0.0010316172,0.00036013348,0.0005550699,0.0003667254,0.0006565865],"domain_scores_gemma":[0.99822813,0.00025098014,0.00035000505,0.0005851461,0.00025070095,0.00033501204],"candidate_categories":["metaepi_narrow","insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.0010633437,0.00049360184,0.0006962733,0.00005132186,0.00038662786,0.00011675788,0.0006522566,0.0003145602,0.008417804],"category_scores_gemma":[0.000034383505,0.0005907441,0.00047154634,0.000020284362,0.0009336492,0.0011068484,0.0000867884,0.00048210146,0.00025466448],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.0001025397,0.0005712531,0.00028711426,0.0013387932,0.00028802129,0.00007771552,0.165584,0.0000019782226,0.00024130211,0.110099636,0.60466915,0.116738506],"study_design_scores_gemma":[0.0012916193,0.0007101084,0.0021014526,0.0011578826,0.00036048927,0.00002832408,0.012283284,0.0002509051,0.000021354324,0.00093675934,0.9802322,0.00062563515],"about_ca_topic_score_codex":0.2060283,"about_ca_topic_score_gemma":0.25417256,"teacher_disagreement_score":0.37556303,"about_ca_system_score_codex":0.0006886882,"about_ca_system_score_gemma":0.0002319593,"threshold_uncertainty_score":0.9996544},"labels":[],"label_agreement":null},{"id":"W855758393","doi":"10.71781/22769","title":"Système de l'objet théâtral chez Beckett et Ionesco : le rôle du décor et des accessoires dans la réification du corps","year":2007,"lang":"fr","type":"dissertation","venue":"Papyrus : Institutional Repository (Université de Montréal)","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":true,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":true,"ca_institutions":"","funders":"","keywords":"Humanities; Art; Philosophy","score_opus":0.018605438327266376,"score_gpt":0.21607721507182642,"score_spread":0.19747177674456004,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W855758393","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.79224324,0.0042803595,0.0020998206,0.0010914446,0.0012225305,0.00044868496,0.00021914704,0.0001942631,0.19820052],"genre_scores_gemma":[0.92817515,0.0013976241,0.0004535537,0.00021506441,0.0006658576,0.000057272842,0.0015182308,0.00007953216,0.067437716],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"qualitative","domain_scores_codex":[0.9967605,0.00046969543,0.00061779807,0.00075612747,0.00069640705,0.0006995052],"domain_scores_gemma":[0.9976423,0.0003352861,0.00063016074,0.00040787412,0.0006040266,0.00038039935],"candidate_categories":["metaepi_narrow","sts"],"consensus_categories":[],"category_scores_codex":[0.0007683417,0.0006890561,0.00054963375,0.00043774996,0.0116112325,0.00045742397,0.00063905265,0.00065427984,0.00014322271],"category_scores_gemma":[0.00011084502,0.0007919155,0.00048106947,0.00015209014,0.001190297,0.0011416175,0.00015222348,0.0006661039,0.00007604988],"study_design_candidate":"qualitative","study_design_consensus":null,"about_ca_topic_candidate":true,"about_ca_topic_consensus":true,"about_ca_system_candidate":true,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00066959823,0.0005401754,0.019895671,0.0003290148,0.00037379557,0.0015560541,0.31190205,0.0012530102,0.009536929,0.6519481,0.0010711177,0.00092452136],"study_design_scores_gemma":[0.0026789214,0.0002510878,0.36149886,0.0012260539,0.0011595079,0.0024664109,0.37285155,0.0035630295,0.013863494,0.005082268,0.23342657,0.0019322599],"about_ca_topic_score_codex":0.16193978,"about_ca_topic_score_gemma":0.14061008,"teacher_disagreement_score":0.6468658,"about_ca_system_score_codex":0.0050858934,"about_ca_system_score_gemma":0.0034790498,"threshold_uncertainty_score":0.9994532},"labels":[],"label_agreement":null},{"id":"W856000848","doi":"","title":"Blessings in Disguise","year":2014,"lang":"en","type":"article","venue":"Divergent/Convergent","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":true,"route_ca_fund":false,"route_ca_venue":false,"route_about_ca":false,"ca_institutions":"University of Victoria","funders":"","keywords":"Computer science","score_opus":0.053065599640732625,"score_gpt":0.23833221728961962,"score_spread":0.185266617648887,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W856000848","genre_codex":"empirical","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"empirical","genre_consensus":"empirical","domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.89226055,0.00031475446,0.00015144434,0.00067134236,0.0046428544,0.00022448832,0.000022186456,0.0001543794,0.101558015],"genre_scores_gemma":[0.98041546,0.000054905755,0.000030190313,0.00081312936,0.0005512766,0.000031212603,0.000032448555,0.000028989716,0.018042397],"study_design_codex":"theoretical_or_conceptual","study_design_gemma":"not_applicable","domain_scores_codex":[0.99854183,0.000059942002,0.00031804258,0.0003365646,0.00026574262,0.00047787055],"domain_scores_gemma":[0.9993887,0.000032492146,0.000081849765,0.00029239015,0.000063126805,0.00014142734],"candidate_categories":["insufficient_payload"],"consensus_categories":["insufficient_payload"],"category_scores_codex":[0.00024395937,0.00021517606,0.00023825582,0.0001420136,0.00024294129,0.000109545705,0.00025896172,0.00005094352,0.014044164],"category_scores_gemma":[0.000035759334,0.00019328456,0.00013554745,0.000039725655,0.0001357432,0.00019850694,0.00013778685,0.00013268161,0.0016491007],"study_design_candidate":"not_applicable","study_design_consensus":null,"about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.00013168689,0.0008596699,0.16516364,0.00018509675,0.00014186474,0.000055964058,0.088522404,0.00003780301,0.0011632631,0.63015723,0.082518995,0.031062406],"study_design_scores_gemma":[0.00089628255,0.00006425867,0.0132114375,0.000040553587,0.00002797354,0.0000010183126,0.0011266632,0.00075125054,0.0007054338,0.0045787343,0.97818905,0.0004073356],"about_ca_topic_score_codex":0.0007655031,"about_ca_topic_score_gemma":0.0012445033,"teacher_disagreement_score":0.89567006,"about_ca_system_score_codex":0.0000565243,"about_ca_system_score_gemma":0.000023555522,"threshold_uncertainty_score":0.9991282},"labels":[],"label_agreement":null},{"id":"W857814726","doi":"10.1353/mdr.2003.0005","title":"Twelve Opening Acts by Michel Tremblay (review)","year":2003,"lang":"en","type":"article","venue":"Modern Drama","topic":"Samuel Beckett and Modernism","field":"Arts and Humanities","cited_by":0,"is_retracted":false,"has_abstract":false,"route_ca_aff":false,"route_ca_fund":false,"route_ca_venue":true,"route_about_ca":false,"ca_institutions":"","funders":"","keywords":"Psychology","score_opus":0.05572650239428977,"score_gpt":0.2660350519233366,"score_spread":0.21030854952904682,"validation_status":"score_only:v0-immature-baseline","prediction":{"id":"W857814726","genre_codex":"other","genre_gemma":"empirical","domain_codex":null,"domain_gemma":null,"model_version":"codex-gemma-dda1882f352a","genre_candidate":"other","genre_consensus":null,"domain_candidate":null,"domain_consensus":null,"prediction_status":"machine_predicted_unvalidated","genre_scores_codex":[0.04938507,0.075073145,0.0015844838,0.0020901007,0.0010711701,0.00069012755,0.000059623428,0.00031013667,0.86973614],"genre_scores_gemma":[0.8475697,0.0012760458,0.00019739904,0.008203822,0.0002728361,0.000059921338,0.00005396186,0.000072783434,0.14229351],"study_design_codex":"not_applicable","study_design_gemma":"not_applicable","domain_scores_codex":[0.99871397,0.00007128223,0.00026262473,0.0003237122,0.00023309143,0.00039532298],"domain_scores_gemma":[0.9993489,0.000043486554,0.000087228414,0.0003285881,0.000074501,0.00011730533],"candidate_categories":["insufficient_payload"],"consensus_categories":[],"category_scores_codex":[0.00020563001,0.0002336494,0.00029606733,0.000041878488,0.0002779062,0.00016265053,0.00022895748,0.00005909924,0.00397715],"category_scores_gemma":[0.000054369313,0.0002028422,0.00013096123,0.000021140524,0.000092475806,0.0002548516,0.00003672524,0.00017697932,0.0006236488],"study_design_candidate":"not_applicable","study_design_consensus":"not_applicable","about_ca_topic_candidate":false,"about_ca_topic_consensus":false,"about_ca_system_candidate":false,"about_ca_system_consensus":false,"study_design_scores_codex":[0.000020888516,0.00023090324,0.00013462084,0.00030435566,0.00012004455,0.000026771255,0.030773588,0.000007986177,0.0029438003,0.066513956,0.8714092,0.0275139],"study_design_scores_gemma":[0.00041924496,0.000031216656,0.0000087455455,0.00016557648,0.00004919689,0.000006178639,0.00028906667,0.00020820093,0.0015651811,0.0032539875,0.99369365,0.0003097307],"about_ca_topic_score_codex":0.00009097831,"about_ca_topic_score_gemma":0.00016373907,"teacher_disagreement_score":0.79818463,"about_ca_system_score_codex":0.000035995825,"about_ca_system_score_gemma":0.000039748902,"threshold_uncertainty_score":0.99693334},"labels":[],"label_agreement":null}]}